BABYL OPTIONS: Version: 5 Labels:~thehun,ch Note: This is the header of an rmail file. Note: If you are seeing it in rmail, Note: it means the file has no messages in it.  1,, Summary-line: 2-Sep MABromberg@aol.com #New lighting rental rates Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11760; Wed, 2 Sep 98 03:29:25 EDT Received: from imo21.mx.aol.com by MIT.EDU with SMTP id AA01687; Wed, 2 Sep 98 03:29:09 EDT Received: from MABromberg@aol.com by imo21.mx.aol.com (IMOv16.1) id EKSRa11276; Wed, 2 Sep 1998 03:29:03 -0400 (EDT) From: MABromberg@aol.com Message-Id: <3a0be13c.35ecf3bf@aol.com> Date: Wed, 2 Sep 1998 03:29:03 EDT To: rsmarcus@MIT.EDU, slevine@fas.harvard.edu, slevine@MIT.EDU, zacheiss@MIT.EDU, mdeeds@MIT.EDU, klmitch@MIT.EDU, mkendall@MIT.EDU, mrbonk@MIT.EDU, gsp-lights@MIT.EDU, goodmanj@MIT.EDU, mikesch@MIT.EDU, vandj@pegasystems.com, crezek@MIT.EDU, chernoff@amt.tay1.dec.com, Ron.Dallas@Teradyne.com, mguetersloh@transfusiontech.com, sclassic@tiac.net, shenderson@kronos.com, sravan@owl.mv.com, ecollins@edc.org, dcl@ties.org, MABromberg@aol.com, jgonda@MIT.EDU, stacy@alum.mit.edu, Leahsab@aol.com, fern@MIT.EDU, ginger_fitzsimmons@maceast.com Mime-Version: 1.0 Subject: New lighting rental rates Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 214 *** EOOH *** From: MABromberg@aol.com Date: Wed, 2 Sep 1998 03:29:03 EDT To: rsmarcus@MIT.EDU, slevine@fas.harvard.edu, slevine@MIT.EDU, zacheiss@MIT.EDU, mdeeds@MIT.EDU, klmitch@MIT.EDU, mkendall@MIT.EDU, mrbonk@MIT.EDU, gsp-lights@MIT.EDU, goodmanj@MIT.EDU, mikesch@MIT.EDU, vandj@pegasystems.com, crezek@MIT.EDU, chernoff@amt.tay1.dec.com, Ron.Dallas@Teradyne.com, mguetersloh@transfusiontech.com, sclassic@tiac.net, shenderson@kronos.com, sravan@owl.mv.com, ecollins@edc.org, dcl@ties.org, MABromberg@aol.com, jgonda@MIT.EDU, stacy@alum.mit.edu, Leahsab@aol.com, fern@MIT.EDU, ginger_fitzsimmons@maceast.com Mime-Version: 1.0 Subject: New lighting rental rates Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 214 Hi, lighting fans. Thanks for your past and future patronage. As demand for my equipment has grown, I find I am supplying equipment to several shows at once. It is no longer practical to maintain the unlimited-time, unlimited-free-cable rental rates I have charged in the past. In order to give everyone a chance at the equipment and encourage its prompt return, I am going to a weekly rental rate structure, which is included below. In most cases, I have set the weekly rates at about 60% of the former unlimited-time rates. Dimmer packs have increased more due to the maintenance, transportation, and power connection hassle. One-week renters will actually see their bill decrease, while the typical two-week renter will see the bill increase about 20%. Three-week and longer rentals will increase proportionally. I am also starting to charge a nominal weekly fee for cable, adapters, mounting equipment, gobos, gels, etc. It is my hope that this will encourage designers to figure how much of this they need in advance, and take only what is required. I have acquired and will be adding to the inventory four 8" 1500w Fresnels and two 8' four-circuit 120w R40 strips. If you need a fresh copy of the equipment or gel inventory, just e-mail me at my preferred address: bromberg@alum.mit.edu I am still committed to making lighting equipment available to local school and community theatres at an affordable price. I believe these rates are still a bargain, and hope you will continue to use Three Ring Circuits to supply your occasional theatrical lighting needs. Mike Bromberg, Owner Three Ring Circuits ************************************************************ Three Ring Circuits - Lighting Rental Terms & Conditions Revised 9/1/98 Prices are PER WEEK: $50 for the MicroVision (includes monitor & DMX converter) $10 per dimmer 6 pack $20 for the Teatronics 12-pack $6 for the Hubbellock connector $6 per box of electronics (DMX converter alone, color scroller, two-scene board, Lutron board, switchbox, distro box) $6 for the followspot (includes base, stand, and sight) $6 per blacklight $6 per strobe light (includes strobe controller and control cable) $3 for use of the gel box Each instrument includes clamp, safety, and frame at no charge, but safeties and frames must be ordered as separate items. $6 per Source Four ERS $4 per Source Four MCM PAR (cold mirror) or CCT zoom ERS $2 per quartz flood $3 per other instrument (regular Source Four PAR, chimney ERS any size, Fresnel any size, PAR64, beam projector) $0.50 per barndoor, gobo holder, or gobo $0.50 per sidearm, base, pipe, T-top, Pony clamp, etc. (couplings and mandrels no charge but must be ordered) $0.50 per adapter, twofer, or threefer $0.05 per foot for distro cable $0.02 per foot for stage and Twistlock cable $0.01 per foot for Edison, DMX, and analog control cable Payment is due upon return of equipment. Renter agrees to pay to repair or replace damaged or missing equipment. 10% spare lamps supplied but must be ordered as a separate item. No charge for burnouts if burned lamp is returned. Broken or lost lamps will be charged for. Gaffer tape only on plugs and yokes. No duct or masking tape anywhere. All added tape must be removed before returning. All cable must be returned individually coiled, ends plugged together where possible, tied with tie line (no tape). Tools and expendables no charge, only available for shows I'm working on. No charge for pickup or dropoff if it's convenient to my schedule, otherwise $25 per trip. Mike Bromberg d/b/a Three Ring Circuits 120 Old County Rd. Mason, NH 03048-4308 Phone/fax/answering machine 603-878-2381 bromberg@alum.mit.edu  1,, Summary-line: 7-Sep Turberville, Mike #RE: Ferrets. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17397; Mon, 7 Sep 98 07:07:20 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA25763; Mon, 7 Sep 98 07:07:15 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id HAA05257; Mon, 7 Sep 1998 07:06:32 -0400 (EDT) Date: Mon, 7 Sep 1998 07:06:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike.turberville@shearwater.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Turberville, Mike" To: Multiple recipients of list SAVOYNET Subject: RE: Ferrets. Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1457.3) *** EOOH *** Date: Mon, 7 Sep 1998 07:06:32 -0400 (EDT) Reply-To: mike.turberville@shearwater.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Turberville, Mike" To: Multiple recipients of list SAVOYNET Subject: RE: Ferrets. Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1457.3) (By the way, what the deil's a "ferret festival"??? Derrick McClure. That's futtret to you isn't it Derrick? But perhaps it relates to the practice of seeing how long one can keep a ferret down ones trousers** as in:- When a ferret's not engaged in his employment (his employment) Or devouring some small rodent for his tea (for his tea) He can often find some innocent enjoyment (cent enjoyment) Down the trousers of the local yeaomanree (yeomanree) Such a ferret festival is most unlikely (most unlikely) In places where the Scottish accents lilt (accents lilt) Since a ferret fits in trousers much more tightly (much more tightly) Than a ferret who is placed inside the kilt Ahh - When a ferret's down your trousers on the run, on the run The experience is not a happy one Happy One* * to be sung falsetto!! ** Note to non UK residents who may be perplexed as to why otherwise perfectly rational Englismen should stuff ferrets down their trousers - so am I !! Mike.  1,, Summary-line: 18-Sep Roberta Klarreich #Re: SCANDAL DEEPENS Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04478; Fri, 18 Sep 98 21:54:29 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA12348; Fri, 18 Sep 98 21:54:18 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id VAA20873; Fri, 18 Sep 1998 21:54:09 -0400 (EDT) Date: Fri, 18 Sep 1998 21:54:09 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: roberta.klarreich@yale.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Roberta Klarreich To: Multiple recipients of list SAVOYNET Subject: Re: SCANDAL DEEPENS Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <199809181905.PAA01737@charon.MIT.EDU> *** EOOH *** Date: Fri, 18 Sep 1998 21:54:09 -0400 (EDT) Reply-To: roberta.klarreich@yale.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Roberta Klarreich To: Multiple recipients of list SAVOYNET Subject: Re: SCANDAL DEEPENS Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <199809181905.PAA01737@charon.MIT.EDU> On Fri, 18 Sep 1998 opus@mit.edu wrote: [Most of hilarious post snipped] > According to Nolas, the affair lasted for several years, and ended > after Casilda learned that she had been secretly wed in babyhood to > the infant son of the King of Barataria. Though it later transpired > that Luiz was that same son, the article accuses the two of immoral > conduct because they had no reason to believe that they were married > at the time of their actions. The legal issue seems to boil down to this question: Can the queen of Barataria have an affair with her own husband with his own consent? And if she has an affair with her own husband with his own consent, can she be held in contempt by the media of her own country two hundred fifty years later? Ah, Savoynetters, it is painful indeed to have to sit upon a throne which is stuffed with such thorns as these! Roberta Klarreich roberta.klarreich@yale.edu New Haven, CT/Brooklyn, NY  1, edited,, Summary-line: 20-Sep utomatic digest processor #FERRET-L Digest - 19 Sep 1998 to 20 Sep 1998 (#1998-2437) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08985; Sun, 20 Sep 98 02:02:06 EDT Received: from listserv.cuny.edu by MIT.EDU with SMTP id AA06313; Sun, 20 Sep 98 02:01:49 EDT Message-Id: <9809200601.AA06313@MIT.EDU> Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <3.FFA51A6B@listserv.cuny.edu>; 20 Sep 1998 2:01:53 -0400 Date: Sun, 20 Sep 1998 02:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 19 Sep 1998 to 20 Sep 1998 (#1998-2437) To: Recipients of FERRET-L digests *** EOOH *** Date: Sun, 20 Sep 1998 02:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 19 Sep 1998 to 20 Sep 1998 (#1998-2437) To: Recipients of FERRET-L digests There are 25 messages totalling 1135 lines in this issue. Topics of the day: 5. Ferrets aren't rodents FAQ [humor] ------------------------------ Date: Sat, 19 Sep 1998 11:44:32 -0400 From: Linda Iroff Subject: Ferrets aren't rodents FAQ [humor] This was posted to rec.pets.ferrets, and I was given permission by the poster to send it here. Please remember it was posted in fun and with apologies and much appreciation to Pam Greene and the excellent work she has done on compiling the real thing. Linda Iroff The Raisin Retreat North Coast Ferret Shelter West Oberlin, OH http://www.oberlin.edu/~liroff/ncfs.html ------- This is originally an FAQ (http://www.cis.ohio-state.edu/hypertext/faq/usenet/pets/ferret-faq/part1/ faq-doc-15.html) that I sent to my friend in hopes of correcting him when he accidentally referred to my ferrets as "rodents." He sent back the following, which I think is a scream. I hope other ferret owners with a sense of humor enjoy it as much as I did. Enjoy (and don't take it too seriously)! ------- Ferrets are domestic animals, and can be dressed up in formal wear for important social occasions if necessary. However finding those cute little bowties can sometimes be a chore. Their cousins include weasels, skunks and otters. (Other relatives include minks, ermines, stoats (stoats????), badgers (GO WISCONSIN! CHEESE! CHEESE CHEESE!!!), black-footed ferret (??), polecats, flagpole cats, and fishing pole cats.) They are NOT (no, no, no, no, no, no, no!!!) rodents; as taxonomically speaking (which is a fancy schmancy way of whispering just loud enough so that the cabbie who's driving you can hear your pretentious conversations about all things other than rodents....) they're in between cats and dogs, but a little closer to dogs. Sort of. Well, never mind, but they aren't rodents, okay?! And they have absolutely nothing to do with sheep. They are friendly and make excellent pets. If you've never met one before, the easiest way to think of them is somewhere between cats and dogs in personality, but rather smaller. Think of a crazed but cuddly furball with sharp teeth and fast feet and you've got the drift. They can only see reasonably well, but often use cute little canes to get around in addition to their senses of hearing and smell. Some are cuddly, while others are more "independent" (there's a good euphemism eh? "Isn't that just darling?! Look at the way he's locked on to Uncle Charlie's carotid artery with those razor sharp incisors! He's just so danged in-de-pen-dent!"); but do vary a lot, just like other pets. Ferrets are a lot of fun. They are very playful, with each other and with you, and they don't lose much of that playfulness as they get older, even when they sit around in their little ferret wheel chairs, chain smoking, wheezing, cluckking with their false teeth, and playing canasta all day). A ferret -- or better, two, ten or more (hell, get thousands and take over your whole neighborhood! Then you'll really be independent!) can be a VERY entertaining companion. They are smarter than cats and dogs (and rodents!), or at least they act it (Actually they are faking it. They arent' really that bright, but dropped out of Ferret school to smoke dope and hang out-- occasionally with--eek!--those pesky rodents. But it paid off, because one of the rodents--a certain mouse--had show business connections. He helped the ferrets take acting lessons. And they got really good at it, so that's why they can fool you into believing that they are so damn smart. Cute, cuddly, and cunning little devils!). They are also very inquisitive, somewhat impulsive and remarkably determined, which is part of their charm but can also be a bit of a bother if you enjoy predictability in a pet. But they are sooooo friendly, and they do know and love you, though for some of them it can take a year or so to fully bond even though you buy them food and watch as they destroy all of your worldly possessions. They can be trained to use a litter box [7.2] and to do card tricks and magic shows [8.2], and most of them love to go places with you, riding on a shoulder or in a bag or in the glove compartment [8.8]. Like you, they like to sleep a lot, and they don't particularly mind staying in small places (a cage [5.4], for instance, or a shoulder bag, or an unsuspecting friend's knapsack perhaps! Wheeeeeee!!!) temporarily, although they do need to run around and play for at least a couple of hours a day, followed by a beer or two, and a nap on the couch. A "single" ("Hey baby, wanna come back to my place? We can chase each other around like crazed weasels!") ferret won't be terribly lonely, although the fun of watching two or three playing together is easily worth the small extra trouble and expense of having to buy all those little teeny tiney condoms [4.2]. Barring accidents, (or people who finally snap and do them bodily harm--if they can catch them!) ferrets typically live 6-10 years, but it will seem like MUCH longer. Ferrets have lots of good points as pets, but there are some negatives as well. Like kittens and puppies and most adult males, they require a lot of care and training at first. They're "higher maintenance" than cats (but then isn't everyone?); and they'll take more of your time and attention than you realize, until you ultimately end up losing your job. But smile, cause you've got ferrets!. Although most ferrets get along reasonably well with cats and dogs, it's not guaranteed, so if you have large, aggressive pets (particularly dogs of breeds commonly used for hunting, boyfriends, terrorists from thrird world nations, or biochemists from pharmaceutical or cosmetics firms), keep that in mind. Likewise, small children and ferrets are both very excitable, and should be kept locked in separate rooms until your doctor writes your next prozac prescription, while you reamin a safe distance from all sharp objects. Finally, the importance of "ferretproofing" must be emphasized. Ferrets are less destructive than cats, but they love to get into EVERYTHING, (there's a visual, eh? Think our President was a ferret in his former life?) so if you keep them loose you'll need to make sure (make VERY sure) they can't hurt themselves or your possessions because you WILL want to hurt them if you don't [5.1]. They love to steal small (and not so small!) objects and stash them under chairs and behind furniture ("Gosh darnit, where IS that remote control?!?"). They like to chew on spongy, springy things, which must be kept out of reach or they'll swallow bits, pieces and then what will you do for birth control when your significant other shows up later that night looking to play "Attack of Ferret Boy" again? Accessible boxes, bags, and beer cans will be crawled in and emptied ("Uuurp!"), and houseplants within reach are liable to "lose" all their dirt to joyful digging (cause I just luuuuv to dig baaaby!) [5.2]. But isn't that so CUTE!?! Finally, many ferrets tend to scratch and dig at the carpet [5.2], the furniture, the floors, walls, and ceilings if they can be reached. Basically if it's not tied down, and even sometimes if it is, expect if to be "explored". Naturally, these traits vary from one ferret to another, but they're all pretty common. So if you're not willing to take the necessary time to put all of your property inside locked steel boxes each day before you leave for work, a ferret may not be for you. So just go and get yourself one of those filthy rodents. They're much worse, and would be much more suitable for a non-ferret-loving loser like you. ------------------------------ End of FERRET-L Digest - 19 Sep 1998 to 20 Sep 1998 (#1998-2437) ****************************************************************  1,, Summary-line: 20-Sep iam.kelly@abbzh.mail.abb. #Reprise: Brief Interval Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11976; Sun, 20 Sep 98 02:57:08 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA10030; Sun, 20 Sep 98 02:57:06 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id CAA03600; Sun, 20 Sep 1998 02:43:31 -0400 (EDT) Date: Sun, 20 Sep 1998 02:43:31 -0400 (EDT) Message-Id: <41256685.00292A87.00@mail1.ch.abb.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: william.kelly@abbzh.mail.abb.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: william.kelly@abbzh.mail.abb.com To: Multiple recipients of list SAVOYNET Subject: Reprise: Brief Interval Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 20 Sep 1998 02:43:31 -0400 (EDT) Reply-To: william.kelly@abbzh.mail.abb.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: william.kelly@abbzh.mail.abb.com To: Multiple recipients of list SAVOYNET Subject: Reprise: Brief Interval Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >... Sullivan was supposed to have said that he was not familiar with the other song, but "After all, we had only 8 notes between us."< 1. Shouldn't that be seven notes, musicologically speaking? Did Sullivan actually say 'eight'? 2. Wagner was once confronted with charges of plagiarism. He is reported to have said, "After all, we only had 12 notes between us." 3. Bartok was once confronted with charges of plagiarism. He is reported to have said, "After all, we only had 24 notes between us." 4. Ravi Shankar was once confronted with charges of plagiarism. He is reported to have said, "After all, we only had 117 notes between us." 5. ALW was once confronted with charges of plagiarism. He is reported to have said, "After all, we only had 5 notes between us."  1,, Summary-line: 21-Sep David C Cho #It's not who you know, it's what mailing lists you're on. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24679; Mon, 21 Sep 98 09:51:45 EDT Received: from TLA.MIT.EDU by MIT.EDU with SMTP id AA20647; Mon, 21 Sep 98 09:49:37 EDT Received: from dcctdw@localhost by tla.MIT.EDU (8.8.7/4.7.5) id JAA21344; Mon, 21 Sep 1998 09:49:38 -0400 Date: Mon, 21 Sep 1998 09:49:38 -0400 Message-Id: <199809211349.JAA21344@tla.MIT.EDU> From: David C Cho To: dcctdw@MIT.EDU, alyse@MIT.EDU Subject: It's not who you know, it's what mailing lists you're on. *** EOOH *** Date: Mon, 21 Sep 1998 09:49:38 -0400 From: David C Cho To: dcctdw@MIT.EDU, alyse@MIT.EDU Subject: It's not who you know, it's what mailing lists you're on. Normally, I wouldn't subscribe to the theory that sending mail is an acceptable manner in which to disseminate information like this, but there's just no way that I'll be able to contact everyone in a timely manner. I tried over the weekend, but it didn't really work. Not to mention that we're not sure how to contact everyone, or even how to bring up the subject, since we've both found we're rather shy on the matter. Naturally, the above is just a dodging mechanism for me to determine how to say this, since I never have before and don't know what the acceptable phrasing is, but the short of it all (since you've already been subjected to the long of it) is: On Thursday, September 17th, 1998, alyse agreed to marry me. :) No plans, etc, set up, since I wasn't about to get engaged and then spend the weekend planning logistics. (I realize this probably comes as a surprise to some of you.) Well, ok, we're thinking "next August". :> dave  1, answered,, Summary-line: 1-Oct Cheryl Pope #Yes, we're still coming Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04663; Thu, 1 Oct 98 02:22:38 EDT Received: from krypton.cs.adelaide.edu.au by MIT.EDU with SMTP id AA15665; Thu, 1 Oct 98 02:22:33 EDT Received: from dornoch.cs.adelaide.edu.au [129.127.8.31] by krypton (SMI-8.6/AndrewR-MatthewD-950530-CS) with ESMTP id PAA27720; Thu, 1 Oct 1998 15:41:26 +0930 Sender: cheryl@cs.adelaide.edu.au Message-Id: <36131D0F.D15FE70C@cs.adelaide.edu.au> Date: Thu, 01 Oct 1998 15:41:27 +0930 From: Cheryl Pope Organization: University of Adelaide X-Mailer: Mozilla 4.04 [en] (X11; I; SunOS 5.5.1 i86pc) Mime-Version: 1.0 To: Alan Williams , darren kaneshiro , David Braxton , Eddie Denning , "Five O'Clock Shadow" , "James E. Reich" , Jennifer Skidmore , ken w kaiser , mark fausett , Mark Lillibridge , sonja kinzlmaier , William R Spruill , Laura Mendyke , Mike Blake , Susan Williams , David Jedlinsky , dana wiseman Subject: Yes, we're still coming Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: cheryl@cs.adelaide.edu.au Date: Thu, 01 Oct 1998 15:41:27 +0930 From: Cheryl Pope Organization: University of Adelaide X-Mailer: Mozilla 4.04 [en] (X11; I; SunOS 5.5.1 i86pc) Mime-Version: 1.0 To: Alan Williams , darren kaneshiro , David Braxton , Eddie Denning , "Five O'Clock Shadow" , "James E. Reich" , Jennifer Skidmore , ken w kaiser , mark fausett , Mark Lillibridge , sonja kinzlmaier , William R Spruill , Laura Mendyke , Mike Blake , Susan Williams , David Jedlinsky , dana wiseman Subject: Yes, we're still coming Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hi again everyone, Since I sent the message out that we're coming and then disappeared, I figured I'd better let everyone know we are still coming. I'll be massively relaxed on the flight over after a hectic first semester (along with the usual, we sponsored a conference which just finished on Tuesday). Anyway, plans are pretty much the same as before, we'll be staying with Mike & Laura Mendyke (well, actually Mike will only be there in spirit as he'll be touring in Japan at the time!) in Boston and with Jim Reich (aka Jimbo) in San Francisco (or more precisely Mountain View :-). > 252 Andsbury is the address. > 650 969-4558 > We're staying with my older brother, Mike, in Melbourne, Florida and with Mom in North Carolina. 706 Marigold St. Goldsboro NC 27530 (919) 737-3739 I don't have most people's phone numbers (everyone's moved and I haven't made that many international calls) so if you can send me your ph. #'s then I'll keep them on hand and make sure you get invited to any and all events which happen in the off chance I can't get to e-mail. See you all soon!!! :-) Love, Cheryl  1, edited,, Summary-line: 15-Oct Bagaria, William J., III #RE: A serious discussion Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15155; Thu, 15 Oct 98 12:50:57 EDT Received: from [208.200.215.130] by MIT.EDU with SMTP id AA22396; Thu, 15 Oct 98 12:50:41 EDT Received: from vbmim01.venable.com by [208.200.215.130] via smtpd (for PACIFIC-CARRIER-ANNEX.MIT.EDU [18.69.0.28]) with SMTP; 15 Oct 1998 16:48:03 UT Received: from [172.29.28.3] (unverified [172.29.28.3]) by vbmim01.venable.com (Integralis SMTPRS 2.0.15) with SMTP id ; Thu, 15 Oct 1998 12:50:16 -0400 Message-Id: Received: from vbsmt02.venable.com by [172.29.28.3] via smtpd (for [172.29.28.4]) with SMTP; 15 Oct 1998 16:49:33 UT Received: by vbsmt02.venable.com with Internet Mail Service (5.5.2232.9) id <4M6G7MCZ>; Thu, 15 Oct 1998 12:50:29 -0400 From: "Bagaria, William J., III" To: ArcaneKnow@aol.com, buubala@yahoo.com, CJ Mallion , Drea Brandford , Deb Hooker , Donna Hirsch , Erik Droutman , Jeff the Elf , Elkor , Sir Jenga , Jay Kaplan , Judith Bucolo , kdavis7@juno.com, Kirk Wagner , Linda Murray , magorn@yahoo.com, mbahe@ci.aurora.co.us, mgsgjjg@erols.com, Cynthia Cole , Linnea Ruad , Maureen Kaplan , opus@MIT.EDU, Rebecca Neumiller , takayla@aol.com, Kendra Rosenberg , Torcstan , wiggo@juno.com, "Bagaria, William J., III" Subject: RE: A serious discussion Date: Thu, 15 Oct 1998 12:57:00 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BDF85B.E9D1F86A" *** EOOH *** From: "Bagaria, William J., III" To: opus@MIT.EDU Subject: RE: A serious discussion Date: Thu, 15 Oct 1998 12:57:00 -0400 Whole Milk and Cream have gotten a very bad name. It is almost impossible to track down a decent chocolate mix with high fat content. For perfect Cocoa 1) Track down and buy the highest fat content per gram of cocoa mix you can 2) Make with Whole Milk (or 2 oz whole milk and 4 oz water for you health nuts or 1% Milk) 3) Heat liquid to 170 degrees before slowly stirring in powder. 4) Chill in fridge to 50 degrees 5) Savor in front of a warm fire 6) repeat no more than 1 day out of 3 For a warm drink 1) Mulled Cider, Winterberry or other warmed juice cocktail with high sugar and spice content but no or low fat 2) Tea 3) Mead Drinks in order of good for you: Water, whole milk, 2% milk, 1% milk, skim milk, Juice with pulp, Juice, corn syrup fruit drinks, soup broth, herbal "Tea", American Tea, British Tea, Green Tea, Indian Tea, home brewed Indian Tea made from blocks? (can't remember the name for a square of tea) juice/ soda non- alcoholic cocktails [favored at Methodist bars], soda, chocolate milk, 2% chocolate milk, cola, caffeine/ sugar mega sodas, caffeinated water, instant coffee, brewed coffee, cowboy coffee, coffee brewed with caffeinated water, cowboy coffee brewed with caffeinated water, caffeine IV drip, ultra- pasturaized milk, American beer, British beer, European beer, wine, fortified wine, spirits, ethyl alcohol, illegal drugs in liquid form. -Bj who buys decent quality cocoa at SAM's Club  1,, Summary-line: 26-Oct Guillermo J. Rozas #Change of address/phone Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09397; Mon, 26 Oct 98 18:09:49 EST Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA11709; Mon, 26 Oct 98 18:09:51 EST Received: from berne.ai.mit.edu (gjr@berne.ai.mit.edu [18.43.0.252]) by martigny.ai.mit.edu (8.8.6/8.8.6) with ESMTP id RAA13367; Mon, 26 Oct 1998 17:49:41 -0500 (EST) Received: (from gjr@localhost) by berne.ai.mit.edu (8.8.6/8.8.6) id RAA13851; Mon, 26 Oct 1998 17:49:39 -0500 (EST) Date: Mon, 26 Oct 1998 17:49:39 -0500 (EST) Message-Id: <199810262249.RAA13851@berne.ai.mit.edu> From: "Guillermo J. Rozas" To: nobody@martigny.ai.mit.edu Subject: Change of address/phone Reply-To: gjr@martigny.ai.mit.edu *** EOOH *** Date: Mon, 26 Oct 1998 17:49:39 -0500 (EST) From: "Guillermo J. Rozas" To: nobody@martigny.ai.mit.edu Subject: Change of address/phone Reply-To: gjr@martigny.ai.mit.edu Ariane and I have bought a house and moved. Details on demand. Our new address is (effective as of yesterday 10/26) 104 Magneson Terrace Los Gatos, CA 95032 (408) 358-2803  1,, Summary-line: 27-Oct Rebecca A. Consentino #RE: My Turn (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09095; Tue, 27 Oct 98 17:54:48 EST Received: from ACS1.BU.EDU by MIT.EDU with SMTP id AA12903; Tue, 27 Oct 98 17:54:43 EST Received: from localhost (rac@localhost) by acs1.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id RAA167162; Tue, 27 Oct 1998 17:53:31 -0500 Date: Tue, 27 Oct 1998 17:53:31 -0500 (EST) From: "Rebecca A. Consentino" To: Sarah Consentino Cc: Megan Houpt , Jenna Wilkinson , mullinss@emmanuel.edu, jbreindel@brandeis.edu, Julia Martiros , Scott Gagnon , Brenna Pomeroy , Amy Allen , David Jedlinsky , aqua@bu.edu, Tyler Hains Subject: RE: My Turn (fwd) In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 27 Oct 1998 17:53:31 -0500 (EST) From: "Rebecca A. Consentino" To: Sarah Consentino Cc: Megan Houpt , Jenna Wilkinson , mullinss@emmanuel.edu, jbreindel@brandeis.edu, Julia Martiros , Scott Gagnon , Brenna Pomeroy , Amy Allen , David Jedlinsky , aqua@bu.edu, Tyler Hains Subject: RE: My Turn (fwd) In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII > > Okay, here's what you're supposed to do. Copy this entire e-mail and > > change all the answers so they apply to you . . . then send it to > > everyone you know, INCLUDING the person who sent you this. So you > > should get back a lot of other get-to-know- you e-mails, too. You'll > > learn a lot about your friends that you maybe didn't know! > > > > ********************************************************************** > > > > The Ultimate Survey For: Rebecca > > > > Full Name: Rebecca Ann Alexina Consentino > > > Nicknames: Becca, Beck (but NOT Becky) > > > Hometown: Methuen, MA > > > > Croutons or Bacon Bits: Both! > > > > Favorite Salad Dressing: Honey Mustard / Dijon; occasionally a nice, fattening Ranch dressing. > > > > Do you drink: Rarely. But when I do, it's usually a strawberry daquiri or a fuzzy navel, white zinfandel, or maybe hard cider. No beer (yuck). > > > > Shampoo or, conditioner: Two rinses on the shampoo, and leave yje conditioner in for at least 3 minutes. We keep our hair clean _and_ healthy! > > > > Have you ever gone skinny dipping: Sorry! > > > > Do you make fun of people: ...As tactfully as possible... > > > > Favorite color(s): Burgundy, forest green, royal purple > > > > Have you ever been convicted of a crime?: Sorry! > > > > Best online friends: right now? Scott & Amy, totally. > > > > Pets: Punky, the Shih-tzu that bites me and all my friends. I also had an adorable Tamagotchi, but it died of neglect during a final exam. > > Favorite Type of Music: Everything I can sing to. No rap, please, and try to limit the country music to mainstream, happy tunes. Heavy Metal allowed only if it has discernable musical value. > > > > Hobbies: To quote Sarah-- "Singing, music, theater, singing, making jewelry, buying clothes, singing." I would also have to add buying CDs to that list. > > > > Dream Car: Um, lately? an SUV or a Truck. He he he. > > > > Type of Car you drive now: Tyler's and my Dad's, and sometimes Paul's convertible. That's definitely the most fun of the three. > > > > Phrase or words you use: Almost all of 'em. I'm an English major, dammit! > > > Toothpaste: AquaFresh. Mmm-mmm-good! > > > > Favorite Food: This is rather eclectic, but right now it's chocolate, maki, chocolate-dipped strawberries, falafel, chocolate milkshakes, Friendly's Crispy Chicken Salad, Chocolate-covered Peppermint Patties, Strawberry yogurt (by Columbo in the blue container), and chocolate. > > > > Online Crush: Ty-ler! > > > > Current Boyfriend/Girlfriend?: Ty-ler! > > > > Piercing or tattoos?: Double pierced ears. That's plenty for me. > > > How do you characterize yourself?: Classic over-achieving person who is slowly learning not to do twenty things at once. This is a problem when her friends want her to do an activity etc. that they're involved in, though, because she can be a real pushover, but at least when she does stuff she drags other people into it with her! Sets high goals and just barely manages to reach them; really loves the people she loves; truely a friend to her friends; and can't wait to finish grad school and start makin' the big bucks! > > Do you get along with your parents?: Yup. > > > > Favorite town to chill in: Boston & Brookline. But NOT Carlisle... > > > > Favorite Ice Cream: M&M or Oreo or Rocky Road. Or all 3 together -- Yum yum! > > > > Favorite Drinks: Smoothies from Jera's Juice, chocolate milkshakes & water > > > > What's your bed time: I get grumpy around midnight, but my actual bedtime varies. And I _never_ wake up in the mornings.... > > > > Adidas, Nike or Reebok: How about Payless Shoe Source and on-sale shoes at Cherry & Webb? I'm not a sneakers kind of gal... > > > > Favorite Perfume/Cologne: Curve & things from Bath & Body works > > > > Favorite Song at the moment: Um.. either Adia or Sunny Came Home. > > > > Favorite Website: my own! http://www.geocities.com/Vienna/Strasse/1065 > > > > Favorite Subject in school: Communications > > > > Least Favorite Subject: Math > > > > Favorite Alcoholic Drink: I think I've answered this already: strawberry daquiris. > > > > Most humiliating moment: No Idea. Mental block, I think. > > > > Loudest person you know: Besides Sarah? > > > > Craziest person or silliest you know: Besides Sarah??? > > > > What do you look for in the opposite sex: Sensitivity, committment, communication, an understanding that a relationship is about two people, and, oh yeah, adoribility and cuteness help. :) > > Say one nice thing about the person who sent this to you: Sarah is definitely my favorite sister. Oh wait, she's my only sister! ;-) OK, then, Sarah is gorgeous, talented, compassionate, and one of few people in the world who can even comprehend half my jokes. Now, *that's* a compliment. ...Plus, she's nearly forgiven me for her childhood....;-)  1,, Summary-line: 28-Oct Allen, Amy #FW: My Turn (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23992; Wed, 28 Oct 98 08:54:22 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA28517; Wed, 28 Oct 98 08:54:16 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id IAA15122; Wed, 28 Oct 1998 08:56:31 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Wed, 28 Oct 1998 08:52:55 -0500 Message-Id: From: "Allen, Amy" To: "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: FW: My Turn (fwd) Date: Wed, 28 Oct 1998 08:52:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE027A.430421C4" *** EOOH *** From: "Allen, Amy" To: "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: FW: My Turn (fwd) Date: Wed, 28 Oct 1998 08:52:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE027A.430421C4" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE027A.430421C4 Content-Type: text/plain; charset="iso-8859-1" Feel free to forward this to anyone you deem appropriate...this was fun!!!! > -----Original Message----- > From: Rebecca A. Consentino [SMTP:rac@bu.edu] > Sent: Tuesday, October 27, 1998 5:54 PM > To: Sarah Consentino > Cc: Megan Houpt; Jenna Wilkinson; mullinss@emmanuel.edu; > jbreindel@brandeis.edu; Julia Martiros; Scott Gagnon; Brenna Pomeroy; Amy > Allen; David Jedlinsky; aqua@bu.edu; Tyler Hains > Subject: RE: My Turn (fwd) > > > > Okay, here's what you're supposed to do. Copy this entire e-mail and > > > change all the answers so they apply to you . . . then send it to > > > everyone you know, INCLUDING the person who sent you this. So you > > > should get back a lot of other get-to-know- you e-mails, too. You'll > > > learn a lot about your friends that you maybe didn't know! > > > > > > > ********************************************************************** > > > > > > The Ultimate Survey For: Amy > > > > > > Full Name: Amy Elizabeth Allen > > > > > Nicknames: Aimster, Aim, Tigger, Amy'all > > > > > Hometown: where I was born? Orlando, FL. Where I currently > live?? Acton, MA > > > > > > Croutons or Bacon Bits: Neither!! > > > > > > Favorite Salad Dressing: Rasberry vinagrette, balsamic vinagrette > > > > > > Do you drink: Yes. Nothing like a tall frosty mug of Bass or a > glass of good white wine. > > > > > > Shampoo or, conditioner: Shampoo/conditioner everyday, Aveda > Shampure shampoo and Aveda > cherry almond bark conditioner > > > > > > Have you ever gone skinny dipping: Yes. On a dare. Made $50!!! > > > > > > Do you make fun of people: Frequently and with great relish. I'm > terribly good at it. > > > > > > Favorite color(s): Maroon, forest green, deep purple, navy blue > > > > > > Have you ever been convicted of a crime?: Not yet... > > > > > > Best online friends: right now? Scott, Becca, Zoe > > > > > > Pets: Duncan, the mighty grey beast cat, Annabelle, the fat > furry cat, and Peanut, the adorable skinny baby kitty > cat > > > Favorite Type of Music: ANYTHING I can sing to. Favorites > include Bare Naked Ladies, Trisha Yearwood, Grateful Dead, anything G&S, > Bonnie Raitt, Sarah McLaughlin, Jewel, Alannis Morrisette > > > > > > Hobbies: To quote Sarah-- MUSICAL THEATER first and foremost, > followed by Irish poetry/literature, collecting G&S memorobilia, tennis, > running, beanie babies, and making fun of people (see above) > > > > > > Dream Car: One of those new VW bugs. Those things are just too > damn cute. > > > > > > Type of Car you drive now: My adorable little sporty two-door > green Subaru Impreza. > > > > Phrase or words you use: Having been an English major like Becca, > I would also say most of them, but favorites include "bite me", "whatever > fills your sail," "the more the merrier", and recently, "oh my God, our > show opens HOW SOON???" > > > > > Toothpaste: Tom's of Maine peppermint (or wintergreen if I'm > feeling daring) > > > > > > Favorite Food: Anything Italian, but I also like cheese souffle, > well-made chocolate chip cookies (like mine), hot, hot, hot salsa and > baked tostidos, and Fresh Samantha's, any flavor. > > > > > > Online Crush: I plead the fifth. > > > > > > Current Boyfriend/Girlfriend?: See above. > > > > > > Piercing or tattoos?: Small tattoo on my left hip of a double > eigth-note. > > > > > How do you characterize yourself?: Fun-loving, gregarious, > intelligent, witty, charming, talented, charismatic, adorable, and > above all, modest. But seriously, I'm outgoing, sometimes too nice, > amazingly goofy and silly, bold enough to say just about anything, and a > very hard worker. Not many people know this, but I am a huge > perfectionist.... > > > > > Do you get along with your parents?: Yes! > > > > > > Favorite town to chill in: Acton, Boston, or Carlisle (aka > Mayberry) w/all my show buddies. > > > > > > Favorite Ice Cream: Ben & Jerry's Chubby Hubby. > > > > > > Favorite Drinks: Fresh Samantha drinks, shirley temples, bass > beer, Hess Select '97 white wine, > lemon lime seltzer water, and of course, GRAPE JUICE!!! > > > > > > What's your bed time: Depends on when I went to bed the previous > night. As long as I get a good seven hours it doesn't matter. I can > stay up all night if need be...sleep is the enemy of art. > > > > Adidas, Nike or Reebok: None of the above. Good ol' Converse for > me please, plaid or burgundy.> > > > > Favorite Perfume/Cologne: What I've worn for almost 10 years > now...White Musk from the > Body Shop. > > > > > > Favorite Song at the moment: my favorite song is always something > by Gershwin..for now, let's say "Someone to Watch over > Me" > > > > > > Favorite Website: geeze louise...I'm too busy at work to surf a > lot and find one, but I have to agree > Becca's is pretty neato!!> > > > > > Favorite Subject in school: It was a toss up...Creative > Writing/Poetry, Psychology. Fascinating stuff. > > > > > > Least Favorite Subject: > >History. Who cares? They're all dead > now anyway... > > > > Favorite Alcoholic Drink: Black & Tans...Bass & Guiness > > > > > > Most humiliating moment: Ok. Get this. I'm seventeen and in the > doctor's office for my physical before going off to college. It's > crowded, so the nurse hands me a cup, tells me to pee in it, and then > wait in the lobby, the doctor will be right with me. So as I'm leaving > the bathroom to head back to the lobby, I'm walking down the hall and > this DROP-DEAD GORGEOUS, eat him with a spoon doctor is walking > towards me. I bat my big browns and fail to notice that the carpet is > snagged and my foot catches on it and the urine pitches out of my hand > and into Dr. Hottie's face. All over him. I ran out of the > office and never went back.> > > > > > Loudest person you know: Me. > > > > > > Craziest person or silliest you know: Me. Becca's right up > there, though. > > > > > > What do you look for in the opposite sex: Nice ass, six-pack abs, > tight...oh wait...you mean INTANGIBLE qualities? Oh. oops. I would > say someone who is not afraid to be brutally honest, someone who knows > how to have fun, and someone who doesn't take themself too seriously. > Also, people who can't carry on a conversation piss me off, so he > has to be able to keep up with motor mouth me. > > > > Say one nice thing about the person who sent this to you: Becca is > a ton of fun to be with and has a gorgeous singing voice and a sparkling > personality. In fact, Becca is my role model. I want to be just like her > when (if) I ever grow up. :-) > > ------_=_NextPart_001_01BE027A.430421C4 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable FW: My Turn (fwd)

Feel free to forward = this to anyone you deem appropriate...this was fun!!!!

-----Original Message-----
From:   Rebecca A. Consentino [SMTP:rac@bu.edu]
Sent:   Tuesday, October 27, 1998 5:54 PM
To:     Sarah Consentino
Cc:     Megan Houpt; Jenna Wilkinson; mullinss@emmanuel.edu; = jbreindel@brandeis.edu; Julia Martiros; Scott Gagnon; Brenna Pomeroy; = Amy Allen; David Jedlinsky; aqua@bu.edu; Tyler Hains

Subject:       = RE: My Turn  (fwd)

> > Okay, = here's what you're supposed to do.   Copy this entire e-mail = and
> > change = all the answers so they apply to you .  . . then send it to
> > everyone = you know, INCLUDING the person who sent you this.  So you
> > should = get back a lot of other get-to-know- you e-mails, too.  = You'll
> > learn a = lot about your friends that you maybe didn't know!
> >
> >  = **********************************************************************
> >
> = >   The Ultimate Survey For: Amy
> >
> = >      Full Name:  Amy Elizabeth = Allen
> >
>        = Nicknames:  Aimster, Aim, Tigger, = Amy'all      
>
> = >      Hometown:  where I was = born?  Orlando, FL.  Where I currently live?? Acton, = MA
> >
> = >      Croutons or Bacon Bits: = Neither!!
> >
> = >      Favorite Salad Dressing: Rasberry = vinagrette, balsamic vinagrette
> >
> = >      Do you drink: Yes.  Nothing = like a tall frosty mug of Bass or a glass of good white wine.
> >
>  = >     Shampoo or, conditioner: = Shampoo/conditioner everyday, Aveda Shampure shampoo and Aveda
        =       cherry almond bark conditioner
> >
> = >      Have you ever gone skinny dipping: = Yes.  On a dare.  Made $50!!!
> >
> = >      Do you make fun of people: = Frequently and with great relish.  I'm terribly good at it.
> >
> = >      Favorite color(s): Maroon, forest = green, deep purple, navy blue
> >
> = >      Have you ever been convicted of a = crime?: Not yet...
> >
> = >      Best online friends: right now? = Scott, Becca, Zoe
>  > = >        
>        = Pets:  Duncan, the mighty grey beast cat, Annabelle, the fat furry = cat, and Peanut, the adorable       =       skinny baby kitty cat

              =          
>        Favorite = Type of Music:  ANYTHING I can sing to.  Favorites include = Bare Naked Ladies, Trisha Yearwood, Grateful Dead, anything G&S, = Bonnie Raitt, Sarah McLaughlin, Jewel, Alannis Morrisette

>
>  > = >   Hobbies:  To quote Sarah-- MUSICAL THEATER first = and foremost, followed by Irish poetry/literature, collecting G&S = memorobilia, tennis, running, beanie babies, and making fun of people = (see above)

> >
> = >     Dream Car:  One of those new VW = bugs.  Those things are just too damn cute.
> >
> = >     Type of Car you drive now: My adorable = little sporty two-door green Subaru Impreza.

> = >     Phrase or words you use: Having been an = English major like Becca, I would also say most of them, but favorites = include "bite me", "whatever fills your sail," = "the more the merrier", and recently, "oh my God, our = show opens HOW SOON???"

>
> = >     Toothpaste: Tom's of Maine peppermint (or = wintergreen if I'm feeling daring)
> >
> = >     Favorite Food: Anything Italian, but I = also like cheese souffle, well-made chocolate chip cookies (like mine), = hot, hot, hot salsa and baked tostidos, and Fresh Samantha's, any = flavor.

> >
> = >     Online Crush:  I plead the = fifth.
> >
> = >     Current Boyfriend/Girlfriend?:  See = above.
> >
> = >     Piercing or tattoos?:  Small tattoo = on my left hip of a double eigth-note. 
> >
>       How do you = characterize yourself?: Fun-loving, gregarious, intelligent, witty, = charming, talented,      charismatic, adorable, and = above all, modest.  But seriously, I'm outgoing, sometimes too = nice, amazingly goofy and silly, bold enough to say just about = anything, and a very hard worker.  Not many people know this, but = I am a huge perfectionist....


> = >     Do you get along with your parents?: = Yes!
> >
> = >     Favorite town to chill in: Acton, Boston, = or Carlisle (aka Mayberry) w/all my show buddies.
> >
> = >     Favorite Ice Cream: Ben & Jerry's = Chubby Hubby. 
> >
> = >     Favorite Drinks: Fresh Samantha drinks, = shirley temples, bass beer, Hess Select '97 white wine,
        =       lemon lime seltzer water, and of course, GRAPE = JUICE!!!

> >
> = >     What's your bed time: Depends on when I = went to bed the previous night.  As long as I get a =     good seven hours it doesn't matter.  I can stay = up all night if need be...sleep is the enemy of art.

> = >   
         Adidas, Nike or Reebok: None = of the above.  Good ol' Converse for me please, plaid or = burgundy.> >

> = >     Favorite Perfume/Cologne: What I've worn = for almost 10 years now...White Musk from the
        =       Body Shop.
>   = >
> = >     Favorite Song at the moment: my favorite = song is always something by Gershwin..for now, let's   =         =       say "Someone to Watch over = Me"

> >
> = >     Favorite Website: geeze louise...I'm too = busy at work to surf a lot and find one, but I have to =         =             agree Becca's = is pretty neato!!> >

> = >   
         Favorite Subject in = school:  It was a toss up...Creative Writing/Poetry, = Psychology.  Fascinating    stuff.

> >
> = >     Least Favorite Subject: > >History. = Who cares?  They're all dead now anyway...
> = >    
        Favorite Alcoholic Drink: Black & = Tans...Bass & Guiness
 > = >
> = >     Most humiliating moment: Ok.  Get = this.  I'm seventeen and in the doctor's office for my physical =       before going off to college.  It's = crowded, so the nurse hands me a cup, tells me to pee in it, and =         then wait in the lobby, the = doctor will be right with me.  So as I'm leaving the bathroom to = head back        to the lobby, I'm = walking down the hall and this DROP-DEAD GORGEOUS, eat him with a spoon =         doctor is walking towards = me.  I bat my big browns and fail to notice that the carpet is = snagged and  my foot catches on it and the urine pitches out of my = hand and into Dr. Hottie's face.  All over him.  I =        ran out of the office and never = went back.> >

> = >    
        Loudest person you know:  Me.
> >
> = >     Craziest person or silliest you = know:  Me.  Becca's right up there, though.
> >
> = >     What do you look for in the opposite sex: = Nice ass, six-pack abs, tight...oh wait...you mean    = INTANGIBLE qualities?  Oh.  oops.  I would say someone = who is not afraid to be brutally honest,       = someone who knows how to have fun, and someone who doesn't take = themself too seriously.  Also,      people who = can't carry on a conversation piss me off, so he has to be able to keep = up with motor    mouth me.

> = >      
        Say one nice thing about the person who sent = this to you:  Becca is a ton of fun to be with and has a gorgeous = singing voice and a sparkling personality.  In fact, Becca is my = role model.  I want to be just like her when (if) I ever grow = up.  :-)


------_=_NextPart_001_01BE027A.430421C4--  1,, Summary-line: 28-Oct Scott Gagnon #RE: My Turn (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22645; Wed, 28 Oct 98 10:17:52 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA26491; Wed, 28 Oct 98 10:17:46 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id KAA23582; Wed, 28 Oct 1998 10:16:27 -0500 (EST) Date: Wed, 28 Oct 1998 10:16:26 -0500 (EST) From: Scott Gagnon To: "Rebecca A. Consentino" Cc: Sarah Consentino , Megan Houpt , Jenna Wilkinson , jbreindel@brandeis.edu, Amy Allen , David Jedlinsky , Tyler Hains Subject: RE: My Turn (fwd) In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 28 Oct 1998 10:16:26 -0500 (EST) From: Scott Gagnon To: "Rebecca A. Consentino" Cc: Sarah Consentino , Megan Houpt , Jenna Wilkinson , jbreindel@brandeis.edu, Amy Allen , David Jedlinsky , Tyler Hains Subject: RE: My Turn (fwd) In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Here's me. I just returned it to those people I recognized above... However if anybody can suggest anybody who might care to read it, let me know and I'll forward it to'em...better yet, here's carte blanche for you guiys cuz I'm too ;lazy to think of anybody, just fwd it y'self! d;-) On Tue, 27 Oct 1998, Rebecca A. Consentino wrote: > > > Okay, here's what you're supposed to do. Copy this entire e-mail and > > > change all the answers so they apply to you . . . then send it to > > > everyone you know, INCLUDING the person who sent you this. So you > > > should get back a lot of other get-to-know- you e-mails, too. You'll > > > learn a lot about your friends that you maybe didn't know! > > > > > > ********************************************************************** > > > > > > The Ultimate Survey For: Scott > > > > > > Full Name: Scott Robert Gagnon > > > > > Nicknames: none, under penalty of death > > > > > Hometown: Waltham, MA > > > > > > Croutons or Bacon Bits: Croutons, big time. > > > > > > Favorite Salad Dressing: French or Italian. > > > > > > Do you drink: Very, very rarely. > > > > > > > Shampoo or, conditioner: Each, once. It is alright for one's hair to turn gray so long as it does not abandon ship. > > > > > > > > Have you ever gone skinny dipping: Certainly not intentionally.> > > > > > Do you make fun of people: In my own, gentle way. > > > > > > Favorite color(s): none in particular (interesting side note: I am, however, color-blind. > > > > > > Have you ever been convicted of a crime?: No. > > > > > > Best online friends: right now? These days, Rebecca gets a lot of my e mail, as does Amy and my comp[oser pal, Brian Cimmet.> > > > > > Pets: Souffle is a tiny, fat, bright yellow Australian budgie. He is about four inches tall. He is 2. He enjoys eating cereal by standing on the edge of the bowl and tossing one Cheerio at a time over his "shoulder". > > > > > Favorite Type of Music: I'm eclectic, but a sucker for showtunes, old swing and standards like Tony Benett. I'm also a registered Parrothead and make my pilgramage to Jimmy Buffett's show once a year. > > > > > > Hobbies: I'm a member of the Society of American Baseball Research (we do one paper a year, particularly onthe history of the game, out of the goodness of our hearts; mine last year was on Negro Leagues pitcher Satchel Paige's barnstorming days in Cuba, year before was the White Sox World Tour of 1917, where they tried to drag baseball out to remote places and promote the game, a huge failure. They went to Egypt, France, India, and England, among other spots and were greeted mostly by puzzled faces.) I'm a huuuuuuuge Baker Street Irregular, having read and reread all of the Sherlock Holmes stories, and written a few of my own. Oh, and I do a little theatre. > > > > > > > > Dream Car: I'm not a car guy, but I prefer big old clunky lxury cars if given the choice to zippy convertables any day, > > > > > > Type of Car you drive now: Yes, that's a 1995 Hyundai Excel. (sigh) > > > > > > Phrase or words you use: Is there a phrase I don't? > > > > > Toothpaste: Gotta be Crest. No leeway on that. > > > > > > Favorite Food: At every restaurant I visit, I have a set meal I always order, and it's always the same. (New restaurants take a couple visites to settle on something, but from then on that's it.) Everything's gotta be plain, esp. hamburgers and hot dogs. Very few veggies or foreign foods of any kind, except Chinese, where I *always* get chicken fingers, plain white rice and spare ribs. Italian food and pizza are also a boig staple, although at Papa Gino's I always get the Papa Platter with Ziti and a medium Coke. > > > > > > Online Crush: Can't say I really have that (sorry, gals) Current Boyfriend/Girlfriend?: My wife Jennifer. > > > Piercing or tattoos?: I have a large dragon tattoes across my back, a pierced tongue and right nipple and "love" and "hate" tattooed across my knuckles. Oh, yeah, actually that's a big lie. Sorry, none. > > > > > How do you characterize yourself?: Hmm. Well, I'm more complicated than I let on, and believe it or not more serious, methodical and even melancholy at times. Even when I look haphazard and siilly, believe me I know exactly what I'm doing. I very much make my own rules in life, and dislike law for its own sake, or ruules and confinemnts of any kind. I play a very passive agressive game with everything, often letting others be the "bad cop" to my "good cop". I am *very* observant (like my idol, Mr Holmes) and pride myself on "reading" people and deducing a little but about them when first I meet them. Also like Holmes, my Achilles heel in this is that I am often naive or at least less able to read women than men, and, in my single days, was often ridiculed for missing the point of someone's attentions even if they fell in my lap. I have a talent for making people happy opening up to me ad for getting them to do what I want or need then to through subtle pursuasion. I have been called supremely patient, and support everyone's talents and work but my own, whoch I ravage mercilessly. > > > Do you get along with your parents?: Yes, although I'm more the p[arent. They never quite knew what to do wth me or make of me. Lord knows where I came from, they're simple, blue collar folk and I have an IQ of 153. > > > Favorite town to chill in: I must go to 2 places annually to "recharge my batteries"- Ogunquit, Maine and Cooperstoown, NY. And I always stay in the same hotel, and if possible the same room. > > > > > > Favorite Ice Cream: You name it. I can eat a pint of Ben + Jerry's at a time. Only one restriction: NOOOOO MARSHMALLOW. Eww. > > > > > > Favorite Drinks: Snapple Mint Iced Tea. My Grandfather is a retired exec from Coca Cola, so there's lots of Coke and its memorobalia around my childhood. > > > > > > What's your bed time: I am the worst insomniac I know. If Jen doesn't finally yell "Come to bed for Chrissakes!" I'm up til sunup. > > > Adidas, Nike or Reebok: Reeboks. However I buy the same black Rockport shoes in the same style from the same outlet in Maine and wear them everywhere for 2 years, then go get another pair. I own 2 pairs of shoes: the black ones and white Reeboks. Always have, always will. > > > > > > Favorite Perfume/Cologne: Catalyst, Barishnakov. > > > > > > Favorite Song at the moment: Varies. One tape tends to stay in my tapedeck for 3 weeks or so and get played to death. Most recent: Buffett's Don't Stop the Carnival, Paul Simon's Capeman, Soundtrack to Nightmare Before Christmas. > > > > > > Favorite Website: my own! > Badger's Disney Countdown page (counting days to my Florida vaca, btw I hit Disney every other year and am going on my 22nd visit) , ESPN baseball.com > > > > > > Favorite Subject in school: Of course theatre, but I also majored in English lit and minored in both history and foreign languages. I've had some Spanish, French and German. (sorry, Gondolieri, no Italian.) > > > > > > Least Favorite Subject: I really liked and like it all, though biology and science in general are my weak spot. > > > > > > Favorite Alcoholic Drink: Sweet and weak stuff. Partic Fuzzy NAvels and Pina Coladas. Can do Strawberry Daiquiris,Champagne, some wine. NO beer. > > > > > > Most humiliating moment: So many choices, so little time... > > > Loudest person you know: My wife. And she'd be the first to admit it. > > > > > > Craziest person or silliest you know: I know nothing but crazy people. (Or maybe it's me????) > > > > > > What do you look for in the opposite sex: Negotiable morals and a fascination with me. Just kidding- a sense of humor, emotional support, talents and abilities and strengths of her own. And if you must know, physically I'm an "eyes" guy. A hot bod is nice, but I honestly focus much more on person's face and mannerisms. And I hate shy girls. I'm too shy myself, and I need a brick to hit me in the head as it is. Oh, and the girl's gotta have a brain. > > > > Say one nice thing about the person who sent this to you: Well, becca certainly listens to *me* prattle on patiently. She's very kind and smarter and more grounded in the real world than she lets on. She's also a very spirited and supportive cast member who brings a great deal of both talent and enthusiasm to a cast. And she send interesting e mail stuff. There ya go.- d:-)  1,, Summary-line: 30-Oct David C. Jedlinsky #Amyspeak Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02613; Fri, 30 Oct 98 15:38:05 EST Received: from CHARON.MIT.EDU by MIT.EDU with SMTP id AA04347; Fri, 30 Oct 98 15:38:01 EST Received: (from opus@localhost) by charon.MIT.EDU (8.7.6/2.3JIK) id PAA05101; Fri, 30 Oct 1998 15:38:06 -0500 Date: Fri, 30 Oct 1998 15:38:06 -0500 Message-Id: <199810302038.PAA05101@charon.MIT.EDU> From: "David C. Jedlinsky" To: "Allen, Amy" Cc: rac@bu.edu, scott@hup.harvard.edu, opus@MIT.EDU In-Reply-To: Allen, Amy's message of Fri, 30 Oct 1998 14:50:56 -0500 Subject: Amyspeak *** EOOH *** Date: Fri, 30 Oct 1998 15:38:06 -0500 From: "David C. Jedlinsky" To: "Allen, Amy" Cc: rac@bu.edu, scott@hup.harvard.edu, opus@MIT.EDU In-Reply-To: Allen, Amy's message of Fri, 30 Oct 1998 14:50:56 -0500 Subject: Amyspeak Oh, my, GAWD: I can't believe you said that, but it's funny. Ewww: That's disgusting, but it's funny. Bite me: Okay, that was at my expense, but it's funny. Not funny: I got fooled, and I'm embarrassed (but it's funny). I mean it: Do it again. SO not funny: Okay, you're pushing, but I'm not ready to get terribly pissed yet. Build a bridge, and get over it: I told you to stop pushing, this is your last warning. Ok, I'm going to have to kick your ass now: Alright, THIS is your last warning. Lay the hell off: You went overboard. You're only going to live to see another day if I really love you. Whoop-ass: My favorite mock-threat. Off limits to even mention: Lonnie, Sam  1,, Summary-line: 3-Nov Richard N. Freedman #Re: Sorcerer scores Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15335; Tue, 3 Nov 98 16:28:15 EST Received: from ne.mediaone.net by MIT.EDU with SMTP id AA16533; Tue, 3 Nov 98 16:28:11 EST Received: from rnf.ne.mediaone.net (rnf.ne.mediaone.net [24.128.25.215]) by chmls05.mediaone.net (8.8.7/8.8.7) with SMTP id QAA08948 for ; Tue, 3 Nov 1998 16:28:03 -0500 (EST) Message-Id: <3.0.5.32.19981103162808.007ada20@pop.ne.mediaone.net> X-Sender: rnf@pop.ne.mediaone.net X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Tue, 03 Nov 1998 16:28:08 -0500 To: "David C. Jedlinsky" From: "Richard N. Freedman" Subject: Re: Sorcerer scores In-Reply-To: <199811031945.OAA16811@charon.MIT.EDU> References: Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable *** EOOH *** X-Sender: rnf@pop.ne.mediaone.net X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Tue, 03 Nov 1998 16:28:08 -0500 To: "David C. Jedlinsky" From: "Richard N. Freedman" Subject: Re: Sorcerer scores In-Reply-To: <199811031945.OAA16811@charon.MIT.EDU> References: Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Very interesting; I look forward to seeing the finished product. Some of the Free Software Foundation manuals (GNU software) had what was supposed to be a revolutionary type of binding which might be worth your looking into. You should be easily able to find an emacs manual and decide whether it meets your needs. Richard N. Freedman http://people.ne.mediaone.net/rnf rnf@null.net =B4=B4The whole aim of practical politics is to keep the populace alarmed - = and hence clamorous to be led to safety - by menacing with an endless series of hobgoblins, all of them imaginary.=B4=B4 -- H.L. Mencken  1, answered,, Summary-line: 18-Nov endes-Barry & Scott Barry #ATM joke Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08603; Wed, 18 Nov 98 13:32:17 EST Received: from u2.farm.idt.net by MIT.EDU with SMTP id AA15742; Wed, 18 Nov 98 13:32:14 EST Received: from [206.20.7.17] (ppp-17.ts-1.ct.idt.net [206.20.7.17]) by u2.farm.idt.net (8.8.8/8.8.5) with ESMTP id NAA28646; Wed, 18 Nov 1998 13:31:50 -0500 (EST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 18 Nov 1998 13:37:01 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, help_desk@iroquois.com, opus@MIT.EDU, erics@gateway.virtus.com, stuart.leventhall@virgin.net, ihodgkin@aol.com, jbayes@occs.cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, LBlocher@worldnet.att.net, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, goblin@ort.org.il, chiodo@westport.msmail.aigfpc.com, litwin@westport.msmail.aigfpc.com, deenihan@westport.msmail.aigfpc.com, christ_janer@aigfpc.com, rozmus@westport.msmail.aigfpc.com From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: ATM joke *** EOOH *** Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 18 Nov 1998 13:37:01 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, help_desk@iroquois.com, opus@MIT.EDU, erics@gateway.virtus.com, stuart.leventhall@virgin.net, ihodgkin@aol.com, jbayes@occs.cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, LBlocher@worldnet.att.net, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, goblin@ort.org.il, chiodo@westport.msmail.aigfpc.com, litwin@westport.msmail.aigfpc.com, deenihan@westport.msmail.aigfpc.com, christ_janer@aigfpc.com, rozmus@westport.msmail.aigfpc.com From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: ATM joke A bit bias, but... > How To Use An ATM > > HIM: > 1. Pull up to ATM > 2. Insert card > 3. Enter PIN number and account > 4. Take cash, card and receipt > > > HER: > 1. Pull up to ATM > 2. Check makeup in rearview mirror > 3. Shut off engine > 4. Put keys in purse > 5. Get out of car b/c you're too far from machine > 6. Hunt for card in purse > 7. Insert card > 8. Hunt in purse for tampon wrapper with PIN number written on it > 9. Enter PIN number > 10. Study instructions for at least 2 minutes. > 11. Hit "cancel" > 12. Re-enter correct PIN number > 12A Hit "cancel" > 12B Call husband to get correct PIN number > 13. Check balance > 14. Look for envelope > 15. Look in purse for pen > 16. Make out deposit slip > 17. Endorse checks > 18. Make deposit > 19. Study instructions > 20. Make cash withdrawal > 21. Get in car > 22. Check makeup > 23. Look for keys > 24. Start car > 25. Check makeup > 26. Start pulling away > 27. STOP > 28. Back up to machine > 29. Get out of car > 30. Take card and receipt > 31. Get back in car > 32. Put card in wallet > 33. Put receipt in checkbook > 34. Enter deposits and withdrawals in checkbook > 35. Clear area in purse for wallet and checkbook > 36. Check makeup > 37. Put car in gear, reverse > 38. Put car in drive > 39. Drive away from machine > 40. Travel 3 miles > 41. Release parking brake o \ o / _ o __| \ / |__ o _ \o/ o /|\ | /\ ___\o \o | o/ o/__ /\ | /|\ / \ / \ | \ /) | ( \ /o\ / ) | (\ / | / \ / \ Rica Mendes-Barry and Scott Barry "What was I thinking?... I've never, hardly ever, phoebem@mail.idt.net right now I'm not drunk" - Christine Lavin  1,, Summary-line: 20-Nov Scott Gagnon #RE: Better poet, huh? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21133; Fri, 20 Nov 98 14:48:52 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA01176; Fri, 20 Nov 98 14:48:48 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id OAA57074; Fri, 20 Nov 1998 14:49:30 -0500 (EST) Date: Fri, 20 Nov 1998 14:49:29 -0500 (EST) From: Scott Gagnon To: "Allen, Amy" Cc: "'rac@bu.edu'" , "'opus@mit.edu'" Subject: RE: Better poet, huh? In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 14:49:29 -0500 (EST) From: Scott Gagnon To: "Allen, Amy" Cc: "'rac@bu.edu'" , "'opus@mit.edu'" Subject: RE: Better poet, huh? In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII And now.... Gondoliers haiku. Ahem. Man called Guettersloh, Pasta bathed in candlelight, Firemen walking through. ************ Dave Jedlinsky's cape, Fastened tightly round his neck, Matches his moustache. ************ Lonely Gondolier, Mute, bereft of any lines, Pilot for the boat. *********** Pray the drafty cold, Pressing o'er the Venice set, Distracts not mine eyes. *********** Fair Casilda's Dress! Gilded O'er with plastic jewels, Looks goodfrom out there. ********** One day when I'm old All the men will do Act 2's Opening in time.  1, answered,, Summary-line: 20-Nov Rebecca A. Consentino #RE: Better poet, huh? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21278; Fri, 20 Nov 98 14:49:18 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA21505; Fri, 20 Nov 98 14:49:17 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id OAA29990; Fri, 20 Nov 1998 14:49:14 -0500 Date: Fri, 20 Nov 1998 14:49:13 -0500 (EST) From: "Rebecca A. Consentino" To: "Allen, Amy" Cc: "'Scott Gagnon'" , "'opus@mit.edu'" Subject: RE: Better poet, huh? In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 14:49:13 -0500 (EST) From: "Rebecca A. Consentino" To: "Allen, Amy" Cc: "'Scott Gagnon'" , "'opus@mit.edu'" Subject: RE: Better poet, huh? In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Wow~ then you really suck! _Amy Sucks_ une poeme by RAAC I have a sad, sad tale to tell: Amy Allen cannot write. Although she was an English major, All her poems bite. She thinks she is a genius, but she doesn't utilize meter and rhyme; If i were amy I would write lines like this and think they were a poe-- Plus! her topics suck, too, half the time. It took me one minute to write this; If I were her, it would take eight. If I had eight minutes to write with, _My_ poems would be wicked great! On Fri, 20 Nov 1998, Allen, Amy wrote: > HEY!!!!!!!!!!!!!!!!!!!!!!!!!! > > That took me a whole eight minutes to write, buddy!!! > > > > -----Original Message----- > > From: Scott Gagnon [SMTP:scott@hup.harvard.edu] > > Sent: Friday, November 20, 1998 2:38 PM > > To: Allen, Amy > > Cc: 'rac@bu.edu'; 'opus@mit.edu' > > Subject: Re: Better poet, huh? > > > > > > You know, this may in fact be the single worst poem ever written, > > on every possible level. > > > > On Fri, 20 Nov 1998, Allen, Amy wrote: > > > > > > > > Dave is a pain in my ass > > > His comments are rude and crass > > > And If I can catch him > > > I'll pinch him and scratch him > > > And teach him a lesson real fast > > > > > > Becca is full of crap > > > Her bra strap I am going to snap > > > Her comments are dumb and retarded > > > Resulting from a brain that has farted > > > And I think she deserves a big slap > > > > > > Scott is the sex god of my dreams > > > When he walks by, all the girls scream > > > He'd like to give them a tickle > > > With his amazingly large hairy pickle > > > But Jen would revolt > > > And call him a dolt > > > So he behaves for now (or so it would seem) > > > > > > > > > Amy > > > aallen@welchs.com > > > > > > > > > >  1, edited, answered,, Summary-line: 20-Nov AAllen@welchs.com [35] #RE: OK, where *is* everybody??? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24068; Fri, 20 Nov 98 14:57:16 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA03879; Fri, 20 Nov 98 14:57:10 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id PAA14874; Fri, 20 Nov 1998 15:01:14 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Fri, 20 Nov 1998 14:58:16 -0500 Message-Id: From: "Allen, Amy" To: "'Rebecca A. Consentino'" Cc: "'opus@mit.edu'" , "'scott@Hup.harvard.edu'" Subject: RE: OK, where *is* everybody??? Date: Fri, 20 Nov 1998 14:58:14 -0500 *** EOOH *** From: "Allen, Amy" To: "'Rebecca A. Consentino'" Cc: "'opus@mit.edu'" , "'scott@Hup.harvard.edu'" Subject: RE: OK, where *is* everybody??? Date: Fri, 20 Nov 1998 14:58:14 -0500 There once were two fighting young lovers Who wanted their affair undiscovered But everyone knows They toss of their clothes And spend most of their time under covers > -----Original Message----- > From: Rebecca A. Consentino [SMTP:rac@bu.edu] > Sent: Friday, November 20, 1998 2:54 PM > To: David C. Jedlinsky > Cc: aallen@welchs.com; scott@hup.harvard.edu > Subject: Re: OK, where *is* everybody??? > > There once was a loser named Dave > who thought he was handsome and brave. > But he's an old fart > who thinks he's bad bart, > when in truth he's just sexually depraved. > > On Fri, 20 Nov 1998, David C. Jedlinsky wrote: > > > A snooty young chit named Rebecca > > thinks her poems are read at Mecca. > > Her verses are naughty, > > her demeanor, haughty, > > And disguises her lust for a pecka. > >  1,, Summary-line: 20-Nov Allen, Amy #Take 2 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03737; Fri, 20 Nov 98 15:22:55 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA02811; Fri, 20 Nov 98 15:22:53 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id PAA18618; Fri, 20 Nov 1998 15:22:55 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Fri, 20 Nov 1998 15:23:29 -0500 Message-Id: From: "Allen, Amy" To: "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@Mit.edu'" Subject: Take 2 Date: Fri, 20 Nov 1998 15:23:25 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE14C3.A29D39C6" *** EOOH *** From: "Allen, Amy" To: "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@Mit.edu'" Subject: Take 2 Date: Fri, 20 Nov 1998 15:23:25 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE14C3.A29D39C6" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE14C3.A29D39C6 Content-Type: text/plain My poetry you willingly deride So setting all pretense aside I'll compose you a verse That will be better, not worse Than the last one you tossed to the side There once was a man named Tony Who's love poems were stupid and phony Till one day I said, "I'm going to be wed!" So he went back to beating bologna There once was a girl named E. Spear Who's love life we all had to hear Her tales she shared Until no one cared That she hadn't had sex in a year There once was a sexy young actor Who liked to use lots of Max Factor He flirted and scamped And coddled and tramped Until wife ran him over with a tractor There once was a lecherous Duke Who made all the girls want to puke He procured hotel keys And said "pretty please!" And now we all think he's a kook Zoe thinks hair makes her pretty But my hands get so icky and gritty When I glue on her wig Her head gets real big And she thinks that she's clever and witty Our tenor is gallant and gay He reminds us of this every day But he lusts for another In fact, it's his "brother" With whom he would go all the way Sex, lies, and secrets, that's what we all do I love him, he likes me, I may want you I'm not a John Keats But my poetic treats Point to truths that could serve to unglue Amy aallen@welchs.com ------_=_NextPart_001_01BE14C3.A29D39C6 Content-Type: text/html Take 2

My poetry you willingly deride
So setting all pretense aside
I'll compose you a verse
That will be better, not worse
Than the last one you tossed to the side

There once was a man named Tony
Who's love poems were stupid and phony
Till one day I said,
"I'm going to be wed!"
So he went back to beating bologna

There once was a girl named E. Spear
Who's love life we all had to hear
Her tales she shared
Until no one cared
That she hadn't had sex in a year

There once was a sexy young actor
Who liked to use lots of Max Factor
He flirted and scamped
And coddled and tramped
Until wife ran him over with a tractor

There once was a lecherous Duke
Who made all the girls want to puke
He procured hotel keys
And said "pretty please!"
And now we all think he's a kook

Zoe thinks hair makes her pretty
But my hands get so icky and gritty
When I glue on her wig
Her head gets real big
And she thinks that she's clever and witty

Our tenor is gallant and gay
He reminds us of this every day
But he lusts for another
In fact, it's his "brother"
With whom he would go all the way

Sex, lies, and secrets, that's what we all do
I love him, he likes me, I may want you
I'm not a John Keats
But my poetic treats
Point to truths that could serve to unglue




Amy
aallen@welchs.com


------_=_NextPart_001_01BE14C3.A29D39C6--  1, answered,, Summary-line: 20-Nov Rebecca A. Consentino #yet more poetry Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21206; Fri, 20 Nov 98 16:08:37 EST Received: from ACS1.BU.EDU by MIT.EDU with SMTP id AA18783; Fri, 20 Nov 98 16:08:36 EST Received: from localhost (rac@localhost) by acs1.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id QAA218282; Fri, 20 Nov 1998 16:08:34 -0500 Date: Fri, 20 Nov 1998 16:08:33 -0500 (EST) From: "Rebecca A. Consentino" X-Sender: rac@acs1.bu.edu Reply-To: "Rebecca A. Consentino" To: "Allen, Amy" Cc: "'Scott Gagnon'" , "'opus@mit.edu'" Subject: yet more poetry In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 16:08:33 -0500 (EST) From: "Rebecca A. Consentino" X-Sender: rac@acs1.bu.edu Reply-To: "Rebecca A. Consentino" To: "Allen, Amy" Cc: "'Scott Gagnon'" , "'opus@mit.edu'" Subject: yet more poetry In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Writing poetry: a really bad diversion for this soprano. Below are several poems for you all to read I hope you like them. ------------------------------------ Miss Amy wants Scott really bad; Too bad he's already been had! With Jen as his wife, He's with her for life, Which makes Amy terribly sad. ----------------------------------- There once was a girl at auditions Who has yet to show signs of contrition For wearing no bra As she sang, "Ti-re-fa!" Which left Scott in an awkward position. ------------------------------------ There once was a man named Dave J. Who had little to do through the day. So he emailed the cast-- Saying, "Wow! what a blast It would be if we rolled in the hay. ---------------------------------- There once was a music director Who hated a sweet stage director. The show Phil's palace; Baton is Phil's phallus-- He has such a puny erector. ---------------------------------- Jen likes to eat caesar salad; Scott wants a large garden salad. This is their dinner; They hope to get thinner! If they do, I shall write them a ballad. -------------------------------------------- Amy thinks that poems are her genre; She takes a special joy in writing these. She specializes in the deuble-entendres; She likes to joke and jibe and flirt and tease. It seems she learned her trade from Tony Parkes; He writes long dirty poems meant to please. But when she gets his poems, oh, she barks; He typically describes her mammaries. So hard it is to such a beauty see As Amy Allen, who, to lech's gaze, Is fairer than the angels ere could be; She quite seems blest by heaven's glorious rays! Then, leches should take lessons from Lonnie: When poems don't work, just try a hotel key!  1,, Summary-line: 20-Nov Rebecca A. Consentino #Re: Common theme today Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22760; Fri, 20 Nov 98 16:12:39 EST Received: from ACS1.BU.EDU by MIT.EDU with SMTP id AA00434; Fri, 20 Nov 98 16:12:36 EST Received: from localhost (rac@localhost) by acs1.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id QAA181942; Fri, 20 Nov 1998 16:12:39 -0500 Date: Fri, 20 Nov 1998 16:12:38 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Cc: aallen@welchs.com, scott@hup.harvard.edu Subject: Re: Common theme today In-Reply-To: <199811202053.PAA19758@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 16:12:38 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Cc: aallen@welchs.com, scott@hup.harvard.edu Subject: Re: Common theme today In-Reply-To: <199811202053.PAA19758@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII > Where is everyone? > look all around, under rocks > poetry scares them I really don't know But now, I have a theory: Amy's doing Scott.  1,, Summary-line: 20-Nov Cynthia J. Mallion #TMI questionnaire (was Re: FWD question*snip*) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00297; Fri, 20 Nov 98 16:33:02 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA07436; Fri, 20 Nov 98 16:32:56 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Fri, 20 Nov 1998 16:35:12 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Fri, 20 Nov 1998 16:34:50 -0500 From: "Cynthia J. Mallion" To: ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: TMI questionnaire (was Re: FWD question*snip*) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Fri, 20 Nov 1998 16:34:50 -0500 From: "Cynthia J. Mallion" To: ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: TMI questionnaire (was Re: FWD question*snip*) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Here's what you do. Copy this entire e-mail and change all the answers so they apply to you...then send it to everyone you know, INCLUDING the = person who sent you this. So you should get back a lot of other get-to-know-you e-mails, too You'll learn a lot about your friends that maybe you didn't know. The ultimate survey for: CJ Mallion Nicknames: CJ, Te, Phoenix, Keiko; Cindy or Cinny... but ONLY my mother gets away = with that Hometown: Springfield VA, more or less... (Army brat with multiple roots) Croutons or Bacon Bits: Bacon? Did someone say Bacon? YUM! Favorite Salad Dressing: Ranch. *With* fat, thank you. Do you drink (alcohol)? Nope. Good for killing bacteria, though.... Have you ever gone skinny dipping? Walden Pond.... I think.... It was cold.... Do you make fun of other people? ... not anymore, unless they jabbed first.... Favorite color: Sapphire, Emerald, Ruby, Amethyst... you get the idea.... Have you ever been convicted of a crime? Nope. Nor arrested nor charged. (the curse of being Lawful... you = know how to *not* get caught....) Best on-line friends: I don't have any that aren't off line, too... terribly non-tech of = me, I know... One pillow or two? None. Small blanket folded up. (I sleep on concrete, too, when I = have to) Pets? I WANT A KITTEN!!!! Spock or Yoda: Oooooo, tough. Better go with Yoda to be safe... Favorite Type of music: Ragtime! Can't beat Joplin... hm. Anything 80's, too.... Hobbies: Stained Glass (windows, whimsies, whatever); Cross-stitch, writing = (regency romance) Doll collecting, Cartooning, Costume design, reading, Hooking (rugs), = crochet, anything involving BJ... Dream Car: 1978 Corvette... indy pace car version, with decals, under 30,000 = miles... Words or phrases you overuse: ??? Blink??? Words or phrases you under-use: NO. I MEAN IT. Toothpaste: Arm & Hammer Baking Soda with Minty Fresh Taste, and Biotene =20 Favorite food: ? Um... Oooooooo! Chile con Queso from ChiChi's Crush on: Kurt Russel, Harrison Ford, and Piers Brosnon... for YEARS.... Current boyfriend/girlfriend: BJ, Torc Piercing or tattoos: Don't need any more holes in my head... or anywhere else. No tatoos (permanent)... but the "BarbWire" is tempting... Most romantic thing that ever happened to you: .... gleep. Dunno... Got a really pretty Phoenix picture once upon a = time Coolest thing someone ever gave to you. I got this REALLY cool ring!!! How do you characterized yourself (a hopeless romantic or non-romantic)?: A Romantic Realist.... (ie, cynic to the core, but the core is = mushy...) Do you get along with your parents?: Yep... now that they like their potential son-in-law, they're = great...! (Actually, I've always gotten along with dad, and I get along great = with mom now, too...) Favorite town to chill in: Whoooo.. there are so many pretty places in the world!! Firenze, I = guess, there's so much to just SIT and see.... Favorite ice cream: Coffe and vanilla together with LOTS of whipped cream. Favorite Drink: Diet Coke. What else is there? Favorite Alcoholic Drink: ....?.... um... wouldn't know.... What's your bed time: allegedly: 9pm. reality: 2am Adidas, Nike or Reebok: BOOTS!!! Preferably western. Favorite perfume/cologne: Anything vanilla... got some in Colorado that's still good... Favorite Song at the moment: One Week by Barenaked Ladies. Sounds like an ad jingle, so can't = shake it... Favorite Musical Groups/Artist: Group: Spice Girls (come see my poster collection!); artist: Pat = Benetar Favorite opera/musical: Godspell/Beauty & the Beast/1776 Favorite movie: Star Wars (was there any doubt?) with 5th Element a close second... Favorite TV show(s): ... TV? I remember TV...=20 Favorite Novel: Watership Down, probably forever; anything by Sir Jeffrey Archer Favorite cartoon or character from your childhood: The Super Friends!! WonderTwin Powers, Activate! (... and Blue = Falcon and Dynomutt) Favorite Website: http://rencrafters.com/dragonheartdesigns coming soon!! Favorite subject in school: English, language, anything with writing... Least favorite subjects: Math. So naturally, I went to M.I.T. to play with math and radiation Favorite sport to watch: Football, but only with my boys playing (the Denver Broncos... 10 an' = 0!!!) Loudest person I know: Hi, Deb....! Craziest person I know: Foooooo... probably me, I just hide it well.... Favorite Holiday: Love 'em all; I like celebrating happythings Craziest thing you ever did: Got engaged.... again. But it's probably also the smartest thing I've = done in a long time, so all is well..... What do you look for in the opposite sex: BJ! (Tall, dark hair, light eyes, great smile, good hugs & sense of = humor...) Say one nice thing about the person who sent this to you and make sure you send it back to them: Gotten it from three folks.... so far.... Deb, you're a maniac, but you're the best. Mike, ditto.... but really, Skim Milk? BJ, love you forever....  1,, Summary-line: 20-Nov Rebecca A. Consentino #Re: TTFN Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00851; Fri, 20 Nov 98 16:34:22 EST Received: from ACS1.BU.EDU by MIT.EDU with SMTP id AA07887; Fri, 20 Nov 98 16:34:19 EST Received: from localhost (rac@localhost) by acs1.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id QAA115460; Fri, 20 Nov 1998 16:34:22 -0500 Date: Fri, 20 Nov 1998 16:34:21 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Cc: aallen@welchs.com, scott@hup.harvard.edu Subject: Re: TTFN In-Reply-To: <199811202125.QAA19886@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 16:34:21 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Cc: aallen@welchs.com, scott@hup.harvard.edu Subject: Re: TTFN In-Reply-To: <199811202125.QAA19886@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII "All alone am I! No one loves Becca at all!" she cried in despair. On Fri, 20 Nov 1998, David C. Jedlinsky wrote: > > It has been really fun, > all the diversions we had today. > But now I have to run, > if I am to make it to our play. >  1,, Summary-line: 20-Nov Rebecca A. Consentino #The Oracle replies! (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02959; Fri, 20 Nov 98 16:40:17 EST Received: from ACS1.BU.EDU by MIT.EDU with SMTP id AA09800; Fri, 20 Nov 98 16:40:13 EST Received: from localhost (rac@localhost) by acs1.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id QAA83856; Fri, 20 Nov 1998 16:40:15 -0500 Date: Fri, 20 Nov 1998 16:40:15 -0500 (EST) From: "Rebecca A. Consentino" To: Scott Gagnon , David Jedlinsky Subject: The Oracle replies! (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 20 Nov 1998 16:40:15 -0500 (EST) From: "Rebecca A. Consentino" To: Scott Gagnon , David Jedlinsky Subject: The Oracle replies! (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII The internet oracle has still not responded to my initial grovel. So i wrote it again... ---------- Forwarded message ---------- From: The Internet Oracle The Internet Oracle has pondered your question deeply. Your question was: > Are you a big cheesy crock? And in response, thus spake the Oracle: } mail me more moosee meat moron.  1,, Summary-line: 21-Nov Rebecca A. Consentino #The Oracle replies! (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27154; Sat, 21 Nov 98 01:42:36 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA03069; Sat, 21 Nov 98 01:42:32 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id BAA222096; Sat, 21 Nov 1998 01:42:34 -0500 Date: Sat, 21 Nov 1998 01:42:34 -0500 (EST) From: "Rebecca A. Consentino" To: Scott Gagnon , David Jedlinsky , Amy Allen Subject: The Oracle replies! (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Sat, 21 Nov 1998 01:42:34 -0500 (EST) From: "Rebecca A. Consentino" To: Scott Gagnon , David Jedlinsky , Amy Allen Subject: The Oracle replies! (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII LOLOLOL lookit the reply I got to one of my questions! ---------- Forwarded message ---------- Date: Fri, 20 Nov 1998 17:20:26 -0500 (EST) From: The Internet Oracle To: "Rebecca A. Consentino" Subject: The Oracle replies! The Internet Oracle has pondered your question deeply. Your question was: > > if 999 nuns interned in an indiana nunnery, how good a vocal exercise > would it be to say this over and over on the same pitch? > And in response, thus spake the Oracle: } The Internet Oracle requires an answer to this question! } } > } > if 999 nuns interned in an indiana nunnery, how good a vocal exercise } > would it be to say this over and over on the same pitch? } > } } Hmmm, catchy! } } Nine hundred ninety-nine nuns interned in an Indiana nunnery, } Nine hundred ninety-nine nuns, } If one of those nuns should happen to fall for Sean Connery, } Nine hundred ninety-eight nuns interned in an Indiana nunnery. } } Nine hundred ninety-eight nuns interned in an Indiana nunnery, } Nine hundred ninety-eight nuns, } If one of those nuns should happen to get run over by a Maserati, } Nine hundred ninety-seven nuns interned in an Indiana nunnery. } } Nine hundred ninety-seven nuns interned in an Indiana nunnery, } Nine hundred ninety-seven nuns, } If one of those nuns should happen to become a Buddist, } Nine hundred ninety-six nuns interned in an Indiana nunnery. } } Nine hundred ninety-six nuns interned in an Indiana nunnery, } Nine hundred ninety-six nuns, } If one of those nuns should happen to lose her virginity, } Nine hundred ninety-five nuns interned in an Indiana nunnery. } } Nine hundred ninety-five nuns interned in an Indiana nunnery, } Nine hundred ninety-five nuns, } If one of those nuns should spontaneously to teleport to Andromeda, } Nine hundred ninety-four nuns interned in an Indiana nunnery. } } Nine hundred ninety-four nuns interned in an Indiana nunnery, } Nine hundred ninety-four nuns, } If one of those nuns should happen start wearing drag, } Nine hundred ninety-three nuns interned in an Indiana nunnery. } } Nine hundred ninety-three nuns interned in an Indiana nunnery, } Nine hundred ninety-three nuns, } If one of those nuns should happen start wearing drag, } Nine hundred ninety-two nuns interned in an Indiana nunnery. } } Nine hundred ninety-two nuns interned in an Indiana nunnery, } Nine hundred ninety-two nuns, } If one of those nuns should happen to be named Lisa, } Nine hundred ninety-one nuns interned in an Indiana nunnery. } } Hmm hmmhmm hmmhmm hmm hmm hmmhmm hm hm hmmhmmhmm . . . } Oh darn, now I'll never get that tune out of my mind. } } You owe the Oracle two hail Marys and a whole bunch of beer. } Hmm hmmhmm hmmhmm hmm hmm hmm . . . hmm hmmhmm . . .  1,, Summary-line: 21-Nov ArcaneKnow@aol.com #Re: TMI questionnaire (was Re: FWD question*snip*) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14408; Sat, 21 Nov 98 12:40:45 EST Received: from imo18.mx.aol.com by MIT.EDU with SMTP id AA13076; Sat, 21 Nov 98 12:40:45 EST Received: from ArcaneKnow@aol.com by imo18.mx.aol.com (IMOv16.10) id 2LLLa26097; Sat, 21 Nov 1998 12:39:19 -0500 (EST) From: ArcaneKnow@aol.com Message-Id: <42c073b9.3656fac7@aol.com> Date: Sat, 21 Nov 1998 12:39:19 EST To: CJ@sftlaw.com, LMi3555473@aol.com, Takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Mime-Version: 1.0 Subject: Re: TMI questionnaire (was Re: FWD question*snip*) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 214 *** EOOH *** From: ArcaneKnow@aol.com Date: Sat, 21 Nov 1998 12:39:19 EST To: CJ@sftlaw.com, LMi3555473@aol.com, Takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Mime-Version: 1.0 Subject: Re: TMI questionnaire (was Re: FWD question*snip*) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 214 In a message dated 11/20/98 2:32:30 PM Mountain Standard Time, CJ@sftlaw.com writes: << The ultimate survey for: Todd Leatherman Nicknames: Walker, Vadros, Arogant ***, ( I also call CJ Cinny when she isn't looking) Hometown: Shreveport, LA Croutons or Bacon Bits: Bacon Favorite Salad Dressing: Ranch. . Do you drink (alcohol)? Not much, usually about twice a week, I'll have a couple of beers, but I don't drink to get drunk like I did in college. Have you ever gone skinny dipping? Yes, my house has a hot tub, and clothes are not allowed in it. It causes us to have to replace the filter that much more quickly. Do you make fun of other people? No, usually peple are poking fun at me, not the other way around. Especially Dick and Jane, Winona's parents. They love to zing me any chance they can get. And I am going to have Thanksgiving with these people? Favorite color: Green, the color of MONEY! Oh, also growth, health, and other nice things. Have you ever been convicted of a crime? No, I am also Lawful to the nth degree, but I did once have a warrant out for my arrest. It wasn't my fault. No really! Let me explain.... Best on-line friends: Tina, I talk to her about what ails me. Pets? Nope, I don't want kids or pets, well.... maybe eventually a daughter or a cat. Spock or Yoda: Yoda, help you I can , hmmMMMmmm.... Favorite Type of music: 80's, It was a good decade for music. Ren faire songs are also a must. Hobbies: Fencing, I teach it to some of my friends in this area, it also gives me someone to trounce when they get a little to cocky. Dream Car: Subaru Forrester. What can I say, I'm practical. Words or phrases you overuse: Fairness is highly overrated. Words or phrases you under-use: No. I need to learn to say no. Toothpaste: Crest, with all the bells and whistles. Favorite food: STEAK! Preferably so rare a good vet can probably bring it back. Crush on: No one currently, I'm not the crush kind of guy. Current boyfriend/girlfriend: Cassie, but our relationship is failing Piercing or tattoos: One in my left ear, usually empty. Most romantic thing that ever happened to you: I recieved a dozen red roses. What can I say, I am a sentimental guy. How do you characterized yourself (a hopeless romantic or non-romantic)?: Hopeless romantic, but apt to get sick of myself for being that way. Do you get along with your parents?: Well, yes. As long as certain subjects are not mentioned. Favorite town to chill in: Conifer, where I live. It's a very small mountain town. Favorite ice cream: Chocolate Favorite Drink: Milk, It does my body good. Favorite Alcoholic Drink: Oatmeal Stout beers. What's your bed time: 9pm I work early Adidas, Nike or Reebok: Reebok, I wear tenni-pumps to work. Favorite perfume/cologne: None, I hate the stuff on me or others. Favorite Song at the moment: Mummers Dance, Lorena McKennit Favorite Musical Groups/Artist: Phil Collins Favorite opera/musical: CATS! Favorite movie: Star Wars, What can I say. Favorite TV show(s): There is a black box in my house that never does anything, my friend once came over and called it a a TV. Favorite Novel: The Martian Cronicles of Edgar Rice Burroughs, go John Carter! Favorite cartoon or character from your childhood: I'm still in my childhood at 28, and I like the cajun. Gambit. Favorite Website: http://www.chainmaile,com Favorite subject in school: Math, I love numbers. Least favorite subjects: Biology, Chemistry, but Physics was very cool! Favorite sport to watch: Fencing, I like swords. Loudest person I know: Deb, no debate. Craziest person I know: Me, I just look normal, well... maybe normal loking would be stretching it. Favorite Holiday: Christmas, I like giving, especially now that I can afford to do so. Craziest thing you ever did: Well, these two girls walked up to me and said, 'Gee, that's a nice sword belt.' And I continued to talk with them. And here I am eight years later after all they have done to me. CJ, Nona, thanks, I think. What do you look for in the opposite sex: Brains, a surprisingly rare comodity. Eyes, I like eyes. Looks are a plus.  1,, Summary-line: 21-Nov Irv Hodgkin #Ass-cons Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22740; Sat, 21 Nov 98 22:01:30 EST Received: from p2.acadia.net by MIT.EDU with SMTP id AA14320; Sat, 21 Nov 98 22:01:30 EST Received: from Irvide.acadia.net (ell51.acadia.net [205.217.218.35]) by p2.acadia.net (8.8.5/8.8.6) with SMTP id WAA01985; Sat, 21 Nov 1998 22:00:55 -0500 (EST) Date: Sat, 21 Nov 1998 22:00:55 -0500 (EST) Message-Id: <199811220300.WAA01985@p2.acadia.net> X-Sender: ihodgkin@post.acadia.net X-Mailer: Windows Eudora Light Version 1.5.2 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: phoebem@idt.net, gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, help_desk@iroquois.com, opus@MIT.EDU, erics@gateway.virtus.com, stuart.leventhall@virgin.net, jbayes@occs.cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, LBlocher@worldnet.att.net, Philip_Gellis@mccord.com, POLINIAK@DEPT.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, goblin@ort.org.il, chiodo@westport.msmail.aigfpc.com, litwin@westport.msmail.aigfpc.com, deenihan@westport.msmail.aigfpc.com, christ_janer@aigfpc.com, rozmus@westport.msmail.aigfpc.com From: Irv Hodgkin Subject: Ass-cons *** EOOH *** Date: Sat, 21 Nov 1998 22:00:55 -0500 (EST) X-Sender: ihodgkin@post.acadia.net X-Mailer: Windows Eudora Light Version 1.5.2 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: phoebem@idt.net, gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, help_desk@iroquois.com, opus@MIT.EDU, erics@gateway.virtus.com, stuart.leventhall@virgin.net, jbayes@occs.cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, LBlocher@worldnet.att.net, Philip_Gellis@mccord.com, POLINIAK@DEPT.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, goblin@ort.org.il, chiodo@westport.msmail.aigfpc.com, litwin@westport.msmail.aigfpc.com, deenihan@westport.msmail.aigfpc.com, christ_janer@aigfpc.com, rozmus@westport.msmail.aigfpc.com From: Irv Hodgkin Subject: Ass-cons How do you like these moons? --Irv (aka, Dick Deadeye) "I'm unpleasant to look at, and my name's agin me, but I ain't as bad as I seem." >> We all know those cute little computer symbols called >> "emoticons," where :) means a smile and :( is a frown. >> Sometimes these are represented by :-) and :-( >> respectively. >> >> Well, how about some "ass cons"? Here goes: >> >> (_!_) a regular ass >> >> (__!__) a fat ass >> >> (!) a tight ass >> >> (_._) a flat ass >> >> (_^_) a bubble ass >> >> (_*_) a sore ass >> >> (_!__) a lop-sided ass >> >> {_!_} a swishy ass >> >> (_o_) an ass that's been around >> >> (_O_) an ass that's been around even more >> >> (_x_) kiss my ass >> >> (_X_) leave my ass alone >> >> (_zzz_) a tired ass >> >> (_o^o_) a wise ass >> >> (_E=3Dmc2_) a smart ass >> >> (_13_) an unlucky ass >> >> (_$_) Money coming out of his ass >> >> (_?_) Dumb Ass >> >> oo ..oo*"""**oo.oo*""*oo.. >> . oo*" "*o.o*" "*o. >> . o" 'o" "o >> o o *o >> .o o 'o >> o o o. >> o o o. >> o o o >> o \o/ o >> o --0-- o >> o. /o\ o >> o o o >> o o o >> o o oo >> oo o oo >> oo. oo oo >> 'ooo. .oo. ooo >> "o ""oo,, ,,oO-'Oo, ,,,,,oo"o >> o. """""" oo """"" .o >> 'o oo o' >> *o oo o >> 'o o o >> o o o >> o o o >> o o o >> o o o >> o o o >> o o o >> >> You have been e-mooned! Send this to 5 people within the >> next hour and you will be blessed with people laughing at >> your e-mail. Happy e-mooning!!! >> >> This is NOT a chain letter, so if you don't mail it out, >> you won't have bad luck. (But who wouldn't want to e-moon >> a friend?) >> >  1,, Summary-line: 22-Nov endes-Barry & Scott Barry #Lawyer one-liners Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05601; Sun, 22 Nov 98 00:17:19 EST Received: from u3.farm.idt.net by MIT.EDU with SMTP id AA26219; Sun, 22 Nov 98 00:17:19 EST Received: from [206.20.7.2] (ppp-2.ts-1.ct.idt.net [206.20.7.2]) by u3.farm.idt.net (8.8.8/8.8.5) with ESMTP id AAA20800; Sun, 22 Nov 1998 00:16:52 -0500 (EST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Sun, 22 Nov 1998 00:22:00 -0500 To: rm3m@idt.net, gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, CMDAVIS1@STUDENTS.WISC.EDU, chiodo@westport.msmail.aigfpc.com, opus@MIT.EDU, erics@gateway.virtus.com, gregory.perrine@oberlin.edu, stuart.leventhall@virgin.net, "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, aboundinggrace@hotmail.com, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: Lawyer one-liners *** EOOH *** Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Sun, 22 Nov 1998 00:22:00 -0500 To: rm3m@idt.net, gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, CMDAVIS1@STUDENTS.WISC.EDU, chiodo@westport.msmail.aigfpc.com, opus@MIT.EDU, erics@gateway.virtus.com, gregory.perrine@oberlin.edu, stuart.leventhall@virgin.net, "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@scaup.prod.itd.earthlink.net, christ_janer@aigfpc.com, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, aboundinggrace@hotmail.com, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: Lawyer one-liners >X-From_: ihodgkin@acadia.net Sat Nov 21 22:01:32 1998 >Date: Sat, 21 Nov 1998 22:01:28 -0500 (EST) >X-Sender: ihodgkin@post.acadia.net >Mime-Version: 1.0 >To: phoebem@idt.net >From: Irv Hodgkin >Subject: Lawyer one-liners > >>From "guess who"... the, now, one-eyed worm. > >---Irv > > >>Date: Fri, 20 Nov 1998 16:32:21 >>To: Boys, Boys' Gals >>From: Irv Hodgkin >>Subject: Lawyer one-liners > > >>This list comes from one of my lawyer frie..., er, acquaintances. ;-) >> >>--Irv (aka, Dick Deadeye) >> >>"I'm unpleasant to look at, and my name's agin me, >>but I ain't as bad as I seem." >> >> >> >> Lawyer one-liners >> >> >>> What do lawyers use for birth control? >>> * Their personalities. >>> >>> What is the difference between a tick and a lawyer? >>> * A tick falls off of you when you die. >>> >>> Why does the law society prohibit sex between lawyers and >>> their clients? >>> * To prevent clients from being billed twice for what is >>> essentially the same service. >>> >>> What do you have when 100 lawyers are buried up to their >>> neck in sand? >>> * Not enough sand. >>> >>> What's the difference between a dead skunk in the road and a >>> dead lawyer in the middle of the road? >>> * There are skid marks in front of the skunk. >>> >>> What is black and brown and looks good on a lawyer? >>> * A Doberman. >>> >>> Why are lawyers like nuclear weapons? >>> * If one side has one, the other side has to get one. Once >>> launched, they cannot be recalled. When they land, they >>> screw up everything forever. >>> >>> What do lawyers and sperm have in common? >>> * One in 3,000,000 has a chance of becoming a human being. >>> >>> Did you hear that the Post Office just recalled their latest >>> stamps? >>> * They had pictures of lawyers on them ...and people >>> couldn't figure out which side to spit on. >>> >>> Lawyer's creed: >>> * A man is innocent until proven broke. >>> >>> What's the difference between a female lawyer and a pit >>> bull? >>> * Lipstick. >>> >>> What do you call 20 lawyers skydiving from an airplane? >>> * Skeet. >>> >>> What do you get when you cross a bad politician with a >>> crooked lawyer? >>> * Chelsea Clinton >>> >>> If you see a lawyer on a bicycle, why should you swerve to >>> avoid hitting him? >>> * It might be your bicycle. >>> >>> Santa Claus, the tooth fairy, an honest lawyer and an old >>> drunk are walking down the street together when they >>> simultaneously spot a hundred dollar bill. Who gets it? >>> * The old drunk, of course; the other three are mythical >>> creatures. >>> >>> It was so cold last winter ... (How cold was it?) >>> * ...... I saw a lawyer with his hands in his own pockets. >>> >>> A man walked into a lawyer's office and inquired about the >>> lawyer's rates. >>> "$50.00 for three questions", replied the lawyer. >>> "Isn't that awfully steep?" asked the man. >>> "Yes," the lawyer replied, "and what was your third >>> question?" >>> >>> You're trapped in a room with a tiger, a rattlesnake and a >>> lawyer. You have a gun with two bullets. What should you >>> do? >>> * You shoot the lawyer. Twice. >>> >>> Do you know what happens when a lawyer takes Viagra? >>> * He gets taller. >> >> > o \ o / _ o __| \ / |__ o _ \o/ o /|\ | /\ ___\o \o | o/ o/__ /\ | /|\ / \ / \ | \ /) | ( \ /o\ / ) | (\ / | / \ / \ Rica Mendes-Barry and Scott Barry "What was I thinking?... I've never, hardly ever, phoebem@mail.idt.net right now I'm not drunk" - Christine Lavin  1,, Summary-line: 23-Nov Donna Hirsch #RE: TMI questionnaire (was Re: FWD question*snip*) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22564; Mon, 23 Nov 98 11:06:47 EST Received: from [204.132.131.6] by MIT.EDU with SMTP id AA05729; Mon, 23 Nov 98 11:06:38 EST Received: by MHIMAIL with Internet Mail Service (5.5.1960.3) id ; Mon, 23 Nov 1998 09:10:47 -0700 Message-Id: From: Donna Hirsch To: "'Cynthia J. Mallion'" , ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, Donna Hirsch , elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: RE: TMI questionnaire (was Re: FWD question*snip*) Date: Mon, 23 Nov 1998 09:10:45 -0700 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Donna Hirsch To: "'Cynthia J. Mallion'" , ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, Donna Hirsch , elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: RE: TMI questionnaire (was Re: FWD question*snip*) Date: Mon, 23 Nov 1998 09:10:45 -0700 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" The ultimate survey for: Donna Hirsch Nicknames: DMDB, Elf, Vak, Bonzai-babe, Borgbabe, Chia-hulk (like a chia pet, only bigger) Note: With the possible exception of Vak, all these nicknames where things poeple started spontaneously calling me. Please, just call me Donna. Hometown: Fairfax Croutons or Bacon Bits: Um, neighter. I do like garbanzo beans though. Favorite Salad Dressing: Vinigar (red) and oil (olive) Do you drink (alcohol)? Sometimes. I like to mix it. Have you ever gone skinny dipping? Yup, at the clothing optional hot springs in the Jemez mountains. I remember the time I was wandering around the mountains in the middle of the night searching for the hot springs by the light of a full moon. When I felt the stream (It was warm) and heard people singing in Gailic. I was so happy to find the hot spring - even if it was different than the one I had originally set out to find, and the poeple were nice. Do you make fun of other people? Not unless they have engaged me in it first. Favorite color: Royal blue Have you ever been convicted of a crime? No Best on-line friends: Y'all, If email counts as on-line One pillow or two? One, down Spock or Yoda: Tuvok Favorite Type of music: Simple stuff I can sing or danc to, usully eighties Hobbies: Drawing, writing, make-believe (acting), dancing around my living room, Trek Dream Car: I just want a Rav 4. In ice blue. 'Course I don't tend to dream about cars. The Defiant, if I could have a space ship. Words or phrases you overuse: Growl Words or phrases you under-use: anything current slang-never could keep up Toothpaste: Mentadent Favorite food: Sushi Crush on: David Duchuvney, Aries (I know, I watch too much television) Current boyfriend/girlfriend: None. Motercycle boy called me last weekend, but I'm not going out with him again. Piercing or tattoos: Ring in belly button - to accent flat, well-muscled abdominal region (applause arn't necessary) Most romantic thing that ever happened to you: I'll go with the dozen roses. Only they had thorns-and at the time I didn't realize the guy was trying to be romantic, thought he was just being nice. Coolest thing someone ever gave to you. My cat, given to me by a homless fellow claiming to be the prince of Denmark How do you characterized yourself (a hopeless romantic or non-romantic)?: Hopless romantic, but its my own brand Do you get along with your parents?: Yup, My mom emails me everyday. I like my dad too, only he doesn't communicate Favorite town to chill in: Here, in Boulder Favorite ice cream: Cinimon Favorite Drink: Chai Favorite Alcoholic Drink: Wine What's your bed time: 11pm Adidas, Nike or Reebok: Reebok, but I hav'nt owned a pair of sneakers in a while Favorite perfume/cologne: I'll wear scented oils, but I'm allergic to most perfumes Favorite Song at the moment: One Week by Barenaked Ladies. (oh damn, now that that is mentioned by CJ I can't think of anything else -chickity china the chinese chicken, have a drum stick and your brain starts tick'in-watchin x-files with no lights on) Favorite Musical Groups/Artist: hmmmm? Favorite opera/musical: The Phantom of the Operra Favorite movie: Aliens Favorite TV show(s): Voyager, DS9, Xena, X-files Favorite Novel: Jhereg by Stephen Brust Favorite cartoon or character from your childhood: Thundercats!!! Favorite Website: none Favorite subject in school: English esp Shakespere Least favorite subjects: Math. Any foriegn language (I suppose Math is a foriegn language) Favorite sport to watch: Anti-grav jello bungee-ball (OK I don't really watch sports) Loudest person I know: Griffyn, with deb a close second Craziest person I know: Um, my delusions keep me sane. I define normality. So basically everyone else is crazy Favorite Holiday: Ohhh oohhh, Halloween. Also, any holiday I don't know much about when I'm invited to it. Craziest thing you ever did: Wrestled with a man called Ogre. oouch What do you look for in the opposite sex: Tall, well-built, handsome, with bright intelligent eyes and an alternate existance in outer space. I'm convinced this person does not exsist. Say one nice thing about the person who sent this to you and make sure you send it back to them: Oh my god I'm actually finished with this servey. Ceije is awsome. We love and adore her. Also got it from Todling(like podling). What can I say? I'll be seeing you on Thankgiving. For evil incarnate, you're not so bad. {{{{{{HUGS}}}}}}}  1,, Summary-line: 23-Nov Jeff Bigler #Windows NT UI registry hacks Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05549; Mon, 23 Nov 98 11:38:36 EST Received: from mermaid.shore.net by MIT.EDU with SMTP id AA16267; Mon, 23 Nov 98 11:38:33 EST Received: from mfswlth-s02-155.port.shore.net (VIOLA) [207.244.109.155] by mermaid.shore.net with smtp (Exim) for dinner@mit.edu id 0zhz0Q-0000uh-00; Mon, 23 Nov 1998 11:38:31 -0500 To: dinner@MIT.EDU Subject: Windows NT UI registry hacks From: "Jeff Bigler" Sender: jbigler@shore.net X-Zippy: Your CHEEKS sit like twin NECTARINES above a MOUTH that knows no BOUNDS -- Reply-To: jcb@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Message-Id: Date: Mon, 23 Nov 1998 11:38:31 -0500 *** EOOH *** To: dinner@MIT.EDU Subject: Windows NT UI registry hacks From: "Jeff Bigler" Sender: jbigler@shore.net X-Zippy: Your CHEEKS sit like twin NECTARINES above a MOUTH that knows no BOUNDS -- Reply-To: jcb@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Date: Mon, 23 Nov 1998 11:38:31 -0500 Here are the two Windows NT registry hacks I mentioned at Ted's dinner on Saturday. To swap Control & Caps Lock, save the following to a file and import it into the registry: REGEDIT4 [HKEY_LOCAL_MACHINE\SYSTEM\CurrentControlSet\Control\Keyboard Layout] "Scancode Map"=hex:00,00,00,00,00,00,00,00,03,00,00,00,1d,00,3a,00,3a,00,1d,00,00,00,00,00 (Note that this change will affect all users who log into the machine. There doesn't appear to be a way to do this within HKEY_CURRENT_USER.) To undo, delete the registry item "Scancode Map" from HKEY_LOCAL_MACHINE/SYSTEM/CurrentControlSet/Keyboard Layout. --------------------------- To have the focus follow the mouse (without auto-raising the window), set the registry key HKEY_CURRENT_USER\Control Panel\Mouse\ActiveWindowTracking to 0x1. As you've undoubtedly guessed, to undo this, set the key to 0x0. Jeff  1,, Summary-line: 23-Nov Bagaria, William J., III #RE: TMI questionnaire (was Re: FWD question*snip*) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07324; Mon, 23 Nov 98 11:43:07 EST Received: from [208.200.215.130] by MIT.EDU with SMTP id AA19955; Mon, 23 Nov 98 11:42:47 EST Received: from vbmim01.venable.com by [208.200.215.130] via smtpd (for SOUTH-STATION-ANNEX.MIT.EDU [18.72.1.2]) with SMTP; 23 Nov 1998 16:39:06 UT Received: from [172.29.28.3] (unverified [172.29.28.3]) by vbmim01.venable.com (Integralis SMTPRS 2.0.15) with SMTP id ; Mon, 23 Nov 1998 11:40:24 -0500 Received: from vbsmt02.venable.com by [172.29.28.3] via smtpd (for mime.venable.com [172.29.28.4]) with SMTP; 23 Nov 1998 16:42:27 UT Received: by vbsmt02.venable.com with Internet Mail Service (5.5.2232.9) id ; Mon, 23 Nov 1998 11:42:32 -0500 Message-Id: From: "Bagaria, William J., III" To: "'Cynthia J. Mallion'" , ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: RE: TMI questionnaire (was Re: FWD question*snip*) Date: Mon, 23 Nov 1998 11:42:19 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE1700.43A33B84" *** EOOH *** From: "Bagaria, William J., III" To: "'Cynthia J. Mallion'" , ArcaneKnow@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, DroutmanE@tce.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: RE: TMI questionnaire (was Re: FWD question*snip*) Date: Mon, 23 Nov 1998 11:42:19 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE1700.43A33B84" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE1700.43A33B84 Content-Type: text/plain; charset="iso-8859-1" > << Okay, here's what you're supposed to do. Copy this entire e-mail and change > all the answers so they apply to you. Then, send this to your friends > INCLUDING the person who sent you this. So you should get back a lot of > other get-to-know-you e-mails, too. You'll learn a lot of little-known > facts about your friends. > > 1. Name: William James Bagaria 3rd > 2. Nickname: Bill, Bj, Torcstan > 3. Hometown: Springfield VA > 4. Age: 31 > 5. Sex: Male > 6. Location: Springfield VA > 7. Height:6'4 > 8. Eye color: Steel Gray > 9. What do you remember most about this year? New Year's Eve, EveCon, My Birthday, Giving in to Manga and Japanima, Getting a new Job, fixing TORCSTN, CastleCon, proposing to CJ, Reen and Jay's Wedding, getting a new house, > 10. Schools: Chapel Forge Elementary, Samuel Ogle Middle, Bowie HS, Eleanor Roosevelt HS, UMBC > 11. Bacon bits or croutons: Bacon bits > 12. Favorite salad dressing: Wishbone Russian (Red) > 13. What type of deodorant do you use? Avon Deodorant Talcum Powder, Wild Country > 14. Favorite shampoo or conditioner: Selson Blue w/ Aloe > 15. Favorite color: All (leanings towards purple, silver, blue, candy apple blue over silver base coat, gold, chrome, black leather and others) > 16. One pillow or two: two > 17. Pets: nope > 18. Favorite Movies: The Hunger, Star Trek II: The Wrath of Khan, Last Star Fighter, Aliens, Terminator, Groundhog Day, LA Story, Beauty and the Beast (Disney), Hercules (Disney), Aladdin (Disney). > 19. Favorite type of music: you name it, with a strong prediliction for Irish folk, pop and female singers > 20. Hobbies: Gaming, Inking, Computer coloring, books, action figure/ doll collecting. > 21. Dream Car: 1988 Lincoln Towncar body w/ a Lamburgini 12 cylinder dropped in the front, the Hummer's independent drive train on all four wheels, fold down back seat with a self inflating mattress. > 22. Type of car you drive: Ford Escort > 23. Word or phrases you overuse: Know what I mean? > 24. Toothpaste: Bioteen > 25. Favorite Food: Chesapeake Blue Crabs > 26. Most romantic thing that ever happened to you: HalloweenCon > 27. Do you get along with your parents? yes > 28. Favorite town to chill in: Springfield VA > 29. Favorite ice cream: Rocky Road > 30. Favorite TV shows: Don't watch much TV > 31. Favorite concert you've been to: Tori Amos's 3rd US tour (actual 2nd album but second time US for that tour) > 32. Do you believe in yourself? Yes > 33. Favorite board game(s): DungeonQuest > 34. Favorite magazine: Entertainment Weekly > 36. Favorite cigarettes: unlit ones > 37. Favorite drink:Milk > 38. Favorite soda pop: IBC Rootbeer > 39. What's your bedtime? 10PM > 40. Favorite shoes: Tennis Shoes > 41. Favorite perfume/cologne:? none > 42. Favorite song at the moment: One Week by Bare Naked Ladies > 43. Favorite website: Phil and Kaja's > 44. Favorite sound(s): CJ's purr as she burrows into my chest > 45. Favorite smell(s): baking cookie, gasoline, popcorn > 46. Drinks, with or without ice cubes: without > 47. Worst feeling in the world: watching a friend date a meanie > 48. Best feeling in the world: see favorite sounds (#44) > 49. Where do you see yourself in 10 years: Setting up Axton Landing as a HQ/ training grounds > 50. What was the first thing you thought of when you woke up this morning? I don't want to get out of bed. No more moving! > 51. Do you like to drive? Yes esp along parkways > 52. If you could do anything to the person you hated most, what would you do? Heal their mind > 54. Online Crush: see Phil and Kaja's site (#43) > 55. Current Boyfriend/Girlfriend? CJ, T!a, K-Ko, Jordan, Diana > 56. Favorite subject in school: Engineering and creative writing > 57. Least favorite subject: Optics and Relativity > 58. Favorite sport to watch: College Female Gymnastics > 59. Most humiliating moment: being taken out of school > 60. Craziest person or silliest person you know: Scott Peterson > 61. Favorite holiday: New Year's Eve, Thanksgiving > 62. If you could have any occupation when you get older, what would it be? Writer/ Healer/ Builder (Banzii) > 64. What are your favorite quotations? "When something goes wrong, it's never at a good time" > 66. Have you ever been in love? yes > 67. What's on your walls in your room? Art > 70. Which kind of milk is your favorite? Whole > 71. If you could be one gardening tool, which one would you be? shovel > 72. What kind of shoe would you be if you had the option to be a shoe and why? lady's high heel shoe, think about it > 73. What kind of work do you do: support staff at a law firm > 74. Thing you miss the most: Old Friends > 75. Do you sleep with a stuffed animal? yes > 76. What do u look for in a guy/girlfriend: Cynthia Jane Silverdragon > 77. What is your zodiac sign? Taurus > 78. When is your birthday? April 23 > 79. Are you an indoors or outdoors person? indoor > 81. Do you have children? yep, stuffed animals, action figures and dolls > 82. How many boys? little less then half > 83. Say one nice thing about the person that sent you this: Mike is incredibly creative, should be an artist or writer. ------_=_NextPart_001_01BE1700.43A33B84 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable RE: TMI questionnaire (was Re: FWD question*snip*)

> << Okay, here's what you're supposed to = do. Copy this entire e-mail
and change
>  all the answers so they apply to you. = Then, send this to your friends
>  INCLUDING the person who sent you this. = So you should get back a
lot of
>  other get-to-know-you e-mails, too.  = You'll learn a lot of
little-known
>  facts about your friends.
> 
>  1. Name: William James Bagaria 3rd
>  2. Nickname: Bill, Bj, Torcstan
>  3. Hometown: Springfield VA
>  4. Age: 31
>  5. Sex: Male
>  6. Location: Springfield VA
>  7. Height:6'4
>  8. Eye color: Steel Gray
>  9. What do you remember most about this = year? New Year's Eve, EveCon, My Birthday, Giving in to Manga and = Japanima, Getting a new Job, fixing TORCSTN, CastleCon, proposing to = CJ, Reen and Jay's Wedding, getting a new house,

>  10. Schools: Chapel Forge Elementary, = Samuel Ogle Middle, Bowie HS, Eleanor Roosevelt HS, UMBC
>  11. Bacon bits or croutons: Bacon = bits
>  12. Favorite salad dressing: Wishbone = Russian (Red)
>  13. What type of deodorant do you use? = Avon Deodorant Talcum Powder, Wild Country
>  14. Favorite shampoo or conditioner: = Selson Blue w/ Aloe
>  15. Favorite color: All (leanings towards = purple, silver, blue, candy apple blue over silver base coat, gold, = chrome, black leather and others)

>  16. One pillow or two: two
>  17. Pets: nope
>  18. Favorite Movies: The Hunger, Star = Trek II: The Wrath of Khan, Last Star Fighter, Aliens, Terminator, = Groundhog Day, LA Story, Beauty and the Beast (Disney), Hercules = (Disney), Aladdin (Disney).

>  19. Favorite type of music: you name it, = with a strong prediliction
for Irish folk, pop and female singers
>  20. Hobbies: Gaming, Inking, Computer = coloring, books, action figure/ doll collecting.
>  21. Dream Car: 1988 Lincoln Towncar body = w/ a Lamburgini 12 cylinder dropped in the front, the Hummer's = independent drive train on all four wheels, fold down back seat with a = self inflating mattress.

>  22. Type of car you drive: Ford = Escort
>  23. Word or phrases you overuse: Know = what I mean?
>  24. Toothpaste: Bioteen
>  25. Favorite Food: Chesapeake Blue = Crabs
>  26. Most romantic thing that ever = happened to you: HalloweenCon
>  27. Do you get along with your parents? = yes
>  28. Favorite town to chill in: = Springfield VA
>  29. Favorite ice cream: Rocky Road
>  30. Favorite TV shows: Don't watch much = TV
>  31. Favorite concert you've been to: Tori = Amos's 3rd US tour (actual 2nd album but second time US for that = tour)
>  32. Do you believe in yourself? = Yes
>  33. Favorite board game(s): = DungeonQuest
>  34. Favorite magazine: Entertainment = Weekly
>  36. Favorite cigarettes: unlit = ones
>  37. Favorite drink:Milk
>  38. Favorite soda pop: IBC = Rootbeer
>  39. What's your bedtime?  = 10PM
>  40. Favorite shoes: Tennis Shoes
>  41. Favorite perfume/cologne:? = none
>  42. Favorite song at the moment: One Week = by Bare Naked Ladies
>  43. Favorite website: Phil and = Kaja's
>  44. Favorite sound(s): CJ's purr as she = burrows into my chest
>  45. Favorite smell(s): baking cookie, = gasoline, popcorn
>  46. Drinks, with or without ice cubes: = without
>  47. Worst feeling in the world:  = watching a friend date a meanie
>  48. Best feeling in the world: see = favorite sounds (#44)
>  49. Where do you see yourself in 10 = years: Setting up Axton Landing as a HQ/ training grounds
>  50. What was the first thing you thought = of when you woke up this
morning?  I don't want to get out of bed.  = No more moving!
>  51. Do you like to drive? Yes esp along = parkways
>  52. If you could do anything to the = person you hated most, what
would you  do? Heal their mind
>  54. Online Crush: see Phil and Kaja's = site (#43)
>  55. Current Boyfriend/Girlfriend? CJ, = T!a, K-Ko, Jordan, Diana
>  56. Favorite subject in school: = Engineering and creative writing
>  57. Least favorite subject: Optics and = Relativity
>  58. Favorite sport to watch: College = Female Gymnastics
>  59. Most humiliating moment: being taken = out of school
>  60. Craziest person or silliest person = you know: Scott Peterson
>  61. Favorite holiday: New Year's Eve, = Thanksgiving
>  62. If you could have any occupation when = you get older, what would
it be? Writer/ Healer/ Builder (Banzii)
>  64. What are your favorite quotations? = "When something goes wrong, it's never at a good time"
>  66. Have you ever been in love? = yes
>  67. What's on your walls in your room? = Art
>  70. Which kind of milk is your favorite? = Whole
>  71. If you could be one gardening tool, = which one would you be? shovel
>  72. What kind of shoe would you be if you = had the option to be a
shoe and why? lady's high heel shoe, think about = it
>  73. What kind of work do you do: support = staff at a law firm
>  74. Thing you miss the most: Old = Friends
>  75. Do you sleep with a stuffed animal? = yes
>  76. What do u look for in a = guy/girlfriend: Cynthia Jane Silverdragon
>  77. What is your zodiac sign? = Taurus
>  78. When is your birthday? April = 23
>  79. Are you an indoors or outdoors = person? indoor
>  81. Do you have children? yep, stuffed = animals, action figures and dolls
>  82. How many boys? little less then = half
>  83. Say one nice thing about the person = that sent you this: Mike is incredibly creative, should be an artist or = writer.

------_=_NextPart_001_01BE1700.43A33B84--  1,, Summary-line: 23-Nov Mark W. Eichin #Re: Windows NT UI registry hacks Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13626; Mon, 23 Nov 98 14:24:25 EST Received: from paycheck.thok.org by MIT.EDU with SMTP id AA20695; Mon, 23 Nov 98 14:24:19 EST Received: (qmail 22776 invoked by uid 3382); 23 Nov 1998 19:24:11 -0000 To: jcb@MIT.EDU Cc: dinner@MIT.EDU Subject: Re: Windows NT UI registry hacks References: From: eichin@thok.org (Mark W. Eichin) Date: 23 Nov 1998 14:24:08 -0500 In-Reply-To: "Jeff Bigler"'s message of "Mon, 23 Nov 1998 11:38:31 -0500" Message-Id: Lines: 10 X-Mailer: Gnus v5.4.56/Emacs 19.34 *** EOOH *** To: jcb@MIT.EDU Cc: dinner@MIT.EDU Subject: Re: Windows NT UI registry hacks References: From: eichin@thok.org (Mark W. Eichin) Date: 23 Nov 1998 14:24:08 -0500 In-Reply-To: "Jeff Bigler"'s message of "Mon, 23 Nov 1998 11:38:31 -0500" Lines: 10 X-Mailer: Gnus v5.4.56/Emacs 19.34 here's a related one which I haven't tried, but I am led to believe it is equivalent to "OpaqueMove" under X... not sure if it is 95 or NT specific either. http://www1.halcyon.com/cerelli/desktop.htm#full_windows_drag Full Window Drag ( Without Plus! ) Start Regedit Open HKEY_CURRENT_USER /ControlPanel /Desktop /DragFullWindows On "DragFullWindows" properties change 0 to 1  1,, Summary-line: 24-Nov J. Derrick McClure #Ain't that quaint? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02496; Tue, 24 Nov 98 10:18:40 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA00888; Tue, 24 Nov 98 10:18:39 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id KAA19701; Tue, 24 Nov 1998 10:18:08 -0500 (EST) Date: Tue, 24 Nov 1998 10:18:08 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Ain't that quaint? Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 *** EOOH *** Date: Tue, 24 Nov 1998 10:18:08 -0500 (EST) Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Ain't that quaint? Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 W.S. Gilbert: We figure in lively paint, Our attitude's queer and quaint - You're wrong if you think it ain't. Oscar Hamerstein: I cain't be prissy and quaint, I'm not the sort that can faint, How can I be what I ain't? Walt Disney: I was never one to faint When things are queer or things are quaint, But seeing things you know there ain't ... Ogden Nash: A girl whose cheeks Are covered with paint Has an advantage with me Over one whose ain't. Ain't that a handy little word when you're stuck for a funny rhyme? Derrick McClure. (I ain't a frettin' 'bout Hell till de time arrive ...) J.Derrick McClure, Department of English, Taylor Building, King's College, University of Aberdeen, Old Aberdeen AB9 2UB, Scotland. Tel. 01224-272625 Fax. 01224-272624 e-mail:  1, answered,, Summary-line: 25-Nov Rebecca A. Consentino #The Oracle replies! (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29417; Wed, 25 Nov 98 11:21:55 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA17011; Wed, 25 Nov 98 11:21:55 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id LAA209836; Wed, 25 Nov 1998 11:21:52 -0500 Date: Wed, 25 Nov 1998 11:21:52 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky , Paris Leung Subject: The Oracle replies! (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 25 Nov 1998 11:21:52 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky , Paris Leung Subject: The Oracle replies! (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII hmmmm..... ---------- Forwarded message ---------- Date: Mon, 23 Nov 1998 16:59:17 -0500 (EST) From: The Internet Oracle To: "Rebecca A. Consentino" Subject: The Oracle replies! The Internet Oracle has pondered your question deeply. Your question was: > O divine Oracle, > > Why are green eggs and ham green? > And in response, thus spake the Oracle: } HOI! Dr. Seuss! Tell this supplicant why those eggs and ham are } green, or at least get him to a stomach pump pronto... } } (Enter Dr. Seuss. I suppose that you think the fact he's dead means } something to the Oracle?) } } DR. SEUSS: I can tell why the eggs are green. } You must not, should not make a scene. } } Oh, brother. Just say it, would you? (Coughing, as though choking } on the word) Please? } } DR. SEUSS: I sure will! You're so polite! } Your courtesy fills me with delight! } } Grumblesaccharinegripecrappypoetryanywaymoankids'authorsallalikegrumble... } } DR. SEUSS: I'll start off with reason ten: } That you don't know quite where they've been! } } Ten? Watch it, buddy. } } DR. SEUSS: Now we're on to number nine, } That fuschia would not be as fine. } } Continuing with number eight, } The same reason they don't smell so great. } } I don't believe it. Sheesh. Of all people... } } DR. SEUSS: Now don't forget ol' number seven: } The original cook has gone to heaven. } } I'll tell you reason number six; } The eggs were laid by greenish chicks. } } Okay, one more of those, and things will go very badly for you... } } DR. SEUSS: You'll like reason number five... } <***ZOT***> Aiieee!!! } } I tell you, you bring a guy back from the dead and he instantly } starts spouting lame top ten lists. Remind me to make sure } Letterman gets buried in a hermetically sealed titanium casket...on } second thought, why wait until he's dead? } } Anyway, let me put it to you like this, supplicant, since poor Dr. } Seuss...er, had to go. That book is HOW old? If they're only } green, count yourself lucky! By now they probably should have } evolved into some kind of parasitic invertebrate, like a tapeworm, } or a lawyer. Clean that up this instant. Sheesh. } } You owe the Oracle some better literary food-handling practices, and } a titanium casket with a hermetic seal. You can send them care of } my attorney, a Mr. G.E. Andham -- I'm making a...business...trip to } New York. } } DR. SEUSS: (weakly, slightly incoherently) } I...do not like...green eggs and ZOT... } I...do not...like...them...<*ZOT*> <*ZOT*> <*ZOT*> } (smoldering) } } Sorry 'bout that. Some bad ideas just won't die. }  1, forwarded, edited,, Summary-line: 1-Dec Cynthia J. Mallion #A neat little "ethics" test.... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26494; Tue, 1 Dec 98 16:00:10 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA15827; Tue, 1 Dec 98 15:59:50 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Tue, 01 Dec 1998 16:01:28 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Tue, 01 Dec 1998 16:00:58 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, wolverinemjp@hotmail.com, brianhirsch@juno.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, elf@universe.digex.net, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: A neat little "ethics" test.... Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Tue, 01 Dec 1998 16:00:58 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, wolverinemjp@hotmail.com, brianhirsch@juno.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, elf@universe.digex.net, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: A neat little "ethics" test.... Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline (with the header that this is the usual Internet psychobabble....) How moral are you? What is your attitude to morals, sex and honesty? The fascinating personality test below was written by a Sydney marriage expert who is a qualified psychologist. It began as a dinner party conversation gimmick, but it has been prepared in this form for readers to test themselves. To do the "test" you must give your honest opinion about morals and honesty of the four characters in our story of Sherwood Forest. Forget any preconceived ideas you may have about them - this is a different sort of story from all the others. "The Sheriff of Nottingham captured Little John and Robin Hood and imprisoned them in his maximum-security dungeon. Maid Marion begged the Sheriff for their release, pleading her love for Robin. The Sheriff agreed to release them only if Maid Marion spent the night with ol' Knottie. To this she agreed. The next morning the Sheriff released his prisoners. Robin at once demanded that Marion tell him how she persuaded the Sheriff to let them go free. Marion confessed the truth, and was bewildered when Robin abused her, calling her a slut, and saying that he never wanted to see her again. At this Little John defended her, inviting her to leave Sherwood with him and promising life-long devotion. She accepted and they rode away together." Now in terms of realistic every-day standards of behavior, put Robin, Marion, Little John and the Sheriff in the order in which you consider they showed the most morality and honesty. There is no "right" answer, and the following is the psychologist's estimate of you for each of the 24 arrangements. Don't scroll down until you have made your list. ROBIN, MARION, SHERIFF, LITTLE JOHN: You find it hard to accept the permissive attitudes of others, or to convince them of the validity of your own standards. You are not disposed to trust people and do not have a very happy life. MEN: To you "love" involves sex and duty, rather than charity and forgiveness. WOMEN: You blame men for much of the unhappiness in your life. ROBIN, MARION, LITTLE JOHN, SHERIFF: Your philosophy of life is a sad hotchpotch of the conventions of society, your own convictions and romanticism. You are not unkind, only staid and unimaginative. MEN: You see a woman as weak but desirable. WOMEN: Your resent the arrogance of men. ROBIN, SHERIFF, MARION, LITTLE JOHN: MEN: We think you are unhappy, although you probably will not admit it. As a ruthless authoritarian you are as moral as it suits you and no more. You do not apply the same rules to men as you do to women. WOMEN: How worthless you seem to think women are. ROBIN, LITTLE JOHN, MARION, SHERIFF: You are a moralist with conventional ideas, which some people would call old-fashioned. MEN: You probably consider yourself a fair-minded man in a world which falls badly below your standards. Your inhibitions and sense of guilt are in the way of your happiness. WOMEN: Unlucky in love? Perhaps you hope for too much in a man. Be a realist, not a romantic. ROBIN, LITTLE JOHN, SHERIFF, MARION: You are conventional and puritanical. MEN: You moralize and see women as a great conspiracy against man, with sex as their principal weapon. You are missing a great deal in life. WOMEN: Your parents probably played a big part in the formation of such a guilt complex as yours. Your mind is in chains and it's time you did something to free it. LITTLE JOHN, ROBIN, SHERIFF, MARION: You are not easy to assess. Basically you are ruled by an inferiority complex and feelings of insecurity. How do you resent yourself to the world? An idealist, a moralist, a conformist keeping up with Jones's? MEN: Your conflicting views on sex and morality may lead to every sort sexual problem. You have always feared women, probably starting with your mother. WOMEN: It is a shame you have not accepted the ideal of woman as the equal (and sometimes stronger) partner of man. LITTLE JOHN, MARION, ROBIN, SHERIFF: You are fairly broadminded romantic and reasonably contented. You value kindness greatly and try to live by your ideals. You do not conceal from yourself, or from others, you strong need for security, which may be either emotional or material. MEN: Perhaps you tend to idealize women and credit them with virtues they don't possess. WOMEN: Your experiences of men have not all been happy, perhaps because you hope for a little too much? LITTLE JOHN, MARION, SHERIFF, ROBIN: You are the slightly romantic realist. You respect truth, and are broadminded and flexible. Whether you are a man or woman you are probably a happy person. You like people and they can readily make friends with you. You are not very adventurous, but this does not bother you. LITTLE JOHN, SHERIFF, MARION, ROBIN: You too, believe that morality is another word for common-sense and suitability, and not something which is universally valid or a religious truth. Your feeling for security is strong, and you would rate reliability as one of your virtues. MEN: Your estimate of women as the inferior sex suggests that you are a little uncertain of them. WOMEN: You are more permissive about the morals of others than you are about your own. LITTLE JOHN, SHERIFF, ROBIN, MARION: You are conventional, unimaginative, and something of a prude. It would be surprising if your love life was a soaring success. MEN: You have an old-world authoritarian attitude. One thing is sure - you have some sorry illusions about women. WOMEN: You accept a double standard of morality in which women are very much the "second sex". SHERIFF, ROBIN, MARION, LITTLE JOHN: MEN: We find it hard to imagine you leading a full, happy life. The warmth and give-and-take of love are not for you. Your sex life is ringed with unreality, and you neither understand nor appreciate women. WOMEN: If you really believe this is the right order, you baffle us completely. MARION, SHERIFF, LITTLE JOHN, ROBIN: Such an emphatic rejection of ready-made values in probably partly camouflage. You hate to be thought weak or insecure. You value honesty, and abominate humbug and hypocrisy. MEN: Women are very much part of you life, and you are - or perhaps would like to be - quite ruthless, both with women and life in general. WOMEN: You are tolerant about men and their failings - but we mean men, for you have no time for boys on men's errands. MARION, ROBIN, SHERIFF, LITTLE JOHN: You know the so-called facts of life, but not to enjoy life itself. You are not a realist and you are inclined to be stubborn. MEN: Women, you think, are either whores or angels, and you over-estimate the differences between the sexes. A woman may find you difficult to live with. WOMEN: You are not sure whether truth and morality go hand in hand or are in opposition. You haven't a very high opinion of men. MARION, ROBIN, LITTLE JOHN, SHERIFF: If you are not happy - and we suspect you are not - it maybe because you feel guilty about your own emotions, and lack confidence in your opinions. MEN: No doubt you consider yourself a moral man, and a fair one. Your fuzzy ideas about morality may make their mark on your sex life. WOMEN: You are too concerned about what others think. MARION, LITTLE JOHN, SHERIFF, ROBIN: You are essentially a contented person, even if you consider yourself a little superior. You are moral by your own standards, for you believe that morality is what best suits the occasion. MEN: You are sexually uninhibited, more romantic than you may appear and more dependent on the approval of others than you care to admit. WOMEN: You like being a woman, you understand what love is, and frankly, enjoy sex. MARION, LITTLE JOHN, ROBIN, SHERIFF: We would expect you to be a happy, well-balanced person who likes people and is like by others. You question whether many conventional views on morality are valid under all circumstances. MEN: Do we detect a sense of chivalry and idealism under the sophistication? WOMEN: You will expect high standards from the men to whom you give your love. LITTLE JOHN, ROBIN, MARION, SHERIFF: You are a cautious type, neutral, and rather insecure. You would agree with the idea that everybody has his price - and in your own case it would not be high. MEN: You are sexually inhibited with an underlying distrust of women. WOMEN: At least one man has made you unhappy, and you are now on your guard. SHERRIF, ROBIN, LITLE JOHN, MARION: Although you make a brave show of being self-sufficient, beneath this you are unhappy and rather mixed up. MEN: You don't understand women - probably you are afraid of them. You do not know what love is, and you are more likely to boast about your conquests in a bar than prove them in a bedroom. WOMEN: If men attract you at all, they probably be disastrously the wrong sort. SHERIFF, MARION, ROBIN, LITTLE JOHN: If you are not living a happy life the cause is within yourself. You are a rebel...with a trace of spoilt child about you. You value truth above morality, but you are reasonably tolerant of those who disagree with you. MEN: Any problems you have are not likely to be centered in sex. WOMEN: Despite your experience and intelligence you are a bad judge of men. SHERIFF, MARION, LITTLE JOHN, ROBIN: You claim to be a realist or even a cynic, but you are more emotional and romantic and truthful. MEN: Although you are by no means inhibited, your amorous adventures are as much a matter of fantasy as fact. WOMEN: You have been hurt in the past by men - or perhaps a particular man and will probably let it happen again. SHERIFF, LITTLE JOHN, ROBIN, MARION: Not a moralizing pattern, but... MEN: You share with many other men the idea that most women are fickle and inferior to men. Perhaps a view that you got from your father? Or as a reaction to a domineering mother? WOMEN: You have a pretty poor opinion of yourself, haven't you? SHERIFF, LITTLE JOHN, MARION, ROBIN: You have a confused, immature sense of values. You are erratic an stubborn, and inclined to get angry or sulk when you don't get your own way. But at least you are not a moral hypocrite. MEN: "Love 'em and leave 'em" is the motto of a man who is basically afraid of women. WOMEN: Perhaps you would rather be a man than a women? MARION, SHERIFF, ROBIN, LITTLE JOHN: Associate morality with honest and truth more than with religious values. You are impulsive and somewhat unpredictable. MEN: We suspect that you are a would-be lover rather than a very successful one. WOMEN: You are a realist and a rebel, a defender of women's rights. You like men but despise weak ones.  1,, Summary-line: 3-Dec Matthew K Gray #Re: anyone running DNS? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13744; Thu, 3 Dec 98 06:50:31 EST Received: from john-muir.media.mit.edu by MIT.EDU with SMTP id AA25272; Thu, 3 Dec 98 06:50:05 EST Received: (from mkgray@localhost) by john-muir.media.mit.edu (8.8.5/8.8.5) id GAA01953; Thu, 3 Dec 1998 06:50:26 -0500 To: belmonte@MIT.EDU (Matthew Belmonte) Cc: sipb-office@MIT.EDU Subject: Re: anyone running DNS? References: <199812030800.DAA01156@belmonte.ne.mediaone.net> From: Matthew K Gray Date: 03 Dec 1998 06:50:26 -0500 In-Reply-To: belmonte@MIT.EDU's message of "Thu, 3 Dec 1998 03:00:53 -0500 (EST)" Message-Id: Lines: 7 X-Mailer: Gnus v5.5/Emacs 19.34 *** EOOH *** To: belmonte@MIT.EDU (Matthew Belmonte) Cc: sipb-office@MIT.EDU Subject: Re: anyone running DNS? References: <199812030800.DAA01156@belmonte.ne.mediaone.net> From: Matthew K Gray Date: 03 Dec 1998 06:50:26 -0500 In-Reply-To: belmonte@MIT.EDU's message of "Thu, 3 Dec 1998 03:00:53 -0500 (EST)" Lines: 7 X-Mailer: Gnus v5.5/Emacs 19.34 > Can anyone help me out with this? Look at http://soa.granitecanyon.com/ They provide free public DNS service, primary and secondary. ...Matthew  1,, Summary-line: 3-Dec Scott Gagnon #Re: hello (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22992; Thu, 3 Dec 98 11:20:40 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA18849; Thu, 3 Dec 98 11:20:46 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id LAA59748; Thu, 3 Dec 1998 11:21:27 -0500 (EST) Date: Thu, 3 Dec 1998 11:21:13 -0500 (EST) From: Scott Gagnon To: rac@bu.edu, aallen@welchs.com, opus@MIT.EDU Subject: Re: hello (fwd) In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Content-Transfer-Encoding: QUOTED-PRINTABLE *** EOOH *** Date: Thu, 3 Dec 1998 11:21:13 -0500 (EST) From: Scott Gagnon To: rac@bu.edu, aallen@welchs.com, opus@MIT.EDU Subject: Re: hello (fwd) In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Content-Transfer-Encoding: QUOTED-PRINTABLE On Thu, 3 Dec 1998, Scott Gagnon wrote: > =20 > My name is Daniel Trevi=F1o Trevi=F1o I=B4m from M=E9xico I have 13 years= old I=20 > whant to know :=20 >=20 > How many of calification I need to go to Harvard? =09Here your spelling seems an issue. i am sure you mean "How much=20 calcification do I need to go to Harvard?" While calcium intake is=20 vitally important for any college applicant, it is by no means necessary to consume so much of it that it renders your bones, joints and teeth=20 immobile, or adds to your overall body density. > How many it cost? =09How many of what? It has been said that a good college education can cost quote "an arm and a leg", however this is grossly inaccurate,=20 as the sale of a single healthy limb to medical science will more than cove= r the cost of admission. > How many of calification I need to have a scholarship? >=20 =09Again with the calcification! If you do insist, you may choose to=20 consume so much calcium that you are rendered a white, chalky, immobile=20 statue and can be transported and placed on display at the Peabody Art=20 Museum. While this would essentially grant you free admission to Harvard,= =20 I for one do not recommend it. > Do I need be all that smart if I want to go to Harvard just for starts,= =20 > to try out and see? >=20 =09To my estimation, good fellow, you are already one shiny pebble! Fear not, your skillful omission of the unneccesary word "to" in the=20 phrase "do I need be all that smart" indicates a more than sufficient=20 level of erudition. > Are there girls at Harvard or just boys?=20 > =09The recently adopted policy of issung dark, shadowy robes as=20 official uniforms has rendered this question all but unanswerable. Nonetheless, I have on occasion detected an occasionally high-pitched=20 giggle or two. > > Thank you >=20 > PT: Please appraise me like a good child a child that in the future=20 > whant to be in HARVARD. =09 =09Hmmm, appraising you, as I would a good child...worth, oh $3 a pound, $4 in a good market for such things. >=20 > PT(2): please give me the Email of the Director. >=20 =09Give? Oh, nothing is free, m'boy, that'll be at least another limb. > PT(3): if there are girls and they are pretty please sugest to me what to= =20 > wear. >=20 =09Those head sock things made of polar fleece are popular. And=20 sandals. And get yourself at least something in plaid for god's sake! =09=09Best wishes! =09=09=09=09 > ______________________________________________________ > Get Your Private, Free Email at http://www.hotmail.com >=20 >=20 >=20 >=20 >=20  1, edited,, Summary-line: 3-Dec AAllen@welchs.com [108] #FW: hello (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04626; Thu, 3 Dec 98 11:47:19 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA29782; Thu, 3 Dec 98 11:47:24 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id LAA29810; Thu, 3 Dec 1998 11:51:07 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Thu, 3 Dec 1998 11:48:26 -0500 Message-Id: From: "Allen, Amy" To: "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@Mit.edu'" Subject: FW: hello (fwd) Date: Thu, 3 Dec 1998 11:48:25 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE1EDC.BECBE728" *** EOOH *** From: "Allen, Amy" To: "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@Mit.edu'" Subject: FW: hello (fwd) Date: Thu, 3 Dec 1998 11:48:25 -0500 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE1EDC.BECBE728" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE1EDC.BECBE728 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable MY response. > -----Original Message----- > From: Scott Gagnon [SMTP:scott@hup.harvard.edu] > Sent: Thursday, December 03, 1998 9:20 AM > To: rac@bu.edu; aallen@welchs.com; opus@mit.edu > Cc: kilbrise@hugse1.harvard.edu; mconway@post.harvard.edu; > econdon@fas.harvard.edu > Subject: hello (fwd) >=20 >=20 > Just received this today. I say he's as good as in. >=20 >=20 >=20 >=20 >=20 >=20 > ---------- Forwarded message ---------- > Date: Tue, 01 Dec 1998 18:55:24 PST > From: Daniel Trevi=F1o > To: scott@hup.harvard.edu > Subject: hello >=20 > My name is Daniel Trevi=F1o Trevi=F1o I=B4m from M=E9xico I have 13 = years old I=20 > whant to know :=20 [Amy writes:] What an interesting name you have, Daniel. May I ask, though, what exactly you are doing with those 13 year olds you have? = That's a crime here in the states, you know. > How many of calification I need to go to Harvard? [Amy writes:] Well, Daniel, spelling and grammar aside, the = qualifications (sic) required to attend Harvard are fairly rigorous. You must spin = three times, chant the ancient Incan supplication to the gods of fertility, scratch your left elbow with your left hand, and dance the hula simultaneously. But I am sure that your complete grasp of the English language will be enough to earn you a coveted space on the "no way in = hell" list, and if you're lucky, the "only when hell freezes over" waiting = list. > How many it cost? [Amy writes:] How many of calification I need to have a scholarship? [Amy writes:] Do I need be all that smart if I want to go to Harvard just for = starts,=20 > to try out and see? [Amy writes:] here at Harvard. You either sink or swim. Daniel, my boy, I see you = right > now with a very large boulder strapped to your back.=20 >=20 > Are there girls at Harvard or just boys?=20 [Amy writes:] Thank you >=20 > PT: Please appraise me like a good child a child that in the future=20 > whant to be in HARVARD. PT(2): please give me the Email of the Director. [Amy writes:] PT(3): if there are girls and they are pretty please sugest to me = what to=20 > wear. [Amy writes:] nothing would be your best bet.=20 >=20 > ______________________________________________________ > Get Your Private, Free Email at http://www.hotmail.com  1, forwarded,, Summary-line: 3-Dec endes-Barry & Scott Barry #AT&T Funny (Cathlin - read it!) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18710; Thu, 3 Dec 98 21:19:07 EST Received: from u2.farm.idt.net by MIT.EDU with SMTP id AA19052; Thu, 3 Dec 98 21:18:54 EST Received: from [206.20.7.23] (ppp-23.ts-1.ct.idt.net [206.20.7.23]) by u2.farm.idt.net (8.8.8/8.8.5) with ESMTP id VAA28988; Thu, 3 Dec 1998 21:14:34 -0500 (EST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 3 Dec 1998 21:19:56 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, MIKETOMO@IX.NETCOM.COM, CMDAVIS1@STUDENTS.WISC.EDU, chiodo@westport.msmail.aigfpc.com, help_desk@iroquois.com, opus@MIT.EDU, elisabeth.harmon@oberlin.edu, PHILOMEL@aol.com, erics@gateway.virtus.com, gerg@bellatlantic.net, stuart.leventhall@virgin.net, ihodgkin@aol.com, "Chiodo, Jane" , "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@swan.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, michaellewisbarry@juno.com, rm3m@idt.net, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com, goblin@ort.org.il From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: AT&T Funny (Cathlin - read it!) *** EOOH *** Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 3 Dec 1998 21:19:56 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, MIKETOMO@IX.NETCOM.COM, CMDAVIS1@STUDENTS.WISC.EDU, chiodo@westport.msmail.aigfpc.com, help_desk@iroquois.com, opus@MIT.EDU, elisabeth.harmon@oberlin.edu, PHILOMEL@aol.com, erics@gateway.virtus.com, gerg@bellatlantic.net, stuart.leventhall@virgin.net, ihodgkin@aol.com, "Chiodo, Jane" , "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@swan.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, michaellewisbarry@juno.com, rm3m@idt.net, Philip_Gellis@mccord.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com, goblin@ort.org.il From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: AT&T Funny (Cathlin - read it!) ><< One thing that has always bugged me, and I'm sure it does most of > you, is to sit down at the dinner table only to be interrupted by a > phone call from a telemarketer. I decided, on one such occasion, to > try to be as irritating as they were to me. The call was from AT&T > and it went something like this: (swallowing) > > Me: Hello > AT&T: Hello, this is AT&T... > Me: Is this AT&T? > AT&T: Yes, this is AT&T... > Me: This is AT&T? > AT&T: Yes This is AT&T... > Me: Is this AT&T? > AT&T: YES! This is AT&T, may I speak to Mr. Byron please? > Me: May I ask who is calling? > AT&T: This is AT&T. > Me: OK, hold on. > > At this point I put the phone down for a solid 5 minutes thinking > that, surely, this person would have hung up the phone. I ate my > salad. Much to my surprise, when I picked up the receiver, they were > still waiting. > > Me: Hello? > AT&T: Is this Mr. Byron? > Me: May I ask who is calling please? > AT&T: Yes this is AT&T... > Me: Is this AT&T? > AT&T: Yes this is AT&T... > Me: This is AT&T? > AT&T: Yes, is this Mr. Byron? > Me: Yes, is this AT&T? > AT&T: Yes sir. > Me: The phone company? > AT&T: Yes sir. > Me: I thought you said this was AT&T. > AT&T: Yes sir, we are a phone company. > Me: I already have a phone. > AT&T: We aren't selling phones today Mr. Byron. > Me: Well whatever it is, I'm really not interested but thanks for > calling. > > When you are not interested in something, I don't think you can > express yourself any plainer than by saying "I'm really not > interested," but this lady was persistent. > > AT&T: Mr. Byron, we would like to offer you 10 cents a minute, 24 > hours a day, 7 days a week, 365 days a year. > > Now, I am sure she meant she was offering a "rate" of 10 cents a > minute, but she at no time used the word "rate." I could clearly see > that it was time to whip out the trusty old calculator and do a > little ciphering. > > Me: Now, that's 10 cents a minute 24 hours a day? > AT&T: (getting a little excited at this point by my interest) Yes > sir, that's right! 24 hours a day! > Me: 7 days a week? > AT&T: That's right. > Me: 365 days a year? > AT&T: Yes sir. > Me: I am definitely interested in that! Wow!!! That's amazing! > AT&T: We think so! > Me: That's quite a sum of money! > AT&T: Yes sir, it's amazing how it adds up. > Me: OK, so will you send me checks weekly, monthly or just one big > one at the end of the year for the full $52,560, and if you send an > annual check, can I get a cash advance? > AT&T: Excuse me? > Me: You know, the 10 cents a minute. > AT&T: What are you talking about? > Me: You said you'd give me 10 cents a minute, 24 hours a day, > 7 days a week, 365 days a year. That comes to $144 per day, $1,008 > per week and $52,560 per year. I'm just interested in knowing how > you will be making payment. > AT&T: Oh no, sir, I didn't mean we'd be paying you. You pay us 10 > cents a minute. > Me: Wait a minute here!!! Didn't you say you'd give me 10 cents a > minute? Are you sure this is AT&T? > AT&T: Well, yes this is AT&T sir but...... > Me: But nothing, how do you figure that by saying that you'll give > me 10 cents a minute that I'll give you 10 cents a minute? Is this > some kind of subliminal telemarketing scheme? I've read about > things like this in the Enquirer, you know. Don't use your alien > brainwashing techniques on me. > AT&T: No sir, we are offering 10 cents a minute for..... > Me: THERE YOU GO AGAIN! Can I speak to a supervisor please! > AT&T: Sir, I don't think that is necessary. > Me: Sure! You say that now! What happens later? > AT&T: What? > Me: I insist on speaking to a supervisor! > AT&T: Yes Mr. Byron. Please hold. > > So now AT&T has me on hold and my supper is getting cold. I begin to > eat while I'm waiting for a supervisor. After a wait of a few > minutes and while I have a mouth full of food: > > Supervisor: Mr. Byron? > Me: Yeth? > Supervisor: I understand you are not quite understanding our 10 > cents a minute program. > Me: Id thish Ath Teeth & Teeth? > Supervisor: Yes sir, it sure is. > > I had to swallow before I choked on my food. It was all I could do > to suppress my laughter and I had to be careful not to produce a > snort. > > Me: No, actually, I was just waiting for someone to get back to me > so that I could sign up for the plan. > Supervisor: OK, no problem, I'll transfer you back to the person > who was helping you. > Me: Thank you. > > I was on hold once again and managed a few more mouthfuls. I needed > to end this conversation. Suddenly, there was an aggravated but > polite voice at the other end of the phone. > > AT&T: Hello Mr. Byron, I understand that you are interested in > signing up for our plan? > Me: Do you have that friends and family thing because you can never > have enough friends and I'm an only child and I'd really like to > have a little brother... > AT&T: (click) o \ o / _ o __| \ / |__ o _ \o/ o /|\ | /\ ___\o \o | o/ o/__ /\ | /|\ / \ / \ | \ /) | ( \ /o\ / ) | (\ / | / \ / \ Rica Mendes-Barry and Scott Barry "What was I thinking?... I've never, hardly ever, phoebem@mail.idt.net right now I'm not drunk" - Christine Lavin  1, forwarded,, Summary-line: 4-Dec Cynthia J. Mallion #Christmas humor ( questionable merit ) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03419; Fri, 4 Dec 98 09:37:55 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA02507; Fri, 4 Dec 98 09:37:40 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Fri, 04 Dec 1998 09:39:47 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Fri, 04 Dec 1998 09:39:38 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, gumbrew@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Christmas humor ( questionable merit ) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Fri, 04 Dec 1998 09:39:38 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, gumbrew@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Christmas humor ( questionable merit ) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Not long ago, and not far away, Santa was getting ready for his annual = trip...but there were problems every where. Four of the elves got sick, = and the trainee elves did not produce the toys as fast as te regular ones = so Santa was beginning to feel the pressure of being behind schedule... The Mrs. Clause told Santa her mom was coming to visit...this stressed = Santa even more. When he went to harness the reindeer he found that three of them were = about to give birth, and two of them had jumped the fence and where out = heaven knows where...more stress. And when he began to load the sleigh = one of the boards on the sleigh cracked and the toy bag fell to the ground = spilling the toys... So frustrated was Santa, that he went into the house for a cup of coffee = and a shot of wiskey. He found that the elves had hit the liquor cupboard = and there was nothing there to drink...and in his frustration he dropped = the coffee pot and it broke into hundreds of little pieces all over the = kitched floor...He went to get the broom and found the mice had eaten the = straw it was made from. Just then the doorbell rang and Santa cussed on his way to the door. He = opened the door and there was an angel with a great big Christmas tree. And the Angel said, "Santa, where would you like me to put this Christmas = tree?" And that, my friend, is how the little angel came to be on the top of the = Christmas tree.  1,, Summary-line: 8-Dec Chris Webster #Re: 50 Mikado; Problem with master tape. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02048; Tue, 8 Dec 98 05:40:33 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20246; Tue, 8 Dec 98 05:40:43 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id FAA13229; Tue, 8 Dec 1998 05:40:32 -0500 (EST) Date: Tue, 8 Dec 1998 05:40:32 -0500 (EST) Message-Id: <199812081025.KAA16490@sioux.netdirect.net.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Re: 50 Mikado; Problem with master tape. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Tue, 8 Dec 1998 05:40:32 -0500 (EST) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Re: 50 Mikado; Problem with master tape. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 David, >what are matrix numbers, and from >whence does one obtain them if all you have but a humble record The matrix number identifies the master tape or stamper of each record side. In 78 days this meant that each song had it's own reference number, but for our purposes in the LP age WE do not specifically have a reference for each song - just for the complete 20 or 30 (or whatever) minute side, although no doubt the studio would have reference numbers for each song before it was compiled into a long playing side. So for an LP the matrix shown on the disc is the number of the master of that compilation and not for each song. This number will usually end with an extra digit after a dash which indicates the take or the pressing. The matrix number of each disc is usually to be found stamped or etched into the run out area of a record near the label. The number on the Mikado disc will look like 'ARL 1234 - 5' (this is an invented number - I haven't pulled the record out). There will probably be some letters following this which also look as though they are part of this number. ASAIK these were mainly just engineers reference numbers that were not associated with the true matrix. Many 78s carried extra numbers at the end of the matrix which were not a part of it, but I'm not sure if this also applies to LPs. I choose just to refer to the prefix, the number and the take and ignore the add-ons, although for singles an 'a' or a 'b' would usually be an important part of the matrix because the number was often the same for both sides. Other numbers letters and symbols usually appear in different places in this area of the record, but again these are usually just technical references that have nothing to do with the matrix. Quite often in earlier days any references would be positioned at quarter hour intervals in comparison with a clock and if the label is viewed straight on the matrix would be at half past, although in later years this became far more sloppy and labels were just stuck with no regard for the position of the matrix number. Chris  1,, Summary-line: 8-Dec Allen, Amy #FW: [Fwd: Fwd: What do you call a virgin ....?????] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16141; Tue, 8 Dec 98 08:11:51 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA06059; Tue, 8 Dec 98 08:11:35 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id IAA27580; Tue, 8 Dec 1998 08:14:47 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Tue, 8 Dec 1998 08:12:55 -0500 Message-Id: From: "Allen, Amy" To: "Daniel, Zoe" , "'ellen.spear@infores.com'" , "'rac@bu.edu'" , "'opus@mit.edu'" , "'scott@hup.harvard.edu'" Subject: FW: [Fwd: Fwd: What do you call a virgin ....?????] Date: Tue, 8 Dec 1998 08:12:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE22AC.773EE062" *** EOOH *** From: "Allen, Amy" To: "Daniel, Zoe" , "'ellen.spear@infores.com'" , "'rac@bu.edu'" , "'opus@mit.edu'" , "'scott@hup.harvard.edu'" Subject: FW: [Fwd: Fwd: What do you call a virgin ....?????] Date: Tue, 8 Dec 1998 08:12:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE22AC.773EE062" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE22AC.773EE062 Content-Type: text/plain These are pretty "punny", if you know what I mean. > -----Original Message----- > From: Heffernan, Christopher > Sent: Tuesday, December 08, 1998 7:33 AM > To: Allen, Amy; Carbonell, Jose > Subject: FW: [Fwd: Fwd: What do you call a virgin ....?????] > > Again, I just pass the trash... > > ______________________________ Forward Header > __________________________________ > Subject: [Fwd: Fwd: What do you call a virgin ....?????] > Author: at internet-mail > Date: 12/7/98 12:27 PM > > > > >Q. What do you call a virgin on a waterbed.????? > >A. A cherry float. > > > >Q. What did the sign on the door of the whorehouse say? > >A. Beat it - we're closed. > > > >Q. Why do walruses go to Tupperware parties? > >A. To find a tight seal. > > > >A. Incontinence Hotline... > >Q. Can you hold, please? > > > >Q. What do you do with 365 used rubbers? > >A. Melt them down, make a tire, and call it a Goodyear. > > > >Q. What's the difference between sin and shame? > >A. It is a sin to put it in, but it's a shame to pull it out. > > > >Q. What's the speed limit of sex? > >A. 68; at 69 you have to turn around. > > > >Q. What's the ultimate rejection? > >A. When you're masturbating and your hand falls asleep. > > > >Q. Why did Raggedy Ann get thrown out of the toy box? > >A. She kept sitting on Pinocchio's face, and moaning, "Lie to me!" > > > >Q. Why is air a lot like sex? > >A. Because it's no big deal unless you're not getting any. > > > >Q. If there is H2O on the inside of a fire hydrant, what is on the > outside? > >A. K9P. > > > >Q. What's another name for pickled bread? > >A. Dill-dough > > > >Q. Why did Frosty the Snowman pull down his pants? > >A. He heard the snowblower coming > > > > > > > > > > ------_=_NextPart_001_01BE22AC.773EE062 Content-Type: text/html Content-Transfer-Encoding: quoted-printable FW: [Fwd: Fwd: What do you call a virgin ....?????]

These are = pretty "punny", if you know what I mean.

-----Original Message-----
From:   Heffernan, Christopher
Sent:   Tuesday, December 08, 1998 7:33 AM
To:     Allen, Amy; Carbonell, Jose
Subject:       = FW: [Fwd: Fwd: What do you call a = virgin ....?????]

Again, I just pass = the trash...

______________________________ Forward Header = __________________________________
Subject: [Fwd: Fwd: = What do you call a virgin ....?????]
Author:  = <ed.ginty@email.riverwood.com> at internet-mail
Date:    12/7/98 12:27 PM


    
 >Q. What = do you call a virgin on a waterbed.?????
 >A. A = cherry float.
 >
 >Q. What = did the sign on the door of the whorehouse say?
 >A. Beat = it - we're closed.
 >
 >Q. Why do = walruses go to Tupperware parties?
 >A. To = find a tight seal.
 >
 >A. = Incontinence Hotline...
 >Q. Can = you hold, please?
 >
 >Q. What = do you do with 365 used rubbers?
 >A. Melt = them down, make a tire, and call it a Goodyear.
 >
 >Q. What's = the difference between sin and shame?
 >A. It is = a sin to put it in, but it's a shame to pull it out.
 >
 >Q. What's = the speed limit of sex?
 >A. 68; at = 69 you have to turn around.
 >
 >Q. What's = the ultimate rejection?
 >A. When = you're masturbating and your hand falls asleep.
 >
 >Q. Why = did Raggedy Ann get thrown out of the toy box?
 >A. She = kept sitting on Pinocchio's face, and moaning, "Lie to me!" =
 >
 >Q. Why is = air a lot like sex?
 >A. = Because it's no big deal unless you're not getting any.
 >
 >Q. If = there is H2O on the inside of a fire hydrant, what is on the
 outside?
 >A. = K9P.
 >
 >Q. What's = another name for pickled bread?
 >A. = Dill-dough
 >
 >Q. Why = did Frosty the Snowman pull down his pants?
 >A. He = heard the snowblower coming
 >
 >
 >
 >
 >

------_=_NextPart_001_01BE22AC.773EE062--  1, edited, answered,, Summary-line: 8-Dec Allen, Amy #FW: Useless Facts Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25020; Tue, 8 Dec 98 08:54:57 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA14989; Tue, 8 Dec 98 08:54:41 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id IAA03409; Tue, 8 Dec 1998 08:59:00 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Tue, 8 Dec 1998 08:56:05 -0500 Message-Id: From: "Allen, Amy" To: "Ortigoza, Traci" , "Donahue, Allison" , "'ellen.spear@infores.com'" , "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@mit.edu'" Subject: FW: Useless Facts Date: Tue, 8 Dec 1998 08:56:04 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE22B2.7F5C1CBE" *** EOOH *** From: "Allen, Amy" To: "Ortigoza, Traci" , "Donahue, Allison" , "'ellen.spear@infores.com'" , "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@mit.edu'" Subject: FW: Useless Facts Date: Tue, 8 Dec 1998 08:56:04 -0500 > > If you yelled for 8 years, 7 months and 6 days, you would have > > Produced enough sound energy to heat one cup of coffee. > > > > If you fart consistently for 6 years and 9 months, enough gas is > > produced to create the energy of an atomic bomb. > > > > The human heart creates enough pressure when it pumps out to the > > body to squirt blood 30 feet. > > > > Banging your head against a wall uses 150 calories an hour. > > > > Humans and dolphins are the only species that have sex for > > pleasure. > > > > On average people fear spiders more than they do death. > > > > The strongest muscle in the body is the TONGUE. > > > > It's impossible to sneeze with your eyes open. > > > > You can't kill yourself by holding your breath. > > > > Americans on the average eat 18 acres of pizza every day. > > > > Every time you lick a stamp, you're consuming 1/10 of a calorie. > > > > Did you know that you are more likely to be killed by a champagne > > cork than by a poisonous spider? > > > > Right-handed people live, on average, nine years longer than > > left-handed people do. > > > > In ancient Egypt, Priests plucked EVERY hair from their bodies, > > Including their eyebrows and eyelashes. > > > > A pig's orgasm lasts for 30 minutes. > > > > A crocodile cannot stick its tongue out. > > > > The ant can lift 50 times its own weight, can pull 30 times its own > > weight and always falls over on its right side when intoxicated. > > > > Polar bears are left handed. > > > > The catfish has over 27,000 taste buds, that makes the catfish rank > > as the animal having the most taste buds. > > > > The flea can jump 350 times its body length, that is like a human > > Jumping the length of a football field. > > > > A cockroach will live nine days without it's head, before it starves > > To death. > > > > The male praying mantis cannot copulate while its head is attached > > to its body. The female initiates sex by ripping the males head off. > > > > Some lions mate over 50 times a day. > > > > Butterflies taste with their feet. > > > > Elephants are the only animals that can't jump. (thankfully) > > > > A cat's urine glows under a blacklight. > > > > An ostriches eye is bigger than it's brain. > > > > Starfish haven`t got brains >>  1,, Summary-line: 8-Dec doxite@netlabs.net #Re: Pork pie Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29730; Tue, 8 Dec 98 09:12:45 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA19929; Tue, 8 Dec 98 09:12:29 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id JAA18952; Tue, 8 Dec 1998 09:12:43 -0500 (EST) Date: Tue, 8 Dec 1998 09:12:43 -0500 (EST) Message-Id: <009201be22b3$72d366e0$38ac22ce@doxite> Errors-To: savoynet-owner@bridgewater.edu Reply-To: doxite@netlabs.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C.M. Papa, M.D." To: Multiple recipients of list SAVOYNET Subject: Re: Pork pie X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3115.0 *** EOOH *** Date: Tue, 8 Dec 1998 09:12:43 -0500 (EST) Reply-To: doxite@netlabs.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C.M. Papa, M.D." To: Multiple recipients of list SAVOYNET Subject: Re: Pork pie X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3115.0 ----- >In a production of TRIAL that I did while in college, the director >thought the Counsel's aria should be punctuated by illustrations. >Those chosen were: > > "...a la Watteau..." -- a watercolor landscape a la Watteau >Marc Shepherd The producer of the Brent Jones series of video tapes was someone well versed in the arts. If you look carefully at the "Trial By Jury" segment when that phrase is sung, two of the jurymen have cradled the plaintiff, linking arms and are swinging Angelina under a background of clustered and flowered bridesmaids. Unable to find a suitable Watteau illusion, the producer has made an apt reference to another rococo artist, Fragonard, and his most famous painting, "The Swing". A pretty bit of sophisticated "pork pie". Chris Papa  1, edited,, Summary-line: 8-Dec Allen, Amy #RE: FW: Useless Facts Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13320; Tue, 8 Dec 98 16:42:41 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA26000; Tue, 8 Dec 98 16:40:45 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id PAA07272; Tue, 8 Dec 1998 15:27:48 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Tue, 8 Dec 1998 15:28:26 -0500 Message-Id: From: "Allen, Amy" To: "'David C. Jedlinsky'" , rac@bu.edu, scott@hup.harvard.edu Subject: RE: FW: Useless Facts Date: Tue, 8 Dec 1998 15:28:25 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE22E9.4EA345C0" *** EOOH *** From: "Allen, Amy" To: "'David C. Jedlinsky'" , rac@bu.edu, scott@hup.harvard.edu Subject: RE: FW: Useless Facts Date: Tue, 8 Dec 1998 15:28:25 -0500 Dave, you are so clever. You are so so clever! I may have to save this one. > -----Original Message----- > From: David C. Jedlinsky [SMTP:opus@mit.edu] > Sent: Tuesday, December 08, 1998 3:21 PM > To: rac@bu.edu; aallen@welchs.com; scott@hup.harvard.edu > Subject: Re: FW: Useless Facts > > > >No, like BUDGETS and SPENDING REPORTS and PROFIT/LOSS statements and > >CONSUMER PROMOTIONS and TRADE SHOW ARRANGEMENTS and COUPON DESIGN and FSI > >tracking and all that other shit I do to pay the bills....(but I love it, > >actually.) > > Budgets and tracking and trade show arrangements, > Spending reports and profit/loss statements, > Consumer promotions and coupon design, > These are the things that I love to malign.  1,, Summary-line: 8-Dec endes-Barry & Scott Barry #[Fwd: darwin awards] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28296; Tue, 8 Dec 98 23:14:49 EST Received: from u2.farm.idt.net by MIT.EDU with SMTP id AA23465; Tue, 8 Dec 98 23:14:47 EST Received: from [206.20.7.30] (ppp-30.ts-1.ct.idt.net [206.20.7.30]) by u2.farm.idt.net (8.8.8/8.8.5) with ESMTP id XAA00209; Tue, 8 Dec 1998 23:13:39 -0500 (EST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Tue, 8 Dec 1998 23:19:06 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, chiodo@westport.msmail.aigfpc.com, help_desk@iroquois.com, opus@MIT.EDU, elisabeth.harmon@oberlin.edu, PHILOMEL@aol.com, erics@gateway.virtus.com, gerg@bellatlantic.net, stuart.leventhall@virgin.net, ihodgkin@aol.com, "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@goose.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, michaellewisbarry@juno.com, aboundinggrace@hotmail.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com, goblin@ort.org.il From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: [Fwd: darwin awards] *** EOOH *** Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Tue, 8 Dec 1998 23:19:06 -0500 To: gelflingaa@aol.com, adina@cduniverse.com, aallen@welchs.com, chiodo@westport.msmail.aigfpc.com, help_desk@iroquois.com, opus@MIT.EDU, elisabeth.harmon@oberlin.edu, PHILOMEL@aol.com, erics@gateway.virtus.com, gerg@bellatlantic.net, stuart.leventhall@virgin.net, ihodgkin@aol.com, "Litwin, Jennifer" , jbayes@cs.oberlin.edu, joshb@goose.prod.itd.earthlink.net, christ_janer@aigfpc.com, gizella.roberts@oberlin.edu, lpaschke@genre.com, dleland@cogsci.ucsd.edu, LBlocher@worldnet.att.net, rozmus@westport.msmail.aigfpc.com, michaellewisbarry@juno.com, aboundinggrace@hotmail.com, POLINIAK@SPARKY.CS.NYU.EDU, rac@bu.edu, sjaques@westport.msmail.aigfpc.com, sally@jrol.com, ssilvers@shackandsiegel.com, goblin@ort.org.il From: Rica Miriam Wasser de Sola Mendes-Barry & Scott Barry Subject: [Fwd: darwin awards] YAY DARWIN AWARDS! > > They have finally been released! The 1998 DARWIN AWARDS!!! > For those not familiar with the Darwin Award, It's an annual honor > given to the person who provided the universal human gene pool the > biggest service by getting killed in the most extraordinarily stupid > way. As always, competition this year has been keen again. Some > candidates appear to have trained their whole lives for this event. > Entries this year have not had the elan of some previous ones, but are > a worthy catalogue of stupidity, incompetence and bad luck. > DARWIN AWARD CANDIDATES > ^^^^^^^^^^^^^^^^^^^^^^^ > 1. In September in Detroit, a 41-year-old man got stuck and drowned in > two feet of water after squeezing head first through an 18-inch-wide > sewer grate to retrieve his car keys. > > 2. In October, a 49-year-old San Francisco stockbroker, who "totally > zoned when he ran," according to his wife, accidentally jogged off a > 100-foot-high cliff on his daily run. > > 3. Buxton, NC: A man died on a beach when an 8-foot-deep hole he had > dug into the sand caved in as he sat inside it. Beachgoers said Daniel > Jones, 21 dug the hole for fun, or protection from the wind, and had > been sitting in a beach chair at the bottom Thursday afternoon when it > collapsed, burying him beneath 5 feet of sand. People on the beach, on > the outer banks, used their hands and shovels, trying to claw their > way to Jones, a resident of Woodbridge, VA, but could not reach him. > It took rescue workers using heavy equipment almost an hour to free > him while about 200 people looked on. Jones was pronounced dead at a > hospital. > > 4. In February, Santiago Alvarado, 24, was killed in Lompoc, AL, as he > fell > face-first through the ceiling of a bicycle shop he was robbing. Death > was caused when the long flashlight he had placed in his mouth (to > keep his hands free) rammed into the base of his skull as he hit the > floor. > > 5. According to police in Dahlonega, GA, ROTC cadet Nick Berrena, 20, > was > stabbed to death in January by fellow cadet Jeffrey Hoffman, 23, why > was trying to prove that a knife could not penetrate the flak vest > Berrena was wearing. > > 6. Sylvester Briddell, Jr , 26, was killed in February in Selbyville, > Delaware, as he won a bet with friends who said he would not put a > revolver loaded with four bullets into his mouth and pull the trigger. > > 7. In February, according to police in Windsor, Ontario, Daniel Kolta, > 27, and Randy Taylor, 33, died in a head-on collision, thus ending in > a tie the game of chicken they were playing with their snowmobiles. > > 8. In September, a 7-year-old boy fell off a 100-foot-high bluff near > Ozark,Ark, after he lost his grip swinging on a cross that marked the > spot where another person had fallen to his death in 1990. > > DARWIN AWARD HONORABLE MENTIONS > > 1. In Guthrie, Okla, in October, Jason Heck tried to kill a millipede > with a shot from his 22-caliber rifle, but the bullet ricocheted off a > rock near the hole and hit pal Antonio Martinez in the head, > fracturing his skull. > > 2. In Elyria, Ohio, in October, Martyn Eskins, attempting to clean out > cobwebsin his basement, declined to use a broom in favor of a propane > torch and caused a fire that burned the first and second > floors of his house. > > 3. Paul Stiller, 47, was hospitalized in Andover Township, > NJ, in September, and his wife Bonnie was also injured, by a > quarter-stick of dynamite that blew up in their car. While driving > around at 2 AM, the bored couple lit the dynamite and tried to toss it > out the window to see what would happen, but they apparently failed to > notice that the window was closed. > > 4. Taking "Amateur Night" Too Far: In Betulia, Colombia, an annual > festival in > November includes five days of amateur bullfighting. This year, no > bull was killed, but dozens of matadors were injured, including one > gored in the head and one Bobbittized. Said one participant, "It's > just one bull against [a town of] a thousand > Morons." > > MORE WEIRD ONES > > 1. Four people were injured in a string of related bizarre accidents: > Jerry > Moeller was admitted with a head wound caused by flying masonry, Tim > Vegas was diagnosed with a mild case of whiplash and contusions on his > chest, arms and face, Bryan Corcoran suffered torn gum tissue, and > Pamela Klesick's first two fingers of her right hand had been bitten > off. Moeller had just dropped her husband off for his first day of work > and, in addition to a good-bye kiss, she flashed her breasts at him. > "I'm still not sure why I did it," she said later. I was really close > to the car, so I didn't think anyone would see. Besides, it couldn't > have been for more than two seconds." However, cab driver Vegas did see > and lost control of his cab, running over the curb and into thecorner > of the Johnson Medical Building. Inside, Klesick, a dental technician, > was cleaning Corcoran's teeth. The crash of the cab against the > building made her jump, tearing Corcoran's gums with a cleaning pick. > In shock, he bit down, severing two fingers from Klesick's hand. > Moeller's wound was caused by a falling piece of the medical building. > > 2. TAOS, NM - A woman went to a poison control center after > eating three birth control vaginal inserts. Her English was so bad > she had to draw a picture describing how she believed she had poisoned > herself. A translator arrived shortly thereafter and confirmed > doctors' suspicions. Marie Valishnokov thought the inserts were some > kind of candy or gum, being unable to read the foil wrappers. After > the third one, she realized > something was wrong when her throat and mouth began to fill with a > sour-tasting foam. She ran for the Poison Control Center, only a few > blocks away, where doctors were able to flush the foam from her mouth, > throat and stomach with no ill effects. > > 3. La Grange, GA - Attorney Antonio Mendoza was released > from a trauma center after having a cell phone removed from his > rectum. "My dog drags the thing all over the house," he said later. > "He must have dragged it into the shower. I slipped on the tile, > tripped against the dog and sat down right on the thing." The > extraction took more than three hours due to the fact that the cover > to Mr. Mendoza's phone had opened during insertion. "He was a real > trooper during the entire episode," said Dr. Dennis Crobe. "Tony just > cracked jokes and really > seemed to be enjoying himself. Three times during the extraction his > phone rang and each time, he made jokes about it that just had us > rolling on the floor. By the time he finished, we really did expect to > find an answering machine in there." > > 4. TACOMA, WA - Kerry Bingham, had been drinking with several > friends when one of them said they knew a person who had bungee jumped > from the Tacoma Narrows Bridge in the middle of traffic. The > conversation grew more heated and at least 10 men trooped along the > walkway of the bridge at 4:30 am. Upon arrival at the midpoint of the > bridge they discovered that no one had brought bungee rope. Bingham, > who had continued drinking, volunteered and pointed out that a coil of > lineman's cable lay nearby. One end of the cable was secured around > Bingham's leg and the other end was tied to the bridge. His fall lasted > 40 feet before the cable tightened and tore his foot off at the ankle. > He miraculously survived his fall into the icy river water and was > rescued by two nearby fishermen. "All I can say," said Bingham, "is > that God was watching out for me on that night. There's just no other > explanation for it." Bingham's foot was never located. > > 5. BREMERTON, WA - Christopher Coulter and his wife, Emily, were > engaging in > bondage games when Christopher suggested spreading peanut butter on > his genitals and letting Rudy, their Irish Setter, lick them clean. > Sadly, Rudy lost control and began tearing at Christopher's penis and > testicles. Rudy refused to obey commands and a panicked Emily threw a > half-gallon bottle of perfume at the dog. The bottle broke, covering > the dog and Christopher with perfume. Startled, Rudy leaped back, > tearing away the penis. While trying to get her > unconscious husband in the car to take him to the hospital, Emily fell > twice, injuring her wrist and ankle. Christopher's penis was in a > Styrofoam ice cooler. "Chris is just plain lucky," said the surgeon > who spent eight hours reattaching the penis. "Believe it or not, the > perfume turned out to be very fortuitous. The high alcohol content, > which must have been excruciatingly painful, helped sterilize the > wound. Also, aside from it being removed, the damage caused by the > dog's teeth to the penis, per se, is minimal. It's really a very > stringy piece of flesh. Mr. Coulter stands an excellent chance of > regaining the use of his limb because of this." Washington Animal > Control has no plans to seize Rudy. > > AND THE WINNER: > ^^^^^^^^^^^^^^^^^^ > PADERBORN, GERMANY - Overzealous zookeeper Friedrich Riesfeldt fed his > constipated elephant, Stefan, 22 doses of animal laxative and more > than a bushel of berries, figs and prunes before the plugged-up > pachyderm finally let fly-and suffocated the keeper under 200 pounds > of excrement. Investigators say ill-fated Friedrich, 46, was > attempting to give the ailing elephant an olive-oil enema when the > relieved beast unloaded on him like a dump truck full of mud. "The > sheer force of the elephant's unexpected defecation knocked Mr. > Riesfeldt to the ground, > where he struck his head on a rock lay unconscious as the elephant > continued to evacuate his bowels on top of him," with no one there to > help him, he lay under all that dung for at least an hour before a > watchman came along, and during that time he suffocated. "It seems tobe > just one of those freak accidents that happen." > o \ o / _ o __| \ / |__ o _ \o/ o /|\ | /\ ___\o \o | o/ o/__ /\ | /|\ / \ / \ | \ /) | ( \ /o\ / ) | (\ / | / \ / \ Rica Mendes-Barry and Scott Barry "What was I thinking?... I've never, hardly ever, phoebem@mail.idt.net right now I'm not drunk" - Christine Lavin  1, edited,, Summary-line: 8-Dec The Shadows of the Night #Some humor at others expense. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01418; Tue, 8 Dec 98 23:29:26 EST Received: from dewdrop2.mindspring.com by MIT.EDU with SMTP id AA14909; Tue, 8 Dec 98 23:29:23 EST Received: from pcian (user-37kb83i.dialup.mindspring.com [207.69.160.114]) by dewdrop2.mindspring.com (8.8.5/8.8.5) with SMTP id XAA12558; Tue, 8 Dec 1998 23:20:44 -0500 (EST) Message-Id: <3.0.6.32.19981208232044.007a8c50@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Tue, 08 Dec 1998 23:20:44 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, mbahe@ci.aurora.co.us, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Some humor at others expense. In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Tue, 08 Dec 1998 23:20:44 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, mbahe@ci.aurora.co.us, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Some humor at others expense. In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Happy eating! -Ian NSTRUCTIONS FOR MICROSOFT'S NEW TV DINNER PRODUCT ================================================== You must first remove the plastic cover. By doing so you agree to accept and honor Microsoft rights to all TV dinners. You may not give anyone else a bite of your dinner (which would constitute an infringement of Microsoft's rights). You may, however, let others smell and look at your dinner and you are encouraged to tell them how good it is. If you have a PC microwave oven, insert the dinner into the oven. Set the oven using these keystrokes: \mstv.dinn.//08.5min@@50%heat// Then enter: ms//start.cook_dindin/yummy\|/yum~yum:-)gohot#cookme. If you have a Mac oven, insert the dinner and press start. The oven will set itself and cook the dinner. If you have a Unix oven, insert the dinner, enter the ingredients of the dinner (found on the package label), the weight of the dinner, and the desired level of cooking and press start. The oven will calculate the time and heat and cook the dinner exactly to your specification. Be forewarned that Microsoft dinners may crash, in which case your oven must be restarted. This is a simple procedure. Remove the dinner from the oven and enter: ms.nodamn.good/tryagain\again/again.crap. This process may have to be repeated. Try unplugging the microwave and then doing a cold reboot. If this doesn't work, contact your hardware vendor. Many users have reported that the dinner tray is far too big, larger than the dinner itself, having many useless compartments, most of which are empty. These are for future menu items. If the tray is too large to fit in your oven you will need to upgrade your equipment. Dinners are only available from registered outlets, and only the chicken variety is currently produced. If you want another variety, call Microsoft Help and they will explain that you really don't want another variety. Microsoft Chicken is all you really need. Microsoft has disclosed plans to discontinue all smaller versions of their chicken dinners. Future releases will only be in the larger family size. Excess chicken may be stored for future use, but must be saved only in Microsoft approved packaging. Microsoft promises a dessert with every dinner after '99. However, that version has yet to be released. Users have permission to get thrilled in advance. Microsoft dinners may be incompatible with other dinners in the freezer, causing your freezer to self-defrost. This is a feature, not a bug. Your freezer probably should have been defrosted anyway.  1,, Summary-line: 10-Dec The Shadows of the Night #Is Santa a Sysadmin? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27480; Thu, 10 Dec 98 19:25:51 EST Received: from smtp3.mindspring.com by MIT.EDU with SMTP id AA25019; Thu, 10 Dec 98 19:25:48 EST Received: from pcian (user-37kba42.dialup.mindspring.com [207.69.168.130]) by smtp3.mindspring.com (8.8.5/8.8.5) with SMTP id SAA01562; Thu, 10 Dec 1998 18:55:45 -0500 (EST) Message-Id: <3.0.6.32.19981210185049.007a3de0@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Thu, 10 Dec 1998 18:50:49 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, jenigough@juno.com, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, lynxie@netkonnect.net, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com From: The Shadows of the Night Subject: Is Santa a Sysadmin? In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Thu, 10 Dec 1998 18:50:49 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, LMi3555473@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, jenigough@juno.com, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, lynxie@netkonnect.net, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, elf@universe.digex.net, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com From: The Shadows of the Night Subject: Is Santa a Sysadmin? In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Scary! :) But then, we knew he had a job the rest of the year. -Ian Similarities between Santa Claus and system administrators. Consider: 1. Santa is bearded, corpulent, and dresses funny. 2. When you ask Santa for something, the odds of receiving what you wanted are infinitesimal. 3. Santa seldom answers your mail. 4. When you ask Santa where he gets all the stuff he's got, he says, "Elves make it for me." 5. Santa doesn't care about your deadlines. 6. Your parents ascribed supernatural powers to Santa, but did all the work themselves. 7. Nobody knows who Santa has to answer to for his actions. 8. Santa laughs entirely too much. 9. Santa thinks nothing of breaking into your $HOME. 10. Only a lunatic says bad things about Santa in his presence. 11. Santa decides who gets toys based on who has been nice. (to him) --- "Don't be afraid to be weak. Don't be too proud to be strong." Engima Return to Innocence  1,, Summary-line: 11-Dec Marc Horowitz #HAVi (Grundig, Hitachi, Matsushita, Philips, Sharp, Sony, Thomson, Toshiba) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14320; Fri, 11 Dec 98 12:07:24 EST Received: from rover.cygnus.com by MIT.EDU with SMTP id AA26211; Fri, 11 Dec 98 12:07:17 EST Received: (from marc@localhost) by rover.cygnus.com (8.8.8/8.6.12) id MAA11137; Fri, 11 Dec 1998 12:07:13 -0500 (EST) Sender: marc@cygnus.com From: Marc Horowitz To: tech-toys@MIT.EDU Subject: HAVi (Grundig, Hitachi, Matsushita, Philips, Sharp, Sony, Thomson, Toshiba) Date: 11 Dec 1998 12:07:13 -0500 Message-Id: Lines: 120 X-Mailer: Gnus v5.3/Emacs 19.34 *** EOOH *** Sender: marc@cygnus.com From: Marc Horowitz To: tech-toys@MIT.EDU Subject: HAVi (Grundig, Hitachi, Matsushita, Philips, Sharp, Sony, Thomson, Toshiba) Date: 11 Dec 1998 12:07:13 -0500 Lines: 120 X-Mailer: Gnus v5.3/Emacs 19.34 http://www.panasonic.co.jp/corp/HII/en980514-1/en980514-1.html Eight Consumer Electronics Companies Release Home Audio/Video Interoperability (HAVi) Core Specification for Networking Digital AV Appliances (May 14, 1998) GRUNDIG A.G., Hitachi, Ltd., Matsushita Electric Industrial Co., Ltd. (Panasonic), Royal Philips Electronics N.V., Sharp Corporation, Sony Corporation, Thomson Multimedia S.A. and Toshiba Corporation today announced that a core home networks specification for AV electronics appliances has been compiled for release to interested companies. The 8 companies plan to actively promote the HAVi (Home Audio-Video interoperability) core specification as a home network standard for the AV electronics and multimedia industries. The remarkable growth of the digital AV market in recent years has made it apparent that the time will come when users will find it necessary to be able to connect their digital AV appliances to create home entertainment networks. For different brands of AV electronics appliances to be interconnected and interoperated, each appliance must incorporate middleware that contains certain software elements common to all appliances on the network. The core open home network specification defines these elements, their roles, and their functions. In addition, it ensures that the software elements of different appliances will work together. Home networks comprised of AV appliances which incorporate the core open home network specification will provide users with the convenience of the following: A) Plug-and-Play Connectivity Users will be able to create a home network simply by connecting various electronics appliances through their digital interfaces, such as the IEEE1394. If a user wants to add a new appliance to or remove an appliance from the network, he or she can do so without adjusting any settings because the appliances would be able to communicate, recognize changes in the network configuration, and automatically make adjustments to the network settings without interrupting the functioning of the network. B) Appliance Interoperability Not only would users be able to interconnect and interoperate AV electronics appliances based on this specification, but in the future it will also be possible for appliances on the network to share functionality. This means that any one appliance could make use of the functions and capabilities of the many different appliances connected to the network. C) Future-proof Appliances Once appropriate applications software is developed, electronics appliances incorporating these specifications will be able to share functionality. This means that consumers will be able to import functions from newly purchased appliances into appliances purchased earlier as long as both appliances incorporate the HAVi specification. The main software elements included in the core specification are described below. (For a more detailed explanation of these elements, please see the attached page.) 1394 Communications Media Manager (CMM) - acts as an interface between the other software elements and the IEEE1394. Event Manager (EM) - informs the various software elements of events in the network such as the changes in the network configuration that occur when appliances are added or removed from the network. Registry - maintains information about the appliances connected to the network and the functions they offer. Applications can obtain this information from the registry. Messaging System (MS) - serves as an API (Application Programming Interface) that facilitates communication between the software elements of the various appliances on the network. Device Control Module (DCM) - represents an appliance on the network. Applications programs can interact directly with a DCM. This shields them from the idiosyncrasies of each individual appliance. DCM Manager - Installs the DCMs. It automatically reacts to changes in the network by installing new DCMs for new appliances Data Driven Interaction (DDI) Controller - renders a GUI (Graphical User Interface) on a appliance's display on behalf of a HAVi software element. It supports a wide range of displays, varying from graphical to text-only. Stream Manager (SMGR) - creates connections and routes real-time AV streams between two or more appliances on the network. Grundig, Hitachi, Matsushita, Philips, Sharp, Sony, Thomson and Toshiba plan to promote the HAVi core specification broadly as an open standard not only for the AV electronics industry, but for the entire multimedia industry as well. The HAVi core specification is available at the following web-sites for evaluation purposes only. http://www.hitachi.co.jp/Prod/HAVi/ http://www.panasonic.co.jp/corp/HII/AV-IOP.html http://www.sv.philips.com/news/press http://www.sharp.co.jp/sc/gaiyou/news/980514.htm http://www.sony.co.jp/HAVi/ http://www.toshiba.co.jp/about/press/1998_05/index_j.htm The release of the HAVi core specification does not convey an implied or express license to make or distribute any product under any patent right, copyright or any other intellectual property right protecting any part of the HAVi core specification. Details regarding the licensing of the HAVi core specification or any update thereof will be made available in early October 1998.  1,, Summary-line: 14-Dec The Shadows of the Night #Jargon of the Day Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22593; Mon, 14 Dec 98 18:15:16 EST Received: from smtp3.mindspring.com by MIT.EDU with SMTP id AA26958; Mon, 14 Dec 98 18:15:10 EST Received: from pcian (user-37kbade.dialup.mindspring.com [207.69.169.174]) by smtp3.mindspring.com (8.8.5/8.8.5) with SMTP id RAA15014; Mon, 14 Dec 1998 17:59:37 -0500 (EST) Message-Id: <3.0.6.32.19981214175949.007ad930@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 14 Dec 1998 17:59:49 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, gumbrew@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Jargon of the Day In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 14 Dec 1998 17:59:49 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, ArcaneKnow@aol.com, gumbrew@aol.com, LMi3555473@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Jargon of the Day In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Anyone that doesn't get the ohnosecond, ask a Unix user. :) I don't know about you folks, but I am ready for spring. :) -Ian Emailed to me from another humor list (Humor Digest) -Tom Submitted there by Bill Stebbins (bs16@cornell.edu) ------------------------------------------------------------ ALPHA GEEK - The most knowledgeable, technically proficient person in an office or work group. "Ask Larry, he's the alpha geek around here." BEEPILEPSY - The brief seizure people sometimes have when their beeper goes off (especially in vibrator mode). Characterized by physical spasms, goofy facial expressions, and interruption of speech in mid-sentence. CHIPS AND SALSA - Chips = hardware, salsa = software. "Well, first we gotta figure out if the problem's in your chips or your salsa." CRAPPLET - A badly written or profoundly useless Java applet. "I just wasted 30 minutes downloading this stinkin' crapplet!" DANCING BALONEY - Little animated GIFs and other Web F/X that are useless and serve simply to impress clients. "This page is kinda dull. Maybe a little dancing baloney will help." DEPOTPHOBIA - Fear associated with entering a Home Depot because of how much money one might spend. Electronics geeks experience Shackophobia. FLIGHT RISK - Used to describe employees who are suspected of planning to leave a company or department soon. 404 - Someone who's clueless. From the World Wide Web error message "404 Not Found," meaning that the requested document could not be located. "Don't bother asking him. . . he's 404." GENERICA - Features of the American landscape that are exactly the same no matter where one is. "We were so lost in generica, I actually forgot what city we were in." IRRITAINMENT - Entertainment and media spectacles that are annoying, but you find yourself unable to stop watching them. The O.J. trial was a prime example. KEYBOARD PLAQUE - The disgusting buildup of dirt and crud found on computer keyboards. OHNOSECOND - That minuscule fraction of time in which you realize that you've just made a BIG mistake. Seen in Elizabeth P. Crowe's book The Electronic Traveller. (Like when you type rm -Rf *, and realize you are in /, and not in the directory you thought you were in.) PEBCAK - Tech support shorthand for "Problem Exists Between Chair and Keyboard." (Techies are a frustrated, often arrogant lot. They've submitted numerous acronyms and terms that poke fun at the clueless users who call them up with frighteningly stupid questions. Another variation on the above is ID10T: "This guy has an ID-Ten-T on his system.") PERCUSSIVE MAINTENANCE - The fine art of whacking an electronic device to get it to work again. PRAIRIE DOGGING - When someone yells or drops something loudly in a "cube farm" (an office full of cubicles) and everyone's heads pop up over the walls to see what's going on. SQUARE-HEADED GIRLFRIEND - Another word for a computer. The victim of a square-headed girlfriend is a "computer widow." TELEPHONE NUMBER SALARY - A salary (or project budget) that has seven digits. TOURISTS - People who take training classes just to get a vacation from their jobs. "We had about three serious students in the class; the rest were tourists." UMFRIEND - A relationship of dubious standing. "This is Dale, my ... um ... friend ..." UNINSTALLED - Euphemism for being fired. Heard on the voicemail of a vice president at a downsizing computer firm: "You have reached the number of an uninstalled vice president. Please dial our main number and ask the operator for assistance." See also Decruitment. VULCAN NERVE PINCH - The taxing hand position required to reach all of the appropriate keys to initiate certain computer commands. For instance, the warm boot for a Mac II involves simultaneously pressing the Control key, the Command key, the Return key and the Power On key. YUPPIE FOOD STAMPS - The ubiquitous $20 bills spewed out of ATMs everywhere. Often used when trying to split the bill after a meal: "We all owe $8 each, but all anybody's got is yuppie food stamps." _ _____________________________________ _ / )| Thomas S. Ellsworth |( \ / / | tellswor@slonet.org | \ \ _( (_ | http://www.slonet.org/~tellswor | _) )_ (((\ \>|_/ )_____________________________( \_| Errors-To: savoynet-owner@bridgewater.edu Reply-To: milomorris@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Milo Morris" To: Multiple recipients of list SAVOYNET Subject: Re: Qwestion for G&S pianists. Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 15 Dec 1998 21:11:41 -0500 (EST) Reply-To: milomorris@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Milo Morris" To: Multiple recipients of list SAVOYNET Subject: Re: Qwestion for G&S pianists. Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >Can somebody please give me a hint of how to play, on the piano, the intro >to 'Oh is there not one maiden breast'. > >The treble and bass clefs 'on their own' are no problem whatsoever, but >playing them both 'at the same time' is quite another thing for me. I have >never been able to play that bass triplet at the same time as the treble >quavers without either turning the two treble quavers a triplet phrase, or >completely throwing myself by trying to turn the triplet phrase into three >quavers which then spill over into the next bar. > >I have tried many times and failed. This opposing rhythm also occurs in >other non-G & S piano pieces (most notable to me in Beethoven's Pathetique >sonata) and it throws me then too. > >What is the secret of being able to play these two different rhythms at the >same time? The answer can be found mathematically. The lowest common denominator between 2 and 3 is 6. So if you can imagine two pulses for each note in the triplet figure (6 pulses in all), the first note in the duple figure falls on the first pulse and the second note falls on the fourth pulse. Another way to hear it is to remember that the second note of the duple figure falls exacly half way between the 2 and the 3 of the triplet figure. Math aside, one really has to learn to "feel" the relationship of two against three. I would recommed getting off the keyboard and practice beating it out with your hand on a table top. Maybe start with the right hand beating a triple and then let the left come in with the duple. When you get it right, it sounds like "Hark, how the bells, Sweet silver bells..." ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com  1,, Summary-line: 16-Dec Scott Gagnon #RE: mornin'... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03051; Wed, 16 Dec 98 11:47:25 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA09173; Wed, 16 Dec 98 11:47:29 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id LAA34866; Wed, 16 Dec 1998 11:48:15 -0500 (EST) Date: Wed, 16 Dec 1998 11:48:15 -0500 (EST) From: Scott Gagnon To: "Allen, Amy" Cc: "'Rebecca A. Consentino'" , "'opus@Mit.edu'" Subject: RE: mornin'... In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 16 Dec 1998 11:48:15 -0500 (EST) From: Scott Gagnon To: "Allen, Amy" Cc: "'Rebecca A. Consentino'" , "'opus@Mit.edu'" Subject: RE: mornin'... In-Reply-To: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Ypou know you have reached the deepest sanctum of fondness from Scott if you *get him to order or eat something he never has *convince him to accept a compliment *pick out new clothes for him and find them on him *are allowed to physically touch him in public *are among those to whom he has confessed any of said disorder. (So there, esp w. the last one, if y'all wonder if Scottie loves ya.) On the other hand, know that there are a handful of people, many of them random, male and female, and it's not a sexual or romantic thing, I dunno, just a certain trustworthyness or warmth or something, that they immediately can get away with these things. It's happened with people about 9 or 10 times in 30 years. And of course Jen has the key to the whole weird Scott trust inner sanctum, if you will. On Wed, 16 Dec 1998, Allen, Amy wrote: > Some of my favorite Scott rituals: > > His "nervous pacing" when he talks to people he doesn't know very well or if > he's around pretty girls I pace around pretty girls? Since when? Name one example. > The way he orders the same thing at every restaurant he goes to, and Jen can > order for him if he's gonna be late for some reason Lunch w/becca yesterday: Chinese- Chix Fingers, Spare Ribs, Plain White Rice. > His 1-2 lunch everyday at Au Bon Pain with the pigeons At least the birds always know where to find me. > His 15 minute break at exactly 11am every day And at 3:30. > His eyebrow face that he makes when he doesn't know what else to say > The "finger in the air" pose when he thinks he's about to say something > clever > > d':-/ > > -----Original Message----- > > From: Rebecca A. Consentino [SMTP:rac@bu.edu] > > Sent: Wednesday, December 16, 1998 11:16 AM > > To: Allen, Amy > > Cc: 'Scott Gagnon'; 'opus@Mit.edu' > > Subject: RE: mornin'... > > > > Scott is so into ritual that I wonder if he isn't actually an INFJ instead > > of an INFP...I wonder if he's been reading that book I loaned him? And > > what Jen is? hmmmm. > > > > Anyway, I can confirm from past exper. that when you have a job that > > allows you 15 minute and hour-long breaks, taking them at specific times > > makes the day go by a lot faster. Or at least I've always thought so. And > > the later, the better, because then you have less time after lunch to wait > > to go home. > > > > That's becca's work philosophy. It's all about the breaks. > > > > :o) becca > > > > On Wed, 16 Dec 1998, Allen, Amy wrote: > > > > > Scott is so into ritual, isn't he? You could set your watch by his > > breaks > > > and lunch hours....much unlike Opus, who rolls in when he wants to and > > eats > > > when the mood strikes him...must be nice!!!! > > > > > > > > > > > > > -----Original Message----- > > > > From: Scott Gagnon [SMTP:scott@hup.harvard.edu] > > > > Sent: Wednesday, December 16, 1998 10:59 AM > > > > To: Allen, Amy > > > > Cc: 'rac@bu.edu' > > > > Subject: RE: mornin'... > > > > > > > > > > > > Off for 15 min break. Back soon... > > > > d:-I > > > >  1,, Summary-line: 16-Dec Mendes, Rica #FW: Fwd[2]: The National Science Foundation Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26395; Wed, 16 Dec 98 18:57:05 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA03273; Wed, 16 Dec 98 18:57:08 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 0zqQo9-0001JK-00; Wed, 16 Dec 1998 18:56:45 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 16 Dec 1998 18:56:40 -0500 Message-Id: From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , "'CarolCCMag@aol.com'" , 'Daddy' , 'Dan J' , 'David Craven' , 'David J' , 'Dianne James' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Irv Hodgkin' , 'Janice Dallas' , 'Gwyn Aubrey' , 'Fran' , 'Jen Graham' , 'Karen Potasnik' , 'Kati Roberts' , 'kravetz' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Marc Shepherd' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'Rebecca C' , 'rice' , 'sam silvers' , 'Scott Hale' , 'sinasohn' , 'snyder' , 'stevemartin' , 'sooz' Subject: FW: Fwd[2]: The National Science Foundation Date: Wed, 16 Dec 1998 18:56:39 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , "'CarolCCMag@aol.com'" , 'Daddy' , 'Dan J' , 'David Craven' , 'David J' , 'Dianne James' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Irv Hodgkin' , 'Janice Dallas' , 'Gwyn Aubrey' , 'Fran' , 'Jen Graham' , 'Karen Potasnik' , 'Kati Roberts' , 'kravetz' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Marc Shepherd' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'Rebecca C' , 'rice' , 'sam silvers' , 'Scott Hale' , 'sinasohn' , 'snyder' , 'stevemartin' , 'sooz' Subject: FW: Fwd[2]: The National Science Foundation Date: Wed, 16 Dec 1998 18:56:39 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > >> The National Science Foundation announced the following study > >>results > >> on corporate America recreation preferences: > >> 1. Sport of choice for maintenance level employees: bowling. > >> 2. Sport of choice for front line workers: football. > >> 3. Sport of choice for supervisors: baseball. > >> 4. Sport of choice for middle management: tennis. > >> 5. Sport of choice for corporate officers: golf. > >> CONCLUSION: > >> The higher you are in the corporate structure, the smaller your > >>balls. > >> > >> > >> > >> > >> > >> > >> > >> [Rica Mendes-Barry] You must follow the rules on this exactly, otherwise it won't work. It's really scary how this works out. NO CHEATING!!!! First, get a pen and paper. Second, write the numbers one through six. Next to number one, write any number... Next to number two, write the name of anyone to which you are really attracted... Next to three, write down the first color you can think of... Next to number four, write the name of your first pet.... Next to number five and six write down the name of a family member... Remember...no cheating..... Keep scrolling down........ Don't cheat, or you'll be upset....... here's the answers: The number next to number one show how many times you should be smashed over the head with a baseball bat for thinking that stupid e-mails like this actually mean anything.... The person named next to number two is someone who will never sleep with you because you're stupid enough to waste your time on something like this.... The color you picked means nothing. It's a friggin' color for Christsake... Number four gives you the name of a dead animal.... Numbers five and six represent family members who are embarrased to be related to you..... Pass this on to everyone you know, so they can feel like a schmuck too.  1,, Summary-line: 17-Dec Jedlinsky Jaroslav #greetings Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06110; Thu, 17 Dec 98 02:51:46 EST Received: from ns.felk.cvut.cz by MIT.EDU with SMTP id AA18955; Thu, 17 Dec 98 02:51:39 EST Received: from cs.felk.cvut.cz (cs.felk.cvut.cz [147.32.80.1]) by ns.felk.cvut.cz (8.9.1/8.8.7) with SMTP id IAA96580 for ; Thu, 17 Dec 1998 08:51:38 +0100 (MET) Received: from cs.felk.cvut.cz by cs.felk.cvut.cz (MX V4.2 AXP) with SMTP; Thu, 17 Dec 1998 08:51:36 MET_DST Date: Thu, 17 Dec 1998 07:51:35 +0100 From: Jedlinsky Jaroslav To: "Jedlinsky David C." Subject: greetings Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Thu, 17 Dec 1998 07:51:35 +0100 From: Jedlinsky Jaroslav To: "Jedlinsky David C." Subject: greetings Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hello have a nice christmas time and happy next year for you and your family Jaroslav Jedlinsky ****************************************************** KOVOSROT, member of Ustaf group ****************************************************** Jaroslav Jedlinsky Czech Technical University in Prague Faculty of Electrical Engeneering e-mail: xjedlins@cs.felk.cvut.cz xjedlins@fel.cvut.cz *** have a nice day ***  1,, Summary-line: 17-Dec weems@boris.ship.saic.com #New email for Molly Weems Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01948; Thu, 17 Dec 98 10:10:56 EST Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA04711; Thu, 17 Dec 98 10:10:54 EST Received: from portal.west.saic.com (portal.west.saic.com [198.151.12.15]) by martigny.ai.mit.edu (8.8.6/8.8.6) with SMTP id KAA29148 for ; Thu, 17 Dec 1998 10:09:18 -0500 (EST) From: weems@boris.ship.saic.com Received: from boris.ship.saic.com by portal.west.saic.com via smtpd (for martigny.ai.mit.edu [18.43.1.20]) with SMTP; 17 Dec 1998 15:09:02 UT Received: from localhost (weems@localhost) by boris.ship.saic.com (950413.SGI.8.6.12/950213.SGI.AUTOCF) via SMTP id KAA16837 for ; Thu, 17 Dec 1998 10:08:35 -0500 Date: Thu, 17 Dec 1998 10:08:35 -0500 (EST) Reply-To: Erols account at home To: lsc-alums@martigny.ai.mit.edu Subject: New email for Molly Weems Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** From: weems@boris.ship.saic.com Date: Thu, 17 Dec 1998 10:08:35 -0500 (EST) Reply-To: Erols account at home To: lsc-alums@martigny.ai.mit.edu Subject: New email for Molly Weems Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Thanks in part to a more powerful home machine and the meltdown of one of the office servers, my email at home is more reliable. Therefore, please change my email address to mweems@erols.com This will replace weems@moe.ship.saic.com and weems@ship.saic.com. Ken's address stays the same. Thanks! -- Molly Weems (formerly MHC, now MHCW) ^^^^^ looking forward to seeing lots of you at New Years gathering  1,, Summary-line: 20-Dec Bruce I. Miller #Re: A (corrupted) American Trial by Jury Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05161; Sun, 20 Dec 98 13:23:02 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20779; Sun, 20 Dec 98 13:22:58 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id NAA10387; Sun, 20 Dec 1998 13:22:54 -0500 (EST) Date: Sun, 20 Dec 1998 13:22:54 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: A (corrupted) American Trial by Jury Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 *** EOOH *** Date: Sun, 20 Dec 1998 13:22:54 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: A (corrupted) American Trial by Jury Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 >Do we have, perchance, an updated Washingtonian >version of Trial by Jury on the horizon? We most certainly do. *** A MODERN, CORRUPTED TRIAL BY JURY *** TIME: January 6, 1999 Hark, the hour of ten is sounding; Hearts with anxious fears are bounding, Senators their aides are hounding, Breathing hope and fear - For to-day in this arena, Summoned by a House subpeona, William, our disgraced hyena, Shortly must appear. Enter USHER (James Carville) Now, Jurypeople, lend your ears - All kinds of vicious, ugly smears I pray you set aside - With stern Judicial frame of mind And reconciliation kind Impeachment must be tried! Oh, listen to House Chairman Hyde Who, by the way, has never shied From trysts, as we've implied; What HE may say you needn't mind - With reconciliation kind Impeachment must be tried! And when our foes are demonized - The Congressmen are victimized By slash-and-burn campaigns, Forget our leader's moral stains - With reconciliation kind Impeachment must be tried! (CUT TO THE CHASE) THE RECONCILIATION ENSEMBLE HILLARY: I'll use him - I'll use him - with fervour unceasing, I'll worship and madly adore; My blind adoration is ever increasing, Despite William's deeds with his whore. Oh, see how I'm changing, my focus arranging To spin this debacle some more; I'll call for reflection, but as to invection, It's fine - just remember, it's war! WILLIAM: I parse like a lawyer, I've never conceded I lied - only "wrong" has been found; It's everyone else who's dissembled, impeded And dragged this debate to the ground. My oath notwithstanding, you're misunderstanding - A slap on the wrist's all I need! Recall my professing when you are assessing The ending which will be decreed! SENATORS: We would be fairly acting, But this is most distracting! If, when he's spinning, truth isn't winning, That is an abatement. Modestly submitted, Bruce I. Miller bmiller@holycross.edu  1, answered,, Summary-line: 21-Dec Scott Gagnon #Re: Choose your own... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18547; Mon, 21 Dec 98 10:53:57 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA13417; Mon, 21 Dec 98 10:53:58 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id KAA48104; Mon, 21 Dec 1998 10:54:51 -0500 (EST) Date: Mon, 21 Dec 1998 10:54:51 -0500 (EST) From: Scott Gagnon To: "David C. Jedlinsky" Cc: rac@bu.edu, aallen@welchs.com Subject: Re: Choose your own... In-Reply-To: <199812211550.KAA29899@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 21 Dec 1998 10:54:51 -0500 (EST) From: Scott Gagnon To: "David C. Jedlinsky" Cc: rac@bu.edu, aallen@welchs.com Subject: Re: Choose your own... In-Reply-To: <199812211550.KAA29899@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII BTW, as I noticed on an earlier e mail, Opus-- If there are still copies of Ruddigore florating around, count me in as somebody who still nedds to get one 'afore they're all gone. d:-) Oh, and also (as it turns out, also primarily directed at Opus...) I bel;ieve I may have found the coolest WDW site yet. It's http://homepages.force9.net/disney/index1.htm and it's pretty darned nifty, esp if you have all the doodads I don't have to see sound and video. d:-)  1,, Summary-line: 29-Dec Cynthia J. Mallion #Funlinks!! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09253; Tue, 29 Dec 98 09:32:29 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA08153; Tue, 29 Dec 98 09:32:19 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Tue, 29 Dec 1998 09:33:50 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Tue, 29 Dec 1998 09:33:22 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Funlinks!! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Tue, 29 Dec 1998 09:33:22 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, brianhirsch@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Funlinks!! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline After wending my way thru Deb's Link Hell (oooh! Omaha!!), I found this, = and the piece that spawned it. It seems to apply a lot in this group......= PS, it's really really quiet out there! Where is everybody? Te http://www.eecis.udel.edu/~masterma/GuideToGeekGirls.html http://college.antioch.edu/~totally/geek.html  1,, Summary-line: 4-Jan Dr. Clive Woods #QWERTYUIOP at Nicktenor's Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21168; Mon, 4 Jan 99 07:07:03 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA25686; Mon, 4 Jan 99 07:06:58 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id HAA05289; Mon, 4 Jan 1999 07:06:15 -0500 (EST) Date: Mon, 4 Jan 1999 07:06:15 -0500 (EST) Message-Id: <287D8601688@ridingwood.shef.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: QWERTYUIOP at Nicktenor's Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 4 Jan 1999 07:06:15 -0500 (EST) Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: QWERTYUIOP at Nicktenor's Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Date: Thu, 31 Dec 1998 16:59:48 -0500 (EST) From: Helga Perry >>When are US S'netters going to have one of these events? )-: >The next time Nick has a 30th Birthday bash there, I suppose. Well, why not organise it? All you need is: 1. An average-sized room 2. A piano 3. An unlimited supply of drinks and nibbles* 4. A pianist able to play for upwards of around 8 - 10 hours continuously**, and also able to repair the piano as necessary. I can't help with nos. 1 - 3, but I hereby submit my tender for no. 4: I should be delighted, for a gross insult consisting of a return air-ticket. *Serious food may be takeaway/delivered variety, but home-made contributions have always been most welcome and highly appreciated by all. **This is not for the faint-hearted. At the most recent QWERTYUIOP we hacked through everything in Iolanthe, Mikado, Ruddigore, Yeomen, and Gondoliers virtually non-stop in one afternoon/evening, followed by TbJ and Act1 Finale of Pirates the following morning. Clive Woods _______________________________________________________________ From: Dr. R.C. Woods, Department of Electronic and Electrical Engineering, University of Sheffield, Mappin Street, Sheffield, S1 3JD, United Kingdom. Telephone: +44 (114) 22 25144; Fax: +44 (114) 2726 391. E-mail: c.woods@sheffield.ac.uk Visit my web page at this URL: http://www.shef.ac.uk/uni/academic/D-H/eee/ssdm/members/rcw.html  1, forwarded,, Summary-line: 5-Jan Ken Raeburn #Under enough pressure, ravioli behaves as a gas. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03230; Tue, 5 Jan 99 16:07:48 EST Received: from tweedledumb.cygnus.com by MIT.EDU with SMTP id AA03873; Tue, 5 Jan 99 16:07:50 EST Received: from cujo.cygnus.com (raeburn@cujo.cygnus.com [192.80.44.10]) by tweedledumb.cygnus.com (8.8.5/8.8.5) with ESMTP id QAA27066 for ; Tue, 5 Jan 1999 16:07:44 -0500 (EST) Received: (from raeburn@localhost) by cujo.cygnus.com (8.8.7/8.8.7) id QAA24298; Tue, 5 Jan 1999 16:07:47 -0500 To: dinner@MIT.EDU Subject: Under enough pressure, ravioli behaves as a gas. From: Ken Raeburn Date: 05 Jan 1999 16:07:47 -0500 Message-Id: Lines: 165 X-Mailer: Gnus v5.6.27/Emacs 20.3 *** EOOH *** To: dinner@MIT.EDU Subject: Under enough pressure, ravioli behaves as a gas. From: Ken Raeburn Date: 05 Jan 1999 16:07:47 -0500 Lines: 165 X-Mailer: Gnus v5.6.27/Emacs 20.3 Anybody wanna try an experiment? :-) ------- Start of forwarded message ------- From: jsm@cygnus.com (Jason Molenda) Newsgroups: cygnus.junk Subject: [/dev/null: Under enough pressure, ravioli behaves as a gas. [fwd]] Date: 4 Jan 1999 14:59:18 -0800 Organization: Cygnus Solutions news/mail gateway Message-ID: <19990104145910.E5977.cygnus.junk@cygnus.com> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii To: junk@cygnus.com I don't think this has been on junk yet, although I'm sure many people have already seen it. ----- Start of forwarded message ----- Date: Mon, 21 Dec 1998 13:05:00 -0500 (EST) From: Nev Dull Message-Id: <199812211805.NAA19621@abyssinian.sleepycat.com> To: nev@bostic.com (/dev/null) Subject: Under enough pressure, ravioli behaves as a gas. Forwarded-by: Lawrence Kesteloot Forwarded-by: Grue Forwarded-by: V for Vendetta > There was still one aspect of the whole concept of a ravioli-loaded > railgun type wepon which we, lolling about late on a weeknight, with > only a few neurons randomly firing, could not resolve. Would a chunk > of metal (can of ravioli) impacting another, larger, rest mass > structure (star destroyer) produce an "explosion" effect, or simply > punch an appropriately shaped hole as it passed through? Bill? What am I, the neighborhood blast physicist??? Well, maybe... :-) It all depends on speed of impact versus the speed of sound in the target (what is called the Mach number, where Mach 1 means the speed of sound, Mach 2 is twice the speed of sound, etc), and the speed of the ravioli versus the speed of light in the target (which I'll call the Cerenkov number, where Cerenkov 1 is the speed of light in anything; Cerenkov 1.3 is the speed of high-energy protons in a water-cooled reactor (that's why you get that nifty blue glow), and you can get up to Cerenkov 2.4 using diamonds and nuclear accellerators. In the late 40's people used to talk about Cerenkov numbers, but they don't anymore. Pity.). Lastly, there's the ravioli velocity expressed as a fraction of the speed of light in a vacuum (that is, as a fraction of "c"). "C" velocities are always between 0 and 1. At low speeds (REAL low) the ravioli will simply flow over the surface, yielding a space-cruiser with a distinctly Italian paint job. Faster (still well below speed-of-sound in the target) the metal of the space-cruiser's skin will distort downward, making what we Boston drivers call a "small dent". Faster still, you may have a "big dent" or maybe even a "big dent with a hole in the middle", caused by the ravioli having enough energy to push the dent through, stretching and thinning the hull metal till the metal finally tears in the middle of the dent. Getting up past Mach 1 (say, 5000 feet/sec for steel), you start to get punch-a-hole-shaped-like-the-object effects, because the metal is being asked to move faster than the binding forces in the object can propagate the "HEY! MOVE!" information. (After all, sound is just the binding forces between atoms in a material moving the adjacent atoms -- and the speed of sound is how fast the message to "move" can propagate.) From this, we see that WileE Coyote often reached far-supersonic speeds because he often punched silhouette-type holes in rocks, cliffs, trucks, etc. Around Mach 4 or so, another phenomenon starts -- compressive heating. This is where the leading edge of the ravioli actually starts being heated by compression (remember PV=nRT, the ideal gas law?) Well, ravioli isn't a gas, but under enough pressure, ravioli behaves as a gas. It is compressed at the instant of impact and gets hot -- very hot. Likewise, the impact point on the hull is compressed and gets hot. Both turn to gasses -- real gasses, glowing-white-hot gasses. The gasses expand spherically, causing crater-like effects, including a raised rim and a basically parabolic shape. In the center of the crater, some material is vaporized, then there's a melt zone, then a larger "bent" zone, and the raised rim is caused because the gas expansion bubble center point (the bending force) is actually *inside* the hull plate. If the hull plate isn't thick enough, then the gas-expansion bubble pushes through to the other side, and you get a structural breach event (technically speaking, a "big hole") in the side of the space-cruiser. Compressive heating really hits the stride up around 20,000 feet/sec (Mach 4 in steel, Mach 15 in air) and continues as a major factor all the way up to the high fractional Cerenkov speeds, where nuclear forces begin to take effect. Aside: the "re-entry friction heating" that spacecraft endure when the reenter the atmosphere is NOT friction. It's really compressive heating of the air in the path. As long as the spacecraft is faster than Mach 1, the air can't know to get out of the way, so it bunches up in front of the spacecraft. When you squeeze any gas, it gets hot. So, the glowing "reentry gas" is really just squeezed air, which heats the spacecraft heat shield by conduction and infrared. The hypersonic ravioli can be expected to behave similarly. As we increase speed from the high Mach numbers (about 10 miles/sec) all the way up to about 150,000 miles/sec, not much different happens except that the amount of kinetic energy (which turns into compressive heat) increases. This is a huge range of velocity, but it's uninteresting velocity. At high fractional Cerenkov speeds, the ravioli is now beginning to travel at relativistic velocities. Among other things, this means that the ravioli is aging more slowly than usual, and the ravioli can looks compressed in the direction of travel. But that's really not important right now. As we pass Cerenkov 1.0 in the target, we get a new phenomenon -- Cerenkov radiation. This is that distinctive blue glow seen around water-cooled reactors. It's just (relatively) harmless light (harmless compared to the other blast effects, that is). I mention it only because it's so nifty... At around .9 c (Cerenkov 1.1) , the ravioli starts to perceptibly weigh more. It's just a relativistic mass increase -- all the additional weight is actually energy, available to do compressive heating upon impact. The extra weight is converted to heat energy according to the equation E=mc^2; it looks like compressive heating but it's not. [Here's where I'm a little hazy on the numbers; I'm at work and don't have time to rederive the Lorentz transformations.] At around .985 c (Cerenkov 1.2 or so), the ravioli now weighs twice what it used to weigh. For a one pound can, that's two pounds... or about sixty megatons of excess energy. All of it turns to heat on impact. Probably very little is left of the space-cruiser. At around .998 c, the impacting ravioli begins to behave less like ravioli and more like an extremely intense radiation beam. Protons in the water of the ravioli begin to successfully penetrate the nuclei of the hull metal. Thermonuclear interactions, such as hydrogen fusion, may take place in the tomato sauce. At around .9998 c, the ravioli radiation beam is still wimpy as far as nuclear accellerator energy is concerned, but because there is so much of it, we can expect a truly powerful blast of mixed radiation coming out of the impact site. Radiation, not mechanical blast, may become the largest hazard to any surviving crew members. At around .9999999 c, the ravioli radiation may begin to produce "interesting" nuclear particles and events (heavy, short-lived particles). At around .999999999999 c, the ravioli impact site may begin to resemble conditions in the original "big bang"; equilibrium between matter and energy; free pair production; antimatter and matter coexisting in equilibrium with a very intense gamma-ray flux, etc.[1] Past that, who knows? It may be possible to generate quantum black holes given a sufficiently high velocity can of ravioli. --Bill [1]According to physicist W. Murray, we may also expect raining frogs, plagues of locusts, cats and dogs living together, real Old Testament destruction. You get the idea... ----- End forwarded message ----- ------- End of forwarded message -------  1, answered,, Summary-line: 7-Jan Cynthia J. Mallion #Marriage as a Lifetime Sort of Thing Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03414; Thu, 7 Jan 99 15:44:02 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA19208; Thu, 7 Jan 99 15:42:39 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Thu, 07 Jan 1999 15:45:46 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Thu, 07 Jan 1999 15:45:17 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, elkor@mindspring.com, opus@MIT.EDU, natter@pressroom.com, mylady@purpleunicorn.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Marriage as a Lifetime Sort of Thing Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Thu, 07 Jan 1999 15:45:17 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, elkor@mindspring.com, opus@MIT.EDU, natter@pressroom.com, mylady@purpleunicorn.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Marriage as a Lifetime Sort of Thing Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline This came in from Louise, Brian's mom, and is a neat commentary (and = brief-but-true guide to Spouse Finding, and Why Taking Your Time is = Important)....=20 Note: Arnold Lazarus, PhD, is a distinguish psychologist who taught at = Princeton for many years and is a world-renowned and well-respected = cognitive therapist and author. He sent me [Louise] the following e-mail message -=20 Dear Selected Relatives and Friends: If you read NEWSWEEK you will be familiar with the column called MY TURN. = I have sent in 4 or 5 articles over the years but not one has been = published. I am 98% certain that they will not print my latest one = (submitted two days ago) which I am sending herewith. A GOOD MARRIAGE DOES NOT REQUIRE HARD WORK Arnold A. Lazarus =09 Marriage has often (incorrectly) been equated to a garden. = Planning and effort are needed to cultivate a beautiful garden -- = fertilize the soil, till the ground, plant the seeds, water regularly, = eliminate the weeds, prune and trim. Should a marriage be any different? = How can a couple stay happily married without sustained effort? Most = people, including many marriage counselors, believe that good marriages = demand vigilant exertion. They will say that we have to strive and keep = on striving to maintain any worthwhile or meaningful relationship. Many = people believe that it requires hard work for couples to stay on course. = This is untrue. Over the past 40 years I have seen innumerable couples in = premarital, marital and divorce counseling. The marriages that fell apart = were not those wherein the partners were too lazy to work at it. In most = cases, they were so unsuited to each other from the start that intensive = marital therapy could, at best, replace overt hostility with a tedious and enervating alliance. Marriages that fall apart unless the partners maintain it with persistent = thought and effort should probably never have taken place in the first = instance. A case history might clarify my thesis. A couple, let's call them Steve and Carol, both in their mid-twenti= es, had been married for two years. They had dated for over a year, but = their basic differences only surfaced on their honeymoon. Steve loved = sailing; boats made Carol seasick. Carol wanted to socialize with other = honeymooners; Steve wanted her company alone. He was a night person; she was a morning = person. Soon their catalog of differences escalated into major conflicts. = They both felt, hurt, angry and misunderstood by the other. Within a = year, their marriage had grown so stormy that the topic of "divorce" = loomed large. They both agreed on one thing -- their love for each other = had died. That's when they came for marriage counseling. The counseling sessions dwelled on constructive methods of = reaching specific agreements, avoiding hidden agendas, forming open = negotiations, resolving conflicts, and eveloping quid pro quo interactions = -- "I promise to go with you to the ballet (which I hate) if you will go = sailing with me (which you hate)." After eight counseling sessions Steve and Carol had topped = fighting. No harsh words passed between them. Steve stated: " We don't = argue any more, we debate. We compromise. We draw up contracts with each = other when differences arise." Carol added that they had become expert = and quintessential negotiators. At this juncture it appeared that = counseling had been a success. In place of blaming, judging, accusing, faultfinding, = demanding, and attacking, they now used praise, compliments, discussions, = and practiced good listening skills. Reciprocity had replaced coercion. = Carol commented plaintively, "But it's such hard work!" Steve nodded = affirmatively. Several weeks later Carol called. " It's no use," she = said. "We have traded in our noisy battles for hard labor. We have = stopped colliding but we haggle over every decision. We are still getting = along well, but the spark has gone. We have sex but we are not lovers. I = feel alone and lonely in this relationship." They decided to work towards = an amicable divorce. The decision to divorce seldom comes easily. Steve = and Carol sought additional guidance from their pastor. Eighteen months = later they obtained a "no fault" divorce, and both remarried within a year. A follow-up interview = indicated that both Steve and Carol had learned form their mistakes and = were married to partners with whom they saw eye-to-eye. Steve commented: = "I never have to use any of the stuff I learned in marriage counseling. = My wife and I just get along." Marriage counseling can make good marriages even better by = teaching coupleshow to enhance their listening skills and positive = communication styles. Through very hard work, it can often transform a bad = marriage into a livable truce. Conjugal joy cannot exist when couples = differ vis-a-vis child rearing (or the desire to have children), sexual = practices, money matters, people, food, recreation, politics, religion, and other basic values. If such = couples elect to stay together, perhaps for religious or financial = reasons, hard labor and active marriage counseling can probably make their = lives bearable. Anyone who is madly in love and is contemplating marriage = is best advised to peer through the haze of romantic ecstasy to determine = if their potential mate is really on their same wavelength. If you sense = potential problems but believe you can change the other person, you're in for a disappointment. = And one final point. Those who believe that dead love can be rekindled = are sadly mistaken. When love dies it remains dead. Trying to bring back = that which is dead is like giving mouth-to-mouth resuscitation to a = cadaver. So think very carefully before you take the plunge and trust your gut reactions.  1,, Summary-line: 10-Jan The Shadows of the Night #Speaking of looking for a job.... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15127; Sun, 10 Jan 99 23:23:39 EST Received: from smtp3.mindspring.com by MIT.EDU with SMTP id AA11342; Sun, 10 Jan 99 23:23:28 EST Received: from pcian (user-37kb8as.dialup.mindspring.com [207.69.161.92]) by smtp3.mindspring.com (8.8.5/8.8.5) with SMTP id XAA21816; Sun, 10 Jan 1999 23:23:08 -0500 (EST) Message-Id: <3.0.6.32.19990110232323.007ae330@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Sun, 10 Jan 1999 23:23:23 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, opus@MIT.EDU, natter@pressroom.com, mylady@purpleunicorn.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Speaking of looking for a job.... In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Sun, 10 Jan 1999 23:23:23 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, takayla@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, opus@MIT.EDU, natter@pressroom.com, mylady@purpleunicorn.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Speaking of looking for a job.... In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Some Translations, Ian COMPETITIVE SALARY" We remain competitive by paying less than our competitors. "JOIN OUR FAST-PACED TEAM" We have no time to train you. "CASUAL WORK ATMOSPHERE" We don't pay enough to expect that you'll dress up; well, a couple of the real daring guys wear earrings. "MUST BE DEADLINE ORIENTED" You'll be six months behind schedule on your first day. "SOME OVERTIME REQUIRED" Some time each night and some time each weekend. "DUTIES WILL VARY" Anyone in the office can boss you around. "MUST HAVE AN EYE FOR DETAIL" We have no quality control. "CAREER-MINDED" Female Applicants must be childless (and remain that way). "APPLY IN PERSON" If you're old, fat or ugly you'll be told the position has been filled. "NO PHONE CALLS PLEASE" We've filled the job; our call for resumes is just a legal formality. "SEEKING CANDIDATES WITH A WIDE VARIETY OF EXPERIENCE" You'll need it to replace three people who just left. "PROBLEM-SOLVING SKILLS A MUST" You're walking into a company in perpetual chaos. "REQUIRES TEAM LEADERSHIP SKILLS" You'll have the responsibilities of a manager, without the pay or respect. "GOOD COMMUNICATION SKILLS" Management communicates, you listen, figure out what they want and do it. Employee Lingo... "I'M EXTREMELY ADEPT AT ALL MANNER OF OFFICE ORGANIZATION:" I can make my own coffee. "I'M HONEST, HARD-WORKING AND DEPENDABLE" I only pilfer office supplies on overtime. "MY PERTINENT WORK EXPERIENCE INCLUDES" I hope you don't ask me about all the McJobs I've had. "I TAKE PRIDE IN MY WORK" I blame others for my mistakes. "I'M PERSONABLE" I give lots of unsolicited personal advice to co-workers. "I'M EXTREMELY PROFESSIONAL" I carry a Day-Timer. "I AM ADAPTABLE" I've changed jobs a lot. "I AM ON THE GO" I'm never at my desk. "I'M HIGHLY MOTIVATED TO SUCCEED" The minute I find a better job, I'm outta there.  1, edited,, Summary-line: 11-Jan Allen, Amy #FW: Some of these are HILARIOUS!!! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18269; Mon, 11 Jan 99 09:38:25 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA17073; Mon, 11 Jan 99 09:38:08 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id JAA09538; Mon, 11 Jan 1999 09:38:45 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Mon, 11 Jan 1999 09:39:23 -0500 Message-Id: From: "Allen, Amy" To: "'opus@Mit.edu'" , "'rac@bu.edu'" , "'scott@hup.harvard.edu'" Subject: FW: Some of these are HILARIOUS!!! Date: Mon, 11 Jan 1999 09:39:21 -0500 Return-Receipt-To: "Allen, Amy" Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE3D70.2DCFF52C" *** EOOH *** From: "Allen, Amy" To: "'opus@Mit.edu'" , "'rac@bu.edu'" , "'scott@hup.harvard.edu'" Subject: FW: Some of these are HILARIOUS!!! Date: Mon, 11 Jan 1999 09:39:21 -0500 Return-Receipt-To: "Allen, Amy" Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE3D70.2DCFF52C" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE3D70.2DCFF52C Content-Type: text/plain; charset="iso-8859-1" Some of these had me laughing out loud. > -----Original Message----- > From: Stephen Hird [SMTP:shird@ix.netcom.com] > Sent: Saturday, January 09, 1999 10:26 AM > To: 'Debra.Hanggeli@digital.com'; 'aallen@welchs.com'; > 'wmkuhlman@aol.com' > Subject: FW: Some of these are HILARIOUS!!! > > > > -----Original Message----- > From: When there is balance, He is awake [SMTP:kristy@mv.mv.com] > Sent: Tuesday, January 05, 1999 20:17 > To: Netfriends distribution list; Kristin Arivella; celt@sprint.ca; > lewfoo@ma.ultranet.com; marvin@ugly.microserve.net; mike@iconnet.net; Dee > Bitner-Hubbard; wheels@wn.net; Humour distribution list; Dan Coutu; Iraj > Douraghi; enzjssr@nzsf00.epa.ericsson.se; Joann Barrows; Ken Stevens; > Melissa Gallagher; mrx@tiac.net; Pete McVay; rek@phcs.com; roger@acm.org; > seth.howes@tfn.com; Stephen Hird; Sue St. Marie; Funnies Distribution > List; Carem Atchison; golash@process.com; halet@process.com; > lentz@process.com; mehlhop@process.com; Glen Mosio; murtagh@process.com; > Mike Pignatiello; pile@process.com; schreiber@process.com; Kathy Zieman > Subject: Some of these are HILARIOUS!!! > > OK there a LOT of these but some are really worth it... > > 1. Well, this day was a total waste of makeup. > > 2. Make yourself at home! Clean my kitchen. > > 3. Who are these kids and why are they calling me Mom? > > 4. A hard-on doesn't count as personal growth. > > 5. Don't bother me. I'm living happily ever after. > > 6. Do I look like a freakin' people person? > > 7. This isn't an office. It's Hell with fluorescent lighting. > > 8. I started out with nothing & still have most of it left. > > 9. I pretend to work. They pretend to pay me. > > 10. I've found Jesus. He was behind the sofa the whole time. > > 11. If I throw a stick, will you leave? > > 12. You! Off my planet! > > 13. Therapy is expensive, poppin' bubble wrap is cheap! You choose. > > 14. Practice random acts of intelligence & senseless acts of > self-control. > > 15. Bottomless pit of needs & wants. > > 16. I like cats, too. Let's exchange recipes. > > 17. Friendly checkout clerk. Thanks for keeping me that way! > > 18. If I want to hear the pitter patter of little feet, I'll put shoes > on my > cat. > > 19. Does your train of thought have a caboose? > > 20. The Bible was written by the same people who said the Earth was > flat. > > 21. Did the aliens forget to remove your anal probe? > > 22. Errors have been made. Others will be blamed. > > 23. God was my co-pilot, but we crashed into the mountains and I had to > eat > him. > > 24. Let me show you how the guards used to do it. > > 25. And just how may I screw you over today? > > 26. And your crybaby whiny-assed opinion would be...? > > 27. I'm not crazy, I've just been in a very bad mood for 30 years. > > 28. If only you'd use your powers for good instead of evil... > > 29. See no evil, hear no evil, date no evil. > > 30. A PBS mind in an MTV world. > > 31. Yeah, right! Like I'm going to put that icky thing in my mouth. > > 32. Allow me to introduce my selves. > > 33. Sarcasm is just one more service we offer. > > 34. Whisper my favorite words: "I'll buy it for you." > > 35. Better living through denial. > > 36. Whatever kind of look you were going for, you missed. > > 37. Suburbia: where they tear out the trees & then name streets after > them. > > 38. Adult child of alien invaders. > > 39. Do they ever shut up on your planet? > > 40. I'm just working here till a good fast-food job opens up. > > 41. Are those your eyeballs? I found them in my cleavage. > > 42. I'm not your type. I'm not inflatable. > > 43. I'm trying to imagine you with a personality. > > 44. A cubicle is just a padded cell without a door. > > 45. Stress is when you wake up screaming & you realize you haven't > fallen > asleep yet. > > 46. Mall whore: I can suck the numbers right off your credit cards. > > 47. After I cook the vegetables, what do I do with the wheelchairs? > > 48. Here I am! Now what are your other two wishes? > > 49. Back off! You're standing in my aura. > > 50. I can't remember if I'm the good twin or the evil one. > > 51. Don't worry. I forgot your name, too! > > 52. Adults are just kids who owe money. > > 53. One of us is thinking about sex... OK, it's me. > > 54. How many times do I have to flush before you go away? > > 55. I have a computer, a vibrator, & pizza delivery. Why should I leave > the > house? > > 56. I just want revenge. Is that so wrong? > > 57. It's sick the way you people keep having sex without me. > > 58. I work 40 hours a week to be this poor. > > 59. You say I'm a bitch like it's a bad thing. > > 60. Can I trade this job for what's behind door #2? > > 61. Okay, okay, I take it back! UnScrew you! > > 62. Macho Law forbids me from admitting I'm wrong. > > 63. Nice perfume. Must you marinate in it? > > 64. Not all men are annoying. Some are dead. > > 65. Too may freaks, not enough circuses. > > 66. Chaos, panic, & disorder - my work here is done. > > 67. A woman's favorite position is CEO. > > 68. Ambivalent? Well, yes and no. > > 69. You look like shit. Is that the style now? > > 70. Everyone thinks I'm psychotic, except for my friends deep inside the > earth. > > 71. Earth is full. Go home. > > 72. Is it time for your medication or mine? > > 73. Does this condom make me look fat? > > 74. Did I mention the kick in the groin you'll be receiving if you touch > me? > > 75. I plead contemporary insanity. > > 76. And which dwarf are you? > > 77. I refuse to star in your psychodrama. > > 78. I thought I wanted a career, turns out I just wanted paychecks. > > 79. How do I set a laser printer to stun? > > 80. It ain't the size, it's... no, it's the size. > > 81. Meandering to a different drummer. > > 82. I'm not tense, just terribly, terribly alert. > > 83. I majored in liberal arts. Will that be for here or to go? > > > *-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-* > * Kristy Gleason I know it's easier, to walk * > * Nashua, NH away, than look it in the eye * > * aka Woobie "Surrounded" - Dream Theater * > * Email: kristy@mv.mv.com * > *-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-* >  1,, Summary-line: 12-Jan Cynthia J. Mallion #Re: Morning All Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10462; Tue, 12 Jan 99 09:19:55 EST Received: from [38.209.248.2] by MIT.EDU with SMTP id AA26379; Tue, 12 Jan 99 09:20:02 EST Received: from SFT#u#PO-Message_Server by sftlaw.com with Novell_GroupWise; Tue, 12 Jan 1999 09:22:30 -0500 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Tue, 12 Jan 1999 09:22:20 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, gumbrew@aol.com, takayla@aol.com, mbahe@ci.aurora.co.us, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Re: Morning All Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.2 Date: Tue, 12 Jan 1999 09:22:20 -0500 From: "Cynthia J. Mallion" To: kwagner@aec.umd.edu, marcia@alum.mit.edu, elf@andor.org, ArcaneKnow@aol.com, gumbrew@aol.com, takayla@aol.com, mbahe@ci.aurora.co.us, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, jenigough@juno.com, rebeccaneumiller@juno.com, wiggo@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, elkor@mindspring.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, webmaster@rencrafters.com, krosenberg@rsis.com, DroutmanE@tce.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com Subject: Re: Morning All Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Re: the stock market... Once upon a time (oh, about four years ago) when the market was under = 4000, a 200 point jump in *any* direction Meant Something, and 500 points = was a disaster in the downwards direction. Now, we're gonna hit 10,000 soon. 200 points is within the realm of = normal daily fluctuation; 500 is still bad in the downward sense, but not = as... and, due to the new NYSE/AMEX saftey system, if the market slips 500 = points... trading is suspended. There are no further losses on the = American exchanges that day, and the foreign exchanges have all night to = react/counteract to the slide... which is enough time for things to = stabilize somewhat. So, effectively, the stock market is *much* safer than it used to be, = because the machinery (however much it's interfering in the "natural flow" = of things) is in place to prevent catastrophic losses. There won't be = another "Black Monday" like in 1987; the exchange will shut down first. = The massive one-day slide we had in mid-98 is as bad as it can be = now...=20 ... which means exactly what? 1. Avoid anything named "Emerging Markets" fund. Yes, the payoff is = spectacular if the fund does well... (It won't. Not until the Asian = markets settle down a *lot* more) 2. Have *some* funds in very-low-risk investments. This is the good ol' = US Savings Bonds sort of thing. Yep, it's true, if the US Government goes = down in flames, you'll have lost your very safe investment. But... = really... if the US Government goes down in flames, you're gonna have a = LOT more problems than what went wrong with your retirement fund. 3. Buy lots of fun prettyshiny toys. If you take good care of them, you = will have them into retirement. We, for example, have a really cool = really big TV. Once we hit the point of "it's breaking down twice a year" = we'll take it apart and learn to fix it ourselves, thereby making it = functionally immortal. 4. Don't retire. People who don't retire live much much longer; and your = mental acuity stays better if you keep taking classes and learning new = things... studies have shown that new moms retain information better than = people without kids, or with older kids... I think it's just the "when = your brain is in active learning mode, it stays there for a bit... and = having a New Person Completely Dependent On You is a bigtime learning = experience... 5. Go to DisneyWorld a lot. It's fun, and if you have fun spending your = money, and have lots of neat pictures to remember it, peanut butter = sandwiches taste better on the fifth straight day. Hm. This had started as fairly serious, but I'm clearly not gonna make = that today... WE HAVE A REALLY BIG TV!!! It's taller than many of our friends!!!! = Wheeeeee!!!!! SuperBowl XXXIII, January 31. We're *hoping* the dominant colors will be = blue, orange and white, but they still have to beat the Jets this = weekend... Te, getting nothing productive done....  1,, Summary-line: 12-Jan Anthony R. Green #Re: SAVOYNET digest 2540 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08287; Tue, 12 Jan 99 16:16:24 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA23034; Tue, 12 Jan 99 16:16:33 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id QAA16642; Tue, 12 Jan 1999 16:13:00 -0500 (EST) Date: Tue, 12 Jan 1999 16:13:00 -0500 (EST) Message-Id: <199901121603_MC2-666A-F694@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: anthonygreen@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Anthony R. Green" To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 2540 Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 12 Jan 1999 16:13:00 -0500 (EST) Reply-To: anthonygreen@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Anthony R. Green" To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 2540 Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >> I agree it's an impressive site, and a terrific resource. I find the consistent "Hammond Organ" voicing of the MIDIs quite disappointing, though. << I agree also. And there is a great little music notation and playing program, Noteworthy Composer available for free trial at www.ntworthy.com and all the scores for the hymns on this site download, almost instantaneously, as .nwc files. I found many ways of playing them, the "bright acoustic piano" sounded quite good, likewise the clarinet and there are some really weird ones too. Plus, it prints a very good looking score. I'd had the program for years but registered just today ($39) because of what it can do with Cyber Hymnal.  1,, Summary-line: 14-Jan Mendes, Rica #FW: Answering Machine Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23111; Thu, 14 Jan 99 12:41:41 EST Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA19265; Thu, 14 Jan 99 12:41:49 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 100qlk-0006Tc-00; Thu, 14 Jan 1999 12:41:20 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 14 Jan 1999 12:41:07 -0500 Message-Id: From: "Mendes, Rica" To: 'Daddy' Cc: 'Amy Allen' , 'Dan J' , 'David Craven' , 'David J' , 'Irv Hodgkin' , 'Janice Dallas' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'rice' , 'Scott' , 'snyder' , 'sooz' , 'stevemartin' Subject: FW: Answering Machine Date: Thu, 14 Jan 1999 12:41:06 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: 'Daddy' Cc: 'Amy Allen' , 'Dan J' , 'David Craven' , 'David J' , 'Irv Hodgkin' , 'Janice Dallas' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'rice' , 'Scott' , 'snyder' , 'sooz' , 'stevemartin' Subject: FW: Answering Machine Date: Thu, 14 Jan 1999 12:41:06 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain > How funny... there are a couple of versions of this one, but this > happens to be the one that I put together when I was in college! > > HA! > > @}-'-,-- Rica Mendes-Barry --,-'-{@ > Operations > AIG-Financial Products > > -----Original Message----- > From: Alex.Donald@imro.ie [SMTP:Alex.Donald@imro.ie] > Sent: Monday, January 11, 1999 5:06 AM > To: The Jacksons; Marian Skeffington; Ellie O'Neill; Helen Claire > O'Hanlon; Greg Meagher; Donal McGuirk; Greg McAteer; Ursula Kennedy; > Sandra Gunn; Dearbhla Griffith; Kieran Glennon; Ethan; Angela Dorgan; > Caitriona deBurca; Jeanne Coffey; Denis Clohessy > Subject: Answering Machine > > Welcome to the Psychiatric Hotline. > If you are obsessive-compulsive, please press 1 repeatedly. > If you are co-dependent, please ask someone to press 2. > If you have multiple personalities, please press 3, 4, 5, and 6. > If you are paranoid-delusional, we know who you are and what you want. > Just stay on the line so we can trace the call. > If you are schizophrenic, listen carefully and a little voice will > tell you which number to press. > If you are depressed, it doesn't matter which number you press. No one > will answer. > If you are delusional and occasionally hallucinate, please be aware > that the thing you are holding on the side of your head is alive and > about to bite off your ear. >  1,, Summary-line: 18-Jan Peter Stark #RE: [SageFarm@aol.com: re: Concord Players Forum auditions] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07759; Mon, 18 Jan 99 11:06:09 EST Received: from mail1.furnituresite.com by MIT.EDU with SMTP id AA20295; Mon, 18 Jan 99 11:06:20 EST Received: by mail1.furnituresite.com with Internet Mail Service (5.5.2232.9) id ; Mon, 18 Jan 1999 11:01:58 -0500 Message-Id: <210D83C9C26AD211A2020008C74CCBE7146B27@mail1.furnituresite.com> From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: [SageFarm@aol.com: re: Concord Players Forum auditions] Date: Mon, 18 Jan 1999 11:01:53 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: [SageFarm@aol.com: re: Concord Players Forum auditions] Date: Mon, 18 Jan 1999 11:01:53 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Thanks for the info. Right now, my back is so bad that I'm doubtful that I'll be able to do this. It's gotten a lot worse since my accident, though there have been periods when it's been better. I go for these electrode therapy sessions which really help: they stimulate the muscle with electrical currents. Still hope to get together eventually. Would love to talk to you some time. Lots to tell. Regards to Ruth. Peter. > -----Original Message----- > From: David C. Jedlinsky [mailto:opus@mit.edu] > Sent: Monday, January 18, 1999 10:53 AM > To: pstark@furnituresite.com > Subject: [SageFarm@aol.com: re: Concord Players Forum auditions] > > > > Hi Peter! > > I thought you might be interested in this... > > -Dave > > ------- Forwarded Message > > From: SageFarm@aol.com > Subject: Concord Players Forum auditions > > Hi All, > > The dates for the CP auds for A Funny Thing...Forum are February 17th > and 18th, 1999, with callbacks Feb. 21, 1999, at 51 Walden Street, > Concord, MA, at 7:30 pm. The performances of Forum are April 23,24,30 > and May 1,2,7,and 8th. I'm sending this announcement to a few of you > with the hope that you'll spread the word. And if any or all of you > are already in a show, have fun and break a leg and tell me when and > where so I can come be a fan in the audience. Katy > > ------- End Forwarded Message >  1,, Summary-line: 20-Jan Scott Gagnon #the Crock 100 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07272; Wed, 20 Jan 99 09:18:58 EST Received: from hup.harvard.edu by MIT.EDU with SMTP id AA18117; Wed, 20 Jan 99 09:19:08 EST Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id JAA41588; Wed, 20 Jan 1999 09:20:08 -0500 (EST) Date: Wed, 20 Jan 1999 09:20:08 -0500 (EST) From: Scott Gagnon To: rac@bu.edu, opus@MIT.EDU, aallen@welchs.com Subject: the Crock 100 Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 20 Jan 1999 09:20:08 -0500 (EST) From: Scott Gagnon To: rac@bu.edu, opus@MIT.EDU, aallen@welchs.com Subject: the Crock 100 Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII (at last! as promised!) Over time, many, many people have asked me to define, specifically, what I mean when I refer to something as, quote, "a crock", or for that matter "crocky", "what a crock", "crocklike", etc. I say that for something to be a crock, as I use the term, it need not be good or bad, I need not like it or hate it, it just needs to be, well, a crock. Sometimes crocky things happen to people that are bad (the day you wash your car, it rains) or good (somehow, even though there are only nine seconds left to play, your team runs back a kick for a touchdown and wins by one point.) Some places, things and certainly people are the embodiment of crocky. It was that last statement that got me thinking how I might once and for all define a crock as I use the term for anyone who wonders. What are the 100 crockiest people, places andthings, that by their very nature define and embody the term. Following then, without further explanantion and if you need one that in itself is a crock) are what I call the "Crock 100." Some annoy, some (most) tickle you in a guilty- pleasure sort of way...all are crocks... 100-75 Kinda crocky... 100. That "Jesse" guy on MTV 99. Joey Buttafuoco 98. Anything in ClayMation 97. Beef Jerky 96. The song "Bohemian Rhapsody" 95. Jesse Ventura 94. Jesse Ventura being Governor of Minnesota 93. The comic strip "Drabble" 92. The WB network 91. Chia-anything 90. Gary Coleman 89. Adam West 88. Underground Caverns as tourist attractions in upstate NY 87. "Cats" 86. Being able to mail-order potatoes over the internet 85. Signs that say "Duck Crossing" in silhouette 84. Danny Bonaduce (more as a nod to those of you who expected him to turn up somehwere) 83. Kim Basinger winning an Academy Award 82. Ditto Lionel Richie 81. Lionel Richie in general 80. RuPaul's talk show 79. Garden Gnomes 78. Paintings from the late 60's/early 70's of those kids with the really big eyes 77. TV show "The Ghost and Mrs. Muir" 76. The Salem Witch Museum 75. Canadian rock band Loverboy 74-50: Pretty Darned crocky: 74. American rock band Heart 73. "Sanford and Son" 72. Giving someone else a ride to an audition, and getting cast yourself 71. (see #72) vice-versa 70. The fact that Mr. Potato Head no longer smokes a pipe 69. VH1 Documentary: "Def Leppard: Behind the Music" 68. Barbra Streisand's version of "Jimgle Bells" on her Xmas album 67. While Mike Tyson is just an asshole, Peter McNeeley was a bona fide crock 66. Tonya Harding 65. Those cool stop-motion movies by George Pal like "Sinbad" and "One Million Years BC" 64. Anything Tamagochi 63. The Philadelphia Phillies 62. The World of Sid and Marty Krofft 61. The scene in "Blazing Saddles" where the guy punches the horse 60. The four-million degree hot "Easy-Bake Oven" 59. The song "Delirious" by Prince 58. Arnold Ziffel the pig 57. The Super Bowl Halftime Show 56. Planter's Cheese Balls 55. Those banks where you put a penny down and a skeleton hand comes out of a grave and drags it in 54. Teletubbies 53. Any Adam Sandler film 52. The cool "fight music" on "Star Trek" (actually this wold have ranked higher but I'm not sure how many people know which music I'd be talking about.) 51. Divine 50. Jimmy Walker 49-25: Gettin' pretty dang crocky at this point 49. Elmo 48. The LA Clippers 47. "Army of Darkness" 46. Yes, Beavis and Butthead 45. Julia Child 44. Bad imitations of Julia Child 43. Former Patriots coach Rod Rust 42. Space Invaders 41. The Geo 40. Michael Crawford 39. Willie Nelson 38. Nell Carter 37. Goo Goo Bars 36. Claxton Fruit Cake 35. Chile (not the food, the country) 34. Sonny Bono's widow being in Congress 33. For that matter, the way Sonny Bono died 32. In fact, Sonny Bono 31. The fact that there are hockey teams in Phoenix, Miami, and Dallas but none in Minnesota 30. Cameroon (clearly, again, yes, I mean the whole country) 29. The soccer team from Cameroon being referred to at the World Cup as "Freewheeling Cameroon" 28. Dick Button 27. "Star Search" 26. Excalibur Hotel, Las Vegas, NV 25. "Hee Haw" 24-10 Getting there (note: several things in here are admittedly very crocky but I didn't want to give them the satisfaction of landing in the top ten.) 24. Dennis Rodman 23. Pamela Anderson-Lee 22. Jerry Springer 21. The Tampa Bay Buccaneers, partic with their old logo 20. The Bee Gees 19. The Liberace Museum 18. That guy in the McDonald's commercial running on the beach in a McNugget costume 17. Funnel Cakes 16. Danny Terrio and "Motion" from "Dance Fever" 15. Don King 14. Boxcar Willie 13. Any John Waters film 12. The Macy's Thanksgiving Day Parade 11. Pop Song "I'm Too Sexy" ...And here they are! The ten best illustrations of, "Oh, My God, that's such a crock!": 10. The Teacher's voice in "Charlie Brown" specials 9. Arena Football 8. Tiny Tim (and my brief friendship with him, prior to his death) 7. Barry White 6. Spooky World, Berlin, MA 5. Dick Vitale, Bay-bee... 4. Michael Flatley, Lord of the Dance (and subsequent show, entitled "Feet of Flames") 3. David Lee Roth 2. "Sabado Gigante!" on Univision 1. Pedro's "South of the Border" resort, rte 95, Durham, South Carolina. Now, I can provide only limited, lazy explanatiuons of all this. But next time I say something is "Crocky" "el crocko grande" or "uber-crock", one may use the above as a frame of reference. d:-)  1,, Summary-line: 21-Jan eichin@thok.org #Overheard at B.Dalton Cambridgeside Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02086; Thu, 21 Jan 99 14:09:06 EST Received: from d-ma-lowell-121.ici.net by MIT.EDU with SMTP id AA03443; Thu, 21 Jan 99 14:09:16 EST Received: from noraneko.arepa.com (maneki-neko.arepa.com [207.180.18.131]) by arepa.com (8.8.5/8.8.5) with ESMTP id OAA27188; Thu, 21 Jan 1999 14:09:02 -0500 Received: by arepa.com via sendmail from stdin id (Debian Smail3.2.0.102) for dinner@mit.edu; Thu, 21 Jan 1999 14:09:01 -0500 (EST) To: dinner@MIT.EDU Subject: Overheard at B.Dalton Cambridgeside From: eichin@thok.org Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Date: 21 Jan 1999 14:09:01 -0500 Message-Id: Lines: 16 X-Mailer: Gnus v5.4.56/Emacs 19.34 *** EOOH *** To: dinner@MIT.EDU Subject: Overheard at B.Dalton Cambridgeside From: eichin@thok.org Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Date: 21 Jan 1999 14:09:01 -0500 Lines: 16 X-Mailer: Gnus v5.4.56/Emacs 19.34 From: yonah@MIT.EDU (Yonah Schmeidler) Date: 20 Jan 1999 17:03:40 -0500 >From: "Peter H. Brenton" Subject: Overheard at B.Dalton Cambridgeside This was overheard in line at the checkout on Dec. 23rd at B.Dalton bookstore in the Cambridgeside Galleria; Customer: "Do you take the Discover Card?" Clerk 1: "Yes ma'am, we take everything but goats and chickens." Clerk 2: "We take goats now." Clerk 1: "Yes ma'am, we take everything but chickens. (aside) What do they do with all those goats?"  1,, Summary-line: 22-Jan LeighMann@aol.com #G&S Test Your Vocabulary Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02620; Fri, 22 Jan 99 21:10:29 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA09841; Fri, 22 Jan 99 21:10:40 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id VAA11925; Fri, 22 Jan 1999 21:10:19 -0500 (EST) Date: Fri, 22 Jan 1999 21:10:19 -0500 (EST) Message-Id: <1b2e846c.36a92e98@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LeighMann@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LeighMann@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S Test Your Vocabulary Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows 95 sub 236 *** EOOH *** Date: Fri, 22 Jan 1999 21:10:19 -0500 (EST) Reply-To: LeighMann@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LeighMann@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S Test Your Vocabulary Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows 95 sub 236 I got this as part of a forward, thought it was pretty cute and I'd pass it along. If want the entire list (non-G&S cliches) please e-mail me privately. > 19. Abstention from any aleatory undertaking precludes a potential > escalation of a lucrative nature. Nothing venture nothing win  1,, Summary-line: 23-Jan Diana Burleigh #Prompt Books Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04331; Sat, 23 Jan 99 02:21:28 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA13087; Sat, 23 Jan 99 02:21:39 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id CAA19572; Sat, 23 Jan 1999 02:21:19 -0500 (EST) Date: Sat, 23 Jan 1999 02:21:19 -0500 (EST) Message-Id: <36A977D9.F0F@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) *** EOOH *** Date: Sat, 23 Jan 1999 02:21:19 -0500 (EST) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) Leon' stories are a hoot. Have you any more? In my hayday I saw the D'Oyly Carte (who I still think of as being in theirs at the time) several hundred times and therefore knew all the business backwards. When I began to direct I still had a vivid memory of how it was done and so where I believed the Traditional business could not be bettered (I tend to be more original now, but there is still a lot which is so good that it would be a very brilliant director who could improve on it) I was able to reproduce some scenes with a knowledge of what the scenes were about (at least I hope I was). At the same time I'd see other productions and think "they've missed the point there" when almost-familiar business appeared. Even if we were able to follow prompt books faithfully, there would still be a change in style of performance. It is recorded that Gilbert would go through his lines with the cast, making them imitate his delivery, clapping his hands to show how he wanted the rhythm and the pauses. I am told by those whose memory goes back to WW2 and further that the delivery of dialogue was very slow and what we would call stagey. If that were attempted now, I do not believe audiences would accept it. A good director could certainly take a prompt book and interpret it so that the whole show worked well. In lesser hands the result would be dire. Those who have ever used the French's Acting editions of plays, will know that every move is mapped out. These books were put together from the original prompts books of West End productions and refered to the set, stage size, auditorium sight lines of the original production and were devised for the particular qualities and personalities original cast. Like many others, when I have had to use these editions, I have not read the moves. Once, in a Coward play I had the continual question from a certain cast member "why aren't we doing this the proper way, as the book says" My explanation was never accepted. Shortly after our run another company did the same play and we all went along to it. It had been directed entirely from the book. Several times there were moves which made no sense because of the different stage and setting. At interval the cast member who had given me so much trouble said "They're doing an awful lot of silly things. Why?" Was I delighted to tell him! I suspect a slavish adherance to any prompt book would have the same result. Of course I assume that the company which is contemplating using a DC book, would not slavishly adhere! Diana  1,, Summary-line: 23-Jan Marc Shepherd #Re: D'Oyly Carte Prompt Books Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08140; Sat, 23 Jan 99 03:23:17 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA17527; Sat, 23 Jan 99 03:23:27 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id DAA21208; Sat, 23 Jan 1999 03:23:07 -0500 (EST) Date: Sat, 23 Jan 1999 03:23:07 -0500 (EST) Message-Id: <36A986B5.E9AFFDE@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sat, 23 Jan 1999 03:23:07 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Chris Webster wrote: > > Question one: Who actually wrote these books? Traditionally, they were written by the stage manager. However, the ones provided to amateur societies were *copies* of the ones the Company used. I heard that D'OC paid retired choristers a nominal sum for copying them out. >From the few that I own, my impression is that some of the copyists were better than others. I wouldn't doubt that there was staging & business that made sense originally, but after generations of copying, became incomprehensible. > Question two: Are there different versions available? As the operas received new productions, the prompt books would evolve. GONDOLIERS seems to have had far more new productions than some of the other operas. In D'OC generally, a new production did not necessarily mean that all the old business was completely discarded. > Question three: If there are old turn of the century prompt books around, > what's to stop someone from reprinting them in a new book. Dame Bridget D'Oyly Carte bequeathed all of the early prompt books to the Theatre Museum. I have been there and looked at a number of them. These old prompt books are far more detailed than the modern ones, and capture the actual productions that Gilbert directed. There are many examples of changes to the script that were never published, and often detailed instructions about emphasis and business. Ian Bradley also quotes from prompt books, and the ones he has seen are different than what the Theatre Museum has. I think it would be fascinating to publish the original stage directions. I do not favor blindly imitating directions just because Gilbert endorsed them. But, I think people would be genuinely surprised at how much detail is there. My plate's a little full, but it would be worthwhile to put these in print. -- Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com Web: http://www.cris.com/~oakapple  1,, Summary-line: 23-Jan P.D.Parker #D'Oyly Carte Prompt Books Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11766; Sat, 23 Jan 99 04:36:12 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA21577; Sat, 23 Jan 99 04:36:23 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id EAA22945; Sat, 23 Jan 1999 04:36:04 -0500 (EST) Date: Sat, 23 Jan 1999 04:36:04 -0500 (EST) Message-Id: <3.0.6.32.19990123092055.00864c10@mail.globalnet.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: D'Oyly Carte Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Sat, 23 Jan 1999 04:36:04 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: D'Oyly Carte Prompt Books Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) There have been quite a lot of comments about these Prompt Books. Let me put in my oar as to what I know about them. I refer to Prompt books in stiff Red covers consisting of a Chappell's libretto bound with interleaving plain paper on to which were hand written detailed instructions. There are other types of prompt book which were used by D'Oyly Carte historically but I do not believe these were ever (knowingly) sold to anyone. They are quite rare to find but I have seen some. The Red books were painstakingly copied mostly (and for very many years) by one person who had very neat and small writing. I cannot rememeber the lady's name just out of my head, but I do recall her giving up due to age and infirmity and someone else taking on the job. This work was not done by a direct employee of D'Oyly Carte but was a job done on a part time basis. I do remember the fee paid for doing it was extremely small. (I remember arguments about that). In case anyone should ask it was NOT Maude Evans herself but of course she taught from these books as a basis. But as I stated above, the books lagged behind what was actual practice on stage. These Red books did occasionally get brought up to date to reflect the performances as done by the Company at some time and there are many different versions. Unfortunately none that I have or have seen are dated except that the libretto itself may have a printers or publishers date. I have seen at least three different handwritings. These books were available to amateur groups performing the works with permission only and were sold outright not hired. There are therefore many about. The Opera Company also used them and several of my set are marked inside R Gibson who was a producer/stage director at one time. I do not have and have never seen a Red book for Utopia or Grand Duke. Perhaps someone will tell me if these ever existed in this form. It was/is my understanding that the information contained in these books started out as ''Gilbert authorised'' that is not quite the same as stating they were copies of Gilbert's own version, but I do not know in detail what differences there may be. Certainly Gilbert did have and use his own version (not bound as above). There were prompt books in Black (school exercise type) books into which libretto pages had been pasted. I have seen books of this type dating from the 1880s that were used by stage managers of the original companies. These were jealously guarded and would never have been issued to amateurs. The Red books were in all probability J.M. Gordon ''authorised'' but did reflect notes and changes made at the time in performance. They therefore owe their origin loosely to Gilbert but cannot be said to be other than based on his intentions. (And Gordons version of that) The Red books were still available up to and beyond the the closure in 1982 but that may not have been true for all the operas. The D'Oyly Carte organisation did try to keep a small stock in anticipation of orders. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 26-Jan Peter Stark #Did I ever send you this? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28766; Tue, 26 Jan 99 17:26:17 EST Received: from mail1.furnituresite.com by MIT.EDU with SMTP id AA22539; Tue, 26 Jan 99 17:26:32 EST Received: by mail1.furnituresite.com with Internet Mail Service (5.5.2232.9) id ; Tue, 26 Jan 1999 17:21:31 -0500 Message-Id: <210D83C9C26AD211A2020008C74CCBE7146BDF@mail1.furnituresite.com> From: Peter Stark To: "'opus@mit.edu'" Cc: "David Chase (E-mail)" Subject: Did I ever send you this? Date: Tue, 26 Jan 1999 17:21:30 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'opus@mit.edu'" Cc: "David Chase (E-mail)" Subject: Did I ever send you this? Date: Tue, 26 Jan 1999 17:21:30 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Steven Wright Jokes For my birthday I got a humidifier and a de-humidifier...I put them in the same room and let them fight it out... So then I filled the humidifier with wax and left it on. Now everything in my house is shiny. Yesterday I parked my car in a tow-away zone...when I came back the entire area was missing... For a while I didn't have a car...I had a helicopter...no place to park it, so I just tied it to a lamp post and left it running... [slow glance upward] This is my impression of a bowling ball...[drags the mike along the floor, then lifts it]...gutter... There's a pizza place near where I live that sells only slices... in the back you can see a guy tossing a triangle in the air... I had to stop driving my car for a while...the tires got dizzy... I recently moved into a new apartment, and there was this switch on the wall that didn't do anything...so anytime I had nothing to do, I'd just flick that switch up and down...up and down...up and down....Then one day I got a letter from a woman in Germany...it just said, "Cut it out." I put instant coffee in my microwave oven and almost went back in time. I spilled spot remover on my dog and now he's gone. "The Stones, I love the Stones. I watch them whenever I can. Fred, Barney.." "My friend Winnie is a procrastinator. He didn't get his birth mark til he was eight years old." "I don't have to walk my dog anymore. I walked him all at once. He was fun when he was a puppy. I named him Stay. When I'd call him I'd say C'mere Stay C'mere Stay and he'd go like this..(FILL IN THE MOVEMENT YOURSELF). He's a lot smarter than that now. Now when I call him he just ignores me and keeps on typing." "Everywhere is walking distance if you have the time." "I saw a man with a wooden leg, and a real foot." "I was in a job interview and I opened a book and started reading. Then I said to the guy 'Let me ask you a question. If you are in a spaceship that is traveling at the speed of light, and you turn on the headlights, does anything happen?' He said 'I don't know'. I said 'I don't want your job'." "When I woke up this morning my girlfriend asked me 'Did you sleep good?' I said 'No, I made a few mistakes.' "I lost a button hole today." "I collect rare photographs... I have two... One of Houdini locking his keys in his car... the other is a rare picture of Norman Rockwell beating up a child." "I met her at Macy's. She was shopping... I was putting Slinky's on the escalator." "When I was a child... We had a quick-sand box in the backyard...... I was an only child........ eventually....." "Some people think George is weird, because he has sideburns behind his ears... I think George is weird, because he has false teeth... with braces on them. George is a radio announcer, and when he walks under a bridge... you can't hear him talk." "Winny and I lived in a house that ran on static electricity... If you wanted to run the blender, you had to rub balloons on your head." "Winny would spend all of his time practicing limbo... He got pretty good... He could go under a rug..." "All of the people in my building are insane. The guy above me designs synthetic hairballs for ceramic cats. The lady across the hall tried to rob a department store... with a pricing gun... She said, "Give me all of the money in the vault, or I'm marking down everything in the store..." "Last year we drove across the country... We switched on the driving... every half mile... We had one cassette tape to listen to on the entire trip........... I don't remember what it was..." "He was a multi-millionaire... Wanna know how he made all of his money? ... He designed the little diagrams that tell which way to put batteries in..." "I bought some batteries... but they weren't included... so I had to buy them again..." "One day, when I came home from work, I accidentally put my car key in the door of my apartment building... I turned it... and the whole building started up.... So I drove it around.... A policeman stopped me for going too fast... He said, 'Where do you live?'... I said, 'Right here'... Then I drove my building onto the middle of a highway, and I ran outside, and told all of the cars to get the hell out of my driveway." "If you can't hear me, it's because I'm in parentheses." "I saw a close friend of mine the other day... He said 'Stephen, why haven't you called me."... I said, "I can't call everyone I want... my (new) phone has no 'five' on it."... He said, "How long have you had it?"... I said, "I don't know... my calendar has no 'seven's on it." "I have a map of the united states .... it's original size ... it says one mile equals one mile." "Why is the alphabet in that order? Is it because of that song?" "I'm moving to Mars next week, so if you have any boxes..." Don't you hate when your hand falls asleep and you know it will be up all night. I was walking down the street and all of a sudden the prescription for my eye-glasses ran out .... I bought a house, on a one-way dead-end road; I don't know how I got there. I installed a skylight in my apartment.... The people who live above me are furious! Power outage at a department store yesterday, Twenty people were trapped on the escalators. Babies don't need a vacation, but I still see them at the beach... it pisses me off! I'll go over to a little baby and say "What are you doing here? You haven't worked a day in your life!" My girlfriend asked me how long I was going to be gone on this tour. I said "the whole time". One time the power went out in my house, I had no lights. Fortunately my camera had a flash. I went to make a peanut butter sandwich and took 60 pictures of my kitchen. My neighbors called the police. They thought it was lightning in my house. What's another word for thesaurus? I can remember the first time I had to go to sleep. Mom said, "Steven, time to go to sleep" I said "But I don't know how." She said, "It's real easy. Just go down to the end of tired and hang a left." So I went down to the end of tired, and just out of curiosity I hung a right. My mother was there, and she said "I thought I told you to go to sleep." One time a cop pulled me over for running a stop sign. He said "Didn't you see the stop sign." I said "Yeah, but I don't believe everything I read." I went to this restaurant last night that was set-up like a big buffet in the shape of a ouigi board. You'd think about what kind of food you want and the table would move across the floor to it. I went to a restaurant that serves "breakfast at any time". So I ordered French Toast during the Renaissance. Today I met with a subliminal advertising executive for just a second. I used to work at a factory where they made hydrants; but you couldn't park anywhere near the place. I was once walking through the forest alone. A tree fell right in front of me -- and I didn't hear it. I just bought a microwave fireplace... You can spend an evening in front of it in only eight minutes... I was going to commit suicide the other day. I must not have been serious because I brought a beach towel. I've got some powdered water, but I don't know what to add. I went to the eye doctor and found out I needed glasses for reading. So, I got some flip-up contact lenses. I bought some used paint. It was in the shape of a house. I replaced the headlights in my car with strobe lights. Now it looks like I'm the only one moving. I was pulled over for speeding today. The officer said, "Don't you know the speed limit is 55 miles an hour?" I replied, "Yes, but I wasn't going to be out that long. I put a new engine in my car, but didn't take the old one out. Now my car goes 500 miles an hour. Today I...........No, that wasn't me. I wrote a song, but I can't read music. Every time I hear a new song on the radio I think 'Hey, maybe I wrote that.' Four years ago..............no, it was yesterday. I've writing a book. I've got the page numbers done. My friend has a baby. I'm writing down all the noises he makes so later I can ask him what he meant. Last night the power went out. Good thing my camera had a flash...I took 65 pictures of myself making a sandwich...My neighbors thought it was lightning in my house, so they called the cops. I got my driver's license photo taken out of focus on purpose. Now when I get pulled over, the copy looks at it [moving it nearer and farther, trying to see it clearly], and says, 'Here, you can go.' I like to paint passing lines on curved roads. I like to torture my plants by watering them with ice cubes. I'm so tired...I was up all night trying to round off infinity. I watched the Indy 500, and I was thinking that if they left earlier, they wouldn't have to go so fast. I went to a general store, but they wouldn't let me buy anything specific. I used to live in a house by the freeway. When I went anywhere, I had to be going 65 MPH by the end of my driveway. I turned my air conditioner the other way around, and it got cold out. The weatherman said, "I don't understand it. It was supposed to be 80 degrees today," and I said "Oops." Last night I fell asleep in a satellite dish. My dreams were broadcast all over the world. The other day, I was walking my dog around my building--on the ledge....Some people are afraid of heights. Not me. I'm afraid of widths. I went fishing with a dotted line...I caught every other fish. I used to be a bartender at the Betty Ford Clinic. In my house, on the ceilings I have paintings of the rooms above...so I never have to go upstairs. I have a friend who's a billionaire. He invented Cliff notes. When I asked him how he got such a great idea, he said, "Well first I.....I just....to make a long story short..." I put contact lenses in my dog's eyes. They had little pictures of cats on them. Then I took one out and he ran around in circles. I had a dream that all the victims of The Pill came back...boy, were they mad!! (Ad he did for a local student radio station:) Whenever I'm in Champaign, I listen to the great music on Rock 107, and when I'm out of town, they mail it to me... Today I dialed a wrong number....The other side said, "Hello?" and I said, "Hello, could I speak to Joey?" They said," Uh, I don't think so...He's only two months old." I said, "I'll wait..." I have a friend name Dennis. Both his parents are midgets, but not Dennis. He's a midget dwarf. He's the guy who poses for trophies. I woke up one morning and looked around the room. Something wasn't right. I realized that someone had broken in the night before and replaced everything in my apartment with an exact replica. I couldn't believe it...I got my roommate and showed him. I said, "Look at this--everything's been replaced with an exact replica!" He said, "Do I know you?" I was born by Caesarean section, but you really can't tell...except that when I leave my house, I always go out the window... It's a small world, but I wouldn't want to paint it... You can't have everything...Where would you put it? One day I got on the usual bus, and when I stepped in, I saw the most gorgeous blond Chinese girl...I sat beside her. I said, "Hi," and she said, "Hi," and then I said, "Nice day, isn't it?," and she said, "I saw my analyst today and he says I have a problem." So I asked, "What's the problem?" She replied, "I can't tell you. I don't even know you..." I said, "Well sometimes it's good to tell your problems to a perfect stranger on a bus." So she said, "Well, my analyst said I'm a nymphomaniac and I only like Jewish cowboys...by the way, my name is Dennis." I said, "Hello, Dennis. My name is Bucky Goldstein..." Do you think that when they asked George Washington for ID that he just whipped out a quarter? I'd like to sing you a song now about my old girlfriend...It's called 'They'll Find Her When the Leaves Blow Away 'Cause I'm Not Raking 'Til Spring.' Winny and I lived in a house that ran on static electricity. If you wanted to run the blender, you had to rub balloons on your head. If you wanted to cook, you had to pull off a sweater real quick... I got into an elevator at work and this man followed in after me. I pushed '1' and he just stood there...I said, "Hi, where you going?" He said, "Phoenix." So, I pushed 'Phoenix'. A few seconds later, the doors opened, two tumbleweeds blew in...we were in downtown Phoenix. I looked at him and said, "You know, you're the kind of guy I want to hang around with." We got into his car and drove out to his shack in the desert. Then the phone rang. He said, "You get it." I picked it up and said, "Hello?"...The other side said, "Is this Steven Wright?" I said, "Yes..." The guy said, "Hi, I'm Mr. Jones, the student loan director from your bank...It seems you have missed your last 17 payments, and the university you attended said that they received none of the $17,000 we loaned you. We would just like to know what happened to the money." I said, "Mr. Jones, I'll give it to you straight. I gave all of the money to my friend Slick, and with it he built a nuclear weapon...and I would appreciate it if you never called me again." A friend of mine is into Voodoo Acupuncture. You don't have to go. You'll just be walking down the street, and...........ooooohhhhhh, that's much better... Right now I'm having vu ja de--deja vu and amnesia at the same time. You know how it is when you're walking up the stairs, and you get to the top, and you think there's one more step? I'm like that all the time. I have a hobby...I have the world's largest collection of sea shells. I keep it scattered on beaches all over the world. Maybe you've seen some of it... I broke a mirror in my house. I'm supposed to get seven years of bad luck, but my lawyer thinks he can get me five. I like to skate on the other side of the ice ... I like to reminisce with people I don't know ... I like to fill my tub up with water, then turn the shower on and act like I'm in a submarine that's been hit ... And when I get real, real bored, I like to drive downtown and get a great parking spot, then sit in my car and count how many people ask me if I'm leaving. I got a new shadow. I had to get rid of the other one -- it wasn't doing what I was doing. The other day when I was walking through the woods, I saw a rabbit standing in front of a candle making shadows of people on a tree. My house is made out of balsa wood. When no one is home across the street, except the little kids, I out and lift my house up over my head. I tell them to stay out of my yard or I'll throw it at them. The other day I was playing poker with Tarot cards. I got a full house and four people died. Sometimes I...No, I don't. There's a fine line between fishing and standing on the shore looking like an idiot. I used to be an airline pilot. I got fired because I kept locking the keys in the plane. They caught me on an 80 foot stepladder with a coathanger. I used to work at a health food store. I got fired for drinking straight Bosco on the job. Ever notice how irons have a setting for PERMANENT press? I don't get it...  1,, Summary-line: 30-Jan Patricia McDonald #Fwd: Fwd: :) Chuckle Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09929; Sat, 30 Jan 99 09:40:41 EST Received: from send102.yahoomail.com by MIT.EDU with SMTP id AA13690; Sat, 30 Jan 99 09:40:58 EST Message-Id: <19990130144300.25786.rocketmail@send102.yahoomail.com> Received: from [216.67.1.173] by send102.yahoomail.com; Sat, 30 Jan 1999 06:43:00 PST Date: Sat, 30 Jan 1999 06:43:00 -0800 (PST) From: Patricia McDonald Subject: Fwd: Fwd: :) Chuckle To: "Bill Kelley, Jr. Will1733" , David John ZDwyer , John and Joyce Harrahy , Janices Home , David Jedlinsky , Jay Latulippe , ",Ann McDonald" , Nancy Miller , David Owen , Catherine Poulin , Laurie Tema-Lyn , Peter James Bridges , Patricia butterfly , Rebecca Consentino , Winnie and Bob Creed , Bob Dwyer , David Patrick Dwyer , Kevin Dwyer , Sarah Fachada , Maria Forger , Scott Gagnon Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-861021530-917707380=:13083" *** EOOH *** Date: Sat, 30 Jan 1999 06:43:00 -0800 (PST) From: Patricia McDonald Subject: Fwd: Fwd: :) Chuckle To: "Bill Kelley, Jr. Will1733" , David John ZDwyer , John and Joyce Harrahy , Janices Home , David Jedlinsky , Jay Latulippe , ",Ann McDonald" , Nancy Miller , David Owen , Catherine Poulin , Laurie Tema-Lyn , Peter James Bridges , Patricia butterfly , Rebecca Consentino , Winnie and Bob Creed , Bob Dwyer , David Patrick Dwyer , Kevin Dwyer , Sarah Fachada , Maria Forger , Scott Gagnon Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-861021530-917707380=:13083" --0-861021530-917707380=:13083 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline Hope you all enjoy! Pat note: forwarded msg attached. _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com --0-861021530-917707380=:13083 Content-Type: message/rfc822 X-Apparently-To: stpat47@yahoo.com via mdd103.yahoomail.com Received: from imo28.mx.aol.com (198.81.17.72) by mta111.yahoomail.com with SMTP; 29 Jan 1999 18:30:21 -0800 Received: from PStrecker@aol.com by imo28.mx.aol.com (IMOv18.1) id BMUVa23166; Fri, 29 Jan 1999 21:25:28 +1900 (EST) From: PStrecker@aol.com Message-ID: Date: Fri, 29 Jan 1999 21:25:28 EST To: DKBookBiz@aol.com, MYoungs@aol.com, Pmst133@aol.com, BStrec@concentric.net, JudyHigh@worldnet.att.net, guyww1@juno.com, JPWalker@aol.com, dvincent@cwix.comroy-eljuno.com, loisdori@citrus.infi.net, Pkot@aol.com, mperry1@hadco.com, ivydcbp@prodigy.net, PWacaster@aol.com, CandyWon@aol.com, KHagler@juno.com, bksmith@dow.com, BeccaG2@aol.com, hburruss@bellatlantic.net, T2COOLCHUK@aol.com, Chris02@aol.com, stpat47@yahoo.com Mime-Version: 1.0 Subject: Fwd: :) Chuckle Content-type: multipart/mixed; boundary="part0_917663130_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 226 Content-Length: 7869 This is a multi-part message in MIME format. --part0_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.1> Content-type: text/plain; charset=US-ASCII In a message dated 1/29/99 6:10:31 PM Eastern Standard Time, Onebzymom writes: << 49 Reasons It's Great To Be A Guy! Phone conversations last 30 seconds You know useful stuff about tanks and airplanes A 5 day vacation requires only one suitcase Bathroom lines are 80% shorter You can open all your own jars Old friends don't give you crap if you've lost or gained weight Dry cleaners and haircutters don't rob you blind When clicking thru the channels you don't have to stop on every shot of someone crying You don't have to lug a bag of "necessary" items with you everywhere you go You can go to the bathroom alone Your last name stays put You can leave a motel room bed unmade You can kill your own food The garage is all yours You get extra credit for the slightest act of thoughtfulness You can be showered and ready in 10 minutes Wedding plans take care of themselves If someone forgets to invite you to something, they can still be your friend. Your underwear cost $7.50 for a pack of 3 None of your coworkers have the power to make you cry You don't have to shave below your neck You don't have to curl up next to some big, hairy guy every night If you're 34 and single, no one notices Chocolate is just another snack You can quietly enjoy a car ride from the passenger seat Flowers fix everything You never have to worry about other's feelings Three pair of shoes are more than enough You can say anything and not worry about what people think Michael Bolton doesn't live in your universe. (Rosie :( ) Car mechanics tell you the truth You don't give a flip if someone doesn't notice your new haircut You can watch a game in silence for hours without your buddy thinking "he must be mad at me." One mood, all the time You can admire Clint Eastwood without having to starve yourself to look like him Same work.......more pay Gray hair and wrinkles add character Wedding dress $2000, Tux rental 100 bucks You don't care if someone is talking behind your back You don't pass on the dessert and then mooch off someone else's If you retain water, it is in a canteen You need not pretend you're "freshening up" when you go to the bathroom If you don't call your buddy when you said you would he won't tell your friends you've changed If another guy shows up at the party in the same outfit, you might become lifelong buddies. The occasional well -rendered belch is practically expected If something mechanical didn't work, you can bash it with a hammer and throw it across the room New shoes don't cut, blister, or mangle your feet You don't have to remember everyone's birthday and anniversary ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >> --part0_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.2> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline From: Onebzymom@aol.com Return-path: To: BKDXN@aol.com Cc: PStrecker@aol.com Subject: Fwd: :) Chuckle Date: Fri, 29 Jan 1999 18:10:31 EST Mime-Version: 1.0 Content-type: multipart/mixed; boundary="part1_917663130_boundary" --part1_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.3> Content-type: text/plain; charset=US-ASCII --part1_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.4> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline From: Tmvcna@aol.com Return-path: To: Onebzymom@aol.com, E48LVIS@aol.com Subject: Fwd: :) Chuckle Date: Fri, 29 Jan 1999 12:46:03 EST Mime-Version: 1.0 Content-type: multipart/mixed; boundary="part2_917663130_boundary" --part2_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.5> Content-type: text/plain; charset=US-ASCII A WOMAN had to have come up with this. No man is even aware of a lot of this stuff! --part2_917663130_boundary Content-ID: <0_917663130@inet_out.mail.aol.com.6> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline From: Jaws1000@aol.com Return-path: To: ldaniel@cinbell.com, Art11000@aol.com, WIGRA@aol.com, cdbbdc@exis.net, cgburton@rite32.org, Dasusway@aol.com, Ladybug798@yahoo.com, demerson@cinbell.com, swhiskey@compuserve.com, HRiethof@compuserve.com, Jonest38@aol.com, jfuson@cinbell.com, jdonatini@fuse.net, JPhil83153@aol.com, NanaB2@webtv.net, Keriis@erols.com, KHansen844@aol.com, waldoworld@fuse.net, Ssswampy@aol.com, CNetanel@aol.com, rmullins@cinbell.com, RascalRuss@aol.com, dragonslayer@hci.net, JGri374999@aol.com, Tevans@fuse.net, Tmvcna@aol.com, DIGGEM1@aol.com Subject: :) Chuckle Date: Thu, 28 Jan 1999 23:38:00 EST Mime-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit 49 Reasons It's Great To Be A Guy! Phone conversations last 30 seconds You know useful stuff about tanks and airplanes A 5 day vacation requires only one suitcase Bathroom lines are 80% shorter You can open all your own jars Old friends don't give you crap if you've lost or gained weight Dry cleaners and haircutters don't rob you blind When clicking thru the channels you don't have to stop on every shot of someone crying You don't have to lug a bag of "necessary" items with you everywhere you go You can go to the bathroom alone Your last name stays put You can leave a motel room bed unmade You can kill your own food The garage is all yours You get extra credit for the slightest act of thoughtfulness You can be showered and ready in 10 minutes Wedding plans take care of themselves If someone forgets to invite you to something, they can still be your friend. Your underwear cost $7.50 for a pack of 3 None of your coworkers have the power to make you cry You don't have to shave below your neck You don't have to curl up next to some big, hairy guy every night If you're 34 and single, no one notices Chocolate is just another snack You can quietly enjoy a car ride from the passenger seat Flowers fix everything You never have to worry about other's feelings Three pair of shoes are more than enough You can say anything and not worry about what people think Michael Bolton doesn't live in your universe. (Rosie :( ) Car mechanics tell you the truth You don't give a flip if someone doesn't notice your new haircut You can watch a game in silence for hours without your buddy thinking "he must be mad at me." One mood, all the time You can admire Clint Eastwood without having to starve yourself to look like him Same work.......more pay Gray hair and wrinkles add character Wedding dress $2000, Tux rental 100 bucks You don't care if someone is talking behind your back You don't pass on the dessert and then mooch off someone else's If you retain water, it is in a canteen You need not pretend you're "freshening up" when you go to the bathroom If you don't call your buddy when you said you would he won't tell your friends you've changed If another guy shows up at the party in the same outfit, you might become lifelong buddies. The occasional well -rendered belch is practically expected If something mechanical didn't work, you can bash it with a hammer and throw it across the room New shoes don't cut, blister, or mangle your feet You don't have to remember everyone's birthday and anniversary ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ --part2_917663130_boundary-- --part1_917663130_boundary-- --part0_917663130_boundary-- --0-861021530-917707380=:13083--  1,, Summary-line: 1-Feb Peter Stark #Just got this by urgent email Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10561; Mon, 1 Feb 99 17:47:14 EST Received: from mail1.furnituresite.com by MIT.EDU with SMTP id AA16479; Mon, 1 Feb 99 17:47:27 EST Received: by mail1.furnituresite.com with Internet Mail Service (5.5.2232.9) id ; Mon, 1 Feb 1999 17:41:59 -0500 Message-Id: <210D83C9C26AD211A2020008C74CCBE7146C73@mail1.furnituresite.com> From: Peter Stark To: "'wmkuhlman@aol.com'" , "'deeberg@aol.com'" , "'rubenact@aol.com'" , "'opus@mit.edu'" Subject: Just got this by urgent email Date: Mon, 1 Feb 1999 17:41:59 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'wmkuhlman@aol.com'" , "'deeberg@aol.com'" , "'rubenact@aol.com'" , "'opus@mit.edu'" Subject: Just got this by urgent email Date: Mon, 1 Feb 1999 17:41:59 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Just think... if you missed getting a rock album by the Trotsky Icepicks (an actual group... I'm not making this up!), then here's your chance to recoup! Plus here's a musical theatre piece to consider producing. Might be able to use the same sets as Ruddigore. Peter. ---------------------------------------------------------------------------- --------------- Subject: KILLING RASPUTIN - London Cast CD Now Available Date: Sun, 24 Jan 1999 20:17:28 GMT From: DMCOM Reply-To: dougm@dircon.co.uk Jumeira Productions is pleased to announce the release of the Original London cast recording of Killing Rasputin - a new musical by James O'Connell, Kit Hesketh Harvey and Stephen Clark and featuring the talents of Hal Folwer (Carousel, Martin Guerre), Meredith Braun(Sunset Boulevard), Gay Soper ( Les Mis - International Cast CD), Jerome Pradon (Martin Guerre) and Andrew Haliday (Cats). The show details the bizarre circumstances that led to the assasination of Rasputin by Prince Felix Yusapov and its subsequent effects on Russia. The CD can now be ordered via the internet for 10 British Pounds (normally 12.99) Our thanks to the hundreds of fans who have purchased this CD through us on the net. Orders are now being processed and should be with you over the next week. For further information about the CD http://www.gabbott.dircon.co.uk/index.htm/recordin.htm D & G Entertainment  1,, Summary-line: 1-Feb The Shadows of the Night #Hide and Seek Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19007; Mon, 1 Feb 99 19:58:24 EST Received: from camel8.mindspring.com by MIT.EDU with SMTP id AA04260; Mon, 1 Feb 99 19:58:01 EST Received: from pcian (user-38lc7s6.dialup.mindspring.com [209.86.31.134]) by camel8.mindspring.com (8.8.5/8.8.5) with SMTP id TAA19946; Mon, 1 Feb 1999 19:57:53 -0500 (EST) Message-Id: <3.0.6.32.19990201195817.007af930@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 01 Feb 1999 19:58:17 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, jenigough@juno.com, wiggo@juno.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Hide and Seek In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 01 Feb 1999 19:58:17 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, jenigough@juno.com, wiggo@juno.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Hide and Seek In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" The boss of a big company needed to call one of his employees about an urgent problem with one of the main computers. He dialed the employee's home phone number and was greeted with a child's whispered, "Hello?". Feeling put out at the inconvenience of having to talk to a youngster the boss asked, "Is your Daddy home?". "Yes.", whispered the small voice. "May I talk with him?", the man asked. To the surprise of the boss, the small voice whispered, "No.". Wanting to talk with an adult, the boss asked, "Is your Mommy there?". "Yes.", came the answer. "May I talk with her?". Again the small voice whispered, "No.". Knowing that it was not likely that a young child would be left home alone, the boss decided he would just leave a message with the person who should be there watching over the child. "Is there any one there besides you?", the boss asked the child. "Yes", whispered the child, "A policeman." Wondering what a cop would be doing at his employees home, the boss asked, "May I speak with the policeman?". "No, he is busy.", whispered the child. "Busy doing what?", asked the boss. "Talking to Daddy and Mommy and the Fireman.", came the whispered answer. Growing concerned and even worried as he heard what sounded like a helicopter through the ear piece on the phone the boss asked, "What is that noise?". "A hello-copper.", answered the whispering voice. "What is going on there?", asked the boss, now alarmed. In an awed whispering voice the child answered, "The search team just landed the hello-copper!". Alarmed, concerned and more than just a little frustrated the boss asked, "Why are they there?". Still whispering, the young voice replied along with a muffled giggle, "They are looking for me!" "A wise man gets more use from his enemies than a fool from his friends."  1,, Summary-line: 1-Feb The Shadows of the Night #State Mottos Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23045; Mon, 1 Feb 99 20:17:04 EST Received: from camel8.mindspring.com by MIT.EDU with SMTP id AA12725; Mon, 1 Feb 99 20:17:21 EST Received: from pcian (user-38lc7s6.dialup.mindspring.com [209.86.31.134]) by camel8.mindspring.com (8.8.5/8.8.5) with SMTP id UAA19059; Mon, 1 Feb 1999 20:16:28 -0500 (EST) Message-Id: <3.0.6.32.19990201201653.007b4b10@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 01 Feb 1999 20:16:53 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, jenigough@juno.com, wiggo@juno.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: State Mottos In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 01 Feb 1999 20:16:53 -0500 To: "Cynthia J. Mallion" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, wolverinemjp@hotmail.com, jenigough@juno.com, wiggo@juno.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, wjbagaria@venable.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: State Mottos In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Alabama: At Least We're not Mississippi Alaska: 11,623 Eskimos Can't be Wrong! Arizona: But It's a Dry Heat Arkansas: Litterasy Ain't Everthing California: As Seen on TV Colorado: If You Don't Ski, Don't Bother Connecticut: Like Massachusetts, Only Dirtier and With Less Character Delaware: We Really Do Like the Chemicals in our Water Florida: Ask Us About Our Grandkids Georgia: We Put the "Fun" in Fundamentalist Extremism Hawaii: Haka Tiki Mou Sha'ami Leeki Toru (Death to Mainland Scum, But Leave Your Money) Idaho: More Than Just Potatoes... Well Okay, We're Not, But The Potatoes Sure Are Real Good Illinois: Please Don't Pronounce the "S" Indiana: 2 Billion Years Tidal Wave Free Iowa: We Do Amazing Things With Corn Kansas: First Of The Rectangle States Kentucky: Five Million People; Fifteen Last Names Louisiana: We're Not All Drunk Cajun Wackos, But That's Our = Tourism Campaign Maine: We're Really Cold, But We Have Cheap Lobster Maryland: A Thinking Man's Delaware Massachusetts: Our Taxes Are Lower Than Sweden's (For Most Tax Brackets) Michigan: First Line of Defense From the Canadians Minnesota: 10,000 Lakes and 10,000,000 Mosquitoes Mississippi: Come Feel Better About Your Own State Missouri: Your Federal Flood Relief Tax Dollars at Work Montana: Land of the Big Sky, the Unabomber, Right-Wing Crazies, and Very Little Else Nebraska: Ask About Our State Motto Contest Nevada: Whores and Poker! New Hampshire: Go Away and Leave Us Alone New Jersey: You Want a ##$%##! Motto? I Got Yer ##$%##! Motto = Right Here! New Mexico: Lizards Make Excellent Pets New York: You Have the Right to Remain Silent, You Have the Right to an Attorney... North Carolina: Tobacco is a Vegetable North Dakota: We Really are One of the 50 States! Ohio: We Wish We Were In Michigan Oklahoma: Like the Play, only No Singing Oregon: Spotted Owl... It's What's For Dinner Pennsylvania: Cook With Coal Rhode Island: We're Not REALLY An Island South Carolina: Remember the Civil War? We Didn't Actually Surrender South Dakota: Closer Than North Dakota Tennessee: The Educashun State Texas: Si' Hablo Ing'les (Yes, I speak English) Utah: Our Jesus Is Better Than Your Jesus Vermont: Yep Virginia: Who Says Government Stiffs and Slackjaw Yokels Don't = Mix? Washington: Help! We're Overrun By Nerds and Slackers! Washington, D.C.: Wanna Be Mayor? "A wise man gets more use from his enemies than a fool from his friends."  1,, Summary-line: 2-Feb Henry Houh #May/June Class Notes for '89 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05190; Tue, 2 Feb 99 10:26:20 EST Received: from salsa.lcs.mit.edu by MIT.EDU with SMTP id AA14825; Tue, 2 Feb 99 10:26:35 EST Received: from LCS.MIT.EDU (mintaka.lcs.mit.edu [18.26.0.36]) by salsa.lcs.mit.edu (8.8.5/8.8.5) with SMTP id KAA01551 for ; Tue, 2 Feb 1999 10:20:12 -0500 Received: from wasabi.lcs.mit.edu by MINTAKA.LCS.MIT.EDU id aa23124; 2 Feb 99 9:38 EST Received: (from hhh@localhost) by wasabi.lcs.mit.edu (8.8.5/8.8.5) id JAA26459; Tue, 2 Feb 1999 09:38:03 -0500 Date: Tue, 2 Feb 1999 09:38:03 -0500 Message-Id: <199902021438.JAA26459@wasabi.lcs.mit.edu> From: Henry Houh To: mit89@salsa.lcs.mit.edu Subject: May/June Class Notes for '89 Reply-To: hhh@lcs.mit.edu *** EOOH *** Date: Tue, 2 Feb 1999 09:38:03 -0500 From: Henry Houh To: mit89@salsa.lcs.mit.edu Subject: May/June Class Notes for '89 Reply-To: hhh@lcs.mit.edu Hi Everyone, I have attached our most recent Class Notes article, and some old ones that I think I forgot to send out to the email list. There is a photo to go with these articles, and I have included the caption so you can decide if you would like to download it. Also, I would like to encourage everyone to help with several reunion projects. If you have not filled out a class survey, please check out the on-line version at: and fill out the information form for the reunion book and class survey (or please return the paper version). If you are planning to attend the reunion, or even thinking about it, please drop Rich Crosby some email at . Rich is keeping a list of people going to the reunion at . For all the latest news on the reunion, see . We will also be publishing a CD-ROM with Class Notes and photos, so if anyone has photos they would like put up on the class web site and on the CD-ROM, please send them to me. Thanks, and I hope to see many of you at the reunion! Henry ************ MIT '89 Photos: http://www.tns.lcs.mit.edu/mit89/album/98Wang.html The caption reads: MIT alums at the May 24, 1998 wedding of Cindy Wang and Steven Chao: Front row: Tami Zhu Sloan MBA '97, Carissa Climaco, Suephy Chen, Vivian Liu, Rita Cha '87, Alison Miyamoto. Second row: Leon R. L. Wang ScD-1 '65, Joyce C. C. Wang MCP '61, Cindy Wang Chao, Steven Chao, Libby Blank MCP '61 Back Row: Alejandro Caro '90, Kenney Ng, Lisa A. C. Houh, Henry Houh, David Gebala, Frank Wang PhD-18 '91, Carol Wu, Karen Yu, Rachel Duncan, Mark Wang '87. ***** May/June 1999 This month's list of people to please send news is: *Elizabeth Bogan, *Helen Cohen, *Timothy Eicher, *Glenn Friedman, *AnnaLee Saxenian, and *Joseph Stampleman. What are y'all up to? If anyone knows about any of these people or anyone else, please write in. Our reunion is coming up June 3-6, and planning is well underway. The 10th reunion is considered a major reunion year, and we will be publishing a class reunion book. In addition, we will be publishing a class reunion CD-ROM which will contain lots of class information from the past 10 years (photos, class notes, and possibly the entire reunion book). We would like to ask every classmate's help with these projects: please check out and fill out the information form for the reunion book and class survey (or please return the paper version). Also, if anyone has photos they would like put up on the class web site and on the CD-ROM, please send them to me. Anyway, now onwards to class news. *Lisa Shane was married to Jason Tokuda at the Sheraton Parsippany Hotel in New Jersey on November 7, 1998. Lisa, who picked up an MS degree in statistics at Carnegie-Mellon along the way, is now a Fellow of the Society of Actuaries, as is Jason. Both work at The Prudential Life Insurance Company. A sizable MIT contingent was present, including Lisa's father, Harold Shane '57 and sister, Erica Shane '86. Other MIT alumni present were *Sean Casey, *Scott Ramsay, *Cynara Wu, *Suzanne Wurster, J. Mike Hammond '87, and Steve Lentz '86. Also enjoying the festivities was Lisa's cousin, Scott Shane, an Assistant Professor in Sloan School. *Michael Berube and wife Michele are expecting their third child in early May. Michael reports that "life in Michigan is treating us well as is work at Daimler Chrysler." *Anuradha Vednatham has recently moved, and is working as the Director of the Atlantic County Educational Technology Training Center in NJ. Anu helps the K-12 teachers in the county integrate technology into the classroom. Anu's daughter is now two years old and expecting their second child this March. *Sandra (Murray) Skov recently left her job with the CVS drugstore chain to stay home with her children Sarah (6) and Benjamin (4). "The experience has been really wonderful so far," Sandra writes. *Hagan (Heller) Rivers has settled back in the Boston area and is working for the company her husband founded, Two Rivers Consulting Corp. *Andre Castagna was married in August 1996 to wife Loretta. Loretta is a jewelry designer, and Andre is working at the Knolls Atomic Power Lab, operated by Lockheed Martin. Until last year, Andre worked in materials development for reactor applications, and only recently switched to reactor component design and analysis. *Seth Ostrow has been named a partner in the Intellectual Property practice group of the national law firm Brown Raysman Millstein Felder & Steiner LLP in New York City. Seth's practice focuses on drafting and prosecuting patent applications in the computer hardware, software, electrical engineering, mechanical, and design areas. Well, that's it again for this month. If you'd like to have photos put up on our web site and on our class CD-ROM and don't have a scanner, I'll scan them and return them to you, and we'll have some nice electronic albums when our reunions roll around! *Henry Houh, secretary, 35 Hamlet St. Apt #2, Somerville, MA 02143-1908. phone: (617) 776-6126. e-mail: hhh@alum.mit.edu Class Web site: ***** March/April 1999 This month's list of people to please send news is: *William Cowan, *Paolo Diaz, *Priscilla Lam, *Sandra Lugo, *Herbert Miller, and *Edward Page. What are y'all up to? If anyone knows about any of these people or anyone else, please write in. After graduating and working in New York for 2 years at the Federal Reserve Bank, *Jackie Berger moved to Princeton, NJ for graduate school. In 1996 Jackie received her Ph.D. in economics, and got married to Benjamin Glasser. Jackie writes that "We stayed in the Princeton area where I am working for a consulting company doing policy analysis for government agencies. My most recent and most exciting news is that I just recently gave birth to Rachel Elizabeth Glasser on October 17, 1998! Currently I am on maternity leave, but I plan to return to work after 3 months." *Kathryn Parker is pursuing a doctorate in epidemiology through the Work Environment department at UMass Lowell. Kathryn does research with the Construction Occupational Health Program, which is actively reseraching construction worker health issues during the Big Dig. Kathryn and husband David Adams '86 and their two sons, aged 2 1/2 and 9 months, recently moved to Medford, MA. *Jocelyn (Troxel) Milton and husband Mark announce the arrival of Fiona Josephine, on Oct. 8, at 6 lb 14 oz and 19 inches. Fiona joins her big sister Joanna, who is 4 1/2. Jocelyn writes that she has "been a homemaker for 4 years now and am thoroughly enjoying it." *Theodore Larkin has completed his fifth year as a programmer/analyst at Newberger & Bergman, LLC, and investment advisory firm in New York City. *Brian Lasher is now on the MIT Alumni Association Board of Directors. Brian is living near in Birmingham, MI, and works in finance at Taubman Co., a developer of malls. *Ira Scharf recently left Wildfire Communications, a company that builds a telephone based electronic assistant that works using speech recognition. Ira writes that "This personal assistant is called Wildfire, and she's fabulous to work with!" Ira heading up a group building several international versions of the product for a few European markets. Ira will be traveling for about a month in Asia, visiting Hong Kong, mainland China, Vietnam, Thailand, and Bali, before starting at Harvard Business School in January as part of the HBS Class of 2000. Well, that's it again for this month. If you'd like to have photos put up on our web site and on our class CD-ROM and don't have a scanner, I'll scan them and return them to you, and we'll have some nice electronic albums when our reunions roll around! *Henry Houh, secretary, 35 Hamlet St. Apt #2, Somerville, MA 02143-1908. phone: (617) 776-6126. e-mail: hhh@alum.mit.edu Class Web site: **** Jan/Feb 1999 Happy New Year! This month's list of people to please send news is: *Douglas Beck, *Gina Chung, *Richard Elder, *Karen Koyama, *James Rudd, *Peter Tan, *Regina Valluzzi. What are y'all up to? If anyone knows about any of these people or anyone else, please write in. Onwards to class news, which is almost exclusively about new additions! *Leslie Liu reports the arrival of daughter Marisa, born April 9 (see photos on our web site). *Jerome Braunstein received his PhD in Mathematics at UCSD in 1993, got married and now has a son and a daughter (see photos on our web site) - Benyomin Yitzchak Braunstein (born 1/26/95 future class of 2016) and Sadie Ahuvah Braunstein (born 4/4/96 future class of 2017). Jerome writes that he "moved back to the Valley, dude, and now work at OR Concepts Applied in Whittier, CA. I have not kept in touch with anybody from MIT, but am looking forward to 10-yr reunion and would like to make contact with any old Burton Two Knights or Hillel members in the L.A. area." Iffat Mai writes that "the biggest things for me this year was a new baby girl (on 1/1/98) and a new house. We just recently moved into a new house in Forest Hills, NY, and my first visitor was *Sanjay Manandhar who happened to drop by NY on a business trip from London. Sanjay is in Venture capital and he just got married in June in Nepal and bought a flat in central London by the park. He also tells me that *Ko Kim Gan, who works with Citicorp in Singapore, also got married this past May." *Dave Story wrote to report the imminent ("within 5 days") arrival of he and wife Christy's second child. When I wrote back, I received a note that he is on paternity leave, so we'll have to wait until next time to find out the details. Dave moved recently from Sunnyvale to Portola Valley. "I just love having no neighbors within 100 feet, oak and pomegranate trees surrounding the house, and the loudest noise at night being the crickets." Dave has switched jobs recently and is now Director of Engineering for the Fahrenheit and OpenGL APIs at Silicon Graphics. "This is a ground-breaking set of 3D graphics APIs which we hope will set the standards for the next decade. It's a big team and a complex project, so wish me luck!" *Barry Margulies has a new put up more photos of his son on his web site. You can find them by checking our list of class members with web pages off our web site. If you have a web page and would like to be listed, please send me your web address. *Ed Kim writes that he started a new job in the investment bank at Prudential Securities - "A fairly dramatic career change, though still in the world of finance." We heard about *Chris Maeda's company from *Alex Rosen last month, and Chris writes to correct his company's name - Rubric. *Teri Centner writes to request our help with her sorority sister Michelle Crosby who was diagnosed with an aggressive type of leukemia (CMML or chronic myelomonocytic leukemia) and needs a bone marrow transplant. For more information, please see . Well, that's it again for this month. If you'd like to have photos put up on our web site and on our class CD-ROM and don't have a scanner, I'll scan them and return them to you, and we'll have some nice electronic albums when our reunions roll around! *Henry Houh, secretary, 35 Hamlet St. Apt #2, Somerville, MA 02143-1908. phone: (617) 776-6126. e-mail: hhh@alum.mit.edu Class Web site:  1,, Summary-line: 2-Feb Patricia McDonald #Fwd: Fwd: borap@juno.com: A Good laugh. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19568; Tue, 2 Feb 99 23:07:03 EST Received: from send106.yahoomail.com by MIT.EDU with SMTP id AA29750; Tue, 2 Feb 99 23:07:02 EST Message-Id: <19990203040835.15084.rocketmail@send106.yahoomail.com> Received: from [216.67.1.180] by send106.yahoomail.com; Tue, 02 Feb 1999 20:08:35 PST Date: Tue, 2 Feb 1999 20:08:35 -0800 (PST) From: Patricia McDonald Subject: Fwd: Fwd: borap@juno.com: A Good laugh. To: John and Joyce Harrahy , Janices Home , David Jedlinsky , Joey Lalmond1 , Jay Latulippe , ",Ann McDonald" , Nancy Miller , David Owen , Catherine Poulin , Peter James Bridges , Patricia butterfly , Rebecca Consentino , Winnie and Bob Creed , Bob Dwyer , David Patrick Dwyer , Sarah Fachada , Maria Forger , Scott Gagnon Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-1255179497-918014915=:3408" *** EOOH *** Date: Tue, 2 Feb 1999 20:08:35 -0800 (PST) From: Patricia McDonald Subject: Fwd: Fwd: borap@juno.com: A Good laugh. To: John and Joyce Harrahy , Janices Home , David Jedlinsky , Joey Lalmond1 , Jay Latulippe , ",Ann McDonald" , Nancy Miller , David Owen , Catherine Poulin , Peter James Bridges , Patricia butterfly , Rebecca Consentino , Winnie and Bob Creed , Bob Dwyer , David Patrick Dwyer , Sarah Fachada , Maria Forger , Scott Gagnon Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-1255179497-918014915=:3408" --0-1255179497-918014915=:3408 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline Enjoy Pat note: forwarded msg attached. _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com --0-1255179497-918014915=:3408 Content-Type: message/rfc822 X-Apparently-To: stpat47@yahoo.com via mdd103.yahoomail.com Received: from imo11.mx.aol.com (198.81.17.1) by mta101.yahoomail.com with SMTP; 2 Feb 1999 16:53:46 -0800 Received: from PStrecker@aol.com by imo11.mx.aol.com (IMOv18.1) id WAHJa04329; Tue, 2 Feb 1999 19:42:06 +1900 (EST) From: PStrecker@aol.com Message-ID: <272d8ba7.36b79b5e@aol.com> Date: Tue, 2 Feb 1999 19:42:06 EST To: DKBookBiz@aol.com, MYoungs@aol.com, Pmst133@aol.com, BStrec@concentric.net, JudyHigh@worldnet.att.net, guyww1@juno.com, JPWalker@aol.com, loisdori@citrus.infi.net, Pkot@aol.com, mperry1@hadco.com, PWacaster@aol.com, Onebzymom@aol.com, CandyWon@aol.com, KHagler@juno.com, bksmith@dow.com, BeccaG2@aol.com, hburruss@bellatlantic.net, T2COOLCHUK@aol.com, Chris02@aol.com, stpat47@yahoo.com Mime-Version: 1.0 Subject: Fwd: borap@juno.com: A Good laugh. Content-type: multipart/mixed; boundary="part0_918002526_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 226 Content-Length: 24379 This is a multi-part message in MIME format. --part0_918002526_boundary Content-ID: <0_918002526@inet_out.mail.aol.com.1> Content-type: text/plain; charset=US-ASCII In a message dated 2/2/99 1:24:13 AM Eastern Standard Time, roy-el@juno.com writes: << TECHNOLOGY FOR COUNTRY FOLK: LOG ON: Makin a wood stove hot LOG OFF: Don't add no more wood MONITOR: Keeping an eye on the woodstove DOWNLOAD: Gittin the farwood off the truck MEGA HERTZ: When you're not keerfull gittin the farwood FLOPPY DISC: Whatcha git from tryin to tote too much farwood RAM: That thar thing whut splits the farwood HARD DRIVE: Gittin home in the winter time WINDOWS: Whut to shut when it's cold outside SCREEN: Whut to shut when it's blak fly season BYTE: Whut dem dang flys do CHIP: Munchies fer the TV MICRO CHIP: Whut's in the bottom of the munchie bag MODEM: Whatcha do to the hay fields DOT MATRIX: Old Dan Matrix's wife LAP TOP: Whar the kitty sleeps KEYBOARD: Whar you hang the dang truck keys SOFTWARE: Them dang plastic forks and knifes MOUSE: What eats the grain in the barn MOUSE PAD: That's hippie talk fer the mouse home MAINFRAME: Holds up the barn roof PORT: Fancy Flatlander wine ENTER: Northerner talk fer, "C'Mon in y'all" CLICK: Whut you hear when you cock your gun DOUBLE CLICK: When the dang gun don't far when you pull the trigger REBOOT: Whut you have to do right before bedtime when you forgot the kitty's still outside --part0_918002526_boundary Content-ID: <0_918002526@inet_out.mail.juno.com.2> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline Return-Path: Received: from rly-yb01.mx.aol.com (rly-yb01.mail.aol.com [172.18.146.1]) by air-yb03.mail.aol.com (v56.24) with SMTP; Tue, 02 Feb 1999 01:24:13 -0500 Received: from x15.boston.juno.com (x15.boston.juno.com [205.231.100.28]) by rly-yb01.mx.aol.com (8.8.8/8.8.5/AOL-4.0.0) with ESMTP id BAA23514; Tue, 2 Feb 1999 01:24:12 -0500 (EST) Received: (from roy-el@juno.com) by x15.boston.juno.com (queuemail) id D2FBM347; Tue, 02 Feb 1999 01:23:46 EST To: ANNE1102@OURWEB.NET, AMYJIMRICE@juno.com, PSTRECKER@aol.com, IVYDCBP@PRODIGY.NET Cc: AMYJIM@juno.com, XXXFLSUNXXX@juno.com, Dingraha@aol.com Date: Tue, 2 Feb 1999 01:20:32 -0800 Subject: borap@juno.com: A Good laugh. Message-ID: <19990202.012033.18902.0.ROY-EL@juno.com> X-Mailer: Juno 1.49 X-Juno-Line-Breaks: 0-3,7-618 From: "ESTHER R. ROY" Mime-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit Esther --------- Begin forwarded message ---------- From: borap@juno.com To: tieplate@juno.com, rfbalsdon@aol.com, bittinger@juno.com,xxxflsunxxx@juno.com, scedwards@infoave.net, tkclean@juno.com,rogmare@juno.com, jmccrack@inmar-inc.com, jervel@juno.com,roy-el@juno.com Subject: A Good laugh. Date: Mon, 1 Feb 1999 18:36:20 -0500 Message-ID: <19990201.183621.-986091.2.borap@juno.com> Hi: I recieved this lately and thought that you might enjoy it. Had a good laugh lately, Need a good laugh, Read on: TECHNOLOGY FOR COUNTRY FOLK: LOG ON: Makin a wood stove hot LOG OFF: Don't add no more wood MONITOR: Keeping an eye on the woodstove DOWNLOAD: Gittin the farwood off the truck MEGA HERTZ: When you're not keerfull gittin the farwood FLOPPY DISC: Whatcha git from tryin to tote too much farwood RAM: That thar thing whut splits the farwood HARD DRIVE: Gittin home in the winter time WINDOWS: Whut to shut when it's cold outside SCREEN: Whut to shut when it's blak fly season BYTE: Whut dem dang flys do CHIP: Munchies fer the TV MICRO CHIP: Whut's in the bottom of the munchie bag MODEM: Whatcha do to the hay fields DOT MATRIX: Old Dan Matrix's wife LAP TOP: Whar the kitty sleeps KEYBOARD: Whar you hang the dang truck keys SOFTWARE: Them dang plastic forks and knifes MOUSE: What eats the grain in the barn MOUSE PAD: That's hippie talk fer the mouse home MAINFRAME: Holds up the barn roof PORT: Fancy Flatlander wine ENTER: Northerner talk fer, "C'Mon in y'all" CLICK: Whut you hear when you cock your gun DOUBLE CLICK: When the dang gun don't far when you pull the trigger REBOOT: Whut you have to do right before bedtime when you forgot the kitty's still outside Here's a chuckle. > Pierre and Boudreaux was flying Cajun Airlines. Boudreaux was > flying da plane and Pierre was in da back foolin wit da cargo > equipment an stuff. Da plane hit some turbulence an started bouncin roun= d > an Boudreaux got knock unconscience. Then da plane started driftin. > > Pierre him come run up to da front an Boudreaux was sprawl out over > da steerin wheel. Well, Pierre don't know notin bout flyin an he > start to get panaky. He grab da microphone and holla "May Day! May > Day! Dis is Cajun Air Line 90210. Boudreaux, him knock unconscence an I > don know nutin about flyin dis plane!" > > "Dis is da control tower," someone answer. "Don you worry about nutin. > We gonna splain how fo you to land dis plane, step by step, ah > gar-on-tee! Jus leave arything ta us. Fus, how high are you an whas > you position?" > > Pierre thought a minute, den say, "I'm five foot ten an I'm all da way > to da front of da plane." > > "No! No!" answer da tower. "What's you altitude an where's you > location?" > > Pierre say, "Man ah got a po attitude, an I'm from Thibodeaux!" > > "No! No! No!" came an exasperated voice. "Ah needs to know how many feet > you are off da ground an how you plane's in relation to da airport!" > > Pierre start to panic by dis time. He say, "Countin Boudreaux's an > mine, we got four feet off da ground an I don believe dis plane's > related to you airport!" > > A long pause --- the silence was deafenin. >"We needs to know who you next of kin is...and where to send da flowers. From comedian Stephen Wright 1. Last night I played a blank tape at full blast. The mime next door went nuts. 2. If a person with multiple personalities threatens suicide, is that considered a hostage situation? 3. Just think how much deeper the ocean would be if sponges didn't live there. 4. If a cow laughed, would milk come out her nose? 5. Whatever happened to Preparations A through G? 6. If olive oil comes from olives, where does baby oil come from? 7. I went for a walk last night, and my kids asked me how long I'd be gone. I said, "The whole time." 8. So what's the speed of dark? 9. How come you don't ever hear about gruntled employees? And who has been diss-ing them anyhow? 10. After eating, do amphibians need to wait an hour before getting OUT of the water? 11. Why don't they just make mouse-flavored cat food? 12. If you're sending someone some Styrofoam, what do you pack it in? 13. I just got skylights put in my place. The people who live above me are furious. 14. Why do they sterilize needles for lethal injections? 15. Do they have reserved parking for non-handicapped people at the Special Olympics? 16. Is it true that cannibals don't eat clowns because they taste funny? 17. When a man talks dirty to a woman, its sexual harassment. When a woman talks dirty to a man, it's $3.95 per minute. 18. If it's tourist season, why can't we shoot them? 19. Isn't Disney World a people trap operated by a mouse? 20. Whose cruel idea was it for the word "lisp" to have an "s" in it? 21. Since light travels faster than sound, isn't that why some people appear bright until you hear them speak? 22. How come abbreviated is such a long word? 23. If it's zero degrees outside today and it's supposed to be twice as cold tomorrow, how cold is it going to be? 24. Why do you press harder on a remote-control when you know the battery is dead? 25. Since Americans throw rice at weddings, do Asians throw hamburgers? 26. Why are they called buildings, when they're alreadym finished? Shouldn't they be called builts? 27. Why are they called apartments, when they're all stuck together? 28. Why do banks charge you a "non-sufficient funds fee" on money they know you don't have? 29. If the universe is everything, and scientists say that the universe is expanding, what is it expanding into? 30. If you got into a taxi and the driver started driving backward, would the taxi driver end up owing you money? 31. What would a chair look like if your knees bent the other way? 32. If a tree falls in the forest and no one is around to see it,do the other trees make fun of it? 33. Why is a carrot more orange than an orange? 34. When two airplanes almost collide why do they call it a near miss?It sounds like a near hit to me!! 35. Do fish get cramps after eating? 36. Why are there 5 syllables in the word "monosyllabic"? 37. Why do they call it the Department of Interior when they are in charge of everything outdoors? 38. Why do scientists call it research when looking for something new? 39. If vegetarians eat vegetables, what do humanitarians eat? 40. When I erase a word with a pencil, where does it go? 41. Why is it, when a door is open it's ajar, but when a jar is open, it's not a door? 42. Tell a man that there are 400 billion stars and he'll believe you. Tell him a bench has wet paint and he has to touch it. 43. How come Superman could stop bullets with his chest, but always ducked when someone threw a gun at him? 44. If "con" is the opposite of "pro," then what is the opposite of progress? 45. Why is it lemon juice contains mostly artificial ingredients, but dishwashing liquid contains real lemons? 46. Why buy a product that it takes 2000 flushes to get rid of? 47. Why do we wait until a pig is dead to "cure" it? 48. Why do we wash bath towels? Aren't we clean when we use them? 49. Why do we put suits in a garment bag and put garments in a suitcase? 50. Why doesn't glue stick to the inside of the bottle? 51. Do Roman paramedics refer to IV's as "4's"? 52. What do little birdies see when they get knocked unconscious? 53. Why doesn't Tarzan have a beard? 54. If man evolved from monkeys and apes, why do we still have monkeys and apes? 55. Should you trust a stockbroker who's married to a travel agent? 56. Is boneless chicken considered to be an invertebrate? 57. Do married people live longer than single people, or does it just SEEM longer? 58. I went to a bookstore and asked the saleswoman, "Where's the self-help section?" She said if she told me, it would defeat the purpose. 59. If all those psychics know the winning lottery numbers, why are they all still working? 60. Isn't the best way to save face to keep the lower part shut? 61. War doesn't determine who's right, just who's left. Bill and Hillary are out driving in the country near Hillary's hometown. They are low on fuel, so Bill pulls into a gas station for a fill-up. The attendant comes out and begins to pump gas into the first couple's tank. As he is doing this, he looks into the passenger window. "Hey, Hillary. We used to date in high school, do you remember me?" he asks. They chat for a few minutes, Bill pays and the first couple leaves. As they drive Bill is feeling very proud of himself and looks over at Hillary. "You used to date that guy? Just think what it would be like if you had married him," he says smugly. Hillary looks at Bill and shrugs. The she replies, "Well I guess you'd be pumping gas and he would be the President." Two good old boys are driving down the road one day > enjoying cold bottles of beer. All of a sudden one of them > looks up and sees a roadblock a little ways ahead. > > "Uh-oh, Bubba," he says. "Look up there. They gonna > catch us drinkin' an' drivin'. > > Bubba says, "No worries, man. You just do exackly like I > do. See, finish your beer, peel off the label, and hide the > bottle under the seat. Now stick the label up on your > forehead." > > They pull up to the road block and stop, smiling, with the > beer labels sticking to the middle of their foreheads. > Naturally, the first thing the policeman asks is, "You boys > been drinking?" > > "No sirree, sir!" says Bubba triumphantly; "See, we on the X patch!" Subject: WE ARE NOT PERFECT We are not perfect, but don't worry. We're in good company. Moses stuttered. David's armor didn't fit. Paul rejected John Mark. Hosea's wife was a prostitute. Amos' only training was in the school of fig-tree pruning. Jacob told a lie. David had an affair. Solomon was too rich. Abraham was too old. David was too young. Timothy had stomach problems Peter was afraid of death. John was self-righteous. Paul was a murderer. So was Moses. Jonah ran from God. Miriam was a gossip. Gideon and Thomas both doubted. Jeremiah was depressed and suicidal. Elijah was burned out. John the Baptist had a loudmouth. Samson had long hair. Noah got drunk. Did I mention that Moses had a short fuse? So did Peter, Paul - well, lots of folks did. We all make mistakes, when we make mistakes we can ask for forgiveness. It's our heart condition that Jehovah looks for. Our service to him is the most important part of our lives. >(Young Wisdom-Out of the Mouths of Babes) > >A three-year-old went with his dad to see a litter of kittens. >On returning home, he breathlessly informed his mother there >were two boy kittens and two girl kittens. "How did you know?" > his mother asked. "Daddy picked them up and looked >underneath," he replied. "I think it's printed on the bottom." > >***** >Another three-year old put his shoes on by himself. >His mother noticed the left was on the right foot. >She said, "Son, your shoes are on the wrong feet." >He looked up at her with a raised brow and said, >"Don't kid me, Mom. I KNOW they're my feet." > >***** >On the first day of school, the Kindergarten teacher >said, "If anyone has to go to the bathroom, hold up two >fingers." A little voice from the back of the room asked, >"How will that help?" > >***** >A mother and her young son returned from the grocery >store and began putting away the groceries. The boy >opened the box of animal crackers and spread them >all over the table. "What are you doing?" his mother >asked. "The box says you can't eat them if the seal is >broken," the boy explained. "I'm looking for the seal." > >***** >Can people predict the future with cards? My mother can. >Really? Yes, she takes one look at my report card and >tells me what will happen when my father gets home. > >***** >A father was reading Bible stories to his young son. >He read, "The man named Lot was warned to take his >wife and flee out of the city, but his wife looked back >and was turned to salt." His son asked, "What >happened to the flea?" After the meeting, Johnny tells his parents he has to go and talk to the visiting speaker right away. They agree and the brother greets the = family. "Brother," Johnny says, "I heard you say today that our bodies came from the dust." "That's right, Johnny, I did." "And I heard you say that when we die, our bodies go back to dust." "Yes, I'm glad you were listening. Why do you ask?" "Well you better come over to our house right away and look under my bed 'cause there's someone either comin' or goin'!" Just for laughs A lawyer and a blonde are sitting next to each other on a long flight from LA to NY. The lawyer leans over to her and asks if she would like to play a fun game. The blonde just wants to take a nap, so she politely declined and rolls over to the window to catch a few winks. The lawyer persists and explains that the game is really easy and a lot of fun. He explains "I ask you a question, and if you don't know the answer, you pay me $5, and visa-versa." Again, she politely declines and tries to get some sleep. The lawyer, now somewhat agitated, says, "Okay, if you don't know the answer you pay me $5, and if I don't know the answer, I will pay you $50!" figuring that since she is a blonde that he will easily win the match. This catches the blonde's attention and, figuring that there will be no end to this torment unless she plays, agrees to the game. The lawyer asks the first question. "What's the distance from the earth to the moon?" The blonde doesn't say a word, reaches into her purse, pulls out a five-dollar bill and hands it to the lawyer. Now, it's the blonde's turn. She asks the lawyer "What goes up a hill with three legs, and comes down with four?" The lawyer looks at her with a puzzled look. He takes out his laptop computer and searches all his references. He taps into the Airphone with his modem and searches the Net and the Library of Congress. Frustrated, he sends E-mails to all his coworkers and friends he knows. All to no avail. After over an hour, he wakes the blonde and hands her $50. The blonde politely takes the $50 and turns away to get back to sleep. The lawyer, who is more than a little miffed, wakes the blonde and asks, "Well, so what IS the answer!?" Without a word, the blonde reaches into her purse, hands the lawyer $5, and goes back to sleep. >>A first grade teacher collected well-known proverbs. She gave each >>child in her class the first half of a proverb, and had them come up >>with the rest. Their insight may surprise you... >>-Better to be safe than.....Punch a 5th grader. >>-Strike While the.....Bug is close. >>-It's always darkest before.....Daylight Savings time. >>-Never underestimate the power of.....Termites. >>-You can lead a horse to water but.....how? >>-Don't bite the hand that.....looks dirty. >>-No news is.....impossible. >>-A miss is as good as a .....Mr. >>-You can't teach an old dog new.....math. >>-If you lie down with dogs, you'll.....stink in the morning. >>-Love all, trust.....me. >>-The pen is mightier than the .....pigs. >>-An idle mind is.....The best way to relax. >>-Where there's smoke there's.....Pollution. >>-Happy the bride who.....gets all the presents. >>-A penny saved is.....not much. >>-Two's company, three's.....the Musketeers. >>-Don't put off till tomorrow what.....you put on to go to bed. >>-Laugh and the whole world laughs with you, cry and.....you have to >>blowyour nose. >>-None are so blind as.....Helen Keller. >>-Children should be seen and not.....spanked or grounded. >>-If at first you don't succeed.....get new batteries. >>-You get out of something what you.....see pictured on the box. >>-When the blind leadeth the blind.....get out of the way. (sung to the tune of The Beverly Hillbillies) I Wanna Tell You All A Story About A Brother Named JED Poor Publisher Barely Kept His BIBLE READ Then One Day He Was Working DOOR TO DOOR When Up Come An Elder And Said ''YOU CAN DO MORE!'' SERVICE THAT IS------------ FULL TIME--------------------------- AWAY FROM HERE--------------------- Well, Next Thing You Know Old JED'S A PIONEER His Kinfolk Said: "Jed, Move Away From Here" Said: " New York Is The Place You Oughta Be" So He Loaded Up His Bag And Joined THE FAMILY BETHEL THAT IS---------------- BROOKLYN----------------------------- ( NOT THE FARM)----------------------- Now Here's A Message >From Jed's Ole Kin to YOU: "Sure Like To Have You Fill Out An Application Too" You Might Be Invited To Join THE FAMILY And Have A Heapin' Helpin' OF SPIRITUALITY BROOKLYN BETHELITES--------- THAT'S WHAT THEY CALL THEM NICE FOLKS ''Y'All Take A Tour Now, You Hear?'' Friends, I received the following message from my friend in Cali. I think it's worth paying an attention. THIS INCIDENT HAPPENED AT THE MOVIE THEATER. PLEASE CHECK YOUR CHAIRS WHEN GOING TO THE MOVIE THEATERS!!!! An incident occurred when a friends CO-worker went to sit in a chair and something was poking her. She got up and found that it was a needle with a little note at the end. It said "Welcome to the real world, you're "HIV POSITIVE". Doctors tested the needle and it was "HIV POSITIVE" Be cautious when going to the movies...Please check , one of the safest ways to check is moving the seat part way up & down a few times and REALLY LOOK!!! but NOT sticking your hands between the seats. Most of us plop down in the seats..... The following information was E-mailed to all employees of the Metro Police Dept. on 11/3/98. Pay telephones drug users are now taking their used needles and putting them into the coin return slots in public telephones. People are putting their fingers in to recover coins or just to check if anyone left change. They are getting stuck by these needles and infected with hepatitis, HIV and other diseases. This message is posted to make everyone aware of this danger. Be aware!!! The change isn't worth it! This information came straight from phone company workers, through the EMT instructor. Make sure you share this information with your family and any one else you can!!!! >A man was sleeping at night in his cabin when suddenly he heard avoice >> that trembled like the thunder. It was God's voice and he told theman >> he had work for him to do, and showed him a large rock in front ofhis >> cabin.God explained that the man was to push against the rock withall >> his might. This the man did, day after day. For many years he toiled >> from sun up to sun down, his shoulders set squarely against the cold, >> massive surface of the unmoving rock, pushing with all his might.> >> Each night the man returned to his cabin sore, and worn out, feeling >> that his whole day had been spent in vain. Seeing that the man was >> showing signs of discouragement, the Satan decided to enter >thepicture >> by placing thoughts into the man's weary mind: "You have been pushing >> against that rock for a long time, and it hasn't budged. Why kill >> yourself over this? You are never going to move it." Thus giving the >> man the impression that the task was impossible and that he was a >> failure, these thoughts discouraged and disheartened the man. >"Whykill >> myself over this?" he thought. "I'll just put in my time, giving just >> the minimum effort and that will be good enough."> >> And that he planned to do until one day he decided to make it a matter >> of prayer and take his troubled thoughts to God. "God", he said, "I >> have labored long and hard in your service, putting all my strengthto >> do that which you have asked. Yet, after all this time, I have >noteven >> budged that rock by half a millimeter. What is wrong? Why am I> >failing?"> >> God responded compassionately, "My friend, when I asked you to serveme >> and you accepted, I told you that your task was to push against the >> rock with all your strength, which you have done. Never once did I >> mention to you that I expected you to move it. Your task was to push. >> And now you come to me, with your strength spent, thinking that you >> have failed. But, is that really so?"> >> "Look at yourself. Your arms are strong and muscled, your back sinewed >> and brown, your hands are callused from constant pressure, and your >> legs have become massive and hard. Through opposition you have grown >> much and your abilities now surpass that which you used to have. Yet >> you haven't moved the rock. But your calling was to be obedient andto >> push and to exercise your faith and trust in My wisdom. This you have >> done." "I, my friend, will now move the rock."> >> At times when we read the scriptures, we tend to use our own intellect >> to decipher what He wants, when actually what God wants is justsimple >> obedience and faith in Him....... By all means, exercise the faiththat >> moves mountains, but it is still God who moves the mountains.> > >> South African Bethel --------- End forwarded message ---------- ___________________________________________________________________ You don't need to buy Internet access to use free Internet e-mail. Get completely free e-mail from Juno at http://www.juno.com/getjuno.html or call Juno at (800) 654-JUNO [654-5866] --part0_918002526_boundary-- --0-1255179497-918014915=:3408--  1,, Summary-line: 3-Feb mhpower@MIT.EDU #Re: squid cache server proposal Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01973; Wed, 3 Feb 99 03:30:41 EST Received: from CHARON.MIT.EDU by MIT.EDU with SMTP id AA12695; Wed, 3 Feb 99 03:30:38 EST Received: (from mhpower@localhost) by charon.MIT.EDU (8.7.6/2.3JIK) id DAA21061; Wed, 3 Feb 1999 03:30:44 -0500 Date: Wed, 3 Feb 1999 03:30:44 -0500 From: mhpower@MIT.EDU Message-Id: <199902030830.DAA21061@charon.MIT.EDU> To: mwhitson@MIT.EDU Cc: sipb-machine-room@MIT.EDU, squid@MIT.EDU Subject: Re: squid cache server proposal In-Reply-To: "[0174] in SIPB machine room issues" *** EOOH *** Date: Wed, 3 Feb 1999 03:30:44 -0500 From: mhpower@MIT.EDU To: mwhitson@MIT.EDU Cc: sipb-machine-room@MIT.EDU, squid@MIT.EDU Subject: Re: squid cache server proposal In-Reply-To: "[0174] in SIPB machine room issues" > Digital/Compaq 21164/433au workstation ... > - It will run Digital Unix, NetBSD, Linux, or even OpenVMS ... > ... For a less critical server, having the ability to >install a vanilla copy of the OS and restore from tape backup should >suffice. I'm very much in favor of running NetBSD or Linux on an alpha machine as an alternative to using Solaris. The reasons are mostly the same as I mentioned on January 5 (in [0157]) -- generally that the availability of full source code makes it easier to address a variety of potential problems in the areas of security, maintainability, and performance. I have one NetBSD/alpha machine and four Linux/alpha machines. Of the two, I prefer NetBSD/alpha, but I'd rather not present all the general NetBSD vs. Linux issues in this message. (If you're able to comment on whether you, or other people at MIT, have or might later have access to Digital Unix source code, I'd be very interested in knowing about source-code access possibilities.) Certainly in the case of no source-code access, I do not believe that choosing Digital Unix for new server machines is a good idea. In the past few weeks, there has been what I think is the first-ever public discussion of exploitable buffer overflows in Digital Unix -- for example, see: http://www.mit.edu:8008/menelaus/bt/9221 http://www.mit.edu:8008/menelaus/bt/9256 http://www.mit.edu:8008/menelaus/bt/9306 http://www.mit.edu:8008/bloom-picayune/alpha-osf-managers/1890 There quite likely aren't any yet-discovered security problems that would necessarily affect a web cache server. However, in the early stages of discovery of security holes in operating systems that haven't yet had much previous public security discussion, it is relatively hard to keep up with security patches, to the extent that there could be an operational impact on the stability of the service (and perhaps other machines on the network). One issue that makes this a particular problem for Digital Unix is that, as far as I know, Compaq does not generally provide prompt public access to security patches. With most other Unix vendors, there is public access as soon as a security patch is announced (or, in the case of Sun, typically long before the patch is announced), but with Compaq I think typical delays are on the order of a few to several months. For example, see http://www.ornl.gov/its/archives/mailing-lists/alpha-osf-managers/1998/09/msg00714.html http://www.ornl.gov/its/archives/mailing-lists/alpha-osf-managers/1998/11/msg00000.html (I would definitely be interested in any contrary evidence, i.e., any public patches for new Digital Unix security problems.) At MIT, I think one can usually get Digital Unix patches via the people in N42 who administer the MIT side of Compaq's Education Software Library program -- however, I don't believe they have the resources to obtain patches promptly and make announcements of their availability. For other people at MIT to obtain direct access to the patches costs (last I heard) somewhere over $2000/year per person. It's possible that there might be, for some period of time, an overlap between persons maintaining alpha servers for sipb and persons maintaining alpha servers for another part of IS that can easily get any Digital Unix patches that it wants. However, I don't think it's a good idea for sipb to start operating a Digital Unix server on the belief that this overlap might exist or might continue in place. I'm not "opposed to" Digital Unix. If sipb wanted a Digital Unix office machine for testing your Athena port, looking at the security issues, or whatever else, I think that'd be fine. I personally have to maintain some Digital Unix machines in particular because I have multiprocessor alpha hardware on which neither Linux nor NetBSD runs. Still, I think the current security concerns and Compaq's patch policy make this a bad time to deploy new Digital Unix servers. Matt  1,, Summary-line: 3-Feb stanley.german@db.com #LOOM Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10403; Wed, 3 Feb 99 12:51:03 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA16161; Wed, 3 Feb 99 12:51:21 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id MAA13367; Wed, 3 Feb 1999 12:50:58 -0500 (EST) Date: Wed, 3 Feb 1999 12:50:58 -0500 (EST) Message-Id: <0525670D.00602FD0.00@dbogw1-e1.srv.na.deuba.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: stanley.german@db.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: stanley.german@db.com To: Multiple recipients of list SAVOYNET Subject: LOOM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 3 Feb 1999 12:50:58 -0500 (EST) Reply-To: stanley.german@db.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: stanley.german@db.com To: Multiple recipients of list SAVOYNET Subject: LOOM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Thanks for the welcome. I have been pleasantly surprised by the number of people who remember LOOM, some of them with a degree of affection, others have written asking for more information about this company, its history, etc. I wrote a letter last night that got a little out of hand and turned into an epic. This past weekend marked the anniversery of the death of Raymond Allen, who played the Koko rolls there for over twenty years, and a lot of memories have been knocking around. So, if there is anyone who wants to know, read on. Otherwise, this is a great time to hit the delete button! I'll try to do this as briefly as possible, but things may get a little complex...heaven knows they did in real life! The Light Opera of Manhattan came into being around 1968 in the living room of William Mount-Burke in his apartment located just off Central Park here in New York. He and some musical friends had simply said those magic words, "Wouldn't it be fun if ...." The first performance was a production of PIRATES with cardboard sets and makeshift costumes. The company was made up mostly of music teachers and a few avid G&S fans. Mount-Burke had a delightful sense of style with some off-beat originality and the audience that saw the first production urged him to continue. He borrowed some money, built some very simple sets for PIRATES, PINAFORE and MIKADO and, quite frankly, took his shows on the road, performing for private parties, high school assemblies, etc. with his trusted little band of singers (and a couple of rather brilliant pianists). Somewhere around this time Mount-Burke met Raymond Allen, who had sung with American Savoyards during the 50's and was mentored by Martyn Green. Raymond took on all the Grossmith roles and continued on with "LOOM" until the end. Also added to the team was a young(ish) Broadway dancer named Jerry Gotham who came on board as the assistant director/choreographer/stage manager and would also stay with the company until the end in the late 1980's. The company finally found a home in the basement of the Jan Hus Church on East 74th Street in Manhattan and quickly developed a cult following for their tiny, but brilliantly staged and sung productions, accompanied by now with piano (a savant named Brian Molloy who carried the entire repertoire in his head and never used sheet music after the first rehearsal of any show) and Mount-Burke conducting from the organ and occasionally doubling in percussion, if necessary. The company continued adding G&S to their repertoire until they were performing 7 shows a week, 52 weeks a year. In 1974, Mount-Burke came backstage on a Saturday night and asked for a company meeting immediately after the performance. When the show was over a very bewildered company gathered in the lobby waiting for Mount-Burke, who came in without a word and gestured for the company to follow him. No one knew what he was doing, but they followed him down the block and across the street to the shuttered jewel box theatre called The Eastside Playhouse (actually an extension of the famous Manhattan Theatre Club which opened onto 73rd Street behind). He produced a key, unlocked the theatre, led the company into the tiny mirrored lobby and announced, "Welcome to your new home!" LOOM was soon comfortably settled into their little 280 seat theatre, complete with cracking plaster sculptures and now they continued to grow in popularity in New York. LOOM was the Mecca for the young performers, sometimes they came to auditions with their suitcases! And they were paid a stunning $25 a week to perform 7 shows a week while rehearsing the next to coming shows. (Salaries would actually improve over the coming years, but very few would ever be able to work at LOOM without holding down the proverbial "Day Job".) Usually a production would run for one or two weeks at a time with a change over between the Sunday matinee and the Wednesday matinees with technical and dress rehearsals squeezed in. I had moved to New York in 1975 and immediately became a regular LOOMIE, i.e. at a time when I could barely make enough to pay rent and eat, I could always find money for a balcony seat on Friday night! I dreamed of being able to work there, but their staff seemed solidly in place, so apart from sending them the occasional resume, I remained an enthusiastic audience member. It was around this time that stories of Mount-Burke's psychotic temper fits and drinking bouts began to circulate among people in the business. As it turned out, they were only partially true. Bill had diabetes and had begun to decline rapidly. Occasionally his blood chemistry would simply go awry and he would go into terrible and frightening rages. The drinking was even more false, since alcohol would have killed him outright in his situation, but the truth was much worse: Mount-Burke was going blind at a rapid rate. Around this time (1979, I think) when Bill complained to one of his actors that he was dying of exhaustion and needed someone to take over some of his duties, the actor, who had worked with me in the past, suggested that he get in touch with me, which he did. I was already under contract for the next four months with another company and could not begin work until the following September. By the time I joined the company, Bill had all the G&S operas in rep except UTOPIA and DUKE and had expanded the bill of fare to include the works of Lehar, Friml, Romberg, Herbert, Strauss and Offenbach. Around this time, Mount-Burke completely lost his sight, but was able to stage and direct by memory. Freed from the confines of the printed page, Bill's musical direction soared and a certain brilliance and freedom which he had never had before began to appear. At the same time, his disease began to work on his mind and he became paranoid that someone would try to take the company away from him and he protected himself by freezing all the productions. No one was allowed to vary from the staging in any shape or form and any kind of suggestion of something new was greeted either by withering silence or violent outbursts. Jerry Gotham remained faithful to Bill in this area and, although Jerry had little creative ability himself in terms of staging, he was nothing less than terrifying in his ability to recreate the productions done in the past. Jerry became the standard of the status quo. Ray Allen, on the other hand, remained active as a director and comedian, but refused to rock the boat. Ray was far too comfortable to risk a squall and allowed the company to spiral down into a bog of inertia. I was considerably younger (thank God) and determined to keep the productions from icing over, which resulted in some harsh confrontations with Jerry and occasionally with Bill himself. In the meantime, I had exercised my abilities as an orchestrator and created arrangements for a small ensemble to augment the keyboards. Even so, my relationship with the Jerry continued to deteriorate and I finally resigned, knowing that nothing was ever going to change. About six months later, Bill called me and asked me to return. I made some contractual demands to which he agreed (audibly through clinched teeth) and I went back, actually believing I could make a difference. Bill continued to deteriorate and finally his kidneys failed, he went through an agonising period of dialysis and became weaker and weaker. On the first performance of a production of Princess Ida, Bill conducted the first act, with me at the organ. At the end of the act, he turned to me, handed me his baton and said "It's your show, now." This turned out to be prophetic as he never conducted the company again, although he continued to work from his office at the back of the balcony and maintained strict, if paranoid, control on artistic quality. Once again Jerry Gotham and I had locked horns on a regular basis, and after an old back injury resurfaced and I had been reduced to being carried in and out of the pit, I resigned again. (The house manager told me that a little blue haired lady from New Jersey had grabbed him by the arm and demanded, "I know the other one's blind, but what's wrong with this one?")A few months later Bill obtained a kidney transplant, but died a few days later. The company could have gone on indefinitely, but the East Side Playhouse was sold by its owners to make way for a new apartment building and both the Playhouse and the Theatre Club were to be torn down. LOOM limped from place to place (high school auditoriums, etc.) before settling into the famous Cherry Lane Theatre in Greenwich Village. The theatre sits on a tree lined street away from traffic with cobblestone pavement and gas lamps lining the street. It is very much like stepping through some kind of time portal, and what place could have been better for a Gilbert & Sullivan company, with an occasional Merry Widow or Rose Marie thrown in for good measure. Although the company was perfect for the Cherry Lane, the Cherry Lane was dead wrong for LOOM. The seating capacity was less than 200 and little by little over the years, the company had become completely professional and ultimately unionized. It had now become impossible to make the weekly nut unless every seat was sold for every performance. The situation became hopeless and the theatre was finally padlocked. (In a rare moment of foresight, they managed to get the sets and costumes for a couple of the shows smuggled out of the theatre in the dead of night!) LOOM would perform a few times more, including a heartbreaking two weeks back at The Eastside Playhouse, not yet torn down, and (false) rumors that the theatre might be saved circulated among the faithful. By a really nasty turn of fate, I happened to be walking down East 74th Street on a business errand one afternoon and turned the corner just in time to see the wrecking ball crash through the front facade. I sat on the front steps of the Jan Hus smoking cigarettes for about an hour and watched the lobby go, Bill's office collapse, the auditorium crumble and finally all the rubble come crashing down into what had been my dressing room. I kept waiting for some kind of emotional outburst from myself, but I was emotionally numb. I simply got up and went back to my office. Ray Allen lived into his late 70's (and a little light weight senility) before his death. In a strange twist, Jerry Gotham and I were to meet a few more times and actually be civil, or maybe even friendly, with each other before his sudden death from cancer a few years ago. LOOM was a special memory for everyone who ever worked there, and in many cases for the audience members who remained so very faithful all those years. The rigid discipline exercised there trained many young talents who would go on to stage, television and screen. I know Ray Allen would have been particularly proud of his prodigy Robert Cuciolli, who was nominated for a Tony for his starring role(s) in JECKEL [sp?] AND HYDE on Broadway. I don't believe I've done this. I have always promised that one day I would sit down at a typewriter and sketch out this story, and now I have done it to send to a total stranger. Thanks for your indulgence. And thanks for asking. I'll bet you're sorry you asked, huh. Stan  1,, Summary-line: 3-Feb pstark@furniture.com #RE: LOCALIZATION,WEB,NETWORK,TRANSLATION Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03878; Wed, 3 Feb 99 16:10:18 EST Received: from mail1.furnituresite.com by MIT.EDU with SMTP id AA20854; Wed, 3 Feb 99 16:10:16 EST Received: by mail1.furnituresite.com with Internet Mail Service (5.5.2232.9) id <1HCXRAQC>; Wed, 3 Feb 1999 16:04:55 -0500 Message-Id: <210D83C9C26AD211A2020008C74CCBE7146CA0@mail1.furnituresite.com> From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: LOCALIZATION,WEB,NETWORK,TRANSLATION Date: Wed, 3 Feb 1999 16:04:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: LOCALIZATION,WEB,NETWORK,TRANSLATION Date: Wed, 3 Feb 1999 16:04:54 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Thanks. I thought you'd get a kick out of it. Something was thrown seriously out of whack in my lower back when I had the car accident, and these treatments have helped. I can sit comfortably now, but I can't stand for very long without considerable pain. All this started about a week after the accident; until then, I just felt as thought the muscles were very tight. But it's considerably better than it was. I keep thinking about those auditions for Forum, a show I'd give my eye teeth to do, but I don't think I can manage it. My company is doing a bit better right now, though no one knows what job security will be, because they're hiring VPs by the carload and dumping middle management and sales force people. It's tough when I've overheard that someone is going to be let go and I hear the person talking about how happy he/she is finally to have a job... Plus, our corporate offices are moving to Framingham in a few months. But we've had an infusion of venture capital, so I'm probably safe for the nonce, though not long term. I've had a number of interviews amidst all this, so perhaps I'll find a better paying job. Regards to Ruth. Peter. > -----Original Message----- > From: David C. Jedlinsky [mailto:opus@mit.edu] > Sent: Wednesday, February 03, 1999 4:04 PM > To: Peter Stark > Subject: Re: LOCALIZATION,WEB,NETWORK,TRANSLATION > > > > Hi Peter. > > Cute site. > > Hopefully, the end of the back treatments indicates your return to > pre-accident health? > > -Dave >  1,, Summary-line: 4-Feb jcb@MIT.EDU #Fwd: There's no bidniz... - Forward Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26001; Thu, 4 Feb 99 13:24:22 EST Received: from mermaid.shore.net by MIT.EDU with SMTP id AA04542; Thu, 4 Feb 99 13:24:12 EST Received: from pm4-2-178.port.shore.net (VIOLA) [207.244.111.178] by mermaid.shore.net with smtp (Exim) for gsp-discuss@mit.edu id 108TRc-0003H2-00; Thu, 4 Feb 1999 13:24:08 -0500 To: gsp-discuss@MIT.EDU Subject: Fwd: There's no bidniz... - Forward From: "Jeff Bigler" Sender: jbigler@shore.net X-Zippy: -- In 1962, you could buy a pair of SHARKSKIN SLACKS, with a ``Continental Belt,'' for $10.99!! Reply-To: jcb@MIT.EDU Message-Id: Date: Thu, 4 Feb 1999 13:24:08 -0500 *** EOOH *** To: gsp-discuss@MIT.EDU Subject: Fwd: There's no bidniz... - Forward From: "Jeff Bigler" Sender: jbigler@shore.net X-Zippy: -- In 1962, you could buy a pair of SHARKSKIN SLACKS, with a ``Continental Belt,'' for $10.99!! Reply-To: jcb@MIT.EDU Date: Thu, 4 Feb 1999 13:24:08 -0500 ------- Start of forwarded message ------- [multiple sets of headers deleted] Things that are just never said: By the stage manager: It looks as though there'll be time for a third dress rehearsal. Take your time getting back from break. We've been ready for hours. No, I called that perfectly the first time- let's move on. The headsets are working perfectly. The cue lights are working perfectly. The orchestra has no complaints. The whole company is standing by whenever you want them. That didn't take long. No thanks I don't drink. By the producer: Of course there's enough money to go around. We have money left over. No thanks, I don't drink. By the director: Wow, the designers were right on, weren't they? No, today is the tech rehearsal, we'll re-work that scene later. I think the scene changes are too fast. Of course I think that we'll be ready in time for opening. The crew? Why they're just wonderful! No thanks, I don't drink. By the designers: Of course all of my drawings were turned in on time. Yes, it is absolutely my fault the set looks awful. You know, you might have a point there. The director knows best, obviously I wasn't giving him what he wants. We have too many gel colors in stock, I can't choose. Of course the shop will have the costumes ready on time. No thanks, I don't drink. By the technical director: This is the most complete and informative set of drawings I've ever seen. We built it right the first time. No problem, I'll deal with that right away. I love designers. No thanks, I don't drink. By the singers: Don't...Let's not talk about me. Really, I think my big aria should be cut. This costume is SO comfortable. I love my shoes. No problem. I can do that for myself. I have a fantastic agent. Let me sing down here with my back to the audience. I'm sure someone told me there was a wall here, I just forgot. Without the crew the show would never run; let's thank them. No thanks, I don't drink. By the stage crew: That instrument is not in the way. There's room for that over here. We'll get in early tomorrow to do it. No, no I'm sure that is our job. Anything I can do to help? All the tools are carefully locked away. Can we do that scene change again please? It's a marvelous show. I don't need this many on the crew. No thanks, I don't drink. By the orchestra members: Wow, the strings and the woodwinds are perfectly in tune. The saxophones are fine. In fact they could play louder. This is fine. I have plenty of room. These chairs are amazingly comfortable. This stand light is great. I can see the music perfectly. What a terrific conductor...so clear...so easy to follow. I like sitting in front of the brass section. Then I can properly hear everything they are playing. The air in this orchestra pit is so refreshing. We don't need a break now. Let's keep playing until we finish this act so we can keep the flow going and save time in the long run. What a super dancer. The tempos are rock solid. What a great cast, all able to act and sing so well too! No thanks, I don't drink. By the lawyers: No, please take all the time you need drafting that agreement. My client's in no hurry to get paid - just whenever you get around to it. Sure, we can pay your client without delay. I'm sorry I lost my temper earlier. That's so unlike me. Lunch is on me, I insist. No thanks I don't drink. ------- End of forwarded message -------  1,, Summary-line: 4-Feb stanley.german@db.com #Re: LOOM Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17304; Thu, 4 Feb 99 16:40:45 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11471; Thu, 4 Feb 99 16:40:43 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id QAA01759; Thu, 4 Feb 1999 16:39:57 -0500 (EST) Date: Thu, 4 Feb 1999 16:39:57 -0500 (EST) Message-Id: <0525670E.00761DF3.00@dbogw1-e1.srv.na.deuba.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: stanley.german@db.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: stanley.german@db.com To: Multiple recipients of list SAVOYNET Subject: Re: LOOM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 4 Feb 1999 16:39:57 -0500 (EST) Reply-To: stanley.german@db.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: stanley.german@db.com To: Multiple recipients of list SAVOYNET Subject: Re: LOOM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am going to get a response out on this thing today or die trying! Thank you for your lovely response. I have had to do some deep memory digging to come up with an answer. The woman you are speaking of, I do not remember her name, nor would I use it under these circumstances, was only with the company for a comparatively short period of time. Bill had always hoped that his eyesight would miraculously be restored, and indeed he did have bizarre, taunting little moments when his vision would return for microseconds ... a cruel joke from his body. After he realized that he would not see again, he did indeed hire a number of visually challenged people. Probably no one realized that Vachek Pazdera was almost totally blind and could only see a musical score by holding it six inches from his eyes under bright light with a magnifying glass! To his credit, this never stopped him from learning new parts in a professional and reliable manner! We had a stage manager who was "legally" blind and proved to be probably one of the best, if not the best, stage managers to ever work with the company. Occasionally a barb would rise out of the women's chorus dressing room and one of them was a statement to the effect of "The blind leading the blind leading the blind leading the blind." If you and I are thinking of the same woman, she was the first attempt to put someone with sight problems into a chorus situation. The girls in the chorus, capable of being catty, if not downright nasty, closed ranks and were determined to help this woman through whatever problems might arise. I took some care when coaching the female chorus to make sure that she was keeping up with the rest of the group. As I recall, the voice wasn't bad, but she had come equipped with personal issues of such magnatude as to make her thoroughly unpleasant to work with. We probably botched the job, but frankly the harder we tried to help her, the more acid and unpleasant she became until no one could even try any more. In view of her situation (and Bill's) she was given every opportunity possible, but ultimately she resigned from the company and practically everyone heaved a sigh of relief. I'm sorry to burst your bubble on this matter. HOWEVER: If you had been looking at the other side of the stage that day, you might have been shedding the same tears that the company were shedding -- tears of barely repressed laughter. The story is a little bittersweet. One of the women in the chorus had a hellish homelife: an abusive husband (I think they were married), a drug addicted daughter and God only knows what else. She found solace in two things, singing in the chorus at LOOM and booze. The worst part of it was that she could perform more reliably dead drunk than some of the choristers could cold sober. We were doing Ida, I suspect the run that you referenced above, and Joan (not her real name) arrived at the theatre in the late morning for the rehearsal for the next week's show, before the matinee and final performance of that run of Ida. She was blind, roaring drunk and had absolutely no idea of her own condition. It was a lovely spring day and she went out into the alley by the stage door, sat down in a folding chair someone had left there and promptly passed out. We all just said a tacet prayer that she would sleep through the entire performance and we quiety notified one of the other girls that she would have to say Ada's one line. The factor we had not taken into consideration was that, like several of us who had spent a number of years in a theatre, Joan was a "warhorse". Something in her biological clock goes off when half hour is called and she staggered into the dressing room to put on her makeup and costume for Act I. Joan had actually been with the company from the first Pirates in Bill's living room and no one was about to tell her she could not go on. She needed it too much and although we tactfully suggested that she might want to take the afternoon off, she insisted she would be fine and finished dressing and then toddled up the stairs to the stage. The performance began solidly enough but about ten minutes in I began to hear whispers and subdued giggles behind me in the audience. I prayed I was wrong, but I was not wrong: Joan was functioning perfectly on stage, but it was perfectly obvious that she could not focus on anything in front of her and to make matters worse, when she was standing still, she was weaving -- describing little circles in the air with her head. She looked like she was balancing on some kind of giant spring! Before the second act began we were practically force feeding her black coffee in the dressing room over her protests that she was perfectly fine. By the end of the second act there was NO ONE in the audience who was not riveted on her every move. In the pit we were falling alternately between abject humiliation and stiffled laughter. The company itself was barely above to contain themselves, even more to the delight of the audience. (By the way, at the end of the first act as Gama and the boys were chained up, Bob Cuccioli as Guron held up his chains to (Gama) Raymond Allen and ad libbed a plaintive "Daddy!!". Raymond looked across the stage to the weaving chorus girl and started for his exit returning, "Oh, shut up. I've got problems of my own." By the beginning of the third act, the entire company was in chaos. Ida was barely containing her fury at being constantly upstaged by a drunken chorus girl, the majority of the company was exhausted from holding in laughter and Joan continued to be blissfully unaware that anything was wrong. The coffee we had fed her had, as coffee can sometimes do, actually made matters worse and now she bordering on the incoherent. The curtain went up on Act III with the girls wearing Wagnerian winged helmuts. Somehow on the way to the stage she had bumped into something and had one wing pointing up and one wing pointing down. We had all just about regained our composure when Joan, as Ada, stepped forward from the chorus (still weaving in those tiny little circles) to say, "Please you, ma'am, the band don't feel well and can't come out today!" with a line reading unmatched in a hundred years of G&S history. I am happy to report that the audience disolved into more than a minute of hopeless laughter. Happy, because there was now no one left onstage capable of uttering a sound. The soldiers are bracing themselves with their spears, Ida has turned upstage along with Melissa and Psyche and Lady Blanche is having to support herself against the procenium arch. After an eternity, Gama jumped in with whatever was his next available line to challenge the three princes and turns to Arac (Vachek) to takes a deep breath and repeats Gama's last line word for word. By now, anybody who is not looking at Joan is looking at Vachek who's eyes make it perfectly clear that he is completely at sea with no idea of what to say. (Arac has one line in the entire opera!) Ida has fled the stage and is laughing with tears coming down her face in the wings and we have to start the chorus with no one able to sing. After the sword fight, Ida (Georgia McEver) storms back onto the stage and charges through her lines like a wounded buffalo. Everyone realizes that she is right...there is now no hope of salvaging anything and the only thing we can do now is get the curtain down as quickly as possible and go out for a drink....or maybe take in an Alcoholics Annonymous meeting. We survived to take curtain calls. The audience by now was weak with laughter and we received at least a partial standing ovation! This would be my last IDA (possibly the last IDA) at LOOM and heaven knows we went out with a bang. There are certain memories which one would not trade for anything on earth. Regards Stan doxite@netlabs.net on 02/03/99 07:48:28 PM Please respond to doxite@netlabs.net To: savoynet@bridgewater.edu cc: Subject: Re: LOOM Thanks to Stan for the LOOM story. I lived in Brooklyn for the first twenty years of my life and enjoyed LOOM, both at the Jan Hus and the small theater venue. For a young man of limited means, it was a wonderful bargain to have access to [mostly] the entire canon. I often wondered what happened and feel saddened to learn of the manner of Mount-Burke's decline. When I had first logged on to Savoynet several years ago, I inquired about the very touching performance I'd witnessed of Mount-Burke's staging of "Princess Ida" with a young woman in the chorus, who appeared to be blind. If he was also going blind at the time it is all the more irony, particularly with the following lines: "We are blind, and we would see." and "Endow with sight, Their unillumined eyes" Listening to the blind maiden sing the first line truly caused a big lump to catch in my throat, and tears to glisten on the lids. How say you, Stan? What's the story behind this? Chris Papa  1,, Summary-line: 4-Feb dennisj@charter-ne.com #Family news Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23021; Thu, 4 Feb 99 18:15:52 EST Received: from tics1.charter-ne.com by MIT.EDU with SMTP id AA25892; Thu, 4 Feb 99 18:16:13 EST Received: (from bin@localhost) by tics1.charter-ne.com (8.8.7/8.8.8) id SAA13525 for David Jedlinsky ; Thu, 4 Feb 1999 18:14:20 -0500 (EST) (envelope-from dennisj@charter-ne.com) Date: Thu, 4 Feb 1999 18:14:20 -0500 (EST) Message-Id: <199902042314.SAA13525@tics1.charter-ne.com> Subject: Family news To: David Jedlinsky From: dennis jedlinsky Organization: Charter Communications *** EOOH *** Date: Thu, 4 Feb 1999 18:14:20 -0500 (EST) Subject: Family news To: David Jedlinsky From: dennis jedlinsky Organization: Charter Communications Thought I would update you with what's going on with your two Grandmothers. Gram Pray has to go back to Emory to have an operation on her eye. They found a tumor behind the retina last year & she had a laser procedure done hoping to kill it. But it only partially shrunk and is advancing in the diretion of the optic nerve so they will have to do a bigger operation to take care of it. I think she goes in next Tuesday and will be in the hospital for 5 days. I don't know if I told you, but your Gram J's sister Rosie died of cancer 2 weeks ago in Florida. They only diagnosed it at Thanksgiving but it was so advanced they couldn't treat it at all. Then her sister Patty had to go into the hospital in Cleveland with breathing problems. They drained fluid from around the lungs and then had to put in a chest tube to keep draining fluid building up. They still don't know the cause, but she is also having a problem with her diaphragm that was contributimg to the breathing difficulties. If you get a chance, you might want to give your Grams a call, and drop a card to Patty: Mrs Vernon Hertzing 3118 Ruby Ave Cleveland, OH 44109  1,, Summary-line: 5-Feb mendes@aigfpc.com #FW: Anagrams to Ponder... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18750; Fri, 5 Feb 99 12:21:12 EST Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA07687; Fri, 5 Feb 99 12:21:33 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 108ovn-0003bK-00; Fri, 5 Feb 1999 12:20:41 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 5 Feb 1999 12:19:41 -0500 Message-Id: From: "Mendes, Rica" To: 'Daddy' , 'Amy Allen' , 'Cathlin Davis' , 'Dan J' , 'David Craven' , 'David J' , 'Elizabeth Evans & Peter Emery' , 'Eitan' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'Janice Dallas' , 'Jen Graham' , 'Karen Potasnik' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Marc Shepherd' , 'Marisa Green' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , 'Rafe' , 'Rebecca C' , 'rice' , 'sam silvers' , 'Scott Hale' , 'sinasohn' , 'snyder' , 'sooz' , 'stevemartin' , "'Adina @ Work'" Subject: FW: Anagrams to Ponder... Date: Fri, 5 Feb 1999 12:19:39 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: 'Daddy' , 'Amy Allen' , 'Cathlin Davis' , 'Dan J' , 'David Craven' , 'David J' , 'Elizabeth Evans & Peter Emery' , 'Eitan' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'Janice Dallas' , 'Jen Graham' , 'Karen Potasnik' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Marc Shepherd' , 'Marisa Green' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , 'Rafe' , 'Rebecca C' , 'rice' , 'sam silvers' , 'Scott Hale' , 'sinasohn' , 'snyder' , 'sooz' , 'stevemartin' , "'Adina @ Work'" Subject: FW: Anagrams to Ponder... Date: Fri, 5 Feb 1999 12:19:39 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain These are really good! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products [Rica Mendes-Barry] > Dormitory Dirty Room > > > Desperation A Rope Ends It > > > The Morse Code Here Come Dots > > > Slot Machines Cash Lost in 'em > > > Animosity Is No Amity > > > Mother-in-law Woman Hitler :) > > > Snooze Alarms Alas! No More Z's > > > Alec Guinness Genuine Class > > > Semolina Is No Meal > > > A Decimal Point I'm a Dot in Place > > > Eleven plus Two Twelve plus One > > > Contradiction Accord not in it > > > Princess Diana Ascend in Paris > > > MIND BOGGLER . . . > The statement: > "That's one small step for a man, one giant leap for mankind." Neil > Armstrong > > The anagram: > "Thin man ran; makes a large stride, left planet, pins flag on Moon! > On to Mars!" > > > >  1,, Summary-line: 5-Feb awaugh@MIT.EDU #Spring production Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28984; Fri, 5 Feb 99 15:25:39 EST Received: from MIT.MIT.EDU by MIT.EDU with SMTP id AA14175; Fri, 5 Feb 99 15:25:51 EST Received: from WAUGH.MIT.EDU by MIT.MIT.EDU (5.61/4.7) id AA29596; Fri, 5 Feb 99 15:25:17 EST X-Sender: awaugh@hesiod Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 5 Feb 1999 15:29:58 -0400 To: mitcp@MIT.EDU From: Alice Waugh Subject: Spring production *** EOOH *** X-Sender: awaugh@hesiod Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 5 Feb 1999 15:29:58 -0400 To: mitcp@MIT.EDU From: Alice Waugh Subject: Spring production Hi everyone, After a very successful reading and discussion on Wednesday of "She Stoops to Conquer" by Oliver Goldsmith, the board voted to have Claire Hoult direct this play for the MIT Community Players' spring production. It's a clever comedy written around 1760, with a cast of six men and four women, plus a few bit parts. A script can be downloaded for free from this web site: http://www.gutenberg.net/_authors/goldsmith_oliver_.html#shestoopstoconquer Performance dates are May 6-8, 1999 in Kresge Little Theater (at last!). Auditions will be on Wednesday and Thursday, Feb. 17-18, from 6:30-9:30pm in Rm 1-135. There will be another notice about this next week. Theatrically yours, Alice Waugh (Producer and MITCP president)  1,, Summary-line: 6-Feb Barnswalow@aol.com #Concordances in Gilbert and Sullivan Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05152; Sat, 6 Feb 99 23:21:06 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA05831; Sat, 6 Feb 99 23:21:27 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id XAA24456; Sat, 6 Feb 1999 23:20:29 -0500 (EST) Date: Sat, 6 Feb 1999 23:20:29 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Barnswalow@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Barnswalow@aol.com To: Multiple recipients of list SAVOYNET Subject: Concordances in Gilbert and Sullivan Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 3.0 16-bit for Windows sub 86 *** EOOH *** Date: Sat, 6 Feb 1999 23:20:29 -0500 (EST) Reply-To: Barnswalow@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Barnswalow@aol.com To: Multiple recipients of list SAVOYNET Subject: Concordances in Gilbert and Sullivan Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 3.0 16-bit for Windows sub 86 Apologies if this topic has already graced your screen, but to all of you who may be interested: I just found a website that may interest many of you: http://www.concordance.com As far as I can tell, all of the play of Gilbert and Sullivan are referenced on this site. One enters a word, and one is given the number of times it appears in the canon. For instance, according to this site, the word "anon" appears 3 times in the complete works of Gilbert and Sullivan. (I'm not sure if Thespis is included.) Deb aka Princssida@aol.com  1,, Summary-line: 7-Feb zacheiss@MIT.EDU #Re: recording Yeomen? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11992; Sun, 7 Feb 99 13:59:22 EST Received: from SHOCK-TREATMENT.MIT.EDU by MIT.EDU with SMTP id AA25432; Sun, 7 Feb 99 13:59:17 EST Received: by shock-treatment.mit.edu (SMI-8.6/4.7) id NAA11940; Sun, 7 Feb 1999 13:59:18 -0500 Message-Id: <199902071859.NAA11940@shock-treatment.mit.edu> To: "David C. Jedlinsky" Cc: yeomen@MIT.EDU Subject: Re: recording Yeomen? In-Reply-To: Your message of "Sun, 31 Jan 1999 15:03:26 EST." <199901312003.PAA11647@charon.MIT.EDU> Date: Sun, 07 Feb 1999 13:59:18 EST From: Garry Zacheiss *** EOOH *** To: "David C. Jedlinsky" Cc: yeomen@MIT.EDU Subject: Re: recording Yeomen? In-Reply-To: Your message of "Sun, 31 Jan 1999 15:03:26 EST." <199901312003.PAA11647@charon.MIT.EDU> Date: Sun, 07 Feb 1999 13:59:18 EST From: Garry Zacheiss Hi Dave, Sorry for taking so long to get back to you. We're fine with you taping the first weekend of the show ; we know it's going to be perfect by then. :-) If you're still available, we'd love to reserve your time for that weekend. Garry  1,, Summary-line: 7-Feb jmfarron@vais.net #Re: inquiry about The Rose of Persia Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01262; Sun, 7 Feb 99 16:03:21 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20671; Sun, 7 Feb 99 16:03:30 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id QAA17349; Sun, 7 Feb 1999 16:02:19 -0500 (EST) Date: Sun, 7 Feb 1999 16:02:19 -0500 (EST) Message-Id: <3.0.32.19990207155645.0082a3c0@mail.vais.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: Re: inquiry about The Rose of Persia Mime-Version: 1.0 Content-Type: text/enriched; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) *** EOOH *** Date: Sun, 7 Feb 1999 16:02:19 -0500 (EST) Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: Re: inquiry about The Rose of Persia Mime-Version: 1.0 Content-Type: text/enriched; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) Ron Orenstein and I each have copies of this piano/vocal score and we are using them to produce a Rose of Persia Web Opera. Ron has produced MIDI files of the entire first act, and the Web Opera is coming along well. You can see and hear it at: http://diamond.idbsu.edu/gas/rose/webopera/operhome.html. --Jim Farron At 03:49 PM 2/7/99 -0500, you wrote: >As a SAVOYNET member particularly interested in Sullivan's "other >music", I would greatly appreciate any information regarding the >whereabouts of a complete piano score to Sullivan and Hood's The Rose of >Persia . Thank you. Fred Hughes > > ----------------------------------------------------------------------- Jim Farron, Springfield, VA < Gilbert and Sullivan Archive == http://diamond.idbsu.edu/GaS/GaS.html U. S. Office of Personnel Management == http://www.opm.gov Washington Area Butterfly Club = http://www.vais.net/butterfly -----------------------------------------------------------------------  1,, Summary-line: 8-Feb jpoore@infodir.com #FW: Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15027; Mon, 8 Feb 99 13:25:45 EST Received: from [209.130.181.49] by MIT.EDU with SMTP id AA14450; Mon, 8 Feb 99 13:26:01 EST Received: by MAUI with Internet Mail Service (5.5.1960.3) id <1JYRG08Y>; Mon, 8 Feb 1999 13:18:38 -0500 Message-Id: <31ACB194930FD211BD17006008C3EFA8010129@MAUI> From: Jeffrey Poore To: "'apo-pftgoto@mit.edu'" , "'sipb-soc@mit.edu'" , "'jpoore@rochester.sgi.com'" , "'jpooreiii@aol.com'" Subject: FW: Date: Mon, 8 Feb 1999 13:18:37 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: Jeffrey Poore To: "'apo-pftgoto@mit.edu'" , "'sipb-soc@mit.edu'" , "'jpoore@rochester.sgi.com'" , "'jpooreiii@aol.com'" Subject: FW: Date: Mon, 8 Feb 1999 13:18:37 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Free Stock Giveaway! ---- forwarded message ----- Subject: FW: FREE STOCK! All, Here is something that I thought might interest all you investors. For those of you who follow stocks Yahoo (YHOO) eclipsed $400.00/share a few weeks ago. When this company was just starting out they gave away stock as a promotional item. Nice to have been a part of that, right? Well, it's happening again. The company Exit23B is giving away stock (10,000 shares!), pre-IPO. Well this may be a chance you want to take - the cost is minimal, as in 1 minute of your time. Go to this web site http://www.exit23b.com/ and fill out the form. Please put my email address in the REFERRAL Box: mbewley@hotmail.com Thanks! Bewley ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com  1,, Summary-line: 8-Feb seph@MIT.EDU #FORW: Internet Fraud and the Future of Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01200; Mon, 8 Feb 99 17:30:27 EST Received: from BOBBI-HARLOW.MIT.EDU by MIT.EDU with SMTP id AA21589; Mon, 8 Feb 99 17:25:41 EST Received: by bobbi-harlow (8.8.8+Sun/4.7) id RAA00779; Mon, 8 Feb 1999 17:25:16 -0500 (EST) Date: Mon, 8 Feb 1999 17:25:16 -0500 (EST) Message-Id: <199902082225.RAA00779@bobbi-harlow> From: Joseph Sokol-Margolis To: sipb-soc@MIT.EDU Subject: FORW: Internet Fraud and the Future of *** EOOH *** Date: Mon, 8 Feb 1999 17:25:16 -0500 (EST) From: Joseph Sokol-Margolis To: sipb-soc@MIT.EDU Subject: FORW: Internet Fraud and the Future of ------- Forwarded transaction Date: Mon, 8 Feb 1999 08:20:48 -0500 From: Robert Hettinga Subject: DCSB: Jonathan Rusch, USDOJ; Internet Fraud and the Future of Digital Commerce Reply-To: Robert Hettinga -----BEGIN PGP SIGNED MESSAGE----- The Digital Commerce Society of Boston Presents Jonathan Rusch Special Counsel for Fraud Prevention U.S. Department of Justice Internet Fraud and the Future of Digital Commerce Tuesday, March 2nd, 1999 12 - 2 PM The Downtown Harvard Club of Boston One Federal Street, Boston, MA As e-commerce aspires to reach the trillion-dollar level early in the next century, one factor that could adversely affect its growth is the strength of consumer confidence in the security and privacy of online transactions. Fraud on the Internet, however, includes far more than just the risk of unauthorized "data harvesting" of credit card numbers or other valuable data. Reports to consumer organizations and government agencies reveal a wide range of fraudulent schemes that, in offline form, are familiar to law enforcement authorities: securities market manipulations, sales of computer hardware and software, prizes and sweepstakes, to name but a few. This talk will identify some of the more substantial challenges that Internet fraud, in all its forms, poses for law enforcement and the private sector, and discuss some of the measures that can be taken to address Internet fraud and foster consumer confidence in the Net. Jonathan J. Rusch is Special Counsel for Fraud Prevention in the Fraud Section of the Criminal Division at the U.S. Department of Justice in Washington, D.C. He serves as the Department of Justice's national coordinator on Internet fraud, chairing the Telemarketing and Internet Fraud Working Group and co-chairing the Internet Securities Fraud Subcommittee of the Securities and Commodities Fraud Working Group. Mr. Rusch has been one of the Department of Justice's leading white-collar crime prosecutors, and received the Attorney General's Distinguished Service Award in 1995 for his work on the House Bank scandal. He received his A.B. degree with honors from Princeton University, and his M.A. and J.D. degrees from the University of Virginia. This meeting of the Digital Commerce Society of Boston will be held on Tuesday, March 2, 1999, from 12pm - 2pm at the Downtown Branch of the Harvard Club of Boston, on One Federal Street. The price for lunch is $32.50. This price includes lunch, room rental, various A/V hardware, and the speakers' lunch. The Harvard Club *does* have dress code: jackets and ties for men (and no sneakers or jeans), and "appropriate business attire" (whatever that means), for women. Fair warning: since we purchase these luncheons in advance, we will be unable to refund the price of your lunch if the Club finds you in violation of the dress code. We need to receive a company check, or money order, (or, if we *really* know you, a personal check) payable to "The Harvard Club of Boston", by Saturday, February 30th, or you won't be on the list for lunch. Checks payable to anyone else but The Harvard Club of Boston will have to be sent back. Checks should be sent to Robert Hettinga, 44 Farquhar Street, Boston, Massachusetts, 02131. Again, they *must* be made payable to "The Harvard Club of Boston", in the amount of $32.50. Please include your e-mail address, so that we can send you a confirmation If anyone has questions, or has a problem with these arrangements (We've had to work with glacial A/P departments more than once, for instance), please let us know via e-mail, and we'll see if we can work something out. We are actively searching for future speakers. If you are in Boston on the first Tuesday of the month, and you would like to make a presentation to the Society, please send e-mail to the DCSB Program Commmittee, care of Robert Hettinga, . For more information about the Digital Commerce Society of Boston, send "info dcsb" in the body of a message to . If you want to subscribe to the DCSB e-mail list, send "subscribe dcsb" in the body of a message to . We look forward to seeing you there! Cheers, Robert Hettinga Moderator, The Digital Commerce Society of Boston -----BEGIN PGP SIGNATURE----- Version: PGP for Personal Privacy 5.5.5 iQEVAwUBNr7fk8UCGwxmWcHhAQF+HAf/aA22i5p042T7FG0uj/RvrUWvLl+v2fam UT7WYLoERs8dFgG44UIETEEXE1v/wOCPlyBoEyIh79OGoyGGBq529MKmVmxSBVyn eoayGHBVkxBZBobFChPYEjf1K1pskiGnTT0+aQtUUMC6bsuCskoN4r+R5u9JLoJP x1k6K5DoBjOAE2+bvsp2Czjs32QGxTToD3QmcB0SwFcpjlyyMT9ZyrGej0ZtA/da nuVBPoqWBB1wuYXtMq9y/h59/ZWCWWenTlDI6QfJVATTLdz0mt+Ts7XN/A96XfCk /h8NlDpHdrp1Cjc8UDdAcw6ghRpMcZEcXRwRH13nII1i5YxzvHGopg== =Z10n -----END PGP SIGNATURE----- ----------------- Robert A. Hettinga Philodox Financial Technology Evangelism 44 Farquhar Street, Boston, MA 02131 USA "... however it may deserve respect for its usefulness and antiquity, [predicting the end of the world] has not been found agreeable to experience." -- Edward Gibbon, 'Decline and Fall of the Roman Empire' ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ --- end forwarded text  1,, Summary-line: 9-Feb mendes@aigfpc.com #FW: Company Memo Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29345; Tue, 9 Feb 99 14:47:57 EST Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA17722; Tue, 9 Feb 99 14:48:18 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 10AJ8O-0005pH-00; Tue, 9 Feb 1999 14:47:49 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 9 Feb 1999 14:47:46 -0500 Message-Id: From: "Mendes, Rica" To: 'Daddy' , "Patane, Corrine" , 'David J' , 'Dan J' , 'Eitan' , 'Lavina' , 'Lelia' , 'Lisa Blocher' , "'Phil @ Home'" , 'sooz' , 'stevemartin' , "'Adina @ Work'" , "Christ-Janer, Katherine" Subject: FW: Company Memo Date: Tue, 9 Feb 1999 14:47:44 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: 'Daddy' , "Patane, Corrine" , 'David J' , 'Dan J' , 'Eitan' , 'Lavina' , 'Lelia' , 'Lisa Blocher' , "'Phil @ Home'" , 'sooz' , 'stevemartin' , "'Adina @ Work'" , "Christ-Janer, Katherine" Subject: FW: Company Memo Date: Tue, 9 Feb 1999 14:47:44 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Not for the language-sensitive... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > It has been brought to management's attention that some individuals > throughout the company have been using foul language during the course > of > normal conversation with their coworkers. Due to complaints received > from > some employees who may be easily offended, this type of language will > no > > longer be tolerated. > > We do however, realize the critical importance of being able to > accurately express your feelings when communicating with coworkers, > therefore, a list of TRY SAYING new phrases has been provided so that > proper exchange of ideas and information can continue in an effective > manner without risk of > offending our more sensitive employees. > > > > TRY SAYING: Perhaps I can work late. > > > > INSTEAD OF: When the fuck do you expect me to do this? > > > > > > > > TRY SAYING: I'm certain that is not feasible. > > > > INSTEAD OF: No fucking way. > > > > > > > > TRY SAYING: Really? > > > > INSTEAD OF: You've got to be shitting me. > > > > > > > > TRY SAYING: Perhaps you should check with ... > > > > INSTEAD OF: Tell someone who gives a shit. > > > > > > > > TRY SAYING: Of course I'm concerned > > > > INSTEAD OF: Ask me if I give a shit. > > > > > > > > TRY SAYING: I wasn't involved in that project. > > > > INSTEAD OF: Its not my fucking problem. > > > > > > > > TRY SAYING: That's interesting. > > > > INSTEAD OF: What the fuck?!?! > > > > > > > > TRY SAYING: I'm not sure I can implement this. > > > > INSTEAD OF: Fuck it, it won't work. > > > > > > > > TRY SAYING: I'll try to schedule that. > > > > INSTEAD OF: Why the hell didn't you tell me sooner? > > > > > > > > TRY SAYING: Are you sure this is a problem? > > > > INSTEAD OF: Who the fuck cares? > > > > > > > > TRY SAYING: He's not familiar with the problem. > > > > INSTEAD OF: He's got his head up his ass. > > > > > > > > TRY SAYING: Excuse me sir? > > > > INSTEAD OF: Eat shit and die motherfucker. > > > > > > > > TRY SAYING: So you weren't happy with it? > > > > INSTEAD OF: Kiss my ass. > > > > > > > > TRY SAYING: I'm a bit overloaded at this moment. > > > > INSTEAD OF: Fuck it, I'm on salary. > > > > > > > > TRY SAYING: I don't think you understand. > > > > INSTEAD OF: Shove it up your ass. > > > > > > > > TRY SAYING: I love a challenge. > > > > INSTEAD OF: This job sucks. > > > > > > > > TRY SAYING: You want me to take care of that? > > > > INSTEAD OF: Who the hell died and made you boss? > > > > > > > > TRY SAYING: I see. > > > > INSTEAD OF: Blow me. > > > > > > > > TRY SAYING: Yes, we really should discuss it. > > > > INSTEAD OF: Another fucking meeting!!!! > > > > > > > > TRY SAYING: I don't think this will be a problem. > > > > INSTEAD OF: I really don't give a shit. > > > > > > > > TRY SAYING: He's somewhat insensitive. > > > > INSTEAD OF: He's a fucking prick. > > > > > > > > TRY SAYING: She's an aggressive go getter. > > > > INSTEAD OF: She's a ball busting bitch. > > > > > > > > TRY SAYING: I think you could use more training. > > > > INSTEAD OF: You don't know what the fuck you're doing. > > > > > >  1,, Summary-line: 9-Feb rac@bu.edu #Re: Dinner? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04407; Tue, 9 Feb 99 16:09:53 EST Received: from ACS5.BU.EDU by MIT.EDU with SMTP id AA19688; Tue, 9 Feb 99 16:09:48 EST Received: from localhost (rac@localhost) by acs5.bu.edu ((8.8.8.buoit.b5.ACS)/) with SMTP id QAA68522 for ; Tue, 9 Feb 1999 16:09:51 -0500 Date: Tue, 9 Feb 1999 16:09:51 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Dinner? In-Reply-To: <199902092107.QAA17701@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 9 Feb 1999 16:09:51 -0500 (EST) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Dinner? In-Reply-To: <199902092107.QAA17701@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII i have to work until 8:30 or so. I just had some ice cream; does that count as dinner? you could always bring me something... I'll be late. :o) On Tue, 9 Feb 1999, David C. Jedlinsky wrote: > > What are you doing for dinner tonight before rehearsal? > > Or are you skipping rehearsal again? >  1, answered,, Summary-line: 11-Feb David.Withee@gte.net #FW: Quiz Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10284; Thu, 11 Feb 99 08:27:16 EST Received: from mail1.gte.net by MIT.EDU with SMTP id AA19994; Thu, 11 Feb 99 08:27:40 EST Received: from gte.net (1Cust168.tnt3.new-orleans.la.da.uu.net [208.250.14.168]) by mail1.gte.net with SMTP id HAA08754 for opus@mit.edu; Thu, 11 Feb 1999 07:28:35 -0600 (CST) Message-Id: <199902111328.HAA08754@mail1.gte.net> Date: Thu, 11 Feb 99 07:24:11 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: Quiz Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 11 Feb 99 07:24:11 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: Quiz Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit >> >>QUIZ >> >>This is a quiz written by Einstein last century. He said that 98 % of the >>people in the world cannot solve the quiz (doesn't say how long you have >>though). Are you among the other 2 % ? >>Facts: >>1. There are 5 houses in different colours. >>2. In each house lives a person with a different nationality. >>3. These 5 owners drink a certain beverage, smoke a certain brand of cigar >>and keep a certain pet. >>4. No owners have the same pet, smoke the same brand of cigar or drink the >>same beverage. >> >> >>Hints: >>1. The Brit lives in a red house >>2. The Swede keeps dogs as pets >>3. The Dane drinks tea >>4. The green house is on the left of the white house >>5. The green house owner drinks coffee >>6. The person who smokes Pall Mall rears birds >>7. The owner of the yellow house smokes Dunhill >>8. The man living in the house right in the centre drinks milk >>9. The Norwegian lives in the first house >>10. The man who smokes Blend lives next to the one who keeps cats >>11. The man who keeps horses lives next to the man who smokes Dunhill >>12. The owner who smokes Blue Master drinks beer >>13. The German smokes Prince >>14. The Norwegian lives next to the blue house >>15. The man who smokes Blend has a neighbor who drinks water >> >>THE QUESTION IS: Who keeps fish? >> >>THIS IS NOT A TRICK QUESTION. To solve it, use the process of elimination. >> >>Good Luck! >> > Dave, hope you enjoy the various E-Mails. Dad sent his answer to this one to us. See what you come up with. Di  1,, Summary-line: 11-Feb cjsmith@MIT.EDU #dinnermusic Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02281; Thu, 11 Feb 99 23:15:05 EST Received: from DEPARTMENT-OF-ALCHEMY.MIT.EDU by MIT.EDU with SMTP id AA20400; Thu, 11 Feb 99 23:14:57 EST Received: by department-of-alchemy.mit.edu (8.8.7/4.7) id XAA02858; Thu, 11 Feb 1999 23:15:02 -0500 (EST) Message-Id: <199902120415.XAA02858@department-of-alchemy.mit.edu> To: dinner@MIT.EDU Subject: dinnermusic Date: Thu, 11 Feb 1999 23:15:02 EST From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU Subject: dinnermusic Date: Thu, 11 Feb 1999 23:15:02 EST From: CarolYN J Smith OK, I've changed the name of the dinnerconcert list to dinnermusic/index.html I've given the following people write access to it (note I can only give people who are also known in the sipbcell for reasons that I dont fully understand--ask Ken!) jcb nlgilman jtkohl opus dcctdw wesommer mcmullan tytso So you can now all add your concerts on your own, please try to keep each entry reasonably brief...(and I reserve the right to edit as I see fit, but I probably wont do much of that). Anyone who isnt on that list who wants access let me know, if you are in the sipb world I can add you, if not you'll have to email me your concert announcements and let me add them... --cyn  1, answered,, Summary-line: 12-Feb AAllen@welchs.com #RE: TGI freakin' F Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02055; Fri, 12 Feb 99 11:05:10 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA29278; Fri, 12 Feb 99 11:05:33 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id LAA26681; Fri, 12 Feb 1999 11:08:07 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id <1VL3NXQY>; Fri, 12 Feb 1999 11:06:37 -0500 Message-Id: From: "Allen, Amy" To: "'Rebecca A. Consentino'" Cc: "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: RE: TGI freakin' F Date: Fri, 12 Feb 1999 11:06:31 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain *** EOOH *** From: "Allen, Amy" To: "'Rebecca A. Consentino'" Cc: "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: RE: TGI freakin' F Date: Fri, 12 Feb 1999 11:06:31 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain Becca, I don't know how you did this, but you are full of shit. I didn't send this message, Scott and Dave. Becca is being a complete jerk. A > -----Original Message----- > From: Allen, Amy [SMTP:AAllen@welchs.com] > Sent: Friday, February 12, 1999 10:33 AM > To: 'Rebecca A. Consentino' > Cc: 'scott@hup.harvard.edu'; 'opus@mit.edu' > Subject: RE: TGI freakin' F > > Okay, I admit it. Lonnie sent the flowers. Todd is openly courting me, > and Stefan's afraid of him. > > And Dave's the most wonderful person in the world, why did I ever pick > on him? Can you ever forgive me? > > > -----Original Message----- > > From: Rebecca A. Consentino [SMTP:rac@bu.edu] > > Sent: Friday, February 12, 1999 10:29 AM > > To: Allen, Amy > > Cc: 'scott@hup.harvard.edu'; 'opus@mit.edu' > > Subject: RE: TGI freakin' F > > > > Who? TL? > > > > Your future self? > > > > Tell us! ;o) > > > > On Fri, 12 Feb 1999, Allen, Amy wrote: > > > > > WAHOO. > > > > > > I just got a dozen red roses sent to me from you know who. > > > > > > YAY! > > > > > > > > > > -----Original Message----- > > > > From: Rebecca A. Consentino [SMTP:rac@bu.edu] > > > > Sent: Friday, February 12, 1999 10:22 AM > > > > To: Allen, Amy > > > > Cc: 'scott@hup.harvard.edu'; 'opus@mit.edu' > > > > Subject: Re: TGI freakin' F > > > > > > > > Hi everyone -- I'm here, albeit tres briefly. > > > > > > > > :o) Becca > > > > > > > > On Fri, 12 Feb 1999, Allen, Amy wrote: > > > > > > > > > Hey there everyone! > > > > > > > > > > Hope you are all as excited that it's Friday as I am... > > > > > > > > > > Scott: We still need to talk about plans for tomorrow night. > > > > > When/where/how... > > > > > > > > > > Becca: E-mail me! > > > > > > > > > > Opus: Did you fall off the face of the earth?? > > > > > > > > > > Amy E. Allen > > > > > aallen@welchs.com > > > > > > > > > > > > > > > > > > > > > > >  1,, Summary-line: 12-Feb AAllen@welchs.com #RE: TGI freakin' F Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10250; Fri, 12 Feb 99 12:42:57 EST Received: from charity.harvard.net by MIT.EDU with SMTP id AA03848; Fri, 12 Feb 99 12:43:21 EST Received: from mail.welchs.com (mail.welchs.com [207.180.67.19]) by charity.harvard.net (8.8.7/8.8.7) with ESMTP id MAA08362; Fri, 12 Feb 1999 12:43:50 -0500 (EST) Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id <1VL3NXZJ>; Fri, 12 Feb 1999 12:44:27 -0500 Message-Id: From: "Allen, Amy" To: "'rac@bu.edu'" Cc: "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: RE: TGI freakin' F Date: Fri, 12 Feb 1999 12:44:26 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain *** EOOH *** From: "Allen, Amy" To: "'rac@bu.edu'" Cc: "'scott@hup.harvard.edu'" , "'opus@mit.edu'" Subject: RE: TGI freakin' F Date: Fri, 12 Feb 1999 12:44:26 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain Becca, you freaking little hacker, I don't know how you are doing this, but technically, I could report you to my IS department for fraud. Just think about that. Until you recind these e-mails and tell everyone they weren't really from me, then I refuse to write another e-mail to you. EVER. And another thing: Anyone who knows me KNOWS I would never write this: You are a goddess and I worship you. Regards, Amy > -----Original Message----- > From: Allen, Amy [SMTP:AAllen@welchs.com] > Sent: Friday, February 12, 1999 12:13 PM > To: 'Rebecca A. Consentino' > Cc: 'scott@hup.harvard.edu'; 'opus@mit.edu' > Subject: RE: TGI freakin' F > > Becca, I'm so sorry to have accused you of faking email from me. I'm > scared of this alter ego, and want it to go away. > > You are a goddess and I worship you. > > A > > > -----Original Message----- > > From: Allen, Amy [SMTP:AAllen@welchs.com] > > Sent: Friday, February 8, 2019 10:33 AM > > To: 'Allen, Amy' > > Subject: Warning from the future! > > > >Amy, this is your future self, trying to make my own life better. > >You see, I'm still stuck in this dead-end job at Welchs (though they > >now sell Swamp Muck, mmmGood!) My therapy is almost complete after 20 > >years, but believe me, you don't want to go through it if you can > >avoid it. > > > >The problem is, your schizophrenia that started in Ruddigore at MIT > >got so bad that you were committed in June of 1999. Your friends were > >getting strange emails, which you vehemently denied sending. It turns > >out you did send them, only it was an alter ego of yours, so you > >didn't remember doing it. > > > >My doctor says that if you can reduce the stress in your life now, you > >might be able to prevent this from happening. Please make up with > >Becca and Dave now, for your own sake! > > > >Love, > > > >A > > > >  1,, Summary-line: 13-Feb goodmanj@MIT.EDU #Hotels near my home Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04375; Sat, 13 Feb 99 00:04:01 EST Received: from AMPERSAND.MIT.EDU by MIT.EDU with SMTP id AA28182; Sat, 13 Feb 99 00:03:53 EST Received: by ampersand.mit.edu (8.8.8/4.7) id AAA00295; Sat, 13 Feb 1999 00:03:59 -0500 (EST) Message-Id: <199902130503.AAA00295@ampersand.mit.edu> To: opus@MIT.EDU, rls@dimins.com Subject: Hotels near my home Date: Sat, 13 Feb 1999 00:03:59 EST From: Jason Goodman *** EOOH *** To: opus@MIT.EDU, rls@dimins.com Subject: Hotels near my home Date: Sat, 13 Feb 1999 00:03:59 EST From: Jason Goodman There are no hotels in Kilauea (thank goodness); the nearest resort area is called Princeville, and is located 10-15 minutes away. Princeville is long on condos and higher-end hotels; if you're looking for something cheaper, you might find something on the East shore. The other major resort area on Kauai is Poipu, which is on the other side of the island, about a 45 minute drive away. And the North Shore (where I live) is prettier anyway.  1,, Summary-line: 17-Feb hriswebster@ndirect.co.uk #Vintage CDs Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17390; Wed, 17 Feb 99 09:10:05 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA02750; Wed, 17 Feb 99 09:09:51 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id JAA18743; Wed, 17 Feb 1999 09:09:30 -0500 (EST) Date: Wed, 17 Feb 1999 09:09:30 -0500 (EST) Message-Id: <199902171356.NAA06996@sioux.hosts.netdirect.net.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Vintage CDs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Wed, 17 Feb 1999 09:09:30 -0500 (EST) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Vintage CDs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 Dear All, I just want to take this opportunity to remind you about my historic G&S recordings on CD, and also to drop a wee hint about a future release which will be of great interest The G&S titles currently available are: The 1922-23 HMV recording of HMS PINAFORE, price #15 (UK), or $26 (US), The 1921 HMV recording of PATIENCE, price #15 (UK), or $26 (US), and The 1938 film soundtrack of THE MIKADO, price #10 (UK), or $17 (US). Also of interest to G&S lovers may be: The 1918 AND 1931 recordings of MERRIE ENGLAND, price #15 (UK), or $26 (US). This is a double CD set of the HMV's complete recording and Columbia abridged recording. If you wish to pay by sterling cheque please make your cheque payable to 'A C Webster' and send it direct to me - Chris Webster Victoria House 228 B High Street CROYDON Surrey CR0 1NF ENGLAND If you wish to pay by US dollar cheque please make your cheque payable to 'Richard N Freedman' and send it to: Richard Freedman, 89 Staniford St Apt 7 Auburndale MA 02466-1128. USA. Please note that I have a small number of each title in stock at the moment, BUT I am about to embark on several quite large CD projects which will not allow me to replenish my stock for at least a month after work has commenced, so if my current stock runs out I will only be able to replenish it in the next few days before starting on my new projects. In other words, if you want to order anything in the next few days, please email me now and I can make sure that I have enough copies to meet the needs before I start my other work. I don't want to give too much away at the moment although I know that a few people already know about this, but one of my forthcoming projects is certain to be of interest to a far wider spectrum of fans that my historic CDs are. In fact I am really quite excited about it. Watch this space for more details. As far as historic releases go, I am hoping that the 1924 Ruddigore will be my next issue. Chris Chris Webster "Sounds on CD"  1,, Summary-line: 17-Feb elf@andor.org #Fw: understanding chocolate Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21414; Wed, 17 Feb 99 09:21:40 EST Received: from smtp1.erols.com by MIT.EDU with SMTP id AA06312; Wed, 17 Feb 99 09:21:29 EST Received: from jsieracki (207-172-175-211.s20.as6.rkv.erols.com [207.172.175.211]) by smtp1.erols.com (8.8.8/8.8.5) with SMTP id JAA29399; Wed, 17 Feb 1999 09:19:33 -0500 (EST) From: "J. Sieracki" To: , , , , , , , , , , , , , , , , , , , , , , Subject: Fw: understanding chocolate Date: Wed, 17 Feb 1999 09:24:32 -0500 Message-Id: <01be5a81$3c69cbc0$d3afaccf@jsieracki> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Mimeole: Produced By Microsoft MimeOLE V4.71.1712.3 *** EOOH *** From: "J. Sieracki" To: , , , , , , , , , , , , , , , , , , , , , , Subject: Fw: understanding chocolate Date: Wed, 17 Feb 1999 09:24:32 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Mimeole: Produced By Microsoft MimeOLE V4.71.1712.3 Passing this on from a woman who knows her coco beans. -----Original Message----- From: Laura McIntosh To: Daniel McIntosh ; J. Sieracki ; Alex McIntosh ; Zoe Garren ; Andrea Lauerman ; tbliss1@leland.Stanford.EDU Date: Thursday, February 04, 1999 8:56 PM Subject: understanding chocolate ><< > Thought for the day ------ > CHOCOLATE > > Chocolate is God's way of reminding men how inadequate they are. I am > vividly confronted with this fact every time my wife and I go out to a > restaurant. > > When it gets to dessert, my wife usually orders the most > chocolate-saturated dessert possible: It's the one called "Unstoppable > Double-Fudge Chocolate Mudslide Explosion" or some such thing. I > always wonder why anyone would want to eat anything that promises a > catastrophic natural disaster in your mouth. > > The dark brown monstrosity arrives at the table, and my wife takes the > first bite. Before the fork is even removed from her mouth, a small moan > escapes her lips. Her eyes, previously perfectly aligned, first cross > slightly and then faze completely, pupils dilating in pure chocolate > pleasure before the eyelids clamp down in ecstasy. The hand not holding the > fork clenches into a fist and starts pounding the table. The silverware > rattles. > > After about six minutes of this, she finally manages to swallow the > bite, realign her eyes, and take the next shuttle back from whatever > transcendental plane she's been visiting. Slowly, her sphere of > consciousness expands to include me, her husband, her life-long mate, her > presumed partner in all things ecstatic. "Hey, this is pretty good," she'll > say. "You want some?" > > No, I don't. I want nothing to do with an object that does to my wife > in one bite what I've worked for an entire relationship to achieve. It > wouldn't do any good, anyway. Men just don't have the same relationship > with chocolate that women do. > > It's not even close. > > I wandered around the office today and asked men- "Chocolate. Your > thoughts?" - and the result was always the same. First, a confused look as > to why they're being asked about something so trivial, and then some lame, > obvious statement: "Uh...it's brown?" Ask women the same question, and you > get responses like "The ONLY food group", "ESSENTIAL to life as we know it," > and the ultimate casual swipe at every member of the -chromosome brigade, > "better than sex." Ouch. Some women will try to make up for that last one by > quickly adding that chocolate is supposed to be an aphrodisiac. Uh-huh. > Chocolate certainly increases desire; the problem is the desire is usually > for more chocolate. > > The best a guy can do is buy a box of chocolates and hope he'll be > considered somewhere between the cherry truffle and the strawberry nougat. > Don't get me wrong. Guys like chocolate just fine; it's just not essential > to life as we know it. Respiration is essential to life as we know it; > chocolate is simply one of those nice little bonuses you get. We won't > usually pass it up if it's offered, but I don't know too many guys who > would get substantially worked up if it were to suddenly disappear from the > face of the earth (ironic in a way, as back in the days of the Aztecs, only > men were allowed to have the stuff). When I eat a chocolate dessert, I > enjoy it, yes. My world view doesn't narrow to include only the plate that > it's on. > > Maybe we're missing something. On the other hand, we don't have to > pick up our silverware from the floor after we're done with our tiramisu. > Life is about trade-offs like that. All I know is that come Valentine's > Day, chocolate will be among the things I offer my wife. I can't truly > appreciate it, but I can truly appreciate what it does for her. Which is > close enough. >> > > >  1,, Summary-line: 18-Feb mendes@aigfpc.com #FW: Appearing Nightly! Four Nurses of the Apocalypse! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14446; Thu, 18 Feb 99 08:42:15 EST Received: from relay6.smtp.psi.net by MIT.EDU with SMTP id AA23321; Thu, 18 Feb 99 08:42:34 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay6.smtp.psi.net with esmtp (Exim 1.90 #1) id 10DTiG-0003Jj-00; Thu, 18 Feb 1999 08:41:56 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 18 Feb 1999 08:41:48 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Appearing Nightly! Four Nurses of the Apocalypse! Date: Thu, 18 Feb 1999 08:41:47 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Appearing Nightly! Four Nurses of the Apocalypse! Date: Thu, 18 Feb 1999 08:41:47 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > BEFORE STARTING A ROCK BAND, YOU SHOULD KNOW THAT THE FOLOWING NAMES > ARE > > ALREADY TAKEN: > > > > > > >> [ a ] > > > > > >> Albino Toilet Boys > > > > > >> Alcoholocaust > > > > > >> Alcoholics Unanimous > > > > > >> Apocalypse Hoboken > > > > > >> Armageddon Dildos > > > > > >> > > > > > >> [ b ] > > > > > >> Biff Hitler and the Violent Mood Swings > > > > > >> The Band Formerly Known As Sausage > > > > > >> Band Over > > > > > >> Band That Shot Liberty Valence > > > > > >> Barbara's Bush > > > > > >> Bobby Joe Ebola and the Children MacNuggits > > > > > >> The Bourbon Tabernacle Choir > > > > > >> The Boxing Ghandis > > > > > >> Brady Bunch Lawnmower Massacre > > > > > >> Breakfast in Beruit > > > > > >> Bulimia Banquet > > > > > >> Buster Hymen & the Penetrators > > > > > >> Butthole Surfers > > > > > >> [ c ] > > > > > >> Caltransvestites > > > > > >> Cap'n Crunch and the Cereal Killers > > > > > >> Carnage Asada > > > > > >> Cindy Brady's Lisp > > > > > >> Cortizone 5 > > > > > >> Cottage Cheese from the Lips of Death > > > > > >> > > > > > >> [ d ] > > > > > >> The Dancing French Liberals of 1848 > > > > > >> The Dead Sea Squirrels > > > > > >> The Dead Kennedys > > > > > >> The Dick Clarks > > > > > >> The Dick Nixons > > > > > >> Dicky Retardo > > > > > >> Drunks With Guns > > > > > >> > > > > > >> [ e ] > > > > > >> e. coli > > > > > >> Edith Head > > > > > >> Electric Prostates > > > > > >> Elvis Hitler > > > > > >> Ethyl Merman > > > > > >> > > > > > >> [ f ] > > > > > >> Fearless Iranians From Hell > > > > > >> Fields of Shit > > > > > >> '57 Lesbian > > > > > >> The 4-Skins > > > > > >> Four Nurses of the Apocalypse > > > > > >> The French are from Hell > > > > > >> Fromage d'Amour > > > > > >> > > > > > >> [ g ] > > > > > >> Gefilte Joe and the Fish > > > > > >> Gonoreagan > > > > > >> > > > > > >> [ h ] > > > > > >> Headless Marines > > > > > >> Hell Camino > > > > > >> Herpes Cineplex > > > > > >> Hindu Garage Sale > > > > > >> Hitler's Bikini > > > > > >> HIV and the Positives > > > > > >> Honest Bob and the Factory to Dealer Incentives > > > > > >> Hornets Attack Victor Mature > > > > > >> > > > > > >> [ i ] > > > > > >> Impaled Nazarenes > > > > > >> Inhale Mary > > > > > >> > > > > > >> [ j ] > > > > > >> Janitors Against Apartheid > > > > > >> Jehovah's Waitresses > > > > > >> Jehovah's Wetness > > > > > >> Jehovah's Witness Protection Program > > > > > >> Jesus Christ Super Fly > > > > > >> Jesus Chrysler Supercar > > > > > >> Jesus Manson and the Starvation Army > > > > > >> JFKFC > > > > > >> Jonestown Punch > > > > > >> > > > > > >> [ k ] > > > > > >> Kathleen Turner Overdrive > > > > > >> Kerrigan's Knees > > > > > >> > > > > > >> [ l ] > > > > > >> Lack of Afro > > > > > >> Lawn Piranhas > > > > > >> The Leave It To Beaver Conehead Immolation > > > > > >> Lee Harvey Keitel > > > > > >> Lesbian Ninjas > > > > > >> Louder Than God > > > > > >> > > > > > >> [ m ] > > > > > >> Mao Tse Helen > > > > > >> Mary Kay and the Cosmetics > > > > > >> Max Roach and the Holders > > > > > >> Minnie Pearl's Jam > > > > > >> Mr. Happy and the Genocides > > > > > >> Mussolini Headkick > > > > > >> My Dog Has Hitler's Brain > > > > > >> > > > > > >> [ n ] > > > > > >> Nate Nocturnal and the Nightly Emissions > > > > > >> Nervous Christians and the Lions > > > > > >> Norman Bates and the Shower Heads > > > > > >> Not Drowning, Waving > > > > > >> > > > > > >> [ p ] > > > > > >> Pabst Smear > > > > > >> Pearl Harbor and the Explosions > > > > > >> Penis DeMilo > > > > > >> Pepto Dismal > > > > > >> Phenobarbidols > > > > > >> Phlegm Fatale > > > > > >> Poultry in Motion > > > > > >> Pretentious Flamedogs > > > > > >> The Pro-Midget Mafia > > > > > >> Psychic Buddhist Gorillas > > > > > >> Psycho Sluts from Hell > > > > > >> Pungent Frustration > > > > > >> Purple Headed Love Warriors > > > > > >> > > > > > >> [ q ] > > > > > >> Quasimodo and the Eunuchs > > > > > >> > > > > > >> [ r ] > > > > > >> Raging Pimps of Doom > > > > > >> Rectal Nightmare > > > > > >> Reluctant Stereotypes > > > > > >> Reserectum > > > > > >> Results of Inbreeding > > > > > >> Retarted Elf > > > > > >> Roid Rogers and the Whirling Butt Cherries > > > > > >> > > > > > >> [ s ] > > > > > >> Sandy Duncan's Eye > > > > > >> Screaming Headless Torsos > > > > > >> Screaming Iguanas of Love > > > > > >> Screaming Moist Accountants > > > > > >> Septic Death > > > > > >> Seven Year Bitch > > > > > >> The Shamu Afterbirth Orchestra > > > > > >> Shirley Temple of Doom > > > > > >> Shirley Temple Pilots > > > > > >> Simulated Orgasms [Simulerte Orgasmer] > > > > > >> Skeptic Tank > > > > > >> Smegma & the Nuns > > > > > >> Smorgasborgnine > > > > > >> Solosex > > > > > >> The Sound of Munich > > > > > >> Spastic Colon > > > > > >> The Sphinctones > > > > > >> Stiff Richards > > > > > >> Stukas Over Bedrock > > > > > >> Swingin' Johnsons > > > > > >> > > > > > >> [ t ] > > > > > >> Ted Bundy's Volkswagen > > > > > >> The Telephony Bandits of Doom > > > > > >> Temporary Darkening of the Stool > > > > > >> Testostertones > > > > > >> The Texas Nazis > > > > > >> Thank God We're Immortal > > > > > >> They Tried To Frame OJ > > > > > >> To Live and Shave in LA > > > > > >> Toxic Shock and the Tampons > > > > > >> Tracy & the Hindenburg Ground Crew > > > > > >> Tragic Mulatto > > > > > >> Transsexual Hitler > > > > > >> Trotsky Icepick > > > > > >> > > > > > >> [ u ] > > > > > >> Uncle Dickie's Shameless Quickies > > > > > >> Unstoppable Kamikaze Iditos > > > > > >> > > > > > >> [ v ] > > > > > >> Vaginal Davis > > > > > >> The Velcro Pygmies > > > > > >> Vic Morrow's Head > > > > > >> > > > > > >> [ w ] > > > > > >> The Well Hungarians > > > > > >> Willie Nelson Mandela > > > > > >> > > > > > >> [ y ] > > > > > >> Yoko Homo > > > > > >> > > > > > >> [ z ] > > > > > >> Zip Code Rapists > > > > > >> Zombies Under Stress > > > > > >> Zulu Leprechauns >  1,, Summary-line: 22-Feb AAllen@welchs.com #FW: Fw: my life, in a netshell Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07859; Mon, 22 Feb 99 10:11:36 EST Received: from [12.15.134.131] by MIT.EDU with SMTP id AA13194; Mon, 22 Feb 99 10:12:03 EST Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Mon, 22 Feb 1999 10:13:08 -0500 Message-Id: From: "Allen, Amy" To: "Daniel, Zoe" , "'kurtk007@aol.com'" , "Ortigoza, Traci" , "'acranford@gunnpartners.com'" , "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@mit.edu'" , "'ellen.spear@infores.com'" Subject: FW: Fw: my life, in a netshell Date: Mon, 22 Feb 1999 10:13:03 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE5E75.DA33DB6E" *** EOOH *** From: "Allen, Amy" To: "Daniel, Zoe" , "'kurtk007@aol.com'" , "Ortigoza, Traci" , "'acranford@gunnpartners.com'" , "'rac@bu.edu'" , "'scott@hup.harvard.edu'" , "'opus@mit.edu'" , "'ellen.spear@infores.com'" Subject: FW: Fw: my life, in a netshell Date: Mon, 22 Feb 1999 10:13:03 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BE5E75.DA33DB6E" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BE5E75.DA33DB6E Content-Type: text/plain Kinda fun.... > -----Original Message----- > From: Thompson, Aaron [SMTP:Aaron_Thompson@AFCC.com] > Sent: Friday, February 19, 1999 2:58 PM > To: 'Amy Allen'; 'Becky'; 'Bekka'; 'Connie Vandergriff'; 'Daniel, Zoe'; > 'Jen P.'; 'Keb Roberts'; 'Phil'; Klingen, Lisa; Epperson, Denny; Gunnels, > Parrish; White, Tana; Taffal, Hadi; Ha, Lan > Subject: FW: Fw: my life, in a netshell > > > > Aaron Thompson > QA/Testing/PVCS > (972) 652-8567 > > > > > > > Subject: my life, in a netshell > > > > > > > > > > > > > >>Okay, here's what you're supposed to do. Copy this e-mail and change > > > >all > > > >> the answers so they apply to you...then send it to everyone you > > know, > > > >> INCLUDING the person who sent you this. So you should get back a > > lot > > > >>of > > > >> get-to-know-you e-mails, too. You'll learn a lot about your > > friends > > > >> and/or family that you maybe didn't know! Please take 10 minutes > > out > > > >>of > > > >> your day to do this! > > > > > > > > > ULTIMATE SURVEY FOR: Amy > > NAME GIVEN AT BIRTH: Amy Elizabeth Allen > > NICKNAME: Tigger/Aimster > > HOMETOWN: where I was born? Orlando, FLA > > CURRENT RESIDENCE: Acton, MA > > CROUTONS OR BACON BITS? Croutons > > FAVORITE SALAD DRESSING: Rasberry Vinagrette > > SHAMPOO OR CONDITIONER: Both! > > HAVE YOU EVER BEEN SKINNY DIPPING?: Of course > > DO YOU MAKE FUN OF PEOPLE?: constantly > > FAVORITE COLOR: purple > > HAVE YOU EVER BEEN CONVICTED OF A CRIME: no > > BEST ON-LINE FRIENDS: Dave, Becca, Scott > > ONE PILLOW OR TWO: one > > PETS: cats, 2, Annabelle and Peanut > > FAVORITE TYPES OF MUSIC: Jazz, opera, G&S, show tunes > > HOBBIES: Musical Theater, drama, tennis, beanie babies, Civil War > history > > TOOTHPASTE: Tom's of Maine Peppermint > > FAVORITE FOOD: lasagna > > ON-LINE CRUSH: none > > DO YOU GET ALONG WITH YOUR PARENTS?: depends on the day > > FAVORITE TOWN TO CHILL IN: Boston, of course > > FAVORITE ICE CREAM: Ben & Jerry's Chubby Hubby > > FAVORITE DRINK: Stoli vanilla white russian > > WHAT'S YOUR BED TIME: 11 > > ADIDAS, REEBOK, NIKE: Reebok > > FAVORITE PERFUME/COLOGNE: Body Shop White Musk > > FAVORITE WEBSITE: www.welchs.com, of course!!!! > > FAVORITE SUBJECT IN SCHOOL: English/Literature/History > > LEAST FAVORITE SUBJECT: Chemistry/Physics > > FAVORITE SPORT TO WATCH: Tennis > > HUMILIATING MOMENT: Spilling a urine sample on a cute doctor during a > physical when I > was eighteen years old > > CRAZIEST PERSON OR SILLIEST YOU KNOW: Becca > > WHAT DO YOU LOOK FOR IN THE OPPOSITE SEX: someone who can carry on a > conversation, has a sense of humor, and can fill out a pair of jeans > nicely...:-) > > SAY ONE NICE THING ABOUT THE PERSON WHO SENT THIS TO YOU AND BE SURE > > TO SEND IT BACK TO THEM: Aaron really knows how to make me laugh and is > a lot of fun to be around.... > > PERSON YOU SENT THIS TO THAT IS LEAST LIKELY TO RESPOND: Traci.... > > > > > > > > _________________________________________________________ > > DO YOU YAHOO!? > > Get your free @yahoo.com address at http://mail.yahoo.com ------_=_NextPart_001_01BE5E75.DA33DB6E Content-Type: text/html Content-Transfer-Encoding: quoted-printable FW: Fw: my life, in a netshell

Kinda = fun....

-----Original Message-----
From:   Thompson, Aaron = [SMTP:Aaron_Thompson@AFCC.com]
Sent:   Friday, February 19, 1999 2:58 PM
To:     'Amy Allen'; 'Becky'; 'Bekka'; 'Connie Vandergriff'; = 'Daniel, Zoe'; 'Jen P.'; 'Keb Roberts'; 'Phil'; Klingen, Lisa; = Epperson, Denny; Gunnels, Parrish; White, Tana; Taffal, Hadi; Ha, = Lan

Subject:       = FW: Fw: my life, in a = netshell



Aaron = Thompson
QA/Testing/PVCS
(972) = 652-8567

> >
> > Subject: = my life, in a netshell
> >
> >
> > = >
> > = >>Okay, here's what you're supposed to do. Copy this e-mail and = change
> > = >all
> > >> = the answers so they apply to you...then send it to everyone you
> know,
> > >> = INCLUDING the person who sent you this.  So you should get back = a
> lot
> > = >>of
> > >> = get-to-know-you e-mails, too.  You'll learn a lot about = your
> friends
> > >> = and/or family that you maybe didn't know!  Please take 10 = minutes
> out
> > = >>of
> > >> = your day to do this!
> >
> 
> 
> ULTIMATE = SURVEY FOR: Amy
> NAME GIVEN AT = BIRTH: Amy Elizabeth Allen
> = NICKNAME:  Tigger/Aimster
> HOMETOWN: = where I was born?  Orlando, FLA
> CURRENT = RESIDENCE: Acton, MA
> CROUTONS OR = BACON BITS?  Croutons
> FAVORITE SALAD = DRESSING: Rasberry Vinagrette
> SHAMPOO OR = CONDITIONER: Both!
> HAVE YOU EVER = BEEN SKINNY DIPPING?: Of course
> DO YOU MAKE = FUN OF PEOPLE?: constantly
> FAVORITE = COLOR: purple
> HAVE YOU EVER = BEEN CONVICTED OF A CRIME:  no
> BEST ON-LINE = FRIENDS: Dave, Becca, Scott
> ONE PILLOW OR = TWO:  one
> PETS: cats, 2, = Annabelle and Peanut
> FAVORITE TYPES = OF MUSIC: Jazz, opera, G&S, show tunes
> HOBBIES:  = Musical Theater, drama, tennis, beanie babies, Civil War history
> TOOTHPASTE: = Tom's of Maine Peppermint
> FAVORITE = FOOD:  lasagna
> ON-LINE = CRUSH:  none
> DO YOU GET = ALONG WITH YOUR PARENTS?:  depends on the day
> FAVORITE TOWN = TO CHILL IN:  Boston, of course
> FAVORITE ICE = CREAM:  Ben & Jerry's Chubby Hubby
> FAVORITE = DRINK:  Stoli vanilla white russian
> WHAT'S YOUR = BED TIME:  11
> ADIDAS, = REEBOK, NIKE:  Reebok
> FAVORITE = PERFUME/COLOGNE:  Body Shop White Musk
> FAVORITE = WEBSITE:  www.welchs.com, of course!!!!
> FAVORITE = SUBJECT IN SCHOOL:  English/Literature/History
> LEAST FAVORITE = SUBJECT: Chemistry/Physics
> FAVORITE SPORT = TO WATCH: Tennis
> HUMILIATING = MOMENT: Spilling a urine sample on a cute doctor during a physical when = I
was eighteen years = old
> CRAZIEST = PERSON OR SILLIEST YOU KNOW: Becca
> WHAT DO YOU = LOOK FOR IN THE OPPOSITE SEX: someone who can carry on a conversation, = has a sense of humor, and can fill out a pair of jeans = nicely...:-)

> SAY ONE NICE = THING ABOUT THE PERSON WHO SENT THIS TO YOU AND BE SURE
> TO SEND IT = BACK TO THEM:  Aaron really knows how to make me laugh and is a = lot of fun to be around....
> PERSON YOU = SENT THIS TO THAT IS LEAST LIKELY TO RESPOND: Traci....
>
>
>
> = _________________________________________________________
> DO YOU = YAHOO!?
> Get your free = @yahoo.com address at http://mail.yahoo.com

------_=_NextPart_001_01BE5E75.DA33DB6E--  1,, Summary-line: 22-Feb KurtK007@aol.com #Fwd: My life, in a nutshell Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17759; Mon, 22 Feb 99 23:38:47 EST Received: from imo25.mx.aol.com by MIT.EDU with SMTP id AA17718; Mon, 22 Feb 99 23:39:14 EST Received: from KurtK007@aol.com by imo25.mx.aol.com (IMOv18.1) id HVLDa20271; Mon, 22 Feb 1999 23:27:16 +1900 (EST) From: KurtK007@aol.com Message-Id: <3ca2896.36d22e24@aol.com> Date: Mon, 22 Feb 1999 23:27:16 EST To: aallen@welchs.com, rac@bu.edu, zdaniel@welchs.com, scott@hup.harvard.edu, jphealey@massed.net, cynthia_janeczko@manulife.com, opus@MIT.EDU, ris@dimins.com, toddlong@erols.com, sonya_p13@yahoo.com, ajr-asid@juno.com, DonnaRslr@aol.com, SugarHil20@aol.com Mime-Version: 1.0 Subject: Fwd: My life, in a nutshell Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 205 *** EOOH *** From: KurtK007@aol.com Date: Mon, 22 Feb 1999 23:27:16 EST To: aallen@welchs.com, rac@bu.edu, zdaniel@welchs.com, scott@hup.harvard.edu, jphealey@massed.net, cynthia_janeczko@manulife.com, opus@MIT.EDU, ris@dimins.com, toddlong@erols.com, sonya_p13@yahoo.com, ajr-asid@juno.com, DonnaRslr@aol.com, SugarHil20@aol.com Mime-Version: 1.0 Subject: Fwd: My life, in a nutshell Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 205 > > > Subject: my life, in a nutshell > > > > > > > > > > > > > >>Okay, here's what you're supposed to do. Copy this e-mail and change > > > >all > > > >> the answers so they apply to you...then send it to everyone you > > know, > > > >> INCLUDING the person who sent you this. So you should get back a > > lot > > > >>of > > > >> get-to-know-you e-mails, too. You'll learn a lot about your > > friends > > > >> and/or family that you maybe didn't know! Please take 10 minutes > > out > > > >>of > > > >> your day to do this! > > > > > > > > > ULTIMATE SURVEY FOR: Kurt > > NAME GIVEN AT BIRTH: Kurt Allen Kendall > > NICKNAME: My older brothers refer to me endearingly as -- Squirt > > HOMETOWN: Akron, Ohio > > CURRENT RESIDENCE: Natick, MA > > CROUTONS OR BACON BITS? Croutons > > FAVORITE SALAD DRESSING: Italian > > SHAMPOO OR CONDITIONER: Shampoo > > HAVE YOU EVER BEEN SKINNY DIPPING?: Yep...and no shrinkage here !! > > DO YOU MAKE FUN OF PEOPLE?: Only when provoked > > FAVORITE COLOR: Green > > HAVE YOU EVER BEEN CONVICTED OF A CRIME: Not yet. > > BEST ON-LINE FRIENDS: Anyone who actually responds. > > ONE PILLOW OR TWO: Two, definately. > > PETS: Arnold... ok, he's my plant. > > FAVORITE TYPES OF MUSIC: Everything excluding country and rap. > > HOBBIES: Music performance (various outlets), mountain biking, hiking, ornithology, supporting the arts. > > TOOTHPASTE: Depends on which one "leaps" into my cart at the store. > > FAVORITE FOOD: Coffee and donuts. > > ON-LINE CRUSH: Been crushed many times, but not on-line yet. > > DO YOU GET ALONG WITH YOUR PARENTS?: Absolutely. > > FAVORITE TOWN TO CHILL IN: Bean-town, USA > > FAVORITE ICE CREAM: Mint Chocolate-Chip. > > FAVORITE DRINK: Very dry vodka martini on the rocks with a twist. > > WHAT'S YOUR BED TIME: Whenever she's ready. > > ADIDAS, REEBOK, NIKE: Nike. > > FAVORITE PERFUME/COLOGNE: Anything on an attractive member of the opposite sex. > > FAVORITE WEBSITE: None > > FAVORITE SUBJECT IN SCHOOL: Science (the full spectrum of disciplines), Music > > LEAST FAVORITE SUBJECT: English > > FAVORITE SPORT TO WATCH: Basketball > > HUMILIATING MOMENT: Hmm... get back to ya on that. > > CRAZIEST PERSON OR SILLIEST YOU KNOW: Becca -- silliest for sure. > > WHAT DO YOU LOOK FOR IN THE OPPOSITE SEX: Doesn't matter, they're never looking for me. > > SAY ONE NICE THING ABOUT THE PERSON WHO SENT THIS TO YOU AND BE SURE > > TO SEND IT BACK TO THEM: Amy -- Ms. Personallity, Becca -- Ms. Sweetheart (I got this survey from you both at the same time.) > > PERSON YOU SENT THIS TO THAT IS LEAST LIKELY TO RESPOND: I always provoke a response. It's just not always positive.  1,, Summary-line: 24-Feb mendes@aigfpc.com #FW: Medical Terms Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27782; Wed, 24 Feb 99 13:11:46 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AB06950; Wed, 24 Feb 99 13:12:13 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10Fim1-00004w-00; Wed, 24 Feb 1999 13:11:06 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 24 Feb 1999 13:11:02 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Medical Terms Date: Wed, 24 Feb 1999 13:10:55 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Medical Terms Date: Wed, 24 Feb 1999 13:10:55 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain > >A glossary of Medical Terms, and alternate meanings. > > ---------------------------------------------------- > > > > Benign................What you be after you be eight. > > > > Artery................The study of paintings. > > > > Bacteria..............Back door to cafeteria. > > > > Barium................What doctors do when patients die. > > > > Cesarean Section......A neighborhood in Rome. > > > > Catscan...............Searching for kitty. > > > > Cauterize.............Made eye contact with her. > > > > Colic.................A sheep dog. > > > > Coma..................A punctuation mark. > > > > D & C.................Where Washington is. > > > > Dilate................To live long. > > > > Enema.................Not a friend. > > > > Fester................Quicker than someone else. > > > > Fibula................A small lie. > > > > Genital...............Non-Jewish person. > > > > Hangnail..............What you hang your coat on. > > > > Impotent..............Distinguished, well known. > > > > Labor Pain............Getting hurt at work. > > > > Medical Staff.........A Doctor's cane. > > > > Morbid................A higher offer than I bid. > > > > Nitrates..............Cheaper than day rates. > > > > Node..................Was aware of > > > > Outpatient.... .......A person who has fainted. > > > > Pelvis................Second cousin to Elvis. > > > > Post Operative........A letter carrier. > > > > Recovery Room.........Place to do upholstery. > > > > Rectum................Darn near killed him. > > > > Secretion.............Hiding something. > > > > Seizure...............Roman emperor. > > > > Tablet................A small table. > > > > Terminal Illness......Getting sick at the Bus > > Station > > > > Tumor.................More than one. > > > > Urine.................Opposite of you're out. > > > > Varicose..............Near by/close by. > > > > Vein..................Conceited. > [Rica Mendes-Barry] >> Q. What's the fastest way to a man's heart? >> A. By tearing a hole through his rib cage with a sharp knife. >> >> Q. What is the difference between a man and a catfish? >> A. One is a bottom-feeding scum-sucker and the other is a fish. >> >> Q. Why do men want to marry virgins? >> A. They can't stand criticism. >> >> Q. What are two reasons why men don't mind their own business? >> A. 1. No mind. 2. No business. >> >> Q. Why are men like laxatives? >> A. They irritate the shit out of you. >> >> Q. Why do men name their penises? >> A. Because they want to be on a first-name basis with the person who >> makes all their decisions. >> >> Q. Why is it so hard for women to find men that are sensitive, caring and good-looking? >> A. Because those men already have boyfriends. >> >> Q. How do men sort their laundry? >> A. "Filthy" and "Filthy but Wearable". >> >> Q. Why do men love computers? >> A. No matter what mood they're in, they can still get a floppy in. >> >> Q. How many men does it take to change a toilet paper roll? >> A. Who knows, it's never happened. >> >> Q. Why do female black widow spiders kill their mates after mating? >> A. To stop the snoring before it starts. >> > >> Q. How many men does it take to screw in a light bulb? >* A. One. Men will screw anything.  1,, Summary-line: 24-Feb amu@MIT.EDU #[Nev Dull ] i-cant-think-of-a-new-hostname.mit.edu Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29123; Wed, 24 Feb 99 18:12:55 EST Received: from MARY-KAY-COMMANDOS.MIT.EDU by MIT.EDU with SMTP id AA18220; Wed, 24 Feb 99 18:13:20 EST Received: by mary-kay-commandos (8.8.8+Sun/4.7) id SAA12071; Wed, 24 Feb 1999 18:12:46 -0500 (EST) Sender: amu@mary-kay-commandos.MIT.EDU To: sipb-soc@MIT.EDU Subject: [Nev Dull ] i-cant-think-of-a-new-hostname.mit.edu Mime-Version: 1.0 Content-Type: message/rfc822 Content-Disposition: inline Content-Transfer-Encoding: quoted-printable From: amu@MIT.EDU (Aaron M. Ucko) Date: 24 Feb 1999 18:12:46 -0500 Message-Id: Lines: 146 User-Agent: Gnus/5.070077 (Pterodactyl Gnus v0.77) Emacs/20.3 *** EOOH *** Sender: amu@mary-kay-commandos.MIT.EDU To: sipb-soc@MIT.EDU Subject: [Nev Dull ] i-cant-think-of-a-new-hostname.mit.edu Mime-Version: 1.0 Content-Type: message/rfc822 Content-Disposition: inline Content-Transfer-Encoding: quoted-printable From: amu@MIT.EDU (Aaron M. Ucko) Date: 24 Feb 1999 18:12:46 -0500 Lines: 146 User-Agent: Gnus/5.070077 (Pterodactyl Gnus v0.77) Emacs/20.3 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po8.MIT.EDU (5.61/4.7) id AA21571; Wed, 24 Feb 99 12:14:48 EST Received: from sleepycat.com by MIT.EDU with SMTP id AA18501; Wed, 24 Feb 99 12:15:15 EST Received: (from root@localhost) by abyssinian.sleepycat.com (8.8.8/8.8.8) id MAA11507; Wed, 24 Feb 1999 12:05:00 -0500 (EST) Date: Wed, 24 Feb 1999 12:05:00 -0500 (EST) From: Nev Dull X-Gnus-Mail-Source: pop:amu@nil Message-Id: <199902241705.MAA11507@abyssinian.sleepycat.com> To: nev@bostic.com (/dev/null) Subject: i-cant-think-of-a-new-hostname.mit.edu Lines: 131 Xref: snorklewacker.mit.edu list.dev-null:1172 Forwarded-by: Rob Mayoff Forwarded-by: Christopher Alexander North-Keys [Culled to working names on 1999-02-23 - mayoff] [Selected from the names of 50,000 MIT hosts] A Classic ----------- rtfm.mit.edu Cereals - normal, at first. ------- life.ai.mit.edu trix.ai.mit.edu alpha-bits.ai.mit.edu beet-chex.ai.mit.edu masticated-neo-bohemian-cthuloid.mit.edu chewy-chomp.mit.edu General Abuse ------------- my-hostname-is-longer-than-yours.mit.edu no-sir-i-did-not-see-you-playing-with-your-dolls-again.ai.mit.edu long-hostname-carefully-selected-to-expose-fixed-length-buffers.mit.edu People and Attitudes -------------------- blithering-intellectual.mit.edu chick-magnet.mit.edu convivial-niceguy.mit.edu dimple-boy.mit.edu fearless-leader.mit.edu boyish-good-looks.mit.edu disarming-smile.mit.edu that-blonde-chick.mit.edu uma-thurman.mit.edu Drugs ----- big-fat-bag-of-crack.mit.edu crack-baby.mit.edu crack-whore.mit.edu ten-cent-crack-whore.mit.edu Sex --- den-of-iniquity.mit.edu big-pimpin.mit.edu big-screw.mit.edu dog-lover.mit.edu (of course, this may not really be sex-related...) puppy-lover.mit.edu (same) fried-foreskin.mit.edu fuck-the-skull-of-jesus.mit.edu margaret-thatcher-naked-on-a-cold-day.mit.edu moaning-lisa.mit.edu pearl-necklace.mit.edu (also somewhat subjective) porn-star.mit.edu spankasaurus-rex.mit.edu squirting-sphincter.mit.edu turgid-pole.mit.edu x-rated.mit.edu Commentary ---------- emacs-makes-a-computer-slow.mit.edu (notably not in gnu.ai.mit.edu domain) existence-is-meaningless.mit.edu failure-is-unacceptable.mit.edu glad-i-am-not-a-dec.mit.edu i-am-not-the-moose.mit.edu i-cant-think-of-a-new-hostname.mit.edu i-could-not-think-of-a-hostname.mit.edu i-dont-know.mit.edu i-goddess.mit.edu i-m-so-tired.mit.edu i-see-everything-twice.mit.edu i-will-fear-no-evil.mit.edu ignorance-is-strength.mit.edu incite-sedition.mit.edu its-a-feature.mit.edu lost-cause.mit.edu macs-suck.mit.edu my-hovercraft-is-full-of-eels.mit.edu my-dog-ate-it.mit.edu not-a-guppy.mit.edu not-a-mac.mit.edu not-a-minihub.mit.edu not-a-pretty-computer.mit.edu not-a-printer.mit.edu not-a-supported-platform.mit.edu not-a-typewriter.mit.edu not-an-sgi.mit.edu not-what-you-think.mit.edu pepsi-sux.mit.edu piece-of-shit.mit.edu point-and-drool.mit.edu screw-loose.mit.edu shit-happens.mit.edu the-world-is-mine.mit.edu thing-that-should-not-be.mit.edu think-different.mit.edu this-is-a-test.mit.edu this-machine-has-no-neck.mit.edu turning-coffee-into-theorems.mit.edu yes-dear.mit.edu yes-i-am.mit.edu Odd Other Things ---------------- shit-box.mit.edu sticky-scrot.mit.edu seal-clubbing.mit.edu really-bad-pun.mit.edu right-bundle-branch.mit.edu purry-fuzzball.mit.edu nibbled-to-death-by-ducks.mit.edu oh-no-not-again.mit.edu bilge-pump.mit.edu because-i-was-inverted.mit.edu church-of-briantology.mit.edu full-contact-origami.mit.edu small-dogs.mit.edu small-gods.mit.edu something-intelligent.mit.edu the-brown-ring-of-quality.mit.edu Technical --------- bovine-spongiform-encephalopathy.mit.edu tep-soda-machine.mit.edu turing-machine.mit.edu  1,, Summary-line: 25-Feb MusikDrama@aol.com #Re: Flanders & Swann - Ill wind (OFF TOPIC) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03283; Thu, 25 Feb 99 01:14:18 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA12232; Thu, 25 Feb 99 01:14:04 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id BAA22807; Thu, 25 Feb 1999 01:12:35 -0500 (EST) Date: Thu, 25 Feb 1999 01:12:35 -0500 (EST) Message-Id: <9d533b53.36d4e74a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Flanders & Swann - Ill wind (OFF TOPIC) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 *** EOOH *** Date: Thu, 25 Feb 1999 01:12:35 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Flanders & Swann - Ill wind (OFF TOPIC) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 In a message dated 2/24/99 5:32:19 AM, ornstn@home.com writes: << Did you know that Mozart's Symphony no. 40 begins, "It's a bird, it's a plane, no, it's Mozart"? >> The way I learned it was: "It's a bird, it's a plane, it's a Mozart, You can tell by the shape of the tune; You can hear it high up in the French horn, Or way down in the contrabassoon!" And yes, I know Mozart didn't write for the contrabassoon, if it even existed at all during his lifetime! Josefa Heifetz's take on this piece (in her slim volume "From Bach to Verse: Comic Mnemonics for Famous Musical Themes") is rather far-fetched, but is at least more true to Mozart's rhythm, in addition to including a rather remarkable rhyme, of which I think Gilbert would have approved (just to drag this back on topic!): Give a hand To the band Playing Mozart. He wrote music both charming And witty. "C'est jolie Mon ami," Just to quote Sartre. I agree with my friend That it's pretty. Steve Lichtenstein MusikDrama@aol.com  1,, Summary-line: 1-Mar mendes@aigfpc.com #FW: Anagram Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29196; Mon, 1 Mar 99 10:18:27 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA23116; Mon, 1 Mar 99 10:18:55 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10HUSB-0006CC-00; Mon, 1 Mar 1999 10:17:56 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 1 Mar 1999 10:17:33 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Anagram Date: Mon, 1 Mar 1999 10:17:32 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Anagram Date: Mon, 1 Mar 1999 10:17:32 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Part II @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > >>An Anagram, as you all know, is a word or phrase made by transposing > or > >>rearranging the letters of another word or phrase. > >>The following are exceptionally clever. Someone out there either has > way > >>too much time to waste or is deadly at Scrabble. > >> > >>Dormitory Dirty Room > >>Evangelist Evil's Agent > >>Desperation A Rope Ends It > >>The Morse Code Here Come Dots > >>Slot Machines Cash Lost in 'em > >>Animosity Is No Amity > >>Mother-in-law Woman Hitler > >>Snooze Alarms Alas! No More Z's > >>Alec Guinness Genuine Class > >>Semolina Is No Meal > >>The Public Art Galleries Large Picture Halls, I Bet > >>A Decimal Point I'm a Dot in Place > >>The Earthquakes That Queer Shake > >>Eleven plus two Twelve plus one > >>Contradiction Accord not in it > >> > >>This one's truly amazing: > >> > >> > >>To be or not to be: that is the question, whether tis nobler in the > mind > >>to suffer the slings and arrows of outrageous fortune." > >> > >>And the Anagram: > >>"In one of the Bard's best-thought-of tragedies, our insistent hero, > > >>Hamlet, queries on two fronts about how life turns rotten." > >> > >>And for the grand finale: > >>"That's one small step for a man, one giant leap for mankind." Neil > >>Armstrong > >> > >>The Anagram: > >>"A thin man ran; makes a large stride, left planet, pins flag on > moon! > >>On to Mars!" > >> > >>Nope, one more! > >> > >>The following phrase is a perfect anagram to start the impeachment > >>trial: > >>PRESIDENT CLINTON OF THE USA > >> > >>It can be rearranged (with no letters left over, and using each > letter > >>only once) into: > >>TO COPULATE HE FINDS INTERNS > >> > >> > >> > >> > >> > > > > > >  1,, Summary-line: 1-Mar nlgilman@MIT.EDU #Re: "groupsync" Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27674; Mon, 1 Mar 99 12:32:46 EST Received: from CONTENTS-VNDER-PRESSVRE.MIT.EDU by MIT.EDU with SMTP id AA14362; Mon, 1 Mar 99 12:33:17 EST Received: by contents-vnder-pressvre.mit.edu (8.8.7/4.7) id MAA17018; Mon, 1 Mar 1999 12:32:41 -0500 (EST) Date: Mon, 1 Mar 1999 12:32:41 -0500 (EST) Message-Id: <199903011732.MAA17018@contents-vnder-pressvre.mit.edu> From: Nancy Louise Bigler Gilman To: eichin@arepa.com Cc: jcb@MIT.EDU, rls@dimins.com, opus@MIT.EDU, warlord@MIT.EDU In-Reply-To: (message from Mark Eichin on 01 Mar 1999 12:19:58 -0500) Subject: Re: "groupsync" *** EOOH *** Date: Mon, 1 Mar 1999 12:32:41 -0500 (EST) From: Nancy Louise Bigler Gilman To: eichin@arepa.com Cc: jcb@MIT.EDU, rls@dimins.com, opus@MIT.EDU, warlord@MIT.EDU In-Reply-To: (message from Mark Eichin on 01 Mar 1999 12:19:58 -0500) Subject: Re: "groupsync" From: Mark Eichin Date: 01 Mar 1999 12:19:58 -0500 Lines: 7 X-Mailer: Gnus v5.4.56/Emacs 19.34 Here's a pointer to another app for keeping pilot datebooks in sync. I don't know if it is any good, I just happened to see it on pilotgear today... http://www.groupsync.co.uk/ In particular, it lets you select what *categories* to sync, if you're using datebk3... Thanks! I just looked at the web pages and it looks a lot more like what I was looking for. If any of the rest of you try it I would be interested in the feedback. (Jeff doesn't have a pilot yet...) Thanks, Nancy  1,, Summary-line: 1-Mar mendes@aigfpc.com #BAD Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18082; Tue, 2 Mar 99 01:50:07 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA11942; Mon, 1 Mar 99 15:05:57 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10HYw1-0000xO-00; Mon, 1 Mar 1999 15:05:03 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 1 Mar 1999 15:04:36 -0500 Message-Id: From: "Mendes, Rica" To: Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: BAD Date: Mon, 1 Mar 1999 15:04:34 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: BAD Date: Mon, 1 Mar 1999 15:04:34 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain It's a little dirty - from Irv: COUPLES Three couples, an elderly couple, a middle-aged couple and a young newlywed couple wanted to join a church. The pastor said, "We have special requirements for new parishioners. You must abstain from having sex for two weeks." The couples agreed and came back at the end of two weeks. The pastor went to the elderly couple and asked, "Were you able to abstain from sex for the two weeks?" The old man replied, "No problem at all, Pastor." "Congratulations! Welcome to the church!" said the pastor. The pastor went to the middle-aged couple and asked, "Well, were you able to abstain from sex for the two weeks?" The man replied, "The first week was not too bad. The second week I had to sleep on the couch for a couple of nights but, yes we made it." "Congratulations! Welcome to the church!" said the pastor. The pastor then went to the newlywed couple and asked, "Well, were you able to abstain from sex for two weeks?" "No Pastor, we were not able to go without sex for the two weeks," the young man replied sadly. "What Happened?" inquired the pastor. "Well, my wife was reaching for a can of corn on the top shelf and dropped it. When she bent over to pick it up, I was overcome with lust and took advantage of her right there." "You understand, of course, this means you will not be welcome in our church," stated the pastor. "Yes, We know, said the young man. "We're not welcome at "Shaw's" anymore either." @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products  1,, Summary-line: 2-Mar KurtK007@aol.com #Fwd: A Hurt Little Girl Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17993; Tue, 2 Mar 99 23:33:43 EST Received: from imo22.mx.aol.com by MIT.EDU with SMTP id AA25510; Tue, 2 Mar 99 23:34:17 EST Received: from KurtK007@aol.com by imo22.mx.aol.com (IMOv18.1) id XKRa009891; Tue, 2 Mar 1999 23:18:25 +1900 (EST) From: KurtK007@aol.com Message-Id: Date: Tue, 2 Mar 1999 23:18:25 EST To: aallen@welchs.com, doncroft@juno.com, rac@bu.edu, zdaniel@welchs.com, scott@hup.harvard.edu, cynthia_janeczko@manulife.com, opus@MIT.EDU, toddlong@erols.com, UserGM@aol.com, sonya_p13@yahoo.com, ajr-asid@juno.com, DonnaRslr@aol.com, ellen.spear@infores.com Mime-Version: 1.0 Subject: Fwd: A Hurt Little Girl Content-Type: multipart/mixed; boundary="part0_920434706_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 205 *** EOOH *** From: KurtK007@aol.com Date: Tue, 2 Mar 1999 23:18:25 EST To: aallen@welchs.com, doncroft@juno.com, rac@bu.edu, zdaniel@welchs.com, scott@hup.harvard.edu, cynthia_janeczko@manulife.com, opus@MIT.EDU, toddlong@erols.com, UserGM@aol.com, sonya_p13@yahoo.com, ajr-asid@juno.com, DonnaRslr@aol.com, ellen.spear@infores.com Mime-Version: 1.0 Subject: Fwd: A Hurt Little Girl Content-Type: multipart/mixed; boundary="part0_920434706_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 205 This is a multi-part message in MIME format. --part0_920434706_boundary Content-ID: <0_920434706@inet_out.mail.aol.com.1> Content-type: text/plain; charset=US-ASCII Oh, my... leave it to my brother to send me this one.... -Kurt --part0_920434706_boundary Content-ID: <0_920434706@inet_out.mail.erols.com.2> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline Return-Path: Received: from rly-zb04.mx.aol.com (rly-zb04.mail.aol.com [172.31.41.4]) by air-zb05.mail.aol.com (v56.26) with SMTP; Tue, 02 Mar 1999 20:39:20 -0500 Received: from smtp-hub.mail.erols.net (smtp4.erols.com [207.172.3.237]) by rly-zb04.mx.aol.com (8.8.8/8.8.5/AOL-4.0.0) with ESMTP id UAA11706; Tue, 2 Mar 1999 20:39:18 -0500 (EST) Received: from smtp3.erols.com (smtp3.erols.com [207.172.3.236]) by smtp-hub.mail.erols.net (8.8.8/smtp-v1) with ESMTP id UAA04813; Tue, 2 Mar 1999 20:39:19 -0500 (EST) Received: from my-computer (207-172-175-82.s19.as3.hck.nj.dialup.rcn.com [207.172.175.82]) by smtp3.erols.com (8.8.8/8.8.5) with SMTP id UAA26743; Tue, 2 Mar 1999 20:39:17 -0500 (EST) Message-ID: <36DC9308.286C@erols.com> Date: Tue, 02 Mar 1999 20:40:24 -0500 From: "Special\"K\"" Reply-To: netnarnd@erols.com X-Mailer: Mozilla 3.01Gold (Win95; I) To: DWal123@aol.com, jmoellendk@aol.com, kurtk007@aol.com, rlance@gene.COM, madogwhite@aol.com Subject: A Hurt Little Girl Mime-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit A little girl came running into the house bawling her eyes out and cradling her hand: "Mummy, quick! Get me a glass of cider!" she wailed. "Why do you want a glass of cider?" asked her mom. "I cut my hand on a thorn, and I want the pain to go away!" Confused, but weary of the child's whining, the mother obliged and poured her a glass of cider. The little girl immediately dunked her hand in it. "Ouch! It still hurts! This cider doesn't work!" she whined. "What are you talking about?" asked her increasingly perplexed parent, "What ever made you think that cider would ease your pain?" "Well, I overheard my big sister say that whenever she gets a prick in her hand, she can't wait to get it in cider --part0_920434706_boundary--  1, edited,, Summary-line: 3-Mar elkor@mindspring.com #Legends and Lore Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27859; Wed, 3 Mar 99 23:15:13 EST Received: from smtp2.mindspring.com by MIT.EDU with SMTP id AA29401; Wed, 3 Mar 99 23:15:45 EST Received: from pcian (user-37kba63.dialup.mindspring.com [207.69.168.195]) by smtp2.mindspring.com (8.8.5/8.8.5) with SMTP id XAA03659; Wed, 3 Mar 1999 23:14:27 -0500 (EST) Message-Id: <3.0.6.32.19990303231203.007b7790@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Wed, 03 Mar 1999 23:12:03 -0500 To: "J. Sieracki" , , , "mary grace" , "Magorn" , "Linda Murray" , "Judith Bucolo" , "heidjer staecker" , "Drea Brandford" , "Donna Hirsch" , "dena heap" , "BJ Bagaria" , , "Jay Kaplan" , "Linnea Ruad" , "Rebecca L Neumiller" , "Maureen Kaplan" , "Mark Page" , "Kirk Wagner" , "Kendra Rosenberg" , "Deb Hooker" , "David C. Jedlinsky" , "Dave Policar" , "Cynthia J. Mallion" , "Cynthia Cole" From: The Shadows of the Night Subject: Legends and Lore In-Reply-To: <01be6578$2acb4cc0$e6afaccf@jsieracki> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Wed, 03 Mar 1999 23:12:03 -0500 To: "J. Sieracki" , , , "mary grace" , "Magorn" , "Linda Murray" , "Judith Bucolo" , "heidjer staecker" , "Drea Brandford" , "Donna Hirsch" , "dena heap" , "BJ Bagaria" , , "Jay Kaplan" , "Linnea Ruad" , "Rebecca L Neumiller" , "Maureen Kaplan" , "Mark Page" , "Kirk Wagner" , "Kendra Rosenberg" , "Deb Hooker" , "David C. Jedlinsky" , "Dave Policar" , "Cynthia J. Mallion" , "Cynthia Cole" From: The Shadows of the Night Subject: Legends and Lore In-Reply-To: <01be6578$2acb4cc0$e6afaccf@jsieracki> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" In the realm of "Might be true" these sound pretty reasonable. -Ian 1. In Shakespeare's time, mattresses were secured on bed frames by ropes when you pulled on the ropes the mattress tightened, making the bed firmer to sleep on. That's where the phrase, "goodnight, sleep tight" came from. 2. The term "the whole 9 yards" came from WWII fighter pilots in the Pacific. When arming their airplanes on the ground, the .50 caliber machine gun ammo belts measured exactly 27 feet, before being loaded into the fuselage. If the pilots fired all their ammo at a target, it got "the whole 9 yards." 3. The phrase "rule of thumb" is derived from an old English law which stated that you couldn't beat your wife with anything wider than your thumb. 4. The name Jeep came from the abbreviation used in the army for the "General Purpose" vehicle, G.P. 5. Ten percent of the Russian government's income comes from the sale of vodka. 6. It was the accepted practice in Babylon 4,000 years ago that for a month after the wedding, the bride's father would supply his son-in-law with all the mead he could drink. Mead is a honey beer, and because their calendar was lunar based, this period was called the "honey month" or what we know today as the "honeymoon." 7. In English pubs, ale is ordered by pints and quarts. So in old England, when customers got unruly, the bartender would yell at them to mind their own pints and quarts and settle down. It's where we get the phrase "mind your P's and Q's." 8. Many years ago in England, pub frequenters had a whistle baked into the rim or handle of their ceramic cups. When they needed a refill, they used the whistle to get some service. "Wet your whistle," is the phrase inspired by this practice.  1,, Summary-line: 5-Mar mendes@aigfpc.com #FW: Deep Thoughts Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16335; Fri, 5 Mar 99 16:29:32 EST Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA13912; Fri, 5 Mar 99 16:29:08 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 10J29i-00003X-00; Fri, 5 Mar 1999 16:29:15 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 5 Mar 1999 16:29:08 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Deep Thoughts Date: Fri, 5 Mar 1999 16:29:06 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Deep Thoughts Date: Fri, 5 Mar 1999 16:29:06 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > -----Original Message----- > From: Chiodo, Jane > Sent: Friday, March 05, 1999 4:12 PM > To: Flynn, Kelly; Friedman, Kelly; Mendes, Rica > Subject: FW: Deep Thoughts > > Long - but a good way to waste some Friday time. > > -----Original Message----- > From: Rich Chiodo [SMTP:RCHIODO@mobius-inc.com] > Sent: Friday, March 05, 1999 9:21 AM > To: 'Mike Surel'; 'Chris Chiodo'; 'Chiodo, Jane' > Subject: Deep Thoughts > > These sound like they were taken out of the book.... > > > You know one thing that will really make a woman mad? Just run up and > kick her in the butt. > > How come the dove gets to be the peace symbol? How about the pillow? > It has more feathers than the dove, and it doesn't have that dangerous > beak. > > Somebody told me it was frightening how much topsoil we are losing > each year, but I told that story around the campfire and nobody got > scared. > > One day one of my little nephews came up to me and asked me if the > equator was a real line that went around the Earth, or just an > imaginary one. I had to laugh. Laugh and laugh. Because I didn't know, > and I thought that maybe by laughing he would forget what he asked me. > > > If you're in a boxing match, try not to let the other guy's glove > touch your lips, because you don't know where that glove has been. > > I hope that after I die, people will say of me: ``That guy sure owed > me a lot of money.'' > > Whenever I need to ``get away,'' I just get away in my mind. I go to > my imaginary spot, where the beach is perfect and the water is perfect > and the weather is perfect. The only bad thing there are the flies. > They're terrible! > > If you ever reach total enlightenment while you're drinking a beer, I > bet it makes beer shoot out your nose. > > I hope that someday we will be able to put away our fears and > prejudices and just laugh at people. > > It's easy to sit there and say you'd like to have more money. And I > guess that's what I like about it. It's easy. Just sitting there, > rocking back and forth, wanting that money. > > I don't pretend to have all the answers. I don't pretend to even know > what the questions are. Hey, where am I? > > One thing about my Aunt Adie: She was gruff on the outside, but if you > ever needed something, like a spanking or a scolding, she'd give it to > you. > > Instead of putting a quarter under a kid's pillow, how about a pine > cone? That way, he learns that "wishing" isn't going to save our > national forests. > > If you ever feel like you're on the verge of a nervous breakdown, just > follow these simple rules: First, calm down; second, come over and > wash my car; third, shine all my shoes. There, isn't that better? > > Dad always thought laughter was the best medicine, which I guess is > why several of us died of tuberculosis. > > The face of a child can say it all, especially the mouth part of the > face. > > I bet one legend that keeps recurring throughout history, in every > culture, is the story of Popeye. > > Consider the daffodil. And while you're doing that, I'll be over here, > looking through your stuff. > > My new millionaire idea is one regular shoe and one "swollen" shoe, > for when you get bit by a rattlesnake. > > I bet the sparrow looks at the parrot and thinks, yes, you can talk, > but LISTEN TO YOURSELF! > > I think there probably should be a rule that if you're talking about > how many loaves of bread a bullet will go through, it's understood > that you mean lengthwise loaves. Otherwise, it makes no sense. > > Instead of trying to build newer and bigger weapons of destruction, > mankind should be thinking about getting more use out of the weapons > we already have. > > I don't think I'm ever more "aware" than I am right after I hit my > thumb with a hammer. > > Maybe in order to understand mankind, we have to look at the word > itself. Mankind. Basically, it's made up of two separate > words---"mank" and "ind". What do these words mean? It's a mystery, > and that's why so is mankind. > > If you were a pirate, you know what would be the one thing that would > really make you mad? Treasure chests with no handles. How the hell are > you supposed to carry it?! > > As the evening sun faded from a salmon color to a sort of flint gray, > I thought back to the salmon I caught that morning, and how gray he > was, and how I named him Flint. > > Broken promises don't upset me. I just think, why did they believe me? > > As the light changed from red to green to yellow and back to red > again, I sat there thinking about life. Was it nothing more than a > bunch of honking and yelling? Sometimes it seemed that way. > > I'd rather be rich than stupid. > > I wish I would have a real tragic love affair and get so bummed out > that I'd just quit my job and become a bum for a few years, because I > was thinking about doing that anyway. > > To me, boxing is like a ballet, except there's no music, no > choreography, and the dancers hit each other. > > If you're robbing a bank, and your pants suddenly fall down, I think > it's okay to laugh, and to let the hostages laugh too, because come > on, life is funny. > > I wish I had a dollar for every time I spent a dollar, because then, > yahoo!, I'd have all my money back. > > If you want to sue somebody, just get a little plastic skeleton and > lay it in their yard. Then tell them their ants ate your baby. > > I remember how the other kids used to say that old Mister Swenson was > the meanest man in town. But I said I thought he was nice, that he > just didn't know how to show it. The meanest man in town, I said, was > the mean old guy who lived in the big white house. "THAT'S MISTER > SWENSON," they said. Oh, my mistake. > > We tend to scoff at the beliefs of the ancients. But we can't scoff at > them personally, to their faces, and this is what annoys me. > > The other day I got out my can opener and was opening a can of worms > when I thought, "What am I doing?!" > > I think in one of my previous lives I was a mighty king, because I > like people to do what I say. > > The tiger can't change his spots. No, wait, he did! Good for him! > > I'd like to see a nude opera, because when they hit those high notes I > bet you can really see it in those genitals. > > One thing vampire children have to be taught early on is, don't run > with a wooden stake. > > It takes a big man to cry, but it takes a bigger man to laugh at that > man. > > If you ever drop your keys into a river of molten lava, let 'em go, > because, man, they're gone. > > I can't stand cheap people. It makes me real mad when someone says > something like "Hey, when are you going to pay me that hundred dollars > you owe me?" > > A quiz: If I am my brother's keeper, who am I? (Answer: me.) > > One thing a computer can do that most humans can't is be sealed up in > a cardboard box and sit in a warehouse. > > When I heard that trees grow a new "ring" for each year they live, I > thought, we humans are kind of like that: we grow a new layer of skin > each year, and after many years we are thick and unwieldy from all of > our skin layers. > > If you ever have to steal money from your kid, and later on he > discovers it's gone, I think a good thing to do is to blame it on > Santa Claus. > > I have to laugh when I think of the first cigar, because it was > probably just a bunch of rolled-up tobacco leaves. > > If you're ever shipwrecked on a tropical island and you don't know how > to speak the natives' language, just say "Poppy-oomy." I bet it means > something. > > Sometimes life seems like a dream, especially when I look down and see > that I forgot to put on my pants. > > I had some eyeglasses. I was walking down the street when suddenly the > prescription ran out. > > I got food poisoning today. I don't know when I'll use it. > > When I turned two I was really anxious, because I'd doubled my age in > a year. I thought, if this keeps up, by the time I'm six I'll be > ninety. > > Sponges grow in the ocean. That just kills me. I wonder how much > deeper the ocean would be if that didn't happen. > > I planted some bird seed. A bird came up. Now I don't know what to > feed it. > > I was sad because I had no shoes, until I met a man who had no feet. > So I said, "Got any shoes you're not using?" > > When I get real bored, I like to drive downtown and get a great > parking spot, then sit in my car and count how many people ask me if > I'm leaving. > > If I ever had an OUT-OF-BODY experience... I'd try to come back to a > different body. > > I'm sure there will be a tomorrow because in Australia, it's already > here. > > One of the symptoms of an approaching nervous breakdown is the belief > that one's work is terribly important. > > A man can't be too careful in the choice of his enemies. > > Forgive your enemies, but never forget their names. > > The nice thing about egotists is that they don't talk about other > people. > > The graveyards are full of indispensable men. > > You can pretend to be serious; you can't pretend to be witty. > > If I were two-faced, would I be wearing this one? > > You can get more with a kind word and a gun than you can with a kind > word alone. > >  1,, Summary-line: 6-Mar oakapple2@yahoo.com #Music Appreciation Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24872; Sat, 6 Mar 99 01:05:52 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA07951; Sat, 6 Mar 99 01:06:27 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id BAA25690; Sat, 6 Mar 1999 01:05:48 -0500 (EST) Date: Sat, 6 Mar 1999 01:05:48 -0500 (EST) Message-Id: <19990306060153.18697.rocketmail@send102.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Music Appreciation Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 6 Mar 1999 01:05:48 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Music Appreciation Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Someone on the opera list posted an answer a student had written in a college music appreciation exam: Rogers and Hammerstern wrote 'HMS Pianoforte'. The professor described it as: " ... the perfect wrong answer: five words, five errors." He did not consider "HMS" to be a word, and the errors were: wrong librettist, wrong composer, and three misspellings. Almost as good was a description of the quartet from the last act of RIGOLETTO as "the minuet and trio from Beethoven's MARRIAGE OF FIGARO." == Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 8-Mar davidcookson@csi.com #Make-your-own CD Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05175; Mon, 8 Mar 99 18:46:30 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA09797; Mon, 8 Mar 99 18:47:06 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id SAA01870; Mon, 8 Mar 1999 18:46:05 -0500 (EST) Date: Mon, 8 Mar 1999 18:46:05 -0500 (EST) Message-Id: <3.0.5.32.19990308232142.00831510@pop.site1.csi.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: davidcookson@csi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Make-your-own CD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) *** EOOH *** Date: Mon, 8 Mar 1999 18:46:05 -0500 (EST) Reply-To: davidcookson@csi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Make-your-own CD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) There's been a bit of discussion about "make-your-own" CDs, and I think there'd be copyright problems if any of us were to undertake this (other than using out-of-copyright recordings). However, FWIW, CD Universe offer a "Create a CustomCD" service. You can pick the tracks you want, and they'll do a CD for you. The basic cost is USD 5.99 for the CD, plus USD 0.99 per track, up to a maximum of 70 minutes. It's not always USD 0.99 - some tracks might be a different price, but most seem to be USD 0.99. So a fifteen-track CD would cost USD 20.84. At the moment they're giving USD 5.00 off, knocking the price down to USD 15.84. Shipping is extra. I've just had a "trial" run - it took me about 10 minutes to locate a Yeomen overture. I started trying to find "When our gallant Norman foes", and gave up when it presented me with more pages to search through than you could shake a stick at. So creating your own CD isn't as easy as it sounds. Their search facility in this particular department is very basic, and I couldn't find an easier/quicker way to do it. If anyone fancies having a go at this, their URL is http://cdu2.cduniverse.com Just follow the "Create a CustomCD" link. If anyone finds an un-tedious way of doing this, do let me know ! All the best David Cookson  1,, Summary-line: 10-Mar ommerfeld@orchard.arlingt #Re: DHCP Server Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01581; Wed, 10 Mar 99 12:07:58 EST Received: from orchard.epilogue.com by MIT.EDU with SMTP id AA07787; Wed, 10 Mar 99 12:08:17 EST Received: from orchard.arlington.ma.us (localhost [[UNIX: localhost]]) by orchard.arlington.ma.us (8.8.8/1.34) with ESMTP id RAA09901; Wed, 10 Mar 1999 17:07:37 GMT Message-Id: <199903101707.RAA09901@orchard.arlington.ma.us> To: Greg Hudson Cc: Matt Braun , "Charles M. Hannum" , sipb-staff@MIT.EDU Subject: Re: DHCP Server In-Reply-To: Message from Greg Hudson of "Wed, 10 Mar 1999 11:36:03 EST." <199903101636.LAA00829@nephthys.grey17.org> Date: Wed, 10 Mar 1999 12:07:37 -0500 From: Bill Sommerfeld *** EOOH *** To: Greg Hudson Cc: Matt Braun , "Charles M. Hannum" , sipb-staff@MIT.EDU Subject: Re: DHCP Server In-Reply-To: Message from Greg Hudson of "Wed, 10 Mar 1999 11:36:03 EST." <199903101636.LAA00829@nephthys.grey17.org> Date: Wed, 10 Mar 1999 12:07:37 -0500 From: Bill Sommerfeld [I'm responding purely to the technical issue of why the particular configuration resulted in a war-of-pings, wearing my DHCP implementor's hat. ] The normal case dhcp protocol looks something like this: 1) client broadcasts DHCPDISCOVER 2) server(s) respond with DHCPOFFER 3) client picks one, and broadcasts DHCPREQUEST 4) the server in question responds wit DHCPACK or DHCPNAK Now, what happened is that the DHCP server on ZSR responded in step 1, but was unable to respond in step 3. I'm assuming, in the absence of a packet trace, that what happened was chomp -> * DISCOVER zsr-> chomp OFFER chomp -> * REQUEST other-> chomp NAK the NAK then puts the client back into INIT state, and it sends another DISCOVER. If this assumption is wrong, the rest of this message is meaningless. There are a couple of protocol implementation bugs here. 1) The DHCP rfc's, at least the way I read them, require a random delay of somewhere around 1-4 seconds before sending a DISCOVER. However, many (most?) clients cheat and don't bother with the delay. When I rewrote Epilogue's client, I noticed the possibility of this sort of spamming of the network by the client if the delay wasn't present, added the (required by spec) delay, and found it actually simplifies the state machine somewhat. I haven't encountered another client which did do the delay, but then I haven't really looked hard for one. Had the shark's boot-rom-based client been compliant with the spec, the flood would have been rate limited to under 1pps and nobody would have noticed. Again, if I was right about this, I'm going to bring this up with the DHCP working group list. The chance that someone will generate a firmware fix for the shark is approximately zero, but we can at least prevent a failure like this from happening in newer devices. 2) The DHCP protocol contains a "Server Identifier" option which is *supposed* to prevent a -> b -> a -> c -> a ping-pongs like this. a) The DHCPOFFER returned from zsr should have contained a Server Identifier option. (actually, the RFC's says MUST here..) b) the DHCPREQUEST sent by chomp should have contained a copy of that Server Identifier. c) the MITnet offical DHCP server should have dropped the REQUEST on the floor instead of NAKing it if the server identifier didn't match. I'm not sure which of (a), (b), or (c) were the case fault here, and would need to look at a packet dump to be sure.. - Bill  1,, Summary-line: 11-Mar elkor@mindspring.com #Love and Marriage Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21789; Thu, 11 Mar 99 23:45:47 EST Received: from smtp5.mindspring.com by MIT.EDU with SMTP id AA05673; Thu, 11 Mar 99 23:45:21 EST Received: from pcian (user-2iveue5.dialup.mindspring.com [165.247.121.197]) by smtp5.mindspring.com (8.8.5/8.8.5) with SMTP id XAA24795; Thu, 11 Mar 1999 23:45:02 -0500 (EST) Message-Id: <3.0.6.32.19990311232715.007bd780@pop.mindspring.com> X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Thu, 11 Mar 1999 23:27:15 -0500 To: Kendra Rosenberg , "'Cynthia J. Mallion'" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, Kendra Rosenberg , DroutmanE@tce.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Love and Marriage In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: elkor@pop.mindspring.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Thu, 11 Mar 1999 23:27:15 -0500 To: Kendra Rosenberg , "'Cynthia J. Mallion'" , kwagner@aec.umd.edu, elf@andor.org, ArcaneKnow@aol.com, jkaplan@clintoncomputer.com, mgsgjjg@erols.com, judith.bucolo@ferc.fed.us, rebeccaneumiller@juno.com, dbrandford@kenan.com, dpolicar@kenan.com, donnah@microhouse.com, opus@MIT.EDU, deb@pobox.com, natter@pressroom.com, Kendra Rosenberg , DroutmanE@tce.com, lmurray@wilmer.com, buubala@yahoo.com, hstaecker@yahoo.com, magorn@yahoo.com, noblessa@yahoo.com From: The Shadows of the Night Subject: Love and Marriage In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 09:46 AM 3/11/99 -0500, Kendra Rosenberg wrote: >How come no one we know has spiffy holiday's like this? Because we are all intelligent proffesionals with some sense of morals, skewed though they may be. Like these fine children..... One Sunday in a Midwest city a young child was "acting up" during the morning worship hour. The parents did their best to maintain some sense of order in the pew but were losing the battle. Finally the father picked the little fellow up and walked sternly up the aisle on his way out. Just before reaching the safety of the foyer the little one called loudly to the congregation, "Pray for me! Pray for me!" ======================================== A daddy was listening to his child say his prayer "Dear Harold". At this, dad interrupted and said, "Wait a minute, "How come you called God, " Harold"? The little boy looked up and said, "That's what they call Him in church. You know the prayer we say,"Our Father, who art in Heaven, Harold be Thy name." ======================================== And this particular four-year-old prayed: "And forgive us our trash baskets as we forgive those who put trash in our baskets." ======================================== One night Mike's parents overheard this prayer. "Now I lay me down to rest, and hope to pass tomorrow's test, if I should die before I wake, that's one less test I have to take." ======================================== A little boy's prayer. "Dear God, please take care of my daddy and my mommy and my sister and my brother and my doggy and me. Oh, please take care of yourself, God. If anything happens to you, we're gonna be in a big mess." ======================================== A preacher said to a precocious six-year-old boy: "So your mother says your prayers for you each night? Very commendable. What does she say?" The little boy replied, "Thank God he's in bed!" ======================================== A woman invited some people to dinner. At the table, she turned to her six-year-old daughter and said, "Would you like to say the blessing?" I wouldn't know what to say," the little girl replied. "Just say what you hear Mommy say," the mother said. The little girl bowed her head and said, "Dear Lord, why on earth did I invite all these people to dinner? ======================================== Johnny had been misbehaving and was sent to his room. After a while he emerged and informed his mother that he had thought it over and then said a prayer. "Fine," said the pleased mother. "If you ask God to help you not misbehave, He will help you." "Oh, I didn't ask Him to help me not misbehave," said Johnny. "I asked Him to help you put up with me." ======================================= A little boy was overheard praying: "Lord, if You can't make me a better boy, don't worry about it. I'm having a real good time like I am!" "The greatest pleasure I know is to do a good action by stealth, and to have it found out by accident." -Charles Lamb  1, forwarded,, Summary-line: 14-Mar mweems@erols.com #Birth: Prescott MacKenzie Weems Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09983; Sun, 14 Mar 99 16:24:22 EST Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA16580; Sun, 14 Mar 99 16:23:53 EST Received: from smtp2.erols.com (smtp2.erols.com [207.172.3.235]) by martigny.ai.mit.edu (8.8.6/8.8.6) with ESMTP id QAA04714 for ; Sun, 14 Mar 1999 16:23:43 -0500 (EST) Received: from mweems (207-172-150-50.s50.as8.anp.md.dialup.rcn.com [207.172.150.50]) by smtp2.erols.com (8.8.8/8.8.5) with SMTP id QAA08915 for ; Sun, 14 Mar 1999 16:28:09 -0500 (EST) Message-Id: <3.0.5.32.19990314162142.0083de20@pop.erols.com> X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Sun, 14 Mar 1999 16:21:42 -0500 To: lsc-alums@martigny.ai.mit.edu From: Ken and Molly Weems Subject: Birth: Prescott MacKenzie Weems Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Sun, 14 Mar 1999 16:21:42 -0500 To: lsc-alums@martigny.ai.mit.edu From: Ken and Molly Weems Subject: Birth: Prescott MacKenzie Weems Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" With pleasure, awe, and some surprise... Molly, Ken, and Hannah Weems announce the birth of Prescott MacKenzie Weems! Prex was born on March 11, 1999, weighing in at 8 lbs 9 oz and measuring 19 inches. He and mum are doing very well; Hannah loves her little brother and is proud to help in any way she can. -- Ken (KMW) Molly (MHCW) Hannah (Sep-5-96) Prex (due Mar-24-99, born Mar-11-99) Crofton, Maryland  1,, Summary-line: 15-Mar cmajor@merchantsmgmt.com #FW: Upgrade? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02088; Mon, 15 Mar 99 16:13:54 EST Received: from administrator.merchantsmgmt.com by MIT.EDU with SMTP id AA20732; Mon, 15 Mar 99 16:13:48 EST Received: by NT with Internet Mail Service (5.5.2232.9) id <106SQJLT>; Mon, 15 Mar 1999 16:19:49 -0500 Message-Id: <919508F09879D211BC6800C0F0164FE402CF01@NT> From: Cindy Major To: David , Robert , Julie , Erika , Tina , Withees Subject: FW: Upgrade? Date: Mon, 15 Mar 1999 16:19:47 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Cindy Major To: David , Robert , Julie , Erika , Tina , Withees Subject: FW: Upgrade? Date: Mon, 15 Mar 1999 16:19:47 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Subject: Upgrade? Dear Tech Support: Last year I upgraded Girlfriend 1.0 to Wife 1.0 and noticed that the new program began unexpected child processing that took up a lot of space and valuable resources. No mention of this phenomenon was included in the product brochure. In addition, Wife 1.0 installs itself into all other programs and launches during system initialization where it monitors all other system activities. Applications such as Poker-night 10.3 and Beer-bash 2.5 no longer run, crashing the system whenever selected. I cannot seem to purge Wife 1.0 from my system. I am thinking about going back to Girlfriend 1.0 but uninstall does not work on this program. Can you help me? Dear Sir, This is a very common problem men complain about but is mostly due to a primary misconception. Many people upgrade from Girlfriend 1.0 to Wife 1.0 with the idea that Wife 1.0 is merely a "UTILITY & ENTERTAINMENT" program. Wife 1.0 is an OPERATING SYSTEM and designed by its creator to run everything. It is impossible to uninstall, delete, or purge the program from the system once installed. You cannot go back to Girlfriend 1.0 because Wife 1.0 is not designed to do this. Some have tried to install Girlfriend 2.0 or Wife 2.0 but end up with more problems than the original system. Look in your manual under Warnings - Alimony/Child Support. I recommend you keep Wife 1.0 and just deal with the situation. Having Wife 1.0 installed myself, I might also suggest you read the entire section regarding General Protection Faults (GPFs). You must assume all responsibility for faults and problems that might occur. The best course of action will be to push apologize button and then reset button as soon as lock-up occurs. System will run smooth as long as you take the blame for all GPFs. Wife 1.0 is a great program but needs very careful maintenance. Get Your Private, Free Email at http://www.hotmail.com  1,, Summary-line: 15-Mar jweis@andromeda.rutgers.e #Uneven classical musical humor (fwd)- off topic Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06781; Mon, 15 Mar 99 16:24:37 EST Received: from [147.138.10.40] by MIT.EDU with SMTP id AA24369; Mon, 15 Mar 99 16:24:27 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id QAA23233; Mon, 15 Mar 1999 16:20:15 -0500 (EST) Date: Mon, 15 Mar 1999 16:20:15 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jweis@andromeda.rutgers.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Judith Weis To: Multiple recipients of list SAVOYNET Subject: Uneven classical musical humor (fwd)- off topic Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 15 Mar 1999 16:20:15 -0500 (EST) Reply-To: jweis@andromeda.rutgers.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Judith Weis To: Multiple recipients of list SAVOYNET Subject: Uneven classical musical humor (fwd)- off topic Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum some of these are pretty good; others... 1880's: "There's lots of good fish in the sea" W.S. Gilbert 1990's: Many fish stocks depleted due to overfishing, habitat loss, and pollution. \ \ \ \ \ - - _ - \ \ \ \ ----\ - _ - \ - - ( O \ _ - -_ __ / - - / -/// _ ______ ___/ /// / Judith S. Weis Department of Biological Sciences Rutgers Univ. Newark NJ 07102 jweis@andromeda.rutgers.edu ---------- Forwarded message ---------- Date: Mon, 15 Mar 1999 15:52:26 EST From: Lizfilm@aol.com To: courant.c@nypa.gov, ViolaNancy@aol.com, Charlotte.Ford@usa.net, Rabbina@aol.com, gorbman@u.washington.edu, jweis@andromeda.rutgers.edu, eileen@echonyc.com, JQM7288@is.nyu.edu, Kelly-Ray.Meritt@med.va.gov, cecele@worldnet.att.net, agnesnsimon@webtv.net, MNach@aol.com, novikoff@cims.nyu.edu, karen_romer@brown.edu, weis@umdnj.edu Subject: Uneven classical musical humor > Beethoven: "Erotica" Symphony > Telephon 1-900-453-5646 > Amsterdam Concertgeboom Orchestra > Bernard Hijinks, conductor > > Beethoven: Infidelio > Endive 647876 > Chorus and Orchestra of the Vienna State Opera for the Criminally Insane > Kari Rictus, conductor > > Berlioz: Harlots in Italy > Seraglio 1648 > William Pimpnose, viola > Montmarte Philandermonique de Chambre > Nikolous Hardoncourt, conductor > > Bloch: Schlemiel > Epic 1-989 > Mischa Mainsqueeze, cello > Cantspell Czech Philharmonic Orchestra > Vladimir Ashcanausea, conductor > > Debussy: La Merde > Nosuch II 455 > Academy of Prince Albert in the Can > Sir Colin Divot, conductor > > Gershwin: Rhapsody in Puce > Odium 288 > MTV Symphony Orchestra > Leonard Sideburns, conductor > > Liszt: Les Quaaludes > Angle DS 847569 > L'Orchestre de la Swiss Cheese > Karl Boom, conductor > > Mendelssohn: Accidental Music to " A Midsummer Night's Dream" > Capitalist 3777 > Bathroom Festival Orchestra > Daniel Barenbomb, conductor > > Mendelstotter: Peace March of the Priests > Deutsche Gestalt Gemxtlichkest 3330-676f > Stxttgart Chamber of Commerce Orchestra > Raymond Leper, conductor > > Mozart: The Magic Schoolbus > Argyle ML 34277 > Chorus and Orchestra of the Royal Opera House Covert Garden > Sir Adrian Dolt, conductor > > Mozart: Symphonie Disconcertante > Enigma 67580 > Anne-Soapy Mutter, violin; Pamela McCuddles-Edelweiss,viola > The Fitzwilliam Hippocampus Consortium of Miami University > Akira Nintendo, conductor > > Offenbach: Orpheus in his Underwear > Erratum STU 77080 > I Solisti de Zig Zagreb > Loren Mazeltov, conductor > > Orff, Carmina Piranha > Douche Gramphon 7201-75 > Academy of St. Christopher on the Dashboard > Sir Neville Marinara, conductor > > Purcell: Trumpet Involuntary > Serigraph S 64749 > Winton Veal Marsala, trumpet > Disneyland Wind Ensemble > Wilhelm Fahrtwangler, conductor > > Respighi: Ancient Errors and Dunces for the Lout > Telefunk CX3 42256 > Dumbarton Oaks Chamber Pot Orchestra > Rafael Freshbatch de Burgers, conductor > > Respighi: The Mountains of Chrome > Turnover TVA 64784 > Eastman Kodak Symphony Orchestra > Howard Handsome, conductor > > Respighijklmnoops: The Pines of Sol > Archaic DT 9477356 > Halley's Comet Orchestra > Sir John Barbarian, conductor > > Rimsky-Of-Korsakov: Le Coq au Vin > Turnoff TWA 503472 > Vienna Volkswagon Orchestra > Richard Boingg, conductor > > Sherbet: Unfurnished Symphony > Deutsche Gewurztraminer Gazelleschaft 8988 > New York Philanthropic Orchestra > Earnest Answer-man, conductor > > Shostakovich: Concerto #1 for Piano and Strumpet > Decadence 95648 > Zoltan Coccyx, piano; William Hips, strumpeter > Bidetfest Symphony Orchestra > Wetold Loutaslapstick, conductor > > Smetana: The Battered Broad > Argot ZPG 746 > Barbarian Radio Orchestra > Hanns Upp, conductor > > Stravinsky: The Firebug > Arson Nova 911 > Manuel de Falla Society Orchestra > Krrysstof Paindernecki, conductor > > Tacobell: Cannon in D > Megaphon 3455 34 > English Bedchamber Orchestra > Claudio Abbadabbadoo, conductor > > Tchaikovsky: Tobacco Variations > Panatela 4655 > Bert Phillips-Morris, cello > The Philadelphia Tabernacle Strings > Eugene Mormondy, conductor > > Tchaikovsky: Marche Slob > His Master's Vice ARSE 8574 > London Pandemonic Orchestra > Michael Teeter-Totter, conductor  1,, Summary-line: 15-Mar cmajor@merchantsmgmt.com #FW: Joke...delete if you are sick of jokes, but I liked ... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06023; Mon, 15 Mar 99 17:36:36 EST Received: from administrator.merchantsmgmt.com by MIT.EDU with SMTP id AA18764; Mon, 15 Mar 99 17:36:29 EST Received: by NT with Internet Mail Service (5.5.2232.9) id <106SQJMP>; Mon, 15 Mar 1999 17:42:36 -0500 Message-Id: <919508F09879D211BC6800C0F0164FE402CF09@NT> From: Cindy Major To: Jeff Boles , Kathy Friton , David , Robert , Julie , Erika , Withees , Dad , Andy Subject: FW: Joke...delete if you are sick of jokes, but I liked ... Date: Mon, 15 Mar 1999 17:42:34 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Cindy Major To: Jeff Boles , Kathy Friton , David , Robert , Julie , Erika , Withees , Dad , Andy Subject: FW: Joke...delete if you are sick of jokes, but I liked ... Date: Mon, 15 Mar 1999 17:42:34 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Sleeping Beauty, Tom Thumb and Quasimodo were all talking one day. >>> >>> Sleeping Beauty said, "I believe myself to be the most beautiful >>> girl in the world." >>> >>> Tom Thumb said, "I must be the smallest person in the world." >>> >>> Quasimodo said, "I absolutely have to be the ugliest person in the >>> World." >>> >>> They decided to go to the Guinness Book of World Records to have >>> their claims verified. >>> >>> Sleeping Beauty went first and came out looking deliriously happy. "It's official, I AM the most beautiful girl in the world." >>> >>> Tom Thumb went next and emerged triumphant, "I am officially the >>> smallest person in the world." >>> >>> Sometime later, Quasimodo came out looking crestfallen and simply >>> said, "Who's Linda Tripp?" >>> >> > > >  1,, Summary-line: 15-Mar mendes@aigfpc.com #FW: HA HA HA!!!! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17024; Mon, 15 Mar 99 18:10:03 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA27984; Mon, 15 Mar 99 18:09:58 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10MgUS-000028-00; Mon, 15 Mar 1999 18:09:45 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 15 Mar 1999 18:09:42 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: HA HA HA!!!! Date: Mon, 15 Mar 1999 18:09:36 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: HA HA HA!!!! Date: Mon, 15 Mar 1999 18:09:36 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Sorry if it's a double, Tan-tan! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > > >Subject: truth is stranger than fiction - 101 > > > >TRUE STORY: > > > >Carjacking Foiled: An elderly lady did her shopping and upon return > found > >4 males in her car. She dropped her shopping bags and drew her > handgun, > >proceeding to scream at them at the top of her voice that she knows > how to > >use it and that she will if required.... so get out of the car. > > > >The 4 men didn't wait around for a second invitation but got out and > ran > >like mad, where upon the lady proceeded to load her shopping bags > into the > >back of the car and got into the drivers seat. > > > >Small problem, her key wouldn't fit the ignition. Her car was > identical > >and parked four five spaces further down. She loaded her bags into > her car > >and drove to the police station. > > > >The sergeant that she told the story to nearly tore himself in two > with > >laughter and pointed to the other end of the counter where 4 pale > white > >males were reporting a car-jacking by a mad elderly white > women......no > >charges were filed. > > > >  1,, Summary-line: 16-Mar mendes@aigfpc.com #FW: Two good 'uns Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11196; Tue, 16 Mar 99 08:46:18 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA01673; Tue, 16 Mar 99 08:46:11 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10MuAE-00028z-00; Tue, 16 Mar 1999 08:45:47 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 16 Mar 1999 08:45:39 -0500 Message-Id: From: "Mendes, Rica" To: "Harriman, Paul" , "Litwin, Jennifer" , 'Amy Allen' , 'Ann Kirschner' , 'Brian Sweeney' , 'Cathlin Davis' , 'clapp' , 'Dan J' , "David Bishop (E-mail)" , 'David Craven' , 'David J' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice2' , 'Kati Roberts' , 'kravetz' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'Peter Zavon' , 'Phil Sternenberg' , 'Ralph MacPhail' , 'Rebecca C' , 'sam silvers' , 'sinasohn' , 'snyder' , 'sooz' , 'stevemartin' , 'ScottB' Subject: FW: Two good 'uns Date: Tue, 16 Mar 1999 08:45:36 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "Harriman, Paul" , "Litwin, Jennifer" , 'Amy Allen' , 'Ann Kirschner' , 'Brian Sweeney' , 'Cathlin Davis' , 'clapp' , 'Dan J' , "David Bishop (E-mail)" , 'David Craven' , 'David J' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice2' , 'Kati Roberts' , 'kravetz' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Mitch Scott Gilett' , 'moshe' , 'NEFF' , 'Paul' , "'Phil @ Home'" , 'Peter Zavon' , 'Phil Sternenberg' , 'Ralph MacPhail' , 'Rebecca C' , 'sam silvers' , 'sinasohn' , 'snyder' , 'sooz' , 'stevemartin' , 'ScottB' Subject: FW: Two good 'uns Date: Tue, 16 Mar 1999 08:45:36 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > Try reading this out loud... > > You can Telemann by where he likes to live. I just Toch a trip Orff > into > one > of the Wilder areas Faure Wieck, and to > be Verdi Franck, it nearly drove Menotti. > > I know opinion Varese, but even Vivaldi urban noises, the Bizet > traffic, > De > Falla engines, as well as knowing there are > Mennin the streets Callas enough to knock your Bloch off. I couldn't > resist > the urge to Galuppi home early Satie, and > I Haieff to say I Still prefer the Mitropoulos. The Boyce were Sor > that I > had > Gibbons up and succumbed to the > Riegger of the Field so easily, but I don't give a Schuetz. > > I was practically Krein from my Severacs and Pains brought on by that > brief > time in the countryside! Even the sounds > got my Dandrieu up; let me Liszt some of them: the Rorem of the wind, > a > constant Birtwhistle, the Menuhin of the > Katz, the Lipatti-Patti-Glinka-Poulenc of the Reiner on the roof, the > Gluck- > Gluck of the hens, and every morning a > woodpecker or some Byrd Chopin holes in a Tree. My only company was a > Thorne > Busch, a Partch of poison Ives, a > Braun Babbit, and sometimes a Wolf, nothing Moore. For a Forrest > Grainger > it > may be Fine - it may be the Katz > Milhaud -- but I could have died of Borodin. A friend suggested my > making > this > Tureck; "Abegg" his pardon, but I > will never go Bach to those Gotterdaemmerung Hillis. They Suk! > > No, I don't care for the Ruggles life. I like a good Mehul - a little > Suppe, > some Szigeti, maybe some Salome at my > local Taverner with a little lime Schubert after (even if they don't > always > clear the Crumbs off the table). And I like to > Locatelli while I'm Eaton Maderna at night. Is that asking for Egk in > Meyerbeer? > > Nono! So many people Berio themselves under a Holst of problems they > know > they > can't Handel. Their answer is too > Offenbach to nature - into Haydn, it seems to me. I Karajan a d'Indy > life > in > the Berg for the most Paert. Maybe it isn't > Perle Bliss for everybody, but it's Godunov for me. > > :) > > found on > http://www.prs.net/fun.html > > > ******* > > WARNING! WARNING! WARNING! > > IF YOU RECEIVE A GIFT IN THE SHAPE OF A LARGE WOODEN > HORSE DO NOT DOWNLOAD IT!!!! It is EXTREMELY > DESTRUCTIVE and will overwrite your ENTIRE CITY! > > The "gift" is disguised as a large wooden horse about two stories > tall. It tends to show up outside the city gates and appears to be > abandoned. DO NOT let it through the gates! It contains hardware > that is incompatible with Trojan programming, including a crowd of > heavily armed Greek warriors that will destroy your army, sack your > town, and kill your women and children. If you have already received > such a gift, DO NOT OPEN IT! Take it back out of the city unopened > and set fire to it by the beach. > > FORWARD THIS MESSAGE TO EVERYONE YOU KNOW! > > Poseidon > > * * * > > FROM: hector@studmuffin.com > TO: laocoon@doomgloom.edu > RE: Greeks bearing gifts > > Laocoon, > > I hate to break to you, but this is one of the oldest hoaxes there is. > I've seen variants on this warning come through on other listservs, > one involving some kind of fruit that was supposed to kill the people > who ate it and one having to do with something called the "Midas > Touch." Here are a few tipoffs that this is a hoax: > > 1) This "Forward this message to everyone you know" crap. If it were > really meant as a warning about the Greek army, why tell anyone to > post it to the Phonecians, Sumerians, and Cretans? > > 2) Use of exclamation points. Always a giveaway. > > 3) It's signed "from Poseidon." Granted he's had his problems with > Odysseus but he's one of their guys, isn't he? Besides, the lack of a > real header with a detailed address makes me suspicious. > > 4) Technically speaking, there is no way for a horse to overwrite > your entire city. A horse is just an animal, after all. > > Next time you get a message like this, just delete it. I appreciate > your concern, but once you've been around the block a couple times > you'll realize how annoying this kind of stuff is. > > Bye now, > > Hector  1,, Summary-line: 18-Mar mendes@aigfpc.com #FW: Spelling Does Count Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24075; Thu, 18 Mar 99 17:16:02 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA10709; Thu, 18 Mar 99 17:16:43 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10Nl4i-0000Fp-00; Thu, 18 Mar 1999 17:15:36 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 18 Mar 1999 17:15:28 -0500 Message-Id: From: "Mendes, Rica" To: "Jaques, Sabrina" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Spelling Does Count Date: Thu, 18 Mar 1999 17:15:21 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Jaques, Sabrina" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin , Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Spelling Does Count Date: Thu, 18 Mar 1999 17:15:21 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ > > In an ancient monastery in a faraway place, a new monk arrived > to > > join his > > brothers in copying books and scrolls in the monastery's > scriptorium. He > > was assigned as a scribe on copies of books that had already been > copied > > by hand. > > > > One day, he asked Father Florian (the armarius of the > scriptorium), > > "Does > > not the copying by hand of other copies allow for chances of error? > How > do > > we know we are not copying the mistakes of someone else? Are they > ever > > checked against the original?" > > > > Fr. Florian is set back a bit by the obvious logical observation > of > > this > > youthful monk. "A very good point, my son. I will take one of the > latest > > books down to the vault and compare it against the original." > > > > Fr. Florian went down to the secured vault and began his > verification. > > After a day had passed, the monks began to worry and went down > looking > for > > the old priest. They were sure something must have happened. As they > > approached the vault, they heard sobbing and crying. When they > opened the > > door, they found Fr. Florian sobbing over the new copy and table. It > was > > obvious to all that the poor man had been crying his old heart out > for a > > long time. > > > > "What is the problem, Reverend Father?" asked one of the monks. > > > > "Oh, my Lord," sobbed the priest, "the word is 'celebrate'!" >  1,, Summary-line: 23-Mar mendes@aigfpc.com #FW: Dr Seuss Shakespeare (1 of 2) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14286; Tue, 23 Mar 99 08:29:30 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA13922; Tue, 23 Mar 99 08:30:15 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10PREx-0006zX-00; Tue, 23 Mar 1999 08:29:08 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 23 Mar 1999 08:29:01 -0500 Message-Id: From: "Mendes, Rica" To: Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Dr Seuss Shakespeare (1 of 2) Date: Tue, 23 Mar 1999 08:28:51 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: multipart/mixed; boundary="---- =_NextPart_000_01BE7531.1CA7A54E" *** EOOH *** From: "Mendes, Rica" To: Annette Pacey , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly DiTullio , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , ScottB , sooz , stevemartin Subject: FW: Dr Seuss Shakespeare (1 of 2) Date: Tue, 23 Mar 1999 08:28:51 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: multipart/mixed; boundary="---- =_NextPart_000_01BE7531.1CA7A54E" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------ =_NextPart_000_01BE7531.1CA7A54E Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products <> ------ =_NextPart_000_01BE7531.1CA7A54E Content-Type: text/plain; name="SEUSSS~1.TXT" Content-Transfer-Encoding: quoted-printable Content-Disposition: attachment; filename="SEUSSS~1.TXT" Dr. Seuss Does Shakespeare What If Dr. Seuss Did Shakespeare?=20 (Author Unknown) List of Characters=20 FOX, Prince of Denmark=20 KNOX, FOX's friend and fellow student=20 GHOST of FOX's father, former King of Denmark CHICKS, officers of the = watch=20 SUE, Queen of Denmark=20 SLOW JOE CROW, King of Denmark=20 GOO-GOOSE, counsellor to the king=20 BIM, former schoolfellow of FOX=20 BEN, brother to BIM and also former schoolfellow of FOX PIGS, = attendants=20 LUKE LUCK, Prince of Norway=20 DUCK, ambassador to Norway=20 TWEETLE BEETLES, in the Norwegian army=20 POODLE, courtier=20 ACT 1, Scene 1=20 [Enter FOX and KNOX]=20 FOX: Lo, some socks!=20 KNOX: Behold, a box!=20 'Tis now struck twelve, get thee to socks, Fox. =20 FOX: For this relief much thanks, 'tis bitter cold=20 And I am Fox in socks. KNOX: Well, good night. I am Knox in box. 5 FOX: Friends to the ground, and liegemen to the Dane. =20 Knox on Fox in socks in box. =20 [Enter GHOST]=20 KNOX: Peace, break thee off. Look where it comes again. =20 FOX: In the same figure, socks on Knox and Knox in box. =20 KNOX: It would be spoke to. Question it, Fox. 10=20 FOX: What art thou that usurp'st this time of night,=20 Together with Fox in socks on box on Knox?=20 KNOX: It is offended. See, it stalks away. =20 [Exit GHOST]=20 FOX: We do it wrong being so majestical. =20 [Exeunt]=20 ACT 1, Scene 2=20 [Flourish. Enter FOX and KNOX]=20 FOX: What, ho! Chicks with bricks come. =20 [Enter CHICKS with bricks]=20 KNOX: Peace, break thee off. Look where chicks with blocks come. =20 [Enter CHICKS with blocks]=20 FOX: But soft, behold, lo where chicks come again!=20 Chicks with bricks and blocks and clocks come. =20 =20 [Enter CHICKS with bricks and blocks and clocks]=20 =20 FOX: Mark me, mark me, my lord Knox, sir. 5 =20 Let us hold watch with bricks and blocks, sir. Let us have after with=20 chicks and clocks, sir. A mote is to trouble the mind's eye,=20 In the most high quick trick brick stack, A little ere the mightiest = Julius=20 fell 10=20 As stars with trains of fire from a quick trick block stack. What if it = tempt you toward the flood my lord, Or to the dreadful summit of a = quick=20 trick chick stack, That beetles o'er his base into the sea, And there=20 assume some quick trick clock stack? 15=20 My fate cries out, my lord Knox,=20 Socks on chicks and chicks on Fox. =20 [Enter GHOST]=20 FOX: Angels and ministers of grace defend us!=20 Be thou a spirit of Fox on clocks on bricks and blocks, Or goblin = damned=20 with bricks and blocks on Knox on box, 20=20 Bring with thee ticks from heaven or tocks from hell, Let my lord Knox = not=20 burst in ignorance but tell: Clocks on Fox tick, clocks on Knox tock. =20 KNOX: Something is rotten in the state of Denmark. =20 [Exit GHOST]=20 FOX: O that these too too solid six sick bricks would tick, 25=20 Thaw and resolve these six sick chicks which tock. =20 KNOX: Prithee, sir. I don't like this trick, sir. =20 How weary, stale, flat and unprofitable=20 Seems to me the quickness and slickness of my tongue! Fie on't, ah fie, = I=20 get all those ticks and tocks, sir, 30=20 Mixed up with the chicks and tocks, sir. It is not, nor it cannot come = to=20 good, Fox, sir. =20 FOX: A truant disposition, good my lord. =20 [Exeunt]=20 ACT 2, Scene 1=20 [Enter FOX and KNOX]=20 FOX: How now, such wanton, wild, and usual slips=20 As are companions noted and most known=20 To youth and liberty. =20 KNOX: As gaming, my lord?=20 FOX: Ay, 'tis an easy game to play,=20 An easy thing to say - you may go so far. 5=20 Soft now - new socks, two socks, whose socks?=20 [Enter SUE]=20 The fair Sue - Nymph, in thy orisons=20 Be all my socks remembered. =20 =20 SUE: Good my lord,=20 How does your sewing for this many a socks?=20 FOX: I humbly thank you. =20 [to KNOX] Sue sews Sue's socks. 10=20 SUE: My lord, I have remembrances of yours. =20 Who sees who sew whose new socks, my lord?=20 FOX: [to KNOX]=20 You see Sue sew Sue's new socks, my lord. =20 KNOX: Marry sir, here's my drift,=20 'Tis not easy, my lord Fox. 15=20 [Exeunt]=20 ACT 2, Scene 2=20 [Enter FOX, KNOX, and SUE]=20 KNOX: Hark now! Who comes here?=20 [Enter SLOW JOE CROW]=20 FOX: Crow comes. Welcome dear Slow Joe Crow!=20 Moreover that we much did long to see you, The need we have to use you = did=20 provoke=20 Our hasty sending. Who sew's crow's clothes? 5=20 CROW: Your majesty might by sovereign power=20 Put your dread pleasures more into command Than to entreaty: Sue sews=20 crow's clothes. =20 FOX: Thanks Slow Joe Crow, and I beseech you=20 Instantly to sew whose clothes?=20 CROW: Sue's clothes. 10=20 FOX: Thou still hast been the father of good news. =20 CROW: Have I my lord? Assure you, my good liege,=20 Sue sews socks of Fox in socks now. =20 FOX: Oh speak of that, that do I long to hear;=20 Slow Joe Crow sews Knox in box now. 15=20 Give first admittance to th'ambassadors: Sue sews rose on Slow Joe = Crow's=20 clothes. =20 SUE: My news shall be the fruit to that great feast:=20 Fox sews hose on Slow Joe Crow's nose. =20 FOX: I would fain prove that this hose goes, 20=20 When I had seen that this rose grows -=20 As I perceived it, I must tell you that=20 Nose hose goes some - what might you think Had I looked upon crow's = rose=20 growing some?=20 KNOX: Ay so, God bye to you, my lord Fox. 25=20 O what a rogue and peasant slave am I!=20 Is it not monstrous that this player here Hates this game, in a dream = of=20 passion,=20 Could force not his tongue to his own conceit That from her working all = his=20 visage wanned, 30=20 Tears in his eyes, distraction in's aspect, A lame tongue, and his = whole =20 function suiting With forms to his conceit? And all for nothing?=20 =20 FOX: My lord Knox, the play's the thing=20 Wherein your tongue shall consent to sing. 35=20 [Exeunt]=20 ACT 3, Scene 1=20 [Enter FOX, KNOX, and GOO-GOOSE]=20 FOX: And can you by no drift of circumstance=20 Find something new to do now?=20 With all my heart, and it doth much content me, Here is lots of new = blue=20 goo now. =20 'Tis now the very goo of night, 5=20 When churchyards yawn, and hell itself breathes out Blue goo to this = world. =20 Now could I drink hot goo, And do such gooey, gooey business as the day = Would quake to look on. Soft, now to my blue goo. O heart, lose not thy = new=20 goo; let not ever 10=20 The soul of Nero enter this gluey, gluey bosom. Give me that gooey goo=20 which is chewy chewing's slave, And I will chew him in my heart's core, = Ay in my heart of heart, as that Goo-Goose is doing. I prithee when = thou=20 chewst that goo, my lord, 15=20 That thou choosest to chew thy goo with the Very chewing of the = Goo-Goose,=20 do, my lord. =20 KNOX: My lord Fox, oh this goo is rank,=20 It smells to heaven; it hath the primal=20 Eldest curse upon't. Say it can I not, 20=20 Though inclination be sharp as will,=20 I stand in pause where I shall first chew. =20 FOX: My lord doth protest too much methinks. =20 Let us find another game to play. =20 [Exeunt]=20 ACT 3, Scene 2=20 [Enter FOX and KNOX]=20 FOX: Hark, Bim comes!=20 [Enter BIM] Ho, Ben comes!=20 [Enter BEN]=20 BIM: I hast Ben broom. =20 BEN: I hast Bim broom. =20 FOX: Look here upon this picture, and on this,=20 The counterfeit presentment of two brothers. See what a broom was bent = by=20 Ben; 5=20 Bim's bends, the broom of Ben himself=20 Is bent by Bim, to bend and break;=20 A broom like Bim's, new-bent by Ben=20 Is broken where every god did seem to bend. =20 [Flourish. Danish March (trumpets and kettle-drums). =20 Enter PIGS attendant]=20 This is Ben's band. Look you now what follows. 10=20 Here is Bim's band, like a big band,=20 Yea a pig band. Have you eyes?=20 Could you leave Bim and Ben to lead=20 These bands with brooms? What judgement=20 Would step from Ben's band banging 15=20 To sense th'ecstasy of Bim's band booming?=20 KNOX: Oh what a noble tongue is here o'erthrown!=20 The pig band, boom band, big band, broom band, Th'expectancy and rose = of my=20 poor mouth, The glass of fashion it cannot say, 20=20 Th'observed of all observers, quite, quite down, And my poor mouth most = deject and wretched. =20 FOX: Indeed, this mouth is now most still, most grave. =20 Come sir, to draw toward an end with you. =20 [Exeunt]=20 ACT 4, Scene 1=20 [Enter FOX, KNOX, LUKE LUCK, and DUCK]=20 FOX: How now, Luke Luck. Dost thou like lakes?=20 LUKE: Verily, my lord. =20 FOX: Dost thy duck like lakes?=20 LUKE: Truly to speak, and with no addition,=20 We go to lick a little patch of lake=20 That hath in it no profit but the name. 5=20 FOX: Why then, thou lick'st lakes. =20 LUKE: Ay, and my duck also lick'st lakes. =20 FOX: [to KNOX]=20 Two thousand lakes and twenty thousand licks Will not debate the = question=20 of which lake Luke Luck's duck postures to lick; 10=20 This is th'lake oft liked by Luke Luck. =20 How all occasions do inform that Luke Luck Takes licks in lakes liked = by duck. =20 KNOX: Witness this army of such blibber and blubber,=20 Blabbed not by a delicate and tender tongue, 15=20 Whose spirit be not made of rubber!=20 FOX: Too much of water hast thou, poor Knox,=20 And therefore I forbid my tears. But yet, Thou dost not have to be so = dumb,=20 my lord Knox. =20 [Exeunt]=20 ACT 4, Scene 2=20 [Enter FOX and KNOX]=20 FOX: Try to say this my lord Knox, prithee - Through three cheese = trees, or not through three cheese trees, That is the=20 question - whether 'tis nobler In the trees for three free fleas to = fly, Or=20 to take a freezy breeze that blew 5=20 While these fleas flew and by blowing=20 Freeze these three trees. To breeze, to freeze - No more; and by a = breeze=20 to blow we freeze The trees and the thousand natural trees That cheese = is=20 heir to - 'tis a cheese 10=20 Devoutly to be freezed. To breeze, to freeze - To freeze, perchance to=20 sneeze. Ay, there's the rub, For in that freeze of cheese what sneezes = may=20 come, When fleas flew off this mortal coil,=20 Must give us pause. =20 KNOX: Adieu my lord, 15=20 This is a speech of fire that fain would blaze But that this folly = douts it. =20 [Exeunt]=20 ACT 5, Scene 1=20 [Enter FOX and KNOX]=20 FOX: So much for this sir, now shall you see the other. =20 Bear witness to such talk as follows of tweetle beetles -=20 [Enter TWEETLE BEETLES]=20 What dost thou know of tweetle beetles?=20 Well, when tweetle beetles fare to cudgel brains 'Tis notified a = tweetle=20 beetle battle. 5=20 And with such maimed rites in a puddle?=20 This doth betoken a tweetle beetle puddle battle. And the corse they = follow=20 did with desperate paddles Fordo in a tweetle beetle puddle paddle = battle. =20 KNOX: What ceremony else?=20 FOX: What is he whose battle 10=20 Bears such beetles in a puddle? whose puddle of battle Conjures the=20 wandering paddles, and makes them stand In a wonder-wounded bottle? = This is=20 a tweetle beetle Bottle puddle paddle battle muddle. =20 And sir, in this bottle there was a kind of fighting 15=20 That would not let beetles sleep. Methought they battled Worse with = paddles=20 in a bottle. =20 [Enter POODLE attendant]=20 Rashly,=20 And on a poodle eating noodles - let us know, A muddle puddle tweetle=20 poodle beetle noodle Bottle paddle battle. And -=20 KNOX: The devil take thy soul. 20=20 Oh villainy! Come, for the battle, Fox. =20 When thou art in the bottle where the tweetle beetles Battle in answer = of=20 the paddles,=20 Let all the paddles on its noodle-eating poodle Drink to Fox's better=20 breath, and in the bottle 25=20 A battle shall he throw richer than that which Four successive kings in = Denmark's crown have worn. Let this be known a tweetle beetle noodle = poodle=20 Bottled paddled muddled duddled fuddled wuddled Fox in socks, my lord!=20 30=20 FOX: A hit, a very palpable hit. Oh I die, Knox,=20 The potent poison quite o'ercrows my spirit. [Dies]=20 KNOX: Now cracks a noble heart. Good night sweet prince,=20 And flights of angels sing our game done, sir. Thank you for a lot of = fun,=20 sir. 35=20 [Exeunt all]=20 ------ =_NextPart_000_01BE7531.1CA7A54E--  1,, Summary-line: 23-Mar mendes@aigfpc.com #FW: Can you grasp the logic??? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06587; Tue, 23 Mar 99 14:36:36 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA22328; Tue, 23 Mar 99 14:37:20 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10PWyE-0003AE-00; Tue, 23 Mar 1999 14:36:15 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 23 Mar 1999 14:36:09 -0500 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Can you grasp the logic??? Date: Tue, 23 Mar 1999 14:36:04 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Can you grasp the logic??? Date: Tue, 23 Mar 1999 14:36:04 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > THE RUNNERS-UP: > > 4th Runner-up-- The earth may spin faster on its axis due to > > deforestation. Just as a figure skater's rate of spin > > increases when the arms are brought in close to the body, > > the cutting of tall trees may cause our planet to spin > > dangerously fast. > > > > 3rd Runner-up-- Communist China is technologically > > underdeveloped because they have no alphabet. The lack of an > > alphabet means the Chinese cannot use "acronyms"; thus, they cannot > > communicate their ideas at a faster rate. > > > > 2nd Runner-up-- The 'Why Yawning Is Contagious' Theory: You yawn to > > equalize the pressure on your eardrums. This pressure change > > outside your eardrums unbalances other people's ear pressures, so > > they must yawn to even it all out. > > > > 1st Runner-up-- If an infinite number of rednecks riding in an > > infinite number of pickup trucks fire an infinite number of shotgun > > rounds at an infinite number of highway signs, they will eventually > > produce all the world's great literary works in Braille. > > > > HONORABLE MENTION: The quantity of consonants in the > > English language is absolutely constant. If consonants are omitted > > in one geographic area, they turn up in another. When a Bostonian > > "pahks" his "cah", the lost r's migrate southwest, causing a Texan > > to "warsh" his car and invest in "erl wells." > > > > GRAND PRIZE WINNER: When a cat is dropped, it ALWAYS lands on its > > feet; and when toast is dropped, it ALWAYS lands with the buttered > > side facing down. Therefore, I propose to strap buttered toast to > > the back of a cat. When dropped, the two will hover, spinning inches > > above the ground, probably into eternity. A "buttered-cat array" > > could replace pneumatic tires on cars and trucks, and "giant > > buttered-cat arrays" could easily allow a high-speed monorail > > linking New York with Chicago.  1, forwarded,, Summary-line: 26-Mar jf@stan.mit.edu #More building 20 pictures Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24445; Fri, 26 Mar 99 15:08:10 EST Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA26224; Fri, 26 Mar 99 15:08:57 EST Received: from stan.mit.edu (STAN.MIT.EDU [18.62.1.25]) by martigny.ai.mit.edu (8.8.6/8.8.6) with SMTP id PAA19418 for ; Fri, 26 Mar 1999 15:06:47 -0500 (EST) Received: by stan.mit.edu (5.65/Eur1.0) id AA20881; Fri, 26 Mar 1999 15:06:46 -0500 Date: Fri, 26 Mar 1999 15:06:46 -0500 Message-Id: <199903262006.AA20881@stan.mit.edu> From: "J. Frisbie" To: lsc-alums@martigny.ai.mit.edu Subject: More building 20 pictures *** EOOH *** Date: Fri, 26 Mar 1999 15:06:46 -0500 From: "J. Frisbie" To: lsc-alums@martigny.ai.mit.edu Subject: More building 20 pictures Building 20 fans, Check out www-eecs.mit.edu/building/index.html. There is a time lapse mpeg movie of the demolition. Happy hacking, Joe  1,, Summary-line: 28-Mar deebee@netspace.net.au #Re: Re : Robin and Richard Were Two Pretty Men Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29600; Sun, 28 Mar 99 20:22:54 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11990; Sun, 28 Mar 99 20:23:42 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id UAA10703; Sun, 28 Mar 1999 20:22:51 -0500 (EST) Date: Sun, 28 Mar 1999 20:22:51 -0500 (EST) Message-Id: <36FEC63F.A7F@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: Re : Robin and Richard Were Two Pretty Men Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) *** EOOH *** Date: Sun, 28 Mar 1999 20:22:51 -0500 (EST) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: Re : Robin and Richard Were Two Pretty Men Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) Thank you David for sourcing this for us. > > Tom Shepherd says < someone on Savoynet will enlighten me.>> > > Looks like it might be me. There's a nursery rhyme which runs : > > Robin and Richard were two pretty men > They lay in bed till the clock struck ten > Then up starts Robin and looks at the sky > "Oh, brother Richard, the sun's very high. > You go before with the bottle and bag > And I will come after, with little Jack nag." Robin and Richard were two pretty men was a suggested alternative title (along with Kensington Gore) for Ruddigore when the Victorians blanched at having to deal with Ruddy-gore. Now I understand the reference. Diana  1,, Summary-line: 29-Mar mendes@aigfpc.com #FW: INVESTMENT OPP Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15728; Mon, 29 Mar 99 13:29:52 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA07539; Mon, 29 Mar 99 13:30:39 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10RglA-0000Sq-00; Mon, 29 Mar 1999 13:27:49 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 29 Mar 1999 13:18:31 -0500 Message-Id: From: "Mendes, Rica" To: "Patane, Corrine" , 'Dan J' , "David Bishop (E-mail)" , 'David J' , 'Dianne James' , 'Eitan' , 'Everett Doner' , 'Gwyn Aubrey' , 'J Derrick McClure' , 'Janice2' , 'Karen Potasnik' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Louis Wernick' , 'Louise May' , 'moshe' , 'NEFF' , 'OMRI' , 'Paul' , "'Phil @ Home'" , 'Phil Sternenberg' , 'Rebecca C' , 'rice' , 'sam silvers' , "'scott@work'" , 'snyder' , 'sinasohn' Subject: FW: INVESTMENT OPP Date: Mon, 29 Mar 1999 13:18:29 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Patane, Corrine" , 'Dan J' , "David Bishop (E-mail)" , 'David J' , 'Dianne James' , 'Eitan' , 'Everett Doner' , 'Gwyn Aubrey' , 'J Derrick McClure' , 'Janice2' , 'Karen Potasnik' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'Lisa Blocher' , 'Louis Wernick' , 'Louise May' , 'moshe' , 'NEFF' , 'OMRI' , 'Paul' , "'Phil @ Home'" , 'Phil Sternenberg' , 'Rebecca C' , 'rice' , 'sam silvers' , "'scott@work'" , 'snyder' , 'sinasohn' Subject: FW: INVESTMENT OPP Date: Mon, 29 Mar 1999 13:18:29 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain > As a special promotion, MonsterBook.com has announced that if and when > it > files for an Initial Public > Offering of shares in the future, within 1 month after the Public > Offering > of shares it will give you $10 cash > (US Currency) for every friend you referred to MonsterBook.com who > subscribed before May 1, 1999. > Should you earn a Referral Bonus under this promotion, you will be > able to > choose to receive your Bonus as > a cash payment, or to apply it toward the purchase of stock in > MonsterBook.com. See agreement below for > details. > > This is the web site: http://www.monsterbook.com/SignUp.asp > > Please use my id number when registering: 888759 > > Thanks! [RMB] -Rica  1, answered,, Summary-line: 29-Mar dennisj@charter-ne.com #Re: Y2K math trick Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10757; Mon, 29 Mar 99 18:19:17 EST Received: from tics1.charter-ne.com by MIT.EDU with SMTP id AA25065; Mon, 29 Mar 99 18:20:06 EST Received: (from bin@localhost) by tics1.charter-ne.com (8.8.7/8.8.8) id SAA05216 for David C. Jedlinsky ; Mon, 29 Mar 1999 18:16:39 -0500 (EST) (envelope-from dennisj@charter-ne.com) Date: Mon, 29 Mar 1999 18:16:39 -0500 (EST) Message-Id: <199903292316.SAA05216@tics1.charter-ne.com> Subject: Re: Y2K math trick To: "David C. Jedlinsky" From: dennis jedlinsky Organization: Charter Communications *** EOOH *** Date: Mon, 29 Mar 1999 18:16:39 -0500 (EST) Subject: Re: Y2K math trick To: "David C. Jedlinsky" From: dennis jedlinsky Organization: Charter Communications Oh yeah? Willard Scott wishes 104 year old Millie N. Eeum of Yoyo, MA a happy birthday and says "Now there's a nice looking lady; and she likes to eat out all seven days a week." The calculation comes up with 804 - She eats out 8 times a week and she is 4 years old. Y2K lives!!!! Also if someone eats out 0 times a week (and is under 100 years old), you only get a 2 digit number. Technically the leading digit is the 0, but hey, the problemstatement would only get you partial credit at good old MIT From: Your detail oriented MIT alumnus (Go UConn)  1,, Summary-line: 30-Mar dennisj@charter-ne.com #Re: Y2K math trick Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05914; Tue, 30 Mar 99 11:36:54 EST Received: from tics1.charter-ne.com by MIT.EDU with SMTP id AA01756; Tue, 30 Mar 99 11:37:42 EST Received: (from bin@localhost) by tics1.charter-ne.com (8.8.7/8.8.8) id LAA01131 for David C. Jedlinsky ; Tue, 30 Mar 1999 11:34:15 -0500 (EST) (envelope-from dennisj@charter-ne.com) Date: Tue, 30 Mar 1999 11:34:15 -0500 (EST) Message-Id: <199903301634.LAA01131@tics1.charter-ne.com> Subject: Re: Y2K math trick To: "David C. Jedlinsky" From: dennis jedlinsky Organization: Charter Communications *** EOOH *** Date: Tue, 30 Mar 1999 11:34:15 -0500 (EST) Subject: Re: Y2K math trick To: "David C. Jedlinsky" From: dennis jedlinsky Organization: Charter Communications I was just yanking your chain, anyway. This "trick" is like most barroom bet tricks: The string of calculations just comes down to a standard formula, i.e. 100X + 1999 (or 1998) with X = the "secret #", so it will always be the 1st of the 3 digits & birth year from 1999 (or 1998) is - would you believe it - your age  1,, Summary-line: 30-Mar mendes@aigfpc.com #FW: Finally, the code is cracked.... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06264; Tue, 30 Mar 99 11:37:57 EST Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA02039; Tue, 30 Mar 99 11:38:44 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10S1WB-0000bs-00; Tue, 30 Mar 1999 11:37:36 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 30 Mar 1999 11:37:26 -0500 Message-Id: From: "Mendes, Rica" To: "Rozmus, Lori" , "Chiodo, Jane" , "Christ-Janer, Katherine" , "Deenihan, Michael" , "English, William" Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Finally, the code is cracked.... Date: Tue, 30 Mar 1999 11:37:22 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Rozmus, Lori" , "Chiodo, Jane" , "Christ-Janer, Katherine" , "Deenihan, Michael" , "English, William" Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Irv Hodgkin , Kati Roberts , Lavina , Lelia , Lisa Blocher , Marisa Green , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Finally, the code is cracked.... Date: Tue, 30 Mar 1999 11:37:22 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain A bit off colour... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > >The trick to successful dating is learning how to interpret the > hidden > > >signs, those tiny giveaway gestures that can tell you so much about > a > > >person. Train yourself to recognize - and decode - these key > "signs." > > > > > > 1. Woman won't unlock car door for man. - Doesn't engage in oral > sex. > > > 2. Man gets in car without opening door for woman. - No foreplay. > > > 3. Can't hail a cab. - impotent. > > > 4. Insists on going to a brand new restaurant. - prefers virgins. > > > 5. Insists on going to a brand new restaurant but gets lost on the > > > way. - Is a virgin. > > > 6. Insists on going to a romantic, candlelit restaurant. > > > - Compulsive Don Juan. > > > 7. Insists in going to a homey little cafe with windmill motif. > > > - Compulsive Don Quixote. > > > 8. Insists on going to a Polynesian bar. - Compulsive Don Ho. > > > 9. Wants to go to a French Restaurant. - will swallow. > > >10. Wants to go to a deli. - Won't swallow. > > >11. Uses Sweet n' Low. - Wearing falsies. > > >12. Takes too long deciding what to order. > > > - Has trouble reaching orgasm. > > >13. Orders salad dressing on the side. > > > - Will give you a hand job but will not go "all the way." > > >14. Gives explicit orders to waiter. > > > - Will expect incredibly skillful gymnastics in bed. > > >15. Asks for extra rolls. - Will say she's using birth control when > > > when she's not, will get pregnant and sue. > > >16. Insists on ordering for you, referring to you as "The lady will > > > have..." - Thinks you had an orgasm when you didn't. > > >17. Asks for "the usual" - Insists on missionary position only. > > >18. Asks what the specials are. - Will want you to use handcuffs. > > >19. Fills up on bread and crackers. - Premature ejaculator. > > >20. Doesn't finish everything on plate. - Has already come. > > >21. Insists on having some of whatever you ordered. - Will make you > > > sleep on wet spot. > > >22. Changes mind after ordering. - Will never call you. > > >23. Changes tables. - Nyphomaniac. > > >24. Drinks decaf. - Fakes orgasms (female). > > >25. Orders in French. - Fakes orgasms (male). > > >26. Sends food back. - Will sleep with you, brag to all his > friends, > > > then try to borrow money. > > >27. Asks for detailed descriptions of desserts. - Needs you to talk > > > dirty during sex. > > >28. Orders a dessert involving ladyfingers. - Wants a handjob. > > >29. Orders a dessert involving nuts. - Castrating bitch. > > >30. Wants to split dessert. - Is dying to get rid of her apartment, > > > move in with you, rearrange all your closets, and take down all > > > your baseball posters. > > >31. Credit card is refused. - Low sperm count. > > >32. Undertips waiter. - Small penis. > > >33. Undertips parking valet. - Small penis. > > >34. Undertips cabbie. - Small penis. > > >35. Uses toothpick. - Is trying to tell you size isn't everything. > > >36. Removable cassette player in car. - Pull outs repeatedly during > > > sex. > > >37. Cellular phone in car.- Penile implant. > > > > > > >  1,, Summary-line: 30-Mar cmajor@merchantsmgmt.com #internet Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21912; Tue, 30 Mar 99 14:40:40 EST Received: from administrator.merchantsmgmt.com by MIT.EDU with SMTP id AA27454; Tue, 30 Mar 99 14:40:25 EST Received: by NT with Internet Mail Service (5.5.2232.9) id <106SQKZX>; Tue, 30 Mar 1999 14:46:49 -0500 Message-Id: <919508F09879D211BC6800C0F0164FE402D34E@NT> From: Cindy Major To: David Subject: internet Date: Tue, 30 Mar 1999 14:46:48 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Cindy Major To: David Subject: internet Date: Tue, 30 Mar 1999 14:46:48 -0500 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" Hey!!! How's life? It's getting warmer down here, finally. The weather is warm in the day but still gets very cold at night- needless to say I have had a cold for a week. We are putting in a slate patio under the deck behind our house. It looks really good so far, but we ran out of slate and we had to special order more through Home Depot and it won't be in until tomorrow, so hopefully the patio will be all done, landscaping and all, by this weekend. We'll send you pictures. Our tulips are blooming in the front yard and boy do I wish that we lived in a remote area like you guys because my neighbor said she saw some high school kid walk through our front yard and pick one!!! How rude. Question for my all knowing computer whiz bro: How do I look up info on a company on the internet? I am an internet virgin and need to do some detective work. I also want to get a D&B listing on it and maybe newspaper articles- can I get that stuff on the web too?! HELP!!! Hope to hear from you soon- keep the jokes coming!!!! PS- what did you do on March 18? I was in New Orleans with Dad and Di. Jed called us to say he was thinking about Mom. Did he call you? Miss you- Cinders  1,, Summary-line: 31-Mar rmacphai@bridgewater.edu #Re : Robin and Richard Were Two Pretty Men Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08435; Wed, 31 Mar 99 21:27:22 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA15579; Wed, 31 Mar 99 21:28:11 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id VAA18560; Wed, 31 Mar 1999 21:27:18 -0500 (EST) Date: Wed, 31 Mar 1999 21:27:18 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re : Robin and Richard Were Two Pretty Men Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.5.32.19990329001958.00812910@pop.site1.csi.com> *** EOOH *** Date: Wed, 31 Mar 1999 21:27:18 -0500 (EST) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re : Robin and Richard Were Two Pretty Men Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.5.32.19990329001958.00812910@pop.site1.csi.com> Some more on "Robin and Richard Were Two Pretty Men": According to William S. and Ceil Baring-Gound in _The Annotated Mother Goose_ (NY: Potter, 1062), "Robin and Richard" was published by John Newbery (1713-67) in _Mother Goose's Melody: or Sonnets for the Cradle_, perhaps as early as 1760 or five or six years later (depending on which scholar you read). (Newbery's name is used for the prestigious Award given each year in this country for the "best" children's book of the year.) Here's the verse (with the Baring-Gould's two annotations): Robin and Richard Were two pretty Men, [1] They lay in Bed 'Til the Clock struck Ten: Then up starts Robin And looks at the sky, Oh! Brother Richard, The Sun's very high; You go before With the Bottle and Bag, And I will come after On little Jack Nag. [2] [1] In later versions, "Alfred andRichard" and "two lazy men." [2] The editor of the _Melody_ commented: "What lazy rogues are these to lie in bed so long, I daresay they have no clothes to their backs; for _Laziness clothes a man with rags_." Forgive the late posting, but I'm catching up from a weekend away. Rafe On Sun, 28 Mar 1999, David Cookson wrote: > Tom Shepherd says < someone on Savoynet will enlighten me.>> > > Looks like it might be me. There's a nursery rhyme which runs : > > Robin and Richard were two pretty men > They lay in bed till the clock struck ten > Then up starts Robin and looks at the sky > "Oh, brother Richard, the sun's very high. > You go before with the bottle and bag > And I will come after, with little Jack nag." -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. RMacPhai@Bridgewater.edu (540) 828-5342 Box 114 Bridgewater College FAX: 828-5479 Bridgewater VA 22812-1599 USA HOME: 828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, Summary-line: 3-Apr midkiff@netcom.com #Re: OT: Torches Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15868; Sat, 3 Apr 99 00:53:38 EST Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA22512; Sat, 3 Apr 99 00:54:27 EST Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id AAA03370; Sat, 3 Apr 1999 00:53:20 -0500 (EST) Date: Sat, 3 Apr 1999 00:53:20 -0500 (EST) Message-Id: <199904030545.VAA28172@netcom14.netcom.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: midkiff@netcom.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Neil Midkiff To: Multiple recipients of list SAVOYNET Subject: Re: OT: Torches X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 3 Apr 1999 00:53:20 -0500 (EST) Reply-To: midkiff@netcom.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Neil Midkiff To: Multiple recipients of list SAVOYNET Subject: Re: OT: Torches X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Real-looking flame on torches, presumably without real flame? This is a hard one. The closest I've ever seen, which was impressively good but not quite realistic, was difficult and expensive. It involves *bright* 12 volt bulbs (automobile back-up warning lamps, about 24 watts each) and the X-size cylindrical gel-cell batteries, six of them, in a tube about 2.5 inches in diameter and maybe 22 inches long. I don't recall if there were 2 or 3 bulbs per torch. The bulbs were tinted slightly different colors in the red/amber/yellow spectrum and surrounded by strips of gel in the same ranges. But the real secret is the electronic circuit that flickers the bulbs in a pseudo-random fashion - independently for each of the bulbs. The light varies in brightness and seems to waver back and forth between the bulbs spatially in a very flame-like way. One other neat trick was the use of a mercury switch so that they came on when the bulb end was held high, and turned off when inverted. This made it impossible for the actor to forget to turn it on when entering the stage. I wasn't in on the building of these, but inspired by them I have used automotive light bulbs and batteries to implement candles, gas lamps, hand lanterns, and even a distant lighthouse in the backdrop. There are several effective methods of designing the flickering, depending on the desired effect. I can supply further technical details to those who are interested - but can't promise to do so at a moment's notice, as I'm busy with Princess Ida at the Stanford Savoyards right now. (No electronics this time, though.) Ask me sometime about the eight-channel remote controller for flickering lights in flowered headdresses for Iolanthe fairies. -Neil Midkiff electrical engineer, when not singing or playing piano  1,, Summary-line: 9-Apr mendes@aigfpc.com #RE: OK, It's Not Really A Joke Du Jour Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05855; Fri, 9 Apr 99 15:50:09 EDT Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA09375; Fri, 9 Apr 99 15:51:03 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10VhFn-0001vc-00; Fri, 9 Apr 1999 15:47:52 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <2T26LK8F>; Fri, 9 Apr 1999 15:47:29 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: RE: OK, It's Not Really A Joke Du Jour Date: Fri, 9 Apr 1999 15:47:28 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: RE: OK, It's Not Really A Joke Du Jour Date: Fri, 9 Apr 1999 15:47:28 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" I AM SUCH A FIG TREE! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations > > Which tree are you? Which tree does your birthday fall under? > > > > December 23 to January 1 ........... Apple Tree > > January 2 to January 11 .............. Fir Tree > > January 12 to January 24 ............ Elm Tree > > January 25 to February 3 ............. Cypress Tree > > February 4 to February 8 ............. Poplar Tree > > February 9 to February 18 ............ Cedar Tree > > February 19 to February 28 .......... Pine Tree > > March 1 to March 10 ..................... Weeping Willow Tree > > March 11 to March 20 ................... Lime Tree > > March 21 ...................................... Oak Tree > > March 22 to March 31 ................... Hazelnut Tree > > April 1 to April 10 .................. ...... Rowan Tree > > April 11 to April 20 ....................... Maple Tree > > April 21 to April 30 ....................... Walnut Tree > > May 1 to May 14 ........................... Poplar Tree > > May 15 to May 24 ......................... Chestnut Tree > > May 25 to June 3 .......................... Ash Tree > > June 4 to June 13 ......................... Hornbeam Tree > > June 14 to June 23 ....................... Fig Tree > > June 24 ........................................ Birch Tree > > June 25 to July 4 .......................... Apple Tree > > July 5 to July 14 ........................... Fir Tree > > July 15 to July 25 ......................... Elm Tree > > July 26 to August 4 ....................... Cypress Tree > > August 5 to August 13 .................. Poplar Tree > > August 14 to August 23 ................. Cedar Tree > > August 24 to September 2 ............ Pine Tree > > September 3 to September 12 ..... Weeping Willow Tree > > September 13 to September 22 ... Lime Tree > > September 23 .............................. Olive Tree > > September 24 to October 3 .......... Hazelnut Tree > > October 4 to October 13 ............... Rowan Tree > > October 14 to October 23 ............. Maple Tree > > October 24 to November 11 .......... Walnut Tree > > November 12 to November 21 ...... Chestnut Tree > > November 22 to December 1 ........ Ash Tree > > December 2 to December 11 ........ Hornbeam Tree > > December 12 to December 21 ...... Fig Tree > > December 22 ................................ Beech Tree > > > > Apple Tree, the Love > > Of slight build, lots of charm, appeal and attraction, pleasant > aura, > > flirtatious, adventurous, sensitive, always in love, wants to love > > and be loved, faithful and tender partner, very generous, scientific > > talents, lives for today, a carefree philosopher with imagination. > > > > Fir Tree, the Mysterious > > Extraordinary taste, dignity, cultivated airs, loves anything > beautiful, > > moody, stubborn, tends to egoism but cares for those close to it, > rather > > modest, very ambitious, talented, industrious uncounted lover, many > > friends, > > many foes, very reliable. > > > > Elm Tree, the Noble-Minuteness > > Pleasant shape, tasteful clothes, modest demands, tends to not > forgive > > mistakes, cheerful, likes to lead but not to obey, honest and > faithful > > partner, tends to a know-all-attitude and making decisions for > others, > > noble-minded, generous, good sense of humor, practical. > > > > Cypress, the Faithfulness > > Strong, muscular, adaptable, takes what life has to give, happy > content, > > optimistic, needs enough money and acknowledgement, hates > loneliness, > > passionate lover which cannot be satisfied, faithful, > quick-tempered, > > unruly, pedantic and careless. > > > > Poplar, the Uncertainty > > Looks very decorative, no self-confident behaviour, only courageous > if > > necessary, needs goodwill and pleasant surroundings, very choosy, > often > > lonely, great animosity, artistic nature, good organizer, tends to > > philosophy, reliable in any situation, takes partnership serious. > > > > Cedar, the Confidence > > Of rare beauty, knows how to adapt, likes luxury, of good health, > not in > > the > > least shy, tends to look down on others, self-confident, determined, > > impatient, wants to impress others, many talents, industrious, > healthy > > optimism, waiting for the one true love, able to make quick > decisions. > > > > Pine Tree, the Particularity > > Loves agreeable company, very robust, knows how to make life > comfortable, > > very active, natural, good companion, but seldom friendly, falls > easily in > > love but its passion burns out quickly, gives up easily, many > > disappointments till it finds its ideal, trustworthy, practical. > > > > Weeping Willow, the Melancholy > > Beautiful but full of melancholy, attractive, very empathic, loves > > anything > > beautiful and tasteful, loves to travel, dreamer, restless, > capricious, > > honest, can be influenced but is not easy to live with, demanding, > good > > intuition, suffers in love but finds sometimes an anchoring partner. > > > > Lime Tree, the Doubt > > Accepts what life dishes out in a composed way, hates fighting, > stress and > > labour, tends to laziness and idleness, soft and relenting, makes > > sacrifices > > for friends, many talents but not tenacious enough to make them > blossom, > > often wailing and complaining, very jealous, loyal. > > > > Hazelnut Tree, the Extraordinary > > Charming, undermining, very understanding, knows how to make an > > impression, > > active fighter for social cause, popular, moody and capricious > lover, > > honest > > and tolerant partner, precise sense of judgement. > > > > Rowan, the Sensitivity > > Full of charm, cheerful, gifted, without egoism, likes to draw > attention, > > loves life, motion, unrest and even complications, is both dependent > and > > independent, good taste, artistic, passionate, emotional, good > company, > > does > > not forgive. > > > > Maple, Independence of Mind > > No ordinary person, full imagination and originality, shy and > reserved, > > ambitious, proud, self-respect, hungers for new experiences, > sometimes > > nervous, many complexes, good memory, learns easily, complicated > love > > life, > > wants to impress. > > > > Walnut Tree, the Passion > > Unrelenting, strange and full of contrasts, often egotistic, > aggressive, > > noble, broad horizon, unexpected reactions, spontaneous, unlimited > > ambition, > > no flexibility, difficult and uncommon partner, not always liked but > often > > admired, ingenious strategist, very jealous and passionate, no > > compromises. > > > > Chestnut Tree, the Honesty > > Of unusual beauty, does not want to impress, well-developed sense of > > justice, vivacious, interested, a born diplomat, but irritate and > > sensitive > > in company, often due to a lack of self-confidence, acts sometimes > > superior, > > feels not understood, loves only once, has difficulties in finding a > > partner. > > > > Ash Tree, the Ambition > > Uncommonly attractive, vivacious, impulsive, demanding, does not > care for > > criticism, ambitious, intelligent, talented, likes to play with its > > fate, can be egotistic, very reliable and trust-worthy, faithful and > > prudent > > lover, sometimes brains rule over heart, but takes partnership > > very serious. > > > > Hornbeam, the Good Taste > > Of cool beauty, cares for its looks and condition, good taste, tends > to > > egotism, makes life as comfortable as possible, leads reasonable, > > disciplined life, looks for kindness, an emotional partner and > > acknowledgement, dreams of unusual lovers, is seldom happy with > his/her > > feelings, mistrusts most people, is never sure of its decisions, > very > > consciences. > > > > Fig Tree, the Sensibility > > Very strong, a bit self-willed, independent, does not allow > contradiction > > or > > arguments, loves life, its family, children and animals, a bit of a > > butterfly, good sense of humor, likes idleness and laziness, of > practical > > talent and intelligence. > > > > Oak, robust nature > > Courageous, strong, unrelenting, independent, sensible, does not > love > > changes, keeps its feet on the ground, person of action. > > > > Birch, The Inspiration > > Vivacious, attractive, elegant, friendly, unpretentious, modest, > does not > > like anything in excess, abhors the vulgar, loves life in nature and > in > > calm, not very passionate, full of imagination, little ambition, > creates a > > calm and content atmosphere. > > > > Olive Tree, the Wisdom > > Loves sun, warmth and kind feelings, reasonable, balanced, avoids > > aggression > > and violence, tolerant, cheerful, calm, well-developed sense of > justice, > > sensitive, empathic, free of jealousy, loves to read and the > company of > > sophisticated people. > > > > Beech, the Creative > > Has good taste, concerned about its looks, materialist, good > organization > > of > > life and career, economical, good leader, takes no unnecessary > risks, > > reasonable, splendid lifetime companion, keen on keeping fit (diets, > > sports, > > etc.). >  1,, Summary-line: 10-Apr BMILLER@holycross.edu #Book Review: A Medical History of Sir Arthur Sullivan [long, Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27032; Sat, 10 Apr 99 12:45:08 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA13106; Sat, 10 Apr 99 12:45:02 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id MAA21123; Sat, 10 Apr 1999 12:44:50 -0400 (EDT) Date: Sat, 10 Apr 1999 12:44:50 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Book Review: A Medical History of Sir Arthur Sullivan [long, potentially amusing] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5 *** EOOH *** Date: Sat, 10 Apr 1999 12:44:50 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Book Review: A Medical History of Sir Arthur Sullivan [long, potentially amusing] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5 How many people out there know about this book? I just got a copy on Interlibrary Loan, and suspect it is fairly hard to find by now. "A Medical History of Sir Arthur Sullivan" is a small booklet, about 5 3/4 X 6 3/4 inches, published in 1966 by Eaton Laboratories, Division of The Norwich Pharmacal Co., Norwich, New York. 28 unnumbered pages, on high quality vellum with some rather witty (alas, uncredited) illustrations. The only way I can describe these drawings is that they are in a style similar to the caricatures used on the banner of the NEGASS publication "The Trumpet Bray." The inside front cover gives the following information: "This is the eighth in a series of vignettes based on 'Troubled Waters,' a manuscript of the late Benjamin S. Abeshouse, M.D., a practicing urologist whose lifetime avocation was the collection of historical data dealing with the influence of genitourinary disease in the lives of famous men and women. "Benjamin Samuel Abeshouse was born on February 7, 1901, in New Haven, Connecticut. He attended Yale University, receiving a Ph.B [sic] in 1921 and an M.D. in 1924... "A noted contributor of genitourinary literature. Dr. Abeshouse was author of more than one hundred and twenty articles. He possessed the world's largest collection of epitaphs at the time of his death. This collection now resides with the permanent collection of the Smithsonian Institute in Washington, D.C." Edited by Eaton Laboratories from an original manuscript written by Benjamin S. Abeshouse, M.D." I was looking forward to reading the book, as it appeared we might find some new material or insights concerning Sullivan's kidney malady. Instead, the few references are to already known material and shed no new light on the medical history. The text is, however, extremely amusing - sometimes intentionally, sometimes not! The book gets some things dead right, but as often commits errors which rival those in Caryl Brahms. Some quotations, with my editorial comments: The first paragraph begins: "All his life Arthur Seymour Sullivan was sensitive about his initials. [This is true. Ed.] He was almost ashamed of his genius for light musical compositions which brought him wider fame than his 'serious' work. [Also a fair statement. Ed.] This greater fame was dependent upon a detested collaborator, a circumstance galling to his sensitive spirit. [We could argue about this. Ed.]" Later, in "Born to the Salon": "The fingers of his right hand were tobacco-stained; he was given to cigarette smoking and, increasingly, to gambling, playing the horses, cards, and the seductions of Monte Carlo." In "Partners of Convenience": "Gilbert & Sullivan couldn't stand each other. They were of utterly dissimilar temperaments. They rarely met except when business compelled them to. Yet their antagonistic relationship continued for more than 20 years, sustained, like some incompatible marriages, by an inflow of funds, the stimulation of quarrels, and the lack of need to come face to face very often." "Whence sprang the mutual disesteem of the partners? Gilbert was the dominant and certainly the more testy of the pair. He could make savage comments about Sullivan. But he was the latter's equal in public gentility. "Sullivan was dependent on Gilbert to inspire the music he produced; dependents rarely love their benefactors. Gilbert was jealous of the acclaim that Sullivan's music wrung from audiences. He may well have felt that his verse rhythms almost wrote music themselves. Both partners no doubt suffered from the occupational neurosis of collaborators: "I did more than you did." During his American trip (the premiere of Pirates): "Sullivan labored incessantly. One day he was found unconscious; the same evening he spoke at a dinner in his honor. He would rehearse all day, attend a social affair, return to the theatre and rehearse late into the night. It was not the most soothing of kidney regimens." "He was late with Iolanthe, and an attack of the stone put him to bed after he labored three nights until six in the morning." About The Grand Duke: It was an abysmal failure, sundering with finality the only thread that held them together - mutual profit." About his health towards the end: "The vital tides were slowly ebbing...As the months wore on he became peevish, insulted if no one wished to play cards with him. Ravages of illness showed in lusterless eyes, sunken cheeks that once were plump, skin like yellow parchment." "Gilbert was drowned in a boating accident in 1911. He left no epitaph for Sullivan, unless a grudging one can be inferred from a line in Pinafore: "It is greatly to his credit that he was an Englishman." [Abeshouse really missed the boat with this paragraph. His alleged expertise in epitaphs failed him, as he evidently had no idea about the "Is life a boon" quotation which Gilbert offered. Wonder how many of his medical articles were similarly "researched'?] The inside rear cover contains the following advertisement: "For today's treatment of urinary tract infection: In over a decade of wide clinical use...more than 32,000,000 courses of treatment: FURADANTIN (nitrofurantoin) prompt thorough dependable safe economical control of infection throughout the urinary system" The copy I have on loan is from the library of the University of Missouri - Kansas City. Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 13-Apr eichin@thok.org #FYI - Job Change Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21650; Tue, 13 Apr 99 10:43:00 EDT Received: from paycheck.thok.org by MIT.EDU with SMTP id AA27219; Tue, 13 Apr 99 10:42:37 EDT Received: (qmail 30507 invoked by uid 3382); 13 Apr 1999 14:42:36 -0000 To: eichin@thok.org Subject: FYI - Job Change From: eichin@thok.org (Mark W. Eichin) Date: 13 Apr 1999 10:42:35 -0400 Message-Id: Lines: 21 X-Mailer: Gnus v5.4.56/Emacs 19.34 *** EOOH *** To: eichin@thok.org Subject: FYI - Job Change From: eichin@thok.org (Mark W. Eichin) Date: 13 Apr 1999 10:42:35 -0400 Lines: 21 X-Mailer: Gnus v5.4.56/Emacs 19.34 As of 1999-05-01 I will be working at FastEngines, with Monty, Proven, and Semyon Dukach. FastEngines is a product/technology-based startup, built on a very successful FastCGI product; I'm joining to work on new directions, architecture, and "Making the Web Faster". FastEngines is roughly the size Arepa was when I joined a year and a half ago, and has a lot more excitement and risk; Arepa is now 60 people and has hard engineering and market challenges, but no longer has the edge of "can we do this at all" - instead the challenge is "can we polish this" and "can we squash our competitors like bugs" :-) Not that motivating, any more... FastEngines' local office is at 675 Mass Ave, ie. Central^2 right above the T stop - or more significantly, "2 blocks from Mary's" :-) _Mark_ The Herd Of Kittens ps. Soon to be but the thok.org address is better for non-business mail anyway.  1,, Summary-line: 13-Apr mjacknis@MIT.EDU #confirming duplication request Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14010; Tue, 13 Apr 99 11:31:36 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id LAA20457 for ; Tue, 13 Apr 1999 11:31:32 -0400 (EDT) Received: from ASHDOWN-SIX.MIT.EDU (ASHDOWN-SIX.MIT.EDU [18.250.5.6]) by melbourne-city-street.MIT.EDU (8.9.2/8.9.2) with ESMTP id LAA20940 for ; Tue, 13 Apr 1999 11:31:31 -0400 (EDT) Received: by ASHDOWN-SIX.MIT.EDU (8.8.7/4.7) id LAA00815; Tue, 13 Apr 1999 11:31:31 -0400 Date: Tue, 13 Apr 1999 11:31:31 -0400 Message-Id: <199904131531.LAA00815@ASHDOWN-SIX.MIT.EDU> From: Michael L Jacknis To: opus@MIT.EDU Subject: confirming duplication request *** EOOH *** Date: Tue, 13 Apr 1999 11:31:31 -0400 From: Michael L Jacknis To: opus@MIT.EDU Subject: confirming duplication request Opus, This is to confirm/summarize what we discussed on the phone last night. -38 copies of DT edited -53 copies of G&S Mikado -DT running time under 2 hours -caution-- program audio starts a couple seconds before video -You have VHS to confirm that HI-8 tapes are OK... I'm not 100% sure labels on both tapes. G&S library boxes to be confirmed soon (likeyl yes) cost of DT tapes $6/per cost of G&S tapes $7.20/per Cost of labels w/0 boxes no more than .25 per tape. cost of boxes & labels $1/per total cost... DT $6.25; G&S $8.20. Since I will handle late orders, I would like to keep the unused portion of the label sheets, for use with future orders. May I also have an electronic copy of the postscript files for future reference? Labels to discreetly include the following information on the face label: MIT Student Cable Michael L. Jacknis http://mitv.mit.edu Question: can part of this information also appear on the very end of the spine label, in small print? IE: spine label: ------------------------------------------------- |blah blah blah .....................|MIT Student| (or all info | | Cable | in small print) ------------------------------------------------- Since you have experience with this, I will leave to your judgement; it should be tasteful and not gaudy as we agreed :) also, VHS Hi-Fi Stereo instead of Color. Note: the actual running time of DT is under 90 minutes, but I did not determine it exactly (sorry) There is relevant material on the DT videotape beyond the end of the show and closing credits. For G&S, Labels to otherwise be the same as in the past. For dancetroupe, labels to include most of the relevant information as given on the initial title screen on the videotape IE... MIT Dancetroupe presents [name of show] (Fever) [date of performance, version of video] (superwide or edited) To the extent that you have the opportunity to watch portions of these tapes, your comments/reactions are most welcome. Thanks for all your help! Let me know if there is anything else. I will have the DT superwide tapes for this weekend (possibly Friday or Saturday in La Sala; if not then, Monday night; will let you know) Sincerely, Mike Jacknis.  1,, Summary-line: 14-Apr mendes@aigfpc.com #Self-Survey aka Me and you... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13738; Wed, 14 Apr 99 09:12:14 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA11747; Wed, 14 Apr 99 09:13:10 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 10XPSS-0002qX-00; Wed, 14 Apr 1999 09:12:01 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <2VT2K7N0>; Wed, 14 Apr 1999 09:11:53 -0400 Message-Id: From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , 'Ari' , 'Brian Sweeney' , 'clapp' , 'Daddy' , 'Dan J' , "David Bishop (E-mail)" , 'David Craven' , 'David J' , 'Dianne James' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice2' , 'Jen Graham' , 'Kati Roberts' , 'Lavina' , 'Leta Hall' , 'Lisa Blocher' , 'lisap' , 'Louise May' , 'NEFF' , 'OMRI' , 'Paul' , "'Phil @ Home'" , 'Rebecca C' , 'baby' , 'sam silvers' , "'scott@work'" , 'Sigal' , 'sooz' , 'stevemartin' Cc: "Chiodo, Jane" , "Christ-Janer, Katherine" , "Rozmus, Lori" , "Jaques, Sabrina" , "Harriman, Paul" , "Friedman, Kelly" , "Flynn, Kelly" , "D'Agostino, Stephanie" , "Bell, Mitchell" , "Patane, Corrine" , "Litwin, Jennifer" Subject: Self-Survey aka Me and you... Date: Wed, 14 Apr 1999 09:11:51 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , 'Ari' , 'Brian Sweeney' , 'clapp' , 'Daddy' , 'Dan J' , "David Bishop (E-mail)" , 'David Craven' , 'David J' , 'Dianne James' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Everett Doner' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice2' , 'Jen Graham' , 'Kati Roberts' , 'Lavina' , 'Leta Hall' , 'Lisa Blocher' , 'lisap' , 'Louise May' , 'NEFF' , 'OMRI' , 'Paul' , "'Phil @ Home'" , 'Rebecca C' , 'baby' , 'sam silvers' , "'scott@work'" , 'Sigal' , 'sooz' , 'stevemartin' Cc: "Chiodo, Jane" , "Christ-Janer, Katherine" , "Rozmus, Lori" , "Jaques, Sabrina" , "Harriman, Paul" , "Friedman, Kelly" , "Flynn, Kelly" , "D'Agostino, Stephanie" , "Bell, Mitchell" , "Patane, Corrine" , "Litwin, Jennifer" Subject: Self-Survey aka Me and you... Date: Wed, 14 Apr 1999 09:11:51 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" Copy this entire e-mail and change all the answers so they apply to You ... then send it to everyone you know, INCLUDING the person who sent It to you ... which would be ME!! You should get back alot of get-to-know-you e-mails. You'll learn a lot about your friends that maybe you didn't know. Please take a few minutes to do it. I can't wait to get them all back. I thought it was a LOT of fun!!! 1- Name given at birth: Rica Miriam de Sola Mendes (has evolved - Rica Miriam Wasser de Sola Mendes to Rica Miriam Wasser de Sola Mendes-Barry) 2- Nicknames: Suave (But I'd better not hear ANYONE use it!) 3- Hometown: Pound Ridge, NY 4- Croutons or Bacon Bits: neither 5- Favorite Salad Dressing: Ranch/Creamy Garlic (TIE) 6- Do you drink coffee: Yes - a cup a day on average 7- Shampoo or Conditioner: Both. 8- Have you ever gone skinny dipping?: Yes. 9- Do you make fun of people? What me? NEVER. And if I do, I mean every word. Really. I do. 10- Favorite color: Black, burgundy 11- Have you ever been convicted of a crime?: Nope 12- Best on-line friends: Amy *gush*, Adina, Lisa, Katherine, Jane 13- One pillow or two: As many as I can have without pushing bed partners onto the floor (kitties, of course!) 14 - Pets: 2 cats (1 is hubby's), an iguana, a snake, about a dozen fish and a ficus tree. 15- Favorite type of music: Lilith Fair artists, Mozart, G&S, New Age (GOOD new age - with Celtic influence), Israeli folk and rock, grunge/mosh pit music, medieval and rennaisance music, rock-a-pella 16- Hobbies: Fabric crafts, costuming, refinishing, photography, sketching, music, acting (in no particular order), travel (when I can), shopping (down and dirty) 17- Toothpaste: Crest Soft Mint Gel 18- Favorite Foods: Middle Eastern food, Japanese, Chinese, amazingly fresh fruits, CHOCOLATE 19- Do you get along with your parents? No comment. 20- Favorite town to chill out in: Jerusalem (can you tell I'm getting Israel-sick?). 21- Favorite ice cream: Fresh blueberry ice cream from some podunk, backstreet, out of the house ice cream shop in Maine. Other than that, Haagen Daaz Swiss chocolate almond and Ben & Jerry's New York Super Fudge. 22- Favorite Drink: The Armadillo (a concoction I invented after studying at the National Bartender's School - don't try this at home - I'm a professional). 23- What's your bed time: 11-2am 24- Adidas, Nike or Reebok: Tie - Nike or Reebok (Nike for basketball, Reebok from cross-trainers) 25- Favorite Perfume/Cologne: Wasser (My grandmothers favorite - I can't spell the name - it's in German). 26- Favorite Web Site: Room By Room and Realtor.com 28- Least favorite subject: The size of my ass. 29- Favorite television show: WILL & GRACE, NYPD Blue (see, I love you, Josh!), X-Files, ER, Drew Carey Show, Friends, Buffy the Vampire Slayer, Room By Room, Decorating Cents, Interior Motives, Just Shoot Me, M*A*S*H, (I'll admit it) 90210... 31- Most humiliating Moment: Where to begin... I'll avoid tragically humiliating... having to go on stage in Philadelphia for the 3 Princess Project in front of a VERY large audience knowing that I did not know my lines, choreography or music due to a lack of rehearsal beyong my control. 32- Craziest person(s) or silliest you know: Scott (for marrying me), Callan, Sigal, Sally, Sam, Amy... jeepers... everyone I know! 33- What do you look for in the opposite sex: Cute butt. 34-Say one nice thing about the person who sent you this and be sure to send it back to them: Adina: I wuv you. Even though you tortured me as a child, implanting complex after complex (including an inherent fear of dark hallways, open closet doors and Tom Leher when I'm tired), you've grown up to be a really wonderful friend - I feel like you're the sister I never had. 35- Person you sent this to that is least likely to respond: Gideon Leventhall, you dog! 36- Favorite Quote: Give me loves! -Will, to his "Snouts" on "Will & Grace" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products  1,, Summary-line: 14-Apr mendes@aigfpc.com #Bees and Books Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07484; Wed, 14 Apr 99 13:32:01 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA03685; Wed, 14 Apr 99 13:31:50 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 10XTVi-0004Hj-00; Wed, 14 Apr 1999 13:31:39 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <2VT2K8AM>; Wed, 14 Apr 1999 13:31:33 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: Bees and Books Date: Wed, 14 Apr 1999 13:31:32 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: Bees and Books Date: Wed, 14 Apr 1999 13:31:32 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain [RMB] > Two bees ran into each other. One asked the other how things > were going. > > "Really bad," said the second bee, "the weather has been > really wet and damp and there aren't any flowers or pollen, > so I can't make any honey > > "No problem," said the first bee, "Just fly down five blocks > and turn left and keep going until you see all the cars. > There's a Bar Mitzvah going on and there are all kinds of > fresh flowers and fresh fruit." > > "Thanks for the tip" said the second bee and flew away. > > A few hours later the two bees ran into each other again and > the first bee asked, "How'd it go?" > > "Fine," said the second bee, "It was everything you said it > would be." > > "Uh, what's that thing on your head?" asked the first bee. > > "That's my yarmulka," said the second bee, "I didn't want > them to think I was a wasp." > > ________________________________________________________ > > > >Yes, it's sick and disturbed, but good for a giggle..... > > > >>>Children's Books That Just Didn't Sell > >>>1. You Were an Accident > >>>2. Strangers Have the Best Candy > >>>3. The Little Sissy Who Snitched > >>>4. Some Kittens Can Fly! > >>>5. Getting More Chocolate on Your Face > >>>6. Where Would You Like to Be Buried? > >>>7. Kathy Was So Bad Her Mom Stopped Loving Her > >>>8. The Attention Deficit Disorder Association's Book: Wild > >>>Animals of > >>>North > >>>Amer-Hey! Let's Go Ride Our Bikes! > >>>9. All Dogs Go to Hell > >>>10. The Kid's Guide to Hitchhiking > >>>11. You Are Different and That's Bad > >>>12. Dad's New Wife Timothy > >>>13. POP! Goes the Hamster...and Other Great Microwave Games > >>>14. Testing Homemade Parachutes Using Only Your Household Pets > >>>15. The Hardy Boys, the Barbie Twins, and the Vice Squad > >>>16. Babar Meets the Taxidermist > >>>17. Curious George and the High Voltage Fence > >>>18. The Boy Who Died From Eating All His Vegetables > >>>19. The Pop-Up Book of Human Anatomy > >>>20. Things Rich Kids Have, But You Never Will > >>>21. The Care Bears Maul Some Campers and Are Shot Dead > >>>22. How to Become the Dominant Military Power in Your Elementary > >>>School > >>>23. Controlling the Playground: Respect Through Fear > >>>24. What is That Dog Doing to That Other Dog? > >>>25. Why Can't Mr. Fork and Ms. Electrical Outlet Be Friends? > >>>26. Bi-Curious George > >>>27. Daddy Drinks Because You Cry > > > > o \ o / _ o __| \ / |__ o _ > \o/ o > /|\ | /\ ___\o \o | o/ o/__ /\ | > /|\ > / \ / \ | \ /) | ( \ /o\ / ) | (\ / | / > \ / \ > > Rica Mendes-Barry and Scott Barry "What was I thinking?... > I've > never, hardly ever, > phoebem@mail.idt.net right now > I'm > not drunk" - Christine Lavin >  1,, Summary-line: 14-Apr sra@microsoft.com #RE: Seeking a bit-part actor Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12080; Wed, 14 Apr 99 13:42:27 EDT Received: from mail4.microsoft.com by MIT.EDU with SMTP id AA16867; Wed, 14 Apr 99 13:43:19 EDT Received: by INET-IMC-04 with Internet Mail Service (5.5.2524.0) id <27C3957C>; Wed, 14 Apr 1999 10:42:03 -0700 Message-Id: From: Stephen Adams To: 'Alice Waugh' , mitcp@MIT.EDU Subject: RE: Seeking a bit-part actor Date: Wed, 14 Apr 1999 10:41:42 -0700 X-Mailer: Internet Mail Service (5.5.2524.0) *** EOOH *** From: Stephen Adams To: 'Alice Waugh' , mitcp@MIT.EDU Subject: RE: Seeking a bit-part actor Date: Wed, 14 Apr 1999 10:41:42 -0700 X-Mailer: Internet Mail Service (5.5.2524.0) I'm sorry that I can't oblige, but the phrase "dying to appear (briefly) on stage" reminds me of my latest theatrical endeavour. I volunteered to sell tickets at the Seattle Fringe Festival (http://www.seattlefringe.org/). After the first night the volunteer coordinator asked if I would mind appearing briefly on stage in one of the plays since they were missing a corpse. I think the part in She Stoops will be more challenging since the corpse had no head and no dialogue. -----Original Message----- From: Alice Waugh [mailto:awaugh@MIT.EDU] Sent: Wednesday, April 14, 1999 7:22 AM To: mitcp@MIT.EDU; theater@MIT.EDU Subject: Seeking a bit-part actor Hi all, Are you dying to appear (briefly) on stage but don't want the angst of trying to remmeber gobs of lines? Then this is for you! The MIT Community Players are seeking a male (college age or older) to play two tiny parts in its upcoming production of Oliver Goldsmith's "She Stoops to Conquer," to be performed May 6-8 in Kresge Little Theater. The roles are the Landlord (appears at end of Act I) and a servant, Roger, who pops in at the beginning of Act II. The MIT Community Players web site at http://web.mit.edu/mitcp has all the details as well as a link to a free downloadable script. The play, written ca. 1770, is a witty romantic comedy performed by a fun bunch of MIT staff, students, alums and assorted hangers-on. Please let us know if you or any of your friends might be interested in joining us for this fun and not-very-time-consuming role! Alice Waugh Producer and MITCP president awaugh@mit.edu 258-5401 (days)  1,, Summary-line: 15-Apr sharkli@netlink.co.uk #Re: BBC Magazine with ROSE OF PERSIA at bargain price Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15543; Wed, 14 Apr 99 20:57:34 EDT Received: from neodymium.btinternet.com by MIT.EDU with SMTP id AA22312; Wed, 14 Apr 99 20:58:34 EDT Received: from [212.140.4.99] (helo=btinternet.com) by neodymium with smtp (Exim 2.05 #1) id 10XaR0-0004Hu-00 for opus@mit.edu; Thu, 15 Apr 1999 01:55:16 +0100 Message-Id: Date: Thu, 15 Apr 1999 01:31:20 +0100 To: "David C. Jedlinsky" From: Helga Perry Subject: Re: BBC Magazine with ROSE OF PERSIA at bargain price References: <199904142256.SAA08399@charon.MIT.EDU> In-Reply-To: <199904142256.SAA08399@charon.MIT.EDU> Mime-Version: 1.0 X-Mailer: Turnpike (32) Version 4.01 *** EOOH *** Date: Thu, 15 Apr 1999 01:31:20 +0100 To: "David C. Jedlinsky" From: Helga Perry Subject: Re: BBC Magazine with ROSE OF PERSIA at bargain price References: <199904142256.SAA08399@charon.MIT.EDU> In-Reply-To: <199904142256.SAA08399@charon.MIT.EDU> Mime-Version: 1.0 X-Mailer: Turnpike (32) Version 4.01 Dave, I'll be sending from the UK. Please send me your address so I can get it in the post ASAP. My address for the $12.50 is given below. In message <199904142256.SAA08399@charon.MIT.EDU>, David C. Jedlinsky writes > >Hi Helga. > >If you have any copies of The Rose of Persia left, I would like to get >a copy. Are you in the States at the moment, or would you be shipping >from the UK? > >-Dave Jedlinsky >opus@mit.edu > Helga Perry sharkli@btinternet.com Snail Mail: 25 Peregrine Close, Quedgeley, Gloucester GL2 4LG England  1,, Summary-line: 15-Apr sharkli@btinternet.com #ANNOUNCING A NEW G&S DISCOVERY by Bruce I. Miller and Helga J. Perry Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15221; Thu, 15 Apr 99 07:13:42 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA06077; Thu, 15 Apr 99 07:14:41 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id HAA24466; Thu, 15 Apr 1999 07:13:41 -0400 (EDT) Date: Thu, 15 Apr 1999 07:13:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: ANNOUNCING A NEW G&S DISCOVERY by Bruce I. Miller and Helga J. Perry Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Turnpike (32) Version 4.01 *** EOOH *** Date: Thu, 15 Apr 1999 07:13:41 -0400 (EDT) Reply-To: sharkli@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: ANNOUNCING A NEW G&S DISCOVERY by Bruce I. Miller and Helga J. Perry Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Turnpike (32) Version 4.01 Dear members of SavoyNet: This afternoon Bruce I. Miller is reading a paper on behalf of us both at the 10th annual interdisciplinary conference of the Society for Textual Scholarship, C.U.N.Y Graduate Center, New York, announcing our discovery of most of the missing orchestral parts for a "lost" musical number in H.M.S. PINAFORE. This is the ballad which was to have been sung by Captain Corcoran to Josephine in the scene immediately following her entrance song, "Sorry her lot." (Josephine joined him in duet for the refrain.) The words begin, "Reflect, my child" and can be found in a version transcribed by Ian Bradley in all editions of his Annotated Gilbert and Sullivan (careful readers will observe that our edition differs in certain respects from Bradley's): BALLAD. CAPTAIN. Reflect, my child, he may be brave As any in the Royal Navy And daily foil a watery grave, The locker of poor Davy. But ah! what gallant act Could counteract The fearful social ban That falls on man Who with his knife's sharp blade devours his gravy. ENSEMBLE. In truth I fear The sneer That would disgrace Each face When he with blade of knife devoured his gravy. CAPTAIN. He may a second Shakespeare be, Endowed with faculty creative, But what avail such gifts, if he Confounds accusative with dative. In what far nook of earth Would moral worth, Or strength of lung or limb, Atone for him Whose verbs don't tally with the nomi-native. ENSEMBLE. Oh, I can tell Too well How people frown Him down Whose verbs don't tally with the nominative. The ballad appears to have been cut prior to opening night, but had been set to music and scored before its excision. Gilbert mentions in his diary entry for May 1st 1878 that he "wrote 'Reflect my child' for Barrington" and took the words to Sullivan the same evening. It appears to be the only musical number from this opera that Gilbert mentioned by name in his diaries during the time that he was working on the opera. The music was found last summer in old manuscript orchestra parts of H.M.S. PINAFORE which were copied for the D'Oyly Carte Opera Company, and which have been made available for study by us. The story is that Bruce asked me to look at these old manuscript band parts to help resolve editorial problems for the critical edition now in progress. I told Bruce on the phone that some of the parts contained the very first PINAFORE Act II Finale, and were obviously 19th century in origin. He asked me to check them to see if there was any evidence of the splitting and renumbering of "Over the bright blue sea" to take into account the removal of the original #6 "Reflect, my child" ["Over the bright blue sea" became the new #6 and "Sir Joseph's barge is seen" became #7]. I said I had a viola part of music which did not match that of "Over the bright blue sea." ! We both got very excited, and Bruce asked if there were any other books containing this music. I called back 15 minutes later with the following list: parts for flutes and clarinets that contained some brief vocal cues, also (French) horns, violas, two cello/bass books, and a trombone book that had "tacet" written for the old No. 6. The First violin part was all that had hitherto been known to have survived: David Mackie found and transcribed it at the D'Oyly Carte office in 1976, and David Russell Hulme reproduced a transcription of this same Violin I music in his Ph.D. dissertation for the University of Wales Aberystwyth in 1986 (British Library: Thesis reference DX 171353). Percy M. Young, the editor of the Pinafore critical edition, also kindly made available to us his own transcription. The original violin book has unfortunately vanished. We didn't find that, nor did we find a 2nd violin part, so we used the material from Mackie, Young and Hulme to fill in the 1st violin, and reconstructed a conjectural violin 2 part based on what we had in the other string parts. As musicians will know, reconstructing a 2nd violin part in this type of orchestration is a relatively straightforward and not difficult task. We didn't have the vocal lines either - there is no full score extant for this number, though one can see where it used to be in Sullivan's autograph score. It never got into any vocal scores. So we had to do a lot of detective work over the past nine months. We had some clues from cues in the flute & clarinet parts (clarinet has 4 notes with the words underneath, so we knew it was the right song), and the refrain was pretty obvious to work out from the woodwind parts too. We didn't have so much to go on for the verse - a couple of cadences and some unison string measures were the easy sections, and we've come up with several possibilities for filling in the gaps. To those of you who have kept track of scholarship in this field, the task of our reconstruction was similar to that faced by those attempting a similar process for the Duke's song in Patience, "Though men of rank may useless seem." In our situation there appeared to be more melodic help in the orchestration, so that for a large percentage of the ballad we can be confident of Sullivan's melodic line. For much of the verse, however, the accompaniment provides less assistance. As there really is no formula for reconstructing a Sullivan melody in the relatively free form he left to us, our reconstruction is simply a means by which the number can be performed. We have assessed and evaluated many alternate approaches. We assume that others will be playing around with the existing jigsaw puzzle for years. Our edition, which includes a comprehensive article, full score, piano- vocal reduction, band parts, and critical apparatuses for both the words and the music, has been copyrighted and will be published in two Broude Brothers publications: as part of the appendix for the critical edition of Pinafore, and in a separate performance edition so that people who already possess a set of orchestral parts can include this number in their productions. (The critical edition of Pinafore will be issued with complete performance materials as well.) The first live public performance with full orchestra will be given at the International Gilbert & Sullivan Festival in Buxton, England, on July 29th, and the soloists will be former D'Oyly Carte Opera Company stars Michael Rayner as Captain Corcoran and Jean Hindmarsh as Josephine. This will be included in our lecture, "Gilbert & Sullivan Rarities: Music From The Cutting Room Floor" at 3 p.m. in the Paxton Theatre. We are grateful to the following members of SavoyNet who have assisted us with aspects of our research: Ralph MacPhail, Jr., Eric Schwartz, Thomas Z. Shepard, Marc Shepherd, and Michael Walters. BRUCE I. MILLER HELGA J. PERRY 15 April 1999 Helga Perry sharkli@btinternet.com *********************************************** Music Department University of Birmingham  1,, Summary-line: 15-Apr oakapple2@yahoo.com #The Pinafore Discovery Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01453; Thu, 15 Apr 99 08:51:12 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA19614; Thu, 15 Apr 99 08:52:12 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id IAA26761; Thu, 15 Apr 1999 08:51:00 -0400 (EDT) Date: Thu, 15 Apr 1999 08:51:00 -0400 (EDT) Message-Id: <19990415124040.29610.rocketmail@web130.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Pinafore Discovery Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 15 Apr 1999 08:51:00 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Pinafore Discovery Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Helga's & Bruce's joint announcement outlined the basic facts about the "lost song" from H.M.S. PINAFORE, "Reflect, my child," that they have discovered. I would add some "reflections" of my own. There are very few substantial musical passages from the Savoy Operas that remain, conceivably, to be discovered. Aside from practically the whole of THESPIS, there are just a few more numbers that we may hope eventually to find. It is also possible that no more will ever be found. This is, in other words, a special occasion, particularly given the importance of H.M.S. PINAFORE in the history of Gilbert and Sullivan. I would even say, without at all detracting from our debt to Selwyn Tillett and Roderick Spencer, that this discovery trumps that of the THESPIS ballet earlier this decade. As an aside, I believe that SavoyNet can take some slight credit, even if only indirectly, for this discovery. It was through SavoyNet that Bruce & Helga first became acquainted and started to work on on researching the opera. I doubt that very many listeners will judge "Reflect, my child" to be one of Gilbert & Sullivan's finer creations. Some of the music's unusual harmonic elements elevate it above the merely mundane, but it does not seem consistently inspired (even allowing, as we must, that Bruce and Helga have only *guessed* at the melodic line). Perhaps even more significant, Gilbert's verses seem labored and preachy. Beyond these concerns, one may reasonably doubt whether the score wants a slow drawing-room ballad at this juncture of the plot's development. Still, *any* lost number from the Savoy Operas is of great interest. We learn as much from what Gilbert and Sullivan chose to omit, as from what they chose to retain. Bruce's & Helga's careful and sensitive reconstruction gives us a window into our heroes' creative process. And, despite my reservations about the song's suitability, I have to admit that it has grown on me. In time, I hope to see it in a full production of PINAFORE, so that we can experience what it would have been like had the number not been cut. It's a pity that such news cannot be spread at web-speed. The discovery was made last summer, and it will not be till this coming summer (at Buxton) that it will finally be heard in public with the original orchestration (or, as close to the original as we are likely to get). I urge as many of you as possible to attend Bruce's & Helga's presentation this summer at Buxton. Besides hearing a heretofore unknown number from H.M.S. PINAFORE, you'll be treated to a fascinating G&S detective story. === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 16-Apr hriswebster@ndirect.co.uk #LAUNCH of CONTRABANDISTA / CHIEFTAIN CDs Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09377; Fri, 16 Apr 99 11:06:02 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20485; Fri, 16 Apr 99 11:07:02 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id LAA11492; Fri, 16 Apr 1999 11:03:39 -0400 (EDT) Date: Fri, 16 Apr 1999 11:03:39 -0400 (EDT) Message-Id: <001201be8818$2e1567e0$237efea9@apricot> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: LAUNCH of CONTRABANDISTA / CHIEFTAIN CDs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Saturn.Bridgewater.Edu id LAA11492 *** EOOH *** Date: Fri, 16 Apr 1999 11:03:39 -0400 (EDT) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: LAUNCH of CONTRABANDISTA / CHIEFTAIN CDs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Saturn.Bridgewater.Edu id LAA11492 Dear All, Further to my earlier messages about the Prince Consort recordings of Sullivan's The Contrabandista of 1867 and its 1894 reincarnation as The Chieftain, I am pleased to announce that Alan Borthwick (a Director of Prince Consort) has now given the OK for the issue of this wonderful 2 CD set and it is now officially launched. I have just come back from the post office having sent out a large batch = of these to the people who placed pre-release orders, and general orders are now very welcome. If you don't already know the music of these operas then you are in for a real treat. If you do know the music then this is probably the first cha= nce you will have to hear pretty good recordings of each. As previously mentioned The Contrabandista was available for a very short time (one day I believe) at a SASS gathering, and this Chieftain recordin= g has never been released before. (What never? No absolutely, totally and utterly NEVER !!). Please do not mistake these great Prince Consort recordings for some of the poor private recordings by other companies whi= ch have been available in the past. You will have no qualms about the sound quality of these recordings. They were professionally recorded and sound great. To US netters: don't forget that I am also handling copies of the UK vers= ion of the BBC Music Magazine with the complete Rose of Persia as the double = CD cover discs, (only a highlights disc will be included with the US version= ) and I can either post this to you together with your Contra/Chief set or = I can just send the BBC mag and CDs on their own.. If you want a copy of R= OSE please email me before sending your order (subject line: I WANT ROSE) jus= t to be sure that I still have copies. That's it for now, prices and ordering details are set out below, so get your chequebooks out and look forward to hearing some smashing music with= in the next few days. Regards Chris Chris Webster "Sounds on CD" Prices for ... 1. Just the Contrabandista / Chieftain CDs (UK and US), 2. The Contra/Chief CDs AND the Rose of Persia CDs and mag (US only), or 3. JUST the Rose of Persia CDs and mag (US only). 1. If you wish to purchase JUST The Contrabandista and The Chieftain dou= ble CD set, then the cost for UK customers is =A322.50, and the cost for US customers is $40 (US) or =A323.50 (sterling) 2. If US netters wish to order both the Contra/Chief set and the BBC Ros= e set (and mag) then the cost will be $52.50 (US) or =A331.00 (sterling). = If however, you have already sent in your order for the C/C set but you woul= d still like to add Rose to your order then all you need to do is to send a second cheque for $12.50 or =A37.50. 3. If, for some absolutely inexplicable reason, US netters want to miss = out on the fabulous music of The Contrabandista and The Chieftain and would j= ust like to purchase the BBC Rose set (and mag) then the cost will be $15.00 (US) or =A39 (sterling). To order: If you wish to pay by sterling cheque, please make your cheque payable to 'Chris Webster' and send it direct to me - Chris Webster 'Sounds on CD' Victoria House 228 B High Street CROYDON Surrey CR0 1NF ENGLAND If you wish to pay by US dollar check, please make your check payable to 'Richard N Freedman' and send it to - Richard Freedman 89 Staniford St Apt 7 Auburndale MA 02466 - 1128 USA Please remember to include your return address. I may as well just add that my other CDs are still available and may be ordered along with the above. These are- HMS Pinafore (1922/23 - =A315 / $26) Patience (1921 - =A315 / $26) The Mikado (1938 film soundtrack - =A310 / $17) Merrie England (1918 & 1931 =96 DOUBLE CD set =A315 / $26) Seven discs of George 'It's Turned Out Nice Again' Formby rarities from studio, film, radio and stage. (each disc - =A39 UK / $17 (=A310) US) (full listings available on reques= t)  1, forwarded,, Summary-line: 16-Apr harben@engin.umich.edu #Lexicon third edition Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00928; Fri, 16 Apr 99 15:39:28 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA06850; Fri, 16 Apr 99 15:39:19 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id PAA20915; Fri, 16 Apr 1999 15:35:46 -0400 (EDT) Date: Fri, 16 Apr 1999 15:35:46 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: harben@engin.umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Harry Benford To: Multiple recipients of list SAVOYNET Subject: Lexicon third edition Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 16 Apr 1999 15:35:46 -0400 (EDT) Reply-To: harben@engin.umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Harry Benford To: Multiple recipients of list SAVOYNET Subject: Lexicon third edition Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Some of you have asked how to obtain copies of the just-published second edition of The Gilbert & Sullivan Lexicon. It is available from The Queensbury Press/13507 Queensbury Lane/Houston TX 77079-6017/USA. The basic price (before S&H) is $25.95 (US dollars), $38.95 (Canadian dollars), or 15.95 in pounds sterling. Shipping & handling charges for single book: To US destinations: surface: $2.50, air: $5.00 To Canadian destinations: surface: US$2.70 (Can$4.00),air: US$5.35 (Can$8.00) To UK or other overseas: surface: US$4.25 (3.60 pounds), air: US$10.25 (6.60 pounds). Performing groups may want to place bulk orders (10 or more books to a single destination): For US destinations: $18.20 per book including S&H. For Canadian destinations: US$18.50 (or Can$27.75) per book including S&H. For overseas destinations: Contact Maloneatqueensburypress.com. If you already own the second edition, let me assure you the third edition has plenty of new and juicy details you'll not want to miss. Harry Benford  1,, Summary-line: 16-Apr rnf@mailsrv1.mitre.org #Re: Harry Benford: Lexicon 3rd edition Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19648; Fri, 16 Apr 99 16:25:20 EDT Received: from mbunix.mitre.org by MIT.EDU with SMTP id AA14448; Fri, 16 Apr 99 16:26:19 EDT Received: from FUZZY (fuzzy.mitre.org [129.83.20.83]) by mbunix.mitre.org (8.8.8/8.8.8) with ESMTP id QAA26058; Fri, 16 Apr 1999 16:25:07 -0400 (EDT) Received: from rfreedman.mitre.org (129.83.66.130) by fuzzy.mitre.org with SMTP id 830261; Fri, 16 Apr 1999 16:25:06 EST Message-Id: <3.0.5.32.19990416162612.007c24a0@mailsrv1.mitre.org> X-Sender: rnf@mailsrv1.mitre.org X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.5 (32) Date: Fri, 16 Apr 1999 16:26:12 -0400 To: rac@bu.edu (Rebecca A. Consentino), Mahoney.Carol@epamail.epa.gov (Carol Mahoney), dsmith@umassd.edu (J. Donald Smith), klb@cybercom.net (Katherine Bryant), mlcar@MIT.EDU, caqsey@email.msn.com (Patricia Brewer), plburst@elensys.com (Phil Burstein), GAMAREX@aol.com (Sheldon Hochman) From: rnf@mailsrv1.mitre.org (Richard N. Freedman) Subject: Re: Harry Benford: Lexicon 3rd edition Cc: opus@MIT.EDU In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: rnf@mailsrv1.mitre.org X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.5 (32) Date: Fri, 16 Apr 1999 16:26:12 -0400 To: rac@bu.edu (Rebecca A. Consentino), Mahoney.Carol@epamail.epa.gov (Carol Mahoney), dsmith@umassd.edu (J. Donald Smith), klb@cybercom.net (Katherine Bryant), mlcar@MIT.EDU, caqsey@email.msn.com (Patricia Brewer), plburst@elensys.com (Phil Burstein), GAMAREX@aol.com (Sheldon Hochman) From: rnf@mailsrv1.mitre.org (Richard N. Freedman) Subject: Re: Harry Benford: Lexicon 3rd edition Cc: opus@MIT.EDU In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" I think we can definitely get enough requests to qualify as a bulk order, especially since NEGASS ought to have a few on hand for door prizes, and perhaps for gifts for honored guests or performers. But distributing them, when they have all arrived at a single address, will be nontrivial. I'll put together something for the next Bray (unless somebody else wants to volunteer). Similarly, I will undertake to receive and distribute them, unless somebody else wants to volunteer. At 03:52 PM 4/16/99 -0400, Rebecca A. Consentino wrote: >David Jedlinsky raises a question that I believe we may have mentioned >among ourselves in the past... Any opinions? > >---------- Forwarded message ---------- >Date: Fri, 16 Apr 1999 15:48:28 -0400 >From: "David C. Jedlinsky" >To: rac@bu.edu >Subject: [Harry Benford: Lexicon third edition] >Would NEGASS want to place a bulk order? >From: Harry Benford >...the just-published ... >edition of The Gilbert & Sullivan Lexicon. It is available from The >Queensbury Press/13507 Queensbury Lane/Houston TX 77079-6017/USA. > >The basic price (before S&H) is $25.95 (US dollars), $38.95 (Canadian >dollars), or 15.95 in pounds sterling. > >Shipping & handling charges for single book: > >To US destinations: surface: $2.50, air: $5.00 > >Performing groups may want to place bulk orders (10 or more books to a >single destination): > >For US destinations: $18.20 per book including S&H. > >If you already own the second edition, let me assure you the third edition >has plenty of new and juicy details you'll not want to miss. > >Harry Benford >  1,, Summary-line: 17-Apr BMILLER@holycross.edu #"Reflect, My Child" Announcement: Thanks and Clarifications Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26573; Sat, 17 Apr 99 22:04:43 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA14855; Sat, 17 Apr 99 22:04:34 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id WAA13401; Sat, 17 Apr 1999 22:04:38 -0400 (EDT) Date: Sat, 17 Apr 1999 22:04:38 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: "Reflect, My Child" Announcement: Thanks and Clarifications Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5 *** EOOH *** Date: Sat, 17 Apr 1999 22:04:38 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: "Reflect, My Child" Announcement: Thanks and Clarifications Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5 Helga and I would like to thank all of you who have shared in our excitement over the past few days. We thought we had something significant to disclose, but Marc is right: neither of us expected the intensity of interest the media showed. The media attention indicates that there is still a healthy interest by the public in G & S, beyond that of a mere cult following, and we hope this event will have served to stir up renewed interest generally. We are dazed, but happy. We thought this might be an opportunity to clarify some points which have been raised in the recent publicity. 1. Neil Midkiff wrote about the CBS radio feed in which it was suggested that we are supposed to have recovered "75 percent" of the vocal lines. It is difficult, if not impossible, to quantify (via a percentage) in a sound bite a complex discovery and reconstruction. The criteria used to reduce the results in that way can be variable and difficult to define. In other words, do we go by number of measures, number of notes, and/or the duration of the notes? Also, in the case of "Reflect, my child" there is a refrain for which there are *two* vocal lines. Helga and I have reflected on the CBS interview, and we would suggest to Neil and all of you that our initial announcement explained the situation best. A substantial portion of the original vocal lines can be confirmed with certainly or near certainty in the following places: a) The entire refrain, which is about twice as long as that of the Duke's song in Patience. The melodic line (Josephine's) and the harmony line (The Captain's) are quite obviously shadowed in the orchestral accompaniment and there is little room for a significant variant reconstruction. b) The final phrase of the verse is also strongly confirmed, first by the octave scoring in the strings which most probably doubled the Captain's melody, and at the end of the phrase by voice cues in two band parts. The remainder of the verse has had to be reconstructed from the context provided by the orchestration, which does not contain much melodic material. 2. During the question/answer session following the presentation at the Society for Textual Scholarship on Thursday, a woman asked me a question concerning how much input we received from performers when "rehearsing" a reconstruction. I didn't follow her completely at the time, but subsequently realized that what she really wanted to know was: did we seek or receive input from performing musicians in preparing such a reconstruction. I did mention in answering that we always Beta-test a new edition such as Trial By Jury, and in fact would be undergoing such an operation this summer in England with the TBJ band parts (as we did at Holy Cross a year and a half ago with the vocal score). However, I could also have mentioned that in the case of Helga's and mine, we are both experienced performers: I was trained as a singer and organist as well as a conductor, Helga is a percussionist and double bassist, so we are both well aware of the performing issues. Most musicologists have some performing experience, but it is probably fair to say that we are more engaged in that way than many. In addition, we have had the input of the singers and pianist (who is also a respected coach) when preparing the demonstration tape played at the STS, and we have actively encouraged feedback and suggestions from the artists who will be performing the music at Buxton. We hope this assists in the understanding of what we have done. Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 19-Apr mendes@aigfpc.com #FW: 14 Biblical Ways to Get a Wife Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19732; Mon, 19 Apr 99 13:05:15 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA20223; Mon, 19 Apr 99 13:06:10 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 10ZHTn-0001ij-00; Mon, 19 Apr 1999 13:05:07 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <2VT2LFXJ>; Mon, 19 Apr 1999 13:04:57 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: 14 Biblical Ways to Get a Wife Date: Mon, 19 Apr 1999 13:04:56 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: 14 Biblical Ways to Get a Wife Date: Mon, 19 Apr 1999 13:04:56 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > Traditional Family Values: > > > > The Top 14 Biblical Ways to Get a Wife > > > > 1. Find an attractive prisoner of war, bring her home, shave her > > head, trim her nails, and give her new clothes. Then she's yours. > > - (Deuteronomy 21:11-13) > > > > 2. Find a prostitute and marry her. - (Hosea 1:1-3) > > > > 3. Find a man with seven daughters, and impress him by watering > > his flock. - (Moses in Exoodus 2:16-21) > > > > 4. Purchase a piece of property, and get a woman as part of the > > deal. - (Boaz in Ruth 4:5-10) > > > > 5. Go to a party and hide. When the women come out to dance, > > grab one and carry her off to be your wife. - (Benjaminites in > > Judges 21:19-25) > > > > 6. Have God create a wife for you while you sleep. Note: this > > will cost you. - (Adam in Genesis 2:19-24) > > > > 7. Agree to work seven years in exchange for a woman's hand in > > marriage. Get tricked into marrying the wrong woman. Then work > > another seven years for the woman you wanted to marry in the > > first place. That's right. Fourteen years of toil for a wife. - > > (Jacob in Genesis 29:15-30) > > > > 8. Cut 200 foreskins off of your future father-in-law's enemies > > and get his daughter for a wife - (David in I Samuel 18:27) > > > > 9. Even if no one is out there, just wander around a bit and > > you'll definitely find someone. (It's all relative, of course.) - > > (Cain in Genesis 4:16-17) > > > > 10. Become the emperor of a huge nation and hold a beauty > > contest. - (Xerxes or Ahasuerus in Esther 2:3-4) > > > > 11. When you see someone you like, go home and tell your > > parents, "I have seen a ... woman; now get her for me." If your > > parents question your decision, simply say, "Get her for me. > > She's the one for me." - (Samson in Judges 14:1-) > > > > 12. Kill any husband and take HIS wife (Prepare to lose four > > sons, though). - (David in II Samuel 11) > > > > 13. Wait for your brother to die. Take his widow. (It's not > > just a good idea; it's the law.) - (Onana and Boaz in Deuteronomy > > or Leviticus, example in Ruth) > > > > 14. Don't be so picky. Make up for quality with quantity. - > > (Solomon in I Kings 11:1-3) > > >> > > > > * * * * * * * * * * > Susan Poliniak > spoliniak@mindspring.com >  1,, Summary-line: 21-Apr jhenle@neal.smith.edu #Trial by Congress Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24327; Wed, 21 Apr 99 17:12:10 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA01747; Wed, 21 Apr 99 17:12:05 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id RAA09730; Wed, 21 Apr 1999 17:11:50 -0400 (EDT) Date: Wed, 21 Apr 1999 17:11:50 -0400 (EDT) Message-Id: <371E3935.70F510BC@math.smith.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jhenle@neal.smith.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Henle To: Multiple recipients of list SAVOYNET Subject: Trial by Congress Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (X11; U; Linux 2.0.34 i586) *** EOOH *** Date: Wed, 21 Apr 1999 17:11:50 -0400 (EDT) Reply-To: jhenle@neal.smith.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Henle To: Multiple recipients of list SAVOYNET Subject: Trial by Congress Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (X11; U; Linux 2.0.34 i586) To all Savoyards: I've written new words to Trial by Jury. The title is TRIAL BY CONGRESS Dramatis Personae: SPEAKER of the House. Baritone PRIME MINISTER of some foreign country. Soprano CHAIR of the Judiciary Committee. Tenor PRESIDENT of the United States. Tenor Majority WHIP. Bass DOORMAN. Baritone HOUSE MEMBERS. Men's chorus REPORTERS. Women's chorus This is a political farce. It will remind you of the impeachment scandal, but significant details have been changed to produce a show that is funny rather than sordid. The words have been written so that (I hope) Sullivan's music can be used with only minor modifications. I will send it to anyone who is interested. Permission to reproduce it and perform it is freely given. Let me reiterate: this is family entertainment. There is not one word which is calculated to bring the blush of shame to the cheek of modesty. Jim Henle Northampton, Massachusetts jhenle@math.smith.edu  1,, Summary-line: 22-Apr mendes@aigfpc.com #FW: USEFUL SAYINGS AT THE OFFICE Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16824; Thu, 22 Apr 99 11:09:27 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA22705; Thu, 22 Apr 99 11:09:21 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10aL6J-0007iW-00; Thu, 22 Apr 1999 11:09:16 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 22 Apr 1999 11:09:11 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: USEFUL SAYINGS AT THE OFFICE Date: Thu, 22 Apr 1999 11:09:09 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: USEFUL SAYINGS AT THE OFFICE Date: Thu, 22 Apr 1999 11:09:09 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Lavina strikes again... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >1. Thank you. We're all refreshed and challenged by your unique point > of > >view. > > > >2. The fact that no one understands you doesn't means you're an > artist. > > > >3. I don't know what your problem is, but I'll bet it's hard to > >pronounce. > > > >4. Any connection between your reality and mine is purely > coincidental. > > > >5. I have plenty of talent and vision. I just don't give a damn. > > > >6. I like you. You remind me of when I was young and stupid. > > > >7. What am I ? Flypaper for freaks ? > > > >8. I'm not being rude. You're just insignificant. > > > >9. I'm already visualizing the duct tape over your mouth. > > > >10. Ahhhh...I see the fuck-up fairy has visited us again.... > > > >11. I will always cherish the initial misconceptions I had about you. > > > >12. It's a thankless job, but I've got a lot of Karma to burn off. > > > >13. Yes, I am an agent of Satan, but my duties are largely > ceremonial. > > > >14. No, my powers can only be used for good. > > > >15. How about never ? Is never good for you ? > > > >16. I'm really easy to get along with once people learn to worship > me. > > > >17. You sound reasonable...Time to up my medication. > > > >18. I'll try being nicer if you'll try being smarter. > > > >19. I'm out of my mind, but feel free to leave a message... > > > >20. I don't work here. I'm a consultant. > > > >21. Who me ? I just wander from room to room. > > > >22. My toys ! My toys ! I can't do this job without my toys ! > > > >23. It might look like I'm doing nothing, but at the cellular level > I'm > >really quite busy. > > > >24. At least I have a positive attitude about my destructive habits. > > > >25. You are validating my inherent mistrust of strangers. > > > >26. I see you've set aside this special time to humiliate yourself in > >public. > > > >27. Someday, we'll look back on this, laugh nervously and change the > >subject. > > > > > > > > >  1,, Summary-line: 23-Apr cjsmith@MIT.EDU #phone numbers Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21100; Fri, 23 Apr 99 14:02:01 EDT Received: from BUZZWORD-BINGO.MIT.EDU by MIT.EDU with SMTP id AA20254; Fri, 23 Apr 99 14:02:00 EDT Received: by buzzword-bingo.mit.edu (8.8.7/4.7) id OAA00346; Fri, 23 Apr 1999 14:01:57 -0400 (EDT) Message-Id: <199904231801.OAA00346@buzzword-bingo.mit.edu> To: dinner@MIT.EDU, marymary@suberic.net, jhango@suberic.net Subject: phone numbers Date: Fri, 23 Apr 1999 14:01:57 EDT From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU, marymary@suberic.net, jhango@suberic.net Subject: phone numbers Date: Fri, 23 Apr 1999 14:01:57 EDT From: CarolYN J Smith Just to let people know, all my various phone numbers as of now. Home: 617-628-0406 MGH: 617-726-4796 Brandeis: 781-736-4939 In general I'm at MGH M-Th and Brandeis Fri (and occasionally Sa-Su). --cyn  1,, Summary-line: 25-Apr oakapple@cris.com #The Gilbert and Sullivan Lexicon, 3rd Edn. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10234; Sun, 25 Apr 99 00:39:42 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA13791; Sun, 25 Apr 99 00:39:43 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id AAA10842; Sun, 25 Apr 1999 00:39:39 -0400 (EDT) Date: Sun, 25 Apr 1999 00:39:39 -0400 (EDT) Message-Id: <372298FD.A7BA3827@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Gilbert and Sullivan Lexicon, 3rd Edn. Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Saturn.Bridgewater.Edu id AAA10842 *** EOOH *** Date: Sun, 25 Apr 1999 00:39:39 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Gilbert and Sullivan Lexicon, 3rd Edn. Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Saturn.Bridgewater.Edu id AAA10842 I returned home last night to find the 3rd Edition of Harry Benford's "Th= e Gilbert and Sullivan Lexicon" awaiting me. I fell in love with this book = when I bought the 1st Edition in 1978. By 1991, Harry and I were on close enough= terms that he gave me the opportunity to comment on a pre-publication draft of = the 2nd Edition, as well as on some 50 new or substantially revised items added t= o the 3rd. I cannot claim to be entirely impartial. Nevertheless, the success of this book over the last two decades speaks f= or itself. How many G&S books can you think of, aside from those by Gilbert himself, that have had a substantive third edition? It would not be a lon= g list. It speaks to the book's popularity that Harry printed what he thought wer= e enough copies of the 2nd Edition to last a decade, but he ran out in just= four years. Lucky for all of us, Harry did not rest on his laurels, and he has= put out a 3rd Edition that improves on the first two. In case you have not seen Harry's book in either of its first two incarna= tions, it is a detailed reference book of terms from the operas that modern read= ers might find obscure. There is a chapter for each opera. Within each opera,= the terms are listed in the order that they are found in the libretto. COX AN= D BOX and THE ZOO are tacked on the end. There is an index, in case you are cur= ious about a specific term but cannot recall where in the canon it is mentione= d. There is a pronunciation guide for words where this is not obvious. In mo= st cases, the phrase in which the term appears in the opera is shown in brac= kets, although the book isn't consistent about this. The Lexicon is not merely a "dictionary." In the discussion of the "Empre= ss Josephine," for example (PATIENCE, p. 74), it might be be sufficient to n= ote that she was the first wife of Napoleon Bonaparte. But, why does Gilbert = bother to mention her? In the 2nd Edition, the answer to this question troubled = Benford for eight lines; in the 3rd Edition, it is now twenty-nine lines. In the discussion of "Thessalian" (THESPIS, p. 11), the 2nd Edition menti= oned that it pertained to Thessaly, a region of Greece, and Benford thought th= at Gilbert chose it because it goes well with "Theatres." In the 3rd, he now= notes that the word means "treacherous," and that there really is/was a theatre= in that place. A bit of searching found at least one definition that has been shortened: "Asinorum pons" (UTOPIA LIMITED, p. 194). Such an example was not easy to= find, so there must not be very many cases where this was done. A comparison of= the two did not reveal a clear reason why Harry decided to tell us less about= this term, although what remains is clearly more than adequate. As was the case in the 2nd Edition, the book is liberally festooned with Benford's own drawings. Some of them illustrate the defined terms; others= are there simply because they are amusing. The chapter on THE MIKADO, for exa= mple, sports Benford illustrations of a "buffer" and a "finger stall." But, pic= tures of Nanki-Poo dancing merrily with a second trombone, and of a singularly = ugly woman captioned "an acquired taste," seem to be just comic relief. The pi= cture of a "Marine Parade," by the way, is much more attractively reproduced th= an in the 2nd Edition, and now has a much-needed caption (p. 117 in either edit= ion). The definitions are calibrated to the American reader, so there are some = terms defined, such as "tuppence," that would be obvious to just about any Brit= ish reader. But, Benford certainly does not shirk from defining the many Gilb= ertian terms that would be obscure to just about anybody. Benford is not the fir= st author who has written a G&S Dictionary, but I believe it is universally acknowledged that no one else has done it as well.=20 It is difficult immediately to tell what has been added. The two books ar= e roughly the same size, and the total number of pages per opera is within = a page or two of the 2nd Edition. However, there is a bit more writing per page,= which is how the additional material has been squeezed in. One thing immediatel= y apparent is that the quality of the typography has improved, and the book= is now in hardcover; this is particularly welcome for a book that one surely wil= l dip into countless times over a period of many years. One indication of the amount of added material, is the fact that the numb= er of cited references has ballooned from 208 to 326. The Introduction to the 2= nd Edition said that "nearly twenty-five hundred" words and phrases were cov= ered. The new Introduction says that it is "some twenty-six hundred." To give an idea of what has been changed/added, I thought it would be wor= thwhile to do a detailed tally for the shortest G&S opera, TRIAL BY JURY: -- The following terms are newly added: Defendant, Plaintiff, Damages, Pleadings, Rover, Cad, Collar, Third-class journeys, Mob, Posies, Substan= tial Damages, Submission, Attorneys, Shelf, Snob -- The following terms have expanded/improved definitions: Usher, Assoc= iate, Barrister, Edwin/Angelina, Subpoena, Court of the Exchequer, Pecker, Tink-a-tank, Pluck, Middlesex Sessions, Gurneys, Incubus, Fudge, Passing = fair, Camberwell, Peckham, Otto, Perjured, Tether. (I saw a number of others th= at have been reworded for clarity without adding any new information; I didn't in= clude them in this list.) So, why did these terms need revising? There's a wide variety of reasons.= The definition of "Barrister," for example, had simply become obsolete, due t= o a change in the British legal system that took effect in 1990. For "perjure= d," the 2nd Edition advised us that the word refers to telling a lie. For the 3rd= , Benford adds that a "perjured lover" is, hence, an unfaithful lover. The change to "pecker" is somewhat unusual. Benford replaces a number of disparate references with a single reference to a letter that Queen Victo= ria wrote to one of her daughters, and drops the 2nd Edition's mention of Gil= bert's use of the word in one of the Bab Ballads. In this case, the purpose of t= he revision is not so clear. The expanded discussion of the names Edwin and Angelina is an excellent e= xample of why the book is so useful. The casual reader would not, perhaps, think= that these names need any explanation at all--they are just the given names of= two characters. But, Gilbert chose them for a purpose. The 2nd Edition noted = that this was a traditional pairing of lovers' names, dating back to a 1764 po= em by Oliver Goldsmith. The 3rd Edition adds the name of the poem: "The Hermit,= or Edwin and Angelina." Spot-checking suggested that the revision of the other operas is just as far-reaching. I also note that cross-references to other chapters are now= much more thorough. The wealth of background added to terms defined in the pre= vious editions is most gratifying. I always felt that Benford was fearful of te= lling us too much, and some of the definitions still show signs of this. But, h= e seems to have finally decided that readers generally want to know more, not les= s. One thing that certainly *has not* changed is the book's sense of fun. Ev= en the most difficult definitions are written in an informal style and never com= e across as pedantic lectures. At the same time, Benford "justly claim[s] t= hat what follows is a scholarly exposition." He adds: "My background studies = have been exhaustive, I have subjected my manuscripts to the scrutiny of real = experts in the Gilbert and Sullivan world, and I have carefully cited my many sou= rces of information." It is a model from which we can all learn. As in the first two editions, there are major illustrations throughout by= former D'Oyly Carte principal tenor Geoffrey Shovelton. The new cover illustrati= on shows Gilbert writing some verses, while Sullivan sits at his side readin= g a copy of Benford's 2nd Edition (whose cover Shovelton *also* did). There i= s a new foreword by Kenneth Sandford, replacing the old (and largely irrelevant) = one by Isaac Asimov. Sandford himself is introduced by Roberta orrell. How do you get the book? Write to The Queensbury Press, 13505 Queensbury = Lane, Houston, Texas 77079-6017. The price is: To U.S. destinations: $25.95 + $2.50 P&H To Canadian destinations: $25.95 + $2.70 P&H OR CAN$38.95 + CAN$4.00 P&H To U.K. destinations =A315.95 + =A33.60 P&H to U.K. destinations --=20 Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com  1,, Summary-line: 26-Apr hriswebster@ndirect.co.uk #BBCx excuse for Rose highlights only CD Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12763; Mon, 26 Apr 99 15:01:58 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA13213; Mon, 26 Apr 99 15:01:55 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id PAA07388; Mon, 26 Apr 1999 15:01:45 -0400 (EDT) Date: Mon, 26 Apr 1999 15:01:45 -0400 (EDT) Message-Id: <002e01be9016$a9d45de0$1be5fea9@apricot> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: BBCx excuse for Rose highlights only CD Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Mon, 26 Apr 1999 15:01:45 -0400 (EDT) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: BBCx excuse for Rose highlights only CD Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 A new corespondent, Shakira Searle, recently communicated with me with regard to my offer to help overseas netters acquire the complete set of Rose CD as opposed to the highlights only version which accompanies the non-US issues. I found one of her communications of great interest and gained her permission to send it to the list, as I am sure you will be interested to hear what the Beeb has to say. > Thank you for your prompt reply to my enquiry regarding 'Rose of Persia.' I >actually managed to get in touch with someone at the magazine's editorial >office, who informed me that the reason for their shipping highlight CDs with >all international releases was to avoid the costs and perils of shipping a >double CD pack. I can appreciate their position, but why they didn't just use >the "slimline" double packs (no bigger than a regular single-CD case, but hold >two - I assume they're not just an Australian thing?), is beyond my >comprehension. My reply to Shakira was really a general comment on the above statement >I'm sorry to say this, but that is a load of rubbish. The complete Rose CDs >ARE in slimline double cases as you suggest and cannot possibly any be more >perilous than a single disc. As for the cost I can't really see that the >extra weight of one little disc is going to make that much difference. What >are the Beeb up to coming out with excuses like this?? There was a happy ending in this instance as Shakira concluded - >the editor's assistant has very kindly agreed to send me >out a copy of the complete recording, which solves the problem nicely. C.  1,, Summary-line: 26-Apr edmund@MIT.EDU #Re: Paying IPNH: Tax or SS number? Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16429; Mon, 26 Apr 99 15:09:09 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id PAA27446; Mon, 26 Apr 1999 15:09:03 -0400 (EDT) Received: from [18.70.1.32] (RCA-1.MIT.EDU [18.70.1.32]) by melbourne-city-street.MIT.EDU (8.9.2/8.9.2) with ESMTP id PAA13219; Mon, 26 Apr 1999 15:09:03 -0400 (EDT) From: edmund@MIT.EDU Message-Id: In-Reply-To: <199904261901.PAA21157@charon.MIT.EDU> References: edmund@MIT.EDU's message of Mon, 26 Apr 1999 14:39:47 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Mon, 26 Apr 1999 15:09:30 -0400 To: "David C. Jedlinsky" Subject: Re: Paying IPNH: Tax or SS number? *** EOOH *** From: edmund@MIT.EDU In-Reply-To: <199904261901.PAA21157@charon.MIT.EDU> References: edmund@MIT.EDU's message of Mon, 26 Apr 1999 14:39:47 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Mon, 26 Apr 1999 15:09:30 -0400 To: "David C. Jedlinsky" Subject: Re: Paying IPNH: Tax or SS number? David, I'm not a tax lawyer, but my understanding is that if you were selling them only "merchandise", then this wouldn't be an issue. But you are receiving $ for making the copies of the tapes, which is essentially labor, and constitutes personal income. Yes, you will receive a 1099 form, if your total payments are over $600 for the year (I think!) Thanks, Edmund >Edmund, > >While I don't mind giving you my SS# (though, I will call you with it, >rather than send it over email), I'm confused about this part of the >Ruling you sent me: > >>Section 1.6041-3(d) of the Regulations states that no return is required >>under section 6041 for payment of bills for merchandise, telegrams, >>telephone, freight, storage, and similar charges. > >Since I am invoicing Dance Troupe for delivery of a product (video >tapes), wouldn't it fall under this section? Or does it have to be >split out to the services of making the tapes, and delivery of that >merchandise? > >The IRS is clear as mud, as usual. > >If MIT has to file a 1099 because of this, will I be receiving a copy >for my taxes as well? > >-Dave Jedlinsky >opus@mit.edu  1,, Summary-line: 26-Apr Iceman6@aol.com #Re: Need 8 NH ferrets for Lupron + misc stuff Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23232; Mon, 26 Apr 99 19:29:52 EDT Received: from imo14.mx.aol.com by MIT.EDU with SMTP id AA16596; Mon, 26 Apr 99 19:29:48 EDT Received: from Iceman6@aol.com (14432) by imo14.mx.aol.com (IMOv20) id 6TXSa03409 for ; Mon, 26 Apr 1999 19:29:47 -0400 (EDT) From: Iceman6@aol.com Message-Id: <2245f3c8.24564f97@aol.com> Date: Mon, 26 Apr 1999 19:24:07 EDT Subject: Re: Need 8 NH ferrets for Lupron + misc stuff To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 13 Reply-To: Iceman6@aol.com *** EOOH *** From: Iceman6@aol.com Date: Mon, 26 Apr 1999 19:24:07 EDT Subject: Re: Need 8 NH ferrets for Lupron + misc stuff To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 13 Reply-To: Iceman6@aol.com Sorry, I forgot to mention the Lupron's for adrenal problems. Tipper (my hairless one) didn't show any swelling until she was nearly nude, so I'm just going on the assumption that Hillary is working on the same problem but her symptoms are in reverse. As I understand it the swollen vulva indicates that their estrogen levels are elevated and they are in a kind of pseudo heat which in addition to the adrenal output being out of whack, eventually raises the additional possibility of aplastic anemia. About 20% don't loose their hair at all. Check for thin skin, potbelly, weight loss and weakening muscles, especially in the back end. The most recent Modern Ferret has an article on using Lupron. Someone recently posted that Lupron for 10 beasties was $2000 so when I get back from VT on Wednesday I'll recheck with my vet and see if I misunderstood. Will let you know if I learn anything useful. Martha  1,, Summary-line: 28-Apr pdu@uksafety.net # Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04129; Wed, 28 Apr 99 03:32:38 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA22860; Wed, 28 Apr 99 03:32:36 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id DAA03416; Wed, 28 Apr 1999 03:32:31 -0400 (EDT) Date: Wed, 28 Apr 1999 03:32:31 -0400 (EDT) Message-Id: <000301be9149$17b30180$65053cc3@pre-installedco> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdu@uksafety.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "pdu" To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Wed, 28 Apr 1999 03:32:31 -0400 (EDT) Reply-To: pdu@uksafety.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "pdu" To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 I have set up a mailing list on the Internet that G&S and similar societies may find interesting. There is no charge made for registering as a list member nor is there one for using the service. The only cost involved is the normal cost of sending and receiving e-mail. I would be grateful if you would help me to spread the word about this e-mail community to all amateur performing societies and everyone else you feel could benefit from using it. Certainly, production managers, directors, musical directors, etc., would find the resource useful. If you visit http://www.onelist.com on the Internet and search in Arts/Theatre you will find: AmDram-support-net [English] [Safe for Kids] A mailing list for amateur dramatic and other performing societies based in the UK to facilitate sharing of information and support. The list can be used to inform other groups of shows, activities, events and any other useful information. You can tell us about forthcoming shows, seek background information about prospective productions, ask for help, scenery, props, or whatever! For more information, http://users.powernet.co.uk/pdu Cheers, Paul Edwards Publicity Manager Leighton Linslade Amateur Operatic Society (UK)  1,, Summary-line: 28-Apr raeburn@raeburn.org #reminder: dinner at my place on Saturday May 1 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09736; Wed, 28 Apr 99 04:27:26 EDT Received: from 209-122-231-164.s164.tnt4.sbo.ma.dialup.rcn.com by MIT.EDU with SMTP id AA28423; Wed, 28 Apr 99 04:27:21 EDT Received: (from raeburn@localhost) by raeburn.org (8.8.8/8.6.9) id EAA02651; Wed, 28 Apr 1999 04:27:17 -0400 (EDT) To: "Carolyn's dinner list" , Denis Moskowitz , Eric Mumpower , Jennie Hango , Johanna Bobrow , Kate Thornton , Liza Wirtz , Martina Falter , Mary Agner , Matthew Morse , Teresa Hernandez Subject: reminder: dinner at my place on Saturday May 1 Mime-Version: 1.0 From: Ken Raeburn Date: 28 Apr 1999 04:27:17 -0400 Message-Id: Lines: 13 User-Agent: Gnus/5.070063 (Pterodactyl Gnus v0.63) Emacs/20.3 *** EOOH *** To: "Carolyn's dinner list" , Denis Moskowitz , Eric Mumpower , Jennie Hango , Johanna Bobrow , Kate Thornton , Liza Wirtz , Martina Falter , Mary Agner , Matthew Morse , Teresa Hernandez Subject: reminder: dinner at my place on Saturday May 1 Mime-Version: 1.0 From: Ken Raeburn Date: 28 Apr 1999 04:27:17 -0400 Lines: 13 User-Agent: Gnus/5.070063 (Pterodactyl Gnus v0.63) Emacs/20.3 Come by my place[*] Saturday evening, May 1, starting around 6. Ruth will be making dinner, and we will probably have a movie or games (or both) for afterwards. RSVP so we'll know how much food is needed. Ken [*] I'm at 18 Pearson Ave in Somerville, near Porter and Davis Square T stops. See http://www.cygnus.com/~raeburn/dir.html or email or call me for directions. ------- End of forwarded message -------  1,, Summary-line: 28-Apr CJ@sftlaw.com #Fwd: [dc-meeps] This is for real, pass it on... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07844; Wed, 28 Apr 99 13:34:31 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA10465; Wed, 28 Apr 99 13:34:27 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Wed, 28 Apr 1999 13:34:14 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Wed, 28 Apr 1999 13:33:45 -0400 From: "Cynthia J. Mallion" To: , , , , , , , , Subject: Fwd: [dc-meeps] This is for real, pass it on... Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=_B8EEA586.3F5E32D4" *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Wed, 28 Apr 1999 13:33:45 -0400 From: "Cynthia J. Mallion" To: , , , , , , , , Subject: Fwd: [dc-meeps] This is for real, pass it on... Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=_B8EEA586.3F5E32D4" This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_B8EEA586.3F5E32D4 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Hi, sorry for all the mail lately, I'll try to keep it down from now on. = But this one came from a friend in Colorado, and gee, I wouldn't have = reacted as well as she did.... Te/CJ --=_B8EEA586.3F5E32D4 Content-Type: message/rfc822 Received: from onelist.com (pop.onelist.com [209.207.164.159]) by sftlaw.com; Wed, 28 Apr 1999 13:30:46 -0400 Received: (qmail 6619 invoked by alias); 28 Apr 1999 17:30:22 -0000 Received: (qmail 6491 invoked from network); 28 Apr 1999 17:30:11 -0000 Received: from unknown (HELO sftlaw.com) (38.209.248.2) by pop.onelist.com with SMTP; 28 Apr 1999 17:30:11 -0000 Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Wed, 28 Apr 1999 13:30:32 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Wed, 28 Apr 1999 13:30:21 -0400 From: "Cynthia J. Mallion" To: Content-Disposition: inline Mailing-List: list dc-meeps@onelist.com; contact dc-meeps-owner@onelist.com Delivered-To: mailing list dc-meeps@onelist.com Precedence: bulk List-Unsubscribe: Reply-to: dc-meeps@onelist.com Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-transfer-encoding: 8bit Subject: [dc-meeps] This is for real, pass it on... From: "Cynthia J. Mallion" (This email was written by one of the attorneys at the Criminal Bureau. She works with State Troopers, has had police training, and this happened to her recently. Send it to some women you work with. You see this in the news and it makes you really think about what could happen.) Ladies, be extra careful when driving alone. Please read below. I headed for home by myself at approximately 10pm. I was between exits when a car pulled into the right most lane beside me (I was in the center lane) and started matching speeds with me. After a minute, I tried to slow down so he would pass. He slowed, too. I regained my previous speed, and he sped up with me. Finally after a few minutes of this, he pulled slightly ahead of me, rolled down his window and motioned towards my tire as though something was wrong. The man had already begun to make me nervous by driving along side me for some distance on the mostly empty highway, and now my training took over. "This man is trying to get me off the road by myself here in the dark," I thought. This, in case you are unfamiliar with the area, is basically the middle of nowhere. I know my car. I am very careful with maintenance, and I am an experienced driver. I know what a flat tire feels like. I knew my car was fine. I put on my turn signal and moved to the right-most lane behind the man anyway and slowed down slightly (there is always the chance that something could have been wrong, better to be prepared). The other car pulled onto the shoulder and started slowing down. Now I knew he was definitely trying toget me to pull over. I passed him, he swerve back on the road and drove right behind me. At the next exit, there were two gas stations. They were well lit and there were a few people there. I exited, he followed. Not only this, but a car I had not previously noticed, that was in front of us suddenly swerved off the exit when I put my turn signal on. I know this scenario. I grew up in some pretty bad area. I have had training in this. At this point, everything I had learned was in control. I decided not to stop anywhere. By now there was absolutely no doubt that my car was fine. When we approached the stop sign at the dark, empty intersection after the gas stations, the car ahead of me put on his left turn signal and stopped. I checked for traffic as I approached the intersection, then pulled around him to the right, and headed straight back for the highway. Both the car that had been ahead and the one that had been following me turned left across the highway and did not pursue further. I have now carefully checked my car in a safe place when I knew I was no longer being followed. It is in perfect condition. This is a classic scenario for car jackers to use at night. I feel lucky that I was well prepared and didn't have to think too much about what to do. 1. Don't ever let yourself be caught between two cars. Car jackers often work in pairs, attempting to corner your vehicle. 2. Don't ever pull off the road at night by yourself in a dark, unpopulated place. 3. Carry a cell phone - I'm going to get one!! 4. Stay calm. Don't try any tricks. If you are in an accident, you are vulnerable. 5. Remember that most criminals want easy victims... DON'T LET YOURSELF BECOME ONE!!! 6. Make sure you find out how to react BEFORE you are in the situation! These situations are unfortunately real and dangerous. Thinking about it when it happens is too late! 7. ALWAYS make sure you do not stop until you are CERTAIN that help is present (i.e., even if you are in a slight accident, head straight for the police station, and don't stop until you are there. Car jackers often slightly damage vehicles by bumping them from the rear to try to get the driver to get out.) GOOD ENOUGH TO READ? PASS IT ON! KAREN L CAMPBELL, Attorney at Law * ------------------------------------------------------------------------ Have you visited the new ONElist home page lately? http://www.ONElist.com ONElist: The Leading e-mail list and community service on the Internet! ------------------------------------------------------------------------ -=This message originated with the DC-Meeps Mailing List=- -=Contact Ralph (Sasquatch1@bigfoot.com) with any questions=- --=_B8EEA586.3F5E32D4--  1,, Summary-line: 30-Apr philip@msmail.awii.com #CONTRABANDISTA/CHIEFTAIN CDs Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00600; Fri, 30 Apr 99 12:37:29 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11349; Fri, 30 Apr 99 12:37:24 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id MAA01525; Fri, 30 Apr 1999 12:36:38 -0400 (EDT) Date: Fri, 30 Apr 1999 12:36:38 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: CONTRABANDISTA/CHIEFTAIN CDs Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1460.8) *** EOOH *** Date: Fri, 30 Apr 1999 12:36:38 -0400 (EDT) Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: CONTRABANDISTA/CHIEFTAIN CDs Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1460.8) Last week I received my two-CD set of THE CONTRABANDISTA and THE CHIEFTAIN. I was concerned that, based on Prince Consort's own dissatisfaction with what they had recorded, I might find this a flawed product. To my delight, this is anything but. The performances meet the fine standards Prince Consort set with their recordings of other Sullivan operas, but the LPs of EMERALD ISLE, BEAUTY STONE, and ROSE OF PERSIA were marred by engineering flaws on Pearl's end (more surface noise than Decca/London had, and in the case of EMERALD ISLE two snippets of dialogue accidentally left in and a groove jump in the introduction). Chris Webster has provided a flawlessly engineered product that, in particular, makes the orchestra sparkle. CONTRABANDISTA is recorded as it appears in the vocal score save for the omission of most of the intro to "From rock to rock," which is also missing from CHIEFTAIN. There are two substantially different vocal scores for CHIEFTAIN, and Prince Consort based its performance on the later edition. In particular: 1) "My parents were of great gentility" is used for Inez instead of "Let others seek," and the latter can be heard in CONTRABANDISTA, although a chorus was added in the original CHIEFTAIN. 2) "Wanted a Chieftain" was a song in the original CHIEFTAIN that, with its surrounding dialogue, was replaced by a recitative. Prince Consort found a way to insert "Wanted a Chieftain" seamlessly into the recitative. I know now for sure that "Wanted a Chieftain" provides the music for "If Maggie were married" in ENGAGED! 3) "A lady peers from a tower" was a song for Rita that was written to replace "The tinkling sheep bell," but apparently the substitution was undone during the original run, as "Sheep bell" is Rita's song in both editions of the score. This recording has "A lady peers" instead of "Sheep bell" in CHIEFTAIN, but the latter is part of CONTRABANDISTA. 4) A bolero from CONTRANBANDISTA was part of the original Act 1 Finale of CHIEFTAIN, with some chorus lyrics added. The later edition of the score has a completely new dance. This recording uses the CONTRABANDISTA bolero. The CONTRABANDISTA acoustics are pristine from being the result of studio conditions, and those of CHIEFTAIN are only slightly inferior. IMHO Alan Borthwick, as Vasquez, is the star singer, and the others, expect maybe for Dolly, aren't very far behind. (Every role common to both operas is performed by the same person in each.) There are a few occasions when the singers are hard to hear over the orchestra (never true with Alan, BTW), and there are a couple of tempi ("Ah, oui, j'etais une pensionnaire" comes to mind) that are a little too slow for my taste, but otherwise I'm delighted to hear these opera sung as they should be. I think Prince Consort underrated its own performance here, although there are one or two places where I think I detect an edit that may be possible only with digital technology. No matter -- if this is typical of Chris's work, then "Sounds on CD" deserves to be a thriving enterprise. I hope Chris will now tackle transferring BEAUTY STONE and EMERALD ISLE by Prince Consort to CD. Philip Sternenberg -- "Nature's Sole Mistake!" philip@msmail.awii.com Bergenfield NJ USA  1,, Summary-line: 30-Apr mendes@aigfpc.com #FW: Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09364; Fri, 30 Apr 99 18:14:14 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA24592; Fri, 30 Apr 99 18:14:09 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10dLXp-0000Cd-00; Fri, 30 Apr 1999 18:14:05 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 30 Apr 1999 18:14:03 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Date: Fri, 30 Apr 1999 18:14:02 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: Date: Fri, 30 Apr 1999 18:14:02 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >> Northerners Visiting or Moving to the Southern > >> States: > >> > >> If you are from the northern states and > >> planning on visiting or moving to the South, > >> there are a few things you should know > >> that will help you adapt to the difference > >> in lifestyles: > >> > >> If you run your car into a ditch, don't panic. > >> Four men in a four-wheel drive pickup truck > >> with a 12 pack of beer and a tow chain will > >> be along shortly. Don't try to help them, > >> just stay out of their way. This is what they > >> live for. > >> > >> Don't be surprised to find movie rentals and > >> bait in the same store. Do not buy food at > >> this store. > >> > >> Remember, "ya'll" is singular, "all ya'll" > >> is plural, and "all ya'll's" is plural > >> possessive. > >> > >> Get used to hearing "You ain't from around > >> here, are ya?" > >> > >> You may hear a Southerner say "Ought!" to > >> a dog or child. This is short for "Ya'll > >> oughta not do that!" and is the equivalent > >> of saying "No!" > >> > >> Don't be worried at not understanding what > >> people are saying. They can't understand > >> you either. > >> > >> The first Southern expression to creep > >> into a transplanted Northerner's vocabulary > >> is the adjective "big'ol," as in "big'ol > >> truck" or "big'ol boy." Most Northerners begin > >> their Southern-influenced dialect this way. > >> All of them are in denial about it. > >> > >> The proper pronunciation you learned in > >> school is no longer proper. > >> > >> Be advised that "He needed killin" is a > >> valid defense here. > >> > >> If you hear a Southerner exclaim, "Hey, > >> ya'll, watch this," stay out of the way. > >> These are likely to be the last words > >> he'll ever say. > >> > >> If there is the prediction of the > >> slightest chance of even the smallest > >> accumulation of snow, your presence is > >> required at the local grocery store. It > >> doesn't matter whether you need anything > >> or not. You just have to go there. > >> > >> When you come up on a person driving > >> 15 mph down the middle of the road, > >> remember that most folks learn to drive > >> on a John Deere, and that this is the > >> proper speed and position for that > >> vehicle. > >> > >> Do not be surprised to find that > >> 10-year olds own their own shotguns > >> and are proficient marksmen. Or that > >> their mammas taught them how to aim. > >> > >> In the South, we have found that the > >> best way to grow a lush, green lawn is > >> to pour gravel on it and call it a > >> driveway. > >> > >> If you do settle in the South and > >> bear children, don't think we will > >> accept them as Southerners. After all, > >> if the cat had kittens in the oven, > >> we wouldn't call 'em biscuits. > > * * * * * * * * * * > Susan Poliniak > spoliniak@mindspring.com >  1,, Summary-line: 30-Apr mendes@aigfpc.com #FW: George Carlin Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09556; Fri, 30 Apr 99 18:14:48 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA24716; Fri, 30 Apr 99 18:14:43 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10dLYN-0000E8-00; Fri, 30 Apr 1999 18:14:39 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 30 Apr 1999 18:14:37 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: George Carlin Date: Fri, 30 Apr 1999 18:14:36 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: George Carlin Date: Fri, 30 Apr 1999 18:14:36 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >George Carlin Witticisms > > > >1) Don't sweat the petty things and don't pet the sweaty things. > >2) One tequila, two tequila, three tequila, floor. > >3) Atheism is a nonprophet organization. > >4) If man evolved from monkeys and apes, why do we still have monkeys > and > apes? > >5) The main reason Santa is so jolly is because he knows where all > the bad > girls live. > >6) I went to a bookstore and asked the saleswoman, "Where's the > self-help > >section?" She said if she told me, it would defeat the purpose. > >7) Could it be that all those trick-or-treaters wearing sheets aren't > going > as ghosts but as mattresses? > >8) If a mute swears, does his mother wash his hands with soap? > >9) If a man is standing in the middle of the forest speaking and > there is > no woman around to hear him - is he still wrong? > >10) If someone with multiple personalities threatens to kill himself, > is it > considered a hostage situation? > >11) Is there another word for synonym? > >12) Isn't it a bit unnerving that doctors call what they do > "practice?" > >13) Where do forest rangers go to "get away from it all?" > >14) What do you do when you see an endangered animal eating an > endangered > plant? > >15) If a parsley farmer is sued, can they garnish his wages? > >16) Would a fly without wings be called a walk? > >17) Why do they lock gas station bathrooms? Are they afraid someone > will > clean them? > >18) If a turtle doesn't have a shell, is he homeless or naked? > >19) Why don't sheep shrink when it rains? > >20) Can vegetarians eat animal crackers? > >21) If the police arrest a mime, do they tell him he has the right to > remain silent? > >22) Why do they put Braille on the drive through bank machines? > >23) How do they get the deer to cross at that yellow road sign? > >24) Is it true that cannibals don't eat clowns because they taste > funny? > >25) What was the best thing before sliced bread? > >26) I'm not schizophrenic. You only think we are. > > > Adina Alexander > Graphic Designer, Web Developer > adina@cduniverse.com > http://www.cduniverse.com > CD UNIVERSE: The Most Music - The Best Prices > > "I accept chaos - I wonder if it accepts me?" - Bob Dylan > "It's hard not to play when there are so many toys . . ." - Jewel > ---------------------------------------------------------------------- > ------ > ---------------  1,, Summary-line: 1-May ornstn@home.com #Thoughts on The Chieftain Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10512; Sat, 1 May 99 12:47:45 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA12776; Sat, 1 May 99 12:47:40 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id MAA13902; Sat, 1 May 1999 12:47:40 -0400 (EDT) Date: Sat, 1 May 1999 12:47:40 -0400 (EDT) Message-Id: <4.1.19990501111535.01c14f10@mail> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Thoughts on The Chieftain Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Sat, 1 May 1999 12:47:40 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Thoughts on The Chieftain Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 I have now had a chance to listen to Chris Webster's CD transfer of The Prince Consort's performances of The Contrabandista and The Chieftain, and since Chris has asked for comments, I thought it was only right that I should provide some. Those not interested in hearing me ramble on about my opinions can profitably skip the rest of this message. My only previous experience of The Chieftain was that of going through the piano-vocal score (with a pianist) many years ago, while searching for music for Tom Petiet's 1971 version of Thespis. We found it a depressing experience, and I came away with the conclusion that this was surely Sullivan's worst operetta. After listening to an actual performance, I have to admit that I was pleasantly surprised by some numbers I may have dismissed years ago, but see no reason to revise my original opinion. The Chieftains has serious problems, and they are not just restricted to the admittedly wretched libretto. Part of the problem, it seems to me, is that the music recycled into The Chieftain from The Contrabandista clashes in style with the music for the rest of the operetta. This is not just a matter of a passage in time; the music allotted to the different characters becomes terribly inconsistent. For example, the rough-and-ready bandits Sancho and Jose of the earlier version keep some of their old music, but add to it numbers like "'Tis very hard to choose" which are much lighter and more elegant-sounding. The Rita of Act 1, who retains much of her old music, is almost unrecognizable as the same character in the second act. Sullivan's approach seems to have been quite different in the later piece. Where the music of Contrabandista is, like that for Cox and Box, English by way of Offenbach, the new music deliberately apes a continental style that did not even exist in 1867. As much as I love the music of The Contrabandista, I wonder if Sullivan might not have been better off to recompose the whole thing from scratch (he did "touch up" some of the old numbers, not always for the better IMHO). Unfortunately, much of the new music seems to my ear to be Sullivan at his least inspired. Thus, when he does replace a number from Contrabandista with a new song, the new song is usually worse. I cannot imagine preferring "A lady peers from a tower" to "Only the night wind sighs alone" [I understand that this substitution may not have even make it into performance, and the orchestration for the new song on the CD is not Sullivan's], and though "Wake, gentle maiden" is hardly Sullivan at his best, its replacement, "Wake, then, awake!" Is simply dreadful. The one exception, in my opinion, is "My parents were of great gentility", which is delightful if totally different in mood from " Let others seek the peaceful plain", which it replaced during the run of The Chieftain at the Savoy [it is, alas, wretchedly sung on the recording; though most of the singers on the CD are quite good, and some are better than that, the Inez is simply incapable of handling the music]. What puzzles me about this song, though, is how little it sounds like Sullivan. I could easily have taken it for a number from Sousa's "El Capitan", or even for some of Mirabella's music in "The Gypsy Baron". That brings me to one of my main problems in listening to The Chieftain. Even if I eliminate numbers which sound to me as though Sullivan was simply going through the motions, like the interminable "There are cases", the more listenable new numbers sound like they could have been written by any number of Sullivan's lesser contemporaries on the continent (or even on our continent, if I include Sousa). I know that some people on this list consider it quite an achievement that Sullivan could imitate the continental operetta style, but it saddens me to see one of the greatest composers of operetta, who, in his earlier days, confined his imitations to even greater composers like Handel, imitate composers who were not as good as he was. Where is Sullivan's own voice in The Chieftain? I do not know, but I think he found it again in his next operetta, The Grand Duke, which has a continental touch but is unmistakably Sullivan (and much better music, by and large, then the new songs in The Chieftain). That said, I have to admit that The Chieftain has its moments. The best of them, I think, is "There's no one, I'm certain" despite its rather startling opening which seems to be a direct to steal from Lalo's Symphonie Espagnole. Other than that, if I were asked to assemble a "highlights" disc from the new songs in The Chieftain the only ones I would include are: My parents were of great gentility 'Tis very hard to choose (though the concluding dance is pretty dull stuff) The Gay Hussar (which I would rank as just OK) Ah, oui, j'etais (though I am not as fond of this as some) La criada We quite understand The Chieftain is found (which partly reprises "There's no one I'm certain" In conclusion, then, I don't think The Chieftain is revivable (though certainly excerptable, to a limited degree), and I still prefer the much more consistent earlier version of 1867. Nonetheless, I am grateful to Chris Webster, and to The Prince Consort, for giving us a chance to hear it, and as I would be very surprised to see it follow The Rose of Persia into the ranks of the professionally recorded, with the really good orchestral playing that that would imply, I can certainly recommend the CD to anyone who, like me, enjoys delving into rare Sullivan, and can put up with dross while waiting for the odd gem that sticks in the head. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 3-May mendes@aigfpc.com #FW: DIVINE PARENTING Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00514; Mon, 3 May 99 11:25:25 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA27083; Mon, 3 May 99 11:25:22 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10eKar-0003ox-00; Mon, 3 May 1999 11:25:17 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 3 May 1999 11:25:14 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: DIVINE PARENTING Date: Mon, 3 May 1999 11:25:04 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: DIVINE PARENTING Date: Mon, 3 May 1999 11:25:04 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > -----Original Message----- > From: Philip_Gellis@mccord.com [SMTP:Philip_Gellis@mccord.com] > Sent: Monday, May 03, 1999 10:06 AM > To: jlevenberg@aol.com; mendes@aigfpc.com > Subject: DIVINE PARENTING > > Whenever your kids are out of control, you can take comfort > from the thought that even God's omnipotence did not extend > to God's kids. After creating heaven and earth, God created > Adam and Eve. > > And the first thing He said to them was: "Don't." > > "Don't what?" Adam replied. > > "Don't eat the forbidden fruit." God said. > > "Forbidden fruit? We got forbidden fruit? Hey, Eve...we got > Forbidden Fruit!" > > "No way!" > > "Yes WAY!" > > "Don't eat that fruit!" said God. > > "Why?" > > "Because I'm your Creator and I said so!" said God, wondering > why he hadn't stopped after making the elephants. A few minutes > later God saw the kids having an apple break and was angry. > > "Didn't I tell you not to eat that fruit?" the first parent > asked. > > "Uh huh," Adam replied. > > "Then why did you?" > > "I dunno," Eve answered. > > "She started it!" Adam said. > > "Did Not!" > > "DID so!" > > "DID NOT!!" > > Having had it with the two of them, God's punishment was that Adam > and Eve should have children of their own. Thus the pattern was set > and it has never changed. But there is a reassurance in this story. > If you have persistently and lovingly tried to give them wisdom and > they haven't taken it, don't be hard on yourself. If God had > trouble > handling children, what makes you think it would be a piece of cake > for you? >> > > > > >  1, answered,, Summary-line: 3-May CJ@sftlaw.com #Re: IMPORTANT!! Addresses & Spring Cleaning Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11833; Mon, 3 May 99 17:20:55 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA25102; Mon, 3 May 99 17:20:50 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Mon, 03 May 1999 17:20:58 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Mon, 03 May 1999 17:20:33 -0400 From: "Cynthia J. Mallion" To: Subject: Re: IMPORTANT!! Addresses & Spring Cleaning Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Mon, 03 May 1999 17:20:33 -0400 From: "Cynthia J. Mallion" To: Subject: Re: IMPORTANT!! Addresses & Spring Cleaning Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Okay! Before 6/30/99: 5213 Milland St. Springfield, VA 22151 (703) 941-4876 After 6/30/99: 7401 Axton St. Springfield, VA 22151 (703) 941-4510 Whenever: PO Box 1412 Springfield, VA 22151-0412 (301) 529-9550 (cell phone) Mind you, I still don't know what my name's gonna be after the wedding.... (PS, keep June 30 open if you can....)  1,, Summary-line: 4-May hriswebster@ndirect.co.uk #G&S CDs - ANNOUNCEMENT Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26715; Tue, 4 May 99 12:27:19 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA07457; Tue, 4 May 99 12:27:21 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id MAA11667; Tue, 4 May 1999 12:26:22 -0400 (EDT) Date: Tue, 4 May 1999 12:26:22 -0400 (EDT) Message-Id: <000901be964a$325aa460$48effea9@apricot> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: G&S CDs - ANNOUNCEMENT Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Tue, 4 May 1999 12:26:22 -0400 (EDT) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: G&S CDs - ANNOUNCEMENT Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 Ladies and Gentlemen, I thought I would let you know of some of my plans for future Gilbert and / or Sullivan CD releases. 1. As most of you are aware, Diana Burleigh has a collection of Gilbert and Sullivan interviews on tape which she made with various noted G&S people in the 70s. Many people are expressing interest in these recordings, and I am pleased to make a preliminary announcement to inform you that Diana and I have discussed these tapes (by email and on the phone) and it is likely that many of them will be suitable for release on my Sounds on CD label. Although we do not believe it is absolutely necessary to gain permission from the interviewees, for politeness more than anything else, I shall be attempting to contact as many of these as possible. I have already spoken with John Reed and he is agreeable for me to use the tapes of his interviews subject to him hearing them and also subject to them not coinciding too much with a current project of his own. At first I believed that Diana had enough material to fill a CD, but as each day passes it would appear that she is discovering more and more, and this could well lead to a series of issues. 2. In addition to Diana's tapes I am also very pleased to be able to tell you that prior to learning of these, my good friend Michael Walters (he of acclaimed sleevenote fame) had long ago offered me the use of a number of private recordings that he himself made of interviews of a G&S nature, and it is likely that these will also be released in the shortness of time. I have only yet heard one of Michael's tapes which is a delightful two hour interview with Bessie Jones who sang on so many of the acoustic G&S HMV recordings. This was recorded when she was in her 80s and she speaks of many aspects of her career as well as her involvement in these early complete G&S recordings, and this tape may be suitable edited and presented with other interviews. Michael also has tapes, which I have yet to hear, but which I am very much looking for to, of an interview he made with George Baker in his later years (GBs later years that is, Michael hasn't quite reached his yet !!!). Also in Michael's collection are private recordings of, most notably, Derek Oldham, as well as, I believe, reminiscences of people whose names will be less familiar, but which I am sure will prove quite fascinating as they recall G&S performances from the turn of the century. 3. It is too early for me to make any formal announcement about the future of the previously issued Prince Consort recordings of The Emerald Isle and The Beauty Stone, but as the possibility of my issuing these has recently been discussed I shall simply say, "watch this space - you may not be disappointed". As for Haddon Hall, well, the Prince Consort haven't recorded that ......... 4. I recently commented that I was hoping to license some of EMIs Keith Hardwick transfers of the 20s/30s HMV recordings. I have still not had the full OK from EMI about this, but I am hoping to hear anyday with regard to the legendary 1929 recording of Iolanthe. If this does come off then others of the neglected recordings from this era may follow. 5. Many people have been asking me what has happened to series of HMV acoustic reissues, and I am pleased to tell you that despite concerns, this series has not come to a complete standstill. Plans are afoot to continue with these releases with the ultimate aim of having all nine of these in my growing catalogue, although the continuation of these recordings may not be in quite the same manner as in the past. 6. Another lead that I am currently pursuing is with the gentleman who, many years ago, was the proprietor of an LP label called 'Rare Recorded Editions'. The label's name speaks for itself and on that label were several items of a Sullivan interest of varying quality. Some of these items have now been made redundant by newer recordings which have since appeared, and quite honestly some of the recordings were of an appalling quality but served their purpose in giving people their only chance to hear some of the works, but there are still one or two items of interest. 7. Many of you are aware that Stephen Turnbull is the possessor of a world class collection of Sullivan rarities and I am hoping to collaborate with Stephen, some of his contacts and the SASS, to produce more CDs of an historical nature. This is another project that I am particularly looking forward to. Let me at 'em, Stephen. 8. Two people have made quite independent suggestion more or less within a day or two of each other, about my acquiring the Lyric Opera Company's recording of The Mountebanks. I haven't heard this recording, but I have mentioned this to several people who have, and they have said that the idea is not a bad one at all. The trouble is, I have no idea how to find anyone who was connected with the company, so if anyone can help hear your assistance would be very much appreciated. Anyway, that is a brief update of SOME of the things that I am hoping to be working on in the near future. Best regards to all, Chris Chris Webster 'Sounds on CD'  1, answered,, Summary-line: 4-May lmartin@theramp.net #Re: Surplus TBJ and C&B Scores Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06418; Tue, 4 May 99 15:05:40 EDT Received: from shirley.theramp.net by MIT.EDU with SMTP id AA07830; Tue, 4 May 99 15:05:44 EDT Received: from kato (pr56k-148.theramp.net [206.68.165.148]) by shirley.theramp.net (8.8.5/8.7.3) with SMTP id OAA17269 for ; Tue, 4 May 1999 14:05:36 -0500 (CDT) Message-Id: <002301be9660$e15937e0$94a544ce@kato.theramp.net> Reply-To: "Martin" From: "Martin" To: "David C. Jedlinsky" Subject: Re: Surplus TBJ and C&B Scores Date: Tue, 4 May 1999 14:03:51 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.72.3110.1 X-Mimeole: Produced By Microsoft MimeOLE V4.72.3110.3 *** EOOH *** Reply-To: "Martin" From: "Martin" To: "David C. Jedlinsky" Subject: Re: Surplus TBJ and C&B Scores Date: Tue, 4 May 1999 14:03:51 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.72.3110.1 X-Mimeole: Produced By Microsoft MimeOLE V4.72.3110.3 I have a copy of each for you. I will check postage. Do you wish it to be sent first class, priority, or 3rd class? Thanks Leanne -----Original Message----- From: David C. Jedlinsky To: lmartin@theramp.net Date: Tuesday, May 04, 1999 12:55 PM Subject: Re: Surplus TBJ and C&B Scores > >Hello, > >Marc Shepherd mentioned that you have some leftover scores to Cox and >Box and Trial by Jury for sale. If you haven't already been >overwhelmed by requests to purchase these scores, I would like to buy >one of each. > >Thank you. > >-Dave Jedlinsky >opus@mit.edu >  1,, Summary-line: 4-May mendes@aigfpc.com #FW: WILD TRIVIA Facts Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26073; Tue, 4 May 99 18:13:30 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA22209; Tue, 4 May 99 18:13:25 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10enRL-0006Tv-00; Tue, 4 May 1999 18:13:23 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 4 May 1999 18:13:21 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: WILD TRIVIA Facts Date: Tue, 4 May 1999 18:13:20 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: WILD TRIVIA Facts Date: Tue, 4 May 1999 18:13:20 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG-Financial Products > > WILD TRIVIA > > > > * Dr. Seuss coined the word "nerd" in his 1950 book "If I Ran the > > Zoo" > > > > * It takes 3000 cows to supply the NFL with enough leather for a > > year's supply of footballs. > > > > * Thirty-five percent of the people who use personal ads for dating > > are already married. (The other 65% want to be. The grass is > > always greener...) > > > > * There are an average of 178 sesame seeds on a McDonald's Big Mac > > bun. > > > > * The world's termites outweigh the world's humans 10 to 1. > > > > * Pound for pound (kilo for kilo), hamburgers cost more than new > > cars. > > > > * When Heinz ketchup leaves the bottle, it travels at a rate of 25 > > miles per year. (except in Seinfeld) > > > > * On average, 100 people choke to death on ballpoint pens every > year. > > > > * In 10 minutes, a hurricane releases more energy than all the > > world's nuclear weapons combined. > > (P.S. To the leaders on India: If you wanted to really show > > strength, you should of come up with some way to create a manmade > > hurricane - Now THAT would be one heck-of-a accomplishment) > > > > * Average lifespan of a major league baseball: 5 pitches. > > > > * Average age of top GM executives in 1994: 49.8 years. Average age > > of the Rolling Stones: 50.6. > > > > * Elephants can't jump. Every other mammal can. > > > > * The cigarette lighter was invented before the match. > > > > -- > > mailto:ToothDoc@Liii.com > > ---  1,, Summary-line: 5-May mendes@aigfpc.com #FW: ROdney Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20021; Wed, 5 May 99 14:36:53 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA08967; Wed, 5 May 99 14:36:42 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10f6WS-0004hk-00; Wed, 5 May 1999 14:35:57 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 5 May 1999 14:35:43 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: ROdney Date: Wed, 5 May 1999 14:35:42 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: ROdney Date: Wed, 5 May 1999 14:35:42 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Bah dum-bum CHING @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > Rodney Dangerfield's greatest one-liners (American comedien) > > > > > > > > > And we were poor, too, Why, if I wasn't born a boy, I'd have > nothing to > > > play with. > > > > > > A girl phoned me the other day and said "Come on over, there's > nobody > > > home." I went over. Nobody was home. > > > > > > If it weren't for pickpockets, I'd have no sex life at all. > > > > > > During sex my girlfriend always wants to talk to me. Just the > other > > > night she called me from a hotel. > > > > > > One day as I came home early from work I saw a guy jogging naked. > I > > > said to the guy, "Hey buddy, why are you doing that?" He said, > "Because > > > you came home early." > > > > > > It's been a rough day. I got up this morning, put on a shirt and > a > > > button fell off. I picked up my briefcase and the handle came > off. I'm > > > afraid to go to the bathroom. > > > > > > When I played in the sandbox the cat kept covering me up. > > > > > > I could tell that my parents hated me. My bath toys were a > toaster and > > > a radio. > > > > > > My mother never breast-fed me. She told me that she only liked me > as a friend. > > > > > > My father carries around the picture of the kid who came with his > > wallet. > > > > > > When I was born the doctor came out to the waiting room and said > to my > > > father, "I'm very sorry. We did everything we could, but he > pulled > > > through." > > > > > > My mother had morning sickness after I was born. > > > > > > I remember the time I was kidnapped and they sent a piece of my > finger > > > to my father. He said he wanted more proof. > > > > > > Once when I was lost, I saw a policeman and asked him to help me > find my parents. I said to him, "Do you think we'll ever find them?" > He said, > > > "I don't know kid, there are so many places they can hide." > > > > > > My wife made me join a bridge club. I jump off next Tuesday. > > > > > > I worked in a pet shop and people kept asking how big I'd get. > > > > > > I went to see my doctor. "Doctor, every morning I get up, look in > the > > > mirror and feel like throwing up; what's wrong with me?" He said > "I > > > don't know but your eyesight is perfect." >  1,, Summary-line: 5-May mendes@aigfpc.com #FW: forwarded message from Joke of the Day Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25142; Wed, 5 May 99 15:54:03 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA15247; Wed, 5 May 99 15:54:03 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10f7jm-0005dl-00; Wed, 5 May 1999 15:53:47 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 5 May 1999 15:53:22 -0400 Message-Id: From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: forwarded message from Joke of the Day Date: Wed, 5 May 1999 15:53:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: forwarded message from Joke of the Day Date: Wed, 5 May 1999 15:53:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain More blonde jokes... just what I need... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > Three blondes died in a car crash trying to jump the Grand > Canyon and are at the pearly gates of heaven. St Peter tells > them that they can enter the gates only if they can answer > one simple religious question. > > The question posed by St. Peter is "What is Easter"? > > The first blonde replies, "Oh, that's easy! It's the holiday > in November when everyone gets together, eats turkey and are > thankful..." > > "Wrong!, you are not welcome here, I'm afraid. You must go > to the other place!" replies St. Peter. He turns to the > second blond, and asks her the same question: "What is > Easter?" > > The second blonde replies, "Easter is the holiday in > December when we put up a nice tree, exchange presents, and > celebrate the birth of Jesus." > > St Peter looks at the second blonde, bangs his head on the > on the pearly gates in disgust and tells her she's wrong > and will have to join her friend in the other place. She is > not welcome in Heaven. He then peers over his glasses at the > third blonde and asks, "Do YOU know what Easter is"? > > The third blonde smiles confidently and looks St Peter in > the eyes, "I know what Easter is." > > "Oh?" says St Peter, incredulously. > > "Easter is the Christian holiday that coincides with the > Jewish celebration of Passover. Jesus and his disciples were > eating at the last supper and Jesus was later deceived and > turned over to the Romans by one of his disciples. The > Romans took him to be crucified and he was stabbed in the > side, made to wear a crown of thorns, and was hung on a > cross with nails through his hands and feet. He was buried > in a nearby cave which was sealed off by a large boulder." > > St Peter smiled broadly with delight. > > The third blonde continued... "Every year the boulder is > moved aside so that Jesus can come out and, if he sees his > shadow, there will be six more weeks of winter." > > > -------- > Thanks to Eric Aumen > > ___________________________________________________________ > > > QUESTION: Were hot dogs ever made of dogs? > > For the answer to this and other curious questions, > come to our Web page now: > > > Hell hath no fury like the lawyer of a woman scorned. > >  1,, Summary-line: 5-May oakapple2@yahoo.com #Re: In Defense of Ida Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15712; Wed, 5 May 99 18:01:29 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA16624; Wed, 5 May 99 18:01:19 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id SAA09993; Wed, 5 May 1999 18:00:52 -0400 (EDT) Date: Wed, 5 May 1999 18:00:52 -0400 (EDT) Message-Id: <19990505215604.14718.rocketmail@web107.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: In Defense of Ida Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 5 May 1999 18:00:52 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: In Defense of Ida Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have a feeling that I kicked off this thread by saying IDA was the opera that I would drop (given the strictures of Unca Donald's hypothetical query). This was based on my fiduciary responsibility as director of a professional opera company trying to make room for another comparatively little known opera, not based on what I personally am most interested in seeing. There is much in what Jim Drew wrote with which I agree. IDA is one of the few Sullivan operas in which I feel the composer markedly improved on the raw material the librettist gave him. Most of the opera's problems I place at Gilbert's feet. The only number in which I cannot defend Sullivan's contribution is "Come, mighty must." I'd be curious to know what Jim sees in it. About Gilbert: Well, he committed a number of artistic crimes here. The libretto is neither fish nor foul. Gilbert retained a number of vulgarisms held over from his burlesque days, yet he was trying to elevate the piece to the more rarefied level of Savoy Opera. It is a shotgun wedding of two styles. Likewise, the ungainly three-act structure is the fruit of having adapted a formerly five-act play. Gilbert also committed a huge tactical error. Until IDA was written, the three great "stars" of the Savoy series were Grossmith, Barrington, and Temple. In all of the operas to that point, the story never went long without at least one of them on stage. Yet, in IDA, Gilbert wrote a libretto in which all three of the "stars" were out of the action for long stretches of the piece. In doing so, he created an opera that was ill suited to the type of company he and Sullivan had spent seven years assembling. It cannot have helped that the artist originally hired to play Ida dropped out relatively late in the game. Now, the fact that IDA was not a good fit for the D'Oyly Carte Company is not an intrinsic flaw of the work. But, it tends to be the case that *modern* G&S groups are stocked, in similar proportions, with the same type of artists that the Savoy had. This is one reason why IDA gives modern groups trouble. It is worth noting, by the way, that Hildebrand and Arac were both more prominently featured in Gilbert's play, THE PRINCESS, than they are in the opera. It was not manifest destiny that Gilbert had to reduce the size of all his stars' parts, and I consider it a blunder. Then, there is the object of the satire: women's education. At the time IDA was written, this topic was even more passe than aestheticism when PATIENCE was written. And, unlike the satire in PATIENCE (which can be read as a spoof on fads generally), the satire in IDA does not wear well. The heroine's iconoclasm is so seriously portrayed that the quip with which Gilbert finally disposes of it seems almost like a cheap shot. I think Tennyson had the better ending. In the poem, it is Gama's sons that are victorious, not Hilarion and his friends. Ida's gesture at the end, therefore, seems more magnanimous and heartfelt, because she has the upper hand. Here again, Gilbert blundered. It has occasionally been suggested that IDA is *not* a spoof on women's education, but a spoof on men who fail to take women's education seriously. I've yet to see a persuasive case for this, nor even to imagine how such an approach could be staged. In most productions I've attended, you could clearly see that the director was uncomfortable with the text as Gilbert left it. In the Oberlin IDA, one of Gayden Wren's few good ideas was to restore the Tennyson ending. I've seen a variety of solutions tried. In some ways, IDA is a boon to the director: Gilbert's concept is so clearly flawed that it welcomes improvement. I note that both Jim Drew's and Paul Scott's posts were in support of the score, and with this I agree. But, the libretto, despite many moments of isolated brilliance, has significant structural problems. Lest we lose perspective, I am speaking in relation to the high level that Gilbert reached elsewhere. I would question one of Paul's points. He said that IDA, not YEOMEN, is as close as Sullivan came to writing a grand opera with Gilbert. I'd be curious to know the basis for this statement. On what criteria does one measure "distance from grand opera"? While IDA does contain some of Sullivan's best work, he must have been uncomfortable with it. As houses at the Savoy started to dwindle, Sullivan wrote to Gilbert that he felt he had reached the end of his tether in "this class of piece." I am not aware that Sullivan ever wrote or spoke with any great fondness for this opera. He, too, must have found it wanting. === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 6-May cmajor@merchantsmgmt.com #FW: TOP 25 SAYINGS Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23881; Thu, 6 May 99 09:21:22 EDT Received: from administrator.merchantsmgmt.com by MIT.EDU with SMTP id AA19176; Thu, 6 May 99 09:21:26 EDT Received: by NT with Internet Mail Service (5.5.2232.9) id <106SQ356>; Thu, 6 May 1999 09:27:57 -0400 Message-Id: <919508F09879D211BC6800C0F0164FE402DC11@NT> From: Cindy Major To: Tina , Andy , Robert , David , Withees Subject: FW: TOP 25 SAYINGS Date: Thu, 6 May 1999 09:27:56 -0400 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain *** EOOH *** From: Cindy Major To: Tina , Andy , Robert , David , Withees Subject: FW: TOP 25 SAYINGS Date: Thu, 6 May 1999 09:27:56 -0400 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain > TOP 25 SAYINGS WE'D LIKE TO SEE ON THOSE OFFICE INSPIRATIONAL POSTERS > > Rome did not create a great empire by having meetings, they did it by > killing all those who opposed them. > > If you can stay calm, while all around you is chaos... then you probably > haven't completely understood the seriousness of the situation. > > Doing a job RIGHT the first time gets the job done. Doing the job WRONG > fourteen times gives you job security. > > Eagles may soar, but weasels don't get sucked into jet engines. > > We put the "k" in "kwality." > > Artificial Intelligence is no match for Natural Stupidity > > A person who smiles in the face of adversity... probably has a > scapegoat. > > Plagiarism saves time. > > If at first you don't succeed, try management. > > Never put off until tomorrow what you can avoid altogether. > > TEAMWORK... means never having to take all the blame yourself. > > The beatings will continue until morale improves. > > Never underestimate the power of very stupid people in large groups. > > We waste time, so you don't have to. > > Hang in there, retirement is only thirty years away! > > Go the extra mile. It makes your boss look like an incompetent slacker. > > A snooze button is a poor substitute for no alarm clock at all. > > When the going gets tough, the tough take a coffee break. > > INDECISION is the key to FLEXIBILITY. > > Succeed in spite of management. > > Aim Low, Reach Your Goals, Avoid Disappointment. > > We waste more time by 8:00 in the morning than other companies do all > day. > > You pretend to work, and we'll pretend to pay you. > > Work: It isn't just for sleeping anymore. > >  1,, Summary-line: 6-May Iceman6@aol.com #Re: Need 8 NH ferrets for Lupron + misc stuff Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12922; Thu, 6 May 99 10:06:19 EDT Received: from imo20.mx.aol.com by MIT.EDU with SMTP id AA04247; Thu, 6 May 99 10:06:22 EDT Received: from Iceman6@aol.com (14457) by imo20.mx.aol.com (IMOv20) id 6HETa26070 for ; Thu, 6 May 1999 10:05:58 -0400 (EDT) From: Iceman6@aol.com Message-Id: <579f61a2.2462fbc6@aol.com> Date: Thu, 6 May 1999 10:05:58 EDT Subject: Re: Need 8 NH ferrets for Lupron + misc stuff To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 13 *** EOOH *** From: Iceman6@aol.com Date: Thu, 6 May 1999 10:05:58 EDT Subject: Re: Need 8 NH ferrets for Lupron + misc stuff To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 13 Didn't get any more ferrets needing Lupron. Did however, get the name of a vet in Weare, NH, Mike Dutton - 603 529 4999. He does 100s of ferret surgeries and is reasonable about price. Tipper is going in on the 11th. Assuming no complications it should cost $275 for the surgery (including an overnight stay) + $30 for the pre-op bloodwork. I can rationalize my way through that. Hillary is like your 2. Swollen vulva but no hair loss. I think I'll just continue nutritional support (Bob C's gravy) and start putting money aside for surgery on some future date. Anyway, 4 Ll'l Paws and Ferretwise and my local vet have nothing but praise for this guy and his expertise. Martha  1,, Summary-line: 7-May mendes@aigfpc.com #FW: joke Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29185; Fri, 7 May 99 08:35:08 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA16419; Fri, 7 May 99 08:35:00 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10fjqE-00013v-00; Fri, 7 May 1999 08:34:59 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 7 May 1999 08:34:52 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Litwin, Jennifer" , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: joke Date: Fri, 7 May 1999 08:34:45 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Litwin, Jennifer" , Chris Dickinson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: joke Date: Fri, 7 May 1999 08:34:45 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > A man who is driving a car is stopped by a police officer. > > > > The following exchange takes place.... > > > > The man says, "What's the problem officer?" > > > > > > Officer: You were going at least 75 in a 55 zone. > > > Man: No sir, I was going 65. > > > Wife: Oh, Harry. You were going 80. [Man gives his wife a dirty > > > look.] > > > > > > Officer: I'm also going to give you a ticket for your broken > tail > > > light > > > man: Broken taillight? I didn't know about a broken taillight! > > > > > > Wife: Oh Harry, you've known about that taillight for weeks. > [Man > > > gives his > > > wife another dirty look.] > > > Officer: I'm also going to give you a citation for not wearing > your > > > seat belt. > > > > > > Man: Oh, I just took it off when you were walking up to the car. > > > Wife: Oh, Harry, you never wear your seat belt. > > > > > > Man turns to his wife and yells: "Shut your damn mouth!" > > > Officer turns to the woman and asks, "Ma'am, does your husband > talk > > > to you this way all the time?" > > > > > > Wife says: "No, only when he's drunk." >  1,, Summary-line: 7-May cmajor@merchantsmgmt.com #Keep your fork Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25448; Fri, 7 May 99 09:57:42 EDT Received: from administrator.merchantsmgmt.com by MIT.EDU with SMTP id AA07510; Fri, 7 May 99 09:57:45 EDT Received: by NT with Internet Mail Service (5.5.2232.9) id <106SQPCP>; Fri, 7 May 1999 10:04:15 -0400 Message-Id: <919508F09879D211BC6800C0F0164FE402DC75@NT> From: Cindy Major To: Tina , Andy , Dad , Withees , David , Robert , Erika Subject: Keep your fork Date: Fri, 7 May 1999 10:04:14 -0400 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Cindy Major To: Tina , Andy , Dad , Withees , David , Robert , Erika Subject: Keep your fork Date: Fri, 7 May 1999 10:04:14 -0400 Return-Receipt-To: Cindy Major Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain; charset="iso-8859-1" For those of you who don't like reading emails unless they are written by me (and you know who you are, Erika) read this one anyway. I think it will make you smile today. For those of you who've heard everything before (and you know who you are, Dad, David) read it anyway. For those of you who send me all sorts of crap on my email ( and you know who you are, Tina, Andy, Diane) stick this one in your archives. And for those of you who are my non-church going Husband (and you should REALLY know who you are) read it and ponder. Luv- me Keep Your Fork There was a woman who had been diagnosed with a terminal illness and had been given three months to live. So as she was getting her things "in order", she contacted her pastor and had him come to her house to discuss certain aspects of her final wishes. She told him which songs she wanted sung at the service, what scriptures she would like read, and what outfit she wanted to be buried in. The woman also requested to be buried with her favorite Bible. Everything was in order and the pastor was preparing to leave when the woman suddenly remembered something very important to her. "There's one more thing," she said excitedly. "What's that?" came the pastor's reply. "This is very important," the woman continued. "I want to be buried with a fork in my right hand." The pastor stood looking at the woman, not knowing quite what to say. "That surprises you, doesn't it?" the woman asked. "Well, to be honest, I'm puzzled by the request," said the pastor. The woman explained, "In all my years of attending church socials and potluck dinners, I always remember that when the dishes of the main course were being cleared, someone would inevitably lean over and say, "Keep your fork." It was my favorite part because I knew that something better was coming, like velvety chocolate cake or deep-dish apple pie. Something wonderful and with substance! So, I just want people to see me there in that casket with a fork in my hand and I want them to wonder 'What's with the fork?' Then I want you to tell them: "Keep your fork. The best is yet to come." The pastor's eyes welled up with tears of joy as he hugged the woman goodbye. He knew this would be one of the last times he would see her before her death. But he also knew that the woman had a better grasp of heaven than he did. She KNEW that something better was coming. At the funeral people were walking by the woman's casket and they saw the pretty dress she was wearing and her favorite Bible and the fork placed in her right hand. Over and over the pastor heard the question, "What's with the fork?" And over and over he smiled. During his message, the pastor told the people of the conversation he had with the woman shortly before she died. He also told them about the fork and about what it symbolized to her. The pastor told the people how he could not stop thinking about the fork and told them that they probably would not be able to stop thinking about it either. He was right. So the next time you reach down for your fork, let it remind you, oh, so gently, that the best is yet to come. May God bless you and keep you safe!  1,, Summary-line: 7-May mendes@aigfpc.com #FW: Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09202; Fri, 7 May 99 15:18:10 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA00679; Fri, 7 May 99 15:17:59 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10fq7z-0006wd-00; Fri, 7 May 1999 15:17:44 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 7 May 1999 15:17:26 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Bell, Mitchell" , "Christ-Janer, Katherine" Subject: FW: Date: Fri, 7 May 1999 15:17:22 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Bell, Mitchell" , "Christ-Janer, Katherine" Subject: FW: Date: Fri, 7 May 1999 15:17:22 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > Think of a letter from A to W. Repeat it out loud while you scroll > down.. > > > > > > > > > > > > > > > > > Keep going..... > > > > > > > > > > > > > > > > > > > > Now think of an animal that starts with that letter. Repeat that > animal to > yourself while you scroll down. > > > > > > > > > > > > > > > > Now take the last letter of that animal and think of a male name that > starts with that letter. Repeat that name slowly while you scroll > down. > > > > > > > > > > > > > > > Now name your index finger that name and shove it up your ass, you > stupid > e-mail game-playing bastard. Get back to work. > > >  1,, Summary-line: 8-May eichin@thok.org #more alternative boardgames... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10816; Sat, 8 May 99 23:18:37 EDT Received: from marbles.thok.org by MIT.EDU with SMTP id AA24244; Sat, 8 May 99 23:18:41 EDT Received: from eichin by marbles.thok.org with local (Exim 2.11 #1 (Debian)) id 10gK6q-0001qU-00; Sat, 8 May 1999 23:18:32 -0400 From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: more alternative boardgames... Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Message-Id: Date: Sat, 8 May 1999 23:18:32 -0400 *** EOOH *** From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: more alternative boardgames... Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Date: Sat, 8 May 1999 23:18:32 -0400 Linkname: The Melkor-Bradley Home Page URL: http://www.speakeasy.org/~ohh/mbmain.htm Reminds me of "Kill Dr. Lucky", but in the other direction... Clue II: Masque of the Red Death Finding The Murderer Is The Easy Part. The Challenge Is Getting Out Alive. In this long-awaited sequal to Parker Brothers' game of Clue, Masque of the Red Death takes you inside the elegant mansions of Edgar Allan Poe's decadent aristocrat, Prince Prospero. At the height of the Prince's great masquerade, Prospero is struck down in a death of supreme horror. Only an empty costume remains with the corpse. Was the murder done by Colonel Mustard, in the Blue Room, with the candlestick? Or was it the Red Death in a nightmarish retribution for Prospero's prideful, uncaring decadence? Can you solve the mystery and escape the accursed mansion before the Red Death claims you all? Game includes board, die, six game markers, deck of 25 clue cards, solution envelope, six weapon tokens, two pads of tally sheets, and vial of the Red Death virus (not shown). "Clue" is a registered trademark of Parker Brothers.  1,, Summary-line: 9-May eichin-mmmravs@thok.org #MMMRavs pilot app 0.2.2. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24586; Sun, 9 May 99 01:10:05 EDT Received: from marbles.thok.org by MIT.EDU with SMTP id AA05954; Sun, 9 May 99 01:09:49 EDT Received: from eichin by marbles.thok.org with local (Exim 2.11 #1 (Debian)) id 10gLqb-0001yV-00; Sun, 9 May 1999 01:09:53 -0400 To: rav_eaters@MIT.EDU Subject: MMMRavs pilot app 0.2.2. From: eichin-mmmravs@thok.org Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Message-Id: Sender: "Mark W. Eichin" Date: Sun, 9 May 1999 01:09:53 -0400 *** EOOH *** To: rav_eaters@MIT.EDU Subject: MMMRavs pilot app 0.2.2. From: eichin-mmmravs@thok.org Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Sender: "Mark W. Eichin" Date: Sun, 9 May 1999 01:09:53 -0400 I've done an updated release of the Mary Chung's menu Pilot app that many of you have seen before. This release has the (long overdue) updated prices and a few minor cleanups - if you actually *use* the app at Mary's, you should definitely (1) update (2) email me to get on my announcement list. http://www.thok.org/ and follow the pilot links (I have a site reorganization pending and a more direct pointer would be out of date soon, sorry.) _Mark_ The Herd Of Kittens  1,, Summary-line: 9-May enl069@abdn.ac.uk #Miya Sama. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19549; Sun, 9 May 99 15:47:19 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA16472; Sun, 9 May 99 15:47:26 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id PAA28474; Sun, 9 May 1999 15:47:15 -0400 (EDT) Date: Sun, 9 May 1999 15:47:15 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Miya Sama. Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 *** EOOH *** Date: Sun, 9 May 1999 15:47:15 -0400 (EDT) Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Miya Sama. Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 MIYA = lord, prince. SAMA = a form of address showing great respect ON- = an honorific prefix. UMA = horse NO = something like a possessive, like 'S in English. MAE = front NI = in, at. (HONOURABLE HORSE'S FRONT IN, in Japanese word order, means "in front of (your) honourable horse") PIRA-PIRA = an onomatope suggesting fluttering - Japanese is full of these. SURU = do. NO (a different NO from the last time) = thing. (FLUTTER-DO THING = "the thing that flutters".) NAN = what. D'YA (that's the Romanisation that the Japanese officially prefer, not Gilbert's GIA which is not an official Romanisation at all but the spelling of a similarly-pronounced Italian word) = IS. NA = a sort of vocalised question mark (in the modern language it's KA). And if you piece all that together, you'll see that "Your Majesty, Your Majesty, what is the thing that flutters in front of your imperial charger?" is quite accurate! By the way, the Japanese word for "garden" is NIWA. I suppose a Mancunian accent might make ON-UMA sould quite like ON-NIWA - but the lione would then mean "in front of the garden", not "in the front garden", as far as I can see. Derrick McClure. (Baka na hitotati ga watasi ga kitigai da to omou no ni taihen manzoku suru hito desu.) ---------------------- J. Derrick McClure, Department of English, King's College, Aberdeen University, Old Aberdeen AB24 2UB, Scotland. Phone 01224-272625 Fax 01224-272624 e-mail: j.d.mcclure@abdn.ac.uk  1,, Summary-line: 12-May KurtK007@aol.com #Fwd: No subject given Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10635; Wed, 12 May 99 12:20:32 EDT Received: from imo21.mx.aol.com by MIT.EDU with SMTP id AA05087; Wed, 12 May 99 12:20:38 EDT Received: from KurtK007@aol.com (14445) by imo21.mx.aol.com (IMOv20) id oFCMa24056; Wed, 12 May 1999 12:14:17 -0400 (EDT) From: KurtK007@aol.com Message-Id: <127de5e8.246b02d8@aol.com> Date: Wed, 12 May 1999 12:14:16 EDT Subject: Fwd: No subject given To: rac@bu.edu, acarlton@cpsdirect.com, Oompahfish@aol.com, Lau425@aol.com, scott@hup.harvard.edu, opus@MIT.EDU, rls@dimins.com, NorthPup@aol.com, djoseph1@bright.net, kevin.kendall@polymerland.com, Piglet3@aol.com, sonya_p13@yahoo.com, Lonnie@kccon.com, ajr-asid@juno.com, DonnaRslr@aol.com Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_127de5e8.246b02d8_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 214 *** EOOH *** From: KurtK007@aol.com Date: Wed, 12 May 1999 12:14:16 EDT Subject: Fwd: No subject given To: rac@bu.edu, acarlton@cpsdirect.com, Oompahfish@aol.com, Lau425@aol.com, scott@hup.harvard.edu, opus@MIT.EDU, rls@dimins.com, NorthPup@aol.com, djoseph1@bright.net, kevin.kendall@polymerland.com, Piglet3@aol.com, sonya_p13@yahoo.com, Lonnie@kccon.com, ajr-asid@juno.com, DonnaRslr@aol.com Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_127de5e8.246b02d8_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 214 --part1_127de5e8.246b02d8_boundary Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Tee hee.... -Kurt --part1_127de5e8.246b02d8_boundary Content-Type: message/rfc822 Content-Disposition: inline Return-Path: Received: from rly-zd02.mx.aol.com (rly-zd02.mail.aol.com [172.31.33.226]) by air-zd05.mail.aol.com (v59.4) with SMTP; Wed, 12 May 1999 10:43:25 -0400 Received: from firewall.manulife.com (ents-gw.manulife.com [167.92.115.15]) by rly-zd02.mx.aol.com (8.8.8/8.8.5/AOL-4.0.0) with SMTP id KAA25171; Wed, 12 May 1999 10:43:21 -0400 (EDT) From: Cynthia_Janeczko@manulife.com Received: by firewall.manulife.com; id KAA07018; Wed, 12 May 1999 10:44:16 -0400 Received: from mlilhub01.manulife.com(167.92.146.196) by firewall.manulife.com via smap (4.1) id xmab05324; Wed, 12 May 99 10:43:04 -0400 Received: by MLILHUB01@manulife.com(Lotus SMTP MTA v4.6.3 (778.2 1-4-1999)) id 8525676F.005034E8 ; Wed, 12 May 1999 10:36:04 -0400 X-Lotus-FromDomain: MANULIFE To: milesb@erols.com, spenbrooks@aol.com, Charles.Chapman@JAMESMARTIN.COM, brendan_cosgrove@hotmail.com, sean_cosgrove@hotmail.com, millions1@aol.com, jfletcher@ctgcorp.com, grfortin@breezy.com, cuffs25@hotmail.com, Jennifer_L_Haumann@fleet.com, dawnhuggin@aol.com, KurtK007@aol.com, mike.kirshner@born.com, mookie108@hotmail.com, cop42194@aol.com, JIMJOKELLY@aol.com, cnaper@dnsww.com, dtaylor@judge.com, SWinsor@cramerprod.com Message-ID: <8525676F.005033DD.00@MLILHUB01@manulife.com> Date: Wed, 12 May 1999 10:41:16 -0400 Subject: Fwd: No subject given Mime-Version: 1.0 Content-type: text/plain; charset=us-ascii Content-Disposition: inline Content-Transfer-Encoding: 7bit Cynthia T. Janeczko Sales Coordinator, Manulife Financial - Boston Sales Office Ph:(800)873-1025; Fax (781)768-5547 "If you can dream it, you can do it." Walt Disney ---------------------- Forwarded by Cynthia Janeczko/US Division/Manulife on 05/12/99 10:40 AM --------------------------- maieta@woodlogan.com on 05/12/99 10:30:35 AM To: wdarren@smenewmedia.com, TTHORNTON@BAINCAP.COM, rhodgkins@gza.com, Nancy Preziosi/US Division/Manulife, kinvara24@aol.com, Jean-Marc Laverdure/US Division/Manulife, Cynthia Janeczko/US Division/Manulife, myumibanda@woodlogan.com, mmcclellan@woodlogan.com cc: Subject: No subject given Top 10 reasons e-mail is like a penis: > > > >(10) Those who have it would be devastated if it was ever cut off. > > > >(9) Those who have it think that those who don't are somehow inferior. > > > >(8) Those who don't have it may agree that it's neat, but think it's not > > worth the fuss that those who have it make about it. > > > >(7) Many of those who don't have it would like to try it, a phenomenon > > psychologists call "E-mail Envy." > > > >(6) It's more fun when it's up, but this makes it hard to get any real work > >done. > > > >(5) In the distant past, its only purpose was to transmit information > > vital to the survival of the species. Some people still think that's > > the only thing it should be used for, but most folks today use it > mostly > >for > > fun. > > > >(4) If you don't take proper precautions, it can spread viruses. > > > >(3) We attach an importance to it that is far greater than its actual > > size and influence warrant. > > > >(2) If you're not careful what you do with it, it can get you into > > a lot of trouble. > > > > > >And the number one reason Why E-mail is like a penis: > > > > If you play with it too much, you'll go blind. --part1_127de5e8.246b02d8_boundary--  1,, Summary-line: 13-May dcraven@tradelaw.com #Re: "Reflect" Lyrics Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09645; Thu, 13 May 99 10:42:28 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA23097; Thu, 13 May 99 10:42:36 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id KAA25206; Thu, 13 May 1999 10:42:22 -0400 (EDT) Date: Thu, 13 May 1999 10:42:22 -0400 (EDT) Message-Id: <3.0.32.19990513093250.00eef988@pop.enteract.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dcraven@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: "Reflect" Lyrics Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) *** EOOH *** Date: Thu, 13 May 1999 10:42:22 -0400 (EDT) Reply-To: dcraven@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: "Reflect" Lyrics Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) At 08:19 PM 5/12/1999 -0400, Marc Shepherd wrote: >As a purely legalistic matter, whether one requires anybody's >permission to recite (not sing) any of the various versions of these >lyrics is questionable, and that was what I interpreted Phil >Sternenberg to be asking. But, it is fortunate that very few people >operate on the basis of doing the minimum legally required of them, and >it is only common professional courtesy to consult with Bruce & Helga, >as the Montreal group did. I will be interested to hear the size of the rights fees for performing this song. I am afraid that if the fee is high enough to properly compensate the discoverers, most companies will decide not to perform the song. It is a catch-22. On one hand, Pinafore has been very successful without this piece, and on the other, the new song might attract a small number of additional audience members. Since the new song will add more cost, I am afraid many companies will simply omit it. This is not unique to G&S. I have decided to work on another Finzi Song Cycle. I went down to the vestigial remains of the Music Stores in Chicago. Only two Finzi Cycles were in stock... "Lets Us Garlands Bring" and "By Footpath and Stile" I had the first, so I purchased the second... $24, because the music store had purchased it in 1985. I asked about the cost of a second for my pianist, and discovered that the score is now $55. I decided against this, and the music dealer remarked that several publishing house, including Boosey and Hawkes, the publisher of this work, had raised prices to such a level that much of their material was simply not salable. -- Now I see that this is a dilemma. Sales are not high of a particular work. In order to get an acceptable amount of revenue, the publisher raises the price, which causes a further reduction in sales, and yet another price increase. In the world of G&S, this appears to have been the fate of Grand Duck and Utopia, Ltd, and to a lesser extent, Princess Ida and Sorcerer. My concern is that, at some point, the other scores are going to be sufficiently saturated so as to result in a drop in their demand, followed by a price raise of major magnitude. The only possible saving grace for G&S is the fact that much of the work is out of copyright, and things like the Utopia project, in which one Savoynetter is in the process of preparing a new edition of Utopia with desktop software such that he can print custom versions for any company putting on the show at a reasonable price. Its a sad business, and I am interested in hearing how the Perry-Miller's propose to handle this to provide the reasonable return to which they are entitled while not so limiting demand so as to prevent the discovery from being heard...  1,, Summary-line: 13-May mendes@aigfpc.com #FW: Graffiti Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11389; Thu, 13 May 99 14:19:03 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA21203; Thu, 13 May 99 14:18:48 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10i040-0005bs-00; Thu, 13 May 1999 14:18:32 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 13 May 1999 14:18:28 -0400 Message-Id: From: "Mendes, Rica" To: "Jaques, Sabrina" , "Litwin, Jennifer" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Graffiti Date: Thu, 13 May 1999 14:18:26 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Jaques, Sabrina" , "Litwin, Jennifer" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Graffiti Date: Thu, 13 May 1999 14:18:26 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > Restroom Graffiti > > > > The best way to a man's heart is to saw his breast plate open. > > Women's restroom, Murphy's, Champaign, IL > > > > If you voted for Clinton in the last election, you can't take a > dump > > here. Your asshole is in Washington. > > Men's room Outback Steakhouse, Tacoma, Washington > > > > Beauty is only a light switch away. > > Perkins Library, Duke University, Durham, North Carolina. > > > > I've decided that to raise my grades I must lower my standards. > > > Houghton Library, Harvard University, Cambridge, Massachusetts. > > > > If life is a waste of time, and time is a waste of life, then > let's > > all get wasted together and have the time of our lives. > > Armand's Pizza, Washington, D.C. > > > > Remember, it's not, "How high are you?" it's "Hi, how are you?" > > > Rest stop off Route 81, West Virginia. > > > > God made pot. Man made beer. Who do you trust? > > The Irish Times, Washington, D.C. > > > > No matter how good she looks, some other guy is sick and tired > of > > putting up with her crap. > > Men's Room, Linda's Bar and Grill, Chapel Hill, North Carolina. > > > > To do is to be. -Descartes > > To be is to do. -Voltaire > > Do be do be do. -Frank Sinatra > > Men's restroom, Greasewood Flats, Scottsdale, Arizona. > > > > At the feast of ego, everyone leaves hungry. > > Bentley's House of Coffee and Tea, Tucson, Arizona > > > > It's hard to make a comeback when you haven't been anywhere. > > Written in the dust on the back of a bus, Wickenburg, Arizona. > > > > Make love, not war. - Hell, do both, get married > > > > God is dead. - Nietzsche > > Nietzsche is dead. - God > > The Tombs Restaurant, Washington, D.C. > > > > If voting could really change things, it would be illegal. > > Revolution Books, New York, New York > > > > A Woman's Rule of Thumb: If it has tires or testicles, you're > going > > to > > have trouble with it. > > Women's restroom, Dick's Last Resort, Dallas, Texas. > > > > Don't trust anything that bleeds for 5 days and doesn't die. > > Men's restroom, Murphy's, Champaign, IL > > > > If pro is opposite of con, then what is the opposite of > progress? > > > > Express Lane: Five beers or less > > Sign over one of the urinals, > > Ed Debevic's, Phoenix,AZ. > > > > You're too good for him. > > Sign over mirror in Women's restroom, Ed Debevic's, Beverly > Hills,CA. > > > > No wonder you always go home alone. > > Sign over mirror in Men's restroom, > > Ed Debevic's, Beverly Hills, CA. > > > > What are you looking up on the wall for? The joke is in your > hands. > > Men's restroom, Lynagh's, Lexington, Kentucky.  1,, Summary-line: 13-May rlcarr@MIT.EDU #Massachusetts GIS info Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03814; Thu, 13 May 99 16:22:08 EDT Received: from BIOHAZARD-CAFE.MIT.EDU by MIT.EDU with SMTP id AA06787; Thu, 13 May 99 16:21:56 EDT Received: by biohazard-cafe.mit.edu (8.8.7/4.7) id QAA21782; Thu, 13 May 1999 16:22:20 -0400 (EDT) Date: Thu, 13 May 1999 16:22:20 -0400 (EDT) Message-Id: <199905132022.QAA21782@biohazard-cafe.mit.edu> From: Rich Carreiro To: dinner@MIT.EDU Subject: Massachusetts GIS info *** EOOH *** Date: Thu, 13 May 1999 16:22:20 -0400 (EDT) From: Rich Carreiro To: dinner@MIT.EDU Subject: Massachusetts GIS info Those of you who know about the photos available at http://ortho.mit.edu may find http://maps.massgis.com interesting. You can generate all sorts of maps (height contours, land use, locations of anadromous fish (really! :), and a whole host of other things) on the fly and then print out your maps. It uses a Java applet. Rich Carreiro ARPA: rlcarr@mit.edu UUCP: ...!mit.edu!rlcarr BITNET: rlcarr%mit.edu@mitvma.edu  1,, Summary-line: 14-May dduffey@argonet.co.uk #The authorship question answered Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15654; Fri, 14 May 99 03:09:49 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA26603; Fri, 14 May 99 03:09:38 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id DAA20386; Fri, 14 May 1999 03:09:45 -0400 (EDT) Date: Fri, 14 May 1999 03:09:45 -0400 (EDT) Message-Id: <000101be9dd7$7548fe40$8f5095c1@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: The authorship question answered Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Fri, 14 May 1999 03:09:45 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: The authorship question answered Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 I am happy to report new and incontrovertible evidence as to the real author of the Savoy librettos. Debate has long ranged about the identity of the real author, and F C Burnand and George Grossmith have been occasionally nominated, but I am at last able to publish proof positive that the name by which the operas have been known for so many years, the "Gilbert and Sulliva operas", is in fact the correct appellation. In 1950 I began an exhaustive analysis of the text of the Savoy Operas using a critical intertextual technique derived from Shakespeare studies, which has long recognised that the use of a palindrome in the text signals a cryptic clue. I have lately discovered that there are two characters in the Savoy canon with palindromic names: Ada and Hannah. Consider their lines. Ada herself utters a palindrome, "ma'am", thus signalling a further clue. We do not have far to look, she almost at once then says, "... can't come out today!" (note the exclamation mark!). This is a clear indication that the real author is not prepared to reveal his or her identity, and possibly the first recorded use of the phrase, "come out" in the sense of making a disclosure. By the time of Ruddigore the hidden author was beginning to weary of concealment, indeed was suffering the pangs of conscience. Another palindromic character, Hannah, utters the words, "Harkye miscreant", an anagram of "maskin' treachery", the idiomatic dropping of the final 'g' from 'masking' showing the depth of feeling. The final and clinching clue, however, lies in the fact that, in Iolanthe, the name "Tolloller" was originally to have been the palindrome "Tollollot". This first use of a palindromic name is a clear reference to another famous palindromic pseudonym, "Bab". So read Tollollot's words as if they came from Bab, and we find the famous line "We were boys together, at least I was." This is a clear and quite transparent reference to the real author. Only one person could have put those words into the mouth of Bab, the only person whom Bab can have been a boy with, namely William Gilbert, his father. Thus it is revealed for the first time that a William Gilbert did write the Gilbert and Sullivan operas, but not William S Gilbert, rather it was his father, William Gilbert the Navel Surgeon, who, finding scant reward in so limited a specialism, gave up medicine and took to writing. William Gilbert died in 1890, and rather than argue that the works published after that date were held back by D'Oyly Carte to be released later for profitable exploitation, I am prepared to concede might have been written by William S Gilbert. This would of course account for the remarkable dropping off in quality of writing after 1890. I respectfully submit the above for peer moderation D J Duffey Cl. OT.  1,, Summary-line: 14-May jmdesq@aug.com #Re: The authorship question answered Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06347; Fri, 14 May 99 07:26:12 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA14557; Fri, 14 May 99 07:26:01 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id HAA25850; Fri, 14 May 1999 07:26:09 -0400 (EDT) Date: Fri, 14 May 1999 07:26:09 -0400 (EDT) Message-Id: <001e01be9dfb$65e7e140$fb4fd8cd@T1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim" To: Multiple recipients of list SAVOYNET Subject: Re: The authorship question answered Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Fri, 14 May 1999 07:26:09 -0400 (EDT) Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim" To: Multiple recipients of list SAVOYNET Subject: Re: The authorship question answered Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 I congratulate David on his very impressive research; my only slight quibble is with the result. It should be obvious to any reflective person that the Gilbert canon was penned by Edward Albert, Prince of Wales. The evidence is quite compulsive. After the relative failure of Thespis (which I believe WAS written by Gilbert) Prince Albert (a close friend of Sullivan) used Gilbert as a front for his theatrical ambitions. The Prince was born on 9 November 1841, Gilbert about five years earlier. An anagram for Edward's name is "Ban Elder Wit". Obviously a reference to Gilbert. Another possibility is the reading which enjoins him to "Wield Banter". Remember too, what the newly knighted Sir Arthur presented to Queen Victoria after the ceremony--a complete edition of the Savoy Operas written to that date--operas penned in collaboration with her eldest son! Within the operas themselves, we can easily see Edwin in Trial by Jury (note the close similarity of names) as a self-caricature of Edward. Take the birthdate: 9/11 takes us to the ninth opera (after Thespis), Gondoliers, wherein the ninth line of the denouement is "I hid the prince away"! In Ida, does not Hilarion claim, "Still I was a tiny prince"? And consider all of King Paramount's protestations of authorship! The most telling of these is, of course, "These paragraphs were written and contributed by me!" Don't forget, as well, that this Royal claims to have written quite a good comic opera of which he is considerably proud. The clincher, for me, is in Grand Duke where the Royal ghost writer reminds us the "ghost is written "ghoest"! Note that the emendation is simply the addition of an "E"--which obviously stands for Edward! There is little question that the humble son of a Naval Surgeon could not have written these sophisticated plays. It had to have been a nobler soul, with access to a higher level of rank and education than poor W.S.G. I thin, though, that David's solution leaves a little to be desired. I think all will agree that Prince Albert is a much better candidate. Thank you, Jim Drew > Thus it is revealed for the first time that a William Gilbert did write the > Gilbert and Sullivan operas, but not William S Gilbert, rather it was his > father, William Gilbert the Navel Surgeon, who, finding scant reward in so > limited a specialism, gave up medicine and took to writing. William Gilbert > died in 1890, and rather than argue that the works published after that date > were held back by D'Oyly Carte to be released later for profitable > exploitation, I am prepared to concede might have been written by William S > Gilbert. This would of course account for the remarkable dropping off in > quality of writing after 1890. > > I respectfully submit the above for peer moderation > > D J Duffey Cl. OT. > >  1,, Summary-line: 14-May mike@iologic.u-net.com #Don Alhambra's business Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04834; Fri, 14 May 99 13:35:00 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA02463; Fri, 14 May 99 13:35:08 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id NAA07743; Fri, 14 May 1999 13:34:28 -0400 (EDT) Date: Fri, 14 May 1999 13:34:28 -0400 (EDT) Message-Id: <01be9e2e$6d8b9120$LocalHost@iologic.u-net.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Don Alhambra's business Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Fri, 14 May 1999 13:34:28 -0400 (EDT) Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Don Alhambra's business Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 Regarding "business" for Don Alhambra during "I Stole The Prince". When I played Don A. five years ago, I stood still, centre stage, for most of the song, trying to look dignified and stately. The only movements I made were on "I dropped a Grand Inquisitor's tear", at which I paused, sobbed, pulled out a handkerchief, wiped away an imaginary tear, blew my nose and then wrung out the handkerchief (thoroughly disgusting). I moved across to Caslida to sing the final verse directly to her. The year before, I played the Duke of P.T. and we (myself, the Duchess and Casilda) had what I believe was "Traditional Business" to do, while the Don sang the song centre stage. We sat down at a table outside a "restaurant" (the front of the restaurant was painted on the wings at one side). A waiter then served up plates of spaghetti. Casilda and the Duchess had merely to pick at their food but I had to shovel it down my gullet like there was no tomorrow. It was that tinned spaghetti in "tomato" sauce that tastes of zinc, and it was cold. Fortunately I didn't have to say or sing anything apart from the unison responses at the end of each verse of the Don's song, until the beginning of "Try We Lifelong". This was just as well, because I was heaving by the end of the Don's song. One night I felt as if I was about to throw up on stage - I didn't. After that, choking on a sausage roll in "Grand Duke" was nothing. Mike. "Ain't I a bad character!"  1,, Summary-line: 14-May mendes@aigfpc.com #FW: :-) New definitions Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22698; Fri, 14 May 99 14:21:06 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA05832; Fri, 14 May 99 14:20:54 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10iMYE-00056r-00; Fri, 14 May 1999 14:19:14 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 14 May 1999 14:19:12 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: 'Shawn Charton' , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: :-) New definitions Date: Fri, 14 May 1999 14:19:08 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: 'Shawn Charton' , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: :-) New definitions Date: Fri, 14 May 1999 14:19:08 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Makes one proud to be an English Major... that poetic license comes in handy... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > The Washington POST recently had a contest for readers in which > they > > > were asked to supply possible alternate meanings for various > words. > > > The following were some of the winning entries: > > > > > > Abdicate - v., to give up all hope of ever having a flat > stomach. > > > > > > Balderdash - n., a rapidly receding hairline. > > > > > > Bustard - n., a very rude Metrobus driver. > > > > > > Carcinoma - n., a valley in California, notable for its heavy > smog. > > > > > > Circumvent - n., the opening in the front of boxer shorts. > > > > > > Coffee - n., a person who is coughed upon. > > > > > > Esplanade - v., to attempt an explanation while drunk. > > > > > > Flabbergasted - adj., appalled over how much weight you have > gained. > > > > > > Flatulence - n., the emergency vehicle that picks you up after > you > > > are run over by a steamroller. > > > > > > Gargoyle - n., an olive-flavored mouthwash. > > > > > > Lymph - v., to walk with a lisp. > > > > > > Marionettes - n., residents of Washington, DC who have been > jerked > > > around by the former mayor. > > > > > > Negligent - adj., describes a condition in which you > absent-mindedly > > > answer the door in your nightie. > > > > > > Oyster - n., a person who sprinkles his conversation with > Yiddish > > > expressions. > > > > > > Rectitude - n., the formal, dignified demeanor assumed by a > > > proctologist immediately before he examines you. > > > > > > Semantics - n., pranks conducted by young men studying for the > > > priesthood, including such things as gluing the pages of > > > > the priest's prayer book together just before vespers. > > > > > > Testicle - n., a humorous question on an exam. > > > > > > Willy - nilly-adj., impotent. >  1,, Summary-line: 14-May AAllen@welchs.com #Damn Yankees Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12946; Fri, 14 May 99 15:12:21 EDT Received: from mail.welchs.com by MIT.EDU with SMTP id AA22807; Fri, 14 May 99 15:12:08 EDT Received: by SRVEX10 with Internet Mail Service (5.5.2232.9) id ; Fri, 14 May 1999 15:14:21 -0400 Message-Id: From: "Allen, Amy" To: "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@mit.edu'" Subject: Damn Yankees Date: Fri, 14 May 1999 15:14:12 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain *** EOOH *** From: "Allen, Amy" To: "'scott@hup.harvard.edu'" , "'rac@bu.edu'" , "'opus@mit.edu'" Subject: Damn Yankees Date: Fri, 14 May 1999 15:14:12 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2232.9) Content-Type: text/plain Got one of the female leads at Fiddlehead! The role of Meg, wife of Joe the main character...I can't WAIT. Scott, has Jen gotten a call yet from them? She will probably get Lola. She was fab......if that's the case, then I expect ALL of you at the show in June...WOW...June.....that's awfully soon, isn't it? -AEA ~Amy E. Allen~  1,, Summary-line: 16-May stpat47@yahoo.com #Fwd: Fwd: Fw: George Carlinisms Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12120; Sun, 16 May 99 08:12:10 EDT Received: from web136.yahoomail.com by MIT.EDU with SMTP id AA04632; Sun, 16 May 99 08:12:19 EDT Message-Id: <19990516121514.4912.rocketmail@web601.yahoomail.com> Received: from [216.67.2.63] by web136.yahoomail.com; Sun, 16 May 1999 05:15:14 PDT Date: Sun, 16 May 1999 05:15:14 -0700 (PDT) From: Patricia McDonald Subject: Fwd: Fwd: Fw: George Carlinisms To: David Owen , Catherine Poulin , Laurie Tema-Lyn , "Bill Kelley, Jr. Will1733" , David John ZDwyer , Scott Gagnon , John and Joyce Harrahy , Janices Home , Jeanne JaRoussel , David Jedlinsky , Joey Lalmond1 , Jay Latulippe , ",Ann McDonald" , Peter James Bridges , Rebecca Consentino , Winnie and Bob Creed , Barbara Dougherty , Bob Dwyer , David Patrick Dwyer , Sarah Fachada , Maria Forger Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-846930886-926856914=:2398" *** EOOH *** Date: Sun, 16 May 1999 05:15:14 -0700 (PDT) From: Patricia McDonald Subject: Fwd: Fwd: Fw: George Carlinisms To: David Owen , Catherine Poulin , Laurie Tema-Lyn , "Bill Kelley, Jr. Will1733" , David John ZDwyer , Scott Gagnon , John and Joyce Harrahy , Janices Home , Jeanne JaRoussel , David Jedlinsky , Joey Lalmond1 , Jay Latulippe , ",Ann McDonald" , Peter James Bridges , Rebecca Consentino , Winnie and Bob Creed , Barbara Dougherty , Bob Dwyer , David Patrick Dwyer , Sarah Fachada , Maria Forger Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="0-846930886-926856914=:2398" --0-846930886-926856914=:2398 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline Note: forwarded message attached. _____________________________________________________________ Do You Yahoo!? Free instant messaging and more at http://messenger.yahoo.com --0-846930886-926856914=:2398 Content-Type: message/rfc822 X-Apparently-To: stpat47@yahoo.com via mdd103.yahoomail.com Received: from imo19.mx.aol.com (198.81.17.9) by mta117.yahoomail.com with SMTP; 15 May 1999 17:05:47 -0700 Received: from PStrecker@aol.com (3705) by imo19.mx.aol.com (IMOv20) id xIPMa10989; Sat, 15 May 1999 20:03:13 -0400 (EDT) From: PStrecker@aol.com Message-ID: <269803de.246f6540@aol.com> Date: Sat, 15 May 1999 20:03:12 EDT Subject: Fwd: Fw: George Carlinisms To: DKBookBiz@aol.com, MYoungs@aol.com, Pmst133@aol.com, BStrec@concentric.net, JudyHigh@worldnet.att.net, guyww1@juno.com, JEGRANT@techdata.com, amparo.smith@gte.net, JPWalker@aol.com, dvincent@cwix.com, roy-el@juno.com, loisdori@citrus.infi.net, Pkot@aol.com, mperry1@hadco.com, PWacaster@aol.com, Onebzymom@aol.com, CandyWon@aol.com, jewels33@webtv.net, KHagler@juno.com, bksmith@dow.com, BeccaG2@aol.com, hburruss@gte.net, BCOOLCHUCK@aol.com, Cris02@aol.com, stpat47@yahoo.com, Steve2sail@aol.com MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_269803de.246f6540_boundary" X-Mailer: AOL 4.0 for Windows 95 sub 13 Content-Length: 9596 --part1_269803de.246f6540_boundary Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit In a message dated 5/15/99 12:29:10 AM Eastern Daylight Time, IVYDCBP@prodigy.net writes: << > >>>>>>>>>>GEORGE CARLINISMS > >>>>>>>>>> > >>>>>>>>>> Do infants enjoy infancy as much as adults enjoy adultery? > >>>>>>>>>> > >>>>>>>>>> If one synchronized swimmer drowns, do the rest have to drown > >>>>>>>>>> too? > >>>>>>>>>> > >>>>>>>>>> If you ate pasta and antipasti, would you still be hungry? > >>>>>>>>>> > >>>>>>>>>> If a pig loses its voice, is it disgruntled? > >>>>>>>>>> > >>>>>>>>>> Why do women wear evening gowns to nightclubs? Shouldn't they > >>>>>>>>>> be wearing night gowns? > >>>>>>>>>> > >>>>>>>>>> If love is blind, why is lingerie so popular? > >>>>>>>>>> > >>>>>>>>>> Why is it that when we bounce a check, the bank charges us more > >>>>>>>>>> of what they already know we don't have any of? > >>>>>>>>>> > >>>>>>>>>> When someone asks you, A penny for your thoughts and you put > >>>>>>>>>> your two cents in, what happens to the other penny? > >>>>>>>>>> > >>>>>>>>>> Why is the man who invests all your money called a broker? > >>>>>>>>>> > >>>>>>>>>> Why do croutons come in airtight packages? It's just stale > >>>>>>>>>> bread to begin with. > >>>>>>>>>> > >>>>>>>>>> When cheese gets it's picture taken, what does it say? > >>>>>>>>>> > >>>>>>>>>> If you mixed vodka with orange juice and milk of magnesia, > >>>>>>>>>> would you get a Phillip's Screwdriver? > >>>>>>>>>> > >>>>>>>>>> Why is a person who plays the piano called a pianist, but a > >>>>>>>>>> person who drives a race car not called a racist? > >>>>>>>>>> > >>>>>>>>>> Why can't you make another word using all the letters in > >>>>>>>>>> "anagram"? > >>>>>>>>>> > >>>>>>>>>> Why is it that no word in the English language rhymes with > >>>>>>>>>> month, orange, silver, or purple? > >>>>>>>>>> > >>>>>>>>>> Why, when I wind up my watch, I start it; but when I wind up a > >>>>>>>>>> project, I end it? > >>>>>>>>>> > >>>>>>>>>> Why is it that we recite at a play and play at a recital? > >>>>>>>>>> > >>>>>>>>>> Why are a wise man and a wise guy opposites? > >>>>>>>>>> > >>>>>>>>>> Why do we say something is out of whack? What is a whack? > >>>>>>>>>> > >>>>>>>>>> Why don't tomb, comb, and bomb sound alike? > >>>>>>>>>> > >>>>>>>>>> Why do overlook and oversee mean opposite things? > >>>>>>>>>> > >>>>>>>>>> If horrific means to make horrible, does terrific mean to make > >>>>>>>>>> terrible? > >>>>>>>>>> > >>>>>>>>>> Why isn't 11 pronounced onety one? > >>>>>>>>>> > >>>>>>>>>> "I am." is reportedly the shortest sentence in the English > >>>>>>>>>> language. Could it be that "I Do." is the longest sentence? > >>>>>>>>>> > >>>>>>>>>> If the singular of GEESE is GOOSE, shouldn't a Portuguese > >>>>>>>>>> person be called a Portugoose? > >>>>>>>>>> > >>>>>>>>>> Why is a procrastinator's work never done? > >>>>>>>>>> > >>>>>>>>>> If lawyers are disbarred and clergymen defrocked, doesn't it > >>>>>>>>>> follow that electricians can be delighted, musicians denoted, > >>>>>>>>>> cowboys deranged, models deposed, tree surgeons debarked > >>>>>>>>>> and drycleaners depressed? > >>>>>>>>>> > >>>>>>>>>> Do Roman paramedics refer to IV's as "4's"? > >>>>>>>>>> > >>>>>>>>>> Why is it that if someone tells you that there are 1 billion > >>>>>>>>>> stars in the universe you will believe them, but if they tell > >>>>>>>>>> you a wall has wet paint you will have to touch it to be sure? > >>>>>>>>>> > >>>>>>>>>> Are people more violently opposed to fur rather than leather > >>>>>>>>>> because it's much easier to harass rich women than motorcycle > >>>>>>>>>> gangs? > >>>>>>>>>> > >>>>>>>>>> If you take an Oriental person and spin him around several > >>>>>>>>>> times, does he become disoriented? > >>>>>>>>>> > >>>>>>>>>> If people from Poland are called "Poles," why aren't people > >>>>>>>>>> from Holland called "Holes?" > > > > >> --part1_269803de.246f6540_boundary Content-Type: message/rfc822 Content-Disposition: inline Return-Path: Received: from rly-zd05.mx.aol.com (rly-zd05.mail.aol.com [172.31.33.229]) by air-zd02.mail.aol.com (v59.4) with SMTP; Sat, 15 May 1999 00:29:10 -0400 Received: from pimout3-int.prodigy.net (pimout3-ext.prodigy.net [207.115.59.211]) by rly-zd05.mx.aol.com (8.8.8/8.8.5/AOL-4.0.0) with ESMTP id AAA01992 for ; Sat, 15 May 1999 00:29:08 -0400 (EDT) Received: from a6b9o2 (QNCYB111-23.splitrock.net [209.156.197.222]) by pimout3-int.prodigy.net (8.8.5/8.8.5) with SMTP id AAA138504 for ; Sat, 15 May 1999 00:29:08 -0400 Message-ID: <027201be9e8a$8a5d5340$dec59cd1@a6b9o2> From: "JOAN M BENT" To: "TRISH STRECKER" Subject: Fw: George Carlinisms Date: Sat, 15 May 1999 00:22:26 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 ----- Original Message ----- From: Deana To: Peter Radasch ; Todd O'Brien ; Bill Karger ; KANDEL, ANNE ; Jamie Kachmarik ; Jose Freitas ; Chris D'Orio ; Ruth Cyr ; Betsy Clark ; Barton, Kirsten ; John Bailly ; Jeff Bailly Sent: Thursday, May 13, 1999 7:38 PM Subject: George Carlinisms > >>>>>>>>>>GEORGE CARLINISMS > >>>>>>>>>> > >>>>>>>>>> Do infants enjoy infancy as much as adults enjoy adultery? > >>>>>>>>>> > >>>>>>>>>> If one synchronized swimmer drowns, do the rest have to drown > >>>>>>>>>> too? > >>>>>>>>>> > >>>>>>>>>> If you ate pasta and antipasti, would you still be hungry? > >>>>>>>>>> > >>>>>>>>>> If a pig loses its voice, is it disgruntled? > >>>>>>>>>> > >>>>>>>>>> Why do women wear evening gowns to nightclubs? Shouldn't they > >>>>>>>>>> be wearing night gowns? > >>>>>>>>>> > >>>>>>>>>> If love is blind, why is lingerie so popular? > >>>>>>>>>> > >>>>>>>>>> Why is it that when we bounce a check, the bank charges us more > >>>>>>>>>> of what they already know we don't have any of? > >>>>>>>>>> > >>>>>>>>>> When someone asks you, A penny for your thoughts and you put > >>>>>>>>>> your two cents in, what happens to the other penny? > >>>>>>>>>> > >>>>>>>>>> Why is the man who invests all your money called a broker? > >>>>>>>>>> > >>>>>>>>>> Why do croutons come in airtight packages? It's just stale > >>>>>>>>>> bread to begin with. > >>>>>>>>>> > >>>>>>>>>> When cheese gets it's picture taken, what does it say? > >>>>>>>>>> > >>>>>>>>>> If you mixed vodka with orange juice and milk of magnesia, > >>>>>>>>>> would you get a Phillip's Screwdriver? > >>>>>>>>>> > >>>>>>>>>> Why is a person who plays the piano called a pianist, but a > >>>>>>>>>> person who drives a race car not called a racist? > >>>>>>>>>> > >>>>>>>>>> Why can't you make another word using all the letters in > >>>>>>>>>> "anagram"? > >>>>>>>>>> > >>>>>>>>>> Why is it that no word in the English language rhymes with > >>>>>>>>>> month, orange, silver, or purple? > >>>>>>>>>> > >>>>>>>>>> Why, when I wind up my watch, I start it; but when I wind up a > >>>>>>>>>> project, I end it? > >>>>>>>>>> > >>>>>>>>>> Why is it that we recite at a play and play at a recital? > >>>>>>>>>> > >>>>>>>>>> Why are a wise man and a wise guy opposites? > >>>>>>>>>> > >>>>>>>>>> Why do we say something is out of whack? What is a whack? > >>>>>>>>>> > >>>>>>>>>> Why don't tomb, comb, and bomb sound alike? > >>>>>>>>>> > >>>>>>>>>> Why do overlook and oversee mean opposite things? > >>>>>>>>>> > >>>>>>>>>> If horrific means to make horrible, does terrific mean to make > >>>>>>>>>> terrible? > >>>>>>>>>> > >>>>>>>>>> Why isn't 11 pronounced onety one? > >>>>>>>>>> > >>>>>>>>>> "I am." is reportedly the shortest sentence in the English > >>>>>>>>>> language. Could it be that "I Do." is the longest sentence? > >>>>>>>>>> > >>>>>>>>>> If the singular of GEESE is GOOSE, shouldn't a Portuguese > >>>>>>>>>> person be called a Portugoose? > >>>>>>>>>> > >>>>>>>>>> Why is a procrastinator's work never done? > >>>>>>>>>> > >>>>>>>>>> If lawyers are disbarred and clergymen defrocked, doesn't it > >>>>>>>>>> follow that electricians can be delighted, musicians denoted, > >>>>>>>>>> cowboys deranged, models deposed, tree surgeons debarked > >>>>>>>>>> and drycleaners depressed? > >>>>>>>>>> > >>>>>>>>>> Do Roman paramedics refer to IV's as "4's"? > >>>>>>>>>> > >>>>>>>>>> Why is it that if someone tells you that there are 1 billion > >>>>>>>>>> stars in the universe you will believe them, but if they tell > >>>>>>>>>> you a wall has wet paint you will have to touch it to be sure? > >>>>>>>>>> > >>>>>>>>>> Are people more violently opposed to fur rather than leather > >>>>>>>>>> because it's much easier to harass rich women than motorcycle > >>>>>>>>>> gangs? > >>>>>>>>>> > >>>>>>>>>> If you take an Oriental person and spin him around several > >>>>>>>>>> times, does he become disoriented? > >>>>>>>>>> > >>>>>>>>>> If people from Poland are called "Poles," why aren't people > >>>>>>>>>> from Holland called "Holes?" > > > > --part1_269803de.246f6540_boundary-- --0-846930886-926856914=:2398--  1,, Summary-line: 17-May mendes@aigfpc.com #FW: NEW VIRUS ALERT Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24071; Mon, 17 May 99 12:24:54 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA08433; Mon, 17 May 99 12:24:37 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10jQBy-00017W-00; Mon, 17 May 1999 12:24:39 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 17 May 1999 12:24:34 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: NEW VIRUS ALERT Date: Mon, 17 May 1999 12:24:33 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: FW: NEW VIRUS ALERT Date: Mon, 17 May 1999 12:24:33 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Watch out - this one is evil! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products [RMB] > This is serious...a "WORK" virus is on the > loose... > > If you receive any sort of "work" at all, > whether via e-mail, internet, or simply > handed to you by a colleague...DO NOT OPEN > IT! The "work" virus has been circulating > round our building for months and those who > have been tempted to open it or even look at > it > have found that their social life is deleted > and the brain ceases to function properly. > > If you do encounter "work" via e-mail, then > to transmogrify the virus, send an e-mail to > your boss with the words, "I've had enough of > your shit...I'm off down the pub". The > "work" should automatically be forgotten by > your brain and your career will now be > successfully destroyed. > > If you receive "work" in paper document > form, simply lift the document and drag it to > your waste paper bin and deposit there. Put > on your hat and coat and skip to the nearest > pub with two friends and order 3 pints. > After repeating this action 14 times you will > find that "work" will no longer be of any > relevance to you. > > Send this message to everyone in your > mailbox. If you do not have anyone in your > mailbox, then I'm afraid the "work" virus has > already corrupted your life. Go out and get > some friends, you sad bastard. > > >  1,, Summary-line: 17-May mendes@aigfpc.com #FW: New Adam Sandler Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29167; Mon, 17 May 99 12:36:37 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA11958; Mon, 17 May 99 12:36:24 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10jQN6-0001rT-00; Mon, 17 May 1999 12:36:09 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 17 May 1999 12:36:01 -0400 Message-Id: From: "Mendes, Rica" To: "Litwin, Jennifer" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: New Adam Sandler Date: Mon, 17 May 1999 12:36:00 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Litwin, Jennifer" , "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: New Adam Sandler Date: Mon, 17 May 1999 12:36:00 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain DIRTY (Daddy, don't look) @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > This will make you roll!! > >>>Subject: The macarena by Adam Sandler > >>> >>>>>>>>>> The Masturbata > >>> >>>>>>>>>> (sung to tune of the Macarena) by Adam Sandler > >>> >>>>>>>>>> > >>> >>>>>>>>>> Sitting in my house, and I know that I'm alona, > >>> >>>>>>>>>> Feeling kinda horny, got a jingle in my bona. > >>> >>>>>>>>>> Go and grab a Penthouse it's the one with > Sharon > >>>Stona. > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata!! > >>> >>>>>>>>>> I go a little faster and its feeling kind of > >>>nicea, > >>> >>>>>>>>>> Once ain't quite enough so I have to do it > twicea. > >>> >>>>>>>>>> If you wanna spank the monkey I can give you > good > >>>advicea. > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata!! > >>> >>>>>>>>>> I use some baby oil or a little Vaselina, > >>> >>>>>>>>>> Laying down a towel so I keep my carpet cleana. > >>> >>>>>>>>>> Never shake my hand cause you don't know where > its > >>>beena > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata!! > >>> >>>>>>>>>> I do it in the car when I'm driving down the > >>>streeta, > >>> >>>>>>>>>> One hand on the wheel and the other's on my > meata. > >>> >>>>>>>>>> I can't get out the car cause I'm sticking to > the > >>>seata. > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata! > >>> >>>>>>>>>> Since I was a kid I have been a Masturbata, > >>> >>>>>>>>>> choke the chicken, hum the knob, squeezing the > >>>tomata. > >>> >>>>>>>>>> I've looked at Ms. November now I'n gonna > decorate > >>>her. > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata! > >>> >>>>>>>>>> Buffing the banana, Mr. Lizard shaking bacona, > >>> >>>>>>>>>> Pounding on the flounder and its mayonnaise I'm > >>>makinga. > >>> >>>>>>>>>> Spank the frank, wax the carrot, god my hand is > >>>achinga. > >>> >>>>>>>>>> Hey > >>> >>>>>>>>>> Masturbata! > >>> > > >  1,, Summary-line: 18-May mweems@erols.com #Article on how the brain processes math problems Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02392; Tue, 18 May 99 09:48:58 EDT Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA03568; Tue, 18 May 99 09:48:42 EDT Received: from smtp1.erols.com (smtp1.erols.com [207.172.3.234]) by martigny.ai.mit.edu (8.8.6/8.8.6) with ESMTP id JAA26046 for ; Tue, 18 May 1999 09:48:20 -0400 (EDT) Received: from mweems (207-172-150-215.s24.as11.anp.md.dialup.rcn.com [207.172.150.215]) by smtp1.erols.com (8.8.8/8.8.5) with SMTP id JAA00550 for ; Tue, 18 May 1999 09:48:12 -0400 (EDT) Message-Id: <3.0.5.32.19990518094042.007e6680@pop.erols.com> X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Tue, 18 May 1999 09:40:42 -0400 To: lsc-alums@martigny.ai.mit.edu From: Ken and Molly Weems Subject: Article on how the brain processes math problems Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Tue, 18 May 1999 09:40:42 -0400 To: lsc-alums@martigny.ai.mit.edu From: Ken and Molly Weems Subject: Article on how the brain processes math problems Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Considering how many of us have the math bent, I thought this article was pretty interesting. It talks about two separate areas: one that names numbers and does calculations, and one that comes up with estimates. Anyway, here's the URL: http://www.nytimes.com/library/national/science/051199sci-brain-mathematics. html -- Molly (Carnell) Weems formerly MHC  1,, Summary-line: 18-May mendes@aigfpc.com #FW: Heavenly Y2K Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20921; Tue, 18 May 99 13:03:56 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA16383; Tue, 18 May 99 13:04:07 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10jnHJ-0003xC-00; Tue, 18 May 1999 13:03:42 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 18 May 1999 13:03:39 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Rozmus, Lori" , "Chiodo, Jane" , "Flynn, Kelly" Subject: FW: Heavenly Y2K Date: Tue, 18 May 1999 13:03:30 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Cc: "Rozmus, Lori" , "Chiodo, Jane" , "Flynn, Kelly" Subject: FW: Heavenly Y2K Date: Tue, 18 May 1999 13:03:30 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > HUMANITY WILL LAST ANOTHER 100 YEARS BECAUSE OF Y2K BUG > > Heaven - Representatives of the Heavenly Kingdom announced today that > they > will not be able to bring their Software into Y2K compliance before > the > millenium's end. As a result, the much anticipated event extravaganza > "The > Apocalypse" will not take place when the year 2000 arrives, since all > the > divine computers will mistakenly report the year as 1900. > > The scheduled second coming of Jesus Christ will be postponed as well, > although He does not rule out the possibility of a cameo appearance at > one > of the millenium bash. > > According to Heaven's Director of Internal Affairs Saint Michael, they > had > vastly underestimated the complexity of the system God created. "Back > in > the > early 90's," he explains "we thought the job would take 7 years. As it > turns > out, it is going to take at least 77 years." > > Adding to Heaven's woe is the dreadful shortage of qualified > personnel. > > "Right now we have a former priest and a dead hermit on the project, > who > happens to know programming. That's it," said Saint Peter, Director of > Soul > Resources. "Not a single programmer has entered Heaven in the last 30 > years, > for it's said in Matthew [19:24] 'it is easier for a camel to go > through > the > eye of a needle than for a rich man to enter the kingdom of God.' In > today's > hot job market, we simply can't compete." > > God has contemplated a number of unorthodox recruitment methods. One > plan, > code-named "Kiev," calls for the unleashing of Mongol heathens on > Redmond, > Washington. "We will turn them (Microsoft employees) into martyrs > whether > they like it or not," He said. > > In related news, hell's Y2K effort reportedly is also behind schedule, > despite the availability of programmers who inevitably go there after > they > died. > > "Our problem is related to the fact that all our code was written in a > fiendishly stupid language called LISP," the evil one explains. > > ? Copyright 1999 The New Jerk Times, All right reserved. > > > > > >  1,, Summary-line: 18-May -opus=mit.edu@onelist.com #ONElist confirm Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08037; Tue, 18 May 99 15:00:47 EDT Received: from www.onelist.com by MIT.EDU with SMTP id AA25797; Tue, 18 May 99 15:00:29 EDT Received: (qmail 24377 invoked by uid 99); 18 May 1999 19:00:15 -0000 Date: 18 May 1999 19:00:15 -0000 Message-Id: <927054015.24371@onelist.com> To: opus@MIT.EDU Subject: ONElist confirm From: ONElist Mailing-List: list confirm@onelist.com; contact http://www.onelist.com *** EOOH *** Date: 18 May 1999 19:00:15 -0000 To: opus@MIT.EDU Subject: ONElist confirm From: ONElist Mailing-List: list confirm@onelist.com; contact http://www.onelist.com Hello, This is the ONElist Mailing List Communities service. This is an automatic confirmation message from ONElist. You have been added by the moderator to the following list: dc-meeps Just us... If you have any problems with the following list settings, please let Ralph know! List Name: dc-meeps Language: English Category: People | Friends Description: Just us... Maturity Level: For People Over 21 Moderated: No Restricted: Yes (can't join without approval) Announce: No (anyone on list can post) Archives: None (no online archives) Reply to: List (not person who sent msg) Unlisted: Yes (doesnt show up in ONELIST list Show Profiles: No (user info is nobodys biz Email Address: opus@mit.edu Password: cxgeecdu We offer two methods to confirm your ONElist account. You can reply to this email, using the reply function in your email program. It will automatically be sent to the correct address. In addition, you can also confirm your account by going to the following web page: http://www.onelist.com/confirm.cgi?email=opus%40mit%2Eedu&id=13 If you have any questions about the list or your subscription, please contact the list managers. You can email them at the following email address: dc-meeps-owner@onelist.com If you have received this message in error, please ignore it. To subscribe to new lists, change your current subscriptions, or start new lists, please visit the ONElist web site, at http://www.onelist.com The ONElist Team  1,, Summary-line: 18-May mike@iologic.u-net.com #Re: David D's dilemma Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17753; Tue, 18 May 99 18:10:07 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA03138; Tue, 18 May 99 18:10:18 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id SAA15696; Tue, 18 May 1999 18:10:04 -0400 (EDT) Date: Tue, 18 May 1999 18:10:04 -0400 (EDT) Message-Id: <01bea17a$98bc1e60$LocalHost@iologic.u-net.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: David D's dilemma Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Tue, 18 May 1999 18:10:04 -0400 (EDT) Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: David D's dilemma Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 Hi David, >Picture, if you will, the scene on the platform at Charing Cross Station, as >a big policeman, in great big boots, a helmet, a tunic, clutching a bottle >of wee, walks trouserless towards the ticket collector. Thanks for brightening up my evening! When a felon's been engaged upon the toilet (on the toilet) And been made to give a sample of his wee (of his wee) A young constable is called on to deploy it (to deploy it) For analysis to the laborat'ree (borat'ree) But a uniform is hot at height of summer (height of summer) So our hero loosens belt and takes a rest (takes a rest) Then a wasp flies down his trousers, what a bummer (what a bummer) And they're snatched away by Woolwich-bound express; Ah, when you're stranded at the station with no pants to put on, A policeman's lot is not a happy one, happy one. Mike. "Ain't I a bad character!"  1,, Summary-line: 18-May awrobins@hotmail.com #Frank Desprez Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27285; Tue, 18 May 99 18:46:47 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA12252; Tue, 18 May 99 18:46:58 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id SAA16552; Tue, 18 May 1999 18:46:44 -0400 (EDT) Date: Tue, 18 May 1999 18:46:44 -0400 (EDT) Message-Id: <19990518223524.31278.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Frank Desprez Mime-Version: 1.0 Content-Type: text/plain; format=flowed; X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 18 May 1999 18:46:44 -0400 (EDT) Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Frank Desprez Mime-Version: 1.0 Content-Type: text/plain; format=flowed; X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As threatened, I've searched a reference book (The British Musical Theatre, volume I 1865-1914, by Kurt Ganzl) for information on Frank Desprez, and here are the results--probably duplicating what Michael Walters, and possibly others, have already put in the G&S Archive. Here are some musical pieces by Desprez listed there (with a couple of biographical snippets thrown in): 1. Happy Hampstead (first produced 3 July 1876), a musical pastoral in one act; "a little piece by former Texas cowboy Frank Desprez set to music by "Mark Lynne"--that is to say, D'Oyly Carte.... Desprez, who had met Carte through a fortunate connection with Selina Dolaro, remained with him as secretary and confidant for many years." 2. After All (23 Dec. 1893, as an afterpiece to HMS Pinafore) "a vaudeville by Frank Desprez, music by Alfred Cellier" 3. Tita in Tibet (1 Jan 1879), a comic opera in two acts by Frank Desprez, withdrawn 18 January 1879. [This is set in the Tibetan town of Lum-ti-foo; any relation, perhaps, to Rum-ti-foo, where a certain bishop--his name was PETER, I believe--resided?] 4. In the Sulks (21 Feb 1880, withdrawn 2 April 1881) a vaudeville by Frank Desprez, music by Alfred Cellier 5. Mock Turtles (15 Oct. 1881, withdrawn 30 March 1883) a vaudeville by Frank Desprez, music by Eaton Fanning 6. A Private Wire (31 March 1883, withdrawn 1 Jan 1884) a vaudeville by Frank Desprez and Arnold Felix, music by Percy Reeve 7. The Carp (13 Feb. 1886) "a whimsicality in one act by Frank Desprez, music by Alfred Cellier" 8. Mrs. Jarramie's Genie (14 Feb. 1888, operetta by Frank Desprez, music by Alfred and Francois Cellier) 9. Delia (11 March 1889) "a romantic military comic opera by F. Soulbieu (Frank Desprez), music by Procida Bucalossi" 10. The Nautch Girl (30 June 1891-16 Jan. 1892), "an Indian comic opera in two acts by George Dance, lyrics by George Dance and Frank Desprez, music by Edward Solomon" 11. Brother George (16 May 1892) "a comic opera in 2 acts by Frank Desprez, music by Procida Bucalossi" There is further information about Desprez on p. 375: "The librettist for Delia who listed himself as 'F. Soulbieu' was in fact Frank Desprez, sometime righthand to D'Oyly Carte and now a writer for the Era. Desprez had supplied a number of useful short pieces to, notably, the Savoy, but Delia was his first attempt at a full-length work." A footnote adds: "In 1893 Desprez became editor of The Era, a post which he retained till 1913 when illness forced him into retirement." Arthur _______________________________________________________________ Get Free Email and Do More On The Web. Visit http://www.msn.com  1, forwarded,, Summary-line: 18-May rsf@sprucehill.com #Birth Announcement: Genevie Rose Breckenridge Finn Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23456; Tue, 18 May 99 23:39:55 EDT Received: from martigny.ai.mit.edu by MIT.EDU with SMTP id AA26703; Tue, 18 May 99 23:40:06 EDT Received: from mail.mil3.com (mail.mil3.com [198.81.248.20]) by martigny.ai.mit.edu (8.8.6/8.8.6) with ESMTP id XAA04674 for ; Tue, 18 May 1999 23:39:45 -0400 (EDT) Received: from [168.143.8.15] (168.143.8.15) by mail.mil3.com (Worldmail 1.3.167) for lsc-alums@martigny.ai.mit.edu; 18 May 1999 23:45:16 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Sender: rsf@pop.erols.com Message-Id: Date: Tue, 18 May 1999 23:39:42 -0400 To: LSC Alumni From: Russell Finn Subject: Birth Announcement: Genevie Rose Breckenridge Finn *** EOOH *** Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Sender: rsf@pop.erols.com Date: Tue, 18 May 1999 23:39:42 -0400 To: LSC Alumni From: Russell Finn Subject: Birth Announcement: Genevie Rose Breckenridge Finn Retta and I are pleased to announce the birth of our daughter Genevie Rose Breckenridge Finn on Tuesday, May 11, 1999 at 7:22 pm (7 lb. 11 oz., 21 inches). Everyone is doing fine, except that Genevie hasn't quite figured out yet that nights are for sleeping and days are for waking, instead of the other way around. -- Russ -- Russell S. Finn rsf@sprucehill.com  1,, Summary-line: 19-May MusikDrama@aol.com #Re: At the bottom of a well. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21361; Wed, 19 May 99 10:17:20 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA15787; Wed, 19 May 99 10:17:04 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id KAA10245; Wed, 19 May 1999 10:16:53 -0400 (EDT) Date: Wed, 19 May 1999 10:16:53 -0400 (EDT) Message-Id: <13db932.247420aa@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: At the bottom of a well. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 *** EOOH *** Date: Wed, 19 May 1999 10:16:53 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: At the bottom of a well. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 In a message dated 5/19/99 2:32:50 AM, enl069@abdn.ac.uk writes: << Does anybody know - are there any other literary uses of this expression from the period, was it a popular saying, or did Hood just pinch it from Burnand (and give it a small but clever elaboration)? >> I don't know about its status as a popular saying, but at the Mad Tea Party in "Alice in Wonderland" the Dormouse tells a story about three little sisters. "...their names were Elsie, Lacie and Tillie; and they lived at the bottom of a well." Martin Gardner, in "The Annotated Alice," explains the concept of treacle-wells for us (Alice: "Why did they live at the bottom of a well?" Dormouse: "It was a treacle-well."), but gives no further insights on the phrase "At the bottom of a well." For all I know, it WAS a popular expression; maybe there were even such things as "John Wellington wells" before "The Sorcerer" was written! Dragging us even further down into the well of off-topicness, Gardiner notes that "three little sisters" (hmm... three little maids?) refers to Alice Liddell (for whom the book was written; prounounced like "little"), and her two sisters. >From Gardiner's footnotes: "Elsie is L.C. (Lorina Charlotte), Tillie refers to Edith's family nickname Matilda, and Lacie is an anagram of Alice." One more feeble attempt to make this seem slightly on-topic: I note that both Alice and the Mad Hatter say "Exactly so!" at different points in the chapter. I guess one can't make much of that, however; there's no indication that either of them is singing at the time. It's a common enough expression, and Carroll wrote "Alice in Wonderland" in 1865, a full sixteen years before "Patience." Over to you, anybody with something more intelligent to say. Steve Lichtenstein MusikDrama@aol.com "Oh, put him away to bed!"  1,, Summary-line: 27-May rac@bu.edu #New Internet Opportunity Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19063; Thu, 27 May 99 09:35:27 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA27137; Thu, 27 May 99 09:35:07 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with SMTP id JAA48548; Thu, 27 May 1999 09:35:21 -0400 Date: Thu, 27 May 1999 09:35:21 -0400 (EDT) From: "Rebecca A. Consentino" To: Annie List , asmerage@bu.edu, bencoolb@MIT.EDU, blouinka@emmanuel.edu, Emily Borden , cash@emmanuel.edu, Sarah Consentino , corvallis@gis.net, dellacrj@emmanuel.edu, dennisjet@aol.com, devinek@emmanuel.edu, dumasje@emmanuel.edu, elliss@emmanuel.edu, felixcat@MIT.EDU, fordm@emmanuel.edu, funny614@aol.com, gouveil@emmanuel.edu, Megan Houpt , jbreindel@brandeis.edu, kitami@emmanuel.edu, mahanw@emmanuel.edu, meadsc@emmanuel.edu, nickw@MIT.EDU, oneilk@emmanuel.edu, oneilma@emmanuel.edu, David Jedlinsky , Rebecca Consentino , red7480@aol.com, Scott Gagnon , Maria Spinale , studiojsh@aol.com, tobinj@emmanuel.edu, tridentc@emmanuel.edu, Jenna Wilkinson Subject: New Internet Opportunity Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Thu, 27 May 1999 09:35:21 -0400 (EDT) From: "Rebecca A. Consentino" To: Annie List , asmerage@bu.edu, bencoolb@MIT.EDU, blouinka@emmanuel.edu, Emily Borden , cash@emmanuel.edu, Sarah Consentino , corvallis@gis.net, dellacrj@emmanuel.edu, dennisjet@aol.com, devinek@emmanuel.edu, dumasje@emmanuel.edu, elliss@emmanuel.edu, felixcat@MIT.EDU, fordm@emmanuel.edu, funny614@aol.com, gouveil@emmanuel.edu, Megan Houpt , jbreindel@brandeis.edu, kitami@emmanuel.edu, mahanw@emmanuel.edu, meadsc@emmanuel.edu, nickw@MIT.EDU, oneilk@emmanuel.edu, oneilma@emmanuel.edu, David Jedlinsky , Rebecca Consentino , red7480@aol.com, Scott Gagnon , Maria Spinale , studiojsh@aol.com, tobinj@emmanuel.edu, tridentc@emmanuel.edu, Jenna Wilkinson Subject: New Internet Opportunity Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi guys- This e-mail is about a new pyramid scheme, in which you can easily make a little money, just by having advertisements near your browser while you surf the Internet. In a very simplified nutshell, the advertisers will be paying us -- their audience -- instead of the newspaper or TV station they usually use to reach us. It's a great idea because it not only saves the advertisers money, but also makes some for us. :o) So if you use the Internet, you can make money. Anyway, the earlier you sign up, the more you can make. If you look at the company's web site, you will see that this is not a joke or a trick, and it's not play money or worthless stock. It's cash. The e-mail is a little long, because the concept needs explaining, but once you read it, you'll be surprised by how simple this is. My Reference Number is CDW 832 -- please use it when you sign up. Happy money making! Best wishes, Becca :o) ______ We've all witnessed how the Internet is changing the rules of the game. A bunch of Stanford Computer Science PhDs are changing the way advertisers pay to reach consumers. Throughout time, advertisers have paid anyone who can aggregate a large quantity of people. TV Networks, Radio Stations, Magazine and Newspaper publishers, whoever can do it. The consumers, who advertisers are paying to reach, never get a dime of that money. These guys are changing that. They're essentially going to "unionize" consumers, so that consumers get paid by the advertisers, not the companies who aggregate those consumers. This idea is so simple that it's crazy. But it will work and anyone can sign up for free and make serious money. The Associated Press and many major newspapers around the country have recently written articles praising this company and their idea. This company is called AllAdvantage. Just go to http://alladvantage.com/ Here's how it works. It's completely free to participate. You don't have to buy anything, you don't have to sell anything, you don't have to change your web usage. If you go to their site and sign up, you'll have to enter your name, address, and the member number of who referred you. You'll get your own Member ID number, and you'll soon be sent a little File to download, which appears as a long thin window that'll be open below Your web browser. In this window will be a standard online advertisement, a rectangular banner like the one's you see on most web sites. You can open it or close the window whenever you'd like, but for every hour you have that window open, you'll get $0.50. Up to 40 hours a month, so you could make $20 a month. Nice so far, but that's just the beginning. They are doing a pyramid payment plan to create a model where everyone is getting everyone else to sign up. Remember, it's completely free to participate, and you can always choose whether or not you want the window open. They'll pay you 10 cents for every hour that a person you refer has this window open. For anyone those people refer, you get a nickel for every hour. For everyone they refer, you get a nickel also, and so on for 4 levels. This will generate big money for people who get in early and even a modest amount for those who don't. WHY ARE THEY DOING THIS? You're probably thinking that they'll have to pay out hundreds of millions of dollars to people, and your right, they will have to pay out hundreds of millions of dollars to consumers. But don't look at it from the macro level. Look at it from the micro level. It's so simple. AllAdvantage is paying 80 cents for every hour a user has this window open. (50 cents to the user, 10 cents to whoever referred them, 5 cents to the person who referred them, 5 cents to the person who referred them, 5 cents to the person who referred them, and 5 cents to the person who referred them). Every 20 seconds, a different ad rotates into the window, so 3 ads every minute, 180 ads every hour. If they can sell the 180 ads for more than 80 cents they're instantly profitable, and they'll be able to sell the ads for more. That's it. That's the whole thing. If they sell $10 million in advertising, they'll distribute $9 million or so to the users, and keep the rest. Everyone wins. Companies who rely on advertising spend a lot of money to attract an audience, and build and staff a product. AllAdvantage is just going to pay you as a valuable consumer and reward You for attracting an audience. A TV Network might put 90% of their ad Revenue into programming and operations, and keep 10% as profits. This company will give 90% of their ad revenue to people who use them, and keep 10% for themselves. THE SOONER THE BETTER Please go to: http://alladvantage.com You'll be issued your own user number. Then cut and paste this email, changing the member ID number to your user number, and e-mail it to as many people as you can think of. Or mention this when you're talking to friends, or in a chat room, or where ever! The more people who sign up, the more advertising revenue AllAdvantage generates, and the more we all get paid. Don't ignore this because it's "too simple" or "too good to be true". If you have any questions, please just go to the site and check it out. It's self-explanatory.  1,, Summary-line: 27-May CJ@sftlaw.com #It's not Easy Beng Darth.... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18511; Thu, 27 May 99 11:05:01 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA23642; Thu, 27 May 99 11:04:40 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Thu, 27 May 1999 11:05:38 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Thu, 27 May 1999 11:05:11 -0400 From: "Cynthia J. Mallion" To: , , , , "Karen Lorelli" , "Michelle Rodriquez" , "Valerie Johnson" , Subject: It's not Easy Beng Darth.... Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Thu, 27 May 1999 11:05:11 -0400 From: "Cynthia J. Mallion" To: , , , , "Karen Lorelli" , "Michelle Rodriquez" , "Valerie Johnson" , Subject: It's not Easy Beng Darth.... Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline I just *had* to pass this along..... trying not to clutter the airwaves = too much, really, but..... Te/CJ FW: ---------------------------- [Kirk hasn't recieved his coffee yet today, so the following rambling=20 thoughts have been allowed to leak out.] Ok, Ok. We know that, in the first movie (yah yah, episode 4) they were allowed to escape the Death Star in order to be traced back to the Rebel base. But that means that SOMEONE on the Death Star must have been monitoring the escape. Darth=3DDarth Vader SCM=3DSecurity Camera Monitor Darth: Where are they now? SCM: They have released Princess Leia from her cell, Lord Vader. Darth: Excellent. Have our security detail begin feigning their=20 deaths, and form an escape route back to the Mille... SCM: Lord Vader. They are in the garbage shoot. Darth: They're in the WHAT? What the hell are they doing there? SCM: Now they're in the garbage compactor. I don't know why, Lo... Darth: Well, get them out!=20 SCM: The only crew member in that area is our Personnel Resource=20 Officer. Darth: I don't care if he's the Tidy Bowl man! Drag them out of=20 there! SCM: Yes, Lord Vader. [Sound of splashing, shots being fired, screaming, and monstrous=20 bellows. Vader and SCM shake their heads sadly] SCM: Well, that could have gone better. Vader: Might have, if our Personnel Officer weren't a squid. SCM: Who else could drag crew onto this dung heap? Vader: Hey now. Our program of Continuous Quality Improvement is... SCM: Oh oh. Vader: What now? SCM: They've turned on the compactor. Vader: Well, turn it off! SCM: I'm trying, but there seems to be interference. Vader: From what? SCM: Tracing it now. Ah! It's coming from the power outlet=20 for area 3749B's "Master Coffee" machine. Vader: Your security console's being overridden by a coffee machine? SCM: It's that Windows SW(tm) chip. They're putting them in=20 everthing nowadays. Heck, if you had a security droid plugged=20 into one of those things you could do practically anything on=20 this station you wanted Vader: Get my CIO on the phone. SCM: Yes Lord Vader...here he is. [Sounds of screaming from the garbage compactor] Vader: Hello, Bob? Yes, this is Darth. How are you? Fine? Good! Good.=20 Listen, about the network security system you installed... [Strangled gurgling noises over the phone. Then silence.=20 Screams from the compactor continue in the background.] Vader: Nice talking to you Bob. Let's do lunch sometime. [click] [Continued sounds of screaming from the compactor.] Vader: Just great! They're dying in there. Man, the Emperor's=20 gonna kick my ... SCM: Oh god! Now the compactor's control computer has crashed! Vader: Doesn't anything work around here... Hey, waitaminute! Are=20 they still alive in there? =20 SCM: Um, hold on. Yes, I still hear them. Vader: Whoo Hoo! Yes! We may still pull this off. Can you get that=20 door open? ... You see, it's tough being evil. Tell that to anyone considering=20 taking up the dark side. Kirk  1,, Summary-line: 28-May ornstn@home.com #Where no opera has gone before? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08811; Fri, 28 May 99 18:27:52 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA18498; Fri, 28 May 99 18:28:07 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id SAA09547; Fri, 28 May 1999 18:27:42 -0400 (EDT) Date: Fri, 28 May 1999 18:27:42 -0400 (EDT) Message-Id: <4.1.19990528170240.01c3e9f0@mail> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Where no opera has gone before? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Fri, 28 May 1999 18:27:42 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Where no opera has gone before? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 >Tell me, what opera do you think would make the best Star Trek plot? Well, it would be a bit drastic, but there is always Karl-Birger Blomdahl's ANIARA, about a spaceship en route to Mars with survivors from the destruction of Earth. The spaceship malfunctions, is left to drift off in space, and everyone on board dies. If that doesn't grab you - here is the plot of a once-popular opera retold; can anyone spot the opera? At Starfleet Headquarters, Starfleet Command is astonished by the return of Captain James T. Kirk, believed missing in action after the destruction of the Enterprise in deep space. Kirk has brought with him two representatives of a distant civilization, Nusk (a male) and Slic (a female). Kirk demands that Starfleet equip him with a new ship so he can find the distant planet Nusk and Slic call home, but Starfleet Command refuses. When Kirk protests. he, Nusk and Slic are placed under arrest. Slic, of course, has fallen in love with Kirk. Nusk, who is in love with Slic, plans to kill Kirk while he sleeps, but Slic prevents him. When Kirk awakens, Slic tells him she can provide him with the coordinates of her home world. Meanwhile, Starfleet has commissioned Captain Fisk, an old rival of Kirk's who has married Annie, Kirk's former sweetheart, to lead an expedition in search of the new civilization. Fisk's wife is assigned to the bridge; Nusk offers to act as guide to the new expedition. Kirk, however, manages to obtain command of another starship and sets out after Fisk, with Slic on board. Travelling at Warp Factor Ten, he soon is within hailing distance of Fisk's ship. He hails Fisk, and warns him that Nusk, who does not want his home world found, is leading them into an ambush. Fisk, however, threatens to fire on Kirk's ship. Suddenly, a squadron of fighter ships of unknown origin emerges from hyperspace and fires on the two Federation vessels. Fisk's ship is crippled. Kirk tries to rescue the crew, but only manages to beam Nusk and Annie on board before the warp core breaches and the ship is destroyed. Kirk's ship is forced to surrender; the invaders beam on board, and to Kirk's amazement hail Slic as their Empress. The aliens take Kirk and Annie to their home world; Kirk is astonished by its paradise-like atmosphere. Annie is sentenced to death, but Slic claims Kirk as her husband and reprieves him. She soon realizes, however, that Kirk's interest in alien beauties is highly time-limited, and that his real feelings are for Annie. In a grand gesture of renunciation she secretly frees Kirk, restores Annie to him, returns his ship and provides him with the coordinates for Federation Space. Kirk and Annie beam up to their ship and set a course for Earth. Slic watches the ship depart on the monitors in her palace. Unable to live without Kirk, she inhales poisonous fumes from a genetically modified tribble (thinking, all the while, how much it reminds her of Kirk's toupee), and dies in Nusk's arms. Nusk seizes the tribble and holds it to his nose as the final credits roll. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 29-May ornstn@home.com #Re: Where no opera has gone before? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01916; Sat, 29 May 99 14:31:45 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA03565; Sat, 29 May 99 14:31:23 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id OAA08026; Sat, 29 May 1999 14:31:25 -0400 (EDT) Date: Sat, 29 May 1999 14:31:25 -0400 (EDT) Message-Id: <4.1.19990529140620.01ca2b90@mail> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Where no opera has gone before? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <4f05cd60.248177c2@aol.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Sat, 29 May 1999 14:31:25 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Where no opera has gone before? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <4f05cd60.248177c2@aol.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 At 01:02 PM 29/05/1999 -0400, you wrote: >I don't believe anyone has congratulated Ron Orenstein on his hilarious Star >Trek opera of a few days ago. So unless I've missed something, let me be the >first to congratulate him... and to beg him, for heaven's sake, to put me out >of my suspense. > >WHAT'S THE OPERA??? Okay, Okay - Jim Drew got it, though.... It's L'AFRICAINE, by Giacomo Meyerbeer - and believe me, I stuck pretty close to the original plot, though Captain Kirk is replaced by Portuguese explorer Vasco Da Gama in the original. Although it was recently revived by the San Francisco Opera, most people know it today only as the source of one of Meyerbeer's most beautiful arias, "O paradis" (and I do NOT want to hear Shatner try it!). Here is a synopsis of the plot of L'AFRICAINE, from: http://www.castle.net/~rfrone/sfo/sfo-a.htm#africaine You will see that I invented very little! Vasco de Gama, who was presumed lost at sea, returns to Portugal, bringing two natives from the new land he has discovered. These two natives are the Indian queen Selika and Nelusco, her attendant. Inez, Don Diego's daughter is in love with da Gama, but her father wishes her to marry Don Pedro, president of the council. Don Pedro orders Vasco jailed on charges that his voyage was an insult to the council. Vasco is alone in his prison cell. Selika, whose rank is still unknown to the Portuguese, has come to love Vasco. She finds her way to his prison cell and confesses her love. She also warns him of Nelusco's jealousy. Inez has agreed to marry Don Pedro and Vasco is freed. Don Pedro has set out to explore the new land that Vasco had discovered. Don Pedro has brought along Inez and Selika and Nelusco to serve as guides. Nelusco plans to blow up the ship. After Vasco is freed from jail, he outfits a ship and overtakes Don Pedro's ship at sea. His attempts to warn Don Pedro of Nelusco's plot is rebuffed and Vasco is seized. The ship is driven aground by a storm and Nelusco, with his savage followers, attack the ship, slaying all but a few of the crew. Selika is welcomed back as their queen. She prevents Vasco's execution by claiming to be his wife. The marriage is barely celebrated when Inez is brought in. Vasco's love for Inez is rekindled. Selika orders Nelusco to provide Vasco and Inez with a ship with which to return to Portugal. As the ship sails away, Selika breathes the blossoms from a poison-laden mancanilla tree and dies. Nelusco discovers the lifeless body and shares her death. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 30-May mike@iologic.u-net.com #Ruddigore meets Spinal Tap Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16370; Sun, 30 May 99 13:53:14 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA25125; Sun, 30 May 99 13:52:51 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id NAA08999; Sun, 30 May 1999 13:53:03 -0400 (EDT) Date: Sun, 30 May 1999 13:53:03 -0400 (EDT) Message-Id: <01beaac4$02382b20$LocalHost@iologic.u-net.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Ruddigore meets Spinal Tap Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Sun, 30 May 1999 13:53:03 -0400 (EDT) Reply-To: mike@iologic.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Ruddigore meets Spinal Tap Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 Thinking about the ghost scene in "Ruddigore", in particular about the mechanics of how the ghosts appear from their portraits, put me in mind of the scene from the film "This Is Spinal Tap" (a spoof documentary about a heavy metal band on tour), in which three of the band are encased in large plastic cocoons which open during the introduction to a song - only the bass guitarist's cocoon doesn't open and he remains trapped until the final chord of the song, after the road crew have tried everything from crowbars to flame-throwers to open it. I could imagine the scene during the dialogue between Sir Ruthven and Sir Roderic, in which is heard a feeble knocking and a pathetic little voice crying, "Ah, come on guys, let me out, be good sports, pleeeease...." Mike. "Ain't I a bad character!"  1,, Summary-line: 1-Jun oakapple2@yahoo.com #The Mikado in Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19700; Tue, 1 Jun 99 17:16:04 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA17708; Tue, 1 Jun 99 17:16:20 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id RAA20826; Tue, 1 Jun 1999 17:15:56 -0400 (EDT) Date: Tue, 1 Jun 1999 17:15:56 -0400 (EDT) Message-Id: <19990601211340.26376.rocketmail@web105.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Mikado in Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 1 Jun 1999 17:15:56 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The Mikado in Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I observed the following on the Amazon.com website: The Mikado in Full Score Dover Publications; ISBN: 0486406261 Paperback - 368 pages (July 1999) List price: $18.95; Amazon price: $15.16 It can be pre-ordered at Amazon, and they will ship it to you when ready. I recall that the editor of this score, whose name I forget, made a SavoyNet posting about it a year or two ago. He said that the score was newly typeset and was based on an autograph score copy found in the New York Public Library, among other unspecified sources. There were hints that if this score was successful, perhaps others would follow. He asked if people had any comments about what they'd like to see in a MIKADO score. I sent him some ideas, to which I never received any reply. Anyway, in a couple of months we should all soon know how it turned out. === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 2-Jun AnslowL@usa.redcross.org #FW: Theater terminology Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09510; Wed, 2 Jun 99 17:36:45 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA07901; Wed, 2 Jun 99 17:36:20 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id RAA27344; Wed, 2 Jun 1999 17:36:30 -0400 (EDT) Date: Wed, 2 Jun 1999 17:36:30 -0400 (EDT) Message-Id: <510243F87F4ED211ADF30008C756F56730A877@BHQROS2EX1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: AnslowL@usa.redcross.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Anslow, Lynn" To: Multiple recipients of list SAVOYNET Subject: FW: Theater terminology Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2232.9) *** EOOH *** Date: Wed, 2 Jun 1999 17:36:30 -0400 (EDT) Reply-To: AnslowL@usa.redcross.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Anslow, Lynn" To: Multiple recipients of list SAVOYNET Subject: FW: Theater terminology Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2232.9) Here's one I think folks will like. I apologize if it's already been posted to the group. Theater Terminology Eternity - The time that passes between a dropped cue and the next line Prop - A hand-carried object small enough to be lost by an actor 30 seconds before it is needed on stage Director - The individual who suffers from the delusion that he or she is responsible for every moment of brilliance cited by the critic in the local review Blocking - The art of moving actors on the stage in such a manner as not to collide with the walls, the furniture, the orchestra pit or each other. Similar to playing chess, except that the pawns want to argue with you. Blocking Rehearsal - A rehearsal taking place early in the production schedule where actors frantically write down movements which will be nowhere in evidence by Opening night. Quality Theater - Any show with which you were directly involved. Turkey - Every show with which you were not directly involved Dress rehearsal - Rehearsal that becomes a whole new ball game as actors attempt to maneuver among the 49 objects that the set designer added at 7:30 that evening Tech week - The last week of rehearsal when everything that was supposed to be done weeks before finally comes together at the last minute; reaches its grand climax on dress rehearsal night when costumes rip, a dimmer pack catches fire and the director has a nervous breakdown. Also known as hell week. Set - An obstacle course which, throughout the rehearsal period, defies the laws of physics by growing smaller week by week while continuing to occupy the same amount of space Monologue - That shining moment when all eyes are focused on a single actor who is desperately aware that if he forgets a line, no one can save him Dark Night - The night before opening when no rehearsal is scheduled so the actors and crew can go home and get some well-deserved rest, and instead spend the night staring sleeplessly at the ceiling because they're sure they needed one more rehearsal Bit Part - An opportunity for the actor with the smallest role to count everybody else's lines and mention repeatedly that he or she has the smallest part in the show. Green Room - Room shared by nervous actors waiting to go on stage and the precocious children whose actor parents couldn't get a baby-sitter that night, a situation which can result in justifiable homicide. Dark Spot - An area of the stage which the lighting designer has inexplicably forgotten to light, and which has a magnetic attraction for the first-time actor. A dark spot is never evident before opening night. Hands - Appendages at the end of the arms used for manipulating one's environment, except on a stage, where they grow six times their normal size and either dangle uselessly, fidget nervously, or try to hide in your pockets. Stage Manager - Individual responsible for overseeing the crew, supervising the set changes, baby-sitting the actors and putting the director in a hammerlock to keep him from killing the actor who just decided to turn his walk-on part into a major role by doing magic tricks while he serves the tea. Lighting Director - Individual who, from the only vantage point offering a full view of the stage, gives the stage manager a heart attack by announcing a play-by-play of everything that's going wrong Makeup Kit -(1) among experienced community theater actors, a battered tackle box loaded with at least 10 shades of greasepaint in various stages of desiccation, tubes of lipstick and blush, assorted pencils, bobby pins, braids of crepe hair, liquid latex, old programs, jewelry, break-a-leg greeting cards from past shows, brushes and a handful of half-melted cough drops; (2) for first-time male actors, a helpless look and anything they can borrow The Forebrain - The part of an actors brain which contains lines, blocking and characterization; activated by hot lights. The Hindbrain - The part of an actors brain that keeps up a running subtext in the background while the forebrain is trying to act; the hindbrain supplies a constant stream of unwanted information, such as who is sitting in the second row tonight, a notation to seriously maim the crew member who thought it would be funny to put real Tabasco sauce in the fake Bloody Marys, or the fact that you need to do laundry on Sunday. Stage Crew - Group of individuals who spend their evenings coping with 50-minute stretches of total boredom interspersed with 30-second bursts of mindless panic Message Play - Any play which its director describes as "worthwhile," "a challenge to actors and audience alike," or "designed to make the audience think." Critics will be impressed both by the daring material and the roomy accommodations, since they're likely to have the house all to themselves. Bedroom Farce - Any play which requires various states of undress on stage and whose set sports a lot of doors. The lukewarm reviews, all of which feature the phrase "typical community theater fare" in the opening paragraph, are followed paradoxically by a frantic attempt to schedule more performances to accommodate the overflow crowds. Assistant Director - Individual willing to undertake special projects that nobody else would take on a bet, such as working one-on-one with the brain-dead actor whom the rest of the cast has threatened to take out a contract on. Set Piece - Any large piece of furniture which actors will resolutely use as a safety shield between themselves and the audience, in an apparent attempt to both anchor themselves to the floor, thereby avoiding floating off into space, and to keep the audience from seeing that they actually have legs Strike - The time immediately following the last performance while all cast and crew members are required to stay and dismantle, or watch the two people who own Makita screw drivers dismantle, the set. Actors - (As defined by a set designer) People who stand between the audience and the set designer's art, blocking the view. That's also the origin of the word "blocking," by the way. Stage Right, Stage Left - Two simple directions actors pretend not to understand in order to drive directors crazy. ("No, no, your OTHER stage right!") "Just remember: It's only theatre until it offends someone... then it's ART!"  1,, Summary-line: 2-Jun bigbird@21stcentury.net #Fw: Country Western Musical Dictionary (OT) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27557; Wed, 2 Jun 99 22:29:41 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA29885; Wed, 2 Jun 99 22:29:15 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id WAA04135; Wed, 2 Jun 1999 22:29:25 -0400 (EDT) Date: Wed, 2 Jun 1999 22:29:25 -0400 (EDT) Message-Id: <006601bead79$2d9155a0$dd088818@dmichael.21stcentury.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bigbird@21stcentury.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Big Bird" To: Multiple recipients of list SAVOYNET Subject: Fw: Country Western Musical Dictionary (OT) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3155.0 *** EOOH *** Date: Wed, 2 Jun 1999 22:29:25 -0400 (EDT) Reply-To: bigbird@21stcentury.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Big Bird" To: Multiple recipients of list SAVOYNET Subject: Fw: Country Western Musical Dictionary (OT) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3155.0 Lynn Anslow's theatre terminology post inspired me to forward the following which a friend at work (who sings in an oratorio chorus and has come to see several of my G & S performances) sent to me. Like Lynn's post, it doesn't have anything to do with G & S, but it should hopefully provide some amusement to SavoyNetters with any kind of musical background. No indication was included as to who originated this, so I can't credit it properly; if anyone has seen this and knows who wrote it, let me know. David Michaels "Life's a pudding full of plums..." >MUSICAL TERMS-COUNTRY WESTERN STYLE > >DIMINISHED FIFTH - An empty bottle of Jack Daniels >PERFECT FIFTH - A full bottle of Jack Daniels >RELATIVE MAJOR - An uncle in the Marine Corps >RELATIVE MINOR - A girl friend >BIG BAND - When the nightclub pays enough to hire TWO banjo players >TREBLE - Women ain't nothin' but >BASS - The things you run around in baseball >CONDUCTOR - The man who punches your ticket on the train >CUT TIME - Parole >SONATA - What you get from a bad cold or hay fever >A 440 - A highway that runs around Nashville >CLARINET - Name of your second daughter if you've already used Betty Jo >TEMPO - Good choice for a used car >PASSING TONE - Sound frequently heard near the baked beans at barbecues >BOSSA NOVA - The car your boss drives >STACCATO - How you did all the ceilings in your mobile home. >BACH CHORALE - The place behind the barn where you keep the horses. >12 TONE SCALE - The thing the State Police weigh your truck with. >PERFECT PITCH - The smooth coating on a freshly paved road >CADENZA - The piece of furniture your wife waxes when company comes >RITARD - There's one in every family >QUARTER TONE - What most pickup trucks can haul >WHOLE NOTE - What's due after not paying the mortgage for ninety days. >ARPEGGIO- The puppet whose nose grows when he lies.  1,, Summary-line: 3-Jun jtk@kolvir.arlington.ma.u #Re: bug chess rules Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23465; Thu, 3 Jun 99 21:02:13 EDT Received: from jtk.ne.mediaone.net by MIT.EDU with SMTP id AA16154; Thu, 3 Jun 99 21:02:25 EDT Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.8.8/JTK19980409) id VAA25457; Thu, 3 Jun 1999 21:02:04 -0400 (EDT) Date: Thu, 3 Jun 1999 21:02:04 -0400 (EDT) Message-Id: <199906040102.VAA25457@kolvir.arlington.ma.us> From: John Kohl To: seph@MIT.EDU Cc: jcb@alum.mit.edu, sipb-soc@MIT.EDU In-Reply-To: <199906032202.SAA30632@quiche-lorraine.mit.edu> (message from Joseph Sokol-Margolis on Thu, 03 Jun 1999 18:02:52 EDT) Subject: Re: bug chess rules X-Us-Snail: 8 Lorne Road, Arlington, MA 02476 *** EOOH *** Date: Thu, 3 Jun 1999 21:02:04 -0400 (EDT) From: John Kohl To: seph@MIT.EDU Cc: jcb@alum.mit.edu, sipb-soc@MIT.EDU In-Reply-To: <199906032202.SAA30632@quiche-lorraine.mit.edu> (message from Joseph Sokol-Margolis on Thu, 03 Jun 1999 18:02:52 EDT) Subject: Re: bug chess rules X-Us-Snail: 8 Lorne Road, Arlington, MA 02476 's description matches what I played in high school. One potential alternate rule is no placing of pieces to put king in check (this doesn't sound quite right, I'm sure I used to place pieces to check a king, but it might make an interesting variation). Bug chess, origin of the phrase "I don't care if you sacrifice your queen, trade something for a pawn!" Another interesting variant I've played is "monster pawns". White plays with four pawns and the king. Black has a full set of pieces. Black moves first. White gets two moves for each one move by black. (White can use its king to check black's king, and white's king can move through check as long as it keeps moving and ends its two turns not in check). I forget whether the monster pawns can be promoted upon reaching the eighth rank. (If white gets a monster queen, black is pretty much sunk.) -- ==John Kohl , Write a poem, share your heart! Home page: Note new home zip code as of July 1, 1998: 02476  1,, Summary-line: 4-Jun oakapple2@yahoo.com #Re: Scores Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15966; Fri, 4 Jun 99 06:59:41 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20783; Fri, 4 Jun 99 06:59:13 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id GAA21995; Fri, 4 Jun 1999 06:59:33 -0400 (EDT) Date: Fri, 4 Jun 1999 06:59:33 -0400 (EDT) Message-Id: <19990604105837.11316.rocketmail@web105.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 4 Jun 1999 06:59:33 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Diana Burleigh asked about the Oxford Edition of the Savoy Operas, edited by David Russell Hulme and David Lloyd Jones. Both Hulme and Jones are well-known Sullivan scholars. Hulme wrote his doctoral dissertation on Sullivan's autograph scores. He also prepared performing editions for New Sadler's Wells (RUDDIGORE, PINAFORE) and New D'Oyly Carte (several operas). Jones edited the Ernst Eulenberg miniature score of THE GONDOLIERS. I have many reservations about that edition. However, it is obviously a carefully-edited score, based on authoritative sources, and with a critical apparatus that highlights variant passages. The first Oxford volume is to be RUDDIGORE (ed. Hulme), and supposedly it will include all of the "lost" material (e.g., the cut cost music, "For 35 years...," etc.). It will also open all of the cuts that Geoffrey Toye made for D'Oyly Carte in the 1920s. A full score is to be published initially, with a vocal score and band parts to follow shortly thereafter. It is likely that the full score will be an expensive volume (US$150-$200), but I imagine that the vocal score will be competitively priced. The second Oxford volume will be THE MIKADO (ed. Jones), and the Oxford people *say* that it will come out next year. But, there have already been a number of delays in this project, so I wouldn't set my watch by it. The third Oxford volume will be YEOMEN, with no promised date that I have heard of. > Can we trust these for accuracy or is it an edition made up of > someone's idea of a reconstruction? Given the background of the people who are doing it, I think you can assume that the Oxford volumes will be based on early sources, will be carefully edited, and will reflect a plausible conjecture of what Sullivan would have wanted. At the same time, it must be recognized that every opera has its share of difficult textual problems, and I'm sure that there will be decisions reflected in the Oxford text that some of us will disagree with. At any rate, it will NOT be the version of RUDDIGORE that we are familiar with, because the D'OC accretions will be stripped out. > I think there are other companies doing full scores, any idea if > these are better or worse or? The other project most directly comparable to Oxford is the Broude Edition. Until Oxford & Broude both have editions of the same opera, comparisons will be somewhat besides the point. I am quite sure that the Oxford RUDDIGORE will be better than any RUDDIGORE we have now, and the Broude RUDDIGORE is still some distance away. Broude's next volume is PINAFORE, and Oxford is not known to be actively working on that opera. When the Broude TRIAL came out, Arthur Jacobs (who apparently was an advisor to the Oxford Edition before his death) published a very slanted and derogatory review. He gave a few hints of how the Oxford approach is likely to differ from Broude. One difference is that Broude does a full scholarly edition of *both* the libretto and the music. Jacobs opined that a scholarly edition of the libretto is unnecessary (this ground having already been covered, in his opinion, by others--presumably he meant Ian Bradley). A second difference is that Broude provides a considerably more detailed (although Jacobs considered it anal-retentive) critical apparatus. For example, if the Broude editors supply a missing slur, this fact is clearly signalled in the score and noted in the apparatus. Jacobs believed that it was sufficient to cover these types of editorial activity with a general statement of principles in the introduction. After RUDDIGORE comes out (promised for this fall), it will be possible to compare the two approaches more readily. === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 4-Jun mendes@aigfpc.com #Do you hate chain letters like i do? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29805; Fri, 4 Jun 99 08:54:06 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA01429; Fri, 4 Jun 99 08:54:23 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 10ptTp-0004ZP-00; Fri, 4 Jun 1999 08:53:49 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 4 Jun 1999 08:53:44 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: Do you hate chain letters like i do? Date: Fri, 4 Jun 1999 08:53:43 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , sooz , stevemartin Subject: Do you hate chain letters like i do? Date: Fri, 4 Jun 1999 08:53:43 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations > > < > > > > > > > > I recently received your chain letter. Over 1,000 people > have sent > > > me chain letters, and every one of them has died within six > months, > > > probably from the "Chain Letter Sender's Curse." You will > probably > > > die soon if you experience any of the following symptoms: > > > > > > 1) Tiredness at bedtime, > > > 2) Hunger just before lunch, > > > 3) Inability to remember your license plate number, or > > > 4) Stupidity > > > > > > THE SEVEN BASIC TYPES OF CHAIN LETTERS: > > > > > > > > > CHAIN LETTER TYPE 1: > > > (scroll down) > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Make a wish!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Really, go on and make one!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Oh please.... They'll never go out with you!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Wish something else!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Not that, you moron!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Something else! Quick!!! > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Is your finger getting tired yet? > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > STOP!!!! > > > > > > Wasn't that fun? Hope you made a great wish. > > > > > > Now, to make you feel guilty, here's what I'll do. First of > all, > > > if you don't send this to 5096 people in the next 5 seconds, > you > > > will be attacked by a mad goat and then thrown off a high > building > > > into a pile of manure. > > > > > > It's true! Because, you know, THIS letter isn't like all of > those > > > fake ones, THIS one is TRUE!! > > > > > > Really!!! Here's how it goes: > > > > > > *Send this to 1 person: One person will be mad at you for > sending > > > them a stupid chain letter. > > > > > > *Send this to 2-5 people: 2-5 people will be mad at you for > sending > > > them a stupid chain letter. > > > > > > *5-10 people: 5-10 people will be mad at you for sending them > a > > > stupid chain letter. > > > > > > *10-20 people: 10-20 people will be mad at you for sending > them a > > > stupid chain letter. > > > > > > *20 to 674,951 people: 20 to 674, 951 people will be mad at > you for > > > sending them a stupid chain letter. > > > > > > Thanks!!!! Good Luck!!! > > > > > > > > > CHAIN LETTER TYPE 2: > > > > > > Hello, and thank you for reading this letter. You see, there > is a > > > starving little boy in Baklaliviatatlaglooshen who has no > arms, no > > > legs, no parents, and no goats. This little boy's life could > be > > > saved, because for every time you pass this on, a dollar will > be > > > donated to the Little Starving Legless Armless Goatless Boy > from > > > Baklaliviatatlaglooshen Fund. Remember, we have no way of > counting > > > letters sent and this is all bull. So go on, reach out. > > > > > > Send this to 5 people in the next 47 seconds. Oh, and a > reminder - > > > if you accidentally send this to 4 or 6 people, you will die > > > instantly. > > > > > > Thanks again!! > > > > > > > > > CHAIN LETTER TYPE 3: > > > > > > Hi there!! This chain letter has been in existence since > 1897. > > > This is absolutely incredible because there was no email then > > > and probably not as many little 8-year-olds writing chain > letters. > > > So this is how it works. > > > > > > Pass this on to 15,067 people in the next 7 minutes or > something > > > horrible will happen to you like: > > > > > > STUPID HORROR STORY #1 > > > > > > Miranda Pinsley was walking home from school on Saturday. She > had > > > recently received this letter and ignored it. She then > tripped in > > > a crack in the sidewalk, fell into the sewer, was gushed down > a > > > drainpipe in a flood of poopie, and went flying out over a > waterfall. > > > Not only did she smell nasty, she died. This Could Happen To > You!!! > > > > > > STUPID HORROR STORY #2 > > > > > > Dexter Bip, a 13-year-old boy, got a chain letter in his mail > and > > > ignored it. Later that day, he was hit by a car and so was > his > > > girlfriend. They both died. Their families were so upset that > everyone > > > related to them (even by marriage) went crazy and spent the > rest of > > > their miserable lives in an institution. This Could Happen To > You!!! > > > > > Remember, you could end up like Pinsley and Bip did. Just > send this > > > letter to all of your loser friends, and everything will be > OK. > > > > > > > > > CHAIN LETTER TYPE 4: > > > > > > As if you care, here is a poem that I wrote. Send it to > every one > > > of your friends. > > > > > > Friends > > > > > > A friend is someone who is always at your side > > > A friend is someone who likes you even though you smell like > poop > > > A friend is someone who likes you even though you're > disgustingly > > > ugly > > > A friend is someone who cleans up for you after you've soiled > > > yourself > > > A friend is someone who stays with you all night while you > cry about > > > your loser life > > > A friend is someone who pretends they like you when they > really > > > think you should be attacked by a mad goat and then thrown in > a > > > pile of manure > > > A friend is not someone who sends you chain letters because > he > > > wants his wish of being rich to come true. > > > > > > Now pass this on! If you don't, you'll be eaten by wild > goats. > > > > > > > > > CHAIN LETTER TYPE 5: > > > > > > This e-mail is wicked-cool! It was started by Microsoft to > test its > > > e-mail tracking system because, you know, a big high-tech > company > > > like Microsoft always sends important new software out over > the > > > Internet to be available to any moron who can operate a > computer, > > > right? Plus, they have formed a secret merger with Disney > Corp., who > > > has agreed to give up millions of dollars in revenue by > giving > > > everyone who reads this e-mail, passes it on, looks at it, > knows > > > someone that looked at it, or is related to someone who is a > friend > > > of someone who looks at it A FREE, ALL-EXPENSES-PAID TRIP to > > > Disneyland, DisneyWorld, or EuroDisney! > > > So pass this on to everyone you know that is gullible enough > to > > > believe this (or not)! Even if it's not true, hey insulting > all > > > of your friends by implying that they are gullible by sending > this > > > to them is worth the improbable chance that you could go to > Disneyland! > > > Even if you lose all of your friends because they are tired > of receiving > > > this kind of junk from you, it's worth the chance, right? > And just for > > > good measure, if you don't send this on, Microsoft will send > its > > > specially trained attack-goats to pilfer your house and eat > all of > > > your family, SO SEND IT ON!!!!! > > > > > > > > > CHAIN LETTER TYPE 6: > > > > > > VIRUS WARNING!!! > > > > > > If you receive an email entitled "Badtimes," delete it > immediately. > > > Do not open it. Apparently this one is pretty nasty. It will > not > > > only erase everything on your hard drive, but it will also > delete > > > anything on disks within 20 feet of your computer. It > demagnetizes > > > the stripes on ALL of your credit cards. It reprograms your > ATM > > > access code, messes up the tracking on your VCR and uses > subspace > > > field harmonics to scratch any CDs you attempt to play. It > will > > > re-calibrate your refrigerator's coolness settings so all > your > > > ice cream melts and your milk curdles. It will program your > > > phone AutoDial to call only your mother-in-law's number. So > be > > > careful! Forward this to all of your friends, relatives, > neighbors, > > > family, enemies, plumbers, garbagemen, stock brokers, > doctors, and > > > any other acquaintances! It's for their own good! Thank you. > > > > > > > > > CHAIN LETTER TYPE 7: > > > > > > Here is a cute picture I drew. > > > > > > > > > (\ /) > > > ( \ / ) > > > ( \ / ) > > > ( /<>\ ) > > > ( / \/ \ ) > > > / \ __ > > > ( ) ( ) > > > ~~~~~~~~ -- > > > > > > It is a decapitated angel. Send it on to all of your friends > so it > > > will brighten their day like it did yours! If you don't, > demon- > > > possessed goats will move into your house and eat all of your > socks, > > > leading you to believe that something is wrong with your > washing > > > machine because all of your socks keep disappearing. > > > Have a nice day!!! > > > > > > > > > There. Now that we've covered and dumped on the seven main > types > > > of chain letters, on to the ironic part. In order for this > to get > > > any popularity, send it on!!! If you don't think it was > funny at > > > all, don't bother, but otherwise forward this sucker to > everyone > > > you know!! If you don't, I don't care, but why not show this > around? > > > Take two minutes and forward it. Thanks! > > > > > > Remember, the moral of the story is, if you get a chain > letter, > > > ignore it. > > > > > > If it's a joke or something, send it, sure, but if it's gonna > make1 > > > people feel guilty (i.e., the goatless boy from > > > Baklaliviatatlaglooshen) or nervous (i.e. Miranda Pinsley > who ended > > > up in a waterfall of turds) just delete it. > > > > > > Do yourself (and everyone else in the world) a favor, and > say, > > > > > > "DEATH TO CHAIN LETTERS!!" > > >> > > > > > > OH you guys. Please don't take this personally if you have > sent me > > chain letters. But this is the funniest thing I have read, and > carries > > with it every sentiment I have w/ regard to those nasty FWD's. > Do read > > all of it for the end made me laugh till I had tears running > down my face. > > Tamara came to see what could be so darn funny. > > rr>>  1,, Summary-line: 7-Jun ll77@cornell.edu #I moved! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10390; Mon, 7 Jun 99 23:11:00 EDT Received: from cornell.edu by MIT.EDU with SMTP id AA29606; Mon, 7 Jun 99 23:10:28 EDT Received: from cu-dialup.cornell.edu (D6061.DIALUP.CORNELL.EDU [128.253.157.161]) by cornell.edu (8.8.5/8.8.5) with SMTP id XAA27597; Mon, 7 Jun 1999 23:10:49 -0400 (EDT) Message-Id: <3.0.3.32.19990607231153.006d05e4@postoffice.mail.cornell.edu> X-Sender: ll77@postoffice.mail.cornell.edu X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.3 (32) -- [Cornell Modified] Date: Mon, 07 Jun 1999 23:11:53 -0400 To: digenova@MIT.EDU From: Lucy Subject: I moved! Cc: raffik@MIT.EDU, bschneid@MIT.EDU, cohen@cbl.umces.edu, lah25@cornell.edu, cjsmith@MIT.EDU, goodmanj@MIT.EDU, amei@MIT.EDU, jjwong@earthlink.net, gsp@MIT.EDU, hcchen@ticona.com (Christine), "Gabriel Riopel" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: ll77@postoffice.mail.cornell.edu X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.3 (32) -- [Cornell Modified] Date: Mon, 07 Jun 1999 23:11:53 -0400 To: digenova@MIT.EDU From: Lucy Subject: I moved! Cc: raffik@MIT.EDU, bschneid@MIT.EDU, cohen@cbl.umces.edu, lah25@cornell.edu, cjsmith@MIT.EDU, goodmanj@MIT.EDU, amei@MIT.EDU, jjwong@earthlink.net, gsp@MIT.EDU, hcchen@ticona.com (Christine), "Gabriel Riopel" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hi all, I moved! My new address is: 16 Penny Lane Ithaca, NY 14850-6267 (Okay, the developers were into whimsical names. It could have been worse. The cross street is called Lois Lane...) My phone number is still 607-256-3106. Write! Call! Email! Visit! Whatever! Best wishes, Lucy  1,, Summary-line: 8-Jun mstorie@nwlink.com #Sousa and G&S Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25201; Tue, 8 Jun 99 13:21:22 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11375; Tue, 8 Jun 99 13:21:41 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id NAA27347; Tue, 8 Jun 1999 13:20:56 -0400 (EDT) Date: Tue, 8 Jun 1999 13:20:56 -0400 (EDT) Message-Id: <199906081713.KAA16459@pop.nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: mstorie@nwlink.com (Mike Storie) To: Multiple recipients of list SAVOYNET Subject: Sousa and G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: *** EOOH *** Date: Tue, 8 Jun 1999 13:20:56 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: mstorie@nwlink.com (Mike Storie) To: Multiple recipients of list SAVOYNET Subject: Sousa and G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: I have a vinyl recording of "The new Sousa Band" conducted by Keith Brion with liner notes by John Philip Sousa III, no less. The following is from the liner notes describing "Selections from the Pirates of Penzance (Arr. 1880): "Prior to becoming director of the U.S. Marine Band in 1880, Sousa had been conductor of a long-running Broadway performance of Gilbert and Sullivan's "HMS Pinafore." Arriving in Washington to begin his new position, he found the existing Marine Band library lacking in "up-to-date" music and so he prompptly set about arranging selections from a then-current Broadway hit show called "The Pirates of Penzance." The fine selections include: Pour, O Pour the Pirate Sherry; Here's a first rate opportunity; I am a priate King; Poor wandering one; Major general's song; Ah, leave me not to pine alone; With cat-like tread upon our prey we steal (Containing a tune better known as "Hail, Hail, the gang's all here"); Finale: How beautifully blue the sky and Let us gaily tread the measure." This is on the Bainbridge label as BT6250. It was recorded in London on 8-10 June, 1983. I also have "The Mikado March" on CD from EMI titled "A Grand Sousa Concert." CDC 7 54130 2, by the Nonpareil Wind Band. All of the Sousa arrangements sound exactly like what you would think G&S would sound like if played by John Philip Sousa. You will NOT sleep through "With cat-like tread!" Mike Storie  1,, Summary-line: 8-Jun hcm@inetnow.net #Sousa Mikado March Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13519; Tue, 8 Jun 99 20:45:49 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA02008; Tue, 8 Jun 99 20:46:07 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id UAA08718; Tue, 8 Jun 1999 20:45:39 -0400 (EDT) Date: Tue, 8 Jun 1999 20:45:39 -0400 (EDT) Message-Id: <3.0.1.32.19990607204215.00696f58@mail.inetnow.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: hcm@inetnow.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: hcm To: Multiple recipients of list SAVOYNET Subject: Sousa Mikado March Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0.1 (32) *** EOOH *** Date: Tue, 8 Jun 1999 20:45:39 -0400 (EDT) Reply-To: hcm@inetnow.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: hcm To: Multiple recipients of list SAVOYNET Subject: Sousa Mikado March Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0.1 (32) Anyone wishing to hear what Sousa did with the Mikado March can download the MIDI or listen to a sound clip at the following address: http://www.dws.org/sousa/works.htm This is the Sousa page of the Dallas Wind Symphony. They also have a recording available as well as a short sound clip of the march. Henry Mason  1,, Summary-line: 10-Jun David.Withee@gte.net #FW: RED NECK DRIVERS LICENSE APPLICATION Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05012; Thu, 10 Jun 99 16:48:27 EDT Received: from mail1.gte.net by MIT.EDU with SMTP id AA05642; Thu, 10 Jun 99 16:47:58 EDT Received: from gte.net (1Cust19.tnt8.new-orleans.la.da.uu.net [63.14.237.19]) by mail1.gte.net with SMTP for opus@mit.edu; id PAA13054 Thu, 10 Jun 1999 15:48:22 -0500 (CDT) Message-Id: <199906102048.PAA13054@mail1.gte.net> Date: Thu, 10 Jun 99 15:43:55 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: RED NECK DRIVERS LICENSE APPLICATION Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 10 Jun 99 15:43:55 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: RED NECK DRIVERS LICENSE APPLICATION Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit David, I thought you might like this. It came to us from David's Dad. Love you! Di > > >RED NECK DRIVERS LICENSE APPLICATION > > Last name: __________________________ > > First name: (Check appropriate box) > [_] Billy-Bob [_] Bobby-Sue > [_] Billy-Joe [_] Bobby-Jo > [_] Billy-Ray [_] Bobby-Ann > [_] Billy-Sue [_] Bobby-Lee > [_] Billy-Mae [_] Bobby-Ellen > [_] Billy-Jack [_] Bobby-Beth > > Age: ____ (if unsure, guess) > > Sex: ____ M _____ F _____ Not sure > > Shoe Size: ____ Left ____ Right > > Occupation: > > [_] Farmer [_] Mechanic > [_] Hair Dresser [_] Waitress > [_] Unemployed [_] Dirty Politician > > Spouse's Name: __________________________ > 2nd Spouse's Name: _______________________ > 3rd Spouse's Name: _______________________ > Lover's Name: ____________________________ > 2nd Lover's Name: ________________________ > > Relationship to spouse: > [_] Sister [_] Aunt > [_] Brother [_] Uncle > [_] Mother [_] Son > [_] Father [_] Daughter > [_] Cousin [_] Pet > > Number of children living in household: ___ > Number of children living in shed: ___ > Number that are yours: ___ > > Mother's Name: _______________________ > > Father's Name: _______________________ (If not sure, leave blank) > > Education: 1 2 3 4 (Circle highest grade completed) > > Do you [_] own or [_] rent your mobile home? (Check appropriate box) > > ___ Total number of vehicles you own > ___ Number of vehicles that still crank > ___ Number of vehicles in front yard > ___ Number of vehicles in back yard > ___ Number of vehicles on cement blocks > > Where you keep them firearms: > ____ truck ____ kitchen ____ bedroom > > Model and year of your pickup: ____________ 194_ > > Do you have a gun rack? > [_] Yes [_] No; If no, please explain: >______________________________. > > Newspapers/magazines you read: > [_] The National Enquirer [_] The Globe > [_] TV Guide [_] Soap Opera Digest > [_] Rifle and Shotgun > > ___ Number of times you've seen a UFO > ___ Number of times you've seen Elvis > ___ Number of times you've seen Elvis in a UFO > > How often do you bathe: > [_] Weekly [_] Monthly [_] Not Applicable > > Color of teeth: > [_] Yellow [_] Brownish-Yellow [_] Brown > [_] Black [_] N/A [_] Teeth? > > Brand of chewing tobacco you prefer: > [_] Red-Man > > How far is your home from a paved road? > [_] 1 mile [_] 2 miles [_] don't know [_] paved road? > > >An exasperated mother, whose son was always getting into mischief, >finally asked him, "How do you expect to get into heaven?" > >The boy thought it over and said, "Well, I'll just run in and out and >in and out and keep slamming the door until St. Peter says, 'For >heaven's sake, Jimmy, come in or stay out.'" > >  1,, Summary-line: 10-Jun David.Withee@gte.net #FW: North Vs. South Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06155; Thu, 10 Jun 99 16:51:51 EDT Received: from mail1.gte.net by MIT.EDU with SMTP id AA11221; Thu, 10 Jun 99 16:52:14 EDT Received: from gte.net (1Cust19.tnt8.new-orleans.la.da.uu.net [63.14.237.19]) by mail1.gte.net with SMTP for opus@mit.edu; id PAA07826 Thu, 10 Jun 1999 15:51:48 -0500 (CDT) Message-Id: <199906102051.PAA07826@mail1.gte.net> Date: Thu, 10 Jun 99 15:47:20 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: North Vs. South Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 10 Jun 99 15:47:20 Pacific Daylight Time From: David Withee To: "David C. Jedlinsky" Subject: FW: North Vs. South Mime-Version: 1.0 X-Mail-Agent: An Internet Client 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I thought this was funny too! Di > >Northerners Visiting or Moving to the Southern States: > > If you are from the northern states and planning on visiting or > moving to the South, there are a few things you should know that > will help you adapt to the difference in lifestyles: > > If you run your car into a ditch, don't panic. Four men in a > four-wheel drive pickup truck with a 12 pack of beer and a tow chain > will be along shortly. Don't try to help them, just stay out of their > way. This is what they live for. > > Don't be surprised to find movie rentals and bait in the same > store. Do not buy food at this store. > > Remember, "ya'll" is singular, "all ya'll" is plural, and "all > ya'll's" is plural possessive. > > Get used to hearing "You ain't from around here, are ya?" > > You may hear a Southerner say "Ought!" to a dog or child. This > is short for "Ya'll oughta not do that!" and is the equivalent of > saying "No!" > > Don't be worried at not understanding what people are saying. > They can't understand you either. > > The first Southern expression to creep into a transplanted > Northerner's vocabulary is the adjective "big'ol," as in "big'ol > truck" or big'ol boy." Most Northerners begin their > Southern-influenced dialect this way. All of them are in denial > about it. > > The proper pronunciation you learned in school is no longer > proper. > > Be advised that "He needed killin" is a valid defense here. > > If you hear a Southerner exclaim, "Hey, ya'll, watch this," stay > out of the way. These are likely to be the last words he'll ever > say. > > If there is the prediction of the slightest chance of even the > smallest accumulation of snow, your presence is required at the local > grocery store. It doesn't matter whether you need anything or not. > You just have to go there. > > When you come up on a person driving 15 mph down the middle of the > road, remember that most folks learn to drive on a John Deere, and > that this is the proper speed and position for that vehicle. > > Do not be surprised to find that 10 year olds own their own > shotguns and are proficient marksmen. Or that their mammas taught > them how to aim. > > In the South, we have found that the best way to grow a lush, > green lawn is to pour gravel on it and call it a driveway. > > If you do settle in the South and bear children, don't think we will > accept them as Southerners. After all, if the cat had kittens in the > oven, we wouldn't call 'em biscuits. > >  1,, Summary-line: 11-Jun dontull@slip.net #Re: Hemiolas Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27551; Fri, 11 Jun 99 03:26:07 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA15251; Fri, 11 Jun 99 03:25:40 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.8.7/8.8.3) with SMTP id DAA29630; Fri, 11 Jun 1999 03:25:53 -0400 (EDT) Date: Fri, 11 Jun 1999 03:25:53 -0400 (EDT) Message-Id: <3760B66E.45E63205@slip.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@slip.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Hemiolas Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.51 [en] (Win98; I) *** EOOH *** Date: Fri, 11 Jun 1999 03:25:53 -0400 (EDT) Reply-To: dontull@slip.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Hemiolas Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.51 [en] (Win98; I) It strikes me that trying to make the case for a hemiola in "Ah, leave me not" is stretching things a bit too far. My understanding of the purpose of a hemiola is to throw the musical balance off by forcing three equal accents in a space in which there would normally only be two: 1 2 3 1 2 3 1 2 1 2 1 2 In a normal 3/4 measure, there is one primary accent on the first beat, so that in the top set of numbers there are two equal beats (the 1's) in six pulses. In the bottom example, there are three equal beats in six pulses, thereby throwing the balance of the music off in a foreshortening of the rhythmic structure for a brief, usually two measure pattern. If one were to sing the words in measures 5 & 6 with three equal beats, I think that most listeners would perceive the stresses as very mechanical: "mine, No hap - pi - ness so great 1 2 1 2 1 2 1 I seriously doubt that Sullivan had this in mind in his rather delicate setting of these words. To my ear, a good singer who is sensitive to the words would carefully lift off of "mine" so that the phrase did not end with a 'clunk' and then aim to unaccent "No" so that the main stress (gently) would land on what I would simply call an extended syncopation of "hap-". After which he/she would take great care to glide as unaccentedly as possible through "pi-ness" and come to rest with a slight nudge on "great". (Sorry if this seems a bit fussy).For me this would begin to have the semblance of a musically delivered phrase, all other things being equal. Simply put, a hemiola should have the conscious intent of setting the listener off balance. Here I think that Sullivan simply strove to elongate by syncopation the word which he most favored in the phrase. And by doing so, he left us with a more artful musical phrase rather than a straight 3/4 mundane one. Cheers, Don Tull Pmeason@aol.com wrote: > Specially for Helga, but possibly of general interest as there was some > discussion of the subject a few months ago. > > I found the perfect example of a Hemiola in the Canon ... much better than > the Ida example ... Pirates - "Ah Leave me not to pine alone". > > Counting from where the voice part enters, bars 5 and 6. Written as 2 bars > of 3/4, but clearly to be sung and stressed as 3 bars of 2/4 - the exact > textbook definition. Same in 2nd verse. > > Peter Meason  1,, Summary-line: 11-Jun mendes@aigfpc.com #FW: TGIF Funnies.... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27073; Fri, 11 Jun 99 09:20:13 EDT Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA14054; Fri, 11 Jun 99 09:20:34 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10sRDp-0003jJ-00; Fri, 11 Jun 1999 09:19:49 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 11 Jun 1999 09:19:48 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: TGIF Funnies.... Date: Fri, 11 Jun 1999 09:19:45 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , Dan J , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: TGIF Funnies.... Date: Fri, 11 Jun 1999 09:19:45 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Thanks, Eitan! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > QUOTABLE QUOTES > > > > I stopped believing in Santa Claus when my mother took me to see him > > in a department store, and he asked for my autograph. --Shirley > > Temple > > > > > > I know that there are people in this world who do not love their > > fellow man, and I hate people like that! --Tom Lehrer > > > > I was going to buy a copy of The Power of Positive Thinking, and > then > > I thought: What good would that do? --Ronnie Shakes > > > > It is difficult to produce a television documentary that is both > > incisive and probing when every twelve minutes one is interrupted by > > dancing rabbits singing about toilet paper. --Rod Serling > > > > Somewhere on this globe, every ten seconds, there is a woman giving > > birth to a child. She must be found and stopped. --Sam Levenson > > (1911-1980) > > > > Television - a medium. So called because it is neither rare nor > > well-done. --Ernie Kovacs > > > > Always remember this: If you don't attend the funerals of your > > friends, they will certainly not attend yours. --H.L. Mencken > > > > A good novel tells us the truth about its hero; but a bad novel > tells > > us the truth about its author. --G. K. Chesterton (1874-1936) > > > > Thus the metric system did not really catch on in the United States, > > unless you count the increasing popularity of the nine milimeter > > bullet. --Dave Barry > > > > This isn't right. It isn't even wrong. --Wolfgang Pauli, on a paper > > submitted by a physicist colleague > > > > Today you can go to a gas station and find the cash register open > and > > the toilets locked. They must think toilet paper is worth more than > > money. --Joey Bishop > > > > The trouble with being punctual is that nobody's there to appreciate > > --Franklin P. Jones > > > > Red meat is NOT bad for you. Now, blue-green meat, that's REALLY BAD > > for you. --Tommy Smothers > > > > When you go into court you are putting your fate into the hands of > > twelve people who weren't smart enough to get out of jury duty. > > --Norm Crosby > > > > The imaginary friends I had as a kid dropped me because their > friends > > thought I didn't exist. --Aaron Machado > > > > I told the doctor I broke my leg in two places. He told me to quit > > going to those places. --Henny Youngman > > > > It matters not whether you win or lose; what matters is whether I > win > > or lose. --Darrin Weinberg > > > > Remember that as a teenager you are in the last stage of your life > in > > which you will be happy to hear that the phone is for you. --Fran > > Lebowitz >  1,, Summary-line: 12-Jun mlcar@MIT.EDU #Re: jedlinski Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02319; Sat, 12 Jun 99 09:32:59 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id JAA10245; Sat, 12 Jun 1999 09:32:59 -0400 (EDT) Received: from mlcar (jrcarroll.ne.mediaone.net [24.128.202.2]) by melbourne-city-street.MIT.EDU (8.9.2/8.9.2) with SMTP id JAA07906; Sat, 12 Jun 1999 09:32:58 -0400 (EDT) Message-Id: <3.0.2.32.19990612093242.009b0920@hesiod> X-Sender: mlcar@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.2 (32) Date: Sat, 12 Jun 1999 09:32:42 -0400 To: Oldfife@aol.com From: Marion Leeds Carroll Subject: Re: jedlinski Cc: opus@mit.edu In-Reply-To: <8cd9ff70.2492fcb5@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: mlcar@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.2 (32) Date: Sat, 12 Jun 1999 09:32:42 -0400 To: Oldfife@aol.com From: Marion Leeds Carroll Subject: Re: jedlinski Cc: opus@mit.edu In-Reply-To: <8cd9ff70.2492fcb5@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 07:58 PM 6/11/99 EDT, Bill wrote: >i have taken david jed out of the mail list (if he was ever in it) probably >because he hasn't paid for a few years. but he says he *did*! - but that his check hasn't been cashed. What now? Ope, can you maybe stop the check and send another one? - to NEGASS c/o Bill Mahoney, PO box 367, Arlington, MA 02476-0004. We had a problem a year or so ago with a - er - a *confused* treasurer - but that is over and gone, and the darkness has passed... i keep people in for a much longer >time than they deserve but once they are out of the data base they are not to >be retrieved. the memory is erased. as is mine. btw. my fantasy is to hear on >piano if nothing else some music from the hot mikado of 1939. i just picked >up the music today. should i contact eric? luv > Sure - contact Eric - I'm sure he'd love to play it! -- Marion Marion Leeds Carroll mlcar@mit.edu day: (617) 258-5810 eve: (781)646-9115 http://web.mit.edu/mlcar/Public/www/mlcarroll.html  1, edited,, Summary-line: 12-Jun houptm@emmanuel.edu #Annie Video Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04730; Sat, 12 Jun 99 18:00:02 EDT Received: from billiart.emmanuel.edu by MIT.EDU with SMTP id AA21124; Sat, 12 Jun 99 17:59:33 EDT Message-Id: Date: Sat, 12 Jun 1999 17:56:39 -0400 Subject: Annie Video To: opus@MIT.EDU From: houptm@emmanuel.edu (Megan A. Houpt) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit *** EOOH *** Date: Sat, 12 Jun 1999 17:56:39 -0400 Subject: Annie Video To: opus@MIT.EDU From: houptm@emmanuel.edu (Megan A. Houpt) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Hey Opus, The Annie video party was fun. I ended up only being there for twenty minutes as I had a surprise visit from my folks. Anyway, the money is in the mail. Here is the updated list. Plus, Kathleen O'Neil had wanted a video so if you could make one more that would be great. Thanks again so much for doing all of this. See you on Thursday evening at the Louise thing. :o) Megs # Name Contact info Email Paid Has Video 5 Turells 524-0785 no email Paid yes 1 Maureen O'Neil 732-3466 oneilma@emmanuel.edu Paid yes 1 Ben Boehm 232-3257 ext. 2200 bencoolb@mit.edu Paid yes 1 Sarah Consentino 739-7024 consensa@emmanuel.edu Paid yes 1 Sarah Ellis 732-1726 elliss@emmanuel.edu no no 1 Maria Spinale 776-5143 spinalma@emmanuel.edu Paid yes 1 Adrienne Jerome (978) 251-4199 adriennej@juno.com Paid no 1 Remis (781) 581-1204 dsridea@aol.com Paid yes 1 Josh Breindel 629-2787 joshua@brandeis.edu no no 1 Becca 731-3998 rac@bu.edu Paid yes 1 Megan Houpt 732-1687 houptm@emmanuel.edu Paid yes 1 Jenna Wilkinson 732-1641 wilkinj@emmanuel.edu Paid yes 1 Joe Lourenco 625-4252 funny614@aol.com Paid yes 1 Penny Bourgeois 822-9544 no email Paid no 1 Cheryl Meads 732-3424 meadsc@emmanuel.edu no no 1 Amanda Smerage out of date #asmerage@bu.edu Paid no 1 Jason Whiting 232-2480 orjazzem@hotmail.com Paid yes 1 Rachel Breed Janssen Paid yes 1 Christie Dolan Paid yes 1 Louise Cash Into the Woods no no 1 Louise Cash Annie no no 1 Scott Gagnon Paid yes 1 Christina Tridenti no no 1 Kathleen ONeil Paid yes The video's of people who have paid will be going out in the mail in the next couple of days and I will be harassing those who haven't paid yet and I will get them to get the money to you. I hope you were able to enjoy this beautiful weekend and if you have questions email or call me. Talk to you soon :o)  1,, Summary-line: 12-Jun meadsc@emmanuel.edu #Re: Annie Video Party Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20644; Sat, 12 Jun 99 23:05:21 EDT Received: from billiart.emmanuel.edu by MIT.EDU with SMTP id AA13538; Sat, 12 Jun 99 23:04:52 EDT Message-Id: Date: Sat, 12 Jun 1999 23:01:53 -0400 Subject: Re: Annie Video Party To: houptm@emmanuel.edu Cc: joshua@brandeis.edu, blouinka@emmanuel.edu, bencoolb@MIT.EDU, consensa@emmanuel.edu, devinek@emmanuel.edu, elliss@emmanuel.edu, dumasje@emmanuel.edu, fordm@emmanuel.edu, gouveil@emmanuel.edu, aseret@alum.mit.edu, houptm@emmanuel.edu, funny614@aol.com, dennisjet@aol.com, mahanw@emmanuel.edu, meadsc@emmanuel.edu, opus@MIT.EDU, corvallis@gis.net, asmerage@bu.edu, spinalma@emmanuel.edu, tridentc@emmanuel.edu, tobinj@emmanuel.edu, nickw@MIT.EDU, wilkinj@emmanuel.edu, lcash@110.net, scott@hup.harvard.edu, rac@bu.edu, orjazzem@hotmail.com From: meadsc@emmanuel.edu (Cheryl K. Meads) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit *** EOOH *** Date: Sat, 12 Jun 1999 23:01:53 -0400 Subject: Re: Annie Video Party To: houptm@emmanuel.edu Cc: joshua@brandeis.edu, blouinka@emmanuel.edu, bencoolb@MIT.EDU, consensa@emmanuel.edu, devinek@emmanuel.edu, elliss@emmanuel.edu, dumasje@emmanuel.edu, fordm@emmanuel.edu, gouveil@emmanuel.edu, aseret@alum.mit.edu, houptm@emmanuel.edu, funny614@aol.com, dennisjet@aol.com, mahanw@emmanuel.edu, meadsc@emmanuel.edu, opus@MIT.EDU, corvallis@gis.net, asmerage@bu.edu, spinalma@emmanuel.edu, tridentc@emmanuel.edu, tobinj@emmanuel.edu, nickw@MIT.EDU, wilkinj@emmanuel.edu, lcash@110.net, scott@hup.harvard.edu, rac@bu.edu, orjazzem@hotmail.com From: meadsc@emmanuel.edu (Cheryl K. Meads) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Hi Meegs, I am sorry that I wasn't able to attend the party :( I have been swamped with vacations and work! I would like to ask you if you could get my tape for me and I will certainly pay you the next time I see you. I would really appreciate it. I don't check this email as often as I would like, but, if you would like to call me, you can surely feel free to. Actually, if you could do that and let me know if that's o.k. I would really appreciate it, I don't want the chance to get a video pass me by. It's just really difficult for me to get to Boston to get the video. Thanks Meegs. I appreciate it! With Regards, Cheryl  1, forwarded,, Summary-line: 14-Jun CJ@sftlaw.com #The 1999 Darwin Awards Are In! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24107; Mon, 14 Jun 99 09:07:05 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA21400; Mon, 14 Jun 99 09:06:33 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Mon, 14 Jun 1999 09:08:13 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Mon, 14 Jun 1999 09:07:50 -0400 From: "Cynthia J. Mallion" To: Cc: , Subject: The 1999 Darwin Awards Are In! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Mon, 14 Jun 1999 09:07:50 -0400 From: "Cynthia J. Mallion" To: Cc: , Subject: The 1999 Darwin Awards Are In! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline For those of you who wouldn't otherwise see these gems.... ** *** ** ** * * ** * ** * *** * * * ** * * * ** * * The true high point of the e-mail year has arrived. Yes it is the 1999 Darwin Awards. For those sheltered few of you who are not fully aware of the Darwin Awards, these awards are given annually (and posthumously) to those individuals who did the most for the human gene pool by removing themselves from it. DARWIN AWARD RUNNERS-UP: #1 - LOS ANGELES, CA. Ani Saduki, 33, and his brother decided to remove a bees' nest from a shed on their property with the aid of a pineapple. A pineapple is an illegal firecracker which is the explosive equivalent of one-half stick of dynamite. They ignited the fuse and retreated to watch from inside their home, behind a window some 10 feet away from the hive/shed. The concussion of the explosion shattered the window inwards, seriously lacerating Ani. Deciding Mr. Saduki needed stitches, the brothers headed out to go to a nearby hospital. While walking towards their car, Ani was stung three times by the surviving bees. Unbeknownst to either brother, Ani was allergic to bee venom, and died of suffocation en-route to the hospital. #2 - Derrick L. Richards, 28, was charged in April in Minneapolis with third-degree murder in the death of his beloved cousin, Kenneth E. Richards. According to police, Derrick suggested a game of Russian roulette and put a semiautomatic pistol (instead of the more traditional revolver) to Ken's head and fired. #3 - PHILLIPSBURG, NJ. An unidentified 29 year old male choked to death on a sequined pastie he had orally removed from an exotic dancer at a local establishment. "I didn't think he was going to eat it," the dancer identified only as "Ginger" said, adding "He was really drunk." #5 - MOSCOW, Russia. A drunk security man asked a colleague at the Moscow bank they were guarding to stab his bulletproof vest to see if it would protect him against a knife attack. It didn't, and the 25-year-old guard died of a heart wound. (It's good to see the Russians getting into the spirit of the Darwin Awards.) #6 - In FRANCE, Jacques LeFevrier left nothing to chance when he decided to commit suicide. He stood at the top of a tall cliff and tied a noose around his neck. He tied the other end of the rope to a large rock. He drank some poison and set fire to his clothes. He even tried to shoot himself at the last moment. He jumped and fired the pistol. The bullet missed him completely and cut through the rope above him. Free of the threat of hanging, he plunged into the sea. The sudden dunking extinguished the flames and made him vomit the poison. He was dragged out of the water by a kind fisherman and was taken to a hospital, where he died of hypothermia. #7 - RENTON, WASHINGTON, USA. A Renton, Washington man tried to commit a robbery. This was probably his first attempt, as suggested by the fact that he had no previous record of violent crime, and by his terminally stupid choices as listed below: 1. The target was H&J Leather & Firearms...a gun shop. 2. The shop was full of customers, in a state where a substantial portion of the adult population is licensed to carry concealed handguns in public places. 3. To enter the shop, he had to step around a marked Police patrol car parked at the front door. 4. An officer in uniform was standing next to the counter, having coffee before reporting to duty. Upon seeing the officer, the would-be robber announced a holdup and fired a few wild shots. The officer and a clerk promptly returned fire, removing him from the gene pool. Several other customers also drew their guns, but didn't fire. No one else was hurt. AND THE 1998 DARWIN AWARD WINNER IS..... THOMPSON, MANITOBA, CANADA. Telephone relay company night watchman Edward Baker, 31, was killed early Christmas morning by excessive microwave radiation exposure. He was apparently attempting to keep warm next to a telecommunications feed-horn. Baker had been suspended on a safety violation once last year, according to Northern Manitoba Signal Relay spokesperson Tanya Cooke. She noted that Baker's earlier infraction was for defeating a safety shut-off switch and entering a restricted maintenance catwalk in order to stand in front of the microwave dish. He had told coworkers that it was the only way he could stay warm during his twelve-hour shift at the station, where winter temperatures often dip to forty below zero. Microwaves can heat water molecules within human tissue in the same way that they heat food in microwave ovens. For his Christmas shift, Baker reportedly brought a twelve pack of beer and a plastic lawn chair, which he positioned directly in line with the strongest microwave beam. Baker had not been told about a tenfold boost in microwave power planned that night to handle the anticipated increase in holiday long-distance calling traffic. Baker's body was discovered by the daytime watchman, John Burns, who was greeted by an odor he mistook for a Christmas roast he thought Baker must have prepared as a surprise. Burns also reported to NMSR company officials that Baker's unfinished beers had exploded.  1,, Summary-line: 16-Jun CJ@sftlaw.com #redneck engineering test Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29122; Wed, 16 Jun 99 09:45:41 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA15874; Wed, 16 Jun 99 09:46:05 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Wed, 16 Jun 1999 09:46:51 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Wed, 16 Jun 1999 09:46:28 -0400 From: "Cynthia J. Mallion" To: Cc: , Subject: redneck engineering test Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Wed, 16 Jun 1999 09:46:28 -0400 From: "Cynthia J. Mallion" To: Cc: , Subject: redneck engineering test Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline =20 1. Calculate the smallest limb diameter on a persimmon tree that will support a 10 lb. possum. 2. Which of the following cars will rust out the quickest when placed on blocks in your front yard?=20 A) 66 Ford Fairlane B) 69 Chevrolet Chevelle C) 64 Pontiac GTO 3. If your uncle builds a still that operates at a capacity of 20 gallons of shine per hour, how many car radiators are necessary to condense the product? 4. A pulpwood cutter has a chain saw that operates at 2700 rpm. The density of the pine trees in a plot to be harvested is 470 per acre.The plot is 2.3 acres in size. The average tree diameter is 14 inches. How many Pabst Blue Ribbons will be consumed in cutting the trees? 5. If every old refrigerator in the state vented its charge of R-12 simultaneously, what would be the decrease in the ozone layer? 6. A front porch is constructed of 2x8 pine on 24-inch centers with a field rock foundation. The span is 8 feet and the porch length is 16 feet. The porch floor is1 inch rough sawn pine. When the porch collapses, how many hound dogs will be hurt? 7. A man owns a house and 3.7 acres of land in a hollar with an average slope of 15%. The man has 5 children. Can each of the children place a mobile home on the man's land? 8. A 2 ton pulpwood truck is overloaded and proceeding down a steep grade on a secondary road at 45 mph. The brakes fail. Given the average traffic loading of secondary roads, how many people will swerve to avoid the truck before it crashes at the bottom of the = mountain?=20 For extra credit----, how many of the vehicles that swerved will have = mufflers and uncracked windshields? 9. A coal mine operates as an NFPA Class 1, Division 2 Hazardous Area. The mine employs 120 miners per shift. A gas warning is issued at the beginning of 3rd shift. How many cartons of unfiltered Camels will be smoked during the shift? 10. How many generations will it take before cattle develop two legs shorter than the others because of grazing along a mountain side?  1,, Summary-line: 29-Jun mendes@aigfpc.com #FW: LATEST BUMPER STICKERS Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22966; Tue, 29 Jun 99 16:03:54 EDT Received: from relay1.smtp.psi.net by MIT.EDU with SMTP id AA20085; Tue, 29 Jun 99 16:03:07 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay1.smtp.psi.net with esmtp (Exim 1.90 #1) id 10z46G-0005Oj-00; Tue, 29 Jun 1999 16:03:24 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 29 Jun 1999 16:03:19 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: LATEST BUMPER STICKERS Date: Tue, 29 Jun 1999 16:03:18 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Cc: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , NEFF , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: LATEST BUMPER STICKERS Date: Tue, 29 Jun 1999 16:03:18 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > GUYS: No shirt, no service. GALS: No shirt, no charge. > > If walking is so good for you, then why does my mailman look like > Jabba > the Hut?? > > Impotence: Nature's way of saying "No hard feelings" > > I didn't fight my way to the top of the food chain to be a vegetarian. > > We have enough youth, how about a fountain of smart? > > Axe me about Ebonics > > Boldly going nowhere > > Cat: The other white meat > > CAUTION - Driver legally blonde > > Don't be sexist - broads hate that! > > Eat Well, Stay Fit, Die Anyway > > He's not dead, He's electroencephalographically challenged > > If at first you don't succeed, skydiving is not for you > > If you can't dazzle them with brilliance, riddle them with bullets > > If you lived in your car, you'd be home by now > > WARNING! Driver only carries $20.00 in ammunition > > What has four legs and an arm? A happy pit bull > > Your ridiculous little opinion has been noted. > > Save the trees ... Wipe your butt with an owl. > > Necrophilia: That uncontrollable urge to crack open a cold one. > > Honk if you've never seen an Uzi fired from a car window > > Seen on the back of a biker's vest: If you can read this, my wife fell > off. > > If you can beat me, you can eat me! (seen on a Corvette driven by a > "drop-dead gorgeous blonde") > > Who lit the fuse on your tampon?! (men saying this are known to die a > violent death) > > Fight Crime: Shoot Back! > > If you can read this, please flip me back over... (seen upside down, > on > a Jeep) > > Please tell your pants it's not polite to point. > > A pat on the back is only a few centimeters from a kick in the ass. > > Never raise your hands to your kids; it leaves your groin unprotected. > > Feel safe tonight ... Sleep with a cop. > > Remember folks: Stop lights timed for 35mph are also timed for 70mph  1,, Summary-line: 30-Jun rac@bu.edu #Re: Warning about geocities Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27635; Wed, 30 Jun 99 10:40:51 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA22753; Wed, 30 Jun 99 10:41:25 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with SMTP id KAA57416 for ; Wed, 30 Jun 1999 10:40:50 -0400 Date: Wed, 30 Jun 1999 10:40:50 -0400 (EDT) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Warning about geocities In-Reply-To: <199906291748.NAA05836@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 30 Jun 1999 10:40:50 -0400 (EDT) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Warning about geocities In-Reply-To: <199906291748.NAA05836@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I really don't like the sound of that. I wonder what my other options are? :o( On Tue, 29 Jun 1999, David C. Jedlinsky wrote: > > You might want to be careful with your geocities account until > (unless) this gets cleared up: > > http://www.wired.com/news/news/technology/story/20472.html > > Speaking personally, I wouldn't agree to the new contract. > > -Dave >  1,, Summary-line: 30-Jun rac@bu.edu #Re: Warning about geocities Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06003; Wed, 30 Jun 99 11:04:48 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA24667; Wed, 30 Jun 99 11:04:08 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with SMTP id LAA78380 for ; Wed, 30 Jun 1999 11:04:46 -0400 Date: Wed, 30 Jun 1999 11:04:46 -0400 (EDT) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Warning about geocities In-Reply-To: <199906291748.NAA05836@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 30 Jun 1999 11:04:46 -0400 (EDT) From: "Rebecca A. Consentino" To: "David C. Jedlinsky" Subject: Re: Warning about geocities In-Reply-To: <199906291748.NAA05836@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII OK, so I have a question. If I wanted to take the Theater Guild web site and save it to, say, a ZIP disk, what is the easiest way to do that? Is there a way to make it work from the ZIP disk? I'm thinking that we'll probably want to put that on the emmanuel.edu site at some point anyway... Thanks for the warning. I hope my mom didn't already agree to that information! But she probably did... :o/ Becca On Tue, 29 Jun 1999, David C. Jedlinsky wrote: > > You might want to be careful with your geocities account until > (unless) this gets cleared up: > > http://www.wired.com/news/news/technology/story/20472.html > > Speaking personally, I wouldn't agree to the new contract. > > -Dave >  1, edited,, Summary-line: 2-Jul LISTSERV@CUNYVM.CUNY.EDU #FERRET-L Digest - 1 Jul 1999 to 2 Jul 1999 (#1999-2728) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18050; Fri, 2 Jul 99 04:02:26 EDT Received: from listserv.cuny.edu by MIT.EDU with SMTP id AA01014; Fri, 2 Jul 99 04:02:57 EDT Message-Id: <9907020802.AA01014@MIT.EDU> Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <1.FEB13344@listserv.cuny.edu>; Fri, 2 Jul 1999 4:06:57 -0400 Date: Fri, 2 Jul 1999 04:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 1 Jul 1999 to 2 Jul 1999 (#1999-2728) To: Recipients of FERRET-L digests *** EOOH *** Date: Fri, 2 Jul 1999 04:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 1 Jul 1999 to 2 Jul 1999 (#1999-2728) To: Recipients of FERRET-L digests Date: Thu, 1 Jul 1999 22:28:09 EDT From: Beth Comarow Subject: Dr. Weiss' Lupron, Casodex and Arimidex Protocols Available for Your Vets Dr. Weiss gave me a protocol sheet to type up called "Medical Treatment of Hyperadrenocorticism in the Ferret." He wrote it for all of the veterinarians who have been calling about lupron and the two other drugs he used in his study to treat adrenal tumors in non-surgical candidates. This sheet contains the 3 protocols he uses. The study has been completed and submitted to a journal but has not yet been published so is not available. However, he does not want to withhold information that may help treatment of ferrets. He has been able to locate a pharmacy with an 800 number which will compound lupron into 1-ferret sized 4-month doses (2 mg/ferret). That means a veterinarian no longer has to buy a human sized dose (30 mg) which is far more costly. The pharmacy number is listed on the sheet. The 2 mg 4-month dose comes in two vials - a liquid and a powder. They can be stored indefinitely until mixed. Once mixed they should be used immediately. There has been some confusion over the 1-month versus 4-month lupron. Giving more of the 1-month lupron will not make it last longer. The microspheres are time release (think of your Contact cold capsules, but the release being over a longer period) and will dissolve after 1 month, no matter how much is given. The 4-month dose ends up being less expensive as well. It will sometimes last for 6+ months. I spoke with a shelter director recently; her two ferrets who participated in the study are 6 1/2 months past their first lupron injection, and there has been no return of symptoms so far. If you would like me to send you a copy of the two-page protocol, please email me privately, and let me know if you want it in an email, attached in a Word document, or attached in a WordPerfect document. Dr. Weiss is receiving huge numbers of calls about the study, and is also faxing this same information out to veterinarians. Of course, should your veterinarians need information beyond what is on the sheet, they may call him. The pharmacy that he has located is familiar with the protocol; he has spoken with all three pharmacists, and they are used to shipping all over the country. Again, please email me privately to receive a copy. All the best - Beth + Miska + Pads + Gabby + Smudge + David  1,, Summary-line: 2-Jul r-despard@ruddigore.frees #Shock - Gilbert into bestiality! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18120; Fri, 2 Jul 99 13:10:54 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11226; Fri, 2 Jul 99 13:11:28 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id NAA24856; Fri, 2 Jul 1999 13:10:51 -0400 (EDT) Date: Fri, 2 Jul 1999 13:10:51 -0400 (EDT) Message-Id: <000501bec4ad$5cea5540$f655883e@unet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Shock - Gilbert into bestiality! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Fri, 2 Jul 1999 13:10:51 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Shock - Gilbert into bestiality! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 Historian and author Dr. Henri Pleine-de-Merde today published his extensive research into Victorian theatre and the sex lives of Victorian playwrights, with the shocking news that Sir William Schwenk Gilbert, author of the Bab Ballads and the lyrical half of Gilbert and Sullivan, enjoyed sexual relations with cats. Dr. Pleine-de-Merde explained: "There are hundreds of coded references to his sexual preferences in the Savoy operas. The evidence is overwhelming. For instance:- "1) In 'HMS Pinafore', there is the exchange:- "CHORUS: Goodness me, why what was that? "DEADEYE: Silent be, it was the cat! "CHORUS: It was, it was the cat! "CAPTAIN (brandishing cat'o'nine-tails): They're right, it was the cat! "The sexual symbolism of the whip is obvious. Also, Deadeye's second word is 'be', which can be interpreted as an abbreviation for 'bestiality'. "2) In 'Patience', Bunthorne 'has to be contented with a tulip or lily'. It is believed that Tulip and Lily were two cats who belonged to the next-door-neighbour of Gilbert's mother when she was a child. "3) In 'Yeomen Of The Guard', Wilfred's cut song 'When Jealous Torments' refers to 'the cat you fondle, soft and sly'. The thinly-veiled meaning is easily discerned, and explains why the song was cut from the opera - it was just too steamy for Victorian audiences. "Also, there is evidence from Gilbert's private life:- "4) He called his wife 'kitten'. I need say no more. "5) Whenever Gilbert was photographed, he always wore a pocket watch with a chain. The shape a chain forms when hanging freely with both ends fixed is known as a catenary, the first three letters of which are 'cat'. "One must wait and see whether the appeal of Gilbert's works will survive such a devastating revelation," Dr. Pleine-de-Merde concluded. Mike. "The wicked baronet of sensational fiction, and it serves him right"  1,, Summary-line: 2-Jul lsimons@mail.usa.com #Mikado Full Score Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09087; Fri, 2 Jul 99 19:07:44 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA25821; Fri, 2 Jul 99 19:07:01 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id TAA04465; Fri, 2 Jul 1999 19:07:41 -0400 (EDT) Date: Fri, 2 Jul 1999 19:07:41 -0400 (EDT) Message-Id: <990702190147D9.01712@weba4.iname.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lsimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: lsimons@mail.usa.com To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score Mime-Version: 1.0 Content-Type: Text/Plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 2 Jul 1999 19:07:41 -0400 (EDT) Reply-To: lsimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: lsimons@mail.usa.com To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score Mime-Version: 1.0 Content-Type: Text/Plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Many thanks to all the people who have replied to me both privately and publicly with comments, encouragement and/or advice. I really wasn't thinking straight when I contemplated posting the page-images on the forum: the zip-file of just the Overture is almost half a meg (and that's only scanned at 200dpi - I intend to re-scan the whole thing at 300dpi which will produce clearer and more detailed images but will naturally make the zip-file even bigger still!). I wouldn't want to upset all those poor devils who have to endure life without Yum-Yum AND don't want to receive their very own free full score, so I have finally decided that I am going to make the zip-files available on my own mini-BBS for a limited time for anyone who wants to take the trouble to call in and download them: watch this space for access details to follow! They will be in PCX format, which everyone can print (at least everyone who runs Windows!) - not everyone has the necessary software to handle PDF's or EPS's, but all Windows users have either PaintBrush (Windows 3.x) or Paint (Windows 4.x alias 95 & 98). One word of war! ni! ! ! ng: the pages are formatted for European A4 paper (approx. 11.7 x 8.3 inches) and might not quite fit on US "letter" paper which is only 11 inches long without a minimal scaling down. I was surprised how many people worked out what "TLM" stands for (perhaps I shouldn't have been though) and well, almost, Philip Sternenberg of Bergenfield NJ (private message) - actually my three stepdaughters (more precisely my ex-significant-other's daughters) Rosie, Heather & Ruthie. For those who are interested (and even for those who aren't!), this is the background behind my Mikado score. A-many years ago I was after a full score and couldn't get one anywhere (I only discovered afterwards that Kalmus have one on sale, but more of that later). I too have read that Bosworth issued one but I've been unable to locate a copy (although I was offered sight of a German version by Bosworth ca. 1920 - I didn't bother!). I soon found that the D'Oyly Carte Opera Company were only pleased to HIRE me a score AND parts - for a price, ditto ditto Chappell, Schirmer and others. But their prices were all far too high and, in any case, I am uneasy about the musical provenance of all the scores/parts other than DC's and possibly Chappell's. Marc Shepherd tells me (private message) that the Kalmus edition is a reproduction of Bosworth's edition of 1894, but I have actually spoken to Kalmus and they themselves were unable to confirm the origin of the material. Bear i! n ! ! ! mind the amount of piracy that went on with G&S music in their own time, particularly in the US where our pair were very popular and the copyright position was, to say the least, ambiguous. Then I discovered that the library of the Royal Academy of Music had allowed the autograph (one of their most treasured possessions) to be photographed and published in facsimile all the way back in 1968 (by a publishing house called Gregg International, who seem to have sunk without trace!). Well, both Gilbert and Sullivan are long out of copyright and, indeed, even the facsimile edition is too now (apart from the text of the short "Introduction" by Gordon Jacob). I could do what I liked with the facsimile and beggar DC! So I obtained a copy from a public library and - well, the rest is history. Oh, and in answer to the many people who have enquired, I use Finale (currently version 98d). I know that OUP will be releasing a new edition (based, like mine, on the autograph) next year and the new Dover edition (apparently also a reproduction of the same score as Kalmus') will not be available here in the UK until November although it has already gone on sale in the States, so it IS true to say that it is not CURRENTLY available (here)! The Dover score will apparently retail at about 15 UKP, by the way, which is astonishing when you compare the price of the Kalmus score - 170 UKP!!! The reason why this music is so hard to purchase (if you even can) is all too obvious: DC still own the original orchestral material and have never allowed it to be published, because they find hiring it out far more lucrative! My late father used to say that a certain very ancient *profession* makes very sound business sense, because you've got it - you sell it - but you've still got it! Now a couple of individual replies---- To Helga Perry, Music Department, University of Birmingham: Precisely which "variants" in the Act I Finale are you referring to? The only variant I noticed is that Nanki-Poo has "Oh, rapture!" (on the 2nd, 3rd and 4th quavers of the bar and all on B-flat) in bar 64 and Yum-Yum has the same in bar 66. *Authentic* means that it has been faithfully re-scored from Sullivan's (and Hamilton Clarke's) own handwriting, while remaining consistent with current Vocal Scores - e.g. Ko-Ko's little list song remains in E-flat even though Sullivan actually wrote it in D and I have left the repeat where it stands in the vocal scores. I have also taken the liberty of re-arranging the staves into what today would be considered the normal order (Sullivan put the vocalists in the middle of the strings, below the violas, for example), and have transposed all the horn and trumpet parts for the modern orchestral instruments in F and B-flat respectively (Sullivan actually wrote for horns in many different keys and cornets in A and B-flat). Samuel Silvers suggested (in a private message, I wonder why?!!!) that instead of giving the score away I should offer it for sale and SELL it. Why, Sam? It was a labour of love and, as we have already heard, there will soon be at least two commercial editions available. But seriously, I am happy to put the full score in the public domain to the extent that it may freely be used and even copied for private study and also for performance by amateur non-profit companies. I shall be preparing a complete set of parts in due course but there will have to be some charge for those, if only to cover production costs and printing time. But anyone wishing to use my scores and especially my parts for commercial productions will naturally be expected to cough up some readies for the privilege! Larry Simons --------------------------------------------------------------- Get free personalized email from USA.com at http://mail.usa.com  1,, Summary-line: 4-Jul mlpeters@sdg.com #Re: Summer party in NH Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21589; Sun, 4 Jul 99 14:20:25 EDT Received: from proxy.sdg.com by MIT.EDU with SMTP id AA07230; Sun, 4 Jul 99 14:19:41 EDT Received: from cable-car.sdg.com (cable-car.sdg.com [192.168.100.83]) by proxy.sdg.com (2.5 Build 2630 (Berkeley 8.8.6)/8.8.4) with ESMTP id LAA00924 for ; Sun, 04 Jul 1999 11:20:22 -0700 From: mlpeters@sdg.com Subject: Re: Summer party in NH To: "David C. Jedlinsky" Cc: Date: Sun, 04 Jul 1999 18:28:09 GMT Message-Id: X-Priority: 3 (Normal) X-Mimetrack: Serialize by Router on Hub02/menlo/sdg(Release 5.0a (Intl)|4 May 1999) at 07/04/99 10:58:56 AM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** From: mlpeters@sdg.com Subject: Re: Summer party in NH To: "David C. Jedlinsky" Cc: Date: Sun, 04 Jul 1999 18:28:09 GMT X-Priority: 3 (Normal) X-Mimetrack: Serialize by Router on Hub02/menlo/sdg(Release 5.0a (Intl)|4 May 1999) at 07/04/99 10:58:56 AM Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii portnoy@ai.mit.edu or portnoy@portnoy.org or portnoy@alum.mit.edu If ai bounced, it may be their server is down -- been happening a lot the last couple weeks.  1,, Summary-line: 9-Jul oakapple2@yahoo.com #Opera Scores Online Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05992; Fri, 9 Jul 99 16:11:23 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA18809; Fri, 9 Jul 99 16:12:00 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id QAA16107; Fri, 9 Jul 1999 16:11:12 -0400 (EDT) Date: Fri, 9 Jul 1999 16:11:12 -0400 (EDT) Message-Id: <19990709195850.23261.rocketmail@web125.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Opera Scores Online Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 9 Jul 1999 16:11:12 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Opera Scores Online Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A professor at Indiana University has launched a pilot project to put operatic scores on-line. None of the scores that have been posted to this point are by Sullivan, but it may provide a useful prototype for anyone who may be so inclined. The URL is: http://www.dlib.indiana.edu/variations/scores/scores.html === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1, edited,, Summary-line: 12-Jul LISTSERV@CUNYVM.CUNY.EDU #FERRET-L Digest - 11 Jul 1999 to 12 Jul 1999 (#1999-2738) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05379; Mon, 12 Jul 99 03:02:41 EDT Received: from listserv.cuny.edu by MIT.EDU with SMTP id AA14724; Mon, 12 Jul 99 03:03:20 EDT Message-Id: <9907120703.AA14724@MIT.EDU> Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <3.FFBA0185@listserv.cuny.edu>; Mon, 12 Jul 1999 3:07:06 -0400 Date: Mon, 12 Jul 1999 03:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 11 Jul 1999 to 12 Jul 1999 (#1999-2738) To: Recipients of FERRET-L digests *** EOOH *** Date: Mon, 12 Jul 1999 03:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 11 Jul 1999 to 12 Jul 1999 (#1999-2738) To: Recipients of FERRET-L digests Topics of the day: 1. All About Lupron. Date: Sun, 11 Jul 1999 21:03:37 EDT From: Beth Comarow Subject: All About Lupron. The following post is from Charles Weiss, DVM, to help the ferret community understand Lupron, a new medical treatment for adrenal tumors. If you have not yet requested his Lupron/Casodex/Arimidex protocol sheet for your veterinarian, just email me and I'll send it to you. Let me know if you' want it in Word, WordPerfect, or copied and pasted in an email, please. I suggest you give this post to your veterinarians as well. If you like your documents pretty, I'd be glad to email you this post as a Word or WordPerfect document, or separate email as well. All the best - Beth + Miska the #1 Ferret + Pads + Gabby + Smudge + David ALL ABOUT LUPRON. I don't usually have time to write posts, but I felt it was important to clarify some confusion surrounding the different forms and dosages of Lupron., and briefly discuss adrenal tumors. There have been some inaccuracies in some posts and emails that I've read about the forms in which Lupron comes. I have done extensive research in this area and will try to pass on some of the key information. The protocol information sheet for veterinarians that Beth Comarow (Miskabc@aol.com) is distributing for me is the result of treating more than 150 ferrets with the drug and not based upon hearsay or a few cases, so I think the information is accurate. I urge you to exercise caution before acting on unsubstantiated information or claims that you may read. Treatment of Adrenal Tumors in the Ferret The treatment of choice for this condition is surgical removal of the adrenal tumor. The adrenal tumor produces an excess of testosterone and/or estrogen which results in all of the symptoms we see, including but not limited to: hair loss, males straining to urinate, swollen vulva, lethargy and return-to-male sexual behavior or aggression. Approximately 25% of adrenal tumors are malignant; therefore, surgical removal is the best treatment. Medical treatment is reserved for ferrets who are not good surgical candidates - too weak or otherwise sick to tolerate surgery well, or when surgery cannot be done.. The medical treatment for this condition involves drugs that block and decrease the production of estrogen and testosterone. Therefore, these medical treatments are unlikely to affect the adrenal tumor(s) themselves, but they can reverse all of the symptoms. None of the new medical treatments are approved for ferrets, although they appear to be safe, and long term treatment results are not available. (I should point out that most drugs, from Amoxi-drops to Lysodren, have not been specifically studied and approved for the ferret either.) Lupron.: Lupron is available in several forms that last different amounts of time in the body. Lupron is available as an injection that lasts 24 hours, 1 month, 3 months and 4 months. Each is a different preparation that lasts for different amounts of time, so it's important to know which form you are using: 1-month, 3-month or 4-month. The reason we use the 4-month form is for convenience and cost. The monthly injection given 4 months in a row is more expensive that one 4-month shot. (No matter how high a dose you give of the 1-month shot, it will only last 1 month - so when you talk about what dosage you are giving you must say which form you are using.) Example: Two ferrets receive the same dosage of Lupron, but one gets the 4-month shot and one gets the 1-month shot. The ferret who gets the 1-month shot receives a 500 microgram (mcg) shot each month for 4 months. The ferret receiving the 4-month shot receives one shot of 2000/mcg (2 milligrams or mg). Therefore, both ferrets are receiving the same amount of the drug per month, but when you say one ferret got a 2000/mcg shot and one got a 500/mcg shot, it doesn't sound like the same dosage - but it is the same per month. I have found that at the same dosage, the 4-month shot is the less expensive form. (The Lupron in both cases is time released, called a "depot." In the 1-month shot the Lupron depot is released over the period of 1 month, and in the 4-month shot, over 4 months.) Premixing: The 24-hour form of Lupron comes in a pre-made liquid. Since it only lasts 24 hours in the ferret after being injected, it would have to be given every day to be effective, so is not worth discussing. The other forms (1-, 3- and 4-month) come in two vials - a liquid and a powder. They are mixed together, and then immediately injected. Stability after mixing has never been studied. I am looking at the stability of the solution once mixed and stored in a standard freezer. Why is this important to understand? Each human dose of Lupron is large enough to treat many ferrets. If a veterinarian who wants to treat one ferret is forced to buy a human-sized dose, storage can be a problem, since after the Lupron is mixed it should be injected immediately, or it could become ineffective very quickly. But the veterinarian may not have, for example, 15 ferrets who need the injection at the same time. So it can be cost prohibitive to be forced to buy a dose that could treat that many ferrets but only use it for one. The good news is that we recently found a pharmacy which, under sterile conditions, will separate the powder into individual ferret-sized dosages and ship directly to the veterinarian. A veterinarian can now call the pharmacy and buy one ferret-sized dose of the drug. The veterinarian mixes the liquid and powder together, and gives the injection immediately. I should mention that I receive no money from the pharmacy! I'm giving out their name because they are capable and willing to separate out the powder and liquid in a sterile environment for us. Dosage: Lupron is so new that no one yet knows the lowest dosage we can use to reverse all symptoms. The dosage I have found to be the most effective so far is 2000/mcg (2/mg) of the 4-month depot, or 500/mcg of the 1-month depot. This dosage is virtually 100% effective in reversing all symptoms. To date we have not seen any toxicity, although long-term studies have not yet been performed. In a small number of ferrets we have seen local reactions - a bump where the shot was given. The reactions can occur 2-4 weeks after the injection, and resolves without treatment in 4-6 weeks. If they are removed or biopsied, some or all of the Lupron will be removed, so they should be left alone. They do not seem to bother the ferret. There are lower dosages recommended by some. Although I have not used lower dosages, I have heard of approximately 20 cases and seen several for a second opinion, where lower dosages did not reverse symptoms. In cases where male ferrets have enlarged prostates and are straining to urinate, life threatening blockages can occur. (A word on urinary blockages: straining to urinate means that the adrenal tumor is secreting the hormone testosterone, which causes the prostate (not the tumor) to swell and block or partially block the urinary tract. Treating with a high enough dose of Lupron can stop the testosterone secretion, so the swelling of the prostrate is reduced.) I consider the treatment effective if all symptoms reverse (hair grows back, vulva goes down to normal size, no straining to urinate, no lethargy, reversal of male aggression, reversal of return-to-male sexual behavior, etc.). If your ferret is receiving Lupron and all of the symptoms do not completely reverse, then the dosage may be too low. In my experience the 4-month shot at the dosage we are using is very effective and lasts for 5-6 months with some ferrets symptom-free for 7 months. Again, you can have your veterinarian buy a 1-ferret dose of the 4-month Lupron depot from Professional Arts Pharmacy. Their number is 1-800-832-9285. There may be other pharmacies that offer this service but this is the one with which I've worked. It's critical that a pharmacy work in a sterile hood and understand the protocol. My wife is a pharmacist, and agrees that the varied forms of Lupron can be confusing. Also, Lupron is often administered in a hospital setting, so retail pharmacists don't frequently work with it. I've heard about mistakes such as using unapproved diluent (the liquid) or dispensing 24-hour Lupron as the 1-month depot. It's also easy to confuse 1- and 4-month Lupron depot and think that 2000/mcg (2/mg) of 1-month depot lasts 4 months. But remember, the 1- and 4-month depots are different forms, and 2000/mcg of the 1-month depot only lasts 1 month! I've spoken at length to all of the pharmacists at Professional Arts, provided them with my protocol, and they have been compounding and shipping it to veterinarians. If you would like a copy of the Lupron, Casodex. and Arimidex. protocols for your veterinarian, contact Beth Comarow at Miskabc@aol.com and request "Medical Treatment of Hyperadrenocorticism in the Ferret," or simply "the protocol sheet." Finally, I'd like to thank the ferret-owning community for their generosity and dedication, which has helped spark my enthusiasm to continue treating and searching for new treatments for this wonderful species. Charles Weiss, DVM Potomac Animal Hospital, Potomac, MD Note: This information sheet may only be copied or reprinted in its entirety, with credit given to the author. CW:bc 0799  1,, Summary-line: 12-Jul mendes@aigfpc.com #Home Page - Update Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06975; Mon, 12 Jul 99 09:34:50 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA07261; Mon, 12 Jul 99 09:35:31 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 113gDy-0000CC-00; Mon, 12 Jul 1999 09:34:26 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <31556QD4>; Mon, 12 Jul 1999 09:34:22 -0400 Message-Id: From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , 'Carol Davis' , 'Daddy' , "'David Bishop (E-mail)'" , 'David Craven' , 'David Harris' , 'David J' , 'Dianne James' , 'drucker' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Flagg' , 'Fran' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice Dallas' , 'Jen Graham' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'lisap' , 'Louis Wernick' , 'Louise May' , 'moshe' , 'OMRI' , 'Paul' , 'Phil Gellis' , 'Phil Sternenberg' , 'PSYCHO' , 'Ralph MacPhail' , "'Sally Neff (E-mail 2)'" , "'scott@work'" , 'Scott Hale' , 'Shawn Charton' , 'snyder' , 'sooz' , 'stevemartin' , 'Ted Rice' , "'Teppin (Stephanie Swimmer)'" , "'Gideon Leventhall (E-mail)'" , "'Michael & Judith Wolov (E-mail)'" , "'Steve and Donna Blocher (E-mail)'" Cc: "Chiodo, Jane" , "Christ-Janer, Katherine" , "Bell, Mitchell" , "Rozmus, Lori" Subject: Home Page - Update Date: Mon, 12 Jul 1999 09:34:21 -0400 Importance: high X-Priority: 1 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "'Adina @ Work'" , 'Amy Allen' , 'Carol Davis' , 'Daddy' , "'David Bishop (E-mail)'" , 'David Craven' , 'David Harris' , 'David J' , 'Dianne James' , 'drucker' , 'Eitan' , 'Elizabeth Evans & Peter Emery' , 'Flagg' , 'Fran' , 'Gwyn Aubrey' , 'Irv Hodgkin' , 'J Derrick McClure' , 'Janice Dallas' , 'Jen Graham' , 'Kati Roberts' , 'Lavina' , 'Lelia' , 'Leta Hall' , 'lisap' , 'Louis Wernick' , 'Louise May' , 'moshe' , 'OMRI' , 'Paul' , 'Phil Gellis' , 'Phil Sternenberg' , 'PSYCHO' , 'Ralph MacPhail' , "'Sally Neff (E-mail 2)'" , "'scott@work'" , 'Scott Hale' , 'Shawn Charton' , 'snyder' , 'sooz' , 'stevemartin' , 'Ted Rice' , "'Teppin (Stephanie Swimmer)'" , "'Gideon Leventhall (E-mail)'" , "'Michael & Judith Wolov (E-mail)'" , "'Steve and Donna Blocher (E-mail)'" Cc: "Chiodo, Jane" , "Christ-Janer, Katherine" , "Bell, Mitchell" , "Rozmus, Lori" Subject: Home Page - Update Date: Mon, 12 Jul 1999 09:34:21 -0400 Importance: high X-Priority: 1 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Well, folks, I spent a good part of the weekend (11-5 am Friday night!) updating, upgrading, uploading (crashing the computer) and testing, and I think I finally have my home page close to where I want it (there are still a couple of pages that I have to link and put up, but... ) Please check it out, provide feedback, ooh, aah, oggle, envy, celebrate... whatever. http://www.geocities.com/broadway/lobby/1278/home.html @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products  1,, Summary-line: 12-Jul lonwall@corvairundergroun #THE GRANDEST DUKE - REVEIW? LONG Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14459; Mon, 12 Jul 99 14:50:42 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA11382; Mon, 12 Jul 99 14:49:53 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id OAA04389; Mon, 12 Jul 1999 14:50:37 -0400 (EDT) Date: Mon, 12 Jul 1999 14:50:37 -0400 (EDT) Message-Id: <3787CC60.1DCFE28D@corvairunderground.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lonwall@corvairunderground.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: lonwall To: Multiple recipients of list SAVOYNET Subject: THE GRANDEST DUKE - REVEIW? LONG Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.04 [en] (Win95; I) *** EOOH *** Date: Mon, 12 Jul 1999 14:50:37 -0400 (EDT) Reply-To: lonwall@corvairunderground.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: lonwall To: Multiple recipients of list SAVOYNET Subject: THE GRANDEST DUKE - REVEIW? LONG Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.04 [en] (Win95; I) When I was in high school, many years ago, I was what could only be called, a Gilbert and Sullivan fanatic. I made regular trips to the San Jose public library, which in the 60's, had records and musical scores you could check out. I read every book on the subject I could find. By age 16 I had D'oyle Carte recordings of most of the operettas. Of course I knew about Utopia Ltd, Thespis and The Grand Duke - but I certainly knew there was no way I would ever hear the music, let alone view a production. Christmas of 1977 I received a copy of the Carte recording of Grand Duke! That was a moment long awaited, yet as well all know, a recording is not the same thing as a performance. I have noticed that, when I finally do see a performance, oftentimes the operetta becomes something completely new and unexpected. Books, records are all very well, but........ Can I write a review of Saturday night's Grand Duke? Well that's a good question. A recent thread on this group has been regarding "magic moments". Well mine is sitting in a theater with an almost sold out crowd and hearing, from a most competent orchestra, the opening bits of the overture to The Grand Duke. You see my dilemma. I am almost always one of those annoying purists. I do not want to see a G&S cut, changed, updated or tampered with. (Carte Co should have had me on the Arts Council when they needed the funding - but I am, of course American). I was therefore, apprehensive and must say disappointed, when I understood that the production was being "moved" from 1750 to the 1930's. Shades of Groucho! Now, I like The Brothers, but the idea of Grand Duke Rudolph duckwalking around with a cigar left me highly gambol in the gill. (And we Oregonians LIKE little Duckies too!) Well here's the thing - the production was magical. Nearly all original dialog was included and no songs cut (a verse here and there dropped, but who remembers Mrs. Grundy anyhow?). The production was so much fun and such a high point in my long career as a fanatic, well.......even I could forgive the change in time and a few other little oddities thrown in. The fact is, for me, this is THE Grand Duke to which all others (even a "pure" version) will be compared. First, the operetta itself has received short treatment by "historians", or in other words, writers who never heard the music much less viewed a good production (if any at all). Parrots all! I think Gilbert is in very good form. The so-called "sausage roll fiasco" is funny and no more ridiculous than fairies taking over Parliament. It's not a major part of the show anyway. So far as "go-est" is concerned many writers have suggested that Gilbert was slipping and desperate. I've always thought that anyone clever enough to appear that desperate, then in the next few lines explain (in perfect rhyme) why they had to do that, is hardly a slipping entity. Is it long? Yes...so is The Italian Play. Is there more dialog than usual - yes.....sort of like a....a....a..."modern" musical?? Why did Grand Duke originally "fail"? We'll discuss that at another time. This production didn't fail me at all - I thought EVERY character was interesting and that's a compliment to Mr. Gilbert AND to the folks who played it. Put it this way - if I didn't have a wife who'd kill me, the next two Fridays I would leave the job early, drive up to Seattle and rent a motel room. From there I would live for the next few days on Floyd's Barbecue (round the corner) and the Friday night, Saturday afternoon and Saturday night performances. I mean that LITERALLY. Can't wait for the video - I may buy a hundred. Complaints? Well, the "Groucho" was hinted at but no problem whatever. Mr. Ross deserves credit for a totally original interpretation of the Duke. Ludwig was a little bouncy, but you know, considering what he brought to the role in general, he was great. Julia and Lisa - fantastic, The Prince of...well, what's the use? - I liked them all. This is no small feat in what is clearly the most difficult to do in the cannon. My only caveat would be to "small" "companies" - unless you can do it very well, better to leave this one to the "professionals". Everything has to be done right to pull it off. And in Seattle, at least, they know how to pull it off. I'm still interested in a totally "authentic" production, but I have to say it would be for purely morbid reasons at this point. Steal a plane ticket. Push an elderly lady out of her bus seat. Do what you have to get to Seattle and see it in person. Every true Savoyard owes it to themselves. After that BUY THE VIDEO. I wonder if Dr. Tannehauser handles divorces? Lon Wall (The Great Quack) PS - it was great to meet several fellow Savoynetters in person. Hello again to David Michaels, Steve Liechtenstein (SP?) and of course Mike Storie. I would have liked to stay longer, but maybe next time. And Mike, you and your crew really did enhance my life Saturday evening in ways only a true fanatic can understand (Savoynet, anyone?) By the way, who do I have to stab stab stab to see your production of Rose of Persia, Contrabandista and Ages Ago?  1,, Summary-line: 12-Jul eichin@thok.org #Re: Beta-Test Your House (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20003; Mon, 12 Jul 99 15:08:11 EDT Received: from paycheck.thok.org by MIT.EDU with SMTP id AA03634; Mon, 12 Jul 99 15:08:49 EDT Received: (qmail 21081 invoked by uid 3382); 12 Jul 1999 19:08:00 -0000 To: jcb@alum.mit.edu Cc: dinner@MIT.EDU Subject: Re: Beta-Test Your House (fwd) References: From: eichin@thok.org (Mark W. Eichin) Date: 12 Jul 1999 15:07:52 -0400 In-Reply-To: "Jeff Bigler"'s message of "Mon, 12 Jul 1999 14:22:11 -0400" Message-Id: Lines: 10 X-Mailer: Gnus v5.4.56/Emacs 19.34 *** EOOH *** To: jcb@alum.mit.edu Cc: dinner@MIT.EDU Subject: Re: Beta-Test Your House (fwd) References: From: eichin@thok.org (Mark W. Eichin) Date: 12 Jul 1999 15:07:52 -0400 In-Reply-To: "Jeff Bigler"'s message of "Mon, 12 Jul 1999 14:22:11 -0400" Lines: 10 X-Mailer: Gnus v5.4.56/Emacs 19.34 Yeah, I have my unit in my pocket right now (it's about the size of a db-9 gender changer) from the slashdot promotion a couple of weeks ago. I'm thinking about doing a pilot driver. And yes, I get a couple of ads a week from them (which I didn't from previous product orders), but I have good mail sorting and don't care (and sometimes order bits from them anyway.) I looked at the linux code - it is a real "wiggle the bits" driver; though it hooks to the serial port, it uses a pair of status lines to clock the bits in...  1,, Summary-line: 12-Jul mendes@aigfpc.com #FW: Star Wars Top Ten Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24378; Mon, 12 Jul 99 16:57:08 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA24128; Mon, 12 Jul 99 16:56:18 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 113n7N-0005Eo-00; Mon, 12 Jul 1999 16:56:05 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <31556R4A>; Mon, 12 Jul 1999 16:56:01 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Star Wars Top Ten Date: Mon, 12 Jul 1999 16:55:57 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Star Wars Top Ten Date: Mon, 12 Jul 1999 16:55:57 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain From Jane @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > In honor of the "Phantom Menace"........here's something to hold you > over...... > jane > > -----Original Message----- > From: Rich Chiodo [SMTP:RCHIODO@mobius.com] > Sent: Wednesday, May 05, 1999 5:13 PM > To: 'Mike Surel'; 'Chris Chiodo'; 'Chiodo, Jane'; 'David Stern'; > 'Flynn, Kelly' > Subject: Star Wars Top Ten > > > Top Ten Sexually Tilted Lines in "Star Wars: A New Hope" > > 1) "She may not look like much, but she's got it where it counts, > kid." > 2) "Curse my metal body, I wasn't fast enough!" > 3) "Look at the size of that thing!" > 4) "Sorry about the mess..." > 5) "You came in that thing? You're braver than I thought." > 6) "Aren't you a little short for a stormtrooper?" > 7) "You've got something jammed in here real good." > 8) "Put that thing away before you get us all killed!" > 9) "Luke, at that speed do you think you'll be able to pull out in > time?" > 10) "Get in there you big furry oaf, I don't care *what* you smell!" > > > Top Ten Sexually Tilted Lines in "Star Wars: The Empire Strikes Back" > > 1) "And I thought they smelled bad...on the *outside*!" > 2) "Possible he came in through the south entrance." > 3) "I must've hit it pretty close to the mark to get her all riled > up like that, huh kid?" > 4) "Hurry up, golden-rod..." > 5) "That's okay, I'd like to keep it on manual control for a while." > 6) "But now we must eat. Cum, good food, cumm.." > 7) "Control, control! You must learn control!" > 8) "There's an awful lot of moisture in here." > 9) "Size matters not. Judge me by my size, do you?" > 10) "I thought that hairy beast would be the end of me!" > > > Top 10 Sexually Stilted Lines from ROTJ > > 1) "And hurry up, will ya? I haven't got all day!" > 2) "Hey! Point that thing someplace else!" > 3) "It'll work. It'll work." > 4) "Rise, my friend." > 5) "Hey, don't worry; Chewie and I got into a lot of places more > heavily guarded than this." > 6) "I need more men." > 7) "I think you'll fit in nicely." > 8) "Move closer! Get along side that one!" > 9) "Back door, huh? Good idea." > 10) "She's gonna blow!" > > >  1, forwarded,, Summary-line: 12-Jul : bjaspan@MIT.EDU, jcb@MI #Diving in Lake Winnipesaukee Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18201; Mon, 12 Jul 99 18:51:55 EDT Received: from CHARON.MIT.EDU by MIT.EDU with SMTP id AA23661; Mon, 12 Jul 99 18:51:06 EDT Received: (from opus@localhost) by charon.MIT.EDU (8.7.6/2.3JIK) id SAA24372; Mon, 12 Jul 1999 18:51:52 -0400 Date: Mon, 12 Jul 1999 18:51:52 -0400 Message-Id: <199907122251.SAA24372@charon.MIT.EDU> From: "David C. Jedlinsky" To: bjaspan@MIT.EDU, jcb@MIT.EDU, rocky@dimins.com, goodmanj@MIT.EDU, mendyke@mendyke.com, dan@mendyke.com, barmar@MIT.EDU, rls@dimins.com, vorlon@tiac.net Subject: Diving in Lake Winnipesaukee *** EOOH *** Date: Mon, 12 Jul 1999 18:51:52 -0400 From: "David C. Jedlinsky" To: bjaspan@MIT.EDU, jcb@MIT.EDU, rocky@dimins.com, goodmanj@MIT.EDU, mendyke@mendyke.com, dan@mendyke.com, barmar@MIT.EDU, rls@dimins.com, vorlon@tiac.net Subject: Diving in Lake Winnipesaukee I'm thinking of doing a dive trip to see The Lady of the Lake, or some other wreck in Lake Winnipesaukee (NH) on either Saturday, July 31, or Sunday, August 1. The dive is $45 per person, or $450 for the entire boat. If I can get ten or more divers, I will attempt to make this a private excursion (9am - 4pm). Gear rental prices are as follows: Regulator (need own mouthpiece) $15.00 BCD $12.00 Cylinder $ 7.00 Belt & buckle $ 2.00 Wetsuit $15.00 Mask/snorkel $ 5.00 Fins $ 5.00 Weight $0.10/lb You need a certification card and a log book. If you are interested, I need a commitment from you no later than this Wednesday, July 14. Please specify if you cannot go one of the two days, your approximate skill level (so we can decide what sort of dive is suitable - novice is ok!), and what sort of equipment you'd need to rent. Once I schedule the boat, I have to pay in full, so I need a firm commitment from you. Please pass this message on to anyone else who might be interested. This is a 30' boat, which theoretically can hold 20 people. I will limit the trip to no more than 15 people, however, to keep the crowding to a minimum. -Dave  1,, Summary-line: 12-Jul LSimons@mail.usa.com #Mikado Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18278; Mon, 12 Jul 99 22:41:48 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA02448; Mon, 12 Jul 99 22:42:29 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id WAA17294; Mon, 12 Jul 1999 22:41:44 -0400 (EDT) Date: Mon, 12 Jul 1999 22:41:44 -0400 (EDT) Message-Id: <001001beccd8$f0296700$62e331d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Mon, 12 Jul 1999 22:41:44 -0400 (EDT) Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 My new full score of "The Mikado" (well, most of it) is now available for download from the following URL: http://home.freeuk.net/lsimons/mikado.html I hope the page and all the links work OK, it's a long time since I had to write any HTML code! I'm sure that I'll get lot's of messages if it doesn't work..... Any and all comments will be much appreciated. There's an e-mail link on the website. (Getting ready for an avalanche of messages.....) Larry Simons  1,, Summary-line: 14-Jul daniel@virtualvoices.com #Re: Diving in Lake Winnipesaukee Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04564; Wed, 14 Jul 99 09:22:51 EDT Received: from smtp-2.mdc.net by MIT.EDU with SMTP id AA22103; Wed, 14 Jul 99 09:23:33 EDT Received: from archadious (xcom-78-92.mdc.net [209.251.78.92]) by smtp-2.mdc.net (8.9.1/8.9.1) with SMTP id JAA80080 for ; Wed, 14 Jul 1999 09:18:08 -0400 (EDT) (envelope-from daniel@virtualvoices.com) Message-Id: <3.0.6.32.19990714092552.00843200@mail.mendyke.com> X-Sender: daniel@mail.mendyke.com (Unverified) X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Wed, 14 Jul 1999 09:25:52 -0400 To: "David C. Jedlinsky" From: Daniel Subject: Re: Diving in Lake Winnipesaukee In-Reply-To: <199907122251.SAA24372@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: daniel@mail.mendyke.com (Unverified) X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Wed, 14 Jul 1999 09:25:52 -0400 To: "David C. Jedlinsky" From: Daniel Subject: Re: Diving in Lake Winnipesaukee In-Reply-To: <199907122251.SAA24372@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Sounds great Dave! Count me in. Xiaoli seems to want a pass on this trip as far as diving goes. Something about 'cold' water. -Daniel >I'm thinking of doing a dive trip to see The Lady of the Lake, or some >other wreck in Lake Winnipesaukee (NH) on either Saturday, July 31, or >Sunday, August 1.  1, answered,, Summary-line: 14-Jul mendyke@mediaone.net #Re: Diving in Lake Winnipesaukee Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25131; Wed, 14 Jul 99 12:16:00 EDT Received: from ne.mediaone.net by MIT.EDU with SMTP id AA28495; Wed, 14 Jul 99 12:16:39 EDT Received: from mediaone.net (mendyke.ne.mediaone.net [24.128.83.37]) by chmls05.mediaone.net (8.8.7/8.8.7) with ESMTP id MAA28434; Wed, 14 Jul 1999 12:15:55 -0400 (EDT) Message-Id: <378CB84B.8CF9AF88@mediaone.net> Date: Wed, 14 Jul 1999 12:18:19 -0400 From: Mike Mendyke Reply-To: mike@mendyke.com Organization: Virtual Voices/Harmonyshop.com X-Mailer: Mozilla 4.5 [en] (Win95; U) X-Accept-Language: en Mime-Version: 1.0 To: "David C. Jedlinsky" , daniel@mendyke.com Subject: Re: Diving in Lake Winnipesaukee References: <199907122255.SAA24384@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Wed, 14 Jul 1999 12:18:19 -0400 From: Mike Mendyke Reply-To: mike@mendyke.com Organization: Virtual Voices/Harmonyshop.com X-Mailer: Mozilla 4.5 [en] (Win95; U) X-Accept-Language: en Mime-Version: 1.0 To: "David C. Jedlinsky" , daniel@mendyke.com Subject: Re: Diving in Lake Winnipesaukee References: <199907122255.SAA24384@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Dave: I may be the diver with the least total experience on your trip. My most recent diving trip was summer '97 when Dan and I went to Cozumel. But I consider myself competent and confident that I can handle my equipment and an intermediate-difficulty dive. By the way, how many dives would we do on this trip? Two? -- Mike Mendyke Email: mike@mendyke.com Phone: 978 262-0299 Fax: 603 963-0273 Web: http://www.harmonyshop.com http://www.virtualvoices.com  1,, Summary-line: 14-Jul mendyke@mediaone.net #Re: Diving in Lake Winnipesaukee Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25273; Wed, 14 Jul 99 12:16:32 EDT Received: from ne.mediaone.net by MIT.EDU with SMTP id AA28886; Wed, 14 Jul 99 12:17:14 EDT Received: from mediaone.net (mendyke.ne.mediaone.net [24.128.83.37]) by chmls05.mediaone.net (8.8.7/8.8.7) with ESMTP id MAA25799 for ; Wed, 14 Jul 1999 12:11:29 -0400 (EDT) Message-Id: <378CB742.DE230FC2@mediaone.net> Date: Wed, 14 Jul 1999 12:13:54 -0400 From: Mike Mendyke Reply-To: mike@mendyke.com Organization: Virtual Voices/Harmonyshop.com X-Mailer: Mozilla 4.5 [en] (Win95; U) X-Accept-Language: en Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Diving in Lake Winnipesaukee References: <199907141600.MAA29025@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Wed, 14 Jul 1999 12:13:54 -0400 From: Mike Mendyke Reply-To: mike@mendyke.com Organization: Virtual Voices/Harmonyshop.com X-Mailer: Mozilla 4.5 [en] (Win95; U) X-Accept-Language: en Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Diving in Lake Winnipesaukee References: <199907141600.MAA29025@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit "David C. Jedlinsky" wrote: > > Are y'all interested? I'm going to call this afternoon. > > -Dave Yes, count me in! Dan and I plan to be dive partners. -- Mike Mendyke Email: mike@mendyke.com Phone: 978 262-0299 Fax: 603 963-0273 Web: http://www.harmonyshop.com http://www.virtualvoices.com  1, answered,, Summary-line: 14-Jul goodmanj@MIT.EDU #Re: Diving in Lake Winnipesaukee Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28495; Wed, 14 Jul 99 12:26:59 EDT Received: from AMPERSAND.MIT.EDU by MIT.EDU with SMTP id AA05282; Wed, 14 Jul 99 12:27:40 EDT Received: by ampersand.mit.edu (8.8.8/4.7) id MAA17772; Wed, 14 Jul 1999 12:25:42 -0400 (EDT) Message-Id: <199907141625.MAA17772@ampersand.mit.edu> X-Mailer: exmh version 2.0.2 2/24/98 To: "David C. Jedlinsky" Subject: Re: Diving in Lake Winnipesaukee In-Reply-To: Your message of "Wed, 14 Jul 1999 12:00:36 EDT." <199907141600.MAA29025@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Wed, 14 Jul 1999 12:25:42 EDT From: Jason Goodman *** EOOH *** X-Mailer: exmh version 2.0.2 2/24/98 To: "David C. Jedlinsky" Subject: Re: Diving in Lake Winnipesaukee In-Reply-To: Your message of "Wed, 14 Jul 1999 12:00:36 EDT." <199907141600.MAA29025@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Wed, 14 Jul 1999 12:25:42 EDT From: Jason Goodman I'm interested. I would prefer the 31st over the 1st, but can do the 1st if necessary. I need to rent all equipment (tank,bcd,regulator,belt,wetsuit,mask/ snorkel,fins,weight). I have advanced certification, but very few hours of dive time in addition to that. Jason  1,, Summary-line: 15-Jul LISTSERV@CUNYVM.CUNY.EDU #FERRET-L Digest - 14 Jul 1999 to 15 Jul 1999 (#1999-2741) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12036; Thu, 15 Jul 99 04:52:12 EDT Received: from listserv.cuny.edu by MIT.EDU with SMTP id AA24014; Thu, 15 Jul 99 04:52:49 EDT Message-Id: <9907150852.AA24014@MIT.EDU> Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <1.FEB21144@listserv.cuny.edu>; Thu, 15 Jul 1999 4:56:30 -0400 Date: Thu, 15 Jul 1999 04:49:21 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 14 Jul 1999 to 15 Jul 1999 (#1999-2741) To: Recipients of FERRET-L digests *** EOOH *** Date: Thu, 15 Jul 1999 04:49:21 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 14 Jul 1999 to 15 Jul 1999 (#1999-2741) To: Recipients of FERRET-L digests There are 42 messages totalling 1708 lines in this issue. Topics of the day: 1. Another double-header 2. AB 854 update 3. Vet Conference 4. Info is coming; bear with me 5. FOUND FERRET IN CLEARFIELD UTAH...... 6. Ferret in Colorado needs a home 7. Ferret transportation help needed 8. Web site 9. 4 Albino Kits 10. Magazines, prejudice. Yeck. 11. Ferrets in Ancient Egypt 12. Tessie the Terror! 13. Ferret hates water, and spontaneous albino?? 14. sick ferret 15. Flea Spray=baldness 16. Mast Cell Tumors in Older Ferret 17. Which Vet to choose? Both! 18. olive oil vs. lax; home news; abuse CAUSES -- adult human's fault 19. olive oil as hairball remedy 20. ferret math & soy milk 21. Info for my Vet. 22. June & Storm- on the boy downstairs! 23. Introducing a new ferret 24. Ferret Health 25. Film for FerretWise 26. Address Change 27. Florida Shelters - a Visit? 28. Anyone know where there is a Shelter 29. uh-oh, bad signs here 30. Shelter's 31. zen responds to a few others about this shelter and their face to the world issue 32. breeding age 33. we do take back our ferrets 34. ? re dog/ferret compatibility 35. Ferrets and Dogs 36. litter training...now I'm getting desperate 37. Name Raffle, We've got our first entries!! 38. Oops 39. Ontario ferret who is going to die 40. Request for help in obtaining body of Toronto ferret. 41. Simple question about the Toronto Ferret that Mauled a Human Infant 42. London Cruelty case The Ferret Mailing List Issue number: 2741 Date: 15 Jul 1999 Circulation: 3040 Moderator: Bill Gruber Messages pertaining to the FML should be sent to: ferret-list@cunyvm.cuny.edu <-- articles to be posted. ferret-anon@cunyvm.cuny.edu <-- articles to be posted anonymously. ferret-request@cunyvm.cuny.edu <-- to unsubscribe, problems etc. * To receive a copy of the FML FAQ (last updated 02/01/98), which discusses the FML in far greater detail, send mail to listserv@cunyvm.cuny.edu with "SEND FML FAQ" as a single line in the mail (don't use the quotes). * To get the Ferret Frequently Asked Questions (FAQ), full of information and advice about ferrets, use "SEND ANSWERS PACKAGE FERRET". PLEASE read the FAQ before you send non-emergency postings to the list!!! * Use "SEND FERRET nnnn" to get backissues of this newsletter. * Searchable archives: Except where clearly indicated by Moderator's notes, all articles posted in this forum appear exactly as written by their authors. They may have been reformatted without wording changes. The accuracy, or lack of accuracy, of any post is the responsibility of the post's author. ---------------------------------------------------------------------- Date: Thu, 15 Jul 1999 04:15:13 EDT From: "Bill Gruber, FML moderator" Subject: Another double-header Well, we have a 3,000ish line FML again today. A lot of people wrote to respond to Edward Lipinski's remarks about shelter volunteers. I think the points have been made, often in amusing ways... let's move on please. I'll split this issue into two parts... will sort as best as I can but there is likely to be some overlap. The responses to Edward will be in the second issue for the most part. I suspect some will choose to start reading there while others will rather skip that FML issue entirely... Bill ------------------------------ Date: Wed, 14 Jul 1999 19:25:34 EDT From: Ferretnews@AOL.COM Subject: AB 854 update Hello everyone, Sorry this has taken a little while to get to you. I had a 20 hr. day yesterday and since I was out of the office all day, I had a few things to take care of before I could get to a report on our hearing for AB 854. The Senate Natural Resources Committee (SNR) met at 9:30 A.M. yesterday. Our bill was scheduled #11 (simply in file order) but unfortunately there was a hearing room shortage and Senator Hayden, Chair of SNR, recessed the hearings at 1:30 P.M. just as we were about to be heard! The new hearing wouldn't begin again until 6:00 P.M. that evening so another committee could convene in the meantime. It was very unfortunate for those of us that traveled so far to see it or testify. Thankfully Debby G. of Capitol City Ferret Club offered us refuge in her air conditioned home (some very dedicated members of the Golden State Ferret Society and Ferrets Anonymous also came to the hearing)! The hearing reconvened at 6:00 but the room still hadn't vacated to we moved to a new location. The chairman of SNR, Senator Hayden, wanted to be present for AB 854 testimony but he was in another committee at that time, so even though we were to go next we waited until about 7:00 or so before AB 854 was heard. I'm not going to go into all of the details because I'm still pretty zoned as you can probably tell from the rambling, but the upshot is that Senator Alpert asked that language be added that ferret owners be given 6 months after Jan. 1, 2000 to have their animals vet certified (as vaccinated and spayed & neutered). This must be done then by July 1, 2000 should our bill pass the next committee, the full Senate, and the Governor-- still a long way to go! Language that makes the study look at the effect of the ferret on the environment and one people IN THE CONTEXT OF OTHER DOMESTICATED animals was added to ensure that ferrets are evaluated fairly. The sentiment was heavily in favor of this bill and our final vote in this nine member committee was 8-1. Senator Johnston was absent and did not vote. As soon as I have the time, I'll let you know the details the next committee, Senate Appropriations, and give you the voting history etc. of each member. If you all recall, our bill was killed in the next committee because it did not have a hearing so we are planning our next mailing to take place on August 1st. This mailing will go to supporters in most of the remaining Senate Districts and will be our biggest mailing yet, almost twice the size of previous mailings. If you live within an hour of the Woodside/Redwood City area and can help me with a mailing on August 1st, please let me know. I plan to have between 12-20 people here around 10:00 or so to we can get it done quickly. It's easy if lots of folks help out! Please consider pitching in. Jeanne Carley Californians for Ferret Legalization ------------------------------ Date: Wed, 14 Jul 1999 18:49:01 -0700 From: Gilbert Le Cren OD Subject: Vet Conference The Oregon Ferret Association is sponsoring its first Ferret Veterinary Medical Conference Sunday, 14 November 1999 Downtown Doubletree Hotel Portland, OR Cost $98. Basic Ferret Care Tom Kawasaki Emergency Care Natalie Antinoff Liver and GI Mark Burgess Pathology Mike Garner Adrenal & Insulinoma Steve Sanders Geriatrics & Kidney Failure Tom Kawasaki Ophthalmology Tom Kawasaki Cardiovascular Gary Wood Neoplasm Natalie Antinoff (Neurology) Natalie Antinoff Topics and speakers are subject to change without notice. Approved for 8 Hours of continuing education by the Oregon Veterinarian Board For registration information please contact THE OREGON FERRET ASSOCIATION; PO Box 90682; Portland, OR 97290; Tel. (503) 306-2968; www.oregon-ferret.org The OFA is a 501( c ) ( 3 ) nonprofit tax exempt corporation ------------------------------ Date: Wed, 14 Jul 1999 16:33:41 EDT From: Beth Comarow Subject: Info is coming; bear with me For those of you who asked me to send you Dr. Weiss' Lupron/Casodex/Arimidex Protocols, or "good" copies of the All About Lupron sheet, I should have most requests done by tomorrow. Thanks for your patience - and your enthusiam. Dr. Weiss will see every email, since I'm printing them out for him. All the best - Beth Miska the #1 Ferret Paddington Gabby Smudge! David ------------------------------ Date: Wed, 14 Jul 1999 23:43:57 EDT From: Catherine Garcia Subject: FOUND FERRET IN CLEARFIELD UTAH...... Hi folks. If anyone on the list has lost a ferret or knows of someone who has in the vicinity of the Job Corps Center in Clearfield Utah please contact me. My friends are going to get the baby tomorrow and hold on to it until the weekend when I can get down there. I've told them what to feed it, etc., so I am confident it will receive adequate care. It was found after a rainstorm, scared. It's very friendly. (Sorry for the lack of gender, but I am I don't know what that is yet.....) I've told them to make flyers and post them. I will call the vets in the area and let them know to contact me. If we cannot find the rightful owners, I will try to place it with a family I know in Bountiful who has one ferret and would like another. She is a sweet girl, and she and her husband dote on their Roxy. I know they would provide an excellent home. But, Rick, if all else fails........you might have the Garcia crew at your door. Of course, that's if Angel and I don't convince Ricky Ricardo that we need another ferret........... Anyone with any information please contact me. I've told the people under no circumstances to surrender the ferret to Davis County Animal Control. They will KILL it without any questions asked. Even though ferrets are legal in Davis County, the animal shelters have an automatic euthanasia policy for ferrets. Reasoning for this? "If ferrets are surrendered they are usually older or have bad habits that cannot be retrained. They also don't change homes well, so we euthanize them for their own good and for the publics good." This was told to me, in several different versions by them over the past two years. Let's pray for this babies return home. Dooks, Catherine, Pato, Snowball, Hubert and Elsie "Behind The Zion Curtain" ------------------------------ Date: Wed, 14 Jul 1999 10:04:11 -0600 From: Serena DeCastro Subject: Ferret in Colorado needs a home I have been a member of the FML for about a year, but this is my first post. I run a small ferret supply company called Ferret Territory (sorry, no web page yet!) in Grand Junction, Colorado. Recently I had two homeless MF girls show up at my door. One of them I found a home for right away, but the other one had all the symptoms of an adrenal tumor. Since my other job is as a receptionist at a veterinary clinic, I was able to get the surgery done right away and she has now made a complete recovery - all her hair has grown back and she is fat and playful. Her former owner also forgot to inform me that she is nearly blind, although it doesn't seem to affect her very much. It's possible her owner never noticed. She is a little sable, very sweet, never bites and loves to give kisses. The problem is my other ferrets won't accept her - they just want to kill her. I would love to keep her, but due to a recent divorce and a need to rearrange my house so I can accomodate a roommate, I simply will not have space for 2 cages. I also feel sorry for her having to live alone, she is so playful I hate to have to keep her seperate. I will need to find a home for her soon, so please pass the word along to anyone you know who might be interested. For any of you looking for a challenge I would also like to find a home for my sterling silver FFF female. She is beautiful, but she will occasionally bite. I have tried everything to get her to stop and it just makes her bite harder. I decided it is just part of her personality. I think she resents having to share her cage with the other ferrets and she would be happier as a single ferret or maybe with just one cagemate. For anyone that is interested I do sell Totally Ferret ($17.95 for a 5lb bag) and I have some very nice hammocks, sleepsacks and other accessories. I can snail-mail brochures, or just email me for more info. Thank you, Serena DeCastro Ferret Territory & The Ferret Bed & Breakfast ------------------------------ Date: Wed, 14 Jul 1999 10:50:03 -0400 From: ferret place Subject: Ferret transportation help needed Hi everyone: My husband and I have decided to open our hearts and home to a little ferret who is looking for a new mom and dad. Unfortunately, this little one lives in Las Vegas, Nevada. We're in New Philadelphia, Ohio. We had hoped to use "Ferrets Across America" to bring Lucky to us, but unfortunately this wonderful service is no longer active. We've contacted Delta to find out about shipping her that way (something we really don't want to do ...) but they will not ship animal when the temp. is over 85 degrees F. (Not a bad policy at all in my opinion). We really don't want Lucky to be shipped in a cargo hold for 3-5 hours without human contact. Poor little thing is going to be confused and frightened enough. So, that leaves us somewhat ... up in the air. The wonderful lady who currently owns Lucky is concerned about her welfare during the trip ... as are we. If there is ANYone out there flying, from Nevada to Ohio in the near future (could we be so lucky?), and would like to have the company of a loving little companion, would you let us know? Other than that, if anyone has any suggestions/ideas we're more than open to anything. Thanks for your time, Tonia & David Smith along with Trouble, Miss Fitt, Pee-Wee, Alice, Moe-Moe, Bandit & Ricky (and hopefully soon ... Lucky!) David Visit eight of the cutest fuzzy ferrets on the internet at: http://www.geocities.com/SouthBeach/Lights/6783 "Practice random acts of intelligence & senseless acts of self-control." "Anyone without a sence of humor, is at the mercy of the rest of us..." ------------------------------ Date: Wed, 14 Jul 1999 03:59:51 -0500 From: "Ron P. Konstantin" Subject: Web site With the help of several people ive finished my first website for my shelter. It may not be very good, but i tried. Visit it and tell me what you think. ronkonstantin@webtv.net http://community.webtv.net/ronkonstantin/RENSFERRETSHELTER ------------------------------ Date: Wed, 14 Jul 1999 12:57:46 +0100 From: Simon Anthony Dyer Subject: 4 Albino Kits Banbury Ferret Welfare has for re-homing, Four, 8 week Albino kits, (2 hobs, 2 jills) here in the UK, Well-handled. Please telephone 01295 276087 All ages of Ferrets taken in and re-homed.....no adoption fees. Companions Choice Ferret's Choice Ferret food available here plus other CC products. Simon, Ferty, Tom, Bubbles, Scooter and the Magnificent 7 Banbury Ferret Welfare, UK freespace.virgin.net/simon_anthony.dyer ICQ #41809859 ------------------------------ Date: Wed, 14 Jul 1999 05:07:17 -0600 From: Reet Subject: Magazines, prejudice. Yeck. I was reading an old pet magazine my friend found. They gave it to me because of an article of ferrets. It was mainly talking about a recent 'ferret frolic' organised up North in Auckland.. But in a few cases, it discussed what it refered to as 'the darker side of these animals'. One thing it brought up was a recent media-hyped 'attack' on a toddler. It talked about how ferret people had said how the ferret was probably lost, scared etc, and how the toddler probably rolled over and crushed the ferret. The magazine also hinted at neglect. Then it said 'None of this justifies the attack, of course'. I just sat there thinking 'What, a scared, lost ferret suddenly gets this big huge thing lying on it. Do you expect it to just lie there quietly and die?'. In another part, it said '..so vicious they could bite through leather gloves and peirce human flesh'. Obviously an attempt to sound like an awful incident. Then, the next article (about killer dogs) calmly wrote about a man being killed by his pitball, and another lady being mauled by the neighbours dogs. Something seems wrong here when a magazine puts more effort into illustrating the 'horror' of an animal that can bite through a leather glove as far more terrible than a dog that kills and mauls people. *sigh* people.. Personally, I think they should be banned. - Reet ------------------------------ Date: Wed, 14 Jul 1999 05:09:40 -0500 From: "Ron P. Konstantin" Subject: Ferrets in Ancient Egypt I have heard different opinions on weather or not ferrets were domesticated in ancient Egypt. Well, I may shed some light on this subject. My father was vacationing in Egypt. The egyptology musem in Cairo has mummified remains of ferrets and meercats (a kind of mongoose native to Africa). These are among only the most ancient of animal mummies found dating about 3700 to 4300 years BC! Also there are paintings of a ferret type creature guarding the granarys of three cities in upper Egypt. This includes the old capitol of thebes, but no evidence has ever been found in Alexandria lower Egypt. It is thought that cats replaced these early ferrets. It is thought the main reason for this is their intolerance for extreme heat. It is possible either the ferret or the meercat may have been worshiped in upper Egypt at this time, but no solid proof exists. When he sends the pictures he took, I'll put them on my sight. Very few of these mummies still exist because the were used to feed the furnaces of locomotives in the late 1800's. I of course am only pasing on information given to me. I cant personally conferm or deny this with my own research, but this would mean ferrets were domesticated about 1200 years before cats were! DOOKS! REN(me), SLINKY, RIKKI, TAZZY, & LONG SHORT SALLY ronkonstantin@webtv.net http://community.webtv.net/ronkonstantin/RENSFERRETSHELTER ------------------------------ Date: Wed, 14 Jul 1999 08:55:17 -0400 From: Georgette Peters Subject: Tessie the Terror! Well, another good one today by Tessa. Somewhere around 4am or so, I thought I heard the sound of a bell ball rolling about upstairs. Jasper had tucked everyone in bed last night before we crashed, so I laid there thinking "Naw". Besides, I was too damned tired to go up and check. The vertical blind in the yellow room has a small chain on it and I thought that maybe that was the noise I heard since that window was open and the blind makes a fair amount of noise when the wind blows in. I also thought I heard a small thump at one point too but it was too close to 6:15am to bother with. Well, guess who greeted me at the gate this morning when I went upstairs to let out the crew. Tessa decided to save me the bother of bending over and unhooking, unlatching her cage. Sigh! Several dooks that probably translated as "Boy, I've been having a blast - where the heck have you been??" and a bunch of smoochies later and I just had to laugh. There was stuff strewn about - but she hit the litterbox/paper so no big deal really! Tessa did manage to pull one of my socks through the gate to play with - I think it's definitely more of a sock versus foot fetish here - but no holes chewed in it. Frodo and Geisha's cage was a bit of a mess - I figure there was some frustration on their part with Tessa climbing the cage and generally (NO FAIR!) being free to cause minor amounts of havoc!! Jasper has been assigned the duty to make the other cage more Tessa-proof! Good luck big guy!!! Take care and hugs to all!! George, Jasper, Frodo the Frustrated (No fair!!! I want out!), Geisha the Gosh-is-This-Kid-a-Pain-Sometimes and Tessa the Terror! ************************************************************************ Georgette Peters Nothing is ferret-proof to a Steacie Science Library sufficiently talented ferret. York University 4700 Keele Street ***** North York, Ontario ********* M3J 1P3 ***** (416)736-5084 Dook, dook, bjork, bjork! e-mail - georgett@yorku.ca - Swedish Ferret ************************************************************************ ------------------------------ Date: Wed, 14 Jul 1999 22:37:06 -0400 From: Kymberlie Barone Subject: Ferret hates water, and spontaneous albino?? Hello FMLers, I'm looking for answers to two mysteries I have on my hands here. First, a serious one. I have a ferret here at the shelter that was a stray, I call her Gloria. She appears to be at least 5 years or older, and she is not doing very well. She wasn't eating for a while, she now is eating A/D regularly but will not touch solid food. The major problem is that she will not drink water, or any liquid, whatsoever. To be more specific, if I get water anywhere near her she freaks out (no I do not suspect rabies, which is the comment I keep getting from non-ferret owners I tell this to. Grrr). For a week or so I was able to force her to take water, 2-3 cc's at a time, from a syringe, she hated it and fought me, but would take it. But now she absolutely refuses, she writhes and twists and scratches me if I even touch her lip with water. I get it in her mouth and she just holds it there and then it dribbles out and she won't swallow it. I've never dealt with a ferret that will eat but refuses water, especially this adamantly. The level in her water bottle has not moved at all, and she won't get anywhere near the water dish in her cage. She did splash around in a water dish on the shelter floor about a week ago, got it all over the place, but did not lick one drop of it, and it was actually disturbing to see the way she was spashing around in it -- it wasn't that cute splashing that ferrets often do, this was almost like she was trying to splash it all out of the dish to get it away from her... I know this sounds wierd but that's exactly what it was, I can't explain it and in all the years of dealing with ferrets have never seen anything like it. As of now, she's getting her only hydration from her A/D, which is sustaining her but she is still somewhat dehydrated (I'm able to put extra water in the A/D and she doesn't seem to notice, and gets it that way). I've tried Pedialyte as well and that didn't fly with her either. If anyone has ever heard of a ferret that refused liquids like this, I'd be very interested in hearing about it. Next thing: this one is equally bizarre but there's no medical emergency. I have a ferret named Skittles. He's a darling boy, when he came to me, he was a very odd color, kind of a cross between a dark eyed white and a champagne -- he was white with a VERY faint tinge of champagne on the guard hairs. It was pretty cool. Anyway... over the past few months, I've been telling my club members and friends that he's becoming an albino and they all said I was nuts. But he did. He now has completely red eyes and is a completely white ferret. If I hadn't seen it gradually coming I'd have thought someone switched this ferret with an albino and took my Skittles away. Is this possible? I mean, it MUST be since it happened, but has anyone ever heard of a ferret turning albino before? His eyes I'm guessing were probably ruby to begin with, however they were DARK ruby if so because like I said, I thought he was a DEW when he first came here. Very odd... just looking for info to know if (a) anyone's ever heard of this before and (b) what could cause this. Thanks! Kymberlie Barone Director, Pennsylvania Ferret Rescue Association Montgomery County Branch http://www.ferretrescue.com Looking for a ferret club in Pennsylvania? Ask me about the Pennsylvania F.E.R.R.E.T. Club and other ferret clubs in the state! ------------------------------ Date: Wed, 14 Jul 1999 17:13:56 -0400 From: "Carissa M. Wertz" Subject: sick ferret Hello, I have a question. My baby is sick. He's throwing up and just sleeping. This just started this morning and my vet told me to wait and see what happens. Do any of you have any idea what may have caused this? He hasn't had any extra treats and the only thing I can think of that he may have had too much of is Ferretone. I had to clip his nails. He has full run of the house but there isn't anything that he can get into. His food hasn't been changed or anything else. I just can't figure out what he may have gotten into that made him sick. Is it possible that too much ferretone can do that to him? His poops are the same as they've always been but I don't know why he's throwing up. Please help me if you can I'm worried. Thanks Sir Ferris Bad Boy Rat Of Ferret and his mommy Carissa ------------------------------ Date: Wed, 14 Jul 1999 14:03:24 -0700 From: Sonia Subject: Flea Spray=baldness Sorry this is a tad bit long. About 3 weeks ago i treated my 3 ferrets with Frontline flea spray. I squirted the recommended amount into a container, so i could apply it to them, i did my first chunk, he was fine, i did my female she was fine. I did my youngest male he flipped. he is about 7 months old and very large. He let out a small squeal and started to rub his neck and body on anything he could get a hold of. I didnt think much about this because all my ferrets did this for the first 2 or three times i used it. (this was his first time). later that night he started to cough and what sounded like a wheeze, and dooked just a bit more then usuall so i left him out of his cage for a while so i could watch him. As soon as i let him out, he'd be fine, but as soon as i put him in the cage, you'd think i was killing him. i finally put a little watter in the sink and let him play in it, hoping it would calm him like it usually does. It didnt. About 2 hours after i first used it on him he seemed fine again. Wel then about 3 days ago, during one of seattle's few hot days,i put them in the tub with watter to cool off. When i got them all out i noticed that Athos had a bald spot on his neck. about 2 inches long and 1 inch across, right where i put the spray. Now this isnt just a thinning of fur, its an actuall bald spot, clear to his skin, which isnt red or blistered or anything. looks like black heads, but not sores. My questions is. 1. could this be an alergic reaction to the spray? #2. could this be the begining of something more? and if it is the spray, can anyone recommend a diferent type to use? thank you for the help, Sonia ------------------------------ Date: Wed, 14 Jul 1999 20:33:30 -0500 From: Lara Tyminski Subject: Mast Cell Tumors in Older Ferret Does anyone have experience with Mast Cell tumors on their ferret? My Smokey is 6 and had one removed early this year. It was benign but now I see two, maybe three more. I don't know how much of a threat this is to her health. Should I leave them as they are often benign, or keep subjecting her to surgery, which is expensive? Other than these she seems in good health. Lara ------------------------------ Date: Wed, 14 Jul 1999 12:39:24 -0600 From: "t.menne" Subject: Which Vet to choose? Both! To the anon poster about the vet "dilemma" - would the two vets be open to having your closer vet go with you to the father away vet to observe and learn how to do the surgery "hands on" ? Then your ferret would get an experienced vet, your regular vet would learn new skills, and the farther away vet would be able to share knowledge on ferret care (thereby increasing the health of the population etc.). A win-win to me... Best of luck!! tara reply to: taram42@yahoo.com ------------------------------ Date: Wed, 14 Jul 1999 10:44:10 -0400 From: Sukie Crandall Subject: olive oil vs. lax; home news; abuse CAUSES -- adult human's fault Dietary oils/fats do NOT have a laxative effect, in fact, they take longer to digest so the effect can be mildly the opposite. For fur balls stick with things that pass through undigested such as cat laxatives or petroleum jelly (which you can flavor yourself if that works for a finicky one). Elderly Meteetse is sick, but is doing okay for now. Not sure what it is, yet. Yesterday she just suddenly was having labored breathing and a pale nose and pale gums. She looked fine when we got the vet, but we opted for an x-ray to be safe. The chest cavity was too cloudy to see her heart. Could be a lung infection or could be heart disease. She will be having a sonogram to be certain and meanwhile is on antibiotics in hopes that it is a curable bacterial lung infection. Can't completely rule out that she might have whatever that virus was that made our internist send me to the hospital emergency ward for the first time in about 20 years, but that was three weeks ago and who even knows if that was/is something ferrets get. Since I bounced back very rapidly after the worst was over and my dangerous period only lasted about half a day, if The Fly has the same thing I hope that she recovers as comfortably and rapidly. Meanwhile, we are being extra careful with her, and we're delaying 5 year old Warp's insulinoma surgery till we are sure there is nothing contagious for her to get while she's compromised for a while afterward; her Pred is holding her happily and comfortably, no need for even Proglycem at this point. Aside from that everyone is doing very well and making as much mess as they are wont to create. E.L. wrote: >Seventy-two inches of intestine in the ferret that was necropsied >here in my vet's lab. And you know what? Not one bit of food in >the stomach or intestine - only 20 millimeters of feces just inside >the anus. Does this suggest that this ferret ... was starving? If that ferret was destroyed immediately and this was a standard pattern for the animal then that is consistent with what has been published about attacks from any types of pets by humane groups which have researched the issue in general: the vast majority of the animals invloved (and often the infants/children) are typically at the least neglected and often also abused in households where attacks occur, which boils down to the exact same point: the adult humans are to blame -- for the abuse which damaged the animal's behavior, for not keeping pets and infants separated, etc. People who CREATE these situations don't have a lot of sympathy in our home, though we do hope that they finally hear the wake-up call and change their behavior. Yet, given how some of these people seem to place blame on the critter (given the participation by some in anti-ferret efforts) my guess is that too many are pass-the-buck people rather than learners, and therefore, likely to repeat though perhaps with another animal type. (BTW, I curl 30 pound dumbbells -- down from my high of 50 pounds but I hope to get back there by the time I turn 50 next year. Interesting gender-bias generalizations made -- invalid garbage -- but interesting for reasons totally unrelated to your "points". The liability aspect was a very good point, though.) ------------------------------ Date: Wed, 14 Jul 1999 18:44:37 +0000 From: "Melissa A. Durfee" Subject: olive oil as hairball remedy >From: Camilla Englund >Subject: Re: You are all a great help >I've heard that olive oil also has a laxative effect. Actually, olive oil will be absorbed by the gut and not act as a laxative. (Dr. Kemmerer has posted about this before.) If you are looking for a cheap alternative to commercial cat laxatives, try plain Vaseline. Only one of my four ferrets won't gobble it up right away. Kili needs a drop of Ferretone added to it before he eats it. :-) -mel ~ Question the definition of Progress ~ ~ www.Adbusters.org ~ ------------------------------ Date: Wed, 14 Jul 1999 21:56:31 -0400 From: sharin Subject: ferret math & soy milk I've heard about it... But til now I hadn't experienced it. Took in 2 ferrets late last week that their owner NEEDED to get rid of RIGHT AWAY. "They're stinky little rodents. I just can't stand them." She'd had them 1.5 yrs, since they were babies. She had tons of stuff: nice cage, every hammock & gimcrack & toy, canned food & kibble, wood pellet litter - but kept them caged all the time, except occasionally to let them play in a big refrigerator carton. She gave them & all paraphernalia to me for free - "Just get them out of here." So I took them home. Didn't quarantine them - I knew I should but partner George brought their cage into our current ferret room & before I knew it everyone was rubbing noses etc, & before I knew it again stepdaughter had let them out to see if the old ones would play with the new ones. So. My friend Rita had told me how much her 9-year-old daughter wanted a ferret. I knew what a dedicated pet owner Rita is so I called to see if she wanted 2. She asked if they could try them out for a week. 3 days later (i.e. tonite) they were back. Too much work for the child, & they gave Rita the willies. But, frankly, we had sort of fallen for the white one... she is very playful & dooks loudly, & neither of our existing 2 is vocal... & she'd be a good playmate for Ramon, who is much more active than his current partner Chloe... They're both gentle & mischievous & active & well socialized with people and ferrets. One of them is already into the ferretone & Totally Ferret & pooping in the "good ferret" corner; I'm hoping the other will catch on quickly. If we keep them I mean... Question: The white one has the shits. I'm going to assume it's just the stress of all the changes, for the moment. Right? She is cheerful & playful & extremely active. Should I do more, as long as she seems to be feeling ok? Change of subject: Soy milk: Didn't someone ask about soy milk a few months ago? I was sitting on the floor eating my granola & soy milk for either breakfast or dessert a few days ago, & put the near empty dish down. Ramon loped up & lapped all the remaining soy milk out of the dish, leaving however the little oatmeal grains - & raisins. (He's not the raisin type.) He liked it fine, thank you. Dooks to all -- sharin and Chloe the Weasel, Ramon and the visitors, Blaze, who is white with red eyes & grey arms, and Cinnamon, who is, well, you know. ------------------------------ Date: Wed, 14 Jul 1999 15:04:06 PDT From: Alia Granda Subject: Info for my Vet. Hello all, Thankyou to all of those who responded about Manny's butt. I am in the process of trying to figure out exactly what it is, and how to fix it.... I wouldn't even be that far along if it wasn't for you all, thankyou. Now, I've been searching the net for info to print out and take to my vet. Also, for URL's to point my vet in the right direction. What are some informative faq's, or other resources that would be printable? A lot of the faq's are in sections for certain ailments, are there any that cover a lot of common problems all in one? Let me know by emailing me directly. Thankyou all! ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ ~Lia, Proud of my cop Proud of my daughter Proud of my "Zoo" :-) ICQ me #42260013 ------------------------------ Date: Wed, 14 Jul 1999 10:05:13 -0400 From: Alicia Subject: June & Storm- on the boy downstairs! Dear Shelter Mom, Just a note to bring you up to date on what has been going on in Charleston. We discovered that right down stairs, a verrrrrrry handsome boy ferret lives. In fact, he wants to share our letter. He said he has a message he needs to get out. You have heard us talk about Beethoven, the ferret who plays the piano? Well, and please don't tell a soul, when we first came here and moved in over him, he was naked. That's right, he didn't have any clothes. We tried not to look, but, well, you know what's a girl supposed to do? He wasn't shy about it; he would run all over the place, nude as an egg. We blushed. A few months ago he went away for two weeks. We missed him, but,Foster Mom kept us informed. He went to see a lady vet because he was sick. When he came back, he was growing new clothes. He doesn't remember what happened, only that he was looking into a pretty lady's eyes. Well, we'll let him tell you. Hi - My name is Beethoven, and I live downstairs under June and Storm. They write to you all the time, and, as my foster aunt, I thought you would help me get the word out. I want to warn the men of the world, to beware of pretty women!!!! Let me tell you what happened. I had some problems, and I was spending a lot of time in my litter pan. Mom took me to see a pretty lady vet. And she said she thought she could help me. So, and here is the part that gets fuzzy, I remember looking into her eyes as she was looking down at me. Then, sleepy time. I don't remember a thing, only that I woke up with a line on my tummy. She must have fixed up what ever was the matter with me, as I feel great now and I've grown myself a whole new set of clothes. She is a wonderful gal and she fixed me all up. But, just suppose she wasn't the great lady she is. Do you see the problem? Men, you must be careful, one look from the wrong gal and you might find yourself minus something you might want to use later, like raisins you've stashed, or that stuff Dad has in his pocket called money. My Mom is great, but she is always trying to get that money stuff away from Dad. I noticed the other night as he was reading the paper, she was telling him about something she needed. HE DIDN'T EVEN LOOK UP. He kept his head close to the page. He wasn't going to get caught. I'll bet he lost money when she gave him the sleepy eye before. The two legs kid never goes out without something called his "Shades." They are two round circles on two bars that hook over his ears, and they keep his eyes dark so you can't see them. You don't know if he is looking at you or not. Now, he is always asking Mom for money, and she just opens her purse and gives it to him. She doesn't wear shades, and she can't resist him. I noticed he never has to give any of it back, so shades may be the way to go. So, Brothers, that's my story. Watch out. My message is, pretty women can do you up, or they can do you in. I guess I was lucky, mine was the best. Beethoven This is all for today, because we shared our letter with Beethoven. He is so handsome we couldn't refuse, long hair, bushy tail, and shiny whiskers, enough to trip any ferret girl's heart. Before we go, we wanted to ask you a question. Beethoven was talking to us, and he asked if we knew where he could get some shades. The two legged kid was wearing his "shades" today, and Beethoven said if he had a pair, he thought they would keep him on top of the situation. We said we'd ask you. Silly (handsome) boy. See you later Shelter Mom, we are going out for our run, and we have to check out Foster Mom's computer. Love to all, June and Storm. Dear Foster Grandma, Thank you, thank you, thank you, for the yummie lunch you sent us. Foster Mom picked up some Totally Ferret at the Shelter today, and we are munching it. You are the best Grandma and we just wanted you to know that we appreciate your help. It gets expensive for Foster Mom to keep all of us in good health, and she makes soup for us, gives us some vitamins, and we think she is sneaking us some other "stuff" but we can't be sure. Anyway, Foster Mom was thrilled with the gift, andwe go around singing, yummie, yummie, yummie, we have good things in our tummies. Love June and Storm ------------------------------ Date: Wed, 14 Jul 1999 12:27:09 EDT From: Ann DiPasquale Subject: Introducing a new ferret Hi, I have a 14 month old male ferret (Simon). I just adopted a 9 month old female ferret (Daisy) from our local animal shelter 5 days ago. My problem is that even though we have been taking it slow, Simon, who has been an only ferret for about a year, is biting Daisy in the neck whenever we try to let them interact at all. He is not biting hard enough to draw blood or even make her cry but he is biting her non the less and obviously she doesn't like it. For the time being we are keeping them in separate cages, but right next to each other. I have also been interchanging their blankets to hopefully get Simon used to her smell. I was just wondering from others if this is the normal process of him accepting her or if I am going to have trouble getting them eventually in the same cage and interacting nicely. Any suggestions would be greatly appreciated. Thanks Ann ------------------------------ Date: Wed, 14 Jul 1999 13:06:41 -0700 From: Sunshine Subject: Ferret Health It's good to quarantine the new ones for a week. Keep them in different areas of the home. You can let the new one play in the same area, but don't let them use the same water/food/litter box. This way if the new ones are sick it won't give it to the other one. This would cut down on yours getting ECE, parasites or bacterial infections. If I would not have quarantined the two we got from someone I would have had 5 with a bacterial infection and force feeding 5 every two hours for a few days. This is no fun at all. I've felt so bad for the people I have talked to who didn't quarantine and the new one had ECE. You might let your ferret pick out the ferret it wants. We like boys better because they are bigger in size. Our two girls are so small. Some pet stores will let you have one of yours play with theirs. All shelter's let you bring one with you so your ferret can pick out the ferret. Any age is fine. Just if one is bigger in size you might have to wait awhile to let them sleep together. The first girl we got we had to wait for a month to let her sleep with the other two. She was too small to defend herself. We did let them play together supervised. Shelter's are better really. The person can tell you all about the ferret you want. Personality and other things. Some shelters are so overloaded with ferret's. Plus, some have late spaying and neutering which is much healthier then MF's kits. Email me anytime. Not sure you have seen two ferret's play but they play rough and many are surprised and shocked at this. Watching two play and sleep together is alot of fun.. Thanks for considering having two of them. They are much happier having a friend. Debbie ------------------------------ Date: Wed, 14 Jul 1999 14:07:31 -0400 From: Alicia Subject: Film for FerretWise Does anyone get Seattle Filmworks film unsolicited? YTou know the intorductory mailers to try their service? If you have any of these around the house and were wondering what to do woith them-- at FerretWise our local photo shop will replace any unused seattle filmworks film with the camera shops film (Kodak). So if anyone wants to help in a small way mail those film canisters out and we can document the work & educate here while reducing the costs! please send your donated seattle filmworks rolls of film to: Ferret Wise PO Box 561 Marlborough, NH 03455 The folks and ferrets will thank you! ------------------------------ Date: Wed, 14 Jul 1999 16:01:23 -0600 From: "Gustafson, Barb" Subject: Address Change Please note the following change in address for the Alberta Ferret Society effective July 15/99. Old address Site 1 Box 85 RR2 Tofield, AB T0B4J0 New Address 7619-70 Avenue Edmonton, AB T6C0A3 Our Ferret Hot Line # remains the same at (780) 447-3336. Please update your records to reflect this change. Barbara Gustafson Alberta Ferret Society President e-mail: ferts@telusplanet.net ------------------------------ Date: Wed, 14 Jul 1999 22:20:22 -0400 From: Kymberlie Barone Subject: Florida Shelters - a Visit? Hello, I just received the following message in our website's guestbook, and thought I'd post here to see if anyone would know if there would be any shelters (or breeder) in South Florida willing to give a tour to a 13 year old girl. Mike Janke - I was thinking of you but I don't have your e-mail address. The message follows; please reply to me as I did not ask permission to post the e-mail address of the girl's mother. If you can provide a tour to the girl, send me a message directed to them and I will simply forward it in it's entirety. They have five ferrets, Taz, chiko, Misty, Bear, and Flash, and they are from Canada. Thanks... ----------- Hi...the ferrets really belong to my 13 year old daughter. She has a paper route and has bought and maintained them all by herself. She is wonderful with all animals and seems to have a way even with mean ones. We are planning a trip south to florida starting on August 20, and her wish list named a visit to a ferret breeders or shelter. Is there anyone willing to let her see the little furries up close? Heather Legault ----------- Thanks again -- hope all are doing well, anyone going to the Warm Fuzzy show, I'll see you there! :o) Kymberlie Barone Director, Pennsylvania Ferret Rescue Association Montgomery County Branch http://www.ferretrescue.com Looking for a ferret club in Pennsylvania? Ask me about the Pennsylvania F.E.R.R.E.T. Club and other ferret clubs in the state! ------------------------------ Date: Wed, 14 Jul 1999 10:11:10 PDT From: Coree Campbell Subject: Anyone know where there is a Shelter hello again I'm still wanting to get a ferret and I think i'm starting to change my dad's mind. I was just wondering if anyone knows of a shelter near the Kitchener-Waterloo, Ontario, Canada cause I was hoping I could find one and take my dad there. Also if there are any new arguements I could use that would be great!! Coree coreecampbell@hotmail.com ------------------------------ Date: Wed, 14 Jul 1999 08:55:59 -0400 From: "Jennifer D. Ellis" Subject: uh-oh, bad signs here First off, I'd like to just thank all the generous folks on this list who've been offering to help us out a little--the plastic bags and coupons have been really helpful. Everything is, at this point. :-) You know who you are. And we're starting to become better known in the community, too, which is excellent--vets are giving out our number, and we had two appointments last night with folks who wanted to meet our fuzzies. Yay! In fact, all five adoptable babies are spoken for now, and one has gone to her new home, where she seems to be settling in and hasn't beat up her new cage-mate more than once so far. Now, the bad part: we had a pair of rescues dropped off Sunday, lovely little girls, not from a horrible situation or anything--or at least I didn't think so. Now I don't know what to think. After their previous owner had left, Dennis noticed that the fat, healthy, friendly sable actually has a hugely swollen vulva. Cringe. Her silver sister seems fine, although her poop's quite runny--but so far we've never seen a new ferret not get diarrhea for a day or two. But Lucy, although she seems healthy otherwise, quite obviously isn't. The vet appointment--next time we could get in with her--is Wednesday morning. I know the two most common reasons for this symptom: a partial spay (or unaltered jill), or an adrenal problem. Are there any other possibilities I should know about? She's a Marshall ferret, so she's been altered, at least supposedely. I haven't heard a lot about partial spays with reference to their ferrets, but I understand it's not common in general. Then again, she has absolutely NO other signs of an adrenal problem--one of the most gorgeous coats I've ever seen, active, a bit on the heavy side. We're preparing for major surgery, but not looking forward to living on bread and water. :-) Seriously, we knew this would happen, but hoped it wouldn't be so soon. A lovely young couple has already fallen in love with the two of them, and wants to be involved with the surgery and recovery, which is wonderful--and, providing it's all cut-and-dried and she makes a full recovery from whatever it is, they'll be adopting her pretty soon. Good folks, and this is the sweetest little girl... she and her sister are both so happy to get attention that they cover us with kisses. Anyway, any information or similar stories would be great. Wish us luck! Jen and the Crazy Business plus lots and lots ------------------------------ Date: Wed, 14 Jul 1999 14:19:55 -0700 From: Sunshine Subject: Shelter's About my post earlier. I just wanted to pass out business cards or something on paper about the shelter is all. All I knew about Sandies is she has some ferret's and rabbits. So learning abit more of her shelter would help me tell other people about her shelter. Was upset because I could not even get a small amount of info to pass on. Heck I can print stuff on paper with their name, address and phone #. I have heard some shelter's have many ferret's in their home. Why is in not possible for other's to foster a ferret for some time? I'm sure a family would be able to give much love to a ferret or two for some time. I'm talking about healthy ferret's I guess. There are a few shelter's I know of who have 30+ and 60+ ferret's. My family would be able to offer much love to ferret's. Sure it may be hard when they leave. So can someone tell me why shelter's are not able to do this? Plus, this would allow the shelter to spend less food and other things. Am I missing something or what? Debbie ------------------------------ Date: Wed, 14 Jul 1999 10:02:29 -0700 From: William Killian - Zen and the Art of Ferrets Subject: zen responds to a few others about this shelter and their face to the world issue >From: Mark Zmyewski >Subject: Reply to Zen and others about "Shelters hating people" >I am not sure just how the Killians run their shelter, maybe we should >try to visit them sometime, but "scaling back" their shelter work due to >"medical problems" concerns me since they do not believe in the fostering >system. We haven't turned away a ferret ever. But we do tend to point people toward whatever shelter is closest to them (or a list of close shelters in cases like Northern Virginia. I'll tell Diane you expressed concern for her illness. Seems more appropriate anyway. No need to "compare diseases". And by all means if you are near the top of Virginia give us a call so we can tell you how to find our little haven on the back side of the mountain. We do not believe in fostering. If someone wants to adopt a ferret, great. If they only want the fun part and aren't actually accepting the long term hard part then we really don't want them to have the ferrets that are our wards. We'll accept all the responsibilty. >In my eyes, there is no "scaling back". To explain the term scaling back. We have bred only one litter of ferrets this year - not expecting others but they could happen as some jills might go back in to season. We live way out in the middle of nowhere on the back side of a mountain. Despite living way out there is another breeder/shelter person in the area. Our area is so lightly populated (by east coast standards anyway) that we have been able to reduce our work load and still provide for all the ferrets in need that we find out about. THe lower population density is a prime reason we moved where we did. >From: FerretsR1@AOL.COM >Subject: volunteering at shelters >I agree that the foster placement should be permanent. Maybe a better >screening on the future foster parents. I started with fostering. Finding >foster homes would be #1 on my list of what a volunteer can do. The >ferrets that would go to foster homes, are basically unadoptable, old or >ill ferrets. Perhaps we have a problem with differences of opinions on what it means to foster. I think Faith and I have the same idea but use different words. If its permanent I call it an adoption. If its not permanent I call it a foster and do not support the concept for the most part. I'm sure special circumstances can be construed where I might agree to a temporary placing but not as much as some seem to practice. If Faith is meaning finding folks willing to (my term) adopt special needs ferrets means you have to use a different means to place them thats fine and expected. We usually have some oldster ferret of our own running around that ends up with a new roomie when we get a really old ferret in. We consider them permanently placed with us. We ended up having one old lady move in with us from another shelter after an adoption event. We and the other shelter mutually agreed that since that old lady would have a good home and a roomie of "similar energy level", she just stayed. We didn't call it fostering as she was permament. We just think that once placed that ferret is out of the shelter and we don't use them to increase the number of ferrets "in our shelter". But then we don't have similar needs to many for donations. -bill -- bill and diane killian zen and the art of ferrets http://www.zenferret.com/ mailto:killian@zenferret.com ------------------------------ Date: Wed, 14 Jul 1999 02:45:27 -0700 From: Kylie Preisig Subject: breeding age >This is about the only thing in the post that differs from our experiences. >Most breeders around here use one year as the fully mature age. We use two >for dogs but have so far used one for ferrets. Ah, the two year breeding age is what I had been told by the local ferret club as the recommended age. The jill we bred was actually younger than two years, and she had no problems. What do other breeders think? >>From: Derek & Amy Flemming - Flemming Farms >>Subject: Annie White - and others Amy posted a great response in the ferret forum to my questions on how she copes with the hazards of breeding she lists in her post. Maybe she could post something similar here? Kylie Ferretless in Queensland ------------------------------ Date: Wed, 14 Jul 1999 05:55:38 -0700 From: JudithMoon Subject: we do take back our ferrets I would not normally answer one of Ed's posts, but since there are a number of people who read this mailing list that are not aware of Ed's problems I will answer this. Yes, we will always "take back" ferrets of our own breeding. That goes even if they are dying of ECE. We do not abandon our babies! We would take a contagious ferret to our vet. for quarantine and aid. Others would be quarantined at our own facility. As for taking in other ferrets, we do our best. We do not "take in" every animal, but do help to see that it is taken in by a local shelter or someone willing to care for or adopt it. And yes, like many others, we do sell breeding stock to those who have the proper recommendations and knowledge to raise ferrets. Ed Lipinski is not one of those who will ever legitimately own a ferret from us. Obviously Ed makes personal attacks on those he feels threatened by. Since our animals are raised carefully and lovingly, in a home environment that is clean, he must feel that since he cannot compete, he must attack. Very sorry, such posts are allowed on this mailing list. Judith Moon Moonsong Exotics, bred to be the perfect companion http://moonsongferrets.virtualave.net ------------------------------ Date: Wed, 14 Jul 1999 13:46:57 EDT From: Jennifer LaRossa Subject: ? re dog/ferret compatibility Dear Everyone, I can't believe I am asking this, because I am usually johnny-on-the-spot advising people to get caretaking breeds (and from shelters and rescues, for Pete's sake!) to pal around with their ferrets, but.... here's the story: My mother has had to move in with us. She always said that after my father died, she would get a dachshund. Since she is very depressed and has limited tolerance for the babies' antics (and Rustle and Archie are exemplary in their behavior, by the way, no kidding), I suppose I will have to get her something. Myself, I am not over the death of our border collie (rescue) last year, but that is irrelevant; my mother deserves her own little poofette. Mom is fragile and senile and therefore not a candidate for something beyond a fifi-type. But these little dogs all seem so .... snappish? Don't get me wrong, I love dogs, but Russ and Archie come first and the thought of an ill-tempered pooch hurting them is frightening. Any breeds that anyone could recommend? Dachshund would be her choice, I have heard that bichon frises get along well with other animals, my friend has a Yorkie who tolerates her ferrets (though I thought terriers would not be the best combo)... any suggestions, guys? And yes, some of you would recommend a cat... that would be perfect, but some of us are highly allergic to cats, and with three asthmatics in the house, we wouldn't be able to adopt one because we would have to find another home for it in a matter of days. The quicker the reply the better, before I do something impulsive. (There's a reason ferrets and I get along so well!) thanks a lot, Jenni ------------------------------ Date: Wed, 14 Jul 1999 20:39:14 -0500 From: Lara Tyminski Subject: Ferrets and Dogs Could any of you who had an existing business of ferrets, and then added a puppy or dog let me know how this affected you and your ferrets? I'm wondering how the needs of a dog may interfere with the time I have for my 4 fuzzies. How much of a puppy's personality carries on into adulthood? Can you tell what they'll be like when they grow up? I'm concerned that they may turn into a really aggressive dog, despite being raised around ferrets since they were 4 days old. The pups are now 10 1/2 weeks and I soon have to make the decision to adopt or return them to the shelter. Thankyou, Lara ------------------------------ Date: Wed, 14 Jul 1999 19:44:48 +0000 From: "Melissa A. Durfee" Subject: litter training...now I'm getting desperate Hi all :-) I adopted Brickbat from a shelter nine months ago. She was about 1.5 years old and had been in the shelter system for several months. Apparently she had been trained to use the litter box in her cage at the shelter but she did not retain that skill when we brought her home. In the last nine months we have managed to get her up to about 80% usage outside of the cage. The big problem is at night when she is in the cage with the other three ferrets. We have a three-level Prevue-Hendrix cage with a litter pan on the bottom level. The wire floor beneath the pan is protected by several heavy ceramic tiles. If a human is standing in front of the cage Brickbat will usually go in the pan like she is supposed to. However, at night she just plants her butt in every corner and makes a disgusting mess. Methods I have tried: housing her in a carrier with a litter pan (worked for a while, then she started crapping on her blankets); rewarding her for using the pan; making her use it before she comes out; tied boxes, clothes, and toys in the corners (she craps on them too); Bitter Apple; moving the litter pan; adding a second pan; cleaning the pan before bed. My boyfriend's latest solution has been for me to let HIM clean up the messes so I don't burst a blood-vessel. :> The other ferrets were 100% while in the cage until recently. Now Seymore is taking hints from Bricky and not bothering to use the box either! Is there something I am missing? Or is it her brain that has gone AWOL? Are some ferrets destined to be forever untrainable? If you can help PLEASE send me some suggestions. -mel ~ Question the definition of Progress ~ ~ www.Adbusters.org ~ ------------------------------ Date: Wed, 14 Jul 1999 18:24:51 -0700 From: Mia and Patrick Emery Subject: Name Raffle, We've got our first entries!! Hi folks! Well our first three entries for our name raffle have arrived. The first is Poquito which means 'little one' in spanish. The second is Trooper because she's been such a little trooper through everything. Third is Ottis ferrets choice Spot, 'Cause Spot is his favorite book character 'See Spot. See Spot run' For anyone who has No idea what I'm talking about please check out: http://www.geocities.com/Heartland/Estates/5172/rescstry.htm for a full explanation. The Journal and pictures have been updated with info from the second vets visit. Do you have a name you think would suit our little ferret? Check out the above link to find out how to enter your chosen name. We have decided that when we have enough entries we are going to post them on our webpage and ask you all to vote on your favorite name. You get to choose the winner! Thanks Again to all of you! Mia ------------------------------ Date: Wed, 14 Jul 1999 15:59:06 EDT From: Sandy Repper Subject: Oops Guess I just expected you folks to read my mind.Are you ready? There..... got it? For the pschically impaired, the pet expo will be at the state fairgrounds in Albuquerque,New Mexico on July 17th.The ferret community will be well represented,after all my fuzzies will be there.Can't get much cuter than that,not that I'm bragging. I've been rather busy getting ready,but the fuzzbutts are taking stardom in stride,other than the sunglasses.Right Dizzy? BTW,Sugar thinks you're the ferrets dook.Oh, and Joy,Taz says he loves a British accent.Hope to see you there. Sandy and the Wee Beasties ------------------------------ Date: Wed, 14 Jul 1999 05:26:05 -0400 From: Lynn Foster or Chris Stephenson Subject: Ontario ferret who is going to die Dear FML: Today I called the pound in Durham and spoke to Sophie. The first thing she asked was "where are you calling from?" I can only assume the calls from all over North America have really caught her and her operation off guard. I assured her I was calling from Richmond Hill (very close) and she had nothing to fear. I pleaded for her to let me take the ferret but she explained it still belongs to the abusive owner and they have no law within their grasp to seize it from her (this may be bullshit, but I am not familiar with all the implications of this case). Anyway the owner has demanded the ferret be put to sleep. Sophie assured me that the owner had been told that people had called and were prepared to adopt it but the owner is insisting on killing her pet ferret (again this may or may not be bullshit). It is imperative that we make sure an autopsy is preformed to settle once and for all (as Ed [Lipinski] has observed) that no cruelty to this animal was involved. In other words will an autopsy show starvation or previously broken bones or any sign of abuse? This woman is known to the local Childrens Aid society - under what circumstances the paper did not say - but it won't be for her good deeds. To that end it is probably the next step that as many people as possible call the Durham Humane Society and demand that they take the ferret from the Durham Pound and preform an autopsy and depending on what that shows that she be charged if cruelty is proved. Durham Humane Society - 1 905 433 2022 The phone number for the Durham Police is 1 905 579 1520 I am not sure if a call to them is necessary but they are the investigating force so maybe if there are any officers of the law (or ex-officers of the law) they could make a call and get some action. It is not beyond my thinking that this woman wants this animal dead and gone so that she cannot be linked to cruelty charges and indeed if the ferret is euthanized already we may be screwed - so Thursday as you are reading this please think about making the call and not let this ferret die in vain - at the very least you may be saving two small children from a continued life in hell. The number for the Durham Pound is 1 905 427 8737 and the manager is Sophie in case anyone needs to speak to her. I will also be senging a copy of this email to the Solicitor General for Canada as she is in the process of re-writing the cruelty to animals laws in Canada as it appears that cruelty to animals is nearly always a sign that a person is capable of more horrific and sadistic crime in the future. It is a short step from abusing your pet by not feeding it to locking your kids in a closet and going out for a few beers for a few days. Lynn ------------------------------ Date: Wed, 14 Jul 1999 17:16:18 +700 From: Edward Lipinski Subject: Request for help in obtaining body of Toronto ferret. To magick@ECHO-ON.NET and to www.ferretaid.org: I have posted on this FML an urgent request for the immediate shipment of the body of the Toronto ferret to me at the address indicated - or that a detailed necropsy report be sent from a local Toronto ferret vet who would perform said necropsy. Would you please contact the owner of the ferret and possibly make the necessary arrangements with her to achieve delivery of said ferret or its necropsy report. Please tell her that I will pay all expenses and that I will arrange for a proper burial of the remains here on Mercer Island, Washington, USA. Also request from her that she obtain from the attending physcian a detailed anatomical description of wounds inflicted by the ferret on the infant and that she make that report available to me. If necessary I will sign a release of Liability and Hold Harmless Agreement executed by my attorney in her behalf. Thank you so very much. Time is of the essence! Edward Lipinski Ferret Endowment for Research, Rehabilitation, Education & Training Society, North West, USA. ------------------------------ Date: Wed, 14 Jul 1999 19:36:08 EDT From: "F. Scott Giarrocco" Subject: Re: Simple question about the Toronto Ferret that Mauled a Human Infant [Sent in 2 parts -- combined into one. BIG] >But let's be very clear on this - not one person on this mailing list has >even hinted at the REASON why a ferret inflicts biting wounds on an infant, >as in the Toronto case as well as all the others that history has recorded. Ed, your memory seems to be very selective. Such discussions were held on the FML several times, or is it possible that the reason you deliberately chose not to recall such comments is because they don't fit in with your theories that ferrets are not "fully domesticated" and prone to feral attacks on babies? No one here has ever denied that ferret bites do occur from time to time. That is a fact. Several reasons have been suggested in the past for why ferret bites occur: -- The ferret was attempting to play with the baby. We all know ferrets nip and bite each other multiple times when they play in a rough and tumble way. There is also the explanation for multiple bites in one area. Observe two ferrets playing and you will see multiple play bites delivered to the same area on the opponent. -- The infant hits or inadvertantly hurts the ferret and the ferret reacts to the threat in the only way possible. Since the baby is unable to run away, it flails its arms continuing the perceived threat to the ferret and multiple bites occur. -- The ferret is attempting to show dominance over the infant who is a newcomer into the house. This is normal ferret behavior. >Those who have attempted to find a reason for the ferret mauling the >infant in Toronto have cited that oft repeated cliche: >It's not the ferrets fault; it's not the infant's fault either. It's >the fault of the adult. >Please note here that the word "reason" is somehow changed by the >respondents to the word "fault." No, no one other than you is substituting the word "reason" for "fault." The number one *reason* ferret bites occur on infants is indeed adult human neglect. The humans neglect to take the proper precautions to prevent a very preventable and predictable incident. It doesn't take an Einstein to know that infants and any living animal unsupervised in the same location are not a safe combination. In almost every infant/ferret bite incident reported, the infant was left in a room alone with an uncaged, unsupervised ferret. Had an adult human been watching over the infant, the ferret, or both (as they should have been), the bite incident(s) would not have occurred. The incidents of infant/ferret bites are the direct result of adult human neglect, and lack of common sense, and nothing more. They are regretable and preventable. But, they are not the result of some dormant feral instinct to attack and maul infants that is suddenly turned on like a light switch the moment a ferret first sees/hears/smells an infant. The common factors behind every infant/pet bite incident is neglect and/or a lack of common sense on the part of the adult human responsible for providing a safe environment for both the infant and the pet. Every parenting expert and pet expert will tell the public in no uncertain terms DO NOT leave an infant and pet together unsupervised. So yes, we can educate the public on what it takes to prevent infant/ferret bite incidents. The answer is simple, supervise your infant and pets at all times. Never leave the infant and ferret in the same room alone together. Never turn your back on the infant and ferret even when you are in the same room as they. Do those simple things and there will be no ferret/infant bite incidents again. PART 2 >Also I have to ask, why has not even one individual expressed the desire to >determine the physical condition of the attacking ferret? What is there >about this Toronto ferret that is unique to him (her)? Is there something >comparable in this ferret to all the other ferrets that have mauled infants >that may be discovered by a finely detailed examination of the Toronto >Terrifier before he is killed, or for that matter, even after he is killed. You assume again that the reason for the incident in Toronto is to be found physically within the ferret. That is as logical as trying to determine what the picture on a puzzle will look like by examining only one puzzle piece. You deliberately choose to ignore the common factor between the Toronto incident and other infant/ferret bite incidents. Look there and you will find the answers you claim you are seeking. That is if you really are interested in discovering the reasons behind infant/ferret bite incidents. >Thus I return to my point made in the original post, unless questions such >as I have proposed above are asked and fully answered, there is no >knowledge to pass on to other ferret owners or the general public as to >how best protect infants from continued ferret attacks. How can ferret >owners who are ignorant, and I'm afraid we are all ignorant in this field >of ferret behavior, educate the public? Simple. We can't. We are as >dumb as doorknobs, wouldn't you agree? No, I would not agree. I am surprised that someone who claims to run the Ferret Research Institute and have many years of experience with ferrets can also claim ignorance of ferret behavior. Ferret behavior is understandable and even predictable. Ferrets bite for a number of reasons: -- Ferrets bite in play and need to learn human/ferret social skills to learn how not to harm the less bite resistant human skin. Even a well socialized ferret who has mastered the skill of play biting their adult human companions is in strange new territory when confronted by a human infant. The old rules just don't apply since an infant's skin is more prone to injury. This is predictable ferret behavior and can be prevented by not allowing infant/ferret interaction. -- Ferrets bite out of fear and/or anger. Infants lack coordinated motor skills and can easily frighten or injure a curious ferret who is allowed into contact with the infant (again, either through neglect or lack of common sense). The natural ferret behavioral response is to bite at the source of injury. This, too, is predictable ferret behavior and can be prevented. -- Ferrets bite to establish and maintain social dominance. An infant is a new member of the established household. Ferrets do not know that a human infant is automatically higher on the established social dominance scale of the household. This is normal and predictable ferret behavior, and again, can be prevented. -- Ferrets tend to be more prone to biting when ill or injured. This is predictable ferret behavior. They have so few other methods for communicating when they are unwell. Ferret communication -- like most animal communications -- is complex, and involves, vocalizations, body language, and even biting. The knowledge on how to prevent infant/ferret/pet bite incidents is available, and has been available for generations. My great-grandmother knew it, and her great-grandmother knew it. It is rooted in common sense -- do not permit infant/ferret/pet interaction without close, responsible adult human supervision. There is no mystery, no deep feral instinct, no unknown ferret behavioral syndrome. There is just good, old-fashioned common sense, or a lack thereof. The real problem is that so many people may be just don't use common sense. They may be too busy, may assume that the pet has never bitten before, or just plain don't think something will happen to them. Accidents and incidents happen, and many of them are preventable if common sense is employed ahead of time. >Edward Lipinski, who's been there and done that! Seventy-two inches of >intestine in the ferret that was necropsied here in my vet's lab. And >you know what? Not one bit of food in the stomach or intestine - only 20 >millimeters of feces just inside the anus. Does this suggest that this >ferret that inflicted 47 lacerations of a premature infant's scalp was >starving? You tell me. As I said before, the situation as you described was less than credible, ferrets are not permitted in the Neonatal ward where premature infants are kept and hospitals do not routinely release premature babies to a home environment. But, for argument's sake, if the stomach and intestine indicated the ferret was suffering from starvation, then once again the one factor which you continue to ignore comes into play -- human neglect. The humans in that household created the conditions which directly led to the alleged incident. The causation was external to the ferret and not internal -- namely, the humans did not feed the ferret. FSG ------------------------------ Date: Wed, 14 Jul 1999 17:36:29 -0400 From: The Ferret Aid Society Subject: London Cruelty case I'm still feeling sorrow for the poor wee ferret that was euthanised for attacking a baby, but I have to also feel excited about today's case against Robert Jarmain. Please keep us all in your prayers today. The case will be brought before the court at 10 am. Good vibes are needed. Keep your fingers crossed that we win and I'll keep you all up to date on the outcome. Thank you to all of you. Love, Randy The Ferret Aid Society "For the love of our fuzzy friends" http://www.ferretaid.org http://www.igive.com/html/ssi.cfm?cid=1383&mid=43897 Use your mouse to raise funds for the shelter by clicking here. ------------------------------ End of FERRET-L Digest - 14 Jul 1999 to 15 Jul 1999 (#1999-2741) ****************************************************************  1, answered,, Summary-line: 15-Jul pstark@furniture.com #RE: alert 2 Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06574; Thu, 15 Jul 99 17:05:05 EDT Received: from mail1.furniture.com by MIT.EDU with SMTP id AA19328; Thu, 15 Jul 99 17:05:03 EDT Received: by mail1.furniture.com with Internet Mail Service (5.5.2448.0) id <333R3J7G>; Thu, 15 Jul 1999 17:03:17 -0400 Message-Id: <210D83C9C26AD211A2020008C74CCBE733A8C0@mail1.furniture.com> From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: alert 2 Date: Thu, 15 Jul 1999 17:03:17 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'David C. Jedlinsky'" Subject: RE: alert 2 Date: Thu, 15 Jul 1999 17:03:17 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" I do, but I think I left it home today. It's not in my briefcase. What a day to forget it! Right now, there are 2 more helicopters going by. I don't know what the prognosis is, but Rte. 9 (my office is right on Rte. 9 westbound; we moved to Framingham a few weeks ago) is closed and has been for half an hour already. You can reach me here at 508-416-6334. I'll email you when they open the parking lot exit, or should I call? Where to call? Peter. > -----Original Message----- > From: David C. Jedlinsky [mailto:opus@mit.edu] > Sent: Thursday, July 15, 1999 5:02 PM > To: Peter Stark > Subject: Re: alert 2 > > > > Keep me posted. We can show up later if necessary. > > Do you have a cell phone? > > -Dave >  1,, Summary-line: 15-Jul mendes@aigfpc.com #FW: Fwd: Adam Sandler's List Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10561; Thu, 15 Jul 99 17:20:23 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA23451; Thu, 15 Jul 99 17:21:05 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 114suz-0002ay-00; Thu, 15 Jul 1999 17:19:49 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <31556Y6P>; Thu, 15 Jul 1999 17:19:47 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Fwd: Adam Sandler's List Date: Thu, 15 Jul 1999 17:19:46 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: FW: Fwd: Adam Sandler's List Date: Thu, 15 Jul 1999 17:19:46 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain From Amy @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > --Ten Things That Piss Me Off-*Adam Sandler* > > > > 1. People who point at their wrist while asking for the time. I know > where > > my watch is buddy, where the fuck is yours? Do I point at my crotch > when I > > ask where the bathroom is? > > > > 2. The Pillsbury doughboy is way too happy considering he has no > dick. > > > > > > 3. People who are willing to get off their ass to search the entire > room > > for > > the TV remote because they refuse to walk to the TV and change the > channel > > manually. > > > > 4. When people say "Oh you just want to have your cake and eat it > too." > > Fuck > > off. What good is a goddamn cake if you can't eat it? > > > > 5. When people say "It's always in the last place you look". Of > course it > > is. Why the fuck would you keep looking after you've found it? Do > > people do this? Who and where are they? > > > > 6. When people say, while watching a movie "Did you see that?" No > > dicknose, > > I paid $7.50 to come to the theatre and stare at the frikken ceiling > up > > there. > > > > 7. The radio ad "Hi, I'm Jeff Healey from the Jeff Healey Band. > Don't > > drink > > and drive. I don't". Well, I hope you don't drive sober either Mr. > Healey. > > You're blind for God's sake! > > > > 8. People who ask "Can I ask you a question?" Didn't really give me > a > > choice, did ya there buddy? > > > > 9. When something is "new and improved", which is it? If it's new, > then > > there has never been anything before it. If it's an improvement, > then > > there > > must have been something before it. > > > > 10. When a cop pulls you over and then asks if you know how fast you > were > > going? You should know asshole you fucking pulled me over! > > ----------------------------------------------------------------- > > Bill (The Bear) Garvey > > Buckley Associates, Inc. > > Phone: 781-878-5000 ext. 160 > > Fax: 781-871-9435 > > > > > > > > > >  1,, Summary-line: 16-Jul goodmanj@MIT.EDU #Palm Pilot & NeXT via MIDI? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27812; Fri, 16 Jul 99 16:36:51 EDT Received: from AMPERSAND.MIT.EDU by MIT.EDU with SMTP id AA11497; Fri, 16 Jul 99 16:37:34 EDT Received: by ampersand.mit.edu (8.8.8/4.7) id QAA14229; Fri, 16 Jul 1999 16:36:49 -0400 (EDT) Message-Id: <199907162036.QAA14229@ampersand.mit.edu> X-Mailer: exmh version 2.0.2 2/24/98 To: opus@MIT.EDU, eichin@MIT.EDU Subject: Palm Pilot & NeXT via MIDI? Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Fri, 16 Jul 1999 16:36:49 EDT From: Jason Goodman *** EOOH *** X-Mailer: exmh version 2.0.2 2/24/98 To: opus@MIT.EDU, eichin@MIT.EDU Subject: Palm Pilot & NeXT via MIDI? Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Fri, 16 Jul 1999 16:36:49 EDT From: Jason Goodman Carolyn asked me if there was a program which would let her compose music on her Pilot, so that she could make exercises to give to her students. After a little looking, I found "miniMusic" (5thwall.com/minimusic). It's a very simple composition program, with the neat feature of being able to send MIDI to the Pilot's serial port. In theory, one could hook a desktop music typesetting system (say, Calliope) to the other end of the serial port, and be able to dump the composition to the PC, print it out, or whatever. Calliope claims to be able to read MIDI through its serial port. I (semi)successfully hooked the Pilot up to the NeXT using the following cabling: NeXT to Mac modem cable (8 pin Mac serial to db25) to db25 to db9 RS232 converter (came with pilot) to Pilot cradle to Pilot Starting Kermit on the NeXT and telling MiniMusic to dump a song in MIDI to the serial ports results in random characters appearing in Kermit, in tempo with the music. I interpret this to mean a successful serial connection. However, if I go into Calliope and use the "Tools... Perform" dialog, set the MIDI source/sink to "GMIDI-B" (which the manual says corresponds to serial port B) and press "record", then tell MiniMusic to dump MIDI, I get nothing appearing in Calliope. I've tried using a null modem adapter, with no effect. I suspect a baud-rate problem, but I don't know enough to figure it out. Having info about the MIDI format which would allow me to know what garbage *should* be appearing in kermit might help. Opus, you're the Calliope guru. Mark, you're the Pilot guru, and you seem like the sort who might find this an interesting puzzle. Any ideas?  1,, Summary-line: 16-Jul eichin@thok.org #Re: Palm Pilot & NeXT via MIDI? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16564; Fri, 16 Jul 99 22:52:30 EDT Received: from paycheck.thok.org by MIT.EDU with SMTP id AA10514; Fri, 16 Jul 99 22:52:24 EDT Received: (qmail 3893 invoked by uid 3382); 17 Jul 1999 02:52:22 -0000 To: Jason Goodman Cc: opus@MIT.EDU Subject: Re: Palm Pilot & NeXT via MIDI? References: <199907162036.QAA14229@ampersand.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 16 Jul 1999 22:52:21 -0400 In-Reply-To: Jason Goodman's message of "Fri, 16 Jul 1999 16:36:49 EDT" Message-Id: Lines: 30 X-Mailer: Gnus v5.4.56/Emacs 19.34 *** EOOH *** To: Jason Goodman Cc: opus@MIT.EDU Subject: Re: Palm Pilot & NeXT via MIDI? References: <199907162036.QAA14229@ampersand.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 16 Jul 1999 22:52:21 -0400 In-Reply-To: Jason Goodman's message of "Fri, 16 Jul 1999 16:36:49 EDT" Lines: 30 X-Mailer: Gnus v5.4.56/Emacs 19.34 contrary to the theories I had at dinner, it looks like it really is using 31250 baud; http://fargo.itp.tsoa.nyu.edu/~gsmith/Pilot/PilotMidi.htm has a bunch of details and a schematic for driving Real MIDI using the pilot and an adapter board. A quick look at the schematic shows that it is only level control... Thus the question is, can you get the NeXT to actually set a tty to that baud rate (certainly try using kermit first - when I mentioned using stty, I'd forgotten that kermit itself can set a baud rate and will normally leave it set... but it may only support the "normal" unix baudrates.) Or you can try "stty 31250 < /dev/whatever". On a PC under linux, I *think* there's enough control of the multiplier register and other timing bits to do it; look at setserial, the baud_base, divisor, and spd_custom features. You might ask Ted, if you actually have a linux PC to work with; he wrote the driver... a quick look at the source wasn't that enlightening, I think I'd need the datasheet to see what is going on. As a hardware approach, a PIC chip with two lines configured as serial ports, one reading at 31250 and the other writing at something faster (57600 or 115200 both work on the free-running 4mhz version of the chip) so that there's no buffering needed. Unfortunately, this is a hardware approach. If it comes to that, I can ask my brother. [Hmm, actually one might be able to prototype this with two pilots: have one pilot in "midi monitor" mode just read the data from the other one, and then turn around and squirt it out at a baudrate the PC can handle. Problem there might be timing, if the timing is implicit instead of transmitted...]  1,, Summary-line: 18-Jul ehj99@earthlink.net #Dover Mikado available now Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15111; Sun, 18 Jul 99 01:03:30 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA28073; Sun, 18 Jul 99 01:04:13 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id BAA26775; Sun, 18 Jul 1999 01:03:26 -0400 (EDT) Date: Sun, 18 Jul 1999 01:03:26 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: E H Jones To: Multiple recipients of list SAVOYNET Subject: Dover Mikado available now Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 18 Jul 1999 01:03:26 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: E H Jones To: Multiple recipients of list SAVOYNET Subject: Dover Mikado available now Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear Savoynet Members I've been lurking in the shadows from time to time on this forum and I must say, I really enjoy reading some of the posts, particularly the humourous ones. I announced, about a year ago that Dover would publish a new edition of the full score of The Mikado and I'm happy to announce that it is now available for purchase. There will also be a new piano/vocal score appearing this Fall, published again by Dover. A full set of engraved orchestra parts is available for rental from MMB Music. Since the piano/vocal score's release is still a few months away, bound photocopies of it will be available for rental with the orchestra parts. I am quite proud of this edition. I invested countless hours on the whole project and used my best engraving, typesetting and musical abilities to ensure that this is the best possible edition to work with both from a rehearsal/performance perspective and a musicological one. The chief editor of MMB Music, Carl Simpson, is responsible for most decisions we made in regard to the layout and format as well as the inclusion of dynamics, slurs and articulations that were needed. We were careful not to introduce any interpretative ideas of our own so that the score would be as close as possible to Sullivan's autograph. Carl proofed the score, which I engraved using the Bosworth Score, against the Gregg edition of the autograph. All of the material was carefully checked by me for wrong notes with midi playback on my computer. The score was compared with recorded performances and many of the performance traditions have been footnoted. I'm not going to claim there are no mistakes, but I believe they will be minor and few in number. I welcome any observations and remarks forum members may have. It became very obvious to me, after I began the project, that the Bosworth score didn't represent the opera as it was performed even in Gilbert and Sullivan's time. The lyrics were probably as Gilbert first presented them to Sullivan. Here is a sample of the opening chorus "If you want to know who we are" beginning with the line "If you think we are worked by strings": Polite etiquette demands That persons of either sex Shall suffer from cranny in the hands And a crick in their out-stretched necks. When suffering from constraint We're always allowed to faint. You're wrong if you think we mayn't. Oh! Oh! Musical directors will be glad to see that there are measures numbers and ample rehearsal numbers in both scores and parts. All repeats have been written out, except "Tit Willow" because it fits nicely on a two page spread and "Brightly dawns our wedding day" since many productions omit the second verse (a pity, since I consider it Sullivan's best madrigal). The love duet "Were I not to Ko-Ko plighted" is presented in its uncut version with clear indications in all material for performing the abridged version. I also included the orchestral encore for "The flowers that bloom in the Spring" which I haven't heard on a recording yet. I prepared (composed?) a new eight bar fanfare to replace the Mikado's reappearance just before the Act Two Finale. This was perhaps a rather bold decision but the traditional fanfare wasn't in the original edition and frankly, if it was actually written by Sullivan, it isn't much of a credit to him. (I hope I haven't lost any of you with that declaration). The piano part for the piano/vocal score has been completely revised. One of Savoynet's more illustrative members, Steven Lichtenstein, was extremely helpful in playing through the new piano part and offering a number of alternatives and suggestions. It is much easier to play and has more orchestral material than either the Chappell or Schirmer versions. Character names and Chorus sections appear on every system making it easier for rehearsal. Both scores have the complete libretto. There is an interesting preface and synopsis written by Carl and a list of the original cast. Dover has already notified Carl and myself that they may be interested in publishing "Pirates" and "Pinafore". I suppose it will depend on how well this edition of "Mikado" is received. At present the full score is available online both from Barnes and Noble for $16.95 (US) and for $19.95 at Pepper Music. Amazon and Borders also have it listed but Barnes and Noble are the only ones that indicate that it is available now. Both Carl and myself realize that this edition won't make everyone happy but we are both anxious to hear any feedback (positive and negative). Thank you all for bearing with my rather long plug. I was apprehensive about doing this but I was informed that shameless plugging occurs all the time on this forum. I would be glad to answer any inquiries about any of the material I have mentioned. Ephraim Hammett Jones MusicScribe ehj99@earthlink.net  1,, Summary-line: 18-Jul LSimons@mail.usa.com #Re: Dover Mikado..... and my own Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23358; Sun, 18 Jul 99 04:56:15 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA10831; Sun, 18 Jul 99 04:56:58 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id EAA02379; Sun, 18 Jul 1999 04:56:12 -0400 (EDT) Date: Sun, 18 Jul 1999 04:56:12 -0400 (EDT) Message-Id: <004801bed0fa$8dd4fda0$6ce431d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado..... and my own Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sun, 18 Jul 1999 04:56:12 -0400 (EDT) Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado..... and my own Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I am not going to get drawn into the debate which will doubtless now ensue about the new Dover score, editorial policies etc. However, on the question of the Fanfare: in my score I simply expanded the piano reduction to be found in the VSS for 6-part brass (that part hasn't yet been posted on the website). Yet in Ephraim's defence I may say that his action is not without precedent: in the 1992 Buxton DC production (which I have on video) that austere Company also abandoned the traditional fanfare and used what I assume was their own (unless someone knows that it is of ancient origin!!!). Finally, in response to Marc's remarks that > it is no small matter to download and print individual TIFF files..... I would suggest that they simply be imported into Word for Windows (or something similar), after which they can all be printed as a single document - even in double-sided layout if you have a printer that supports this (e.g. a Hewltt Packard DJ660C or DJ1120C), and > after which you're left with loose unbound sheets..... well this true, but I am GIVING IT AWAY FOR NOTHING! Loose sheets can easily be comb-bound, which is actually more practical for a conducting score that most other forms of binding (other than hard cover) because it can then be opened flat - essential for a conductor! And finally, there was no need for me to produce my own vocal score because I deliberately set out to make my score compatible with *existing* editions. Larry Simons  1,, Summary-line: 18-Jul oakapple@cris.com #Re: Dover Mikado..... and my own Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00316; Sun, 18 Jul 99 09:03:36 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA20610; Sun, 18 Jul 99 09:04:18 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id JAA08839; Sun, 18 Jul 1999 09:03:32 -0400 (EDT) Date: Sun, 18 Jul 1999 09:03:32 -0400 (EDT) Message-Id: <3791CFC6.9F2A44D2@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado..... and my own Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sun, 18 Jul 1999 09:03:32 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado..... and my own Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Larry Simons wrote: > > it is no small matter to download and print individual TIFF files..... > > I would suggest that they simply be imported into Word for Windows.... I do not want to bore the list with the technical problems that this presents, but this is precisely what I did (or, rather, ONE of several techniques that I experimented with), and *simple* it is not. > > after which you're left with loose unbound sheets..... > > well this true, but I am GIVING IT AWAY FOR NOTHING! Absolutely, and Larry gets all due credit for this. Indeed, based on what we know so far (i.e., we've no idea how many errors Larry made), if the Kalmus and Simons editions were *both* free, I'd vote for Larry's. Ephraim did a pretty good job of explaining all that is wrong with the Kalmus (i.e., Bosworth) edition. And Kalmus, by the way, is anything BUT free!! But, Helga asked why anyone would buy Dover, when they can get Larry's for free. And, my answer is that, even assuming no other differences between them, it is worth $16.95 for a text that is professionally bound and printed, and includes all the libretto. > And finally, there was no need for me to produce my own vocal score because > I deliberately set out to make my score compatible with *existing* editions. This statement presupposes that all of the "existing" editions are compatible *with each other*, and this is not the case. Mind you, this is the type of problem that G&S performers have wrestled with for years, so Larry hasn't made the problem any worse. He's just failed to make it any better. -- Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com  1,, Summary-line: 18-Jul awrobins@hotmail.com #Re: Dover Mikado available now Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10817; Sun, 18 Jul 99 12:07:35 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA27268; Sun, 18 Jul 99 12:07:30 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id MAA12900; Sun, 18 Jul 1999 12:07:31 -0400 (EDT) Date: Sun, 18 Jul 1999 12:07:31 -0400 (EDT) Message-Id: <19990718155125.8801.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado available now Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 18 Jul 1999 12:07:31 -0400 (EDT) Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado available now Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >Polite etiquette demands >That persons of either sex >Shall suffer from cranny in the hands >And a crick in their out-stretched necks. "Cranny" is a new ailment to me. What does the Inner Brotherhood recommend for it? Arthur (who has perpretrated many typos of his own on SavoyNet) _______________________________________________________________ Get Free Email and Do More On The Web. Visit http://www.msn.com  1,, Summary-line: 18-Jul ehj99@earthlink.net #Dover Mikado: a few answers Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23845; Sun, 18 Jul 99 21:42:34 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA14785; Sun, 18 Jul 99 21:42:29 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id VAA27458; Sun, 18 Jul 1999 21:42:29 -0400 (EDT) Date: Sun, 18 Jul 1999 21:42:29 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: E H Jones To: Multiple recipients of list SAVOYNET Subject: Dover Mikado: a few answers Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 18 Jul 1999 21:42:29 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: E H Jones To: Multiple recipients of list SAVOYNET Subject: Dover Mikado: a few answers Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear SavoyNet Members: Thank you for your responses to my post. I would like to clarify a few things I might have stated vaguely and answer some of your questions. A little about myself: I was a violist and pianist during my college years at Oberlin College and the San Francisco Conservatory of Music, although I never completed my studies to get a degree. As a violist I played my share of "...pahs" (as in oom pahs) in many a pit orchestra and as a pianist I had much experience as an accompanist. In the late 60s I was privileged to be involved in performances of five G&S operas with a former director of the DC (his last name was Wilson). I grew to adore the operas from these experiences and even back then I was concerned about the state of the orchestral parts which were full of wrong notes and bad page turns, and the fact that the conductors had to work from a vocal score. When I began my career as a music engraver five years ago it was already in the back of my mind to engrave some or all of the G&S operas even if I received no recompense for it. I began work on the Mikado, naively thinking that all I had to do was copy the Bosworth score and check it against the autograph. It puzzled us that the only published full score of a G&S opera was issued with such indifference. By this time, (1898) surely the copious wrong notes would have been detected and the entire score updated; but the Bosworth score was engraved from the autograph, which was evident from the cast off marks visible on the autograph pages. Carl Simpson (the other editor) and I made the decision early on to produce a performance edition of the score rather than a scholarly one, particularly in view of the fact that Broude and Oxford were planning to issue critical editions. This position does not mean that our work is unreliable, however, we just approached our task with performers rather than scholars in mind. For many of the dynamics and articulations we had to make decisions, based on our experience, on what to expand to other instruments and what to leave alone. Since it is a performance edition we added bracketed dynamics in places where they were required (when solo voices enter) but we carefully avoided (I might say we had to refrain ourselves at times) tampering with what was already written. We listened carefully to recorded performances and footnoted some of the traditions and included some of them in cue-sized notes. We decided to edit the opening flourishes to the second verse and conclusion of the Mikado's song "A More Humane Mikado" to the way they are performed today. (In the autograph the flourishes begin on the last eighth note of the measure after he sings "mer-ri-ment" instead of the third eighth note). We consulted a very early piano/vocal score published by Pond and several very early prints of the libretto but pretty much adhered to the standard text. I even checked the libretto against the one available on the G&S Archive site. One of the reasons for the year of delay from the time I announced the publication was because we kept finding things we wanted to correct, change, add and delete until we were satisfied. As for the Fanfare, I've noted that the posts that criticized us the most for replacing it, offered no really valid reasons for its inclusion other than the fact that it's traditionally there. The Fanfare I've written will not please everyone but I wonder if it musical directors will replace it with the traditional one or another original one. The preface to the new edition explains much of what I stated above. Rather than give responses as to what criteria we considered, in general, for the whole project, I would be glad to respond to questions about specific passages or issues. For those who might be interested in the tools I used to produce the score, here they are: The scores were entered and edited in Finale on a Power Macintosh computer. The music fonts used were Johannes and Frederic, which are my own creations. The font used for titles, lyrics and the libretto is Adobe Caslon. The scores were delivered to the printer in PDF format and printed on a high resolution imagesetter. Ephraim Hammett Jones MusicScribe ehj99@earthlink.net  1, forwarded,, Summary-line: 19-Jul lcash@110.net #Re: Freezer pack Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21160; Mon, 19 Jul 99 12:51:53 EDT Received: from MAILX.110.NET by MIT.EDU with SMTP id AA13127; Mon, 19 Jul 99 12:51:50 EDT Received: from pq1105 (host142.218.113.209.tnt-1.ne.110.net [209.113.218.142]) by mailx.110.net (8.9.2/8.8.8/BiteMe+ReversePoisonSpam) with SMTP id MAA03020 for ; Mon, 19 Jul 1999 12:41:35 -0400 (EDT) From: "Louise Cash" To: "David C. Jedlinsky" Subject: Re: Freezer pack Date: Mon, 19 Jul 1999 13:39:32 -0400 Message-Id: <01bed20d$a91228e0$8eda71d1@pq1105> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Mimeole: Produced By Microsoft MimeOLE V4.71.1712.3 *** EOOH *** From: "Louise Cash" To: "David C. Jedlinsky" Subject: Re: Freezer pack Date: Mon, 19 Jul 1999 13:39:32 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Mimeole: Produced By Microsoft MimeOLE V4.71.1712.3 Hi Dave! Sorry about the freezer pack! I can't recall the last time I used the thing, and it's no big deal. If you guys want to keep it.........fine.........otherwise just toss it out. As it turns out, we have to go to dinner with people who have been asking us to go for about three months (you can tell we're real anxious), and then take them to see Rebecca Remis' poor grandfather who's still in rehab after his car accident (4 months)! So we couldn't hook up with Ruth anyway. Talk to you soon, and thanks for yesterday. It went great! Louise -----Original Message----- From: David C. Jedlinsky To: Louise Cash Date: Monday, July 19, 1999 11:09 AM Subject: Freezer pack > >Hi Louise. > >You left your freezer pack in our freezer. Ruth has it in her trunk, >and she'll be in Cambridge tonight to go to Mary Chung's for dinner. >If you'd like to try to get it from her, you can call her at work at >(617) 229-9111. > >-Dave >  1,, Summary-line: 19-Jul jmfarron@vais.net #G&S Library Available Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02728; Mon, 19 Jul 99 19:01:50 EDT Received: from Saturn.Bridgewater.EDU by MIT.EDU with SMTP id AA12125; Mon, 19 Jul 99 19:01:46 EDT Received: from Saturn (localhost [127.0.0.1]) by Saturn.Bridgewater.Edu (8.9.3/8.9.3) with SMTP id TAA01927; Mon, 19 Jul 1999 19:01:28 -0400 (EDT) Date: Mon, 19 Jul 1999 19:01:28 -0400 (EDT) Message-Id: <3.0.32.19990719185206.00866630@mail.vais.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: G&S Library Available Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) *** EOOH *** Date: Mon, 19 Jul 1999 19:01:28 -0400 (EDT) Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: G&S Library Available Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) >Return-Path: >From: MahlerII@aol.com >Date: Sun, 18 Jul 1999 11:57:32 EDT >Subject: Hello! >To: jmfarron@vais.net > >Hello! John Toy, a renowned circus clown died a few years ago. He collected a >vast amount of scores, books and recordings of Gilbert and Sullivan. It is >looking for a home. The purpose would be perhaps a library who could start a >collection, or a performing arts organization needing a library. Could you >forward this to any appropriate parties? This material has been lying dormant >for awhile and needs a home. Selling parts of the collection to private >individuals is not an option. Please let me know. >Thanks >Darin Tysdal > > ----------------------------------------------------------------------- Jim Farron, Springfield, VA Gilbert and Sullivan Archive == http://diamond.idbsu.edu/GaS/GaS.html U. S. Office of Personnel Management == http://www.opm.gov Washington Area Butterfly Club = http://www.vais.net/butterfly -----------------------------------------------------------------------  1,, Summary-line: 20-Jul LISTSERV@CUNYVM.CUNY.EDU #FERRET-L Digest - 19 Jul 1999 to 20 Jul 1999 (#1999-2747) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19460; Tue, 20 Jul 99 02:03:16 EDT Received: from listserv.cuny.edu by MIT.EDU with SMTP id AA17430; Tue, 20 Jul 99 02:03:07 EDT Message-Id: <9907200603.AA17430@MIT.EDU> Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <3.FFBA99E7@listserv.cuny.edu>; Tue, 20 Jul 1999 2:07:28 -0400 Date: Tue, 20 Jul 1999 02:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 19 Jul 1999 to 20 Jul 1999 (#1999-2747) To: Recipients of FERRET-L digests *** EOOH *** Date: Tue, 20 Jul 1999 02:00:00 -0400 Reply-To: ferret-list@cunyvm.cuny.edu Sender: ferret-list@cunyvm.cuny.edu From: Automatic digest processor Subject: FERRET-L Digest - 19 Jul 1999 to 20 Jul 1999 (#1999-2747) To: Recipients of FERRET-L digests There are 44 messages totalling 1961 lines in this issue. Topics of the day: 1. Please Help Refute DFG Lies 2. NYC Ferret Page- repost + additional info 3. REUNITED IN PORTLAND, OR 4. Volunteers 5. A tribute to Tosha... 6. Sweet Pea, Our Heartbreak, and Our Thanks........ 7. The loss of Esperanza 8. Feeling terrible about Esperanza 9. Worried Ferret Mom 10. Help with right adrenalectomy 11. Juvinille Lymphoma 12. Parvo in ferrets? 13. swollen nipples 14. Little Scabs 15. Pepe's PeePee Problem 16. Terminology 17. Aleutian Disease warning for Wessex & southern England 18. eating scented vaseline 19. veterinary care 20. Molly's surgery and stuffed ferret toy 21. LA vet; misc thanks 22. S.C. Ferrets 23. New cat food... 24. We're off to see the Wizard of Oz 25. "The Great Gravy Adventure" or "Curse You Bob Church" 26. zen's replies on pre-heat spays and free spoken pies 27. Possible fund raiser for North West Ferret Association. Splat! Splat! 28. Ferret Extravaganza '99 deadline is approaching 29. Syracuse, NY Club 30. Thanks for all for the Vancouver Vet referrals 31. Breeding Ferrets - Part 2 [and 3] 32. Legal in Arizona 33. Ferret Maths Strikes 34. Lesson 22: Do not pull when ferret attached 35. litter training standards 36. Hygiene 37. We need more names! 38. Hooked on Ferrets! 39. Ferret Ferry to Ottawa, Ontario 40. Ontario Ferret and Child Case 41. Adoption, Ferret Attack, Happy Ending 42. Absolute Fixation on One Aspect of Ferret Behavior. 43. Bobbie C (Ruprecht Kirche) jumps in with both feet out flushes a torrent of . . . well? 44. blinded by emotion The Ferret Mailing List Issue number: 2747 Date: 20 Jul 1999 Circulation: 3044 Moderator: Bill Gruber Messages pertaining to the FML should be sent to: ferret-list@cunyvm.cuny.edu <-- articles to be posted. ferret-anon@cunyvm.cuny.edu <-- articles to be posted anonymously. ferret-request@cunyvm.cuny.edu <-- to unsubscribe, problems etc. * To receive a copy of the FML FAQ (last updated 02/01/98), which discusses the FML in far greater detail, send mail to listserv@cunyvm.cuny.edu with "SEND FML FAQ" as a single line in the mail (don't use the quotes). * To get the Ferret Frequently Asked Questions (FAQ), full of information and advice about ferrets, use "SEND ANSWERS PACKAGE FERRET". PLEASE read the FAQ before you send non-emergency postings to the list!!! * Use "SEND FERRET nnnn" to get backissues of this newsletter. * Searchable archives: Except where clearly indicated by Moderator's notes, all articles posted in this forum appear exactly as written by their authors. They may have been reformatted without wording changes. The accuracy, or lack of accuracy, of any post is the responsibility of the post's author. ---------------------------------------------------------------------- Date: Mon, 19 Jul 1999 17:40:31 EDT From: Ferretnews@AOL.COM Subject: Please Help Refute DFG Lies Hello ferret experts on the FML, The California Department of Fish and Game and one wildlife biologist with nothing else to do (who spends most of his time fighting the ferret legalization effort) has put up a ferret misinformation page. I perused the page just before our last committee hearing and I told the author of our bill about the incredible lies and misinformation there. To give him (and you) one example, under "Threat to Poultry", one of the references is to a1950's book which pretty much has an anecdotal reference to the fact that it wouldn't be a good idea to have a ferret in a hen house. No studies, no facts, just anecdotes. Another reference is to a book by an English ferreter who recommended feeding ferrets poultry including male chicks. That's the threat to poultry!!! Human picks up chick and hands it to caged ferret. Literally you have to see this page to believe it. Nowhere on this misinformation page are the letters from the two Californina poultry associations stating that they have no opposition to ferret legalization. Nowhere on the page are letters we received from poultry associations outside California stating that ferrets were not a threat to poultry. Well, that got the author a tad bit angry and I've been asked to find other lies on the webpage. Problem is, I'm swamped!!! I'm going to be short staffed for the next month which is going to make it especially hard for me. I also have to fly to New York for a photo shoot which we normally do in LA (two days of my time instead of 4) at the end of this week and next weekend I'll be working with my volunteers to send out the largest mailing (by almost 2 times) that we've ever done in the six year history of CFL. And I need to get back to our author in the next 10 days or so! I've got one super expert, Bob Church, who has promised to look at the page and find the lies but it's a pretty big page with lots of links and I'm forgot to tell him that this is a little time sensitive. (Bob, if you're there, let me know if you can help out before the end of this month). Then I got to thinking. There are so many of you out there who are really well read on ferrets that I am hoping you will take some time to review thepage and let me know about the lies and misinformation. One person suggested dividing up the page and I'm happy to do that but I need to know who will spend a little time researching the page for me. I'll check all the lies out in the end, but it would save some time if others could do the initial search of the page. The address is: http://www.dfg.ca.gov/hcpb/ferret_issues.html I warn you, you might want to take a swig of Pepto before reading this ridiculous piece of work that is really an ode to the irrational hatred of this tiny little animal by a state agency. It will make you sick. Please e-mail me if you can help and want to look only at a section of the page. That way, I'll divide it up so the work isn't duplicated. If you want to persue the whole thing, fine with me. Please make a list of the stuff that you find, I will locate in and write it up for the author. Thanks in advance for your help, I really appreciate it. Jeanne Carley Founder Californians for Ferret Legalization http://www.ferretnews.org ------------------------------ Date: Tue, 20 Jul 1999 00:30:34 EDT From: " " Subject: NYC Ferret Page- repost + additional info Hello everyone, First off - I want to thank everyone for their letters of support for the site. Like I said on the site, ferret owners rule!! The site has grown tremendously in the past coulple weeks so I hope people check back often. I have started a mailing list for news and info regarding the recent ban and if anyone wants to subscribe just send email to NYCFerrets@aol.com - type subscribe in the subject or body of the letter. I will most likely be posting a petition soon that can be printed out and New Yorkers can get signatures on their own if they choose to help. More info about it will be posted on the site soon. http://members.aol.com/nycferrets Thanks again fuzzy lovers!! Lori and the Fuzzbutts - Diesel, Chelsea, Lucy, Puddin', Twinkie, and Ralphie ------------------------------ Date: Tue, 20 Jul 1999 00:12:21 EDT From: Kevin Bonner Subject: REUNITED IN PORTLAND, OR Hi and Dooka-dook to all the furkids!! Just wanted to drop a line to let all know that the foundling fert had been reunited with his lost hoomans. I received a call tonight from a man who supervised a Care Home for disabled persons. He described the fert to a "t". The home was only around the corner from where the fert was found. He said another caretaker thought the fert (BANDIT) was in his cage and opened a sliding door. Seems Bandit snuck out last Thursday night. The man said he gave up hope of finding him until someone mentioned that ANOTHER person in the area had lost a fert. When he asked, the person said there was a poster with a picture on it at the corner. The owner looked, and sure enough - it was HIS kid. . The owner was still able to identify markings that were not shown on the photo I drove the little guy to the address and was invited in. Bandit bounded from the carrier and ran around the room <"Gotta check my hidey-holes!!!>. He then ran over to say "Hey! I'm back" to the residents. He then shot over into his cage, scarfed down some food, and dove into his blankie. I laughed as he poked his head out as if saying, "There's NO place like home!!!!! ". Well, it seems he is very well cared for, and loved. He sure loved the fact that he was back home with his family. And his family was sure glad to have him back. And afraid enough of losing him again to take my recommendation of a collar and tag seriously (hope so at least!). Kevin B and the Way Kewl Critter Crew Featuring the ~~~Terrific~~~Tumultous~~~Twelve~~~ ~Furrice~Simon~Lacey~Hershey~Sprite~Socks~Cuddles~Java~Rascal (formerly Caesar)~Miss Priss (formerly Pimp)~Cinna~Racer~ BANDIT HAS NOW LEFT THE BUILDING - - - BANDIT HAS NOW LEFT THE BUILDING Guest STAR - ~Fur-Angel Lady~ Cast Appearance by - Geordi the Min-Pin Missing our friends - Kimo the Sumo Cat (and Honorary Fert), Jada the Min-Pin, and fellow ferts ~Petey~, ~Nibbler~, ~Max~, and ~Romeo~ Saying "Hey!" to ~Pandora~, ~Noser~ and the rest of the Tennessee Brat Pack !! ------------------------------ Date: Mon, 19 Jul 1999 14:31:21 -0500 From: Troy Lynn Eckart Subject: Volunteers Calling all volunteers that want to come cuddle and play with ferrets. Yep, that's what I need my volunteers to do. I'll do the 'dirty' work because quite frankly I wouldn't want anyone else to do it. I will ask that if you see an accident, please grab the tissue and wipe it up and toss in the trash. That's it. Oh and you might want to hold a special ferret while they eat from the saucer of recipe you hold in your other hand. And if you come by once a month on a special day you can help trim nails, clean ears and apply advantage. Now that's work! ;-) Seriously folks, cuddle and play rank right up there with cleaning litter boxes, cages, bowls, etc. All are necessary EVERY DAY tasks. Hugs to all. tle ------------------------------ Date: Mon, 19 Jul 1999 19:41:48 PDT From: Jennifer Gall Subject: A tribute to Tosha... Tonight, Tosha passed away quietly in her sleep. She lost a short, but hard fought battle with heart disease. Tosha was one of the sweetest, mischievous souls I've ever known. When my husband and I went to the ferret shelter, the minute I laid my eyes on her I knew she was the one. The one who showed us that "ferret-proofing" was a futile exercise with her around. The one who showed us that all fruit in the house needed her personal taste test first. The one who showed the rest of the business how to work together as team for the choicest scams (aka mom's purse, lunch bag and the christmas candy). Tosha had the smartest brain hidden under a petite little face that had "who, me?" written all over it. She loved her polar fleece jingle balls and would run them from hidey hole to hidey hole all over the apartment. She tipped every cup of kool aid and pop within her reach, happily licking up all she could while we tried to clean up the mess. No room was safe from her curious little nose and lightning fast body. No barrier to high to climb, no distance to far to jump. She was the one everyone picked up first. The cute little sable with the distinct mask and the long tail. Tosha wasn't a cuddler, but always let you know you were loved. I swear, she knew what you were thinking when she looked at you. She was my muse, our little troublemaker, our little girl. Miss Tosh ... we love & miss you more than words can say. Jennifer & Adam Roxy, Mac & Spencer P.S. "Not Wild, Just Crazy" will continue unchanged. Tosha enjoyed the fact she was the star and loved making people laugh. The strip will go on in memory of her. ------------------------------ Date: Mon, 19 Jul 1999 12:23:50 -0500 From: Michelle Subject: Sweet Pea, Our Heartbreak, and Our Thanks........ I would like to start off this letter by saying thank you to everyone out there who has sent us letters, cards, and many sincere words. It has been a rough week for us and we are feeling a little better now. Sweet Pea is still fresh in our minds and Krysta and I both look out the window everyday at her headstone and tell her that we love her. When we go out to get into the car to leave Krysta always shouts across the yard to her and tells her sweet things upon getting into the car. Sweet Pea is dearly loved and missed by us and we hope that she is in a better place finding lots of happiness with all the other lost ferrets out there. Thank you all for your kind words and strong support during one of our hardest times yet. We hope and pray that it is a long time coming before we ever lose another one of our beloved little fuzzbutts. We have received tons of letters, cards, and touching stories from so many people this week. You guys are all so kind to us. Now, I can see just how many people are really out there that share the kind of love that we all have for the ferrets. :) Makes me very happy. The first few days I blamed myself and I felt so guilty. I kept thinking that if I had only known that Sweet Pea was going to die in surgery then I would have refused the surgery and she may have been with us for several more weeks or months. I could have then been kissing her today and right now. That would make me happy. I knew deep down though that without the surgery she would have automatically died eventually anyway. I just felt so bad because her death during surgery was not even a factor on my mind that day. We just told her goodbye like we always did when we left the house to go shopping or something. Just like it was no big deal. That I think is what made me the saddest. I felt like I should have gave her a big goodbye and a million kisses just in case she didn't make it. I wasn't even thinking that way at the time. Dummy me. :( I was even dense enough to be looking forward to her surgery day for days because I knew that she would recover soon after and then I could let her celebrate with a big ferret play party with all the other crazy ferts here. Things never seem to happen the way I plan them. Anyway, we do feel better here today thanks to all of you great people out there that cared and sent us so many wise words. Thanks again. Dooks, hugs, kisses, and love to all of you and yours. Many sweet thoughts to all of the sweet ferrets who have already passed on and lots of kisses to the sick and dying. Michelle & The Big Turd Herd (missing and loving Sweet Pea) ------------------------------ Date: Mon, 19 Jul 1999 10:22:33 -0400 From: Bobbi Hunsaker Subject: The loss of Esperanza I too was suffering terribly from an accident on Mother's Day. My very special Eddie was killed.....by me! I had all my fuzzies out (all 10 of them). When I let Eddie out, I snatched him up and started kissing him and tickling him, (as I did so many times before, he was irresistible) I said in his ear "do you know how much I love you? don't tell the others but you're my favorite." Then I let him go and watched him war dance away. I was cleaning the litter pan when I heard one of my females screaming. She was under the couch which lays flush again the carpet. I just recently removed the liner so I could get to them in case of an emergency. I lifted up the couch, swooped Powder, who had Tiki by the top of the head out from under the couch. I looked to make sure the "coast was clear" and started to lower the couch. Just before I got it set down, Powder jetted back under. Being afraid I would accidentally set the couch on him, I lifted it back up briefly, swooping him out again and dropped the couch quickly so he couldn't get back under. This time I didn't look. In that split second, my Eddie was on the other end of the couch and had started to go under. I dropped the couch on him, crushing him. I gave him mouth to mouth for about 15 minutes until my husband made me stop. I knew he was gone but I just didn't want to believe it. The guilt was overwhelming. The what if's drove me mad. All of my ferret-friends helped me through. I know it was an accident and eventually you too will come to cope with your loss. No one wants to put their fuzzies to sleep if there is a chance for survival. But there is no full proof way of knowing when that time is, it's just a gut feeling I think. You did what you knew (at the time) to do. You know you would never do anything to hurt your fuzzy. You will be o.k. ------------------------------ Date: Mon, 19 Jul 1999 11:21:34 -0400 From: Kim Burkard Subject: Re: Feeling terrible about Esperanza >asn't even there because the vet wouldn't let me stay. I would never do >anything to hurt my baby and I feel so horrible that I didn't put her to >sleep. I thought that she still had a chance and I was very wrong. I >feel so deeply sad and guilty about it. If you have any words of wisdom >that might help, I would sure appreciate it. Thanks. Did Esperanza suffer? Perhaps. Is that your fault? No. You gave her every chance to live because you loved her and you know what tough little fighters ferrets are. You did what you thought was best. That's all anyone can ever do. And that's all that counts. Our oldest ferret, Squirt, has insulinoma pretty bad. We've done it all - surgery, medicine, and feedings (forced), but nothing has substantially increased the quality of his life for very long. And at what point do efforts to keep him alive become an injustice to him? I have no idea. At what point is it kinder to let him go quietly? No clue there either. Sometimes the animal lets you know, sometimes they don't. Either way, whatever decision we eventually make with Squirt will be frought with the same guilt and doubt you now have. Please take comfort in the fact that you are not alone. -kim Kimberly Burkard | _ Everything I needed to know in life, Eastman Kodak Company| _____C .._. I learned from my ferret: Rochester, New York | ____/ \___/ Frolic and dance for joy often, have burkard@kodak.com |<____/\_---\_\ no fear or worries, and enjoy life. ------------------------------ Date: Mon, 19 Jul 1999 19:27:45 EDT From: Weaselpals@AOL.COM Subject: Worried Ferret Mom Hello there, My Ferret's name is Chester, he is four years old. Chester is my very first ferret. Chester is scheduled for Adrenal Surgery on Thursday the 22 nd. As the day gets closer, I sleep less and less. I have a good ferret vet. I am just afraid that his body/system might shut down. Please pray for him and keep him in your thoughts on this day !! Ada ------------------------------ Date: Tue, 20 Jul 1999 04:02:11 +0000 From: Linda.Doran@ATT.NET Subject: Help with right adrenalectomy First, I want to thank everyone who has sent letters of encouragement regarding my loss of Esperanza, who will always be very dear to me and have a special place in my heart. I am in the process of thanking everyone individually as well. Now I need help locating a vet who has experience with right adrenalectomies. Lucky Charm's left adrenal was removed earlier this year. Her vulva continues to swell -- now the tissue above it is actually hard to the touch -- and it's irritating to her and continues to produce a discharge. This is in addition to her hair not growing back. My current has done four adrenalectomies but he regards them as very dangerous and would rather not do it. He would rather let the cancer progress as long as she's not losing weight or muscle mass, but I'm not so sure it's a good idea to wait until she's in a weakened state to do something about it. He measured her vulva and wants to measure it again in two weeks, which is fine but I'm not convinced based on reading material by Dr. Williams and others on the Web that we couldn't be doing more. It turns out he also has a family member who has cancer and he may not be feeling that confident right now. My other vet, who is probably one of the most experienced vets in the city and certainly one of the best, has never done an adrenalectomy. I'm willing to drive a long way to get Lucky Charm looked at and operated on if necessary. Maybe even to see Dr. Weiss or Dr. Kawasaki. And that's a long way from New Mexico. Please let me know if you can recommend anybody. At the very least, I would like a second opinion. I would also be interested in hearing from people whose ferrets have undergone right adrenalectomies. Thanks. Linda and Lucky Charm ------------------------------ Date: Mon, 19 Jul 1999 22:50:46 -0400 From: "Paula M. Webb" Subject: Juvinille Lymphoma My 6 month old, deaf, female, blaze, from Marshall Farms was diagnosed with juvenille lymphoma today. The signs were white nose, gums and pads; she was also very lothargic. I brought her to the vets and they did blood work on her and it showed definite signs of the disease. Everything I have read points to a fast moving disease that will kill her quickly. If anyone has any info on this would you please send it to me. I am very desperate and very scared to lose my little Sassy. She is at the vets overnight tonight where they are giving her sub Q fluids and have started her on prednisone to see if her blood reacts positively to the medication. I don't know what to do. Should I put her down so that she won't have to suffer? If I bring her home will she be ok for a while or will I know when she is in pain? They act so normal and then boom it hits. I just don't want her to suffer. Any help or advice would be appreciated. Thanks, Paula and the crew of four waiting for the fifth to come home. Paula M. Webb Webbs@shore.net http://www.geocities.com/Heartland/Hollow/1223/index.html ------------------------------ Date: Mon, 19 Jul 1999 16:55:39 -0400 From: Lynn Siegel Subject: Parvo in ferrets? My daughter's fiance's, mother has 10 fuzz butts. She doesn't have a computer so has asked me to post this. Last year her ferrets started getting sick. Symptoms were: They first seemed to have a sore throat, so didn't want to eat. They had green, bad smelling diarrhea, vomiting, & lack of appetite. She lost 3 of then & before they died they passed blood. Her vet said it was Parvo. There is a Parvo scare in a county near us now & she is very worried that someone will bring it in her house & her ferrets will get it again. She said she fought it with medicine & around the clock care for about 3 months. Personally I didn't know ferrets could get Paro & I thought that dogs that got it & survived were immune to it after that. She went to her vet today to ask if anyone has come up with a vaccine for ferrets yet. If anyone has heard of ferrets getting Parvo before could you please either email me or post it for others to see. She is deathly afraid of anyone bringing it into the house on their shoes. And a neighbor that has a outside cat, she won't even let touch her ferrets. I didn't think cats could get Parvo either, but then there is a lot I don't know. I told her you what a great group of people you all were. Thanks in advance. Lynn & the 8 Sneaky Fur Suited Snakes: Rosie, Blossom, George, QT, Sadie, Cocoa, Caffie & Bart ------------------------------ Date: Mon, 19 Jul 1999 11:01:49 -0400 From: Alicia Subject: Re: swollen nipples Hello Adrienne, you wrote: >From: Adrienne Boerger >Subject: Help! Swollen Nipples >My one year old ferret, Misty has swollen nipples. They are enlarged and >protruding and a little crusty. She is acting fine... >I will probably take her to the vet this week but if anyone has any ideas >as to whether this is a serious problem or not, please e-mail me directly. Is your ferret spayed? You did not state as to whether she has already been neutered. I would suspect a hormonal problem associated with estrus ort a related problem due to adrenal conditions. Though the vulva is not enlarged-- it is possible for a ferret to be in estrus without and enlarged, protruding vulva-- there are some ferrets who have what is termed an inverted vulva-- we have seen one just this way at the shelter. By the time anyone knew what was wrong she had lost hair on the haunches similar to adrenal disease. She was then cycled out of estrus with an injection, spayed and now is happy and healthy. Certainly get her to the vets ASAP-- I would also suggest a blood count to assure that aplastic anemia has not set in! best wishes-- alicia for the many faces at Ferret Wise http://www.darmouth.edu/~crassi/index.html our web catalog page at: http://www.dartmouth.edu/~crassi/funalia.html and at http://www.iGive.com/html/ssi.cfm?cid=1890&mid=9535 Where Ferret Wise will receive $2.00 for every new person who signs on, and its totally free ( just takes a few minutes of your time) to help. Thank you from all the ferrets. ------------------------------ Date: Mon, 19 Jul 1999 14:01:45 -0400 From: Carrie Duc Subject: Little Scabs Hi all. We recently rescued a 1 year old black eyed white male ferret fixed and deglanned. He's adorable and so sweet. But, we've noticed that he seems to get (2 now) small oval scabs on his body. They heal and fall off, but what could be causing them. He's in a cage alone and we've checked it for rough spots, can't find any. Any suggestions? He's long and slim in shape. He seems healthy. Carrie at cduc@sprint.ca ------------------------------ Date: Mon, 19 Jul 1999 15:11:21 GMT From: Stephanie Daniels Subject: Pepe's PeePee Problem Well, I want to give a big thanks for all the responses to Pepe's bloody belly button. I tried Panalog(twice daily since Sat.) and it still looks red. Called a vet and they said he may need Oral antibiotics. My wheels started turning and I remembered Pepe had gotten a hold of a wet sponge (that I cleaned the tub with) and I am sure it had remnants of COMET cleanser in it. UGH...ferret paranoia. This new vet was recommended by an animal hospital that treats ferrets, but their ferret Doc is out of town. Anyone in Maryland heard of Dr. Weist- Patuxent Valley Animal hospital(laurel, MD)?? Please let me know. Last of all...Chimi and Pepe would like to mention that they have lost their most intriguing friend "Goldie" this weekend. He was always excited to see them when they would run like heck to his aquarium when they escaped into Ferret free zone. He was 11 years old, a county fair prize goldfish... lived longer than most ferrets. Thanks for the help, Stephanie, Chimi (He taught me how to fish) & Pepe (He taught me how to swim) ------------------------------ Date: Mon, 19 Jul 1999 15:19:53 GMT From: Stephanie Daniels Subject: Terminology And another thing- How do you refer to the ferret's "belly-button". I told the receptionist at my old vet's office "Pepe is bleeding in the area around his Penis" she says, "His What??" and I said "PENIS" of course I am at work...is it not referred to as a penis??? Should I say his weewee?? His neutered nub?? His pee-pee hole?? His j-bone joy?? jeesh. Is there another word for it in Anatomy terminology?? I didn't think it was genitals...and I didn't want to say "belly-button" because I knew she would say- "ferrets don't have belly-buttons". I should have said: "My pet ferret Pepe's belly button is bleeding and I am afraid it has created a hole to his bladder because pee comes out there too." Well, I am glad everyone at work is aware my ferret has a penile dysfunction now... -Stephanie, Chimi and Pepe (blushing) ------------------------------ Date: Mon, 19 Jul 1999 13:44:31 +0100 From: Anonymous Poster Subject: Re: Aleutian Disease warning for Wessex & southern England >From: Urban Fredriksson >>AD can be carried and passed on by a ferret which does not develop the >>disease. >Not at all? All I has heard is that it can take up to one year. Aleutian Disease virus (ADV) is a parvovirus and is known to cause a persistent viraemia in ferrets. Some infected ferrets develop signs of clinical illness such as degrees of ataxia or paralysis, weight loss, respiratory symptoms, sudden death. Transmission is both vertical (trans-placental) and horizontal (saliva, blood, urine, faeces and aerosol droplets through the lungs). Ferrets giving a positive CIEP test should be regarded as potentially infective to other ferrets, but will not necessarily develop symptoms of illness themselves. >>The only way to be sure that an AD positive ferret does not pass on the >>disease is to cull it. >Does it seem in practice like you also have to keep people who've been in >contact with them away from other ferrets in order to prevent spreading >the disease? See above about transmission of the disease. >Numbers (relative or absolute) of ferrets in England who've gotten >infected? 1990 - 10.6% of ferrets tested were positive 1991 - 6.0% 1992 - 2.5% 1993 - 11.5% 1994 - 14.0% 1995 - 20.0% 1996 - 20.0% 1997 - 10.0% [BT] ------------------------------ Date: Mon, 19 Jul 1999 14:50:34 -0500 From: Mark Weinstock Subject: Re: eating scented vaseline Disclaimer: I am not a vet, nor do I play one on TV. All sentences should be presumed to begin with "I'd think..." or "I believe" where applicable. With respect to ferts eating scented vaseline... First, I'd be sure that it is alcohol. Other chemicals could be used as a base for the scent. Second, keep in mind that bitter apple is essentially 5% isopropyl alcohol (IIRC). I can't imagine that someone designed for use with animals would contain something harmful to them. Third, consider that even if the scent is based on alcohol, the amount of alcohol is likely to be minimal. Now, if your fert got into some perfume or cologne... (you'd probably have a pretty good smelling fert ;-) Mark, Robin & Mutley ------------------------------ Date: Mon, 19 Jul 1999 19:25:36 -0400 From: Steve and Diane Subject: veterinary care Hello I am relatively new to fml but I must say I enjoy most of the postings and have learned alot being a new ferret owner. I have a question regarding veterinarians in my area that treat our little fuzzies. I live in Wilkes-Barre, Pa. and I would appreciate any help I could get in finding a ferret friendly vet. Thank you, Diane and Wiggles ------------------------------ Date: Mon, 19 Jul 1999 19:58:36 -0700 From: Donald Dittman Subject: Molly's surgery and stuffed ferret toy Hi everyone, I hope that you'll all send prayers or good thoughts whatever Molly's way on Thursday. She's the little stray I called about that the people who found her had been feeding carrots and grapes. She is going in for an exploratory. Either she is unspayed or has an adrenal tumor. Either way the dr. tells me her chances are not good. Her heart is very slow and she is not in the best of health. I needed longer to fatten her up but the dr. tells me we can't wait any longer. Molly is a real sweetheart and obviously did not have a good life before. She doesn't know about litter boxes, good food, plastic bags, ferretone, or any of the other obvious ferret pleasures. My others have all adopted her and love her. They've even shared their sleep sacks (thanks again Moxie) and they are very protective of them ordinarily. I hope so much that this is a success and she can have long years of roaming the house and learning all the things I thought ferrets just knew by instinct. Also a friend got me the cutest stuffed animal. It's made by Douglas toys under the National Wildlife Fed. Ranger Rick division and is a black footed ferret. It's just beautiful and about life sized. Laurel ------------------------------ Date: Mon, 19 Jul 1999 22:57:31 -0700 From: lil_o@EARTHLINK.NET Subject: LA vet; misc thanks Hi. I usually mail directly (explains why it takes hours for me to get through each FML), but the post I'd like to respond to is anonymous. I have a wonderful vet in the LA area. Please mail me directly, and I'll give you the low down. : - ) Since I'm here..... My heart goes out to the fuzzies and their caregivers for their losses. I am a mess after I read each post. My coworker has told me I am forbidden to read at work 'cause I'm sitting at my desk in tears. Yes, you bond to your critters. Why would you have a pet if you didn't? They have such a piece of my heart it hurts sometimes. They have to tolerate my seeking them out to play & cuddle! Thank you to all those who take the time and energy to post. I have learned so much, and made a friend on another coast (Hi Dawn). Plus it's nice to know I'm not really the only "crazy ferret lady" as my boyfriend so affectionately calls me. To the shelters, vets, volunteers, and those working on a political level for the ferts: you guys are extraordinary. I don't know how you do it, but I am thankful for it. As for certain posts that get under our skin? I'll give the advice I try (try mind you) to take. Don't read them. You know the posts I speak of. I am sure no malice isn't intended, just one in every crowd. Also I'd like to welcome Henry to our home. I adopted him from a good home that rescued him about 1 1/2 years ago from a parking lot. I took him to his first vet appointment last week. His previous owners were scared to take him due to the legal factor. He is about 3 years old, and is slowly getting used Ottis (just over a year), Marty (the cat), and I. Henry suits his new name with a shy manner and sweet soulful attitude. The vet did find the glands under his back legs to be larger than normal, but we're still testing. I have hope. And bags under my eyes. And frayed nerves. And this odd twitch.... Thanks for listening/reading. Kisses to the fuzzies, Alissa & Ottis (what? who me? do i look like i'd do a thing like that?) & Henry (could you move a little slower? you're freaking me out over here.) & Marty (you did what? brought another one home? what, are you nuts?!!?) ------------------------------ Date: Mon, 19 Jul 1999 15:09:44 -0400 From: Anonymous Poster Subject: S.C. Ferrets Last year I was given a sweet 6 year old little girl sable named Lucy that was in need of a home. She now runs our house, including my husband and myself. Question. Are there any clubs, shelters, etc. in S.C.? Does anyone know about the laws on ferrets in S.C.? We would like to adopt another older ferret. Are there any adoption centers? We live in the western part of the state on Lake Hartwell. Does anyone know of a good ferret vet in the area? We are now using a great vet, but not an expert on ferrets. Thanks Alice. ------------------------------ Date: Mon, 19 Jul 1999 11:54:03 -0400 From: Natalie Binder Subject: New cat food... Hello ferrets and ferret folk! For those of you who have truly long-range memories, you know that I dropped out of sight for a while, due to a recent move and a long time settiling in. But,like all good things, (and bad things too), this had to come to an end, eventually. I'm baaack! Anyway, I know how everyone feels about feeding their babies cat food, even the nice stuff like Science Diet. Don't get me wrong- I prefer good quality ferrret food over your average cat food (I hate fish) any day. But I was thinking you guys might want to check out this new Science Diet anti-hairball stuff. I don't have the nutritional stats yet, but IMO and anti-hairball food seems like a pretty good deal, especially for furts. Anybody have more in-depth info? Opinions? -Ret ------------------------------ Date: Mon, 19 Jul 1999 13:53:32 -0400 From: pat andrews Subject: We're off to see the Wizard of Oz Saturday I attended a clean-up day at the local ferret shelter (PFRA) and had my heart stolen by a young (approx. 1 year old) cinnamon male named Ozzie. I felt kind of guilty taking him because there was a ten year-old girl working that loved him, too, but you all know how love is... Was it deja vu that I had ordered a new litter pan the week before? Hmmm. When I got him home I put his carrier down on the floor and started to decorate his cage. While I was busy doing this I watched Shiloh and Amadeus trying to get at their new brother...and was amazed when I saw him walking across the floor with Shiloh hissing at his shoulder. Then, suddenly, Shiloh leapt on Ozzie's back and wrestled him down. The noise escalated to barking and loud hissing. No poop or blood flew, but I still broke it up quickly because it's too hot to allow something like that go on too long in 80+ heat. After separating them and caging them appropriately I looked at the carrier and discovered that Shiloh and Amadeus had managed to throw the latch at the bottom of the carrier! I couldn't believe it. I could, however, believe that a ferret could slip out of the carrier w/ only the bottom latch disengaged. I tried again this morning with liberal doses of ferretone on everyone's necks. If anything, it was worse. After only a couple of minutes I found Ozzie curled up on a sleep sack panting. I picked him up and put him and a wrapped iced bottle on my lap to cool him off. That didn't last too long before Amadeus started leaping up onto my lap again and again. I put Ozzie in Shiloh and Amadeus's cage this morning and put them in his. Let's hope this help w/ adjustment. I'll probably do this for the days leading up to the Warm Fuzzie show..and when Shiloh and Amadeus get back from the show I'll start working on introductions in earnest. My new boy is wonderful, thanks, C&T for allowing me to adopt him. I promise to take good care of him and love him until the day I die. Pat Tess (Who is this guy and why is he stalking me?) Shiloh (Let me at him, I'll show him I'm queen!) Amadeus (Well, if the queen says he's gotta' go, that's good enough for me1) Pat ------------------------------ Date: Mon, 19 Jul 1999 13:51:12 -0500 From: Limejello Subject: "The Great Gravy Adventure" or "Curse You Bob Church" [Posted in 2 parts -- combined. BIG] I know what you're asking yourselves. What kind of post deserves a Bullwinkle-style title? (Hey, Rocky, watch me pull some gravy out of my hat) Well read on and become enlightened. It all started when I decided to try my hand at a batch of the now famous Chicken Gravy provided to us by the illustrious Bob Church. After reading the numerous accolades posted on the FML by seemingly competent FML'rs and possessing a strong desire to do what's best for those spoiled-rotten, manipulative, mind-controlling little furrbrats I call my ferrets, I had a high confidence level that I could accomplish this task. The fact that I can't come within 50 feet of a kitchen without starting at least a small grease fire did not dissuade me in the least. So I set about this little project with an optimism not usually found in an owner of these little poop factories. Little did I know this undertaking would result in a disaster rivalled only by the sinking of the Titanic, only without the iceberg...or the ocean...or the ship...or Leonardo...okay, so maybe it wasn't that bad. But it was at least as bad as the events precipitating and immediately following the situation that occurs when you get up in the middle of the night to go to the bathroom and stub your pinky toe on the coffee table, especially when the coffee table is not on your way to the bathroom. I think the whole think went wrong right at the beginning, somewhere right around the time I decided to take a few shortcuts. Since this seems to be the case with so many other of my little projects, I've decided I need to review the timing of my shortcuts. I figure I need to start taking my shortcuts either sooner or later in the process, so as not to coincide with the time that things begin to go wrong. Anyway, I digress. This particular shortcut began as I was reading the ingredients of this concoction. Right away I noticed that two of the ingredients came directly from chickens: obviously the chicken, and just as obviously the eggshells. Whereupon I came up with the brilliant idea, for the sake saving a wee bit of effort, to take a jaunt down to the nearest chicken ranch (get your minds out of the gutter, I live in Washington, not Nevada) and pick up a chicken that was about to lay eggs, thereby killing two birds with one stone, no pun intended. I would then have two of the ingredients conveniently contained in the same feathery bag of skin. I even toyed with the idea of first force-feeding the chicken the other ingredients in the formula, but since my goal was to save time and effort, I decided not to go for the advanced degree in chicken wrestling. Perhaps one of the biggest mistakes I made during this little adventure was deciding to do some midnight shopping with a five-finger discount for this chicken. It wasn't because I have a predisposition towards larceny nor was it a desire to save money. I merely figured that my thieving ferrets would prefer the taste of a purloined chicken over that of a legitimately purchased one. Let me tell you, I highly recommend against this course of action. I found that chicken farmers become quite testy when they discover a figure in black exiting the coop at a high rate of speed, with squawking chicken in hand. I also found that rock salt stings like you wouldn't believe and is very detrimental the health of one's backside. It was quite a feat driving home with my ill-gotten gain in the trunk while driving in a standing position. I'm glad my Bug has a sunroof. Upon returning home, and after applying a liberal dose of ice to my distressed derriere, I set about the dirty deed of butchering the dread beast. I didn't think it would be a big deal. As a youth, I used to hunt prairie chickens on the plains of Eastern Montana and I figured a chicken was a chicken. However, there was one fact that I had not anticipated. Domesticated chickens, due to their close proximity to man, have learned to understand Human language. You see, up to this point, the chicken had been relatively calm, although it was understandably perturbed at first, being brought out of deep sleep and shoved into the trunk of a Bug. But once I got the fowl home, it settled down and seemed quite at home on my kitchen counter. It even tried to make friends with an oven mitt which was ingeniously designed to look like a chicken. But when I pulled out the butcher knife and said, "Now it's time to make you into ferret food", I caught the flicker of understanding in the bird's eyes a split second before it took off in a flurry of feathers and chicken poop. I never thought a chicken could move that fast. That chicken was flapping all around the apartment, pumping his wings for all it was worth I immediately gave chase, not wanting the hard work and pain I went through to get the foul fowl to go to waste. Through the living room, into the bedroom, across the bed, into the bathroom and through the kitchen I chased the panicked bird. In his haste to escape the butcher block, this chicken was performing aviation maneuvers that would have made the most daring stunt pilot jealous. Finally, I thought I had it. But at the last minute it dashed out the living room window, leaving me with nothing but a handful of feathers. As I looked out the window after the hastilly retreating chicken, I heard a voice, "You can't keep chickens in your apartment!" I looked down, there was my landlord. She had seen the chicken fly out of my window. Uh-oh! Through some quick thinking and fast talking, I managed to convince her that I wasn't keeping a chicken in my apartment, it was an infestation of chickens. (Fortunately, my landlord is not too bright) This was something I would later come to regret when the Orkin man showed up at my apartment to spray for chickens. I turned back into my apartment and surveyed the damage. It was just like my mom used to say about my room when I was a kid, it looked like a tornado had hit the place. Lamps knocked over, chairs overturned, pictures knocked off the walls and worst of all, feathers and chicken poop all over. So I set about cleaning the place. After that arduous task was complete I sat down to regroup. I wasn't about to give up yet. I figured since the live chicken thing didn't work, I would break down and just go the store and buy an already dead chicken from the meat section and some eggs. I picked out a pleasantly plump fryer and a half dozen eggs and headed home. When I returned home, I was faced with another dilemma. Not having a meat grinder like so many have recommended, I had no way of processing the bones. But, being the ingenious person I am, I quickly came up with a solution. I would just use the meat tenderizing mallet to pound the bones flat. And I figured I could do it while they were still inside the chicken. But as I held the puny mallet in my hand, it seemed woefully inadequate for the job. So I went to my trusty toolbox and pulled out a hammer. This too did not seem adequate for the job. So I pulled out the big guns, the 10 pound sledge hammer. Yes, this seemed like it would do the job nicely. Before I started in on the chicken, though, I had to don some protective gear. You see, I have a fear of germs, and salmonellas, and other nastinesses that can reside on chickens (did you ever see that episode of the X-Files, eeeeeeeeeeewwwww!). But not possessing an apron or anything of that nature, I instead wrapped my entire body with Saran wrap. Not a inch was left exposed to the threat of chicken nastinesses. Then I donned my safety goggles and prepared to pound away. But then it occurred to me, bashing and mutilating the carcass of a chicken can't be a pretty sight. I decided that closing my eyes would be the best way to avoid such a gruesome sight. So eyes closed, I proceeded to pound away. And pound I did. I beat that chicken like the proverbial red-headed stepchild. I pounded and pounded and pounded with the sledge hammer until I was breathing heavy from the exertion. I pounded until I was sure the bones were finely powdered, then I pounded some more. When I finally ceased pounding, I opened my eyes and was flabbergasted at the sight I beheld. This dead chicken had made more of a mess then the live chicken had! There was chicken everywhere. Chicken guts on the walls, pieces parts on the ceiling, bits of skin on the kitchen cabinets, blood on the floor. I realized maybe I had pounded a little too vehemently. It was at about this time the realization came to me that when the temperature outside is 85 degrees and one lives in an apartment without air conditioning, one should not wrap one's body entirely in Saran wrap and then exert oneself. Then came the realization that the previous realization came too late because I passed out from the heat. When I came to, I was facing an intricate pattern of blood and chicken parts on the wall. In my dazed condition, I could only think of two things to do: either get high and marvel at the psychedelic patterns or be a soothsayer and divine the future from the chicken guts. But since I don't do drugs and I have never said any sooths, I waited until I came to my senses and decided to just clean the mess up. But before I could start, someone started banging on my door. "What's all that pounding going on in there!" It was the landlord again. Being somewhat still weak and dazed I answered the door. The landlord was aghast when she saw me, wrapped in Saran wrap, plastered with chicken parts. She demanded to know what was going on. I convinced her that the chickens infesting my apartment were the rare Brazilian Exploding chickens and one just exploded in my kitchen. That seemed to satisfy her. As I said before, she's not too bright. She didn't even question what chickens from Brazil were doing in the Pacific Northwest. I went back in to clean the apartment again. And thus ended my career as a chicken gravy maker. I had been shot at. I had a close encounter of the feathered kind. And I had to completely clean my apartment twice, which was twice more than it usually gets cleaned. I realized that this recipe was designed to cause you no end of trouble not matter how you went about it. I just scrambled the eggs I had bought and sat in front of the TV to forget my woes. I figure I if my ferrets want some chicken gravy, they can bloody well make it themselves. Of course, I blame Bob Church entirely for this episode. Obviously if it wasn't for him posting this diabolical recipe, I would not have gotten myself into this predicament. I can just see him sitting in front of his Mac, the moniter lighting his face with a demonic glow, offsetting the evil glint in his eyes, typing madly, cackling hysterically, thinking, "I'm gonna mess up someone real good with this post." Then, with much glee, he presses the "send" button, sits back, and anxiously awaits the chaos he knows it will cause. I can only imagine how many other people were caught in this devious trap, but were too embarassed to say anything. I decided to go public to expose Mr. Church for what he really is and to prevent other people from being taken in by his seemingly innocent posts. Next time, maybe I'll try Edward's LUMPS. That seems a much more benign recipe. Now all of this is behind me and I'm not one to hold a grudge. However, I anxiously await Bob Church's next visit to the Seattle area. May your gravy be not fraught with difficulties, Limejello & The Weezils of Doom http://home1.gte.net/wrenched ------------------------------ Date: Mon, 19 Jul 1999 11:54:31 -0700 From: William Killian - Zen and the Art of Ferrets Subject: zen's replies on pre-heat spays and free spoken pies >From: Bob Church >Subject: Bob C: Big Long Post Responses; Q-N-A Shorties >Men are stronger, are taller, and are stronger. Oh, did I mention >taller? Uh... I've seen you. Neither of us is really in a great personal position to state men are really taller than women... Okay in general men are taller. Those unfortunately deformed men "In general" will also surface in the next reply. >From: Sunshine >Subject: Healthier Female >This may seem like an odd question but I am known for them odd ones. Is >it healthier to have a female be mated to a male who can't produce kids, >hehehe once and they spay her after this? Or is it better to spay her >before first heat first? That is a VERY good question. I don't know if it has ever been really studied but the normal recommendation as we've heard it is to spay before the first heat. But that isn't through a scientific study but I think the idea that that first heat does bring about potential for infection. We scrub down our soon to get busy partners with anti- bacterial soap but that reduces but can not prevent infections. Also some folks really think even the first false pregnancy really alters the personality of the jill and not for the better. We aren't ready to accept this based on ours but not all of ours even respond to real or false pregnancies the same and won't assert we know what other folk's jills will be like. We haven't noticed that early sapyed females are smaller that later spayed females in general. Marshall has some lines that are quite small but so are some private bred lines. In general though we have seen that most early castrated males are smaller than late castrated males. Note "in general" and "most" - we too have seen large early alters and small late alters. >From: sharin >Subject: free speech controversy >That said, I think the posts suggesting & then supporting throwing pies at >a particular correspondent were out of line. They were funny, but had to >be hurtful to read, & did not serve to edify us about ferretry. I think >I'd have edited those out, even tho they made me giggle. We're with you on this. I'm quite sure if you asked every subscriber to name who they'd like to throw pies at the reslutant list would be quite long though. I'm sure several would name me as well. Some of those who would name Edward or me would also possibly be named by others. It would be an unpleasant experience for many of us to find out we aren't as popular as we think we are. So not bringing up things like this is a good idea. As far as free speech. This is not really a public forum. BIG owns it and can choose to post what he chooses. Its not censorship so much as editting. Some folks have decided that they have different ideas on what should be on a ferret mail list and have created their own list so they can choose what to edit out. The closest thing to a public forum on the internet regarding ferret topics is the newsgroup alt.pets.ferrets Unforunately my ISP has bungled up newsgroups so I'm not currently annoying folks there. -bill -- bill and diane killian zen and the art of ferrets http://www.zenferret.com/ mailto:killian@zenferret.com ------------------------------ Date: Mon, 19 Jul 1999 00:19:57 -0700 From: Edward Lipinski Ferrets NorthWest FNW Subject: Possible fund raiser for North West Ferret Association. Splat! Splat! How about $5.50 for a meringue pie that you can throw at the face of one Edward Lipinski from a distance of 5 feet. "Lipi" will be restrained from dodging any thrown meringue pie, so your aim will be the only variable in this event. All monies raised in this event at the NWFA August 8 shindig at Issaquah's Klahnie Park will be used to unplug "Lipi's" nostrils after the last pie is thrown. No, no. Seriously, all funds will be used to further the interests of the North West Ferret Association, of which "Lipi" is a member, right now, and not really in very good standing with the membership. I wonder why? Since "Lipi" is an avowed sexist, homophobe and just plain cantankerous in his old age all ladies and homophilics will have priority over all other pie flingers. Of course "Lipi" says he wants to reserve the right to stick out his tongue at you just before you launch your pie, hopefully to get you so ruffled that you will miss splatering your pie in his face. Yuk, yuk! Of course, early registration is required so the NWFA will know how many hundreds of meringue pies to order. Please contact Charlene Schuster of the NWFA to place your order for your pies and Michael McKinley, the Director of WSFA (wsfa@daft.com) to affirm whether or not this "revenge" event will ultimately take place on August 8 when and if sufficient numbers of ferret avengers and disgruntled shelter volunteers sign up. Also available will be stout sticks to beat against an enlarged copy of Mr. Lipinski's recent posting about his opinions of shelter worker volunteers - this the instrument that has caused such an uproar amoung the faithful, the forlorn and the frustrated. In the meantime, "Lipi" offers to all - his profound and sincerely felt apology - to the many who have been upset by his bluntness and disrespect for the other gender and requests that he will be someday pardoned for his transgression. And in particular, to the North West Ferret Association of dedicated volunteers who, on May 16, performed a very much appreciated "outreach" at the Ferrets NorthWest shelter, he seeks their pardon and forgiveness, since they themselves felt included in the damnation, even though they were not specifically mentioned nor specifically excluded. To the many who offered suggestions on how to better manage the situation in scheduling volunteers, how to better appreciate the cuddling and "hands-on" affection for the flat cats, and how to appreciate the interpersonal socializing of volunteers, he thanks you, thanks you, and thanks you, each and every one. And, although this may be a bit premature, he'd love to extend an invitation to anyone to come and visit Ferrets North West shelter and watch him clean cages while they do whatever they feel inclinded to do (with the ferrets, I mean). They can teach Miss Maggie some new swear words and play poof-poof with Miss Minkie. She flicks her tail and stomps her hind paws just before she does a mock charge, and like a llama, sort of spits at you. Edward Lipinski, Ferret Endowment for Research, Rehabilitation, Education & Training Society, North West, FERRETS, NW. ------------------------------ Date: Mon, 19 Jul 1999 19:15:35 +0000 From: Jerry Jackowski Subject: Ferret Extravaganza '99 deadline is approaching Hello ferret enthusiast, This is just a reminder that the discounted entry deadline for the Ferret Extravaganza '99 show is quickly approaching. That deadline is July 25. All entries postmarked after July 25th will be required to pay the full entry fee. The final entry deadline is August 7th . Ferret Extravaganza '99 will be held at the Best Western North in Columbus, Ohio on August 28, 1999 and is sponsored by PETCO Animal Supplies, Inc. and co-sponsored by Performance Foods, Inc. This L.I.F.E sanctioned event will consist of Three Ring Championships, Specialty Rings, Fun Matches and Vendors. Proceeds from this show will benefit Tristate Ferret Connection and Heart of Ferret Association. Show information and entry packets are available at http://www.angelfire.com/oh/jnjack/pack99.html or by contacting our show registrar: Pam Hostetler at pamela.hostetler@gte.net or (614) 847-0502 . This is sure to be one of the biggest and best ferret shows in the country, one you surely would not want to miss. Ferrets brought to the show MUST have proof of current distemper and rabies vaccinations for ferrets dated not more than 1 year or less than 30 days of prior to the show date. Jerry Jackowski Show Coordinator Ferret Extravaganza '99 ------------------------------ Date: Mon, 19 Jul 1999 21:01:50 EDT From: Kathy Evans Subject: Syracuse, NY Club Hi all!! Just wanted to let anyone interested that the club will be meeting on Tuesday, July 27 at the Liverpool Public Library from 7 to 9 pm. Hope to see some new faces there!!! -- Kathy, Muncher, Missy, Taz, Winnie, Bailey and Bell --- with Slinky waiting at the Rainbow Bridge ------------------------------ Date: Mon, 19 Jul 1999 18:26:54 -0700 From: Nial Pye Subject: Thanks for all for the Vancouver Vet referrals Thank you for the info that all of you have provided me. I have visited Dr. Michael Dear this afternoon and was VERY pleased and impressed. He is actually taking Axel overnight and will do some blood tests (which the other vet was not able to do) in the AM. Dear Animal Hospital 6020A Blundell Road Richmond, B.C. V2C 1H8 604.271.6411 Dr. Michael Dear I think he has a few offices. We visited him at his new office in the brand new Terra Nova area of Richmond. So far I would definitely recommend Dr. Dear if anyone is looking in the Richmond area. If you are in Vancouver I have heard from a number of people The Arbutus West Animal Clinic is your best bet. According to Mia, B.C.'s best ferret vet is : Dr.Brondwin The Arbutus West Animal Clinic 2809 West 16th Avenue Vancouver BC 604) 736 6701 Thanks to: Richard Beveridge (pointed me to www.ferrets.org) Karl Brodhecker (from FIRST (Ferret) Society) : www.ferrets.org - Emailed me a list of recommended vets Tom "FerretzRus" (pointed me to FIRST and a few other Clinics) and Mia and Patrick Emery (pointed me to Arbutus) I hope this info helps other ferret lovers in B.C.. Thanks again, Nial and Melissa (and Axel , Rocky , and Princess) npye@home.com ------------------------------ Date: Mon, 19 Jul 1999 18:33:25 -0400 From: Derek & Amy Flemming - Flemming Farms Subject: Breeding Ferrets - Part 2 [and 3] [Moderator's note: Part one appeared in yesterday's FML (issue 2746). Parts 2 and 3 were sent today -- I've combined them into one post. BIG] [Hi guys - sorry this didn't come thu (the 2nd part). I tried to send the whole thing and it was bounced back! Sent the part 2 & didn't get that it bounced back - so here is part 2 & part 3 will follow.] >Most of the nay-sayers to breeding one's ferret comes from breeders. Mostly, folks don't understand the cost of the risks, the costs of the kits, and etc. Have you ever had an extra bunch of hyper kits in your home (I know you, MC, had Sam's kits)? It can be unreal! They are cute, but can you find homes for them? Will you be able to pay for 30 distemper vaccines and 10 rabies vaccines? How about other inflictions kits have? How about food? Can you afford to FEED all the kits? They will need to be in cages. Can you afford new cages? And advertising to sell the kits? And paperwork, and toys? And the biggest thing - TIME! Do you have the time to nip train these ferrets? Do you have the time to socialize and play with the kits? How about if not all of the kits get along? Do you have time to arrange different play times? What happens if you have these kits when the jill kits go in estrus? Can you get them HGC shots - or will they be bred because you couldn't sell them? How about altering them? Can you afford to have them all altered? Can you afford to pay your vet? Or will they be stuck with the bill? Can your ferrets afford it when your vet tells you they will not extend your credit further than the already $1,000. Are you willing to KEEP all the kits if you can't find homes for them? Will you take them back in if the homes you did find can't keep them? WHEN YOU BREED ANY ANIMAL YOU ARE - or should be - RESPONSIBLE FOR THAT ANIMAL FOR ITS WHOLE LIFE! Even if you do not own it or no longer breed. And of course - you just have to keep kits for future breeding - of course. This gets to be a TON of ferrets! By the time you figure out that you are in over your head, then you are just about sunk! Now what do you do? And how do you get rid of all these kits!?!? I have heard of kits and breeders DUMPED into shelters for some of the following reasons: My spouse was going to leave me . . . They cost too much . . . They bite . . . My city told me I had too many . . . I didn't know that it was going to be so involved . . . I have just heard of a guy that had over 200 ferrets and ones he couldn't give away he released into "the wild". Some people do not understand how involved breeding MUST get. LOTS OF RESEARCH should be done and CONSIDERED! Serious breeders, may it be large, meduim or small, should have very serious plans prior to breeding ANY animal. Putting genes together is "playing God" and YOU, the breeder, control what the outcome is. This could be an animal with a super temperament. It could be an unpredictable animal. It could be an animal with horrid conformation. It could be an animal with excellent conformation. It could be a combination of these or other things. A breeder must consider WHAT they want the outcome to be and HOW they will obtain that goal. Some breeders have not reached that goal - and some *think* they have. >You didn't listen to the negative comments, if any were offered This is not true - we DID listen and we learned from them. >When you heard (If you did) that you can lose livestock for any number of >reasons, you went ahead anyway, thinking it couldn't happen to you or that >it was an acceptable risk. Yes - we did go ahead - BUT we were aware of the risks! Some folks AREN'T and change there mind after hearing them. I know a woman that bred her beloved jill and almost lost her becasue she DIDN'T know of ANY risks. >You should always advise of the possible roadblocks and pitfalls, but should ALWAYS encourage the new breeder if they decide to proceed This we do - just ask anyone . . . . I will answer questions that folks ask. I will assist folks that ask. Some I will not encourage, but there are others I will and have. In all, breeding ferrets is a huge commitment and responsiblity. Many people do not understand this. In turn, it is a huge joy and is something I would not trade for the world. And FYI, I am STILL learning . . . and so are other breeders. If they tell you otherwise - they are not good breeders. Amy Flemming flemmingfarms@cac.net wwfr@hotmail.com Flemming Farms - Michigan, USA Breeding for Quality Ferrets American, Australian, German, and New Zealand bloodlines Come see us at http://www.geocities.com/heartland/ranch/9521 Weasel Watchers Ferret Rescue - Michigan, USA Helping Needy Weasels Come see us at http://www.geocities.com/petsburgh/zoo/2690 "For every action, there is an equal and opposite criticism" ------------------------------ Date: Mon, 19 Jul 1999 16:27:52 +0000 From: "Bowersmith, Jalene" Subject: Legal in Arizona Ferrets are legal in AZ. We lived there for 8 years and they are perfectly legal. Be careful about the heat when driving through AZ. Particularly from July - September in the Southern part of the state (we are talking 95-110 average) during the day it is very hot. Make sure to bring some water bottles with frozen water in them for the ferrets to cool themselves down. Be completely sure that you have supplies for the ferrets if the car breaks down or something. In that kind of heat they will not be able to make it. Or you might want to drive through Southern AZ in the evening (75-85 average) when it is cooler. Hope this is helpful and good luck. Best wishes, kisses and dooks Jalene, Zonker and Scooter ------------------------------ Date: Mon, 19 Jul 1999 16:27:36 -0400 From: R & T Lombardi Subject: Ferret Maths Strikes Hi Everyone, I just wanted to write to tell you that ferret math has struck once again. The best part, however, is this time it was my husband that couldn't pass them up. Here's what happened: We went to the petstore to buy litter, food, and hairball stuff (don't you hate when you run out of everything at once). Anyway, there were these cute little boys in the store that my husband fell in love with. They are already 9 weeks and the other is 11 weeks. My husband felt bad because they were older and still in the petstore and all the babies were sold and they were the only two left. So needless to say, we now have two little boys, actually they're not that little. So my once five ferrets have multiplied to seven. Also over the weekend, the vet's office called me asking if I would talk to a man who wanted to get a ferret and had lots of questions. They said they were originally calling to confirm Sequoia's appointment. So I called the man and we talked for awhile. I told him to take my phone # in case they had anymore questions. He called the next day, asking about litterbox training, they went and got one the day I spoke to him. He said he's had one success, so far. If only I could get my new ones to figure it out. Oh well....in time. Dooks To All, Teresa & the Fur-tastic Seven Sequoia, Enoch, Callisto, Nemesis, Gizmo,=20 & two new boys (names yet to be decided) and our fur angel Loki ------------------------------ Date: Mon, 19 Jul 1999 15:07:51 +0100 From: Betty Subject: Lesson 22: Do not pull when ferret attached Well, it has been an interesting weekend... one that ended with my husband going to the hospital to get a couple of stitches put into his nose. But he knew what he did was wrong and he paid the price. You see, we are in the middle of home renovations - getting rid of the last of the carpet so that more tiles can be laid to make our lives a little easier in the poop/pee clean up arena. My husband was painting and I was, er, um, supervising with my eyes shut. Well little Ping got really interested in the paint pan my husband was using and promptly made a quick jaunt through it. It wasn't hard to find her as all you had to do was to follow those tiny little tracks she left behind. Once my husband saw the tracks, he dropped the roller and ran to catch up with her so she wouldn't make more tracks, although they were quite decorative. Poor little Ping got scared at the sudden movement towards her and bolted like a ferret outta hell. My SO caught her and also caught a bite. He scruffed her and sharply said "NO!" and before he could get the O out of NO, she had him by the right nostril. The action that followed came too quick... he pulled her away. The result left him with a small, but painful reminder why one should not try to release a ferret's grip by yanking. He was a pitiful site when I awoke... one hand cupped the life force that flowed from his schnoz, whilst the other still held the scruffed Ping. The look in his eyes was so pitiful and full of surprise, I had to keep from laughing. I told him it was okay to let Ping down now, and got a cloth from the kitchen. After he explained what had happened, I asked him if he knew whose fault it was that he was bleeding. After getting the look that I have seen millions of times before (you know, the one that says that you're going to make me say it out loud aren't you) he admitted that he shouldn't have yanked. Patience truly is a virtue and especially so when pain is involved. He must have left his at work the day before. On the way to the hospital, we knew it would be best if we didn't mention the word ferret and decided it would be better for all involved if we just blamed it on one of our cats. The hospital technicians never blinked an eye once they heard cat. I must admit, after hearing some of the stories on the FML, we were both very scared for our little girl's life. It wasn't her fault - she was scared and her reaction was all she knew what to do. And although we had her proof of vaccination and rabies, we were uncertain if more would come out of this. Besides, in this day and age when the ferrets future in many states is still under fire, who needs to spread more negativity. Would the Doctors and Nurses involved really understand that it wasn't her fault? I am afraid that all they would see is "ferret" and "blood" and the word "attack" would soon follow. I didn't want to take that chance. So yes, I lied. I would do it again too if I had to. But I can safely say this; I don't think my husband will be yanking the next time one of our ferrets finds a piece of flesh to hang from. As for Ping, my husband is back to hugging and kissing her and even bringing his ill fated nose close to her face again and schnuffling her neck. All is forgiven and peace reigns once more. Betty and Her Blur O'Fur. ------------------------------ Date: Mon, 19 Jul 1999 12:18:18 +0000 From: "Melissa A. Durfee" Subject: litter training standards >From: Marta >Subject: Several Post Replies >Seriously, cleaning up ferret poop is part and parcel of owning a >ferret. If you can't stand that, then maybe you should reconsider >being owned by a ferret! Because I have a low tolerance for animals crapping in my living quarters I should "reconsider" my choice of pet? That's harsh and judgemental. I never said I couldn't stand cleaning up ferret poop. I've been a ferret owner for more than 11 years. I've trained four ferrets to be 99%-100% accurate in their cages and a fifth who has only an occasional lapse. Brickbat, however, has stumped me for nine months, defeating every method that worked with the others. If my first ferret had been 60%, as you say yours are, I never would have adopted a second. An animal that craps all over your house with no hope of being trained otherwise isn't the kind of animal one should have as a pet. The next time you have nothing constructive to offer it would be better to withhold comment instead of telling someone you don't know personally to get rid of their ferrets. -mel ~ Question the definition of Progress ~ ~ www.Adbusters.org ~ ------------------------------ Date: Mon, 19 Jul 1999 17:28:11 -0400 From: April Gallaty Subject: Hygiene Well, I would like to admit, that I have the most horrible ear and eyebrow hygiene there is! Yes, it was confirmed today when my four ferrets found it necessary to all attack the problem at the same time. You KNOW you have serious problems when four ferrets feel it necessary to clean your ears (inside and out), straighten your ear rings, nip clean your eye brows and then lick them into place. Yes, I even had the bridge of my nose cleaned. It's shameful to admit, but it was fixed (with much giggling) and lots of hard work. Thanks guys... April and the 'LOVES' Ferrets L una O rion V enus E (not gotten 5 into ferret math yet!) S ola April Gallaty Please sign up to help out the charity of your choice. When you shop the net, your charity gets a percentage of what you spend. Start here http://www.iGive.com/html/ssi.cfm?cid=3664&mid=54270 Also, get paid while you AND your friends surf the net. Check it out here http://www.utopiad.com/member/getPaid?refId=40027 http://alladvantage.com/go.asp?refid=DJW126 ------------------------------ Date: Mon, 19 Jul 1999 16:13:19 -0700 From: Mia and Patrick Emery Subject: We need more names! Hi folks! As I am sure most of you already know, we are holding a name raffle for our latest rescue ferret, so far we have 12 names entered in our raffle. Thats a great start! and Thanks to everyone who's sent in their entries. But we need more names! To learn more about our rescue's progress, and see our list of names go to: http://www.geocities.com/Heartland/Estates/5172/rescstry.htm and follow the links at the bottomof the page. She's feeling a whole lot better, and her toes are healing well. She will always have malformed feet. Her ears are still a worry and she will need treatment for adrenal, but she's getting better. Mia ------------------------------ Date: Mon, 19 Jul 1999 21:58:05 -0700 From: Sheri MacPherson Subject: Hooked on Ferrets! I have followed Ferret Digest since we got a ferret a year ago. I have gotten lots of advice and have enjoyed the ferret antics. I have 2 questions, if you please. 1. Can someone send me a pattern for crocheting ferret hammocks? 2. We brought a new male home from Prince Edward Island to Ontario, a beautiful butterscotch color I believe. He has been descented but not neutered, which we are in the process of remedying at the moment. My female is not impressed with him,yet,and we do not have them together in the sme cage yet. We want to know if anyone has ideas to encourage them being friends.We read that a male will be aggressive to the point of hurting a ferret. She is fixed and he is basically gentle, but I don't want to take a chance. Perhaps I can hang some raisins and cheerios around his neck. Just don't want to do the wrong thing. ------------------------------ Date: Mon, 19 Jul 1999 20:57:12 -0600 From: James Stuart Ross Subject: Ferret Ferry to Ottawa, Ontario Please Help...I am setting up a ferret ferry to get my babies to me in Ottawa...so far I have one person who can take the fuzzies up to Richmond, Virginia. If anyone can help, let me know and I can supply you with the details... thanks Loretta and James ------------------------------ Date: Mon, 19 Jul 1999 11:13:39 -0400 From: Lynn Foster or Chris Stephenson Subject: Ontario Ferret and Child Case Dear FML: The following is from the Toronto Star, Monday, July 19, page B2 [Moderator's note: I deleted part of the story due to possible copyright issues. The important fact -- the additional charges -- remains. BIG] New Charges In Ferret Attack "The 19 year-old mother of a baby boy severely mauled by a pet ferret in Whitby on Canada Day faces three new charges. In addition to charges of criminal negligence causing bodily harm and failing to provide the necessities of life, the mother has been charged with obstructing police. She was also charged with cruelty to animals and aiding and abetting a breach of recognizance.... the case was adjourned to Thursday..." I will find out tomorrow where this case is being heard on Thursday and get a phone and email address so we can keep the pressure up in this case. There will be no time for mail. It is imperative that the cruelty to animal charge be upheld and not thrown out of court or traded off for a lighter sentence. Please, when you see my information, try to take the time to call or send an email - it is important for the powers that be to know they are being watched by a large, international group of observers and it is important that they know that this type of behaviour must be punished so that hopefully this woman will never be allowed to own a pet again. Lynn ------------------------------ Date: Mon, 19 Jul 1999 18:26:11 -0400 From: Lynn Siegel Subject: Adoption, Ferret Attack, Happy Ending A few weeks or so ago you might remember Millie Sanders posting for me that I was looking to adopt a brother for George who is blind & the only guy among 6 girls. A sweet lady, Jeanine from Ferret Rescue at Mutt Management in Sarasota go tin touch with me about a sweetie she had there who was looking for a home. Unfortunately Stevie never made it here, due to health problems. At about the same time another very kind lady got in touch with me about a lonely blind guy she had. Margie from Margie's FLO Hangout. She had Bart, a big sweet, guy who's cage mates didn't have much to do with so he was often left alone. Would I be interested in him? Need you ask? Of course. So arrangements were made to ship Bart to me via air. I was so excited about getting him & just couldn't wait until he got here. Finally the day arrived that Bart was coming in. I had wanted to be at the airport waiting for him, but he got in first. Very nice people at Continental. He was in his carrier right by the desk. Oh I was so excited at welcoming him & giving him a brother & sisters who would love him & play & cuddle with him When the carrier was put up on the desk I stuck a finger right in the front of it to pet him & reassure him that everything was ok & he was going to have a good home. Like a cobra he struck, lightening quick. Just as fast I yanked my finger out. Thankfully he let go right away. The people there expressed some concern about the blood dripping all over the place. What a wild vicious animal! Why would anyone want one of them? Well I said it was my fault not his. I know better, having had animals most of my life. He was blind, scared & stressed. I'd have bit to if someone had stuck their finger in my face after the day he had. Paper work finished we went to the van where I keep a large carrier, so large it's hard to carry. It has a litter box & all comforts. Managed to transfer Bart to it without letting my hands get near him. I may have bouts of being stupid but I'm not an idiot. Stopped & bought a 2 liter cold bottle of water to put in the carrier to keep him cool until we got home. Before even leaving Tampa the afternoon storms came rolling in so the ride home wasn't bad at all. Put him in the bathroom with George so they could get aquatinted & held my breath. They sniffed, they snooped, they prodded. It was going to be ok! Bart even started to chuckle after awhile. One at a time I let the girls in to meet Bart. More sniffing, snooping, & prodding & not one hint of a fight. In order not to further stress Bart I only let a girl in a few minutes before taking her out & allowing another in. I decided to let George stay in there with Bart that night to further get aquatinted & start bonding. I also kept them together the next day. In the mornings when I let the girls out of the cage I put them in the bathroom to romp some with the boys & later on let them out in the bedroom. Yesterday was the first day everyone was allowed the freedom of both rooms. Bart romped with everyone! I looked once to see Caffie, really tiny little one dragging Bart across the floor trying to get him to the main hidey hole under the dresser. It is so heartwarming to see George & Bart play together & with the girls. Bart is going to be happy here, I know he will. So please, if you have one blind ferret now & it is a mellow fuzzy, gets along well with other ferrets, but maybe they don't play with it much, don't hesitate to adopt another blind one. They need homes & loving & play mates to. Bart is still not all that happy with me, but he is getting much better. I don't jump up on the toilet seat now because he wants to kill my toes. I don't put my hands by his face, but I pick him up & love on him. Today I was on the floor & he came by me & sniffed a lot but made no attempt to bite. Thank you Margie, from my heart for loving him enough to want more for him & for thinking he could get it here. Lynn & the 8 Sneaky Fur Coated Snakes: Rosie, Blossom, George, QT, Sadie, Cocoa, Caffie & TA DA! BART! ------------------------------ Date: Mon, 19 Jul 1999 01:17:17 -0700 From: Edward Lipinski Ferrets NorthWest FNW Subject: Absolute Fixation on One Aspect of Ferret Behavior. Let me be as clear as I possibly can be and try to explain my absolute fixation on learning as much as is humanly possible on the one troubling aspect of ferret behavior. The one aspect of ferret behavior that I should like to focus is the relationship that is repeatedly demonstrated between ferrets and human infants. I cite particularly the Toronto case. I should like to first put aside the oft cited "reason" of adult incompetence; to put aside the excuse that, "Hey, not all ferrets go after human infants," and to put aside the very negative conundrum that any ferret will go after a human infant if the ferret is sufficiently hungry. Please let's consider, at least initially, only the following: 1.) What are the physical and social circumstances at the bite site? 2.) What deviations from the norm are evident upon examining the ferret externally? 3.) What deviations from the norm are evident upon examining the ferret internally? 4.) What are the precise architectual deformations at the bite site on the infant? 5.) Are lacerations always prevalent when preceeded by canine tooth punctures either at the leading or lagging end of the laceration? 6.) Is there any evidence of gnawing at the bite site(s)? 7.) Is there any evidence of the ferret attempting to drag or move the infant to a different location from its initial discovery site and are the wounds to the infant consistent with a dragging moment and the repeated ruptures of skin at a body extremity, such as the scalp, a hand (finger), or at a foot (toe)? 8.) Is there any evidence that the attempt to drag the infant is in or towards the direction where the ferret normally keeps and hides its cache of toys, food particles, soiled owner laundry, or other specific ferret "treasures?" 9.) Had the ferret demonstrated any highly curious attraction to the infant's cry or to the scent of the infant prior to its attack? I would welcome your thoughts and suggestions for significant questions to be posed in addition to the nine above. I believe that progress in understanding this aspect of ferret/infant behavior can be accomplished by first posing such questions as the questions above, and secondly, by attempting to answer them for each and every ferret/infant bite occurrence. Further I would hope that if a ferret/bite occurrence takes place in your immediate area, you would be in there ferreting out as many answers to the above nine questions as you can in the shortest time possible. I should like to be the international repository of such data and would most earnestly welcome submissions as often as possible. Does this approach to understanding ferret behavior seem right and sensible to you? If not, please indicate your reason(s) and counter with an approach of your own. Edward Lipinski, Ferret Endowment for Research, Rehabilitation, Education & Training Society, North West, FERRETS NW. ------------------------------ Date: Mon, 19 Jul 1999 03:55:54 -0700 From: Edward Lipinski Ferrets NorthWest FNW Subject: Bobbie C (Ruprecht Kirche) jumps in with both feet out flushes a torrent of . . . well? I am soooo disappointed. Why is it the Ruprecht Kirche has flushed out a torrent of...well, you name it if you will, as if he had been smacked in the kisser with a treatise on "Gross Primitiveness in the Domestic Ferret and Its Relativistic Aggression on Infantis Humanus?" I fail to understand why the Sorcerer of Erudition, when presented with the Socrotean method of questioning jumps to the erronous conclusion that the questions are in fact "factual," when in reality they are simple questions and not "fixed in concrete" assertions. Did this little Edward stumble on a rarely touched "Hot Button?" Whew! It certainly looks that way, doesn't it? Somehow I feel his literary fingers closing about my throat, especially the patently porous personal insultive quips thinly disguised as "humor." Surely you can be funny and at the same time a bit less prickerly. Please. Hesus Kristos. Confront thy adversary with an argument and please leave out the degrading epithets. I will most certainly defer to your presentation when and if the assertions you make are intellectually supportive of your stand on an issue. Thanks. The questions I posed I gleaned from a local newspaper. I thought them apropos of the FML even though they did not pertain specifically to the ferret. I added the word, "ferret" and the following "(sic)" to indicate the word was not initially included in the newspaper listing of the mustelids. Somebody on the net was asking about that. Golly, I never ever thought of the ferret as "primitive," what ever that word means in this case. The jist appears to be the lacking of a communicative senses in all the musties, in comparison to other mammals. Your focus on the other aspects of the ferrets evolutionary development is perhaps an example of your eruditous redundancy, so often typical of your postings. I defer to the KISS principle. I would hope you'd care to express your opinions on the differences in communicative skills of the primitive ferret in both the native American Black-footed ferret and the (Oh no - I've got to say it...) domestic (domesticated) ferret. And while you're at it, maybe you could touch on the relationship between primitiveness and the hunting/killing instinct of both ferrets. And in so doing, give us a comparative sense of the difference in domesticity between the two ferrets. Or, do you (I hope not) regard both ferrets as equally domestic(ated)? Now this brings up an interesting aspect that has not come into my ken heretofore: are there differing degrees of domestication? As for example, at what point or evolutionary development period of the dog from the wolf could one say with a reasonable sense of intellectual comfort that the "fog" of domesticity became measureable in the wolf/dog? Surely as the wolf evolved to the domestic dog, somewhere along the timescale of evolving, what we recognize as "wildness" was diminished and "domesticity" was apparent. Now, how do we translate that to the ferret's evolutionary growth, or as I sometimes prefer to call it, the repression of innate characteristics? And now with respect to my seemingly sexist proclivities, as some would have it, please be aware that my less-than-glowing affirmation of the (as Rudyard Kipling put it, the deadliest of the species) female volunteer shelter worker is testimonial to only those girls and women who actually worked here in the past 18 years that this geriatric shelter has been in existence. Repeat: only those girls and women who have worked here the last 18 years. Ye Gods! That does not include all women-kind by any means. Yet to read the critiques, one would assume such was my inclusion. You Ruprecht, like others of similar ilk have taken an assumption and run amok with it. Too bad. Too bad. Hmmm. That makes two too bads = to one four bad?? Edward Lipinski, who maintains: domesticATED=DEAD. (So Sorry buddy) ------------------------------ Date: Mon, 19 Jul 1999 04:42:52 +0000 From: karen daigneault Subject: blinded by emotion >God has blessed me big time once again. >Lisette Lisette, what a beautiful post! Thanks for sharing. Karen&Manna and the 10 fuzziewuzzies ------------------------------ End of FERRET-L Digest - 19 Jul 1999 to 20 Jul 1999 (#1999-2747) ****************************************************************  1,, Summary-line: 22-Jul LSimons@mail.usa.com #Mikado Full Score and MIDI Files Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29474; Thu, 22 Jul 99 18:53:04 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26669; Thu, 22 Jul 99 18:53:04 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA07081; Thu, 22 Jul 1999 18:52:58 -0400 (EDT) Date: Thu, 22 Jul 1999 18:52:58 -0400 (EDT) Message-Id: <004801bed494$4e6f06e0$58e131d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score and MIDI Files Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Thu, 22 Jul 1999 18:52:58 -0400 (EDT) Reply-To: LSimons@mail.usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Mikado Full Score and MIDI Files Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 1. A number of people have e-mailed me in the past couple of days asking for the URL where my Mikado score can be downloaded, so for the benefit of anyone and ev'ryone who wants it, the address is: http://home.freeuk.net/lsimons/mikado.html 2. The remaining score pages (containing *that* fanfare, "There is beauty in the bellow of the blast" and the second act finale "For he's gone and married Yum-Yum") will be uploaded as soon as they are finished - I'll post an announcement on SavoyNet when they are available. 3. In response to a mild protest about the overture MIDI file playing itself automatically when the page is loaded, it now no longer does so. 4. The MIDI files which were not present originally have now been added and the site now contains a complete set of all the Mikado music. In a few hours' time I shall be adding a further link to download all the MIDI files in the form of a self-extracting zip-file. Larry Simons London, U.K.  1,, Summary-line: 23-Jul wjbagaria@venable.com #BJ Spam: PalmPilot Software Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29374; Fri, 23 Jul 99 10:03:00 EDT Received: from smtp.venable.com by MIT.EDU with SMTP id AA26250; Fri, 23 Jul 99 10:02:52 EDT Received: from vbmim01.venable.com by smtp.venable.com via smtpd (for SOUTH-STATION-ANNEX.MIT.EDU [18.72.1.2]) with SMTP; 23 Jul 1999 13:53:57 UT Received: from [208.200.215.65] (vbsmt02.venable.com) by vbmim01.venable.com (Content Technologies SMTPRS 2.0.15) with SMTP id ; Fri, 23 Jul 1999 09:55:23 -0400 Received: from vbsmt02.venable.com by [208.200.215.65] via smtpd (for vbmim01.venable.com [208.200.215.66]) with SMTP; 23 Jul 1999 14:02:41 UT Received: by vbsmt02.venable.com with Internet Mail Service (5.5.2448.0) id ; Fri, 23 Jul 1999 10:02:45 -0400 Message-Id: From: "Bagaria, William J., III" To: "'Meeps, DC'" Cc: '/cjm' , "'David C. Jedlinsky'" , 'David Policar' Subject: BJ Spam: PalmPilot Software Date: Fri, 23 Jul 1999 10:02:44 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BED514.09BD7128" *** EOOH *** From: "Bagaria, William J., III" To: "'Meeps, DC'" Cc: '/cjm' , "'David C. Jedlinsky'" , 'David Policar' Subject: BJ Spam: PalmPilot Software Date: Fri, 23 Jul 1999 10:02:44 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BED514.09BD7128" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BED514.09BD7128 Content-Type: text/plain; charset="iso-8859-1" I am currently using QED for DOC files- books, short stories, manuals etc-, 5 cows from pilotzone, and JFile for databases, 4 cows from pilotzone (databases don't get more than 4 cows because of small target audience). I tried TealDoc which I really liked, and Pilotzone also gives 5 cows, and it is better than QED for reading DOC files but it will not let you edit DOC files on the PalmPilot. I also tried MobileDB for databases, 4 cows from pilotzone, which is nice, but only allows alphanumeric fields (I don't want to eat up the space for 250 char per field if it is just going to have a boolean value). Deb recommended _PalmPilot: The Ultimate Guide_ by David Pogue published by O'Reilly. I bought the 2nd Ed last night. It is copyright June 1999 for Pilot 1000 to Palm VII and comes with a CD-ROM from Palmcentral (pilotcentral?) which they partnered with for the 2nd Ed. O'Reilly also sell a software developer's guide for PalmPilots which is highly praised. Just skimming through it last night, I am going to try HansBase for databases (all the features of JFile, but supposedly better) and SmartDoc (which pilotzone only gave 4 cows but Pogue likes better then QED). Jed, I'll let you know what I think of HansBase. I like JFile enough I was planning to register it after a few more trial weeks. JFile and HansBase let you use boolean values. In my database, each entry for movies is title- since you get 500 chars with JFile I also use this field for notes such as "Starland only has Volume 2 in dubbed, check Pandora's Box for subtitled" (string) Pt- for mutiple part series (integer) NTR- Need To Rent (boolean) Rtg- Rating of story, i.e. would I buy the novelization? (integer) Sp?- Check spelling, i.e. a friend tells me a movie title I need to rent (boolean) Ht- Hotness ( I'd already used Sp for spelling), is the movie like _Akira_, story rating 2 but hotness 5 for cool special effects and strong buzz. (integer) Currently 5K for database structure and info for 102 movies. Having skimmed the _Guide_ I didn't see any quick fix to synching two PalmDesktop calendars. I'm still asking friends and checking the web. Of course when I read the _Guide_ in depth it might have a suggestion. I'm pretty sure Outlook can do it, but I like the PalmDesktop because I can back up my Palm V in 250K. If I skimmed the _Guide_ correctly (in the section about moving data from your dead/ obselete PalmPillot to your shiny/ new PalmPilot) one way to do it manually on the PalmDesktop would be as follows: create file folder "Family" Export your calendar to Ruth's folder Delete your calendar Merge Ruth's calendar with your exported calendar Move Ruth's calendar to Family folder When you want to HotSync Move calendar from Family to Jed's folder Hotsync Move calender back to Family folder When Ruth want's to HotSync Move calendar from Family to Ruth's folder Hotsync Move calender back to Family folder This method has a few lingering questions: Is skimming the section sufficient, or am I missing somethign glaringly obvious? Will it work on a non- new PalmPilot? Do you have to change the HotSync conduit settings? When HotSyncing does the Palm OS look for missing records, or just records flagged for HotSyncing? (part of the speed of HotSyncing is the update, delete and archive flags) I Will keep you posted on this experiement. -Bj PalmPilot Addict -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Thursday, July 22, 1999 5:36 PM To: Bagaria, William J., III Cc: CJ@sftlaw.com; opus@MIT.EDU Subject: Re: iBook So, what database program do you use? I've been wanting to put books & movies into my Palm, but haven't picked the perfect DB yet. On another front, do both BJ & CJ have Palm Pilots? If so, how do you keep your calendars in sync? -Dave ********************************************************************** This electronic mail transmission may contain confidential or privileged information. If you believe that you have received the message in error, please notify the sender by reply transmission and delete the message without copying or disclosing it. ********************************************************************** ------_=_NextPart_001_01BED514.09BD7128 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable BJ Spam: PalmPilot Software

        I am = currently using QED for DOC files- books, short stories, manuals etc-, = 5 cows from pilotzone, and JFile for databases, 4 cows from pilotzone = (databases don't get more than 4 cows because of small target = audience).

        I tried = TealDoc which I really liked, and Pilotzone also gives 5 cows, and it = is better than QED for reading DOC files but it will not let you edit = DOC files on the PalmPilot.  I also tried MobileDB for databases, = 4 cows from pilotzone, which is nice, but only allows alphanumeric = fields (I don't want to eat up the space for 250 char per field if it = is just going to have a boolean value).

        Deb = recommended _PalmPilot: The Ultimate Guide_ by David Pogue published by = O'Reilly.  I bought the 2nd Ed last night.  It is copyright = June 1999 for Pilot 1000 to Palm VII and comes with a CD-ROM from = Palmcentral (pilotcentral?) which they partnered with for the 2nd = Ed.  O'Reilly also sell a software developer's guide for = PalmPilots which is highly praised.

        Just = skimming through it last night, I am going to try HansBase for = databases (all the features of JFile, but supposedly better) and = SmartDoc (which pilotzone only gave 4 cows but Pogue likes better then = QED).

Jed,
        I'll let = you know what I think of HansBase.  I like JFile enough I was = planning to register it after a few more trial weeks.  JFile and = HansBase let you use boolean values.

        In my = database, each entry for movies is
        =         title- since = you get 500 chars with JFile I also use this field for notes such as = "Starland only has Volume 2 in dubbed, check Pandora's Box for = subtitled" (string)

        =         Pt- for = mutiple part series (integer)
        =         NTR- Need To = Rent (boolean)
        =         Rtg- Rating = of story, i.e. would I buy the novelization? (integer)
        =         Sp?- Check = spelling, i.e. a friend tells me a movie title I need to rent = (boolean)
        =         Ht- Hotness = (<grin> I'd already used Sp for spelling), is the movie like = _Akira_, story rating 2 but hotness 5 for cool special effects and = strong buzz. (integer)

        Currently = 5K for database structure and info for 102 movies.

        Having = skimmed the _Guide_ I didn't see any quick fix to synching two = PalmDesktop calendars.  I'm still asking friends and checking the = web.  Of course when I read the _Guide_ in depth it might have a = suggestion.  I'm pretty sure Outlook can do it, but I like the = PalmDesktop because I can back up my Palm V in 250K.

        If I = skimmed the _Guide_ correctly (in the section about moving data from = your dead/ obselete PalmPillot to your shiny/ new PalmPilot) one way to = do it manually on the PalmDesktop would be as follows:

        create = file folder "Family"
        Export = your calendar to Ruth's folder
        Delete = your calendar
        Merge = Ruth's calendar with your exported calendar
        Move = Ruth's calendar to Family folder

        When you = want to HotSync
        =         Move calendar = from Family to Jed's folder
        =         Hotsync
        =         Move calender = back to Family folder

        When Ruth = want's to HotSync
        =         Move calendar = from Family to Ruth's folder
        =         Hotsync
        =         Move calender = back to Family folder

        This = method has a few lingering questions:  Is skimming the section = sufficient, or am I missing somethign glaringly obvious? Will it work = on a non- new PalmPilot?  Do you have to change the HotSync = conduit settings? When HotSyncing does the Palm OS look for missing = records, or just records flagged for HotSyncing? (part of the speed of = HotSyncing is the update, delete and archive flags)

        I Will = keep you posted on this experiement.

-Bj
PalmPilot Addict
       =20

-----Original Message-----
From: David C. Jedlinsky [mailto:opus@MIT.EDU]
Sent: Thursday, July 22, 1999 5:36 PM
To: Bagaria, William J., III
Cc: CJ@sftlaw.com; opus@MIT.EDU
Subject: Re: iBook



So, what database program do you use?  I've been = wanting to put books
& movies into my Palm, but haven't picked the = perfect DB yet.

On another front, do both BJ & CJ have Palm = Pilots?  If so, how do you
keep your calendars in sync?

-Dave

------_=_NextPart_001_01BED514.09BD7128--  1,, Summary-line: 23-Jul geer@world.std.com #another clone Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09675; Fri, 23 Jul 99 23:31:27 EDT Received: from europe.std.com by MIT.EDU with SMTP id AA24747; Fri, 23 Jul 99 23:31:13 EDT Received: from world.std.com by europe.std.com (STD1.2/BZS-8-1.0) id XAA12687; Fri, 23 Jul 1999 23:31:10 -0400 (EDT) Received: by world.std.com (TheWorld/Spike-2.0) id AA07971; Fri, 23 Jul 1999 23:31:10 -0400 Date: Fri, 23 Jul 1999 23:31:10 -0400 From: geer@world.std.com (Dan Geer) Message-Id: <199907240331.AA07971@world.std.com> To: zephyr@MIT.EDU Subject: another clone *** EOOH *** Date: Fri, 23 Jul 1999 23:31:10 -0400 From: geer@world.std.com (Dan Geer) To: zephyr@MIT.EDU Subject: another clone MICROSOFT BROADENS VISION STATEMENT BEYOND PC'S Microsoft is preparing for a future dominated by non-PC technologies such as Internet services and handheld computing. To reflect its change in attitude, the company has adjusted its vision statement to "Empower people through great software anytime, anyplace, and on any device." The company has already begun to expand its Internet services, most notably with a new instant messaging service to compete with America Online. The MSN Messenger Service allows users to instantly communicate online with other members of the service, as well as with AOL users. Microsoft will also focus on overtaking 3Com's Palm division in handheld services. Yet Microsoft has not abandoned PCs; instead, it plans to expand their capabilities. The company is suggesting to PC makers that telephone services become common among computers next year. Microsoft has also set two major goals: to develop an Internet-oriented platform for software that harnesses both the power of PCs and networked server machines, and to offer greater interaction between computers and users by allowing computers to recognize visual and audio cues. (Wall Street Journal 07/23/99)  1, forwarded,, Summary-line: 26-Jul mendes@aigfpc.com #FW: Your Star Wars Name. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25697; Mon, 26 Jul 99 15:18:07 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA07487; Mon, 26 Jul 99 15:18:05 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 118qF2-0000gL-00; Mon, 26 Jul 1999 15:16:52 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Mon, 26 Jul 1999 15:16:22 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Your Star Wars Name. Date: Mon, 26 Jul 1999 15:16:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Your Star Wars Name. Date: Mon, 26 Jul 1999 15:16:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Have fun! Love, Ricme Wapou Sedtercel of Natalcare Eth @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > *-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*- > *-*-*- > *-*-*-*-* > Determine your Star Wars Name! > > How to determine your Star Wars name, Honorific Name and Title: > > Your new first name: > Take the first 3 letters of your first name and > Add the first 2 letters of your last name > > Your new last name: > Then take the first 2 letters of your Mom's maiden name and > Add the first 3 letters of the city in which you were born > > Your Star Wars Honorific Name and Title: > Take the last three letters of your last name and reverse them > Add the name of the first car you drove/owned > Insert the word "of" > Tack on the name of the last medication you took > > May the force be with you... > Many thanks to Donna (Donpi Bebri, Kazpinto of Advil) > > > > Adina Alexander > Graphic Designer/Web Developer > CD UNIVERSE > www.cduniverse.com > ----------------------------------------------------------- > "It's hard not to play when there are so many toys" - Jewel > "Outside of a dog, a book is a man's best friend. Inside of a dog it's > too > dark to read." - Groucho Marx  1, edited,, Summary-line: 26-Jul wjbagaria@venable.com #RE: Your Star Wars Name. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02710; Mon, 26 Jul 99 17:15:17 EDT Received: from smtp.venable.com by MIT.EDU with SMTP id AA13388; Mon, 26 Jul 99 17:15:18 EDT Received: from vbmim01.venable.com by smtp.venable.com via smtpd (for PACIFIC-CARRIER-ANNEX.MIT.EDU [18.69.0.28]) with SMTP; 26 Jul 1999 21:06:10 UT Received: from [208.200.215.65] (vbsmt02.venable.com) by vbmim01.venable.com (Content Technologies SMTPRS 2.0.15) with SMTP id ; Mon, 26 Jul 1999 17:07:40 -0400 Received: from vbsmt02.venable.com by [208.200.215.65] via smtpd (for vbmim01.venable.com [208.200.215.66]) with SMTP; 26 Jul 1999 21:14:58 UT Received: by vbsmt02.venable.com with Internet Mail Service (5.5.2448.0) id ; Mon, 26 Jul 1999 17:15:04 -0400 Message-Id: From: "Bagaria, William J., III" To: "'David C. Jedlinsky'" , cj@sftlaw.com, "Bagaria, William J., III" Subject: RE: Your Star Wars Name. Date: Mon, 26 Jul 1999 17:15:04 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BED7AB.EDA2AE96" *** EOOH *** From: "Bagaria, William J., III" To: "'David C. Jedlinsky'" , cj@sftlaw.com, "Bagaria, William J., III" Subject: RE: Your Star Wars Name. Date: Mon, 26 Jul 1999 17:15:04 -0400 Can I be scared now? Very, very scared? Joy and Dreams -Wilba Falan; Airpacer of Advil -----Original Message----- From: David C. Jedlinsky [mailto:opus@mit.edu] Sent: Monday, July 26, 1999 5:09 PM > > May the force be with you... -Davje Prbos; Yksjetta of Allegra  1,, Summary-line: 27-Jul CJ@sftlaw.com #RE: Your Star Wars Name. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15908; Tue, 27 Jul 99 09:23:20 EDT Received: from [38.209.248.2] by MIT.EDU with SMTP id AA20769; Tue, 27 Jul 99 09:23:19 EDT Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Tue, 27 Jul 1999 09:25:27 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5 Date: Tue, 27 Jul 1999 09:25:11 -0400 From: "Cynthia J. Bagaria" To: , Subject: RE: Your Star Wars Name. Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5 Date: Tue, 27 Jul 1999 09:25:11 -0400 From: "Cynthia J. Bagaria" To: , Subject: RE: Your Star Wars Name. Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Yes, I think we can be scared now.... Cynma Thoce, Noiford of Centrum (or Ytero Macen, Rahaili of Ghul, depending on which of me is answering...)=  1,, Summary-line: 27-Jul LHall@tscwo.com #Gilbert & Hamlet (was something else) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20934; Tue, 27 Jul 99 11:16:31 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26014; Tue, 27 Jul 99 11:16:33 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA28119; Tue, 27 Jul 1999 11:16:24 -0400 (EDT) Date: Tue, 27 Jul 1999 11:16:24 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Gilbert & Hamlet (was something else) Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2232.9) *** EOOH *** Date: Tue, 27 Jul 1999 11:16:24 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Gilbert & Hamlet (was something else) Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2232.9) Interesting that you should mention it, as I am currently directing "Rosencrantz and Guildenstern," which is Gilbert's "short attention span plot for Hamlet for people who don't like tragedies." It's a nifty little piece (which can be found on the archive) and I have a good cast. (Which that if this turns out badly, I guess it's my fault.) It's tempting to use that song from "Merrie England" about livening up those downer Shakespeare plays with a cheerful song about the sea ... One of my actors, bless him, looked up the play in the archive before the first rehearsal and knew the background. R&G is the last show is a series of one-act plays that Silver Spring Stage produces every year. The next show (the first of the 1999-2000 season) is, amusingly enough, Paul Rudnik's "I Hate Hamlet." This is my maiden directorial effort, so if you are anywhere near the Washington, DC area on September 2, 3, or 4, please come and see it and give me moral support. Leta (LHall@tscwo.com) "Where a ghost and a prince meet and everyone ends in mincemeat!" - The Band Wagon > ---------- > From: J. Donald Smith[SMTP:DSMITH@umassd.edu] > Reply To: DSMITH@umassd.edu > Sent: Tuesday, July 27, 1999 10:05 AM > To: Multiple recipients of list SAVOYNET > Subject: Re: Gilbert's most Outrageous Rhymes > > As my parting shot before heading out for Buxton, let me put in my oar for > > my favo(u)rite in this category. > > >From "The Mountebanks" (from a scene which may be described as part of > Gilbert's 'Short-Attention-Span Plot for Hamlet') > > [snip] > > When she found he wouldn't wed her > In a river, in a meadder, [sic] > Took a header, and a deader [sic] > Was Ophelia! > > Bye. > Don Smith > __________________________________________ > J. Donald Smith > 96 Old Colony Avenue, #320 > East Taunton, MA 02718 > 508-823-5110 (h); 508-999-8231 (w); E-mail: dsmith@umassd.edu >  1,, Summary-line: 27-Jul goodmanj@MIT.EDU #Interisland plane reservations Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02157; Tue, 27 Jul 99 13:23:23 EDT Received: from AMPERSAND.MIT.EDU by MIT.EDU with SMTP id AA06441; Tue, 27 Jul 99 13:23:20 EDT Received: by ampersand.mit.edu (8.8.8/4.7) id NAA01528; Tue, 27 Jul 1999 13:23:15 -0400 (EDT) Message-Id: <199907271723.NAA01528@ampersand.mit.edu> X-Mailer: exmh version 2.0.2 2/24/98 To: rls@MIT.EDU, opus@MIT.EDU, jhango@alumni.hmc.edu, ziebarth@math.wisc.edu, jrowan@mandli.com, geoffrey_clark_collins@brown.edu, bcollins_epc@ids.net, arussell@gulf.mit.edu, swanberg@geo.arizona.edu, eichin@MIT.EDU Cc: Jason Goodman Subject: Interisland plane reservations Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Tue, 27 Jul 1999 13:23:15 EDT From: Jason Goodman *** EOOH *** X-Mailer: exmh version 2.0.2 2/24/98 To: rls@MIT.EDU, opus@MIT.EDU, jhango@alumni.hmc.edu, ziebarth@math.wisc.edu, jrowan@mandli.com, geoffrey_clark_collins@brown.edu, bcollins_epc@ids.net, arussell@gulf.mit.edu, swanberg@geo.arizona.edu, eichin@MIT.EDU Cc: Jason Goodman Subject: Interisland plane reservations Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Tue, 27 Jul 1999 13:23:15 EDT From: Jason Goodman Okay. I've asked my Mom to make the following plane reservations, and get travel vouchers for them (or just to get vouchers in the cases where reservations are already made.) Hawaii: Interisland Flights Needed Dave Jedlinsky, Ruth Jedlinsky, Ken Raeburn: Lihue-Hilo Reservations already made Leave: Jan 5, 2:55p (HA 544) Return: Jan 12, 5:45p (HA 201) Vouchers needed: 6 Jennifer Hango: Honolulu->Lihue Dec 29, arrive about 9 p.m. Lihue->Hilo Jan 4, morning (same flight as Jason et al, below) Hilo->Honolulu Jan 5, evening (must arrive in time to catch 10:25 flight from HNL) Vouchers needed: 3 Jennifer Ziebarth, John Littell Lihue->Hilo Jan 4, morning (same flight as Jason et al, below) Hilo->Honolulu Jan 6, evening (must arrive in time to catch midnightish flight from HNL) Vouchers needed: 4 Jason Goodman, Geoff Collins, Beth Ashman-Collins, Sarah Russell, Karen Swanberg Lihue-Hilo Leave: Jan 4, morning Return: Jan 7, evening Vouchers needed: 10 Total vouchers: 23 (!) Let me know if this information is incorrect. Mom says she'll mail you the vouchers when she gets them. I have everyone's home address except for Dave and Ruth. I'll tell you how to pay for them shortly: it'll involve mailing a check for roughly $50-$60 per one-way ticket to either me or my Mom.  1,, Summary-line: 28-Jul goldrich@panix.com #Dover Mikado full score Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21508; Wed, 28 Jul 99 18:10:19 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA27510; Wed, 28 Jul 99 18:10:06 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA18927; Wed, 28 Jul 1999 18:09:59 -0400 (EDT) Date: Wed, 28 Jul 1999 18:09:59 -0400 (EDT) Message-Id: <379F7E04.3E4B150@panix.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Dover Mikado full score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.08 [en] (Win95; U) *** EOOH *** Date: Wed, 28 Jul 1999 18:09:59 -0400 (EDT) Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Dover Mikado full score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.08 [en] (Win95; U) I just picked up my copy a few hours ago and wish to take this opportunity to report on what I've found. I was away for a while and don't know if this is the first SavoyNet report on the subject or if others preceded me. The score is 9 x 12, with a typical colorful Dover cover. The title is "W.S. Gilbert / and / Sir Arthur Sullivan / The / Mikado / in Full Score / New Edition By / Carl Simpson / and / Ephraim Hammett Jones." The first few pages contain information on where to rent "com- plete performance material," a table of contents, a preface which says, among other things, "While the present edition is intended as one for practical per- formance instead of a critical edition in the strict sense of the term, great effort has been taken to present a score that is accurate to the composer's intentions." , a listing of the dramatis personae and opening night credits, a plot synopsis, and an instrumentation list. The score itself is very nicely presented, with dialog. I found the optical weight of the engraving a little light for these old tired eyes -- I would have preferred somewhat larger fonts and heavier lines -- but it strikes me on first perusal as a handsome engraving job. There are numerous editorial changes and additions, many pointed to by brackets and footnotes which are conveniently at the bottoms of the pages rather than in their own section. Many slurs have been added, and I can't say that I concur with all of them. It was interesting to see the complete "Were I [!] Not to Ko-Ko Plighted," but discon- certing to read "banjo serenader" and "painted with vigour" with no indication that they are not what Gilbert wrote. I am not enough of a scholar to know where to look for the truly "critical" decisions. I'm sure others will have more to say as the book becomes more widely available; but I imagine all will concur that it's a must-have at $20. -- Fred Goldrich -- Fred Goldrich goldrich@panix.com  1,, Summary-line: 29-Jul pstark@furniture.com #web site of interest as resource Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02644; Thu, 29 Jul 99 10:05:27 EDT Received: from mail1.furniture.com by MIT.EDU with SMTP id AA25804; Thu, 29 Jul 99 10:05:28 EDT Received: by mail1.furniture.com with Internet Mail Service (5.5.2448.0) id <333R305W>; Thu, 29 Jul 1999 10:02:57 -0400 Message-Id: <210D83C9C26AD211A2020008C74CCBE785BC38@mail1.furniture.com> From: Peter Stark To: "'mlague@cisco.com'" , "'opus@mit.edu'" , "'KatishaL@aol.com'" , "'aallen@welchs.com'" , "'klague@jhancock.com'" , "'ProdStaff@lists.sudburysavoyards.org'" , "'seiler@merl.com'" , "'DonnaRslr@aol.com'" , "'RubenAct@aol.com'" , "'WMKUHLMAN@aol.com'" , "'MABromberg@aol.com'" , "'hands4@world.std.com'" , "'malionek@cove.com'" , "'JaniceDals@mediaone.net'" , "'tpowers@xionics.com'" , "'stoney@sb.org'" Subject: web site of interest as resource Date: Thu, 29 Jul 1999 10:02:51 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'mlague@cisco.com'" , "'opus@mit.edu'" , "'KatishaL@aol.com'" , "'aallen@welchs.com'" , "'klague@jhancock.com'" , "'ProdStaff@lists.sudburysavoyards.org'" , "'seiler@merl.com'" , "'DonnaRslr@aol.com'" , "'RubenAct@aol.com'" , "'WMKUHLMAN@aol.com'" , "'MABromberg@aol.com'" , "'hands4@world.std.com'" , "'malionek@cove.com'" , "'JaniceDals@mediaone.net'" , "'tpowers@xionics.com'" , "'stoney@sb.org'" Subject: web site of interest as resource Date: Thu, 29 Jul 1999 10:02:51 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" http://www.communitytheater.org/ Cheers to all... see you when I get back from Lithuania in a few weeks! If anyone has Donna Kearny (formerly Parry)'s current email address, could someone forward it to me? Thanks. Peter Stark.  1,, Summary-line: 30-Jul setiadm@ssl.berkeley.edu #SETI@home Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14133; Fri, 30 Jul 99 17:32:29 EDT Received: from sunspot.ssl.berkeley.edu by MIT.EDU with SMTP id AA25069; Fri, 30 Jul 99 17:32:34 EDT Received: from milkyway.ssl.berkeley.edu (milkyway.ssl.berkeley.edu [128.32.18.165]) by sunspot.ssl.Berkeley.edu (8.9.3/8.9.2) with ESMTP id OAA09486 for ; Fri, 30 Jul 1999 14:27:44 -0700 (PDT) Received: (from setiadm@localhost) by milkyway.ssl.berkeley.edu (8.8.8+Sun/8.8.8) id OAA27006 for opus@mit.edu; Fri, 30 Jul 1999 14:32:27 -0700 (PDT) Date: Fri, 30 Jul 1999 14:32:27 -0700 (PDT) From: SETI Network Administration Message-Id: <199907302132.OAA27006@milkyway.ssl.berkeley.edu> Subject: SETI@home Apparently-To: *** EOOH *** Date: Fri, 30 Jul 1999 14:32:27 -0700 (PDT) From: SETI Network Administration Subject: SETI@home Apparently-To: Your SETI@home password is 655080408.  1,, Summary-line: 30-Jul marc@MIT.EDU #Re: should we submit zephyr? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07192; Fri, 30 Jul 99 20:32:13 EDT Received: from horowitz.ne.mediaone.net by MIT.EDU with SMTP id AA20662; Fri, 30 Jul 99 20:32:15 EDT Received: (from marc@localhost) by horowitz.ne.mediaone.net (8.8.8/8.8.8) id UAA23237; Fri, 30 Jul 1999 20:32:08 -0400 (EDT) From: Marc Horowitz To: geer@MIT.EDU Cc: zephyr@MIT.EDU Subject: Re: should we submit zephyr? References: <199907302317.TAA28081@buzzword-bingo.mit.edu> Date: 30 Jul 1999 20:32:07 -0400 In-Reply-To: geer@MIT.EDU's message of "Fri, 30 Jul 1999 19:17:24 -0400 (EDT)" Message-Id: Lines: 10 X-Mailer: Gnus v5.5/Emacs 20.3 *** EOOH *** From: Marc Horowitz To: geer@MIT.EDU Cc: zephyr@MIT.EDU Subject: Re: should we submit zephyr? References: <199907302317.TAA28081@buzzword-bingo.mit.edu> Date: 30 Jul 1999 20:32:07 -0400 In-Reply-To: geer@MIT.EDU's message of "Fri, 30 Jul 1999 19:17:24 -0400 (EDT)" Lines: 10 X-Mailer: Gnus v5.5/Emacs 20.3 geer@MIT.EDU writes: >> http://search.ietf.org/internet-drafts/draft-ietf-impp-reqts-01.txt A number of past and current zephyr developers are active in the IMPP effort. We all believe that zephyr is not suitable as is, but we are doing our best to contribute what we have learned, both successful and not, to the group. Marc  1,, Summary-line: 31-Jul dankravetz@juno.com #THE MIKADO in Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10793; Sat, 31 Jul 99 21:45:32 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18891; Sat, 31 Jul 99 21:45:37 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA26318; Sat, 31 Jul 1999 21:41:54 -0400 (EDT) Date: Sat, 31 Jul 1999 21:41:54 -0400 (EDT) Message-Id: <19990801.145656.-194639.0.dankravetz@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: THE MIKADO in Full Score Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 3.0.13 *** EOOH *** Date: Sat, 31 Jul 1999 21:41:54 -0400 (EDT) Reply-To: dankravetz@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: THE MIKADO in Full Score Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 3.0.13 (Note my new e-mail address. The one I'd been using will automatically forward mail to this one.) The Dover MIKADO score showed up on the shelf at Coliseum Books in New York on Thursday, July 29. Naturally, I grabbed it at first sight and paid full price--something I don't often do. The score is one of the best things to happen to G&S in a long time. Imagine being able to have the most popular musical theater work in world history complete with all the orchestral parts and dialogue in your hands for only $19.95! Dover has been putting out orchestral scores at affordable prices for many years. Most of these are reproduced from older European sources that are no longer protected by copyright. It is therefore most impressive to see that this MIKADO score was created from scratch for Dover and is justifiably copyrighted as an original work in terms of format and editing, yet is no more expensive than other Dover orchestral scores. This may have been risky for the publisher, and I hope this decision is rewarded with ample sales. (It should be noted that the Eulenberg miniature score of THE GONDOLIERS from the early 1980's was a pioneer effort along these lines. I believe it was 15 pounds when it first came out in England, but if it's still in print, it has gone up considerably along with other Eulenberg editions. Dover scores have also gone up in price over the years, but not to as great a degree.) The score is a visual delight. I would tell anyone who wants a MIKADO score for listening to the opera, or for preparing to sing in the opera without needing a piano reduction of the accompaniment, to buy this one for only a little more money than the familiar piano-vocal scores on the market. What about the editorial choices? Well, I don't much care for including music written by anyone other than Sullivan and not presenting a full explanation of who, how and why. I am referring to the fanfare the precedes the Act II finale. I still haven't seen proof that the traditional fanfare at that point was NOT by Sullivan. This is the only really serious goof. Otherwise, the edition is sensibly and reasonably thought out. I would have liked to see Yum-Yum's original "that don't make it right" and "It makes a differenct, don't it?" Dover replaces "don't" with "doesn't" as do many contemporary editions and prodcutions, but unless Gilbert approved of this himself, it don't make it right to say "doesn't," even if "don't " may corrupt impressionable youth with bad grammar. This was not an attempt to duplicate what is being done by Broude Bros. for the critical edition that will be very fascinating for what it reveals about the operas. That has been in preparation for over 20 years and all we have so far is TRIAL BY JURY at $200.00 a copy. If the Dover MIKADO shows what can be done in far less time at one-tenth the retail price, I urge those responsible to go ahead and do all of the G&S operas in this format. Even without the impressive scholarship that is going into the Broude urtext, Dover is a tremendous value at the price. I would urge everyone who has reason to own any score of THE MIKADO to buy this one and any further releases from the same publisher. Congratulations to all involved in this wonderful project. Dan Kravetz Gilbert & Sullivan Society of New York ___________________________________________________________________ Get the Internet just the way you want it. Free software, free e-mail, and free Internet access for a month! Try Juno Web: http://dl.www.juno.com/dynoget/tagj.  1,, Summary-line: 3-Aug dcltdw@MIT.EDU #name change... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10840; Tue, 3 Aug 99 10:09:23 EDT Received: from TLA.MIT.EDU by MIT.EDU with SMTP id AA16388; Tue, 3 Aug 99 10:09:02 EDT Received: from dcltdw@localhost by tla.MIT.EDU (8.8.7/4.7.5) id KAA04803; Tue, 3 Aug 1999 10:09:13 -0400 Date: Tue, 3 Aug 1999 10:09:13 -0400 Message-Id: <199908031409.KAA04803@tla.MIT.EDU> From: David C Leung To: dcltdw@MIT.EDU Cc: alyse@MIT.EDU Subject: name change... *** EOOH *** Date: Tue, 3 Aug 1999 10:09:13 -0400 From: David C Leung To: dcltdw@MIT.EDU Cc: alyse@MIT.EDU Subject: name change... As some of you may have already heard, alyse and I are both changing our last names to 'Leung', which is Chinese for 'dragon' and has all sorts of good associations with it (wisdom, humor, longevity, etc) that are not necessarily reflective of the two of us (alyse yes, dave no). :) At any rate, my MIT username has changed as well, although dcctdw@mit.edu will still work until the day some frosh comes in and picks 'dcctdw' as his/her username, at which point, they will be summarily pummeled by a horde of rabbits. :) dave  1,, Summary-line: 3-Aug oakapple2@yahoo.com #SavoyNet Symposium Paper Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19488; Tue, 3 Aug 99 17:06:41 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA05706; Tue, 3 Aug 99 17:06:27 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA10474; Tue, 3 Aug 1999 17:06:36 -0400 (EDT) Date: Tue, 3 Aug 1999 17:06:36 -0400 (EDT) Message-Id: <19990803210442.27549.rocketmail@web114.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: SavoyNet Symposium Paper Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA10474 *** EOOH *** Date: Tue, 3 Aug 1999 17:06:36 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: SavoyNet Symposium Paper Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA10474 I promised I would post the paper I gave at the symposium in Buxton=20 last Thursday, and here it is: * * * * These days, it seems we can't go anywhere without hearing about the Internet. But, six years ago, when the Internet was still a relatively well kept secret, a hearty band of about twenty souls started SavoyNet, an email forum for discussions about G&S and related topics. Membership in SavoyNet has now grown to somewhere between four and five hundred people, so I guess you could say that we have been successful. SavoyNet is what we call "an unmoderated email discussion list." What that means, is that we talk about whatever interests the members on any particular day, as long as it is at least tenuously related to Gilbert and Sullivan. Technically speaking, the way it works is that members who wish to speak post an email message to a well-known central address, whereupon the message is automatically distributed to the other 4-500 members. Often, a message prompts discussion from others on the list who wish to agree, disagree, or just build upon what the first person has said. These discussions, which we call "threads," can last anywhere from a few hours to a few weeks, and there are usually several of them going on at any given time. A thread ends simply when no one wants to talk about it any more. By the way, not all of the 4-500 SavoyNetters actively participate. Many just read. In Internet lingo, those who do that are called "lurkers." There is nothing, aside from peer pressure, to prevent a SavoyNetter from veering off into a truly unrelated topic, such as politics, sex, religion, or the death of their pet dog. Fortunately, such diversions are, by Internet standards, comparatively infrequent; but, for some people, it is still too often. Email discourse also carries certain other well known hazards, such as the tendency for people to make harsh, unyielding, over-broad statements that they probably would never utter in person. Such is the nature of the beast. Because the internet is constantly growing, SavoyNet always has new members who are unaware of the discussions that have gone before. It is inevitable that certain topics, like the changing of the seasons, will come back on a regular schedule. Someone will say, "What do you all think of UTOPIA LIMITED? It's my favorite opera," and the group is treated to many of the same pros and cons of UTOPIA LIMITED that were raised the last time the question came up. Perhaps some new points will be made, but I know that some members find it tedious to go over the same ground again. I do not want to overstate the importance of SavoyNet, but it has certainly provided a number of salutary benefits. For example, the discoverers of "Reflect, my child," the newly found duet from H.M.S. PINAFORE that has its premiere this afternoon, met each other on SavoyNet. A week from today, members of SavoyNet will give a fully-staged performance of RUDDIGORE that was conceived, planned, and cast over the internet, with the participants meeting in person for the first time only this week. Chris Webster, whom some of you may know, has started his own record label and has published on CD several important historical recordings that the mainstream publishers would have regarded as too specialized to bother with. While Chris does not sell to Internet buyers exclusively, I doubt that he would have found critical mass for his endeavors, were it not for SavoyNet. Two very large and substantial web sites have grown out of SavoyNet: the Gilbert and Sullivan Archive and my own site, the Gilbert and Sullivan Discography. These sites contain a wealth of on-line information that is available nowhere else, and while they attract many visitors who are not SavoyNetters, they would not have come about without SavoyNet. Thanks to SavoyNet, news from the G&S world spreads quickly. When the D=92Oyly Carte Opera Company opened PIRATES last Christmas on the West End, several substantive reviews were on SavoyNet within a day or two. When Bruce Miller and Helga Perry discovered the lost duet from PINAFORE, members of SavoyNet were first to know. If past years are any guide, summaries and reviews of the events at this Festival will probably be posted to SavoyNet just about every day. I will be leaving England myself on Monday, with nearly two weeks of the Festival yet to go. SavoyNet will help me feel like I am still here. On a personal level, I have made a number of new friends whom I met on SavoyNet, and I know that this is true of many other members, as well. We have yet to see the first SavoyNet wedding, but in due time I'm sure it will happen. At the same time, I am the first to say that SavoyNet is not for everybody. Some avid and enthusiastic G&S fans have been members for a while, and departed for a variety of reasons. SavoyNetters post, on average, about fifty messages per day. Not all of them are profound, and it requires some effort to winnow the wheat from the chaff. Then too, SavoyNet's charter is broad, and many legitimate discussion topics do not appeal to all members. For example, a high percentage of the active SavoyNetters have performing backgrounds, and many of the messages concern the anecdotes and misadventures of amateur companies and their productions. I happen to know that some SavoyNet readers do not find these types of posts particularly stimulating. Nevertheless, SavoyNet has grown steadily over its five-year existence, and I have no reason to doubt that that trend will continue. Perhaps we will even gain a few members as a result of my talk here today. I have distributed a handout that explains how to join, and we welcome your participation. I want to say, briefly, a word of thanks to Ralph MacPhail, who is here today. Ralph is a professor of theatre at Bridgewater College in Bridgewater, Virginia. Bridgewater is the host institution for SavoyNet, and for most of the last five years, Bridgewater has provided the stable and dependable technology that has allowed SavoyNet to exist. Ralph himself served as "list master" of SavoyNet for several years before handing that duty off to me late last year. I appreciate your attention, and if you have any questions, feel free to see me afterwards. Thank you. =3D=3D=3D Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com _____________________________________________________________ Do You Yahoo!? Free instant messaging and more at http://messenger.yahoo.com  1,, Summary-line: 3-Aug martin@idsfa.com #RE: Laser pointer Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07699; Tue, 3 Aug 99 21:58:51 EDT Received: from mail-out-0.tiac.net by MIT.EDU with SMTP id AA10518; Tue, 3 Aug 99 21:58:38 EDT Received: from mail-out-1.tiac.net (mail-out-1.tiac.net [199.0.65.12]) by mail-out-0.tiac.net (8.8.8/8.8.8) with ESMTP id VAA16722 for ; Tue, 3 Aug 1999 21:58:50 -0400 (EDT) (envelope-from martin@idsfa.com) Received: from mjaspan.tiac.net (p108.tc2.metro.MA.tiac.com [209.61.75.237]) by mail-out-1.tiac.net (8.8.8/8.8.7) with SMTP id VAA00239 for ; Tue, 3 Aug 1999 21:58:42 -0400 (EDT) From: "Martin Jaspan" To: "David C. Jedlinsky" Subject: RE: Laser pointer Date: Tue, 3 Aug 1999 21:58:59 -0400 Message-Id: <000001bede1c$eb657ce0$ed4b3dd1@mjaspan.tiac.net> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook 8.5, Build 4.71.2173.0 Importance: Normal In-Reply-To: <199908021607.MAA16452@charon.MIT.EDU> X-Mimeole: Produced By Microsoft MimeOLE V4.72.2106.4 *** EOOH *** From: "Martin Jaspan" To: "David C. Jedlinsky" Subject: RE: Laser pointer Date: Tue, 3 Aug 1999 21:58:59 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook 8.5, Build 4.71.2173.0 Importance: Normal In-Reply-To: <199908021607.MAA16452@charon.MIT.EDU> X-Mimeole: Produced By Microsoft MimeOLE V4.72.2106.4 > I found a laser pointer that's waterproof to 150'. It's call the > Trident Underwater Laser Pointer, and can be purchased for $34.99 from > Performance Diver. . yep. but the real question is how far is the red beam visible thru the opaque green muddy silt we call water? :) I'm looking at sticking a laser diode in a waterproof flashlight as a test. That way I can get a 635 nm, 5 mW, beam -- the brightest legal cheap diode available. Martin  1,, Summary-line: 4-Aug z7g5l10k6@mm.sixdegrees.c #Invitation from sixdegrees CEO Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27255; Wed, 4 Aug 99 01:12:57 EDT Received: from mm02.sixdegrees.com by MIT.EDU with SMTP id AA05265; Wed, 4 Aug 99 01:12:42 EDT Message-Id: <9908040512.AA05265@MIT.EDU> Date: Wed, 4 Aug 1999 1:19:09 -0500 From: "Andrew Weinreich" To: "Amy's Friend" Subject: Invitation from sixdegrees CEO *** EOOH *** Date: Wed, 4 Aug 1999 1:19:09 -0500 From: "Andrew Weinreich" To: "Amy's Friend" Subject: Invitation from sixdegrees CEO Your e-mail address: opus@Mit.edu Your sixdegrees password: meltvain Do you know me? Maybe not, but I bet you know someone who knows someone who knows me. Amy Allen, perhaps? As the President of sixdegrees, I want to personally invite you to visit the site at http://www.sixdegrees.com/invite.asp to connect to Amy and check out our exciting new features. I also want to let you know that as a thank you for joining, we're giving you a $10 CDNOW gift certificate. We first contacted you when Amy listed you as "Friend." As of today, you've been listed 2 times by sixdegrees members, so you already have friends and contacts enjoying the community! You can meet new people, get advice, find lost contacts, chat with your friends, and see the paths of real-life relationships that connect you to every other member! And, you can take advantage of sixdegrees' two newest tools: groups and servicefinder. --> "groups" lets you interact with people who share your interests. There are over 12,000 groups on everything from business to sports to popular culture. Here are some of our favorites: "Stuck in the 80's," "Opera Buffs," "Women in Science and Technology," and "Colleges of New England Unite." --> servicefinder is the first classifieds and auctions marketplace where you can see your connections to buyers and sellers! Find a piano teacher, Web designer, language translator, or other service, or sell your skills by placing your own listing! If you join sixdegrees today, you will automatically be entered to win one of six prizes of $100 worth of music at CDNOW! And, as a special gift from us, you'll also receive a $10 gift certificate towards a purchase at CDNOW. Once you're a sixdegrees member, visit http://www.sixdegrees.com/partners/cdnow/index.asp?wk=12529 to redeem your gift certificate.* Visit sixdegrees today (http://www.sixdegrees.com/invite.asp) and get connected to Amy, and millions of other people from all over the world. I look forward to seeing you! Sincerely, Andrew Weinreich President and CEO sixdegrees, inc. =================================================================== *To be entered in the grand prize drawing, just complete sixdegrees registration by September 1, 1999 EST. To view the official contest rules, visit http://www.sixdegrees.com/partners/cdnow/rules.asp. Your $10-off coupon is available until 11:59 pm EST on August 25, 1999 with any purchase of $14.99 or more. =================================================================== If you'd rather not participate in sixdegrees and would prefer not to receive any further e-mail from us at this time, just reply to this email and type the word REMOVE in the subject line. Make sure you send the request from this e-mail address and keep a copy of this message in the body of the reply. We will then process your request to be removed as soon as possible. ==================================================================== If you'd like to review our privacy statement just visit http://www.sixdegrees.com/Public/About/Privacy.asp ==================================================================== PLEASE NOTE: If you have any problems, questions or requests, send a reply to this e-mail. sixdegrees is Registered in the U.S. Patent and Trademark Office 0799mmHI8  1, answered, forwarded,, Summary-line: 4-Aug becca@goddess.sky #You got mail from Wired News Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14874; Wed, 4 Aug 99 15:55:40 EDT Received: from get.wired.com by MIT.EDU with SMTP id AA03085; Wed, 4 Aug 99 15:55:23 EDT Received: from excalibur.hotwired.com (excalibur.hotwired.com [204.62.131.55]) by wired.com (8.9.3/8.8.7) with ESMTP id MAA12352 for ; Wed, 4 Aug 1999 12:55:34 -0700 Received: (nobody@localhost) by excalibur.hotwired.com (8.8.8+Sun/8.6.12) id MAA04085; Wed, 4 Aug 1999 12:55:34 -0700 (PDT) Date: Wed, 4 Aug 1999 12:55:34 -0700 (PDT) Message-Id: <199908041955.MAA04085@excalibur.hotwired.com> X-Authentication-Warning: excalibur.hotwired.com: nobody set sender to nobody@wired.com using -f From: becca To: David Subject: You got mail from Wired News *** EOOH *** Date: Wed, 4 Aug 1999 12:55:34 -0700 (PDT) X-Authentication-Warning: excalibur.hotwired.com: nobody set sender to nobody@wired.com using -f From: becca To: David Subject: You got mail from Wired News becca sent you this message and story from Wired News. Sounds like a Dave thing. :o) W I R E D N E W S - - - - - - - - - - Roller Coaster Hits a New High by Debbi Gardiner If you thought building the first roller coaster at Coney Island was tough, try creating one to thrill the Nintendo generation. "We've seen fantastic advances in computer-generated special effects, and people's expectations of what they have seen in that world have grown geometrically," said Anthony Esperaza, project manager at Paramount's Great America. "Because your senses are blown away by what you see on MTV, now in the real world, people are craving a similar high." Great America, located in Santa Clara, California, is using the latest design and engineering technology to build a ride that meets the expectations of the desensitized generation of thrill seekers. The revolutionary (and as-yet-unnamed) roller coaster will shoot its passengers through the air at up to 50 mph. It was designed by Vekoma International, a Dutch company that has also built coasters for Disneyland Paris, Universal Studios Florida, and Blackpool Pleasure Beach in England. Vekoma's designers wanted to tap into the human fancy for flying, so they created this coaster, codenamed Project Stealth, where the track is above the rider, with only earth (and some restraints) below. The coaster is currently under construction and is expected to open in March 2000. Having the freedom to dive, swoop, and swirl around is what makes this ride special, said Esperaza. "You don't see the mechanics. You don't see the ride, which gives the sensation that there's nothing between you and the ground," said Esperaza, comparing it to wearing a jet pack. "Throughout a ride taking you through a 66-foot vertical loop, a double-inversion corkscrew, and a horseshoe inverting of the track to 110 degrees ... the track is attached to your back. It feels like the chair is no longer there." Bodies are hurled at up to 4.7Gs of force, causing a much stronger sensation than standard roller coasters, which exert about 2Gs of pressure, according to Tim Chanaud, spokesman for Great America. (One G is equal to the force of earth's gravity.) "The real challenge lay in allowing the passengers to withstand high G-force pressures without any harm," said Rombout d'Aumerie, Vekoma's project manager. Scott Rutherford, East Coast editor of Amusement Today, a monthly trade newspaper for the amusement and water-park industry, said Great America's new design is a revolutionary prototype. "This has never been done before. Basically you are hanging, a la Superman," Rutherford said. "This is the first time that your body has been this free." Vekoma developed software that analyzes the positive and negative G-forces along with the position of the body and the coaster vehicle at every location along the track to ensure maximum enjoyment and safety. The software was used to specify the coordinates for bending the tracks and the custom-manufacture and welding of the supporting pipes and columns. The custom construction materials provided the breakthrough that enables the ride to flip passengers from their backs to their stomachs, according to d'Aumerie. The challenge of the design was to find a way for the average park visitor to withstand the G-force without harm, he said. Vekoma put a substantial portion of the ergonomic design of the car into the special harness-restraint system. Chanaud said using PC software to design the roller coaster was also an innovative step. "Until a few years ago, most roller coasters were designed the old-fashioned way, on pen and paper," he said. "But as manufacturers are trying to come up with new ways to create bigger thrills, the computer software required to design coasters has become more elaborate, more sophisticated, and more detailed." Kristie Vonne, public relations coordinator at Six Flags Marine World in nearby Vallejo, said her park, which competes with Great America in the Bay Area, is grateful that modern thrill rides have been able to keep up with the videogaming world. Marine World operated strictly as an oceanarium for 30 years, but the splashes in the sun "just didn't cut it," said Vonne. When a new operator took over and brought in thrill rides, attendance skyrocketed 66 percent and put the struggling park back in the black. Vonne added that Six Flags is working on its own "top secret" technology for rides aimed at wowing speed freaks. But while the roller coaster design war might be on, Gary Slade, publisher of Amusement Today, reckons that the classic wooden roller coaster can still cut it. "Sure, the technology that we have available today allows the theme park industry to achieve thrills that we have never dreamed of before. The ride at Paramount at Great America is one of those new coasters that fits into the advanced technological side of the industry. But, the mom-and-pop parks have also seen a large increase in attendance over the past five years, said Slade. "The whole industry is thriving, from the big guys to the little guys." Related Wired Links: 'Meteorite' Lands in Germany Motion-Simulator Merger is Very Real Have a comment on this article? Send it. - - - - - - - - - - W I R E D N E W S Wired News is a real-time news service offering news briefs and in-depth reporting on politics, business, culture, and technology. For the most up-to-date coverage on the digital world, go to ... http://www.wired.com/news/ You are receiving this email because a friend or acquaintance sent it to you. If you no longer wish to receive these messages, please contact the sender, and not Wired News. Copyright 1999 Wired Digital, Inc.  1,, Summary-line: 6-Aug JEANJAY@delphi.com [17] #two requests Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AB15128; Fri, 6 Aug 99 20:36:19 EDT Received: from bos1b.delphi.com by MIT.EDU with SMTP id AA02916; Fri, 6 Aug 99 20:36:27 EDT Received: from delphi.com by delphi.com (PMDF V5.1-8 #23839) id <01JEGKTFKBCM93CGUO@delphi.com> for gsp@mit.edu; Fri, 6 Aug 1999 20:34:22 EDT Date: Fri, 06 Aug 1999 20:34:22 -0400 (EDT) From: JEANJAY@delphi.com Subject: two requests To: gsp@MIT.EDU Message-Id: <01JEGKTFKBCO93CGUO@delphi.com> X-Vms-To: INTERNET"gsp@mit.edu" Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII *** EOOH *** Date: Fri, 06 Aug 1999 20:34:22 -0400 (EDT) From: JEANJAY@delphi.com Subject: two requests To: gsp@MIT.EDU X-Vms-To: INTERNET"gsp@mit.edu" Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII 1) Could someone direct me to the person in charge of all the gsp-lists? I'm changing my email address to jeanjay@world.std.com. 2) Could someone give me contact info (preferably including snailmail) for Barry Singer? I have music I need to return to him. Jay Lane (this address will still work for awhile...)  1,, Summary-line: 7-Aug randrj@mindspring.com [26] #Hi dave and ruth Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05944; Sat, 7 Aug 99 20:58:57 EDT Received: from smtp3.mindspring.com by MIT.EDU with SMTP id AA15048; Sat, 7 Aug 99 20:59:06 EDT Received: from oemcomputer (user-33qtiba.dialup.mindspring.com [199.174.201.106]) by smtp3.mindspring.com (8.8.5/8.8.5) with SMTP id UAA24029 for ; Sat, 7 Aug 1999 20:58:53 -0400 (EDT) From: randrj@mindspring.com Message-Id: <002801bee13a$2c5d0900$03000004@oemcomputer> To: "David C. Jedlinsky" Subject: Hi dave and ruth Date: Sat, 7 Aug 1999 18:05:56 -0700 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2014.211 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2014.211 *** EOOH *** From: randrj@mindspring.com To: "David C. Jedlinsky" Subject: Hi dave and ruth Date: Sat, 7 Aug 1999 18:05:56 -0700 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2014.211 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2014.211 Hi there Rebecca told me that you wanted to see Rob and me while we were in MA. I didn't think you wanted to drive that far to see us, so I didn't try to contact you. Sorry. We just watched the Annie video from Emmanuel. Did you guys tape it? Too bad we didn't get to attend the show. Watching the tape is never like the live show. Bye, Rachel  1,, Summary-line: 12-Aug sommerfeld@orchard.arling [19] #change of work address... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14267; Thu, 12 Aug 99 23:18:40 EDT Received: from orchard.epilogue.com by MIT.EDU with SMTP id AA09685; Thu, 12 Aug 99 23:18:53 EDT Received: from orchard.arlington.ma.us (localhost [[UNIX: localhost]]) by orchard.arlington.ma.us (8.8.8/1.34) with ESMTP id DAA28717 for ; Fri, 13 Aug 1999 03:18:38 GMT Message-Id: <199908130318.DAA28717@orchard.arlington.ma.us> To: dinner@MIT.EDU Subject: change of work address... Date: Thu, 12 Aug 1999 23:18:38 -0400 From: Bill Sommerfeld *** EOOH *** To: dinner@MIT.EDU Subject: change of work address... Date: Thu, 12 Aug 1999 23:18:38 -0400 From: Bill Sommerfeld As of last week, my work address moved from Wakefield to south Nashua.. (same employer, just consolidated with another group previously from north nashua into a larger office..). Bill Sommerfeld Integrated Systems, Inc. 1 Tara Boulevard, Suite 403 Nashua NH 03062 Phone: +1 603 897 2060 I'm rapidly becoming reacquainted with the, umm, joys, of rt 3 ... - Bill  1,, Summary-line: 13-Aug dcltdw@MIT.EDU [10] #Re: job ops Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07582; Fri, 13 Aug 99 13:09:28 EDT Received: from TLA.MIT.EDU by MIT.EDU with SMTP id AA06749; Fri, 13 Aug 99 13:09:41 EDT From: dcltdw@MIT.EDU Received: from dcltdw@localhost by tla.MIT.EDU (8.8.7/4.7.5) id NAA12567; Fri, 13 Aug 1999 13:04:25 -0400 Message-Id: <199908131704.NAA12567@tla.MIT.EDU> To: "David C. Jedlinsky" Subject: Re: job ops In-Reply-To: Your message of "Fri, 13 Aug 1999 12:30:46 EDT." <199908131630.MAA27060@charon.MIT.EDU> Date: Fri, 13 Aug 1999 13:04:25 EDT *** EOOH *** From: dcltdw@MIT.EDU To: "David C. Jedlinsky" Subject: Re: job ops In-Reply-To: Your message of "Fri, 13 Aug 1999 12:30:46 EDT." <199908131630.MAA27060@charon.MIT.EDU> Date: Fri, 13 Aug 1999 13:04:25 EDT Permanent, I think. That might change, of course, in a few weeks. :) dave  1, forwarded,, Summary-line: 18-Aug dduffey@argonet.co.uk [33] #Re: Buxton travel and lodging Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28649; Wed, 18 Aug 99 07:27:51 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA09382; Wed, 18 Aug 99 07:27:48 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA19939; Wed, 18 Aug 1999 07:27:46 -0400 (EDT) Date: Wed, 18 Aug 1999 07:27:46 -0400 (EDT) Message-Id: <003f01bee96b$608edb20$904695c1@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton travel and lodging Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Wed, 18 Aug 1999 07:27:46 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton travel and lodging Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 >One place to avoid is the Devonshire Arms, Another to avoid is The Victorian Guest House, on Broad Walk. Although wonderfully convenient in terms of location it came to be known to its inmates as The Hammer House of Horrors, due mainly to the personality of its owner. Mayhap some diaries will recount the saga. It did not spoil our time in Buxton, but did provide some awkward moments which all who were there could well have done without. The whole Buxton experience would have been even more pleasant had the lady in question even remotely approached the welcoming attitude we found in just about every other person with whom we had commercial dealing in the town. David  1,, Summary-line: 18-Aug rls@dimins.com [59] #Re: [David Duffey: Re: Buxton travel and lodging] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07645; Wed, 18 Aug 99 13:37:52 EDT Received: from di-diver.com by MIT.EDU with SMTP id AA03370; Wed, 18 Aug 99 13:37:23 EDT Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.8.7/8.7.1) id NAA06711 for ; Wed, 18 Aug 1999 13:36:55 -0400 Received: from dizzy-devil.dimins.com(204.215.187.16) by sam-sheepdog.dimins.com via smap (V2.0) id xma006700; Wed, 18 Aug 99 13:36:31 -0400 X-Sender: rls@204.215.187.3 Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 18 Aug 1999 13:36:13 -0400 To: "David C. Jedlinsky" From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: [David Duffey: Re: Buxton travel and lodging] *** EOOH *** X-Sender: rls@204.215.187.3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 18 Aug 1999 13:36:13 -0400 To: "David C. Jedlinsky" From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: [David Duffey: Re: Buxton travel and lodging] I believe so. But if you're going to enter it so you don't book it, worst case put a note into the address book entry. Ruth At 12:47 PM 8/18/99, David C. Jedlinsky wrote: >Does TravelTracker have the ability to store negative information >about places, so you don't accidentally book it sometime in the >future? > >-Dave > >------- Forwarded Message > >Date: Wed, 18 Aug 1999 07:27:46 -0400 (EDT) >Reply-To: dduffey@argonet.co.uk >Originator: savoynet@bridgewater.edu >Sender: savoynet@bridgewater.edu >Precedence: bulk >From: "David Duffey" >To: Multiple recipients of list SAVOYNET >Subject: Re: Buxton travel and lodging >Mime-Version: 1.0 >Content-Type: text/plain; > charset="iso-8859-1" >Content-Transfer-Encoding: 7bit >X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas >X-Comment: Gilbert and Sullivan Forum >X-Mailer: Microsoft Outlook Express 4.72.3110.1 > > > >>One place to avoid is the Devonshire Arms, > >Another to avoid is The Victorian Guest House, on Broad Walk. > >Although wonderfully convenient in terms of location it came to be known to >its inmates as The Hammer House of Horrors, due mainly to the personality of >its owner. Mayhap some diaries will recount the saga. It did not spoil our >time in Buxton, but did provide some awkward moments which all who were >there could well have done without. The whole Buxton experience would have >been even more pleasant had the lady in question even remotely approached >the welcoming attitude we found in just about every other person with whom >we had commercial dealing in the town. > >David > > >------- End Forwarded Message  1,, Summary-line: 18-Aug sharkli@sharkli.netlineuk [34] #Re: Buxton travel and lodging Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16407; Wed, 18 Aug 99 20:34:52 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA29118; Wed, 18 Aug 99 20:34:49 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA20689; Wed, 18 Aug 1999 20:34:44 -0400 (EDT) Date: Wed, 18 Aug 1999 20:34:44 -0400 (EDT) Message-Id: <00f301bee9d9$55571ce0$42986fd4@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@sharkli.netlineuk.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton travel and lodging Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Wed, 18 Aug 1999 20:34:44 -0400 (EDT) Reply-To: sharkli@sharkli.netlineuk.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton travel and lodging Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 And another guest house that gets the thumbs down is the Lakenham, with its surly and off-hand proprietors who behaved as if everything were too much trouble - real "more than my job's worth" types. I've subsequently learned that this place used to be good, but since the proprietor's husband died the standards have been going down. Among other things, the room had some extremely dodgy electric wiring (including 2 appliances wired into the same plug), and a fridge with an ice compartment which looked as if it hadn't been cleaned out for months (when I asked the landlady about this, she said it wasn't her responsibility to see to the fridge and its contents). The landlady also tried to overcharge me. Helga J. Perry sharkli@sharkli.netlineuk.net  1,, Summary-line: 19-Aug hill@ensay.u-net.com [77] #Re: Adjudication Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08145; Thu, 19 Aug 99 10:13:15 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA02042; Thu, 19 Aug 99 10:13:30 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA13233; Thu, 19 Aug 1999 10:13:10 -0400 (EDT) Date: Thu, 19 Aug 1999 10:13:10 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: hill@ensay.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stephen Hill To: Multiple recipients of list SAVOYNET Subject: Re: Adjudication Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <199908182347_MC2-818E-3D0@compuserve.com> *** EOOH *** Date: Thu, 19 Aug 1999 10:13:10 -0400 (EDT) Reply-To: hill@ensay.u-net.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stephen Hill To: Multiple recipients of list SAVOYNET Subject: Re: Adjudication Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <199908182347_MC2-818E-3D0@compuserve.com> Some people have suggested that we could have made more of our special history in the programme. I considered what to include, and had a telephone discussion with Neil Smith very close to print-deadline time about it. My priorities were: Full cast/production team list with locations (including states of US members of the team); details of Savoynet & how to join; small section with general write-up of production. This was available to Neil from the "home page" of the Ruddigore website. As it turned out, the large size of the team meant one page was taken up entirely with the list, whilst the other only gave room for the Savoynet details after laying out the list of musical pieces. I was quite glad about this in the long run. One of my personal goals had been to present a show of such a standard that an audience member coming in from Manchester just for the night would not know that the society had not been rehearsing weekly for some 3 months beforehand. I think we did that. I was also pleased that we did not get a "sympathy vote" from David Turner. I _did_ give some of the background to the production, such as the audition procedure used, at the pre-show talk I was asked to give by Ian. This worked out well, with Larry Byler starting with a brief review of Savoynet followed by my talk about the show itself. Having the UK/US voices also emphasised the international flavour of the production. I was not award "pot-hunting". I had said in advance that I would be happy if we got some nominations - in the end we got three. I think that there could have been scope for four, with one or two leading to an award - but still the reaction to the show generally told me that we had "made our mark" and continued the trail of taking on something larger each time and acquitting ourselves well. I look forward to receiving the written adjudication and will post it here when I do, for it's (hoped-for) constructive comments - not to bend a future production to pure award-winning. The subject of adjudication cropped up several times in discussion. I know that David is singly and solely responsible for the scoring of points in different categories. He does this each evening after the show is finished. He does _not_ compare notes from one nights production with the next night - the papers are not reviewed and the marks added-up until after the final performance. This caused him considerable surprise with at least one show this year! I do not feel that written comments placed in public the next day would be fair, even if practicable. The spoken comments each evening are an overview an an attempt to summarise the production for the audience, not specifically for the cast. One of my favourite pastimes now is to attempt to decode what he says at these times to get what he means! Stephen ----------------------------------------------------------------------- Stephen F. Hill G6FPX hill@ensay.u-net.com Runcorn, Cheshire, UK "A Sturdy Fellow"! -----------------------------------------------------------------------  1,, Summary-line: 19-Aug tami.goven@expertcentral. [32] #David, I've been looking for someone with knowledge of Gilbert and Sullivan Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17950; Thu, 19 Aug 99 17:03:39 EDT Received: from [206.64.176.31] by MIT.EDU with SMTP id AA11369; Thu, 19 Aug 99 17:03:55 EDT Received: from neptune.expertcentral.com ([199.103.239.204]) by neptune.expertcentral.com (8.9.3/8.8.7) with SMTP id RAA08301 for ; Thu, 19 Aug 1999 17:36:25 -0400 Message-Id: <199908191643.VRM5550@neptune.expertcentral.com> Date: Thu, 19 Aug 1999 4:43:53 PM -0500 X-Uidl: 870483779.463 Content-Type: text/plain; charset=iso-8859-1 Organization: ExpertCentral.com Subject: David, I've been looking for someone with knowledge of Gilbert and Sullivan From: "Tami Goven" To: opus@MIT.EDU *** EOOH *** Date: Thu, 19 Aug 1999 4:43:53 PM -0500 X-Uidl: 870483779.463 Content-Type: text/plain; charset=iso-8859-1 Organization: ExpertCentral.com Subject: David, I've been looking for someone with knowledge of Gilbert and Sullivan From: "Tami Goven" To: opus@MIT.EDU Dear David Jedlinsky, I've been browsing the Gilbert and Sullivan Archive Homepage and discovered that you are quite knowledgeable about Gilbert and Sullivan. I want to invite you to join us at http://www.expertcentral.com/specialinvitation. ExpertCentral.com is a site where users can quickly find the right person to answer their questions on many different topics. Because of your demonstrated knowledge, I'd like to start you off as a highly-rated advisor in our Arts & Entertainment category (as well as any additional categories where you think you can help people). Membership is FREE, incidentally. By joining us, you'll receive honor, recognition and success. (We like to state the risks in advance.) You'll also get the satisfaction of helping people, while potentially earning money by charging for advice -- and, all the while, enhancing your reputation as an expert in your field. What's more, if you're one of the first to join, you'll have an opportunity to build a ratings lead (like those enviable first sellers on eBay). You'll appreciate that I had to go to some trouble to find you, and we'd like to make it easier for other people, so I hope you'll take the time to visit our site (http://www.expertcentral.com/specialinvitation) to learn more. Sincerely, Tami Goven Manager, Expert Development ExpertCentral.com PS We found you through painstakingly combing the Internet for high quality experts to invite to join us. Once again, membership is FREE and there are no hidden costs. If you join now you have a chance to win a Palm V connected organizer from Palm Computing.  1,, Summary-line: 27-Aug milomorris@hotmail.com [66] #How to Wear 'em (was: Men in Tights) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09322; Fri, 27 Aug 99 07:14:38 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA11277; Fri, 27 Aug 99 07:14:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA11842; Fri, 27 Aug 1999 07:14:35 -0400 (EDT) Date: Fri, 27 Aug 1999 07:14:35 -0400 (EDT) Message-Id: <19990827105948.10921.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: milomorris@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Milo Morris" To: Multiple recipients of list SAVOYNET Subject: How to Wear 'em (was: Men in Tights) Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 27 Aug 1999 07:14:35 -0400 (EDT) Reply-To: milomorris@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Milo Morris" To: Multiple recipients of list SAVOYNET Subject: How to Wear 'em (was: Men in Tights) Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum First of all, I want to say "YO!!!" to the group, and apologize for lurking for the past couple of months. As for the tights problem...here's how the danseurs do it: 1. Wear a mens' dance belt. A g-string may do the trick for some, but the elasticity of a dance belt will hold things together even under the most difficult choreography. You will also need length of elastic stripping to tie around your waist...wider is better. 2. Take the tights from the pouch, bag, or whatever. 3. Holding the waistband open with both thumbs apart, roll the fabric into your hands going down one leg all the way to the foot. Let the other dangle. (We all put our tights on one leg at a time :-)) 4. Now you should have the tights bunched up in both hands with your thumbs holding the foot open. Standing, step into the foot of the tights while pulling up and gradually letting go of the fabric. Be sure to keep the seam centered and aligned on the back of your heel and leg. 5. Once you get one leg stretched up over the calf, repeat steps 4 and 4 with the other leg. 6. At this point, you should be standing with both legs in the tights up to the calves with no wrinkles. Pull the fabric bunch up to the top of the thighs, but not over the hips. Be sure to keep the seam centered and aligned on the back of your leg. 7. Keeping your hands opposite each other, grip the fabric on either side of the knee and pull up until the fabric is smooth around the knee. You may also want to place your hands front and back of the knee and pull that way too. Be sure to keep the seam centered and aligned on the back of your leg. 8. Repeat step 7 working your way up the legs alternating so that the smoothed fabric is at the same height on both legs. 9. Pull the reanaoming fabric up over your hips. There will (for most people) be more fabric than hip, so you may end up with the tights oing half way up your chest. This is OK, you'll need it later. 10. Take the elastic strip, and tie it around yourself as tightly as possible just under the waistband of the tights. 11. Place your feet shoulder width apart. 12. Begin rolling the waistband of the tights down all the way around yourself. Make sure you catch the elastic strip in the roll. 13. It is important to continually pull the tights up as you turn the fabric down. Turn, pull, turn, pull, etc. 14. In order to acheive that snug fit that danseurs enjoy, plie a little bit as you make those final turns near your waist. 15. The fabric should be smooth going up the let. The seams on the back of the leg should be centered and aligned. The fabric should be all the way up into the crotch, and rest between the buttocks as far up the crevice as possible. 16. Keep pulling up and adjusting when not on stage. I know it feels uncomfortable, but after a few minutes, you won't notice it. Now your ready to put on your slippers!!! _______________________________________________________________ Get Free Email and Do More On The Web. Visit http://www.msn.com  1,, Summary-line: 31-Aug rac@bu.edu [18] #no luck Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21548; Tue, 31 Aug 99 11:18:58 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA11134; Tue, 31 Aug 99 11:19:03 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with ESMTP id LAA136964 for ; Tue, 31 Aug 1999 11:18:57 -0400 Date: Tue, 31 Aug 1999 11:18:57 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: no luck Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 31 Aug 1999 11:18:57 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: no luck Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII The test9 file will work on my computer but not in director. Perhaps you can double check it using the director disk I sent along to you; I'm not sure what else to do. So what do you think of all this? QT2 should have worked, shouldn't it have? :o? Perplexedly yrs always, Becca  1,, Summary-line: 31-Aug pstark@furniture.com [47] #hi + news Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09825; Tue, 31 Aug 99 13:36:36 EDT Received: from mail1.furniture.com by MIT.EDU with SMTP id AA26456; Tue, 31 Aug 99 13:36:41 EDT Received: by MAIL1 with Internet Mail Service (5.5.2448.0) id ; Tue, 31 Aug 1999 13:33:23 -0400 Message-Id: <210D83C9C26AD211A2020008C74CCBE785BDA1@MAIL1> From: Peter Stark To: "'opus@mit.edu'" Subject: hi + news Date: Tue, 31 Aug 1999 13:33:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'opus@mit.edu'" Subject: hi + news Date: Tue, 31 Aug 1999 13:33:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" How are you guys? What's up? Back from England and Lithuania. Saw lots of shows in London: Love for Three Oranges (Bolshoi Opera) Whistle Down the Wind Importance of Being Earnest Hayfever (Noel Coward) Jeffrey Barnard is Unwell (with Peter O'Toole) Wonderful Town (Bernstein, with Thomas Hampson, Kim Criswell; Simon Rattle conducting) Antony & Cleopatra (at the new Globe; great place, great show) Just got cast in 3 small roles (Ross, Hecate, and Caithness) in Macbeth, at the Vokes Theatre. Foggerty's Fairy went pretty well. The guy who's directing music for Ruddigore taped it with his home equipment (I think I wrote to you about that, didn't I? I asked Donna after we spoke, and I vaguely remember writing to you from home.) My aunt is doing much better. She may not have had a stroke at all; she seems just to have been overmedicated. She's herself now. I bought a lot of PAL tapes unavailable here (like the Forsyte Saga) in England. I'm thinking about buying a converting VCR. It's just for home use, not for anything more. Do you know anything about the Emerson EWW7000, which gets good reviews and has a low price because it lacks a tuner? How about the GoVideo GV-10W? Let me hear from you... Rehearsals for Macbeth start tomorrow night, so I'll have a busy fall... Regards to Ruth. Peter.  1,, Summary-line: 31-Aug rlcarr@MIT.EDU [14] #_The Wizard of Speed and Time_ soundtrack is available Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21740; Tue, 31 Aug 99 15:33:22 EDT Received: from BIOHAZARD-CAFE.MIT.EDU by MIT.EDU with SMTP id AA06788; Tue, 31 Aug 99 15:33:24 EDT Received: (from rlcarr@localhost) by biohazard-cafe.mit.edu (8.9.3) id PAA21932; Tue, 31 Aug 1999 15:33:18 -0400 (EDT) Date: Tue, 31 Aug 1999 15:33:18 -0400 (EDT) Message-Id: <199908311933.PAA21932@biohazard-cafe.mit.edu> From: Rich Carreiro To: dinner@MIT.EDU Subject: _The Wizard of Speed and Time_ soundtrack is available *** EOOH *** Date: Tue, 31 Aug 1999 15:33:18 -0400 (EDT) From: Rich Carreiro To: dinner@MIT.EDU Subject: _The Wizard of Speed and Time_ soundtrack is available I thought people on the list might be interested in knowing that at long last a soundtrack from _The Wizard of Speed and Time_ is available (a copy of which I have in my grubby little hands :-). The current price is $12 (incl shipping), but will rise to $20 on 1/1/00. For more details see: http://WoSaT.Remulak.Net/Intimita.html == Rich  1,, Summary-line: 31-Aug tytso@MIT.EDU [27] #Re: _The Wizard of Speed and Time_ soundtrack is available Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27886; Tue, 31 Aug 99 15:50:48 EDT Received: from TSX-PRIME.MIT.EDU by MIT.EDU with SMTP id AA12607; Tue, 31 Aug 99 15:50:53 EDT Received: by tsx-prime.MIT.EDU with sendmail-SMI-8.6/1.2, id PAA16118; Tue, 31 Aug 1999 15:50:46 -0400 Date: Tue, 31 Aug 1999 15:50:46 -0400 Message-Id: <199908311950.PAA16118@tsx-prime.MIT.EDU> From: "Theodore Y. Ts'o" To: Rich Carreiro Cc: dinner@MIT.EDU In-Reply-To: Rich Carreiro's message of Tue, 31 Aug 1999 15:33:18 -0400 (EDT), <199908311933.PAA21932@biohazard-cafe.mit.edu> Subject: Re: _The Wizard of Speed and Time_ soundtrack is available Address: 1 Amherst St., Cambridge, MA 02139 Phone: (617) 253-8091 *** EOOH *** Date: Tue, 31 Aug 1999 15:50:46 -0400 From: "Theodore Y. Ts'o" To: Rich Carreiro Cc: dinner@MIT.EDU In-Reply-To: Rich Carreiro's message of Tue, 31 Aug 1999 15:33:18 -0400 (EDT), <199908311933.PAA21932@biohazard-cafe.mit.edu> Subject: Re: _The Wizard of Speed and Time_ soundtrack is available Address: 1 Amherst St., Cambridge, MA 02139 Phone: (617) 253-8091 Date: Tue, 31 Aug 1999 15:33:18 -0400 (EDT) From: Rich Carreiro I thought people on the list might be interested in knowing that at long last a soundtrack from _The Wizard of Speed and Time_ is available (a copy of which I have in my grubby little hands :-). The current price is $12 (incl shipping), but will rise to $20 on 1/1/00. Mine just came in today; $12 is cheap, especially considering that it came as a recordable CD-ROM. I guess they decided they didn't have enough cash to front doing a mastered CD-ROM, at least not at first, or they weren't sure how many orders they'd get. "Sure to be a collector's item. :-)" - Ted  1,, Summary-line: 31-Aug mendes@aigfpc.com [175] #Jokes Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21036; Tue, 31 Aug 99 17:00:24 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA11327; Tue, 31 Aug 99 17:00:13 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11Lv06-000505-00; Tue, 31 Aug 1999 16:59:30 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Tue, 31 Aug 1999 16:59:23 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Jokes Date: Tue, 31 Aug 1999 16:59:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Jokes Date: Tue, 31 Aug 1999 16:59:21 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" > THE PERFECT DAY FOR HER > > 8.15 Wake up to hugs and kisses > > 8.30 Weigh in 5lbs lighter than yesterday > > 8.45 Breakfast in bed. Freshly squeezed orange juice and croissants. A > small gift placed on breakfast tray is expensive jewelry chosen by > thoughtful partner > > 9.15 Soothing hot bath with frangipani oil > > 10.00 Light work out at club with handsome and funny personal trainer > > 10.30 Facial, manicure,shampoo,condition,and blowdry > > 1200 Lunch with best friend at fashionable outdoor cafe > > 12.45 Catch sight of husbands/boyfriends ex. Notice she has gained ten > pounds. > > 1.00 Shopping with friends. Unlimited credit > > 3.00 Nap > > 4.00 Three dozen roses delivered by florest. > > 4.15 Light work out at club, followed by massage from strong but gentle > hunk who says he rarely gets to work on such a perfect body > > 5.30 Choose outfit from expensive designer wardrobe. > > 7.30 Candle lit dinner for two followed by dancing with > > compliments received from other diners/dancers > > 10.00 Hot shower (alone) > > 10.50 Carried to bed - (freshly ironed,crisp,new,linen) > > 11.00 Pillow talk, light touching and cuddling > > 11.15 Fall asleep in his big strong arms > > > > THE PERFECT DAY -FOR HIM > > 6.00 Alarm > > 6.15 Blow job > > 6.30 Massive satisfying dump while reading the sports section > > 7.00 Breakfast: steak and eggs, coffee and toast all cooked by naked buxom > wench. > > 7.30 Limo arrives > > 7.45 Several bourbons on route to the airport. > > 9.15 Flight in personal Lear jet > > 9.30 Limo to Riverside Oaks golf club (Blow job on route) > > 9.45 Play front nine (two under par) > > 11.45 Lunch:- Fish and chips ... 3 lagers and a bottle of Dom Perignon > > 12.15 Blowjob > > 12.30 Play back nine (4 under Par) > > 2.15 Limo back to the airport (Several bourbons) > > 2.30 Fly to Monte Carlo > > 3.30 Late afternoon fishing trip with all female crew (all nude) > > 4.30 Land world record marlin - On light tackle > > 5.00 Fly home, massage and hand job by Elle McPherson > > 6.45 Shit,shower and shave > > 7.00 Watch news. Michael Jackson assassinated; Marijuana and porn > legalised > > 7.30 Dinner; Lobster to start, Dom Perignon 1953, Big juicy steak followed > by ice cream served on a pair of tits > > 9.00 Napoleon Brandy and Cohuna cigar in front of wall size T.V. as you > watch NBA Finals. > > 9.30 Sex with three women (all with lesbian tendencies) > > 11.00 Massage and Jacuzzi with pizza snacks and a cleansing beer or two > > 11.30 A night cap blowjob > > 11.45 In bed alone > > 11.50 A twelve second fart which changes notes 4 times and forces the dog > to leave the room. > --- The head Rabbi from Jerusalem visited the Pope at the Vatican. After a number of theological discussions, the Rabbi noticed a very ornate telephone by the Pope's right hand. He asked about it. The Pope explained that it was a direct line to GOD. Amazed, the Rabbi asked if he could use it. There followed a twenty minute conversation with the Rabbi and GOD on the Pope's phone. At the end of the call, the Rabbi offered to pay for the charges. The Pope at first refused, but then relented telling the Rabbi that the call cost 500,000 lire. The Rabbi dug deeply into his wallet and paid the fee. He then invited the Pope to Jerusalem. Several months later the Pope visited the Rabbi in his Temple office in Jerusalem. Lo and behold, there was a phone identical to his Vatican at the Rabbi's right hand. Amazed, the Pope asked the Rabbi if he could make a call to GOD. The Pope spent 20 minutes on the phone. After the conversation, he offered to pay the Rabbi for the call. He asked what the charges would be and the Rabbi said, "One sheckel ." The Pope was amazed--why was this so cheap? "Local call" said the Rabbi. @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products  1,, Summary-line: 31-Aug rac@bu.edu [26] #please test? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19728; Tue, 31 Aug 99 22:50:17 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA00570; Tue, 31 Aug 99 22:50:23 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with ESMTP id WAA35274; Tue, 31 Aug 1999 22:18:13 -0400 Date: Tue, 31 Aug 1999 22:18:13 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky , Scott Gagnon , "Whiting, Jason" Subject: please test? Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 31 Aug 1999 22:18:13 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky , Scott Gagnon , "Whiting, Jason" Subject: please test? Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi folks, I'm having a problem with a web page I'm building, but I can't tell whether it's just my computer or something in my html code. The URL is http://people.bu.edu/rac/cambridgefocuscom/frames.html -- and the problem is taht it only seems to work on Internet Explorer. it won't load on Netscape. However, I've been having problems with Netscape, so I can't tell... Anyway, please write back and let me know if it works! :o) Becca ps. Scott, this may be of general interest to you, since it's the site of your former place d'emploi.... ;o)  1,, Summary-line: 1-Sep Robert.Major@ey.com [95] #Re: Fwd: FW: Food Warning Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14464; Wed, 1 Sep 99 08:44:17 EDT Received: from gateway2.ey.com by MIT.EDU with SMTP id AA18001; Wed, 1 Sep 99 08:44:08 EDT Received: by gateway2.ey.com (SMTP Gateway) id IAA01009 for opus@MIT.EDU; Wed, 1 Sep 1999 08:44:14 -0400 Message-Id: <199909011244.IAA01009@gateway2.ey.com> Received: by gateway2.ey.com (Protected-side Proxy Mail Agent-1); Wed, 1 Sep 1999 08:44:14 -0400 Date: Wed, 1 Sep 1999 8:46:24 -0400 From: Robert Major Subject: Re: Fwd: FW: Food Warning To: opus@MIT.EDU Cc: David.Withee@gte.net X-Mailer: Worldtalk (NetTalk for Windows NT 4.5-g5)/MIME *** EOOH *** Date: Wed, 1 Sep 1999 8:46:24 -0400 From: Robert Major Subject: Re: Fwd: FW: Food Warning To: opus@MIT.EDU Cc: David.Withee@gte.net X-Mailer: Worldtalk (NetTalk for Windows NT 4.5-g5)/MIME Try to see where you fit or create your own category! Instead of Astrological Signs, how about these ... What's Your Business Sign? 1) MARKETING You are ambitious yet stupid. You chose a marketing degree to avoid having to study in college, concentrating instead on drinking and socializing which is pretty much what your job responsibilities are now. Least compatible with Sales. 2) SALES Laziest of all signs, often referred to as "marketing without a degree." You are also self centered and paranoid. Unless someone calls you and begs you to take their money, you like to avoid contact with customers so you can "concentrate on the big picture." You seek admiration for your golf game throughout your life. 3) TECHNOLOGY Unable to control anything in your personal life, you are instead content to completely control everything that happens at your workplace. Often even YOU don't understand what you are saying but who the hell can tell. It is written that Geeks shall inherit the Earth. 4)ENGINEERING One of only two signs that actually studied in school. It is said that ninety percent of all Personal Ads are placed by engineers. You can be happy with yourself; your office is full of all the latest "ergodynamic" gadgets. However, we all know what is really causing your "carpal tunnel syndrome." 5)ACCOUNTING The only other sign that studied in school. You are mostly immune from office politics. You are the most feared person in the organization; combined with your extreme organizational traits, the majority of rumors concerning you say that you are completely insane. 6)HUMAN RESOURCES Ironically, given your access to confidential information, you tend to be the biggest gossip within the organization. Possibly the only other person that does less work than marketing, you are unable to return any calls today because you have to get a haircut, have lunch AND then mail a letter. 7)MANAGEMENT/MIDDLE MANAGEMENT Catty, cut-throat, yet completely spineless, you are destined to remain at your current job for the rest of your life. Unable to make a single decision you tend to measure your worth by the number of meetings you can schedule for yourself. Best suited to marry other "Middle Managers" as everyone in your social circle is a "Middle Manager." 8)SENIOR MANAGEMENT (See above - Same sign, different title) 9)CUSTOMER SERVICE Bright, cheery, positive, you are a fifty-cent cab ride from taking your own life. As children very few of you asked your parents for a little cubicle for your room and a headset so you could pretend to play "Customer Service." Continually passed over for promotions, your best bet is to sleep with your manager. 10)CONSULTANT Lacking any specific knowledge, you use acronyms to avoid revealing your utter lack of experience. You have convinced yourself that your "skills" are in demand and that you could get a higher paying job with any other organization in a heart beat. You will spend an eternity contemplating these career opportunities without ever taking direct action. 11)RECRUITER, "HEADHUNTER" As a "person" that profits from the success of others, you are disdained by most people who actually work for a living. Paid on commission and susceptible to alcoholism, your ulcers and frequent heart attacks correspond directly with fluctuations in the stock market. 12)PARTNER, PRESIDENT, CEO You are brilliant or lucky. Your inabilites to figure out complex systems such as the fax machine suggest the latter. 13)GOVERNMENT WORKER Paid to take days off. Government workers are genius inventors, like the invention of new Holidays. They usually suffer from deep depression or anxiety and usually commit serious crimes while on the job....Thus the term "GO POSTAL" ******************************************************************************* Note: The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, or an employee or agent responsible for delivering this message to the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to the message and deleting it from your computer. Thank you. Ernst & Young LLP *******************************************************************************  1,, Summary-line: 1-Sep rac@bu.edu [29] #yr opinion Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06015; Wed, 1 Sep 99 17:04:34 EDT Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA27603; Wed, 1 Sep 99 17:04:23 EDT Received: from localhost (rac@localhost) by acs4.bu.edu ((8.8.8.buoit.v1.0.ACS)/) with ESMTP id RAA83074 for ; Wed, 1 Sep 1999 17:04:32 -0400 Date: Wed, 1 Sep 1999 17:04:32 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: yr opinion Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 1 Sep 1999 17:04:32 -0400 (EDT) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: yr opinion Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi Dave! Ok. So I need a nonbiased male opinion. Would you mind looking at the animation on the following page and tell me whether it is a)good or b)sucks? http://people.bu.edu/rac/cambridgefocuscom/ I'm pretty sure the next one is good cause it's not so doodly as the one listed above: http://people.bu.edu/rac/writing_center/ But it's really the 1st one that I'm most seeking opinions on. Please let me know what you think if you have a chance, ok? Thanks! :o) Becca who *still* eagerly awaits car news!  1,, Summary-line: 2-Sep mendes@aigfpc.com [100] #FW: Label Instructions Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16803; Thu, 2 Sep 99 14:15:51 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA12613; Thu, 2 Sep 99 14:15:40 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11MbIH-0000wp-00; Thu, 2 Sep 1999 14:09:05 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 2 Sep 1999 14:09:05 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Label Instructions Date: Thu, 2 Sep 1999 14:08:55 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Cc: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Label Instructions Date: Thu, 2 Sep 1999 14:08:55 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain GLORIOUS! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > > Actual Label Instructions on consumer goods: > > > > > > > > On Sears hairdryer: Do not use while sleeping. > > > > (Gee, that's the only time I have to work on my hair!) > > > > > > > > On a bag of Fritos:You could be a winner! No purchase > necessary. > > > > Details inside. (The shoplifter special!) > > > > > > > > On a bar of Dial soap: Directions: Use like regular soap. > > > > (and that would be how?) > > > > > > > > On some Swann frozen dinners: Serving suggestion: Defrost. > > > > (But it's *just* a suggestion!) > > > > > > > > On a hotel provided shower cap in a box: Fits one head. > > > > (really?) > > > > > > > > On Tesco's Tiramisu dessert: (printed on bottom of the box) > > > > Do not turn upside down. (Too late! You lose!) > > > > > > > > On Marks & Spencer Bread Pudding: Product will be hot after > heating. > > > > (Are you sure???Let's experiment.) > > > > > > > > On packaging for a Rowenta iron: Do not iron clothes on body. > > > > (But wouldn't that save more time?) > > > > > > > > On Boot's Children's cough medicine: > > > > Do not drive car or operate machinery. > > > > (We could do a lot to reduce the rate of construction incidents > if we > > > > just kept those 5 year olds off those fork lifts.) > > > > > > > > On Nytol sleep aid: Warning: may cause drowsiness. > > > > (One would hope!) > > > > > > > > On a string of Chinese-made Christmas lights: > > > > For indoor or outdoor use only. > > > > (As opposed to use in outer space?) > > > > > > > > On a Japanese food processor: Not to be used for the other use. > > > > (Now I'm curious.) > > > > > > > > On Sainsbury's peanuts: Warning: contains nuts. > > > > (but no peas?) > > > > > > > > On an American Airlines packet of nuts: > > > > Instructions: open packet, eat nuts. > > > > (have a lobotomy) > > > > > > > > On a Swedish chainsaw: > > > > Do not attempt to stop chain with your hands or genitals. > > > > (What is this, a home castration kit?) > > > > > > > > On a child's Superman costume: > > > > Wearing of this garment does not enable you to fly. > > > > (That's right, destroy a universal childhood fantasy!) > > > > >  1,, Summary-line: 2-Sep mendes@aigfpc.com [157] #FW: The Witch Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25310; Thu, 2 Sep 99 17:31:01 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA20673; Thu, 2 Sep 99 17:30:37 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11MeQX-000299-00; Thu, 2 Sep 1999 17:29:50 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Thu, 2 Sep 1999 17:29:43 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: The Witch Date: Thu, 2 Sep 1999 17:29:37 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: The Witch Date: Thu, 2 Sep 1999 17:29:37 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" From... > Katherine > Young King Arthur was ambushed and imprisoned by the monarch > of a neighboring kingdom. The monarch could have killed him, but > was moved by Arthur's youthful happiness. So he offered him freedom, > as long as he could answer a very difficult question. Arthur would > have > a year to figure out the answer; if, after a year, he still had no > answer, > he would be killed. > > The question was: What do women really want? > > Such a question would perplex even the most knowledgeable man, and, > to young Arthur, it seemed an impossible query. Well, since it was > better > than death, he accepted the monarch's proposition to have an answer by > > year's end. He returned to his kingdom and began to poll everybody: > the > princess, the prostitutes, the priests, the wise men, the court > jester. In > all, > he spoke with everyone but no one could give him a satisfactory > answer. > What most people did tell him was to consult the old witch, as only > she > would know the answer. The price would be high, since the witch was > famous throughout the kingdom for the exorbitant prices she charged. > The last day of the year arrived and but he still had to talk to the > witch. > > She agreed to answer his question, but he'd have to accept her price > first: The old witch wanted to marry Gawain, the most noble of the > Knights > of the Round Table and Arthur's closest friend! Young Arthur was > horrified: > > she was hunchbacked and awfully hideous, had only one tooth, smelled > like sewage water, often made obscene noises. He had never run across > > such a repugnant creature. He refused to force his friend to marry > her and > have to endure such a burden. > > Gawain, upon learning of the proposal, spoke with Arthur. He told him > that > nothing was too big of a sacrifice compared to Arthur's life and the > preservation of the Round Table. Hence, their wedding was proclaimed, > > and the witch answered Arthur's question: > > What a woman really wants is to be able to be in charge of her own > life. > > Everyone instantly knew that the witch had uttered a great truth and > that > Arthur's life would be spared. And so it went. The neighboring > monarch > spared Arthur's life and granted him total freedom. What a wedding > Gawain > and the witch had! Arthur was torn between relief and anguish. > Gawain was > proper as always, gentle and courteous. The old witch put her worst > manners > > on display. She ate with her hands, belched and farted, and made > everyone > uncomfortable. The wedding night approached: Gawain, steeling himself > for > a horrific night, entered the bedroom. What a sight awaited! The > most > beautiful woman he'd ever seen lay before him! > > Gawain was astounded and asked what had happened. The beauty replied > that since he had been so kind to her (when she'd been a witch), half > the > time > she would be her horrible, deformed self, and the other half, she > would be > her > beautiful maiden self. Which would he want her to be during the day > and > which during the night? What a cruel question? Gawain began to think > of > his predicament: During the day a beautiful woman to show off to his > friend, > > but at night, in the privacy of his home, an old spooky witch? Or > would he > prefer having by day a hideous witch, but by night a beautiful woman > to > enjoy many intimate moments? What would you do? > > What Gawain chose follows below, but don't read until you've made your > > own choice . . . > ?. > ?. > > ?. > >> ?. > > >> ?. > >> >> ?. > Noble Gawain replied that he would let her choose for herself. Upon > hearing > > this, she announced that she would be beautiful all the time, because > he had > > respected her and had let her be in charge of her own life. > > > >> >> What is he moral of this story? > >>? > >>? > >>? > >>? > THE MORAL IS THAT IT DOESN'T MATTER IF YOUR WOMAN IS > PRETTY OR UGLY, UNDERNEATH IT ALL, SHE'S STILL A WITCH > > >  1,, Summary-line: 3-Sep mendes@aigfpc.com [89] #Geographical map of driving Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21949; Fri, 3 Sep 99 09:31:31 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA17447; Fri, 3 Sep 99 09:29:47 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11MtOt-00042K-00; Fri, 3 Sep 1999 09:29:07 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 3 Sep 1999 09:28:59 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Geographical map of driving Date: Fri, 3 Sep 1999 09:28:58 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Geographical map of driving Date: Fri, 3 Sep 1999 09:28:58 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain From Sooz @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >Subject: Drivers > > > > > >One hand on wheel, one hand on horn: Chicago > > > >One hand on wheel, one finger out window: New York > > > >One hand on wheel, one hand on newspaper, foot solidly on > >accelerator: > >Boston > > > >One hand on wheel, cradling cell phone, brick on accelerator: > California. > >With gun in lap: LA > > > >Both hands on wheel, eyes shut, both feet on brake, quivering in > terror: > >Ohio, but driving in California. > > > >Both hands in air, gesturing, both feet on accelerator, head turned > to talk > >to someone in back seat: Italy > > > >One hand on latte, one knee on wheel, cradling cell phone, foot on > brake, > >mind on game: Seattle > > > >One hand on wheel, one hand on hunting rifle, alternating between > both feet > >being on the accelerator and both on the brake, throwing a McDonalds > >bag out the window: Texas > > > >Four wheel drive pickup truck, shotgun mounted in rear window, beer > >cans on floor, squirrel tails attached to antenna: Georgia > > > >Two hands gripping wheel, blue hair barely visible above window > level, > >driving 35 on the interstate in the left lane with the left blinker > on: > >Florida > > > > > > ______________________________________________________ > Get Your Private, Free Email at http://www.hotmail.com > > >  1,, Summary-line: 3-Sep mendes@aigfpc.com [98] #FW: Hebrew for "computer" Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25526; Fri, 3 Sep 99 09:44:15 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA20441; Fri, 3 Sep 99 09:44:03 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11MtdN-0005Sr-00; Fri, 3 Sep 1999 09:44:06 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 3 Sep 1999 09:44:01 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Hebrew for "computer" Date: Fri, 3 Sep 1999 09:44:00 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Hebrew for "computer" Date: Fri, 3 Sep 1999 09:44:00 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Sooz's on a roll today! (BTW, these really are the right words! Guess which one was chosen!!!! Scroll down for the answer!) @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >As you may well know, Hebrew nouns have a gender. When the time came > to > > >translate the word "Computer" to Hebrew, its gender had to be > decided. > >Two expert committees were established; one of men and the other of > >women. > > > >Each committee was instructed to decide on the machine's gender -- > >"Machshev" (male form) or "Machshevet" (female form), and to give > five > >main reasons for the decision. > > > >The women's committee recommended that computers be male, because: > > > >1. To get their attention, you have to turn them on. > >2. They will usually do what they are asked, but nothing more, > >and they won't think of doing it themselves. > >3. They are supposed to solve your problems, but most of the time > >they are the problem. > >4. As soon as you are committed to one, you find out that had you > >waited just a little bit longer, you would have > >got a better model. > > > >5. They usually become outdated in five years and need to be > >replaced, but some of the users feel that they have already invested > >so much in that darn machine they put up with an imperfect > >model. > > > >On the other hand, the men's committee claimed the computers should > be > >female (what else), because: > > > >1. No one but the Creator understands their inner logic. > >2. The language they use to communicate among themselves is > >incomprehensible to anyone else. > >3. Even your slightest error is maintained in long-term memory > >for use at a later date. > >4. The error message "Bad command or file name" is about as > >informative as "If you don't know why I am mad at you, then I'm > >certainly not going to tell you!!!" > >5. Once you are committed to one, you find yourself spending half > >your payroll on accessories for her. > > [RMB] Now, for the answer... MACHSHEV!  1,, Summary-line: 5-Sep frodo@MIT.EDU [27] #Pointer revision Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27337; Sun, 5 Sep 99 15:38:30 EDT Received: from [146.115.121.227] by MIT.EDU with SMTP id AA28460; Sun, 5 Sep 99 15:38:05 EDT Received: (from frodo@localhost) by r95aag007705.sbo-smr.ma.cable.rcn.com (8.8.7/8.8.7) id PAA07952; Sun, 5 Sep 1999 15:37:59 -0400 To: "lots-of-people" Subject: Pointer revision From: frodo@MIT.EDU Date: 05 Sep 1999 15:37:58 -0400 Message-Id: Lines: 20 X-Mailer: Gnus v5.5/Emacs 20.3 *** EOOH *** To: "lots-of-people" Subject: Pointer revision From: frodo@MIT.EDU Date: 05 Sep 1999 15:37:58 -0400 Lines: 20 X-Mailer: Gnus v5.5/Emacs 20.3 Hey folks. I've moved. I now have a one bedroom apartment on the first floor of Bean's new house. The address is: Len Giambrone 73 Newbury St. #1 Somerville, Ma 02144 The new phone number is: (617) 776-2767 I have no idea what exciting thing that spells -- I'll take suggestions. ;-) The Cell phone number is the same. Please forward this to anyone I forgot to send it to. -Len  1,, Summary-line: 10-Sep chriswebster@ndirect.co.u [73] #RE: Is Life a Boon Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17007; Fri, 10 Sep 99 04:05:31 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA11484; Fri, 10 Sep 99 04:05:16 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA23845; Fri, 10 Sep 1999 04:05:26 -0400 (EDT) Date: Fri, 10 Sep 1999 04:05:26 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Is Life a Boon Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <37D80662.FBC0249A@worldnet.att.net> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 10 Sep 1999 04:05:26 -0400 (EDT) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Is Life a Boon Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <37D80662.FBC0249A@worldnet.att.net> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) > The bottom line is, to have someone enjoy your collection as you have, > make your items available to other collectors, not uncaring and > overworked libraries. This is also my feeling on the subject. I am sure that very few families will know what to do about their relative's beloved G&S collection, and while somebody said that they did not want their family to profit from a cherished collection, my own thought would be that it would be better for this to happen by the family selling the collection to a nominated dealer so that it is ensured that each item will go to someone who will also love it, or else each item (or the collection as a whole) should be left to (a) person/s who the owner knows will appreciate it. The option of leaving a collection to a museum is not one that I would really consider, as I do not believe that this is going to benefit anyone as most of the items we are talking about are likely to be ephemera that is nice to look at (and own) rather than useful for future researchers - the only instance when a collection should go to a museum should be if it is a collection of particular historical interest that would benefit future researchers, or if the museum could guarantee that items would be displayed, although I wonder just how many people are likely to appreciate the display anyway. Someone suggested leaving things to somewhere like Coleton Fishacre or the DC eyot, but just how many people who go through those doors would really appreciate what they are looking at, and how many would be casual onlookers whose interest lasts purely for the hour that they are visiting the place and who have no real interest in G&S. I would also be concerned, even if an official G&S archive was set up in a place like this, because what would happen to the displays if the funding stopped, or if the backers decided that their original wonderful idea for a G&S Museum was not something that they wanted any more. When I go (and I haven't made any provisions just yet) I will certainly pass my goodies onto someone who I know will love them as I have (I usually lend half of my bits out anyway to people that I know will enjoy browsing through them). I do not want them to be confined to a back room where they will be filed and gather dust, and in years to come may be inappropriately dispensed with. I have a friend in the George Formby world who has come up with an interesting idea for his valuable collection of ukuleles. He has nominated various people to have first and second refusal to purchase each instrument. In most cases he has worked his nominees list out from people who had said that they would love such and such an instrument. By this method the instruments are quite likely to end up in the hands of the right people, and his wife will still feel the financial benefit. On this basis, does anyone want first refusal on my beloved signed photo of me with John Reed. (;-)) Straying slightly off the subject, what I think would be nice would be if people were to photograph their items, and somebody could set up a G&S ephemera website. I think this would be far more beneficial to the G&S world than having the real items in a glass case many hundreds or thousands of miles away. C.  1,, Summary-line: 10-Sep mendes@aigfpc.com [94] #FW: Condolences Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26621; Fri, 10 Sep 99 09:27:37 EDT Received: from relay2.smtp.psi.net by MIT.EDU with SMTP id AA23196; Fri, 10 Sep 99 09:27:20 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay2.smtp.psi.net with esmtp (Exim 1.90 #1) id 11PQi9-00008L-00; Fri, 10 Sep 1999 09:27:29 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Fri, 10 Sep 1999 09:27:28 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Condolences Date: Fri, 10 Sep 1999 09:27:25 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Condolences Date: Fri, 10 Sep 1999 09:27:25 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain dirty, but fun... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > Sadie lost her husband almost four years ago and still has not > gotten > >out > > of > > > her depression, mourning as if it were only yesterday. Her > daughter > > > constantly > > > calls her and urges her to get back into the world. > > > > > > Finally, Sadie agrees to go out, but didn't know anyone. Her > daughter > > > immediately replies, "Mama! I have someone for you to meet." > Well, it > >was > > an > > > immediate hit. They took to one another and after dating for > six > >weeks he > > > asks her to join him for a weekend in the Catskills. And we > know what > > that > > > means. > > > > > > One room and the normal follow up to that. Their first night > there > >she > > > undresses. There she stood nude except for a pair of black lacy > > >panties. > > He > > > in his birthday suit. Looking at her he asks "Why the panties?" > She > > replies, > > > "My breasts you can fondle, my body is yours to explore, but > down > >there I > > am > > > still in mourning." He knows he's not getting lucky that night. > > > > > > The following night the same scenario. Her standing there with > the > >black > > > panties on and he in his birthday suit; except that he has an > >erection > > on > > > which he has a black condom. She looks at him and asks, "What's > with > > this... > > > a black condom?" > > > He replies, "I'm going to offer my condolences." > > > >  1,, Summary-line: 13-Sep Robert.Major@ey.com [14] # Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27727; Mon, 13 Sep 99 15:05:30 EDT Received: from gateway2.ey.com by MIT.EDU with SMTP id AA17221; Mon, 13 Sep 99 15:05:28 EDT Received: by gateway2.ey.com (SMTP Gateway) id PAA14132 for opus@MIT.EDU; Mon, 13 Sep 1999 15:05:26 -0400 Message-Id: <199909131905.PAA14132@gateway2.ey.com> Received: by gateway2.ey.com (Protected-side Proxy Mail Agent-1); Mon, 13 Sep 1999 15:05:26 -0400 Date: Mon, 13 Sep 1999 15:05:22 -0400 From: Robert Major To: opus@MIT.EDU X-Mailer: Worldtalk (NetTalk for Windows NT 4.5-g5)/MIME *** EOOH *** Date: Mon, 13 Sep 1999 15:05:22 -0400 From: Robert Major To: opus@MIT.EDU X-Mailer: Worldtalk (NetTalk for Windows NT 4.5-g5)/MIME David, What up, G? Effective Wednesday, I will no longer be available at this email address. When I begin with my new employer next week, I'll let you know what the new address is. P.S. How about them Patriots, baby?!! ******************************************************************************* Note: The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, or an employee or agent responsible for delivering this message to the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to the message and deleting it from your computer. Thank you. Ernst & Young LLP *******************************************************************************  1,, Summary-line: 13-Sep MusikDrama@aol.com [158] #Re: Round Robin parody Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18915; Mon, 13 Sep 99 15:51:05 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA05296; Mon, 13 Sep 99 15:51:02 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA18646; Mon, 13 Sep 1999 15:50:42 -0400 (EDT) Date: Mon, 13 Sep 1999 15:50:42 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Round Robin parody Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 *** EOOH *** Date: Mon, 13 Sep 1999 15:50:42 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Round Robin parody Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 54 In a message dated 9/13/99 12:04:04 PM, dduffey@argonet.co.uk writes: << They were both almost complete, but ran into difficulties towards the end >> For the record, here's what I came up with, after copious groping through the archives. The two parodies were both bun-related: the "Bun Song" (inspired by Mary Finn) and the "Bunthorne Song" (inspired by Sharon Brindle) (Both titles are my own nomenclature, for convenience only) The Bun Song contained two complete versions, and at least the beginning of a third. Frustratingly, I couldn't find the very last line of the Bunthorne parody (or maybe it was never written, as Mr. Duffey's remark above suggests). Does anyone remember it, or would someone like to complete it now? The lyric-writing teams were cast as follows: Team 1 (parodying Bunthorne's Song ): Chris Wain, Shaun Lynch, Mary Finn, Helga Perry, Jim Drew, Paul McShane. Team 2 (parodying Yum-Yum's song): Chris Papa, Leta Hall, Sharon Brindle, Maureen Roult, Mike Nash, Diana Burleigh. I don't have specific authors for specific lines, I'm afraid. Although I am a geek, there is a limit to my geekiness! ;-) BUN SONG The bun whose raisins are aglaze With icing sweet and gluey, Which rests on plate and adds to weight But is so nice and chewy-- I must resist this catalyst To set me salivating, But truth to tell, I find its smell To be quite captivating. I must submit to fate, It is my shall, My dieting can wait, This bun's my pal. Those spindly girls with flowing curls Will state with gesture slighting "We will impale, with fingernail, That sticky bun inviting." I'll laugh the last, for this repast That they will be consuming To their surprise will bulge their thighs, This treat all unassuming. This iced and raisin'd cake which they decry, Myself I did it bake, cookbook and I. Partial 3rd verse: I dare not dwell upon the spell Cast by those carbohydrates If I consume, then my costume Won't fit for coming "Pirates"... BUNTHORNE SONG If you're anxious to impress In the realm of G&S, But you don't quite make the grade, You can make up fishy stories Of your never-ending glories In the parts you wish you'd played. You can say when you were Ko-Ko While the others were just so-so It was you who got encored. Thus, now the troupe rehearses Six-or-seventeen more verses Than Sir Arthur ever scored. And all your friends will claim That you've never been the same: "Since taking twenty-three encores In 'Monarch of the Sea', Why, what a very dedicated Savoyard This Savoyard must be." You can say that Henry Lytton With green envy would be smitten If he could see you act, Or how every producer Says, "My knowledge bows to you sir", And convince them it's a fact. When you speak about polonies To your confidants and cronies They'll assume you know the word, Though sausage rolls Do but little for the souls Of the anti-GRAND DUKE herd. Now all your friends implore Yet more esoteric lore And say that since you stunned them all With a rhyme for "strategy" "Why, what a very erudite young patterman This patterman must be!" Then with scarcely-earned bravado, 'bout the n-word in Mikado You pontificate on-line And investigate the myst'ry Of the origin and hist'ry Of the phrase "with grief condign." Though the Philistines may flame you And the know-alls try to blame you, Nonetheless you keep your cool As you philosophic-pill-it, And the flame war, you distill it >From the folly of a fool. Then all the crowd will say, When they log on for the day: If he can say more about the D'Oyly Carte Than could ever be said by me... Steve Lichtenstein MusikDrama@aol.com  1,, Summary-line: 13-Sep Mary_Finn@INTERSYS.COM [97] #Re: Round Robin parody Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02869; Mon, 13 Sep 99 16:21:12 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20175; Mon, 13 Sep 99 16:21:10 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA22298; Mon, 13 Sep 1999 16:21:08 -0400 (EDT) Date: Mon, 13 Sep 1999 16:21:08 -0400 (EDT) Message-Id: <99Sep13.161601edt.115206@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Mary_Finn@INTERSYS.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Re: Round Robin parody Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <99Sep13.155353edt.115205@gateway.intersys.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Mon, 13 Sep 1999 16:21:08 -0400 (EDT) Reply-To: Mary_Finn@INTERSYS.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Re: Round Robin parody Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <99Sep13.155353edt.115205@gateway.intersys.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Many thanks to Steve for rooting around in the archives and finding these parodies. Never one to decline an invitation to waste time, I submit the following last line: At 03:50 PM 9/13/99 -0400, MusikDrama@aol.com wrote: > >BUNTHORNE SONG > >If you're anxious to impress >In the realm of G&S, >But you don't quite make the grade, >You can make up fishy stories >Of your never-ending glories >In the parts you wish you'd played. > >You can say when you were Ko-Ko >While the others were just so-so >It was you who got encored. >Thus, now the troupe rehearses >Six-or-seventeen more verses >Than Sir Arthur ever scored. > >And all your friends will claim >That you've never been the same: >"Since taking twenty-three encores >In 'Monarch of the Sea', >Why, what a very dedicated Savoyard >This Savoyard must be." > > >You can say that Henry Lytton >With green envy would be smitten >If he could see you act, >Or how every producer >Says, "My knowledge bows to you sir", >And convince them it's a fact. >When you speak about polonies >To your confidants and cronies >They'll assume you know the word, >Though sausage rolls >Do but little for the souls >Of the anti-GRAND DUKE herd. > >Now all your friends implore >Yet more esoteric lore >And say that since you stunned them all >With a rhyme for "strategy" >"Why, what a very erudite young patterman >This patterman must be!" > > >Then with scarcely-earned bravado, >'bout the n-word in Mikado >You pontificate on-line >And investigate the myst'ry >Of the origin and hist'ry >Of the phrase "with grief condign." >Though the Philistines may flame you >And the know-alls try to blame you, >Nonetheless you keep your cool >As you philosophic-pill-it, >And the flame war, you distill it >>From the folly of a fool. > >Then all the crowd will say, >When they log on for the day: >If he can say more about the D'Oyly Carte >Than could ever be said by me... > > Why, what most intimidating Savoy-nerd, this Savoy-nerd must be! Respectfully, ***************************************************************** Mary A. Finn phone: 617-225-3052 Senior Marketing Writer fax: 617-494-1631 InterSystems Corp. email: finn@intersys.com ******************************************************************  1,, Summary-line: 14-Sep oakapple@cris.com [104] #SavoyNet RUDDIGORE: A Review of Sorts Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01422; Tue, 14 Sep 99 09:35:38 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA25899; Tue, 14 Sep 99 09:35:36 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA15346; Tue, 14 Sep 1999 09:35:33 -0400 (EDT) Date: Tue, 14 Sep 1999 09:35:33 -0400 (EDT) Message-Id: <37DDB7F9.40FD94AA@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: SavoyNet RUDDIGORE: A Review of Sorts Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Tue, 14 Sep 1999 09:35:33 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: SavoyNet RUDDIGORE: A Review of Sorts Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) I've just spent three delightful hours watching the SavoyNet RUDDIGORE, the video of which reached me over the weekend. I can't fully review a production that has so many friends in it, but I hope that a few meandering comments won't be misplaced. The quality of the Festival videos sure has improved over the years. This one transported me instantly to the Buxton Opera House, and I felt that I got a very good idea what it would've been like to see it in person. The change of lighting levels in Act II didn't bother me as much as I was led to expect. I don't think that I've ever seen a better overall amateur cast for RUDDIGORE, and I mean that very sincerely. This is not to say that, under other circumstances, I wouldn't have my little complaints. But, as an ensemble, it was an unparalleled gathering of talent. The chorus, too, was an "all-star" team. "How hard they worked!" as David Turner would say. David Duffey's fresh ideas were evident in every scene. With but one exception (which I'll get to momentarily), all of the business and blocking reinforced the text. There were a few bits that didn't seem to work quite as well as perhaps they had on paper. But most *did* work, and I'd rather have a director who is trying new things--even if a few of 'em don't quite have the intended effect--than one who is simply recreating productions of the past. Early in Act I, during Rose's conversation with Hannah, some "clumsy clod-hoppers" were at a cafe up-stage, eating and drinking. The video didn't show much of them, but as Rose mentioned various etiquette breaches, the clod-hoppers obviously were doing the very things she railed against. It was very tastefully done--illustrating the point without going too far over the top. When Robin entered, he "shooed" them away, which at the same time showed his nervousness *and* the fact that he is in a higher class than the village townfolk. Most of the dance scenes were big hits. The audience loved the tap-dancing bridesmaids, and so did I. Their recurring dance step garnered a much deserved round of applause. Congratulations to all, as I know how much effort went into it. The adjudicator mentioned some bickering between Zorah and Ruth. I'm afraid I couldn't see any of this, but Sharon Brindle and Julie B. were the two best that I'd ever seen in these roles. So often, the opening scene drags, but they ensured that it didn't. The Act I finale was a thorough success in every way. The madrigal was justly nominated for an award, but all of it--from the dignified entrance of the bride and bridegroom, to the understated gavotte, to the great sword dance--succeeded brilliantly. I was less enthusiastic about bringing the sword dance back in the Act II finale. The second time, it didn't seem to have as fresh an impact. I especially liked the beginning of Act II. Sam Silvers, as Robin, did a great job of putting on a "mock Dracula" accent--adopting the classic gestures of melodrama, yet showing that his character is ill-suited to a life of evil. Irv Hodgkin's Adam made good fun of his master's inadequacies. After their scene, the clever footwork for the bridesmaids in the "bright little, tight little craft" number came in like a draft of fresh salty air. During the ensuing dialogue, after Richard produced a Union Jack, *all* the bridesmaids waved union jacks, creating a spectacular effect. Robin's address to the ghosts was about as dramatic as I've seen--reaching nearly tragic proportions. The ghost scene itself was musically the best I've ever heard it, with all the harmonies clearly audible, and Larry Garvin getting sturm und drang from the orchestra. The ghost dialogue, I'm afraid, was the production's only serious miscalculation. While Sir Roderic conversed with Robin, the chorus passed around a book that was supposed to be, I believe, a ghosts edition of Penthouse Magazine. I am not sure if I would have figured out what it was, if it hadn't been explained to me. But, it was a distraction--I feel sure of that. All the scenes with Mad Margaret were big successes. Kay Byler's blood-curdling laugh was a particular highlight of her character, to which David Craig's stolid Sir Despard was a suitable foil. Ian Hollamby's was about as believable-looking a Dick Dauntless as you'll see, and he did an excellent job of maintaining a difficult accent throughout both singing and dialogue, without sacrificing diction. Shani D'Cruze's vixenish Rose may have surprised some people, but I thought that she carried the interpretation believably. Carole Round was a suitably compassionate Dame Hannah, and I imagine she surprised people with her agility during the melodrama scene, which was very effectively staged. David Turner's adjudication seemed to me mostly favorable. Of course, I've been on the other side of it, and in such like circumstances even the slightest criticism sticks in your craw. But, aside from a few technical points, I thought he genuinely liked it. When he said that SavoyNet "wasn't getting any sympathy vote" from him, he appeared to mean that the production was good enough that it didn't *need* such a vote. All in all, it has been a most enjoyable evening, and I hope that I'll be able to join you all on stage next year. -- Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com  1,, Summary-line: 14-Sep CMajor@sembler.com [59] #Ice cream for the soul Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23353; Tue, 14 Sep 99 16:17:42 EDT Received: from [38.208.66.4] by MIT.EDU with SMTP id AA05289; Tue, 14 Sep 99 16:17:40 EDT Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Tue, 14 Sep 1999 16:16:58 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 14 Sep 1999 16:16:50 -0400 From: "Cindy Major" To: , , , , , , "Ann Carey" , "Cathy Jackson" , "Elaine Engle" , "Niki Lawton" , , Subject: Ice cream for the soul Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 14 Sep 1999 16:16:50 -0400 From: "Cindy Major" To: , , , , , , "Ann Carey" , "Cathy Jackson" , "Elaine Engle" , "Niki Lawton" , , Subject: Ice cream for the soul Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline This was published in the May 5, 1998, issue of The Stanford News: > >> > >>>Last week, I took my children to a restaurant. My > >> > >>>six-year-old son asked if he could say grace. As we > >> > >>>bowed our heads he said, "God is good. God is great. > >> > >>>Thank you for the food, and I would even thank you > >> > >>>more if mom gets us ice cream for dessert. And > >> > >>>liberty and justice for all! Amen!" > >> > >>> > >> > >>>Along with the laughter from the other customers > >> > >>>nearby I heard a woman remark, "That's what's wrong > >> > >>>with this country! Kids today don't even know how to > >> > >>>pray. Asking God for ice cream! Why, I never!" > >> > >>> > >> > >>>Hearing this, my son burst into tears and asked me, > >> > >>>"Did I do it wrong? Is God mad at me?" > >> > >>> > >> > >>>As I held him and assured him that he had done a > >> > >>>terrific job and God was certainly not mad at him, an > >> > >>>elderly gentleman approached the table. He winked at > >> > >>>my son and said, "I happen to know that God thought > >> > >>>that was a great prayer." > >> > >>> > >> > >>>"Really?" my son asked. > >> > >>> > >> > >>>"Cross my heart." Then in a theatrical whisper he > >> > >>>added (indicating the woman whose remark had > >> > >>>started this whole thing), "Too bad she never asks > >> > >>>God for ice cream. A little ice cream is good for the > >> > >>>soul sometimes." > >> > >>> > >> > >>>Naturally, I bought my kids ice cream at the end of the > >> > >>>meal. My son stared at his for a moment and then did > >> > >>>something I will remember the rest of my life. He > >> > >>>picked up his sundae and without word walked over > >> > >>>and placed it in front of the woman. > >> > >>> > >> > >>>With a big smile he told her, "Here, this is for you. Ice > >> > >>>cream is good for the soul sometimes and my soul is > >> > >>>good already." >=20  1,, Summary-line: 15-Sep mendes@aigfpc.com [154] #FW: [Fwd: Fwd: FW: This is funny sh!t!] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03841; Wed, 15 Sep 99 13:32:08 EDT Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA02750; Wed, 15 Sep 99 13:32:04 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 11RIqg-0004Ry-00; Wed, 15 Sep 1999 13:28:03 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 15 Sep 1999 13:28:00 -0400 Message-Id: From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: Fwd: FW: This is funny sh!t!] Date: Wed, 15 Sep 1999 13:27:58 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: Fwd: FW: This is funny sh!t!] Date: Wed, 15 Sep 1999 13:27:58 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > >> > Shit is a powerful word. Just think of all > > >> >> the concepts and ideas you can > > >> >> communicate with it. Shit may just be > > >> >> the most powerful word in the English > > >> >> language. > > >> >> > > >> >> CONSIDER THIS: You can be shit faced, > > >> >> be shit out of luck, or have shit for brains. > > >> >> > > >> >> With a little effort you can get your shit > > >> >> together, find a place for your shit or > > >> >> decide to shit or get off the pot. > > >> >> > > >> >> You can smoke shit, buy shit, sell shit, > > >> >> lose shit, find shit, forget shit, and tell > > >> >> others to eat shit and die. You can shit > > >> >> or go blind, have a shit fit or just shit > > >> >> your life away. > > >> >> > > >> >> People can be shit headed, shit brained, > > >> >> shit blinded, and shit over. > > >> >> > > >> >> Some people know their shit while others > > >> >> can't tell the difference between shit and > > >> >> shineola or apple butter. > > >> >> > > >> >> There are lucky shits, dumb shits, crazy > > >> >> shits, and sweet shits. > > >> >> > > >> >> There is bullshit, horse shit and chicken > > >> >> shit. > > >> >> > > >> >> You can throw shit, sling shit, catch shit, > > >> >> or duck when the shit hits the fan. > > >> >> > > >> >> You can take a shit, give a shit, or serve > > >> >> shit on a shingle. > > >> >> > > >> >> You can find yourself in deep shit, or be > > >> >> happier than a pig in shit. > > >> >> > > >> >> Some days are colder than shit, some > > >> >> days are hotter than shit, and some > > >> >> days are just plain shitty. > > >> >> > > >> >> Some music sounds like shit, things can > > >> >> look like shit, and there are times when > > >> >> you feel like shit. You can have too much > > >> >> shit, not enough shit, the right shit, the > > >> >> wrong shit or a lot of weird shit. > > >> >> > > >> >> You can carry shit, have a mountain of > > >> >> shit, or find yourself up shit creek > > >> >> without a paddle. Sometimes you really > > >> >> need this shit and sometimes you don't > > >> >> want any shit at all. Sometimes everything > > >> >> you touch turns to shit and other times > > >> >> you swim in a lake of shit and come out > > >> >> smelling like a rose. > > >> >> > > >> >> Shit When you stop to consider all the > > >> >> facts, it's the basic building block of > > >> >> creation. > > >> >> > > >> >> And remember, once you know your shit, > > >> >> you don't need to know anything else. > > >> > > > >> > > > >> > > > > > > > > > > > > > > > > > > > > > > > > > > >______________________________________________________ > > >Get Your Private, Free Email at http://www.hotmail.com > > > > ______________________________________________________ > > Get Your Private, Free Email at http://www.hotmail.com > > > > > > > > > ************************************************************* > > Melissa Hollingsworth > Relationship Manager > Tivoli Systems Inc., Indianapolis > Ph: 317-554-7823 > Fx: 317-554-7977 > melissa.hollingsworth@tivoli.com > > > > > > > > > > > > > > --0-1025202362-937242050=:25118-- > > --part1_2c9c446d.250eb45f_boundary--  1,, Summary-line: 15-Sep mendes@aigfpc.com [201] #Bah-dum-bum Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29618; Wed, 15 Sep 99 18:02:21 EDT Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA16465; Wed, 15 Sep 99 18:02:18 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 11RN7l-0003We-00; Wed, 15 Sep 1999 18:01:57 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 15 Sep 1999 18:01:54 -0400 Message-Id: From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: Bah-dum-bum Date: Wed, 15 Sep 1999 18:01:52 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: Bah-dum-bum Date: Wed, 15 Sep 1999 18:01:52 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products [RMB] > One Rosh Hashanah morning, the Rabbi noticed little Alex was staring up > at the large plaque that hung in the foyer of the synagogue. It was > covered with names, and small American flags were mounted on either side > of it. The seven-year old had been staring at the plaque for some time, > so the Rabbi walked up, stood beside the boy, and said quietly, "Good > morning," > > Alex. "Good morning, Rabbi," replied the young man, still focused on the > plaque. "Rabbi Bernstein, what is this?" Alex asked. "Well, it's a > memorial to all the young men and women who died in the service." > Soberly, they stood together, staring at the large plaque. > > Little Alex's voice was barely audible when he asked: "During which one, > Rabbi; Rosh Hashanah or Yom Kippur?" [RMB] --=-- > > Element: Woman > > Symbol: Wo > > Atomic Weight: 120 (more or less, usually > > more) > > > > Physical Properties: Generally round in form. > > Boils at nothing > > and is able to freeze at anytime for the same > > apparent reason. > > Will melt readily when treated properly, but > > extremely bitter if > > not properly kept. > > > > Chemical Properties: Very active. Highly > > volatile. Possesses > > strong affinity to gold, silver, platinum and > > precious stones. > > Potentially violent after prolonged periods of > > solitude. Able to > > absorb large quantities of exotic foods. Turns > > various shades > > of green when placed next to like specimens. > > Ages rapidly. > > > > Usage: Highly ornamental. An extremely good > > catalyst for the > > dispersion of wealth. To date, the most > > powerful income > > reducing agent known. > > > > Caution: Material known to be highly explosive > > if handled > > improperly. > > > > > > > > Element: Man > > Symbol: XY > > Atomic Weight: 180 (+/- 100) > > > > Physical Ptemperature, > > but gets bent > > out of shape easily. Fairly dense androperties: Solid at room > > sometimes flaky. Difficult > > to find a pure sample. Due to oxidation > > (rust), aging samples > > are unable to conduct the electricity necessary > > to perform even > > the most basic functions in contrast to > > younger, fresher samples. > > > > Chemical Properties: Attempts to bond with the > > element Wo any > > chance it can get, but will form strong bonds > > with itself in the > > absence of Wo. Can become explosive when mixed > > with the > > element Kd (Kid) for a prolonged period of > > time. Extremely basic > > element and can be easily neutralized by a > > liberal saturation with alcohol. > > > > Usage: Virtually none, except perhaps for the > > production of > > methane gas. Good specimens have been known to > > produce > > extremely large quantities in a very short > > period of time. > > > > Caution: In the absence of the element Wo, this > > element rapidly > > decomposes and begins to smell. > [RMB] -=- >A couple made a deal that whoever died first would come back and inform >the other of the after life. The woman's biggest fear was that there was >no heaven. After a long life the husband was the first to go and true to >his word he made contact. > >"Mary... Mary.... " > >"Is that you Fred?" > >"Yes, I have come back like we agreed." > >"What is it like?" > >"Well, I get up in the morning, I have sex, I have breakfast, I have sex, >I bathe in the sun, then I have sex-twice, I have lunch, then sex pretty >much all afternoon-supper-then sex till late at night, sleep then start >all over again." > >"Oh Fred you surely must be in heaven." > >"Hell no, I'm a rabbit in Kansas." [RMB] --- Two buddies were sharing drinks while discussing their wives. "Do you and your wife ever do it doggie style?" asked the one. "Well, not exactly." his friend replied, "she's more into the trick dog aspect of it." "Oh, I see, kinky, huh?" "Well, not exactly - I sit up and beg and she rolls over and plays dead." _____________________________________________________________________ _ __ ____ An airline pilot finishes talking to the passengers just after his plane has taken off, and he forgets to turn off the intercom. He says to the copilot, "I think I'll go take a shit and then try to screw that new blonde stewardess." The stewardess hears it, and as she goes running up the aisle to tell him the intercom is still on, she trips on the rug and falls on her ass. A little old lady looks down at her and says, "There's no rush, honey. He said he had to take a shit first." ________________________________________________________________________ _ __ The young man stood in front of the mirror admiring his well-built and tanned body, when he realized that his penis was the only part of his body not tanned. Determined to get his penis tanned, he made his way to the beach. Once there he proceeded to bury himself completely except for his penis - this he left poking out of the sand. Strolling down the beach were two little old ladies. They came across the penis poking out of the sand. One little old lady, using her cane, knocked the penis from side to side, saying, "There is no justice in the world to day." The other little old lady asked, "What do you mean?" The first little old lady said, "Look at that, When I was 20 I was curious about it. When I was 30 I enjoyed it. When I was 40, I asked for it. When I was 50, I paid for it. When I was 60, I prayed for it. When I was 70, I forgot about it. And now that I'm 80, the damn things are growing wild and I'm too old to squat."  1,, Summary-line: 16-Sep rles.schlotter@pagebbs.co [223] #Sylvia Cecil Sings G&S Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10381; Thu, 16 Sep 99 01:30:43 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21142; Thu, 16 Sep 99 01:30:38 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA16893; Thu, 16 Sep 1999 01:30:21 -0400 (EDT) Date: Thu, 16 Sep 1999 01:30:21 -0400 (EDT) Message-Id: <937459366@pagebbs.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: charles.schlotter@pagebbs.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: charles.schlotter@pagebbs.com (Charles Schlotter) To: Multiple recipients of list SAVOYNET Subject: Sylvia Cecil Sings G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 16 Sep 1999 01:30:21 -0400 (EDT) Reply-To: charles.schlotter@pagebbs.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: charles.schlotter@pagebbs.com (Charles Schlotter) To: Multiple recipients of list SAVOYNET Subject: Sylvia Cecil Sings G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Note: Although most of my postings are at least tinged with humor if not downright fantasy, this is *not* a spoof message like the Thespis discography. I think that I have made a minor but pleasing discovery in the history of G&S recording. A passage in Martyn Green's autobiography "Here's a How-de-do" has been nagging at me for years. He was writing of the D'Oyly Carte's 1938-1939 tour. John Barrymore was also in town [New York City.] I did a broadcast with him and to my intense surprise was given permission to sing two songs from Gilbert and Sullivan, "Tit Willow" and "John Wellington Wells." Actually G&S is in the Public Domain in America and anyone else need not have got permission, but as a member of the D'Oyly Carte Opera Company, I was restricted to the theatres where the company was being presented unless I obtained a dispensation direct from Rupert D'Oyly Carte. He had been known to give such permission only twice before. Once was when Derek Oldham, Sylvia Cecil and I appeared with Alexander Woollcott in a programme of his abut "The Seeing Eye," the American equivalent of Guide Dogs for the Blind and we serenaded Mary Dragna Campbell, an elderly lady closely connected with the movement, and a great lover of the operas. On another occasion we same three had broadcast in a Sunday night programme. As Martyn Green did not record "The Sorcerer" or any of his role except for a few measures with piano accompaniment that are snipped off all too soon in "The Story of Gilbert and Sullivan," any possibility of locating a radio aircheck of him doing "John Wellington Wells" would be of great interest. And then there are the two occasions when he broadcast with Oldham and Cecil. Oldham did quite a bit of recording, though he didn't get all of his roles onto disc. Cecil did very little recording, none of it involving G&S. So, I was looking for 1. The Barrymore broadcast (1938 or 1939) 2. The Woollcott broadcast (1936) 3. Another occasion (also 1936) I carefully went through the New York Times Sunday radio listings for the period when the D'Oyly Carte Company was in New York City, even going back to 1934, in case Green had mistaken his dates. I also consulted two modern biographies of Woollcott for clues. (BTW -- Woollcott and Another must have been in 1936 if Cecil participated because she didn't make the 1934 or 1938-9 tours.) Here is what I found: 1. Barrymore was one of the rotating hosts of a program called "This is New York." During the tour period, he was the host for the January 4 and January 11, 1939 broadcasts. No program details were given for either of these shows and an old-time-radio buff I consulted told me that only one of them, not either of these two, is known to survive. They are not in the collection of the Museum of Television and Radio. Barrymore was so memorable a figure that I doubt Green could have confused him in his mind with other hosts during the tour's New York period -- Eddie Cantor, Charles Ruggles and Ken Murray. If anyone knows of a source, perhaps a specialized collection of Barrymore memorabilia, that might miraculously have preserved the Green broadcast, please let me know. 2. Woollcott did, indeed, make a special broadcast for the Seeing Eye some time during the autumn of 1936. His regular program, "The Town Crier" was in hiatus because his prior sponsor thought his criticism of Hitler and Mussolini could offend customers (!) Perhaps I couldn't find a reference to the broadcast in the New York Times because it was organized at the last minute. Or perhaps I just missed it. At any rate, once again I doubt that Green could have confused a bird of such exotic plumage as Woollcott with somebody else. (Sheridan Whiteside, the antihero of "The Man Who Came to Dinner" was modeled on Woollcott.) The confirmation of the Seeing Eye connection also supports the conclusion that Green, Oldham and Cecil made this broadcast. Again, my radio buff could not find any indication in his catalogues that it survives. Like "This is New York," it may not have been broadcast nationally, thus not requiring that a transcription be made. On the other hand, Woollcott's manager, long after the writer's death, donated his scripts, transcription discs and other souvenirs to the Harvard Library. I tried an on-line search but wasn't able to find any details about the collection. If any Savoynetters park their cars in the Harvard Yard, they might be able to find out more. 3. That brings us to Another Occasion. I didn't have much hope that I would find anything based on this vague description but, in the event, that is the only one that I have found. Members of the Company performed excerpts of "The Mikado" on September 6, 1936 for a broadcast in the NBC series entitled "The Magic Key of RCA." "The Magic Key" was a middle-brow pops concert show which also worked in lots of plugs for RCA records and products. (RCA and NBC were then affiliated.) Performers and venues varied and on this occasion, almost all of the program consisted of a concert relayed from Philadelphia featuring 60 members of that city's orchestra conducted by RCA A&R-man Charles O'Connell. So we hear pops selections and more pops selections, then a long interview with an RCA recording technician who comically mispronounces the names of RCA recording stars and can't even handle "Beethoven." Then more pops. And finally, the announcer in New York, Milton Cross, announces the D'Oyly Carte company. Unfortunately, he doesn't name the performers, but I am unsure of only one attribution. Koko Martyn Green Nanki-Poo Derek Oldham Pitti-Sing Marjorie Eyre Peep-Bo Elizabeth Nickell-Lean Go-To ? Yum-Yum Sylvia Cecil Conductor: Isidore Godfrey I reach these casting conclusions because Green, Oldham, Eyre and Nickell-Lean all sound much as they do in the commercial recording. Moreover, they were singing these roles on tour. Brenda Bennett was also on the tour but a) the singer on the broadcast sounds nothing like the dreadful Bennett and b) the singer on the broadcast sounds exactly like Sylvia Cecil in her 1947 recordings of numbers from Noel Coward's "Pacific 1860," the only examples of her few recordings I was able to find on CD. (In a miserable transfer, BTW.) I assume that Godfrey was the conductor because it sounds like his pacing and there aren't any signs of confusion that would result from an NBC staff conductor stepping in. That leaves only Mr. Go-To's line "But who are you, who ask this question?" Although Radley Flynn made the tour and played this role, it doesn't sound like the same man as the 1936 recording. The voice is much rounder and juicier, to my ears. Any ideas? You will note that the Mikado, Katisha and Pish-Tush are not in the cast list. That is because of this curious selection of excerpts: 1. If You Want to Know Who We Are 2. Oh Gentlemen... leading to A Wand'ring Minstrel 3. Three Little Maids 4. The Sun Whose Rays 5. Tit-Willow Green and Oldham are much as in the commercial set, Oldham allowing himself a bit more rhythmic freedom and Green, oddly, making a few tiny errors in the lyrics. If we didn't have recordings of them and the two subsidiary maids from school, the broadcast would be of even greater significance. What will most interest Savoynetters is the presence of Sylvia Cecil. How does she sound? She is one of the best Yum-Yums I have ever heard. The very lowest notes of her range are marginally weaker than the rest of the voice but the middle and top are both strong and lovely. Without distorting the line, she manages to add her own distinctive and highly musical touch to her solo. I only wish there were more. If someone can find the Woollcott broadcast, maybe there is more. Incidentally, the sound quality, though slightly tubby, is surprisingly good for a 1936 aircheck. The Museum's copy must come from NBC's own in-house transcription discs. There is one fly in the ointment: The Museum of Television and Radio is not a lending library and does not make duplicates of its collection. You can only hear this broadcast if you are within striking distance of New York City or Beverly Hills, California. (And even then, not all the time. For some reason, it was unavailable last week when I tried to give it one last listen before writing this report.) If somebody knows of an outside source for tapes of "Magic Key" broadcasts, I'm sure it would interest Savoynetters. If all three broadcasts could be found, they would be prime candidates for Chriswebsterization. I'm afraid that, after many months, I have reached the limits of my own ability to research these broadcasts. If anybody can help extend my knowledge, identify surviving transcriptions or locate a source that would allow all of us to enjoy Sylvia Cecil et al in G&S, please let me know. Another thought: Although Martyn Green claimed there were only three occasions on which broadcasts were sanctioned, he wrote this in the context of discussing the Company's extended stays in New York City. Could there be more material squirreled away in Canada or elsewhere on the tour route? And what about post-War and post-Green broadcasts? And what about during-the-war broadcasts? I have no leads at all in these areas but perhaps someone else does. -- Charles Schlotter charles.schlotter@pagebbs.com  1,, Summary-line: 16-Sep philip@MIT.EDU [58] #Re: Drawing tablet for the office? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06952; Thu, 16 Sep 99 11:52:57 EDT Received: from MASS-TOOLPIKE.MIT.EDU by MIT.EDU with SMTP id AA12468; Thu, 16 Sep 99 11:52:38 EDT Received: (from philip@localhost) by mass-toolpike.mit.edu (8.9.3) id LAA22420; Thu, 16 Sep 1999 11:52:39 -0400 (EDT) Message-Id: <199909161552.LAA22420@mass-toolpike.mit.edu> To: sipb-office@MIT.EDU Subject: Re: Drawing tablet for the office? In-Reply-To: Your message of "Thu, 16 Sep 1999 11:24:25 EDT." <199909161524.LAA10576@StarbaseZero.ne.mediaone.net> Date: Thu, 16 Sep 1999 11:52:39 -0400 From: Philip Tan Boon Yew *** EOOH *** To: sipb-office@MIT.EDU Subject: Re: Drawing tablet for the office? In-Reply-To: Your message of "Thu, 16 Sep 1999 11:24:25 EDT." <199909161524.LAA10576@StarbaseZero.ne.mediaone.net> Date: Thu, 16 Sep 1999 11:52:39 -0400 From: Philip Tan Boon Yew I'm not a SIPB member, I just lurk on this mailing list. I'm a frequent user of graphic tablets, though, so here's me $.02. Hope it helps. >A drawing tablet would be more useful if we also got a CAD program >that worked with it. I suspect Autocad would be a good choice. I >don't know enough about drawing tablets to make more suggestions >though. AutoCAD, to my knowledge, won't require pressure sensitivity. If you're planning to use a tablet for mainly non-Photoshop stuff, I would suggest checking out non-pressure-tablets to save some money. Most graphic programs don't really benefit from the use of a tablet, especially if all you're doing is image editing or preparing web graphics. Tablets are specifically useful for doing freeform drawing and painting. Photoshop is adequate for that, but it really shines with 'natural media' apps like MetaCreations Painter, which has a bit of a learning curve. (Then again, so does art school) Otherwise, a mouse is quite acceptable for most image editing tasks. Although it's cool to have directionality and pressure sensitivity for things like Photoshop's airbrush, a graphics tablet isn't really an advantage unless you already know how to use a real airbrush. Most tablets have a row of programmable 'hot spots' which might be useful for things like AutoCAD, triggering often-used functions really quickly. Most people who require pressure sensitivity (and even some who don't) buy Wacom tablets. I'm not sure if it's necessarily better but it is an industry standard in graphic design. There are various sizes of tablets so check how much desk space you can spare before shopping...I have one that sits really nicely next to my keyboard, and setting it up is ridiculously easy. Digitizer mice (with crosshairs) work with graphics tablets too but I've had much better mileage scanning in originals and tracing them out on-screen. Wacom's Intous series of tablets seem to be targeted at the professional artist who's moving to computers. If you can save money by buying a Wacom non-Intous tablet, go for it. The Intous tablets have stylii that are a little more comfortable, though. And of course, if you have money to burn, there's the PL-400 Wacom which has an integrated color LCD screen. You draw directly on it. Cool. Expensive. Philip Tan ----------- "Stupidity is like nuclear power: it can be used for good or evil. And you don't want to get any of it on you." - Wally & Dilbert  1,, Summary-line: 16-Sep dcl@ties.org [22] #Seeking a Cox and Box production Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08683; Thu, 16 Sep 99 15:17:24 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24774; Thu, 16 Sep 99 15:17:20 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA03285; Thu, 16 Sep 1999 15:15:54 -0400 (EDT) Date: Thu, 16 Sep 1999 15:15:54 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Seeking a Cox and Box production Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 16 Sep 1999 15:15:54 -0400 (EDT) Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Seeking a Cox and Box production Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum If you're planning a production of Cox and Box with full orchestra, have I got a deal for you! I have just completed a full (conductor's) score, based on the Kalmus parts, and I would like to find a production to "beta-test" it under performance conditions. For more information, email me directly, or check my website. David Larrick, dcl@ties.org, http://www.ultranet.com/~larrick/  1,, Summary-line: 18-Sep oakapple@cris.com [592] #Review: Dover MIKADO Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17951; Sat, 18 Sep 99 15:36:08 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14095; Sat, 18 Sep 99 15:36:10 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA05419; Sat, 18 Sep 1999 15:36:07 -0400 (EDT) Date: Sat, 18 Sep 1999 15:36:07 -0400 (EDT) Message-Id: <37E3E782.56661060@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA05419 *** EOOH *** Date: Sat, 18 Sep 1999 15:36:07 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA05419 The Mikado in Full Score New Edition by Carl Simpson and Ephraim Hammett Jones Dover Publications Inc: Mineola, NY, 1999 xvi + 352 pages; $19.95 (list price) The full scores of the Savoy Operas have not fared well as far as publish= ed editions go. Only THE MIKADO had an edition in English during Sullivan's lifetime (Bosworth, ca. 1893). That was it until the 1970s and '80s, when= Kalmus put out editions of the nine most popular operas. In the 1980s, Ernst Eul= enberg published a new critical edition of THE GONDOLIERS, but its utility was s= everely limited by a miniature format unreadable from the conducting stand, and t= he lack of other scores and parts that agreed with it. In 1994, Broude Brothers published the full score of TRIAL BY JURY, a full-dress scholarly edition= that finally gave one of Sullivan's operas the respect it deserved. A scholarl= y edition of RUDDIGORE from Oxford University Press is due out within the n= ext few months. Both Broude and Oxford will be publishing companion vocal scores = and band parts with their editions. The Kalmus full scores published in the '70s and '80s were of widely vary= ing quality. They did THE MIKADO a singular disservice by simply reprinting t= he Bosworth Edition of ca. 1893. That edition, despite being prepared direct= ly from the composer's autograph, had numerous errors, was difficult to read in p= laces, and contained many of the wrong words (in some cases pre-first-night lyri= cs). Sullivan's autograph scores are laden with abbreviations and often were n= ot updated to take account of changes made in rehearsals or after opening ni= ght. No one seems to have told Bosworth any of this, and while Sullivan cooperate= d with the edition, apparently neither he nor his assistants took any care over = what Bosworth actually printed. If this isn't bad enough, the Kalmus score ret= ails for $160.00. According to one SavoyNetter, the Kalmus score sells in the = U.K. for =A3170.00. With the advent of desktop publishing packages that can match the quality= of professional engravers, anyone with a personal computer can now be a musi= c publisher. Two recent home-brew editions of THE MIKADO have improved on Kalmus/Bosworth, but left a lot to be desired. William V. Dorwart (WVD) publishes an expensive edition through Theodore Presser, but Dorwart sile= ntly incorporates his own "improvements," leaving the conductor unsure where S= ullivan ends and Dorwart begins. SavoyNetter Larry Simons has offered a score fre= e for download over the internet, and while you can't beat the price, the forma= t is unwieldy, and the score will look ugly unless your printer matches the resolution Simons used. As one of my colleagues observed, by the time you= find the right equipment and bind the Simons score in a format suitable for performance, you might as well just have bought the Dover edition, which = already comes bound and far more handsomely printed. With the only available full scores so badly flawed, and two of them wild= ly overpriced, it is not difficult to do better. Editors Carl Simpson and Ep= hraim Hammett Jones have certainly managed that, though not without making some mistakes of their own. Admittedly, there was a pretty low bar to clear, b= ut their new edition of THE MIKADO is a considerable improvement on all the = others. That it lists for $19.95 (less through a discounter like Amazon.com) make= s the Dover MIKADO an irresistible buy. The Dover MIKADO is not a scholarly edition like the Broude Brothers TRIA= L BY JURY. The editors state a few general principles and then leave readers t= o fend for themselves. But, the editions we had before gave us far less guidance= than Simpson and Jones do. With companion band parts available for rent, and a= vocal score to be published within the next few months, the Dover edition is a practical option at a compelling price. The edition also has its omission= s and discrepancies, leaving plenty of room for the forthcoming scholarly editi= ons to distinguish themselves with a better product at a deservedly higher price= . If any opera can support multiple options in the marketplace, THE MIKADO can. My endorsement of the Dover MIKADO comes with boatloads of caveats. While= I found few outright errors (i.e., words or notes that couldn't possibly be right), there are many inconsistencies (i.e., apparently similar textual problems not treated similarly). Compare the Dover text with other availa= ble texts, and you will be hard pressed to comprehend the editors' thought pr= ocess. They apparently have an incomplete understanding of the sources' relation= ships, and the criteria guiding their decisions seem at times cavalier. With one serious exception, most of the Dover text seems to agree with *s= ome* source, though not any particular source consistently. Conductors and dir= ectors will have to check the Dover text thoroughly against other scores and par= ts that they may be using. It is often difficult to tell how well a score will wo= rk in performance until someone actually tries it. An attractively presented sc= ore that gives every appearance of editorial care may have subtle mistakes th= at seriously undermine its utility. Whether that has happened here is a ques= tion for another day. Cosmetically, the Dover MIKADO is simply gorgeous. It is professionally t= ypeset using modern fonts and notation. One reviewer said that he wished for a h= eavier optical weight and larger fonts, but this did not bother me. The dialogue= is printed in a large font that will be easily readable in a dark theater, b= ut the fonts in musical passages are smaller. I found no examples of notes or wo= rds being cramped into too little space (often the sign of amateur musical typesetting--see the WVD editions). There are measure numbers at the top of every system. The names of the instruments are clearly labeled on every staff. The Flute II part provide= s warnings when the player must switch to and from the Piccolo. Similar war= nings for the percussion/timpani player are not offered. Where the percussion p= layer stays on the same instrument, there is *usually* a reminder on each page,= but sometimes these have been missed. There is always a dilemma about how far to modernize. Sullivan wrote his = horn parts in many different keys, but the Dover edition consistently puts the= horns in F, consistent with modern usage. Sullivan wrote for cornets in A or B-= flat, but the Dover edition adopts the latter key exclusively--also a reasonabl= e choice. But, Sullivan also called for A and B-flat clarinets. Most clarin= etists I've seen have both instruments, so it's less clear why the Dover edition= writes only for B-flat clarinets. I was irritated to find that the Dover edition beams eighth and sixteenth= notes in vocal parts, contravening Sullivan's practice of printing these notes = with flags except when a single word is sung over multiple notes. I've gotten = used to Sullivan's style and prefer it. The edition misuses "div[isi]" and "unis[= on]" (usually seen only in string parts) to signal where a choral part divides= and/or joins on the same staff, but this is not done consistently and seems to m= e unnecessary -- double-stopping being impossible for a singer. Sources vary in their use of repeats. For example, even the earliest MIKA= DO vocal scores write out "The criminal cried" as three separate verses, but= the Bosworth edition wrote it out once with repeats, even though the accompan= iment changes slightly in each verse. (Qualifiers like "2. Verse only" are the conductor's clue in such cases.) Indeed, Bosworth employed repeats practi= cally wherever it was humanly possible to do so, even at a cost of clarity. Dov= er goes the opposite way, employing repeats in only two numbers: the Madrigal and "Tit-willow." The aim, apparently, was to ensure that the conductor never had to turn b= ack more than one page. While this is admirable, it means that the traditiona= l rehearsal letters are useless, so Dover has abandoned rehearsal letters altogether. Instead, at likely starting points, the measure number is wri= tten in a large font and placed in a box. Conductors who do not rent the band par= ts that go with the Dover score will need to enter the rehearsal letters by hand,= and should be aware that their players may well be using parts that contain r= epeats. One wonders whether the editors were trying deliberately to make life har= d on conductors who do not choose the Simpson/Jones parts. The score begins with a three-page introduction that explains the backgro= und of THE MIKADO and provides a brief overview of the editorial procedure. As f= ar as I recall, this introduction marks the first time in a mass-market publicati= on that the famous story about the sword falling off the wall of Gilbert's study = is debunked. Brian Jones first punctured this myth in the inaugural issue of= the W. S. Gilbert Society Journal, in 1985. It's high time that authors stopped rehashing it. Some of the editors' statements are more doubtful. They say that THE MIKA= DO's record for 672 consecutive performances was not broken until 1922, but in= fact Cellier and Stephenson's DOROTHY broke it with 931 performances not long = after THE MIKADO closed. They say that THE MIKADO was the first complete opera = to be "recorded on disk [sic]," in 1917. But, the first recording of THE MIKADO actually was made in 1907, and numerous other operas had complete recordi= ngs earlier than 1917 (e.g., PAGLIACCI, 1907). We could probably have done wi= thout a nearly three page synopsis that seems patronizing and contains a number o= f errors. (It repeatedly refers to Katisha as "Lady Katisha," even though G= ilbert never called her that.) To the discussion of their editorial procedure, the editors devote just t= wo parsimonious paragraphs. On the one hand, it is two paragraphs more than = any of the other available MIKADO scores gives us. Yet, the editors are silent o= n a number of (I should think) easily-answered questions, and the introductio= n ends with several inches unused at the bottom of the page. Chief among the questions: what state of THE MIKADO does this edition rep= resent? It is evidently a hybrid. The role of Pish-Tush is presented in a first-n= ight state: he is allotted the brief solo after the opening chorus, the bass l= ine in "So please you sir," and the bass line in the Madrigal. The edition makes= no mention of the introduction of the character Go-To shortly after the oper= a opened. Yet, the bassoon chuckle in "Three little maids" (generally agree= d to have been added during one of the revivals) is included, and the two occu= rrences of the n-word are silently emended with their traditional replacements. I= n "The sun whose rays," Yum-Yum's sings "He won't exclaim." A footnote says that= the "original edition" has "don't," but in fact *all* editions have this exce= pt Schirmer. The bassoon encore to "The flowers that bloom in the spring" (also a late= r addition) is included as Number 20a in the score. The score does not rest= art the numbering at 1 for Act II, even though Sullivan's autograph, the Bosworth edition, all early vocal scores and all Chappell vocal scores to the pres= ent day, do so. "Were you not to Ko-Ko plighted" appears in its first-night state, and th= ere are footnoted instructions explaining the changes required for the traditiona= l one-verse form. Alternate words for this later version are provided in it= alics, and if the vocal score is printed the same way, it will be very confusing= . It is also inconsistent that there is no explanation of how to reduce "So pleas= e you sir" from quintet to quartet, or indeed, no mention that this change ever occurred. The editors' two primary sources appear to have been Sullivan's autograph= score (in the Gregg International facsimile edition), and the Bosworth Edition = (in its Kalmus reprint). The editors give 1898 as the date of the Bosworth Editio= n, but the correct date is ca. 1893. There are numerous footnotes mentioning discrepancies between the autograph and Bosworth (referred to indiscrimin= ately as "orig. ed." and "first ed."). Whether the editors caught all such discrepancies remains to be seen. The introduction also mentions that the editors consulted two early vocal= scores and two early libretti, but these sources are not mentioned in any of the footnotes, and some significant variants are ignored. For example, the ea= rly vocal scores, but not the autograph or Bosworth, assign Pish-Tush the lin= e "That youth at us should have its fling, Is hard on us, Is hard on us." This su= rely was the original arrangement, but the Dover editors overlook it. (In the = same number, they misspell "prerogative.") It does not inspire confidence that the two cited libretti are both Ameri= can ones, but I doubt that the more authoritative Chappell libretti would hav= e pointed to any different result, particularly as the editors do not seem = to have devoted much editorial attention to the dialogue. The edition offers simp= ly the standard and uncontroversial modern version, without any of the tradition= al add-ons, such as "No money, no grovel." Throughout the score, the editors signal their intervention by putting ad= ded elements in brackets, dotted lines, or cue-sized notes. In a number of ca= ses, even seemingly minor emendations, such as a slight change to the scope of= a slur, are faithfully noted. All of the added items (not an excessive numb= er of them) seem reasonable. However, I shared this comment with SavoyNetter Fr= ed Goldrich, who was a bit less generous: To me, the treatment of editorial slurs is another example of sloppy inconsistency. It is one thing to add slurs to bring passages into compliance with other parts and voices; but, in some cases, the editors seem to add them purely as improvements on Sullivan (duly noted, to be sure). I would find this less objectionable if it were done consistently, but these added slurs seem to be abundant in the earlier pages of the score (especially in "Comes a train...") and nearly non-existent later. It's as if either their policy or their interest level changed during the course of the project. Given the apparent care evidenced throughout most of the score, it is not= hing short of shocking that the traditional fanfare at the end of the opera (j= ust before the Act II finale) has been replaced by a new piece of the editors= ' composition, without a word of explanation. In a SavoyNet post that most = buyers of the score will never see, the editors said that the traditional fanfar= e seemed to them an undistinguished piece. As they found no evidence for Sullivan's hand in it, they decided to replace it with a new fanfare base= d on the "Miya sama" theme, more suited to the opera's musical atmosphere. Notwithstanding my disgust at this cavalier explanation, the editors' new fanfare is indeed better on purely artistic grounds. It is also true that the traditional fanfare appears neither in Sullivan'= s autograph score, nor in the Bosworth score, nor in the early vocal scores= . But, there is no reason to doubt that Sullivan either wrote it, or approved of= it, and we *certainly* know that he had no hand in the version that Messrs. S= impson and Jones now offer. At the very least, the traditional fanfare should ha= ve been offered as an option. SavoyNetter Fred Goldrich pointed out the irony tha= t the editors say in three separate places that the overture is by Hamilton Cla= rke, but they never say that the fanfare is by Carl Simpson and Ephraim Jones. The editors correct most of the Bosworth edition's errors, but they misse= d a big one. In that edition, the first two bars of the Act II finale are scored = for just strings, clarinets, horns, and bassoon, but it is very clear that Su= llivan intended the entire orchestra to be playing. The confusion results from a too-literal interpretation of Sullivan's autograph score. After the first= night, "For he's gone and married Yum-Yum" was added to the finale, and the introduction had to be rewritten from cut time to 6/8. Sullivan and an as= sistant filled in just the strings and a few of the wind parts as a guide to the copyist, but the cut-time version had included all the instruments, and i= t is clear that this is what he intended, as any recording or band parts would= show. Bosworth (having no band parts or recordings to go on) tripped on this pa= ssage, and so have Simpson and Jones. One likes to see apparently similar editorial situations presented simila= rly, and this is not always the case. The editors silently emend the musical t= ag of "A more humane Mikado" to match the later vocal scores, even though earli= er vocal scores and the Bosworth score have a tag that's one measure longer.= Given the editors' persistent footnoting of much smaller matters, the lack of a printed explanation in this case is a bit puzzling. (Jones says that the = later version is penciled into Sullivan's autograph--again, an explanation most readers will never see.) The editors have incorporated many traditional readings that Sullivan's autograph does not support, typically in cue-size notes; these are clearl= y signaled via footnotes. One might initially be skeptical of this approach= , but it is defensible on practical grounds. It is by now well established that Sullivan did not systematically keep his autograph scores up to date. Man= y of the "traditional" readings may in fact be authoritative, despite the lack= of documentation to support them. It seems to me sensible to offer these rea= dings as alternatives, and let the conductor decide whether to include them. Mo= reover, they are likely to be encountered in many of the band parts now available= , and conductors will welcome the advance notice of likely rehearsal problems. Unfortunately, it is not clear how the Dover editors decided what the "tradition" was, and they seem to have been either careless or selective = about documenting it. For example, in "The criminal cried," the traditional bas= soon scale on "For its owner dead was he," and the traditional bassoon and hor= n parts on "of pedigree," are provided in cue-size notes. Extra notes for the cla= rinets at measures 14-18 and 46-50 of "Here's a how-de-do" are noted similarly. Likewise an emendation to the timpani part at measures 84-85 of the overt= ure. So far, so good. But, all the D'Oyly Carte recordings have an entire extr= a measure in the overture at bar 72 (just before the second statement of th= e "sun whose rays" theme); this bar is added in later editions of the vocal scor= e. If anything is traditional, this extra measure is, but the editors do not me= ntion it. In Sullivan's autograph, the overture ends with simultaneous cymbals = and bass drum on the last two notes, but the D'Oyly Carte recordings have a t= impani roll. This is not mentioned, nor is a slight emendation to the percussion= and string parts on the transition from "Miya sama" to "From evr'y [sic] kind= of man." The treatment of libretto variants is hit-and-miss, mostly miss. In the recitative before "A wand'ring minstrel," the word "lovely" appears in br= ackets, but without explanation, below the familiar word "gentle." The reason, evidently, is to inform the reader of a variant found in all the early li= bretti, but in no musical source. Similarly, in the little list song, "waltzes" i= s printed in brackets below "dances" (as in, "doesn't think she..."). This alternative version is in *both* the early libretti and the early vocal s= cores, an explanation Simpson and Jones again omit. At this point, the reader would guess that wording variants would be consistently noted in brackets, but that's not what we find. Missed examp= les are all over the place. In the opening number, for instance, the editors don'= t seem to have noticed "common-place marionette" or "can't keep it up for long."= Nor "If we're designed to dance and sing," "I would fondly kiss you thus," or= the alternative version of Ko-Ko's "My brain it teems." The editors cannot ha= ve checked carefully, if "lovely" and "waltzes" are the only two wording var= iants they found among the early sources that they claim to have consulted. There are many cases of clearly incorrect words in the Bosworth score, in= cluding "As it seems to be essential that a victim must be found" (the first nigh= t version of the list song, which Sullivan allowed to stand in his autograp= h). The Dover edition silently corrects all of these errors in favor of the moder= n vocal scores--producing, I think, the right result in most cases. One oddity co= mes at the end of "The criminal cried." All vocal scores end the number with the= words "exactly as he says." Here, Dover sides with Bosworth, and prints "exactl= y as we/they say." The discrepancy is not footnoted. The more one studies the Dover score, the more oddities one will find. I = don't claim to have found anywhere near all of them. Every time I open it up, I discover something more. The many footnotes, brackets, and dotted lines g= ive a false sense of security, suggesting a more rigorous process than actually= seems to have been employed. Dig beneath the surface, and you no find no consis= tent approach. What saves the score, is the fact that the competing full score= s of THE MIKADO are all a lot worse, and except in one case a lot more expensi= ve. The editors have announced that they will be editing several more G&S edi= tions for Dover. In the future, I suggest that they poll the early libretti and= vocal scores more thoroughly, and establish consistent rules for how variant pa= ssages will be treated. The rules need not all be documented, if that would take= up too much space, but readers should at least be able to infer a logical patter= n in the editors' decisions. Some of the errors in THE MIKADO probably could h= ave been discovered fairly easily just by inviting a few knowledgeable people= to review it before publication. If the editors seek a model, they would do well to take a look at David Lloyd-Jones's edition of THE GONDOLIERS published by Ernst Eulenberg. Tha= t score is not without its limitations, and because it is only a miniature score = and lacks a vocal score or band parts, it is not fully comparable to the Dove= r MIKADO. But, both are limited-scope editions concerned primarily with pro= viding a responsible performing text, with editorial apparatus held to a minimum= . Yet, Lloyd-Jones, within his defined scope, adhered to his principles (such as= they were) consistently; this the Dover editors have not done. Despite its many problems, the Dover edition is--for now--by far the best= MIKADO full score on the market. But, without significantly more effort or expen= se, it could have been a lot better. --=20 Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com  1,, Summary-line: 21-Sep ehj99@earthlink.net [186] #Re: Review: Dover MIKADO Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18081; Tue, 21 Sep 99 04:43:28 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AB11143; Tue, 21 Sep 99 04:43:30 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA15540; Tue, 21 Sep 1999 04:43:25 -0400 (EDT) Date: Tue, 21 Sep 1999 04:43:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <37E3E782.56661060@cris.com> *** EOOH *** Date: Tue, 21 Sep 1999 04:43:25 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <37E3E782.56661060@cris.com> I appreciate Marc Shepherd's review of the Dover edition of The Mikado in Full Score for which I was the engraver and typesetter and one of the editors. I don't have any problem with most of his well thought out criticisms. I thought I would add a few comments about his review: >"The Dover MIKADO is not a scholarly edition like the Broude Brothers TRIAL BY >JURY. The editors state a few general principles and then leave readers to >fend >for themselves. But, the editions we had before gave us far less guidance than >Simpson and Jones do. With companion band parts available for rent, and a >vocal >score to be published within the next few months, the Dover edition is a >practical option at a compelling price. The edition also has its omissions and >discrepancies, leaving plenty of room for the forthcoming scholarly >editions to >distinguish themselves with a better product at a deservedly higher price. If >any opera can support multiple options in the marketplace, THE MIKADO can." This was never conceived as the last word Mikado edition as I'm glad you realize. Our primary goals were to produce accurate scores and parts that were performance ready, which meant the addition of dynamics, articulations, measure numbers etc.. We have already incorporated many of the suggestions and corrections that have been mentioned into the rental full score and parts. We have also informed Dover of our wish to present them with new camera ready copy for the next printing (we hope!). > > "The Flute II part provides warnings when the player must switch to and from the Piccolo. Similar warnings for the percussion/timpani player are not offered. Where the percussion player >stays on the same instrument, there is *usually* a reminder on each page, but >sometimes these have been missed." The reminders in the percussion staff were intended for the conductor. We employed these reminders also when strings are playing pizzicato or con sordino or where wind instruments are playing "a2" or alone which is standard engraving practice. "But, Sullivan also called for A and B-flat clarinets. Most clarinetists >I've seen have both instruments, so it's less clear why the Dover edition >writes >only for B-flat clarinets." I assume you're not implying that Sullivan used the A or B flat Clarinet for a particular sound he wanted because he didn't. Clarinet players in symphony orchestras and professional performing groups definitely have both. The decision to use only B flat Clarinets was based on the fact that most performances of G&S are by amateur groups. This does make for a few places to have a lot of sharps, but they are generally short sections and fairly easy to play. (I added quite a few courtesy accidentals in the parts). > >"I was irritated to find that the Dover edition beams eighth and sixteenth >notes >in vocal parts, contravening Sullivan's practice of printing these notes with >flags except when a single word is sung over multiple notes. I've gotten >used to >Sullivan's style and prefer it." This statement is somewhat misleading. This was not "Sullivan's" practice, it was the accepted way for all composers and publishers to notate vocal music until recent years. Whereas some who are already familiar with the vocal part of a song may prefer unbeamed notes for reasons of beauty, the vast majority of singers learning new roles prefer to see beaming, which facilitates sight reading immeasurably. Beaming helps the eye to see rhythmic groups as well as the beat divisions. You will note that I did use unbeamed notes in all recitative passages. "Conductors who do not rent the band parts that >go with the Dover score will need to enter the rehearsal letters by hand, and >should be aware that their players may well be using parts that contain >repeats. >One wonders whether the editors were trying deliberately to make life hard on >conductors who do not choose the Simpson/Jones parts." I thought this comment was rather unnecessary. If Dover had published only a full score with no accompanying orchestral parts or vocal score the criticism would be valid. Our edition has more rehearsal numbers than existing editions and all measures are numbered in both vocal score and parts which is not true of present versions. > > To me, the treatment of editorial slurs is another example > of sloppy inconsistency. It is one thing to add slurs to > bring passages into compliance with other parts and voices; > but, in some cases, the editors seem to add them purely as > improvements on Sullivan (duly noted, to be sure). I would > find this less objectionable if it were done consistently, > but these added slurs seem to be abundant in the earlier > pages of the score (especially in "Comes a train...") and > nearly non-existent later. It's as if either their policy or > their interest level changed during the course of the project. The above comment was by Fred Goldrich. Sullivan's uses both "slurs" and "phrase markings" in the score. There were several places in the Overture, A Wandering Minstrel, and a few other places where we put Sullivan's original "phrase markings" in footnotes and put a more practical bowing alternative for strings in the score. One very long phrase mark in "Our Great Mikado" in the cellos we left as is, even though it is impossible to bow as notated, because we felt it more important here for the conductor to see the phrasing and decide him/her-self how it is to be bowed. I was really irritated with Mr. Goldrich's comment of "sloppy inconsistency". Many slurs were added to "Comes a Train" because they were needed. In other places we altered slurs that were not phrase markings to facilitate performance particularly in the strings. We didn't 'pad' our score with unnecessary footnotes to impress scholars nor did our "interest level or policy" change during the course of the project. I will leave it to those with better deductive reasoning as to why some parts of a score might have more editorial comments than others. > Given the apparent care evidenced throughout most of the score, it is nothing >short of shocking that the traditional fanfare at the end of the opera (just >before the Act II finale) has been replaced by a new piece of the editors' >composition, without a word of explanation. I don't want to budge on this decision but Carl (the other editor) is leaning towards including both fanfares in the rental score and parts and future editions. We'll see. > > The editors correct most of the Bosworth edition's errors, but they missed a big >one. In that edition, the first two bars of the Act II finale are scored for >just strings, clarinets, horns, and bassoon, but it is very clear that >Sullivan >intended the entire orchestra to be playing. Thanks for noticing this. We have made the corrections in the rental score and parts. >"So far, so good. But, all the D'Oyly Carte recordings have an entire extra >measure in the overture at bar 72 (just before the second statement of the >"sun >whose rays" theme); " This statement is not true. The measure is not included in the complete D'Oyly Carte Mikado recorded a few years ago. "In Sullivan's autograph, the overture ends with simultaneous cymbals and >bass drum on the last two notes, but the D'Oyly Carte recordings have a >timpani >roll." This also is not true. The above mentioned recording uses Cymbals and Bass Drum on the final two chords. > > >"Despite its many problems, the Dover edition is--for now--by far the best >MIKADO >full score on the market. But, without significantly more effort or >expense, it >could have been a lot better." Thank you Marc. I did not comment on many of the things you said because some of them are already incorporated into the rental scores including my misspelling of "prerogative." (I wonder how many forum readers were a little shocked to realize that it begins with "pre" rather than "per"). > >-- >Marc Shepherd >Home: oakapple@cris.com >Work: marc.shepherd@ssmb.com Ephraim Hammett Jones MusicScribe ehj99@earthlink.net  1,, Summary-line: 21-Sep goldrich@panix.com [84] #Re: Review: Dover MIKADO Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00836; Tue, 21 Sep 99 07:25:17 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26815; Tue, 21 Sep 99 07:25:21 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA17816; Tue, 21 Sep 1999 07:25:16 -0400 (EDT) Date: Tue, 21 Sep 1999 07:25:16 -0400 (EDT) Message-Id: <37E769B3.984C9B86@panix.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.08 [en] (Win95; U) *** EOOH *** Date: Tue, 21 Sep 1999 07:25:16 -0400 (EDT) Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.08 [en] (Win95; U) Ephraim Hammett Jones wrote: > > > To me, the treatment of editorial slurs is another example > > of sloppy inconsistency. It is one thing to add slurs to > > bring passages into compliance with other parts and voices; > > but, in some cases, the editors seem to add them purely as > > improvements on Sullivan (duly noted, to be sure). I would > > find this less objectionable if it were done consistently, > > but these added slurs seem to be abundant in the earlier > > pages of the score (especially in "Comes a train...") and > > nearly non-existent later. It's as if either their policy or > > their interest level changed during the course of the project. > > The above comment was by Fred Goldrich. Sullivan's uses both "slurs" and > "phrase markings" in the score. There were several places in the Overture, > A Wandering Minstrel, and a few other places where we put Sullivan's > original "phrase markings" in footnotes and put a more practical bowing > alternative for strings in the score. One very long phrase mark in "Our > Great Mikado" in the cellos we left as is, even though it is impossible to > bow as notated, because we felt it more important here for the conductor to > see the phrasing and decide him/her-self how it is to be bowed. I was > really irritated with Mr. Goldrich's comment of "sloppy inconsistency". > Many slurs were added to "Comes a Train" because they were needed. In other > places we altered slurs that were not phrase markings to facilitate > performance particularly in the strings. We didn't 'pad' our score with > unnecessary footnotes to impress scholars nor did our "interest level or > policy" change during the course of the project. I will leave it to those > with better deductive reasoning as to why some parts of a score might have > more editorial comments than others. I appreciate Mr. Jones reply to my comments, as well as his private responses to my earlier ones. In the first place, I am willing to defend those remarks that I have made, but as I have at no time suggested that there was any attempt to "'pad' [the] score with unnecessary footnotes to impress scholars," I am somewhat at a loss as to how to respond to it; it strikes me as simply gratuitous. As far as Mr. Jones's statement that 'many slurs were added to "Comes a Train" because they were needed' is concerned, of course what is "needed" is a matter of opinion. Nevertheless, some added slurs are in my opinion easi- er to justify than others. I mentioned those that bring some parts into compli- ance with others, and Mr. Jones speaks of changes for practicality, especially in bowing. But not all fall into those categories, and those are the ones of which I was speaking. For example, the slurs added in the first flute and oboe at m.48 strike me as a valid compositional choice but a dubious editorial one, as they neither resolve conflicts, clarify bowings, nor facilitate performance. My conclusion is that they were added on purely aesthetic grounds, hence my reference to them as "improvements on Sullivan." If this is the editors' policy, so be it; but as there are remarkably few examples of this practice later in the score, it is difficult for me to believe that one could come to understand it by means of "deductive reasoning," though if that is the case, I would be happy to be enlightened. -- Fred Goldrich -- Fred Goldrich goldrich@panix.com  1,, Summary-line: 21-Sep oakapple2@yahoo.com [79] #Re: Review: Dover MIKADO Full Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12343; Tue, 21 Sep 99 10:10:05 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22155; Tue, 21 Sep 99 10:10:09 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA06420; Tue, 21 Sep 1999 10:10:03 -0400 (EDT) Date: Tue, 21 Sep 1999 10:10:03 -0400 (EDT) Message-Id: <19990921140057.23696.rocketmail@web129.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 21 Sep 1999 10:10:03 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover MIKADO Full Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ephraim Jones had a few comments in reply to my review of the new Dover MIKADO full score. Most of the issues speak for themselves, but I wanted to reply on just a couple of points. > >One wonders whether the editors were trying deliberately to make > >life hard on conductors who do not choose the Simpson/Jones parts." > > I thought this comment was rather unnecessary. In hindsight, I think Ephraim is right about this. I'll drop it from the published version. However.... > If Dover had published only a full score with no accompanying > orchestral parts or vocal score the criticism would be valid. I think that the criticism is still valid, because there are many groups that already own vocal scores and/or band parts. They will want to buy Dover's full score, because it is the best thing of its kind on the market. But, you shouldn't necessarily expect groups to throw out the other performance materials that they already own. I do agree with Ephraim that Dover's measure numbers are better than the original rehearsal letters. But, for compatibility reasons, I think that the rehearsal letters should *also* have been provided. The Broude Brothers TRIAL BY JURY, for example, provides both measure numbers *and* rehearsal letters, which seems to be a reasonable compromise. > >"So far, so good. But, all the D'Oyly Carte recordings have an > >entire extra measure in the overture at bar 72.... > > This statement is not true. The measure is not included in the > complete D'Oyly Carte Mikado recorded a few years ago. This is what happens when people read what I said, instead of what I *meant* . I was referring, of course, to the original D'Oyly Carte, which recorded THE MIKADO five times. I always think of the New D'Oyly Carte as a fundamentally different company that just happens to use the same name. I do know the recording, but mentally I put it in a different category. To avoid confusing people, I will make the sentence more clear in the published version, so the Dover editors will need a more persuasive response. The point is that the edition incorporates a number of "traditional" alternatives in cue-size notes, and it is not clear how they decided what the "tradition" was. What may have been done on the New D'Oyly Carte recording is irrelevant to that issue, because that recording didn't claim to be traditional--indeed, it claimed the opposite. If Dover's definition of "traditional" was "anything on the New D'Oyly Carte recording that's not in Sullivan's autograph," then I am prepared to agree with Ephraim as far as that goes, although it would be an awfully odd definition of "traditional." === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com  1,, Summary-line: 22-Sep to: jeffteel@concentric.n [32] #Passat TDI TSB 97-02? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23135; Wed, 22 Sep 99 17:42:25 EDT Received: from CHARON.MIT.EDU by MIT.EDU with SMTP id AA06985; Wed, 22 Sep 99 17:42:29 EDT Received: (from opus@localhost) by charon.MIT.EDU (8.7.6/2.3JIK) id RAA18951; Wed, 22 Sep 1999 17:42:32 -0400 Date: Wed, 22 Sep 1999 17:42:32 -0400 Message-Id: <199909222142.RAA18951@charon.MIT.EDU> From: "David C. Jedlinsky" To: jeffteel@concentric.net Subject: Passat TDI TSB 97-02? *** EOOH *** Date: Wed, 22 Sep 1999 17:42:32 -0400 From: "David C. Jedlinsky" To: jeffteel@concentric.net Subject: Passat TDI TSB 97-02? Hi Jeff. I saw a post of yours on the Passat Owners Group (http://www.geocities.com/MotorCity/1108) regarding smoke from the exhaust of a Passat TDI: Date: Wed, 14 May 1997 06:57:49 -0400 To: Passat Mailing List From: Jeffrey Teel Subject: Re: TDI Smoking Problem - Information ---------------------------- If anyone has ANY problems convincing their dealers that the TDI should NOT smoke, e-mail me, and I'll fax you a copy of VW TSB 97-02. Jeff Teel - jeffteel@concentric.net ~The Passat Owners Place~ If your offer still stands, could you fax me a copy of that bulletin at (781) 229-9113? My dealer, even this many years later, claims there's no such thing. Thanks for your help. -Dave Jedlinsky opus@mit.edu  1,, Summary-line: 24-Sep oakapple2@yahoo.com [71] #Yes, Virginia, there is a UTOPIA overture Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18378; Fri, 24 Sep 99 15:43:59 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13658; Fri, 24 Sep 99 15:44:01 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA27528; Fri, 24 Sep 1999 15:39:48 -0400 (EDT) Date: Fri, 24 Sep 1999 15:39:48 -0400 (EDT) Message-Id: <19990924192437.2363.rocketmail@web116.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Yes, Virginia, there is a UTOPIA overture Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 24 Sep 1999 15:39:48 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Yes, Virginia, there is a UTOPIA overture Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One must be careful about which books one relies on for authorship of the overtures. Many of the older books were written before Sullivan's autograph scores and other materials became available to scholars. Sullivan's autograph score for UTOPIA is missing, but the overture heard on the D'OC recording (and included in Larry Byler's score at the archive) is included in a copyist score. This overture -- an "introduction," really -- has been accepted as Sullivan's. Many of the reference books, particularly the older ones, state that there is no UTOPIA overture, but this is incorrect. I don't believe that it has ever been absolutely settled why the introduction was omitted from the Chappell VS. Three explanations have been offered: 1) Aside from the first handful of measures, there's no more to it than the Drawing Room music, and since this was already in the score, including the introduction would have amounted to printing it twice. 2) Sullivan himself may have been dissatisfied with his work, and withheld it from publication. 3) Sullivan may originally have intended not to have a separate introduction, and after he changed his mind, the decision was not carried forward to the VS. It should be noted that there are numerous examples in the early vocal scores where repeated material is only printed once. For example, the early vocal scores of PATIENCE don't include the off-stage preview of "On such eyes as maidens cherish" at the beginning of Act II. Moving onto some of the other overture posts, David Hill wrote: > I've always thought it a great shame that the Toye Ruddigore overture > was used for so long.....Clarke's original is so much better > than Toye's cut-and-paste arrangement. Incidentally, does anyone know > (this is SavoyNet - of course somebody knows!) whose decision it was > to cut "The Battle's Roar"? Was it on Gilbert's authority? There's no accounting for differences in taste, but I think that Clarke's is underwhelming--in my mind, certainly the worst of all the delegated overtures. I don't know if Toye personally made the decision to cut "The battle's roar" in the early revivals, but it certainly was not on Gilbert's authority. ===== Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com  1, forwarded,, Summary-line: 26-Sep to: rls@dimins.com, opus@ [32] #Fwd: God's Billboards Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23015; Sun, 26 Sep 99 22:09:21 EDT Received: from ipnh.mv.com by MIT.EDU with SMTP id AA20373; Sun, 26 Sep 99 22:09:27 EDT Received: (from opus@localhost) by ipnh.mv.com (8.9.1/8.9.1) id WAA13907; Sun, 26 Sep 1999 22:08:47 -0400 (EDT) Date: Sun, 26 Sep 1999 22:08:47 -0400 (EDT) From: "David C. Jedlinsky" Message-Id: <199909270208.WAA13907@ipnh.mv.com> To: rls@dimins.com, opus@MIT.EDU Subject: Fwd: God's Billboards *** EOOH *** Date: Sun, 26 Sep 1999 22:08:47 -0400 (EDT) From: "David C. Jedlinsky" To: rls@dimins.com, opus@MIT.EDU Subject: Fwd: God's Billboards > God's Billboards > Some new billboards are getting everyone's attention in Dallas. Here's a > list of all variations of the "God Speaks" billboards. The billboards are > a simple black background with white text. No fine print or sponsoring > organization is included. > > > Let's meet at my house Sunday before the game. -God > C'mon over and bring the kids. -God > What part of "Thou Shalt Not..." didn't you understand? -God > We need to talk. -God > Keep using my name in vain, I'll make rush hour longer. -God > Loved the wedding, invite me to the marriage. -God > That "Love Thy Neighbor" thing... I meant it. -God > I love you and you and you and you and... -God > Will the road you're on get you to my place? -God > Follow me. -God > Big bang theory, you've got to be kidding. -God > My way is the highway. -God > Need directions? -God > You think it's hot here? -God > Have you read my #1 best seller? There will be a test. -God > Do you have any idea where you're going? -God > > My personal favorite... > Don't make me come down there. -God  1,, Summary-line: 26-Sep hartmans@MIT.EDU [55] #Dealing with Alphas and Advfs Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05067; Sun, 26 Sep 99 23:19:18 EDT Received: from SWEET-TRANSVESTITE.MIT.EDU by MIT.EDU with SMTP id AA01100; Sun, 26 Sep 99 23:19:22 EDT Received: (from hartmans@localhost) by sweet-transvestite.mit.edu (8.9.3) id XAA25288; Sun, 26 Sep 1999 23:19:13 -0400 (EDT) Date: Sun, 26 Sep 1999 23:19:13 -0400 (EDT) Message-Id: <199909270319.XAA25288@sweet-transvestite.mit.edu> From: Sam Hartman To: lore@MIT.EDU, sipb-machine-room@MIT.EDU, squid@MIT.EDU Subject: Dealing with Alphas and Advfs *** EOOH *** Date: Sun, 26 Sep 1999 23:19:13 -0400 (EDT) From: Sam Hartman To: lore@MIT.EDU, sipb-machine-room@MIT.EDU, squid@MIT.EDU Subject: Dealing with Alphas and Advfs Digital Unix now defaults to installing the root filesystem on an advfs domain. Advfs is generally cool; it is faster than UFS, has AFS-like volume and partition semantics, and allows the filesystem to be expanded on the fly. The bad news about advfs is that it is a bit confusing if you are trying to administer it. So, here is what I've learned at FundsXpress about dealing with advfs. Advfs is organized into domains and filesets. A domain is roughly equivelent to an AFS partition. A domain consists generally of one physical or logical partition on a disk. There is a directory called /etc/fdmns that contains domain directories for each domain. These domain directories contain symbolic links to the disk devices. It doesn't matter what the symlinks are called, but they are generally named after the device. For example, if rz8a is the root disk, then /etc/fdmns/root_domain/rz8a is likely a symlink to /dev/rz8a. There are two special domains: root_domain and usr_domain. These contain the root and usr filesystem. A fileset is a subdivision of a domain roughly similar to an AFS volume. Filesets can be mounted as filesystems. All the filesets in a domain share the same disk space just as AFS volumes on the same partition share the same disk space. To make a fileset use the mkfset command: mkfset u1 oracle makes a fileset called oracle in the u1 domain. To mount the fileset: mount u1#oracle /u1/orazcle There is a program called salvage to recover broken advfs domains. I've never needed to use it; advfs does not require fscking on power loss or other normal errors. There is also a verification utility in /sbin/advfs/verify. Again, you don't normally need this. The biggest problem with advfs is booting off media. As booted, you cannot see your root disk. You will need to run advscan -a -r after running MAKEDEV to create the necessary disk devices. This will create domain links in /etc/fdmns for your disks and make them available to you. Then you can mount the root fileset and perform maintinance. If advscan doesn't work you can also create the symlink by hand. --Sam  1,, Summary-line: 29-Sep mendes@aigfpc.com [94] #FW: Very Cute Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14959; Wed, 29 Sep 99 12:41:38 EDT Received: from relay4.smtp.psi.net by MIT.EDU with SMTP id AA13084; Wed, 29 Sep 99 12:41:36 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay4.smtp.psi.net with esmtp (Exim 1.90 #1) id 11WMlK-0003cK-00; Wed, 29 Sep 1999 12:39:27 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id ; Wed, 29 Sep 1999 12:28:39 -0400 Message-Id: From: "Mendes, Rica" To: "Johnson, Brunilda" , "Litwin, Jennifer" , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Very Cute Date: Wed, 29 Sep 1999 12:28:38 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Johnson, Brunilda" , "Litwin, Jennifer" , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , "Adina @ Work" , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Very Cute Date: Wed, 29 Sep 1999 12:28:38 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Classic! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > Guide to Womenspeak > She says English > You want You want > We need I want > It's your decision The correct decision should be obvious by now > Do what you want You'll pay for this later > We need to talk I need to complain > Sure...go ahead I don't want you to. > I'm not upset Of course I'm upset, you moron. > You're...so manly You need a shave and you sweat a lot. > You're certainly attentive tonight. Is sex all you ever think about? > > I'm not emotional! And I'm not overreacting! I'm on my period. > Be romantic, turn out the lights. I have flabby thighs. > This kitchen is so inconvenient. I want a new house. > I want new curtains and carpeting, furniture, wallpaper... > Hang the picture there No, I mean hang it there! > I heard a noise I noticed you were almost asleep. > Do you love me? I'm going to ask for something expensive. > How much do you love me? I did something today you're really not > going to like.. > I'll be ready in a minute. Kick off your shoes and find a good game > on > T.V. > Is my butt fat? Tell me I'm beautiful. > You have to learn to communicate. Just agree with me. > Are you listening to me!? [Too late, you're dead.] > Yes No > No No > Maybe No > I'm sorry. You'll be sorry. > Do you like this recipe? It's easy to fix, so you'd better get > used > to it. > I'm not yelling! Yes I am yelling because I think this is > important. > > In answer to the question "What's wrong?" > The same old thing. Nothing. > Nothing. Everything. > Everything. My PMS is acting up. > Nothing, really. It's just that you're such an asshole. > I don't want to talk about it. Go away, I'm still building up > evidence > against you. > > > ~Amy E. Allen~ > > >  1,, Summary-line: 1-Oct janicedals@mediaone.net [42] #Making First Life Guards helmets, easy and cheap Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12894; Fri, 1 Oct 99 22:18:10 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA25463; Fri, 1 Oct 99 22:18:06 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA18092; Fri, 1 Oct 1999 22:18:06 -0400 (EDT) Date: Fri, 1 Oct 1999 22:18:06 -0400 (EDT) Message-Id: <37F56B6A.C4280E5E@mediaone.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Making First Life Guards helmets, easy and cheap Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) *** EOOH *** Date: Fri, 1 Oct 1999 22:18:06 -0400 (EDT) Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Making First Life Guards helmets, easy and cheap Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) Sudbury Savoyards ran into problems finding helmets in large enough quantity, not to mention large enough sizes when they were doing "Patience". Luckily, I spied a child's sand pail of approximately the right curved bottom shape for the basic helmet. We ordered 2 dozen wholesale, shaped the brim, and painted them gold. Inside, we taped in the adjustable suspension systems that are used for hard hats, and wide black elastic for the chinstraps. The top of the helmet was reinforced with a round metal piece (used for electrical boxes) with a hole in the center. A stool leg was bolted through the top and brushed out drapery cord was nailed on the top of the leg and cable-wrapped to hide the top of the nail. Now-a-days, I'd try real horsehair, but I didn't know it was cheap and available at the time. Air holes were made in the top of the helmet to help ventilate it. Costs were less than US$10 each and they held up well for the performance and several rentals. Caution - Heat affects them, and while that allows them to shape themselves better to individual heads, if left on their sides for storage they can deform. A Hair-dryer can reshape them, but not always back to perfection. For further details, you'd have to consult my husband. Just look around you with an open mind, especially in Home fix-it stores and you never know what you might come up with. -- Janice Dallas JaniceDals@MediaOne.net "Just so, the girl has beauty, virtue, wit..."  1,, Summary-line: 4-Oct marchanc@db.erau.edu [37] #Disney World Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13158; Mon, 4 Oct 99 19:10:41 EDT Received: from smtp.db.erau.edu by MIT.EDU with SMTP id AA19176; Mon, 4 Oct 99 19:10:40 EDT Received: from odie.db.erau.edu (odie.db.erau.edu [155.31.251.38]) by smtp.db.erau.edu (8.9.3/8.9.3) with ESMTP id TAA29927; Mon, 4 Oct 1999 19:10:30 -0400 Date: Mon, 4 Oct 1999 19:10:39 -0400 (EDT) From: Christopher Marchant To: rls@MIT.EDU, opus@MIT.EDU Subject: Disney World Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 4 Oct 1999 19:10:39 -0400 (EDT) From: Christopher Marchant To: rls@MIT.EDU, opus@MIT.EDU Subject: Disney World Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Ruth and Opus, Hello to both of you. I know it has been a while since I tried to contact you. Anyway, I have been busy being a grad student down in Florida. I'm also TA'ing, so I've got that extra workload, but at least I don't have to pay for tuition and such that way. Anyway, I am sorry that I missed you this past weekend when you were at Disney World. I met up with Heather and Derek on Thursday, but just didn't have the time to drive back out to Disney on the weekend to see the both of you. It would have been fun! I hope you had a good time. I know we had problems trying to navigate Epcot on Thursday because of all the press and VIP only events that kept us from getting where we wanted to go. It was very annoying. Still, I guess you might have missed all of that, and all of the green plywood that had been erected around the park to hide the construction. I hope all is going well in NH. I don't have LSC or MITG&SP to eat away all of my free time now, although I did pledge the local chapter of APO here. That has been fun, and I have met some great people. Rush ended last weekend, and this weekend two grad student brothers are getting married. (One of them is my big brother, even.) Take care, and again, I'm sorry I couldn't get out to see you this past weekend. ---Chris Marchant  1,, Summary-line: 5-Oct janicedals@mediaone.net [37] #Re: fairy wings Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06424; Tue, 5 Oct 99 01:21:50 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21738; Tue, 5 Oct 99 01:21:43 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA29965; Tue, 5 Oct 1999 01:21:42 -0400 (EDT) Date: Tue, 5 Oct 1999 01:21:42 -0400 (EDT) Message-Id: <37F988B9.20E91EA3@mediaone.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Re: fairy wings Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) *** EOOH *** Date: Tue, 5 Oct 1999 01:21:42 -0400 (EDT) Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Re: fairy wings Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) My husband and I have designed fairly simple wired irridescent organza wings held on with elastic that was laced through a brazed wire back and then out to encircle the sholder/upper arm area. For the peers, a smaller version was used, inverted so as to be held down by their own elastic. They released on the peers flexing their shoulders back. Ron's version on Willis's wings was based on swivel wings on a back board that popped up when a cord was pulled. They were covered by a fabric panel of the jacket material, open at the sides so the wings could rise. I've also seen unwired fabric, painted as Union Jacks, that was attached to the back in an open sided "Pocket". The fairies helped their peers put rings on their thumbs that were attached by cord to the flags and when pulled, "Poof", a Union Jack appeared on each side. The rings allowed the peers to waltz with their fairies while keeping their wings from drooping. Another group appliqued mylar fabric wings to the underside of short upper capes. When the fronts were turned over the shoulder to the back, these glistened. Good idea, but didn't work too great in practice. -- Janice Dallas JaniceDals@MediaOne.net "Just so, the girl has beauty, virtue, wit..."  1, forwarded,, Summary-line: 5-Oct CMajor@sembler.com [32] #A guy met a girl at a nightclub, and she invited Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08250; Tue, 5 Oct 99 10:41:55 EDT Received: from mail.sembler.com by MIT.EDU with SMTP id AA02271; Tue, 5 Oct 99 10:41:53 EDT Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Tue, 05 Oct 1999 10:41:27 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 05 Oct 1999 10:41:16 -0400 From: "Cindy Major" To: , , , , "Ann Carey" , "Jim Carlson" , "Steve Althoff" , Subject: A guy met a girl at a nightclub, and she invited Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 05 Oct 1999 10:41:16 -0400 From: "Cindy Major" To: , , , , "Ann Carey" , "Jim Carlson" , "Steve Althoff" , Subject: A guy met a girl at a nightclub, and she invited Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline A guy met a girl at a nightclub, and she invited him back to her place for the night. When they arrived at her house, they went right into her bedroom. The guy saw that the room was filled with stuffed animals. There were hundreds of them all over the place. Giant stuffed animals were on top of the wardrobe. Large stuffed animals were on the bookshelf and on the window sill, and a lot of smaller stuffed animals were on the bottom shelf. Much later, after they had sex, he turned to her and asked, "So... how was I?" "Well," she said, "You can take anything from the bottom shelf."  1,, Summary-line: 5-Oct Pmeason@aol.com [31] #Re: Pirates chorus lines Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19624; Tue, 5 Oct 99 12:25:15 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA19258; Tue, 5 Oct 99 10:58:25 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA26795; Tue, 5 Oct 1999 10:58:19 -0400 (EDT) Date: Tue, 5 Oct 1999 10:58:19 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Pirates chorus lines Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0.i for Windows 95 sub 135 *** EOOH *** Date: Tue, 5 Oct 1999 10:58:19 -0400 (EDT) Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Pirates chorus lines Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0.i for Windows 95 sub 135 I recall our Director of Music at College (the late great Bernarr Rainbow) teaching us a cheap way to harmonise a melody. 1. Add a bass line to give the basis of the harmony - this is all you really need. 2. Add a tenor line to complete the the triad where possible (avoiding // 5ths and octaves and double thirds of course) 3. Fill in an alto line using any suitable note in the alto range again avoiding the beasts above. This method - well aired by hymn tune writers - is almost guaranteed to give you the most boring alto line imaginable. Dr. R could spot this technique for writing harmony just by looking at the first couple of bars and would penalise our efforts accordingly. Peter  1,, Summary-line: 6-Oct sly@MIT.EDU [35] #office books (Project idea!) Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16473; Wed, 6 Oct 99 16:20:01 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id OAA01003 for ; Wed, 6 Oct 1999 14:33:25 -0400 (EDT) Received: from tiki-god.mit.edu (TIKI-GOD.MIT.EDU [18.177.0.239]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id OAA22876 for ; Wed, 6 Oct 1999 14:33:25 -0400 (EDT) Received: (from sly@localhost) by tiki-god.mit.edu (8.9.3) id OAA15070; Wed, 6 Oct 1999 14:33:24 -0400 (EDT) Message-Id: <199910061833.OAA15070@tiki-god.mit.edu> To: sipb-office@mit.edu Subject: office books (Project idea!) Date: Wed, 06 Oct 1999 14:33:24 -0400 From: Angie Kelic *** EOOH *** To: sipb-office@mit.edu Subject: office books (Project idea!) Date: Wed, 06 Oct 1999 14:33:24 -0400 From: Angie Kelic Wouldn't it be really cool if the SIPB had a searchable archive of our books? Well, the MIT libraries have web access to "books in print" which allows lookups by ISBN. http://libraries.mit.edu/lists/db-web.html under the "books in print" link. Doing a search by ISBN yields a multitude of fields such as author, title, publication date, etc. This would be useful stuff to make a database out of (oracle anyone?). So, if anyone is interested in gardening/archiving the books, doing these searches and dropping them into a file so we can perhaps database them later would be really useful. (Any prospectives want a project?) This would also make the job of weeding through the books much easier because there would be a list somewhere that isn't too hard to look through and also wasn't that difficult to create. Anyone? --Angie ****************************************************** The goal of engineering is to build better mousetraps. The goal of nature is to build better mice. ******************************************************  1,, Summary-line: 6-Oct TZS@aol.com [123] #yet another from the Heartfoam Collection Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13576; Wed, 6 Oct 99 22:30:40 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA23585; Wed, 6 Oct 99 22:30:30 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA20046; Wed, 6 Oct 1999 22:30:29 -0400 (EDT) Date: Wed, 6 Oct 1999 22:30:29 -0400 (EDT) Message-Id: <32fde9ac.252d5c71@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: TZS@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: TZS@aol.com To: Multiple recipients of list SAVOYNET Subject: yet another from the Heartfoam Collection Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 3.0 16-bit for Windows sub 58 *** EOOH *** Date: Wed, 6 Oct 1999 22:30:29 -0400 (EDT) Reply-To: TZS@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: TZS@aol.com To: Multiple recipients of list SAVOYNET Subject: yet another from the Heartfoam Collection Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 3.0 16-bit for Windows sub 58 I wrote this at the request of a colleague and had no intention of putting it on Savoynet, but then I discovered recently that it's already elsewhere on the Web! What can I say? I hope it brings some entertainment: NEW YORK'S OWN HILLARY Scene: The Women's Rights Natural History Park, Seneca Falls, NY. The breeze is strong as an attractive woman, carefully coiffed and outfitted, wearing a N.Y. Yankees cap, descends from Air Force One and efficiently walks to the dais. There is a large and enthusiastic crowd of supporters and, of course, the press. As the new Democratic Candidate for Senator ascends the podium, the wind blows her hair, making it look even softer and more attractive. Sam Donaldson, windblown (as usual) is hovering to the candidate's right, holding a microphone with one hand and his hair with the other. The local band has struck up a tune from The Pirates of Penzance, and then The Candidate states her credentials: Verse One HRC: I am the perfect picture of a candidate Congressional My bags are packed, I'm pointing North to run like a professional I've had my fill of Washington and scenery arboreal My sights are trained and focused now on New York's Senatorial. I had to do some boning up, for which I've some proclivity New York, (it's true, I'm owning up,) is not my real nativity But Chelsea's both my daughter and a section of the City, so It's natural that here's the place where I'll be sitting pretty, oh. CHORUS: It's natural that here's the place where she'll be sitting pretty, oh!, etc. HRC: I've crammed a lot of effort into matters educational My record as a lawyer, wife and mother is sensational And thus with practiced modesty and manner so professional I am the perfect picture of a candidate Congressional. CHORUS: And thus with practiced modesty and manner so professional She is the perfect picture of a candidate congressional. Verse Two HRC: I think I've more than had it being homey and uxorial. My vision is the Senate, not the Jefferson Memorial So many pressing issues I want eagerly to grapple with, And public welfare programs I can clobber the Big Apple with. Your mayor's just a mayor, he can flaunt his powers locally In Congress he'd just stomp and storm, behaving much too yokelly He's never ever shown the knack for getting projects done on time But like some other martinet, he made the railroads run on time! CHORUS: It's just uncanny, Giuliani makes the railroads run on time, etc. HRC: I'm cute and smart and well-equipped, this win is truly reachable And one thing that you know for sure, my name is unimpeachable. And thus with practiced modesty and manner so professional I am the perfect picture of a candidate Congressional. CHORUS: And thus with practiced modesty and manner so professional She is the perfect picture of a candidate Congressional. Verse three HRC: I love our Yankee heroes, Mantle, Gehrig and DiMaggio I love our Met Museum, Norman Rockwell, Caravaggio I'm crazy for Papaya King, I mix in High Society New York is really just my thing for cultural variety. I know the names of New York's rivers and its whole geology I know the names of party givers and their whole psychology I know that winning this election is for me a rocky time But we New Yorkers do agree it mustn't be Pataki-time. CHORUS: Yes we New Yorkers do agree it mustn't be Pataki-time, etc. Besides, when all is said and done, the fact remains essential, oh! The Senate's but a stop along my journey Presidential, oh! So while I wait with bated breath for Rudy's speech concessional I am the perfect picture of a candidate Congressional. CHORUS: It's true we all will get a charge from Rudy's speech concessional She is the perfect picture of a candidate congressional. The scene ends with whoops and cheers, HRC waves her Yankee cap, Sam Donaldson forgets to hold on to his hair, and then suddenly The State Power Commission stages a total blackout. Copyright Thomas Z. Shepard. July 15, 1999  1,, Summary-line: 7-Oct mendes@aigfpc.com [101] #FW: [Fwd: Uncle Frank!] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00947; Thu, 7 Oct 99 14:49:29 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA25065; Thu, 7 Oct 99 14:49:30 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11ZIbO-0000FV-00; Thu, 7 Oct 1999 14:49:18 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF02N29>; Thu, 7 Oct 1999 14:49:19 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: Uncle Frank!] Date: Thu, 7 Oct 1999 14:49:09 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: Uncle Frank!] Date: Thu, 7 Oct 1999 14:49:09 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products [RMB] > Saturday morning... Bob's just about to set off on a round of golf > >> when he > >> realizes that he forgot to tell his wife that the guy who fixes the > >> washing > >> machine is coming around at noon. So Bob heads back to the > clubhouse > >> and > >> phones home. > >> > >> "Hello?" Says a little girl's voice. > >> > >> "Hi, honey, it's Daddy," Says Bob. "Is mommy near the phone?" > >> > >> "No, Daddy. She's upstairs in the bedroom with uncle Frank." > >> > >> After a brief pause, Bob says, "But you haven't got an Uncle Frank, > >> honey!" > >> > >> "Yes I do, and he's upstairs in the bedroom with Mommy!" > >> > >> "Okay, then. Here's what I want you do do. Put down the phone, run > >> upstairs > >> and knock on the bedroom door and shout in to Mommy and Uncle Frank > >> that my > >> car's just pulled up outside the house." > >> > >> "Okay, Daddy!" > >> > >> A few minutes later, the little girl comes back to the phone. > "Well, I > >> did > >> what you said, Daddy." > >> > >> "And what happened?" > >> > >> "Well, Mommy jumped out of bed with no clothes on and ran around > >> screaming, > >> then she tripped over the rug and went out the front window and now > >> she's > >> all dead." > >> > >> "Oh my god... And what about uncle Frank?" > >> > >> "He jumped out of bed with no clothes on too and he was all scared > and > >> he > >> jumped out the back window into the swimming pool, but he must have > >> forgot > >> that last week you took out all the water to clean it, so he hit > the > >> bottom > >> of the swimming pool and now he's dead too." > >> > >> There is a long pause, then Bob says, "Swimming pool? Is this > >> 554-7039? > >> > >> > > > >  1,, Summary-line: 7-Oct rls@dimins.com [31] #Re: Disney World Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00433; Thu, 7 Oct 99 17:06:37 EDT Received: from di-diver.com by MIT.EDU with SMTP id AA21939; Thu, 7 Oct 99 17:06:37 EDT Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.8.7/8.7.1) id RAA12873; Thu, 7 Oct 1999 17:09:34 -0400 Received: from dizzy-devil.dimins.com(204.215.187.16) by sam-sheepdog.dimins.com via smap (V2.0) id xma012867; Thu, 7 Oct 99 17:09:14 -0400 X-Sender: rls@204.215.187.3 Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 7 Oct 1999 17:06:43 -0400 To: Christopher Marchant , opus@MIT.EDU From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: Disney World *** EOOH *** X-Sender: rls@204.215.187.3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 7 Oct 1999 17:06:43 -0400 To: Christopher Marchant , opus@MIT.EDU From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: Disney World Hi Chris, We were disappointed to hear we missed you too. We found out when we had dinner with Derek and Heather on Friday night. All the press had left Disney by Saturday, when we showed up. We covered 3 parks in one day - but only the new stuff =-) Where in Florida are you? A few weeks back we were in FL visiting my parents in Lake Worth and we did some diving in Boynton Beach - well, just off the coast anyway. We're glad to hear you're doing well and found something interesting to keep you busy. You should let us know if you're ever coming North for a visit and we'll remember to send you email the next time we're headed to FL. With the weather the way it is today (high is 48 degrees and it's windy) I'd rather head south again! Keep in Touch, Ruth (and Dave too) Jedlinsky  1,, Summary-line: 7-Oct marchanc@db.erau.edu [41] #Re: Disney World Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25413; Thu, 7 Oct 99 18:18:55 EDT Received: from smtp.db.erau.edu by MIT.EDU with SMTP id AA29356; Thu, 7 Oct 99 18:18:33 EDT Received: from db.erau.edu ([155.31.72.218]) by smtp.db.erau.edu (8.9.3/8.9.3) with ESMTP id SAA21417; Thu, 7 Oct 1999 18:18:24 -0400 Message-Id: <37FD1C2F.346F94D2@db.erau.edu> Date: Thu, 07 Oct 1999 18:18:23 -0400 From: Christopher Marchant Organization: Embry-Riddle University X-Mailer: Mozilla 4.51 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: Ruth Jedlinsky Cc: opus@MIT.EDU Subject: Re: Disney World References: Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 07 Oct 1999 18:18:23 -0400 From: Christopher Marchant Organization: Embry-Riddle University X-Mailer: Mozilla 4.51 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: Ruth Jedlinsky Cc: opus@MIT.EDU Subject: Re: Disney World References: Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Ruth and Dave, I'm glad that the press was gone before you arrived. The attitude that "the press is holier than thou" got old really quick. It really did waste a lot of time trying to get around all their delays. At least I have an annual pass now, so I don't feel like the day was a total loss. Seeing Heather and Derek certainly helped. I'm sorry that I couldn't find time to meet up with you too. Maybe next time. Anyway, I seem to have many friends that want to go visit the mouse some time in the near future, so I will be able to visit the place without so many press people around. At least I did get to ride on the new Journey into Your Imagination and see half of Innovations, not to mention the Rock n'Roller Coaster. I am living in Daytona these days. For the moment at least, my mother and her mother are living in Tequesta, about 15-20 miles north of Lake Worth. If you go visit your parents for Christmas, maybe I could see you then. BTW, are are they surviving in an area without many New York style deli's? I seem to remember talking to you about that at some point. Good luck in the cold New England weather. It has been consistently overcast here for the past few days and has rained often. It's been just like summer afternoons, but with less heat. It's not bad. I grew up here, so I am not really bothered by it. Take care, Chris  1,, Summary-line: 8-Oct janicedals@mediaone.net [49] #[Fwd: Re: Dr. Daly's flageolet] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16133; Fri, 8 Oct 99 00:28:37 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01476; Fri, 8 Oct 99 00:28:28 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA02126; Fri, 8 Oct 1999 00:28:22 -0400 (EDT) Date: Fri, 8 Oct 1999 00:28:22 -0400 (EDT) Message-Id: <37FD7301.7AB15919@mediaone.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: [Fwd: Re: Dr. Daly's flageolet] Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) *** EOOH *** Date: Fri, 8 Oct 1999 00:28:22 -0400 (EDT) Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: [Fwd: Re: Dr. Daly's flageolet] Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en]C-MOENE (WinNT; U) -------- Original Message -------- Subject: Re: Dr. Daly's flageolet Date: Thu, 07 Oct 1999 23:50:07 -0400 From: Janice Dallas To: Fred Goldrich References: <37FCDE4D.11EE7DB4@mediaone.net> <37FCE6A9.2E5D9BAA@panix.com> Apparently Ancient Chinese had 8 holes, but in the 19C, flageolets only had 6 holes. I went to Lark in the Morning's website. http://www.larkinam.com and saw all sorts of pennywhistles, wood, metal, ancient bone. All had 6 holes and spanned two octaves, though they were in different keys. Flageolets are wooden pennywhistles and can have either conical or clindrical bores. Apparently the conical bore gives a better sound and can go higher. Maybe you need a differently keyed one. You can get whistles with recorder fingering also. Prices range from very cheap to $170+. Why don't you ask them at larkinam@larkinam.com They give classes and have an incredible selection of all types of instruments, especially ethnic, primitive and unusual ones. Phone is 707-964-5569, or try asking one of the knowledgeable people in the Mendocino, CA store 707-937-5275. Here are some helpful websites that my husband found. http://tinpan.fortunecity.com/trance/615/ http://www.thewhistleshop.com/beginners/tutor/tutor.htm -- Janice Dallas JaniceDals@MediaOne.net "Just so, the girl has beauty, virtue, wit..."  1,, Summary-line: 8-Oct rls@dimins.com [33] #Re: Disney World Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08956; Fri, 8 Oct 99 10:07:52 EDT Received: from di-diver.com by MIT.EDU with SMTP id AA21507; Fri, 8 Oct 99 10:07:43 EDT Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.8.7/8.7.1) id KAA02685; Fri, 8 Oct 1999 10:10:53 -0400 Received: from dizzy-devil.dimins.com(204.215.187.16) by sam-sheepdog.dimins.com via smap (V2.0) id xma002681; Fri, 8 Oct 99 10:10:34 -0400 X-Sender: rls@204.215.187.3 Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 8 Oct 1999 10:08:02 -0400 To: Christopher Marchant From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: Disney World Cc: opus@MIT.EDU *** EOOH *** X-Sender: rls@204.215.187.3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 8 Oct 1999 10:08:02 -0400 To: Christopher Marchant From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: Disney World Cc: opus@MIT.EDU My parents are Jewish so we don't tend to visit for xmas. Also, this year we're going to be in Hawaii just after xmas until mid January. We figured if all the doomsayers happen to be right, it's as good a place as any to be stranded and without heat. My parents did find a NY style deli that they like, not to far from their place. The waitstaff is even rude like New Yorkers. My parents seem to be doing much better socially than they did in NY. They actually have annual passes to Disney and they go out and DO things! You'd have to know my parents to understand. We did Rock n'Roller Coaster and Innoventions but Heather made Journey into Your Imagination sound very unexciting so we skipped that. We did the new Winnie the Pooh ride which wasn't worth the time (and it smelled like dirty diapers in line). We'll let you know when we're headed to FL even if it isn't Christmas time. Ruth  1,, Summary-line: 12-Oct Mary_Finn@intersys.com [38] #Sam's Sing-In Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12343; Tue, 12 Oct 99 09:34:23 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA07134; Tue, 12 Oct 99 09:34:24 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA15549; Tue, 12 Oct 1999 09:34:16 -0400 (EDT) Date: Tue, 12 Oct 1999 09:34:16 -0400 (EDT) Message-Id: <99Oct12.092905edt.115222@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Mary_Finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Sam's Sing-In Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Tue, 12 Oct 1999 09:34:16 -0400 (EDT) Reply-To: Mary_Finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Sam's Sing-In Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 First: let me add my voice to the chorus of thanks to Sam for organizing and hosting this most delightful of afternoons. I had a terrific time, meeting friends old and new, and I don't think we sounded half bad! Last: the following was inspired by an interjection made by Dan Kravetz, who was our Act I Gama on Sunday. In other words, it's not *entirely* my fault! Gama: ... The ladies rise at cockcrow every morning -- Cyril: Ah! Then they have male poultry? Chorus: (in glorious four-part harmony) Male po-ul-try! Acomplished hen! You earn our feeble curses when Pale dawn excites thy full-voiced squawk Oh hell! Oh hell! It's only five o'clock. Please accept my appologies. ***************************************************************** Mary A. Finn phone: 617-225-3052 Senior Marketing Writer fax: 617-494-1631 InterSystems Corp. email: finn@intersys.com ******************************************************************  1,, Summary-line: 12-Oct mendes@aigfpc.com [134] #FW: The '90s Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20868; Tue, 12 Oct 99 11:01:28 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA10694; Tue, 12 Oct 99 11:01:30 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11b3QX-0005dd-00; Tue, 12 Oct 1999 11:01:21 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0240G>; Tue, 12 Oct 1999 11:01:18 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: The '90s Date: Tue, 12 Oct 1999 11:01:16 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: The '90s Date: Tue, 12 Oct 1999 11:01:16 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" Jane sent this to me and I almost died.... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > >>Signs That You've Had Too Much Of The 90's: > >> > >> 1. You try to enter your password on the microwave. > >> 2. You haven't played solitaire with real cards in years. > >> 3. You have a list of 15 phone numbers to reach your family of 3. > >> 4. You e-mail your buddy who works at the desk next to you to > ask: > >> "Do you wanna go get a beer?" and he replies: > >> "Yeah, give me five minutes". > >> 5. You chat several times a day with a stranger from South > America, but > >>you haven't spoken to your next door neighbor yet this year. > >> 6. You buy a computer and a week later it is out of date. > >> 7. Your reason for not staying in touch with friends is that they > do > >> not have e-mail addresses. > >> 8. You consider the U.S.Mail painfully slow and/or call it "snail > mail". > >> 9. Your idea of being organized is multiple colored post-it > notes. > >>10. You hear most of your jokes via email instead of in person. > >>11. When you go home after a long day at work you still answer the > >> phone in a business manner. > >>12. When you make phone calls from home, you accidentally insert a > "9" > >> to get an outside line. > >>13. You've sat at the same desk for four years and worked for three > >> different companies. > >>14. Your company's welcome sign is attached with Velcro. > >>15. Your resume is on a diskette in your pocket. > >>16. You really get excited about a 1.7% pay rise. > >>17. You learn about your redundancy on the 11 o'clock news. > >>18. Your biggest loss from a system crash was when you lost all of > >> your best jokes. > >>19. Your supervisor doesn't have the ability to do your job. > >>20. Contractors outnumber permanent staff and are more likely to > get > >> long-service awards. > >>21. Board members salaries are higher than all the Third World > >> countries annual budgets combined. > >>22. It's dark when you drive to and from work, even in the summer. > >>23. You know exactly how many days you've got left until you > retire. > >>24. Interviewees, despite not having the relevant knowledge or > >> experience, terminate the interview when told of the starting > salary. > >>25. You see a good looking, smart person and you know it must be a > >> visitor. > >>26. Free food left over from meetings is your staple diet. > >>27. Your supervisor gets a brand-new state-of-the-art laptop with > all the > >> latest features, while you have time to go for lunch while > yours > >>boots up. > >>28. Being sick is defined as you can't walk or you're in hospital. > >>29 You're already late on the assignment you just got. > >>30 There's no money in the budget for the five permanent staff > your > >> department is short of, but they can afford four full-time > management > >>consultants advising your boss's boss on strategy. > >>31. Your boss's favorite lines are: > >> When you've got a few minutes... > >> Could you fit this in...? > >> ...in your spare time > >> ...when you've got a moment > >> I know you're busy but... > >> I have an opportunity for you > >>32. Vacation time is something you roll over to next year. > >>33. Every week another brown collection envelope comes around > because > >> someone you DIDN'T EVEN KNOW WORKED THERE is leaving. > >>34. You wonder who's going to be left to put into your 'leaving' > >>collection. > >>35. Your relatives and family describe your job as "works with > computers". > >>36. The only reason you recognize your kids is because their > pictures > >> are on your desk. > >>37. You only have makeup for fluorescent lighting. > >> > >> > >> > >>38. You read this entire list, kept nodding and smiling. > >>39. As you read this list, you think about forwarding it to your > "friends > >>you send jokes to" e-mail group. > >>40. It crosses your mind that your jokes group may have seen this > >> list already, but you don't have time to check so you > forward it > >>anyway. > >  1,, Summary-line: 12-Oct shimodarmb@yahoo.com [25] #Sunday Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06703; Tue, 12 Oct 99 12:38:34 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA19244; Tue, 12 Oct 99 12:38:35 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA27892; Tue, 12 Oct 1999 12:38:26 -0400 (EDT) Date: Tue, 12 Oct 1999 12:38:26 -0400 (EDT) Message-Id: <19991012164233.28741.rocketmail@web1301.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: shimodarmb@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rica Mendes-Barry To: Multiple recipients of list SAVOYNET Subject: Sunday Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 12 Oct 1999 12:38:26 -0400 (EDT) Reply-To: shimodarmb@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rica Mendes-Barry To: Multiple recipients of list SAVOYNET Subject: Sunday Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I wanted to apologize to all, especially Sam, who was expecting me to attend the evening leg, that I was unable to attend Sunday. I had a meeting which ran late and home duties overwhelmed. Next time! ===== --'-,-{@ Rica Mendes-Barry @}-,-'-- http://rica.web.com __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com  1,, Summary-line: 12-Oct mendes@aigfpc.com [102] # Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28224; Tue, 12 Oct 99 14:36:22 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA01752; Tue, 12 Oct 99 14:36:22 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11b6mR-0001r9-00; Tue, 12 Oct 1999 14:36:12 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF02VZ2>; Tue, 12 Oct 1999 14:36:15 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Date: Tue, 12 Oct 1999 14:36:13 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Date: Tue, 12 Oct 1999 14:36:13 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain For weeks a six-year old lad kept telling his first-grade teacher about the baby brother or sister that was expected at his house.-----One day the mother allowed the boy to feel the movements of the unborn child. The six-year old was obviously impressed, but made no comment.-----Furthermore, he stopped telling his teacher about the impending event. The teacher finally sat the boy on her lap and said, "Tommy, whatever has become of that baby brother or sister you were expecting at home?"-----Tommy burst into tears and confessed, "I think Mommy ate it." >>There were two young brothers, 8 and 10 years old, who were exceedingly >>mischievous. Whatever went wrong in the neighborhood, it turned out they >had >>a hand in it. Their parents were at their wits' end trying to control them. >> >>Hearing about a rabbi nearby who worked with delinquent boys, the mother >>suggested to her husband that she would ask the rabbi to talk with the boys >>and he agreed. >> >>The mother went to the rabbi and made her request. He agreed, but said he >>wanted to see the younger boy first and alone. So the mother sent the >>younger to the rabbi. >> >>The rabbi sat the boy down across his HUGE, impressive desk. For about five >>minutes they just sat and stared at each other. Finally, the rabbi pointed >>his forefinger at the boy and asked, "Young man, where is God?" >> >>The boy looked under the desk, in the corners of the room, all around, then >>said nothing. >> >>Again, louder, the rabbi pointed at the boy and asked, "Where is God?" >>Again, the boy looked all around but said nothing. >> >>A third time, in a louder, firmer voice, the rabbi leaned far across the >>desk and put his forefinger almost to the boy's nose, and asked, "Young >man, >>I ask you, where is God?" >> >>The boy panicked and ran all the way home. Finding his older brother, he >>dragged him upstairs to their room and into the closet, where they usually >>plotted their mischief. He finally said, "We're in Bi-i-i-i-i-i-i-i-g >>trouble." >> >>The older boy asked, "What do you mean, 'BIG trouble?'" >> >>His brother replied, "I'm tellin' ya', we're in BIG trouble. God is missing >>and they think we did it !!!" @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products  1,, Summary-line: 12-Oct mendes@aigfpc.com [90] #Kids today.... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29028; Tue, 12 Oct 99 14:38:25 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA02525; Tue, 12 Oct 99 14:38:26 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11b6oU-0001zk-00; Tue, 12 Oct 1999 14:38:18 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF02VZP>; Tue, 12 Oct 1999 14:38:21 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Kids today.... Date: Tue, 12 Oct 1999 14:38:20 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Kids today.... Date: Tue, 12 Oct 1999 14:38:20 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Why can I see Zach doing this in the near future? @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > Who said children are getting dumber every year? > > > Check out the wisecracks below and judge for yourselves: > > > > > > TEACHER: How old were you on your last birthday? > > > STUDENT: Seven. > > > TEACHER: How old will you be on your next birthday? > > > STUDENT: Nine. > > > TEACHER: That's impossible. > > > STUDENT: No, it isn't, Teacher. I'm eight today. > > > > > > TEACHER: George, go to the map and find North America. > > > GEORGE: Here it is! > > > TEACHER: Correct. Now, class, who discovered America? > > > CLASS: George! > > > > > > TEACHER: Willy, name one important thing we have today that we > > > didn't have ten years ago. > > > WILLY: Me! > > > > > > TEACHER: Tommy, why do you always get so dirty? > > > TOMMY: Well, I'm a lot closer to the ground then you are. > > > > > > TEACHER: Why are you late? > > > WEBSTER: Because of the sign. > > > TEACHER: What sign? > > > WEBSTER: The one that says, "School Ahead, Go Slow." > > > > > > SILVIA: Dad, can you write in the dark? > > > FATHER: I think so. What do you want me to write? > > > SYLVIA: Your name on this report card. > > > > > > TEACHER: In this box, I have a 10-foot snake. > > > SAMMY: You can't fool me, Teacher... snakes don't have feet. > > > > > > TEACHER: How can you prevent diseases caused by biting > > > insects? > > > JOSE: Don't bite any. > > > > > > TEACHER: Ellen, give me a sentence starting with "I". > > > ELLEN: I is... > > > TEACHER: No, Ellen. Always say, "I am." > > > ELLEN: All right... "I am the ninth letter of the alphabet." > > > > > > MOTHER: Why on earth did you swallow the money I gave you? > > > JUNIOR: You said it was my lunch money. > > > > > > TEACHER: If I had seven oranges in one hand and eight oranges > > > in the other, what would I have? > > > CLASS COMEDIAN: Big hands! >  1,, Summary-line: 12-Oct mendes@aigfpc.com [105] #FW: [Fwd: FW: Top 25 Signs You've Been Out of College Too Long] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25592; Tue, 12 Oct 99 15:40:08 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA26086; Tue, 12 Oct 99 15:40:09 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11b7m7-0005f5-00; Tue, 12 Oct 1999 15:39:57 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF02WAQ>; Tue, 12 Oct 1999 15:40:02 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: FW: Top 25 Signs You've Been Out of College Too Long] Date: Tue, 12 Oct 1999 15:40:01 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: [Fwd: FW: Top 25 Signs You've Been Out of College Too Long] Date: Tue, 12 Oct 1999 15:40:01 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Oh dear god! What happened to me! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > Top 25 Signs You've Been Out of College Too Long > > > > 25. Your potted plants stay alive. > > 24. Having sex in a twin-sized bed is absurd. > > 23. You keep more food than beer in the fridge. > > 22. 6:00 AM is when you get up, not when you go > > to sleep. > > 21. You hear your favorite song on the elevator > > at work. > > 20. You carry an umbrella. You watch the Weather > > Channel. > > 19. Your friends marry and divorce instead of > > hook-up and break-up. > > 18. You go from 130 days of vacation time to 7. > > 17. Jeans and a sweater no longer qualify as > > 'dressed up'. > > 16. You're the one calling the police because > > those damn kids next door > > don't know how to turn down the stereo. > > 15. Older relatives feel comfortable telling sex > > jokes around you. > > 14. You don't know what time Taco Bell closes > > anymore. > > 13. Your car insurance goes down and your car > > payments go up. > > 12. You feed your dog Science Diet instead of > > McDonalds. > > 11. Sleeping on the couch is a no-no. > > 10. You no longer take naps from noon to 6 pm. > > 9. Dinner and a movie - the whole date instead > > of the beginning of one. > > 8. MTV News is no longer your primary source for > > information. > > 7. You go to the drugstore for ibuprofen and > > antacids,not condoms and > > pregnancy test kits. > > 6. A $4.00 bottle of wine is no longer 'pretty > > good stuff'. > > 5. You actually eat breakfast foods at breakfast > > time. > > 4. Grocery lists are longer than macaroni & > > cheese, diet Pepsi & > > Ho-Ho's. > > 3. "I just can't drink the way I used to" > > replaces "I'm never going to > > drink > > that much again." > > 2. Over 90% of the time you spend in front of a > > computer is for real > > work. > > 1. You don't get liquored up at home to save > > money before going to a > > bar. > > > > > > > > > > > ===== > > __________________________________________________ > Do You Yahoo!? > Bid and sell for free at http://auctions.yahoo.com >  1,, Summary-line: 13-Oct philip@msmail.awii.com [82] #RE: Keys in Gondoliers Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08927; Wed, 13 Oct 99 11:26:06 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA28719; Wed, 13 Oct 99 11:26:07 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA28642; Wed, 13 Oct 1999 11:25:48 -0400 (EDT) Date: Wed, 13 Oct 1999 11:25:48 -0400 (EDT) Message-Id: <90AA4FC78D2DD3118F5B0060975B9528482CAE@timone.awii.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: RE: Keys in Gondoliers Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1460.8) *** EOOH *** Date: Wed, 13 Oct 1999 11:25:48 -0400 (EDT) Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: RE: Keys in Gondoliers Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.0.1460.8) > Does anyone (a) know the reason, or, failing that, (b) have a > theory as to > why "There was a time" is in F# but "Take a pair of sparkling > eyes" is in Gb? > > David Hill Warning: The following answer is based on gut feelings and supplied by someone who, although he has some feel for music, has never been formally trained in music theory: In the entire known G&S repertoire, Sullivan wrote in F# major only twice: in "There was a time," and in "Of all the young ladies I know." In IOLANTHE, the F# major comes out of F# minor (since there is no Gb minor of which I'm aware unless one is willing to work with nine flats), so it just makes sense. (Yet even in a case like this, Sullivan went from C# minor to Db major in MIKADO's "Hearts do not break" when C# major was available to him. He must have considered five flats preferable to seven sharps. In MOUNTEBANKS, Cellier was willing to go from F# minor to Gb major in Teresa's first song in Act 2.) In "There was a time," there are measures that, despite the key signature, sound like D major. For example, the second "Ah, woe is me" is D-A-G-F#, clearly a do-so-fa-mi progression in the temporary (and implied) key change (more obvious when the orchestral harmonies are included). This can be written out fairly simply with a few naturals as accidentals, but just try rewriting the same notes with flats and double flats, and it's a mess! (This doesn't mean Sullivan was never messy himself. In Ernest's GRAND DUKE song, written in Db major, there's the section that begins "To that condition he should stoop" where it's briefly C# minor and written almost entirely in accidentals, both vocal line and accompaniment. Perhaps the rest of the song should have been C# major, but I can't think of any case where Sullivan used seven sharps or flats.) Outside of G&S, the only case I recall at present where Sullivan used six sharps was in the COX & BOX suicide duet, at "Farewell, farewell to earth." Since this leads into three sharps, again it seems more efficient than using six flats. To sum up, it appears Sullivan definitely preferred six flats to six sharps and used the latter only when there was a very good reason to do so. Even six flats isn't all that common in G&S. I think these are the only numbers so described: Sprites of earth and air (SORCERER) I rejoice that it's decided (SORCERER) Ida was a twelvemonth old (IDA) Sit with downcast eye (MIKADO) I once was as meek (RUDDIGORE; also analogous intro in Clarke overture) Take a pair of sparking eyes (GONDOLIERS) All is darksome (GRAND DUKE) Did I miss any? Sullivan seemed more comfortable with six flats later in life when Gilbert wasn't the librettist: "Woo thou thy snowflake" (IVANHOE) "Mother, dearest mother" (HADDON HALL) "The sun in the sky" (HADDON HALL) "I, too, had seen a star" (BEAUTY STONE) "It's a busy, busy, etc." (ROSE OF PERSIA -- Yussuf's legato solo) and I don't remember what else. Philip Sternenberg -- "Nature's Sole Mistake!" philip@msmail.awii.com Bergenfield NJ USA  1,, Summary-line: 13-Oct LHall@tscwo.com [46] #I would fain consult with thee Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09426; Wed, 13 Oct 99 11:27:17 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA29150; Wed, 13 Oct 99 11:27:18 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA29220; Wed, 13 Oct 1999 11:27:05 -0400 (EDT) Date: Wed, 13 Oct 1999 11:27:05 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: I would fain consult with thee Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Wed, 13 Oct 1999 11:27:05 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: I would fain consult with thee Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) I have two little difficulties and know that SavoyNet is the place to go for advice. 1. I'm sung out from the Sing-In. Maureen and I left NYC at some late hour and I finally got in at 3:30 am. In order to stay alert we were chatting and singing (loudly). Doing this after singing through two operettas left my voice rather tired and I have an audition on Friday. I've been drinking lots of water and trying not to talk *too* much (although those that know me are probably wondering at my definition of "too much") and doing kinder and gentler vocal practice. Is there anything else that y'all can recommend? 2. I've been diagnosed as having TMJ (Temporo- mandibular Joint Disorder) which means that the muscles in my jaw are stiff and tight. I'll be working with the doctor to find ways to correct this, but he's not a singer. Is there anything that y'all can recommend for this as well? (Besides the chisel that one friend suggested. Thanks a bunch.) Leta "Don't let us be hampered by routine and red tape and precedent, let's set the original gods an example, and put a liberal interpretation on our duties. If it occurs to any one to try an experiment in his own department, let him try it, if he fails there's no harm done, if he succeeds it is a distinct gain to society. Don't hurry your work, do it slowly and well." Thespis, WS Gilbert  1,, Summary-line: 13-Oct oakapple@cris.com [55] #"Reflect My Child" in Print Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12078; Wed, 13 Oct 99 17:16:35 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12948; Wed, 13 Oct 99 17:16:37 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA16486; Wed, 13 Oct 1999 17:16:25 -0400 (EDT) Date: Wed, 13 Oct 1999 17:16:25 -0400 (EDT) Message-Id: <3804F642.4A29E739@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: "Reflect My Child" in Print Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Wed, 13 Oct 1999 17:16:25 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: "Reflect My Child" in Print Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Bruce I. Miller tells me that the reconstruction of "Reflect, My Child" from H.M.S. PINAFORE, edited by himself and Helga J. Perry, is in print as of October 14. Published by Broude Brothers Limited as #GS 3A in their critical edition of the Gilbert & Sullivan Operas, it is available as follows: Full Score, with introductory essay and critical apparatus: $10.00 (Pounds sterling, 6.50) Piano-Vocal Score (music only): $1.50 (Pounds sterling, 1.00) Instrumental Parts* (2 flutes, 2 clarinets, 2 horns, strings 4/4/3/2/2) $17.50 (Pounds sterling, 10.00) *Clarinets are provided both in the original key of A and transposed into B flat. Horns are provided both in the original key of E and transposed into F. Extra strings, if desired are $.85 each or .60 pounds sterling. The article and critical apparatus are substantially enlarged versions of the paper read in New York on April 15 and later presented in various settings including the Buxton lecture of July 29. The Apparatus presents, for the first time, full bibliographic details of the band parts in which the music was found. These materials can be ordered through any music bookstore which deals in classical or educational music, or may be ordered directly from Broude Brothers Limited (postage is additional; ask for rates). Broude Brothers Limited 141 White Oaks Road P.O. Box 547 Williamstown, MA 01267-0547, U.S.A. Fax: (413) 458-5242 -- Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com  1,, Summary-line: 14-Oct mendes@aigfpc.com [86] #FW: Rednecks! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12122; Thu, 14 Oct 99 08:54:00 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA28012; Thu, 14 Oct 99 08:54:03 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11bkOG-0004yH-00; Thu, 14 Oct 1999 08:53:52 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF026B9>; Thu, 14 Oct 1999 08:54:02 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Rednecks! Date: Thu, 14 Oct 1999 08:53:59 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , Lisa Blocher , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: Rednecks! Date: Thu, 14 Oct 1999 08:53:59 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain Will the insanity ever cease! I'm proud to say that there is NOTHING on this list that applies to me! @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > YOU MIGHT BE A REDNECK IF . . . . > The Halloween pumpkin on your front porch has more teeth than > your spouse. > You let your twelve-year-old daughter smoke at the dinner > table in front of her kids. > Last year you hid Easter eggs under cow pies. > You've been married three times and still have the same > in-laws. > You think a woman who is "out of your league" bowls on a > different night. > Jack Daniels makes your list of "Most Admired People." > You think Genitalia is an Italian airline. > You wonder how service stations keep their restrooms so clean. > Anyone in your family ever died right after saying, "Hey, > y'all watch this!" > You've got more than one brother named 'Darryl.' > You think that Dom Perignon is a Mafia leader. > Your wife's hairdo was once ruined by a ceiling fan. > Your Junior/Senior Prom had a Daycare. > You think the last words to The Star Spangled Banner are, > "Gentlemen,start your engines." > You lit a match in the bathroom and your house exploded right off it's > wheels. > You take a six-pack cooler to church. > You had to remove a toothpick for your wedding pictures. > The bluebook value of your truck goes up and down, depending on how > much > gas it has in it. > You have to go outside to get something out of the 'fridge. > One of your kids was born on a pool table. > You need one more hole punched in your card to get a freebie at the > House of > Tattoos. > You have flowers planted in a bathroom fixture in your front yard. > Ya can't get married to yer sweetheart 'cause there's a law against > it. > You dated one of your parents' current spouses in high school. > You think loading the dishwasher means getting your wife drunk. > Your school fight song is "Dueling Banjos." > Your toilet paper has page numbers on it. > >  1,, Summary-line: 18-Oct Lsimons@usa.com [42] #TLM Music Publications "Mikado" Full Score Web Site Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25657; Mon, 18 Oct 99 06:41:54 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06568; Mon, 18 Oct 99 03:38:34 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA14826; Mon, 18 Oct 1999 03:38:22 -0400 (EDT) Date: Mon, 18 Oct 1999 03:38:22 -0400 (EDT) Message-Id: <000901bf193b$7a43ece0$e1478cd4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Lsimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: TLM Music Publications "Mikado" Full Score Web Site Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Mon, 18 Oct 1999 03:38:22 -0400 (EDT) Reply-To: Lsimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: TLM Music Publications "Mikado" Full Score Web Site Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 Please note that the website where my "Mikado" Full Score (and MIDI files) are available for free download has moved, and the new URL is: http://www.threelittlemaids.co.uk For a limited time there will also be a link at the old URL. The e-mail address for TLM Music Publications remains as before, namely although mail addressed to will also reach me (eventually!). The final two numbers will be uploaded shortly, completing the score, and if there is sufficient demand I may also post the dialogue pages that were omitted from the initial posting. My thanks to all those who have sent comments and messages of encouragement, and I am only sorry that lack of time and pressure of other commitments has so far made it impossible for me to respond to each of these individually. Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!"  1,, Summary-line: 18-Oct mendes@aigfpc.com [62] #Oh lord... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25225; Mon, 18 Oct 99 13:54:04 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA08850; Mon, 18 Oct 99 13:53:59 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11dGyt-0006tq-00; Mon, 18 Oct 1999 13:53:59 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0JCP6>; Mon, 18 Oct 1999 13:54:14 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Oh lord... Date: Mon, 18 Oct 1999 13:54:03 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Oh lord... Date: Mon, 18 Oct 1999 13:54:03 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain 1 Bob Smith, my assistant programmer, can always be found 2 hard at work in his cubicle. Bob works independently, without 3 wasting company time talking to colleagues. Bob never 4 thinks twice about assisting fellow employees, and he always 5 finishes given assignments on time. Often he takes extended 6 measures to complete his work, sometimes skipping coffee 7 breaks. Bob is a dedicated individual who has absolutely no 8 vanity in spite of his high accomplishments and profound 9 knowledge in his field. I firmly believe that Bob can be 10 classed as a high-caliber employee, the type which cannot be 11 dispensed with. Consequently, I duly recommend that Bob be 12 promoted to executive management, and a proposal will be 13 executed as soon as possible. Addendum: That idiot was standing over my shoulder while I wrote the report sent to you earlier today. Kindly re-read the odd-numbered lines only. @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products  1,, Summary-line: 19-Oct mendes@aigfpc.com [138] #FW: I LOVED THIS!!! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28333; Tue, 19 Oct 99 15:01:52 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA18037; Tue, 19 Oct 99 15:01:53 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11deVn-0004fF-00; Tue, 19 Oct 1999 15:01:31 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0JFRC>; Tue, 19 Oct 1999 15:01:45 -0400 Message-Id: From: "Mendes, Rica" To: 'sam silvers' , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: I LOVED THIS!!! Date: Tue, 19 Oct 1999 15:01:35 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: 'sam silvers' , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: I LOVED THIS!!! Date: Tue, 19 Oct 1999 15:01:35 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" Ok, all you fellow English Lit nerds... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > Don't have a heart attack, because this essay falls into the > > 0.1% of email stories that have some truth in them! The essay > > was in fact written by a high school student named Hugh O'Neil > > Gallagher, who entered it into the 1990 Scholastic Art & Writing > > Awards competition (which it won!) It was first published in > > 1990 in Literary Calvalcade, a magazine of contemporary student > > writing (and later reprinted in Harper's, The Guardian Chicken > > Soup for the College Soul, "Futures" magazine (distributed by > > the Office of the Secretary of Defense - Spring '99), and a CD > > called "First Words" ...not to mention its longevity on the net! > > > > He did include it in several college applications, but whether > > or not it was responsible for getting him admitted to NYU is > > debatable, but he did, in fact, graduate from NYU in '94 and > > publish his first novel, "Teeth", '98. (For more info, see < > > http://graceweb.org/links/gallagher> ) > > > > > > > > > > 47 RULES FOR WRITERS: > > > > 1. Verbs has to agree with their subjects. > > 2. Prepositions are not words to end sentences with. > > 3. And don't start a sentence with a conjunction. > > 4. It is wrong to ever split an infinitive. > > 5. Avoid cliches like the plague. (They're old hat.) > > 6. Also, always avoid annoying alliteration. > > 7. Be more or less specific. > > 8. Parenthetical remarks (however relevant) are (usually) > > unnecessary. > > 9. Also too, never, ever use repetitive redundancies. > > 10. No sentence fragments. > > 11. Contractions aren't necessary and shouldn't be used. > > 12. Foreign words and phrases are not apropos. > > 13. Do not be redundant; do not use more words than necessary; > > it's highly superfluous. > > 14. One should NEVER generalize. > > 15. Comparisons are as bad as cliches. > > 16. Don't use no double negatives. > > 17. Eschew ampersands & abbreviations, etc. > > 18. One-word sentences? Eliminate. > > 19. Analogies in writing are like feathers on a snake. > > 20. The passive voice is to be ignored. > > 21. Eliminate commas, that are, not necessary. Parenthetical > > words however should be enclosed in commas. > > 22. Never use a big word when a diminutive one would suffice. > > 23. DO NOT use exclamation points and all caps to emphasize!!! > > 24. Use words correctly, irregardless of how others use them. > > 25. Understatement is always the absolute best way to put forth > > earth shaking ideas. > > 26. Use the apostrophe in it's proper place and omit it when > > its not needed. > > 27. Eliminate quotations. As Ralph Waldo Emerson said, "I hate > > quotations. Tell me what you know." > > 28. If you've heard it once, you've heard it a thousand times: > > Resist hyperbole; not one writer in a million can use it > > correctly. > > 29. Puns are for children, not groan readers. > > 30. Go around the barn at high noon to avoid colloquialisms. > > 31. Even IF a mixed metaphor sings, it should be derailed. > > 32. Who needs rhetorical questions? > > 33. Exaggeration is a billion times worse than understatement. > > 34. The passive voice should never be used. > > 36. Do not put statements in the negative form. > > 37. Verbs have to agree with their subjects. > > 38. A writer must not shift your point of view. > > 39. Place pronouns as close as possible, especially in long > > sentences of 10 or more words, to their antecedents. > > 40. Writing carefully, dangling participles must be avoided. > > 41. If any word is improper at the end of a sentence, a > > linking verb is. > > 42. Take the bull by the hand and avoid mixing metaphors. > > 43. Avoid trendy locutions that sound flaky. > > 44. Everyone should be careful to use a singular pronoun with > > singular nouns in their writing. > > 45. Always pick on the correct idiom. > > 46. The adverb always follows the verb. > > 47. Be careful to use the rite homonym. > > And Finally... > > 47. Proofread carefully to see if you any words out. > > > > > > > > > ===== > --'-,-{@ Rica Mendes-Barry @}-,-'-- > http://rica.web.com > __________________________________________________ > Do You Yahoo!? > Bid and sell for free at http://auctions.yahoo.com  1,, Summary-line: 19-Oct mendes@aigfpc.com [68] #FW: one day (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29883; Tue, 19 Oct 99 15:04:24 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA04491; Tue, 19 Oct 99 13:34:58 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11dd9y-00079k-00; Tue, 19 Oct 1999 13:34:54 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0JFK2>; Tue, 19 Oct 1999 13:35:10 -0400 Message-Id: From: "Mendes, Rica" To: "Rozmus, Lori" , 'David 'Azure' Leland' , 'NEFF' , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: one day (fwd) Date: Tue, 19 Oct 1999 13:35:08 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: "Rozmus, Lori" , 'David 'Azure' Leland' , 'NEFF' , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: FW: one day (fwd) Date: Tue, 19 Oct 1999 13:35:08 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > > > > > ONE DAY IN PEACE, JANUARY 1st, 2000 > > > This is a 24 hour concept where no guns are fired > > > anywhere on earth,including on television. > > > What if: for 24 hours, whosoever was at war in > > > December 1999, > > > agrees that for one whole day, no guns would be fired. > > > The silence would be golden. > > > What if: the television programmers of the world agreed > > > NOT to air any programming with a violent content? > > > At present, this ONE DAY IN PEACE concept is > > > beginning to get further circulation. Can you spread this concept > so > > > that a possibility might become a reality? > > > This is a 'thought-wave campaign' - that is to say, > > > the more people who grasp this thought, the more it > > > comes into reality. > > > > > > ONE DAY IN PEACE, > > > JANUARY lst, 2000 > > > Pass it on! > >  1,, Summary-line: 19-Oct BMILLER@holycross.edu [35] #Re: Phyllis' line in Act 1 Finale Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09303; Tue, 19 Oct 99 12:37:01 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03521; Tue, 19 Oct 99 12:31:01 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA17548; Tue, 19 Oct 1999 12:30:47 -0400 (EDT) Date: Tue, 19 Oct 1999 12:30:47 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis' line in Act 1 Finale Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Tue, 19 Oct 1999 12:30:47 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis' line in Act 1 Finale Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 >I had never noticed the marking above the chorus line to indicate that three >sops should sing with Phyllis in the Act 1 finale. I can't recall hearing it >done, although if one doesn't expect it, it may pass unnoticed. This particular instruction has long confirmed, for me, Sullivan's mastery of balance in vocal and instrumental forces. I suspect that he knew from the very beginning that Phyllis would need reinforcement for the effect he wanted, but the precise number of reinforcements (3) may have been arrived at through trial and error. He also must have taken into account that there would be varing types of voices singing Phyllis, and that the number 3 would be, perhaps, an approximate or average number needed. In the modern recording studio, in pop music, this is acocmplished in a variety of electronic ways. Sullivan was indeed ahead of his time. Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 19-Oct mendes@aigfpc.com [70] #FW: Trick or Treating is better than ... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11726; Tue, 19 Oct 99 16:22:45 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA29730; Tue, 19 Oct 99 16:22:36 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11dfmF-0002bA-00; Tue, 19 Oct 1999 16:22:35 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0JFWT>; Tue, 19 Oct 1999 16:22:51 -0400 Message-Id: From: "Mendes, Rica" To: Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Trick or Treating is better than ... Date: Tue, 19 Oct 1999 16:22:46 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain *** EOOH *** From: "Mendes, Rica" To: Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell Subject: FW: Trick or Treating is better than ... Date: Tue, 19 Oct 1999 16:22:46 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > -----Original Message----- > From: Bell, Mitchell > Sent: Tuesday, October 19, 1999 12:27 PM > To: Mendes, Rica > Cc: Tom, Joe > Subject: Trick or Treating is better than ... > > > > TOP 10 REASONS TRICK-OR-TREATING IS BETTER THAN SEX > > 10: Guaranteed to get at least a little something in the sack. > 9: If you get tired, wait 10 minutes & go at it again. > 8: The uglier you look, the easier it is to get some. > 7: You don't have to complement the person who gave you the candy. > 6: Person you're with doesn't fantasize you're someone else. > 5: If you get a stomach ache, it won't last 9 months. > 4: If you wear Batman mask, no one thinks you're kinky. > 3: Doesn't matter if the kids hear you moaning & groaning. > 2: Less guilt the next morning. > > and, the #1 reason trick-or-treating is better than sex... > > If you don't get what you want, you can always go next door! > > > >  1,, Summary-line: 20-Oct deebee@netspace.net.au [49] #Re: Rose of Persia Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07876; Wed, 20 Oct 99 10:03:11 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14156; Wed, 20 Oct 99 10:03:21 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA21715; Wed, 20 Oct 1999 09:57:48 -0400 (EDT) Date: Wed, 20 Oct 1999 09:57:48 -0400 (EDT) Message-Id: <380DBCBB.7397@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Rose of Persia Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) *** EOOH *** Date: Wed, 20 Oct 1999 09:57:48 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Rose of Persia Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) Re Rose of Persia Maureen Roult wrote > > Michael, you're probably one of a very tiny minority here on Savoynet > who've been able to *attend* one, let alone walk out early. And you say > you've seen *five* productions of it! I don't think any of the local > companies here in the Washington, DC, area have ever staged Rose. I know > two of them haven't - does anyone know whether the Savoyards have ever done > it? As spring has sprung in Australia, the evenings are lengthening and the weather warming up, why don't you all come over to Melbourne for a holiday and see the Gilbert and Sullivan Society of Victoria's production of The Rose of Persia next month? Melbourne is a very civilised society (which has got better with a change of government in the last 2 days) and is a much better destination than Sydney will be next year when all the sports fanatics will clog it and make accomodation and transport impossible and before a consumption tax goes on next July and makes everything more expensive. I saw rehearsal for the first time yesterday and was most impressed with the musical quality of the show. BTW I have to present the recent recording on the classical music station next week. The time slot is 4 hours long. Two questions: What do you think it is essential for an audience which will be largely ignorant of the show to know about it? What sort of music would you use to fill up the time. Gilbert and Sullivan, Sullivan's other music? Or other? Private replies, unless you think the Net will be interested in your wit and wisdom (possible of course). Diana  1,, Summary-line: 20-Oct jmd@alumni.princeton.edu [19] #Pineapple Poll Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29150; Wed, 20 Oct 99 18:28:01 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13209; Wed, 20 Oct 99 18:28:12 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA23899; Wed, 20 Oct 1999 18:27:33 -0400 (EDT) Date: Wed, 20 Oct 1999 18:27:33 -0400 (EDT) Message-Id: <380E3ED8.69CBE12E@alumni.princeton.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmd@alumni.princeton.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff DeMarco To: Multiple recipients of list SAVOYNET Subject: Pineapple Poll Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) *** EOOH *** Date: Wed, 20 Oct 1999 18:27:33 -0400 (EDT) Reply-To: jmd@alumni.princeton.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff DeMarco To: Multiple recipients of list SAVOYNET Subject: Pineapple Poll Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) For any who are interested, I note that Hal Leonard (www.halleonard.com) has Pineapple Poll in print again. -- Happy, undeserving Jeff DeMarco  1,, Summary-line: 22-Oct mendes@aigfpc.com [149] #Hardi-Har - happy Friday! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28051; Fri, 22 Oct 99 17:31:55 EDT Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA08375; Fri, 22 Oct 99 17:32:07 EDT Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11emHq-0002H8-00; Fri, 22 Oct 1999 17:31:47 -0400 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0J3DC>; Fri, 22 Oct 1999 17:32:06 -0400 Message-Id: From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Hardi-Har - happy Friday! Date: Fri, 22 Oct 1999 17:32:04 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Mitchell Bell , Amy Allen , Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin Subject: Hardi-Har - happy Friday! Date: Fri, 22 Oct 1999 17:32:04 -0400 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" > >> > A burglar broke into a house one night. He shone his flashlight > >> > around, looking for valuables, and when he picked up a CD player > >> > to place into his sack, a strange, disembodied voice echoed from > >> > the dark saying, "Jesus is watching you." > >> > > >> > He nearly jumped out of his skin, clicked his flashlight off and > >> > froze. When he heard nothing more after a bit, he shook his head, > >> > promised himself a long vacation after his next big score, then > >> > clicked the flashlight back on and began searching for more > valuables. > >> > > >> > Just as he pulled the stereo out so that he could disconnect the > wires, > >> > clear as a bell he heard, "Jesus is watching you." > >> > > >> > Totally rattled, he shone his flashlight around frantically, looking > >> > For the source of the voice. Finally, in the corner of the room, his > >> > flashlight beam came to rest on a parrot. > >> > > >> > "Did you say that"? He hissed at the parrot."Yes," the parrot > >> > confessed, then squawked, "I'm just trying to warn you." The burglar > >> > relaxed. "Warn me, huh? Who do you think you are anyway?" > >> > "Moses," replied the parrot. "Moses," the burglar laughed. > >> > "What kind of people would name a parrot 'Moses?" The parrot > >> > quickly answered, "The same kind of people that would name a > >> > Rottweiler, Jesus." > > The Top 14 Worst Operas > > > > 14. La Travolta > > 13. The Pirates of My Pants > > 12. The Oozing Dutchman > > 11. Gallagher's Watermelon Lake > > 10. Il Deliveranze (starring Ned Beatty as baritone in Act I, soprano in > > Act II) > > 9. The Barbara of Mandrell > > 8. Carmen II: Revenge of the Bull > > 7. Deflated Mouse: Tragedy at the Macy's Thanksgiving Day Parade > > 6. Cats II: The Spaying > > 5. Cartman > > 4. Don Giuliani > > 3. Gotterdammerongnumber > > 2. How Othello Got His Groove Back > > > > and Topfive.com's Number 1 Worst Opera... > > > > 1. Porky & B-b-b-b-bess > > Little Red Riding Hood is skipping down the road when she sees > the Big Bad Wolf crouched down behind a log. "My, what big eyes > you have, Mr. Wolf." > > The wolf jumps up and runs away. > > Further down the road, Red Riding Hood sees the wolf again. > This time, he is crouched behind a tree stump. "My what big ears > you have, Mr. Wolf." > > Again, the wolf jumps up and runs away. > > A couple of miles down the road, Red Riding Hood sees the wolf > yet again, this time crouched down behind a road sign. "My, what > teeth you have, Mr. Wolf." > > The irritable, Big Bad Wolf jumps up and screams, "Will you kindly > get lost! I'm trying to take a $hit!" > > > >>> The following are the actual answers (including spelling > > > >>> and punctuation errors) given by students who were being > > > >>> tested on their biblical knowledge, as reported in the > > > >>> Vancouver Sun: > > > >>> > > > >>> 1. The first book of the Bible is Guinness's in which > > > >>> Adam and Eve were created from an apple. > > > >>> 2. Lot's wife was a pillar of salt by day and a ball of fire by > > > >>> night. > > > >>> 3. Noah's wife was Joan of Ark. > > > >>> 4. Samson slayed the Philistines with the axe of the > > > >>> apostles. > > > >>> 5. Unleavened bread is bread made with no ingredients. > > > >>> 6. Moses went to the top of Mt. Cyanide to get the 10 > > > >>> Commandments. > > > >>> 7. The seventh commandment is "thou shalt not admit > > > >>> adultery." > > > >>> 8. Joshua led the Hebrews in the battle of Geritol. > > > >>> 9. Solomon had 300 wives and 700 porcupines. > > > >>> 10. Jesus was born because Mary had an immaculate > > > >>> contraption. > > > >>> 11. The people who followed Jesus were called the 12 > > > >>> decibels. > > > >>> 12. The epistles were the wives of the apostles. > > > >>> 13. One of the opossums was St Matthew. > > > >>> 14. Salome danced in 7 veils in front of King Harrod's. > > > >>> 15. Paul preached acrimony, which is another name for > > > >>> marriage. > > > >>> 16. David fought the Finkelsteins, a race of people who > > > >>> lived in biblical times. > > > >>> 17. A Christian should only have one wife. This is called > > > >>> monotony. > > > >>> 18. The Jews had trouble throughout their history with > > > >>> unsympathetic Genitals. @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products  1,, Summary-line: 23-Oct sir-despard@ruddigore.fre [33] #Re: The George/Thomas scene Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11295; Sat, 23 Oct 99 11:39:24 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA08788; Sat, 23 Oct 99 11:39:38 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA01088; Sat, 23 Oct 1999 11:39:19 -0400 (EDT) Date: Sat, 23 Oct 1999 11:39:19 -0400 (EDT) Message-Id: <00b401bf1d6b$7ae99da0$0f1c883e@hurricane> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: The George/Thomas scene Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sat, 23 Oct 1999 11:39:19 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: The George/Thomas scene Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 Paul McShane wrote:- > Derrick McClure and Ian Bond have just posted details of the Act II > Mountararat/Tolloller scene in their recent productions. It would be > interesting to read what other 'netters have observed in that scene. In Poynton G&S Society's 1997 production of "Iolanthe", there was the following (unrehearsed!) business:- When Tolloller (Savoynetter Kelsey Thornton) said "We must fight, and one of us must die!" Private Willis handed Mountararat (me) his rifle. Tol. then backed away stammering, "I have a very strong regard for you, George." I aimed the rifle and looked at him down the barrel, replying "My dear Thomas!" with a very evil grin. >:-> Mike.  1,, Summary-line: 23-Oct LSimons@usa.com [63] #Re: Sullivan's Will Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25636; Sat, 23 Oct 99 13:24:23 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA23842; Sat, 23 Oct 99 13:24:17 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA05065; Sat, 23 Oct 1999 13:24:14 -0400 (EDT) Date: Sat, 23 Oct 1999 13:24:14 -0400 (EDT) Message-Id: <000401bf1d79$e4fd0a20$5bfd31d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's Will Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sat, 23 Oct 1999 13:24:14 -0400 (EDT) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's Will Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 In a message dated Saturday, 23 October 1999, 2:55pm BST, Brian Jones gave advice about how to go about obtaining a copy of Sir Arthur Sullivan's Will (or indeed anyone else's!). The information he gave was substantially correct, but unfortunately slightly out of date. (1) Copies of Wills are now available (on either postal or personal application) at the Probate Search Room, First Avenue House, 42-49 High Holborn, London WC1V 6NP (telephone: 0171-936 7000). (2) The fee is now UKP 5.00 (currently approx. US$ 8.30). The copy can either be posted to you, or supplied while you wait (it generally takes about an hour). You need to provide the testator's date of death (Thursday, 22 November 1900) and last known address (1 Queen's Mansions, Victoria Street, London ?), as well as any other relevant available information. I am not aware that a "reason" for wanting the copy is required, but if one is, "historical research" will certainly suffice. For further information, refer to www.pro.gov.uk/leaflets/ri2241.htm According to Arthur Jacobs, Sullivan's Will and the codicil Mr Jones mentions were both written on 4 March 1899; I have not yet seen the Will and so cannot comment on the accuracy of this but find it surprizing as that date fell on a Saturday. Again according to Jacobs, There were three executors named in the Will: Mr Edward Dicey, Mr Richard D'Oyly Carte, and Mr Charles William Matthews, barrister. I intend to obtain for myself a copy of the Will and codicil some time during the coming week, and (providing there are not too many pages) I will scan them and post the images on my website at www.threelittlemaids.co.uk Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private: OR  1,, Summary-line: 23-Oct paul@pnhmrk.freeserve.co. [29] #re: Sullivan Songs Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20643; Sat, 23 Oct 99 19:33:28 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12811; Sat, 23 Oct 99 19:33:38 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA14420; Sat, 23 Oct 1999 19:33:06 -0400 (EDT) Date: Sat, 23 Oct 1999 19:33:06 -0400 (EDT) Message-Id: <000d01bf1dad$e7658100$640f883e@preinstalledco> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: re: Sullivan Songs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sat, 23 Oct 1999 19:33:06 -0400 (EDT) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: re: Sullivan Songs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I have completed Noteworthy composer files for four of Sullivan's songs: My dearest Heart Once Again None but I can say Looking Back. If anyone wants copies, please e-mail me privately. To open them, you need Noteworthy composer, which can be downloaded free at www.download,com, and you could then hear them or print off scores. Paul Howarth  1,, Summary-line: 24-Oct torontosingout@home.com [89] #Toronto Singout =?iso-8859-1?Q?=97?= Join the Mailing List [somewhat Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03324; Sun, 24 Oct 99 19:54:39 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA17815; Sun, 24 Oct 99 19:54:31 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA18643; Sun, 24 Oct 1999 19:54:18 -0400 (EDT) Date: Sun, 24 Oct 1999 19:54:18 -0400 (EDT) Message-Id: <38139C85.8E0CBD31@home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: torontosingout@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Herschel Rosen To: Multiple recipients of list SAVOYNET Subject: Toronto Singout =?iso-8859-1?Q?=97?= Join the Mailing List [somewhat long - this posting, not the list] Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 C-AtHome0405(Macintosh; U; PPC) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA18643 *** EOOH *** Date: Sun, 24 Oct 1999 19:54:18 -0400 (EDT) Reply-To: torontosingout@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Herschel Rosen To: Multiple recipients of list SAVOYNET Subject: Toronto Singout =?iso-8859-1?Q?=97?= Join the Mailing List [somewhat long - this posting, not the list] Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 C-AtHome0405(Macintosh; U; PPC) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA18643 Out of lurkerdom - but keeping my head low in the event of residual flame= s. On behalf of the members of the Toronto Singout Committee [Ori Siegel, El= speth Simpson, Len Henderson, Arielle Sangster-Cowle and myself, Herschel Rosen], I would li= ke to invite you to join the mailing list we are setting up. I know that Ori has already posted some information, and I've been please= d to read in recent postings that several of you have announced plans to attend. Since list members indicated [prior to and after Lurkers' Day] that they = would appreciate some information about those of us who were/are invisible, a few words about m= yself. I recently retired after [too] many years of teaching secondary school =97= history and political science at first, then English and drama. I have a lot of experience work= ing with school and community groups as a performer, director and producer, but limited exper= ience with Gilbert and Sullivan: a production of "HMS Pinafore" when I was in elementary school,= an appearance as D'Oyly Carte in "Tarantara, Tarantara" with Scarborough Music Theatre, in the sa= me theatre in which the Singout will take place.=20 Oh, yes. I *almost* appeared as Pooh Bah in a Scarborough production of "= Mikado," but had to drop out because of illness in the family. That production may, unless any lis= t member knows of a production featuring sumo wrestlers, have been the heaviest production of= "Mikado" on record. Details [and pictures] will be available next August. My job is to create the data base / mailing list, and to handle some publ= icity. We expect to have a web site available before the millennium. As you can see, we have establi= shed a dedicated mail box [torontosingout@home.com] to handle all electronic communications. Please note that all requests for specific roles, to bring entire product= ions, etc., will probably be handled by Ori through his e-mail. He'll provide that information in d= ue course. With apologies for my verbosity, if you wish to be included on the list, = please e-mail me the following information: Your name[s] Your e-mail address Your full "snail mail" address Your home telephone number [access codes would be useful if you are outsi= de North America] Would you prefer to receive information by e-mail? regular mail? both? If you are also replying on behalf of a group: Name of the group Group's e-mail address Group's full "snail mail address" The number of copies of the brochure you wish to receive That's enough for now. If you have any questions, I'll be pleased to try = to answer them. See you in Toronto from August 18th to 20th, 2000, eh. Herschel Rosen torontosingout@home.com  1,, Summary-line: 25-Oct CMajor@sembler.com [54] #Meeting Peggy Sue's Dad Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06535; Mon, 25 Oct 99 07:48:42 EDT Received: from mail.sembler.com by MIT.EDU with SMTP id AA16743; Mon, 25 Oct 99 07:48:56 EDT Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Mon, 25 Oct 1999 07:48:16 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Mon, 25 Oct 1999 07:48:01 -0400 From: "Cindy Major" To: , , , , , , , Subject: Meeting Peggy Sue's Dad Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Mon, 25 Oct 1999 07:48:01 -0400 From: "Cindy Major" To: , , , , , , , Subject: Meeting Peggy Sue's Dad Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Meeting Peggy Sue's Dad It's the Spring of 1957 and Bobby goes to pick up his date, Peggy Sue. Bobby's a pretty hip guy with his own car and a ducktail hairdo. When he goes to the front door, Peggy Sue's father answers and invites him in. "Peggy Sue's not ready yet, so why don't you have a = seat?" he says. "That's cool." says Bobby. Peggy Sue's father asks Bobby what they are planning to do. Bobby replies politely that they will probably just go to the malt shop or to a drive-in movie. Peggy Sue's father responds "Why don't you kids go out and screw? I hear all of the kids are doing it." Naturally this comes as quite a surprise to Bobby and he says "Whaaaat?" "Yeah," says Peggy Sue's father, "Peggy Sue really likes to screw; she'll Screw all night if we let her!" Bobby's eyes light up and smiles from ear to ear. Immediately, he has revised the plans for the evening. A few minutes later, Peggy Sue comes downstairs in her little poodle skirt with her saddle shoes and announces that she's ready to go. Almost breathless with anticipation, Bobby escorts his date out the front door while dad is saying "Have a good evening kids," with a wink for Bobby. About 20 minutes later, a thoroughly disheveled Peggy Sue rushes back into the house, slams the door behind her and screams at her father:=20 "DAMMIT DADDY! THE TWIST!!!!! IT'S CALLED THE TWIST!!!!!"  1,, Summary-line: 25-Oct oris@interlog.com [44] #TORONTO SINGOUT UPDATE 3 Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25774; Mon, 25 Oct 99 13:56:07 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03890; Mon, 25 Oct 99 13:55:55 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA25319; Mon, 25 Oct 1999 13:53:00 -0400 (EDT) Date: Mon, 25 Oct 1999 13:53:00 -0400 (EDT) Message-Id: <3.0.3.32.19991025133635.008182a0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE 3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) *** EOOH *** Date: Mon, 25 Oct 1999 13:53:00 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE 3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) Howdy Y'all (in keeping with recent thread), For clarity, I just wanted to follow up Herschel's post. All correspondence regarding brochures, mailing lists and such should go to: torontosingout@home.com All correspondence regarding roles and conductors and general inquiries should go to: oris@interlog.com If you're not sure, send to one or t'other (or both, if you'd like) 'cause we keep in touch! The organizing committee has moved into high gear now and things are starting to take shape. I'll keep you informed of any new happenings. cheers, Ori VA3ORI Toronto, Ontario, Canada ------------------------------------------------- ****Toronto: the place to be in August, 2000!**** *** G&S T2K: Singout, Eh? *** **** August 18-19-20 **** -------------------------------------------------  1,, Summary-line: 25-Oct LSimons@usa.com [49] #SIR ARTHUR SULLIVAN'S WILL Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28693; Mon, 25 Oct 99 17:39:24 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22423; Mon, 25 Oct 99 17:39:16 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA25234; Mon, 25 Oct 1999 17:35:51 -0400 (EDT) Date: Mon, 25 Oct 1999 17:35:51 -0400 (EDT) Message-Id: <002d01bf1f2e$f7fbe360$43e331d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: SIR ARTHUR SULLIVAN'S WILL Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Mon, 25 Oct 1999 17:35:51 -0400 (EDT) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: SIR ARTHUR SULLIVAN'S WILL Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 Anyone wishing to see copies of the original document and Grant of Probate may now view these at http://www.threelittlemaids.co.uk/wills/sullivan I have also applied for copies of the Wills and Grants of Sir William and Dame Lucy Agnes Gilbert (to be sent to me by post), and will make images of these documents similarly available, as soon as I receive them from the Chief Probate Registry (which unfortunately is likely to take up to ten days). I didn't bother to include an automatic counter on those web pages, partly because I knocked them together very quickly in order to get the images up on the internet in the shortest possible time, but I would nonetheless like to know how many 'Netters are interested in reading such documents, so may I ask anyone who does visit that site please to drop me a short e-mail just to let me know? This would be extremely helpful to me in deciding whether to take the trouble to carry out similar exercises in the future should the occasion arise. Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private: OR  1,, Summary-line: 26-Oct LSimons@usa.com [66] #Sullivan's Will Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11186; Tue, 26 Oct 99 00:16:26 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03309; Tue, 26 Oct 99 00:16:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA21307; Tue, 26 Oct 1999 00:12:53 -0400 (EDT) Date: Tue, 26 Oct 1999 00:12:53 -0400 (EDT) Message-Id: <004101bf1f67$0f647e80$86e331d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Sullivan's Will Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Tue, 26 Oct 1999 00:12:53 -0400 (EDT) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Sullivan's Will Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I wonder if anyone else has noticed that the late Arthur Jacobs made a wholly inaccurate statement about the Codicil to Sir Arthur's Will (and drew a totally erroneous conclusion from it) in his book "Arthur Sullivan--A Victorian Musician"? In the second paragraph of chapter 36 "Legacy", on page 399 of the 1984 edition (facing a late photograph of Sir Arthur sitting in a boat on the River Thames), Jacobs says "Sullivan had made his will..... on 4 March 1899..... A codicil DATED THE SAME DAY [my capitals] was presumably an afterthought once he had arrived in his solicitors' ofice....." In fact, as we can now all see, this is not true: the Will was indeed written on 4 March 1899, but the Codicil was not added until 8 November 1900, twenty months later and, coincidentally, exactly two weeks before Sir Arthur's death. Jacobs also calls attention (in the third paragraph on the same page) to the rather irregular way in which Gilbert's name appears in connection with his bequest. He says that the surname was "prefixed only 'W.S.', as if Sullivan could not call to mind the full forenames.....", and mentions again that old cherry about the two men never being on first-name terms. But the Will actually has "my old friend and colleague W______ S______ Gilbert" which seems *very* warm to me, and I suspect that the Will could well have been drawn up by a solicitor's clerk from instructions given by Sullivan (who certainly would not have typed the document himself) and the clerk, perhaps not knowing Gilbert's full names, simply left sufficient space for them to be filled in later..... and this was overlooked when the time came for the Will to be signed. For anyone who missed my earlier announcement, the Will can be seen at http://www.threelittlemaids.co.uk/wills/sullivan Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private: OR  1,, Summary-line: 26-Oct robin.fosdal@ukf.net [58] #Divorce (was Yeomen relationships) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16485; Tue, 26 Oct 99 10:15:49 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA16329; Tue, 26 Oct 99 10:16:02 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA23177; Tue, 26 Oct 1999 10:15:13 -0400 (EDT) Date: Tue, 26 Oct 1999 10:15:13 -0400 (EDT) Message-Id: <002f01bf1fbb$5eccf8e0$939101d4@ukf3693930> Errors-To: savoynet-owner@bridgewater.edu Reply-To: robin.fosdal@ukf.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Fosdal" To: Multiple recipients of list SAVOYNET Subject: Divorce (was Yeomen relationships) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Tue, 26 Oct 1999 10:15:13 -0400 (EDT) Reply-To: robin.fosdal@ukf.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Fosdal" To: Multiple recipients of list SAVOYNET Subject: Divorce (was Yeomen relationships) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 > Michael Walters wrote: > > I repeat, prior to 1st January 1874, there was NO DIVORCE LAW in England, > > and NOBODY could get a divorce (or an annulment) without a special Act of > > Parliament. >Dr Clive Woods wrote: > . . . which presumably could have been possible in principle, given a cooperative > MP and lots of money to "lubricate the wheels"). Victorian divorce by Act of Parliament was indeed impossible for all but the very rich and very well connected. Except . . . During the 19th century many municipal improvements were being made including the development of Water Companies to provide clean drinking water and sewerage services to many towns and cities. (Bear with me, this is relevant.) Each of these undertakings had to be authorised by their own Act of Parliament which defined standards and responsibilities, and these Bills churned their way through Parliament as every town and city started its own Water Company. In one town in the north of England, an enterprising Town Clerk (the senior administrative officer of the local authority) contrived to insert the words "and the Town Clerk's marriage is hereby dissolved" into a particularly long and tedious paragraph dealing with filtration. These words were not noticed at the reading of the Bill, the Act was passed and the Town Clerk got his divorce. Because of the wording he had used, anyone becoming Town Clerk of this particular municipality became divorced immediately on taking up the job, and the original writer of the Bill made his fortune by selling his job on a short term basis to strings of unhappy husbands. Which all goes to prove that life is often sillier than anything that even WSG could think up. Robin Fosdal  1,, Summary-line: 26-Oct BMILLER@holycross.edu [35] #Phyllis's line in the Act I Finale Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28780; Tue, 26 Oct 99 11:54:44 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA27193; Tue, 26 Oct 99 11:54:36 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA12587; Tue, 26 Oct 1999 11:51:04 -0400 (EDT) Date: Tue, 26 Oct 1999 11:51:04 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Phyllis's line in the Act I Finale Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Tue, 26 Oct 1999 11:51:04 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Phyllis's line in the Act I Finale Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 I finally got a chance to inspect a copy of Sullivan's autograph last night, after promising Phil to do so. Here is the transcription of the relevant direction: (The whole direction is underlined, and appears in parenthesis, in Sullivan's hand, just above Phyllis's staff over the two pickup notes) "(3 Soprani of the Chorus to Sing this with Phyllis)" Because this appears in the undispuited principal source for the music, and was never altered, we now have the definitive proof that the three sopranos were not intended to be the secondary principal fairies, and in fact that it was Sullivan and not someone else who made the decision to include this direction in the score. Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 30-Oct LSimons@usa.com [43] #Email Adresses Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13986; Sat, 30 Oct 99 05:46:53 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03731; Sat, 30 Oct 99 05:46:50 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA17393; Sat, 30 Oct 1999 05:46:43 -0400 (EDT) Date: Sat, 30 Oct 1999 05:46:43 -0400 (EDT) Message-Id: <004b01bf22b9$93cc5800$28e131d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Email Adresses Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sat, 30 Oct 1999 05:46:43 -0400 (EDT) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Email Adresses Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I have just received notification from USA.COM that the address was allocated to me in error, it in fact having already been allocated to someone else. Consequently, I have had to change my business address and have now set up TWO new accounts, namely and My apologies for any inconvenience to anyone trying to reach me. Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private:  1,, Summary-line: 30-Oct deebee@netspace.net.au [44] #Re: Wings for the LC Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26825; Sat, 30 Oct 99 08:42:56 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21735; Sat, 30 Oct 99 08:42:52 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA20573; Sat, 30 Oct 1999 08:42:47 -0400 (EDT) Date: Sat, 30 Oct 1999 08:42:47 -0400 (EDT) Message-Id: <381ADBDE.67F1@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Wings for the LC Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) *** EOOH *** Date: Sat, 30 Oct 1999 08:42:47 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Wings for the LC Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 2.0 (Macintosh; I; PPC) Mike Nash wrote > > Talking about wings, in productions in which the Lord Chancellor has had > wings in the Act 2 Finale, how have they been fitted? John Reed made his own, which were designed to look like the Chancellor's wig he wore. While the audience were laughing at Willis' antics (he came on with his back to the audience and turned on the appropriate line) John would slip off and the wings would be fitted. The wings were mounted on 2 lengths of wire which slotted into pockets on the back of his robe. There was also some thin black chord which was attached to both wings and then through his robe and round to his hand (it is so difficult to describe this with out waving my hands around or drawing!) and when he pulled it the wings would flap. Mountarrat and Tolloller's wings were folded down against their backs and held with a pin. While the audience was distracted by Willis, Leila and Celia would release the pins and the wings were seen after "none whatever" when the Lords turned to their fairies and in profile to the audience. At one time, Phyllis and Strephon would slip off stage and have wings slotted into their costumes and be back in time for the finale. Hope this helps. Diana  1,, Summary-line: 30-Oct LSimons@usa.com [53] #WILLS - SIR WILLIAM & DAME LUCY GILBERT Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13581; Sat, 30 Oct 99 22:23:23 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14104; Sat, 30 Oct 99 22:23:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA11886; Sat, 30 Oct 1999 22:23:06 -0400 (EDT) Date: Sat, 30 Oct 1999 22:23:06 -0400 (EDT) Message-Id: <001d01bf2346$94c22ea0$c6f131d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: WILLS - SIR WILLIAM & DAME LUCY GILBERT Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sat, 30 Oct 1999 22:23:06 -0400 (EDT) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: WILLS - SIR WILLIAM & DAME LUCY GILBERT Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 The Wills of Sir William & Dame Lucy Gilbert are now available for viewing at http://www.threelittlemaids.co.uk/wills/gilbert/sirwilliam and http://www.threelittlemaids.co.uk/wills/gilbert/damelucy respectively. Unfortunately the copy of Sir William's Will that was supplied to me by the Chief Probate Registry is of rather poor quality and consequently this document is extremely difficult to decipher in places; but, in the case of Dame Lucy, I received a copy of the _original_ handwritten document (with "all the letters copied in a big round hand"!) and this is much easier to read. Sir Arthur Sullivan's Will is still available at http://www.threelittlemaids.co.uk/wills/sullivan I am sure that the Gilberts' Wills will provoke as much discussion in this forum as did Sullivan's........ Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private:  1,, Summary-line: 31-Oct LSimons@usa.com [40] #Sullivan's & the Gilberts' Wills - page images now available for download as zip-files Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15710; Sun, 31 Oct 99 10:41:25 EST Received: from [147.138.10.60] by MIT.EDU with SMTP id AA23400; Sun, 31 Oct 99 10:40:37 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA22723; Sun, 31 Oct 1999 10:38:52 -0500 (EST) Date: Sun, 31 Oct 1999 10:38:52 -0500 (EST) Message-Id: <001101bf23b3$de1fb000$5ded31d4@lsimons> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Sullivan's & the Gilberts' Wills - page images now available for download as zip-files Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sun, 31 Oct 1999 10:38:52 -0500 (EST) Reply-To: LSimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Sullivan's & the Gilberts' Wills - page images now available for download as zip-files Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I have ben asked by a user of an old, text-only browser to make the page-images of Sir Arthur Sullivan's, Sir William Gilbert's and Dame Lucy Gilbert's Wills available for download without the need to display the pages first. I have therefore zipped up the pages of the Wills (including the Grants of Probate) into three separate zip-files and these may now be downloaded by visiting http://www.threelittlemaids.co.uk/wills/download.html Larry Simons TLM Music Publications London, U.K. "I also retail Sheet Music at a very low figure!" http://www.threelittlemaids.co.uk Business: OR Private:  1,, Summary-line: 3-Nov mendes@aigfpc.com [334] #RE: were you an 80s girl?] (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14919; Wed, 3 Nov 99 08:50:33 EST Received: from relay5.smtp.psi.net by MIT.EDU with SMTP id AA16936; Wed, 3 Nov 99 08:50:50 EST Received: from [38.167.146.2] (helo=wpexsrv.aigfpc.com) by relay5.smtp.psi.net with esmtp (Exim 1.90 #1) id 11j0nz-000616-00; Wed, 3 Nov 1999 08:50:27 -0500 Received: by smtp.aigfpc.com with Internet Mail Service (5.5.1960.3) id <4MF0KF70>; Wed, 3 Nov 1999 08:50:22 -0500 Message-Id: From: "Mendes, Rica" To: "'Allen, Amy'" Cc: Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: RE: were you an 80s girl?] (fwd) Date: Wed, 3 Nov 1999 08:50:18 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Mendes, Rica" To: "'Allen, Amy'" Cc: Daddy , "David Bishop (E-mail)" , David Craven , David J , Eitan , "Gideon Leventhall (E-mail)" , Joe Bayes , Kati Roberts , Lavina , Lelia , LisaALT , "Phil @ Home" , Rebecca C , "scott@work" , Shefsky , sooz , stevemartin , Brunilda Johnson , Corrine Patane , Jane Chiodo , Katherine Christ-Janer , Kelly Flynn , Lori Rozmus , Mitchell Bell Subject: RE: were you an 80s girl?] (fwd) Date: Wed, 3 Nov 1999 08:50:18 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.1960.3) Content-Type: text/plain; charset="iso-8859-1" I can proudly say that some of these fads were below me - I was way cooler than this - I only id with 1/2 of these... @}-'-,-- Rica Mendes-Barry --,-'-{@ Operations AIG Financial Products > -----Original Message----- > From: Allen, Amy [SMTP:AAllen@welchs.com] > > Ok, there were only TWO on this list that I couldn't identify > with...that > frightens me..... > > > > ><< > Isn't being an 80's kid awesome???? > > > > > > >>> > > > > > > >>> You're an 80's child if... > > > > > > >>> > > > > > > >>> You had a crush on one of the New Kids > > > > > on the Block members. [RMB] (not me) > > > > > > >>> > > > > > > >>> You wanted to be on StarSearch. (Come, > > > > > on, we all did) > > > > > > >>> > > > > > > >>> You ever uttered the word "Radical!" > > > > > > >>> > > > > > > >>> You wore jelly shoes and jelly bracelets > > > > > > >>> > > > > > > >>> You thought "Ghostbusters" was by far > > > > > the coolest movie [RMB] (it was good, but there were > better) > > > > > > >>> > > > > > > >>> You remember watching shows like "Punky > > > > > Brewster" , "Webster", > > > > > > >>> "You > > > > > > >>> Can't > > > > > > >>> Do > > > > > > >>> That On Television" , "WildCrazy Kids" > > > > > and "Double Dare" > > > > > > >>> [RMB] (only PB and W) > > > > > > > >>> You can remember what Michael Jackson > > > > > looked like before his > > > > > > >>> nose > > > > > > >>> fell > > > > > > >>> off. > > > > > > >>> Or even when he had those freaky eyes in > > > > > "Thriller" at the end > > > > > > >>> of > > > > > > >>> the > > > > > > >>> video. > > > > > > >>> > > > > > > >>> You were "....suddenly finding out the > > > > > Facts of Life are all > > > > > > >>> about > > > > > > >>> you!, > > > > > > >>> da > > > > > > >>> da dum!" > > > > > > >>> > > > > > > >>> You wore a banana clip in your hair or > > > > > one of those slap on > > > > > > >>> wrist > > > > > > >>> bands > > > > > > >>> at > > > > > > >>> some point during your youth. > > > > > > >>> [RMB] (slap what?) > > > > > > > >>> You rolled up the bottoms of your > > > > > splatter painted jeans. > > > > > > >>> > > > > > > >>> You wore loafers with everything, and > > > > > you put the laces in those > > > > > > >>> little > > > > > > >>> rolls. > > > > > > >>> > > > > > > >>> You had slouch socks, and puff painted > > > > > your own shirt at least > > > > > > >>> once. > > > > > > >>> > > > > > > >>> You owned a doll with 'Xavier Roberts' > > > > > signed on it's butt. > > > > > > >>> [RMB] (NEVER) > > > > > > > >>> You knew what Willis was "talkin' > > > > > 'bout." > > > > > > >>> > > > > > > >>> You know the profound meaning of "Wax > > > > > on, Wax off." > > > > > > >>> > > > > > > >>> You can name half of the members of the > > > > > elite "Brat Pack." [RMB] (I can name them all) > > > > > > >>> > > > > > > >>> You can remember watching Full House and > > > > > Saved by the Bell for > > > > > > >>> endless > > > > > > >>> hours! > > > > > > >>> !!!!! [RMB] (hated Full House) > > > > > > >>> > > > > > > >>> You have seen at least 10 episodes of > > > > > Fraggle Rock. > > > > > > >>> [RMB] (Haven't seen one) > > > > > > > >>> You yearned to be a member of The > > > > > Babysitters Club, and tried to > > > > > > >>> start > > > > > > >>> a > > > > > > >>> club of your own. > > > > > > >>> [RMB] (Nope - but I was buddies with one of the > Disney TV show members... ) > > > > > > > >>> You sat on your back porch, playing with > > > > > your "My Little Pony" , > > > > > > >>> "Rainbow > > > > > > >>> Brite" , and "Strawberry Shortcake" > > > > > dolls > > > > > > >>> > > > > > > >>> You know that another name for a > > > > > keyboard is a "Synthesizer." > > > > > > >>> > > > > > > >>> You hold a special place in your heart > > > > > for "Back to the Future." > > > > > > >>> > > > > > > >>> You know where to go if you "wanna go > > > > > where everybody knows your > > > > > > >>> name." > > > > > > >>> > > > > > > >>> You thought Molly Ringwald was REALLY > > > > > cool. (Was there an 80's > > > > > > >>> movie > > > > > > >>> she > > > > > > >>> WASN'T in?) [RMB] (I hated her - liked the > movies) > > > > > > >>> > > > > > > >>> You know what "sike" and "not!" mean > > > > > > >>> [RMB] (that should be "psych") > > > > > > > >>> You fell victim to 80's fashion : big > > > > > hair, crimped, combed over > > > > > > >>> to > > > > > > >>> the > > > > > > >>> side, > > > > > > >>> big hoop earrings, and possibly the > > > > > worst:you wore spandex > > > > > > >>> pants. > > > > > > >>> > > > > > > >>> You wanted to be a Goonie, or Elliot > > > > > from E.T. > > > > > > >>> > > > > > > >>> You owned an extensive collection of > > > > > Cabbage Patch Kids and > > > > > > >>> trolls. > > > > > > >>> [RMB] (not one) > > > > > > > >>> You knew "The Artist" when he was humbly > > > > > called "Prince." > > > > > > >>> > > > > > > >>> You actually saw Ted Danson as the > > > > > MacDaddy he played "Sam" to > > > > > > >>> be. > > > > > > >>> > > > > > > >>> You ever wore flourescent -neon if you > > > > > will clothing....(or > > > > > > >>> nailpolish) > > > > > > >>> > > > > > > >>> You could breakdance, or wished you > > > > > could. > > > > > > >>> > > > > > > >>> You know who He-Man and She-Ra are. > > > > > > >>> > > > > > > >>> You remember when ATARI was a state of > > > > > the art video game > > > > > > >>> system. > > > > > > >>> (Remember > > > > > > >>> the Pong) > > > > > > >>> > > > > > > >>> You know all the words to "Ice Ice > > > > > Baby". [RMB] That's a toughie > > > > > > >>> > > > > > > >>> You remember MC hammer well. > > > > > > >>> > > > > > > >>> You can still sing the rap to "Fresh > > > > > Prince of Belair". > > > > > > >>> > > > > > > >>> You own any cassettes. > > > > > > >>> > > > > > > >>> You were led to believe that in the year > > > > > 2000 we'd all be living > > > > > > >>> on > > > > > > >>> the > > > > > > >>> moon. > > > > > > >>> > > > > > > >>> > > > > > > >>> You remember and/or own any of the > > > > > CareBear Glass collection > > > > > > >>> from > > > > > > >>> PizzaHut. > > > > > > >>> Pizza Hut was the coolest place to hang. > > > > > > >>> [RMB] Nope > > > > > > >>> Poltergeist freaked you out. > > > > > > >>> > > > > > > >>> You carried your lunch to school in a > > > > > Gremlins or an E.T. > > > > > > >>> lunchbox. > > > > > > >>> [RMB] Nope > > > > > > > >>> You have ever pondered why Smurfette was > > > > > the ONLY female smurf. > > > > > > >>> > > > > > > >>> You wanted to communicate with some > > > > > being named Cinergy, or you > > > > > > >>> wanted > > > > > > >>> green > > > > > > >>> hair like that lead singer of the > > > > > Misfits. > > > > > > >>> > > > > > > >>> You totally LOVED Barbie's cooler, > > > > > punkier counterpart, "Jem" > > > > > > >>> and > > > > > > >>> her > > > > > > >>> " > > > > > > >>> Rockers" > > > > > > >>> [RMB] JEM ROCKED! > > > > > > > >>> You wanted to have an alien like Alf > > > > > living in your house. > > > > > > >>> > > > > > > >>> You wore biker shorts underneath a short > > > > > skirt and felt stylish. > > > > > > >>> > > > > > > >>> You wore tights under shorts and felt > > > > > stylish. > > > > > > >>> [RMB] Nope > > > > > > > >>> You layered your multi-colored slouch > > > > > socks, and added > > > > > > >>> suspenders > > > > > > >>> to > > > > > > >>> make > > > > > > >>> your outfit complete. > > > > > > >>> > > > > > > >>> You ever had a Swatch Watch. > > > > > > >>> > > > > > > >>> You actually spent countless hours > > > > > trying to perfect the > > > > > > >>> care-bear > > > > > > >>> stare. > > > > > > >>> [RMB] Nope > > > > > > > >>> You had a crush on one of the Coreys > > > > > (Haim or Feldman). > > > > > > >>> > > > > > > >>> You remember when Saturday Night Live > > > > > was funny. > > > > > > >>> > > > > > > >>> You had WonderWoman or Superman > > > > > underwear. > > > > > > >>> > > > > > > >>> You wanted to be The Hulk for Halloween. > > > > > > >>> [RMB] Nope > > > > > > > >>> You believed that "By the power of > > > > > Greyskull, you HAD the power" > > > > > > >>> > > > > > > >>> You thought that Transformers were more > > > > > than meets the eye. > > > > > > >>> > > > > > > >>> Partying "like it's 1999" seemed SO far > > > > > away!!!!!!!!!!!!! > > > > > > >>> > > > > > > >>> > > > > > > >>> > > > > > > >>> If you can identify with at least half > > > > > of his list then you, my > > > > > > >>> friend, > > > > > > >>> are > > > > > > >>> a "Child of the 80's." Send this to > > > > > anyone that would appreciate > > > > > > >>> going > > > > > > >>> back > > > > > > >>> to this wonderful decade. Was that a > > > > > great time or what????? > > > > > > >>> > > > > > > >>> > > > > > > >>> > > > > > > >>> > > > > > > >>> > > > > > > >>> Friendship is no big thing, it's a buch of > > > > > little things. Enjoy the > > > > > > >>little > > > > > > >>> things. > >  1,, Summary-line: 5-Nov SSilvers@shackandsiegel.c [87] #Perfect Pitch (OT) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07226; Fri, 5 Nov 99 16:59:46 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AB15904; Fri, 5 Nov 99 16:59:41 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA07009; Fri, 5 Nov 1999 16:59:02 -0500 (EST) Date: Fri, 5 Nov 1999 16:59:02 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Perfect Pitch (OT) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 *** EOOH *** Date: Fri, 5 Nov 1999 16:59:02 -0500 (EST) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Perfect Pitch (OT) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 >From NYTimes.com: Study Links Perfect Pitch to Tonal Language By JAMES GLANZ Most native speakers of languages that use tones to convey meaning may have a form of perfect pitch, according to new research. The results may suggest that many or even most babies are born with perfect pitch but lose it if they do not learn a tonal language or undergo early musical training. Most people find it easy to perceive and sing musical tones relative to each other [I'm not so sure about this! :-) -Sam] , a skill called relative pitch, but perfect pitch -- the ability to identify any note by name or to sing a given note without hearing a reference note beforehand -- is much less common. Perfect pitch turns up in no more than one person out of 10,000 in Western countries, according to some estimates. The languages studied in the new research were Vietnamese and Mandarin Chinese, two major languages in which different rising and falling tones can impart different meanings to the same combination of vowels and consonants. For example, the Mandarin word "ma" can mean mother, hemp, reproach or horse depending on whether the spoken tone is flat, rising, falling, or falling and then rising. While the differences in meaning are conveyed largely by relative rather than absolute tones, the researchers, led by Dr. Diana Deutsch, a psychologist at the University of California in San Diego, found that speakers retained an absolute tonal standard. In the study, which Dr. Deutsch described yesterday at a meeting of the Acoustical Society of America, the researchers recorded Vietnamese and Mandarin speakers as they read lists of words that covered a wide range of tones, and then repeated the exercise days later. A computer analysis of the recordings showed that individual speakers uttered the same words at the same absolute pitches to within fractions of a semitone -- the musical step from one key on a piano to the next. "It really sounds as though the person is sitting there immediately repeating the sound," Dr. Deutsch said. "Which is really, to my mind, amazing." While the new findings have surprised many scientists, some said that more research needs to be done to show that the ability displayed by Vietnamese and Mandarin speakers is identical to perfect pitch as it is understood in music. "It is still possible that the subjects may not actually see or realize a connection between tone as they use it in language, and pitch as a musical concept," said Dr. Donald Hall, a physicist at California State University in Sacramento who studies musical acoustics and is a church organist with perfect pitch. Other research has shown that the prevalence of perfect pitch is higher in Japan, where the language is not tonal, but where many young children receive Suzuki music training. Perfect pitch is also more common among professional musicians, but studies so far have not established whether the talent arises from youthful practice or led the musicians to their vocation in the first place. Still, some scientists said the new findings suggest that most babies are born with perfect pitch but retain it only by learning a tonal language or undergoing some sort of early musical training. "There could be a much higher incidence of absolute-pitch musicians out there if all of us were exposed to music much earlier," said Dr. Gottfried Schlaug, a neurologist at the Beth Israel Deaconess Medical Center in Boston who has studied how structures in the brain are related to perfect, or absolute, pitch.  1, forwarded,, Summary-line: 12-Nov jsmd@worldnet.att.net [116] #Overtures Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27046; Fri, 12 Nov 99 10:11:32 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA07874; Fri, 12 Nov 99 10:11:56 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA22771; Fri, 12 Nov 1999 10:10:42 -0500 (EST) Date: Fri, 12 Nov 1999 10:10:42 -0500 (EST) Message-Id: <382C26C0.B410FFD8@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: Overtures Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en] (Win95; U) *** EOOH *** Date: Fri, 12 Nov 1999 10:10:42 -0500 (EST) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: Overtures Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en] (Win95; U) About a month ago I posted this list. Since then I have been able to update the autograph score distribution per Sullivan's will plus a significant correction was made to Pinafore with thanks to Bruce Miller. If you saved a copy, please replace it with this one. Thanks. While various people helped Sullivan complete the overtures, the music being excerpted was Sullivan's. He generally sketched the overture before the assistant completed it, and Sullivan often made changes afterwards. In reality, I think all the overtures really are by Sullivan, just some more then others! Thespis (1871) - Overture: contemporary reviews indicate that there was an overture. It is assumed to have been written entirely by Sullivan, but it is lost. - Autograph: this is lost but it is not clear when it became lost. A copy may have existed as late as 1897 when part of the ballet was reused in Victoria and Merrie England. Trial by Jury (1875) - Overture: there never was an overture or introduction - Autograph: left to Herbert Sullivan, now at the Pierpont Morgan Library, NYC The Sorcerer (1877, revised 1884) - Overture: the first night overture was the "Graceful Dance" from Sullivan's incidental music to Henry VIII (which premiered 3 months earlier in Manchester). A few bars of "O marvelous illusion" were appended as the opening. This was apparently used for the entire first run. The current overture was written for the 1884 revival with help from Hamilton Clarke. - Autograph: left to Herbert Sullivan, now owned by John Wolfson HMS Pinafore (1878, New York 1879) - Overture: the first night overture was more properly an Introduction, and is what we now know as the introduction to the opening chorus. What we now know as the overture was written later, possibly for the New York opening, though it may have been used earlier in London. It appears that Alfred Cellier helped write the current overture (as well as the Entr'acte). Sullivan wrote the original Introduction. - Autograph: left to Herbert Sullivan, now at the Pierpont Morgan Library, NYC The Pirate of Penzance (1879, London 1880) - Overture: the overture was written jointly by Sullivan and Alfred Cellier in New York. Sullivan indicated a desire to update it for the London opening but it is not known if this ever happened. In 1919 Geoffrey Toye wrote a new overture, apparently because the original was too long. I do not know if Toye's overture survives or to what extent it was used. - Autograph: willed to Francois Cellier, now in the Pierpont Morgan Library Patience (1881) - Overture: the overture was completed by Eugene d'Albert. - Autograph: willed to Francois Cellier, now in the British Library, London Iolanthe (London and New York 1882) - Overture: the overture is by Sullivan and was used for the London opening. Alfred Cellier conducted the simultaneous New York opening and wrote the overture used in New York as Sullivan was too late to transmit his to Cellier. Cellier's version is apparently lost. - Autograph: willed to Richard D'Oyly Carte, now with the D'Oyly Carte Opera Trust Princess Ida (1884) - Overture: the overture is by Sullivan, although it is an Introduction. - Autograph: left to Herbert Sullivan, now at the Bodleian Library, Oxford University The Mikado (1885) - Overture: the overture was completed by Hamilton Clarke - Autograph: willed to and still with the Royal Academy of Music Ruddigore (1887) - Overture: the original overture was completed by Hamilton Clarke but included a number of tunes which were cut after the first night. In 1921 Geoffrey Toye wrote a new overture entirely of retained tunes. This Toye version is the one generally associated with Ruddigore today. - Autograph: willed to W.S. Gilbert, and now owned by the Savoy Theatre, London The Yeomen of the Guard (1888) - Overture: the overture is by Sullivan - Autograph: willed to and still with the Royal College of Music, London The Gondoliers (1889) - Overture: the overture is by Sullivan, although he called it an Introduction. In 1929 Melcolm Sargent appended the "Cachucha" to the end, which is often used now. - Autograph: left to Herbert Sullivan, and now at the British Library, London Utopia Limited (1893) - Overture: the overture has frequently been referred to as lost, it is not. The overture was by Sullivan, and again was a short introduction. This introduction was not published with the vocal score, the reason for this is not clear. - Autograph: left to Herbert Sullivan who donated it to a Red Cross sale in April 1915 and it sold to a Mr. Hudson. It has never been seen since. The Grand Duke (1896) - Overture: the overture is by Sullivan - Autograph: left to Herbert Sullivan, now owned by John Wolfson -- Stan DeOrsey jsmd@worldnet.att.net  1,, Summary-line: 12-Nov LHall@tscwo.com [72] #Revisionism (Was: revisionist directors) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03564; Fri, 12 Nov 99 10:29:08 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA15852; Fri, 12 Nov 99 10:28:51 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA25669; Fri, 12 Nov 1999 10:28:13 -0500 (EST) Date: Fri, 12 Nov 1999 10:28:13 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Revisionism (Was: revisionist directors) Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Fri, 12 Nov 1999 10:28:13 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Revisionism (Was: revisionist directors) Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) Mike Nash wrote: "Take Colonel Calverley's song "When I First Put This Uniform On". If the men are not men in uniform, then the song loses its meaning, and the fact that they expect the ladies to fall under the spell of their appearance just as much as the aesthetes, and therefore that they are just as vain, no longer comes over. The style of the music too is military, soldierly. It's so appropriate for dragoon guards in bright red tunics and helmets with plumes; it isn't particularly so for businessmen in suits." Ahh, but to us moderns, the full-out business suit *is* the uniform of Corporate Man. I'm not saying that it would be as strong a choice as those eye-catching red dragoon uniforms (which I like very much), but if the men were all suited exactly alike, in crisp, pressed, black or blue pin-stripe suits with matching regimental-style ties, a waistcoat, and a red carnation (I'm starting to picture Frank Thornton as Capt. Peacock) then the point could be made. Sadly, most men no longer wear hats to work or I could add a Homberg or something similar here. I suspect it still wouldn't read well in large houses and I'm not strongly advocating such a choice - I'm just saying that a uniform is as a uniform does. Hmmmm.... I suppose if I were charged with updating "Patience" I'd set it on a college campus at the beginning of the semester. ("But a year ago ...." "A *year* ago!") The dragoons would be athletes (rugby or baseball or something with an equally obvious uniform) and the poets and the maidens could be what my friends call "theater types." Look around you at rehearsal sometime - there's a uniform for that, too, from stretchy clothing that allows a lot of movement to our ubiquitous water bottles. Patience would be the only "non-affiliated" character. At the end, the women's chorus could be cheerleaders. College is a time of life when people are having their first real experiences with making their own life choices and doing a lot of experimenting, so 180 degree turnaround at the end would be consistent with the setting and consistent with the concept of fadism. The Duke's proposal to Jane would be the equivalent of asking her to the prom. For "Medieval Art" the trio could come on in black unitards and their poses could be variations on ballet positions with at least one "Swan Lake" crossed arms and tiptoes pose. Hmmmm. Mind you, I haven't thought this out thoroughly - it's just one of my mad fancies. Leta "We will not deceive you. We are doing this at some personal inconvenience with a view of expressing the extremity of our devotion to you. We trust that it is not without its effect." Col. Calverley, Patience, WS Gilbert  1,, Summary-line: 18-Nov eichin@MIT.EDU [7] #black cd-rs Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11180; Thu, 18 Nov 99 23:30:48 EST Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA22040; Thu, 18 Nov 1999 23:30:46 -0500 (EST) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id XAA24305; Thu, 18 Nov 1999 23:30:46 -0500 (EST) Received: (from eichin@localhost) by hodge-podge.mit.edu (8.9.3) id XAA29420; Thu, 18 Nov 1999 23:30:45 -0500 (EST) Date: Thu, 18 Nov 1999 23:30:45 -0500 (EST) Message-Id: <199911190430.XAA29420@hodge-podge.mit.edu> From: "Mark W. Eichin" To: opus@mit.edu Subject: black cd-rs *** EOOH *** Date: Thu, 18 Nov 1999 23:30:45 -0500 (EST) From: "Mark W. Eichin" To: opus@mit.edu Subject: black cd-rs http://store.yahoo.com/cd-recordable-dot-com/blacgamcdr.html  1,, Summary-line: 19-Nov chriswebster@ndirect.co.u [95] #RE: Video clips of Papp's Pirates (original London run) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22489; Fri, 19 Nov 99 08:34:16 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18667; Fri, 19 Nov 99 08:34:44 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA12734; Fri, 19 Nov 1999 08:34:08 -0500 (EST) Date: Fri, 19 Nov 1999 08:34:08 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Video clips of Papp's Pirates (original London run) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <0.b1be4a4a.2565c8ba@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 19 Nov 1999 08:34:08 -0500 (EST) Reply-To: chriswebster@ndirect.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Video clips of Papp's Pirates (original London run) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <0.b1be4a4a.2565c8ba@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) There has been sufficient private interest for me to forward the details of the Pirates extracts from the 1982 Royal Variety Performance to Savoynet. I reviewed the video tape this morning and made several notes. This RVP in the presence of The Queen Mother from 8th November 1982 (broadcast by the BBC a few days later) was the 83rd, but was only the 3rd given at Drury Lane. At this time it was not unusual for the annual RVP to top the UK television ratings, and so millions would have viewed the show, and this is possibly the largest exposure a staged sequence of G&S has ever had. This was the first time that the RVP had a linking theme, and that was 'The Magical World of the Musicals', however even if this had not been the theme I am sure that Pirates would still have been in the show as it is customary for the RVP to include an excerpt from the show that is currently running at the theatre. About 10-15 minutes into the show, the Papp's Pirates act one set is revealed and the new Papp's overture (based on 'Away, away') is played as the Pirates make their entrance. Rather than singing the opening chorus, once their entrance had been made the Pirate King (Tim Curry) delivers his line 'I shall live and die a Pirate King' and goes into his song. As well as the chorus, Frederic (Michael Praed) and Samuel (Sylvester McCoy) are seen on stage, although they have no solo work to do. The usual business of careering around the orchestra pit on the extended stage is carried out (this extension that circles the pit, which was part of the Pirates set, is also used by other acts throughout the show), including the business of PK fencing with the MDs baton, and the routine ends with the usual Papp's business of PK attempting some cadenza's at the end of his song and stopping throughout to 'ad lib' lines like 'that sounded rather good didn't it' etc. This number lasts for about 5 minutes. A few 'turns' later Richard Stilgoe comes on to do a solo spot at the piano, and he opens with a pretty good parody of the Pirate King's song, entitled 'I'm a video pirate king'. This would take me too long to type out at the moment, but if anyone is interested I will do so if you give me a bit of time. The second and final Pirates routine opens the second half. This picks up from the Major General (George Cole) / Frederic exchange 'And are your devoted followers at hand', but the recit that follows, 'Then Frederic', is spoken rather than sung, and the line 'Ere they depart upon their dread adventure' is omitted. This then naturally leads into 'When the Foeman' which is led by Sergeant (Chris Langham) with Mabel (Pamela Stephenson) and Edith (who I assume is Karen Lancaster). Bonnie Langford who was playing Kate in the run can be spotted among the girls, but she has no solo lines to sing - however, when the TV announcer gives the cast at the end of the sequence he does not read out Karen Lancaster's name, but does read out Bonnie Langford's, which must have peeved KL quite considerably when she watched the broadcast. Again this lasts about 5 minutes. At the end of the show, the Queen Mum is seen being introduced to several of the evenings performers, but she is not shown meeting the Pirates cast. However, several of the Pirates cast are seen being introduced to Lady Sarah Armstrong-Jones. In this few seconds we see Sylvester McCoy, Bonnie Langford (who is the one being introduced to SA-J at the time), George Cole, Pamela Stephenson and Tim Curry. Again, poor old KL seems to have had her nose pushed out of joint. Really she should have been in this principals line up, and not BL because BL was only seen as a chorister, but then again BL was a household name, and as far as I am aware KL was not. On this basis it is perhaps surprising that BL was not given a better part, but perhaps KL had more West End stage experience than BL. In subsequent tours though, I believe BL went on to play Mabel. In addition to this TV appearance of Papp's Pirates, I remember that when the show came to Manchester a year or two later, Granada TV showed commercials for the show. This was a long time ago now, but I think these were just camera shots of advertising bills, with the chorus 'With catlike tread' being sung in the background. I don't think there was any filmed footage included in the ad. I have an idea that this ad may have cropped up in the middle of something that I videoed, and so I may still have it, but to find it would be like trying to find a needle in a haystack. Doubtless it will turn up one day in years to come when I rewatch an old show that I taped at the time. Chris.  1,, Summary-line: 19-Nov singndance@freewwweb.com [174] #"Iolanthe" stories - LONG! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22159; Fri, 19 Nov 99 22:21:36 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA28064; Fri, 19 Nov 99 22:22:07 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA13562; Fri, 19 Nov 1999 22:21:19 -0500 (EST) Date: Fri, 19 Nov 1999 22:21:19 -0500 (EST) Message-Id: <3.0.2.32.19991119182902.00a03604@pop3.freewwweb.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@freewwweb.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Maureen Roult To: Multiple recipients of list SAVOYNET Subject: "Iolanthe" stories - LONG! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.2 (32) *** EOOH *** Date: Fri, 19 Nov 1999 22:21:19 -0500 (EST) Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@freewwweb.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Maureen Roult To: Multiple recipients of list SAVOYNET Subject: "Iolanthe" stories - LONG! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.2 (32) I thought some of you might be interested in the stories I've added to my collection during the Washington (DC) Savoyards' production of "Iolanthe." Those of you who aren't interested, of course, may allow your attention to wander... 1) The Fairies' Costumes Kate Huntress-Reeve (KTMEZZO), our director, had the fairies in costumes modeled on the ones used when Iolanthe first premiered, although we had to lose the wings - no room for them on stage. The costumes were interesting - bodices that were essentially modified corsets, laced up the back (not so size-specific that way), with wide chiffon streamers in various pastels off the shoulders and overlapping around the bottom of the bodice. No skirt - just the streamers, some of which dragged on the floor (by design). Worn w/ ballet slippers, ballet-pink tights, and dance trunks or slips or something else to assist modesty. Pretty, and a lot of fun to wear. We had modified our shoulder streamers in various ways to make them look more like wings; some w/ a loop of elastic at the wrist, others by pinning them closed at the wrist. Either way, you got a good bit of chiffon hanging down to play around with. I spent much of my time backstage flipping my "sleeves" around. The fairy costumes were cut w/ a very open V-neck (ventilation - hallelujah!) that was outlined with wide gold or silver trim and came down almost to the empire waistline. When I first got laced into mine the night we got the costumes, though, I could hardly stop laughing. All I could think of was Minnie Driver's line in "Circle of Friends" after her friends have helped her into her rather low-cut dress for the formal dance: "Jesus, Mary, and Joseph, I look like the prow of a ship!" And I did!! I draped a sleeve over my "overabundance" and went to the costume room to show Kate. She looked rather amazed and troubled and asked if I could get a minimizer bra; "I'm wearing one!" We improvised with a bit of cream-colored organza gathered and tucked into my cleavage for a fichu. The next night Kate had found some mauve-y pink and some cream-colored chiffon. We took a piece of each & made a modesty panel. Much better look (it matched my skin exactly!), and much more comfortable; organza is very scratchy. At first I had the modesty panel placed to show almost no cleavage at all, but Kate had me move it down a bit. Actually, all the fairy costumes tended to "accentuate the positive," so to speak. Not surprising, given that they were made on a base that was essentially a corset. I forget who, but one of the crew (costumer? make-up person?) commented that we were the most "voluptuous" fairies she'd ever seen! And a Peer friend of mine assured me that "the male cast members LOVED the women's costumes!" Anyway, we opened on a Thursday night. I would have been happier w/ my modesty panel a little higher, but Kate assured me it looked OK from the house. Her parents were in the audience opening night, and her mother commented afterwards on the amount of fairy cleavage. Kate also got a phone call from the MD's wife on the same subject! As a result, all the fairies' costumes were modified Friday to include a gold-mesh panel tucked into the bottom of the V necklines. (I kept my modesty panel; pinned it between me & the mesh, which would have been too scratchy.) But even that's not the whole story. I had given my voice teacher, who happens to be gay, one of my comp tickets for Thursday night. We met the next day for lunch so I could pump him for his opinion of the show. After discussing various aspects of it, Doug said "Oh, and one personal note. Now, don't take offense." And I started thinking "Uh oh." Highlights of the subsequent conversation: D: (in a tone of great surprise) You're stacked! M: (laughter - like I didn't know this!) D: You looked like a Rubensian [sic] goddess up there! M: (more laughter - SO much more flattering than 'fat'!) D: I'm gay [duh!], and I couldn't take my eyes off them! M: (laughing even harder) But this exchange settled it: if I had *gay* men staring at my cleavage, there was *entirely* too much of it showing and that modesty panel *definitely* needed to be higher! So by the time Kate produced the gold mesh that night, I had already repinned my modesty panel to cover a bit more. I simply redid it to include the mesh. And no, we didn't get any further calls, although the MD's wife did mention to Kate that she was "relieved" to see the fashion innovation. As far as I know, I didn't have anyone else staring at me (or a certain 'subsection' thereof) the rest of the run. However, I did enjoy entertaining several cast members, and Kate of course, with the story of Doug's reaction. Oh and yes, I did have someone get a picture of me in full make-up & costume (the gold-mesh-panel version). It looks completely G-rated. :) Reasons why insurance companies probably hate stage performers: 2) Attack of the killer costumes!! First, the background: The fairy costumes (except for the Queen's) had at the bottom of the V-neck a large brooch which had 3 roughly knee-length strands of gold beads hanging from it. Kate's set design was very ambitious; essentially 3 sets - fairyland, a stylized exterior of Parliament, and a Peers' refreshment 'tent' - which changed as the action did. When the fairies exited, so did fairyland, and so forth. Opening night, during the opening number of the show, I suddenly realized I had beads around my feet. My brooch and its beads were still in place; somehow, someone else's brooch had attached itself to the bottom of my beads, so that they were now nearly twice as long! At the point when the fairies were all grouped around Leila, I finally managed to extricate my beads from the 'attacker,' which I pitched toward the back of the stage. However, the beads fouled on a cable to one of the 'fly' flats, so that when we exited and fairyland disappeared, the errant brooch & beads flew "up in the air, sky-high, sky-high! Poor Marilyn wasn't able to get them back until intermission. The next night during the ActII finale, after all the Peers sprouted wings to fly off to fairyland, one Peer's wing managed to hook itself in my hair. At that moment I was VERY glad I was blocked all the way at the back, while I faced the flat and tried to untangle myself. Apparently this was not an isolated occurrence; one Peer told me his wings caught something nearly every night, and one night even ripped the wings right off the back of one of his fellows! 3) Set upon by the set! Saturday night, as I was making my initial entrance, I heard a loud rrrrrip and felt my forward momentum abruptly stopped. Naturally this happened as I was at the top of a few stairs, which I was about to descend! Fortunately, I managed to catch myself before I took a header down the last two, although I did stub my toes rather forcefully at the bottom. Kate told me it was the "rrrip; thunk-thunk-thunk" that drew her attention to me, by which time I was already recovering myself. Turns out one of my longer costume streamers had caught on the edge of one of the flats (the same one that caught the beads, as a matter of fact). Not only did it rip a large L-shaped tear in the streamer, it also managed to break a few edges off the flat. (The crew weren't very happy about that, but they did manage to repair the damage.) However, for the Sunday matinee, I decided to risk the same stairs; kinda like what someone once said about remarriage - "the triumph of optimism over experience." This time it went off without a hitch. My oh my, what an eventful run! I can't see topping my costume story anytime soon, and getting attacked 3 shows out of 5? I sure wouldn't want to top that! And that's just what happened to *me* - there's the fairy whose brooch decided to jump off her costume onto mine, Mountararat whose pants ripped right down the back one night, and probably others I'm forgetting or don't know about. Despite all that, however, I think it went very well. I certainly had a *great* time doing it! I'm now going thru post-production withdrawal. I can't wait to start Die Fledermaus chorus rehearsals next month - I'm very much in need of a little "hair of the dog that bit me." ;) Notes from Kate, reproduced with her permission: "And may I add, in my own defense, that the point of leaving more cleavage on everyone than might otherwise be visible was to underscore the characterization of the fairies as something other than human: naughty, temperamental, sexual. This was also, I gather, the intentions of the original D'OC fairy costumes. ("We almost live on lover" is such a surprising comment for the time!) IN RE the phone call from the wife of the MD, I'm moved to inquire: what male in the house was closest to the fairies and their decolletage? Hmmm? Actually, I thought that the gold mesh was really prettier, wish we'd thought of it sooner. In the event, the necklines were modified because they were distracting, rather than because of disapproval. I figured even the half of the audience who approved wholeheartedly were being distracted. The set was designed by Elizabeth Jenkins McFadden, a terrific designer if there ever was one. I merely offered a concept." Savoyards doing Utopia, Ltd in May 2000 - come see! Maureen Roult singndance@freewwweb.com "Inclined to dance & sing"  1,, Summary-line: 21-Nov mstorie@nwlink.com [89] #"The Grand Duke" Video from Seattle Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16551; Sun, 21 Nov 99 14:30:13 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12212; Sun, 21 Nov 99 14:30:44 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA26659; Sun, 21 Nov 1999 14:29:59 -0500 (EST) Date: Sun, 21 Nov 1999 14:29:59 -0500 (EST) Message-Id: <199911211925.LAA27866@pop.nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: mstorie@nwlink.com (Mike Storie) To: Multiple recipients of list SAVOYNET Subject: "The Grand Duke" Video from Seattle Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: *** EOOH *** Date: Sun, 21 Nov 1999 14:29:59 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: mstorie@nwlink.com (Mike Storie) To: Multiple recipients of list SAVOYNET Subject: "The Grand Duke" Video from Seattle Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: I'm pleased to announce the immediate availability for shipment of THE GRAND DUKE video from The Seattle Gilbert & Sullivan Society. An extension of our previous videos, THE DUKE PIRATES is a broadcast-quality video and we have raised the bar even farther with the high-fidelity, stereo sound track on this one. You will find that every word and every note is perfectly clear, which is unusual in a live performance recording. In fact, we are presently in pre-production of an all-digital CD based on the sound track. All musical numbers are included, along with dialog and audience reaction. The orchestration, played by our 26-piece orchestra, is brand new, done by our Music Director Alan Lund, and based on manuscripts contemporary with the opening in 1896. The video was made with three digital studio cameras at the back of the main floor of the theater, plus some shots from a fourth camera high in the balcony. Skip Barttels produced, directed and edited the video. The production itself is essentilally the same as the one presented at Buxton last summer and for eleven performances in Seattle. Both have been discussed on Savoynet by a number of people. The script follows the original production quite closely, however the show was updated to 1934 and given a definite American movie musical spin. In addition to THE DUKE, we also have available: THE MIKADO - 1994 RUDDIGORE - 1995 HMS PINAFORE - 1996 IOLANTHE - 1997 PIRATES - 1998 These videos are VHS in U.S. format (NTSC). We are in process of making arrangements for PAL versions to be available as soon as possible. The price is $30 each plus $3 postage and handling. If you are interested in obtaining any of them, please write or call the Society at: The Seattle Gilbert & Sullivan Society 800 Mercer Street, Suite B Seattle, WA 98109 206-682-0796 Or contacting our office manager at manager@pattersong.org We can accept checks, VISA or MasterCard. We also have CD sets of the 1998 PIRATES and will be able to ship CD sets of THE DUKE in a couple of weeks. The price of these CD sets is $25. In addition, we have AUDIO cassette tapes of the entire canon plus COX AND BOX. The audio cassettes of THE MIKADO, RUDDYGORE, HMS PINAFORE, PIRATES IOLANTHE, and THE DUKE are the soundtracks from the above videos. The older audio tapes are good quality analog recordings that are perfect for listening during a commute. All of the audio tapes include full dialog and audience reaction plus liner notes with program information. The AUDIO tapes are available for $9 per opera plus $3 per ORDER for shipping and handling. TRIAL BY JURY is included (at no extra charge) with THE SORCERER, and COX AND BOX is included with HMS PINAFORE. The entire canon (13 Gilbert & Sullivan operas plus COX AND BOX by Burnand and Sullivan) on 14 cassettes is available for $90. See, your holiday shopping has never been easier. I'll be happy to answer any questions about the above recordings. Mike Storie Producer The Seattle Gilbert & Sullivan Society mstorie@nwlink.com  1,, Summary-line: 22-Nov annahelizabeth@start.com. [61] #Blank verse Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14387; Mon, 22 Nov 99 01:25:52 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12512; Mon, 22 Nov 99 01:26:23 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA23758; Mon, 22 Nov 1999 01:25:31 -0500 (EST) Date: Mon, 22 Nov 1999 01:25:31 -0500 (EST) Message-Id: <199911220537.QAA07355@send01.start.com.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: hannahelizabeth@start.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Hannah Kilpatrick To: Multiple recipients of list SAVOYNET Subject: Blank verse Mime-Version: 1.0 Content-Type: text/html; charset="us-ascii"; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id BAA23758 *** EOOH *** Date: Mon, 22 Nov 1999 01:25:31 -0500 (EST) Reply-To: hannahelizabeth@start.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Hannah Kilpatrick To: Multiple recipients of list SAVOYNET Subject: Blank verse Mime-Version: 1.0 Content-Type: text/html; charset="us-ascii"; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id BAA23758 "In the matter of Gilbert writing some dialogue in the operas, especially in Princess Ida and Iolanthe, in blank verse, can anyone explain to me why it is considered difficult to perform in blank verse? And can one simply speak the lines without worrying about the form, as though it is natural dialogue?"

I've never heard it considered harder than prose, indeed playwrights used to write in blank verse because the rhythm made it easier for their actors to remember the words. Shakespeare also uses it (I don't know if this is official, it's just my observation - I could be wrong) to distinguish between the upper-class, the educated, and the 'very 'umblest' (so kings and rich merchants and fair ladies use blank verse, while Hamlet's gravediggers, for example, speak in prose - as does he when he speaks to them), and to contrast between various atmospheres and settings - the casual, relaxed atmosphere of jesting between friends, to the highly formalised and political atmosphere in the royal court. Also (though I may be imagining this) to distinguish between someone in a normal state of mind and a disturbed one - Hamlet's 'lunacy', Lady Macbeth's sleepwalking scene. And, of course, lovers - Romeo and Juliet, Olivia's impassioned 'Cesario, by the roses of spring!' out burst - tend to use verse, and rhymed at that ...
Sorry, that didn't have much relevance to G&S ... but I couldn't resist the lure of connecting my two favourite subjects - stage subjects, that is. And while I'm on the subject ... I seem to recall, a while ago, a reference to women playing the rôles of Hilarion, Cyril and Florian, thus presenting the situation of having three women playing men playing women. Irresistably, this brings to mind (my mind, anyway) the sitaution in 'As You Like It' (or any other Shakespearean comedy, really) of the boy actor playing Rosalind, who is pretending to be a boy (Ganymede) and instructs Orlando to pretend she is a girl, and woo her as 'your very, very Rosalind'. ('Why, how now, Orlando. Where have you been all this while? An you serve me another such trick, never come in my sight again!' 'My dear Rosalind, I come within an hour of my promise!' 'Break an hour's promise in love! ...' and of course, [Enter Orlando] Orlando: "Good day and happiness, dear Rosalind!" Jacques: "Nay, then, God be wi=92 you, an you talk in blank verse ..." [Exit Jacques])
Now, if we can just manage to drag in Roman/Greek mythology (Thespis? 'Hymen will defray the fare/fair'?), Les Mis (G&S/operetta as inspiration for modern form of musicals?) and Tolkien ...?

__________________________________________________________________
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  1,, Summary-line: 24-Nov jmfarron@vais.net [33] #G&S Archive URL to Change This Sunday Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06226; Wed, 24 Nov 99 20:27:03 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA27826; Wed, 24 Nov 99 20:26:52 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA29387; Wed, 24 Nov 1999 20:26:48 -0500 (EST) Date: Wed, 24 Nov 1999 20:26:48 -0500 (EST) Message-Id: <3.0.32.19991124202307.00a14890@mail.vais.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: G&S Archive URL to Change This Sunday Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) *** EOOH *** Date: Wed, 24 Nov 1999 20:26:48 -0500 (EST) Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Farron To: Multiple recipients of list SAVOYNET Subject: G&S Archive URL to Change This Sunday Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Pro Version 3.0 (32) Effective this Sunday, November 28, the Gilbert and Sullivan Archive URL will change to: http://diamond.boisestate.edu/gas Please make appropriate changes at that time to any links or bookmarks that you have pointing to the Archive, or any files within it. Sorry for the inconvenience. This is not something that we initiated -- it is entirely a project of the IT department at Boise State University. -- Jim Farron ----------------------------------------------------------------------- Jim Farron, Springfield, VA Gilbert and Sullivan Archive == http://diamond.idbsu.edu/GaS/GaS.html U. S. Office of Personnel Management == http://www.opm.gov Washington Area Butterfly Club = http://www.vais.net/butterfly -----------------------------------------------------------------------  1,, Summary-line: 29-Nov sommerfeld@orchard.arling [36] #sipb.org domain registration. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19325; Mon, 29 Nov 99 12:41:23 EST Received: from orchard.epilogue.com by MIT.EDU with SMTP id AA26961; Mon, 29 Nov 99 12:41:20 EST Received: from orchard.arlington.ma.us (localhost [[UNIX: localhost]]) by orchard.arlington.ma.us (8.8.8/1.34) with ESMTP id RAA04990 for ; Mon, 29 Nov 1999 17:40:42 GMT Message-Id: <199911291740.RAA04990@orchard.arlington.ma.us> To: sipb-office@MIT.EDU Subject: sipb.org domain registration. Date: Mon, 29 Nov 1999 12:40:42 -0500 From: Bill Sommerfeld *** EOOH *** To: sipb-office@MIT.EDU Subject: sipb.org domain registration. Date: Mon, 29 Nov 1999 12:40:42 -0500 From: Bill Sommerfeld sipb.org is now registered as : Organization: Bill Sommerfeld 185 Summer Street Arlington, MA 02474 US Registrar..: Register.com (http://www.register.com) Domain Name: SIPB.ORG Created on..............: Tue, Nov 16, 1999 Expires on..............: Thu, Nov 15, 2001 Record last updated on..: Mon, Nov 29, 1999 Administrative Contact: Sommerfeld, Bill sommerfeld@alum.mit.edu +1 781 641 2014 Technical Contact: Sommerfeld, Bill sommerfeld@alum.mit.edu +1 781 641 2014 Zone Contact: Sommerfeld, Bill sommerfeld@alum.mit.edu +1 781 641 2014 Domain servers in listed order: NS1.HAMACHI.ORG 4.255.0.97 NS4.HAMACHI.ORG 4.255.0.98 - Bill  1,, Summary-line: 3-Dec sharkli@supanet.com [89] #Re: Transposition (definitely on topic) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19460; Fri, 3 Dec 99 10:01:16 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26034; Fri, 3 Dec 99 10:01:53 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA18846; Fri, 3 Dec 1999 10:00:56 -0500 (EST) Date: Fri, 3 Dec 1999 10:00:56 -0500 (EST) Message-Id: <00a201bf3d9e$d131eb60$48996fd4@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Transposition (definitely on topic) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Fri, 3 Dec 1999 10:00:56 -0500 (EST) Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Transposition (definitely on topic) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 Mike Nash wrote: >It's always puzzled me why it should be such a big deal to transpose a song >in an opera (G&S or otherwise). Mike's post comes at an opportune moment, as I'm currently looking at this for my thesis. Today is supposed to be one of my writing/research days, so it's forced me to concentrate on my work and stop watching the skiing on Eurosport :) I assume (though haven't put together any evidence yet) transpositions were made to accommodate specific performers either in revivals or the D'Oyly Carte touring companies. Here are a few examples in the canon of numbers being transposed, for which band parts exist in both keys: SORCERER: Act I #2a "When he is here" (Constance) original key F transposed key D PINAFORE: Act II #13 "Fair moon" (Corcoran) original key D, transposed key C Act II #15 "The hours creep on apace" (Josephine) original key G minor transposed key F# minor PATIENCE: The pencil instruction "Play transposed MS" in some manuscript orchestra parts suggests that at one time #3 in Act I was transposed into a different key, but I haven't yet come across any of the aforementioned transposed MSS. GONDOLIERS: Act I #6 (#5 in some parts) "There was a time" (Luiz, Casilda) original key F#, transposed key F YEOMEN: Act I #1 printed orchestra parts in Eb, manuscript orchestra parts in the original key of Db (Kalmus printed parts give both keys) Act I #7 (#8 in older parts - later renumbered because of removal of original #4) "I have a song to sing, O" (Point) printed orchestra parts in Eb, manuscript orchestra parts in original key of D. Older editions of the vocal score (those with the 2nd Yeoman's verse on pp. 80-82) have this number in D, later VSS are in Eb. Act I #11 (#12) "Were I thy bride" (Phoebe) printed Kalmus orchestra parts are in F as well as Eb, manuscript orchestra parts in Eb. All vocal scores that I've seen so far give this in Eb To me, the intriguing example is that of "I have a song to sing, O" - heard in isolation, to my ear it definitely sounds "better" up a semitone in Eb than in D major - subjectively speaking, I perceive Eb as producing a softer, more rounded sound than the bright sound of D, though D is more of a "folky" key than Eb for reasons of ease of playing in that key on instruments traditionally associated with folk music. Sullivan's use of D major rather than minor (D is the relative minor of F major - key signature 1 flat) as a tonal reference centre in "Here's a man of jollity", which ends on the dominant (5th degree of the scale of D: an A major triad E-C#-A) is leading one to expect a resolution on a chord of D (V-I perfect cadence) at the start of "I have a song to sing, O", which is what originally happened. In a transposition to Eb major the relationship between the two numbers is significantly altered. I'd be interested to hear the views of any of our vocalist friends who have played Point. Have any of you performed it in D, and if so what difference did you feel it made? Helga J. Perry Music Department, University of Birmingham UK sharkli@supanet.com or sharkli@netlineuk.net  1,, Summary-line: 3-Dec sharkli@supanet.com [52] #SORCERER transpositions Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19625; Fri, 3 Dec 99 10:01:41 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03277; Fri, 3 Dec 99 10:01:35 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA19051; Fri, 3 Dec 1999 10:01:27 -0500 (EST) Date: Fri, 3 Dec 1999 10:01:27 -0500 (EST) Message-Id: <00a301bf3d9e$d23551a0$48996fd4@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: SORCERER transpositions Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Fri, 3 Dec 1999 10:01:27 -0500 (EST) Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: SORCERER transpositions Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 Steve Lichtenstein writes: >Sullivan also transposed at least one number from Sorcerer ("Dear friends, >take pity on my lot") for the same reason -- likewise altering a bit of >recitative to assist in the transition (less than successfully in this case, >I fear -- I'm thinking of the passage beginning: "Oh joy, joy, the charm >works well..."). Act II #15 "Dear friends take pity on my lot" was in E major in the original run but transposed into Db major for the 1884 revival. I haven't seen any band parts presenting the E major version, but surviving instrumental cues in post-1884 flute and oboe books give the first 10 bars of #16 "Oh joy! Oh joy!" with a key signature of 1 sharp and beginning with the scale E F# G A A# B (flutes & oboe don't actually play the first 10 bars of #16 but are given the first bar of the other main parts to let the players know what's happening. This is not the only case of a copyist copying an obsolete cue - the most significant example so far discovered is the confirmation by cues in drum parts of the "controversial" second bar of TRIAL BY JURY as published in the Broude full score). More information on the location and accessibility of any pre-1884 SORCERER band parts would be gratefully received! #17 has sometimes been performed down a semitone (some manuscript parts have pencil annotations to play it in Db instead of D) but I don't think this was ever a "legit" transposition. The recitative Act I #2 which precedes #2a "When he is here", to which I refer in my other post, was altered to accommodate the transposition. Helga J. Perry Music Department, University of Birmingham UK sharkli@supanet.com or sharkli@netlineuk.net  1,, Summary-line: 3-Dec philip@msmail.awii.com [72] #"00" years (back ON topic!) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20029; Fri, 3 Dec 99 10:02:51 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03557; Fri, 3 Dec 99 10:02:45 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA19562; Fri, 3 Dec 1999 10:02:18 -0500 (EST) Date: Fri, 3 Dec 1999 10:02:18 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: "00" years (back ON topic!) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Fri, 3 Dec 1999 10:02:18 -0500 (EST) Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: "00" years (back ON topic!) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) > I believe I read somewhere recently that the calendar was changed > sometime in the 18th (or possibly 17th?) century, which would > mean that 2000 is the first year to which the above applies > - no-one seems to have pointed this out. > > Denise Wicken This will be on topic, but it needs a preface. There used to be the Julian calendar, which observed Leap Year every 4th year no matter what. Then, under the auspices of Pope Gregory XIII in 1582, the Gregorian calendar was adopted to except all "00" years that aren't divisible by 400. Different countries switched from Julian to Gregorian at different times over the course of at least two centuries. The switch involved pretending that the Gregorian calendar had been in place since the time of Julius Caesar (hence "Julian") and that at least ten occurrences of February 29 had never taken place, meaning that the Gregorian date should be at least ten days later than the Julian date. The changeover in the American colonies occurred in 1752. George Washington was born on February 11, but after the changeover this was converted to February 22. Of course, it's now the third Monday in February, but that's for the purposes of a three-day weekend. For countries which made the change right away, 1600 was still Leap Year, but 1700 was the first exception. In America, 1700 was Leap Year at the time but retroactively lost its February 29 after conversion, and 1800 was the first exceptional year actually observed that way. Gilbert made all of this essential to the resolution to THE GENTLEMAN IN BLACK, a musical composed by Frederic Clay. Unlike this duo's AGES AGO, THE GENTLEMAN IN BLACK survives only as a libretto, which reads like a parody of G&S, replete with supposed baby switching and general confusion carried to such extreme that one stage direction actually specifies deliverance of a clumsy and lengthy explanation at a virtually unintelligible speed. The title character is a supernatural being who, on their request, causes baron Otto and peasant Hans to live in each other's bodies for a month. The terms of the contract, which goes into effect on August 13, calls for the switch to be undone on September 13. Over halfway through the month, Otto, tired of a peasant's life, falsely convinces Hans that they were switched at birth, and they both sign a statement to this effect. Otto then becomes a baron, intending to destroy the statement just before his soul returns to his own body. Then a proclamation is suddenly made that the current date of September 3 has just become September 13 (for reasons not fully explained in the libretto, but the allusion is definitely to the Julian-Gregorian conversion). The souls of Otto and Hans are immediately switched back to their proper bodies, as the contract was set to expire on September 13, not necessarily after one month. As Otto never got a chance to destroy the bogus baby-switching document, he is doomed to remain a peasant while Hans stays a baron. And you thought the Leap Year deal in PIRATES was contrived!! Philip Sternenberg -- "Nature's Sole Mistake!" philip@msmail.awii.com Bergenfield NJ USA  1,, Summary-line: 3-Dec dduffey@argonet.co.uk [95] #Fancy's Fiddle 3 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24749; Fri, 3 Dec 99 12:36:34 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22977; Fri, 3 Dec 99 12:37:07 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA13960; Fri, 3 Dec 1999 12:35:00 -0500 (EST) Date: Fri, 3 Dec 1999 12:35:00 -0500 (EST) Message-Id: <003001bf3db3$5deb3840$f284bc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Fancy's Fiddle 3 Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Fri, 3 Dec 1999 12:35:00 -0500 (EST) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Fancy's Fiddle 3 Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I have pleasure in opening the Third Annual International SavoyNet Writing Competition. Candidates may submit entries for any or all of the topics. The entries are posted on SavoyNet, preferably one topic at a time - spread 'em out. Closing date Wednesday 22 December at 2359. Following that date I post a ballot form and SavoyNetters are invited to elect their favourite entry for each topic. Please put the expression "FF#x" in the subject line of your submissions, x being the number of the topics as below. The topics 1 Dear Abbie (Suggested by Roberta Klarreich) Write a letter to an "agony aunt" from a G&S character, and the aunt's reply. Agony aunt is the expression used in the UK for the "readers' problems" page of popular magazines. 2 Pace Marc Devise a set of rules for SavoyNet, which might have a limiting or selective effect on the people who can post; e.g. "No-one may refer to their own achievements", or "Submitted verse must rhyme and scan correctly". Not more than 10 rules. 3 Make your hair curl Up-date the Ruddigore Ghost's curses (Coward, poltroon, etc.) (but keep it fairly clean). 4 Wish you were here Write an exchange of e-mails between two G&S characters, one of whom is holidaying in the land of an opera which neither are from. 5 King Tuppence (Suggested by Sharon Brindle) Write a really BAD review of a G&S production (NB This does not mean a review of a bad performance or a review that is over-harsh, rather an ill-informed and inaccurate one) 6 Known to the world as a SavoyNetter Write a parody of the Colonel's first song from Patience, but substituting the names and characteristics of SavoyNetters. 7 Gottchya! (Another of Sharon's suggestions) Write a down-market tabloid newspaper account of a Savoy opera incident. 8 Proper recognition (Suggested by Paul McShane) Write 16 verses scanning a la "Abdul the Bulbul", but with each verse ending, alternately with references to WSG and ASS (e.g. "William S. Gilbert, the Bard" and "Arthur S. Sullivan, Knight"). The rules for the poem are: (a) Scanning, etc. as for "Abdul the Bulbul". Viz: Librettists are persons of talent and skill, Their job is exceedingly hard. The best of them all, as we like to recall, Was William S. Gilbert, the Bard. (b) The last lines of each odd verse would be the same, and of each even verse be the same. (c) The first 2 verses would introduce G&S, respectively, and the next 14 would contain a theme referring to each of the 14 operas, in order. (d) The last word of the second line must be different in each verse, but it must rhyme with the last word of the final line - in my example above, the words "Bard" and "Knight" fortunately allow for many different rhymes. (e) The last word of the third line must rhyme with the stressed word of the second dactyl of the same line (e.g. "Grossmith and Bond made the audience fond"). 9 Cliff-hanger Write the storyline scenario of a soap opera using G&S characters and locations. 10 Waiting for Godot (Sharon again!) Rewrite a passage of dialogue in the style of another author, e.g. Irvine Welsh (if you dare!), Shakespeare, Dr Seuss. David  1,, Summary-line: 3-Dec BMILLER@holycross.edu [35] #Re: Transposition (definitely on topic) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00668; Fri, 3 Dec 99 12:51:27 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA00704; Fri, 3 Dec 99 12:51:10 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA15673; Fri, 3 Dec 1999 12:50:29 -0500 (EST) Date: Fri, 3 Dec 1999 12:50:29 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Transposition (definitely on topic) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Fri, 3 Dec 1999 12:50:29 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Transposition (definitely on topic) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 > Act I #7 (#8 in older parts - later renumbered because of removal of original #4) "I have a song to sing, O" (Point) printed orchestra parts in Eb, manuscript orchestra parts in original key of D. Older editions of the vocal score (those with the 2nd Yeoman's verse on pp. 80-82) have this number in D, later VSS are in Eb. > The autograph full score has a penciled direction to transpose this number up into E flat. In fact, most of the other transpostions mentioned has similar directions found in the respective autogrpahs. It is highly likely that "Fair moon" has always been sung in the lower key, and that "When maiden loves" was transposed downward specifically for Jessie Bond. Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 3-Dec lpinsker@erols.com [62] #As far as the leap year thing is concerned... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29877; Fri, 3 Dec 99 15:14:33 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20110; Fri, 3 Dec 99 15:14:19 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA05822; Fri, 3 Dec 1999 15:12:53 -0500 (EST) Date: Fri, 3 Dec 1999 15:12:53 -0500 (EST) Message-Id: <3848211A.750A@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: As far as the leap year thing is concerned... Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 3.01C-DH397 (Win95; I) *** EOOH *** Date: Fri, 3 Dec 1999 15:12:53 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: As far as the leap year thing is concerned... Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 3.01C-DH397 (Win95; I) I was in my local library earlier today, which has the New York Times on microfilm going back to 1935. Recalling the leap year controversy we were engaged in--and remembering either Bradley or Asimov saying something about a piece appearing in the New York Times on February 29, 1940 concerning the date of Frederic's maturity--I looked up that date. Sure enough, the following appeared--on the editorial page, no less. FREDERIC GOES FREE Some people are pettish and mean. Not very many, perhaps, but some of them are. Consider what they are up to this morning. For an exhausting number of years Frederic, the unexceptionable apprentice to "The Pirates of Penzance", has been waiting until Feb. 29, 1940, to be released from his indentures. He had been formally apprenticed until his twenty-first birthday. But since he was born on a leap-day, his twenty-first birthday does not come until he is well into his eighties. Writing in 1879, W.S. Gilbert, the logical humorist, specifically put the date of Frederic's release as today. "In 1940 I of age shall be," Frederic promises Mabel in the opera. Although this day is a pain in the neck to most of us, since it leaves us out of pocket, Frederic has been looking forward to it with fortitude and trust ever since he first heard about it. Now what do you think is going on under cover? Some almanac makers, as well as some testy Savoyards, have recollected that since 1900 was not a leap year, Frederic will not reach his twenty-first birthday until Feb. 29, 1944. Gilbert was more a man of letters than an astronomer royal, and when he made his neat literary calculations he did not realize that 1900 would not be a leap year. Frederic has been laboring under an appalling miscalculation. Poor wandering one, indeed! Four more years of dutiful servitude! As friends of the most virtuous young man ever stuffed into a light opera, shall we let Frederic get trapped in this deceitful figuring? We are not defenseless. Gilbert never actually specified the time of "The Pirates of Penzance". In those circumstances, why don't we put the date of Frederic's birth back far enough to see him through today? Make him 88 years old today; that gives him twenty-one leap year birthdays and allows for the inexcusable malfeasance of 1900. No sooner said than done: "Here's good luck to Frederic's ventures, Frederic's out of his indentures!" And people think the New York Times doesn't have a sense of humor... Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 5-Dec bigbird@21stcentury.net [133] #Utopia Limited (UMGASS, Ann Arbor, Michigan, USA) - Long! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12698; Sun, 5 Dec 99 17:32:34 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA19172; Sun, 5 Dec 99 17:32:31 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA05792; Sun, 5 Dec 1999 17:31:57 -0500 (EST) Date: Sun, 5 Dec 1999 17:31:57 -0500 (EST) Message-Id: <000301bf3f7f$de13cfa0$dd088818@dmichael.21stcentury.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bigbird@21stcentury.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Big Bird" To: Multiple recipients of list SAVOYNET Subject: Utopia Limited (UMGASS, Ann Arbor, Michigan, USA) - Long! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3155.0 *** EOOH *** Date: Sun, 5 Dec 1999 17:31:57 -0500 (EST) Reply-To: bigbird@21stcentury.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Big Bird" To: Multiple recipients of list SAVOYNET Subject: Utopia Limited (UMGASS, Ann Arbor, Michigan, USA) - Long! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3155.0 As I told the SavoyNet, I'm willing to drive considerable distances for the chance to see productions of G & S operas that are performed less frequently. I have just returned from Ann Arbor, Michigan (approximately 250 miles from Chicago), having watched their production of "Utopia Limited" last night; and I am very glad to report that it was well worth the drive. I probably should have written down some notes as soon as I returned to my motel room last night, but I'll do my best to give a good report based on my memory. UMGASS (The University of Michigan Gilbert & Sullivan Society) has been around since 1947. Although it is based on the campus of the university, and draws a good chunk of its cast & crew from the university, it is a community theatre group, and includes people from all walks of life. But not surprisingly, being based at a university with substantial music & drama programs, the quality of the music and acting is quite high. First of all: granted that I am not very familiar with "Utopia" (I've only seen it once before and haven't been in it) and so am not 100% certain what a "traditional" production of it would be; but as far as I can tell, this was one. It wasn't set on a spaceship, in the future, or on the Isle of Man, or anything else. The set was very nice: a series of platforms made to look like rocks at various different levels, palm trees, and a couple of huge Easter Island-type idol heads. For act two, the chorus transformed the set into the Utopia Limited boardroom while the entr'acte was playing. The costumes were very attractive. For the utopian costumes the chorus wore very colorful floral print Polynesian-looking outfits, and they were not identical in design. Some of the younger and more attractive chorus girls had outfits with bare midriffs, which seemed quite in place to me. Some of the men's costumes bared their chests as well. When they switched to the English costumes, everyone looked nice, and again they were not all identical in design. I particularly like the First Life Guard costumes. SavoyNetter Mitch Gillett was one of the two costumiers, and I think he deserves to be commended for his work. On to the performances. Because there is such a large cast, I'm not going to mention everybody, but suffice it to say that all of the performances were at least good, and there were many that were outstanding. I'll single out a few (in cast list order): King Paramount (Matt Grace) - a large man but light on his feet, with a very expressive face and excellent voice. His songs were well delivered, and he had a very nice touch for the humor of the piece. By the way, "First You're Born" was not included. Scaphio (Tom Petiet) and Phantis (Don Devine) - very funny! They played very well off each other, and in their scenes with King Paramount as well. Don Devine was particularly nimble on his feet, executing a few dance moves that Martyn Green would have been proud of. The only problem was that I had a little trouble understanding their words sometimes. Tarara (Liam Hoekenga) - he played the public exploder as much more of a bungler than I remembered from the one previous time I saw the opera. Great stage presence, good voice, maybe a bit overenthusiastic with his gestures, but on the whole a fun performance. Fitzbattleaxe (Robert Conley) - outstanding! Tall and handsome, his voice was both attractive and very strong, and he was also very funny in "A Tenor All Singers Above". Dramaleigh (Phillip Rhodes) - great stage presence, good actor, voice a bit weak. By the way, during his introductory song, he held up a piece of paper marked "Thespis" and tore it up - so now we know what became of that score! Goldbury (Peter Christian) - after Fitzbattleaxe, the strongest performer among the Flowers. Excellent singing voice, twinkle in his eye, enjoyed his "Some seven men..." solo very much. Corcoran (Alan Wineman) - true bass voice (very nice) and good physical presence. During his song they (not surprisingly) inserted some of the "what, never?" stuff from "Pinafore". Zara (Milena Grubor) - I'd rank her in a dead heat with Fitzbattleaxe and Paramount for best performance in the show. Very beautiful woman, very strong singing voice (the only female cast member that I never once had trouble understanding her words). Absolutely perfect for the role, and she and Fitzbattleaxe worked very well together. Nekaya (Kara Haan) & Kalyba (Ryan Colombini) made a cute pair, although they didn't look the least bit like sisters (one was tall and dark, and the other very short and fair). They did the "proper girl" stuff very nicely. I did have some trouble hearing them, though. Phylla (Kim Walton) - normally I wouldn't even mention a part this small in a cast this big, but she did an absolutely superb job with her solo in the opening chorus, so I think she rates a mention. The First Life Guards were a rather motley bunch, and played very much for humor rather than straight. I thought they were very funny. The chorus sounded very nice and well balanced. "Eagle High" was simply gorgeous. The orchestra was superb. I didn't hear a sour note the whole evening, and I would particularly single out the brass section, which played some of the most stirring fanfares I've ever heard in a G & S production (whereas I've been in a few professional productions where the trumpet players couldn't manage a good fanfare save their lives). The choreography (by Laura Christian - who also played Lady Sophy - and Beth Ballbach) was excellent (I particularly enjoyed it in "Society Has Quite Forsaken"), as was the stage direction (Victoria Rondeau & David Zinn) and music direction (Scott Hochstetler). To summarize: wonderful production, great fun, glad I made the trip. Only sorry I haven't gone to see any of their productions before. Good job, UMGASS! David Michaels Chicago, IL, USA bigbird@21stcentury.net "Life's a pudding full of plums..."  1,, Summary-line: 6-Dec erniefo@MICROSOFT.com [52] #RE: Leap Year calculations [WAS: SAVOYNET digest 3231] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11146; Mon, 6 Dec 99 10:35:31 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24570; Mon, 6 Dec 99 10:35:20 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA08133; Mon, 6 Dec 1999 10:34:09 -0500 (EST) Date: Mon, 6 Dec 1999 10:34:09 -0500 (EST) Message-Id: <783D93998201D311B0CF00805FEAA07BD7B6B2@RED-MSG-42> Errors-To: savoynet-owner@bridgewater.edu Reply-To: erniefo@MICROSOFT.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ernie Fosse To: Multiple recipients of list SAVOYNET Subject: RE: Leap Year calculations [WAS: SAVOYNET digest 3231] X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2650.21) *** EOOH *** Date: Mon, 6 Dec 1999 10:34:09 -0500 (EST) Reply-To: erniefo@MICROSOFT.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ernie Fosse To: Multiple recipients of list SAVOYNET Subject: RE: Leap Year calculations [WAS: SAVOYNET digest 3231] X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2650.21) For those who remain interested in the history of leap year, read on. Others may allow your attention to wander -- or may even wish to hit the *delete* key. ===== ===== ===== ===== ===== Willy Dahms wrote: <> I beg to differ. The following is a few lines from the display of my Unix computer's "cal" routine, which prints a calendar for a given year. <> To which I reply: These dates indicate the adoption of the Gregorian calendar by Britain in 1752. By that year, the calendar was _11_ days out of sync with the Vernal Equinox year (rather than Gregory's 10-day adjustment of 1582). So Britain's solution was to set September 14th to follow September 2nd. This, of course, was 170 years (less a month) after Pope Gregory's Papal Bull. Your Unix Calendar program actually points out exactly the problem I was talking about. This calendar would be totally inaccurate in Catholic Europe prior to September of 1752. Hence the reason why, in computing circles, it is not considered possible to "accurately" calculate a date prior to 1750. (For that matter, date calculations between 1750 and 1752 require a huge amount of "exception" logic.) The fact that your software is displaying these dates does not make them accurate -- certainly not throughout the world, anyway. Or, as my mom used to say: "Just because you read it in the papers, that doesn't make it true." There are, by the way, a number of excellent treatises on this subject available on the WEB. For starters I might point you to _Calendar Studies_ by Peter Meyer located at http://www.magnet.ch/serendipity/hermetic/cal_stud.htm The section entitled "The Julian and the Gregorian Calendars" is particularly informative (especially section iii, "Adoption of the Gregorian Calendar"). ErnieFo  1,, Summary-line: 6-Dec oakapple2@yahoo.com [102] #Re: Pirate recordings (was RE: Four More Acoustical Recordings on CD-ROM) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14561; Mon, 6 Dec 99 11:49:32 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24938; Mon, 6 Dec 99 11:50:08 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA20459; Mon, 6 Dec 1999 11:48:34 -0500 (EST) Date: Mon, 6 Dec 1999 11:48:34 -0500 (EST) Message-Id: <19991206163351.15211.qmail@web125.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Pirate recordings (was RE: Four More Acoustical Recordings on CD-ROM) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 6 Dec 1999 11:48:34 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Pirate recordings (was RE: Four More Acoustical Recordings on CD-ROM) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Chris Webster's post gives us much to ponder on the subject of pirated recordings. In the opera world, the term "pirated recording" simply means a recording still under copyright that is issued without the permission of all of the artists. Most "pirates" are either: a) recordings made surrepetitiously in the opera house; b) official archival recordings; or, c) airchecks from radio or television broadcasts. To be clear, the one thing "pirated" does not mean (in the operatic context) is to copy commercially-issued recordings, simply to avoid paying for them fair and square. The sources of pirated opera recordings are numerous. The site I mentioned yesterday is one such source, although the particular CD-ROM I recommended contains no pirated material. Pirated recordings come out on well known labels and are sold in major stores; they are also available from collectors and enthusiasts who work out of their homes. Most opera fans and critics have accepted the existence, and indeed the importance, of pirated recordings. I own many of them myself. Scholarly articles in mainstream publications by highly-respected critics make reference to such recordings and discuss them in considerable detail. Pirates can fill critical gaps in our knowledge of a work's (or a role's) performance history -- particularly where an important artist never recorded a role in the studio, or where the only available commercial recordings failed to document his or her career adequately. Because "pirates" are so widely accepted among critics and fans, I suspect that there must be an unspoken ambivalence about whether the copyright laws that protect these recordings have struck a fair balance between the rights of the performer and the rights of the listener. The Gilbert and Sullivan world has taken a far more restrained view of pirated recordings. They circulate, if at all, only quietly. Not a single G&S recording that I would consider "pirated" has ever appeared on a commercial label. I don't know anyone who sells them out of his or her garage. This not a comment on what ought, or ought not, to be. But, it is certainly different from the opera world. Chris wrote: > It appears to me that grand opera performers seem to regard these > pirate issues as an occupational hazard and turn a blind eye.... This is not necessarily true. Some grand opera performers are delighted that a role they never recorded is available to their fans. Others object mightily, particularly if the pirates present an unflattering portrait or are in competition with their own studio recordings. However, because the sources of pirated recordings are so numerous, the effort to eradicate them would probably exceed the benefits. Chris wonders whether G&S professionals would be willing to see some of the existing pirates of *their* performances in wider circulation. The problem, if you're going to do it properly, is the maddening difficulty of getting the required permissions from all of the artists. John Reed may think that a particular pirated recording of Ko-Ko is the best document of his interpretation, but the Yum-Yum on that recording may believe that she was heard better elsewhere. If a recording was not made from the beginning with commercial issuance in mind, getting the permissions later can be nearly impossible. You may not even be able to *find* all of the artists--much less to secure their agreement. Particularly maddening, to me, are the cases where a recording exists and is publicly available, but can't be copied. The Library of Congress and other museums have tapes of historic G&S performances from the early days of television. Anyone can make an appointment to go see these tapes, but you have to appear in person. Copying is not allowed. Yet, all copying would do is to shift the viewing experience to a location more convenient to the viewer. It's not as if you'd be seeing something you'd otherwise not be allowed to see. Similarly, in 1966 and 1989 the BBC broadcasted complete recordings of the entire G&S canon, all with dialogue. The artists, orchestras, and conductors were first rate. Tapes of these two series have circulated privately among collectors who recorded them off the air, but they cannot legally be copied. Yet, it's not as if the material was never supposed to be heard. All commercial issuance would do is to recreate the experience for those not lucky enough to have had their tape recorder running 1966 or '89. If I understand the copyright laws, the 1966 series will not enter the public domain until 2036. Fallacy somewhere, I fancy. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Thousands of Stores. Millions of Products. All in one place. Yahoo! Shopping: http://shopping.yahoo.com  1, answered,, Summary-line: 6-Dec cjsmith@MIT.EDU [13] #CDs Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00533; Mon, 6 Dec 99 17:00:33 EST Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id RAA14972 for ; Mon, 6 Dec 1999 17:00:15 -0500 (EST) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.184.0.46]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id RAA04667 for ; Mon, 6 Dec 1999 17:00:14 -0500 (EST) Received: (from cjsmith@localhost) by home-on-the-dome.mit.edu (8.9.3) id RAA19057; Mon, 6 Dec 1999 17:00:13 -0500 (EST) Message-Id: <199912062200.RAA19057@home-on-the-dome.mit.edu> To: opus@MIT.EDU Subject: CDs Date: Mon, 06 Dec 1999 17:00:13 -0500 From: CarolYN J Smith *** EOOH *** To: opus@MIT.EDU Subject: CDs Date: Mon, 06 Dec 1999 17:00:13 -0500 From: CarolYN J Smith Hiya! What's up on the making CDs front? Would it be possible to just dump all the data from the minidiscs onto somewhere on one of your computers on Sunday if I bring them up, and then do the formatting and creation of CDs some other time? I will have the minidisc player that day anyway to record my students' recital so I can just bring it all up afterwards... --Carolyn  1,, Summary-line: 8-Dec BMILLER@holycross.edu [69] #Chappell vocal scores Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08590; Wed, 8 Dec 99 17:32:00 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20604; Wed, 8 Dec 99 17:32:35 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA26313; Wed, 8 Dec 1999 17:30:59 -0500 (EST) Date: Wed, 8 Dec 1999 17:30:59 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Chappell vocal scores Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Wed, 8 Dec 1999 17:30:59 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Chappell vocal scores Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 In some conversations with music dealers, the following information has come to light concerning USA availability of the Chappell G & S scores. Warner Bros. Music has taken over distribution of the Chappell scores (worldwide, I think). They have a limited stock of about half of them in the USA right now. Some are "P.O.P." (permanently out of print), some are "T.O.P." (temporarily out of print). There is no reprinting date for the "T.O.P." items; it could be months or years in the future. We cannot get definitive answers about a few of them. People who want copies for their collections would be well advised to order before they become unavailable again. They can be ordered through any music dealer that handles "classical" music. I accept no responsibility for any inaccuracies that may appear below; the situation with the Chappell scores in this country has not been steady in recent years and things have a way of changing rapidly. It's submitted simply as a service for those who might be interested. The items below are listed by Warner Bros catalogue number, title, list price, and the number of copies in stock at Warner Bros as of a few weeks ago: 2271 The Gondoliers $26.00 "Not yet published" (whatever that means) 2277 Iolanthe 17.95 T.O.P. 2283 The Mikado 20.95 20 2290 Patience 13.95 26 (This is the version with a laminated cover and plastic spiral binding. I am told that when [if?] it is reprinted it may not be done that way. IMO the price is a bargain.) 2301 Trial by Jury 13.95 6 2302 Utopia Limited 22.95 2 2305 The Yeomen of 19.95 T.O.P. the Guard (No #) Ruddigore [no price] P.O.P. (No #) H.M.S. Pinafore [no price] ????? (No #) The Grand Duke [no price] ????? Princess Ida no information Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 8-Dec sharkli@supanet.com [37] #Re: Chappell vocal scores: advert! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27965; Wed, 8 Dec 99 18:18:16 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA28012; Wed, 8 Dec 99 18:18:05 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA28542; Wed, 8 Dec 1999 18:17:12 -0500 (EST) Date: Wed, 8 Dec 1999 18:17:12 -0500 (EST) Message-Id: <000601bf41d1$9b3d0120$86986fd4@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Chappell vocal scores: advert! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Wed, 8 Dec 1999 18:17:12 -0500 (EST) Reply-To: sharkli@supanet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sharkli" To: Multiple recipients of list SAVOYNET Subject: Re: Chappell vocal scores: advert! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 The Chappell vocal score of GONDOLIERS (ISBN 0863598714) is currently available via the Bel Canto Opera Score Store (go to URL below and click on the appropriate link) Helga J. Perry Music Department, University of Birmingham UK sharkli@supanet.com or sharkli@netlineuk.net BEL CANTO OPERA SCORE STORE http://www.geocities.com/Vienna/Strasse/7905/amazon -----Original Message----- From: Bruce I. Miller > >2271 The Gondoliers $26.00 "Not yet published" (whatever that > means)  1, forwarded,, Summary-line: 8-Dec hull@cs.nyu.edu [111] #Bway's Topsy-Turvy Mikado Reports In Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11389; Wed, 8 Dec 99 19:04:16 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA09585; Wed, 8 Dec 99 19:04:09 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA01937; Wed, 8 Dec 1999 19:03:10 -0500 (EST) Date: Wed, 8 Dec 1999 19:03:10 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: hull@cs.nyu.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nathan Hull To: Multiple recipients of list SAVOYNET Subject: Bway's Topsy-Turvy Mikado Reports In Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA01937 *** EOOH *** Date: Wed, 8 Dec 1999 19:03:10 -0500 (EST) Reply-To: hull@cs.nyu.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nathan Hull To: Multiple recipients of list SAVOYNET Subject: Bway's Topsy-Turvy Mikado Reports In Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA01937 Dear Friends- So, there I was today, in the middle of Times Square with video=20 cameras blazing, acting out one of my favorite G&S roles: The=20 Mikado. How bizarre=8A Sometimes Fate is so strange, that I felt I had to abandon my usual=20 Lurker Identity to tell you about it. It started innocently enough a few weeks ago when I was asked in=20 almost in passing if I would reprise my Mikado yet again, this time=20 in honor of the opening of the "Topsy-Turvy" and the release of the=20 soundtrack album. It sounded fun, so I jumped aboard without quite=20 realizing what was in store. Certainly the last week or so has been lots of fun putting together=20 our half hour concert of "Mikado" music with some great performers.=20 It'll be great when we get to perform it a couple of times tomorrow.=20 I think that all involved have created a lovely show. But the sense of alternate reality first set in when it was declared=20 I had to for this satellite transmitted event. Well, the=20 beard hasn't been off for ten years, and the moustache affixed itself=20 sometime during college, so I had been viewing last night's shaving=20 ritual with great apprehension. Justifiably. But to be brief, I=20 just want to know who in the last ten years managed to replace my=20 previous strong jaw line? I want answers=8A. Today dawned at 7 a.m. with a visit to the New York City Opera, where=20 three wardrobe and costume people fussed over the most gigantic=20 Mikado costume you have ever seen. Not only does it look like the=20 result of an explosion from a silk factory, but it has two dowel=20 sticks built into the sleeves. Thus, when I extended the arms, it=20 made me look like a gigantic, manic butterfly sprung directly from a=20 bad, hallucinogenic dream. Perfect, in other words. Next came the wig and makeup person who made my newly nude face into=20 something even more frightful. If possible. Finally, eight strong,=20 we were loaded into a large van for the trip to Times Square. The purpose of our peculiar quest today was to shoot inserts for a=20 video piece which will be beamed during tomorrow's opening.=20 Basically, it was to be "The-Mikado-Takes-New-York". So there I was,=20 in the same hotel as Hillary Clinton, swooping down in full makeup=20 and regalia into the elevator, out into the street, only stopping=20 long enough to generously tip the doorman a U.S. quarter. What else could the Mikado do on video? Well, how about accost a=20 passerby or two? I didn't feel too sorry for the little-old-lady=20 types I approached, really. Hey, they were New Yorkers and were=20 steeled for such strange intrusions. But the French sailors who=20 happened by must really have an altered opinion of our fair country. Continuing our filmed excursion into Guerilla Theatre, I next spotted=20 a car being towed by the police - a New York tradition, may I add.=20 Well, what was there to do but to run down the street after it and=20 try to get "my" car back? The tow truck operator actually stopped,=20 which must be a first for this City!! Then, a fire truck made a fortunate appearance. By now emboldened, I=20 leapt aboard. Disregarding the coarse comments from the firemen=20 about my supposed sexuality, (Hey! We were near 8th Avenue! =20 they've seen men in makeup in the neighborhood before!!) I enjoyed=20 the short drive down the block, hanging off the side. (Oh, yes:=20 That was the moment the New York City costume people had heart=20 seizures. Still can't figure out why.) After scarfing down a Mikado-sized hotdog from the local vendor, it=20 was finally time to grab a cab, which ended up being the real=20 challenge (and sight gag) of the day, since my headdress made me a=20 full 9 feet tall. Why are there no more Checker cabs?? Well, tomorrow (Thursday the 9th) promises to start in the same vein.=20 When I moved to New York, I never dreamt that I would some day be=20 pulled down Broadway in a rickshaw! I have this vision of myself=20 looking somewhat like a demonic Macy's Santa, waving to small=20 children while shouting, "Ho, ho, ho! I've come to reduce the rank=20 of your City down to that of a village! Ho, ho, ho!!!" Or worse. I feel like I am only now hitting my stride. Heh, heh, heh. Nonetheless, I will post a "part two" tomorrow, and let you know how=20 I and the rest of the cast fared. I'm sure it will be an adventure.=20 If you happen to see my shaved image on TV in some far off land, let=20 me know. I won't lie to you and tell you that I am not curious! I'm=20 prepared in life to walk the boards of a stage, but am just now=20 understanding the pleasures of being let loose as the Mikado upon an=20 unsuspecting New York. Stay tuned. --Nathan Hull  1,, Summary-line: 8-Dec RKlarreich@aol.com [51] #FF#1 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09927; Wed, 8 Dec 99 23:15:36 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA08986; Wed, 8 Dec 99 23:16:15 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA23039; Wed, 8 Dec 1999 23:15:12 -0500 (EST) Date: Wed, 8 Dec 1999 23:15:12 -0500 (EST) Message-Id: <0.5bc9de81.25808494@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: RKlarreich@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: RKlarreich@aol.com To: Multiple recipients of list SAVOYNET Subject: FF#1 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 30 *** EOOH *** Date: Wed, 8 Dec 1999 23:15:12 -0500 (EST) Reply-To: RKlarreich@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: RKlarreich@aol.com To: Multiple recipients of list SAVOYNET Subject: FF#1 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 30 >1 Dear Abbie: Write a letter to an "agony aunt" from a G&S character, and the >aunt's reply. Dear Abbie, Buffeted by the raging winds of ungovernable passion untempered by the voice of divine reason, I look to you perforce for guidance. For I am torn by fearful emotions, each more wrenching than the last. The moment dreams of bliss propel me as on a cloud to dizzying heights, I am claimed by Stygian gloom, where I am doomed to contemplate the unending blankness of the coming years. What do you advise? Panicked in Portsmouth *** Dear Panicked, Reading between the lines, I deduce that you are in love. In that case, the only advice I can give you is to speak to the girl of your heart and tell her like an honest man of the honest love you have for her. When you do, though, I would strongly urge you to word your proposal more plainly than you worded your letter to me, or she won't have the faintest idea what you're trying to tell her. How about aiming for something simple, but eloquent? Good luck -- and here's hoping your clouded sky will soon be all serene! Abbie *** Roberta Klarreich rklarreich@aol.com Brooklyn, NY "I've grammar and spelling for two"  1,, Summary-line: 9-Dec pstark@furniture.com [34] #back from England Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05635; Thu, 9 Dec 99 10:27:16 EST Received: from mail1.furniture.com by MIT.EDU with SMTP id AA21531; Thu, 9 Dec 99 10:27:09 EST Received: by mail1.furniture.com with Internet Mail Service (5.5.2448.0) id ; Thu, 9 Dec 1999 10:28:54 -0500 Message-Id: <78E78F1AC17DD311930D00508B44F60A062AA0@mail1.furniture.com> From: Peter Stark To: "'opus@mit.edu'" Subject: back from England Date: Thu, 9 Dec 1999 10:28:51 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Peter Stark To: "'opus@mit.edu'" Subject: back from England Date: Thu, 9 Dec 1999 10:28:51 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" I was in London and in Stratford upon Avon for a week. Just got back last night. Saw: A Song at Twilight - Noel Coward, with Vanessa Redgrave, Corin Redgrave -- quite good, strange play. Taming of the Shrew - Stratford - young cast, no big names, very interesting production. King Lear - Nigel Hawthorne as Lear, at Stratford, in a strange, Japanese Noh-influenced production. It was very thought provoking but he was not able to dominate the stage as a Lear should. Best Lear I ever saw was James Earl Jones, who was overpowering. Battle Royal - at the Royal National Theatre in London, with Zoe Wannamaker. Quite well done. True story of mesalliance between George IV and Princess Caroline of Brunswick, whom he detested and whom had barred by guards at the door from what should have been their joint coronation (she died within weeks of the humiliation). Lots of contemporary echoes here. A Saint She Ain't - Musical adaptation of a Moliere play, set in 1944 Hollywood, with major characters imitating such American stars as Jimmy Durante, W.C. Fields, Mae West, Alice Faye, and Gene Kelly. It was entertaining but not overwhelmingly successful. How's by you? Peter.  1, forwarded,, Summary-line: 10-Dec Dapsrp@aol.com [22] #Announcing ... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22677; Fri, 10 Dec 99 18:18:08 EST Received: from imo-d10.mx.aol.com by MIT.EDU with SMTP id AA15476; Fri, 10 Dec 99 18:18:01 EST Received: from Dapsrp@aol.com by imo-d10.mx.aol.com (mail_out_v24.6.) id c.0.d12950a2 (3990); Fri, 10 Dec 1999 18:17:57 -0500 (EST) From: Dapsrp@aol.com Message-Id: <0.d12950a2.2582e424@aol.com> Date: Fri, 10 Dec 1999 18:17:56 EST Subject: Announcing ... To: edbyrne@worldnet.att.net, hmcneill@bi.com, opus@MIT.EDU, rls@dimins.com, spam24@gateway.net, JAE1529@aol.com, Kerrin3@aol.com Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Windows AOL sub 45 *** EOOH *** From: Dapsrp@aol.com Date: Fri, 10 Dec 1999 18:17:56 EST Subject: Announcing ... To: edbyrne@worldnet.att.net, hmcneill@bi.com, opus@MIT.EDU, rls@dimins.com, spam24@gateway.net, JAE1529@aol.com, Kerrin3@aol.com Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Windows AOL sub 45 Announcing the arrival of Emilie Monique Pray. Date and Time: December 7, 1999 at 7:54 PM In Cincinnati, Ohio Weight: 9 lbs 1 oz. Height: 21 inches We're all doing fine, learning our newest role in life. She was a bit earlier than we expected but considering her size, we're just as glad she was an early arrival. Merry Christmas to those we won't see this holiday season. Steven and Danielle  1,, Summary-line: 11-Dec sir-despard@ruddigore.fre [171] #FF#9/10 (quite long) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03827; Sat, 11 Dec 99 08:36:37 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20610; Sat, 11 Dec 99 08:36:29 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA11132; Sat, 11 Dec 1999 08:35:51 -0500 (EST) Date: Sat, 11 Dec 1999 08:35:51 -0500 (EST) Message-Id: <000701bf43db$c8af6560$1d26883e@hurricane> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: FF#9/10 (quite long) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sat, 11 Dec 1999 08:35:51 -0500 (EST) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: FF#9/10 (quite long) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 I'm not sure which category to put this in, but will you let that pass? ---------------------------------------------------------------------------- - Scooby-Doo meets Ruddigore [Scene: Fred, Daphne, Wilma, Shaggy and Scooby are standing in the front porch at Ruddigore Castle. Fred rings the doorbell. It makes a mournful sound, like a foghorn.] FRED: We'd better be careful. Mr. Oakapple and Mr. Goodheart told us this house is haunted. SHAGGY & SCOOBY: HAUNTED?! YOIKS!! DAPHNE: Come on guys, don't be such scaredy-cats. SHAGGY & SCOOBY: Miaow! Miaow! Miaow! [The door opens. An old man stands in the doorway. He is almost bent double with age.] OLD MAN: Yes? WILMA: Mr. Oakapple sent us. He said there was a mystery to solve here. OLD MAN [smiling roguishly]: You'd better come in. [He steps back to let them inside. They find themselves in a long, dingy hall, with a number of full-length portraits hanging on the walls.] DAPHNE: This is creepy. The eyes in the painting look like they're following us. [Scooby, at the rear of the procession, looks at the painting nearest the door. The eyes really are following him, because they're really holes and someone is peeping through. Scooby dashes forward and leaps into Shaggy's arms.] SHAGGY: Hey, quit foolin', Scoob. SCOOBY [pointing to portrait]: Painding - painding! [Wilma turns to look at the portrait. The eyes in the painting are back in position.] WILMA: Nah, it's just your imagination. FRED [to Old Man]: Are you the owner of this house? OLD MAN: Oh, no sir, I am but a servant, Old Gideon Crawle. I shall take you to see my master, Sir Ruthven Murgatroyd. [He speaks in an exaggerated type of fake English accent which sounds authentic to dumb American kids. He leads them through a huge pair of doors at the far end of the hall, across a smaller hall and to another door. He knocks.] VOICE: Come! CRAWLE [opening the door and going in]: Master, these young people are looking for a mystery to solve. [He ushers them inside, retreats into the passage and closes the door behind him, laughing evilly.] [Sir Ruthven Murgatroyd is seated at a desk. He stands. He has a frightening face, like a vampire, and wears a long black cloak over a Victorian gentleman's suit.] SIR RUTHVEN: Welcome to Castle Ruddigore, my friends! Ha! Ha! Ha! [Shaggy and Scooby dash under the desk, quaking. Wilma shakes Sir Ruthven's outstretched hand.] WILMA: Good evening, Sir Ruthven. We were told there was a mystery to solve here. SIR RUTHVEN: Really? And who told you that? DAPHNE: Mr. Robin Oakapple. He said the place was haunted. SIR RUTHVEN: Did he now? Yes, it's quite true - I've been plagued by the ghost of my uncle Sir Roderic for a week now. If you could get rid of him for me, I'd be most grateful. FRED: You can rely on us, sir. When does the ghost appear? SIR RUTHVEN: At midnight, every night. Wait in the Great Hall, that's where he always appears. [Cut to scene of the Gang waiting in the Great Hall. The time on an old grandfather clock reads one minute to midnight.] WILMA: He should be appearing... now. [The clock starts to strike the hour. A blood-curdling laugh comes from the far end of the Hall.] SHAGGY & SCOOBY: YOIKS!!! GHOST: I am the spectre of the late Sir Roderic Murgatroyd, who comes to warn ye that your fate you cannot now avoid! [He dashes towards them, arms outstretched, laughing manically.] [Scooby leaps up and collides with a suit of armour. It knocks over another one, which knocks over another, and so on like a set of dominoes. The last one falls on the Ghost and traps him.] GHOST: Mmfff! FRED: Let's see who this ghost *really* is. [He pulls off the Ghost's mask.] FRED, WILMA, DAPHNE, SHAGGY & SCOOBY: GIDEON CRAWLE! DAPHNE: So it was the janitor, all the time! [Sir Ruthven enters. He advances on Crawle.] SIR RUTHVEN: Gideon! I see it all now. You wanted to frighten me away, so you could take over the title and my inheritance! CRAWLE: And I would have gotten away with it if it hadn't been for those meddling kids. WILMA: Just a minute. I'm not convinced about that English accent. [She pulls another mask off Crawle's face.] FRED, WILMA, DAPHNE, SHAGGY & SCOOBY: ADAM GOODHEART! GOODHEART [in a very weedy voice, like Droopy]: Yes folks, it was me all the time! WILMA: I still don't think we've got to the bottom of this mystery. [She pulls the mask off Sir Ruthven's face.] FRED, WILMA, DAPHNE, SHAGGY & SCOOBY: ROBIN OAKAPPLE! OAKAPPLE [in a voice which sounds suspiciously like Cliff Richard]: Er, hi gang. DAPHNE: What was all this haunted castle stuff for, Mr. Oakapple? OAKAPPLE: Well, I get so bored being a plain and simple farmer, and I like dressing up. Cup of tea, anyone? [Scooby has already made a pot of tea. He stands up on his hind legs, puts a tea-towel over one of his front legs in the manner of a waiter and gives Oakapple a cup.] SCOOBY [in a gross parody of a posh English accent]: Dea is surved, my lord. [Everyone laughs.] SCOOBY: Hee hee hee hee hee! [End titles.] ---------------------------------------------------------------------------- -- Mike. "I am a villain, sly and slimy" Macclesfield, Cheshire, England  1,, Summary-line: 17-Dec pstark@furniture.com [750] #1999 Darwin Awards Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26432; Fri, 17 Dec 99 13:56:03 EST Received: from mail1.furniture.com by MIT.EDU with SMTP id AA25277; Fri, 17 Dec 99 13:56:48 EST Received: by mail1.furniture.com with Internet Mail Service (5.5.2448.0) id ; Fri, 17 Dec 1999 13:57:50 -0500 Message-Id: <78E78F1AC17DD311930D00508B44F60A062B4A@mail1.furniture.com> From: Peter Stark To: Amy Robinson , "Arthur & Lois Finstein (E-mail)" , "David Rozas (E-mail)" , "Jerry Sorokin (E-mail)" , "John Bennett (E-mail)" , "Mitchell Rose (E-mail)" , "Simon Rozas (E-mail)" , "Simon Rozas (E-mail 2)" , "Tamaris Pardo (E-mail)" , "David Chase (E-mail)" , "Jonathan David Stoler (E-mail)" , "'stumrose@aol.com'" , "'opus@mit.edu'" , Lynn Gilbert , Patty Youngblood , Gwendolyn Horton , Nicole Desjardins , Len Goldberg , John McElman , Ken Dyier , Raheem Johnson , Marialena Barnard , "Kathleen A. Nielsen" , "'richclark@mindspring.com'" Subject: 1999 Darwin Awards Date: Fri, 17 Dec 1999 13:57:49 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BF48C0.9D2F01CC" *** EOOH *** From: Peter Stark To: Amy Robinson , "Arthur & Lois Finstein (E-mail)" , "David Rozas (E-mail)" , "Jerry Sorokin (E-mail)" , "John Bennett (E-mail)" , "Mitchell Rose (E-mail)" , "Simon Rozas (E-mail)" , "Simon Rozas (E-mail 2)" , "Tamaris Pardo (E-mail)" , "David Chase (E-mail)" , "Jonathan David Stoler (E-mail)" , "'stumrose@aol.com'" , "'opus@mit.edu'" , Lynn Gilbert , Patty Youngblood , Gwendolyn Horton , Nicole Desjardins , Len Goldberg , John McElman , Ken Dyier , Raheem Johnson , Marialena Barnard , "Kathleen A. Nielsen" , "'richclark@mindspring.com'" Subject: 1999 Darwin Awards Date: Fri, 17 Dec 1999 13:57:49 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BF48C0.9D2F01CC" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BF48C0.9D2F01CC Content-Type: text/plain; charset="windows-1252" 1999 Darwin awards It that time again! The awards this year are classic. These awards are given each year to bestow upon (the remains of) that individual, who through single-minded self-sacrifice, has done the most to remove undesirable elements from the human gene pool. Ladies And Gentlemen... (drum roll... and envelope please) ....... We proudly present the 1999 "Natural Selection" awards:... 5th RUNNER-UP: Goes to a San Anselmo, California man who died when he hit a lift tower at the Mammoth Mountain ski area while riding down the slope on a foam pad. 22-year old David Hubal was pronounced dead at Central Mammoth Hospital. The accident occurred about 3 a.m., the Mono County Sheriff's Department said. Hubal and his friends apparently had hiked up a ski run called Stump Alley and undid some yellow foam protectors from lift towers, said Lt. Mike Donnelly of the Mammoth Lakes Police Department. The pads are used to protect skiers who might hit towers. The group apparently used the pads to slide down the ski slope and Hubal crashed into a tower. It has since been investigated and determined the tower he hit was the one with its pad removed. 4th RUNNER-UP: Goes to Robert Puelo, 32, who was apparently being disorderly in a St. Louis market. When the clerk threatened to call the police, Puelo grabbed a hot dog, shoved it into his mouth and walked out without paying. Police found him unconscious in front of the store. Paramedics removed the six-inch wiener from his throat where it had choked him to death. 3rd RUNNER-UP: Goes to poacher Marino Malerba of Spain, who shot a stag standing above him on an overhanging rock and was killed instantly when it fell on him. 2nd RUNNER-UP: "Man loses face at party." A man at a West Virginia party (probably related to the winner last year, a man in Arkansas who used the 22 bullet to replace the fuse in his pick-up truck) popped a blasting cap into his mouth and bit down, triggering an explosion that blew off his lips, teeth, and tongue. Jerry Stromyer, 24, of Kincaid, bit the blasting cap as a prank during the party late Tuesday night, said Cpl. M.D. Payne. "Another man had it in an aquarium hooked to a battery and was trying to explode it", said Payne. "It wouldn't go off and this guy said I'll show you how to set it off." He put it into his mouth, bit down and it blew all his teeth out and his lips and tongue off, Payne said. Stromyer was listed in guarded condition Wednesday with extensive facial injuries, according to a spokesperson at Charleston Area Medical Division. "I just can't imagine anyone doing something like that," Payne said. 1st RUNNER-UP: Doctors at Portland University Hospital said an Oregon man shot through the skull by a hunting arrow is lucky to be alive and will be released soon from the hospital. Tony Roberts, 25, lost his right eye last weekend during an initiation into a men's rafting club, Mountain Men Anonymous (probably known now as Stupid Mountain Men Anonymous) in Grant's Pass, Oregon. A friend tried to shoot a beer can off his head, but the arrow entered Robert's right eye. Doctors said that had the arrow gone 1 millimeter to the left, a major blood vessel would have been cut and Roberts would have died instantly. Neurosurgeon Doctor Johnny Delashaw at the University Hospital in Portland said the arrow went through 8 to 10 inches of brain with the tip protruding at the rear of his skull, yet somehow managed to miss all major blood vessels. Delashaw also said that had Roberts tried to pull the arrow out on his own he surely would have killed himself. Roberts admitted afterwards he and his friends had been drinking that afternoon. Said Roberts, "I feel so dumb about this". No charges have been filed, but the Josephine County district attorney's office said the initiation stunt is under investigation. Now THIS YEAR'S WINNER: (The late) John Pernicky and his friend, (the late) Sal Hawkins, of the great state of Washington, decided to attend a local Metallica concert at the George Washington amphitheater. Having no tickets (but having had 18 beers between them), they thought it would be easy to "hop" over the nine foot fence and sneak into the show. They pulled their pick-up truck over to the fence and the plan was for (the late) Mr. Pernicky, who was 100-pounds heavier than Mr. Hawkins) to hop the fence and then assist his friend over. Unfortunately for (the late) Mr. Pernicky, there was a 30-foot drop on the other side of the fence. Having heaved himself over, he found himself crashing through a tree. His fall was abruptly halted (and broken, along with his arm, as it were) by a large branch that snagged him by his shorts. Dangling from the tree with a broken arm, he looked down and saw some bushes below him. (Possibly) figuring the bushes would break his fall, he removed his pocket knife and proceeded to cut away his shorts to free himself from the tree. Finally free, (did I mention that he is THE LATE) Mr. Pernicky crashed into Holly bushes. The sharp leaves scratched his ENTIRE body and now, without the protection of his shorts, a holly branch penetrated his rectum. To make matters worse (?!), on landing, his pocketknife penetrated his thigh 3 inches. (The late) Mr. Hawkins, on seeing his friend in considerable pain and agony, decided to throw him a rope and pull him to safety (now he thinks of the "S" word) by tying the rope to the pick-up truck and slowly driving away. However, in his drunken haste/state, he put the truck into reverse and crashed through the fence landing on his friend and killing him. Police arrived to find the crashed pick-up with its driver thrown 100 feet from the truck and dead at the scene from massive internal injuries. Upon moving the truck, they found John under it, half-naked, scratches on his body, a holly stick in his rectum, a knife in his thigh, and his shorts dangling from a tree branch 25-feet in the air. Congratulations gentlemen, you win... ------_=_NextPart_001_01BF48C0.9D2F01CC Content-Type: text/html; charset="windows-1252"

1999 Darwin awards

It that time again! The awards this year are classic.

These awards are given each year to bestow upon (the

remains of) that individual, who through single-minded

self-sacrifice, has done the most to remove undesirable

elements from the human gene pool.

Ladies And Gentlemen... (drum roll... and envelope please)

.......

We proudly present the 1999 "Natural Selection" awards:...

5th RUNNER-UP: Goes to a San Anselmo, California man who

died when he hit a lift tower at the Mammoth Mountain ski

area while riding down the slope on a foam pad. 22-year old

David Hubal was pronounced dead at Central Mammoth Hospital.

The accident occurred about 3 a.m., the Mono County Sheriff's

Department said. Hubal and his friends apparently had hiked

up a ski run called Stump Alley and undid some yellow

foam protectors from lift towers, said Lt. Mike Donnelly of

the Mammoth Lakes Police Department. The pads are used to

protect skiers who might hit towers.

The group apparently used the pads to slide down the ski

slope and Hubal crashed into a tower. It has since been

investigated and determined the tower he hit was the one

with its pad removed.

4th RUNNER-UP: Goes to Robert Puelo, 32, who was apparently

being disorderly in a St. Louis market. When the clerk

threatened to call the police, Puelo grabbed a hot dog,

shoved it into his mouth and walked out without paying.

Police found him unconscious in front of the store.

Paramedics removed the six-inch wiener from his throat where

it had choked him to death.

3rd RUNNER-UP: Goes to poacher Marino Malerba of Spain, who

shot a stag standing above him on an overhanging rock and was

killed instantly when it fell on him.

2nd RUNNER-UP: "Man loses face at party." A man at a West

Virginia party (probably related to the winner last year, a

man in Arkansas who used the 22 bullet to replace the fuse in

his pick-up truck) popped a blasting cap into his mouth and bit

down, triggering an explosion that blew off his lips, teeth, and

tongue. Jerry Stromyer, 24, of Kincaid, bit the blasting cap as

a prank during the party late Tuesday night, said Cpl. M.D. Payne.

"Another man had it in an aquarium hooked to a battery and

was trying to explode it", said Payne. "It wouldn't go off and

this guy said I'll show you how to set it off." He put it into

his mouth, bit down and it blew all his teeth out and his lips and

tongue off, Payne said. Stromyer was listed in guarded condition

Wednesday with extensive facial injuries, according to a

spokesperson at Charleston Area Medical Division. "I just

can't imagine anyone doing something like that," Payne said.

1st RUNNER-UP: Doctors at Portland University Hospital

said an Oregon man shot through the skull by a hunting arrow

is lucky to be alive and will be released soon from the hospital.

Tony Roberts, 25, lost his right eye last weekend during an

initiation into a men's rafting club, Mountain Men Anonymous

(probably known now as Stupid Mountain Men Anonymous) in Grant's

Pass, Oregon. A friend tried to shoot a beer can off his head,

but the arrow entered Robert's right eye. Doctors said that

had the arrow gone 1 millimeter to the left, a major blood

vessel would have been cut and Roberts would have died instantly.

Neurosurgeon Doctor Johnny Delashaw at the University Hospital in

Portland said the arrow went through 8 to 10 inches of brain with

the tip protruding at the rear of his skull, yet somehow managed

to miss all major blood vessels. Delashaw also said that had

Roberts tried to pull the arrow out on his own he surely

would have killed himself. Roberts admitted afterwards he and

his friends had been drinking that afternoon. Said Roberts, "I

feel so dumb about this". No charges have been filed, but the

Josephine County district attorney's office said the initiation

stunt is under investigation.

Now THIS YEAR'S WINNER: (The late) John Pernicky and his

friend, (the late) Sal Hawkins, of the great state of

Washington, decided to attend a local Metallica concert at the

George Washington amphitheater. Having no tickets (but having

had 18 beers between them), they thought it would be easy to

"hop" over the nine foot fence and sneak into the show. They

pulled their pick-up truck over to the fence and the plan was

for (the late) Mr. Pernicky, who was 100-pounds heavier than

Mr. Hawkins) to hop the fence and then assist his friend

over.

Unfortunately for (the late) Mr. Pernicky, there was a

30-foot drop on the other side of the fence. Having heaved

himself over, he found himself crashing through a tree. His

fall was abruptly halted (and broken, along with his arm,

as it were) by a large branch that snagged him by his shorts.

Dangling from the tree with a broken arm, he looked down and

saw some bushes below him. (Possibly) figuring the bushes would

break his fall, he removed his pocket knife and proceeded to cut

away his shorts to free himself from the tree. Finally free,

(did I mention that he is THE LATE) Mr. Pernicky crashed into

Holly bushes. The sharp leaves scratched his ENTIRE body and

now, without the protection of his shorts, a holly branch

penetrated his rectum.

To make matters worse (?!), on landing, his pocketknife

penetrated his thigh 3 inches. (The late) Mr. Hawkins, on seeing

his friend in considerable pain and agony, decided to throw him

a rope and pull him to safety (now he thinks of the "S" word) by

tying the rope to the pick-up truck and slowly driving away.

However, in his drunken haste/state, he put the truck into

reverse and crashed through the fence landing on his friend and

killing him.

Police arrived to find the crashed pick-up with its driver

thrown 100 feet from the truck and dead at the scene from massive

internal injuries. Upon moving the truck, they found John under

it, half-naked, scratches on his body, a holly stick in his rectum,

a knife in his thigh, and his shorts dangling from a tree branch

25-feet in the air.

Congratulations gentlemen, you win...

------_=_NextPart_001_01BF48C0.9D2F01CC--  1,, Summary-line: 21-Dec BMILLER@holycross.edu [60] #Broude Trial vocal score published Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06525; Tue, 21 Dec 99 15:52:57 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13095; Tue, 21 Dec 99 15:53:40 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA06881; Tue, 21 Dec 1999 15:52:49 -0500 (EST) Date: Tue, 21 Dec 1999 15:52:49 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Broude Trial vocal score published Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Tue, 21 Dec 1999 15:52:49 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Broude Trial vocal score published Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 The critical edition of the piano-vocal score for Trial by Jury, edited by Steven Ledbetter, is now in print. This is the first of the vocal scores to be published in the Broude Brothers critical edition series. It is compatible with the edition of the full score, previously published in 1994 and still available. The band parts will follow next year. For the first time, there is now a professionally edited and printed full score and vocal score of a Gilbert & Sullivan opera for which rehearsal letters completely agree, and in which all editorial decisions match. Furthermore, every measure is numbered. It is possible for directors and performers to second-guess the editor's decisions by means of referring to the critical apparatus of each volume, wherein all variants are described in full detail. When ordering, it is important to distinguish between the full score and the vocal score, both of which carry the same edition number: GS 1. To make absolutely certain you're ordering the version you want, refer to the vocal score by its ISBN number: 08540 3021-3. It's softbound, and retails for $20.00. This is not just a vocal score. Contained therein is: Publisher's Preface, detailing the rationale for publishing critical editions of the vocal scores Acknowledgments, outlining the assistance of a number of well-known SavoyNetters Introduction and Editorial Policies, specific to the vocal score The score itself Critical Apparatus, specific to the vocal score Errata and Editorial Second Thoughts, concerning the Critical Edition of the Full Score Discography (Just in time for you-know-what!) Bruce I. Miller bmiller@holycross.edu  1,, Summary-line: 22-Dec BMILLER@holycross.edu [48] #Re: Broude Trial vocal score published Date: Wed, 22 Dec 1999 17:18:35 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Broude Trial vocal score published Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Wed, 22 Dec 1999 17:18:35 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Broude Trial vocal score published Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 >>> "Mike Nash" wrote: 12/22/99 12:54PM >>> Bruce Miller wrote:- > The critical edition of the piano-vocal score for Trial by Jury, edited by > Steven Ledbetter, is now in print. Pardon me for being so dense, but how does one go about getting hold of a copy? In the United States: >Can I just call in to a local sheet music shop and order it? Will any >music shops be getting copies in stock? Theoretically, any dealer in sheet music can order it. Practically, some will not if all they carry is rock music. The publisher is Broude Brothers Limited, a well known music publisher. It's probably best to find a dealer that normally sells classical music, such as choral and opera scores. Use the edition number (GS 1) - make sure you're specifying the vocal score - and the ISBN number: 08540 3021-3. Outside the United States, it is sometimes difficult to obtain Broude Brothers Limited publications. If your dealer is unable to import, using the ISBN number, you can contact Broude Brothers directly: Broude Brothers Limited 141 White Oaks Road P.O. Box 547 Williamstown, MA 02167-0547 U.S.A. E-mail: broude@sover.net  1, edited, forwarded,, Summary-line: 23-Dec philip@msmail.awii.com [46] #The 12 Days of SavoyNet Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01113; Thu, 23 Dec 99 11:20:29 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03763; Thu, 23 Dec 99 11:20:16 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA25471; Thu, 23 Dec 1999 11:20:26 -0500 (EST) Date: Thu, 23 Dec 1999 11:20:26 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: The 12 Days of SavoyNet Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Thu, 23 Dec 1999 11:20:26 -0500 (EST) Reply-To: philip@msmail.awii.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sternenberg, Philip (NJ)" To: Multiple recipients of list SAVOYNET Subject: The 12 Days of SavoyNet Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) Steve Lichtenstein has been hinting all year long that I should reprint this during the appropriate season. Ironically, he's temporarily off of SavoyNet right now, but I'm sending this to him directly. As this is the last day before Christmas that I'll have e-mail access, this is as good a time as any: [The following is preceded by eleven verses that EVERYONE will be able to figure out!]: On the twelfth day of Christmas SavoyNet gave to me: Twelve trusty oarsmen, Eleven maids at cricket, Ten hours a-sounding, Nine-pounders banging, Eight hours at seaside, Seven bells a-ringing, Six Flowers of Progress, Five fairy rings, Four mountain birds, Three little maids, Two amorous doves, And a tom-tit in a willow tree! Merry Christmas, everybody! Philip Sternenberg -- "Nature's Sole Mistake!" philip@msmail.awii.com Bergenfield NJ USA  1,, Summary-line: 11-Jan kovalcik@Stratus.com [34] #Re: keithw: "Kissing prospectives. I mean, nuzzling prospectives." Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27080; Tue, 11 Jan 00 11:20:44 EST Received: from transfer.stratus.com by MIT.EDU with SMTP id AA03285; Tue, 11 Jan 00 11:20:04 EST Received: from Stratus.com ([198.115.10.67]) by transfer.stratus.com (8.8.8/8.8.8) with ESMTP id LAA18985; Tue, 11 Jan 2000 11:20:23 -0500 (EST) Message-Id: <387B580C.5A7E8D6F@Stratus.com> Date: Tue, 11 Jan 2000 11:19:24 -0500 From: Rick Kovalcik X-Mailer: Mozilla 4.5 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: Garry Zacheiss Cc: sipb-minutes@MIT.EDU, sipb@MIT.EDU, york@inetcc.com Subject: Re: keithw: "Kissing prospectives. I mean, nuzzling prospectives." References: <200001110607.BAA26662@wing-commander-w20.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Tue, 11 Jan 2000 11:19:24 -0500 From: Rick Kovalcik X-Mailer: Mozilla 4.5 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: Garry Zacheiss Cc: sipb-minutes@MIT.EDU, sipb@MIT.EDU, york@inetcc.com Subject: Re: keithw: "Kissing prospectives. I mean, nuzzling prospectives." References: <200001110607.BAA26662@wing-commander-w20.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit > A: Where did "applesauce" come from? > > [no one in the office knows] > > tytso: I think it originated with jon and Co. and was chosen > because they wanted a distinctive sounding word. Assuming Jon refers to Jon Rochlis, "applesauce" is much older than that. When I became a member in ancient times (1976-1977) it was already in use by Bill York (archy from the minutes) (now york@inetcc.com ???) et. al. The canonical use was finding SIPB members at LSC movies, but it also came in handy for finding SIPB members at the Star Wars opening night at the Sack Charles theater (which is no longer there). While I'm being nostalgic, "Casper S$@ks" at LSC movies, was used when there was a technical screwup caused by or blamed on the projection staff (headed by Casper the Projection Director). After a while the modius operandi would be that one person would yell "Casper" and the rest of the audience would complete the phrase. -Rick Kovalcik '79 (rk@mit.edu, kovalcik@stratus.com, et. al.)  1,, Summary-line: 11-Jan melbear@ihug.co.nz [47] #Re Stratford DVDs Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27676; Tue, 11 Jan 00 15:22:02 EST Received: from [147.138.10.60] by MIT.EDU with SMTP id AA23730; Tue, 11 Jan 00 15:21:32 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA20180; Tue, 11 Jan 2000 15:12:59 -0500 (EST) Date: Tue, 11 Jan 2000 15:12:59 -0500 (EST) Message-Id: <007301bf5c6e$9b07c980$969a64d8@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Re Stratford DVDs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Tue, 11 Jan 2000 15:12:59 -0500 (EST) Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Re Stratford DVDs Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 I have had another communication from Mark at Acorn Media over the sound on the Stratford DVDs. "Thanks for pointing out that some of the program is in stereo. I was led to understand that this was not the case. I will do more research into it and let you know what I find out. Without doing any research, I will say that we've had some problems with DVD players designed for non-North American markets. Our encoding is supposed to be free of zone coding (which would limit the DVDs to being played on North American players, for example), but we've had some problems getting any of our disks to play in the UK. If our DVDs are, in fact, set up in stereo, there may be a slight incompatibility with your particular player, seeing as you're in New Zealand. It's not uncommon for there to be incompatibilities with players even within the North American zone. For some reason DVD player manufacturers have not bothered to agree on standards, so there's a wide variation. You may have heard, for instance, of a major flap over the DVD release of "The Matrix." It was incompatible with a number of domestically available DVD players, though it was authored and encoded in accordance with the highest standards. We have had similar problems with a special feature on one of our disks, where the audio portion disappeared entirely on a very specific brand and model of player. We're extremely frustrated by these kinds of issues, but they do appear to be a very unfortunate "industry standard."" Mel melbear@ihug.co.nz If you are interested in the history of Gilbert & Sullivan in the Antipodes check out my website at.. http://homepages.ihug.co.nz/~melbear/  1,, Summary-line: 13-Jan oakapple@cris.com [270] #Reflections on "Reflect, my child" Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24816; Thu, 13 Jan 00 19:47:16 EST Received: from [147.138.10.60] by MIT.EDU with SMTP id AA22341; Thu, 13 Jan 00 19:46:51 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA06608; Thu, 13 Jan 2000 19:40:28 -0500 (EST) Date: Thu, 13 Jan 2000 19:40:28 -0500 (EST) Message-Id: <387E613E.330A2054@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Reflections on "Reflect, my child" Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA06608 *** EOOH *** Date: Thu, 13 Jan 2000 19:40:28 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Reflections on "Reflect, my child" Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id TAA06608 As reported here last October, Broude Brothers has published "Reflect, my child," the reconstructed "lost" duet from H.M.S. PINAFORE for Captain Co= rcoran and Josephine. There are three related publications: 1) A full score, with detailed introductory essay and critical apparat= us; 2) A vocal score (music only); 3) Orchestral parts These are available at $10.00 (=A36.00), $1.50 (=A31.00), and $17.50 (=A3= 10.00) respectively. My copy of the full score arrived about a week ago, and thi= s post is my first opportunity to comment since I've had the completed volume in= my hands. In 1998, while doing research for the forthcoming Broude Brothers critica= l edition of H.M.S. PINAFORE, Savoynetters Bruce Miller and Helga Perry dis= covered a cache of old band parts that contained most of the orchestration for a = song deleted from the original production during rehearsals. Previously, none = of the music for this song was known to survive, aside from a first violin part = that, on its own, did not reveal much about what the lost number was like. The song was called "Reflect, my child" (RMC). It was intended to be inse= rted in the scene between the Captain and Josephine, after "Sorry, her lot," and = before "Over the bright blue sea." The words survived in the licensing copy of t= he libretto and were reprinted in Ian Bradley's ANNOTATED G&S (Penguin, 1982= , p. 28) and COMPLETE ANNOTATED G&S (Oxford University Press, 1996, p. 130). The song followed the Captain's line, "A man in that station may be brave= and worthy, but at every step he would commit solecisms that society would ne= ver pardon." The Captain went on to expand on the idea that a brave, and even intelligent, husband would be unacceptable if he did not have refined gra= mmar and table manners. The majority of the song would have been sung by the C= aptain, with Josephine joining him in the refrain. The orchestral materials Miller and Perry discovered were lacking only a = second violin part; its reconstruction turned out to be "essentially a mechanica= l process," given the surrounding harmony of the other parts. They did not = find parts for oboe, bassoon, cornets, or percussion, but for various reasons = Miller and Perry deduced that these instruments likely did not play for this num= ber. A trombone part revealed that the trombones did not participate, either. Th= e orchestration was thus believed to be complete at strings, flutes, clarin= ets, and horns. The vocal line presented the hardest challenge. Based on apparent voice doublings in the instrumental parts, they were able to infer about one-th= ird of the soloists' lines with considerable confidence. For the rest, Miller an= d Perry had to resort to their sense of how Sullivan *might* have set the song, g= iven the context of the known parts. It may be conjecture, but Miller and Perr= y defend their version with admirable clarity. The fascinating six-page introduction (they are six *large* pages) reads = like a detective story. Miller and Perry take you through their their reconstruc= tion step by step, explaining every decision in detail. As a window on the edi= ting process, it is indispensable -- even if you don't read music. Miller and = Perry also explain the history of RMC itself, how it came to be incorporated in= the opera, and any number of possible reasons why it was cut. The term "critical edition" is frequently bandied about, and if you want = to know just what is meant, the full score of RMC will give you a good idea. Afte= r the score itself, which occupies but three pages, there is a detailed descrip= tion of the sources, a formal explanation of the editorial procedure, and a comprehensive list of emendations and variants. This section is, altogeth= er, four pages. Also included are an annotated libretto and a photo-reduction= of the original first violin part. I cannot claim impartiality, as Bruce and Helga let me in on their discov= ery at a fairly early date, and I had the opportunity to comment on their introd= uction through several revisions. Some of my suggestions were adopted; a few wer= e not. (They also acknowledge the contributions of several other Savoynetters an= d erstwhile Savoynetters: Leon Berger, Lisa Berglund, Ralph MacPhail, Eric Schwartz, Tom Shepard, and Michael Walters.) A few of the points in their introduction seem to me overstated, and a co= uple of others understated. In my view, Miller and Perry place far too much empha= sis on alleged similarities between RMC and numbers Sullivan would compose for l= ater operas, as well as a similarity to "Se vuol ballare" from Mozart's LE NOZ= ZE DI FIGARO. As past Savoynet threads have amply demonstrated, these types of similarities can be reckoned up by dozens throughout the canon. Readers m= ay be misled into thinking that RMC is unusual in this regard. In another example of overreaching, they say (without elaboration) that t= he licensing copy of PINAFORE libretto is "far from its final form." In fact= , when compared with other operas in the canon, it's my view that PINAFORE was o= ne of the *least* changed between licensing and publication. The most important part of the introduction is Miller and Perry's explica= tion of their reconstruction, and parts of it could have been defended with more = vigor. At one point, they explain the decision to change a note in the first vio= lins with the observation that the resultant chord "seems alien to Sullivan's = style ca. 1878." At another point, they discuss the decision to omit several wo= rds from the libretto, and sum it up by saying that the original version was = merely "less satisfactory than what they have elected to print." It's a pity, because when Bruce explains these decisions verbally, the ra= tionale behind them is crisp and compelling. Now reduced to print, we are left on= ly with vague and unfocused phrases like "seems alien" and "less satisfactory." I= t should be noted that every other aspect of their reconstruction is presen= ted with such confident assurance that their arguments, like Sir Joseph's off= icial utterances, seem unanswerable. Of course, what is most important about RMC is the music itself. No flaws= in the reconstruction are apparent to me, but I would love to see a few other pe= ople take a crack at it. The vast majority of the materials do not belong to M= iller and Perry, and anyone is free to have a shot at filling in the holes, as = they have done. Bruce and Helga tried every way they could imagine of putting = the pieces together. Other attempts may confirm that they have done a mighty = fine job (as it appears to me), or may show the way to better options they som= ehow overlooked. Bruce and Helga themselves concede that RMC is no great work, and that Gi= lbert and Sullivan probably had ample justification for cutting it. Indeed, the= y offer a plethora of possible reasons why the song may have been dropped. Just a= bout all of them seem to me sufficient on their own, and so much more so when considered together. Most compelling of all, perhaps, is that the number = just isn't that good. It is often argued that one shouldn't second-guess the authors, but I'm n= o fan of inflexible dogma. Most everyone restores the Roulette Song in THE GRAN= D DUKE, and there are at least arguments to be made for such numbers as "When jea= lous torments" (YEOMEN) and "Fold your flapping wings" (IOLANTHE). I cannot mu= ster a good argument for "Reflect, my child." On the other hand, I think that, under the right circumstances, performan= ces of RMC have a role to play in illuminating the creative process. Most people= cannot imagine what the number would be like just by reading a score. The opport= unity to hear it in performance will allow us to see what the song would have b= een like in context, to draw our own conclusions as to its suitability. The Gilbert and Sullivan Festival in Buxton seems to me an excellent plac= e to insert RMC into a production, as there it can be presumed that a majority= of the audience already know the opera well. I am also pleased that it will be i= ncluded on the forthcoming D'Oyly Carte recording. Yet, in a community theater or regional opera setting, I would not use RMC, although I realize that some= people have already done so, and more will--no matter what Gilbert and Sullivan decided. Perhaps the best summary of why you should be interested in "Reflect, my = child" is offered by Miller and Perry themselves at the end of their scholarly introduction: The wisdom of composer and librettist in withholding "Reflect, my child" may be accepted as having been in the best interests of launching H.M.S. PINAFORE. The discovery of the orchestral accompaniment has shed new light on their creative process, and the information it provides is certainly of help in under- standing how two consummate craftsmen were thinking as, rela- tively early in their collaboration, they were refining what would become their first international success. --------------------------- The aforementioned materials can be ordered through any music bookstore t= hat deals in classical or educational music, or may be ordered directly from = Broude Brothers Limited (postage is additional; ask for rates). Broude Brothers Limited 141 White Oaks Road P.O. Box 547 Williamstown, MA 01267-0547, U.S.A. Fax: (413) 458-5242 --=20 Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 15-Jan oakapple@cris.com [138] #Review: Broude Brothers TRIAL BY JURY Vocal Score Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09578; Sat, 15 Jan 00 19:43:20 EST Received: from [147.138.10.60] by MIT.EDU with SMTP id AA13279; Sat, 15 Jan 00 19:44:19 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA23825; Sat, 15 Jan 2000 19:38:43 -0500 (EST) Date: Sat, 15 Jan 2000 19:38:43 -0500 (EST) Message-Id: <38810FC2.7A27346D@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Broude Brothers TRIAL BY JURY Vocal Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sat, 15 Jan 2000 19:38:43 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Broude Brothers TRIAL BY JURY Vocal Score Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) In 1994, Broude Brothers (pronounced BROW-dee) published the full score of TRIAL BY JURY, the first volume of a scholarly edition that is projected to include all thirteen of the extant Savoy Operas. Broude did not originally intend to publish vocal scores and band parts. But they came to realize that, without these, the utility of the full scores would be seriously compromised. The Gilbert and Sullivan vocal scores present unexpected editorial challenges. At first blush, one might guess that the vocal scores can be derived from other, more reliable sources, such as Sullivan's autograph scores and Gilbert's libretti. If this were the case, Broude could simply ignore all previous vocal scores, and just derive a new one from the critical edition of the full score. It isn't that easy, because Sullivan wasn't careful about recording every musical detail in his manuscripts, nor did Gilbert keep the printed libretti up to date with the texts that were being performed in the theater. Vocal scores, however, seem to have been prepared with the aim of reproducing faithfully what was actually given on stage. Like all other sources, they do contain errors, but in many respects they are more dependable than the composer's own autograph score. Even the piano part found in vocal scores may confirm changes in the orchestration that Sullivan approved but never entered in his manuscripts. The Broude editors have come to believe that the early vocal scores are sources of nearly co-equal importance with Sullivan's autograph scores, and deserving of scholarly treatment in their own right. The vocal score of TRIAL BY JURY now has its critical edition, with band parts to follow in the near future. As I mentioned in my "Reflect, my child" review, I am not entirely objective, since I was given an opportunity to comment on early drafts of the score, introduction, and critical apparatus. As was the case with RMC, some of my comments were incorporated, and others were not. The five-year gap between the publication of full score and vocal score speaks to the level of painstaking care that has gone into this edition. In the last couple of years, we've seen a number of quick-and-dirty (and cheap) G&S editions, and while there is a place for these, you get what you pay for. The TRIAL vocal score has had two rounds of corrections based on live performances. It would be tempting fate to claim that it is error-free, but the long wait has produced a score that should prove highly dependable. Those who have seen previous Broude Brothers publications will recognize the clarity of layout, the superlative typography, and the attention to detail common to all of their work. The music occupies 100 pages, to 69 pages in the modern Chappell score and 89 in the Schirmer score. As this is a critical edition, it has features not found in most other vocal scores, including six pages of introduction and eighteen pages of commentary at the back of the book. In the musical score itself, you'll find signals of editorial intervention, such as dotted-line slurs and several styles of brackets enclosing musical elements that the editors have supplied from sources other than the 1884 Chappell score, which is the base text for this edition. Readers may find the extra notation initially distracting, and some of it even pedantic, but one's eyes quickly adjust. The score is paper bound and priced competitively with other G&S vocal scores. But unlike the Chappell and Schirmer scores, which generally agree with the traditional text and are close to interchangeable, the Broude score has some unfamiliar readings. Companies that purchase Broude scores for their entire cast won't have a problem, but it would be difficult to mix-and-match, unless the musical director is prepared to issue detailed notes in advance of rehearsals. These differences exist because of the problem I mentioned above--that Sullivan wasn't careful about keeping his manuscript scores in sync with what was performed on stage. Where the vocal and autograph scores disagree, an editor must decide which one is right. The Broude project has generally taken a highly conservative approach, acknowledging that the vocal score *could* be right, but favoring the autograph score readings except where there is compelling evidence to reject them. One gets the distinct impression that the editors were ambivalent about depending on the autograph so heavily, and unfortunately it produces some contradictions in their approach. The early vocal scores contain many more dynamics for the singers than does the autograph, and these have been retained. Yet, where there are more serious disagreements, the editors often side with the autograph. We are led to the topsy-turvy conclusion that the early scores can be trusted on relatively incidental matters, but not always on substantive ones. This policy is paradoxical, because if Sullivan exerted enough control over the vocal score to ensure that the dynamics were right, he is unlikely to have tolerated the notes being wrong. Conversely, if you believe that the substantive differences between autograph and vocal score are either unauthorized improvements or careless errors, then the vocal scores shouldn't be trusted much at all. In his doctoral dissertation on Sullivan's operas, David Russell Hulme concluded that Sullivan prepared the piano reduction of TRIAL BY JURY himself. If you accept the vocal score as Sullivan's own work, then it should probably be accepted as representing his settled thoughts. The Broude editors acknowledge that this is a distinct possibility, but they are unwilling to embrace it fully. A section at the back called "Errata and Second Thoughts" reports changes to the 1994 Broude full score. Some of the changes correct mechanical errors. In other cases, the editors have simply changed their minds. Among the latter are several readings from the early vocal scores that were originally rejected, and have now been accepted. All of these improvements I wholeheartedly support, but the remaining handful of examples where the editors side with the autograph seem now even less defensible than they were before. (As an aside, it seems to me that "errata" and "second thoughts" are entirely different things and should have been presented in separate sections.) A one-page Publisher's Preface and a four-page Introduction discuss the publication history of TRIAL BY JURY's vocal score, the editors' view of its relationship to the performance text, and the editorial policies that govern this edition. In the back-of-book critical apparatus, there is a three page discussion of sources, nine pages of emendations and variants, and four pages of errata and second thoughts. The volume concludes with a two page discography of the early recordings, which is used to illuminate the performance tradition by artists who worked with Gilbert or had observed those who did. Such a liberal allocation of commentary is most welcome, but it is no substitute for the full score, which contains a twelve page introduction, a three-page discussion of editorial policies, a fourteen page annotated libretto, a critical apparatus that runs to thirty-eight pages, and numerous illustrations. I can support Broude's decision not to reproduce most of this in the vocal score. My only complaint is that the vocal score's critical apparatus doesn't report libretto variants. I know that the Broude project's publication delays must seem interminable. The TRIAL BY JURY vocal score has been worth the wait. Once again, the bar in Sullivan scholarship has been raised. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 24-Jan CMajor@sembler.com [113] #GEORGE CARLINISMS Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24205; Mon, 24 Jan 00 17:34:03 EST Received: from mail.sembler.com by MIT.EDU with SMTP id AA07231; Mon, 24 Jan 00 17:33:32 EST Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Mon, 24 Jan 2000 17:33:50 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Mon, 24 Jan 2000 17:33:33 -0500 From: "Cindy Major" To: , , , , , Subject: GEORGE CARLINISMS Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Mon, 24 Jan 2000 17:33:33 -0500 From: "Cindy Major" To: , , , , , Subject: GEORGE CARLINISMS Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline GEORGE CARLINISMS How come wrong numbers are never busy? Do people in Australia call the rest of the world "up over"? Does that screwdriver belong to Philip? Can a stupid person be a smart-ass? Does killing time damage eternity? Why doesn't Tarzan have a beard? Why is it called lipstick if you can still move your lips? Why is it that night falls but day breaks? Why is the third hand on the watch called a second hand? Why is it that when you're driving and looking for an address, you turn down the volume on the radio? Why is lemon juice made with artificial flavor, and dishwashing liquid = made with real lemons? Are part-time bandleaders semi-conductors? Can you buy an entire chess set in a pawn shop? Daylight savings time - why are they saving it and where do they keep it? Did Noah keep his bees in archives? Do jellyfish get gas from eating jellybeans? Do pilots take crash-courses? Do stars clean themselves with meteor showers? Do you think that when they asked George Washington for ID that he just whipped out a quarter? Have you ever imagined a world with no hypothetical situations? Have you ever seen a toad on a toadstool? How can there be self-help "groups"? How do you get off a non-stop flight? How do you write zero in Roman numerals? How many weeks are there in a light year? If a jogger runs at the speed of sound, can he still hear his Walkman? If athletes get athlete's foot, do astronauts get mistletoe? If Barbie's so popular, why do you have to buy all her friends? If blind people wear dark glasses, why don't deaf people wear earmuffs? If cats and dogs didn't have fur would we still pet them? If peanut butter cookies are made from peanut butter, then what are Girl Scout cookies made out of? If space is a vacuum, who changes the bags? If swimming is good for your shape, then why do the whales look the way they do? If tin whistles are made out of tin, what do they make fog horns out of? If white wine goes with fish, do white grapes go with sushi? If you can't drink and drive, why do bars have parking lots? If you jog backwards, will you gain weight? If you take an Oriental person and spin him around several times, does he become disoriented? Why do the signs that say "Slow Children" have a picture of a running child? Why do they call it "chili" if it's hot? Why do we sing "Take me out to the ball game, when we are already there? Why is the time of day with the slowest traffic called rush hour? ----------------- Forwarded Message:  1,, Summary-line: 25-Jan eichin@thok.org [35] #Re: End-of-Hawaii-trip stuff Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03721; Tue, 25 Jan 00 01:51:26 EST Received: from paycheck.thok.org by MIT.EDU with SMTP id AA01173; Tue, 25 Jan 00 01:52:25 EST Received: (qmail 25406 invoked by uid 3382); 25 Jan 2000 06:51:14 -0000 To: Jason Goodman Cc: rls@MIT.EDU, opus@MIT.EDU, jhango@alumni.hmc.edu, ziebarth@math.wisc.edu, jrowan@mandli.com, geoffrey_clark_collins@brown.edu, bcollins_epc@ids.net, arussell@gulf.MIT.EDU, swanberg@tc.umn.edu, raeburn@MIT.EDU, goodman@aloha.net Subject: Re: End-of-Hawaii-trip stuff References: <200001131947.OAA22051@ampersand.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 25 Jan 2000 01:51:13 -0500 In-Reply-To: Jason Goodman's message of "Thu, 13 Jan 2000 14:47:50 EST" Message-Id: Lines: 22 X-Mailer: Gnus v5.5/Emacs 20.3 *** EOOH *** To: Jason Goodman Cc: rls@MIT.EDU, opus@MIT.EDU, jhango@alumni.hmc.edu, ziebarth@math.wisc.edu, jrowan@mandli.com, geoffrey_clark_collins@brown.edu, bcollins_epc@ids.net, arussell@gulf.MIT.EDU, swanberg@tc.umn.edu, raeburn@MIT.EDU, goodman@aloha.net Subject: Re: End-of-Hawaii-trip stuff References: <200001131947.OAA22051@ampersand.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 25 Jan 2000 01:51:13 -0500 In-Reply-To: Jason Goodman's message of "Thu, 13 Jan 2000 14:47:50 EST" Lines: 22 X-Mailer: Gnus v5.5/Emacs 20.3 (hmm, wasn't there a mailing list for this?) > 1) I didn't take any pictures while I was in Hawaii, and I'm very > interested in getting copies of photos from those who did take > pictures. I've finally gotten http://www.thok.org/images/ up and running. Still very crude, no thumbnails even, and the site is slow. However, more of the pictures came out ok than I'd imagined, and it did capture the colors well (though maybe a few are a little more saturated than in reality, the blue-green of the protected coves came out quite well.) You're welcome to copy images personally, but I'd prefer that you forward links rather than pictures themselves (until I find a tool that can add JFIF tags to them, hmm, looks like mogrify does it -- just ask me first.) Note that I have not finished proofreading people names and place names, and would welcome corrections. Thanks, all, for help making it a memorable trip :-) _Mark_ The Herd Of Kittens  1,, Summary-line: 28-Jan eichin@thok.org [10] #logistics Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11224; Fri, 28 Jan 00 02:11:22 EST Received: from marbles.thok.org by MIT.EDU with SMTP id AA07581; Fri, 28 Jan 00 02:12:26 EST Received: by marbles.thok.org (Postfix, from userid 3382) id A7F0FF6272; Fri, 28 Jan 2000 02:11:17 -0500 (EST) From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: logistics Message-Id: <20000128071117.A7F0FF6272@marbles.thok.org> Date: Fri, 28 Jan 2000 02:11:17 -0500 (EST) *** EOOH *** From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: logistics Date: Fri, 28 Jan 2000 02:11:17 -0500 (EST) FYI I have a cellphone now, 1-617-818-2877. I mostly expect to use it for "tactical" sorts of things - arranging dinners/rides/etc, I probably won't have it on when I'm at home. In theory you can SMS-message it through omnipoint.net, but that doesn't actually work yet... _Mark_  1,, Summary-line: 29-Jan rac@bu.edu [24] #saving to CD? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16126; Sat, 29 Jan 00 09:15:28 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA29633; Sat, 29 Jan 00 09:14:55 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id JAA84082 for ; Sat, 29 Jan 2000 09:15:26 -0500 Date: Sat, 29 Jan 2000 09:15:26 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: saving to CD? Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Sat, 29 Jan 2000 09:15:26 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: saving to CD? Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi Dave! Now that she has a CD burner, my mom wants to save her wholw web site to a CD. I've figured out how to copy one CD to another, but I'm not sure how saving a web site will work. Can you give me a few pointers? I can FTP all the pages to her hard drive, but do I have to change links so that clicking will take you where you're intended to go? Etc.? Also, tell me how your Pirates auditions go! And I want to see your vacation pictures. Maybe I'll have a party soon and you can bring them over. I'll just have to wait till I'm not so busy with Woods. :o) Are you coming to see it? :o) Becca  1,, Summary-line: 30-Jan Scynthius@aol.com [38] #G&S Dirty Minds Web Site Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21514; Sun, 30 Jan 00 12:14:27 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26034; Sun, 30 Jan 00 12:13:54 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16169; Sun, 30 Jan 2000 12:14:04 -0500 (EST) Date: Sun, 30 Jan 2000 12:14:04 -0500 (EST) Message-Id: <6b.13a4e80.25c5c884@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Scynthius@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scynthius@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S Dirty Minds Web Site Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 20 *** EOOH *** Date: Sun, 30 Jan 2000 12:14:04 -0500 (EST) Reply-To: Scynthius@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scynthius@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S Dirty Minds Web Site Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 20 Dear SavoyNet, I have been thinking for years that I should collect together all the alternate lyrics and misread lines that those of us with dirty minds are so fond of. And, not having anything less valuable to do with my time, I thought that now would be a good time to do it. I need your help in this noble effort to create the definitive web site for G&S fans with dirty minds. 1. Please submit your entries to scynthius@aol.com 2. Mention that you are submitting this for inclusion on a web site 3. Let me know if you want credit for your submission. I will assume that you do not want credit unless you explicitly ask for it. 4. Stories of specific events should attempt to hide the identities of the participants. Right wing diatribes against the site will be gleefully published. Thank you, Steve Sullivan "Shall we submit, are we butt slaves?"  1,, Summary-line: 30-Jan jsmd@worldnet.att.net [64] #G&S CD-ROM status Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00133; Sun, 30 Jan 00 13:31:37 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06491; Sun, 30 Jan 00 13:31:03 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA19221; Sun, 30 Jan 2000 13:31:00 -0500 (EST) Date: Sun, 30 Jan 2000 13:31:00 -0500 (EST) Message-Id: <389464C3.2783AA35@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: G&S CD-ROM status Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en] (Win95; U) *** EOOH *** Date: Sun, 30 Jan 2000 13:31:00 -0500 (EST) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: G&S CD-ROM status Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en] (Win95; U) Some of you will recall I asked back in the Fall (Spring in Oz), if anyone would be interested in a CD-ROM of various Gilbert and Sullivan web sites. The response was sufficient to have a go at building one. I have taken on the responsibility to obtain the data and Chris Webster has agreed to do the manufacturing and distribution. To date, I have obtained permission from a good number of people to include their data, it is most reassuring that so many folks are willing to share their efforts, which are often substantial. I will list the content in a moment, but a good deal of testing has been done with Marc's Discography and testing has started with Jim's Archives. I am quite sure this is technically doable, but a few tricks remain to be tried and I have done nothing about testing Apple Macs, but expect to do so at some point. The major efforts remaining include some additional testing and then the assembling of all the final parts. It is possible (but not guaranteed) that the first CD will be cut around May and avalable over the summer. More details when we have them. As for proposed content. We will be including the entire G&S Archives and the entire Discography. Both these sites have an extremely large amount of data and if you haven't browsed them you are missing a great deal. But I can say that having them at your fingertips without being on-line is even better! Additionally, I have permission to include Ric Wilson's pages on the holdings of the Pierpont Morgan Library -- this is a summary of items, not the complete catalog nor images, but it is still a most informative work. Also Andrew Crowther's Bablophile, Steve Sullivan's Bab illustrations, Rebecca Consentino's Quiz, Paul McShane's Crossword puzzle, Mel Moritte's Australia / NZ G&S history, and hopefully another surprise or two (maybe some MP3 files!). I think you will agree this is an all encompassing collection of G&S material, nearly all not found in print, at least not conveniently. But I can use a few more items. Does anyone have scans of the Players Cigarette cards -- there were 4 sets totally 150 cards I believe. And how about scans of old programs, particularly D'Oyly Carte programs from the 20's and earlier which had interesting graphics (and are out of copyright). Does anyone have a set (or subset!) which could be scanned to be included? Anything else out there I have missed? Two areas which I have decided NOT to include -- one is society pages. There are just too many and most deal with the local society and not G&S in general. The other I do not expect to include is software utilities, Noteworthy or Adoby Acrobat reader for example. We will have links if you need these, but programs will not be included on the disk. That's the story to this point. thanks -- Stan DeOrsey jsmd@worldnet.att.net  1,, Summary-line: 1-Feb CMajor@sembler.com [109] #RUDY'S ANGEL Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24393; Tue, 1 Feb 00 10:02:40 EST Received: from mail.sembler.com by MIT.EDU with SMTP id AA19183; Tue, 1 Feb 00 10:02:05 EST Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Tue, 01 Feb 2000 10:02:46 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 01 Feb 2000 10:02:22 -0500 From: "Cindy Major" To: , , Subject: RUDY'S ANGEL Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Tue, 01 Feb 2000 10:02:22 -0500 From: "Cindy Major" To: , , Subject: RUDY'S ANGEL Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Makes me think of Mom- she loved yellow roses. > I walked into the grocery store not particularly interested in > buying groceries. I wasn't hungry. The pain of losing my husband of = 37 > years > was > still too raw. And this grocery store held so many sweet memories. Rudy > often came with me and almost every time he'd pretend to go off and look > for > something special. I knew what he was up to. I'd always spot > him walking down the aisle with the three yellow roses in his hands. > Rudy > knew I loved yellow roses. With a heart filled with grief, I only > wanted to > buy my few items and leave, but even grocery > shopping was different since Rudy had passed on. > =20 > Shopping for one took time, a little more thought than it had for = two. > Standing by the meat, I searched for the perfect small steak and > remembered > how Rudy had loved his steak. Suddenly a woman came beside me. She = was > blond, slim and lovely in a soft green pantsuit. I watched as she picked > up > a large pack of T-bones, dropped them in her basket, > hesitated, and then put them back. She turned to go and once again > reached > for the pack of steaks. She saw me watching her and she smiled. "My > husband > loves T-bones, but honestly, at these prices, I don't know." > =20 > I swallowed the emotion down my throat and met her pale blue eyes. = "My > husband passed away eight days ago," I told her. Glancing at the package > in > her hands, I fought to control the tremble in my voice. "Buy him the > steaks. > And cherish every moment you have together." > =20 > She shook her head and I saw the emotion in her eyes as she placed = the > package in her basket and wheeled away. > I turned and pushed my cart across the length of the store to the = dairy > products. There I stood, trying to decide which size milk I should = buy. A > quart, I finally decided and moved on to the ice cream section near = the > front of the store. If nothing else, I could always fix myself an ice > cream > cone. > =20 > I placed the ice cream in my cart and looked down the aisle toward = the > front. I saw first the green suit, then recognized the pretty lady > coming > towards me. In her arms she carried a package. On her face was the > brightest > smile I had ever seen. I would swear a soft halo encircled her blond > hair as > she kept walking toward me, her eyes holding mine. As > she came closer, I saw what she held and tears began misting in my = yes. > =20 > "These are for you," she said and placed three beautiful long stemmed > yellow > roses in my arms. "When you go through the line, they will know these > are > paid for." She leaned over and placed a gentle kiss on my cheek, then > smiled > again. > =20 > I wanted to tell her what she'd done, what the roses meant, but still > unable > to speak, I watched as she walked away as tears clouded my vision. I > looked > down at the beautiful roses nestled in the green tissue wrapping and > found > it almost unreal. How did she know? > =20 > Suddenly the answer seemed so clear. I wasn't alone. "Oh, Rudy, you > haven't > forgotten me, have you?" I whispered, with tears in my eyes. He was > still > with me, and she was his angel. Everyday be thankful for what you = have > and > who you are.  1,, Summary-line: 2-Feb dcj@zk3.dec.com [65] #[Chuck.Emmons@hanscom.af.mil: [Theatre Lovers] STAGE CURTAINS] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29029; Wed, 2 Feb 00 17:34:05 EST Received: from mailext02.compaq.com by MIT.EDU with SMTP id AA19600; Wed, 2 Feb 00 17:33:28 EST Received: by mailext02.compaq.com (Postfix, from userid 12345) id 13C779A848; Wed, 2 Feb 2000 16:33:53 -0600 (CST) Received: from mailint02.im.hou.compaq.com (mailint02.compaq.com [207.18.199.35]) by mailext02.compaq.com (Postfix) with ESMTP id 03F5590D85 for ; Wed, 2 Feb 2000 16:33:52 -0600 (CST) Received: by mailint02.im.hou.compaq.com (Postfix, from userid 12345) id D13A4BC4D4; Wed, 2 Feb 2000 16:33:45 -0600 (CST) Received: from quarry.zk3.dec.com (rock.zk3.dec.com [16.141.0.34]) by mailint02.im.hou.compaq.com (Postfix) with ESMTP id 863D7B2A42 for ; Wed, 2 Feb 2000 16:33:45 -0600 (CST) Received: from kamlia.zk3.dec.com by quarry.zk3.dec.com (8.8.8/1.1.8.2/16Jan95-0946AM) id RAA0000011596; Wed, 2 Feb 2000 17:33:51 -0500 (EST) Received: by kamlia.zk3.dec.com (8.8.8/1.1.22.3/21May99-0110PM) id RAA0000014633; Wed, 2 Feb 2000 17:33:51 -0500 (EST) Date: Wed, 2 Feb 2000 17:33:51 -0500 (EST) From: David Jedlinsky USG Message-Id: <200002022233.RAA0000014633@kamlia.zk3.dec.com> To: opus@MIT.EDU Subject: [Chuck.Emmons@hanscom.af.mil: [Theatre Lovers] STAGE CURTAINS] *** EOOH *** Date: Wed, 2 Feb 2000 17:33:51 -0500 (EST) From: David Jedlinsky USG To: opus@MIT.EDU Subject: [Chuck.Emmons@hanscom.af.mil: [Theatre Lovers] STAGE CURTAINS] X-eGroups-Return: nh-ma-theatre-lovers-return-62-dcj=zk3.dec.com@returns.egroups.com Delivered-To: listsaver-egroups-NH-MA-Theatre-Lovers@egroups.com From: Emmons Chuck GS-12 66 CES/CE To: NH-MA-Theatre-Lovers@egroups.com Date: Wed, 2 Feb 2000 16:17:01 -0500 X-Mailer: Internet Mail Service (5.5.2607.0) Mailing-List: contact nh-ma-theatre-lovers-owner@egroups.com X-Mailing-List: nh-ma-theatre-lovers@egroups.com Precedence: bulk List-Help: , List-Unsubscribe: List-Archive: X-eGroups-Approved-By: nina@homenet.mv.com via email Subject: [Theatre Lovers] STAGE CURTAINS MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit ACTORSINGERS A community theatre group in Nashua, NH has Stage Curtains For Sale or Exchange One piece - 34 ft x 37ft Six Legs with gathers - 8 ft wide x 37ft long One Piece - 2 ft wide x 37 ft, velour of both sides One Piece - 18 ft long x 34 ft wide (?) Material: Velvet, fireproofed curtains Color: dusty rose or pink Condition: Occasional tears, some staining Could be used as curtains or as heavy duty cloth material. New owner must pick-up. MAKE OFFER Respond to originator of this e-mail (Chuck.Emmons@hanscom.af.mil) or to organization through www.actorsingers.org. ------------------------------------------------------------------------ Get what you deserve with NextCard Visa! ZERO! Rates as low as 0.0% Intro or 9.9% Fixed APR, online balance transfers, Rewards Points, no hidden fees, and much more! Get NextCard today and get the credit you deserve! Apply now! Get your NextCard Visa at: http://click.egroups.com/1/914/3/_/9380/_/949529757/ -- Easily schedule meetings and events using the group calendar! -- http://www.egroups.com/cal?listname=nh-ma-theatre-lovers&m=1  1, forwarded, edited,, Summary-line: 10-Feb CMajor@sembler.com [55] #Read this joke!!! Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01730; Thu, 10 Feb 00 10:32:53 EST Received: from mail.sembler.com by MIT.EDU with SMTP id AA26661; Thu, 10 Feb 00 10:34:03 EST Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Thu, 10 Feb 2000 10:31:40 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Thu, 10 Feb 2000 10:31:31 -0500 From: "Cindy Major" To: , , , , , , "Ann Carey" , "Jim Carlson" , "Jeff Pape" , "Steve Althoff" , "Scott Schlosser" , "Tina Howard" , , , Subject: Read this joke!!! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.2 Date: Thu, 10 Feb 2000 10:31:31 -0500 From: "Cindy Major" To: , , , , , , "Ann Carey" , "Jim Carlson" , "Jeff Pape" , "Steve Althoff" , "Scott Schlosser" , "Tina Howard" , , , Subject: Read this joke!!! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline An American is having breakfast one morning; coffee, croissants, bread, butter & jam when a Canadian man, chewing gum, sits down next to him. The American ignores the Canadian who, nevertheless, starts a conversation: Canadian: "You American folk eat the whole bread??" American (in a bad mood): "Of course." Canadian: (after blowing a huge bubble) "We don't. In Canada, we only eat what's inside. The crusts we collect in a container, recycle it, transform them into croissants and sell them to the states." The Canadian has a smirk on his face. The American listens in silence. The Canadian persists: "Do you eat jelly with the bread??" American: "Of Course." Canadian: (cracking his gum between his teeth and chuckling). "We don't. In Canada we eat fresh fruit for breakfast, then we put all the peels, seeds, and leftovers in containers, recycle them, transform them into jam and sell the jam to the states." The American then asks: "Do you have sex in Canada?" Canadian: "Why of course we do", the Canadian says with a big smirk. American: "And what do you do with the condoms once you've used them?" Canadian: "We throw them away, of course." American: "We don't. In America, we put them in a container, recycle them, melt them down into chewing gum and sell them to Canada.  1, forwarded,, Summary-line: 11-Feb dcj@zk3.dec.com [87] #[joeg@flume.zk3.dec.com: Rednecks] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04047; Fri, 11 Feb 00 15:55:06 EST Received: from zmamail01.zma.compaq.com by MIT.EDU with SMTP id AA20404; Fri, 11 Feb 00 15:55:03 EST Received: by zmamail01.zma.compaq.com (Postfix, from userid 12345) id 1B281163; Fri, 11 Feb 2000 15:55:05 -0500 (EST) Received: from flume.zk3.dec.com (broflume.zk3.dec.com [16.141.0.42]) by zmamail01.zma.compaq.com (Postfix) with ESMTP id 03D0C1B2 for ; Fri, 11 Feb 2000 15:55:04 -0500 (EST) Received: from kamlia.zk3.dec.com by flume.zk3.dec.com (8.8.8/1.1.8.2/16Jan95-0946AM) id PAA0000016689; Fri, 11 Feb 2000 15:55:04 -0500 (EST) Received: by kamlia.zk3.dec.com (8.8.8/1.1.22.3/21May99-0110PM) id PAA0000029468; Fri, 11 Feb 2000 15:55:03 -0500 (EST) Date: Fri, 11 Feb 2000 15:55:03 -0500 (EST) From: David Jedlinsky USG Message-Id: <200002112055.PAA0000029468@kamlia.zk3.dec.com> To: opus@MIT.EDU Subject: [joeg@flume.zk3.dec.com: Rednecks] *** EOOH *** Date: Fri, 11 Feb 2000 15:55:03 -0500 (EST) From: David Jedlinsky USG To: opus@MIT.EDU Subject: [joeg@flume.zk3.dec.com: Rednecks] Date: Fri, 11 Feb 2000 14:10:22 -0500 (EST) From: Joe Gaudreau USG {Dances with PostScript} To: dcj@zk3.dec.com Subject: Rednecks Reply-To: joeg@zk3.dec.com Subject: FW: [Fwd: Fwd: Rednecks] Rednecks in Arkansas Did you hear about the redneck who passed away and left his entire estate in trust for his beloved widow? She can't touch it until she turns fourteen. What is the most popular pickup line in Arkansas? "Nice tooth!" Emily Sue passed away and Bubba called 911. The 911 operator told Bubba that she would send someone out right away. "Where do you live?" asked the operator. Bubba replied, "At the end of Eucalyptus Drive." The operator asked, Can you spell that for me?" There was a long pause and finally Bubba said, "How 'bout if I drag her over to Oak Street and you pick her up there?" How do know when your staying in an Arkansas hotel? When you call the front desk and say, "I've gotta leak in my sink" and the person at the front desk says, "Go ahead." What do they call reruns of "Hee Haw" in Arkansas? A documentary. What do they call it in Kentucky? "Lifestyles of the Rich and Famous" How many rednecks does it take to eat a 'possum? Two. One to eat, and one to watch out for traffic. Why did God invent armadillos? So that rednecks could have 'possum on the halfshell. Where was the toothbrush invented? Arkansas. If it had been invented anywhere else, it would have been called a teethbrush. Arkansas State Trooper pulls over a pickup truck on I-40. He says to the driver, "Got any ID?" The driver says, "'Bout what?" Did you hear about the $3,000,000 Arkansas State Lottery? The winner get $3 a year for a million years. Why did O.J. Simpson want to move to Arkansas? Everybody has the same DNA Did you hear about the governor's mansion in Little Rock, Arkansas, burned down? Yep. Pert' near took out the whole trailer park. A new law recently passed in Arkansas: When a couple gets divorced, they're still brother and sister. What's the best thing to ever come out Arkansas? I-40 Two Arkansans are walking down different ends of a street toward each other, and one is carrying a sack. When they meet, one says, "Hey Tommy Ray, what'cha got in the bag?" "Jus' some chickens." "If I guess how many they are, can I have one?" "Shoot, ya guesses right and I'll give you both of them." "OK. Ummmmmmm...five?" What do a divorce in Arkansas, a tornado in Kansas, and a hurricane in Florida have in common? Somebody's fixin' to lose them a trailer. An Arkansan came home and found his house on fire, rushed next door, telephoned the fire department, and shouted. "Hurry, My house is on fire!" "OK," replied the fireman. "how do we get there?" "Say, don't you still have those big red trucks?" What do you get when you have 32 Arkansans in the same room? A full set of teeth. ------- End of forwarded message -------  1,, Summary-line: 11-Feb Robert.Major@Alcan.Com [17] # Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27908; Fri, 11 Feb 00 17:07:06 EST Received: from CSG.ALCAN.COM by MIT.EDU with SMTP id AA13602; Fri, 11 Feb 00 17:07:02 EST Received: from alcan.com by KRDC.INT.ALCAN.CA (PMDF V5.1-12 #19197) id <01JLSDEWF4SW934Q6H@KRDC.INT.ALCAN.CA> for opus@MIT.edu; Fri, 11 Feb 2000 16:53:19 EDT Date: Fri, 11 Feb 2000 16:28:03 -0500 (EST) From: Robert.Major@Alcan.Com Subject: To: opus@MIT.EDU Message-Id: <01JLSE8J8QI6934Q6H@KRDC.INT.ALCAN.CA> Mime-Version: 1.0 Content-Type: MULTIPART/MIXED; BOUNDARY="Boundary_(ID_+qeUDSbm7h9tsEgsN4h5uA)" *** EOOH *** Date: Fri, 11 Feb 2000 16:28:03 -0500 (EST) From: Robert.Major@Alcan.Com Subject: To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: MULTIPART/MIXED; BOUNDARY="Boundary_(ID_+qeUDSbm7h9tsEgsN4h5uA)" --Boundary_(ID_+qeUDSbm7h9tsEgsN4h5uA) Content-type: TEXT/PLAIN Content-transfer-encoding: 7BIT Brutal, absolutely brutal...Are you guys still planning on coming down in October for the big "Chili Cookoff"? Regarding your message, I'm sure some of the contestants probably add possum to their recipes. Scary! --Boundary_(ID_+qeUDSbm7h9tsEgsN4h5uA)--  1,, Summary-line: 11-Feb michael@michaelblum.com [164] #TT; subtext; theme Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28792; Fri, 11 Feb 00 19:32:19 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18870; Fri, 11 Feb 00 19:32:16 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA08489; Fri, 11 Feb 2000 19:32:16 -0500 (EST) Date: Fri, 11 Feb 2000 19:32:16 -0500 (EST) Message-Id: <38A4A90E.3FCEFD67@michaelblum.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: michael@michaelblum.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Blum To: Multiple recipients of list SAVOYNET Subject: TT; subtext; theme Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7C-CCK-MCD NSCPCD47 (Macintosh; I; PPC) *** EOOH *** Date: Fri, 11 Feb 2000 19:32:16 -0500 (EST) Reply-To: michael@michaelblum.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Blum To: Multiple recipients of list SAVOYNET Subject: TT; subtext; theme Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7C-CCK-MCD NSCPCD47 (Macintosh; I; PPC) I had the pleasure of attending a showing of TT in the presence of 2 earnest S'netters (Harry B. Turner and Charles H. Manekin) and I have a few thoughts about theme, subtext and directorial choices. Now, the movie is (IMHO) glorious - a feast for the eye and ear, and certainly the best "play about the making of a play" I have ever seen. Better than (even) Shakespeare in Love. But I was drawn to the movie not only because of the wonderful portrayals, but even more so because of the realism and depth (reality) the writer/director gave the characters. And, in that vein, I believe that a strong subtext in TT (and maybe what the movie is actually "about") is the sexual/societal lot of women in Victorian England - and that this explains many points of the movie that have puzzled correspondents on this network. Let's for the sake of argument assume that the scenes between the Gilberts are accurate. In that case, the recent discussion on S'net about Kitty Gilbert's "comfort" with WSG's "kids parties" (to paraphrase some of our correspondents: "TT shows her wanting children. But the real Lucy [Kitty] Gilbert showed herself as very distant at the real WSG's kids parties and so must not have liked children") seems to miss the point made in the movie: I can't think of anything sadder than a wife, unfulfilled in her desire to conceive and bear children, having to play hostess when other people's children are brought in by the very man who failed to give her any. I think it likely that Kitty's pathetic (I use the word in its literary sense) line about empty perambulators and "strangling them with their umbilical cords" was placed in the character's mouth by a writer who knew about the historical WSG's kids parties. And did she seem distant at them? And did she discontinue them after he was dead? WSG was lucky his Kitty didn't take off to the continent in the manner of Princess Alexandra - or strangle Nancy Macintosh. The movie shows us 3 wonderful, masterful, talented, brilliant, funny men: who without the women with whom they were linked, could not have produced anything! The three men of course are: (1) Sullivan: virile, earthy, in ill health, irregularly faithful to a woman who must abort his children to keep her place in society and his life. Without the "tonic" Fanny's "presence" brings him, no spirit or vigor to create. (2) Carte: calculating, business-like, dedicated to a woman whom he cannot marry and therefore with whom he cannot have children. Without Helen's business sense and negotiating savvy, no company. (3) Gilbert: cerebral, brilliant, quarrelsome, but essentially childlike and uninterested in the "physical" life (and, having come from a brutally warped family, not interested in creating another one). But without Kitty's prodding to go to Knightsbridge that day, no Mikado. So three women (Fanny, Helen and Kitty) have no children (by these men! I know Mrs. Ronalds had grown child[ren?] back in the good old USA, as TT makes clear): 2 because they can't marry until past the age of childbearing . . . and 1 because her husband won't "give her one!" In a way, the movie hints that The Mikado is as much the creation of these 3 women, working behind the scenes in the only way Victorian society would let them, than of the 3 men usually credited! I opine that perhaps that's why the movie was missing some scenes I would have liked to have seen: for instance a scene showing the favorable receipt by Sullivan (in Venice, I think) of Gilbert's basic Japanese plot outline; Sullivan's response to Carte . . . jubilation in the office . . . and in the cast . . . etc. We jump from a (out-of-order, BTW) "preview" of Ko-Ko's entrance right to Gilbert reading Sullivan the text of the opening chorus (probably not historical . . . the scene is probably based on Gilbert reading Sullivan the original Trial by Jury Bab Ballad as published in Fun). I think the writer/director was anxious to keep the spotlight (so to speak) on the interaction of males and females back on the Empire's home ground. The brilliantly-scripted movie doesn't just make the point with Willy/Kitty; Arthur/Fanny and Richard/Helen. There are constant touches meant to throw more light on the situation; for instance, I think the movie goes pretty far to show us what men's "permitted indiscretions" could do, if they indulge in the kind of conduct Sullivan seems to have enjoyed sans reckoning (although Fanny does give him a certain look when he mentions looking forward to getting "a lot of exercise" in Paris)! For instance, there are 2 very curious lines in the movie I wish to draw attention to in this context. The first is Gilbert's reference to Ibsen as a possible dramatist ("If you want to show a prostitute dying of consumption in a garret") in the wonderful "frustrating meeting" scene in D'Oyly Carte's office (a meeting chaired by Helen Lenoir, mirabile dictu. Please consult the memoir by Francois Cellier as to the debt owed by all to this marvelous woman). Now the cultured audience laughs at this line because the reference is to the future Puccini and Leoncavallo La Bohemes. The line is just possible for the historical Gilbert to have said because Murger's work on which the operas are based was very well known; certainly it was within Gilbert's vast literary knowledge. But I believe this is a red herring, and that the reference is actually meant to bring up Ibsen's Ghosts. In this very serious play, a father's indiscretion with prostitutes has communicated syphilis not only to his wife but to their son, thus destroying the family. The second line is a throw-away reference to "the Churchills have returned . . . Jennie states that Winston at age 11 has the mumps and rejects all authority" (or something like that . . . I quote again from memory). This line gets a laugh from us because we all know that little Winston will grow up to save the world, rejecting authority much the way (certainly truly heroic in the Boer War and a visionary as First Lord, too). But I think the line is actually there to refer to the home life of Randolph and Jennie: a life shattered by his contracting syphilis during her pregnancy, a pregnancy that started on their honeymoon. The Churchills never cohabited again, never lived together again, and Randolph's career was of course disfigured and ended sadly. Moving on, let's consider the lot of the other women portrayed: Jessie forced to sing for her supper after performances to "attract beaux"; Leonore lectured and/or threatened by Carte for a "weakness" when far worse drug abuse in the men is tolerated, and doomed to single widowhood because no one wants a lady with a young child. Maybe Rosina wasn't really touched because there was not point to be made there about her personal life (although she is shown in the one scene onstage in The Mikado where a woman bests a man . . . hmmm . . . ). But Katisha's arias are not covered at all in the movie: maybe because they are TOO obvious in revealing the subtext? "The hope I cherished all lifeless lies, and all has perished . . . save love, which never dies" . . . "Why, when hope is gone, dost thou stay on? Why linger here where all is drear?" Oh well - perhaps I'm going too far! I'm not saying that this subtext is ALL that TT is about. But I found the subtle, constant concentration on it very meaningful. Just compare the characterizations in TT with those in the B&W "The Story of Gilbert & Sullivan" from the 1950s (a wonderful movie, too, but of another sort). And, seen in this context, can we not understand why TT ends with Yum-Yum's aria? "Ah pray make no mistake . . . we are not shy. We're very wide awake . . . I mean to rule the earth . . . we really know our worth . . . ." How ineffably sad. I hope that youse out dere in S'net land accept this rather lengthy discourse as simply one person's take on a wonderful, wonderful movie. Leigh is a great artist, and great artists often ply many, many layers of meaning even as a painter overlays his or her canvas. I have a cousin (whose name I will not drop), a brilliant person of the theater, whose every work convinces me more and more that the definition of art is having a soul large and deep enough to compass many different layers of emotion, thought and meaning. We should all thank heaven that Gilbert and Sullivan, both the men and their works we revere, are (perhaps now best or first fully) revealed by TT as truly worthy of the name of art. Okay, enough. Pray do not make me long for asbestos unmentionables, but consider that there is humor in all things, even this. Michael I. Blum President & Creative Director Michael Blum Associates, Inc. / Michael Blum E-mergent 410-893-1700 phone / 410-893-2598 fax michael@michaelblum.com email  1,, Summary-line: 11-Feb michael@michaelblum.com [30] #Addendum to my last missive. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28847; Fri, 11 Feb 00 19:32:46 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18923; Fri, 11 Feb 00 19:32:42 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA08618; Fri, 11 Feb 2000 19:32:42 -0500 (EST) Date: Fri, 11 Feb 2000 19:32:42 -0500 (EST) Message-Id: <38A4AA99.2C73AE29@michaelblum.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: michael@michaelblum.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Blum To: Multiple recipients of list SAVOYNET Subject: Addendum to my last missive. Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7C-CCK-MCD NSCPCD47 (Macintosh; I; PPC) *** EOOH *** Date: Fri, 11 Feb 2000 19:32:42 -0500 (EST) Reply-To: michael@michaelblum.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Blum To: Multiple recipients of list SAVOYNET Subject: Addendum to my last missive. Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7C-CCK-MCD NSCPCD47 (Macintosh; I; PPC) Alas, all too soon. An incident in the movie I meant to also include is, of course, the curious incident of the aged, deranged whore in the lane during the opening night perambulation of WSG. He certainly threw her off (a vision of his wife in older age? A vision of his mother?) and hurried to the comfortable confines of topsy-turveydom, where he is the sovereign and where (almost) all women are still virgins at the final curtain. I need say no more but to mention the scene in context with my long discourse. Michael I. Blum President & Creative Director Michael Blum Associates, Inc. / Michael Blum E-mergent 410-893-1700 phone / 410-893-2598 fax michael@michaelblum.com email  1,, Summary-line: 13-Feb consensa@emmanuel.edu [48] #Fwd: History of the Chocolate Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14853; Sun, 13 Feb 00 14:56:41 EST Received: from billiart.emmanuel.edu by MIT.EDU with SMTP id AA24892; Sun, 13 Feb 00 14:56:36 EST Message-Id: Date: Sun, 13 Feb 2000 14:50:50 -0500 Subject: Fwd: History of the Chocolate To: opus@MIT.EDU X-Fc-Forwarded-From: luciemc@mediaone.net From: consensa@emmanuel.edu (Sarah M. Consentino) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit *** EOOH *** Date: Sun, 13 Feb 2000 14:50:50 -0500 Subject: Fwd: History of the Chocolate To: opus@MIT.EDU X-Fc-Forwarded-From: luciemc@mediaone.net From: consensa@emmanuel.edu (Sarah M. Consentino) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Dave, In lieu of our famous YDKJ game, I thought you might appreciate this one. :) -Sarah in 1868 Richard CADBURY introduced the fist Valentine Day box of chocolates. in 1900 Milton S. Hershey of Lancaster, Pa introduced the first Hershey milk chocolate bar. 1906: Hershey kisses 1913: Goo Goo Clusters 1920: Fannie May Candies 192: Mounds 1924: M&M, Mars, Milky Way 1926: Milk Duds 1928: Heath bars..Reese's peanut buter cups 1929: Snickers 1933: 3 Musketeers 1936: 5th avenue 1939: Hershey miniatures 1949: Junior Mints  1,, Summary-line: 14-Feb eichin@thok.org [14] #some toys we talked about at dinner Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22532; Mon, 14 Feb 00 01:55:34 EST Received: from marbles.thok.org by MIT.EDU with SMTP id AA02764; Mon, 14 Feb 00 01:55:28 EST Received: by marbles.thok.org (Postfix, from userid 3382) id 6CD0BF62FA; Mon, 14 Feb 2000 01:55:25 -0500 (EST) From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: some toys we talked about at dinner Message-Id: <20000214065525.6CD0BF62FA@marbles.thok.org> Date: Mon, 14 Feb 2000 01:55:25 -0500 (EST) *** EOOH *** From: "Mark W. Eichin" To: dinner@MIT.EDU Subject: some toys we talked about at dinner Date: Mon, 14 Feb 2000 01:55:25 -0500 (EST) http://www.the-gadgeteer.com/ has reviews for lots of cool stuff, and pointers-to-press-pages for cool stuff that only barely exists. Of particular note are the Vaio music clip, Visor radio, and Visor Eyemodule on the front page, and http://www.the-gadgeteer.com/stowaway-review.html about the "think outside" foldup keyboard, which she actually got a sample of to play with...  1,, Summary-line: 16-Feb jtk@kolvir.arlington.ma.u [20] #Re: new house! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20919; Wed, 16 Feb 00 23:05:30 EST Received: from kolvir.ne.mediaone.net by MIT.EDU with SMTP id AA04107; Wed, 16 Feb 00 23:05:22 EST Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.8.8/JTK19980409) id XAA07288; Wed, 16 Feb 2000 23:05:20 -0500 (EST) Date: Wed, 16 Feb 2000 23:05:20 -0500 (EST) Message-Id: <200002170405.XAA07288@kolvir.arlington.ma.us> From: John Kohl To: eichin@thok.org Cc: dinner@MIT.EDU In-Reply-To: (eichin@thok.org) Subject: Re: new house! X-Us-Snail: 8 Lorne Road, Arlington, MA 02476 *** EOOH *** Date: Wed, 16 Feb 2000 23:05:20 -0500 (EST) From: John Kohl To: eichin@thok.org Cc: dinner@MIT.EDU In-Reply-To: (eichin@thok.org) Subject: Re: new house! X-Us-Snail: 8 Lorne Road, Arlington, MA 02476 It's roughly ((latitude (dms 42 26 8)) (longitude (dms 71 10 50))) Susan reports that www.switchboard.com has an accurate map for the address. (this might work, depending on the persistence of their links: http://www.MapsOnUs.com/bin/maps-maponly/usr=~38ab7238.43fd7.3cef.5/c=1/refsrc=SB.home/isredir=1/ -- ==John Kohl , Home page: Bicycling and Skiing to keep fit.  1,, Summary-line: 22-Feb geer@world.std.com [146] #"Gale", a secure, distributed, open-source chat system Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16198; Tue, 22 Feb 00 00:24:31 EST Received: from europe.std.com by MIT.EDU with SMTP id AA18411; Tue, 22 Feb 00 00:25:40 EST Received: from world.std.com (geer@world-f.std.com [199.172.62.5]) by europe.std.com (8.9.3/8.9.3) with ESMTP id AAA12713 for ; Tue, 22 Feb 2000 00:24:17 -0500 (EST) Received: from localhost (geer@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id AAA06977 for ; Tue, 22 Feb 2000 00:24:16 -0500 (EST) Message-Id: <200002220524.AAA06977@world.std.com> X-Authentication-Warning: world.std.com: geer@localhost didn't use HELO protocol To: zephyr@MIT.EDU Subject: "Gale", a secure, distributed, open-source chat system Date: Tue, 22 Feb 2000 00:24:16 -0500 From: Dan Geer *** EOOH *** X-Authentication-Warning: world.std.com: geer@localhost didn't use HELO protocol To: zephyr@MIT.EDU Subject: "Gale", a secure, distributed, open-source chat system Date: Tue, 22 Feb 2000 00:24:16 -0500 From: Dan Geer ------- Forwarded Message Date: Tue, 18 Jan 2000 20:20:24 -0800 From: Ryan Lackey To: cypherpunks@algebra.com, cryptography@c2.net Subject: "Gale", a secure, distributed, open-source chat system (I just posted this epinions.com review of Gale, a secure multiplatform open-source chat system. I figured I'd send the text to cypherpunks and cryptography as well) Gale is a secure, multiplatform, open-source chat system. Unlike systems like ICQ and AIM, both the client AND the server are freely available, and all of the protocols are open and extensible. Gale was developed by Dan Egnor. The homepage for the gale distribution and development effort is http://www.gale.org/). Clients have been developed by a variety of others, and Gale itself is released under an open-source license. The name "Gale" is a sly reference to "Zephyr", the MIT-developed chat system from the 1980s and still in active, if not widespread, use. The comparison is accurate -- compared to the relatively limited Zephyr, Gale is much more powerful, secure, and useful. It is designed to eventually scale to millions of simultaneous users, supporting a sophisticated distributed network of servers carrying personal, local, and global messages. There is no central gale server; everything is distributed, the only way to design a system for scalability to large numbers of users without charging subscription fees. Basically, it's the difference between the way email, web, etc. are designed (fully distributed and decentralized) and old-fashioned centralized computing like AOL. By being this decentralized, no one organization ends up with control over the gale universe; users can operate their own servers with no connections to the outside world, or can voluntarily connect their servers to other servers. An unofficial collection of servers forms the gale "backbone", carrying most public traffic. Unlike most chat systems, Gale uses key identifiers based on the user's email address. This makes it very easy to guarantee users have unique identifiers, as well as figure out someone's address without having to use a special search engine. Gale's most important feature, however, is the high degree of security in its design. Gale uses public-key signatures and encryption of individual private messages ("puffs"), keeping them secure from evesdroppers or even server operators, and uses public-key signatures on public messages. Gale includes a variety of clients, including commandline, java, and graphical clients. One client, Fugu, is written in Python/TCL, providing an easy cross-platform solution for UNIX as well as Windows. It is easy to write new clients for new platforms; perhaps in the future there will be clients for WAP and other emerging technologies. Gale is still in alpha stage, under active development. Recent changes to US cryptography export laws will allow Gale to be exported, increasing its usability. The main areas of gale which still need to be improved are: * The process of setting up a new gale domain (usually mapped to DNS domains, so aol.com would maintain its own gale domain aol.com) needs to be simplified. * Client software should be easier to use and more automatic in initial configuration * The cryptography should be replaced with a non-RSA algorithm, perhaps using the OpenPGP format for keys and messages, to support patent-free commercial use in the US. * Links to external systems, such as zephyr, irc, icq, etc. should be developed. * Anti-spam techniques, such as filtering, moderation, etc. need to be developed for use when the population of gale users goes from the current several hundred to an eventual (hopeful) many million. The main competition for gale is: * IRC IRC is used by perhaps 100 000 users worldwide. IRC affords no message encryption, minimal authentication (identd is sometimes used, which is almost worse than nothing at all), and has a culture built around "/kick", banning users, channel takeovers, and general childishness; the public networks are not really suited for professional use. IRC is a perfect example of why security should be designed into network protocols rather than relying on social pressure. * Zephyr Zephyr is a chat system originally developed by MIT Athena as a system message service (printer has finished printing your job, etc.), now used as a chat system at MIT and other locations. It is tied to the Kerberos authentication system, providing relatively secure but complicated authentication, but no message encryption. Zephyr is very complex to set up if you don't run Kerberos, as Kerberos itself is a major effort to configure. Zephyr is also the least actively developed and maintained of the various chat systems, and is only minimally crossplatform. * AIM, ICQ, NetMeeting, Yahoo Chat These systems are fundamentally different from gale in that they offer no security, are highly centralized, and do not support the kind of categorization, distribution, and other features which make gale unique. However, they currently have the largest number of users. * IMPP (http://www.ietf.org/html.charters/impp-charter.html) Internet Messaging and Presence Protocol is an IETF standards effort designed to create an interoperable person-to-person chat system with privacy protection for presence information. This effort does have a security aspect to it, but neglects several important features -- multiperson chat "channels" being one of the most glaring omissions. Additionally, it's still in the requirements and design phase; no actual code has been developed, and it may take a very long time for this effort to produce a working prototype. * Jabber (http://www.jabber.org/) Jabber is perhaps the most serious competition for gale. It is a "meta-chat-system", consisting of a server and lightweight clients and interfacing with a variety of other systems, including ICQ, IRC, etc. However, since those protocols do not themselves have much in the way of security, Jabber itself ends up not having much security, although the developers of Jabber do seem to be conscious of security themselves. Jabber also has a large number of developers and many clients under development. Jabber is built using XML, granting it full buzzword compliance :) -- ryan@venona.com http://www.venona.com/rdl/ 1024D/4096g 0xD2E0301F B8B8 3D95 F940 9760 C64B DE90 07AD BE07 D2E0 301F --- end forwarded text ------- End of Forwarded Message  1,, Summary-line: 23-Feb ryanb@kalypso.cybercom.ne [41] #Re: Cross-cultural casting - was Re: Modern Day GS in Chicago Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08527; Wed, 23 Feb 00 10:24:54 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18496; Wed, 23 Feb 00 10:26:09 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA29935; Wed, 23 Feb 2000 10:24:26 -0500 (EST) Date: Wed, 23 Feb 2000 10:24:26 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ryanb@kalypso.cybercom.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ryan B. Caveney" To: Multiple recipients of list SAVOYNET Subject: Re: Cross-cultural casting - was Re: Modern Day GS in Chicago Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200002230247.SAA11065@www1.xoommail.com> *** EOOH *** Date: Wed, 23 Feb 2000 10:24:26 -0500 (EST) Reply-To: ryanb@kalypso.cybercom.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ryan B. Caveney" To: Multiple recipients of list SAVOYNET Subject: Re: Cross-cultural casting - was Re: Modern Day GS in Chicago Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200002230247.SAA11065@www1.xoommail.com> On Tue, 22 Feb 2000, margot sheehan wrote: > 2) I think I would find it extremely bad taste to see a Mikado cast with > Orientals/East Asians/Mongoloids/ethnic Japanese. G&S's Mikado isn't > about Japan, it's about Topsy-Turvyland. It has to be played by people > who can pass for 19th-century Anglo-Celt stock, preferably with a cod > Standard-English stage accent. Otherwise it appears to be making some > anthropological joke, and doing so badly. When one does amateur theater, one must cast whoever turns up and can handle the part. In the 1998 MIT G&SP _Mikado_, our Katisha, Yum-Yum and Pish-Tush were of Chinese or Korean ancestry, and our Ko-Ko of Indian. No one seemed bothered, and they were all very good. The original poster also asked about cross-gendered casting; in the same company's 1999 _Iolanthe_, one of the chorus lords was played by a woman. She carried the part off very well -- her acting skill, slight build and boyish haircut combined to leave a fair portion of the audience wondering exactly who the female lord was. She also had a much easier time singing high tenor than I did! (My first role with the company was Old Adam... this is what it is to have two capacities!) Ryan Caveney (who, of the terms suggested to replace "lurkers", rather fancies "chorus")  1,, Summary-line: 23-Feb ldb@u.washington.edu [52] #Re: Identifying parts of TT (Kabuki) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01682; Wed, 23 Feb 00 12:50:58 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22607; Wed, 23 Feb 00 12:50:44 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA00126; Wed, 23 Feb 2000 12:50:26 -0500 (EST) Date: Wed, 23 Feb 2000 12:50:26 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ldb@u.washington.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "L. Donald Bartholomew" To: Multiple recipients of list SAVOYNET Subject: Re: Identifying parts of TT (Kabuki) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Wed, 23 Feb 2000 12:50:26 -0500 (EST) Reply-To: ldb@u.washington.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "L. Donald Bartholomew" To: Multiple recipients of list SAVOYNET Subject: Re: Identifying parts of TT (Kabuki) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: On Wed, 23 Feb 2000, Paul Cohen wrote: > There is a fleeting image at the end of the Kabuki play sequence I wish were > held a few frames longer -- the swordsman has slain his rival and grimaces, > mouth twisted, as we zoom in and cut. That grotesque image is a familiar > one I've seen on a number of old Japanese prints -- or am I imagining this? I was quite taken aback when the actor struck that classic Kabuki pose--"mie" (pronounced me-yeh). It was absolutely correct. Mike Leigh does his homework and quite well. The mie is the pinacle of Kabuki "aragoto" or heroic style. It occurs only at the most heightened moments of drama. The actor strikes an heroic pose, usually with legs stread wide and arms extended, crosses one eye (!) and stares directly at the audience with the other all the time accompanied by percusive strikes on the woodblock. Audiences frequently scream out the actor's name and words of encouragement that put our own "bravo" to shame. It has always been my dream to do a truly Kabuki-style production of THE MIKADO complete with revolving stages, one set inside of the other, hanamichi (entrance ramps from the back of the house to the stage through the audience), trapdoors for sudden appearances (think Katisha!) at the 4/5's on the hanamichi. For a brief introduction to Kabuki theatre check out Kabuki for Everyone http://park.org/Japan/Kabuki/kabuki.html You might just become as enthused as Gilbert. Cheers, uncaDonald in Seattle (who was all set to do "Death of a Salesman" as a Kabuki ghost play but the producer sadly passed away) ldb@u.washington.edu  1,, Summary-line: 25-Feb Raywalker@appleonline.net [75] #Geoffrey Toye Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14043; Fri, 25 Feb 00 08:30:10 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA15145; Fri, 25 Feb 00 08:29:55 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA15177; Fri, 25 Feb 2000 08:29:51 -0500 (EST) Date: Fri, 25 Feb 2000 08:29:51 -0500 (EST) Message-Id: <38B66BAB.6A25EAE4@appleonline.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Geoffrey Toye Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Fri, 25 Feb 2000 08:29:51 -0500 (EST) Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Geoffrey Toye Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) My grateful thanks to Daniel Kravetz for posting on the Savoynet the request for information about Geoffrey Toye and his lost Red Pen ms. It was 'moi' who wrote to 'Opera' and the BBC Magazine last year and had assumed they had not decided to print my letter. Savoynetters might find the Toye story an interesting one. So sit back in a chair and relax.... I came across the libretto to the Red Pen opera/musical in a second-hand bookshop. It was written in 1925, at a time when Geoffrey Toye was active with the D'Oyly Carte, as a BBC commission with libretto by A P Herbert. The libretto which can be found in a number of British music college libraries is humorous and well written. In fact it could be a prelude to that very successful 80s BBC tv series 'Yes Minister' (not sure whether it was seen in the States and Canada, but expect it was). Its brilliant and still topical libretto has potential for a revival and could give G & S fans insight to a composer deeply involved with G & S. So I went in search of the music. Listed in the BBC library catalogue I discovered that all of the band parts were more or less in tact, but with no master score. To me it seemed likely that Toye took it away for safe keeping after the broadcast (if he conducted it in place of Beecham, with whom he closely worked). Since the broadcast date (7 Feb 1927) is printed in the lib. the BBC were able to trace who conducted the broadcast. It was indeed Toye. However, they also told me that the Red Pen was first broadcast two years earlier on 24 Mar 1925 by Stanton Jeffries (died 1961). The BBC archives are amazingly detailed. They know that during the war Stanford Robinson (of Savoy Dances fame) visited Toye's widow in London to ask if she held any of her husband's manuscripts, with the thought that some of his important works might be published. Nothing came of this it seems. On this occasion all the scores were enough to spread over the drawing room floor. An approach was made last Autumn to all the colleges of music to see if Toye had left the Red Pen ms. with them. The Royal College of Music told me he was a student there and his obituary referred to his youth being spent in Winchester. Toye apparently went to Winchester College. From here the trail went cold. A second line of research took me in search of Wendy Toye (film director) and Jennifer Toye (DC) who Daniel referred to in his Savoynet letter. Wendy is not related, but Jennifer is, distantly. Fortunately I was able to find her through a conversation with Jean Hindmarsh (we all remember her 'Poor Wandering One'). Jennifer kindly sent me a clip from Feb's 'Opera' magazine which posted a parallel request as March's BBC Mag. so hopefully someone will come forward. She is also hoping to trace the executor of Geoffrey Toye's son, John, who died in 1991. This may help focus in on the whereabouts of the ms. With the ms. found, an assessment of the music's worth can be judged and if good the BBC can be encouraged to bring about a revival. The 2 Act radio opera would last about 2hrs. This work would be a more useful contribution to judge Toye from than his Ruddigore overture, arranged in the 20s. Ray Walker  1,, Summary-line: 26-Feb jeff@jeffpowell.com [65] #RE: Info question: Scanning old music Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17105; Sat, 26 Feb 00 14:28:00 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24020; Sat, 26 Feb 00 14:29:17 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA06318; Sat, 26 Feb 2000 14:27:47 -0500 (EST) Date: Sat, 26 Feb 2000 14:27:47 -0500 (EST) Message-Id: <000001bf808e$3a78cd50$00ffff0a@JEFFREY> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jeff@jeffpowell.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff Powell To: Multiple recipients of list SAVOYNET Subject: RE: Info question: Scanning old music Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Sat, 26 Feb 2000 14:27:47 -0500 (EST) Reply-To: jeff@jeffpowell.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff Powell To: Multiple recipients of list SAVOYNET Subject: RE: Info question: Scanning old music Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) I have used MIDIScan in the past, but it gave me mixed results. For simple pieces (like the piano-only ragtime I have on my web site) it works acceptably, but for more complex music it's worthless, especially for old scores that may use some obsolete notation (I have the G&S Songbook, which is facsimiles of original sheet music, and some of the quarter rests look like reversed eighth rests) that would totally confuse it. You'll have a real hard time if it gets the time signature wrong. The editor in MIDIScan really sucks big time. What I would usually do is scan into MIDIScan, then export as a MIDI file and do the rest of the clean-up in Rhapsody. Rhapsody was made by Passport Designs (which went belly-up and was acquired by Gvox) and was a music notation editor. Unfortunately they never made a 32-bit version of it, and when I switched to Windows NT (and now Windows 2000) it didn't work anymore. All of the MIDI files on my website and on the G&S Archive (I contributed a number of them)were made with Rhapsody. Lately I have experimented with Overture by Cakewalk (www.cakewalk.com) and it seems like a worthy replacement for Rhapsody, but I have not bought it. My opinion-- do it the hard way. Scanning may actually take more time than manually entering it and give inferior results. Jeff Powell http://www.jeffpowell.com If you wish in the world to advance Your merits you're bound to enhance You must stir it and stump it And blow your own trumpet Or trust me, you haven't a chance! -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of Andi Sent: Saturday, February 26, 2000 9:26 AM To: Multiple recipients of list SAVOYNET Subject: Info question: Scanning old music Investigating ways to do clean versions of Sullivan sheet music and vocal scores like The Sorcerer for personal use and posting to the Archive. Has anyone had experience with SmartScore or another recent notation software that allows entry by *scanning*? Specifically *scanning*; I know about the other input methods. Private replies to me at impunity@worldnet.att.net Thanks Andi Stryker-Rodda  1,, Summary-line: 26-Feb impunity@worldnet.att.net [75] #Re: Scanning Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01371; Sat, 26 Feb 00 19:55:59 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA17541; Sat, 26 Feb 00 19:55:43 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA13233; Sat, 26 Feb 2000 19:54:56 -0500 (EST) Date: Sat, 26 Feb 2000 19:54:56 -0500 (EST) Message-Id: <002001bf80bd$aa5f2680$eb604e0c@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Re: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sat, 26 Feb 2000 19:54:56 -0500 (EST) Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Re: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 I'm getting mixed very mixed answers to my earlier post. Ron Orenstein and Jeff Powell both report that MIDIScan is "pretty much useless", but the SmartScore software package that I specifically asked about got a very good review from Jim Farron. Because this subject does seem to be of interest to several S'Netters, I'm reprinting below the reply I got from Musiktek Tech Support when I asked their opinion about using SmartScore for old scores. Again, if anyone else has had experience with this package, please let me know what it is. Here's the Musiktek answer: Recognition accuracy is directly related to the quality of the score's print and the image file produced from the scan. The best way to see if your scores will work is to download our free demo. You may download the Demo by pointing your browser to: http://www.musitek.com/demopage.html. The demo is 3 MB in size. Also, here are a few scanning hints to help improve recognition accuracy. 1) Good originals = Good accuracy The greatest variable in recognition accuracy is the quality of the printed music to be scanned. Larger fonts with crisper, more detailed printing will have better accuracy than smaller, faded scores or copies out of multiple generations. Avoid scores having broken, faded or segmented note stems and staff lines. Rule of Thumb: Modern scores work better than those printed during the French Revolution. 2) Good scanners work best The next greatest variable is the quality of the scanner used. Most flatbed scanners are adequate. Be careful of "page scanners" and some$49 flatbeds... some do better than others. Never use hand scanners if at all possible. 3) Deskew your image files SmartScore will be able to process skewed (or slightly rotated) images, but this will result in some loss of accuracy. Leave SmartScore's Auto Deskew checked on or open your scans in the Image Editor prior to Recognition and manually straighten the image. 4) Higher resolutions can generate better accuracy Higher resolutions do not necessarily equate to higher accuracy. There is a point of diminishing returns when the optimum resolution is exceeded. At 400+ dpi, recognition accuracy of scores with very small fonts (large ensembles) may be improved but scores with "normal" font sizes may suffer decreased accuracy. 5) Crop the music, but leave some white space. Always leave a minimum of 1/4" to 1/2" margin of white space on all sides (left, right, top and bottom). Remove any excessive white or black portions from the image file. 6) Adjust the darkness/brightness of the final scan. Smaller notes or laser-printed scores can have very thin sharp lines. Darkening the final scan will thicken these lines and increase recognition. If you have any further questions, please contact us again. Musitek Tech Support  1,, Summary-line: 28-Feb jeff.powell@caere.com [146] #RE: Scanning Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16612; Mon, 28 Feb 00 12:09:51 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14252; Mon, 28 Feb 00 12:09:27 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA02690; Mon, 28 Feb 2000 12:08:56 -0500 (EST) Date: Mon, 28 Feb 2000 12:08:56 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jeff.powell@caere.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Powell, Jeff" To: Multiple recipients of list SAVOYNET Subject: RE: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2650.21) *** EOOH *** Date: Mon, 28 Feb 2000 12:08:56 -0500 (EST) Reply-To: jeff.powell@caere.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Powell, Jeff" To: Multiple recipients of list SAVOYNET Subject: RE: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2650.21) At Andi's request I tried out the demo of SmartScore. I have to admit I was impressed. It was very much better than MidiScan. I didn't have the time to really put it through its paces. I scanned one page of "Eugenia" by Scott Joplin and it did a fairly good job. I will have to try scanning some piano/vocal stuff next. That was where MidiScan was very weak-- it would not work at all if the number of staves increased and decreased during the song, except on the first page (i.e., if it starts out with just piano, then a vocal line is added, then another, then the vocal lines go away at the end and it is just piano again). The number of staves had to be constant. If SmartScore is like this it will be just as useless for scanning G&S (except for overtures) as MidiScan. The editor appears much better than MidiScan, with more ways of editing the MIDI file. However, some of the clumsiness of MidiScan is still there. I would not use the piano-roll editor, as I prefer to edit it as sheet music (after all, I took the trouble to learn to read music, so why not use it?). As in MidiScan, there are separate tools for single notes and beamed notes, which is awkward (my old Rhapsody program would beam the notes automatically). To sum up-- the recognition quality in SmartScore is considerably better than MidiScan, but still far from perfect, and the editor could still use some refinement. I didn't check to see what the price is, but I hope it's less than the outrageous $200 I paid for MidiScan (for 1 floppy!). Jeff Jeff Powell SQA Engineer Caere Corporation If you wish in the world to advance Your merits you're bound to enhance You must stir it and stump it And blow your own trumpet Or trust me, you haven't a chance! > -----Original Message----- > From: Andi [mailto:impunity@worldnet.att.net] > Sent: Saturday, February 26, 2000 4:53 PM > To: Multiple recipients of list SAVOYNET > Subject: Re: Scanning > > > I'm getting mixed very mixed answers to my earlier post. Ron > Orenstein and > Jeff Powell both report that MIDIScan is "pretty much > useless", but the > SmartScore software package that I specifically asked about > got a very good > review from Jim Farron. > > Because this subject does seem to be of interest to several > S'Netters, I'm > reprinting below the reply I got from Musiktek Tech Support > when I asked > their opinion about using SmartScore for old scores. > > Again, if anyone else has had experience with this package, > please let me > know what it is. > > Here's the Musiktek answer: > Recognition accuracy is directly related to the quality of > the score's print > and the image file produced from the scan. The best way to > see if your > scores will work is to download our free demo. You may > download the Demo by > pointing your browser to: > http://www.musitek.com/demopage.html. The demo is > 3 MB in size. Also, here are a few scanning hints to help improve > recognition accuracy. > > 1) Good originals = Good accuracy > The greatest variable in recognition accuracy is the quality > of the printed > music to be scanned. Larger fonts with crisper, more detailed > printing will > have better accuracy than smaller, faded scores or copies out > of multiple > generations. Avoid scores having broken, faded or segmented > note stems and > staff lines. Rule of Thumb: Modern scores work better than > those printed > during the French Revolution. > > 2) Good scanners work best > The next greatest variable is the quality of the scanner > used. Most flatbed > scanners are adequate. Be careful of "page scanners" and > some$49 flatbeds... > some do better than others. Never use hand scanners if at all > possible. > > 3) Deskew your image files > SmartScore will be able to process skewed (or slightly > rotated) images, but > this will result in some loss of accuracy. Leave SmartScore's > Auto Deskew > checked on or open your scans in the Image Editor prior to > Recognition and > manually straighten the image. > > 4) Higher resolutions can generate better accuracy > Higher resolutions do not necessarily equate to higher > accuracy. There is a > point of diminishing returns when the optimum resolution is > exceeded. At > 400+ dpi, recognition accuracy of scores with very small fonts (large > ensembles) may be improved but scores with "normal" font > sizes may suffer > decreased accuracy. > > 5) Crop the music, but leave some white space. > Always leave a minimum of 1/4" to 1/2" margin of white space > on all sides > (left, right, top and bottom). Remove any excessive white or > black portions > from the image file. > > 6) Adjust the darkness/brightness of the final scan. > Smaller notes or laser-printed scores can have very thin sharp lines. > Darkening the final scan will thicken these lines and > increase recognition. > > If you have any further questions, please contact us again. > > Musitek Tech Support > >  1,, Summary-line: 28-Feb ornstn@home.com [36] #RE: Scanning Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00238; Mon, 28 Feb 00 14:02:41 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01738; Mon, 28 Feb 00 14:03:59 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA22568; Mon, 28 Feb 2000 13:58:32 -0500 (EST) Date: Mon, 28 Feb 2000 13:58:32 -0500 (EST) Message-Id: <4.2.2.20000228133506.00bb5280@mail> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: RE: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: To: Multiple recipients of list SAVOYNET Subject: RE: Scanning Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: At Andi's request I tried out the demo of SmartScore. I have to admit I was >impressed. It was very much better than MidiScan. Unfortunately the full version of SmartScore (which you need unless you are only scanning piano music) is very expensive ($399). I have just tried another product, PhotoScore, from www.neuratron.com. This was developed for use with the grandaddy of all music writing programs, Sibelius. However, a new version that exports MIDI files only will be available in about 2 weeks, at $149 US. The demo version does an even better scanning job than SmartScore, but the editor is a bit tricky (I haven't quite got the hang of it yet). If you can work with MIDI output, though, this may well be the best value for money. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 29-Feb shimodarmb@yahoo.com [30] #Summer ASDFGHJKL; Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12459; Tue, 29 Feb 00 12:43:42 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18367; Tue, 29 Feb 00 12:45:00 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA23668; Tue, 29 Feb 2000 12:43:11 -0500 (EST) Date: Tue, 29 Feb 2000 12:43:11 -0500 (EST) Message-Id: <20000229172142.11513.qmail@web1303.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: shimodarmb@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rica Mendes-Barry To: Multiple recipients of list SAVOYNET Subject: Summer ASDFGHJKL; Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 29 Feb 2000 12:43:11 -0500 (EST) Reply-To: shimodarmb@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rica Mendes-Barry To: Multiple recipients of list SAVOYNET Subject: Summer ASDFGHJKL; Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello, again... This is a public invitation to ASDFGHJKL; Summer 2000! I'd like to have another event this summer, late is fine... If you are interested, if there are going to be any distant visitors, have any requests for dates, please let me know! ===== --'-,-{@ Rica Mendes-Barry @}-,-'-- http://rica.web.com May I kiss your snouts from loves? __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com  1,, Summary-line: 29-Feb KurtK007@aol.com [125] #To those who can appreciate..... Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05237; Tue, 29 Feb 00 22:23:33 EST Received: from imo-d04.mx.aol.com by MIT.EDU with SMTP id AA04257; Tue, 29 Feb 00 22:23:11 EST Received: from KurtK007@aol.com by imo-d04.mx.aol.com (mail_out_v25.3.) id f.c1.14964a4 (3980); Tue, 29 Feb 2000 22:17:17 -0500 (EST) From: KurtK007@aol.com Message-Id: Date: Tue, 29 Feb 2000 22:17:17 EST Subject: To those who can appreciate..... To: acarlton@cpsdirect.com, DavLCFZ@aol.com, rac@bu.edu, collierhome@sprintmail.com, zdaniel@welchs.com, rfrench@ahab.wellesley.edu, md.gool@nwh.org, dhowland@wellesley.edu, jekyll-hyde@worldnet.att.net, opus@MIT.EDU, rls@dimins.com, Ken2AKing@aol.com, WMKUHLMAN@aol.com, klague@jhancock.com, jeanjay@world.std.com, dcl@ties.org, KatishaL@aol.com, toddlong@erols.com, Malionek@cove.com, kcc@kccon.com, ajr-asid@juno.com, DonnaRslr@aol.com, Xworderic@aol.com, ellen.spear@infores.com, jstrang@newenglandconservatory.edu Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 *** EOOH *** From: KurtK007@aol.com Date: Tue, 29 Feb 2000 22:17:17 EST Subject: To those who can appreciate..... To: acarlton@cpsdirect.com, DavLCFZ@aol.com, rac@bu.edu, collierhome@sprintmail.com, zdaniel@welchs.com, rfrench@ahab.wellesley.edu, md.gool@nwh.org, dhowland@wellesley.edu, jekyll-hyde@worldnet.att.net, opus@MIT.EDU, rls@dimins.com, Ken2AKing@aol.com, WMKUHLMAN@aol.com, klague@jhancock.com, jeanjay@world.std.com, dcl@ties.org, KatishaL@aol.com, toddlong@erols.com, Malionek@cove.com, kcc@kccon.com, ajr-asid@juno.com, DonnaRslr@aol.com, Xworderic@aol.com, ellen.spear@infores.com, jstrang@newenglandconservatory.edu Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 THE YOUNG PERSON'S GUIDE TO THE CHORUS > >In any chorus, there are four voice parts: soprano, alto,tenor, and bass. >Sometimes these are divided into first and second within each part, >prompting endless jokes about first and second basses. There are also >various other parts such as baritone, countertenor, contralto, mezzo >soprano, etc., but these are mostly used by people who are either soloists, >or belong to some excessively hotshot classical a cappella group (this >applies especially to countertenors), or are trying to make excuses for >not really fitting into any of the regular voice parts, so we will ignore >them for now. > >Each voice part sings in a different range, and each one has a very >different personality. You may ask, "Why should singing different notes >make people act differently?", and indeed this is a mysterious question >and has not been adequately studied, especially since scientists who study >musicians tend to be musicians themselves and have all the peculiar >complexes that go with being tenors, french horn players, timpanists, or >whatever. However, this is beside the point; the fact remains that the >four voice parts can be easily distinguished, and I will now explain how. > >THE SOPRANOS are the ones who sing the highest, and because of this they >think they rule the world. They have longer hair, fancier jewelry, and >swishier skirts than anyone else, and they consider themselves insulted if >they are not allowed to go at least to a high F in every movement of any >given piece. When they reach the high notes, they hold them for at least >half again as long as the composer and/or conductor requires, and then >complain that their throats are killing them and that the composer and >conductor are sadists. Sopranos have varied attitudes toward the other >sections of the chorus, though they consider all of them inferior. > >Altos are to sopranos rather like second violins to first violins - nice >to harmonize with, but not really necessary. All sopranos have a secret >feeling that the altos could drop out and the piece would sound essentially >the same, and they don't understand why anybody would sing in that range >in the first place - it's so boring. Tenors, on the other hand, can be >very nice to have around; besides their flirtation possibilities (it is a >well-known fact that sopranos never flirt with basses), sopranos like to >sing duets with tenors because all the tenors are doing is working very >hard to sing in a low-to-medium soprano range, while the sopranos are up >there in the stratosphere showing off. To sopranos, basses are the scum >of the earth - they sing too damn loud, are useless to tune to because >they're down in that low, low range - and there has to be something wrong >with anyone who sings in the F clef, anyway (although while they swoon >while the Tenors sing, they still end up going home with the basses). > >THE ALTOS are the salt of the earth - in their opinion, at least. Altos >are unassuming people, who would wear jeans to concerts if they were >allowed to. Altos are in a unique position in the chorus in that they are >unable to complain about having to sing either very high or very low, and >they know that all the other sections think their parts are pitifully easy. >But the altos know otherwise. They know that while the sopranos are screeching >away on a high A, they are being forced to sing elaborate passages full of >sharps and flats and tricks of rhythm, and nobody is noticing because the >sopranos are singing too loud (and the basses usually are, too). Altos >get a deep, secret pleasure out of conspiring together to tune the sopranos >flat. Altos have an innate distrust of tenors, because the tenors sing in >almost the same range and think they sound better. They like the basses, >and enjoy singing duets with them - the basses just sound like a rumble >anyway, and it's the only time the altos can really be heard. Altos' other >complaint is that there are always too many of them and so they never get >to sing really loud. > >THE TENORS are spoiled. That's all there is to it. For one thing, there >are never enough of them, and choir directors would rather sell their souls >than let a halfway decent tenor quit, while they're always ready to unload >a few altos at half price. And then, for some reason, the few tenors there >are are always really good - it's one of those annoying facts of life. So >it's no wonder that tenors always get swollen heads - after all, who else >can make sopranos swoon? The one thing that can make tenors insecure is >the accusation (usually by the basses) that anyone singing that high >couldn't possibly be a real man. In their usual perverse fashion, the tenors >never acknowledge this, but just complain louder about the composer being >a sadist and making them sing so damn high. Tenors have a love-hate >relationship with the conductor, too, because the conductor is always >telling them to sing louder because there are so few of them. No conductor >in recorded history has ever asked for less tenor in a forte passage. > >Tenors feel threatened in some way by all the other sections - the sopranos >because they can hit those incredibly high notes; the altos because they >have no trouble singing the notes the tenors kill themselves for; and the >basses because, although they can't sing anything above an E, they sing it >loud enough to drown the tenors out. Of course, the tenors would rather >die than admit any of this. It is a little-known fact that tenors move >their eyebrows more than anyone else while singing. > >THE BASSES sing the lowest of anybody. This basically explains everything. >They are stolid, dependable people, and have more facial hair than anybody >else. The basses feel perpetually unappreciated, but they have a deep >conviction that they are actually the most important part (a view endorsed >by musicologists, but certainly not by sopranos or tenors), despite the >fact that they have the most boring part of anybody and often sing the same >note (or in endless fifths) for an entire page. They compensate for this >by singing as loudly as they can get away with - most basses are tuba >players at heart. Basses are the only section that can regularly complain >about how low their part is, and they make horrible faces when trying to >hit very low notes. Basses are charitable people, but their charity does >not extend so far as tenors, whom they consider effete poseurs. Basses >hate tuning the tenors more than almost anything else. Basses like altos >- - except when they have duets and the altos get the good part. As for >the sopranos, they are simply in an alternate universe which the basses >don't understand at all.They can't imagine why anybody would ever want to sing >that high and sound that bad when they make mistakes. When a bass makes >a mistake, the other three parts will cover him, and he can continue on >his merry way, knowing that sometime, somehow, he will end up at the root >of the chord.  1,, Summary-line: 1-Mar jered@MIT.EDU [74] #DSL from Grey 17 Network Services Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21635; Wed, 1 Mar 00 02:30:34 EST Received: from fucking-lunatic.grey17.org by MIT.EDU with SMTP id AA26597; Wed, 1 Mar 00 02:31:26 EST Received: (from jered@localhost) by fucking-lunatic.grey17.org (8.8.8/8.8.8) id CAA13390; Wed, 1 Mar 2000 02:29:50 -0500 Sender: jered@MIT.EDU To: isp@MIT.EDU Reply-To: dsl@MIT.EDU Subject: DSL from Grey 17 Network Services From: Jered J Floyd Date: 01 Mar 2000 02:29:50 -0500 Message-Id: Lines: 65 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" *** EOOH *** Sender: jered@MIT.EDU To: isp@MIT.EDU Reply-To: dsl@MIT.EDU Subject: DSL from Grey 17 Network Services From: Jered J Floyd Date: 01 Mar 2000 02:29:50 -0500 Lines: 65 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" (This is being sent to a few folks I think may be interested. Feel free to forward it to others.) Bcc: sipb-soc@mit.edu, isp-collective@mit.edu, network@mit.edu, wdc@mit.edu The residents of Grey 17 have finally gotten fed up with Mediaone's network service, and haven't found a local DSL provider that meets all of our needs. So, we're looking at starting a small vertical-market ISP for net geeks who want fast, reasonably priced network service allowing for multiple addresses and maintained by people smarter than untrained monkeybagels. ("Monkeybagels can install DSL networks in an hour!" [1]) Our big 'selling points' are: * High speed SDSL, up to 2Mb/s * Multiple IP addresses, as many as you need * Planned dedicated connection for MIT traffic * 'Residential' pricing * Advanced services such as multicast and IPv6, on request * Network admins more clueful than your pet fish, and you know where we live. To make this fly, we need to have about a dozen customers at startup. Service contracts will be 1 year (not our fault), but if you join us at startup we should be able to give you at least a month to evaluate the service without obligation, and at least a month of free service. Ideally, we'd like to hear back from some people in the next week. To give you an idea of what the SDSL pricing might be like, we expect rates should be CHEAPER than: 256k SDSL <$120/mo. (incl. equipment and install) 1.5M SDSL <$350/mo. ( " ) 2M SDSL <$400/mo. ( " ) This is based on the first cut numbers we have, and some back of the envelope calculations. We hope to drive these down another $20-50 if possible...we're in a better position to negotiate if we have more people interested, which is why we're sending this mail. If you are interested in joining us on this, please send mail to dsl@grey17.org with your: Name Email Phone Number Street Address It's important that the name and street address match the Bell Atlantic record for the phone number, so they can find it in their database. We will give your phone/address to our local loop provider to have your line qualified to determine what service you can get, which may take up to a month. If you *don't* want us to do that, let us know or just include your email and we'll keep you posted of what happens. --Jered for Grey17 Network Services Division Footnotes: [1] http://www.monkeybagel.com/  1,, Summary-line: 1-Mar mweems@erols.com [19] #Geekpeak website Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05838; Wed, 1 Mar 00 10:32:28 EST Received: from GRAND-CENTRAL-STATION.MIT.EDU by MIT.EDU with SMTP id AA25498; Wed, 1 Mar 00 10:32:10 EST Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id KAA26047; Wed, 1 Mar 2000 10:32:20 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id KAA16836; Wed, 1 Mar 2000 10:32:20 -0500 (EST) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by zurich.ai.mit.edu (8.9.3/8.9.3/Debian/GNU) with ESMTP id KAA04028 for ; Wed, 1 Mar 2000 10:31:46 -0500 Received: from 207-172-151-24.s24.as12.anp.md.dialup.rcn.com ([207.172.151.24] helo=mweems) by smtp01.mrf.mail.rcn.net with smtp (Exim 2.12 #3) id 12QB60-0000et-00; Wed, 1 Mar 2000 10:31:29 -0500 Message-Id: <3.0.5.32.20000301100257.00837680@pop.erols.com> X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Wed, 01 Mar 2000 10:02:57 -0500 To: lsc-alums@zurich.ai.mit.edu From: Ken and Molly Weems Subject: Geekpeak website Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Wed, 01 Mar 2000 10:02:57 -0500 To: lsc-alums@zurich.ai.mit.edu From: Ken and Molly Weems Subject: Geekpeak website Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Okay, this is for all you geeks out there who want to improve your conversation skills. These gems ought to brighten any social event . Click the button on this site to generate random phrases that could be lifted from the latest issue of Wired magazine: http://reality.sgi.com/dawson_engr/phrases/wiredPhraser.html -- Molly Weems (MHCW) inching along the infobahn one nanosecond at a time  1,, Summary-line: 1-Mar rac@bu.edu [51] #FW: [Savoyards] Ruddigore - Theater Mirror Submission, perhaps? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22842; Wed, 1 Mar 00 13:52:18 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA28915; Wed, 1 Mar 00 13:53:37 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id NAA140250 for ; Wed, 1 Mar 2000 13:52:10 -0500 Date: Wed, 1 Mar 2000 13:52:10 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: FW: [Savoyards] Ruddigore - Theater Mirror Submission, perhaps? (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 1 Mar 2000 13:52:10 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: FW: [Savoyards] Ruddigore - Theater Mirror Submission, perhaps? (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hmmmmmmmmmmmmmm, bruce don't like amy much, do he? ---------- Forwarded message ---------- Date: Wed, 1 Mar 2000 13:51:42 -0500 From: "Allen, Amy" To: "'rac@bu.edu'" Subject: FW: [Savoyards] Ruddigore - Theater Mirror Submission, perhaps? What the hell is this? > -----Original Message----- > From: Bruce I. Miller [SMTP:BMILLER@holycross.edu] > Sent: Wednesday, March 01, 2000 12:26 PM > To: AAllen@welchs.com > Cc: mlcar@MIT.EDU > Subject: Re: [Savoyards] Ruddigore - Theater Mirror Submission, > perhaps? > > Dear Amy: > > What a stunning coincidence that, in the space of about an hour and a > half, both you and Zoe decided to send me blind copies of messages that > both contain anonymous reviews from friends, who are then quoted as saying > they are going to be submitting them to NEGASS and other places. > > I'm glad that you have taken the advice that I and Marion have offered > you, and are finding success in roles best suited to your voice. I'm glad > also that the production itself appears to be successful, and especially > pleased for Steven Malionek. > > I trust that _you_ will be pleased to know that I'll be delivering > another paper, this time at Royal Holloway College, London, for the 19th > Century Music Conference on June 29 - a rather significant disclosure > about Iolanthe. > > Will we see you at the Toronto Sing-out? I'll be conducting. > > Regards, > > Bruce I. Miller > bmiller@holycross.edu  1,, Summary-line: 1-Mar BMILLER@holycross.edu [41] #Collector item on Ebay Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29924; Wed, 1 Mar 00 15:30:29 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21109; Wed, 1 Mar 00 15:30:08 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA24618; Wed, 1 Mar 2000 15:22:35 -0500 (EST) Date: Wed, 1 Mar 2000 15:22:35 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Collector item on Ebay Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-7 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.3 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA24618 *** EOOH *** Date: Wed, 1 Mar 2000 15:22:35 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Collector item on Ebay Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-7 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.3 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA24618 Apropos the recent discussion concerning the Deems Taylor=20 TREASURY OF GILBERT & SULLIVAN, the following item has been advertised on= Ebay: =AF----------------------------------------------------------------------= ----------- Gilbert&Sullivan/DUMMYBOOK/very collectable Item #272866227 A Treasury of Gilbert & Sullivan; Dummy Book printed before the actual pu= blication on October 24,1941. You can read its description in the followi= ng pictures. It's in excellent condition. Includes book & cover. =AF----------------------------------------------------------------------= ---------- This is a pre-production mock-up. I've never seen an example of this particular version of the book until today (the scan on Ebay). For your collective information... Bruce I. Miller bmiller@holycross.edu  1, answered,, Summary-line: 1-Mar cmceniry@MIT.EDU [23] #Chess Graphic Designs and DV deck Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21294; Wed, 1 Mar 00 22:33:04 EST Received: from VYSSLYNN.MIT.EDU by MIT.EDU with SMTP id AA23392; Wed, 1 Mar 00 22:32:45 EST Received: (from cmceniry@localhost) by vysslynn.mit.edu (8.9.3) id WAA16288; Wed, 1 Mar 2000 22:32:56 -0500 Message-Id: <200003020332.WAA16288@vysslynn.mit.edu> To: opus@MIT.EDU, rls@MIT.EDU Subject: Chess Graphic Designs and DV deck Date: Wed, 01 Mar 2000 22:32:55 -0500 From: Christopher A Mceniry *** EOOH *** To: opus@MIT.EDU, rls@MIT.EDU Subject: Chess Graphic Designs and DV deck Date: Wed, 01 Mar 2000 22:32:55 -0500 From: Christopher A Mceniry Sorry about being so late about this, but I just got them off the machine at work. You can find them at: http://vysslynn.mit.edu/chess/ These are the full photoshop 5 docs. "fall" refers to the 3d falling chess board, "lineup" refers to the opposing flags and pawns lineup. *-large is an 11x17 version, the other is targeted for 8.5x11. Let me know if you need some other format. BTW, there's a copy of the broadway version of the cd online in mp3 format if you really want it ;). And the DV deck we have at the lab is a DHR-1000, and it can handle standard size tapes. If you're still up for letting me pull the sound off of it, I'm stil up for it ;). Thanks. So, how goes it? --chris  1,, Summary-line: 2-Mar enl069@abdn.ac.uk [62] #Re: Stop a bit ... Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27197; Thu, 2 Mar 00 07:42:51 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA04101; Thu, 2 Mar 00 07:44:11 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA03209; Thu, 2 Mar 2000 07:39:53 -0500 (EST) Date: Thu, 2 Mar 2000 07:39:53 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure." To: Multiple recipients of list SAVOYNET Subject: Re: Stop a bit ... Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 *** EOOH *** Date: Thu, 2 Mar 2000 07:39:53 -0500 (EST) Reply-To: enl069@abdn.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure." To: Multiple recipients of list SAVOYNET Subject: Re: Stop a bit ... Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Simeon for Windows Version 4.0.9 On Thu, 2 Mar 2000 03:41:36 -0500 (EST) Dr DR de Lacey wrote: > Diana wrote: > > >Are we to understand that there is a grammatical difference between the > >verb 'to hang' meaning to hang a picture and the verb 'to hang' meaning > >to hang a person by the neck until he is dead? It's an interesting > >point, but I'm not familiar with it. Could we have the full conjugation, > >please. > > There are indeed two verbs, but hang-hung-hung *can* apply to people in > one specific (and grisly) way. When a man is hanged he is stood over a > trap door and death is swift. When he is hung (normally followed by > drawing and quartering) he is (or, hopefully, only *was*) slowly hoist > into position. There are indeed two verbs, but the difference does not refer to different methods of execution. Historically there was an INTRANSITIVE verb HING - HANG - HUNG (exactly like the conjugation of "sing") and a TRANSITIVE verb HANG - HANGED - HANGED. (Just like the transitive LAY and intransitive LIE, a difference which some illiterate people fail to observe, or transitive SET and intransitive SIT.) So, strictly speaking, nothing and nobody can "be hung". But the distinction long ago ceased to be consistently made and has now been lost entirely, EXCEPT in the context of capital punishment where the formulaic use of "hanged by the neck until you are dead" ensured that the correct transitive form was retained. (In Scots the form HING is still regularly used - but I can think of one modern play with a Reformation setting in which the dramatist mistakenly, but persistently, makes the characters talk about "gettin HINGIT" for getting executed by the noose.) Derrick McClure. (A most contented man, though foolish persons think me mad.) ---------------------- J. Derrick McClure, Department of English, University of Aberdeen, Old Aberdeen AB24 2UB. j.d.mcclure@abdn.ac.uk  1,, Summary-line: 2-Mar HeartFoam@aol.com [35] #Re: a silly challenge Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03177; Thu, 2 Mar 00 22:29:43 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06738; Thu, 2 Mar 00 22:29:20 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA11492; Thu, 2 Mar 2000 22:28:51 -0500 (EST) Date: Thu, 2 Mar 2000 22:28:51 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: HeartFoam@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: HeartFoam@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: a silly challenge Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 146 *** EOOH *** Date: Thu, 2 Mar 2000 22:28:51 -0500 (EST) Reply-To: HeartFoam@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: HeartFoam@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: a silly challenge Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 146 In a message dated 3/2/0 7:10:24 PM, Mary_Finn@intersys.com writes: << SO, SavoyNetters, your assignment is to write a parody of "The Soldiers of Our Queen", but the last lines MUST be: The enemy of rum, the enemy of olives. The enemy of rum, the enemy of olives! >> They've closed the liquor store-- It's dampened all our spirits. And strewn about the floor Is now where all the beer sits. And what's made us so numb? The discount that the mall gives! The enemy of rum, the enemy of olives. The enemy of rum, the enemy of olives! Ann Kirschner (running for cover) Brooklyn NY (Home of Brooklyn Beer) HeartFoam@aol.com  1,, Summary-line: 3-Mar sir-despard@ruddigore.fre [37] #Re: a silly challenge (The Soldiers Of Our Queen) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23247; Fri, 3 Mar 00 12:50:36 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA07309; Fri, 3 Mar 00 12:51:33 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA03485; Fri, 3 Mar 2000 12:48:50 -0500 (EST) Date: Fri, 3 Mar 2000 12:48:50 -0500 (EST) Message-Id: <003101bf8538$1855c440$dacf883e@hurricane> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: a silly challenge (The Soldiers Of Our Queen) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Fri, 3 Mar 2000 12:48:50 -0500 (EST) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: a silly challenge (The Soldiers Of Our Queen) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 Mary Finn wrote:- > SO, SavoyNetters, your assignment is to write a parody of "The Soldiers of > Our Queen", but the last lines MUST be: > > The enemy of rum, the enemy of olives. > The enemy of rum, the enemy of olives! I'm Popeye, sailor man, I always eats me spinach, O'er Bluto's fiendish plans I triumphs at the finish; I gets home to me goirl, The Hebrides, where she lives, The enemy of Rhum's the enemy of Olive's, The enemy of Rhum's the enemy of Olive's! Mike. "Celebrated, cultivated, underrated" Macclesfield, Cheshire, England  1,, Summary-line: 4-Mar damagedknee@juno.com [31] #Re: when things go badly wrong Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05027; Sat, 4 Mar 00 13:44:28 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24621; Sat, 4 Mar 00 13:45:55 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA08673; Sat, 4 Mar 2000 13:44:18 -0500 (EST) Date: Sat, 4 Mar 2000 13:44:18 -0500 (EST) Message-Id: <20000304.124213.-519929.3.DAMAGEDKNEE@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: damagedknee@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DEANNA MORGAN To: Multiple recipients of list SAVOYNET Subject: Re: when things go badly wrong Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 3.0.13 *** EOOH *** Date: Sat, 4 Mar 2000 13:44:18 -0500 (EST) Reply-To: damagedknee@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DEANNA MORGAN To: Multiple recipients of list SAVOYNET Subject: Re: when things go badly wrong Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 3.0.13 When my high school theatre put on THE FANTASTICKS in 1997, we had women play the roles of Hucklebee & Bellamy. On the opening night, they got into their argument over the cumquats, and somehow the hedge-clippers got stuck in the plastic watering can. Both girls tried to pull them apart, and made various exchanges like "Let go of my clippers, you aqaumaniac" and "let go of my watering can, you cliptomaniac!" The things finally came apart, the clippers went flying in to the wings; the watering can tumbled into the orchestra pit, and the audience roared. After a moment, "Hucklebee" said 'Now look what you've done! You made the neighbors laugh at us!" Everyone thought that it was supposed to happen, but the director wanted them to cut that ridiculous business. Too bad; all of us still giggle over it. Scott Farrell "who once knew a chap on the NSEW Diddlesex Junction" DAMAGEDKNEE@JUNO.COM  1, answered,, Summary-line: 6-Mar sommerfeld@orchard.arling [20] #my new job/new contact info.. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09212; Mon, 6 Mar 00 02:14:55 EST Received: from sommerfeld.ne.mediaone.net by MIT.EDU with SMTP id AA24713; Mon, 6 Mar 00 02:14:45 EST Received: from thunk.hamachi.org (orchard.hamachi.org [4.255.0.98]) by orchard.arlington.ma.us (8.8.8/8.8.8) with ESMTP id CAA17793 for ; Mon, 6 Mar 2000 02:14:46 -0500 (EST) Received: from thunk.epilogue.com (localhost [[UNIX: localhost]]) by thunk.epilogue.com (8.9.3/8.8.8) with ESMTP id CAA05739 for ; Mon, 6 Mar 2000 02:06:18 -0500 (EST) Message-Id: <200003060706.CAA05739@thunk.epilogue.com> From: Bill Sommerfeld To: dinner@MIT.EDU Subject: my new job/new contact info.. Date: Mon, 06 Mar 2000 02:06:18 -0500 Sender: wes@thunk.epilogue.com *** EOOH *** From: Bill Sommerfeld To: dinner@MIT.EDU Subject: my new job/new contact info.. Date: Mon, 06 Mar 2000 02:06:18 -0500 Sender: wes@thunk.epilogue.com So, as I think most of you know, I quit my job at Epilogue/ISI (shortly before it got devoured by Wind River Systems), took a month off, and (as of two weeks ago) started working in the Internet Engineering group of Sun Microsystems. The group is mostly located in Menlo Park, but we've got a small (but growing) contingent in Burlington... So far, I like it a lot... My new office number is +1 781 442 3458; my email address at work is "sommerfeld@east.sun.com" or "William.Sommerfeld@sun.com", though (as usual), I'm continuing to use this email address for personal mail. - Bill  1, answered,, Summary-line: 6-Mar rac@bu.edu [17] #request Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10754; Mon, 6 Mar 00 14:14:31 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA16804; Mon, 6 Mar 00 14:15:58 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id OAA110806 for ; Mon, 6 Mar 2000 14:14:29 -0500 Date: Mon, 6 Mar 2000 14:14:29 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: request Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 6 Mar 2000 14:14:29 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: request Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi David, Since I'm off of Savoynet, could you do me a favor? I'd like you to inquire for me whether there's a way to get scores for Ages Ago (by Gilbert & Clay). I might be interested in proposing a summer performance of it at MITG&S in 2001. :o) Becca  1,, Summary-line: 6-Mar rac@bu.edu [32] #Ages Ago (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16604; Mon, 6 Mar 00 17:16:32 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA21214; Mon, 6 Mar 00 17:16:27 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id RAA19700 for ; Mon, 6 Mar 2000 17:16:16 -0500 Date: Mon, 6 Mar 2000 17:16:16 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: Ages Ago (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 6 Mar 2000 17:16:16 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky Subject: Ages Ago (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII This is Don's reply... Piano and harmonium (whatever that is) sounds good to me. The fewer instruments, the betetr for a MITG&S summer show. I wonder how I could get a score??? Becca ---------- Forwarded message ---------- Date: Mon, 06 Mar 2000 16:56:45 -0500 (EST) From: J. Donald Smith To: rac@bu.edu Subject: Ages Ago 'Becca, There is NO orchestral score for Ages Ago. It was written for piano + harmonium. I have the vocal score, but it is too fragile to be copied. Don Smith  1, forwarded,, Summary-line: 6-Mar Ian@kentisview.freeserve. [37] #Re: Help finding scores for Ages Ago Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23455; Mon, 6 Mar 00 17:38:22 EST Received: from cmailg4.svr.pol.co.uk by MIT.EDU with SMTP id AA29639; Mon, 6 Mar 00 17:39:46 EST Received: from modem-132.wisconsin.dialup.pol.co.uk ([62.137.99.132] helo=ianbond) by cmailg4.svr.pol.co.uk with smtp (Exim 3.13 #0) id 12S68f-0008WL-00 for opus@MIT.EDU; Mon, 06 Mar 2000 22:38:09 +0000 Message-Id: <000b01bf87bc$ec836a20$8463893e@ianbond> From: "Ian Bond" To: References: <200003062110.QAA19330@charon.MIT.EDU> Subject: Re: Help finding scores for Ages Ago Date: Mon, 6 Mar 2000 22:40:02 -0000 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 1 X-Msmail-Priority: High X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Ian Bond" To: References: <200003062110.QAA19330@charon.MIT.EDU> Subject: Re: Help finding scores for Ages Ago Date: Mon, 6 Mar 2000 22:40:02 -0000 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 1 X-Msmail-Priority: High X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 I can probably supply Vocal Scores depending on the number needed and the timescales. Ian ----- Original Message ----- From: David C. Jedlinsky To: Multiple recipients of list SAVOYNET Sent: Monday, March 06, 2000 9:20 PM Subject: Help finding scores for Ages Ago > > > Rebecca Consentino (rac@bu.edu) has asked me to forward a request on > to savoynet, since she is not currently a subscriber. > > Does anyone know of a source for scores (vocal and orchestra) for > Gilbert & Clay's _Ages_Ago_? > > -Dave Jedlinsky > opus@mit.edu >  1, forwarded,, Summary-line: 6-Mar ajcrowth@globalnet.co.uk [36] #Re: Help finding scores for Ages Ago Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16106; Mon, 6 Mar 00 19:03:40 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA16926; Mon, 6 Mar 00 19:03:03 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA10379; Mon, 6 Mar 2000 19:02:31 -0500 (EST) Date: Mon, 6 Mar 2000 19:02:31 -0500 (EST) Message-Id: <01bf87c6$fd8fd740$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Help finding scores for Ages Ago Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Mon, 6 Mar 2000 19:02:31 -0500 (EST) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Help finding scores for Ages Ago Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 Dave Jedlinsky wrote (on behalf of Rebecca Consentino): >Does anyone know of a source for scores (vocal and orchestra) for >Gilbert & Clay's _Ages_Ago_? The vocal score of "Ages Ago" is included in the book "Gilbert Before Sullivan", edited by Jane Stedman and published by the University of Chicago Press in 1967. This is, I believe, the "full score", since the piece was originally produced in an intimate setting in which an orchestra was certainly not available. Andrew Crowther 82, The Avenue, Clayton, Bradford BD14 6RT, Great Britain. tel: (+44) 1274 882143. ajcrowth@globalnet.co.uk Visit Babliophile, my W.S. Gilbert site, at: http://www.users.globalnet.co.uk/~ajcrowth/babphile.htm "We know it's weakness, but the weakness is so strong!" - W.S. Gilbert, "Iolanthe"  1,, Summary-line: 6-Mar DSMITH@umassd.edu [25] #Re: Help finding scores for Ages Ago Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08762; Tue, 7 Mar 00 10:17:15 EST Received: from MDAxp1.UMassD.Edu by MIT.EDU with SMTP id AA23043; Tue, 7 Mar 00 10:18:42 EST Received: from umassd.edu by umassd.edu (PMDF V5.2-32 #28414) id <01JMPWVTHJJK8WW8QC@umassd.edu> for opus@MIT.EDU; Mon, 6 Mar 2000 16:44:55 EST Date: Mon, 06 Mar 2000 16:44:54 -0500 (EST) From: "J. Donald Smith" Subject: Re: Help finding scores for Ages Ago To: opus@MIT.EDU Message-Id: <01JMPWVTHP6Q8WW8QC@umassd.edu> Organization: University of Massachusetts Dartmouth, North Dartmouth, MA, USA X-Vms-To: IN%"opus@MIT.EDU" X-Vms-Cc: DSMITH Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Transfer-Encoding: 7BIT *** EOOH *** Date: Mon, 06 Mar 2000 16:44:54 -0500 (EST) From: "J. Donald Smith" Subject: Re: Help finding scores for Ages Ago To: opus@MIT.EDU Organization: University of Massachusetts Dartmouth, North Dartmouth, MA, USA X-Vms-To: IN%"opus@MIT.EDU" X-Vms-Cc: DSMITH Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Transfer-Encoding: 7BIT >Rebecca Consentino (rac@bu.edu) has asked me to forward a request on >to savoynet, since she is not currently a subscriber. > >Does anyone know of a source for scores (vocal and orchestra) for >Gilbert & Clay's _Ages_Ago_? David, There is NO orchestral score for Ages Ago. It was written for piano + harmonium. I have the vocal score, but it is too fragile to be copied. Don Smith  1,, Summary-line: 7-Mar BMILLER@holycross.edu [32] #Re: Help finding scores for Ages Ago Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27271; Tue, 7 Mar 00 11:05:38 EST Received: from dudley.holycross.edu by MIT.EDU with SMTP id AA15526; Tue, 7 Mar 00 11:05:30 EST Received: from HCDOMAIN-Message_Server by dudley.holycross.edu with Novell_GroupWise; Tue, 07 Mar 2000 11:08:47 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Tue, 07 Mar 2000 11:08:19 -0500 From: "Bruce I. Miller" To: Subject: Re: Help finding scores for Ages Ago Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** X-Mailer: Novell GroupWise 5.5.3 Date: Tue, 07 Mar 2000 11:08:19 -0500 From: "Bruce I. Miller" To: Subject: Re: Help finding scores for Ages Ago Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Dear David: The best person to contact Is Fredric Woodbridge Wilson, curator of the theater collection at Harvard University. If anyone knows, he will. Regards, Bruce I. Miller bmiller@holycross.edu >>> "David C. Jedlinsky" 03/06/00 04:10PM >>> Rebecca Consentino (rac@bu.edu) has asked me to forward a request on to savoynet, since she is not currently a subscriber. Does anyone know of a source for scores (vocal and orchestra) for Gilbert & Clay's _Ages_Ago_? -Dave Jedlinsky opus@mit.edu  1,, Summary-line: 7-Mar rac@bu.edu [135] #Important Software Notices Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05128; Tue, 7 Mar 00 14:13:24 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA26302; Tue, 7 Mar 00 14:13:21 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id OAA19566; Tue, 7 Mar 2000 14:13:21 -0500 Date: Tue, 7 Mar 2000 14:13:21 -0500 (EST) From: "Rebecca A. Consentino" To: Tyler Hains , Scott Gagnon , Sarah Consentino , Kurt Kendall , Arthur Dunlap , Paris Leung , David Jedlinsky Subject: Important Software Notices Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 7 Mar 2000 14:13:21 -0500 (EST) From: "Rebecca A. Consentino" To: Tyler Hains , Scott Gagnon , Sarah Consentino , Kurt Kendall , Arthur Dunlap , Paris Leung , David Jedlinsky Subject: Important Software Notices Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII > Dear DeskTop Help: > > Last year I upgraded from Boyfriend 5.0 to Husband 1.0 and noticed > that the new program began making unexpected changes to the accounting > software, severely limiting access to wardrobe, flower, and jewellery > applications that operated flawlessly under Boyfriend 5.0. > > No mention of this phenomenon was included in the product brochure. > In addition, Husband 1.0 uninstalls many other valuable programs such as > > DinnerDancing 7.5, CruiseShip 2.3, and OperaNight 6.1 Even worse, it > installs new, > undesirable programs such as PokerNight 1.3, SaturdayFootball 5.0, Golf > 2.4 and ClutterEverywhere 4.5. > > Conversation 8.0 no longer runs, and invariably crashes the system. > Under no circumstances will it run DiaperChanging 14.1 or HouseCleaning > 2.6. I've tried running Nagging 5.3 to fix Husband 1.0, but this all > purpose utility is of limited effectiveness. Can you help please ?!?! > > Thank You, Jane > ______________________________________________________________ > > Dear Jane > This is a very common problem that many women complain about, but is > mostly due > to a primary misconception. Many people upgrade from Boyfriend 5.0 to > Husband 1.0 with no idea that Boyfriend 5.0 is merely an ENTERTAINMENT > package. However, Husband 1.0 is an OPERATING SYSTEM and was designed > by its creator to run as few applications as possible. > > Further, you cannot purge Husband 1.0 and return to Boyfriend 5.0, > because Husband 1.0 is not designed to do this. Hidden operating files > within your system would cause Boyfriend 5.0 to emulate Husband 1.0, so > nothing is gained. It is impossible to uninstall, delete, or purge the > program files from the system, once installed. Any new program files > can > only be installed once per year, as Husband 1.0 has severely limited > memory. > > Error messages are common, and a normal part of Husband 1.0 > > In desperation to play some of their "old time" favourite > applications, > or to get new applications to work, some women have tried to install > Boyfriend 6.0, or Husband 2.0. However, these women end up with more > problems than encountered with Husband 1.0. Look in your manual under > "Warnings: > Divorce/Child Support". You will notice that this program runs very > poorly, and comes bundled with HeartBreak 1.3 I recommend you keep > Husband 1.0, and just learn the quirks of this strange and illogical > system. > > Having Husband 1.0 installed myself, I might also suggest you read > the > entire section regarding General Partnership Faults (GPFs). > This a wonderful feature of Husband 1.0, secretly installed by the > parent > company as an integral part of the operating system. Husband 1.0 must > assume ALL responsibility for ALL faults and problems, regardless of > root > cause. To activate this great feature enter the command: > "C:\ I THOUGHT YOU LOVED ME". Sometimes Tears 6.2 must be run > simultaneously while entering the command. Husband 1.0 should then run > the > applications Apologize 12.3 and Flowers/Chocolates 7.8. > > TECH TIP! > Avoid excessive use of this feature. Overuse can create additional > and > more serious GPFs, and ultimately YOU may have to give a C:\I APOLOGIZE > command before the system will return to normal operations. > > Overuse can also cause Husband 1.0 to default to GrumpySilence 2.5, > or > worse yet, Beer 6.0 Beer 6.0 is a very bad program that causes Husband > > 1.0 to create FatBelly files and SnoringLoudly wave files that are very > hard to delete. Save yourself some trouble by following this tech tip! > > Just remember! The system will run smoothly, and take the blame for > > all GPFs, but because of this fine feature it can only intermittently > run all the applications Boyfriend 5.0 ran . Husband 1.0 is a great > program, but it does have limited memory and cannot learn new > applications > quickly. > > Consider buying additional software to improve performance. I > personally > recommend HotFood 3.0, Lingerie 5.3 and Patience 10.1. Used in > conjunction, these utilities can really help keep Husband 1.0 running > smoothly. > > After several years of use, Husband 1.0 will become familiar and you > will > find many valuable embedded features such as FixesBrokenThings 2.1, > Snuggling > 4.2 and BestFriend 7.6. > > A final word of caution! Do NOT, under any circumstances, install > MotherInLaw 1.0. This is not a supported application, and will cause > selective shut down of the operating system. Husband 1.0 will run only > Fishing 9.4 and Hunting 5.2 until MotherInLaw 1.0 is uninstalled. > > I hope these notes have helped. Thank you for choosing to install > Husband 1.0 and we here at Tech Support wish you the best of luck in > coming years. We trust you will learn to fully enjoy this product!" > > -- > Never mind the "qu'est-ce que c'est?", > Just pile on the bois sec. > - Tignish saying > > Garry Gaudet (250) 390-9116 > 7763 Lantzville Road Lantzville, BC V0R 2H0 > >  1,, Summary-line: 7-Mar jcb@MIT.EDU [38] #Microsoft TV commercial (fwd) Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05700; Tue, 7 Mar 00 14:15:08 EST Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id OAA00810; Tue, 7 Mar 2000 14:11:15 -0500 (EST) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.184.0.40]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id OAA03134; Tue, 7 Mar 2000 14:11:15 -0500 (EST) Received: (from jcb@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id OAA16821; Tue, 7 Mar 2000 14:11:15 -0500 (EST) Date: Tue, 7 Mar 2000 14:11:15 -0500 (EST) Message-Id: <200003071911.OAA16821@contents-vnder-pressvre.mit.edu> To: biglers@mit.edu, dinner@mit.edu, gilman-clan@mit.edu, members@nephilharmonic.org Subject: Microsoft TV commercial (fwd) From: Jeff Bigler X-Zippy: BRYLCREAM is CREAM O' WHEAT in another DIMENSION.. Reply-To: jcb@MIT.EDU *** EOOH *** Date: Tue, 7 Mar 2000 14:11:15 -0500 (EST) To: biglers@mit.edu, dinner@mit.edu, gilman-clan@mit.edu, members@nephilharmonic.org Subject: Microsoft TV commercial (fwd) From: Jeff Bigler X-Zippy: BRYLCREAM is CREAM O' WHEAT in another DIMENSION.. Reply-To: jcb@MIT.EDU I haven't verified this, but even if it turns out to be an urban legend, it's still funny. (Note that I'm sending this to several lists. If you reply, please watch your headers.) Jeff ------- Start of forwarded message ------- [headers removed] This was forwarded to me. I haven't seen the commercial, but I can't wait to see it. > > Careless Commercial! > > The classically minded among us may have noted a new TV ad for > Microsoft's Internet Explorer e-mail program which uses the musical > theme of the "Confutatis Maledictis" from Mozart's Requiem. > > "Where do you want to go today?" is the cheery line on the screen. > While the chorus sings "Confutatis maledictis, flammis acribus > addictis," > > This translates to "The damned and accursed are convicted to the > flames of hell." > > Good to know that Microsoft has done its research. ------- End of forwarded message -------  1,, Summary-line: 9-Mar rac@bu.edu [138] #Gilbert and Wagner's The Pirates of Penzance (fwd) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17387; Thu, 9 Mar 00 14:26:41 EST Received: from ACS4.BU.EDU by MIT.EDU with SMTP id AA27159; Thu, 9 Mar 00 14:28:09 EST Received: from localhost (rac@localhost) by acs4.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with ESMTP id OAA89478; Thu, 9 Mar 2000 14:26:38 -0500 Date: Thu, 9 Mar 2000 14:26:38 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky , Sarah Consentino , Scott Gagnon , Tyler Hains , jeanjay@world.std.com Cc: Kurt Kendall Subject: Gilbert and Wagner's The Pirates of Penzance (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Thu, 9 Mar 2000 14:26:38 -0500 (EST) From: "Rebecca A. Consentino" To: David Jedlinsky , Sarah Consentino , Scott Gagnon , Tyler Hains , jeanjay@world.std.com Cc: Kurt Kendall Subject: Gilbert and Wagner's The Pirates of Penzance (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII This is great!!! ---------- Forwarded message ---------- Date: Thu, 9 Mar 2000 13:37:34 -0500 From: Kurt Kendall To: "'rac@bu.edu'" Subject: Gilbert and Wagner's The Pirates of Penzance Don't know if you saw this yet. Peter Stark forwarded this to a bunch of people. It's rather amuzing..... -Kurt OPERA: "Gilbert and Sullivan Humor" Hampstead, London. March 3, 1875 Dear Mr. Wagner. As you know I often collaborate with Arthur Sullivan in the writing of comic operas which have been performed with some success in England in recent years. Unfortunately, Sullivan is a man of uncertain temperament, and has refused to write the score of my next opera on the grounds that he is going to be engaged for the next 3 years on a vast oratorio (he does have ambitions to make a name in serious music). I am therefore enquiring if you would like to undertake the task? I enclose a copy of the first draft. As you will see, the plot concerns a group of pirates at Penzance, a fishing port in Cornwall, England, one of whose number, named Frederick, leaves them and falls in love with the beautiful daughter of a major-general. Various complications ensue, which you will see from the manuscript, but in the end all are reunited and everything ends happily. Particularly draw your attention to the chorus of comic policemen in the second half of the piece, which should give great opportunities for the exercise of your musical genius, knowing your talent and skill in choral work. Perhaps you would be kind enough to read the draft and give me your opinion. I might add I am a great fan of your work. I often hum 'The Ride of the Valkyries' in the bath. Yours sincerely, W.S. Gilbert. Bayreuth, March 19, 1875 Dear Mr. Gilbert. I am thanking you for your letter and the manuscript which I enjoyed very much. My wife Cosima says I have not laughed so much since her father died. Yes, I believe I could undertake the task of writing a score but first let me offer some suggestions. I take it that Frederick, the central figure, represents the eternal Wanderer or Vogelgeist and that the daughters of the Major General are Sea Maidens or Wasserleitung. This I shall explain with a short song by Frederick in Act One, 'Himmel, Wo Ist Mein Doppelganger?' This will take up most of Act One, about three-quarters of an hour, and then the Wasserleitung appear and render a spirited chorus of 'Du Bist Ein Klott'. But do not fear - I shall not neglect the humour in this part. As Frederick is singing, an old woman (Mathilde) appears in the background and tries to climb up the cliff. We shall have much mirth watching her pitiful efforts to climb the rocks and then just when we think she has succeeded she falls off the top and is killed! When I read this idea to Cosima she could not stop laughing. Now for the pirates.I think it would be better if they were all dwarfs (Nibelung), symbolising the underworld. They should wear gnome's hats and have long beards down to their waists as then the audience will know they are dwarfs. They will naturally sing a merry chorus every time they appear: Ho ho ho ho ho ho ho! Curses on everybody. Ho ho ho ho ho ho ho! Curses on everybody. (I have given the English version as the German is a little difficult.) And so we come to the policemen. I am afraid that here, Mr. Gilbert, I am finding myself in slight disagreement with you. It is most important that these jovial fellows have a mirth-making chorus but I find your version rather sad. It is not very merry, is it not, to suggest the life of a policeman is not a happy one? I would suggest instead a new chorus for the police, viz: 'Leb' wohl, leb'wohl, leb' wohl, hier ist das Krankenhaus.' This will make much mirth. However, the climax of the opera, which is the clash between the pirates and the policemen, is a magnificent piece of writing, symbolising the eternal struggle between the forces of Evil Dominant, represented by the pirates, and Right Triumphant, represented by the police. Would it not, incidentally, be better if the police were giants? I am merely making the suggestion. But let us not be too serious, Mr Gilbert. I would suggest that the pirates gain their victory over the police by putting out their eyes with tiny arrows! I can almost see you laughing at this idea. Thus it appears that Evil has triumphed, but then the Gods cause an earthquake in which all the dwarfs are killed (that is because being so small they slip down the cracks in the earth- I have thought out the details you see) and the opera ends with Frederick and the Wasserleitung singing 'Donner Und Blitzen, Mein Vater Ist Ein Feuerwerk' while the maiden's father, the Major-General, commits self immolation (Purification by Fire.) This I think will be a most amusing opera and if you like I will add some jokes to the libretto. With best wishes, R. Wagner Hampstead, Friday My Dear Sullivan, Please forgive me for those harsh words the other night. For various reasons which I will not go into, I implore you to return to our partnership on any terms you want to lay down. Yours sincerely. W.S.Gilbert  1, answered,, Summary-line: 9-Mar toddlong@erols.com [36] #Pirates Video Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24916; Thu, 9 Mar 00 22:30:13 EST Received: from smtp01.mrf.mail.rcn.net by MIT.EDU with SMTP id AA06027; Thu, 9 Mar 00 22:31:42 EST Received: from 216-164-248-171.s425.tnt3.sbo.ma.dialup.rcn.com ([216.164.248.171] helo=erols.com) by smtp01.mrf.mail.rcn.net with esmtp (Exim 2.12 #3) id 12TG7a-0005A8-00 for opus@mit.edu; Thu, 9 Mar 2000 22:29:50 -0500 Message-Id: <38C86BBC.17314303@erols.com> Date: Thu, 09 Mar 2000 22:27:56 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 09 Mar 2000 22:27:56 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit David, Todd Long here (as if you couldn't guess from the e-mail address). As you may, or may not, know I am directing a version of the famous Pirates of Penzance for the Fiddlehead Theatre Co. in Norwood. Amy Allen is Ruth, Kurt Kendall is Frederic and Becca Consentino is Mabel (old home week, huh?). Becca suggested that I contact you about the possibility of having your group video tape the performance for us. Performance dates are April 7-16. First weekend is Fri, Sat, Sun and second is Thu, Fri, Sat, Sun. The theater is in Norwood Center and seats about 400. We use a sound system that includes body mikes. So, my questions are: Are you available at that time? Would you like to do it? Is there a fee or do you just charge the purchasers for the tapes? (People have already asked me if we are taping it.) Do you need anymore information? Tell us, tell us all about it. I'm familiar with your work (Sudbury's Iolanthe, right?) and would welcome a chance to have you tape our performance. Thanks in advance and I'm looking forward to hearing from you. ~Todd toddlong@erols.com (781) 769-0942 home (781) 762-4060 work (at the theater)  1,, Summary-line: 10-Mar to: toddlong@erols.com [37] #Re: Pirates Video Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09530; Fri, 10 Mar 00 18:04:23 EST Received: from CHARON.MIT.EDU by MIT.EDU with SMTP id AA05344; Fri, 10 Mar 00 18:05:52 EST Received: (from opus@localhost) by charon.MIT.EDU (8.7.6/2.3JIK) id SAA27884; Fri, 10 Mar 2000 18:04:21 -0500 Date: Fri, 10 Mar 2000 18:04:21 -0500 Message-Id: <200003102304.SAA27884@charon.MIT.EDU> From: "David C. Jedlinsky" To: Todd Long In-Reply-To: Todd Long's message of Thu, 09 Mar 2000 22:27:56 -0500 Subject: Re: Pirates Video *** EOOH *** Date: Fri, 10 Mar 2000 18:04:21 -0500 From: "David C. Jedlinsky" To: Todd Long In-Reply-To: Todd Long's message of Thu, 09 Mar 2000 22:27:56 -0500 Subject: Re: Pirates Video Hi Todd. My availability for taping Pirates is a little tight, but I think I can squeeze something in, especially if we plan to take notes at a dress rehearsal. What time are the performances? Any matinees, or all in the evening? As for the rates, bless you it all depends. We either charge an a la carte rate, or we have a package deal. The a la carte rate consists of a flat fee for taping and editing, plus a per-tape cost for duplication (there is no minimum number of tapes that must be purchased). The package deal is a flat rate per tape with a minimum number of tapes required to be purchased. We do not deal directly with the individual purchasers, but instead with a member of the organization who handles payment and distribution, and the actual price charged is up to the organization (so they decide if they want to subsidize, or make a profit). The kind of things we need to know (and we may have to come to the theatre to find the answers) are where we can place the cameras, what sort of power outlets (and how much current can we draw) are available, how many cameras will be necessary to tape the show, and how long the show runs. We usually run our own microphones, but record the sound board as a backup if it's convenient. Yes, we did Sudbury's Iolanthe. That was a three camera job, done for a flat rate of $25 per tape with a guarantee by the group of at least 50 copies. -Dave  1,, Summary-line: 11-Mar luciemc@mediaone.net [46] #Hi Dave.. Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24073; Sat, 11 Mar 00 12:58:26 EST Received: from chmls06.mediaone.net by MIT.EDU with SMTP id AA02776; Sat, 11 Mar 00 12:59:54 EST Received: from pavilion (h0010b505c90d.ne.mediaone.net [24.218.48.85]) by chmls06.mediaone.net (8.8.7/8.8.7) with SMTP id MAA23706 for ; Sat, 11 Mar 2000 12:58:21 -0500 (EST) Message-Id: <027401bf8b82$ca421140$5530da18@ne.mediaone.net> From: "Lucie M. Consentino" To: Subject: Hi Dave.. Date: Sat, 11 Mar 2000 12:54:04 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Lucie M. Consentino" To: Subject: Hi Dave.. Date: Sat, 11 Mar 2000 12:54:04 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 Hi Dave & Ruth - this is Rebecca's mother .. I have a large web site that I want/need to put on CD. I have a CD burner but I'm not sure how to go about getting my web site on CD so that people who use it can surf my web site and connect to all the links. I'm just not sure how to do all that. Knowing that you do this kind of work, I was wondering what it would cost to have you either show me how to do this or for you do make my original CD - I plan to donate copies of my CD to various genealogical societies and the Immigrant Archives all of which I am a well respected member. I have also given free workshops to these various groups and they have expressed an interest in having such a CD as well as the local Historical Society in Methuen. Hopefully, you are both well. It's an exciting time as we prepare for Rebecca and Tyler's wedding! We are so proud of both Rebecca and Sarah and who they are.. proud parents here :o).. Take care and hope to hear from you soon. Rebecca always speaks highly of the work you do so I figured you are the best people to ask about this. Have a great day and thank you for your time! Lucie PS My url is below if you would like to check out my web site that I want to burn onto CD.. Lucie LeBlanc Consentino Acadian & French Canadian Ancestral Home http://www.geocities.com/lucieleblanc.geo/  1,, Summary-line: 12-Mar toddlong@erols.com [70] #Re: Pirates Video Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24179; Sun, 12 Mar 00 19:27:05 EST Received: from smtp02.mrf.mail.rcn.net by MIT.EDU with SMTP id AA09096; Sun, 12 Mar 00 19:26:58 EST Received: from 209-122-231-136.s136.tnt4.sbo.ma.dialup.rcn.com ([209.122.231.136] helo=erols.com) by smtp02.mrf.mail.rcn.net with esmtp (Exim 2.12 #3) id 12UIhL-0002fU-00 for opus@MIT.EDU; Sun, 12 Mar 2000 19:27:04 -0500 Message-Id: <38CC3534.5EB2353E@erols.com> Date: Sun, 12 Mar 2000 19:24:20 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Pirates Video References: <200003102304.SAA27884@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Sun, 12 Mar 2000 19:24:20 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Pirates Video References: <200003102304.SAA27884@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Thanks for your reply! To answer some of your questions: Fri & Sat performances are at 8pm; Sundays at 2pm; Thurday at 7pm. Our rehearsals for tech week are on Mon & Tues at 7:30 and dress is on Thu at 8pm. I would imagine that we would probably go with a flat fee and a per-tape cost for duplication. There are only 25 in the cast, so I'd expect that we would order somewhere in the neighborhood of 30 tapes. Power requirements, camera placement, etc. are probably best seen, rather than explained. Perhaps I could arrange for our sound man (and all around tech guy) to be at a rehearsal that you could attend so that you could discuss these type of things with him? We rehearse on Mon, Wed, Fri & Sat. Please let me know what would work for you and I'll try to get you two together. Unfortunately, I am fairly ignorant of these things. Don't really know how long the show runs yet, considering we haven't blocked the 2nd act yet. But, that will come all in good time. Most likely, I will be the contact for payment and distribution, but I may try to get some help with it. Kinda busy with blocking, sets, costumes, et.al. Silly little things, what? Thanks again and I'm looking forward to working with you once more! ~Todd > Hi Todd. > > My availability for taping Pirates is a little tight, but I think I > can squeeze something in, especially if we plan to take notes at a > dress rehearsal. What time are the performances? Any matinees, or > all in the evening? > > As for the rates, bless you it all depends. We either charge an a la > carte rate, or we have a package deal. The a la carte rate consists > of a flat fee for taping and editing, plus a per-tape cost for > duplication (there is no minimum number of tapes that must be > purchased). The package deal is a flat rate per tape with a minimum > number of tapes required to be purchased. We do not deal directly > with the individual purchasers, but instead with a member of the > organization who handles payment and distribution, and the actual > price charged is up to the organization (so they decide if they want > to subsidize, or make a profit). > > The kind of things we need to know (and we may have to come to the > theatre to find the answers) are where we can place the cameras, what > sort of power outlets (and how much current can we draw) are > available, how many cameras will be necessary to tape the show, and > how long the show runs. We usually run our own microphones, but > record the sound board as a backup if it's convenient. > > Yes, we did Sudbury's Iolanthe. That was a three camera job, done for > a flat rate of $25 per tape with a guarantee by the group of at least > 50 copies. > > -Dave >  1, forwarded,, Summary-line: 14-Mar Dapsrp@aol.com [25] #Our new house (soon) Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21680; Tue, 14 Mar 00 14:35:32 EST Received: from imo-d01.mx.aol.com (imo-d01.mx.aol.com [205.188.157.33]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA02678 for ; Tue, 14 Mar 2000 14:35:26 -0500 (EST) From: Dapsrp@aol.com Received: from Dapsrp@aol.com by imo-d01.mx.aol.com (mail_out_v25.3.) id d.48.2c33a7d (3990); Tue, 14 Mar 2000 14:34:13 -0500 (EST) Message-Id: <48.2c33a7d.25ffee35@aol.com> Date: Tue, 14 Mar 2000 14:34:13 EST Subject: Our new house (soon) To: PAQ358@aol.com, Pmpaquette@aol.com, Owlfar@aol.com, EGGNIP@aol.com, MGPMRP@aol.com, MCP036@aol.com, tompaquette@mindspring.com, spam24@gateway.net, Kerrin3@aol.com, edbyrne@worldnet.att.net, hilary@iex.net, cmajor@sembler.com, Jalp987@aol.com, Patricia2662@aol.com, rls@dimins.com, opus@mit.edu Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 *** EOOH *** From: Dapsrp@aol.com Date: Tue, 14 Mar 2000 14:34:13 EST Subject: Our new house (soon) To: PAQ358@aol.com, Pmpaquette@aol.com, Owlfar@aol.com, EGGNIP@aol.com, MGPMRP@aol.com, MCP036@aol.com, tompaquette@mindspring.com, spam24@gateway.net, Kerrin3@aol.com, edbyrne@worldnet.att.net, hilary@iex.net, cmajor@sembler.com, Jalp987@aol.com, Patricia2662@aol.com, rls@dimins.com, opus@mit.edu Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 For those who may not know it yet, we're in the process of buying our first home right here in Kentucky. Here's the link if you want to check it out. Click on the following: Northern Kentucky Multiple Listing Service: Residential Listing 249266 The closing is set for April 15 so with a little luck all will go well. So get ready to come on out and visit! Steven and Danielle  1,, Summary-line: 15-Mar jered@MIT.EDU [15] #Re: SDSL to NH possible? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26136; Wed, 15 Mar 00 00:42:20 EST Received: from fucking-lunatic.grey17.org by MIT.EDU with SMTP id AA03582; Wed, 15 Mar 00 00:43:50 EST Received: (from jered@localhost) by fucking-lunatic.grey17.org (8.8.8/8.8.8) id AAA08820; Wed, 15 Mar 2000 00:41:54 -0500 Sender: jered@MIT.EDU To: "David C. Jedlinsky" Subject: Re: SDSL to NH possible? References: <200003150537.AAA05371@charon.MIT.EDU> From: Jered J Floyd Date: 15 Mar 2000 00:41:54 -0500 In-Reply-To: "David C. Jedlinsky"'s message of "Wed, 15 Mar 2000 00:37:40 -0500" Message-Id: Lines: 5 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" *** EOOH *** Sender: jered@MIT.EDU To: "David C. Jedlinsky" Subject: Re: SDSL to NH possible? References: <200003150537.AAA05371@charon.MIT.EDU> From: Jered J Floyd Date: 15 Mar 2000 00:41:54 -0500 In-Reply-To: "David C. Jedlinsky"'s message of "Wed, 15 Mar 2000 00:37:40 -0500" Lines: 5 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" Our local loop partner does have coverage in NH, but I'm not sure how far it extends. I'll have them check it out and let you know. --Jered  1,, Summary-line: 19-Mar Aieuo@aol.com [15] #(no subject) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26118; Sun, 19 Mar 00 22:57:13 EST Received: from imo-d10.mx.aol.com by MIT.EDU with SMTP id AA06780; Sun, 19 Mar 00 22:57:04 EST Received: from Aieuo@aol.com by imo-d10.mx.aol.com (mail_out_v25.3.) id 6.b0.2b26559 (4368) for ; Sun, 19 Mar 2000 22:56:57 -0500 (EST) From: Aieuo@aol.com Message-Id: Date: Sun, 19 Mar 2000 22:56:57 EST Subject: (no subject) To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 *** EOOH *** From: Aieuo@aol.com Date: Sun, 19 Mar 2000 22:56:57 EST Subject: (no subject) To: opus@MIT.EDU Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 67 Hello, My name is Dan Russo. I was just in a high school production of the Mikado, playing Pish-Tush. It has been brought to my attnetion that my school, Perkiomen Valley High School, is the only high school to have taken on a production of the Mikado since 1965. I would seriously appreciate any further information or any website links you might send or offer me. Sincerely, Daniel J. Russo  1, edited,, Summary-line: 20-Mar rlcarr@MIT.EDU [20] #New job Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15938; Mon, 20 Mar 00 23:27:03 EST Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA23963 for ; Mon, 20 Mar 2000 23:26:47 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id XAA09387 for ; Mon, 20 Mar 2000 23:26:46 -0500 (EST) Received: (from rlcarr@localhost) by all-night-tool.mit.edu (8.9.3) id XAA12228; Mon, 20 Mar 2000 23:26:46 -0500 (EST) Date: Mon, 20 Mar 2000 23:26:46 -0500 (EST) Message-Id: <200003210426.XAA12228@all-night-tool.mit.edu> From: Rich Carreiro To: dinner@mit.edu Subject: New job *** EOOH *** Date: Mon, 20 Mar 2000 23:26:46 -0500 (EST) From: Rich Carreiro To: dinner@mit.edu Subject: New job My turn... I'm now working at Centra Software (http://www.centra.com and http://www.centranow.com). My phone and e-mail there is 781-994-1135 and rcarreiro@centra.com. Please save that address for business-related stuff (or if you really need me to respond to something quickly). Continue to use rlcarr@mit.edu and/or rlcarr@animato.arlington.ma.us for most e-mail. Thanks! == Rich  1,, Summary-line: 22-Mar eichin@thok.org [23] #Re: New job Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08748; Wed, 22 Mar 00 11:49:35 EST Received: from [199.103.225.6] by MIT.EDU with SMTP id AA17646; Wed, 22 Mar 00 11:51:05 EST Received: by climb-a-tree.thok.org (Postfix, from userid 3382) id 812F5A5BB5; Wed, 22 Mar 2000 11:49:24 -0500 (EST) Sender: eichin@climb-a-tree.thok.org To: dinner@MIT.EDU Subject: Re: New job References: <200003210426.XAA12228@all-night-tool.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 22 Mar 2000 11:49:24 -0500 In-Reply-To: Rich Carreiro's message of "Mon, 20 Mar 2000 23:26:46 -0500 (EST)" Message-Id: Lines: 13 X-Mailer: Gnus v5.7/Emacs 20.5 *** EOOH *** Sender: eichin@climb-a-tree.thok.org To: dinner@MIT.EDU Subject: Re: New job References: <200003210426.XAA12228@all-night-tool.mit.edu> From: eichin@thok.org (Mark W. Eichin) Date: 22 Mar 2000 11:49:24 -0500 In-Reply-To: Rich Carreiro's message of "Mon, 20 Mar 2000 23:26:46 -0500 (EST)" Lines: 13 X-Mailer: Gnus v5.7/Emacs 20.5 Oh yeah, new work addresses... since Adero bought Fastengines, I now work for Adero (www.adero.com); eichin@adero.com for business, no phone yet (and of course, eichin@thok.org is still preferred for everything.) Also, my cellphone seems to work in the office, +1 617 818 2877, though I generally follow Miss Manners rules and will kick you over to voicemail if I'm dealing with people in person (or if I'm driving.) eichin-phone@thok.org or eichin-page@thok.org should (in theory) reach the cellphone as well, but in practice, it isn't all that reliable. _Mark_ ps. 2 weeks and counting to closing...  1,, Summary-line: 23-Mar pstark@furniture.com [90] #??? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26982; Thu, 23 Mar 00 13:27:56 EST Received: from mail1.furniture.com by MIT.EDU with SMTP id AA12616; Thu, 23 Mar 00 13:27:43 EST Received: by mail1.furniture.com with Internet Mail Service (5.5.2448.0) id ; Thu, 23 Mar 2000 13:31:43 -0500 Message-Id: <78E78F1AC17DD311930D00508B44F60A01739A2D@mail1.furniture.com> From: pstark@furniture.com To: opus@MIT.EDU Subject: ??? Date: Thu, 23 Mar 2000 13:31:35 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BF94F6.098802FC" *** EOOH *** From: pstark@furniture.com To: opus@MIT.EDU Subject: ??? Date: Thu, 23 Mar 2000 13:31:35 -0500 Mime-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01BF94F6.098802FC" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01BF94F6.098802FC Content-Type: text/plain; charset="windows-1252" How's tricks? I haven't heard of/from you in a month of Sundays. Is everything OK? What are you doing these days? I was just cast in THE BOYS NEXT DOOR, a play about 4 men in a group home for the mentally handicapped, at Vokes Theatre in Wayland. Regards to Ruth. Peter. -------------------------------------------- Furniture.com -------------------------------------------- Peter Stark Product Research Manager Privacy Policy Coordinator 508.416.6334 (tel) 508.416.6375 (fax) pstark@furniture.com http://www.furniture.com All the Comforts of Home ------_=_NextPart_001_01BF94F6.098802FC Content-Type: text/html; charset="windows-1252"
How's tricks? I haven't heard of/from you in a month of Sundays. Is everything OK? What are you doing these days? I was just cast in THE BOYS NEXT DOOR, a play about 4 men in a group home for the mentally handicapped, at Vokes Theatre in Wayland.
 
Regards to Ruth.
 
Peter.
 
 
--------------------------------------------
Furniture.com
--------------------------------------------
Peter Stark
Product Research Manager
Privacy Policy Coordinator

508.416.6334 (tel)
508.416.6375 (fax)
pstark@furniture.com

http://www.furniture.com
All the Comforts of Home

 
------_=_NextPart_001_01BF94F6.098802FC--  1, answered, forwarded,, Summary-line: 23-Mar mstorie@nwlink.com [90] #Orchestration of "The Grand Duke" Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA16181; Thu, 23 Mar 00 14:37:07 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA02534; Thu, 23 Mar 00 14:38:37 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA05185; Thu, 23 Mar 2000 14:36:47 -0500 (EST) Date: Thu, 23 Mar 2000 14:36:47 -0500 (EST) Message-Id: <38DA6F20.5072455E@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Orchestration of "The Grand Duke" Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Thu, 23 Mar 2000 14:36:47 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Orchestration of "The Grand Duke" Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) Im happy to announce, at last, that we have started shipping sets of our orchestration for "The Grand Duke." The Seattle Gilbert & Sullivan Society embarked on a huge project about 18 months ago to prepare a high-quality orchestration of "The Duke" that we would use for our 1999 production in Seattle and Buxton and that could be used by other G&S performing groups. This is a completely computer-printed (in "Finale") score and was based on copies of the orchestra music that was contemporary with the 1896 premiere of the show. This orchestration (or perhaps "transliteration") was accomplished by a team under the direction of Alan Lund, our Music Director. While not an academic "critical edition," we believe that this score is as accurate and complete as possible, and is emmenently playable. It clearly shows off the richness, fun and relative complexity of Sullivan's final collaboration with Gilbert. Numerous errors have been corrected that were found in the originals and that even show up in the D'Oyly Carte recording of 1976. In addition to being proof-read in the normal way, once the score was entered into the computer it was played back via MIDI to check all the combinations of notes. It was then played by small emsembles of our orchestra and then taken through a very rigorous rehearsal cycle and has been performed before audiences totaling over 7,500. After the performances, the individual parts were collected and all of the musician's markings were checked and corrections were made if indicated. All of the songs in the original show are included. We unfortunately did not have time to add the vocal lines to the score so, at this time, we only have a conductor's score for the overture. Alan normally conducts the show from the piano/vocal score. Adding the vocal lines to the entire opera was beyond our resources. The full orchestration includes the following parts: Flute 1 Flute 2 Oboe Clarinet 1 Clarinet 2 Bassoon 1-2 Horns 1-2 Cornet 1 in A & B-flat Cornet 2 in A & B-flat Trombone 1-2 (Includes Bassoon 2 cues) Bass Trombone Drums Violin 1 Violin 1 Violin 2 Violin 2 Viola Cello Contrabass Conductor's Score (Overture ONLY) The price for the full orchestration set is $500 Extra parts are $25 each Piano/Vocal scores with dialogue included are $20 each We also have available a 3-CD set of the above version of "The Grand Duke" for $25, and a 2-tape video (available in NTSC or PAL) of our performance for $30. Shipping charges are added to all orders. For details about ordering, contact me or our web site at www.patersong.org Mike Storie Producer  1, answered,, Summary-line: 24-Mar toddlong@erols.com [39] #Pirates Video Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27413; Fri, 24 Mar 00 08:20:38 EST Received: from smtp03.mrf.mail.rcn.net by MIT.EDU with SMTP id AA02592; Fri, 24 Mar 00 08:22:09 EST Received: from 207-172-245-124.s378.tnt1.sbo.ma.dialup.rcn.com ([207.172.245.124] helo=erols.com) by smtp03.mrf.mail.rcn.net with esmtp (Exim 2.12 #3) id 12YU0r-0005At-00 for opus@mit.edu; Fri, 24 Mar 2000 08:20:30 -0500 Message-Id: <38DB6AE3.B088B755@erols.com> Date: Fri, 24 Mar 2000 08:17:23 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Fri, 24 Mar 2000 08:17:23 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Just a quick note to make sure that we are "on" for your group to come and videotape Pirates. I'm having a production meeting on Monday and would like to tell the Production Staff that we're all set. Below, I've pasted the rest of our rehearsal schedule so you know when we're here. If you let me know when you could stop by, I'll try to get our sound guy there. Thanks! ~Todd Fri. 3/24 7-10:30pm Sat. 3/25 2-5pm Mon. 3/27 7-10:30pm Wed. 3/29 7-10:30pm Thu. 3/30 7-10:30pm Fri. 3/31 7-10:30pm Sun. 4/2 2-6pm & 7-10pm Mon. 4/3 6:30-10:30pm Tue. 4/4 6:30-10:30pm Thu. 4/6 6:30-10:30pm Dress Rehearsal Fri. 4/7 8pm Opening Night Sat. 4/8 8pm Performance #2 Sun. 4/9 2pm Performance #3 Wed. 4/12 7pm Pick-up Rehearsal Thu. 4/13 7pm Performance #4 Fri. 4/14 8pm Performance #5 Sat. 4/15 8pm Performance #6 Sun. 4/16 2pm Closing Performance  1, answered,, Summary-line: 28-Mar toddlong@erols.com [26] #Re: Pirates Video Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13232; Tue, 28 Mar 00 08:32:53 EST Received: from smtp01.mrf.mail.rcn.net by MIT.EDU with SMTP id AA00193; Tue, 28 Mar 00 08:32:37 EST Received: from 207-172-97-46.s300.tnt2.sbo.ma.dialup.rcn.com ([207.172.97.46] helo=erols.com) by smtp01.mrf.mail.rcn.net with esmtp (Exim 2.12 #3) id 12Zw6L-0007Es-00 for opus@MIT.EDU; Tue, 28 Mar 2000 08:32:10 -0500 Message-Id: <38E0B3B7.ECA3380F@erols.com> Date: Tue, 28 Mar 2000 08:29:27 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Pirates Video References: <200003272353.SAA29060@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Tue, 28 Mar 2000 08:29:27 -0500 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Pirates Video References: <200003272353.SAA29060@charon.MIT.EDU> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sorry to hear you were under the weather. Hope you're feeling better than the weather looks outside! The matinee on 4/9 sounds like a plan. Our run on Tuesday, 4/4 should be a complete run. We've only got the dress rehearsal after that so I sure hope it is a run! Plus, our sound guy should be there then, so you could check with him on sound, power, etc. My wife, Aroostine, will be handling the orders and payments from the cast, so we can all talk after the 4/9 matinee. If you have any other questions, please feel free to just ask. Thanks again and I'm looking forward to a fruitful collaboration! ~Todd  1,, Summary-line: 30-Mar Mary_Finn@intersys.com [40] #Recipe for "Lucky Man" Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18381; Thu, 30 Mar 00 13:30:26 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA08780; Thu, 30 Mar 00 13:30:03 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA00957; Thu, 30 Mar 2000 13:29:56 -0500 (EST) Date: Thu, 30 Mar 2000 13:29:56 -0500 (EST) Message-Id: <00Mar30.133647est.115217@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Mary_Finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Recipe for "Lucky Man" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id NAA00957 *** EOOH *** Date: Thu, 30 Mar 2000 13:29:56 -0500 (EST) Reply-To: Mary_Finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Recipe for "Lucky Man" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id NAA00957 Recipe for =93Lucky Man=94 2 eyes, sparkling (Try for ones that were planted during an eclipse. You can find them once in a while.) 2 lips (If using rosy lips, make sure they come from the area past the Rubicon. Indifferent red lips are an acceptable substitute.) 1 figure, carefully trimmed (Sounds yummy, doesn=92t it?) 1 hand, small (Don=92t cut off the fingerettes. Tenderize by pressing between two parentheses.) Combine all ingredients. Serve immediately, for Lucky Man goes stale quickly, unless put up as preserves. If you can, it will keep indefinitel= y. ******************************************************** Mary A. Finn (finn@intersys.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 31-Mar buttercup16@juno.com [31] #Re: The Devil made me say it Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06980; Fri, 31 Mar 00 16:08:03 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA19314; Fri, 31 Mar 00 16:09:36 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA19912; Fri, 31 Mar 2000 16:07:14 -0500 (EST) Date: Fri, 31 Mar 2000 16:07:14 -0500 (EST) Message-Id: <20000331.155827.-191741.0.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Naomi S Rovner To: Multiple recipients of list SAVOYNET Subject: Re: The Devil made me say it Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 2.0.11 *** EOOH *** Date: Fri, 31 Mar 2000 16:07:14 -0500 (EST) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Naomi S Rovner To: Multiple recipients of list SAVOYNET Subject: Re: The Devil made me say it Mime-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 2.0.11 well, Father John, I go back a long way, but not that long... On Fri, 31 Mar 2000 15:36:53 EST ForbzField@aol.com writes: snip >666 goes back to the book of Revelation-- long before SF as a literary >form. > > Fr. John Hissrich > Pittsburgh Savoyards > --To doubt my inspiration is regarded as heretical Sandy Rovner 3005 S.Leisure World Blvd #121 Silver Spring, Md. 20906 I write for food  1,, Summary-line: 1-Apr anne_e_hale@hotmail.com [25] #Queen Victoria's Navy Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08575; Sat, 1 Apr 00 21:00:40 EST Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA00577; Sat, 1 Apr 00 21:00:20 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA00049; Sat, 1 Apr 2000 21:00:14 -0500 (EST) Date: Sat, 1 Apr 2000 21:00:14 -0500 (EST) Message-Id: <20000402014341.47890.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: anne_e_hale@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "A.E. Hale" To: Multiple recipients of list SAVOYNET Subject: Queen Victoria's Navy Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 1 Apr 2000 21:00:14 -0500 (EST) Reply-To: anne_e_hale@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "A.E. Hale" To: Multiple recipients of list SAVOYNET Subject: Queen Victoria's Navy Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Andi's mention that UTOPIA's Captain Corcoran commands steamships reminded me that I had found a Website that might interest others. It's called "Queen Victoria's Navy" and features contemporaneous photographs of RN ships from 1857-1897, including vessels that were sail-only, sail plus steam, etc. I hope this is a clickable link: http://www.geocities.com/Pentagon/Quarters/7155/ Anne Hale ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com  1,, Summary-line: 4-Apr jered@MIT.EDU [24] #Re: Current status of Grey 17 DSL [4/3/00] Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00140; Tue, 4 Apr 00 15:15:51 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id PAA09537 for ; Tue, 4 Apr 2000 15:14:22 -0400 (EDT) Received: from golden-age-of-wireless.ai.mit.edu (golden-age-of-wireless.ai.mit.edu [128.52.220.28]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id PAA09795 for ; Tue, 4 Apr 2000 15:14:18 -0400 (EDT) Received: (from jered@localhost) by golden-age-of-wireless.ai.mit.edu (8.9.3) id PAA01383; Tue, 4 Apr 2000 15:14:18 -0400 Sender: jered@golden-age-of-wireless.ai.mit.edu To: "David C. Jedlinsky" Subject: Re: Current status of Grey 17 DSL [4/3/00] References: <200004041837.OAA11379@charon.MIT.EDU> From: Jered Floyd Date: 04 Apr 2000 15:14:17 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Tue, 4 Apr 2000 14:37:53 -0400" Message-Id: Lines: 14 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" *** EOOH *** Sender: jered@golden-age-of-wireless.ai.mit.edu To: "David C. Jedlinsky" Subject: Re: Current status of Grey 17 DSL [4/3/00] References: <200004041837.OAA11379@charon.MIT.EDU> From: Jered Floyd Date: 04 Apr 2000 15:14:17 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Tue, 4 Apr 2000 14:37:53 -0400" Lines: 14 X-Mailer: Gnus v5.6.45/XEmacs 21.1 - "Arches" "David C. Jedlinsky" writes: > >> Any word on DSL availability to my house in NH? > > > >Yes...unfortunately, they don't have DSL hardware installed in your > >central office. I'll let you know if that changes. > > Thought so. That's what every other ISP has told me. Do you know if there's much demand for DSL in your area? Our NSP has told us that we can lean on them to light up particular COs if there's likely to be demand. --Jered  1,, Summary-line: 4-Apr Marisawg@aol.com [39] #These are the phenomena... (pretty much OT) Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23091; Tue, 4 Apr 00 16:33:01 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13040; Tue, 4 Apr 00 16:34:30 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA00244; Tue, 4 Apr 2000 16:32:03 -0400 (EDT) Date: Tue, 4 Apr 2000 16:32:03 -0400 (EDT) Message-Id: <5f.3721882.261ba9cf@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: These are the phenomena... (pretty much OT) Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 102 *** EOOH *** Date: Tue, 4 Apr 2000 16:32:03 -0400 (EDT) Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: These are the phenomena... (pretty much OT) Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 102 Well, the final results from the college search are in for me. I've been accepted at four schools, ranked below in attempted order of preference (though I love them all, really): Harvard University Stanford University Columbia University Cornell University (waitlisted at Yale and Princeton) I have to make a decision by May 1, and it's going to be a tough one! I'm going back to visit all of the places in the next month, but I'm also looking for as much advice as I can get. Anyone who has attended or worked at any of these schools, please feel free to lobby for your particular institution, or to tell me anything I *ought* to know about any of them. (My prospective majors...at this point...are music -- composition/conducting, probably -- or perhaps theology or classics.) To relate this post even slightly to G&S, I'd love to know about performing arts opportunities on campus, including G&S groups. :) Ciao tutti! Marisa _______ University Class of 2004 (trying to fill in the blank!)  1,, Summary-line: 5-Apr dduffey@argonet.co.uk [43] #Closing couplet Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24289; Wed, 5 Apr 00 07:53:43 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03844; Wed, 5 Apr 00 07:53:20 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA06988; Wed, 5 Apr 2000 07:49:57 -0400 (EDT) Date: Wed, 5 Apr 2000 07:49:57 -0400 (EDT) Message-Id: <003101bf9ef3$1bc378a0$8d0ebc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Closing couplet Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Wed, 5 Apr 2000 07:49:57 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Closing couplet Mime-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 A man who would woo a fair maid Won't get far if he buys lemonade. To lay aloft in a howling breeze Will certainly make your nether-parts freeze. When you're lying awake with a dismal headache, and repose is taboo'd by anxiety You're solely to blame, hang your head in great shame, and resolve to go in for sobriety. Exquisite treasure that knows no alloy Is peeling, then eating a ripe saveloy. and in a private message from one who said, "I shall not publish it":- Twenty lovesick maidens we - All at once in the W.C. David  1,, Summary-line: 5-Apr hands4@world.std.com [39] #Re: Closing couplet Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09856; Wed, 5 Apr 00 09:07:47 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22235; Wed, 5 Apr 00 09:07:24 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA19033; Wed, 5 Apr 2000 09:07:13 -0400 (EDT) Date: Wed, 5 Apr 2000 09:07:13 -0400 (EDT) Message-Id: <200004051258.IAA24266@europe.std.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: hands4@world.std.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony and Beth Parkes" To: Multiple recipients of list SAVOYNET Subject: Re: Closing couplet Mime-Version: 1.0 Content-Type: text/plain; charset=Default Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Internet Mail 4.70.1155 *** EOOH *** Date: Wed, 5 Apr 2000 09:07:13 -0400 (EDT) Reply-To: hands4@world.std.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony and Beth Parkes" To: Multiple recipients of list SAVOYNET Subject: Re: Closing couplet Mime-Version: 1.0 Content-Type: text/plain; charset=Default Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Internet Mail 4.70.1155 David Duffey relayed: > and in a private message from one who said, "I shall not publish it":- > > Twenty lovesick maidens we - > All at once in the W.C. These, I take it, are the same chorus ladies who in *Princess Ida* went down on the "po," not "litely." Our great Mikado, virtuous man, Is reading tabloids in the can. I've snuff and tobaccy and excellent jacky And souvenir postcards, from pretty to tacky. None shall part us from each other Till I catch you out with "mother." Tony Parkes Billerica, Massachusetts, USA Certifiable SavoyNut since 1958 hands4@world.std.com  1,, Summary-line: 5-Apr scott@hup.harvard.edu [79] #Re: leaving Harvard Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12531; Wed, 5 Apr 00 13:08:57 EDT Received: from hup.harvard.edu by MIT.EDU with SMTP id AA27477; Wed, 5 Apr 00 13:08:43 EDT Received: (from scott@localhost) by hup.harvard.edu (AIX4.2/UCB 8.7/8.7) id NAA35460; Wed, 5 Apr 2000 13:07:14 -0400 (EDT) Date: Wed, 5 Apr 2000 13:07:14 -0400 (EDT) From: Scott Gagnon To: opus@MIT.EDU, BrianCimmet Cc: toddlong@errols.com, rac@bu.edu, jay@shareholder.com, katishal@aol.com, zdaniel@aol.com, lonnie@kccon.com, Jim_Ansart@dmr.state.ma.us, littlehale@ltcq.com, robbiebass@aol.com, hhinkel@meditech.com, souffle@mediaone.net, mbalbale@mba1999.hbs.edu, chucksue@mediaone.net, DGravely@msdistributors.com, Ellen.Spear@infores.com, khughes@hubdata.com, cfisher@bkb.com, TazTink@aol.com, larry@theatermirror.com, dianeeb@MIT.EDU, DesolationXAngel@aol.com, annietw@aol.com, consensa@emmanuel.edu, orjazzem@hotmail.com, PRIAM13@aol.com, BFreeman@msdistributors.com, plynch@gis.net, DLUCIANI@federatedinv.com, paula@irnoise.com, tipocuniwi@aol.com, houptm@emmanuel.edu, LVKates@aol.com, warrenj@emmanuel.edu, fordm@emmanuel.edu, econdon@fas.harvard.edu, stpat47@yahoo.com, rcohare@netscape.net, jsheeha2@ix.netcom.com, CHopkins99@aol.com, lcash@110.net, rswaffor@camail1.harvard.edu, S R Wilkes , Skary76@aol.com Subject: Re: leaving Harvard In-Reply-To: <199811231834.NAA08145@procyon.hbs.edu> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 5 Apr 2000 13:07:14 -0400 (EDT) From: Scott Gagnon To: opus@MIT.EDU, BrianCimmet Cc: toddlong@errols.com, rac@bu.edu, jay@shareholder.com, katishal@aol.com, zdaniel@aol.com, lonnie@kccon.com, Jim_Ansart@dmr.state.ma.us, littlehale@ltcq.com, robbiebass@aol.com, hhinkel@meditech.com, souffle@mediaone.net, mbalbale@mba1999.hbs.edu, chucksue@mediaone.net, DGravely@msdistributors.com, Ellen.Spear@infores.com, khughes@hubdata.com, cfisher@bkb.com, TazTink@aol.com, larry@theatermirror.com, dianeeb@MIT.EDU, DesolationXAngel@aol.com, annietw@aol.com, consensa@emmanuel.edu, orjazzem@hotmail.com, PRIAM13@aol.com, BFreeman@msdistributors.com, plynch@gis.net, DLUCIANI@federatedinv.com, paula@irnoise.com, tipocuniwi@aol.com, houptm@emmanuel.edu, LVKates@aol.com, warrenj@emmanuel.edu, fordm@emmanuel.edu, econdon@fas.harvard.edu, stpat47@yahoo.com, rcohare@netscape.net, jsheeha2@ix.netcom.com, CHopkins99@aol.com, lcash@110.net, rswaffor@camail1.harvard.edu, S R Wilkes , Skary76@aol.com Subject: Re: leaving Harvard In-Reply-To: <199811231834.NAA08145@procyon.hbs.edu> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi, everyone. Just a quick note to let you know that as of this Friday, April 7, I will be leaving Harvard University Press and this e mail address will no longer be valid. I can be reached at our home email, which is souffle@mediaone.net after Friday. I'll be moving on to work for a market research company in Cambridge, Cambridge Focus. I'll also be teaching theater to young people at a summer camp mornings, and will continue with the drama program w. Natick Recreation for Retarded Adults on Saturdays. I also hope to be able to announce auditions for my own next project , which *may* be Secret Garden with Rob, later this year. Hope all's well, stay in touch, and, if you can, please pass this on to anyone you think might need to know. My apologies in advance if you get this twice, or for any other Spam issues I may have unwittingly caused. All the best! Scott d:-)  1,, Summary-line: 6-Apr oris@interlog.com [64] #TORONTO SINGOUT UPDATE Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08479; Thu, 6 Apr 00 16:33:29 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA28986; Thu, 6 Apr 00 16:33:15 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA29046; Thu, 6 Apr 2000 16:32:48 -0400 (EDT) Date: Thu, 6 Apr 2000 16:32:48 -0400 (EDT) Message-Id: <3.0.3.32.20000406025525.0085b750@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) *** EOOH *** Date: Thu, 6 Apr 2000 16:32:48 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) Hi Folks, First of all, let me thank those of you who have already registered for the singout and those of you who have put in for roles. This is shaping up to be a really fine event. IF YOU WANT A SOLO ROLE AT THE SINGOUT, READ THIS NEXT BIT CAREFULLY: You MUST get your requests in a.s.a.p., even if you have not yet registered for the singout. Mind you, though, only registered participants will be admitted to the theatre so let the prospect of a solo role be your motivation! The sooner you get your requests in, the sooner we can begin the casting process and the sooner we can begin to organise the program. For registrations, the rule is "first PAID, first served" so get them in to Herschel as soon as you can. Herschel and I co-ordinate to make sure that registered people have first crack at the roles over not-yet-registered people. Send your role requests to me. Please also note that the hotel rate is guaranteed until one month before the event and then it becomes a "booking as available" reservation. You may book as many nights as you'd like preceding and following the singout so that you can maintain a "base of operations" while you explore Toronto and Southern Ontario (remember that in Canada, WE are the deep south, y'all!). The rate is good for 1-4 people per room which makes it one of the best hotel deals in Toronto. The delay in getting out the conductors' list is entirely my doing. Selected conductors will be contacted over the next couple of days and pending their confirmation, the list will be let out shortly thereafter. Please note that in ALL CASES, e-mails to me at oris@interlog.com should have TORONTO SINGOUT in the subject header. I've been getting a huge volume of mail and the correct header helps me find the really important stuff! If you have any questions, do not hesitate to ask! More to follow. cheers, Ori VA3ORI Toronto, Ontario, Canada ------------------------------------------------- ****Toronto: the place to be in August, 2000!**** *** G&S T2K: Singout, Eh? *** **** August 18-19-20 **** -------------------------------------------------  1,, Summary-line: 8-Apr MusikDrama@aol.com [604] #"Complete" Revised Yeomen Errata List Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09318; Sat, 8 Apr 00 15:43:02 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03532; Sat, 8 Apr 00 15:44:36 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA01373; Sat, 8 Apr 2000 15:42:35 -0400 (EDT) Date: Sat, 8 Apr 2000 15:42:35 -0400 (EDT) Message-Id: <36.44ccd60.2620e226@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: "Complete" Revised Yeomen Errata List Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Mac - Post-GM sub 66 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA01373 *** EOOH *** Date: Sat, 8 Apr 2000 15:42:35 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: "Complete" Revised Yeomen Errata List Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Mac - Post-GM sub 66 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id PAA01373 Presenting Steven Lichtenstein's "Complete" Revised Yeomen Errata List or "An Error? What Error?" ************************************************* Just in time for Savoynet's August 2000 Buxton production, I present my=20 enlarged and revised errata list for the Schirmer piano/vocal score of Th= e=20 Yeomen of the Guard. I put "complete" in quotes, as there really seems to be no end to the err= ata=20 one can dig up if one goes to it with sufficient vim, vigor and vitriol (= all=20 of which the present editor possesses in full measure). I've already=20 discovered a few new ones since I've been singing in the chorus for Seatt= le=20 G&S Society's upcoming production, and will be vastly surprised if more d= o=20 not surface in the fullness of time. This list is the result of a comparative study between the sources availa= ble=20 to me, those being the Schirmer and Chappell piano/vocal scores and the=20 Kalmus full orchestral score, and consists of every error I've been able = to=20 track down, from the most blindingly obvious -- as for instance Wilfred's= =20 "with an once or two of lead" -- to the most mind-bogglingly nitpicky, as= in=20 the finicky details of the correct accidentals in the light-speed pickup=20 notes to the chords accompanying the phrase "I hate the man -- my rival h= e,"=20 which almost no pianist ever plays with religious accuracy anyway (need I= =20 point out with undue emphasis that I do?).=20 The previous version of this list has been available at the G&S Archive f= or=20 the last few years. I have tried to make the format more user-friendly t= his=20 time, in that I have arranged the errata by categories rather than simply= =20 moving chronologically through the score. Hence, those uninterested in=20 wading through the copious errata for the piano reduction can now simply=20 confine their study to Errata for Lead Roles and/or Chorus Errata, as des= ired. As before, I include a number of errata previously submitted by Bruce Mil= ler=20 and Neil Midkiff. Not knowing specifically which of them originally=20 submitted which erratum, I have marked their mutual efforts with the=20 collective initials "M.M." If either of the gentlemen in question would= =20 care to be identified individually for each erratum, I will be glad to ma= ke=20 suitable modifications, in the event that someone would eventually care t= o=20 publish this list at the Archive to replace the previous one (in which ev= ent=20 I will also make suitable modifications to this opening speech). Enough of babble; let the wearisome details commence! Steven Lichtenstein Ever-watchful editor, eagle-eyed Errata List: The Yeomen of the Guard Piano-Vocal Score: G. Schirmer Edition ------------------------------------------------------------------------ Compiled by Steven Lichtenstein Including notes previously compiled by Neil Midkiff and Bruce Miller (Midkiff/Miller notes marked M.M.) Errata for Lead Roles (dialogue): p. 89, first line: "'Tis an odd freak, for a young man..." should read "= a=20 dying man." (M.M.) p. 89, halfway down: "all the difference between stony silence..." shoul= d be=20 "stony reticence." (M.M.) p. 89, fifth line from bottom: "the night, thou and I alone together..."= =20 should be "thou and I are alone together." (M.M.) p. 95, end of Wilfred's first speech: "one who needs must woo..." should= be=20 "one who must needs woo." (M.M.) p. 95, Meryll's first speech: "is but a lute..." should read "is but as = a=20 lute." (M.M.) p. 149, Wilfred's next-to-last line: "suite" should read "suit." (M.M.) p. 206, Meryll's last long speech: The quotation should end after "and =97= and=20 =97" (not after "and that's me!") (M.M.) Errata for Lead Roles (music): Key to measure indications: A/B/C =3D Page/System/Measure 130/4/1: In the Kalmus full score (and in some recordings), the melody= of=20 Wilfred's line "My lord, I did not set him free" echoes the Lieutenant's=20 preceding line, ending with the notes E/D instead of F-sharp/G. 143/1/1: Dame Carruthers' first "ye" should be a quarter note, not an=20 eighth. (M.M.) 154/2/2: Wilfred's second note should be F-sharp, not E. (M.M.) 179/1/1: First word (Wilfred) should be "ounce" not "once." (M.M.) 187/2/1 (see also 190/3/3): Elsie's pickup notes ("If he's") should proba= bly=20 be eighth-notes rather than 16ths. The Chappell piano/vocal score give=20 eighth-notes at the repeat sign and 16ths at the beginning (where the not= es=20 are shown purely as a visual courtesy). The full score discourteously om= its=20 the notes at the beginning, and shows only eighth-notes at the repeat sig= n. 224/1/2: Phoebe/Carruthers text: Change "and claim me" to "appears to= ." =20 (M.M.) FOOTNOTE (Steven Lichtenstein): This error is the residuum of a substanti= al=20 change in the part-writing for this section. Originally Kate, Phoebe and= =20 Carruthers echoed Elsie's words in the third person: "Oh Leonard, come t= hou=20 to her side, and claim her as thy loving bride." Revisions were made at = some=20 point; Phoebe and Carruthers now sing "The man to whom thou art allied=20 appears to claim thee as his bride," and poor Kate is relegated to the ch= orus. Perhaps it was deemed somewhat out of character for Phoebe (and particula= rly=20 for Dame Carruthers) to gush "Oh Leonard" along with Elsie, even if they=20 wouldn't necessarily be heard in the texture (they doubled the line an oc= tave=20 below Elsie). Kate's outburst on the same words was much more dramatic, = by=20 the way, providing a bit more solo work for this small role. Unfortunate= ly,=20 her "Oh Leonard" completely upstages Elsie's musically, which is probably= why=20 the decision was made to drop it. At any rate, Phoebe and Carruthers originally sang four quarter-notes at=20 224/1/1, on the words "Come thou to her...," continuing at 224/1/2 with=20 "...side, and claim her." When their words were changed to match the=20 Lieut./Meryll/Wilfred text, some editor apparently forgot to change "and=20 claim her" to "appears to." Perhaps it was the same editor who witlessly= =20 changed the already incorrect "and claim her" to the even more incorrect = "and=20 claim me," for the sake of conformity with Elsie's line. Of course, one could make a case for Phoebe's singing a modified version = of=20 the Schirmer text, as a sort of wish-fulfillment fantasy: "Oh, let him = come=20 now to thy side, and claim me -- claim THEE as his bride!" 234/2/2: Elsie's verse should be "It's the song of a merrymaid, nestli= ng=20 near, who loved her lord =97 but who dropped a tear At the moan of the=20 merryman..." [Schirmer follows the original text rather than the generall= y=20 accepted text (given here) of the 1897 revival] (M.M.) Chorus Errata: Key to measure indications: A/B/C =3D Page/System/Measure 48/4/1: To begin with something which is not exactly an error, I will poi= nt=20 out that all sources available to me indicate that Sullivan set the lines= =20 "Here's a man of jollity" and "Give us of your quality" for sopranos and=20 tenors only, while the altos and basses respond with "Jibe, joke, jollify= "=20 and "Come fool, follify." I have never heard it performed this way; it=20 seems to be traditional that all the voices sing all the lines. A more obscure alteration occurs at 49/1/2: the lines "If you vapour=20 vapidly, river runneth rapidly" are set in the Kalmus full score for sopr= anos=20 and altos only, tenors and basses joining in on "Into it we fling bird wh= o=20 doesn't sing." This detail never made it into the piano/vocal score at a= ll,=20 and must have been changed quite early on. The full score is far from=20 infallible, by the way -- but I'm not going to be assembling an errata li= st=20 for that as well! =20 98/3/1: Basses, last note (on "and") should match the tenor part (i.e., s= ing=20 B-flat, not D). (M.M.) 122/2/1: On the second note, move the sharp sign down one voice part=20 (sopranos should sing B-natural, altos sing G-sharp). (M.M.) 125/4/1: Where 2nd Yeoman part is shown on "we hunted low... we hunted= =20 there" the full score has 2nd and 3rd Yeomen on F and D (an octave below=20 Fairfax and 1st Yeoman). Repeat this at the top of page 128 (Note: it m= ay=20 be better to use 4th Yeoman, as this is better for a baritone). (M.M.) FOOTNOTE (Neil Midkiff): If you're puzzled by the reference to 4th Yeo= man,=20 our Stanford production reinstated the second verse of "Did thou not, O=20 Leonard Meryll" for 3rd and 4th Yeomen, as given in Bradley. 135/2/2: The altos' first note should be B, not D (the same note sung = by=20 Phoebe and Carruthers). 145/3/2: Tenor and baritone notes on "house" should be an eighth, not = a=20 sixteenth. (M.M.) 146/2/3: Tenor "ward" should be a quarter plus an eighth rest, not a=20 dotted quarter (the dotted quarter is also found in the Chappell piano/vo= cal=20 score; the Kalmus full score has a quarter, which is more consistent with= the=20 rest of the phrase). 178/1/1: Bass line should be marked "piano" along with tenors at "It..= ." =20 (M.M.) 218/2/1: Alto line should have a treble clef rather than the bass clef= =20 shown. (M.M.) 232/4/1: A clarification: the melody line is sung by first sopranos o= nly=20 (Point's line ends at 232/3/3), the whole-note F-sharp and D being sung=20 divisi by second sopranos. 233/1/1: According to the Kalmus full score, the upper altos (soprano = 2)=20 continue singing F-sharp in this bar, rather than joining the lower altos= on=20 the D. This can be substantiated by comparing the equivalent measure in = the=20 next verse (235/3/1), in which the F-sharp appears as a whole note. =20 Apparently, the F-sharp was left out the first time as a result of lazy=20 editing; in the first verse, the melody is printed on the same staff as = the=20 chorus, which would necessitate two separate F-sharps on the first beat: = one=20 quarter-note and one whole-note. In the second verse the problem doesn't= =20 exist, as the melody is printed in a separate staff. I could throw a monkey-wrench into this theory by pointing out that in th= e=20 full score, the F-sharp is present in the first verse, but missing in the= =20 second (at 235/3/1), but why cause trouble? We have enough errata to dea= l=20 with as it is, I think! 233/2/1: All versions of the score that I've seen (including the full=20 score) notate the chorus as singing a whole-note in this bar. However, t= he=20 entire orchestra cuts off after the third beat, providing a momentary sil= ence=20 before Elsie's verse, after the undulating orchestral figure which has be= en=20 continuing ceaselessly since 231/3/6. I believe it is a traditional (and= =20 musically sound) practice to have the chorus cut off on the third beat al= ong=20 with the melody line and the rest of the orchestra, rather than hanging o= n=20 relentlessly to the end of the measure, which only makes it sound as if t= hey=20 weren't watching the conductor's cut-off. Also, for dramatic reasons, it= =20 makes sense to have a momentary, expectant pause as we wait to see what=20 Elsie's response to Point will be. 235/3/4: In contrast to the erratum immediately above, the notated=20 whole-note in this bar could be performed as written, since the orchestra= =20 does NOT stop after the third beat, as notated here (see the note below i= n=20 Piano Errata for 235/3/4). However, a music director might well ask the=20 chorus to breathe on the fourth beat in any case, to prepare for the fort= e=20 chord on the next measure. 238/1/2: Basses, first note should be F-sharp, not D. (M.M.) Piano Reduction Errata: Key to measure indications: A/B/C =3D Page/System/Measure 12/4/3: The bass note on the first beat should be A-flat, not C. 21/3/4: The quarter-note pick-up to "This the evening of our day" does no= t=20 actually exist; it should be an empty beat. 23/2/6 There should not be a bottom E-flat in the left hand, only the=20 third-space E-flat. 29/2/2: On the last beat, the octave B-flats in the left hand should be=20 played an octave lower than written. 33/2/1: The right hand is missing a second-line G. Also, the G an octave= =20 lower should be repeated as a quarter-note on the fourth beat. 35/1/2 (counting the first full bar as Bar 1): The octave F's in the lef= t=20 hand should be played an octave lower than written. 44/3/3: The E-flat in the right hand should be a D-flat. The same applie= s in=20 the second verse at the corresponding spot (46/3/2). 46/3/4: The second chord should be an eighth-note, not a quarter-note. 51/1/2: The voicing of the last chord should probably resemble those in t= he=20 measures before and after. The right-hand last pitch should probably be = a C,=20 not an E. (M.M.) FOOTNOTE (Steven Lichtenstein): This erratum is, strictly speaking,=20 incorrect; the voicing of the left hand chord is exactly right (except t= hat=20 it is missing the low C played by the contrabasses, which is a typical=20 omission and not worth mentioning, as a pianist only has two hands). The reason it looks like an error is simply that the right-hand melody is= =20 completed not by the final note in the right hand, but by the middle C=20 notated in the left-hand chord. The "right-hand last pitch" referred to = in=20 the erratum (i.e., the first-line E) is part of the chordal harmony (play= ed=20 by the first violins), and is higher than the melody note, hence the visu= al=20 confusion in the score. The melody is actually doubled an octave higher = in=20 the full score, so that the final C of the melody is really the highest n= ote=20 played when performed by the full orchestra. Having said all that, however, it would do no harm at all for a pianist t= o=20 follow the suggestion made by Bruce Miller and/or Neil Midkiff, playing t= he=20 final E down an octave and ending the right-hand melody with a middle C. = It=20 fits conveniently into the hands, and the difference would be almost=20 imperceptible. My point is merely that the score is not, strictly speaki= ng,=20 in error =97 although it could have delineated the melody more clearly fo= r=20 visual convenience. 79/3/2: The A's on the fourth beat should be an octave higher, contrary t= o=20 the downward motion of the vocal part on Point's final "peer." 86/2/3: The right-hand figure is incorrectly written. The 3rd, 4th and 5= th=20 sixteenth-notes should be placed, respectively, on the 3rd, 4th and 5th l= ines=20 of the treble-clef (B-flat/D/F rather than D/F/B-flat), while the 7th and= 8th=20 sixteenth-notes should be B-flat/F (in the same octave as the 9th and 10t= h=20 sixteenth-notes). 97/2/2: The last chord in the bar is actually an A-diminished chord over = the=20 B-flat pedal (A-natural and C-natural are missing from the score) as oppo= sed=20 to the straight E-flat-minor second-position chord on the last beat of th= e=20 next measure. 98/2/3: The chords which punctuate the text "If so, we come to meet him, = that=20 we may fitly greet him" are played by pizzicato strings alone, as opposed= to=20 the tutti in the previous bars. Although there is no specific dynamic=20 marking in the Kalmus full score, the accompanist should reflect this cha= nge=20 in orchestration by playing the pizzicato chords much more softly than th= e=20 first two chords on the page. 106/2/1: The Schirmer score omits the first ending here, five measures= =20 which lead back to the (usually omitted) second verse, at letter E on pag= e=20 103. 113/1/1: The ascending eighth-notes (played by the oboe) are marked wi= th=20 accents in the full score, not with staccato marks as in the Schirmer. 118/3/4: Missing pitch =97 there should be a whole-note D over the=20 whole-note B-flat. (M.M.) FOOTNOTE (Steven Lichtenstein): Interestingly, when this measure is repea= ted=20 at 119/4/1, it is the B-flat which is missing. 120/2/1: There is no C-flat in the bass, as there was at 119/1/3. The= =20 chord remains a pure F7 in second inversion till the end of the measure. 130/1/3: The C-sharp in the grace-note pickup to the first beat should= be=20 C-natural (rendering unnecessary the courtesy natural preceding the fourt= h=20 beat). 145/1/1: Throughout this measure and on the downbeat of the next measu= re,=20 the bass note in the left hand should be doubled an octave lower, as it i= s in=20 the remainder of 145/1/2. 150/2/2: There should be a first-space Ab-flat in the bass of both=20 B-flat-Major chords in the bass clef. The identical music appears on=20 153/2/3, and should be amended in the same way. 150/2/5 (also 153/1/2 and 153/2/6): The E-flat-Major chord on the downbe= at=20 is badly written. Although it fits nicely into the hand position, it is=20 acoustically "unsound" because of the wide spacing between the left and r= ight=20 hands. The B-flat in the right-hand chord stands out awkwardly in the ch= ordal texture, and not only sounds wrong... it is wrong! There is no instrume= nt=20 in the orchestra which plays that note, although the first horn does play= the=20 B-flat an octave lower. The best solution would be to replace the B-flat= =20 with an E-flat a fifth lower (admittedly somewhat awkward from a pianisti= c=20 point of view), or simply to omit the B-flat altogether, and play only th= e=20 high E-flat. 151/1/2 (et al): On this page, four contrabass notes may be easily and= =20 effectively inserted in the left hand (as an 8va-basso doubling): B-fla= t on=20 the fourth beat of the second bar, E-flat on the first beat of the third = bar;=20 C on the fourth beat of the sixth bar, B-flat on the first beat of the=20 seventh bar. 154/2/1: The dynamic mark of "piano" should appear on the second beat = of=20 this bar (marked "A") -- in other words, the bar before Point and Wilfr= ed=20 start singing, not the same bar that they sing. 166/2/4: The sustained G octaves in the piano bass clef are incorrectl= y=20 notated as whole notes. They should actually have a half-note value like= the=20 rest of the chord, thus cutting off before the line "Though the altar be = a=20 tomb" begins. 169/4/2: The right-hand pattern is incorrect. Within each triplet, th= e=20 second and third note-groups should be reversed, so that in the first two= =20 beats the top line goes D/D/F, and the bottom line (descending) goes=20 B-flat/B-flat/F. This pattern actually continues through the end of 170/= 2/3. 185/1/1: The bass line in the left hand does not in fact jump up an=20 octave, as notated. All eight quarter notes in the first two bars of the= =20 page should be played on the same low octave D's. 186/2/5: The full score contains three extra coda measures at this point= . =20 This version was performed on the 1995 Telarc recording with Charles=20 Mackerras and the Orchestra and Chorus of the Welsh National Opera. 204/2/4: In the left hand, there should be no downbeat on the second b= eat.=20 The rhythm of the cellos and basses in that measure is as follows: =20 Eighth-note, two eighth-rests, eighth-note (all notes are octave D-flats,= the=20 basses playing an octave lower than notated in the piano part). 214/3/6: Again, the full score contains three extra coda measures at t= he=20 end of this number, which function as an attacca to the finale. 222/2/1: At the "Un poco meno mosso ed agitato," the rhythm is incorre= ct=20 in the right hand. In place of the eighth-note on each of the downbeats = of=20 the first two measures, there should be two sixteenth-notes. 235/1/3: The quarter-rest at the end of the bar is incorrect. The=20 quarter-note accompaniment should continue as usual through the last beat= =20 (both hands should play A on the fourth beat, as on the second beat). 235/3/4: This bar should be played exactly the same way as 235/1/3 (se= e=20 above). Pity about the page-turn, but there it is. You could of course = omit=20 the right hand for turning purposes, as long as you keep the left hand mo= ving. 238/1/2: The 8va in the piano part is incorrect. The second quarter-n= ote=20 (A) is in fact played in the higher octave as indicated, but from the C-s= harp=20 onwards the notes should be played at pitch, the C-sharp dropping down a=20 sixth from the top A. The first two bars of the second system should=20 likewise be played down an octave in the right hand, subsequently jumping= up=20 to the final D of the phrase, which is correctly placed as written. ------------------------------------------------------------------------ Neil Midkiff's and Bruce Miller's original notes may be found online at: http://www.best.com/~chapka/opera/sullivan/errata/yeomen.html  1,, Summary-line: 9-Apr rac@bu.edu [132] #Directions to Rebecca's Apt. Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28264; Sun, 9 Apr 00 11:54:46 EDT Received: from RELAY1.BU.EDU by MIT.EDU with SMTP id AA19234; Sun, 9 Apr 00 11:54:29 EDT Received: from b-consentino (DIP14-PPP-119.BU.EDU [168.122.14.119]) by relay1.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with SMTP id LAA00113; Sun, 9 Apr 2000 11:54:21 -0400 Message-Id: <3.0.6.32.20000409120328.00829300@acs-pop.bu.edu> X-Sender: rac@acs-pop.bu.edu X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Sun, 09 Apr 2000 12:03:28 -0400 To: opus@MIT.EDU, rls@dimins.com, orjazzem@hotmail.com From: "R. Consentino" Subject: Directions to Rebecca's Apt. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: rac@acs-pop.bu.edu X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Sun, 09 Apr 2000 12:03:28 -0400 To: opus@MIT.EDU, rls@dimins.com, orjazzem@hotmail.com From: "R. Consentino" Subject: Directions to Rebecca's Apt. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hi guys- Party's tonight! I hope to see you there! ps. Jason - if you need a ride, call during the party and someone can get you at Alewife. :o) becca >--- > >How to get to Rebecca's Apartment: "It's easier than it seems!" >Windsor Village - 4302 Stearns Hill Road - Waltham - 781-642-6569 > >From Route 2 travelling west: >1. Take the exit for "Waltham Street, Waltham." Turn right off the ramp. > >2. This will put you on Waltham Street, which becomes Lexington Street pretty soon. > >3. You'll pass a Friendly's and a liquor store on your left, and a plaza with a Star Market on your right. > >4. Then you'll come to a set of lights at the intersection of Lexington and Trapelo roads. Stay on Lexington street. > >5. After you go thru the lights, you'll pass a Papa Gino's on your right. > >6. Immediately after the Papa Gino's are 2 driveways. The 2nd driveway has a sign for Windsor Village. TURN RIGHT INTO WINDSOR VILLAGE. > >7. Once you're in Windsor Village, it's rather labyrinthine -- every road in Windsor Village *is* Stearns Hill Road. > >8. Go straight up the big hill and take your FIRST RIGHT. > >9. Then, take your FIRST LEFT. This will put you on my street. You'll see lots of parking, and you can park there if you like. (The lake will be to your right.) > >10. After all the big parking areas, the street narrows to one lane and it looks like the road ends. Keep going. (Note: it's still a 2-way road, so drive slowly!) > >11. Soon you'll see Apartment 4302. The front door faces the road. There's a little green bird feeder out front. > >12. There's parking before and after my apartment. You can park jsut about anywhere you like, even along the guardrail, if you leave enough room for other cars to drive past. > >See you there! > > >At 09:30 AM 04/07/2000 EDT, you wrote: >>Hi Becca, >> >>Thanks for the invitation. It would be interesting to see your place by the >>lake and great to hang out with you and the Pirates people; so, please do send >>directions before 5:00 p.m., if by e-mail, (as I don't have a computer at home) >> or leave a message at (781) 259-9410 anytime. >> >> Art >>---------- Original Text ---------- >> >>From: "Rebecca A. Consentino" , on 4/6/2000 12:15 PM: >>To: ISMTPOutBound@itd.w4@servers["Tyler Hains" >>],ISMTPOutBound@itd.w4@servers["David Jedlinsky" >>],ISMTPOutBound@itd.w4@servers["Ruth Jedlinsky" >>],ISMTPOutBound@itd.w4@servers["Jason Whiting" >>],ISMTPOutBound@itd.w4@servers["Maureen O'Neil" >>],ISMTPOutBound@itd.w4@servers["Dan Kamalic" >>],ISMTPOutBound@itd.w4@servers["Paris Leung" >>],ISMTPOutBound@itd.w4@servers["Joshua Breindel" >>],ISMTPOutBound@itd.w4@servers["Gillian >>DeMoulin" ],ISMTPOutBound@itd.w4@servers["Paula Chase" >> ],ISMTPOutBound@itd.w4@servers["Megan Houpt" >>],ISMTPOutBound@itd.w4@servers[ ],ISM >>TPOutBound@itd.w4@servers["Raymond O'Hare" >>],ISMTPOutBound@itd.w4@servers[],I SMTPO >>utBound@itd.w4@servers[] >> >> >>As you all know, I moved out of Boston a couple of months ago. What you >>don't know is that my new apartment is cute & cozy -- just barely big >>enough to have a good time! So, come see it for yourself at: >> >> --> B E C C A' S A P A R T M E N T - W A R M I N G P A R T Y <-- >> >>WHO: You! >>WHAT: Fun and friends >>WHERE: Becca's Place (overlooking a lake in scenic Waltham, Mass.) >>WHEN: Sunday at 6 pm (after the Fiddlehead "Pirates" performance) >> >>OTHER INFO: >>If you need a ride from Boston or Alewife, I'll see what I can do. >>Please bring some food to share. BYOB! >> >>RSVP: becca@altavista.net OR 781-642-6569 >> >>* If you're in the Pirates cast, I already know you'll be there. >>* If you're NOT in that cast, please RSVP by noon on Saturday, so that I >> can email the directions to you. (They're easy -- I'm right off Routes 2 >> & 128, only a 7-minute drive from Alewife.) >> >> :o) Becca >> >> >> >> >> >> >> >> >> >>  1,, Summary-line: 10-Apr rac@bu.edu [70] #Fw: An Interesting Test Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09641; Mon, 10 Apr 00 08:10:34 EDT Received: from RELAY1.BU.EDU by MIT.EDU with SMTP id AA21084; Mon, 10 Apr 00 08:10:17 EDT Received: from b-consentino (DIP14-PPP-188.BU.EDU [168.122.14.188]) by relay1.bu.edu ((8.9.3.buoit.v1.0.ACS)/) with SMTP id HAB04741; Mon, 10 Apr 2000 07:45:08 -0400 Message-Id: <3.0.6.32.20000410075413.0082ba90@acs-pop.bu.edu> X-Sender: rac@acs-pop.bu.edu X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 10 Apr 2000 07:54:13 -0400 To: tylhan@MIT.EDU, consensa@emmanuel.edu, houptm@emmanuel.edu, brenna@altavista.net, souffle@mediaone.net, rcohare@netscape.net, lcash@110.net, randrj@mindspring.com, opus@MIT.EDU From: "R. Consentino" Subject: Fw: An Interesting Test Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: rac@acs-pop.bu.edu X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Mon, 10 Apr 2000 07:54:13 -0400 To: tylhan@MIT.EDU, consensa@emmanuel.edu, houptm@emmanuel.edu, brenna@altavista.net, souffle@mediaone.net, rcohare@netscape.net, lcash@110.net, randrj@mindspring.com, opus@MIT.EDU From: "R. Consentino" Subject: Fw: An Interesting Test Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" A good Monday morning "test"... :o) Becca ------- >> > >> > I got this test and thought you might enjoy taking it. So true. >> > >> > >> > Name the last five Heisman trophy winners. >> > >> > Name the last five winners of the Miss America contest. >> > >> > Name ten people who have won the Nobel or Pulitzer prize. >> > >> > Name the last half dozen Academy Award winners for best actor and >actress. >> > >> > Name the last decade's worth of World Series winners. >> > >> > HOW DID YOU DO? >> > >> > THE POINT IS, NONE OF US REMEMBER THE HEADLINERS OF YESTERDAY. THERE >ARE >> NO >> > SECOND-RATE ACHIEVERS. THEY ARE THE BEST IN THEIR FIELDS. BUT THE >> APPLAUSE >> > DIES. AWARDS TARNISH. ACHIEVEMENTS ARE FORGOTTEN. ACCOLADES AND >> > CERTIFICATES ARE BURIED WITH THEIR OWNERS. >> > >> > Here's another quiz. See how you do on this one: >> > >> > List a few teachers who aided your journey through school. >> > >> > Name three friends who have helped you through a difficult time. >> > >> > Name five people who have taught you something worthwhile. >> > >> > Think of a few people who have made you feel appreciated and special. >> > >> > Think of five people you enjoy spending time with. >> > >> > Name half a dozen heroes whose stories have inspired you. >> > >> > EASIER? >> > >> > THE LESSON? >> > >> > The people who make a difference in your life are not the ones with >> the >> > most >> > credentials, the most money, or the most awards. They are the ones >> that >> > care. >> > >> > THANKS FOR MAKING A DIFFERENCE IN MY LIFE! >> > > >  1,, Summary-line: 14-Apr dontull@slip.net [95] #RE: Dover Mikado Full Score in performance Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29628; Fri, 14 Apr 00 20:59:09 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA00766; Fri, 14 Apr 00 20:58:46 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA27493; Fri, 14 Apr 2000 20:58:48 -0400 (EDT) Date: Fri, 14 Apr 2000 20:58:48 -0400 (EDT) Message-Id: <38F7BBF5.86D099D6@slip.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@slip.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: RE: Dover Mikado Full Score in performance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) *** EOOH *** Date: Fri, 14 Apr 2000 20:58:48 -0400 (EDT) Reply-To: dontull@slip.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: RE: Dover Mikado Full Score in performance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) Now that I have finished 10 months of non-stop rehearsals and performances in four productions and finally read through 12,000 accumulated messages from this Net alone, I thought that I might pass on a few observations concerning the use of the new Dover full score of The Mikado in production, as my last production was one of The Mikado for which I served as Music Director. Firstly, I must commend the editors in producing a score that is so easy to read. Even with pit lighting, it is very legible. In fact the paper is such a bright white that I had to ask to have the conductor's overhead lights (locally referred to as the "God light", (no refererence to me, I assure you) lowered in intensity by three or four points. Secondly, my major criticism of the publishers is that the orchestrations which match the full score are not for sale. I inquired as to the rental cost and was told that it would be $500US. This presented a problem, in that the grouop that I was conducting (Lyric Theatre of San Jose, CA) already owned two sets (for some reason) of parts from Kalmus. I couldn't justify renting a third set for that much money. For $500, I would have bought it privately, had that been an option. I realize that the editors and all concerned have put a great deal of time into this publication and have a right to expect some return, but I expect that the high price and the rental only arrangement will put quite a damper on the use of the score. So what to do? I decided to use the full score anyway and to take the time to proof each individual part. The first step was to go through the 1st Violin for rehearsal letters, as the Dover score uses a very logical numbering system. Then I went through each part, note by note, and made corrections. However, I did not simply accept all the changes in the Dover score. Frankly, some of them did not seem logical. Most of the corrections in Dover were clear and seemed to be correct and were written into the parts. But there were a few parts in which I think that the editors must have made an error. I must say that it is amazing the non-obvious errors that band members having been playing since the Kalmus parts became available. In previous productions, most of the obvious wrong notes had been corrected. However, there were many instances of notes that sounded correct but were still wrong - usually the wrong position in the chord or no note when there should have been one - or vice versa, etc. There were several instances in which a copyist must have gone to lunch and upon return forgot from which part he/she was copying. There were at least two instances where the horn part was copied into the trumpet parts - with the correct transpositions! Quite fascinating! In another example, there is a short (4 bars as I recall) trumpet solo which is totally dropped in the Kalmus parts. And the list goes on and on. If anyone wants more detailed information, please contact me privately. After making all these corrections (this was several days work), the hardest part was to make the orchestra understand that all the new notes which they were reading were indeed to be played. Most of the orchestra had played from the parts before and they thought that they had corrected all the wrong notes. The group has a very loyal group of orchestral players and it took a bit of doing to win them over to the "corrections". Of general interest, I did reinsert Pish-Tush's line in the "So please you sir" Quintet. Frankly I feel that from a musical point of view, it adds considerably to the fullness of the sound. The simplest way to do it is to have Pooh-Bah and Pish-Tush switch parts so that a Pooh-Bah doesn't have to learn a new line. We also did the original version of the Duet between NP & YY. If you have two good singers, I would heartily recommend this as it gives a much better balance between the singers. The audience seemed to enjoy it. I also used all of the orchestral notes in the Madrigal, as the indication in the Dover( correct or not) is that these were originally intended. If you have a quartet which has any intonation problems (which we did not), this is strongly advised. We did not do the Dover fanfare at the end of the show. One of our trumpet players had written a very nice fanfare, based on the original (at least in the Schirmer score) and we used that. All in all, using the Dover score was very helpful. I probably would not have used the Kalmus score as it is nearly illegible in places and often not accurate. My suggestion to other conductors, if your group does not own a set of parts, bite the bullet (as we say out here in the wild west of California) and rent the Dover parts. If the group already has parts, you will have to decide how much time you have to proof them. I hope that this may be helpful to some future Mikado conductor. Cheers, Don Tull  1,, Summary-line: 15-Apr oris@interlog.com [40] #TORONTO SINGOUT UPDATE Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04595; Sat, 15 Apr 00 01:23:41 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12441; Sat, 15 Apr 00 01:25:17 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA01421; Sat, 15 Apr 2000 01:23:23 -0400 (EDT) Date: Sat, 15 Apr 2000 01:23:23 -0400 (EDT) Message-Id: <3.0.3.32.20000415010440.014d8ec0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) *** EOOH *** Date: Sat, 15 Apr 2000 01:23:23 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO SINGOUT UPDATE Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) Hi folks, If you've not yet sent in your request for roles, please do so NOW!! We'd like to start putting together the casts for the SINGOUT and we want to give as many people as possible a shot at roles both large and small. So, you've got until next FRIDAY (April 21) to get your requests to me otherwise you may be left out. Please be advised that in the event there are still some roles unfilled, we will fill them as we can from late requests. Once the roles are gone, however, that's IT! The list of registrants is growing daily so don't forget that there is a finite number of places available. It is first PAID first served! Get those registrations in as soon as possible. As always, if you've got any questions, don't hesitate to ask me. cheers, Ori VA3ORI Toronto, Ontario, Canada ------------------------------------------------- ****Toronto: the place to be in August, 2000!**** *** G&S T2K: Singout, Eh? *** **** August 18-19-20 **** -------------------------------------------------  1,, Summary-line: 15-Apr oakapple2@yahoo.com [47] #RE: Dover Mikado Full Score in performance Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13043; Sat, 15 Apr 00 11:01:38 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22254; Sat, 15 Apr 00 11:03:14 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA09347; Sat, 15 Apr 2000 11:01:19 -0400 (EDT) Date: Sat, 15 Apr 2000 11:01:19 -0400 (EDT) Message-Id: <20000415145335.3913.qmail@web111.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RE: Dover Mikado Full Score in performance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 15 Apr 2000 11:01:19 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RE: Dover Mikado Full Score in performance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Don Tull's experience using the score in performance is about what I would have expected. My biggest complaint about the score is that there are a number of errors that could easily have been avoided had the editors submitted it to any kind of peer review process before publication. But, such is the state of G&S scholarship that the Dover MIKADO is still the second-best G&S full score ever published, lagging behind only the Broude Brothers TRIAL BY JURY. Of course, with more of these scores coming out very soon (from both Broude and OUP), Dover's place in the rankings will very likely slip. Still, it's probably the best MIKADO full score we'll have for at least another few years. I consider it a bargain at $20. It is amazing to me how many of the music publishers do not understand the economics of the G&S market--hence, the decision to offer band parts for rent only, and not for sale. I could be mistaken, but I believe that OUP is taking the same approach with RUDDIGORE. However, it is worth pointing out that Dover is not in the band-part business: the MIKADO parts that go with their score come from another publisher. Meanwhile, although Kalmus *does* sell parts, the parts have no textual relationship to the full score that they sell. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Send online invitations with Yahoo! Invites. http://invites.yahoo.com  1, forwarded,, Summary-line: 18-Apr jtk@kolvir.arlington.ma.u [54] #[schlichtman@mediaone.net: [arlington] Reserved parking places] Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29263; Tue, 18 Apr 00 08:13:36 EDT Received: from kolvir.ne.mediaone.net by MIT.EDU with SMTP id AA04700; Tue, 18 Apr 00 08:13:12 EDT Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.8.8/JTK19980409) id IAA14430; Tue, 18 Apr 2000 08:13:17 -0400 (EDT) Date: Tue, 18 Apr 2000 08:13:17 -0400 (EDT) Message-Id: <200004181213.IAA14430@kolvir.arlington.ma.us> From: John Kohl To: dinner@MIT.EDU Subject: [schlichtman@mediaone.net: [arlington] Reserved parking places] X-Us-Snail: 34 James Street, Arlington, MA 02474 *** EOOH *** Date: Tue, 18 Apr 2000 08:13:17 -0400 (EDT) From: John Kohl To: dinner@MIT.EDU Subject: [schlichtman@mediaone.net: [arlington] Reserved parking places] X-Us-Snail: 34 James Street, Arlington, MA 02474 If any of you know where this store is/was, I can imagine students can think of/implement lots of other uses for fire hydrants around the 'tute.... ------- Start of forwarded message ------- Date: Tue, 18 Apr 2000 01:11:14 -0400 Subject: [arlington] Reserved parking places From: Paul Schlichtman To: "arlington@cs.umb.edu" In-Reply-To: <20000417221604.B9266@chaos.wustl.edu> Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Sender: owner-arlington@cs.umb.edu There is (was?) a store in Connecticut... no, more an old barn and yard, called United Housewreckers. Among the things they sell are decommissioned fire hydrants. I have often contemplated this as the ultimate means for getting a parking spot. Never mind those no-class people in Boston who put junk in parking spots in order to reserve it. No, no old lawn chairs or trash barrels. Use the old fire hydrant. Put the hydrant in the trunk of the car, then take it out when you leave a parking space you wish to return to later. Chances are nobody will park in front of the hydrant, and if they do, some meter maid will be quick to slap a $50 ticket on the windshield. Return to the parking spot and slip the hydrant back in the trunk. Or, for the more vindictive among us, the hydrant has other purposes. Revenge is sweet and easy with the surplus hydrant. Simply place the hydrant next to the car of your foe, then wait for the meter maid to do the rest. Really want to drive your foe nuts, take away the hydrant after the ticket is written. Drive him nuts looking for the hydrant described on the summons. Forget about a handicap permit, an infant, or an empty car seat. All you need is your municipal surplus fire hydrant and all your parking problems are solved. - ---------------------------------------------------------------- "Because you are children and you can understand it." - -- Mr. Dolphus Raymond in To Kill a Mockingbird. - ---------------------------------------------------------------- Paul Schlichtman Minuteman Regional School Committee representing the Town of Arlington, Massachusetts (pop. 44,630) - ---------------------------------------------------------------- http://www.schlichtman.org ------- End of forwarded message -------  1,, Summary-line: 18-Apr jcb@MIT.EDU [31] #Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12881; Tue, 18 Apr 00 09:20:22 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id JAA13157; Tue, 18 Apr 2000 09:20:02 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.184.0.40]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id JAA23156; Tue, 18 Apr 2000 09:20:01 -0400 (EDT) Received: (from jcb@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id JAA26116; Tue, 18 Apr 2000 09:20:01 -0400 (EDT) Date: Tue, 18 Apr 2000 09:20:01 -0400 (EDT) Message-Id: <200004181320.JAA26116@contents-vnder-pressvre.mit.edu> To: jtk@kolvir.arlington.ma.us Cc: dinner@mit.edu In-Reply-To: <200004181213.IAA14430@kolvir.arlington.ma.us> (message from John Kohl on Tue, 18 Apr 2000 08:13:17 -0400 (EDT)) Subject: Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: If I pull this SWITCH I'll be RITA HAYWORTH!! Or a SCIENTOLOGIST! References: <200004181213.IAA14430@kolvir.arlington.ma.us> *** EOOH *** Date: Tue, 18 Apr 2000 09:20:01 -0400 (EDT) To: jtk@kolvir.arlington.ma.us Cc: dinner@mit.edu In-Reply-To: <200004181213.IAA14430@kolvir.arlington.ma.us> (message from John Kohl on Tue, 18 Apr 2000 08:13:17 -0400 (EDT)) Subject: Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: If I pull this SWITCH I'll be RITA HAYWORTH!! Or a SCIENTOLOGIST! References: <200004181213.IAA14430@kolvir.arlington.ma.us> > Date: Tue, 18 Apr 2000 08:13:17 -0400 (EDT) > From: John Kohl > To: dinner@MIT.EDU > Subject: [schlichtman@mediaone.net: [arlington] Reserved parking places] > > If any of you know where this store is/was, I can imagine students can > think of/implement lots of other uses for fire hydrants around the 'tute.... United House Wrecking is in Stamford, Connecticut. (They even have a web site, but I don't have the info handy.) Nancy and I stopped by there last month on our way back from New Jersey. We didn't see any fire hydrants this time, but they had all kinds of other interesting stuff. The fire hydrant for the fire hose drinking fountain hack came from the Waltham DPW. They had several hydrants on hand (all old ones that had recently been replaced), and really wanted to give us (er, I mean "the hackers") more than just the one. Jeff  1,, Summary-line: 18-Apr jcb@MIT.EDU [104] #Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20186; Tue, 18 Apr 00 09:45:31 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id JAA18800; Tue, 18 Apr 2000 09:36:51 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.184.0.40]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id JAA29490; Tue, 18 Apr 2000 09:36:50 -0400 (EDT) Received: (from jcb@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id JAA26600; Tue, 18 Apr 2000 09:36:50 -0400 (EDT) Date: Tue, 18 Apr 2000 09:36:50 -0400 (EDT) Message-Id: <200004181336.JAA26600@contents-vnder-pressvre.mit.edu> To: jtk@kolvir.arlington.ma.us Cc: dinner@mit.edu In-Reply-To: <200004181213.IAA14430@kolvir.arlington.ma.us> (message from John Kohl on Tue, 18 Apr 2000 08:13:17 -0400 (EDT)) Subject: Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: Wow! Look!! A stray meatball!! Let's interview it! References: <200004181213.IAA14430@kolvir.arlington.ma.us> *** EOOH *** Date: Tue, 18 Apr 2000 09:36:50 -0400 (EDT) To: jtk@kolvir.arlington.ma.us Cc: dinner@mit.edu In-Reply-To: <200004181213.IAA14430@kolvir.arlington.ma.us> (message from John Kohl on Tue, 18 Apr 2000 08:13:17 -0400 (EDT)) Subject: Re: [schlichtman@mediaone.net: [arlington] Reserved parking places] Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: Wow! Look!! A stray meatball!! Let's interview it! References: <200004181213.IAA14430@kolvir.arlington.ma.us> > Date: Tue, 18 Apr 2000 08:13:17 -0400 (EDT) > From: John Kohl > To: dinner@MIT.EDU > Subject: [schlichtman@mediaone.net: [arlington] Reserved parking places] > > If any of you know where this store is/was, I can imagine students can > think of/implement lots of other uses for fire hydrants around the 'tute.... John, feel free to forward this to the Arlington list. Jeff > ------- Start of forwarded message ------- > Date: Tue, 18 Apr 2000 01:11:14 -0400 > Subject: [arlington] Reserved parking places > From: Paul Schlichtman > To: "arlington@cs.umb.edu" > In-Reply-To: <20000417221604.B9266@chaos.wustl.edu> > Content-type: text/plain; charset="US-ASCII" > Content-transfer-encoding: 7bit > Sender: owner-arlington@cs.umb.edu > > There is (was?) a store in Connecticut... no, more an old barn and yard, > called United Housewreckers. Among the things they sell are decommissioned > fire hydrants. They're still around, at 535 Hope Street in Stamford. Their web site is . I was just there last month. I didn't see any fire hydrants, but they had a lot of other interesting stuff. > I have often contemplated this as the ultimate means for getting a parking > spot. Never mind those no-class people in Boston who put junk in parking > spots in order to reserve it. No, no old lawn chairs or trash barrels. Use > the old fire hydrant. > > Put the hydrant in the trunk of the car, then take it out when you leave a > parking space you wish to return to later. Chances are nobody will park in > front of the hydrant, and if they do, some meter maid will be quick to slap > a $50 ticket on the windshield. Return to the parking spot and slip the > hydrant back in the trunk. This is part of the story that's often told of the fire hose drinking fountain hack at MIT. (Briefly, Jerome Wiesner, former president of MIT, once quipped, "Getting an MIT education is like trying to sip from a fire hose." The hack was to place a hydrant next to a drinking fountain with a hose coming off it. The fountain was plumbed into the hose, so when students pushed the button, the water came (gently) out the hose nozzle.) Matt (a friend of mine and an MIT student at the time) obtained the hydrant from the Waltham DPW (it was an old one that had been replaced, and was destined for a scrap metal yard) and was keeping it under his bed in his dorm room while the rest of the hack was being constructed. When his friends asked him why he had a hydrant under his bed, he would give one of the following answers: 1) In case there's a fire, of course. 2) I'm thinking of getting a dog. 3) So I can reserve myself a good parking place (using exactly the procedure described above). > Or, for the more vindictive among us, the hydrant has other purposes. > Revenge is sweet and easy with the surplus hydrant. Simply place the > hydrant next to the car of your foe, then wait for the meter maid to do the > rest. Really want to drive your foe nuts, take away the hydrant after the > ticket is written. Drive him nuts looking for the hydrant described on the > summons. > > Forget about a handicap permit, an infant, or an empty car seat. All you > need is your municipal surplus fire hydrant and all your parking problems > are solved. I first saw this idea in an old issue of Mad Magazine (I think it was from the 1960s or early 1970s). The idea was to carry a dummy hydrant and a trash barrel with a false bottom in your car. Park in front of the real hydrant and put the trash barrel over it. Put the dummy hydrant next to the car that's in the adjacent parking spot, "so the cop won't wonder where it went". > - ---------------------------------------------------------------- > "Because you are children and you can understand it." > - -- Mr. Dolphus Raymond in To Kill a Mockingbird. > - ---------------------------------------------------------------- > Paul Schlichtman > Minuteman Regional School Committee > representing the Town of Arlington, Massachusetts (pop. 44,630) > - ---------------------------------------------------------------- > http://www.schlichtman.org > ------- End of forwarded message ------- Jeff  1,, Summary-line: 18-Apr ahumez@world.std.com [15] #Re: The Zoo Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23649; Tue, 18 Apr 00 09:56:00 EDT Received: from europe.std.com by MIT.EDU with SMTP id AA18642; Tue, 18 Apr 00 09:57:36 EDT Received: from world.std.com (ahumez@world-f.std.com [199.172.62.5]) by europe.std.com (8.9.3/8.9.3) with ESMTP id JAA04627; Tue, 18 Apr 2000 09:55:36 -0400 (EDT) Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id JAA20739; Tue, 18 Apr 2000 09:55:33 -0400 (EDT) Message-Id: <200004181355.JAA20739@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: Jason Goodman Cc: gsp-ec@MIT.EDU, gsp-prod@MIT.EDU, gsp@MIT.EDU, ahumez@world.std.com Subject: Re: The Zoo In-Reply-To: Your message of "Mon, 17 Apr 2000 19:50:51 EDT." <200004172350.TAA08158@ampersand.mit.edu> Date: Tue, 18 Apr 2000 09:55:33 -0400 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: Jason Goodman Cc: gsp-ec@MIT.EDU, gsp-prod@MIT.EDU, gsp@MIT.EDU, ahumez@world.std.com Subject: Re: The Zoo In-Reply-To: Your message of "Mon, 17 Apr 2000 19:50:51 EDT." <200004172350.TAA08158@ampersand.mit.edu> Date: Tue, 18 Apr 2000 09:55:33 -0400 From: Andrea L Humez (Hm, I seem to still be lurking on gsp :) I might be interested in directing--I'm not really clear on my schedule for either of those times, but... Just a data point. Andrea  1, forwarded,, Summary-line: 18-Apr dcj@zk3.dec.com [36] #Humor - Best Newspaper Headlines of 1999 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA22378; Tue, 18 Apr 00 13:54:59 EDT Received: from zmamail03.zma.compaq.com by MIT.EDU with SMTP id AA21272; Tue, 18 Apr 00 13:56:36 EDT Received: by zmamail03.zma.compaq.com (Postfix, from userid 12345) id C28D025F2; Tue, 18 Apr 2000 13:54:34 -0400 (EDT) Received: from oflume.zk3.dec.com (flambe.zk3.dec.com [16.140.96.19]) by zmamail03.zma.compaq.com (Postfix) with ESMTP id 9E0912587; Tue, 18 Apr 2000 13:54:34 -0400 (EDT) Received: from kamlia.zk3.dec.com by oflume.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id NAA0000016167; Tue, 18 Apr 2000 13:54:34 -0400 (EDT) Received: by kamlia.zk3.dec.com (8.8.8/1.1.22.3/21May99-0110PM) id NAA0000029988; Tue, 18 Apr 2000 13:54:33 -0400 (EDT) Date: Tue, 18 Apr 2000 13:54:33 -0400 (EDT) From: David Jedlinsky USG Message-Id: <200004181754.NAA0000029988@kamlia.zk3.dec.com> To: rls@dimins.com Subject: Humor - Best Newspaper Headlines of 1999 *** EOOH *** Date: Tue, 18 Apr 2000 13:54:33 -0400 (EDT) From: David Jedlinsky USG To: rls@dimins.com Subject: Humor - Best Newspaper Headlines of 1999 Best Newspaper Headlines of 1999 -------------------------------- 1. Include Your Children When Baking Cookies 2. Something Went Wrong in Jet Crash, Experts Say 3. Police Begin Campaign to Run Down Jaywalkers 4. Drunks Get Nine Months in Violin Case 5. Iraqi Head Seeks Arms 6. Is There a Ring of Debris around Uranus? 7. Prostitutes Appeal to Pope 8. Panda Mating Fails; Veterinarian Takes Over 9. British Left Waffles on Falkland Islands 10. Teacher Strikes Idle Kids 11. Clinton Wins Budget; More Lies Ahead 12. Plane Too Close to Ground, Crash Probe Told 13. Miners Refuse to Work After Death 14. Juvenile Court to Try Shooting Defendant 15. Stolen Painting Found by Tree 16. Two Sisters Reunited after 18 Years in Checkout Counter 17. War Dims Hope for Peace 18. If Strike Isn't Settled Quickly, It May Last Awhile 19. Couple Slain; Police Suspect Homicide 20. Man Struck by Lightning Faces Battery Charge 21. New Study of Obesity Looks for Larger Test Group 22. Astronaut Takes Blame for Gas in Space 23. Kids Make Nutritious Snacks 24. Local High School Dropouts Cut in Half 25. Typhoon Rips through Cemetery; Hundreds Dead  1,, Summary-line: 22-Apr ehj99@earthlink.net [83] #Hello again! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08561; Sat, 22 Apr 00 13:58:00 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA11315; Sat, 22 Apr 00 13:57:32 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA13136; Sat, 22 Apr 2000 13:57:15 -0400 (EDT) Date: Sat, 22 Apr 2000 13:57:15 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Hello again! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 22 Apr 2000 13:57:15 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Hello again! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello again Savoynet!! I must admit I missed reading the posts that crammed my mailbox each day while I was away for a few months (from the discussion group, not physically from my residence). I won't deny that I'm rejoining at an opportune time with the Dover Mikado Vocal Score appearing any day now in the U.S. I have read all of the Savoynet posts for April in the archive and I note that this has been a beneficial month for G&S lovers with the appearance of an OUP Ruddygore vocal score, a Trial by Jury vocal score and a soon to be released Ruddygore full score. One question I have, since the vocal score is not yet available here, will performing groups be able to perform the Toye version from the 1920s from this edition or was that even a consideration? From the posts I've read it sounds like there will be a large gap between what is contained in the orchestral material and vocal scores most groups have and the new vocal and full scores. This isn't a criticism, I would just like to know what people are thinking about it. I also noted in the posts some discussion of existing vocal scores and the problems with legibility and turning back pages. I think performers will be delighted with the new Dover Mikado Vocal Score since it has no repeats (except the Madrigal, since the second verse is sometimes omitted, and Tit-Willow, which fits nicely on a two-page spread). The new piano part has been largely rewritten, retaining the feel of the old part, so it's not too unfamiliar; simplified, or rather more pianistic; and fuller in many places with more orchestral material incorporated into the part. But I will have more to say about the other notable features of this edition when it is finally available. By the way, most of the criticisms I received about the full score have been rectified in the Vocal Score including the inclusion of the original fanfare. These same criticisms are also corrected in the next printing of the full score which will be issued when the first printing has run out. They have already been corrected in the rental score and parts. For future operas I will be making a different arrangement for the parts so they can be sold at an attractive price (I will, no doubt, have to sell them myself). I don't think the Dover Mikado score will slip in rating if another score by Broude or Oxford is issued. Theirs will probably be the last word in scholarly editions and will deserve their reputation and high price tags. When I began this project my main goal was to produce scores and parts that were accurate and reflected, as much as it is possible for me with the resources I have, the intentions of both authors, and, of course, with absolutely fabulous music engraving. This is a far cry indeed from what was available. I believe that, with all the new editions being issued, the operas may be taken more seriously by musical directors and even opera companies. If the G&S operas are looked down upon by some musicians, consider the state of the performance material that is available-overpriced, grossly inaccurate scores and parts, that are, for the most part, handwritten and hard to read. Most music libraries have engraved collections of operas and oratorios of Handel and Haydn that are rarely, if ever, performed and works by minor composers that sit on the shelves and collect dust. If you look on the shelves after Strauss and Stravinsky you find little or nothing by Sullivan (except for vocal scores and the newly released full scores and possibly a Kalmus or Gregg autograph facsimile of Mikado). By the way, I need to state again that even though Dover is publishing these scores, I DO NOT, NOR DID I EVER WORK FOR THEM! They simply purchased the rights to print and distribute the scores. I am just a very experienced engraver and musician (violist and pianist) and AMATEUR editor (much to the chagrin of the Broude crowd) who loves the G&S operas and will continue to engrave these scores even though I get very little (read: inadequate) monetary compensation for the work. Ephraim Hammett Jones MusicScribe ehj99@earthlink.net  1,, Summary-line: 22-Apr oakapple@cris.com [76] #RUDDIGORE & MIKADO scores Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14873; Sat, 22 Apr 00 14:44:37 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21344; Sat, 22 Apr 00 14:44:09 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA13919; Sat, 22 Apr 2000 14:43:46 -0400 (EDT) Date: Sat, 22 Apr 2000 14:43:46 -0400 (EDT) Message-Id: <3901F202.BDC8F6EB@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE & MIKADO scores Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sat, 22 Apr 2000 14:43:46 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE & MIKADO scores Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Regarding the OUP RUDDIGORE, Ephraim Jones wrote: > One question I have, since the vocal score is not yet available here, > will performing groups be able to perform the Toye version from the > 1920s from this edition or was that even a consideration? It is not readily possible to perform the Toye/Norris version from the OUP RUDDIGORE. Neither Toye's overture nor his Act II finale are included. One could enter Toye's and Norris's other cuts by hand, if one wanted. I think the view of the editor, David Russell Hulme, is that Toye's version has no status worth of recognition. One could argue the other way. I've recently obtained R. Clyde's edition of COX & BOX, and the editor at least describes Toye's alterations to that opera verbally in the preface, although they are not signalled in the score itself. However, I agree with Hulme's apparent view that the Toye/Norris version should not be given any encouragement. Even without encouragement, it will no doubt continue for a long time to be the most popular version simply by virtue of its long head start. > From the posts I've read it sounds like there will be a large gap between > what is contained in the orchestral material and vocal scores most groups > have and the new vocal and full scores. I don't know about "large gap." There certainly is a gap, yes. There would be some initial confusion if half a group were using OUP and the other half Chappell and/or Schirmer. However, I think that the editors of the new editions are trying to send the older, and less dependable, sources into retirement, not to faciliate their continued popularity. OTOH, one very legitimate use of the Broude or OUP editions (or, for that matter, Dover--as evidenced by Don Tull's recent post) is as a resource for the conductor to make selective corrections in performing materials a group already owns. One need not throw away one's existing materials to derive value from the new scores. Ephraim's point about the treatment of repeats in the Dover MIKADO is worth emphasizing. I agree that it's helpful for the repeats to be written out, and this is something that OUP didn't do. > I don't think the Dover Mikado score will slip in rating if another > score by Broude or Oxford is issued. I believe that this is a reply to a post of mine. Never minding price, the scholarly editions are likely to be considerably more dependable, and *that* is what I meant by the comment. As I opined when the Dover MIKADO came out, it is a very good deal at its price, and there is no question that it is the best MIKADO full score we now have--notwithstanding its errors, which I am glad to hear are being corrected. But, once a Broude or Oxford MIKADO comes out, it will realistically become the preferred version. Yes, it is more expensive, but a performing group need purchase only one full score. The various vocal scores are a lot closer together in price. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 22-Apr goldrich@panix.com [66] #Re: Hello again! Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21577; Sat, 22 Apr 00 15:31:45 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01128; Sat, 22 Apr 00 15:31:17 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA14941; Sat, 22 Apr 2000 15:29:39 -0400 (EDT) Date: Sat, 22 Apr 2000 15:29:39 -0400 (EDT) Message-Id: <3901FB57.543CD2D8@panix.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Hello again! Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) *** EOOH *** Date: Sat, 22 Apr 2000 15:29:39 -0400 (EDT) Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Hello again! Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) Ephraim Hammett Jones wrote: > For future operas I will be making a > different arrangement for the parts so they can be sold at an > attractive price (I will, no doubt, have to sell them myself). Marc has already commented very appropriately on most of Mr. Jones's post, but I would like to express my appreciation for this comment. To summarize the argument against rental-only parts, the bulk of G&S productions are done by amateur groups. These groups are characterized by two important factors: They typically operate on low budgets; and they perform a limited repertoire (compared, say, to an orchestra or an opera company). For these reasons, it is clearly economic- ally advantageous for them to acquire and maintain a library of orchestral parts rather than to bear the expense of rental for each production they do. (I am confident that Marc will not mind my mentioning that, in private correspondence, he pointed out that the rental-only policy of the OUP _Ruddigore_ is consistent with its apparent intention to charge performance royal- ties, while a similar argument does not apply in the case of the "Dover" _Mikado_.) While I share the view of those who favor the reliability of true critical editions, I too applaud the the appearance of the Simpson/Jones _Mikado_, and I believe that the availability of parts for sale for the other operas in the series will make those editions more attractive to performing com- panies, at least as long as they do not have the option of true critical editions. Once they do, I tend to agree with Marc: if the parts are priced comparably, the higher price of the full scores of the critical editions need not be a determinative factor. -- Fred Goldrich -- Fred Goldrich goldrich@panix.com  1,, Summary-line: 24-Apr dcltdw@MIT.EDU [24] #success? Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23941; Mon, 24 Apr 00 10:01:53 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id JAA11035; Mon, 24 Apr 2000 09:57:36 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id JAA03175; Mon, 24 Apr 2000 09:57:32 -0400 (EDT) Received: (from dcltdw@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id JAA20402; Mon, 24 Apr 2000 09:57:31 -0400 (EDT) Message-Id: <200004241357.JAA20402@scrubbing-bubbles.mit.edu> To: dcltdw@mit.edu, alyse@alum.MIT.EDU Subject: success? Date: Mon, 24 Apr 2000 09:57:31 -0400 From: David C Leung *** EOOH *** To: dcltdw@mit.edu, alyse@alum.MIT.EDU Subject: success? Date: Mon, 24 Apr 2000 09:57:31 -0400 From: David C Leung [This mail sent to a random smattering of people until I got bored of thinking of who I should send this to. It's not a particularly comprehensive distribution. -- dcl] So, alyse and I found a place. Yay. %) The weirdest thing is going on with the numbers. 413 Summer St, which is auspicious, since 4 is supposedly bad luck in Chinese culture, and 13 is supposedly bad luck in American culture. (I can hear my gaming friends laughing now. Stop it, Mark, you're going to split your spleen.) Mrm, we're set to sign the sales & purchase agreement next week. Close on 7/17, which some of you may recall was the date that alyse and I got married last year. ("Yeah, for our first anniversary, we bought a house. For our second, we went to McDonald's.") dave If anyone has cool recipies for cheese sandwiches, let me know.  1,, Summary-line: 24-Apr dcltdw@MIT.EDU [12] #Re: success? Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01498; Mon, 24 Apr 00 10:21:55 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id KAA18393; Mon, 24 Apr 2000 10:17:27 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id KAA11620; Mon, 24 Apr 2000 10:17:27 -0400 (EDT) Received: (from dcltdw@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id KAA22750; Mon, 24 Apr 2000 10:17:26 -0400 (EDT) Message-Id: <200004241417.KAA22750@scrubbing-bubbles.mit.edu> To: David C Leung , alyse@alum.MIT.EDU Subject: Re: success? In-Reply-To: Your message of "Mon, 24 Apr 2000 09:57:31 EDT." <200004241357.JAA20402@scrubbing-bubbles.mit.edu> Date: Mon, 24 Apr 2000 10:17:26 -0400 From: David C Leung *** EOOH *** To: David C Leung , alyse@alum.MIT.EDU Subject: Re: success? In-Reply-To: Your message of "Mon, 24 Apr 2000 09:57:31 EDT." <200004241357.JAA20402@scrubbing-bubbles.mit.edu> Date: Mon, 24 Apr 2000 10:17:26 -0400 From: David C Leung [Hmm, I wonder if the bcc list is the same. Probably not.] So, ha ha, I forgot to say what *city*: Arlington. dave  1,, Summary-line: 1-May phc@neca.com [71] #Qwerty news item Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18584; Mon, 1 May 00 21:49:44 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA10605; Mon, 1 May 00 21:51:43 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA29606; Mon, 1 May 2000 21:48:44 -0400 (EDT) Date: Mon, 1 May 2000 21:48:44 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phc@neca.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Qwerty news item Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 1 May 2000 21:48:44 -0400 (EDT) Reply-To: phc@neca.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Qwerty news item Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Following article was printed in The Norwalk Hour (Connecticut) 5/1/00: By Colleen Emsing (see attached photos) GILBERT & SULLIVAN FANS GATHER TO SHARE THE MUSIC IN WESTPORT WESTPORT - A passion for operettas and the Internet brought 50 people together this weekend for a two-day sing-along of Gilbert and Sullivan tunes at a Westport home. Jackie and Bob Richards who helped organize the get-together traveled from England to attend the event. Others came from Wales and Scotland, Florida, Maine and Illinois. The people met through an Internet mailing list called SavoyNet, named for the Savoy Theater in England where W S. Gilbert & Arthur Sullivan shows were held. London-born Gilbert & Sullivan began composing together in 1870 and co-wrote 14 comic operas such as "HMS Pinafore" (1878) and "The Pirates of Penzance (1879). To date this is SavoyNet's largest get-together, said Bobbie Herman, who hosted the event with her husband at their 200-year-old converted barn on Sturges Highway. Herman, a real estate appraiser, has logged on to the list three times a day for two years with sessions lasting as long as two hours. The e-mail list has more than 600 members from around the world. Members sign up on the Internet and receive dozens of e-mail messages each day. Topics of discussion include Gilbert and Sullivan operas, and British culture and musical theater during their time. List members can just read the correspondence, send or reply to messages. At the sing-along, participants were accompanied by Andrea Stryker-Rodda, a rehearsal pianist for the New York Gilbert & Sullivan Players. Members took turns singing assigned character parts while others sang the chorus. Some depended on their songbook, but some knew the lyrics from memory. Marc Shepherd, 39, of New York, list organizer, said the group began about eight years ago and for the past three years, it has performed in the annual Gilbert & Sullivan Festival in Buxton, England. Performers audition over the Internet. "They meet in England a week before the show and rehearse like mad," he said. Leta Hall, 37, an administrative assistant from Silver Spring, Maryland said the group changed her life. She has made new friends and travels more because of it. "I have 600 places to stay around the world."  1,, Summary-line: 2-May oakapple2@yahoo.com [157] #From Marion Leeds Carroll re:QWERTY/Conn Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04609; Tue, 2 May 00 09:51:52 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA10161; Tue, 2 May 00 09:51:45 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA07703; Tue, 2 May 2000 09:51:38 -0400 (EDT) Date: Tue, 2 May 2000 09:51:38 -0400 (EDT) Message-Id: <20000502134435.11945.qmail@web112.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: From Marion Leeds Carroll re:QWERTY/Conn Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 2 May 2000 09:51:38 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: From Marion Leeds Carroll re:QWERTY/Conn Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marion Leeds Carroll asked me to post the following: Thank you for allowing me to take part as an Honorary SavoyNetter in this past week-end's fun. What a splendid weekend of good music, good discussion, good humour and good companionship! Three cheers for Bobbie and Paul for arranging this treat and for putting up with various catastrophes! I hope my SavoyNetter contacts will send me appropriate postings about the weekend that I can print in the upcoming issue of The Trumpet Bray. I won't be able to attend Buxton, but I'm looking forward to seeing new and old friends in Toronto. ------------------------------------------------------ Furthermore, Marc - you asked about my choice of words in Elsie's verse in the Act II finale. (You are welcome to pass this along to SavoyNet if you think it's appropriate - but since I'm not actually on the list these days, I guess I don't really have the right to butt in...) I chose "laughed aloud," which I delivered with bitterness and anger - which probably hurt Mike Nash's sensitive Point far more than my injured Elsie could have imagined. That was the reading I used in the production I directed at MIT last year, and it's more-or-less the way I've felt about it since I sang my first Elsie, years ago in concert for the NY Society - when the situation hit me between the eyes half-way through the first act finale. I feel that Elsie is an abused girl - who, as a result of her interactions with the Merylls and with Fairfax, develops the strength to stand up for herself. Point's tragic flaw is his basic egocentricity, and resultant inability to read and respond appropriately to the personalities and moods of the people around him. Compare him with Feste, the jester in Shakespeare's Twelfth Night, of whom Viola says, "This fellow is wise enough to play the fool; And to do that well craves a kind of wit: He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, cheque at every feather That comes before his eye. This is a practise As full of labour as a wise man's art..." Point misreads the Lieutenant, with the result that his jokes and songs fall flat. If he ever really did work for the Archbishop of Canterbury, or anyone else, I'm sure he's working the street at the start of the show because of the same problem: He doesn't really pay attention to his audience. His problems with Elsie are related, and are profound: Point has picked Elsie up somewhere because he sees that she is attractive, and he uses her as a valuable addition to his act - never offering her the protection of marriage. He never thinks, in his scene before the crowd, that his funny speech about women in general might be hurtful to any woman in particular. He jokes about marriage to the Lieutenant - again, never considering Elsie's feelings - and agrees to her marriage for the sake of money, only mentioning as an after-thought that perhaps the bride herself ought to be consulted. Finally, his behaviour towards her in the Act One Finale makes it impossible for her to ever imagine again that she can trust him: When she turns to him in horror and despair at her plight, what does the self-centered bastard say to the poor girl? "Oh woe is *you*? Your anguish sink! Oh woe is *me* I rather think!" No wonder she faints! Act II opens, and the poor girl tells the attractive and gentlemanly "Leonard" that her treatment has been so kind that she is loath to go. No wonder - she has probably never been treated so kindly in her life! He procedes to test her morals- and, yes, the test is harsh, but remember, he knows nothing about her other than her class, and that class is *low*! She comes from a stratum below the lowest level of society - if she had died as a street singer, she would have been buried at the crossroads, not in a church-yard. Elsie "shows more delicate appreciation than we expect in persons of [her] station" - in fact, for what may be the first time in her life, she stands up for her priciples, and scolds "Leonard" for his improper suggestion - thus amazing, enlightening and ultimately delighting Fairfax, who becomes a better person as a result of this scolding. (He's not that bad a person to begin with - but that's another subject...) Then comes the false shooting - and Elsie is more shaken and confused than ever: A gentleman has offered to marry her, and has discovered her secret - and now her tie seems to be broken, but in a horrible manner. The girl breaks into confused tears. At which moment the eternally tactless Point rushes up to her and starts blathering about jokes and songs and dances - ignoring her mood entirely. Fairfax rescues her from the upsetting attentions she's receiving from the man who abandoned her in her Act I Finale distress - and procedes to reassure her that, although his test showed him in a bad light, his request for her hand is sincere. I have a lot to say as well about Fairfax's apparently cruel behaviour in the Act II Finale, which I trace to the story of the Faithful Griselda in... was it Bocaccio? Or was it Chaucer? - The point is: In the story (which would have been familiar to any recipient of a classical education in Victorian England), a gentleman has to prove to the members of his class that the very lower-class woman he has married is worthy of him. Fairfax's test is quite mild and short, compared to the story! Anyway, by the time Point enters and starts his song again, Elsie very firmly belongs to Fairfax, while the most recent memories she has of Point are of the cruelly tactless man who put her in a terrible position, gave her no comfort in her suffering, and twisted the knife with his lies while she was trying to find peace. From Point's point of view, he is a loving and misunderstood man who is being deserted for a richer and more powerful man by the girl he loves - but that's not how it looks to Elsie. As far as Elsie is concerned, Point is trying one more time to destroy her peace - and so she laughs aloud, showing that she refuses to be hurt further by him. And if this makes Point less of a tragic victim, it makes him more of a Tragic Hero in the Greek sense - a well-meaning man with a fatal flaw. (Maybe if I ever stop editing The Bray, I'll have time to actually subscribe to SavoyNet again, and take part in arcane discussions - what a treat that would be!) --Marion marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com (visit the new Living Room Opera web site at http://www.leedscarroll.com/Workshop.shtml !) ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/  1,, Summary-line: 3-May ichardbeighton@lineone.ne [94] #thanks/marjorie abbott/new pinafore Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26557; Wed, 3 May 00 13:19:08 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA07348; Wed, 3 May 00 13:20:56 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA00540; Wed, 3 May 2000 13:17:16 -0400 (EDT) Date: Wed, 3 May 2000 13:17:16 -0400 (EDT) Message-Id: <006001bfb520$ed101ba0$721f8cd4@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: richardbeighton@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Beighton" To: Multiple recipients of list SAVOYNET Subject: thanks/marjorie abbott/new pinafore Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Wed, 3 May 2000 13:17:16 -0400 (EDT) Reply-To: richardbeighton@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Beighton" To: Multiple recipients of list SAVOYNET Subject: thanks/marjorie abbott/new pinafore Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 Dear all, I just wanted to publicly thank all those who have so far welcomed me to SavoyNet. I look forward to hearing from more of you soon. I feel like I've joined a very large but friendly family. Thank you all. So, as so many of you encouraged me to get involved here is a bit more info, and a request. After getting so involved with G&S at an early age I then learnt from my parents that my great Aunt was a lady named Marjorie Abbott, who some of you may know was a one time principal soprano with the D'Oyly Carte. However, apart from a picture of her as Patience in Bailey's book on G&S, I have never been able to track down anything else. If anyone has any information they could send my I would be overjoyed, particularly if anyone has a program with her in. Perhaps if anyone does they could scan it for me. Anyway, along with this request, I thought I'd plunge in at the deep end with my views on the New D'Oyly Carte recording of Pinafore, so that you can all get to know something about my taste, and perhaps argue with me. The recording seems a very mixed bag to me. Sandison comes out on top for me, with a performance which in many ways puts me in mind of Henry Lytton. His interpretation of the songs is excellent and his dialogue shows a good sense of comic timing. "When I was a Lad" is taken at a much faster pace then in some other recording, and this helps bring life to what can sometimes become a rather second rate patter-song. McVeigh's Captain have a very lyrical singing voice which makes his rendition of "Fair Moon" one of the best I've heard, although his strict adherence to the score on "Hardly ever" in his opening solo takes all the comedy out of the exchange between him and the chorus. Boe sings Rackstraw well, but unfortunately due to what I am sure must have been a directorial idea, he speaks his dialogue in a very strange wooded manner, which makes him appear stupid. This makes Gilbert's dialogue (which is deliberately very elaborate) seem ridiculous. Hebe's restored lines are enjoyable even if Gilbert did use the idea later for Lady Jane. They add greatly to her character. McCafferty accent brings colourful life to Buttercup. Particularly to the spoken lines which at first sound strange delivered in a broad Scottish accent, but after the initial shock it makes a refreshing change. Little Buttercup is taken at a terribly slow tempo. The orchestral playing throughout is clear as would be expected in the day and age, and John Owen Edwards has and excellent sense of Tempo. As for the "lost song!" It makes an interesting addition to the recording, as did those on the other New D'Oyly Carte recordings. How much is Sullivan and how much reconstruction we shall never knew, but it gives McVeigh another solo which is very welcome, and it adds another layer to Corcoran's character. Overall I would highly recommend this recording, particularly for Sandison and McVeigh, although some may be put off by Boe's and McCafferty's dialogue. Well there it is. Sorry to go on so long. Hope to hear from you all publicly or privately. Andrew. Andrew Beighton Nottinghamshire. richardbeighton@lineone.net  1,, Summary-line: 3-May randrj@mindspring.com [50] #Rachel and Rob's new address Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08283; Wed, 3 May 00 13:53:13 EDT Received: from smtp10.atl.mindspring.net by MIT.EDU with SMTP id AA17928; Wed, 3 May 00 13:48:22 EDT Received: from oemcomputer (user-2inip5u.dialup.mindspring.com [165.121.100.190]) by smtp10.atl.mindspring.net (8.9.3/8.8.5) with SMTP id NAA18234; Wed, 3 May 2000 13:40:49 -0400 (EDT) Message-Id: <001901bfb528$3ae3f340$02000003@oemcomputer> From: "R. Janssen" To: "Denise Barnett" , "Matthew Blum" , "David J. Breed" , "Jeremy W. Breed" , "Jae Park" , "Ray & Rolene Breed" , , "Tom Cadwell" , "Carolyn Anne Christensen" , , "Lucie M. Consentino" , "Sarah Consentino" , "Rebecca Ann Consentino" , "Caryn Downey" , "Steven Golan" , "Eryn Gustafson" , "Marsha Gustafson" , "HOOGERS, MICHELLE" , "Mylissa Hannon" , "Tyler Hanes" , "Megan Houpt" , "Chris Janssen" , "Jane Janssen" , "Richard Janssen" , "David C. Jedlinsky" , "JPPK" , , "Jenna and Joe Lourenco" , , "Jennifer Makuch" , "Lu Murphy" , "Barry & Marcia Press" , , "susan.flewelling" , Subject: Rachel and Rob's new address Date: Wed, 3 May 2000 10:51:25 -0700 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2014.211 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2014.211 *** EOOH *** From: "R. Janssen" To: "Denise Barnett" , "Matthew Blum" , "David J. Breed" , "Jeremy W. Breed" , "Jae Park" , "Ray & Rolene Breed" , , "Tom Cadwell" , "Carolyn Anne Christensen" , , "Lucie M. Consentino" , "Sarah Consentino" , "Rebecca Ann Consentino" , "Caryn Downey" , "Steven Golan" , "Eryn Gustafson" , "Marsha Gustafson" , "HOOGERS, MICHELLE" , "Mylissa Hannon" , "Tyler Hanes" , "Megan Houpt" , "Chris Janssen" , "Jane Janssen" , "Richard Janssen" , "David C. Jedlinsky" , "JPPK" , , "Jenna and Joe Lourenco" , , "Jennifer Makuch" , "Lu Murphy" , "Barry & Marcia Press" , , "susan.flewelling" , Subject: Rachel and Rob's new address Date: Wed, 3 May 2000 10:51:25 -0700 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2014.211 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2014.211 Hi everyone! We are moving on Saturday, and here is our new address: Rachel and Rob Janssen 3823 Woodland Way Redwood City, CA 94062 650-599-9778  1,, Summary-line: 4-May awrobins@hotmail.com [58] #Re: Gilbert unspoken rhyme? Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07108; Thu, 4 May 00 17:28:37 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21952; Thu, 4 May 00 17:28:32 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA14227; Thu, 4 May 2000 17:28:15 -0400 (EDT) Date: Thu, 4 May 2000 17:28:15 -0400 (EDT) Message-Id: <20000504211829.59324.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert unspoken rhyme? Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA14227 *** EOOH *** Date: Thu, 4 May 2000 17:28:15 -0400 (EDT) Reply-To: awrobins@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Arthur Robinson" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert unspoken rhyme? Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA14227 >I have just come across an anecdote about the genesis of The Mikado by >Cellier. Sullivan had asked Gilbert why he didn't use some of the >common Japanese terms like Shogun and Samurai. Gilbert responded that >the obvious rhyme for "samurais" was sure to cause offense, and Sullivan= =20 >agreed with an "I see." >Anyone have any idea what that "obvious" rhyme is? I see I have been beaten to it, but when I figured this one out, I imagin= ed=20 Gilbert singing (to the tune of Tom Lehrer=92s =93Plagiarize=94): Samurais? Rhyme that, and with a brick they=92ll slam your eyes! To speak the word would make a stammer rise And not glamorize, Oh, dash your eyes, dash your eyes, dash your eyes! =93Shogun,=94 on the other hand, rhymes safely with =93slogan,=94 =93no = gun,=94 =93rogue=20 in,=94 =93Hogan,=94 =93Logan,=94 and =93Saratogan=94 (though the last w= ord would fit=20 better in GUYS AND DOLLS than in Japan). By the way, to pick up on what Andrew Crowther wrote a while ago about=20 three-syllable rhymes: while words like "fantasize" (suggested by anothe= r=20 SavoyNetter) do rhyme with "samurais" if you stress the last syllable, if= =20 you pronounce "samurais" in the usual way the accent is on the antepenult= =20 (i.e., third syllable from the end--a word I have encountered only in Gre= ek=20 class and Flanders & Swann's "Madeira M'Dear"). Thus, a true rhyme for=20 "fantasize" would be something like "romanticize" or "Santa-size." Arthur Robinson ________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com  1,, Summary-line: 5-May oakapple@cris.com [53] #Origins of QWERTYUIOP Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13111; Fri, 5 May 00 09:02:48 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AB19489; Fri, 5 May 00 09:04:50 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA05587; Fri, 5 May 2000 09:02:34 -0400 (EDT) Date: Fri, 5 May 2000 09:02:34 -0400 (EDT) Message-Id: <3912B833.726BFF1@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Origins of QWERTYUIOP Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Fri, 5 May 2000 09:02:34 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Origins of QWERTYUIOP Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) This post by Clive Woods, from the Savoynet archives, explains the origins of the term: . . . . . . the story begins some two years [from 1 Sept. 1999] ago following the first fully-costumed Savoynet show, viz "Cox and Box" at the Buxton Fest 1997. Those involved (including Nicktenor, Kelsey Thornton, Mike Nash, Stephen Hill, KAL and moi [and Anne Allwright? - sorry - the old memory fails more frequently now], i.e. those within easy driving distance) thought it would be a good idea to have a "wind-down" meeting afterwards (i.e. an excuse for the copious consumption of beer). Simultaneously the concept of putting on the following year's show (which turned out to be TbJ) was being discussed, and the possibility of having a "pre-rehearsal" to make sure we could actually get through the music was being batted about on S'net. I believe it was Kelsey who started heading his messages on this subject something like "C&BMUTBJRTWE" (i.e., C&B meet-up, TbJ run-through - whatever") and after a few of these someone (it may have been me, but memories are hazy now) got fed up of the virtuoso typing required for this, and instead opted for the easier-to-type "QWERTYUIOP". (If you haven't yet twigged, the easiest way to type this is a glissando along the top row of keys.) So there you have it! Don't you wish you'd never asked? BTW, may I take this opportunity to emphasise that QWERTYUIOPs are informal, unrehearsed, entirely improvised, once started a piece never stops (even if the pianist corpses!) and the whole object is FUN rather than polished performances. Polished performances there may well be, and are highly appreciated, but you don't need to be a Covent Garden soloist to participate. In fact in the past a number of persons not usually noted for solo singing have, on the spur of the moment, had a splendid go at a solo part, and other soloists have had a go at roles they would otherwise never sing. So, NOBODY has any excuse not to go! -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 5-May Dapsrp@aol.com [31] #New Address Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06769; Fri, 5 May 00 15:14:08 EDT Received: from imo20.mx.aol.com by MIT.EDU with SMTP id AA26791; Fri, 5 May 00 15:09:49 EDT Received: from Dapsrp@aol.com by imo20.mx.aol.com (mail_out_v26.7.) id n.20.583f02d (4006); Fri, 5 May 2000 15:09:24 -0400 (EDT) From: Dapsrp@aol.com Message-Id: <20.583f02d.26447664@aol.com> Date: Fri, 5 May 2000 15:09:24 EDT Subject: New Address To: Jalp987@aol.com, spam24@gateway.net, rls@dimins.com, opus@MIT.EDU, Kerrin3@aol.com Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 105 *** EOOH *** From: Dapsrp@aol.com Date: Fri, 5 May 2000 15:09:24 EDT Subject: New Address To: Jalp987@aol.com, spam24@gateway.net, rls@dimins.com, opus@MIT.EDU, Kerrin3@aol.com Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 105 `We finally are back and connected to the Internet once again. Most of last week we were moving from the townhouse into our new house. It was a bit hectic with the baby but somehow we managed to get it all done. I wanted to pass on our new phone number and address. 124 N. Main Street Walton, KY 41094 (859) 485-6790 All else is well - trying to get everything out of boxes. Emilie's room needs some repair work that Steven is working on. There were some boards under the 2 windows that the termites got to (sometime in the past) so he reomoved sheet rock and is replacing some wood. Then we'll paint and get her in there. Right now her crib is in the living room. Hope everyone out there is well. Talk to you soon. Steven & Danielle  1,, Summary-line: 6-May marion@leedscarroll.com [56] #[Fwd: NY: LI Problem: Marco] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00995; Sat, 6 May 00 09:46:40 EDT Received: from ne.mediaone.net by MIT.EDU with SMTP id AA28879; Sat, 6 May 00 09:48:41 EDT Received: from amadeus (h002078c528a7.ne.mediaone.net [24.218.160.174]) by chmls05.mediaone.net (8.8.7/8.8.7) with ESMTP id JAB11169; Sat, 6 May 2000 09:46:30 -0400 (EDT) Message-Id: <4.2.2.20000506092948.00ad6150@mailandnews.com> X-Sender: xleedscarroll-marion@leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 Date: Sat, 06 May 2000 09:46:31 -0400 To: lonnie@kccon.com, JEANJAY@delphi.com, JANESTRUSS@aol.com, bmoll@world.std.com, gsp@MIT.EDU From: Marion Leeds Carroll Subject: [Fwd: NY: LI Problem: Marco] Cc: andi_strykerrodda@hotmail.com Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: xleedscarroll-marion@leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 Date: Sat, 06 May 2000 09:46:31 -0400 To: lonnie@kccon.com, JEANJAY@delphi.com, JANESTRUSS@aol.com, bmoll@world.std.com, gsp@MIT.EDU From: Marion Leeds Carroll Subject: [Fwd: NY: LI Problem: Marco] Cc: andi_strykerrodda@hotmail.com Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed This was sent to a Gilbert & Sullivan discussion group (SavoyNet), whence it was picked up and sent to me - any tenors out there who want to sing "Take a pair of sparkling eyes", for money no less? (NB - Andi is an excellent classical accompanist and a G&S specialist, about the level of Eric Schwartz or perhaps even higher -- working with her is in itself worth the trip to LI!) -- Marion >-------- Original Message -------- >Subject: NY: LI Problem: Marco >Date: Mon, 1 May 2000 19:46:09 -0400 (EDT) >From: "Andi Stryker-Rodda" >Reply-To: andi_strykerrodda@hotmail.com >To: Multiple recipients of list SAVOYNET > >GASLOCOLI (Gilbert & Sullivan Light Opera Company of Long Island), an >amateur company based in the Merrick area of Long Island, has a casting >problem. They are presently rehearsing The Gondoliers, for several >performance dates in various Long Island locations over the next few >months, and have lost their MARCO. They are quite desperate to find someone, >preferably someone who already knows the role. While the company >ordinarily operates on an all-volunteer basis, they would be willing to >offer some >compensation for this role (I don't know how much). > >For more information, or if you can provide contact information about >someone who might be interested, please call: > >Lois Bergner, 516-232-3583 > >(I'm posting this on behalf of the group because they called me looking >for help, and the people I know are not available.) > >Andi Stryker-Rodda Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com See Shakespeare's _Twelfth Night_ performed by the MIT Community Players - May 19-21 and 25-27. Visit http://www.mit.edu/activities/mitcp/MITCP.html for details.  1,, Summary-line: 6-May oris@interlog.com [181] #A Tale of the Bates Motel Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21260; Sat, 6 May 00 13:05:31 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20515; Sat, 6 May 00 13:07:33 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA10650; Sat, 6 May 2000 13:05:12 -0400 (EDT) Date: Sat, 6 May 2000 13:05:12 -0400 (EDT) Message-Id: <3.0.3.32.20000506125629.015199e0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: A Tale of the Bates Motel Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) *** EOOH *** Date: Sat, 6 May 2000 13:05:12 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: A Tale of the Bates Motel Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) THE SIEGEL (with apologies to Edgar Allan Poe) Once upon a midnight dreary, while I drove so weak and weary Came to lodgings old and eerie, nestled near the CT shore. Park I there my eyes still blurring, late, dark night so much enduring Night clerk now awake is stirring, beckons me through ravaged door. Spectral night clerk standing there, standing at the ravaged door. Only this and nothing more. "Came I hence for song partaking, long drive though, my hours of waking Alone at night this trip in making (just as well, 'cause I do snore)." Cares he not for reasons learning, up-front payment all he's yearning Current Visa's his concerning, validation waiting for. Payment true he waits in silence speaking naught of life and lore. Only this and nothing more. Came I thence to pasteboard shutter, filthy window hiding clutter, An oath swear I most like a mutter as I open up the door. Gaze I on a room of defects, furniture all Goodwill rejects Hell would of this room give ejects, splattered on the threadbare floor. Hell hath found a cozy corner somewhere on the threadbare floor. Surely this and nothing more. Settle in as best I blunder, it would fit were there some thunder Lightning, too, to tear asunder visage of this clammy floor. Mildew on the walls doth glisten, paper walls through which I listen Pipes are useless cold and hissin'; light through cracks in feeble door. Light streams through ill-fitting door. All of this and even more. Through fuzzy tv channels troll, lights turn on if I cajole, "What's that in the toilet bowl?" phone works not when calling fore. Coldness penetrates the blanket, if clanging pipe would work I'd thank it Bottom rung this room I'd rank it sagging mattress to the floor. Demons all would love this floor. All of this and who needs more. Saturday dawns bright and cheery, leave I room so damp and dreary, Clerk stands near with visage fleery, kind of look I do abhor. Folks draw near with quickened paces, came they from such distant places Glad am I to see their faces, close I now that hated door. Sealed in gloom and dullness fated now behind that horrid door. Now I'll think of room no more. Hear I now the others tell of their rooms all befitting hell, Someone calls it "Bates Motel" and we with gales of laughter roar. Off we then to sing all day, eat and drink and laugh so gay, "Think not of that hellhole," say, "just think of song and fun and lore." Much forgotten in the drawer when fellowship loosed in tales of lore. Think of this and nothing more. Return to room so dull and grey, hopeful for some sleep, I pray, "Please some heat, so much we pay - Hilton rates!" I do implore. Blow I a gasket in a fit - my room unmade; they've not cleaned it, An oath I swear, aloud, "Oh, ****! this place I do much deplore." "Hell shan't prevent this outburst fore!" Say I this and plenty more. Go I thence to office front, to clerk I speak in tones most blunt, $&@^#($ )#*($@ (**#*^&! in language of a steveador. Impassive he, and owner too, they've got the cash so no work do If I don't like it, well, "**** you" the rest I do ignore. Of all this I must ignore. Say they this and nothing more. Back I storm to dungeon cell, another fitful night to dwell "'Tis indeed a room from hell," slam I closed the cardboard door. I take charge of this my keep; phone works now, well thanks a heap On tiptoe round the floor I creep so not to make a creak on floor. Neighbors slumber I suppose so make no creak on floor. Off to bed, think nothing more. Sleep comes quick in country air, even when it's filtred there So to arms of Morpheus fair soon I in deep sleep snore. While I nodded, deeply napping, suddenly there came a tapping, As of someone loudly rapping, rapping at my chamber door. "'Tis some jerk," I muttered, "Banging at my chamber door, Only this and nothing more." And the leaden, sad, uncertain rustling of each plastic curtain Chilled me -- filled me with fantastic terrors never felt before: So that now, to still the beating of my heart, I stood repeating, "'Tis some idiot entreating entrance at my chamber door-- Some drunk horse's arse entreating entrance at my chamber door-- Hope that's all and nothing more." Deep into the darkness peering, long I stood there wondering fearing, Doubting, dreaming deams no mortal ever dared to dream before: But the banging was unbroken, and the voices gave no token, And the only words there spoken were in language I knew not for These the words outside my door. Scared me ****less, nothing more. Back into the chamber turning, all my soul within me burning, Dove I for the phone most yearning thence to call the police fore. Dialed I under flashlight burning, main light I would not be turning On in hopes of strangers spurning, spurning from my chamber door, Pulling they with key a-clanging, clanging at my chamber door. I called the cops and shook some more. Answered phone in voice quite wary, dispatch spoke in voice too merry, "Why doth you our peace to vary, vary at this startling hour?" "Constabulary, come quick hence, your duties they shall soon commence, Of fear I am consumed, and tense, some strangers may of me devour! At Pequot Motor Inn they hammer at my door. This they do and plenty more!" "The Pequot Inn, you say?" they ask, "quite soon our troops shall bear that task. You see, the felons they'll unmask and soon 'twill all be o'er!" She said, "dispatched are they already, en route they to action steady, Constabulary duties heady, they shall do therefore. To be done their duties steady, to be done for ever more!" This they'll do and nothing more. "Are you in any mortal danger, from this noisy, foreign stranger, Lucifer's unchained deranger, hammering at your chamber door?" "Yes" say I, "I think it likely, drunk they are and banging sprightly, I do not take this too lightly!" saying as my heart rates soar. Seeing self laid out in gore, this I say as heart rates soar, This I say and nothing more. Suddenly the banging stops, in quickened silence my ear pops, Outside there's a brace of cops, searching at my chamber door. Last the strangers have now wearied, too long at wrong door they tarried, Moved on elsewhere rather harried, on to someone else's door. To another they have parted to another chamber door, This I hoped and nothing more. 'Twas at 2:30 this all happened, in my pants I nearly crappened, Not likely more shall I get nappened this night of the banging door. Through the door cracks is light streaming, silence now in my head screaming Tripping heart says I ain't dreaming, standing on my chamber floor. Stand I there adrenalin streaming, streaming out through every pore, This it does and nothing more. Sleep at length again enwraps me, fitful slumber now entraps me, Nightmare usually saps me, saps me even when I snore. Soon I will again awaken, memories shall soon be shaken, Owner I'd prefered served baken, writhing on my threadbare floor. Writhing, made to sleep a night there, right there on that horrid floor. This I ask and nothing more. Paul and Bobbie feel so sad so many guests came out so mad At this horrific motel bad but not at them, I do implore! Blameless, they, unfounded guilt, the motel simply made a tilt, A rival hellhole's not been built so near the CT shore. This is true, folks, I'll assure you, none so bad on CT shore. Leave it done and say no more. Back home now in snug bed tight; stayed at Hilton the very next night, Cost me LESS than that Westport blight, a fact I can't ignore! Will I to Westport once more go? At once be there another show, Of merriment, G&S, and so at once be off to CT shore. And shall I stay again at the Pequot Motor Inn aka the Bates Motel? Quoth the Siegel, "NEVERMORE!" VA3ORI Toronto, Ontario, Canada ------------------------------------------------- ****Toronto: the place to be in August, 2000!**** *** G&S T2K: Singout, Eh? *** **** August 18-19-20 **** -------------------------------------------------  1,, Summary-line: 8-May eichin@thok.org [92] #Over the River and through the Woods // Party Invitation 2000-05-13 Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26564; Mon, 8 May 00 02:33:51 EDT Received: from paycheck.thok.org by MIT.EDU with SMTP id AA27748; Mon, 8 May 00 02:33:39 EDT Received: (qmail 25237 invoked by uid 3382); 8 May 2000 06:31:50 -0000 Delivered-To: eichin-ek-chuah@thok.org Received: (qmail 25232 invoked from network); 8 May 2000 06:31:49 -0000 Received: from marbles.thok.org (199.103.225.4) by paycheck.thok.org with SMTP; 8 May 2000 06:31:49 -0000 Received: by marbles.thok.org (Postfix, from userid 3382) id 7F5C6F604E; Mon, 8 May 2000 02:31:48 -0400 (EDT) From: "Mark W. Eichin" To: "I Luvvvvvvvv Chocolate" Subject: Over the River and through the Woods // Party Invitation 2000-05-13 Message-Id: <20000508063148.7F5C6F604E@marbles.thok.org> Date: Mon, 8 May 2000 02:31:48 -0400 (EDT) *** EOOH *** Delivered-To: eichin-ek-chuah@thok.org From: "Mark W. Eichin" To: "I Luvvvvvvvv Chocolate" Subject: Over the River and through the Woods // Party Invitation 2000-05-13 Date: Mon, 8 May 2000 02:31:48 -0400 (EDT) I haven't held a St. Ek-Chuah's day[1] party in over a year. My apartment in Davis^2 was just getting too cluttered, I could never find the time to make space to properly host a party, and since we all know that shared chocolate tastes better... As you've probably heard, I've solved this problem by buying a house large enough to host parties properly, with a kitchen big enough for all of my culinary toys :-) The chocolate tempering machine was one of the first things plugged in. Then again, very little *other* than the kitchen is set up, but I've only been here a month -- when I'm still not unpacked a year from now, *then* you can laugh at me, but in the meantime... You are all invited to a Party! Where: My new house in Concord. A pleasant 10 minute walk from the Concord Center commuter rail stop on the Fitchburg Line, or 18 minutes[2] by car from Alewife. When you reply to this invitation, I'll send detailed directions. (If you already know how to get here, please reply anyway!) Why: in celebration of Chocolate, Spring, and Toys. When: Saturday, 13 May 2000. Show up any time after 2pm; tea, chocolate, drinks and munchies will be supplied, though I don't have dinner plans yet (at some point we can probably order out.) The party will continue until people leave, but note that I don't have arrangements for overnight guests yet. Linda's Closet Rule[3] applies. Who: This invitation went to my new Party Guest List. This list was constructed from the set of people I recognized on the MIT mailing lists chocolate-lovers, tea-lovers, coke-lovers, dinner, sipb-soc, zs, plus a fairly large number of individuals[4]. That is currently 150 actual people[5]. I don't expect that many to attend -- in fact, I've already heard from about a dozen people who can't make it. Nonetheless, if everyone showed up unannounced, I'd have to throw you all in the river[6]... whereas if I did know that 150 people were coming, I'd have plenty of time to panic [or at least hire a tent for the backyard - there really would be space, I think...] This house was chosen *specifically* to allow me to host large parties, so don't be shy, but *please* supply the information I need to make it work, thanks. Do not forward this to any lists, but recommend the lists to me instead. Feel free to bring personal guests, but mention them when you respond. Also feel free to suggest names of people you'd like me to add to the list. RSVP: As if I hadn't driven it home sufficiently, it is particularly important that you respond; also, while you could easily find the place on a map, you'll probably be happier following the directions I come up with based on knowing the area. If you know when you're likely to arrive, mention that -- but don't wait until your sure, reply to this as soon as you have any idea that you'll be coming. Also, I would appreciate knowing if you can't attend as well, or if you'd rather not get further invitations. I look forward to seeing you! _Mark_ The Herd Of Kittens [1] According to Teubner et. al, "The Chocolate Bible", Ek-chuah is the Mayan patron saint of cocoa. (And an ugly dude he is...) Ek-chuah also represents protection of merchants, and the Mayan military-industrial complex (war and trade were closely tied.) [2] 18 minutes if you obey all the speed limits and have little traffic. Driving with traffic, you'll probably get here *faster*... [3] "No sleeping in the closets." That's another feature of the house: I think if you put all the closets together you'd end up with more space than my old apartment had in the rooms... [4] Special note: I am, regrettably, not unaware of the conflicts among some of the people on this list. If you feel the need to make your attendance conditional, it is up to you to ask. [5] The phrase "150 of my closest friends" does come to mind :-) [6] The Sudbury River, which runs past my backyard. ----------------------------------------------------------------------  1,, Summary-line: 10-May impunity@worldnet.att.net [56] #Re: Sullivan's tricky bits -- Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29724; Wed, 10 May 00 07:48:19 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24154; Wed, 10 May 00 07:50:22 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA15477; Wed, 10 May 2000 07:48:06 -0400 (EDT) Date: Wed, 10 May 2000 07:48:06 -0400 (EDT) Message-Id: <000701bfba75$8b85b980$da604e0c@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's tricky bits -- Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Wed, 10 May 2000 07:48:06 -0400 (EDT) Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's tricky bits -- Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 Dr. Clive commented:> . Of course all composers need to establish rhythm in > their pieces, but a good composer will also syncopate subtly from time to > time. Getting the balance right, of course, is an expert job at which the > really great composers excelled. > To me, this is one of Sullivan's extraordinary qualities. As Dr. Jeffrey Kresky pointed out in an essay some years back, Sullivan does not just write the predictable ta-dum, ta-dum, ta-dum, ta-dum phrases line after line, time after time--which it would be entirely possible to do with Gilbert's lyrics, for a less imaginative composer. He keeps things fresh and interesting with the variants and departures, a line spun out a little longer here, a little shorter there; a rhythmic figure altered.... One of S's bits of sheer genius that I've not seen commented upon in the 6 mos. I've been on S'net is the happy fact that his phrases are constructed in such a way that it is not only possible but highly advisable to use the punctuation in Gilbert's lyrics as guides for breath--and even when the punctuation falls in a different place in a second verse, it is still possible to take the breath at the punctuation without spoiling the shape of the musical phrase. He's so consistent about it that one can issue a blanket instruction to singers to breathe at all commas, semicolons, etc., and get a much more nicely shaped result musically than if they indulged their penchant for demonstrating their ability to sing long phrases unbroken. Conversely, singers should eschew breaths where there is *not* punctuation--and this is where one gets some of the interesting variants, carrying over a phrase in one verse, breaking it in another. (I'm thinking here particularly of the Mikado madrigal, which has a couple of instances of this.) Variety is indeed the spice, and whether we recognize it consciously or not, I think it's one of the reasons we don't get bored with the material (except one's 27th time through doing Chorus in the Mikado, or....) Andi Stryker-Rodda New York/NJ  1,, Summary-line: 12-May susang@kolvir.arlington.m [17] #Ted in Salon Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07432; Fri, 12 May 00 08:18:35 EDT Received: from kolvir.ne.mediaone.net by MIT.EDU with SMTP id AA03489; Fri, 12 May 00 08:20:37 EDT Received: from [192.168.0.203] (hedgehog.arlington.ma.us [192.168.0.203]) by kolvir.arlington.ma.us (8.8.8/JTK19980409) with ESMTP id IAA29630 for ; Fri, 12 May 2000 08:18:27 -0400 (EDT) Message-Id: <200005121218.IAA29630@kolvir.arlington.ma.us> X-Mailer: Microsoft Outlook Express for Macintosh - 4.01 (295) Date: Fri, 12 May 2000 08:18:27 -0400 Subject: Ted in Salon From: "Susan Goetcheus" To: dinner@MIT.EDU Mime-Version: 1.0 X-Priority: 3 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit *** EOOH *** X-Mailer: Microsoft Outlook Express for Macintosh - 4.01 (295) Date: Fri, 12 May 2000 08:18:27 -0400 Subject: Ted in Salon From: "Susan Goetcheus" To: dinner@MIT.EDU Mime-Version: 1.0 X-Priority: 3 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Ted is quoted in this article about the Microsoft/Kerberos brouhaha: http://www.salon.com/tech/log/2000/05/11/slashdot_censor/index.html -- susang@kolvir.arlington.ma.us http://kolvir.ne.mediaone.net/~susang/ "That's enough tedious wank. Let's party." -Stephen Fry  1, forwarded,, Summary-line: 16-May davie@MIT.EDU [20] #Finally Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02930; Tue, 16 May 00 23:37:54 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA22646 for ; Tue, 16 May 2000 23:37:44 -0400 (EDT) Received: from wargames (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id XAA28756 for ; Tue, 16 May 2000 23:37:44 -0400 (EDT) Message-Id: <200005170337.XAA28756@melbourne-city-street.MIT.EDU> X-Sender: davie@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 Date: Tue, 16 May 2000 23:37:25 -0400 To: opus@mit.edu From: David Euresti Subject: Finally Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: davie@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 Date: Tue, 16 May 2000 23:37:25 -0400 To: opus@mit.edu From: David Euresti Subject: Finally Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" David, I was finally able to check how to find out who had donated money (Notice how well I'm studying for finals.) Anyway we received a gift on November 22nd. Thank you very much for your support. David ------------------ David Euresti MIT Class of 2001 Electrical Engineering and Computer Science ------------------  1,, Summary-line: 17-May rmacphai@Bridgewater.EDU [70] #Re: Help finding scores for Ages Ago Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17109; Wed, 17 May 00 21:12:40 EDT Received: from Pluto.Bridgewater.EDU by MIT.EDU with SMTP id AA06950; Wed, 17 May 00 21:14:43 EDT Received: from Terra.Bridgewater.EDU (Terra.Bridgewater.EDU [147.138.10.70]) by Pluto.bridgewater.edu (8.9.3/8.9.3) with ESMTP id VAA28792; Wed, 17 May 2000 21:12:28 -0400 (EDT) Date: Wed, 17 May 2000 21:12:23 -0400 (EDT) From: "Ralph MacPhail, Jr." To: "David C. Jedlinsky" Cc: rac@bu.edu Subject: Re: Help finding scores for Ages Ago In-Reply-To: <200003062110.QAA19330@charon.MIT.EDU> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 17 May 2000 21:12:23 -0400 (EDT) From: "Ralph MacPhail, Jr." To: "David C. Jedlinsky" Cc: rac@bu.edu Subject: Re: Help finding scores for Ages Ago In-Reply-To: <200003062110.QAA19330@charon.MIT.EDU> Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII PRIVATE AND CONFIDENTIAL MESSAGE TO DAVID AND REBECCA: First of all, an apology. I'm very behind in reading SavoyNet--and I've just come across David's message, written on behal of Rebecca, searching for a score/orchestration of _Ages Ago_. I have in my library an ms. score to _Ages Ago_ that was at one time a rental item of Joseph Williams in London. The show is scored for piano and harmonium, as I recall (as it was originally for the German Reeds). I don't believe it was EVER scored for orchestra. My copy appears never to have been used in performance. Some time ago I made a photocopy of this score, and I may be able to dig it out and lend it to Rebecca FOR COPYING, requesting that my "original photocopy" be treated gently and be returned to me. I made it for just this purpose, for I don't want to subject the original to the rigors of the photocopy machine again. This score could be used for production, with an acknowledgment in the program. (I'll also be grateful for copies of the program, poster, reviews, etc., for my collection.) I am confident that there is nobody out there collecting royalties for Frederick Clay, but leave the remote possibility that they might be due to the borrower to deal with! (I realize of course that the projected date of performance may very well have passed.) I will be grateful to you for NOT sharing this information with all of SavoyNet, for I don't want to be sending this out multiple times. All good wishes, Rafe (who leaves for Austin on 29 May to direct _HMS Pinafore_; so respond quickly if this is of interest) On Mon, 6 Mar 2000, David C. Jedlinsky wrote: > > > Rebecca Consentino (rac@bu.edu) has asked me to forward a request on > to savoynet, since she is not currently a subscriber. > > Does anyone know of a source for scores (vocal and orchestra) for > Gilbert & Clay's _Ages_Ago_? > > -Dave Jedlinsky > opus@mit.edu > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. RMacPhai@Bridgewater.edu (540) 828-5342 Box 114 Bridgewater College FAX: 828-5479 Bridgewater VA 22812-1599 USA HOME: 828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1, forwarded,, Summary-line: 17-May rmacphai@Bridgewater.EDU [145] #Returned mail - undeliverable address (fwd) Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21608; Wed, 17 May 00 21:38:33 EDT Received: from Pluto.Bridgewater.EDU by MIT.EDU with SMTP id AA16654; Wed, 17 May 00 20:38:17 EST Received: from Terra.Bridgewater.EDU (Terra.Bridgewater.EDU [147.138.10.70]) by Pluto.bridgewater.edu (8.9.3/8.9.3) with ESMTP id VAA29656 for ; Wed, 17 May 2000 21:38:13 -0400 (EDT) Date: Wed, 17 May 2000 21:38:13 -0400 (EDT) From: "Ralph MacPhail, Jr." To: opus@MIT.EDU Subject: Returned mail - undeliverable address (fwd) Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 17 May 2000 21:38:13 -0400 (EDT) From: "Ralph MacPhail, Jr." To: opus@MIT.EDU Subject: Returned mail - undeliverable address (fwd) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear David, My message bounced back from Rebecca's address. Suggestion(s)? Best regards, Rafe (see below) -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. RMacPhai@Bridgewater.edu (540) 828-5342 Box 114 Bridgewater College FAX: 828-5479 Bridgewater VA 22812-1599 USA HOME: 828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---------- Forwarded message ---------- Date: Wed, 17 May 2000 21:15:19 -0400 (EDT) From: MAILER-DAEMON@bu.edu To: rmacphai@bridgewater.edu Subject: Returned mail - undeliverable address --------Message not delivered for the following reason: rac E-mail field not present in directory entry --------Additional information (phquery VBU-4.3.UCUSSP.RESOLVER): An e-mail address you specified as a recipient in the message returned below uniquely matched a Boston University directory entry for a person or department but that entry contains no information for delivering e-mail. You can search our online directory for information about people and departments at: http://www.bu.edu/search/ Note that many directory listings for campus telephone numbers appear in the form (617) 35x-xxxx. If you do not have access to the Web, you may call for information: BU faculty, staff, and departmental information: (617) 353-2000 BU resident and off-campus student information: (617) 353-3700 name: Consentino, Rebecca, Ann alias: rac --------Unsent Message below: Received: from relay1.bu.edu (RELAY1.BU.EDU [128.197.27.99]) by bu.edu ((8.9.3.buoit.v1.0)/8.8.5/(BU-RELAY-07/09/97-b1)) with ESMTP id VAA17631 for ; Wed, 17 May 2000 21:14:53 -0400 (EDT) Received: from Pluto.bridgewater.edu (Pluto.Bridgewater.EDU [147.138.10.50]) by relay1.bu.edu ((8.9.3.buoit.v1.0)/8.8.5/(BU-RELAY-11/18/99-b2)) with ESMTP id VAA17449 for ; Wed, 17 May 2000 21:12:30 -0400 (EDT) Received: from Terra.Bridgewater.EDU (Terra.Bridgewater.EDU [147.138.10.70]) by Pluto.bridgewater.edu (8.9.3/8.9.3) with ESMTP id VAA28792; Wed, 17 May 2000 21:12:28 -0400 (EDT) Date: Wed, 17 May 2000 21:12:23 -0400 (EDT) From: "Ralph MacPhail, Jr." To: "David C. Jedlinsky" cc: rac@bu.edu Subject: Re: Help finding scores for Ages Ago In-Reply-To: <200003062110.QAA19330@charon.MIT.EDU> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII PRIVATE AND CONFIDENTIAL MESSAGE TO DAVID AND REBECCA: First of all, an apology. I'm very behind in reading SavoyNet--and I've just come across David's message, written on behal of Rebecca, searching for a score/orchestration of _Ages Ago_. I have in my library an ms. score to _Ages Ago_ that was at one time a rental item of Joseph Williams in London. The show is scored for piano and harmonium, as I recall (as it was originally for the German Reeds). I don't believe it was EVER scored for orchestra. My copy appears never to have been used in performance. Some time ago I made a photocopy of this score, and I may be able to dig it out and lend it to Rebecca FOR COPYING, requesting that my "original photocopy" be treated gently and be returned to me. I made it for just this purpose, for I don't want to subject the original to the rigors of the photocopy machine again. This score could be used for production, with an acknowledgment in the program. (I'll also be grateful for copies of the program, poster, reviews, etc., for my collection.) I am confident that there is nobody out there collecting royalties for Frederick Clay, but leave the remote possibility that they might be due to the borrower to deal with! (I realize of course that the projected date of performance may very well have passed.) I will be grateful to you for NOT sharing this information with all of SavoyNet, for I don't want to be sending this out multiple times. All good wishes, Rafe (who leaves for Austin on 29 May to direct _HMS Pinafore_; so respond quickly if this is of interest) On Mon, 6 Mar 2000, David C. Jedlinsky wrote: > > > Rebecca Consentino (rac@bu.edu) has asked me to forward a request on > to savoynet, since she is not currently a subscriber. > > Does anyone know of a source for scores (vocal and orchestra) for > Gilbert & Clay's _Ages_Ago_? > > -Dave Jedlinsky > opus@mit.edu > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. RMacPhai@Bridgewater.edu (540) 828-5342 Box 114 Bridgewater College FAX: 828-5479 Bridgewater VA 22812-1599 USA HOME: 828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --------End of Unsent Message  1,, Summary-line: 20-May rconsentino@mediaone.net [194] #Re: [rmacphai@Bridgewater.EDU: Returned mail - undeliverable address (fwd)] Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13170; Sat, 20 May 00 10:18:24 EDT Received: from ne.mediaone.net by MIT.EDU with SMTP id AA10025; Sat, 20 May 00 10:20:29 EDT Received: from bconsentino (h000094b68186.ne.mediaone.net [24.218.248.181]) by chmls05.mediaone.net (8.8.7/8.8.7) with SMTP id KAA00866 for ; Sat, 20 May 2000 10:18:12 -0400 (EDT) Message-Id: <002101bfc267$524d9760$b5f8da18@ne.mediaone.net> From: "rconsentino" To: "David C. Jedlinsky" References: <200005190205.WAA10240@charon.MIT.EDU> Subject: Re: [rmacphai@Bridgewater.EDU: Returned mail - undeliverable address (fwd)] Date: Sat, 20 May 2000 10:26:00 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2314.1300 *** EOOH *** From: "rconsentino" To: "David C. Jedlinsky" References: <200005190205.WAA10240@charon.MIT.EDU> Subject: Re: [rmacphai@Bridgewater.EDU: Returned mail - undeliverable address (fwd)] Date: Sat, 20 May 2000 10:26:00 -0400 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2314.1300 You know what? I don't think I have their addresses in my address book. Hmmmmmmmm Can you forward it to them? :o) Thanks! Becca ----- Original Message ----- From: David C. Jedlinsky To: Sent: Thursday, May 18, 2000 10:05 PM Subject: [rmacphai@Bridgewater.EDU: Returned mail - undeliverable address (fwd)] > > Becca, > > Here's Rafe's mail. I saw your announcement of your "retirement" from > the email system of BU; did you send it to Rafe and Irv, or do I need > to tell them separately? > > -Dave > > P.S. I won't see anything from you until Tuesday. Nothing could be > finer than to be in Carolina tomorrow morning. ;-) > > > ------- Forwarded Message > > Date: Wed, 17 May 2000 21:38:13 -0400 (EDT) > From: "Ralph MacPhail, Jr." > To: opus@MIT.EDU > Subject: Returned mail - undeliverable address (fwd) > Mime-Version: 1.0 > Content-Type: TEXT/PLAIN; charset=US-ASCII > > > Dear David, > > My message bounced back from Rebecca's address. > > Suggestion(s)? > > Best regards, > > Rafe (see below) > > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- > Ralph MacPhail, Jr. > RMacPhai@Bridgewater.edu (540) 828-5342 > Box 114 Bridgewater College FAX: 828-5479 > Bridgewater VA 22812-1599 USA HOME: 828-6656 > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- > > ---------- Forwarded message ---------- > Date: Wed, 17 May 2000 21:15:19 -0400 (EDT) > From: MAILER-DAEMON@bu.edu > To: rmacphai@bridgewater.edu > Subject: Returned mail - undeliverable address > > --------Message not delivered for the following reason: > > rac E-mail field not present in directory entry > > --------Additional information (phquery VBU-4.3.UCUSSP.RESOLVER): > > An e-mail address you specified as a recipient in the message returned > below uniquely matched a Boston University directory entry for a person > or department but that entry contains no information for delivering > e-mail. > > You can search our online directory for information about people and > departments at: > > http://www.bu.edu/search/ > > Note that many directory listings for campus telephone numbers appear > in the form (617) 35x-xxxx. > > If you do not have access to the Web, you may call for information: > > BU faculty, staff, and departmental information: (617) 353-2000 > BU resident and off-campus student information: (617) 353-3700 > > > name: Consentino, Rebecca, Ann > alias: rac > > > --------Unsent Message below: > > Received: from relay1.bu.edu (RELAY1.BU.EDU [128.197.27.99]) > by bu.edu ((8.9.3.buoit.v1.0)/8.8.5/(BU-RELAY-07/09/97-b1)) with ESMTP id VAA17631 > for ; Wed, 17 May 2000 21:14:53 -0400 (EDT) > Received: from Pluto.bridgewater.edu (Pluto.Bridgewater.EDU [147.138.10.50]) > by relay1.bu.edu ((8.9.3.buoit.v1.0)/8.8.5/(BU-RELAY-11/18/99-b2)) with ESMTP id VAA17449 > for ; Wed, 17 May 2000 21:12:30 -0400 (EDT) > Received: from Terra.Bridgewater.EDU (Terra.Bridgewater.EDU [147.138.10.70]) > by Pluto.bridgewater.edu (8.9.3/8.9.3) with ESMTP id VAA28792; > Wed, 17 May 2000 21:12:28 -0400 (EDT) > Date: Wed, 17 May 2000 21:12:23 -0400 (EDT) > From: "Ralph MacPhail, Jr." > To: "David C. Jedlinsky" > cc: rac@bu.edu > Subject: Re: Help finding scores for Ages Ago > In-Reply-To: <200003062110.QAA19330@charon.MIT.EDU> > Message-ID: > MIME-Version: 1.0 > Content-Type: TEXT/PLAIN; charset=US-ASCII > > > PRIVATE AND CONFIDENTIAL MESSAGE TO DAVID AND REBECCA: > > First of all, an apology. I'm very behind in reading SavoyNet--and I've > just come across David's message, written on behal of Rebecca, searching > for a score/orchestration of _Ages Ago_. > > I have in my library an ms. score to _Ages Ago_ that was at one time a > rental item of Joseph Williams in London. The show is scored for piano > and harmonium, as I recall (as it was originally for the German Reeds). I > don't believe it was EVER scored for orchestra. My copy appears never to > have been used in performance. > > Some time ago I made a photocopy of this score, and I may be able to dig > it out and lend it to Rebecca FOR COPYING, requesting that my "original > photocopy" be treated gently and be returned to me. I made it for just > this purpose, for I don't want to subject the original to the rigors of > the photocopy machine again. > > This score could be used for production, with an acknowledgment in the > program. (I'll also be grateful for copies of the program, poster, > reviews, etc., for my collection.) I am confident that there is nobody > out there collecting royalties for Frederick Clay, but leave the remote > possibility that they might be due to the borrower to deal with! > > (I realize of course that the projected date of performance may very well > have passed.) > > I will be grateful to you for NOT sharing this information with all of > SavoyNet, for I don't want to be sending this out multiple times. > > All good wishes, > > Rafe > > (who leaves for Austin on 29 May to direct _HMS Pinafore_; so respond > quickly if this is of interest) > > On Mon, 6 Mar 2000, David C. Jedlinsky wrote: > > > > > > > Rebecca Consentino (rac@bu.edu) has asked me to forward a request on > > to savoynet, since she is not currently a subscriber. > > > > Does anyone know of a source for scores (vocal and orchestra) for > > Gilbert & Clay's _Ages_Ago_? > > > > -Dave Jedlinsky > > opus@mit.edu > > > > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- > Ralph MacPhail, Jr. > RMacPhai@Bridgewater.edu (540) 828-5342 > Box 114 Bridgewater College FAX: 828-5479 > Bridgewater VA 22812-1599 USA HOME: 828-6656 > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- > > > > > --------End of Unsent Message > > > ------- End Forwarded Message  1,, Summary-line: 20-May kovalcik@Stratus.com [36] #Re: SIPB remote login server Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23787; Sat, 20 May 00 12:31:54 EDT Received: from transfer.stratus.com by MIT.EDU with SMTP id AA23338; Sat, 20 May 00 12:33:56 EDT Received: from Stratus.com (dppp-109-228.mso.stratus.com [134.111.109.228]) by transfer.stratus.com (8.8.8/8.8.8) with ESMTP id MAA10962; Sat, 20 May 2000 12:31:37 -0400 (EDT) Message-Id: <3926BDE3.870619BD@Stratus.com> Date: Sat, 20 May 2000 12:31:31 -0400 From: Rick Kovalcik X-Mailer: Mozilla 4.5 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: charon-maintainers@MIT.EDU Subject: Re: SIPB remote login server References: <200005180659.CAA22505@Bearing-An-Hourglass.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Sat, 20 May 2000 12:31:31 -0400 From: Rick Kovalcik X-Mailer: Mozilla 4.5 [en] (WinNT; U) X-Accept-Language: en Mime-Version: 1.0 To: charon-maintainers@MIT.EDU Subject: Re: SIPB remote login server References: <200005180659.CAA22505@Bearing-An-Hourglass.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Thanks for the heads up. It would seem to me that the purpose of a remote login server is to make it easy to login from wherever someone is: home, office, a friend's computer, a customer site, an airport, etc. Therefore I question the decision about not allowing unencrypted logins because of the difficulty of installing secure login in ALL these places. It would seem to me that the way to deal with people password sniffing is to have the Committee on Discipline deal with it. Also if people are willing to take the risk of unsecured login, I think that should be up to the people involved. Having given my $.02, I need to see about getting an "appropriate client" for W95 and WNT 4.0. Are there any? Also how is ftp going to be handled? Will people need secure ftp clients also? Finally, it seems that multics.mit.edu is NOT accepting connections from the MIT dialup servers (258-7000) while charon does. Is this something than can be changed? (To provide at least one easy form of access ...) Thanks. -Rick Kovalcik '79  1,, Summary-line: 20-May sommerfeld@orchard.arling [25] #Re: SIPB remote login server Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26657; Sat, 20 May 00 13:08:29 EDT Received: from orchard.hamachi.org by MIT.EDU with SMTP id AA01536; Sat, 20 May 00 12:08:13 EST Received: from orchard.arlington.ma.us (localhost [[UNIX: localhost]]) by orchard.arlington.ma.us (8.8.8/1.34) with ESMTP id RAA26154; Sat, 20 May 2000 17:08:13 GMT Message-Id: <200005201708.RAA26154@orchard.arlington.ma.us> To: Rick Kovalcik Cc: charon-maintainers@MIT.EDU Subject: Re: SIPB remote login server In-Reply-To: Message from Rick Kovalcik of "Sat, 20 May 2000 12:31:31 EDT." <3926BDE3.870619BD@Stratus.com> Date: Sat, 20 May 2000 13:08:13 -0400 From: Bill Sommerfeld *** EOOH *** To: Rick Kovalcik Cc: charon-maintainers@MIT.EDU Subject: Re: SIPB remote login server In-Reply-To: Message from Rick Kovalcik of "Sat, 20 May 2000 12:31:31 EDT." <3926BDE3.870619BD@Stratus.com> Date: Sat, 20 May 2000 13:08:13 -0400 From: Bill Sommerfeld Rick, I'm afraid that the environment has changed. The main threat these days is not students who are nominally within the reach of the CoD, it's random script kiddies from eastern europe and the like, living beyond the reach of not just the CoD, but also the FBI, breaking into insecure-out-of-the-box unix & linx systems installed N years ago by long-departed grad students. That said, the "mindterm" ssh-in-java would be a reasonable way to go. We should probably run a web server on charon serving up the mindterm ssh-client-in-java allowing remote access from any place you're willing to trust a JVM.. - BIll  1,, Summary-line: 23-May kenig@pacbell.net [117] #Re: SAVOYNET digest 3536 Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29583; Tue, 23 May 00 03:06:42 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01212; Tue, 23 May 00 03:06:30 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA01295; Tue, 23 May 2000 03:06:24 -0400 (EDT) Date: Tue, 23 May 2000 03:06:24 -0400 (EDT) Message-Id: <392A2897.63F02E93@pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kenig@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 3536 Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) *** EOOH *** Date: Tue, 23 May 2000 03:06:24 -0400 (EDT) Reply-To: kenig@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 3536 Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en] (Win98; I) When the Stanford Savoyards performed this number, in fact we went to what I believed to be the most accurate, authentic source: A photocopy of the copyists score from the N.Y. Public library. From this, we enhanced and corrected the piano reduction by the late Ed Munzer of the N.Y. Gilbert and Sullivan Society. [I'd give credit, but Neil, Larry, or Bruce, I don't remember who did the beautiful typesetting for the p.v. and parts] Here's the info, using the copyist score as a source. I leave it to others to debate the validity of the source - I believe it. Marc Kenig ---------------- The copyist score only contains lyrics for the first and third verses. [The score is only marked "Repeat bars 1-32 *illegible* 1-55"] I don't recall our source for the second verse lyrics, but I'll indicate our choices. So, if one believes that the words and music were copied faithfully in the copyist score, then: > 1) When jealous torments *rack/reach* my soul RACK is correct. >2) The red hot *coal/coals* will hurt no doubt > But red hot coals in time *die/go* out >From the copyist score: The red hot COAL will hurt no doubt But red hot coals in time DIE out 3) Or ask *a/some* kindly *friend/fiend* to crack Or ask A kindly FRIEND to crack 4) The kerchief on your neck of snow... It goeth where I *dare/may* not go Our score shows: "dare" 5) The belt that holds you in its grasp... It claspeth *what/where* I *can/may* not clasp Our score shows: It claspeth WHAT I cannot clasp 6) The bird that breakfasts on your lip... He *sippeth/suppeth* / *It goeth* where I *can/may/dare* not sip Now, back to the copyist score: He SIPPETH where I DARE not sip 7) The cat you fondle, soft and sly, He *lieth/layeth* where I *may/dare* not lie He LAYETH where I DARE not lie (Coda) 8a) Or ask *a/some* kindly *fiend/friend* to crack 8b) Oh, better ask a friend to crack Or ask SOME kindly FRIEND to crack Now for the music: > Bar 29/65/107: Quarter-note in MIDI, > 8th-note followed by 8th-rest in others > (*FLAYED*, or ask some kindly friend) Mea Culpa, Mea Culpa. I never intended the midi to be a scholarly edition of the song ;-) Bar 29/*65*/107 is an eigth, eigth rest, quarter ("Flayed, or") Of course, now I have to fix the MIDI... So many years! >Bar 38/126: Quarter-note in MIDI, half-note in P/V, > three beats in recording. > (than love a heartless *JADE*) > (final cadence of first refrain, and final note of song) According to the copyist score, it's a quarter in the final cadence(s), as opposed to a dotted quarter/eigth everywhere else. MIDI is right! >Bar 74: Quarter-note in MIDI, half-note in P/V, > dotted quarter in recording. > (than love a heartless *JADE*) > (final cadence of second refrain) Copyist score says repeat, so I'd say it's a quarter, as well. >Bar 116: Quarter-note in MIDI, half-note in others > (than love a heartless *JADE*) > (final cadence of third refrain) Likewise a quarter in the third refrain. >Bar 87: 8th-note followed by dotted quarter-note in DOC, > two 8ths-notes followed by quarter-rest in others > (the cat you *FON-DLE*) Copyist score: two 8ths-notes followed by quarter-rest >Bar 101: C in recording, G in others > (*IT'S* much less painful) > (opening of final refrain) Copyist score says it's a C, we performed a G.  1,, Summary-line: 23-May oakapple@cris.com [79] #Dover MIKADO VS X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26570; Tue, 23 May 00 20:48:51 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA16740; Tue, 23 May 00 20:48:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA28499; Tue, 23 May 2000 20:48:31 -0400 (EDT) Date: Tue, 23 May 2000 20:48:31 -0400 (EDT) Message-Id: <392B22E7.B4BA2137@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Dover MIKADO VS Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Tue, 23 May 2000 20:48:31 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Dover MIKADO VS Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dover's vocal score of THE MIKADO is now available at $12.95. It is based on the version of the text presented in Dover's full score ($19.95), which I commented upon in some detail last year, when it first appeared. The editors are Carl Simpson and Savoynetter Ephraim Hammett Jones. Any reference to what "Dover" has done, is really a reference to what Simpson and Jones have done, as Dover seems to have had no input to the editorial content. Users will appreciate the superlative layout and typography of the Dover edition. The score needs more use in field conditions before definitive judgment can be passed, but at first look it appears to be a significant improvement over either Schirmer or Chappell. The introduction reports that the piano reduction is "entirely new." I assumed initially that this was an exaggeration, but the statement is justified. The reduction has indeed been totally rethought, and in some places it barely resembles the familiar one. The addition of orchestral color is most welcome (e.g., the instrumental "commentary" in "The criminal cried"), as is the *deletion* of gratuitous piano notes that don't appear in the full score. The piano part has also been sensitively re-voiced, giving the accompanist better clues about the orchestral effect that the piano is supposed to imitate. However, in a few places the reduction seems to me more difficult than before (although not impractically so). The new version of "Comes a train of little ladies" (not an easy number for the pianist to begin with) looks like it will present a sight-reading challenge. The time lag between publication of full and vocal scores has enabled the editors to correct some of their earlier errors. Most noticeably, the "traditional" fanfare at the end of the opera is now offered as an option. The editors' replacement fanfare--now properly credited--is still included. Some new errors have crept in. The full score presented the quintet version of "So please you sir," with no indication that the settled version of the number is a quartet (omitting Pish-Tush). The vocal score rectifies that mistake but introduces another--saying that: "This number is often performed as a quartet by omitting Pish-Tush's line." In fact, when Pish-Tush is omitted, Pooh-Bah's line in the harmony is dropped, and he sings Pish-Tush's line. There are fewer footnotes than in the full score, which is just as well, because several of the footnotes that *are* offered are either wrong or too vague to be useful. As an example of the latter category, a footnote in "The criminal cried" observes that a group of cue-size notes "are sometimes omitted in some performance traditions." Omitted when, and by whom? As in the full score, alternative words are sometimes offered in square brackets below the editors' preferred readings, but without explanation. I think that these alternatives have a greater potential to confuse than to enlighten. If the editors are unwilling to provide the necessary background (as appears to be the case), it might be better to just choose the best reading and omit the bracketed words. One oddity is that no piano reduction is supplied for the encore verse of "The flowers that bloom in the spring," even though the orchestration was supplied in the full score. The vocal score does include instructions for performing either the one-verse or the two-verse Act I duet for Yum-Yum and Nanki-Poo. As in the full score, the editors conflated the two versions into one, in a manner that is likely to be most confusing for the performer. Here, the edition fails the ease-of-use test. These reservations aside, the Dover MIKADO vocal score seems to be an improvement on the editions we had before, and at a competitive price. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 27-May oakapple@cris.com [268] #The R. Clyde Edition of COX & BOX Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00279; Sat, 27 May 00 17:08:03 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13370; Sat, 27 May 00 17:07:43 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA06515; Sat, 27 May 2000 17:07:41 -0400 (EDT) Date: Sat, 27 May 2000 17:07:41 -0400 (EDT) Message-Id: <393037FE.9A618733@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The R. Clyde Edition of COX & BOX Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA06515 *** EOOH *** Date: Sat, 27 May 2000 17:07:41 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: The R. Clyde Edition of COX & BOX Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id RAA06515 The Sullivan Edition, published by R. Clyde, consists of critical edition= s of Sullivan's works without Gilbert. There must be a plan, in theory, to pub= lish the composer's complete oeuvre, as R. Clyde's edition of THE GOLDEN LEGEN= D is captioned "Works for Chorus and Orchestra: Vol. 8." Volumes 1-7 are neith= er in print nor announced. The new edition of the full score of COX AND BOX is captioned "Operas wit= hout Gilbert: Vol. 2a." Volume 2b is a placeholder for the vocal score (announ= ced, but not yet published). Volume 1 must be a placeholder for the non-existe= nt SAPPHIRE NECKLACE. The editor for all of these editions is Roger Harris, = and he is apparently synonymous with R. Clyde. R. Clyde's other Sullivan critical editions include the Overture di Ballo= and the Overture "In Memoriam." Editions of the Symphony in E and the full sc= ore of THE ZOO are in preparation. (R. Clyde also publishes the vocal score of T= HE ZOO, as a performing edition.) COX & BOX, however, is the most complex edition that R. Clyde has tackled= to date. The opera presents daunting textual problems, as it exists in four versions: 1. The original vocal score, with the bacon lullaby in 6/8 time. 2. The revised vocal score, which substantially agrees with Sullivan's autograph as first written. 3. Sullivan's cut-down version, revived in 1894 as a curtain-raiser to = THE CHIEFTAIN (never published in this form, the principal source being a mar= ked-up vocal score in the D'Oyly Carte archives). 4. The 1921 Savoy Edition, presented in the current published vocal sco= re and twice recorded by D'Oyly Carte, and therefore the most familiar version. To these could be added versions for which no documentation survives, suc= h as the piano/harmonium arrangement for German Reed's Gallery of Illustration= , or the pre-publication versions (which likely did not include the overture o= r "Stay, Bouncer, stay"). To add to the problem, there are multiple hands evident in Sullivan's aut= ograph. Some of the writing is clearly that of his principal copyist, George Bair= d. Some is clearly that of Geoffrey Toye or Harry Norris, for the 1921 revival. B= ut, not all of the handwriting can be identified, making it difficult in some cas= es to distinguish the 1894 and 1921 revisions. Readers not familiar with the opera's early versions may be surprised at = the vocal range required for the characters. Bouncer, a bass-baritone in the = D'Oyly Carte tradition, was originally a tenor. The character's highest notes ca= n be eliminated by exchanging his part with Box's in the Rataplan trio. But elsewhere, if the numbers are performed in their original keys, there are= quite a few top F's and G's for him. Cox, too, regularly goes up to G, and at o= ne point to A-flat. Box must have a top C and a solid B natural (notes Sulli= van seldom asked his Savoy tenors to reach). The new edition presents the original full-length version. The cuts that = Harris attributes to 1894 are clearly indicated in both the score and the dialog= ue. An appendix explains the substantial Toye-Norris alterations for 1921. These include not only cuts, but also transpositions (sometimes mid-number) and= added orchestral embellishments. This is a scholarly edition, comparable to those recently published by Br= oude Brothers (TRIAL BY JURY) and Oxford University Press (RUDDIGORE). A 14-pa= ge introduction documents the genesis of the opera and the history of the ea= rly performances. Harris's scholarship and erudition are first-class, and eve= n his footnotes (59 of them) present vital information. Just the discussion of = when exactly the first performance took place (sources vary) is fascinating. A balanced and insightful critical assessment shows how, even at this ear= ly date, Sullivan used key relationships as a unifying feature. Harris conce= des that the original hour-long version is probably not stageworthy, but he h= eartily recommends the 1894 abridged version, which unlike the 1921 Savoy Edition= has the composer's authority. Twenty pages of commentary at the back of the book describe the sources, variants, and the revisions for 1894 and 1921 in detail. Variants that th= e editor deems particularly important are also footnoted on the relevant pa= ges in the main text. There are enough of these to require, at times, three or f= our footnotes on a page. This is a different approach than employed by Broude= , who seldom prints footnotes in the main text. However, I think that Harris ha= s chosen these footnotes judiciously. Of the four new Sullivan opera editions published in the last several yea= rs, Harris is the most conservative in retaining old notational conventions. = Unlike Broude, Oxford, or Dover, this edition prints the vocal parts between the= viola and cello lines. (Modern practice, which the others adopt, is to print th= e vocal parts above the violins.) However, the edition does include measure numbe= rs, and it labels the staves at the beginning of each system, as do the other rec= ent editions. Wind instruments are in their original keys. Harris was, perhaps, too slavishly devoted to mimicking the autograph in = matters of layout. He retains "Sullivan's idiosyncratic mixture of Italian and Fr= ench [instrument] names." In #4, "Hush-a-bye, bacon," the cellos and basses ar= e on a single staff, merely because Sullivan notated them that way. But, in ever= y other number, Sullivan put these instruments on different staves, which is a lo= t easier to read. The edition is not as well organized for practical performance as it migh= t be. Consider Bouncer's song, #2. Sullivan's autograph is in G. The early voca= l scores are in F. A note in the autograph, apparently in the hand of Georg= e Baird, says, "Transpose down to E minor." In the full score, Harris prints #2 in G, with the transposition to F pro= vided in an appendix. But, we are told that the forthcoming vocal score will pr= esent the number in F, with transpositions to both G and E provided in an appen= dix. I've often stated my objection to appendices that force the performer to = jump back and forth. This particular arrangement, in which the main text of th= e vocal score and full score employ different keys for the same number, seems to = me particularly ill-advised. And, why offer two transposition options in the= vocal score, but only one in the full score? We encounter a similar problem with #5, "My master is punctual." The orchestration presented in the autograph is considerably different (and s= impler) from that usually heard today. The evidence that Sullivan rewrote the num= ber for the 1894 revival is compelling, but because the proof is just shy of conc= lusive, the revised version is relegated to an appendix. There is little doubt in= my mind that most conductors will choose this version. Harris's treatment of repeats is also annoying. The original vocal score,= which I believe Harris intends to publish in facsimile, writes out all multi-ve= rse numbers without repeats. But, Harris's full score uses repeats liberally,= even where there is considerable difference in the vocal parts from one verse = to the next. I found the layout of #7, "The buttercup," particularly irritating. Orchestral parts consistent with the edition are available for rental, bu= t not for purchase. This does not seem to me the wisest arrangement, particular= ly for an opera that has so many versions. For any given performance, the parts = are likely to need a lot of markings, which must then be erased at the end of= the hire period. However, a note at the back of the book suggests that Harris has been mor= e pragmatic in the preparation of the parts than he was in the full and sco= res. The parts include (as options) all of the popular transpositions, includi= ng some that Sullivan did not authorize. Wind parts are available in either origi= nal or modern keys. (The original score calls for the rarely-used C Clarinet.) The score was engraved with a modern computer-typesetting program, and wh= ile it is clearly adequate, the typography is a bit below professional standards. Harris is apparently a one-man band, and he should consider engaging outs= ide proofreaders for future editions. In just a cursory reading, I found nume= rous mechanical errors that, although they will not interfere with performance= , should have been corrected before publication. I found no wrong notes, bu= t I wasn't looking for them. These reservations aside, the new full score of COX AND BOX is a revelati= on, finally putting the composer's text on the record. Copiously researched, = this edition is the model for what Sullivan scholarship should be. What is cle= arly needed now is a professional recording of the original version, with full orchestra. You can find more information about the R. Clyde editions at http://www.r.clyde.dial.pipex.com/ The full score of COX AND BOX is offered with a comb binding at =A335, or= hard bound at =A355. I suspect that the former, besides being cheaper, will be= more convenient on the conducting stand. --=20 Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 30-May Marisawg@aol.com [32] #Re: Boston, Mass. Radio Alert Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA25836; Tue, 30 May 00 22:24:11 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA05345; Tue, 30 May 00 22:23:49 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA08683; Tue, 30 May 2000 22:23:51 -0400 (EDT) Date: Tue, 30 May 2000 22:23:51 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Boston, Mass. Radio Alert Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 106 *** EOOH *** Date: Tue, 30 May 2000 22:23:51 -0400 (EDT) Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Boston, Mass. Radio Alert Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 106 In a message dated 5/30/00 8:52:02 PM Eastern Daylight Time, DSMITH@umassd.edu writes: << Today's Boston Globe carries the information that the composer for the Harvard Final Exam Orgy this term will be Arthur Sullivan! Sunday, June 4. 12:30 pm - Midnight WHRB radio. 95.3 FM >> Hey!! Why couldn't they have done this program next year, when I'll be there to listen to it?? :( Marisa (Harvard '04) P.S. I am VERY receptive to suggestions of cool things to do & places to see in the Boston area starting next fall, G&S and otherwise!  1, edited, forwarded, answered,, Summary-line: 8-Jun manager@pattersong.org [25] #attn David Jedlinsky, from Seattle G & S Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06637; Thu, 8 Jun 00 15:09:40 EDT Received: from dns2.seanet.com by MIT.EDU with SMTP id AA28633; Thu, 8 Jun 00 15:09:30 EDT Received: from default (dialup-209.244.111.150.Seattle1.Level3.net [209.244.111.150]) by dns2.seanet.com (8.9.3/8.9.0) with SMTP id MAA12297 for ; Thu, 8 Jun 2000 12:09:16 -0700 (PDT) Message-Id: <00bf01bfd17d$591db6e0$4ea4f5d1@default> From: "Manager" To: Subject: attn David Jedlinsky, from Seattle G & S Date: Thu, 8 Jun 2000 12:11:27 -0700 *** EOOH *** From: "Manager" To: Subject: attn David Jedlinsky, from Seattle G & S Date: Thu, 8 Jun 2000 12:11:27 -0700 Hello David, Mike Storie passed along your request for Grand Duke materials, so I = have some information for you: We do have videos of the Grand Duke, and they are $30 each. We also = have a CD set, for $25. The vocal/piano score is $20. I do have a sample orchestration to send you, and I should be able to = round up a couple of posters as well. Shipping should run $5-$10, depending on which combination of items you = want to order--we take VISA and Mastercard. So please just let me know how you want to proceed... Julie Seattle G & S  1,, Summary-line: 9-Jun DCantor@execu-search.com [81] #RE: Sally Lunn? Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28100; Fri, 9 Jun 00 14:53:32 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA05658; Fri, 9 Jun 00 14:53:23 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA20896; Fri, 9 Jun 2000 14:53:03 -0400 (EDT) Date: Fri, 9 Jun 2000 14:53:03 -0400 (EDT) Message-Id: <044523029301D31197A90008C74FF20D01471BB9@TESGMAIL2> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DCantor@execu-search.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cantor To: Multiple recipients of list SAVOYNET Subject: RE: Sally Lunn? Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id OAA20896 *** EOOH *** Date: Fri, 9 Jun 2000 14:53:03 -0400 (EDT) Reply-To: DCantor@execu-search.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cantor To: Multiple recipients of list SAVOYNET Subject: RE: Sally Lunn? Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id OAA20896 In case you were wondering what it tastes like, try this: Sally Lunn Bread Ingredients 2 cups sifted flour 1 cup milk=20 3 tsp. baking powder 1/4 cup shortening=20 1/2 tsp. salt 1/4 cup sugar=20 1 egg beaten =20 Preparation Preheat oven to 375=B0. Sift flour with baking powder & salt. Combine b= eaten egg & milk. Cream shortening & sugar. Add flour alternately with liquid mixture. Place in a greased loaf pan or muffin pans. Bake for 30 minute= s. Makes 1 loaf or 12 muffins.=20 =20 David Cantor The Execu|Search Group - Graphics=20 212-922-1001 ext. 3037 voice=20 212-973-1075 fax=20 dcantor@execu-search.com www.execu-search.com Divisions:=20 Accounting/Finance=20 Accounting Support=20 Financial Services=20 Healthcare=20 Human Resources=20 Information Technology=20 Office Support=20 -----Original Message----- From: James C. Lockwood [mailto:78s2cd@home.com] Sent: Friday, June 09, 2000 2:37 PM To: Multiple recipients of list SAVOYNET Subject: Re: Sally Lunn? > what the blazes is a Sally Lunn? I believe it refers to the "Sally Lunn Bun" made famous by a bakery of th= at name still in business in the city of Bath, Avon, UK. Regards, Jim -- J. C. Lockwood 78s2CD 78s2CD@Home.com --------------------------------- Vintage Record Restorations on CD Gilbert & Sullivan a Specialty http://members.home.net/78s2cd/ Building a Sir Harry Lauder Memorial  1,, Summary-line: 19-Jun seppe_palmieri@hotmail.co [54] #Re: Jack Point - was Re: Gilbert's liars X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26505; Mon, 19 Jun 00 18:28:19 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14663; Mon, 19 Jun 00 18:28:07 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA10030; Mon, 19 Jun 2000 18:26:16 -0400 (EDT) Date: Mon, 19 Jun 2000 18:26:16 -0400 (EDT) Message-Id: <20000619222126.50062.qmail@hotmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: Jack Point - was Re: Gilbert's liars Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 19 Jun 2000 18:26:16 -0400 (EDT) Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: Jack Point - was Re: Gilbert's liars Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One thing I don't think anyone has mentioned in analysing Jack Point's character: There is a parallel (I'm sure it was intentional on Gilbert's part) between the Point-Elsie-Fairfax triangle (actually a pentangle if you also include Phoebe & Wilfred, but let that pass) and the "Merryman and his maid" of Jack & Elsie's song. The reprise of the song in the finale is designed to emphasize this parallel (life imitating art?), and to elicit sympathy for Jack. If the alternate lyrics for Elsie are used, it restores some sympathy for her as well. In my opinion, if you play Point as a complete cad, it clashes with the use of this parallel as a dramatic framing device. My personal feeling on character interpretations in G & S (and especially in "Yeomen") is: there is certainly a considerable amount of leeway in the details of how characters are portrayed in the operas, but in most of them it is fairly easy to determine from the libretto and the music what the authors' conception of the basic motivations of these characters were. If you change the basic motivations of a principal character, the color of the whole piece changes, and the result may be an interesting intellectual exercise; but you risk compromising the integrity of the work. I agree with David Craven that playing Jack Point sympathetically gives you a far more satisfying result dramatically than does the alternative. Yes, Jack is flawed (as are most of the characters in "Yeomen"), but name me a tragic hero that isn't. In the end, I think the power of "Yeomen", and why it has always been one of my favorite G & S operas, is that it doesn't have any cardboard cutout heroes and villains, but instead presents a fairly realistic group of characters with good and bad points, and lets the chips fall where they may. If you play Point (or Fairfax, for that matter) as a complete cad with no redeeming characteristics, you upset the balance that Gilbert (aided by Sullivan's musical contributions) has so carefully constructed. David Michaels Chicago, IL, USA giuseppe_palmieri@hotmail.com "Life's a pudding full of plums..." ________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com  1,, Summary-line: 19-Jun mcmullan@MIT.EDU [85] #My future plans and a plea for help X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14096; Mon, 19 Jun 00 20:32:47 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id UAA26196; Mon, 19 Jun 2000 20:32:11 -0400 (EDT) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.184.0.46]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id UAA12588; Mon, 19 Jun 2000 20:32:10 -0400 (EDT) Received: (from mcmullan@localhost) by home-on-the-dome.mit.edu (8.9.3) id UAA03812; Mon, 19 Jun 2000 20:32:09 -0400 (EDT) Message-Id: <200006200032.UAA03812@home-on-the-dome.mit.edu> To: dinner@MIT.EDU, klmitch@MIT.EDU, kyttn@comclin.net, keshlam@alum.MIT.EDU, ccrazy@world.std.com, marci@mdc.net, rodmac50@aol.com, haberlr@netway.com Subject: My future plans and a plea for help Date: Mon, 19 Jun 2000 20:32:09 -0400 From: Greg McMullan *** EOOH *** To: dinner@MIT.EDU, klmitch@MIT.EDU, kyttn@comclin.net, keshlam@alum.MIT.EDU, ccrazy@world.std.com, marci@mdc.net, rodmac50@aol.com, haberlr@netway.com Subject: My future plans and a plea for help Date: Mon, 19 Jun 2000 20:32:09 -0400 From: Greg McMullan (Warning: appointments in calendar are closer than they appear!) As many of you know, I am moving this weekend to Virginia to be closer to Maya, my girlfriend of the past few years. I'll be moving into an apartment a few miles from the home where she and her children live. My new address is: Greg McMullan 186 Four Seasons Drive Charlottesville, VA 22901 (804) 882 0787 (cell phone) (804) 964 4734 (home phone) mcmullan@alum.mit.edu will be the most reliable way to get email to me. The DSL install is scheduled for the first Monday I am in the new place, so I will presumably get an Earthlink account, though I am not sure how much I will actually be using that one. I'm going to be consulting for my money for a while. I have two good leads on work that is related to my immediate prior job, and a few other ones, as well. However, if anyone wants to offer advice on how to survive consulting, I'll be glad to listen and learn. The schedule looks like this: Now through Friday: pack, pack, pack Friday: 10am - Maya arrives by bus, and we go to the Central Square UHaul to pick up a mini-mover. Rest of the day: carry furniture and boxes down from my third-floor apartment and put them into the UHaul. Friday night or Saturday morning, depending on how rapidly we get things done: drive the 6 hours to Philadelphia, to spend some time, possibly overnight, with my parents. Saturday or Sunday: drive the 6 hours from Philadelphia and unpack the UHaul. My new apartment is nicely on the first and second floors of the building, so I can haul stuff in, and leave it there for the time being ;-) And now, the promised plea for help: If anyone wants to help move stuff Friday afternoon/evening, and possibly Saturday, depending on how ambitious I wind up being, I'd love to have help. I'll gladly provide beverages, a cool room (I'm leaving the air conditioner here - central air down in VA), munchies, etc. Please let me know if you are likely to come by, because I do have dreams of being able to get out of here Friday afternoon/evening if all goes well, and I'd like to be able to warn anyone who might be coming if it looks like things went so fast that they will find a newly-empty apartment with no UHaul out front. Also, if you let me know what kind of snacks you like, I can get them; otherwise you are stuck with what I pick ;-) Thanks, Greg PS - No worries - I will not be invisible up here - I will be visiting. PPS As a reminder, the place I am moving from is: Greg McMullan 38 Eighth St, Apt 7 Cambridge, MA, 02141 (617) 492-5509 Kevin will be staying on in the apartment.  1, answered,, Summary-line: 20-Jun toddlong@erols.com [17] #Pirates Video Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09597; Tue, 20 Jun 00 16:46:17 EDT Received: from smtp03.mrf.mail.rcn.net by MIT.EDU with SMTP id AA00168; Tue, 20 Jun 00 16:45:30 EDT Received: from 209-122-232-44.s298.tnt4.sbo.ma.dialup.rcn.com ([209.122.232.44] helo=erols.com) by smtp03.mrf.mail.rcn.net with esmtp (Exim 2.12 #3) id 134UrY-00026R-00 for opus@mit.edu; Tue, 20 Jun 2000 16:43:13 -0400 Message-Id: <394FD79B.9052EAAD@erols.com> Date: Tue, 20 Jun 2000 16:44:11 -0400 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Tue, 20 Jun 2000 16:44:11 -0400 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) Mime-Version: 1.0 To: David Jedlinsky Subject: Pirates Video Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Just a quick note to check where we are with the Pirates video. I told most people mid-June. If you could let me know when you expect to be able to have them ready for the exchange of funds, I would greatly appreciate it. Thanks! ~Todd  1, forwarded,, Summary-line: 23-Jun chris@sounds-on-cd.co.uk [32] #Subtle joke with Iolanthe connection Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17019; Fri, 23 Jun 00 04:44:54 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA23524; Fri, 23 Jun 00 04:44:48 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA02660; Fri, 23 Jun 2000 04:44:25 -0400 (EDT) Date: Fri, 23 Jun 2000 04:44:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Subtle joke with Iolanthe connection Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id EAA02660 *** EOOH *** Date: Fri, 23 Jun 2000 04:44:25 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Subtle joke with Iolanthe connection Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id EAA02660 Last night I heard one of the most subtle one liners I've heard in years. It's a tiny bit risqu=E9 so don't read on if you don't care for this sort= of thing, personally though I don't think it's all that worse than the laugh that Gilbert's line now gets every time. The Joke: A girl walks into a bar and says to the barman 'Can I have a double entendre, please?' - so he gave her one . Regards Chris  1,, Summary-line: 27-Jun jcb@MIT.EDU [75] #Re: mover recommendations? Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20135; Tue, 27 Jun 00 12:56:05 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id MAA18876; Tue, 27 Jun 2000 12:55:31 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id MAA11092; Tue, 27 Jun 2000 12:55:31 -0400 (EDT) Received: (from jcb@localhost) by biohazard-cafe.mit.edu (8.9.3) id MAA23393; Tue, 27 Jun 2000 12:55:30 -0400 (EDT) Date: Tue, 27 Jun 2000 12:55:30 -0400 (EDT) Message-Id: <200006271655.MAA23393@biohazard-cafe.mit.edu> To: dcltdw@mit.edu Cc: dinner@mit.edu, marc@mit.edu, bjaspan@mit.edu, warlock@sword.com In-Reply-To: <200006271429.KAA08586@ten-thousand-dollar-bill.mit.edu> (message from David C Leung on Tue, 27 Jun 2000 10:29:45 -0400 (EDT)) Subject: Re: mover recommendations? Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: ..I must be a VETERINARIAN.. References: <200006271429.KAA08586@ten-thousand-dollar-bill.mit.edu> *** EOOH *** Date: Tue, 27 Jun 2000 12:55:30 -0400 (EDT) To: dcltdw@mit.edu Cc: dinner@mit.edu, marc@mit.edu, bjaspan@mit.edu, warlock@sword.com In-Reply-To: <200006271429.KAA08586@ten-thousand-dollar-bill.mit.edu> (message from David C Leung on Tue, 27 Jun 2000 10:29:45 -0400 (EDT)) Subject: Re: mover recommendations? Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: ..I must be a VETERINARIAN.. References: <200006271429.KAA08586@ten-thousand-dollar-bill.mit.edu> > Date: Tue, 27 Jun 2000 10:29:45 -0400 (EDT) > From: David C Leung > To: dcltdw@mit.edu > cc: dinner@mit.edu, marc@mit.edu, bjaspan@mit.edu, warlock@sword.com > Subject: mover recommendations? > > Can anyone make recs or anti-recs for movers? > > Urr, professional movers. Alyse and I *like* having friends. :) > > Yay, > dave > Rabbit Moving Service: What we don't move, we'll just eat. I've had good experiences with all three or four moving companies I've used for various home and office moves. I believe we used A. Herbert & Sons for our last move, and they were quite good. Some things that Nancy & I have learned: Professional movers are *very* fast. If you plan on finishing your packing while they're loading the truck, you'd better not have more than about half an hour's worth of packing left to do. In fact, if you have four movers, it may take some planning for you to be able to just walk up or down the stairs while they're carrying stuff up or down. Have a *simple* system for figuring out where the boxes go. We used two colored stickers per item--a big one for which floor, and a little one for which room. This proved *too complicated*. At least one of you should plan to play traffic cop, telling the movers which room each item goes in as they bring it off the truck. When you're getting quotes, be sure to ask about the number of movers who will be doing the job. We had a *lot* of stuff--moving two small houses worth of stuff into one big house--and we were glad we had four movers rather than three. It's customary to tip movers. We tipped ours $50 per person (i.e., $200, cash) on a $1000 job, which they considered to be a good tip. You should either pack breakables in a way that would be impossible for a five-year-old with a sledge hammer to destroy, or have the movers pack these for you. (Most movers automatically insure anything they pack for you.) If you've got the time & cycles to number & inventory the boxes, you'll almost certainly decide it was worth it when you're looking for various things during the unpacking phase. (You'll survive if you don't, though.) If you have any special instructions for the movers, make sure you call the day before or morning of to confirm them. We had a pair of 300-lb. fire-proof file cabinets that the people on the truck didn't know to expect, even though we mentioned them when we called the movers to schedule the job. Having your housewarming party very shortly after the move (for Nancy & me it was something like 6 days later) means nobody will expect you to be unpacked by then, and you won't have to deal with people pestering you about when you're going to finish unpacking so you can have the housewarming. (You can always have a "finally unpacked" party when this happens.) Jeff  1,, Summary-line: 30-Jun manager@pattersong.org [76] #Re: attn David Jedlinsky, from Seattle G & S X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17111; Fri, 30 Jun 00 17:10:42 EDT Received: from dns2.seanet.com by MIT.EDU with SMTP id AA01252; Fri, 30 Jun 00 17:09:44 EDT Received: from default (dialup-63.214.14.175.Seattle1.Level3.net [63.214.14.175]) by dns2.seanet.com (8.9.3/8.9.0) with SMTP id OAA01744 for ; Fri, 30 Jun 2000 14:10:04 -0700 (PDT) Message-Id: <000e01bfe2d7$e5571a00$af0ed63f@default> From: "Manager" To: "David C. Jedlinsky" References: <00bf01bfd17d$591db6e0$4ea4f5d1@default> <200006292007.QAA00898@multics.mit.edu> Subject: Re: attn David Jedlinsky, from Seattle G & S Date: Fri, 30 Jun 2000 14:12:24 -0700 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Manager" To: "David C. Jedlinsky" Subject: Re: attn David Jedlinsky, from Seattle G & S Date: Fri, 30 Jun 2000 14:12:24 -0700 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-Msmail-Priority: Normal X-Mimeole: Produced By Microsoft MimeOLE V5.00.2615.200 Hi Dave, Sorry if we've somehow missed connections since June 8, when I sent my last message. Our show opens July 14 and it's a bit crazy around here. Anyway, as I said in the phone message I left today, I'll be in the office next on Thursday, July 6, from about 1:00 on. If you want to email the list of items you want, I can try to call you then for the credit card info. If you want to leave the credit card info with a live person before that, you can call Arthur in our ticket office--he'll be at 206-341-9612 this Saturday from 12-3, and next week, Wed-Fri, from 12-6. He won't have details about scores and old posters and such, but can write everything down for me and pass it on. Thanks for your patience--talk to you soon... Julie ----- Original Message ----- From: David C. Jedlinsky To: Sent: Thursday, June 29, 2000 1:07 PM Subject: Re: attn David Jedlinsky, from Seattle G & S > > Hi Julie. > > I haven't heard from you, so I thought I'd send another message. > > Do you have a phone number where you can be reached, so I can give you > me credit card information? > > Or, you could just call me at work at 603-884-1958. > > Thanks. > > -Dave Jedlinsky > opus@mit.edu > > > >From: "Manager" > >Date: Thu, 8 Jun 2000 12:11:27 -0700 > > > >Hello David, > > > >Mike Storie passed along your request for Grand Duke materials, so I > >have some information for you: > > > >We do have videos of the Grand Duke, and they are $30 each. We also > >have a CD set, for $25. > > > >The vocal/piano score is $20. > > > >I do have a sample orchestration to send you, and I should be able to > >round up a couple of posters as well. > > > >Shipping should run $5-$10, depending on which combination of items you > >want to order--we take VISA and Mastercard. > > > >So please just let me know how you want to proceed... > > > >Julie > >Seattle G & S >  1,, Summary-line: 11-Jul Butagirl@aol.com [41] #MIDI files X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18993; Tue, 11 Jul 00 20:14:58 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA25015 for ; Tue, 11 Jul 2000 20:14:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA27678; Tue, 11 Jul 2000 20:14:08 -0400 (EDT) Date: Tue, 11 Jul 2000 20:14:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: MIDI files Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0.i for Windows 95 sub 139 *** EOOH *** Date: Tue, 11 Jul 2000 20:14:08 -0400 (EDT) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: MIDI files Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dave Jedlinsky wrote: <> I agree with this in part. The problem with using MIDI files is that it tells nothing of the way in which the words are sung, although for rote learning of the melody line it is fine. Unfortunately we all learn music in different ways. I personally would never use a recording to learn music as they are so often unreliable, and because I am quite particular in getting the notes exactly as written, nothing but the score will do. Recordings are useful in gauging interpretation, and also for imprinting lyrics into the memory - repetitive listening in the car can do wonders (It's also good for learning lib). On the subject of rehearsal tapes, there is a company (whom I think made an appearance at Buxton last year) which sells rehearsal tapes for each of the operas. Unfortunately, although they are marketed as "full orchestrations", the orchestral parts are all synthesised and it sounds very articificial - certainly not suitable for a concert performance. Some of the tempi are very curious also - at least with a MIDI file you can tweak the tempi! Sharon Brindle "Though I am butagirl@aol.com"  1,, Summary-line: 11-Jul jcb@MIT.EDU, nlgilman@MIT [18] #welcome to the world X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20313; Tue, 11 Jul 00 20:27:56 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id UAA28578; Tue, 11 Jul 2000 20:27:14 -0400 (EDT) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.184.0.46]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id UAA28255; Tue, 11 Jul 2000 20:27:13 -0400 (EDT) Received: (from jcb@localhost) by home-on-the-dome.mit.edu (8.9.3) id UAA07247; Tue, 11 Jul 2000 20:26:40 -0400 (EDT) Date: Tue, 11 Jul 2000 20:26:40 -0400 (EDT) Message-Id: <200007120026.UAA07247@home-on-the-dome.mit.edu> To: Lots of People Subject: welcome to the world Reply-To: jcb@alum.MIT.EDU, nlgilman@MIT.EDU From: Jeff Bigler , Nancy Gilman *** EOOH *** Date: Tue, 11 Jul 2000 20:26:40 -0400 (EDT) To: Lots of People Subject: welcome to the world Reply-To: jcb@alum.MIT.EDU, nlgilman@MIT.EDU From: Jeff Bigler , Nancy Gilman Please join us in welcoming Margaret Anne Gilman Bigler to the world. Margaret was born in water this afternoon at 2:28pm, weighing 8 pounds, 4 ounces, and measuring 19.5 inches. Nancy had a relatively smooth labor that was free from complications, and she, Margaret, and Jeff are all doing well. We haven't been able to upload pictures yet, but we should have some on the web at within a couple of days. Jeff & Nancy  1,, Summary-line: 11-Jul Sangazure1@aol.com [70] #Re: No such thing as a dumb question X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08206; Tue, 11 Jul 00 23:03:43 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06436; Tue, 11 Jul 00 23:03:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA00056; Tue, 11 Jul 2000 23:02:14 -0400 (EDT) Date: Tue, 11 Jul 2000 23:02:14 -0400 (EDT) Message-Id: <32.74d81f5.269d3837@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: No such thing as a dumb question Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 109 *** EOOH *** Date: Tue, 11 Jul 2000 23:02:14 -0400 (EDT) Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: No such thing as a dumb question Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In a message dated 7/11/00 3:33:42 PM Eastern Daylight Time, cmj@halhk.freeserve.co.uk writes: << Not being of the inner brotherhood, I cannot help but feel confused about the oft-quoted QWERTY that evidently teems with hidden meaning! Do I have to eat a sausage roll in order to solve the complicated plot? >> Following is the message sent by Clive Woods last October, and repeated by Marc Shepherd in April, which explains the origins of this exotic terminology: . . . . . . the story begins some two years [from 1 Sept. 1999] ago following the first fully-costumed Savoynet show, viz "Cox and Box" at the Buxton Fest 1997. Those involved (including Nicktenor, Kelsey Thornton, Mike Nash, Stephen Hill, KAL and moi [and Anne Allwright? - sorry - the old memory fails more frequently now], i.e. those within easy driving distance) thought it would be a good idea to have a "wind-down" meeting afterwards (i.e. an excuse for the copious consumption of beer). Simultaneously the concept of putting on the following year's show (which turned out to be TbJ) was being discussed, and the possibility of having a "pre-rehearsal" to make sure we could actually get through the music was being batted about on S'net. I believe it was Kelsey who started heading his messages on this subject something like "C&BMUTBJRTWE" (i.e., C&B meet-up, TbJ run-through - whatever") and after a few of these someone (it may have been me, but memories are hazy now) got fed up of the virtuoso typing required for this, and instead opted for the easier-to-type "QWERTYUIOP". (If you haven't yet twigged, the easiest way to type this is a glissando along the top row of keys.) So there you have it! Don't you wish you'd never asked? BTW, may I take this opportunity to emphasise that QWERTYUIOPs are informal, unrehearsed, entirely improvised, once started a piece never stops (even if the pianist corpses!) and the whole object is FUN rather than polished performances. Polished performances there may well be, and are highly appreciated, but you don't need to be a Covent Garden soloist to participate. In fact in the past a number of persons not usually noted for solo singing have, on the spur of the moment, had a splendid go at a solo part, and other soloists have had a go at roles they would otherwise never sing. So, NOBODY has any excuse not to go! -- To which I replied: Thank you, Marc, for enlightening us, and thank you, Clive, for inventing the term QWERTYUIOP. It does make a nice glissando, and I've used it frequently in the past few months. However, you omitted one very important feature of the QWERT. It must, I repeat, *must* have a picture of Philip Potter displayed on the piano to qualify as an official QWERT. Bobbie Sangazure1@aol.com "Love me! I'll stick sunflowers in my hair!"  1,, Summary-line: 11-Jul impunity@worldnet.att.net [29] #Founding Dates: All Groups X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09738; Tue, 11 Jul 00 23:18:38 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA23802 for ; Tue, 11 Jul 2000 23:17:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA00355; Tue, 11 Jul 2000 23:17:50 -0400 (EDT) Date: Tue, 11 Jul 2000 23:17:50 -0400 (EDT) Message-Id: <001501bfebaf$5d871040$15614e0c@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Founding Dates: All Groups Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Tue, 11 Jul 2000 23:17:50 -0400 (EDT) Reply-To: impunity@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andi" To: Multiple recipients of list SAVOYNET Subject: Founding Dates: All Groups Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Attention, everybody! After I saw the posts that were coming in about the older societies, I contacted Jim Farron, the curator of the G&S Archive, about the possibility of adding the founding dates of ALL groups and societies to the listing that is in the G&S Archive. I also volunteered to collect the information. I will compile the information that has already been posted in the past couple of days, but we're opening this up to ALL societies and groups, not just the "40 plus". Please post your founding dates to me at the following separate e-mail address: tistwelve@hotmail.com Andi Stryker-Rodda NYC/NJ  1,, Summary-line: 13-Jul jmd@alumni.princeton.edu [50] #Princess Ida parody X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA15903; Thu, 13 Jul 00 21:40:17 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA12700 for ; Thu, 13 Jul 2000 21:39:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA14274; Thu, 13 Jul 2000 21:39:37 -0400 (EDT) Date: Thu, 13 Jul 2000 21:39:37 -0400 (EDT) Message-Id: <396E6B61.41727757@alumni.princeton.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmd@alumni.princeton.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff DeMarco To: Multiple recipients of list SAVOYNET Subject: Princess Ida parody Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.72 [en] (Win98; U) *** EOOH *** Date: Thu, 13 Jul 2000 21:39:37 -0400 (EDT) Reply-To: jmd@alumni.princeton.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jeff DeMarco To: Multiple recipients of list SAVOYNET Subject: Princess Ida parody Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here's one I hadn't seen: If you give me your attention, I will tell you what I am. I'm a brilliant math'matician - also something of a ham. I have tried for numerous degrees, in fact I've one of each; Of course that makes me eminently qualified to teach. I understand the subject matter thoroughly, it's true, And I can't see why it isn't all as obvious to you. Each lecture is a masterpiece, meticulously planned, Yet everybody tells me that I'm hard to understand, And I can't think why. My diagrams are models of true art. you must agree, And my handwriting is famous for its legibility. Take a word like "minimum" (to choose a random word), For anyone to say he cannot read that, is absurd. The anecdotes I tell get more amusing every year, Though frankly, what they go to prove is sometimes less than clear, And all my explanations are quite lucid, I am sure, Yet everybody tells me that my lectures are obscure, And I can't think why. Consider, for example, just the force of gravity: It's inversely proportional to something - let me see - It's r cubed - no , r squared - no, it's just r, I'll bet - The sign in front is plus - or is it minus, I forget - Well, anyway, there is a force, of that there is no doubt All these formulas are trivial if you only think them out. Yet students tell me, "I have memorized the whole year through Ev'rything you've told us, but the problems I can't do." And I can't think why! Words by Tom Lehrer >From the American Mathematical Monthly v. 81, no. 7, Agust-Septemer 1974 p. 745 Jeff DeMarco  1, answered, forwarded,, Summary-line: 26-Jul pstark@techguide.com [121] #Re: new job X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05620; Wed, 26 Jul 00 11:46:42 EDT Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA04562 for ; Wed, 26 Jul 2000 11:45:48 -0400 (EDT) Received: from atg1.techguide.com (atg109.erols.com [208.59.50.9]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id e6QFjgr01231 for ; Wed, 26 Jul 2000 11:45:42 -0400 (EDT) Message-Id: <4.3.1.2.20000726114227.00a9d7f0@mail.techguide.com> X-Sender: pstark#techguide.com@mail.techguide.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Wed, 26 Jul 2000 11:45:08 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: new job In-Reply-To: <200007252214.SAA04287@multics.mit.edu> References: <4.3.1.2.20000720160955.00a94e80@mail.techguide.com> <4.3.1.2.20000720160955.00a94e80@mail.techguide.com> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_821202==_.ALT" *** EOOH *** X-Sender: pstark#techguide.com@mail.techguide.com Date: Wed, 26 Jul 2000 11:45:08 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: new job In-Reply-To: <200007252214.SAA04287@multics.mit.edu> Content-Type: multipart/alternative; boundary="=====================_821202==_.ALT" --=====================_821202==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hi, Dave! I did get your invitation, but alas, I have a performance at Vokes that day & evening. I was afraid to audition for anything substantial because I was unemployed at the time of auditions for ARCADIA (Tom Stoppard), but I spoke with the director to ask if I could help out backstage or something, and he asked me to audition for him for the role of Jellaby, the butler who appears in 3 scenes and has about 15 lines total. I did, and I was cast, so I had minimal rehearsal responsibility (great for me in this new job) but I do have to be at all the performances. What else is doing? Can I take you guys to dinner one evening, perhaps in Burlington as we did in the past? Regards to Ruth! Peter. At 06:14 PM 7/25/2000 -0400, you wrote: >Hi Peter. > >Good to hear from you again! Ruth and I are doing well; I just got >back from a business trip to Phoenix. I much prefer the temperature >here. > >Did you get our invitation to our party in August? > >-Dave _________________________________ Peter A. Stark Director of Business Development Applied Technologies Group One Apple Hill, Suite 216 Natick, MA 01760 voice: 508.651.1155 x20 fax: 508.651.1171 pstark@techguide.com Visit our website at www.techguide.com. --=====================_821202==_.ALT Content-Type: text/html; charset="us-ascii" Hi, Dave!

I did get your invitation, but alas, I have a performance at Vokes that day & evening. I was afraid to audition for anything substantial because I was unemployed at the time of auditions for ARCADIA (Tom Stoppard), but I spoke with the director to ask if I could help out backstage or something, and he asked me to audition for him for the role of Jellaby, the butler who appears in 3 scenes and has about 15 lines total. I did, and I was cast, so I had minimal rehearsal responsibility (great for me in this new job) but I do have to be at all the performances.

What else is doing?

Can I take you guys to dinner one evening, perhaps in Burlington as we did in the past?

Regards to Ruth!

Peter.


At 06:14 PM 7/25/2000 -0400, you wrote:

Hi Peter.

Good to hear from you again!  Ruth and I are doing well; I just got
back from a business trip to Phoenix.  I much prefer the temperature
here.

Did you get our invitation to our party in August?

-Dave


_________________________________

Peter A. Stark
Director of Business Development

Applied Technologies Group
One Apple Hill, Suite 216
Natick, MA 01760

voice: 508.651.1155 x20
fax:    508.651.1171

pstark@techguide.com

Visit our website at www.techguide.com. --=====================_821202==_.ALT--  1,, Summary-line: 26-Jul rls@dimins.com [75] #Re: [pstark@techguide.com: Re: new job] X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10841; Wed, 26 Jul 00 13:49:26 EDT Received: from dimins.com by MIT.EDU with SMTP id AA04073; Wed, 26 Jul 00 13:48:33 EDT Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.8.7/8.7.1) id NAA25746 for ; Wed, 26 Jul 2000 13:48:58 -0400 Received: from dizzy-devil.dimins.com(204.215.187.16) by sam-sheepdog.dimins.com via smap (V2.0) id xma025720; Wed, 26 Jul 00 13:48:47 -0400 X-Sender: rls@204.215.187.3 Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 26 Jul 2000 13:53:40 -0400 To: "David C. Jedlinsky" From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: [pstark@techguide.com: Re: new job] *** EOOH *** X-Sender: rls@204.215.187.3 Content-Type: text/plain; charset="us-ascii" Date: Wed, 26 Jul 2000 13:53:40 -0400 To: "David C. Jedlinsky" From: rls@dimins.com (Ruth Jedlinsky) Subject: Re: [pstark@techguide.com: Re: new job] He could join us at Outback because that's already been planned with Ken, Bill, Alex and some other people from rav_eaters. Ruth >Wanna do dinner with Peter Thursday? That would solve the car issue, >too. > >-Dave > > >------- Start of forwarded message ------- >Date: Wed, 26 Jul 2000 11:45:08 -0400 >To: "David C. Jedlinsky" >From: "Peter A. Stark" >Subject: Re: new job >In-Reply-To: <200007252214.SAA04287@multics.mit.edu> > >Hi, Dave! > >I did get your invitation, but alas, I have a performance at Vokes that day >& evening. I was afraid to audition for anything substantial because I was >unemployed at the time of auditions for ARCADIA (Tom Stoppard), but I spoke >with the director to ask if I could help out backstage or something, and he >asked me to audition for him for the role of Jellaby, the butler who >appears in 3 scenes and has about 15 lines total. I did, and I was cast, so >I had minimal rehearsal responsibility (great for me in this new job) but I >do have to be at all the performances. > >What else is doing? > >Can I take you guys to dinner one evening, perhaps in Burlington as we did >in the past? > >Regards to Ruth! > >Peter. > > >At 06:14 PM 7/25/2000 -0400, you wrote: > >>Hi Peter. >> >>Good to hear from you again! Ruth and I are doing well; I just got >>back from a business trip to Phoenix. I much prefer the temperature >>here. >> >>Did you get our invitation to our party in August? >> >>-Dave > > >_________________________________ > >Peter A. Stark >Director of Business Development > >Applied Technologies Group >One Apple Hill, Suite 216 >Natick, MA 01760 > >voice: 508.651.1155 x20 >fax: 508.651.1171 > >pstark@techguide.com > >Visit our website at www.techguide.com.  1, answered, edited,, Summary-line: 26-Jul pstark@techguide.com [30] #Re: new job X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27649; Wed, 26 Jul 00 16:28:20 EDT Received: from malinche.ici.net by MIT.EDU with SMTP id AA09432; Wed, 26 Jul 00 16:19:45 EDT Received: from atg1.techguide.com (atg109.erols.com [208.59.50.9]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id e6QKJ0r17223 for ; Wed, 26 Jul 2000 16:19:00 -0400 (EDT) Message-Id: <4.3.1.2.20000726161501.00aa25a0@mail.techguide.com> X-Sender: pstark#techguide.com@mail.techguide.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Wed, 26 Jul 2000 16:17:59 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: new job In-Reply-To: <200007262010.QAA11542@multics.mit.edu> References: <4.3.1.2.20000726114227.00a9d7f0@mail.techguide.com> <4.3.1.2.20000720160955.00a94e80@mail.techguide.com> <4.3.1.2.20000720160955.00a94e80@mail.techguide.com> <4.3.1.2.20000726114227.00a9d7f0@mail.techguide.com> *** EOOH *** X-Sender: pstark#techguide.com@mail.techguide.com Date: Wed, 26 Jul 2000 16:17:59 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: new job In-Reply-To: <200007262010.QAA11542@multics.mit.edu> At 04:10 PM 7/26/2000 -0400, you wrote: >Hi Peter. > > >Can I take you guys to dinner one evening, perhaps in Burlington as we did > >in the past? > >We're going to be at the Outback in Burlington tomorrow night with >a group of other friends; you're welcome to join us if you'd like. > >Or would you rather meet on more "neutral" terms? :-) > >-Dave Wish I could... I have a performance of ARCADIA at Vokes then: Thu-Sat, with Sat. matinees some weeks and brushups every Wed night, through Aug. 19. When else might be good? I can come to Burlington, but not on a performance day. The attached file might be of interest... Peter.  1, answered,, Summary-line: 31-Jul joey_dog@pacbell.net [28] #I knew I'd find you! X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04117; Mon, 31 Jul 00 20:43:42 EDT Received: from mta6.snfc21.pbi.net by MIT.EDU with SMTP id AA22752; Mon, 31 Jul 00 20:43:25 EDT Received: from pacbell.net ([63.194.212.247]) by mta6.snfc21.pbi.net (Sun Internet Mail Server sims.3.5.2000.01.05.12.18.p9) with ESMTP id <0FYL00IKY8NB88@mta6.snfc21.pbi.net> for OPUS@MIT.EDU; Mon, 31 Jul 2000 17:42:47 -0700 (PDT) Date: Mon, 31 Jul 2000 17:08:05 -0700 From: Cara Arellano Subject: I knew I'd find you! To: OPUS@MIT.EDU Message-Id: <398614E5.6B7B253D@pacbell.net> Organization: Pacific Bell Internet Services Mime-Version: 1.0 X-Mailer: Mozilla 4.73 [en]C-PBI-NC404 (Win98; I) Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Accept-Language: en *** EOOH *** Date: Mon, 31 Jul 2000 17:08:05 -0700 From: Cara Arellano Subject: I knew I'd find you! To: OPUS@MIT.EDU Organization: Pacific Bell Internet Services Content-Type: text/plain; charset=us-ascii X-Accept-Language: en Ah HA! Found you on Savoynet!!!! I sent some email to MIT GandS looking for you, but nobody responded. This is Cara Foss, your Katisha, back about a million years ago at MIT. I was hoping I could somehow acquire a copy of the video tape of that show from you. No one will believe that I sang Katisha... I sure would love to see it again, just to prove it to myself...hehehehe. Hey, I was just cast as Aline in Sorcerer. It's my first leading soprano role...I'm pretty nervous! Hope to hear from you soon, -Cara Foss Arellano  1, answered,, Summary-line: 1-Aug goodmanj@MIT.EDU [47] #Gilbert and Sullivan Libretti for Palm computers X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20495; Tue, 1 Aug 00 17:38:36 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id RAA06933 for ; Tue, 1 Aug 2000 17:38:31 -0400 (EDT) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id RAA06333 for ; Tue, 1 Aug 2000 17:38:31 -0400 (EDT) Received: by ampersand.mit.edu (8.8.8/4.7) id RAA04712; Tue, 1 Aug 2000 17:38:31 -0400 (EDT) Message-Id: <200008012138.RAA04712@ampersand.mit.edu> To: gsp@MIT.EDU Subject: Gilbert and Sullivan Libretti for Palm computers Date: Tue, 01 Aug 2000 17:38:31 EDT From: Jason Goodman *** EOOH *** To: gsp@MIT.EDU Subject: Gilbert and Sullivan Libretti for Palm computers Date: Tue, 01 Aug 2000 17:38:31 EDT From: Jason Goodman If you're like me, you spend way too much time walking down the street, whistling airs from that infernal nonsense Pinafore. (And all the other G&S operas.) But often I'm whistling because I've forgotten the words. One day, after forgetting what comes after "...a large bathing machine and a very small second class carriage" for the Nth time, I decided to put all the G&S libretti on my Palm Pilot so that I could look up lyrics wherever I happened to be. (If you don't know what a Palm Pilot is, you might as well stop reading.) Yes, this is an incredibly geeky thing to do, but if anybody else on the planet is interested in this, it's gsp@mit.edu. It turns out the libretti don't appear to already exist on the 'Net in Palm-readable format. I grabbed the libretto text from the Gilbert and Sullivan Archive on the Web, but I had to reformat the text to make it readable on the small screen. This was enough of a pain to do that I thought I'd share my work with others. Hence, "Palm Pirates" (http://www.mit.edu/~goodmanj/palm-pirates/), a web site containing the Gilbert and Sullivan Libretti in DOC format. You'll need a DOC reader for the Palm, like AportisDOC or TealDOC, to read them; you can get one from http://www.palmgear.com. Potential uses: remembering lyrics while singing to oneself, resolving arguments over G&S trivia, and most importantly, memorizing dialogue for a part you're playing. I have finished converting Pirates, Patience, Pinafore, Mikado, Ruddigore, and Sorcerer. If your favorite isn't here, stop by a week or a month from now, and maybe it will be. You can suggest which operas I should work on next, but even better would be to do the conversion yourself -- pick your favorite opera and send me the edited textfile. E-mail me for a style guide and useful software tools. Comments on readability, typos, and accidental deletions are also welcome. Memory issues: DOC files are compressed; the six completed libretti average 38 K; I figure all 14 will take up just over 500 K; about 1/4 of the memory of a Palm III. Feel free to pass this message along to whomever you think might be interested. Jason Goodman Techie Emeritus MIT Gilbert & Sullivan Players  1, answered,, Summary-line: 2-Aug joey_dog@pacbell.net [21] #Re: I knew I'd find you! X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11595; Wed, 2 Aug 00 18:07:46 EDT Received: from mta5.snfc21.pbi.net by MIT.EDU with SMTP id AA26735; Wed, 2 Aug 00 18:07:30 EDT Received: from pacbell.net ([63.194.212.247]) by mta5.snfc21.pbi.net (Sun Internet Mail Server sims.3.5.2000.01.05.12.18.p9) with ESMTP id <0FYO00B5XQMVHF@mta5.snfc21.pbi.net> for opus@MIT.EDU; Wed, 2 Aug 2000 15:04:07 -0700 (PDT) Date: Wed, 02 Aug 2000 14:04:52 -0700 From: Cara Arellano Subject: Re: I knew I'd find you! To: "David C. Jedlinsky" Message-Id: <39888CF4.72E36E09@pacbell.net> Organization: Pacific Bell Internet Services Mime-Version: 1.0 X-Mailer: Mozilla 4.73 [en]C-PBI-NC404 (Win98; I) Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Accept-Language: en References: <398614E5.6B7B253D@pacbell.net> <200008022130.RAA02560@multics.mit.edu> *** EOOH *** Date: Wed, 02 Aug 2000 14:04:52 -0700 From: Cara Arellano Subject: Re: I knew I'd find you! To: "David C. Jedlinsky" Organization: Pacific Bell Internet Services Content-Type: text/plain; charset=us-ascii X-Accept-Language: en Hola! I'd love to have a copy. If you email back your address, I'll have the payment in the post by the weekend. I have relocated back to the Bay Area and am performing with the same company as before, now renamed, Lyric Theatre... Personally I think I'll make a bizarre Aline, but there's nothing wrong with bizarre.... What are you up to now? Still performing? (Silly question, I know.) -Cara  1,, Summary-line: 3-Aug to: opus@mit.edu [121] #[stevep@columbus.rr.com: OT: Quiz for professionals] X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28356; Thu, 3 Aug 00 14:10:34 EDT Received: from ipnh.mv.com (ipnh.mv.com [199.125.64.3]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27373 for ; Thu, 3 Aug 2000 14:10:24 -0400 (EDT) Received: (from opus@localhost) by ipnh.mv.com (8.9.1/8.9.1) id NAA08250; Thu, 3 Aug 2000 13:59:16 -0400 (EDT) Date: Thu, 3 Aug 2000 13:59:16 -0400 (EDT) From: "David C. Jedlinsky" Message-Id: <200008031759.NAA08250@ipnh.mv.com> To: opus@mit.edu Subject: [stevep@columbus.rr.com: OT: Quiz for professionals] *** EOOH *** Date: Thu, 3 Aug 2000 13:59:16 -0400 (EDT) From: "David C. Jedlinsky" To: opus@mit.edu Subject: [stevep@columbus.rr.com: OT: Quiz for professionals] Return-Path: From: "Steve Puffenberger" To: "Pigsfly" Subject: OT: Quiz for professionals Date: Thu, 3 Aug 2000 10:01:49 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Importance: Normal Reply-To: speedrazor@pigsfly.com Precedence: bulk I don't usually forward things, but this is worth the bandwidth... :) Steve > The following short quiz consists of 4 questions and tells whether you are > qualified to be a "professional". Scroll down for each answer. The > questions are not that difficult. > > 1. How do you put a giraffe into a refrigerator? > > > > > > The correct answer is: Open the refrigerator, put in the giraffe and close > the door. This question tests whether you tend to do simple things in an > overly complicated way. > > > 2. How do you put an elephant into a refrigerator? > > > > > > > > > Wrong Answer: Open the refrigerator, put in the elephant and close the > refrigerator. > > > > > > Correct Answer: Open the refrigerator, take out the giraffe, then put in > the elephant and close the door. This tests your ability to think through > the repercussions of your actions. > > > > > > 3. The Lion King is hosting an animal conference. All the animals attend > except one. Which animal does not attend? > > > > > > > > Correct Answer: The Elephant. The Elephant is in the refrigerator. > > This tests your memory. OK, even if you did not answer the first three > questions correctly, you still have one more chance to show your abilities. > > > > > > > 4. There is a river you must cross. But it is inhabited by > crocodiles. How do you manage it? > > > > > > > > Correct Answer: You swim across. All the Crocodiles are attending the > Animal Meeting. This tests whether you learn quickly from your mistakes. > > > > > > According to Andersen Consulting Worldwide, around 90% of the professionals > they tested got all questions wrong. But many preschoolers got several > correct answers. Anderson Consulting says this conclusively disproves the > theory that most professionals have the brains of a four year old. > > <<<< > > -----------cut here before you reply---------- subscribe/unsubscribe speedrazor-request@pigsfly.com or at http://www.pigsfly.com NOTE: Due to the recent "love bug" and clone viruses, Flying Pig Ranch STRONGLY recomends you DO NOT use Microsoft Outlook as your mail reader. We recomend you use Agent or Eudora for list and all other mail. ----------------------------------------------------  1,, Summary-line: 6-Aug sir-despard@ruddigore.fre [54] #Buxton 2000: Celebrity "Trial", Hinge & Brackett X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00987; Sun, 6 Aug 00 18:36:45 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA03113 for ; Sun, 6 Aug 2000 18:36:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA03023; Sun, 6 Aug 2000 18:36:14 -0400 (EDT) Date: Sun, 6 Aug 2000 18:36:14 -0400 (EDT) Message-Id: <001d01bffff4$9dc37a00$8638883e@hurricane> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Buxton 2000: Celebrity "Trial", Hinge & Brackett Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sun, 6 Aug 2000 18:36:14 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Buxton 2000: Celebrity "Trial", Hinge & Brackett Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Tonight we were treated to "A Celebrity Trial By Jury", followed by "An Evening With Hinge And Brackett". "Trial" first. The celebrities consisted of a number of old D'Oyly Carters (I mean the expression in its complimentary sense), plus some Festival regulars. John Dennison was a droll Judge, Thomas Round a likeable Defendant, Anne Sessions a powerful Plaintiff, Patricia Leonard a strong Counsel (though the chorus still referred to her as a "man of learning"!) and Michael Rayner a wonderfully pompous Usher. All the principals' singing was excellent. The Foreman was D'OC conductor David Steadman and the Associate was Festival MD Andrew Nicklin who together played the same piano on stage. The chorus included Ian and Neil Smith, Savoynet's own Stephen Turnbull, Stephen Godward (playing a smelly tramp in the public gallery), and, as one of the bridesmaids, Bronwen Evans (who was a bridesmaid in Savoynet's "Trial" two years ago). As a production of "Trial" it was solid although not particularly remarkable; however, judging by the amount of laughter in what was a packed house, there were quite a few in the audience who had probably never seen or heard TbJ before and were enjoying every minute. On to Hinge and Brackett. A quick explanation to anyone at present in the dark: Dr. Evadne Hinge and Dame Hilda Brackett are two English upper-crust old ladies who perform recitals of light opera songs, drawing-room ballads and the like; in reality they are two fairly young men, and their act is hilarious. Tonight the songs they performed were entirely by Gilbert and Sullivan, except for a Last-Night-Of-The-Proms-style rendition of "Land Of Hope And Glory" with audience participation at the very end. Particular highlights were their renditions of "I Cannot Tell What This Love May Be" from "Patience", "Things Are Seldom What They Seem" from "Pinafore" and "Cheerily Carols The Lark" from "Ruddigore". In between the songs were reminiscences of their "stage careers". Suffice it to say that I laughed so much my stomach started to hurt. (And I'm doing Jack Point tomorrow.... MUMMY!!!) Mike. "A jester, jesting free", Buxton 2000 Macclesfield, Cheshire, England  1,, Summary-line: 7-Aug jcb@alum.mit.edu [51] #pointer updates X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21538; Mon, 7 Aug 00 14:20:26 EDT Received: from polaris.shore.net by MIT.EDU with SMTP id AA08989; Mon, 7 Aug 00 14:19:07 EDT Received: from cmbr1-tnt-01-166.port.shore.net (VIOLA) [209.192.186.166] by polaris.shore.net with smtp (Exim) id 13LrUd-00079J-00; Mon, 07 Aug 2000 14:19:20 -0400 To: (several people) Subject: pointer updates From: "Jeff Bigler" Sender: jbigler@shore.net Reply-To: jcb@alum.mit.edu X-Mailer: GNU Emacs 19.34.6 X-Zippy: Where's SANDY DUNCAN? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Message-Id: Date: Mon, 07 Aug 2000 14:19:20 -0400 *** EOOH *** To: (several people) Subject: pointer updates From: "Jeff Bigler" Sender: jbigler@shore.net Reply-To: jcb@alum.mit.edu X-Zippy: Where's SANDY DUNCAN? Content-Type: text/plain; charset=US-ASCII Date: Mon, 07 Aug 2000 14:19:20 -0400 I now have a cell phone. If you're getting this, it's because I thought it might be useful for you to have the number. Feel free to give it to anyone who has a legitimate reason to need to get in touch with me. My calling plan (at least currently) gives me enough minutes each month that if you have a reason to call me, don't worry about whether it might cost me anything. It almost certainly won't. Weekdays between 10am and 6:30pm, try work first, then the cell phone. At other times, try home first, then the cell phone. Phone numbers are: Home: (781) 592-5802 Work: (781) 229-2282 Cell: (781) 883-2678 All three numbers have voice mail or an answering machine. Leave a message if you don't find me. My 500 number [(500) 445-5522] still forwards as of today, but AT&T tells me it will stop working some time next month. If you still have that number on your lists, please deprecate it. As for email, please send personal messages and anything else I should see in a timely manner to (regardless of the address I reply from). This address forwards to *both* my personal address and to my work address, so it gives you the best chance of my getting the message the soonest. (Though please note that I often don't read email at all on weekends.) Humor, email lists, party invitations, and other bulk messages should continue to go to . Also, because most of you are probably curious, Nancy and Margaret are doing well. (Hard to believe she'll be a month old this Friday!) We're starting to fall into a routine. Going out somewhere with Margaret is still a challenge, and visitors bearing food are still welcome. :) Take care, Jeff  1,, Summary-line: 9-Aug jcb@MIT.EDU [35] #Re: meet the baby X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08061; Wed, 9 Aug 00 17:10:21 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id RAA01949; Wed, 9 Aug 2000 17:10:13 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.184.0.40]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id RAA14695; Wed, 9 Aug 2000 17:10:13 -0400 (EDT) Received: (from jcb@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id RAA11300; Wed, 9 Aug 2000 17:10:13 -0400 (EDT) Date: Wed, 9 Aug 2000 17:10:13 -0400 (EDT) Message-Id: <200008092110.RAA11300@contents-vnder-pressvre.mit.edu> To: cjsmith@mit.edu Cc: dinner@mit.edu In-Reply-To: <200008092002.QAA11944@department-of-alchemy.mit.edu> (message from CarolYN J Smith on Wed, 09 Aug 2000 16:02:34 -0400) Subject: Re: meet the baby Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Mailer: GNU Emacs 20.3.1 X-Zippy: Didn't I buy a 1951 Packard from you last March in Cairo? References: <200008092002.QAA11944@department-of-alchemy.mit.edu> *** EOOH *** Date: Wed, 9 Aug 2000 17:10:13 -0400 (EDT) To: cjsmith@mit.edu Cc: dinner@mit.edu In-Reply-To: <200008092002.QAA11944@department-of-alchemy.mit.edu> (message from CarolYN J Smith on Wed, 09 Aug 2000 16:02:34 -0400) Subject: Re: meet the baby Reply-To: jcb@MIT.EDU From: Jeff Bigler X-Zippy: Didn't I buy a 1951 Packard from you last March in Cairo? > To: dinner@MIT.EDU > Subject: meet the baby > Date: Wed, 09 Aug 2000 16:02:34 -0400 > From: CarolYN J Smith > > So, Nancy and Jeff have asked me to organize a potluck at their place > on Saturday August 19 starting at 6PM. Please send me email if you can > be there, and let me know what you would like to bring. Additional > food restrictions (on top of their usual, which can be found on Jeff's > web page) are milk/cheese (but butter is OK) and cabbage, broccoli, > cauliflour. > > --cyn Actually, I've updated the food restrictions page to include these. for the latest. Jeff -- Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.) --Walt Whitman, in "Song of Myself" (1855)  1,, Summary-line: 22-Aug joey_dog@pacbell.net [32] #Re: SAVOYNET - YEOMEN OF THE GUARD X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21177; Tue, 22 Aug 00 11:53:02 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06300; Tue, 22 Aug 00 11:53:06 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA13068; Tue, 22 Aug 2000 11:52:34 -0400 (EDT) Date: Tue, 22 Aug 2000 11:52:34 -0400 (EDT) Message-Id: <39A28A85.9D6B39C3@pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: joey_dog@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Cara Arellano To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET - YEOMEN OF THE GUARD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.73 [en]C-PBI-NC404 (Win98; I) *** EOOH *** Date: Tue, 22 Aug 2000 11:52:34 -0400 (EDT) Reply-To: joey_dog@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Cara Arellano To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET - YEOMEN OF THE GUARD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > << why didn't more people audition and/or participate in the show? >> Oh joy, oh joy! Most happily, my charming, intelligent and devastatingly attractive husband has agreed to go to Buxton next year, so I will certainly be auditioning for the next production. I am new to the list and very excited about spending 3 happy, happy weeks immersed in "All G&S, all the time!" Too much happiness! Okay...so what's on the table for next year? Should I reserve a room now? (We're going to attend, performing or not). Where should I stay? Does Savoynet have a preferred lodging? When does the auditioning happen? How do I audition? Does the casting committee take bribes? = ) Cara Arellano San Jose, CA  1,, Summary-line: 27-Aug Ian@kentisview.freeserve. [39] #Re: A little mystery X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14186; Sun, 27 Aug 00 03:45:17 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA11750; Sun, 27 Aug 00 03:45:21 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA22491; Sun, 27 Aug 2000 03:44:55 -0400 (EDT) Date: Sun, 27 Aug 2000 03:44:55 -0400 (EDT) Message-Id: <002e01c00ff8$79508500$9c1c893e@ianbond> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Ian@kentisview.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: A little mystery Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sun, 27 Aug 2000 03:44:55 -0400 (EDT) Reply-To: Ian@kentisview.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: A little mystery Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Wrote:- > I have a copy of the piano/vocal score for Utopia, Ltd. and noticed the other > day that there is no piece of music marked No. 11. It goes from No. 10 -- > "Oh, admirable art" to the first act finale which is labelled No. 12 -- > "Although your royal summons to appear". I have just checked all my copies of the vocal score of UTOPIA and the numbering runs correctly in all the copies including the first edition so it would be interesting to know whether this is in actual fact an American first edition. No.11 would originally have been assigned to Princess Zara's Song - "Youth is a boon avowed" which was sung at the opening performance and then cut. Unfortunately the whereabouts of the autograph manuscript score seems to be unknown? At least it certainly was some years ago - maybe someone can enlighten us because until someone finds it, or finds a set of the original band parts - we will no know what this song was like. Ian Devon UK  1,, Summary-line: 28-Aug Marisawg@aol.com [31] #Marisa's New Address/Location etc. X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09892; Mon, 28 Aug 00 22:28:18 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA20725; Mon, 28 Aug 00 22:27:35 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA29141; Mon, 28 Aug 2000 22:27:54 -0400 (EDT) Date: Mon, 28 Aug 2000 22:27:54 -0400 (EDT) Message-Id: <3a.9bbf100.26dc776c@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: Marisa's New Address/Location etc. Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 120 *** EOOH *** Date: Mon, 28 Aug 2000 22:27:54 -0400 (EDT) Reply-To: Marisawg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisawg@aol.com To: Multiple recipients of list SAVOYNET Subject: Marisa's New Address/Location etc. Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As most of you already know, this fall (actually...this Friday!) I'm moving to Cambridge, MA. Among the many other pursuits that I'm very excited to take part in, I'm definitely planning on being involved in the G&S scene of the Boston area as much as I can...beginning with my audition in two weeks for the Harvard-Radcliffe Gilbert & Sullivan Players' PIRATES!! (Wish me luck!) As of September 9, my new main e-mail address (private messages here) will be: mwgreen@fas.harvard.edu I've set up a separate account for SavoyNet, though (for when I'm at school...I'll use my current AOL address when I'm at home) : thespian121@yahoo.com (a tenuous G&S connection AND a word to describe my way of life!) Looking forward to seeing many old & new friends, on stage and off! Marisa Green Harvard '04  1,, Summary-line: 1-Sep to: cjsmith@MIT.EDU [16] #Re: New address and phone X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05611; Fri, 1 Sep 00 16:52:32 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id QAA18516; Fri, 1 Sep 2000 16:47:30 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id QAA13997; Fri, 1 Sep 2000 16:47:30 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id QAA19283; Fri, 1 Sep 2000 16:47:29 -0400 (EDT) Date: Fri, 1 Sep 2000 16:47:29 -0400 (EDT) Message-Id: <200009012047.QAA19283@multics.mit.edu> From: "David C. Jedlinsky" To: cjsmith@MIT.EDU Cc: dinner@MIT.EDU In-Reply-To: <200009012020.QAA04532@all-night-tool.mit.edu> (message from CarolYN J Smith on Fri, 01 Sep 2000 16:20:03 -0400) Subject: Re: New address and phone References: <200009012020.QAA04532@all-night-tool.mit.edu> *** EOOH *** Date: Fri, 1 Sep 2000 16:47:29 -0400 (EDT) From: "David C. Jedlinsky" To: cjsmith@MIT.EDU Cc: dinner@MIT.EDU In-Reply-To: <200009012020.QAA04532@all-night-tool.mit.edu> (message from CarolYN J Smith on Fri, 01 Sep 2000 16:20:03 -0400) Subject: Re: New address and phone >617-627-9473 617-MARX-IRE ? 617-OAR-WIPE ? -Dave  1,, Summary-line: 1-Sep goodmanj@MIT.EDU [18] #Re: New address and phone X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA07564; Fri, 1 Sep 00 17:00:50 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id RAA21347; Fri, 1 Sep 2000 17:00:32 -0400 (EDT) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id RAA16926; Fri, 1 Sep 2000 17:00:31 -0400 (EDT) Received: by ampersand.mit.edu (8.8.8/4.7) id RAA05307; Fri, 1 Sep 2000 17:00:31 -0400 (EDT) Message-Id: <200009012100.RAA05307@ampersand.mit.edu> To: "David C. Jedlinsky" Cc: cjsmith@MIT.EDU Subject: Re: New address and phone In-Reply-To: Your message of "Fri, 01 Sep 2000 16:47:29 EDT." <200009012047.QAA19283@multics.mit.edu> Date: Fri, 01 Sep 2000 17:00:31 EDT From: Jason Goodman *** EOOH *** To: "David C. Jedlinsky" Cc: cjsmith@MIT.EDU Subject: Re: New address and phone In-Reply-To: Your message of "Fri, 01 Sep 2000 16:47:29 EDT." <200009012047.QAA19283@multics.mit.edu> Date: Fri, 01 Sep 2000 17:00:31 EDT From: Jason Goodman > >617-627-9473 > 617-MARX-IRE ? > 617-OAR-WIPE ? You know, there are some very good psychiatric programs to help you treat obsessive compulsions like this one. Jason  1,, Summary-line: 1-Sep goodmanj@MIT.EDU [11] #Re: New address and phone X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08434; Fri, 1 Sep 00 17:04:34 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id RAA22115; Fri, 1 Sep 2000 17:04:16 -0400 (EDT) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id RAA17695; Fri, 1 Sep 2000 17:04:16 -0400 (EDT) Received: by ampersand.mit.edu (8.8.8/4.7) id RAA05316; Fri, 1 Sep 2000 17:04:16 -0400 (EDT) Message-Id: <200009012104.RAA05316@ampersand.mit.edu> To: "David C. Jedlinsky" Cc: cjsmith@MIT.EDU Subject: Re: New address and phone In-Reply-To: Your message of "Fri, 01 Sep 2000 16:47:29 EDT." <200009012047.QAA19283@multics.mit.edu> Date: Fri, 01 Sep 2000 17:04:16 EDT From: Jason Goodman *** EOOH *** To: "David C. Jedlinsky" Cc: cjsmith@MIT.EDU Subject: Re: New address and phone In-Reply-To: Your message of "Fri, 01 Sep 2000 16:47:29 EDT." <200009012047.QAA19283@multics.mit.edu> Date: Fri, 01 Sep 2000 17:04:16 EDT From: Jason Goodman In any case, I like MAP WISE better. Hooray for a phone number without zeros or ones!  1,, Summary-line: 1-Sep SSilvers@shackandsiegel.c [47] #Sop./Tenor casting: Pete and Dave reply ASAP. X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11342; Fri, 1 Sep 00 17:17:12 EDT Received: from shackandsiegel.com (mail.shackandsiegel.com [208.195.240.131]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA19897 for ; Fri, 1 Sep 2000 17:16:54 -0400 (EDT) Received: from SSDOM-Message_Server by shackandsiegel.com with Novell_GroupWise; Fri, 01 Sep 2000 17:13:08 -0400 Message-Id: X-Mailer: Novell GroupWise 5.2 Date: Fri, 01 Sep 2000 17:12:29 -0400 From: "Samuel Silvers" To: marion@leedscarroll.com, opus@MIT.EDU Cc: PeteEmery@aol.com, Thirdfromleft@aol.com, rconsentino@mediaone.net Subject: Sop./Tenor casting: Pete and Dave reply ASAP. Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Fri, 01 Sep 2000 17:12:29 -0400 From: "Samuel Silvers" To: marion@leedscarroll.com, opus@MIT.EDU Cc: PeteEmery@aol.com, Thirdfromleft@aol.com, rconsentino@mediaone.net Subject: Sop./Tenor casting: Pete and Dave reply ASAP. Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline >>> "David C. Jedlinsky" 09/01 4:27 PM >>> My biggest concern is getting home Sunday night before midnight, so I can get to work early Monday morning (I believe Tyler is in a similar situation). This would mean leaving around 7:00pm or earlier. =20 Mikado will be last, so I will make sure that Dave is not cast in Mikado. That means that Dave will do Marco at noon, followed immediately by Carboy. Then we will have lunch. The tenor in Yeomen is Larry Raiken, and the tenor in Mikado will be Pete. Pete is also singing Luis in Gondoliers. The question then becomes=20 whether Dave or Pete want to sing the Plaintiff in the sex-reversed=20 Trial. Gentlemen, do you have a preference? Or, I should leave it uncast and solicit volunteers? =20 As to sopranos, Becca is Giannetta and Elizabeth is Casilda. Becca is also singing Laetitia and Elizabeth is singing Elsie. If Marion can=20 come, she will sing Yum Yum. Otherwise, Becca and Elizabeth will=20 split it, or one can yield to the other (Maybe Elizabeth could do the=20 1st Act with the kissing duet, since Pete will be the kissee, and=20 Becca could do the second act, with Sun whose Rays?). Also if Marion comes, she would do the Defendant in the sex-reversed Trial by Jury. If she does not come, could Elizabeth fill in? If Marion does not come, I would like to hold it uncast for a couple of weeks in case there is another soprano who joins us and does not have a role at all, but it would be good to know that Elizabeth would be willing to learn it if no one steps forward.=20 Note that in the sex-reversed "Misstrial by Jury" some of the lyrics have been rewritten by Todd Sollis and Carol Davis, so that it works very well as a show about Edwina and [Andrew?]. Anyway, Carol will get the changed lyrics to us next week. The show was performed by the Blue Hill Troupe about 15 years ago. I hope this works for everyone! Dave and Pete, please let me know that you and Elizabeth are satisfied with all this. I think Becca and Marion have already indicated their approval. Sam (casting is hell) Silvers  1,, Summary-line: 4-Sep oakapple@cris.com [38] #Re: A little mystery X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA27638; Mon, 4 Sep 00 08:00:16 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA19031 for ; Mon, 4 Sep 2000 07:59:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA10886; Mon, 4 Sep 2000 07:59:49 -0400 (EDT) Date: Mon, 4 Sep 2000 07:59:49 -0400 (EDT) Message-Id: <39B38E4E.E78A1BED@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: A little mystery Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Mon, 4 Sep 2000 07:59:49 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: A little mystery Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dmne@aol.com wrote last week that he has a vocal score of UTOPIA LIMITED that goes from No. 10 to No. 12 in Act I, omitting No. 11. This would be the position of the cut "Youth is a boon avowed." Ian Bond replied that he checked all of his copies, including the first edition, and none of them have a gap for No. 11, and he wondered whether the original poster's score might be an American one. I've just noticed the following comment in Allen's FNG&S, p.413: In the copy of the original [vocal] score belonging to the D'Oyly Carte Opera Commpany, the numbers skip from No. 10 (Duet, Zara and Fitzbattleaxe) to No. 12 (Finale), leaving No. 11 significantly missing. (A score in DC archives would almost surely be a Chappell score; if it were not, Allen, that master bibliographer, would have told us so.) Based on this comment, it would seem that the Chappell score was originally issued with a gap for No. 11, but perhaps it sold in this state for only a short time before being superseded, and copies would be extremely rare. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 6-Sep rmacphai@bridgewater.edu [44] #OUP Scores Cheap(er) X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10991; Wed, 6 Sep 00 16:41:23 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA16318; Wed, 6 Sep 00 16:41:27 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA17469; Wed, 6 Sep 2000 16:38:54 -0400 (EDT) Date: Wed, 6 Sep 2000 16:38:54 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: OUP Scores Cheap(er) Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 6 Sep 2000 16:38:54 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: OUP Scores Cheap(er) Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I just called Oxford University Press to order the _Ruddigore_ vocal score and full score, which were listed in the flyer I received this summer at $19.95 and $150.00, with a postage charge of $3.00 Pat, who answered the 800 number I called (she's at the Distribution Center in Cary, North Carolina), quoted the prices at $12.95 and $130.00 (+ $4.25 postage). If you're interested in these scores, call the number, and perhaps you will receive the same quote! Info: Ruddigore vocal acore 019 3243520 $12.95 Ruddigore full score 019 3243504 $130.00 Shipping: $4.25 Phone: 800/451-7556 FAX: 919/677-1303 Best regards, Rafe -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. RMacPhai@Bridgewater.edu (540) 828-5342 Box 114 Bridgewater College FAX: 828-5479 Bridgewater VA 22812-1599 USA HOME: 828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, Summary-line: 6-Sep adrian.bridgman@which.net [52] #Re: Utopia score (was: A little mystery) X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24831; Wed, 6 Sep 00 19:18:15 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA00620 for ; Wed, 6 Sep 2000 19:17:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA25737; Wed, 6 Sep 2000 19:10:38 -0400 (EDT) Date: Wed, 6 Sep 2000 19:10:38 -0400 (EDT) Message-Id: <39B6CAEC.461F4F2D@which.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: adrian.bridgman@which.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adrian Bridgman To: Multiple recipients of list SAVOYNET Subject: Re: Utopia score (was: A little mystery) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.04 [en] (Win95; I) *** EOOH *** Date: Wed, 6 Sep 2000 19:10:38 -0400 (EDT) Reply-To: adrian.bridgman@which.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adrian Bridgman To: Multiple recipients of list SAVOYNET Subject: Re: Utopia score (was: A little mystery) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marc Shepherd wrote: > I've just noticed the following comment in Allen's FNG&S, p.413: > > In the copy of the original [vocal] score belonging to the > D'Oyly Carte Opera Commpany, the numbers skip from No. 10 > (Duet, Zara and Fitzbattleaxe) to No. 12 (Finale), leaving > No. 11 significantly missing. > Peter Meason has confirmed that the DC Trust has a copy of the full score which omits No. 11 and I suggest that it is this score which Reginald Allen cites in FNG&S, not a vocal score. I have an early piano solo score in which No. 20 (With Wily Brain) is headed: TRIO-(King, Scaphio, & Phantis) instead of Tarara, Phantis & Scaphio. I wonder whether this error occurred as a result of the re-numbering of the score after Zara's song was cut. In changing 21 to 20 the typesetter may have copied the heading from the original number 20. This might indicate that the plates had been set up to include Zara's song in the piano score (and presumably the vocal score also). This piano score includes the familiar Act 2 Finale "There's A Little Group Of Isles". According to Allen, the first night Finale "When Monarch Of Barbaric Land" was not replaced in performance until the 13th October. Would publication of the vocal and piano scores have been held over for a week or might there have been an earlier edition of either? I have an earlier edition of the libretto which includes "When Monarch Of Barbaric Land" (and Tarara's "affidavit" speech) but even this omits Zara's song. Regards Adrian Bridgman Swansea, Wales  1,, Summary-line: 12-Sep to: rls@dimins.com [78] #[dduffey@argonet.co.uk: ConceQwert] X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02383; Tue, 12 Sep 00 11:54:12 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id LAA03585; Tue, 12 Sep 2000 11:51:09 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id LAA01922; Tue, 12 Sep 2000 11:51:09 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id LAA06090; Tue, 12 Sep 2000 11:51:08 -0400 (EDT) Date: Tue, 12 Sep 2000 11:51:08 -0400 (EDT) Message-Id: <200009121551.LAA06090@multics.mit.edu> From: "David C. Jedlinsky" To: rls@dimins.com Subject: [dduffey@argonet.co.uk: ConceQwert] *** EOOH *** Date: Tue, 12 Sep 2000 11:51:08 -0400 (EDT) From: "David C. Jedlinsky" To: rls@dimins.com Subject: [dduffey@argonet.co.uk: ConceQwert] ------- Start of forwarded message ------- This is the thing in England I had mentioned to you earlier. It could be the "excuse" for going, but certainly not the entire reason. -Dave Date: Mon, 4 Sep 2000 19:55:42 -0400 (EDT) From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: ConceQwert Thus far we have 24 people who have expressed an interest in taking part in the ConceQwert on Saturday 26 May 2001. As far as I am aware this will be the first occasion that SavoyNet will have given a concert. Although May 2001 seems a long way off, certain decisions have been taken. The venue is the Church of St Mary Magdalene, Gedney, Nr Holbeach, Lincolnshire, England. A picture of the church may be viewed at http://www.galfridus.f9.co.uk/church/gedney.htm and the page contains a link to a location map. Past experience of concerts at this venue indicates that an audience of about 300 can be expected. Tickets will cost 5ukp, the price to include a glass of wine at the interval. Conditions will be similar to a normal Qwert (if there is such an animal), in that arrival will be at any time on Saturday morning (although some people may prefer to come on Friday evening, and this can be accommodated). Instead of launching straight into a sing-through, the Saturday afternoon will be taken up with rehearsals for the concert, there being two (possibly three) rehearsal spaces|: viz our house, which abuts the churchyard, the body of the church and the vestry of the church. The third of these is dependent on remedial action to the piano in the vestry. Refreshments (Jill Duffey style) will be served throughout the afternoon and early evening. The concert will start at 7 p.m. and finish at about 9.15 to 9.30, at which time the assembled company will repair to Schlossbass for take away meals and more singing. Accommodation will be at a Motel (less than 1 mile) and local B&B (also within 1 mile radius), with transport to and from these provided. Breakfast on the Sunday morning will be provided at Schlossbass and the weekend will transform into a Qwert proper. Buffet lunch will be served. I would like to begin the concert with a complete (semi-staged) performance of Trial and for the evening then to contain items from all other 13 operas. Everyone to be in the chorus, with people stepping out to do solos and other concerted items. I would like also for some other Sullivan - and David Cookson has already volunteered to play the church organ for anyone wishing to sing The Lost Chord, and there is scope for other Sullivan items too. To make the plan viable, we will need a few more people, so please consider coming. Don't worry about having to get back to work - the Monday is a Bank Holiday. The church is large and ancient, with a wonderful acoustic; even my voice sounds good in it. Please let me know what you would like to sing, and whether you wish to be considered for a principal part in Trial - or if there is no volunteer for Usher, whether you want to direct it. There are other decisions still to be made, one of which concerns dress. Perhaps I could talk to my good friends Bob and Jackie about Tee shirt design and manufacture, or we could opt for evening dress. David ------- End of forwarded message -------  1,, Summary-line: 12-Sep jcb@MIT.EDU [37] #[traciy@mahonkin.com: Victorian clothing] X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13022; Tue, 12 Sep 00 15:12:56 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id PAA15557 for ; Tue, 12 Sep 2000 15:12:31 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.184.0.40]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id PAA20240 for ; Tue, 12 Sep 2000 15:12:31 -0400 (EDT) Received: (from jcb@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id PAA04812; Tue, 12 Sep 2000 15:12:29 -0400 (EDT) Date: Tue, 12 Sep 2000 15:12:29 -0400 (EDT) Message-Id: <200009121912.PAA04812@contents-vnder-pressvre.mit.edu> To: gsp@mit.edu Subject: [traciy@mahonkin.com: Victorian clothing] From: Jeff Bigler X-Mailer: GNU Emacs 20.3.1 X-Zippy: Should I start with the time I SWITCHED personalities with a BEATNIK hair stylist or my failure to refer five TEENAGERS to a good OCULIST? Reply-To: jcb@MIT.EDU *** EOOH *** Date: Tue, 12 Sep 2000 15:12:29 -0400 (EDT) To: gsp@mit.edu Subject: [traciy@mahonkin.com: Victorian clothing] From: Jeff Bigler X-Zippy: Should I start with the time I SWITCHED personalities with a BEATNIK hair stylist or my failure to refer five TEENAGERS to a good OCULIST? Reply-To: jcb@MIT.EDU I got this from another list I'm on. If MITG&SP's costume budget can afford it, this might or might not be worth looking into. Jeff ------- Start of forwarded message ------- Date: Mon, 11 Sep 2000 22:27:23 -0400 From: Traciy Fogarty Subject: Victorian clothing I am a victorian clothing fan and have found a place to buy whole sale but my first order has to be at least $1,000 and am looking for others intrested in buying things as well. Whole sale appears to be 50-60% lower then list and I have bought from Recollection before and believe in their products. To look at the clothes (which go up to size 26) check out http://www.nemaine.com/femmefatale - for a seller to compair prices or www.recollections-me.com email me and let me know if you are intrested and what piece you are intrested in and I'll send you the price that I can get wholesale. And as always reply to me not the list. - -traciy ------- End of forwarded message -------  1,, Summary-line: 15-Sep c.m.wain@uso.keele.ac.uk [57] #The Real Millennium QWERTYUIOP (aka QWERTY-Staffs) X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06845; Fri, 15 Sep 00 12:12:12 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21318; Fri, 15 Sep 00 12:12:19 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA15527; Fri, 15 Sep 2000 12:11:09 -0400 (EDT) Date: Fri, 15 Sep 2000 12:11:09 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: c.m.wain@uso.keele.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C. Wain" To: Multiple recipients of list SAVOYNET Subject: The Real Millennium QWERTYUIOP (aka QWERTY-Staffs) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: ELM [version 2.5 PL3] *** EOOH *** Date: Fri, 15 Sep 2000 12:11:09 -0400 (EDT) Reply-To: c.m.wain@uso.keele.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C. Wain" To: Multiple recipients of list SAVOYNET Subject: The Real Millennium QWERTYUIOP (aka QWERTY-Staffs) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Now all the razzmatazz is nearly 12 months in the past, how would you like to spend the real millennium Eve singing Gilbert and Sullivan? And we all know how little excuse is required at any time to start singing choruses (or indeed solos) in public.... We are able to announce the ideal venue - a stately home at the centre of Keele university campus, where portraits of bygone vice-chancellors hang at the end of the corridor in a bad light. (Descent from frames is not guaranteed but cannot be ruled out). And there is a lake with (probably) frogs from which repentant fairies may be summoned. Features of the weekend may include a tour of the house and a walk round the lake as well as the usual singing of G&S, for which the university Senior Common Room will be used. It is 5 minutes' walk from our house, and a few minutes' drive from the M6. A Travel Lodge in the vicinity provides overnight accommodation - 39 pds a room. No increase for the date. The provisional programme is to gather at our house on the morning of Sunday 31st December, adjourn at 12 noon to Keele Hall, sing with occasional intervals for rest and refreshment until some twelve hours have elapsed, go to the Travel Lodge to sleep, return to our house for breakfast on the morning of Monday 1st January, have an extra half day singing, disperse round about Monday lunchtime to allow those who need to to get to work the next day. For those who wish to come earlier, we shall be happy to see you on Saturday 30th, and if one of you is a pianist we will start the singing on Saturday too. Similarly if you cannot leave on New Year's Day because you need to use public transport, you will be very welcome to stay longer. The pattern will be similar to that at Cardiff - music only for most operas, libretto included for one (perhaps). Takeaway to be ordered at a suitable hour. It need hardly be said that those who, in defiance of the Astronomer Royal, believe that the new Millennium began nine months ago will also be welcome provided only that they enjoy singing (or at least listening to) Gilbert & Sullivan! Bookings are now officially open - please send me (rda01@keele.ac.uk) your names, any particular requests for operas, and an indication of when you would like to arrive (31st morning, 30th for evening meal, 30th morning etc - though if you can only arrive late we should still be glad to see you). Oh, and dietary requirements would be useful. At a later stage I will send out directions and invite offers for particular parts. Chris and Sandra (5th Yeoman from the front and a long-ago Nanki-Poo at a girls' school)  1,, Summary-line: 18-Sep 78s2cd@home.com [43] #Re: Scores on CD X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA14812; Mon, 18 Sep 00 14:24:39 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA28242 for ; Mon, 18 Sep 2000 14:24:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA06670; Mon, 18 Sep 2000 14:22:33 -0400 (EDT) Date: Mon, 18 Sep 2000 14:22:33 -0400 (EDT) Message-Id: <39C65658.E348B43A@home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en] (Win95; U) *** EOOH *** Date: Mon, 18 Sep 2000 14:22:33 -0400 (EDT) Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Mitchell Scott Gillett wrote: > Why can't we do this with public domain G&S scores? I doubt we could fit > all 13 on one disk (I don't know, could we) I once scanned an old music book of over 500 pages to a high-quality PDF file that printed beautifully on an ink-jet printer (using lots of ink). The file size was something like 80 megabytes (including several color pages).. A high-capacity (80-min) CD-R holds 700 megabytes. So by my calculation you would have space for an average of over 300 pages for each of the thirteen operas. All thirteen should easily fit a single CD. I would think a CD of the entire canon would be a popular item. The possibilities for preserving and making accessible other printed G&S artifacts in this manner seem endless. Regards, Jim -- J. C. Lockwood 78s2CD 78s2CD@Home.com --------------------------------- Vintage Record Restorations on CD Gilbert & Sullivan a Specialty http://members.home.net/78s2cd/ Building a Sir Harry Lauder Memorial  1,, Summary-line: 19-Aug oakapple2@yahoo.com [177] #RUDDIGORE Appreciated from a Distance Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA08710; Thu, 19 Aug 99 10:15:09 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA10513; Thu, 19 Aug 99 10:15:05 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA13889; Thu, 19 Aug 1999 10:15:06 -0400 (EDT) Date: Thu, 19 Aug 1999 10:15:06 -0400 (EDT) Message-Id: <19990819140739.27752.rocketmail@web125.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE Appreciated from a Distance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 19 Aug 1999 10:15:06 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE Appreciated from a Distance Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I didn't see the SavoyNet RUDDIGORE, but I followed the preparations assiduously, and I saw parts of the first two days of rehearsals. For the benefit of the many SavoyNetters who did not take part, I thought it would be helpful to say a few words about what went into it. It may seem surprising that we are already into the selection process for the 2000 show, when the 1999 show was finished just two weeks ago. But, last year's selection process started at about this time. It really does take almost a year to prepare such a show. After Stephen Hill (producer), David Duffey (stage director), and Larry Garvin (musical director) were selected, things went quiet for a couple of months while they prepared an application to the festival and awaited the Smiths' verdict. Once RUDDIGORE was selected as the show, planning for auditions went into gear. Since any SavoyNetter worldwide was eligible, traditional auditions were obviously out of the question. Instead, candidates for principal roles auditioned by videocassette or audiocassette--that is, in whatever format the auditionees could provide samples of their prior work. The audition committee consisted of two people from England (Duffey and Hill) and two from the United States (Garvin and Don Smith). SavoyNetter Peter Parker collected the audition tapes and prepared dubs for all four committee members, with the video formats adjusted to PAL or NTSC as necessary. (Peter also videotaped rehearsals and assisted the official videographer on the night.) Naturally, it took a few months for all of these tapes to be assembled and distributed, and verdicts rendered. There were no auditions for the chorus--if you wanted in, you were in. David even found places in the chorus for non-singers (they were credited as "actors" in the program). SavoyNet fielded a chorus somewhat larger than typical for an amateur show. I sincerely hope that the SavoyNet production can remain open to all comers. Obviously, there could come a point where it is no longer tenable, but I think that a creative director can find ways to use people aside from the traditional "homogenous chorus." How to utilize a large chorus could be the subject of a whole post, but I'll give some examples of David's approach. In the typical production of RUDDIGORE, all the non-principal men are Bucks & Blades in Act I and Ghosts in Act II. All the non-principal women are Bridesmaids in both acts. Rather than swelling the ranks of the traditional groupings, David deployed his large cast in other ways. Several of the men became the "sons of the tillage" that the bridesmaids refer to in Act I. A group became the "evil crew" that Mad Margaret refers to. A few of the women became "serving wenches" (non-bridesmaid residents of Reddering). Lastly, Peter Zavon had a walk-on role as a Doctor of Divinity in the Act I finale. I think that this approach would work readily in other operas. For example, the libretto of THE MIKADO states that there is a chorus of "School-girls, Nobles, Guards, and Coolies." In many productions, one does not see any guards or coolies. Similarly, productions of PRINCESS IDA often omit the "Daughters of the Plough." With its large resource pool, SavoyNet is in a position to rectify these omissions. After the chorus ranks were assembled, there was a considerable correspondence that led to David deciding who would have what roles, who would be in the sword dance, and so forth. All of this was established long before the team got to Buxton--a necessity not only so that David could do his planning, but so that the right costumes could be ordered for each chorister, and so that ghosts could be matched to picture frames. The directors built up a production team that would be the envy of many amateur groups. Shani D'Cruze coordinated costumes. This was no small task: our group was so large that no single costume hire could outfit us all. I understand that many of the costumes required significant alterations during show week, a not inconsiderable task for Shani and her crew. Shani also sent VERY detailed notes to the cast and answered innumerable questions on such matters as shoes, gloves, stockings, hats, wigs and hair--even brassieres. Dave Kirby tackled the make-up. I was very impressed when he arrived with diagrams illustrating the "right way" to decorate the eyes. Although the set was provided by the festival, many technical points needed looking-after, and Jeff St. Clair appeared to have it all well under control. Paul Cohen assisted with lighting. During show week, there seemed to be more musical rehearsals than I had expected the group to have time for. Nevertheless, such a show could not have been possible unless everyone arrived in Buxton knowing the music. All of the cast seem to have taken this quite seriously, judging from the first choral rehearsal that I listened to. This allowed Larry Garvin to work on polishing and phrasing, instead of banging notes. In the nomination of the Madrigal as Best Concerted Piece lies proof of the virtue of his teaching. All of this musical preparation did not happen by accident. David Cookson made MIDI files for those who needed a learning aid. In the months leading up to the show, Larry distributed extremely detailed musical notes, keyed to both the Chappell and Schirmer scores. These can be viewed on the web at: http://www.btinternet.com/~richards.gands/ruddigore99/snetruddigore.htm I found Larry's musical instincts superb, and his notes would be a good starting point for *any* production of RUDDIGORE. But, aside from whether one agrees with a particular note or other, it's an object lesson in how to prepare a team of singers without being able to rehearse them in person. Even in a traditional production, I think that MDs would help themselves and their casts by preparing such notes. Larry also came to Buxton with a set of orchestra parts, already corrected and marked as he wanted them played. In an setting where one gets just one three-hour rehearsal with the orchestra before the show, his preparation gave the company a valuable head start. The production, by the way, benefitted from having three accompanists: Larry Byler, David Cookson, and Clive Woods. Not all were able to be there at all times (and Clive was actually *in* the show), but between the three of them, the rehearsals were always covered. Bob and Jackie Richards designed and ordered coordinating caps, golf shirts, and tee shirts bearing the SavoyNet RUDDIGORE logo. They sold these above cost, and the profits were used to cover production expenses. (The festival provides the opera house, set and orchestra, and cast members were responsible for paying their own costume hire, but there were still many other little costs.) During rehearsals, David was fortunate to have Diana Burleigh as assistant director. From my own observations, and from the reports of others, it's clear that Diana threw herself into the task with all the fervour at her command. At David's suggestion, she focused on rehearsing the bridesmaids, although I'm sure she pitched in at other points. Her job, as she explained it, was to implement David's concept, and if she personally had any other concept of RUDDIGORE, you would never have known it. Much has been made of the fact that SavoyNet put on RUDDIGORE with only four full days of rehearsal. I certainly do not want to minimize this accomplishment, but it must be understood that many months of preparation led up to it. Most SavoyNetters won't have seen what went on in the background, because a separate listserv was set up *just* for production matters. Naturally, there were also private communications between the directors and individual principals. The upshot is that the team arrived in Buxton prepared to make the most of the brief rehearsal time allowed. Jill Duffey led a small team that provided rehearsal refreshments, ensuring that valuable time was not lost while cast members searched out a plate of macaroni or a rusk. I've described many of the things that I thought went *right* about RUDDIGORE. No doubt there were a few lessons learned, as well. A few of them have been alluded to in the last couple of weeks' discussion. It is not my place to criticize, and so I won't. Meantime, I hope that this gives non-participants a little idea about what went into the SavoyNet RUDDIGORE. For the group's first full-length show, I think that the outcome was admirable. From the reports, it seems that the show was up to the festival standard, and given Ian Smith's prompt invitation to return, he must have thought so too. === Marc Shepherd Home: oakapple@cris.com Work: marc.shepherd@ssmb.com __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com  1,, Summary-line: 19-Sep Raywalker@appleonline.net [56] #Scores on CD X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29634; Tue, 19 Sep 00 16:46:11 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14869; Tue, 19 Sep 00 16:45:03 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA06531; Tue, 19 Sep 2000 16:45:32 -0400 (EDT) Date: Tue, 19 Sep 2000 16:45:32 -0400 (EDT) Message-Id: <39C7E937.E6AF1CFB@appleonline.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.72 (Macintosh; I; PPC) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id QAA06531 *** EOOH *** Date: Tue, 19 Sep 2000 16:45:32 -0400 (EDT) Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Scores on CD Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id QAA06531 I was interested to read all comments and observations on the pros and cons of putting scores on CD. Many Savoynetters will know that I have made available 5 facsimiles of the rarer Sullivan vocal scores which had never been reset since their first engravings between 1864-92, thus allowing their copyright to run out. As these are facsimiles I cannot claim fresh copyright, but this would never be my intention. My aim has been to try to make good the deficiency of scores available so that certain rare works (Kenilworth, Cox & Box, Contrabandista, The Window, & Foresters in my case) won't die out! It has been noticed that some early scores have been republished with slight alteration to staves so that they can claim fresh copyright, but whether their activity would stand up in court I wouldn't like to gue= ss. In preparing scores for scanning a considerable amount of man-hours is spent in adjusting grey levels of scans, eradication of grimy shadows running through the music, and cleaning up the minute splatterings of ink which have sometimes looked like extended note markings. It is a very slow dedicated job, make no mistake and is done for the love of the = work. Remember that Chappells and other publishers have reset most of the libretti and vocal scores of the operas so one shouldn't assume that a 70 year copyright is over. This year Cramer has with great faith in the Sullivan Centenary totally reset "The Light of the World", cantata with the same number of staves as the original. Their copyright is obviously =A9 2000. At =A312, and without the work one would otherwise need to make pdf. page copies back-to-back and bind the material, is it really effective to think of transferring from a CD. All my files (1.1Mb TIFF per page) could easily be turned into pdfs and an Acrobat document but how many would be prepared to pay for the time to convert it all back again? Cramer could I'm sure offer a CD version if there were sufficient orders as their files are natively electronic and so little further work is involved in publishing a CD. Would many want them? Ray Walker 6 Lindow Fold Cheshire SK9 6DT +44 (0) 1625 530030  1,, Summary-line: 20-Sep jweiss@MIT.EDU [15] #Re: Backups? X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21089; Wed, 20 Sep 00 01:38:38 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id BAA11260 for ; Wed, 20 Sep 2000 01:38:11 -0400 (EDT) Received: from Bearing-An-Hourglass.mit.edu (BEARING-AN-HOURGLASS.MIT.EDU [18.101.0.115]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id BAA13907 for ; Wed, 20 Sep 2000 01:38:10 -0400 (EDT) Received: (from jweiss@localhost) by Bearing-An-Hourglass.mit.edu (8.9.3) id BAA13517; Wed, 20 Sep 2000 01:38:09 -0400 (EDT) Message-Id: <200009200538.BAA13517@Bearing-An-Hourglass.mit.edu> From: Jonathon Weiss To: "David C. Jedlinsky" Subject: Re: Backups? In-Reply-To: Your message of "Wed, 20 Sep 2000 01:34:21 EDT." <200009200534.BAA13918@multics.mit.edu> Date: Wed, 20 Sep 2000 01:38:09 -0400 Sender: jweiss@MIT.EDU *** EOOH *** From: Jonathon Weiss To: "David C. Jedlinsky" Subject: Re: Backups? In-Reply-To: Your message of "Wed, 20 Sep 2000 01:34:21 EDT." <200009200534.BAA13918@multics.mit.edu> Date: Wed, 20 Sep 2000 01:38:09 -0400 Sender: jweiss@MIT.EDU to answer the question you're about to ask: fs mkm ~/OldFiles user.opus.backup Jonathon  1,, Summary-line: 20-Sep oakapple2@yahoo.com [67] #Re: Scores on CD X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05378; Wed, 20 Sep 00 03:59:48 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA21192; Wed, 20 Sep 00 03:58:38 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA04359; Wed, 20 Sep 2000 03:58:06 -0400 (EDT) Date: Wed, 20 Sep 2000 03:58:06 -0400 (EDT) Message-Id: <20000920075307.681.qmail@web111.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 20 Sep 2000 03:58:06 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum It looks like this idea is gathering momentum. On scanning in PD orchestral scores: I am doubtful of the value. The PD MIKADO full score (Bosworth, 1893) is pretty bad. When you can get the Dover edition (beautiful layout, acceptable text, large page size) for $20, the utility of having it on CD becomes questionable. Oh yes, if someone is willing to do the labor, I'll take it. But it's not something I'd spend _my_ time on. (The German language PINAFORE I referred to yesterday is _very_ rare, and Dover will have a PINAFORE FS in the next year or so.) As a few people have observed, just to scan in a score to an acceptable quality level is a non-trivial task. To scan them in _and_ modify the text is a higher degree of difficulty. If we're going with scans, I think it would be more practical to provide the original documents "as is," along with an accompanying Word document explaining any errata or other textual issues. As others have mentioned, software exists that will convert a scanned music score into Sibelius, Finale, or other music notation programs. Given the poor type quality of the older scores we're likely to be working with, anyone who takes this approach should be prepared to do an awful lot of correcting. I have Finale and would be willing to try out some test files, to see if it is practical. (Someone else would need to do the scanning & converting for me.) The advantage -- if it works -- is that you get a beautiful edition in modern type. You can also write out repeats, show alternative versions, and so forth. As Ron Orenstein observed, once you get the score into a music notation program, you can produce MIDI output. This is my new method of learning music: I enter it in Finale and use MIDI playback to practice with. For YEOMEN, I produced MIDI files that played only my part, with "deadened" accompaniment. After I had learned that, then I would practice with another MIDI file that contained all the parts. I could imagine a "Student's G&S" series that contained MIDI files for every chorus and/or principal role. What a boon it would be for learning new roles! OTOH, if we're going to go with straight scans, then I hope that we will be able to include as many scores as possible. As I suggested previously, a single CD would probably have room to spare for the Sw/oG operas, and perhaps some serious Sullivan as well. Certainly, we should strive to include significant alternative versions where available. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/  1,, Summary-line: 20-Sep C.Woods@sheffield.ac.uk [44] #Scores on CD X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA19375; Wed, 20 Sep 00 07:21:26 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA04257; Wed, 20 Sep 00 07:20:18 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA06740; Wed, 20 Sep 2000 07:20:37 -0400 (EDT) Date: Wed, 20 Sep 2000 07:20:37 -0400 (EDT) Message-Id: <1E3206650BC@ridingwood.shef.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 20 Sep 2000 07:20:37 -0400 (EDT) Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Content-Type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum At 19:26 on 19 Sep 00, deebee@netspace.net.au wrote: > just imagine an accompanist not having to cart a whole pile of scores > around and keep having to find the next one from the tower beside the piano! Hold on, here, aren't we forgetting something? if the choice is between: 1. Carrying around a full set of scores (two carrier bags will suffice), or 2. Carrying around a computer, monitor, CD ROM, printer, enough paper for printing off whatever is needed, a reliable binding system (hole punch and a supply of comb binders), waiting for the printer to print pages at tortoise speed, giving (probably) a single-sided result (i.e. double the number of page-turns), using (probably, for copyright reasons explained by others combined with the impracticality of converting to a modern score-printer format) old moveable-type sources that are impossible to read then I know which I'd prefer. To make this feasible, the technology needs to advance to the point where _fast_ double-sided printing on a portable printer is possible (and we need to wait until the better quality engraved scores are out of copyright). Now if someone could invent a foolproof way of fixing up a video display on the piano so that the music can be displayed "on the fly" for the pianist (with adequate facilities for the equivalent of page turning and turning back for repeats and so on), then I might get more interested as far as QWERTYUIOPs and "scratch" performances are concerned; but for serious work the pianist will need to make notes on the score, and that rules out the "on the fly" display at current levels of technology. Clive Luddite Woods  1,, Summary-line: 20-Sep tim.bartlett@virgin.net [42] #Re: Scores on CD X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28652; Wed, 20 Sep 00 08:29:46 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA11130 for ; Wed, 20 Sep 2000 08:29:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA11491; Wed, 20 Sep 2000 08:28:48 -0400 (EDT) Date: Wed, 20 Sep 2000 08:28:48 -0400 (EDT) Message-Id: <000501c022fd$bc26bee0$c338a8c2@wonwjike> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.5 *** EOOH *** Date: Wed, 20 Sep 2000 08:28:48 -0400 (EDT) Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marc wrote:- . This is my new method of learning >music: I enter it in Finale and use MIDI playback to practice with. For >YEOMEN, I produced MIDI files that played only my part, with "deadened" >accompaniment. After I had learned that, then I would practice with >another MIDI file that contained all the parts. I agree: for anyone who (like me) is a less-than-accomplished pianist, midi files are such a super way of learning music that I wonder how anyone ever managed without them. But I don't think you need separate midi files for each part or for different balances between singer lines and accompaniment. One file with each line recorded as a separate track will do it -- at least, it will on the midi software I use, which allows me to play any one track by itself or to put them all together and adjust the balance on a mixer panel. If this is *not* standard, then maybe the simplest and most cost-effective solution would be to include suitable midi-player software on the CD, rather than recording half a dozen (or more) different versions of each track ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "I don't think much of our profession, but contrasted with respectability it is comparatively honest" (W S Gilbert, 1879) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tim Bartlett Hedge End (near Southampton) UK 50*55.'136N 001*18.'130W  1,, Summary-line: 20-Sep ornstn@home.com [61] #Re: Scores on CD X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10729; Wed, 20 Sep 00 09:22:55 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA19162 for ; Wed, 20 Sep 2000 09:22:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA17377; Wed, 20 Sep 2000 09:21:25 -0400 (EDT) Date: Wed, 20 Sep 2000 09:21:25 -0400 (EDT) Message-Id: <5.0.0.25.2.20000920085242.02724960@netmail.home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c022fd$bc26bee0$c338a8c2@wonwjike> X-Mailer: QUALCOMM Windows Eudora Version 5.0 *** EOOH *** Date: Wed, 20 Sep 2000 09:21:25 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c022fd$bc26bee0$c338a8c2@wonwjike> At 08:27 AM 20/09/00 -0400, Tim Bartlett wrote: >But I don't think you need separate midi files for each part or for >different balances between singer lines and accompaniment. One file with >each line recorded as a separate track will do it -- at least, it will on >the midi software I use, which allows me to play any one track by itself or >to put them all together and adjust the balance on a mixer panel. Another enormous advantage to this way of doing things is the ability to create custom scores by stripping out parts. It would be easy, for example, to create a printed score with chorus parts only. I would point out also that manual entry may in fact be a good way to go - in part because some of that work has already been done. Complete MIDI Web Opera versions of four of the operas are on the G&S Archive site, and (with permission) could be used as a basis for producing a printer-ready version of the score by importing them into an appropriate piece of software and doing some editing to add lyrics, dynamic markings etc. If this goes anywhere, it might be worth getting in touch with the makers of a program like NoteWorthy Composer to see if they would allow the shareware version of their program to be distributed as part of the CD. This is not the most powerful program out there but it is a very good value for money - though I have found that I have had to invent "work-arounds" for some types of notation (eg glissandi) that the program does not support, so the result might not be quite like a standard printed score. Sibelius, of course, can do just about anything but at quite a price! I am not sure if Cakewalk or other programs might work here as well. Of course, with the Archive out there we don't really need to do any of this by CD. If all the operas in MIDI format were available on the site (and we have a good start) anyone could use them for free to create something printable if they have the right software, and I assume Jim Farron would not object to making "printer-ready" versions available if someone wants to prepare them. One big advantage of using the site is we can work piecemeal, opera-by-opera or even number-by-number, rather than going through the whole canon before burning it onto a CD. Of course once the whole lot are on site anyone with a CD-writer (getting to be pretty standard equipment these days) can download the material and create a CD from it. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 20-Sep 78s2cd@home.com [49] #Re: Scores on CD X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA21080; Wed, 20 Sep 00 09:57:31 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA00251; Wed, 20 Sep 00 09:56:18 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA05175; Wed, 20 Sep 2000 09:56:12 -0400 (EDT) Date: Wed, 20 Sep 2000 09:56:12 -0400 (EDT) Message-Id: <39C8C1C5.81DDE8A5@home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en]C-AtHome0407 (Win98; U) *** EOOH *** Date: Wed, 20 Sep 2000 09:56:12 -0400 (EDT) Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ronald Orenstein wrote: > > Of course, with the Archive out there we don't really need to do any of > this by CD. If all the operas in MIDI format were available on the site > (and we have a good start) anyone could use them for free to create > something printable if they have the right software, and I assume Jim > Farron would not object to making "printer-ready" versions available if > someone wants to prepare them. One big advantage of using the site is we > can work piecemeal, opera-by-opera or even number-by-number, rather than > going through the whole canon before burning it onto a CD. Of course once > the whole lot are on site anyone with a CD-writer (getting to be pretty > standard equipment these days) can download the material and create a CD > from it. And MIDI files are quite small, making downloading a very practical option. Downloading the PDF files for the entire canon would take some doing, even on your @home network connection, not to mention the cost of maintaining that much on-line webspace. Obviously there are numerous different uses for scores, some of which are more readily supported by certain formats (such as Clive's need for paper). Personally, I would use (and have used) PDF imaged scores to carry with a laptop computer for study while traveling. Best regards, Jim -- J. C. Lockwood 78s 2 CD 78s2CD@Home.com --------------------------------- Vintage Record Restorations on CD Gilbert & Sullivan a Specialty http://members.home.net/78s2cd/ Building a Sir Harry Lauder Memorial  1,, Summary-line: 20-Sep mkenig@yahoo.com [42] #Oberservations on music scanning (was Scores on CD) X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA18301; Wed, 20 Sep 00 14:14:19 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA23909 for ; Wed, 20 Sep 2000 14:13:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA04338; Wed, 20 Sep 2000 14:13:36 -0400 (EDT) Date: Wed, 20 Sep 2000 14:13:36 -0400 (EDT) Message-Id: <20000920175546.15434.qmail@web1001.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Oberservations on music scanning (was Scores on CD) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 20 Sep 2000 14:13:36 -0400 (EDT) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Oberservations on music scanning (was Scores on CD) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I've some experience with scanning. It is an option, but as many have pointed out, quite difficult. Many of the scanning programs have difficulty with notation in older scores, especially: - old-style bass clefs - various old styles of segno coda and repeat notation - various styles of accidental markings (ie, double sharps) - grace notes, appoggiatura and ornamentation of all kinds - mistakes, lack of rests, etc - dirt and other printing artifacts :-) Also, as has been pointed out, old manually set scores suffer from a variety of printing defects which greatly upset these programs, not the least of which is systems not printed square to the page. Notation scanning can work, I do it a lot. But to create a complete, printable, creditable score - scanning is not going to save much time, if any, over manual entry. Marc Kenig __________________________________________________ Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/  1,, Summary-line: 20-Sep tim.bartlett@virgin.net [46] #Re: Scores on CD X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26033; Wed, 20 Sep 00 14:35:38 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12068; Wed, 20 Sep 00 14:35:45 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA06636; Wed, 20 Sep 2000 14:34:16 -0400 (EDT) Date: Wed, 20 Sep 2000 14:34:16 -0400 (EDT) Message-Id: <001f01c0232f$11369a00$c338a8c2@wonwjike> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.5 *** EOOH *** Date: Wed, 20 Sep 2000 14:34:16 -0400 (EDT) Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I wouldn't dream of contradicting one of the best accompanists in the business about his specialist subject, but as I see it, one of the advantages of CD Scores for a vocal performer is flexibility. Suppose, for instance, that I had been inspired to take part in one of the Buxton "Marathon" performances, but didn't happen to have the necessary score with me. I'm sure -- if I'd had a CD score -- that I could have persuaded someone, somewhere in Buxton to print out all the bits I needed. It might have taken a bribe, but it would almost certainly have made possible something that would otherwise have been difficult. Equally, suppose I am trying to convince a sceptical committee that Eagle High would be a better concert party piece than Somewhere Over The Rainbow , then I think I'd stand a much better chance of doing so if I can overcome their "but where will we get the music?" comments by saying "I'll run a few off for you this evening". If one works on the assumption that the vocalist should usually provide the accompanist with the necessary dots, then I'd have though that what helped the singer helped the pianist too -- or is that too simplistic? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "I don't think much of our profession, but contrasted with respectability it is comparatively honest" (W S Gilbert, 1879) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tim Bartlett Hedge End (near Southampton) UK 50*55.'136N 001*18.'130W  1,, Summary-line: 20-Sep lpinsker@erols.com [39] #re:scores on CD X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13984; Wed, 20 Sep 00 16:45:59 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA27524 for ; Wed, 20 Sep 2000 16:45:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA00287; Wed, 20 Sep 2000 16:44:55 -0400 (EDT) Date: Wed, 20 Sep 2000 16:44:55 -0400 (EDT) Message-Id: <39C91E7D.3E6B9B4D@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: re:scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) *** EOOH *** Date: Wed, 20 Sep 2000 16:44:55 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: re:scores on CD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Having read what everyone's said about this so far, I'd call it "an idea whose time has come"...if it weren't for one thing, which I'd like to have clarified. Several recent postings--one from Marc, one from Ron Orenstein, one from...oh, forgot who it was--seem to be implying that in order for this kind of thing to work, one needs to have special software on one's computer; something along the lines of what you'd need if you were composing your own music on a computer. Likewise, this would be needed if you wanted to print out a score from a source along the lines of our archive. Is this actually the case? And if you *do* need some kind of special software, can you get it at a regular computer store (like COMPUSA)? It also sounds as if you would need a special kind of printer, maybe not the sort most people have...well, I have an HP deskjet 672C (color-capable inkjet); would this be sufficient? Or do you need to get the file(s) on a disk and then have it/them printed out on another kind of printer? Obviously, this technology isn't going to be implemented overnight. But it may not be a bad idea to do some advance planning. Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 20-Sep ornstn@home.com [36] #re:scores on CD X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24417; Wed, 20 Sep 00 19:21:55 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA18146; Wed, 20 Sep 00 19:20:47 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA09910; Wed, 20 Sep 2000 19:21:07 -0400 (EDT) Date: Wed, 20 Sep 2000 19:21:07 -0400 (EDT) Message-Id: <5.0.0.25.2.20000920190028.02742eb0@netmail.home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: re:scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <39C91E7D.3E6B9B4D@erols.com> X-Mailer: QUALCOMM Windows Eudora Version 5.0 *** EOOH *** Date: Wed, 20 Sep 2000 19:21:07 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: re:scores on CD Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <39C91E7D.3E6B9B4D@erols.com> At 04:43 PM 20/09/00 -0400, Leonard Pinsker wrote: >Several recent postings--one from Marc, one from Ron Orenstein, one >from...oh, forgot who it was--seem to be implying that in order for this >kind of thing to work, one needs to have special software on one's >computer; something along the lines of what you'd need if you were >composing your own music on a computer. Likewise, this would be needed >if you wanted to print out a score from a source along the lines of our >archive. Is this actually the case? And if you *do* need some kind of >special software, can you get it at a regular computer store (like >COMPUSA)? NoteWorthy Composer, which I use, can be downloaded from http://www.ntworthy.com/composer/. A demo of the Rolls Royce of such programs, Sibelius, can be had at http://www.sibelius.com/?page=main. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 23-Sep pdp@globalnet.co.uk [65] #DVDs of Topsy-Turvy X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA09572; Sat, 23 Sep 00 03:38:50 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01586; Sat, 23 Sep 00 03:37:39 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA07061; Sat, 23 Sep 2000 03:37:57 -0400 (EDT) Date: Sat, 23 Sep 2000 03:37:57 -0400 (EDT) Message-Id: <3.0.6.32.20000923083538.008b3100@mail.globalnet.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: DVDs of Topsy-Turvy Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Sat, 23 Sep 2000 03:37:57 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: DVDs of Topsy-Turvy Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum At long last I took delivery of the UK version of TT yesterday and have started to compare it with the USA version. It is quite a different DVD. Both contain the TT film as such but virtually all the other attributes and facilities are different. The subtitles are totally re-written (and contain at least one gross error. There may be others yet to find). At the start of the Ida overture (near the start of the film) a subtitle appears ''Now hearken to my strict command''. This on the UK version only. The UK version has subtitles only in English for the hard of hearing, no other languages. The USA version has French and Spanish. Differences noted USA Version UK version Time 161 miutes 152 minutes (As quoted on boxes) Leaflet Yes No Chapters 39 24 System NTSC PAL Aspect 16:9 16:9 Letterbox Region 1 2 Subtitles Hard of hearing English only. English Closed captioned Spanish French Film category R (Not stated on box) 12 Directors commentary NO Yes Audio out Dolby 2.0 or 5.1 Not stated but believed to be Dolby 2.0 only There may well be a lot of other differences but the principal change is that the UK version has the option of a directors commentary. This turns out to be the entire film with the sound level reduced and with an overview spoken by Mike Leigh about what he intended to portray and why. I have not yet listened to this right through, but it reveals his thinking behind the filming. This is quite different from the USA version but that has; TV spots; Featurette ??: Photo Gallery: Cast and crew biographies and Filmographies and a bit about G & S as individuals. None of these items are on the UK version. The packaging is different with the USA version having the ''fans'' and the UK version having that awful face. The actual presentation on screen and the control over what to see is also quite different in operation in both versions. One can set up the UK version to have Mike Leigh's superimposed talk and the film with or without the subtitles all simultaneously. It is quite clear that the film has been put to DVD by different companies with different objectives. Does this apply to other region 1 region 2 DVDs of the supposedly same film? I am a beginner at DVDs and so far only have the two versions of TT and a 1988 La Boheme of Pavarotti in region 2 PAL but filmed in San Francisco. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 23-Sep thespian121@yahoo.com [41] #Harvard PIRATES - update X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA02539; Sat, 23 Sep 00 15:20:13 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA10758; Sat, 23 Sep 00 15:19:02 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA17738; Sat, 23 Sep 2000 15:19:03 -0400 (EDT) Date: Sat, 23 Sep 2000 15:19:03 -0400 (EDT) Message-Id: <20000923191527.63466.qmail@web9203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Harvard PIRATES - update Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 23 Sep 2000 15:19:03 -0400 (EDT) Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Harvard PIRATES - update Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I didn't get called back for Harvard's fall production of PIRATES. But I think I'm okay about it. I know, or at least know of, several people who are on the callback list, and it looks like it's going to be a great production. And I *am* going to be involved with it in some way - most likely as a violist in the pit orchestra, which is something that I've always wanted to do, so I'm pretty excited. I'll also be playing for a production of the Baroque opera ORONTEA (which I also tried out for, but didn't get called back), and hopefully I'll be singing with some choir or another...well, we'll see. Please, everyone in the Boston area, come support Harvard's PIRATES (first two weekends in December at the Agassiz Theatre - ask me for further details) because I think it's going to be great! Looking forward to seeing many of you on November 5 - Marisa __________________________________________________ Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/  1, answered,, Summary-line: 23-Sep thespian121@yahoo.com [32] #Re: Sam's G&S thing in November X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17320; Sat, 23 Sep 00 17:30:03 EDT Received: from web9210.mail.yahoo.com (web9210.mail.yahoo.com [216.136.129.43]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA17060 for ; Sat, 23 Sep 2000 17:29:34 -0400 (EDT) Message-Id: <20000923212904.72507.qmail@web9210.mail.yahoo.com> Received: from [140.247.75.141] by web9210.mail.yahoo.com; Sat, 23 Sep 2000 14:29:04 PDT Date: Sat, 23 Sep 2000 14:29:04 -0700 (PDT) From: Marisa Green Reply-To: thespian121@yahoo.com Subject: Re: Sam's G&S thing in November To: "David C. Jedlinsky" Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Sat, 23 Sep 2000 14:29:04 -0700 (PDT) From: Marisa Green Reply-To: thespian121@yahoo.com Subject: Re: Sam's G&S thing in November To: "David C. Jedlinsky" Content-Type: text/plain; charset=us-ascii --- "David C. Jedlinsky" wrote: > > What do you think? Got any free time in the next > three weeks? I would love to rehearse (for instance, a Saturday afternoon might work really well, or maybe a Sunday afternoon) - the question is: where? I don't know where you are, but I'm here at Harvard basically confined by the limits of public transportation. Got any ideas? > P.S. How'd your audition go? Not too good, I guess. I didn't get called back. I'm pretty sure I'm going to be playing in the orchestra, though, which should be fun! Marisa __________________________________________________ Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/  1,, Summary-line: 24-Sep 78s2cd@home.com [99] #Scores on CD: Dilettantes Needed-please reply off-list X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA24243; Sun, 24 Sep 00 00:19:45 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA15726; Sun, 24 Sep 00 00:18:01 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA29847; Sun, 24 Sep 2000 00:17:57 -0400 (EDT) Date: Sun, 24 Sep 2000 00:17:57 -0400 (EDT) Message-Id: <39CD7AEA.6EB2CE20@home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Scores on CD: Dilettantes Needed-please reply off-list Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.6 [en] (Win95; U) Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id AAA29847 *** EOOH *** Date: Sun, 24 Sep 2000 00:17:57 -0400 (EDT) Reply-To: 78s2cd@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood <78s2cd@home.com> To: Multiple recipients of list SAVOYNET Subject: Scores on CD: Dilettantes Needed-please reply off-list Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id AAA29847 After much discussion on SavoyNet about Mitch Gillett=92s idea of having = a CD-ROM containing scores of all the extant Gilbert and Sullivan operas, and perhaps related items, I am writing to outline a specific proposal to produce such a CD through a community effort. I recognize that this product will not meet the goals of some who have posted on the topic. In particular, the approach will be image-based, rather than MIDI. (That is not to say that MIDI files might not be included on the disc.) Moreover, the quality of items included will be limited by strict adherence to material in the public domain (PD), or derived from PD materials and submitted, with permission, by the authors of the derivative works. The Concept: This is a project of, by and for SavoyNet to produce a reference collection of scores in Adobe Acrobat (PDF) format. Readers for Adobe Acrobat are available without cost for all major platforms that will allow viewing and printing. Donations of scanned images of complete scores are solicited for inclusion. In some cases more than one version might be used, but it is essential that all materials be free of any copyright or even unfounded claim of copyright by the original publisher. We can=92t risk any kind of legal entanglement even if we are ultimately in the right. I propose to collect the contributed images into a CD-ROM, applying graphics enhancements as required, and make it available for sale at a cost in the general range of the audio CDs that I produce. Competent, but not Competitive: It is recognized that materials in the PD do not represent the very best available from publishers. Although contributors of the images may undertake enhancements, it is not expected that this will generally be a substitute for published scores. Ultimately, the grade of material will depend on the contributors, and the amount of work they put in. As a minimum, every effort will be made to ensure that pages are straight and free of extraneous marks, and that they are legible when printed on an inkjet or laser printer. In some cases the legibility of poor copies can be enhanced digitally. Proper sequence of right- and left-hand pages will be maintained so that two-sided printing will produce correct results. Dilettantes (and others) Solicited: The following types of support are requested: 1. Contributors =96 Scores may be submitted in PDF or in an intermediate, editable file format. If in PDF, though some changes, such as page insertion and reordering are possible, it should be assumed that the submission is in its final form. Straight scans requiring cleaning and page straightening will be accepted. However, in that case I would ask that the contributor use the native file format of the PaperPort software available for PC and MAC from Scansoft, Inc. http:/www.scansoft.com . Submissions on CD-ROM would be most convenient; however, I am open to other suggested alternatives for transferring files of the required size. 2. Editorial Board =96 Individuals who would 1) review materials for specific version identification and recommendation of alternates, 2) verify and recommend corrections, and 3) validate copyright status. This is not a job for dilettantes, but requires specific knowledge of the published literature. 3. Others wishing to become involved in the production, for example: 1) willing to scan and/or graphically edit materials provided by others, 2) willing to provide materials for others to scan, 3) other things I haven=92t thought of. Anyone wishing to help, even if you have mentioned this before, please reply to me off-list. This includes specific offers of assistance as outlined above, as well as any suggestions. After receiving inputs and assessing the viability of the project, I=92ll provide a status update to the SavoyNet. Best regards, Jim Lockwood Chief Dilettante San Diego, CA -- J. C. Lockwood 78s2CD 78s2CD@Home.com --------------------------------- Vintage Record Restorations on CD Gilbert & Sullivan a Specialty http://members.home.net/78s2cd/ Building a Sir Harry Lauder Memorial  1,, Summary-line: 25-Sep MusikDrama@aol.com [99] #FYFW -- questions musical and literary X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13630; Mon, 25 Sep 00 14:30:37 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA09908 for ; Mon, 25 Sep 2000 14:25:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA29211; Mon, 25 Sep 2000 12:48:27 -0400 (EDT) Date: Mon, 25 Sep 2000 12:48:27 -0400 (EDT) Message-Id: <7a.a95a377.2700daa3@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: FYFW -- questions musical and literary Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 28 *** EOOH *** Date: Mon, 25 Sep 2000 12:48:27 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: FYFW -- questions musical and literary Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here are a few questions for the scholars (attention Helga, Bruce et al!) I've been given an arrangement of Fold Your Flapping Wings, transposed up a minor third for a tenor Strephon (no comment!). It agrees basically (though with different chord voicings in places) with the version printed in the volume "Sing With Sullivan," which is the only other version I have to compare it to. There are four notes in the accompaniment which are different, however, and I would be interested in knowing which ones are correct, if anyone has access to a reliable source and would not mind looking it up for me. For clarity's sake, I'll give the variant notes in the key of the original (A minor), rather than as they appear on the page in the transposed version. The first variant note appears in the chord on the line "And one that I can turn to mighty uses" (the 12th bar of the number). In "Sing With Sullivan" (hereafter "SWS"), this is a diminished chord (D#/F#/A/C). In the version I was given, the F# is altered to F-natural -- in other words, a German sixth chord.* Either chord is musically valid, but I wonder which was intended by Sullivan. (*hmm... and the Iolanthe in our production pronounces his name in Teutonic fashion -- more likely just carelessly -- as "Schtrephon"!) Second variant note: Five measures later, the chord underlying the word "Some" in "Some rather urgent measures, Quite beneath the ken of Patriot and politician!" The C# in the A7 chord is written as C-natural. I have no doubt this one is an error, and that the accidental was "accidentally" omitted, but I thought I'd ask anyway, just for confirmation. Third variant note: Seventeen bars later, the chord underlying "Crime is no exotic!" SWS has a C7 chord in first inversion (from bottom to top, E/C/G/B-flat). The transposition substitutes another B-flat for the C (one whole step lower). This seems to me unlikely, as it omits the root of the chord and doubles the seventh. I can't believe Sullivan would do that, so again I ask only for confirmation that it's an error. Fourth variant note: In the penultimate measure of the song, SWS begins the measure with an F minor chord. In the transposition, the A-flat is altered to A-natural, making it an F Major chord. In this case, I'm inclined to think SWS has it wrong for once. To my ears, anyway, F Major sounds better (though either one is possible). At any rate, there is clearly an error of one kind or another in SWS: the final note of the bar is an A, and if the initial A-flat is correct, the A would require a natural sign to cancel out the A-flat. I'd certainly appreciate any feedback anyone could provide. Now, to the questions literary: Forgive me if this is a stupid question, for I am probably the most apolitical creature that ever existed. But I am wondering about Strephon's political views, as expressed in this song. In Act 1, he describes himself as a "Tory of the most determined description." It seems to me, according to my limited understanding of the politics of the day, that the Tories would basically have been members of the upper class, who would have been mainly concerned with maintaining their social superiority, rather than concerning themselves overmuch about the problems of the poor. So what's going on with Strephon? Are his Radical legs beginning to assert themselves upon his Fairy brain? Or perhaps his close-up view of the heartless snobbery in the House of Lords has altered his political views? And for that matter -- assuming I'm right about the political agenda of the Tories (which I by no means suppose I am, it's only what I've inferred from my literary readings from or about the Victorian era) -- why was Strephon a Tory anyway? As a simple shepherd, I'd have thought he'd have been more concerned with the problems of the Little People like himself, rather than bolstering up the very Lords who were keeping him from marrying Phyllis! No doubt I'm oversimplifying the Tories. Clarifications and corrections are welcome; please just don't trounce me too roughly for my ignorance; I ask only for information. Music is my forte, as some of you may know -- but I do like to try to keep track of what the story is about as well, when possible! Steve Lichtenstein "Don't laugh at him, he can't help it -- he's under treatment for it."  1,, Summary-line: 26-Sep MILLER@MLTW.com [69] #Consider This..... X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04659; Tue, 26 Sep 00 10:24:03 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA09177; Tue, 26 Sep 00 10:22:40 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA22841; Tue, 26 Sep 2000 10:21:40 -0400 (EDT) Date: Tue, 26 Sep 2000 10:21:40 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MILLER@MLTW.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Miller, Richard J." To: Multiple recipients of list SAVOYNET Subject: Consider This..... Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Tue, 26 Sep 2000 10:21:40 -0400 (EDT) Reply-To: MILLER@MLTW.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Miller, Richard J." To: Multiple recipients of list SAVOYNET Subject: Consider This..... Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Greetings fellow Savoynetters... I am posting this announcement for the purpose of gathering input and reaction from you regarding the possibility of a very exciting event. Before I proceed, I would like to indicate that I have spoken at length with Carol Davis, Jack Behonek, Marc Shepherd and several other SavoyNetters and they are very enthusiastic about the idea I am about to propose. Governor Pataki recently appointed me as Chairman of the Nelson A. Rockefeller Empire State Plaza Performing Arts Center Corporation, otherwise known as "The Egg". The Egg is an elliptical shaped performing arts center located in Albany, New York and is part of the complex built by Governor Rockefeller thirty years ago. The Egg manages two theaters -- the Kitty Carlisle Hart Theater a nd the Lewis Swyer Theater. The Hart Theater is a large 980 seat amphitheater with full stage capabilities, including hydaulic pits, great fly space and wonderful rehearsal facilities. The Swyer Theater is a smaller 450 seat performing space (http://www.theegg.org). Both theaters are dark from the end of June through the middle of September. As a Board, we want to promote year-round programming in the theaters and I believe that a summer Gilbert & Sullivan Festival may be just the right niche for summer programming. This is my proposal. The Egg would sponsor a summer G&S Festival the week of July 16 through July 22, 2001 (with public performances to occur on 7/20, 7/21 and 7/22). The Egg would hire and be responsible for the costs of hiring a Festival Orchestra for the week and promoting, marketing and staffing the Festival (including stage and sound technicians). We would invite four G&S performing groups to bring their respective productions to The Egg for the Festival at their cost. A Friday night performance, Saturday matinee, Saturday night, and Sunday afternoon performance is certainly feasible given our facilities. Orchestra rehearsals would be organized as well as lectures and a cabaret. We might also consider (i) a G&S memorabilia fair; (ii) concert or semi-staged productions of rare works that do not justify a performance on the main stage; (iii) Film / video screenings; (iv) "Coffee and conversation" and/or "master classes" with G&S celebrities; (v) day trips to tourist destinations of scenic or other interest (Glimmerglass Opera, Lake George Opera, Berkshire Opera, and the Williamstown Theater Festival are all within an hour's drive from Albany). Patrons would purchase a Festival Ticket which would provide admittance to all events. We really think that this may work. Please email me your input individually. Richard J. Miller, Jr., Esq. (miller@mltw.com) McNamee Lochner Titus & Williams, P.C. 75 State Street, POB 459 Albany, New York 12201-0459 Telephone: (518) 447-3348 Telefacsimile: (518) 447-3351  1,, Summary-line: 28-Sep MusikDrama@aol.com [42] #Willahala, Willaloo X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23020; Thu, 28 Sep 00 03:45:50 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA14887; Thu, 28 Sep 00 03:46:01 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA00323; Thu, 28 Sep 2000 03:44:53 -0400 (EDT) Date: Thu, 28 Sep 2000 03:44:53 -0400 (EDT) Message-Id: <7d.ae5e8a4.27044e95@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Willahala, Willaloo Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 28 *** EOOH *** Date: Thu, 28 Sep 2000 03:44:53 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Willahala, Willaloo Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sincere apologies for posting on Lurker Day, but it's an emergency -- I need some information by tomorrow night if possible. Filling in at the keyboard for the severely depleted orchestral forces in a production of Iolanthe, I came across an unusual situation at the end of the penultimate number in Act 2 (on the final "Willa-LOOOOOO"). The orchestra was rendering the final chord as B minor, which I have always known as a B Major (Picardy third) ending (it sounded pretty horrendous with the orchestra and me playing conflicting versions!). My Chappell score has a D#, but the conductor tells me Schirmer has D-natural. I didn't see the Schirmer score myself, but I find it hard to believe, unless it's a typo. Is it true? Has anyone ever performed it with the D-natural? The only recording I have available to me at present is the Glyndebourne, which certainly performs it as B Major. I've never heard it any other way, to the memory. The idea of hearing B minor in the last bar shocks me to the core. Apparently, the conductor instructed the orchestra to cross out the sharps in the Kalmus parts, based on her Schirmer score. Can anyone enlighten me on a performance tradition that uses the prosaic, predictable B minor, or confirm for me that it is now, has always been and ever will be a glorious shining and pathos-filled B Major, leading inexorably (with its inexorable leading-tone) to the E-major finale? (I guess you can tell what I'm hoping for!) Sorry again about "delurking." Private replies will be fine, and much appreciated. Steve Lichtenstein  1,, Summary-line: 28-Sep proven@io.proven.org [15] #Directions to my place. X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20128; Thu, 28 Sep 00 16:06:05 EDT Received: from TURNIP-TWADDLER.MIT.EDU by MIT.EDU with SMTP id AA09624; Thu, 28 Sep 00 16:06:08 EDT Received: from io.proven.org (localhost [127.0.0.1]) by proven.org (8.8.7/8.8.7) with ESMTP id QAA00824; Thu, 28 Sep 2000 16:04:30 -0400 Message-Id: <200009282004.QAA00824@proven.org> To: rls@MIT.EDU, opus@MIT.EDU Subject: Directions to my place. Date: Thu, 28 Sep 2000 16:04:30 -0400 From: proven@io.proven.org *** EOOH *** To: rls@MIT.EDU, opus@MIT.EDU Subject: Directions to my place. Date: Thu, 28 Sep 2000 16:04:30 -0400 From: proven@io.proven.org Take, route 2 to route 16 and make a left on route 16. You will see the Alewife T station on your right. Take 16 to Broadway and turn right on Broadway. The first light is Mass Ave, the second is a blinking green. Take Broadway through Teal square to Powderhouse Circle and take the first right onto College Ave. Take the first left onto Kidder Ave, then the first right onto Liberty Ave and my house is the blue one on the right. CAP  1,, Summary-line: 28-Sep proven@io.proven.org [28] #Housewarming party final notice. X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA00543; Thu, 28 Sep 00 16:37:04 EDT Received: from proven.org (TURNIP-TWADDLER.MIT.EDU [18.187.1.138]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA04462 for ; Thu, 28 Sep 2000 16:36:08 -0400 (EDT) From: proven@io.proven.org Received: from io.proven.org (localhost [127.0.0.1]) by proven.org (8.8.7/8.8.7) with ESMTP id QAA01128 for ; Thu, 28 Sep 2000 16:35:06 -0400 Message-Id: <200009282035.QAA01128@proven.org> To: sipb-soc@mit.edu Subject: Housewarming party final notice. Date: Thu, 28 Sep 2000 16:35:06 -0400 *** EOOH *** From: proven@io.proven.org To: sipb-soc@mit.edu Subject: Housewarming party final notice. Date: Thu, 28 Sep 2000 16:35:06 -0400 Hey folks! I have a house! I want to show it off!! It must be time for a house warming party!!! So, you, you're SO/spouse are invited to my place for my house warming party THIS Sunday, October 1st starting at 2:00 PM., and going until late. I will be supplying some games, munchies, drinks, along with pizza around dinner time. Please RSVP if you're coming so I'll know how much to get. If you want to bring something more munchies, drinks and games would be helpful. Address: 95 Liberty Ave Somerville, Mass. I'll supply directions when you RSVP. :) See you there! CAP  1,, Summary-line: 29-Sep chris@sounds-on-cd.co.uk [89] #RE: ProArte/Intersound CDs --worth buying? X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA17967; Fri, 29 Sep 00 07:44:28 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA11610 for ; Fri, 29 Sep 2000 07:43:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA29259; Fri, 29 Sep 2000 07:38:18 -0400 (EDT) Date: Fri, 29 Sep 2000 07:38:18 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: ProArte/Intersound CDs --worth buying? Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3e.1836a39.27056b17@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 29 Sep 2000 07:38:18 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: ProArte/Intersound CDs --worth buying? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3e.1836a39.27056b17@aol.com> The above CDs are worth buying if you have no other version of those recordings, or if like me you want a copy of all versions. By themselves they are not of any particular importance as the transfers are not a patch on those that Arabesque issued and someone as critical of transfers as myself would be kind in saying that the transfers were average. Having said that, the widely sold Conifer transfers are at times not that much better. > on Marc's discography he says the Pinafore is an > abridgement > and lacks the overture, the seller assures me the CD booklet says the CD > includes the overture. This CD DOES include the overture. Most of the Intersound CDs made small cuts mainly so that each opera would fit onto one CD, but I do not recall any cuts in their Pinafore issue, and Pinafore is one of those operas that will fit complete on one disc. However, the running time of this CD is just over 69 minutes whereas the Conifer Pinafore transfer is just over 70 minutes and without listening thoroughly to the Intersound CD I would not be able to say whether this difference is because of a cut, but it is quite possible that a very slightly different running speed of the turntables when each transfer was made would bring about a minute's difference between transfers without either of them sounding very different in pitch. Intersound's usual method of cutting to fit one disc is by taking out the odd verse here and there. In the case of The Mikado two of the cuts were of the two verses containing the n-word. I was more amused (in a bewildered sense) than annoyed when I discovered more about the cuts in their Yeomen issue. For those who don't know, a faulty microphone was used at some sessions when this recording was made, and the result is that some of the louder passages, most notably the opening of the Act One Finale, has some unpleasant, but tolerable, blasting. In the sleevenotes Intersound/ProArte drew attention to this fault stating 'Digital technology has alleviated some of the affected sound, and ProArte is delighted to bring you this classic production on one CD'. 'Alleviate' in my dictionary mean 'lessen', but obviously it means something quite different in Intersound's dictionary as their alleviation was to cut the affected passage altogether !! > I have all of these performances released by other companies. The > 1936 Mikado is on Pearl (bad sound though!) Oh not it's not. The Pearl CD has the 1926 Mikado not the 1936, and although the sound is very crackly, underneath all that crackle the sound of the recording is reproduced perfectly. Part of the problem with the crackle is because they have actually re-equalised the 78s in a way that gives the correct level of 'top' equalisation to the recording, which unfortunately does bring out the crackle, but it's well worth it. Given knowledge of some of Pearl's past efforts to reduce crackle (ie turn the treble right down) then I am convinced that they did the right thing by leaving the crackle in and even enhancing it. This is a wonderful recording of The Mikado (the VERY best IMO), and the crackle soon fades into the background once your ears 'acclimatise' to it and the true presence and ambience of the original recording then shines through gloriously. > and the Pinafore is combined with > Pirates in a double CD set on Romophone. I'm currently discussing this issue in private correspondence with Jim Lockwood. Personally I think it is one of the better restored transfers of a vintage G&S recording from this period, but Jim has noted that there is audible evidence of digital processing. I haven't spotted this myself yet but I don't doubt it, as it is virtually impossible to get an ultra clean sound from 78s without incurring some slight digital interference, however most people who are not familiar with this sound will not even notice it is there, which is why so many transferors let it pass through. In my opinion, when one takes into account the remarkable quality that can be achieved at the expense of letting some processing noise get through, then I am not against it at all, although it is certainly possible to overdo things and totally spoil a recording. A prime example of a well done restoration, but which does show signs of digital processing, is the Memoir CD 'The Very Best of Gilbert and Sullivan Volume Two' which was transferred by Michael Dutton. Nearly all of his work has signs of digital processing, but the sound he achieves from these recordings is quite outstanding. Regards Chris.  1, forwarded,, Summary-line: 29-Sep ForbzField@aol.com [78] #JW Wells -- the inside story X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA04640; Fri, 29 Sep 00 12:20:25 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA23595; Fri, 29 Sep 00 12:20:35 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA28676; Fri, 29 Sep 2000 12:18:58 -0400 (EDT) Date: Fri, 29 Sep 2000 12:18:58 -0400 (EDT) Message-Id: <68.7bfc287.2706189e@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ForbzField@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: ForbzField@aol.com To: Multiple recipients of list SAVOYNET Subject: JW Wells -- the inside story Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 119 *** EOOH *** Date: Fri, 29 Sep 2000 12:18:58 -0400 (EDT) Reply-To: ForbzField@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: ForbzField@aol.com To: Multiple recipients of list SAVOYNET Subject: JW Wells -- the inside story Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A brief note in a message posted just before Lurker's Day stirred my interest. Since I consider myself an "occasional poster," however, I felt I couldn't reply on Lurker's Day. So I used the opportunity to do some research on the subject: What is the connection between John Wellington Wells and Hogwarts? So far, I have only read the first two Harry Potter books, so it's possible that further research will provide greater insights. My first problem was how I, a muggle, could get access to the proper records. I had once met gamekeeper Hagrid, however, and had bought him a couple of drinks. In his gratitude, he gave me an owl and told me that he would be of service whenever I needed help. So I sent the owl to him with a message that I was looking for student records concerning one JW Wells, who had set up a shop of family sorcerers at number 70 Simmery Axe. To sum up what I've learned, we have a fascinating situation here. It seems that our Mr. Wells' father was a muggle-born wizard who had been prefect at Hogwarts, narrowly missing appointment as Head Boy. He was able to get an appointment for John Wellington as well as for his two younger brothers. The Sorting Hat assigned him to the Ravenclaw House, where he worked very hard in his Potions Class. In 1845, his sixth year, he perfected the love philtre which would come in so handy in Ploverleigh. While some of his professors wanted him expelled (for you can imagine the havoc his invention had wrought in the dorms), his ability to prove that it worked on the most chaste principles earned him quite a bonus for his house, enabling Ravenclaw to win the House Cup that year. Wells was constantly getting in trouble in his History of Magic class, however, for challenging the assertions made by his teacher, Professor Binns, who did not appreciate any interruptions (even when the tended to keep the class awake). One day the exasperated Binns had a heart attack right in the classroom after Wells kept badgering him, but his ghost kept the class going even as the body was being taken away. After graduation, Wells applied for a post on the faculty at Hogwarts, but he lost out to one of his classmates, a man by the name of Snape. Wells then decided to earn his living by working with the muggles, and his difficulties with young Alexis was one of the main reasons for the passage of the Muggle Protection Act, making sure that wizards, sorcerers and the like stay far away from us ordinary people. His success with the firm of family sorcerers grated on the nerves of the man who beat him out for the teaching position, which some said led to Snape's sour disposition. However, the Muggle Protection Act led to swift action. Not only was the firm closed, but the building was torn down and the Ministry of Magic used a very powerful Memory Charm to expunge the memory of the firm from every muggle's mind. In fact, they were able to falsify all records and all memories so that now it appears that there never even was a building at number 70, Simmery Axe at that time. The Ministry of Magic still considers that feat as one of their greatest triumphs. But what of John Wellington Wells himself? That's where the trail ran cold. I'm hoping to get an interview with Albus Dumbledore, but until then I can only rely on hearsay. It appears quite likely, however, that JW Wells returned to Hogwarts in spectral form. They say he haunts the Ravenclaw dormitories and that once in a great while he even brings out some of his old love philtre. The young lady who was prefect of the Ravenclaw house in Harry's second year was said to have given some to Percy Weasley, prefect of the Griffindor house. I'm hoping that Dumbledore can help clear this up for me. Further bulletins as the situation warrants. Fr. John Hissrich Pittsburgh Savoyards --To doubt my inspiration is regarded as heretical  1,, Summary-line: 2-Oct joey_dog@pacbell.net [77] #Re: The Sorcerer! X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA13182; Mon, 2 Oct 00 14:44:09 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01751; Mon, 2 Oct 00 14:43:27 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA26683; Mon, 2 Oct 2000 14:42:17 -0400 (EDT) Date: Mon, 2 Oct 2000 14:42:17 -0400 (EDT) Message-Id: <39D8CEE9.141780F9@pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: joey_dog@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Cara Foss Arellano To: Multiple recipients of list SAVOYNET Subject: Re: The Sorcerer! Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="------------7E1FBE00982A73C465AF0002" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.73 [en]C-PBI-NC404 (Win98; I) *** EOOH *** Date: Mon, 2 Oct 2000 14:42:17 -0400 (EDT) Reply-To: joey_dog@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Cara Foss Arellano To: Multiple recipients of list SAVOYNET Subject: Re: The Sorcerer! Content-Type: multipart/alternative; boundary="------------7E1FBE00982A73C465AF0002" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum --------------7E1FBE00982A73C465AF0002 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Larry Byler wrote not exactly what is below, but something that included the following information: Lyric Theatre of San Jose presents Gilbert & Sullivan's The Sorcerer Saturday, October 14, 8:00 pm through Sunday, October 22, 2:00 pm L.B. Mayer Theater on the Santa Clara University campus Tickets available online at www.lyricstore.com or call our box office at 408-735-7292 Featuring....me, Mrs. Cara Arellano, list member, as "The Lovely Aline"! We've been plagued by production "issues", but the cast is pretty strong and our tenor is FABULOUS! Really, really amazing...the biggest, fattest, most beautiful tenor voice I've ever had ringing each and every high A solidly in my ear. Worth the drive just to hear the voice of the next Placido Domingo. We also have a 16 year old playing Constance who might end up as the next Roberta Peters. WOW. And of course our beautiful "Mitch" Mitchell sets! Hope to see all the "nearly locals" there! = ) -Cara --------------7E1FBE00982A73C465AF0002 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit Larry Byler wrote not exactly what is below, but something that included the following information:
Lyric Theatre of San Jose presents Gilbert & Sullivan's The Sorcerer Saturday, October 14, 8:00 pm through Sunday, October 22, 2:00 pm
L.B. Mayer Theater on the Santa Clara University campus
Tickets available online at www.lyricstore.com or call our box office at 408-735-7292
Featuring....me, Mrs. Cara Arellano, list member, as "The Lovely Aline"!

We've been plagued by production "issues", but the cast is pretty strong and
our tenor is FABULOUS!
Really, really amazing...the biggest, fattest, most beautiful tenor voice I've ever had ringing each and every high A solidly in my ear.  Worth the drive just to hear the voice of the next Placido Domingo.
We also have a 16 year old playing Constance who might end up as the next Roberta Peters. WOW.
And of course our beautiful "Mitch" Mitchell sets!

Hope to see all the "nearly locals" there!

= )
-Cara
  --------------7E1FBE00982A73C465AF0002--  1,, Summary-line: 4-Oct PSternenberg@aol.com [37] #Searching for "final answers" X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA03311; Wed, 4 Oct 00 20:58:36 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA11747; Wed, 4 Oct 00 20:58:47 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA11713; Wed, 4 Oct 2000 20:52:16 -0400 (EDT) Date: Wed, 4 Oct 2000 20:52:16 -0400 (EDT) Message-Id: <91.164cbb7.270d280e@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Searching for "final answers" Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 114 *** EOOH *** Date: Wed, 4 Oct 2000 20:52:16 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Searching for "final answers" Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have just qualified to be a contestant on WHO WANTS TO BE A MILLIONAIRE (US version). I'll be in a taping session on October 18 for an October 25 telecast. If I actually wind up sitting across from Regis, I plan to mention G&S in general and SavoyNet in particular. >From here on, I'm addressing myself to US residents only. The others may allow their attention to wander if they like. I need people to offer their services as potential "Phone-a-friends." Such a person would have to be reachable by land line phone on Wednesday, October 18, between 9:00 AM and 3:30 PM. If you'd like to help me out, please reply to me privately ASAP and mention your particular areas of expertise. I'm most interested in what are weak areas for me, such as contemporary music groups, current movies and novels, and politics; more generally, anything someone younger than 25 is more likely to know than a 50-year-old. Thanks in advance. I won't take advantage of SavoyNet again for this mostly off-topic matter except to remind you of my appearance on the show. Philip Sternenberg (Scaphio, Lieutenant, Francesco at T2K) psternenberg@aol.com Bergenfield, NJ USA (201) 384-1396  1,, Summary-line: 5-Oct SSilvers@shackandsiegel.c [79] #Scores on CD Project - Help re Copyright (long) X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA05882; Thu, 5 Oct 00 12:07:32 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA06198; Thu, 5 Oct 00 12:07:43 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA19040; Thu, 5 Oct 2000 12:05:30 -0400 (EDT) Date: Thu, 5 Oct 2000 12:05:30 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 *** EOOH *** Date: Thu, 5 Oct 2000 12:05:30 -0400 (EDT) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As many of you know, several Savoynetters are beginning the planning of a project to put G&S scores on a CD so that you could print out any vocal/piano score or song from G&S in a convenient format. I believe that this project is only of value if the scores on the CD are the easy-to-read large print scores such as Larry Byler's new Utopia scores or the familiar Schirmer-type scores. That leaves only Sorcerer and Grand Duke in the small-type, difficult to read quater-rest format. Marc, Jim and others have stated, however, that they were afraid to use the Schirmer scores and the new Chappel Ida score, for example, because these scores carry a copyright notice and were published within the last 75 years. Generally speaking, copyright (in the U.S., at least) for works created before 1978 lasts for 28 years after creation, but can be renewed during the last year of this term for an additional 47 years. But, a work can only be protected if it is ORIGINAL. For instance, you cannot copyright a book listing names out of the phone book, no matter how nicely you print it, and no matter what colors, fonts and paper you use. Likewise, you cannot obtain copyright in any work reprinted from a public domain source, like Gilbert's words and the piano-vocal arrangements published by Sullivan, unless you add sufficient original content. I have found an article that analyzes when a new arrangement of public domain piece of music is copyrightable. For instance, adding a few slurs and even collecting an a-cappella piece into a four-part piano arrangement, without adding substantial original editorial content, does not give the arranger or editor the right to claim a copyright. The piece concludes as follows: "Although the Constitution, the Copyright Act, and judicial opinion clearly require arrangements of public domain music compositions to be *original* to receive protection from copying, music publishers' persistent claims to public domain works have created a climate where most consumers instinctively pay for new sheet music rather than copy it. . . . This Article has demonstrated, however, that caselaw, informed by copyright policy as explicated in Feist, can provide sufficient guidance - most changes that arrangers make to public domain compositions can be adequately judged by the musically-informed layperson to be original or not. . . ." There are examples and appendices in the piece that should allow us to judge whether particular scores are copyrightable, given the knowledge that Bruce, Marc and others on this list have about the differences between Sullivan's published scores and the modern scores. The article can be found at: www.sneezy.org/clarinet/Misc/46DLJ241noframe.html Given that this is a very technical issue, I would suggest that discussion of this article and topic be directed privately to either Jim or me. If any attorney on this list specializes in copyright law, I would particularly welcome their comments, and I suggest that those who have great knowledge about the amout of original editorial content in the easy-to-read scores communicate with Marc to see if, in view of this article, there is a consensus that the copyright notices on these scores are so spurious that we can safely ignore them. Happy reading. Sam  1,, Summary-line: 5-Oct ehj99@earthlink.net [73] #Scores on CD Project - Help re Copyright (long) X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA29339; Thu, 5 Oct 00 22:53:49 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA22960 for ; Thu, 5 Oct 2000 22:53:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA23843; Thu, 5 Oct 2000 22:51:12 -0400 (EDT) Date: Thu, 5 Oct 2000 22:51:12 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 5 Oct 2000 22:51:12 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I forwarded a post of Mr. Silvers to Carl Simpson, who is quite knowledgeable about international copyright. I thought it might be interesting and useful to Savoynetters. > >Dear Ephraim, > >Thanks for forwarding the copyright query from SavoyNet. I would like to >correct some items stated in Mr. Silvers' posting. > >1. The copyright term in the United States for pre-1978 works now runs >to a total of 95 years from the date of publication, not 75. This is >thanks to Congress' passage of the "Sonny Bono Copyright Extension Act" >of 1998 - sometimes referred to as the 'Mickey Mouse Copyright Law', >thanks to Michael Eisner's personal lobbying of the Senate to pass the >bill. (The copyright on the original Mickey Mouse cartoon, Steamboat >Willie, would have expired in Jan. 1, 2002 but for the passage of this >bill.) Copyrights from 1978 on are now given a term of life (of the last >surviving author) plus 70 years. The 95-year term was not retroactive, >so any work published in 1922 or before is still PD in the USA. > >2. The issue of originality is indeed a thorny one, but the Feist ruling >is by no means the only precedent dealing with the subject. An example >of how loosely the concept of originality is defined can be found in the >copyright status of photographs. While one can certainly argue that the >work of an Ansel Adams, for example, demonstrates a certain amount of >original creativity, should Joe Average's photo of the White House be >the subject of copyright protection? Most rational people would say 'no >way'. Nevertheless, several courts have ruled that such photos are >indeed protected. >I can't imagine that any major publisher would simply allow the >unauthorized copying and distribution of the numerous editions of older >PD works without a serious legal challenge. After all, such editions are >often the only items that are profitable and end up funding the far >riskier production of new works which often take years to show activity, >if ever. > >As to the copyright status of 'Mikado', I consider the new piano >reduction you did to be completely protected under copyright, as well as >the new editing, design, and layout of both full and vocal scores - >considerably more than simply adding a slur here and there. Accordingly, >we would in fact be forced to sue for copyright infringement if anyone >were to generate files of either score for free downloading. Under Title >17, the standard penalty per incident of infringement is currently set >at $100,000.00. > >While I consider the project to be a very useful idea on the whole, the >folks involved should take care to reproduce only those scores from 1922 >and before. I think it would be very interesting to have access on the >net for some of the old American prints of various G & S vocal scores >and libretti (Ditson, Stoddart, Tracy, etc.) as well as the more >familiar Chappell, Metzler, etc. I think that the Schirmer vocal scores >were produced in the 1930's and 40's and would therefore not be >available for this purpose. (Unless they really feel the need to tangle >with Schirmer's (Music Sales') very aggressive lawyers - not my idea of fun.) >-- >Carl Simpson >Serenissima Music, Inc. >csimpson@iw.edwpub.com  1,, Summary-line: 6-Oct tim.bartlett@virgin.net [48] #Re: Scores on CD Project - Help re Copyright (long) X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA12580; Fri, 6 Oct 00 12:33:36 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA17008; Fri, 6 Oct 00 12:32:53 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA12457; Fri, 6 Oct 2000 12:31:36 -0400 (EDT) Date: Fri, 6 Oct 2000 12:31:36 -0400 (EDT) Message-Id: <001601c02fb1$e646f260$813da8c2@wonwjike> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Project - Help re Copyright (long) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.5 *** EOOH *** Date: Fri, 6 Oct 2000 12:31:36 -0400 (EDT) Reply-To: tim.bartlett@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Project - Help re Copyright (long) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sam and Jim et al. I'm not a lawyer, far less a copyright specialist. I am, however, a journalist. As such have been subjected to various courses about copyright, libel, etc in my time (Journalists, in the UK, have more training about our indefensible libel laws than most lawyers!) Anyway, so far as I can recall from the last copyright law course I did, the copyright in the words and illustrations (and therefore, presumably, of music) are completely separate from the copyright in the way they are represented on the page. In other words, copyright in the text, illustrations and page layout of a book may very well belong to different people, so they may very well expire at different times. The justification for this is that the publishing company has devoted expertise and artistic endeavour to laying out each page, and is entitled to just reward, just as the author, artist and photographer are. I assume the law relating to music is broadly similar: if so, then by copying a page of a score, we could be held to be depriving the publishing company of its reward. I'm not saying I approve of this situation, merely that this is my (layman's) understanding of the status quo under UK Law, and on that basis I think Jim and Marc are right to be cautious. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "I don't think much of our profession, but contrasted with respectability it is comparatively honest" (W S Gilbert, 1879) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tim Bartlett Hedge End (near Southampton) UK 50*55.'136N 001*18.'130W  1,, Summary-line: 6-Oct SSilvers@shackandsiegel.c [48] #Re: Scores on CD Project - Help re Copyright (long) X-Coding-System: undecided-unix Received: from SOUTH-STATION-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA28119; Fri, 6 Oct 00 13:23:36 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA29917; Fri, 6 Oct 00 13:22:55 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA20542; Fri, 6 Oct 2000 13:21:53 -0400 (EDT) Date: Fri, 6 Oct 2000 13:21:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Project - Help re Copyright (long) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.2 *** EOOH *** Date: Fri, 6 Oct 2000 13:21:53 -0400 (EDT) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Project - Help re Copyright (long) Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In response to my post, Ephraim Hammett Jones forwarded a post of Carl Simpson, a lawyer for a publishing company. Neither Mr. Jones nor Mr. Simpson, apparently, read the excellent and, I believe, balanced article that I referred everyone to by Professor Heald from the Duke Law Journal: www.sneezy.org/clarinet/Misc/46DLJ241noframe.html It is not surprising that the lawyer for the publishing company would express many of the statements that Mr. Simpson made, but I understand that he is generalizing far too broadly when he states that: >I can't imagine that any major publisher would simply allow the >unauthorized copying and distribution of the numerous editions of older PD works without a serious legal challenge. I am not a copyright lawyer, but I have done enough research on this specific issue now to be confident that the legal conclusions in Professor Heald's article have not been questioned by any published U.S. authority and have been cited with approval by several. Prof. Heald believes that Schirmer, specifically, would never bring a legal action, because they are afraid of having a specific precedent created against their use of the copyright notice on public domain materials, and that furthermore, they might be vulnerable to a claim of fraudulent use of the notice. This is because of the type of scare tactics that publishers use in order to routinely overcharge consumers for public domain materials. I agree that the scores proposed for use in the CD project should be carefully scritinized to see if they do or do not have a substantial amount of original editorial content. Again, see the article for the details on how to judge whether certain kinds of editorial changes are legally significant and protectible under the copyright law. Sam  1,, Summary-line: 6-Oct C.Woods@sheffield.ac.uk [44] #Scores on CD Project - Help re Copyright (long) X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA10087; Fri, 6 Oct 00 14:00:26 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA28360 for ; Fri, 6 Oct 2000 13:59:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA23329; Fri, 6 Oct 2000 13:56:07 -0400 (EDT) Date: Fri, 6 Oct 2000 13:56:07 -0400 (EDT) Message-Id: <369CEDB1A07@ridingwood.shef.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 6 Oct 2000 13:56:07 -0400 (EDT) Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: Scores on CD Project - Help re Copyright (long) Content-Type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum At 13:21 on 6 Oct 00, Samuel Silvers wrote: > I agree that the scores proposed for use in the CD project should be > carefully scritinized to see if they do or do not have a substantial > amount of original editorial content. Again, see the article for the > details on how to judge whether certain kinds of editorial changes > are legally significant and protectible under the copyright law. This is also an interesting point, brought home to me the other day when I played through the Oxford Ruddigore score for the first time. Anyone who is familiar with the engraved Chappell score will remember the bar immediately preceeding the 9/8 section of the Act 1 Finale. As well as containing a rather inept modulation, the orchestral link is written out using typically string notation (bars on notes indicating fast bowing) that is completely unplayable on piano (but it is playable on piano without the fast note repetition). And in the Oxford score...? Why, the equivalent link is completely different, longer, better, and entirely playable as written by George Lowell Tracy. Oxford also agrees with the ancient Chappell score set using small movable type. So, what happened is clearly that Sullivan modified things (generally shortening the longer links) but these modifications didn't get into Chappell until (I presume) they engraved the score properly. And, whoever did these modifications didn't understand the notation used in the string parts well enough to realise that it was silly to use it in a piano reduction! It is established, in the article that Sam cites, that a piano reduction of an orchestral score is copyrightable. So, the question here is, even if most of the engraved Chappell Ruddigore were to turn out to be public domain, what about the bits that were only added later by someone else? Clive Woods  1,, Summary-line: 6-Oct oakapple2@yahoo.com [38] #Re: Scores on CD X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA11792; Fri, 6 Oct 00 15:39:06 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA26393; Fri, 6 Oct 00 15:39:18 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA02104; Fri, 6 Oct 2000 15:37:57 -0400 (EDT) Date: Fri, 6 Oct 2000 15:37:57 -0400 (EDT) Message-Id: <20001006193415.14527.qmail@web123.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 6 Oct 2000 15:37:57 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Philip Sternenberg said: > > >For SORCERER, we have the Ditson score of the 1877 version. This > should require not too much labor to upgrade to the 1884 version. .. and Dean Close replied: > I think it would be of more value to leave the 1877 version exactly > as it is.... As I interpreted Phil's proposal, the CD would present the 1877 version exactly as it is, and then a second version would be included in which the numbers that changed in 1884 were upgraded. The benefit is that the 1877 Ditson is *far* more readable than the English Metzler / Cramer score. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/  1,, Summary-line: 6-Oct oakapple2@yahoo.com [58] #Oxford RUDDIGORE X-Coding-System: undecided-unix Received: from FORT-POINT-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA01374; Fri, 6 Oct 00 16:36:39 EDT Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06046 for ; Fri, 6 Oct 2000 16:36:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA09426; Fri, 6 Oct 2000 16:35:32 -0400 (EDT) Date: Fri, 6 Oct 2000 16:35:32 -0400 (EDT) Message-Id: <20001006202416.22164.qmail@web121.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Oxford RUDDIGORE Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 6 Oct 2000 16:35:32 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Oxford RUDDIGORE Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Clive Woods and Steve Lichtenstein mentioned that, in the new OUP RUDDIGORE, the Act I finale contains some different readings than we are used to. They suggested that perhaps the old Chappell vocal scores didn't reflect Sullivan's settled thoughts. In fact, the familiar version of RUDDIGORE reflects the changes that Harry Norris and Geoffrey Toye made for the revivals in 1919 and the early 1920s. Whether one likes that version more or less than the version Oxford prints, these revisions are _not_ Sullivan's. The OUP edition reflects Sullivan's autograph. It is, to the best of our knowledge, Sullivan's settled version of the opera. This discussion was a spin-off from the copyright thread. The article that Sam Silvers referred us to explained the pernicious behavior of modern publishers. The law is clear that merely reprinting a public domain work, even if one applies a considerable amount of editorial effort, does not produce a new work entitled to protection. Copyright rewards creativity, not effort. But most people take copyright notices at their word. Such notices often frighten people into buying multiple copies of a publication, when in fact it is in the public domain and may be freely photocopied. But OUP goes even further. They go so far as to state that royalties must be paid if you put on a performance of RUDDIGORE using their edition, which is ridiculous. About the only copyrightable thing in their edition, aside from the front matter, is the piano reduction of the passages cut before the original vocal score was published. The rest of it is clearly public domain. In fact, the introduction to the VS clearly states that the editor has largely retained the original piano reduction. As an aside, I think that a policy of demanding royalties is probably self-defeating, even if it were legally sustaniable. Such a policy probably does no more than discourage use of the OUP edition. But it is, in any event, not sustainable. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/  1,, Summary-line: 6-Oct lbyler@cup.hp.com [63] #Re: Scores on CD -- SORCERER X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA23334; Fri, 6 Oct 00 18:03:22 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA29768; Fri, 6 Oct 00 18:03:34 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA13747; Fri, 6 Oct 2000 18:02:21 -0400 (EDT) Date: Fri, 6 Oct 2000 18:02:21 -0400 (EDT) Message-Id: <001006145130.ZM27542@xsvr4.cup.hp.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Byler" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD -- SORCERER Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Z-Mail (5.0.1 04Feb2000) In-Reply-To: PSternenberg@aol.com *** EOOH *** Date: Fri, 6 Oct 2000 18:02:21 -0400 (EDT) Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Byler" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD -- SORCERER Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: PSternenberg@aol.com On Oct 6, 17:08, PSternenberg@aol.com wrote: > I was thinking in terms of making the 1884 version the primary > one by upgrading the 1877 typeface, using it for precisely the reason Marc > stated in his last sentence. Then, as long as the 1877-only material is > being utilized, it might as well be included as an alternative. It's been one of my put-off-forever projects to do a _Sorcerer_ PV score (including dialog) similar to the one I did for _Utopia_, and for the same reasons: to make it more readable than the Cramer, and for consistency with the Kalmus band parts. Philip was kind enough to send me a copy of the Ditson for reference. Unfortunately, I've been up to my ears in other stuff and haven't had a chance to start it. It seems if I don't move quickly, others will take up the slack. _Sorcerer_ has a few more problems than _Utopia_, if only because it has at least two versions (1877 and 1884). The primary focus of my vapor- edition would be the 1884 version, since it is closest to what one finds in the band parts. But I would also like to include as appendices the 1877 Finale to Act I and "Happy are we in our loving frivolity" (the original opening of Act II). Possibly also the E major version of "Dear friends take pity on my lot", with its transition to "Oh joy, oh joy, The charm works well". There's also the "half-hour"/"twelve hour" inconsistency in the two versions. Also, should Marmaduke have loved Lady Sangazure "Fifty years ago" or somewhat more recently (say "Thirty years ago")? Perhaps the relevant 1877 dialog could also wind up as an appendix. I want to stress that whatever comes out of this will be a performing edition, *not* a scholarly edition. I will change the piano part in several places to make it sound more like the orchestra, and I will have to choose among the various lyrics we've discussed here the last few days. But there will be no critical apparatus, explanation, or justifications for anything. It's free, and you get what you pay for. That said, I welcome input from anyone who has an opinion on any aspect of the task. There are many people out there who know more about Sorcerer than I do. Also, anyone who has the time and inclination to critique the job should let me know. Private responses, please, to my home address: annlarry@pacbell.net Thanks, -Larry "for the rest of the day I do good" Byler- annlarry@pacbell.net Sunnyvale, California, USA  1,, Summary-line: 6-Oct dbailey@MIT.EDU [33] #Mac OS X installed X-Coding-System: undecided-unix Received: from GRAND-CENTRAL-STATION.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA06964; Fri, 6 Oct 00 19:19:31 EDT Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id TAA10108 for ; Fri, 6 Oct 2000 19:18:48 -0400 (EDT) Received: from w20-575-20.mit.edu (W20-575-20.MIT.EDU [18.187.0.39]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA22982 for ; Fri, 6 Oct 2000 19:18:47 -0400 (EDT) Received: (from dbailey@localhost) by w20-575-20.mit.edu (8.9.3) id TAA19694; Fri, 6 Oct 2000 19:18:47 -0400 Message-Id: <200010062318.TAA19694@w20-575-20.mit.edu> To: sipb-office@MIT.EDU Subject: Mac OS X installed Date: Fri, 06 Oct 2000 19:18:47 -0400 From: David S Bailey *** EOOH *** To: sipb-office@MIT.EDU Subject: Mac OS X installed Date: Fri, 06 Oct 2000 19:18:47 -0400 From: David S Bailey Hi, for those of you that don't know me, I'm Dave Bailey, one of your prospectives. So anyway, I managed to install Mac OS X on Banana-Sr, the new office G4. After rebooting and zapping the parameter RAM (PRAM), the black rectangle went away and the installer worked fine. This is done by holding down Ctl-Cmd-P-R while the computer is starting up, and what it does is reset a bunch of system settings (I suspect the monitor settings are what were causing the problem, since every other part of the system appears to be straight out of the box from Apple). The default user is "sipbuser", with a blank password. The bad news is, OS X doesn't like the Sun monitor very much and so can only use it at 640x480, and the OS X Startup Disk control panel (which allows you to switch back to OS 9) has mysteriously stopped working, leaving the machine stuck in OS X mode. The good news is you can still play snood in OS X, but since the screen res is so low the very bottom part of the window is covered by the hovering application bar. Next week I'll try to find the machine a more compatible monitor and set up an easy way to switch between OS 9 and OS X. If anyone is able to get the machine back into OS 9 mode and for some reason wants to boot in OS X (hopefully after reinstalling it), open the "System Disk" (not the "Startup Disk") control panel in OS 9 and select the OS X System Folder icon. -dsb  1,, Summary-line: 7-Oct stephen@merryminstrels.fr [81] #Re: Scores on CD & Copyright X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA26841; Sat, 7 Oct 00 04:56:56 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA07758; Sat, 7 Oct 00 04:57:08 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA26029; Sat, 7 Oct 2000 04:56:00 -0400 (EDT) Date: Sat, 7 Oct 2000 04:56:00 -0400 (EDT) Message-Id: <007201c0303b$507f5620$fc81883e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: stephen@merryminstrels.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stephen Brown" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD & Copyright Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_005F_01C03043.740FABA0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Sat, 7 Oct 2000 04:56:00 -0400 (EDT) Reply-To: stephen@merryminstrels.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stephen Brown" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on CD & Copyright Content-Type: multipart/alternative; boundary="----=_NextPart_000_005F_01C03043.740FABA0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This is a multi-part message in MIME format. ------=_NextPart_000_005F_01C03043.740FABA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable During my time as a librarian and musical dogsbody at Josef Weinberger = I constantly had to advise on the publishers copyright when performers = wanted to reproduce their scores. The general acceptance was that if = the composer and librettist (and editor if applicable) were out of = copyright then the only boundary left to stop reproduction of a score = was the type face that remains in copyright for 25 years. This is why a = Mozart urtext score can still be copyright material. Of course this is = very general and basic and probably only UK. I am also under the impression (perhaps wrongly) that music unpublished = (extra cut songs from the opera) remain the property of the trustees and = unperformed songs never become public domain. I think that it would be great and legal to issue old editions. Stephen ------=_NextPart_000_005F_01C03043.740FABA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 
  During my time = as a=20 librarian and musical dogsbody at Josef Weinberger I constantly had to = advise on=20 the publishers copyright when performers wanted to reproduce their=20 scores.  The general acceptance was that if the composer and = librettist=20 (and editor if applicable) were out of copyright then the only boundary = left to=20 stop reproduction of a score was the type face that remains in copyright = for 25=20 years.  This is why a Mozart urtext score can still be copyright=20 material. Of course this is very general and basic and probably = only=20 UK.
 
I am also under the impression (perhaps wrongly) that music = unpublished=20 (extra cut songs from the opera) remain the property of the trustees and = unperformed songs never become public domain.
 
I think that it would be great and legal to issue old = editions.
 
Stephen
------=_NextPart_000_005F_01C03043.740FABA0--  1,, Summary-line: 7-Oct ehj99@earthlink.net [32] #Oh, happy day! X-Coding-System: undecided-unix Received: from PACIFIC-CARRIER-ANNEX.MIT.EDU by po9.MIT.EDU (5.61/4.7) id AA20952; Sat, 7 Oct 00 17:26:47 EDT Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA12880; Sat, 7 Oct 00 17:26:59 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA11550; Sat, 7 Oct 2000 17:25:10 -0400 (EDT) Date: Sat, 7 Oct 2000 17:25:10 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Oh, happy day! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 7 Oct 2000 17:25:10 -0400 (EDT) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ephraim Hammett Jones To: Multiple recipients of list SAVOYNET Subject: Oh, happy day! Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I ran across something interesting while proofing the Pirates full score with Sullivan's autograph. In the "Oh, happy day" section of the first act finale (page 101-102 of Schirmer edition) in the passage "Should it befall" Sullivan has a B flat on the word "it" instead of the B natural in the Schirmer. The autograph clearly has this B flat in the flutes, oboe and Mabel's and Edith's parts. In the repetition sung by the chorus it is very clearly B natural. Interestingly enough, I think the Schirmer is in error for this reason: the first time the phrase is sung, the first chord in the measure is F major which makes the B flat consistent with the scale. In the repetition the first chord is C major (it has temporarily modulated to the dominant) and even though the chord where the B natural is sung is based on F major, the B natural is more consistent with the dominant chord (C) of the next few measures. I don't yet have a copy of the Chappell score, I wonder if someone could check this out. It could be that it was changed later because the B natural is somewhat easier to sing in both places. I would appreciate anyone's insight. Ephraim Hammett Jones  1,, Summary-line: 17-Oct james@xena.uklinux.net [37] #Re: A more humane (and current) Mikado X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA17676; Tue, 17 Oct 2000 02:38:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA03538 for ; Tue, 17 Oct 2000 02:38:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA24406; Tue, 17 Oct 2000 02:38:04 -0400 (EDT) Date: Tue, 17 Oct 2000 02:38:04 -0400 (EDT) Message-Id: <00101707350800.10152@xena> Errors-To: savoynet-owner@bridgewater.edu Reply-To: james@xena.uklinux.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: A more humane (and current) Mikado Content-Type: text/plain; charset="US-ASCII" MIME-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: KMail [version 1.1.95.5] *** EOOH *** Date: Tue, 17 Oct 2000 02:38:04 -0400 (EDT) Reply-To: james@xena.uklinux.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: A more humane (and current) Mikado Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: On Monday 16 October 2000 19:25, MusikDrama@aol.com wrote: >In a message dated 10/16/00 9:01:35 AM, giuseppe_palmieri@hotmail.com > writes: > ><< Most often I've heard it done as "painted with vigor WITH permanent > walnut juice", which makes more sense. > > >This literary technique (the exact name of which I can't recall, but > someone else will no doubt be able to tell us) abounds in Flanders and > Swann's "Have Some Madeira, M'dear": Bait taken -- (or another oar about to be inserted) Zeugma I believe (the classic is of course "She left in a huff and a hansom cab). James -- James Tappin, O__ "I forget the punishment for using james@xena.uklinux.net -- \/` Microsoft --- Something lingering http://www.xena.uklinux.net/ with data loss in it I fancy"  1, forwarded,, Summary-line: 17-Oct dankravetz@hotmail.com [49] #G&S on JEOPARDY X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA23526; Tue, 17 Oct 2000 21:00:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA06485 for ; Tue, 17 Oct 2000 20:59:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA27866; Tue, 17 Oct 2000 20:52:32 -0400 (EDT) Date: Tue, 17 Oct 2000 20:52:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Daniel Kravetz" To: Multiple recipients of list SAVOYNET Subject: G&S on JEOPARDY Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 17 Oct 2000 20:52:32 -0400 (EDT) Reply-To: dankravetz@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Daniel Kravetz" To: Multiple recipients of list SAVOYNET Subject: G&S on JEOPARDY Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Today's episode of the U.S. game show JEOPARDY had "Gilbert & Sullivan" as a category in the Double Jeopardy round--this has happened occasionally in the past. Here are the questions: $200: In an 1889 interview, Sir Arthur Sullivan said he left writing these openings to the last moment. (Answered correctly: Overtures) $400: This Cambridge, Massachusetts scientific university has a Gilbert & Sullivan players group. (Answered correctly: M.I.T. [Massachusetts Institute of Technology]) $600: Phonograph recordings of this operetta with Captain Corcoran and Dick Deadeye were popular in 1907. (No answer) $800: In 1954 this title trio of real and puppet players performed a version of THE MIKADO. (Answered correctly: Kukla, Fran and Ollie [A long-running childrens TV show starring Fran Allison and two hand puppets operated and voiced by Burr Tillstrom]) $1000: This theater D'Oyly Carte built to put on G&S shows was on the site of a palace of the same name. (No answer). The category was avoided by the three contestants for most of the round. The last two questions were all that remained to finish the round. The Final Jeopardy question was answered correctly by all three, who were asked to name the actor who co-starred with Meg Ryan and Gary Sinise in three films each (Tom Hanks). Dan Kravetz Gilbert & Sullivan Society of New York _________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.  1, answered,, Summary-line: 17-Oct matt@3am-software.com [15] #FireWire X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA01791; Tue, 17 Oct 2000 21:36:13 -0400 (EDT) Received: from fireball.local (c531453-b.stcla1.sfba.home.com [24.12.61.234]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA11050 for ; Tue, 17 Oct 2000 21:36:20 -0400 (EDT) Received: from paned.3am-software.com (localhost [127.0.0.1]) by fireball.local (8.10.1/8.10.1) with ESMTP id e9I1aFA07038 for ; Tue, 17 Oct 2000 18:36:15 -0700 (PDT) Message-Id: <4.3.2.7.2.20001017184150.02c09238@3am-software.com> X-Sender: matt@3am-software.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Tue, 17 Oct 2000 18:42:37 -0700 To: opus@mit.edu From: Matt Thomas Subject: FireWire Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: matt@3am-software.com Date: Tue, 17 Oct 2000 18:42:37 -0700 To: opus@mit.edu From: Matt Thomas Subject: FireWire Content-Type: text/plain; charset="us-ascii"; format=flowed I've heard you want to work on firewire. Let me know if this is true and what (if any) 1394 gear you have... -- Matt Thomas Internet: matt@3am-software.com 3am Software Foundry WWW URL: http://www.3am-software.com/bio/matt/ Cupertino, CA Disclaimer: I avow all knowledge of this message  1,, Summary-line: 18-Oct PSternenberg@aol.com [37] #Re: Millionaire Savoynetter? X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA27298; Wed, 18 Oct 2000 17:16:26 -0400 (EDT) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA24335; Wed, 18 Oct 00 17:17:32 EDT Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA12401; Wed, 18 Oct 2000 17:16:12 -0400 (EDT) Date: Wed, 18 Oct 2000 17:16:12 -0400 (EDT) Message-Id: <42.c21a712.271f6c1c@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Millionaire Savoynetter? Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows AOL sub 114 *** EOOH *** Date: Wed, 18 Oct 2000 17:16:12 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Millionaire Savoynetter? Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Frances has already revealed a tad more than the MILLIONAIRE producers would like made public at this time, but yes, she's right -- I was actually sitting across from Regis today. As the 17 chorus ladies were asked in STORY OF G&S, please keep this a secret amongst the 600+ of us for now, and (seriously) don't tell anyone you know that I made it even that far until the show airs. Meanwhile, I'll tell you three more things: 1. The air date is Thursday, October 26, at 9 PM ET/PT. Until this morning, it was thought to be the day before, but some special episodes with Olympian athletes will be airing next week. This represents an unusual conflict for me -- unless there's a four-game sweep, do I watch the highly anticipated Subway Series or myself? (For those of you who don't follow US baseball, New York's two teams, the Mets and Yankees, are playing each other for the World Championship for the first time ever, and this is HUGE in my neck of the woods.) 2. SavoyNetter Mike Leonard was the Phone-a-friend that I used. 3. Unless it's edited out, you'll hear me sing G&S. Philip Sternenberg (Scaphio, Lieutenant, Francesco at T2K) psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at http://www.dancaster.com/RidgewoodGandS  1,, Summary-line: 28-Oct larry@threelittlemaids.wo [45] #MIKADO --- FULL SCORE AVAILABLE FOR FREE DOWNLOAD X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA26507; Sat, 28 Oct 2000 16:58:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA09537 for ; Sat, 28 Oct 2000 16:59:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA07761; Sat, 28 Oct 2000 16:58:56 -0400 (EDT) Date: Sat, 28 Oct 2000 16:58:56 -0400 (EDT) Message-Id: <002f01c0411f$4d50b3a0$76f031d4@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: larry@threelittlemaids.worldonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: MIKADO --- FULL SCORE AVAILABLE FOR FREE DOWNLOAD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sat, 28 Oct 2000 16:58:56 -0400 (EDT) Reply-To: larry@threelittlemaids.worldonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: MIKADO --- FULL SCORE AVAILABLE FOR FREE DOWNLOAD Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum 'Netters may recall that a little over a year ago (before the Dover score was published) I began posting the pages of my own Mikado full score on my website, but due to other more pressing commitments I was never able to complete the last two numbers... well it's finally finished, including all the dialogue and stage directions, and is now available for download at http://ww.threelittlemaids.co.uk There are 243 pages of music and dialogue, encoded in 6 Word for Windows documents of 40 pages each (43 pages in the last file). These files were created using Word 2000 and I'm not sure whether earlier versions of Word can read them, but I'm sure lots of people will let me know if they can't!!! ;-) If that proves to be the case, I can supply RTF (Rich Text Format) equivalents on cd-rom for a nominal charge to cover costs (at around 500 megabytes it isn't practical to make these available for download). Note to Jim Farron: feel free to post these files on the Archive if you wish. Larry Simons London UK LSimons@usa.com 44 20 8343 8628 (voice/fax) 44 956 129505 (cell) "I also retail Sheet Music at a very low figure"  1,, Summary-line: 29-Oct dontull@pacbell.net [95] #Re: Doing it on top (was Fwd: Re: Pish-Tush in 'Please you, sir') X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA04631; Sun, 29 Oct 2000 02:06:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA07218 for ; Sun, 29 Oct 2000 02:06:25 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA22376; Sun, 29 Oct 2000 02:05:19 -0500 (EST) Date: Sun, 29 Oct 2000 02:05:19 -0500 (EST) Message-Id: <39FBC9D4.45563EAD@pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Doing it on top (was Fwd: Re: Pish-Tush in 'Please you, sir') MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.72 [en] (Win98; I) *** EOOH *** Date: Sun, 29 Oct 2000 02:05:19 -0500 (EST) Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Doing it on top (was Fwd: Re: Pish-Tush in 'Please you, sir') Content-type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Chiming in a bit late here, as I've been up to my ears in other work, I would fully support Mr. Jones choices. I have used the Dover full score in performance (Lyric Theatre, San Jose, CA last March) and found it easy to use. I prefer to see the wind parts in the pitch order in which I will hear them, which I presume is the reasoning for the modern tradition which Jones used. As to the Quintet and the NN-YY duet, we did both full versions. I decided to do SPYS as a quintet in order to get the inner harmony that Sullivan remove when reducing it to a quartet. The only change that we made was to have Pooh-Bah take the lower line and Pish-Tush the middle. This was done to accommodate a PB who was already familiar with the part. The extended duet is a nice change if you have two good singers as it is a much better balance of the two parts. The audience seemed to enjoy it, although I would wager that most of them did not realize that they were listening to a piece that is twice as long as the last time that they heard it. The only complaint that I had with Dover is that the parts were very expensive to rent and that they were not for sale. As the company already had two sets of parts from Kalmus, I couldn't justify the cost of buying a third set. I must admit that the six weeks it took to proof the parts against the new FS was very informative, but a bit tedious. I don't pretend to be a scholar when it comes to music theatre of any kind. I am interested in getting a tight show on the boards, both musically and dramatically, and the new Dover score served me well in this regard. I look forward to future editions. Cheers, Don Ephraim Hammett Jones wrote: > > I have worked for quite a few major publishers who have different > house styles for the appearance of their scores. When I engrave a > score I follow the house styles for that publisher and use my own > expertise to determine things they don't specify. Most modern scores > have woodwinds in threes and the piccolo is placed on the top staff > of the system when it has music. Older scores engraved in the 19th > century and early 20th usually have the piccolo part below the > flute/s. I decided to use modern conventions for the Mikado score > placing the piccolo part on top when it plays. The extracted > orchestra part has both piccolo and flute II on one part (there goes > your integral part). Some of the other modern conventions I employed > were: placing the vocal parts between the percussion (or keyboard > instruments) and strings, transposing the horns to F throughout, > using the modern method of transposing horn parts up a fifth in the > bass clef rather than down a fourth and also using key signatures in > the horn parts rather than notating with just accidentals. > > I have resigned myself to the realization that absolutely nothing I > have done in the Mikado scores will receive any vote of approval from > either Ms. Perry or Mr. Miller. Fortunately, I am not seeking their > approval, nor do I need it-- both scores are bestsellers and > back-ordered. > > Ephraim Hammett Jones > > >In article , Ephraim Hammett Jones > > writes > > > >> I don't see what is > >>>confusing about the arrangement in the score; the piccolo part is > >>>always the top staff and is omitted when it isn't playing, which is > >>>consistent with modern and even older engraving conventions. > > > > > >The OUP full score of RUDDIGORE does not take this approach. It treats > >the piccolo as an integral part of the second flute line (which it is), > >and where the flutes do not share a staff the piccolo is placed on a > >separate staff below flute 1. > > > > > >Helga Perry > >sharkli@netlineuk.net or sharkli@supanet.com > >*********************************************** > >M. Phil. Student, Music Department > >University of Birmingham UK  1,, Summary-line: 29-Oct PSternenberg@aol.com [200] #MILLIONAIRE: Likely my final answer (long) X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id TAA11270; Sun, 29 Oct 2000 19:34:47 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA13809; Sun, 29 Oct 00 19:34:53 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA19118; Sun, 29 Oct 2000 19:33:14 -0500 (EST) Date: Sun, 29 Oct 2000 19:33:14 -0500 (EST) Message-Id: <91.27a172e.272e1a86@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: MILLIONAIRE: Likely my final answer (long) Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows AOL sub 114 *** EOOH *** Date: Sun, 29 Oct 2000 19:33:14 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: MILLIONAIRE: Likely my final answer (long) Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As promised, here is some of the detail concerning my appearance on WHO WANTS TO BE A MILLIONAIRE: The first step is to call an 800 number during one of those periods when new contestants are being sought. Only one call per day is allowed. The caller is asked three questions in the "fastest finger" format, and he must get all three right, with ten seconds per question allotted, to go any farther. The first question is usually trivial, involving arranging the words in a famous four-word title. The second question is typical of the ones on the show, while the third is usually harder. I tried calling every day that I could, getting the three right about 30-50% of the time. The time that eventually hit pay dirt was October 1, the last day for awhile that the phone lines would be open. The last question involved ranking Malaysia, Cuba, Argentina, and France in order of gross national product, and I made an educated guess that I don't remember now. On instruction, I then proceeded to give my name and number at which I could be reached 12 noon to 3 PM the following day. This much was old hat for me, but ever since speed was replaced by randomness in determining who gets called back, I've never received that call. I gave my cell phone number, both always to be in phone range and not to have the phone busy. My choice of ring is the closest available to G&S: the Toreador Song. When I heard it go off, I was in the sanctity of my house, and taking down the necessary info was easy. I had to call another number (not publicized and requiring a PIN in addition) the next day between 3:00 and 3:15 PM and answer five questions similar to the earlier three. The final one involved placing these characters in order of their first appearance on TV: Ralph Malph, Mallory Keaton, Steve Urkel, Dawson Leery. That's the correct order from earliest to latest, although I might have been asked to give them in reverse. (FYI, their shows are respectively HAPPY DAYS, FAMILY TIES, FAMILY MATTERS, DAWSON'S CREEK.) People who get all five right are put into a pool from which the show's ten contestants are randomly drawn. If there are fewer than ten, then people who answered four right are eligible. I'm certain of four and had a 50% chance with the fifth, but I'll never know more than that. What I do know is that I had to give a number at which I could be reached between 4 and 8 PM the same day. Again I gave my cell phone, only this time I had a 4 PM doctor's appointment to keep. I did so, not telling him I had a live cell phone with me. The appointment ended without incident, and I was in the waiting room closing out business for the day, when I heard the Toreador Song. Blasphemous as this sounds, that may actually supplant anything G&S as my favorite song from now on! I was engaged in about a 15-minute conversation in which all of the details concerning my appearance were discussed, much to the amusement of the receptionists and waiting patients. I spent the next two weeks in a bit of a daze, secured the five Phone-a-friends I was allowed, and was interviewed on the phone for potential material for Regis to discuss on the air. On the evening of Tuesday, October 17, my friend John Holmboe and I waited at my house to be chauffeured into New York for a free night's hotel stay. (BTW, I have no "significant other" or appropriate family member in my life, so I invited John, who has sung in Ridgewood with me for 20 years.) Naturally, the car came over a half-hour early while I was still packing, so I rushed things along a little more than I'd have wished. The trip to NYC was sluggish due to the game at Yankee Stadium, but we got in without any problems. We had to meet with one of the show's producers at the hotel before we could retire. Tensed up as I was, plus bothered by a sore throat, plus having to report to the lobby before 6:45 AM, I lay awake virtually the whole night. The contestants were all taken by bus to the studio around 7 AM, and we had over five hours before taping began. The time was spent with meals, makeup, interviews, and some time on the set, where we were given five practice "fastest fingers" with virtually trivial answers, just to practice using the buttons. This was an area in which I felt very strong going in, only to fail to be the fastest even once. So there went a good chunk of my confidence. The taping began, and it was then that I realized a lot more time really passes than the TV viewer perceives. As such I never had an idea how much time remained for the episode. After the returning contestant (using the misspelled pseudonym "Stan Flouride") missed on $250K (not knowing what I did: that Taco Bell is named after its founder Bell) I got the first "fastest finger" correct but came in second to another Phil, who also had won a couple of the practice rounds. He got a $16K question wrong, and then I had what was perhaps my last chance. Again I knew the answer (places of birth starting in the contiguous US and going east for Julia Roberts [continental US], Julie Andrews [UK], Russell Crowe [NZ], and Don Ho [Hawaii]), and this time I was fastest. I must point out that I'm nearsighted, and vanity and the need to read a screen in front of me caused me not to wear glasses when I was on camera, but the "fastest finger" results were flashed on a distant screen, and I was unable to make out the times until I watched the telecast. So my reaction to winning was one of genuine surprise. A lot of the conversation between Regis and me never aired, and the editing that was done was close to what I'd have chosen; specifically, all about G&S was left in, and almost all about my profession (which is really a former profession anyway) was cut. It was during the commercial break before my national singing debut that one of the show's staff asked me whether I'd be willing to sing. I agreed to it, so don't think that Regis put me on the spot. This possibility had even come up during one of the interviews, so I had sufficient time to choose what I'd sing should the opportunity occur. I chose the JWW bit because it's one of the most comfortable for me to sing; despite what Marc said, something like "Modern Major-General" isn't nearly as "safe" for me. During one of the preliminary interviews, I was asked whether I had any unusual strategy in mind. I answered, not realizing that it would become part of on-air discussion. That's why I seemed so flustered when Regis asked me about it, and why it sounded like an insane plan. What I meant was that if I phoned a friend with a question that could theoretically be answered without knowing the choices (e. g., "What G&S opera has no dialogue?" as opposed to "Which of these four G&S operas was written first?"), I wouldn't immediately give the choices in the hope that, if my friend really knew the answer, I'd be all the more convinced. Most of my strategy worked. I figured polling the audience would be good in case I couldn't answer an early question that most people could. That happened with Bette Davis's eyes for $2K. Otherwise I had no problem, sailing through $8K (Columbia is the capital of South Carolina) and $16K (stock market prices will soon all be quoted in decimals). Then came $32K, the guaranteed minimum should I get through it, and a question about the land of origin of the bees that bred with Brazilian ones to create killer bees. As I've found out since, a lot of people know it's Africa, but I wasn't one of them. So it was time to phone a friend, and I had selected my five friends based on a broad range of specialized knowledge and who was actually available. They were three people I know from Ridgewood and SavoyNetters Frances Yasprica and Mike Leonard. My choice of Mike at that moment was akin to a baseball manager's choice of a pinch hitter: the most likely to come through under the circumstances at hand, since Mike had studied biological sciences for his profession. The question as worded was relatively verbose, and despite what people said afterwards about their knowing the answer, I'm not sure they would have come through simply by hearing and not seeing the question and the choices (which, despite my planned strategy, I gave immediately). Ultimately I had to repeat everything, and I panicked for a few seconds when Mike's voice became muffled. Under those conditions, I didn't detect the air of confidence I wanted to hear, even if it was in narrowing the choices down to two. So I did 50-50 simply because there was no sense not doing it, but I had already more or less decided that I was going to stop. The 50-50 choices of "African" and "Australian" might have led me to choose the former had Mike's "African or Mexican" sounded more convincing. Nevertheless, "Australian" sounded so unreasonable that, based on the show's professed policy of leaving the two most likely choices standing, it had that much more chance of actually being correct. Since $16K seemed like so much more than $1K, I quit, regretting now only that I would have made the right $32K guess, and that I'll never know how much farther I'd have gone. For perspective, I remind myself that $16K would be an outstanding one-day JEOPARDY! total. Mike has offered to let me relay his own description of events from his end: > Congratulations once again. What a fine presentation of G&S on national > TV! You also "read me" correctly. As I was cut off I still had not > finalized my answer to the point I wanted. The LAST thing I wanted to do > was to lead you astray. In the excitement of those seconds "African" > did ring a bell but Mexican threw me a curve because I recalled reading > reports of the bees coming up through Mexico and being identified in > southern Texas. > > What makes me twitch about this though is something I didn't mention to > you. As you know, the call come to me at Binghamton University Health > Service. I told my staff as the call came through they were welcomed to > come into my office. Perhaps they could help me if I was stuck. In fact, > as I had brought it down to the two possibilities in my mind, I was > reading the question out to them at the end to get the "audience opinion". > I really thought I had a few more seconds. As I finished the sentence > "African or Mexican bees bred with the honey bees to form killer bees" I > looked toward my staff and 6 - 8 of them were nodding their heads and > saying "African". In the room I had two physicians six or seven nurses > and a one or two receptionists. Of course I was cut off half way through > my sentence. Needless to say, it was very exciting. I was very close to > confirming the answer but it was not meant to be. You did a very good job > with the information you had and this was very exciting for me and my > staff. It turns out that the sore throat I had, which fortunately subsided during the taping, was the precursor of an infection that robbed me of most of my voice and strength the day after taping, and I'm still taking medication. So I'm really very thankful about the timing of everything. The telecast aired during a Ridgewood PIRATES rehearsal, and we all stopped to watch my segment. I had to let a few people know I'd be in the hot seat, but only John and I knew how far I went. Aside from the appreciated private messages I've received from SavoyNetters, I got a few phone calls after Thursday night, and the next day two women recognized me at Burger King. I have a feeling of modified rapture as to how much I won, but it's more like ecstatic rapture over the whole experience and how well I think I came across over national TV. To SavoyNet: Thanks a "million" (or at least sixteen thousand)! Philip Sternenberg (Scaphio, Lieutenant, Francesco at T2K) psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at http://www.dancaster.com/RidgewoodGandS  1,, Summary-line: 2-Nov tytso@MIT.EDU [44] #For the scuba divers on the dinner list. :-) X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id MAA17860; Thu, 2 Nov 2000 12:08:12 -0500 (EST) Received: from SNAP.THUNK.ORG by MIT.EDU with SMTP id AA16460; Thu, 2 Nov 00 12:08:05 EST Received: (from tytso@localhost) by snap.thunk.org (8.11.0/8.11.0) id eA2H84v03770; Thu, 2 Nov 2000 12:08:04 -0500 Date: Thu, 2 Nov 2000 12:08:04 -0500 Message-Id: <200011021708.eA2H84v03770@snap.thunk.org> To: dinner@MIT.EDU Subject: For the scuba divers on the dinner list. :-) From: tytso@MIT.EDU Address: 1 Amherst St., Cambridge, MA 02139 Phone: (617) 253-8091 *** EOOH *** Date: Thu, 2 Nov 2000 12:08:04 -0500 To: dinner@MIT.EDU Subject: For the scuba divers on the dinner list. :-) From: tytso@MIT.EDU Address: 1 Amherst St., Cambridge, MA 02139 Phone: (617) 253-8091 Top 10 Ways Diving Would Be Different If Bill Gates Were in Charge: (written by the readers of Scuba Diving Online) 10) Useless tips show up on the screen every time you turn on your dive computer. 9) You could never remove that darn Internet Explorer icon from your dive computer. 8) This year's new equipment models would eventually be released two years from now. 7) None of your new gear would be compatible with any of your old stuff. 6) Bill would get all the good gear from other manufacturers and release it 10 years later under another name and call it "revolutionary". 5) When you called Microsoft to schedule a dive trip, you would be left on hold for a long time, and when you finally talked to someone you would be given a lot of information on diving that was absolutely correct but completely useless. 4) Every dive computer would be from Microsoft and any deaths from them would be explained as a "beta version" problem. Don't worry, we'll fix that in the next release. 3) Every time you were really close to your destination, your boat would crash. 2) Your air supply would stop and have to be restarted every couple of minutes and you would accept this as normal. 1) Equipment dealers would be required to bundle a parachute with every scuba package so Bill could eventually dominate the sky diving market (a natural tie-in).  1,, Summary-line: 5-Nov root@ihack.net [17] #FireWire X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id MAA18649; Sun, 5 Nov 2000 12:34:26 -0500 (EST) Received: from h003065ac059e.ne.mediaone.net by MIT.EDU with SMTP id AA07523; Sun, 5 Nov 00 12:34:40 EST Received: (from mycroft@localhost) by ihack.net (8.11.1/8.11.1) id eA5HYsX23846; Sun, 5 Nov 2000 17:34:54 GMT Date: Sun, 5 Nov 2000 17:34:54 GMT Message-Id: <200011051734.eA5HYsX23846@ihack.net> X-Authentication-Warning: ihack.net: mycroft set sender to root@ihack.net using -f From: "Charles M. Hannum" To: opus@MIT.EDU Subject: FireWire *** EOOH *** Date: Sun, 5 Nov 2000 17:34:54 GMT X-Authentication-Warning: ihack.net: mycroft set sender to root@ihack.net using -f From: "Charles M. Hannum" To: opus@MIT.EDU Subject: FireWire Did Matt Thomas ever contact you about this? One of our Japanese developers (who actually works for Sony) is working on FireWire now, and recently committed a bunch of early code. Still a long way to go, but a lot of progress. If you're interested in working on it, I suggest contacting onoe@netbsd.org. If you have translation issues, soda@netbsd.org can help.  1,, Summary-line: 5-Nov chuffman@notes.cc.sunysb. [41] # X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id MAA27360; Sun, 5 Nov 2000 12:44:08 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA28614; Sun, 5 Nov 00 12:45:51 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA21410; Sun, 5 Nov 2000 12:43:28 -0500 (EST) Date: Sun, 5 Nov 2000 12:43:28 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chuffman@notes.cc.sunysb.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: chuffman@notes.cc.sunysb.edu To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 5 Nov 2000 12:43:28 -0500 (EST) Reply-To: chuffman@notes.cc.sunysb.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: chuffman@notes.cc.sunysb.edu To: Multiple recipients of list SAVOYNET Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear All, Yesterday I sent a version of the following to Marc Shepherd to find out if he had any knowledge along the lines I ask; he doesn't, and suggests I post the request for information to the whole list (I'm sorry if this comes up looking peculiar, I am using a borrowed computer this Sunday AM in NYC, as I have gone into hiding to escape the marathoners). With some minor deletions, my request to Marc was: I was reading your Buxton 2000 Diary (part 2) in The Palace Peeper of Oct '00 and the name Bruce Montgomery jumped out at me. This is a name that means a lot to me, or, rather, the pen name of Edmund Crispin does -- if it's the same person! It must be he! Edmund Crispin was an English author, now I believe deceased, who wrote a series of detective novels for 20 or so years right after WW2. His usual detective was a professor of Literature named Gervase Fen. When I last had occasion to buy a copy of The Moving Toyshop, it and several others were still in print,in Penguin paperbacks. The biographical sketch in my edition says that EC's real name was Bruce Montgomery and that he wrote film music -- one of the novels bears this out, being set in a film studio. I have often wondered which films he wrote the music for, and also what ELSE he wrote. I would love to learn anything more about Montgomery that you have available (and ditto anyone on this list) I don't think I've seen a biography in print -- that would seem a natural for someone to think of writing. Clifford Huffman  1,, Summary-line: 6-Nov emurer@worldnet.att.net [34] #Re: Reverend Dr. Spooner Does G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id UAA14516; Mon, 6 Nov 2000 20:23:29 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA03043; Mon, 6 Nov 00 20:25:16 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA03910; Mon, 6 Nov 2000 20:22:59 -0500 (EST) Date: Mon, 6 Nov 2000 20:22:59 -0500 (EST) Message-Id: <3A074B88.F54499C6@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: emurer@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Esther Murer To: Multiple recipients of list SAVOYNET Subject: Re: Reverend Dr. Spooner Does G&S Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.61 [en] (Win98; I) *** EOOH *** Date: Mon, 6 Nov 2000 20:22:59 -0500 (EST) Reply-To: emurer@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Esther Murer To: Multiple recipients of list SAVOYNET Subject: Re: Reverend Dr. Spooner Does G&S Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Well, here's what I gleaned from Ruddigore: Dower by dower and hay by hay, Several punts have massed away Once on the village green a palsied rag he hosted The rattle's bore is over, O my love I am the lector of the spate Sir Roderick Murgatroyd My taste for a laundering wife is waning I shall tell him I've recovered my forgotten sorrel menses -- Esther Greenleaf Murer visit my websites "Jens Bjorneboe in English" http://emurer.home.att.net/ "Quakers and the Arts Historical Sourcebook" http://home.att.net/~quakart/  1,, Summary-line: 7-Nov lionel.carter@fdn.co.uk [38] #Pirates landing at Henley on Thames X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id FAA03194; Tue, 7 Nov 2000 05:39:41 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA01273; Tue, 7 Nov 00 05:39:56 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA16289; Tue, 7 Nov 2000 05:39:50 -0500 (EST) Date: Tue, 7 Nov 2000 05:39:50 -0500 (EST) Message-Id: <002501c048a7$36e9bc80$b01f6cd5@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lionel.carter@fdn.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr L R Carter" To: Multiple recipients of list SAVOYNET Subject: Pirates landing at Henley on Thames Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4522.1200 Content-Transfer-Encoding: quoted-printable X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id FAA16289 *** EOOH *** Date: Tue, 7 Nov 2000 05:39:50 -0500 (EST) Reply-To: lionel.carter@fdn.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr L R Carter" To: Multiple recipients of list SAVOYNET Subject: Pirates landing at Henley on Thames Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mime-Autoconverted: from 8bit to quoted-printable by Luna.bridgewater.edu id FAA16289 Info for those in the area: Woodley Light Operatic Society presents Pirates of Penzance at the Kenton Theatre, Henley on Thames, Oxfordshire. Landings commence at 7.30 pm. Charity Gala 5th Dec, =A310 6th to 9th Dec, =A38. Box office open from 27th November Tel: 01491 575698 The Woodley Society is a small amateur group and the Kenton is a small c= osy theatre. I have no connection with them, by which I don't mean to disown them, but have just received a leaflet through the post. Lionel Carter  1,, Summary-line: 7-Nov rconsentino@mediaone.net [150] #Re: Learn about your Friends X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA15692; Tue, 7 Nov 2000 17:52:43 -0500 (EST) Received: from chmls05.mediaone.net by MIT.EDU with SMTP id AA10159; Tue, 7 Nov 00 17:52:57 EST Received: from bconsentino (h000094b68186.ne.mediaone.net [24.91.181.126]) by chmls05.mediaone.net (8.8.7/8.8.7) with SMTP id RAA08327; Tue, 7 Nov 2000 17:52:37 -0500 (EST) Message-Id: <003201c0490d$c1097980$7eb55b18@ne.mediaone.net> From: "rconsentino" To: , , , , , , , , , "Scott Gagnon" , "David Jedlinsky" , "Ray O'Hare" References: Subject: Re: Learn about your Friends Date: Tue, 7 Nov 2000 17:54:58 -0500 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-Mimeole: Produced By Microsoft MimeOLE V5.00.2314.1300 *** EOOH *** From: "rconsentino" To: , , , , , , , , , "Scott Gagnon" , "David Jedlinsky" , "Ray O'Hare" Subject: Re: Learn about your Friends Date: Tue, 7 Nov 2000 17:54:58 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-Msmail-Priority: Normal X-Mimeole: Produced By Microsoft MimeOLE V5.00.2314.1300 Okay, here's what you're supposed to do. Copy (not forward) this entire e-mail and paste it onto a new email that you will send. Change all the answers so they apply to you. Then, send this to a whole bunch of people you know INCLUDING the person who sent it to you. The theory is that you will learn a lot of little unknown facts about your friends. Remember to send it back to the person who sent it to you. LIVING ARRANGEMENT? To quote Ty: "1 BR 1 BA Apartment in Waltham, MA. Looking for something bigger. Like maybe a house." WHAT BOOK ARE YOU READING NOW? "The Perfect Heresy: The Revolutionary Life and Death of the Medieval Cathars" by Stephen O'Shea WHAT'S ON YOUR MOUSE PAD? "Sick, Sad World" from _Daria_ FAVORITE BOARD GAME? Othello FAVORITE MAGAZINE? It's hard to pick one, but I guess I'd say _Discover_ FAVORITE SMELLS? Fresh flowers FAVORITE PART OF THE OPPOSITE SEX? Cuddling with the opposite sex :o) FAVORITE SOUND? Music! BEST FEELING IN THE WORLD? Cuddling with Tyler :o) WORST FEELING IN THE WORLD? Disappointing someone WHAT'S THE FIRST THING YOU THINK OF WHEN YOU WAKE? "I wonder how long it will take Tyler to finish his shower?" or, "How much longer can I get away with laying in bed?" or, "I wonder if I'm really going to make it to school on time?" ARE YOU UP IN THE MORNING? Rarely ROLLER COASTER - SCARY OR EXCITING? Exciting -- unless if they go backwards, in which case they make me feel r-e-e-a-l-l-y sick. HOW MANY RINGS BEFORE YOU ANSWER THE PHONE? Two-ish FAVORITE FOODS? Asian -- Vietnamese and Thai in particular DO YOU LIKE TO DRIVE? Yay Echo! DO YOU SLEEP WITH A STUFFED ANIMAL? Sometimes I sleep with my piggy slippers on STORMS - COOL OR SCARY? Cool! WHAT TYPE WAS YOUR FIRST CAR? I used to drive a 1979 Pontiac Grand Prix. Its theme song was "Love Shack," cause it seated about 20. It was such a boat! IF YOU COULD MEET ONE PERSON DEAD OR ALIVE? Oooooh. I don't know. Maybe someone who would want to hear me & my pals sing, and then offer me and Sarah and Tyler and everyone really good gigs in NYC... whomever that person would be. FAVORITE ALCOHOLIC DRINK? Strawberry Daquiris WHAT IS YOUR ZODIAC SIGN? Virgo DO YOU EAT THE STEMS OF BROCCOLI? Let's rephrase that... DO YOU EAT BROCCOLI? No. (Yuck.) I feed it to Tyler, the Broccoli Monster. IF YOU COULD HAVE ANY JOB YOU WANTED, WHAT WOULD IT BE? I like teaching now, and I would like teaching communications even better. But being in musicals all the time might top even that... who really knows? IF YOU COULD DYE YOUR HAIR ANY COLOR? (Tyler wrote, "Why would I want to dye my hair?" ...Because you're going gray, sweetie!) ;o) As for me, I think purple would be cool, but I would never do it. EVER BEEN IN LOVE? Yup! IS THE GLASS HALF EMPTY OR HALF FULL? It depends on who's drinking whatever is inside, and whether I want them to leave any for me. WHAT'S YOUR FAVORITE SNAPPLE? I don't like snapple that much. Fresh Samantha is WAY better! FAVORITE MOVIES? the Indiana Jones movies ARE YOU A LEFTY, RIGHTY, OR AMBIDEXTROUS? Righty DO YOU TYPE WITH YOUR FINGERS ON THE RIGHT KEYS? Ummmm ... You kind of have to, in order to type words, right? So I guess I type on the right keys with the wrong fingers -- and I still manage 65 to 70 words per minute. WHAT'S UNDER YOUR BED? I'm pretty sure the floor is down there somewhere... WHAT'S YOUR FAVORITE NUMBER? 18 FAVORITE SPORT TO WATCH? Baseball, _if_ I'm in Fenway Park SAY ONE NICE THING ABOUT THE PERSON WHO SENT THIS TO YOU. Tyler makes very good waffles from scratch, and he brings them to me while I'm still in bed. What a good husband! PERSON YOU SENT THIS TO WHO IS MOST LIKELY TO RESPOND? Sarah PERSON YOU SENT THIS TO LEAST LIKELY TO RESPOND? Tyler, since he's the one who sent it to me!  1,, Summary-line: 9-Nov Nonoiy@aol.com [61] #A list X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id KAA22747; Thu, 9 Nov 2000 10:08:41 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA22117; Thu, 9 Nov 00 10:10:33 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA20493; Thu, 9 Nov 2000 10:08:49 -0500 (EST) Date: Thu, 9 Nov 2000 10:08:49 -0500 (EST) Message-Id: <12.4a3cf4a.273c1700@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: A list Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows AOL sub 125 *** EOOH *** Date: Thu, 9 Nov 2000 10:08:49 -0500 (EST) Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: A list Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My favorites are Numbers 2 and 3. Life Reflections 1. Never raise your hands to your kids. It leaves your groin unprotected. 2. I'm not into working out. My philosophy is no pain, no pain. 3. I'm in shape. Round is a shape. 4. I'm desperately trying to figure out why Kamikaze pilots wore helmets. 5. Do illiterate people get the full effect of alphabet soup? 6. I've always wanted to be somebody, but I should have been more specific. 7. Ever notice when you blow in a dog's face he gets mad at you, but when you take him in a car he sticks his head out the window? 8. Ever notice that anyone going slower than you is an idiot, but anyone going faster is a maniac? 9. You have to stay in shape. My mother started walking five miles a day when she was 60. She's 97 now and we have no idea where she is. 10. I have six locks on my door, all in a row. When I go out, I lock every other one. I figure no matter how long somebody stands there picking the locks, they are always locking three of them. 11. One out of every three Americans is suffering from some form of mental illness. Think of two of your best friends. If they are OK, then it must be you. 12. They show you how detergents take out bloodstains. I think if you've got a T-shirt with bloodstains all over it, maybe your laundry isn't your biggest problem. 13. Ask people why they have deer heads on their walls and they tell you it's because they're such beautiful animals. I think my wife is beautiful, but I only have photographs of her on the wall. 14. A lady came up to me on the street, pointed at my suede jacket and said, "Don't you know a cow was murdered for that jacket?" I said "I didn't know there were any witnesses. Now I'll have to kill you too."  1, edited,, Summary-line: 9-Nov aporter@cisco.com [86] #Re: Improbable plots X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA15272; Thu, 9 Nov 2000 12:35:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.Bridgewater.EDU [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA03843 for ; Thu, 9 Nov 2000 12:35:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA10946; Thu, 9 Nov 2000 12:34:30 -0500 (EST) Date: Thu, 9 Nov 2000 12:34:30 -0500 (EST) Message-Id: <010601c04a70$f047be00$c16a1eac@cisco.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aporter@cisco.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Porter" To: Multiple recipients of list SAVOYNET Subject: Re: Improbable plots MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Thu, 9 Nov 2000 12:34:30 -0500 (EST) Reply-To: aporter@cisco.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Porter" To: Multiple recipients of list SAVOYNET Subject: Re: Improbable plots Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum ----- Original Message ----- From: "Ernie Fosse" To: "Multiple recipients of list SAVOYNET" Sent: Thursday, November 09, 2000 9:11 AM Subject: RE: Improbable plots > -----Original Message----- > From: deebee@netspace.net.au > <> > .. the good ole U S of A. What a wonderful cliffhanger of a race. > > Just think what Gilbert could make of it. The person who gets the most > votes may lose to the person who gains some odd Utopian-type votes from a > college which doesn't really exist. The old King's wife pops up to take > over as he is shunted off and a dead guy is actually voted in as a Governor > [Senator, actually, but let that pass]. > > Can anyone think of appropriate songs to go with this senario? > <> > > How about: > > Here's a howdy-do: > In a month or two, > One will take the oath of office > And the other wander off, his > Politics are through. > Here's a Howdy-do... > > etc. > Seeking inspiration from Mr. Fosse's post, I humbly submit the following: Here's a how-de-do! In a month or two One will take the oath of office, And the other wander off, his Politics are through. Here's a how-de-do! Here's a pretty mess! In a month, or less, Bore or Guch may be elected While the other is rejected Witness his distress, Here's a pretty mess! Here's a state of things Florida runs rings, In this race so Presidential One state is so consequential-- Vic-to-ry it brings! Here's a state of things! ENSEMBLE GUSH. BORE. With a passion that's intense With a passion that's intense I wish so to beat Bore, He wishes to beat Bore, But the laws of Florida But the laws of Florida I wish I could ignore. I wish I could ignore. If what they say is true, If what they say is true, This vote could go to you! This vote could go to you! Here's a pretty state of things! Here's a pretty state of things! Here's a pretty how-de-do! Here's a pretty how-de-do! Tony Porter  1, forwarded, filed, edited,, Summary-line: 9-Nov dcj@zk3.dec.com [90] #[joeg@oflume.zk3.dec.com: Blame Florida!] X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA03547; Thu, 9 Nov 2000 14:37:44 -0500 (EST) Received: from zmamail02.zma.compaq.com (zmamail02.zma.compaq.com [161.114.64.102]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA02194 for ; Thu, 9 Nov 2000 14:38:21 -0500 (EST) Received: by zmamail02.zma.compaq.com (Postfix, from userid 12345) id 37E1B5145; Thu, 9 Nov 2000 14:37:51 -0500 (EST) Received: from oflume.zk3.dec.com (oflume.zk3.dec.com [16.140.112.3]) by zmamail02.zma.compaq.com (Postfix) with ESMTP id 187154FFC for ; Thu, 9 Nov 2000 14:37:51 -0500 (EST) Received: by oflume.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id OAA0000014019; Thu, 9 Nov 2000 14:37:50 -0500 (EST) Date: Thu, 9 Nov 2000 14:37:50 -0500 (EST) From: David Jedlinsky USG Message-Id: <200011091937.OAA0000014019@oflume.zk3.dec.com> To: opus@mit.edu Subject: [joeg@oflume.zk3.dec.com: Blame Florida!] *** EOOH *** Date: Thu, 9 Nov 2000 14:37:50 -0500 (EST) From: David Jedlinsky USG To: opus@mit.edu Subject: [joeg@oflume.zk3.dec.com: Blame Florida!] (leaving forwards on for credit) - ---------- Forwarded message ---------- Date: Wed, 08 Nov 2000 14:19:58 -0800 From: Recollection Books Subject: Blame Florida! To the melody of "Blame Canada" from the South Park movie: BLAME FLORIDA by The Plaid Adder PETER JENNINGS: It's Wednesday now The whole thing should be done And yet there's still a chance that either of them could have won! COKIE: Should we blame the candidates? SAM: Or society? STEPHANOPOLOUS: Or the media who projected wrong on TV? PETER JENNINGS: No! Blame Florida! Blame Florida! With their beady eyes and flapping heads And their crooked governor Jeb Blame Florida! Blame Florida! We must launch a full assault Cause it's Florida's fault. RALPH NADER: Don't blame me That it's so close When Dubya's got the I.Q. of a leaky garden hose Is it our fault That our country hates the poor, Or that Al Gore is a smarmy corporate whore? GREENS: No! Blame Florida! Blame Florida! It seems everything was great Till it became the linchpin state Blame Florida! Blame Florida! FLORIDA LIBERAL: I was thinking of relocating anyway. THE VOTERS: We could have had a Bradley or a McCain brave and true, Instead you gave us Al Gore and this asshole double-u, Should we blame the parties? Should we blame the Dems? Or the sodding electorial college system? No! Blame Florida! Blame Florida! With their Elian hullabaloo And those crazy old folks too Blame Florida! Blame Florida! The count must be done, The race must be run, The votes must be in, And George must not win, We must complain and make a scene Before somebody thinks to blame the Greens! (forwarded from:) - -- Recollection Used Books 8572 Greenwood North Seattle Wa 98103 phone: (206) 783-1686 email: recall@eskimo.com  1,, Summary-line: 11-Nov dkk@akamai.com [89] #Re: moving to New Hampshire X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id IAA07063; Sat, 11 Nov 2000 08:22:55 -0500 (EST) Received: from akafire-exodus.akamai.com by MIT.EDU with SMTP id AA14610; Sat, 11 Nov 00 08:24:50 EST Received: from akamai.com (vwall2.kendall.akamai.com [172.24.40.126]) by akamai.com (8.11.1/8.11.1) with ESMTP id eABDNc510879; Sat, 11 Nov 2000 08:23:38 -0500 (EST) Received: from crabcake.kendall.akamai.com (crabcake.kendall.akamai.com [172.24.41.10]) by akamai.com (8.11.1/8.11.1) with ESMTP id eABDNc508643; Sat, 11 Nov 2000 08:23:38 -0500 (EST) Received: (from dkk@localhost) by crabcake.kendall.akamai.com (8.8.7/8.8.7) id IAA18956; Sat, 11 Nov 2000 08:23:37 -0500 To: "David C. Jedlinsky" Cc: rls@MIT.EDU Subject: Re: moving to New Hampshire References: <200011101534.KAA30811@crabcake.kendall.akamai.com> <200011101832.NAA29911@multics.mit.edu> From: David Krikorian Date: 11 Nov 2000 08:23:37 -0500 In-Reply-To: "David C. Jedlinsky"'s message of "Fri, 10 Nov 2000 13:32:58 -0500 (EST)" Message-Id: Lines: 82 X-Mailer: Gnus v5.5/Emacs 20.3 *** EOOH *** To: "David C. Jedlinsky" Cc: rls@MIT.EDU Subject: Re: moving to New Hampshire From: David Krikorian Date: 11 Nov 2000 08:23:37 -0500 In-Reply-To: "David C. Jedlinsky"'s message of "Fri, 10 Nov 2000 13:32:58 -0500 (EST)" > Rumors I've heard about Wilton is that there are often difficulties > finding sufficient water without sinking a 1000 foot well. Thanks. That's good to know. > Temple is nice, but pretty far out if you're thinking of heading to > Boston a lot. The places I looked at weren't noticeably farther than Wilton (though the low-speed road into the woods added a few minutes), so I'm not worried about Temple compared to Wilton. I was quite skeptical that Wilton was the 1 hour drive from Boston that the realtor said it was, but it really did take me 60 minutes to drive (in light traffic, of course) from my mother's house in East Arlington to the realy office on 101 in Wilton. I'm not planning on daily commutes to the Boston area, and I'm certainly not planning on rush-hour commutes. I figure I can make do with 2 or 3 round-trips per week, and still have no more commute time than what seems like the typical commuter. (I figure typical is at least 1/2 hour each way between home and a city (work), with 5-6 round trips per week (5 for work and often 1 social and/or shopping).) There are places I can crash when I don't want to drive the hour (or more) back to New Hampshire (figure ~3 nights per week). > Route 101 is pretty much your only highway, and if there's an > accident, you're stuck. I can live with that in the short term. I wonder what the chances are of the roads being widened (or new ones built) at a rate that keeps up with the population growth... > You didn't mention your budget. I don't really have a budget. I'm looking at anything in the $10^5 to $10^6 range, but I doubt I'll find something I like at the lower end, and it'd take a lot to convince me to spend at the upper end of that range. Part of the justification for the higher end would be that I might eventually develop the land, which is an argument that doesn't apply to the $335k, 52-acre lot in Temple with the over-engineered house, since there's almost no development potential there. (But it does apply to the $725k, 189-acre, getting-ripe-for-development land.) > Are you thinking of buying the land solely for yourself, or were you > thinking of subdividing and developing it? Maybe developing, starting a minimum of 2 years from now (maybe more like 10). > Closer in to Nashua, forget about anything of any size greater than > about 5 acres. Suburbia has hit big-time. Yeah, I've been noticing that in online listings. > Checking my listings of land, I find two 20-ish acres lots in > Amherst, [...] I'm more interested in land with something already there that I can live in, which is why the 100-acre lot with a small stone house near the 52-acres place I mentioned looks more attractive than the 189-acre completely-undeveloped square of countryside. > Do you know about, and have a copy of, the NH Current Use law? This realtor told me basically how it works. I'm guessing a 5-year delay to maybe-developing whatever "excess" land I get makes it worthwhile to put most of that land in "Current Use." Is the text of the law (or other NH laws, for that matter) available online? If not, where would I get a copy? > It will save you tens of thousands of dollars on taxes, depending on > how you use it. Yeah, I'm not interested in a property tax bill over about $5k/year, which feels like one of my main search criteria. > Finally, there's a 33 acre piece of land in Amherst which you should > *completely* avoid. Not that I'm thinking of buying it, or > anything. ;-) :-) Good luck!  1,, Summary-line: 12-Nov sommerfeld@orchard.arling [16] #what's currently at 70 st mary axe.. X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id MAA19526; Sun, 12 Nov 2000 12:40:44 -0500 (EST) Received: from orchard.hamachi.org by MIT.EDU with SMTP id AA24745; Sun, 12 Nov 00 12:40:55 EST Received: by orchard.arlington.ma.us (Postfix, from userid 587) id 3FB2B2A39; Sun, 12 Nov 2000 12:41:12 -0500 (EST) Received: from orchard.arlington.ma.us (localhost [127.0.0.1]) by orchard.arlington.ma.us (Postfix) with ESMTP id CCE861FD0; Sun, 12 Nov 2000 12:41:12 -0500 (EST) To: goodmanj@MIT.EDU Cc: dinner@MIT.EDU Subject: what's currently at 70 st mary axe.. Reply-To: sommerfeld@orchard.arlington.ma.us Date: Sun, 12 Nov 2000 12:41:07 -0500 From: Bill Sommerfeld Message-Id: <20001112174112.3FB2B2A39@orchard.arlington.ma.us> *** EOOH *** To: goodmanj@MIT.EDU Cc: dinner@MIT.EDU Subject: what's currently at 70 st mary axe.. Reply-To: sommerfeld@orchard.arlington.ma.us Date: Sun, 12 Nov 2000 12:41:07 -0500 From: Bill Sommerfeld see: http://www.mit.edu/~wesommer/axe/st-mary-axe.html The images are as they came out of the camera (i.e. 1792x1200 jpg's), 6 pictures, about 350kbytes each, so be prepared to wait a bit if you're on a slow link. - Bill  1,, Summary-line: 15-Nov eric@toastpoint.com [71] #Patience and Ella X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id IAA07425; Wed, 15 Nov 2000 08:14:43 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA19859; Wed, 15 Nov 00 08:16:45 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA02089; Wed, 15 Nov 2000 08:15:10 -0500 (EST) Date: Wed, 15 Nov 2000 08:15:10 -0500 (EST) Message-Id: <3A1287E5.D5136053@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: eric@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Eric Peterson To: Multiple recipients of list SAVOYNET Subject: Patience and Ella Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.72 [en] (Win98; U) *** EOOH *** Date: Wed, 15 Nov 2000 08:15:10 -0500 (EST) Reply-To: eric@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Eric Peterson To: Multiple recipients of list SAVOYNET Subject: Patience and Ella Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum With questions about the Patience maidens coming up, this might be the time to toss in my thoughts... > > Because the stage directions call for Ella to be paired with the > Solicitor. > > Nevertheless, this doesn't totally explain how the perfectly balanced > sextet > > towards the end of Act 1 becomes a complicated quintet by Act 2. (Well, > the > > reason must be because it's funnier that way, but logic goes somewhat by > the > > boards.) Yes, so the director must come up with a plausible reason. My thought is that maybe Ella never HAD a dragoon of her own, and after the Solicitor does his thing, they make serious eye contact. They do something about it (heh-heh) when the maidens and dragoons re-pair for "I hear the soft note." Coupledom established. Then she goes nutso over Grosvenor like everyone else. To wrap this up, you just have to somehow come up with a reason for the Solicitor to be on stage at the end - maybe he's been pining after (stalking?) Ella all through Act II. > What I've wondered (not yet having been a Savoyard when the Pittsburgh > Savoyards last did Patience) is what various companies do when they have more > female chorus members than male chorus members. When "each of us shall wed > the other" happens, we have to leave Bunthorne with only his poppy or > lil-eye. So obviously you can't have an unattached woman standing around > looking eligible. Well, this gets solved by the "Patience backstory" I came up with one day - Herr Direktor is welcome to steal any of this that he pleases. Patience takes place in a part of the country where the rich have summer homes. The maidens are all the local bored rich ladies in for the summer, some of whom are married, but most of whom are not and all of whom still desperately need a hobby. Last summer it was croquet, this summer it seems to be mooning after would-be poets. So the "extra" ladies (perhaps the ones of a certain age) are the ones who keep glaring at their own wedding rings in frustration. Bunthorne is what we in America would call a "trust fund" baby, with very rich parents. He's been there every summer as a kind of geeky kid who no one's paid any attention to, but now he's been off to college. His parents are spending the summer abroad, so he's got the castle to himself and the new personality he's constructed for himself just happens to be the very thing the bored ladies were looking to latch onto. All this happens before the curtain rises, of course. Poor Patience is NOT one of the rich summer folk, of course, - she's a local and works very hard, and thinks all the summer ladies are pretty much lazy and dull, which, of course, they are. - Eric -- "Cookie Day! Cookie Day! It's a beautiful Cookie Day!" - Shonen Knife ----------------------------------------------------------------------- Eric Peterson * eric@toastpoint.com * http://www.toastpoint.com  1,, Summary-line: 17-Nov deebee@netspace.net.au [50] #More on improbable plots X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id TAA14670; Fri, 17 Nov 2000 19:20:02 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA23620; Fri, 17 Nov 00 19:22:10 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA27442; Fri, 17 Nov 2000 19:20:35 -0500 (EST) Date: Fri, 17 Nov 2000 19:20:35 -0500 (EST) Message-Id: <3A15C9DA.135F5E48@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: More on improbable plots Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Fri, 17 Nov 2000 19:20:35 -0500 (EST) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: More on improbable plots Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Melbourne's Age has the following letter from a Mr Watson: Gilbert and Sullivan would have fixed up the American dilemma as in The Gondoliers. The two kings agreed to act as one individual. Unfortunately both kings were finally displaced but it was good fun anyway. >From this distance, we are looking at goings-on across the oceans as increasingly bizarre not the least the fact that a dead man is A, left on a ballot, B, people vote for him and C, his wife cooly accept the legacy and goes off to take office. So I am proposing the following as the 15th opera. THE ELECTED GHOEST or A Gushing Bore. Scene: An election tally room. Gush and Bore have tied the vote and it has fallen to the Grand Chad to solve the deadlock. He does this in an increasingly bizarre series of challenges: Surviving alone on an Island for a period (King Paramount secretly helps one of them but the cheating is not detected), defining how a piece of paper can be pregnant and so on. Just as it appears that the matter cannot be resolved, the Legal Ghoest turns up with an old established family Sorcerer, whose acquaintance he has recently made in some infernal region, and with his help proceeds to nullify the whole thing. A new election is called and the living candidates are outvoted by a coalition of George Washington, Abraham Lincoln and J.F. Kennedy. Within a short period it becomes obvious that chaos has come again. It takes a woman to solve the complicated plot, so Ride'em Hilary stages a coup and elects herself Queen for Life. Everybody lives as happily or unhappily as they deserve undere the new regime! Now I am looking for a composer to set the score. ;>) Diana  1, answered,, Summary-line: 29-Nov davie@MIT.EDU [28] #Sorcerer Numbers X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id BAA15842; Wed, 29 Nov 2000 01:39:06 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id BAA19383; Wed, 29 Nov 2000 01:40:14 -0500 (EST) Received: from wargames (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id BAA29050; Wed, 29 Nov 2000 01:40:14 -0500 (EST) From: "David Euresti" To: , Cc: "gsp-ec" Subject: Sorcerer Numbers Date: Wed, 29 Nov 2000 01:40:29 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "David Euresti" To: , Cc: "gsp-ec" Subject: Sorcerer Numbers Date: Wed, 29 Nov 2000 01:40:29 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Dave and Ruth, Thank you so much for coming to Film the Sorcerer. I hope you got a good night for the show. Anyway I wanted to let you know early on and before I forget the number of videos that we will need. 50. Also let us know when the Princess Ida videos will be coming. An ETA would be nice so we can inform the people waiting for videos. Is this the best way to reach you guys? I've always wondered about that. Or do you have a business related e-mail address that would be more appropriate. Thanks, David Euresti President, MIT Gilbert and Sullivan Players  1,, Summary-line: 29-Nov MusikDrama@aol.com [90] #Re: OUP Ruddigore errata list X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id OAA25756; Wed, 29 Nov 2000 14:29:33 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AC14229; Wed, 29 Nov 00 14:32:02 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA01689; Wed, 29 Nov 2000 14:27:10 -0500 (EST) Date: Wed, 29 Nov 2000 14:27:10 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: OUP Ruddigore errata list Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 28 *** EOOH *** Date: Wed, 29 Nov 2000 14:27:10 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: OUP Ruddigore errata list Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In a message dated 11/29/00 5:58:13 AM, C.Woods@sheffield.ac.uk writes: << On page 32 of OUP, bar 18, there is a pause (fermata) given over tramlines Isn't this very much a 20th century addition to musical notation, and (like some of my jests) out of place in this score? >> I have no information on when the practice of using "cesuras" (correct, Ms. Finn!) began, but I agree that the combination of cesura and fermata does seem unnecessary. However, that is not why I'm writing. Having been inspired by Clive's note to take another look at the passage in question, I see that there's something else I need to add to my errata list -- I beg pardon, my comparative study of the Oxford and Schirmer editions of Ruddigore -- which had previously escaped my notice. There is no repeat sign at the beginning of the song ("My Boy, You May Take It From Me") to correspond with the one on page 33 (bar 38). Lacking the initial repeat sign, the inference is that one would repeat to the beginning of the song -- but to be correct there ought to be a repeat sign printed, so I think this counts as an erratum. But over and above the issue of graphics, I believe there has been another error here. Repeating to the beginning does not make good musical sense in terms of the balance of phrases. At the beginning of the song, there are eight beats preceding the entry of the voice, distributed thus: ONE-TWO-THREE-FOUR-FIVE six-seven-eight The capital letters represent the fortissimo chords; the last three counts represent the running eighth-note figure which sets up the vocal entry. It is at the repeat back to the second and third verses where the differences between Toye's adaptation and Sullivan's original score contrive to confuse the issue. In the familiar Toye version, the repeat occurs immediately after Robin's solo rendition of the refrain. The running eighth note-figure begins again on the beat following the word "chance," and the beat count is as follows: "CHANCE"-two-three-four, "Now take, for example, my case," etc. In the OUP edition, the refrain is sung twice after each verse, with Richard joining Robin on the repetition each time (rather than only on the final verse, as in the familiar version). In the repeat measure, on the beat following "chance," instead of the running eighth-note figure, there is a sforzando chord, as at the beginning of the song (actually the chords are marked fortissimo at the beginning, not sforzando -- perhaps the sforzando mark is another error?). In any case, one would expect that the introduction to the second verse would mirror the introduction to the first verse in terms of the counting. Counting from "chance" as beat one, and repeating to the beginning of the song, we come up with TEN beats instead of the more normally balanced eight beats. I believe there should be a repeat sign at the beginning of the SECOND bar of the piece, in order to make the beats come out correctly. Mind you, I've never heard Sullivan's original version, and I don't have access to the full score. But based purely on musical instincts, I'm 99 percent sure I'm right, and that the correct count should be: "CHANCE"-TWO-THREE-FOUR-FIVE six-seven-eight "Now take, for example, my case" Perhaps someone with a full score could check it for me, and see it contains any answers to this problem. Steven Lichtenstein Ever-watchful editor, eagle-eyed  1,, Summary-line: 30-Nov MusikDrama@aol.com [74] #Re: OUP Ruddigore errata list X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id OAA10591; Thu, 30 Nov 2000 14:48:43 -0500 (EST) Received: from Luna.Bridgewater.EDU by MIT.EDU with SMTP id AA04414; Thu, 30 Nov 00 14:49:05 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA15222; Thu, 30 Nov 2000 14:49:03 -0500 (EST) Date: Thu, 30 Nov 2000 14:49:03 -0500 (EST) Message-Id: <5b.ea09024.27580662@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: OUP Ruddigore errata list Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL for Macintosh sub 28 *** EOOH *** Date: Thu, 30 Nov 2000 14:49:03 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: OUP Ruddigore errata list Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In a message dated 11/30/00 2:22:57 AM, C.Woods@sheffield.ac.uk writes: << And another point: on the first page of "When the night wind howls", look at the piano part, left hand, second bar. The first note is a low A, then there is a series of three-note chords. The first of these chords differs in OUP and Chappell. Pending an examination of the orchestral score, I'm inclined to believe Chappell, because its four chords form a pattern that doesn't fit the OUP version. >> Well spotted, Clive. One of the doubtless many differences I failed to notice. I can help with this one actually, as I happen to have a copy of the Kalmus orchestra score for this particular number. I think it's Kalmus anyway; it's just a xerox copy of the one song, which I'd requested from the Lamplighters' MD some years ago for my personal study. The three-note chords in the left hand are a pianistic simplification of what is actually happening in the orchestra. The entire passage is a scale in running 16th-notes played on all four notes of a wide-spread diminished chord by two flutes and two clarinets. On the second bar, Flute 1 begins the scale on the top A, Flute 2 a tritone lower on Eb (the printed D# in the vocal score must have originated with George Lowell Tracy's original piano reduction, an error in enharmonic spelling which the Oxford editors have apparently chosen to retain, or just didn't notice), Clarinet 1 a minor third lower on C, and Clarinet 2 a tritone lower on F#. All four parts descend the scale by half-steps, resulting in a different diminished chord on each 16th-note, which would be well-nigh impossible to play on the piano up to tempo, hence Tracy's simplification. So Clive is correct; the Oxford edition has it wrong. I don't have Chappell, but I assume it's probably the same as Schirmer, which has (bottom to top) D-Ab-B for the first of the three-note chords, where Oxford has D-G-Bb (obviously not a diminished chord). To take the charitable view, it could be that OUP was attempting to correct the enharmonic spelling in this case (according to the orchestra score, the chord on that beat should be D-G#-B-F, whereas the Schirmer spelling is D-Ab-B-F), and that somehow both the G and the B were incorrectly "accidentaled" -- but two mistakes on one chord seems rather a lot! At any rate, the easiest way to fix the chord in your scores would be to cross out the flat and natural signs and substitute natural and sharp signs, respectively (not forgetting to mark the G in the following chord as natural). Also, the left-hand F in bar 3 should have a courtesy natural on it. Truth to tell, that F shouldn't be there at all -- no-one is in fact playing an F in that octave. But Tracy must have decided to put it in to match the other 3-voice chords, and it makes sense pianistically, so I won't quibble. I mean, if you want to be absolutely accurate, the right-hand scale in bar 3 should be doubled a minor third lower (played by oboe and first clarinet), but you can't have everything in a piano score! Still, it would be nice if everything that IS there could be right. A formidable task, as I've said before. Let's hope they can fix everything (or nearly everything) for the second edition, if any. Steven Lichtenstein Ever-watchful editor, eagle-eyed  1,, Summary-line: 8-Dec CMajor@sembler.com [151] #Fwd: CVS - Drugs Recalls X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA13280; Fri, 8 Dec 2000 08:15:18 -0500 (EST) Received: from 38.208.66.4 (sembler.com [38.208.66.4]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id IAA00921 for ; Fri, 8 Dec 2000 08:16:36 -0500 (EST) Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Fri, 08 Dec 2000 08:19:58 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Fri, 08 Dec 2000 08:26:31 -0500 From: "CINDY MAJOR" To: , , , , Subject: Fwd: CVS - Drugs Recalls Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=_530854EE.B2D3BB12" *** EOOH *** Date: Fri, 08 Dec 2000 08:26:31 -0500 From: "CINDY MAJOR" To: , , , , Subject: Fwd: CVS - Drugs Recalls Content-Type: multipart/mixed; boundary="=_530854EE.B2D3BB12" This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_530854EE.B2D3BB12 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline These are pretty common drugs that you probably have in your medicine = cabinet. I haven't checked the website, but it wouldn't hurt to ask your = doctor before taking. --=_530854EE.B2D3BB12 Content-Type: message/rfc822 Date: Thu, 07 Dec 2000 16:46:37 -0500 From: "Sandra JOSEPHS" To: ,, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Subject: CVS - Drugs Recalls Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Please read and discard any of these medications as soon as possible!.=20 As stated below the affects of this drug is not gender specific. Men = and=20 children=20 as well as women should discontinue using any medication that contains = PPA.=20 The Food and Drug Administration (FDA) has issued a public health = advisory=20 concerning the risk of hemorrhagic stroke in young women associated = with=20 phenylpropanolamine (PPA). The FDA has requested that all drug manufacturer= s discontinue selling products containing PPA. PPA is an ingredient used = in=20 many over-the-counter (OTC) cough and cold medications, nasal decongestants= =20 and weight loss products.(Please refer to the list below for specific=20 products.)=20 > CVS website and found that they are doing a recall of the medications=20 > listed below. Here is the website address=20 > http://www.cvs.com/otherCVS/drugDisclaimer.asp=20 =20 > Please forward this to the people you love.=20 >=20 > CVS has removed all products containing this chemical from their = shelves.=20 > This was seen on the News both last night and this morning. I thought = it=20 > might be helpful for all of us to have the list. Stop taking anything=20 > containing this ingredient. It has been linked to increased hemorrhagic= =20 > stroke (bleeding in brain) among women ages 18-49 in the three days = after=20 > the initial use of the medication. Problems were not found in men, = but=20 the FDA=20 > recommended that everyone (even children) seek alternative medicine. = The=20 > following medications contain Phenylpropanolamine:=20 > Alka-Seltzer Plus Children's Cold Medicine Effervescent=20 > Alka-Seltzer Plus Cold medicine (cherry or orange)=20 > Alka-Seltzer Plus Cold Medicine Original=20 > Alka-Seltzer Plus Cold & Cough Medicine Effervescent=20 > Alka-Seltzer Plus Cold & Flu Medicine Effervescent=20 > Alka-Seltzer Plus Cold & Sinus Effervescent=20 > Alka Seltzer Plus Night-Time cold Medicine Effervescent=20 > BC Allergy Sinus Cold Powder=20 > BC Sinus Cold Powder=20 > Comtrex Deep Chest Cold & Congestion Relief=20 > Comtrex Flu Therapy & Fever Relief Day & Night=20 > Contac 12-Hour Cold Capsules=20 > Contac 12 Hour Caplets=20 > Coricidin D Cold, Flu & Sinus=20 > Dimetapp Cold & Allergy Chewable Tablets=20 > Dimetapp Cold & Cough Liqui-Gels=20 > Dimetapp DM cold & Cough Elixir=20 > Dimetapp Elixir=20 > Dimetapp 4 Hour Liqui Gels=20 > Dimetapp 4 Hour Tablets=20 > Dimetapp 12 Hour Extentabs Tablets=20 > Naldecon DX Pediatric Drops=20 > Permathene Mega-16=20 > Robitussin CF=20 > Tavist-D 12 Hour Relief of Sinus & Nasal Congestion=20 > Triaminic DM Cough Relief=20 > Triaminic Expectorant Chest & Head Congestion=20 > Triaminic Syrup Cold & Allergy=20 > Triaminic Triaminicol Cold & Cough=20 > Acutrim Diet Gum Appetite Suppressant Plus Diary Supplements=20 > Acutrim Maximum Strength Appetite Control=20 > Dexatrim Caffeine Free=20 > Dexatrim Extended Duration=20 > Dexatrim Gelcaps=20 > Dexatrim Vitamin C/Caffeine Free=20 --=_530854EE.B2D3BB12--  1,, Summary-line: 11-Dec mstorie@nwlink.com [109] #Audio and Video Recordings of G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id PAA02168; Mon, 11 Dec 2000 15:58:31 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA25629; Mon, 11 Dec 00 16:01:12 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA11757; Mon, 11 Dec 2000 15:57:51 -0500 (EST) Date: Mon, 11 Dec 2000 15:57:51 -0500 (EST) Message-Id: <3A3549A7.5E548AD1@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Audio and Video Recordings of G&S Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Mon, 11 Dec 2000 15:57:51 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Audio and Video Recordings of G&S Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There have been two interesting threads on Savoynet recently that have been converging on a question that has been nagging the Trustees and Artistic Staff here in Seattle for some time. The two threads involve "how to improve recorded sound" and "based on recorded performances (and in some cases remembered performances) who is the better soprano, patter man, etc." Both threads have generated considerable heat and smoke based on types of shellac, elimination of pops, worn masters, reedy voices (no pun intended there!), etc. The question that is being debated in Seattle is this: If you are planning to make a NEW recording, what should be your goals? Where should you put your money? I, perhaps, have a somewhat unique perspective on this, in that I have the great fortune to be the Producer of very talented and successful Gilbert and Sullivan production company, which has the resources to do things right. The trick is to define "right." As Peter Parker pointed out, choosing between G&S comedians is very difficult if you can only go by recordings. What about their stage presence? He has had the good fortune of seeing more of them than any of the rest of us. I tend to judge all G&S performances based on the live experience. I don't even like recordings much. Sure, I play tapes in my car and will watch a tape of a production that I didn't get to see, but tapes of our own productions bother me because there is not enough bandwidth to accurately portray to total experience. In audio, increased bandwidth leads to high fidelity and stereo. Both vast improvements. In Video it leads to color and high definition. Both vast improvements. But our technology still cannot deliver enough bandwidth to convey the entire operatic experience. I see every rehearsal (typically 45) and every performance (10-12) that we do. (Hey! somebody's got to do it.) Part of that experience includes the response of the audience. I often watch the looks on people's faces as they react. I like to watch the little old lady, with her eyes closed humming softly along with the other three little maids. I like to watch the 7-year old getting the often/orphan joke for the first time. (I admit I sometimes participate in the audience response. In our last run of "The Mikado," Katisha's entrance was so dramatic that the audience would sometimes be slow in applauding at the end of her first song ("thy knell is rung..."), and then the applause would cover Pitti-Sing's "Away nor prosecute your quest..." The production manager and I would stand at the back of the theater and start the applause at the proper place. It always worked, and we began to refer to it as the "Katisha Clap," which then, of course, degenerated into the description of a disease that Japanese sailors sometimes picked up.) I guess I'm drifting off point but these are the things that make up the complete theater experience for me, and you're never going to capture them on a DVD. How do you set goals for a new recording? (CD, Video, whatever) We started making recordings several decades ago. (Vinyl and Beta) The goals then were to document the show and then to provide a souvenir for the cast. Our Artistic Director at the time would not allow sale of the videos, even to our membership, because they did not fairly represent the theater experience. Starting with our 45th anniversary in 1994 we made a "professional" video of "The Mikado" that we finally decided to distribute. We have now made a total of seven and are coming up on our first repeat. It's too early to determine what next season's production of "The Mikado" will look like, but it will certainly be different from the earlier one. These (so far) are recordings of live performances. As has been pointed out by others, when you are watching a video, the sound "sounds" much better than if you are listening to the audio alone. If an actor speaks upstage, you expect his voice to fall off if you are watching him. On a sound-only recording it is annoying. How much "sweetening" of the sound is desirable. How much compression? Should the performers be individually miked or should there be only area mikes or house mikes? Should we do a studio recording to make the sound as perfect as possible? Should we make CDs without dialogue? There is, of course a considerable difference between listening to sound on a televisions set, listing with headsets, listening with a large stereo system, and listening as you drive. I'd truly be interested in some opinions on this. Not so much in answer to our problems, but as a general review of the goals of making recordings of G&S operas. I remember back in the '60s when I was in the US Army, stationed in Berlin, I once took a friend, who was a "Hi-Fi nut" to a performance of the Berlin Philharmonic. When I asked him what he thought, he simply said, "not enough bass." Mike Storie  1,, Summary-line: 11-Dec oakapple2@yahoo.com [53] #Re: The Gilbert Centenary X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA08025; Mon, 11 Dec 2000 17:06:26 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA09443; Mon, 11 Dec 00 17:09:14 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA22892; Mon, 11 Dec 2000 17:04:43 -0500 (EST) Date: Mon, 11 Dec 2000 17:04:43 -0500 (EST) Message-Id: <20001211214833.11846.qmail@web106.yahoomail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The Gilbert Centenary Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 11 Dec 2000 17:04:43 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The Gilbert Centenary Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum --- "Ralph MacPhail, Jr." wrote: > > Has anyone commented on the W. S. Gilbert Sesquicentennial Conference > that Chuck Berney, the late Warren Colson, and NEGASS hosted at M.I.T. > in 1986? It hasn't been discussed on this thread. For those who weren't there, the aforementioned conference had a definitely academic bent, with serious (or as serious as G&S can/should be) scholarly papers on a number of topics. There also were performances of several Gilbert works that normally wouldn't get a hearing. While the annual G&S Festivals in Buxton are certainly a welcome development, conferences pitched at the scholarly end of the field have tailed off in the last decade (after there were several of them in the '80s). They have been missed. Ian Smith's attenpt to incorporate such a conference in the Festival two years ago didn't quite hit the mark, although it certainly was a noble attempt. We need not wait till 2011. Is anyone interested? Lots of people can pitch in, but at minimum there needs to be someone with institutional connections (e.g., Chuck Berney, who organized the conference Rafe referred to, was at M.I.T. at the time). It also needs to be an easily accessible location that is near a well of G&S talent, which in the U.S. probably implies the Northeast . A friend and I were discussing this recently, but for different reasons neither one of us was in a position to be a primary organizer. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Shopping - Thousands of Stores. Millions of Products. http://shopping.yahoo.com/  1,, Summary-line: 11-Dec seppe_palmieri@hotmail.co [88] #Re: Audio and Video Recordings of G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA08863; Mon, 11 Dec 2000 17:08:41 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA09373; Mon, 11 Dec 00 17:08:59 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA23029; Mon, 11 Dec 2000 17:05:08 -0500 (EST) Date: Mon, 11 Dec 2000 17:05:08 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 11 Dec 2000 17:05:08 -0500 (EST) Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Mike Storie raises some interesting questions about making recordings of G & S operas. Although recording technology has advanced greatly over the years (and continues to do so), there is (as Mike says) still a tradeoff to be made between recording a live performance and making a studio recording. As Mike Nash pointed out, one is likely to be more forgiving of voice quality when viewing a videotape of a performance as opposed to listening to an audio recording where there is no visual aspect (acting talent, stagecraft, etc.) to make up for whatever vocal deficiencies might be present. I would argue that this also extends to a considerable extent to general sonic quality; one expects much more pristine sound quality on a audio recording made in a studio than in a videotape made of a live performance. But this is only true to a point; I have many videotapes of live performances in my library, and some of them I almost hate to watch (even though I'm in 'em) because the sound quality is so bad. I have been very impressed with Seattle's videotapes - as Mike said, they are very professionally done both in the quality of the camera work and sound (although I must admit I'm not in a position to judge the latter very well, because I only have a mono VCR and a small TV set with a single tiny speaker). On the other hand, I've always had mixed feelings about audio recordings of live performances. Even if one discounts whatever sonic flaws may be present (and with digital recording, those flaws that exist will be quite noticeable), there is the problem of the visual element not being present. Thus if an actor on stage does a bit of physical comedy, the audience will (hopefully) laugh, and someone watching a videotape would understand the reason for the laughter; but somebody listening to an audio recording would not. Now, one might argue that comic dialogue scenes recorded in a studio will fall somewhat flat due to the absence of an audience; but I've heard enough successful studio recordings with dialogue to believe that good comic actors can give a successful reading of comic dialogue even without an audience. If one wants, of course, one could always bring a small audience into the recording studio so that there would be reactions to the funny lines (this has been done with some stand-up comedians' recordings, I believe). Finally, when recording a live performance, there will almost inevitably be somebody in the audience who has a major coughing fit right during a crucial moment; in the studio, this wouldn't happen (or even if it did, you could always stop and do a re-take). If I were advising Seattle (or any other group which wants to follow their example), here is what I would say: #1) Continue to make the video recordings as they currently do, which is in front of a live audience but in a special performance where the audience has been made aware that there may be starting, stopping, and repeating (not to mention various cameras scattered around the place) in order to get the best possible performance on tape (sorry if I've let any cats out of the bag with this, Mike - that is still how you're doing it, right?). #2) Rather than making the audio recordings at a live performance, it would be much preferable to do them in a recording studio (if this can be done without completely busting the budget); this way there is much better control of the miking in order to obtain the best sonic mix between the soloists, chorus & orchestra. I would still prefer to see the dialogue included; if the studio was sufficiently large to allow this, a small invited audience (as I previously suggested) could be brought in to provide reactions to the "funny lines" (but leave out the visual stage business, or you've still got one of the problems of the live recording); or one can do it without an audience (as indeed most of the professional G & S recordings with dialogue have been done). Hope the weather out there in Seattle is better than what we're having now in Chicago (we're in a blizzard watch with a foot or more of snow expected by the end of the day, to be followed over the next couple of days by extremely cold temperatures). David Michaels Chicago, IL, USA giuseppe_palmieri@hotmail.com "Though the weather outside is frightful...." _____________________________________________________________________________________ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com  1,, Summary-line: 12-Dec kelvin19520@yahoo.com [83] #Re: Audio and Video Recordings of G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id IAA24243; Tue, 12 Dec 2000 08:29:31 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA10491; Tue, 12 Dec 00 08:32:21 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA21437; Tue, 12 Dec 2000 08:30:01 -0500 (EST) Date: Tue, 12 Dec 2000 08:30:01 -0500 (EST) Message-Id: <20001212012928.35123.qmail@web9203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kelvin19520@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Kelvin Kean To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 12 Dec 2000 08:30:01 -0500 (EST) Reply-To: kelvin19520@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Kelvin Kean To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This is to Mike Storie primarily, but anyone else with useful knowledge and experience should feel free to chime in. I welcome any suggestions. I'm with the G & S Society of Chester County, in the Philadelphia suburbs, and we're producing "Thespis" this January using Bruce Montgomery's score. With some changes in the cast and a separate music director who has worked a lot with Monty, this is much the same production that Monty mounted Buxton last August. Monty is directing the show but the musical direction is being provided by Florrie Marks, which gives him more time to attend to the staging. We normally have our shows videotaped on a near zero budget for archival purposes and for the cast to have a momento to take home. But that Monty is the composer of the bulk of the score and the arranger for the balance, and that he just retired from the University of Pennsylvania this past summer, has caused us to look at making a quality audio recording of it, one that Monty could put in his archives, the cast could buy, and which could also be sold to others who are interested in the "Montgomery" version of "Thespis." We perform with a normal sized cast, about 35, in a typical college theatre, with a 27-piece orchestra in the pit. Because of both cost and the impossibility of assembling both orchestra and cast for a special recording session either in a studio or in the theatre, we'll have to record of one of our actual performances before a paying audience. However, we have no experience at hiring a quality recording studio so we're flying a bit blindly at this point. I've spoken with several in the Philadelphia area and they have proposed everything from a two-mike set-up to a 64 channel recording system and with prices ranging from $60/hour (for one man and the two-mike set-up) to four figures sums. All would, of course, require some mixing after the recording peformance, as well, to produce a track that could transferred to CD or tape. In the light of your experience can you make any suggestions how we should proceed? What should we look for? What should we avoid? What's a fair price for cutting a quality sound track? How many mikes should one consider using and at what cost? Of course, the skill of the engineer(s) in chage comes into play at some point, but tha't an intangible we'll just have to cope with. I'd welcome any suggestions, postive, negative or neutral. Information of any kind will be helpful, even if it originates in Oz. Best regards, Kelvin L. Kean G & S Society of Chester County kelvin@ptdprolog.net P.S. I've emailed this privately because the address through which I subscribe using dynamic addressing and virtually every effort I make to post something fails. But feel free to answer on Savoynet. There is nothing in this that's secret or confidential. __________________________________________________ Do You Yahoo!? Yahoo! Shopping - Thousands of Stores. Millions of Products. http://shopping.yahoo.com/  1,, Summary-line: 12-Dec marchanc@go.com [32] #Chris Marchant goes to Texas X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id PAA20514; Tue, 12 Dec 2000 15:37:27 -0500 (EST) Received: from mta01f.seamail.go.com by MIT.EDU with SMTP id AA06506; Tue, 12 Dec 00 15:40:19 EST Received: from gomailjtp02 (jtp02.seamail.go.com [10.212.0.162]) by mta01.seamail.go.com (Sun Internet Mail Server sims.4.0.2000.05.17.04.13.p6) with SMTP id <0G5H004PB2MS8E@mta01.seamail.go.com>; Tue, 12 Dec 2000 12:37:41 -0800 (PST) Date: Tue, 12 Dec 2000 12:37:33 -0800 (PST) From: Christopher Marchant Subject: Chris Marchant goes to Texas To: marchanc@db.erau.edu Message-Id: <2526076.976653453370.JavaMail.marchanc@gomailjtp02> Mime-Version: 1.0 X-Mailer: GoMail 3.0.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT *** EOOH *** Date: Tue, 12 Dec 2000 12:37:33 -0800 (PST) From: Christopher Marchant Subject: Chris Marchant goes to Texas To: marchanc@db.erau.edu Content-Type: text/plain; charset=iso-8859-1 Hello all, Just a quick note to say hello. As some of you know, I am graduating with an MEng from Embry-Riddle in Florida this month and accepted a position with the United Space Alliance out in Houston, TX starting in January. I will be working on space shuttle flight hardware just next door to the Johnson Space Center. I'm really excited about that. :) If you are interested, I am including my new contact info. Please forgive me for the spam, but it was the easiest way to contact lots of people at once. Happy holidays to you all, and best wishes in the new year. Cordially, Chris Marchant Chris Marchant 2702 W. Bay Area Blvd. Apt. #4108 Webster, TX 77598 (281) 992-4032 marchanc@go.com ccmar@alum.mit.edu ___________________________________________________ GO.com Mail Get Your Free, Private E-mail at http://mail.go.com  1,, Summary-line: 13-Dec pdp@globalnet.co.uk [67] #Re: Audio and Video Recordings of G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id EAA20517; Wed, 13 Dec 2000 04:29:36 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA17013; Wed, 13 Dec 00 04:30:11 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA16388; Wed, 13 Dec 2000 04:30:16 -0500 (EST) Date: Wed, 13 Dec 2000 04:30:16 -0500 (EST) Message-Id: <3.0.6.32.20001213091711.009c2180@mail.globalnet.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A3549A7.5E548AD1@nwlink.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Wed, 13 Dec 2000 04:30:16 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Audio and Video Recordings of G&S Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A3549A7.5E548AD1@nwlink.com> Mike Storie has touched on a somewhat raw nerve about what we should aim at in making vidoes and CDs of shows. As he points out the technical requirements differ, depending on how one is going to listen/watch. This is to me becomming a bugbear on commercial recordings where the buyer (me) has no influence on the source. Except to withdraw my custom but that just deprives me. Tne new Chandos CD of the Sullivan Symphony and In Memoriam is a case in point. They even make a claim (on the UK disc box at least) that is has been recorded with 24 bit technology giving a dynamic range 48 dB greater than standard CDs. Listen to this on high quality headsets and in acoustically quiet surroundings, it sounds wonderful (irrespective of what you think of the actual performance as such). Listen to it in the car and if you want to hear it adjust the volume for the loudest passages and you will find you will think it has a fault and stopped playing in the quieter passages. Adjust for the quieter passages and you will get blasted out of your seat for the louder passages. Perhaps this is an extreme example and no doubt Chandos would argue that such a CD is not intended for playing in a car. To me it is anoying and I feel that we should now have versions of CDs made for use in cars or alternatively players whose technology reverses the dynamic range of such CDs. Listening on normal Hi-Fi speakers, I find the wide dynamic range still to be a nuisance. If I attend a live concert (in a good hall) I do not suffer this problem. I feel that we now have entered a ''make it better'' era in which the technologists are striving for what they consider perfection but which is really a distortion of the original. It happens that I have a Kenwood graphic equaliser which among its settings is one maked as ''car''. I don't think it actually changes the dynamic range but it does modify the frequency response. I have found that for cassette tapes made for the car from radio off air sources, it does improve the listenability of the sound. I have yet to try this on CD copying. FM Radio is of course transmitted with a dynamically suppressed range. I have yet to discover what happens when radio programmes are also sent via digital satellite. Is the original dynamic transmitted or is the signal taken from the ''feed'' to the FM transmitters? I am making enquiries of the BBC about this. To come back more on topic, I should be grateful if Mike Storie will let us know in due course what the outcome is of the Seattle's group thinking on making videos of their G & S shows in the future. One must bear in mind that shortly VCR tape is becomming obsolescent and is being replaced by disc and solid state methods. Recordable DVD (when the various systems have emerged) will surely take over from VCRs. The technique for such recordings may have to be different from what we do today, in terms of both frequency response and dynamic range. Sorry if this has been largely off topic as such but as I stated at the start it touched a very raw nerve. In answer to Mike's question ''should we make CDs without dialogue'' my answer is no but do arrange the tracks so that a CD player can be programmed to omit the dialogue on playback. That is done on several (but not all) of the commercial G & S CDs. Peter. >From pdp@globalnet.co.uk  1, answered,, Summary-line: 15-Dec mstorie@nwlink.com [106] #Recordings of G&S X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id NAA14204; Fri, 15 Dec 2000 13:28:29 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA27200; Fri, 15 Dec 00 13:29:04 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA18216; Fri, 15 Dec 2000 13:29:06 -0500 (EST) Date: Fri, 15 Dec 2000 13:29:06 -0500 (EST) Message-Id: <3A3A7048.760E8674@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Recordings of G&S Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Fri, 15 Dec 2000 13:29:06 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Recordings of G&S Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I would like to thank all of those who responded to my questions about recording (video and audio) of G&S productions. We are planning a meeting early next year to set directions for recording our productions. Not a trivial task considering it will involve the Producer, the Stage Director, the Music Director, the Video Producer, the Audio Producer, the Sound Designer. Your comments will certainly be taken into account. A basic question is, of course, are we trying to produce a video of, say, "The Mikado," or are we trying to produce a video of a stage performance of "The Mikado." Not a trivial question. Based on the seven videos that I have been directly involved in, it is very obvious that we are dealing with two different art forms. A perfect example of this is when in the theater the director wants to highlight a particular performer or group, he calls for a change in lighting so that that performer is (literally) highlighted. If you are doing the same thing in a video, you more likely would choose to have a close-up of the person. If you were making a video of the show, you would probably leave the lighting alone and do the close-up. If you are doing a video of the stage show, you would use the lighting and not do the close-up. We have been doing both. Because the camera is less sensitive than our eyes, everything on stage "goes away" except for that which is lighted. Too much of a good thing. On the spectrum of "make a video as a cast souvenir" to "make a commercially viable video," I believe that we will stay firmly in the middle. I (personally) feel very strongly that there is much more energy and punch in a live recording with full dialogue and an audience. If we made a studio recording, it would be very similar to all the other studio recordings, and I don't have the marketing knowledge to say if it would be worth the effort. As it is we are comfortably breaking even on the sale of our live recordings. In response to some of the comments: Peter Parker raised the question of "compression," i.e. making the loud portions softer and the soft portions louder. This is desirable when listening with a noisy background (i.e. in a car) but not when in a quiet environment with a good sound system. If the tape or CD is not compressed you must always fiddle with the volume control when in your car. My thinking right now is that the CDs and Videos should not be compressed. Maybe on the cassette tapes which are more often played in the car. It would be nice if more equipment (particularly car stereos) had controls that would take care of this. I also agree with Peter that the dialogue should be included but should be indexed. We did this on our "Grand Duke" CD. The only problem is that including the dialogue makes for a longer recording. The GD is on 3 disks and "Yeomen" will be on 3 also. We've tried experiments of cramming more material on CDRs (i.e. 2 disks for the GD) but some CD players "skipped" toward the ends of the disk. David Michaels pointed out the problem of "funny stage bits" that make sounds on a CD but are meaningless without the video. I had an interesting correspondence with a gentleman who had bought our "Grand Duke" CD and wondered what had caused the "clunk" in the middle of the song "Pretty Lisa..." I replied that it was Lisa lowering the kick stand on the bicycle. He wrote back "what bicycle...why is there a bicycle?" He then asked why the audience was laughing during the entrance of Duke Rudolph, and suggested that the liner notes should explain all the sight gags. That's a lot of liner notes! I was also asked if we used "story boards" for our videos. The answer is yes. The video producer and the stage director work closely to plan the shots for the video. The video producer is involved at least a month before opening and attends many rehearsals. Very little of what you see on the stage is accidental. (Yes we're still amateur and stuff happens.) Someone else questioned the "American" accents on the GD recording. David Michaels pointed out that our setting of the Grand Duke was a touring American theater company in Germany. Very close. Actually we were trying to portray the result of Hollywood making a musical about a Germanic country, in the style of "Duck Soup." Our dialect coach told the cast to keep their American accents except for those which we wanted to exaggerate (Julia, Tannhaeuser, Rudolph), because that is how Hollywood did it in those days. If you want English accents, take a look at our previous "Mikado" video. Anyway, we are committed to maximizing the in-theater experience for our audience (hence the disclaimer at the beginning of our videos) and spend roughly 95% of our effort and budget on that. If we can do something within those parameters to increase the quality or enjoyment of the recordings, we are open to any suggestion. Mike Storie  1,, Summary-line: 18-Dec dcj@zk3.dec.com [14] #[joeg@oflume.zk3.dec.com: lego fun] X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id UAA00998; Mon, 18 Dec 2000 20:58:44 -0500 (EST) Received: from zmamail02.zma.compaq.com by MIT.EDU with SMTP id AA23165; Mon, 18 Dec 00 20:59:22 EST Received: by zmamail02.zma.compaq.com (Postfix, from userid 12345) id CA34F5A49; Mon, 18 Dec 2000 21:00:17 -0500 (EST) Received: from oflume.zk3.dec.com (oflume.zk3.dec.com [16.140.112.3]) by zmamail02.zma.compaq.com (Postfix) with ESMTP id BD9565A2C for ; Mon, 18 Dec 2000 21:00:17 -0500 (EST) Received: by oflume.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id VAA0000019506; Mon, 18 Dec 2000 21:00:17 -0500 (EST) Date: Mon, 18 Dec 2000 21:00:17 -0500 (EST) From: David Jedlinsky USG Message-Id: <200012190200.VAA0000019506@oflume.zk3.dec.com> To: opus@MIT.EDU Subject: [joeg@oflume.zk3.dec.com: lego fun] *** EOOH *** Date: Mon, 18 Dec 2000 21:00:17 -0500 (EST) From: David Jedlinsky USG To: opus@MIT.EDU Subject: [joeg@oflume.zk3.dec.com: lego fun] Date: Mon, 18 Dec 2000 14:46:47 -0500 (EST) From: Joe Gaudreau USG {Dances with PostScript} To: dcj@zk3.dec.com Subject: lego fun Reply-To: joeg@zk3.dec.com http://www.geocities.co.jp/Hollywood/9060/holye.html  1, forwarded,, Summary-line: 19-Dec jcb@MIT.EDU [100] #Christmas light display rating system X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id PAA00463; Tue, 19 Dec 2000 15:47:56 -0500 (EST) Received: from chmls05.mediaone.net by MIT.EDU with SMTP id AA11724; Tue, 19 Dec 00 15:44:39 EST Received: from batfish (h005004782bd2.ne.mediaone.net [24.128.146.243]) by chmls05.mediaone.net (8.8.7/8.8.7) with ESMTP id PAA02881; Tue, 19 Dec 2000 15:42:51 -0500 (EST) Received: (from jcb@localhost) by batfish (8.9.3/8.8.7) id PAA00634; Tue, 19 Dec 2000 15:42:53 -0500 Date: Tue, 19 Dec 2000 15:42:53 -0500 Message-Id: <200012192042.PAA00634@batfish> X-Authentication-Warning: batfish: jcb set sender to jcb@mit.edu using -f To: (various friends) Subject: Christmas light display rating system Reply-To: jcb@MIT.EDU From: Jeff Bigler Sender: jbigler@mediaone.net X-Zippy: Is it 1974? What's for SUPPER? Can I spend my COLLEGE FUND in one wild afternoon?? *** EOOH *** Date: Tue, 19 Dec 2000 15:42:53 -0500 X-Authentication-Warning: batfish: jcb set sender to jcb@mit.edu using -f To: (various friends) Subject: Christmas light display rating system Reply-To: jcb@MIT.EDU From: Jeff Bigler Sender: jbigler@mediaone.net X-Zippy: Is it 1974? What's for SUPPER? Can I spend my COLLEGE FUND in one wild afternoon?? I've mentioned this to a bunch of you, and most of you have asked for an email copy. I decided that if it was that popular, I should put it on the web. You can find it at , which is linked off my homepage. Nancy and I have been having a lot of fun with it. Feel free to forward it as appropriate. Happy Holidays! Jeff ------------------------------------------------------------------------ Christmas Light Display Rating System On car trips, my wife Nancy and I enjoy playing games that involve watching for something or another and keeping a count. One game that we play in construction zones that have orange barrels with detachable bases is to keep track of the difference between the number of barrels and the number of bases. We start the count at zero, and add one for every base we see without a barrel, and subtract one for each barrel we see without a base. Usually, the count runs positive until the end of the construction zone, at which point we see the scattered barrels that were dragged by trucks and detached somewhere at the end of the construction zone. The final count is negative more often than not, indicating that there were more total barrels visible than bases. (I.e., some of the barrels had been replaced.) We had talked for a while about ideas for a game for rating Christmas light displays. We needed a reasonably universal rating system, that was consistent from house-to-house, and that could be applied while driving by. After a few tries, we've finally settled on a ten-point rating system that's similar to the APGAR system for rating the health of newborn babies based on the presence or absence of ten different characteristics (such as breathing, presence of a heartbeat, etc.) As a result, we refer to our Christmas Light Display Rating System the "AckBarf" scale. Score one point for each of the following that applies: * any lights at all * lights on the house (excluding the roof) * lights in the yard * more than one color of light * blinking lights * multiple sets of binking lights, blinking in more than one pattern * illuminated plastic objects (IPOs) * lights on the roof * extremely bright display -- covering at least 75% of all spaces/surfaces visible from the street and/or brighter than the street lights when seen from down the street. * "bonus point" -- given for one or more of the following: moving displays, projected images, tracer lights, sound, or noticeably poor execution (e.g., icicles on the house with only one strand blinking, because the person forgot to swap out the special bulb that makes that particular strand blink). The Results: 1-3: classy, or at least tasteful. For example, a house with a single white candle in each window gets a "1". 4-6: average, or perhaps a little gaudy. A house with multicolored strands on the house and bushes gets a 4. The same house with blinking lights gets a 5. Add a plastic Santa and you've got a 6. 7-10: has to be experienced in person. The house is probably a landmark when neighbors give directions to their holiday parties, and perhaps the cause of some minor (or not-so-minor) local traffic jams. Quick scoring: Nancy and I generally start from a base score of "4", assuming multicolored lights on the house and in the yard. That way, we can subtract points if the display is in only one color, or if the lights are on the house but not in the yard. Similarly, we can add points for blinking, "IPOs", brightness/coverage (usually obvious from up the street), and the bonus point. ------------------------------------------------------------------------ Copyright ) 2000 by Jeff Bigler and Nancy Gilman. Permission is granted to redistribute this text in its entirety for non-commercial purposes, provided that this copyright notice and either the URL for the page (http://www.mit.edu/~jcb/xmas-light-rating.html) or a link to it is included. All other rights reserved.  1,, Summary-line: 20-Dec helga@sharkli.com [69] #Re: How'd he do that? X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id WAA04193; Wed, 20 Dec 2000 22:43:18 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA22718; Wed, 20 Dec 00 22:46:30 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA04202; Wed, 20 Dec 2000 22:43:28 -0500 (EST) Date: Wed, 20 Dec 2000 22:43:28 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: helga@sharkli.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: How'd he do that? Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Turnpike Integrated Version 5.01 U In-Reply-To: <20001220195248.96221.qmail@web10904.mail.yahoo.com> *** EOOH *** Date: Wed, 20 Dec 2000 22:43:28 -0500 (EST) Reply-To: helga@sharkli.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: How'd he do that? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20001220195248.96221.qmail@web10904.mail.yahoo.com> In article <20001220195248.96221.qmail@web10904.mail.yahoo.com>, Scott Farrell writes >How did Sullivan create his scores? > A couple of interviews with Sullivan reproduced in the G&S Archive should be of interest: http://diamond.idbsu.edu/gas/other_sullivan/lawrence/lawrence_2.html http://diamond.idbsu.edu/gas/other_sullivan/gazette.html There are continuity sketches of TRIAL BY JURY in the Library of Congress. You can find out a lot about how Sullivan worked by reading his diary (New Haven: Yale University, Beinecke Rare Book and Manuscript Library, Sir Arthur Sullivan diaries 1881-1900. Beinecke GEN MSS VOL 248 - available to buy on microfilm for about $100) Sullivan mentions in his diary about drawing up frames and sketches, for example, during the composition of IOLANTHE he wrote on October 4th 1882: "Sketched at 2nd Act, did following numbers, "Fold your flapping wings", Heigh ho, love is a thorn", "He loves" - "When Britain really ruled" " and on October 20th 1882: "wrote at No 1, comp[osed]: No 6. do. No. 10 & wrote out No 11a & 12. All framed - consequently all 2nd Act finished." Then on October 22nd he "Began scoring of 2nd Act." On the 26th he "wrote & finished score of 2nd Act (including new quartett [that's 7A "Though p'r'haps I may incur your blame" which relaced the "Boo Hoo" trio - Gilbert had given it him the previous day]) at 4.30.a.m. Only Finale (repetition of Trio No 9) & overture to do now." He sketched out the IOLANTHE overture on November 19th, but didn't actually write it until the 21st and 22nd. He also records in his diary instances of sending music to copyists and publishers. On November 3rd he called "Baird, with Finale of 2nd Act." George B. Baird was one of Sullivan's principal copyists, who copied orchestra parts and full scores. That's the George Baird referred to by Hulme in his introduction to the OUP RUDDIGORE full score. George B.'s son, George F. Baird, was also a copyist. It's rumoured that George W. has been copying parts for a new opera about the U.S. Presidency :) :) Other initials of copyists I'd dearly love to identify are "D.D." "F.W.A." and "H.A.H." (though I think "H.A.H." was working in the 1920s) Helga Perry helga@sharkli.com or sharkli@supanet.com *********************************************** M. Phil. Student, Music Department University of Birmingham UK  1,, Summary-line: 21-Dec helga@sharkli.com [145] #Sigh, sigh, all sigh (oops, sorry, wrong opera) should perhaps be "Here's a state of things" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA19485; Thu, 21 Dec 2000 12:01:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA24571 for ; Thu, 21 Dec 2000 12:02:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA27274; Thu, 21 Dec 2000 12:01:42 -0500 (EST) Date: Thu, 21 Dec 2000 12:01:42 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: helga@sharkli.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Sigh, sigh, all sigh (oops, sorry, wrong opera) should perhaps be "Here's a state of things" MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Turnpike Integrated Version 5.01 U In-Reply-To: *** EOOH *** Date: Thu, 21 Dec 2000 12:01:42 -0500 (EST) Reply-To: helga@sharkli.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Sigh, sigh, all sigh (oops, sorry, wrong opera) should perhaps be "Here's a state of things" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: In article , Ephraim Hammett Jones writes >Helga Perry wrote: > >>OK, so what state of the opera is represented by the Dover MIKADO? > >Ephraim replies: > >Sigh..... > OK, I've already identified plenty of states for myself. Let's take a little look and just scratch the surface of a few of the matters that arise when trying to produce a clean performing version of a small section of the overture occurring between bars 52 and 94 (from 2 bars before "The sun whose rays" to 5 into the Allegro con brio i.e. 3 after C): I'd say the quavers in the cello-bass in bar 52 are most likely a 1920's alteration, judging from manuscript band part evidence I've examined so far. Why was the later reading preferred? No criticism, just curiosity. Interestingly, the 1920's string parts have the con sord. instruction crossed out at the Andante comodo (bar 54), so already within the space of 2 bars we have a 1920's state followed by a settled first run state. I throw that in only as an illustration of what a can of worms is opened up when making editorial decisions for any sort of edition. Like Peter Meason with his Heinz 57 varieties in his woodwind parts, decisions have to be made and validated as to which reading to adopt. Oboe phrasing and articulation in bars 57-69: is this editorial? It can be verified by consulting D'Oyly Carte hire library band parts, but it's necessary to look at plenty of oboe parts in different copyists' hands, because it's no easy matter to sort out, for example some have tenuto quavers in bars 65-66 but some don't; some take the phrase line right to the quaver in 64.3, but others stop at the crotchet (64.2); some have no slur on the quavers and > on the crotchet in bar 68 ; some put > on the crotchet in bar 69.2 ; some slur the last 3 notes in bar 71 and some don't. And those that do x in bar y don't necessarily all do y in bar z. Fallibility of the human hand and eye in those pre-photocopier days. And then there's the vexing question of is it a semiquaver or is there a demisemiquaver rest and demisemiquaver in bar 70.3.2 (after the [pause]). Was that a later change made to give the oboist a quick breath? I'm not so fond of worms that I want to look at any of the string parts in detail for a post like this, let alone a university essay :), but must just mention the bar 86 demisemiquaver situation in the 1st violin in comparison with that of the oboe in bar 70: some 1st violin parts have the reverse scenario, i.e. the c''' is the demisemiquaver, the pause is on the demisemiquaver rest and the last note in the bar is a semiquaver. Some editors might choose to print these readings. Dover didn't. Not talking about which is right & which is wrong, but providing further examples of how much detailed research is necessary in deciding what goes into a performing version. Bar 64.2-64.3 there should be no tie between the crotchet and quaver a' [OK for readers unfamiliar with our terminology, demisemiquaver = 32nd note, semiquaver = 16th note. But don't you think our words are much more picturesque than a mere vulgar fraction? :)] The Seattle people slaved for I don't know how many hundreds of hours with band parts sorting out articulation etc. for their GRAND DUKE, and did a pretty thorough job of it in the end. A hard slog, but time well spent [aside to Mike Storie: I don't recall, did anyone work out how long it all took - number of hours per person multiplied by number of people?]. The transfer of the flute 2 part in bars 72-75 (letter B - would have been helpful to include the rehearsal letters as well as bar numbers, but at least it's given my green biro an outing and made me read every gawddam bar of the thing) appears to have been made because of the omission of a complete bar that originally preceded letter B (bar 72), which contained a semiquaver phrase for flute 1, finishing with a quaver g" on the first beat of bar 72. I know there have been occasions when this bar has been cut; what are the particular reasons for silently omitting this bar in the Dover score? According to band part evidence, flute 2 bars 80 to 94 are played on the flute, not the piccolo. I have previously commented on the editors' footnote recommendation on page 12 about the first clarinet playing the flute 2 part in bar 94 (5th bar of the Allegro con brio; 3rd bar of C). Further D'Oyly Carte band part evidence I've examined since then confirms that the piccolo player could play the first flute's f" on the piccolo and the first flute take the B flat (yes, it was already mentioned by various people that the written note f' (sounding f") isn't a particularly nice one to play loud on the piccolo). Bars 84-85 timpani cued C quavers are spurious. It says in a footnote that they're "sometimes played instead of original pitches," but this is a rather vague statement, and the reading doesn't have the validity of, for example, the tubular bell (chime) B natural in TRIAL BY JURY. What is the documentary evidence for including these notes at all? Incidentally, are the wind parts that go with the Dover score presented as 1st and 2nd on linked staves or each part in a separate book? This may already have been mentioned, but I don't remember reading anything about it. How were the metronome markings for each number decided upon? I'm not aware of Sullivan making much use of such devices in his operatic scores. Based on comparison of recordings, maybe? Again, more out of curiosity than anything else. Helga p.s. in case anyone's confused, the pitches I refer to as f" and g" are the ones on the top line and above the top line of the treble staff; c''' is the C above that; f' is the bottom space and a' the second space up on the treble staff, i.e. the F and A above Middle C on the piano. C is the C in the bass staff on the second space up, i.e. the C below the piano Middle C. p.p.s. I thought Peter Meason's post on performing & scholarly editions has highlighted quite a lot of important points very nicely (and I'm not just saying that cos he lives down the road from me past Tesco, or because I played in his UTOPIA limited orchestra). p.p.p.s. that should be UTOPIA, LIMITED orchestra - though it was limited in numbers by the size of the pit. OK Basingstoke with the puns. Helga Perry helga@sharkli.com or sharkli@supanet.com *********************************************** M. Phil. Student, Music Department University of Birmingham UK  1,, Summary-line: 21-Dec awrobins@yahoo.com [53] #Re: autograph scores X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id OAA16444; Thu, 21 Dec 2000 14:01:12 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA06698; Thu, 21 Dec 00 14:04:25 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA03688; Thu, 21 Dec 2000 14:02:31 -0500 (EST) Date: Thu, 21 Dec 2000 14:02:31 -0500 (EST) Message-Id: <20001221184820.41909.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: autograph scores Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 21 Dec 2000 14:02:31 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: autograph scores Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > > ......the MIKADO autograph score was published in > facsimile > > about 30 years ago. > > The publisher was "Gregg International" and the date > was 1968. Copies are > indeed rare..... If any U.S. SavoyNetters are interested and want to e-mail me privately, I can e-mail them a little list of 65 U.S. libraries (plus the British Library and the University of Birmingham, UK) that are supposed to have this, in case anyone lives near a copy. (It looks as if a disproportionate number are in Boston, though some are at places I wouldn't have expected, e.g., Castleton State College in Vermont.) Or you can try ordering it on interlibrary loan through your local or academic library, but I suspect these would be non-circulating in many libraries (though as a librarian I have been astounded at what some libraries are willing to loan out. I just checked the online catalog of the University of Georgia, and their copy circulates, though I believe they charge out-of-state libraries to loan their books. The Castleton copy is also listed as "Available," and they don't charge--I just checked. Of course it may not be "Available" if 400 SavoyNetters try to order it from them simultaneously). Arthur the Librarian ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Yahoo! Shopping - Thousands of Stores. Millions of Products. http://shopping.yahoo.com/  1, answered,, Summary-line: 28-Dec mstorie@nwlink.com [42] #Labor of Love X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA17901; Thu, 28 Dec 2000 23:35:27 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA18185; Thu, 28 Dec 00 23:38:55 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA26834; Thu, 28 Dec 2000 23:36:56 -0500 (EST) Date: Thu, 28 Dec 2000 23:36:56 -0500 (EST) Message-Id: <3A4C11B0.C0BAC2C8@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Labor of Love Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Thu, 28 Dec 2000 23:36:56 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Labor of Love Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A thread was running a couple of weeks ago about the concept of making photo copies of the Autograph scores available so that producing companies would have an authentic source for their productions. There was some discussion of the practicality of this and Helga Perry asked, in an aside, "how much effort did Seattle put in to their "Grand Duke" orchestration which was based on early documents. I did have a chance to chat with our Music Director about it and the answer is approximately 1-1/2 person years (3,000 plus hours). The project took six calendar months and, at it height, there were 5 people working on it. This does not count the shaking out and cleaning up, nor the effort required to obtain the source documents and make some fixes to the Piano/Vocal Score so it would match the orchestration. The testing and shaking out were aided by the fact that we entered the manuscript, note by note, into a music publishing program that also provided MIDI output. Thus we could play back the parts in "player piano" mode and spot a lot of mistakes early on. It's amazing how those measures seem to appear and disappear in the various individual band parts. This was not an attempt at a critical edition (that would take years), but one where the majority of the outright mistakes had been corrected and one that would be practical to produce. I think we reached that goal quite well. Since that effort, it is with mixed feelings when I listen to the D'Oyly Carte recording and hear some of the errors that we fixed. Mike Storie  1,, Summary-line: 1-Jan jsmd@worldnet.att.net [88] #2000 year end review X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id UAA13204; Mon, 1 Jan 2001 20:01:10 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AC24046; Mon, 1 Jan 01 20:04:44 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA12606; Mon, 1 Jan 2001 20:02:43 -0500 (EST) Date: Mon, 1 Jan 2001 20:02:43 -0500 (EST) Message-Id: <3A5126E0.FAA06E7B@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: 2000 year end review Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.75 [en] (Win95; U) *** EOOH *** Date: Mon, 1 Jan 2001 20:02:43 -0500 (EST) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: 2000 year end review Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum It is traditional to review the past year at this time, and over the years I've traditionally done so, so here is the year 2000 for G&S. I always express amazement at the number of G&S activities which take place 100+ years after the operas were first presented. The festivals of various types continued to take place and to draw many enthusiast as well as "plain" folks. The Buxton Festival continues and was held for 3 full weeks, including a full Savoynet production. A very successful Sing-out was held in Toronto to wide acclaim. The Sullivan Society held its weekend festivities. Grims Dyke held special events. Leon Berger even posted a dine-and-sing in London recently. I am sure there were many more - Royal Albert Hall, the Proms, ... Being the centenary of Sullivan's death, Stephen Turnbull posted an extensive list of events taking place in the last quarter. Many concerts were held featuring infrequently heard works of Sullivan. And the various concerts were often featured with radio broadcasts and interviews -- both in the UK and Australia, with a little from the US too. Some of which resulted in recordings being made. Shows continued to be performed every weekend the year round, and around the world. The New D'Oyly Carte have been presenting Pinafore at the Savoy, and it has been very well received. Plus they also have been touring the Mikado. The movie Topsy-Turvy finally was released world wide, though often for limited engagements or at obscure theaters. Nevertheless it won two Academy Awards (costumes and make-up) but it won much wider acclaim from most reviewers, especially those with no G&S connection! Recent postings have told of it being ranked number 2 or 3 for the year in some listings. Jim Broadbent (WSG in the movie) released two cassettes (no CDs!) reading Bab Ballads and well worth hearing. Recordings abounded, both new and reissues, but the new certainly stand out -- a full Haddon Hall, a full Martyr of Antioch, and a full Golden Legend (to be released now in 2001). There was also a new Princess Ida, with dialog, plus a CD of anthems and another of hymns. Even the BBC released a CD of Sullivan music. Then there were the reissues of older works. The recently found Sterling cylinders from 1907 of Pinafore was released along with the 1907 Pathe Yeomen. Chris Webster and Jim Lockwood continued to team up and completed the series of acoustical recordings from 1917 to 1925. Jim has started to tackle the electric releases and Chris has released the first of the mono recordings with Martyn Green (as did Pearl, but Chris received the better reviews). There was even a release of Pirates in German! More books were issued than in recent years. Andrew Crowther published Contradictions Contradicted about the works of Gilbert. Oxford released a critical edition of Ruddigore. Sullivan's lost String Quartet in D (found two or three years ago) was also published, but not yet recorded. Dover released the band parts to match their Mikado. And there was also a G&S Christmas book! One item I found most exciting was that Bruce Miller and Helga Perry again found a lost song! A single part of the DeBelville song from Iolanthe was found and answered many of the outstanding questions about this piece and an unattributed portion of the overture. This is twice that this team has made important discoveries. Let's hope the well is not yet dry. We lost Mary Godfrey, wife of Isidore, in November. And a friend to many from the New York / Connecticut area was Georgia McEver, lost in December. That is a lot for one year. And certainly I left out much. Savoynet is still over 600 subscribers, and survived a flame war or two, along with a few off topic postings (not to mention the milking of a topic long after its life has ended). What does the new year hold. Undoubtedly more festivals and productions and likely many CDs and more Dover scores. It seems it would be harder to top the previous year, but each year we do. Keep with Savoynet, and you'll be among the first to know what is happening. Happy new year. -- Stan DeOrsey jsmd@worldnet.att.net  1,, Summary-line: 1-Jan seppe_palmieri@hotmail.co [57] #Re: 2000 year end review X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id UAA25847; Mon, 1 Jan 2001 20:44:57 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA26181; Mon, 1 Jan 01 20:48:32 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA13357; Mon, 1 Jan 2001 20:46:30 -0500 (EST) Date: Mon, 1 Jan 2001 20:46:30 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: 2000 year end review Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 1 Jan 2001 20:46:30 -0500 (EST) Reply-To: giuseppe_palmieri@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Re: 2000 year end review Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Stan DeOrsey wrote: >That is a lot for one year. And certainly I left out much. Of course Stan couldn't possibly cover everything in the world of G & S, but any year-end wrapup can't be complete without including some of the gatherings which were (at least in part) organized through the SavoyNet. There was Paul Cohen & Bobbie Herman's QWERTY/Conn in March(?) which was very well attended, including a large contingent from the UK (I forget the exact number), and at which six of the operas were sung through (including "Yeomen" with both "When Jealous Torments" and "A Laughing Boy"). Even larger was the T2K Singout in Toronto in August, with a mix of both SavoyNetters and G & S performers and fans from Toronto and surrounding areas. All the extant operas were sung through, and even "Thespis" was represented with a rendition of "Little Maid Of Arcadee". Sam Silvers hosted a singout at his apartment in November, which I believe was also fairly well-attended (I couldn't make that one). On a personal note, I made an East Coast trip over last year's holidays, and met with SavoyNetters both in the Washington, D.C. area (thanks to a party hosted by Sandy Rovner) and in New York City (where a large group met for dinner followed by a performance of the NYGASP "Princess Ida"). I've also enjoyed playing co-host and/or tour guide (along with various other Chicago-area S'Netters) to members visiting Chicago from out of town, including David & Jill Duffey, Tom Drucker (several times) and Mitch Gillett. I also had the opportunity to see some G & S performances on other trips, including the Seattle G & S Society's "Yeomen", Madison Savoyards' "Pinafore", and UMGASS' "Sorcerer" (with Mitch Gillett as Alexis). All in all, it was a great year for G & S both in general and for me personally. I've enjoyed the opportunity to meet in person many of the SavoyNetters who were previously known to me electronically. I hope everyone will have an enjoyable and prosperous New Year! David Michaels Chicago, IL, USA giuseppe_palmieri@hotmail.com "Life's a pudding full of plums..." _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 11-Jan andi_s_r@yahoo.com [86] #Re: Sutherland on the Shore Show X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id AAA07277; Thu, 11 Jan 2001 00:43:37 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA22586; Thu, 11 Jan 01 00:47:30 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA03409; Thu, 11 Jan 2001 00:40:25 -0500 (EST) Date: Thu, 11 Jan 2001 00:40:25 -0500 (EST) Message-Id: <20010111052223.29803.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi S-R To: Multiple recipients of list SAVOYNET Subject: Re: Sutherland on the Shore Show Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 11 Jan 2001 00:40:25 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi S-R To: Multiple recipients of list SAVOYNET Subject: Re: Sutherland on the Shore Show Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I forwarded Chris' long post on this to NYGASP baritone Richard Holmes, who has also worked at the Metropolitan Opera literally childhood and who has a particular personal interest in Dame Joan. Since Richard is not an S'netter, I'm copying his reply below for you. --Andi Stryker-Rodda Extremely interesting and accurate posting. I know all of the stories involved. It's a shame that I never got much of a chance to discuss the Dinah Shore show with Joan. It hardly seemed like the thing to bring up in the middle of a rehearsal. I remember the show quite well. During Lover, Come Back to Me, Joan (which they all sang in their own styles, Ella in a scat jazz version, Dinah in a "cool" popular version, Joan, full-blown operatic), all three of them ended up singing it together in harmony. Joan's coloratura variations got higher and more in the stratosphere. Dinah and Ella started, purposely, edging away from her, and you could see a boom mike being lowered toward them to give them an equal chance as Joan approached the regions of high Eb-dom. This (below) something I discussed with Joan, as it happened in the period in which she was coming to the Met. The comic thing about this performance is that Joan was actually the LITTLEST of the three maids. Margreta Elkins is about an inch or so taller than Joan, and Rosina Raisbeck is one of those frightening Victorian dames that Gilbert parodied so well. She was (is?) an imposing figure at about 6 feet tall. Joan told me that Raisbeck, singing Alisa to her Lucia in Sydney, tripped on the set and fell down in pain. Getting up, she toddled offstage after her last line, where she was examined by the house doctor and diagnosed with a broken arm. When all commented with sympathy, and asked if she needed help getting home, Joan told me that she thundered, with a look of divine incredulity, "Well, I'll FINISH the performance FIRST!" And so she did. There IS beauty in the bellow of the blast. ===== --Andi Stryker-Rodda NYC/NJ __________________________________________________ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/  1,, Summary-line: 12-Jan q-cochise@worldnet.att.ne [98] #RUDDIGORE's satire X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA05512; Fri, 12 Jan 2001 15:16:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA26315 for ; Fri, 12 Jan 2001 15:18:42 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA07176; Fri, 12 Jan 2001 15:17:23 -0500 (EST) Date: Fri, 12 Jan 2001 15:17:23 -0500 (EST) Message-Id: <3A5F608F.71C0E304@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: q-cochise@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE's satire MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.75 [en]C-WNS2.5 (Win95; U) *** EOOH *** Date: Fri, 12 Jan 2001 15:17:23 -0500 (EST) Reply-To: q-cochise@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE's satire Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Bruce I Miller wrote: > Ruddigore may or may not be a satiric masterpiece - that is debatable and > I did request more intellectual rigor. Briefly stated, the focussed, subtle, and subversive satire in RUDDIGORE is aimed at widely held but often poorly explored religious beliefs and morality. Rose Maybud was left at the workhouse door with her book of etiquette, which became her guide for living. Rose speaks in English reminiscent of the King James Version. The stock feminine paragon of virtue in a melodrama would have been left with a Bible. That Gilbert is sincerely likening the Bible to a book of etiquette is born out by his letter to W.W. Cadell of 15 Jan. 1889 (quoted in Stedman's W.S. GILBERT: A CLASSIC VICTORIAN & HIS THEATRE, page 258-259): "...I cannot believe that Commandments framed for the exceptional conditions of a tribe of semi-barbarians, wandering for forty years in a desert, were intended to apply to all Englishmen of the 19th Century, except publicans." Guided by her book of etiquette (with the author's authority gravely alluded to), Rose performs acts of loving kindness, like giving rock candy to gaffer Gadderby, false teeth to little Ruth Towbottom, and snuff to a poor orphan girl. These acts of righteousness fulfill the demands of her book which pertain to her actions, not their results. Despard reluctantly commits his crime a day, but he is "even with" his ancestors, as he daily atones with good works. He considers his sins to be neutralized by his atonement in a daily cycle. When relieved of the family curse he finds his virtuous duties dull. He contrives to convince his elder brother to die (without issue), upon which he will be able to return to his life of sin and atonement when he regains the title. Sin is more exciting than virtue to Despard. Ruthven, by being virtuous for thirty-five years before embarking on an anticipated thirty-five years of sin, reckons that on a cumulative basis he will not have done worse harm than a man who repents of sin at middle age. His reasoning is sound; unlike Rose Maybud, he is realistically reflecting on the results to society of his actions. This logical analysis strikes directly at the religious tenet of repentance. The wicked baronets of Ruddigore are stuck in a purgatory that involves going to evening balls nightly, the very sort of existence that living country gentry of the early 19th century would have led. This is the retribution that they face in the afterlife for their lives of sin. The original sin of the first Baronet of Ruddigore taints the entire bloodline, making them all sinners by descent. Ruddigore abounds in resurrections. Sir Ruthven is legally resurrected ("For twenty years I have been dead and buried. Don't dig me up now."). His name derives from the un-dead villain of Marschner's opera DER VAMPYR (this association is strengthened when Ruthven is foiled by the cross of the Union Jack). Richard has the metaphorical resurrection of returning from the sea. Margaret has her sanity restored, a sort of mental resurrection. Despard is morally resurrected. Ultimately, all of the Murgatroyd ancestors are literally resurrected. All of the characters understand that obeying the dictates of their hearts means doing whatever is in their immediate self interest. I hope that I do not offend any religious sensibilities by discussing the ideas that are clearly the subtext of Gilbert's satire RUDDIGORE. These examples were off the top of my head; I'm sure that with greater intellectual rigor more examples could be found. Gilbert is not merely mocking; some of his ironies, such as the central idea of "For thirty-five years I've been sober and wary," can be quite subversive if contemplated. The idea that the Bible is a book of etiquette, that is, a guide for virtuous living, is really quite lovely, although Gilbert shows us how the rules of living can be misapplied by one of the book's devotees. > As to Gilbert taking more risks with Ruddigore than Mikado, I'd be interested to see this defended point by > point. I would say that focusing his satire on thoughtless but common religious practice was an enormous risk in 1887, even in a time when "the religious and moral certainties of the early Victorian age were being challenged" (CONTRADICTION CONTRADICTED, pg. 183). If Beatty-Kinsgton found in THE MIKADO irreverence bordering on blasphemy, one wonders what his reaction to RUDDIGORE was if he understood it at all. Kevin Wachs  1,, Summary-line: 18-Jan oakapple@cris.com [54] #Re: G&S viruses X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA08340; Thu, 18 Jan 2001 23:32:52 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA16065; Thu, 18 Jan 01 23:33:52 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA16551; Thu, 18 Jan 2001 23:34:16 -0500 (EST) Date: Thu, 18 Jan 2001 23:34:16 -0500 (EST) Message-Id: <3A67C03A.1B04B4A9@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: G&S viruses Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Thu, 18 Jan 2001 23:34:16 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: G&S viruses Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Thepis -- Sorry, this virus is now lost. Trial -- Adds to the end of each file: "and a good .doc, too." Sorcerer -- Changes every occurrence of "I" to "oi". Pinafore -- Puts the word "encore" on your screen and keeps playing the bell trio till you can't stand it any more. Pirates -- Not sure what this one does, but it seems to have incorporated a bit of the Thespis virus. Patience -- Causes your printer to spew out paper uncontrollably; cannot stop until calomel software is installed. Iolanthe -- This virus thinks for itself, which is why no man can face it with equanimity. Ida -- This is the only known virus in three parts. After infection, all of your error messages will come out in unrhymed couplets. Mikado -- Repairs all flirtatious emails in your system; it is programmed to modify suggestive words, such as "rapture". Ruddigore -- This is actually a good virus; it brings your dead files back to life, but it may be agonizing to read them. Yeomen -- Depending on the version, your computer either dies or becomes insensible; either way, you'll be arguing for years about which one happened. Gondoliers -- After you become infected with this virus, you'll find that your computer has two of everything. Utopia -- If you're working on a novel, this virus will rewrite it so that the plot is totally incoherent. Grand Duke -- The effects of this virus just take too long to explain. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 18-Jan goodmanj@MIT.EDU [34] #Jason Goodman's New Address X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA04685; Thu, 18 Jan 2001 23:41:43 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA03999; Thu, 18 Jan 2001 23:43:56 -0500 (EST) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id XAA16973; Thu, 18 Jan 2001 23:43:52 -0500 (EST) Received: by ampersand.mit.edu (8.8.8/4.7) id XAA04213; Thu, 18 Jan 2001 23:43:50 -0500 (EST) Message-Id: <200101190443.XAA04213@ampersand.mit.edu> To: Lots of People Subject: Jason Goodman's New Address Date: Thu, 18 Jan 2001 23:43:50 EST From: Jason Goodman *** EOOH *** To: Lots of People Subject: Jason Goodman's New Address Date: Thu, 18 Jan 2001 23:43:50 EST From: Jason Goodman I have moved to Chicago to work as a postdoc with Ray Pierrehumbert. I will defend my thesis at MIT in early February. My new contact information is: Home address: Jason Goodman and Carolyn Smith 1416 W Catalpa Ave, #1 Chicago, IL 60640-1248 Work address: Jason Goodman Department of the Geophysical Sciences Hinds Geological Laboratory University of Chicago 5734 S. Ellis Ave. Chicago, IL 60637 Home phone: 773-271-8415 E-mail: I will continue to receive mail at goodmanj@mit.edu for the forseeable future, but that address may stop working at some point. The following addresses are likely to be more permanent: Jason.Goodman@alumni.carleton.edu goodmanj@suberic.net Close friends and family: I'll send more details about our move in a letter tomorrow.  1,, Summary-line: 22-Jan goodmanj@MIT.EDU [105] #Moving to Chicago X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id NAA08816; Mon, 22 Jan 2001 13:29:54 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id NAA13959; Mon, 22 Jan 2001 13:32:04 -0500 (EST) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id NAA09178; Mon, 22 Jan 2001 13:32:02 -0500 (EST) Received: by ampersand.mit.edu (8.8.8/4.7) id NAA16474; Mon, 22 Jan 2001 13:31:51 -0500 (EST) Message-Id: <200101221831.NAA16474@ampersand.mit.edu> To: lotsofpeople@MIT.EDU Subject: Moving to Chicago Date: Mon, 22 Jan 2001 13:31:51 EST From: Jason Goodman *** EOOH *** To: lotsofpeople@MIT.EDU Subject: Moving to Chicago Date: Mon, 22 Jan 2001 13:31:51 EST From: Jason Goodman Here, as promised, is some more detail about our move. Carolyn and I had been living in a sublet apartment since September; at that time we moved much of our stuff into Avon's and Bill's houses, since the sublet was very small and there's no sense in packing everything twice in three months. I had been looking for a mover for quite some time; it's a tough thing to do, because their estimates differ by a factor of two, and every one of them warns you not to go with the rock-bottom price, since you get what you pay for. Also, movers are not always reputable. I ended up choosing "Pony Express Movers", a very small company (basically one guy, with friends who help out). His price was about half of the big interstate movers. I checked him out with the Better Business Bureau, and spoke with one of his previous customers. His business attitude was very informal--he charged a flat rate, and I didn't sign a contract until the day of the move--but by all accounts, he was trustworthy. Moving the two cats was also a logistical fiasco: United Airlines only allows one pet per cabin, so we went with American. From health exams at the vet, to buying new carry-on cat carriers, to the airline's pet surcharge, it probably cost more to move the cats than to move the humans. But they're worth it. Loading the truck went fairly smoothly; the biggest problem was that I got lost trying to direct the movers to Bill's house. Josh (the mover) gouged his hand while disassembling some of our furniture; luckily he did it at Avon's house, and she fixed him up. Finally, our landlords for the sublet didn't bother to salt the courtyard, so the movers had to carry stuff across a sheet of ice smooth enough to skate on in some places. The cats hated the loading. We had to lock them in the bathroom to prevent their escaping, and afterward we found Tremelo cowering in the tub, her belly completely soaked with water which dripped from the spigot. She was miserable and terrified. Vibrato wandered around that evening, as if to say "Hey! Where'd you put all my stuff?!" We slept on an air mattress that night, and then Jennie and Ken took us to the airport on Monday morning, cats in hand. The plane ride was uneventful; I was the only non-tranquilized one in the party. We grabbed a taxi to the apartment, for which we got gouged because the driver had no clue where our street was (but we weren't inclined to argue). Our apartment is fabulous. We knew it was good when we saw the place with the apartment-finding service, but it only improved on close inspection. It's a huge two-bedroom, about as large as Denis and Mary's apartment (for those of you who know it), and in a similarly good condition. We have an absolutely gigantic living room, with a south-facing bay window facing the tree-lined street. Actually, the bay window is big enough that it should be called a gulf window or something. The appliances are new (we have dishwasher!), and there's laundry in the basement. The neighborhood is also quite nice: the streets are quiet and tree-lined, but there's a commercial street with a supermarket, lots of funky restaurants and shops, etc. just a block away. The Red Line train is four blocks away. When we arrived, the landlady had just finished repainting the whole place and installing new bathroom and kitchen tile. The landlady is a very nice woman, about my Mom's age, who's very helpful, friendly, and easygoing. When we arrived there was a sign on the outside door saying "Welcome Jason, Carolyn, Vibratto (sic) and Tremelo", and a bottle of wine and two cans of catfood on the mantel. All this for $1125/month (rising to $1200 in April.) For comparison, we paid $900 for our cramped, dingy 1-bedroom sublet in Somerville, but we overheard the realtor who showed the place asking $1200 for it. The cats were very unhappy for the couple of days before our stuff arrived. Tremelo was terrified at the plane flight and the new place with nothing she recognized, but had no good place to hide, which stressed her out even more. Combined with people coming and going (landlady, utility guys, movers), she was nearly catatonic. Vibrato hid during the day too, but came out to wander around in confusion during the evenings. Our stuff was supposed to arrive Tuesday, but we heard on Monday that the mover had some mechanical problems with the truck, so it arrived Wednesday. After some delay in getting local help to unload the truck, they unloaded everything in 2 1/2 hours. Everything arrived in good order, with the exception of a damaged particleboard bookcase and a few scratches on the futon frame. The mover repaired the bookshelf -- it's close enough to good as new that I won't complain -- and I'll touch up the futon when I get around to it. As one might expect, we're still unpacking. The number of boxes lying around is significantly reduced, but still appalling. But it looks like we live there now, and we can sleep and cook and use the computer. The cats have settled down, now that they have things to sleep on and hide behind, and seem happy. Carolyn started work the day after she arrived; she works at Northwestern's medical campus, downtown. It's a decent 40-minute commute for her. She's working with a colleague of her old boss, on more Alzheimer's research. She says that her boss's directions have been unprecedentedly broad and general, and she's being trusted with a lot more than she was before. I've come in to work only a couple of times so far -- I had to deal with movers and unpacking and so on, and Dr. Pierrehumbert was out last week. Another disincentive is the length of my commute. The street we live on is at 5500 North. My workplace, at University of Chicago, is at 5700 South. Since there are 800 street numbers to the mile, I have a 14-mile commute through downtown to get to work. It's been taking me about an hour and a half each way. Ugh! Dr. Pierrehumbert lives even farther north than I do, and only comes into the office 3 days a week. I may do something similar, but I'd have to get DSL service to work effectively from home. My workplace is not bad. The University of Chicago campus is beautiful, but my building (Hinds Geophysical Lab) is an incredible eyesore. It's well-laid-out inside (unlike MIT's Green Building), but the interior is all cinderblock and brick, with tiny thin windows. My coworkers are great people, doing good work, but there aren't quite enough of them. Dr. Pierrehumbert is radically expanding his workgroup, but it can't really compete with the level of activity within Dr. Marshall's group at MIT. This was demonstrated to me as I walked around the building with an administrator looking for an office for myself. There was no shortage of underused space. I've been mostly working on finishing my thesis, and will get started on work for Dr. Pierrehumbert soon. I plan to be back in Boston for about a week beginning Feb 5. Carolyn (and probably I) will be visiting again sometime during May. Thanks to all of you who helped us get here, and I look forward to hearing from you in the near future. Jason  1, answered, filed,, Summary-line: 26-Jan pstark@ITpapers.com [69] #Re: desalaration X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA29378; Fri, 26 Jan 2001 16:34:24 -0500 (EST) Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA11163 for ; Fri, 26 Jan 2001 16:36:54 -0500 (EST) Received: from tatg.ITpapers.com ([208.59.73.90]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id f0QLaqH24572 for ; Fri, 26 Jan 2001 16:36:52 -0500 (EST) Message-Id: <4.3.1.2.20010126162734.00c4f900@mail.itpapers.com> X-Sender: pstark#itpapers.com@mail.itpapers.com (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Fri, 26 Jan 2001 16:33:46 -0500 To: "David C. Jedlinsky" From: Peter Stark Subject: Re: desalaration In-Reply-To: <200101261637.LAA06669@multics.mit.edu> References: <4.3.1.2.20010126110041.00c51450@mail.techguide.com> <4.3.1.2.20010126110041.00c51450@mail.techguide.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: pstark#itpapers.com@mail.itpapers.com (Unverified) Date: Fri, 26 Jan 2001 16:33:46 -0500 To: "David C. Jedlinsky" From: Peter Stark Subject: Re: desalaration In-Reply-To: <200101261637.LAA06669@multics.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed It's my treat. I ordered a DVD from Videoflicks, and you should get it next week. Let me know when it arrives (or doesn't!). The skit I was thinking of is "The Clock." The DVD isn't "10 From Your Show of Shows," because that was put out direct from kinescopes and the quality isn't great. This video is called "The Sid Caesar Collection: The Magic of Live TV." Even if the sketch doesn't turn out to have material you can use for GRAND DUKE, I think you'll find it funny. Anyway, some of the sketches with Sid Caesar as The Professor (one of his signature characters) should be interesting for his use of accents. I hope you enjoy it! Peter. At Friday 1/26/01 11:37 AM, you wrote: > >I'm going to NJ this weekend. > >Keep your tires on. > > >I saw the notice about looking for a music director. > >Got any more ideas of where to look? I've tried MIT, Harvard, >Sudbury, savoynet and nh-ma-theatre-lovers. You wouldn't happen to >know how to find our original MD, Steven McDonald, would you? > > >Haven't found that movie yet... > >You might find this interesting: > >http://chicagotribune.com/leisure/artsandentertainment/printedition/article/0,2669,SAV-0011190305,FF.html > >Most video stores I checked with don't even have it in their >database. One had it listed, but it wasn't anywhere to be found; >they're checking their warehouse for me. > >I may not decide to play the madrigal for comedy. But I'm thinking of >the clock idea and have a good theme assuming I can get some >mechanical engineer to make me a convincing glockenspiel. Otherwise, >the idea won't work. > > >BTW, can you send me an update of your contact info (snailmail, phone, > >email addresses, etc.) so I have it here in the office? > >David Jedlinsky >4 Foster Rd. >Milford, NH 03055-3604 > >603-672-5442 [home] >603-884-1958 [work] >617-803-4191 [cell] > >opus@ipnh.com >opus@mit.edu >dcj@zk3.dec.com > >-Dave  1,, Summary-line: 26-Jan PZavon@compuserve.com [44] #Re[2]: G&S societies X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA16734; Fri, 26 Jan 2001 16:52:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA16311 for ; Fri, 26 Jan 2001 16:54:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA05367; Fri, 26 Jan 2001 16:53:03 -0500 (EST) Date: Fri, 26 Jan 2001 16:53:03 -0500 (EST) Message-Id: <200101261637_MC2-C33B-357B@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Peter Zavon To: Multiple recipients of list SAVOYNET Subject: Re[2]: G&S societies MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 26 Jan 2001 16:53:03 -0500 (EST) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Peter Zavon To: Multiple recipients of list SAVOYNET Subject: Re[2]: G&S societies Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Thu, 25 Jan 2001 Kelvin Kean said in part: > I'm sure >there are other groups that have produced a G & S show >for 50 or more years, at least since the original >copyrights began to expire during the first half of >this century. The copyrights never had any particualr effect on performance of the works of G&S in the US. They were never able to obtain effective copyright protection in this country due in part to the state of international copyright law at the time of the original production, and in part to bias in our judiciary. There is a well known story of an attempt by G&S to enforce copyright in the courts in NY in the 1880's, when a judge (of Irish extraction) ruled that no Englishman had any right that an American was bound to respect. In the 1930's the Boston University G&S Association produced Utopia, Ltd. Reports in contemporary local papers said that a royalty had been paid to D'Oyly Carte in connection with that activity. This suggested to me a minor but historic event, as it was widely known that G&S was never subject to copyright in the US. So in the late 1960's I wrote to the D'Oyly Carte Opera Company asking about that reported payment in the 1930's. D'Oyly Carte stated they had no record of that specific payment and that no royalty had every been received from any location in the US. Peter Zavon Penfield, NY PZAVON@Compuserve.com  1,, Summary-line: 2-Feb marion@leedscarroll.com [137] #Fwd: Clippings at Harvard X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id HAA16629; Fri, 2 Feb 2001 07:32:17 -0500 (EST) Received: from chmls06.mediaone.net by MIT.EDU with SMTP id AA20375; Fri, 2 Feb 01 07:37:01 EST Received: from amadeus ([24.218.160.33]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f12CYwK29985 for ; Fri, 2 Feb 2001 07:34:58 -0500 (EST) Message-Id: <4.2.2.20010202073157.00b0bd00@leedscarroll.com> X-Sender: xleedscarroll-marion@leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 Date: Fri, 02 Feb 2001 07:34:40 -0500 To: opus@MIT.EDU From: Marion Leeds Carroll Subject: Fwd: Clippings at Harvard Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: xleedscarroll-marion@leedscarroll.com Date: Fri, 02 Feb 2001 07:34:40 -0500 To: opus@MIT.EDU From: Marion Leeds Carroll Subject: Fwd: Clippings at Harvard Content-Type: text/plain; charset="us-ascii"; format=flowed Hi, Dave! -- sorry I have not replied sooner to your note re those press clippings - but I didn't really have much more to add than what I'd printed. But this, which just arrived, will surely interest you. btw - I hear you're directing the MIT GD - have fun! -- Marion > >From pzavon@rochester.rr.com Fri Feb 02 04:08:03 2001 >Delivered-To: xleedscarroll-Marion@LeedsCarroll.com >From: "Peter Zavon" >To: "Carroll, Marion Leeds" >Subject: Clippings at Harvard >Date: Thu, 1 Feb 2001 23:07:19 -0500 >X-Mailer: Microsoft Outlook Express 5.00.2615.200 > >I have just got to the part of the January Trumpet Bray where you mention >the exhibit at Harvard and then quote Dame Rumor regarding the existence of >a collection of press clippings "about G&S performances in the US during the >first half of the 20th century..." > >I can tell you without a shadow of a doubt whatever that the collection >exists but your description of it is inaccurate. > >First, it is in the research area of the Harvard College Theatre Collection, >a different building entirely from Lamont Library. > >The clipping collection is not limited to G&S, the US, or the first half of >the 20th century, although G&S is the focus of _our_ interest., of course > >In the early 1970's, Connie Thompson, then of Concord, California, was in >the process of compiling a bibliographic listing of all things published >about G&S, including magazine and newspaper articles. I was living in >Boston at the time and in support of her effort, I went to the Harvard >College Theatre Collection first around 1972, I think. I examined the G&S >clippings, organized them, identified them and paid to have them >microfilmed. Connie would then purchase from Harvard a copy of the film of >the portion I had completed at any given time. Even after I moved to New >Jersey, I would return each summer for a week's work at this project for >several years. In the course of this, I handled nearly every press clipping >that was in the collection up to about 1980. There were problems with the >contrast on the last microfilms made, so the written identifications were >mostly washed out and not legible, and the last bit of the G&S material at >that point never did get filmed at all, but a good deal was done and from >that I can tell you something of the collection. > >It is organized by topic. Within G&S there are folders for each of the 14 >operas, for D'Oyly Carte Company, and for many of the works of G without S >and S without G, etc. It includes not only newspaper clippings, but also >some magazine clippings. (I recall, for example, a great article from Life >Magazine in the 1930's, covering The Savoy Company of Philadelphia as they >toured their annual production to New Orleans - traveling by private train, >cast, crew, set and all.) > >In the 1920's and 30's, the Theatre Collection clearly subscribed to a >commercial clipping service, at least for the New York City papers. As a >result, they have extremely good coverage of the performances at Castle >Garden, for example. But they always had other sources, presumably >individuals sending in clips of interest. So there are clippings covering >G&S activities well into the 1970's, and I'm sure they have continued to add >to the collection since then. Oh, yes, the collection goes back past 1900, >and includes some materials from England. There were a few tattered clips >of first night reviews - the "real" first nights, the ones at the Savoy in >London. These were from the later works, of course. > >In parallel with the clipping collection is a theatre program collection. >Again organized by the name of the work - one box of Mikado programs, >another of Gondoliers, etc. Some time before I got into this, they had >distributed the facsimile programs from The First Night Gilbert & Sullivan >throughout this program collection. I made it a point to inform the staff >of the nature and rarity of reproductions and I hope they brought them back >together with the book itself. > >Anyone who has attended a production of Harvard G&S, at least into the >1980's (the last time I did so) knows that they have a tradition of >reproducing an authentic 19th century Savoy Theatre program, with >modifications to show their cast, etc., as their program. It is from this >collection, both the facsimiles and the actual programs in the collection, >that they get those images. > >I also recall seeing summer theatre programs from the late 1940's for G&S >performed on Cape Cod, long before Oberlin or CLOC moved in there. They >also have a complete collection of D'Oyly Carte Centenary Season Programs, >and an incomplete selection of programs from the International G&S Festival. >I know because I donated them. > >I don't know how accessible this part of the theatre collection is to >someone who simply walks off the street, but I imagine anyone with a Harvard >connection can get access. Certainly anyone with a valid research interest >can do so. Unfortunately, the Theatre Collection, unlike the current G&S >Display, is not open on weekends or evenings. When I was working on this >little project, they kept strict business hours of 9-5 and closed for an >hour at lunchtime, too. > >The clipping collection does not cover everything you might expect. For >example, I recall little about the 1901 MIT Grand Duke there, although the >Boston papers of the day gave that activity some attention. However, anyone >who can get there when it is open, and has the least interest in such >things, will find it fascinating. I commend it to all NEGASSERS, and >recommend that they support it at least by donating press clippings when >possible, especially for significant out of area performances, which are >less likely to reach the Collection in these times of limited finances. > >A donated clipping should be an original cut from a paper (although I >suppose a good photocopy would be acceptable these days). Mark the sources >of the clipping carefully and legibly in pencil in a margin or other open >space. Note at least the name and city of publication of the paper and the >date of publication if it is not printed on the clip. the section and page >number can also be helpful if noted. Never, NEVER apply any form of tape to >a clipping intended for donation. If the clip is in two parts because, for >example, the story was "continued on page 24C", but both parts in an envelop >or folder, folding the paper a few times as possible, and let the >professional staff deal with how to keep them together. > >Sorry for running on and on, but this is one of my petty enthusiasms, and >one I've not been able to do much about for the last several years. > >Peter Zavon >Penfield, NY > >PZAVON@roadrunner.rr.com Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com  1,, Summary-line: 3-Feb marchanc@go.com [19] #fun with the US mail X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id WAA25527; Sat, 3 Feb 2001 22:47:03 -0500 (EST) Received: from mta04f.seamail.go.com by MIT.EDU with SMTP id AA21211; Sat, 3 Feb 01 22:48:17 EST Received: from gomailjtp02 (jtp02.seamail.go.com [10.212.0.162]) by mta04.seamail.go.com (Sun Internet Mail Server sims.4.0.2000.05.17.04.13.p6) with ESMTP id <0G8700GM3RYS2X@mta04.seamail.go.com>; Sat, 3 Feb 2001 19:49:40 -0800 (PST) Date: Sat, 03 Feb 2001 19:48:50 -0800 (PST) From: Christopher Marchant Subject: fun with the US mail To: RLS@MIT.EDU, OPUS@MIT.EDU Message-Id: <6054063.981258561582.JavaMail.marchanc@gomailjtp02> Mime-Version: 1.0 X-Mailer: GoMail 3.0.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT *** EOOH *** Date: Sat, 03 Feb 2001 19:48:50 -0800 (PST) From: Christopher Marchant Subject: fun with the US mail To: RLS@MIT.EDU, OPUS@MIT.EDU Content-Type: text/plain; charset=iso-8859-1 IT may actually be possible to mail the coconut "post cards" that Disney sells at Pirates of the Carribean. See link for details... -----Chris http://www.improbable.com/airchives/paperair/volume6/v6i4/postal-6-4.html ___________________________________________________ GO.com Mail Get Your Free, Private E-mail at http://mail.go.com  1,, Summary-line: 5-Feb PHC@prodigy.net [31] #Re: G&S clipart X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA15912; Mon, 5 Feb 2001 23:22:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA21309 for ; Mon, 5 Feb 2001 23:25:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA29881; Mon, 5 Feb 2001 23:23:30 -0500 (EST) Date: Mon, 5 Feb 2001 23:23:30 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: PHC@prodigy.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Re: G&S clipart Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A7F399D.64261589@ozemail.com.au> *** EOOH *** Date: Mon, 5 Feb 2001 23:23:30 -0500 (EST) Reply-To: PHC@prodigy.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Re: G&S clipart Content-type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A7F399D.64261589@ozemail.com.au> Paul . . . I've had some luck finding decent clipart downloads from the following sites: The Gilbert & Sullivan Bab Collection: http://members.aol.com/guron/yeo/index.htm and: The Opera Clipart Collections http://www.caboodles.com/clipart/themes/opera/ They're not hi-res graphics but can be tweaked up nicely in Photoshop. Paul C.  1,, Summary-line: 6-Feb pastark@mindspring.com [24] #Re: Re: FW: Videoflicks.com Order Status (Order #:)233498 X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA14386; Tue, 6 Feb 2001 17:46:44 -0500 (EST) From: Received: from blount.mail.mindspring.net by MIT.EDU with SMTP id AA02455; Tue, 6 Feb 01 17:48:01 EST Received: from smui05.slb.mindspring.net (smui05.slb.mindspring.net [199.174.114.91]) by blount.mail.mindspring.net (8.9.3/8.8.5) with ESMTP id RAA20524 for ; Tue, 6 Feb 2001 17:49:32 -0500 (EST) Received: by smui05.slb.mindspring.net id RAA0000023092; Tue, 6 Feb 2001 17:49:32 -0500 (EST) Date: Tue, 06 Feb 2001 17:49:31 -0500 To: opus@MIT.EDU Subject: Re: Re: FW: Videoflicks.com Order Status (Order #:)233498 Sender: pastark@mindspring.com Message-Id: X-Originating-Ip: 208.59.73.90 *** EOOH *** From: Date: Tue, 06 Feb 2001 17:49:31 -0500 To: opus@MIT.EDU Subject: Re: Re: FW: Videoflicks.com Order Status (Order #:)233498 Sender: pastark@mindspring.com X-Originating-Ip: 208.59.73.90 Glad you got it. Maybe you can get an MD through your health plan... Let me know what you think of that scene when you have a chance to see it. I'll be in England from Friday morning (leaving Thursday night) through Sunday, Feb. 18. Peter. "David C. Jedlinsky" wrote: > It arrived today. That always happens as soon as you go and check to see what's up. The prospective vocal director decided not to do it after all. So I'm back looking for an MD again. Sigh. -Dave  1, answered,, Summary-line: 9-Feb zacheiss@MIT.EDU [15] #meet tomorrow? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id TAA06357; Fri, 9 Feb 2001 19:07:41 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id TAA08728 for ; Fri, 9 Feb 2001 19:10:34 -0500 (EST) Received: from cutter-john.mit.edu (CUTTER-JOHN.MIT.EDU [18.187.1.62]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA07863 for ; Fri, 9 Feb 2001 19:10:34 -0500 (EST) Received: (from zacheiss@localhost) by cutter-john.mit.edu (8.9.3) id TAA09339; Fri, 9 Feb 2001 19:10:34 -0500 Message-Id: <200102100010.TAA09339@cutter-john.mit.edu> To: opus@MIT.EDU Subject: meet tomorrow? Date: Fri, 09 Feb 2001 19:10:34 -0500 From: Garry Zacheiss *** EOOH *** To: opus@MIT.EDU Subject: meet tomorrow? Date: Fri, 09 Feb 2001 19:10:34 -0500 From: Garry Zacheiss Hi Dave, I talked to the EC this evening, and it looks like I'm it. I should have a budget from them sometime later this evening. Are you free to meet sometime tomorrow to talk about Duke and auditions, etc. I'm likely to be free all of tomorrow evening. We could do dinner, or grab some space on campus. I'm most free after 5. Let me know what you think. Garry  1,, Summary-line: 9-Feb pzavon@rochester.rr.com [111] #Re: Selection of Show - Considerations and Timetable X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA16969; Fri, 9 Feb 2001 21:15:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA23235 for ; Fri, 9 Feb 2001 21:18:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA07688; Fri, 9 Feb 2001 21:16:33 -0500 (EST) Date: Fri, 9 Feb 2001 21:16:33 -0500 (EST) Message-Id: <007601c09306$9d1a3080$6e93d2cc@rochester.rr.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: Selection of Show - Considerations and Timetable MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Fri, 9 Feb 2001 21:16:33 -0500 (EST) Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: Selection of Show - Considerations and Timetable Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Please note my new address (PZAVON@Rochester.RR.Com). I am moving to the Roadrunner service and will be using my old Compuserve address only when traveling. If appropriate, please change my listing in your address book. On Thu, 08 Feb 2001, King Paramount I said, in part: [snip] > As I understand the process, and this is naturally oversimplified, >at some point after the annual show the board of the company gets together >and decides the show for the following year. Normally the Board members >raise their concerns about each show, but no formal study is conducted as >to the popularity of a show or the actual technical requirements or >drawbacks. On occasion, reference is made to the other shows that are >being presented by other companies in the area, but on occasion even this >is omitted. The downside to this process is that it is never possible to >publicize the following years show as it is never known at the time that >the show is being presented AND often shows are chosen without a full >understanding as to technical issues - such as the ability to re-use parts >of sets and costumes. > > Is this the method used elsewhere as well, or do other places use >other methods for selecting a show? I have worked with groups that used this method. It amounts to "let the Board decide" on the presumption that we have put people on the Board who are knowledgeable of the works of G&S and their technical requirements. While these Boards do consider cost, technical difficulty, and likely draw for an audience, it has been my experience that the general preference of the membership often focuses on one or two shows and this has a strong influence, often a deciding influence, on the Board's decision. In other cases, the availability of a director, and her preferences for the next production have had a substantial influence. On the other hand, I've worked with groups that decided in quite a different manner. One group I know simply agreed to perform whatever the management of their performance venue felt was needed. The Off-Monroe Players, here in Rochester (NY), hold a meeting of the entire membership at which the members vote on which shows to do for the next year. They normally do two productions per year. Given the timing of the vote, there is a period when the production schedule is known as far as 18 months in advance. The vote, I hasten to state, is not taken in a vacuum. First the partisans of one show or another make their case, including description of the plot, musical points of interest for the uninformed, presentation of a proposed production staff (Director, Musical Director, Producer), even at times a proposed budget. So the vote is often not simply on the show, but on a production concept and a production team. (Sounds a bit like Savoynet Productions, doesn't it?) [snip] >2. A consideration of the costume stock and the ability to reuse them >in the upcoming shows. For example, Sorcerer would appear to be able to >use Costume pieces from a great many shows - Police Uniforms from Pirates, >Dragoon Costumes from Patience, Sailor Costumes from Pinafore, Buck and >Blade Costumes from Ruddigore. These considerations can be very important for a group just starting out, without accumulated financial or costuming resources. They can also be part of the argument for producing a show that calls for many other resources the group does not possess. However, it has been my experience that a well established group will be able to undertake most any of the shows, except perhaps Grand Duke, Utopia, or Gondoliers, without having to concern itself much about whether costumes are available for reuse, etc. Either they will have accumulated a costume collection, will have developed access to someone else's costuming resources, or will be confident of the finances to make or rent what they need at a quality level where they are comfortable. [snip] >The same considerations also apply to sets. Yes. >As such, it would seem to me that there would be an "optimal" order in >which to do the shows. There may well be such an optimum, but I doubt if even the groups the follow a rigid cycle considered such issues in establishing the cycle. I am confident that groups not trying to follow a set performance order would not do so for long. At one production per year, the cycle would last about 11 or 12 years. Even at two productions per year, and the resulting 5 or 6 year cycle, the membership of the group's performing body will change significantly long before the cycle is complete. Certainly, some will be around for more than one cycle, but the voting mass will change noticeably in 3 or 4 years. This brings in considerations other than optimal order, considerations such as "I wasn't here 3 years ago when we did _______; I love _______ and want it to be the next production." Peter Zavon Penfield, NY PZAVON@roadrunner.rr.com  1,, Summary-line: 9-Feb davie@MIT.EDU [41] #Jess - the EC Member X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA02468; Fri, 9 Feb 2001 23:43:40 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA02668 for ; Fri, 9 Feb 2001 23:46:33 -0500 (EST) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id XAA28443 for ; Fri, 9 Feb 2001 23:46:33 -0500 (EST) From: "David Euresti" To: Subject: Jess - the EC Member Date: Fri, 9 Feb 2001 23:43:57 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal *** EOOH *** From: "David Euresti" To: Subject: Jess - the EC Member Date: Fri, 9 Feb 2001 23:43:57 -0500 Content-Type: text/plain; charset="us-ascii" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal Dave, Jess Raine will be sitting in at Auditions as the EC member. She has full authority to make you look at students just as if she was one of us. Davi -----Original Message----- From: Jessica Raine [mailto:daylily@world.std.com] Sent: Friday, February 09, 2001 7:09 PM To: David Euresti Subject: RE: Help out with Duke On Fri, 9 Feb 2001, David Euresti wrote: > Jess, > At the moment nobody is music directing. Oh dear. In that case, I'll absolutely come to auditions, represent EC, and help out any way I possibly can. (I can't music-direct, but I can probably help with vocal coaching once you get a music director.) See you there- --Jess Jessica Raine | daylily@world.std.com Oh--as usual--dear.  1,, Summary-line: 9-Feb davie@MIT.EDU [41] #FW: Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA06911; Fri, 9 Feb 2001 23:44:34 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA02745 for ; Fri, 9 Feb 2001 23:47:28 -0500 (EST) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id XAA28507 for ; Fri, 9 Feb 2001 23:47:28 -0500 (EST) From: "David Euresti" To: Subject: FW: Grand Duke Date: Fri, 9 Feb 2001 23:44:51 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal *** EOOH *** From: "David Euresti" To: Subject: FW: Grand Duke Date: Fri, 9 Feb 2001 23:44:51 -0500 Content-Type: text/plain; charset="us-ascii" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal -----Original Message----- From: Katherine Thornton [mailto:thorntonk@mediaone.net] Sent: Friday, February 09, 2001 10:07 PM To: David Euresti Subject: Re: Grand Duke on 2/7/01 3:55 PM, David Euresti at davie@MIT.EDU wrote: > Kate, > I got your e-mail from Ken. Grand Duke auditions are next week and we > don't have a Music Director or Vocal Director. We were wondering if you > might be interested in Vocal Directing. Well let me know if you're > interested. We're pretty desperate. > > Thanks, > David > Hi David. Sorry you're having such a rough time. Um, I need to meet the MD. I CAN NOT MD. However, if you are still stuck in another week, or can find somebody who will do what should have been Kevin's job in Iolanthe (stress that it is an administrative position, possibly combined with orchestra manager?), then you can talk to me about becoming vocal director so we can hold auditions, and then worry about getting an orchestra director. Also, ask the producer to start lining up pianists now... Kate  1,, Summary-line: 10-Feb awrobins@yahoo.com [58] #Re: Victoria Sladen's book X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id OAA23114; Sat, 10 Feb 2001 14:14:04 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA22398; Sat, 10 Feb 01 14:18:59 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA26089; Sat, 10 Feb 2001 14:15:27 -0500 (EST) Date: Sat, 10 Feb 2001 14:15:27 -0500 (EST) Message-Id: <20010210190812.25567.qmail@web10808.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Victoria Sladen's book Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009801c09378$316783c0$0ecd883e@g0g5u6> *** EOOH *** Date: Sat, 10 Feb 2001 14:15:27 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Victoria Sladen's book Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009801c09378$316783c0$0ecd883e@g0g5u6> I've e-mailed Jimmy privately, but once again I recommend to SavoyNetters seeking out-of-print books an Internet used book database. My favourites are: Advanced Book Exchange at http://www.abebooks.com and Bibliofind at http://www.bibliofind.com but Bookfinder at http://www.bookfinder.com is more comprehensive--it lists what's on ABE and Bibliofind, and also some other places. Searching on these is free; you usually contact the dealer directly, and I have found nearly all the dealers reliable. Copies of such wonderful (IMO) books as Allen's FIRST NIGHT GILBERT AND SULLIVAN and Stedman's GILBERT BEFORE SULLIVAN often show up at affordable prices. Recently Gilbert's A COLOSSAL IDEA showed up for $26--I mention this because I already have a copy. (But please, don't anyone use these databases to beat me to the books I'm particularly looking for, such as Gilbert's ORIGINAL EXTRAVAGANZAS. And if anyone on SavoyNet beat me to some of the items that appeared on these databases recently but were sold before I could order them, such as a vocal score of IVANHOE at $15, Jessie Bond's autobiography at about $20, and a 19th-century edition of THE PALACE OF TRUTH for $5, may a bibliomaniac's curse....) Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/  1,, Summary-line: 10-Feb gjr@zurich.ai.mit.edu [13] #I'm in Boston for a week X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA26091; Sat, 10 Feb 2001 14:34:05 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA14213; Sat, 10 Feb 2001 14:37:00 -0500 (EST) Received: from nestle.ai.mit.edu (nestle.ai.mit.edu [18.43.0.45]) by zurich.ai.mit.edu (8.9.3/8.9.3/Debian 8.9.3-21) with ESMTP id OAA18663 for ; Sat, 10 Feb 2001 14:32:44 -0500 Received: from gjr by nestle.ai.mit.edu with local (Exim 3.12 #1 (Debian)) id 14RflE-0002lu-00; Sat, 10 Feb 2001 14:32:44 -0500 From: "Guillermo J. Rozas" To: lsc-alums@zurich.ai.mit.edu Subject: I'm in Boston for a week Reply-to: gjr@zurich.ai.mit.edu Message-Id: Date: Sat, 10 Feb 2001 14:32:44 -0500 *** EOOH *** From: "Guillermo J. Rozas" To: lsc-alums@zurich.ai.mit.edu Subject: I'm in Boston for a week Reply-to: gjr@zurich.ai.mit.edu Date: Sat, 10 Feb 2001 14:32:44 -0500 I'm arriving tonight (Saturday 2/10) and will leave Sunday next week. It would be great to see a bunch of you. I expect to be back for another week in April, so if this doesn't work out, we can get together then. How about next Saturday (2/17) for dinner?  1,, Summary-line: 10-Feb dcltdw@MIT.EDU [24] #Re: ISS overflight X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id PAA15893; Sat, 10 Feb 2001 15:35:17 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id PAA11550 for ; Sat, 10 Feb 2001 15:38:08 -0500 (EST) Received: from quick-w20-copy1.mit.edu (QUICK-W20-COPY1.MIT.EDU [18.187.0.201]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id PAA23353 for ; Sat, 10 Feb 2001 15:38:08 -0500 (EST) Received: (from dcltdw@localhost) by quick-w20-copy1.mit.edu (8.9.3) id PAA26194; Sat, 10 Feb 2001 15:38:07 -0500 (EST) Message-Id: <200102102038.PAA26194@quick-w20-copy1.mit.edu> To: dinner@MIT.EDU Subject: Re: ISS overflight In-Reply-To: Your message of "Sat, 10 Feb 2001 14:51:25 EST." <200102101951.OAA21280@ampersand.mit.edu> Date: Sat, 10 Feb 2001 15:38:07 -0500 From: David C Leung *** EOOH *** To: dinner@MIT.EDU Subject: Re: ISS overflight In-Reply-To: Your message of "Sat, 10 Feb 2001 14:51:25 EST." <200102101951.OAA21280@ampersand.mit.edu> Date: Sat, 10 Feb 2001 15:38:07 -0500 From: David C Leung I set up a mailing list, alpha-watch@mit.edu, that has the overflight info sent to it on a daily basis (around noon) of any viewings in the next 24 hours. I'll hopefully add in shuttle overflight info as well. Feel free to forward this message. Non-MIT people can get added by sending me mail. Actually, there's an overflight tomorrow as well Sat Local Date/Time Dur MaxElev Approach Departure ISS Sun Feb 11/06:23 PM 2 28 28 above NNW 17 above NNE but since I didn't set up my cron job right, the mailing list won't get mail about it. (I'll fix it on Monday.) dave  1,, Summary-line: 10-Feb zacheiss@MIT.EDU [12] #mp3 space X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id WAA08758; Sat, 10 Feb 2001 22:55:11 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id WAA22872 for ; Sat, 10 Feb 2001 22:58:06 -0500 (EST) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id WAA00277 for ; Sat, 10 Feb 2001 22:58:06 -0500 (EST) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id WAA01392; Sat, 10 Feb 2001 22:58:06 -0500 Message-Id: <200102110358.WAA01392@riff-raff.mit.edu> To: opus@MIT.EDU Subject: mp3 space Date: Sat, 10 Feb 2001 22:58:06 -0500 From: Garry Zacheiss *** EOOH *** To: opus@MIT.EDU Subject: mp3 space Date: Sat, 10 Feb 2001 22:58:06 -0500 From: Garry Zacheiss Rather than dealing with nfs, I created a 200 mb non-backed up volume in the athena cell for us to use. It's currently mounted as /mit/gsp/mp3, and you should all rlidwka access to it. You should be able to copy mp3s into it immediately; let me know if you need more space. Garry  1,, Summary-line: 11-Feb DSMITH@umassd.edu [142] #Review - Hancock County Pirates of Penzance X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id RAA10187; Sun, 11 Feb 2001 17:00:48 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA05640; Sun, 11 Feb 01 17:02:09 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA04136; Sun, 11 Feb 2001 17:00:28 -0500 (EST) Date: Sun, 11 Feb 2001 17:00:28 -0500 (EST) Message-Id: <01JZZOVAVNYG8Y4XV1@umassd.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Review - Hancock County Pirates of Penzance Mime-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=us-ascii Content-Transfer-Encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 11 Feb 2001 17:00:28 -0500 (EST) Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Review - Hancock County Pirates of Penzance Content-Type: TEXT/PLAIN; CHARSET=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A greatly anticipated diversion from the New England Winter is the annual trip to Ellsworth, Maine to see the Hancock County G&S Society undertake its latest excursion into the G&S canon. This year's offering of The Pirates of Penzance made the 6-hour drive all the more worthwhile. Veteran Director Dede Johnson and Conductor Fred Goldrich (in his second year with the company) gave us a bright, lively, fast-paced production with excellent staging, great delivery, some superb singing, and NO pork-pies! After a brisk overture the curtain rose on the usual pirates camp - rocks to either side and back, some trees - and a flurry of activity which included drinking, gambling, a 'girl' jumping out of a large birthday cake, a pirate trying to hang a 'Happy Birtday [sic] Fred' banner throughout the opening chorus (it kept falling down and he kept putting it up!) As usual, there was so much going on by individual characters that it was impossible in one viewing to catch everything; two viewings didn't help much more. The chorus ended with the Pirate King presenting Frederic with an eyepatch and Samuel in a game of pin-the-tail-on the donkey - getting Ruth instead. For the number of men in the chorus, the sound was rather low-powered, even with the Sergeant of Police as a pirate in the first act. There was the usual motley collection of costumes, although Frederic's was not particularly alarming, and he didn't change in act II, except for putting on a coat over what he was already wearing. Steve Estey was a somewhat low-key Samuel and I wondered if the role was too high for him since his last appearance was in The Sorcerer as John Wellington Wells. Debra Hangge as Ruth presented as clear an exposition of the plot in her song as I have ever heard and her comic timing in dialog was spectacular. Roland Dube as the Pirate King, in a costume last worn by Captain Hook, provided an energetic and masterful figure. "Better far to live and die" was done as an MTV video, with the Pirate King in the apex of a triangle, Samuel and Frederic to either side and behind, then two more rows of Pirates - an carrying out moves and gestures in unison to the song. Despite the MTV reference, it was very well done and it worked. Roland did, on occasion, betray his background as patterman (KoKo and Lord Chancellor) and lose some vocal tone for characterization. Francis John Vogt as Frederic has a wonderful voice and is a quite decent actor so that the scena between Ruth and Frederic was carried off with great sincerity and believability. One innovation which I had not seen before was for Ruth to vocalize her anguish in response to the offstage voices of the girls. "What grace - (Whimper) -What delicacy (groan) - what refinement (Moan)! and Ruth - Ruth told me she was beautiful (AGONY)." Another innovation - the offstage chorus was "Over the bright blue sea," not the preview of "Climbing over rocky mountain." Quite a surprise, but it fit. The entrance of the Major-General's daughters, accompanied by the usual crew of matrons and servants, was every bit as colorful and lively as one would like. The action was accompanied by the usual collection of picnic games - ending in one of Dede Johnson's classic freezes during the playout at the end of the singing. Frederic's entrance did not seem particularly alarming and only about half the chorus had mastered the art of hopping on one foot. "Maiden Breast" was very well sung although a bit slow to my taste, and with a few Elvis flourishes thrown in. As usual, throughout the song, Kate was swooning and ready to throw herself at Frederic, but was continually restrained by Edith and Isabel. Mabel entered over the rocks at stage left, but without a spotlight, even when she began singing. Bronwyn Kortge was in her usual excellent form both in singing and acting, keeping Frederic on tenterhooks through "Poor wandering one" and the subsequent duet, although he finally got his kiss at the end of it. The pirates entrance was not very surreptitious or hidden requiring a bit of suspension of willing disbelief. The subsequent chorus was lively and full of action, although it wasn't always clear who was capturing whom. There was another freeze on "Hold, monsters!" dissolving on Samuel's line. John Cunningham, as Major-General Stanley, entered dress as a Prussian Officer and, with his facial hair, looking for all the world like Hindenburg (the Field-Marshall, not the blimp.) He delivered a clear, well-characterized and very well sung "Modern major-general" but was clearly out of breath by the end of it. It was a pleasure to hear some nice vocal quality in the role. For all that some of the inner brotherhood may complain about it, when it is as well done as this was, the 'orphan-often dialog' is still capable of getting good response and laughs from the audience. "Hail poetry" was extremely effective and one of many highlights of the production. During the Pirate King's invocation, the lights went down, the chorus moved in measured stride (three steps, then stop) into position, on the first note of the song, the lights went full up to reveal a series of semicircles with the men at the back, swords drawn pointing forward. The end of the finale saw Ruth getting the bum's rush from two of the servants and the Pirate King and Major-General each pulling up larger and larger flags with the MG having the last word as a super-sized Union Jack was unfurled from the flies at the end of the playout. The second act opened with the MG pacing before the curtain, to be joined by the daughters (in matching night-dress with pink or green shawls, although Mabel still wore her day-time outfit.) Despite good attention to diction throughout, the usual weak spot appeared in the absence of final consonants in the opening chorus. (One could see the 'p being said, but not vocalized enough to be heard.) Frederic entered without any light and the subsequent dialog between him and Mabel was unlit. The police proved to be one of the more geriatric set, stiff-legged, rolling, and in grey helmets and non-matching uniforms which looked like they had last served for the Salvation Army in Guys and Dolls. They were also so low powered that they were barely audible during the double chorus - even with the MG singing along. With such a crew, Irv Hodgkin as Sergeant acted like he knew they were in for trouble from the Pirates. The entrance of Ruth (in Pirate costume) and the Pirate King was most traditional and the scenes captured with great sincerity. One highlight of the production was the way in which people talking to each other actually *looked* at each other and interacted. The scene between Frederic and Mabel was sincere. Their singing and acting were at the highest level to gain sympathy for what they were going through, yet done in such a way that the humor came through when appropriate. Irv Hodgkin delivered a resonant "Policeman's lot" with his uncoordinate band as counterfoils. Their hiding on the pirates approach required another suspension of disbelief as they mearly stood and acted as statues. The pirates' entry was finished with a kick-line; they hid by standing behind or next to the policemen. It was a pleasure to hear a melodic "Sighing softly to the river" with the police and pirates interacting in various ballet moves. There was a traditional ending which came all too quickly on a very enjoyable production. Not without its flaws (some of the orchestra were inexperienced musicians) but a show worth seeing if one is up in Maine during the summer when Hancock County does its rerun in July. Don Smith East Taunton, Mass.  1,, Summary-line: 12-Feb motley@westelcom.com [106] #Frederick's father X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id DAA08668; Mon, 12 Feb 2001 03:42:18 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA01064; Mon, 12 Feb 01 03:47:24 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA21891; Mon, 12 Feb 2001 03:44:29 -0500 (EST) Date: Mon, 12 Feb 2001 03:44:29 -0500 (EST) Message-Id: <200102120331964.SM10496@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: motley@westelcom.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "louise pauly" To: Multiple recipients of list SAVOYNET Subject: Frederick's father Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Internet Mail 4.70.1161 *** EOOH *** Date: Mon, 12 Feb 2001 03:44:29 -0500 (EST) Reply-To: motley@westelcom.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "louise pauly" To: Multiple recipients of list SAVOYNET Subject: Frederick's father Content-Type: text/plain; charset=ISO-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A tentative partial catalogue of addressable but invisible characters, persons or personifications (not inanimate objects or companies or establishments) (I shall not publish it) PATIENCE everyone in the Heavy Dragoon Song maid (writhing) Plato Eros Queen Anne Empress Josephine Philistines Patience's great-aunt Cupid Chronos Fortune Gentle Jane, and her earl Teasing Tom, his father, sisters, and his bride to be. Retribution & Wrong-Doer Magnet Churn Variety of Hardware Marionette Art Bunthorne's Aunt Francesca di Rimini Madame Louise TRIAL [added to Paul M.'s list] The Gurneys Watteau SORCERER Paris Helen of Troy Djinn (resident) sprites, fiends, demons souls, hags, ghosts, choir (unholy), toads, demons, fiends maiden with bright brown hair PINAFORE (anonymous) clergyman orphans stuffy children clacking housewives Josephine's papa Hymen mermaids doctor of divinity King Arthur Sir Caradoc Heliogabalus Poetry Duty Breeze, trees, brook, poplars IOLANTHE frogs usher (servile) Law Chorused Nature, incl. breeze, seas, rooks, brooks, gales. vales, fountains, mountains, lightning, rain, birds, trees, wind and thundercloud royalty rogue, thief, judge, witnesses Romans (ancient) Ladies' Seminary proprietor Pickford Queen Bess Wellington Bonaparte King George Captain Shaw Friendship friends and relations, small attorney, sailors, retailers, tradesman PRINCESS IDA fates Destiny Dame Rumour Nature triolet, violet, sigh (little) hen (accomplished) Minerva Man Woman Must, Shall, Is, Was, Has Been, Might Be, May, Might, Could, Would, Should Hipparchus Ape Maid Crusader, Paynim Posterity Abstract Philosophy YEOMEN CLARENCE POLTWHISTLE  1,, Summary-line: 16-Feb zacheiss@MIT.EDU [12] #Re: termcap entry for my pilot X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id BAA27802; Fri, 16 Feb 2001 01:39:05 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id BAA28787 for ; Fri, 16 Feb 2001 01:42:09 -0500 (EST) Received: from oliver.mit.edu (OLIVER.MIT.EDU [18.187.1.64]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id BAA00139 for ; Fri, 16 Feb 2001 01:42:09 -0500 (EST) Received: (from zacheiss@localhost) by oliver.mit.edu (8.9.3) id BAA49895; Fri, 16 Feb 2001 01:42:07 -0500 (EST) Message-Id: <200102160642.BAA49895@oliver.mit.edu> To: "David C. Jedlinsky" Subject: Re: termcap entry for my pilot In-Reply-To: Your message of "Thu, 15 Feb 2001 14:42:54 EST." <200102151942.OAA19504@multics.mit.edu> Date: Fri, 16 Feb 2001 01:42:07 -0500 From: Garry Zacheiss *** EOOH *** To: "David C. Jedlinsky" Subject: Re: termcap entry for my pilot In-Reply-To: Your message of "Thu, 15 Feb 2001 14:42:54 EST." <200102151942.OAA19504@multics.mit.edu> Date: Fri, 16 Feb 2001 01:42:07 -0500 From: Garry Zacheiss When next you get a chance, try logging into multics from your pilot with $TERM set to tgtelnet. I managed to compile the termcap entry you sent me into a terminfo entry, and installed it on multics. Garry  1,, Summary-line: 16-Feb zacheiss@MIT.EDU [12] #costume builder X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id OAA28628; Fri, 16 Feb 2001 14:13:12 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id OAA00973; Fri, 16 Feb 2001 14:16:18 -0500 (EST) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id OAA01294; Fri, 16 Feb 2001 14:16:17 -0500 (EST) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id OAA05200; Fri, 16 Feb 2001 14:16:16 -0500 Message-Id: <200102161916.OAA05200@riff-raff.mit.edu> To: opus@MIT.EDU, lourenco2@yahoo.com Subject: costume builder Date: Fri, 16 Feb 2001 14:16:16 -0500 From: Garry Zacheiss *** EOOH *** To: opus@MIT.EDU, lourenco2@yahoo.com Subject: costume builder Date: Fri, 16 Feb 2001 14:16:16 -0500 From: Garry Zacheiss Sometime this week I sent you mail about a potential costume builder, Jen Murphy . She told me today that no one has gotten back to her yet regarding the costume designer or what is going to be involved in the construction. Could someone get back to her in the next couple of days? Thanks. Garry  1,, Summary-line: 19-Feb goodmanj@MIT.EDU [62] #Good news and bad news X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id DAA14696; Mon, 19 Feb 2001 03:17:45 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id DAA03331; Mon, 19 Feb 2001 03:20:38 -0500 (EST) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id DAA22507; Mon, 19 Feb 2001 03:20:34 -0500 (EST) Received: by ampersand.mit.edu (8.8.8/4.7) id DAA00445; Mon, 19 Feb 2001 03:20:34 -0500 (EST) Message-Id: <200102190820.DAA00445@ampersand.mit.edu> To: dinner@MIT.EDU, hovenweep@mandli.com, freaks@suberic.net, arussell@gulf.MIT.EDU, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu Subject: Good news and bad news Date: Mon, 19 Feb 2001 03:20:34 EST From: Jason Goodman *** EOOH *** To: dinner@MIT.EDU, hovenweep@mandli.com, freaks@suberic.net, arussell@gulf.MIT.EDU, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu Subject: Good news and bad news Date: Mon, 19 Feb 2001 03:20:34 EST From: Jason Goodman Good news, which some of you have heard, and bad news, which you haven't. Good news: I have successfully defended my PhD thesis at MIT, and returned to Chicago. The talk went very well, and most people seemed interested and impressed by it. The traditional post-talk grilling was very mild: I only got about half an hour of questions by my thesis committee. After a few minor changes, I've submitted the finished manuscript to be bound and placed on a shelf and forgotten for eternity. Bad news: My mother has unexpectedly fallen seriously ill. If you don't care for details, skip too the next paragraph. She had had the flu last week, and on Friday, my father noticed she was looking pale and acting strangely. He called an ambulance for her (she insisted she was fine). They found that she was severely anemic (hemoglobin 50% of normal), with an abnormal buildup of ammonia in her blood. It turns out she was bleeding into the entrance to her small intestine. Her digestive system absorbed the blood proteins, which produced ammonia as they broke down. As a result of a serious drinking problem, her liver wasn't capable of processing the ammonia quickly, so it built up until it started to cause neurological problems. They gave her three units of blood and stopped the bleeding (by this point she was unconscious), but shortly afterward she began having seizures. Added to this was the problem that her blood type is O- (very rare), and the small hospital on my island was running out. So they airlifted her to Honolulu, where they're treating the seizures and watching her EEG... and waiting. Mom remains in a coma; the neurologist says it may be a week before we know whether she will recover or not. From my father's statements and some reading on the Net, it seems very likely that she will have serious brain damage or die. My brother and I are flying to Honolulu tomorrow to be with her and my father; my uncle and some local family friends are already there. As you can imagine, this is a sudden shock which we weren't at all prepared for; my father has been hit particularly hard. I will be extremely difficult to reach while I'm in Honolulu. I'll keep Carolyn informed as to the latest news, and you can call our apartment at 773-271-8415 during the evenings to hear the latest from her. If you want to speak to me, I can probably be reached on or after Tuesday at the Aston Executive Center Hotel at 808-539-3000. I think I will probably appreciate a call or two, but I expect to be there irregularly and infrequently, so you might try leaving a message. Please don't forget the time difference. If I somehow get internet access, I'll try to e-mail important updates if I can. My family isn't particularly religious, but I'm sure my mother would appreciate any prayers you care to offer for her. You may forward this to anyone you feel I have forgotten. With hope, Jason  1,, Summary-line: 20-Feb drewbob@MIT.EDU [21] #more contact info X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id AAA05278; Tue, 20 Feb 2001 00:33:11 -0500 (EST) Received: from chmls20.mediaone.net by MIT.EDU with SMTP id AA29402; Tue, 20 Feb 01 00:38:35 EST Received: from [24.91.104.213] (h0005025ec341.ne.mediaone.net [24.91.104.213]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f1K5aK619748; Tue, 20 Feb 2001 00:36:20 -0500 (EST) Mime-Version: 1.0 Message-Id: Date: Tue, 20 Feb 2001 05:36:35 +0000 To: grand-duke@MIT.EDU From: Andrew Sweet Subject: more contact info Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Tue, 20 Feb 2001 05:36:35 +0000 To: grand-duke@MIT.EDU From: Andrew Sweet Subject: more contact info Content-Type: text/plain; charset="us-ascii" ; format="flowed" Text pager style messages can be sent to my cell phone... a very good thing for last-minute notices/sked changes and such, as I always have my cell phone with me, but sometimes (rarely) go up to 24 hours without checking my regular email accounts. 6173594180@messaging.sprintpcs.com There would seem to be a limit of about 64 characters (subject plus body). The pager address should be used only for last-minute stuff, not as a regular address. It shouldn't be put on any mailing lists. Excelsior! drewbob  1,, Summary-line: 20-Feb scwang@MIT.EDU [16] #Re: Notary is filled X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id BAA25539; Tue, 20 Feb 2001 01:35:44 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id BAA07184; Tue, 20 Feb 2001 01:38:50 -0500 (EST) Received: from angelwings-next (ANGELWINGS-NEXT.MIT.EDU [18.242.2.215]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id BAA20861; Tue, 20 Feb 2001 01:38:50 -0500 (EST) Message-Id: <200102200638.BAA20861@melbourne-city-street.MIT.EDU> X-Sender: scwang@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 Date: Tue, 20 Feb 2001 01:39:41 -0500 To: Rachel D Caileff From: Stephanie C Wang Subject: Re: Notary is filled Cc: opus@mit.edu, zacheiss@mit.edu In-Reply-To: <200102192309.SAA22581@jhereg.ryuzoku.org> References: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: scwang@hesiod Date: Tue, 20 Feb 2001 01:39:41 -0500 To: Rachel D Caileff From: Stephanie C Wang Subject: Re: Notary is filled Cc: opus@mit.edu, zacheiss@mit.edu In-Reply-To: <200102192309.SAA22581@jhereg.ryuzoku.org> Content-Type: text/plain; charset="us-ascii" email address = great_pumpkin74@yahoo.com ...I've added him to gsp-cast already. and his phone number should still be 781-324-3070. Steph  1, filed,, Summary-line: 20-Feb to: dcltdw@mit.edu [29] #Re: choreographer? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id KAA22174; Tue, 20 Feb 2001 10:21:51 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id KAA18953; Tue, 20 Feb 2001 10:25:02 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id KAA00667; Tue, 20 Feb 2001 10:25:02 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id KAA02773; Tue, 20 Feb 2001 10:25:01 -0500 (EST) Date: Tue, 20 Feb 2001 10:25:01 -0500 (EST) Message-Id: <200102201525.KAA02773@multics.mit.edu> From: "David C. Jedlinsky" To: dcltdw@mit.edu Subject: Re: choreographer? *** EOOH *** Date: Tue, 20 Feb 2001 10:25:01 -0500 (EST) From: "David C. Jedlinsky" To: dcltdw@mit.edu Subject: Re: choreographer? Hi Dave. I have a somewhat more solid schedule now (as in, it's fairly difficult to shuffle things without running into a million other conflicts). Would you be able to do any or all of these: #20 on Monday 3/5 from 7-8pm #10 on Monday 3/12 from 7-9pm #1a on Wednesday 3/14 from 8-8:30pm These would be teaching the initial steps, and running it once or twice. We'll be going into full act runs after that, and you could either come to one of those, or let them practice, and come back later to check up on them. The schedule is pretty heinous. We only have enough time to visit each number individually once, then we have to run sections to solidy it, then go to full runs, then perform it. There's never enough rehearsal time. -Dave  1,, Summary-line: 20-Feb pstark@techguide.com [56] #Re: Back from England X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA25490; Tue, 20 Feb 2001 10:29:45 -0500 (EST) Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA06298 for ; Tue, 20 Feb 2001 10:32:56 -0500 (EST) Received: from tatg.techguide.com ([208.59.73.90]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id f1KFWp507147 for ; Tue, 20 Feb 2001 10:32:51 -0500 (EST) Message-Id: <4.3.1.2.20010220102733.00c80ac0@mail.techguide.com> X-Sender: pstark#techguide.com@mail.techguide.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Tue, 20 Feb 2001 10:27:43 -0500 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: Back from England In-Reply-To: <200102192135.QAA29110@multics.mit.edu> References: <4.3.1.2.20010219152653.00c8e200@mail.techguide.com> <4.3.1.2.20010111124051.00c1eee0@mail.techguide.com> <4.3.1.2.20010111124051.00c1eee0@mail.techguide.com> <4.3.1.2.20010219152653.00c8e200@mail.techguide.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: pstark#techguide.com@mail.techguide.com Date: Tue, 20 Feb 2001 10:27:43 -0500 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: Back from England In-Reply-To: <200102192135.QAA29110@multics.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed How'd the rehearsal go? Peter. At Monday 2/19/01 04:35 PM, you wrote: >Hi Peter. > >How was your trip? > >We're well into Duke now; yesterday was the sing-through, and tonight >is the first rehearsal (starting with the meat of the Act 2 finale). >Auditions were painful, but manageable. There were a few political >issues, but I think we nipped them in the bud, and survived. >Attrition of students has set in as they realize the scope of the >project. At the moment, we have most everything covered, but we could >always use more men. The majority of the leads are students, which is >a nice change. > >I watched the Sid Cesar DVD; it was very funny, and I'm impressed at >how well they restored the old kinescopes. It also has lots of >interviews with Sid, Woody Allen, Carl Reiner, and others who were >involved at the time. > >Thanks again for sending it. Do you want to watch it? > >-Dave __________________________________ Visit our new website at www.ITpapers.com! __________________________________ Peter A. Stark Director of Business Development The Applied Technologies Group 209 West Central St. - Suite 301 Natick, MA 01760-3716 voice: 508.651.9580 x203 fax: 508.651.1171 pstark@ITpapers.com __________________________________  1, answered,, Summary-line: 20-Feb kcallen@fas.harvard.edu [55] #character and dance ideas X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA20334; Tue, 20 Feb 2001 17:59:12 -0500 (EST) Received: from smtp1.fas.harvard.edu (IDENT:root@smtp1.fas.harvard.edu [140.247.30.81]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA24222 for ; Tue, 20 Feb 2001 18:02:23 -0500 (EST) Received: from is06.fas.harvard.edu (IDENT:kcallen@is06.fas.harvard.edu [140.247.30.106]) by smtp1.fas.harvard.edu with ESMTP id SAA26724; Tue, 20 Feb 2001 18:02:23 -0500 (EST) Received: by is06.fas.harvard.edu with ESMTP id SAA16307; Tue, 20 Feb 2001 18:02:23 -0500 (EST) Date: Tue, 20 Feb 2001 18:02:22 -0500 (EST) From: Kenneth Allen To: "David C. Jedlinsky" Subject: character and dance ideas In-Reply-To: <200102170602.BAA01681@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 20 Feb 2001 18:02:22 -0500 (EST) From: Kenneth Allen To: "David C. Jedlinsky" Subject: character and dance ideas In-Reply-To: <200102170602.BAA01681@multics.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII Hi, David. Just thought I'd share some thoughts I had about my role in the company. Since this is my first time performing with MITG&SP and my first time singing and acting on stage, I thought I could use my experience and feelings in my character. My name could be Sigmund Newcomer, the newest member of the company--so without much rank. I'm 21 years-old and, though a little shy, a little insecure, I'm still a very enthusiastic performer and feel happy and honored to be in the troupe. Any incidental contact I might have with other actors on stage might be spent introducing myself to members of the company I haven't met or asking questions about things I don't know. I'm not entirely comfortable with the conspiracy since I don't know Ernest or the Grand Duke or anyone very well, but I'm going along with it anyway. Peer pressure. As for the dancing, what I've noticed as a dancer/choreographer in the audience of many an amateur theater performance is that the dancing is often either: 1) too difficult for the actors without dance training so it ends up looking bad, or 2) really simple to accomodate the most left-footed actors so it ends up looking stupid. Some choreographers manage to strike a happy medium. If you still want me to choreograph something, what I'd probably do is resort to English country dancing figures. The advantages I see in doing this are: 1) it'll look "period" 2) the steps are relatively easy to learn 3) the patterns will look really, really groovy from the audience 4) I'm so immersed in it, I'm not sure I could choreograph anything else. I wouldn't attempt to do real English country dances; they probably wouldn't fit the music and we'd want more variety, anyway. I'd prefer to know exactly where you'd want the dancing, since you're right when you say that it could go practically anywhere. Even as we were singing 12E last night, I couldn't help thinking it would be perfect for dancing. Thanks, again, for being so flexible about my conflicts. Unfortunate that chorus rehearsals are on Sundays, the only day I'm completely unavailable. (I usually have rapper sword practice in the afternoon; it happened to have been cancelled this past weekend, which is why I turned up for the first rehearsal. Then there's a meeting I go to at 5:00--so I'd always have to leave early.) Since I'm not sure what the rehearsal schedule is, I'm not sure how it affects the rest of my usual activities--but as I told you, I'm very willing to sacrifice weekly English country dances if I must. In fact, I'll be missing one next Wednesday! See you then, Ken  1,, Summary-line: 20-Feb to: kcallen@fas.harvard.e [44] #Re: character and dance ideas X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id SAA14761; Tue, 20 Feb 2001 18:39:01 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id SAA29374; Tue, 20 Feb 2001 18:42:12 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id SAA00446; Tue, 20 Feb 2001 18:42:11 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA07751; Tue, 20 Feb 2001 18:42:07 -0500 (EST) Date: Tue, 20 Feb 2001 18:42:07 -0500 (EST) Message-Id: <200102202342.SAA07751@multics.mit.edu> From: "David C. Jedlinsky" To: kcallen@fas.harvard.edu In-reply-to: (message from Kenneth Allen on Tue, 20 Feb 2001 18:02:22 -0500 (EST)) Subject: Re: character and dance ideas References: *** EOOH *** Date: Tue, 20 Feb 2001 18:42:07 -0500 (EST) From: "David C. Jedlinsky" To: kcallen@fas.harvard.edu In-reply-to: (message from Kenneth Allen on Tue, 20 Feb 2001 18:02:22 -0500 (EST)) Subject: Re: character and dance ideas Hi Ken. That background sounds great! It's just the kind of thing I was hoping for. What do you think about the name "Sigmund Neuling"? Neuling is "newcomer" in German. I can probably guarantee you that our actors will tend towards to "left-footed" side of the balance. Would an English country dance style work with five people who would be singing a madrigal about how duelling changed from the "regular" form to the "statutory" form? My idea for that number is to have a Bavarian clock which chimes the hour, and has some figurines dancing (well, spinning) to the tune of the madrigal (but taken at a much faster tempo, and played on a glockenspiel). Then, the orchestra will come in with the introduction played at the normal speed, and the five people would do a dance reminiscent of that of the clock dancers. Could that work? The only logistical problem is that number 7 (the madrigal) is currently scheduled for Wednesday, 3/7. But we could probably call the five people in at a time which would be convenient for you so they could learn the dance. If you've got an idea for 12E, I'd love to hear it. It would be great to head into intermission with a nice uptempo song and dance which would keep the audience wanting more. Most of the Sunday rehearsals are music rehearsals, which might be a little easier on you, as you could learn a good deal of it on your own (blocking would be much harder, since it's not written in the score). We really tried to keep your conflicts in mind while doing the scheduling, but you'll probably see that with so much to get done, it just wasn't possible to accomodate everyone all the time. As both Kate and I have said, we'll try to help you out with the things you miss. -Dave  1,, Summary-line: 20-Feb zacheiss@MIT.EDU [39] #"Dawn-Marie Dunn": Re: Orchestra directing? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id UAA04548; Tue, 20 Feb 2001 20:54:24 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id UAA24364 for ; Tue, 20 Feb 2001 20:57:35 -0500 (EST) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id UAA25773 for ; Tue, 20 Feb 2001 20:57:34 -0500 (EST) Received: (from zacheiss@localhost) by hodge-podge.mit.edu (8.9.3) id UAA10590; Tue, 20 Feb 2001 20:57:34 -0500 (EST) Message-Id: <200102210157.UAA10590@hodge-podge.mit.edu> To: grand-duke@MIT.EDU Subject: "Dawn-Marie Dunn": Re: Orchestra directing? Date: Tue, 20 Feb 2001 20:57:34 -0500 From: Garry Zacheiss *** EOOH *** To: grand-duke@MIT.EDU Subject: "Dawn-Marie Dunn": Re: Orchestra directing? Date: Tue, 20 Feb 2001 20:57:34 -0500 From: Garry Zacheiss Woo. Hoo. ------- Forwarded Message Received: from fort-point-station.mit.edu (FORT-POINT-STATION.MIT.EDU [18.72.0.53]) by electric-barbarella.mit.edu (8.9.3) with ESMTP id UAA12094; Tue, 20 Feb 2001 20:38:51 -0500 (EST) Received: from antiochus-fe0.ultra.net (antiochus-fe0.ultra.net [146.115.8.188]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA17656 for ; Tue, 20 Feb 2001 20:38:51 -0500 (EST) Received: from minilith (207-172-216-54.s562.apx1.sbo.ma.dialup.rcn.com [207.172.216.54]) by antiochus-fe0.ultra.net (8.8.8/ult/n20340/mtc.v2) with SMTP id UAA23093 for ; Tue, 20 Feb 2001 20:37:23 -0500 (EST) Message-ID: <003201c09ba7$2c6c1b60$0200a8c0@minilith> From: "Dawn-Marie Dunn" To: "Garry Zacheiss" References: <200102172318.SAA32706@alice-whacker.mit.edu> Subject: Re: Orchestra directing? Date: Tue, 20 Feb 2001 20:39:45 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.50.4522.1200 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4522.1200 I'd be happy to meet with the you to discuss the orchestra directing. : ) My phone number is 617-782-5986, call or email me to arrange a good time. :) Dawn-Marie Musician Extrordinaire : ) ------- End of Forwarded Message  1,, Summary-line: 21-Feb cjsmith@MIT.EDU [35] #Jason's mom update X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA20541; Wed, 21 Feb 2001 19:20:30 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA25206; Wed, 21 Feb 2001 19:23:31 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA22907; Wed, 21 Feb 2001 19:23:30 -0500 (EST) Received: (from cjsmith@localhost) by all-night-tool.mit.edu (8.9.3) id TAA11930; Wed, 21 Feb 2001 19:23:28 -0500 (EST) Message-Id: <200102220023.TAA11930@all-night-tool.mit.edu> To: dinner@MIT.EDU, hovenweep@mandli.com, freaks@suberic.net, arussell@gulf.MIT.EDU, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com Subject: Jason's mom update Date: Wed, 21 Feb 2001 19:23:28 -0500 From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU, hovenweep@mandli.com, freaks@suberic.net, arussell@gulf.MIT.EDU, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com Subject: Jason's mom update Date: Wed, 21 Feb 2001 19:23:28 -0500 From: CarolYN J Smith Greetings. Miraculously enough, I actually have good news. Jason's mom has come out of the coma. She is able to communicate slightly (she's saying a few words). Jason thinks she is understanding a fair amount of what is going on around her, though it's hard to tell. She recognizes people, and is tracking them fairly well with her eyes. She is still on the anti-seizure medication, but they are talking about starting to ease her off that. Due to her impaired liver function, there is still a high level of toxins running around in her blood and that combined with the medications makes it very hard to judge how much of her current vagueness is actual permanent damage. They are probably going to move her out of the ICU today or tomorrow, which is a very good sign. It then remains to see if she continues to make progress as well as she has been. The probablility of brain damage is still quite high, and of course there is always the possibility that she will relapse, but we are becoming much more hopeful. Jason will be remaining in Honolulu with his family for a while yet, he can be reached (or at least can get messages) at the Aston Executive Center Hotel at 808-539-3000 and I can be reached here in Chicago at 773-271-8415. I will be continuing to get daily updates from Jason, but I will only post here when significant changes have been made. Thank you all for your thoughts and support! --Carolyn  1,, Summary-line: 21-Feb goodmanj@MIT.EDU [53] # X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.MIT.EDU by po9.mit.edu (8.9.2/4.7) id XAA21561; Wed, 21 Feb 2001 23:18:08 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.MIT.EDU (8.9.2/8.9.2) with ESMTP id XAA17886; Wed, 21 Feb 2001 23:21:16 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id XAA02189; Wed, 21 Feb 2001 23:21:16 -0500 (EST) Received: (from goodmanj@localhost) by all-night-tool.mit.edu (8.9.3) id XAA09216; Wed, 21 Feb 2001 23:21:16 -0500 (EST) Message-Id: <200102220421.XAA09216@all-night-tool.mit.edu> To: dinner@MIT.EDU, hovenweep@mandli.com Date: Wed, 21 Feb 2001 23:21:16 -0500 From: Jason C Goodman *** EOOH *** To: dinner@MIT.EDU, hovenweep@mandli.com Date: Wed, 21 Feb 2001 23:21:16 -0500 From: Jason C Goodman I have momentary e-mail access. They've moved Mom out of the intensive care unit and into a more comfortable room. She hasn't made a huge amount of progress today, but we're hopeful. ------- Forwarded Message Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id LAA19566; Tue, 20 Feb 2001 11:00:51 -0500 (EST) Received: from nebulus.tfb.com by MIT.EDU with SMTP id AA12772; Tue, 20 Feb 01 11:06:12 EST Received: from Sandy (216-120-17-77.dsl.cust.tfb.com [216.120.17.77]) by nebulus.tfb.com (8.9.3/8.10.2) with SMTP id IAA11049; Tue, 20 Feb 2001 08:01:33 -0800 X-Authentication-Warning: nebulus.tfb.com: Host 216-120-17-77.dsl.cust.tfb.com [216.120.17.77] claimed to be Sandy From: "SANDRA L GOODMAN" To: "Ben & Debby \(E-mail\)" , "Matt Bottomly \(E-mail\)" , "Liz Briel \(E-mail\)" , "Dean Brooks \(Business Fax\)"@nebulus.tfb.com (Business Fax\), "Lori Capuy \(E-mail\)" , "Martha Choi \(E-mail\)" , "Fallbrook Presbyterian Church \(E-mail\)" , "Peggy Col Subject: Linda Goodman Date: Tue, 20 Feb 2001 08:07:11 -0800 Message-Id: <000501c09b57$3048a0a0$0200a8c0@Sandy> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-Msmail-Priority: Normal X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-Mimeole: Produced By Microsoft MimeOLE V5.50.4133.2400 Dear Friends and Family, Below is a link to the website where you can get updates on Linda's condition. Please continue to keep her in your prayers. Thank you for all your support. Sandy www.compumaxcomputers.com/linda ------- End of Forwarded Message  1,, Summary-line: 22-Feb dduffey@argonet.co.uk [39] #Conceqwert was NYC Sing-In May 26 X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id CAA27143; Thu, 22 Feb 2001 02:42:30 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA26369; Thu, 22 Feb 01 02:44:01 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA16283; Thu, 22 Feb 2001 02:45:08 -0500 (EST) Date: Thu, 22 Feb 2001 02:45:08 -0500 (EST) Message-Id: <001401c09ca1$6d0e5f20$7d16bc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Conceqwert was NYC Sing-In May 26 Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Thu, 22 Feb 2001 02:45:08 -0500 (EST) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Conceqwert was NYC Sing-In May 26 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > I will be hosting another NYC G&S sing-in on > Saturday, May 26, at noon. All SavoyNetters > and other singing friends are welcome. I will > be able to accommodate up to 35 people. Well done young Sam. Will this therefore be the first occasion when there is a Qwert occurring simultaneously (excluding times differences) on both sides of the Atlantic? The Conceqwert is on the same day. . The centre of the Conceqwert will be a public performance in St Mary Magdalene Church, Gedney, Lincolnshire. This medieval church is as large as a concert hall but with a better acoustic than most, It contain the tomb of Sir Fulk D'Oyry, a knight mentioned in the libretto of Ivanhoe. The programme will be finalised soon and it is not too late to say you are coming. Accommodation will be arranged. I apologise for having been somewhat unavailable over the last few weeks - excess work commitments together with performance are responsible and I am but a fallible mortal David  1,, Summary-line: 22-Feb jmfarron@vais.net [77] #FW: The Mikado in Town of Chichibu X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id JAA04221; Thu, 22 Feb 2001 09:29:23 -0500 (EST) Received: from Luna.bridgewater.edu by MIT.EDU with SMTP id AA10068; Thu, 22 Feb 01 09:34:51 EST Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA07420; Thu, 22 Feb 2001 09:32:06 -0500 (EST) Date: Thu, 22 Feb 2001 09:32:06 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: FW: The Mikado in Town of Chichibu Mime-Version: 1.0 Content-Type: text/plain; charset="iso-2022-jp" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Thu, 22 Feb 2001 09:32:06 -0500 (EST) Reply-To: jmfarron@vais.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: FW: The Mikado in Town of Chichibu Content-Type: text/plain; charset="iso-2022-jp" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum -----Original Message----- From: K. Mizukoshi [mailto:washichi@za2.so-net.ne.jp] Sent: Thursday, February 22, 2001 1:46 AM To: jmfarron@sitestar.net Cc: alex@diamond.boisestate.edu Subject: The Mikado in Town of Chichibu Dear sirs, My name is Kenichi Mizukoshi live in Japan. Performances of Mikado will be held in Chichibu (origin of Titipu) next month. This project has been continuing since 10 years with corporation of Chichibu town, D'Oyly Carte company and Birmingham city. I'll go to see it 10 March. Sat. 10 and Sun. 11 2001 PM 2:00 Chichibunomiya Kinenkan (Saitama Pref. Chichibu is origin of Titipu) Gilbert and Sullivan The Mikado Town of Chichibu Conductor : Satoshi Uegaki Orchestra : Chichibu Mikado Symphony Choir : Chichibu City Singers Mikado:Keisuke Shimada Nankipoo:Akio Hayama Koko:Seiji Yoshikawa Poo Bah:Masaya Hosooka YamYam:Hiroko Hayama Makiko Sonoda Further detail 0494-22-4388(Japan) Incidentally it is the fifth performance of Mikado in Japan 1. 1887 Yokohama 2. 1946 Ernie Pyle 3. Repeat of above 4. 1992 Nagoya 5 2001 Chichibu And about meaning 'Oni! Bikkuri! Shakkuri to!' This words almost no meaning but translation is 'Devil! Surprise! Hiccup!' Best wish K. Mizukoshi the Elgar Society FV3054 washichi@za2.so-net.ne.jp  1,, Summary-line: 23-Feb jcb@alum.mit.edu [56] #Pointer Revision X-Coding-System: undecided-unix Return-Path: Received: from MIT.EDU by po9.mit.edu (8.9.2/4.7) id LAA04065; Fri, 23 Feb 2001 11:54:26 -0500 (EST) Received: from glucose.bos.idealab.com by MIT.EDU with SMTP id AA12561; Fri, 23 Feb 01 11:59:29 EST Received: (from jeff@localhost) by viola.bos.lab (8.11.2/8.11.2) id f1NGuSo01715; Fri, 23 Feb 2001 11:56:28 -0500 (EST) (envelope-from jcb@mit.edu) Date: Fri, 23 Feb 2001 11:56:28 -0500 (EST) Message-Id: <200102231656.f1NGuSo01715@viola.bos.lab> X-Authentication-Warning: viola.bos.lab: jeff set sender to jcb@mit.edu using -f To: (multiple recipients) Subject: Pointer Revision From: X-Mailer: GNU Emacs 20.7.2 (with etach version 1.1.6 X-Zippy: I'm mentally OVERDRAWN! What's that SIGNPOST up ahead? Where's ROD STERLING when you really need him? *** EOOH *** Date: Fri, 23 Feb 2001 11:56:28 -0500 (EST) X-Authentication-Warning: viola.bos.lab: jeff set sender to jcb@mit.edu using -f To: (multiple recipients) Subject: Pointer Revision From: X-Zippy: I'm mentally OVERDRAWN! What's that SIGNPOST up ahead? Where's ROD STERLING when you really need him? On Monday, I started a new job at Compete, Inc. in Boston. Compete is an internet startup that provides clients with in-depth, competitive analysis on internet usage, commerce, and demographics, based on web click-stream data. Compete is an idealab! company that was started last August. (Idealab! is a startup incubator, based in Silicon Valley.) Compete is located in the Boston idealab! office, at 181 Newbury St. in Boston. (This is the former Essex Theater building on the corner of Essex and Newbury Streets, where the Rocky Horror Picture Show played in Boston for at least a decade.) As with most startups, we have several positions we're looking to fill (including CEO). I'll send our job listing to a subset of this list. If you don't receive the job posting mail but you're curious, let me know and I'll forward it to you. (If you do want to apply, please go through me. We have a $2500 referral bonus, which I'll happily share with you if we hire you.) Here is my revised pointer info: home: (781) 592-5802 (voice & FAX) work: (617) 867-7174 mobile: (781) 883-2678 address: 8 Little Nahant Rd. Nahant, MA 01908-1120 email: jcb@alum.mit.edu (personal, important or time-critical) jcb@mit.edu (humor, list mail, etc.) jeff@compete.com (work-related only) AIM: JeffBigler Any info that's not on this list (including my 500 number) is outdated, won't work, and should be expunged from your address book. For email, please continue to use for personal mail to me, especially if you need a timely response. (That address forwards to both my work address and my home address.) For humor, messages to mailing lists, other messages aimed at a large group of people, etc., please use my address instead. (Note that I may go a couple of days at a time without reading mail to this address.) My address should be used only for work-related mail (such as if you want to apply for a job.) At work, we use AOL instant messanger (AIM) for real-time communication with each other. I've included my AIM address above; feel free to send me a quick hello if you're an AIM user and you're signed on. Jeff Bigler  1,, Summary-line: 23-Feb ctswim@ctswim.org [27] #The G&S Search Engine X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA19424; Fri, 23 Feb 2001 13:24:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA08978 for ; Fri, 23 Feb 2001 13:28:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA17308; Fri, 23 Feb 2001 13:27:20 -0500 (EST) Date: Fri, 23 Feb 2001 13:27:20 -0500 (EST) Message-Id: <4.2.0.58.20010223125652.01273d40@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ctswim@ctswim.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James W. Cooper" To: Multiple recipients of list SAVOYNET Subject: The G&S Search Engine Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: To: Multiple recipients of list SAVOYNET Subject: The G&S Search Engine Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA10292; Sun, 25 Feb 2001 19:25:11 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA21107; Sun, 25 Feb 2001 19:27:58 -0500 (EST) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.184.0.46]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA29677; Sun, 25 Feb 2001 19:27:54 -0500 (EST) Received: (from cjsmith@localhost) by home-on-the-dome.mit.edu (8.9.3) id TAA27241; Sun, 25 Feb 2001 19:27:53 -0500 (EST) Message-Id: <200102260027.TAA27241@home-on-the-dome.mit.edu> To: dinner@MIT.EDU, hovenweep@mandli.com, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com Subject: Jason's mom update Date: Sun, 25 Feb 2001 19:27:53 -0500 From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU, hovenweep@mandli.com, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com Subject: Jason's mom update Date: Sun, 25 Feb 2001 19:27:53 -0500 From: CarolYN J Smith Greetings. Unfortunately, the news this time isnt so good. Jason's mom is back in the ICU. They are worried that she might have an infection in her lungs, her breathing, while better than it was when Jason arrived last week, is not great and they have her on a pretty high level of oxygen. She seems to be stable now that they have her back in the ICU, but she's in worse condition than she was two days ago and could easily take a turn for the worse from here, which would be very bad. In the past few days she was continuing to improve and after several memory tests and so forth, they seem to think that her memories and personality are intact. She has been able to communicate in full sentences and has become more comprehensible as her vocal chords started to heal the damage from having a tube through them while she was in the coma. She has however remained quite weak physically and has been having dehydration problems. While this change is quite disheartening, we do remain hopeful. As before, Jason can be reached at the Executive Center Hotel at 808-539-3000, tho he spends most of his time at the hospical. For those of you on the east coast, remember that there is a 5 hour time difference between there and honolulu. I remain in Chicago at 773-271-8415. Again, thank you all for your thoughts and support during this time. --Carolyn  1, forwarded,, Summary-line: 26-Feb cjsmith@MIT.EDU [19] #Jason's mom X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA24001; Mon, 26 Feb 2001 19:15:33 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA18734; Mon, 26 Feb 2001 19:18:50 -0500 (EST) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA13912; Mon, 26 Feb 2001 19:18:50 -0500 (EST) Received: (from cjsmith@localhost) by biohazard-cafe.mit.edu (8.9.3) id TAA04372; Mon, 26 Feb 2001 19:18:49 -0500 (EST) Message-Id: <200102270018.TAA04372@biohazard-cafe.mit.edu> To: dinner@MIT.EDU, hovenweep@mandli.com, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com, freaks@suberic.net, arussell@MIT.EDU Subject: Jason's mom Date: Mon, 26 Feb 2001 19:18:49 -0500 From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU, hovenweep@mandli.com, marymary@suberic.net, dmm@suberic.net, tahnan@MIT.EDU, jhango@alumni.hmc.edu, User9357@aol.com, freaks@suberic.net, arussell@MIT.EDU Subject: Jason's mom Date: Mon, 26 Feb 2001 19:18:49 -0500 From: CarolYN J Smith I have very bad news. Jason's mom passed away this afternoon. She was moved to a respirator last night and her liver, kidneys and lungs were failing. I dont have any details beyond that. Jason and his father are hoping to return to Kauai tomorrow and will be planning a remembrance gathering after that. The address and phone number in Kauai is: PO Box 148 Kilauea, HI 96754 808-828-1470 --Carolyn  1,, Summary-line: 27-Feb annlarry@pacbell.net [43] #Utopia #8 (Chappell) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA26272; Tue, 27 Feb 2001 01:38:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA28211 for ; Tue, 27 Feb 2001 01:42:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA11504; Tue, 27 Feb 2001 01:41:18 -0500 (EST) Date: Tue, 27 Feb 2001 01:41:18 -0500 (EST) Message-Id: <5.0.2.1.2.20010226220817.00ab30d0@pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Utopia #8 (Chappell) MIME-version: 1.0 Content-type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Tue, 27 Feb 2001 01:41:18 -0500 (EST) Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Utopia #8 (Chappell) Content-type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Those of you interested in the (readable) _Utopia_ piano-vocal score I donated to the Archive some years ago -- this message is for you. The rest of you may allow your attention to wander to the Delete key. #8 (Ah! gallant soldier, brave and true) in the Archive version was cut to be consistent with the Kalmus orchestra parts (one of the prime goals of the edition). This cut collapses Zara's and Fitzbattleaxe's two verses into a half verse for each, and omits the "Knightsbridge nursemaids" reprise. The version found in Chappell has all this material (except the playout). In response to several long-standing requests, I have *finally* got round to creating a Chappell-like version in the same more readable form as the rest of the edition already at the Archive, and including the playout as well. I have structured it as Appendix I, pp. A-1 through A-8. I'm sending a .pdf file of the number and a revised Table of Contents to Jim Farron for his consideration and possible inclusion with the rest of the material at the Archive. Until it is available there, I'll be glad to send them as attachments in response to *private* requests: Music: Acrobat .pdf file, 78 Kb TOC: Word 95 .doc file, 16 Kb I want to specially thank Philip Sternenberg for his detailed review and critique of my first draft. His comments, musical acumen, and historical perspective contributed a great deal to the final version. -Larry "for the rest of the day I do good" Byler- annlarry@pacbell.net  1, forwarded,, Summary-line: 27-Feb CaptBike@sheldonbrown.com [24] #Grand Duke MP3 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA03970; Tue, 27 Feb 2001 20:14:32 -0500 (EST) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA29963; Tue, 27 Feb 2001 20:17:51 -0500 (EST) Received: from [10.0.1.6] (h002078c5ecb1.ne.mediaone.net [66.31.144.44]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f1S1Hp601231; Tue, 27 Feb 2001 20:17:52 -0500 (EST) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: Date: Tue, 27 Feb 2001 20:17:48 -0500 To: gsp-cast@MIT.EDU, grand-duke@MIT.EDU From: Sheldon Brown Subject: Grand Duke MP3 Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com Date: Tue, 27 Feb 2001 20:17:48 -0500 To: gsp-cast@MIT.EDU, grand-duke@MIT.EDU From: Sheldon Brown Subject: Grand Duke MP3 Content-Type: text/plain; charset="us-ascii" ; format="flowed" For the convenience of cast members, I've put the now out-of-print d'Oyly-Carte CD of The Grand Duke up on my Website in MP3 format, in its entirety. This will be a temporary file, and will disappear after the show, if not sooner...it's almost 90 mb! See: http://sheldonbrown.com/mp3 Sheldon Brown Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 28-Feb blkdrgn@MIT.EDU [38] #Re: Set design sketch online X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA00075; Wed, 28 Feb 2001 01:42:13 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA20769 for ; Wed, 28 Feb 2001 01:45:34 -0500 (EST) Received: from blkdrgn (BLKDRGN.MIT.EDU [18.239.2.159]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id BAA01876 for ; Wed, 28 Feb 2001 01:45:34 -0500 (EST) Message-Id: <200102280645.BAA01876@melbourne-city-street.MIT.EDU> X-Sender: blkdrgn@po11.mit.edu X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0 Date: Wed, 28 Feb 2001 01:46:26 -0500 To: "David C. Jedlinsky" From: Paiyarut Jean Kanjanavaikoon Subject: Re: Set design sketch online In-Reply-To: <200102272236.RAA19557@multics.mit.edu> References: <200102270421.XAA03593@melbourne-city-street.MIT.EDU> <200102260626.BAA21858@melbourne-city-street.MIT.EDU> <200102260626.BAA21858@melbourne-city-street.MIT.EDU> <200102270421.XAA03593@melbourne-city-street.MIT.EDU> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: blkdrgn@po11.mit.edu Date: Wed, 28 Feb 2001 01:46:26 -0500 To: "David C. Jedlinsky" From: Paiyarut Jean Kanjanavaikoon Subject: Re: Set design sketch online In-Reply-To: <200102272236.RAA19557@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" >Is the Notary office door going to be an actual door, or just an >opening? Oh, and I'd like the optional alley entrance #2 to not be >optional - I think we need that entrance for some of the chorus >numbers. :-) I envision the Notary office door being the door from the Sorcerer mansion, just painted a different color. I will also make a note that the optional alley entrance #2 is no longer optional, but necessary. >Yes, we need a cafe; Hilde said that Theatre Arts had four of those >chairs that were used for the Zoo, and one table. I'd like us to use >those, plus make one more table, so we have two tables each with two >chairs. I like the cafe idea, and the tables and chairs can either be >used throughout, or removed later. Thanks. I will plan the what the storefront looks like. And yes, Hilde is correct, there are four of those chairs for the Zoo, and one table. I was hoping you'd want those. =) I told Davi to consider building another matching table for the stagecraft class, but I dunno if he will. >Sounds good. Since I don't think we have a scenic artist, are you >coming up with the details of how each building will appear? If so, >I'd like to discuss some detail issues with you. Yes, I am coming up with the details of how each building will appear. If you would like to meet and talk (which I would like very much to do, just to make sure we're on the same page), anytime next week after Tuesday at 2:30 is fine (I have a 5.13 exam on Monday, and a 7.28 exam on Tuesday). ---Jean  1,, Summary-line: 28-Feb blkdrgn@MIT.EDU [59] #Re: Set design sketch online X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA13176; Wed, 28 Feb 2001 01:48:12 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA13727; Wed, 28 Feb 2001 01:51:33 -0500 (EST) Received: from blkdrgn (BLKDRGN.MIT.EDU [18.239.2.159]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id BAA02394; Wed, 28 Feb 2001 01:51:33 -0500 (EST) Message-Id: <200102280651.BAA02394@melbourne-city-street.MIT.EDU> X-Sender: blkdrgn@po11.mit.edu X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0 Date: Wed, 28 Feb 2001 01:52:22 -0500 To: "David C. Jedlinsky" , lcs@MIT.EDU From: Paiyarut Jean Kanjanavaikoon Subject: Re: Set design sketch online In-Reply-To: <200102272246.RAA19617@multics.mit.edu> References: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: blkdrgn@po11.mit.edu Date: Wed, 28 Feb 2001 01:52:22 -0500 To: "David C. Jedlinsky" , lcs@MIT.EDU From: Paiyarut Jean Kanjanavaikoon Subject: Re: Set design sketch online In-Reply-To: <200102272246.RAA19617@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" >Perhaps the upper alley entrance and palace arch could be on a 8" >platform above the 27", so we'd have three levels. I don't want to >lose any more stage space due to stairs, so I'd like to keep any >additional levels within the level of one step. The Notary office >door could still be on the 27" platform, so the 8" would have an angle >to it to allow for that. Just thinking out loud; it's Jean's call. Okay... I'll try and raise upstage by 8 inches. I was thinking of doing it anyway. But, as Opus noted, it would require one of two things: 1) an angle in the 8" platform or 2) some weird flat arrangement. I'll give it some more thought. >I seem to recall that we can get away with a 27" platform without >requiring railings. I believe the height that requires railings is 36" or something like that. Ezra knows better. However, I don't plan on going that high for obvious reasons. =) >>How much room is there behind the edge of the stage? It would be ideal to >>have 2' of platform behind the scenery wherever we need to build perches >>for people at 2nd-floor height, so the "tower" and stairs can be shorter. I don't have hard numbers yet, but there will be enough space behind the flats such that they don't have to go all the way to the floor and so we have landings for the stairs. (I learned that such a thing in Sorcerer was very useful). >>> Where does the clock/glockenspiel go? On the 16' flat which has the >>> palace arch? >>If there's a peaked roof atop it, the whole thing has to be 19' or under >>off the floor. Don't worry so much about exactly matching flat sizes >>as getting the right look in available space. > >Jean, could you use forced perspective to make things look taller? I was planning on it. >>BTW, I would humbly suggest painting the stage with a scheme of >>flagstones and cobblestones (perhaps cobbles for stair facings). It >>was easy to do for Yeomen and looked gorgeous, and I think the colors >>are neutral enough to please the lighting designer. I was also planning on this. >Jean, will you be at the prodstaff meeting tomorrow at 6? A lot of >these things could probably get discussed there. Yes. ---Jean  1,, Summary-line: 28-Feb lcs@MIT.EDU [71] #Re: Set design sketch online X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA18787; Wed, 28 Feb 2001 02:29:02 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA15407; Wed, 28 Feb 2001 02:32:23 -0500 (EST) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id CAA05996; Wed, 28 Feb 2001 02:32:23 -0500 (EST) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id CAA06572; Wed, 28 Feb 2001 02:32:23 -0500 (EST) Sender: Larry Stone Date: Wed, 28 Feb 2001 2:32:23 EST From: Larry Stone Reply-To: To: Paiyarut Jean Kanjanavaikoon Cc: "David C. Jedlinsky" Subject: Re: Set design sketch online In-Reply-To: Your message of Wed, 28 Feb 2001 01:52:22 -0500 Message-ID: *** EOOH *** Sender: Larry Stone Date: Wed, 28 Feb 2001 2:32:23 EST From: Larry Stone Reply-To: To: Paiyarut Jean Kanjanavaikoon Cc: "David C. Jedlinsky" Subject: Re: Set design sketch online In-Reply-To: Your message of Wed, 28 Feb 2001 01:52:22 -0500 > >Perhaps the upper alley entrance and palace arch could be on a 8" > >platform above the 27", so we'd have three levels. I don't want to > >lose any more stage space due to stairs, so I'd like to keep any > >additional levels within the level of one step. The Notary office > >door could still be on the 27" platform, so the 8" would have an angle > >to it to allow for that. Just thinking out loud; it's Jean's call. > > Okay... I'll try and raise upstage by 8 inches. I was thinking of doing it > anyway. But, as Opus noted, it would require one of two things: 1) an angle > in the 8" platform or 2) some weird flat arrangement. I'll give it some > more thought. If the highest level only goes 4' or so downstage of the palace arch, then the notary office door flat will be entire downstage of it, assuming its front edge is a straight right-left line. I think it would be much faster to sketch in real time where we can all see it. Can you bring some extra copies to scribble on, or if you like, I'll print some (if the online image is still the most current). > >I seem to recall that we can get away with a 27" platform without > >requiring railings. > > I believe the height that requires railings is 36" or something like that. > Ezra knows better. However, I don't plan on going that high for obvious > reasons. =) There's a 3-year-old file /mit/gsp/TBD/Tech/safety.html that refers to "regs dated '93", so I'm not sure if we should take it as gospel any more. Also, I heard that some official (from CAC or the safety office?) either saw or had described the Sorcerer set and demanded railings on the 27" (relative) high platforms there.. The best current reference I found was this, in the online "Accident Prevention Guide", http://web.mit.edu/safety/apg/04/4-10.html "Platforms requiring 3 or more steps to reach their surfaces must have handrails along the steps as well as along the sides and rear." If we run steps along the entire front edge of the 27" platforms, then we wouldn't need railings :-) ! Unfortunately, it's three steps, so we otherwise run afoul of that rule. > >>How much room is there behind the edge of the stage? It would be ideal to > >>have 2' of platform behind the scenery wherever we need to build perches > >>for people at 2nd-floor height, so the "tower" and stairs can be shorter. > > I don't have hard numbers yet, but there will be enough space behind the > flats such that they don't have to go all the way to the floor and so we > have landings for the stairs. (I learned that such a thing in Sorcerer was > very useful). Yes, that sounds good! 2' is enough for a landing, 3' better. It's also a good idea to consider how actors will look as they come onstage -- if they can be seen trudging up a set of stairs, that will look odd as the head gets higher and higher. Fortunately, we usually only have the room for sideways stairs anyway. -- Larry  1,, Summary-line: 28-Feb awrobins@yahoo.com [38] #Re: Grand Duke ?????? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA09626; Wed, 28 Feb 2001 14:00:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA24819 for ; Wed, 28 Feb 2001 14:04:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA21992; Wed, 28 Feb 2001 14:03:09 -0500 (EST) Date: Wed, 28 Feb 2001 14:03:09 -0500 (EST) Message-Id: <20010228190059.23908.qmail@web10811.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke ?????? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A9C007C.116CC86B@nwlink.com> *** EOOH *** Date: Wed, 28 Feb 2001 14:03:09 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke ?????? Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3A9C007C.116CC86B@nwlink.com> > Actually, I think "The Duke" would stand up better > to a Broadway style > professional production than many of the other > members of the canon I've thought it--often. I think it would lend itself especially well choreographically. I'd love to see a production with professional Broadway dancers. In the meantime, I'me happy to have the excellent Seattle video. Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/  1,, Summary-line: 28-Feb zacheiss@MIT.EDU [16] #wireless and wired dhcp registration X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA24664; Wed, 28 Feb 2001 19:16:50 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA15997 for ; Wed, 28 Feb 2001 19:19:57 -0500 (EST) Received: from pickled-herring.mit.edu (PICKLED-HERRING.MIT.EDU [18.187.1.250]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id TAA29310 for ; Wed, 28 Feb 2001 19:19:57 -0500 (EST) Received: (from zacheiss@localhost) by pickled-herring.mit.edu (8.9.3) id TAA26193; Wed, 28 Feb 2001 19:19:57 -0500 Message-Id: <200103010019.TAA26193@pickled-herring.mit.edu> To: sipb-office@MIT.EDU Subject: wireless and wired dhcp registration Date: Wed, 28 Feb 2001 19:19:57 -0500 From: Garry Zacheiss *** EOOH *** To: sipb-office@MIT.EDU Subject: wireless and wired dhcp registration Date: Wed, 28 Feb 2001 19:19:57 -0500 From: Garry Zacheiss I cornered Ron recently and managed to get the magic URL for registering a second hardware address for dhcp out of him. Visit: https://nic.mit.edu/dhreg/wireless/ from your home address using your wired ethernet card; you'll need to type in the MAC address of your wireless card. I haven't used this yet, but it should work. Garry  1,, Summary-line: 28-Feb goodmanj@MIT.EDU [24] #My mother's death X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA18369; Wed, 28 Feb 2001 20:18:23 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA13749; Wed, 28 Feb 2001 20:21:38 -0500 (EST) Received: from ampersand.mit.edu (AMPERSAND.MIT.EDU [18.18.0.210]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id UAA09998; Wed, 28 Feb 2001 20:21:38 -0500 (EST) Received: by ampersand.mit.edu (8.8.8/4.7) id UAA25406; Wed, 28 Feb 2001 20:21:38 -0500 (EST) Message-Id: <200103010121.UAA25406@ampersand.mit.edu> To: hovenweep@mandli.com, dinner@MIT.EDU, jhango@alumni.hmc.edu, arussell@gulf.MIT.EDU Subject: My mother's death Date: Wed, 28 Feb 2001 20:21:37 EST From: Jason Goodman *** EOOH *** To: hovenweep@mandli.com, dinner@MIT.EDU, jhango@alumni.hmc.edu, arussell@gulf.MIT.EDU Subject: My mother's death Date: Wed, 28 Feb 2001 20:21:37 EST From: Jason Goodman I believe Carolyn has told all of you that my mother died on Monday. We plan to scatter her ashes at the Kilauea Point National Wildlife Refuge, where she volunteered, on Saturday. Some of you have met my mother, either at my college graduation or at my New Year's 2000 celebration, and might like to pay your respects. Instead of flowers, you may send a donation to the Kilauea Point Natural History Association, which is setting up a "Linda Goodman Memorial Fund". Make checks payable to KPNHA. The mailing address is: PO Box 1130 Kilauea, HI 96754 Another way to remember my mother is to donate blood at your local blood bank. The blood she received wasn't enough to save her life, but it did allow us to spend some time with her, and to say goodbye before she died. Jason  1, forwarded, answered,, Summary-line: 1-Mar SSilvers@shackandsiegel.c [102] #Casting Notice: NYC Sing-In May 26 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA29447; Thu, 1 Mar 2001 10:48:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA03103 for ; Thu, 1 Mar 2001 10:51:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA25231; Thu, 1 Mar 2001 10:50:29 -0500 (EST) Date: Thu, 1 Mar 2001 10:50:29 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting Notice: NYC Sing-In May 26 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Thu, 1 Mar 2001 10:50:29 -0500 (EST) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting Notice: NYC Sing-In May 26 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here is the preliminary cast list for the NYC G&S sing-in on Saturday, May 26. We already have over 25 people, but I can accommodate up to 10 more, so I have left a few plum roles open. Please tell me your city and state. Sing-in details: 3117 Broadway, Apt. 28 (Intercom buzzer 541) Phone: (212) 782-0706 Shows: Patience, Pirates, GD and Iolanthe. Bring your scores! No dialogue. I need folding CHAIRS!!! I need ICE!!! I need beverages!!! I need munchies!!! I have 3 PIANISTS but could use 1 more. Please volunteer if you can. Patience: Colonel Marc Shepherd (NY) Major Jerry Zieselman (NY) The Duke Mitch Gillett (MI) Bunthorne Derek Johns (CT) Grosvenor Stuart Malkin (NY) Angela Saphir Leta Hall (DC) Ella Nancy Morgan (NY) Jane Patience Grand Duke: Rudolph Marc Shepherd (NY) Ernest Ludwig Samuel Silvers (NY) Notary Paul Berglund (CT) Prince of MC Ben Hashbaz Herald Princess of MC Baroness Jane Furth (RI) Julia Marion Carroll (Boston) Lisa Nancy Morgan (NY) Olga Gretchen Bertha Lisa Berglund (CT) Pirates: King Samuel Les Elkins (DC) Frederic Mitch Gillett (MI) Major-General Jim Cooper (CT) Sergeant Leonard Pinsker (Phila) Mabel Marion Carroll (Boston) Kate Deborah Jacobson (DC) Edith Leta Hall (DC) Ruth Lisa Berglund (CT) Iolanthe: Chancellor Samuel Silvers (NY) Mountararat Eric Peterson (NY) Tolloller Jerry Zieselman (NY) Willis Leonard Pinsker (Phila) Strephon Queen Joan Merritt (DC) Iolanthe Celia Leila Deborah Jacobson (DC) Phyllis Other attendees so far: Lynn Anslow (DC), Charlie Furth (RI), Leah Margaryan (NY), Sandy Rovner (DC), Don Smith (upstate NY), Julie and Cassandra Stevens (DC). We begin promptly at noon and will order pizza between the first and second shows. Everyone except pianists will be asked to chip in $5 or so. We will probably end at about 7pm or 8pm. Casting: Feel free to volunteer for any of the remaining roles that you are prepared to sing. Sam  1,, Summary-line: 1-Mar to: grand-duke@mit.edu [17] #Easter Sunday X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA10600; Thu, 1 Mar 2001 11:56:54 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA28450 for ; Thu, 1 Mar 2001 12:00:05 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id MAA18230 for ; Thu, 1 Mar 2001 12:00:04 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id MAA04802; Thu, 1 Mar 2001 12:00:04 -0500 (EST) Date: Thu, 1 Mar 2001 12:00:04 -0500 (EST) Message-Id: <200103011700.MAA04802@multics.mit.edu> From: "David C. Jedlinsky" To: grand-duke@mit.edu Subject: Easter Sunday *** EOOH *** Date: Thu, 1 Mar 2001 12:00:04 -0500 (EST) From: "David C. Jedlinsky" To: grand-duke@mit.edu Subject: Easter Sunday Elicia pointed out that I scheduled a run of Act III on Easter Sunday (April 15). While there are very few conflicts listed, people may have assumed we wouldn't hit a major religious holiday. Should I poll the cast as to whether that's a good day, just move it to 7-10 on Sunday, or completely move it to Tuesday, April 17? Kate, what's your schedule (since you'll need to be there, too)? Thanks. -Dave  1,, Summary-line: 2-Mar rcaileff@MIT.EDU [18] #Re: Easter Sunday X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA12875; Fri, 2 Mar 2001 15:24:24 -0500 (EST) Received: from jhereg.ryuzoku.org ([64.23.225.67]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA24627; Fri, 2 Mar 2001 15:26:36 -0500 (EST) Received: (from rcaileff@localhost) by jhereg.ryuzoku.org (8.9.3) id PAA28706; Fri, 2 Mar 2001 15:26:29 -0500 (EST) Message-Id: <200103022026.PAA28706@jhereg.ryuzoku.org> To: "David C. Jedlinsky" cc: grand-duke@MIT.EDU Subject: Re: Easter Sunday In-Reply-To: Your message of "Thu, 01 Mar 2001 12:00:04 EST." <200103011700.MAA04802@multics.mit.edu> Date: Fri, 02 Mar 2001 15:26:29 -0500 From: Rachel D Caileff *** EOOH *** To: "David C. Jedlinsky" cc: grand-duke@MIT.EDU Subject: Re: Easter Sunday In-Reply-To: Your message of "Thu, 01 Mar 2001 12:00:04 EST." <200103011700.MAA04802@multics.mit.edu> Date: Fri, 02 Mar 2001 15:26:29 -0500 From: Rachel D Caileff I would advise against moving the time while staying scheduled for Easter Sunday without polling people. I vaguely recall that many religious people go to church in the evening, so changing the time probably won't help much. I think polling the cast about moving it to Tuesday is probably a good idea if it works for the relevent directors. Personally, I don't care if rehearsal is on Easter Sunday or not. -rachel  1, answered,, Summary-line: 5-Mar CaptBike@sheldonbrown.com [40] #Re: Would you like to be a Part-time Chamberlain? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA24684; Mon, 5 Mar 2001 10:43:40 -0500 (EST) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA02998; Mon, 5 Mar 2001 10:45:46 -0500 (EST) Received: from [10.0.1.2] (h002078c5ecb1.ne.mediaone.net [66.31.144.44]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f25Fjj601235; Mon, 5 Mar 2001 10:45:45 -0500 (EST) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: In-Reply-To: <200103050605.BAA23570@multics.mit.edu> References: <200103050605.BAA23570@multics.mit.edu> Date: Mon, 5 Mar 2001 10:31:54 -0500 To: "David C. Jedlinsky" , koi@mit.edu, duke@sheldonbrown.com From: Sheldon Brown Subject: Re: Would you like to be a Part-time Chamberlain? Cc: thorntonk@mediaone.net Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com In-Reply-To: <200103050605.BAA23570@multics.mit.edu> Date: Mon, 5 Mar 2001 10:31:54 -0500 To: "David C. Jedlinsky" , koi@mit.edu, duke@sheldonbrown.com From: Sheldon Brown Subject: Re: Would you like to be a Part-time Chamberlain? Cc: thorntonk@mediaone.net Content-Type: text/plain; charset="us-ascii" ; format="flowed" At 1:05 AM -0500 3/5/01, David C. Jedlinsky wrote: >Hi Eric and Sheldon. > >We are currently short two Chamberlains. How would each of you like >to become a Chamberlain for #9 and 9a, and remain in chorus the rest >of the time? This won't affect any of the music or blocking you've >already learned, but it means you'll have to learn the music to #9 >(I'm sure Kate will help with that), and attend the blocking rehearsal >for #9 and 9a, which is tentatively rescheduled for this Friday, due >to the storm. > >Please let me know if this is something you'd like to do. > >Thanks. > >-Dave Works for me, even if I don't get to sing "We're Rigged Out In Magnificent Array", my favorite number from this show... All the best, Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 5-Mar koi@MIT.EDU [23] #Re: Would you like to be a Part-time Chamberlain? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA16377; Mon, 5 Mar 2001 11:13:51 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA28765 for ; Mon, 5 Mar 2001 11:17:19 -0500 (EST) Received: from [18.243.1.94] (KOI-PRODUCTIONS.MIT.EDU [18.243.1.94]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id LAA01662 for ; Mon, 5 Mar 2001 11:17:19 -0500 (EST) Mime-Version: 1.0 Message-Id: Date: Mon, 5 Mar 2001 11:20:40 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Would you like to be a Part-time Chamberlain? Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Mon, 5 Mar 2001 11:20:40 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Would you like to be a Part-time Chamberlain? Content-Type: text/plain; charset="us-ascii" ; format="flowed" Sure, I'm up for it. -Eric << Hi Eric and Sheldon. We are currently short two Chamberlains. How would each of you like to become a Chamberlain for #9 and 9a, and remain in chorus the rest of the time? This won't affect any of the music or blocking you've already learned, but it means you'll have to learn the music to #9 (I'm sure Kate will help with that), and attend the blocking rehearsal for #9 and 9a, which is tentatively rescheduled for this Friday, due to the storm. Please let me know if this is something you'd like to do. >>  1,, Summary-line: 5-Mar davie@MIT.EDU [16] #Conflict X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA06382; Mon, 5 Mar 2001 14:06:35 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA19208; Mon, 5 Mar 2001 14:10:04 -0500 (EST) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id OAA17491; Mon, 5 Mar 2001 14:10:03 -0500 (EST) From: "David Euresti" To: "David C. Jedlinsky" , "Rachel D Caileff" Subject: Conflict Date: Mon, 5 Mar 2001 14:12:17 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 *** EOOH *** From: "David Euresti" To: "David C. Jedlinsky" , "Rachel D Caileff" Subject: Conflict Date: Mon, 5 Mar 2001 14:12:17 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 I have a conflict for the March 22 rehearsal, I have an evening exam at 7:30pm. Davi  1,, Summary-line: 5-Mar bbermack@alum.mit.edu [20] #Some rehearsal tapes online X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA14646; Mon, 5 Mar 2001 14:25:41 -0500 (EST) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22997 for ; Mon, 5 Mar 2001 14:29:09 -0500 (EST) Received: from alum.mit.edu (h00a0cc3db483.ne.mediaone.net [66.31.33.143]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f25JT9624859 for ; Mon, 5 Mar 2001 14:29:09 -0500 (EST) Message-ID: <3AA3E83D.FC31D80C@alum.mit.edu> Date: Mon, 05 Mar 2001 14:25:49 -0500 From: Brian Bermack Reply-To: bbermack@alum.mit.edu X-Mailer: Mozilla 4.61 [en] (Win95; U) X-Accept-Language: en MIME-Version: 1.0 To: grand-duke@Mit.edu Subject: Some rehearsal tapes online Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 05 Mar 2001 14:25:49 -0500 From: Brian Bermack Reply-To: bbermack@alum.mit.edu X-Accept-Language: en To: grand-duke@Mit.edu Subject: Some rehearsal tapes online Content-Type: text/plain; charset=us-ascii I've put fragments of my music rehearsal tape online. They can be found at http://nakula.mit.edu/Duke/ If this is useful, I will probably keep doing it as time permits (concentrating more on getting the individual piano lines and less on everybody singing, but that's what I had from the early rehearsals). Feel free to inform the cast if you feel it wise. Brian  1,, Summary-line: 5-Mar bryantk@digitlearn.org [38] #RE: Opoponax X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA01635; Mon, 5 Mar 2001 15:44:37 -0500 (EST) Received: from dlgmail.digitlean.com (034-110.t1.ma.np1.net [64.61.34.110] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id PAA19723 for ; Mon, 5 Mar 2001 15:48:05 -0500 (EST) Received: by DLGMAIL with Internet Mail Service (5.5.2653.19) id ; Mon, 5 Mar 2001 15:48:42 -0500 Message-ID: <916C3941A917D411B4700090275406593FB61C@DLGMAIL> From: Katherine Bryant To: "'David C. Jedlinsky'" Subject: RE: Opoponax Date: Mon, 5 Mar 2001 15:48:39 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Katherine Bryant To: "'David C. Jedlinsky'" Subject: RE: Opoponax Date: Mon, 5 Mar 2001 15:48:39 -0500 Content-Type: text/plain; charset="iso-8859-1" A brand name? I didn't know that. Interesting. Sorry for all the rehearsals I had to miss for the business trip -- but I did warn you I was going to be traveling a lot. I'll do my best to catch up! klb ********************************* Katherine L. Bryant Product Manager, Western Civilization & Maps (New for Spring 2001: Western Civilization I and II version 1.2!) Digital Learning Interactive (781) 306-8232 bryantk@digitlearn.org > -----Original Message----- > From: David C. Jedlinsky [mailto:opus@MIT.EDU] > Sent: Monday, March 05, 2001 3:43 PM > To: bryantk@digitlearn.org > Subject: Re: Opoponax > > > > Thanks. > > I knew it was a perfume ingredient (in fact, it was a brand name in > Gilbert's day), but I didn't have all the details you sent. > > -Dave >  1,, Summary-line: 5-Mar thorntonk@mediaone.net [27] #Re: Would you like to be a Part-time Chamberlain? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA29437; Mon, 5 Mar 2001 16:37:04 -0500 (EST) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06502 for ; Mon, 5 Mar 2001 16:40:33 -0500 (EST) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f25LeW601290; Mon, 5 Mar 2001 16:40:32 -0500 (EST) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 05 Mar 2001 16:42:14 -0500 Subject: Re: Would you like to be a Part-time Chamberlain? From: Katherine Thornton To: "David C. Jedlinsky" , CC: Message-ID: In-Reply-To: <200103052048.PAA29554@multics.mit.edu> Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 05 Mar 2001 16:42:14 -0500 Subject: Re: Would you like to be a Part-time Chamberlain? From: Katherine Thornton To: "David C. Jedlinsky" , CC: In-Reply-To: <200103052048.PAA29554@multics.mit.edu> Content-type: text/plain; charset="US-ASCII" Nope, fine with me. on 3/5/01 3:48 PM, David C. Jedlinsky at opus@MIT.EDU wrote: > >> Works for me, even if I don't get to sing "We're Rigged Out In >> Magnificent Array", my favorite number from this show... > > Well, if you can stand costuming and makeup changes from hell... > > You could be chorus in Act I, chamberlain in Act II, with a change > back to chorus for the finale of Act II. Then, chorus in Act III, and > a change to supernumerary for the end of the act. If you want to do > that, you'd miss out on "Come, bumpers" and "The Prince of Monte > Carlo" - Kate, that shouldn't be a problem with you, should it? > > -Dave  1,, Summary-line: 5-Mar CaptBike@sheldonbrown.com [41] #Re: Would you like to be a Part-time Chamberlain? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA03711; Mon, 5 Mar 2001 20:02:53 -0500 (EST) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA22466 for ; Mon, 5 Mar 2001 20:06:22 -0500 (EST) Received: from [10.0.1.2] (h002078c5ecb1.ne.mediaone.net [66.31.144.44]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f2616L618966 for ; Mon, 5 Mar 2001 20:06:21 -0500 (EST) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: In-Reply-To: <200103052048.PAA29554@multics.mit.edu> References: <200103050605.BAA23570@multics.mit.edu> <200103052048.PAA29554@multics.mit.edu> Date: Mon, 5 Mar 2001 20:06:17 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Would you like to be a Part-time Chamberlain? Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com In-Reply-To: <200103052048.PAA29554@multics.mit.edu> Date: Mon, 5 Mar 2001 20:06:17 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Would you like to be a Part-time Chamberlain? Content-Type: text/plain; charset="us-ascii" ; format="flowed" At 3:48 PM -0500 3/5/01, David C. Jedlinsky wrote: > >Works for me, even if I don't get to sing "We're Rigged Out In >>Magnificent Array", my favorite number from this show... > >Well, if you can stand costuming and makeup changes from hell... > >You could be chorus in Act I, chamberlain in Act II, with a change >back to chorus for the finale of Act II. Then, chorus in Act III, and >a change to supernumerary for the end of the act. If you want to do >that, you'd miss out on "Come, bumpers" and "The Prince of Monte >Carlo" - Kate, that shouldn't be a problem with you, should it? > >-Dave Hmmm, sounds like too much trouble, thanks anyway. I will be glad to do #9 or whatever you want. Let me say, at the risk of sounding sycophantic, that I'm thrilled that you're directing this, and am very pleased with the way things are shaping up. It's nice to have a director who has a feel for, and understanding of G & S as deep as yours, especially after my most recent experience in the execrable modern-dress Ida. All the best, Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1, answered,, Summary-line: 5-Mar to: dpoland@mit.edu, ahum [25] #Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA25453; Mon, 5 Mar 2001 20:53:09 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA05818; Mon, 5 Mar 2001 20:56:32 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id UAA07016; Mon, 5 Mar 2001 20:56:18 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id UAA01448; Mon, 5 Mar 2001 20:56:18 -0500 (EST) Date: Mon, 5 Mar 2001 20:56:18 -0500 (EST) Message-Id: <200103060156.UAA01448@multics.mit.edu> From: "David C. Jedlinsky" To: dpoland@mit.edu, ahumez@world.std.com, eschultz@mit.edu, bbermack@alum.MIT.EDU, davie@mit.edu, koi@mit.edu, duke@sheldonbrown.com, jonw@mit.edu Cc: rcaileff@mit.edu, jraine@bostonconservatory.edu Subject: Rudolph & Chamberlain rehearsal *** EOOH *** Date: Mon, 5 Mar 2001 20:56:18 -0500 (EST) From: "David C. Jedlinsky" To: dpoland@mit.edu, ahumez@world.std.com, eschultz@mit.edu, bbermack@alum.MIT.EDU, davie@mit.edu, koi@mit.edu, duke@sheldonbrown.com, jonw@mit.edu Cc: rcaileff@mit.edu, jraine@bostonconservatory.edu Subject: Rudolph & Chamberlain rehearsal Okay, the tentative change of the cancelled rehearsal to Friday night won't work for many of you. The only other day I can see to fit it in would be Monday the 12th from 7-9. I know that David P. has a conflict from 7-8, Andrea has to leave at 8:30, and Davie at 9, but believe it or not, that's the least amount of conflicts I can find between now and the 17th (when we run Act II). PLEASE tell me this will work for you! :-) I would like to have everyone show up for whatever amount of time they can be there, so that you'll have some idea of how the scene will go. We've got plenty of time for polishing later, but I'd like to get the basics to everyone on Monday. -Dave "Schneewitchen" Jedlinsky  1, answered,, Summary-line: 5-Mar CaptBike@sheldonbrown.com [33] #Re: Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA20648; Mon, 5 Mar 2001 21:59:15 -0500 (EST) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA12624; Mon, 5 Mar 2001 22:02:43 -0500 (EST) Received: from [10.0.1.2] (h002078c5ecb1.ne.mediaone.net [66.31.144.44]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f2632bK14707; Mon, 5 Mar 2001 22:02:41 -0500 (EST) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: In-Reply-To: <200103060156.UAA01448@multics.mit.edu> References: <200103060156.UAA01448@multics.mit.edu> Date: Mon, 5 Mar 2001 22:01:54 -0500 To: "David C. Jedlinsky" , dpoland@MIT.EDU, ahumez@world.std.com, eschultz@MIT.EDU, bbermack@alum.MIT.EDU, davie@MIT.EDU, koi@MIT.EDU, duke@sheldonbrown.com, jonw@MIT.EDU From: Sheldon Brown Subject: Re: Rudolph & Chamberlain rehearsal Cc: rcaileff@MIT.EDU, jraine@bostonconservatory.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com In-Reply-To: <200103060156.UAA01448@multics.mit.edu> Date: Mon, 5 Mar 2001 22:01:54 -0500 To: "David C. Jedlinsky" , dpoland@MIT.EDU, ahumez@world.std.com, eschultz@MIT.EDU, bbermack@alum.MIT.EDU, davie@MIT.EDU, koi@MIT.EDU, duke@sheldonbrown.com, jonw@MIT.EDU From: Sheldon Brown Subject: Re: Rudolph & Chamberlain rehearsal Cc: rcaileff@MIT.EDU, jraine@bostonconservatory.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" At 8:56 PM -0500 3/5/01, David C. Jedlinsky wrote: >Okay, the tentative change of the cancelled rehearsal to Friday night >won't work for many of you. The only other day I can see to fit it in >would be Monday the 12th from 7-9. I know that David P. has a >conflict from 7-8, Andrea has to leave at 8:30, and Davie at 9, but >believe it or not, that's the least amount of conflicts I can find >between now and the 17th (when we run Act II). > >PLEASE tell me this will work for you! :-) Mondays are bad for me because I don't have a car available before about 8:45, unfortunately...if somebody could give me a lift from Newtonville I could make it. Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 5-Mar johanna@MIT.EDU [30] #G&S at Harvard Theatre Collection X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA21451; Mon, 5 Mar 2001 22:02:13 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA10167; Mon, 5 Mar 2001 22:05:40 -0500 (EST) Received: from denmark-vesey.mit.edu (johanna@DENMARK-VESEY.MIT.EDU [18.55.0.234]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id WAA17669; Mon, 5 Mar 2001 22:05:40 -0500 (EST) Received: (from johanna@localhost) by denmark-vesey.mit.edu (8.9.3) id WAA03614; Mon, 5 Mar 2001 22:05:35 -0500 (EST) Message-Id: <200103060305.WAA03614@denmark-vesey.mit.edu> To: gsp-discuss@MIT.EDU Subject: G&S at Harvard Theatre Collection Date: Mon, 05 Mar 2001 22:05:35 -0500 From: the even more invisible girl *** EOOH *** To: gsp-discuss@MIT.EDU Subject: G&S at Harvard Theatre Collection Date: Mon, 05 Mar 2001 22:05:35 -0500 From: the even more invisible girl Sorry if this has already gone through here -- I don't remember seeing it and thought it might be of interest. (from the Boston Globe -- I don't know when, I came across the clipping on my roomate's desk. It's only through April 13th though...) Together again: The Harvard Theatre Collection has opened a new exhibition devoted to the partnership of Gilbert & Sullivan. The public can visit the exhibition in the Nathan Marsh Pusey Library Monday through Friday, 9 a.m. to 5 p.m. through April 13, although it will be closed on university holidays. Among the items on view are letters, documents, photographs, libretti, music, newspaper reviews, posters, and programs from various harvard collections as well as items still in private hands, including the autograph manuscript full scores of "The Sorcerer" and the last G&S collaboration, "The Grand Duke." Among the curiosities and collectibles on view are a cartoon by Gilbert illustrating a lyric in "The Yeomen of the Guard" and Sullivan's binoculars. The exhibit was curated by Fredric Woodbridge Wilson, who will deliver lectures on Gilbert Feb. 13, and Richard D'Oyly Carte April 3. ------- End of Forwarded Message  1, answered,, Summary-line: 5-Mar dpoland@MIT.EDU [10] #Re: Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA22922; Mon, 5 Mar 2001 22:08:58 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA10605 for ; Mon, 5 Mar 2001 22:12:27 -0500 (EST) Received: from ten-thousand-dollar-bill.mit.edu (TEN-THOUSAND-DOLLAR-BILL.MIT.EDU [18.184.0.39]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id WAA18695 for ; Mon, 5 Mar 2001 22:12:27 -0500 (EST) Received: (from dpoland@localhost) by ten-thousand-dollar-bill.mit.edu (8.9.3) id WAA01746; Mon, 5 Mar 2001 22:12:26 -0500 (EST) Message-Id: <200103060312.WAA01746@ten-thousand-dollar-bill.mit.edu> To: "David C. Jedlinsky" Subject: Re: Rudolph & Chamberlain rehearsal In-Reply-To: Your message of "Mon, 05 Mar 2001 20:56:18 EST." <200103060156.UAA01448@multics.mit.edu> Date: Mon, 05 Mar 2001 22:12:26 -0500 From: David C Poland *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Rudolph & Chamberlain rehearsal In-Reply-To: Your message of "Mon, 05 Mar 2001 20:56:18 EST." <200103060156.UAA01448@multics.mit.edu> Date: Mon, 05 Mar 2001 22:12:26 -0500 From: David C Poland That day isn't the best for me because in addition to my PE class, I just found out that I have another rehearsal from 7-10. If some other day works better that would be ideal. -David  1,, Summary-line: 5-Mar lcs@MIT.EDU [45] #Re: Set Design X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA14013; Mon, 5 Mar 2001 22:58:06 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA27002; Mon, 5 Mar 2001 23:01:35 -0500 (EST) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id XAA26390; Mon, 5 Mar 2001 23:01:35 -0500 (EST) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id XAA14787; Mon, 5 Mar 2001 23:01:35 -0500 (EST) Sender: Larry Stone Date: Mon, 5 Mar 2001 23:01:35 EST From: Larry Stone Reply-To: To: "David C. Jedlinsky" , blkdrgn@MIT.EDU, epeisach@MIT.EDU, joelll@MIT.EDU Subject: Re: Set Design In-Reply-To: Your message of Mon, 5 Mar 2001 00:37:00 -0500 (EST) Message-ID: *** EOOH *** Sender: Larry Stone Date: Mon, 5 Mar 2001 23:01:35 EST From: Larry Stone Reply-To: To: "David C. Jedlinsky" , blkdrgn@MIT.EDU, epeisach@MIT.EDU, joelll@MIT.EDU Subject: Re: Set Design In-Reply-To: Your message of Mon, 5 Mar 2001 00:37:00 -0500 (EST) Jean, it looks to me like we're signed-off enough to start planning the front elevation... does that make sense? It'd be *great* to have something to see of that on wednesday (or if you'd like to make a simple, quick, paper&tape model like for the rotating flats, that'd be even better). I put in my 2 slugs' worth going over the plans with Jean last week, btw. The only thing I have to add is, there's a shortage of 3'-wide platformage. We do have the 8'x3' and the 4'x3'-triangle to make the visible part of the 36"-high platform, but the backstage 3x8 will have to get turned into a 4x8. I don't think this will be a problem, though, since we can just tuck up the sky sheet so it falls above the platform; it's not going to be visible that low. (would be really nice if we can pin it up 7' high for people to walk under.) The flat in back of the palace arch can be x-braced against the flats downstage of it so it won't need jacks behind it to mess up the fall of the sky sheet. Speaking of platforms, the one at the upstage-SL corner with the stairs on the end looks like it wants to be about 5' long (because the stairs take up 2'x3' of floor space). I'd suggest showing a 6'-long platform (either 4' or 3' wide) in that place with the edge of the stairs flush with the edge of the stage, so long as actors can nudge past the orchestra there. It isn't shown, btw, but we've also worked out the beginnings of a reasonable plan for stairs to the perch in the 2-story building. We need to nail down its height before deciding on stairs. I screwed up on platform heights, btw, sorry! The stock stairs are 20" total rise, which means 6-2/3" each, so I don't think we should have a top step with 8" rise. That means the "low" platform needs to be 27", and the "high" part should only be 35". Hey, an inch is close enough for stage carpentry, right? -- Larry  1,, Summary-line: 6-Mar koi@MIT.EDU [9] #Re: Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA23270; Tue, 6 Mar 2001 02:18:14 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA06989 for ; Tue, 6 Mar 2001 02:21:43 -0500 (EST) Received: from [18.243.1.94] (KOI-PRODUCTIONS.MIT.EDU [18.243.1.94]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id CAA19793 for ; Tue, 6 Mar 2001 02:21:43 -0500 (EST) Mime-Version: 1.0 Message-Id: Date: Tue, 6 Mar 2001 02:24:56 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Rudolph & Chamberlain rehearsal Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Tue, 6 Mar 2001 02:24:56 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Rudolph & Chamberlain rehearsal Content-Type: text/plain; charset="us-ascii" ; format="flowed" 3/12 7-9 should be OK with me... -Eric  1,, Summary-line: 6-Mar jmdesq@aug.com [25] #The Bostonians X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA04263; Tue, 6 Mar 2001 06:28:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA09025 for ; Tue, 6 Mar 2001 06:31:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA15169; Tue, 6 Mar 2001 06:30:34 -0500 (EST) Date: Tue, 6 Mar 2001 06:30:34 -0500 (EST) Message-Id: <000501c0a62e$00606e40$c8db1ece@customer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim" To: Multiple recipients of list SAVOYNET Subject: The Bostonians MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Tue, 6 Mar 2001 06:30:34 -0500 (EST) Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim" To: Multiple recipients of list SAVOYNET Subject: The Bostonians Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum While browsing the web last night I found an interesting article concerning the Boston Ideal Opera Company (later 'The Bostonians), founded in 1879 as one of the pirate companies formed to produce H.M.S. Pinafore in America. Hidden in the middle of a fascinating 12-page article on the history of the company is an intriguing paragraph about the 1889 opera "Pygmalion and Galatea", words by W. S. Gilbert, music by von Suppe and A. Thomas! See for yourselves at the address below: http://www.operetta.org/bostoniantext.html Jim Drew  1, answered,, Summary-line: 6-Mar ahumez@world.std.com [9] #rehearsal 3/12 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA06265; Tue, 6 Mar 2001 09:26:29 -0500 (EST) Received: from sgi04-e.std.com (sgi04-e.std.com [199.172.62.134]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA02081 for ; Tue, 6 Mar 2001 09:29:44 -0500 (EST) Received: from world.std.com (world-f.std.com [199.172.62.5]) by sgi04-e.std.com (8.9.3/8.9.3) with ESMTP id JAA2025033 for ; Tue, 6 Mar 2001 09:29:44 -0500 (EST) Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id JAA26590 for ; Tue, 6 Mar 2001 09:29:43 -0500 (EST) Message-Id: <200103061429.JAA26590@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: rehearsal 3/12 Date: Tue, 06 Mar 2001 09:29:43 -0500 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: rehearsal 3/12 Date: Tue, 06 Mar 2001 09:29:43 -0500 From: Andrea L Humez wors fo rme Andrea  1,, Summary-line: 6-Mar eschultz@MIT.EDU [21] #Re: Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA29144; Tue, 6 Mar 2001 11:07:15 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA18133 for ; Tue, 6 Mar 2001 11:10:45 -0500 (EST) Received: from [18.36.0.202] (MITP3.MIT.EDU [18.36.0.202]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with ESMTP id LAA15549 for ; Tue, 6 Mar 2001 11:10:45 -0500 (EST) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Message-Id: In-Reply-To: <200103060156.UAA01448@multics.mit.edu> Date: Tue, 6 Mar 2001 11:10:05 -0500 To: "David C. Jedlinsky" From: Erica Schultz Subject: Re: Rudolph & Chamberlain rehearsal *** EOOH *** Content-Type: text/plain; charset="us-ascii" In-Reply-To: <200103060156.UAA01448@multics.mit.edu> Date: Tue, 6 Mar 2001 11:10:05 -0500 To: "David C. Jedlinsky" From: Erica Schultz Subject: Re: Rudolph & Chamberlain rehearsal >The only other day I can see to fit it in >would be Monday the 12th from 7-9. Fine for me. Where? >-Dave "Schneewitchen" Jedlinsky hee hee hee :-) ----------------------------------------------------------------- Erica Schultz * eschultz@mit.edu http://world.com/~muffin/ Electronic Publishing Coordinator * The MIT Press Production Dept ----------------------------------------------------------------- A picture is worth 1000 words, but it uses 1000 times the memory.  1,, Summary-line: 6-Mar bbermack@alum.mit.edu [13] #Re: Rudolph & Chamberlain rehearsal X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10525; Tue, 6 Mar 2001 14:58:34 -0500 (EST) Received: from h00a0cc3db483.ne.mediaone.net (h00a0cc3db483.ne.mediaone.net [66.31.33.143]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA09216 for ; Tue, 6 Mar 2001 14:59:36 -0500 (EST) Received: from alum.mit.edu (sulla.rome [172.16.0.2]) by h00a0cc3db483.ne.mediaone.net (Postfix) with ESMTP id C9C3B3FE8 for ; Tue, 6 Mar 2001 14:59:26 -0500 (EST) Sender: bcb@h00a0cc3db483.ne.mediaone.net Message-ID: <3AA541A3.20A7C5CE@alum.mit.edu> Date: Tue, 06 Mar 2001 14:59:31 -0500 From: Brian Bermack X-Mailer: Mozilla 4.72 [en] (X11; U; Linux 2.2.14-5.0 i586) X-Accept-Language: en-US, en, en-GB, fr, fr-FR MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Rudolph & Chamberlain rehearsal References: <200103060156.UAA01448@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: bcb@h00a0cc3db483.ne.mediaone.net Date: Tue, 06 Mar 2001 14:59:31 -0500 From: Brian Bermack X-Accept-Language: en-US, en, en-GB, fr, fr-FR To: "David C. Jedlinsky" Subject: Re: Rudolph & Chamberlain rehearsal Content-Type: text/plain; charset=us-ascii Confirming 3/12 7-9pm is fine for me. (3/9 would also have been okay.) Brian  1,, Summary-line: 7-Mar SSilvers@shackandsiegel.c [112] #Casting Results: NYC Sing-In May 26 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA10676; Wed, 7 Mar 2001 11:40:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA01552 for ; Wed, 7 Mar 2001 11:44:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA21944; Wed, 7 Mar 2001 11:42:44 -0500 (EST) Date: Wed, 7 Mar 2001 11:42:44 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting Results: NYC Sing-In May 26 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Wed, 7 Mar 2001 11:42:44 -0500 (EST) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting Results: NYC Sing-In May 26 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The cast list (below) is almost complete for the NYC G&S sing-in on Saturday, May 26. We only need one or two more strong sopranos for the Princess of Monte Carlo and for Patience. Also, we need volunteers from among those already attending to cover Ben Hashbaz, the Herald and Gretchen (and 1st and 3rd "girls" - all one person), so please step up to the plate. The shows, in order, will be: Pirates, Patience, GD and Iolanthe. Bring your scores!! No dialogue. Everyone attending: Please let me know if you can bring any folding CHAIRS!!! ICE or beverages. Also, feel free to bring munchies (especially healthy stuff), but you don't need to tell me if you are bringing munchies. Sing-in details: 3117 Broadway, Apt. 28 (Intercom buzzer 541) Phone: (212) 782-0706 We begin promptly at noon and will order pizza between the first and second shows. Everyone except pianists will be asked to chip in $5 or so. Please bring a $5 bill and a couple of singles. We will finish around 7 or 8 pm and can all go to a local restaurant for dinner. I am about full up, but we still need, as I said, one or two principal sopranos, and I will not turn down a tenor who knows all the choruses. If any others still wish to attend, I will start a waiting list, and there are usually a few cancellations. Pirates (Pianist: Stuart Malkin): King Dennis Blackwell (NY) Samuel Les Elkins (DC) Frederic Mitch Gillett (MI) Major-General Jim Cooper (CT) Sergeant Leonard Pinsker (Phila) Mabel Marion Carroll (Boston) Kate Deborah Jacobson (DC) Edith Leta Hall (DC) Ruth Lisa Berglund (CT) Patience (Pianist: Eric Peterson): Colonel Marc Shepherd (NY) Major Jerry Zieselman (NY) The Duke Mitch Gillett (MI) Bunthorne Derek Johns (CT) Grosvenor Stuart Malkin (NY) Angela Bobbie Herman (CT) Saphir Leta Hall (DC) Ella Nancy Morgan (NY) Jane Linda Nadeau (DC) Patience Grand Duke (Pianist: Deborah Jacobson): Rudolph Marc Shepherd (NY) Ernest David Jedlinsky (NH) Ludwig Samuel Silvers (NY) Notary Paul Berglund (CT) Prince of MC Phil Sternenberg (NJ) Ben Hashbaz Herald Princess of MC Baroness Jane Furth (RI) Julia Marion Carroll (Boston) Lisa Nancy Morgan (NY) Olga (lowest) Lisa Berglund (CT) Gretchen (highest) Bertha (2nd girl) Bobbie Herman (CT) Iolanthe (Pianist: Stuart Malkin): Chancellor Samuel Silvers (NY) Mountararat Eric Peterson (NY) Tolloller Jerry Zieselman (NY) Willis Leonard Pinsker (Phila) Strephon David Jedlinsky (NH) Queen Joan Merritt (Baltimore) Iolanthe Marion Carroll (Boston) Celia Roberta Klarreich (NY) Leila Deborah Jacobson (DC) Phyllis Betsy Marrion (NY) Other attendees: Lynn Anslow (DC), Charlie Furth (RI), Leah Margaryan (NY), Sandy Rovner (DC), Don Smith (MA), Julie and Cassandra Stevens (DC), Ruth Jedlinsky (NH) and Paul Cohen (CT). See you on May 26! Sam  1,, Summary-line: 7-Mar davie@MIT.EDU [21] #Jeff Meldman X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA13881; Wed, 7 Mar 2001 16:50:24 -0500 (EST) Received: from melbourne-city-street.MIT.EDU (MELBOURNE-CITY-STREET.MIT.EDU [18.69.0.45]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA11823 for ; Wed, 7 Mar 2001 16:53:55 -0500 (EST) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.MIT.EDU (8.9.3/8.9.2) with SMTP id QAA12536 for ; Wed, 7 Mar 2001 16:53:55 -0500 (EST) From: "David Euresti" To: "Grand-Duke" Subject: Jeff Meldman Date: Wed, 7 Mar 2001 16:56:07 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 *** EOOH *** From: "David Euresti" To: "Grand-Duke" Subject: Jeff Meldman Date: Wed, 7 Mar 2001 16:56:07 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Hey, Jeff Meldman called me today concerning our Publicity. Basically the same thing as John VanDeMeer but I told him that in the Program we would make sure to mention Tech Show's involvement with the production 100 years ago. He also has a copy of the old program (which I think we do) but if anybody wants to contact him his number is 253-4932. He's a professor at the Sloan shool and an old member of Tech show back when it was Tech Show. Davi  1,, Summary-line: 8-Mar Preeta2@excite.com [73] #Re: New Princess Ida score! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA02735; Thu, 8 Mar 2001 09:15:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA10547 for ; Thu, 8 Mar 2001 09:17:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA19557; Thu, 8 Mar 2001 09:15:53 -0500 (EST) Date: Thu, 8 Mar 2001 09:15:53 -0500 (EST) Message-Id: <31574437.984059924942.JavaMail.imail@chilly.excite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: New Princess Ida score! Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Excite Inbox *** EOOH *** Date: Thu, 8 Mar 2001 09:15:53 -0500 (EST) Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: New Princess Ida score! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On 7 Mar 2001 21:21:54 -0800, David Michaels wrote: > As a current owner of the (almost completely illegible) Kalmus edition of the "Princess Ida" v.s., I'm definitely interested in acquiring a more readable score for this opera, particularly one which includes dialogue; and since the recent Chappell printings, while much more readable than my Kalmus, still do not contain the dialogue, I'm definitely interested in your edition. > > I've got a couple of questions: > > 1) What sort of paper, covers & binding will this have? > > 2) Vocal scores (even ones issued early in the life of the opera) frequently contain errors; to what extent did you attempt to find and correct any errors in your source materials while you were preparing your edition? > > In addition to these questions, I have a suggestion: > > If you have access to a web page where you can store text or image files, perhaps you could post a couple of sample pages from your score (including at least one dialogue page & one music page) to the web page and then give the URL of the website in a SavoyNet message, so that anyone interested could get a feel for what your edition will look like. > 1) The score is printed on whitw, 24-lb laser-printing paper, with 80-lb cardstock covers and black plastic coil-binding. 2) The libretto was taken from the first-night edition as provided by the late, great Reginald Allen in "The First-Night Gilbert and Sullivan". The primary source for the music was a vocal score from around the mid 1910's, as best I can tell (there is no publication date, but it lists Rupert D'Oyly Carte as the manager of the DOC, yet lacks the changes made early in the 1920's). The music is printed with the Finale music publishing software, which allowed me to "proofhear" what I was printing, and catch any but the most subtle mistakes in notation. I also checked it against other sources, including the modern Chappell of Bond St. score, and the first-edition held by the Boston Public Library. I am certain I have been able to weed out all mistakes, but am open to modifying the score if one I didn't catch is pointed out to me. As for posting samples, I have been in contact with Jim Farron, curator of the G&S Archive, about doing just that. I am also working with my brother, if not a webmaster, then certainly a web-knight, on a webpage of my own where I can advertise it among my other services (I also turn manuscript scores into publication-ready prints, that kind of thing). D? _______________________________________________________ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/  1,, Summary-line: 8-Mar Preeta2@excite.com [111] #Re: New Princess Ida score! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA05775; Thu, 8 Mar 2001 09:42:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA20350 for ; Thu, 8 Mar 2001 09:45:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA22769; Thu, 8 Mar 2001 09:43:44 -0500 (EST) Date: Thu, 8 Mar 2001 09:43:44 -0500 (EST) Message-Id: <25088803.984061900442.JavaMail.imail@chilly.excite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: New Princess Ida score! Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Excite Inbox *** EOOH *** Date: Thu, 8 Mar 2001 09:43:44 -0500 (EST) Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: New Princess Ida score! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Thu, 8 Mar 2001 05:47:06 -0800 (PST), oakapple@cris.com wrote: > Dafydd, > > Questions about this score: > > 1) Who is the editor? I am. Dave Leigh, pen-name Dafydd Mac an Leigh. > > 2) What sources were used? The primary source for the libretto was the first-night edition from Reginald Allen's marvelous book, "The First-Night Gilbert and Sullivan"; the primary source of the music was a vocal score from the 1910's. Other sources (for reference and proofing) included Bailey's "The Annotated Gilbert and Sullivan", Chappell of Bond St.'s modern edition, and the first-edition vocal score in the Boston Public Library. > > 3) Who is the publisher? For right now, I am. I make them, I bind them, I ship them. > 4) What program was used to typeset the music? The music, with all accompanying lyrics and stage directions, and the page numbers, are printed with Finale, the premiere music publishing software in the US. The dialogue, with all accompanying stage directions, is in WordPerfect. > > 5) In what ways does it improve on the latest Chappell edition, aside > from the inclusion of dialogue? What are examples of the supposedly > traditional changes that have been banished? Well, the dialogue was the main thing - it's why I started this project in the first place. Also, when last I spoke with somebody at Chappell, all of their G&S scores, including Ida, still retained the original, Victorian-era typeface, which uses some obsolete and potentially confusing variations in notation. (The one that often - frequently - catches me is the quarter rest, with looks like an eighth rest backwards.) My score uses contemporary notation. In addition, I have always appreciated the "Dramatis Personae" pages that include indications of what each character's vocal range is (Broadway scores such as "City of Angels" and the conductor's score of "West Side Story" are examples). So I have made a page that does so. Among the "supposedly traditional changes that have been banished" include, but are not limited to: * Ida's solo ("I built upon a rock") in the last act, and her speech preceeding it, were moved to just before the entrance of the soldiers. I have restored them to their original place (before Gama's entrance). * Also in the last act, Arac's song ("This helmet, I suppose") was moved to be just after the entrance of the soldiers. I have restored it to its original place (just before the fight). * Lyrics in No.'s 14 and 15 ("The world is but a broken toy" and "The Ape and the Lady") that were changed have been restored to their original forms. * Ida was originally listed as being in "A prologue and two acts". This was, for the sake of ease, I suppose, quickly changed to "three acts". A critical look at the construction of the opera indicates that the "prologue and two acts" designation is correct. (I go into greater detail about this in my preface to the score.) So prologue and two acts it is. > > 6) What kind of binding is used? A black, plastic spiral-binding is used. It is durable, less likely to damage paper that a metal spiral-bind, and allows the score to be laid flat and pages to be turned with extreme ease. > 7) Where do we send our checks? Please make payments to: Dave Leigh 57 Theodore Rd. Newton Centre, MA 02459-2727 (If ordering outside the US, be sure to write "USA" at the bottom. But I'm sure you already knew that.) > > 8) Where, besides by mail order, will it be offered for sale? Right now, it's just for sale through me. I'm looking into other places, such as Amazon.com, and some sheet-music retail stores, but for now, you send me money, I send you score. Oh, and by the way, I LOVE your discography page. I would like to discuss some of it with you at a later date. Sincerely, D? _______________________________________________________ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/  1,, Summary-line: 16-Mar VerilyIolanthe@aol.com [36] #How to Raise a G&S Baby X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA12803; Fri, 16 Mar 2001 12:28:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA07631 for ; Fri, 16 Mar 2001 12:31:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA19194; Fri, 16 Mar 2001 12:27:19 -0500 (EST) Date: Fri, 16 Mar 2001 12:27:19 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: How to Raise a G&S Baby MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows 95 sub 124 *** EOOH *** Date: Fri, 16 Mar 2001 12:27:19 -0500 (EST) Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: How to Raise a G&S Baby Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'm 17 now, and when I was 6 or 7 years old, my mom did her first production of G&S--"Patience" with the Savoyard Light Opera Company in Carlisle, Massachusetts. At the time, I enjoyed the music but couldn't for the life of me follow the plotline or the humor and as a result grew quite bored. Well, since that day, my mom has done at least one G&S show a year (sometimes two), and as a result, I am now the only person I know my age who is as big a G&S geek/fan as I am--this cultish area of "light" opera is quite capable of growing on even the most immature and oblivious child. So, my only advice to raising your own "G&S Baby" is to subject them to your own obsessive love of the music. These ten years have caused me to know the better part of the better half of G&S operettas by heart, to know the tunes to virtually all the songs, and also to know a lot of little-known facts that even my mother doesn't know. (Asimov's Annotated G&S and this very mailing list helps make that true, to name just a few sources!) Beyond that--make sure, especially for the very young, THAT THEY UNDERSTAND THE STORY. Most politely, Emily F. Gouillart P.S. *I* was watching Topsy Turvy on the 14th... ;) Unfortunately, for the reasons listed above, I couldn't make it a party because none of my friends share my fixation.  1,, Summary-line: 18-Mar drewbob@mediaone.net [46] #making a case for #14 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA19611; Sun, 18 Mar 2001 10:05:45 -0500 (EST) Received: from chmls05.mediaone.net (chmls05.mediaone.net [24.147.1.143]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA06756 for ; Sun, 18 Mar 2001 10:09:31 -0500 (EST) Received: from [24.91.104.213] (h0005025ec341.ne.mediaone.net [24.91.104.213]) by chmls05.mediaone.net (8.11.1/8.11.1) with ESMTP id f2IF9Ux12673; Sun, 18 Mar 2001 10:09:30 -0500 (EST) Mime-Version: 1.0 Message-Id: Date: Sun, 18 Mar 2001 15:10:12 +0000 To: opus@mit.edu From: Andrew Sweet Subject: making a case for #14 Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Sun, 18 Mar 2001 15:10:12 +0000 To: opus@mit.edu From: Andrew Sweet Subject: making a case for #14 Content-Type: text/plain; charset="us-ascii" ; format="flowed" I've known from the start that #14 is a prime candidate for a cut, but the more I go over the piece the more convinced I become that it would be better to do all three verses. If you'll indulge me a moment, here is my reasoning on this: First, I would like to take "At the outset I may mention..." at a faster tempo than what is heard on the DOC recording. (I had been worried that the chorus wouldn't be able to keep up, but at the music rehearsal where we went over it last weekend they could go even faster than I want to, as Kate can attest.) Since we haven't blocked this song yet I don't know what your plans are or if such a tempo boost will work; I am hoping it will. (I have an opportunity here to leave the audience in a state of slack-jawed amazement, so I have to at least suggest it.) The only potential danger I see lurking there is that the words might come so fast that the listener won't have time to mentally process the images. I've been developing some accompanying gestures and expressions to minimize this effect. Second, assuming the tempo boost, cutting a verse will net at most a savings of 45 seconds in the total running time of the act - not a whole heck of a lot. (Even on the DOC recording, each verse is only about 70 seconds.) Third, (and this is all imho) I think it is a crowd-pleasing song, not one that will make the audience think the show is dragging. Act 3 might seem long and draggy at parts, but I don't think cutting a verse out of #14 will go very far towards fixing the problem (if there is one). Lastly and leastly, the more words there are, the funnier the "cramming" joke gets. With all this said, I still will not strenuously object to the cutting of a verse if you think it's necessary. You see the big picture and there may be factors I haven't considered. However I would very much like to do all three. Respectfully, drew  1,, Summary-line: 18-Mar ctswim@ctswim.org [34] #Follies (partly OT) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA07615; Sun, 18 Mar 2001 11:07:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA12115 for ; Sun, 18 Mar 2001 11:07:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA14097; Sun, 18 Mar 2001 11:05:52 -0500 (EST) Date: Sun, 18 Mar 2001 11:05:52 -0500 (EST) Message-Id: <4.2.0.58.20010318104302.0184db50@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ctswim@ctswim.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James W. Cooper" To: Multiple recipients of list SAVOYNET Subject: Follies (partly OT) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010318012126.37264.qmail@web10810.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 *** EOOH *** Date: Sun, 18 Mar 2001 11:05:52 -0500 (EST) Reply-To: ctswim@ctswim.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James W. Cooper" To: Multiple recipients of list SAVOYNET Subject: Follies (partly OT) Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010318012126.37264.qmail@web10810.mail.yahoo.com> We saw a preview performance of Follies Saturday on Broadway. It is really pretty exciting to see someone you know (well, have met) singing on Broadway. "Our" Larry Raiken plays the Inimitable Roscoe, and he sings the first solo song in the show: "Those Beautiful Girls." Since the show is in previews it isn't fair to give a review, but we enjoyed it hugely. However, it works on 2 levels. One, the story and nostalgia of the showgirls coming back for a reunion, and second, our nostalgia of seeing a lot of old stars playing these parts. Among them, Blythe Danner (who can still act and sing) Polly Bergen (who can really sell a torch song, and flirt with Larry) Marge Champion (who can still dance) and Joan Roberts (who was the original Laurie in Oklahoma, and still has a great voice). And can Larry sing? Damme right he can! If you are in NYC between now and September, try to get tickets. It's really a terrific show. ------------------ Who, when he is tired of beef, determines to tackle the mutton. Jim Cooper, Wilton, CT  1,, Summary-line: 18-Mar jonw@MIT.EDU [8] # X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA08162; Sun, 18 Mar 2001 13:47:07 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA20977 for ; Sun, 18 Mar 2001 13:50:53 -0500 (EST) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id NAA24294 for ; Sun, 18 Mar 2001 13:50:53 -0500 (EST) Received: (from jonw@localhost) by biohazard-cafe.mit.edu (8.9.3) id NAA16697; Sun, 18 Mar 2001 13:50:53 -0500 (EST) Message-Id: <200103181850.NAA16697@biohazard-cafe.mit.edu> To: "David C. Jedlinsky" In-Reply-To: Your message of "Sun, 18 Mar 2001 12:24:30 EST." <200103181724.MAA24275@multics.mit.edu> Date: Sun, 18 Mar 2001 13:50:52 -0500 From: Jonathan L Weinstein *** EOOH *** To: "David C. Jedlinsky" In-Reply-To: Your message of "Sun, 18 Mar 2001 12:24:30 EST." <200103181724.MAA24275@multics.mit.edu> Date: Sun, 18 Mar 2001 13:50:52 -0500 From: Jonathan L Weinstein works for me  1,, Summary-line: 18-Mar to: gsp-cast@mit.edu [17] #Can anyone make MIDI files? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA04822; Sun, 18 Mar 2001 22:40:59 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA09652 for ; Sun, 18 Mar 2001 22:44:46 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id WAA12452 for ; Sun, 18 Mar 2001 22:41:17 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id WAA27143; Sun, 18 Mar 2001 22:41:17 -0500 (EST) Date: Sun, 18 Mar 2001 22:41:17 -0500 (EST) Message-Id: <200103190341.WAA27143@multics.mit.edu> From: "David C. Jedlinsky" To: gsp-cast@mit.edu Subject: Can anyone make MIDI files? *** EOOH *** Date: Sun, 18 Mar 2001 22:41:17 -0500 (EST) From: "David C. Jedlinsky" To: gsp-cast@mit.edu Subject: Can anyone make MIDI files? Do any of you have the means to make MIDI files (equipment and time, especially)? Kate and I would like to have a better option than the CD for those times we don't have a rehearsal pianist. If you can help out, please let me know, so we can start with the most problematic songs (those which do not have all the repeats, or the wrong tempi). Thanks! -Herr Direktor  1, answered,, Summary-line: 18-Mar davie@MIT.EDU [36] #RE: Can anyone make MIDI files? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA13911; Sun, 18 Mar 2001 22:45:39 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA22376 for ; Sun, 18 Mar 2001 22:49:25 -0500 (EST) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id WAA26294 for ; Sun, 18 Mar 2001 22:49:25 -0500 (EST) From: "David Euresti" To: "David C. Jedlinsky" Subject: RE: Can anyone make MIDI files? Date: Sun, 18 Mar 2001 22:49:25 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) In-reply-to: <200103190341.WAA27143@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal *** EOOH *** From: "David Euresti" To: "David C. Jedlinsky" Subject: RE: Can anyone make MIDI files? Date: Sun, 18 Mar 2001 22:49:25 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-reply-to: <200103190341.WAA27143@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal Dave, How about paying a pianist and recording them. David -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Sunday, March 18, 2001 10:41 PM To: gsp-cast@mit.edu Subject: Can anyone make MIDI files? Do any of you have the means to make MIDI files (equipment and time, especially)? Kate and I would like to have a better option than the CD for those times we don't have a rehearsal pianist. If you can help out, please let me know, so we can start with the most problematic songs (those which do not have all the repeats, or the wrong tempi). Thanks! -Herr Direktor  1,, Summary-line: 18-Mar koi@MIT.EDU [11] #Re: Can anyone make MIDI files? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA06853; Sun, 18 Mar 2001 22:57:18 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA09981 for ; Sun, 18 Mar 2001 23:01:06 -0500 (EST) Received: from [18.243.1.94] (KOI-PRODUCTIONS.MIT.EDU [18.243.1.94]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id XAA28030 for ; Sun, 18 Mar 2001 23:01:05 -0500 (EST) Mime-Version: 1.0 Message-Id: Date: Sun, 18 Mar 2001 23:04:39 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Can anyone make MIDI files? Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Sun, 18 Mar 2001 23:04:39 -0500 To: opus@mit.edu From: Eric Tung Subject: Re: Can anyone make MIDI files? Content-Type: text/plain; charset="us-ascii" ; format="flowed" Some people at Random have equipment, but time is something we're all short on. Not too helpful; just that if you really need to, you could probably come over... :) -Eric  1, answered,, Summary-line: 18-Mar bbermack@alum.mit.edu [17] #Re: Can anyone make MIDI files? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA07362; Sun, 18 Mar 2001 22:57:32 -0500 (EST) Received: from h00a0cc3db483.ne.mediaone.net (h00a0cc3db483.ne.mediaone.net [66.31.33.143]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA22942 for ; Sun, 18 Mar 2001 23:01:19 -0500 (EST) Received: from alum.mit.edu (sulla.rome [172.16.0.2]) by h00a0cc3db483.ne.mediaone.net (Postfix) with ESMTP id 36249400C for ; Sun, 18 Mar 2001 23:01:13 -0500 (EST) Sender: bcb@h00a0cc3db483.ne.mediaone.net Message-ID: <3AB5848E.10DE726C@alum.mit.edu> Date: Sun, 18 Mar 2001 23:01:18 -0500 From: Brian Bermack X-Mailer: Mozilla 4.72 [en] (X11; U; Linux 2.2.14-5.0 i586) X-Accept-Language: en-US, en, en-GB, fr, fr-FR MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Can anyone make MIDI files? References: <200103190341.WAA27143@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: bcb@h00a0cc3db483.ne.mediaone.net Date: Sun, 18 Mar 2001 23:01:18 -0500 From: Brian Bermack X-Accept-Language: en-US, en, en-GB, fr, fr-FR To: "David C. Jedlinsky" Subject: Re: Can anyone make MIDI files? Content-Type: text/plain; charset=us-ascii I can't do MIDI (or at least, I don't know how) but can take tape recordings and make WAV files out of them. This requires getting a pianist at some point to make the tape, of course, but only once. (I've been thinking that next time I direct, I want to ask the music director to do that right at the start, for that reason among others. I had the same problem on Sorcerer, and a less helpful music director, but fortunately we didn't have as many changes from the tape to deal with.) Brian  1,, Summary-line: 19-Mar s_camden@hotmail.com [18] #Arts Stage X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA17986; Mon, 19 Mar 2001 09:12:55 -0500 (EST) Received: from hotmail.com (f16.law4.hotmail.com [216.33.149.16]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA12250 for ; Mon, 19 Mar 2001 09:16:42 -0500 (EST) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Mon, 19 Mar 2001 06:16:07 -0800 Received: from 64.36.40.106 by lw4fd.law4.hotmail.msn.com with HTTP; Mon, 19 Mar 2001 14:16:06 GMT X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-prod@mit.edu Subject: Arts Stage Date: Mon, 19 Mar 2001 09:16:06 -0500 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 19 Mar 2001 14:16:07.0210 (UTC) FILETIME=[23AAB8A0:01C0B07F] *** EOOH *** X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-prod@mit.edu Subject: Arts Stage Date: Mon, 19 Mar 2001 09:16:06 -0500 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 19 Mar 2001 14:16:07.0210 (UTC) FILETIME=[23AAB8A0:01C0B07F] Hello, I just received confirmation from Lynn Heinemann that MITG&SP has Lobby 7 to perform for a half hour at 5:30 on Friday April 6 and at noon on Saturday April 7. This is the campus preview weekend for pre-frosh. Sara _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 19-Mar bbermack@alum.mit.edu [11] #Re: Can anyone make MIDI files? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA05483; Mon, 19 Mar 2001 10:34:03 -0500 (EST) Received: from gibraltar.basespace.net (IDENT:postfix@[64.23.225.132]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA01072 for ; Mon, 19 Mar 2001 10:37:50 -0500 (EST) Received: from alum.mit.edu (EMCC-DEV-01.MIT.EDU [18.89.1.58]) by gibraltar.basespace.net (Postfix) with ESMTP id 788F117A for ; Mon, 19 Mar 2001 10:37:46 -0500 (EST) Message-ID: <3AB62843.5557BACA@alum.mit.edu> Date: Mon, 19 Mar 2001 10:39:47 -0500 From: Brian Bermack Reply-To: bbermack@alum.mit.edu X-Mailer: Mozilla 4.6 [en]C-CCK-MCD (WinNT; U) X-Accept-Language: en,pdf MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Can anyone make MIDI files? References: <200103190341.WAA27143@multics.mit.edu> <3AB5848E.10DE726C@alum.mit.edu> <200103190517.AAA27536@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 19 Mar 2001 10:39:47 -0500 From: Brian Bermack Reply-To: bbermack@alum.mit.edu X-Accept-Language: en,pdf To: "David C. Jedlinsky" Subject: Re: Can anyone make MIDI files? Content-Type: text/plain; charset=us-ascii Makes sense. If you decide you'd like me to make WAVs, let me know. Brian  1,, Summary-line: 19-Mar SSilvers@shackandsiegel.c [22] #Re: Who needs accommodations in NY May 26? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA00883; Mon, 19 Mar 2001 11:06:03 -0500 (EST) Received: from mail.shackandsiegel.com (wts.shackandsiegel.com [208.195.240.130]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id LAA14173 for ; Mon, 19 Mar 2001 11:09:50 -0500 (EST) Received: from SMTP agent by mail gateway Mon, 19 Mar 2001 11:18:25 -0500 Received: from SSDOM-Message_Server by mail.shackandsiegel.com with Novell_GroupWise; Mon, 19 Mar 2001 11:03:56 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Mon, 19 Mar 2001 11:03:46 -0500 From: "Samuel Silvers" To: Subject: Re: Who needs accommodations in NY May 26? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Mon, 19 Mar 2001 11:03:46 -0500 From: "Samuel Silvers" To: Subject: Re: Who needs accommodations in NY May 26? Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Number 1 or 9 train to 125th Street. Then walk south on Broadway. I am between LaSalle St. and 123rd St. on the West side of Broadway. >>> "David C. Jedlinsky" 03/17/01 09:33AM >>> Hi Sam. Ruth and I have booked a room in Manhattan, and do not need further accomodations. Though, for the first time, I do need a reminder of which trains go to your stop, since our car will be quietly ensconced in a parking garage. -Dave  1,, Summary-line: 19-Mar to: grand-duke@mit.edu [44] #[dpoland@MIT.EDU: conflicts] X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA26462; Mon, 19 Mar 2001 14:21:14 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA20306 for ; Mon, 19 Mar 2001 14:25:00 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA12737 for ; Mon, 19 Mar 2001 14:25:00 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id OAA02909; Mon, 19 Mar 2001 14:24:59 -0500 (EST) Date: Mon, 19 Mar 2001 14:24:59 -0500 (EST) Message-Id: <200103191924.OAA02909@multics.mit.edu> From: "David C. Jedlinsky" To: grand-duke@mit.edu Subject: [dpoland@MIT.EDU: conflicts] *** EOOH *** Date: Mon, 19 Mar 2001 14:24:59 -0500 (EST) From: "David C. Jedlinsky" To: grand-duke@mit.edu Subject: [dpoland@MIT.EDU: conflicts] Feh. This new set of conflicts means he will miss all the blocking for the supernumerary scenes, except for the Dance. And, he'll miss two (and maybe four, if we run on the TBAs) full runs. At least he'll be there for all the music rehearsals (except for tonight). I don't know how we are going to work around this; he's got music and dialog to memorize, along with the blocking. I don't see how he's going to manage it, because he's not going to be working on his own on the conflict days, either. I'm going to ask him for his suggestion as to how he'll be able to deal, but I'd like a consensus (especially from the EC) how we should handle this. He isn't going to be able to rehearse any of his lead scenes until 4/23 at the earliest. That puts a burden on Michael, as well as the supernumeraries, because they won't have a chance to work on their interactions with the Costumier. Thanks. -Dave ------- Start of forwarded message ------- To: opus@MIT.EDU Subject: conflicts Date: Mon, 19 Mar 2001 13:41:36 -0500 From: David C Poland Here is my new list of days I cannot be there (7-10pm): March: 19*,20 April: 3,4,5,9,10*,11*,12,15,16*,17,18*,19,20,21 The starred days are days where I think there is a conflict with GNS rehearsal. As you can see, my april is very busy, but I will try to make as many rehearsals as I can. - -David Poland ------- End of forwarded message -------  1,, Summary-line: 19-Mar cupid@MIT.EDU [14] #Re: [SSilvers@shackandsiegel.com: The Barnard Gilbert & Sullivan Society] X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA28248; Mon, 19 Mar 2001 16:01:06 -0500 (EST) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id QAA00208 for ; Mon, 19 Mar 2001 16:04:53 -0500 (EST) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA30892; Mon, 19 Mar 2001 16:04:52 -0500 Date: Mon, 19 Mar 2001 16:04:52 -0500 Message-Id: <10103192104.AA30892@kangaroo.mit.edu> From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200103191738.MAA01476@multics.mit.edu> (opus@MIT.EDU) Subject: Re: [SSilvers@shackandsiegel.com: The Barnard Gilbert & Sullivan Society] *** EOOH *** Date: Mon, 19 Mar 2001 16:04:52 -0500 From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200103191738.MAA01476@multics.mit.edu> (opus@MIT.EDU) Subject: Re: [SSilvers@shackandsiegel.com: The Barnard Gilbert & Sullivan Society] yup. That's basically how it happened. As you saw, Sam was there. That was my first Iolanthe. :( funny how that thread is going around again... Has the flame war with Ben Spierman started yet? Randi  1,, Summary-line: 19-Mar blkdrgn@MIT.EDU [9] #Jen Hazel's contact info X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA14368; Mon, 19 Mar 2001 16:37:06 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA02294 for ; Mon, 19 Mar 2001 16:38:48 -0500 (EST) Received: from w20-575-65.mit.edu (W20-575-65.MIT.EDU [18.187.0.84]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA09367 for ; Mon, 19 Mar 2001 16:34:22 -0500 (EST) Received: (from blkdrgn@localhost) by w20-575-65.mit.edu (8.9.3) id QAA217882; Mon, 19 Mar 2001 16:34:18 -0500 (EST) Message-Id: <200103192134.QAA217882@w20-575-65.mit.edu> To: grand-duke@MIT.EDU Subject: Jen Hazel's contact info Date: Mon, 19 Mar 2001 16:34:17 -0500 From: Paiyarut Kanjanavaikoon *** EOOH *** To: grand-duke@MIT.EDU Subject: Jen Hazel's contact info Date: Mon, 19 Mar 2001 16:34:17 -0500 From: Paiyarut Kanjanavaikoon If you know all of this already, ignore this message. E-mail jenhazel@earthlink.net Cell 603.674.3581  1,, Summary-line: 19-Mar jenhazel@earthlink.net [28] #Re: Jen Hazel's contact info X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA25323; Mon, 19 Mar 2001 16:54:45 -0500 (EST) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA20090; Mon, 19 Mar 2001 16:58:31 -0500 (EST) Received: from crc3 (h00606e3b2328.ne.mediaone.net [66.31.88.218]) by chmls06.mediaone.net (8.11.1/8.11.1) with SMTP id f2JLwTU19708; Mon, 19 Mar 2001 16:58:30 -0500 (EST) Message-ID: <003201c0b0c2$766a5d00$da581f42@concentric.net> From: "Jen Hazel" To: , "Paiyarut Kanjanavaikoon" References: <200103192134.QAA217882@w20-575-65.mit.edu> Subject: Re: Jen Hazel's contact info Date: Mon, 19 Mar 2001 17:18:01 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 *** EOOH *** From: "Jen Hazel" To: , "Paiyarut Kanjanavaikoon" Subject: Re: Jen Hazel's contact info Date: Mon, 19 Mar 2001 17:18:01 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 Also, my home number is 617-627-9750, if you don't want to make a long distance call Jen ----- Original Message ----- From: Paiyarut Kanjanavaikoon To: Sent: Monday, March 19, 2001 4:34 PM Subject: Jen Hazel's contact info > If you know all of this already, ignore this message. > > E-mail jenhazel@earthlink.net > Cell 603.674.3581 >  1,, Summary-line: 19-Mar to: jenhazel@earthlink.ne [359] #A few more orchestra-related things X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA05150; Mon, 19 Mar 2001 17:04:08 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA10531; Mon, 19 Mar 2001 17:07:55 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA21770; Mon, 19 Mar 2001 17:07:55 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id RAA04855; Mon, 19 Mar 2001 17:07:54 -0500 (EST) Date: Mon, 19 Mar 2001 17:07:54 -0500 (EST) Message-Id: <200103192207.RAA04855@multics.mit.edu> From: "David C. Jedlinsky" To: jenhazel@earthlink.net Cc: thorntonk@mediaone.net Subject: A few more orchestra-related things *** EOOH *** Date: Mon, 19 Mar 2001 17:07:54 -0500 (EST) From: "David C. Jedlinsky" To: jenhazel@earthlink.net Cc: thorntonk@mediaone.net Subject: A few more orchestra-related things Hi Jen. I've been informed by Ludwig that his song #14 is going to be taken at a much faster tempo than expected. Before we set things in stone, I'd like you to weigh in on just how fast this will be. We're rehearsing the number tonight in room 407, but that's probably a little short in the notice department. Will you be at the Wednesday prod staff meeting at 6pm? Also, we need to go over the duet, #16, in particular the melodramatic accompaniment to Julia's "mad scene" on pp. 114-115. There are specific places I want the orchestra to come in, which is not entirely clear when reading the score. Finally, as I promised last week, here is the errata sheet I sent out a while back. I'm not sure how much will apply to the orchestra, but you probably want to decide that for yourself.:-) -Dave Key to measure indications: A/B/C = Page/System/Measure 1. ERRORS/VARIANTS IN THE VOCAL PARTS 40/2/1 Dummkopf dongs when he should ding, and dings when he should dong! Based on every other appearance of the text (both for "ding-dong" and "sing-song"), the correct order should be "Ding, DING, DONG, ding, dong, dong," not "Ding, DONG, DING, ding, dong, dong!" 43/2/1 "Spades" should be held only for a quarter-note (see notes on this measure in the Piano Part variants). The same at 47/2/6. 70/2/3 Ad lib at least another "tit" after this bar, as the chorus takes over. 72/3/1 Change "What is that?" to "Why, what's that?" 78/1/2 Change "duke" to "fate." 84/4/2 Julia's third note should be A-natural (accidental missing). 95/3/5 Change "proud noblesse" to "new noblesse". 105/1/1 Third verse: "And" is not given a specific note. Probably you would stretch it out over both of them. 106/2/2-3 Second verse: syllabification is undoubtedly incorrect. I'm certain the intended syllabification is as follows: G G Ab Bb Ab G F G F G Co- ry- ban- tian ma- ni- AC kick, Di- o- Kenneth Sandford sings it as written, and it's very awkward. He has to stop for a moment to emphasize the "AC." Clearly, it should be on the same F on which the "ACCH" of "Bacchic" appears in the next phrase. 107/3/2-3 The possessive pronouns do not match up in the chorus responses. Sometimes the chorus repeats Ludwig's words in the first person, at other times it is changed to the third person. Perhaps it isn't very important, but a decision should at least be made in a production situation, so that everyone is singing the same thing. Ludwig says "if you'll pardon the possessive," a line that I (Steve Lichtenstein) don't understand completely. Might it possibly shed some light on the appropriate possessives used in the chorus response? One thing that I personally cannot pardon is that the chorus response is printed "if you pardon the posessive"! ;-) 112/4/2 Libretto has "her" instead of "his." [opus thinks we should keep it "his"] 112/4/3 (et al) "Jiminy miminy piminy" is missing the necessary (though obvious) 16th-notes. 114/2/1 Before "My heart stands still -- with horror chill'd --" add "I have a rival! Frenzy-thrill'd, I find you both together!" 128/1/5 Libretto has "curtsey" instead of "bow me" here, and at 128/3/1. "Bow me" is perhaps better for singing purposes (Steve Lichtenstein's opinion); possibly Sullivan rewrote it. [opus thinks we should keep it "bow me"] 144/2/2 In the recording, the chorus basses sing the last two notes in this bar as G-sharp --> B (a third higher than printed). I personally like it as printed; it seems more quirky and funny with the big leap from the high E. The intervals as sung on the recording are probably easier to sing, but not as bold and unexpected, in my opinion. A real chance for the basses to shine, in either case! [opus thinks we should leave it as is] 154/1/3 "Vos louis d'or" syllabification is incorrect. The word is "d'or," not "d'ore." F A C D C B-flat A G F F Vos lou- is d'or, vos roues de cha- ret- te 156/4/2 See 154/1/3 162/2/5 Another chorus response problem with the possessives. The "wills" in "For which our heads will batter, O" and "For this will suffer agonies" are clearly misprints for "he'll" and "we'll," respectively. I take it that they are referring to themselves this time rather than Ludwig, since it clearly reads "our heads." In verse 2, however, the chorus should surely sing "drive him mad as hatter, O." 166/2/5 Sopranos sing high B, ad lib. 2. ERRORS/VARIANTS IN THE PIANO PART II/6/1 There should be a C-sharp grace-note before the sixth beat (also at II/6/3). III/1/3 Second chord, should be C-sharp in left hand (l.h.) (compare 75/5/2) VI/1/7 In the recording, the third note is played as an F-sharp, not an A as printed, or as in the song. Also in the next measure, and at VI/3/1-2. VI/4/2 Should be the same as VI/3/5. The first quarter-note B is incorrect; the "ding-dong" melody begins with the E. 12/4/3 Questionable voice-leading in piano part. E's in l.h. should probably be an octave higher. 14/3/3 The last two chords in this bar are played as quarter-notes in the recording. 21/3/1 The downbeat in the l.h. should be C, not A-flat. 26/1/4 The third eighth-note in the l.h. is omitted in the recording, so that the second beat is completely silent. The same applies to 28/2/1 and 30/2/7. 31/4/2 Questionable chord on the downbeat. It could be right, but seems very un-Sullivanian. The recording omits the unusual D-flat; indeed I believe the only pitch that is sounded is B-flat (perhaps this is the original Lost Chord!) 33/3/3 The third eighth-note in the piano part is omitted in the recording, for a silent second beat. 43/2/1 The forte F's in the l.h. should come squarely on the second beat, not on the last eighth-note of the bar. The vocal parts on "Spades" should be notated as quarter-notes, not tied over to the second beat, since holding it over would result in a dissonance with the F's in the orchestra. Of course, this is only a problem in theory, as a breath is necessary at that point in any case. The same situation applies at 47/2/6. 53/4/4 The penultimate note in the r.h. should be C-sharp, not D. 61/1/2 The last three notes in the l.h. omitted in recording. 82/4/2 The four 16th-notes following Julia's "Oh, Heav'n" and preceding the chorus's first "What's the matter" are (probably rightly) omitted in the recording. It makes more sense for the chorus to initiate the musical idea, and for the orchestra to echo it, rather than vice-versa. 84/1/3 The A's in the piano part should all be natural. 91/3/3 In the recording, the chord is restruck, rather than tied over. 94/3/4 In the recording, the last quarter-note in the piano part is, probably correctly, tied over to the first quarter-note in the next bar. 110/4/5 The harmony on the third beat should be A-flat Major, not C minor (change the G to A-flat). 118/4/2 The recording has an eighth-note pick-up to this bar, on the same two G's. All the G's in the following bar are in the same octave, not an octave higher as printed. 123/5/8 In the recording, the clarinet makes a separate attack on the half-note, rather than tying over from the eighth-note in the previous bar. 125/1/3 C-natural in r.h., not C-flat. 128/4/4 In the recording, the D is clearly natural rather than flat in this bar, as well as in 128/4/8. I believe there are no F-flats played in either of those two bars (that would make it altogether too "interesting!"), but that all four half-note chords in this phrase are the same as what is printed in 128/4/6 and 128/5/2. For all that, I don't see anything musically wrong with the way it is as printed; I merely make the observation. 130/4/2 Bass C on third beat in l.h. is missing; compare 130/1/2. 138/3/2 There should be an eighth-note pick-up to the next bar, on an F. 147/3/1 The harmonies on the fourth beat of this bar and on the first beat of the next are incorrect. They should match those which appeared in the Herald's song. Ergo: F 6/4 --> F dim. over C (rather than C7 --> F 6/4) 152/6/6 The top note of the second chord should be C, not E. Sullivan isn't always as predictable as you might think! 159/3/6 The chord should be E minor. Visually it's hard to tell (in my copy) if the G is natural or sharp. 163/1/1 Starts with sustained B octaves in the bass, (one octave higher than the other l.h. notes), not with an eighth rest. 166/2/2 The rhythm of the dotted-quarter plus two 16th notes, as printed in the left hand, first two beats, is repeated in beats three and four in the recording, in place of the two quarter notes. 3. GRATUITOUS OBSERVATIONS 13/2/1 (Sausage-Roll Song) The sudden upward swerve in Ludwig's line and the unexpected shift of harmony strike me as a fine musical illustration of intense nausea. 24/3/1 Pardon my lively imagination here, but it seems to me that Sullivan has introduced a clever musical reference to dramatize Ernest's line "What means this agitato?" The bombastic chords leading up to the line are extremely reminiscent of those which lead up to the first piano entrance in Mendelssohn's G minor piano concerto. If you think that's implausible, try this one: The melody of Ernest's "agitato" line is identical to the main theme of Grieg's piano concerto! 63/3/2 Sullivan's orchestration here provided me with a laugh-out-loud moment in the Seattle production. When Rudolph sings of "a headache down HERE," the rumbling in the orchestra (probably bassoons are involved on some level) produced an extremely flatulent effect! 96/1/4 An even less likely musical reference: Ludwig's "The necessary dresses" sounds to me very like part of Faust's line in Act 1 of Gounod's opera: "A moi les plaisirs, les jeunes maitresses!" A similar melody, and it even rhymes with the French (sort of). 111/1/6 This one is more likely to have been deliberate, though not for any apparent dramatic reasons: the first six or so notes of Lisa's "Be sure you never let him sit up late" are almost a direct quote of a line from "Mon coeur s'ouvre a ta voix" from Saint-Saens's "Samson et Dalila." The Faust connection is not so obvious, but this one leaped right out at me at the Seattle performance. I believe I am not alone in thinking this, as the program notes for that production mentioned musical resemblances to various composers, including Johann Strauss ("Pretty Lisa, fair and tasty"), Offenbach (the Dance and Roulette number in the Monte Carlo scene), "and even Saint-Saens" (a direct quote from the program notes). 111/3/4 I just have to mention this one: I was the only one who laughed at Ludwig's line "I want a deal of nursing" at the performance I saw in Seattle. Am I the only one who fancied I saw the actor playing Ludwig looking down significantly at Lisa's breasts as he sang this line? I'm afraid I will always have a new image in my mind now whenever I read Irv Hodgkin's signoff! ;-> 124/2/8 I have a purely personal antipathy to the G-natural which Julia sings in this bar. The underlying harmony is D7, which instead of resolving normally to G Major, resolves instead to G-flat major for "All is Darksome." There is nothing wrong with that; it's a standard musical device known as the "German sixth," wherein the dominant chord functions as a transitional chord to the key one half-step below the current one. A famous example of the German sixth appears, appropriately enough, in the German Requiem (that's by Brahms, not Edward German), in the breathtakingly beautiful passage where we hear "Selig sind" in G-flat major, immediately followed by a repetition of the phrase, but descending unexpectedly and magically to F Major, via the German sixth chord. Back to my problem, which I should emphasize is ONLY mine, and need not unduly concern anyone else. In normal musical practice as laid out in the textbooks (to the study of which volumes I've devoted so many years of my life), the music for a line such as "faded into air" would lead suggestively into the new key by means of leading tones which belong to the new key rather than the old. In this case, a more usual and "correct" note would be a G-sharp rather than a G, and the aria would then be written in F-sharp Major rather than in G-flat. Of course, great composers are above following textbook rules, and I have no right to complain about it. However, strange fancies do crowd upon my poor mad brain, and I sometimes wonder if Sullivan might have been anticipating my objection, and planning a grand joke just for me. Julia, after all, is an English woman in a German-speaking world. Doesn't it stand to reason that she wouldn't know the correct way to treat a German sixth chord? ;-) 148/1/3 Another Grieg reference: the Princess of Monte Carlo's music in "We're rigged out in magnificent array" strongly recalls Solvejg's Song from Peer Gynt, particularly here with the A-Major melisma, and the extended melisma at the end.  1,, Summary-line: 19-Mar lcs@MIT.EDU [26] #Re: prod staff meeting reminder X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA10612; Mon, 19 Mar 2001 20:55:13 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA04979; Mon, 19 Mar 2001 20:58:59 -0500 (EST) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id UAA04746; Mon, 19 Mar 2001 20:58:54 -0500 (EST) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id UAA01299; Mon, 19 Mar 2001 20:58:54 -0500 (EST) Sender: Larry Stone Date: Mon, 19 Mar 2001 20:58:54 EST From: Larry Stone Reply-To: To: Garry Zacheiss Cc: gsp-prod@MIT.EDU Subject: Re: prod staff meeting reminder In-Reply-To: Your message of Mon, 19 Mar 2001 19:09:39 -0500 Message-ID: *** EOOH *** Sender: Larry Stone Date: Mon, 19 Mar 2001 20:58:54 EST From: Larry Stone Reply-To: To: Garry Zacheiss Cc: gsp-prod@MIT.EDU Subject: Re: prod staff meeting reminder In-Reply-To: Your message of Mon, 19 Mar 2001 19:09:39 -0500 I need containers for paint and sizing mixture -- If anyone has some _large_ "disposable" food-packaging containers, e.g. 2qt or larger, such as the kind that some snacks come in, please bring them to the prodstaff meeting and I'll take them off your hands. Small deli-type containers are also welcome, we'll need those later for painting too. I saw some perfect plastic paint storage containers for sale at Despot, but they didn't have lids, and then I realized the same things could be had for about the same price ($1), only full of carmel-covered popcorn. [Wanna bring some full ones to the meeting, Ruth?] thanks, -- Larry  1,, Summary-line: 20-Mar cupid@MIT.EDU [93] #program ads X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA12184; Tue, 20 Mar 2001 12:27:20 -0500 (EST) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id MAA14967; Tue, 20 Mar 2001 12:30:59 -0500 (EST) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA01784; Tue, 20 Mar 2001 12:30:58 -0500 Date: Tue, 20 Mar 2001 12:30:58 -0500 Message-Id: <10103201730.AA01784@kangaroo.mit.edu> From: Randi M Kestin To: gsp-cast@mit.edu, gsp-prod@mit.edu, gsp-orch@mit.edu Subject: program ads *** EOOH *** Date: Tue, 20 Mar 2001 12:30:58 -0500 From: Randi M Kestin To: gsp-cast@mit.edu, gsp-prod@mit.edu, gsp-orch@mit.edu Subject: program ads Hi folks, this is your friendly neighborhood program manager. For those who were at the cast rehearsal you've already heard my spiel but i'm sending this out officially for the benefit of those who weren't there last night or who are involved in other aspects of the show: We don't have a budget for the program this time out, so if we want to have a program (preferably with BIOS) I need everybody to go out into the world and bring me back some nice (or even not so nice) ads to put into the program. Prices go like this: $30 for a quarter page $55 for a half page $100 for a full page It's a really good deal for vendors and will reach at least 700 people (maybe more if we're lucky although then we'll have to copy more programs...) So my feeling is if everybody brings me one ad we'll be all set. :) Easy targets are places in the student center like La Verde's, food services, etc. but PLEASE don't EVERYBDOY go to those. You can also hit places in Central Square, Kendall Square, friends who have businesses (you know - like opus and Ruth's videotaping business or Jenna's costuming business - hint, hint!) Folks at rehearsal last night had some really great suggestions. THANK YOU!! Don't be limited by mine. They are just to get the conversation going and to get people thinking. forms can be found in the G&S office. I'll also have them with me at cast chorus rehearsals. If you don't have a form feel free to contact the EC at gsp-ec@mit.edu for them, or come to a cast rehearsal (preferably when the chorus is called). You can find the cast schedule at: http://web.mit.edu/gsp/www/2001spring_duke/duke-sched.txt (nice easy link for you to click on..:) The vendor will fill out the bottom of said form and give us their ad in camera ready copy so I can scan it (i.e. ad already created on paper, business card, etc. i'm NOT going to create their ad for them.) They also need to give you a check made out to MITG&SP for the relevant amount of money when they give you the ad. (No exceptions except for close friends of the group! If you are in doubt as to whether the person you are dealing with qualifies - they probably don't.) If they want a quarter page ad - please let me know which orientation they want that ad in on the page. (My default is a quarter page straight across.) once you have said ad get it to me ASAP so I can start working with it! Getting me the money would be good too but if you are giving it to Garry or Steph let me know that so I don't stress over it! (pleae don't give the money to anyone but us three...) As I've said to the cast, the magic number we need to reach is $300. Currently we are at $0. In order for me to put bios in the program we need to be at $300. So if you really want a bio in the program (or just have a big and generous heart) please take this seriously. I'll email updates to everyone as I get them so you know where we are and so duplication of vendors doesn't happen. (If more than one of you are planning to hit up on a place please coordinate that among yourselves so the poor folks in the student center aren't bombarded.) I'm setting the tentative deadline for this at April 7th. I need the ads as early as possible because getting these into computer format for the program will take time. Please don't wait til the last minute. I know spring break is coming up next week so that's a great opportunity for you to hit the streets on this. However, if April 7th approaches and you have someone definitely interested in advertising please talk to me and I'll work with you/them on it. I'd rather not turn away extra mony if at all possible. in the meantime if you want to start working on your bios feel free to send them in. NO LONGER THAN 35 words PLEASE!! Those who were in Sorcerer last term know that I mean that!! Please include in the bio your graduation year, MIT affiliation, and charcter in the show/prod staff postion/instrument you are playing in the show (Note: show positions and graduation years and names don't count in the 35 word limit). Tenative bio dealinde has also been set (by opus) at April 7. Again these will only get printed if we reach the magic number. OK, i'm done with the spiel. Thanks for readling all and GOOD LUCK!! Randi (resident waitress and program slave...)  1,, Summary-line: 20-Mar zacheiss@MIT.EDU [13] #Re: [cjsmith@MIT.EDU: Re: program ads] X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA23800; Tue, 20 Mar 2001 16:03:37 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28238; Tue, 20 Mar 2001 16:07:25 -0500 (EST) Received: from big-gay-als-animal-sanctuary.mit.edu (BIG-GAY-ALS-ANIMAL-SANCTUARY.MIT.EDU [18.7.10.65]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA23358; Tue, 20 Mar 2001 16:07:20 -0500 (EST) Received: (from zacheiss@localhost) by big-gay-als-animal-sanctuary.mit.edu (8.9.3) id QAA00853; Tue, 20 Mar 2001 16:07:20 -0500 (EST) Message-Id: <200103202107.QAA00853@big-gay-als-animal-sanctuary.mit.edu> To: Randi M Kestin cc: cjsmith@MIT.EDU, opus@MIT.EDU, zacheiss@MIT.EDU Subject: Re: [cjsmith@MIT.EDU: Re: program ads] In-Reply-To: Your message of "Tue, 20 Mar 2001 16:05:54 EST." <10103202105.AA01219@kangaroo.mit.edu> Date: Tue, 20 Mar 2001 16:07:20 -0500 From: Garry Zacheiss *** EOOH *** To: Randi M Kestin cc: cjsmith@MIT.EDU, opus@MIT.EDU, zacheiss@MIT.EDU Subject: Re: [cjsmith@MIT.EDU: Re: program ads] In-Reply-To: Your message of "Tue, 20 Mar 2001 16:05:54 EST." <10103202105.AA01219@kangaroo.mit.edu> Date: Tue, 20 Mar 2001 16:07:20 -0500 From: Garry Zacheiss I don't think we've done them recently, but if you have the time and the inclination to design a donation form, I'd very much be in favor of seeing one go into the program. Garry  1, answered,, Summary-line: 20-Mar scwang@MIT.EDU [42] #Re: a thought X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA18171; Tue, 20 Mar 2001 23:39:58 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA13959; Tue, 20 Mar 2001 23:43:45 -0500 (EST) Received: from angelwings (ANGELWINGS-NEXT.MIT.EDU [18.242.2.215]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id XAA20898; Tue, 20 Mar 2001 23:43:43 -0500 (EST) Message-Id: <200103210443.XAA20898@melbourne-city-street.mit.edu> X-Sender: scwang@hesiod X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 Date: Tue, 20 Mar 2001 23:44:02 -0500 To: "David C. Jedlinsky" From: Stephanie C Wang Subject: Re: a thought Cc: rcaileff@mit.edu, JRaine@bostonconservatory.edu In-Reply-To: <200103210437.XAA16304@multics.mit.edu> References: <200103202311.SAA02596@melbourne-city-street.mit.edu> <200103202306.SAA01440@melbourne-city-street.mit.edu> <200103202306.SAA01440@melbourne-city-street.mit.edu> <200103202311.SAA02596@melbourne-city-street.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: scwang@hesiod Date: Tue, 20 Mar 2001 23:44:02 -0500 To: "David C. Jedlinsky" From: Stephanie C Wang Subject: Re: a thought Cc: rcaileff@mit.edu, JRaine@bostonconservatory.edu In-Reply-To: <200103210437.XAA16304@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" Casting for No. 3: Ernest = Gregory Baker (of course :) Those who slight rehearsal A = Sara Camden B = Eric Tung (I think A and B are interchangeable) A new costume for every act C = Hilde Heremans "square the press" D = Nathan Handspicker Journalist = Erica Schultz Romeo & Juliet E = Matt Morse Juliet = Kat Bryant The "Hoyden" *F = Kate Cunningham* This was changed today. Two very well-shaped reasons G = Tova Brown ------------------------^*^-------------------------- Stephanie C. Wang MIT Class 2002, Course VII - Biology 500 Memorial Drive Cambridge, MA 02139 617-225-8982 -------------------------------------------------------  1,, Summary-line: 21-Mar to: gnb@mit.edu, analbir@ [19] #Rehearsal time for #20 X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA20979; Wed, 21 Mar 2001 01:08:45 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA18760; Wed, 21 Mar 2001 01:12:36 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA05813; Wed, 21 Mar 2001 01:12:34 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id BAA16630; Wed, 21 Mar 2001 01:12:34 -0500 (EST) Date: Wed, 21 Mar 2001 01:12:34 -0500 (EST) Message-Id: <200103210612.BAA16630@multics.mit.edu> From: "David C. Jedlinsky" To: gnb@mit.edu, analbir@mit.edu, dcltdw@mit.edu Subject: Rehearsal time for #20 *** EOOH *** Date: Wed, 21 Mar 2001 01:12:34 -0500 (EST) From: "David C. Jedlinsky" To: gnb@mit.edu, analbir@mit.edu, dcltdw@mit.edu Subject: Rehearsal time for #20 We need to figure out a time to rehearse the dance for #20. Greg, I talked with Dave and Ana already, and the dates which work for them are the following (in order of preference): Tuesday, April 10, from 7-8:30 Friday, April 13 (possibly, if Ana gets back) Sunday, April 1, after 2:30 Saturday, April 14, after 5:30 Thursday, April 12 Would any of these dates work for you? -Dave  1,, Summary-line: 21-Mar to: jenhazel@earthlink.ne [18] #Orchestra on May 1 X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA22043; Wed, 21 Mar 2001 01:14:48 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA19151; Wed, 21 Mar 2001 01:17:58 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA05895; Wed, 21 Mar 2001 01:17:56 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id BAA16637; Wed, 21 Mar 2001 01:17:56 -0500 (EST) Date: Wed, 21 Mar 2001 01:17:56 -0500 (EST) Message-Id: <200103210617.BAA16637@multics.mit.edu> From: "David C. Jedlinsky" To: jenhazel@earthlink.net, ejhanna@mit.edu Subject: Orchestra on May 1 *** EOOH *** Date: Wed, 21 Mar 2001 01:17:56 -0500 (EST) From: "David C. Jedlinsky" To: jenhazel@earthlink.net, ejhanna@mit.edu Subject: Orchestra on May 1 Hi Jen. It looks like the technical people will be able to do their cue-to-cue rehearsal a day earlier (April 30), which means that we could possibly have two dress rehearsals instead of the one that's currently scheduled. However, the orchestra is not called for Tuesday, May 1, at the moment. Is it too late to ask them to come on that date, too? Thanks. -Dave  1,, Summary-line: 21-Mar to: dpoland@MIT.EDU [25] #Re: conflicts X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA24583; Wed, 21 Mar 2001 01:31:04 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA20119; Wed, 21 Mar 2001 01:34:55 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA06106; Wed, 21 Mar 2001 01:31:03 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id BAA16664; Wed, 21 Mar 2001 01:31:03 -0500 (EST) Date: Wed, 21 Mar 2001 01:31:03 -0500 (EST) Message-Id: <200103210631.BAA16664@multics.mit.edu> From: "David C. Jedlinsky" To: dpoland@MIT.EDU In-reply-to: <200103191841.NAA23216@home-on-the-dome.mit.edu> (message from David C Poland on Mon, 19 Mar 2001 13:41:36 -0500) Subject: Re: conflicts References: <200103191841.NAA23216@home-on-the-dome.mit.edu> *** EOOH *** Date: Wed, 21 Mar 2001 01:31:03 -0500 (EST) From: "David C. Jedlinsky" To: dpoland@MIT.EDU In-reply-to: <200103191841.NAA23216@home-on-the-dome.mit.edu> (message from David C Poland on Mon, 19 Mar 2001 13:41:36 -0500) Subject: Re: conflicts Hi David. That's an awful lot of new conflicts. You didn't mark 4/15 and 4/21 as conflicts; you're currently called for those days, too. Thought, you did say 7-10pm; is that true for the weekends, too? Those rehearsals are from 2-5, usually. The main problem I see with these is that you won't be doing any of your dialog scenes or most of your songs from Act III until 4/23 at the earliest. That's only a week before the show opens. Are you going to be able to have everything memorized before then, and be able to find out your blocking? Is there any way you can come for any of those rehearsals which are now conflicts? -Dave  1,, Summary-line: 21-Mar cupid@MIT.EDU [20] #Re: [cjsmith@MIT.EDU: Re: program ads] X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA05611; Wed, 21 Mar 2001 11:24:10 -0500 (EST) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id LAA11139; Wed, 21 Mar 2001 11:28:00 -0500 (EST) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA01171; Wed, 21 Mar 2001 11:27:59 -0500 Date: Wed, 21 Mar 2001 11:27:59 -0500 Message-Id: <10103211627.AA01171@kangaroo.mit.edu> From: Randi M Kestin To: zacheiss@mit.edu Cc: cjsmith@mit.edu, opus@mit.edu, zacheiss@mit.edu In-Reply-To: <200103202107.QAA00853@big-gay-als-animal-sanctuary.mit.edu> (message from Garry Zacheiss on Tue, 20 Mar 2001 16:07:20 -0500) Subject: Re: [cjsmith@MIT.EDU: Re: program ads] *** EOOH *** Date: Wed, 21 Mar 2001 11:27:59 -0500 From: Randi M Kestin To: zacheiss@mit.edu Cc: cjsmith@mit.edu, opus@mit.edu, zacheiss@mit.edu In-Reply-To: <200103202107.QAA00853@big-gay-als-animal-sanctuary.mit.edu> (message from Garry Zacheiss on Tue, 20 Mar 2001 16:07:20 -0500) Subject: Re: [cjsmith@MIT.EDU: Re: program ads] > I don't think we've done them recently, but if you have the time >and the inclination to design a donation form, I'd very much be in favor >of seeing one go into the program. >Garry Looks like we're going to have a lot of inserts :P. i'm not really so inclined but it seems wrong to say no to this. In that case...does anyone know of a template I can look at to help me design said form? Randi  1,, Summary-line: 21-Mar zacheiss@MIT.EDU [16] #Re: [cjsmith@MIT.EDU: Re: program ads] X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA02168; Wed, 21 Mar 2001 12:01:57 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA06237; Wed, 21 Mar 2001 12:05:48 -0500 (EST) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id MAA07693; Wed, 21 Mar 2001 12:05:47 -0500 (EST) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id MAA29066; Wed, 21 Mar 2001 12:05:45 -0500 Message-Id: <200103211705.MAA29066@riff-raff.mit.edu> To: Randi M Kestin cc: zacheiss@MIT.EDU, cjsmith@MIT.EDU, opus@MIT.EDU Subject: Re: [cjsmith@MIT.EDU: Re: program ads] In-Reply-To: Your message of "Wed, 21 Mar 2001 11:27:59 EST." <10103211627.AA01171@kangaroo.mit.edu> Date: Wed, 21 Mar 2001 12:05:45 -0500 From: Garry Zacheiss *** EOOH *** To: Randi M Kestin cc: zacheiss@MIT.EDU, cjsmith@MIT.EDU, opus@MIT.EDU Subject: Re: [cjsmith@MIT.EDU: Re: program ads] In-Reply-To: Your message of "Wed, 21 Mar 2001 11:27:59 EST." <10103211627.AA01171@kangaroo.mit.edu> Date: Wed, 21 Mar 2001 12:05:45 -0500 From: Garry Zacheiss >> Looks like we're going to have a lot of inserts :P. i'm not really so >> inclined but it seems wrong to say no to this. In that case...does >> anyone know of a template I can look at to help me design said form? I don't have a predesigned form for this like I did for the ads, and a quick look in the gsp locker doesn't turn up anything, either. Garry  1,, Summary-line: 21-Mar dcltdw@MIT.EDU [42] #well, in that case... X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA16781; Wed, 21 Mar 2001 14:57:42 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA07161; Wed, 21 Mar 2001 15:01:01 -0500 (EST) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA03152; Wed, 21 Mar 2001 15:00:53 -0500 (EST) Received: (from dcltdw@localhost) by biohazard-cafe.mit.edu (8.9.3) id PAA04958; Wed, 21 Mar 2001 15:00:51 -0500 (EST) Date: Wed, 21 Mar 2001 15:00:51 -0500 (EST) Message-Id: <200103212000.PAA04958@biohazard-cafe.mit.edu> From: David C Leung To: dcltdw@mit.edu, alyse@alum.MIT.EDU Cc: jmaessen@mit.edu, shadow@alum.MIT.EDU, mcondell@alum.MIT.EDU Cc: hannah@alum.MIT.EDU, remcat@alum.MIT.EDU, dhenry@bluedolphin.com Cc: ekrem@alum.MIT.EDU, leanne@alum.MIT.EDU, erinp@mit.edu Cc: algresse@alum.MIT.EDU, ashultz@alum.MIT.EDU, msarofim@mit.edu cc: jgratt@alum.MIT.EDU, jma@alum.MIT.EDU, proven@proven.org cc: rolemaster@mit.edu, endeavor@mit.edu cc: jjd@jjd.com, sola@alum.MIT.EDU, gildea@mit.edu, erica@intouchsys.com cc: mjn@intouchsys.com, heather@intouchsys.com cc: grberry@alum.MIT.EDU, dinner@mit.edu, biotmc@mit.edu cc: cho@ll.mit.edu, dmsheril@alum.MIT.EDU cc: wferguson@bbn.com, atymoczk@fas.harvard.edu Subject: well, in that case... *** EOOH *** Date: Wed, 21 Mar 2001 15:00:51 -0500 (EST) From: David C Leung To: dcltdw@mit.edu, alyse@alum.MIT.EDU Cc: jmaessen@mit.edu, shadow@alum.MIT.EDU, mcondell@alum.MIT.EDU Cc: hannah@alum.MIT.EDU, remcat@alum.MIT.EDU, dhenry@bluedolphin.com Cc: ekrem@alum.MIT.EDU, leanne@alum.MIT.EDU, erinp@mit.edu Cc: algresse@alum.MIT.EDU, ashultz@alum.MIT.EDU, msarofim@mit.edu cc: jgratt@alum.MIT.EDU, jma@alum.MIT.EDU, proven@proven.org cc: rolemaster@mit.edu, endeavor@mit.edu cc: jjd@jjd.com, sola@alum.MIT.EDU, gildea@mit.edu, erica@intouchsys.com cc: mjn@intouchsys.com, heather@intouchsys.com cc: grberry@alum.MIT.EDU, dinner@mit.edu, biotmc@mit.edu cc: cho@ll.mit.edu, dmsheril@alum.MIT.EDU cc: wferguson@bbn.com, atymoczk@fas.harvard.edu Subject: well, in that case... Oh, look, news about dave. I'm unemployed! "Oops." Yeah, well. Oculus got bit in the ass about second-round funding, and so there are cutbacks. I'm one of them. The ironic part being that I've been wanting a vacation because of some minor burn-out, and here I have a 2 week vacation! And a mortgage. "Oops." So if you think you might want to hire me, let me know. Draft of my resume is at http://www.mit.edu/~dcltdw/resume.html I'll update it RSN. I still think Oculus is a cool place, and if they get their financial feet under them again, I'd be tempted to come back. I'm bummed that the company is skidding, and I'm grumpy that I have to go job hunting, but otherwise, I'm doing okay. Well, until I see alyse tonight, who, being more fiscally responsible than I am, may be much more nervous about the financial situation than I am. ("Can I pay my Mastercard bill with my Visa card?") Oh look, company meeting. Time to formally annouce to everyone else... dave  1,, Summary-line: 21-Mar Cjedlinsky@sembler.com [53] #New name/email address X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA24795; Wed, 21 Mar 2001 15:17:11 -0500 (EST) Received: from 38.208.66.4 (sembler.com [38.208.66.4]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id PAA13482 for ; Wed, 21 Mar 2001 15:20:56 -0500 (EST) Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Wed, 21 Mar 2001 15:25:41 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Wed, 21 Mar 2001 15:25:11 -0500 From: "Cindy Jedlinsky" To: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , "Sue Harker" , , , , , , , , , , , , , , , , , , , , , , Subject: New name/email address Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Wed, 21 Mar 2001 15:25:11 -0500 From: "Cindy Jedlinsky" To: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , "Sue Harker" , , , , , , , , , , , , , , , , , , , , , , Subject: New name/email address Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Effective immediately, my email address has changed to: cjedlinsky@sembler.com=20 As our office has also moved, I have new info for that, too: 1450 S. Johnson Ferry Road Suite 100 Atlanta, GA 30319 404-847-1800 x205 404-847-1818 (fax) Thanks! Cindy  1,, Summary-line: 21-Mar marchanc@go.com [26] #Fw: 6th Disney Fanatic Contest X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA16819; Thu, 22 Mar 2001 00:46:32 -0500 (EST) Received: from webmailmta.go.com ([204.202.140.198]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA00226; Thu, 22 Mar 2001 00:49:45 -0500 (EST) Received: from gomailjtp02 (jtp02.seamail.go.com [10.212.0.162]) by mta06.seamail.go.com (Sun Internet Mail Server sims.4.0.2000.10.12.16.25.p8) with ESMTP id <0GAL000PE45Y44@mta06.seamail.go.com>; Wed, 21 Mar 2001 21:49:12 -0800 (PST) Date: Wed, 21 Mar 2001 21:48:42 -0800 (PST) From: Christopher Marchant Subject: Fw: 6th Disney Fanatic Contest To: keke80@hotmail.com, jen22@lycos.com, rls@dimins.com, opus@mit.edu, aurora@mit.edu, warlord@mit.edu Cc: marchanc@go.com Message-id: <5690369.985240122995.JavaMail.marchanc@gomailjtp02> MIME-version: 1.0 X-Mailer: GoMail 3.0.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT *** EOOH *** Date: Wed, 21 Mar 2001 21:48:42 -0800 (PST) From: Christopher Marchant Subject: Fw: 6th Disney Fanatic Contest To: keke80@hotmail.com, jen22@lycos.com, rls@dimins.com, opus@mit.edu, aurora@mit.edu, warlord@mit.edu Cc: marchanc@go.com Content-type: text/plain; charset=iso-8859-1 In case you are interested and hadn't heard: -----Original Message----- From: Murz1219@aol.com Its time for our 6th "You're a Disney Fanatic if..." contest. The first place submission will win an audio book on the life of Walt Disney. The top 10 submissions will be listed on our web site. Visit our main page at http://members.aol.com/murz1219 or just Click Here for a link to the Entry Form and rules. ___________________________________________________ GO.com Mail Get Your Free, Private E-mail at http://mail.go.com  1,, Summary-line: 22-Mar janicedals@mediaone.net [93] #Re: Costumes: from a G&S costumer X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA12951; Thu, 22 Mar 2001 17:33:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA14252 for ; Thu, 22 Mar 2001 17:37:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA06811; Thu, 22 Mar 2001 17:35:14 -0500 (EST) Date: Thu, 22 Mar 2001 17:35:14 -0500 (EST) Message-Id: <3ABA7A9B.D6AFB4E6@mediaone.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Re: Costumes: from a G&S costumer MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-MOENE (WinNT; U) *** EOOH *** Date: Thu, 22 Mar 2001 17:35:14 -0500 (EST) Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: Re: Costumes: from a G&S costumer Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I didn't read the list for a few days and not only did my speciality come up, there's loads of messages! I've designed, made, rented out costumes for G&S shows for about 20 yrs. now. Most of the time I'm working for a non-profit group that can't afford to pay me. Budgets will vary, but most are too little to totally rent the show from a professional house (such as they are). I know where to rent cheaply or borrow. If I'm also performing with the group, which has been often the case, I use a lot of my own rental stock to fill in the gaps. The major group that I still work with regularly, is the Sudbury Savoyards (a totally volunteer organization). When I design for their casts (50-60+ people) I try to have outfits fit a specific color design, but build in some versatility in choice of color or style so that the chorus has some say in what it is wearing. Of course, that isn't true for the yeomen, or dragoons, but they don't seem to mind. ;-D Leads may not have much choice either, but I do listen to them and, if possible, will make a few changes to accomodate them. Having been on stage in all sorts of costumes, some very difficult to even breathe in, I have a feel for what will allow a person to move easily and feel right in their costume. Most clothes need adjustments for stage use that an inexperienced person wouldn't know about. My only major battle with a cast was when I designed the "Iolanthe" fairies' costumes to be worn with green tights, which I purchased in bulk at the lowest discount I could get. Tights are one of the things we often require our casts to pay for, since they are a personal item. About half of the cast was very unhappy at having to buy tights that they'd never use again after the two show weekends. The Board ended up paying for them, but were very unhappy with me, although I had told everyone from the begining that we were having green tights. With such a large cast of huge differences in physical dimensions, it is impossible to rent what we need. Therefore, just about everything is made to size for each show. The costume materials costs for the shows here have ranged from $2000 to $4000, which is still a lot cheaper than if we could have got them from a rental house. This also eliminates the last minute alterations that are a constant problem, no matter whom you rent from. One benefit of more than 10 years of doing this, is that we now have a large inventory of costumes to draw from. At least one-half of each show can be drawn from what we have. This has made it easier on the Costume designers who have done the past two shows while I've had some serious physical problems. We are lucky to be part of the Sudbury United Methodist Church. It gives us free storage space, rehearsal, and workshow space. In exchange, all our profits go to their world hunger fund. During the year, I'm Costume rental agent for the group, providing low rental fee costumes to smaller G&S and school groups. We have Saturday workdays where cast members and others are urged to help out in order to get all the technical work done. There are a lot who have very minor sewing skills, but we balance off with long-timers who take work home, and a few of us who are very skilled at pattern making and other specialities. We try to teach as we go but that can be very difficult when we are pressed for time. My work has not always been appreciated. The praise will go to those who keep costs low, no matter how cheap the costumes may look, or how incomplete. There aren't many costumers out here for the groups who are looking for them. We are expected to work miracles with insufficient budgets, donate our own money and all our time, not take up the cast/director's time by taking measurements, and be grateful for the opportunity to serve. The times when I've worked for a group that understands what good costuming is, and how valuable a good costumer can be to the look of a show, are precious. I'd say, if you are unhappy with what is happening with costumes, look to those who control that part of the budget and should be looking for a good costumer, not just a warm body. How can we continue to work if we are not valued enough to be considered an important part of the team? I've probably skipped something, but I've tried to cover most of what has been discussed. -- Janice Dallas Boston,MA area, USA JaniceDals@MediaOne.net "Just so, the girl has beauty, virtue, wit..."  1,, Summary-line: 23-Mar oakapple2@yahoo.com [88] #Re: VS copyrights and publishing rights X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02204; Fri, 23 Mar 2001 13:38:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA04881 for ; Fri, 23 Mar 2001 13:42:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA21609; Fri, 23 Mar 2001 13:39:56 -0500 (EST) Date: Fri, 23 Mar 2001 13:39:56 -0500 (EST) Message-Id: <20010323181841.94179.qmail@web13305.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: VS copyrights and publishing rights MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <12352378.985368344764.JavaMail.imail@batty.excite.com> *** EOOH *** Date: Fri, 23 Mar 2001 13:39:56 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: VS copyrights and publishing rights Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <12352378.985368344764.JavaMail.imail@batty.excite.com> Dave Leigh's post crossed mine in the cyber-ether: > Better to ask. Editions are copyrighted. I disagree. When you have in your hand an 1890 edition of a work by a composer who died in 1900 and a librettist who died in 1911, you do not need to ask. The whole point of having public laws is so that you will not need to ask in obvious cases, which this is. Of course, it is in the publishers' interest for you to believe that you need to ask. Perhaps their answer will be untimely or not even truthful (e.g., "Oh yes, of course our edition of THE SORCERER is still in copyright, even though we haven't changed it since 1884."). > For instance, my edition of IDA: the preface is cpyrighted, of > course, because I wrote it. As for the VS itself, I own the copyright > for the editing and the compilation. The second sentence may, or may not, be accurate. Dave is American, and his work is governed by American copyright law. Here is a quote from the Copyright FAQ on the Library of Congress's website : > How much do I have to change in my own work to make a new claim of > copyright? > > You may make a new claim in your work if the changes are > substantial and creative -- something more than just > editorial changes or minor changes. This would qualify > as a new derivative work. For instance, simply making > spelling corrections throughout a work does not warrant > a new registration -- adding an additional chapter would. The point is that a new typesetting of a public-domain work is not per se copyrightable under U.S. law, unless the changes are substantial and creative. There is very little caselaw that says just how substantial and creative the changes must be, but claims that new editions are protected per se under U.S. law are simply wrong. Indeed, from his posts about it in the past, it sounds as if Dave's objective was to reproduce the original Chappell edition of PRINCESS IDA cleanly and faithfully, and to include the dialogue. If this is indeed what he did, it's probably a poster-child example of a non-protected edition, despite the fact that it undoubtedly required enormous effort. Let's all quote Justice O'Connor together: "Copyright rewards originality, not effort." The fact that no score of PRINCESS IDA has included the dialogue before is unavailing. Putting together in one volume two things that were previously separate does not result in a new copyright under U.S. law unless the choice of the material was a creative exercise, which this does not seem to have been. Dave is right, of course, that his preface is legitimately copyrighted no matter what, but that applies only to the preface, and not to the rest of the score -- unless his changes are sufficiently creative and substantial. Of course, if I liked Dave's edition of PRINCESS IDA well enough to use it in a production, I would probably buy copies from him as a matter of fairness. But Dave has not told us enough about his edition to establish that this is legally *required* (as opposed to being "the nice thing to do"). ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/  1,, Summary-line: 23-Mar janicedals@mediaone.net [82] #The work of a Costumer/Costume Designer for G&S shows X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA15509; Fri, 23 Mar 2001 20:58:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA19861 for ; Fri, 23 Mar 2001 21:02:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA26648; Fri, 23 Mar 2001 21:00:39 -0500 (EST) Date: Fri, 23 Mar 2001 21:00:39 -0500 (EST) Message-Id: <3ABBFC6B.D10943A9@mediaone.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: The work of a Costumer/Costume Designer for G&S shows MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-MOENE (WinNT; U) *** EOOH *** Date: Fri, 23 Mar 2001 21:00:39 -0500 (EST) Reply-To: janicedals@mediaone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Janice Dallas To: Multiple recipients of list SAVOYNET Subject: The work of a Costumer/Costume Designer for G&S shows Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Cenydd, Maybe the problem is that you put the costumer in the same rank as others who really put in very short hours and have lower responsibilities than is true for the costumers in most of the groups I've worked with. If you have only worked with costumers who hardly measure and either pull bits and pieces from stock, or send to a costume service, I can see why you might feel that way. Or perhaps things are different on your side of the pond. By the way, I'm called a Costumer or a Costume Designer. They both mean pretty much the same to the groups I work with. It's different for Professionals. I'd have several job names at once in that case. On the other hand, I put in long hours months before the show is cast working with the Director and Set designer to get the look and colors of a show, draw up designs and purchase materials, and develop prototype patterns. When the show is cast, I oversee cast measuring (measurement sheets with a minimum of 12 measurements per person, and more for those who need a custom pattern because of unusual body shape or size). If we're re-using old costumes, those are compared to the measurement sheets so as to get as close a fit as possible. We don't just dump them out for everyone at the last minute. Most of the time, I've had to make everything new, so I oversee Saturday workshops for 2 and 1/2 months, bringing in equipment and all notions needed for our volunteer sewers. I have a Master list where each person's costume pieces are listed so we know who's wearing what. Costumes are labeled with the wearer's name and measurements. I make or round up costume acessories and advise on wigs, period hairdos, jewelry (made or provided), and talk with the Make-up Designer. I give character-labeled fabric samples to the Lighting Designer so he can plan lighting that won't kill the costume colors. I work with the Props Chief, since often fabric is needed for sewn banners, upholstery, etc. Towards the end, I double check with the Set Designer to ensure that people in costume aren't going to get snagged or stuck in narrow doorways, have problems with narrow or ill-lit stairs, etc. For use during final stage rehearsals and the run of the show, I set up a travel kit and equipment for backstage repair and maintenance and make sure we have non-cast people backstage to solve problems. When the show ends, I make sure that there are people to check that each performer turns in all items and who sort costumes for cleaning. There also have to be people who take the costumes to the dry-cleaners or wash them at home. I make sure all costumes get back into storage. After the show, I write up de-briefing reports and submit a final accounting to the Board. Sorry, but my job is nothing like that of a stagehand or props person, essential as they may be. The time requirements and responsibility required to do my best work put me up in the catagory of the other leadership positions. I don't like being treated as someone who could easily be replaced by someone off the street. It takes training to do what I do. -- Janice Dallas Boston,MA area, USA JaniceDals@MediaOne.net "Just so, the girl has beauty, virtue, wit..." "PHILLIPS C.T." wrote: > [PHILLIPS C.T.] This goes for all of the 'behind the scenes' team. > Costumers, stagehands, front of house, make-up, props, tea-makers, etc., > etc., are all hard working and undervalued, and the show simply could not > happen without them.  1,, Summary-line: 23-Mar thorntonk@mediaone.net [37] #Re: Extra rehearsals and stuff X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA21175; Fri, 23 Mar 2001 21:01:40 -0500 (EST) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA15619; Fri, 23 Mar 2001 21:05:33 -0500 (EST) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f2O25VU02714; Fri, 23 Mar 2001 21:05:31 -0500 (EST) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Fri, 23 Mar 2001 21:07:23 -0500 Subject: Re: Extra rehearsals and stuff From: Katherine Thornton To: "David C. Jedlinsky" , CC: , Message-ID: In-Reply-To: <200103232315.SAA13318@multics.mit.edu> Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Fri, 23 Mar 2001 21:07:23 -0500 Subject: Re: Extra rehearsals and stuff From: Katherine Thornton To: "David C. Jedlinsky" , CC: , In-Reply-To: <200103232315.SAA13318@multics.mit.edu> Content-type: text/plain; charset="US-ASCII" We do have Mark for April 2, 23, and 30 if we need him from 7. Kate on 3/23/01 6:15 PM, David C. Jedlinsky at opus@MIT.EDU wrote: > > We need someone from 7-10. Please be scary, because the cast is truly > frightening when they try to sing with the CD. > > -Dave > > >> Date: Fri, 23 Mar 2001 17:47:56 -0500 >> From: Garry Zacheiss >> >>>> Also, what's the pianist situation for Monday, 4/2? That's the run of >>>> Acts I & II. I'll be meeting with Ernest, Ludwig, Lisa, Julia and the >>>> Notary at 6:00 to go over the end of Act I stuff we didn't do yesterday, >>>> but we can operate from the CD for that. They'll be running it again >>>> later in the evening. >> >> I believe that Monday nights recently we've been having Mark Seelig >> come and play, although we usually can't there until 8:30 or 9. If you >> need someone sooner than that, I'll see what I can scare up. >> >> Garry  1,, Summary-line: 25-Mar SSilvers@shackandsiegel.c [37] #VS copyrights -- The Law of Public Domain X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA16902; Sun, 25 Mar 2001 13:13:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA16680 for ; Sun, 25 Mar 2001 13:16:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA01737; Sun, 25 Mar 2001 13:15:02 -0500 (EST) Date: Sun, 25 Mar 2001 13:15:02 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: VS copyrights -- The Law of Public Domain Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Sun, 25 Mar 2001 13:15:02 -0500 (EST) Reply-To: SSilvers@shackandsiegel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: VS copyrights -- The Law of Public Domain Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here is a frequently cited law review on the topic. If you search google for "public domain and music" you will find hundreds of entries, but you are better off asking the law librarian at a major law library for help. http://www.sneezy.org/clarinet/Misc/46DLJ241noframe.html See also: http://counsel.cua.edu/IP/Public_Domain/Questions.htm Professor Heald believes that, with respect to the wrongful use of the copyright notice, you could sue or counterclaim for various kinds of tort and contract damages related to the improper application of the copyright notice and for bringing a frivolous action. Personally, I would buy the most convenient bound score of Princess Ida or any other G&S work; that is, if it is easy to read, faithful to the standard libretto used by most groups in production and durable. Sam  1, answered,, Summary-line: 26-Mar goodmanj@uchicago.edu [27] #Duke, etc. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA07226; Mon, 26 Mar 2001 14:11:28 -0500 (EST) Received: from midway.uchicago.edu (midway.uchicago.edu [128.135.12.12]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27596 for ; Mon, 26 Mar 2001 14:11:12 -0500 (EST) Received: from uchicago.edu (moominpappa.uchicago.edu [128.135.28.16]) by midway.uchicago.edu (8.10.1/8.10.1) with ESMTP id f2QJBCT19037 for ; Mon, 26 Mar 2001 13:11:12 -0600 (CST) Sender: goodmanj@midway.uchicago.edu Message-ID: <3ABF9596.288C20C@uchicago.edu> Date: Mon, 26 Mar 2001 13:16:38 -0600 From: Jason Goodman Organization: University of Chicago X-Mailer: Mozilla 4.75 [en] (X11; U; Linux 2.2.16-3 i686) X-Accept-Language: en MIME-Version: 1.0 To: opus@mit.edu Subject: Duke, etc. Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: goodmanj@midway.uchicago.edu Date: Mon, 26 Mar 2001 13:16:38 -0600 From: Jason Goodman Organization: University of Chicago X-Accept-Language: en To: opus@mit.edu Subject: Duke, etc. Content-Type: text/plain; charset=us-ascii Hi, Dave. I just heard that you were directing Grand Duke. I hope it's going well! Did you get around to palm-pilotizing the Grand Duke libretto? If so, could you send me it? I looked into doing it last week, but found that the libretto on the G&S Archive website isn't an edition I like (it's missing the Roulette Song, for one), and the required merging of editions would take too much thought to do right now. Also, maybe somebody already mentioned this to you, but the WWWF Grudge Match, which stages fictional battles between pop icons, with the readers voting on the outcome, has one currently which might interest you. http://www.grudge-match.com/ -- Jason Goodman, Research Associate, Dept of Geophysics, University of Chicago goodmanj@uchicago.edu goodmanj@mit.edu http://www.mit.edu/~goodmanj/  1,, Summary-line: 27-Mar danflorip@yahoo.com [59] #UMGASS 2001-2002 petitions needed. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA21423; Tue, 27 Mar 2001 01:40:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA26890 for ; Tue, 27 Mar 2001 01:44:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA07856; Tue, 27 Mar 2001 01:42:30 -0500 (EST) Date: Tue, 27 Mar 2001 01:42:30 -0500 (EST) Message-Id: <20010327063742.24989.qmail@web4102.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: danflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: UMGASS 2001-2002 petitions needed. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 27 Mar 2001 01:42:30 -0500 (EST) Reply-To: danflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: UMGASS 2001-2002 petitions needed. Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The University of Michigan Gilbert and Sullivan Society (UMGASS) is now accepting petitions for production staff positions for the following shows: THE GRAND DUKE, to be performed December 6-9, 2001 IOLANTHE, to be performed April 4-7, 2002 The following positions must be filled: Director Musical Director Set Designer Costume Designer Lighting Designer Properties Manager Make-up Designer Individuals may petition for either or both shows. Interested parties should contact the 2001-2002 UMGASS executive board by e-mailing umgassexec0102@umich.edu or calling (734)647-8436 by Monday, April 16, 2001. For more information about UMGASS, or our current show, HMS PINAFORE, check out www.umgass.org. Regards, Dan Florip 2001-2002 UMGASS Company Promoter ===== Daniel Florip UMGASS 2001 Pinafore Chorus UMGASS 2001-2002 Company Promoter University of Michigan, Ann Arbor danflorip@yahoo.com M GO BLUE! __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text  1,, Summary-line: 27-Mar ahumez@world.std.com [17] #conflict reminder/clarification X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA07602; Tue, 27 Mar 2001 10:39:41 -0500 (EST) Received: from sgi04-e.std.com (sgi04-e.std.com [199.172.62.134]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11114 for ; Tue, 27 Mar 2001 10:43:37 -0500 (EST) Received: from world.std.com (world-f.std.com [199.172.62.5]) by sgi04-e.std.com (8.9.3/8.9.3) with ESMTP id KAA24886140; Tue, 27 Mar 2001 10:43:11 -0500 (EST) Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id KAA08115; Tue, 27 Mar 2001 10:43:10 -0500 (EST) Message-Id: <200103271543.KAA08115@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu, thorntonk@mediaone.net Subject: conflict reminder/clarification Date: Tue, 27 Mar 2001 10:43:09 -0500 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu, thorntonk@mediaone.net Subject: conflict reminder/clarification Date: Tue, 27 Mar 2001 10:43:09 -0500 From: Andrea L Humez I'm pretty sure this isn't anything I didn't say before, but I just wanted to make sure you know which rehearsals I'm missing... I will not be able to make april 2 or april 18. I will most likely not be able to make april 15th either, though there's a possibility I can arrange to pop in for some or all of it (my conflict being on campus). I believe I'm good for everything else. Andrea  1,, Summary-line: 28-Mar tflorin@mc.rochester.edu [35] #Re: SAVOYNET digest 4132 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA15856; Wed, 28 Mar 2001 12:04:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA08207 for ; Wed, 28 Mar 2001 12:08:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA24186; Wed, 28 Mar 2001 12:04:52 -0500 (EST) Date: Wed, 28 Mar 2001 12:04:52 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: tflorin@mc.rochester.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Todd Florin To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 4132 MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Wed, 28 Mar 2001 12:04:52 -0500 (EST) Reply-To: tflorin@mc.rochester.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Todd Florin To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 4132 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: re: College Light Opera Company this summer...we will be doing "Mikado" from June 26-June 30 (I think that those are the dates), and I will be conducting "Iolanthe" from July 24-28. Peformances are evenings of Tuesday-Saturday, with a matinee on Thursday afternoon. This is at Highfield Theater in West Falmouth, MA. If any savoynetters attend Iolanthe, it would be great to say hello.... For more info, check out CLOC's website at www.collegelightopera.com...it may not yet be updated on this season's rep, but you can get info on tickets and location. Hope this helps........ Todd Florin ---------------------------------------------------------------------------- Todd Florin University of Rochester School of Medicine and Dentistry Rochester, NY 14642 tflorin@mc.rochester.edu  1,, Summary-line: 28-Mar mstorie@nwlink.com [54] #Re: Traditional or Modern? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA01551; Wed, 28 Mar 2001 13:52:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA10319 for ; Wed, 28 Mar 2001 13:56:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA08376; Wed, 28 Mar 2001 13:55:16 -0500 (EST) Date: Wed, 28 Mar 2001 13:55:16 -0500 (EST) Message-Id: <3AC2223E.5720E666@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Traditional or Modern? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Wed, 28 Mar 2001 13:55:16 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Traditional or Modern? Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I think Sam Silvers made an excellent reply to Julian Dodd regard a first approach to directing Gilbert & Sullivan. The only things I might add are the following: 1. Believe in the material. It is very funny and entertaining. I've seen many jokes added to G&S over the years (I stand guilty) and the biggest laughs always come from Gilbert's original stuff. 2. Play it perfectly straight. Each actor on stage must act as though he or she totally believes every word his/her character, or the other characters, are saying. "They were switched at birth?" Fine no problem, everybody changes there lifestyle at once to accommodate this. If people on stage act as though "we actors are forced to say this silly Victorian nonsense," it will fall flat as a pancake. 3. Minimize "pork-pie" (funny stuff put in for a cheap laugh). Gilbert was adamant on this and it's still true. 4. Minimize topical references. The best of Gilbert's work is classical because it is timeless. Pooh-Bah lives today -- in every country of the world. I refer you to the Canadian Stratford videos. Including the Canadian Prime Minister's wife in the "Little List" song was funny, that summer, in Canada. But not so much in other times and places. 5. I like to take the attitude that the chorus is the most important principal on the stage. If they can sing and act appropriately, you are well on your way to a good production. (Note that I didn't mean "upstage." The key word is "appropriate.") 6. Get the best accompaniment you can afford. A good piano (or two) is better than a bad orchestra. 7. Don't worry about modern audiences not "getting it." One of my most delightful experiences in G&S was a 7-year old, explaining to me after her first exposure, that "the Major General and the Pirate King got all mixed up because "Orphan" and "Often" sound so much alike." 8. Have fun. Mike Storie Seattle  1,, Summary-line: 28-Mar marchanc@go.com [29] #Texas X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA23380; Wed, 28 Mar 2001 16:13:21 -0500 (EST) Received: from webmailmta.go.com ([204.202.140.198]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA15897 for ; Wed, 28 Mar 2001 16:17:09 -0500 (EST) Received: from gomailjtp02 (jtp02.seamail.go.com [10.212.0.162]) by mta06.seamail.go.com (Sun Internet Mail Server sims.4.0.2000.10.12.16.25.p8) with ESMTP id <0GAX0009FEZHQ6@mta06.seamail.go.com> for opus@mit.edu; Wed, 28 Mar 2001 13:14:05 -0800 (PST) Date: Wed, 28 Mar 2001 13:13:35 -0800 (PST) From: Christopher Marchant Subject: Texas To: opus@mit.edu Message-id: <5318838.985814015998.JavaMail.marchanc@gomailjtp02> MIME-version: 1.0 X-Mailer: GoMail 3.0.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT *** EOOH *** Date: Wed, 28 Mar 2001 13:13:35 -0800 (PST) From: Christopher Marchant Subject: Texas To: opus@mit.edu Content-type: text/plain; charset=iso-8859-1 Opus, How are things these days up north? Did you get any flooding recently with the snow/rain storms? Did you ever purchase the extra land you were hoping for? I seem to remember there was some sort of issue with it though (either re-zoning it or splitting it into smaller parcels or something). Anyway, I have no idea if you would be interested, but I know USA is looking for people with real-time programming experience to relocate to Houston. I know you and Ruth mentioned something about possibly relocating some day when we were all at Disney in December. They are hoping for people with several years experience with VxWorks/Tornado but not many such people seem to exist. Anyone with real-time, especially O/S experience would be considered. I think they also hope for experience with C. I don't know exactly what you have been doing with DEC, but in case you were interested, I thought I would mention it. Otherwise, not much new is going on with me in TX. I'm still in the extended learning stage, although I do have some "real work" that I can do. It feels good to understand the system enough to write at least a little code here and there! I also ran into a flight controller for the ISS who is a former MIT undergrad in Course 16 and Refreshments Director. It can be a small world sometimes... In other completely separate news, I don't suppose you have been to or are planning on going to Disney's California Adventure? I have been sort of following the news on it and trying to decide if it would be worth visiting at some point in the future (i.e. in the next couple years.) Just wondering if anyone I knew had been. I know you had gone to EuroDisney on opening day and were talking about Disneyland HK, so I thought this opening date (although a small one), might have interested you. I hope all is well you with and Ruth. Did you ever make it to Florida to see a shuttle launch? Ruth had mentioned that a relative had gotten hold of a car pass for a recent mission. Take care, Chris ___________________________________________________ GO.com Mail Get Your Free, Private E-mail at http://mail.go.com  1,, Summary-line: 28-Mar ctswim@ctswim.org [21] #College Light Opera X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA24286; Wed, 28 Mar 2001 23:06:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA13178 for ; Wed, 28 Mar 2001 23:10:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA09874; Wed, 28 Mar 2001 23:08:29 -0500 (EST) Date: Wed, 28 Mar 2001 23:08:29 -0500 (EST) Message-Id: <4.2.0.58.20010328224333.01165a28@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ctswim@ctswim.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James W. Cooper" To: Multiple recipients of list SAVOYNET Subject: College Light Opera Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 *** EOOH *** Date: Wed, 28 Mar 2001 23:08:29 -0500 (EST) Reply-To: ctswim@ctswim.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James W. Cooper" To: Multiple recipients of list SAVOYNET Subject: College Light Opera Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Pointing my trusty search engine at the web, I found http://www.collegelightopera.com/schedule01.htm where you will find Mikado and Iolanthe along with a number of other non G&S shows this summer. James W. Cooper Connecticut Swimming Technology Coordinator President, Lab Software Associates  1,, Summary-line: 29-Mar jtidwell@curl.com [128] #Curl is real now (long article) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA13151; Thu, 29 Mar 2001 11:05:48 -0500 (EST) Received: from snidely.curl.com (snidely.curl.com [216.230.83.12]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id LAA24082 for ; Thu, 29 Mar 2001 11:04:27 -0500 (EST) Received: (qmail 4846 invoked by uid 13272); 29 Mar 2001 11:03:56 -0500 Received: from localhost (sendmail-bs@127.0.0.1) by localhost with SMTP; 29 Mar 2001 11:03:56 -0500 Date: Thu, 29 Mar 2001 11:03:56 -0500 (EST) From: Jenifer Tidwell To: <"Those who might be interested"@curl.com> Subject: Curl is real now (long article) Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Thu, 29 Mar 2001 11:03:56 -0500 (EST) From: Jenifer Tidwell To: <"Those who might be interested"@curl.com> Subject: Curl is real now (long article) Content-Type: TEXT/PLAIN; charset=US-ASCII So we finally released our first commercial version of the Curl language and plugin! For those of you who have been curious (or confused) about what Curl actually is, and what I've been spending the last year of my life working on, this article is a pretty decent introduction. http://www.curl.com, of course. If you're willing to download the kinda-large plugin (which is stable and won't do anything evil to your machine), and get past the marketing hype, there's some fun stuff on the demo gallery. Yay! - Jenifer ---------- Forwarded message ---------- Date: Thu, 29 Mar 2001 09:01:11 -0500 From: Julie Cook To: newsflash@curl.com Subject: Curl article on www.the451.com Web site Bob Batty was interviewed yesterday and we were featured on the Web site http://www.the451.com. This is a subscription-based news service and you cannot access the article unless you sign up. We will look into linking to it, but in the meantime, the full text is below. Julie Curl launches new programming language Nick Patience Mar 28, 2001, 07:24 PM ET New York - A new programming language called Curl is set for commercial launch at midnight Wednesday with the promise of superseding, yet complementing, Java, HTML, XML and scripting languages. Curl is said to be a combination markup, scripting and object-oriented programming language, the code of which compiles on the client using a just-in-time compiler. Java, HTML and scripting languages can be embedded inside Curl code. The promise is a great one ? namely that Java, C++, HTML, and Perl programmers will all find it a comfortable environment in which to work, but the users will benefit from faster downloads and a richer experience, even on narrowband connections. The technology has a fair ways to go before either of those constituencies is satisfied, and it has a lot of hurdles to clear, as does any new software development environment. The history of computing is littered with programming environments that never made it. Despite the commercial version being new, Curl has a long history and impressive pedigree. The Boston-based company got its start at the Massachusetts Institute of Technology via $5m in funding from the Defense Advanced Projects Agency (Darpa). Michael Dertouzos, director of MIT's Laboratory for Computer Science, and Stephen Ward, a professor of computer science and electrical engineering, started the project in early 1995. Three years later, the company was formed, with Dertouzos and Ward being joined by Tim Berners-Lee, the inventor of HTML, among others. It raised $42m in November 1999 from investors including Baker Capital, Equity Group Holdings, SCP Private Equity Partners, and Investor AB ? the largest investor in Ericsson. The Curl technology comprises the Surge JIT compiler and the Surge Lab development environment. The compiler also includes 2D and 3D graphics engines and an XML parser. It appears the first experiments with it will come in the rich media fields of entertainment sites and corporate advertising, and Flash and Shockwave appear to be the main targets, although Java is also in its crosshairs. And the introduction of Microsoft's C# language as part of its .NET framework will add another option for programmers in a crowded space. The Surge 1.0 compiler and run-time environment is available Thursday, while Surge Lab is still in beta (version 0.9), with launch set for the summer. The code will be open-sourced via one of the main managed open source communities in late summer. According to Bob Batty, vice president of sales and marketing, the value proposition is compiling native code on the fly, rather than compiling byte code to native code and then executing that, as is the case with Java. However, the advantage of using virtual machines to execute byte code is that the same code runs on all Java VMs. Batty says the Curl code works on any Microsoft or Netscape browser from 4.0 up. Curl's strategic vision is a shift of power back to the client and away from the server, which it says causes downloads to be too slow. However, that's pretty much contrary to current thinking, especially with the advent of small mobile clients. But Batty says the whole point is making content smaller and more efficient, not bulkier, and it has plans for set-top boxes, PDAs and mobile phones. Curl criticizes Java as being too server-centric ? note the widespread use of Java Server Pages as a way to execute Java that should have been executed on the client, the company says. Curl's business model involves free distribution of both the plug-in runtime environment as well as the development environment, and an unusual ? and no doubt controversial ? element that the company calls client-side metering. The tool embeds an encrypted license key in content created using Curl. The execution of that content is then tracked and recorded on servers at Curl. The company has hired one of the big five accountants to monitor and report on its collection procedures. It says it will not coll ect any personal data, not even IP addresses. However, the content owners could use cookies on the user's hard drive to track the execution of the content. Batty says pricing will be based on volume, and the retail cost is $300 per Gb, with significant discounts for volume. For example, Batty points to a background for Sony.com, which is included in the company's demo to analysts. Using GIFs, the background was 60Kb, but using Curl it was 2.5Kb, the company claimed. If Sony got one million visitors a day, that would translate to $750 a day, but it would be more like $200-$300 with discounts, according to Batty. He said that should be viewed as an offset against Sony's hosting costs, perhaps including the service of a content delivery network. It's going to be an interesting ride. Julie Cook Marketing Communications Manager Curl Corporation tel: 617-761-8008 email: jcook@curl.com  1,, Summary-line: 30-Mar joelll@MIT.EDU [72] #Re: Set Design X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA29220; Fri, 30 Mar 2001 01:19:41 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA20779; Fri, 30 Mar 2001 01:23:45 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id BAA13020; Fri, 30 Mar 2001 01:23:40 -0500 (EST) Received: from localhost (joelll@localhost) by scrubbing-bubbles.mit.edu (8.9.3) with ESMTP id BAA02750; Fri, 30 Mar 2001 01:23:42 -0500 (EST) Date: Fri, 30 Mar 2001 01:23:42 -0500 (EST) From: Joel M Herda To: "David C. Jedlinsky" cc: , , Subject: Re: Set Design In-Reply-To: <200103220330.WAA00324@mary-kay-commandos.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 30 Mar 2001 01:23:42 -0500 (EST) From: Joel M Herda To: "David C. Jedlinsky" cc: , , Subject: Re: Set Design In-Reply-To: <200103220330.WAA00324@mary-kay-commandos.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII Hello... Sorry for not responding faster; i've been on the road, etc... If Bromberg has footlights that would curve around (shorter units, etc), then they could be rented and used. Please realize that i've only designed one show with MITG&SP, and am not used to Bromberg's whole inventory of equipment, so if you have requests that involve what he has, please say it's something of his you're thinking about. I do have some idea of what's in the Sala inventory, from tripping over it a lot. Opus, you (and possible a few other interested parties) and I should talk more about the lighting soon, now that the set seems finalized. joelll On Wed, 21 Mar 2001, David C. Jedlinsky wrote: > > I guess we're not using Bromberg's footlights, then. > > Any other ideas for how to increase the depth of the lower stage > section without blocking the Sala doors? > > -Dave > > > >Date: Wed, 21 Mar 2001 17:58:49 -0500 (EST) > >From: Joel M Herda > > > >On Sat, 3 Mar 2001, Paiyarut Kanjanavaikoon wrote: > > > >> p.s. I will curve out the masonite on the Sala floor later, when I > >> find my compass. And Joel, Opus said that he would like footlights to > >> curve around the masonite. --jk > > > >Ummm, the footlights are over ten feet long... "curving" isn't terribly > >easy .... > > > > > > > >joelll > > > > > >-- > >Joel Herda Itinerant Lighting Designer, MITG&SP > > MIT random person since 1981 > > > -- Joel Herda Itinerant Lighting Designer, MITG&SP MIT random person since 1981  1,, Summary-line: 30-Mar joelll@MIT.EDU [31] #Re: Set Design X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA29492; Fri, 30 Mar 2001 01:22:30 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA29144; Fri, 30 Mar 2001 01:26:31 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA26199; Fri, 30 Mar 2001 01:26:31 -0500 (EST) Received: from localhost (joelll@localhost) by scrubbing-bubbles.mit.edu (8.9.3) with ESMTP id BAA02896; Fri, 30 Mar 2001 01:26:31 -0500 (EST) Date: Fri, 30 Mar 2001 01:26:31 -0500 (EST) From: Joel M Herda To: "David C. Jedlinsky" cc: , , , Subject: Re: Set Design In-Reply-To: <200103232001.PAA11687@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 30 Mar 2001 01:26:31 -0500 (EST) From: Joel M Herda To: "David C. Jedlinsky" cc: , , , Subject: Re: Set Design In-Reply-To: <200103232001.PAA11687@multics.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII On Fri, 23 Mar 2001, David C. Jedlinsky wrote: > > Heck, winch it down, and flood it with blue light. > > Insta-cyc! > > That would be *much* easier than hanging the sky sheet, and would save > us half an hour of put-in. No wrinkles, either. Just a possible > light-spill issue, I suppose. > > Okay, now we've gone too far. Oooo! We could blind the audience with the amazing light-bounce! joelll -- Joel Herda Itinerant Lighting Designer, MITG&SP MIT random person since 1981  1,, Summary-line: 30-Mar lcs@MIT.EDU [26] #Set-Build on April 1, no foolin'! X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA21333; Fri, 30 Mar 2001 01:49:07 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA29550; Fri, 30 Mar 2001 01:52:51 -0500 (EST) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id BAA13833; Fri, 30 Mar 2001 01:52:49 -0500 (EST) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id BAA15332; Fri, 30 Mar 2001 01:52:51 -0500 (EST) Sender: Larry Stone Date: Fri, 30 Mar 2001 1:52:51 EST From: Larry Stone Reply-To: To: gsp-sets@MIT.EDU, gsp-cast@MIT.EDU, gsp-prod@MIT.EDU Subject: Set-Build on April 1, no foolin'! Message-ID: *** EOOH *** Sender: Larry Stone Date: Fri, 30 Mar 2001 1:52:51 EST From: Larry Stone Reply-To: To: gsp-sets@MIT.EDU, gsp-cast@MIT.EDU, gsp-prod@MIT.EDU Subject: Set-Build on April 1, no foolin'! Come to the set shop on April 1! You didn't really *need* that extra hour of sleep (remember the time change!) anyway. Plus, you'll want to be there to see what those wily hackers have put on the Dome this year! If it's already been cleared away, maybe we can paint flats up there. Set-building session at the Walker Set Shop (basement of Walker, aka building 50), strategically near Killian Court. Starting at 1:00pm on Sunday April 1, running however late people want to stay. We've got plenty of work to do for everyone! Wear clothes in which you can paint, there will be lots of primer to splash around. Walker Basement (Rm. 50-025) Sunday April 1, 1pm-7pm If you're coming, PLEASE RSVP to ME, preferably by email to lcs@mit.edu -- Larry (MC)  1,, Summary-line: 30-Mar despard@home.com [26] #Re: Full score requirement X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA12173; Fri, 30 Mar 2001 09:48:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA24758 for ; Fri, 30 Mar 2001 09:52:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA21024; Fri, 30 Mar 2001 09:50:56 -0500 (EST) Date: Fri, 30 Mar 2001 09:50:56 -0500 (EST) Message-Id: <001501c0b927$75081160$36464218@wp.shawcable.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: despard@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Reid Harrison" To: Multiple recipients of list SAVOYNET Subject: Re: Full score requirement MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Fri, 30 Mar 2001 09:50:56 -0500 (EST) Reply-To: despard@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Reid Harrison" To: Multiple recipients of list SAVOYNET Subject: Re: Full score requirement Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Does anyone know if a full score of Patience is available from any source. > The full scores of all but Ida, Sorceror, and Utopia are available from Luck's Music in Madison Heights, MI. LUCKSMUSIC@EMAIL.COM WWW.LUCKSMUSIC.NET 1-800-348-8749 Reid Harrison (Winnipeg MB)  1,, Summary-line: 30-Mar gjr@transmeta.com [15] #Visit to Boston X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA22887; Fri, 30 Mar 2001 15:30:26 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA07187; Fri, 30 Mar 2001 15:34:28 -0500 (EST) Received: from neon-gw.transmeta.com (neon-gw.transmeta.com [209.10.217.66]) by zurich.ai.mit.edu (8.9.3/8.9.3/Debian 8.9.3-21) with ESMTP id PAA23456 for ; Fri, 30 Mar 2001 15:31:37 -0500 Received: (from root@localhost) by neon-gw.transmeta.com (8.9.3/8.9.3) id MAA10409 for ; Fri, 30 Mar 2001 12:31:34 -0800 Received: from mailhost.transmeta.com(10.1.1.15) by neon-gw.transmeta.com via smap (V2.1) id xma010404; Fri, 30 Mar 01 12:31:06 -0800 Received: from cobalt.transmeta.com (cobalt.transmeta.com [10.1.2.27]) by deepthought.transmeta.com (8.9.3/8.9.3) with ESMTP id MAA29584 for ; Fri, 30 Mar 2001 12:31:07 -0800 (PST) Received: (from gjr@localhost) by cobalt.transmeta.com (8.9.3/8.7.3) id MAA08456; Fri, 30 Mar 2001 12:31:07 -0800 Date: Fri, 30 Mar 2001 12:31:07 -0800 Message-Id: <200103302031.MAA08456@cobalt.transmeta.com> X-Authentication-Warning: cobalt.transmeta.com: gjr set sender to gjr@cobalt.transmeta.com using -f From: "Guillermo 'Bill' J. Rozas" To: lsc-alums@zurich.ai.mit.edu Subject: Visit to Boston Reply-to: gjr@transmeta.com *** EOOH *** Date: Fri, 30 Mar 2001 12:31:07 -0800 X-Authentication-Warning: cobalt.transmeta.com: gjr set sender to gjr@cobalt.transmeta.com using -f From: "Guillermo 'Bill' J. Rozas" To: lsc-alums@zurich.ai.mit.edu Subject: Visit to Boston Reply-to: gjr@transmeta.com I'll be in Boston Sunday April 8th through Sunday April 15th. I'm staying at Rocky's (unless he disowns me). Friday or Saturday are good evenings for dinner. The week is harder but doable if necessary. Sunday the 8th is possible modulo flight delays, etc. Suggestions for venue welcome.  1,, Summary-line: 31-Mar BMILLER@holycross.edu [37] #Re: So few men [for G & S] X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10576; Sat, 31 Mar 2001 14:21:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA16555 for ; Sat, 31 Mar 2001 14:25:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA11621; Sat, 31 Mar 2001 14:24:54 -0500 (EST) Date: Sat, 31 Mar 2001 14:24:54 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: So few men [for G & S] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 *** EOOH *** Date: Sat, 31 Mar 2001 14:24:54 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: So few men [for G & S] Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Andi S-R wrote: >... what's going on with the guys at the college level? There are a number of factors that have affected male participation - not only in G & S, but in all campus music and theatrical enterprises. Participation in varsity sport has always been a problem. Then, there aren't as many of them, proportionally, as in the past. I understand the national ratio (U.S.A.) is something like 55 per cent women versus 45 per cent men. That's not a 3:1 ratio, but it's not in favor of the men, either. No one talks much about this much, despite the serious implications it has for our society, because it's fashionable in academe to bash men at the expense of women. It is no wonder that men, who have become outnumbered at our colleges and in some ways put under siege, band together defensively and often avoid groups that they reckon may threaten their masculinity. I'm not defending this, simply reporting an observed phenomenon. > Is it the material in particular (why?)... It's not the material itself, but the negative reputation spread about by Theatre types and multiculturalists. Combine the bias often found against musicals in general, with the cultural bias against dead-white-male literature, and the current fashion in Universities for anything non-European (_especially_ anything other than British literature, the most racist and chauvinist-pig works ever written in human history) and you have a significant anti-G & S bias. Folks who have not been close to the college scene in the past 10 years will find this assessment difficult to believe. It really _is_ this bad. There is more political activism on campuses than there was ten years ago. Political activists do not usually go in for the performing arts, unless it's guerilla theatre. There is also the "boy band" factor. Many of the best male singers and actors end up in a capella groups and never get involved in campus music theater (and choruses and orchestras), as they probably would have ten years ago. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 31-Mar thespian121@yahoo.com [73] #Re: So few men? (WAS: gender swapping) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA17428; Sat, 31 Mar 2001 18:00:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA08097 for ; Sat, 31 Mar 2001 18:04:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA19211; Sat, 31 Mar 2001 18:04:00 -0500 (EST) Date: Sat, 31 Mar 2001 18:04:00 -0500 (EST) Message-Id: <20010331225610.4959.qmail@web9203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Re: So few men? (WAS: gender swapping) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010331175035.32445.qmail@web10803.mail.yahoo.com> *** EOOH *** Date: Sat, 31 Mar 2001 18:04:00 -0500 (EST) Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Re: So few men? (WAS: gender swapping) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010331175035.32445.qmail@web10803.mail.yahoo.com> --- Andi S-R wrote: As the > membership of this august list indicates, G&S > certainly appeals to many men, with a broad array of > other interests, personal and professional; what's > going on with the guys at the college level? > I don't know how large the audition pools actually have been, but for the two Harvard shows that have happened since I've been here, we've definitely had enough guys to put on stage (the female chorus is generally a little bigger than the male chorus, but not extremely so - and both ensembles are usually kept on the small side), and the quality is certainly not a problem. Everyone up there is definitely quite competent, and there are usually several very talented principals (G&S manages to cast a large percentage of the "cream of the musical theatre crop" around here). Other college or college-affiliated people, what is the situation at your schools? The only comment I could possibly make about Oberlin (because, even though I live about 40 minutes away and have sung there a couple of times, I really don't know much about the school) is that because it has an actual music conservatory on site, many of the talented singers on campus are actually pursuing degrees in music and, because of operas and other things done through the conservatory itself, don't have time to get as much involved in extracurricular/student-led productions. On the other hand, there is no performance division of the music department here, so anyone (music major or otherwise) who wants to perform straight music or musical theatre or whatever has to do it through a medium that is both "extracurricular" and almost all student-run -- but, so far as I've seen it, the quality is consistently very high! On another topic, congratulations to all the "Patience" cast -- it looks like an amazing group, and I have no doubt that the show will be completely wonderful!!! I so wish I could be there with you guys this summer, and I will definitely be missing you all in August... ..however, SavoyNetters who live or will be around London, Oxford, Cambridge, Paris, and/or Finland during the month of June, take notice, because I'll be going through all those places with the Harvard University Choir, and I do hope that some of you might be able to get to one of our tour concerts!!! All the best, Marisa __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text  1,, Summary-line: 31-Mar sir-despard@ruddigore.fre [48] #Re: Up-dating for inflation X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA23721; Sat, 31 Mar 2001 18:22:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA09972 for ; Sat, 31 Mar 2001 18:26:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA20286; Sat, 31 Mar 2001 18:25:58 -0500 (EST) Date: Sat, 31 Mar 2001 18:25:58 -0500 (EST) Message-Id: <003501c0ba38$7e811ea0$399b86d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Up-dating for inflation MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sat, 31 Mar 2001 18:25:58 -0500 (EST) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Up-dating for inflation Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum David Duffey wrote:- > I'm not an up-dater. Hate it. Don't see the point. > But if one did as a matter of course, how would one allow for monetary > inflation? Please suggest King Gama:- "I said I'd pay a grand a day to anyone who kicked me" (a "grand" = 1000 GBP) John Wellington Wells: "Our 99p curse - one of the cheapest things in the trade..." Robin: "And I don't care £19.99 for any consequences..." Sir Richard: Wouldst thou want to be a millionaire? Elsie: A million pounds! That could save her life! Point: Why look you sir, let us phone a friend. A tenner, all singers above, Will not get you very much lately, The price is more drastic, You need to wield plastic, Or you'll be embarrassed most greatly... The Good Grand Duke of Hundert-Funfzig Mark... And at the risk of being political:- "In for a Euro, in for a franc, It's love that breaks the Deutsche Bank" Mike Nash "Sir Arac Murgatroyd-Cholmondeley of the 35th Dragoon Guards" (this is what it is to have four capacities) Macclesfield, Cheshire, England  1,, Summary-line: 31-Mar Preeta2@excite.com [44] #Re: So few men? (WAS: gender swapping) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA05946; Sat, 31 Mar 2001 19:51:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA16711 for ; Sat, 31 Mar 2001 19:55:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA21817; Sat, 31 Mar 2001 19:54:37 -0500 (EST) Date: Sat, 31 Mar 2001 19:54:37 -0500 (EST) Message-Id: <29850124.986086238129.JavaMail.imail@chilly.excite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: So few men? (WAS: gender swapping) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Excite Inbox *** EOOH *** Date: Sat, 31 Mar 2001 19:54:37 -0500 (EST) Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: So few men? (WAS: gender swapping) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Sat, 31 Mar 2001 18:02:06 -0500 (EST), thespian121@yahoo.com wrote: > Other college or college-affiliated people, what is > the situation at your schools? Well, I am a graduate from Emerson (BFA in Musical Theatre) and I have noticed another disturbing bias: many musical theatre groups dismiss doing G&S because it's not "musical theatre"! What I mean is, many groups I've worked with who do musical theatre regard the term "musical theatre" as completely synonymus with "(mostly) American musical". Opera, even comic opera, is all but outright forbidden. The closest they come to doing G&S is the Papp version of PIRATES, which is much closer to what they consider "musical" than "opera". (And BTW: For my directing project in senior year, I wanted to do T by J, but my professor denied the request, saying I wouldn't be able to find enough men. I have no doubt he was right. I ended up doing about 30 min. of scenes from YEOMEN, that needed four men. I got two.) Dave Leigh- _______________________________________________________ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/  1,, Summary-line: 31-Mar Preeta2@excite.com [55] #Re: Up-dating X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA26929; Sat, 31 Mar 2001 20:13:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA18343 for ; Sat, 31 Mar 2001 20:17:11 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA22135; Sat, 31 Mar 2001 20:16:39 -0500 (EST) Date: Sat, 31 Mar 2001 20:16:39 -0500 (EST) Message-Id: <17149643.986087473080.JavaMail.imail@chilly.excite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: Up-dating Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Excite Inbox *** EOOH *** Date: Sat, 31 Mar 2001 20:16:39 -0500 (EST) Reply-To: Preeta2@excite.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Dafydd Mac an Leigh To: Multiple recipients of list SAVOYNET Subject: Re: Up-dating Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum By and large I agree with those who vote "nay" on updating; there are just a few particulars which I would toy with. List songs, like those of Ko-Ko and the Mikado, or the list of "accomplishments" in IDA, can be real fun to update. Besides, you have to get the word "nigger" out of those songs anyway. (My favorite rewrite of an "N-word" line is: "There's the sidewalk serenader, with his open music case".) Gilbert I'm told, had written a few different verses to Ko-Ko's "Little List" here and there himself. The trick is to come up with something plausible that can stand up to the standards of the original. Every so often there's a line that just no longer comes across like it used to. Most of the time, there's really nothing advisable you can do about that, but one or two can be reasonably updated. An example is in GONDOLIERS, when the Kings offer the Grand Inquisitor some refreshment. I have heard the line updated to the modern-day equivalent of macaroni and a rusk: "A slice of Pizza and a Coke?" I think that works rather nicely. NB I am NOT advising anyone to go through the libretti and update each such line. Use extreme discretion, as most of the stuff is best left alone. TransAtlantic translations. Once in a while, a British term may need be translated into the American equivalent for the audience this side of the Pond to get it. "White Star" vs. "P&O" is a famous example in Gilbert's day; another classic is "Duke of Plaza Toro, Inc." rather than "...Ltd." (of course, "dukeofplazatoro.com" is probably the modern side-splitter on that score). SEE ALSO PREVIOUS NB. On the whole, as I said, I am against updating, lest we get more like the Stratford IOLANTHE, but just a "soup-song" of this sort of thing can sometimes help a production today. Dave Leigh- _______________________________________________________ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/  1,, Summary-line: 31-Mar milomorris@yahoo.com [44] #Re: So few men [for G & S] X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA00312; Sat, 31 Mar 2001 20:56:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA07281 for ; Sat, 31 Mar 2001 21:00:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA22703; Sat, 31 Mar 2001 21:00:15 -0500 (EST) Date: Sat, 31 Mar 2001 21:00:15 -0500 (EST) Message-Id: <20010401014919.18138.qmail@web6304.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: milomorris@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Milo Morris To: Multiple recipients of list SAVOYNET Subject: Re: So few men [for G & S] MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Sat, 31 Mar 2001 21:00:15 -0500 (EST) Reply-To: milomorris@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Milo Morris To: Multiple recipients of list SAVOYNET Subject: Re: So few men [for G & S] Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Bruce makes some VERY good observations. I would like to add a couple of my own. Large institutions like Oberlin offer degree programs in various areas of the performing arts. The students who major in the performing arts have a VERY busy curriculum to follow in order to obtain a degree. Arguably, it is more difficult to major in piano or violin than engineering or law...but I digress. In most programs, students are required to perform with approved ensembles. This makes it hard to find time for volunteering for the school G&S society. Unless the school's G&S group is lead by a faculty member, it is not likely to get on the list of approved ensembles. Another contributing factor is the number of college students who must work to pay their own tuition. Its hard enough to find a job that will offer enough hours at a good enough wage to make tuition and living expenses. Whatever free time kids in this situation have is limited, and G&S is not likely to end up very high on the priority list. __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text  1,, Summary-line: 1-Apr dankravetz@yahoo.com [62] #PATIENCE in NYC X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA18512; Sun, 1 Apr 2001 03:45:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA29583 for ; Sun, 1 Apr 2001 03:49:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA27062; Sun, 1 Apr 2001 03:48:55 -0400 (EDT) Date: Sun, 1 Apr 2001 03:48:55 -0400 (EDT) Message-Id: <20010401073731.92905.qmail@web12707.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: PATIENCE in NYC MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 1 Apr 2001 03:48:55 -0400 (EDT) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: PATIENCE in NYC Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Blue Hill Troupe has come up with a winner in its current production of PATIENCE at the newly renovated Heckscher Theater at Fifth Avenue and 104th Street in Manhattan. The production runs through April 7 and is one of the most enjoyable BHT offerings to be seen in quite some time. Stage director F. Paul Driscoll has done a suberb job in this mostly traditional staging that features gorgeous costumes and scenery. There are two separate casts--I saw Jonathan Rabb as Bunthorne in what I consider his best work so far. Rick Hamlin's Grosvenor and Martha E. Arnold's Patience are also excellent, and there isn't a weak link in the rest of the cast. Musical director Kevin Jones has chosen some stodgy tempi here and there (most unfortunately in "If Saphir..."), but the 23-piece orchestra is top-notch. The Heckscher Theater, part of El Museo del Barrio (Puerto Rican community museum), was originally designed for live children's entertainment, seats about 500 and was BHT's regular home several decades ago. The recent restoration shows it to be ideal for sightlines and acoustics. The orchestra pit seats only 18, so heavy brass and percussion players were seated next to the stage with a minimum of disruption; otherwise this is an ideal, almost forgotten house for musical theater and operetta. Speaking of changing locations, Al Bergeret and Gail Wofford of NYGASP were in the audience at PATIENCE, and reported that NYGASP plans to present its Winter 2001-02 season at the City Center 55th Street Theater, a house that has a long G&S history--it was D'Oyly Carte's New York home during the 1960's--and also happens to be right next door to yours truly. I'm not sure which was a greater factor in NYGASP's decision to play there, but being in the Broadway theater district could well increase NYGASP's exposure to tourists and New Yorkers who aren't in the habit of venturing uptown for entertainment. Meanwhile, venture to the Heckscher, if you can, for a truly outstanding PATIENCE. Visit www.bht.org for more details. Dan Kravetz (a paying customer) Gilbert & Sullivan Society of New York __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text  1,, Summary-line: 2-Apr thorntonk@mediaone.net [49] #Re: Pre-Frosh Weekend X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA13108; Mon, 2 Apr 2001 23:27:05 -0400 (EDT) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA29309 for ; Mon, 2 Apr 2001 23:31:12 -0400 (EDT) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f333VAU02856; Mon, 2 Apr 2001 23:31:10 -0400 (EDT) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 02 Apr 2001 23:33:03 -0400 Subject: Re: Pre-Frosh Weekend From: Katherine Thornton To: Sara Camden CC: Message-ID: In-Reply-To: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 02 Apr 2001 23:33:03 -0400 Subject: Re: Pre-Frosh Weekend From: Katherine Thornton To: Sara Camden CC: In-Reply-To: Content-type: text/plain; charset="US-ASCII" See if you can get Ana and Greg for #4? Or Jonathan for #11 (or 9A)? Or the quintets! Kate on 4/2/01 3:14 PM, Sara Camden at s_camden@hotmail.com wrote: > Hello! > > As you may have heard by now, we can't perform in Lobby 7 this weekend due > to construction. Mary Haller of the Arts Dept. told me that she may be able > to get other spaces for us this weekend if she could get an idea of what we > wanted to do. Did you have any particular numbers in mind? That would give > her an idea of how many people to accommodate. I know last year for Ida we > worked around which people could come on very short notice. We did duets, > quartets, and chorus pieces with solos. I would assume we'd want to do > something similar. However, I didn't want to confirm with Mary without > checking with you first. Is this something we still want to pursue? I > don't know what other spaces and times she had in mind (she didn't have time > to talk when I spoke to her briefly just now). Lobby 7 worked out well > because the acoustics are good and we attracted a good amount of foot > traffic. If memory serves, a lot of pre-frosh and their parents came to > Ida. However, this year the show is not the same weekend as pre-frosh > weekend. The show won't go up for a month. Is this too much time in > between? (I personally think that exposure of any kind is beneficial.) > > I left a message with Mary to let me know what spaces are available for us > to perform in. She should call me back this afternoon or tomorrow. If you > guys don't think this is something worth pursuing, please let me know soon. > If you have specific numbers/performers in mind, also let me know. > Otherwise, I'll tell her that there will be a small group of performers > (5-10?) singing selections from the show and filling a half hour block of > time. > > Thanks, > Sara > _________________________________________________________________ > Get your FREE download of MSN Explorer at http://explorer.msn.com >  1,, Summary-line: 2-Apr raeburn@MIT.EDU [18] #Re: program ad update and BIOS!!! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA22087; Mon, 2 Apr 2001 23:39:50 -0400 (EDT) Received: from dcl.mit.edu (DCL.MIT.EDU [18.18.1.70]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA19936; Mon, 2 Apr 2001 23:43:56 -0400 (EDT) Received: (from raeburn@localhost) by dcl.mit.edu (8.9.3) id XAA29321; Mon, 2 Apr 2001 23:43:55 -0400 (EDT) To: Randi M Kestin Cc: gsp-prod@mit.edu Subject: Re: program ad update and BIOS!!! References: <200104020001.UAA16964@home-on-the-dome.mit.edu> From: Ken Raeburn Date: 02 Apr 2001 23:43:55 -0400 In-Reply-To: <200104020001.UAA16964@home-on-the-dome.mit.edu> Message-ID: Lines: 9 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.0.101 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: Randi M Kestin Cc: gsp-prod@mit.edu Subject: Re: program ad update and BIOS!!! From: Ken Raeburn Date: 02 Apr 2001 23:43:55 -0400 In-Reply-To: <200104020001.UAA16964@home-on-the-dome.mit.edu> User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.0.101 Content-Type: text/plain; charset=us-ascii I didn't get to talk to Mary Chung tonight about an ad, but described the situation to and left a form with one of the people working at the restaurant. I'll check back later in the week. Ruth says Craig Swanson will probably buy a quarter-page ad, but it's not definite yet. She should know next Monday. (Yes, it's the 9th... is that okay?) Ken  1, answered,, Summary-line: 3-Apr klb@cybercom.net [19] #A slightly strange question X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA12684; Tue, 3 Apr 2001 17:04:08 -0400 (EDT) From: Received: from mail.cybercom.net (specialk.cybercom.net [64.46.128.10]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA24151 for ; Tue, 3 Apr 2001 17:08:08 -0400 (EDT) Received: from shell.cybercom.net (shell.cybercom.net [64.46.128.6]) by mail.cybercom.net (Postfix) with ESMTP id 57665EF749 for ; Tue, 3 Apr 2001 16:30:03 -0500 (EST) Received: from localhost (klb@localhost) by shell.cybercom.net (8.9.3/8.9.3) with ESMTP id QAA39956 for ; Tue, 3 Apr 2001 16:53:07 -0400 (EDT) (envelope-from klb@cybercom.net) X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Tue, 3 Apr 2001 16:53:07 -0400 (EDT) To: opus@mit.edu Subject: A slightly strange question Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** From: X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Tue, 3 Apr 2001 16:53:07 -0400 (EDT) To: opus@mit.edu Subject: A slightly strange question Content-Type: TEXT/PLAIN; charset=US-ASCII Hiya -- You asked us all in the chorus to choose names & invent characters. Are we going to be doing anything more with that, or is it just for our own benefit? Just curious. klb Katherine Bryant, word wrangler and mezzo-at-large e-mail: klb@cybercom.net Web: http://www.cybercom.net/~klb Don't let your paradigm become your paradogma.  1,, Summary-line: 4-Apr SSilvers@sskfg.com [51] #Sightseeing in NYC May 27 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA00671; Wed, 4 Apr 2001 17:16:20 -0400 (EDT) Received: from mail.sskfg.com (wts.shackandsiegel.com [208.195.240.130]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA00498 for ; Wed, 4 Apr 2001 17:20:12 -0400 (EDT) Received: from SMTP agent by mail gateway Wed, 04 Apr 2001 17:29:23 -0500 Received: from SSDOM-Message_Server by mail.sskfg.com mail.shackandsiegel.com with Novell_GroupWise; Wed, 04 Apr 2001 17:13:45 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.2 Date: Wed, 04 Apr 2001 17:13:15 -0400 From: "Samuel Silvers" To: , , , , , , , , , , Subject: Sightseeing in NYC May 27 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Wed, 04 Apr 2001 17:13:15 -0400 From: "Samuel Silvers" To: , , , , , , , , , , Subject: Sightseeing in NYC May 27 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Dear out-of-towners: After the sing-in on Saturday, I will lead a sightseeing tour of NY on Sunday beginning at about 10:00 a.m. The tour will require alot of walking, so either wear very comfortable shoes, or meet us (at Norma's?) for just the midtown segment: 9:30 Lincoln Center (Just the outside, really) 10:00 Central Park (72nd St., the fountain, the Mall) 10:30 Norma's (Brunch)? 12:15 Carnegie Hall/Carnegie Deli 12:30 Saks Fifth Avenue Dept. Store 1:00 St. Patrick's Cathedral 1:15 Rockefeller Center 1:45 Grand Central Station [Empire State Bldg. - we may skip this!!!] 2:30 China Town (late lunch?) 4:00 Little Italy/Soho [We may skip this] 4:45 Greenwich Village (West Village) Tour ends around 5:30? Please let me know if you are interested and how you feel about the proposed itinerary. Of course, invite anyone you want, but give me an idea of how many would be=20 interested in brunch at Norma's. Assuming that we can get a reservation, it is fairly expensive - about $30 per head - but it is the best brunch in NY. Alternatively, some could go to the Carnegie Deli for blintzes, etc. I will announce this to SavoyNet after I hear from you about your interest in the tour. =20 Also, for those arriving Friday, we will possibly do a brief look at: Riverside Church/Grant's Tomb Columbia University Sam  1,, Summary-line: 5-Apr zacheiss@MIT.EDU [11] #piano for Saturday X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA27373; Thu, 5 Apr 2001 02:22:05 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA13899 for ; Thu, 5 Apr 2001 02:26:15 -0400 (EDT) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id CAA25973 for ; Thu, 5 Apr 2001 02:26:09 -0400 (EDT) Received: (from zacheiss@localhost) by hodge-podge.mit.edu (8.9.3) id CAA21069; Thu, 5 Apr 2001 02:26:11 -0400 (EDT) Message-Id: <200104050626.CAA21069@hodge-podge.mit.edu> To: grand-duke@MIT.EDU Subject: piano for Saturday Date: Thu, 05 Apr 2001 02:26:11 -0400 From: Garry Zacheiss *** EOOH *** To: grand-duke@MIT.EDU Subject: piano for Saturday Date: Thu, 05 Apr 2001 02:26:11 -0400 From: Garry Zacheiss I confirmed that Melissa is available for Saturday. She's going to show up at 1, and is able to stay until 3; she knows she might not be needed for that long, depending on when the music stops and the dancing starts. Garry  1,, Summary-line: 5-Apr cupid@MIT.EDU [22] #Re: glock X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA14221; Thu, 5 Apr 2001 10:06:12 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id KAA02171; Thu, 5 Apr 2001 10:10:23 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA09401; Thu, 5 Apr 2001 10:10:22 -0400 Date: Thu, 5 Apr 2001 10:10:22 -0400 Message-Id: <10104051410.AA09401@kangaroo.mit.edu> From: Randi M Kestin To: chaika@mit.edu Cc: ejhanna@mit.edu, opus@mit.edu In-Reply-To: <200104042224.SAA20936@w20-575-49.mit.edu> (message from Carol Novitsky on Wed, 04 Apr 2001 18:24:58 -0400) Subject: Re: glock *** EOOH *** Date: Thu, 5 Apr 2001 10:10:22 -0400 From: Randi M Kestin To: chaika@mit.edu Cc: ejhanna@mit.edu, opus@mit.edu In-Reply-To: <200104042224.SAA20936@w20-575-49.mit.edu> (message from Carol Novitsky on Wed, 04 Apr 2001 18:24:58 -0400) Subject: Re: glock Ok Carol, Just to ease your anxiety here - #1 and the finale are the exact same song in the show with different words. So you will only be learning the part once. I thought I saw more than that in the score but then I was looking through the score before I knew the music. I'm glad it won't be quite as hard for you as previously thought. If you want to listen to the music there are mp3 files up on the web at http://www.sheldonbrown.com/mp3 (op correct me if that's wrong). Randi  1,, Summary-line: 5-Apr lcs@MIT.EDU [28] #new resource X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA24692; Thu, 5 Apr 2001 16:41:40 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA05552 for ; Thu, 5 Apr 2001 16:45:50 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06553 for ; Thu, 5 Apr 2001 16:42:52 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id QAA22680; Thu, 5 Apr 2001 16:42:52 -0400 (EDT) Sender: Larry Stone Date: Thu, 5 Apr 2001 16:42:52 EDT From: Larry Stone Reply-To: To: gsp-prod@MIT.EDU Subject: new resource Message-ID: *** EOOH *** Sender: Larry Stone Date: Thu, 5 Apr 2001 16:42:52 EDT From: Larry Stone Reply-To: To: gsp-prod@MIT.EDU Subject: new resource Ezra and I recently returned returned from a daring daytime raid (from which his virgin Saturn emerged unscathed) on a new source of Rosco paints and other goodies: Backstage Hardware & Theatre Supply, on the waterfront in downtown Boston. See http://www.backstagehardware.com/ for an online catalog(!). They have Rosco paints at 10% less than list, their own line of relatively-inexpensive brushes, and many other theatrical supplies like tapes, lighting supplies, fabric, etc. They're also a full True Value hardware store. I'm adding it to /mit/gsp/Production/SetShop/gsp-resources.txt After getting there, we also find out they have Saturday hours (8-3pm) when the store is pretty empty. They had better prices on paint than Warren Electric and a *complete* stock. One of the sales people there used to work at Warren and was quite knowledgable. -- Larry  1,, Summary-line: 5-Apr lcs@MIT.EDU [13] #case of gaff? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA00696; Thu, 5 Apr 2001 16:44:27 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA24082; Thu, 5 Apr 2001 16:45:54 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06631; Thu, 5 Apr 2001 16:44:12 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id QAA22686; Thu, 5 Apr 2001 16:44:12 -0400 (EDT) Sender: Larry Stone Date: Thu, 5 Apr 2001 16:44:11 EDT From: Larry Stone Reply-To: To: rls@dimins.com, opus@mit.edu Subject: case of gaff? Message-ID: *** EOOH *** Sender: Larry Stone Date: Thu, 5 Apr 2001 16:44:11 EDT From: Larry Stone Reply-To: To: rls@dimins.com, opus@mit.edu Subject: case of gaff? Backstage also sells gaff for $11/roll if you buy a case -- any interest in splitting a case (i think 12 rolls) with mitg&sp? Ezra said you've done that in the past. i dunno if you can get a case of different colors, imagine you'd prefer black, and gray is best for sets. /lcs  1,, Summary-line: 5-Apr scwang@MIT.EDU [22] #sky-drop X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA03435; Thu, 5 Apr 2001 16:59:39 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA24927 for ; Thu, 5 Apr 2001 17:03:50 -0400 (EDT) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id RAA08061 for ; Thu, 5 Apr 2001 17:03:47 -0400 (EDT) Received: (from scwang@localhost) by all-night-tool.mit.edu (8.9.3) id RAA15149; Thu, 5 Apr 2001 17:03:47 -0400 (EDT) Message-Id: <200104052103.RAA15149@all-night-tool.mit.edu> To: gsp-prod@MIT.EDU Subject: sky-drop Date: Thu, 05 Apr 2001 17:03:47 -0400 From: Stephanie C Wang *** EOOH *** To: gsp-prod@MIT.EDU Subject: sky-drop Date: Thu, 05 Apr 2001 17:03:47 -0400 From: Stephanie C Wang Materials for the sky-drop were ordered today. It'll be made of sky-blue poly cyc material (which is inherently fire retardant) with webbing, grommets and tie line for the top, and a pipe pocket for the bottom. The webbing/grommets/tie line is the best option according to Mike Katz and Bill Fregosi. Dimensions: ~20 feet long and 30 feet wide. I need someone to drop a tape measure from the bars in sala to the floor so we can get the exact dimension. There will be a horizontal seam, essentially invisible. Bill will be doing us the service of seaming the sky-drop and the bag to store it in. All together, the sky-drop will cost us $465 + shipping and handling (Finboard money of course). And best of all, it will be finished by April 29, put-in for Grand Duke. When you see Bill next, thank him profusely. Steph.  1, forwarded,, Summary-line: 5-Apr to: savoynet@bridgewater. [55] #MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA14604; Thu, 5 Apr 2001 17:27:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA14393 for ; Thu, 5 Apr 2001 17:31:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA09134; Thu, 5 Apr 2001 17:30:10 -0400 (EDT) Date: Thu, 5 Apr 2001 17:30:10 -0400 (EDT) Message-Id: <200104052129.RAA11875@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 5 Apr 2001 17:30:10 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum THE MIT GILBERT & SULLIVAN PLAYERS Proudly Present The Grand Duke or, The Statutory Duel On May 3, 1901, MIT students performed the American premiere of Gilbert & Sullivan's final collaboration. Come join us for the 100th anniversary performance! Performance Location: La Sala De Puerto Rico 2nd Floor MIT Student Center Cambridge, Massachusetts, USA Show Times: One Week-End Only! May 3, 4, 5: 8PM May 5, 6: 2PM Ticket prices: $6 - MIT and Wellesley Students $7 - MIT Community, Other Students, Seniors and Children $9 - General Public Producer: Garry Zacheiss Stage Director: David Jedlinsky Music Director: Katherine Thornton For reservations: email gsp-tickets@mit.edu or call (617) 253-0190 There will be a $1 off/ticket discount for groups of 10 or more. Please see http://web.mit.edu/gsp/www for more information or e-mail savoyards-request@mit.edu  1,, Summary-line: 5-Apr jgriffin@bmts.com [55] #Re: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA01824; Thu, 5 Apr 2001 18:42:20 -0400 (EDT) Received: from Alice.BMTS.Com (alice.bmts.com [216.183.128.11]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA22140 for ; Thu, 5 Apr 2001 18:46:17 -0400 (EDT) Received: from oemcomputer (ts2-g-p19.bmts.com [216.183.141.75]) by Alice.BMTS.Com (8.9.3/8.9.3) with SMTP id SAA29174 for ; Thu, 5 Apr 2001 18:36:01 -0400 (EDT) Message-ID: <004d01c0be22$241e39a0$4b8db7d8@oemcomputer> From: "Jim Griffin" To: References: <200104052129.RAA11875@multics.mit.edu> Subject: Re: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke Date: Thu, 5 Apr 2001 18:44:11 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Jim Griffin" To: Subject: Re: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke Date: Thu, 5 Apr 2001 18:44:11 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 ----- Original Message ----- From: David C. Jedlinsky To: Multiple recipients of list SAVOYNET Sent: Thursday, April 05, 2001 5:30 PM Subject: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke > > THE MIT GILBERT & SULLIVAN PLAYERS > > Proudly Present > > The Grand Duke > or, The Statutory Duel > > On May 3, 1901, MIT students performed the American premiere > of Gilbert & Sullivan's final collaboration. > > Come join us for the 100th anniversary performance! > > > Performance Location: > La Sala De Puerto Rico > 2nd Floor MIT Student Center > Cambridge, Massachusetts, USA > > Show Times: One Week-End Only! > May 3, 4, 5: 8PM > May 5, 6: 2PM I have been waiting the announcement for this for several months. We had hoped to be in Boston at that time, but unfortunately we will not be there. I have forwarded the message to my son and his wife who live in Cambridge and are semi-G&S nuts (they are just fans - not like the Savoynetters). All the best with your performance and I deeply regret that we will be unable to attend. Jim Griffin (Usher - Toronto singout)  1,, Summary-line: 5-Apr ers66@juno.com [38] #makeup for Da Dook X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA22189; Thu, 5 Apr 2001 23:34:53 -0400 (EDT) Received: from m8.jersey.juno.com (m8.jersey.juno.com [64.136.16.71]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA22911; Thu, 5 Apr 2001 23:38:52 -0400 (EDT) Received: from cookie.juno.com by cookie.juno.com for <"SwYtRBfNp1uocKASwr/TnYmPCmzPwLEVn/kSRF4adzI="> Received: (from ers66@juno.com) by m8.jersey.juno.com (queuemail) id F2BHQ9FW; Thu, 05 Apr 2001 23:38:00 EDT To: gsp-prod@mit.edu, opus@mit.edu Cc: lcs@mit.edu Date: Thu, 5 Apr 2001 22:47:41 -0400 Subject: makeup for Da Dook Message-ID: <20010405.224940.194.22.ers66@juno.com> X-Mailer: Juno 4.0.11 MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 4-5,13-18,21 X-Juno-Att: 0 X-Juno-RefParts: 0 From: "Elizabeth R. Stone" *** EOOH *** To: gsp-prod@mit.edu, opus@mit.edu Cc: lcs@mit.edu Date: Thu, 5 Apr 2001 22:47:41 -0400 Subject: makeup for Da Dook Content-Type: text/plain X-Juno-Line-Breaks: 4-5,13-18,21 X-Juno-Att: 0 X-Juno-RefParts: 0 From: "Elizabeth R. Stone" Hello, my Evil Twin is your master carpenter for Grand Duke, and he mentioned you might want my services as makeup artist? I'm involved with the MITCP production of Harvey on May 10-12, so your show falls right before our Hell Week. Nevertheless, I could do makeup for your Friday or Saturday shows -- or, if you're desperate, both. I need to read over the play, but Larry tells me it's set in 1901. Do you want any special FX other than ageing? I did Iolanthe with Erik and Rebecca, so I'm good with glitter; I also work on a haunted house, so I'm good with gore. And I'm not bad at ageing, either. Just let me know what you need -- and if you want someone to re-stock the makeup kit, I could probably manage that. I'd need to be reimbursed fairly quickly tho'. I'm in between jobs, so I have more time than money, but not tons of either :-}. Thanks! Elizabeth Stone --------------------------------------------- Baldrick, you wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle plans are here again!" -- Blackadder ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/tagj.  1,, Summary-line: 6-Apr zacheiss@MIT.EDU [29] #Re: makeup for Da Dook X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA02539; Fri, 6 Apr 2001 01:02:28 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA17126; Fri, 6 Apr 2001 01:06:37 -0400 (EDT) Received: from oliver.mit.edu (OLIVER.MIT.EDU [18.187.1.64]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id BAA21888; Fri, 6 Apr 2001 01:06:32 -0400 (EDT) Received: (from zacheiss@localhost) by oliver.mit.edu (8.9.3) id BAA114415; Fri, 6 Apr 2001 01:06:36 -0400 (EDT) Message-Id: <200104060506.BAA114415@oliver.mit.edu> To: "Elizabeth R. Stone" cc: gsp-prod@MIT.EDU, opus@MIT.EDU, lcs@MIT.EDU Subject: Re: makeup for Da Dook In-Reply-To: Your message of "Thu, 05 Apr 2001 22:47:41 EDT." <20010405.224940.194.22.ers66@juno.com> Date: Fri, 06 Apr 2001 01:06:35 -0400 From: Garry Zacheiss *** EOOH *** To: "Elizabeth R. Stone" cc: gsp-prod@MIT.EDU, opus@MIT.EDU, lcs@MIT.EDU Subject: Re: makeup for Da Dook In-Reply-To: Your message of "Thu, 05 Apr 2001 22:47:41 EDT." <20010405.224940.194.22.ers66@juno.com> Date: Fri, 06 Apr 2001 01:06:35 -0400 From: Garry Zacheiss Hi, Yes, we would love to have you help out with makeup. If you're available to help out with both the Friday and Saturday performances that would be great. We currently have the possibility of one other person helping out with makeup (Erik Lars Meyers), but I haven't confirmed that yet. Dave (opus) has a better idea of what, if anything, we're looking for in makeup other than aging for some characters, so I'll let him address your questions about that. If you would like to help re-stock makeup for us, that would be great, too. Getting reimbursed quickly shouldn't be a problem; if it helps, I can also give you money out of pocket in advance to go buy things, since quick reimbursement isn't quite as big an issue for me. Let me know if you have any questions, and thanks for offering to help. Garry  1,, Summary-line: 6-Apr to: savoynet@bridgewater. [47] #Re: MIT GRAND DUKE Centenary X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA28171; Fri, 6 Apr 2001 02:33:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id CAA14631 for ; Fri, 6 Apr 2001 02:37:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA29474; Fri, 6 Apr 2001 02:36:46 -0400 (EDT) Date: Fri, 6 Apr 2001 02:36:46 -0400 (EDT) Message-Id: <200104060632.CAA16629@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: MIT GRAND DUKE Centenary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 6 Apr 2001 02:36:46 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: MIT GRAND DUKE Centenary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There are no photos of which I am aware. There are, however, quite a few reviews from area newspapers, as well as a weekly feature in the school paper (The Tech) from early March through the May performance. Some of the details of the show are interesting, especially if they are accurate. For example, the place is specified as "Hesse Halb Pfennig", and "the office of Grand Duke is a matter of annual election." Also, apparently, the Prince was called "the Count of Monte Cristo" (though not in all the reviews), and Lisa was called Elsa. These details seem to imply that they performed an early version of the show, not the final revision put on at the Savoy. The current MIT production will not be true to the original 1901 production in at least one major area: the original production was an all-male cast; there are quite a few women at MIT these days, and we've taken ample advantage of that fact. -Dave Jedlinsky opus@mit.edu >Date: Fri, 6 Apr 2001 01:53:09 -0400 (EDT) >From: jhuston@the.link.ca (J. Huston) > >Do any reviews, photos or other archival material survive of this >production? Kudos to those students for producing GD at such an early date. >We are much more conservative here: AFAIK the Canadian premiere was in the >late 1960s in Toronto, (though this is a big country and someone may have >premiered it earlier) and there have been only 3 other productions in the >ensuing 30 odd years. > >John >"He is a noble creature when he is quite sober." > >  1,, Summary-line: 6-Apr lcs@MIT.EDU [30] #Set Build on April 8 X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA15322; Fri, 6 Apr 2001 03:16:28 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA04981; Fri, 6 Apr 2001 03:20:39 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id DAA26242; Fri, 6 Apr 2001 03:20:35 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id DAA23728; Fri, 6 Apr 2001 03:20:35 -0400 (EDT) Sender: Larry Stone Date: Fri, 6 Apr 2001 3:20:35 EDT From: Larry Stone Reply-To: To: , , all your weekend belong to us Subject: Set Build on April 8 Message-ID: *** EOOH *** Sender: Larry Stone Date: Fri, 6 Apr 2001 3:20:35 EDT From: Larry Stone Reply-To: To: , , all your weekend belong to us Subject: Set Build on April 8 Walker Basement (Rm. 50-025) Sunday April 8, 1pm - ~7pm Thanks to a great crew that showed up last week, we've finished most of the building, although there is still some woodwork left, I'll keep a builder or two busy. We need up to 6 PAINTERS! Scenic Painter Andy Oakland will be presiding over the painting, and will show you how easy it is to make a flat white surface look like a brick wall! Scenery paints are fun to use and have NO toxic fumes (at least when fresh). Set-building session at the Walker Set Shop (basement of Walker, aka building 50, or 142 Mem Drive. Starting at 1:00pm sharp on Sunday April 8, running however late people want to stay. Please remember to WEAR PAINTING CLOTHES! If you're coming, PLEASE RSVP to ME, preferably by email to lcs@mit.edu -- Larry (MC)  1,, Summary-line: 6-Apr rls@dimins.com [23] #Re: case of gaff? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA11884; Fri, 6 Apr 2001 09:43:55 -0400 (EDT) Received: from dimins.com ([209.51.225.108]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA10503; Fri, 6 Apr 2001 09:47:06 -0400 (EDT) Received: (from mail@localhost) by dimins.com (8.11.0/8.7.1) id f36DlT229507; Fri, 6 Apr 2001 09:47:29 -0400 Received: from unknown(192.168.2.24) by dimins.com via smap (V2.0) id xma029495; Fri, 6 Apr 01 09:47:21 -0400 Mime-Version: 1.0 X-Sender: rls@192.168.2.11 Message-Id: In-Reply-To: References: Date: Fri, 6 Apr 2001 09:47:21 -0700 To: , opus@MIT.EDU From: Ruth Jedlinsky Subject: Re: case of gaff? Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: rls@192.168.2.11 In-Reply-To: Date: Fri, 6 Apr 2001 09:47:21 -0700 To: , opus@MIT.EDU From: Ruth Jedlinsky Subject: Re: case of gaff? Content-Type: text/plain; charset="us-ascii" ; format="flowed" Actually, we offered that during Zoo when we ordered gaff tape. We have more than half a case sitting in our basement (black) so if you'd like to buy some, it's also $11/roll, however, we didn't pay any sales tax. Ruth At 4:44 PM -0400 4/5/01, Larry Stone wrote: >Backstage also sells gaff for $11/roll if you buy a case -- any interest >in splitting a case (i think 12 rolls) with mitg&sp? Ezra said you've >done that in the past. i dunno if you can get a case of different colors, >imagine you'd prefer black, and gray is best for sets. > >/lcs  1,, Summary-line: 6-Apr rcaileff@MIT.EDU [13] #Re: Updated schedule X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA22535; Fri, 6 Apr 2001 10:18:59 -0400 (EDT) Received: from jhereg.ryuzoku.org ([64.23.225.67]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA22395; Fri, 6 Apr 2001 10:23:10 -0400 (EDT) Received: (from rcaileff@localhost) by jhereg.ryuzoku.org (8.9.3) id KAA26711; Fri, 6 Apr 2001 10:23:05 -0400 (EDT) Message-Id: <200104061423.KAA26711@jhereg.ryuzoku.org> To: "David C. Jedlinsky" cc: grand-duke@MIT.EDU Subject: Re: Updated schedule In-Reply-To: Your message of "Fri, 06 Apr 2001 02:35:35 EDT." <200104060635.CAA16639@multics.mit.edu> Date: Fri, 06 Apr 2001 10:23:05 -0400 From: Rachel D Caileff *** EOOH *** To: "David C. Jedlinsky" cc: grand-duke@MIT.EDU Subject: Re: Updated schedule In-Reply-To: Your message of "Fri, 06 Apr 2001 02:35:35 EDT." <200104060635.CAA16639@multics.mit.edu> Date: Fri, 06 Apr 2001 10:23:05 -0400 From: Rachel D Caileff Once I receive word that duke-sched.txt is correct, I'll start sending out reminders to the cast. -rachel  1,, Summary-line: 6-Apr cjedlinsky@sembler.com [305] #Personality Test X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA26959; Fri, 6 Apr 2001 10:32:01 -0400 (EDT) Received: from 38.208.66.4 (sembler.com [38.208.66.4]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id KAA24640 for ; Fri, 6 Apr 2001 10:29:06 -0400 (EDT) Received: from SEMBLER_DOM-Message_Server by 38.208.66.4 with Novell_GroupWise; Fri, 06 Apr 2001 10:34:27 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Fri, 06 Apr 2001 10:33:57 -0400 From: "Cindy Jedlinsky" To: , , , , , , , , , , "ANN CAREY" , "Cathy Jackson" , "David POLINE" , "ELAINE ENGLE" , "Heather Correa" , "JIM ACKERMAN" , "Niki Lawton" , "Scott Schlosser" , "Tina Howard" , , , Subject: Personality Test Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Fri, 06 Apr 2001 10:33:57 -0400 From: "Cindy Jedlinsky" To: , , , , , , , , , , "ANN CAREY" , "Cathy Jackson" , "David POLINE" , "ELAINE ENGLE" , "Heather Correa" , "JIM ACKERMAN" , "Niki Lawton" , "Scott Schlosser" , "Tina Howard" , , , Subject: Personality Test Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline This is actually pretty creepy- I picked my Mom for yellow and the sheep = was first on my list... Just 4 questions and the answers will surprise you. Do > > > not > > > cheat by looking up the answers. The mind is like a parachute it = works > > > best > > > when it is opened. > > > > > > This is fun to do, but you have to follow the instructions very closely. > > > Do > > > not cheat. MAKE A WISH BEFORE BEGINNING THE TEST!! > > > > > > A Warning! Answer the questions as you go along. There are only four > > > questions and if you see them all before finishing you will not have > > > honest > > > results. Go down slowly and do each exercise as you scroll down. = Don't > > > look > > > ahead. Get pencil and paper to write your answers as you go along. = You > > > will > > > need it at the end. This is an honest questionnaire, which will tell you > > > a > > > lot about your true self. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Put the following in order of preference: > > > a. Cow > > > b. Tiger > > > c. Sheep > > > d. Horse > > > e. Pig > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Write one word that describes each one of the following: > > > a. Dog > > > b. Cat > > > c. Rat > > > d. Coffee > > > e. Sea > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Think of someone (who also knows you and is important to you) that = you > > > can > > > relate them to the following colors. (Please do not repeat your answer > > > twice. Name just one person for each color.) > > > > > > a. Yellow > > > b. Orange > > > c. Red > > > d. White > > > e. Green > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Finally, write down your favorite number and your favorite day of the > > > week. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Finished? Please be sure that your answers are what you REALLY = feel... > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Last chance... > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Look at the interpretations below but first before continuing, = repeat > > > your > > > wish. > > > > > > > > > > > > > > > > > > > > > This will define your priorities in your life. > > > > > > Cow: signifies CAREER > > > Tiger Signifies PRIDE > > > Sheep Signifies LOVE > > > Horse Signifies FAMILY > > > Pig Signifies MONEY > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Your description of dog implies YOUR OWN PERSONALITY. > > > Your description of cat implies the personality of your partner. > > > Your description of rat implies the personality of your enemies. > > > Your description of coffee is how you interpret SEX. > > > Your description of the Sea implies your own life. > > > > > > > > > > > > > > > Yellow: Someone you will never forget > > > Orange Someone you consider your true friend. > > > Red Someone that you really love > > > White Your twin soul > > > Green Someone that you will remember for the rest of your life. > > > > > > > > > > > > > > > > > > > > > You have to send this message to as many persons as your favorite > > > number > > > and your wish will come true on the day that you put. > > > > > > This is what the Dalai Lama has said about the millennium - just = take a > > > few > > > seconds to read it and think. > > > > > > Do not put away this message, the mantra will come out from your = hands > > > in > > > the next 96 hours. You will have a very pleasant surprise. > > > > > > This is true, even if you are not superstitious SEND THIS E-MAIL MANTRA > > > TO > > > AT LEAST FIVE PERSONS AND YOUR LIFE WILL IMPROVE > > > > > > 0-4 persons: Your life will improve slightly. > > > 5-9 persons: Your life will improve to your liking. > > > 9-14 persons: You will have at least 5 surprises in the next three > > > weeks. > > > 15 or more persons: Your life will improve drastically and all that you > > > have > > > always dreamed will take shape.; > > > > > > If at any time you do not receive the smile you were expecting, be > > > generous > > > and give that person a smile.=20  1,, Summary-line: 6-Apr to: grand-duke@mit.edu, e [36] #Schedule issues X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA25726; Fri, 6 Apr 2001 15:13:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA16534; Fri, 6 Apr 2001 15:18:03 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA24594; Fri, 6 Apr 2001 15:17:55 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA25637; Fri, 6 Apr 2001 15:17:59 -0400 (EDT) Date: Fri, 6 Apr 2001 15:17:59 -0400 (EDT) Message-Id: <200104061917.PAA25637@multics.mit.edu> From: "David C. Jedlinsky" To: grand-duke@mit.edu, ejhanna@mit.edu, lourenco2@yahoo.com Subject: Schedule issues *** EOOH *** Date: Fri, 6 Apr 2001 15:17:59 -0400 (EDT) From: "David C. Jedlinsky" To: grand-duke@mit.edu, ejhanna@mit.edu, lourenco2@yahoo.com Subject: Schedule issues Ok, now that I've looked at the reservations file, there are a few things I want to clarify before we send it out. We have Sala on 4/16; currently, Kate wants a music rehearsal from 8-10 in 407. Should we move it to Sala, leave it alone, or take advantage of Sala and do a full run then? We could possibly swap the music rehearsal to 4/18, or use the TBA on 4/21 if that works for Kate. I will not be able to use the TBA on 4/21, so if Kate can't use it either, we should release the cast from the obligation for that day. We have three rooms for 4/22 (sitzprobe). The one that seems most convenient to us is 491 from 1-5 (Mezz is 1:30-4:30, and Sala is at night). Should I make the sitzprobe be 1-5 in 491, or is there some room not mentioned in the reservations file that allows us to start at 11:30, like Kate would like? The full run w/orchestra on 4/25 is in Lobdell, but we don't have the room until 7:30. I think we'll call the cast to 407 at 6:00 to do costume stuff (as many people who have them by that time should wear them), do warmups, then begin the run promptly at 7:30. I'm inclined to let the orchestra go on the 4/26 full run date, since we're in 407 and it'll be cramped. However, that might be foolish if we really need the extra integration rehearsal. Should I keep them called for now, and let them go after we see how the 4/25 rehearsal goes, or is that evil to the orchestra? -Dave  1,, Summary-line: 6-Apr cupid@MIT.EDU [37] #Bios and ads X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA10611; Fri, 6 Apr 2001 16:31:55 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA26535; Fri, 6 Apr 2001 16:35:59 -0400 (EDT) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA24825; Fri, 6 Apr 2001 16:32:19 -0400 (EDT) Received: (from cupid@localhost) by all-night-tool.mit.edu (8.9.3) id QAA25856; Fri, 6 Apr 2001 16:32:21 -0400 (EDT) Date: Fri, 6 Apr 2001 16:32:21 -0400 (EDT) Message-Id: <200104062032.QAA25856@all-night-tool.mit.edu> From: Randi M Kestin To: gsp-prod@MIT.EDU, gsp-cast@MIT.EDU, gsp-orch@MIT.EDU Subject: Bios and ads *** EOOH *** Date: Fri, 6 Apr 2001 16:32:21 -0400 (EDT) From: Randi M Kestin To: gsp-prod@MIT.EDU, gsp-cast@MIT.EDU, gsp-orch@MIT.EDU Subject: Bios and ads Hello folks. The BIO deadline approaches. All bios must be in by tomorrow (unless I've told you otherwise). 35 words or less. All those who don't submit will be summarily executed. Or I might just decide to get a little creative.... hmmm.... random example here: Ezra Peisach '89 (Tech Director) is running for cover as his wife is very angry at him for not buying her a car. He's strongly considering applying to the FBI for their witness protection program. or "We the cast, crew, and orchestra have graciously donated these blank pages to the program as we are too lame to write our bios" ..this if I get lazy. you get the idea. :) Tomorrow also happens to be the ad deadline. For those who have gotten me ads a thousand blessings on your soul! For thouse who have ads in hand I"ll be sending my ad deputy to Monday's rehearsal to collect them from you. I should be back on Tuesday to get the rest. For those who have not tried to get ads - please don't start now as the deadline is here and we seem to have enough ads for a program (although not enough bios. hmmmm.) Ok 'nuff said. Randi (crazy program manager)  1,, Summary-line: 6-Apr cupid@MIT.EDU [16] #comp tickets X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA04488; Fri, 6 Apr 2001 16:45:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA27660 for ; Fri, 6 Apr 2001 16:50:10 -0400 (EDT) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA22813 for ; Fri, 6 Apr 2001 16:45:40 -0400 (EDT) Received: (from cupid@localhost) by all-night-tool.mit.edu (8.9.3) id QAA28034; Fri, 6 Apr 2001 16:45:44 -0400 (EDT) Date: Fri, 6 Apr 2001 16:45:44 -0400 (EDT) Message-Id: <200104062045.QAA28034@all-night-tool.mit.edu> From: Randi M Kestin To: gsp-prod@MIT.EDU Subject: comp tickets *** EOOH *** Date: Fri, 6 Apr 2001 16:45:44 -0400 (EDT) From: Randi M Kestin To: gsp-prod@MIT.EDU Subject: comp tickets Just to follow up on the comp ticket discussion from the other day I've checked old emails and it looks like Garry and I had agreed on the ad reward being 2 extra comp tickets - not one. This was the information I've already given out to pretty much everybody. Like I said before those tickets will likely go to Drewbob but I haven't officially gotten any ads from him as of yet. If more than one doesn't materialize from him than the deal's off. Randi  1,, Summary-line: 6-Apr jhuston@the.link.ca [11] #Re: MIT GRAND DUKE Centenary X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA07931; Fri, 6 Apr 2001 16:47:13 -0400 (EDT) Received: from the.link.ca (the.link.ca [198.169.185.1]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA00266 for ; Fri, 6 Apr 2001 16:51:25 -0400 (EDT) Received: from [204.83.156.158] (dial158.link.ca [204.83.156.158]) by the.link.ca (8.9.3/8.9.3) with SMTP id OAA03068 for ; Fri, 6 Apr 2001 14:51:15 -0600 (CST) Date: Fri, 6 Apr 2001 14:51:15 -0600 (CST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: "David C. Jedlinsky" From: jhuston@the.link.ca (J. Huston) Subject: Re: MIT GRAND DUKE Centenary *** EOOH *** Date: Fri, 6 Apr 2001 14:51:15 -0600 (CST) Content-Type: text/plain; charset="us-ascii" To: "David C. Jedlinsky" From: jhuston@the.link.ca (J. Huston) Subject: Re: MIT GRAND DUKE Centenary You didn't meet a Martha Jo McGinnis while at MIT did you.? She used to sing G&S in Toronto befoe leaving for MIT to study liguistics (I think). Shw was blonde, slim & would have sung soprano.  1,, Summary-line: 6-Apr jhuston@the.link.ca [21] #Re: MIT GRAND DUKE Centenary X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA08657; Fri, 6 Apr 2001 16:47:32 -0400 (EDT) Received: from the.link.ca (the.link.ca [198.169.185.1]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA17419 for ; Fri, 6 Apr 2001 16:51:15 -0400 (EDT) Received: from [204.83.156.158] (dial158.link.ca [204.83.156.158]) by the.link.ca (8.9.3/8.9.3) with SMTP id OAA21454 for ; Fri, 6 Apr 2001 14:51:12 -0600 (CST) Date: Fri, 6 Apr 2001 14:51:12 -0600 (CST) Message-Id: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: "David C. Jedlinsky" From: jhuston@the.link.ca (J. Huston) Subject: Re: MIT GRAND DUKE Centenary *** EOOH *** Date: Fri, 6 Apr 2001 14:51:12 -0600 (CST) Content-Type: text/plain; charset="us-ascii" To: "David C. Jedlinsky" From: jhuston@the.link.ca (J. Huston) Subject: Re: MIT GRAND DUKE Centenary Many thanks for your timely & interesting reply. >The current MIT production will not be true to the original 1901 >production in at least one major area: the original production was an >all-male cast; there are quite a few women at MIT these days, and >we've taken ample advantage of that fact. Given these were college age men how did they handle the soprano parts in the chorus I wonder? Was a local boys choir recruited or did they sing them falsetto or simply rearrange the music for 4 part male voices? John "he is a noble creature when he is quite sober"  1, answered,, Summary-line: 6-Apr epeisach@MIT.EDU [13] #Glockenspiel (on top of palace)... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA11122; Fri, 6 Apr 2001 17:15:35 -0400 (EDT) From: Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id RAA07939; Fri, 6 Apr 2001 17:19:48 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA05187; Fri, 6 Apr 2001 17:19:46 -0400 Date: Fri, 6 Apr 2001 17:19:46 -0400 Message-Id: <10104062119.AA05187@kangaroo.mit.edu> To: lcs@mit.edu, opus@mit.edu Subject: Glockenspiel (on top of palace)... *** EOOH *** From: Date: Fri, 6 Apr 2001 17:19:46 -0400 To: lcs@mit.edu, opus@mit.edu Subject: Glockenspiel (on top of palace)... I am trying to determine what the official status of the glock is? My impression is that nothing is happening with it. Is this correct? If som we need to figure out what needs to be done and how to do it PDQ. Ezra  1,, Summary-line: 6-Apr epeisach@MIT.EDU [52] #Random thoughts on audience space X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA17520; Fri, 6 Apr 2001 17:33:55 -0400 (EDT) From: Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA02322 for ; Fri, 6 Apr 2001 17:38:03 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA12978; Fri, 6 Apr 2001 17:38:02 -0400 Date: Fri, 6 Apr 2001 17:38:02 -0400 Message-Id: <10104062138.AA12978@kangaroo.mit.edu> To: gsp-prod@mit.edu Subject: Random thoughts on audience space *** EOOH *** From: Date: Fri, 6 Apr 2001 17:38:02 -0400 To: gsp-prod@mit.edu Subject: Random thoughts on audience space This is mainly for the record, and to get some ideas - hence the mail to gsp-prod. Input welcome. We have a number of constraintsregarding audience size - besides to usual safety regulations that we need to adhere to. Larry and I were talk briefly and have thought of the following: a) For sorcerer, the rear row of the house was such that people had a tendency to hit their head on space dock as they stepped down. We put the last row of germans such that they lined up with the light switches - this might be too far back - or the stairs were over too far - but based on safety considerations I believe the stairs were positioned correctly. b) One idea, place a row of platforms behind the last row of germans (to the right of spacedock). This would probably gain us 15 seats with a few platforms, lots of dexion, extra stairs. c) Another idea - instead of three rows on the floor - raise the third row in front of the butterflies with platforms - without legs. Minimal work - which may provide for better views. d) Use the foldup chairs - they are about 3" shorter, are less confortable, and may not gain us anything. (I think the reg's are for seat-back to seat-back distance - nothing gained here) e) See if CAC has narrower chairs - they used to - but I doubt it now. f) Maybe extend the germans wider - I believe we have two dead germans - maybe replace with a platform at the end? Side aisle might need to be reconsidered. We might be able to do the 7, aisle, 15, aisle, extra few. Scaffolding would not be able to squeeze by then. g) Any other crazy idea - including the old wedge design. I don't think we really gained anything with them. (essentially making the seating / ------/ ) Anyone else have any ideas? Ezra  1,, Summary-line: 6-Apr epeisach@MIT.EDU [14] #Re: Glockenspiel (on top of palace)... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA17843; Fri, 6 Apr 2001 17:35:20 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id RAA13645; Fri, 6 Apr 2001 17:39:32 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA31923; Fri, 6 Apr 2001 17:39:31 -0400 Message-Id: <10104062139.AA31923@kangaroo.mit.edu> To: "David C. Jedlinsky" Cc: epeisach@mit.edu, lcs@mit.edu Subject: Re: Glockenspiel (on top of palace)... In-Reply-To: Your message of "Fri, 06 Apr 2001 17:36:00 EDT." <200104062136.RAA27094@multics.mit.edu> Date: Fri, 06 Apr 2001 17:39:31 EDT From: Ezra Peisach *** EOOH *** To: "David C. Jedlinsky" Cc: epeisach@mit.edu, lcs@mit.edu Subject: Re: Glockenspiel (on top of palace)... In-Reply-To: Your message of "Fri, 06 Apr 2001 17:36:00 EDT." <200104062136.RAA27094@multics.mit.edu> Date: Fri, 06 Apr 2001 17:39:31 EDT From: Ezra Peisach Okay - it will hold to next week then. Even if Ruth throws her father at it (and from what I recall - he could probably pull it off) - we might be able to get the gears from hilde... Ezra  1,, Summary-line: 6-Apr lcs@MIT.EDU [25] #clock and glock X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA02193; Fri, 6 Apr 2001 17:42:52 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA04235; Fri, 6 Apr 2001 17:47:08 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA08866; Fri, 6 Apr 2001 17:47:00 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id RAA24285; Fri, 6 Apr 2001 17:47:04 -0400 (EDT) Sender: Larry Stone Date: Fri, 6 Apr 2001 17:47:04 EDT From: Larry Stone Reply-To: To: opus@MIT.EDU, epeisach@MIT.EDU, blkdrgn@MIT.EDU Subject: clock and glock Message-ID: *** EOOH *** Sender: Larry Stone Date: Fri, 6 Apr 2001 17:47:04 EDT From: Larry Stone Reply-To: To: opus@MIT.EDU, epeisach@MIT.EDU, blkdrgn@MIT.EDU Subject: clock and glock let's try this again, *really* cc'ing jeaner... > The glock is still up in the air at the moment. If nothing happens by > Tuesday or Wednesday, Ruth has threateened to throw her father at the > problem. I'd like to get a working model ASAP, so Hilde's boyfriend > will be inclined to improve upon it, and build the actual one. I'm CC'ing Jeaner since, last I saw, the sketch for the palace arch/tower elevation didn't have a good place for a glockenspiel. There was a clock, but no glock, and including both would make it rather crowded. What size is it and can it just hang, or does the soft flat behind it need to be punctured and reframed? I think we'll hold off painting that assemlblage for now :-) -- Larry  1,, Summary-line: 6-Apr ansleym@netzero.net [52] #Saturday rehearsal X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA13392; Fri, 6 Apr 2001 19:37:07 -0400 (EDT) Received: from mail8.wlv.netzero.net (mail8.wlv.netzero.net [209.247.163.58]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id TAA24468 for ; Fri, 6 Apr 2001 19:41:18 -0400 (EDT) Received: (qmail 20051 invoked from network); 6 Apr 2001 23:39:27 -0000 Received: from dialup-63.214.117.72.boston1.level3.net (HELO ansley) (63.214.117.72) by mail8.wlv.netzero.net with SMTP; 6 Apr 2001 23:39:27 -0000 Message-ID: <011f01c0bef3$0d05fb00$4875d63f@ansley> From: "ansley" To: "Grand Duke production" Subject: Saturday rehearsal Date: Fri, 6 Apr 2001 19:41:05 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_011C_01C0BED1.84F0F4C0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "ansley" To: "Grand Duke production" Subject: Saturday rehearsal Date: Fri, 6 Apr 2001 19:41:05 -0400 Content-Type: multipart/alternative; boundary="----=_NextPart_000_011C_01C0BED1.84F0F4C0" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 This is a multi-part message in MIME format. ------=_NextPart_000_011C_01C0BED1.84F0F4C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kate,=20 Sorry cannot get to rehearsal on Saturday until about 2.30 or so, as I = have a=20 prior work committment. Will rush over as soon as I can. Sorry again, Ansley ------=_NextPart_000_011C_01C0BED1.84F0F4C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kate,
Sorry cannot get to rehearsal on = Saturday until=20 about 2.30 or so, as I have a
prior work committment. Will rush over = as soon as I=20 can.
Sorry again, = Ansley
------=_NextPart_000_011C_01C0BED1.84F0F4C0-- Shop online without a credit card http://www.rocketcash.com RocketCash, a NetZero subsidiary  1,, Summary-line: 8-Apr luna@MIT.EDU [85] #Can Can moves X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA09667; Sun, 8 Apr 2001 10:01:48 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA03415 for ; Sun, 8 Apr 2001 10:06:01 -0400 (EDT) Received: from luna.mit.edu (146-115-123-86.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com [146.115.123.86]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11463 for ; Sun, 8 Apr 2001 10:05:56 -0400 (EDT) Message-Id: <4.3.2.7.2.20010408094842.00be23e0@po14.mit.edu> X-Sender: luna@po14.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Sun, 08 Apr 2001 10:08:03 -0400 To: gsp-cast@mit.edu From: Lost In Space Subject: Can Can moves Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: luna@po14.mit.edu (Unverified) Date: Sun, 08 Apr 2001 10:08:03 -0400 To: gsp-cast@mit.edu From: Lost In Space Subject: Can Can moves Content-Type: text/plain; charset="us-ascii"; format=flowed Hi folks - sorry this is this morning rather than last night, but I got a little held up at other rehearsals. Good luck and let me know if you have any questions - I'll be trying to drop by rehearsals when i can for questions: Intro music - use this to get on stage in the groups you're in for the very beginning (1,2, and 3) Entrances of the masses - I'm listing this by group: Group 1: Form line with Ludwig in the middle, point right foot forward 1, left 2, right 3, left 4 then walk around to floor level 5,6,7,8 and continue there 1,2,3,4,5,6,7,8 On floor: point right forward 1, left 2, right 3, left 4, bring your feet together 5 hold 6, tiny step forward with your right 7, feet together 8. Again point right 1, left 2, right 3, left 4, bring your feet together 5,6, step in place 7,8 Group 2: Hold the first 8-count while group 1 is line with Ludwig, then when they move - step up to form your line with Ludwig for the 2nd 8-count. Point right forward 1, left 2, right 3, left 4 then run to floor level 5,6,7,8. Join group 1 already on the floor (2 times through do point right 1, left 2, right 3, left 4, bring feet together 5,6, step in place 7,8) Group 3: Wait the first 2 8-counts as a mass in the back and when group 2 moves out of the way, step up to your line with Ludwig and point right 1, left 2, right 3, left 4, bring your feet together 5,6, step back slightly 7,8 to make room for yourselves for the next section. Repeat the steps again but stay in place. Can Can Section: 1) Face slightly downstage left, withe your hands behind your back point your right foot front and hop on it 1,2, switch to left and hop 3,4, kick your right and throw your arms up 5, take three tiny steps in the direction you are facing 6,7,8 while returning your hands to behind your back. 2) Repeat the first step but this time start with the left pointing, then switch to right, kick left, and take three small steps. 3) hop on your left foot 1,2,3,4 while your right leg raises (pointed!) slightly and your arms raise out to the sides with it. Walk around yourself in a circle (to the right) 5,6,7,8 and make sure you are back where you should be on the stage. 4) arms are behind your back again, point right forward and hop 1,2, switch to left 3,4, switch to right 5, left 6, right 7, then pull right foot in across your left to pose with arms coming up at your sides about shoulder height with palms face up (Bing!) Courtly-type section: (With your partner) 1) Left partner drops arms and walks to the other side of the right one, slow (1,2), slow (3,4), quick (5), quick (6), quick (7), heel click (8 - just have feet together) leave your arms down now 2) Other partner now repeats the above in the same way - take hands at the end of this - right takes right and left takes left (so they're crossed) 3) Exaggerated silly walks with right - up and down 1,2, drag left in 3,4, repeat with same leg 5,6,7,8 4) Floor group: step back with right 1,2, left 3,4, then hurry to positions with new partner from dignitary group - the one set of partners moves up to the platform group. Group on platform - step back 1,2, step back 3,4, skip little steps back 5,6,7,8 Repeat Court Section again (with new or same partner depending on which group you are in) Circle Section: the step is walk right 1,2, left 3,4, skip right 5, left 6, right 7, left 8 - do this a total of 4 times while circling from the floor to platform and end in the positions we showed (the entire platform group should now be on the floor plus 1-2 partners that were also on the stage left floor before this - the rest of the floor group is now on the platform) Repeat Can-Can section Ending: 1) partners take hands from ending pose in Can-Can section - left partner walks fully around the right partner 1,2,3,4,5,6,7,8 2) Right partner now walks fully around the left partner 1,2,3,4,5,6,7,8 3&4) wrap your right arm around your partner's waist and raise your left arms high in the air and spin around each other until the end - fall down! That's it! Steph %)  1,, Summary-line: 8-Apr dcl@ties.org [47] #Utopia tambourine X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA03247; Sun, 8 Apr 2001 11:52:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA12170 for ; Sun, 8 Apr 2001 11:56:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA28215; Sun, 8 Apr 2001 11:55:50 -0400 (EDT) Date: Sun, 8 Apr 2001 11:55:50 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Utopia tambourine Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 8 Apr 2001 11:55:50 -0400 (EDT) Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Utopia tambourine Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'm going through the Utopia orchestra parts (specifically, the ones available from Kalmus), and for the Tarantella in Act II, the percussion part calls for Tambourine (the only mention of that instrument in the show). My specific question is how to interpret the up- and down-stems used in the part. Some notes have both up- and down-stems, while others have just up-stems. My educated guess is that the up-stems mean "shake", and the down-stems mean "strike". Since striking the tambourine makes the rattles sound anyway, there's no such thing as "strike only", which is why there are no down-stem-only notes. I'd like to have this opinion backed by a competent authority. There are also "tr" markings here and there, and double-slashed stems on the longer notes, and I'm confident that these indicate "shake" as well. These markings as well as the up- and down-stems are not used very consistently, but that's not ususual in percussion parts. My dilemma is that the Tarantella's tempo is fast enough that there isn't much practical distinction between "strike" and "shake". Also, I'm told that in Gondoliers, the Cachucha calls for both Tambourine and Castanets, and that up- and down-stems are used to indicate those two instruments on the same staff. In the Utopia part, there's no indication of castanets, or of any auxiliary instrument: it's clearly marked just "Tambourine". More generally, I'm interested in opinions about the authenticity of these percussion parts; I know a bit about the dubious history of "improving" Sullivan's orchestration by adding more percussion. But I'm mostly interested in the copyist's (and possibly Sullivan's) intended interpretation of those up- and down-stems, authentic or not. Thanks for whatever insights you might provide. David Larrick, dcl@ties.org, http://www.ultranet.com/~larrick/  1,, Summary-line: 8-Apr SSilvers@sskfg.com [141] #NYC Sing-In May 26; May 27 Tour (Long!) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA07776; Sun, 8 Apr 2001 18:50:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA01281 for ; Sun, 8 Apr 2001 18:54:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA13984; Sun, 8 Apr 2001 18:53:57 -0400 (EDT) Date: Sun, 8 Apr 2001 18:53:57 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: NYC Sing-In May 26; May 27 Tour (Long!) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Sun, 8 Apr 2001 18:53:57 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: NYC Sing-In May 26; May 27 Tour (Long!) Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi, Everyone! Please note my new e-mail address. The NYC G&S sing-in on Saturday, May 26 has been fully cast (see bottom of this e-mail), and I have no more room for attendees, unless you wish to be added to the waiting list. Please let me know if any of you have had to cancel! Since many out-of-town Savoynetters will be here, I will lead a NYC sightseeing tour on Sunday, May 27, and everyone is invited, even if you are not coming to the sing-in. The tour of NY will begin at about 10:00 a.m. and will require ALOT of walking, so wear very comfortable shoes. Those who do not want to walk too much can meet us for breakfast (see below) and/or for just the midtown segment of the tour. Here is the schedule: 9:30 a.m. Lincoln Center (Just the outside, probably) 10:00 Central Park (72nd St., the fountain, the Mall) 10:30 Brunch (see below) 12:15 Carnegie Hall (probably just the outside) 12:30 Saks Fifth Avenue Dept. Store 1:00 St. Patrick's Cathedral 1:15 Rockefeller Center 1:45 Grand Central Station [Empire State Bldg. - we may skip this, although those who are exhausted may stop here.] Depending on time, the following are flexible, and we will stop for a late lunch somewhere: China Town Little Italy/Soho Greenwich Village (West Village) Tour ends around 5:30? Please let me know if you are interested, unless you have already done so. Of course, invite anyone you want, but give me an idea of how many would be interested in brunch at Norma's. Norma's is fairly expensive - at least $30 per head if you get the works, but it may be the best brunch in NY. Those saving for Buxton will go to the Carnegie Deli for blintzes, etc. Also, on Friday nite, if the weather is good, I will lead a brief walk around my neighborhood, including Columbia University, Riverside Church and Grant's Tomb. Reminder re:Sing-in details: 3117 Broadway, Apt. 28 (Intercom buzzer 541) Phone: (212) 782-0706 Call me to discuss driving/parking directions. The shows, in order, will be: Pirates, Patience, GD and Iolanthe. Bring your scores!! No dialogue. Everyone attending: Please let me know if you can bring any folding CHAIRS!!! or ICE or beverages. Also, feel free to bring munchies (especially healthy stuff). I am very serious about the chairs. I have about 14 seats for 37 people! We begin promptly at noon and will order pizza between the first and second shows. Everyone except pianists will be asked to chip in $5 or so. Please bring a $5 bill and a couple of singles. We will finish around 7 or 8 pm and can all go to a local restaurant for dinner. Pirates (Pianist: Stuart Malkin): King Dennis Blackwell (NY) Samuel Les Elkins (DC) Frederic Mitch Gillett (MI) Major-General Jim Cooper (CT) Sergeant Leonard Pinsker (Phila) Mabel Marion Carroll (Boston) Kate Deborah Jacobson (DC) Edith Leta Hall (DC) Ruth Lisa Berglund (CT) Patience (Pianist: Eric Peterson): Colonel Marc Shepherd (NY) Major Jerry Zieselman (NY) The Duke Mitch Gillett (MI) Bunthorne Derek Johns (CT) Grosvenor Stuart Malkin (NY) Angela Bobbie Herman (CT) Saphir Leta Hall (DC) Ella Nancy Morgan (NY) Jane Linda Nadeau (DC) Patience Laura Schatz (Toronto) Grand Duke (Pianist: Deborah Jacobson): Rudolph Marc Shepherd (NY) Ernest David Jedlinsky (NH) Ludwig Samuel Silvers (NY) Notary Paul Berglund (CT) Prince of MC Phil Sternenberg (NJ) Ben Hashbaz Eric Peterson (NY) Herald Mitch Gillett (MI) Princess of MC Laura Schatz (Toronto) Baroness Jane Furth (RI) Julia Marion Carroll (Boston) Lisa Nancy Morgan (NY) Olga (lowest) Lisa Berglund (CT) Gretchen (highest) Laura Schatz (Toronto) Bertha (2nd girl) Bobbie Herman (CT) Iolanthe (Pianist: Stuart Malkin): Chancellor Samuel Silvers (NY) Mountararat Eric Peterson (NY) Tolloller Jerry Zieselman (NY) Willis Leonard Pinsker (Phila) Strephon David Jedlinsky (NH) Queen Joan Merritt (Baltimore) Iolanthe Marion Carroll (Boston) Celia Roberta Klarreich (NY) Leila Deborah Jacobson (DC) Phyllis Betsy Marrion (NY) Other attendees: Lynn Anslow (DC), Charlie Furth (RI), Leah Margaryan (NY), Sandy Rovner (DC), Don Smith (MA), Julie and Cassandra Stevens (DC), Ruth Jedlinsky (NH) and Paul Cohen (CT), Allison Davy (NY) and Cameron Schatz. See you on May 26! Sam  1,, Summary-line: 8-Apr ory.N.Baker.00@Alum.Dartm [11] #Re: Reschedule Tuesday rehearsal? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA10363; Sun, 8 Apr 2001 23:52:57 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA19878; Sun, 8 Apr 2001 23:57:12 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id XAA16518; Sun, 8 Apr 2001 23:57:10 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id XAA14212; Sun, 8 Apr 2001 23:57:12 -0400 (EDT) Date: Sun, 8 Apr 2001 23:57:12 -0400 (EDT) Message-Id: <200104090357.XAA14212@multics.mit.edu> From: "David C. Jedlinsky" To: Gregory.N.Baker.00@Alum.Dartmouth.ORG, gnb@mit.edu, analbir@mit.edu, dcltdw@mit.edu Subject: Re: Reschedule Tuesday rehearsal? References: <15876027@sneezy.Dartmouth.ORG> *** EOOH *** Date: Sun, 8 Apr 2001 23:57:12 -0400 (EDT) From: "David C. Jedlinsky" To: Gregory.N.Baker.00@Alum.Dartmouth.ORG, gnb@mit.edu, analbir@mit.edu, dcltdw@mit.edu Subject: Re: Reschedule Tuesday rehearsal? Okay, it looks like 6-7pm will work for everyone, so let's do that. Tuesday, room 407, block #20. I'll be there, too. -Dave  1,, Summary-line: 9-Apr ajcrowth@globalnet.co.uk [74] #Re: Gilbert's superior (was: In defense of UMGASS Pinafore.) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA24666; Mon, 9 Apr 2001 18:20:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA23281 for ; Mon, 9 Apr 2001 18:24:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA28199; Mon, 9 Apr 2001 18:23:46 -0400 (EDT) Date: Mon, 9 Apr 2001 18:23:46 -0400 (EDT) Message-Id: <01c0c140$0fe4e260$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's superior (was: In defense of UMGASS Pinafore.) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Mon, 9 Apr 2001 18:23:46 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's superior (was: In defense of UMGASS Pinafore.) Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dan Florip writes: >Mr. Crowther's assertion that such a plot change >upsets the balance of the piece disturbs me. I >ask, what balance? The whole thing is off >kilter. Gilbert digs himself out of a two-hour >hole with five minutes of topsy-turvy resolution. Okay, here we go..... Of course the ending is absurd, but that doesn't mean it's ill thought out or "off kilter". Thematically it's absolutely *on* kilter. "Pinafore" is all about class and equality. At the beginning of the piece the ship is happy in its liberal order--Captain Corcoran is absurdly courteous to his crew but everyone "knows his place". Ralph dare not confess his love to Josephine, and vice versa, because of the disparity in their ranks. But then Sir Joseph comes on board and explains that a British tar is any man's equal, excepting his, and distributes a song to demonstrate that wonderful maxim. He even refers disparagingly to "accident of birth", which is to feature so prominently later. Afterwards, Ralph, excited, cries out that Sir J. has explained their true position to them and there is no reason, after all, why he can't confess his love to Josephine. The satiric thrust of the whole plot of "Pinafore", up to the ending, is to show the destabilising effect of the idea of "equality" in a place where people have to obey other people's orders. When Ralph is flung into the dungeon cell near the end of Act Two, order is at last being restored on a ship where dissension and mutiny have been rife. But at the same time, the "happy ending" can only be achieved by somehow denying this return to order. The revelation that the Captain and Ralph were exchanged as babes is satisfying because: 1) it assumes the absolute power of "accident of birth"--each child would have done exactly as the other child did do, if they hadn't been exchanged, so we can simply cut out a few links in the logical chain and make them swap clothes. 2) it makes Ralph powerful, and therefore in a position to marry anyone he wants--even a lowly gal such as Josephine. 3) it makes the Captain lowly, and therefore in a position to marry Little Buttercup. 4) it keeps the power swap strictly within the hierarchy of the ship--Sir J. is an outsider, the disruptive force, and to involve him in the swap would disrupt the symmetry. 5) as has been pointed out, Sir Joseph is a self-made man, so if he were in the swap the idea that "accident of birth" is all-powerful, on which the swap is based (see 1), would be weakened enough to destroy the joke. The peculiar balance of the ending is to keep the rule of order seemingly ticking along, while at the same time mocking it, turning it upside down. It is an absurd ending, of course, but it is *not* a tacked-on irrelevance. It is integral to the whole. Andrew Crowther 82, The Avenue, Clayton, Bradford BD14 6RT, Great Britain. tel: (+44) 1274 882143. ajcrowth@globalnet.co.uk Visit Babliophile, my W.S. Gilbert site, at: http://www.users.globalnet.co.uk/~ajcrowth/babphile.htm "We know it's weakness, but the weakness is so strong!" - W.S. Gilbert, "Iolanthe"  1,, Summary-line: 9-Apr thorntonk@mediaone.net [13] #reminder X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA05256; Mon, 9 Apr 2001 19:53:43 -0400 (EDT) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA12132 for ; Mon, 9 Apr 2001 19:57:57 -0400 (EDT) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f39Nvua17229 for ; Mon, 9 Apr 2001 19:57:56 -0400 (EDT) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 09 Apr 2001 19:59:54 -0400 Subject: reminder From: Katherine Thornton To: Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 09 Apr 2001 19:59:54 -0400 Subject: reminder From: Katherine Thornton To: Content-type: text/plain; charset="US-ASCII" Just a reminder that on Mondays I can not be at MIT until 8pm. This will apply for all rehearsals (including cue-to-cue if it happens on Monday, as my voice recital is on the day after we close). Thanks Kate  1,, Summary-line: 9-Apr pzavon@rochester.rr.com [30] #Re: MIT GRAND DUKE Centenary X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA04480; Mon, 9 Apr 2001 21:40:49 -0400 (EDT) Received: from mailout4-0.nyroc.rr.com (mailout4-1.nyroc.rr.com [24.92.226.166]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA16673 for ; Mon, 9 Apr 2001 21:45:05 -0400 (EDT) Received: from default (roc-204-210-147-110.rochester.rr.com [204.210.147.110]) by mailout4-0.nyroc.rr.com (8.11.2/RoadRunner 1.03) with SMTP id f3A1gcb23211 for ; Mon, 9 Apr 2001 21:42:38 -0400 (EDT) Message-ID: <003101c0c15f$e72fd760$6e93d2cc@rochester.rr.com> From: "Peter Zavon" To: Subject: Re: MIT GRAND DUKE Centenary Date: Mon, 9 Apr 2001 21:15:45 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Peter Zavon" To: Subject: Re: MIT GRAND DUKE Centenary Date: Mon, 9 Apr 2001 21:15:45 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 On Fri, 6 Apr 2001 in response to a question on Savoynet, you said in part: >There are no photos of which I am aware. There are, however, quite a >few reviews from area newspapers, as well as a weekly feature in the >school paper (The Tech) from early March through the May performance. Did you ever get a chance to look at the microfilms of the local papers in the Boston Public Library? I did not make copies at the Time I was browsing there, but I have a vague recollection of looking at photos in the equivalent of a Sunday Supplement. Perhaps I am thinking of later productions at BU, but the MIT tag is there in memory. I was glad to see you on Saturday evening. Hope you found the show enjoyable. Peter Zavon Penfield, NY PZAVON@roadrunner.rr.com  1, forwarded, answered,, Summary-line: 10-Apr davie@MIT.EDU [49] #FW: comment -- I want to be a techie X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA06869; Tue, 10 Apr 2001 09:01:25 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA17953 for ; Tue, 10 Apr 2001 09:05:41 -0400 (EDT) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id JAA29726 for ; Tue, 10 Apr 2001 09:05:36 -0400 (EDT) From: "David Euresti" To: "Grand-Duke" Subject: FW: comment -- I want to be a techie Date: Tue, 10 Apr 2001 09:05:47 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 *** EOOH *** From: "David Euresti" To: "Grand-Duke" Subject: FW: comment -- I want to be a techie Date: Tue, 10 Apr 2001 09:05:47 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Garry, If you find something for this person she could be useful. Davi -----Original Message----- From: bloodandivory@earthlink.net [mailto:bloodandivory@earthlink.net] Sent: Tuesday, April 10, 2001 5:09 AM To: savoyards-request@mit.edu Subject: comment -- I want to be a techie Submitted by 'bloodandivory@earthlink.net' on 63.214.72.170 (dialup-63.214.72.170.Boston1.Level3.net) Email sent via the WWW comment gateway at www.mit.edu:80. Warning: the sender's name and address may be forged. ----- Hello, Ladies and Gentlemen: I saw your website and was intrigued. It seems you are looking for an assistant producer for "Grand Duke" - not only have I worked on this particular show as property mistress and as Baronness Von Krakenfeldt, but I have done it at MITG&SP... yes, in 1993... or was it '94... so long ago I was also an Execcom member (of MITG&SP) at the time! I am intimately familiar with the show would like to be of service in one capacity or another... just for old times' sake, if nothing else. I have performed almost every job in small theatre, except for costume designer and master electrician and I would like to help. I look forward to hearing from you. M. McVeigh - (aka Lady Blanche, Mad Margaret, Katisha, Baroness Von Krakenfeldt, et al)  1,, Summary-line: 10-Apr to: davie@mit.edu [55] #Re: FW: comment -- I want to be a techie X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA20608; Tue, 10 Apr 2001 12:09:35 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA26458; Tue, 10 Apr 2001 12:13:48 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA01040; Tue, 10 Apr 2001 12:13:44 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id MAA11608; Tue, 10 Apr 2001 12:13:47 -0400 (EDT) Date: Tue, 10 Apr 2001 12:13:47 -0400 (EDT) Message-Id: <200104101613.MAA11608@multics.mit.edu> From: "David C. Jedlinsky" To: davie@mit.edu CC: grand-duke@mit.edu In-reply-to: Subject: Re: FW: comment -- I want to be a techie References: *** EOOH *** Date: Tue, 10 Apr 2001 12:13:47 -0400 (EDT) From: "David C. Jedlinsky" To: davie@mit.edu CC: grand-duke@mit.edu In-reply-to: Subject: Re: FW: comment -- I want to be a techie Before anyone responds to Michele, please talk to me in person or over the phone. -Dave >From: "David Euresti" >Date: Tue, 10 Apr 2001 09:05:47 -0400 > >Garry, > If you find something for this person she could be useful. >Davi > >-----Original Message----- >From: bloodandivory@earthlink.net [mailto:bloodandivory@earthlink.net] >Sent: Tuesday, April 10, 2001 5:09 AM >To: savoyards-request@mit.edu >Subject: comment -- I want to be a techie > > > >Submitted by 'bloodandivory@earthlink.net' on 63.214.72.170 >(dialup-63.214.72.170.Boston1.Level3.net) >Email sent via the WWW comment gateway at www.mit.edu:80. > >Warning: the sender's name and address may be forged. >----- > >Hello, Ladies and Gentlemen: > >I saw your website and was intrigued. It seems you are looking for an >assistant producer for "Grand Duke" - not only have I worked on this >particular show as property mistress and as Baronness Von Krakenfeldt, but I >have done it at MITG&SP... yes, in 1993... or was it '94... so long ago > >I was also an Execcom member (of MITG&SP) at the time! I am >intimately familiar with the show would like to be of service in one >capacity or another... just for old times' sake, if nothing else. I have >performed almost every job in small theatre, except for costume designer and >master electrician and I would like to >help. > >I look forward to hearing from you. > >M. McVeigh - (aka Lady Blanche, Mad Margaret, Katisha, Baroness Von >Krakenfeldt, et al) >  1,, Summary-line: 10-Apr rcaileff@MIT.EDU [15] #Re: Order of Supernumeraries X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA17322; Tue, 10 Apr 2001 15:14:18 -0400 (EDT) Received: from jhereg.ryuzoku.org ([64.23.225.67]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA11796; Tue, 10 Apr 2001 15:14:15 -0400 (EDT) Received: (from rcaileff@localhost) by jhereg.ryuzoku.org (8.9.3) id PAA05803; Tue, 10 Apr 2001 15:13:50 -0400 (EDT) Message-Id: <200104101913.PAA05803@jhereg.ryuzoku.org> To: "David C. Jedlinsky" cc: rcaileff@MIT.EDU, jraine@bostonconservatory.edu Subject: Re: Order of Supernumeraries In-Reply-To: Your message of "Tue, 10 Apr 2001 14:40:19 EDT." <200104101840.OAA15136@multics.mit.edu> Date: Tue, 10 Apr 2001 15:13:49 -0400 From: Rachel D Caileff *** EOOH *** To: "David C. Jedlinsky" cc: rcaileff@MIT.EDU, jraine@bostonconservatory.edu Subject: Re: Order of Supernumeraries In-Reply-To: Your message of "Tue, 10 Apr 2001 14:40:19 EDT." <200104101840.OAA15136@multics.mit.edu> Date: Tue, 10 Apr 2001 15:13:49 -0400 From: Rachel D Caileff From audience left to audience right, the order of the supernumeraries before they flee to the corner at the beginning of 26 is: Art Dunlap, Davi Euresti, David Poland, Brian Bermack, Andrea Humez, Erica Schultz. -rachel  1,, Summary-line: 10-Apr lcs@MIT.EDU [32] #Re: The set designer speaks X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA18543; Tue, 10 Apr 2001 15:16:23 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA29669; Tue, 10 Apr 2001 15:20:40 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA13362; Tue, 10 Apr 2001 15:20:36 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id PAA28444; Tue, 10 Apr 2001 15:20:40 -0400 (EDT) Sender: Larry Stone Date: Tue, 10 Apr 2001 15:20:40 EDT From: Larry Stone Reply-To: To: "David C. Jedlinsky" Cc: blkdrgn@MIT.EDU, epeisach@MIT.EDU, sao@MIT.EDU Subject: Re: The set designer speaks In-Reply-To: Your message of Tue, 10 Apr 2001 15:01:23 -0400 (EDT) Message-ID: *** EOOH *** Sender: Larry Stone Date: Tue, 10 Apr 2001 15:20:40 EDT From: Larry Stone Reply-To: To: "David C. Jedlinsky" Cc: blkdrgn@MIT.EDU, epeisach@MIT.EDU, sao@MIT.EDU Subject: Re: The set designer speaks In-Reply-To: Your message of Tue, 10 Apr 2001 15:01:23 -0400 (EDT) The MC speaks: Take a look at http://web.mit.edu/blkdrgn/www/tower.pdf for a nice scale elevation. There isn't much room for a glock. Was it supposed to be 18" tall and 36" wide? That would be pretty huge. I think if the clock could be moved up a bit, it could shrink to 14" diam. or so and still be reasonably visible, but of course that's up to Jean. And, btw, I haven't heard back from Catherine about rear-access clock mechanisms, though I sent her an email ping a few days ago. My fallback plan is to use an old broken wall-clock mechanism of mine that will hold the hands in place by friction so they can be moved manually by a stagehand on a ladder between acts. My bottom line is, I need a detailed elevation showing the location, dimensions, and attachment points for the clock and the glock to get the flats ready for painting. Clock, Glock, reblock -- there's Dr. Seuss poem struggling to get out about this -- Larry  1,, Summary-line: 10-Apr zacheiss@MIT.EDU [10] #Re: FW: comment -- I want to be a techie X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA00524; Tue, 10 Apr 2001 17:05:59 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA19683 for ; Tue, 10 Apr 2001 17:10:17 -0400 (EDT) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id RAA20534 for ; Tue, 10 Apr 2001 17:10:12 -0400 (EDT) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id RAA16149; Tue, 10 Apr 2001 17:10:16 -0400 Message-Id: <200104102110.RAA16149@riff-raff.mit.edu> To: "David C. Jedlinsky" Subject: Re: FW: comment -- I want to be a techie In-Reply-To: Your message of "Tue, 10 Apr 2001 12:13:47 EDT." <200104101613.MAA11608@multics.mit.edu> Date: Tue, 10 Apr 2001 17:10:16 -0400 From: Garry Zacheiss *** EOOH *** To: "David C. Jedlinsky" Subject: Re: FW: comment -- I want to be a techie In-Reply-To: Your message of "Tue, 10 Apr 2001 12:13:47 EDT." <200104101613.MAA11608@multics.mit.edu> Date: Tue, 10 Apr 2001 17:10:16 -0400 From: Garry Zacheiss Ok, I'll bite. When can I call you to ask about her? Garry  1,, Summary-line: 10-Apr sue_neilsen@hotmail.com [19] #Victorian Popular Culture X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA14956; Tue, 10 Apr 2001 18:31:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA18945 for ; Tue, 10 Apr 2001 18:35:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA27374; Tue, 10 Apr 2001 18:34:53 -0400 (EDT) Date: Tue, 10 Apr 2001 18:34:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: sue_neilsen@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sue Neilsen" To: Multiple recipients of list SAVOYNET Subject: Victorian Popular Culture Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 10 Apr 2001 18:34:53 -0400 (EDT) Reply-To: sue_neilsen@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sue Neilsen" To: Multiple recipients of list SAVOYNET Subject: Victorian Popular Culture Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Anyone know of any good books on Victorian popular culture in general? -Sue _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 10-Apr cupid@MIT.EDU [24] #reality check X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA06679; Tue, 10 Apr 2001 19:05:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA04615 for ; Tue, 10 Apr 2001 19:10:07 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id TAA29433 for ; Tue, 10 Apr 2001 19:10:03 -0400 (EDT) Received: (from cupid@localhost) by biohazard-cafe.mit.edu (8.9.3) id TAA20875; Tue, 10 Apr 2001 19:10:06 -0400 (EDT) Date: Tue, 10 Apr 2001 19:10:06 -0400 (EDT) Message-Id: <200104102310.TAA20875@biohazard-cafe.mit.edu> From: Randi M Kestin To: gsp-prod@mit.edu Subject: reality check *** EOOH *** Date: Tue, 10 Apr 2001 19:10:06 -0400 (EDT) From: Randi M Kestin To: gsp-prod@mit.edu Subject: reality check Ok, I have lots 'o ads and bios. Opus and I will be meeting after rehearsal tomorrow to talk about layout. Still waiting on ads from drewbob (who I gave a stern talking to) and Erica who is MIA :( I got Ruth's ads today. Um, I'm drawing a blank on where the money is for those? Does someone out there have that becase I don't. Jenna is also buying an ad. - 1/4 page. Drew says his vendors might be dropping ads via snail mail. I need the EC to monitor the mail for me re: those so we can figure out how to deal with them. They'll obviously be really late if they materialize. If they are too late guys - I'm thinking Pinafore. SPeaking of Pinafore - I need to know what size the Pinafore ad is and I need the Pinafore ad. - like really soon!  1,, Summary-line: 10-Apr cupid@MIT.EDU [17] #program stuff X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA08039; Tue, 10 Apr 2001 19:10:33 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA14407 for ; Tue, 10 Apr 2001 19:14:54 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id TAA26335 for ; Tue, 10 Apr 2001 19:14:46 -0400 (EDT) Received: (from cupid@localhost) by biohazard-cafe.mit.edu (8.9.3) id TAA21427; Tue, 10 Apr 2001 19:14:50 -0400 (EDT) Date: Tue, 10 Apr 2001 19:14:50 -0400 (EDT) Message-Id: <200104102314.TAA21427@biohazard-cafe.mit.edu> From: Randi M Kestin To: opus@mit.edu Subject: program stuff *** EOOH *** Date: Tue, 10 Apr 2001 19:14:50 -0400 (EDT) From: Randi M Kestin To: opus@mit.edu Subject: program stuff Hi op, Ez show'd me some of your stuff today. If you really want the text in the Times Romanish font I can do that. I'm not crazy about graduation years being in a separate font from the names but if you can make a good case I suppose I'll go along with that. I really don't like your font for the titles. I think it's hard to read. Can you come up with something germanic (if you must have that) but more readable? What about the same font you want the graduation years in perhaps?  1,, Summary-line: 11-Apr therine.Thornton@NERA.com [14] #Jen hazel X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA21977; Wed, 11 Apr 2001 09:21:25 -0400 (EDT) Received: from exchangecam.nera.com ([63.66.97.153]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA07963; Wed, 11 Apr 2001 09:25:43 -0400 (EDT) Received: by EXCHANGECAM with Internet Mail Service (5.5.2650.21) id ; Wed, 11 Apr 2001 09:23:36 -0400 Message-ID: From: "Thornton, Katherine" To: "'zacheiss@mit.edu'" Cc: "'opus@mit.edu'" Subject: Jen hazel Date: Wed, 11 Apr 2001 09:23:27 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2650.21) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Thornton, Katherine" To: "'zacheiss@mit.edu'" Cc: "'opus@mit.edu'" Subject: Jen hazel Date: Wed, 11 Apr 2001 09:23:27 -0400 Content-Type: text/plain; charset="iso-8859-1" Has anybody heard from her? I still haven't received a response to my query about leads with the orchestra this Sunday/Saturday. Does she show up to tech meetings? Or does somebody have her phone number so I can call her? Thanks Kate  1, answered,, Summary-line: 11-Apr BMILLER@holycross.edu [34] #Shameless concert plug X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA03498; Wed, 11 Apr 2001 12:33:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA12649 for ; Wed, 11 Apr 2001 12:37:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16712; Wed, 11 Apr 2001 12:37:00 -0400 (EDT) Date: Wed, 11 Apr 2001 12:37:00 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Shameless concert plug Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 *** EOOH *** Date: Wed, 11 Apr 2001 12:37:00 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Shameless concert plug Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Friday, April 27, 2001 8:00 P.M. St. Joseph Memorial Chapel College of the Holy Cross Worcester, Masachusetts Savoynetters Leon Berger and Bruce Miller are collaborating in performance at College of the Holy Cross, Worcester, Massachusetts. Mr. Berger is making his official United States debut at this concert, as baritone soloist in the Mozart Requiem and in the Five Mystical Songs by Ralph Vaughan Williams. Other performers include the Holy Cross College Choir and the St. James Chamber Orchestra; Bruce Miller is the conductor. There is no admission charge for this concert, but because a large audience is expected, an early arrival is advised. The College is easily accessible from Exit 11 on Interstate 290. SavoyNetters are invited to the private reception following the concert; please e-mail for details, or telephone 508-793-2430. Now to the _really_ shameless part. The soloists, chorus and orchestra are all of a very high standard. You will not be disappointed if you attend the concert. We hope to see some of you on April 27. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 11-Apr zacheiss@MIT.EDU [16] #Re: Jen hazel X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA13558; Wed, 11 Apr 2001 14:13:02 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA16180; Wed, 11 Apr 2001 14:17:20 -0400 (EDT) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA01989; Wed, 11 Apr 2001 14:17:15 -0400 (EDT) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id OAA17561; Wed, 11 Apr 2001 14:17:19 -0400 Message-Id: <200104111817.OAA17561@riff-raff.mit.edu> To: "Thornton, Katherine" cc: "'zacheiss@mit.edu'" , "'opus@mit.edu'" Subject: Re: Jen hazel In-Reply-To: Your message of "Wed, 11 Apr 2001 09:23:27 EDT." Date: Wed, 11 Apr 2001 14:17:19 -0400 From: Garry Zacheiss *** EOOH *** To: "Thornton, Katherine" cc: "'zacheiss@mit.edu'" , "'opus@mit.edu'" Subject: Re: Jen hazel In-Reply-To: Your message of "Wed, 11 Apr 2001 09:23:27 EDT." Date: Wed, 11 Apr 2001 14:17:19 -0400 From: Garry Zacheiss I have: Home: 617-627-9750 Cell: 603-674-3581 for her. Garry  1,, Summary-line: 11-Apr joelll@MIT.EDU [25] #I will be missing tonight's meeting... X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA25692; Wed, 11 Apr 2001 14:36:36 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22755 for ; Wed, 11 Apr 2001 14:40:53 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA03511 for ; Wed, 11 Apr 2001 14:40:45 -0400 (EDT) Received: from localhost (joelll@localhost) by biohazard-cafe.mit.edu (8.9.3) with ESMTP id OAA16255; Wed, 11 Apr 2001 14:40:49 -0400 (EDT) Date: Wed, 11 Apr 2001 14:40:49 -0400 (EDT) From: Joel M Herda To: Subject: I will be missing tonight's meeting... Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 11 Apr 2001 14:40:49 -0400 (EDT) From: Joel M Herda To: Subject: I will be missing tonight's meeting... Content-Type: TEXT/PLAIN; charset=US-ASCII Hello, I'm unable to make it to tonight's meeting. I don't have anything to report, but i would like to mention that I need a final ground plot and elevation of the set and would love a color key and a grid pipes pattern so i can start the lighting design. I'm contactable by email, my joelll@genericdomain.net address is probably faster. joelll -- Joel Herda Itinerant Lighting Designer, MITG&SP MIT random person since 1981  1,, Summary-line: 11-Apr davie@MIT.EDU [22] #The Sala Story (reprise) X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA16812; Wed, 11 Apr 2001 16:36:12 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA16917 for ; Wed, 11 Apr 2001 16:40:30 -0400 (EDT) Received: from w20-575-37.mit.edu (W20-575-37.MIT.EDU [18.187.0.56]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA10485 for ; Wed, 11 Apr 2001 16:37:15 -0400 (EDT) Received: (from davie@localhost) by w20-575-37.mit.edu (8.9.3) id QAA23588; Wed, 11 Apr 2001 16:37:19 -0400 Message-Id: <200104112037.QAA23588@w20-575-37.mit.edu> To: gsp-prod@MIT.EDU Subject: The Sala Story (reprise) Date: Wed, 11 Apr 2001 16:37:19 -0400 From: David E Euresti *** EOOH *** To: gsp-prod@MIT.EDU Subject: The Sala Story (reprise) Date: Wed, 11 Apr 2001 16:37:19 -0400 From: David E Euresti So Spring weekend released their reservation for Sunday 29 so I snatched it. We can go into Sala and West Lounge starting on th 28th at night. (Probably around 2-3am. On the 21st we have Sala 5-8pm and on the 22 7:30-11:30. I'm not sure why we want to hang lights the week before the people at CAC told me that it wasn't advisable specially since we have all of the 29th to do it. I really wouldn't want any other groups to come in and tamper with rental light s and the such. But that's just me. Anyway we have Sala reserved all day on the 29th and that should make some people happy. Davi  1,, Summary-line: 11-Apr pstark@ITpapers.com [60] #Re: Euthanasia X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA09723; Wed, 11 Apr 2001 17:01:02 -0400 (EDT) Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA16528 for ; Wed, 11 Apr 2001 17:05:21 -0400 (EDT) Received: from tatg.ITpapers.com (h002078cf9b01.ne.mediaone.net [24.91.194.117]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id f3BL58525650 for ; Wed, 11 Apr 2001 17:05:09 -0400 (EDT) Message-Id: <4.3.1.2.20010411164858.00d45100@mail.techguide.com> X-Sender: pstark#itpapers.com@mail.itpapers.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Wed, 11 Apr 2001 16:55:19 -0400 To: "David C. Jedlinsky" From: Peter Stark Subject: Re: Euthanasia In-Reply-To: <200104112044.QAA06138@multics.mit.edu> References: <4.3.1.2.20010411155945.00d61560@mail.techguide.com> <4.3.1.2.20010411155945.00d61560@mail.techguide.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: pstark#itpapers.com@mail.itpapers.com Date: Wed, 11 Apr 2001 16:55:19 -0400 To: "David C. Jedlinsky" From: Peter Stark Subject: Re: Euthanasia In-Reply-To: <200104112044.QAA06138@multics.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed I can't comment on your last point... Michelle is capable of being a big help. Any other comment would be ungallant. I think you can use the gardeners - I like the idea - provided you work them into the scene. I used Robert that way in scenes with Don Alhambra - establishing that he was a double agent earlier - and then his presence later was understood and didn't have to be established from the beginning. Could you bring the two gardeners on early in the scene or at the outset, or better, at the end of the scene before, as a transition, during which you would set up who they were for the audience. Could Julia and Ernest be embarrassed by their presence and shoo them off, at which point they bow to J&E and also reveal themselves to the audience, clarifying? If they appear to be gardeners who are just getting too caught up in their masters' business, that would be a convention of 17-18-19th, even 20th century theater. The same ruse is used in Barber of Seville, Marriage of Figaro (I think), and Rosenkavalier (R. Strauss). My 2 cents... let me know if I can be of any other help. Peter. At Wednesday 4/11/01 04:44 PM, you wrote: >Hi Peter. > >Got a question for you about stealing focus. During Ernest & Julia's >"voice from the tomb" waltz, I want the detective to come on (as a >gardener), and tend to the various plants in the background, >eventually discovering the denoument of the statutory law, and showing >it to the Notary. They then would chase after Ernest after he's left >at the end of the waltz. > >However, I have doubts as to whether that will work, or just draw the >focus off Ernest and Julia. Opinion? I'd really like to have that >background scene happen somewhere in Act III, but I haven't found a >good place to stick it in. > >Oh, and along the lines of a "bad penny", the group received an email >from an "M. McVeigh", who was extremely interested in helping out with >this show in any way possible. Now I've got to figure out a way to >convince people to say no, without opening me up to a libel suit. >I've blocked enough of the incidents out of my mind that they would >not stand up to the "factual defense". Sigh. > >-Dave  1,, Summary-line: 11-Apr ssen@MIT.EDU [37] #Re: MacOS X X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA27228; Wed, 11 Apr 2001 17:50:56 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA23342 for ; Wed, 11 Apr 2001 17:55:04 -0400 (EDT) Received: from ssen.mit.edu (SSEN.MIT.EDU [18.245.1.241]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA04534 for ; Wed, 11 Apr 2001 17:55:00 -0400 (EDT) Received: from ssen.mit.edu (ssen@localhost) by ssen.mit.edu (8.11.0/8.11.0) with ESMTP id f3BLt4w03967 for ; Wed, 11 Apr 2001 17:55:04 -0400 Message-Id: <200104112155.f3BLt4w03967@ssen.mit.edu> To: sipb-office@mit.edu Subject: Re: MacOS X In-Reply-To: Message from belmonte@MIT.EDU (Matthew Belmonte) of "Wed, 11 Apr 2001 04:12:39 EDT." <200104110812.EAA14115@mattababy.mit.edu> Date: Wed, 11 Apr 2001 17:55:03 -0400 From: Shantonu Sen *** EOOH *** To: sipb-office@mit.edu Subject: Re: MacOS X In-Reply-To: Message from belmonte@MIT.EDU (Matthew Belmonte) of "Wed, 11 Apr 2001 04:12:39 EDT." <200104110812.EAA14115@mattababy.mit.edu> Date: Wed, 11 Apr 2001 17:55:03 -0400 From: Shantonu Sen For people who have installed OS X or are planning on doing so, you might want to be a guinea pig for me: http://techhouse.brown.edu/~soren/software/ /mit/darwin/public/OpenAFS.pkg.tar /mit/darwin/public/athena-3.tar.gz The first has OpenSSH 2.5.2, so you can scp the other two from a computer with AFS. The second has the OpenAFS darwin port, obviously. The last has my progress so far on building the Athena source tree for Darwin. Included are things like attach and zephyr. Please let me know how things work out for you. I haven't tested these fully, so it might nuke your machine ;-( Shantonu Matthew Belmonte writes: >MacOS X arrived. Packing slip is in treasurer's drawer. Goods are in front o >f >banana-sr. > *-------------------------------------------* |Shantonu Sen * (617)225-7269 * ssen@mit.edu| |Electrical Engineering and Computer Science| |Massachusetts Institute of Technology, 2002| *-------------------------------------------*  1,, Summary-line: 11-Apr lcs@MIT.EDU [19] #move set for great justice X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA01826; Wed, 11 Apr 2001 22:41:12 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA17939; Wed, 11 Apr 2001 22:45:31 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id WAA20222; Wed, 11 Apr 2001 22:40:32 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id WAA00413; Wed, 11 Apr 2001 22:40:32 -0400 (EDT) Sender: Larry Stone Date: Wed, 11 Apr 2001 22:40:32 EDT From: Larry Stone Reply-To: To: blkdrgn@MIT.EDU, opus@MIT.EDU, epeisach@MIT.EDU Subject: move set for great justice Message-ID: *** EOOH *** Sender: Larry Stone Date: Wed, 11 Apr 2001 22:40:32 EDT From: Larry Stone Reply-To: To: blkdrgn@MIT.EDU, opus@MIT.EDU, epeisach@MIT.EDU Subject: move set for great justice Just so we're *all* on the same page, finally: We're moving the set "back" (upstage direction, closer to the sala radiator) by 2' from where it started out in the original design. Jean will communicate the new plans to Joelll. There will be an additional 2' of masonite flooring added to the downstage edge of most of the floor-level "stage", from the SL edge to in front of the SR stairs. Jean is producing new large-scale plans including accurate Sala details like pipes and waffles. -- Larry  1,, Summary-line: 12-Apr davie@MIT.EDU [29] #Ensemble Party!!! X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA00663; Thu, 12 Apr 2001 09:15:26 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA13095; Thu, 12 Apr 2001 09:19:41 -0400 (EDT) Received: from chespirito (CHESPIRITO.MIT.EDU [18.247.1.183]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id JAA15450; Thu, 12 Apr 2001 09:19:41 -0400 (EDT) From: "David Euresti" To: "gsp-cast" , "gsp-orch" , "gsp-prod" Subject: Ensemble Party!!! Date: Thu, 12 Apr 2001 09:19:48 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 *** EOOH *** From: "David Euresti" To: "gsp-cast" , "gsp-orch" , "gsp-prod" Subject: Ensemble Party!!! Date: Thu, 12 Apr 2001 09:19:48 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Hey you guys, We're having a party for you guys. That's right for you! After Sitz Probe on Sunday April 22th, at around 5 and the room will be announced later. It will be a gambling night (obviously with fake money). Please plan on coming. It'll be a good time for the orchestra to hang out with the cast and for the production people to hang out with the orchestra. And to have fun gambling. Oh and Food will be provided too. Who: Everybody even remotely involved in The Grand Duke What: Ensemble Party When: Sunday April 22, 5pm Where: TBA Why: To have fun and meet people Davi  1, answered,, Summary-line: 12-Apr lcs@MIT.EDU [21] #motor for glock X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA08113; Thu, 12 Apr 2001 13:55:57 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA09597; Thu, 12 Apr 2001 14:00:17 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA24329; Thu, 12 Apr 2001 14:00:13 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id OAA01125; Thu, 12 Apr 2001 14:00:17 -0400 (EDT) Sender: Larry Stone Date: Thu, 12 Apr 2001 14:00:17 EDT From: Larry Stone Reply-To: To: rls@dimins.com, opus@MIT.EDU Subject: motor for glock Message-ID: *** EOOH *** Sender: Larry Stone Date: Thu, 12 Apr 2001 14:00:17 EDT From: Larry Stone Reply-To: To: rls@dimins.com, opus@MIT.EDU Subject: motor for glock last night I found a motorized kiddie car (what a decadent device! don't kids have the energy to pedal a cheap plastic vehicle anymore, or must they be carted around in motorized devices until their legs atrophy?) and disgusting as these things are, it's a good source of motors, gears and batteries. So I've got two 6-12VDC motors, geared to go very slowly with substantial torque (i.e. if Klaus Barbie's head gets caught on the flat, it's probably gonna come off) that ought to be ideal for turning a glock. Only disadvantage is they're a bit noisy, especially one of them. They're at my office, W92-145, right now, so let me knwo if you want 'em. -- Larry  1,, Summary-line: 12-Apr lcs@MIT.EDU [20] #Re: Glock ornamentation X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA20949; Thu, 12 Apr 2001 14:44:08 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA14286 for ; Thu, 12 Apr 2001 14:48:29 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27865 for ; Thu, 12 Apr 2001 14:48:24 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id OAA01283; Thu, 12 Apr 2001 14:48:28 -0400 (EDT) Sender: Larry Stone Date: Thu, 12 Apr 2001 14:48:28 EDT From: Larry Stone Reply-To: To: "David C. Jedlinsky" Subject: Re: Glock ornamentation In-Reply-To: Your message of Thu, 12 Apr 2001 14:41:54 -0400 (EDT) Message-ID: *** EOOH *** Sender: Larry Stone Date: Thu, 12 Apr 2001 14:48:28 EDT From: Larry Stone Reply-To: To: "David C. Jedlinsky" Subject: Re: Glock ornamentation In-Reply-To: Your message of Thu, 12 Apr 2001 14:41:54 -0400 (EDT) Yeah, i'm afraid that's the one I was thinking of. Hmm, perhaps some of that gingerbread could be done as a masonite wall curving in front of the works. it would *really* help to have the mechanism, or an exact idea of the dimensions (y'know, like you get from electronic part vendors about switches and things) to plan it. also, can you scan that picture at a higher resolution? it's pretty hard to see details. thanks, -- Larry  1,, Summary-line: 12-Apr JRaine@bostonconservatory [50] #RE: Hey guys we have a lighting grunt! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA24554; Thu, 12 Apr 2001 14:59:01 -0400 (EDT) Received: from beethoven.bostonconservatory.edu (beethoven.bostonconservatory.edu [205.253.206.125]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA27919 for ; Thu, 12 Apr 2001 15:03:20 -0400 (EDT) Received: by beethoven.bostonconservatory.edu with Internet Mail Service (5.5.2448.0) id ; Thu, 12 Apr 2001 14:58:34 -0400 Message-ID: From: "Raine, Jessica" To: "'gsp-prod@mit.edu'" Subject: RE: Hey guys we have a lighting grunt! Date: Thu, 12 Apr 2001 14:58:33 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2448.0) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Raine, Jessica" To: "'gsp-prod@mit.edu'" Subject: RE: Hey guys we have a lighting grunt! Date: Thu, 12 Apr 2001 14:58:33 -0400 Content-Type: text/plain; charset="iso-8859-1" Cool. I'm not sure who actually is in charge of collecting lighting personnel--I was collecting board op possibles because they might also be stagehand possibles, but who's actually in charge of making sure We Have Lights Crew? --Jess -----Original Message----- From: Randi M Kestin [mailto:cupid@MIT.EDU] Sent: Thursday, April 12, 2001 2:48 PM To: gsp-prod@mit.edu Subject: Hey guys we have a lighting grunt! sounds like a really enthusisastic froshling brought in courtesy of our very own Julia Jellicoe! I highly recommend snaring her. :) Randi ------- Start of forwarded message ------- Return-Path: X-Sender: cwchang@po14.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Wed, 11 Apr 2001 23:56:12 -0400 To: cupid@mit.edu From: Catherine W Chang Subject: helping with The Grand Duke Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Hello, Ana told me told I should email this address to get information on helping with lighting for The Grand Duke. I worked on The Zoo as a follow spot operator. Thanks (and sorry if I have the wrong address). - -Catherine Chang ------- End of forwarded message -------  1,, Summary-line: 13-Apr cupid@MIT.EDU [37] #Re: fonts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA15715; Fri, 13 Apr 2001 13:53:09 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id NAA29987 for ; Fri, 13 Apr 2001 13:57:31 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA17124; Fri, 13 Apr 2001 13:57:28 -0400 Date: Fri, 13 Apr 2001 13:57:28 -0400 Message-Id: <10104131757.AA17124@kangaroo.mit.edu> From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200104122032.QAA27527@multics.mit.edu> (opus@MIT.EDU) Subject: Re: fonts *** EOOH *** Date: Fri, 13 Apr 2001 13:57:28 -0400 From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200104122032.QAA27527@multics.mit.edu> (opus@MIT.EDU) Subject: Re: fonts ok. Your Word 2000 copied fine onto my PC here at home. :) Looking at the fonts on your disk I didn't think I had caslon 5 or Fraktur and I"m still not sure I have fraktur but I copied every font I could see into my fonts directory and kaslon5 appeared there. kaslon pro also miraculously appeared (thought I didn't see that on your disk at all) Bauble is here with no problems. The titles in the program here look very close to yours and not messy so whether they are indeed Frakur or not they'll have to keep for now. Ah never mind. Just found the Fraktur in the fonts directory. What a very strange disk you have dave. :) Ok just so you can follow all my computers. We have a PC here at home which is where I"ll be doing the formatting. AT work I have a MAc running Word 98 and a PC running word 2000 (which always tells me Word 2000 and Word 97 are the same format). My PC here at home runs Word 97. I don't feel like sleeping in my office (it's rather cramped with the PC in it) so I"ll stick with the home computer barring any major disasters happening here. I"m aiming to have this done by sitzprobe but it looks like all the rehearsals this weekend will slice into my time. :( Hopefully you'll have something to look at by the time you come back from NY. Obviously I can't print this thing without your signoff at this point. :) I assume you'll still be getting me the historical note page from the tech. Can you get that to me before you leave for New York? Randi  1,, Summary-line: 13-Apr cupid@MIT.EDU [16] #Re: fonts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA01107; Fri, 13 Apr 2001 14:06:54 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id OAA04527 for ; Fri, 13 Apr 2001 14:11:16 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA22303; Fri, 13 Apr 2001 14:11:13 -0400 Date: Fri, 13 Apr 2001 14:11:13 -0400 Message-Id: <10104131811.AA22303@kangaroo.mit.edu> From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200104122032.QAA27527@multics.mit.edu> (opus@MIT.EDU) Subject: Re: fonts *** EOOH *** Date: Fri, 13 Apr 2001 14:11:13 -0400 From: Randi M Kestin To: opus@mit.edu In-Reply-To: <200104122032.QAA27527@multics.mit.edu> (opus@MIT.EDU) Subject: Re: fonts ok just printed your sample to see how it prints. The good news is your fonts are intact. The bad news is that new funky page numbering that you showed me is a Word 2000 feature and it's printing me 20 separate pages. Everything is sitting in the right place on the page but your cover page and acknowledgements which should be one page came out as two separate pages. I guess I"ll have to take you up on your printing offer. :( And do some cutting and pasting for the sitzprobe (sigh)  1,, Summary-line: 16-Apr wsanchez@MIT.EDU [43] #Re: OS X, aka Banana Split X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA16491; Mon, 16 Apr 2001 14:19:50 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA14740; Mon, 16 Apr 2001 14:24:13 -0400 (EDT) Received: from bartleby ([206.15.24.254]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA28995; Mon, 16 Apr 2001 14:24:12 -0400 (EDT) Message-Id: <200104161824.OAA28995@melbourne-city-street.mit.edu> Date: Mon, 16 Apr 2001 11:23:40 -0700 From: Wilfredo Sanchez Content-Type: text/plain; format=flowed; charset=us-ascii Subject: Re: OS X, aka Banana Split Cc: Cana Lynn McCoy , "sipb-office@MIT.EDU" To: peeto de la noche X-Mailer: Apple Mail (2.387) In-Reply-To: Mime-Version: 1.0 (Apple Message framework v387) Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 16 Apr 2001 11:23:40 -0700 From: Wilfredo Sanchez Content-Type: text/plain; format=flowed; charset=us-ascii Subject: Re: OS X, aka Banana Split Cc: Cana Lynn McCoy , "sipb-office@MIT.EDU" To: peeto de la noche In-Reply-To: On Monday, April 16, 2001, at 08:00 AM, peeto de la noche wrote: > On Mon, 16 Apr 2001, Cana Lynn McCoy wrote: > >> * The only currently created account (hence the Administrator and >> such) is >> sipbtest. Administrator does not quite equal root, and this is >> something >> I'm still researching. > > an administrative account, such as the first account you create, as far > as > I know is part of the 'wheel' group, and this is where the extra > privileges come from. you can set a root password with "sudo passwd > root" > from a Terminal prompt, for when you want to be root. Admins accounts are in group admin, not wheel. Anyone in group admin can run the control panels, which, rather stupidly, don't ask for your password unless you lock them first, rather than the other way around. In any case, an admin user can reconfigure the system via control panels. Some other apps (eg. Installer) will allow admin users to run the installer as root after typing in their password (similar to sudo). The default sudoers file allows anyone in group admin to sudo root. Also, some directories (eg., /Applications) are writeable by group admin. So admin does equal root in terms of allowed operations, but not in terms of what is allowed by default, except for the (IMHO) broken behavior of the control panels. -Fred  1,, Summary-line: 17-Apr pstark@techguide.com [55] #Re: Did that idea click for you? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA13205; Tue, 17 Apr 2001 18:33:31 -0400 (EDT) Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA29107 for ; Tue, 17 Apr 2001 18:37:54 -0400 (EDT) Received: from tatg.techguide.com (h002078cf9b01.ne.mediaone.net [24.91.194.117]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id f3HMbk500146 for ; Tue, 17 Apr 2001 18:37:46 -0400 (EDT) Message-Id: <4.3.1.2.20010417183235.00d9cdd0@mail.techguide.com> X-Sender: pstark#techguide.com@mail.techguide.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Tue, 17 Apr 2001 18:33:45 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: Did that idea click for you? In-Reply-To: <200104172227.SAA29843@multics.mit.edu> References: <4.3.1.2.20010412161132.00d8aa80@mail.techguide.com> <4.3.1.2.20010412161132.00d8aa80@mail.techguide.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: pstark#techguide.com@mail.techguide.com Date: Tue, 17 Apr 2001 18:33:45 -0400 To: "David C. Jedlinsky" From: "Peter A. Stark" Subject: Re: Did that idea click for you? In-Reply-To: <200104172227.SAA29843@multics.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed It's always my pleasure to be of help to you, as long as you feel utterly free to disregard anything and everything I say, considering the source (who is glad to be a person of no capacity whatsoever). Fight! Fight! Fight! (I'm getting out my pom-poms.) Peter. At Tuesday 4/17/01 06:27 PM, you wrote: >Hi Peter. > >Sorry it took so long to get back to you; between Duke, and Ruth's >family over for Passover, I've fallen behind in email. > >Your suggestions helped a lot. I figured out a way to get the action >to work within the context, and not to draw attention until there is a >good point to do so. > >I don't know what I'd be doing if I couldn't bounce ideas off you >occasionally. Thanks for helping! > >I'm off to fight a political battle (set designer is arbitrarily >deciding that things aren't necessary, and removing them). Hope it's >a minor issue. > >-Dave ________________________________ Visit ITpapers: The Yellow Pages of White Papers www.ITpapers.com! ________________________________ Peter A. Stark Director of Business Development The Applied Technologies Group 209 West Central St. - Suite 301 Natick, MA 01760-3716 voice: 508.651.9580 x203 fax: 508.651.1171 pstark@ITpapers.com ________________________________  1,, Summary-line: 18-Apr helga@sharkli.com [48] #Re: Grand Duke composition X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA00715; Wed, 18 Apr 2001 03:42:49 -0400 (EDT) Received: from warrior-outbound.servers.plus.net ([212.159.14.227]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id DAA26338 for ; Wed, 18 Apr 2001 03:47:17 -0400 (EDT) Received: (qmail 29010 invoked from network); 18 Apr 2001 07:46:41 -0000 Received: from unknown (HELO sharkli.com) (212.159.36.47) by warrior with SMTP; 18 Apr 2001 07:46:41 -0000 Message-ID: Date: Wed, 18 Apr 2001 08:46:31 +0100 To: "David C. Jedlinsky" From: Helga Perry Subject: Re: Grand Duke composition References: <200104172006.QAA26394@multics.mit.edu> <200104172143.RAA28979@multics.mit.edu> In-Reply-To: <200104172143.RAA28979@multics.mit.edu> MIME-Version: 1.0 X-Mailer: Turnpike Integrated Version 5.01 U *** EOOH *** Date: Wed, 18 Apr 2001 08:46:31 +0100 To: "David C. Jedlinsky" From: Helga Perry Subject: Re: Grand Duke composition In-Reply-To: <200104172143.RAA28979@multics.mit.edu> In message <200104172143.RAA28979@multics.mit.edu>, David C. Jedlinsky writes > >This just shows much little I know about the musical side of things. >I thought a "Carillon" was an English translation of "Glockenspiel". >Not to mention the confusion I get by referring to the mechanical >clockwork puppetry as a "glockenspiel", too. > The German word Glockenspiel can be translated either as orchestra bells or carillon. To a classical musician the former meaning of the word is the more familiar one. >If a carillon sounds like church bells, then I'm probably more >inclined to want that; I'm trying to reproduce something like the >"glockenspiel" in the Munich Rathaus, or any other typical German >animated clockwork. > >I tried putting just the melody into NoteWorthy Composer, and setting >the instrument to "Tubular Bells"; adding a sustained bass note gives >it a character which on the initial hearing is close to what I'm >looking for. Now all I have to do is find just the right instrument Keep experimenting with your MIDI. You know, I wouldn't make any attempt to play it at the same speed as the actual song in the opera. It would be a most effective introduction just to play the opening of it on the tubular bells (or keyboard on tubular bell setting - the melody an octave higher if you like) at half tempo, then bring in the orchestra at the correct tempo. You'll be using real tubular bells anyway - at least, you should be (I know it's only a scale of E major that's required), so some fake ones sounding from the clock tower would not be out of place. ciao Helga Helga Perry helga@sharkli.com *********************************************** "An army without culture is a dull-witted army, and a dull- witted army cannot defeat the enemy" [THE UNITED FRONT IN CULTURAL WORK / Chairman Mao 30/10/44]  1,, Summary-line: 19-Apr perlner@MIT.EDU [72] #Re: Rehearsals & Conflicts X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA28717; Thu, 19 Apr 2001 23:16:00 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA18095 for ; Thu, 19 Apr 2001 23:20:30 -0400 (EDT) Received: from planet-zorp.mit.edu (PLANET-ZORP.MIT.EDU [18.187.1.84]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id XAA21337 for ; Thu, 19 Apr 2001 23:20:22 -0400 (EDT) Received: by planet-zorp.mit.edu (8.8.8/4.7) id XAA04599; Thu, 19 Apr 2001 23:20:29 -0400 (EDT) Message-Id: <200104200320.XAA04599@planet-zorp.mit.edu> To: "David C. Jedlinsky" Subject: Re: Rehearsals & Conflicts In-reply-to: Your message of "Thu, 19 Apr 2001 16:59:46 EDT." <200104192059.QAA07876@multics.mit.edu> Date: Thu, 19 Apr 2001 23:20:29 EDT From: Dawn Perlner *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Rehearsals & Conflicts In-reply-to: Your message of "Thu, 19 Apr 2001 16:59:46 EDT." <200104192059.QAA07876@multics.mit.edu> Date: Thu, 19 Apr 2001 23:20:29 EDT From: Dawn Perlner We can't do a Tuesday night rehearsal because it conflicts with MITSO rehearsal...plus I think the coach is not around that night :( I did my best...I'm only missing an hour...and I'll be there for all the rest of the rehearsals...if worse comes to worse and I miss "Take Care of Him", maybe Kate can sing it for me or you can skip it. Dawn |> |> Hi Dawn. |> |> You said Wednesday in your message, but listed the summary as 4/23. |> Did you really mean that you have to leave by ten on 4/25? That time |> is *really* close to the start of Act III, so you're also in danger of |> missing "Take Care of Him". We do not have Lobdell before 7:30, so I |> don't think we can start much earlier than 8:00 in order to get to |> your stuff before 10. I suppose there's no hope of you doing your |> coaching on Tuesday the 24th, when we have nothing scheduled? Or |> could you do a 5-6 or 6-7 on 4/25? Presumably, you'd be warmed up |> from the coaching, so you'd only have costume issues to deal with if |> you came late. |> |> As for the cue-to-cue on 4/30, Joel would have to be the one to scream |> about it. It seems to be less of a problem than the 4/25 one, but |> that may just be because I'm not in charge of that night. :-) |> |> -Dave |> |> |> >Date: Wed, 18 Apr 2001 23:43:17 -0400 |> >From: Dawn Perlner |> > |> >So, I have a quartet that is doing two ambitious pieces and we need |> >to rehearse and have coaching every week. Previously, coachings |> >have been at 9pm on Wednesdays, but because of the runthrough next |> >week, I've made it an hour later. I realize I will still miss the end |> >of rehearsal but hopefully I'll only miss my chorus numbers in |> >Act III; I was unable to make our rehearsal any later as John |> >Harbison must teach a class at 8am on Thursdays at NEC. |> > |> >For Prod Week, I realized I cannot miss any of Wednesday night's |> >final dress, but we still need to practice that week, so I tried |> >to make it on Monday, but Monday from 5 until 6 two members of |> >my quartet, plus the singer we're working with, are in concert! Thus |> >we have to rehearse 6-7 on Monday. So I will be at cue-to-cue late, |> >and for that I am sorry. Hopefully, though, someone else can |> >stand in my light until I get there? |> > |> >I'm so sorry I've totally overcommitted myself this semester, but |> >I'm trying my best to do as much as possible without blowing anything |> >off, and sometimes that just isn't possible! |> > |> >So, in summary, my new conflicts are: 4/23 I have to leave by ten |> > 4/30 I'll be there late at 7 |> > |> >I should be there for all of everything else. |> > |> >Thank you so much for being understanding about this (or not...I guess |> >you could always kick me out of the show, at which point I could probably |> >give a *really* broken-hearted version of "The Die is Cast" for whomever |> >might want to listen ;) |> > |> >Dawn  1,, Summary-line: 19-Apr lourenco2@yahoo.com [49] #Costume Build...This Saturday X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA03499; Thu, 19 Apr 2001 23:33:44 -0400 (EDT) Received: from web4904.mail.yahoo.com (web4904.mail.yahoo.com [216.115.106.29]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id XAA27839 for ; Thu, 19 Apr 2001 23:38:10 -0400 (EDT) Message-ID: <20010420033809.27910.qmail@web4904.mail.yahoo.com> Received: from [38.32.9.218] by web4904.mail.yahoo.com; Thu, 19 Apr 2001 20:38:09 PDT Date: Thu, 19 Apr 2001 20:38:09 -0700 (PDT) From: Joseph Lourenco Subject: Costume Build...This Saturday To: gsp-cast@mit.edu, gsp-prod@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Thu, 19 Apr 2001 20:38:09 -0700 (PDT) From: Joseph Lourenco Subject: Costume Build...This Saturday To: gsp-cast@mit.edu, gsp-prod@mit.edu Content-Type: text/plain; charset=us-ascii Hello everyone, This is to announce that Costume Build will be this Saturday, April 21, from 10am - 6pm in the MIT Costume Shop. Please come unless you like the idea of being naked on stage...it's kinda like that dream you had in junior high school, but real. The Costume Shop is located in the Rinaldi Building across from the MIT Med. Ctr., and right near the Kendall/MIT stop on the Red Line. If you need further directions, arrange to meet someone else who already knows their way around campus. I will be at the shop all day and there will be plenty of work to go around for anyone and everyone who shows up. We can also get more done on your costumes by doing fittings while you're already there. I know most of the cast has a rehearsal scheduled for the afternoon, but you can still come in the morning before, and then return when Kate is finished with you. You can also take hand sewing with you over to rehearsal and do it whenever you're *not* singing. If any of the prod staff or friends of MITG&SPers would like to come, they are more than welcome. Please fwd this e-mail to anyone whom you think would like to come. Afternoon would be a great time to show up, since the shop will empty out quickly then because of rehearsal. See you all then... Jenna Lourenco Costume Designer __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1,, Summary-line: 20-Apr s_camden@hotmail.com [45] #Publicity X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA16311; Fri, 20 Apr 2001 15:32:03 -0400 (EDT) Received: from hotmail.com (f93.law4.hotmail.com [216.33.149.93]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA09786 for ; Fri, 20 Apr 2001 15:36:33 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Fri, 20 Apr 2001 12:35:59 -0700 Received: from 64.36.40.106 by lw4fd.law4.hotmail.msn.com with HTTP; Fri, 20 Apr 2001 19:35:59 GMT X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-cast@mit.edu Subject: Publicity Date: Fri, 20 Apr 2001 15:35:59 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 20 Apr 2001 19:35:59.0473 (UTC) FILETIME=[205DA610:01C0C9D1] *** EOOH *** X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-cast@mit.edu Subject: Publicity Date: Fri, 20 Apr 2001 15:35:59 -0400 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 20 Apr 2001 19:35:59.0473 (UTC) FILETIME=[205DA610:01C0C9D1] Hello, Everyone! Now as we near production week and rehearse hard to perfect our music, lines, blocking, and choreography, there is one thing which we must not take for granted: an audience to perform for! This weekend I will need everyone's help in advertising the show. On Saturday and Sunday posters will be distributed. Please take them and poster wherever you can! We want word of our show to travel far and wide. During the sitz probe on Sunday our drop poster should be ready for painting. I say "should" because it needs to be outlined in pencil before being painted. Anyone wants to have fun tracing, please meet me in the SET SHOP, SUNDAY AT 1:00PM. Then we will transport the drop poster to the student center, where those who want to can paint when they are not needed for sitz probe. Please wear clothes you don't mind getting dirty. If painting is not your forte, not to worry -- you can help with the mailings! We will have postcards, labels, and stamps which need assembling. Finally, after I send this email, I will send you again the general show announcement from two weeks ago. Please forward this on to your friends, family, co-workers -- anyone you think would be interested in seeing this show we've worked so hard on. I, for one, am really excited that Duke's coming together so well. It's really looking great! Just think, we're going up in less than two weeks. Please help me get those seats filled! Thanks in advance for your help! If you have any questions, you'll know where to find me this weekend. Sara C. Publicity Director _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 20-Apr s_camden@hotmail.com [65] #MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA23114; Fri, 20 Apr 2001 15:38:20 -0400 (EDT) Received: from hotmail.com (f22.law4.hotmail.com [216.33.149.22]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA10800 for ; Fri, 20 Apr 2001 15:39:45 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Fri, 20 Apr 2001 12:39:10 -0700 Received: from 64.36.40.106 by lw4fd.law4.hotmail.msn.com with HTTP; Fri, 20 Apr 2001 19:39:10 GMT X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-cast@MIT.EDU Subject: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke Date: Fri, 20 Apr 2001 15:39:10 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 20 Apr 2001 19:39:10.0726 (UTC) FILETIME=[925C8A60:01C0C9D1] *** EOOH *** X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: gsp-cast@MIT.EDU Subject: MIT Gilbert & Sullivan Players Announce Their Spring Show: The Grand Duke Date: Fri, 20 Apr 2001 15:39:10 -0400 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 20 Apr 2001 19:39:10.0726 (UTC) FILETIME=[925C8A60:01C0C9D1] ____ ____ \ )_________ _________( / > | )_______________________________________ ( | < /___| THE MIT | | PLAYERS |___\ \_________| G I L B E R T & S U L L I V A N |_________/ \_____________________________________/ Proudly Present The Grand Duke On May 3, 1901, MIT students performed the American premiere of Gilbert & Sullivan's final collaboration. Come join us for the 100th anniversary performance! Performance Location: La Sala De Puerto Rico 2nd Floor MIT Student Center Show Times: One Week-End Only! May 3, 4, 5: 8PM May 5, 6: 2PM Ticket prices: $6 - MIT and Wellesley Students $7 - MIT Community, Other Students, Seniors and Children $9 - General Public Producer: Garry Zacheiss Stage Director: David Jedlinsky Music Director: Katherine Thornton Orchestra Director: Jennifer Hazel For reservations: email gsp-tickets@mit.edu or call (617) 253-0190 There will be a $1 off/ticket discount for groups of 10 or more. Please see http://web.mit.edu/gsp/www for more info or e-mail savoyards-request@mit.edu --------------------- Sara Camden Publicity Director _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 20-Apr cupid@MIT.EDU [15] #Re: publicity X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA15700; Fri, 20 Apr 2001 16:07:33 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id QAA12313; Fri, 20 Apr 2001 16:11:11 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA08295; Fri, 20 Apr 2001 16:11:10 -0400 Date: Fri, 20 Apr 2001 16:11:10 -0400 Message-Id: <10104202011.AA08295@kangaroo.mit.edu> From: Randi M Kestin To: s_camden@hotmail.com Cc: rls@MIT.EDU, opus@MIT.EDU In-Reply-To: (s_camden@hotmail.com) Subject: Re: publicity *** EOOH *** Date: Fri, 20 Apr 2001 16:11:10 -0400 From: Randi M Kestin To: s_camden@hotmail.com Cc: rls@MIT.EDU, opus@MIT.EDU In-Reply-To: (s_camden@hotmail.com) Subject: Re: publicity Have official publicity colors been decided yet? I've seen read and black on one poster so I'm gussing you might be doing red and black.... I'm thinking based on that of doing a red program cover (unless the print is unreadable on that) and having goldenrod as a backup color. Any objections? Randi  1,, Summary-line: 21-Apr cupid@MIT.EDU [17] #Re: publicity X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA20076; Fri, 20 Apr 2001 23:59:13 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id AAA01495; Sat, 21 Apr 2001 00:03:36 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA05191; Sat, 21 Apr 2001 00:03:34 -0400 Date: Sat, 21 Apr 2001 00:03:34 -0400 Message-Id: <10104210403.AA05191@kangaroo.mit.edu> From: Randi M Kestin To: rls@dimins.com Cc: s_camden@hotmail.com, rls@mit.edu, opus@mit.edu In-Reply-To: (message from Ruth Jedlinsky on Fri, 20 Apr 2001 18:43:42 -0700) Subject: Re: publicity *** EOOH *** Date: Sat, 21 Apr 2001 00:03:34 -0400 From: Randi M Kestin To: rls@dimins.com Cc: s_camden@hotmail.com, rls@mit.edu, opus@mit.edu In-Reply-To: (message from Ruth Jedlinsky on Fri, 20 Apr 2001 18:43:42 -0700) Subject: Re: publicity > Are you planning on doing a 2 color cover or just one color? > > Ruth huh? hmmm... well if you are talking about the print I'm planning on black print over a colored piece of paper. Randi  1, answered,, Summary-line: 21-Apr mstorie@nwlink.com [64] #FREE Set Pieces X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA07418; Sat, 21 Apr 2001 00:55:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA13376 for ; Sat, 21 Apr 2001 00:59:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA03611; Sat, 21 Apr 2001 00:58:30 -0400 (EDT) Date: Sat, 21 Apr 2001 00:58:30 -0400 (EDT) Message-Id: <3AE11073.FA9F09D6@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: FREE Set Pieces MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Sat, 21 Apr 2001 00:58:30 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: FREE Set Pieces Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Seattle Gilbert & Sullivan Society is mounting a brand new production of "The Mikado" wich will open at the Bagley Wright Theatre on July 13. We are building two new sets for this production and are running out of room for storage at our reharsal/shop space. In order to have room to change sets during rehearsal, we need to get rid of some older set pieces. Some are in very good condition and look very good but it's time to give them to someone who can use them or it's off to the transfer station. Here is a partial inventory: 1. A virtually complete "Mikado" set (we have recyclyed some of the platforms) including a "gong" house, a Tori gate, and miscellaneous flats and platforms with a "Japanese" flavor. This set has been used by us for three different productions (the most recent in 1994) and was featured at the 1997 International Gilbert & Sullivan Festival in Berkeley, Cal. They rented it premier of Ian Smith's professional Gilbert & Sullivan Opera Company. It is featured in our 1994 Mikado video. 2. A 9-foot "stone" arch used as part of the 1988 "Yeomen" set. Reasonable artistically and in construction. Comes apart at the center. Muslin on frame. 3. A fully working (I wouldn't place a bet on it though) roulette table and wheel, on casters with folding wings. Last used for our 1982 "Grand Duke" production. Very nice and workable construction. 4. Very nice stone arches in a "stone" wall, last used for our production of "Iolanthe" in 1997. 5. Miscellaneous odd-sized flats. Mostly muslin, some luan. 6. A spiral "stone" staircase 7 feet wide at the bottom and 4 feet wide at the 8-foot level. Last used in our 1997 "Iolanthe." Comes in four sections which can be moved through a 4-foot doorway. Very striking in appearance. All of the above may be viewed by appointment at our rehearsal facility at 800 Mercer Street in Seattle. We also have photos and videos of all of these pieces on stage. If you are interested in any of the above (and we may have some other stuff to catch your fancy), please call me at 206-324-8768 to come and see them. They will probably all go away within another few weeks. Mike Storie Producer  1,, Summary-line: 21-Apr rls@ipnh.mv.com [10] #Re: publicity X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA04380; Sat, 21 Apr 2001 01:58:35 -0400 (EDT) Received: from ipnh.mv.com (ipnh.mv.com [199.125.64.3]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA18711; Sat, 21 Apr 2001 02:02:52 -0400 (EDT) Received: (from rls@localhost) by ipnh.mv.com (8.9.1/8.9.1) id BAA04939; Sat, 21 Apr 2001 01:54:37 -0400 (EDT) Date: Sat, 21 Apr 2001 01:54:37 -0400 (EDT) From: Ruth Lynn Jedlinsky Message-Id: <200104210554.BAA04939@ipnh.mv.com> To: cupid@MIT.EDU CC: s_camden@hotmail.com, opus@MIT.EDU In-reply-to: <10104210403.AA05191@kangaroo.mit.edu> (message from Randi M Kestin on Sat, 21 Apr 2001 00:03:34 -0400) Subject: Re: publicity *** EOOH *** Date: Sat, 21 Apr 2001 01:54:37 -0400 (EDT) From: Ruth Lynn Jedlinsky To: cupid@MIT.EDU CC: s_camden@hotmail.com, opus@MIT.EDU In-reply-to: <10104210403.AA05191@kangaroo.mit.edu> (message from Randi M Kestin on Sat, 21 Apr 2001 00:03:34 -0400) Subject: Re: publicity red on black looks bad (poor contrast, hard to read) and doesn't photocopy (If anything happened to the master). I'd suggest the goldenrod instead. Ruth  1,, Summary-line: 21-Apr elicia@MIT.EDU [17] #rehearsal today? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02351; Sat, 21 Apr 2001 13:03:58 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA06033; Sat, 21 Apr 2001 13:08:24 -0400 (EDT) Received: from ten-thousand-dollar-bill.mit.edu (TEN-THOUSAND-DOLLAR-BILL.MIT.EDU [18.184.0.39]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id NAA28237; Sat, 21 Apr 2001 13:08:24 -0400 (EDT) Received: (from elicia@localhost) by ten-thousand-dollar-bill.mit.edu (8.9.3) id NAA05796; Sat, 21 Apr 2001 13:08:24 -0400 (EDT) Message-Id: <200104211708.NAA05796@ten-thousand-dollar-bill.mit.edu> To: opus@MIT.EDU, JRaine@bostonconservatory.edu Subject: rehearsal today? Date: Sat, 21 Apr 2001 13:08:24 -0400 From: Elicia R Anderson *** EOOH *** To: opus@MIT.EDU, JRaine@bostonconservatory.edu Subject: rehearsal today? Date: Sat, 21 Apr 2001 13:08:24 -0400 From: Elicia R Anderson According to my schedule, there's another run-through today from 2-5. What time would you like me to be there? Please call me on my cell phone to let me know, as of right now, I'm assuming you're starting from the top again so I'll definitely be there by 4pm. But please call me to confirm. Thanx- Elicia cell # = 617-905-1325  1,, Summary-line: 21-Apr mrmorse@att.net [21] #Palm hacking/ribbon cable problems X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA07208; Sat, 21 Apr 2001 13:20:53 -0400 (EDT) Received: from mtiwmhc24.worldnet.att.net (mtiwmhc24.worldnet.att.net [204.127.131.49]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA07310 for ; Sat, 21 Apr 2001 13:25:09 -0400 (EDT) Received: from localhost ([12.78.201.64]) by mtiwmhc24.worldnet.att.net (InterMail vM.4.01.03.16 201-229-121-116-20010115) with SMTP id <20010421172435.IBUO1419.mtiwmhc24.worldnet.att.net@localhost> for ; Sat, 21 Apr 2001 17:24:35 +0000 Date: Sat, 21 Apr 2001 13:23:50 -0400 Reply-To: mrmorse@att.net Content-Type: text/plain; charset=us-ascii X-Mailer: Apple Mail (2.337) From: Matthew Morse To: dinner@mit.edu Mime-Version: 1.0 (Apple Message framework v337) Content-Transfer-Encoding: quoted-printable Subject: Palm hacking/ribbon cable problems Message-Id: <20010421172435.IBUO1419.mtiwmhc24.worldnet.att.net@localhost> *** EOOH *** Date: Sat, 21 Apr 2001 13:23:50 -0400 Reply-To: mrmorse@att.net Content-Type: text/plain; charset=us-ascii From: Matthew Morse To: dinner@mit.edu Subject: Palm hacking/ribbon cable problems My Palm 3e has been having problems lately where the screen stops = responding to the stylus. I've opened the thing up, and found that = there's a ribbon connector that's right next to the slot for the stylus. = The ribbon is exposed, and it appears that the stylus has worn a hole in = the ribbon, such that one of the wires has gotten damaged. In the = process of examining it, I have made it worse, so I now need to repair = or replace the ribbon. Is it possible to repair it? Either way, can = anyone give me pointers (or explicit directions) on what I need to do = next? Thanks. Matthew=  1,, Summary-line: 21-Apr cupid@MIT.EDU [12] #Re: publicity X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA06650; Sat, 21 Apr 2001 15:55:51 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA13873; Sat, 21 Apr 2001 16:00:23 -0400 (EDT) Received: from quickstation-3.mit.edu (QUICKSTATION-3.MIT.EDU [18.187.1.192]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA19878; Sat, 21 Apr 2001 16:00:14 -0400 (EDT) Received: (from cupid@localhost) by quickstation-3.mit.edu (8.9.3) id QAA12107; Sat, 21 Apr 2001 16:00:22 -0400 Date: Sat, 21 Apr 2001 16:00:22 -0400 Message-Id: <200104212000.QAA12107@quickstation-3.mit.edu> From: Randi M Kestin To: rls@ipnh.mv.com CC: s_camden@hotmail.com, opus@mit.edu In-reply-to: <200104210554.BAA04939@ipnh.mv.com> (message from Ruth Lynn Jedlinsky on Sat, 21 Apr 2001 01:54:37 -0400 (EDT)) Subject: Re: publicity References: <200104210554.BAA04939@ipnh.mv.com> *** EOOH *** Date: Sat, 21 Apr 2001 16:00:22 -0400 From: Randi M Kestin To: rls@ipnh.mv.com CC: s_camden@hotmail.com, opus@mit.edu In-reply-to: <200104210554.BAA04939@ipnh.mv.com> (message from Ruth Lynn Jedlinsky on Sat, 21 Apr 2001 01:54:37 -0400 (EDT)) Subject: Re: publicity Goldenrod it is then. Randi  1,, Summary-line: 21-Apr drewbob@MIT.EDU [65] #Fwd: Act II finale clarification X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA11101; Sat, 21 Apr 2001 18:15:39 -0400 (EDT) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA08947; Sat, 21 Apr 2001 18:20:11 -0400 (EDT) Received: from [24.91.104.213] (h0005025ec341.ne.mediaone.net [24.91.104.213]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f3LMK6806039; Sat, 21 Apr 2001 18:20:06 -0400 (EDT) Mime-Version: 1.0 Message-Id: Date: Sat, 21 Apr 2001 22:20:32 +0000 To: jonw@mit.edu From: Andrew Sweet Subject: Fwd: Act II finale clarification Cc: opus@mit.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Sat, 21 Apr 2001 22:20:32 +0000 To: jonw@mit.edu From: Andrew Sweet Subject: Fwd: Act II finale clarification Cc: opus@mit.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" Oh, I was so very wrong about this today! It is exactly the opposite of what I thought. Stupid brain! A thousand pardons for any and all ensuing doubt and confusion. So Jon, I'll make some twisted grim-ace when I sing "look here sir a face sir", which would naturally lead into an escalating exchange of mean faces through the subsequent tits and tats, culminating in the one from you that scares me down to the lower level. drewbob > Date: Fri, 23 Mar 2001 17:07:33 -0500 (EST) > From: "David C. Jedlinsky" > To: drewbob@mit.edu, jonw@mit.edu > Cc: rcaileff@mit.edu, jraine@bostonconservatory.edu > Subject: Act II finale clarification > > > There seems to be a little confusion in the Act II finale during 'big > bombs' as to who sings what in the second verse. After consulting > several different sources of libretto, compared with the vocal score, > I come up with the following: > > Ludwig: > Tall snobs, small snobs, rich snobs and needy ones! > > Rudolph: > Whom are you alluding to? > > Ludwig: > Where are you intruding to? > > Rudolph: > Fat snobs, thin snobs, swell snobs and seedy ones! > > Ludwig: > I rather think you err. > To whom do you refer? > > Rudolph: > To you, sir! > > Ludwig: > To me, sir? > > Rudolph: > I do, sir! > > Ludwig: > We'll see, sir! > > Rudolph: > I jeer, sir! > Grimace, sir! > > Ludwig: > Look here, sir-- > A face, sir!  1,, Summary-line: 22-Apr cupid@MIT.EDU [14] #program stuff X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA18179; Sun, 22 Apr 2001 04:12:17 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA05075 for ; Sun, 22 Apr 2001 04:16:42 -0400 (EDT) Received: from ten-thousand-dollar-bill.mit.edu (TEN-THOUSAND-DOLLAR-BILL.MIT.EDU [18.184.0.39]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id EAA00362 for ; Sun, 22 Apr 2001 04:16:32 -0400 (EDT) Received: (from cupid@localhost) by ten-thousand-dollar-bill.mit.edu (8.9.3) id EAA07332; Sun, 22 Apr 2001 04:16:42 -0400 (EDT) Date: Sun, 22 Apr 2001 04:16:42 -0400 (EDT) Message-Id: <200104220816.EAA07332@ten-thousand-dollar-bill.mit.edu> From: Randi M Kestin To: gsp-prod@mit.edu Subject: program stuff *** EOOH *** Date: Sun, 22 Apr 2001 04:16:42 -0400 (EDT) From: Randi M Kestin To: gsp-prod@mit.edu Subject: program stuff Hi all, I'm about half-way done with the program now and need to sleep. I'm not sure at this point that I can get all the bios in before 12:30 today. This isn't necessarily a huge problem as the cast and prodstaff can always see the program at a later time but I"m concerned about the orchestra. Will they be rehearsing again between now and prod week? Randi  1,, Summary-line: 22-Apr david@musicalsolutions.co [103] #Review : Pirates at the Savoy X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA11809; Sun, 22 Apr 2001 18:34:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA27850 for ; Sun, 22 Apr 2001 18:38:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA01471; Sun, 22 Apr 2001 18:38:04 -0400 (EDT) Date: Sun, 22 Apr 2001 18:38:04 -0400 (EDT) Message-Id: <4.1.20010422213056.01669440@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Review : Pirates at the Savoy Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Sun, 22 Apr 2001 18:38:04 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Review : Pirates at the Savoy Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Collette and I are just back from a weekend in London with Peter & Carol Crichton. Last night (Saturday) we took in Pirates at the Savoy - DCOC's second preview night. The show was well done. There were some glitches, but it was, in general, a tight production in what I might call the "traditional modern" way - that is, it had plenty of buckling of swash, some nods to the Joseph Papp production (eg., the overture began with "Away away, my heart's on fire"), and some inclusions from other "non-normal" sources - eg, the New York first night "hymn to the nobility" in Finale Act 2. I've got Bradley open as I write, and I hope I'm attributing these references correctly. If I'm not, then no doubt someone will let me know. Looking at the soloists - they were a goodly lot, in general, but first off ... ... Major-General Stanley (Royce Mills) was a big disappointment. He forgot words in quite a few places, and was musically insecure. He knew the notes, but was very insecure rhythmically, which meant that conductor John Owen Edwards had his work cut out just keeping band and M-G together. I found myself mentally looking ahead for M-G Stanley's next musical entry, and wondering how J.O.E. would manage. Conductor and Band responded very well indeed to this problem, but I felt that their main energies, whenever Mills sang, were directed towards ensuring that the music didn't fall apart. Add to this the fact that Mills spent a lot of his time looking at the conductor, and you'll realise that the Major-General's sung parts were less than effective. His dramatic manner was an amalgam of Terry-Thomas and Donald Sinden, with a bit of Kenneth Connor thrown in. Not a Major-General to my taste. The Pirate King (James Cleverton) *was* to my taste. He was authoritative, singing well and bringing out all the "bluff heartiness" which I think this role needs. I liked his comedy moments - for instance, the way that he and Samuel managed the "Here's your crowbar" bit in "With Cat-like Tread". Samuel (SavoyNetter Stephen Davis) gave good support to his King. He sings well, and has a good gift for comic timing. Samuel *can* be a rather unrewarding part to play in some respects, but Stephen enjoyed himself in this role, which came over to me. He was a lot more than "main-pirate-after-the-King". I also liked Tim Rogers' Frederic. He's the first Frederic I've seen for a long time (if ever ...) who looked and acted his age (21 if we go by years, and five-and-a-little-bit-over at the end of the "Paradox" trio). He's good-looking, which makes the swooning of the girls look believable - again, not something I'm entirely used to in "Pirates". I'd put him more as a high baritone rather than a "real" tenor on the evidence last night, but that didn't detract from my enjoyment of his singing. He also brought about a real change to his character, from boyish pirate-apprentice to aspirant to the hand of a Major-General's daughter - this, again, is a feature I've longed to see in Frederic. I saw it last night. The Sergeant of Police (Gareth Jones) was funny, without being over-the-top. His facial expression was very effective, and his singing was good. I laughed out loud at "To gain a brief advantage you've contrived" - there was something of Captain Mainwaring there. Mabel (Alison Rae Jones) was very secure, both musically and dramatically. She had effortless top notes - she sang top D-flats as though they were everyday occurrences. The "other main daughters" - Louise Crane as Edith, Michelle Loky-Smid as Kate, and Louise Van de Bours as Isabel, were good, too. Michelle Loky-Smid was a little insecure at first, vocally - well, she didn't sing any wrong notes, nor any wrong words, but she didn't seem very confident, but that soon settled down, and the three of them, together with the ladies' chorus, worked very well indeed together for most of the piece. Ruth (Patti Allison) was good dramatically - she played the part of an overblown 47-year-old very well indeed, with some superb comic moments. She also brought out the pathos in her duet with Frederic. Her "head voice" is less secure than her "chest-voice". She can belt out some really fruity Ethel-Mermanesque low notes, but became a bit weak in her higher register. All-in-all, she was a very acceptable Ruth. Both ladies' and gentlemen's choruses were well characterised - lots of individuals, yet with the ability to sing superbly in the ensemble numbers. There was much "elegant diction" - barely a word went missing - and lots of laughs along the way, particularly in the second act from the gentlemen. John Owen Edwards and the band gave us a very energetic musical evening, with lots of sparkle. I'd say this is a production not-to-be-missed. I'd go a second time, though I don't think I'll get the chance. If the Major-General's problems can be solved - and I think that they probably can - then I'd even go so far as to say that this production of "Pirates" is "state-of-the-art". Try it and see. All the best David Cookson  1,, Summary-line: 22-Apr thorntonk@mediaone.net [22] #Stuff X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA27171; Sun, 22 Apr 2001 18:43:30 -0400 (EDT) Received: from chmls20.mediaone.net (chmls20.mediaone.net [24.147.1.156]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA02801 for ; Sun, 22 Apr 2001 18:48:03 -0400 (EDT) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls20.mediaone.net (8.11.1/8.11.1) with ESMTP id f3MMlv603327 for ; Sun, 22 Apr 2001 18:47:57 -0400 (EDT) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 22 Apr 2001 18:50:04 -0400 Subject: Stuff From: Katherine Thornton To: Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 22 Apr 2001 18:50:04 -0400 Subject: Stuff From: Katherine Thornton To: Content-type: text/plain; charset="US-ASCII" Ok, here is what I need/know 1) Sitzprobe went REALLY WELL! YAY! So, we may wish to consider letting the orchestra go for Thursday (which means we need a pianist...) 2) Jen has said that she will conduct Monday, Wednesday and Thursday of this week. Again, YAY! My wrists are fried so e-mail is going to be a once a day affair, try my cell phone. 3) I believe that we have Matt for Monday, and Melissa for cue-to-cue? I think that's it. As I said, stuff went really well today, and I think that we're looking pretty good. :) Kate  1,, Summary-line: 22-Apr davie@MIT.EDU [10] #Pianist X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA24234; Sun, 22 Apr 2001 18:57:40 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA08079 for ; Sun, 22 Apr 2001 19:02:05 -0400 (EDT) Received: from quickstation-2.mit.edu (QUICKSTATION-2.MIT.EDU [18.187.1.191]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id TAA25006 for ; Sun, 22 Apr 2001 19:02:05 -0400 (EDT) Received: (from davie@localhost) by quickstation-2.mit.edu (8.9.3) id TAA01722; Sun, 22 Apr 2001 19:02:02 -0400 Message-Id: <200104222302.TAA01722@quickstation-2.mit.edu> To: grand-duke@MIT.EDU Subject: Pianist Date: Sun, 22 Apr 2001 19:02:02 -0400 From: David E Euresti *** EOOH *** To: grand-duke@MIT.EDU Subject: Pianist Date: Sun, 22 Apr 2001 19:02:02 -0400 From: David E Euresti Melissa told me that last week was the last time she was plaing so she may not know that she's playing cue-to-cue. SOmebody should get in touch with her. Davi  1,, Summary-line: 22-Apr zacheiss@MIT.EDU [12] #Re: Pianist X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA24223; Sun, 22 Apr 2001 21:12:45 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA15816; Sun, 22 Apr 2001 21:17:18 -0400 (EDT) Received: from alice-whacker.mit.edu (ALICE-WHACKER.MIT.EDU [18.187.1.68]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id VAA10038; Sun, 22 Apr 2001 21:17:18 -0400 (EDT) Received: (from zacheiss@localhost) by alice-whacker.mit.edu (8.9.3) id VAA21392; Sun, 22 Apr 2001 21:17:18 -0400 Message-Id: <200104230117.VAA21392@alice-whacker.mit.edu> To: David E Euresti cc: grand-duke@MIT.EDU Subject: Re: Pianist In-Reply-To: Your message of "Sun, 22 Apr 2001 19:02:02 EDT." <200104222302.TAA01722@quickstation-2.mit.edu> Date: Sun, 22 Apr 2001 21:17:18 -0400 From: Garry Zacheiss *** EOOH *** To: David E Euresti cc: grand-duke@MIT.EDU Subject: Re: Pianist In-Reply-To: Your message of "Sun, 22 Apr 2001 19:02:02 EDT." <200104222302.TAA01722@quickstation-2.mit.edu> Date: Sun, 22 Apr 2001 21:17:18 -0400 From: Garry Zacheiss I'd heard something similar the last time I talked with her. I'll get in touch with her and find out what's up. Garry  1,, Summary-line: 22-Apr zacheiss@MIT.EDU [14] #Re: Stuff X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA24329; Sun, 22 Apr 2001 21:13:21 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA13458; Sun, 22 Apr 2001 21:17:52 -0400 (EDT) Received: from alice-whacker.mit.edu (ALICE-WHACKER.MIT.EDU [18.187.1.68]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id VAA18446; Sun, 22 Apr 2001 21:17:41 -0400 (EDT) Received: (from zacheiss@localhost) by alice-whacker.mit.edu (8.9.3) id VAA21403; Sun, 22 Apr 2001 21:17:51 -0400 Message-Id: <200104230117.VAA21403@alice-whacker.mit.edu> To: Katherine Thornton cc: grand-duke@MIT.EDU Subject: Re: Stuff In-Reply-To: Your message of "Sun, 22 Apr 2001 18:50:04 EDT." Date: Sun, 22 Apr 2001 21:17:51 -0400 From: Garry Zacheiss *** EOOH *** To: Katherine Thornton cc: grand-duke@MIT.EDU Subject: Re: Stuff In-Reply-To: Your message of "Sun, 22 Apr 2001 18:50:04 EDT." Date: Sun, 22 Apr 2001 21:17:51 -0400 From: Garry Zacheiss >> 3) I believe that we have Matt for Monday, and Melissa for cue-to-cue? You do have Matt for Monday, and it's unclear what you have for cue-to-cue. I'll clarify what's going on. Garry  1, answered,, Summary-line: 23-Apr cupid@MIT.EDU [24] #while you guys are fixing the cover page... X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA15165; Mon, 23 Apr 2001 00:08:53 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA28131; Mon, 23 Apr 2001 00:13:27 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id AAA23397; Mon, 23 Apr 2001 00:13:17 -0400 (EDT) Received: (from cupid@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id AAA04631; Mon, 23 Apr 2001 00:13:27 -0400 (EDT) Date: Mon, 23 Apr 2001 00:13:27 -0400 (EDT) Message-Id: <200104230413.AAA04631@scrubbing-bubbles.mit.edu> From: Randi M Kestin To: opus@mit.edu, rls@mit.edu Subject: while you guys are fixing the cover page... *** EOOH *** Date: Mon, 23 Apr 2001 00:13:27 -0400 (EDT) From: Randi M Kestin To: opus@mit.edu, rls@mit.edu Subject: while you guys are fixing the cover page... I noticed you don't have graduation years for Dave, Garry, or Kate. Normally we put that on the program and publicity. (I didn't check the publicity closely this time to see if it's there...) Kate is W '99 Garry is '00 and on the prod staff I also have him listed as C because he's also currently MIT Staff. I think you guys can figure out what year belongs next to Dave's name. :) I was able to get the historical note to fit but I had to fiddle with the "Tech announcement" box in order to do it. I think it looks fine but the size of it and spacing are a little different from your original. (It's now skinnier and wider to accomodate the extra lines on the note. I didn't want to ask you to cut it down because I think it's cool stuff. All for now. :) Randi  1,, Summary-line: 23-Apr to: opus@mit.edu [73] #[rlsopus@netzero.net: Historical note] X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA10853; Mon, 23 Apr 2001 10:37:17 -0400 (EDT) Received: from ipnh.mv.com (ipnh.mv.com [199.125.64.3]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA10296 for ; Mon, 23 Apr 2001 10:40:03 -0400 (EDT) Received: (from opus@localhost) by ipnh.mv.com (8.9.1/8.9.1) id KAA02707; Mon, 23 Apr 2001 10:31:44 -0400 (EDT) Date: Mon, 23 Apr 2001 10:31:44 -0400 (EDT) From: "David C. Jedlinsky" Message-Id: <200104231431.KAA02707@ipnh.mv.com> To: opus@mit.edu Subject: [rlsopus@netzero.net: Historical note] *** EOOH *** Date: Mon, 23 Apr 2001 10:31:44 -0400 (EDT) From: "David C. Jedlinsky" To: opus@mit.edu Subject: [rlsopus@netzero.net: Historical note] Return-Path: Date: Sun, 22 Apr 2001 02:11:48 -0400 From: David and Ruth Jedlinsky Reply-To: rlsopus@netzero.net X-Mailer: Mozilla 4.76 [en] (Windows NT 5.0; U) X-Accept-Language: en MIME-Version: 1.0 To: rkestin@netscape.net CC: cupid@MIT.EDU Subject: Historical note Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hi Randi, Here is the historical note for the program. Let me know if you have trouble putting it in; I can always add it later when you give me the final version for printing. -Dave "The Grand Duke" opened at the Savoy Theatre in London on March 7, 1896. The last collaboration between William Gilbert and Sir Arthur Sullivan, it bears a striking similarity to their first, "Thespis". Both shows involve a theatrical troupe which takes over for the ruling class, and cause things to get muddled along the way. Of course, the similarity ends there, as "Thespis" involves Greek players acting in place of the gods, whereas "The Grand Duke" has actors in a Greek play who displace a person who thinks he is a god. Unfortunately, "The Grand Duke" was not well received in London, and closed a few months after opening. Both author and composer decided to have nothing more to do with the show, and the working relationship between the two men had reached the breaking point. The show seemed destined never to be revived. Five years later, in late 1900 and early 1901, Sir Arthur Sullivan and Richard D’Oyly Carte both passed away within months of each other. This left William Gilbert as the sole member of the trio that had brought fourteen popular operas to the English stage. At that time, MIT was a school composed almost entirely of male students, located in Boston’s Back Bay. The "Tech Show" was a new concept on campus. Two Tech Show productions had been staged, and the search began for a suitable option for a third production. Following the surprise announcement, in March of 1901, of the decision to perform a Gilbert and Sullivan opera, enthusiasm ran high as students signed up to dance, sing and act. Judging from the large cast--over 100 students appeared in the production--this Tech Show, at the turn of the twentieth century, was a major event at MIT. In fact, the administration cancelled classes so that everyone would be able to attend the single matinee performance on Friday, May 3. >From the weekly reports in THE TECH, it appears that an early version of the script, rather than the script which opened in London, was used for the performance. In addition, due to the composition of the student body, all of the female roles were performed by men in drag. The performance at the Hollis Street Theatre, in Boston, was well received and was a success by more than one account. This 2001 production marks the 100th anniversary of the American premiere at MIT. NetZero Platinum No Banner Ads and Unlimited Access Sign Up Today - Only $9.95 per month! http://www.netzero.net  1,, Summary-line: 23-Apr katdaniel@juno.com [60] #Re: TT topics. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA15948; Mon, 23 Apr 2001 10:40:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11308 for ; Mon, 23 Apr 2001 10:45:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA21060; Mon, 23 Apr 2001 10:44:01 -0400 (EDT) Date: Mon, 23 Apr 2001 10:44:01 -0400 (EDT) Message-Id: <20010423.101529.-3562917.2.katdaniel@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Natalie L Daniels To: Multiple recipients of list SAVOYNET Subject: Re: TT topics. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 5.0.29 *** EOOH *** Date: Mon, 23 Apr 2001 10:44:01 -0400 (EDT) Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Natalie L Daniels To: Multiple recipients of list SAVOYNET Subject: Re: TT topics. Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Sat, 21 Apr 2001 17:23:05 -0400 (EDT) "J. Derrick McClure." writes: > 3. While the rehearsal scene with Grossmith, Barrington and Jessie > Bond was magnificent (I loved the touch where Jessie says "Might I > use my stick, Mr Gilbert?" and Gilbert momentarily stops being the > martinet producer and becomes sympathetic and solicitous), even > better was the sequence where he's trying to get the Japanese > girls to show the three maids how to walk and handle their fans: > the lack of communication was FLAWLESSLY conveyed! (And it ended > marvellously with the actresses and the three Japanese girls > unexpectedly finding something to laugh together about in the > manoeuvring of the fans.) I am also a big anime (Japanese animation) fan, but not as big a fan as a friend of mine who I have managed to get addicted to G&S as well. She works in a movie theatre and has managed to see many free movies this way, including TT. The day she saw it she returned home still giggling over the scenes with the Japanese actors for various reasons (apparently some of that Kabuki dialogue was... interesting), but what really set her off was the identity of Miss Sixpence, Please. Among her other roles, she is also the voice of Pikachu. As in Pokemon. The Pokemon/G&S comments, which had been bad enough in our household, took on a whole new life. Search throughout the town of Gresham For a sign of young Ash Ketchum... We are dainty pink Clefairies, Ever cutesy, ever cloying... If you ask the special function Of nonsensical oration, We reply without compunction It's the fault of bad translation! We shouldn't be surprised if they should tremble, tremble with alarm, Before the thunderbolt, the bolt of Pikachu! There is more, but I think I've tortured you enough for now. Kate the Twisted Faery Kate Cunningham katdaniel@juno.com ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! 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For your FREE software, visit: http://dl.www.juno.com/get/tagj.  1,, Summary-line: 23-Apr s_camden@hotmail.com [78] #Fwd: GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA19306; Mon, 23 Apr 2001 12:00:43 -0400 (EDT) Received: from hotmail.com (f12.law4.hotmail.com [216.33.149.12]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA17911 for ; Mon, 23 Apr 2001 12:05:17 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Mon, 23 Apr 2001 09:04:46 -0700 Received: from 64.36.40.106 by lw4fd.law4.hotmail.msn.com with HTTP; Mon, 23 Apr 2001 16:04:46 GMT X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: opus@mit.edu Subject: Fwd: GRAND DUKE Date: Mon, 23 Apr 2001 12:04:46 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 23 Apr 2001 16:04:46.0719 (UTC) FILETIME=[1E0E18F0:01C0CC0F] *** EOOH *** X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: opus@mit.edu Subject: Fwd: GRAND DUKE Date: Mon, 23 Apr 2001 12:04:46 -0400 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 23 Apr 2001 16:04:46.0719 (UTC) FILETIME=[1E0E18F0:01C0CC0F] >From: Lynn Heinemann >To: s_camden@hotmail.com >Subject: GRAND DUKE >Date: Mon, 23 Apr 2001 11:37:17 -0400 >MIME-Version: 1.0 >Received: from [18.85.2.171] by hotmail.com (3.2) with ESMTP id >MHotMailBCAD96A800A74004318F125502AB0D160; Mon Apr 23 08:35:08 2001 >Received: from [18.85.10.90] (mac-205-1.media.mit.edu [18.85.10.90])by >aleve.media.mit.edu (8.9.3/8.9.3/+ALEVE) with ESMTP id LAA01386for >; Mon, 23 Apr 2001 11:34:52 -0400 (EDT) >From heine@media.mit.edu Mon Apr 23 08:36:53 2001 >Message-Id: > >Hi Sara -- > >If you don't have the answers to these questions, could you point me >towards the G&SPers who might? > >I've read through all the materials you've given Mary (wow -- what an >archive! where did that xerox of the 1901 Globe come from???). > >I know that the current production -- unlike the original -- includes >women. > >What other notable differences are there that you know of? > >The Globe review mentions a final "grand ballet" which lasted 10 >minutes (and was then repeated after the ovation!). Does the 2001 >version have such elaborate dance? > >Will the 2001 production offer all the "repetition[s] demanded" of the >1901? > >Are you trying to incorporate any of the elements of the 1901 >production (as near as they can be figured from the old articles) in >the new version? (For example, the final ballet where the Globe >reported "Twenty-four students, clad in the college colors of red and >gray, appeared upon the stage and rapidly formed the letters M I T." ) > >Have you figured your running time yet? (In 1901, according to the >Globe, it ran "nearly three hours"). > >Do you know what The Tech item on the suspension of exercises for 2 >afternoons referred to? Was this some kind of group calisthenics or >did the Institute actually close down all classes and such so that >everyone could attend? > >Is there any record of what tickets cost then? > >By my count, the 1901 cast numbered 64, and The Tech's article say that >when the special dancers and large chorus were added in, the ranks >swelled to nearly 100 (!) > >How many are in the current cast? (I'd be wililng to bet it's not 100!) > >Who's directing this current production? Would I be able to talk/email >him/her? > >Thanks! > >-- >--Lynn Heinemann, MIT Office of the Arts, E15-205, 617/253-4003 > See the Office of the Arts Web page at http://web.mit.edu/arts _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 23-Apr epeisach@zif.mit.edu [47] #Outline of put-in X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA21526; Mon, 23 Apr 2001 12:03:58 -0400 (EDT) Received: from zif.mit.edu (ZIF.MIT.EDU [18.79.1.54]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA11675 for ; Mon, 23 Apr 2001 12:08:31 -0400 (EDT) Received: (from epeisach@localhost) by zif.mit.edu (980427.SGI.8.8.8/980728.SGI.AUTOCF) id LAA90959; Mon, 23 Apr 2001 11:57:18 -0400 (EDT) Date: Mon, 23 Apr 2001 11:57:18 -0400 (EDT) Message-Id: <200104231557.LAA90959@zif.mit.edu> From: Ezra Peisach To: gsp-prod@mit.edu Subject: Outline of put-in *** EOOH *** Date: Mon, 23 Apr 2001 11:57:18 -0400 (EDT) From: Ezra Peisach To: gsp-prod@mit.edu Subject: Outline of put-in This message is going to gsp-prod in order to bring people up to date regarding next weekend... Light hang will start at 6am on Sunday morning. Joel and Katherine need about 6 people. Breakfast will be served... Set move: Will start at 10am. Larry would like the entire cast (or those capable of lifting and moving things) at that time. We will move everything over at once. (ETA 1pm (maybe optimistic)) Then, Larry will demonstrate proper construction of platforms. Andy will take some people to paint and assemble flats. (dutching, jacks, etc). Food - probably about 2pm. Lights will vacate the set area about 2. (can't remember the exact time - but we will not conflict). For people with weak backs, they would be expected later... Randi has expressed concern that changing the norm in this manner - we will lose alot of people after food arrives. The trade off is that if we use the staggering method of bringing people in, we get people throughout the day, but the number of competent people at any given time staggers - to the extent that at some periods very little can get done. Staggering also puts a very heavy load on the people moving the set across. If we take 10 people (at least) for the move - we are not gaining very much. (With another 6 people on lights - we use up most of the cast anyways). I am willing to be convinced that staggering vs. all at once is better - but I am willing to try this once - heck - the MC prefers this, and MTG does it all the time.... Ezra  1,, Summary-line: 23-Apr zacheiss@MIT.EDU [9] #pianist Thursday X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA21874; Mon, 23 Apr 2001 16:27:31 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA13181; Mon, 23 Apr 2001 16:32:02 -0400 (EDT) Received: from bagheera.mit.edu (BAGHEERA.MIT.EDU [18.152.0.104]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA09890; Mon, 23 Apr 2001 16:31:52 -0400 (EDT) Received: (from zacheiss@localhost) by bagheera.mit.edu (8.9.3) id QAA01458; Mon, 23 Apr 2001 16:32:01 -0400 (EDT) Message-Id: <200104232032.QAA01458@bagheera.mit.edu> To: opus@MIT.EDU, thorntonk@mediaone.net Subject: pianist Thursday Date: Mon, 23 Apr 2001 16:32:01 -0400 From: Garry Zacheiss *** EOOH *** To: opus@MIT.EDU, thorntonk@mediaone.net Subject: pianist Thursday Date: Mon, 23 Apr 2001 16:32:01 -0400 From: Garry Zacheiss Do you plan to need a pianist Thursday, or will you be rehearsing with the orchestra that night? Garry  1,, Summary-line: 24-Apr mdeeds@MIT.EDU [13] #Pictures of Wednesday's run X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA29658; Tue, 24 Apr 2001 00:04:13 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA01059 for ; Tue, 24 Apr 2001 00:08:49 -0400 (EDT) Received: from ball-peen-hammer.mit.edu (h0080c79b878c.ne.mediaone.net [24.218.65.229]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id AAA28390 for ; Tue, 24 Apr 2001 00:08:38 -0400 (EDT) Received: by ball-peen-hammer.mit.edu (8.8.7/4.7) id AAA00864; Tue, 24 Apr 2001 00:08:49 -0400 Message-Id: <200104240408.AAA00864@ball-peen-hammer.mit.edu> To: opus@MIT.EDU Subject: Pictures of Wednesday's run Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Date: Tue, 24 Apr 2001 00:08:48 EDT From: Matt Deeds *** EOOH *** To: opus@MIT.EDU Subject: Pictures of Wednesday's run Content-Type: text/plain; charset=US-ASCII Date: Tue, 24 Apr 2001 00:08:48 EDT From: Matt Deeds Hi, Opus. Davie asked me to take some pictures of the making of the Duke for archiving purposes. Would it be convinient if I came by during Wednesday's run? I'll just take pictures of the rehearsal. No need to do any posed scenes. I'll also be stopping by the cue-to-cue or first dress rehearsal. -Matt  1,, Summary-line: 24-Apr chris@sounds-on-cd.co.uk [71] #A visit to Abbey Road studios X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA22411; Tue, 24 Apr 2001 06:19:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA20209 for ; Tue, 24 Apr 2001 06:24:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA24022; Tue, 24 Apr 2001 06:23:36 -0400 (EDT) Date: Tue, 24 Apr 2001 06:23:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: A visit to Abbey Road studios MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Tue, 24 Apr 2001 06:23:36 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: A visit to Abbey Road studios Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Yesterday I visited the most famous recording studio in the world, Abbey Road, on Sounds on CD Gilbert and Sullivan business. I have just commissioned them to prepare new digital masters from their master tapes of the Keith Hardwick transfers of the 1928 Yeomen, the 1931 Ruddigore and the 1932 Ida, but there was a section of Ruddigore that I wanted to check out on the master because I could detect some problems on the LP issue of this transfer and I was rather concerned that the problem might extend beyond the poor quality of the vinyl that appears to have been used for the LP pressings. My worries were in vain. The transfers are absolutely stunning - remember these are transfers prepared mainly from the metal masters with barely a hint of shellac in sight. I have to confess that hearing Darrell Fancourt's Ghost Scene through the superb sound system in the Abbey Road transfer room brought a pretty large lump to my throat and a tear glistened ... suffice to say it was quite an emotional moment for me, and one that will stay with me forever. I had just experienced something pretty special. Darrell had, after all, been an Abbey Road artist himself and I had just heard him there !! My visit was in the morning, and I had a call in the late afternoon (rather quicker than I had expected) saying that all of my digital masters are now ready to collect, so I shall probably pop up again later in the week to collect them and my CD releases of these should not be too long off now. These are the recordings that Arabesque only issued on LP and not CD and the LPs do not do them justice (I have heard that they had intended making these the next CD releases in their G&S series, but something happened with the company and the CD series wasn't completed), so the appearance of these wonderful transfers on CD has been a long time coming but I think it will have been worth the wait. Regards Chris Croydon, UK ********************************************************************* S O U N D S O N C D THE Premier INTERNATIONAL Provider of Vintage and Rare G&S Recordings NOW AVAILABLE (and receiving RAVE reviews) - - SIX of the 1949-50 Decca/DC 'Martyn Green' recordings COMING SOON - - the ULTIMATE transfer of the 1926 Mikado (from EMIs metal masters) - the superb EMI transfers of Yeomen, Ruddigore and Ida (from HMVs 1928-32 electric recordings) For details of my present releases please visit - http://www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm "If it isn't in my catalogue yet, it soon will be, so don't settle for the rest - wait for THE BEST" *********************************************************************  1,, Summary-line: 26-Apr charlie_wakely@yahoo.co.u [143] #RE: Can Gilbert be imitated? X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA14343; Thu, 26 Apr 2001 06:59:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id HAA29534 for ; Thu, 26 Apr 2001 07:03:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA16524; Thu, 26 Apr 2001 07:03:13 -0400 (EDT) Date: Thu, 26 Apr 2001 07:03:13 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: charlie_wakely@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Charlie Wakely" To: Multiple recipients of list SAVOYNET Subject: RE: Can Gilbert be imitated? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Thu, 26 Apr 2001 07:03:13 -0400 (EDT) Reply-To: charlie_wakely@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Charlie Wakely" To: Multiple recipients of list SAVOYNET Subject: RE: Can Gilbert be imitated? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: I suspect Chris will be proved right - that it is entirely possible to imitate Gilbert badly, and quite another to imitate him well! And so to the challenge. Your mission, if you choose to accept it, is this: This email contains 4 excerpts, each of which falls into one of 4 categories: a) Written by Gilbert b) Written by Wakely c) Started by Gilbert, finished by Wakely d) Started by Wakely, finished by Gilbert Not all the categories are necessarily satisfied. What I am asking you to do is to read the below, and email me (privately) and tell me which category each excerpt falls into. This relies on the fact that you do not know the excerpts involved, so please a) don't cheat and look it up, and b) tell me if you already know the piece, and therefore the answer. In addition, to test the 'Gilbert is easy to imitate badly' theory, I have included some deliberately non_gilbertian turns of phrase in one of the passages - tell me which passage, and which phrases! Finally, if you are convinced that a passage falls into category c) or d), please tell me where you think the crossover is. Good Luck! Charlie Edinburgh Scotland Here goes: 1) Two lovers talking. MARY... I don't know much about fathers. I lost mine when I was ten years old. He was an artist - HAROLD. An artist? MARY. Yes; he drew valentines. HAROLD. Poor little Mary; you must often think with regret of the happy days when your father and mother were alive and you all lived together! MARY. Why yes, I do, for Papa was the kindest man who ever lived. He used to drink, it is true, and then he beat me, but are not such weaknesses insignificant trifles in one so filled with sobriety and compassion? HAROLD. Such values were inspired, no doubt, by the constant love and support of your mamma? MARY. It was indeed – Mamma was as constant as St David’s rock. She ran away in my fifth year, to be sure, but until then she was as faithful and true to Papa as any woman alive. HAROLD. And now you are all alone in the world, but for me. MARY. Oh! no; My brother is a great man, who devotes himself entirely to educating people of their folly in possessing many worldly goods, and in placing small worth upon their spiritual welfare. HAROLD. Ah! So your brother is a Curate? MARY. He is a house-burglar. 2) Satis visiting Topseyturveydom. SATIS. As a practical legislator, I should particularly like to be present at the deliberations of the collective wisdom of a country that is so unlike our own. KING. The collective wisdom? SATIS. Yes. I mean I should like to be present at a sitting of the House. KING. Oh, I know what you mean. It's an odd request: we only admit the most learned and intellectual men in the kingdom into our House. SATIS. Oh, so do we. This place is not so topsy-turvy, after all! KING. Poor devils! SATIS. Poor devils? KING. Yes, they're all inventors and writers and men of science - in fact, paupers. SATIS. Do you mean to say you entrust the making of your laws to paupers? KING. My dear sir! These people don't make our laws. SATIS. But I asked to see - KING. The House - SATIS. Yes - the House of Commons. KING. Oh, I beg your pardon. You asked to see the collective wisdom of our country. I thought you meant the workhouse. 3) A lyric. When but a lad your nurs’ry maid will say with manner stern, That ribald merriment Is no pastime for a ‘Gent’. With history dates your youthful pates she’ll burden, lest you learn The childish mind conduces Itself to many uses! Yet ev’ry lad, but good or bad, should heed this warning lightly, And put his eager mind To mischief he can wind. He must support this noble sport with manner quick and sprightly, And be prepared to run >From those who’d spoil his fun. For what a fund of joy jocund lies hid in harmless hoaxes! What keen enjoyment springs >From cheap and simple things! What deep delight from sources trite inventive humour coaxes, That pain and trouble brew For every one but you! Gunpowder placed inside its waist improves a mild Havanah, Its unexpected flash Burns eyebrows and moustache. When people dine no kind of wine beats ipecacuanha, But common-sense suggests You keep it for your guests. 4) A Story It is common condition amongst the Curacy to be possessed of every qualification necessary for a match with a young lady save the income required for such an expense. It was in this position that James Bottle, Curate of the Parish of Cholmondly, found himself. His misfortune was to love one Miss Emilia Hawthorne, with all the passion of a young man, whilst being quite unable to meet her father’s concerns for the financial wellbeing of his charge. Bottle’s father, one Augustus Bottle, had been a very successful wine merchant with a weakness for his own wares. Consequently, Rev’d Bottle found himself with a modest lifestyle, and a disinclination to drink . _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 26-Apr ejhanna@MIT.EDU [14] #tonight's rehearsal? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA20137; Thu, 26 Apr 2001 08:46:08 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA13028 for ; Thu, 26 Apr 2001 08:50:42 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.184.0.32]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id IAA19214 for ; Thu, 26 Apr 2001 08:50:32 -0400 (EDT) Received: (from ejhanna@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id IAA05400; Thu, 26 Apr 2001 08:50:42 -0400 (EDT) Message-Id: <200104261250.IAA05400@scrubbing-bubbles.mit.edu> To: gsp-prod@MIT.EDU Subject: tonight's rehearsal? Date: Thu, 26 Apr 2001 08:50:42 -0400 From: Emily J Hanna *** EOOH *** To: gsp-prod@MIT.EDU Subject: tonight's rehearsal? Date: Thu, 26 Apr 2001 08:50:42 -0400 From: Emily J Hanna Is tonight's rehearsal going on as scheduled? 7-11pm, 407? I just want to check since I wasn't around last night and don't want to send out a rehearsal announcement with the wrong information... Thanks, --Emily Hanna  1,, Summary-line: 26-Apr hhereman@MIT.EDU [32] #Props X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA01427; Thu, 26 Apr 2001 11:23:28 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA12359 for ; Thu, 26 Apr 2001 11:27:57 -0400 (EDT) Received: from heremans.mit.edu (HEREMANS.MIT.EDU [18.240.0.230]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id LAA00236 for ; Thu, 26 Apr 2001 11:27:56 -0400 (EDT) Message-Id: <2.2.32.20010426152748.00f92f70@po14.mit.edu> X-Sender: hhereman@po14.mit.edu X-Mailer: Windows Eudora Pro Version 2.2 (32) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 26 Apr 2001 11:27:48 -0400 To: gsp-cast@mit.edu From: Hilde Heremans Subject: Props *** EOOH *** X-Sender: hhereman@po14.mit.edu Content-Type: text/plain; charset="us-ascii" Date: Thu, 26 Apr 2001 11:27:48 -0400 To: gsp-cast@mit.edu From: Hilde Heremans Subject: Props Hello all, I just wanted to let you guys know that tonight we will be using the real props such as the tea cups and the roulette wheel. I repeat, DO NOT TOUCH THE PROPS THAT ARE NOT YOURS! And don't play excessively with the props. There are a lot of props for this show and I don't want to go and find a new one. Also, if you know that you have props but aren't sure of which one is yours, find me tonight. I'd like to reintroduce props to people tonight especially the chamberlain and the people fetching the greek costumes. I was also wondering if anyone can help me in finding the following props. If you have any of these objects please bring to rehearsal tonight. I need: snuffbox with a trick latch tools to jimmy the box A wooden crate that can hold wine bottles (four bottles) I also need people to help me cut up paper money and red confetti. If anyone wants to design the money that would be great else, I'm just going to have people cut up green paper. As for red confetti, I need people that have the one hole punch to bring to rehearsal tonight so you can be punching out confetti during your breaks. Please let me know if you have anything or if you want to help. Hilde  1, answered,, Summary-line: 26-Apr epeisach@MIT.EDU [22] #Re: How many seats? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA20106; Thu, 26 Apr 2001 12:36:20 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id MAA04763; Thu, 26 Apr 2001 12:36:31 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA30400; Thu, 26 Apr 2001 12:36:29 -0400 Message-Id: <10104261636.AA30400@kangaroo.mit.edu> To: "David C. Jedlinsky" Cc: gsp-prod@mit.edu Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 12:24:59 EDT." <200104261624.MAA05623@multics.mit.edu> Date: Thu, 26 Apr 2001 12:36:28 EDT From: Ezra Peisach *** EOOH *** To: "David C. Jedlinsky" Cc: gsp-prod@mit.edu Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 12:24:59 EDT." <200104261624.MAA05623@multics.mit.edu> Date: Thu, 26 Apr 2001 12:36:28 EDT From: Ezra Peisach I'm still working on it... How many rows can we fit on 8' long butterfly... Technically 3 at 32" between backs, but I think it might suck... Also - how many rows do you want on floor level - 5? It would suck. I am trying to figure out if we have platforms to deal and make it only three. Also - what are early reservations looking like? Should we rent risers for behind the german's? Otherwise 150-180 at the moment... Ezra  1,, Summary-line: 26-Apr to: epeisach@mit.edu [18] #Re: How many seats? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA08819; Thu, 26 Apr 2001 12:44:23 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA07995; Thu, 26 Apr 2001 12:48:56 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA04105; Thu, 26 Apr 2001 12:48:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id MAA06241; Thu, 26 Apr 2001 12:48:56 -0400 (EDT) Date: Thu, 26 Apr 2001 12:48:56 -0400 (EDT) Message-Id: <200104261648.MAA06241@multics.mit.edu> From: "David C. Jedlinsky" To: epeisach@mit.edu CC: gsp-prod@mit.edu In-reply-to: <10104261636.AA30400@kangaroo.mit.edu> (message from Ezra Peisach on Thu, 26 Apr 2001 12:36:28 EDT) Subject: Re: How many seats? References: <10104261636.AA30400@kangaroo.mit.edu> *** EOOH *** Date: Thu, 26 Apr 2001 12:48:56 -0400 (EDT) From: "David C. Jedlinsky" To: epeisach@mit.edu CC: gsp-prod@mit.edu In-reply-to: <10104261636.AA30400@kangaroo.mit.edu> (message from Ezra Peisach on Thu, 26 Apr 2001 12:36:28 EDT) Subject: Re: How many seats? In an ideal world (okay, as ideal as we can get in Sala), I'd want no more than three rows on any particular level, including the floor. Unless you can get another level (rented risers?) to go another 8" higher than the maximum height of the germans, then it won't be possible to meet the ideal. What are our options for really high platforms? -Dave  1,, Summary-line: 26-Apr epeisach@MIT.EDU [17] #Re: How many seats? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA23874; Thu, 26 Apr 2001 12:50:46 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id MAA06916; Thu, 26 Apr 2001 12:55:23 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA13019; Thu, 26 Apr 2001 12:55:20 -0400 Message-Id: <10104261655.AA13019@kangaroo.mit.edu> To: "David C. Jedlinsky" Cc: epeisach@mit.edu, gsp-prod@mit.edu Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 12:48:56 EDT." <200104261648.MAA06241@multics.mit.edu> Date: Thu, 26 Apr 2001 12:55:18 EDT From: Ezra Peisach *** EOOH *** To: "David C. Jedlinsky" Cc: epeisach@mit.edu, gsp-prod@mit.edu Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 12:48:56 EDT." <200104261648.MAA06241@multics.mit.edu> Date: Thu, 26 Apr 2001 12:55:18 EDT From: Ezra Peisach I have not looked into rentals - but Larry has indicated that our supply of dexion is limited (CP's go up a week later with Van deMeer building the set - so dexion is already taken for that). My thought is to put a row of platforms on the floor (or short legs) in front of the butterflies. I need to check inventories. Ezra  1,, Summary-line: 26-Apr therine.Thornton@NERA.com [13] #Re: conducting notes and stuff X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA20465; Thu, 26 Apr 2001 15:47:30 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA11243; Thu, 26 Apr 2001 15:52:07 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA17041; Thu, 26 Apr 2001 15:51:57 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA10138; Thu, 26 Apr 2001 15:52:06 -0400 (EDT) Date: Thu, 26 Apr 2001 15:52:06 -0400 (EDT) Message-Id: <200104261952.PAA10138@multics.mit.edu> From: "David C. Jedlinsky" To: Katherine.Thornton@NERA.com CC: grand-duke@mit.edu In-reply-to: (Katherine.Thornton@NERA.com) Subject: Re: conducting notes and stuff References: *** EOOH *** Date: Thu, 26 Apr 2001 15:52:06 -0400 (EDT) From: "David C. Jedlinsky" To: Katherine.Thornton@NERA.com CC: grand-duke@mit.edu In-reply-to: (Katherine.Thornton@NERA.com) Subject: Re: conducting notes and stuff In addition to the numbers which Kate mentioned, I'd like to see (hear?) a faster tempo for 1, 1a, 10 and 11. -Dave  1,, Summary-line: 26-Apr rcaileff@MIT.EDU [14] #Re: tonight's rehearsal? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA13021; Thu, 26 Apr 2001 15:56:42 -0400 (EDT) Received: from jhereg.ryuzoku.org ([64.23.225.67]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA14116; Thu, 26 Apr 2001 16:01:13 -0400 (EDT) Received: (from rcaileff@localhost) by jhereg.ryuzoku.org (8.9.3) id QAA29473; Thu, 26 Apr 2001 16:01:07 -0400 (EDT) Message-Id: <200104262001.QAA29473@jhereg.ryuzoku.org> To: Emily J Hanna cc: gsp-prod@MIT.EDU Subject: Re: tonight's rehearsal? In-Reply-To: Your message of "Thu, 26 Apr 2001 08:50:42 EDT." <200104261250.IAA05400@scrubbing-bubbles.mit.edu> Date: Thu, 26 Apr 2001 16:01:07 -0400 From: Rachel D Caileff *** EOOH *** To: Emily J Hanna cc: gsp-prod@MIT.EDU Subject: Re: tonight's rehearsal? In-Reply-To: Your message of "Thu, 26 Apr 2001 08:50:42 EDT." <200104261250.IAA05400@scrubbing-bubbles.mit.edu> Date: Thu, 26 Apr 2001 16:01:07 -0400 From: Rachel D Caileff Rehearsal tonight is scheduled as 6 - 11 for the cast: directors' notes, costuming, and warmups at 6; then picking up in the middle of act 3 with the orchestra when those are done. -rachel  1,, Summary-line: 26-Apr heine@media.mit.edu [29] #Put up you DUKE X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA26172; Thu, 26 Apr 2001 16:16:26 -0400 (EDT) Received: from aleve.media.mit.edu (aleve.media.mit.edu [18.85.2.171]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA26907 for ; Thu, 26 Apr 2001 16:21:04 -0400 (EDT) Received: from [18.85.10.90] (mac-205-1.media.mit.edu [18.85.10.90]) by aleve.media.mit.edu (8.9.3/8.9.3/+ALEVE) with ESMTP id QAA23597; Thu, 26 Apr 2001 16:21:03 -0400 (EDT) Mime-Version: 1.0 Message-Id: In-Reply-To: <200104261945.PAA10058@multics.mit.edu> References: <200104251836.OAA26109@multics.mit.edu> <200104252053.QAA27317@multics.mit.edu> <200104261945.PAA10058@multics.mit.edu> Date: Thu, 26 Apr 2001 16:23:35 -0400 To: "David C. Jedlinsky" , s_camden@hotmail.com From: Lynn Heinemann Subject: Put up you DUKE Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** In-Reply-To: <200104261945.PAA10058@multics.mit.edu> Date: Thu, 26 Apr 2001 16:23:35 -0400 To: "David C. Jedlinsky" , s_camden@hotmail.com From: Lynn Heinemann Subject: Put up you DUKE Content-Type: text/plain; charset="us-ascii" ; format="flowed" Do you have any idea if any usable pictures were taken last night? You mentioned sketches and elevation drawings of the set -- are these available? (if scanned, they need to be in tiff format with a resolution of at least 150 dpi). Did Jenna Lourenco do any costume sketches? (The poster art is being used in the May-at-a-Glance Arts Page, which will be published in the same issue, so we can't use that again.) Archives didn't have any copies of the 1901 program (1902 was there, but not 1901), nor did the 1901 or 1902 Technique include any photos of the original cast (all the sports teams were shown, though, as well as the Mandolin Club and the Banjo Club). Can you tell I'm a little image hungry? (The MIT Museum is sending me a photo reprint of the 1901 poster. I won't know what it looks like 'til I get it.) -- lynn  1, answered, forwarded,, Summary-line: 27-Apr hhereman@MIT.EDU [63] #The MIT Gilbert and Sullivan Players Announce Auditions for X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14417; Fri, 27 Apr 2001 00:52:24 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA19460; Fri, 27 Apr 2001 00:56:58 -0400 (EDT) Received: from heremans.mit.edu (HEREMANS.MIT.EDU [18.240.0.230]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id AAA13957; Fri, 27 Apr 2001 00:56:57 -0400 (EDT) Message-Id: <2.2.32.20010427045649.00f19650@po14.mit.edu> X-Sender: hhereman@po14.mit.edu X-Mailer: Windows Eudora Pro Version 2.2 (32) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 27 Apr 2001 00:56:49 -0400 To: savoyards@mit.edu, gsp-cast-int@mit.edu From: Hilde Heremans Subject: The MIT Gilbert and Sullivan Players Announce Auditions for The Grand Duke Cc: mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu *** EOOH *** X-Sender: hhereman@po14.mit.edu Content-Type: text/plain; charset="us-ascii" Date: Fri, 27 Apr 2001 00:56:49 -0400 To: savoyards@mit.edu, gsp-cast-int@mit.edu From: Hilde Heremans Subject: The MIT Gilbert and Sullivan Players Announce Auditions for The Grand Duke Cc: mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu ____ ____ \ )_________ _________( / > | )_____________________________________( | < /___| THE MIT | | PLAYERS |___\ \_________| G I L B E R T & S U L L I V A N |_________/ \_____________________________________/ Proudly Present The Grand Duke On May 3, 1901, MIT students performed the American premiere of Gilbert & Sullivan's final collaboration. Come join us for the 100th anniversary performance! Performance Location: La Sala De Puerto Rico 2nd Floor MIT Student Center Show Times: One Week-End Only! May 3, 4, 5: 8PM May 5, 6: 2PM Ticket prices: $6 - MIT and Wellesley Students $7 - MIT Community, Other Students, Seniors and Children $9 - General Public Producer: Garry Zacheiss Stage Director: David Jedlinsky Music Director: Katherine Thornton Orchestra Director: Jennifer Hazel For reservations: email gsp-tickets@mit.edu or call (617) 253-0190 There will be a $1 off/ticket discount for groups of 10 or more. Please see http://web.mit.edu/gsp/www for more info or e-mail savoyards-request@mit.edu ----------------- Hilde Heremans MITG&S Publicity Officer  1,, Summary-line: 27-Apr epeisach@MIT.EDU [87] #Re: How many seats? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA01685; Fri, 27 Apr 2001 10:31:53 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id KAA10858; Fri, 27 Apr 2001 10:34:43 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA32727; Fri, 27 Apr 2001 10:34:40 -0400 Message-Id: <10104271434.AA32727@kangaroo.mit.edu> To: "Morrison, Robert" Cc: "'Ezra Peisach'" , "David C. Jedlinsky" , gsp-prod@MIT.EDU Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 16:28:07 EDT." Date: Fri, 27 Apr 2001 10:34:39 EDT From: Ezra Peisach *** EOOH *** To: "Morrison, Robert" Cc: "'Ezra Peisach'" , "David C. Jedlinsky" , gsp-prod@MIT.EDU Subject: Re: How many seats? In-Reply-To: Your message of "Thu, 26 Apr 2001 16:28:07 EDT." Date: Fri, 27 Apr 2001 10:34:39 EDT From: Ezra Peisach We do not have access to the Kresge Risers anymore. One time was when they were getting rid of the old ones - then once when they had the new ones and then decided never to let them out of kresge again... That said, I have an approximate size of house - with some caveats that may knock the house size down about 10... The number I am getting is 192. It may be a little higher (204) depending on how wide chairs really are. Ken and I originally measures two chairs next to each other and came up with a number (which I have at home). Last night I put four chairs together and did the size/chair calculation and came up with a slightly different number - hence it might be as high as 204. But we may lose some for safety concerns which I will describe below: Some things to consider: a) Distance between seatbacks: 32" b) Aisles need to be 4' when seats present on both sides, 3' otherwise ------------------------------- The overall layout is: (some of the numbers may be slightly off - the exact details are rolled up in the set plan at home - I just noted how many in each section. top level of germans: 11m x 2m - these hit the concrete support and push out 2 rows: 6 seats/aisle/8 (cover hole) 6 seats/aisle/7/aisle next level of germans: 11m x 2m - to the kitchen doors 2 rows: 7 seats/aisle/8 seats/aisle 7 seats/aisle/8 seats/aisle butterflies: 36' x 8' - to the doors: 16" level 3 rows: 7 seats/aisle/9/aisle (for people comming down) 7 seats/aisle/10 (no aisle need they step down) 7 seats/aisle/10 platforms: 36' x 8' (9 4x8 platforms - yuck): 8" level current issue is that the bottom corner needs to touch the kitchen door - which puts us up at the next concrete piller. 3 rows: 7 seats/aisle/10 - step to floow 7 seats/aisle/10 7 seats/aisle/10 Floor level: 2 rows: 6 seats/aisle/10 (pillar in way) 7 seats/aisle/10 Issues: The butterflies need to have a step along the 8' edge. We may not be able to put seats to close to the edge as someone might fall off. Platforms: The bottom corner needs to touch the kitchen door - which puts us up at the next concrete piller. This forces the last row of germans to more or less line up with the bottom edge of space dock. Top german row: Having this line up with space dock was a safety problem last time I think. I believe people thought they were going to hit their heads. (Larry - what do you think about this) Solutions to the last problem: If we have a 4x7 platform, use that for the platform nearest kitchen - so we move forward a foot. Maybe we don't need to have the german's at the top height and then the next one down. We need to add our own step between the butterfly and the german. If we lower the German's down a notch would this work? I don't know the heights of the German levels. So that is what I have.... Ezra  1,, Summary-line: 27-Apr klb@cybercom.net [20] #An apropos fortune X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA07495; Fri, 27 Apr 2001 11:18:05 -0400 (EDT) From: Received: from mail.cybercom.net (specialk.cybercom.net [64.46.128.10]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA20787 for ; Fri, 27 Apr 2001 11:19:23 -0400 (EDT) Received: from shell.cybercom.net (shell.cybercom.net [64.46.128.6]) by mail.cybercom.net (Postfix) with ESMTP id 25A80EF81D for ; Fri, 27 Apr 2001 10:28:39 -0500 (EST) Received: from localhost (klb@localhost) by shell.cybercom.net (8.9.3/8.9.3) with ESMTP id LAA67006 for ; Fri, 27 Apr 2001 11:02:22 -0400 (EDT) (envelope-from klb@cybercom.net) X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Fri, 27 Apr 2001 11:02:21 -0400 (EDT) To: gsp-cast@MIT.EDU Subject: An apropos fortune Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** From: X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Fri, 27 Apr 2001 11:02:21 -0400 (EDT) To: gsp-cast@MIT.EDU Subject: An apropos fortune Content-Type: TEXT/PLAIN; charset=US-ASCII This just popped up on my system's fortune program: He played the king as if afraid someone else would play the ace. -- John Mason Brown, drama critic yours, "Louisa" (aka Kat) -- Katherine Bryant, word wrangler and mezzo-at-large e-mail: klb@cybercom.net Web: http://www.cybercom.net/~klb Don't let your paradigm become your paradogma.  1,, Summary-line: 27-Apr raeburn@MIT.EDU [15] #Saturday gathering X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA10346; Fri, 27 Apr 2001 11:24:16 -0400 (EDT) Received: from dcl.mit.edu (DCL.MIT.EDU [18.18.1.70]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA24136; Fri, 27 Apr 2001 11:28:49 -0400 (EDT) Received: (from raeburn@localhost) by dcl.mit.edu (8.9.3) id LAA07472; Fri, 27 Apr 2001 11:28:49 -0400 (EDT) To: dinner@mit.edu, thorntonk@mediaone.net, nocturne@mit.edu, johanna@mit.edu Subject: Saturday gathering From: Ken Raeburn Date: 27 Apr 2001 11:28:49 -0400 Message-ID: Lines: 9 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: dinner@mit.edu, thorntonk@mediaone.net, nocturne@mit.edu, johanna@mit.edu Subject: Saturday gathering From: Ken Raeburn Date: 27 Apr 2001 11:28:49 -0400 Content-Type: text/plain; charset=us-ascii Carolyn gets into town this Saturday (yes, tomorrow, this is kind of late notice), so let's get together... C'mon over to my place Saturday evening, say 7PM or so. Unless someone volunteers to do something about dinner, I probably won't provide it, but we could get something delivered (pizza, Chinese, whatever). RSVP Ken  1,, Summary-line: 27-Apr epeisach@zif.mit.edu [33] #Minor status updates - sets and lights.... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA12035; Fri, 27 Apr 2001 12:04:06 -0400 (EDT) Received: from zif.mit.edu (ZIF.MIT.EDU [18.79.1.54]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA13372 for ; Fri, 27 Apr 2001 12:08:36 -0400 (EDT) Received: (from epeisach@localhost) by zif.mit.edu (980427.SGI.8.8.8/980728.SGI.AUTOCF) id LAA41105; Fri, 27 Apr 2001 11:57:12 -0400 (EDT) Date: Fri, 27 Apr 2001 11:57:12 -0400 (EDT) Message-Id: <200104271557.LAA41105@zif.mit.edu> From: Ezra Peisach To: gsp-prod@mit.edu Subject: Minor status updates - sets and lights.... *** EOOH *** Date: Fri, 27 Apr 2001 11:57:12 -0400 (EDT) From: Ezra Peisach To: gsp-prod@mit.edu Subject: Minor status updates - sets and lights.... a) (From Catherine) Microvision in Boston and will be delivered tomorrow - she has details. b) Baby is available for use - I believe it is downstairs in the kitchen area. c) Sky sheet hang: Dave Flett has approved whatever means we desire - provided that the cross clamps are really secure. I never mentioned and he never suggested a grounding issue. Larry has found piping in the set shop - I will visit mike katz this afternoon to get clamps. d) I can still use some help this afternoon moving things from Rinaldi.. I will be there at about 2:15.... (maybe a little earlier). e) Tomorrow, Larry and I will be in the set shop inventoring what we need to bring over. There will be some construction of those last minute things - including drilling pilot holes on 84 legs... Time will probably be 3pm - but I will confer with Larry and send mail to cast asking for some help tomorrow - and steal them from costumes if need be... [but don't tell Jenna that :)] Ezra  1,, Summary-line: 27-Apr mdeeds@MIT.EDU [17] #Re: [heine@media.mit.edu: Deep doo-DUKE] X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10058; Fri, 27 Apr 2001 14:18:34 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA26858; Fri, 27 Apr 2001 14:23:13 -0400 (EDT) Received: from mint-square.mit.edu (MINT-SQUARE.MIT.EDU [18.184.0.36]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA02440; Fri, 27 Apr 2001 14:23:01 -0400 (EDT) Received: (from mdeeds@localhost) by mint-square.mit.edu (8.9.3) id OAA08228; Fri, 27 Apr 2001 14:23:12 -0400 (EDT) Message-Id: <200104271823.OAA08228@mint-square.mit.edu> To: "David C. Jedlinsky" cc: mdeeds@MIT.EDU, s_camden@hotmail.com Subject: Re: [heine@media.mit.edu: Deep doo-DUKE] In-Reply-To: Your message of "Fri, 27 Apr 2001 12:54:01 EDT." <200104271654.MAA21092@multics.mit.edu> Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII Date: Fri, 27 Apr 2001 14:23:12 -0400 From: Matt Deeds *** EOOH *** To: "David C. Jedlinsky" cc: mdeeds@MIT.EDU, s_camden@hotmail.com Subject: Re: [heine@media.mit.edu: Deep doo-DUKE] In-Reply-To: Your message of "Fri, 27 Apr 2001 12:54:01 EDT." <200104271654.MAA21092@multics.mit.edu> Content-Type: text/plain; charset=US-ASCII Date: Fri, 27 Apr 2001 14:23:12 -0400 From: Matt Deeds Hi, Dave. Sorry. I havn't developed those pictures yet. I don't think I have anything good anyway. Sorry. If I had known about the deadline earlier, I would have shot a whole roll and gotten them developed, but I decided to save some of the roll for cue to cue since that will present better photo ops. -Matt  1,, Summary-line: 27-Apr bbermack@alum.mit.edu [40] #Re: Monday's rehearsal X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA06140; Fri, 27 Apr 2001 14:43:28 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA01073; Fri, 27 Apr 2001 14:48:01 -0400 (EDT) Received: from alum.mit.edu (h00a0cc3db483.ne.mediaone.net [66.31.33.143]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA09296; Fri, 27 Apr 2001 14:48:01 -0400 (EDT) Sender: bcb@MIT.EDU Message-ID: <3AE9BEE1.3CFF6E8E@alum.mit.edu> Date: Fri, 27 Apr 2001 14:48:01 -0400 From: Brian Bermack X-Mailer: Mozilla 4.75 [en] (X11; U; Linux 2.2.16-22 i586) X-Accept-Language: en-US, en, en-GB, fr, fr-FR MIME-Version: 1.0 To: "David C. Jedlinsky" CC: grand-duke@MIT.EDU Subject: Re: Monday's rehearsal References: <3AE9A745.13F0D0D2@alum.mit.edu> <200104271813.OAA23279@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: bcb@MIT.EDU Date: Fri, 27 Apr 2001 14:48:01 -0400 From: Brian Bermack X-Accept-Language: en-US, en, en-GB, fr, fr-FR To: "David C. Jedlinsky" CC: grand-duke@MIT.EDU Subject: Re: Monday's rehearsal Content-Type: text/plain; charset=us-ascii No, they do scheduled calls. I couldn't get an appointment any earlier; I might be able to get one later if that would help. Brian "David C. Jedlinsky" wrote: > > I would like Joel to make the call, as Monday is his night to run > things. The biggest problem I see with your proposed absence is > missing you in 9 & 9a; since you have unique blocking there, Joel will > probably want to see you under the lights. I don't know if he'll want > to take things out of order, or if that screws up the programming of > the lighting board. > > Does Turtle Lane have pre-scheduled audition times, or is it a > cattle-call like we do? > > -Dave > > >Date: Fri, 27 Apr 2001 13:07:17 -0400 > >From: Brian Bermack > > > >Would it be okay if I were missing from part of Monday's rehearsal > >(cue-to-cue)? I would like to audition for Turtle Lane's Pirates of > >Penzance at 8:30. This would mean I need to leave MIT a bit before 8, > >and might hope to get back by 9:30 or so; sooner if possible. I will > >certainly tell them there's no way I can make callbacks later that week, > >but I thought missing some of cue-to-cue might not be a big deal. If > >you think I'm mistaken, please let me know. > > > >Thanks, > >Brian  1,, Summary-line: 27-Apr s_camden@hotmail.com [24] #Re: [heine@media.mit.edu: Deep doo-DUKE] X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA11662; Fri, 27 Apr 2001 14:58:07 -0400 (EDT) Received: from hotmail.com (f22.law4.hotmail.com [216.33.149.22]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA09546; Fri, 27 Apr 2001 15:02:46 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Fri, 27 Apr 2001 12:02:13 -0700 Received: from 64.36.40.106 by lw4fd.law4.hotmail.msn.com with HTTP; Fri, 27 Apr 2001 19:02:12 GMT X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: mdeeds@MIT.EDU, opus@MIT.EDU Subject: Re: [heine@media.mit.edu: Deep doo-DUKE] Date: Fri, 27 Apr 2001 15:02:12 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 27 Apr 2001 19:02:13.0160 (UTC) FILETIME=[917B1280:01C0CF4C] *** EOOH *** X-Originating-IP: [64.36.40.106] From: "Sara Camden" To: mdeeds@MIT.EDU, opus@MIT.EDU Subject: Re: [heine@media.mit.edu: Deep doo-DUKE] Date: Fri, 27 Apr 2001 15:02:12 -0400 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 27 Apr 2001 19:02:13.0160 (UTC) FILETIME=[917B1280:01C0CF4C] Hi Matt, I spoke with Lynn Heinemann today, and she says the deadline for images is Monday morning. If you could develop them over the weekend and just see if there's anything which might possibly work, she'd really appreciate it. This weekend I'm going to try to track down 1901 images of better quality than the microfilm printout I currently have. So if that works, she'll have something (but I can't guarantee I'll be successful). It would be great to have current cast pictures, but do what you can. Thanks, Sara _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 27-Apr to: savoynet@bridgewater. [41] #Grand Duke at MIT X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA26692; Fri, 27 Apr 2001 17:06:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA12531 for ; Fri, 27 Apr 2001 17:06:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA18663; Fri, 27 Apr 2001 17:06:03 -0400 (EDT) Date: Fri, 27 Apr 2001 17:06:03 -0400 (EDT) Message-Id: <200104272046.QAA24704@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Grand Duke at MIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 27 Apr 2001 17:06:03 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Grand Duke at MIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >From: Mitchell Scott Gillett > >If you can only make one G&S show this spring, Go to VLOC's production in >Washington DC, But if you can only make 2 G&S shows this spring, well, >come see IOLANTHE produce by the West Michigan Savoyards. And if you can only make three G&S shows this spring, check out the centenary of the American premiere of The Grand Duke, at MIT in Cambridge, Massachusetts. The American premiere was performed by MIT undergraduates at the Hollis Street Theatre in Boston on May 3, 1901. This is only a one weekend show, from May 3-6. For more information, visit http://web.mit.edu/gsp/www or call 617-253-0190. The show is substantially UNcut; the only musical cut is the 1975 D'Oyly Carte trimmings of Julia's "horror" section of the finale, and a few wordy passages of dialog have been shortened. Otherwise, all songs and verses are intact. There are, however, some introduced characters (though they are all mentioned in the text, and only appear to take an intelligent and sympathetic interest in what is going on). We have also attempted to incorporate every item from the errata lists on the archives. -Dave Jedlinsky Stage Director, MITG&SP's The Grand Duke opus@mit.edu  1,, Summary-line: 27-Apr lcs@MIT.EDU [15] #glock power X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA13565; Fri, 27 Apr 2001 17:21:15 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA04020 for ; Fri, 27 Apr 2001 17:25:54 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA27973 for ; Fri, 27 Apr 2001 17:25:54 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id RAA21990; Fri, 27 Apr 2001 17:25:54 -0400 (EDT) Date: Fri, 27 Apr 2001 17:25:54 EDT From: Larry Stone Reply-To: To: opus@MIT.EDU Subject: glock power Message-ID: *** EOOH *** Date: Fri, 27 Apr 2001 17:25:54 EDT From: Larry Stone Reply-To: To: opus@MIT.EDU Subject: glock power Have you had a chance to try the train transformer that I handed to Ruth at the last prodsatff meeting as a glock-motor-supply? If that doesn't work, today I salvaged a 6V lab supply (dunno if it works) and a big-ass potentiometer; really huge, it was from a physics lab. That will be an adequate power regulator, but I'll have to stick in a couple of diodes to get 6Vdc out of the supply, i think it's AC. -- Larry  1,, Summary-line: 27-Apr epeisach@MIT.EDU [19] #Set shop this weekend... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA22517; Fri, 27 Apr 2001 20:44:47 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id UAA27784; Fri, 27 Apr 2001 20:49:16 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v3.2/1.1.10.5/14Jun00-0334PM) id AA21396; Fri, 27 Apr 2001 20:49:14 -0400 Date: Fri, 27 Apr 2001 20:49:14 -0400 Message-Id: <10104280049.AA21396@kangaroo.mit.edu> From: Ezra Peisach To: gsp-prod@mit.edu, gsp-cast@mit.edu, gsp@mit.edu, gsp-sets@mit.edu, gsp-tech-int@mit.edu Subject: Set shop this weekend... *** EOOH *** Date: Fri, 27 Apr 2001 20:49:14 -0400 From: Ezra Peisach To: gsp-prod@mit.edu, gsp-cast@mit.edu, gsp@mit.edu, gsp-sets@mit.edu, gsp-tech-int@mit.edu Subject: Set shop this weekend... Larry and I will be in the set shop starting at 3pm to pull out the material we will need for Sunday. We also have some tasks to do (like drilling pilot holes in 84 platform legs) and can use some help. Feel free to join us... Also - Jenna is building costumes tomorrow as well - I believe in the Student Center in the afternoon... Otherwise, see you Sunday... Ezra  1,, Summary-line: 28-Apr JBSALOMON@aol.com [20] #Re: Grand Duke at MIT X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA27602; Sat, 28 Apr 2001 17:57:21 -0400 (EDT) From: Received: from imo-m05.mx.aol.com (imo-m05.mx.aol.com [64.12.136.8]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA22568 for ; Sat, 28 Apr 2001 18:02:01 -0400 (EDT) Received: from JBSALOMON@aol.com by imo-m05.mx.aol.com (mail_out_v30.10.) id 6.dc.58e40d9 (2527) for ; Sat, 28 Apr 2001 18:01:27 -0400 (EDT) Message-ID: Date: Sat, 28 Apr 2001 18:01:26 EDT Subject: Re: Grand Duke at MIT To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Sat, 28 Apr 2001 18:01:26 EDT Subject: Re: Grand Duke at MIT To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Sorry. I was attempting to forward a notice of your production to my son Daniel Salomon, who lives in Cambridge and who plays violin for the Harvard G&S society. I thought he might be interested in atttending your show. My second attempt to forward the notice did succeed, so he now has the necessary info. I would like to wish you and your organization my very best for your show. It's not often that Cambridge can boast productions of both UL and GD in one season! Best wishes, Jacob Salomon, Bellmore, NY  1,, Summary-line: 30-Apr jhawk@MIT.EDU [63] #W20 802.11 coverage X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA11574; Mon, 30 Apr 2001 01:42:36 -0400 (EDT) Received: from zorkmid.mit.edu (ZORKMID.MIT.EDU [18.187.1.140]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA14397 for ; Mon, 30 Apr 2001 01:47:11 -0400 (EDT) Received: (from jhawk@localhost) by zorkmid.mit.edu (8.11.0/8.8.8) id f3U5iFO00368; Mon, 30 Apr 2001 01:44:15 -0400 (EDT) Date: Mon, 30 Apr 2001 01:44:15 -0400 (EDT) Message-Id: <200104300544.f3U5iFO00368@zorkmid.mit.edu> To: sipb-office@mit.edu Subject: W20 802.11 coverage From: John Hawkinson *** EOOH *** Date: Mon, 30 Apr 2001 01:44:15 -0400 (EDT) To: sipb-office@mit.edu Subject: W20 802.11 coverage From: John Hawkinson Looks like netops and/or their contractors have gotten 802.11 service up in most of W20. It was up on Friday, but I didn't really have a chance to survey. I just finished doing a survey of the building and environs (using Wavemanager/IEEE Client under Win98, I'm afraid), and found a total of 14 access points. I physically located 11 of them, and had good locational fixes on 2, and one is mostly a guess based on the numbers. The good news is that the building seems to be pretty-well covered, with the exception of the first floor and the basement, but there are at least 2 access points there that haven't come on-line yet that presumably will. The combination of the 2nd and 4th floor access points seem to cover Kresge Oval quite well, all the way to McCormick. The near space is covered by the AP in Sala, and the far space gets covered by the ones next to the restrooms on the 4th floor. Conveniently, their BSSIDs (MAC addresses) are unique in the last two hex digits. Right now, they are all ESSID "MIT" (rather than "MIT-W20"), and on channels 1 and 10 exclusively. I've sent a polite note to inquiring about both of those two issues. A map of the APs follows, for your convenience. MAC is the BSSID/MAC address, Ch is the 802.11 channel (1 is 2412 MHz and 10 is 2457 MHz), Floor: Location should be obvious, and Verified indicates whether I'm sure the access point is where I said it was, or whether I'm just guessing. I was surprised at the number of access points deployed, but in particular, I guess the 6 on the 4th floor allow them to skimp on the floors above and below. The ASO airport in 575a is now disabled, also. --jhawk MAC Ch Floor: Location Verified 00022D08D8EA 1 5: CAC N 00022D08D903 1 4: opposite Student Art Y 00022D08D90B 1 5: RLSLP office N 00022D0DABA1 1 4: opposite Counterpoint Y 00022D0DABAA 1 4: adjacent Men's Room Y 00022D0DABB4 10 4: opposite MITSFS Y 00022D0DABB8 1 4: adjacent Women's Room Y 00022D0DF9FD 1 2: Front of La Sala Y 00022D0DFA09 10 5: near Women's Room Y 00022D0DFA2A 10 5: cluster near machine room Y 00022D0DFAC2 10 5: Reading room Y 00022D0DFACE 1 2: near rear of Sala N [location a guess] 00022D0DFAD7 1 4: opposite LSC PWA/MTG Y 00022D0DFAF3 1 5: cluster near thermostat Y ? ? 2: art gallery N [powered off] ? ? 0: basement east stairwell N [wiring only]  1,, Summary-line: 30-Apr thorntonk@mediaone.net [16] #Tonight X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA10332; Mon, 30 Apr 2001 08:23:13 -0400 (EDT) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA09597 for ; Mon, 30 Apr 2001 08:27:50 -0400 (EDT) Received: from [192.168.1.100] (h002078cf7129.ne.mediaone.net [24.147.237.89]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f3UCRW813932; Mon, 30 Apr 2001 08:27:32 -0400 (EDT) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 30 Apr 2001 08:29:57 -0400 Subject: Tonight From: Katherine Thornton To: CC: Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 30 Apr 2001 08:29:57 -0400 Subject: Tonight From: Katherine Thornton To: CC: Content-type: text/plain; charset="US-ASCII" Sorry for not writing to you last night. Thank you for volunteering to play for us tonight. I have heard that you are planning to show up between 7 and 7:30pm, and that's great. Jen (the orch dir) will be running things. The thought was to have you play in the green room to work specific numbers while the cast and crew work in Sala. I will be arriving sometime around 8pm. Kate  1,, Summary-line: 30-Apr mstorie@nwlink.com [32] #Re: FREE Set Pieces X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA20232; Mon, 30 Apr 2001 20:55:44 -0400 (EDT) Received: from smtp.nwlink.com (smtp.nwlink.com [209.20.130.57]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA17310 for ; Mon, 30 Apr 2001 21:00:26 -0400 (EDT) Received: from nwlink.com (ip141.r18.d.bel.nwlink.com [207.202.176.141]) by smtp.nwlink.com (8.9.3/8.9.1) with ESMTP id SAA13452 for ; Mon, 30 Apr 2001 18:00:05 -0700 (PDT) Message-ID: <3AEE0B04.33177C86@nwlink.com> Date: Mon, 30 Apr 2001 18:01:56 -0700 From: Mike Storie X-Sender: "Mike Storie" (Unverified) X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: FREE Set Pieces References: <3AE11073.FA9F09D6@nwlink.com> <200104302023.QAA27836@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 30 Apr 2001 18:01:56 -0700 From: Mike Storie X-Sender: "Mike Storie" (Unverified) To: "David C. Jedlinsky" Subject: Re: FREE Set Pieces Content-Type: text/plain; charset=us-ascii Dear Dave, Sorry, the roulette table was the first thing to go. Good luck in finding a substitute. Mike Storie David C. Jedlinsky wrote: > > Hi Mike. > > I just saw the roulette wheel our props master came up with for our > production of The Grand Duke this weekend. It's only 12" in diameter, > and looks pretty small. > > Is the roulette table Seattle G&S is giving away still available? If > so, how big is it, and would it be at all feasible to try and ship it > to Massachusetts (at what cost)? > > Just a thought. I suppose I can live with a "model" wheel instead of > the full size thing. > > -Dave Jedlinsky > Stage Director, MIT's The Grand Duke > opus@mit.edu  1,, Summary-line: 1-May to: grand-duke@mit.edu, g [44] #Tuesday Rehearsal Schedule X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA26886; Tue, 1 May 2001 03:43:15 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA26219; Tue, 1 May 2001 03:47:45 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id DAA03144; Tue, 1 May 2001 03:47:44 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id DAA06175; Tue, 1 May 2001 03:47:44 -0400 (EDT) Date: Tue, 1 May 2001 03:47:44 -0400 (EDT) Message-Id: <200105010747.DAA06175@multics.mit.edu> From: "David C. Jedlinsky" To: grand-duke@mit.edu, gsp-cast@mit.edu, ejhanna@mit.edu Subject: Tuesday Rehearsal Schedule *** EOOH *** Date: Tue, 1 May 2001 03:47:44 -0400 (EDT) From: "David C. Jedlinsky" To: grand-duke@mit.edu, gsp-cast@mit.edu, ejhanna@mit.edu Subject: Tuesday Rehearsal Schedule As you are no doubt aware, we have run into a few technical difficulties which has pushed our rehearsals behind schedule. In the interests of salvaging what we can, and keeping open the ability to still have a final dress rehearsal, this is what we need to have happen at tonight's rehearsal. First off, we need the cast to be punctual and arrive at 6:00. You will have makeup and costumes to do, and we need to start the cue-to-cue quickly. We especially need Ernest, Julia, Ludwig, Lisa and Notary to be there right at 6:00. We will be starting the cue-to-cue with the end of #5 (with whatever cast members have arrived, and whatever costumes you have managed to get on, but it's not as important as being on stage), and finishing Act I, going right on with Act II. The Prince and Princess do not need to arrive until 9:00, but we'd like you to be there at that time for music work. The orchestra is still called for 7:00. They will be rehearsing in room 407 until about 9:00, when we will call for them. For one hour, cast and orchestra will rehearse various bits which need work, including #12 and #27. Emily, we need a couple people who can show up at 6:00 in Sala to set up the pit (percussion and lights); unfortunately, we cannot get the CAC music stands, so the G&S ones will have to travel between 407 and Sala. This is going to be a late night, but we absolutely MUST finish the entire cue-to-cue tonight, however long it takes. Therefore, we need to arrange for people with cars to volunteer to take those without cars home after the T stops running. Thank you for your patience. With an extra effort on all our parts, the show will come together and pay off all the hard work we've put into it. -Herr Direktor  1,, Summary-line: 1-May epeisach@zif.mit.edu [43] #Tidbits.... X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA06752; Tue, 1 May 2001 11:08:43 -0400 (EDT) Received: from zif.mit.edu (ZIF.MIT.EDU [18.79.1.54]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA25131 for ; Tue, 1 May 2001 11:13:22 -0400 (EDT) Received: (from epeisach@localhost) by zif.mit.edu (980427.SGI.8.8.8/980728.SGI.AUTOCF) id LAA56241; Tue, 1 May 2001 11:01:58 -0400 (EDT) Date: Tue, 1 May 2001 11:01:58 -0400 (EDT) Message-Id: <200105011501.LAA56241@zif.mit.edu> From: Ezra Peisach To: gsp-prod@mit.edu Subject: Tidbits.... *** EOOH *** Date: Tue, 1 May 2001 11:01:58 -0400 (EDT) From: Ezra Peisach To: gsp-prod@mit.edu Subject: Tidbits.... This is a partial status update for those not there last night a) Last nights cue-to-cue did not finish. For tonights rehersal, cue-to-cue will continue. The orchestra will meet update stairs (can't remember room on fourth floor) until 9pm - at which point they relocate to Sala to work with cast on #12 (I think). Cue-to-cue will then continue. b) As tonight will likely run past the time that the MBTA stops serving - various prod-staff members have agreed to drive people home. Essentially, the leads are the critical component for the cue-to-cue - but we need most of the chorus to stay until the end - if a few need to leave - that was judged ok. c) In Sala today - Andy will be painting parts of the set. Last night Robert painted the floor. If you are available during the day - contact Andy who could tell you what needs to be done. (Dutching was done last night and alot of touch up is needed). d) There is a list of things that need to get done in Sala. Ruth, Larry and myself will recognize it. If something is missing - we need to add to the list less we forget something. e) I believe all stairs are attached. Larry was putting up the 5' perch stairs last night. f) I expect german's and butterflies to arrive today - audience assemblage will take place Wednesday - hopefully before rehersal - I am in charge of this. g) For tonight (not sure if on the list) the downstage flat in front of the orchestra needs to be in place by about 7pm. (This is the one behind the chair for the kibbitzer). h) I will know in a few hours what time I can get to Sala.... Ezra  1, answered,, Summary-line: 1-May to: gsp-prod@mit.edu, gra [24] #Tech review X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA18786; Tue, 1 May 2001 14:51:38 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA26337; Tue, 1 May 2001 14:56:21 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA04087; Tue, 1 May 2001 14:56:20 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id OAA11325; Tue, 1 May 2001 14:56:20 -0400 (EDT) Date: Tue, 1 May 2001 14:56:20 -0400 (EDT) Message-Id: <200105011856.OAA11325@multics.mit.edu> From: "David C. Jedlinsky" To: gsp-prod@mit.edu, grand-duke@mit.edu, s_camden@hotmail.com Subject: Tech review *** EOOH *** Date: Tue, 1 May 2001 14:56:20 -0400 (EDT) From: "David C. Jedlinsky" To: gsp-prod@mit.edu, grand-duke@mit.edu, s_camden@hotmail.com Subject: Tech review Okay, here's one more monkey wrench for y'all. The Tech reviewer wants to come to tonight's rehearsal, or tomorrow's. Obviously, we know what to tell him about tonight. However, how do people feel about getting the one and only dress rehearsal reviewed? Pros: The review will come out on Friday, before the show closes. Cons: We may not be ready, and we'll get a sucky review. Opinions? -Dave  1,, Summary-line: 1-May great_pumpkin74@yahoo.com [116] #Re: Tonight X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA15876; Tue, 1 May 2001 15:36:52 -0400 (EDT) Received: from web3702.mail.yahoo.com (web3702.mail.yahoo.com [204.71.203.131]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id PAA02157 for ; Tue, 1 May 2001 15:41:31 -0400 (EDT) Message-ID: <20010501194131.13965.qmail@web3702.mail.yahoo.com> Received: from [146.243.118.50] by web3702.mail.yahoo.com; Tue, 01 May 2001 12:41:31 PDT Date: Tue, 1 May 2001 12:41:31 -0700 (PDT) From: David Daly Subject: Re: Tonight To: "David C. Jedlinsky" In-Reply-To: <200105011819.OAA10990@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Tue, 1 May 2001 12:41:31 -0700 (PDT) From: David Daly Subject: Re: Tonight To: "David C. Jedlinsky" In-Reply-To: <200105011819.OAA10990@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Hello David, Thank you for your message. I am relieved to hear we are not planning to attempt a full dress rehearsal after the finish of cue-to-cue tonight, which is what I had construed from the previous message. I have no problem in staying to midnight(ish), but any later is stretching the limits of health/sanity for me. I was worried that a concerted push would be made on the cast to stay "as late as it takes" a phrase I heard bandied about last night concerning tonight's work. I am glad to know that an attempt will be made to get out at a reasonable hour, though I know that nothing can be promised, of course. Thank you for clarifying the situation, and I will speak with you tonight. Sincerely, Dave Daly --- "David C. Jedlinsky" wrote: > > Dave, > > We are trying as hard as we can to balance a lot of > factors in order > to put on the best show possible. This definitely > includes cast > sanity, health and alertness. > > Let me explain in more detail what we anticipate the > schedule to be > over the next two days. I hope this will help ease > a bit of your > anxiety over this, though I know it won't completely > erase it. > > We absolutely have to have two things before opening > night: a complete > cue-to-cue, and a final dress rehearsal with > orchestra. Tonight, we > are trying to start the cue-to-cue as close to 6:00 > as possible, > because it will take many hours just to finish it. > If you cannot be > there at that time, I will stand in for you until > you arrive, if that > will help Joel. > > At or around 9:00, the lighting crew will take a > break, and take care > of whatever issues they can handle without the cast; > the orchestra > will come down from room 407, and we'll run "problem > scenes" for up > to, but not more than, one hour. We will then > continue the cue-to-cue > until it is complete. We do not plan on having a > full dress rehearsal > tonight, because the schedule as I've described will > already run until > 12 or 1:00. > > Assuming we have a complete cue-to-cue, tomorrow's > rehearsal will go > on as scheduled. It is final dress, cast call at 6, > downbeat at 8, > nonstop, with a finish around 11:30 (estimated). > There will be a > small audience in attendance, and probably the Tech > reviewer, too. > > The people on the technical side of things are > working as hard as they > can to finish everything as quickly as possible, so > that this revised > schedule can happen. All technical issues will be > resolved tonight, > or else we will have to figure out how to work > around them as is. > > Please speak to me tonight as soon as it is feasible > about your > specific situation, and we can come up with a > solution which will best > balance all the factors involved. > > Be assured we are not out to have an all-night > rehearsal simply > because it is "fun". Everyone is already strung > out, and would > welcome more chances for sleep. We are constantly > re-evaluating what > things can be dropped in order to allow people to go > home at a less > unreasonable time. If we only get half an hour with > the orchestra > tonight because cue-to-cue is taking longer than > anticipated, then > we'll shorten that and hope to cover the slack with > the final dress. > > -Dave > __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1,, Summary-line: 1-May tabaqui@uspowersolutions. [49] #RE: Tuesday Rehearsal Schedule X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA17681; Tue, 1 May 2001 15:37:17 -0400 (EDT) Received: from uspsmail.uspowersolutions.com (wks3.uspowersolutions.com [204.192.110.3] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA14305; Tue, 1 May 2001 15:39:53 -0400 (EDT) Received: by uspsmail.uspowersolutions.com with Internet Mail Service (5.5.2653.19) id <2LD5YHDJ>; Tue, 1 May 2001 15:30:33 -0400 Message-ID: From: "Morrison, Robert" To: "'David C. Jedlinsky'" , "'grand-duke@mit.edu'" Subject: RE: Tuesday Rehearsal Schedule Date: Tue, 1 May 2001 15:30:32 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain *** EOOH *** From: "Morrison, Robert" To: "'David C. Jedlinsky'" , "'grand-duke@mit.edu'" Subject: RE: Tuesday Rehearsal Schedule Date: Tue, 1 May 2001 15:30:32 -0400 Content-Type: text/plain Davie said this morning that Concert Band has the yellow box of wire stands, so we wont have them. which probably means we'll have to shuttle black stands up and down to/from 407. -rob -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Tuesday, May 01, 2001 2:39 PM To: ejhanna@MIT.EDU; gsp-prod@MIT.EDU Subject: Re: Tuesday Rehearsal Schedule Hi Emily. The orchestra is only called to 11:00; we're not doing a full dress rehearsal tonight. We need the following to happen from your perspective: At 6:00, the percussion, chairs, and lights need to get put into the pit. The stands need to go to room 407, and that room needs to get set for an orchestra-only rehearsal. Yes, I know that means there won't be any percussion in 407. If that's really a problem, let me know, and we can see if there's another way we can arrange things. We have to be quiet during the cue-to-cue, so we can't have the whole orchestra setting things up before 9:00 in Sala. Orchestra call is at 7:00, I believe. They should go to 407, and work on things with Jen until we call for them, around 9:00. Around 9:00, the orchestra will bring their stands and instruments to Sala, and we will work on specific numbers with the cast, such as #12 and #27. We are hoping to have an hour for that, but it will be flexible, based on the progress of the cue-to-cue. I don't know if Jen will send the orchestra home after this block of time, or if she wants to work anything else. -Dave  1,, Summary-line: 1-May lcs@MIT.EDU [16] #outer set-shop door lock is a Tar Baby X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA08894; Tue, 1 May 2001 15:42:20 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA24168; Tue, 1 May 2001 15:46:48 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA07501; Tue, 1 May 2001 15:46:47 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id PAA24561; Tue, 1 May 2001 15:46:44 -0400 (EDT) Date: Tue, 1 May 2001 15:46:44 EDT From: Larry Stone Reply-To: To: sao@MIT.EDU, gsp-prod@MIT.EDU, gsp-ec@MIT.EDU, JWvdM@MediaOne.net, vandj@pegasystems.com, mtg@MIT.EDU Subject: outer set-shop door lock is a Tar Baby Message-ID: *** EOOH *** Date: Tue, 1 May 2001 15:46:44 EDT From: Larry Stone Reply-To: To: sao@MIT.EDU, gsp-prod@MIT.EDU, gsp-ec@MIT.EDU, JWvdM@MediaOne.net, vandj@pegasystems.com, mtg@MIT.EDU Subject: outer set-shop door lock is a Tar Baby Today Andy got his key stuck in the outder door (the one from b50 hall) to the set shop; the lock cylinder wouldn't let the key back out even when it was in the right position. I finally pried it out with pliers, and checked that the same thing happened with my original key. I've phoned it in to phys plant and they say they'll get a locksmith over today to fix it, but meanwhile beware! -- Larry  1,, Summary-line: 1-May lcs@MIT.EDU [18] #sala ETA for me X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA00800; Tue, 1 May 2001 15:48:43 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA25582; Tue, 1 May 2001 15:53:26 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA07951; Tue, 1 May 2001 15:53:26 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id PAA24595; Tue, 1 May 2001 15:53:26 -0400 (EDT) Date: Tue, 1 May 2001 15:53:26 EDT From: Larry Stone Reply-To: To: ezra@MIT.EDU, opus@MIT.EDU Subject: sala ETA for me Message-ID: *** EOOH *** Date: Tue, 1 May 2001 15:53:26 EDT From: Larry Stone Reply-To: To: ezra@MIT.EDU, opus@MIT.EDU Subject: sala ETA for me i'm about to go to a major I/S meeting. can't tell exactly when i'll get out but prob by 5:30 or 6, at which time i'll head to sala as soon as possible. do not try to assemble the rotator without me; it's missing some hardware and of course clue, since some of the plan is not written down anywhere. i hope i can get it together in about an hour, since i've done some prep. there's plenty of other stuff on the list with which to stay busy; rachel and jean were working on the set when i left. -- Larry  1,, Summary-line: 1-May ejhanna@MIT.EDU [23] #Re: Tuesday Rehearsal Schedule X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA09159; Tue, 1 May 2001 16:05:45 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28659 for ; Tue, 1 May 2001 16:10:29 -0400 (EDT) Received: from nerd-xing.mit.edu (NERD-XING.MIT.EDU [18.184.0.47]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA08980 for ; Tue, 1 May 2001 16:10:28 -0400 (EDT) Received: (from ejhanna@localhost) by nerd-xing.mit.edu (8.9.3) id QAA16688; Tue, 1 May 2001 16:10:28 -0400 (EDT) Message-Id: <200105012010.QAA16688@nerd-xing.mit.edu> To: "David C. Jedlinsky" Subject: Re: Tuesday Rehearsal Schedule In-Reply-To: Your message of "Tue, 01 May 2001 16:02:42 EDT." <200105012002.QAA12097@multics.mit.edu> Date: Tue, 01 May 2001 16:10:27 -0400 From: Emily J Hanna *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Tuesday Rehearsal Schedule In-Reply-To: Your message of "Tue, 01 May 2001 16:02:42 EDT." <200105012002.QAA12097@multics.mit.edu> Date: Tue, 01 May 2001 16:10:27 -0400 From: Emily J Hanna Actually, the percussionist backed out... However, I seem to have gotten a piccolo for Saturday night. So, it evens out. And, hopefully, I'll be able to get some bargain wind players with the $100 Garry said I could spend... I did get the email. I've had some success getting people from Harvard, since I was able to ask people in person during Utopia rehearsals. I'm glad you asked, though, because I should email Sudburry... Anyways, thanks. --Emily Hanna  1,, Summary-line: 1-May to: savoynet@bridgewater. [36] #Instrumentalists needed for MIT's Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA13391; Tue, 1 May 2001 16:13:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28156 for ; Tue, 1 May 2001 16:18:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA17005; Tue, 1 May 2001 16:17:04 -0400 (EDT) Date: Tue, 1 May 2001 16:17:04 -0400 (EDT) Message-Id: <200105011954.PAA11990@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Instrumentalists needed for MIT's Grand Duke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 1 May 2001 16:17:04 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Instrumentalists needed for MIT's Grand Duke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The MIT Gilbert and Sullivan Players are looking for a few more instrumentalists to fill out the orchestra for this weekend's performances of "The Grand Duke" at MIT in Cambridge, Massachusetts. If you would like to play, or know someone who can help out, please contact Emily Hanna at "ejhanna@mit.edu". Performance dates and times are: Thursday, May 3, 8pm (orchestra call is 7pm) Friday, May 4, 8pm (orchestra call is 7pm) Saturday, May 5, 2pm (orchestra call is 1pm) and 8pm (orchestra call is 7pm) Sunday, May 6, 2pm (orchestra call is 1pm) Instruments needed: Bassoon Flute/Piccolo (Saturday night only) Violin Trombone (Saturday afternoon only)  1, forwarded,, Summary-line: 1-May luna@MIT.EDU [41] #Re: G&S dress rehearsal X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA01657; Tue, 1 May 2001 19:57:02 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA10195; Tue, 1 May 2001 20:01:45 -0400 (EDT) Received: from luna.mit.edu (h002078157b09.ne.mediaone.net [66.31.88.184]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id UAA08649; Tue, 1 May 2001 20:01:44 -0400 (EDT) Message-Id: <4.3.2.7.2.20010501200135.00a91100@po14.mit.edu> X-Sender: luna@po14.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Tue, 01 May 2001 20:03:06 -0400 To: From: Lost in Space Subject: Re: G&S dress rehearsal Cc: opus@mit.edu In-Reply-To: <20010501201310.10321.cpmta@c000.snv.cp.net> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: luna@po14.mit.edu (Unverified) Date: Tue, 01 May 2001 20:03:06 -0400 To: From: Lost in Space Subject: Re: G&S dress rehearsal Cc: opus@mit.edu In-Reply-To: <20010501201310.10321.cpmta@c000.snv.cp.net> Content-Type: text/plain; charset="us-ascii"; format=flowed Hi Erika - (by the way - is this aero/astro Erika?) I'm actually only a choreographer for one of the many dance numbers in the show - the correct person to speak with is probably Dave J. the director - who I've copied on this email - I would imagine that they would be delighted to have photographers for the show, but hopefully you'll also hear that from him! Steph %) At 01:13 PM 5/1/01 -0700, you wrote: >hi stephanie, >my name is erika brown and i am a photographer with the Tech. >we'd like to try to send someone out to shoot your dress rehearsal for G&S >this week if you could provide a time and location. > >thanks, > elb > >============================================== >"there was a star danced, > and under that was I born." > -william shakespeare > >erika brown >elb@mit.edu ; eureka@space.com >MIT Man-Vehicle Lab (617) 258-9730 >Vanderbilt University BE '00, E.I.T. >http://www.mit.edu/~elb/index.htm > > >___________________________________________________________________ >Join the Space Program: Get FREE E-mail at http://www.space.com.  1,, Summary-line: 2-May ejhanna@MIT.EDU [92] #Someone's ticket reservation... X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA20774; Wed, 2 May 2001 14:19:51 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA12153 for ; Wed, 2 May 2001 14:24:34 -0400 (EDT) Received: from nerd-xing.mit.edu (NERD-XING.MIT.EDU [18.184.0.47]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA00495 for ; Wed, 2 May 2001 14:24:34 -0400 (EDT) Received: (from ejhanna@localhost) by nerd-xing.mit.edu (8.9.3) id OAA13864; Wed, 2 May 2001 14:24:34 -0400 (EDT) Message-Id: <200105021824.OAA13864@nerd-xing.mit.edu> To: gsp-prod@MIT.EDU Subject: Someone's ticket reservation... Date: Wed, 02 May 2001 14:24:34 -0400 From: Emily J Hanna *** EOOH *** To: gsp-prod@MIT.EDU Subject: Someone's ticket reservation... Date: Wed, 02 May 2001 14:24:34 -0400 From: Emily J Hanna Don't know how I ended up getting this. I imagine, though, the proper person should get the message. ------- Forwarded Message Return-Path: Received: from fort-point-station.mit.edu by po14.mit.edu (8.9.2/4.7) id OAA19481; Wed, 2 May 2001 14:03:16 -0400 (EDT) Received: from rly-ip02.mx.aol.com (rly-ip02.mx.aol.com [152.163.225.160]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA20502 for ; Wed, 2 May 2001 13:58:27 -0400 (EDT) Received: from tot-wj.proxy.aol.com (tot-wj.proxy.aol.com [205.188.198.1]) by rly-ip02.mx.aol.com (8.8.8/8.8.8/AOL-5.0.0) with ESMTP id NAA23799 for ; Wed, 2 May 2001 13:57:13 -0400 (EDT) Received: from oemcomputer (AC83BE9A.ipt.aol.com [172.131.190.154]) by tot-wj.proxy.aol.com (8.10.0/8.10.0) with SMTP id f42HvBB07356 for ; Wed, 2 May 2001 13:57:12 -0400 (EDT) Message-ID: <002401c0d331$a2503e80$9abe83ac@oemcomputer> From: "Brad Kenney" To: Subject: the Grand Duke Date: Wed, 2 May 2001 13:59:26 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0021_01C0D310.198A37C0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 X-Apparently-From: Davidsimone@cs.com This is a multi-part message in MIME format. - ------=_NextPart_000_0021_01C0D310.198A37C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I would like to obtain two tickets for tomorrow evening's performance of = the Grand Duke... Please advise if there are seats available and directions to the = theatre... If I have reached you in error - please pass onto the correct person if = possible. Many Thanks Brad Kenney - ------=_NextPart_000_0021_01C0D310.198A37C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I would like to obtain two tickets for tomorrow = evening's=20 performance of the Grand Duke...
 
Please advise if there are seats available and = directions to=20 the theatre...
 
If I have reached you in error - please pass onto = the correct=20 person if possible.
 
Many Thanks
 
Brad Kenney
- ------=_NextPart_000_0021_01C0D310.198A37C0-- ------- End of Forwarded Message  1,, Summary-line: 2-May raeburn@raeburn.org [12] #ticket reservation for Friday night X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA04323; Wed, 2 May 2001 15:20:11 -0400 (EDT) Received: from raeburn.org (146-115-120-83.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com [146.115.120.83]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA22980; Wed, 2 May 2001 15:24:55 -0400 (EDT) Received: from kal-el.raeburn.org (root@kal-el.raeburn.org [18.101.0.230]) by raeburn.org (8.8.8/8.6.9) with ESMTP id PAA01792; Wed, 2 May 2001 15:24:50 -0400 (EDT) Received: (from raeburn@localhost) by kal-el.raeburn.org (8.9.3/8.8.7) id PAA00742; Wed, 2 May 2001 15:24:49 -0400 Date: Wed, 2 May 2001 15:24:49 -0400 Message-Id: <200105021924.PAA00742@kal-el.raeburn.org> From: Ken Raeburn To: gsp-tickets@mit.edu Cc: opus@mit.edu, rls@dimins.com Subject: ticket reservation for Friday night *** EOOH *** Date: Wed, 2 May 2001 15:24:49 -0400 From: Ken Raeburn To: gsp-tickets@mit.edu Cc: opus@mit.edu, rls@dimins.com Subject: ticket reservation for Friday night If there isn't a reservation for one ticket for Dennis Jedlinsky for Friday night, please make one. Put it down as Ruth's comp ticket, if possible; otherwise, general public. (Ruth and Dave aren't online at the moment, so they asked me to send this in.) Ken  1,, Summary-line: 2-May lcs@defiant.mit.edu [24] #state of set X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA00359; Wed, 2 May 2001 16:37:18 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA10951; Wed, 2 May 2001 16:42:03 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA02279; Wed, 2 May 2001 16:40:36 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id QAA25477; Wed, 2 May 2001 16:40:36 -0400 (EDT) Date: Wed, 2 May 2001 16:40:36 EDT From: Larry Stone To: ezra@MIT.EDU, opus@MIT.EDU Subject: state of set Message-ID: *** EOOH *** Date: Wed, 2 May 2001 16:40:36 EDT From: Larry Stone To: ezra@MIT.EDU, opus@MIT.EDU Subject: state of set i stopped in sala before work and got some more things together: - the rolling chair in the "theater" interior is in place, its casters are aligned so it rolls wiht the rotater w/o too much squealing (imagine a red line train pulling into harvard, at first). bad news is i had to bolt it to the set; the rope trick was just not gonna work, no time to explain here. the shelf is hung in theater interior. there's a magnetic catch on the door. i also added a "docking clamp" to the door flat so it can be locked to the floor, but this means the techie running it *MUST* be trained to use that and make sure it's released before trying to rotate -- failure to do that will destroy the rotator. steph got the notary door swinging and put in a gravity hinge to keep it closed. i'll try to get back for a while by 6;00.. /lcs  1,, Summary-line: 2-May lcs@defiant.mit.edu [10] #chair in theater interior X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22317; Wed, 2 May 2001 16:42:15 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA11587; Wed, 2 May 2001 16:47:00 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA02857; Wed, 2 May 2001 16:42:06 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id QAA25486; Wed, 2 May 2001 16:42:06 -0400 (EDT) Date: Wed, 2 May 2001 16:42:06 EDT From: Larry Stone To: ezra@mit.edu, opus@mit.edu Subject: chair in theater interior Message-ID: *** EOOH *** Date: Wed, 2 May 2001 16:42:06 EDT From: Larry Stone To: ezra@mit.edu, opus@mit.edu Subject: chair in theater interior obtw, in case it wasn't clear in my last message, "boted to the wall" means the chair in the theater interior CANNOT be removed to have an actor get behind it. sorry, there isn't time for everything. /lcs  1,, Summary-line: 2-May rwmorris@belegost.mit.edu [19] #opening night reception X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA26050; Wed, 2 May 2001 17:57:45 -0400 (EDT) Received: from belegost.mit.edu (IDENT:root@BELEGOST.MIT.EDU [18.244.0.114]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA02393 for ; Wed, 2 May 2001 17:56:59 -0400 (EDT) Received: (from rwmorris@localhost) by belegost.mit.edu (8.9.3/8.9.3) id RAA14168; Wed, 2 May 2001 17:56:42 -0400 Date: Wed, 2 May 2001 17:56:42 -0400 Message-Id: <200105022156.RAA14168@belegost.mit.edu> X-Authentication-Warning: belegost.mit.edu: rwmorris set sender to rwmorris@belegost.mit.edu using -f From: Rob Morrison To: mccall@ai.mit.edu Cc: grand-duke@mit.edu Subject: opening night reception *** EOOH *** Date: Wed, 2 May 2001 17:56:42 -0400 X-Authentication-Warning: belegost.mit.edu: rwmorris set sender to rwmorris@belegost.mit.edu using -f From: Rob Morrison To: mccall@ai.mit.edu Cc: grand-duke@mit.edu Subject: opening night reception I believe the reception is in 491, not 407, but i'll make sure. 11:30pm sounds about right, but again I'll veriffy. There will be a handful of folk who will help set up during the show (and they'll probably start early) I'll make sure we get 2-3 nice large tables. Thanks for everything, Oh, and my phone # is (617) 828-2437 if you wish to get in touch with me. -Robert  1,, Summary-line: 2-May xiphmont@MIT.EDU [29] #Monty and Proven's 'Household Turnover' Party X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA06534; Wed, 2 May 2001 22:32:58 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA12891; Wed, 2 May 2001 22:37:39 -0400 (EDT) Received: from dragon-slave.mit.edu (DRAGON-SLAVE.MIT.EDU [18.18.1.21]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id WAA24738; Wed, 2 May 2001 22:37:30 -0400 (EDT) Received: (from xiphmont@localhost) by dragon-slave.mit.edu (8.9.3) id WAA07333; Wed, 2 May 2001 22:37:30 -0400 (EDT) Message-Id: <200105030237.WAA07333@dragon-slave.mit.edu> To: sipb-soc@mit.edu, doom@mit.edu, cshiley@mit.edu, chope@mit.edu, fne@mit.edu, tory@greenwitch.com, zocalo@mit.edu, leira@mit.edu, mark@dimins.com, lxs@mit.edu, kcr@mit.edu Subject: Monty and Proven's 'Household Turnover' Party Date: Wed, 02 May 2001 22:37:29 -0400 From: Monty *** EOOH *** To: sipb-soc@mit.edu, doom@mit.edu, cshiley@mit.edu, chope@mit.edu, fne@mit.edu, tory@greenwitch.com, zocalo@mit.edu, leira@mit.edu, mark@dimins.com, lxs@mit.edu, kcr@mit.edu Subject: Monty and Proven's 'Household Turnover' Party Date: Wed, 02 May 2001 22:37:29 -0400 From: Monty It's not really a housewarming, but I am moving in. I'm back. Oooo, yay. And Steer Roast will be over, assuming that decided to face it this year. And maybe the movers will have delivered my stuff finally. But I'm not counting on it. Well, that means more room for beer. Come party and bring anyone extra you think should be here (whom I likely didn't have an email address for). Address: 95 Liberty Ave #2 Somerville, MA 02144 617 331 2549 It's about four blocks out of Davis Sq. T. W00t! Monty  1,, Summary-line: 2-May xiphmont@MIT.EDU [31] #Monty and Proven's 'Household Turnover' Party, this time with time X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA06412; Wed, 2 May 2001 22:42:27 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA13870; Wed, 2 May 2001 22:47:11 -0400 (EDT) Received: from dragon-slave.mit.edu (DRAGON-SLAVE.MIT.EDU [18.18.1.21]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id WAA09966; Wed, 2 May 2001 22:47:10 -0400 (EDT) Received: (from xiphmont@localhost) by dragon-slave.mit.edu (8.9.3) id WAA07447; Wed, 2 May 2001 22:47:10 -0400 (EDT) Message-Id: <200105030247.WAA07447@dragon-slave.mit.edu> To: sipb-soc@MIT.EDU, doom@MIT.EDU, cshiley@MIT.EDU, chope@MIT.EDU, fne@MIT.EDU, tory@greenwitch.com, zocalo@MIT.EDU, leira@MIT.EDU, mark@dimins.com, lxs@MIT.EDU, kcr@MIT.EDU Subject: Monty and Proven's 'Household Turnover' Party, this time with time Date: Wed, 02 May 2001 22:47:10 -0400 From: Monty *** EOOH *** To: sipb-soc@MIT.EDU, doom@MIT.EDU, cshiley@MIT.EDU, chope@MIT.EDU, fne@MIT.EDU, tory@greenwitch.com, zocalo@MIT.EDU, leira@MIT.EDU, mark@dimins.com, lxs@MIT.EDU, kcr@MIT.EDU Subject: Monty and Proven's 'Household Turnover' Party, this time with time Date: Wed, 02 May 2001 22:47:10 -0400 From: Monty For the record, I *did* ask Proven, "did I forget anything". Let's try this again.... SUNDAY, 5PM It's not really a housewarming, but I am moving in. I'm back. Oooo, yay. And Steer Roast will be over, assuming that decided to face it this year. And maybe the movers will have delivered my stuff finally. But I'm not counting on it. Well, that means more room for beer. Come party and bring anyone extra you think should be here (whom I likely didn't have an email address for). Address: 95 Liberty Ave #2 Somerville, MA 02144 617 331 2549 w00t w00t (It annoys mwhitson) Monty  1,, Summary-line: 3-May davie@MIT.EDU [35] #Sumo! X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA15275; Thu, 3 May 2001 01:47:52 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA23423 for ; Thu, 3 May 2001 01:52:37 -0400 (EDT) Received: from quickstation-3.mit.edu (QUICKSTATION-3.MIT.EDU [18.187.1.192]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA29847 for ; Thu, 3 May 2001 01:47:58 -0400 (EDT) Received: (from davie@localhost) by quickstation-3.mit.edu (8.9.3) id BAA08826; Thu, 3 May 2001 01:47:58 -0400 Message-Id: <200105030547.BAA08826@quickstation-3.mit.edu> To: grand-duke@MIT.EDU Subject: Sumo! Date: Thu, 03 May 2001 01:47:58 -0400 From: David E Euresti *** EOOH *** To: grand-duke@MIT.EDU Subject: Sumo! Date: Thu, 03 May 2001 01:47:58 -0400 From: David E Euresti ------- Forwarded Message Return-Path: Received: from central-city-carrier-station.mit.edu by po10.mit.edu (8.9.2/4.7) id QAA26914; Wed, 2 May 2001 16:03:28 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA01722 for ; Wed, 2 May 2001 16:04:15 -0400 (EDT) Received: from e51-075-9.mit.edu (E51-075-9.MIT.EDU [18.186.0.31]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA07994 for ; Wed, 2 May 2001 16:04:14 -0400 (EDT) Received: (from lucyzhao@localhost) by e51-075-9.mit.edu (8.9.3) id QAA11003; Wed, 2 May 2001 16:04:14 -0400 (EDT) Message-Id: <200105022004.QAA11003@e51-075-9.mit.edu> To: David E Euresti Subject: Re: Sumo Wrestling if rain In-Reply-To: Your message of "Wed, 02 May 2001 14:01:07 EDT." Date: Wed, 02 May 2001 16:04:14 -0400 From: Lucy R Zhao Hi David, I realize that our posters have said the event will be in La Sala in case of rain. that has been changed. Our new location will most likely be Rockwell. I apologize for the misunderstanding. Lucy Zhao ------- End of Forwarded Message  1,, Summary-line: 3-May lcs@MIT.EDU [19] #need to find ladder lock(s) X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA29742; Thu, 3 May 2001 05:28:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA27311 for ; Thu, 3 May 2001 05:33:10 -0400 (EDT) Received: from defiant.mit.edu (DEFIANT.MIT.EDU [18.18.1.78]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id FAA06992 for ; Thu, 3 May 2001 05:33:09 -0400 (EDT) Received: (from lcs@localhost) by defiant.mit.edu (8.9.3) id FAA26109; Thu, 3 May 2001 05:33:09 -0400 (EDT) Date: Thu, 3 May 2001 5:33:09 EDT From: Larry Stone Reply-To: To: gsp-prod@MIT.EDU Subject: need to find ladder lock(s) Message-ID: *** EOOH *** Date: Thu, 3 May 2001 5:33:09 EDT From: Larry Stone Reply-To: To: gsp-prod@MIT.EDU Subject: need to find ladder lock(s) Whoever randomized the tool corral in the process of moving it to the other end of sala: please find the lock for the ladders, either the new A**3 lock or the old one (which fits a key that I, at least, have, and so does ezra) and put it on the ladder chain NOW. The new one is a black master padlock, the old one is a silver & blue typical master lock. Neither lock is anywhere i can find, certainly not with the chain where it should have been. $600 worth of ladders are unlocked in sala. if this cannot be fixed TODAY they will have to be carted back and forth to the office until *another* new lock is purchased. your unhappy MC, /lcs  1,, Summary-line: 3-May epeisach@zif.mit.edu [34] #My schedule today.... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA24913; Thu, 3 May 2001 12:34:06 -0400 (EDT) Received: from zif.mit.edu (ZIF.MIT.EDU [18.79.1.54]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA06471 for ; Thu, 3 May 2001 12:38:51 -0400 (EDT) Received: (from epeisach@localhost) by zif.mit.edu (980427.SGI.8.8.8/980728.SGI.AUTOCF) id MAA89008; Thu, 3 May 2001 12:27:24 -0400 (EDT) Date: Thu, 3 May 2001 12:27:24 -0400 (EDT) Message-Id: <200105031627.MAA89008@zif.mit.edu> From: Ezra Peisach To: gsp-prod@mit.edu Subject: My schedule today.... *** EOOH *** Date: Thu, 3 May 2001 12:27:24 -0400 (EDT) From: Ezra Peisach To: gsp-prod@mit.edu Subject: My schedule today.... Clearly Larry stayed until very early this morning - and I cannot speak to what he finished - but most likely there is still more work to be done. I picked up the programs, bumble bee tape, and black gaffers. I also have a fan for West Lounge. I will be in Sala at 3:30. I will bring in the programs probably about 6pm - when I can bring a cart to my car - or get someone to help lug. Work that I expect to do will be to complete the audience. If someone is there before me - the first step will be to shim the 4x8 platforms in the front and attach them to each other. (Strapping in front). Next will be to attach chair guard rails to the butterflies and germans (if needed). These prevent a chair from sliding into the slot between platforms. For the butterflies - use clamps. I need to put the legs on the 1x8 platform - this will be a step next to the butterflies. Finally - safety rails go up and then chairs. I can be reached today at 781-775-0420.... Ezra  1,, Summary-line: 3-May ers66@juno.com [59] #Makeup for Tonight X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA06274; Thu, 3 May 2001 12:38:32 -0400 (EDT) Received: from m8.jersey.juno.com (m8.jersey.juno.com [64.136.16.71]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA17991 for ; Thu, 3 May 2001 12:43:13 -0400 (EDT) Received: from cookie.juno.com by cookie.juno.com for <"SwYtRBfNp1uocKASwr/TnQjgn38VGbvB6BmA04Hxo5U="> Received: (from ers66@juno.com) by m8.jersey.juno.com (queuemail) id F4JFB89N; Thu, 03 May 2001 12:42:02 EDT To: gsp-cast@mit.edu Date: Thu, 3 May 2001 12:48:14 -0400 Subject: Makeup for Tonight Message-ID: <20010503.124825.60.3.ers66@juno.com> X-Mailer: Juno 4.0.11 MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 2-3,8-9,15-16,22-23,31-32,34-35,37-40,43 X-Juno-Att: 0 X-Juno-RefParts: 0 From: "Elizabeth R. Stone" *** EOOH *** To: gsp-cast@mit.edu Date: Thu, 3 May 2001 12:48:14 -0400 Subject: Makeup for Tonight Content-Type: text/plain X-Juno-Line-Breaks: 2-3,8-9,15-16,22-23,31-32,34-35,37-40,43 X-Juno-Att: 0 X-Juno-RefParts: 0 From: "Elizabeth R. Stone" Greetings again! No-one else was available to do makeup tonight, so I will be the only makeup person on duty. Unfortunately, I have a 7 pm rehearsal, so I won't be around for some of the time you'll need me. I will be in the dressing room from 5 PM until 6:45 PM -- if you have questions or want help with your face (free straight line), show up as early as you can. I cannot promise to get to everyone before I have to go to my rehearsal, but I'll come back as soon as I can (prob. 9 ish) and continue helping out. A couple of notes: Remember those dippy Hummel figurines of cute German children? If you apply your rouge in a circular patch approx. under your eyes, you'll look like them -- which is actually desirable for this show. So park your sense of taste :-} for the duration. Men: yes, you too can wear rouge for this one -- it helps project that "healthy peasant" look. Men: eyeliner -- just an underline, even for the playing cards. EVERYONE: Please try to keep the mirrored table tidy. Keep the cups of water to a minimum, and pick up the trash constantly (qtips, tissues, sponges). Replace the makeup itself on the makeup table so that others can find it. You can use the brushes I've put out -- just clean them as you need to. A baby wipe/makeup wipe will do the trick if you're in a hurry. POWDER sets the makeup. If it's warm, or if you are using cream makeup, you MUST powder it to set it. Take the puff and press the powder into the makeup -- you should look like you've been hit with a sack of flour. Then take a big brush and brush off the excess. Help each other do this -- it can be hard to powder yourself if your eyes are sensitive. Women: if you use the cream eyeshadows (and you should -- blue or lavender, or just highlight), you must powder your eyelids! Apply eyeliner, mascara, and lipstick after you powder. I left 3 reference books on the mirror table on the end next to the wall -- use them to answer your questions when I'm not there. FInally: Have a wonderful show! Break many legs, merde a la triezieme puissance! Elizabeth --------------------------------------------- Baldrick, you wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle plans are here again!" -- Blackadder ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/tagj.  1,, Summary-line: 3-May pastark@mindspring.com [12] #Congratulations X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA21767; Thu, 3 May 2001 13:39:47 -0400 (EDT) From: Received: from hall.mail.mindspring.net (hall.mail.mindspring.net [207.69.200.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA10650 for ; Thu, 3 May 2001 13:44:05 -0400 (EDT) Received: from smui01.slb.mindspring.net (smui01.slb.mindspring.net [199.174.114.21]) by hall.mail.mindspring.net (8.9.3/8.8.5) with ESMTP id NAA11373 for ; Thu, 3 May 2001 13:44:02 -0400 (EDT) Received: by smui01.slb.mindspring.net id NAA0000017661; Thu, 3 May 2001 13:43:40 -0400 (EDT) Date: Thu, 03 May 2001 13:43:40 -0400 To: opus@mit.edu Subject: Congratulations Sender: pastark@mindspring.com Message-ID: X-Originating-IP: 24.91.194.117 *** EOOH *** From: Date: Thu, 03 May 2001 13:43:40 -0400 To: opus@mit.edu Subject: Congratulations Sender: pastark@mindspring.com X-Originating-IP: 24.91.194.117 Congratulations on opening THE GRAND DUKE. I'm very much looking forward to seeing it on Saturday afternoon. I hope it inaugurates a string of directorial successes for you. Best regards to Ruth. Peter.  1,, Summary-line: 3-May bryantk@digitlearn.org [32] #RE: Notes from Final Dress X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA24554; Thu, 3 May 2001 15:59:10 -0400 (EDT) Received: from dlgmail.digitlean.com (034-110.t1.ma.np1.net [64.61.34.110]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id QAA25679 for ; Thu, 3 May 2001 16:03:57 -0400 (EDT) Received: by DLGMAIL with Internet Mail Service (5.5.2653.19) id ; Thu, 3 May 2001 16:08:10 -0400 Message-ID: <916C3941A917D411B4700090275406593FB9CB@DLGMAIL> From: Katherine Bryant To: "'David C. Jedlinsky'" Subject: RE: Notes from Final Dress Date: Thu, 3 May 2001 16:08:09 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Katherine Bryant To: "'David C. Jedlinsky'" Subject: RE: Notes from Final Dress Date: Thu, 3 May 2001 16:08:09 -0400 Content-Type: text/plain; charset="iso-8859-1" Dave -- > #12 (Finale) > > Chorus: Entrance was a little early, hmm? My bad (I come in first downstage). Don't know what happened to my brain. > #17 (Your highness, there's a party at the door) > > Sheldon and Matt: Can you come down to the lower level group, instead > of being up top? There's too many people there, and not enough down > below. If you stay to the extreme left, you'll still fit in the > promenade at the proper place. The only thing you'll have to check is > when you'll need to turn on the "Tol the riddle lol". We're going to have to rethink the spins on the "tol the riddle lol" -- as it is, with the downstage group, there's exactly the right timing for us to spin once apiece. There won't be time for two more, so we'll have to pair up or something, in which case we'll be done early. Your call -- how'd you like us to handle it? see you tonight -- klb  1,, Summary-line: 3-May gnb@MIT.EDU [28] #Re: Notes from Final Dress X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA27895; Thu, 3 May 2001 16:06:11 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA07753 for ; Thu, 3 May 2001 16:09:30 -0400 (EDT) Received: from femoral (FEMORAL.MIT.EDU [18.55.0.92]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id QAA22747 for ; Thu, 3 May 2001 16:09:29 -0400 (EDT) Message-Id: <200105032009.QAA22747@melbourne-city-street.mit.edu> X-Sender: gnb@po14.mit.edu X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 Date: Thu, 03 May 2001 16:05:55 -0400 To: "David C. Jedlinsky" From: "Gregory N. Baker" Subject: Re: Notes from Final Dress In-Reply-To: <200105031955.PAA11447@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: gnb@po14.mit.edu Date: Thu, 03 May 2001 16:05:55 -0400 To: "David C. Jedlinsky" From: "Gregory N. Baker" Subject: Re: Notes from Final Dress In-Reply-To: <200105031955.PAA11447@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" >Ernest: The "fourth wall" comment is a little much. > >I know it was getting late by this time, but don't lose focus in the scene. > I know. I wanted to test the boundary's and gage your reaction. Can we discuss this tonight? Is the focus comment on that line or the scene in general? >Ernest: Give Julia your flower, or have a second bouquet to hand her. > >Julia: Stomp on it after he flirts. I was actually thinking ot doing this in the curtain call last night. Also: I developed a sore throat this morning. I think I'm sick, even after skipping most of work yesterday. Luckily the infection has not effected my speaking voice at all, so I should be okay with tea and Ricola and the like.  1,, Summary-line: 3-May CaptBike@sheldonbrown.com [35] #Re: Notes from Final Dress X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA06651; Thu, 3 May 2001 16:21:30 -0400 (EDT) Received: from albatross.prod.itd.earthlink.net (albatross.mail.pas.earthlink.net [207.217.120.120]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA04305 for ; Thu, 3 May 2001 16:26:15 -0400 (EDT) Received: from [10.0.1.6] (2Cust22.tnt7.bos2.da.uu.net [63.27.145.22]) by albatross.prod.itd.earthlink.net (EL-8_9_3_3/8.9.3) with ESMTP id NAA12512 for ; Thu, 3 May 2001 13:25:50 -0700 (PDT) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: In-Reply-To: <200105031955.PAA11447@multics.mit.edu> References: <200105031955.PAA11447@multics.mit.edu> Date: Thu, 3 May 2001 16:25:09 -0400 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Notes from Final Dress Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com In-Reply-To: <200105031955.PAA11447@multics.mit.edu> Date: Thu, 3 May 2001 16:25:09 -0400 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Notes from Final Dress Content-Type: text/plain; charset="us-ascii" ; format="flowed" David C. Jedlinsky wrote: > >#17 (Your highness, there's a party at the door) > >Sheldon and Matt: Can you come down to the lower level group, instead >of being up top? There's too many people there, and not enough down >below. If you stay to the extreme left, you'll still fit in the >promenade at the proper place. The only thing you'll have to check is >when you'll need to turn on the "Tol the riddle lol". Left? We're normally stage right, are you being deslixic again? Matt normally starts the pointing schtick, somebody else'll have to do that if we move down, I think... I don't have Matt's address handy, please Cc: him when you reply... All the best, Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 3-May aurora@MIT.EDU, warlord@M [90] #Springtime in Somerville: Time for a party. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA06540; Thu, 3 May 2001 19:37:56 -0400 (EDT) Received: from ihtfp.org (FLY-BY-NIGHT.IHTFP.ORG [204.107.200.5]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA07929; Thu, 3 May 2001 19:42:41 -0400 (EDT) Received: from rcn.ihtfp.org (me@ORANGE-TOUR.IHTFP.ORG [204.107.200.33]) by ihtfp.org (8.9.3/DAA19991208) with ESMTP id TAA13390 for ; Thu, 3 May 2001 19:41:31 -0400 Received: (from warlord@localhost) by rcn.ihtfp.org (8.9.3) id TAA22243; Thu, 3 May 2001 19:41:29 -0400 Date: Thu, 3 May 2001 19:41:29 -0400 Message-Id: <200105032341.TAA22243@rcn.ihtfp.org> To: warlord@MIT.EDU, aurora@MIT.EDU From: Heather , and Derek Subject: Springtime in Somerville: Time for a party. *** EOOH *** Date: Thu, 3 May 2001 19:41:29 -0400 To: warlord@MIT.EDU, aurora@MIT.EDU From: Heather , and Derek Subject: Springtime in Somerville: Time for a party. It's springtime. The flowers are blooming, the trees are growing, Haymarket has strawberries, and Indy loves you. So come, join us for snacks, chips, fruit, and chocolate, not to mention good company. Don't worry, we'll have plenty of munchies and drinks, and Indy and Roo will be here to share their love for all of you (they miss you!). Please let us know before 5pm on Friday the 18th if you plan to come, so we know how much food to get from Haymarket. Who: You, us, and the pets What: A Party (It's been a while!) Where: Sector 14; 6 Farragut Ave. Somerville. Directions to follow. Why: We haven't had one in too long, and we want to see you When: Saturday, May 19, 2000 7:30pm Allergy alert: We still have a dog and a cat (the cat sheds, the dog doesn't). We'll give them both a bath before the party, and we have plenty of benadryl. You have been warned. NOTE: If you'd like to bring someone who wasn't sent an invitation, please let us know before you invite them along. Thank you. Sector 14 Address: 6 Farragut Ave Somerville, MA 02144 617 623-0791 Directions to Sector 14: Via T: Take the Red Line to Davis Sq; exit at Holland Ave. Go left and walk down Holland Ave. You will pass Johnny D's, and a playground, the Somerville Parking Czars, and eventually you will reach a fire station at Broadway. This is Teele Sq; take a left onto Broadway and walk about 4 blocks. Farragut Ave is on the left, one block after Endicott. If you reach Garrison, you've gone too far (and are now closer to Abbe's than you are to mine). 6 Farragut is really close to Broadway, on the left side of the street. Via T/Bus: If you're really adventurous, you can take the bus: routes 87 or 88 out of Davis Sq. and into Teele Sq. Then just follow the directions above. Driving: Get to Teele Sq. Which is the corner of Broadway and Holland in Somerville. The other end of Holland is located in Davis Sq. If you come up Holland, take the left onto Broadway and follow it past the VFW and the Bank, then look for streets named Endicott and then Farragut. Farragut is one-way, in the right direction, so turn onto Farragut and park. Stickers are not required for parking on Farragut. If you are coming from Route 16, turn down Broadway (where you see Johnny's Foodmaster), pass the Mutual Gas station. Go two blocks and Farragut will be on your right, just after Garrison St. Take the right onto Farragut and park. The other direction down Broadway is Powderhouse square. Take Broadway from Powderhouse through Teele Sq and then follow the directions above. From MIT via Car: Take Vassar St. to Broadway, then turn right onto Hampshire St (at Draper Labs). Follow Hampshire St until it ends (actually, it changes names to Beacon St at Inman Sq.) at Somerville Ave. Just before Beacon St ends, you will cross a bridge over the train tracks; take a right at the light onto Somerville Ave. Then take a left at the Gulf Station onto Elm Street. Elm will pass Star and then take you to Davis Square. You will be forced to take a right (it's ok). The next street is Summer; pass that, then take a left onto Highland (straight is not an option). Stay in the right lane, on Highland, which will eventually turn into Holland after you pass Davis Square, and the Somerville Theater. Then follow the directions above. Via Starfury: If you can get a Starfury, we'll provide you an ample supply of directions. And we want a ride. See you there. If you have any questions, call us. -derek and heather PS: "woof" PPS: "meow"  1,, Summary-line: 4-May kcallen@fas.harvard.edu [26] #a suggestion X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA11252; Fri, 4 May 2001 01:11:59 -0400 (EDT) Received: from smtp3.fas.harvard.edu (IDENT:root@smtp3.fas.harvard.edu [140.247.30.83]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA29975; Fri, 4 May 2001 01:16:46 -0400 (EDT) Received: from is05.fas.harvard.edu (IDENT:kcallen@is05.fas.harvard.edu [140.247.30.105]) by smtp3.fas.harvard.edu with ESMTP id BAA26908 Received: by is05.fas.harvard.edu with ESMTP id BAA22753 Date: Fri, 4 May 2001 01:16:41 -0400 (EDT) From: Kenneth Allen To: opus@mit.edu cc: hhereman@mit.edu, ansleym@netzero.net Subject: a suggestion Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 4 May 2001 01:16:41 -0400 (EDT) From: Kenneth Allen To: opus@mit.edu cc: hhereman@mit.edu, ansleym@netzero.net Subject: a suggestion Content-Type: TEXT/PLAIN; charset=US-ASCII Hi, Dave! The show seems to be going excellently so far. Huzzah! Although it's very clever, would you mind terribly if we cut the Apollo/Diana (actually should be Greek Artemis, no?)/Phoebe bit? I think most people will shrug and wonder what we're doing; there's so much going on already. And I suspect that it detracts a bit from Steph's cool can-can. Sorry for the weird looks I gave you when you asked me to do this. I have to admit that I'm still not absolutely sure what you're aiming at! Part of my confusion comes from having already established that Elsa was my sweetheart. I don't mean to be difficult. It's up to you, of course. Your wish, our command! Ken  1,, Summary-line: 20-Apr rocky@rcracer.mv.com [23] #I found it X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA15897; Fri, 4 May 2001 01:31:55 -0400 (EDT) Received: from mercury.mv.net (root@mercury.mv.net [199.125.85.40]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA28355 for ; Fri, 4 May 2001 01:36:37 -0400 (EDT) Received: from rcracer (rcracer.mv.com [207.22.4.90]) by mercury.mv.net (8.8.8/mem-971025) with ESMTP id BAA14206; Fri, 4 May 2001 01:36:35 -0400 (EDT) Message-Id: <4.2.0.58.20010420023145.00b8aad0@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Fri, 20 Apr 2001 02:40:10 -0400 To: opus@MIT.EDU From: Rocky Cardalisco Subject: I found it Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: rcracer-ro@pop.mv.net Date: Fri, 20 Apr 2001 02:40:10 -0400 To: opus@MIT.EDU From: Rocky Cardalisco Subject: I found it Content-Type: text/plain; charset="us-ascii"; format=flowed Dave, I have had a few minutes to check things out at home and I finally found some charges I paid for during our trip to Florida in 1996. 3/2/96 US Air Tickets purchased at AAA to Orlando returning from Tampa for you and Ruth 2 tickets at $194 each for $368 10/11/96 Universal Tickets for you and Ruth at $32 each for $64 10/11/96 Seaworld Tickets for you and Ruth at $31.50 each for $63 9/18/96 Walt Disney fro you and Ruth at 263.50 each for $527 Total $1,022.00 Rocky  1,, Summary-line: 4-May jweiss@MIT.EDU [17] #Lego Mindstorm X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA15506; Fri, 4 May 2001 03:38:39 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA23820; Fri, 4 May 2001 03:43:26 -0400 (EDT) Received: from starbase.mit.edu (STARBASE.MIT.EDU [18.101.0.114]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id DAA28989; Fri, 4 May 2001 03:43:23 -0400 (EDT) Received: (from jweiss@localhost) by starbase.mit.edu (8.9.3) id DAA11177; Fri, 4 May 2001 03:43:25 -0400 (EDT) Message-Id: <200105040743.DAA11177@starbase.mit.edu> From: Jonathon Weiss To: rjbarbal@MIT.EDU, sesamest@MIT.EDU cc: opus@MIT.EDU Subject: Lego Mindstorm Date: Fri, 04 May 2001 03:43:25 -0400 Sender: jweiss@MIT.EDU *** EOOH *** From: Jonathon Weiss To: rjbarbal@MIT.EDU, sesamest@MIT.EDU cc: opus@MIT.EDU Subject: Lego Mindstorm Date: Fri, 04 May 2001 03:43:25 -0400 Sender: jweiss@MIT.EDU I seem to recall that you have some Lego Mindstorm stuff. Ruth, opus, and MITGSP would probably be really happy if they could borrow a, um, what did Ruth call it, um, thingy that can be used to rotate to a specific spot; for the set of the show that opened tonight. Anyhow, if you can figure out what I'm talking about and have one you're willing to lend, you should send opus mail (and if possible drop it in the SIPB office). Jonathon  1, answered,, Summary-line: 4-May rjbarbal@MIT.EDU [25] #Re: Lego Mindstorm X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA28746; Fri, 4 May 2001 10:10:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA14803; Fri, 4 May 2001 10:15:12 -0400 (EDT) Received: from starbase.mit.edu (STARBASE.MIT.EDU [18.101.0.114]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id KAA15546; Fri, 4 May 2001 10:15:12 -0400 (EDT) Received: (from rjbarbal@localhost) by starbase.mit.edu (8.9.3) id KAA15129; Fri, 4 May 2001 10:15:11 -0400 (EDT) Message-Id: <200105041415.KAA15129@starbase.mit.edu> To: opus@MIT.EDU Cc: rjbarbal@MIT.EDU, sesamest@MIT.EDU Cc: Jonathon Weiss Subject: Re: Lego Mindstorm In-reply-to: Your message of Fri, 04 May 2001 03:43:25 -0400. <200105040743.DAA11177@starbase.mit.edu> Date: Fri, 04 May 2001 10:15:10 -0400 From: "Richard J. Barbalace" *** EOOH *** To: opus@MIT.EDU Cc: rjbarbal@MIT.EDU, sesamest@MIT.EDU Cc: Jonathon Weiss Subject: Re: Lego Mindstorm In-reply-to: Your message of Fri, 04 May 2001 03:43:25 -0400. <200105040743.DAA11177@starbase.mit.edu> Date: Fri, 04 May 2001 10:15:10 -0400 From: "Richard J. Barbalace" Hi, Opus! > I seem to recall that you have some Lego Mindstorm stuff. Ruth, opus, > and MITGSP would probably be really happy if they could borrow a, um, > what did Ruth call it, um, thingy that can be used to rotate to a > specific spot; for the set of the show that opened tonight. Anyhow, > if you can figure out what I'm talking about and have one you're > willing to lend, you should send opus mail (and if possible drop it in > the SIPB office). I'm not sure what Jonathon means. Are you looking for a servo motor? I don't have one from mindstorms, but I think I have at least one (but you'd have to figure out how to use it). Or are you looking for something else? + Richard  1,, Summary-line: 4-May jmcdow@external.umass.edu [105] #GD auditions--western Mass. USA X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA23260; Fri, 4 May 2001 11:43:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA09589 for ; Fri, 4 May 2001 11:47:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA27669; Fri, 4 May 2001 11:46:51 -0400 (EDT) Date: Fri, 4 May 2001 11:46:51 -0400 (EDT) Message-Id: <5.0.2.1.0.20010504111748.009f8de0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmcdow@external.umass.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jacqueline Haney To: Multiple recipients of list SAVOYNET Subject: GD auditions--western Mass. USA Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_9644671==_.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Fri, 4 May 2001 11:46:51 -0400 (EDT) Reply-To: jmcdow@external.umass.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jacqueline Haney To: Multiple recipients of list SAVOYNET Subject: GD auditions--western Mass. USA Content-Type: multipart/alternative; boundary="=====================_9644671==_.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum --=====================_9644671==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed A reminder to any in the area who might be interested: Valley Light Opera will present THE GRAND DUKE November 2, 3, 4, 9 & 10 It will be a "traditional" production, with the high standards for which this group is known. Some cuts have been made to tighten up the action. Director is Jim Ellis--sometimes known as Dr. James Ellis, expert on The Bab Ballads, one of the group's founders. Music Director is Juli Holmes, who is VLO's first female director. GRAND DUKE auditions will be held: Saturday, May 5 (11 am to 4 pm) Sunday, May 6 (1 to 4 pm) at First Congregational Church, 165 Main Street, Amherst, MA. Auditioners for the chorus should prepare one verse of a song. Those trying for a principal role are asked to prepare a solo number for the character they hope to play, or any other G&S song in their range. They will also be asked to read some dialogue. There will be a small component of choreography in all auditions as well. VLO also needs volunteers for all aspects of behind the scenes action. Rehearsals are Tuesday, Thursday and Sunday evenings starting just after Labor Day. It's a wonderful group. For more information, including character sketches, check out our website at www.vlo.org. You can get in touch with Cami Elbow, coordinating producer by phone (413 549-0024) or email (celbow@external.umass.edu). Jacqueline Haney stage manager apologies if this went out in an incomplete manner earlier --=====================_9644671==_.ALT Content-Type: text/html; charset="us-ascii" A reminder to any in the area who might be interested:

Valley Light Opera will present THE GRAND DUKE November 2, 3, 4, 9 & 10

It will be a "traditional" production, with the high standards for which this group is known.  Some cuts have been made to tighten up the action.

Director is Jim Ellis--sometimes known as Dr. James Ellis, expert on The Bab Ballads, one of the group's founders.
Music Director is Juli Holmes, who is VLO's first female director.


GRAND DUKE auditions will be held:
Saturday, May 5 (11 am to 4 pm)
Sunday, May 6 (1 to 4 pm)
at First Congregational Church, 165 Main Street, Amherst, MA.

Auditioners for the chorus should prepare one verse of a song.  Those trying for a principal role are asked to prepare a solo number for the character they hope to play, or any other G&S song in their range.  They will also be asked to read some dialogue.  There will be a small component of choreography in all auditions as well.

VLO also needs volunteers for all aspects of behind the scenes action.  Rehearsals are Tuesday, Thursday and Sunday evenings starting just after Labor Day.  It's a wonderful group.

For more information, including character sketches, check out our website at www.vlo.org.
You can get in touch with Cami Elbow, coordinating producer by phone (413 549-0024) or email (celbow@external.umass.edu).


                                                          Jacqueline Haney
                                                            stage manager


apologies if this went out in an incomplete manner earlier --=====================_9644671==_.ALT--  1,, Summary-line: 4-May rjbarbal@MIT.EDU [12] #Re: Lego Mindstorm X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA14776; Fri, 4 May 2001 16:30:11 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA18841 for ; Fri, 4 May 2001 16:34:29 -0400 (EDT) Received: from starbase.mit.edu (STARBASE.MIT.EDU [18.101.0.114]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA09295 for ; Fri, 4 May 2001 16:34:29 -0400 (EDT) Received: (from rjbarbal@localhost) by starbase.mit.edu (8.9.3) id QAA16278; Fri, 4 May 2001 16:34:28 -0400 (EDT) Message-Id: <200105042034.QAA16278@starbase.mit.edu> To: "David C. Jedlinsky" Subject: Re: Lego Mindstorm In-reply-to: Your message of Fri, 04 May 2001 16:27:28 -0400. <200105042027.QAA25455@multics.mit.edu> Date: Fri, 04 May 2001 16:34:28 -0400 From: "Richard J. Barbalace" *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Lego Mindstorm In-reply-to: Your message of Fri, 04 May 2001 16:27:28 -0400. <200105042027.QAA25455@multics.mit.edu> Date: Fri, 04 May 2001 16:34:28 -0400 From: "Richard J. Barbalace" > I'm looking for a rotation sensor. The one I have doesn't seem to > count full rotations properly. Ah ok. I don't think I have one of those, but I'll look. + R  1,, Summary-line: 5-May kcallen@fas.harvard.edu [29] #no hard feelings X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA07448; Sat, 5 May 2001 00:49:34 -0400 (EDT) Received: from smtp4.fas.harvard.edu (IDENT:root@smtp4.fas.harvard.edu [140.247.30.84]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA24364 for ; Sat, 5 May 2001 00:54:21 -0400 (EDT) Received: from is07.fas.harvard.edu (IDENT:kcallen@is07.fas.harvard.edu [140.247.30.107]) by smtp4.fas.harvard.edu with ESMTP id f454sL732285; Sat, 5 May 2001 00:54:21 -0400 (EDT) Received: by is07.fas.harvard.edu with ESMTP id AAA01719; Sat, 5 May 2001 00:54:21 -0400 (EDT) Date: Sat, 5 May 2001 00:54:21 -0400 (EDT) From: Kenneth Allen To: opus@mit.edu Subject: no hard feelings Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Sat, 5 May 2001 00:54:21 -0400 (EDT) From: Kenneth Allen To: opus@mit.edu Subject: no hard feelings Content-Type: TEXT/PLAIN; charset=US-ASCII I apologize for storming away like that. I've been trying hard to maintain a postive attitude in spite of the frustrations I experienced as a choreographer for a cast that would rather not sing and dance at the same time--not to mention the levels and facings and space restraints and everything else. Good thing we're not doing CATS! So you can understand that your comment to Kate on top of the review really, really hurt. I can't tell you how much I wanted to abandon the produciton altogether. Or we could fight a statutory duel. ("He has insulted me . . . !") If I win, I take over direction of the show. :) Though I feel as if everyone hates me, I have to admit that it's been fun singing and acting in your production these past couple of nights. I'm unlikely to do this sort of thing ever again. The lively audience this evening made it all the more pleasurable. Congratulations, again, on such a well-received show. Ken  1,, Summary-line: 5-May DSMITH@umassd.edu [36] #The Grand Duke, MIT G&S Players, Cambridge, Massachusetts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA19086; Sat, 5 May 2001 21:25:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA29153 for ; Sat, 5 May 2001 21:26:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA13669; Sat, 5 May 2001 21:25:26 -0400 (EDT) Date: Sat, 5 May 2001 21:25:26 -0400 (EDT) Message-Id: <01K37W59PC9Y8WXZY4@umassd.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: The Grand Duke, MIT G&S Players, Cambridge, Massachusetts MIME-version: 1.0 Content-type: TEXT/PLAIN; CHARSET=us-ascii Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 5 May 2001 21:25:26 -0400 (EDT) Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: The Grand Duke, MIT G&S Players, Cambridge, Massachusetts Content-type: TEXT/PLAIN; CHARSET=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I will post a revue in due course, but since this show has one more performance to go - a Sunday Matinee at 2 p.m., I just want to say this: IF YOU ARE ANYWHERE WITHIN SPITTING DISTANCE OF CAMBRIDGE (MASSACHUSETTS), you will be grossly negligent if you do not see this show!!!!!!!! Without giving anything away, this is an energetic and enthusiastic production (based on the Seattle Grand Duke, splitting the show into three acts and using the Seattle score) but with many original ideas. After seeing the matinee today, I was *that* tempted to stay for the evening show also, and if not for some professional activities tomorrow ( and the prospects of seeing two other Grand Dukes this year), I resisted temptation. In one word: GO!!!!!!!!!! MIT G&S Players Sala di Puerto Rico Stratton Student Center Massachusetts Institute of Technology Sunday, May 6 at 2 p.m. (LAST CHANCE) Don Smith East Taunton, Mass.  1,, Summary-line: 5-May zacheiss@MIT.EDU [20] #Re: Fwd: video taping of Duke? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA08027; Sat, 5 May 2001 22:05:37 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA27510; Sat, 5 May 2001 22:10:20 -0400 (EDT) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id WAA07482; Sat, 5 May 2001 22:10:19 -0400 (EDT) Received: (from zacheiss@localhost) by hodge-podge.mit.edu (8.9.3) id WAA01214; Sat, 5 May 2001 22:10:19 -0400 (EDT) Message-Id: <200105060210.WAA01214@hodge-podge.mit.edu> To: Stephanie C Wang cc: grand-duke@MIT.EDU Subject: Re: Fwd: video taping of Duke? In-Reply-To: Your message of "Sat, 05 May 2001 01:09:00 EDT." <200105050509.BAA16046@melbourne-city-street.mit.edu> Date: Sat, 05 May 2001 22:10:19 -0400 From: Garry Zacheiss *** EOOH *** To: Stephanie C Wang cc: grand-duke@MIT.EDU Subject: Re: Fwd: video taping of Duke? In-Reply-To: Your message of "Sat, 05 May 2001 01:09:00 EDT." <200105050509.BAA16046@melbourne-city-street.mit.edu> Date: Sat, 05 May 2001 22:10:19 -0400 From: Garry Zacheiss I'm not sure I've ever had someone ask this before; we've certainly gotten the cast's permission to videotape them (it was on the audition form), but I'm not sure we want to deal with granting general permission for everyone to videotape the show. I think we should let Eric know that there'll be an official recording of the show that will be made available to the cast, and that we'd prefer he not take any footage himself. Thoughts? Garry  1,, Summary-line: 6-May pastark@mindspring.com [32] #Congratulations again! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA24117; Sun, 6 May 2001 00:08:09 -0400 (EDT) Received: from blount.mail.mindspring.net (blount.mail.mindspring.net [207.69.200.226]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA11153 for ; Sun, 6 May 2001 00:12:58 -0400 (EDT) Received: from [165.247.10.74] (user-2ive2ia.dialup.mindspring.com [165.247.10.74]) by blount.mail.mindspring.net (8.9.3/8.8.5) with ESMTP id AAA17596 for ; Sun, 6 May 2001 00:12:56 -0400 (EDT) User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 06 May 2001 00:14:24 -0400 Subject: Congratulations again! From: Peter Stark To: Opus Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 06 May 2001 00:14:24 -0400 Subject: Congratulations again! From: Peter Stark To: Opus Content-type: text/plain; charset="US-ASCII" David, I want to tell you again how much I enjoyed THE GRAND DUKE. The show was very entertaining, and you took material which can be excruciatingly difficult and made it work. (There's very little that is harder than arcane humor, but you made the show accessible and funny.) Bravo on your casting. Individual cast members had strengths and weaknesses, but overall they carried the show, which is what counts. Ernest was terrific, the Grand Duke was very funny and very good (I told him so, and I told him that I had played the role at MIT, and he looked scared and asked me how long ago... I told him not to worry, it was 7 years ago, not the 1901 production), Julia has a lovely voice and acted the part very well, Lisa was fine as a soubrette, the Advocate (name? Solicitor?) was terrific, the Baroness was very good (whatever her musical problems, she carried the role through well), ditto for the Prince of Monte Carlo. Ernest was indisposed, I gather, but he's very talented and if I hadn't heard him sing in rehearsal, I wouldn't have known -- he's a fine actor and has a very pleasing stage presence and persona, which is a wonderful quality in a comic actor. The pacing, the staging, everything about the show worked well. Bravo! Peter.  1,, Summary-line: 6-May VerilyIolanthe@aol.com [30] #Re: The Grand Duke, MIT G&S Players, Cambridge, Massachusetts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA04262; Sun, 6 May 2001 00:37:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA13250 for ; Sun, 6 May 2001 00:42:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA15800; Sun, 6 May 2001 00:41:15 -0400 (EDT) Date: Sun, 6 May 2001 00:41:15 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke, MIT G&S Players, Cambridge, Massachusetts MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows 95 sub 124 *** EOOH *** Date: Sun, 6 May 2001 00:41:15 -0400 (EDT) Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke, MIT G&S Players, Cambridge, Massachusetts Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have been recruited by the all-powerful Marion Leeds Carroll to write a proper review for NEGASS' Trumpet Bray, and will deliver in due course. Until that time, however, I wanted to send my kudos to the MIT G&S Players for a job SMASHINGLY well done. They had the daunting task of dealing with a most unpleasant piece of work, and their cast and crew made the best of it. It was LONG--about 3.5 hours running time, but worth most every moment. Special congratulations to Jonathan Weinstein as Rudolph the Grand Duke, who was spectacularly funny and hands-down my favorite performer. Also Ana Abir as Julia Jellicoe--the accent, the voice, the character--she had it all. Well, enough of me for now. ALL OF YOU! GET THYSELVES TO TOMORROW'S MATINEE IF YOU HAVE NOT YET HAD THE CHANCE. I am well aware that The Grand Duke is reputed to be awful as an operetta overall, but this performance is truly amazing. None of you New Englanders have any legitimate excuse to miss it. Emily F. Gouillart Concord, MA "No matter, no matter, if I can get at her, I doubt if her mother will know her again!"  1,, Summary-line: 7-May SSilvers@sskfg.com [57] #Re: The Qualification of Reviewers X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA09035; Mon, 7 May 2001 12:16:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA11768 for ; Mon, 7 May 2001 12:21:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA09869; Mon, 7 May 2001 12:20:29 -0400 (EDT) Date: Mon, 7 May 2001 12:20:29 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: The Qualification of Reviewers Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Mon, 7 May 2001 12:20:29 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: The Qualification of Reviewers Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum When I was performing G&S at The Barnard G&S Society, the unfortunately defunct G&S society at Columbia University, we had a student reviewer who would write reviews of our shows every semester for the "Spectator", the major newspaper at Columbia. He would always start the review with something like, "The Barnard G&S Society presented another one of the Gilbert and Sullivan period operas. . . ." He would then go on to conclude that Victorian theater, and G&S in particular, was essentially a waste of good theater space. I am very glad to hear that MIT's Grand Duke was so good, and congratulations to SavoyNetter Dave Jedlinsky, who directed. It sounds like he was willing to borrow from the Seattle production, which is very smart, since the Seattle production was excellent. I wonder whether, after seeing the MIT show, Emily really believes that, as she says, "They had the daunting task of dealing with a most unpleasant piece of work . . . I am well aware that The Grand Duke is reputed to be awful as an operetta overall. . . ." This does not seem consistent with her conclusion that "It was LONG. . . but worth most every moment." It would be surprising if a student theater group could pull off a "truly amazing" performance of "a most unpleasant piece of work." I happen to be brushing up Ludwig for the May 26 sing-in, and I am reminded how much I like the score (though I admit that the libretto is very cuttable). Anyhow, let's give Emily the benefit of the doubt and ask that in her review for The Trumpet Bray (whose readership, like that of SavoyNet's, would be expected to include a good number of Grand Duke fans), she keep an open mind with respect to the merits of Grand Duke and consider the possibility that this "amazing" performance was, in part, a result of the underlying soundness of the work, if well presented. Sam (who will be performing Jack Point in Yeomen on June 23 at the G&S Soc. of NY with, I believe, Emily's mom!)  1,, Summary-line: 7-May scwang@MIT.EDU [19] #Duke videos, administrivia, etc X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA09666; Mon, 7 May 2001 14:33:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17937; Mon, 7 May 2001 14:38:14 -0400 (EDT) Received: from quickstation-3.mit.edu (QUICKSTATION-3.MIT.EDU [18.187.1.192]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA21203; Mon, 7 May 2001 14:38:14 -0400 (EDT) Received: (from scwang@localhost) by quickstation-3.mit.edu (8.9.3) id OAA01410; Mon, 7 May 2001 14:38:14 -0400 Message-Id: <200105071838.OAA01410@quickstation-3.mit.edu> To: gsp-cast@MIT.EDU, gsp-orch@MIT.EDU, gsp-prod@MIT.EDU, kytsing@MIT.EDU, shmike@MIT.EDU Subject: Duke videos, administrivia, etc Date: Mon, 07 May 2001 14:38:14 -0400 From: Stephanie C Wang *** EOOH *** To: gsp-cast@MIT.EDU, gsp-orch@MIT.EDU, gsp-prod@MIT.EDU, kytsing@MIT.EDU, shmike@MIT.EDU Subject: Duke videos, administrivia, etc Date: Mon, 07 May 2001 14:38:14 -0400 From: Stephanie C Wang Greetings! Just wanted to say that it was a pleasure working with each and every one of you, and thanks for making my first time on stage such an enjoyable one :) If you would like to order a video of the Grand Duke, please send me an email with your name, email/phone, address, and quantity (even if you've already written it on the list). Starting at 2AM Tuesday morning, the list grand-duke@mit.edu will contain all the inhabitants of Pfennig Halbpfennig whether they were seen/heard or not. And all receipts for Grand Duke production, etc, are due in within the next two weeks. Lastly, get rest, it was fun, and hope to see you next term for HMS Pinafore! Yours, Steph.  1,, Summary-line: 7-May VerilyIolanthe@aol.com [51] #(My) Final Word on The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA01791; Mon, 7 May 2001 14:55:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA02684 for ; Mon, 7 May 2001 14:57:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA10232; Mon, 7 May 2001 14:56:30 -0400 (EDT) Date: Mon, 7 May 2001 14:56:30 -0400 (EDT) Message-Id: <20.162132a1.28284853@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: (My) Final Word on The Grand Duke MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows 95 sub 124 *** EOOH *** Date: Mon, 7 May 2001 14:56:30 -0400 (EDT) Reply-To: VerilyIolanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: VerilyIolanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: (My) Final Word on The Grand Duke Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum To All: I have received five or six rather annoyed responses to my note about "The Grand Duke," and for the sake of anyone else who was offended or dismissive about what I said, I thought I would expand on my own opinion. Watching "The Grand Duke" was depressing in that (for me) it did not have the same snappy wit and energetic writing that I love from the rest of the Gilbert and Sullivan oeuvre. I could not identify any one memorable song, and the few truly funny moments from the dialogue seemed torn from the pages of the other G&S operettas (the most blatant example being the REPETITION, for all intents and purposes, of the line from "The Gondoliers": "How very aggravating to feel that one is not equal to the intellectual pressure of a conversation"). The plot was overly ambitious, there were far more characters than necessary (or enjoyable, as far as I am concerned), and there are no characters that made me care about how everything turned out for them. Gilbert and Sullivan's characters are, in a sense, archetypes in that their simplest forms can be related to anyone that you or I would know. The characters in "The Grand Duke," however, feel more like sketches of the kind of character I'm accustomed to. As a result of this, I did not really care about their relationships. I am sorry that I caused such a stir and certainly have a heightened respect now for those who feel that "The Grand Duke" is every bit as worthy as any of Gilbert and Sullivan's other works. However, I stand by my own personal opinion that it is disappointing, especially in light of the masterpieces G&S churned out earlier in their career. As the MIT G&S Players demonstrated, however, it is not beyond the possibility of a successful performance. Thanks to those of you who took the time to write me, and my apologies again to those who were offended. I appreciate the opportunity to express my own views in the matter. Emily F. Gouillart Concord, MA "If I were not a little mad, and generally silly, I should give you my advice upon the subject willy-nilly!"  1,, Summary-line: 7-May hhereman@MIT.EDU [28] #Re: Opera glasses? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA05753; Mon, 7 May 2001 22:40:24 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA07961 for ; Mon, 7 May 2001 22:42:15 -0400 (EDT) Received: from the-road-to-insanity.mit.edu (THE-ROAD-TO-INSANITY.MIT.EDU [18.227.0.83]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id WAA05341 for ; Mon, 7 May 2001 22:39:43 -0400 (EDT) Message-Id: <4.3.2.7.2.20010507223740.021c25d0@hesiod> X-Sender: hhereman@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Mon, 07 May 2001 22:39:41 -0400 To: "David C. Jedlinsky" From: Hilde Heremans Subject: Re: Opera glasses? In-Reply-To: <200105072049.QAA23099@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: hhereman@hesiod (Unverified) Date: Mon, 07 May 2001 22:39:41 -0400 To: "David C. Jedlinsky" From: Hilde Heremans Subject: Re: Opera glasses? In-Reply-To: <200105072049.QAA23099@multics.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed The opera glasses made it safe and sound into the office. Along with the candles we found and the poly-fill stuffing that was left there. I was in the office tonight but I just received the e-mail. I don't know when I'll be in the office next but if Ruth wants to meet at a specific time, I could see if I could do that. Thanks for everything! Hilde At 04:49 PM 5/7/01 -0400, you wrote: >Hi Hilde. > >Ruth is wondering if the opera glasses made it back to the office, and >if so, can she pick them up tonight? > >Thanks. > >-Dave  1,, Summary-line: 8-May seppe_palmieri@altavista. [29] #Re: Arac's armor X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA13615; Tue, 8 May 2001 10:46:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA04214 for ; Tue, 8 May 2001 10:51:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA13730; Tue, 8 May 2001 10:50:02 -0400 (EDT) Date: Tue, 8 May 2001 10:50:02 -0400 (EDT) Message-Id: <20010508142806.8468.cpmta@c012.sfo.cp.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: Arac's armor Content-Type: text/plain Content-Disposition: inline Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Web Mail 3.9.1.6 *** EOOH *** Date: Tue, 8 May 2001 10:50:02 -0400 (EDT) Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: Arac's armor Content-Type: text/plain Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Tue, 08 May 2001, PSternenberg@aol.com wrote: > Even GRAND > DUKE, set specifically in 1750, has anachronisms such as dynamite and > Waterbury watches. I've heard this date before and it's always puzzled me where it comes from. Having performed in "Grand Duke" twice, I don't recall anything in the libretto that gives any indication of the time period. Is there a specific reference that I'm forgetting about, or was that date arrived at by some other means? David Michaels Chicago, IL, USA giuseppe_palmieri@altavista.com "Nothing is more annoying than to feel that you're not equal to the intellectual pressure of the conversation." Find the best deals on the web at AltaVista Shopping! http://www.shopping.altavista.com  1,, Summary-line: 8-May deebee@netspace.net.au [103] #Reviews and reviewers - long and opinionated X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA18071; Tue, 8 May 2001 10:49:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA18912 for ; Tue, 8 May 2001 10:54:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA14813; Tue, 8 May 2001 10:53:41 -0400 (EDT) Date: Tue, 8 May 2001 10:53:41 -0400 (EDT) Message-Id: <3AF7F843.5937296F@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Reviews and reviewers - long and opinionated MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Tue, 8 May 2001 10:53:41 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Reviews and reviewers - long and opinionated Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This whole topic began because I responded to a post which said the poster was going to review Grand Duke even though she knew it was an unpleasant piece. The SavoyNet banter since I have been a member (coming up to 5 years now) on the topic of the neglected operas is sporadic but continuous. Supporters of both Utopia as the better and GD as the better, love nothing more than to sling off at the other as if the other (whichever you think is the other of course) is of no value and the ONE (whichever ....) is something that Mozart and Shakespeare combined could not have improved upon. So as a GD lover I responded in that vein. If anyone took me too seriously I apologise for not having been heavier in my sarcasm! I have also been in touch with the original poster and I must say I am delighted that 18 year olds are spending time thinking about and writing about G&S and this one appears to be intelligent, articulate and pleasant - a worthy young person to carry the torch as we fade into our old age, decline and die (Yes that's also tongue in cheek - I have no intention of doing any such thing. I forget who it was that said "Die is the last thing I intend to do" but he or she was right). The responses to the post developed into critiques of reviewers, who they should be and how they should operate. My thanks to the kind people who suggested that I am qualified and I agree that all reviewers had to begin somewhere and probably wrote bad reviews when they started out, in fact sometimes I still do. FWIW, I was a theatre critic for around 17 years and during that time I saw an average of 150 performances a year (theatre, musicals, opera, ballet, circus, cabaret and other uncatagorisable presentations). I did some print media but was mainly on radio (where you don't have to spell!). Of course I also met a lot of other reviewers during that time. Some were journalists i.e. professional writers who could write on any topic the editor sent them to whether they knew anything about it or not (one "did" theatre when the football wasn't on!) others fitted into all sorts of categories. One music critc was a composer of music that I always found too unpleasant to listen to. He liked everything upto Mozart and modern serious music written after 1950. Every Verdi opera was panned because he didn't like Verdi no matter how it was done, I need hardly say what he wrote about G&S. A university literature lecturer writes theatre reviews and does the best analysis of a script of any critic I have read, however her knowledge of production techniques and acting styles are non-existent Mr and Mrs Average will want to know a bit about a show to help decide whether they want to spend some hard-earned cash on buying a ticket. They do not want an in-depth analysis of themes, motives, sub texts and techniques. Others do want just that. A critic is a theatre historian, most of what we know about past performers comes from what was written about them, either in newspapers of the time of in books, reminiscences etc. Publicists want rave reviews to boost box office and have an art of pulling a quote that makes the show sound like the most brilliant thing ever when taken out of context. The actors want to be told they are wonderful - some actors and directors read reviews to see if their ideas and intentions have carried across to the audience. So critics must fill various expectations. IMHO, I like to see the critic as an expert. Someone who knows the work, style genre and can discuss it in depth (as appropriate to the particular audience s/he is writing for) and also talk intelligently about the performance, how it was achieved and and perhaps act as interpreter between the artist and the audience. Haven't you ever seen something dense and difficult and sifted through reviews to help you understand what the heck it was about? I have and I have spent hours researching authors and theatrical gurus to be able to articulate what the play was saying. Of course if I was completely bamboozled I could alway just repeat the plot - actually I don't think I ever did, but I know plenty who used the ruse. When I reviewed G&S for the first time my producer (who knew this was an area I loved and had intimate knowledge of) was a bit worried that I would be too detailed and technical in what I said, but I knew that it would be above the audience's head and gave something much more general trying to capture the flavour of the production. Of course if reviewing the same production for SavoyNet I would write in a much different vein. I was persuaded by an eminent director that there are certain objective criteria which should be used. He believed that theatre could be as quantifiable as science or maths and for a while that was my benchmark. But (perhaps I am wrong) but I don't think emotion is important in maths or science and of course it is almost unthinkable to divorce the arts from emotion, so I have adjusted to this. So of course I am saying that I can brilliantly understand and report on the most complex of productions - but then again if I am cross or tired or have had a bad seat or been in a draft or whatever I am fully capable of talking a lot of drivel and getting it all wrong! Woops, perhaps before anyone thinks that's what this is, I should stop! Bye Diana  1,, Summary-line: 8-May cjsmith@MIT.EDU [10] #concerts X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA12581; Tue, 8 May 2001 12:50:37 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA11329 for ; Tue, 8 May 2001 12:55:29 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.184.0.31]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id MAA09792 for ; Tue, 8 May 2001 12:55:26 -0400 (EDT) Received: (from cjsmith@localhost) by biohazard-cafe.mit.edu (8.9.3) id MAA05993; Tue, 8 May 2001 12:55:27 -0400 (EDT) Message-Id: <200105081655.MAA05993@biohazard-cafe.mit.edu> To: opus@MIT.EDU Subject: concerts Date: Tue, 08 May 2001 12:55:27 -0400 From: CarolYN J Smith *** EOOH *** To: opus@MIT.EDU Subject: concerts Date: Tue, 08 May 2001 12:55:27 -0400 From: CarolYN J Smith That question of Derek's reminded me, I still have a couple of concerts on your computer, which I never managed to turn into CDs, dont I? What should we do about that? --cyn  1,, Summary-line: 8-May VerilyIolanthe@aol.com [23] #Congratulations David! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA08392; Tue, 8 May 2001 19:39:24 -0400 (EDT) From: Received: from imo-m10.mx.aol.com (imo-m10.mx.aol.com [64.12.136.165]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03363 for ; Tue, 8 May 2001 19:41:10 -0400 (EDT) Received: from VerilyIolanthe@aol.com by imo-m10.mx.aol.com (mail_out_v30.10.) id 6.72.a753800 (4560) for ; Tue, 8 May 2001 19:40:31 -0400 (EDT) Message-ID: <72.a753800.2829ddee@aol.com> Date: Tue, 8 May 2001 19:40:30 EDT Subject: Congratulations David! To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows 95 sub 124 *** EOOH *** From: Date: Tue, 8 May 2001 19:40:30 EDT Subject: Congratulations David! To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hello David! This is Emily Gouillart (Laura's daughter) and I just wanted to write you to congratulate you on an excellent performance of "The Grand Duke." I'd never seen it before and I really, really enjoyed it. My mother and I were both thoroughly impressed. I hope you are enjoying some well-deserved rest now that it's over. I may be going down to New York on May 26 for the sing-through so I'll see you there. Take care! Emily F. Gouillart Concord, MA "No matter, no matter, if I can get at her, I doubt if her mother will know her again!"  1,, Summary-line: 8-May DSMITH@umassd.edu [108] #Review of MIT G&S Players The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA17823; Tue, 8 May 2001 22:23:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA04055 for ; Tue, 8 May 2001 22:28:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA02278; Tue, 8 May 2001 22:27:36 -0400 (EDT) Date: Tue, 8 May 2001 22:27:36 -0400 (EDT) Message-Id: <01K3C4Y67WWI8WY41V@umassd.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Review of MIT G&S Players The Grand Duke MIME-version: 1.0 Content-type: TEXT/PLAIN; CHARSET=us-ascii Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 8 May 2001 22:27:36 -0400 (EDT) Reply-To: DSMITH@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Review of MIT G&S Players The Grand Duke Content-type: TEXT/PLAIN; CHARSET=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One hundred years to the day (May 3, 1901) after MIT students presented the American Premiere of the Grand Duke, the MIT G&S Players repeated their triumph. As staged by David Jedlinsky, in his G&S directing debut, with some exceptional talent on stage and featuring a coherent orchestral score, vocal score and band parts developed by Mike Storie and Alan Lund of the Seattle G&S Society, this company has shown that the Grand Duke deserves to be part of the standard repertoire of any G&S company worthy of the name. While the production owed much to the Seattle creation, it generally eschewed the 1930s "Duck Soup" approach, being set in 1901. The production kept the Seattle division into three acts, with the Second Act opening with the entrance of the Chamberlains, and I will make my comments based on that division. The set for all three acts was a standard "German" village with a red brick wall stage right (which on occasion opened to reveal Julia's dressing room), a functional arch surmounted by an elaborate clock (of which more later), and doors to the Notary's shop and a two-story Inn, from the upper windows of which characters would observe the goings-on in the town square. The Inn also had lettered upon it the rules for the Statutory Duel, providing for the Notary's inspiration in suggesting it. There were some excellent and relevant costumes, including some Greek Gods in the third act (is a Thespis in the offing?), but overall I was reminded of the recent discussion about amateur theatre if you are wearing your own clothes on stage. At the Saturday Matinee which I saw, the orchestra was thin on strings and lacked a trumpet, the bassoon and oboe, leading to some problems with singers' entrances when they clearly expected to hear cues which weren't there. There were some obvious disconnects between pit and stage but overall the band under Jennifer Hazel managed quite well. Andrew Sweet as Ludwig was exceptional with a great sense of comic timing, a very decent singing voice and superb diction. His third act song "At the Outset I Mention" was presented in full and at breakneck speed but every word was clear (even if the audience didn't get it.) Dawn Perlner as Lisa had a nice singing voice and played the role as one who has a building coming down around her without quite understanding what was going on. Gregory Baker was the typical love-sick Ernest who more than met his match in the incredible Julia Jellicoe of Ana Albir, who really stole the show - excellent accent both speaking and singing and a stage presence which many performers with much more experience would kill for. David Michael Daly was a splendid Notary with a clear and resonant voice, who enjoyed being the 'deus ex machina' behind all the actions. Jonathan Weinstein made an excellent Grand Duke Rudolph - clear diction, a fine singing voice and emotive characterization, but he does need to remember to sing and speak to the audience, not the stage floor. Ishani Radha Das was a far too attractive and elegant Baroness, but didn't convey enough of the battleaxe or counterfoil to Rudolph. In one of the few real miscalculations on the part of the Director, the drunkenness of the Brindisi was far too overdone, although the Baroness did it well. There were also some problems with 'traffic control' with a large cast, but considering that this was Mr. Jedlinsky's debut as a director, it was understandable ("For beginners, it's admirable.") The only major weakness was the choreography. Many of the cast seemed uncomfortable with dancing and had apparently never done a waltz before. Trying to have some 40 people doing the same thing at the same time is difficult enough with experienced performers. One is better off highlighting smaller groups for short turns. This was an imaginative production, not merely a derivative one. For the Act I finale, the clock stuck the hour, various figures animated and the clock (as music box) played the introduction to "Strange the Views." (This is the Massachusetts Institute of Technology, after all.) The Chamberlains were dressed as "Court Cards" so it was not entirely surprising that in the introduction to Act II, while they were assembling, to see Alice-in-Wonderland, with a flamingo under her arm, scuttle across the stage. In Act III, during "So Ends My Dream" Julia moved into her dressing room, removed her hat, and while singing about "Tomorrow" pulled on an 'Annie' wig for a few seconds. After Ludwig and Rudolph had put cards up their sleeves, the Notary first pulled out a deck of different size and color to their consternation (he switched back.) The Monte Carlos and their entourage were dressed in Red and Black, with the Costumier in Green (all the colors of the roulette table.) Kept in the dialog was the Seattle modification about the drains dating 'back to the last visit of Mary, Queen of Scots' (which is purely a Buxton joke.) The original of 'dating back to the time of Charlemagne' might have made more sense to a general audience. What struck me most in this production, is that the plot to dethrone the Grand Duke is really of secondary importance because it is resolved so early in the action. The theme is that of cynicism about marriage and relationships - one which reverts to Gilbert's play "Engaged," in which the general theme relating to marriage is "Business is business." As such, if one looks below the surface, it is not a comfortable work with sympathetic characters, but the message is overlaid with a Viennese Operetta with Sullivan writing a very different kind of score than his previous works, one which serves, as Sullivan often does, to mask or mellow Gilbert's real intentions. And if one thinks that Gilbert was being anything but prophetic about marriage - just think about prenuptual agreements (then and now.) Don Smith East Taunton, Mass.  1,, Summary-line: 9-May exexpats@ozemail.com.au [43] #Re: The Grand Duke Date X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA21582; Wed, 9 May 2001 00:24:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA02214 for ; Wed, 9 May 2001 00:29:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA13199; Wed, 9 May 2001 00:28:51 -0400 (EDT) Date: Wed, 9 May 2001 00:28:51 -0400 (EDT) Message-Id: <3AF8C5E6.93C22A94@ozemail.com.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul McShane To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke Date MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.75 [en] (Win98; U) *** EOOH *** Date: Wed, 9 May 2001 00:28:51 -0400 (EDT) Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul McShane To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke Date Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum David C. Jedlinsky wrote: > So, strictly speaking, it *could* be possible to have the Prince of > Monte Carlo (shouldn't it be the Prince of Monaco?) "invent" the game > in 1750; it would certainly be unknown at the time, requiring lengthy > exposition to describe how it works. Yes, it should be the Prince of Monaco (and I suspect Gilbert knew this). Surprisingly, the Principality dates from as far back as the late 13th century, to a certain François Grimaldi, and ancestor of the present Prince Rainier III (also a Grimaldi). In 1750, the Prince was Honoré III, who was 30 years old - his father abdicated in his favour when he was only 13. The Principality was annexed be France at the time of the Revolution, and a daughter-in-law of Honoré was guillotined in 1794. The principality was restored in 1815, but didn't really regain full independence until 1861, under Prince Charles III. So what? Well, the name Monte Carlo came into being in 1866 - in honour of this Charles III. So here is another delightful anachronism for a "Grand Duke" setting of 1750! -- Paul McShane, Sydney. "Steps into the world once more"  1,, Summary-line: 9-May andi_s_r@yahoo.com [39] #Re: Monte Carlo (was:The Grand Duke Date) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA11597; Wed, 9 May 2001 08:35:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA06933 for ; Wed, 9 May 2001 08:36:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA08513; Wed, 9 May 2001 08:35:26 -0400 (EDT) Date: Wed, 9 May 2001 08:35:26 -0400 (EDT) Message-Id: <20010509122042.38767.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi S-R To: Multiple recipients of list SAVOYNET Subject: Re: Monte Carlo (was:The Grand Duke Date) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200105082224.SAA19174@multics.mit.edu> *** EOOH *** Date: Wed, 9 May 2001 08:35:26 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi S-R To: Multiple recipients of list SAVOYNET Subject: Re: Monte Carlo (was:The Grand Duke Date) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200105082224.SAA19174@multics.mit.edu> --- "David C. Jedlinsky" wrote: > > So, strictly speaking, it *could* be possible to > have the Prince of > Monte Carlo (shouldn't it be the Prince of Monaco?) > "invent" the game > in 1750 In the real world? Yes. We're in Gilbert's. Gilbert kept up with popular music of his own era, and one of the popular songs was "The Man Who Broke the Bank at Monte Carlo." (I'm assuming everybody has made the connection between Utopia's Public Exploder and that well-known music hall song, "Tarara Boom-de-ay"....) ===== --Andi Stryker-Rodda NYC/NJ Don't tell me it was the goldfish.... __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1,, Summary-line: 9-May Paramount@sheldonbrown.co [59] #Re: The Grand Duke Date X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA24367; Wed, 9 May 2001 10:46:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA18145 for ; Wed, 9 May 2001 10:51:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA08462; Wed, 9 May 2001 10:49:59 -0400 (EDT) Date: Wed, 9 May 2001 10:49:59 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Paramount@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke Date Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3AF8C5E6.93C22A94@ozemail.com.au> *** EOOH *** Date: Wed, 9 May 2001 10:49:59 -0400 (EDT) Reply-To: Paramount@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke Date Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3AF8C5E6.93C22A94@ozemail.com.au> Quoth David C. Jedlinsky: > > So, strictly speaking, it *could* be possible to have the Prince of >> Monte Carlo (shouldn't it be the Prince of Monaco?) "invent" the game >> in 1750; it would certainly be unknown at the time, requiring lengthy > > exposition to describe how it works. Paul McShane replied: > Yes, it should be the Prince of Monaco No, no, no, it wouldn't scan! >...Surprisingly, the Principality dates from as far back as the late >13th century, to a certain François Grimaldi, and ancestor of the present >Prince Rainier III (also a Grimaldi). In 1750, the Prince was Honoré III, >who was 30 years old - his father abdicated in his favour when he was only >13. The Principality was annexed be France at the time of the Revolution, >and a daughter-in-law of Honoré was guillotined in 1794. The principality >was restored in 1815, but didn't really regain full independence until >1861, under Prince Charles III. So what? > > Well, the name Monte Carlo came into being in 1866 - in honour of this >Charles III. So here is another delightful anachronism for a "Grand Duke" >setting of 1750! Ok, now that that's cleared up, what's the _real_ name of Pfennig-Halbpfennig? ;-) I'd like to take this opportunity to say what a pleasure it was to be in the cast of David's splendid production of The Grand Duke at M.I.T. This was his directorial debut, and bodes very well for future productions he may take on. He has a real understanding of the genre, excellent comic sense combined with good taste. He comes up with clever visual bits that don't detract from Gilbert's original, and knows what to leave alone too! Bravo! Sheldon "King of Hearts" Brown Newtonville, Massachusetts +---------------------------------------------------------------+ | The poet Henry O'Meara (1848-1904) was my great-grandfather | | I've put his book "Ballads of America and Other Poems" | | on the Web at: http://sheldonbrown.com/omeara | +---------------------------------------------------------------+ Sheldon Brown Web Services http://sheldonbrown.com  1,, Summary-line: 10-May CaptBike@sheldonbrown.com [37] #Grand Duke Photos on the Web X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA08534; Thu, 10 May 2001 00:39:13 -0400 (EDT) Received: from chmls06.mediaone.net (chmls06.mediaone.net [24.147.1.144]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA23490 for ; Thu, 10 May 2001 00:43:51 -0400 (EDT) Received: from [10.0.1.12] (h002078c5ecb1.ne.mediaone.net [65.96.141.50]) by chmls06.mediaone.net (8.11.1/8.11.1) with ESMTP id f4A4hL800172 for ; Thu, 10 May 2001 00:43:21 -0400 (EDT) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: Date: Thu, 10 May 2001 00:43:09 -0400 To: grand-duke@mit.edu From: Sheldon Brown Subject: Grand Duke Photos on the Web Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com Date: Thu, 10 May 2001 00:43:09 -0400 To: grand-duke@mit.edu From: Sheldon Brown Subject: Grand Duke Photos on the Web Content-Type: text/plain; charset="us-ascii" ; format="flowed" I've put a whole raft (161 photos, 10 mb or so) of my wife's photos up on my Website. At some later date I may thin these down if I need the megabytes for something else. Cast and crew are welcome to use any of these for their own Websites, though we'd appreciate credit and a link. The images are 640 x 480, mostly in the 50K range. If anybody in the cast or crew would like more printable versions, I'll be glad to email them to you. The big images are 2048 x 1532, close to a mb each. Email me with the desired filenames and I'll attach them to a return email. http://sheldonbrown.com/grandduke01 Enjoy! Sheldon and Harriet +-----------------------------------------+ | A ship in the harbor is safe, but | | that is not what ships are built for. | | --John A. Shedd | +-----------------------------------------+ Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772, 617-244-1040, FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 10-May melbear@ihug.co.nz [96] #Review - 1950s Ruddigore (Pearl/Sounds on CD) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA07222; Thu, 10 May 2001 03:18:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA23887 for ; Thu, 10 May 2001 03:23:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA04492; Thu, 10 May 2001 03:23:01 -0400 (EDT) Date: Thu, 10 May 2001 03:23:01 -0400 (EDT) Message-Id: <00aa01c0d921$020e1780$7ed0adcb@melbear> Errors-To: savoynet-owner@bridgewater.edu Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Review - 1950s Ruddigore (Pearl/Sounds on CD) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Thu, 10 May 2001 03:23:01 -0400 (EDT) Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Review - 1950s Ruddigore (Pearl/Sounds on CD) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The 1950 D'Oyly Carte Ruddigore Having now managed to obtain both the Pearl recording of this work, as well as the Sounds on CD production, I decided to do a comparison. The Pearl recording was mastered by Roger Beardsley with notes by Marc Shepherd (GEMS0135). Technical notes by Roger Beardsley. The Sounds on CD recording was mastered by Chris Webster with notes by David Steadman. Technical Notes by Jim Craig. (VGS 222) Note that the Pearl Ruddigore is only available as part of a three CD set which also includes the 1950 'The Gondoliers'. According to the producer the listener would appreciate their having the seperate acts on different CDs - so Act Two of Ruddigore comes before Act One!! I found this very annoying. I would not have minded Act One being split onto the third disc. Although both CDs offer quite extensive technical notes it is Jim Craig who writes the more in-depth details regarding all the recording and transfer problems of the time. To hear what sort of problems are faced by the producers one should start with the Painted Emblems section from Act 2. Not only do the originals have fiendish distortion, especially with the timpani, but there are several editing 'joins' which must be ironed out. My respect for Chris Webster has increased ten fold here. Here his editing is a work of art and the hours he must have spent splicing bits together has given us a magnificent result. The whole sequence flows and is really spectacular. When I first sat down to do the comparison I listened to the first six or seven numbers of the Pearl recording making notes and then listened to the same numbers again from the SOCD recording. The interesting thing was that I hardly wrote much while listening to the SOCD recording. From the outset of the Overture you will find that the Pearl version has been recorded flat. There is lots of middle and no bass or treble. On the SOCD version the seperation is excellent. The bass really jumps out at you during the second verse of 'Ghosts High Noon' in the Overture. The Pearl recording did nothing to get rid of the annoying triangle in the opening chorus. I think the player must have raced up to the microphone each time he was on! Chris managed to send him to the back row where he belongs. There are still hints of pre-echo throughout both versions but never as much as the Pinafore in the series. It was most annoying during "If somebody chanced to be" but is soon forgotten when we can get to hear the magnificent voice of Margaret Mitchell. Distortion plagues the Pearl recording but is almost completely absent from the SOCD version. Perhaps the worst item recorded is the "Shipped D'ye see" section. The second verse has rumbles and hiccups that would be a major problem for any editor. I prefer the Pearl version of this. Kept flat this gives the voice a brighter spark than Chris seems to obtain - although I can tell he had many a sleepless night over this particular track. One artist that really benefits from the SOCD recording is Ann Drummond-Grant (Mad Margaret) whose Act One scene is certainly one of the best recordings I have ever heard. In the Pearl version the Woodwind almost disappears. In the SOCD version it jumps out at you - one can now actually hear the bassoon! This is one of the main advantages of the SOCD version in that it manages to do justice to the artists that would otherwise be overlooked. Take for example the "As pure and blameless peasant" section in the Finale to Act One. You can actually hear the change in Martyn Green's voice as he takes on his new role as the bad Baronet. There is an interesting change at the opening of Act Two on the Pearl version. Whether it comes from a different source or what but the distortion disappears and we have some really clean orchestral sounds. Anyhow its two thumbs up for the SOCD recording. With the Pearl its like receiving a visit from an old friend. With the SOCD recording its like receiving a visit from an old friend who has recently purchased some new clothes. Mel Moratti Auckland New Zealand Interested in Gilbert & Sullivan? Check out my website on the history of G & S in the Antipodes... http://homepages.ihug.co.nz/~melbear/  1, answered,, Summary-line: 10-May LHall@tscwo.com [67] #Learning to love GD & UL X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA04610; Thu, 10 May 2001 12:02:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA08844 for ; Thu, 10 May 2001 12:07:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA14882; Thu, 10 May 2001 12:06:45 -0400 (EDT) Date: Thu, 10 May 2001 12:06:45 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B04E932@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Learning to love GD & UL MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) *** EOOH *** Date: Thu, 10 May 2001 12:06:45 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Learning to love GD & UL Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sheldon Brown made a couple points earlier this week to which I thought I'd reply ... I've noticed that people will frequently tell me that they dislike a given show and then they'll be cast in it and I'll start hearing "you know, there are some good moments" and then "I like the part when ---" and by the time the show is over they think it's not so bad after all. Lack of familiarity seems to breed contempt here. After all, Saphir is my favorite role, in part, because it was the first one I learned. So perhaps in order to learn to love "Grand Duke" and "Utopia" we should all perform in them a time or two. Well, except for Mike Nash, who, it seems, is fated to do "Mikado" over and over until he learns to love it. (Resistance is futile, Mike, you will be assimilated.) I've been a "Utopia" person ever since I saw it the production Sheldon was in. My friend Jay Lane conducted and I went up from Maryland to Massachusetts (about 9 hours in the car) to see it. It was bright and silly and fun and I liked it enough to be in the Washington Savoyards production last year. The only "Grand Duke" I'd ever seen didn't seem to have the same zip and, like Emily, I didn't remember any of the songs afterwards. But having spent some time with it I find a few things to appreciate. And anyone who was in Toronto last year and saw Corrine Lynch singing Julia and Kate Huntress-Reeve singing the Baroness knows that there's a lot to enjoy with that show. On the other hand, to say that GD & UL are better than "Patience"!! Oh no. Not possible. Couldn't be. Leta (Silver Spring, Maryland) > ---------- > From: Sheldon Brown[SMTP:Paramount@sheldonbrown.com] > > Having just spent an enjoyable few weeks in the chorus of The Grand > Duke, I have a higher opinion than most of it. > > Having had the pleasure of being in the M.I.T. Utopia a few years > back, I've also got a very high opinion it that show. (Though, if my > only knowledge of it was based on the recent Harvard production, I > might not feel the same, since that production cut most of the > funniest parts out, alas.) > > In my opinion, both Utopia and Grand Duke are considerably superior > to, say, The Sorcerer, Patience and Princess Ida, albeit not up with > the big 4. > > > Sheldon "King of Hearts" Brown > Newtonville, Massachusetts > Sheldon Brown Web Services > http://sheldonbrown.com >  1,, Summary-line: 10-May mstorie@nwlink.com [90] #The Grand Duke Date Clarified X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA05640; Thu, 10 May 2001 12:46:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA15367 for ; Thu, 10 May 2001 12:51:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA21689; Thu, 10 May 2001 12:50:23 -0400 (EDT) Date: Thu, 10 May 2001 12:50:23 -0400 (EDT) Message-Id: <3AFAC6C8.A23B7D8B@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The Grand Duke Date Clarified MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Thu, 10 May 2001 12:50:23 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The Grand Duke Date Clarified Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In my post last week I was quoting David Turner's comments on "The Grand Duke" from memory which is a dangerous thing to do. Any error in the century named is mine. I've been having one of those weeks. Of course I, as well as a number of other Savoynetters, have his remarks on video from the 1999 Buxton Festival. I have to admit I don't replay his comments all that often but I did this evening and transcribed part of what he said. His exact words were: "The original time setting I think -- I directed this a long time ago -- but I think the original time setting was 1750, which fits in very beautifully with the overture which is of that period." It was a bit later in his discussion of the performance that he went on to wonder aloud why Julia Jellicoe was given a German accent when she is clearly described as an "English leading lady." This leads to an earlier thread regarding the qualifications of reviewers. I certainly did not intend to put down any new reviewers who are starting out in the business. I guess my problem is that the internet is so eagletarian that there is no way of nowing where the person on the other end is coming from except after long conversation and perhaps a face to face meeting. (We see this internet phenomenon commonly in descriptions on E-Bay: "Extremely rare collection of G&S, "The Martyn Green Treasury," only $175!) When I read a review of the East Overshoe G&S Group's "Pinafore" and the reviewer says they had the best chorus in America and there can't be a better "Sir Joseph" anywhere, what does that mean? The first thought is "what has this person seen? He he/she been to Buxton? Has he/she seen the D'Oyly Carte? Has he/she seen Hancock County, NYGASP, Blue Hill, Westchester, Houston, The Lamplighters, Seattle? (Didn't mean to leave anyone out.) As Diana Burliegh pointed out there are many reasons and criteria for a review. I personally would like to know a little about the reviewer. There are a couple of dozen people on Savoynet who, if they made a comment about a show, I would take their advice, if possible. We have the same problem with reviewers in the local press. The day is nearly gone when newspapers have on-staff theater critics, or if they do they only have time to attend a few of the big shows. We often send press kits to the media reviewers and then get a phone call from someone out of town who has been assigned to our show. They want another press kit because the one we sent was lost. Right. Most of the reviews are now done by stringers and you never know who you are going to get. I had an experience last fall where I went to see a "Pinafore" preformed by the Seattle Civic Light Opera. There happened to be two reviewers from the two leading Seattle Papers there. One reviewer gave it a bad review because Gilbert & Sullivan's works were so terribly outdated that they could be enjoyed only by the blue hairs. The other reviewer gave it a bad review because the actors on stage were "sabotaged" by sloppy music direction and a terrible-sounding orchestra. The question is who is served by these reviews. (Since I had the advantage of knowing the work of both reviewers over several years, and knowing that the musician's union had walked out the week before, My Humble Opinion was that the second reviewer was right on. The first doesn't know enough about musical theater to turn pages. (On the other hand, I guess you could say that the general public was served since both reviewers panned the show.) We certainly try to listen to the non-G&S fan. Unfortunately, other than saying they liked or disliked the show, there isn't much information there that you can actually use to improve your production. I've gotten suggestions that we "punch up" the orchestra with synthesizers, or use throat mics, or "more action," or "instead of "Miya Sama" why don't you make it funnier by singing "Mitsubishi." As Gilbert pointedly said in Topsy-Turvy, "Thank you very much!" Obviously, there is a great variance in the audience to which the review is aimed. I personally am looking for something more than whether I should attend the show or not. And I'm too close to the action to be at all objective. The general public has different criteria. Mike Storie  1,, Summary-line: 10-May KatishaL@aol.com [24] #Re: Learning to love GD & UL X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA05683; Thu, 10 May 2001 14:22:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA24884 for ; Thu, 10 May 2001 14:27:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA03257; Thu, 10 May 2001 14:26:11 -0400 (EDT) Date: Thu, 10 May 2001 14:26:11 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: KatishaL@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: KatishaL@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Learning to love GD & UL MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 28 *** EOOH *** Date: Thu, 10 May 2001 14:26:11 -0400 (EDT) Reply-To: KatishaL@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: KatishaL@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Learning to love GD & UL Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Being in an opera does indeed build strong attachments, but surely that can't be the measure of the worth of an operetta. There has to be something in it for the audience, too! I saw Grand Duke last weekend for the first time, and was very disappointed by the mish-mash of things it presents. There are reasons why this opera is played less often and loved much less, and those reasons were readily apparent in this well-staged but ultimately disappointing night at the theatre. I'm very curious to know what kinds of things others have seen "done to" this work in other stagings. Surely people have tried to punch it up or shorten it or reshape it over the years. What have you seen? Katisha  1,, Summary-line: 10-May mstorie@nwlink.com [38] #Takes on The Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA07196; Thu, 10 May 2001 21:00:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA05863 for ; Thu, 10 May 2001 21:05:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA09730; Thu, 10 May 2001 21:04:25 -0400 (EDT) Date: Thu, 10 May 2001 21:04:25 -0400 (EDT) Message-Id: <3AFB3A6F.5B9AF7EF@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Takes on The Duke MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Thu, 10 May 2001 21:04:25 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Takes on The Duke Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum "Katisha" recently posted: I saw Grand Duke last weekend for the first time, and was very disappointed by the mish-mash of things it presents. There are reasons why this opera is played less often and loved much less, and those reasons were readily apparent in this well-staged but ultimately disappointing night at the theatre. I'm very curious to know what kinds of things others have seen "done to" this work in other stagings. Surely people have tried to punch it up or shorten it or reshape it over the years. What have you seen? Katisha ------------------ Good questions. However it would be easier to formulate an answer if we knew what YOU saw (ie. well-staged but ultimately disappointing...) For starters, which production did you see? For pretty good descriptions of what the Blue Hill Troupe and Seattle did recently there's an interesting operetta web page at: www.operetta.org/the_grand_duke.htm Mike Storie  1,, Summary-line: 10-May lourenco2@yahoo.com [18] #Costuming Books X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA10165; Thu, 10 May 2001 22:13:47 -0400 (EDT) Received: from web13905.mail.yahoo.com (web13905.mail.yahoo.com [216.136.175.68]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id WAA21782 for ; Thu, 10 May 2001 22:18:43 -0400 (EDT) Message-ID: <20010511021842.51602.qmail@web13905.mail.yahoo.com> Received: from [38.32.11.147] by web13905.mail.yahoo.com; Thu, 10 May 2001 19:18:42 PDT Date: Thu, 10 May 2001 19:18:42 -0700 (PDT) From: Joseph Lourenco Subject: Costuming Books To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Thu, 10 May 2001 19:18:42 -0700 (PDT) From: Joseph Lourenco Subject: Costuming Books To: opus@mit.edu Content-Type: text/plain; charset=us-ascii Hi Dave, I have two costuming books you lent me and was wondering how I can return them to you. Thanks, Jenna __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1,, Summary-line: 10-May DSMITH@umassd.edu [102] #Review of MIT G&S Players The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA02648; Thu, 10 May 2001 22:49:29 -0400 (EDT) Received: from chmls05.mediaone.net (chmls05.mediaone.net [24.147.1.143]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA23629 for ; Thu, 10 May 2001 22:54:20 -0400 (EDT) Received: from [10.0.1.12] (h002078c5ecb1.ne.mediaone.net [65.96.141.50]) by chmls05.mediaone.net (8.11.1/8.11.1) with ESMTP id f4B2rmx19933 for ; Thu, 10 May 2001 22:53:48 -0400 (EDT) Mime-Version: 1.0 X-Sender: sheldonb@sheldonbrown.com Message-Id: Date: Thu, 10 May 2001 22:52:46 -0400 To: grand-duke@mit.edu From: "J. Donald Smith" (by way of Sheldon Brown) Subject: Review of MIT G&S Players The Grand Duke Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@sheldonbrown.com Date: Thu, 10 May 2001 22:52:46 -0400 To: grand-duke@mit.edu From: "J. Donald Smith" (by way of Sheldon Brown) Subject: Review of MIT G&S Players The Grand Duke Content-Type: text/plain; charset="us-ascii" ; format="flowed" One hundred years to the day (May 3, 1901) after MIT students presented the American Premiere of the Grand Duke, the MIT G&S Players repeated their triumph. As staged by David Jedlinsky, in his G&S directing debut, with some exceptional talent on stage and featuring a coherent orchestral score, vocal score and band parts developed by Mike Storie and Alan Lund of the Seattle G&S Society, this company has shown that the Grand Duke deserves to be part of the standard repertoire of any G&S company worthy of the name. While the production owed much to the Seattle creation, it generally eschewed the 1930s "Duck Soup" approach, being set in 1901. The production kept the Seattle division into three acts, with the Second Act opening with the entrance of the Chamberlains, and I will make my comments based on that division. The set for all three acts was a standard "German" village with a red brick wall stage right (which on occasion opened to reveal Julia's dressing room), a functional arch surmounted by an elaborate clock (of which more later), and doors to the Notary's shop and a two-story Inn, from the upper windows of which characters would observe the goings-on in the town square. The Inn also had lettered upon it the rules for the Statutory Duel, providing for the Notary's inspiration in suggesting it. There were some excellent and relevant costumes, including some Greek Gods in the third act (is a Thespis in the offing?), but overall I was reminded of the recent discussion about amateur theatre if you are wearing your own clothes on stage. At the Saturday Matinee which I saw, the orchestra was thin on strings and lacked a trumpet, the bassoon and oboe, leading to some problems with singers' entrances when they clearly expected to hear cues which weren't there. There were some obvious disconnects between pit and stage but overall the band under Jennifer Hazel managed quite well. Andrew Sweet as Ludwig was exceptional with a great sense of comic timing, a very decent singing voice and superb diction. His third act song "At the Outset I Mention" was presented in full and at breakneck speed but every word was clear (even if the audience didn't get it.) Dawn Perlner as Lisa had a nice singing voice and played the role as one who has a building coming down around her without quite understanding what was going on. Gregory Baker was the typical love-sick Ernest who more than met his match in the incredible Julia Jellicoe of Ana Albir, who really stole the show - excellent accent both speaking and singing and a stage presence which many performers with much more experience would kill for. David Michael Daly was a splendid Notary with a clear and resonant voice, who enjoyed being the 'deus ex machina' behind all the actions. Jonathan Weinstein made an excellent Grand Duke Rudolph - clear diction, a fine singing voice and emotive characterization, but he does need to remember to sing and speak to the audience, not the stage floor. Ishani Radha Das was a far too attractive and elegant Baroness, but didn't convey enough of the battleaxe or counterfoil to Rudolph. In one of the few real miscalculations on the part of the Director, the drunkenness of the Brindisi was far too overdone, although the Baroness did it well. There were also some problems with 'traffic control' with a large cast, but considering that this was Mr. Jedlinsky's debut as a director, it was understandable ("For beginners, it's admirable.") The only major weakness was the choreography. Many of the cast seemed uncomfortable with dancing and had apparently never done a waltz before. Trying to have some 40 people doing the same thing at the same time is difficult enough with experienced performers. One is better off highlighting smaller groups for short turns. This was an imaginative production, not merely a derivative one. For the Act I finale, the clock stuck the hour, various figures animated and the clock (as music box) played the introduction to "Strange the Views." (This is the Massachusetts Institute of Technology, after all.) The Chamberlains were dressed as "Court Cards" so it was not entirely surprising that in the introduction to Act II, while they were assembling, to see Alice-in-Wonderland, with a flamingo under her arm, scuttle across the stage. In Act III, during "So Ends My Dream" Julia moved into her dressing room, removed her hat, and while singing about "Tomorrow" pulled on an 'Annie' wig for a few seconds. After Ludwig and Rudolph had put cards up their sleeves, the Notary first pulled out a deck of different size and color to their consternation (he switched back.) The Monte Carlos and their entourage were dressed in Red and Black, with the Costumier in Green (all the colors of the roulette table.) Kept in the dialog was the Seattle modification about the drains dating 'back to the last visit of Mary, Queen of Scots' (which is purely a Buxton joke.) The original of 'dating back to the time of Charlemagne' might have made more sense to a general audience. What struck me most in this production, is that the plot to dethrone the Grand Duke is really of secondary importance because it is resolved so early in the action. The theme is that of cynicism about marriage and relationships - one which reverts to Gilbert's play "Engaged," in which the general theme relating to marriage is "Business is business." As such, if one looks below the surface, it is not a comfortable work with sympathetic characters, but the message is overlaid with a Viennese Operetta with Sullivan writing a very different kind of score than his previous works, one which serves, as Sullivan often does, to mask or mellow Gilbert's real intentions. And if one thinks that Gilbert was being anything but prophetic about marriage - just think about prenuptual agreements (then and now.) Don Smith East Taunton, Mass.  1,, Summary-line: 11-May KatishaL@aol.com [37] #Re: Takes on The Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA00730; Fri, 11 May 2001 08:53:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA08999 for ; Fri, 11 May 2001 08:58:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA13701; Fri, 11 May 2001 08:57:44 -0400 (EDT) Date: Fri, 11 May 2001 08:57:44 -0400 (EDT) Message-Id: <79.14909b88.282d3782@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: KatishaL@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: KatishaL@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Takes on The Duke MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 28 *** EOOH *** Date: Fri, 11 May 2001 08:57:44 -0400 (EDT) Reply-To: KatishaL@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: KatishaL@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Takes on The Duke Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum What I saw was a college student production, with varying levels of accomplishment on the part of the singers, but on the whole, a very good bunch. Nice orchestra, solid chorus, clever directing, and assorted, but mostly pretty, costuming (they struggled a bit to create the necessary Greek effect). I attend and participate in a lot of community theater shows, and am quite accustomed to their unevenness, while always enjoying the enthusiasm, energy, and resourcefulness they display. Perhaps some day I'll see the Grand Duke in a professional staging, but I can't see how that would change what appear to be major drawbacks to the piece. It is so long, it feels like there are so many bits of unnecessary dialogue, and, I suspect, even a few unnecessary songs and characters, that it ends up being a rather endless chore. I thought the Rudolph and Ludwig players were terrific, -- indeed, Rudolph was the one character I would have enjoyed seeing even more! -- and the lead soprano was absolutely wonderful. But by the time the Prince of Monte Carlo showed up, I was dying for a quick conclusion, and was sorry to see how many songs it was going to take for him to tie up the loose ends (this had nothing to do with the young man voicing the part -- I was blaming Gilbert severely by this point!). I was longing for a quick Inez-like fix, even if it meant sacrificing "Take my advice", which I do like. Since people have been grappling with this show's shortcomings for a century or so, I'm just curious to know what things have been done to alter it. The impression it left me was one of excess, but surely not unsalvageably so. - Katisha  1,, Summary-line: 11-May edwpat@worldnet.att.net [49] #Loving the Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA18570; Fri, 11 May 2001 09:22:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA16155 for ; Fri, 11 May 2001 09:27:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA20343; Fri, 11 May 2001 09:24:06 -0400 (EDT) Date: Fri, 11 May 2001 09:24:06 -0400 (EDT) Message-Id: <006f01c0da1c$f9bc98c0$be509e0a@PattersonE6.us.dbisna.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Loving the Grand Duke MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3612.1700 *** EOOH *** Date: Fri, 11 May 2001 09:24:06 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Loving the Grand Duke Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Being a Grand Duke fan, I have noticed that the work seems to fall apart and is less effective the minute one starts cutting it up injudiciously. Gilbert himself did this after the first night and managed to cut 3 songs from the 2nd Act, 2 of which are among the best things in the opera. The monster he din;t cut (but most others do) is Ludwig's encyclopedic Act Two song, which only Gilbert and the gods knew the meaning of (pardon the dangling participle - yikes, Rose Maybud). I have 4 videos of the GD, of which 2 are excellent, one is fair and one is dreadful. Of course the dreadful one is cut down to an hour and a half. The great ones were judiciously trimmed. The mediocre one was nicely staged, but the singing was --- oh well. I will say that the 2 excellent ones were Seattles and the Savoy Company of Philadelphia. The Seattle production was not only well sung and for the most part complete - it added some novelty of updating the setting to the thirties and related the characters to famous screen stars (Ludwig and Lisa (Rooney and Garland), Julia (Marlene Deitrich), the Grand Duke (Groucho Marx) and the Princess of Monte Carlo (Sonja Hennie - on roller skates no less). It was a rip roaring, funny show. The Philadelphia production on video from Buxton was extremely well sung, cut a bit more - but nearly seamless - traditionally stages and wonderfully funny. It left lots of the traditional dialog cuts in - and some of those are particularly funny. As to recordings, without a doubt the best recording of the Grand Duke is IMHO is (drum role) UMGASS!! It is so musically precise and sung to perfection. My hope is that some day our resident Savoynet CD saviors will get the rights to reproduce the UMGASS Grand Duke for general consumption. It will fulfill the need for those who have raised the question regarding "Loving the Grand Duke" - in Gilbert's words "O that little monster!" Ed Patterson "We are Fairies down to the feet - sprung from the DOE fiddle case, writing missives to GG" http://www.dancaster.com/RidgewoodGandS  1, answered,, Summary-line: 11-May klb@cybercom.net [20] #Re: Review of MIT G&S Players The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA28362; Fri, 11 May 2001 13:27:05 -0400 (EDT) From: Received: from mail.cybercom.net (specialk.cybercom.net [64.46.128.10]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA08792 for ; Fri, 11 May 2001 13:32:01 -0400 (EDT) Received: from shell.cybercom.net (shell.cybercom.net [64.46.128.6]) by mail.cybercom.net (Postfix) with ESMTP id 46C9EEF75E for ; Fri, 11 May 2001 13:32:51 -0500 (EST) Received: from localhost (klb@localhost) by shell.cybercom.net (8.9.3/8.9.3) with ESMTP id NAA40290 for ; Fri, 11 May 2001 13:31:16 -0400 (EDT) (envelope-from klb@cybercom.net) X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Fri, 11 May 2001 13:31:16 -0400 (EDT) To: "David C. Jedlinsky" Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: <200105111704.NAA02849@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** From: X-Authentication-Warning: shell.cybercom.net: klb owned process doing -bs Date: Fri, 11 May 2001 13:31:16 -0400 (EDT) To: "David C. Jedlinsky" Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: <200105111704.NAA02849@multics.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII My one puzzle: why'd he say that all of us seemed not to have done a waltz before, when only Ludwig & Lisa waltzed? Still, to have Don Smith say as nice of things about us as he did is quite an accomplishment. You should be proud. klb Katherine Bryant, word wrangler and mezzo-at-large e-mail: klb@cybercom.net Web: http://www.cybercom.net/~klb Don't let your paradigm become your paradogma.  1,, Summary-line: 11-May sommerfeld@orchard.arling [29] #Re: Review of MIT G&S Players The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02104; Fri, 11 May 2001 13:35:22 -0400 (EDT) Received: from orchard.arlington.ma.us (orchard.hamachi.org [4.255.0.98]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA10281; Fri, 11 May 2001 13:34:36 -0400 (EDT) Received: by orchard.arlington.ma.us (Postfix, from userid 587) id C42C22A3B; Fri, 11 May 2001 13:34:35 -0400 (EDT) Received: from orchard.arlington.ma.us (localhost [127.0.0.1]) by orchard.arlington.ma.us (Postfix) with ESMTP id A837F1FDA; Fri, 11 May 2001 13:34:35 -0400 (EDT) From: Bill Sommerfeld To: "David C. Jedlinsky" Cc: ejhanna@MIT.EDU, grand-duke@MIT.EDU Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: Message from "David C. Jedlinsky" of "Fri, 11 May 2001 13:04:05 EDT." <200105111704.NAA02849@multics.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Fri, 11 May 2001 13:34:30 -0400 Sender: sommerfeld@orchard.arlington.ma.us Message-Id: <20010511173435.C42C22A3B@orchard.arlington.ma.us> *** EOOH *** From: Bill Sommerfeld To: "David C. Jedlinsky" Cc: ejhanna@MIT.EDU, grand-duke@MIT.EDU Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: Message from "David C. Jedlinsky" of "Fri, 11 May 2001 13:04:05 EDT." <200105111704.NAA02849@multics.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Fri, 11 May 2001 13:34:30 -0400 Sender: sommerfeld@orchard.arlington.ma.us > >Where was that hiding? > > I suspect he was referring to the fact that the parts were typeset in > this century, and weren't the usual hen-scratches photocopied > ten thousand times that often pass for band parts in obscure G&S. The modern retypset jobs often leave out some fairly critical bits for the sparser instrumental parts.. most notably, CUES -- which are vitally necessary for us easily distracted apes lurking in the rear of the pit.. The cues were really much better in the chicken-scratch Duke part I had last time around.. - Bill  1,, Summary-line: 11-May ejhanna@MIT.EDU [25] #Re: Review of MIT G&S Players The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02568; Fri, 11 May 2001 13:42:53 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA18004; Fri, 11 May 2001 13:47:43 -0400 (EDT) Received: from ten-thousand-dollar-bill.mit.edu (TEN-THOUSAND-DOLLAR-BILL.MIT.EDU [18.184.0.39]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id NAA26137; Fri, 11 May 2001 13:44:49 -0400 (EDT) Received: (from ejhanna@localhost) by ten-thousand-dollar-bill.mit.edu (8.9.3) id NAA13904; Fri, 11 May 2001 13:44:52 -0400 (EDT) Message-Id: <200105111744.NAA13904@ten-thousand-dollar-bill.mit.edu> To: sommerfeld@orchard.arlington.ma.us cc: "David C. Jedlinsky" , grand-duke@mit.edu Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: Your message of "Fri, 11 May 2001 13:34:30 EDT." <20010511173435.C42C22A3B@orchard.arlington.ma.us> Date: Fri, 11 May 2001 13:44:51 -0400 From: Emily J Hanna *** EOOH *** To: sommerfeld@orchard.arlington.ma.us cc: "David C. Jedlinsky" , grand-duke@mit.edu Subject: Re: Review of MIT G&S Players The Grand Duke In-Reply-To: Your message of "Fri, 11 May 2001 13:34:30 EDT." <20010511173435.C42C22A3B@orchard.arlington.ma.us> Date: Fri, 11 May 2001 13:44:51 -0400 From: Emily J Hanna >The modern retypset jobs often leave out some fairly critical bits for >the sparser instrumental parts.. > >most notably, CUES -- which are vitally necessary for us easily >distracted apes lurking in the rear of the pit.. > >The cues were really much better in the chicken-scratch Duke part I >had last time around.. Not to mention that most of the time the words were not written in for the recits. This probably would've made things sound much better, as it's much harder to get the timing right when the orchestra has to wait for the conductor's cue, rather than anticipating it themselves. (and then when the conductor has to work from a vocal score...) --Emily Hanna  1,, Summary-line: 11-May mstorie@nwlink.com [33] #Re: Grand Duke orchestra parts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA27987; Fri, 11 May 2001 21:06:32 -0400 (EDT) Received: from smtp.nwlink.com (smtp.nwlink.com [209.20.130.57]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAB29901 for ; Fri, 11 May 2001 21:11:28 -0400 (EDT) Received: from nwlink.com (ip136.r18.d.bel.nwlink.com [207.202.176.136]) by smtp.nwlink.com (8.9.3/8.9.1) with ESMTP id SAA22277 for ; Fri, 11 May 2001 18:11:02 -0700 (PDT) Message-ID: <3AFC8E3D.CDECEC64@nwlink.com> Date: Fri, 11 May 2001 18:13:33 -0700 From: Mike Storie X-Sender: "Mike Storie" (Unverified) X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Grand Duke orchestra parts References: <200105111903.PAA04859@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Fri, 11 May 2001 18:13:33 -0700 From: Mike Storie X-Sender: "Mike Storie" (Unverified) To: "David C. Jedlinsky" Subject: Re: Grand Duke orchestra parts Content-Type: text/plain; charset=us-ascii Dave, Yes we are absolutely wanting feedback on the orchestration, you can send them to me and I'll pass them on for incorporation. I hope there weren't too many serious problems. It sounds as though you had an outstanding production. Congratulations! I know how much work it is and it doesn't help when reviewers start their columns with "The Grand Duke -- a difficult and unpopular opera..." They will learn sometime. Regards, Mike David C. Jedlinsky wrote: > > Hi Mike. > > Is anyone in Seattle G&S interested in feedback regarding the use of > the orchestra parts for Grand Duke? > > -Dave Jedlinsky > opus@mit.edu  1, answered,, Summary-line: 12-May jtidwell@animato.arlingto [23] #Dinner next Sunday X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA01845; Sat, 12 May 2001 23:53:51 -0400 (EDT) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.210.6]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA10640 for ; Sat, 12 May 2001 23:58:49 -0400 (EDT) Received: from [192.168.1.101] (mac-wired.animato.arlington.ma.us [192.168.1.101]) by animato.animato.arlington.ma.us (8.9.3/8.9.3) with ESMTP id XAA15849 for ; Sat, 12 May 2001 23:58:49 -0400 Mime-Version: 1.0 X-Sender: jtidwell@192.168.1.2 (Unverified) Message-Id: Date: Sat, 12 May 2001 23:58:49 -0400 To: dinner@mit.edu From: Jenifer Tidwell Subject: Dinner next Sunday Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: jtidwell@192.168.1.2 (Unverified) Date: Sat, 12 May 2001 23:58:49 -0400 To: dinner@mit.edu From: Jenifer Tidwell Subject: Dinner next Sunday Content-Type: text/plain; charset="us-ascii" ; format="flowed" Rich and I would like to hold a dinner at our place next Sunday, May 20th. This one is in honor of Charlie's tenth "hatchday" -- yep, we've had the little green guy for ten years. And we can't really call it a "birthday." People can arrive starting around 6:00; dinner will be served around 7:00. What'll it be? Chicken? Omelettes? You'll find out... As always, offers of drinks, dessert, etc. are welcome. Chocolate icing will probably make an appearance, though Charlie will not get any this time. (For what it's worth, we don't exactly know when he was hatched. It was sometime in the spring of 1991, and it was somewhere in Florida.) - Jenifer  1, forwarded, answered, edited,, Summary-line: 16-May lowcal@MIT.EDU [47] #Re: dancetroupe X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA14328; Wed, 16 May 2001 01:03:03 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA09522 for ; Wed, 16 May 2001 01:03:03 -0400 (EDT) Received: from yolo (YOLO.MIT.EDU [18.245.2.50]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id BAA10010 for ; Wed, 16 May 2001 01:03:02 -0400 (EDT) Message-Id: <4.1.20010516004110.0091f100@po12.mit.edu> X-Sender: lowcal@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Date: Wed, 16 May 2001 01:02:32 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105160218.WAA21823@multics.mit.edu> References: <4.1.20010511044614.00b98d50@po12.mit.edu> <4.1.20010511044614.00b98d50@po12.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: lowcal@po12.mit.edu (Unverified) Date: Wed, 16 May 2001 01:02:32 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105160218.WAA21823@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" Is there any other info you need? I'm sorry this didn't get to you sooner. Is there any possibility of them being done this week or next week? Even if a substantial fraction could be done, that way I could get them to seniors before they graduate. I've written out the program below. Thanks, Dan MIT Dance Troupe Presents STORM Fall 2000 concert Little Kresge Theatre December 1-2, 2000 Act I Name Choreographer Music Interesting... Casey Mathison Freestyler by Bomfunk MC's King of New York Nikki Johnson King of New York from Newsies Scream Judi Ramiscal Scream Louder by Michael Jackson A Light in the Forest Stephanie Sharo Kalimando by Rene Dupere Battle of the Boogie Vikas Sodhani, Brad Hasegawa and Eric Gunther Dancin' Robyn Kelly and Carolyn GramlingDancin' by the Tubes and Olivia Newton-John Come on Over Kimberly Chao and Taly Dvorkis Come on Over by Christina Aguilera Dames, Messieurs, et chaises Brian Perry by Brian Perry Ocean of Youth Dan Lowrey Throw Me by Chasing Furies Uncensored Emily Le Thong Song Uncensored by Sisqo featuring Foxy Brown Act II Is It the Weekend Yet? Aditya Prabhakar Tho Weekends by Black Eyed Peas featuring Esthero bleeding kindness Ailin Yang and Haixia Lin Waitress by Tori Amos Motownphilly Helen Lee Motownphilly by Boyz II Men Taku Mi Matt Lahaie Taku Mi by DJ Dave Ralph [yin yang symbol] Alex Raine Ibuki by Kodo Sanctuary Rebecca Lipon Ave Marie by Cafe Del Mar Lightning Weifang Sun and Sudha Amarnath Around the World by Daft Punk I Spy Van Chu James Bond Theme by Moby Beat-Pop-Boxin Eric Gunther improvised beatboxing by Eric Gunther Partyin' with the Girls Rebecca Lipon One Wild Night by Bon Jovi  1,, Summary-line: 16-May oakapple2@yahoo.com [67] #Re: W.S. Gilbert Papers and W.S. Gilbert Edition X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA15402; Wed, 16 May 2001 09:32:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA05697 for ; Wed, 16 May 2001 09:32:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA14033; Wed, 16 May 2001 09:30:42 -0400 (EDT) Date: Wed, 16 May 2001 09:30:42 -0400 (EDT) Message-Id: <20010516130812.2243.qmail@web13305.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: W.S. Gilbert Papers and W.S. Gilbert Edition MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010515173048.16364.qmail@web10802.mail.yahoo.com> *** EOOH *** Date: Wed, 16 May 2001 09:30:42 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: W.S. Gilbert Papers and W.S. Gilbert Edition Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010515173048.16364.qmail@web10802.mail.yahoo.com> Arthur Robinson posted a link to Fredric Woodbridge Wilson's website: http://lyceum.fas.harvard.edu/ Most of the links at this site are placeholders for future material to be posted ... but they are certainly tantalizing. Let me point out just a few of the more interesting items that are there: An overview of the G&S Collection at the Pierpont Morgan Library: http://lyceum.fas.harvard.edu/morgan-library/gs-collection.html A page devoted to a forthcoming book on G&S collections and collecting, of which one chapter (by Hal Kanthor, on early American libretti) is now available: http://lyceum.fas.harvard.edu/gs-guide/ One of the pages that Arthur mentioned... http://lyceum.fas.harvard.edu/writing/ .. provides links to a number of Ric's publications. The one I especially enjoyed was "The Two Lives of 'Our Island Home'." There is also a paper listing the contents of the Gilbert Papers in the British Library. This was published previously in the W. S. Gilbert Society Journal, but the availability of an on-line copy is most welcome. The W. S. Gilbert Edition was announced in 1986, which was the sesquicentennial of Gilbert's birth. > Apparently the project is still alive, but the plan is to do the > publishing on the Web in PDF documents. Nothing is up > yet, and of course the G&S Archive has already made > available a lot that was nearly impossibly to find in > 1987 (e.g. TOPSYTURVYDOM). No, the website says that it is still intended to publish printed versions also. I would observe that, as wonderful as the G&S Archive is, the materials posted there are of wildly varying quality. Also, they are mostly ASCII files, and so lack the professional formatting and illustrations that the Gilbert Edition is intended to have. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1, answered, forwarded,, Summary-line: 16-May lowcal@MIT.EDU [25] #Re: dancetroupe X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA14080; Wed, 16 May 2001 15:44:57 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA12060 for ; Wed, 16 May 2001 15:44:57 -0400 (EDT) Received: from yolo (YOLO.MIT.EDU [18.245.2.50]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id PAA25134 for ; Wed, 16 May 2001 15:44:57 -0400 (EDT) Message-Id: <4.1.20010516154217.00b79eb0@po12.mit.edu> X-Sender: lowcal@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Date: Wed, 16 May 2001 15:44:34 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105161659.MAA01151@multics.mit.edu> References: <4.1.20010516004110.0091f100@po12.mit.edu> <4.1.20010511044614.00b98d50@po12.mit.edu> <4.1.20010511044614.00b98d50@po12.mit.edu> <4.1.20010516004110.0091f100@po12.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: lowcal@po12.mit.edu (Unverified) Date: Wed, 16 May 2001 15:44:34 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105161659.MAA01151@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" the Battle of the Boogie had a very long music credit. It reads: A micro brewed blend of hiphop including DJ Vadim, DJ EQ, the Pharcycle & Digible Planets There was no music title given for Dames, Messsieurs, et chaises just that the music was done by Brian Perry At 12:59 PM 5/16/01 -0400, you wrote: > >Thanks for the show information. I'll let you know how fast things >can get done. > >Is there a music credit for "Battle of the Boogie"? >How about a music title for "Dames, Messieurs, et chaises"? > >-Dave  1,, Summary-line: 17-May bmiller@holycross.edu [188] #Review: D'Oyly Carte Pirates (long) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA16895; Thu, 17 May 2001 09:43:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA12409 for ; Thu, 17 May 2001 09:43:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA14401; Thu, 17 May 2001 09:42:05 -0400 (EDT) Date: Thu, 17 May 2001 09:42:05 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: bmiller@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Review: D'Oyly Carte Pirates (long) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 *** EOOH *** Date: Thu, 17 May 2001 09:42:05 -0400 (EDT) Reply-To: bmiller@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Review: D'Oyly Carte Pirates (long) Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Last night (Wednesday, 16 May) I was able to attend the D'Oyly Carte Opera Company's production of The Pirates of Penzance at the Savoy Theatre, London. Judging by this performance, and based on reports of others who have followed the recent fortunes of the company, it appears the D'OC have begun settling into a tradition of consistent, very high standards on all fronts. The audience was small enough that management closed the upper circle and upgraded the seats for those who had bought tickets there. Although this was a mid-week performance, with business probably better on weekends, it's not a sign of overwhelming success. This is unfortunate and unjust. Perhaps the mixed reviews have depressed ticket sales. It took a long while before the audience warmed up. Under the circumstances, the company might well have kicked back and gone about their business in a routine manner. That they did no such thing, but gave their best with only as few individual incidents of attempted forcing, speaks well of their spirit. It is a pleasure to note that the revived D'OC are, apparently, no longer ashamed to present G & S in a style that respects the spirit of its creators. With a few bows to the current culture, they retain unison ensemble utterances and gestures while managing to keep them fresh and spontaneous, and they resist the low comedic approach while maintaining a lively sparkle throughout. Everyone on the stage acts with sincerity and depth, a credit to the direction of the inventive Stuart Maunder. One of the most striking aspects of this production is the depth of emotion in the sentimental moments. The sincerity and energy in "Hail, Poetry" and "Ah, leave me not to pine" are extraordinary. The ladies and gentlemen of the choruswere always in charcater, and were given many individual things to do that ensured they were consistently interesting and lively. Lindsay Dolan's choreography is slyly tongue-in-cheek, with a number of original touches that tell us there are new minds at work in a venerable tradition. It is assumed that the parasol and sword work, quite in the old D'OC tradition of, for example, the fans in The Mikado - come from this department. The diction - spoken and sung - is, for the most part, superb. The set, with a moving Pirate ship, is well designed for the needs of the production and the lighting is, to use a favorite D'OC catch-phrase, up-to-date. The D'OC's musical performance since 1988 has been to a high professional standard; the accomplishments in that department are not a surprise. John Owen Edwards constantly impresses as a musician who has rethought every bar of the score and gives us a highly individual and thoughtful reading. He makes maximum use of the minimal-size forces to which he is restricted. While it is gratifying to note that, after a brief experiment not long ago with a cut-down orchestra (in this very opera), the company has returned to musical integrity with the original orchestration, the ensemble is lean in the strings. The size of the chorus, again, is the bare minimum needed to project the music. 12 women is perfectly adequate for the chorus of daughters, but it did look a bit anemic in the final scenes when there were only six police and six pirates in the chorus. Toward the end of the Act II finale, Mr. Edwards restored the reprises of "Hail, Poetry" (now a paean to the House of Peers) and the Major General's song ("At length we are provided"), both of which were cut early in the opera's history. They both worked quite well, and ought to become part of the standard performing text. He chose _not_ to restore the Pinafore reference, "They are all nearly all noblemen who have gone wrong," followed by the refrain of the Captain's song, "Then ive three cheers, both loud and long, for the twenty noblemen who have gone wrong." This is more of an in-gag than a musical unifier, and perhaps he was wise to avoid placing it before audiences that largely would not understand the joke. He rewrote the beginning of the overture, interpolating a vigorous (and stylistically consistent) arrangement of the "Away, away" trio. It's not a new idea, and one that can be adopted without doing particular violence to the score (the overture is, after all, not by Sullivan but by Alfred Cellier). While it can be argued that the original opening of the overture is weak, others don't object. Again, he probably was considering modern tastes in making this decision. There were a few moments of orchestral interpolation to facilitate scene changes - all acceptable under the cirumstances, and no doubt requested by the stage director, but one wonders whether the creativity shown throughout the production could have been employed to avoid the necessity of playing these bits. One musical revision involved an upward transpostion of the Policemen's chant, "That is not a pleasant way of putting it." Unless it was an error last night, the only likely explanation is that Edwards was more confident in their low G than in their E-flat. I suppose the curtain-call music is unavoidable, but the end of the second finale is so powerful that to play anything after it seems anti- climactic. However, with a small house applauding (and happily clapping along in unison to the musical beat), it did ensure that they got through all the intended curtain calls. The principal actors - every one of them - more than belonged on that stage. Beginning the evening with a rock-solid solo, Stephen Davis was a superb Samuel. He is one of the very few who have dared to sing the implied ossia in the second act "Take your file" (Sullivan wrote it in the woodwinds, but when he removed Frederic from the solo and gave it to Samuel, he considerately didn't suggest the opional high notes in the vocal line). Tim Rogers was a near perfect Frederic. Not only did he look the part, he acted and sang with distinction. His raging idealism, youthful innocence and passion were pivotal to evening's success, as the authors intended. As to his singing: his voice was no doubt of a type Sullivan would have expected in the role. I can think of at least a few D'OC tenors, now deceased, who had far less technique and musical polish than Mr. Rogers. In fact, of all the D'OC tenors with whom he can be compared, only Thomas Round may - I say may - have the edge. That's saying a lot, and it is intended to. The D'OC will be fortunate if they can keep him around. Alison Rae Jones was the Mabel of the evening (she alternates with Charlotte Page). Well-matched with her Frederic, she had all the goods required - looks, voice, coloratura (two high E-flats), acting. She made a few choices in cadenzas that, to this ear, were not ideal - but that is a matter of taste, not ability or technique. Specifically, there were two moments when she appeared to employ dotted rhythms that just didn't seem to come off. But give her the credit, and acknowledge her courage, for trying something new. Patti Allison gave what is surely an individual, perhaps controversial, portrayal of Ruth. I am told that one needs to have seen the "Carry On" movies to completely understand what she was doing. It was an aggressive, knock-about performance that one either accepted or didn't. In the context, I was prepared to accept it. It was in the spirit of putting one's individual stamp on a character, and since she never strayed from a portrayal that was consistent with the text, for me it added interest to the performance. Her voice, by the way, is considerably refined when she wants it to be so. Similarly, there were some sides to Royce Mills's Major-General that left one wondering. An actor of considerable ability, he was striking in a bit of pantomime at the beginning of Act II, durig the opening music, expressing anguish over his lying about being an orphan. His diction was excellent in the Major General's first song and elsewhere. His comic timing was often very good. He sang a beautiful "Sighing softly to the river." But why was he unable to stay with the conductor and orchestra during his patter song? He is fortunate to have musicians who are able to follow him, but in order to do so the music became distorted uncomfortably. He went for big effects, much as did Ruth, so in this aspect there was balance on the stage. But did he really need to do all that mugging to the audience? It was refreshing to see Gareth Jones essaying a Sergeant of Police that did _not_ owe anything to the Keystone Cops. His presence added something that the new company desperately needs to cultivate: a sense of tradition and authority that comes when company veterans return as principal actors. Casting a baritone, rather than a bass or bass-baritone, as the Pirate King seems to be the fashion since the Papp production began what apparently is the new tradition. While preferring to hear a booming bass in the role, the visual swashbuckling of James Cleverton was partial compensation. It is certainly not his fault that his voice is what it is, and he did sing with musical and vocal assurance. A more charming Pirate King never strutted a beach. Louise Crane, Michelle Lokey-Smid and Louise Van de Bours (as Edith, Kate and Isabel) were attractive and sang well in their smaller roles. One notices when they're not of the same standard as the rest of the cast. One also notices when they are, as in this case. A full house, with an audience fully ready to appreciate it, would probably have been a more ideal setting for this production. While it may not be the most overwhelmingly brilliant version of Pirates ever staged, it is to such a high standard, and so affectionately an homage to Gilbert & Sullivan, that you're a pretty man or woman if you're not satisfied. Bruce . Miller bmiller@sharkli.com (Gloucester) bmiller@holycross.edu (Worcester, Mass. U.S.A.)  1, forwarded,, Summary-line: 17-May to: opus@mit.edu [30] #[rls@dimins.com: Party Time!] X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA22469; Thu, 17 May 2001 12:52:31 -0400 (EDT) Received: from ipnh.mv.com (ipnh.mv.com [199.125.64.3]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA28702 for ; Thu, 17 May 2001 12:51:48 -0400 (EDT) Received: (from opus@localhost) by ipnh.mv.com (8.9.1/8.9.1) id MAA05022; Thu, 17 May 2001 12:41:22 -0400 (EDT) Date: Thu, 17 May 2001 12:41:22 -0400 (EDT) From: "David C. Jedlinsky" Message-Id: <200105171641.MAA05022@ipnh.mv.com> To: opus@mit.edu Subject: [rls@dimins.com: Party Time!] *** EOOH *** Date: Thu, 17 May 2001 12:41:22 -0400 (EDT) From: "David C. Jedlinsky" To: opus@mit.edu Subject: [rls@dimins.com: Party Time!] Return-Path: Mime-Version: 1.0 X-Sender: rls@192.168.2.11 Date: Wed, 16 May 2001 16:34:04 -0700 To: opus@ipnh.com From: Ruth Jedlinsky Subject: Party Time! Content-Type: text/plain; charset="us-ascii" ; format="flowed" Since Dave's birthday has conveniently decided to fall on a Saturday this year, I'm throwing a birthday party for him, on his birthday. It may also include 4th of July festivities, depending on the "after the 4th" sales =-) Who: Yourself and any guests you'd like to bring along (but not pets due to allergies) When: Saturday, July 7th starting around 3pm. Where: 4 Foster Rd., Milford NH (See url here for directions) What to bring: bug spray, sun block, yard games or toys, any desserts or drinks you'd like although some of each item will be available. Why: Because we like you! Ruth  1,, Summary-line: 18-May milomorris@yahoo.com [58] #All Fach-ed up was(Re: Bass or Baritone) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA13298; Fri, 18 May 2001 11:59:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA16659 for ; Fri, 18 May 2001 11:59:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA01916; Fri, 18 May 2001 11:57:30 -0400 (EDT) Date: Fri, 18 May 2001 11:57:30 -0400 (EDT) Message-Id: <20010518154127.1828.qmail@web14502.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: milomorris@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Milo Morris To: Multiple recipients of list SAVOYNET Subject: All Fach-ed up was(Re: Bass or Baritone) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006f01c0df76$623a5960$756dff3e@wonwjike> *** EOOH *** Date: Fri, 18 May 2001 11:57:30 -0400 (EDT) Reply-To: milomorris@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Milo Morris To: Multiple recipients of list SAVOYNET Subject: All Fach-ed up was(Re: Bass or Baritone) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006f01c0df76$623a5960$756dff3e@wonwjike> Unless one sticks to the German system (http://www.geocities.com/Vienna/1450/fachlist.html), fach designations are very tricky, and depend largely on the personal tastes of musical directors. One could justify casting a dramatic tenor as Pirate King as easily as a baritone (of whatever sort). MIX & MATCH Casting decisions have much to do with the compatibility of voices. One wants voices of complementary colors. One wouldn't (hopefully) wear purple pants with a pink shirt. Take the "Away, away" trio. If the Pirate King and/or Ruth are too heavy, one runs the risk of losing a light lyric Frederick in the texture. WHO CAN HIT THE NOTES??? Suppose you have an audition for PIRATES. Every low-singing gentleman that walks in the door has all the notes for both the Pirate King AND the Seargeant of Police. Waddaya do? Do you pick the guy with the brightest tone to play PK and the darkest for SP? Do you pick the 2 largest voices from the bunch so they can match your heldentenor Frederick and dramatic coloratura Mabel? MORE FLUTE!! One must also consider the suggestions/demands of the orchestration. Some voices are simply too big for G&S orchestrations. Other voices sound too "serious" for certain roles in the literature. LOST IN SPACE Then again there are decisions to be made based on the size and features of the performance space. Do you need voices with more squillo? or more ping? Or do you want lighter voices that won't sound awkward under a drop ceiling? __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/  1,, Summary-line: 19-May lowcal@MIT.EDU [31] #Re: dancetroupe X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA05013; Sat, 19 May 2001 01:55:05 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA13332 for ; Sat, 19 May 2001 01:55:05 -0400 (EDT) Received: from yolo (YOLO.MIT.EDU [18.245.2.50]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id BAA11599 for ; Sat, 19 May 2001 01:55:05 -0400 (EDT) Message-Id: <4.1.20010519014836.00b912d0@po12.mit.edu> X-Sender: lowcal@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Date: Sat, 19 May 2001 01:54:37 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105190540.BAA03876@multics.mit.edu> References: <4.1.20010516004110.0091f100@po12.mit.edu> <4.1.20010511044614.00b98d50@po12.mit.edu> <4.1.20010511044614.00b98d50@po12.mit.edu> <4.1.20010516004110.0091f100@po12.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Sender: lowcal@po12.mit.edu (Unverified) Date: Sat, 19 May 2001 01:54:37 -0400 To: "David C. Jedlinsky" From: Dan Lowrey Subject: Re: dancetroupe In-Reply-To: <200105190540.BAA03876@multics.mit.edu> Content-Type: text/plain; charset="us-ascii" Whoops, big oops on my part. Human Behavior choreographed by Sarah Funderburk the music is "Human Behavior" by Bjork As for video counts, I have listed 33 afternoon videos and 79 evening videos. Thanks, Dan At 01:40 AM 5/19/01 -0400, you wrote: > >Hi Dan. > >I just noticed that there's a title missing in your list of the >December concert. > >What comes between "King of New York" and "Scream"? > >Thanks. > >-Dave  1,, Summary-line: 20-May mike@mpnash.com [47] #Re: Pregnant Virgin X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA19408; Sun, 20 May 2001 04:24:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA10910 for ; Sun, 20 May 2001 04:24:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA10011; Sun, 20 May 2001 04:23:32 -0400 (EDT) Date: Sun, 20 May 2001 04:23:32 -0400 (EDT) Message-Id: <000b01c0e105$255530c0$1b9386d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Pregnant Virgin MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sun, 20 May 2001 04:23:32 -0400 (EDT) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Pregnant Virgin Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Diana Burleigh wrote:- >Now who can come up with the best parody or quote on this? My go:- My eyes are fully open to my awful situation, I shall go to my solicitor and file a litigation; I shall tell him that this treatment is just sheer discrimination And the management must be compelled to pay me compensation. On the subject I shall write to them with words to blow their socks off And if they refuse to cough up, I shall sue their bloody rocks off! Yes, at present I'm so angry that their heads I'd gladly splatter, While my bank account grows thinner, I am quickly getting fatter! (Yes, she's quickly getting fatter, fatter, fatter, fatter, fatter...) If she had not been up the duff and obviously glowing I would happily have cast her, but her midriff keeps on growing. There's no way the general public would accept a pregnant daughter, Any more than they'd allow a homosexual Joseph Porter! But I can't find a solution which will fill all with felicity; The last thing that we need right now is this kind of publicity. Shall I fight or capitulate, I may well do the latter But I don't know how to deal with it, she keeps on getting fatter! (Yes, she keeps on getting fatter, fatter, fatter, fatter, fatter...) Mike Nash "Three capacities and falling" Macclesfield, Cheshire, England Visit my web site: www.mpnash.com  1,, Summary-line: 20-May bmiller@holycross.edu [67] #Re: D'OC Pirates at the Savoy X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA07220; Sun, 20 May 2001 05:08:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA13614 for ; Sun, 20 May 2001 05:08:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA10625; Sun, 20 May 2001 05:07:46 -0400 (EDT) Date: Sun, 20 May 2001 05:07:46 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: bmiller@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: D'OC Pirates at the Savoy Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 *** EOOH *** Date: Sun, 20 May 2001 05:07:46 -0400 (EDT) Reply-To: bmiller@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: D'OC Pirates at the Savoy Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In article <3.0.6.32.20010519102035.007f2a80@pop3.norton.antivirus>, P.D.Parker writes: > Specifically...I do not understand how the tenor could >have been engaged. After reading Tony Watts's comments, I was surprised by the performance of the tenor playing Frederic. I can only imagine we were reviewing different people, or the acoustics differ radically in various locations of the Savoy. Having bought the program, I was able to compare his photograph with the person on the stage, and it did indeed appear that Tim Rogers was playing Frederic the night I saw the production. From my seat, just above the Dress Circle, he always carried well above the orchestra, and never showed any weakness or insecurity. I would rate his singing about the equal of Philip Potter's. Mr. Rogers doesn't have the most ravishing tonal qualities, but then neither did Mr. Potter. I never saw the others live, but I will say that Tim Rogers sang rings around anything I've ever heard Leonard Osborne do in the role, or any role for that matter, and he was far better than some of the other principal tenors I'ver heard live, such as Meston Reid, and those on recordings. >Bruce refers to the ''minimal forces'' in the orchestra. I do not know >how many he expects... In a house the size of the Savoy, I expect more than three (possibly four) first violins, two second violins, two violas, two cellos and one double bass. Five additional strings would have made a great difference, particularly if one had been an additional double bass. The bass line was barely audible at times. (There was the correct complement of woodwinds and brass, against which the size of this string section is inadequate, for balacing purposes, in many circumstances.) >I agree withhim that a few more violins would be useful but a >theatre pit is not the same as a concert hall performance. I disagree, and Sullivan certainly would have. The strings sounded thin - from top to bottom - period. Sullivan would not have accepted such numbers in his orchestra at the Savoy. In a professional West End production by the country's signature Gilbert & Sullivan company, there should be a comfortably full string section. Their philosophy ought to include giving a musical performance to the highest standards, not one to a standard they might adopt if they were touring the provinces. >Bruce also refers to and gives credit to John Owen Edwards as being responsible for the high(er) standard of D'Oyly Carte perfomances musically since 1988.> No, I did not say Edwards had been the M.D. since 1988. I do know who the music directors for the D'Oyly Carte have been over the past 13 years. My comment about "constantly impresses" referred to the specific performance. I did, and do, give Mr. Edwards credit for the various subtleties of interpretation I heard that night. >As to ''Softly sighing'' Bruce said he ''sang''. I don't call what I saw and heard singing.> He did better than Peter Pratt, for example. Some of these comments sound like resentment of newer people taking over roles from those of previous generations. Sometimes what we think of as a "Golden Age" was more gilded memory than fact. Bruce I. Miller Worcester, Massachusetts U.S.A. bmiller@holycross.edu  1,, Summary-line: 20-May avickery@netreach.net [34] #Savoy Company fire disaster X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA25718; Sun, 20 May 2001 20:30:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA29170 for ; Sun, 20 May 2001 20:30:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA27955; Sun, 20 May 2001 20:28:42 -0400 (EDT) Date: Sun, 20 May 2001 20:28:42 -0400 (EDT) Message-Id: <5.1.0.14.2.20010520001730.03e5a790@mail1.netreach.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: avickery@netreach.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Antony F. P. Vickery" To: Multiple recipients of list SAVOYNET Subject: Savoy Company fire disaster Mime-Version: 1.0 Content-Type: text/html; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Sun, 20 May 2001 20:28:42 -0400 (EDT) Reply-To: avickery@netreach.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Antony F. P. Vickery" To: Multiple recipients of list SAVOYNET Subject: Savoy Company fire disaster Content-Type: text/html; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Monday, May 14, a huge blaze destroyed a business center and warehouse complex in Bridgeport, a small town near Philadelphia. The fire resulted in the total loss of the inventory of sets and prop pieces of the Savoy Company, America's oldest Gilbert and Sullivan opera company. Fortunately, the bulk of our costumes and archives (including the 1904 letter from W. S. Gilbert to the company congratulating us on our formation) were stored elsewhere, as was the set for this year's production of Iolanthe (May 25 & 26, Academy of Music, Philadelphia; June 1 & 2, Longwood Gardens, Kennett Square).

In a statement to the company, Savoy president Michael Wittich said that although at the present time it is hard to assess what the financial and other consequences of this fire will be on Savoy, it is clear that challenges lie ahead for the company in the next few years.

Savoy is keenly interested in finding a permanent location to store and possible build our sets to replace the previous space donated by a generous benefactor and destroyed last week. If you know of any such property, or know of an individual who could assist us in this search, please contact the company at 215.735.7161.

Antony F. P. Vickery
avickery@netreach.net  1,, Summary-line: 23-May ornstn@home.com [51] #Re: Ages Ago X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA02250; Wed, 23 May 2001 10:29:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA18659 for ; Wed, 23 May 2001 10:28:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA05286; Wed, 23 May 2001 10:27:09 -0400 (EDT) Date: Wed, 23 May 2001 10:27:09 -0400 (EDT) Message-Id: <5.1.0.14.2.20010523100057.046b4c60@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Ages Ago Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01K3WAKE56OY8WWXEF@umassd.edu> X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Wed, 23 May 2001 10:27:09 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Ages Ago Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01K3WAKE56OY8WWXEF@umassd.edu> At 09:53 AM 23/05/01 -0400, J. Donald Smith wrote: >There are NO band parts. It is scored for a piano and harmonium. Just to clarify the point: AGES AGO was one of the pieces written for German Reed's Gallery of Illustration, which played to Victorian ideas that the theatre was an improper place for families by doing everything to avoid calling his Gallery a "theatre" and his shows "performances". One of these was to avoid using an orchestra in favour of the kind of instruments one might find in a proper Victorian parlour: piano, harmonium and occasionally (as in AGES AGO) harp. The MIDI files I created for the G&S Archive were drawn from the full score as presented in Jane Steadman's anthology of Gilbert's German Reed pieces, "Gilbert Before Sullivan". I carefully observed the separate scoring for the three instruments, and even designed the stereo balance to reflect the position of the piano as shown by contemporary illustrations. There is nothing wrong with orchestrating AGES AGO, I suppose, but I suggest that using the original scoring works very well, especially with a judicious program note explaining the reason for it. It adds to the charm of the piece IMHO. As far as I am aware Clay never did orchestrate it - unlike the companion piece Reed staged with it, COX AND BOX. Of course it was on the occasion of this double bill that Clay introduced Gilbert to Sullivan. BTW - has anyone ever thought of staging the two pieces as a double bill and incorporating this historic meeting as part of the evening? I think it could be quite amusing - as is well known Gilbert tried out a bit of musicology from THE PALACE OF TRUTH on Sullivan, and left him totally confused. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 23-May rocky@rcracer.mv.com [41] #Fourth of July Extravaganza X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA04643; Wed, 23 May 2001 11:13:27 -0400 (EDT) Received: from mercury.mv.net (root@mercury.mv.net [199.125.85.40]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA00826 for ; Wed, 23 May 2001 11:11:42 -0400 (EDT) Received: from rcracer (rcracer.mv.com [207.22.4.90]) by mercury.mv.net (8.8.8/mem-971025) with ESMTP id LAA20273; Wed, 23 May 2001 11:11:31 -0400 (EDT) Message-Id: <4.2.0.58.20010523105149.00b35e30@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Wed, 23 May 2001 11:14:34 -0400 To: lsc-alums@zurich.ai.mit.edu, dinner@mit.edu, bjcochrane@adelphia.net, bpettus@illuminata.com, ariane_pannell@agilent.com, jbc@hnc.com, joerg@vigiltech.com From: Rocky Cardalisco Subject: Fourth of July Extravaganza Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: rcracer-ro@pop.mv.net Date: Wed, 23 May 2001 11:14:34 -0400 To: lsc-alums@zurich.ai.mit.edu, dinner@mit.edu, bjcochrane@adelphia.net, bpettus@illuminata.com, ariane_pannell@agilent.com, jbc@hnc.com, joerg@vigiltech.com From: Rocky Cardalisco Subject: Fourth of July Extravaganza Content-Type: text/plain; charset="us-ascii"; format=flowed Hi All, Announcing the Annual 4th of July Extravaganza. This year poses a slight problem to the party given that the 4th is placed on a Wednesday so I have decided that this years annual party will be on Sunday July 1 which happens to coincide with my birthday. Therefore, please accept this invitation to the annual 4th of July Party Date: Sunday, 1-July-2001 Location: 115 Comstock Drive, Milford NH, 03055 Phone: 603 673 0601 Time: anytime after 3:00PM I plan on having the usual BBQ type food, Burgers, Dogs, etc. If you have any special dietary restrictions please let me know and we can work something out. Since you are coming to a wooded area be aware that there are mosquitos and other flying insects which can be annoying (bug spray suggested) Anyone who wishes to bring beverages, munchies, and desserts or anything else please let me know. Please RSVP so I know how much to buy. Thanks Hope to see you on the 1st Rocky  1,, Summary-line: 23-May edwpat@worldnet.att.net [62] #German Reed X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA20635; Wed, 23 May 2001 12:24:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA26050 for ; Wed, 23 May 2001 12:24:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA14260; Wed, 23 May 2001 12:22:44 -0400 (EDT) Date: Wed, 23 May 2001 12:22:44 -0400 (EDT) Message-Id: <001d01c0e3a2$d61e7020$be509e0a@PattersonE6> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: German Reed MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3612.1700 *** EOOH *** Date: Wed, 23 May 2001 12:22:44 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: German Reed Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ron Orenstein wrote: "AGES AGO was one of the pieces written for German Reed's Gallery of Illustration, which played to Victorian ideas that the theatre was an improper place for families by doing everything to avoid calling his Gallery a "theatre" and his shows "performances". " And the expression goes that the Savoy operas were like Moses "born among the Reeds." The others were: No Cards Ages Ago - (of course) Our Island Home A Sensation Novel Happy Arcadia Eyes and No Eyes And for those of us who are familiar with these works, we can see just how true the statement is - from the Picture Gallery in Ages Ago - to Captain Bang in Our Island home (Pirates) - to Strephon in Happy Arcadia - to Eyes and No Eyes opening with a soprano (in this case) at a spinning wheel alone on stage - and who would have guessed it, 2 brothers courting 2 sisters. There's a nice a la Sorcerer incantation scene in A Sensation Novel and we could go on and on. BUT, there's more - Sullivan's Cox and Box and The Contrabandista started out life under German Reed's aegis (well The Contrabandista did at least - Cox and Box was originally done a la salon) - and these we not done in the Gallery of Illustrations but at St James Hall which was rented for the season - thus Orchestrations and Band-parts for there. BUT, there's more - Cox and Box was in 1869 part of the double bill with Ages Ago - to my knowledge the first time Gilbert & Sullivan shared the boards together. The famous introduction of Gilbert to Sullivan by Ages Ago's composer Clay, a close friend of Sullivan's occurred at a rehearsal of Ages Ago. Would I be correct in assuming (Savoy black-belters) that the reason Sullivan was there at all was that Cox and Box was on the same bill. And, Cox and Box is the only German Reed opera to actually make it to the Savoy, in 1895 as a double bill with Chieftain (which could count as well given it's Contrabandista roots - but that's a stretch). Cox and Box received it's first performing reduction at Sullivan's hands, which was not as drastic as the reduction it received when revived in the 1930's(?). Ed Patterson Sayreville, NJ "We are fairies down to the feet - and given this posting - into the brain as well - fiddlecase etc." http://www.dancaster.com/RidgewoodGandS over 60 years of performance excellence  1,, Summary-line: 24-May dcltdw@MIT.EDU [27] #yay, got a job X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA06040; Thu, 24 May 2001 10:22:14 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA15285; Thu, 24 May 2001 10:21:53 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.184.0.38]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id KAA24580; Thu, 24 May 2001 10:21:50 -0400 (EDT) Received: (from dcltdw@localhost) by department-of-alchemy.mit.edu (8.9.3) id KAA00876; Thu, 24 May 2001 10:21:46 -0400 (EDT) Date: Thu, 24 May 2001 10:21:46 -0400 (EDT) Message-Id: <200105241421.KAA00876@department-of-alchemy.mit.edu> From: David C Leung To: dcltdw@mit.edu, alyse@alum.mit.edu Subject: yay, got a job *** EOOH *** Date: Thu, 24 May 2001 10:21:46 -0400 (EDT) From: David C Leung To: dcltdw@mit.edu, alyse@alum.mit.edu Subject: yay, got a job A few days ago, I got an offer from Vividon, and I accepted it today. (Vividon, aka Exotech; proven also works there.) Vividon is out in Subdury, but is in rock-throwing range of Concord, so it won't be too bad to commute to. I'll officially be doing perl work on their central managing application and unofficially giving proven a hard time. :) Wouldn't want people to think I'd be slacking off... Normally, posts like this are supposed to include work contact info, but all of you should know by now that I never answer my work phone and I avoid answering work email, so there you go. My plan is to start there on Friday, June 1st. Guess this means that the Ungodly-Long, One-Last-Time, Better-Get-It-In-While-I-Can Titan session should be soon. :) dave "Titan goes to the woods and gets a job." "What, are you kidding? In this market?" "Dude, I rolled a 1. It's Woods, or Tower -- and I'm not going back to school -- or Swamp, and I am NOT switching into marketing."  1,, Summary-line: 30-May SSilvers@sskfg.com [42] #Re: Grand Duke? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA09867; Wed, 30 May 2001 10:34:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA24168 for ; Wed, 30 May 2001 10:30:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA14624; Wed, 30 May 2001 10:29:33 -0400 (EDT) Date: Wed, 30 May 2001 10:29:33 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Wed, 30 May 2001 10:29:33 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke? Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >>> Paul McShane wrote in response to Jim Cooper's query: . . . there is a general consensus that the opening chorus, the "Strange the Views" madrigal, the "Jolly Court" end of the Act I finale, the "Pommery 74" song, the Herald's song and - particularly - the roulette song are all good. Once you stray from these numbers, the music ranges from so-so to mediocre to dreadful. >>> I don't think Lisa's songs are bad. It is a mistake to cast a weak Lisa, and I think that anyone who has ever heard Katie Geissinger sing these numbers thinks they are tuneful, even hauntingly beautiful. I also like all of the quintets in the first act, and I don't mind the Mystic Regulation number. Also, "Ten minutes since I met a chap" is a very effective narrative number with fun choral responses. "We're rigged out in magnificent array" is a fun number. The flibberty gibberty patter song, which is often cut, is a good number, and I think at least two verses of it should be retained. I also like the chamberlain's entrance and the snuffbox song. I am NOT a fan of the opening chorus or the Pommery '74 song, but you obviously cannot cut out the former. No doubt one should cut most of the "why what's the matter" stuff from the first act finale, Ludwig's second act song is expendable or should be cut down, "Why who is this approaching" could be cut, and there are other places where verses could easily be cut. I also think that some of Julia's "Tomorrow" number might be cut. Sam  1,, Summary-line: 30-May andi_s_r@yahoo.com [98] #Rating G&S: Which side of the footlights are you on? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA16216; Wed, 30 May 2001 11:17:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA08173 for ; Wed, 30 May 2001 11:17:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA19444; Wed, 30 May 2001 11:16:04 -0400 (EDT) Date: Wed, 30 May 2001 11:16:04 -0400 (EDT) Message-Id: <20010530150244.37626.qmail@web10802.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Rating G&S: Which side of the footlights are you on? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 30 May 2001 11:16:04 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Rating G&S: Which side of the footlights are you on? Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum IMO, one of the strongest factors that shapes one's opinion of the various G&S works is one's personal vantage point. In the broadest generalization, those who are actively involved in productions are likely to rate them very differently from audience members who never are. The "involved" group also contains widely differing vantage points: a female chorister is likely to rate her favorites quite differently from the way a principal baritone would, for example, and an orchestra conductor is likely to have a rating list different from either of theirs. To what extent one can back off from one's usual personal vantage point and subjective reactions to form a balanced objective judgment of a work as a whole is also an individual matter. I think vantage point is the primary factor that accounts for the huge discrepancy in popularity ratings for THE MIKADO. Audiences, Pooh-Bahs, and most Ko-Kos (the "most" is for you, Mike Nash!)tend to love it; male choristers tend to loathe it unless they've got a good poker game going backstage to alleviate the boredom of the interminable stretches between their entrances. Pish-Tushian opinions divide; those who are fine singers with good matches for a beautifully rendered Madrigal have a kindlier view of the work than those for whom "Our Great Mikado" is the only point of interest in the l-o-n-g evening. Accompanying this is another factor that's been commented on recently and a number of times previously: the overexposure factor. As a rehearsal pianist, my loathe-list includes every second-act trio that is encored by my company, because I've spent so many evenings rehearsing a single number for two or three hours straight; my "most loathed" nomination is evenly divided between the Bell Trio and Howdy-do for this reason. When I'm sitting in the audience, can I back off from that to enjoy the finished result, or someone else's version? Maybe; how recent was that last 3-hour rehearsal? Overexposure is not the only factor, nor necessarily the dominating one--if it were, it would follow that most performers' favorites would be the least-frequently-performed works. That's certainly true for some, and the recent Grand Duke/Utopia thread showed that influence. Another coloring (or tainting) factor that can significantly affect one's ratings is the quality of the rendition(s) to which one has been exposed, live or recorded, as performer or audience. Dearly as I love accompanying G&S on the piano, I'll be the first to say emphatically that there is absolutely no comparison between a "piano only" performance and one with a good orchestra, particularly for the orchestrally lush works like Yeomen. Ditto all other factors. Some of the material is sturdy enough to stand up to virtually any treatment, but something like the Ghost sequence in Ruddigore isn't; with full resources of an excellent chorus and orchestra as well as principal performers, and with good lighting and portrait-animating effects, that scene can be nearly as impressive as some of the Yeomen sections; downscale any of those factors very far and it really suffers. Your opinion of Ruddigore is likely to have been influenced by the quality of the rendition(s) of this scene that you've seen/heard/done. I'm *not* trying to reopen the "is-there-an-objective-standard" issue that was exhaustively discussed a short time back--just pointing out that the Popularity Contest is affected by *non*-objective factors that differ based on one's vantage point. ===== Andi Stryker-Rodda New York/New Jersey USA __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/  1,, Summary-line: 30-May mgillett@umich.edu [38] #Re: NYC Sing-In May 26 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA19885; Wed, 30 May 2001 12:04:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA23984 for ; Wed, 30 May 2001 12:03:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA22846; Wed, 30 May 2001 12:02:41 -0400 (EDT) Date: Wed, 30 May 2001 12:02:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: NYC Sing-In May 26 MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Wed, 30 May 2001 12:02:41 -0400 (EDT) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: NYC Sing-In May 26 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: I just wanted to thank you all for the great time at the sing out. There were some new faces (at least to me), but it seemed like it had been no time at all since Toronto when I started to sing with Marion and the rest of you. I do hope I didn't put too many off by wandering about after Pirates, but I had driven 12 hours the previous day, and Im naturally parapetetic. I also reccomend the Sam Silvers' "Highlights of New York tour" We started at Lincoln Center, did a quick walk through of Central park, and on to a very good, and moderatly priced (especially for NY) brunch at Norma's. Then the Plaza, 5th ave, the GE Building, on to Chinatown, Little Italy (an early dinner on Mulberry st.), Soho, and part of the "Village". We got a little workout of our walking shoes, but it was a moderate paced tour, with time to relax on the Subway, and a great cup of tea at the end. Sam missed his calling in life. I particulaly like his explaination of "New York Schist" in Central Park. Im pretty much recovered from the trip home , so I just wanted to thank all of you for giving me the chance to sing with you. I look forward to whatever our next big American function is! Mitch Gillett Ann Arbor  1,, Summary-line: 30-May cmceniry@MIT.EDU [124] #Mary Haller: WANTED: MIT arts video footage X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA15573; Wed, 30 May 2001 14:24:06 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA00623 for ; Wed, 30 May 2001 14:24:06 -0400 (EDT) Received: from I-fear-reorgs.mit.edu (I-FEAR-REORGS.MIT.EDU [18.7.21.89]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA15542 for ; Wed, 30 May 2001 14:24:05 -0400 (EDT) Received: (from cmceniry@localhost) by I-fear-reorgs.mit.edu (8.9.3+Sun) id OAA03509; Wed, 30 May 2001 14:24:05 -0400 (EDT) Message-Id: <200105301824.OAA03509@I-fear-reorgs.mit.edu> To: opus@MIT.EDU Subject: Mary Haller: WANTED: MIT arts video footage Date: Wed, 30 May 2001 14:24:05 -0400 From: Christopher A Mceniry *** EOOH *** To: opus@MIT.EDU Subject: Mary Haller: WANTED: MIT arts video footage Date: Wed, 30 May 2001 14:24:05 -0400 From: Christopher A Mceniry Not sure if it's worth it, but hey, figured it wouldn't hurt. --chris ------- Forwarded Message Date: Wed, 30 May 2001 14:19:44 -0400 To: Recipient List Suppressed:;@aleve.media.mit.edu From: Mary Haller Subject: WANTED: MIT arts video footage Content-Type: multipart/alternative; boundary="============_-1220875711==_ma============" - --============_-1220875711==_ma============ Content-Type: text/plain; charset="us-ascii" ; format="flowed" WANTED: High-quality video footage of MIT arts performances and activities REWARD: $25 gift certificate to Bertucci's! ...and great publicity for your group or department DETAILS WHAT WE NEED: I am presently working with MIT Video Productions to compile footage for a short, high-visibility video about the arts at MIT. The video will be used in alumni, recruitment, and fundraising presentations, and will be featured on the web. The video will have a wide audience, so this is a terrific opportunity to promote work by your group or department. HOW IT WILL WORK: If you have high-quality, camera-original footage that you would like to submit for consideration, contact me at your earliest convenience at haller@media.mit.edu or 617-253-4006. If we feel your footage can contribute to our video, we'll schedule a time to make a beta copy of it and promptly return the original to you. WHAT YOU'll GET: If we choose your video for consideration, you'll receive, in appreciation: * a $25 gift certificate to Bertucci's * a free copy of the final tape * credit in the final video * great exposure for your group/department -- or yourself! -- by being included in this video CONTACT: Mary Haller Director of Arts Communication MIT Office of the Arts 617-253-4006 haller@media.mit.edu - --============_-1220875711==_ma============ Content-Type: text/html; charset="us-ascii" WANTED: MIT arts video footage
WANTED:   High-quality video footage of MIT arts performances and activities

REWARD:   $25 gift certificate to Bertucci's!
              ...and great publicity for your group or department


DETAILS
WHAT WE NEED: I am presently working with MIT Video Productions to compile footage for a short, high-visibility video about the arts at MIT.  The video will be used in alumni, recruitment, and fundraising presentations, and will be featured on the web.  The video will have a wide audience, so this is a terrific opportunity to promote work by your group or department.

HOW IT WILL WORK:  If you have high-quality, camera-original footage that you would like to submit for consideration, contact me at your earliest convenience at haller@media.mit.edu or 617-253-4006. If we feel your footage can contribute to our video, we'll schedule a time to make a beta copy of it and promptly return the original to you.

WHAT YOU'll GET:  If we choose your video for consideration, you'll receive, in appreciation:

        * a $25 gift certificate to Bertucci's
        * a free copy of the final tape
        * credit in the final video
        * great exposure for your group/department -- or yourself! -- by being included in this video


CONTACT:        Mary Haller
                Director of Arts Communication
                MIT Office of the Arts
                617-253-4006
                haller@media.mit.edu
- --============_-1220875711==_ma============-- ------- End of Forwarded Message  1,, Summary-line: 30-May la_dolcessa@yahoo.co.uk [98] #In defense of the Mikado (fairly long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA28321; Wed, 30 May 2001 16:09:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA14605 for ; Wed, 30 May 2001 16:09:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA17292; Wed, 30 May 2001 16:08:13 -0400 (EDT) Date: Wed, 30 May 2001 16:08:13 -0400 (EDT) Message-Id: <20010530195507.25296.qmail@web13603.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: la_dolcessa@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Jenny=20McGregor?= To: Multiple recipients of list SAVOYNET Subject: In defense of the Mikado (fairly long) MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Wed, 30 May 2001 16:08:13 -0400 (EDT) Reply-To: la_dolcessa@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Jenny=20McGregor?= To: Multiple recipients of list SAVOYNET Subject: In defense of the Mikado (fairly long) Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Before I begin my defense of The Mikado, I'd like to point out that there is a world of a difference between the Mikado and ALWebber. Why the Mikado has survived for so long I'm not sure, possibly because it's a neat little tale with a happy ending and pretty music. ALW sells because it offers the public falling chandeliers, people dressed as cats, people on roller skates and an evening of thought-free entertainment. Certain people should stop looking down their noses at anything popular. It's people like that who get us Verdi in our opera houses when we should have Mozart and who don't give Terry Pratchett prizes. So there. Now, back to the Mikado. If you don't like works in which the chorus adds nothing to the plot, make sure you avoid Greek plays. I'm sure Euripedes and Aristophanes would be very upset, although I haven't asked them yet. Possibly the reason for now giving the principals the chorus music had something to do with the fact that the chorus members at the Savoy would have been a bit miffed at suddenly being unceremoniously chucked out. The characters are not one-dimensional unless you play them as such. Usually they are played so, Yum-Yum simpers, Ko-Ko clowns, Katisha menaces, Peep-Bo and Pitti-Sing are barely there.... But it's the actor's job to inject some life into them. They can have more substance if you let them. I'm going to use Yum-Yum as my example because it's my favourite part. This is a girl who knows what she wants. She knows she's lovely and she'll happily hitch her wagon to the most beneficial star. When Nanki-Poo's just a wandering minstrel there's no way she'll give up a Lord High Executioner for him. When he's heir apparent she's his - until she realises it will result in her death. He may be willing to die for her, but she's not returning the favour. So back to the LHExecutioner she goes. Only when she knows her life is safe does she transfer her affections once more. This is not the attitude of a simpering heroine, devoted to the hero. She's a calculating type. Just because she's clever doesn't mean she's anything other than naive, though. I hate seeing her played as knowing and rather sluttish. She isn't. She's just out of school and has a distinct Lydia Bennett streak - flirty but innocent. She's also quite manipulative. She wouldn't go to the trouble of fluttering her eyelashes if she didn't think it was going to get her somewhere. If companies will insist on allowing their principals to put minimum insight into their characters, they'll get stuck with one-dimensional beings. Too many directors encourage everyone to play their character for laughs. Don't. Play the character with sincerity and the laughs will come naturally. When Yum-Yum says "Well of course I know nothing about these things," , don't have her drag the line out - "Well of _course_, I know nooooooothing aboooouuuut these thiiiiiings," - the audience will not laugh because it's too obvious. Trying to weigh the line down with innuendo doesn't help. It's not in character. A character is more what you make of it than anything else. IMHO, the weakest character in the Savoy Operas is Lisa in GD. She's such a wuss!! All she seems to do is tag around after Ludwig and cry. A true simpering heroine, wrist to forhead, wringing hands, I wouldn't be surprised if she even dresses in white and faints whenever anything interesting happens. Pale in comparison to Julia, who at least has spirit! I'll stop now. I don't think the Mikado deserves the criticism it gets. However bad it is, it's always going to be popular. And public opinion is what keeps a show going. People paying money for a ticket. And Mikado's always going to be more popular than Sondheim. Set that down, Master Wakely! :-) Jenny McGregor Edinburgh ____________________________________________________________ Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie  1,, Summary-line: 30-May ajcrowth@globalnet.co.uk [79] #Re: Mikado Merits X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA28685; Wed, 30 May 2001 16:10:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA16258 for ; Wed, 30 May 2001 16:10:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA17558; Wed, 30 May 2001 16:09:06 -0400 (EDT) Date: Wed, 30 May 2001 16:09:06 -0400 (EDT) Message-Id: <01c0e943$9bf0bce0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Mikado Merits MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Wed, 30 May 2001 16:09:06 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Mikado Merits Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Readers of my book "Contradiction Contradicted" (available from all good book ordering services) will know that I had some quite harsh things to say about "The Mikado". Since I wrote it, I have modified my opinions rather, but I still have mixed views on it. Still, Charlie Wakeley's attitude seems to me over-the-top. I agree that the chorus is largely irrelevant in "The Mikado". The same is true in many operas---in "The Marriage of Figaro", for instance, the first example that comes to mind. In this respect G&S opera is the great honourable exception. "The Mikado" also contains a central character who is equally irrelevant--Pooh-Bah. He has no plot purpose, except to provide "witnesses" to the execution, which is a tiny detail Gilbert could have solved any number of other ways. Pooh-Bah's only function is to exist--which he does admirably, as his presence in the English dictionary attests. I am astonished at Charlie's condemnation of the songs---the music of the Little List is, to me, a triumph for Sullivan, showing how to create a real, memorable bit of music, funny and full of Ko-Ko's character, while ostensibly providing a mere accompaniment to Gilbert's words. I'm not a musician, but doesn't it make you smile just to hear that delicate plucking introduction? What about the sudden cascading end of the song, utterly unconventional? Gilbert's libretto is an astonishing piece of sleight-of-hand. Charlie describes it as "very lightweight indeed". But it is an opera in which the characters are shown under threat of horrible death by beheading, burial alive, boiling in oil, and so on. It shows them fighting for their lives. Ko-Ko, in order to save himself, agrees to give away his bride-to-be on condition that he can kill the other man after a month. Start thinking about what happens in the opera, and you may start to think "What am I laughing at?" Yet it *is* a light, funny opera, capable of leaving the audience in a state of euphoria and thoroughly laughed-out---if it's done properly. It also has some surprisingly contemplative lyrics, often ignored but providing their own aspect to the whole: Is it but a world of trouble-- Sadness set to song? Is its beauty but a bubble Bound to break ere long? -------------- Life's eventime comes much too soon --------------- All must sip the cup of sorrow-- I to-day and thou to-morrow ------------------- See how the Fates their gifts allot, For A is happy--B is not. It is a funny opera, but also rather melancholy to a thinking auditor. The characters may be one-dimensional, but the opera itslef is not. I don't think it's the best of G&S, but it's far from the worst. But don't get me onto the subject of "The Gondoliers"..... Andrew Crowther 82, The Avenue, Clayton, Bradford BD14 6RT, Great Britain. tel: (+44) 1274 882143. ajcrowth@globalnet.co.uk Visit Babliophile, my W.S. Gilbert site, at: http://www.users.globalnet.co.uk/~ajcrowth/babphile.htm "We know it's weakness, but the weakness is so strong!" - W.S. Gilbert, "Iolanthe"  1,, Summary-line: 31-May tytso@MIT.EDU [25] #I'm now an uncle! :-) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA19746; Thu, 31 May 2001 17:18:47 -0400 (EDT) Received: from think.thunk.org (THINK.THUNK.ORG [216.175.175.162]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA24372; Thu, 31 May 2001 17:18:46 -0400 (EDT) Received: from tytso by think.thunk.org with local (Exim 3.22 #1 (Debian)) id 155Zq9-00017H-00; Thu, 31 May 2001 17:18:45 -0400 Date: Thu, 31 May 2001 17:18:45 -0400 From: Theodore Tso To: dinner@mit.edu, cjsmith@bayarea.net, saviour@world.std.com Subject: I'm now an uncle! :-) Message-ID: <20010531171845.C4181@think.thunk.org> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.3.15i *** EOOH *** Date: Thu, 31 May 2001 17:18:45 -0400 From: Theodore Tso To: dinner@mit.edu, cjsmith@bayarea.net, saviour@world.std.com Subject: I'm now an uncle! :-) Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.3.15i Just thought I'd mention that as of two nights ago, I became an uncle. Whee! Just after midnight on Tuesday (they delayed things a little so that my sister and he could have the maximum amount of time in the hospital; apparently insurance companies count "two days" starting at midnight), Justin Michael Ts'o came into the world to two very proud (but exhausted) parents. Justin was apparently eager to enter into the world, coming as he did three weeks early. But despite that, he seems to be doing just fine, although he did have to use an oxygen tent for a little while. My sister and Frank says he's the most handsome baby in the nursery. Of course, she may be a bit biased, but I think that's excusable, under the circumstances. :-) - Ted  1,, Summary-line: 1-Jun kalyba@yahoo.com [50] #G&S Day on Jeopardy X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA11154; Fri, 1 Jun 2001 02:16:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA16282 for ; Fri, 1 Jun 2001 02:16:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA27994; Fri, 1 Jun 2001 02:16:17 -0400 (EDT) Date: Fri, 1 Jun 2001 02:16:17 -0400 (EDT) Message-Id: <20010601055915.9030.qmail@web12302.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kalyba@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Frances Yasprica To: Multiple recipients of list SAVOYNET Subject: G&S Day on Jeopardy MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 1 Jun 2001 02:16:17 -0400 (EDT) Reply-To: kalyba@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Frances Yasprica To: Multiple recipients of list SAVOYNET Subject: G&S Day on Jeopardy Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On the Wednesday, May 30 showing of the US TV quiz show JEOPARDY (I was once a contestant!) they seemed to be paying tribute to G&S during the second round with the names of the categories. Here they are: Very Mode "L" (all answers start with "L") Major Generals Vegetable, Animal, or Mineral Kings of England Fights Historical Matters Mathematical When the host, Alex Trebek, read the categories, he said "There is a theme..." but did not further elucidate. During the course of the game there were only two questions that had further pertinence. In "Kings of England" the clue was "In 1883 Queen Victoria knighted Arthur Sullivan. 24 years later this son knighted W.S. Gilbert." (That was Edward VII. The contestant was off by one, answering Edward VI.) In "Matters Mathematical" they gave an example of a monomial, and then another equation (which of course was a binomial). Frances Yasprica __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/  1,, Summary-line: 1-Jun nhgandssociety@leddycente [36] #=?iso-8859-1?Q?Gilbert=20and=20Sullivan=20Posters?= X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA28648; Fri, 1 Jun 2001 10:18:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA22176 for ; Fri, 1 Jun 2001 10:18:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA16573; Fri, 1 Jun 2001 10:18:01 -0400 (EDT) Date: Fri, 1 Jun 2001 10:18:01 -0400 (EDT) Message-Id: <3B14B09D00000DA8@mail.san.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nhgandssociety@leddycenter.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?Q?NH=20Gilbert=20=26=20Sullivan=20Society?= To: Multiple recipients of list SAVOYNET Subject: =?iso-8859-1?Q?Gilbert=20and=20Sullivan=20Posters?= MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 1 Jun 2001 10:18:01 -0400 (EDT) Reply-To: nhgandssociety@leddycenter.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?Q?NH=20Gilbert=20=26=20Sullivan=20Society?= To: Multiple recipients of list SAVOYNET Subject: =?iso-8859-1?Q?Gilbert=20and=20Sullivan=20Posters?= Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello, all! I have a friend who is accumulating posters from all the shows he has appeared in to decorate the home theater he is currently building. He has been having a very hard time finding (affordable) Gilbert and Sullivan posters. Any suggestions? He needs: Gondoliers Iolanthe Mikado Pirates Ruddigore Yeomen Thank you so much! Ellen "Oh, joy! Oh, rapture!" Presenting Gilbert and Sullivan's works every spring since 1991! NH Gilbert and Sullivan Society Leddy Center for the Performing Arts 131-133 Main Street PO Box 929 Epping, NH 03042-0929 603-679-2781 Fax: 603-679-1978 Website: www.leddycenter.org  1, answered,, Summary-line: 1-Jun CJ@sftlaw.com [14] #Re: Noises Off X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA04210; Fri, 1 Jun 2001 16:02:05 -0400 (EDT) Received: from sftlaw.com (mail.sftlaw.com [38.209.248.2] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id QAA25082 for ; Fri, 1 Jun 2001 16:01:56 -0400 (EDT) Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Fri, 01 Jun 2001 16:01:38 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 5.5.4.1 Date: Fri, 01 Jun 2001 16:01:17 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Fri, 01 Jun 2001 16:01:17 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Sure.... um....Sure!! That's a weekend, we can *do* that!! Remind us, etc., and I'd like to see the show (can't vouch for the husband-unit)!! CJ, who's still a bit sad she couldn't see Ruth when she was here  1, answered,, Summary-line: 1-Jun CJ@sftlaw.com [19] #Re: Noises Off X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA11359; Fri, 1 Jun 2001 16:18:19 -0400 (EDT) Received: from sftlaw.com (mail.sftlaw.com [38.209.248.2] (may be forged)) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id QAA14982 for ; Fri, 1 Jun 2001 16:18:14 -0400 (EDT) Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Fri, 01 Jun 2001 16:18:08 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 5.5.4.1 Date: Fri, 01 Jun 2001 16:17:48 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Fri, 01 Jun 2001 16:17:48 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Yah - the same weekend as the SF Con we run, CastleCon. Oh well... Y'all can crash on our couch, if you like (it's the futon thingy that folds out); we'll even try to remember to vacuum so there aren't any stray biohazards to trick you out. The only warning: my mother does tend to like going out to breakfast on Sundays, and if we let her know you're in town, she'd love to see you (look at it this way: free cholesterol at Bob Evan's).... CJ  1,, Summary-line: 3-Jun tere@MIT.EDU [27] #Contact Info X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA00934; Sun, 3 Jun 2001 11:19:32 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA22684; Sun, 3 Jun 2001 11:19:31 -0400 (EDT) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.184.0.50]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id LAA16621; Sun, 3 Jun 2001 11:19:30 -0400 (EDT) Received: (from tere@localhost) by all-night-tool.mit.edu (8.9.3) id LAA07717; Sun, 3 Jun 2001 11:19:29 -0400 (EDT) Message-Id: <200106031519.LAA07717@all-night-tool.mit.edu> To: tere@MIT.EDU Subject: Contact Info Date: Sun, 03 Jun 2001 11:19:28 -0400 From: Teresa Hernandez *** EOOH *** To: tere@MIT.EDU Subject: Contact Info Date: Sun, 03 Jun 2001 11:19:28 -0400 From: Teresa Hernandez Hi everyone! Hope everything is going well, and you are all enjoying the start of summer. Well, I am finally graduating, and officially being kicked out of my sometimes-but-not-very-often air conditioned dorm room :o). This is just a quick note to let you all know where you can reach me after Saturday... and to be honest, if you pretty much ever need to get a hold of me, just mail stuff here and it will be forwarded:o) Address: 1803 E 6th St. Pueblo, CO 81001 Phone: (719) 545-9929 E-mail Address: tdh@alum.mit.edu (that's right! someone stole tere@alum before I got there!) or tere@mit.edu (for at least the next several months) Take care everyone and keep in touch! Tere  1,, Summary-line: 4-Jun to: CJ@sftlaw.com [19] #Re: Noises Off X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA23943; Mon, 4 Jun 2001 15:22:14 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA06734; Mon, 4 Jun 2001 15:22:13 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id PAA17130; Mon, 4 Jun 2001 15:22:13 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA29086; Mon, 4 Jun 2001 15:22:13 -0400 (EDT) Date: Mon, 4 Jun 2001 15:22:13 -0400 (EDT) Message-Id: <200106041922.PAA29086@multics.mit.edu> From: "David C. Jedlinsky" To: CJ@sftlaw.com In-reply-to: (CJ@sftlaw.com) Subject: Re: Noises Off References: *** EOOH *** Date: Mon, 4 Jun 2001 15:22:13 -0400 (EDT) From: "David C. Jedlinsky" To: CJ@sftlaw.com In-reply-to: (CJ@sftlaw.com) Subject: Re: Noises Off Well, I booked the plane and the car. I arrive at BWI on Saturday, July 14, just before noon, and leave Sunday at 8:45. Noises Off is in Silver Spring on Saturday night. Other than that, I've got nothing planned, and breakfast with your mom is fine. :-) Got any other plans for the weekend, and is BJ interested in the show? I'll take care of getting tickets once I know how many to get. Thanks for the crash space! -Dave  1,, Summary-line: 7-Jun walker@netway.com [157] #MITCP: Rescheduled "I Hate Hamlet" Auditions Mon & Wed June 11 & X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA01309; Thu, 7 Jun 2001 12:09:07 -0400 (EDT) Received: from shell2.mdc.net (root@shell2.mdc.net [209.251.64.28]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA23960; Thu, 7 Jun 2001 12:08:15 -0400 (EDT) Received: from localhost (walker@localhost) by shell2.mdc.net (8.9.3/8.9.3) with ESMTP id MAA89094; Thu, 7 Jun 2001 12:15:22 -0400 (EDT) (envelope-from walker@netway.com) X-Authentication-Warning: shell2.mdc.net: walker owned process doing -bs Date: Thu, 7 Jun 2001 12:15:22 -0400 (EDT) From: Bob Mussett X-Sender: walker@shell2.mdc.net To: mitcp@mit.edu, mitcp-announce@mit.edu Subject: MITCP: Rescheduled "I Hate Hamlet" Auditions Mon & Wed June 11 & 13! Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** X-Authentication-Warning: shell2.mdc.net: walker owned process doing -bs Date: Thu, 7 Jun 2001 12:15:22 -0400 (EDT) From: Bob Mussett X-Sender: walker@shell2.mdc.net To: mitcp@mit.edu, mitcp-announce@mit.edu Subject: MITCP: Rescheduled "I Hate Hamlet" Auditions Mon & Wed June 11 & 13! Content-Type: TEXT/PLAIN; charset=US-ASCII This e-mail contains UPDATED information about the auditions. If you are at all interested in auditioning, please read through this e-mail again as some of the audition specifics have changed. * * * * * * * * * * * * * The MIT Community Players' summer show is "I Hate Hamlet" by Paul Rudnick to be directed by Jim Lynch This e-mail includes audition information, character descriptions, a show synopsis, and information for those interested in techincal positions. This information is also available on the web at http://web.mit.edu/mitcp/ Come on down and audition! AUDITION INFO: Auditions will be Monday and Wednesday, June 11th and 13th, in room 4-149 on the MIT Campus from 7PM to 9:30PM. IF YOU CAN'T MAKE IT TO ONE OF THESE AUDITION NIGHTS, please contact us at mitcp-board@mit.edu to reschedule. Directions can be found at http://whereis.mit.edu/bin/map?locate=bldg_4 It is very important that all actors are able to be OFF BOOK by the end of JUNE. Also, everyone auditioning needs to make sure they are available evenings July 29th through August 2 for the mandatory tech/dress rehearsals, as well as all performance dates, which are August 3-5 and 9-11. A CHANGE IN THE AUDITION PROCESS FOR ANDY AND BARRYMORE The parts of Barrymore and Andy are quite large and will need a substantial time commitment; Deirdre to a lesser extent. The other characters are great fun, but not as huge. If you are auditioning for the roles of Barrymore or Andy, the memorized Shakespeare monologue is no longer required. Monologues from the play will be supplied to you at the audition, and you will be given time to prepare for them as best you can. The rest of the auditions will involve cold readings from the script. SYNOPSIS: When Andy's TV show is cancelled, he moves back to New York to dabble in acting classes and theatre. But things don't seem to be working out. Deirdre, his girlfriend of five months (he met her in acting class) won't sleep with him until she is sure "he's the one." His realtor Felicity rents him a gothic retreat (once owned by John Barrymore) when he prefers modern surroundings. His agent Lillian gets him the lead in Hamlet in a Shakespeare in the Park production (a part which terrifies him). His former TV director has a new, multi-million job prospect with a ridiculous premise back in LA. And now the ghost of Barrymore won't leave him alone. Any wonder why he hates Hamlet?? This play dissects and confronts the nature of the actor and theatre with wit and humor. Will Andy sell out, should he sell out? Why does he act at all? What is good acting? Why is Shakespeare important? Paul Rudnick weaves all of these issues in, confronting not merely Andy but the struggling modern theatre itself, scorned by a generation bred on television and supported by a dedicated few. CHARACTER DESCRIPTIONS: John Barrymore: The ghost who comes back to help Andy play Hamlet. He has a strong voice and manner, is witty, and has a devil-may-care attitude. See: http://www.mdle.com/ClassicFilms/FeaturedStar/star12.htm to learn more about the real man. Andy Rally: Played an ER-style doctor on TV, now is in New York to hone his craft. Andy is at a crossroads of life. Gary: A super hip writer-producer-director that loves his life, hype, and making that next big deal for a hit show. Deirdre: Andy's self-confessed 29-year-old virgin girlfriend who is in love with romance, and needs a good swoon every hour or so. She is a valley girl who believes she is a Bronte heroine. Lillian: a 70-something woman who came to the US from Germany in the 40's, she is Andy's agent. Tough and smart, with a sly sense of humor and an interesting past. Felicity: The real estate agent who is also psychic. She is the type who will use any means to get someone in a place she thinks is right for them, like human sacrifice and cheese. BEHIND THE SCENES We will be interviewing people interested in crew positions over the coure of the next week or two. Please contact the board at mitcp-board@mit.edu to schedule an interview. There will be assistant/apprentice positions available for those who are not experienced and/or are wanting to learn. Positions available include: Producer! Stage Manager Technical Director Set Designer Lighting Designer Costume Designer Sound Designer Properties Manager Publicity Manager Publicity Designer Program Designer Ad Sales Manager Master Carpenter Master Electrician Master Stitcher Scenic Artist We hope to see you at the auditions! The MIT Community Players  1,, Summary-line: 8-Jun drsmith@sword.com [34] #Flying in June X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA14046; Fri, 8 Jun 2001 15:50:28 -0400 (EDT) Received: from sword.com ([199.92.100.10]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA01845; Fri, 8 Jun 2001 15:50:06 -0400 (EDT) Received: from sword.com (localhost [127.0.0.1]) by sword.com (8.10.0.Beta10/8.10.0.Beta10) with ESMTP id f58Jnwe15980; Fri, 8 Jun 2001 15:49:58 -0400 Message-Id: <200106081949.f58Jnwe15980@sword.com> From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, diedrich@MIT.EDU, estock@MIT.EDU, junder@MIT.EDU, lwolf@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, deborah@suberic.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com cc: drsmith@sword.com Subject: Flying in June Date: Fri, 08 Jun 2001 15:49:58 -0400 Sender: drsmith@sword.com *** EOOH *** From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, diedrich@MIT.EDU, estock@MIT.EDU, junder@MIT.EDU, lwolf@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, deborah@suberic.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com cc: drsmith@sword.com Subject: Flying in June Date: Fri, 08 Jun 2001 15:49:58 -0400 Sender: drsmith@sword.com I have the Decathalon (a 2 seat aerobatic bird) scheduled several times throughout June. If you interested in comming along let me know. The bird is based at Hanscom AFB near Rt2/Rt128. Date Time Passenger Wed 06/13 7:30AM -> 9:30AM Avail Thu 06/14 7:30AM -> 9:30AM Avail Tue 06/19 7:30AM -> 9:30AM Jayne Thu 06/21 7:30AM -> 9:30AM Avail Tue 06/26 7:30AM -> 9:30AM Avail Thu 06/28 7:30AM -> 9:30AM Avail David Smith Standard caveats: 0. I think people getting this email have expressed interest in bumming a ride when I go flying. If I am mistaken, let me know and I'll stop sending you the email. 1. If the weather sucks I won't be flying. I can make a good guess the night before, but won't know for sure until the morning weather briefing becomes available.  1,, Summary-line: 14-Jun a1srm@hotmail.com [45] #Yeomen at Covent Garden X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA18004; Thu, 14 Jun 2001 15:18:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA16002 for ; Thu, 14 Jun 2001 15:18:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA18133; Thu, 14 Jun 2001 15:17:27 -0400 (EDT) Date: Thu, 14 Jun 2001 15:17:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: a1srm@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Steven Martin" To: Multiple recipients of list SAVOYNET Subject: Yeomen at Covent Garden Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 14 Jun 2001 15:17:27 -0400 (EDT) Reply-To: a1srm@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Steven Martin" To: Multiple recipients of list SAVOYNET Subject: Yeomen at Covent Garden Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I don't know whether this has been mentioned on Savoynet before, but I only just read this today on the website for the Royal Opera House. There are to be some performances of "Yeomen of the Guard" at the Royal Opera's studio theatre (a new venue built as part of the recent renovations) in August. The website listing reads: British Youth Opera The Yeomen of the Guard - Gilbert and Sullivan 23 August at 7.30pm 24 I 25 August at 2.30pm & 7.30pm 26 August at 4.00pm Following sold-out performances of The Abduction from the Seraglio last year, BYO returns to the Linbury with its production of Gilbert and Sullivan's least topsy-turvy opera The Yeomen of the Guard. Many singers from recent BYO productions are now performing with major national and international opera companies. This is a rare opportunity to see some future stars at the beginning of their careers. Prices: £16, £11, (£5 standing) Steven Martin Lubbock, Texas USA _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com  1,, Summary-line: 15-Jun mstorie@nwlink.com [61] #PLUG -- MIKADO Internet Broadcast from Seattle X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA15497; Fri, 15 Jun 2001 02:24:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id CAA03774 for ; Fri, 15 Jun 2001 02:24:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA07398; Fri, 15 Jun 2001 02:23:15 -0400 (EDT) Date: Fri, 15 Jun 2001 02:23:15 -0400 (EDT) Message-Id: <3B29A74D.79D5ED25@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: PLUG -- MIKADO Internet Broadcast from Seattle MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Fri, 15 Jun 2001 02:23:15 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: PLUG -- MIKADO Internet Broadcast from Seattle Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Monday evening, June 18, at 8PM (Pacific Daylight Time -- GMT-8) The Seattle Gilbert & Sullivan Society will participate in an Internet preview of our production of "The Mikado" that will open at the Bagley Wright Theatre at Seattle Center on July 13th for a three week run. KING-FM in Seattle has a web site (www.king.org) from which you can listen to the broadcast with stereo sound and with "web-cam" photos of the performers in the studio. If necessary, you can also download a free Real Audio player from that site. You can also access the KING-FM site via our web site at www.pattersong.org For audiences local to the Seattle area, KING will also broadcast the show on 98.1 FM. As an added bonus, our pianist will be noted Savoynetter Steve Lichtenstein. The show will last approximately 1 hour and the musical numbers will consist of the following (We are using the new Dover Scores). Act I 1 If you want to know who we are... (2:19) 2 A wand'ring minstel I... (4:00) 3 Our Great Mikado, Virtuous man... (2:58) 5 Behold the Lord High Executioner/Taken from a... (2:34) 5a I've got a little list... (2:50) 6 Comes a train of little ladies... (2:05) 7 Three little maids from School... (1:30) 8 So Please you sir... (1:57) 9 Were you not to Ko-Ko plighted... (2:16) 10 I am so proud... (3:00) 11 Finale, Act I (Start with "Away nor prosecute...") (5:45) Act II 12 Braid the Raven Hair (2:50) 13 The sun who's rays... (2:36) 14 Brightly Dawns her wedding day (3:39) 15 Here's a Howdy-do... (1:24) 17 My Object all sublime... (4:26) 23 There is beauty in the bellow...(2:15) 24 For he's gone and married Yum-Yum/The threatened cloud/Finale (2:01) The broadcast will feature a chorus of 28 plus 9 principals (In a VERY small studio). Narration will be by Dave Ross. Mike Storie Producer  1,, Summary-line: 15-Jun goodmanj@uchicago.edu [32] #Modems & Swapfest X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA09509; Fri, 15 Jun 2001 23:55:41 -0400 (EDT) Received: from swan.mail.pas.earthlink.net (swan.mail.pas.earthlink.net [207.217.120.123]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA06051; Fri, 15 Jun 2001 23:55:37 -0400 (EDT) Received: from uchicago.edu (user-33qt9uu.dialup.mindspring.com [199.174.167.222]) by swan.mail.pas.earthlink.net (EL-8_9_3_3/8.9.3) with ESMTP id UAA22200; Fri, 15 Jun 2001 20:55:25 -0700 (PDT) Sender: goodmanj@earthlink.net Message-ID: <3B2AD8B2.A4C70DC1@uchicago.edu> Date: Fri, 15 Jun 2001 22:55:30 -0500 From: Jason Goodman X-Mailer: Mozilla 4.72 [en] (X11; U; Linux 2.2.14-5.0 i686) X-Accept-Language: en MIME-Version: 1.0 To: dinner@mit.edu, lcs@mit.edu, zacheiss@mit.edu Subject: Modems & Swapfest Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: goodmanj@earthlink.net Date: Fri, 15 Jun 2001 22:55:30 -0500 From: Jason Goodman X-Accept-Language: en To: dinner@mit.edu, lcs@mit.edu, zacheiss@mit.edu Subject: Modems & Swapfest Content-Type: text/plain; charset=us-ascii Several years ago, I found an external 33.6 kbps modem at Swapfest for around $20. Several days ago, it got cooked by a distant lightning strike. (It's kind of cool: it dials in and talks just fine, but you can only hang up by unplugging it.) I've been trying to buy a replacement on Ebay, which has proven to be annoying. So, are any of you going to Swapfest this weekend? If so, and if you're willing to look for a modem for me and ship it, please respond. I'm willing to pay $20 plus shipping for a 33.6, or $35 for a 57.6 v.90. I'd prefer US Robotics Sportster or Diamond Supra brand. It must be an external, serial-port modem: internal and USB modems are too unlikely to work with Linux to be worth my time. Alternatively, do any of you have a spare modem of this sort lying around in your houses which I could buy? Please don't buy a modem from Swapfest until you hear back from me: I want to be sure I don't end up with two! -- Jason Goodman, Research Associate, Dept. of Geophysics, University of Chicago goodmanj@uchicago.edu goodmanj@mit.edu http://www.mit.edu/~goodmanj/  1,, Summary-line: 17-Jun dduffey@argonet.co.uk [41] #Conceqwences X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA27540; Sun, 17 Jun 2001 07:37:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA07811 for ; Sun, 17 Jun 2001 07:37:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA14292; Sun, 17 Jun 2001 07:36:38 -0400 (EDT) Date: Sun, 17 Jun 2001 07:36:38 -0400 (EDT) Message-Id: <000701c0f720$fe2314e0$890fbc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Conceqwences MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Sun, 17 Jun 2001 07:36:38 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Conceqwences Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Since the concert given as part of the Conceqwert Jill and I have received nothing but praise - and qweries as to when the next one will be. We have remained non-committal, but I did not have it in mind to repeat the event. HOWEVER I've just received a telephone call asking whether "our group" could be "booked" to do a similar concert in the village of Huncots, Leicestershire at a date of our convenience, but in April or May next year. This village is apparently close to the geographical centre of England, but not, as far I know near any likely Qwert location. It would have to be a travel, rehearse, perform, go home sort of event, although the possibility of home hospitality around the village was mentioned. What do people think? Private replies please. David David Duffey The Wash England  1,, Summary-line: 17-Jun buttercup16@juno.com [50] #Re: rhyming redux OTBI X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA02344; Sun, 17 Jun 2001 11:21:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA21629 for ; Sun, 17 Jun 2001 11:21:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA16992; Sun, 17 Jun 2001 11:20:56 -0400 (EDT) Date: Sun, 17 Jun 2001 11:20:56 -0400 (EDT) Message-Id: <20010617.111624.-529651.0.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: rhyming redux OTBI MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.9 *** EOOH *** Date: Sun, 17 Jun 2001 11:20:56 -0400 (EDT) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: rhyming redux OTBI Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum OK, just one more otbi. I cannot for the life of me figure out how an English or Scottish savoynetter could look at Ponds/Franz and not see (hear) at least an internal rhyme. Would one of you kindly let me know what Franz rhymes with? And for whomever of you referred to the American "drawl," be advised that Americans consider the drawl restricted to south of the Mason Dixon line and even further. Americans do not drawl.southern Americans drawl. There are regional accents galore, of course but I'm pretty sure that if Ponds were spelt "Ponz" it would rhyme with Franz pretty much throughout. On Sun, 17 Jun 2001 04:12:56 +0100 "David Duffey" writes: > This thread seems to have got to the OTBI stage (off topic but > irresistible- > pronunced "ohteebee") - . It's delightful that the usually > phonologically > derided US SavoyNetters get a chance to have a swipe at UK > pronunciations. > > I just love the rhyme from "It ain't necessarily so" (but I'm not > sure how > it's spelled in the lyric) > > The things that you're liable > To read in the bible > > David > > David Duffey > The Wash > England > > Sandy Rovner Silver Spring, Md a 'burb of Washington, D.C. "...neither rich nor clever..."  1,, Summary-line: 17-Jun SSilvers@sskfg.com [36] #Re: Copyrighted RUDDIGORE? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA14933; Sun, 17 Jun 2001 11:44:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA00102 for ; Sun, 17 Jun 2001 11:44:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA17705; Sun, 17 Jun 2001 11:44:15 -0400 (EDT) Date: Sun, 17 Jun 2001 11:44:15 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Copyrighted RUDDIGORE? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Sun, 17 Jun 2001 11:44:15 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Copyrighted RUDDIGORE? Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >>> Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA03284; Sun, 17 Jun 2001 16:11:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA22095 for ; Sun, 17 Jun 2001 16:11:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA22058; Sun, 17 Jun 2001 16:10:40 -0400 (EDT) Date: Sun, 17 Jun 2001 16:10:40 -0400 (EDT) Message-Id: <3B2D0C8F.6BEE49EC@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Copyrighted RUDDIGORE? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sun, 17 Jun 2001 16:10:40 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Copyrighted RUDDIGORE? Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Combining replies to several posts here.... Andi wrote: > It was my impression that they still can't reach > across the Atlantic with regard to G&S materials, > however....It was my understanding that G&S material > has always been in the public domain here.... That is true. But at the time G&S were writing, there were no reciprocal copyright treaties. There are now. Hence, if the OUP RUDDIGORE meets the test for demands of performance royalties under U.S. law, the fact that the base work is in the public domain would be irrelevant. >From the view of my easy chair, the OUP RUDDIGORE full score doesn't come close to meeting that test. Most posters on the thread, except for Bruce Miller, seem to agree. Bear in mind, not one of the posters is an intellectual property lawyer, though one is at least a lawyer (Sam Silvers). As I indicated, OUP might have a more credible argument for its vocal score, for there is substantive original material in there (e.g., their reduction of the expanded "ghost music"). Oddly, Bruce appears to be arguing that OUP's case is stronger for the *full score*, which is hard to comprehend. Moving on to Bruce's post, replying to Phil: > > We'll use the Kalmus orchestrations we already own, although we may > > correct them to meet Sullivan's intentions. > > I don't think you or your company fully realize the implications of this > scheme. "Correcting the parts" would require a massive job of excising and > restoration... I generally assume that other posters realize the implications of what they say, but Bruce is certainly right that it's a big job. This is one reason why one might consider paying the toll to rent OUP's parts. OTOH, I'm not aware if anyone has used these parts in a production yet -- if they are untested, there could be problems. > If you're not careful, your company could end up in litigation. Actually, it's doubtful that OUP would never litigate such a case, although they might send threatening letters -- Phil has already received one. The cost of litigation would vastly exceed the royalties. And should OUP lose (quite likely, IMO), the consequences to them would be disastrous. Far better to threaten lawsuits without filing one: most people are unaware of the law and will simply capitulate. I'm glad Phil is raising the issue, so that the facts can get out. > Oxford have published, at a considerable expense of effort and funding, > what is likely to be the unquestioned standard edition of Ruddigore for > a generation. The editor, David Russell Hulme, worked on it for at least > 20 years before it was published. Don't you think you owe him and the > publisher a public acknowledgment, and at least find out what they want > in return for the permission to use their intellectual property? These emotionally compelling arguments are legally irrelevant. It's true that David Russell Hulme put in 20 years of work on the edition (for which we should all be eternally grateful), and Oxford invested both time and money. But this does not mean that they have created a work eligible for royalties. As Justice O'Connor wrote, "Copyright rewards originality, not effort." Hulme and OUP are indeed owed something for their effort: it is reflected in the purchase price of the vocal scores (higher than most G&S VSs) and the full score (not cheap, although in line with the Kalmus and Broude editions). Are they entitled to a royalty *on top of that*? Notwithstanding the effort that went into them, it is a legitimate question to ask. I think not. Bruce's point about "a public acknowledgement" is very interesting, but OUP has asked for something a good deal more than that. If OUP were playing it straight, I would argue for an acknowledgement, particularly for Hulme's years of research. I don't think that a performance derived from information gleaned from the score abuses "their intellectual property." It's notable that neither Broude Brothers, nor Dover, nor WVD has made a similar claim for their recently-published G&S scores.(*)(**) (*) Broude does charge a royalty for "Reflect, my child," in view of the fact that the reconstruction has substantive original material. (**) Of course, the Dover & WVD editions don't embody anywhere near the kind of effort and scholarship that Broude and Oxford do. But remember, copyright doesn't reward effort and scholarship; it rewards originality. Both Dover and WVD have the same kind of editorial emendations that Oxford and Broude have--those in OUP and Broude are more defensible and are more thoroughly explained, but from a copyright point of view this is irrelevant. If OUP is right from a legal point of view, then surely Dover, WVD and Broude would be entitled to the same kind of protection. > >Now, I know @#$%-ing well that RUDDIGORE is public domain material... > > Not quite. The Oxford edition is _not_ in the public domain; presumably, > you've seen the copyright notice at the bottom of the first page of music. > You are free to use the Kalmus band parts and full score, and the G. > Schirmer and/or Chappell vocal scores, but if you intend to use the new > Oxford edition, you cannot simply perform it without permission. If I were > you, I wouldn't test the resolve of the publisher. With respect, I disagree. The only things legitimately copyrighted in OUP are the commentary and their editorial changes. You don't perform commentary, and no doubt you would ignore many of their editorial changes while adding many of your own -- producing a performance version no less "original" than OUP's claims to be. The fact that the edition has a copyright notice is simply an example of the game publishers have been playing for years -- slapping on copyright notices quite indiscriminately, because most people will observe them whether they are valid or not. Again, the vocal score poses a more interesting problem, since parts of its piano reduction can legitimately claim substantive originality. Back to Andi: > The US and UK legal positions on this want clearing up as soon as > possible--and hopefully without the expense of a court case. The only way to resolve it is to give a performance and see what happens. OUP won't admit they have no case--why should they? But if you don't use their orchestra parts, they're on pretty shaky ground anyway. Sullivan's autograph is now publicly available in the British Library, so anyone can go look at it. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 18-Jun NAHorn@rkmc.com [44] #Video Question X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA22179; Mon, 18 Jun 2001 09:06:03 -0400 (EDT) Received: from [10.100.2.115] (fbext.rkmc.com [208.31.105.20]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA26993 for ; Mon, 18 Jun 2001 09:06:03 -0400 (EDT) Received: from mp-emav1 (unverified) by (Content Technologies SMTPRS 4.2.1) with SMTP id for ; Mon, 18 Jun 2001 08:06:55 -0500 Received: from mp-gwia1.mp.rkmc.com ([10.100.2.6]) by mp-emav1 (NAVIEG 2.1 bld 63) with SMTP id M2001061808022410470 for ; Mon, 18 Jun 2001 08:02:24 -0500 Received: from RKMCPD1-Message_Server by mp-gwia1.mp.rkmc.com with Novell_GroupWise; Mon, 18 Jun 2001 08:05:52 -0500 Message-Id: X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 Date: Mon, 18 Jun 2001 08:05:36 -0500 From: "Nancy A. Horn" To: Subject: Video Question Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Mon, 18 Jun 2001 08:05:36 -0500 From: "Nancy A. Horn" To: Subject: Video Question Content-Type: text/plain; charset="us-ascii" Content-Disposition: inline >>>> Please read the confidentiality statement below <<<< Hi Opus: Hope things are well with you and Ruth. Larry suggested writing to you for this. A friend of mine from work=20 would like to have a video put together to show at his parents' 50th=20 anniversary party in which he would like to include slides, photographs=20 and maybe some video clips.=20 Please mail him at jnlove@rkmc.com if you are able to point him in the=20 direction of a person to contact for such things. I can't recall his time= f rame but don't think the deadline is imminent. Thank you. =20 Nancy (the one who painted the glockenspeil) ______________________________________ =20 Information contained in this e-mail transmission is privileged and confidential. If you are not the intended recipient, do not read, distribute, or reproduce this transmission. If you have received this e-mail transmission in error, please call 612-349-8799. Robins, Kaplan, Miller & Ciresi L.L.P. http://www.rkmc.com=20 ______________________________________  1,, Summary-line: 18-Jun SSilvers@sskfg.com [31] #Copyright Myths X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA14050; Mon, 18 Jun 2001 22:03:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA01509 for ; Mon, 18 Jun 2001 22:03:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA27146; Mon, 18 Jun 2001 22:02:36 -0400 (EDT) Date: Mon, 18 Jun 2001 22:02:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Copyright Myths Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Mon, 18 Jun 2001 22:02:36 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Copyright Myths Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Anyone who wants to understand the U.S. copyright rules surrounding copyright and public domain materials should read the two documents linked below. In addition, it is crystal clear that one can only copyright "original" work, not (in the U.S.) the beauty of the engraving or the sweat poured into the edition. But, just what is an "original" work? See the following: http://www.sneezy.org/clarinet/Misc/46DLJ241noframe.html See also: http://counsel.cua.edu/IP/Public_Domain/Questions.htm If you want to learn more, you can search google for "public domain and music", and you will find hundreds of entries, but you are better off asking the law librarian at a major law library for help.  1,, Summary-line: 18-Jun john_kohl@alum.mit.edu [26] #pics, commentary, diary entries, etc. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA09235; Mon, 18 Jun 2001 23:52:56 -0400 (EDT) Received: from kolvir.arlington.ma.us (kolvir.ne.mediaone.net [24.147.208.225]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA27855 for ; Mon, 18 Jun 2001 23:52:49 -0400 (EDT) Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.11.0/JTK20001203) id f5J3pM503733; Mon, 18 Jun 2001 23:51:22 -0400 (EDT) Date: Mon, 18 Jun 2001 23:51:22 -0400 (EDT) Message-Id: <200106190351.f5J3pM503733@kolvir.arlington.ma.us> From: John Kohl To: dinner@mit.edu, "E. James and Irene Kohl" , Pete and Peg Sorensen , Sarah Kohl and Stephen Wawrose , James and Judith Kohl , Sue and Lee Goetcheus , Carol Wohlgemuth , Elaine Shilling , Jim Fulton , Kian-Tat Lim , Carolyn Melita Subject: pics, commentary, diary entries, etc. X-US-Snail: 34 James Street, Arlington, MA 02474 *** EOOH *** Date: Mon, 18 Jun 2001 23:51:22 -0400 (EDT) From: John Kohl To: dinner@mit.edu, "E. James and Irene Kohl" , Pete and Peg Sorensen , Sarah Kohl and Stephen Wawrose , James and Judith Kohl , Sue and Lee Goetcheus , Carol Wohlgemuth , Elaine Shilling , Jim Fulton , Kian-Tat Lim , Carolyn Melita Subject: pics, commentary, diary entries, etc. X-US-Snail: 34 James Street, Arlington, MA 02474 Hi all, I've gotten my pictures, diary entries, and commentary cleaned up and presentable now. Enjoy! http://kolvir.arlington.ma.us/bikeride/ -- ==John Kohl , Home page: Bicycled across the USA in 2001! Riding in the Pan-Massachusetts Challenge with my wife  1, answered,, Summary-line: 19-Jun CJ@sftlaw.com [12] #Re: Noises Off X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA07838; Tue, 19 Jun 2001 14:56:41 -0400 (EDT) Received: from sftlaw.com (mail.sftlaw.com [38.209.248.2]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id OAA18576 for ; Tue, 19 Jun 2001 14:56:40 -0400 (EDT) Received: from SFT_PO-Message_Server by sftlaw.com with Novell_GroupWise; Tue, 19 Jun 2001 14:56:41 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 5.5.4.1 Date: Tue, 19 Jun 2001 14:56:07 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Tue, 19 Jun 2001 14:56:07 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Noises Off Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline OK, we both (Bj and Me) would like a ticket (I've only seen the movie,=20 never the play)...!! CJ  1,, Summary-line: 19-Jun to: LHall@tscwo.com [21] #Re: Noises Off! X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA07554; Tue, 19 Jun 2001 18:41:45 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA11208; Tue, 19 Jun 2001 18:41:44 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA25866; Tue, 19 Jun 2001 18:41:44 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA14839; Tue, 19 Jun 2001 18:41:43 -0400 (EDT) Date: Tue, 19 Jun 2001 18:41:43 -0400 (EDT) Message-Id: <200106192241.SAA14839@multics.mit.edu> From: "David C. Jedlinsky" To: LHall@tscwo.com In-reply-to: <0BD1315E19DCD4118D7E00104BD0F16B04EA04@MAILMAN> (message from Leta Hall on Thu, 31 May 2001 15:54:12 -0400) Subject: Re: Noises Off! References: <0BD1315E19DCD4118D7E00104BD0F16B04EA04@MAILMAN> *** EOOH *** Date: Tue, 19 Jun 2001 18:41:43 -0400 (EDT) From: "David C. Jedlinsky" To: LHall@tscwo.com In-reply-to: <0BD1315E19DCD4118D7E00104BD0F16B04EA04@MAILMAN> (message from Leta Hall on Thu, 31 May 2001 15:54:12 -0400) Subject: Re: Noises Off! Hi Leta! How's the show going, now that you're getting down to the wire? Could I get three tickets for the Saturday night performance on July 14? Thanks! -Dave P.S. Ruth can't come, unfortunately, but I talked two of my friends from Springfield into coming with me.  1,, Summary-line: 19-Jun MusikDrama@aol.com [43] #Re: A hot Gondoliers? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA14236; Tue, 19 Jun 2001 21:40:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA13567 for ; Tue, 19 Jun 2001 21:40:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA28919; Tue, 19 Jun 2001 21:39:25 -0400 (EDT) Date: Tue, 19 Jun 2001 21:39:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A hot Gondoliers? Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Unknown (No Version) *** EOOH *** Date: Tue, 19 Jun 2001 21:39:25 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A hot Gondoliers? Content-Type: text/plain; charset=ISO-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum We have a new parodist on Savoynet; welcome aboard, Tom! That one was really worthy of our own Arthur Robinson or Phil Sternenberg! Bravo, and thanks for the laughs! Steve Lichtenstein "I'm a dead man, and I'm off for my honeymoon" In a message dated Tue, 19 Jun 2001 7:06:21 PM Eastern Daylight Time, Tom Holt writes: << We're called mafiosi But that's just for show; see, It's really quite cosy, The trade that we ply. For worser or better With silenced Beretta We wage each vendetta, Don Marco and I. When cold winds are bracing, Our Thompsons uncasing, The foes that we're facing We take for a ride When stool-pigeon's squealing And secrets revealing, In masks all-concealing Our faces we hide; >>  1, answered,, Summary-line: 20-Jun LHall@tscwo.com [31] #RE: Noises Off! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA01386; Wed, 20 Jun 2001 08:49:29 -0400 (EDT) Received: from mailman.tscwo.com ([207.226.11.2]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA02158 for ; Wed, 20 Jun 2001 08:49:28 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Wed, 20 Jun 2001 08:49:25 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16B04EAC1@MAILMAN> From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Noises Off! Date: Wed, 20 Jun 2001 08:49:24 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Noises Off! Date: Wed, 20 Jun 2001 08:49:24 -0400 Content-Type: text/plain; charset="iso-8859-1" I'm sorry Ruth can't make it, but I'll be glad to see you! I'll make the reservation under your name. -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Tuesday, June 19, 2001 6:42 PM To: LHall@tscwo.com Subject: Re: Noises Off! Hi Leta! How's the show going, now that you're getting down to the wire? Could I get three tickets for the Saturday night performance on July 14? Thanks! -Dave P.S. Ruth can't come, unfortunately, but I talked two of my friends from Springfield into coming with me.  1,, Summary-line: 24-Jun andi_s_r@yahoo.com [109] #An odd wish (not quite an "impossible dream") X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA04508; Sun, 24 Jun 2001 22:23:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA13124 for ; Sun, 24 Jun 2001 22:23:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA24832; Sun, 24 Jun 2001 22:22:08 -0400 (EDT) Date: Sun, 24 Jun 2001 22:22:08 -0400 (EDT) Message-Id: <20010625020446.27272.qmail@web10808.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: An odd wish (not quite an "impossible dream") MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 24 Jun 2001 22:22:08 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: An odd wish (not quite an "impossible dream") Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Mike Nash's question was specific to "wishful thinking" roles, but it started me thinking about other G&S-related "dreams". Mine is off-beat: Year by year, as I watch young women and men move into doing G&S roles, whether chorus or principal, for productions which are dressed "in period", I am struck by how little they know about movement, carriage, etiquette and decorum in the Victorian era--and, as bad or worse, how little younger directors know about it. While I am not of the school of thought that all G&S productions should replicate the original staging to the last gesture, many directors and performers who think that they are presenting the works with a traditional feel of the Victorian period in general "commit solecisms that society would never pardon" in everything from the posture of a young lady when sitting to personal distance maintained in a waltz, from "the proper way of entering or leaving a room" to the fact that even "an engaged young lady should not permit too many familiarities"--such as casual touching of other people, particularly men. This is a function of the passage of time. Time was when no one had to be coached in such things; they were part of nearly everyone's upbringing. Even into the 1950s and early 60s, there were "ballroom dancing" teachers in most communities who taught classes to young people; when I was a girl, such classes were being offered by a "maiden lady" who had been born in the late 1880s. I also knew my grandmother and great-aunts, who, thanks to the l-o-n-g generations in our family, were born in the late 1860s and came of age in the 1880s, contemporaneous with the young women of Gilbert's own era. To the day she died in 1956, my grandmother never let her spine touch the back of a chair. This type of knowledge is passing from our scene very quickly; the true Victorians and Edwardians have already left us, and social customs have changed beyond recognition in the past century. There is still an older generation who grew up with these customs, but they are, for the most part, at the point of retiring from "active duty" on the theatrical scene. Before this knowledge is lost, as it will be by the time my own generation passes, I would like to see a project undertaken consisting of at least photographs and a study text, ideally also a videotape, to be used by anyone interested in staging a show in which the characters carry and conduct themselves as Victorians would have done naturally. I am not saying that all productions done in costume *must* adhere to Victorian etiquette--but resources should be made readily available for those who would like to create the authentic atmosphere. And it does make a difference. Ralph's addressing Josephine by her first name is an unthinkable familiarity--which is totally lost on today's generations without a footnote, as is her indignant reaction and his convoluted line about "lips unhallowed by relationship". I recently saw a production of Ruddigore in which Rose Maybud, that epitome of correctness, stood with both hands on her hips, a pose that no properly brought-up young lady would ever adopt. Costumers often take great care to dress a production "in period" (with reasonable accommodations about corsetry for today's singers!); I would like to see the bodies they dress moving and acting "in period" also, to a much greater extent than is currently the case in most U.S. productions I have seen--and the resources made available to ensure that future generations will be able to replicate Victorian movement and decorum to whatever extent they choose to select. ===== Andi Stryker-Rodda New York/New Jersey USA "Oh, happy the blossom That blooms on the lea, Likewise the opossum That sits on a tree..." __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/  1,, Summary-line: 27-Jun PSternenberg@aol.com [105] #Re: Understudies X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA29849; Wed, 27 Jun 2001 10:48:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA28816 for ; Wed, 27 Jun 2001 10:48:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA24846; Wed, 27 Jun 2001 10:48:11 -0400 (EDT) Date: Wed, 27 Jun 2001 10:48:11 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Understudies MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Wed, 27 Jun 2001 10:48:11 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Understudies Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have different answers in my different capacities, but they have some key points in common: It's good to have understudies, and giving them a chance to perform can be beneficial. Nevertheless, there are understudies and understudies, and their levels of capability determine the desirability of using them. 1) As an understudy: Ridgewood G&S didn't have understudies when I joined in 1976. When Marmaduke was absent in a late SORCERER rehearsal during my first season, I just decided to sing his lines in the Act 1 Finale, which otherwise would have gone unsung. This prompted our Stage Director to ask me to learn Daly for a full run-through when the real Daly was scheduled to be absent. This in itself was a thrill, but it paled compared to the day of an actual performance when our Music Director called less than three hours before show time to ask whether I knew Marmaduke well enough to play him, as the real one "might be" unavailable. I said I did, drove to the venue, and learned that the "might be" was an "inevitable shall" due to known illness. After getting some blocking instruction (partly improvised and simplified for the emergency at hand) I got through the show unscathed, and days later I was awarded a "Lord High Substitute" T-shirt. My identity in Ridgewood had thereby been established: someone adaptable and knowledgeable enough to know and play any baritone or secondary tenor lead as needed but not the perfect man to be cast in such a role. I enjoyed the attention, but I still wished for either roles that were really mine or formal appointments as understudy, both of which would help me to become a better performer. I got sporadic supporting roles to myself, but it took 14 years for me to get a chance at a Grossmith part, the kind I feel most comfortable singing. A mostly double-cast PINAFORE had only one Sir Joseph, but I was asked to understudy with a guaranteed performance to be determined. My overstudy (well, does anyone have a better word?) trained me personally, after which the Directors were convinced I could do the part acceptably, at least deep into the performance season. No one guessed that my overstudy would have laryngitis on opening night, so I found out about 45 minutes before curtain that my big moment was closer than I realized. Fortunately I knew, besides the words and music I'd know anyway, all of the blocking. I was proud of the job I did, and I voluntarily gave back the promised later performance to my overstudy. I'm certain the experience helped me get cast in a few patter roles later on, and it proved to be better than the "cross our fingers and hope no one gets sick, but Sternenberg is around if we're desperate" approach. 2) As a principal: I'd feel most comfortable being double-cast or at least having an understudy, since it would give me a safety net. The problem is that over 25 years I doubt that I've known as many as five men with Ridgewood enough like me. Almost every other baritone either would get any part he wanted, would sit out or quit if he wasn't cast, or would be a content chorister with no principal aspirations whatsoever. There have been several occasions on which I was the only man who auditioned for a lead without getting one. I wasn't being singled out; it just showed a company composition that may be typical -- a few good men in the leads, and a huge drop-off to the individual talents of the choristers (who collectively, though, do a good job). Where this is the case, I would probably suggest the "crossed fingers" policy. It should be noted that the average individual talent of our women is higher, as I imagine is true elsewhere, so substitutions on the female side have gone more smoothly. 3) As a Board member: Here's where it gets sticky. We do two or three home shows for which we sell tickets, but the rest of our season is comprised of shows we take out of town to sponsors who pay us flat rates for our services. Sponsored shows are a "de facto" exhibition season for us, and as such they're the safest ones in which to use understudies. Still, the sponsors rightly want the best shows possible, and we're obliged to give them just that. So we don't stick a sponsor with an understudy unless the regular principal is unavailable, or it's a talented understudy who deserved to be cast in the role had a better person not been available. We can allow this with good conscience on the grounds that it gives us depth for even better performances in future seasons. (Disclaimer: These last statements are personal observations and don't represent any stated company policy.) I think others have addressed the various possibilities very nicely, showing that there isn't a simple answer to the use of understudies. I would just disagree partly with Marc's "While every company has different requirements, I think that the most amateur groups would be better off putting their best performers onstage each and every time, and using their understudies only in emergencies." My agreement is from the viewpoint of the audience and sponsors. My disagreement is based on the needs of an amateur company to build a talent pool from people who see no financial incentive. The company exists for both its audience and its membership, and satisfying both can be difficult. I'll conclude with one comment about the "less than honorable" companies that David Craven mentions. Issues with disagreeable casting policies should probably be taken with the directorial staff in place at the time, not the company. Within a single company the staff will likely change frequently, and with it the ways of casting and understudying. Philip Sternenberg -- "Nerdy White Guy" psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at http://www.dancaster.com/RidgewoodGandS  1,, Summary-line: 28-Jun Pmeason@aol.com [60] #Re: First names X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA17677; Thu, 28 Jun 2001 04:25:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA15370 for ; Thu, 28 Jun 2001 04:25:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA05261; Thu, 28 Jun 2001 04:24:18 -0400 (EDT) Date: Thu, 28 Jun 2001 04:24:18 -0400 (EDT) Message-Id: <102.52bb348.286c40bb@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: First names MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Thu, 28 Jun 2001 04:24:18 -0400 (EDT) Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: First names Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Taking the Holmes/Watson example first. The normal practice at the time would be to address each other as Mr Holmes and Mr Watson on, fir example, first meeting. "Mr" would be omitted when the relationship became closer - for example business partners would address each other as "Holmes" and "Watson". If you were addressed without the "Mr" it would be interpreted as a sign that you have gained the other's respect. This practice still exists in some parts of the British Civil Service today. Now the school example.... First names would never, rpt never, be used (certainly in boys' schools) I don't have first hand knowledge of late 19th century education for women!!!!! This practice continues in English Public (ie Private) schools and, when I was educated in the 1960s, was commonplace throughout the education system. At Cheltenham Grammar we didn't go as far as the "Smith, maximus/minimus major/minor" or whatever. Our teachers would use initials, for example "Smith, JD", "Smith, KL". Now - as to George and Thomas - Diana is absolutely right that this form of address would never then - or even today, be used. Two Lords address each other as "My Dear Mountararat" or "My Dear Tolloler". WSG would be well aware of this and one does wonder what sort of relationship they had in mind. Could, for example, they have been brothers in WSG's mind? That is about the only circumstance in which I could imagine 2 Lords addressing each other by first name. Interesting! Peter Meason Hardwicke, Gloucester, UK > Cameron Pitcairn wrote > > > > > On the other hand, Holmes and Watson were of the middle class, and it may > be > > that aristocrats like Tolloller and Mountararat were more casual in using > > first names among social equals. Any opinions? > > > to which deebee@netspace.net.au replied : > I think not. The elite public school (ie top grade expensive) custom > was to use surnames only. If a boy had a brother the brother would be > Fitzbattleaxe"minor" or Dunstable"secundus" Except that in the case of > the Duke of Dunstable, while his father was alive and holding the title > of Duke, the eldest son would have a courtesy title of (say) Viscount > Brockhurst and be known simply as Brockhurst. >  1,, Summary-line: 3-Jul bbermack@alum.mit.edu [25] #News of possible interest X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA15083; Tue, 3 Jul 2001 15:07:15 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA09737; Tue, 3 Jul 2001 15:07:11 -0400 (EDT) Received: from alum.mit.edu (h00a0cc3db483.ne.mediaone.net [66.31.33.143]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA29493; Tue, 3 Jul 2001 15:07:11 -0400 (EDT) Sender: bcb@MIT.EDU Message-ID: <3B4217DE.20F810BD@alum.mit.edu> Date: Tue, 03 Jul 2001 15:07:10 -0400 From: Brian Bermack X-Mailer: Mozilla 4.75 [en] (X11; U; Linux 2.2.16-22 i586) X-Accept-Language: en-US, en, en-GB, fr, fr-FR MIME-Version: 1.0 To: sorcerer@mit.edu, grand-duke@mit.edu Subject: News of possible interest Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: bcb@MIT.EDU Date: Tue, 03 Jul 2001 15:07:10 -0400 From: Brian Bermack X-Accept-Language: en-US, en, en-GB, fr, fr-FR To: sorcerer@mit.edu, grand-duke@mit.edu Subject: News of possible interest Content-Type: text/plain; charset=us-ascii Hi, folks! I thought I'd say hi and pass along some news you might be interested in. (I hope this is considered acceptable use of these lists.) 1. I'm going to be in a production of The Pirates of Penzance at Turtle Lane Playhouse (in Newton). We open next Friday and have a six week run, and it looks like it's going to be quite good! Show times and ticket info is available at . Come see it! 2. The Canadian Stratford company production of "HMS Pinafore" is going to be on Bravo (that's a cable TV channel) this Saturday at 5pm. I've never seen it, but I enjoyed their "Gondoliers." Might be worth watching if you want to see the show before doing it this fall. Hope to see many of you in upcoming shows! Brian  1,, Summary-line: 5-Jul susolson@home.com [300] #Interview with "The Mikado" characters (long) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22545; Thu, 5 Jul 2001 16:47:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA16579 for ; Thu, 5 Jul 2001 16:47:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA20864; Thu, 5 Jul 2001 16:47:06 -0400 (EDT) Date: Thu, 5 Jul 2001 16:47:06 -0400 (EDT) Message-Id: <002c01c10591$840fa860$71670918@plano1.tx.home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: susolson@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Susan Olson" To: Multiple recipients of list SAVOYNET Subject: Interview with "The Mikado" characters (long) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4522.1200 *** EOOH *** Date: Thu, 5 Jul 2001 16:47:06 -0400 (EDT) Reply-To: susolson@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Susan Olson" To: Multiple recipients of list SAVOYNET Subject: Interview with "The Mikado" characters (long) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi, this is Alicia Olson. I am 12 years old, and really enjoy Gilbert and Sullivan! I have made a story about what it would be like if I sat down with the characters from "The Mikado" and interviewed them. I hope you like my story! Alicia's Interview with the Mikado characters Scene: Ko-Ko's garden. There is a spot by the stream that has a round table with ten chairs. There is tea set out for everyone. Alicia- Hi! I am (non)patiently waiting for our guests to arrive. (Looks around for everyone) Alicia- Oh, for your information, this is after the show. (The entire Mikado cast file in. They spot the table, and fight over spots. After about five minutes, they sit down and wait for Alicia) Alicia- (Sits down between The Mikado and Katisha) Hello everyone. Everyone- Hi. Alicia- I believe everyone knows why we are here. (Some nod, and some shake their head) Alicia- For those who don't know, we are here for an interview. (Mostly everyone groans) Alicia- What? Pitti-Sing- We just got back from one of those. Peep-Bo- The interviewer was awfully nosy and rude. Katisha- You can say that again! He asked my how old I was! Of all the nerve! I considered borrowing Ko-Ko's sword. Alicia- Don't worry. I wouldn't dare ask such a rude question. (aside) I don 't think I want to know anyway. (aloud) So! Lets get started shall we? Ok, first question. How is everyone doing? (points to Katisha) You first. Katisha- I am doing quite well. (Everyone says basically the same thing) Alicia- That's nice. Now, how are our two married couples doing? Huh? Yum-Yum- Oh, we are doing very fine. Nanki-Poo- Indeed. (They both sigh. Pitti-Sing, Peep-Bo and Katisha roll their eyes) Alicia- What about you two? (looks at K&K) Ko-Ko- Fine Katisha- Quite well Ko-Ko- Peachy Katisha- Marvelous Ko-Ko- Magnificent Katisha- Yup. Ko-Ko- Yup. (The cast is suppressing laughter) Alicia- Ok. Here is one for Nanki. Did you really flirt with Katisha? Nanki-Poo- No, I did not. All I ever did to her was be polite. As I said before, she has misconstrued my customary affability into expressions of affection. Alicia- Is this true Katisha? Katisha- (sighs) Yes, it is. Alicia- Ok. Pitti-Sing, how did you muster the courage to step in Katisha's way when she was trying to reclaim Nanki-Poo? Pitti-Sing- Well, I thought to myself, there is really nothing she can do to me, and she is messing up my sisters wedding, and it needs to be stopped. Then, I went up to her face and told her he was engaged. Katisha- But he was already engaged. Pitti-Sing- To someone who he does not like. Katisha- It was not a matter of liking me or not. He had a duty to marry me. But, I've gotten over that. Pitti-Sing- Are you sure? Katisha- Yes, I am quite sure. Alicia- I see you two don't think very much of each other. Pitti-Sing- You could say that. Katisha- I just don't like having my plans ruined by a little girl. Pitti-Sing- I'm not little! I'm eighteen! Katisha- Compared to me, yes you are. Alicia- Lets move on shall we? Ko-Ko, what is it like, being the Lord High Executioner? Ko-Ko- Its much different that being a tailor, that's for sure. The only problem is that I don't fancy chopping off heads. Pitti-Sing- Well, someone here we all know would probably be more than willing to do that for you. Katisha- I swear, one more word out of you an I'll. Alicia- (aside) this isn't going as planed (aloud) Please, do stop. Now, Pooh-Bah, what did you mean by tracing your ancestors back to all those really big complicated words you said? Pooh-Bah- Well. Pish-Tush- He simply means that he can trace his fist ancestor to a little cell thing, you know, the first things on earth. Alicia- Oh. Your majesty? The Mikado- Yes? Alicia- Would you consider yourself er, bloodthirsty? The Mikado- Well, I guess so, but ill never be as bloodthirsty as Katisha. Alicia- So Katisha must be awfully bloodthirsty. Katisha- And she's proud of it. Alicia- Yum-Yum, how did you feel when Katisha came to claim Nanki-Poo? Yum-Yum- I dare not say. Alicia- Why not? Come on, tell us. Yum-Yum- It's Katisha. Katisha- I wont hurt you, much. (Ko-Ko elbows Katisha) Katisha- I was joking. (she sees the look on Yum-Yum's face) no really, I wont do anything. Yum-Yum- Ok. Well, my fist thought was, what is that doing here? Katisha- (takes out a compact mirror and looks at herself) I know I'm beautiful. You don't have to tell me. (Everyone laughs) Yum-Yum- When I found out what she was after, I was angry and frightened. I was angry because I did not want her to take away my husband to be, and I was frightened because there was a good chance she would get him. Katisha- Be afraid. Be very, very afraid. (Everyone laughs again) Alicia- Pish-Tush, what exactly do you do? Pish-Tush- Oh, everything a Noble does. Sit around and do nothing unless a Lord High something needs me. Pitti-Sing- Sounds quite *yawn* exciting. Alicia- Peep-Bo, you have been awfully quiet. Peep-Bo- Oh, sorry. I just don't have anything intelligent to say. Alicia- Peep-Bo, are you three really sisters, or are three just wards? Peep-Bo- We are really sisters. Alicia- Are you triplets? Peep-Bo- No. Pitti-Sings the oldest, Yum-Yum's in the middle, and I'm the youngest. Alicia- By how much? Peep-Bo- We are divided by 1 day each. Alicia- That's rather peculiar. Alicia- Your Majesty, why were you so keen to marry your son to Katisha? The Mikado- Because she told me that he flirted with her. And the law clearly states that whoever flirts must marry the person they flirted with or die. Alicia- Oh. So, Katisha, what is your position in The Mikado's court? Katisha- What was my position. I have left the court to live in Titipu. But, I was The Mikado's personal advisor. Alicia- What do you mean by that? Katisha- When ever he could not figure out which party should win, he would turn to me. Also, if he forgot a law, I would be there to tell him. The Mikado- She has all three hundred seventy four law book memorized! She saved my neck a couple of times. Alicia- Is that true? That you have memorized so many books? Katisha- Yes. The Mikado- Watch. Katisha, what is law 8,471? Katisha- Why such an easy one? The Mikado- Just answer. Katisha- Fine. The law against flirting. The Mikado- See? Its like having the whole library with you. Pitti-Sing- What's law number one? Katisha- To follow all the laws. Pitti-Sing- It figures. Alicia- Now for the last question. What is everyone's favorite song in The Mikado? Yum-Yum- Well, mine would have to be The Sun Whose Rays. Katisha- It figures. Yum-Yum- What? Katisha- Nothing. Nanki-Poo- A wandering minstrel, I Pish-Tush- Our great Mikado. Pooh-Bah- Young man despair. Ko-Ko- As someday it may happen Pitti-Sing- Three little maids Peep-Bo- Same as Pitti-Sing The Mikado- A more Humane Mikado Katisha- There is Beauty in the Bellow of the Blast. (She looks at Ko-Ko affectionately. He squirms in his seat) Alicia- Well, that wraps up our interview. Thank you very much for coming and answering our questions. Everyone- Your welcome. Alicia- Be sure to come again! Everyone- We will! Please tell me if you liked it, thought it was funny, or think it belongs in the trash! Thanks, Alicia Olson "I am an acquired taste- only the educated palate can appreciate me."  1,, Summary-line: 11-Jul finn@intersys.com [62] #Pretty Lisa X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA18778; Wed, 11 Jul 2001 14:27:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22438 for ; Wed, 11 Jul 2001 14:27:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA21480; Wed, 11 Jul 2001 14:26:04 -0400 (EDT) Date: Wed, 11 Jul 2001 14:26:04 -0400 (EDT) Message-Id: <01Jul11.141434edt.115244@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Pretty Lisa Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_19233205==_.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Jul11.134320edt.115329@gateway.intersys.com> X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 *** EOOH *** Date: Wed, 11 Jul 2001 14:26:04 -0400 (EDT) Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Pretty Lisa Content-Type: multipart/alternative; boundary="=====================_19233205==_.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Jul11.134320edt.115329@gateway.intersys.com> --=====================_19233205==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed At 01:40 PM 7/11/2001 -0400, David Michaels wrote: >Anyway, I especially like the chorus part of the number (beginning with >"If he ever acts unkindly..."[*]) - I think the harmonies and the >counterpoint between the melody and the accompaniment are delightful, and >the words are rather amusing as well. You find the words AMUSING? (It take's all kinds, I guess.) I have always found them rather disturbing. This is one of those times when I must grit my teeth and repeatedly remind myself that the opera was written over a hundred years ago. ******************************************************** Mary A. Finn (finn@intersystems.com) from the environs of Boston, Massachusetts Teems with quiet fun. ********************************************************* --=====================_19233205==_.ALT Content-Type: text/html; charset="us-ascii" At 01:40 PM 7/11/2001 -0400, David Michaels wrote:
Anyway, I especially like the chorus part of the number (beginning with "If he ever acts unkindly..."[*]) - I think the harmonies and the counterpoint between the melody and the accompaniment are delightful, and the words are rather amusing as well.

You find the words AMUSING? (It take's all kinds, I guess.) I have always found them rather disturbing. This is one of those times when I must grit my teeth and repeatedly remind myself that the opera was written over a hundred years ago.


********************************************************
Mary A. Finn  (finn@intersystems.com)
from the environs of Boston, Massachusetts

                 Teems with quiet fun.
********************************************************* --=====================_19233205==_.ALT--  1,, Summary-line: 11-Jul goodmanj@uchicago.edu [21] #Photos of Chicago X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA02411; Wed, 11 Jul 2001 16:51:41 -0400 (EDT) Received: from avocet.mail.pas.earthlink.net (avocet.mail.pas.earthlink.net [207.217.121.50]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA15465 for ; Wed, 11 Jul 2001 16:51:40 -0400 (EDT) Received: from uchicago.edu (user-33qt9mi.dialup.mindspring.com [199.174.166.210]) by avocet.mail.pas.earthlink.net (EL-8_9_3_3/8.9.3) with ESMTP id NAA29888; Wed, 11 Jul 2001 13:51:33 -0700 (PDT) Sender: goodmanj@earthlink.net Message-ID: <3B4CB787.D1A40A4B@uchicago.edu> Date: Wed, 11 Jul 2001 15:31:03 -0500 From: Jason Goodman X-Mailer: Mozilla 4.72 [en] (X11; U; Linux 2.2.14-5.0 i686) X-Accept-Language: en MIME-Version: 1.0 To: Hovenweep List , dinner@mit.edu, Avon Russell , freaks@suberic.net, dmm@suberic.net, marymary@suberic.net, Jennie Hango , "Charlene G. Dyer" , Jeffrey Goodman , user9357@aol.com Subject: Photos of Chicago Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: goodmanj@earthlink.net Date: Wed, 11 Jul 2001 15:31:03 -0500 From: Jason Goodman X-Accept-Language: en To: Hovenweep List , dinner@mit.edu, Avon Russell , freaks@suberic.net, dmm@suberic.net, marymary@suberic.net, Jennie Hango , "Charlene G. Dyer" , Jeffrey Goodman , user9357@aol.com Subject: Photos of Chicago Content-Type: text/plain; charset=us-ascii I took a few photos of my workplace and our apartment here in Chicago, and put them on the Web at http://suberic.net/~goodmanj/chicago/ There will be more later. Enjoy! -- Jason Goodman, Research Associate, Dept. of Geophysics, University of Chicago goodmanj@uchicago.edu goodmanj@mit.edu http://www.mit.edu/~goodmanj/  1,, Summary-line: 12-Jul throstle99@yahoo.co.uk [38] #modern day family sorcerers? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA29372; Thu, 12 Jul 2001 08:25:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA22872 for ; Thu, 12 Jul 2001 08:25:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA23994; Thu, 12 Jul 2001 08:24:01 -0400 (EDT) Date: Thu, 12 Jul 2001 08:24:01 -0400 (EDT) Message-Id: <20010712121132.73029.qmail@web14203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: throstle99@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Wendy=20Howes?= To: Multiple recipients of list SAVOYNET Subject: modern day family sorcerers? MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 12 Jul 2001 08:24:01 -0400 (EDT) Reply-To: throstle99@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Wendy=20Howes?= To: Multiple recipients of list SAVOYNET Subject: modern day family sorcerers? Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum For everybody who's always wondered what happened after John Wellington Wells disappeared into the red fire I can now reveal the answer: He escaped back to his shop and started selling philtre coffee. There's a Starbucks Coffee Shop at 70 St Mary Axe in London. back to lurking, Wendy ===== Wendy & Tim Howes throstle99@yahoo.co.uk Up the Baggies! ____________________________________________________________ Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie  1,, Summary-line: 12-Jul david@musicalsolutions.co [110] #Review of Phoenix Opera's "Yeomen" X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA23265; Thu, 12 Jul 2001 09:33:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA09226 for ; Thu, 12 Jul 2001 09:33:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA02391; Thu, 12 Jul 2001 09:32:47 -0400 (EDT) Date: Thu, 12 Jul 2001 09:32:47 -0400 (EDT) Message-Id: <4.1.20010712135536.00a52100@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Review of Phoenix Opera's "Yeomen" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Thu, 12 Jul 2001 09:32:47 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Review of Phoenix Opera's "Yeomen" Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Last night The Fair Collette and I attended Phoenix Opera’s open-air “Yeomen of the Guard” at Gawsworth Hall, Cheshire (about 2 miles from Macclesfield). It’s a lovely setting - the audience sat in a large covered grandstand facing a two-tier large (and beautiful) garden. The backdrop was Gawsworth Hall itself - a Tudor house with leaded windows, wall sundial, and flagpole flying the flag of St George. The action took place in the nearest of the two tiers of the garden, with entrances and exits being to each side, and to the house itself. My description there just doesn’t do justice to the beauty of the setting. Phoenix Opera seems to be a mix of professional soloists (possibly some being semi-professional - I don’t know), with an amateur chorus (The Phoenix Opera Chorus), accompanied by the Phoenix Concert Orchestra. SavoyNetters Stephen Hill, Ian Whitfield, and Anne Allwright were in the chorus, and it was thanks to Stephen’s posting to SavoyNet that we paid our visit. Declan Hamilton was very good as Jack Point. I don’t often have much sympathy for Point - I think he probably deserves to lose Elsie, but I admit to feeling quite sorry for him last night. Declan’s characterisation made Point a likeable character, and his singing was good to hear. There was some (appropriate, IMHO) parlando, but in general he sang the *notes* - very refreshing. Rachel Smith’s Phoebe was also good. She established the girlishness in the first number, which is quite difficult to do, whilst still retaining the overall sadness of the song. She played very good comedy throughout with Richard Woodall’s Shadbolt. He, in turn, played to his audience where appropriate. Where do you hide a piece of wood ? In a forest. Ian Priestley, who played Leonard, turned up in the Yeomen’s chorus in Finale Act 1, and I barely suppressed a giggle when he sang the First Yeomen’s lines - “Didst thou not, oh Leonard Meryll, etc.”. I’m not sure this was intentional - probably not - but full marks to Leonard for finding such an ingenious spot to “lie hidden for a space”. Some of the ensemble singing from the soloists went a bit astray - in particular, the madrigal in Act 2 went out of tune. I think the cause may have been some top-heavy singing from Kate (Margaret Robinson) - a lighter approach might save the number in future. Patricia Leonard as Dame Carruthers lacked a richness in the lower end of her voice, and sounded to me a bit like Mrs Slocombe (from “Are You Being Served ?”) in some bits of the dialogue. Sarah Tynan’s delivery of Elsie made me see a young girl, overtaken by events which get out of her control (if they were ever *in* her control). Her singing was good, and she played well with both Declan Hamilton and with David Fieldsend (Colonel Fairfax). David Fieldsend’s voice is good all round, and beautiful in not-a-few places. He held the character of Fairfax well, never trying to be a boyish Leonard. I liked this approach. Don Butt as Sergeant Meryll didn’t play it as an old man (which again worked well for me), but as a senior amongst equals in the yeomen. George Hulbert wasn’t quite gruff enough for me as the Lieutenant of the Tower, but he sang well and with authority. The orchestra played well as a unit (though there were some string intonation problems early on), but parted company far too often with the singers. In a usual theatre setting, the conductor would be visible to all (more or less), and so, if it starts to fall apart, everyone needs to look to the conductor in order to get back in the groove. In this setting, that wasn’t possible. The orchestra were in a large marquee, with an open corner, set stage right, with the conductor (John T Brophy) outside the marquee, on a small podium under a large umbrella. He was to the side of most of the singers, and they, therefore, would not have been able to see him. In these circumstances, he could do no more than follow the singers - sadly, in quite a few places, the orchestra did not follow *him*, with a resultant number of train-crashes. The highlight of the evening for me were the chorus. They were well-drilled, both musically and dramatically. The presence of four children in the chorus was a master-stroke - two mischievous boys hiding under the steps when the yeomen are looking for Fairfax in the opening of Act 2, and all four generally running around, being children, helped me to see the community nature of the tower, with the yeomen, their wives, and their children, forming that community. The chorus gave us some superb passages of singing - the finales to both acts in particular, but generally throughout. They were lively at all times on “stage”, with plenty of individual characterisation - a must for “The Yeomen of the Guard”, IMHO. I had to laugh a little at the way some of the hapless yeomen poked the minutest bushes with their halberds, in the search for Fairfax. Colonel Fairfax would have been hard-pressed to hide his hat in some of them, never mind himself. It runs for the rest of this week (till Sunday), and if you’ve got the chance to go, I’d say it’s well worth the outing. The phone number to book tickets is 01260 223456. All the best David Cookson  1,, Summary-line: 12-Jul SSilvers@sskfg.com [69] #The @ sign (partly OT) X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA18658; Thu, 12 Jul 2001 10:27:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA26056 for ; Thu, 12 Jul 2001 10:27:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA07863; Thu, 12 Jul 2001 10:21:05 -0400 (EDT) Date: Thu, 12 Jul 2001 10:21:05 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: The @ sign (partly OT) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Thu, 12 Jul 2001 10:21:05 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: The @ sign (partly OT) Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I thought this would be of interest to SavoyNetters. See the last two paragraphs: A Brief History of @ by Bruno Giussani, May 07 2001 . . . . The man who first put the @ sign into the structure of e-mail addresses was Ray Tomlinson, a computer engineer who in 1971 performed what he calls "a quick hack" and sent the first electronic message - to himself. Why did he pick the sign? "I scanned the keyboard for a sign that wouldn't appear on anyone's name, and couldn't therefore create any confusion." But how did the @ sign end up on the computer keyboard in the firstplace? . . . Most linguists, say that the @ sign is a . . . recent invention, appearing sometime during the 18th century as a commercial symbol indicating price per unit, as in "5 apples @ 10 pence." Yet another linguist, researcher Denis Muzerelle, says the signis the result of a different twist, when the accent over the word "à"used by French and German merchants was hastily extended. But last July an Italian researcher discovered some 14th-century Venetian commercial documents clearly marked by the @ sign, where it was used to represent a gauge of quantity, the "anfora," or jar. Giorgio Stabile also found a Latin-Spanish dictionary dating from 1492 where "anfora" is translated into "arroba," a measure of weight. It's therefore natural that, in 1885 the "commercial a" was included on the keyboard of the first model of Underwood typewriter and from there migrated into the standard set of computing characters (such as ASCII) 80 years later. The biggest problem with the @ sign nowadays is what to call it. Spaniards and Portuguese still use "arroba" - which the French have borrowed and turned into "arobase." Americans and Britons call it the "at-sign." So do the Germans ("at-Zeichen"), Estonians ("ät-märk") and Japanese ("atto maak"). However, in most languages the sign is described using a wide spectrum of metaphors lifted from daily life. References to animals are the most common. Germans, Dutch, Finns, Hungarians, Poles and South Africans see it as a monkey tail. The snail - oddly enough for the anti-snail-mail set - portrays the @ sign not only in French ("petit escargot") and Italian ("chiocciola"), but also in Korean and Esperanto ("heliko"). Danes and Swedes call it "snabel-a" - the "a" with an elephant's trunk; Hungarians a worm; Norwegians a pig's tail; Chinese a little mouse; and Russians a dog. Food offers other tantalizing metaphors. Swedes have borrowed the cinnamon bun ("kanelbulle"). Czechs have been inspired by the rolled pickled herring ("zavinac") commonly eaten in Prague's pubs. . . Hebrew speakers use "shtrudl" (or "strudel"), as in the well-known roll-shaped pastry.>>> OK. To bring this on topic, it has been a couple of years since anyone has made arrangements to distribute "@" signs identifying SavoyNetters at G&S events. The original @ signs were large buttons, at least 2" high with a large red @ in a blue circle on a white background. These were very easy to spot. Then, Nick Sales arranged for the creation of some very classy, but tiny (one centimeter?) @ buttons in black and gold. Can anyone arrange for new @ buttons to be made available? If so, what are some potential designs? Sam  1,, Summary-line: 19-Jul seppe_palmieri@altavista. [54] #One Minute "Pinafore" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA17908; Thu, 19 Jul 2001 12:16:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA11877 for ; Thu, 19 Jul 2001 12:15:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA15582; Thu, 19 Jul 2001 12:14:08 -0400 (EDT) Date: Thu, 19 Jul 2001 12:14:08 -0400 (EDT) Message-Id: <20010719160054.26794.cpmta@c012.sfo.cp.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: One Minute "Pinafore" Content-Type: text/plain Content-Disposition: inline Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Web Mail 3.9.3.5 *** EOOH *** Date: Thu, 19 Jul 2001 12:14:08 -0400 (EDT) Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: One Minute "Pinafore" Content-Type: text/plain Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In the spirit of the already submitted edited versions of TBJ and UL, here is my one-minute version of "H.M.S. Pinafore". Act I: Ralph: I love Josephine. Deadeye: You can't have her. Sailors: Grrrr! Josephine: I love Ralph, but I won't tell him. Ralph: I'll kill myself. Josephine: Okay, I love you. Act II: Deadeye: Ralph & Josephine are eloping! Captain: Grrrr! Ralph & Josephine: Let's go get married. Captain: Damme! Sir Joseph: Go to your room. Ralph: I love Josephine! Sir Joseph: Go to your room. Buttercup: Ralph & the Captain were switched. Sir Joseph: Josephine's too lower class for me now. Ralph & Josephine: Oh bliss, oh rapture! Captain & Buttercup: Oh rapture, oh bliss! Hebe: Take me! Sir Joseph: Okay. Notice that most of Act I has been eliminated, because it is primarily character introduction and development. After all, it mostly consists of songs where the character tells us who he or she is ("I'm called Little Buttercup", "I am the Captain of the Pinafore", "I am the monarch of the sea"), and obviously we can find that out by reading the program. Act II, on the other hand, contains the majority of the plot development, so I felt it necessary to leave a bit more of it in. Any further suggestions for editing will of course be considered. David Michaels Seattle, WA, USA giuseppe_palmieri@altavista.com "Nothing is more annoying than to feel that you're not equal to the intellectual pressure of the conversation." Find the best deals on the web at AltaVista Shopping! http://www.shopping.altavista.com  1,, Summary-line: 19-Jul Nicktenor@aol.com [70] #"A tenor, all singers above"? - RELEASE, ORDERING and WEBSITE details X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA07638; Thu, 19 Jul 2001 12:38:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA11206 for ; Thu, 19 Jul 2001 12:38:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16681; Thu, 19 Jul 2001 12:36:49 -0400 (EDT) Date: Thu, 19 Jul 2001 12:36:49 -0400 (EDT) Message-Id: <115.1e38f03.288861de@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: "A tenor, all singers above"? - RELEASE, ORDERING and WEBSITE details MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 117 *** EOOH *** Date: Thu, 19 Jul 2001 12:36:49 -0400 (EDT) Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: "A tenor, all singers above"? - RELEASE, ORDERING and WEBSITE details Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi folks, As much trailed by me over the past few weeks, here are the final details on the release of my first commercial CD. For anyone who missed it, my initial plug of 21st June is repeated almost in its entirety below. The web page is www.tenorecord.com and features a full track listing, audio samples of some tracks, sundry information about the CD contents and me, and most importantly of all, details on price and how to order from wherever you are in the world. For anyone with email but without internet access who would like to order a copy or copies, please send me a private email and I'll gladly help you out, as I will anyone, of course! I do want to thank Savoynet, not only for putting up with my not-so-subtle plugging over the past month or so, but for all the help, guidance, fun, argument, discussion and all-round madness over the past five years. *** Begin reprint of 21st June plug: *** The CD is entitled: "A tenor, all singers above? - Gilbert and Sullivan Arias", and features ME singing 26 arias, all either G&S, S-without-G or G-without-S. Piano accompaniment for all tracks was provided by the supremely able, QWERT veteran, Savoynet's very own Clive Woods, and recent Conceqwert host David Duffey was a most welcome presence during recording, offering expert advice during the whole process. My aim was not only to include ALL tenor arias from the thirteen (known) G&S operas, as well as many tracks from other Savoy operas, as well as one or two "other" numbers. As you will no doubt be aware, many of the songs normally feature chorus singing, which was impossible for me to incorporate with this disc, and so for these tracks, I have, with help and guidance from Clive and David, arranged them so that they hopefully give the best possible version of the songs, which would be suitable, say, for singing in a solo concert situation. I've been wanting to do something along these lines for quite a while, and I'm delighted that circumstances have come together to make it possible now. My thanks are due to many people, most of whom I've thanked in person prior to making this announcement, and to Savoynet as a whole for the best part of five years of argument, debate, fun, information, help and guidance. Thanks, folks. *** end of reprint of 21st June plug *** Thanking you for your kind forbearance, and returning you now to your scheduled, non-plugging Savoynetting...... Nicktenor "A tenor, all singers above?" ( note the question mark - it's vital! )  1,, Summary-line: 19-Jul C.Woods@sheffield.ac.uk [24] #One Minute "Pinafore" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA08632; Thu, 19 Jul 2001 12:39:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA17059 for ; Thu, 19 Jul 2001 12:39:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16818; Thu, 19 Jul 2001 12:37:20 -0400 (EDT) Date: Thu, 19 Jul 2001 12:37:20 -0400 (EDT) Message-Id: <11E06EE00119@ridingwood.shef.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: One Minute "Pinafore" MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 19 Jul 2001 12:37:20 -0400 (EDT) Reply-To: C.Woods@sheffield.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dr. Clive Woods" To: Multiple recipients of list SAVOYNET Subject: One Minute "Pinafore" Content-type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum At 12:13 on 19 Jul 01, David Michaels wrote: > Ralph: I love Josephine! > Sir Joseph: Go to your room. This plot development is unexplained in this version, so it needs the addition of: Sir Joseph: I love Josephine! in Act 1 to be watertight. Clive Woods  1,, Summary-line: 19-Jul oakapple2@yahoo.com [59] #One-Minute PIRATES X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA09090; Thu, 19 Jul 2001 13:02:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA19063 for ; Thu, 19 Jul 2001 13:02:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA17987; Thu, 19 Jul 2001 13:01:01 -0400 (EDT) Date: Thu, 19 Jul 2001 13:01:01 -0400 (EDT) Message-Id: <20010719165536.73466.qmail@web13304.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: One-Minute PIRATES MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 19 Jul 2001 13:01:01 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: One-Minute PIRATES Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Act I: Samuel: Happy birthday, Frederic! You're out of your indentures! Fred: I love you, but I'm going to destroy you! Good bye! Ruth: Take me with you! Fred: Yes! [Voices heard.] No! Girls: What a nice day! Fred: Hello! Girls: Eeek! Fred: Will you marry me? Girls: No! Mabel: Yes! Pirates: Hello! Girls: Eeek! Major-General: Hello! King: We propose to marry your daughters! Major-General: I'm an orphan! King (tearfully): Good bye! Act II: Major-General: I'm not an orphan! Mabel: We forgive you! Fred & Police: Hail and farewell! King and Ruth: You're five years old, and still a pirate! Fred: Eeek! By the way, the Major-General is not an orphan! King and Ruth: Let's kill 'em! Fred (to Mabel): Good bye! Mabel: My hero! King: Seize that general! Police: You're under arrest! Pirates: No, we're not! Police: Yield in Queen Victoria's name! Pirates: We yield! Police: You're under arrest! Ruth: No, they're not! They're all noblemen who have gone wrong! Major-General: Take my daughters! All: Hurray! ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/  1,, Summary-line: 19-Jul PaulEnsell@aol.com [36] #Re: One Minute "Pinafore" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA09765; Thu, 19 Jul 2001 13:04:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA18942 for ; Thu, 19 Jul 2001 13:01:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA17846; Thu, 19 Jul 2001 13:00:29 -0400 (EDT) Date: Thu, 19 Jul 2001 13:00:29 -0400 (EDT) Message-Id: <20.197765b5.2888696f@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PaulEnsell@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PaulEnsell@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: One Minute "Pinafore" MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Thu, 19 Jul 2001 13:00:29 -0400 (EDT) Reply-To: PaulEnsell@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PaulEnsell@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: One Minute "Pinafore" Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In a message dated 7/19/01 05:37:16 GMT Daylight Time, C.Woods@sheffield.ac.uk writes: << This plot development is unexplained in this version, so it needs the addition of: Sir Joseph: I love Josephine! in Act 1 to be watertight. >> Perhaps it would give even more character development if this read Sir Joseph: I want to marry Josephine! (after all does anybody think he can love anyone who isn't called Joseph Porter?) Paul Ensell Newcastle-upon-Tyne, England. "A catastrophe curve, is what opera runs along. Opera happens because a large number of things amazingly fail to go wrong" Terry Pratchet - Maskerade  1,, Summary-line: 19-Jul buttercup16@juno.com [102] #Re: Reduced Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA28510; Thu, 19 Jul 2001 14:38:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA21433 for ; Thu, 19 Jul 2001 14:38:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA24219; Thu, 19 Jul 2001 14:36:59 -0400 (EDT) Date: Thu, 19 Jul 2001 14:36:59 -0400 (EDT) Message-Id: <20010719.143106.-296777.0.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Reduced Grand Duke MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.9 *** EOOH *** Date: Thu, 19 Jul 2001 14:36:59 -0400 (EDT) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Reduced Grand Duke Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum NO NO NO Mike, you CAN'T leave out the sausage rolls!! Otherwise, bravo On Thu, 19 Jul 2001 14:10:09 -0400 (EDT) "Mike Nash" writes: > Nick Sales wrote:- > > And could it be that it is impossible to summarise Grand Duke this > neatly? > I > > rather think so, and therein may lie the final proof that Utopia > is, in > fact, > > a less flawed masterpiece than The Grand Duke. > > Here goes! > > ACT ONE > > LUDWIG AND LISA: We want to get married, but there's no parson! > NOTARY: Where's the food? > ERNEST: I'm going to be elected! > CHORUS: Hurrah! > ERNEST: I love you! > JULIA: I don't love you, but I must become your vife! > ERNEST: Hurrah! > LUDWIG: Whoops! > CHORUS: Grrr! > NOTARY: Ho ho ho! > ERNEST, JULIA, LUDWIG AND LISA: Huh? > NOTARY: A Statutory Duel is on the cards! > ERNEST, JULIA, LUDWIG AND LISA: Huh? > NOTARY: Draw a card! > ERNEST: A King! > LUDWIG: An Ace! > CHAMBERLAINS: The Grand Duke's a tight sod! > RUDOLPH: I'm a tight sod! > RUDOLPH AND BARONESS: We're going to get married! > RUDOLPH: I feel sick. > LUDWIG: A Statutory Duel is on the cards! > RUDOLPH: A King! > LUDWIG: An Ace! > CHORUS: Hurrah! > LUDWIG: I've revived the law! > CHORUS: Hurrah! Hurrah! > JULIA: So I'm your vife! > LUDWIG: Oh b***er! > LISA: Boo hoo! > CHORUS: Hurrah! > > ACT TWO > > CHORUS: Some Greek gibberish. > LUDWIG: More Greek gibberish. > LISA: I'm so unhappy. > LUDWIG AND JULIA: We can't stand each other. > JULIA: I'm as nutty as a fruit cake! > BARONESS: Where's Rudolph? > LUDWIG: He's legally dead. I'm Grand Duke now. > BARONESS: Then I'm your wife. > LUDWIG AND JULIA: Oh b***er. > CHORUS: Hurrah! > ERNEST: Be my widow! > JULIA: Get lost, creep. > BARONESS: I'm drunk. > LUDWIG: Who is it NOW? > HERALD: The Prince of Monte Car-LO and his bee-OO-tiful daughter. > PRINCE: We're rich now. > PRINCESS: Where's Rudolph? > LUDWIG: He's legally dead. I'm Grand Duke now. > PRINCESS: Then I'm your wife. > LUDWIG AND BARONESS: Oh b***er. > PRINCE: Let's play roulette. > ERNEST, RUDOLPH AND NOTARY: Stop! > LUDWIG: Shut up. > NOTARY: The Ace is lowest, so you lost. > (Clock strikes three.) > ERNEST AND LUDWIG: We're alive again! > EVERYONE: Hurrah! > (Curtain) > > Mike Nash > Macclesfield, Cheshire, England > "Jack (Point) of all trades, Master (Wilfred) of none" > Visit my web site: www.mpnash.com > > Sandy Rovner Silver Spring, Md a 'burb of Washington, D.C. "...neither rich nor clever..."  1,, Summary-line: 19-Jul SSilvers@sskfg.com [51] #Re: Cuts in G&S X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA04278; Thu, 19 Jul 2001 14:39:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA21282 for ; Thu, 19 Jul 2001 14:39:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA24358; Thu, 19 Jul 2001 14:37:30 -0400 (EDT) Date: Thu, 19 Jul 2001 14:37:30 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Cuts in G&S Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Thu, 19 Jul 2001 14:37:30 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Cuts in G&S Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum charlie_wakely@yahoo.co.uk writes: << Utopia Ltd (reduced version) Act 1: Chorus: Hello! Scaphio: Hello! .....>> &c snipped << Act 2: Fitz: I love you! Flowers: We're so fantastic! Chorus: Please don't kill Bambi if you're a bird of prey. snip Zara: Democracy! Chorus: Hooray! end. >> >>> replies: Bravo, Mr. Wakeley!! Succinct, precise and to the point. And could it be that it is impossible to summarise Grand Duke this neatly? Not at all, young Nick: Act: 1: Ludwig: Pretty Lisa! Hurrah, I've drawn an Ace! Chours: Hooray! Our Ludwig's won! Duke: Rapscallions! Ludwig: 'Til I perish, your monarch am I! Act 2: Ludwig: We've a Choir Hypochematic! Prince: This monarch's been collecting wives! Duke: You couldn't revive the law! Chorus: Happy couples, each will have a pretty wedding!  1,, Summary-line: 19-Jul yourmom@rice.edu [44] #25-second Sorcerer X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA26875; Thu, 19 Jul 2001 15:51:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA10983 for ; Thu, 19 Jul 2001 15:47:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA03083; Thu, 19 Jul 2001 15:45:53 -0400 (EDT) Date: Thu, 19 Jul 2001 15:45:53 -0400 (EDT) Message-Id: <200107191924.f6JJO3n03004@marsh.owlnet.rice.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: yourmom@rice.edu To: Multiple recipients of list SAVOYNET Subject: 25-second Sorcerer X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: TWIG 2.2.3.cvs *** EOOH *** Date: Thu, 19 Jul 2001 15:45:53 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: yourmom@rice.edu To: Multiple recipients of list SAVOYNET Subject: 25-second Sorcerer X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Since I'm pretty sure we're going to produce all of them eventually, I suppose I may as well put my oar in. Sorcerer, as I've complained before, has very little plot to it, so 25 seconds ought to suffice for it, as opposed to the full 60. Act I: Chorus: Alexis loves Aline. Aline loves Alexis. Constance: I love Dr. Daly. Daly: I miss love. Alexis: I love love. All must love. Wells: All will love. Marmaduke: I love Lady S. S.: I love Sir M. All: Let's eat! Act II: Wells: They're all in love now. All: Love, love, love. Constance/M.: I love the wrong person! S.: I love Wells! Wells: Damme! Daly: I'm all alone! Wells: Sorry. All: Die! Ok, let's eat! -- Jonathan Ichikawa Rice University Houston, TX "I sing choruses in public. That's mad enough."  1,, Summary-line: 19-Jul lpinsker@erols.com [52] #Trying our PATIENCE X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA15784; Thu, 19 Jul 2001 23:28:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA19873 for ; Thu, 19 Jul 2001 23:28:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA15242; Thu, 19 Jul 2001 23:27:16 -0400 (EDT) Date: Thu, 19 Jul 2001 23:27:16 -0400 (EDT) Message-Id: <3B579FA3.D1B276CB@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Trying our PATIENCE MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) *** EOOH *** Date: Thu, 19 Jul 2001 23:27:16 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Trying our PATIENCE Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In commemoration of the upcoming Buxton production and in the spirit of the recent thread: Act One FEMALE CHORUS: We're in love with Bunthorne but he loves Patience! PATIENCE: Bunthorne loves me but I don't love anyone! MALE CHORUS: We love the girls but they love Bunthorne! BUNTHORNE: I just love being loved! ANGELA: Patience, you have to love *someone*! GROSVENOR: Everyone loves me, and I can't stand it! PATIENCE: I'd love you, Grosvenor, but I *can't*! BUNTHORNE: I'm the prize in a raffle! PATIENCE: Wait... I'll marry you! MALE CHORUS: We got the girls back! FEMALE CHORUS: Forget the soldiers, we want *him*! ALL MEN: NO!!!!!!!! Act Two JANE: I still love Bunthorne, but he'd better grab me before I get even older, uglier, and fatter! GROSVENOR: I have to get rid of these girls! PATIENCE: I have to get rid of Bunthorne! BUNTHORNE: I have to get rid of Grosvenor! COLONEL: We have to do whatever we must to get the girls back! MAJOR: Ouch! DUKE: But I don't know which one I want! BUNTHORNE: Grosvenor, you have to change! PATIENCE: But that means I can love him! FEMALE CHORUS: Who needs that windbag? We got the soldiers back! JANE: I still love you, Bunthorne-- DUKE: But *I* love *you*, Jane! BUNTHORNE: And I'm stuck with a b****y flower! Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say oh, you know the rest  1,, Summary-line: 20-Jul charlie_wakely@yahoo.co.u [74] #RE: 1 Minute Mikado? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA25454; Fri, 20 Jul 2001 04:20:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA15012 for ; Fri, 20 Jul 2001 04:20:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA18754; Fri, 20 Jul 2001 04:19:30 -0400 (EDT) Date: Fri, 20 Jul 2001 04:19:30 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: charlie_wakely@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Charlie Wakely" To: Multiple recipients of list SAVOYNET Subject: RE: 1 Minute Mikado? MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002101c110d1$1e56d160$76742cd8@kerry> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 20 Jul 2001 04:19:30 -0400 (EDT) Reply-To: charlie_wakely@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Charlie Wakely" To: Multiple recipients of list SAVOYNET Subject: RE: 1 Minute Mikado? Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002101c110d1$1e56d160$76742cd8@kerry> Dear Kerry et al, Well, no Mikado as yet, but as an extrodainary coincidence would have it, as I was clearing out a few old things, I found a letter, which seems to shed a little light on the matter. I reproduce it in it's entirety: My dear Gilbert, I am delighted that our latest work should have been such a success, however I must confess to being a little worried. I feel that it lacks some of the immidiacy of our previous collaborations. I would like to humbly suggest the following cuts, which I feel sure will render it insuceptible of improvement. I must go now as I am meeting a carpet salesman. Yours ever, Sullivan attached to this missive is the following manuscript: Mikado (revised version) Overture (extended, 2 hour version) Act 1: Male Chorus: Hello! Nanki Poo: Hello! Yum-Yum... yum yum! Pish Tush: No chance matey. Pooh Bah: No chance weakling. Female chorus: Hello! Ko Ko: Hello! lets execute all smokers, directors, americans and sopranos. Nanki Poo: If you'll let me do your wife you can kill me! Ko Ko: all right! Katisha: No chance! All: Push off you old trout! Bikuri shakuri etc. Act 2: Yum Yum: yum yum! Mikado: hel- Katisha: Hello! Ko, Pooh, Pitti: here's our dead guy! Mikado: That's my son, you plonkers. Ko, Pooh, Pitti: B****r Katisha: Die! Ko-ko: If I sing a totally irrelevant and irritating song, will you marry me? Katisha: Yes! Nanki Poo: Hello! I'm married! Katisha: Grr! Everyone: Shut up, you old trout! Hooray! Charlie _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com  1,, Summary-line: 20-Jul Butagirl@aol.com [50] #Condensed Iolanthe X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA19991; Fri, 20 Jul 2001 06:51:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA27566 for ; Fri, 20 Jul 2001 06:51:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA20151; Fri, 20 Jul 2001 06:50:54 -0400 (EDT) Date: Fri, 20 Jul 2001 06:50:54 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Condensed Iolanthe Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Unknown (No Version) *** EOOH *** Date: Fri, 20 Jul 2001 06:50:54 -0400 (EDT) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Condensed Iolanthe Content-Type: text/plain; charset=ISO-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here's my condensed Iolanthe: Fairies: Hello, we're fairies Queen: Iolanthe, I forgive you Iolanthe: Hello - here's my son Phyllis: I love Strephon Strephon: I love Phyllis Peers: Tzing Boom! So do we! LC: So do I! She's mine! Strephon: Boo hoo! Help me, mum! Iolanthe: Okay! Phyllis: Who's she? It's over! Stephon: I'm an MP! Act 2 Willis: Hello. Phyllis: Hello, Lords Toll/Mount: Choose between us! Phyllis: Can't! Chorus: Strephon's still an MP! Fairies: Don't go! Peers: We'll go! Strephon: I'm half a fairy! Phyllis: Let's get hitched! Strephon: Help us mum! Iolanthe: No ... okay LC: Hello Iolanthe: I'm your wife! LC: Blimey! Queen: Die thou! Fleta: No, we're all guilty! LC: Let me help! Queen: Off to Fairyland! Sharon Brindle "Though I am butagirl@aol.com"  1,, Summary-line: 20-Jul oakapple2@yahoo.com [55] #Re: Dover vs. Schirmer X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA03655; Fri, 20 Jul 2001 09:03:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA15179 for ; Fri, 20 Jul 2001 09:03:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA26162; Fri, 20 Jul 2001 09:02:44 -0400 (EDT) Date: Fri, 20 Jul 2001 09:02:44 -0400 (EDT) Message-Id: <20010720124044.6497.qmail@web13302.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Dover vs. Schirmer MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003001c110d2$e73b8a20$76742cd8@kerry> *** EOOH *** Date: Fri, 20 Jul 2001 09:02:44 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Dover vs. Schirmer Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003001c110d2$e73b8a20$76742cd8@kerry> --- Kerry Soloway wrote: > Are there any opinions as to the preferability of the Schirmer score > and the Dover score of a G&S operetta? The only Dover vocal score now available is MIKADO. A few groups have done productions based on this vocal score, and the reactions posted to Savoynet have been favorable. My assessment is that the Dover score, while not free of errors, is more reliable than the Schirmer score. On the other hand, the Schirmer score, for all its faults, is a known commodity. If some members of your group are going to use Schirmer scores that they already own, while others use Dover scores, it could add an element of complexity to rehearsals. Most people know by now that there are different versions of the G&S texts. The Dover editors made their own decisions, and their text doesn't always agree with other editions. The accompaniment in the Dover MIKADO is rethought, to be more "pianistic" and to better reflect the orchestration. These are commendable objectives, but if your accompanist plays a lot of G&S, s/he will find an unfamiliar piano part in some movements. The Dover score has rehearsal numbers and measure numbers at the top of each system -- but they are not designed to match those in other scores or the standard orchestra parts. For a group that uses Dover materials exclusively, this will not be a problem. I assume that the Dover PIRATES will be substantially the same kind of score as MIKADO, and as it is the same editors' second effort in the genre, perhaps they have even improved a thing or two. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/  1,, Summary-line: 20-Jul flip+@andrew.cmu.edu [47] #Re: Dover vs. Schirmer X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA22578; Fri, 20 Jul 2001 12:02:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA16410 for ; Fri, 20 Jul 2001 12:02:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA15232; Fri, 20 Jul 2001 12:01:52 -0400 (EDT) Date: Fri, 20 Jul 2001 12:01:52 -0400 (EDT) Message-Id: <200107201528.f6KFSlgi008067@smtp5.andrew.cmu.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: flip+@andrew.cmu.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Lewis To: Multiple recipients of list SAVOYNET Subject: Re: Dover vs. Schirmer Mime-Version: 1.0 (generated by tm-edit 7.106) Content-Type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: BatIMail version 3.2 *** EOOH *** Date: Fri, 20 Jul 2001 12:01:52 -0400 (EDT) Reply-To: flip+@andrew.cmu.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Lewis To: Multiple recipients of list SAVOYNET Subject: Re: Dover vs. Schirmer Content-Type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum We're currently doing the Mikado, and have adopted the Dover as the official release... A couple brief observations: Things missing: Dover leaves out 5 notes of a tenor 2 part Things added: There are several alto 2 sections which have been included. Song #9 has Yum-Yum's verse at the beginning (ommited from the Schirmer) Nice: Beautifully typeset, measure numbers are wonderful. Easy for conductor to say pick-ups to measure blah... Those with schirmer scores can write in the big rehearsal measures, so after the first time the song is done, you're on the same page roughly. I've also put together a "French Scene Breakdown" of the show, which i will be posting a link to shortly. (I've dont the same for gondoliers and iolanthe, BTW, if anyone is interested.) The french scene breakdown has both dover and schirmer page numbers. (will soon have measure numbers for the finales esp.. We've also done midi files for the entire show (and iolanthe and gondoliers) Many of the ones which were out there had mistakes which needed to be corrected. -- be safe, flip ^___^ \^.^/ ==u==  1,, Summary-line: 20-Jul BMILLER@holycross.edu [68] #1 minute Iolanthe X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA00253; Fri, 20 Jul 2001 12:25:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA23194 for ; Fri, 20 Jul 2001 12:25:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16582; Fri, 20 Jul 2001 12:24:56 -0400 (EDT) Date: Fri, 20 Jul 2001 12:24:56 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: 1 minute Iolanthe Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.3.1 *** EOOH *** Date: Fri, 20 Jul 2001 12:24:56 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: 1 minute Iolanthe Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Act 1 FAIRIES: We're fairies. FAIRY QUEEN: I'm the head fairy. IOANTHE: I'm a bad fairy. STREPHON: I'm half a fairy. Iolanthe's my mother. PHYLLIS: I'm not a fairy. I think I love Strephon. PEERS: Hello. We're rich, entitled, snobs, and we love Phyllis. LORD CHANCELLOR: Hello. I'm rich, entitled and a snob, and I love Phyllis. STREPHON: I love Phyllis. LORD CHANCELLOR: You are the weakest link. Goodbye. STREPHON: Mother!!! IOLANTHE: Que sera, sera; but I'll help you. PEERS: He's flirting! PHYLLIS: You're flirting! STREPHON: Am not. She's my mother! PEERS AND PHYLLIS: and LORD CHANC. You're lying! STEPHON: Help!!! QUEEN and FAIRIES (to PEERS): You're seriously mistaken. Now you'll pay for it. PEERS: Oh horror! Act 2 PEERS: We're miserable. FAIRIES: We're glad. PRIVATE WILLIS: I'm window dressing. FAIRIES: We're weak. QUEEN: I'm strong, sort of. PHYLLIS: I'm miserable. MOUNTARARAT: I'm stupid. TOLLOLLER: I'm stupid. QUARTET: We're sentimental sometimes. MOUNT, TOLL., LD. CH: We're mad, in addition to being stupid. STREPHON: I should be happy, but I'm miserable. PHYLLIS: I'm still miserable. STREPHON & PHY.: Amazing how things can clear up so quickly. IOLANTHE: Your father's the Lord Chancellor. STREPHON & PHY: That's good! IOLANTHE: That's bad! I'm his wife! LORD CHANCELLOR: That throws a monkeywrench into things. QUEEN: It certainly does. Iolanthe dies! LORD CHANCELLOR: No, you do - unless... QUEEN: Done! PRIVATE WILLIS: Done! ALL: Done! TOLLOLLER: When does the next swan leave? PHYLLIS: Dolt - wrong opera! Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 20-Jul dmaze@MIT.EDU [31] #Clyde, play the happy fun machine rotation game! X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA11290; Fri, 20 Jul 2001 13:47:56 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA25723; Fri, 20 Jul 2001 13:47:43 -0400 (EDT) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id NAA17906; Fri, 20 Jul 2001 13:47:42 -0400 (EDT) To: sipb-office@mit.edu Subject: Clyde, play the happy fun machine rotation game! From: "David Z. Maze" Date: Fri, 20 Jul 2001 13:47:42 -0400 Message-ID: Lines: 23 User-Agent: Gnus/5.090004 (Oort Gnus v0.04) XEmacs/21.1 (Arches) X-Attribution: DZM MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: sipb-office@mit.edu Subject: Clyde, play the happy fun machine rotation game! From: "David Z. Maze" Date: Fri, 20 Jul 2001 13:47:42 -0400 User-Agent: Gnus/5.090004 (Oort Gnus v0.04) XEmacs/21.1 (Arches) Content-Type: text/plain; charset=us-ascii With the appearance of opus-the-Black-Dell, we've rotated a bunch of machines around. The new locations are: -- opus replaces pickled-herring (hotseat) -- pickled-herring replaces snorklewacker (to the left of lnitp) -- snork replaces mary-kay-commandos (couch) -- mkc replaces bart-savagewood (atop monoliths) -- savage to floor There was also some hardware rotation: mkc got 64MB of memory from savage, along with a second video card (with "seph" inscribed on one of the chips). savage (with one video card and 32MB of RAM) is now sitting on the floor next to the monoliths, along with two 17" Sun monitors, two Sun Type 5 keyboards, and a Sun rolly-ball mouse. (Clyde says: "play needs at least as fucked as ours was. At lsc long ago. I don't have my nifty toolset, and don't forget the sony product placement sense.") -- David Maze dmaze@mit.edu http://www.mit.edu/~dmaze/ "Theoretical politics is interesting. Politicking should be illegal." -- Abra Mitchell  1,, Summary-line: 20-Jul j.d.mcclure@virgin.net [58] #Condensed Grand Duke. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA13274; Fri, 20 Jul 2001 13:53:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA09071 for ; Fri, 20 Jul 2001 13:53:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA23089; Fri, 20 Jul 2001 13:53:24 -0400 (EDT) Date: Fri, 20 Jul 2001 13:53:24 -0400 (EDT) Message-Id: <004701c11142$9814d3a0$418cfc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Condensed Grand Duke. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Fri, 20 Jul 2001 13:53:24 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Condensed Grand Duke. Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum ----- Original Message ----- From: ProsperoA@aol.com To: Multiple recipients of list SAVOYNET Sent: Thursday, July 19, 2001 10:17 PM Subject: (no subject) >>Incidentally, despite Mike's best efforts, the plot of The Grand Duke remains impenetrable! > Mike's an abbreviator, not a wizard. A wizard? Now there's a thought! Allow me to introduce that Barnum of performing magicians, Pietro of Sicily, and his specialy-augmented troupe of clockwork automata, in their latest and greatest creation: THE MOUNTEBANKS' GRAND DUKE. Now all you Savoynetters thick, who can't appreciate smart plots, [pa-rum - pum - PUM - pa-rum - pum - PUM.] Attend while we expound the DUKE, untangling all its kinks and knots. [pa-rum - pum - PUM - pa-rum - pum - PUM.] This handsome lad's a theatre boss, this portly gent his comic star, This sweet soubrette can act a bit, this English maid is better far. They plot against this stingy Duke who loves this wealthy Baroness: The Duke finds out and flips his lid - it's panic stations - what a mess! [pa-rum - pum - PUM - pa-rum - pum - PUM.] But help's at hand! A saviour comes: this sly and wily Notaree. [pa-rum - pum - PUM - pa-rum - pum - PUM.] "Just cut the cards, and comic star becomes the boss: we're safe!" quoth he. [pa-rum - pum - PUM - pa-rum - pum - PUM.] But star, with further cut, becomes the Duke as well (and boss is vexed!) Gives up soubrette for English maid, and her for Baroness - what next? - The Princess comes, with proud papa, all set to be bride number four - But Notaree calls "Stop! The cards have lied!", and FLASH! All's well once more! [pa-rum - pum - PUM - pa-rum - pum - PUM.] Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 20-Jul hotstuff@total.net [26] #Question re Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA13687; Fri, 20 Jul 2001 14:59:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA00900 for ; Fri, 20 Jul 2001 14:59:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA27643; Fri, 20 Jul 2001 14:59:24 -0400 (EDT) Date: Fri, 20 Jul 2001 14:59:24 -0400 (EDT) Message-Id: <5.0.2.1.0.20010720142843.02b22d40@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: hotstuff@total.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: hotstuff To: Multiple recipients of list SAVOYNET Subject: Question re Grand Duke Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Fri, 20 Jul 2001 14:59:24 -0400 (EDT) Reply-To: hotstuff@total.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: hotstuff To: Multiple recipients of list SAVOYNET Subject: Question re Grand Duke Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Greetings one and all, I have a quick question: does anyone out there have orchestral scores and a conductor's score of the music for The Grand Duke that they have developed that they would be willing to loan/rent out? We are considering performing this one (for the first time!) but we understand that original orchestral scores are non-existent. Private replies only, please. Dael Foster Producer Montreal West Operatic Society  1,, Summary-line: 20-Jul mike@mpnash.com [103] #Pink Floyd Princess Ida X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA03639; Fri, 20 Jul 2001 16:52:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA09973 for ; Fri, 20 Jul 2001 16:52:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA03964; Fri, 20 Jul 2001 16:51:15 -0400 (EDT) Date: Fri, 20 Jul 2001 16:51:15 -0400 (EDT) Message-Id: <000f01c1115a$aebc7640$69f7193e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Pink Floyd Princess Ida MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Fri, 20 Jul 2001 16:51:15 -0400 (EDT) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Pink Floyd Princess Ida Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum PRINCESS IDA THE WALL or Pink Floyd Castle Adamant (with apologies to Gilbert, Sullivan and Roger Waters) CHORUS: Princess Ida - in the flesh? HILDEBRAND: Is there anybody out there? HILARION (to Hildebrand): Remember how she said that we would meet again some sunny day? FLORIAN (looking through telescope): Daddy's flown across the ocean. GAMA: I've got some bad news for you, sunshine. HILDEBRAND: I have never heard before of someone more deserving the full penalty of law. GAMA: Goodbye blue sky. ARAC, GURON AND SCYNTHIUS: Goodbye. LADIES: We don't need no education (*two negatives make a positive). HILARION, FLORIAN AND CYRIL (Climbing over the wall and looking round) Hello, is there anybody in there? (No reply) Nobody home. HILARION: I am just a new boy, a stranger in this town. CYRIL: What shall we do now? FLORIAN (finding ladies' academic robes): The happiest days of our lives! PSYCHE: If you should go skating on the thin ice, you'd better make your face up in your favourite disguise. FLORIAN (to Melissa): Is this not what you expected to see? BLANCHE: Hey you! MELISSA: Mother! BLANCHE: Ooh babe, of course mama's gonna help. MELISSA (to Florian): You'd better run. CYRIL: I can feel one of my turns coming on. IDA: It's a man! HILARION: Oooh babe, don't leave me now. HILDEBRAND: Bring the boys back home! IDA: I don't need no arms around me (*two negatives don't make a positive). HILDEBRAND: Waiting to smash in your windows and kick in your doors. (To Arac, Guron and Scynthius) If I had my way, I'd have all of you shot! ARAC, GURON AND SCYNTHIUS: Goodbye cruel world. HILDEBRAND: Tear down the wall! IDA: Don't give in without a fight! GAMA: And I'm waiting in this cell, and I have become comfortably numb. Ooh babe, set me free! ARAC, GURON AND SCYNTHIUS (removing their armour): Take off this uniform. (They fight Hilarion, Florian and Cyril and lose) IDA: The show must go on! HILDEBRAND: Wrong! Time to go! IDA: Don't tell me there's no hope at all! HILARION: And when they've given you their all, Some stagger and fall. Would you help me to carry the stone? IDA: Open your heart, I'm coming home! (Curtain) Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: www.mpnash.com  1,, Summary-line: 20-Jul ajcrowth@globalnet.co.uk [49] #Gondoliers in short X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA19097; Fri, 20 Jul 2001 17:36:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA20506 for ; Fri, 20 Jul 2001 17:36:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA05293; Fri, 20 Jul 2001 17:36:25 -0400 (EDT) Date: Fri, 20 Jul 2001 17:36:25 -0400 (EDT) Message-Id: <01c11162$9de9d8a0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gondoliers in short MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Fri, 20 Jul 2001 17:36:25 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gondoliers in short Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In the spirit of Gilbert's parody reviews..... Act 1. CONTADINE: Roses, roses, roses. GONDOLIERS: We are gondoliers. MARCO & GIUSEPPE: So are we. Let us marry two contadine. TESSA & GIANETTA: Take us. MARCO & GIUSEPPE: We will. ALL: Let us all marry each other. (Exeunt.) (Enter the PLAZA-TOROS.) PLAZA-TOROS: We are Spanish nobility, shabby but proud. We consist of a Duke, a Duchess, and their daughter Casilda. Casilda was married in infancy to the King of Barataria. There are other aspects to our lives, but they are of no consequence. GRAND INQUISITOR: The King of Barataria is here in Venice. He could be one of two people, Marco or Giuseppe. I will make them rule jointly. (Enter MARCO & GIUSEPPE.) MARCO & GIUSEPPE: And leave our wives? GRAND INQUISITOR: Yes. ALL: Too bad. (The Gondoliers go off to Barataria.) Act 2. MARCO & GIUSEPPE: We are now the King of Barataria. We are not very good at it. (They sing songs. People come in and dance. But none of this affects the plot in any way. Time passes, but the plot does not move.) GRAND INQUISITOR: Inez will now tell us who is the King of Barataria. INEZ: It is Luiz. ALL: Oh. (Exeunt.) --Andrew Crowther.  1,, Summary-line: 20-Jul mstorie@nwlink.com [50] #One Minute Canon X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA01913; Fri, 20 Jul 2001 18:25:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA29574 for ; Fri, 20 Jul 2001 18:25:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA06686; Fri, 20 Jul 2001 18:25:16 -0400 (EDT) Date: Fri, 20 Jul 2001 18:25:16 -0400 (EDT) Message-Id: <3B58738C.88CDA4E2@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: One Minute Canon MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Fri, 20 Jul 2001 18:25:16 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: One Minute Canon Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum OK, we've all had a fling at "One Minute" versions of the operas, but, in the aggregate it still blows away the better part of a quarter of an hour. The following is the One Minute G&S Canon: 1. Enter a chorus. Must be homogenized. (Pasturized and low-fat is good too.) 2. Enter an extraordinarily sweet young soprano. She must have a large number of sisters. 3. Enter a young tenor, preferably lowly born and switched at birth. 4. The above two people must be a pair of star-crossed lovers. If they are not all that young, dim the lights and use lots of makeup. 5. Enter a "Dreadnaught-class" heavy contralto with designs on the tenor, and/or a dark secret in her past. 6. Enter a dapper little baritone, with designs on the soprano, who speaks too quickly, dances a bit while singing upstage, and encores everything he sings, no matter what the audience reaction. 7. Enter one or more "heavy" baritones who don't have a clue. 8. Select any four of the above and have them sing a madrigal in four part harmony. (The main reason that the plot of "The Grand Duke seems so complicated is that it requires a quintette to sing the madrigal.) This song must feature lyrics such as "Fa La La," or "Ding Dong, Dong Ding." 9. Mix up all of the above ingredients and turn them upside down. 10. The entire cast, plus the stage hands and first two rows of the audience dance off to get married at the end. Mike Storie  1,, Summary-line: 20-Jul jamie_moffat@hotmail.com [75] #A Great Patience Premiere (long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA01798; Fri, 20 Jul 2001 19:58:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA04317 for ; Fri, 20 Jul 2001 19:58:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA08591; Fri, 20 Jul 2001 19:58:27 -0400 (EDT) Date: Fri, 20 Jul 2001 19:58:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jamie_moffat@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jamie moffat" To: Multiple recipients of list SAVOYNET Subject: A Great Patience Premiere (long) Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 20 Jul 2001 19:58:27 -0400 (EDT) Reply-To: jamie_moffat@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jamie moffat" To: Multiple recipients of list SAVOYNET Subject: A Great Patience Premiere (long) Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Something of a miracle occurred in Melbourne last night. The Gilbert and Sullivan Society of Victoria took a quantum leap, shedding the drabness and amateurishness that has plagued so many of their performances in recent years took to the stage at the Phoenix Theatre in Burwood in a new production of Patience. It is a production so good that the audience was at first quite stunned, then delighted. How good is it? Let me put it this way. If the D'Oyly Carte were to buy up the production lock stock and barrel and make it their next Savoy Theatre offering, their audiences would be thrilled. The controlling force behind all this is undoubtedly Director and Choreographer Robert Ray. Robert's production of The Sentimental Bloke for The Australian Ballet is amongst my happiest theatrical memories, and he has actually managed to rival it here. This is a production of sumptuous beauty.The designs are superb; the set simple but classy, the costumes flattering, the lighting (oh joy) of a professional standard. Great care and attention has been paid to the chorus. This is long overdue. For years we have been watching this chorus pose on stage like villagers posing in a boiled shirt for the local photographer. Finally someone has taken the time to show them that movement must be motivated by meaning. Gone was all that fussiness, those annoying stock gestures and little bows and nods that have passed for choral acting. The company moved naturally and with purpose and they were a joy to watch, every one of them. The cast is truly an ensemble one. Peter Hurley's Bunthorne mixes camp with snippiness in just the right measure. I suspected he was nervous last night. He needn't be. His Bunthorne is spot on. William Bromhead I fear I have not been too kind about in the past. No complaints about his Grosvenor though; beautifully sung and given an edginess I haven't seen in this character before. Rachel Buckley, one of the jewels of the G&S Society in Melbourne, was magnificent as Patience. She even got a great laugh out of "I yearn my living" and I had no trouble believing the two poets should have loved her so. I was a bit smitten myself by interval. Patience played as an ensemble piece last night, so it almost feels wrong of me to single out individuals. Suffice to say that we had an uncommonly strong Angela and Saphir in Sarah Taylor and Diana Hatch, both looking radiantly beautiful, as did all the women. And after a slow start Creenagh Dalton threatened to walk off with the performance as Jane. I have literally never seen her Act Two opening scene go down so well. I won't spoil it for those who have yet to see it, but the staging is a triumph. Okay we had a few flubs from the orchestra, particularly in the Overture. I fear the audience was partly to blame; we seemed very ill inclined to shut up and settle down. Perhaps we dreaded what we were in for, given that a couple of previous productions from this Company have been very dire indeed. The sense of surprise was tangible, and I cannot remember an audience buzz as great as this after an amateur production. Run, do not walk to this production if you can. Just save me two tickets for Saturday night next week. It would be a great pity if this production were to disappear after it finishes its season. And it remains to be seen whether or not the G&S Society of Victoria takes up the initiative of this Patience and treat it as a learning curve. For the time being they can take just pride in a show that has not a dull moment in it. And that's more than we could say for the Carl Rosa Mikado. _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp  1,, Summary-line: 22-Jul PSternenberg@aol.com [43] #Re: Condensed Grand Duke. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA16205; Sun, 22 Jul 2001 10:59:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA12101 for ; Sun, 22 Jul 2001 10:59:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA10778; Sun, 22 Jul 2001 10:58:32 -0400 (EDT) Date: Sun, 22 Jul 2001 10:58:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Condensed Grand Duke. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Sun, 22 Jul 2001 10:58:32 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Condensed Grand Duke. Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Derrick wrote a parody that I'd call "all but perfection." The high points: Originality: This is the first parody I've ever seen of "Now, all you pretty villagers" from the Act 1 Finale of MOUNTEBANKS, a song that frequently runs through my head (don't ask why). The inclusion of the orchestral measures is a wonderful touch. Content: It summarizes GRAND DUKE succinctly and cleverly. The only flaw: The original has trisyllabic rhymes (e. g., "you aside" with "suicide," which I love despite what Caryl Brahms said). The parody's rhymes are only monosyllabic. To see the original lyrics, go to: http://diamond.boisestate.edu/gas/other_gilbert/mountebanks/webopera/mount_13. html and scroll about halfway down (look for a song by Pietro next to an illustration of Bartolo and Nita as a clockwork Hamlet and Ophelia). To hear the melody, click on the MIDI file at the top of the page and start at 05:30. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at http://www.dancaster.com/RidgewoodGandS  1,, Summary-line: 22-Jul goodmanj@uchicago.edu [27] #Leonardo da Vinci flying machine X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA15500; Sun, 22 Jul 2001 19:36:18 -0400 (EDT) Received: from swan.mail.pas.earthlink.net (swan.mail.pas.earthlink.net [207.217.120.123]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA24408 for ; Sun, 22 Jul 2001 19:36:17 -0400 (EDT) Received: from uchicago.edu (user-33qt8d9.dialup.mindspring.com [199.174.161.169]) by swan.mail.pas.earthlink.net (EL-8_9_3_3/8.9.3) with ESMTP id QAA28761; Sun, 22 Jul 2001 16:36:13 -0700 (PDT) Sender: goodmanj@earthlink.net Message-ID: <3B5B636B.AABE695@uchicago.edu> Date: Sun, 22 Jul 2001 18:36:11 -0500 From: Jason Goodman X-Mailer: Mozilla 4.72 [en] (X11; U; Linux 2.2.19-6.2.7 i686) X-Accept-Language: en MIME-Version: 1.0 To: dinner@mit.edu, Hovenweep List , freaks@suberic.net, goodman@hawaiian.net, Avon Russell , Eric Goodman , Todd and Sandy , "Charlene G. Dyer" , Guy and Carolyn Smith Subject: Leonardo da Vinci flying machine Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: goodmanj@earthlink.net Date: Sun, 22 Jul 2001 18:36:11 -0500 From: Jason Goodman X-Accept-Language: en To: dinner@mit.edu, Hovenweep List , freaks@suberic.net, goodman@hawaiian.net, Avon Russell , Eric Goodman , Todd and Sandy , "Charlene G. Dyer" , Guy and Carolyn Smith Subject: Leonardo da Vinci flying machine Content-Type: text/plain; charset=us-ascii A couple of years ago, Mom and Dad gave me a model kit to build a Leonardo da Vinci flying machine. I have finally finished the model. It was tons of fun to build, and I think it came out well. I've taken pictures of it, and put them on the Web for people to see, along with some construction notes and comments. http://www.suberic.net/~goodmanj/davinci/ -- Jason Goodman, Research Associate, Dept. of Geophysics, University of Chicago goodmanj@uchicago.edu goodmanj@mit.edu http://www.mit.edu/~goodmanj/  1,, Summary-line: 23-Jul yourmom@rice.edu [119] #Pirates -- Whodunnit: Solution X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA09139; Mon, 23 Jul 2001 01:32:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA26558 for ; Mon, 23 Jul 2001 01:32:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA26664; Mon, 23 Jul 2001 01:31:56 -0400 (EDT) Date: Mon, 23 Jul 2001 01:31:56 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Pirates -- Whodunnit: Solution MIME-version: 1.0 Content-type: text/plain; charset="iso-8859-1" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Mon, 23 Jul 2001 01:31:56 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Pirates -- Whodunnit: Solution Content-type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I received four responses from Savoynetters brave enough to tackle this logic problem. All four gave different answers. One of them, Fred Goldrich's, was correct. If you've lost/forgotten the original puzzle, it's included at the bottom of this email. Following is an explanation of what I think is the best strategy to tackle this problem, followed by a rough explanation of the path to the solution (and the solution): First, identify the liar through elimination. You know there's only one liar, so assume that one character is the liar; then everyone else's statements must be true. If two of those people contradict one another, then something's wrong, and you must have guessed the wrong liar. For example: Suppose Samuel is lying. Then everyone else has to be telling the truth. However, this is impossible, since Samuel is clear, according to Ruth, Frederick is clear, according to Edith, and the Sergeant is guilty, according to Frederick. But Mabel clears the Sergeant; so it can't be that all of those people are telling the truth; Samuel is clearly not the liar. Similar reasoning for each character yields a contradiction for every possible liar except for Edith; therefore, Edith is the liar. If Edith is lying, everyone else is telling the truth. Given this, if we examine each other character's true statement in turn, it becomes clear that the killers are Mabel and Frederick. You can either trust me (and Fred, who got it right), or go through it yourself. The trickiest logical snag is in Mabel's statement: watch the double negative. Goodnight! -- Jonathan Ichikawa Rice University '03 yourmom@rice.edu "I sing choruses in public. That's mad enough, I think." -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of Jonathan Ichikawa Sent: Saturday, July 21, 2001 12:07 AM To: Multiple recipients of list SAVOYNET Subject: Pirates -- Whodunnit Our music director gave this to us before the show tonight. He shouldn't have; I can't focus on make-up with a good puzzle in front of me. Fortunately, I got it done in about half an hour. I present it to the Savoynet community. Private solution responses; I'll post the answer, as well as correct answerers, Sunday. O Horror! Last night, (yes or early this morning...) Penance's oldtimer Major-General Stanley was found dead among the tombstones of his ancestors in front of Tremorden Castle. Apart from the fact that it is still unknown whether Major-General Stanley is an orphan -- or, for thast matter, whether he ever WAS one, the Penzance police are facing a paradox as to who might have comitted the moral affliction. This afternoon, the various parties present at the site of the crome were interviewd and made various statements, the contradictory nature of which has led the police to concluded that Stanley was the victim of a clumsy arrangement, in which ONE of the parties had been *lying* to cover for others. Samuel: Let me explain in two words: it was either Edith or it was either the Sergeant or Mabel. Mabel: Hold, monsters! It was neither the Sergeant, nor was it neither Frederic nor myself. Ruth: One word, I do implore you: It was neither Samuel nor the Pirate King. Pirate King: Although our dark career sometimes involves the crime of stealing, if I wasn't involved, neither was Ruth. Frederick: It is my duty as a pirate to tell you: if it was neither Samuel nor myself, it was the Sergeant who set foot on Major-General Stanley. Edith: The Sergeant cannot be said strictly to set foot anywhere! He was together with me all the time, and it was neither Frederic nor Mabel. Sergeant: I should have thought of this before I joined the force -- it is too late now, but Edith was not involved. Kate: Why in all probability! If it was neither Edith nor myself, then it was Mabel! One of the eight principals lied; the others did not. Who was the person who lied, and which of the 8 people were involved in the murder of General Stanley? -- Jonathan Ichikawa Rice University '03 yourmom@rice.edu 713.522.0799. "I sing choruses in public. That's mad enough, I think."  1,, Summary-line: 27-Jul to: LHall@tscwo.com [55] #Disney's California Adventure X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA11985; Fri, 27 Jul 2001 17:45:58 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA05013; Fri, 27 Jul 2001 17:45:58 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26820; Fri, 27 Jul 2001 17:45:58 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id RAA21666; Fri, 27 Jul 2001 17:45:57 -0400 (EDT) Date: Fri, 27 Jul 2001 17:45:57 -0400 (EDT) Message-Id: <200107272145.RAA21666@multics.mit.edu> From: "David C. Jedlinsky" To: LHall@tscwo.com Subject: Disney's California Adventure *** EOOH *** Date: Fri, 27 Jul 2001 17:45:57 -0400 (EDT) From: "David C. Jedlinsky" To: LHall@tscwo.com Subject: Disney's California Adventure Hi Leta! We're back from La La Land, and we decided to go to California Adventure after all. Here's a report for you. :-) First of all, it's small. They really don't have a lot of space to work with, so they crowded as much into it as they could, and called it done. Avoid going on a weekend if you can; the wait lines are ridiculously long. The worst wait was for the Grizzly River Run raft ride (it appears to be just like all those other eight-person circular raft rides). We didn't go on it, as the wait time never got less than 180 minutes! On the other hand, the 80 minute wait for Soaring over California was worth it. That's a ride where you are put on a moving platform in front of an Omnimax screen, and they move you a bit to give you the impression of flying. Also, they blow air and scents in your face to heighten the realism. It's a fairly gentle ride, but very realistic. The Challenge Trail was a fun diversion; it's probably supposed to be for kids, but we had fun playing on the rope walks and splashing in the water anyway. You probably want to skip the Whoopi Goldberg movie (Golden Dreams) about California unless you are a history buff, or if there's a really short line. Most of the history has been sanitized, anyways. The California Screamin' roller coaster is fun, and the line wasn't too bad. Various other attractions in the Paradise Pier area were ordinary compared with other parks, but fun anyways. We ran out of time in the Hollywood Pictures backlot (we got to the park at 2 in the afternoon), but unfortunately caught the Superstar Limo attraction. It's probably the lamest ride on the planet, and easily avoided. The fact that it shut down for 15 minutes while we were in line didn't help our opinion any. The MuppetVision 3D and Bugs Life attractions are identical to the same ones in Florida, if you've seen them. We watched two parades, the daytime parade, and the Electric Light parade, which was transplanted from Florida. If you haven't seen the light parade (or haven't seen it for a while), stick around and watch it. It was scheduled twice the evening we were there. Have a good time! -Dave  1,, Summary-line: 27-Jul rlcarr@animato.arlington. [18] #Boating X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA18591; Fri, 27 Jul 2001 22:52:20 -0400 (EDT) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.210.6]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA19505; Fri, 27 Jul 2001 22:52:20 -0400 (EDT) Received: from animato.animato.arlington.ma.us (IDENT:rlcarr@animato.animato.arlington.ma.us [192.168.1.2]) by animato.animato.arlington.ma.us (8.9.3/8.9.3) with ESMTP id WAA11183; Fri, 27 Jul 2001 22:52:20 -0400 Date: Fri, 27 Jul 2001 22:52:19 -0400 (EDT) From: Rich Carreiro To: , cc: Jenifer Tidwell Subject: Boating Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 27 Jul 2001 22:52:19 -0400 (EDT) From: Rich Carreiro To: , cc: Jenifer Tidwell Subject: Boating Content-Type: TEXT/PLAIN; charset=US-ASCII Sorry I was lame at getting back to you last night. This Sunday doesn't look great for us. How about we say next Saturday (so that way we can fall back to Sunday). Next question would be "where?" -- Rich Carreiro rlcarr@animato.arlington.ma.us  1,, Summary-line: 28-Jul andi_s_r@yahoo.com [83] #Re: Idle "Mikado" thoughts X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA09438; Sat, 28 Jul 2001 17:43:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA15393 for ; Sat, 28 Jul 2001 17:43:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA14572; Sat, 28 Jul 2001 17:42:52 -0400 (EDT) Date: Sat, 28 Jul 2001 17:42:52 -0400 (EDT) Message-Id: <20010728213527.86669.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Idle "Mikado" thoughts MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3e.f0d35dd.2894587f@aol.com> *** EOOH *** Date: Sat, 28 Jul 2001 17:42:52 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Idle "Mikado" thoughts Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3e.f0d35dd.2894587f@aol.com> When a married man is beheaded, his wife is buried alive: I personally prefer to think that this is a fabrication on Ko-Ko's part, another "fiction" that he's paid Pooh-Bah to endorse, and that Nanki (who, as we know, is not the simple street musician Ko-Ko supposes) knows it. My evidence for this is Nanki's comment that this is the very first he's heard of it, and, later, his statement that this law has never been put in force. I choose to interpret these statements to mean that the Mikado's boy is pretty well versed in Papa's legislation and knows that Ko-Ko is pulling a fast one. I see the whole relationship between Nanki and KK as a contest of manipulative moves and countermoves, *most* of them fabrications of one degree or another on both sides, starting with Nanki's original threat to kill himself that interrupts KK's soliloquoy. It's a game between them, and I don't think either of them (let alone Gilbert) would allow it to become "deadly" serious in earnest. I don't think that Nanki would actually allow it to progress to Ko-Ko's execution any more than he would actually commit suicide over Yum-Yum, or than Ko-Ko would actually execute Nanki (or a bluebottle). They're jockeying for advantage and playing "chicken". I don't see Nanki as a villain any more than I see Ko-Ko as a villain; they're evenly matched connivers, to me, with Nanki perhaps having a slight moral edge in that his primary objective is to marry the girl who wants to marry him and duck the willfully "misconstruing" harridan who's chasing him, whereas both Ko-Ko and Katisha are trying to force unwanted marriages on their respective targets. Nanki has to let Ko-Ko talk him into the fake "death certificate" in order to make the deal for Yum-Yum. Once Nanki is married to Yum, Ko-Ko has been neutralized as an obstacle to the couple (Nanki actually has Yum's guardian's consent to the marriage), and Nanki has no reason to go to the extreme of allowing Ko-Ko to be executed. Nanki's remaining problem at that point is Katisha, who still represents a live threat--or a death threat. It's pretty basic that the best way to declaw the fury of a woman scorned is to find her somebody else. I suspect that Pooh would have accepted the position of Lord High Suitor for a moderate fee, but could he have gotten through her armour plating? It's Ko-Ko's affecting little dicky-bird tale that finds her Achilles heel of sentimentality, all the claims of Beauty in the Bellow notwithstanding. Dubious that Pooh could have done that, and I think Nanki knew Ko-Ko had the best shot. Besides, if he is to escape execution, Nanki still owes him a comeuppance for the attempted double-cross (as well as for trying to leverage his guardian position to force Yum to marry him), so Kat is his Just Desserts. I don't see any serious villainy in anybody. The Mikado himself comes closest, an obvious example of absolute power corrupting absolutely, the alleged "next session" of his legislative body notwithstanding, but even he is capable of relenting, whether one plays it that the reason is Ko-Ko's argument, flirtatious admiration from Yum, another gesture from Kat, or a "C'mon, Dad" gesture from Nanki. ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  1,, Summary-line: 30-Jul chard-stockton@dial.pipex [54] #Re: Grand Duke music needed - Seattle Scores X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA06541; Mon, 30 Jul 2001 06:33:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA25791 for ; Mon, 30 Jul 2001 06:33:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA15805; Mon, 30 Jul 2001 06:32:05 -0400 (EDT) Date: Mon, 30 Jul 2001 06:32:05 -0400 (EDT) Message-Id: <005601c118e1$599f39c0$4405bc3e@in.out.pas.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: richard-stockton@dial.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dick Stockton" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke music needed - Seattle Scores MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Mon, 30 Jul 2001 06:32:05 -0400 (EDT) Reply-To: richard-stockton@dial.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Dick Stockton" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke music needed - Seattle Scores Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > I am in urgent need of information about the > purchase and/or rental of GRAND DUKE orchestra > parts, vocal scores, and conductor full scores. The Seattle parts are excellent and make clear which music (present in the vocal score) was not in reallity ever orchestrated. I have already conducted a week of performances from these and my group are performing GD at Buxton from them. I find the fact that Seattle maintained their three act version even through to the printing of the Libs and Parts a little unnecessary. Yes that is how they did it, but to make these available to the public as such is to move away from what G&S wanted. These parts are very accurate and a joy to work from. Printing is very clear. A word of warning: A vocal score comes with the parts and I foolishly purchased one for my own library. I consider that this was a waste of money. The Seattle Vocal/Piano score is in fact a photocopy of the original score (still available) with annotations to match up with the Band Parts and with the libretto interpolated. Yes it is useful if you are used to havein the lib "built in". I am used to the Chappell scores and therefore am used to having the lib in a different book. I already had two copies of the Chappell score and thought that I was getting a newly printed book based upon the new parts. Seattle do not specifically claim this, but it is a little ambiguous. A "Conductor's score" is supplied, but again, don't be misled. This is the Piano/Vocal and has NO cues and is not an orchestral score. I spent many happy days (or weeks) marking up my score. This is as great dissappointment. I use Finale (the music package that Seattle used) myself and know that producing a full score is very easy, though I admit that the editorial work involved in adjusting the layout is considerable. But the parts? Yes they are excellent. Another group that has a link with ours performed GD two months before us, and having hired the D'Oyly Carte scores, found them almost impossible to work from. They asked to borrow our newly purchased Seattle scores to transcribe some music and in the end actually used them in performance in preference to the DOC books. Dick Stockton  1,, Summary-line: 30-Jul ahumez@world.std.com [25] #MIT alums/students perform Hapgood X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA10863; Mon, 30 Jul 2001 09:56:26 -0400 (EDT) Received: from sgi04-e.std.com (sgi04-e.std.com [199.172.62.134]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA04228 for ; Mon, 30 Jul 2001 09:55:19 -0400 (EDT) Received: from world.std.com (world-f.std.com [199.172.62.5]) by sgi04-e.std.com (8.9.3/8.9.3) with ESMTP id JAA9394997 for ; Mon, 30 Jul 2001 09:55:19 -0400 (EDT) Received: (from ahumez@localhost) by world.std.com (8.9.3/8.9.3) id JAA21297; Mon, 30 Jul 2001 09:55:12 -0400 (EDT) Date: Mon, 30 Jul 2001 09:55:12 -0400 (EDT) Message-Id: <200107301355.JAA21297@world.std.com> From: Andrea L Humez To: theater@mit.edu Subject: MIT alums/students perform Hapgood *** EOOH *** Date: Mon, 30 Jul 2001 09:55:12 -0400 (EDT) From: Andrea L Humez To: theater@mit.edu Subject: MIT alums/students perform Hapgood The Occasional Players present: Hapgood by Tom Stoppard Directed by Andrea Humez Friday-Saturday, August 10-11 6:00 p.m. At the College Avenue United Methodist Church 14 Chapel Street, Somerville (Davis Square) Tickets available at the door: $8 Produced by special arrangement with Samuel French, Inc.  1,, Summary-line: 31-Jul mstorie@nwlink.com [91] #The Seattle Grand Duke Scores X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA05325; Tue, 31 Jul 2001 00:52:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA08214 for ; Tue, 31 Jul 2001 00:52:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA15788; Tue, 31 Jul 2001 00:51:02 -0400 (EDT) Date: Tue, 31 Jul 2001 00:51:02 -0400 (EDT) Message-Id: <3B663597.19C264AA@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The Seattle Grand Duke Scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Tue, 31 Jul 2001 00:51:02 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The Seattle Grand Duke Scores Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There has been considerable discussion both privately and on Savoynet recently about the Seattle Gilbert & Sullivan Society "Grand Duke" Scores, and the lack of a complete conductor's score with the vocal line. I hope to answer some of the questions raised. First of all, Seattle is a producing society. We take great care in the quality of our product but scholarship and research are not our primary interest. There are plenty of others on Savoynet who are the experts in that. I am writing this the day after we completed our 13 performance run of "The Mikado" (I will be lucid presently) about which no one used the word traditional. However we had rave reviews and had very enthusiastic audiences totaling nearly 10,000. This is what we do best. When we decided to perform "The Grand Duke" in Seattle and Buxton, we ran into the same problems that other companies have experienced. I started researching the existing versions of the text and music in August of 1998 and have a file of nearly 70 letters and e-mails from all over the world, which form a fascinating history of the difficulties in merely rounding up the source material. It was a fascinating but very time consuming process. The actual production and testing of the orchestral parts took about six months and, I can assure you, was a much bigger project than we had anticipated. It was mostly a labor of love carried out by our Music Director Alan Lund, with the help of his wife Ellen and some of our orchestra members. We are certainly aware that it is quite straightforward using "Finale" to print a conductor's score from the computerized band parts. We feel that it is of minimal value however, without the vocal lines. As Ephraim Hammett Jones pointed out (after a good night's sleep) adding the vocal line is a fairly major project. (By the way, we used his Dover score for our recent "Mikado" with great success.) Similarly, contrary to Dick Stockton's experience, we found the Chappell piano/vocal scores to be of little value to the cast without the dialogue. We added that with a glossary, notes about the changes we made, and the errors we encountered. In addition, the Chappell scores were (are) very spotty in their availablility. We bought four copies in the fall of 1998 but when we ordered forty in January of 1999 the said they couldn't supply that many until they reprinted them. That was when we decided to make our own. I just checked our web page, and I agree with Dick that it is not totally clear that our piano/vocal score is based on the Chappell score. I have tried to make that clear in any personal communication to people who have expressed interest in the scores but we will add that fact to our web description. The P/V score was intended for our cast and merely provided to others as an afterthought and I have heard no problems with them. (Send your's back Dick and I'll refund your $20.) The changes we made (i.e. to three acts) are clearly indicated and if a two act version is desired, you simply don't stop before the Duke makes his entrance. When we made the decision to provide the orchestra scores to other companies, we assumed that there would be a total world-wide market of maybe ten copies. We met that goal, but we are still having trouble justifying the effort involved in adding the vocal line to the conductor's score. Given that the interest continues, maybe we need to re-evaluate our decision and give access to someone so that the vocal line can be added. This would be a decision for the Trustees to make in conjunction with the Lund's who have joint ownership. If people think that a conductor's score with the complete vocal line would be of value, we can certainly listen to proposals. Since we have gone this far, perhaps we can get the project completed. One part of that decision is whether Dover, Broude or some other group is planning a critical edition in the near future. Mike Storie  1,, Summary-line: 2-Aug yourmom@rice.edu [54] #RE: Lexicon X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA18694; Thu, 2 Aug 2001 19:37:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA12844 for ; Thu, 2 Aug 2001 19:37:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA25909; Thu, 2 Aug 2001 19:36:08 -0400 (EDT) Date: Thu, 2 Aug 2001 19:36:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: RE: Lexicon MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Thu, 2 Aug 2001 19:36:08 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: RE: Lexicon Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum FYI - this book is also available at amazon.com. Price is $25.95 + S&H. Ships in 4-6 weeks. http://www.amazon.com/exec/obidos/tg/stores/detail/-/books/0966791614/glance /002-3280407-8512016 -- Jonathan Ichikawa Rice University '03 yourmom@rice.edu "I sing choruses in public. That's mad enough, I think." > -----Original Message----- > From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On > Behalf Of Harry Benford > Sent: Thursday, August 02, 2001 9:42 AM > To: Multiple recipients of list SAVOYNET > Subject: Lexicon > > > Linda Cantoni's query about acquiring the G&S Lexicon suggests > there may be > other Savoynetters who'd like to know. Here is what I'm telling her: > > Contact my publisher: Barbara S. Malone, The Queensbury Press, 13507 > Queensbury Lane, Houston TX 77079-6017. The price including S&H > is $28.45, > a fantastic bargain! > > Canadian friends can send US$28.65 or C$42.95. > > UK friends can send 19.55 pounds. > > No home should be without a copy! > > Harry > > >  1,, Summary-line: 2-Aug rconsentino@mediaone.net [43] #Great news! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA28491; Thu, 2 Aug 2001 21:47:25 -0400 (EDT) Received: from chmls16.mediaone.net (chmls16.mediaone.net [24.147.1.151]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA20647; Thu, 2 Aug 2001 21:44:26 -0400 (EDT) Received: from bconsentino (h000094b68186.ne.mediaone.net [24.147.87.121]) by chmls16.mediaone.net (8.11.1/8.11.1) with SMTP id f731i7P01044; Thu, 2 Aug 2001 21:44:07 -0400 (EDT) Message-ID: <002001c11bbd$7d2aa440$79579318@ne.mediaone.net> From: "Rebecca C. Hains" To: "rconsentino" Subject: Great news! Date: Thu, 2 Aug 2001 21:41:40 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 *** EOOH *** From: "Rebecca C. Hains" To: "rconsentino" Subject: Great news! Date: Thu, 2 Aug 2001 21:41:40 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2314.1300 Hi everyone! Great news: This week, I was offered a full-time faculty position as a lecturer in the English Department at Emmanuel College. I'll be teaching writing courses in the fall, and writing and (hopefully) communications courses in the spring. Needless to say, I am delighted! I've really enjoyed teaching there this last year, and I'm looking forward to continuing it on a full-time basis. Plus, it'll be an interesting, milestone year to be at Emmanuel. The school has just gone co-ed, and as a result, enrollment has increased drastically, by over 50%. (So far, a third of the incoming class is young men.) In other good news, Tyler and I moved into our new condo just a couple of weeks ago. It's really great -- a two-bedroom townhouse in Methuen. In case you would like to update your address book, our new address is: 945 Riverside Drive Unit 19C Methuen, MA 01844 Anyway, that's all for now; keep in touch! With best wishes, Rebecca ---- Rebecca Consentino Hains Writing Instructor Emmanuel College, Boston http://www.geocities.com/collegewriting  1,, Summary-line: 9-Aug rls@MIT.EDU [29] #important stuff (mostly) X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA09370; Thu, 9 Aug 2001 18:40:43 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA10746; Thu, 9 Aug 2001 18:40:37 -0400 (EDT) Received: from buzzword-bingo.mit.edu (BUZZWORD-BINGO.MIT.EDU [18.7.16.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA02851; Thu, 9 Aug 2001 18:40:37 -0400 (EDT) Received: (from rls@localhost) by buzzword-bingo.mit.edu (8.9.3) id SAA06200; Thu, 9 Aug 2001 18:40:37 -0400 (EDT) Date: Thu, 9 Aug 2001 18:40:37 -0400 (EDT) Message-Id: <200108092240.SAA06200@buzzword-bingo.mit.edu> From: Ruth Lynn Jedlinsky To: opus@mit.edu, opus@ipnh.com, dcj@zk3.dec.com Subject: important stuff (mostly) *** EOOH *** Date: Thu, 9 Aug 2001 18:40:37 -0400 (EDT) From: Ruth Lynn Jedlinsky To: opus@mit.edu, opus@ipnh.com, dcj@zk3.dec.com Subject: important stuff (mostly) Bill Sommerfeld is here and didn't realize we have a heat wave at home. He left two cats in his house. Nancy and Leira have keys. Can you either get a key and check on them when you go down to MIT or get one of those two to check in on them? Also, his power went out and his machine needs rebooting...but I don't know any other details. I'll see if he can email directions for rebooting...to your MIT account I guess. My carry on strap broke on the way here. So much for $10 luggage. Flight went well but no wide seat space. But they gave me a video screen to choose my own movies and play video games. I'll try for emergency exit on the way home. I don't remember if I gave you the phone number here. It's in my email from Ken or call Hilton and get the number for Metropole London. This is in case you need to tell Bill that cats are dead, or reach me for anything. 5 hour time difference, not 6. Try to phone me at Jackie and Bob's at 9pm our time. Love you. Ruth  1,, Summary-line: 9-Aug goodmanj@MIT.EDU [26] #Palm Pirates: trademark issues & name change X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA11042; Thu, 9 Aug 2001 19:09:00 -0400 (EDT) Received: from sweet-transvestite.mit.edu (SWEET-TRANSVESTITE.MIT.EDU [18.18.1.157]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA19528; Thu, 9 Aug 2001 19:08:56 -0400 (EDT) Received: (from goodmanj@localhost) by sweet-transvestite.mit.edu (8.9.3) id TAA25482; Thu, 9 Aug 2001 19:08:36 -0400 (EDT) Message-Id: <200108092308.TAA25482@sweet-transvestite.mit.edu> To: gsp@MIT.EDU, palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates Subject: Palm Pirates: trademark issues & name change Date: Thu, 09 Aug 2001 19:08:36 -0400 From: Jason C Goodman *** EOOH *** To: gsp@MIT.EDU, palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates , palm-pirates Subject: Palm Pirates: trademark issues & name change Date: Thu, 09 Aug 2001 19:08:36 -0400 From: Jason C Goodman As many of you know, I have converted many of the Gilbert and Sullivan libretti to a format which can be read on Palm handheld computers. (If you weren't aware of this, the project's webpage is at http://www.mit.edu/~goodmanj/palm-pirates/) I call the project "Palm Pirates", and therein lies the problem. I've received several letters from Palm, Inc, claiming that my use of the word "Palm" violates their copyright. I ignored the polite requests, but they're beginning to become less polite. I'm now (rather regretfully) trying to think of a new name, and would like any suggestions you might have. I'd prefer a clever pun, or a G&S inside joke. Jason  1,, Summary-line: 12-Aug dduffey@argonet.co.uk [61] #SavoyNet Patience 1 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA00490; Sun, 12 Aug 2001 17:53:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA10078 for ; Sun, 12 Aug 2001 17:53:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA03201; Sun, 12 Aug 2001 17:52:22 -0400 (EDT) Date: Sun, 12 Aug 2001 17:52:22 -0400 (EDT) Message-Id: <001f01c12376$acd5f260$3e0dbc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Patience 1 MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Sun, 12 Aug 2001 17:52:22 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Patience 1 Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There are so many things I wish to say, that doubtlessly much will be missed in this initial posting. First and foremost, thanks to my friend and colleague Larry Garvin. There cannot be a better MD to work with on Planet Earth. My only regret is that some several thousand miles of Atlantic Ocean make our working together a rare event. Then, the whole company. What a talented and well-motivated group! The team-spirit of SavoyNet productions is unique in my experience - in fact it has to be experienced to be believed. Sandra Vamplew, the costume mistress was the person who worked the longest and hardest throughout the life of the production - long before we got to Buxton. I think I'm probably the only person who knows JUST how hard that was. When we got into the rehearsal rooms Kathryn Barton then laboured long and tirelessly. I know I was demanding, but Sandra and then Kathryn met the challenge head on and maintained the highest of standards. Marc Shepherd kept me on schedule and was an invaluable resource which I exploited shamelessly. Jill and her team kept body and frequently soul together.. Keith, Drage our supremely competent and complexly unflappable stage manager was a pillar of strength, and David Marsden (we had six Davids altogether, including three with the same initial letter of surname) the lighting designer was both hugely talented and consummately expert. Stephen Hill's efficiency was again the ideal counterbalance to my scatterbrain style, and Collette (working with the effortlessly competent Dave Kirby) did so much to set the tone of the piece. The personal debt I owe David Cookson cannot properly be appreciated by anyone but me. Whenever I had doubts, or 'director's block', a meeting with or a phone call to David provided renewed confidence. David has the happy knack of effecting improvement in a person while leaving him or her thinking they have achieved it by themselves. His contribution was worth a guinea a second. David has worked with the very top G&S professionals, but can make the very humblest feel great. What a man! David David Duffey The Wash England dduffey@argonet.co.uk  1,, Summary-line: 12-Aug dduffey@argonet.co.uk [77] #SavoyNet Patience 3 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA00525; Sun, 12 Aug 2001 17:53:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA00657 for ; Sun, 12 Aug 2001 17:53:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA03334; Sun, 12 Aug 2001 17:52:48 -0400 (EDT) Date: Sun, 12 Aug 2001 17:52:48 -0400 (EDT) Message-Id: <002101c12376$b3847500$3e0dbc3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Patience 3 MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Sun, 12 Aug 2001 17:52:48 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Patience 3 Content-Type: text/plain; charset="Windows-1252" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I must express my appreciation of the hard work by the whole cast. Both choruses looked and sounded superb. Both had less than easy moves to make and each worked and worked at getting them correct. They at once latched onto the notion that practising merely until it was done correctly was not enough. They had to practice until it was impossible to get things wrong. One week was never going to be enough time, but by George they did their best to achieve the ideal. Then our principals - what a line up! David Craig was superb as Bunthorne. His artistry, vocal ability, characterisation and sheer stagecraft gave an object lesson to us all. Angela Lowe was a Lady Jane in the Gillian Knight class. Boy, did she dominate! Jackie Richards' Patience lit up the stage, but also produced real pathos and moved me to near tears. Janice Rendall's masterful delivery of dialogue and facial expressions as Lady Angela kept me laughing from first rehearsal to final performance. Julie Bjerrigaard has such a mastery of timing and characterisation that her Lady Saphir was sheer joy and so funny. Karen Ann Loxley (despite a painful injury to her ankle) captivated the audience, and her by-play in Act II with the Solicitor (via the telephone) surpassed all expectation and was full of wit and subtlety. Tony Smith, as the Colonel, was every inch the Dragoon commanding officer. He took charge every time that was required and was the cynosure of every eye, until the focus had to change whereupon he remained completely in character and reacted appropriately, but allowed attention to go where it was required - what skill! Bob Richards as the Major- what comic timing! What unselfish feeding the laughs to others! What grabbing the initiative and provoking real laughter! What consummate artistry! Ian Hollamby took the gift of a part of the Duke (albeit a small one) and wrung every ounce of meaning and comedy out of it. He was enjoying himself in the role, and that communicated itself to the audience, who loved him. If there has been a better trio of officers for a director to work with, I shall be very surprised. David Craven! What superlatives are left? David discovered the British style of direction and performance to be different from anything he had experienced before - but boy, did he work! He was a veritable sponge, taking direction and advice and building his characterisation of Grosvenor onto his superb voice to give performance I had not thought it possible to achieve. What that man did in one week takes most performers ten years to achieve and I take my hat off to him. I thought Alex Bell did quite well too - but I'll post about him and the veils tomorrow. David David Duffey The Wash England dduffey@argonet.co.uk  1,, Summary-line: 13-Aug oakapple@cris.com [361] #Buxton 20001 Mini-Diary X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA29321; Mon, 13 Aug 2001 20:13:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA13858 for ; Mon, 13 Aug 2001 20:12:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA26092; Mon, 13 Aug 2001 20:12:02 -0400 (EDT) Date: Mon, 13 Aug 2001 20:12:02 -0400 (EDT) Message-Id: <3B78695E.732B64CF@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Buxton 20001 Mini-Diary MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Mon, 13 Aug 2001 20:12:02 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Buxton 20001 Mini-Diary Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My girlfriend and I were in Buxton for the 2nd through 10th days of the 2001 International G&S Festival in Buxton. I have always kept a diary while there, but the busy schedule of this year's visit meant that I didn't get a chance to write very much until the plane ride home. Even at a week's distance, the productions quickly recede in the memory, so I am writing a bit less this year than usual. The restoration of the Buxton Opera House is now apparently complete, and a gorgeous theatre it is! The ceiling frescoes and gold leaf shine as if new, yet we are reminded of an age long past, when theatres were gorgeously appointed like temples of worship to the gods of song and dance. There were no changes to the format this year. Ian and Neil Smith have hit on a formula that works, and in its eighth year the focus of the Festival's organizers has moved from invention to refinement, which is as it should be. The main purpose for my visit was to assistant direct the Savoynet production of PATIENCE. The heavy rehearsal schedule meant that I did not attend any of the daytime events, so I can report only on the evening shows. I have always attended all of the available the Opera House productions during my visit, no matter what they were, and so I did this year. Having traveled such a long distance for a G&S Festival, I want to see the main product that I came for, even if a particular evening's program seems less appealing. But this year, for the first time, I noticed that quite a few of the Savoynetters skipped a show or two, or indeed up to half of the shows that were offered during our production week. The shows many Savoynetters bypassed turned out to be the most enjoyable ones we saw, which underscores the difficulty of guessing in advance which productions will be the most worthwhile. Indeed we had a very tempting offer to skip the Southampton PINAFORE, but having bought tickets we chose to use them, and this was by far the best of the week's amateur shows. At the end of the first week of adjudications, Ian Smith spoke of "the most successful opening week ever," and even allowing for Ian's occasional tendency to exaggerate, this seemed to be a fair assessment. Every year there has been at least one dud, but all of the shows on offer during the first week were at least credible. David Turner, who adjudicated six of the first seven Festivals, finally stepped aside, giving way to former D'Oyly Carte soprano Cynthia Morey. David Turner's adjudications last year seemed a bit tired, and so perhaps it was time for a change. Despite some initial nervousness, Ms. Morey quickly grew into the new assignment, giving more detailed adjudications than Mr. Turner had done, and finding the desired middle-ground between praise and criticism. Most audience members expressed general agreement with her comments during that first week. Sunday, July 29th: Nomads SORCERER The Nomads are Ian Smith's house company, existing only for the Festival. Their production of THE SORCERER, with a handpicked cast and John Reed directing, gave much pleasure while lacking the polish and punch needed for a first-class performance of this difficult work. The first thirty minutes or so, depending for their success on subtle class humor and impeccable comic timing, dragged a bit. Most of the characters who carry the early scenes were not quite up to the task, or perhaps hadn't had the time to dig into their roles. Far too many lines were pointed up-stage, and the words suffered. The production lit up when Neil Smith's John Wellington Wells entered. This was the first time I'd seen Neil in a full production, but I had expected a strong performance, and indeed he gave us one. With top hat, curly moustache and fetching green gloves with matching cravat, he commanded attention in all of his scenes. Bronwen "can-do-no-wrong" Evans was a delightful Aline, as expected. Her bright soprano carried easily over the orchestra. My girfriend, who was seeing the opera for the first time, observed that several in the company could learn from Bronwen's superb diction. Monday, July 30th: Abbotts Langley MIKADO Abbotts Langley, a company celebrating its fiftieth anniversary this year, has appeared at the Festival twice in the past. Their productions are dependable, although they have never contended for the top prize. This was a mostly traditional MIKADO, with a few odd innovations. In the opening number, the gentlemen of Japan mimed the driving of automobiles. I thought that the director was trying to establish a concept, but it went nowhere. The production was all but ruined by its lighting designer, whose abrupt transitions between music and dialogue drove the viewer to distraction. It would have been worthwhile to kidnap the fellow and just leave the lights at one level for the rest of the performance. Large areas of the stage, particularly in front, were poorly lit. At the start of each musical number, most of the ambient lighting was extinguished in place of followspots that "followed" very poorly or not at all. In the Act I finale, all of Katisha's lines were illuminated in red, with frequent transitions back and forth to white. I pitied the performers whose strong efforts were hindered by such incompetence. Act I did not catch fire, and a few of my jet-lagged friends left at the interval. Act II was a lot more fun, with Ko-Ko (John Harris-Bass) and Katisha (Brenda Southorn) being especially successful. Musical performances throughout were not crisp. Tuesday, July 31st: Trent Opera, THE GONDOLIERS Trent Opera has become known for daring concept productions, such as the "play within a play" MIKADO last year and the space-age UTOPIA two years ago. For the first time at the Festival, Trent did a largely traditional production. The one significant innovation came at the beginning of Act II. A life-size chessboard was painted on the floor of Barataria's throne room. During the opening scene, the courtiers played chess, with Marco and Giuseppe as the kings, the rest of the board being populated with over-size wooden mock-ups of the familiar pieces. I found it a clever bit of business, but the adjudicator and other observers were distracted enough to notice that the moves in the game weren't plausible. The Trent shows don't seem to get a lot of rehearsal -- the company performs them nowhere else -- and when there is no unusual concept to engage the audience, the opera must be performed with energy and precision. Unfortunately, this was not one of Trent's better nights. All of the major principals made significant flubs, and the chorus seemed rather tentative. Andrew Nicklin's brisk tempi somewhat compensated for a lack of sparkle among the on-stage performers, but the overall feel was of a company not quite secure in the material. The highlight was Simon Theobald's Duke of Plaza-Toro. His entrance in Act II, made up as a foppish faux-French nobleman, was a tour de force. I thought that director Andrew Nicklin erred by having the Duke and Duchess eat a meal while singing "Small titles and orders." The words of this duet are quite funny, but they tend to get lost when the performers are distracted with business that, even though amusing in its own right, has nothing to do with the text. Wednesday, August 1st: Southampton Operatic Society, H.M.S. PINAFORE Many Savoynetters remembered a lackluster SORCERER that this group performed at the 1999 Festival, and therefore considered their PINAFORE a production worth skipping. It turned out to be the most enjoyable amateur show of the week. The setting was moved to the bridge of the Starship PINAFORE, with Captain "Kirkoran" in command. While Southampton's principal lineup couldn't match what Trent Opera offered, they compensated with energy, precision, and the sheer joy of engaging the audience with a living idea. The two minor principal crewmen (usually Boatswain and Carpenter) were renamed Mr. Spock and Scotty. Dick Deadeye became Klingon Deadeye. Ralph was a transporter room ensign; Sir Joseph said to Ralaph that this position "will take you far." The Boatswain's "No, my lass, I can't say I've ever thought that" became Mr. Spock's "No, Little Buttercup, that is not logical." The opening chorus was "We sail the galaxy...." I'm not good at remembering lyrics, but the rewrites were very clever and consistently applied. Captain Corcoran and Josephine attempted American accents, and many of my British friends thought they had done so successfully (although to our ears they fell wide of the mark). After Sir Joseph's first scene, the ladies chorus remained on-stage and performed the hornpipe from RUDDIGORE. It was appropriate in context, and the ladies danced it with delightful sparkle. Less successful was the interpolation of "Eagle high" from UTOPIA LIMITED. The invented bridge dialogue leading up to it was not at all convincing, and this souvenir of late Sullivan jarred stylistically with the rest of the piece. "A British Tar" yanked us back into context, but it was the second number in a row with unaccompanied singing. The production was staged for high camp, and we forgave some gags that might have been unacceptable elsewhere. For instance, Ralph was seen ironing his uniform during the dialogue with Josephine, so that we could enjoy the joke on "Refrain, audacious tar, your suit from pressing." When Sir Joseph sent Captain Corcoran to his cabin with celerity, a chorus girl jumped up and shouted, "That's me!!" In a production containing so many inventive ideas, few minded these appeals to low humor. Within the limits of an amateur budget, the set successfully evoked the bridge of the Starship Enterprise. An upstage entrance door slid open for entrances and exits, and the short beeping sound heard on the TV series was played on the loudspeakers. The ladies' costumes in bright colors and sequins had a vague space-age feel. Those ladies with the figures for it wore short skirts and curve-fitting blouses. Buttercup entered in a low-cut, short-skirted leather outfit. The words of her song were not changed, and the slightly bawdy staging suggested that she herself was the product for sale -- the original lyrics were meant perhaps to be sexual metaphors, although luckily for Southampton the adjudicator didn't interpret it that way. Buttercup didn't look old enough to be a mother, and we learned that she had "mixed those test tubes up" a many years ago. New York City's Village Light Opera also did a Starship PINAFORE within the last year, and it is hard to say which was better. VLOG had a better principal line-up, but Southampton gave it more energy, and its young chorus seemed more comfortable with the style. The two groups did different rewrites, with VLOG's being on the whole a bit cleverer. The one certain thing is that Southampton's PINAFORE was by far the most enjoyable of the week's amateur shows. Thursday, August 2nd: Camberley Light Opera, THE GRAND DUKE To pull off a satisfying performance of THE GRAND DUKE, one needs the Mary Poppins of productions: practically perfect in every way. Such a difficult and flawed work can get by with no less, and Camberley Light Opera didn't quite pull it off. Those who dislike THE GRAND DUKE came away with their impressions confirmed, and those who admire it came away wanting more. One cannot really refer to a "traditional" production of this opera, but Camberley interpreted the libretto fairly literally. There were numerous dialogue cuts, but only minimal musical cuts, making for a long and at times tedious evening. The use of the chorus was particularly unimaginative, with groups often standing in unattractive clumps not quite resembling semicircles. Choreography and movement were uninspired and seldom inventive. Too often, performers were left to fend for themselves. Having said that, some of the individual performances made magic. Julia (Susan Prior) had a German accent that was maintained consistently throughout the dialogue and music without sacrificing intelligibility of the words. I've seen GRAND DUKE at least half-a-dozen times, and this was the first time I had seen the role of Julia performed to my satisfaction as Gilbert conceived it. Usually, the German accent is cut, or it is retained and the performance suffers. The Prince of Monte Carlo (Duncan Hamilton) was as thoroughly convincing a French fop as ever I've seen, maintaining a near-perfect French accent in both the dialogue and music. This clearly was the Festival for fay noblemen -- we saw three of them done to perfection in just a week's time. The Princess of Monte Carlo (Adele Coleman) also spoke in a convincing French accent, but her performance was writ far too small when compared to the Prince's luminescence. Ernest (John Ranwell) and Ludwig (Gary Maslen) were practically interchangeable. The opening dialogue was rewritten slightly, and both were onstage from the beginning, Ernest taking some of the lines usually given to the chorus leads. The two were costumed similarly, and someone unfamiliar with the story would have had trouble telling them apart. Indeed the adjudicator, who admitted she had never seen the opera before, seemed to mix them up at times. Ernest was the stronger performer of the two, which was regrettable as Ludwig is the larger role. As is often the case in performances of this opera, the company's talent pool wasn't deep enough to cast a believable Notary, and several of the early scenes suffered. Rudolph (Ian Henderson) was excellent, and one sees the mistake Gilbert made in creating such a memorable character that is off-stage for so much of the opera. The adjudicator complained about the diction, and while it was not stellar, she was a lot more tolerant of diction flaws in performances of operas she knew well. MD Richard Stockton had a difficult task to lead the band in a long and unfamiliar work, and it's to his credit that they got through the score without any major mishaps. Saturday, August 4th: G&S Opera Company, THE MIKADO The Festival's house professional company has been a work in progress, and some observers have felt that the amateur shows, even if less polished, were more consistently enjoyable. Because of that, a number of Savoynetters skipped this production, missing probably the best pro show the Festival has yet seen. Ian Smith wants the pro shows to set an example of G&S at the highest level, and this year's MIKADO did that. The production received four performances, of which we saw the third, on Saturday evening. (Friday evening was third annual Savoynet dinner at the Kwei Lin restaurant.) Dance is director Alan Spencer's specialty, and there was as much choreography in this production as THE MIKADO will tolerate. Some argued that it was overdone, but all of the movement seemed to me well integrated into the style of the piece, a pleasure to watch, and almost perfectly executed. The set, new for this production, consisted of concave curved staircases on either side, leading to an upstage center platform. Another set of steps at the back of this platform allowed performers to enter or exit directly upstage. In Act II, the curved staircases were flipped to lead directly offstage up right and left, eliminating the upstage center platform. A variety of projected designs appeared on the white backcloth, and the ambient hue changed periodically for no apparent reason. Both acts opened with a faint cloud of billowing white smoke on stage, again for no apparent reason. The multi-level set, although functional, appeared to have been built on the cheap, although it was still a far cry from the shopworn Paul Lazell sets that one sees night after night. Having ordered a set of this description, naturally the director felt obligated to use it, and some of the blocking had the appearance of "Hmm, we haven't used the stairs in a while." However, many of the stage pictures were gorgeous, especially the entrance of the ladies' chorus in Act I. Perhaps I'm betraying my age when I report that Fenton Gray was the best Ko-Ko I had ever seen, finding the perfect middle ground between manipulativeness and vulnerability. In several scenes he had me absolutely in stitches, and his "Here's a how-de-do" could not be bettered. The little list song was largely rewritten, and conductor David Steadman wisely took it at a snail's pace. When a song is rewritten, it *should* be taken far slower, to allow the audience to relish the unfamiliar words. Gray devoted about half of a verse to the "Savoynettist," and while it is not usually a compliment to appear on this particular list (alongside Lord Archer), Gray's choice suggested that our group had, in a sense, "arrived." Other top honors went to Jill Pert (Katisha) and Gareth Jones (Pooh-Bah), both G&S veterans. Most of the remaining cast was at least credible, if not matching the impeccable comic instincts of these three. The lone weak link was Richard Woodall (The Mikado), who was far too young for the role and not nearly menacing enough. In another twenty years, perhaps he'll be an acceptable Mikado. While I liked David Steadman's tempo in the list song, other tempi were slow to the point of being mannered, and the performance ran to nearly three hours. While it never dragged, thanks to the consummate skills of the singers, most observers felt that Steadman was drawing undue attention to himself. To be sure, he found nuances in the orchestral line that others miss, but when "Braid the raven hair" is taken at only half the usual speed, it is a good idea taken too far. There was one fluff in the performance, leading to what a friend called the best recovery she had ever seen. Nanki-Poo (Colin Lee) forgot his dagger for the scene preceding the Act I finale. One clearly saw the look of panic on his face when he realized that it wasn't in his obi. Ko-Ko, not missing a beat, said, "No, not the invisible dagger!" In Act II, Nanki-Poo remembered the dagger; Ko-Ko then pointed to it, turned to the audience, and winked. Sunday, August 5th: Youth Production, PRINCESS IDA Here again was a production some Savoynetters skipped, but those who attended could not help but be swayed by the infectious gaiety of what used to be called the "Children's Production," but is nowadays called the "Youth Production." In brief, the production is cast with children ages 8 to 18. It is rehearsed and presented in the space of a week, under the direction of the miraculous Pamela Leighton-Bilik. PRINCESS IDA might have seemed an unsuitable choice for a children's opera, but Pamela's young charges presented it practically without compromise. While dialogue cuts were extensive, the music was presented nearly complete, aside from one verse of "Come, mighty must." The Act III finale was rewritten as a reprise of "Now hearken to my strict command." The scenes involving King Gama's sons were among the highlights for me. Two of the brothers were tall fellows, and the third son was about two feet shorter. Pamela took ample opportunity to capitalize on the opportunity for visual humor. Act II shone, particularly due to the strengths of Princess Ida and Lady Psyche (I don't have the names -- sorry). After "Minerva...Oh godess wise," I observed Thomas Round and Cynthia Morey applauding vociferously. Pamela always finds new ways of making the operas shine. When Melissa asked, "Pray, what authors should she read, who in classics would succeed?" Lady Blanche opened her mouth as if about to speak, only to be interrupted by Lady Psyche. Later on, Hilarion and his friends cleverly ad-libbed while they changed clothes in the middle of the act -- a passage that often drags in adult productions. The musical director conducted from the piano, and I was delighted to find that all of the vocal lines were present, even in the difficult Act II finale and the Act III double chorus. Ian Smith always describes the participants in the Youth Production as "the future of Gilbert and Sullivan." When one hears such accomplished performances in those so young, one can have little doubt that the future is in good hands. Monday, August 6th: Savoynet PATIENCE Savoynet's own production of PATIENCE brought us to the end of our trip. As I assistant directed the production, there is not much I can offer, except gratitude for the opportunity to participate, and satisfaction that we gave an entertaining performance that did the Festival proud. Having given a performance last year that, for various reasons, failed to live up to our expectations, many Savoynetters felt that we had something to prove. With PATIENCE I believe we proved it: namely, that a production planned over the Internet and rehearsed only in Buxton can meet the Festival's standard of top-tier amateur G&S, fully competitive with the other groups that appear each year. Having attended the Festival for six years straight, and seven of the last eight, perhaps the time has come for a year off -- not because I've tired of the experience, but because there are other things I wish to do. On the other hand, I've been thinking that for a while, and so far I have trouble staying away. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 14-Aug finn@intersys.com [78] #my Buxton diary -- Part 3 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA27352; Tue, 14 Aug 2001 14:30:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17856 for ; Tue, 14 Aug 2001 14:28:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA12093; Tue, 14 Aug 2001 14:27:07 -0400 (EDT) Date: Tue, 14 Aug 2001 14:27:07 -0400 (EDT) Message-Id: <01Aug14.140934edt.115207@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: my Buxton diary -- Part 3 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 *** EOOH *** Date: Tue, 14 Aug 2001 14:27:07 -0400 (EDT) Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: my Buxton diary -- Part 3 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sunday, August 29th Breakfast this morning with Julie Bjerregaard and Don Smith. At the moment, I'm sitting in the Pavilion Gardens, writing, before heading off to church. It's overcast, but lovely and cool with a breeze. (It got hot later in the day.) There seem to be more of those mutant ducks in the Gardens than I remember from last year. One of them just walked fairly close to me. I hope it's not radioactive. I napped most of the afternoon. In the evening, we had what was altogether a very good SORCERER from the Nomads -- with several SavoyNetters in the cast. I quite liked Neil Smith in the title role. He chose to play J.W. Wells as an evil puppet master. I like the fact that a definite choice was made (so often we don't know exactly who Wells is) but this choice *did* raise a few questions. Why, during "Oh Marvelous Illusion" did Wells use his magical powers to purposely mis-match people? Was it on instructions from Alexis? (A digression: Why does Alexis care so much about uniting different classes? Doesn't he just want everyone to fall in love? It's not like Aline is a peasant, or anything.) More importantly, why did Wells eventually decide that he had done wrong? He comes out in Act 2 and sings "Oh, I have done much evil with my spells." Why does he think that? The only true blunder of the evening was something that could easily have been avoided. When Wells set up for the incantation, the "logo" of his company incorporated a Star of David. I didn't hear of anyone being offended, but it's a big risk to run. (I'm sure I've mentioned that I was once in a production of THE SORCERER at MIT during which we unintentionally offended a couple of Wiccans in the audience by what they viewed as our mis-use of a pentagram.) Other dislikes: I got the very strong impression in the opening scene that Dr. Daly was thinking about marrying Mrs. Partlet, not Constance. I doubt that was the intention, but that's what I felt. I didn't care for the staging of "Oh Bitter Joy". There was some Spanish-style choreography that seemed a little out of place. Also, I think Constance was too happy during that song -- I know she's under the effects of the potion, but her lyrics are all about her heart being blighted. The "town band" was too OTT for my taste. Things I particularly liked: After hearing so much about her, this is the first time I ever saw Bronwen Evans perform. Her reputation is well-deserved. She sang and acted beautifully. I enjoyed the staging during "Oh Love, True Love" with the chorus taking concerted, slow-motion sips of tea. It was just enough, and didn't pull focus. And I know from experience how difficult it is to freeze during the song, which is what the chorus usually has to do! During the segue from the incantation to the party, Wells was seen to spike the teapot with "extra" potion. I like that touch, because it motivates why perhaps the potion doesn't work exactly as expected. After hearing Ben Chambley deprecate his talents on Savoynet, I wasn't prepared for what a strong performer he is. He was a bit over the top as the Notary, but somehow, it worked. I skipped the Festival Club in favor of more sleep. More to follow... ******************************************************** Mary A. Finn (finn@intersystems.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 14-Aug KeithDrage@compuserve.com [66] #Savoynet production - some thoughts X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA20420; Tue, 14 Aug 2001 18:38:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA28135 for ; Tue, 14 Aug 2001 18:38:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA00500; Tue, 14 Aug 2001 18:38:21 -0400 (EDT) Date: Tue, 14 Aug 2001 18:38:21 -0400 (EDT) Message-Id: <200108141830_MC3-DC69-163C@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: KeithDrage@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Keith Drage To: Multiple recipients of list SAVOYNET Subject: Savoynet production - some thoughts MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 14 Aug 2001 18:38:21 -0400 (EDT) Reply-To: KeithDrage@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Keith Drage To: Multiple recipients of list SAVOYNET Subject: Savoynet production - some thoughts Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum After my comments of last year, I would like to say that for this production of Patience, the audience did in my opinion get the worth of their ticket money. Perhaps I should also temper last years comments with the information that Buxton ticket prices are higher than those of the average amateur productions in the UK, and therefore the audience has a right to expect a high standard. Without trying to guess the adjudicator's choices, the production was at least up to the standard to receive a couple of nominations. Unfortunately I can only judge against the standard of previous years as I have not had the opportunity to see any of the other contenders this year. One highlight of the performance for me was standing backstage watching Larry conducting the overture on the monitor - a performance in its own right resulting in an overture to be proud of. I have still to watch the video, so I will not try to comment on anything else. Perhaps its about time to start comments for next year. While we do not have total choice over the production these would be my inputs - particularly from a stage management perspective. 1) Keep to doing one of the shorter shows. With Patience we finished the run in the afternoon with 25 minutes to go back over things and polish them with the band. I am sure that made an enormous difference. Given a week for rehearsing the show, it would also seem to make sense to use the time polishing a show with less total minutes to direct. Lets leave the longer shows to those companies with 3 months to rehease for the moment. This year we managed to complete runs of the show in either morning or afternoon rehearsals - that was not possible with Yeoman. 2) Try and do a show with a single set. While Patience on the Besch set was nominally two different sets, the change from one to the other was reasonably light. This allowed us not to waste time on the changeover (it was completed well within the 15 minuted orchestra break), and allowed us to do the show in the correct order (a complex set for each act would have required us to do Act II first). I am sure this benefited the cast. Please nobody suggest doing Princess Ida with three scenes. We also have to try and choose a show that has a suitable set available. 3) One strength of Savoynet is currently its chorus. Choose a show that uses the chorus to its maximum benefit. [Note that allowing everyone to be in the chorus also has its downside. Using the Besch set gave us considerably more stage room than the Lazell set would have done - I doubt we could have done some of our direction within the constraints of the Lazell set - if you choose a small set we will need to constrain the size of the chorus] Responses welcome. Keith Swindon UK Stage Manager - Savoynet production  1,, Summary-line: 15-Aug pstark@itpapers.com [115] #In vitro X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA23954; Wed, 15 Aug 2001 13:34:46 -0400 (EDT) Received: from malinche.ici.net (malinche.ici.net [207.180.0.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA19479 for ; Wed, 15 Aug 2001 13:34:46 -0400 (EDT) Received: from tatg.itpapers.com ([208.59.73.90]) by malinche.ici.net (8.10.0/8.10.0) with ESMTP id f7FHYi512338 for ; Wed, 15 Aug 2001 13:34:45 -0400 (EDT) Message-Id: <4.3.1.2.20010815133343.035a2b20@mail.itpapers.com> X-Sender: pstark#itpapers.com@mail.itpapers.com X-Mailer: QUALCOMM Windows Eudora Version 4.3.1 Date: Wed, 15 Aug 2001 13:34:38 -0400 To: opus@mit.edu From: "Peter A. Stark" Subject: In vitro Mime-Version: 1.0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable *** EOOH *** X-Sender: pstark#itpapers.com@mail.itpapers.com Date: Wed, 15 Aug 2001 13:34:38 -0400 To: opus@mit.edu From: "Peter A. Stark" Subject: In vitro Content-Type: text/html; charset="iso-8859-1" On CNN.com, I found this headline: N.J. man to appeal embryo ruling
yesterday.

Now I wonder just what the embryo ruled... and how the embryo feels about being in NJ, which after all, I left years ago, though long past my embryonic days.

Let's see, if Gilbert were writing for Sally Jesse Raphael or Oprah, what would he write about this?

Verse:
A cellular being, its grim future seeing
Applied to the bench for injunction
Though its father appealed
When its mother revealed
She'd scattered her charms sans compunction!

Refrain:
"You thrusted, I parried,
When we were still married,
Yet lovey, you little suspected
That I loved to distraction
But not to subtraction
My multiplication's respected.
We wedded, we bedded,
But where were we headed?
A human ge-gnome we did foment.
Though sure I'm the mother
The dad was another:
'Twas only the sperm of the moment!"

Verse:
But fearing the ruling,
The bud, lacking schooling
Decided directly to bolt -
And hid in a shipment
Of research equipment
For London, took off with a jolt.

Verse:
While over the 'Tlantic
That manikin frantic
Discovered its cells were dividing
At take-off it stowed 'way
But out over sea spray
It found there was no use in hiding!

Refrain:
"You thrusted, I parried," etc.

Verse:
No daddy, no mummy,
And treated quite crummy
At first, 'twas confined to a cell
That f=9Ctus ex vitro
On landing at Heathrow,
Demanded asylum pell-mell.

Refrain:
"You thrusted, I parried," etc.

Verse:
With a glance round its dish
Full of hope and of wish
It selected the monniker "Petrie"
Though but a humoncule
Adrift in the gene pool
It hit on a raison d'etre.

Refrain:
"You thrusted, I parried," etc.

Verse:
The end of the story
Was really quite gory
The lab-glass was broken in shipping
And here is the moral:
Pre-parents who quarrel,
Your pre-babe may ooze away, dripping!

Well, I tried, didn't I? You can't blame me for trying.=20 Much.

Peter.


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________________________________  1,, Summary-line: 21-Aug ornstn@home.com [97] #Re: Problems with translating Gilbert X-Coding-System: raw-text-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA12481; Tue, 21 Aug 2001 18:27:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA28328 for ; Tue, 21 Aug 2001 18:27:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA18452; Tue, 21 Aug 2001 18:26:25 -0400 (EDT) Date: Tue, 21 Aug 2001 18:26:25 -0400 (EDT) Message-Id: <5.1.0.14.2.20010821180206.0361dd50@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Problems with translating Gilbert Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010821212934.24679.qmail@web13306.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Tue, 21 Aug 2001 18:26:25 -0400 (EDT) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Problems with translating Gilbert Content-Type: text/plain; charset="iso-8859-1"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20010821212934.24679.qmail@web13306.mail.yahoo.com> At 05:39 PM 21/08/01 -0400, Marc Shepherd wrote: >In my concededly limited experience, a good translation cannot be a >literal translation. Instead, the translator needs to write new words >that convey the same *intent* as the original. As a sometime translator myself (three Offenbach operettas, Ba-Ta-Clan, La Vie Parisienne and La Perichole) I absolutely agree with this - especially when you are dealing with sung lyrics, which must match the prosody of the musical line, sound as much as possible as though they were written in English to start with, and lie easily for singers (so they are not required to produce, for example, an "oo" sound on a high note) as well as convey the sense of the original. Sometimes this requires compromises. When dealing with French to English, there is the problem that French is a much less inflected language than English (and Offenbach often ignored what inflections exist). This may mean that repeats in French cannot be observed in English. Here is an example from La Vie: The line "On va les deshabiller" (referring to maids' roles in undressing their mistresses) is repeated several times at one point with the following inflections: ON va LES desHABiller ON va les deshaBILLer On va les DEShabillER. Obviously this cannot be translated identically in English without false accents. I rendered it: We can take them off again - We'll take them off again (with the "gain" on two notes) - The things we do for you men! Which is pretty much what the original says anyway. Another problem in French is the use of feminine endings. For example, the Brazilian's song in Act I begins: Je suis bresilien, j'ai de l'or Et j'arrive du Rio de Janaire. Plus riche aujourd'hui que naguere, Paris, je te reviens encor! (literally: I'm Brazilian, I have gold, and I've arrived from Rio de Janeiro. I'm richer now than ever; Paris, I have returned again!) Here. Offenbach sets the syllables "aire" and"guere" to two notes on the same pitch. Should English follw or render each as one? While we're at it, do we observe the typical French ABBA rhyme scheme or the more common English ABAB? In this case I came up with: I've made my fortune in Brazil - I come from Rio de Janeiro - I'm here with every last cruzero — I mean to spend them, and I will! Which sticks to the French form (and even so ends up with a false accent in the last line - sigh...). However, a few lines later I rendered: Du temps d'avoir deux cents amis et d'aimer quatre ou cinq maitresses (literally: Time to have 200 friends and to love 4 or 5 mistresses) which has a feminine ending on the second line, without the double note (and I added a pun not in the original): The last time I made fifty friends And four or five delightful girls (Note that "deux cent" (200) became "fifty" for both fit and alliteration). All these technicalities (and more) must come before getting the meaning literally right if the translation is to sound natural and sing well. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1,, Summary-line: 22-Aug mcnewsome@hotmail.com [101] #Volunteers Wanted - to test orchestral audio tracks X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA18708; Wed, 22 Aug 2001 08:25:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA14384 for ; Wed, 22 Aug 2001 08:25:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA03103; Wed, 22 Aug 2001 08:24:53 -0400 (EDT) Date: Wed, 22 Aug 2001 08:24:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mcnewsome@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Newsome" To: Multiple recipients of list SAVOYNET Subject: Volunteers Wanted - to test orchestral audio tracks MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0000_01C12B47.618BAA60" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: MSN Explorer 6.10.0016.1604 *** EOOH *** Date: Wed, 22 Aug 2001 08:24:53 -0400 (EDT) Reply-To: mcnewsome@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Newsome" To: Multiple recipients of list SAVOYNET Subject: Volunteers Wanted - to test orchestral audio tracks Content-Type: multipart/alternative; boundary="----=_NextPart_001_0000_01C12B47.618BAA60" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum ------=_NextPart_001_0000_01C12B47.618BAA60 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi to all, and congratulations to all who participated in the Savoynet Pa= tience. At last Jean and I have completed the first round of digital recordings o= f the orchestral accompaniments to Pinafore, Pirates, and The Gondoliers.= You can listen to some samples at www.savoyoperas.com. As you may remember, Jean and I have been working on orchestral MIDI file= s for these operettas for over 10 years now, and they have been used to g= ood effect in school and community theatre productions where an orchestra= is either unavailable or too expensive. Still, MIDI can be a little daun= ting for some, and we have had enquiries about the availability of pre-re= corded tracks. These don't provide as much flexibility as MIDI files, but= they are easier to use and don't require any special knowledge of comput= ers and MIDI. We have sung along to these tracks ourselves, but we are highly biased. A= re there any groups out there who would be willing to use our recordings = in a QWERT or concert type setting and provide some feed-back that we can= use to refine them? If so, please let me know how and when you will use= them and I will send CDs to the address that you provide. In order not to strain the bank too much, we can send out three complete = copies of each operetta. The licenese will allow an unlimited number of c= oncert performances, QWERTS, and personal uses. In return we would apprec= iate useful feed-back. If you would like to purchase the completed works, each one will be avail= able on CD for US$10 + US$5 shipping (US$8 shipping outside North America= ). We expect to have final copies available for shipping in late November= - just in time for Christmas stocking stuffers. It would be useful to ha= ve some idea of demand so, if you are interested, please let us know. Kindest regards, Mike Newsome & Jean Minielly michael@savoyoperas.com www.savoyoperas.comGet more from the Web. FREE MSN Explorer download : h= ttp://explorer.msn.com ------=_NextPart_001_0000_01C12B47.618BAA60 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi to all, and= congratulations to all who participated in the Savoynet Patience.
=
 
At last Jean and I have completed the first round = of digital recordings of the orchestral accompaniments to Pinafore, Pirat= es, and The Gondoliers. You can listen to some samples at www.savoyoperas.com.
 
=
As you may remember, Jean and I have been working on orchestral MIDI= files for these operettas for over 10 years now, and they have been used= to good effect in school and community theatre productions where an orch= estra is either unavailable or too expensive. Still, MIDI can be a little= daunting for some, and we have had enquiries about the availability of p= re-recorded tracks. These don't provide as much flexibility as MIDI files= , but they are easier to use and don't require any special knowledge of c= omputers and MIDI.
 
We have sung along to the= se tracks ourselves, but we are highly biased. Are there any groups out t= here who would be willing to use our recordings in a QWERT or c= oncert type setting and provide some feed-back that we can use to refine = them?  If so, please let me know how and when you will use them and = I will send CDs to the address that you provide.
 
=
In order not to strain the bank too much, we can send out three comp= lete copies of each operetta. The licenese will allow an unlimited number=  of concert performances, QWERTS, and personal uses. In return = we would appreciate useful feed-back.
 
Sent: Thursday, February 26, = 2004 3:11=20 AM
Subject: RE: Residue of the = Estates of=20 Schwenk, Arthur and Richard

Dear Friends,
  This matter = has been=20 the plague of my existence for 6 months: i.e. attempting to figure out = value=20 of money in Late Victorian age in terms of our current dollar=20 today.
   Most biographies of G&S speak disparagingly = of=20 Sullivan's paltry estate having amounted to a meagre 55,000 pounds or=20 so.   Well, that is very likely equivalent to several = millions of=20 dollars today, but the exact equation is not that easily acquired by = hook or=20 by crook..
  Are there any banking geniuses among our = Savoynetters who=20 can enlighten me on this matter.
Thank you so very=20 kindly,
Regards,
Donald
ps:  Hint=3Done of the major = stumbling=20 blocks that I have found is that the working class wages were almost=20 vanishingly small when compared with the upper classes who luxuriated = in=20 extravagant wealth sans taxes as we know them.=20 ------=_NextPart_000_0006_01C3FC4E.2119E660--  1,, Summary-line: 26-Feb ori.siegel@sympatico.ca [32] #Toronto Singout announcement X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 08:09:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QD9aLI006731; Thu, 26 Feb 2004 08:09:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QD9Z0o021413 for ; Thu, 26 Feb 2004 08:09:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QD8cTJ020459; Thu, 26 Feb 2004 08:08:38 -0500 (EST) Date: Thu, 26 Feb 2004 08:08:38 -0500 (EST) Message-Id: <00aa01c3fc69$56ebb780$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Singout announcement MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 08:08:38 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Singout announcement X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Due to circumstances beyond our control, we will be unable to proceed with the planned Toronto Gilbert and Sullivan Singout. Many thanks to everyone who expressed interest in coming - we're sorry things didn't pan out 'cause we were looking forward to seeing old friends and meeting new ones. We're hoping that someone will pick up the ball and organize another Singout elsewhere. They take a lot of work to organize but, in the long run, they're a lot of fun. And so, from Herschel, Len, Elspeth, Bill, and myself, we extend to you our heartfelt thanks for your support and understanding. cheers, Ori VA3ORI Toronto  1,, Summary-line: 26-Feb elp@yknet.yk.ca [54] #Re: Residue of the Estates of Schwenk, Arthur and Richard X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 09:38:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QEceZ4018316; Thu, 26 Feb 2004 09:38:40 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1QEccQG011586 for ; Thu, 26 Feb 2004 09:38:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QEbWTJ005479; Thu, 26 Feb 2004 09:37:32 -0500 (EST) Date: Thu, 26 Feb 2004 09:37:32 -0500 (EST) Message-Id: <009501c3fc74$ce64bc20$04e2f7c7@yourn3ty7athd5> Errors-To: savoynet-owner@bridgewater.edu Reply-To: elp@yknet.yk.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "elizabeth lee pugh" To: Multiple recipients of list SAVOYNET Subject: Re: Residue of the Estates of Schwenk, Arthur and Richard MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_008E_01C3FC31.B09297A0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 09:37:32 -0500 (EST) Reply-To: elp@yknet.yk.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "elizabeth lee pugh" To: Multiple recipients of list SAVOYNET Subject: Re: Residue of the Estates of Schwenk, Arthur and Richard X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_008E_01C3FC31.B09297A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable for the value of money etc go to=20 http://eh.net/hmit/ Elizabeth Pugh Whitehorse, Yukon Canada ------=_NextPart_000_008E_01C3FC31.B09297A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
for the value of money etc go to =
 
http://eh.net/hmit/
 
Elizabeth Pugh
Whitehorse, Yukon
Canada
------=_NextPart_000_008E_01C3FC31.B09297A0--  1,, Summary-line: 26-Feb andi_s_r@yahoo.com [59] #The Chieftain at Sam's Singout X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 12:19:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QHJmZG011357; Thu, 26 Feb 2004 12:19:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QHIYMl009200 for ; Thu, 26 Feb 2004 12:18:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QHGqTJ007705; Thu, 26 Feb 2004 12:16:52 -0500 (EST) Date: Thu, 26 Feb 2004 12:16:52 -0500 (EST) Message-Id: <20040226165301.97556.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: The Chieftain at Sam's Singout MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 12:16:52 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: The Chieftain at Sam's Singout X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hip, hip, hurray, rataplan, ulahlica, tantantara, tzing boom, and other appropriate ceremonial noises, it looks as though we may actually get to do The Chieftain at Sam Silvers' Singout on April 24!! Still a long way to go between here and there, but the responses are starting to look promising.... Any willing participants, please contact Doug Whaley, who's accumulating casting information, at dglswhaley@aol.com. Please don't anyone be put off by the stern-sounding injunctions from Sam and Marc to "learn the part". They're not talking about anyone's being off book, just being familiar enough with it to sing it with the book in your hand. I'm willing to help with that--I've never learned to do MIDI things, but I can make cassette tapes for individual parts, and for anyone in the NJ/NY/CT area, I can volunteer to get together with you. Have portable keyboard, will travel.... Paul Howarth's nice clean typesetting of the VS is a big download (243 pages). This is why I'm offering to send copies to the participants--I've already downloaded it, and have a high-speed copier at my office on which to run off duplex (two-sided) copies. There's a secondary benefit to be derived from our tackling this: Paul's VS is brand new and hasn't been "road tested" yet. Even the best of proofreaders doesn't catch everything; in any new typesetting there are always some errors or omissions that slip by and aren't noticed until someone is actually working with the material, hands (or voice) on. All of us who get involved in doing The Chieftain for Sam's singout can do our bit as "editorial contributors" by keeping an eye out for anything questionable and making note of it to pass on to Paul for checking/correction. In case you can't tell, I'm excited about the possibility of doing this, and really hope that enough of you are, too.... Cheers, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 26-Feb npetrikov@hotmail.com [119] #RE: British money X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 13:11:25 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QIB8ZS025998; Thu, 26 Feb 2004 13:11:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QI8TMl013077 for ; Thu, 26 Feb 2004 13:08:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QI4YTJ014900; Thu, 26 Feb 2004 13:04:34 -0500 (EST) Date: Thu, 26 Feb 2004 13:04:34 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: RE: British money Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 13:04:34 -0500 (EST) Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: RE: British money X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I refer to the following list whenever I listen to Noel Coward and want to know how much it costs to get to Kew Gardens, or read Charles Dickens and want to understand Mr. Micawber's philosophy of life, or engage in any other activity that requires a knowledge of ancient monetary history: Name of monetary unit: farthing Fraction of pound: 1/960 Value, as written: ¼d Rough American analogy: is to a pound as a mil is to a dollar Name of monetary unit: halfpenny Fraction of pound: 1/480 Value, as written: ½d Rough American analogy: none Name of monetary unit: penny Fraction of pound: 1/240 Value, as written: 1d Rough American analogy: none Name of monetary unit: tuppence Fraction of pound: 1/120 Value, as written: 2d Rough American analogy: none Name of monetary unit: tuppence ha'penny Fraction of pound: 1/96 Value, as written: 2½d Rough American analogy: is to a pound as a cent (penny) is to a dollar Name of monetary unit: thruppence Fraction of pound: 1/80 Value, as written: 3d Rough American analogy: none Name of monetary unit: groat Fraction of pound: 1/60 Value, as written: 4d Rough American analogy: none Name of monetary unit: tanner Fraction of pound: 1/40 Value, as written: 6d Rough American analogy: none Name of monetary unit: shilling (bob) Fraction of pound: 1/20 Value, as written: 1s; 12d Rough American analogy: is to a pound as five cents (nickel) is to a dollar Name of monetary unit: florin Fraction of pound: 1/10 Value, as written: 2s Rough American analogy: is to a pound as a dime is to a dollar Name of monetary unit: half crown Fraction of pound: 1/8 Value, as written: 2½s Rough American analogy: is to a pound as a bit is to a dollar Name of monetary unit: crown Fraction of pound: 1/4 Value, as written: 5s Rough American analogy: is to a pound as a quarter dollar (two bits) is to a dollar Name of monetary unit: noble Fraction of pound: 1/3 Value, as written: 6s/8d Rough American analogy: none Name of monetary unit: half sovereign Fraction of pound: 1/2 Value, as written: 10s Rough American analogy: is to a pound as a half dollar is to a dollar Name of monetary unit: mark Fraction of pound: 2/3 Value, as written: 13s/4d Rough American analogy: none Name of monetary unit: sovereign (pound, quid) Fraction of pound: 1 Value, as written: £1// Rough American analogy: is to a pound as a dollar is to a dollar (neat, huh?) Name of monetary unit: guinea Fraction of pound: 21/20 Value, as written: £1/1s/ Rough American analogy: none Any corrections gratefully received. Keith H. Peterson Jersey City, New Jersey _________________________________________________________________ Take off on a romantic weekend or a family adventure to these great U.S. locations. http://special.msn.com/local/hotdestinations.armx  1,, Summary-line: 26-Feb mstorie@nwlink.com [199] #Accents, Dialects, etc. (Tending longish) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 17:36:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QMaqZ8012646; Thu, 26 Feb 2004 17:36:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QMZaw2024955 for ; Thu, 26 Feb 2004 17:35:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QMYITJ002210; Thu, 26 Feb 2004 17:34:18 -0500 (EST) Date: Thu, 26 Feb 2004 17:34:18 -0500 (EST) Message-Id: <403E72E3.FF12C2DE@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Accents, Dialects, etc. (Tending longish) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 17:34:18 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Accents, Dialects, etc. (Tending longish) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been following the recent threads regarding the use (or misuse) of dialect in Gilbert and Sullivan productions. It's sort of interesting how much heat and smoke this topic can generate. My interpretation of the workings of Gilbert and Sullivan and D'Oyly Carte is that the business aspects of the partnership were right up there with the artistic aspects. They didn't do things (in their collaborations) that didn't sell or might offend their audiences. Bringing that concept up to the present, I feel that it is very important to give today's audiences what they expect. New wrinkles and surprizes are fine, but keep everyone comfortable. This certainly seems to work in Seattle where there is no lack of "shock" theater available by other companies. The sets, costumes, props and lighting must be of top quality, be interesting, and should have some surprizes of their own. But they shouldn't shock anyone. The music can have a small joke added, but Sullivan's work is so good (in this genre) that the audience's expectations shouldn't be tampered with. The lyrics and dialogue are also very hard to improve upon. Sure a topical reference now and then is fine (Gilbert did it) but such references (including Gilbert's) tend to get stale after the passage of only a few years. The best jokes may not be the funniest, but they are the ones that stand the test of time. (As I've said before, one of my favorite G&S moments is the young boy (wearing a pirate hat) who was introduced to me after one of our productions and I asked him his favorite part. He said that it was when "the General thought the Pirate King said "orphan" when he was actually saying "often." An 8-year old just got a joke that may have been old in the century before last.) The same is true of dialects. Give the audience what they expect. In the Western United States, most of our audience has an expectation of what they think an English accent should sound like. (Doesn't matter if they are "correct.") But they also want it "comfortable" enough so they can understand all the words. Our goal is to have all the principals speak in some consistent way, but we certainly don't have the time to get into regional dialects. Unless we are doing it as a gag. In our 1996 Pinafore, we had the Sergeant of Marines give his orders in a totally unintelligble manner. In the 1999 Grand Duke, we wanted the Notary to be an eccentric old man who knew all the arcane laws. So, as Jana pointed out, in Seattle such a person would probably have a Scandinavian accent. Many people said that Bill Darkow (aka The Amazing William) sounded like the Swedish Chef from the Muppet show. That's exactly what the character was modeled on. To the point of all this, give the audience what they are expecting and they will appreciate it. Of course, if the audience changes (as it did when we went to Buxton) they might not appreciate it as much. Gordon Gutteridge, who was our Artistic Director for nearly 40 years, handed out a one-page pronunciation sheet at the First Reading of every show. It is not intended to be "correct" or "authentic" or to represent any real provincial accent, but it does help with consistency and most American audiences will think it sounds "English enough." I'll reproduce it below in hopes that someone may find it useful. ("In America where English has nearly dissapeared.") (Gordon by the way, was "veddy" English) Mike Storie --------------------------- A Guide to consistent "English" Pronunciation of Some Words in to be found in the G&S Libretti. By Gordon G. Gutteridge Consistent use of these pronunciations will help convince the audience that you are using an "English" accent, such as is generally used by the "educated" or "cultured" classes. Mastering regional dialects, such as "Cockney," is quite another problem. THE LONG "A" GROUP (Note: applies to the root word and all derived and combined forms) Advance add-vAHnce' After AHf'-tuh Ask AHsk Brass brAHss Can't cAHn't Castle cAH'-sl Chance chAHnce Chancellor chAHn'-sluh Class clAHss Command commAHnd Craft crAHft Dance dAHnce Enhance enhAHnce Entrance entrAHnce (as verb) Example egzAHm'pl Glance glAHnce Glass glAHss Grant grAHnt Half hAHf Last lAHst Laugh lAHf Pass pAHss Vase vAHz TRICKY EXCEPTIONS TO THE LONG "A" RULE (These also apply to the root word, etc.) And rhymes with band, not bAHnd Can rhymes with man, not cAHn Fancy rhymes with Nancy, not fAHncy Lass as in lassitude, not lAHss Mass as in massacre, not mAHss THE "YOO" GROUP (Think of these words as similar to cube, huge and music, which are pronounced with the "yoo" sound. As before, this rule applies to the root word, etc.) Allude Al-lYOOde' Assume as-sYOOme' Duke dYOOke Duty dYOO'-ty Pursue pur-sYOO' Suit sYOOt Tune tYOOne THE LONG "O" GROUP. All these words are pronounced with a long "o," as in "Foe." BetrOth COld DOle BehOld Gold Hole Old POle SOul ROll THE MID-WEST Rrrrr. There is a tendency here to prounounce most "Rs" quite strongly. The English, on the other hand, tend to ignore them or at most to pronounce them very lightly. for words ending in "er," omit the "r." Brother Bruh'-thu Her Huh Sister Sis'-tuh Father fah'-thuh Mother muh'-thuh Tether teh'-thuh Feather feh'-thuh Never neh'-vuh Weather weh'-thuh For "r" in the middle of a word, as in "marriage" and "carriage," drop the "i" and say the "r" very lightly. These words have only two syllables and rhyme with "disparage." WORDS ENDING IN "ARY," "ERY," "ORY" OR "URY" The English tend to clip these endings to an obscure vowel sound, sometimes to the point of almost leaving them out altogether. Banbury Bann'-bree Salisbury Sawls'-bree Cemetery se'-muh-tree Secretary Sek'-er-tree Dictionary dik'-shun-ree Temporary tem'-pree SOME ILLOGICAL EXCEPTIONS. These have no rhyme or reason, but are definitely "English." Clerk Clark Halfpenny hayp'-nee Harwich Harr'-itch Marquis Mar'-kwiss (Only in reference to a member of this order of British Peers.) Marchioness Marsh'-o-ness Poor rhymes with moor, not paw Twopenny tup'-nee Twopence Tup'-penz Viscount Vie'-count Wrath Rawth, not rath  1,, Summary-line: 26-Feb ori.siegel@sympatico.ca [35] #Re: British money X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 17:57:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QMvlZ4026602; Thu, 26 Feb 2004 17:57:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QMvew2007805 for ; Thu, 26 Feb 2004 17:57:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QMucTJ003681; Thu, 26 Feb 2004 17:56:38 -0500 (EST) Date: Thu, 26 Feb 2004 17:56:38 -0500 (EST) Message-Id: <00dd01c3fcba$2b68a220$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: British money MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 17:56:38 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: British money X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -----David Duffey wrote: > By the by, does the term "baker's dozen" mean anything > to our cousins? If by that you mean those of us colonials off in the wilds of the Americas, yes! As the grandson of a baker, it certainly does mean something to me! Although not widely used these, it still means "13" of an item, baked goods in particular. I recall having had quite a tiff with the manager of a local pancake house several years ago when my baker's dozen plate of dollar (small-size) pancakes was delivered with but 12. He actually called the police to have me ejected and was very red-faced indeed when the copper told him "but a baker's dozen IS 13!" A Pyrrhic victory, however, as the pancakes were quite cold and inedible by the time the row was over. I wonder what WSG would have made of it? cheers, Ori  1,, Summary-line: 26-Feb ori.siegel@sympatico.ca [20] #Re: Toronto Singout - Chicago Style X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 17:59:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QMxSZI027645; Thu, 26 Feb 2004 17:59:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QMwAw2008230 for ; Thu, 26 Feb 2004 17:58:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QMvDTJ003930; Thu, 26 Feb 2004 17:57:13 -0500 (EST) Date: Thu, 26 Feb 2004 17:57:13 -0500 (EST) Message-Id: <00ed01c3fcbb$1e1ee150$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Toronto Singout - Chicago Style MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 17:57:13 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Toronto Singout - Chicago Style X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > 2. Administrative ...These people will help with the > "administration" during the sinout. AH-HA! So THAT'S where we went wrong!! Ori et al ;-)  1, answered,, Summary-line: 26-Feb sommerfeld@alum.mit.edu [35] #Re: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 19:42:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1R0gDZ4026577; Thu, 26 Feb 2004 19:42:14 -0500 (EST) Received: from portal.hamachi.org (portal.hamachi.org [140.239.227.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1R0fMOK029047 for ; Thu, 26 Feb 2004 19:41:23 -0500 (EST) Received: from unknown.hamachi.org (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id 756C617921 for ; Thu, 26 Feb 2004 19:41:22 -0500 (EST) Received: from unknown.hamachi.org (sommerfeld@localhost) by unknown.hamachi.org (8.12.5+Sun/8.8.8) with ESMTP id i1R0d3wH005965 for ; Thu, 26 Feb 2004 16:39:03 -0800 (PST) Message-Id: <200402270039.i1R0d3wH005965@unknown.hamachi.org> From: Bill Sommerfeld To: "David C. Jedlinsky" Subject: Re: Ruth sez to send this here In-Reply-To: Your message of "Thu, 26 Feb 2004 16:09:44 EST." <200402262109.i1QL9ipv004864@multics.mit.edu> Reply-To: sommerfeld@alum.mit.edu Date: Thu, 26 Feb 2004 16:39:03 -0800 Sender: sommerfeld@orchard.arlington.ma.us X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: "David C. Jedlinsky" Subject: Re: Ruth sez to send this here In-Reply-To: Your message of "Thu, 26 Feb 2004 16:09:44 EST." <200402262109.i1QL9ipv004864@multics.mit.edu> Reply-To: sommerfeld@alum.mit.edu Date: Thu, 26 Feb 2004 16:39:03 -0800 Sender: sommerfeld@orchard.arlington.ma.us X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I reset the measure numbers and positions to the default; they had > been left large and displaced, because they needed to be for the vocal > scores. Most of the references I looked at indicate the measure > numbers are centered on the barline at the top, and I don't have an > obvious way to move them without more TeX hacking, so hopefully this > is a good compromise. Yes, that's good. (I've seen both centered-above and centered-below) > > - flute cue and the like really needs to be in smaller notes (step > > down to grace note size or some such). abbreviating the instrument > > names is common ("Fl.") > > Check out the latest; if you want it smaller, I can do that, but it > might start getting too small to be useful. That's small enough to prevent a flute-trombone duet, but, believe it or not, a little smaller would be typical.. but no need to change things at this point.. - Bill  1,, Summary-line: 26-Feb scottlfarrell@yahoo.com [32] #Thespis in Chicago?? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 21:07:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1R27TZ4011107; Thu, 26 Feb 2004 21:07:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1R27Nxp022186 for ; Thu, 26 Feb 2004 21:07:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1R26HTJ017655; Thu, 26 Feb 2004 21:06:17 -0500 (EST) Date: Thu, 26 Feb 2004 21:06:17 -0500 (EST) Message-Id: <20040227015249.3535.qmail@web40912.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Thespis in Chicago?? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 21:06:17 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Thespis in Chicago?? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Craven wrote: "I have also now contacted the Chicago Company that will be presenting Thespis in October and requested that they present a half-hour excerpt from Thespis on Friday Night." What company? Whose Thespis? Why didn't someone tell me? When were the auditions? Exasperated that a 'Thespis' is that close to home and I didn't know, -- Scott Farrell __________________________________ Do you Yahoo!? Get better spam protection with Yahoo! Mail. http://antispam.yahoo.com/tools  1,, Summary-line: 26-Feb tempsavoy@tradelaw.com [49] #Re: Thespis in Chicago?? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 23:26:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1R4QhZA016394; Thu, 26 Feb 2004 23:26:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1R4PKIr010928 for ; Thu, 26 Feb 2004 23:25:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1R4O9TJ025766; Thu, 26 Feb 2004 23:24:09 -0500 (EST) Date: Thu, 26 Feb 2004 23:24:09 -0500 (EST) Message-Id: <5.1.1.6.0.20040226211735.02641d50@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis in Chicago?? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040227015249.3535.qmail@web40912.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 5.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 23:24:09 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis in Chicago?? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040227015249.3535.qmail@web40912.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 09:06 PM 2/26/2004 -0500, Scott Farrell wrote: >What company? The Savoyaires >Whose Thespis? Kingsley Day's (which is interesting because they once before presented Frank Miller's version and it was well received. I kind thought that if they did it again they would revive the Miller edition. >Why didn't someone tell >me? Okay. Consider yourself told. >When were the auditions? They have not yet happened. The show is in OCTOBER 2004. Its not yet cast. >Exasperated that a 'Thespis' is that close to home and >I didn't know, They haven't announced it yet except on their web site. (And their PR machine hasn't been all that good since I stopped doing it.....)  1,, Summary-line: 27-Feb eichin-ek-chuah@thok.org [84] #St. Ek-Chuah Day (Observed) Chocolate Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Feb 2004 00:58:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1R5wRZK018612; Fri, 27 Feb 2004 00:58:35 -0500 (EST) Received: from thok.org (i-meant-that.thok.org [4.36.43.72]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i1R5vtVR002031 for ; Fri, 27 Feb 2004 00:57:55 -0500 (EST) Received: (qmail 9962 invoked by uid 3382); 27 Feb 2004 05:57:46 -0000 Delivered-To: eichin-ek-chuah-recipients@thok.org Received: (qmail 9951 invoked from network); 27 Feb 2004 05:57:46 -0000 Received: from unknown (HELO swat.thok.org) (4.36.43.84) by i-meant-that.thok.org with SMTP; 27 Feb 2004 05:57:46 -0000 Received: (qmail 28469 invoked by uid 3382); 27 Feb 2004 05:57:46 -0000 Sender: eichin@swat.thok.org From: eichin-ek-chuah@thok.org To: "I Luvvvvvvvv Chocolate" Subject: St. Ek-Chuah Day (Observed) Chocolate Party References: Date: 27 Feb 2004 00:57:45 -0500 In-Reply-To: Message-ID: Lines: 73 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.2 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: eichin@swat.thok.org From: eichin-ek-chuah@thok.org To: "I Luvvvvvvvv Chocolate" Subject: St. Ek-Chuah Day (Observed) Chocolate Party Date: 27 Feb 2004 00:57:45 -0500 In-Reply-To: X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It's that time of year again... cold and clear, nothing expected to fall out of the sky, so driving and parking should be easy. You are all invited to a Party! Where: My house in Concord. A pleasant 10 minute walk from the Concord Center commuter rail stop on the Fitchburg Line, or 18 minutes[2] by car from Alewife. When you reply to this invitation, I'll send detailed directions. (If you already know how to get here, please reply anyway! and if you have an old set of directions, you probably want the bugfixes...) Why: in celebration of Chocolate, Snow, and more Chocolate. When: Sunday, 29 February 2004. Show up any time after 4pm; tea, chocolate, drinks and munchies will be supplied, though I don't have dinner plans yet (at some point we can probably order out - there's a good local pizza place.) The party will continue until people leave, but note that I don't have arrangements for overnight guests yet. Linda's Closet Rule[3] applies. Who: This invitation went to my Party Guest List. This list was constructed from the set of people I've invited in the past, with some new or short-term additions as they came to mind; that is currently 127 actual people[4]. I don't expect that many to attend, especially given the short notice. Nonetheless, if everyone showed up unannounced, I'd have to throw you all in the river[5]... whereas if I did know that 150 people were coming, I'd have plenty of time to flee in panic :-) This house was chosen *specifically* to allow me to host large parties, so don't be shy, but *please* supply the information I need to make it work, thanks. Do not forward this to any lists, but recommend the lists to me instead. Feel free to bring personal guests, but mention them when you respond. Also feel free to suggest names of people you'd like me to add to the list. RSVP: As if I hadn't driven it home sufficiently, it is particularly important that you respond; also, while you could easily find the place on a map, you'll probably be happier following the directions I come up with based on knowing the area. If you know when you're likely to arrive, mention that -- but don't wait until you're sure, reply to this as soon as you have any idea that you'll be coming. Also, I would appreciate knowing if you can't attend as well, or if you'd rather not get further invitations. I look forward to seeing you! _Mark_ The Herd Of Kittens [1] According to Teubner et. al, "The Chocolate Bible", Ek-chuah is the Mayan patron saint of cocoa. (And an ugly dude he is...) Ek-chuah also represents protection of merchants, and the Mayan military-industrial complex (war and trade were closely tied.) [2] 18 minutes if you obey all the speed limits and have little traffic. Driving with traffic, you'll probably get here *faster*... [3] "No sleeping in the closets." That's another feature of the house: I think if you put all the closets together you'd end up with more space than my old apartment had in the rooms... [4] The phrase "hundreds of my closest friends" does come to mind :-) [5] The Sudbury River, which runs past (and sometimes into) my backyard. It was even mostly thawed as of this morning *sploosh* ----------------------------------------------------------------------  1,, Summary-line: 27-Feb rmacphai@bridgewater.edu [139] #Ric Wilson on Copyright Questions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Feb 2004 10:32:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1RFWaNf019178; Fri, 27 Feb 2004 10:32:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1RFWU2v019751 for ; Fri, 27 Feb 2004 10:32:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1RFVFTJ020166; Fri, 27 Feb 2004 10:31:15 -0500 (EST) Date: Fri, 27 Feb 2004 10:31:15 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Ric Wilson on Copyright Questions MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Feb 2004 10:31:15 -0500 (EST) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Ric Wilson on Copyright Questions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I forwarded the recent SavoyNet messages concerning copyright issues to Fredric Woodbridge "Ric" Wilson, Curator of the Harvard Theatre Collection and former Curator of the G&S Collection at the Pierpont Morgan Library. He responded with the interesting message that follows, suggesting that SavoyNet might find it of interest. -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---------- Forwarded message ---------- Date: Fri, 27 Feb 2004 01:00:08 -0500 From: F. W. Wilson To: "Ralph MacPhail, Jr." , Subject: Re: Copyright Questions (fwd) When the Morgan Library was offered the opportunity to purchase the Sullivan diaries, around the time of the sale of the Sullivan manuscripts, it turned them down, only because the owner required that, should they ever be published, the former owner would be credited as the editor and would in effect retain the rights and privileges ordinarily transferred by ownership. Otherwise the Morgan Library -- the obvious place for the diaries to have gone -- would certainly have purchased them. Subsequently, of course, those diaries were offered to Yale University, and presumably the absurd stipulations that had been required of the Morgan Library were not imposed on the Beinecke Library. This is different from a question of copyright, and independent of the issue of whether any copyright subsists in Sullivan's diaries. Bear in mind, however, that Sullivan's diaries remain unpublished -- Arthur Jacobs published only snippets -- and unlike Sullivan's long-ago-published, publicly performed, or recorded works, they most likely have never entered the public domain. There are two kinds of rights, at least, that are related to the use of such material -- and so two separate kinds of permission may be required to obtain the right to license such material for use. In some cases, two different parties may have the right to withhold permission, charge fees for permission, or impose conditions on the use of such material. These parties are the owners of the physical material and the owners of the copyright in that material. (There may be some other rights-holders -- please see below.) When someone takes ownership of something they may or may not also acquire the copyright. If they do not, or if the copyright has lapsed, they still have the right of ownership, which entitles them to control these same rights through physical access to the documents or through written terms of contract with parties who wish to use them. This ownership right has no term whatsoever, except that prior publication may make an item effectively available, and therefore removes the practical, if not moral, necessity of a third party obtaining the permission of the owner. Ethical scholars, publishers, etc., however, still observe this consideration, and it is considered a breach of professional etiquette, if not worse, to ignore the right of ownership as well as to make a diligent search for the owner of copyright, which is not always easy. Hence the forms that prospective researchers need to sign before they are given access to material in archives and libraries, requiring that scholars agree never to publish or reproduce material that they are shown without written permission of the owner, which may involve the payment of a fee and other restrictions. (In the case of Harvard Theatre Collection, as well as many other institutions, we also require a level of faithfulness to the original -- not quoting out of context; accurate transcription, not distorting or severely cropping a photograph, etc. -- as well as a proper credit line to make certain future users know where to find the actual original item and to prevent the careless further reproduction of material because the owner cannot be easily located.) So to return to the question of the Sullivan diaries, I should think that the Beinecke Library would require that anyone who proposed to reproduce the diaries either photographically or to transcribe them for publication, in whole or in part, would have to have their prior permission to do so, which may involve the payment of whatever fee their policy may establish. And anyone who obtains access to the diaries without dealing directly with the owner is most likely doing so in contravention of a prior agreement made between the owner and the party who obtained the copy that the prospective user had been given access to. And remember that Yale, Harvard, and the Morgan Library are all private institutions, whose collections are substantial assets, and that there is no guarantee of universal, free, or even equitable access -- although these days I assume all of these institutions have policies that do provide for these courtesies. I have no idea what Yale's policies may be with regard to the use of original material in its collections, but tt should be emphasized that the ownership right is taken very seriously by museums and libraries, and a violator is considered to be persona non grata. Note about additional rights holders: It has been established that particularly in the case of photographs and video recordings, other parties may also have a commercial and intellectual property interest. For example, take a photograph of a ballet dancer performing a ballet by a certain choreographer and produced by a certain company. Here are four parties who have an intellectual-property interest in the work, even though the physical object -- the photograph or DVD or what have you -- may be owned by some individual. To be diligent here, the separate permissions of the artist, the company, the choreographer, and the photographers, or their estates or agencies, would need to be secured, and it is quite possible that four separate fees would be charged and four sets of credit lines and four separate stipulations on use would be set. Presumably this would apply to images or recordings of operas and plays and other types of public performances. The situation is certainly inconvenient and cumbersome, but these reproductions are considered "derivative works" that are covered by statute. These parties may also negotiate legal agreements with one another. For example, I am told that a union agreement between a particular ballet company and its artists requires that the permission of each of the individual dancers must be obtained, and fees negotiated, for the reproduction of any photograph in which three or fewer dancers appear. Not only are the dancers able to refuse permission to reproduce photographs they regard as unflattering, it may be an additional source of income to them. Some photographers work as free-lancers and retain the copyright in their work, and others perform work-for-hire and the copyright belongs to the company that employs them. Sometimes there is a more complicated arrangement that allows the company the unlimited use of a photograph in the course of publicity and production, but afterward the permission of the photographer must be secured. But it would be up to the company, I should think, to alert any potential user of these arrangements. Ric Wilson  1,, Summary-line: 27-Feb tempsavoy@tradelaw.com [211] #Re: Ric Wilson on Copyright Questions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Feb 2004 15:33:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1RKXVNn026221; Fri, 27 Feb 2004 15:33:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1RKVjke010374 for ; Fri, 27 Feb 2004 15:31:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1RKUITJ007952; Fri, 27 Feb 2004 15:30:18 -0500 (EST) Date: Fri, 27 Feb 2004 15:30:18 -0500 (EST) Message-Id: <5.2.1.1.0.20040227133729.049f08a8@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Ric Wilson on Copyright Questions Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Feb 2004 15:30:18 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Ric Wilson on Copyright Questions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I hate to disagree with such an expert, but he is wrong on a number of issues (legally wrong, perhaps morally right, I might add). >This is different from a question of copyright, and independent of the >issue of whether any copyright subsists in Sullivan's diaries. Bear in >mind, however, that Sullivan's diaries remain unpublished -- Arthur Jacobs >published only snippets -- and unlike Sullivan's long-ago-published, >publicly performed, or recorded works, they most likely have never entered >the public domain. At least in the US, this is simply wrong. 17 USC 303 covers this. It states: Copyright in a work created before January 1, 1978, but theretofore in the public domain or copyrighted, subsists from January 1, 197, and endures for the term provided by Section 302. In no case, however, shall the term of copyright in such a work expire before December 31, 2002, and if the work is published on or before December 31, 2002, the term of copyright shall not expire before December 31, 2047. (Originally 2027, but changed) Translating this legal mumbo jumbo. Works not published by 1978 entered into copyright in 1978. They were good for the longer of the life of the author plus 70 (if the identity of the author is known) or December 31, 2002. If they were published by December 31, 2002, they were valid for the longer of the life of the author plus 70 or December 31, 2047. We know when Sullivan died. Life plus 70 is 1970. Thus the copyright in these unpublished works would run until the later of 1970 or 31.12.2002 unless they were published by 31.12.2002. If they had been published (but they were not), then the copyright would have run until the later of 1970 or 31.12.2047. Thus Sullivan's diaries entered the public domain, at least in the United States, on January 1, 2003. >There are two kinds of rights, at least, that are related to the use of >such material -- and so two separate kinds of permission may be required to >obtain the right to license such material for use. In some cases, two >different parties may have the right to withhold permission, charge fees >for permission, or impose conditions on the use of such material. These >parties are the owners of the physical material and the owners of the >copyright in that material. The owners of the physical materials have the right to the physical materials, but have no rights at all in the content of said materials. While, under contract or agreement they might well try to claim this right, such right would be unenforceable, at least against innocent third parties. Of course they could deny access to the materials in the future and might, although I think that they would have a very tough legal case, have an action against the person that violated the agreement and released the material. > (There may be some other rights-holders -- >please see below.) When someone takes ownership of something they may or >may not also acquire the copyright. If they do not, or if the copyright has >lapsed, they still have the right of ownership, which entitles them to >control these same rights through physical access to the documents or >through written terms of contract with parties who wish to use them. To some extent, but nearly to the extent that the Libraries may think that they do. Consider the following: Reputable Scholar Helga P. obtains a large amount of unpublished material from the Morgan Library in New York. Morgan tells her that it is solely for her research and cannot be disclosed without permission. Disreputable David Cr "borrows" Helga's materials and makes a copy. Disreputable David gives a copy to distinguished Scholar Ralph M without providing the source, or lying about the source. Ralph M. publishes the papers. Morgan sues Helga P, David Cr. and Ralph M. Against Helga P. they lose because she did not disclose the materials. They were borrowed from her without her permission or knowledge. Against David Cr. they lose because he was not a party to any agreement between Morgan and Helga P, and as the works are in the Public Domain, even if Morgan was the copyright holder, they have no action. In fact, nothing was done to Morgan's physical copy of the work. The "value" in their asset has not been diminished except to the extent of the "damage" from publication, but as the work is not in the PD, this is expressly not protectible. Against Ralph M. they lose because he is not a party to any agreement between Morgan and Helga P, he is unaware of the source of the material, and the material is in the PD. >This >ownership right has no term whatsoever, except that prior publication may >make an item effectively available, and therefore removes the practical, if >not moral, necessity of a third party obtaining the permission of the >owner. Ethical scholars, publishers, etc., however, still observe this >consideration, and it is considered a breach of professional etiquette, if >not worse, to ignore the right of ownership as well as to make a diligent >search for the owner of copyright, which is not always easy. Hence the >forms that prospective researchers need to sign before they are given >access to material in archives and libraries, requiring that scholars agree >never to publish or reproduce material that they are shown without written >permission of the owner, And I would suggest that a very strong case can be made that such agreements are legally unenforceable. Thus leaving the institution in a quandary (of sorts) either allow the work to be examined and "risk" that it be distributed, or act contrary to the purpose of such an institution and prevent its examination. The problem is that we seem to "presume" that it is okay for an institution to control access to a work for reasons which are unrelated to any legitimate reason for access to the work. (ie the institution is controlling access to the work by deciding who will or will not distribute the work as opposed to deciding who might need access to the work for research.) The fact is that while the Library might own the "physical" copy, the contents of any public domain work actually belong to the world. >which may involve the payment of a fee and other >restrictions. (In the case of Harvard Theatre Collection, as well as many >other institutions, we also require a level of faithfulness to the original >-- not quoting out of context; accurate transcription, not distorting or >severely cropping a photograph, etc. -- as well as a proper credit line to >make certain future users know where to find the actual original item and >to prevent the careless further reproduction of material because the owner >cannot be easily located.) And that would also likely be legally unenforceable. Again lets look at our hypothetical three people. Helga the Good quotes from some papers in the Morgan and carefully quotes and properly attributes everything. Marc the Honest quotes other portions of the same papers, and again does everything according to Hoyle Disreputable David combines the quotes from Marc and Helen to produce a pretty complete set of the papers, but fails to credit the Morgan, quotes out of context and makes some transcription errors. Ralph the Innocent prepares an article but cites Disreputable David's version The Morgan sues. Against Marc and Helga they clearly have no claim. Against Disreputable David. Again, no claim. He was not a party to any agreement between Morgan and Marc and Helga. The material is not in copyright. Yes, his scholarship was sloppy, and yes the Morgan may well "lose" some business because it is not the "sole" source of these papers, but they have no protectible right. Against Ralph the Innocent any claim would be so spurious as to subject the claimant to legal sanctions. >So to return to the question of the Sullivan diaries, I should think that >the Beinecke Library would require that anyone who proposed to reproduce >the diaries either photographically or to transcribe them for publication, >in whole or in part, would have to have their prior permission to do so, >which may involve the payment of whatever fee their policy may establish. No doubt. Whether they could later enforce anything is questionable. And if some "scholar" wanted to do this and then face up to the consequences (the library "mafia" denying him access to future items), then it could be done. If I were a dying Scholar of G&S and wanted to give one last "gift" to the G&S public, I would obtain access to these Diaries and then publish them in full. >And anyone who obtains access to the diaries without dealing directly with >the owner is most likely doing so in contravention of a prior agreement >made between the owner and the party who obtained the copy that the >prospective user had been given access to. The short answer is "so what". If it is a work which has been given to more than one party who is the library going to sanction. They have no privity of contract with the third party. > And remember that Yale, Harvard, >and the Morgan Library are all private institutions, whose collections are >substantial assets, and that there is no guarantee of universal, free, or >even equitable access -- although these days I assume all of these >institutions have policies that do provide for these courtesies. Yes. There is no doubt that a library can be a dog in the manger with any work that it has. Heck, it could even burn the books and no one could stop them. >I have no idea what Yale's policies may be with regard to the use of >original material in its collections, but tt should be emphasized that the >ownership right is taken very seriously by museums and libraries, and a >violator is considered to be persona non grata. Yes. See above. No legal right to do what they do. No moral right to do what they do. But because of the threat to "ban access" they are able to obtain things that they cannot obtain legally. In most other fields this would be called "blackmail"....  1,, Summary-line: 27-Feb to: savoynet@bridgewater. [44] #Re: Oh No! Not Frederic's Birthday!!! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Feb 2004 16:43:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1RLh9Nf023291; Fri, 27 Feb 2004 16:43:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1RLfike028819 for ; Fri, 27 Feb 2004 16:41:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1RLeRTJ016015; Fri, 27 Feb 2004 16:40:27 -0500 (EST) Date: Fri, 27 Feb 2004 16:40:27 -0500 (EST) Message-Id: <200402272122.i1RLMBk5015890@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Oh No! Not Frederic's Birthday!!! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.418 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Feb 2004 16:40:27 -0500 (EST) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Oh No! Not Frederic's Birthday!!! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.418 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) IH: tardy Friday cheer. Brit yap had Pyrrhic feed. Eat a bird, ye drip. -Dave Jedlinsky opus@mit.edu >Date: Fri, 27 Feb 2004 14:45:35 -0500 (EST) >From: "David Duffey" > >>PLEASE spare me the "Happy Birthday Frederic" crap > >Ah! Hollamby in his 'let's stir things up' mode. > >Well, it's a long time since he raised his head over the parquet, so, come >on SavoyNetters, let fly at him, perhaps by seeing how many insults can be >composed using only the letters in "happy birthday Frederic" > >'prefabricated drip' and 'hereditary harpy' , spring to mind; 'the fairy >crapper' is a candidate, as are 'fat-headed hippy' and 'cheap rabid tripe' >but then, so is 'teddy bear chap'. > >David > >The Wash >England >old, and flabby, and cowardly >  1,, Summary-line: 28-Feb dankravetz@yahoo.com [109] #Carl Rosa MIKADO in New Jersey X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 03:01:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1S81WNf015976; Sat, 28 Feb 2004 03:01:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1S81V28021253 for ; Sat, 28 Feb 2004 03:01:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1S80TTJ023290; Sat, 28 Feb 2004 03:00:29 -0500 (EST) Date: Sat, 28 Feb 2004 03:00:29 -0500 (EST) Message-Id: <20040228075215.69141.qmail@web12703.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Carl Rosa MIKADO in New Jersey MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 03:00:29 -0500 (EST) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Carl Rosa MIKADO in New Jersey X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) When one serves as Music Director of a G&S company that has held forth in Northern New Jersey for over 65 years, it's only fair to be present when another G&S company makes its first appearance in the same territory and said appearance is also its first anywhere in North America. That's how I found myself at Kean University in Union NJ on Friday evening for the opening performance of a monthlong tour of THE MIKADO by London's Carl Rosa Opera Company. This is as good as it gets--an energetic, involved performance that puts Gilbert's words and Sullivan's music ahead of just about everything else. I'm not sure how successfully the company's stated purpose of reproducing the original 1885 production was fulfilled; the costumes and scenery were those used in the film TOPSY-TURVY (though the MIKADO performance sequences in the film had a special magic that no real-life stage production can hope to duplicate), and the stage direction was credited to W. S. Gilbert, as recreated by Eric Roberts and Peter Mulloy. One can only guess how well the latter two had reproduced the wishes of the former, but this is without question a MIKADO with purpose and commitment, and not one that merely serves (as do certain other professional companies' MIKADOs) as an excuse for two to three hours of screwing around. A talented cast combined with tight direction made this MIKADO quite a bit more than the sum of its parts. As Ko-Ko, Simon Butteriss (whom I was seeing for the first time) obviously had a star turn, but his star turn managed to serve his character rather than the generic here-comes-the-funny-man convention. Butteriss has a winning stage presence and an orginality in his comic approach to the role. Though he can occasionally go "over the top," with a sort of madcap Roberto Begnini look on his face, it is always as Ko-Ko in the story and not as Simon blowing riffs into the audience. He rewrote the second and third verses of "little list," including something about John Kerry that was difficult to understand, and a line about Tony Blair being Bush's lapdog that should guarantee a few astonished howls on either side of the Atlantic. As a lyricist, Butteriss is no Eric Idle, let alone a Gilbert, but otherwise I would like to see much more of him. As Pooh-Bah, Bruce Graham proved that one can be thoroughly convincing without ever trying to be larger than life. His dialogue with Butteriss was as witty and well-timed as any I've ever seen since Sidney Granville on film. In the title role, Anthony Raffell (whom I first saw with D'Oyly Carte 40 years ago) was larger than life and generally effective, though more derivative than the other members of the cast. Charlotte Page was a delightful Yum-Yum, showing more spirit and presence of mind than most others and therefore making something quite special of her Act II opening scenes. As Katisha, Gaynor Keeble contributed genuine pathos and the moves of a well-trained actress along with a clear and steady singing voice. All principals, in fact, sang and moved very well--in some cases, excellently. The conductor was the noted Sullivan scholar David Russell Hulme, whose tempi were nearly always well-chosen--brisk, but never rushed. An American pick-up orchestra of about 22 pieces was in the pit; they nearly fell apart during the overture (first-night jitters, I suspect), but eventually responded very well to Hulme in all the important ensemble passages. The one musical point I disagreed with was an unusually slow tempo in "Tit willow." This was supposed to be a respite of calm after a particularly rambunctious Ko-Ko-Katisha confrontation, and Butteriss sang it beautifully, but it turned out to be more about sounds than words, so the meaning of the song was compromised unneccesarily. There are no other quibbles from me--I don't think anyone who has had their absolute fill of THE MIKADO will find their interest jump-started by this production, but those of us who still appreciate a top-quality MIKADO whenever we can get one, should run, not walk, to the nearest stopping place on the tour. Please, Carl Rosa, I want some more! Dan Kravetz Ridgewood Gilbert & Sullivan Opera Company __________________________________ Do you Yahoo!? Get better spam protection with Yahoo! Mail. http://antispam.yahoo.com/tools  1,, Summary-line: 28-Feb bj.richards@btinternet.co [38] #Buxton Accommodation & other things X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 05:34:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1SAYpNf001493; Sat, 28 Feb 2004 05:34:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1SAYn7j009861 for ; Sat, 28 Feb 2004 05:34:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1SAXoTJ024062; Sat, 28 Feb 2004 05:33:50 -0500 (EST) Date: Sat, 28 Feb 2004 05:33:50 -0500 (EST) Message-Id: <001501c3fde3$97825350$cb978351@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Buxton Accommodation & other things MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 05:33:50 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Buxton Accommodation & other things X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) George & Ruth Hardie of the Harefield Guest House have told us that they have one double room left for the week leading up to the SavoyNet show in August. So if you want to stay at the G&S Festival surrounded by SavoyNetters call The Harefield Guest House 15 Marlborough Road Buxton SK17 6 RD Phone (in UK) 01298 24029 or email: hardie@harefield1.freeserve.co.uk Sadly, Jackie & I won't be taking part in the SavoyNet show this year, we are becoming hoteliers in Torquay and won't be able to spare the time but we will be arriving for the Chinese Meal and will stay at the Harefield until Pirates. It'll be the first year we won't have performed in a production at the Festival since it started but as it will be the first year at our hotel we feel that we can't leave it for long during the busiest week of the season. We'll post more details of our new venture later when we hope to announce a very special QWERTYQUAY in the autumn Bob & Jackie  1,, Summary-line: 28-Feb buttercup16@juno.com [54] #Re: Oh No! Not Frederic's Birthday!!! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 07:45:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1SCjbNf028360; Sat, 28 Feb 2004 07:45:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1SCjanQ021450 for ; Sat, 28 Feb 2004 07:45:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1SCiaTJ024780; Sat, 28 Feb 2004 07:44:36 -0500 (EST) Date: Sat, 28 Feb 2004 07:44:36 -0500 (EST) Message-Id: <20040228.073834.216.0.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Oh No! Not Frederic's Birthday!!! MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.9 X-Spam-Score: -0.366 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 07:44:36 -0500 (EST) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Oh No! Not Frederic's Birthday!!! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.366 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) here's a clip from today's wash post (and I had nothing to do with this one) Time must have its curve, for tomorrow it's Leap Day. This occasion goes down badly on planet Earth, as a rule. The extra day is universal and universally unloved in world calendars. We don't have parades. Firms do not issue Leap Day bonuses. No one has ever written a Leap Day carol; there are no Leap Bowls. Leap Year babies have cheerless little societies to observe their cul-de-sac birthday. And in Gilbert and Sullivan's "Pirates of Penzance" -- the only Leap Year opera ever written -- the plot turns on a young man, born on Feb. 29, achieving the age of majority when he's 84, not 21. Until then, he's underage, and the "slave of duty." On Fri, 27 Feb 2004 17:26:59 -0500 (EST) "Woods, Clive" writes: > How about "Prat typeth fabricated crap"? > > Clive Woods > > > From: David Duffey [mailto:d-duffey@argonet.co.uk] > > Sent: Friday, February 27, 2004 1:46 PM > > To: Multiple recipients of list SAVOYNET > > Subject: Re: Oh No! Not Frederic's Birthday!!! > > > > Ah! Hollamby in his 'let's stir things up' mode. > > > > Well, it's a long time since he raised his head over the > > parquet, so, come on SavoyNetters, let fly at him, perhaps by > > seeing how many insults can be composed using only the > > letters in "happy birthday Frederic" > > Sandy Rovner Silver Spring, Md "...neither rich nor clever..." 301-438-0644; 240-401-0590  1,, Summary-line: 28-Feb finn63@charter.net [23] #What's your pirate name? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 09:13:25 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1SEDPNf014385; Sat, 28 Feb 2004 09:13:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1SEDNnQ020098 for ; Sat, 28 Feb 2004 09:13:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1SECBTJ025392; Sat, 28 Feb 2004 09:12:11 -0500 (EST) Date: Sat, 28 Feb 2004 09:12:11 -0500 (EST) Message-Id: <4040A018.90907@charter.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: What's your pirate name? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 09:12:11 -0500 (EST) Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: What's your pirate name? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This may have been posted before. If so, I apologize. But in honor of the Fred's Birthday, and in preparation for this summer's Savoynet show, I thought people might want to adopt their pirate names. You can determine your pirate name by taking the short quiz here: http://www.fidius.org/quiz/pirate.php BTW, you may efer to me as Mad Mary Cash. :-)  1,, Summary-line: 28-Feb lpinsker@erols.com [43] #RE: Happy Birthday, Frederic... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 10:25:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1SFPLL6009421; Sat, 28 Feb 2004 10:25:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1SFJKug008775 for ; Sat, 28 Feb 2004 10:19:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1SFIGTJ025917; Sat, 28 Feb 2004 10:18:16 -0500 (EST) Date: Sat, 28 Feb 2004 10:18:16 -0500 (EST) Message-Id: <4040ABF8.6D4D271B@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: Happy Birthday, Frederic... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 10:18:16 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: Happy Birthday, Frederic... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ..or does this one fall under the category of "Oh, no, not Frederic's birthday again!"? You decide... Last night, on the David Letterman show, the Top Ten List was "Top Ten Good Things About Being Born on February 29th"; it was presented by eleven (there was a pair of twins) people who actually were born on February 29th. In accordance with our recent discussions of copyright principles and such, I won't reproduce any of those here-- --but I will say that not one (no, no, not one) mentioned THE PIRATES OF PENZANCE. The people's names weren't mentioned, but it is interesting to speculate if any of the men were named Frederic. Face it, if any G&S fan (or spouse of same) gave birth to a son on February 29th, what do you think he'd be named? Incidentally, on another piratical note, those who saw the movie SHAKESPEARE IN LOVE may recall that the "original" title for ROMEO AND JULIET was ROMEO AND ETHEL, THE PIRATE'S DAUGHTER. So, Elise, your "pirate name" is not entirely without precedent... ;-) Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 28-Feb yestismabel@earthlink.net [63] #Re: What's your pirate name? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Feb 2004 14:31:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1SJVGL6021077; Sat, 28 Feb 2004 14:31:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1SJVFIa021470 for ; Sat, 28 Feb 2004 14:31:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1SJTkTJ029141; Sat, 28 Feb 2004 14:29:46 -0500 (EST) Date: Sat, 28 Feb 2004 14:29:46 -0500 (EST) Message-Id: <10022255.1077995866854.JavaMail.root@thecount.psp.pas.earthlink.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: Re: What's your pirate name? Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Feb 2004 14:29:46 -0500 (EST) Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: Re: What's your pirate name? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dirty John said: <<<<>>>> I found some information about 2 female pirates, Mary Read and Anne Bonney, at this site: http://www.arthur-ransome.org/ar/literary/pyrates.html <<<<>>>> They could also mention that Rossini was born on Feb. 29, to the same reaction, no doubt. Elise who is listening to the MET broadcast of Italian Girl, waiting for the Act I Finale...fun!!! __________________________________ Do you Yahoo!? Get better spam protection with Yahoo! Mail. http://antispam.yahoo.com/tools  1,, Summary-line: 29-Feb Turvyseeker1@aol.com [45] #RE: Sighting on IFC's Independent Film Awards last night on cable/Sat. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 29 Feb 2004 11:45:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1TGjikU020858; Sun, 29 Feb 2004 11:45:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1TGjhpY017050 for ; Sun, 29 Feb 2004 11:45:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1TGioTJ014611; Sun, 29 Feb 2004 11:44:50 -0500 (EST) Date: Sun, 29 Feb 2004 11:44:50 -0500 (EST) Message-Id: <77.23224b73.2d736bcc@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Turvyseeker1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Turvyseeker1@aol.com To: Multiple recipients of list SAVOYNET Subject: RE: Sighting on IFC's Independent Film Awards last night on cable/Sat. MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_77.23224b73.2d736bcc_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 8.0 for Windows sub 6021 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 29 Feb 2004 11:44:50 -0500 (EST) Reply-To: Turvyseeker1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Turvyseeker1@aol.com To: Multiple recipients of list SAVOYNET Subject: RE: Sighting on IFC's Independent Film Awards last night on cable/Sat. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_77.23224b73.2d736bcc_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear Fellow Turvyites, Yes, it was live from Hollywood with such luminaries as certain cast members from Pete Jackson's "Return of the King". Suddenly, without any warning whatsoever, well, hardly ever, two lovely female presenters launched into a parody of "Three Little Maids" by changing the lyrics to "Two Little Irish Girls". Full orchestral accompaniment was provided. Unbelievable. Regards, Donald --part1_77.23224b73.2d736bcc_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Dear Fellow Turvyites,
  Yes, it was live from Hollywood with such luminaries as certain cast=20= members from Pete Jackson's "Return of the King".   Suddenly, with= out any warning whatsoever, well, hardly ever, two lovely female presenters=20= launched into a parody of "Three Little Maids" by changing the lyrics to "Tw= o Little Irish Girls".  Full orchestral accompaniment was provided.
  Unbelievable.
Regards,
Donald --part1_77.23224b73.2d736bcc_boundary--  1,, Summary-line: 29-Feb tempsavoy@tradelaw.com [81] #re: Craven on Ownership Questions - time for a wrap up? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 29 Feb 2004 23:00:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2140UkU010642; Sun, 29 Feb 2004 23:00:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2140TNd008503 for ; Sun, 29 Feb 2004 23:00:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i21404TJ023015; Sun, 29 Feb 2004 23:00:04 -0500 (EST) Date: Sun, 29 Feb 2004 23:00:04 -0500 (EST) Message-Id: <5.1.1.6.0.20040229214206.01b61f38@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: re: Craven on Ownership Questions - time for a wrap up? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040301001450.21509.qmail@web80601.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 5.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 29 Feb 2004 23:00:04 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: re: Craven on Ownership Questions - time for a wrap up? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040301001450.21509.qmail@web80601.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have no problem with wrapping this up. The reasons for my replies is that the responses, for the most part, have either misstated my position or made serious errors of fact or law. The key point, a point which seems to have gone unnoticed by scholars and libraries, is that as of December 31, 2002 unpublished works by authors who have been dead for more than 70 years have entered the public domain. This is a very key change. Such works had previously been protected FOREVER. A second key point is that the copyright does not necessarily reside in the holder of the physical article. The copyright in the article and the title to the physical article are two different things. A third key point is that, in the absence of a copyright, there are NO legal impediments to making copies. Certainly the owner of the article can "restrict" access to the original article and can place restrictions on such access. But if the owner provides a copy or allows a copy to be made, even if said copy is provided with some kind of restrictive agreement allegedly forbidding future copying of the copy, then there are NO legal impediments to making such a copy. Said agreement would likely be unenforceable (and if enforceable, which is questionable, it would likely only be enforceable against the original parties and third parties would likely be under no restriction.) It is obvious to me, being neither a scholar nor a lawyer, that the "care" which the private repositories mentioned in earlier posts require to preserve their physical property is very logical. If anyone is to be able to view the kinds of documents which have been discussed here in another one hundred years, then their proper preservation is paramount and what ever rules are required to be able to exercise such care would be valid. And I do not dispute this, nor do I think that this should be disputed. The problem is that the institutions are also trying to control a copy made of the work. And that is not related, in any way shape or form to the protection of the original article. This point needs to be remembered when a "claim" to control something is asserted. Such restrictions on the circulating and republication of copying have NOTHING to do with the protection of the original, and any Library which makes such argument is making an argument based on faulty reasoning. > >However, to make stipulations about the use outside of such a library of >the material gleaned from the perusal of such documents while in such a >library seems to go past the point of logic as well as law, at least the >legal discussions presented by Mr. Craven. Again, prior to 12/31/02, the institutions would have had a case. But the law changed. And, since I have had my "agenda" questioned in private e-mails, allow me to state it. I believe that the copyright laws, as presently written and enforced are overly restrictive and are a significant impairment on creativity and discussion. I further believe that many companies and institutions that have works subject to copyright are engaged in a campaign to limit and further control the "fair use" of the works. I further believe that many companies and institutions have made over broad claims as to what is or is not protected (and in some cases, know that these claims are over broad). I finally believe that it is the duty of everyone to become aware of their rights to "fair use" and to fight over broad and abusive claims. Only by doing this will the copyright law serve the laudable purpose of rewarding authors and other creators, and will not continue to be perverted.  1,, Summary-line: 1-Mar JRaine@bostonconservatory [44] #update after Tracy's rehearsal X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Mar 2004 13:55:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i21It07C002047; Mon, 1 Mar 2004 13:55:02 -0500 (EST) Received: from BACH.bostonconservatory.edu (bach.bostonconservatory.edu [66.150.204.231]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i21IseWx024394 for ; Mon, 1 Mar 2004 13:54:40 -0500 (EST) X-MimeOLE: Produced By Microsoft Exchange V6.0.6249.0 content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Subject: update after Tracy's rehearsal Date: Mon, 1 Mar 2004 13:54:34 -0500 Message-ID: <3DA2E79079001A499236AC8DE7D632AE251F8C@bach.bostonconservatory.edu> X-MS-Has-Attach: X-MS-TNEF-Correlator: Thread-Topic: update after Tracy's rehearsal Thread-Index: AcP/vhwIG5JE12thEdiA+QCQJ6dXeQ== From: "Raine, Jessica" To: Cc: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-MimeOLE: Produced By Microsoft Exchange V6.0.6249.0 content-class: urn:content-classes:message Subject: update after Tracy's rehearsal Date: Mon, 1 Mar 2004 13:54:34 -0500 X-MS-Has-Attach: X-MS-TNEF-Correlator: Thread-Topic: update after Tracy's rehearsal Thread-Index: AcP/vhwIG5JE12thEdiA+QCQJ6dXeQ== From: "Raine, Jessica" To: Cc: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Tracy and I rehearsed her music for about 2 hours on Saturday afternoon. = She's worked on her own to the point where she's note-perfect on her = songs at slightly under tempo, and only misses a few accidentals at = tempo. Stylistically, she's doing better: no longer trying to sing = legato phrases, has improved her diction and is getting better at = spitting out the words at tempo. I coached her a little on altering her = vowel sounds so she gets a little more projection and doesn't sound = quite so contemporary, but didn't try to make her sound operatic or = anything. :)=20 What she needs now is a lot of practice, some direction and some work = with a good accompanist. We talked through both of her songs, cleared up = the jokes/expressions she didn't understand, and worked out what she's = trying to express with each line. (she needed some help understanding = that four lines that are discussing the same situation, don't all need = to be the same emotion, etc.) She can act the sung lines out of rhythm, = or under tempo, but once we get up to tempo it begins to get more = mechanical. This will improve with practice. She's also not confident = enough in the music yet to keep going if what she hears in the piano = accompaniment isn't what she heard on the MIDI, so she needs to rehearse = with a pianist who can play the accompaniment at tempo--i.e. not me. I know Tuesday 3/9 is scheduled as a Drewbob solo rehearsal with Todd, = but do you think he'd mind if you moved his call to 7:30 and called = Tracy alone for the first half-hour, just to run through her songs a = couple of times with Tom playing for her? Todd, this'll give you a = chance to see how far she's gotten and whether you want me to schedule = another session with her. Let me know what you think.  1,, Summary-line: 1-Mar ron.orenstein@rogers.com [27] #My New Address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Mar 2004 18:18:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i21NIv7C010275; Mon, 1 Mar 2004 18:18:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i21NIumh000475 for ; Mon, 1 Mar 2004 18:18:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i21NIUTJ017242; Mon, 1 Mar 2004 18:18:30 -0500 (EST) Date: Mon, 1 Mar 2004 18:18:30 -0500 (EST) Message-Id: <6.0.3.0.2.20040301175550.02844520@pop.hnsn.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: My New Address Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.3.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Mar 2004 18:18:30 -0500 (EST) Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: My New Address X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just to let everyone on the list know that I have changed my email address in an attempt to stem the vast amount of spam that has been flooding my email inbox. The address ornstn@rogers.com has now been disabled; please use ron.orenstein@rogers.com in future. Thanks! -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ron.orenstein@rogers.com  1,, Summary-line: 1-Mar to: SSilvers@sskfny.com [40] #Re: Update on G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Mar 2004 20:36:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i221aY7C019145; Mon, 1 Mar 2004 20:36:34 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i221aMqg012936; Mon, 1 Mar 2004 20:36:22 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i221aLTC015422; Mon, 1 Mar 2004 20:36:22 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i221aLqA019662; Mon, 1 Mar 2004 20:36:21 -0500 (EST) Date: Mon, 1 Mar 2004 20:36:21 -0500 (EST) Message-Id: <200403020136.i221aLqA019662@multics.mit.edu> From: "David C. Jedlinsky" To: SSilvers@sskfny.com CC: DglsWhaley@aol.com In-reply-to: (SSilvers@sskfny.com) Subject: Re: Update on G&S singalong in NYC: April 24 References: X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Mar 2004 20:36:21 -0500 (EST) From: "David C. Jedlinsky" To: SSilvers@sskfny.com CC: DglsWhaley@aol.com In-reply-to: (SSilvers@sskfny.com) Subject: Re: Update on G&S singalong in NYC: April 24 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am so deeply buried in work for Thespis that I won't have much time to prepare any new roles that I haven't done before. Our final performance is the Sunday before the singalong. Therefore, I would prefer it if you could find someone who could do justice to the role. That being said, however, if there is a danger that The Chieftain may not be performed for lack of a Tenor, please let me know. I will prepare as best I can in such a circumstance, though I suspect that the second act duet with Rita may suffer, as that's an awful lot of French to figure out in such a short time. -Dave >Date: Sun, 29 Feb 2004 22:44:26 -0500 >From: "Samuel Silvers" > >I believe that Dave Jedlinsky might be willing to take on Vasquez. How = >about it, Dave? >Sam > >>>> wrote: >I don't believe we have heard from any tenors except Jim Cooper. Know = >of=20 >anyone? > >Doug >  1,, Summary-line: 2-Mar SSilvers@sskfny.com [48] #Casting update on G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 17:12:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i22MBqCa009141; Tue, 2 Mar 2004 17:12:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i22M9vVp024572 for ; Tue, 2 Mar 2004 17:09:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i22M9NTJ020108; Tue, 2 Mar 2004 17:09:23 -0500 (EST) Date: Tue, 2 Mar 2004 17:09:23 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting update on G&S singalong in NYC: April 24 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Mar 2004 17:09:23 -0500 (EST) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Casting update on G&S singalong in NYC: April 24 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Congratulations to Stuart Box on hosting a great QWERT !! We are almost finished casting the NYC singalong. We still need volunteers for the following roles: Ella and/or Angela in Patience Dame Carruthers First Yeoman (BTW, can anyone in PA please lend Becca a Yeomen score asap?) Vasquez in The Chieftan (unless someone has snapped it up today). Anyone else interested in Chieftan should write directly to Doug: DglsWhaley@aol.com with the role request(s). He has heard from: Richard Holmes, Barry Hilton, Elise, Carole Round, Frances Y, Emily G, Jim Cooper, Marc Shepherd, Dan Kravetz and me. I could still use one more leading tenor, I think. Everyone who can, please download The Chieftan score and/or listen to the chorus midis. The Kincaids have requested that someone bring extra scores for them, so if you have two of any of the shows, please let me know. We will sing through the following shows in the following order: The Sorcerer -- 12 noon sharp Pizza break The Pirates of Penzance -- about 1:30pm* The Chieftain -- about 3:00 pm* Patience -- about 4:30 pm* The Yeomen of the Guard -- about 5:30 pm* *Timing sing-ins is not an exact science. We will finish by around 7 pm or 8. After the sing-in, we will go out for Chinese food, unless someone has a better idea. If anyone is interested in doing some NYC sightseeing on Sunday April 25, let me know. My address is 3117 Broadway, Apt. 28, which is two block south of the #1 and #9 125th Street subway station, between LaSalle St. and 123rd St. on the West side of Broadway. If you need driving directions, please let me know. Best regards, Sam Silvers 212-782-0706  1,, Summary-line: 2-Mar rls@dimins.com [39] #Fwd: UA logo on our ads X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 17:22:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i22MMlBc016192; Tue, 2 Mar 2004 17:22:52 -0500 (EST) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i22MLsWn002483 for ; Tue, 2 Mar 2004 17:21:54 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Tue, 02 Mar 2004 17:14:43 -0500 Date: Tue, 2 Mar 2004 17:21:22 -0500 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Fwd: UA logo on our ads From: Ruth Jedlinsky To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Mar 2004 17:21:22 -0500 Subject: Fwd: UA logo on our ads From: Ruth Jedlinsky To: David Jedlinsky X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Does John Spartan need to know about this? Ruth Begin forwarded message: > From: Jennie Hango > Date: Tue Mar 2, 2004 5:11:24 PM US/Eastern > To: rls@MIT.EDU, sctang@MIT.EDU > Cc: thallata@MIT.EDU > Subject: UA logo on our ads > Reply-To: Jennie Hango > > Hi Sonya and Ruth, > > I'm not sure if you've heard about the new UA advertising > requirements; I > just learned of them on the Finboard New Policies PDF that I should've > looked at a while ago > (http://web.mit.edu/ua/www/senate/35UAS/legislation/finboard-pol.pdf). > We'll need to include the UA logo on our ads and indicate that the UA > provided funding. The logo is online at > http://web.mit.edu/finboard/www/mitua_logo.gif. I believe we are using > Finboard money to pay for the percussion rental for the show, so there > is UA > money directly funding this production. > > Jennie  1,, Summary-line: 2-Mar msakai@suberic.net [82] #Music issues in flute/piccolo part. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 17:27:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i22MRTBW019121; Tue, 2 Mar 2004 17:27:29 -0500 (EST) Received: from suberic.net (suberic.net [66.92.74.226]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i22MRSWn007461 for ; Tue, 2 Mar 2004 17:27:28 -0500 (EST) Received: from suberic.net (localhost [127.0.0.1]) by suberic.net (8.12.3/8.12.3/Debian-6.6) with ESMTP id i22MRLkK009396; Tue, 2 Mar 2004 17:27:21 -0500 Message-Id: <200403022227.i22MRLkK009396@suberic.net> To: nealtodd@comcast.net, opus@mit.edu Subject: Music issues in flute/piccolo part. Date: Tue, 02 Mar 2004 17:27:21 -0500 From: msakai@suberic.net X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: nealtodd@comcast.net, opus@mit.edu Subject: Music issues in flute/piccolo part. Date: Tue, 02 Mar 2004 17:27:21 -0500 From: msakai@suberic.net X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, First, I have some specific isues with the flute part: In #1, bar 189, 2nd flute goes down to a B flat, when the lowest playable note is a B. In #1 and #7, the last note in the piccolo part is a low C, when the lowest playable note is a D. In #4, bar 47, there is a switch from piccolo to flute with no rest; can we get rid of the switch, or move it around a bit so I have time to do it? Also, some general issues with the formatting: Could we have rehearsal letters? It'd be easier than relying on bar numbers. A lot of tempo markings didn't seem to make it into the flute part; in general the only tempo markings were the initial ones and the occasional rall., meaning I had no idea when we were changing tempo. I think that's everything I noticed... Thanks for taking care of this. Matt ------- Forwarded Message Return-Path: jhango@MIT.EDU Delivery-Date: Mon Mar 1 15:56:05 2004 Return-Path: Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by suberic.net (8.12.3/8.12.3/Debian-6.6) with ESMTP id i21Ku4kK015350 for ; Mon, 1 Mar 2004 15:56:04 -0500 Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i21Ktwmc003887; Mon, 1 Mar 2004 15:55:58 -0500 (EST) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) (authenticated bits=56) (User authenticated as jhango@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i21KtuTC000786; Mon, 1 Mar 2004 15:55:56 -0500 (EST) Received: (from jhango@localhost) by department-of-alchemy.mit.edu (8.12.9) id i21KttOZ024931; Mon, 1 Mar 2004 15:55:55 -0500 (EST) Date: Mon, 1 Mar 2004 15:55:55 -0500 (EST) Message-Id: <200403012055.i21KttOZ024931@department-of-alchemy.mit.edu> From: Jennie Hango To: gsp-orch@MIT.EDU Subject: music corrections Reply-To: orch-manager@MIT.EDU, opus@MIT.EDU Hello orchestra, Yesterday's rehearsal went pretty well. Thank you for your patience with the music distribution! Please take a little time and make note of any formatting or note issues that you noticed with the music (for instance, missing fermattas, notes not within the range of your instrument, etc.). Also take a good look at #7 (Act I finale); Dave says the formatting style for the entire book will resemble that of #7, so if there's something you don't like about it, now is the time to ask about changing it. The scores will be printed and bound before our next rehearsal, so please mail your comments to Todd and Dave by FRIDAY AFTERNOON. Todd's e-mail is nealtodd@comcast.net and Dave's is opus@mit.edu; replying to this message will send e-mail to the appropriate people as well. Jennie ------- End of Forwarded Message  1, answered,, Summary-line: 2-Mar DglsWhaley@aol.com [43] #Re: Update on G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 17:41:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i22MfiBW028054; Tue, 2 Mar 2004 17:41:44 -0500 (EST) Received: from imo-m22.mx.aol.com (imo-m22.mx.aol.com [64.12.137.3]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i22MfhWn019815 for ; Tue, 2 Mar 2004 17:41:43 -0500 (EST) Received: from DglsWhaley@aol.com by imo-m22.mx.aol.com (mail_out_v37.4.) id 6.68.3bc3dfdc (3972) for ; Tue, 2 Mar 2004 17:41:35 -0500 (EST) From: DglsWhaley@aol.com Message-ID: <68.3bc3dfdc.2d76679f@aol.com> Date: Tue, 2 Mar 2004 17:41:35 EST Subject: Re: Update on G&S singalong in NYC: April 24 To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1078267295" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Score: -0.648 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: DglsWhaley@aol.com Date: Tue, 2 Mar 2004 17:41:35 EST Subject: Re: Update on G&S singalong in NYC: April 24 To: opus@mit.edu X-Spam-Score: -0.648 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1078267295 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dave: I would much like to hear you sing that rousing Act I finale song in The Chieftain. Who are you playing in Thespis? And where? Music by? Doug -------------------------------1078267295 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dave:
 
I would much like to hear you sing that rousing Act I finale song in Th= e Chieftain.
 
Who are you playing in Thespis?  And where?  Music by?
 
Doug
-------------------------------1078267295--  1,, Summary-line: 2-Mar andi_s_r@yahoo.com [27] #Re: Casting update on G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 18:15:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i22NFaBW018635; Tue, 2 Mar 2004 18:15:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i22NFZVp012931 for ; Tue, 2 Mar 2004 18:15:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i22NF9TJ021114; Tue, 2 Mar 2004 18:15:09 -0500 (EST) Date: Tue, 2 Mar 2004 18:15:09 -0500 (EST) Message-Id: <20040302231126.57058.qmail@web14522.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Casting update on G&S singalong in NYC: April 24 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Mar 2004 18:15:09 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Casting update on G&S singalong in NYC: April 24 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Repeat to anyone coming to Sam's event: YOU DO NOT HAVE TO DOWNLOAD THE CHIEFTAIN YOURSELF (it's 243 pages). I have already done so, and am photocopying double-sided copies. These will be sent on request to participants, provided you send me your mailing address. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 2-Mar to: DglsWhaley@aol.com [40] #Re: Update on G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 18:23:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i22NNWBW023237; Tue, 2 Mar 2004 18:23:32 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i22NNWDk004863; Tue, 2 Mar 2004 18:23:32 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i22NNVTC006105; Tue, 2 Mar 2004 18:23:31 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i22NNVhQ019298; Tue, 2 Mar 2004 18:23:31 -0500 (EST) Date: Tue, 2 Mar 2004 18:23:31 -0500 (EST) Message-Id: <200403022323.i22NNVhQ019298@multics.mit.edu> From: "David C. Jedlinsky" To: DglsWhaley@aol.com In-reply-to: <68.3bc3dfdc.2d76679f@aol.com> (DglsWhaley@aol.com) Subject: Re: Update on G&S singalong in NYC: April 24 References: <68.3bc3dfdc.2d76679f@aol.com> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Mar 2004 18:23:31 -0500 (EST) From: "David C. Jedlinsky" To: DglsWhaley@aol.com In-reply-to: <68.3bc3dfdc.2d76679f@aol.com> (DglsWhaley@aol.com) Subject: Re: Update on G&S singalong in NYC: April 24 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Doug. As I said, I'd like to see if someone else wants to take it first, if they can devote a proper amount of preparation to it. But, yes, the role is very plummy, and I'd love to do it; I'm just worried that I won't be able to do it justice, with very little time to prepare. The MIT G&S Players are performing Thespis over the two weekends before Sam's singalong. I'm the stage director. We're using music by Savoynetter Colin Johnson; this will be a world premiere of his version. Are you still in the Columbus area? It's only a 14 hour drive from there... -Dave (can't quite get the Gay Hussar tune out of my head, thanks) >From: DglsWhaley@aol.com >Date: Tue, 2 Mar 2004 17:41:35 EST > >Dave: > >I would much like to hear you sing that rousing Act I finale song in The >Chieftain. > >Who are you playing in Thespis? And where? Music by? > >Doug  1,, Summary-line: 2-Mar SSilvers@sskfny.com [14] #G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 18:57:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i22NviBW010510; Tue, 2 Mar 2004 18:57:44 -0500 (EST) Received: from mail.sskfny.com ([208.195.240.132]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i22Nv3Wn020396 for ; Tue, 2 Mar 2004 18:57:03 -0500 (EST) Received: from SSDOM-Message_Server by mail.sskfny.com with Novell_GroupWise; Tue, 02 Mar 2004 18:57:21 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Tue, 02 Mar 2004 18:56:57 -0500 From: "Samuel Silvers" To: Subject: G&S singalong in NYC: April 24 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 02 Mar 2004 18:56:57 -0500 From: "Samuel Silvers" To: Subject: G&S singalong in NYC: April 24 Content-Disposition: inline X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've got you down for the Duke in Patience. Sam  1,, Summary-line: 2-Mar DglsWhaley@aol.com [66] #The Chieftain X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 22:11:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i233BaBY009152; Tue, 2 Mar 2004 22:11:37 -0500 (EST) Received: from imo-d05.mx.aol.com (imo-d05.mx.aol.com [205.188.157.37]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i233BDDJ004544 for ; Tue, 2 Mar 2004 22:11:13 -0500 (EST) Received: from DglsWhaley@aol.com by imo-d05.mx.aol.com (mail_out_v37.4.) id 6.f.23f784c9 (3850) for ; Tue, 2 Mar 2004 22:11:07 -0500 (EST) From: DglsWhaley@aol.com Message-ID: Date: Tue, 2 Mar 2004 22:11:06 EST Subject: The Chieftain To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1078283466" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Score: -1.168 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: DglsWhaley@aol.com Date: Tue, 2 Mar 2004 22:11:06 EST Subject: The Chieftain To: opus@mit.edu X-Spam-Score: -1.168 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1078283466 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dave: I would love to see your Thespis production. Will it be video taped? As it happens I have a large number of Thespic videos, and I would like to add this one to my collection. See you at Sam's. Oh, and by the way: Then, hey, boys! jolly let us be, boys! Hey, boys! drink a bout with me, boys! Till we go To meet the foe With a dash and a loud Hurrah! Doug -------------------------------1078283466 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dave:
 
I would love to see your Thespis production.  Will it be video tap= ed?  As it happens I have a large number of Thespic videos, and I would= like to add this one to my collection.
 
See you at Sam's.
 
Oh, and by the way:
 
Then, hey, boys! jolly let us be, boys!
   &n= bsp;            Hey,=20= boys! drink a bout with me, boys!
      &nb= sp;            &= nbsp; Till we go
         &= nbsp;           To meet th= e foe
           =             &nbs= p;  With a dash and a loud Hurrah!
 
Doug
-------------------------------1078283466--  1,, Summary-line: 2-Mar nealtodd@comcast.net [30] #Re: Music issues in flute/piccolo part. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 22:24:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i233OeBW016058; Tue, 2 Mar 2004 22:24:40 -0500 (EST) Received: from rwcrmhc11.comcast.net (rwcrmhc11.comcast.net [204.127.198.35]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i233ODDJ015103 for ; Tue, 2 Mar 2004 22:24:14 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (rwcrmhc11) with SMTP id <20040303032409013005885se>; Wed, 3 Mar 2004 03:24:09 +0000 Message-ID: <002701c400ce$fb60bae0$08173c18@comcast.net> From: "Todd Neal" To: , References: <200403022227.i22MRLkK009396@suberic.net> Subject: Re: Music issues in flute/piccolo part. Date: Tue, 2 Mar 2004 22:24:01 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: , Subject: Re: Music issues in flute/piccolo part. Date: Tue, 2 Mar 2004 22:24:01 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > In #1, bar 189, 2nd flute goes down to a B flat, when the lowest > playable note is a B. Are you sure this is #1? > In #1 and #7, the last note in the piccolo part is a low C, when > the lowest playable note is a D. Once again, #1? For the last note in #7, that should be a whole rest. Everyone else has a middle C, so a C two octaves higher would sound odd. > In #4, bar 47, there is a switch from piccolo to flute with no rest; > can we get rid of the switch, or move it around a bit so I have time > to do it? Once again, #4? We didn't even do that one last time, but it's flute throughout.  1, forwarded,, Summary-line: 2-Mar nealtodd@comcast.net [104] #Rehearsal marks for overture X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 23:04:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2344uBW006155; Tue, 2 Mar 2004 23:04:56 -0500 (EST) Received: from rwcrmhc11.comcast.net (rwcrmhc11.comcast.net [204.127.198.35]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2344sPI011434 for ; Tue, 2 Mar 2004 23:04:55 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (rwcrmhc11) with SMTP id <20040303040454013005amhve>; Wed, 3 Mar 2004 04:04:54 +0000 Message-ID: <003701c400d4$a92ecd60$08173c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" Subject: Rehearsal marks for overture Date: Tue, 2 Mar 2004 23:04:43 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0034_01C400AA.BFD27E60" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.324 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: Rehearsal marks for overture Date: Tue, 2 Mar 2004 23:04:43 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.324 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0034_01C400AA.BFD27E60 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Definitely no problem to do all of these. For the overture, we need marks at measures 9 21 31 43 55 65 81 99 115 130 138 147 158 172 180 188 196 202 214 230 240 248 257 261 270 That's 25 of them. I'll try to make sure that #7 has no more than 26. If = it does, can we do AA, BB, CC, etc? ------=_NextPart_000_0034_01C400AA.BFD27E60 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Definitely no problem to do all of=20 these.
 
For the overture, we need marks at=20 measures
 
9
21
31
43
55
65
81
99
115
130
138
147
158
172
180
188
196
202
214
230
240
248
257
261
270
 
That's 25 of them. I'll try to make = sure that #7=20 has no more than 26. If it does, can we do AA, BB, CC,=20 etc?
------=_NextPart_000_0034_01C400AA.BFD27E60--  1, forwarded,, Summary-line: 2-Mar nealtodd@comcast.net [129] #More rehearsal marks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Mar 2004 23:23:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i234NEBW014915; Tue, 2 Mar 2004 23:23:14 -0500 (EST) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i234MR7E028282 for ; Tue, 2 Mar 2004 23:22:27 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (sccrmhc13) with SMTP id <2004030304222701600t22fje>; Wed, 3 Mar 2004 04:22:27 +0000 Message-ID: <000801c400d7$1abed860$08173c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" Subject: More rehearsal marks Date: Tue, 2 Mar 2004 23:22:09 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C400AD.2F84EFC0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.324 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: More rehearsal marks Date: Tue, 2 Mar 2004 23:22:09 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.324 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C400AD.2F84EFC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable An additional thought -- These would be great places to break up long = rests. Anyway... #1 at measures: 9 18 26 34 43 51 59 70 78 86 89 98 106 115 125 131 #1a at measures: 11 18 #2 at measures: 7 15 25 34 39 47 57 66 71 79 89 97 #2a at measures: 5 13 ------=_NextPart_000_0005_01C400AD.2F84EFC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
An additional thought -- These would be = great=20 places to break up long rests.
 
Anyway...
 
#1 at measures:
9
18
26
34
43
51
59
70
78
86
89
98
106
115
125
131
 
#1a at measures:
11
18
 
#2 at measures:
7
15
25
34
39
47
57
66
71
79
89
97
 
#2a at measures:
5
13
------=_NextPart_000_0005_01C400AD.2F84EFC0--  1,, Summary-line: 3-Mar cupid@MIT.EDU [175] #Re: We have a vacancy in the cast X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 01:48:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i236mWBW000958; Wed, 3 Mar 2004 01:48:32 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i236mWJ2000085 for ; Wed, 3 Mar 2004 01:48:32 -0500 (EST) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) (authenticated bits=56) (User authenticated as cupid@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i236mV8e029774 for ; Wed, 3 Mar 2004 01:48:31 -0500 (EST) Received: (from cupid@localhost) by contents-vnder-pressvre.mit.edu (8.12.9) id i236mVk5001180; Wed, 3 Mar 2004 01:48:31 -0500 (EST) Date: Wed, 3 Mar 2004 01:48:31 -0500 (EST) Message-Id: <200403030648.i236mVk5001180@contents-vnder-pressvre.mit.edu> From: Randi M Kestin To: opus@MIT.EDU In-reply-to: <200403012346.i21NkTN6017480@multics.mit.edu> (opus@MIT.EDU) Subject: Re: We have a vacancy in the cast References: <200402230536.i1N5aiRb001390@multics.mit.edu> <200402231629.i1NGTOkb025126@department-of-alchemy.mit.edu> <200402231927.i1NJRPGC018434@multics.mit.edu> <200402250405.i1P45RO5019070@contents-vnder-pressvre.mit.edu> <200402250542.i1P5gAXx010195@multics.mit.edu> <200402251531.i1PFV9Eh012067@scrubbing-bubbles.mit.edu> <200402251714.i1PHEoEb022444@multics.mit.edu> <200403012207.i21M7vQ0006648@scrubbing-bubbles.mit.edu> <200403012346.i21NkTN6017480@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Mar 2004 01:48:31 -0500 (EST) From: Randi M Kestin To: opus@MIT.EDU In-reply-to: <200403012346.i21NkTN6017480@multics.mit.edu> (opus@MIT.EDU) Subject: Re: We have a vacancy in the cast X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Are you familiar with Stanislavsky ("Method" acting)? If not, you've >got a really good idea of it anyway - I'm familiar with method acting but I've never heard of "Stanislavsky". I guess he must be the guy who invented the idea. :) I've never been drunk except maybe once in my life but I'm not willing to try that now for a lot of reasons. I am trying to diet though so that helps somewhat plus what I've learned about alcoholics over the years. >figure out *how* your character >arrived at the situation in which we find him, and the "what he does" >and the "why does he do it" follows. I have done character studies in my aforementioned drama class but haven't needed to in a real long time. I thought this one was pretty cool actually. Glad you liked it. :) >If you don't see the humor in the part of a drunk, then by all means, >don't play up any aspect of trying to fall off the wagon. My main concern about it is the inconsitency with the dialogue. Still making the audience aware that he's still fighting the desire for it does have merit. I think I can work that in to a certain extent in the the scene with Nick. >Perhaps >Tipseion was "sad and pathetic" to the point of not being able to >perform his acting duties, which is precisely when Thespis forced him >to give up drinking. At that point, he ceased to be a pathetic drunk, >and begins to be a reformed alcoholic, with a new outlook on life. I think he was probably passed out and hung over most of the time and missed a lot of rehearsals, slurred his lines a lot, forgot lines, and stumbled around the set a lot when he was there. Sort of like that actress in Topsy-Turvey. (Ouch! You think Gilbert was dissing her with this part?) >Going back to Nick's song ("Of All Symposia"), how about having Nick >offering drinks to everyone, and when he gets to you, you make a >really big deal (in mime, of course, since you're singing) out of how >insensitive and cruel he is to try to tempt you. Then, whenever he >comes near, you can run away like the chorus is always shunning the >moon (Diana) in #1. All of your actions need to be consistent with >the foundation you're building. Once you've established who you are, >the audience doesn't need much to figure out what you're doing, even >if you don't say anything. This was definitely one of the things I wanted to do when you mentioned me chasing after him. I see him running away from Nick like the plague. The other idea I'm flirting with is trying the wine and then getting rid of it fast because it's not the real thing (consistent with your relapsing idea). Or picking up the wine cup because I want it and start to drink it - then change my mind fast before I drink it and either drop it like a hot potato or toss it across the stage and then run away from the wine the rest of the time. >Since either case, it's clear that you are a woman, you don't need to >convince anyone about your being male - you don't have to change your >voice, or learn a different walk, or anything. Ok, that's good to know and makes my life eaiser. > The audience might think it funny that you are constantly >trying to embrace Thespis, but he's uncomfortable because to his eyes, >a man is trying to be affectionate. That's the advantage of a pants >role; the audience sees the additional layer that makes the joke. They'll laugh at him rejecting Nicemis too won't they? But I do appreciate the point. >Now, if you are playing a woman, we could try the romantic angle. In >order for it to work well, Ashley needs to work really hard at making >it a running gag that every man she tries to attach to is contested by >another woman. If we don't play it up, it might just be too confusing >to have *two* romantic triangles. ...especially since the love triangle in the script never is resolved. How frustrating! But the second one did strike me precisely because Nicemis is involved with both and she would naturally have to play that up in reaction. >I don't know which line Daphne has that's the same; where does it >occur? Argh! I spent all day trying to find it again and can't. How strange. It struck me as so deja vu when I read it the first time. It might have been Nicemis who said it but I've been through the libretto several times today and the best I can come up with is the scene right before "Climbing Over Rocky Mountain" which is where I thought it came from originally. There's just some discussion there about Daphne's looks but the lines aren't the same. I must have identity swapped Tipseion's line the first time I read it (before I got the part.) Easy mistake to make since it's the kind of think a girl would say. That particular line is rather awkward to play as a guy but it's the only line I'm having trouble with from a gender perspective. (sigh) >I don't know offhand, but that's a really good idea. Do you know of >any way to find out what it is? Even if most of the audience doesn't >"get it", there would be some who would, and it would help your >character remain true to himself in any case. I spent some time researching it today and even enlisted a friend to help me with it but there wasn't much luck. Can you believe I'm so innocent I don't know any alcoholics? :) Still if I do it kind like they do when they're taking an oath in court over a bible it should be enough to make the point. I was able to find the 24-hour sobriety pledge and the serenity prayer from the AA website. If you're serious about the improv I can add one of those in and take the pledge in the picnic scene. Hey! I can reform right on stage! It would definitely be cool to work in the serenity prayer too later on because everybody recognizes that. Man, I hope I don't wind up offending the real alcoholics out there. >This is progressing really well, and I'm glad you've put this much >thought into it. I'd like you to decide before Thursday whether >Tipseion is male or female, both because of costuming (Vanessa's got >to design the right one) and because we're rehearsing the dialog for >5A, where it will make a huge difference how it's played. Vanessa caught me tonight at rehearsal and made me try on some costumes Jenna pulled for me. (Jenna really loves that Pinafore outfit she made for me.) So I had to share the situation with her about it. She was surprsingly really cool about it. She hasn't started costuming the men yet but doesn't think it would be hard to throw an alternative togther for that too. I think I'm more or less set for Act 1 as a woman but I'm not sure. That's sort of between her and Jenna I think. In Act 2 she said I'd be wearing the same thing regardless of gender so that works fine by me. Her reasoning was either way it's the God of Wine costume. So I know this is kind of unorthodox, but I was hoping we could try it both ways for now and see which way works better in rehearsals. I can't figure it out hypothetically without the others actors in play and I have no idea how Ashley and especially Drewbob would feel about any of this. If I decided on a man right now we wouldn't be able to try out the love triangle idea. And if it really works out that doing it as a man really is funnier I don't want to be blocked out of that because we made the wrong decision earlier. >Absolutely. If your character really *believes* everything he says, >and acts completely logically within that framework, the consistency >is what makes it funny. I always worry that if I take it too seriously than the audience won't laugh because all of a sudden this turns into a dramatic sort of situation that they believe in and it loses the humor. For me it doesn't seem funny anymore so it's hard for me to get why they are laughing. It's kind of a weird feeling. Randi  1,, Summary-line: 3-Mar the_geek@MIT.EDU [36] #Re: Thespis drawing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 02:09:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2379qBW011591; Wed, 3 Mar 2004 02:09:52 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2378DJ5007463; Wed, 3 Mar 2004 02:08:13 -0500 (EST) Received: from brute-force.mit.edu (BRUTE-FORCE.MIT.EDU [18.18.0.227]) (authenticated bits=56) (User authenticated as the_geek@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i2373g8e000828; Wed, 3 Mar 2004 02:03:42 -0500 (EST) Received: (from the_geek@localhost) by brute-force.mit.edu (8.12.9) id i2373gHc010948; Wed, 3 Mar 2004 02:03:42 -0500 (EST) Date: Wed, 3 Mar 2004 02:03:42 -0500 (EST) From: Jacqueline Felton To: rls@mit.edu cc: David Jedlinsky Subject: Re: Thespis drawing In-Reply-To: Message-ID: References: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Mar 2004 02:03:42 -0500 (EST) From: Jacqueline Felton To: rls@mit.edu cc: David Jedlinsky Subject: Re: Thespis drawing In-Reply-To: X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've made some progress on the sketches, but I abruptly got a whole pile of things dropped on my head so I'm not going to be able to get the pics to you till Friday morning at the earliest, I suspect. Is that too late? Jacquie On Sun, 29 Feb 2004, Ruth Jedlinsky wrote: > Hi Jacquie, > > Thespis talking into megaphone with Happy mask against one leg, Sad > mask on other leg, surrounded by the angry gods. > > Thespis, youngish, well dressed, handsome. > Jupiter - god, old with long white beard, often seen holding/throwing > thunderbolts > Mars - god of war, usually seen in armor with long spear sometimes a > shield too. > Could be funny having skinny old man in Mar's customary > costume =-) > Diana - goddess of night, looks like moon in white outfit. Old but > still pretty. > Mercury - being played by a woman, only god not old. mischievous. > >  1,, Summary-line: 3-Mar rls@dimins.com [195] #Fwd: program stuff X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 14:02:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i23J1xt7011343; Wed, 3 Mar 2004 14:01:59 -0500 (EST) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i23J06nC025053 for ; Wed, 3 Mar 2004 14:00:06 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Wed, 03 Mar 2004 13:52:54 -0500 Date: Wed, 3 Mar 2004 13:59:35 -0500 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Fwd: program stuff From: Ruth Jedlinsky To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Mar 2004 13:59:35 -0500 Subject: Fwd: program stuff From: Ruth Jedlinsky To: David Jedlinsky X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) got useful stuff or libretto handy? Ruth Begin forwarded message: > From: Erica Schultz > Date: Wed Mar 3, 2004 12:40:37 PM US/Eastern > To: Robert Morrison , rls@MIT.EDU, zacheiss@MIT.EDU > Subject: Re: program stuff > > Hi Rob, Ruth, and Garry, > > Here's what I see as the program timeframe. Feel free to advise if > this looks like too little turnaround time! > > Mon 3/22: Deadline for bios, ALL desired copy, and preliminary ad > reservations > Thu 3/25: First-round proof to rehearsal > 3/25-4/1: Revision cycle > Thu 4/1: Drop-dead deadline for changes, incl. > thanks/acknowledgments, receipt of final front cover artwork and all > FINAL ad camera copy > Fri 4/2: Final proof in hand > Mon 4/5: Final PDF to CopyTech for printing > Fri 4/9 (or is it Thu 4/8??): OPENING! > > For mockup purposes, I can get a certain amount of the copy off the > web sites (musical numbers, cast and crew), but if y'all or Dave have > more definitive versions (esp. as plain text) already compiled, I'd > love to have those. > > Bios: Usually we've done all this via e-mail. I'm happy to send a > notice to the cast and crew if you can advise which of these addresses > should receive it: {thespis@MIT.EDU, gsp-prod@MIT.EDU, > gsp-cast@mit.edu, gsp-sets@mit.edu, gsp-orch@mit.edu} I enclose a > sample e-mail at bottom from the Gondoliers program effort, including > ad rates and such (subject to review). > > I'm mostly worried about getting bios from actual cast and prod staff, > but basically, anyone else who wants one can have a few lines as far > as I'm concerned. I prefer to keep bios under 40 words, but I'll give > the actual restriction some thought before writing anything > definitive. > > One more thing: Any thoughts on printing up *libretti* for audience > use? We did this at least once and I think people appreciated it. I > can set the text pretty darn economically, space-wise, so it ends up > not being that much copying. > > Think that's it for now! > -- Erica > > >> hey erica, >> >> ruth says you're doin' the program for thespis? cool! i said i'd do >> what i >> can to try to make your job easier. i slept through prod staff >> meeting >> yesterday, so i missed whatever went on there. >> what are the deadlines for bios and ads and special thanks and >> whatnot? >> who should i pester for bios (cast, prodstaff, orchestra, tech >> workers, >> pianists, who else?), and what limitations do i give 'em? anything >> else i get to make known or should figure out for ya? >> i can announce stuff to cast on wednesday (full cast rehearsal) and i >> can >> announce stuff to orchestra sunday (1st rehearsal) as well as at set >> build >> then, and i'll do my utmost not to sleep through prodstaff meeting >> next week. >> and i's also happy to run errands: stuff to printer, distributing >> proofs to >> folk as need to see 'em and such. let me know when i get to do those >> things. >> >> thanks a bundle, >> certainly let me know if i've forgotten stuff! >> -rob > > > [ERICA'S SAMPLE PROGRAM E-MAIL] > > Dear Thespis participants, > > This is Erica writing as your friendly neighborhood program designer! > I am very excited to be working on Thespis in this capacity, even > though I do miss being on stage. > > As you're all keenly aware, the show is only, er, less-than-5 weeks > away, so, like everything else, the program is in the works. Hence, > on to the topic of this message: Bios and ads. > > *** > > ADS first, since that's the businesslike side that makes the fun stuff > possible. The program is designed to be self-funding: supported by > the ads we print in it. This means we depend on all of you to sell > ads if you want a nice program. People have come through wonderfully > in the past (hi, Rob!) and I hope y'all will do the same. > > Ads can be for pretty much anything... other groups, especially other > student theater groups... events, services, restaurants, your home > business or startup company, etc., etc. They don't even have to be > for businesses: Car For Sale, Sysadmin For Hire, Congratulations From > Grandma, proposals of marriage, etc., are all welcome. > > Ad copy can be submitted in several ways: > (1) as "camera-ready" hardcopy for scanning; > (2) as a high-res electronic file (e.g., TIFF, jpeg, EPS, PDF); > (3) as text for an ad that I will design for you. (This is in fact > something I do professionally, so think of this as value added!) > > Ad rates, with the real finished dimensions, are as follows: > $ 35: 1/4 page vertical = 2.15" x 3.75" > $ 35: 1/4 page horizontal = 4.5" x 1.875" > $ 60: 1/2 page horizontal = 4.5" x 3.75" > $ 60: 1/2 page vertical = 2.15" x 7.5" > $100: Full page = 4.5" x 7.5" > $120: Back cover, full page = 4.5" x 7.5" (first come first serve) > > Bear in mind that we expect a total of 700 people to see this program > (that's approximately 1400 eyeballs!). > > These rates are also listed on the beautiful AD FORM that Steph has so > kindly put together, available as a Word document at: > http://web.mit.edu/gsp/www/2002spring_gondoliers/adform.doc > or as hardcopy, or ask me and I'll e-mail you a PDF of it. > > If you sell an ad (even if it's to yourself), please submit a > completed ad form (this includes a hard copy of the ad content and a > check made out to "MIT Gilbert & Sullivan Players"). Electronic files > can be e-mailed to me . > > Preliminary AD DEADLINE is 3/22. This is to help me budget the > program space (availability as well as usage), so if you can sell an > ad but they need more time to submit the actual ad copy, just let me > know. > > *** > > Now, on to BIOS. > > Your bio (short for "biography", y'know) is that fun paragraph where > you get to tell the audience a little about yourself... in whatever > way you choose: silly, serious, just plain obscure. For example: > > Erica Schultz C (Program Designer, Set Crew) > is taking a break from appearing onstage in order to do what she does > all day long anyway: play around with words and pictures on the > computer. Had she actually appeared onstage, this would have been her > 6th MITG&SP show. > > Please start out with your name (as you wish it to appear); your MIT > affiliation (class year, G = grad, C = MIT community other than > alumni); and your part(s)/position(s). After that, have fun with it! > Due to space constraints, please keep your text to 35 words (but you > don't have to count your name/position data in that total). [Editorial > note: Self-references to this 35-word limit will be allowed to stand, > but remember that it doesn't look quite so clever to someone sitting > in the audience 5 weeks from now.] > > Baseline BIO DEADLINE is Monday, March 22. It's not such a huge task, > so please take a few minutes to write yours in the next few weeks and > pop it over to me via e-mail . > > Prod staff: consider this a nudge to get me any additional materials > that go in the program (synopsis, director's note, preliminary list of > acknowledgments, etc.) no later than Monday 3/22. > > If we all adhere to these deadlines, you should be able to see a first > draft of the program as early as March 25. Wouldn't that be exciting? > > Thanks, and hope to hear from all of you soon! > -- Erica > -- > > ----------------------------------------------------------------- > Erica Schultz * Electronic Publishing Coordinator * The MIT Press > Production Dept * 5 Cambridge Center, 4th Fl * Cambridge MA 02142 > eschultz@mit.edu * ph 617-253-8154 * fax 617-258-0565 * NE25-4052 > ----------------------------------------------------------------- > A picture is worth 1000 words, but it uses 1000 times the memory.  1,, Summary-line: 3-Mar yanko@alum.mit.edu [22] #Clarinet parts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 17:18:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i23MIwt7005684; Wed, 3 Mar 2004 17:18:58 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i23MFqNi023142; Wed, 3 Mar 2004 17:15:53 -0500 (EST) Received: from ropotamo.hopto.org (h00a0c93c8ecb.ne.client2.attbi.com [65.96.206.130]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i23MFqQ7015145; Wed, 3 Mar 2004 17:15:52 -0500 (EST) Received: from ropotamo (localhost [127.0.0.1]) by ropotamo.hopto.org (8.9.3/8.9.3) with ESMTP id RAA06010; Wed, 3 Mar 2004 17:11:31 -0500 Message-Id: <200403032211.RAA06010@ropotamo.hopto.org> X-Mailer: exmh version 2.2 06/23/2000 with nmh-1.0.3 To: nealtodd@comcast.net, opus@mit.edu Subject: Clarinet parts Reply-To: yanko@alum.mit.edu Date: Wed, 03 Mar 2004 17:11:31 -0500 From: "Ian C. Shay" X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: nealtodd@comcast.net, opus@mit.edu Subject: Clarinet parts Reply-To: yanko@alum.mit.edu Date: Wed, 03 Mar 2004 17:11:31 -0500 From: "Ian C. Shay" X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey guys, None of my suggestions are extremely important. In No.1, no need to switch to B flat and back to A just for five notes (measures 60-80). In general, if the same song appears in the overture and elsewhere in the same key, then try to keep the same instrument, if possible. Thanks! Yanko  1,, Summary-line: 3-Mar cjsmith@MIT.EDU [62] #Re: music corrections X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 20:13:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i241Drt7003763; Wed, 3 Mar 2004 20:13:54 -0500 (EST) Received: from out003.verizon.net (out003pub.verizon.net [206.46.170.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i241Dr6H027057 for ; Wed, 3 Mar 2004 20:13:53 -0500 (EST) Received: from [192.168.1.101] ([151.203.231.47]) by out003.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040304011352.KXPX2031.out003.verizon.net@[192.168.1.101]> for ; Wed, 3 Mar 2004 19:13:52 -0600 Mime-Version: 1.0 (Apple Message framework v609) In-Reply-To: <200403012152.i21Lqhto012020@multics.mit.edu> References: <200403012055.i21KttOZ024931@department-of-alchemy.mit.edu> <200403012152.i21Lqhto012020@multics.mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: <30FA2294-6D79-11D8-AC1D-00039386D324@mit.edu> Content-Transfer-Encoding: 7bit From: Carolyn Smith Subject: Re: music corrections Date: Wed, 3 Mar 2004 20:13:48 -0500 To: "David C. Jedlinsky" X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [151.203.231.47] at Wed, 3 Mar 2004 19:13:52 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <200403012152.i21Lqhto012020@multics.mit.edu> From: Carolyn Smith Subject: Re: music corrections Date: Wed, 3 Mar 2004 20:13:48 -0500 To: "David C. Jedlinsky" X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [151.203.231.47] at Wed, 3 Mar 2004 19:13:52 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Small correction. At the end of the overture, and the act I finale, there is a whole note cymbal crash that is listed as triangle. --cyn On Mar 1, 2004, at 4:52 PM, David C. Jedlinsky wrote: > > Thanks, Jennie, for announcing this. I'd like to point out that some > requests may be more difficult to achieve than others, due to the > typesetting system I'm using. The earlier I get a request, the more I > can work on it, and possibly ask for your feedback on a compromise if > one is necessary. > > The Friday afternoon deadline is firm; I have to start printing the > scores that evening if there's any chance of having them done by > Sunday's rehearsal. > > -Dave > > >> Date: Mon, 1 Mar 2004 15:55:55 -0500 (EST) >> From: Jennie Hango >> >> Hello orchestra, >> >> Yesterday's rehearsal went pretty well. Thank you for your patience >> with >> the music distribution! >> >> Please take a little time and make note of any formatting or note >> issues >> that you noticed with the music (for instance, missing fermattas, >> notes not >> within the range of your instrument, etc.). Also take a good look at >> #7 >> (Act I finale); Dave says the formatting style for the entire book >> will >> resemble that of #7, so if there's something you don't like about it, >> now is >> the time to ask about changing it. The scores will be printed and >> bound >> before our next rehearsal, so please mail your comments to Todd and >> Dave by >> FRIDAY AFTERNOON. Todd's e-mail is nealtodd@comcast.net and Dave's is >> opus@mit.edu; replying to this message will send e-mail to the >> appropriate >> people as well. >> >> Jennie  1,, Summary-line: 3-Mar nealtodd@comcast.net [52] #Re: Music issues in flute/piccolo part. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 20:27:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i241Rit7010541; Wed, 3 Mar 2004 20:27:45 -0500 (EST) Received: from sccrmhc11.comcast.net (sccrmhc11.comcast.net [204.127.202.55]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i241Rg6H004773 for ; Wed, 3 Mar 2004 20:27:43 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (sccrmhc11) with SMTP id <2004030401274201100b8fqpe>; Thu, 4 Mar 2004 01:27:42 +0000 Message-ID: <001201c40187$71a26f60$08173c18@comcast.net> From: "Todd Neal" To: Cc: "David C. Jedlinsky" References: <200403022227.i22MRLkK009396@suberic.net> <002701c400ce$fb60bae0$08173c18@comcast.net> <200403031954.i23JsUkK031210@suberic.net> Subject: Re: Music issues in flute/piccolo part. Date: Wed, 3 Mar 2004 20:24:30 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: Cc: "David C. Jedlinsky" Subject: Re: Music issues in flute/piccolo part. Date: Wed, 3 Mar 2004 20:24:30 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yeah, Dave and I figured those out last night just after I e-mailed you. But we overlooked the last note of the overture. Dave, can you make that a rest as well? ----- Original Message ----- From: To: "Todd Neal" Sent: Wednesday, March 03, 2004 2:54 PM Subject: Re: Music issues in flute/piccolo part. > Sorry, I am a spaz. > > > > In #1, bar 189, 2nd flute goes down to a B flat, when the lowest > > > playable note is a B. > > > > Are you sure this is #1? > > > > > In #1 and #7, the last note in the piccolo part is a low C, when > > > the lowest playable note is a D. > > > > Once again, #1? For the last note in #7, that should be a whole rest. > > Everyone else has a middle C, so a C two octaves higher would sound odd. > > These two are both in the Overture, which for some reason I remembered > as #1 even though it is not numbered. > > > > In #4, bar 47, there is a switch from piccolo to flute with no rest; > > > can we get rid of the switch, or move it around a bit so I have time > > > to do it? > > > > Once again, #4? We didn't even do that one last time, but it's flute > > throughout. > > This is just a typo; I meant #7 (act I finale). > > Matt  1, forwarded,, Summary-line: 3-Mar nealtodd@comcast.net [204] #More rehearsal marks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 21:40:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i242ent7016175; Wed, 3 Mar 2004 21:40:49 -0500 (EST) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i242e5Qk022862 for ; Wed, 3 Mar 2004 21:40:05 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (sccrmhc12) with SMTP id <20040304024005012000nstse>; Thu, 4 Mar 2004 02:40:05 +0000 Message-ID: <000c01c40191$8b31d100$08173c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" Subject: More rehearsal marks Date: Wed, 3 Mar 2004 21:36:45 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0009_01C40167.9FF7E860" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.328 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: More rehearsal marks Date: Wed, 3 Mar 2004 21:36:45 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -1.328 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C40167.9FF7E860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable #3: 13 27 37 45 54 58 66 74 82 90 106 121 138 146 153 #4: 6 18 26 34 38 50 66 #5: 9 27 42 58 66 75 92 116 125 141 155 167 179 191 201 #6: 16 30 40 56 70 80 96 110 120 136 150 160 176 191 201 #7: 13 29 39 47 58 69 79 95 104 120 130 146 156 172 181 190 203 216 ------=_NextPart_000_0009_01C40167.9FF7E860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
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------=_NextPart_000_0009_01C40167.9FF7E860--  1, forwarded,, Summary-line: 3-Mar nealtodd@comcast.net [172] #Last of the rehearsal marks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 22:00:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2430Dt7024408; Wed, 3 Mar 2004 22:00:13 -0500 (EST) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2430C6H000419 for ; Wed, 3 Mar 2004 22:00:12 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (sccrmhc13) with SMTP id <20040304030012016004bicae>; Thu, 4 Mar 2004 03:00:12 +0000 Message-ID: <001e01c40194$585b9100$08173c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" Subject: Last of the rehearsal marks Date: Wed, 3 Mar 2004 21:56:51 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_001B_01C4016A.6F426580" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -0.804 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: Last of the rehearsal marks Date: Wed, 3 Mar 2004 21:56:51 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -0.804 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C4016A.6F426580 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable #8: 9 17 29 34 45 53 67 #9: 9 17 25 34 45 55 #10: 11 19 27 39 43 57 65 75 83 91 99 108 121 #11: 15 27 39 56 65 77 89 97 106 116 129 141 153 #12: 19 30 36 48 56 72 80 87 96 112 124 148 154 162 173 ------=_NextPart_000_001B_01C4016A.6F426580 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
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------=_NextPart_000_001B_01C4016A.6F426580--  1,, Summary-line: 3-Mar nealtodd@comcast.net [37] #2 more quick score changes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Mar 2004 23:50:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i244obtB013374; Wed, 3 Mar 2004 23:50:40 -0500 (EST) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i244nXkU028512 for ; Wed, 3 Mar 2004 23:49:33 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.23.8]) by comcast.net (sccrmhc12) with SMTP id <20040304044932012000k4g6e>; Thu, 4 Mar 2004 04:49:33 +0000 Message-ID: <002e01c401a4$62f675c0$08173c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" References: <200403031928.i23JSEvY015059@multics.mit.edu> Subject: 2 more quick score changes Date: Wed, 3 Mar 2004 23:51:41 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: 2 more quick score changes Date: Wed, 3 Mar 2004 23:51:41 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, Hope your rehearsal tonight went well. 2 quick addendums to the overture: In measure 8, there should be a "molto ret" (or "ret") starting on beat one. On the quarter note on beat 3 (beat 2 half note for the woodwinds) should be a fermata. Beat 4 should be "tempo di treno" for Vc/Cb. Same tempo indication for all others on beat 1 of the next measure (or on the quarter rest). At any rate, measure 10 (and Vc/Cb triplet pickup) is in the new tempo. In measure 70, fermata on beat 2, followed by railroad tracks. The caesura appears in the strings, it should also appear before the quarter note rest on beat three for all other instruments. Once again, if these corrections will seriously delay the printing of the parts, ignore them. We will iron them out in rehearsals. And get some sleep already. -Todd  1,, Summary-line: 4-Mar bow@MIT.EDU [18] #tuesday's TBA rehearsal X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Mar 2004 13:17:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i24IHdQt016290; Thu, 4 Mar 2004 13:17:39 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i24IHV7m022031 for ; Thu, 4 Mar 2004 13:17:31 -0500 (EST) Received: from quickstation-senior-house.mit.edu (QUICKSTATION-SENIOR-HOUSE.MIT.EDU [18.244.1.82]) (authenticated bits=56) (User authenticated as bow@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i24IHUTC009149 for ; Thu, 4 Mar 2004 13:17:31 -0500 (EST) Received: (from bow@localhost) by quickstation-senior-house.mit.edu (8.12.9) id i24IHUTd025092; Thu, 4 Mar 2004 13:17:30 -0500 (EST) Date: Thu, 4 Mar 2004 13:17:30 -0500 (EST) Message-Id: <200403041817.i24IHUTd025092@quickstation-senior-house.mit.edu> From: Robert Morrison To: thespis@MIT.EDU Subject: tuesday's TBA rehearsal X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 4 Mar 2004 13:17:30 -0500 (EST) From: Robert Morrison To: thespis@MIT.EDU Subject: tuesday's TBA rehearsal X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) hello, i's wonderin' if i'm called to tuesday's TBA rehearsal or not... i'm helping friends move stuff down to connecticut, so they may ask if i can come along and help unpack as well. if so, i'd like to know when i need to get back by. -rob  1, forwarded,, Summary-line: 4-Mar ulahlica@yahoo.com[5190] #Re: Thespis X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Mar 2004 14:44:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i24JiQQt019529; Thu, 4 Mar 2004 14:44:26 -0500 (EST) Received: from web60207.mail.yahoo.com (web60207.mail.yahoo.com [216.109.118.102]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i24JiNAu015572 for ; Thu, 4 Mar 2004 14:44:23 -0500 (EST) Message-ID: <20040304194423.90548.qmail@web60207.mail.yahoo.com> Received: from [206.216.63.230] by web60207.mail.yahoo.com via HTTP; Thu, 04 Mar 2004 11:44:23 PST Date: Thu, 4 Mar 2004 11:44:23 -0800 (PST) From: John Spartan Subject: Re: Thespis To: "David C. Jedlinsky" In-Reply-To: <200403020149.i221n5xx020226@multics.mit.edu> MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="0-1358667615-1078429463=:90015" X-Spam-Not-Checked: Messages over 100K not checked X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 4 Mar 2004 11:44:23 -0800 (PST) From: John Spartan Subject: Re: Thespis To: "David C. Jedlinsky" In-Reply-To: <200403020149.i221n5xx020226@multics.mit.edu> X-Spam-Not-Checked: Messages over 100K not checked X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-1358667615-1078429463=:90015 Content-Type: text/plain; charset=us-ascii Content-Id: Content-Disposition: inline David! Your wrote... ***I'm now conscious after not sleeping most of the weekend; I've been trying to typeset the orchestra parts for Thespis*** Wow. How exhausting. ***and the first rehearsal was yesterday.*** How did it go? ***I can't think of an appropriate hat that suggests anything from Thespis. That being said, I don't know what a pirate hat has to do with it, either.*** None what-ever. (-8 I was just using it as a "place-holder" for a better hat. ***Perhaps a simpler design could have a frowning Jupiter's upper torso coming out of a cloud, clutching a lightning bolt about to throw it. Below is Thespis with the megaphone and the comedy & tragedy masks. Is that still too busy for a "simple" design? Even simpler would just be the Jupiter as described with only the C&T masks, no Thespis. And, simplest of all would be the two masks in process of being blown apart by the thunderbolt.*** Each of those is great. Attached are some images I've collected to draw ideas from. I've tried sketching out some of your above ideas. So far, at least for me, it's been difficult to depict Zeus above and the masks below. The distance for the tight logo doesn't seem to come across. Perhaps he could just smash them at his feet. Also, any explosion of the masks with the bolt is hard to do for a line drawing. I don't want to draw in a lot of lines or smoke that will be hard to reproduce. But nothing is impossible. Best, John __________________________________ Do you Yahoo!? Yahoo! Search - Find what you’re looking for faster http://search.yahoo.com --0-1358667615-1078429463=:90015 Content-Type: image/pjpeg; name="conglom.jpg" Content-Transfer-Encoding: base64 Content-Description: conglom.jpg Content-Disposition: inline; filename="conglom.jpg" /9j/4AAQSkZJRgABAQEASABIAAD//gAXQ3JlYXRlZCB3aXRoIFRoZSBHSU1Q /9sAQwAIBgYHBgUIBwcHCQkICgwUDQwLCwwZEhMPFB0aHx4dGhwcICQuJyAi LCMcHCg3KSwwMTQ0NB8nOT04MjwuMzQy/9sAQwEJCQkMCwwYDQ0YMiEcITIy MjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIyMjIy MjIy/8AAEQgGaQH4AwEiAAIRAQMRAf/EABwAAAEFAQEBAAAAAAAAAAAAAAYA AwQFBwIIAf/EAGkQAAIBAgQDBAYGBAcLBgsAEwECAwQRAAUSIQYxQRMiUWEH FDJxgZEVI0KhsfAWUsHRJDNictPh8QgXQ1RWgpKTlbLSJTRTlKKzJkRVY3N0 dYOjwtQYNTZkhbQnN0Zlw0WEpHbE4uPy/8QAFAEBAAAAAAAAAAAAAAAAAAAA AP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/ANvzk5quXl8m NMapGDFJ4y4dPtBbOnetyuQCRYkX1Cuo24gr6KnrKbOsokp6iNZYn+ipRqVh cGxqLjY9cEOKWT/kPMWn5ZZWSIjIv+AqHcjXb9WRmUG3Ju9Y63YAvVuJv/K+ Uf7Lk/8AqML1bib/AMr5R/suT/6jFzhYCm9W4m/8r5R/suT/AOoxSvnXEE9T 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Thu, 04 Mar 2004 23:59:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i254xBQt016597; Thu, 4 Mar 2004 23:59:11 -0500 (EST) Received: from out002.verizon.net (out002pub.verizon.net [206.46.170.141]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i254x7SK011667 for ; Thu, 4 Mar 2004 23:59:07 -0500 (EST) Received: from [192.168.1.101] ([151.203.245.209]) by out002.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040305045906.VJGN9273.out002.verizon.net@[192.168.1.101]>; Thu, 4 Mar 2004 22:59:06 -0600 Mime-Version: 1.0 (Apple Message framework v609) Content-Transfer-Encoding: 7bit Message-Id: Content-Type: text/plain; charset=US-ASCII; format=flowed To: Beth Collins , Geoffrey Collins , dinner@mit.edu, michele@steele.mgh.harvard.edu, rachelle@steele.mgh.harvard.edu From: Carolyn Smith Subject: Another craft/dinner Date: Thu, 4 Mar 2004 23:59:02 -0500 X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out002.verizon.net from [151.203.245.209] at Thu, 4 Mar 2004 22:59:06 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Beth Collins , Geoffrey Collins , dinner@mit.edu, michele@steele.mgh.harvard.edu, rachelle@steele.mgh.harvard.edu From: Carolyn Smith Subject: Another craft/dinner Date: Thu, 4 Mar 2004 23:59:02 -0500 X-Authentication-Info: Submitted using SMTP AUTH at out002.verizon.net from [151.203.245.209] at Thu, 4 Mar 2004 22:59:06 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hiya! I liked the last sewing/crafts/dinner so much I want to do it again. So.... Sunday March 28, 2-6PM for sewing etc, 6-whenever for food etc. Again, feel free to show up for the afternoon even if you dont sew. Socializing is allowed! Directions at www.mit.edu/~goodmanj/directions.html If you take the train, let us know which one and we'll pick you up at the station. :-) --cyn  1,, Summary-line: 5-Mar jhango@alumni.hmc.edu [33] #Thespis flute score corrections X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 00:03:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2553CQt018757; Fri, 5 Mar 2004 00:03:12 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25535IL028808; Fri, 5 Mar 2004 00:03:05 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.7.16.70]) (authenticated bits=56) (User authenticated as jhango@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i255348e014405; Fri, 5 Mar 2004 00:03:04 -0500 (EST) Received: (from jhango@localhost) by all-night-tool.mit.edu (8.12.9) id i25534kX016864; Fri, 5 Mar 2004 00:03:04 -0500 (EST) Date: Fri, 5 Mar 2004 00:03:04 -0500 (EST) Message-Id: <200403050503.i25534kX016864@all-night-tool.mit.edu> From: Jennie Hango To: "Todd Neal" , opus@MIT.EDU Subject: Thespis flute score corrections Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 00:03:04 -0500 (EST) From: Jennie Hango To: "Todd Neal" , opus@MIT.EDU Subject: Thespis flute score corrections Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Matt already e-mailed about the big things with the flute score (out of range notes, instantaneous flute-to-picc changes), but there are a couple more things that need to be mentioned. None of the ritards, fermattas, or railroad tracks are marked in the part. Specific instances include: overture, measure 8, no rit or fermatta; measure 70, no fermatta or RR tracks; measure 137, no rit; measure 247, no rit; measure 248, needs to be in common time, not cut time. I don't have any fermattas or ritards written in on any of the rest of the music, so we must not have slowed down or held anything. :^) I don't remember what y'all said about the formatting regarding page turns; if you can work some magic on the parts such that there isn't a page turn in the middle of a phrase, that would be great. Facing pages aren't a problem; it's just when both flutes are in the middle of a run, one of us has to stop playing in order to turn the page. And just to touch on the flute/picc swaps; some of the switches are really tight. 4 beats is about the minimum amount of time that a switch can be accomplished, and from experience I can say it's nicer to have 6 to 8 beats so that when the flute starts to fall off your lap once you have the piccolo in hand, you can stabilize the flute and not miss your entrance. Jennie  1,, Summary-line: 5-Mar bj.richards@btinternet.co [64] #Re: Brit QWERT Report X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 06:29:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i25BTqR1015599; Fri, 5 Mar 2004 06:29:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25BTcnf010878 for ; Fri, 5 Mar 2004 06:29:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i25BT1TJ018009; Fri, 5 Mar 2004 06:29:01 -0500 (EST) Date: Fri, 5 Mar 2004 06:29:01 -0500 (EST) Message-Id: <001601c402a4$5caf2210$f6758351@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Brit QWERT Report MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 06:29:01 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Brit QWERT Report X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It is clear from Ian's posting that a great time was had at the QWERT hosted by Stuart last weekend. We are just very sorry we could not make it and it seems the loss was ours. However, I feel I must pick Ian up on his "This being a British QWERT, we don't go in for any of this 'bidding for parts'/'Pre-casting' nonsense " comment. He makes it sound as though it can only be fun if the QWERT is not pre-cast and that a totally informal (and if not drunken) asmosphere must prevail. Bob and I have crossed the pond no less than five times to attend qwerts/sing-ins and feel qualified to comment on non-British QWERTs. First, I wish to say they are no less fun than the British version. Every American (and Canadian) event we have attended has been fun, warm and friendly. Each attendee takes it just as seriously as they want and any pressure comes from the individual's themselves in their desire to do well. The fun comes from the people you are with and not least the G&S works themselves. The matter of pre-casting is not just sensible but necessary where many attendees travel long, long distances and the carrying of all the scores is not possible for everyone. Also, many of our American and Canadian friends do not have the regular opportunity to see or perform G&S as we Brits do and appreciate a bit of preparation beforehand to get the most out of the operas/roles they are singing. Also, if travelling long distances to attend an infrequent G&S event of any sort then you want it to be sung/performed knowing that the people involved are doing their best and have made some effort (whatever their standard). Every non-British event we have attended has been unique in style, impecably organised and roles have been handed out fairly, regardless of talent and experience. There has been no less opportunity to sing a role not previously performed than in British QWERTs (although casting does tend to remain within the individual's voice range). We really look forward to the next QWERT we are able to attend, be it British or anywhere else in the world, because we know that we get to meet our friends, find new friends and sing the G&S we love in a fun and informal environment. I do not find myself often moved to reply to a posting on SavoyNet but really feel in this case the need to speak out in defense of the non-British QWERT. Jackie Richards (still in Penarth) ps good luck to Sam for his QWERT on 24th April - sorry we cannot be there but for those of you who can (including the British representatives) we know you are going to have a great time.  1,, Summary-line: 5-Mar s0346916@sms.ed.ac.uk [36] #Rather Amusing Tempest Score detail X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 08:40:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i25DetQt012669; Fri, 5 Mar 2004 08:40:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25DerWT021920 for ; Fri, 5 Mar 2004 08:40:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i25DeGTJ022985; Fri, 5 Mar 2004 08:40:17 -0500 (EST) Date: Fri, 5 Mar 2004 08:40:16 -0500 (EST) Message-Id: <1078492698.40487e1a3e2c9@sms.ed.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: s0346916@sms.ed.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: A Cuerden To: Multiple recipients of list SAVOYNET Subject: Rather Amusing Tempest Score detail MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-15 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 08:40:16 -0500 (EST) Reply-To: s0346916@sms.ed.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: A Cuerden To: Multiple recipients of list SAVOYNET Subject: Rather Amusing Tempest Score detail X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Whilst scanning the Tempest today (It's become a lot quicker now that Paul's agreed to reset it for me, insted of me having to clean up all the pages by hand - it was taking 10 minutes to get to semi-acceptable, and 40 minutes to get to the quality I wanted) I noticed some odd numbering on page 36, where the page number is given as: 36 44 like so. Similarly, the next page is numbered 37 45 I looked ahead to pages 44-45, and, sure enough, they're identical - The canny Victorians made use of a repeat in music to get away with using the same plate twice. This amuses me far more than it should. -Adam Cuerden "Now to the Banquet (Dance, No 6) we press"  1,, Summary-line: 5-Mar epeisach@MIT.EDU [28] #Re: Review PDF of set design attached X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 12:38:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i25HcEOu025002; Fri, 5 Mar 2004 12:38:14 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25HbnwM026051; Fri, 5 Mar 2004 12:37:49 -0500 (EST) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) (authenticated bits=56) (User authenticated as epeisach@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i25Hbk8e005629; Fri, 5 Mar 2004 12:37:46 -0500 (EST) Received: (from epeisach@localhost) by contents-vnder-pressvre.mit.edu (8.12.9) id i25HbkxB018025; Fri, 5 Mar 2004 12:37:46 -0500 (EST) Date: Fri, 5 Mar 2004 12:37:46 -0500 (EST) From: Ezra Peisach To: "David C. Jedlinsky" cc: MABromberg@aol.com, thallata@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu Subject: Re: Review PDF of set design attached In-Reply-To: <200403051637.i25GbXpB022120@multics.mit.edu> Message-ID: References: <42.48181e47.2d77e1b8@aol.com> <200403051637.i25GbXpB022120@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 12:37:46 -0500 (EST) From: Ezra Peisach To: "David C. Jedlinsky" cc: MABromberg@aol.com, thallata@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu Subject: Re: Review PDF of set design attached In-Reply-To: <200403051637.i25GbXpB022120@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I took a quick look... I note that the cyc is at the level of the screen... In recent shows, we have been hanging the cyc midway between the bars. I believe Erin was intending this... (Hmm I think the speaker actually goes over the top of the screen and protrudes out beyond the bar... Also - missing from the plan are masking flats... I may be wrong - but the SR exit stairs by the west lounge doors might need one on the upstage side... I don't think that affects lighting... Comments Erin? Ezra  1,, Summary-line: 5-Mar MABromberg@aol.com [205] #Re: Review PDF of set design attached X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 13:09:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i25I9pOu015554; Fri, 5 Mar 2004 13:09:52 -0500 (EST) Received: from imo-m15.mx.aol.com (imo-m15.mx.aol.com [64.12.138.205]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i25I9kLj000092; Fri, 5 Mar 2004 13:09:46 -0500 (EST) Received: from MABromberg@aol.com by imo-m15.mx.aol.com (mail_out_v37.4.) id 6.1e4.1a8da2bc (4362); Fri, 5 Mar 2004 13:09:40 -0500 (EST) From: MABromberg@aol.com Message-ID: <1e4.1a8da2bc.2d7a1c64@aol.com> Date: Fri, 5 Mar 2004 13:09:40 EST Subject: Re: Review PDF of set design attached To: opus@MIT.EDU CC: thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1078510180" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: MABromberg@aol.com Date: Fri, 5 Mar 2004 13:09:40 EST Subject: Re: Review PDF of set design attached To: opus@MIT.EDU CC: thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1078510180 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Comments embedded below. In a message dated 3/5/2004 11:39:51 AM Eastern Standard Time, opus@MIT.EDU writes: In particular, the 49" deck (next to the words "Missing stairs?") should be 4' by 4', behind the flat. We need that space for actors to gather at height before making an entrance. I was told the missing stairs are going to be right where you have your question written, and that they will be steep. Comment for Erin and Proven: Do we have enough platforms that we could extend the 14" deck all the way back, so that the stairs to the 49" platform are only 35" high? The 7" step would move back and be used by people in either entrance (49" or temple) to get to the new 14" level in this case. If that 49" deck is enlarged to 4' x 4' behind the flat, there is only one foot of width left at the back for the stairs plus the entrance from the back, which means something would have to give (i.e., reduce the width of the central masking flat). Maybe a 4' stepladder fastened at the back of the 49" platform could serve instead of stairs. 14" level full width behind the temple flats would be a good idea for numerous reasons, but would not solve the problem by itself. I thought the steps to the 36" platform on Stage Left went to a 36" level that was still out of sight lines, similar to the way the 49" is placed. It will be more difficult to do the entrances to "Climbing Over Rocky Mountain" with the steps leading straight onto the stage as they appear in this plan. Again, if we have the platforms to spare, could we reduce the number of steps by starting from a 14" point? If a 4' x 4' 36" platform is added behind the flat, again there is only one foot left at the back for the stairs plus the entrance. The set of stairs would have to be turned so it accesses that platform from the back. There is an 8" step up from the 28" platform to the 36" platform, and the four back access steps to the 36" platform are each 7.5". Both of these dimensions exceed MIT's (still enforced?) requirements for stage steps at 7" max, and both can be corrected by reducing the height of that platform to 35". The main deck appears to only be 8' deep. Obviously, we're limited by the depth of Sala in that area, but we've been assuming we have a bit more depth. This means that if we can widen the set somehow to compensate, it would reduce the crowding. The orchestra pit does seem rather large compared with normal. Would it be possible to add another 2 or 4 feet to the width? If we do 4' (easier to find platforms and flats), does that eat too much of the orchestra space? The main deck is actually 9' deep on both my drawing and Erin's sketch. The footlights would be downstage of the indicated line, which still wouldn't block the fire lane. Adding 4' of width to the entire set would simplify solutions to the two crunches described above, but it would also mean a complete set redesign as well as a completely different lighting area assignment. I will wait for word (and possibly a new sketch) from Erin before I proceed with the lighting design. Someone else (possibly not on this particular mailing list) needs to judge the orchestra width. I'd like to have three broken columns or rocks that can be sat/stood on, though the space they would take up also means we could use a bit more width to the set. Mike, if we do get them, we need to fix where they're to be placed, as you'll probably want a special on them (the three gods would stand on them for the "Presumtuous Mortal" stuff). I envision them to be placed in the Stage Left corner of the 14" level, at three different "olympic medal"-style heights. They can probably be lit with one special, as all three would be used at the same time. You tell me where you want them, I can hit anywhere on stage with a special. Also, you tell me how far apart they need to be, and I'll decide whether I need one instrument or three. We can spike the exact location at focus time. P.S. Mike, we talked about an orange light "sun" special for Apollo and Sparkeion. We need to discuss the exact placement and how wide an area can be reasonably lit, so I can get the blocking right. I can easily cover either the entire downstage area L of the DSR steps, or the entire area enclosed within the side flats (those are each about 8' x 18' at present set width) with a pair of 12" 2000 watt Fresnels. I can also tighten them down if a smaller expanse is called for. It looks like we won't be able to dispense with the prod staff meeting this week! When is that scheduled? Mike -------------------------------1078510180 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Comments embedded below.
 
In a message dated 3/5/2004 11:39:51 AM Eastern Standard Time, opus@MIT= .EDU writes:
In particular, the 49" deck (next to the words= "Missing stairs?")
should be 4' by 4', behind the flat.  We need th= at space for actors to
gather at height before making an entrance. =20= I was told the missing
stairs are going to be right where you have your q= uestion written, and
that they will be steep.  Comment for Erin and=20= Proven: Do we have
enough platforms that we could extend the 14" deck all= the way back,
so that the stairs to the 49" platform are only 35" high?&= nbsp; The 7" step
would move back and be used by people in either entranc= e (49" or
temple) to get to the new 14" level in this case.
If that 49" deck is enlarged to 4' x 4'=20= behind the flat, there is only one foot of width left at the back for the st= airs plus the entrance from the back, which means something would have to gi= ve (i.e., reduce the width of the central masking flat). Maybe a 4' stepladd= er fastened at the back of the 49" platform could serve instead of stairs. 1= 4" level full width behind the temple flats would be a good idea f= or numerous reasons, but would not solve the problem by itself.


= I thought the steps to the 36" platform on Stage Left went to a 36"
level= that was still out of sight lines, similar to the way the 49" is
placed.=   It will be more difficult to do the entrances to "Climbing
Over Ro= cky Mountain" with the steps leading straight onto the stage as
they appe= ar in this plan.  Again, if we have the platforms to spare,
could we= reduce the number of steps by starting from a 14" point?
If a 4' x 4' 36" platform is added behin= d the flat, again there is only one foot left at the back for the stairs plu= s the entrance. The set of stairs would have to be turned so it accesses tha= t platform from the back.
 
There is an 8" step up from the 28" plat= form to the 36" platform, and the four back access steps to the 36" platform= are each 7.5". Both of these dimensions exceed MIT's (still enforced?) requ= irements for stage steps at 7" max, and both can be corrected by reducing th= e height of that platform to 35".


The main deck appears to only be 8' de= ep.  Obviously, we're limited by
the depth of Sala in that area, but= we've been assuming we have a bit
more depth.  This means that if w= e can widen the set somehow to
compensate, it would reduce the crowding.&= nbsp; The orchestra pit does seem
rather large compared with normal. = ; Would it be possible to add
another 2 or 4 feet to the width?  If=20= we do 4' (easier to find
platforms and flats), does that eat too much of=20= the orchestra space?
The main deck is actually 9' deep on bot= h my drawing and Erin's sketch. The footlights would be downstage of the ind= icated line, which still wouldn't block the fire lane.
 
Adding 4' of width to the entire set wou= ld simplify solutions to the two crunches described above, but it would= also mean a complete set redesign as well as a completely different lightin= g area assignment. I will wait for word (and possibly a new sketch) from Eri= n before I proceed with the lighting design. Someone else (possibly not on t= his particular mailing list) needs to judge the orchestra width.


= I'd like to have three broken columns or rocks that can be sat/stood
on,=20= though the space they would take up also means we could use a bit
more wi= dth to the set.  Mike, if we do get them, we need to fix where
they'= re to be placed, as you'll probably want a special on them (the
three god= s would stand on them for the "Presumtuous Mortal" stuff).  I
envisi= on them to be placed in the Stage Left corner of the 14" level,
at three=20= different "olympic medal"-style heights.  They can probably
be lit w= ith one special, as all three would be used at the same time.
You tell me where you want them, I can h= it anywhere on stage with a special. Also, you tell me how far apa= rt they need to be, and I'll decide whether I need one instrument or three.=20= We can spike the exact location at focus time.

P.S. Mike, we talked about an orange light= "sun" special for Apollo
and Sparkeion.  We need to discuss the exa= ct placement and how wide an
area can be reasonably lit, so I can get the= blocking right.
I can easily cover either the entire dow= nstage area L of the DSR steps, or the entire area enclosed within the side=20= flats (those are each about 8' x 18' at present set width) with a pair=20= of 12" 2000 watt Fresnels. I can also tighten them down if a smaller expanse= is called for.
 
It looks like we won't be able to dispen= se with the prod staff meeting this week! When is that scheduled?<= /FONT>
 
Mike
-------------------------------1078510180--  1,, Summary-line: 5-Mar rls@dimins.com [19] #Prodstaff meeting for next week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 13:16:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i25IGqOu019754; Fri, 5 Mar 2004 13:16:52 -0500 (EST) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i25IGkLj005195; Fri, 5 Mar 2004 13:16:46 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Fri, 05 Mar 2004 13:09:32 -0500 Date: Fri, 5 Mar 2004 13:16:14 -0500 Reply-To: rls@MIT.EDU Subject: Prodstaff meeting for next week Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) From: Ruth Jedlinsky To: gsp-prod@MIT.EDU, thespis@MIT.EDU Content-Transfer-Encoding: 7bit Message-Id: <306051D6-6ED1-11D8-81D5-003065AFF06A@dimins.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 13:16:14 -0500 Reply-To: rls@MIT.EDU Subject: Prodstaff meeting for next week From: Ruth Jedlinsky To: gsp-prod@MIT.EDU, thespis@MIT.EDU X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Let's get together on Wed. of this week so we can get an idea of where we stand on everything. 6:30pm on 3/10 in 491. Let me know if you can't make it, have any questions prior to the meeting, or want to make sure we address something Garry and I don't know about yet. Ruth  1,, Summary-line: 5-Mar MABromberg@aol.com [48] #Re: Prodstaff meeting for next week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 13:52:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i25Iq2Ou012075; Fri, 5 Mar 2004 13:52:02 -0500 (EST) Received: from imo-m15.mx.aol.com (imo-m15.mx.aol.com [64.12.138.205]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i25IpvIb001298; Fri, 5 Mar 2004 13:51:57 -0500 (EST) Received: from MABromberg@aol.com by imo-m15.mx.aol.com (mail_out_v37.4.) id 6.1ad.208a5af1 (3866); Fri, 5 Mar 2004 13:51:51 -0500 (EST) From: MABromberg@aol.com Message-ID: <1ad.208a5af1.2d7a2647@aol.com> Date: Fri, 5 Mar 2004 13:51:51 EST Subject: Re: Prodstaff meeting for next week To: rls@MIT.EDU, gsp-prod@MIT.EDU, thespis@MIT.EDU MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1078512711" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Score: -1.264 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: MABromberg@aol.com Date: Fri, 5 Mar 2004 13:51:51 EST Subject: Re: Prodstaff meeting for next week To: rls@MIT.EDU, gsp-prod@MIT.EDU, thespis@MIT.EDU X-Spam-Score: -1.264 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1078512711 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 3/5/2004 1:17:03 PM Eastern Standard Time, rls@dimins.com writes: Let's get together on Wed. of this week so we can get an idea of where we stand on everything. 6:30pm on 3/10 in 491. Wednesday is Town Meeting Day in New Hampshire. Is there any way this prod staff meeting can be moved to (preferably) Tuesday, or barring that Monday or Thursday? Mike Bromberg -------------------------------1078512711 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 3/5/2004 1:17:03 PM Eastern Standard Time, rls@dimin= s.com writes:
Let's get together on Wed. of this week so we=20= can get an idea of where
we stand on everything.  6:30pm on 3/10 in= 491.
Wednesday is Town Meeting Day in New Ham= pshire. Is there any way this prod staff meeting can be moved to (preferably= ) Tuesday, or barring that Monday or Thursday?
 
Mike Bromberg
-------------------------------1078512711--  1,, Summary-line: 5-Mar rls@dimins.com [75] #Re: Prodstaff meeting for next week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 14:00:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i25J0vOu017628; Fri, 5 Mar 2004 14:00:57 -0500 (EST) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i25J0lIb007850; Fri, 5 Mar 2004 14:00:47 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Fri, 05 Mar 2004 13:53:33 -0500 Date: Fri, 5 Mar 2004 14:00:16 -0500 Subject: Re: Prodstaff meeting for next week Content-Type: multipart/alternative; boundary=Apple-Mail-4--725714623 Mime-Version: 1.0 (Apple Message framework v553) Cc: rls@mit.edu, gsp-prod@mit.edu, thespis@mit.edu To: MABromberg@aol.com From: Ruth Jedlinsky In-Reply-To: <1ad.208a5af1.2d7a2647@aol.com> Message-Id: <5739A33C-6ED7-11D8-81D5-003065AFF06A@dimins.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 14:00:16 -0500 Subject: Re: Prodstaff meeting for next week Cc: rls@mit.edu, gsp-prod@mit.edu, thespis@mit.edu To: MABromberg@aol.com From: Ruth Jedlinsky In-Reply-To: <1ad.208a5af1.2d7a2647@aol.com> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --Apple-Mail-4--725714623 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=ISO-8859-1; format=flowed Can everyone make it on Tuesday, 3/9 instead? Same bat time, but in=20 the Mezz. Lounge? Ruth On Friday, March 5, 2004, at 01:51 PM, MABromberg@aol.com wrote: > In a message dated 3/5/2004 1:17:03 PM Eastern Standard Time,=20 > rls@dimins.com writes: > > Let's get together on Wed. of this week so we can get an idea of where > we stand on everything.=A0 6:30pm on 3/10 in 491. > > Wednesday is Town Meeting Day in New Hampshire. Is there any way this=20= > prod staff meeting can be moved to (preferably) Tuesday, or barring=20 > that Monday or Thursday? > =A0 > Mike Bromberg --Apple-Mail-4--725714623 Content-Transfer-Encoding: quoted-printable Content-Type: text/enriched; charset=ISO-8859-1 Can everyone make it on Tuesday, 3/9 instead? Same bat time, but in the Mezz. Lounge? Ruth On Friday, March 5, 2004, at 01:51 PM, MABromberg@aol.com wrote: In a message dated 3/5/2004 1:17:03 PM Eastern Standard Time, rls@dimins.com writes: ArialLet's get together on Wed. of this week so we can get an idea of where we stand on everything.=A0 6:30pm on 3/10 in 491. Wednesday is Town Meeting Day in New Hampshire. Is there any way this prod staff meeting can be moved to (preferably) Tuesday, or barring that Monday or Thursday? =A0 Mike Bromberg = --Apple-Mail-4--725714623--  1,, Summary-line: 5-Mar ulahlica@yahoo.com [31] #Re: New Overtures X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 14:57:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i25JvaOu025485; Fri, 5 Mar 2004 14:57:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25JvZuk018303 for ; Fri, 5 Mar 2004 14:57:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i25JuoTJ013751; Fri, 5 Mar 2004 14:56:51 -0500 (EST) Date: Fri, 5 Mar 2004 14:56:50 -0500 (EST) Message-Id: <20040305193825.4498.qmail@web60202.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: New Overtures MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <018001c4001a$26443350$6401a8c0@PhilipKraus> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 14:56:50 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: New Overtures X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <018001c4001a$26443350$6401a8c0@PhilipKraus> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Peter Featherstone has gotten me permission to post the Utopian overture the Rosehill Musical Society used/arranged (with a real orchestra) if anyone is interested in what can be done. Sorry about the hiss. It's not on the video. http://www.geocities.com/ulahlica/UTOPIA/Rosehill.html John S LI NY __________________________________ Do you Yahoo!? Yahoo! Search - Find what you’re looking for faster http://search.yahoo.com  1,, Summary-line: 5-Mar il011f4251@blueyonder.co. [64] #Re: New Overtures X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 17:37:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i25MblOu006295; Fri, 5 Mar 2004 17:37:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i25Mbk8a012559 for ; Fri, 5 Mar 2004 17:37:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i25MbCTJ023726; Fri, 5 Mar 2004 17:37:12 -0500 (EST) Date: Fri, 5 Mar 2004 17:37:12 -0500 (EST) Message-Id: <007301c40301$4db8e4f0$90482952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: New Overtures MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Mar 2004 17:37:12 -0500 (EST) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: New Overtures X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I went through a phase once of writing new overtures where the original left a little to be desired, but they never got further than piano duet versions. I thought they should all have proper 'sonata form' sections at the end after the standard brisk start and slow number. My Utopia began in the South Seas with Quaff the Nectar, then visited the lovers ('Words of Love'). The sonata form section was built round the Brits with (strangely) 'A company promoter this' as first subject (not a great tune, but the bustling style suited); a bridge using 'It really is surprising' and 'Who love with all sincerity'; second subject 'Oh maiden rich'; the development was invaded by hints of 'A tiny group of isles beyond the waves' which returned in full glory, preceded by Rule Britannia, once the recapitulation was over. I also did a Sorcerer and Ida, but Gondoliers stumped me. Going the other way, I reconstituted Mountarat's song using five themes from the Iolanthe overture not otherwise heard in the opera. I also have a 'hidden melody' duet called 'goodness me why what was that'. If anyone's interested I could send a copy of any of these for the cost of photocopying and postage. Incidentally, I later discovered that the opening five notes of the Iolanthe overture do actually occur in the opera, in the same key and with only the slightest of alteration. Has anyone else noticed this? Ian Lawson ----- Original Message ----- From: "John Spartan" To: "Multiple recipients of list SAVOYNET" Sent: Friday, March 05, 2004 7:56 PM Subject: Re: New Overtures Peter Featherstone has gotten me permission to post the Utopian overture the Rosehill Musical Society used/arranged (with a real orchestra) if anyone is interested in what can be done. Sorry about the hiss. It's not on the video. http://www.geocities.com/ulahlica/UTOPIA/Rosehill.html John S LI NY __________________________________ Do you Yahoo!? Yahoo! Search - Find what you're looking for faster http://search.yahoo.com  1,, Summary-line: 5-Mar proven@proven.org [41] #Re: Set design review PDF X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 18:44:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i25NiFOu006345; Fri, 5 Mar 2004 18:44:16 -0500 (EST) Received: from axiom.proven.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i25Ni9mj011314; Fri, 5 Mar 2004 18:44:09 -0500 (EST) Received: from axiom (localhost [127.0.0.1]) by axiom.proven.org (8.11.3/8.11.3) with ESMTP id i25NgVn00544; Fri, 5 Mar 2004 18:42:31 -0500 (EST) (envelope-from proven@axiom.proven.org) Message-Id: <200403052342.i25NgVn00544@axiom.proven.org> X-Mailer: exmh version 2.3.1 01/18/2001 with nmh-1.0.4 To: MABromberg@aol.com cc: opus@mit.edu, thallata@mit.edu, epeisach@mit.edu, proven@proven.org, bframe@mit.edu, zacheiss@mit.edu, rls@mit.edu, proven@axiom.proven.org Subject: Re: Set design review PDF In-Reply-To: Message from MABromberg@aol.com of "Fri, 05 Mar 2004 09:48:31 EST." <14.2440f983.2d79ed3f@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Fri, 05 Mar 2004 18:42:31 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: MABromberg@aol.com cc: opus@mit.edu, thallata@mit.edu, epeisach@mit.edu, proven@proven.org, bframe@mit.edu, zacheiss@mit.edu, rls@mit.edu, proven@axiom.proven.org Subject: Re: Set design review PDF In-Reply-To: Message from MABromberg@aol.com of "Fri, 05 Mar 2004 09:48:31 EST." <14.2440f983.2d79ed3f@aol.com> Date: Fri, 05 Mar 2004 18:42:31 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Erin: Does that drawing show exactly what you designed, including the 36" > (not 35") platform, and is the set situated exactly where you intended in La Sala? > > Proven: Does that drawing show exactly what you're building, including the > 5.25" (not 7") steps? All steps are between 7" and 8". There are no 5.25" steps. The downstage right step is a 3 step with 7" risers. The offstage right is an escape 4 step with 7" risers. The upstage right to the 49" platform, is a 2 step with 8" risers. This means the platform actual height is more likely going to be 52" The stage left stairs are correct. The mountain is 16' wide and is mounted to the back of the 4'x4' dexion spaceship. The spaceship is the 4'x4' center upstage entrance. So the mountain basicly extends from the back flat at the 36" platform to one foot shy of the 52" triangle platform. The moutains lowest point is 12'2" off the ground and goes up 4' to the highest point. --proven  1,, Summary-line: 5-Mar proven@proven.org [67] #Re: Review PDF of set design attached X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 19:05:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2605pOu016884; Fri, 5 Mar 2004 19:05:51 -0500 (EST) Received: from axiom.proven.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2605nmj026905; Fri, 5 Mar 2004 19:05:49 -0500 (EST) Received: from axiom (localhost [127.0.0.1]) by axiom.proven.org (8.11.3/8.11.3) with ESMTP id i26040n00572; Fri, 5 Mar 2004 19:04:00 -0500 (EST) (envelope-from proven@axiom.proven.org) Message-Id: <200403060004.i26040n00572@axiom.proven.org> X-Mailer: exmh version 2.3.1 01/18/2001 with nmh-1.0.4 To: "David C. Jedlinsky" cc: MABromberg@aol.com, thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org Subject: Re: Review PDF of set design attached In-Reply-To: Message from "David C. Jedlinsky" of "Fri, 05 Mar 2004 11:37:33 EST." <200403051637.i25GbXpB022120@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Fri, 05 Mar 2004 19:04:00 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" cc: MABromberg@aol.com, thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org Subject: Re: Review PDF of set design attached In-Reply-To: Message from "David C. Jedlinsky" of "Fri, 05 Mar 2004 11:37:33 EST." <200403051637.i25GbXpB022120@multics.mit.edu> Date: Fri, 05 Mar 2004 19:04:00 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > Mike, > > Apologies for the delayed response. I've had rehearsals to attend to > for the past two days, and only got to look at the plans this morning. > > There appear to be some slight discrepancies on the plan from what > we've been using to block. Jess, you can see a copy of Mike's PDF at > . Can you comment on > the differences as you see them? > > In particular, the 49" deck (next to the words "Missing stairs?") > should be 4' by 4', behind the flat. We need that space for actors to > gather at height before making an entrance. I was told the missing > stairs are going to be right where you have your question written, and > that they will be steep. Comment for Erin and Proven: Do we have > enough platforms that we could extend the 14" deck all the way back, > so that the stairs to the 49" platform are only 35" high? The 7" step > would move back and be used by people in either entrance (49" or > temple) to get to the new 14" level in this case. Yes, we could extend the 14" height and this would make the stairs a little easier. But there isn't really room for a 4'x'4 platform at the 52" height. > > I thought the steps to the 36" platform on Stage Left went to a 36" > level that was still out of sight lines, similar to the way the 49" is > placed. It will be more difficult to do the entrances to "Climbing > Over Rocky Mountain" with the steps leading straight onto the stage as > they appear in this plan. Again, if we have the platforms to spare, > could we reduce the number of steps by starting from a 14" point? We can put a 4'x5' platform at the 36" height and have the steps attached straight back. There is no traffic past the steps to stage left other than by techies so I can likely get Dave Kemp to approve that. > The main deck appears to only be 8' deep. Obviously, we're limited by > the depth of Sala in that area, but we've been assuming we have a bit > more depth. This means that if we can widen the set somehow to > compensate, it would reduce the crowding. The orchestra pit does seem > rather large compared with normal. Would it be possible to add > another 2 or 4 feet to the width? If we do 4' (easier to find > platforms and flats), does that eat too much of the orchestra space? Um, this is where I tell you that you've had two weeks to look at the set plans that we've been BUILDING to. If you want to change it, you, me and erin MUST get together tomorrow evening. I will say adding 4' is much easier than adding 2' but adding 4 feet will piss off the orchastra. --proven  1,, Summary-line: 5-Mar proven@proven.org [42] #Re: Review PDF of set design attached X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 19:15:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i260F6Ou020685; Fri, 5 Mar 2004 19:15:06 -0500 (EST) Received: from axiom.proven.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i260Ex8a005322; Fri, 5 Mar 2004 19:14:59 -0500 (EST) Received: from axiom (localhost [127.0.0.1]) by axiom.proven.org (8.11.3/8.11.3) with ESMTP id i260DLn00624; Fri, 5 Mar 2004 19:13:21 -0500 (EST) (envelope-from proven@axiom.proven.org) Message-Id: <200403060013.i260DLn00624@axiom.proven.org> X-Mailer: exmh version 2.3.1 01/18/2001 with nmh-1.0.4 To: MABromberg@aol.com cc: opus@MIT.EDU, thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org Subject: Re: Review PDF of set design attached In-Reply-To: Message from MABromberg@aol.com of "Fri, 05 Mar 2004 13:09:40 EST." <1e4.1a8da2bc.2d7a1c64@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Fri, 05 Mar 2004 19:13:21 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: MABromberg@aol.com cc: opus@MIT.EDU, thallata@MIT.EDU, epeisach@MIT.EDU, proven@proven.org, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, bromberg@alum.MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org Subject: Re: Review PDF of set design attached In-Reply-To: Message from MABromberg@aol.com of "Fri, 05 Mar 2004 13:09:40 EST." <1e4.1a8da2bc.2d7a1c64@aol.com> Date: Fri, 05 Mar 2004 19:13:21 -0500 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > I thought the steps to the 36" platform on Stage Left went to a 36" > level that was still out of sight lines, similar to the way the 49" is > placed. It will be more difficult to do the entrances to "Climbing > Over Rocky Mountain" with the steps leading straight onto the stage as > they appear in this plan. Again, if we have the platforms to spare, > could we reduce the number of steps by starting from a 14" point? > If a 4' x 4' 36" platform is added behind the flat, again there is only one > foot left at the back for the stairs plus the entrance. The set of stairs would > have to be turned so it accesses that platform from the back. > > There is an 8" step up from the 28" platform to the 36" platform, and the > four back access steps to the 36" platform are each 7.5". Both of these > dimensions exceed MIT's (still enforced?) requirements for stage steps at 7" max, and > both can be corrected by reducing the height of that platform to 35". I know of no 7" max stage step requirement. MTG regularly uses 8" and sometimes 9". The likely contraint of the height there will be the dexion lengths that I use to mount the platform too. So it is likely to be between 34" and 37" inch. --proven  1, forwarded,, Summary-line: 5-Mar MABromberg@aol.com[31729] #Revised PDF of set design attached X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Mar 2004 20:33:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i261XPOu018405; Fri, 5 Mar 2004 20:33:25 -0500 (EST) Received: from imo-d23.mx.aol.com (imo-d23.mx.aol.com [205.188.139.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i261XH34012557; Fri, 5 Mar 2004 20:33:17 -0500 (EST) Received: from MABromberg@aol.com by imo-d23.mx.aol.com (mail_out_v37.4.) id m.1a1.2146f510 (3924); Fri, 5 Mar 2004 20:32:36 -0500 (EST) From: MABromberg@aol.com Message-ID: <1a1.2146f510.2d7a8434@aol.com> Date: Fri, 5 Mar 2004 20:32:36 EST Subject: Revised PDF of set design attached To: proven@proven.org, opus@MIT.EDU, thallata@MIT.EDU, epeisach@MIT.EDU, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org CC: bromberg@alum.MIT.EDU MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_1a1.2146f510.2d7a8434_boundary" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Not-Checked: Messages over 100K not checked X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: MABromberg@aol.com Date: Fri, 5 Mar 2004 20:32:36 EST Subject: Revised PDF of set design attached To: proven@proven.org, opus@MIT.EDU, thallata@MIT.EDU, epeisach@MIT.EDU, bframe@MIT.EDU, zacheiss@MIT.EDU, rls@MIT.EDU, jraine@bostonconservatory.edu, proven@axiom.proven.org CC: bromberg@alum.MIT.EDU X-Spam-Not-Checked: Messages over 100K not checked X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_1a1.2146f510.2d7a8434_boundary Content-Type: multipart/alternative; boundary="-----------------------------1078536439" -------------------------------1078536439 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Thespians, Attached is a revised PDF of the set plan, this time showing the set's relationship to the waffle grid and lighting pipes. I have made the corrections reported by Ezra and Proven that appear likely, to wit: 1. Moved the cyc downstage away from the projection screen (it's now halfway between the screen's pipe and #1V), 2. Made the speaker larger, 3. Corrected the three sets of SR steps (note that in two cases the top step of the revised unit is now the same height as the platform it serves), 4. Increased the width of the 36" platform to fill the space behind the temple flat, 5. Moved the 36" platform's access steps to the back (access UNDER the bottom edge of the cyc, which can be pinned up and need not extend below about 11'), 6. Located the mountain flat, and 7. Increased the height of the 49" platform to 52". I took it upon myself to: 8. Adjust the width and position of the rear masking flat on the 36" platform to accommodate the larger platform and rear access. I did NOT do the following which seem uncertain from correspondence: 9. Add a 14" platform behind the temple filling the entire space between the 36" and 52" platforms, 10. Widen the portion of the 52" platform behind the flat to 4', 11. Add the escape steps going up to the 52" platform (there still doesn't seem to be enough room for steps AND the rear entrance to the spaceship even without #10; I still think a stepladder is the best option if Dave Kemp will approve it), and 12. Increase the width of the entire set (a whole new can of worms). I need a definitive answer only to the last of these issues (#12) in order to start the lighting design. Can Opus, Erin, and Proven (and someone representing the orchestra) get together and decide what's going to happen here? And, of course, if anyone detects any further errors or discrepancies, now is the time to hear them out. Mike Bromberg -------------------------------1078536439 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Thespians,
 
Attached is a revised PDF of the set pla= n, this time showing the set's relationship to the waffle grid and lighting=20= pipes.
 
I have made the corrections reported&nbs= p;by Ezra and Proven that appear likely, to wit:
 
1. Moved the cyc downstage away from the= projection screen (it's now halfway between the screen's pipe and #1V),
 
2. Made the speaker larger,
 
3. Corrected the three sets of SR steps=20= (note that in two cases the top step of the revised unit is now the sam= e height as the platform it serves),
 
4. Increased the width of the 36" platfo= rm to fill the space behind the temple flat,
 
5. Moved the 36" platform's ac= cess steps to the back (access UNDER the bottom edge of the cyc, which can b= e pinned up and need not extend below about 11'),
 
6. Located the mountain flat, and=
 
7. Increased the height of the 49" platf= orm to 52".
 
I took it upon myself to:
 
8. Adjust the width and position of the=20= rear masking flat on the 36" platform to accommodate the larger platform and= rear access.
 
I did NOT do the following which seem un= certain from correspondence:
 
9. Add a 14" platform behind the temple=20= filling the entire space between the 36" and 52" platforms,
 
10. Widen the portion of the 52" platfor= m behind the flat to 4',
 
11. Add the escape steps going up to the= 52" platform (there still doesn't seem to be enough room for steps AND= the rear entrance to the spaceship even without #10; I still think a stepla= dder is the best option if Dave Kemp will approve it), and
 
12. Increase the width of the entire set= (a whole new can of worms).
 
I need a definitive answer only to=20= the last of these issues (#12) in order to start the lighting design. Can Op= us, Erin, and Proven (and someone representing the orchestra) get toget= her and decide what's going to happen here?
 
And, of course, if anyone detects any fu= rther errors or discrepancies, now is the time to hear them out.
 
Mike Bromberg
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MDAwIG4NCjAwMDE1Mzk0NzYgMDAwMDAgbg0KMDAwMTUzOTUzNiAwMDAwMCBuDQowMDAxNTM5 NjAwIDAwMDAwIG4NCjAwMDE1Mzk2NjAgMDAwMDAgbg0KMDAwMTUzOTcyMCAwMDAwMCBuDQow MDAxNTM5NzgwIDAwMDAwIG4NCjAwMDE1Mzk4NDAgMDAwMDAgbg0KMDAwMTUzOTkwMCAwMDAw MCBuDQowMDAxNTM5OTYwIDAwMDAwIG4NCjAwMDE1NDAwMjAgMDAwMDAgbg0KMDAwMTU0MDA1 MyAwMDAwMCBuDQowMDAxNTQwMTAxIDAwMDAwIG4NCjAwMDE1NDAxNzcgMDAwMDAgbg0KMDAw MTU0MDQxNSAwMDAwMCBuDQp0cmFpbGVyDTw8DS9TaXplIDgxNTMNL0lEWzxhY2YxZjUxOTMz MzQxYjhiMDM2YzEyZTAyZDM4N2QzND48ZDAwMmY1MmRmMWNjMjBjZmY2YTZlYjRkMjQ2Yjlm YTU+XQ0+Pg1zdGFydHhyZWYNMTczDSUlRU9GDQ== --part1_1a1.2146f510.2d7a8434_boundary--  1,, Summary-line: 6-Mar jhango@alumni.hmc.edu [20] #thespis rehearsal on 3/7 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 01:38:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i266cIOu004619; Sat, 6 Mar 2004 01:38:18 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i266cApl004789; Sat, 6 Mar 2004 01:38:10 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) (authenticated bits=56) (User authenticated as jhango@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i266c9TC016411; Sat, 6 Mar 2004 01:38:10 -0500 (EST) Received: (from jhango@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id i266c997026884; Sat, 6 Mar 2004 01:38:09 -0500 (EST) Date: Sat, 6 Mar 2004 01:38:09 -0500 (EST) Message-Id: <200403060638.i266c997026884@scrubbing-bubbles.mit.edu> From: Jennie Hango To: gsp-orch@MIT.EDU Subject: thespis rehearsal on 3/7 Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 01:38:09 -0500 (EST) From: Jennie Hango To: gsp-orch@MIT.EDU Subject: thespis rehearsal on 3/7 Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi folks, This is just a reminder that we have an orchestra rehearsal on Sunday, March 7, from 2-5pm in W20-407 (same place and time as the last rehearsal). We have wire music stands reserved this week, so you won't need to bring your own. Please do bring a pencil, though. See you on Sunday! Jennie  1,, Summary-line: 6-Mar orapture@toastpoint.com [28] #Snail Mail X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 13:58:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i26IwMgN021790; Sat, 6 Mar 2004 13:58:22 -0500 (EST) Received: from ms-smtp-03.rdc-nyc.rr.com (ms-smtp-03-smtplb.rdc-nyc.rr.com [24.29.109.7]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i26IwLjB014318 for ; Sat, 6 Mar 2004 13:58:21 -0500 (EST) Received: from 127.0.0.1 (24-90-109-36.nyc.rr.com [24.90.109.36]) by ms-smtp-03.rdc-nyc.rr.com (8.12.10/8.12.7) with ESMTP id i26IwH21013873 for ; Sat, 6 Mar 2004 13:58:19 -0500 (EST) To: opus@mit.edu Subject: Snail Mail From: "Eric Peterson" Reply-To: "Eric Peterson" X-Priority: 3 (normal) Content-Type: text/plain Content-Transfer-Encoding: quoted-printable X-Mailer: Bloomba 1.0.3 Mime-Version: 1.0 Message-Id: <20040306135826.1929365647.orapture@toastpoint.com> Date: Sat, 6 Mar 2004 13:58:26 -0500 X-Virus-Scanned: Symantec AntiVirus Scan Engine X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: Snail Mail From: "Eric Peterson" Reply-To: "Eric Peterson" X-Priority: 3 (normal) Date: Sat, 6 Mar 2004 13:58:26 -0500 X-Virus-Scanned: Symantec AntiVirus Scan Engine X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey, David! Every time I see you post to Savoynet, I'm reminded that I need to ask you = for your snail-mail address. If you were wondering why I was soliciting pe= ople's addresses on Utopia performance day and didn't ask you for yours, it= was I thought I already had it - and come Christmas-card time, it turned o= ut that I didn't. d'oh! = So, when you get a chance, and if you care to share, I'd love to get your a= ddress, thanks! See you April 24th! - Eric  1,, Summary-line: 6-Mar david@musicalsolutions.co [70] #Innocent Games - a couple more X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 15:06:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i26K6vgN017136; Sat, 6 Mar 2004 15:06:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i26K6ujB018961 for ; Sat, 6 Mar 2004 15:06:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i26K60TJ003216; Sat, 6 Mar 2004 15:06:00 -0500 (EST) Date: Sat, 6 Mar 2004 15:06:00 -0500 (EST) Message-Id: <5.2.1.1.2.20040306190310.01ef33d0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Innocent Games - a couple more Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 15:06:00 -0500 (EST) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Innocent Games - a couple more X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This seems to be the season for games, so I'll start a couple more. Firstly, a game which I'll call "Truncations". TFC and I frequent the Odeon Cinema in Blackpool most Fridays, and they have a habit of printing the film title on the ticket - truncated to 13 characters (including spaces). We've had much fun, trying to decide what the "revised" films might be about - oh, how we've laughed. "Matchstick Me" - recalling my days as a callow youth ? "Cold Creek Ma" - a film about someone's mother ? "Along came Po" - a film about the Teletubbies ? "Girl with a P" - I'll leave it up to you To bring it onto topic, we recently saw "Intolerable Cruelty" - a silly-ish film with George Clooney and Catherine Zeta-Jones. This was printed as "Intolerable C" - could it be a film about Captain Fitzbattleaxe, we asked ourselves ? - again, we laughed. So here's the game of "Truncations". What odd notions might spring to mind if titles of operas, songs, dramatis personae, etc. were truncated (not necessarily to 13 characters) ? Give your imaginations full rein. A couple for starters : "Take a P" - an aria sung by one brother whilst the other goes off-stage for some much-needed relief. and "The Grand D" - an opera about Captain Corcoran's love of expletives. The second game I might call "Conjugations". Craig Brown (UK journalist) publishes these on-and-off in the "Daily Telegraph". Three examples of my own which I might give are as follows : I only go to professional G&S productions You pick and choose what you see He is a snob I like to hear the right notes and words You are a stickler for accuracy He is anal-retentive I am a traditionalist You keep harking back to the "old" days He is out-of-touch So, off you go - how about some "Truncations" and some "Conjugations" ? Poke as much fun at yourself as you can. All the best David Cookson  1,, Summary-line: 6-Mar andi_s_r@yahoo.com [52] #Re: QWERT difference X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 16:12:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i26LCKgN010597; Sat, 6 Mar 2004 16:12:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i26LCJbm003546 for ; Sat, 6 Mar 2004 16:12:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i26LBQTJ004043; Sat, 6 Mar 2004 16:11:26 -0500 (EST) Date: Sat, 6 Mar 2004 16:11:26 -0500 (EST) Message-Id: <20040306210450.94565.qmail@web14526.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: QWERT difference MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00e201c4032c$409be760$9a04fea9@home6ar5cbrdm9> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 16:11:26 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: QWERT difference X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00e201c4032c$409be760$9a04fea9@home6ar5cbrdm9> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Actually, I'd like to see some less regimented events on the left side of the Pond for the sake of variety. I grew up in a home where random singing with friends was a frequent social activity. I love the spontaneity of it, and miss it--one reason I so thoroughly enjoyed the NYGASP birthday party for Frederic, as it was all totally winged on the spot, and nobody had any idea of what was coming next. Spontaneous situations are much more relaxed than the Planned Events. Nobody's had time to get nervous, the "expectations" are lower because it's understood that nobody's been rehearsing something specifically, and the result is that everyone's more comfortable and at ease, and one's likely to get a lot more laughter and inspired on-the-spot nonsense. Maybe it's just me, because I spend so much of my time working with Rehearsed Material and formal performance situations--I'd really enjoy the contrast of something that doesn't smack so much of another well-rehearsed performance and is simply more...well, fun--an environment where Bobbie Herman could finally just jump up and say that she wanted to sing the Pirate King, for instance, which she has been itching to do ever since I met her.... Please understand, dear and beloved hosts of US QWERTS whose homes and hospitality I have enjoyed, this is in NO WAY a criticism of you and the events that you have so generously organized and spent so much time making perfect for everyone. I'd just enjoy attending and participating in a different type of event on occasion, more casual in nature. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 6-Mar d-duffey@argonet.co.uk [27] #Re: Innocent Games - X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 19:51:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i270pdgN002023; Sat, 6 Mar 2004 19:51:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i270pckL002197 for ; Sat, 6 Mar 2004 19:51:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i270ojTJ007966; Sat, 6 Mar 2004 19:50:45 -0500 (EST) Date: Sat, 6 Mar 2004 19:50:45 -0500 (EST) Message-Id: <005701c403dd$7b057ef0$0400a8c0@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Innocent Games - MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 19:50:45 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Innocent Games - X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am the very model of a modern major-general You are a stern bearded warrior He joined a second-rate cavalry regiment Is a maiden a... rarity in opera companies? Two days gone... an advertisement for the morning-after pill David The Wash England old, and flabby, and cowardly  1,, Summary-line: 6-Mar marchanc@juno.com [17] #personality test X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 21:17:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i272HrgN026726; Sat, 6 Mar 2004 21:17:53 -0500 (EST) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i272HpCT002758 for ; Sat, 6 Mar 2004 21:17:52 -0500 (EST) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqSQkidbGXbBnuOldKxb0vDJcMPI/jYtqAw==">; Sat, 06 Mar 2004 18:16:54 PST Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JP38SXCX; Sat, 06 Mar 2004 18:16:54 PST To: marchanc@juno.com Date: Sat, 6 Mar 2004 20:16:04 -0600 Subject: personality test Message-ID: <20040306.201605.976.8.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: marchanc@juno.com Date: Sat, 6 Mar 2004 20:16:04 -0600 Subject: personality test From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You can find out what movie you are, here: http://similarminds.com/othertests.html Supposedly, I am "Platoon" -----Chris  1,, Summary-line: 6-Mar nbozard@MIT.EDU [16] #Out Wed X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 22:38:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i273c7gN020181; Sat, 6 Mar 2004 22:38:07 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i273bwaO026675 for ; Sat, 6 Mar 2004 22:37:59 -0500 (EST) Received: from [192.168.0.234] (eccentricity.ne.client2.attbi.com [24.128.216.131]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i273bw95010133 for ; Sat, 6 Mar 2004 22:37:58 -0500 (EST) Mime-Version: 1.0 (Apple Message framework v612) Content-Transfer-Encoding: 7bit Message-Id: <3F1792E3-6FE9-11D8-8A3D-000D934FDCE6@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: thespis@mit.edu From: Nick Bozard Subject: Out Wed Date: Sat, 6 Mar 2004 22:40:58 -0500 X-Mailer: Apple Mail (2.612) X-Spam-Score: -10.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: thespis@mit.edu From: Nick Bozard Subject: Out Wed Date: Sat, 6 Mar 2004 22:40:58 -0500 X-Spam-Score: -10.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I won't be making it to rehearsal Wednesday. (Y'all said that should be okay). I was going to try to make them all, but I'm in serious need of the break. Thanks for being understanding; I really appreciate it. Nick  1,, Summary-line: 6-Mar deebee@connexus.net.au [129] #Re: The Einstein answers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 22:44:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i273ilgN021912; Sat, 6 Mar 2004 22:44:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i273ikM1005066 for ; Sat, 6 Mar 2004 22:44:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i273hoTJ009184; Sat, 6 Mar 2004 22:43:50 -0500 (EST) Date: Sat, 6 Mar 2004 22:43:50 -0500 (EST) Message-Id: <404A99D1.30907@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: The Einstein answers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 22:43:50 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: The Einstein answers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In introducing the contestants this programme makes outrageous puns on our special subjects. eg A man with an interesting Hobbit for a Lord of the Rings Contestant. For me the compere had to read from the teleprompter " someone who wants to be the very model of a major general knowledge champion. He messed it up and it took the 4th take before he got it right. The contestant next to me whispered "That's difficult to say" and I replied "You should try singing it". Congratulations to Don Smith and Arthur Robinson who both got all questions right. A couple of people noted that they couldn't do it in the 90 seconds and I accepted Pirates or Sorcerer, even though the TV rules are full names only. Here are the answers - not many of which would challenge the inner-brotherhood. The difficulty is more in the time and mental agility required (believe me!) > > 1 First produced in the year of his death, what was Gilbert's last play? The Hooligan > > 2 HMS Pinafore opens on the deck of a navel vessel moored off which seaport? > Portsmouth > > 3 The comic poems Gilbert wrote for the magazine F... The Bab Ballads (several people wrote Fun - but they were about to give me that, it was what the verses were called that was the question). > > 4 On 6th August 1867 Gilbert married whom? Lucy Agnes Blois Turner (all Christian names were not required and the official answer did not include the Blois) > > 5 The only Gilbert and Sullivan operas without subtitles are Trial By Jury > ... and The Sorcerer > > 6 In Patience which is the only one of the chief male characters who fails > to find a bride? Bunthorne > > 7 Sullivan's opera Haddon Hall was based on an actual event, the elopment of > Dorothy Vernon with whom? John Manners (this is the one I passed on. Should have known it, damn) > > 8 In The Mikado the 3 sisters, all wards of KoKo, are Yum Yum, Pitti Sing > and ? Peep Bo > > 9 Which character has the first song in the second act of Iolanthe? Private Willis (I actually went blank on this and had to think of the set of Act 2 and when I "saw" the sentry box was able to answer - but there is a 2 second thinking break on the video!) > > 10 On the opening night of The Gondoliers, December 7th 1889, which part was > played by Rosina Mandrum (sic)? The Duchess of Plaza Toro. The compere regularly stumbles over difficult words but this is the first I have had. you should hear him on the latin names of various penguin species!) > > 11 Which Bab Ballad begins The Ballyshannon foundered of the coast of > Cari...? Etiquette > > 12 Who wrote the libretto for Sullivan' comic opera Cox and Box? F C Burnand > > 13 Which play co-written by Gilbert under the pseudonym F Tomline was > subtitled "a burlesque version of The Wicked World? The Happy Land. (This was the one I got wrong - I had been muttering Wicked World to Happy Land to Realm of Joy for days but under pressure came up with Realm of Joy! Ah me.) > > 14 The first production of which opera ran for a total of 672 peformances? The Mikado > > 15 In order to secure copyright which opera was performed almost > simultaneously in the UK and America in 1879? The buzzer went as the compere said the date. The answer obviously is The Pirates of Penzance but the "almost simultaneously" had me thinking it could be Iolanthe (which was almost simultaneously - not 24 hours apart so I was waiting for a date. I should have been able to jump in.) So now I have just over a month before the next round and I am trying to work out what I could get questions on next. So far nothing on Ida or the last 2. 2 questions on the Bab Ballads but none on Gilbert's short stories and very little on SWOGS or Sullivan's life. If anyone can think of short questions on these which requre short answers, I should be happy to receive them privately. I'll credit you publicly if they come up. Diana Burleigh Melbourne PS It does strike me as odd that having a good general knowledge and a special subject should allow one to be compared to Einstein!  1,, Summary-line: 6-Mar deebee@connexus.net.au [126] #Re: The Einstein answers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Mar 2004 22:45:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i273jHgN022086; Sat, 6 Mar 2004 22:45:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i273jGM1005205 for ; Sat, 6 Mar 2004 22:45:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i273iKTJ009275; Sat, 6 Mar 2004 22:44:20 -0500 (EST) Date: Sat, 6 Mar 2004 22:44:20 -0500 (EST) Message-Id: <404A9999.30708@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: The Einstein answers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Mar 2004 22:44:20 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: The Einstein answers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In introducing the contestants this programme makes outrageous puns on our special subjects. eg A man with an interesting Hobbit for a Lord of the Rings Contestant. For me the compere had to read from the teleprompter " someone who wants to be the very model of a major general knowledge champion. He messed it up and it took the 4th take before he got it right. The contestant next to me whispered "That's difficult to say" and I replied "You should try singing it". Congratulations to Don Smith and Arthur Robinson who both got all questions right. A couple of people noted that they couldn't do it in the 90 seconds and I accepted Pirates or Sorcerer, even though the TV rules are full names only. Here are the answers - not many of which would challenge the inner-brotherhood. The difficulty is more in the time and mental agility required (believe me!) > > 1 First produced in the year of his death, what was Gilbert's last play? The Hooligan > > 2 HMS Pinafore opens on the deck of a navel vessel moored off which seaport? > Portsmouth > > 3 The comic poems Gilbert wrote for the magazine F... The Bab Ballads (several people wrote Fun - but they were about to give me that, it was what the verses were called that was the question). > > 4 On 6th August 1867 Gilbert married whom? Lucy Agnes Blois Turner (all Christian names were not required and the official answer did not include the Blois) > > 5 The only Gilbert and Sullivan operas without subtitles are Trial By Jury > ... and The Sorcerer > > 6 In Patience which is the only one of the chief male characters who fails > to find a bride? Bunthorne > > 7 Sullivan's opera Haddon Hall was based on an actual event, the elopment of > Dorothy Vernon with whom? John Manners (this is the one I passed on. Should have known it, damn) > > 8 In The Mikado the 3 sisters, all wards of KoKo, are Yum Yum, Pitti Sing > and ? Peep Bo > > 9 Which character has the first song in the second act of Iolanthe? Private Willis (I actually went blank on this and had to think of the set of Act 2 and when I "saw" the sentry box was able to answer - but there is a 2 second thinking break on the video!) > > 10 On the opening night of The Gondoliers, December 7th 1889, which part was > played by Rosina Mandrum (sic)? The Duchess of Plaza Toro. The compere regularly stumbles over difficult words but this is the first I have had. you should hear him on the latin names of various penguin species!) > > 11 Which Bab Ballad begins The Ballyshannon foundered of the coast of > Cari...? Etiquette > > 12 Who wrote the libretto for Sullivan' comic opera Cox and Box? F C Burnand > > 13 Which play co-written by Gilbert under the pseudonym F Tomline was > subtitled "a burlesque version of The Wicked World? The Happy Land. (This was the one I got wrong - I had been muttering Wicked World to Happy Land to Realm of Joy for days but under pressure came up with Realm of Joy! Ah me.) > > 14 The first production of which opera ran for a total of 672 peformances? The Mikado > > 15 In order to secure copyright which opera was performed almost > simultaneously in the UK and America in 1879? The buzzer went as the compere said the date. The answer obviously is The Pirates of Penzance but the "almost simultaneously" had me thinking it could be Iolanthe (which was almost simultaneously - not 24 hours apart so I was waiting for a date. I should have been able to jump in.) So now I have just over a month before the next round and I am trying to work out what I could get questions on next. So far nothing on Ida or the last 2. 2 questions on the Bab Ballads but none on Gilbert's short stories and very little on SWOGS or Sullivan's life. If anyone can think of short questions on these which requre short answers, I should be happy to receive them privately. I'll credit you publicly if they come up. Diana Burleigh Melbourne  1,, Summary-line: 7-Mar jimscafe@worldnet.att.net [23] #Boston Globe article about the Stata Center X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Mar 2004 09:00:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i27E0anF002890; Sun, 7 Mar 2004 09:00:36 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [18.43.0.244]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i27E03l0004914; Sun, 7 Mar 2004 09:00:03 -0500 (EST) Received: from mtiwmhc12.worldnet.att.net (mtiwmhc12.worldnet.att.net [204.127.131.116]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-6.6) with ESMTP id i27Dx4pB005209 for ; Sun, 7 Mar 2004 08:59:16 -0500 Received: from butlerdellinspiron8100 (h-67-100-206-210.cmbrmaor.dynamic.covad.net[67.100.206.210]) by worldnet.att.net (mtiwmhc12) with SMTP id <2004030713585811200nhp5ce> (Authid: jimscafe@worldnet.att.net); Sun, 7 Mar 2004 13:58:58 +0000 Message-ID: <001201c4044c$50c722f0$6401a8c0@BUTLERDELLINSPIRON8100> Reply-To: "Jim Butler" From: "Jim Butler" To: "LSC Alums" Subject: Boston Globe article about the Stata Center Date: Sun, 7 Mar 2004 08:56:00 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Status: No, hits=0.1 required=5.0 tests=RCVD_IN_NJABL autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Jim Butler" From: "Jim Butler" To: "LSC Alums" Subject: Boston Globe article about the Stata Center Date: Sun, 7 Mar 2004 08:56:00 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Status: No, hits=0.1 required=5.0 tests=RCVD_IN_NJABL autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There is an interesting article in the Boston Globe about the new Stata Center at MIT: http://www.boston.com/business/globe/articles/2004/03/07/monumental_effort/ - Jim Butler  1,, Summary-line: 7-Mar pzavon@rochester.rr.com [33] #Re: JW Wells & Co. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Mar 2004 13:58:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i27IwDnF002403; Sun, 7 Mar 2004 13:58:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i27IwBko010389 for ; Sun, 7 Mar 2004 13:58:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i27IvTTJ013578; Sun, 7 Mar 2004 13:57:29 -0500 (EST) Date: Sun, 7 Mar 2004 13:57:29 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: JW Wells & Co. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Mar 2004 13:57:29 -0500 (EST) Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: JW Wells & Co. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Fri, 5 Mar 2004 "Jeff DeMarco" said to Savoynet: >I don't recall seeing this on Savoynet before: > >http://www.jwwells.com/maps.html Very good web site. It looks like it was created about 4 years ago by Jason Goodman, who is presumably an MIT student (or faculty or staff) to judge by his email address. I highly recommend glancing at the "Public Demonstrations" page of this site. Peter Zavon Penfield, NY PZAVON@Rochester.rr.com  1,, Summary-line: 7-Mar jax.kirtley@verizon.net [20] #status of SW:ME dvds X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Mar 2004 23:50:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i284oenF016420; Sun, 7 Mar 2004 23:50:40 -0500 (EST) Received: from out008.verizon.net (out008pub.verizon.net [206.46.170.108]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i284odpx016367 for ; Sun, 7 Mar 2004 23:50:40 -0500 (EST) Received: from verizon.net ([68.163.220.72]) by out008.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040308045039.YSP27801.out008.verizon.net@verizon.net> for ; Sun, 7 Mar 2004 22:50:39 -0600 Message-ID: <404BFB95.7050708@verizon.net> Date: Sun, 07 Mar 2004 23:50:29 -0500 From: Jax Kirtley User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: opus@mit.edu Subject: status of SW:ME dvds Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [68.163.220.72] at Sun, 7 Mar 2004 22:50:36 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 07 Mar 2004 23:50:29 -0500 From: Jax Kirtley X-Accept-Language: en-us, en To: opus@mit.edu Subject: status of SW:ME dvds X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [68.163.220.72] at Sun, 7 Mar 2004 22:50:36 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Opus, I hope that all is going well with your show. As I you may have seen go by over email, MTG's Selectionless Show Selection is this weekend. I'd like to be able to announce the dvd screening of SW:ME that you and I discussed. Any chance that the discs are far enough along that I can announce a date? -Jax  1,, Summary-line: 8-Mar d-duffey@argonet.co.uk [44] #Re: Brit QWERT v US QWERT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Mar 2004 10:24:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i28FOoAj012263; Mon, 8 Mar 2004 10:24:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i28FOHj0025363 for ; Mon, 8 Mar 2004 10:24:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i28FNVTJ003040; Mon, 8 Mar 2004 10:23:31 -0500 (EST) Date: Mon, 8 Mar 2004 10:23:31 -0500 (EST) Message-Id: <004401c4051e$94cd8070$0400a8c0@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Brit QWERT v US QWERT MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Mar 2004 10:23:31 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Brit QWERT v US QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Allow me, as an old Qwerty host to illuminate. Usually, if, ahead of the event, a person expresses a desire to sing a particular part, the host - or "lord of misrule" - will ensure that the one so desirous gets to sing it. Often frequently, however, the actual opera to be sung will not be chosen until the actual event. I believe that in all the qwerts we have hosted, someone has contacted me to ask for a particular opera to be sung, and such a request has always been granted. Equally often, there is the e-mail which says, "If we are singing opera x, may I please sing part y". Once I had to say sorry, but that request has already been made. Otherwise, our Qwerts have done whichever opera we happen to fancy next, usually determined by the amount of time until the next meal. Certain traditions have been established. There is a photograph of Philip Potter on the piano. Pirates is always sung, and the poor person singing Major General has to endure animal noises during "sighing softly", usually during the introduction, but with a mandatory barking at the word "rover". Almost always something occurs which reduces the whole company to helpless laughter. David The Wash England old, and flabby, and cowardly  1, answered,, Summary-line: 8-Mar cmj@halhk.freeserve.co.uk [61] #Re: Composer's note? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Mar 2004 11:11:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i28GBVAf015136; Mon, 8 Mar 2004 11:11:32 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i28GBUs9000567 for ; Mon, 8 Mar 2004 11:11:30 -0500 (EST) Received: from cmailg4.svr.pol.co.uk (cmailg4.svr.pol.co.uk [195.92.195.174]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i28GE1o6006011 for ; Mon, 8 Mar 2004 11:14:02 -0500 (EST) Received: from modem-249.putangitangi.dialup.pol.co.uk ([81.78.192.249] helo=halhk) by cmailg4.svr.pol.co.uk with smtp (Exim 4.14) id 1B0NLT-0005Yc-Qv for thespis@ipnh.com; Mon, 08 Mar 2004 16:11:12 +0000 Message-ID: <000801c40528$5272c320$f9c04e51@freeserve.co.uk> From: "Colin Johnson" To: "Thespis" References: <200403031928.i23JSEvY015059@multics.mit.edu> <001501c40191$ec012440$08173c18@comcast.net> <200403051639.i25Gd7PS022190@multics.mit.edu> Subject: Re: Composer's note? Date: Mon, 8 Mar 2004 16:13:06 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Colin Johnson" To: "Thespis" Subject: Re: Composer's note? Date: Mon, 8 Mar 2004 16:13:06 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here goes - I hope it's the kind of thing you want from me! This setting of Thespis was originally composed in Beirut in 1958, after = I found a book containing all fourteen of the Gilbert and Sullivan light = opera libretti. With a nightly house-curfew in Beirut and no = television service yet available, the rewriting of a lost score became = an ideal way of occupying the long silent evenings. I have seen other versions of Thespis, but most of them re-used lesser = known music by Sullivan. This is not altogether welcome by those of us = who enjoy rare shows like "The Rose of Persia" or "Haddon Hall" and who = find it hard to shake off memories of having heard the same music in a = wholly different theatrical context. Would Sullivan have approved of = having his work thus recycled? We know that he drew on one Thespis = chorus for the New York premiere of "The Pirates of Penzance," but this = was only in a dire emergency after discovering that he had left his = original drafts in London. =20 I have been writing music since quite an early age, usually with very = little acclaim apart from having a couple of shows performed by my local = amateur society in Kent, England, where I am better known for my = dramatic acting and for directing our G & S productions. Most of my = musical output has remained dormant until very recently when I began = creating MIDI files of forgotten musical shows from the Victorian era. = These have now been placed on my website, www.halhkmusic.com, which is = where our friends at M.I.T. first discovered this reconstructed score = for Thespis. Have we managed to recapture the atmosphere of that = opening night in 1871 when Gilbert's fresh concepts took us a step = forward, away from the earlier vulgarity of Victorian musical theatre? = We may never know, but it's fun to dream. Colin Johnson ----- Original Message -----=20 From: David C. Jedlinsky To: Cc: ; Sent: Friday, March 05, 2004 4:39 PM Subject: Re: Composer's note? >=20 > Ruth says we can have a page in the playbill for all three of us. > Let's plan on each writing our own, and if they have to be edited for > length, we'll have to negotiate. >=20 > -Dave  1,, Summary-line: 8-Mar to: pastark@comcast.net [81] #Re: new email? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Mar 2004 13:57:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i28IvtAf015372; Mon, 8 Mar 2004 13:57:55 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i28IuHZA019717; Mon, 8 Mar 2004 13:56:17 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i28IuG8e001025; Mon, 8 Mar 2004 13:56:16 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i28IuFMH017296; Mon, 8 Mar 2004 13:56:16 -0500 (EST) Date: Mon, 8 Mar 2004 13:56:16 -0500 (EST) Message-Id: <200403081856.i28IuFMH017296@multics.mit.edu> From: "David C. Jedlinsky" To: pastark@comcast.net In-reply-to: <4010C2C3-712B-11D8-A4BB-0030657A46DC@comcast.net> (pastark@comcast.net) Subject: Re: new email? References: <906E708A-708E-11D8-823F-0030657A46DC@comcast.net> <200403081626.i28GQUru014013@multics.mit.edu> <4010C2C3-712B-11D8-A4BB-0030657A46DC@comcast.net> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Mar 2004 13:56:16 -0500 (EST) From: "David C. Jedlinsky" To: pastark@comcast.net In-reply-to: <4010C2C3-712B-11D8-A4BB-0030657A46DC@comcast.net> (pastark@comcast.net) Subject: Re: new email? X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The 16th should be a good show; we have a Thursday performance on the 15th to work out the kinks that inevitably crop up in the downtime between the first and second weekend. I look forward to seeing you. Basements are highly overrated. You should put a heating element down there, and convert it to an indoor pool. The music is in Sullivan's style, though there seems to be a good deal of Mendlessohn's influence, too. The goal of the composition was to attempt to create as closely as possible how it might have sounded in 1872. True students of Sullivan won't be fooled, and there are some telltale 20th century bits (chord progressions, mostly) that indicate that this is a more modern composition. Colin Johnson is an excellent arranger of vocal parts, however, and we should have some beautiful harmonies and counterpoint. We are not going to be using the ballet music, both because of a lack of dancers (and I'm a horrible choreographer), and because Colin did most of his compositional work in the late 50s before the ballet music was discovered, and he didn't want to incorporate it after the fact. There's also the minor issue of not having the full orchestral parts for the ballet, though that could have been remedied with enough research. We are also not using the fully reconstructed libretto as published by Terence Rees (we're using a 1932 edition from "Plays and Poems of W.S. Gilbert"). The major difference between the two is the part of Venus (the old god, not the Thespian playing Venus) is missing from the version we're doing. -Dave >From: "Peter A. Stark" >Date: Mon, 8 Mar 2004 13:05:57 -0500 > >I'm going to be there on the 16th, the Good Lord willing and the creeks >don't rise. >(The creeks rose right into our basement a few weeks ago, and since >then my mother fell and had surgery again, so I make no iron-clad >vows...) >What's the music like? >Are you going to use the ballet music from Thespis that was discovered >a few years ago? I have the CD, I think. >Regards to Ruth. >Peter. > >On Mar 8, 2004, at 11:26 AM, David C. Jedlinsky wrote: > >> >> Hi Peter. >> >> You can just use "opus@ipnh.com" (no mv in the name), or the MIT >> account works, too. >> >> I hope you do come see Thespis; it's shaping up to be a good show. >> >> In a classic case of biting off way more that I can chew, I made the >> mistake of taking on the task of typesetting not only the vocal >> scores, but the orchestra parts as well. Therefore, I have spent >> every free moment (and quite a few allnighters) over the past three >> months doing nothing but that, and trying to squeeze work and >> rehearsals in between. The vocal scores arrived at rehearsals two >> weeks after we started, and the orchestra parts are still not done. >> >> Ruth is producing the show, which is pretty much the only way she gets >> to see me these days. :-) >> >> -Dave >> >  1,, Summary-line: 9-Mar tempsavoy@tradelaw.com [66] #Toronto Singout - Chicago Style X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Mar 2004 13:15:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i29IFmBU009671; Tue, 9 Mar 2004 13:15:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i29IDwuv020623 for ; Tue, 9 Mar 2004 13:13:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i29ICrTJ007659; Tue, 9 Mar 2004 13:12:53 -0500 (EST) Date: Tue, 9 Mar 2004 13:12:53 -0500 (EST) Message-Id: <5.2.1.1.0.20040309120043.04078cb8@pop.rcn.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Toronto Singout - Chicago Style Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Mar 2004 13:12:53 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Toronto Singout - Chicago Style X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just a brief update on the plans for the Toronto 2004 Singout - Chicago Style. A number of people have expressed interest in helping and plans are now proceeding apace. We hope to be able to announce that this WILL happen by the middle of April. As everything in Chicago is always too big (Chicago... home of the Supersized Fast Food Company and the city of the Supersized and Windy People), this Singout will have several "unique" features. We hope to provide over the three days (Friday Night, Saturday and Sunday) not only a chance to sing all of the surviving joint works of G&S, but also a chance to see and sing bits over three other major works as well. We are in discussions to have a presentation of excerpts by a local Chicago company from their fall 2004 production of Thespis. On Saturday we will have some excerpts (including some that can be sung by everyone) from Ivanhoe. On Sunday we will have some excerpts (including some that can be sung by everyone) from Rose of Persia. Our biggest hurdle, at the moment, is space. But we hope to resolve this issue shortly and are already in discussions with several superb spaces. Not yet a done deal... but this is getting close to being a real thing. Here's the tentative line-up: Friday >7 - 830 Sorcerer >8:30 - 9 Excerpts from Thespis by Chicago Company >9:10:30 Mikado > >Sat >830-10 Patience >10-11:30 Gondoliers >1130 - 1 Pirates >1 - 2 Lunch Break >2- 2:45 Trial >2:45 - 5 Duke >5 - 630 Ida >6:30 - 730 Break >7:30 - 900 Pinafore 9:00 to 9:30 Ivanhoe >930 - 11 Yeoman >Sun >12:30 - 2 Utopia 2 - 2:30 Rose of Persia >2:30- 4:00 Iolanthe > > >The idea is to have this on Sept 3,4 and 5 which is Labor Day Weekend...  1,, Summary-line: 9-Mar dsmith@umassd.edu [32] #double sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Mar 2004 16:41:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i29LfWBU008742; Tue, 9 Mar 2004 16:41:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i29LfSSh005749 for ; Tue, 9 Mar 2004 16:41:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i29LeITJ014542; Tue, 9 Mar 2004 16:40:19 -0500 (EST) Date: Tue, 9 Mar 2004 16:40:18 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: double sighting Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Mar 2004 16:40:18 -0500 (EST) Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: double sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The latest issue of "Fanfare" has reviews of two items of interest: The boxed set of D'Oyly Carte + other cds, Decca (24 cds). The reviewer, James Camner, implies that the recordings have been remastered for this set. He gives it a Must Have, even if one has the recordings already. The second is of the DVD of the "Papp" Pirates" - this is the original Central Park version, not the film. The reviewer, David Kirk, recommends this version, pans the film version and mentions that there is now a made-for-television version of the Pirates of Penzance with Gillian Knight which has been issued on DVD. Unfortunately, he doesn't mention a company or catalog number. Has anyone heard of or seen this? -- Donald Smith East Taunton, MA 02718 USA dsmith@umassd.edu  1,, Summary-line: 11-Mar jim@labsoftware.com [34] #the Duke's top note, and my Sorcerer score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Mar 2004 00:47:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2B5liKc007758; Thu, 11 Mar 2004 00:47:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2B5ld2w009913 for ; Thu, 11 Mar 2004 00:47:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2B5kUTJ011238; Thu, 11 Mar 2004 00:46:30 -0500 (EST) Date: Thu, 11 Mar 2004 00:46:30 -0500 (EST) Message-Id: <6.0.2.0.2.20040311002919.039dc098@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: the Duke's top note, and my Sorcerer score Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <404FC576.9010500@connexus.net.au> X-Mailer: QUALCOMM Windows Eudora Version 6.0.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Mar 2004 00:46:30 -0500 (EST) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: the Duke's top note, and my Sorcerer score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <404FC576.9010500@connexus.net.au> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >If memory serves, the Dukes doubles Patience's high C-SHARP, which even in >sing-ins used to stymie me. I would still not want to essay that note alone and observed. Anyone coming to Sam's singout who lacks a Sorcerer score but has a printer is welcome to download my edition of the score from the Troupers web site. It has rehearsal letters and numbers The rehearsal numbers correspond to the Cramer/Kalmus edition. http://trouperslightopera.org/Troupers/Scores/Sorcerer/sorcerer.htm It has been road tested but there are surely more corrections to be made. Jim Cooper Wilton, CT who when he is tired of beef, determines to tackle the mutton.  1, answered,, Summary-line: 11-Mar andi_s_r@yahoo.com [42] #Re: To all S'net attendees of Sam's QWERT 24 April X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Mar 2004 12:10:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2BHAX5s001513; Thu, 11 Mar 2004 12:10:37 -0500 (EST) Received: from web14521.mail.yahoo.com (web14521.mail.yahoo.com [216.136.224.50]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i2BH9j8M017792 for ; Thu, 11 Mar 2004 12:09:45 -0500 (EST) Message-ID: <20040311170945.53561.qmail@web14521.mail.yahoo.com> Received: from [66.88.88.162] by web14521.mail.yahoo.com via HTTP; Thu, 11 Mar 2004 09:09:45 PST Date: Thu, 11 Mar 2004 09:09:45 -0800 (PST) From: Andi Subject: Re: To all S'net attendees of Sam's QWERT 24 April To: "David C. Jedlinsky" In-Reply-To: <200403111644.i2BGiYmQ019118@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Mar 2004 09:09:45 -0800 (PST) From: Andi Subject: Re: To all S'net attendees of Sam's QWERT 24 April To: "David C. Jedlinsky" In-Reply-To: <200403111644.i2BGiYmQ019118@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, Great to hear from you! I think that the cast of The Chieftain is complete now--this was the last lineup that Marc sent me: Vasquez-Phillip Sternenberg Grigg-Doug Whaley Pedro Gomez-Jim Cooper Ferdinand-Richard Holmes Sancho-Dan Kravetz Jose-Barry Hilton Blazzo-Marc Lewis Rita-Elise Curran Inez-Carole Round Dolly-Frances Yasprica Juanita-Emily Gouillart Maraquita-Frances Yasprica I'm perfectly happy to send you a copy of the score--just give me a street address. And yes, let's definitely plan to have that talk about simplified versions! Looking forward to seeing you.... Cheers, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 11-Mar andi_s_r@yahoo.com [55] #Re: Music printing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Mar 2004 14:25:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2BJPU5e006536; Thu, 11 Mar 2004 14:25:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2BJPSrv027568 for ; Thu, 11 Mar 2004 14:25:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2BJOVTJ018628; Thu, 11 Mar 2004 14:24:31 -0500 (EST) Date: Thu, 11 Mar 2004 14:24:31 -0500 (EST) Message-Id: <20040311190802.99733.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Music printing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Mar 2004 14:24:31 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Music printing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) One of the things I hope to see as this technology gets easier and easier to use, is the advent of a real "pianist's edition" of the vocal scores, worked out by or in conjunction with working G&S pianists and including such things as: 1) Left- and right- pages set up for "good" page turns even if it means a blank page here and there. A classic example is the Schirmer Trial by Jury "Judge's song". As published, there are turns in the middle of every verse, turns-back at the end of every verse. However, this number so that it starts on a left-hand page instead of a right-hand page results in the verses being neatly laid out across the 2-page spread, with no turns-back and with turns only at the end of every other verse. Only one of myriad examples.... 2) For sections where the stacking-up of vocal parts results in only 3 or 4 measures per page (e.g., "He's telling a terrible story" section of Pirates Act I Finale, "O Marvellous illusion" section in Sorcerer), include 2 versions back to back: one with the voice parts there, for rehearsing the vocalists, and one without the vocal lines, just the piano part with orchestral letters (and maybe a single line of lyrics for easy reference). Half of us do our own cut-and-paste versions like this on our own; it would be nice to have a tidily typeset one. One could then just put a paper clip on whichever version was not in use and turn past it.... 3) Elimination of "repeats" as suggested, continuing along without turns-back. One playing of the Schirmer version of "Modern Major General" as-is in the VS will convince the uninitiated of the value of such a treatment. Etc....We pianists all cope with what exists, but why not dream a bit about the "personalized luxury models" for the future? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 11-Mar il011f4251@blueyonder.co. [29] #Iolanthe overture X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Mar 2004 17:22:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2BMMC5e015021; Thu, 11 Mar 2004 17:22:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2BMM81B027814 for ; Thu, 11 Mar 2004 17:22:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2BMLMTJ020438; Thu, 11 Mar 2004 17:21:23 -0500 (EST) Date: Thu, 11 Mar 2004 17:21:22 -0500 (EST) Message-Id: <001301c407b4$43289fa0$144d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Iolanthe overture MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Mar 2004 17:21:22 -0500 (EST) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Iolanthe overture X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A week or so ago I asked at the bottom of a rather rambling message if anyone else had noticed where in the Iolanthe score the rising sequence of five notes from the start of the overture recurs, at the same pitch (give or take an octave) almost unaltered. I've had one incorrect response and one "do tell". I'll leave a further brief tantalising period to give someone a chance to spot it. Question is, was it accidental, subconscious or intentional? The overture already uses one very short reference to an obscure corner of the score ("Not a word you did deceive me" etc). Ian Lawson ("Rather tries my temper")  1,, Summary-line: 11-Mar oakapple@cris.com [37] #Re: Music printing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Mar 2004 18:51:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2BNpM5g003875; Thu, 11 Mar 2004 18:51:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2BNndJ7017589 for ; Thu, 11 Mar 2004 18:49:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2BNn8TJ025375; Thu, 11 Mar 2004 18:49:08 -0500 (EST) Date: Thu, 11 Mar 2004 18:49:08 -0500 (EST) Message-Id: <4050F8FD.7010607@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Music printing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009701c40733$4ca16a70$0400a8c0@Computer> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Mar 2004 18:49:08 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Music printing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009701c40733$4ca16a70$0400a8c0@Computer> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The late Bruce Miller was a strong proponent of fully writing out repeats. Among other benefits, he felt that it's much easier for writing out staging, or notating musical decisions that may differ from verse to verse, such as pauses. It also helps when the vocal setting isn't quite the same from one verse to the next. Where repeats are employed, the engraver has to mix up- and down-stems to distinguish rhythmic differences between the verses, but it comes at the expense of legibility. The recent Dover editions fully expand repeats almost all the time---yet another plus for Dover. The Broude PINAFORE employs a hybrid approach; for instance, the Bell Trio is fully written out, but the Captain's song has repeats. The OUP RUDDIGORE employs repeats everywhere that the early scores did, even in numbers like "You understand" where it gets very confusing. David Russell Hulme told me that OUP was very concerned about page counts. -- Marc Shepherd New York, NY  1,, Summary-line: 12-Mar andi_s_r@yahoo.com [54] #Re: Music printing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Mar 2004 09:48:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2CEm0So004083; Fri, 12 Mar 2004 09:48:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2CElxRL017727 for ; Fri, 12 Mar 2004 09:47:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2CElWTJ012103; Fri, 12 Mar 2004 09:47:32 -0500 (EST) Date: Fri, 12 Mar 2004 09:47:32 -0500 (EST) Message-Id: <20040312143757.21680.qmail@web14524.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Music printing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Mar 2004 09:47:32 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Music printing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Robert Steinberg wrote: > I would dream up using notation software to display the music. > A page > forward key or pedal command can change the page on the > display rather than > on paper. I recall seeing Harry Connick's big band using flat > screen > computer terminals in place of music stands. > I'm thinking of that for the piano, too--a neat portable unit like a notebook computer one can set on a piano's music rack, insert a CD (or next generation equivalent) of the vocal score, adjust the size and brightness of the display as desired for the ambient conditions, and off we go....We keyboardists deal with assorted pedals all the time, and would adjust readily to a foot-operated forward/back pedal, with "search" and "go to page" capability from a compact keyboard or stylus unit....Need an ability to input individual markings, of course, all those things we pencil in... It'll be fun to see the technology as it evolves. While at the moment I suspect people are muttering "a great deal more trouble than it's worth", I see the potential for downloads from online sources, compact storage of a great deal of material--to put it in direct S'net context, wouldn't it be nice to head off for a QWERT or SingOut with all the G&S vocal scores and out-take pieces on a single CD rather than toting those heavy bags? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 12-Mar midiopera@bellsouth.net [38] #Re: Music printing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Mar 2004 12:45:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2CHjcSo006707; Fri, 12 Mar 2004 12:45:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2CHjbw0023971 for ; Fri, 12 Mar 2004 12:45:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2CHj2TJ024253; Fri, 12 Mar 2004 12:45:03 -0500 (EST) Date: Fri, 12 Mar 2004 12:45:02 -0500 (EST) Message-Id: <4051F2B4.88B47BEB@bellsouth.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: Music printing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 (Macintosh; I; PPC) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Mar 2004 12:45:02 -0500 (EST) Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: Music printing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andi wrote: > It'll be fun to see the technology as it evolves. Actually, I think we're there now. It's not the technology that's missing, it's the scores. That was my point earlier in the thread. Given the time and incentive, transcribing a vocal score into a notation program such as FINALE or SIBELIUS is not a big deal, especially with OCR music scanning. Adding info to the score is not a problem as it is an active file. Navigation of the score could be done with computer keyboard commands, midi pedals sending commands or something custom made. I would also imagine that a scan of the printed music could be imported as an image file and navigated in some image viewer. You would lose the ability to write into the document. > While at the moment I suspect people are muttering "a great deal more trouble > than it's worth", And someone else might be muttering - "is there a market for such a product?" -- Robert Steinberg MidiOpera Co. http://www.midiopera.com *Under Construction*  1,, Summary-line: 12-Mar dontull@pacbell.net [73] #RE: Music printing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Mar 2004 23:04:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2D441So027899; Fri, 12 Mar 2004 23:04:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2D43wg7029908 for ; Fri, 12 Mar 2004 23:03:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2D43NTJ023818; Fri, 12 Mar 2004 23:03:23 -0500 (EST) Date: Fri, 12 Mar 2004 23:03:23 -0500 (EST) Message-Id: <20040313034900.56108.qmail@web80602.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: RE: Music printing MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1421710290-1079149740=:53799" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Mar 2004 23:03:23 -0500 (EST) Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Don Tull To: Multiple recipients of list SAVOYNET Subject: RE: Music printing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-1421710290-1079149740=:53799 Content-Type: text/plain; charset=us-ascii Having spent the better part of my waking hours (and a few non-waking ones as well when I fell asleep in front of the computer) for the last year working on vocal and full scores for La Belle Helene, La Vie Parisienne and Chocolate Soldier, I have a couple of observations to offer. The technology for scanning music still leaves a great deal to be desired. The scanning software that I use, Scansoft Professional 3.0, scans quite accurately and one can make a PDF file directly from its TIF files. Those are quite clear for general use. However, the recognition program is only about 90% accurate when translating into FINALE 2004, when only recognizing notes. It is less accurate when adding in lyrics and articulations, etc. This means that to do a full length work such as La Vie Parisienne, one still has to spend countless hours in making corrections - some of them rather bizarre - dropped notes or measures, combined or uncombined staffs for no apparent reason, etc. I found that for short pieces I could enter the music through my computer keyboard more quickly than correcting the scan. When numbers had more than four pages, then the scan became a useful tool. But I would still have to add lyrics, etc. Also, the quality of the scan is directly proportional to the quality of the original. Trying to scan from the French version of La Vie, with its non-glossy and rather manila coloured pages was virtually worthless. Copying from Doblinger's German score with its crystal white, smooth pages, was quite acceptable. I only offer my experience to suggest that the scanning option is not yet, at least for me, the wonderful panacea that one could hope for. As to repeats, I don't use them unless they are very short and are absolutely identical. Not using repeats makes life so much easier all around. Cheers, Don Tull Music Director Stage Director Operetta Translator dontull@pacbell.net San Francisco, CA --0-1421710290-1079149740=:53799 Content-Type: text/html; charset=us-ascii
Having spent the better part of my waking hours (and a few non-waking ones as well when I fell asleep in front of the computer) for the last year working on vocal and full scores for La Belle Helene, La Vie Parisienne and Chocolate Soldier, I have a couple of observations to offer.
 
The technology for scanning music still leaves a great deal to be desired.
 
The scanning software that I use, Scansoft Professional 3.0, scans quite accurately and one can make a PDF file directly from its TIF files. Those are quite clear for general use.
 
However, the recognition program is only about 90% accurate when translating into FINALE 2004, when only recognizing notes. It is less accurate when adding in lyrics and articulations, etc.
 
This means that to do a full length work such as La Vie Parisienne, one still has to spend countless hours in making corrections - some of them rather bizarre - dropped notes or measures, combined or uncombined staffs for no apparent reason, etc.
 
I found that for short pieces I could enter the music through my computer keyboard more quickly than correcting the scan. When numbers had more than four pages, then the scan became a useful tool. But I would still have to add lyrics, etc.
 
Also, the quality of the scan is directly proportional to the quality of the original. Trying to scan from the French version of La Vie, with its non-glossy and rather manila coloured pages was virtually worthless. Copying from Doblinger's German score with its crystal white, smooth pages, was quite acceptable.
 
I only offer my experience to suggest that the scanning option is not yet, at least for me, the wonderful panacea that one could hope for.
 
As to repeats, I don't use them unless they are very short and are absolutely identical.
 
Not using repeats makes life so much easier all around.
Cheers,


Don Tull
Music Director
Stage Director
Operetta Translator
dontull@pacbell.net
San Francisco, CA --0-1421710290-1079149740=:53799--  1,, Summary-line: 13-Mar dflorip@yahoo.com [109] #Carl Rosa Mikado. Review (Sorta). X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 13 Mar 2004 18:59:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2DNxtUq010433; Sat, 13 Mar 2004 18:59:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2DNxrDL017547 for ; Sat, 13 Mar 2004 18:59:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2DNxOTJ021527; Sat, 13 Mar 2004 18:59:24 -0500 (EST) Date: Sat, 13 Mar 2004 18:59:24 -0500 (EST) Message-Id: <20040313233858.53269.qmail@web41612.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Carl Rosa Mikado. Review (Sorta). MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 13 Mar 2004 18:59:24 -0500 (EST) Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Carl Rosa Mikado. Review (Sorta). X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all, Last night I saw the Carl Rosa touring MIKADO in Dearborn (just outside Detroit, Michigan). ABSOLUTELY FABULOUS. The best G&S performance I have ever seen. The Topsy-Turvy costumes are spectacular. The highlight for me was Simon Butteriss. His Ko-Ko was simply out of this world. It was very hammy and incorporated much of the traditional business, but it wasn't cheaply done by any means... it was all very well timed and incredibly hilarious. Butteriss had the audience in stitches the whole night, and single-handedly brought the house down. His "kiss" of Katisha's elbow alone was worth my ticket fee. (I don't want to spoil it for those yet to see the show on tour the next few weeks, but scroll a ways below my signature for a description.) Butteriss also gave us two updated verses of the Little List, which I found very humorous and thought y'all might be interested in... There's that clearly freaky nuissance who gets really up my nose, The aroma therapist -- I've got her on the list, And the youth who pierced his nipples, but then didn't stop at those, He never would be missed, he never would be missed. The theatre-goer's cell phone, which he answers when it rings, Says, "I'll call you when it's quiet -- perhaps when Yum-Yum sings." The fellow in Baghdad who's only there to see the shows, Thinks al-Qaeda network is the stripper's pantyhose, And the amateur who'd do my part much better he'd insist, I don't think he'd be missed, I'm sure he'd not be missed! There's the singer who reveals her all to prove it doesn't sag, The football flatterist -- I've got her on the list, And the bishop who won't marry gays, then goes to work in drag, He never would be missed, he never would be missed. The State of California, who voted once again, The star whose only undeveloped muscle is his brain, The president who'd conquer Mars and put a dog up there, He's got a little lap dog and his name is Tony Blair. But it really doesn't matter whom you put upon the list, For they'd none of them be missed, they'd none of them be missed! These two verses were taken with pauses after each line to allow for laughter and applause. Very well done. I loved it so much that I'm going back when it returns to the area next weekend. This show is a must-see if you're in the Michigan-Ohio area in the next few weeks. Regards, Dan Daniel Florip Ann Arbor, Michigan Ave Maria School of Law Makeup Designer, UMGASS Princess Ida, April 2004 dflorip@yahoo.com Visit UMGASS on the web at www.umgass.org! (Scroll down for description of hot elbow kissing!) During the "line-up" at the end of the finale, Ko-Ko lifted Katisha's arm, pulled back the sleeve, held the elbow high in the air, and gave it a good, long, lashing, wet, freaky tongueing which lasted several measures! Hilarious! __________________________________ Do you Yahoo!? Yahoo! Mail - More reliable, more storage, less spam http://mail.yahoo.com  1,, Summary-line: 14-Mar Karen@kloxley.freeserve.c [39] #Melissa's Diary (Shameless plug) X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Mar 2004 09:09:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2EE8vV3006387; Sun, 14 Mar 2004 09:08:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2EE8u65016199 for ; Sun, 14 Mar 2004 09:08:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2EE8TTJ027858; Sun, 14 Mar 2004 09:08:29 -0500 (EST) Date: Sun, 14 Mar 2004 09:08:29 -0500 (EST) Message-Id: <000901c409cc$bc055160$8db187d9@LAPTOP> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Karen@kloxley.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Karen Loxley" To: Multiple recipients of list SAVOYNET Subject: Melissa's Diary (Shameless plug) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 14 Mar 2004 09:08:29 -0500 (EST) Reply-To: Karen@kloxley.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Karen Loxley" To: Multiple recipients of list SAVOYNET Subject: Melissa's Diary (Shameless plug) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Today my mother's lecture on Abstract Philosophy was very boring. Indeed it was so tedious that Chloe spent the time doodling in her drawing book and ended up making a sketch of a perambulator - double perambulator. How marvellously strange! Of course I'll breathe no word, but I hope my mother doesn't see it! At the same time Sacharissa was passing round some little wooden dolls. She said they were "chessmen" and they looked very hideous indeed - so Chloe and I have dared Sacharissa to ask Lady Psyche what real men are like! I can't wait to hear the answer! Melissa "Princess Ida" Birley Carr Musical and Dramatic Society Tuesday 23rd - Saturday 27th March 2004 Birley Carr Methodist Church Foxhill Road, Sheffield Tickets: £4.50 adults, £4.00 OAPs and children KAL Karen Ann Loxley My opinion doesn't matter matter matter matter matter  1,, Summary-line: 14-Mar MusikDrama@aol.com [149] #Re: Iolanthe's 'enigma' theme X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Mar 2004 20:27:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2F1RIV3014870; Sun, 14 Mar 2004 20:27:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2F1RHH7019088 for ; Sun, 14 Mar 2004 20:27:17 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2F1QZTJ025079; Sun, 14 Mar 2004 20:26:35 -0500 (EST) Date: Sun, 14 Mar 2004 20:26:35 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe's 'enigma' theme MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 14 Mar 2004 20:26:35 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe's 'enigma' theme X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 3/13/2004 9:33:55 AM Pacific Standard Time, il011f4251@blueyonder.co.uk writes: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Mar 2004 04:28:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2F9SvvX018793; Mon, 15 Mar 2004 04:28:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2F9SrBT024985 for ; Mon, 15 Mar 2004 04:28:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2F9RwTJ008856; Mon, 15 Mar 2004 04:27:58 -0500 (EST) Date: Mon, 15 Mar 2004 04:27:58 -0500 (EST) Message-Id: <001701c40a6e$f0e11660$144d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe's 'enigma' theme (PS) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Mar 2004 04:27:58 -0500 (EST) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe's 'enigma' theme (PS) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, well! And I'd looked through the rest of the overture too. This passage (from 9 after S) is particularly impressive as it keeps the same key and time signature, and all the note lengths are the same. You could argue that the third note - F natural - does not strictly belong to the chord, but then on the other hand it certainly doesn't jar with it and has the right 'whole tone' feel as it heads towards the G. I'll sneak down to the orchestra pit this week and check the band parts, but I guess I'd be a bit disappointed to find anything there. Not enigmatic enough! Thanks, Steve, and well spotted! Ian ----- Original Message ----- From: To: "Multiple recipients of list SAVOYNET" Sent: Monday, March 15, 2004 1:26 AM Subject: Re: Iolanthe's 'enigma' theme (PS) > > In a message dated 3/13/04 9:33:55 AM, il011f4251@blueyonder.co.uk writes: > > >PS On another subject, I noticed today for the first time that the chord > >sequence 10 and 11 bars after S in the overture is the same as 'shake in > >their shoes' and 'kettle of fish' in Act 2 No 2. > > Not so different a subject as all that, Ian! Try singing the "enigma" theme, > with the exact notes and rhythms as at the opening of the overture, from the > beginning of 9 after S. You'll find it works perfectly! > > Now *that* one, I'm convinced that Sullivan intended. For all I know (never > having seen the orchestra score), the melody might actually be in there, > unassumingly played by some instrument or other, and cleverly hidden in the texture. > Probably not, but I feel certain it's no coincidence that the harmony > supports that melody so well. > > Again, many thanks for drawing my attention to it (even if unintentionally)! > > Steve Lichtenstein > "A Jew, but poor!" >  1, forwarded,, Summary-line: 15-Mar MusikDrama@aol.com [58] #Re: Oh Foolish Fay X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Mar 2004 10:24:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2FFO8vZ026398; Mon, 15 Mar 2004 10:24:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2FFM8CU029402 for ; Mon, 15 Mar 2004 10:22:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2FFKXTJ016320; Mon, 15 Mar 2004 10:20:33 -0500 (EST) Date: Mon, 15 Mar 2004 10:20:33 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Oh Foolish Fay MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Mar 2004 10:20:33 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Oh Foolish Fay X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 3/14/04 9:08:29 PM, phylismyown@hotmail.com writes: >I am very interested in seeing what alternates [for Captain Shaw] have been used, if any. I know I've heard of it being done, but are any of them memorable? I'm fairly sure that Mary Finn would have replied to this if she were still "on board," but as I recall that she recently signed off of Savoynet for a few months, I will take the liberty of posting her lyric (memorable, obviously, to me!) which uses a slightly more contemporary reference: On fire that glows With heat intense I turn the hose Of common sense And out it goes at small expense. We must maintain The status quo And drown our pain In depths below In that we gain A Jacques Cousteau. Oh Jacques Cousteau, Over the waves and under, Could oceans wide With drenching tide Quench my great love I wonder? "Quench" is the only word I'm slightly uncertain about; she may have used a different verb there, but I'm quite certain about the rest of it. I think it's very good, except of course that the metaphor of the hose is lost at the beginning. I like the use of "below" on the low note (which Mary told me she hadn't thought of when she wrote it, though she was perfectly willing to take credit for it!), which in addition to being a good word-painting, matches Gilbert's "above" in the first verse at that point in the music. A good challenge would be to try to complete Mary's verse by rewriting the first bit to get rid of the hose reference and make it a complete ocean metaphor! Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 15-Mar il011f4251@blueyonder.co. [52] #Re: Oh Foolish Fay X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Mar 2004 12:36:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i2FHaKvX005019; Mon, 15 Mar 2004 12:36:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i2FHaCZi015470 for ; Mon, 15 Mar 2004 12:36:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2FHYnTJ015973; Mon, 15 Mar 2004 12:34:49 -0500 (EST) Date: Mon, 15 Mar 2004 12:34:49 -0500 (EST) Message-Id: <001001c40ab3$237d6260$144d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Oh Foolish Fay MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Mar 2004 12:34:49 -0500 (EST) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Oh Foolish Fay X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.647 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Having spent the last few days closely examining Sullivan's choice of notes in the Iolanthe overture for intentional or accidental cross references, here we have a very similar situation with Gilbert's choice of words, even letters! I'd say this was entirely accidental. The extended fire brigade metaphor coupled with a demanding rhyme structure is quite enough without an intentional pun on a matter unrelated to that particular song. It would be very hard for Fairy Queen to deliver this to the audience as a pun in the circs! But an interesting observation none the less. Ian Lawson ----- Original Message ----- From: "Woods, Clive" To: "Multiple recipients of list SAVOYNET" Sent: Monday, March 15, 2004 3:42 PM Subject: Oh Foolish Fay > > From: MusikDrama@aol.com [mailto:MusikDrama@aol.com] > > Sent: Monday, March 15, 2004 9:21 AM > > > A good challenge would be to try to complete Mary's verse by > > rewriting the first bit to get rid of the hose reference and make it a > > complete ocean metaphor! > > Just to prevent us being flooded with substitutes, may I be allowed to point out that whoever attempts this will, as well as merely eliminating the "hose" reference in favour of a complete ocean metaphor, need to preserve something akin to Gilbert's "hose of commons..." pun, otherwise I (for one) will feel short-changed. > > Clive Woods > >  1,, Summary-line: 15-Mar finn@intersystems.com [202] #Re: [MusikDrama@aol.com: Re: Oh Foolish Fay] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Mar 2004 14:20:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2FJKMvX020886; Mon, 15 Mar 2004 14:20:22 -0500 (EST) Received: from mail.intersystems.com (mail.intersys.com [198.133.74.1]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2FJKKCi012901 for ; Mon, 15 Mar 2004 14:20:21 -0500 (EST) Message-Id: <4.3.2.7.2.20040315141341.00b4dd20@moon> X-Sender: finn@moon (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Mon, 15 Mar 2004 14:22:08 -0500 To: "David C. Jedlinsky" From: Mary Finn Subject: Re: [MusikDrama@aol.com: Re: Oh Foolish Fay] In-Reply-To: <200403151627.i2FGR5wo013269@multics.mit.edu> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_18742079==_.ALT" X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: finn@moon (Unverified) Date: Mon, 15 Mar 2004 14:22:08 -0500 To: "David C. Jedlinsky" From: Mary Finn Subject: Re: [MusikDrama@aol.com: Re: Oh Foolish Fay] In-Reply-To: <200403151627.i2FGR5wo013269@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_18742079==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Steve got the Jacques Cousteau lyric right, including "quench", which IMHO goes well with "drenching". He is quite right about losing the "hose" metaphor, which is why I wrote a version referring to another famous(ish) fireman. (Although come to think of it, Red Adair uses explosives, not water. Rats.) On fire that glows with heat intense I turn the hose of common sense And out it goes at small expense Our statute stern, when fairies care Deprives our burning hearts of air In that we earn a Red Adair In that we earn a Red Adair Oh, Red Adair Filling the skies with thunder Could thy brave crews with lighted fuse Snuff out my love, I wonder? Feel free to post these, if you think anyone will care. And people are free to use them, if they wish. But please add that *my* personal preference is to use Gilbert's lyrics unchanged. I imagine I'll be signing back onto SavoyNet fairly soon. But not today. Work is going crazy, I'm in two shows (what was I thinking?) and I'm turning into a major stress-puppy. Cheers, -- mary At 11:27 AM 3/15/2004 -0500, David C. Jedlinsky wrote: >In a message dated 3/14/04 9:08:29 PM, phylismyown@hotmail.com writes: > > >I am very interested in seeing what alternates [for Captain Shaw] have been >used, if any. I know I've heard of it being done, but are any of them >memorable? > >I'm fairly sure that Mary Finn would have replied to this if she were still >"on board," but as I recall that she recently signed off of Savoynet for a >few >months, I will take the liberty of posting her lyric (memorable, >obviously, to >me!) which uses a slightly more contemporary reference: > >On fire that glows >With heat intense >I turn the hose >Of common sense >And out it goes at small expense. > >We must maintain >The status quo >And drown our pain >In depths below >In that we gain >A Jacques Cousteau. > >Oh Jacques Cousteau, >Over the waves and under, >Could oceans wide >With drenching tide >Quench my great love I wonder? > >"Quench" is the only word I'm slightly uncertain about; she may have used a >different verb there, but I'm quite certain about the rest of it. I think >it's >very good, except of course that the metaphor of the hose is lost at the >beginning. I like the use of "below" on the low note (which Mary told me >she hadn't >thought of when she wrote it, though she was perfectly willing to take credit >for it!), which in addition to being a good word-painting, matches Gilbert's >"above" in the first verse at that point in the music. > >A good challenge would be to try to complete Mary's verse by rewriting the >first bit to get rid of the hose reference and make it a complete ocean >metaphor! > >Steve Lichtenstein >"A Jew, but poor!" >------- End of forwarded message ------- --=====================_18742079==_.ALT Content-Type: text/html; charset="us-ascii" Steve got the Jacques Cousteau lyric right, including "quench", which IMHO goes well with "drenching".

He is quite right about losing the "hose" metaphor, which is why I wrote a version referring to another famous(ish) fireman. (Although come to think of it, Red Adair uses explosives, not water. Rats.)

On fire that glows with heat intense
I turn the hose of common sense
And out it goes at small expense
Our statute stern, when fairies care
Deprives our burning hearts of air
In that we earn a Red Adair
In that we earn a Red Adair

Oh, Red Adair
Filling the skies with thunder
Could thy brave crews with lighted fuse
Snuff out my love, I wonder?


Feel free to post these, if you think anyone will care. And people are free to use them, if they wish. But please add that *my* personal preference is to use Gilbert's lyrics unchanged.

I imagine I'll be signing back onto SavoyNet fairly soon. But not today. Work is going crazy, I'm in two shows (what was I thinking?) and I'm turning into a major stress-puppy.

Cheers,

-- mary


At 11:27 AM 3/15/2004 -0500, David C. Jedlinsky wrote:

In a message dated 3/14/04 9:08:29 PM, phylismyown@hotmail.com writes:

>I am very interested in seeing what alternates [for Captain Shaw] have been
used, if any. I know I've heard of it being done, but are any of them
memorable?

I'm fairly sure that Mary Finn would have replied to this if she were still
"on board," but as I recall that she recently signed off of Savoynet for a few
months, I will take the liberty of posting her lyric (memorable, obviously, to
me!) which uses a slightly more contemporary reference:

On fire that glows
With heat intense
I turn the hose
Of common sense
And out it goes at small expense.

We must maintain
The status quo
And drown our pain
In depths below
In that we gain
A Jacques Cousteau.

Oh Jacques Cousteau,
Over the waves and under,
Could oceans wide
With drenching tide
Quench my great love I wonder?

"Quench" is the only word I'm slightly uncertain about; she may have used a
different verb there, but I'm quite certain about the rest of it. I think it's
very good, except of course that the metaphor of the hose is lost at the
beginning. I like the use of "below" on the low note (which Mary told me she hadn't
thought of when she wrote it, though she was perfectly willing to take credit
for it!), which in addition to being a good word-painting, matches Gilbert's
"above" in the first verse at that point in the music.

A good challenge would be to try to complete Mary's verse by rewriting the
first bit to get rid of the hose reference and make it a complete ocean metaphor!

Steve Lichtenstein
"A Jew, but poor!"
------- End of forwarded message -------
--=====================_18742079==_.ALT--  1,, Summary-line: 15-Mar perlner@MIT.EDU [77] #Re: My graduation recital next Wednesday! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Mar 2004 16:38:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2FLcDvX005389; Mon, 15 Mar 2004 16:38:14 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2FLcDKS023987 for ; Mon, 15 Mar 2004 16:38:13 -0500 (EST) Received: from dodecahedron.mit.edu (DODECAHEDRON.MIT.EDU [18.238.3.87]) (authenticated bits=56) (User authenticated as perlner@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i2FLcATC009726 for ; Mon, 15 Mar 2004 16:38:10 -0500 (EST) Received: (from perlner@localhost) by dodecahedron.mit.edu (8.12.9) id i2FLcA4n025733; Mon, 15 Mar 2004 16:38:10 -0500 Message-Id: <200403152138.i2FLcA4n025733@dodecahedron.mit.edu> To: "David C. Jedlinsky" Subject: Re: My graduation recital next Wednesday! In-Reply-To: Your message of "Mon, 15 Mar 2004 16:22:45 EST." <200403152122.i2FLMjDv021072@multics.mit.edu> Date: Mon, 15 Mar 2004 16:38:10 -0500 From: Dawn Perlner X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" Subject: Re: My graduation recital next Wednesday! In-Reply-To: Your message of "Mon, 15 Mar 2004 16:22:45 EST." <200403152122.i2FLMjDv021072@multics.mit.edu> Date: Mon, 15 Mar 2004 16:38:10 -0500 From: Dawn Perlner X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) |> Wow, I guess you *are* still busy. I don't recommend your method of |> eliminating stage fright (i.e. getting sick). Are you taking voice I'm always busy...it's kind of a bad habit... :p Well, it wasn't exactly a choice! I sort of got it bad last month...4 different viruses over 4 weeks...as soon as I recovered from one I got another...I think part of it was all the little kids who are always at Longy (its primary purpose being a community music school - half the time conservatory students paying good tuition money can't get practice rooms because they're all reserved out by teachers teaching little kids - it's awful!) But I try to look at the positive side of things! (The last bug I got was a stomach bug, so I couldn't eat for 3 days and lost about 5 pounds which was just enough to make me look really good in the slinky silver dress I wore for the recital). |> lessons, or just working on violin these days? I'm taking voice lessons as an elective at Longy, though I'm not sure how useful they are. It seems the more I study the more I find difficulty in singing! My teacher's also really nice...too nice...he almost never offers any criticism, just tells me that I'm doing wonderfully, which get kind of old really fast especially when I hear a CD of me singing and don't hear what I want to! Whereas my violin teacher is never satisfied, always tells me she's concerned that I won't be good enough for whatever I'm playing for (jury, recital, competition...) and nitpicking everything... which is actually really great for my technique and not as unpleasant as it sounds. |> I didn't actually use Finale, though I'm not convinced it would have |> made things much easier. The composer (the music to Thespis was lost, Yeah, a lot of people use Finale but I never particularly liked it, it was just better than writing everything out by hand, and happened to be what everyone was using. |> so Colin Johnson in England wrote new music) wrote all of it in |> Noteworthy, which is good enough for composition and playback, but |> stinks for printing the parts. So I wrote what I thought would be a |> quick little program to convert from Noteworthy to LilyPond (the best |> music typesetter out there, and it's free!). Unfortunately, the |> conversion program turned out to be 10,000 lines of code, and I still |> had to tweek the results (grumble, grumble, instrumentalists and their |> page turns, grumble, grumble). Haha, the way to deal with page turns is to keep all the pages separate and turn in the rests whether or not they occur at the bottom of a page. Or just resign yourself to having only half your players playing at the page-turn moments. Or print the part so small that each number takes up no more than one page! But wow, I'm impressed with anyone that writes 10,000 lines of code! |> Hopefully, you'll be able to make it to one of our performances. |> Check the dates carefully; we're running over Easter weekend, which |> screws things up a lot. I don't celebrate Easter, being like a Jewish athiest and stuff. But thanks for the warning! I think the first weekend is the one I'll go to anyways especially if I have to play in the opera the 2nd weekend! See you around! --Dawn  1,, Summary-line: 16-Mar LHall@tscwo.com [28] #High notes and Physics Today X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Mar 2004 16:16:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2GLGJWQ004998; Tue, 16 Mar 2004 16:16:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2GLGIM6012138 for ; Tue, 16 Mar 2004 16:16:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2GLF8TJ002815; Tue, 16 Mar 2004 16:15:08 -0500 (EST) Date: Tue, 16 Mar 2004 16:15:08 -0500 (EST) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B024E0E7F@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: High notes and Physics Today MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 16 Mar 2004 16:15:08 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: High notes and Physics Today X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A couple of Australian physicists have used equipment and formulas to determine something we could have just told them, had they called one of us. "Acoustics Experiment Shows Why It's So Hard to Make Out the Heroine's Words at the Opera" http://www.physicstoday.org/vol-57/iss-3/p23.html Leta Hall Aspen Hill, Maryland "He thinks he's a whimsical fellow, always having had a history of cracking himself up." Gordon Brigham, 'Gondoliers' bio 1989  1,, Summary-line: 20-Mar melbear@ihug.co.nz [226] #Lost Band Parts (Very Long) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Mar 2004 01:35:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2K6Zove024020; Sat, 20 Mar 2004 01:35:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2K6Znhn000152 for ; Sat, 20 Mar 2004 01:35:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i2K6YVTJ021612; Sat, 20 Mar 2004 01:34:31 -0500 (EST) Date: Sat, 20 Mar 2004 01:34:31 -0500 (EST) Message-Id: <01fa01c40e42$4dac89c0$b2a176cb@melbear> Errors-To: savoynet-owner@bridgewater.edu Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Lost Band Parts (Very Long) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 20 Mar 2004 01:34:31 -0500 (EST) Reply-To: melbear@ihug.co.nz Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mel Moratti" To: Multiple recipients of list SAVOYNET Subject: Lost Band Parts (Very Long) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all Ian Bond said: "Did Williamson perform other Gilbert works that we currently assume the band parts for are missing? Did they perform HIS EXCELLENCY, PRINCESS TOTO, HASTE TO THE WEDDING, FALLEN FAIRIES etc. and what about other D'Oyly Carte works such as MIRETTE, JANE ANNIE, VICAR OF BRAY? Is there anyone in Australia in a position to investigate?" In 2001 I went to the National Library archives in Canberra to explore some of the material that they had there. There were vast quantities relating to J.C. Williamson but most of it was post 1900. Various full (and part) scores were available and several instrumental parts, mostly very incomplete. As the Williamson companies performed the works soon after their original London openings there were a few instances where some changes Sullivan made to the London productions didn't make it out here until well after the turn of the century. (eg the Bassoon solo in Three Little Maids) and the Pinafore Overture. The complete score I found of HMS Pinafore was completely rescored - obviously orchestrated from the vocal score. It also had several 'extra' songs added (as was quite common at that time) not by Sullivan (or Gilbert). No there was no Thespis. And as for Princess Toto and Vicar of Bray keep reading. Check out my website for a history of G & S Downunder. I filed the following report to Savoynet several years back..... THE NATIONAL LIBRARY OF AUSTRALIA ARCHIVES The National Library of Australia sits comfortably in the rather small and isolated town of Canberra, Australia's capital city. After forty minutes flying time from Sydney you arrive at an airport that's so small that the only means of transport into town is by taxi or car-hire. There are no buses, trains or shuttles. Signs dot the two-lane road along the way - WATCH OUT FOR KANGAROOS. You arrive at your Hotel to the laughter of Kookaburras. The Library lies on the South side of the city centre. The Houses of Parliament are almost across the lawn. The National Library is Australia's largest. Its aim is to collect a copy of everything published in Australia. Every month more than one million people visit their internet site at www.nla.gov.au . Their online facilities include an almost complete data-base of what the Library holds. There are terminals all throughout the building for anyone to reference anything the Library might hold. For anyone planning a visit, I would recommend the following: Visit on a weekday - all the rooms are open then. E-mail ahead with all your requests and questions. Arrive early. Virtually everything has to be requested. So register ASAP and place your first requests. If you are planning to return for a second or third day then items will be held in the room for you. I found the staff most helpful and many would go out of their way to assist you - particularly important if you are on a tight schedule. The Library is open to 9pm during the week. Photocopying can prove expensive especially if the items are particularly rare. $13A for up to 25 pages scanned from any one source. One page from one book would still cost $13. This prohibited me getting a lot of stuff copied although with a lot of pleading and begging (I'll plead and beg no problem) I managed to get one rare page copied. The Newspaper room is similar to most other Libraries with copying costing about 40cents a page. Besides holding every Australian newspaper there were also several London ones as well. These dated back to the early 19th Century so suited me. The purpose of my visit was to continue my research on Gilbert and Sullivan in Australia during the 19th Century. Prior to my visit the Library kindly forwarded to me lists of much of the material they thought I might be interested in. I, naturally, had to confine most of my research to a specific area. This visit I wished to investigate what the Library might hold on J C Williamson Ltd. James Williamson was the biggest theatrical entrepreneur for this part of the world and was responsible in licensing the original productions of the Gilbert and Sullivan Operettas. Many of these works would be staged here only a few months after their London opening. For more information on J C Williamson check out my website http://homepages.ihug.co.nz/~melbear/ and click on 'Down Under in the 19th Century". To give you some examples of what the Library has to offer on J C Williamson is almost impossible. There were over 600 boxes in the Manuscript room alone. Each box might contain several manuscripts. For an Opera like "The Mikado" there were five boxes. Each box might contain vocal scores, conductor scores, orchestral parts, etc. J C Williamson was all the time producing different shows. He was always trying to bring to Australia the latest London successes as quickly as possible. And when there was nothing of note happening in the UK he would write his own productions. Besides G & S there were hundreds of other productions all boxed and detailed. I copied a few examples from the period I was working on: Clay/Gilbert: Princess Toto (JCW283) Band Parts/Chorus Parts Fraser-Simpson: The Street Singer (JCW321) Band Parts/Vocal Score/Scripts Alfred Cellier: The Sultan of Mocha (JCW323) Vocal Score Alfred Hill: Tapu (JCW 330) Band Parts Solomon/Grundy: The Vicar of Bray (JCW351) Band Parts/Vocal Score/Song Parts Material is housed in various rooms so I had to pace myself often ordering boxes up from the vaults while I went to another area to continue working on something else. In another room is housed all the correspondence relating to contracts, artists (hiring), box office, financial accounts, wages and salaries. This all made fascinating reading and I would have loved to have photocopied a lot of the material but not at $13 a pop. There was also one interesting box of Cables sent at various times from America to Australia. As the J C Williamson Company continued on into the 1960s a large proportion of the material was irrelevant to my visit. There were a couple of hundred boxes devoted to various plays that had been produced over the years. I list a couple of examples under 'T' Box 198 The Three Musketeers Tea for Three Three for Tea Theodora Two Nights in Rome That Doctor Cupid Box 199 The Truth The Things That Count The Travelling Salesman A Tailor-Made Man Three Faces East I was particularly interested in Boxes 196 & 197 which housed all material relating to Williamson's first production "Struck Oil" which was in its day (1870s) a sort of "Gone With the Wind" in popularity. The boxes here contained the original hand-written scripts and a complete set of original band parts which would have contained about one hours worth of music. The play became so popular that it was continually revived even into the 20th Century. Another room contained all the Theatre Programmes. Most were for productions mounted in the 20th Century but I did find one box of original programmes from the turn of the century. Then I was off to another room to access all the pictures on file. There was much of interest and, yes, they would photocopy for 20cents however the quality was very poor. Downstairs was the newspaper room mentioned earlier. Cross checking reviews and dates I managed to find many inaccuracies in existing publications. So did I unearth anything of real value? That was the purpose of my visit. The most important find was the original conductors score for "HMS Pinafore" This would have been based on the version that was currently running on the London stage. Williamson obtained the Australasian rights from D'Oyly Carte so this would be the copy that was used when the first legitimate production was performed in Australia. There were several items in the score that were of particular interest to me. No Overture. The Overture, as we know it, was added at some stage - but when? In checking programmes for various revivals at the turn of the century no Overture was listed there either. So it seems unlikely that the Overture, which was eventually performed in London, never made its way out to Australia until sometime in the 20th Century. There were three extra numbers inserted in the score, No 9b "Rum", a bass solo, a song after the introduction to Act 2 "We Tars" (followed by a hornpipe) and a song for Hebe (No 20b) after the "O Bliss O Rapture" recitative. This latter piece was replaced with spoken dialogue (in England) at a later date. These numbers were written by a J L Hatton. Hatton died in 1886 which adds to the authenticity of the score. There is a bit of a mystery about these songs and Mr John Liptrot Hatton. Hatton was English. The same hand which wrote the score also wrote these numbers. Could Williamson have picked them up while in England? Were they popular songs of the day? Did Gilbert & Sullivan OK the use? "We Tars" continued to be popular as it was used in revivals well into the 20th century. There were a couple of other items of interest: Of the three finales written to end the operetta Australia performed the first one - which is not the one we know today. There were also some unusual additions to the orchestration of Little Buttercups song. Mainly for the woodwind. For those interested the library offers a microfilming service for those living overseas.. 1-50 pages $70A (Microfiche) 1-50 pages $90A (Microfiche) 51-250 pages $100A (Microfilm) 51-250 pages $165A (Microfilm) Many thanks Mel Auckland New Zealand Interested in Gilbert & Sullivan? Check out my website on the history of G & S in the Antipodes... http://homepages.ihug.co.nz/~melbear/  1,, Summary-line: 24-Mar to: monty@xiph.org [50] #Re: Soundtrack, DVD, cover art X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Mar 2004 16:28:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2OLSRNc015897; Wed, 24 Mar 2004 16:28:27 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2OLSKeq011854; Wed, 24 Mar 2004 16:28:20 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i2OLSETC013005; Wed, 24 Mar 2004 16:28:20 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i2OLSDAC027156; Wed, 24 Mar 2004 16:28:13 -0500 (EST) Date: Wed, 24 Mar 2004 16:28:13 -0500 (EST) Message-Id: <200403242128.i2OLSDAC027156@multics.mit.edu> From: "David C. Jedlinsky" To: monty@xiph.org In-reply-to: <20040323204653.GB19467@lips.xiph.org> (message from Monty on Tue, 23 Mar 2004 15:46:53 -0500) Subject: Re: Soundtrack, DVD, cover art References: <20040323204653.GB19467@lips.xiph.org> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 24 Mar 2004 16:28:13 -0500 (EST) From: "David C. Jedlinsky" To: monty@xiph.org In-reply-to: <20040323204653.GB19467@lips.xiph.org> (message from Monty on Tue, 23 Mar 2004 15:46:53 -0500) Subject: Re: Soundtrack, DVD, cover art X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey Monty. The DVD viewing will not be the FINAL version of the disk. I'm still rotoscoping the lightsabers in the duel, and it's going to take a while longer to complete that. Jax really wanted to hold a viewing with what I've already got, probably to gauge whether people think the lightsaber stuff is worth the extra time or not. Where'd you hear about the viewing? I didn't get any email. I have a DVD cover in Photoshop format, which won't be the right aspect ratio for a CD cover. If you want it to play with, I'll put it somewhere for you to grab. Ruth is working on a DVD label, which *would* work on a CD just as well. That should be done tonight; do you want that as well/instead? Can you handle PSD files, or do you want it saved in something more portable? Are you going to make your reverb suppressor available to random plebes? That sort of thing has been really needed in the past... -Dave >Date: Tue, 23 Mar 2004 15:46:53 -0500 >From: Monty > >Hey Opus, > >I heard the good news about a DVD viewing after break. As it turns >out... I've finally written a working reverberation suppressor! I'm >still twiddling with it, but that means I'm basically 3 hours of >rendering away from having audio tracks once I like my settings. > >Did you ever finish the super-spiffy cover art you were working on? >Would you like to do a 'coordinated release'? :-) > >Monty  1,, Summary-line: 24-Mar monty@xiph.org [51] #Re: Soundtrack, DVD, cover art X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Mar 2004 16:48:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2OLmNNc028259; Wed, 24 Mar 2004 16:48:23 -0500 (EST) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2OLmMoZ027301 for ; Wed, 24 Mar 2004 16:48:23 -0500 (EST) Received: by lips.xiph.org (Postfix, from userid 1000) id 4780ADC0BB; Wed, 24 Mar 2004 15:30:25 -0500 (EST) Date: Wed, 24 Mar 2004 15:30:25 -0500 From: Monty To: "David C. Jedlinsky" Subject: Re: Soundtrack, DVD, cover art Message-ID: <20040324203025.GA27143@lips.xiph.org> References: <20040323204653.GB19467@lips.xiph.org> <200403242128.i2OLSDAC027156@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200403242128.i2OLSDAC027156@multics.mit.edu> User-Agent: Mutt/1.4i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 24 Mar 2004 15:30:25 -0500 From: Monty To: "David C. Jedlinsky" Subject: Re: Soundtrack, DVD, cover art Content-Disposition: inline In-Reply-To: <200403242128.i2OLSDAC027156@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, Mar 24, 2004 at 04:28:13PM -0500, David C. Jedlinsky wrote: > > Hey Monty. > > The DVD viewing will not be the FINAL version of the disk. I'm still > rotoscoping the lightsabers in the duel, and it's going to take a > while longer to complete that. Jax really wanted to hold a viewing > with what I've already got, probably to gauge whether people think the > lightsaber stuff is worth the extra time or not. Where'd you hear > about the viewing? I didn't get any email. I am acting on a rumor perpetrated by... I think Jen Braun. I don't remember for sure, don't blame her yet ;-) > I have a DVD cover in Photoshop format, which won't be the right > aspect ratio for a CD cover. If you want it to play with, I'll put it > somewhere for you to grab. "Eh". If you have a nice hi-res raster version I can probably work with just about anything. > Ruth is working on a DVD label, which *would* work on a CD just as > well. That should be done tonight; do you want that as well/instead? > Can you handle PSD files, or do you want it saved in something more > portable? Sure. And yeah, I'll need portable formats as all my image work is in The Gimp. BTW, no hurry, but I feel like I've been sitting on this stuff a *long* time... > Are you going to make your reverb suppressor available to random > plebes? That sort of thing has been really needed in the past... Hell yeah. I've been lusting after this beast forever. I'm still tweaking it, but the basic idea works well. Monty  1,, Summary-line: 27-Mar jgoodman@whoi.edu [68] #New Year's 2005 in Hawaii X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 27 Mar 2004 17:17:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2RMHnNX023460; Sat, 27 Mar 2004 17:17:49 -0500 (EST) Received: from out012.verizon.net (out012pub.verizon.net [206.46.170.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2RMHi1v004570; Sat, 27 Mar 2004 17:17:44 -0500 (EST) Received: from [192.168.1.100] ([141.154.203.247]) by out012.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040327221743.PHCV18295.out012.verizon.net@[192.168.1.100]>; Sat, 27 Mar 2004 16:17:43 -0600 Mime-Version: 1.0 (Apple Message framework v613) Content-Transfer-Encoding: 7bit Message-Id: <91F0DD54-803C-11D8-A0AB-000A957D7366@whoi.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: Jeff Goodman , Matthew Morse , Rebecca Christianson , shmike@mit.edu, valerie@unixmama.com, Jeff Bigler , Rich Carreiro , "David C. Jedlinsky" , Ruth Jedlinsky , Ken Raeburn , Denis Moskowitz , Beth Collins , Geoffrey Collins , Avon Russell , John Reebee , Karen Swanberg , "Theodore Ts'o" , Jenifer Tidwell , John Rowan Littell , John Kohl , Jason Goodman , Jeffrey Chan , Carolyn Smith , eichin@thok.org, jenniferz@cs.earlham.edu, Jennie Hango , Nancy Louise Bigler Gilman , jan@unixpapapa.com, marymary@suberic.net, freaks@suberic.net From: Jason Goodman Subject: New Year's 2005 in Hawaii Date: Sat, 27 Mar 2004 17:17:44 -0500 X-Mailer: Apple Mail (2.613) X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [141.154.203.247] at Sat, 27 Mar 2004 16:17:41 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Jeff Goodman , Matthew Morse , Rebecca Christianson , shmike@mit.edu, valerie@unixmama.com, Jeff Bigler , Rich Carreiro , "David C. Jedlinsky" , Ruth Jedlinsky , Ken Raeburn , Denis Moskowitz , Beth Collins , Geoffrey Collins , Avon Russell , John Reebee , Karen Swanberg , "Theodore Ts'o" , Jenifer Tidwell , John Rowan Littell , John Kohl , Jason Goodman , Jeffrey Chan , Carolyn Smith , eichin@thok.org, jenniferz@cs.earlham.edu, Jennie Hango , Nancy Louise Bigler Gilman , jan@unixpapapa.com, marymary@suberic.net, freaks@suberic.net From: Jason Goodman Subject: New Year's 2005 in Hawaii Date: Sat, 27 Mar 2004 17:17:44 -0500 X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [141.154.203.247] at Sat, 27 Mar 2004 16:17:41 -0600 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Friends, 5 years ago, I invited many of you to my family's home in Hawaii, on the island of Kauai, to celebrate New Year's 2000. Everyone had a great time, and several people have asked me to do it again. So I will. You and your spouse or spouselike item, and your kids, are invited to celebrate this coming New Year's in Hawaii with my father, Carolyn, and I. Last year, we did lots of beach stuff, hiking, kayaking, photography, and partying, including some very fine do-it-yourself fireworks. Many of us took a side trip to the Big Island of Hawaii, where we got to explore lava tubes, throw rocks into molten lava, etc. I hope you'll be able to join us. We may have some limited space in our house, and my father may be able to borrow the home of someone out-of-town, but please be prepared to stay in a B&B or hotel room -- there will be less free space than last time, I suspect. We will be happy to have you anytime during the window of Dec 27 - Jan 10, plus or minus a day or so. The intent is to gather after Christmas, and stay through the new year. Please reply to let me know if a) You'd like to come b) You can only come if we can find some free lodging for you c) You're interested in a side trip to the Big Island and Volcanoes National Park. d) Any activities you're particularly interested in doing. I will send full details, including airline deals, possible accomodations, activities, and so forth to people who RSVP. Please take a quick look through the invitee list and let me know if you think I've forgotten someone -- I may have missed people. Jason  1,, Summary-line: 31-Mar jmorzins@MIT.EDU [51] #MIT Thesis with Lyx X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 31 Mar 2004 14:53:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i2VJrqmG025079; Wed, 31 Mar 2004 14:53:52 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i2VJrLE2024318; Wed, 31 Mar 2004 14:53:21 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as jmorzins@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i2VJrK8e010521; Wed, 31 Mar 2004 14:53:21 -0500 (EST) Received: (from jmorzins@localhost) by multics.mit.edu (8.12.9) id i2VJrK5R003285; Wed, 31 Mar 2004 14:53:20 -0500 (EST) Date: Wed, 31 Mar 2004 14:53:19 -0500 (EST) From: Jacob Morzinski Reply-To: sipb-office@MIT.EDU To: sipb-office@MIT.EDU cc: sipb@MIT.EDU Subject: MIT Thesis with Lyx In-Reply-To: Message-ID: References: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 31 Mar 2004 14:53:19 -0500 (EST) From: Jacob Morzinski Reply-To: sipb-office@MIT.EDU To: sipb-office@MIT.EDU cc: sipb@MIT.EDU Subject: MIT Thesis with Lyx In-Reply-To: X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If any prospectives or members are looking for a mini-project, the following might be a nice one. Lyx is a GUI front end to latex, and a student has written instructions on how to import MIT's latex thesis template into Lyx, _provided_ that you are installing on a private machine. Taking his instructions and adapting them so that the thesis template can be used with the Lyx in the outland locker would be a good project that FTGOS. -Jake PS: If you are interested but don't have AFS permissions to change outland, ask for AFS permissions. > To: anneh@MIT.EDU > Subject: Using Lyx instead of Tex > Date: Wed, 31 Mar 2004 14:03:47 -0500 > From: Oskar E Bruening > > Hi Anne, > > I am a big fan of Lyx (a popular graphical front-end for LaTex). After > spending most of the morning trying to figure out how to, I wrote a > short guide on how to load the mitthesis text class into lyx. I > thought it might be helpful to other students fighting with the same > problem. > > Maybe you can forward this to who-ever is in charge of this kind of > thing. > > http://bruno.mit.edu/~ernst/MIT_Thesis_format_for_lyx.txt > > Also, the package is not installed on Lyx on Athena... you might want > to yell at SIPB or someone... > > Oskar  1,, Summary-line: 1-Apr chris@sounds-on-cd.co.uk [109] #G&S: Important news from Chris Webster about SOCD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Apr 2004 06:36:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i31BaYGq029868; Thu, 1 Apr 2004 06:36:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i31BZkL6000583 for ; Thu, 1 Apr 2004 06:35:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i31BYkTJ015632; Thu, 1 Apr 2004 06:34:46 -0500 (EST) Date: Thu, 1 Apr 2004 06:34:46 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: G&S: Important news from Chris Webster about SOCD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 1 Apr 2004 06:34:46 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: G&S: Important news from Chris Webster about SOCD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been mentioning for some time that I have plans to move to Spain this year. My last trip out there, about a month ago, secured everything once and for all and I move out in July as I have bought a piano-singalong style variety entertainment bar in the holiday resort of Benidorm in the Costa Blanca area of the Alicante region. In many ways this will be taking me back to entertainment roots, as for five seasons I hosted such late night entertainment bars in hotels for the well known UK holiday company Butlins. I more or less learnt my trade there and it is the one past job that I miss the most and I think I have exciting times ahead. I have been so busy with my G&S CDs since I got back that I have scarcely had time to tell most people about this, let alone make serious plans for the sale of my flat here in London and I find that I am now almost in a panic situation. The clock is ticking away as I have to sell the flat to pay the balance of funds for the bar on 2nd August and I thought that I would be able to continue with Sounds on CDs up to about a month of my departure, but in fact SOCD is seriously getting in the way of me preparing for the move. A massive amount of preparation needs to be done before my flat can go on the market, and as the past month has proved I am not able to get anything done while I am still running SOCD at full power, therefore I have reluctantly decided to semi-suspend operations until further notice. At present I obviously don't know what my new routines in Spain will be, and so it was at the back of my mind that, if the worst came to the worst, SOCD might close it's doors for good in June, though possibly with my copyrights being sold off so that at least the more important of my CDs would continue to be available in other hands, but there has been a change of direction in this line of thinking and it is now likely that others will manufacture and distribute for me, which will give me a better quality of free time than if I attempted to continue as usual from Spain, which means that 'you' should still be able to buy my recordings and 'I' will be able to concentrate on new G&S projects. It would not be right for me to go into further details on these arrangements until they are finalised, but I think it is likely to be a very satisfactory arrangement for all three of the associated parties, namely me, you and the distributor/s. In an ideal world, SOCD would not be suspended at all, and this message would read "SOCD recordings may now be purchased from X" but so much discussion and preparation is needed for this changeover, which I don't currently have time for, that this suspension is my only option. Now when I say "semi-suspend" what I mean is that so long as my CD workload is reduced considerably I should still be able to fulfil some orders, and indeed this is preferable from a financial point of view, so if there's anything you've been wanting to get and don't want to have to wait possibly six months or more (and there's always the terrible, though unlikely, possibility that nothing will come of my negotiations and SOCD may go for good making this a last chance to obtain some, if not all, SOCD recordings) then by all means place that order with me, but if I find that by making this suggestion I am then overwhelmed with orders and that I have put myself in a worse position than I am in now, then I reserve the right to politely decline the order. In fairness, in this unlikely situation of having to refuse some orders I would work to whatever my limit is on a first come first served basis, and so I'm going to ask that NO FUNDS are sent at the moment. It will be about a week before I can start on more orders anyway, so in a week's time I can assess what's come in in date order and take it from there. Even this arrangement is only a temporary one and I expect to be in full suspension from 1st June when I hope I will be finalising things in London in readiness for the move itself the month after. This lighter work period for me while I prepare to move will also free up my computers and allow me to catch up on any outstanding matters re material that I've been loaned and have not yet had the chance to transfer to the hard drive for future use and so I should be able to then finally return a number of items which in some cases I've had for far too long. I realise that this notice may cause an awful lot of friends to get in touch, and I will of course welcome this, but preferably without the need for me to have to reply, for obvious reasons, which I hope will not be taken offensively. It goes without saying that my thanks is extended to every single person that I have come into contact with as a direct result of SOCD. Not only my much valued customers, many of whom have become such very good personal friends and with whom I now correspond often on shared loves beyond our obvious enormous enthusiasm for G&S and D'Oyly Carte, but also my two closest collaborators Michael Walters and Jim Lockwood. These last seven years have been years of much hard work, often for little return, but this has been more than made up for by the immeasurable returns of friendship. Initially, I set out to put a old few recordings onto disc in as good as sound as possible to meet my own personal needs - I had studied old recordings for years before this and more or less knew what I was aiming for in sound reproduction, though I am the first to admit that I have also learnt a very great deal in this respect through my recent experiences as well - and it was really only by chance that things changed for me career-wise around that time, and others expressed an interest in obtaining what I might produce. The rest is history ... My catalogue now contains over 60 different G&S (or related) recordings (many in fresh restorations from the masters, or in transfers that have been acclaimed as being better than the corresponding commercial transfers for which companies have invested great amounts of money) and by this time next year may include EVERY D'Oyly Carte recording ever made with the exception of those that are currently available commercially direct from Decca/London. In reaching that goal I will largely have achieved all that I set out to achieve, not just in the number of recordings, but also in I think getting as far as possible to reach the audio standards I had hoped to reach (which I think is borne out by the feedback I have received). As if proof were needed of my commitment to this aim, I can tell you that in spite of my present position, just this Monday gone I signed and returned a contract to Decca for the license of TEN major G&S recordings from their back catalogue from the 60s and 70s which will fill all the gaps. However things don't end there. In addition to a few bits and bobs remaining from the world of commercial recordings (mainly historical), my work, and new contacts and friendships, has opened up what has turned out to be a surprising field of non-commercial recordings, often of live DC performances, which have been an enormous joy for me to collect and work on at a hobby level. I have allowed a small number of people to sample a few of these on a very private and limited basis, but one day such recordings will also come into the public domain, so there is still plenty to keep me occupied in future years, and I'm certainly looking forward to them as I don't think anything gives me greater pleasure than D'Oyly Carte associated recordings. I'm pretty certain that last statement will come as no surprise to anybody at all, and so on that warm note I shall bid you my fond temporary farewell (I shall still of course remain on Savoynet), safe, I believe, in the knowledge that I have given so many of you feelings of pleasure and that there will hopefully be many more of these to come. (I'm sure I've forgotten something, but never mind for the time being. I can always post again if it comes back to me and it was important.) Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1, answered,, Summary-line: 1-Apr dennisj@snet.net [38] #Re: contact X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Apr 2004 07:32:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i31CWfGq000489; Thu, 1 Apr 2004 07:32:41 -0500 (EST) Received: from web80001.mail.yahoo.com (web80001.mail.yahoo.com [66.163.168.131]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i31CVvbx018822 for ; Thu, 1 Apr 2004 07:31:58 -0500 (EST) Message-ID: <20040401123157.93060.qmail@web80001.mail.yahoo.com> Received: from [64.252.50.102] by web80001.mail.yahoo.com via HTTP; Thu, 01 Apr 2004 04:31:57 PST Date: Thu, 1 Apr 2004 04:31:57 -0800 (PST) From: Dennis Jedlinsky Subject: Re: contact To: "David C. Jedlinsky" In-Reply-To: <200403311703.i2VH35FE027414@multics.mit.edu> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1129830795-1080822717=:92990" X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 1 Apr 2004 04:31:57 -0800 (PST) From: Dennis Jedlinsky Subject: Re: contact To: "David C. Jedlinsky" In-Reply-To: <200403311703.i2VH35FE027414@multics.mit.edu> X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-1129830795-1080822717=:92990 Content-Type: text/plain; charset=us-ascii No, the first one was a reply to your email : I thanked you for reserving the tickets on the 10th; hoped all was progressing as you had wished with Thespis & not too many people have gone crazy; and invited you & Ruth down some time after the play so you two could look at some of the things in my house or Leni's that we can't fit into the new one. If you want them they might be yours immediately (empty the trunk), upon the sale of the house(s), or somewhere later along the line. I particularly would like Ruth to feel comfortable in pointing out anything she would like to have, so it doesn't always have to be one of you three kids who have your names on stuff. Anyhow, it was a long father to son reply message; the 2nd one was a little shorter, but both of them were kicked back by the HP spam/virus protector. By the way, the "probable virus" message I got came in from dcj@zk3.... not dcj@okidok.zk3... Which one is your real HP address (I assume the okidok one). May be a moot point if it dosen't let me in, anyway. Dad "David C. Jedlinsky" wrote: Yup. I wonder what you're trying to send that causes HP to reject your message? It's not something short, like "Test message", is it? -Dave >Date: Wed, 31 Mar 2004 08:47:49 -0800 (PST) >From: Dennis Jedlinsky > >Are you still at this address? >I tried to return a message on dcj@okidok..... but your spam detector keeps kicking it back. --0-1129830795-1080822717=:92990 Content-Type: text/html; charset=us-ascii
No, the first one was a reply to your email : I thanked you for reserving the tickets on the 10th; hoped all was progressing as you had wished with Thespis & not too many people have gone crazy; and invited you & Ruth down some time after the play so you two could look at some of the things in my house or Leni's that we can't fit into the new one. If you want them they might be yours immediately (empty the trunk), upon the sale of the house(s), or somewhere later along the line. I particularly would like Ruth to feel comfortable in pointing out anything she would like to have, so it doesn't always have to be one of you three kids who have your names on stuff. Anyhow, it was a long father to son reply message; the 2nd one was a little shorter, but both of them were kicked back by the HP spam/virus protector.
By the way, the "probable virus" message I got came in from dcj@zk3.... not dcj@okidok.zk3... Which one is your real HP address (I assume the okidok one). May be a moot point if it dosen't let me in, anyway.                Dad

"David C. Jedlinsky" <opus@MIT.EDU> wrote:

Yup. I wonder what you're trying to send that causes HP to reject
your message?

It's not something short, like "Test message", is it?

-Dave


>Date: Wed, 31 Mar 2004 08:47:49 -0800 (PST)
>From: Dennis Jedlinsky
>
>Are you still at this address?
>I tried to return a message on dcj@okidok..... but your spam detector keeps kicking it back.
--0-1129830795-1080822717=:92990--  1, answered,, Summary-line: 1-Apr ori.siegel@sympatico.ca [43] #Re: ...and there were some who smiled X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Apr 2004 14:19:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i31JJYGq022034; Thu, 1 Apr 2004 14:19:34 -0500 (EST) Received: from tomts25-srv.bellnexxia.net (tomts25-srv.bellnexxia.net [209.226.175.188]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i31JJXYI010010 for ; Thu, 1 Apr 2004 14:19:33 -0500 (EST) Received: from home-6ar5cbrdm9 ([67.70.20.212]) by tomts25-srv.bellnexxia.net (InterMail vM.5.01.06.05 201-253-122-130-105-20030824) with ESMTP id <20040401191931.XMTZ15096.tomts25-srv.bellnexxia.net@home-6ar5cbrdm9> for ; Thu, 1 Apr 2004 14:19:31 -0500 Received: from 127.0.0.1 (AVG SMTP 7.0.229 [262.6.2]); Thu, 01 Apr 2004 14:19:35 -0500 Message-ID: <00d101c4181e$44f66360$9a04fea9@home6ar5cbrdm9> From: "Ori Siegel" To: "David C. Jedlinsky" References: <004501c417b0$7298dc80$9a04fea9@home6ar5cbrdm9> <200404011626.i31GQeW6002537@multics.mit.edu> Subject: Re: ...and there were some who smiled Date: Thu, 1 Apr 2004 14:19:35 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: "David C. Jedlinsky" Subject: Re: ...and there were some who smiled Date: Thu, 1 Apr 2004 14:19:35 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > So, you're the creeP who makes them weeP? > :-) Ya got that right, pal!!! Remember that solid "d" on "England" the Flowers ripped out last summer? And then there was "aboli shit in EnglanD..." > How're you doing? How's Pirates preparations? We're heading into > prod week for Thespis. I love and hate this time of the show... Doing well, thanks, and yourselves? PIRATES seems to be coming along slowly but surely so I don't think there are any problems. It will be a very traditional production (that shouldn't surprise anybody) and it seems we'll be restoring the old ending. Other than that, not much to report, really. Ah, yes. Hell week for The Spis. We are still three weeks away from THE MUSIC MAN opening night and when we're quaffing ales next time, I'll tell you about the FUN this show has been! That' neither here nor there: break a leg with Thespis! Are youse guys still coming to Toronto? I seem to recall that you were coming, cancelled singout notwithstanding. If so, you must let me know when so that we can connect. With any luck, they'll be having another garlic festival at the Hot House Café! If not there, then someplace else. cheers, Ori "It's very hard for me not to tell everybody everything." --Spalding Gray (1941-2004)  1, answered,, Summary-line: 1-Apr ori.siegel@sympatico.ca [39] #Re: ...and there were some who smiled X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Apr 2004 17:27:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i31MR5Gq018130; Thu, 1 Apr 2004 17:27:05 -0500 (EST) Received: from tomts22-srv.bellnexxia.net (tomts22-srv.bellnexxia.net [209.226.175.184]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i31MQ0Px018998 for ; Thu, 1 Apr 2004 17:26:00 -0500 (EST) Received: from home-6ar5cbrdm9 ([67.71.135.85]) by tomts22-srv.bellnexxia.net (InterMail vM.5.01.06.05 201-253-122-130-105-20030824) with ESMTP id <20040401222600.JBEF7304.tomts22-srv.bellnexxia.net@home-6ar5cbrdm9> for ; Thu, 1 Apr 2004 17:26:00 -0500 Received: from 127.0.0.1 (AVG SMTP 7.0.229 [262.6.2]); Thu, 01 Apr 2004 17:26:03 -0500 Message-ID: <003401c41838$51402510$9a04fea9@home6ar5cbrdm9> From: "Ori Siegel" To: "David C. Jedlinsky" References: <004501c417b0$7298dc80$9a04fea9@home6ar5cbrdm9> <200404011626.i31GQeW6002537@multics.mit.edu> <00d101c4181e$44f66360$9a04fea9@home6ar5cbrdm9> <200404012004.i31K4m4P008791@multics.mit.edu> Subject: Re: ...and there were some who smiled Date: Thu, 1 Apr 2004 17:26:03 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: "David C. Jedlinsky" Subject: Re: ...and there were some who smiled Date: Thu, 1 Apr 2004 17:26:03 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I'm at a loss as to how to improve > the situation, and we don't have a vocal coach. Make her do nothing but consonants as an exercise. Make her pop the pees, spit the tees, etc. Then make her do the same with full words from her text and don't let her get away with dropping them! > On the other hand, last night was the first time the cast & orchestra > actually came together One of my favourite moments, too. It's a fulfilling thing to see it all work! I'm flying back on the 12th of August and barring a trip to Chicago over Labour Day weekend, if Mr. Craven gets his act together, I'll be in Toronto for the rest of the year. I'll simply ask them at the restaurant whether or not they anticipate a garlic-a-thon (they have done it a couple of times since, btw) and if they do, then when. I might even suggest to them that the end of August might be a great opportunity... cheers, Ori "It's very hard for me not to tell everybody everything." --Spalding Gray (1941-2004)  1,, Summary-line: 2-Apr thallata@MIT.EDU [78] #MIT Gilbert and Sullivan Players Spring 2004 General X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Apr 2004 00:41:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i325fvGq002630; Fri, 2 Apr 2004 00:41:57 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i325fmhr010970; Fri, 2 Apr 2004 00:41:48 -0500 (EST) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) (authenticated bits=56) (User authenticated as thallata@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i325fl8e006749; Fri, 2 Apr 2004 00:41:48 -0500 (EST) Received: (from thallata@localhost) by no-knife.mit.edu (8.12.9) id i325fld4027320; Fri, 2 Apr 2004 00:41:47 -0500 (EST) Message-Id: <200404020541.i325fld4027320@no-knife.mit.edu> To: thallata@MIT.EDU Subject: MIT Gilbert and Sullivan Players Spring 2004 General Committee meeting Date: Fri, 02 Apr 2004 00:41:47 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: thallata@MIT.EDU Subject: MIT Gilbert and Sullivan Players Spring 2004 General Committee meeting Date: Fri, 02 Apr 2004 00:41:47 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Spring Term General Committee Meeting of the MIT Gilbert & Sullivan Players will take place on Saturday, May 1st at 2 pm. The room is TBA. Article II of our constitution (below) details various membership requirements. The short version is that you're eligible to be a voting member of GenComm if you were a voting member at a GenComm meeting within the past year or if you are involved in Ruddigore or Thespis or were a voting member at Gencomm last year. Agenda Items: 1. Officer Reports 2. Show Reports -Thespis 3. Show selection for Fall 2004 and Spring 2005 Options will include: Iolanthe, The Mikado, Patience, Yeomen of the Guard, Princess Ida, Sorcerer, and Grand Duke. 4. Elections -President (two terms) -Treasurer (two terms) -Publicity Officer (two terms) -Secretary (one term) -Member-at-Large (one term) 5. Show proposals for Summer 2004 * * The potential producer of an IAP or summer show must request a meeting with the ExecComm at least 2 weeks prior to GenComm, which is April 17th. The ExecComm must grant all requests for such a meeting. The purpose of this meeting will be to give the ExecComm the opportunity to provide feedback on the proposed budget, help determine available performance dates and space, discuss performance rights, and give both the producer and the ExecComm a forum to address logistical issues before bringing the proposal to GenComm. After such a meeting is requested, the proposal will be put on the agenda at the potential producer's request. Please note that two weeks before GenComm is show week for Thespis, so may prove to be a very busy time. Please schedule a meeting ASAP if you plan to present a show proposal. Hope to see you there! Erin Tyndall President Article II: Membership Any person involved in the production of a show by this organization shall be considered for membership. MIT/Wellesley undergraduates become members immediately. Any other person becomes a member only if the resulting proportions of MIT/Wellesley students to non-students meet current MIT guidelines for student group status. Membership shall continue until one year after the last show in which the member has participated. Members of the General Committee shall be able to vote at General Committee meetings and are eligible to hold office in MITG&SP. involved in the production of a show by this organization, who attends the first General Committee meeting following the close of that production. The Executive Committee may waive requirement of attendance at the General Committee meeting on a case-by-case basis, if more than one-half of the Executive Committee votes in favor of it. Membership in the General Committee shall continue until one year has elapsed after the last General Committee meeting attended by that person. Members of the General Committee may waive their membership in the General Committee by contacting the Executive Committee.  1, answered,, Summary-line: 2-Apr dennisj@snet.net [76] #Re: contact X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Apr 2004 08:51:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i32Dp7gO003067; Fri, 2 Apr 2004 08:51:07 -0500 (EST) Received: from web80008.mail.yahoo.com (web80008.mail.yahoo.com [66.163.168.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i32Dp67U016278 for ; Fri, 2 Apr 2004 08:51:06 -0500 (EST) Message-ID: <20040402135106.63657.qmail@web80008.mail.yahoo.com> Received: from [64.252.91.230] by web80008.mail.yahoo.com via HTTP; Fri, 02 Apr 2004 05:51:06 PST Date: Fri, 2 Apr 2004 05:51:06 -0800 (PST) From: Dennis Jedlinsky Subject: Re: contact To: "David C. Jedlinsky" In-Reply-To: <200404012015.i31KFw46008909@multics.mit.edu> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-454957837-1080913866=:63362" X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Apr 2004 05:51:06 -0800 (PST) From: Dennis Jedlinsky Subject: Re: contact To: "David C. Jedlinsky" In-Reply-To: <200404012015.i31KFw46008909@multics.mit.edu> X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-454957837-1080913866=:63362 Content-Type: text/plain; charset=us-ascii "David C. Jedlinsky" wrote: It looks like your mail comes via yahoo.com. I think they might be blocked totally, because a lot of spam comes from there. So, your best bet is to send mail to my MIT account, or else to 'opus@ipnh.com', which is the home account. Either one works. We've got the usual issues with doing a show, but things are progressing. You mentioned over the phone a while back about us coming down to look at stuff. We'll discuss a good date to do that when we see you. By the way, you're coming to the matinee, and we're going to be a little busy immediately afterward. Ruth is taking care of catering lunch for the cast, and I have to direct a photo shoot before they get out of their costumes. If you guys can stick around for that without getting too bored, we'll be free afterwards, until we need to get ready for the evening show (that'll probably be near 7pm). We'll most likely be sitting in the audience with you for the actual performance. Are you still using a WebTV-type connection, or have you hooked up your mac to the 'net? -Dave >Date: Thu, 1 Apr 2004 04:31:57 -0800 (PST) >From: Dennis Jedlinsky > >No, the first one was a reply to your email : I thanked you for >reserving the tickets on the 10th; hoped all was progressing as you >had wished with Thespis & not too many people have gone crazy; and >invited you & Ruth down some time after the play so you two could >look at some of the things in my house or Leni's that we can't fit >into the new one. If you want them they might be yours immediately >(empty the trunk), upon the sale of the house(s), or somewhere later >along the line. I particularly would like Ruth to feel comfortable in >pointing out anything she would like to have, so it doesn't always >have to be one of you three kids who have your names on >stuff. Anyhow, it was a long father to son reply message; the 2nd one >was a little shorter, but both of them were kicked back by the HP >spam/virus protector. > >By the way, the "probable virus" message I got came in from >dcj@zk3.... not dcj@okidok.zk3... Which one is your real HP address >(I assume the okidok one). May be a moot point if it dosen't let me >in, anyway. Dad I'll send to the opus account, because I'm a subaccount on Leni's SNET DSL service. They use Yahoo as the ISP. We'll have another couple with us on the 10th so it may be a brief visit with you and Ruth on that day. Cindy may be here sometime around the 3rd week of May if you want to come down (or another time if it's more convenient). --0-454957837-1080913866=:63362 Content-Type: text/html; charset=us-ascii


"David C. Jedlinsky" <opus@MIT.EDU> wrote:

It looks like your mail comes via yahoo.com. I think they might be
blocked totally, because a lot of spam comes from there. So, your
best bet is to send mail to my MIT account, or else to
'opus@ipnh.com', which is the home account. Either one works.

We've got the usual issues with doing a show, but things are
progressing. You mentioned over the phone a while back about us
coming down to look at stuff. We'll discuss a good date to do that
when we see you. By the way, you're coming to the matinee, and we're
going to be a little busy immediately afterward. Ruth is taking care
of catering lunch for the cast, and I have to direct a photo shoot
before they get out of their costumes. If you guys can stick around
for that without getting too bored, we'll be free afterwards, until we
need to get ready for the evening show (that'll probably be near
7pm). We'll most likely be sitting in the audience with you for the
actual performance.

Are you still using a WebTV-type connection, or have you hooked up
your mac to the 'net?

-Dave


>Date: Thu, 1 Apr 2004 04:31:57 -0800 (PST)
>From: Dennis Jedlinsky
>
>No, the first one was a reply to your email : I thanked you for
>reserving the tickets on the 10th; hoped all was progressing as you
>had wished with Thespis & not too many people have gone crazy; and
>invited you & Ruth down some time after the play so you two could
>look at some of the things in my house or Leni's that we can't fit
>into the new one. If you want them they might be yours immediately
>(empty the trunk), upon the sale of the house(s), or somewhere later
>along the line. I particularly would like Ruth to feel comfortable in
>pointing out anything she would like to have, so it d! oesn't always
>have to be one of you three kids who have your names on
>stuff. Anyhow, it was a long father to son reply message; the 2nd one
>was a little shorter, but both of them were kicked back by the HP
>spam/virus protector.
>
>By the way, the "probable virus" message I got came in from
>dcj@zk3.... not dcj@okidok.zk3... Which one is your real HP address
>(I assume the okidok one). May be a moot point if it dosen't let me
>in, anyway. Dad

I'll send to the opus account, because I'm a subaccount on Leni's SNET DSL service. They use Yahoo as the ISP. We'll have another couple with us on the 10th so it may be a brief visit with you and Ruth on that day. Cindy may be here sometime around the 3rd week of May if you want to come down (or another time if it's more convenient).

 

--0-454957837-1080913866=:63362--  1,, Summary-line: 3-Apr rmacphai@bridgewater.edu [25] #Re: MIT Thespis X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Apr 2004 10:28:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i33FSmX2022891; Sat, 3 Apr 2004 10:28:48 -0500 (EST) Received: from Isis.bridgewater.edu (Isis.bridgewater.edu [147.138.10.100]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i33FSkmG028008 for ; Sat, 3 Apr 2004 10:28:46 -0500 (EST) Received: from Terra.bridgewater.edu (Terra.bridgewater.edu [147.138.10.70]) by Isis.bridgewater.edu (8.12.9/8.12.9) with ESMTP id i33FSjff020723 for ; Sat, 3 Apr 2004 10:28:45 -0500 (EST) Date: Sat, 3 Apr 2004 10:28:45 -0500 (EST) From: "Ralph MacPhail, Jr." To: "David C. Jedlinsky" Subject: Re: MIT Thespis In-Reply-To: <200404021951.i32JpHmn011893@multics.mit.edu> Message-ID: References: <200404021951.i32JpHmn011893@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Apr 2004 10:28:45 -0500 (EST) From: "Ralph MacPhail, Jr." To: "David C. Jedlinsky" Subject: Re: MIT Thespis In-Reply-To: <200404021951.i32JpHmn011893@multics.mit.edu> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Break a leg, David! Cordially, Rafe (who would LOVE to have a program!) -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1, answered,, Summary-line: 3-Apr andi_s_r@yahoo.com [46] #Rose of Persia: Parts found...SASS! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Apr 2004 12:33:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i33HXSX2003577; Sat, 3 Apr 2004 12:33:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i33HXQhJ009408 for ; Sat, 3 Apr 2004 12:33:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i33HWWTJ009158; Sat, 3 Apr 2004 12:32:32 -0500 (EST) Date: Sat, 3 Apr 2004 12:32:32 -0500 (EST) Message-Id: <20040403171430.69412.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Rose of Persia: Parts found...SASS! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.477 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Apr 2004 12:32:32 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Rose of Persia: Parts found...SASS! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.477 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks to everyone who responded publicly and privately to my posting. As several of you suggested, I contacted Stephen Turnbull of the Sir Arthur Sullivan Society. They indeed have the full orchestra parts and conductor's score and would be willing to loan them. The reason I was asking about them is not a "done deal" yet, but is an exciting possibility under consideration: NYGASP is considering doing a "staged concert" performance of ROP in the spring of the 2004-2005 season. Please note "considering": the chicks are as yet not even unhatched eggs and are not to be counted, but I wanted to be sure we could lay hands on the materials if this comes through. The NYGASP version of a "staged concert" is a rather interesting hybrid form. We've done it in the past for Utopia and The Grand Duke. The chorus is in concert dress, arrayed on risers, and using their books. The principals are off book, costumed, and fully staged and choreographed. An appropriate backdrop is hung, and minor set pieces and props are supplied for verisimilitude. The result is a hybrid that is considerably more lively than one's usual concert version and just a few ticks short of a full performance. I really hope this comes to fruition, as we have just about the perfect complement of voices on our roster for a musically marvellous presentation of "ROP". I'll keep you posted, of course.... ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 4-Apr cjsmith@MIT.EDU [25] #BIRTHDAY PARTY! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 04 Apr 2004 20:52:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i350qFvI000732; Sun, 4 Apr 2004 20:52:15 -0400 (EDT) Received: from out009.verizon.net (out009pub.verizon.net [206.46.170.131]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i350q29x021046 for ; Sun, 4 Apr 2004 20:52:02 -0400 (EDT) Received: from [192.168.1.101] ([151.203.242.163]) by out009.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040405005201.GOIS29216.out009.verizon.net@[192.168.1.101]>; Sun, 4 Apr 2004 19:52:01 -0500 Mime-Version: 1.0 (Apple Message framework v609) Content-Transfer-Encoding: 7bit Message-Id: <6F4D4224-869B-11D8-86E6-00039386D324@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: Beth Collins , Geoffrey Collins , dinner@mit.edu, freaks@suberic.net, Mary Agner , Denis Moskowitz From: Carolyn Smith Subject: BIRTHDAY PARTY! Date: Sun, 4 Apr 2004 20:51:55 -0400 X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out009.verizon.net from [151.203.242.163] at Sun, 4 Apr 2004 19:52:01 -0500 X-Spam-Score: 0.767 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Beth Collins , Geoffrey Collins , dinner@mit.edu, freaks@suberic.net, Mary Agner , Denis Moskowitz From: Carolyn Smith Subject: BIRTHDAY PARTY! Date: Sun, 4 Apr 2004 20:51:55 -0400 X-Authentication-Info: Submitted using SMTP AUTH at out009.verizon.net from [151.203.242.163] at Sun, 4 Apr 2004 19:52:01 -0500 X-Spam-Score: 0.767 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jason says he hasnt had a birthday party in he-cant-remember-how-long. So I'm going to rectify this. :-) Birthday party for Jason. Sunday April 25, 2PM til whenever. We'll do something for dinner and have cake.... If you think I've missed someone who should be invited, please let me know! --cyn  1,, Summary-line: 5-Apr yestismabel@earthlink.net [71] #Re: MIT Thespis X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 Apr 2004 00:56:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i354uJvI026473; Mon, 5 Apr 2004 00:56:19 -0400 (EDT) Received: from pintail.mail.pas.earthlink.net (pintail.mail.pas.earthlink.net [207.217.120.122]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i354uII7023947 for ; Mon, 5 Apr 2004 00:56:18 -0400 (EDT) Received: from daisy.psp.pas.earthlink.net ([207.217.78.223]) by pintail.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1BAM9h-0005GK-00 for opus@MIT.EDU; Sun, 04 Apr 2004 21:56:17 -0700 Message-ID: <9848946.1081140977855.JavaMail.root@daisy.psp.pas.earthlink.net> Date: Mon, 5 Apr 2004 00:56:17 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" Subject: Re: MIT Thespis Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 Apr 2004 00:56:17 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" Subject: Re: MIT Thespis X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Maitland is where my parents live, and I'm 5 minutes from there....cool! I guess I meant that if I had been able to come to NYC the original QWERT weekend, I could have come to see your show. Or something like that.....my show dates are only this Thursday and Friday....technically, I could have tried to catch a very early Sat. flight to NY to see if I could make it on time, but I didn't like to chance it. Elise -----Original Message----- From: "David C. Jedlinsky" Sent: Apr 5, 2004 12:35 AM To: yestismabel@earthlink.net Subject: Re: MIT Thespis Well, apparently my sister is moving to Maitland later this year (we're always the last in the family to find these things out). So, it's likely I may find myself in your neck of the woods at some point. We can watch the video then... So, if you were playing for a show on the original qwert date, then how would you have come to see our show? :-) -Dave >Date: Mon, 5 Apr 2004 00:05:14 -0400 (GMT-04:00) >From: Elise Curran > >Hey Dave! > >Too bad about the video....I know we would all like to watch it, say on Sunday or whenever. > >About the dates for the qwert, I ALSO emailed him and said I couldn't make it, due to a show I am playing for. Coincidence? You decide..... :-) > >Elise > >-----Original Message----- >From: "David C. Jedlinsky" >Sent: Apr 4, 2004 11:40 PM >To: yestismabel@earthlink.net >Subject: Re: MIT Thespis > > >Hi Elise. > >>If Sam's qwert had been one week earlier, I would have tried to come >>see your show..... > >Sam's qwert *was* originally one week earlier. I told him I couldn't >make it, due to the show. Next thing I know, the qwert was moved. >Coincidence? You decide... > >>Ooooo...and I just thought...can you bring a video of your production >>to Sam's, so we can all watch it? > >Unfortunately, I won't have had a chance to edit the video before >then. Also, Sam's schedule is already pretty tight; I don't think >there'd be time to watch it. > >-Dave >  1,, Summary-line: 5-Apr ulahlica@yahoo.com [70] #GASBAGS LTD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 Apr 2004 15:31:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i35JVFv4005086; Mon, 5 Apr 2004 15:31:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i35JVEZw018725 for ; Mon, 5 Apr 2004 15:31:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i35JT7TJ001090; Mon, 5 Apr 2004 15:29:07 -0400 (EDT) Date: Mon, 5 Apr 2004 15:29:07 -0400 (EDT) Message-Id: <20040405192323.67750.qmail@web60201.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: GASBAGS LTD MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.044 X-Spam-Level: * (1.044) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 Apr 2004 15:29:07 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: GASBAGS LTD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.044 X-Spam-Level: * (1.044) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK - I've made good my threat. I've rewritten the lyrics to the first act finale of UTOPIA LTD and made an independent curtain raiser. It's about Adam, Andi, Bobbie, Chris, Elise, Helga, Jana, Jonathan, Justin, Rebecca, Scott, and Steve (coincidentally, the twelve people I correspond with the most) starting their own G&S opera company. They meet and have an argument about which opera should be performed for their big debut. This is a dream opera because 1) I wanted to put in a lot of harp 2) nobody really knows what they're talking about 3) I get more poetic license! (Please don't think I'm making fun of anyone because I'm not. I'm just attempting to be amusing.) I "Bowsered" the orchestrations. It is 90% Sullivan. I left out about 10% of the orchestrations because sometimes it was too thick for the midis. I also could not make my "Ulahlica" sections sound right so I had my way with them instead. (These variations are not really part of the piece.) Inspired by a recent discussion here, this is also my first theater piece with absolutely no stage directions what-so-ever. Maybe someone will be good enough to tell me what the soloists are doing during the little "What this may be" waltz. I'd really like to know. Oh - and I had to mispronounce "Pineapple Poll" because it doesn't rhyme or scan very well as it is. But that's OK 'cause they're GASBAGS. (-8 I relied heavily on Steve Lichenstein to get this done. His vigilant assistance with the midis and proof reading was greatly appreciated. A few parts still sound funny but that's the way it in in my Chappell score so I just don't know *what* to do. http://www.geocities.com/ulahlica/GSS/GASBAGS-LTD.html John Edward Spartan (as not to be confused with "John Spartan" from "Demolition Man.") __________________________________ Do you Yahoo!? Yahoo! Small Business $15K Web Design Giveaway http://promotions.yahoo.com/design_giveaway/  1, answered,, Summary-line: 6-Apr brad_timmers@yahoo.com [92] #Rockets Over New Hampshire X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 Apr 2004 12:02:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i36G2EnU007665; Tue, 6 Apr 2004 12:02:14 -0400 (EDT) Received: from web11509.mail.yahoo.com (web11509.mail.yahoo.com [216.136.129.46]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i36G2Dmk025697 for ; Tue, 6 Apr 2004 12:02:14 -0400 (EDT) Message-ID: <20040406160213.22906.qmail@web11509.mail.yahoo.com> Received: from [18.98.3.61] by web11509.mail.yahoo.com via HTTP; Tue, 06 Apr 2004 09:02:13 PDT Date: Tue, 6 Apr 2004 09:02:13 -0700 (PDT) From: Brad Timmers Subject: Rockets Over New Hampshire To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 Apr 2004 09:02:13 -0700 (PDT) From: Brad Timmers Subject: Rockets Over New Hampshire To: opus@mit.edu X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, As promised... This article was part of a larger feature in the Boston "Globe" that profiled all the towns named "Warren" in New England -- supposedly, "Warren" is the only town name found in all six states. Hope you enjoy... Brad **** http://www.boston.com/travel/newengland/newhampshire/articles/2003/11/16/warren_new_hampshire/ Warren, New Hampshire By Doug Warren, Globe Staff, 11/16/2003 This may be the smallest Warren, but it is among those experiencing growth -- its population jumped 6.5 percent to 873 in the latest census. It's on the "quiet side" of the White Mountains, the locals like to say, in the shadow of 4,802-foot Mount Moosilauke. It offers a state fish hatchery, extensive snowmobile trails, and the recently refurbished Warren Village Inn. Down the street is the Garlic Clove, an excellent place for lunch on a raw, rainy day. And it has one other thing that no other Warren -- or any other town, for that matter -- can claim: the missile. Right in the center of town stands the 70-foot Redstone Missile that Ted Asselin and his pal Irving MacDonald drove up from Redstone Arsenal in Alabama back in 1971. This type of rocket sent Alan B. Shepard Jr., a New Hampshire native, and Virgil "Gus" Grissom on sub-orbital flights in 1961 before John Glenn's historic trip into outer space. So how did it land here? It all began when Asselin, who in the Army was stationed at Redstone Arsenal, happened to notice a number of the stripped-down surplus rockets lying in a field in 1970. He thought that one might serve to help schoolchildren back in New Hampshire learn about the space program. After Warren approved the plan, Asselin picked up the Redstone (for free) and paid roughly $200 for help loading it onto a 60-foot trailer. Then he and MacDonald headed for New Hampshire. They were pulled over in Ohio and fined about $270 for improper transporting of a missile, but they drove on undeterred. Excitement was running high in Warren as the missile drew close. At one point, the welcoming committee rushed off to nearby Wentworth when there were reports that the missile had been spotted there. (The sighting turned out to be a rather large septic tank pumper.) The eight-ton rocket is secured now to an 8-foot-deep foundation with five steel I-beams set in cement. It has stood in the center of town for more than 30 years. Nearby is the Warren Historical Society, which houses extensive information on the town. Hours are limited, but we called Lyle Moody (his number is listed next to the door), and he met us at the Garlic Clove and opened the building and gave us a tour. Moody pointed out displays on the local lumber industry, the Tip-Top House on Moosilauke that burned in 1942, and photographs of Dorothy M. Clark, Warren's police chief from 1938-42, who is thought to be the first woman to hold such a post in New England. "She was voted in as a joke, but she was tough, I tell you," Moody said. He sold us a T-shirt that shows the missile towering over the Historical Society building with Mount Moosilauke looming in the background. That shirt, along with our memories, is the prize artifact of our travels to the Warrens of New England. __________________________________ Do you Yahoo!? Yahoo! Small Business $15K Web Design Giveaway http://promotions.yahoo.com/design_giveaway/  1,, Summary-line: 6-Apr d-duffey@argonet.co.uk [70] #Chorus list X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 Apr 2004 15:22:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i36JMOnU003968; Tue, 6 Apr 2004 15:22:25 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i36JMNCY020361 for ; Tue, 6 Apr 2004 15:22:24 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i36JM3lf003182; Tue, 6 Apr 2004 20:22:03 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id UAA18412 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 6 Apr 2004 20:20:48 +0100 (BST) Received: by mserv1.dl.ac.uk id UAA18392 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 6 Apr 2004 20:20:43 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id UAA18385 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Tue, 6 Apr 2004 20:20:41 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from hafnium.btinternet.com (hafnium.btinternet.com [194.73.73.121]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i36JKHPq025721 for ; Tue, 6 Apr 2004 20:20:17 +0100 Received: from [217.43.204.156] (helo=Computer) by hafnium.btinternet.com with smtp (Exim 3.22 #25) id 1BAw7M-0000KL-00 for buxton99@dl.ac.uk; Tue, 06 Apr 2004 20:20:16 +0100 Message-ID: <00bf01c41c0c$2fbb5d10$0400a8c0@Computer> From: "David Duffey" To: "B99" Subject: Chorus list Date: Tue, 6 Apr 2004 20:20:13 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: 1.152 : MAILTO_TO_SPAM_ADDR,RCVD_IN_SORBS X-CCLRC-SPAM-bar: x X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 1.152 X-Spam-Level: * (1.152) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: Chorus list Date: Tue, 6 Apr 2004 20:20:13 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: 1.152 : MAILTO_TO_SPAM_ADDR,RCVD_IN_SORBS X-CCLRC-SPAM-bar: x X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 1.152 X-Spam-Level: * (1.152) X-Spam-Flag: NO Sorry to have taken such an awfully long time about sending this out. Herewith the chorus list. As I am so hopeless at such things, please check that all the names and e-mail addresses are correct and I have not missed anyone. I should by now have communicated with everyone individually. If I have missed you, please let me know at once. David Karen Ann Loxley (S) Karen@kloxley.freeserve.co.uk Alison Crane (S) A.M.Crane@leeds.ac.uk Astrid Marchal (S) a.a.m.marchal.maas@freeler.nl Denise Wicken (S) wicken@animail.net Kate Bettison (S2) katebettison@supanet.com Angie Arnell (S) SANGAZ@aol.com Lydia Haile (A) lhaile@wso.williams.edu Lisa Berglund (A) BERGLUL@BSCMAIL.BuffaloState.edu Carol Davis (A) nyccarol03@yahoo.com Sandra Wain (A) c.m.wain@uso.keele.ac.uk Wendy Falconer (A) Wendy.Falconer@ElizabethArden.com Deidre Kincaid (A) dkincaid@clara.co.uk Cat Carey (A) c_a_t_carey@hotmail.com Sheila Skipper (A) sheilaskipper@yahoo.co.uk Annette Nicolle (S) paulensell@blueyonder.co.uk Sarah-Jane Read (S) Christopher Reidy (T) wicken@animail.net Stuart Box (T) stuart.box@burningsuit.co.uk Kelsey Thornton (T) Kelsey@ruddigore.myweb.nl Chris Wain (T) c.m.wain@uso.keele.ac.uk Paul Scott (T2) paul@syso.co.uk John Sabberton (T2 or B1) john@sabberton.f9.co.uk Chris Hall (B2) c@pobox.co.uk John Penn (B2) SANGAZ@aol.com Arthur Kincaid (B) kincaid@easynet.co.uk Tim Bartlett (B2) tim@timbartlett.eclipse.co.uk Paul Ensell (B2) paulensell@blueyonder.co.uk Philip Barton (B1) pnbarton@talk21.com Marc Shepherd (B1) oakapple@cris.com David Lovell (B1) dblovell@arcadee.freeserve.co.uk Tyler Hains (B1) tyler@hains.net  1,, Summary-line: 6-Apr orapture@toastpoint.com [27] #The Bad Boys of Barataria X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 Apr 2004 15:46:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i36JkanU022240; Tue, 6 Apr 2004 15:46:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i36JkTia020648 for ; Tue, 6 Apr 2004 15:46:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i36JihTJ020198; Tue, 6 Apr 2004 15:44:43 -0400 (EDT) Date: Tue, 6 Apr 2004 15:44:43 -0400 (EDT) Message-Id: <20040406152621.335116517.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: The Bad Boys of Barataria Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba 1.0.3 X-Spam-Score: 1.279 X-Spam-Level: * (1.279) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 Apr 2004 15:44:43 -0400 (EDT) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: The Bad Boys of Barataria X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.279 X-Spam-Level: * (1.279) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So I'm working from home today and decided to throw my entire MP3 collection at the player, shuffle them at random, and play them while I'm working. Eventually, it hits "There was a time" and plays it. The track ends with the dialog that follows. So I'm listening to Ken Sandford proclaim "I can give you his address--I see him every day! In the entire annals of our history there is absolutely no circumstance so entirely free from all manner of doubt of any kind whatever! Listen, and I'll tell you all about it..." And the player cuts to Wham!, singing "Bad Boys". I nearly fell off my chair. - Eric "Distinctly Jimp" Peterson (in NYC)  1, forwarded,, Summary-line: 7-Apr bj.richards@btinternet.co [87] #Re: MIT Thespis X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Apr 2004 10:59:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i37ExsME029711; Wed, 7 Apr 2004 10:59:54 -0400 (EDT) Received: from rhenium.btinternet.com (rhenium.btinternet.com [194.73.73.93]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i37Ewjwu016441 for ; Wed, 7 Apr 2004 10:58:48 -0400 (EDT) Received: from [81.131.106.15] (helo=HP763ADV) by rhenium.btinternet.com with esmtp (Exim 3.22 #25) id 1BBEVj-0000Oe-00 for opus@MIT.EDU; Wed, 07 Apr 2004 15:58:40 +0100 Message-ID: <003001c41cb0$cb6c9810$0f6a8351@HP763ADV> From: "Bob and Jackie" To: References: <200404030343.i333hoMd025965@multics.mit.edu> Subject: Re: MIT Thespis Date: Wed, 7 Apr 2004 09:56:33 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob and Jackie" To: Subject: Re: MIT Thespis Date: Wed, 7 Apr 2004 09:56:33 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Just to wish you all the best for this production. We would truly love to see it but alas that is not to be. As you know we are buying a hotel in Torquay and we now have a moving date of 19th April. All is madness here as we try to dispose of most of our possessions and pack up the remaining and get the business set up. The web site is down at the moment but I am building a new one which I hope to be up by the end of the week - www.torcroft.co.uk If you fancy a little holiday in the English Riviera do come and stay with us at the Torcroft. We are just a couple of miles from Paignton, which is where the British Premiere of The Pirates of Penzance took place in the Bijou Theatre (the theatre alas is no longer there). However, we do own a small portion of the ceiling frieze saved when the theatre was demolished and there is commemorative plaque on the wall of the shop that is now on the site of the Bijou. Love Jackie and Bob ----- Original Message ----- From: "David C. Jedlinsky" To: "Multiple recipients of list SAVOYNET" Sent: Saturday, April 03, 2004 5:05 AM Subject: Re: MIT Thespis > > From: "Philip A. Kraus" > > Whose score is being performed???? > > > The MIT Gilbert & Sullivan Players proudly present > > THESPIS > or, The Gods Grown Old > > Friday, April 9th 8 pm > Saturday matinee, April 10th 2 pm > Saturday, April 10th 8 pm > > Thursday, April 15th 8 pm > Friday, April 16th 8 pm > Saturday, April 17th 8 pm > Sunday matinee, April 18th 2 pm > > Although the original music from Gilbert and Sullivan's first show was > lost, almost 50 years of detailed work has gone into composing the new > Sullivanesque music by savoynetter Colin Johnson. Orchestration by > Todd Neal and surviving Sullivan tunes* round out the show. > > Directed by savoynetter David Jedlinsky, and with savoynetters Andrew > Sweet, Mary Finn, and Sheldon Brown. > > Come see the world premiere of Gilbert's words coupled with Sullivan > and Johnson's music in Thespis. > > Performances in Tickets: > La Sala de Puerto Rico MIT Students $6 > MIT Student Center (Bldg W20) MIT Community, seniors $8 > 84 Massachusetts Avenue Other students, children $8 > Cambridge, Massachusetts General Public $10 > > http://web.mit.edu/gsp > +1 (617) 253-0190 > gsp-tickets@mit.edu > Supported in part by the UA Finance Board > > * The music for "Climbing Over Rocky Mountain" and "Little Maid of > Arcadee" survive from the original Thespis score >  1,, Summary-line: 6-Apr marchanc@juno.com [115] #Fw: FW: NASA'S MARS SUCCESS HONORED AT DISNEY WORLD DAY OF DISCOVERY X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Apr 2004 22:35:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i382ZRME021851; Wed, 7 Apr 2004 22:35:27 -0400 (EDT) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i382ZQu8024617 for ; Wed, 7 Apr 2004 22:35:26 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqcQjWi7wQsAGjvpwAIq90+z7L4h9WTXleA==">; Wed, 07 Apr 2004 19:35:24 PDT Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JSNNKSXA; Wed, 07 Apr 2004 19:35:24 PDT To: aurora@MIT.EDU, astronut22@yahoo.com, opus@MIT.EDU, rls@ipnh.com Date: Tue, 6 Apr 2004 20:20:04 -0500 Subject: Fw: FW: NASA'S MARS SUCCESS HONORED AT DISNEY WORLD DAY OF DISCOVERY Message-ID: <20040407.213409.3908.0.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit From: Christopher C Marchant X-Spam-Score: 0.396 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: aurora@MIT.EDU, astronut22@yahoo.com, opus@MIT.EDU, rls@ipnh.com Date: Tue, 6 Apr 2004 20:20:04 -0500 Subject: Fw: FW: NASA'S MARS SUCCESS HONORED AT DISNEY WORLD DAY OF DISCOVERY From: Christopher C Marchant X-Spam-Score: 0.396 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You might find this interesting, and in case you didn't see it... -----Original Message----- From: owner-press-release@spinoza.public.hq.nasa.gov [mailto:owner-press-release@spinoza.public.hq.nasa.gov]On Behalf Of NASANews@hq.nasa.gov Sent: Tuesday, April 06, 2004 10:40 AM To: undisclosed-recipients Subject: NASA'S MARS SUCCESS HONORED AT DISNEY WORLD DAY OF DISCOVERY Glenn Mahone/Bob Jacobs Headquarters, Washington April 6, 2004 (Phone: 202/358-1898/1600) Miguel Piedra Walt Disney World, Lake Buena Vista, Fla. (Phone: 407/566-5317) RELEASE: 04-114 NASA'S MARS SUCCESS HONORED AT DISNEY WORLD DAY OF DISCOVERY NASA Administrator Sean O'Keefe joins NASA scientists, mission managers and a Mars rover today to help Disney's Epcot, at the Walt Disney World Resort, celebrate the success of the Mars Exploration Rovers Spirit and Opportunity. The Administrator's now famous quote, "We're back... and we're on Mars" is being added to a permanent collection of space- related quotations on the façade of Disney's latest attraction, "Mission: SPACE." The popular attraction launches visitors on a simulated space adventure to the Red Planet. "Mission: SPACE" combines NASA-based technology and imagery with the creative minds of Walt Disney Imagineering to deliver a one-of-a-kind exploration experience. "The attraction builds on a foundation of science fact and provides visitors a fantasy ride into the future of exploration," said Administrator O'Keefe. "It's a realistic experience that can introduce a new generation of explorers to the excitement of science, technology and discovery." "Mission: SPACE" officially opened Oct. 9, 2003. It is Disney's most technologically advanced attraction, relying on visual imaging, motion control and centrifuge technology to send would-be astronauts on a futuristic voyage. "Mission: SPACE appeals to the explorer in all of us," said Al Weiss, president of Walt Disney World Resort, Lake Buena Vista, Fla. "NASA's triumphant Mars missions embody that spirit of exploration. We are pleased and honored to have Administrator O'Keefe's comments taking their place at Mission: SPACE alongside those of others who dared to dream," he said. NASA provided Disney's Imagineering team with tours, briefings and discussions about human and robotic missions, as well as the challenges future missions, like a trip to Mars, might present. The attraction took five years and some 350,000 work-hours to build. During a special ceremony, an actual Mars rover made a ceremonial pass through wet cement. Administrator O'Keefe's quote will be affixed near the rover's tracks in the attraction's planetary courtyard. The latest developments and discoveries on Mars also were shared during the event. As for the real rovers traversing Mars some 300 million miles from Earth, Spirit and Opportunity have made extraordinary discoveries and found important clues to a watery past on the martian surface. The Spirit rover is driving toward the "Columbia Hills," and Opportunity has been making close examinations of a martian rock known as "Bounce" before moving toward Endurance Crater. For information about the latest developments on Mars and Disney's "Mission: SPACE" attraction on the Internet, visit: http://www.nasa.gov/vision/universe/solarsystem/mer_main.html http://disney.go.com/vacations/missionspace/ms_mainflash.html For information about NASA and agency missions on the Internet, visit: http://www.nasa.gov -end- * * * NASA press releases and other information are available automatically by sending an Internet electronic mail message to domo@hq.nasa.gov. In the body of the message (not the subject line) users should type the words "subscribe press-release" (no quotes). The system will reply with a confirmation via E-mail of each subscription. A second automatic message will include additional information on the service. NASA releases also are available via CompuServe using the command GO NASA. To unsubscribe from this mailing list, address an E-mail message to domo@hq.nasa.gov, leave the subject blank, and type only "unsubscribe press-release" (no quotes) in the body of the message.  1,, Summary-line: 8-Apr MusikDrama@aol.com [91] #Re: GASBAGS LTD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Apr 2004 03:14:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i387EEME005743; Thu, 8 Apr 2004 03:14:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i387EDxo027936 for ; Thu, 8 Apr 2004 03:14:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i387DFTJ011362; Thu, 8 Apr 2004 03:13:15 -0400 (EDT) Date: Thu, 8 Apr 2004 03:13:15 -0400 (EDT) Message-Id: <28.45dcef6a.2da651dd@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 0.285 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 8 Apr 2004 03:13:15 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.285 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 4/7/2004 5:20:15 PM Eastern Daylight Time, YesTisMabel@earthlink.net writes: > Hey guys! > > If you haven't yet taken the time to read John's rewriting of the Utopia > finale, I can highly recommend it....it's delightful, particularly > Goldbury's song, which John has very cleverly applied to eBay....great > stuff! And if I may add a word or two hundred: Having been closely involved with John in the editing of his work over the past few weeks, I didn't want to be the first to chime in on this thread. I was looking forward -- probably almost as much as John was -- to some feedback on it from others. Now that Elise has broken the ice, I'd just like to point out to everybody else that artists do appreciate applause, or at least recognition for their work. To those of you (if any) who enjoyed John's creative effort, I think it would be a graceful act to say so, preferably publicly. I know that a few people did write to John privately, which he much appreciated, but it's always nice to receive a public kudo or two as well. He did an astounding amount of work on the project, and deserves better than the total silence that has followed his post. Even the worst review is better than being ignored. If anyone has any feedback to send, you should probably copy John (ulahlica@yahoo.com) on the email if it's to Savoynet, as I believe he has decided to unsubscribe. I would probably have done the same in his position. Actually, from my more objective standpoint, I feel sure that the lack of response was *not* intended as a deliberate slight on anyone's part. It's perfectly understandable; people have their own lives and concerns to deal with. But I know from experience how much it hurts when you work hard on a pet project of your own and no-one apparently takes any notice. Call it the artistic temperament if you will. But please don't call it a temper tantrum on his part, as I fear my clumsy words may induce people to believe; this post was all my idea, and the tantrum (if any) is mine, not his. He told me not to bother saying anything about it, but I feel I must. I have great hopes that John will return to Savoynet, as I've always greatly enjoyed his unique and robust sense of humor, not to mention the many clever and interesting websites he fashions, tailor-made, for us. See http://www.geocities.com/ulahlica/ for starters, in which many sites of G&S-related interest, including the artistic work of many Savoynetters (including himself) are made available for all of us to enjoy. Please take a moment, if you haven't already, and tell him if you liked his mini-opera. Personally, I thought it was ingenious and hilarious, even if he did call me a GASBAG! On a similar subject, I've been thinking of how no-one (to my recollection) ever responded to Chris Webster's expressed intention last week to give up his Sounds On CD business (beyond someone who said "Hasta la vista, baby!"). I know it was on April Fools Day and I sincerely hope that that's what it was all about. If it wasn't a joke, then he picked a most unfortunate day to make his announcement. Actually I was reasonably sure it *was* a joke, and so, I imagine, did most Savoynetters -- but I wonder if anyone has checked. It would be a very sad thing to not only lose his invaluable services, but to let him go off thinking no-one even gave a d**n about it. If only to ensure that such is not the case, I'm perfectly willing to be the one who takes the bait and gets the horse-laugh for being gullible. Wishing well to all, Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 8-Apr jana_ch@blarg.net [47] #Re: GASBAGS LTD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Apr 2004 23:50:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i393oVlL020198; Thu, 8 Apr 2004 23:50:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i393nfpd005182 for ; Thu, 8 Apr 2004 23:49:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i393mfTJ005731; Thu, 8 Apr 2004 23:48:41 -0400 (EDT) Date: Thu, 8 Apr 2004 23:48:41 -0400 (EDT) Message-Id: <39ed45493a036d3666ac73f8f7e0bd75@www.blargmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_39ed45493a036d3666ac73f8f7e0bd75" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.2.1 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 8 Apr 2004 23:48:41 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --b1_39ed45493a036d3666ac73f8f7e0bd75 Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit Before I could comment on John's opera, I had to create a nice printed version so I could follow along with the music, then listen to it three or four times, then let it sit on my desk for a few days while I procrastinated... John, your opera is clever indeed! It's been over twenty years since I've written anything similar in length and complexity. You really appreciate how much is in Gilbert's verses when you take them apart and put them back together again. You were right to depict me as a poetry nerd, but my favorite opera is Iolanthe, not Utopia. When you write something this large and complicated and good, it can be hard to think of something appropriate to say besides "Wow!" And "Wow!" is not really adequate. I'd like to go through it carefully, and maybe do a little tweaking. Do I have your permission, John? You've allowed me to do that once or twice before with your verses. And of course you will ignore everything I do. By the way, I loved the line "Oh, Anglophilia!" So appropriate for us American fans. Don't cut out on us, John. Savoynet would be much duller without you. Jana Hollingsworth Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_39ed45493a036d3666ac73f8f7e0bd75 Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit Before I could comment on John's opera, I had to create a nice printed version so I could follow along with the music, then listen to it three or four times, then let it sit on my desk for a few days while I procrastinated...

John, your opera is clever indeed! It's been over twenty years since I've written anything similar in length and complexity. You really appreciate how much is in Gilbert's verses when you take them apart and put them back together again. You were right to depict me as a poetry nerd, but my favorite opera is Iolanthe, not Utopia.

When you write something this large and complicated and good, it can be hard to think of something appropriate to say besides "Wow!" And "Wow!" is not really adequate. I'd like to go through it carefully, and maybe do a little tweaking. Do I have your permission, John? You've allowed me to do that once or twice before with your verses. And of course you will ignore everything I do.

By the way, I loved the lin e "Oh, Anglophilia!" So appropriate for us American fans.

Don't cut out on us, John. Savoynet would be much duller without you.

Jana Hollingsworth
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_39ed45493a036d3666ac73f8f7e0bd75--  1,, Summary-line: 9-Apr andi_s_r@yahoo.com [107] #Re: Ignoring posts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Apr 2004 00:34:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i394Y7lL014182; Fri, 9 Apr 2004 00:34:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i394XTpd003622 for ; Fri, 9 Apr 2004 00:33:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i394WUTJ006046; Fri, 9 Apr 2004 00:32:30 -0400 (EDT) Date: Fri, 9 Apr 2004 00:32:30 -0400 (EDT) Message-Id: <20040409042246.28826.qmail@web14521.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Ignoring posts MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040408223217.85361.qmail@web60208.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 Apr 2004 00:32:30 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Ignoring posts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040408223217.85361.qmail@web60208.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- John Spartan wrote: > I hope you read my "opera" when you have time. > GASBAGS is a summary of many of the SavoyNet > controversial topics. Who knows? Maybe it's > inadvertently offensive. Don't be misled or put off by John's referring to this as an "opera", which implies something long and weighty. It's neither. It's a lightweight skit one can read in a few minutes, and despite his attempt in the above paragraph to be provocative, hardly offensive. It's another entry in the populous parody-rewrite genre, consisting of new words to Sullivan music, in this case the Utopia finale. This is an unusual choice and a welcome change from the grossly overexposed Mik-Pin-PoP choices. (There are times when I think I'll scream if I hear one more dratted advertisement using "I am the very model of a modern major-general".) It's clever, it's cute, it's amusing, and, like something written for an end-of-season party, it's full of topical "in-crowd" references that show John to be a careful reader of other people's Savoynet posts. Bobbie Herman's perennial championship of The Sorcerer and my affection for Pirates are both picked up, for two minor examples. It's a fun read, if you like this sort of thing. As I don't have access to a sound-equipped computer, I can't comment on the MIDIs. I'm familiar with the piece he used, so I can hear it in my head; his lyrics are better tailored for fit than many of these things are. At the same time, John, wake up and smell the coffee--not everyone is into topical parodies, and while you may have put a lot of work into it, it's not exactly in the same category as a previously undiscovered 15th work by G&S. It's an amusing piece with appeal to the limited audience of those currently familiar with SavoyNet discussions and personalities--period. Within a couple of years, many of the references will be meaningless even to "insiders." Topical parody pieces are posted several times a year and frequently receive only private replies rather than general discussions. While that may be frustrating to those flushed with the effort of creation, in the greater scheme of other people's lives, something like this is just a few minutes of fun, if it's to their taste at all, not an oeuvre that is likely to survive into the next century as a priceless gem. Of course, there were critics who said that about some of the G&S pieces at the time of their debuts, so I could be wrong. (Maybe that remark is provocative enough so that somebody else will comment....?) Tackling another issue: > How "Sighting: I saw some Mikado Chocolates" can > produce a day's worth of conversation while a post > about a whole new opera score for THESPIS can be > glossed over, I'll never understand. > Simple. Everybody can relate to a sighting; it doesn't require any special effort or expertise, and these little things are just pleasant to chance upon, like spotting a friend in a theatre lobby. When I see a tomato or rosebush in a garden catalog with a name from G&S or see a character in a novel using a familiar phrase, it's just a little fun thing for the day. To discuss a newly composed score for THESPIS--assuming that people are interested in somebody else's setting to begin with, which is not a safe blanket assumption to make (there's a contingent that is *not* interested in substitute music, whether newly composed or a pastiche of other Sullivan material, and I'll admit frankly that I'm one of them)--is at the opposite end of the spectrum. It requires accessing the material in some form and listening to it or playing/singing it or attending a performance of it, for starters. A lot of people aren't going to go out of their way to make that kind of effort, and quite a few don't have the means of access. Then when it comes to formulating commentary, how many S'netters do you think consider themselves qualified to review/discuss a new musical setting beyond "I like it/I don't like it"? Half a dozen, maybe ten, out of the 600+ membership? Hopefully at least one of them will do so at some point, for the edification of others, but that sort of seminal post will be written when those people are ready to do it. I'm always sorry to see a SavoyNetter get frustrated and bored, and I'm sorry that John has (again), but a collective colony, whether of coral polyps or email correspondents, has its own rhythms. I get bored occasionally myself, but within a few days there's always something of interest to me. I hope John gets over his ennui and stays/comes back. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 9-Apr chris@sounds-on-cd.co.uk [42] #Me, John, Gasbags, Ignoring messages, etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Apr 2004 03:06:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3976dlL000078; Fri, 9 Apr 2004 03:06:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3976c5Y018560 for ; Fri, 9 Apr 2004 03:06:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3975fTJ007078; Fri, 9 Apr 2004 03:05:41 -0400 (EDT) Date: Fri, 9 Apr 2004 03:05:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Me, John, Gasbags, Ignoring messages, etc. MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <28.45dcef6a.2da651dd@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 Apr 2004 03:05:41 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Me, John, Gasbags, Ignoring messages, etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <28.45dcef6a.2da651dd@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've written a separate note to John about Gasbags. Even though I'm supposed to be in it (and am honoured by this) I just haven't had the time to look at it. There's far too much happening here at the moment, most of which is getting me down pretty badly. This is no reflection on John's work at all, and in fact I shall promise here and now that I'll post some remark about, whether good or bad, once I've had time to check it out. As regards my note of last week. No, it wasn't an April Fool joke. The date didn't even occur to me - the wording had been going round in my head for a while and things just happened to come to a head when they did and I thought 'Right. Let's get this out the way". It was only intended as a note of information and not some sort of 'let the tributes commence' note so the fact that it went uncommented on on Savoynet didn't even occur to me. Besides, I got some very nice private wishes of good luck anyway, for which my thanks to those I wasn't able to reply to individually. I must admit that at the moment I'm getting pretty close to changing that 'semi-suspension' of SOCD into a full time one, but I think it's just that too much is happening right now which will probably ease off in a couple of weeks. Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 9-Apr rmacphai@bridgewater.edu [55] #Yiddish G&S Website X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Apr 2004 09:17:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i39DGuGc028400; Fri, 9 Apr 2004 09:17:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i39DGCtg017311 for ; Fri, 9 Apr 2004 09:16:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i39DFkTJ008765; Fri, 9 Apr 2004 09:15:46 -0400 (EDT) Date: Fri, 9 Apr 2004 09:15:46 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Yiddish G&S Website MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 Apr 2004 09:15:46 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Yiddish G&S Website X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Al Grand asked me to post the following to SavoyNet: -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- The new G&S website, www.gsyiddish.com was put together by one of the members of the Long Island G&S Yiddish group who knows very little Yiddish and his computer knowledgeable son-in-law who knows even less Yiddish. They did check with me periodically for accuracy as they were creating it. Despite that - many errors are still there. For instance, some of the photos don't match the songs. If you click on the scrolling photo marked Pirate # 1, for example, you will see that what pops up is a picture of Frederic sitting on a stump with Ruth kneeling in front of him. The Yiddish title which appears with that photo reads "Bis Mies un Nit Sheyn" - which is my Yiddish version of "You told me you were fair as gold." But the song that you hear playing is Mabel singing "Go ye heros. . ." Anyone hearing that would be totally puzzled. Another problem with that website is in the area marked "A Short History." Missing there is the historical fact that it was I who was the guiding force and the initiator of the idea to introduce Yiddish to the Long Island group. When I joined the group in 1970 it was a regular G&S group just like the thousand of other such groups that exist throughout the English speaking world. The Long Island group knew nothing about the possibility of doing G&S in Yiddish until I brought it to their attention. And despite many years of the group's hostility to the idea I finally prevailed. But I'm rambling on too long. I'll end with the hope that the errors will ultimately be corrected. Meanwhile, it would be good for people who visit the website to know something about my reservations. Al Grand  1,, Summary-line: 9-Apr ulahlica@yahoo.com [144] #Re: Ignoring posts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Apr 2004 13:40:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i39HesGW012749; Fri, 9 Apr 2004 13:40:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i39HerF8011602 for ; Fri, 9 Apr 2004 13:40:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i39HeRTJ012037; Fri, 9 Apr 2004 13:40:27 -0400 (EDT) Date: Fri, 9 Apr 2004 13:40:27 -0400 (EDT) Message-Id: <20040409173644.8511.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Ignoring posts MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040409042246.28826.qmail@web14521.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 Apr 2004 13:40:27 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Ignoring posts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040409042246.28826.qmail@web14521.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, I can see things are slowly getting out of control. I guess I must accept that this is my MO. (-8 Andi wrote... ***It's a lightweight skit one can read in a few minutes, and despite his attempt in the above paragraph to be provocative, hardly offensive.*** I was being genuine. With a title like "GASBAGS" someone might think I was making fun of everyone here - which I wasn't on any level. And I *did* have Jana sing "So stick me with the nerds." (You see, there are so very few rhymes for "words" and one of them is obscene. I'm pretty sure Jana has playfully called herself a nerd here a few times [Am I wrong Jana?] so, although I do not see her as a nerd in any way, I thought it was OK to quote her. Maybe not.) ***As I don't have access to a sound-equipped computer, I can't comment on the MIDIs.*** I will send you a tape. Through no special talent of my own, the harp accompaniment is so very pretty... I think. I'd just better add the corrections Steve sent to me first. ***At the same time, John, wake up and smell the coffee--not everyone is into topical parodies, and while you may have put a lot of work into it, it's not exactly in the same category as a previously undiscovered 15th work by G&S.*** I originally made no complaint about of the lack of response and did not look for any one else to do so for me. I think that has to be made clear. I don't think there's any beverage I need to be smelling. (-8 On the other hand, my statistic pages on the ULAHLICA site show me that over 100 people listened to the music on the ten pages. It was natural of me to be puzzled why I had only received a few private comments about something I thought would be controversial. But you are wrong to assume there was no interest. ***It's an amusing piece with appeal to the limited audience of those currently familiar with SavoyNet discussions and personalities--period. Within a couple of years, many of the references will be meaningless even to "insiders."*** This is harsh, and may be true, but it brings me to another more serious confrontation. The performers in this group are given LOADS of leeway and respect but the creative people (for lack of a better word since we're all creative here) repeatedly fall to severe criticisms. I have plenty of videos of performances by the group. If we're going to be harsh, I say let's spread the wealth. I sure we can all be miserable in no time. I wrote... ***How "Sighting: I saw some Mikado Chocolates" can produce a day's worth of conversation while a post about a whole new opera score for THESPIS can be glossed over, I'll never understand.*** And Andi wrote... ***Simple. Everybody can relate to a sighting;*** I did not make my point clear there. "Mikado Chocolates," "Mikado Restaurants" and "Mikado Engines" have absolutely nothing to do with G&S - but conversations about them are welcome. Yet, when I had a question about the authenticity of the G&S-like opera Scott and I wrote, a few people complained it was "off topic" and I was asked to drop it. I don't get it. ***To discuss a newly composed score for THESPIS--assuming that people are interested in somebody else's setting to begin with, which is not a safe blanket assumption to make...Then when it comes to formulating commentary, how many S'netters do you think consider themselves qualified to review/discuss a new musical setting beyond "I like it/I don't like it"?*** Lordie. I have a much higher opinion of the people in the group than that. I've read everyone's posts carefully for years and have seen what insights and understanding many people are capable of here. I'm confident they can dissect any art form with great interest. I've assumed that many of them thirst for new G&S-related subjects no matter what they are. This is why I'm confused when no one has stimulating questions to ask about a new score to THESPIS, or Clifton's excellent NAUTCH GIRL midi's or Colin's (I think) wonderful HIS EXCELLENCY midi's. No big deal there. ****I'm always sorry to see a SavoyNetter get frustrated and bored, and I'm sorry that John has (again)*** Many people have been stating their boredom lately. There's no reason to single me out. ***I hope John gets over his ennui and stays/comes back.*** Thanks. I'm here. And thanks for your compliments to my "thing." And thanks to everyone else for their compliments to my "thing." John S LI NY __________________________________ Do you Yahoo!? Yahoo! Small Business $15K Web Design Giveaway http://promotions.yahoo.com/design_giveaway/  1,, Summary-line: 10-Apr oakapple@cris.com [56] #Re: Recits in general: Two schools of thought X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Apr 2004 15:09:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3AJ9S6e000104; Sat, 10 Apr 2004 15:09:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3AJ9D3h027740 for ; Sat, 10 Apr 2004 15:09:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3AJ8kTJ026990; Sat, 10 Apr 2004 15:08:46 -0400 (EDT) Date: Sat, 10 Apr 2004 15:08:46 -0400 (EDT) Message-Id: <407842E0.5090903@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Recits in general: Two schools of thought MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040410174343.45163.qmail@web14525.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Apr 2004 15:08:46 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Recits in general: Two schools of thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040410174343.45163.qmail@web14525.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In any musical work, there are two layers of meaning. One layer is the literal sense of the symbols on the page. The other layer is the interpretive framework that the composer expects the performer to know. An example is the swaying tempo lilt that you hear in Viennese waltzes. (That's probably not the technical term for it, but if think of a Strauss waltz you'll know what I mean.) The composer didn't tell the performer expressly to do that--the performer is expected to know. Yet, it isn't appropriate for all works in 3/4 time, only for Viennese waltzes (or other waltzes where it is acceptable to emulate that style). To give an even more simplistic example, it was once conventional that a horn part in bass clef was written a 4th lower than concert pitch, but a horn part in treble clef was written a 5th higher. The modern school is to write all horn parts a 5th higher than they sound, regardless of clef. A horn player, besides being able to read the note symbol that's literally on the page, also needs to know which of these two systems the composer used. Now, how does this help us with recitative? When Sullivan wrote "recitative," he expected his singers to know what that meant. He wasn't writing in a vacuum, nor were his singers singing in one. Recitative was an operatic commonplace, and anyone in the profession learned to interpret it within certain conventions. And whilst I don't claim to be a specialist in this aspect of music history, I am fairly certain that the convention Sullivan and his singers knew was closer to the "free" style than the "strict." To impose an unduly literal framework on recitative is as ahistorical as performing a Viennese waltz in strictly in time. Having said that, I'm reminded of some advice the late Bruce Miller gave to singers of patter songs. Bruce believed that Sullivan expected singers of patter songs to take some latitude with rhythms and pitches. But he also believed the best way to learn a patter song was *first* to learn it as literally written, and *then* to decide where to take liberties. By doing so, you ensure that any liberties you take are considered decisions, and not mere sloppiness. I suspect he would endorse that approach for recitative, as well. -- Marc Shepherd New York, NY  1,, Summary-line: 13-Apr d-duffey@argonet.co.uk [54] #SavoyNet family X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 Apr 2004 03:14:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3D7E5cO014106; Tue, 13 Apr 2004 03:14:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3D7E4rE003631 for ; Tue, 13 Apr 2004 03:14:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3D7DPTJ001148; Tue, 13 Apr 2004 03:13:25 -0400 (EDT) Date: Tue, 13 Apr 2004 03:13:25 -0400 (EDT) Message-Id: <003001c42124$6df8aed0$0400a8c0@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet family MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 Apr 2004 03:13:25 -0400 (EDT) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet family X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have much to thank SavoyNet for. I discovered it when suffering from a serious illness, and the therapy of participating enthusiastically certainly hastened my recovery. I then went on to make many friends, and a significant number of those friendships have been consolidated to the extent that they now exist entirely independently of SavoyNet. I note that I am far from the only person to have been thus affected. I benignly watch many of the same subjects come up over and over again. I wryly chuckle when the characters of people are exposed by their postings. There are people whose postings I delete unread as I know they would bore me senseless. There are those whose postings I read much in the way that a tongue seeks out a sensitive tooth, and I sometimes cannot resist charging at a red rag. I hope I recognise and at least fail to discourage those who are new to the list and whose postings are important to them but old hat to me. Occasionally though, I wonder whether being benign is always the best policy. When I was a callow youth - thirteen or fourteen - I once wrote out multiple cast-lists of each Savoy Opera, allocating parts to my immediate friends and annotating them by describing how those with similar vocal ranges would differently characterise the same part. Now this is the kind of thing which passed a couple of long winter evenings harmlessly. However, when my sisters came across these scribblings, they teased me unmercifully about them for months thereafter. That's what families do. And a useful thing it is too, as it eventually demonstrates to callow youth just what a complete twonk he is being. Nowadays, however, we have the internet. But had the internet existed in 1955, I might have posted those lists, or something like them, on SavoyNet. Should we not to naïf, immature and inconsequential jottings which appear now and then on SavoyNet, do as my sisters did to me, and make fun of them? It may cause some embarrassment, but that's how, in life, one learns. David The Wash England old, and flabby, and cowardly  1,, Summary-line: 13-Apr ulahlica@yahoo.com [74] #Not So Good as La Traviata X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 Apr 2004 14:01:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3DI1Jj5002588; Tue, 13 Apr 2004 14:01:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3DHvjXm002003 for ; Tue, 13 Apr 2004 13:57:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3DHvBTJ013479; Tue, 13 Apr 2004 13:57:11 -0400 (EDT) Date: Tue, 13 Apr 2004 13:57:11 -0400 (EDT) Message-Id: <20040413175224.54249.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Not So Good as La Traviata MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 Apr 2004 13:57:11 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Not So Good as La Traviata X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is just barely on topic (since I reincarnated the Pinafore hate duet in it) so I'll try to be brief. Tyson wrote... ***Every song seems to cover a broad range though. I think what I'm trying to say is that it lacks focus.*** The NSGALT recording went poorly so I only posted a brief excerpt of the live songs as to give the flavor of the opera. It doesn't tell you very much about the music. I'm curious what your opinions could be based on! ***I wasn't giving you any points for making fun of one of my favorite songs ever written, "Di Provenza il Mar il Suo" by adding pigs and fertilizer.*** I was making fun of Porgy and Bess's "I got plenty of nuttin." Focus, Tyson! (-8 ***And the singers all sound kind of drunk, what's the story behind this?*** The opening chorus states, "Eat and drink and merry be!" They were all acting! Yeah, that's it. These students were so good at acting drunk that, if you were to hear the dialogue, you could easily think that they were deliberately forgetting their lines, again and again and again and again and again. And again. (Scott's acting was always very good, though.) If you care, here is the complete chamber opera, with the printed dialogue and midi's I just uploaded: http://www.geocities.com/ulahlica/NSGALT/NSGALT1.html John S LI NY P.S. Strange but this professional music director friend of mine heard the recording and insisted I was spoofing G&S. I told him it was definitely not a G&S parallel but he just said "It's even got a patter song!" It's so frustrating when someone else tells you what your intentions are and they're way off the mark. __________________________________ Do you Yahoo!? Yahoo! Small Business $15K Web Design Giveaway http://promotions.yahoo.com/design_giveaway/  1,, Summary-line: 15-Apr jtu@MIT.EDU [27] #SIPB 35th Reunion! (Sunday, June 13, 2004) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Apr 2004 12:29:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3FGTZDJ026439; Thu, 15 Apr 2004 12:29:35 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3FGTGfE025637 for ; Thu, 15 Apr 2004 12:29:16 -0400 (EDT) Received: from m38-370-2.mit.edu (M38-370-2.MIT.EDU [18.107.0.21]) (authenticated bits=56) (User authenticated as jtu@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i3FGTF8e020936 for ; Thu, 15 Apr 2004 12:29:16 -0400 (EDT) Received: (from jtu@localhost) by m38-370-2.mit.edu (8.12.9) id i3FGTFYJ024435; Thu, 15 Apr 2004 12:29:15 -0400 (EDT) Date: Thu, 15 Apr 2004 12:29:15 -0400 (EDT) From: Jennifer Tu To: sipb-all@MIT.EDU Subject: SIPB 35th Reunion! (Sunday, June 13, 2004) Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Apr 2004 12:29:15 -0400 (EDT) From: Jennifer Tu To: sipb-all@MIT.EDU Subject: SIPB 35th Reunion! (Sunday, June 13, 2004) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We'll be holding SIPB's 35th Reunion on Sunday, June 13. Note that this is the weekend after Alumnni Weekend, which is the weekend after graduation. -------------------------------- SIPB's 35th Reunion Sunday, June 13, 2004 Kresge BBQ pits / Student Center Rain location: PDR1 1pm until we get bored RSVP to sipb-reunion@mit.edu -------------------------------- There will be food and people. You should come. RSVP to sipb-reunion@mit.edu. Offers of assistance also go to sipb-reunion@mit.edu. More details as we get closer to the event... --Jennifer  1,, Summary-line: 15-Apr ulahlica@yahoo.com [104] #Re: GASBAGS at the Festival !! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Apr 2004 20:09:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3G09BDL004800; Thu, 15 Apr 2004 20:09:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3FJVrRJ012044 for ; Thu, 15 Apr 2004 15:31:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3FJUnTJ008247; Thu, 15 Apr 2004 15:30:49 -0400 (EDT) Date: Thu, 15 Apr 2004 15:30:49 -0400 (EDT) Message-Id: <20040415190803.760.qmail@web60205.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS at the Festival !! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <10564912.1082052599977.JavaMail.root@bigbird.psp.pas.earthlink.net> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Apr 2004 15:30:49 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS at the Festival !! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <10564912.1082052599977.JavaMail.root@bigbird.psp.pas.earthlink.net> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If anyone wants to perform GASBAGS anywhere, anytime, under any weather conditions, of course I would be delighted. The same goes for any of the collaborations I've made with Scott Farrell (half out of ego and half out of generosity). ***I imagine that this COULD work and be staged (maybe with a soupcon of rewriting, and a note to the audience beforehand to explain what eBay is)*** I had concern about the esoteric nature of the eBay song but figured half the charm of G&S for me has been its esoteric nature. But that's me speaking as a 20th century American. (No - not 21st century - the group has recently explained most of the esoterica to me.) Also, someone would have to fix my erroneous usage of the word "empirical" on the last page. I'm stymied. ***If John would be prepared to allow this (and who could blame him if he wanted to say 'no' after the way he occasionally gets treated just because as we all know he's a madman with mad ideas!)*** *ahem* *ahem* I am THE madman of the group. (-8 ***Bagsy me rights to the soundtrack recording*** You're bagged! (I'm unfamiliar with that verb and guessed a conjugation.) Adam wrote... ***As long as I'm not expected to sing my own part. I'm not sure I could convincingly sing a tenor. ;)*** My characters are often written for people here - but not always for people here to actually sing (if that makes sense). I wrote the part of Frankenstein's Monster for Arthur Kincaid because he taught a course on the subject and gave me much help. I wrote the part of the Creature's Bride for Maureen Roult. I have heard neither sing. Such trivial matters are irrelevant to a madman such as myself (-8 ***I imagine, that, except for variances to allow for the ladies, any man playing a part would be of the same voice type as the original Utopian character whose music is being parodied.*** Not exactly but I won't get ahead of myself and make a big explanation here. I wouldn't want the Ulahlica variations to be included, though - and I doubt anyone else would. I'm surprised (and I'm not trying to be provocative) how many people asked me where the interpolations came from. They were just for fun an all came from other songs in utopia, such as (using the original words) : Ulahlica! Ulahlica! U - tan-tan-ta-ra-ra-ra-ra-ra-ra - laaaaalica! Now you know. Thanks for the vote of confidence, Chris and Elise. John S P.S. I originally wrote "Chrsi and Elsie." Ya see, Elise, it's not us. It's that impossibly tricky "IS" combination! __________________________________ Do you Yahoo!? Yahoo! Tax Center - File online by April 15th http://taxes.yahoo.com/filing.html  1, answered,, Summary-line: 16-Apr ers66@juno.com [28] #voice teacher pointers... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Apr 2004 01:33:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3G5XNDJ007175; Fri, 16 Apr 2004 01:33:23 -0400 (EDT) Received: from m8.nyc.untd.com (m8.nyc.untd.com [64.136.22.71]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i3G5XMwt012534 for ; Fri, 16 Apr 2004 01:33:22 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"SwYtRBfNp1vdQjYDqDmNZdBdhTHf8vzApvxBD5JJmti/KwgovRcsKw==">; Thu, 15 Apr 2004 22:32:57 PDT Received: (from ers66@juno.com) by m8.nyc.untd.com (jqueuemail) id JTBKWNR7; Thu, 15 Apr 2004 22:32:57 PDT To: hammond@csail.mit.edu, opus@MIT.EDU Date: Fri, 16 Apr 2004 01:39:04 -0400 Subject: voice teacher pointers... Message-ID: <20040416.013904.-1360729.0.ers66@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 5-6,8-11 From: "Elizabeth R. Stone" X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: hammond@csail.mit.edu, opus@MIT.EDU Date: Fri, 16 Apr 2004 01:39:04 -0400 Subject: voice teacher pointers... X-Juno-Line-Breaks: 5-6,8-11 From: "Elizabeth R. Stone" X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jay Lane is the fellow whom we were discussing tonight; he's trained ( and in the process of final certification) in the McCloskey method of vocal pedagogy. He is also music minister of an Episcopal church in Acton, directs a number of community choruses and Vox Lucens (Renaissance choir that Jess Raine sings in), and is one of the most generous, kind and gifted musicians I've ever met. (Not that I'm biased or anything!) His contact information: jaydlane@rcn.com, 617 666-4686; address is 31 Moore St., Somerville (about a 15 minute walk from Davis^2. Hope this works out for either or both of you...! ers ________________________________________________________________ The best thing to hit the Internet in years - Juno SpeedBand! Surf the Web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 16-Apr hxd9@yahoo.com [75] #The MIT Musical Theater Guild presents A NEW BRAIN! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Apr 2004 13:49:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3GHnWKr018064; Fri, 16 Apr 2004 13:49:33 -0400 (EDT) Received: from web21004.mail.yahoo.com (web21004.mail.yahoo.com [216.136.227.58]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i3GHnC0B025391 for ; Fri, 16 Apr 2004 13:49:12 -0400 (EDT) Message-ID: <20040416174911.21832.qmail@web21004.mail.yahoo.com> Received: from [64.119.130.179] by web21004.mail.yahoo.com via HTTP; Fri, 16 Apr 2004 10:49:11 PDT Date: Fri, 16 Apr 2004 10:49:11 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: The MIT Musical Theater Guild presents A NEW BRAIN! To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Apr 2004 10:49:11 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: The MIT Musical Theater Guild presents A NEW BRAIN! To: mtg-announce@mit.edu X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild proudly presents its spring 2004 production... A NEW BRAIN Directed by Brian Dunkel Music directed by Dave Berger Vocal directed by David Zych Featuring... Paul Giragos * Heather Doering * Kenny Kamrin * Cinda Lavely * David Poland * Jennifer Braun * TR Jordan * Nicolina Akraboff * Mike Rolish * Arthur Fitzmaurice Music and lyrics by William Finn Book by William Finn and James Lapine Vocal arrangements by Jason Robert Brown What do you get when you cross a nasty frog, brain surgery, and a dancing Jewish mother? Answer: A musical odyssey towards a second chance at life. Inspired by composer-lyricist William Finn's experiences when wrongly diagnosed with brain cancer, A NEW BRAIN is a hypnotic musical guaranteed to stick to your cerebral cortex. WHEN April 23-24, 29-30, and May 1 at 8 pm 2 pm matinee on April 25 WHERE Kresge Little Theater TICKETS $6 MIT & Wellesley students $8 MIT community, senior citizens, other students $10 general public Group rates available. INFORMATION and RESERVATIONS Call (617) 253-6294 Email mtg-tickets@mit.edu Visit our web site at http://web.mit.edu/mtg/ We are seeking 2 ushers per performance for all performances of A NEW BRAIN! To volunteer, email Alex French at aff@mit.edu. Ushers see the show for free on the night that they work. ****************************************************************** bcc'd to mtg-info@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons@mit.edu, theater@mit.edu __________________________________ Do you Yahoo!? Yahoo! Tax Center - File online by April 15th http://taxes.yahoo.com/filing.html  1,, Summary-line: 16-Apr immo.08.6543249@telia.com [38] #Cox & Box in Swedish X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Apr 2004 14:52:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3GIq4L5003827; Fri, 16 Apr 2004 14:52:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3GIpUxt018566 for ; Fri, 16 Apr 2004 14:51:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3GIoaTJ014650; Fri, 16 Apr 2004 14:50:36 -0400 (EDT) Date: Fri, 16 Apr 2004 14:50:36 -0400 (EDT) Message-Id: <001b01c423e3$aa473c00$7400a8c0@elin> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kimmo.08.6543249@telia.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Kimmo Eriksson" To: Multiple recipients of list SAVOYNET Subject: Cox & Box in Swedish MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Apr 2004 14:50:36 -0400 (EDT) Reply-To: kimmo.08.6543249@telia.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Kimmo Eriksson" To: Multiple recipients of list SAVOYNET Subject: Cox & Box in Swedish X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'd like to announce a small contribution to the internationalization of G&S. 17-18 of May, my opera society in Stockholm will give four performances of Flex & Plex. This is of course a Swedish adaptation of Cox & Box. I and my ex-brother-in-law, Mats, have set the play in modern Stockholm. Two young women - European Union bureaucrat Flex and sports journalist Plex (the names are puns to a Swede) - both rent the same room from former military band drummer Studsig (means Bouncy). Librettist Burnand made the play's Mrs Bouncer a man, and so we have completed the sex change. Our Flex & Plex is roughly the "long" version of Cox & Box. Indeed, we have even taken the liberty of adding an extra music number - composed by my cousin Jonas - between the Gambling duet and the Finale, where we found the stretch of dialogue too long. Jonas has also composed an eleven minutes short opera (The Cup, my libretto after a short horror story by Sweden's foremost comedian Povel Ramel) to act as a curtain raiser before Flex & Plex, which will be the main event of the evening. Flex is sung by SavoyNet soprano Charlotte, my wife. Any Savoynetters visiting Sweden in May are welcome to a performance (see www.flexochplex.se); I promise to give you a running translation into bad English! Kimmo  1,, Summary-line: 17-Apr Philomel@aol.com [21] #Re: Recits in general: Two schools of thought X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 17 Apr 2004 13:43:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3HHh12C028364; Sat, 17 Apr 2004 13:43:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3HHh0Bg008998 for ; Sat, 17 Apr 2004 13:43:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3HHg6TJ012925; Sat, 17 Apr 2004 13:42:06 -0400 (EDT) Date: Sat, 17 Apr 2004 13:42:06 -0400 (EDT) Message-Id: <153B6E76.7591E95F.007E765E@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Philomel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philomel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Recits in general: Two schools of thought MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 17 Apr 2004 13:42:06 -0400 (EDT) Reply-To: Philomel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philomel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Recits in general: Two schools of thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 9:33:46 PM Eastern Daylight Time on 4/10/2004, David Craven wrote: >Yes. Those are all examples of music which could well be>considered recit. That being said, I would venture to guess>that one act of a Rossini Comic Opera (say Barber of Seville)>has more recit than all of the works of G&S. (This is not>intended as a negative comment on G&S, one G&S has more dialog>than all of the comic operas of Rossini.) Its a comparative>thing. Compared to Rossini, G&S essentially has no recit. David's comment, as I see it, comes closest to the issue of appropriate performance practice regarding recitative which we performers encounter. In the Voice & Opera Dept. of The Manhattan School of Music, where I was trained, the prevailing rule of thumb is that there are two distinct styles of *recitativo* each with its respective approach: *Recitativo secco* ("dry" recitative) is one. This is where the recitative is accompanied only by *basso continuo* – harpsichord or other keyboard instrument and a bass instrument (prevalent in operatic works by such as Mozart, Rossini, Donizetti, etc.). This style tends to cover relatively long stretches of dialogue between/among two or more characters. Though written measured and using specific pitches, there is more of a tendency by the performers to follow the cadence of speech in the rhythmic sense, even while adhering to the pitches set down by the composer. Hence, there is more "freedom" in the approach to performing them. To my knowledge, there is nothing in the Canon which could be described as *recitativo secco*. *Recitative accompagnato* ("accompanied" recitative), on the other hand, seems the style preferred by Mr. Sullivan and used exclusively in the Canon. As its name implies, it is accompanied by full orchestra and has more dramatic import. This, after all, is the style used most often (though not so limited) by characters engaging in soliloquy. (Katisha's "Alone and yet alive..." is a stellar example.) The approach to this on the part of the performers is, as it should be, a more strict adherence the rhythmic "blueprint" set down by the composer. (Obviously, there are practical considerations as well for this approach since it involves more "personnel" than *secco*.) Though there are some freedoms allowed in *accompagnato* (particularly at cadence points and/or for dramatic effect), more often then not, where such things occur, the composer indicates this in some way in the score (i.e., a marking indicating change in tempo or dynamics). Needless to say, if, as is the case wit! h Mr. Sullivan, the composer is worth his salt, the performers should have no qualms about deferring to what is set down in the score. Elizabeth Evans-EmeryBrooklyn, NY - USA  1,, Summary-line: 18-Apr david@musicalsolutions.co [109] #An Englishman (and -woman) in New York X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 Apr 2004 17:36:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3ILa9Od007786; Sun, 18 Apr 2004 17:36:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3ILa8xL025489 for ; Sun, 18 Apr 2004 17:36:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3ILZCTJ011537; Sun, 18 Apr 2004 17:35:12 -0400 (EDT) Date: Sun, 18 Apr 2004 17:35:12 -0400 (EDT) Message-Id: <5.2.1.1.2.20040418201857.01e58ec0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: An Englishman (and -woman) in New York Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 Apr 2004 17:35:12 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: An Englishman (and -woman) in New York X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just so that this remains on-topic, I’ll tell you that TFC and I had an unsought-for sighting this last week, in Albany, NY. More of that later. We’ve just returned from 5 *wonderful* days in the US - indeed, it seems like a dream to me now, as I write - so much good fellowship with so many SavoyNetters, so much piano-playing (and I loved it !), so much *fun* !! All thanks to Rich Miller, the “father of the feast”. Two years ago, Rich asked me to come to the US to entertain his friends at the Fort Orange Club in Albany. We fixed the time for the Easter school holidays 2004, and last Monday TFC and I travelled down to London, and we flew out Tuesday, getting us into JFK on Tuesday evening. Our resident address in Manhattan was The University Club on W54th and 5th (you can see from this that I’ve got all the jargon - I think). We had little energy to do anything other than eat on Tuesday night - and so to Wednesday morning. Rich met us then for breakfast at “Brasserie” - a superb breakfast location. As we walked down the steps, I felt like Warren Beatty - if I’d have had a hat, it would have been dipped strategically below one eye, and I was missing the apricot scarf. After breakfast, Rich left us to enjoy the city. We paid our respects at Ground Zero - to say it was very moving is an understatement - and then we wandered down to Battery Park, rounding a corner to see the Statue of Liberty, sailing away to sea. Then we took a cab back up to Macy’s for shopping and lunch. After lunch we “chilled out” a little, and made ready for my first performance - a cocktail party at the home of Ken and Susan Wallach. Rich met us at the Club, and we sallied forth, to be greeted at the party by SavoyNetters Carol Davis, Vikki Willoughby, and Carole Round. We made the acquaintance of SavoyNetters Todd Sollis and Jack Behonek. The assembled company seemed to enjoy my fooling around on the piano. I sang a few Tom Lehrer and Flanders & Swann songs - a bit of a dress rehearsal for Thursday night in Albany - and then we repaired to “Fetch” for burgers and beer. On Thursday morning, Rich drove us up to Albany, and we installed ourselves in the Fort Orange Club. Albany is a lovely city, and we spent the afternoon strolling around and looking round the Albany Institute of History and Art. That’s where we made our “sighting” - a sculpture of a phrenologist tapping into the head of Pooh-Bah. The sculpture was done in 1885, so, soon after the first performance of “The Mikado”. Thursday evening saw me performing at the Fort Orange Club in Albany. Rich did a “spot” during the performance - “A Tenor, all singers above”, “Sparkling Eyes”, and “Blue Blood”. Wonderful singing, such an *easy* man to accompany. During the dinner afterwards, he gave us “O Sole Mio” and “Danny Boy”. The assembled company probably thought we’d rehearsed this - we hadn’t. He asked me “Can you do ‘O Sole Mio’ in G ?” - I nodded, and off we went. On Friday morning, TFC and I took the train back to NYC, and, after checking back into the University Club, we made our way to the Empire State Building. The view from the 86th floor is everything it’s supposed to be, and more. We were, by this time, tired beyond belief, but we took it in like any other pair of enchanted tourists, before going back to the club to clean ourselves up for the Blue Hill Troupe cast party, to which we had been invited. We met Carol, Vikki, and Carole at Hunter’s for drinks, and there we found Vincent Price (doing a very acceptable impersonation of Marc Lewis), together with Andi Stryker-Rodda. It seems to be my destiny to be shushed by people, and we spent a very pleasant hour being shushed by the clientele at Hunter’s, before going to the BHT party. It amused me to see a piano in the main party room - on it sat a big notice, saying “NOTHING must be placed on this piano” - what ? not even the big notice ? Eventually (to my delight) we found a piano which we were allowed to play, and I launched once again into G&S, Tom Lehrer, and Flanders & Swann. Andi joined me "à deux" for “Tarantara” (complete with modulations). I was also blessed with a heckler (whose name I forget). I *think* I came off best. We were both very aware that, during our short visit to NYC, we had “missed” some NYC SavoyNetters - Marc Shepherd (who was away in Florida), Eric Peterson (who couldn’t make any of the “dates” we had), and Sam Silvers. On Saturday morning, we phoned Sam, and met him and his delightful Turkish friend (whose name I forget) for lunch at Norma’s in Le Hotel Meridien. We spent a very pleasant couple of hours with them, and then Sam took us to the Steinway shop, where I played some Gershwin on a piano I would have *loved* to own. Then TFC and I went on to St Patrick’s Cathedral. 4 o’clock, and our cab to the airport, came all too soon. Our trip home (enhanced by a security alert at JFK) has left us both tired and exhilarated. We have loved meeting old friends, and meeting new friends we know only from SavoyNet. Without the good offices of our dear friend Rich Miller, none of the above would have been possible - we'd like to thank him, in this public forum, "from the bottom of our hearts". We both feel that we are very lucky indeed to be part of this wonderful family which is SavoyNet. We are now counting away the time when we can visit Manhattan again. All the best David & Collette  1,, Summary-line: 18-Apr Janice@dallas-family.com [21] #Thespis X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 Apr 2004 17:38:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3ILc5Od008595; Sun, 18 Apr 2004 17:38:05 -0400 (EDT) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3ILc4xL026589 for ; Sun, 18 Apr 2004 17:38:04 -0400 (EDT) Received: from dallas-family.com (h00a0cc782b4e.ne.client2.attbi.com[24.128.219.98]) by comcast.net (sccrmhc13) with SMTP id <20040418213804016003mnnde> (Authid: janicedals); Sun, 18 Apr 2004 21:38:04 +0000 Message-ID: <4082F611.40402@dallas-family.com> Date: Sun, 18 Apr 2004 17:41:37 -0400 From: Janice Dallas Reply-To: janice@dallas-family.com User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:0.9.4.1) Gecko/20020314 Netscape6/6.2.2 X-Accept-Language: en-us MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Thespis Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 Apr 2004 17:41:37 -0400 From: Janice Dallas Reply-To: janice@dallas-family.com X-Accept-Language: en-us To: "David C. Jedlinsky" Subject: Thespis X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave and Ruth, How did things go on Thespis? I heard that the music went over well, but how about the tech end of things? -- Janice Dallas Boston,MA area, USA Janice@dallas-family.com "Just so, the girl has beauty, virtue, wit..."  1, filed,, Summary-line: 18-Apr Squirrelboy109@aol.com [19] #Mit and Harvard Iol. and Thes. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 Apr 2004 22:45:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3J2j2Od007359; Sun, 18 Apr 2004 22:45:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3J2j1Bg017985 for ; Sun, 18 Apr 2004 22:45:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3J2i8TJ002450; Sun, 18 Apr 2004 22:44:08 -0400 (EDT) Date: Sun, 18 Apr 2004 22:44:08 -0400 (EDT) Message-Id: <662D5321.57A5E82E.A590623B@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Squirrelboy109@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Squirrelboy109@aol.com To: Multiple recipients of list SAVOYNET Subject: Mit and Harvard Iol. and Thes. MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -3.746 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 Apr 2004 22:44:08 -0400 (EDT) Reply-To: Squirrelboy109@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Squirrelboy109@aol.com To: Multiple recipients of list SAVOYNET Subject: Mit and Harvard Iol. and Thes. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.746 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey,This weekend I went to Boston to see Iolanthe With the Harvard- Radcliffe players and Thespis at MIT. I'll start with Iolanthe.The theater was a great small little one. The stage was also small. I was surprised to see only 4 fairies enter for tripping thither. It was the 3 main fairies with one extra. THey were dressed in rags. Afterward the fairy queen sat down on a tiny chair which was supposed to be a throne. Iolanthe was dressed in a night blue gown and strephon in modern street clothes. So was Phyllis. Then believe it or not, they cut loudly let the trumpets bray! With a 4 person chorus plus lolli and tolli, they went right in to the chan's song. The men were dressed in regular business suits, including lc. Other than that song nothing was cut. Ok so then all the phyll- peers happen etc. until the finale. I was excited to see what happened for the finale with such a small cast. It was nothing special. then P. w. did his thing. He was dressed in a camouf! lage suit. Then the s. a m. o. parlia. was great as well as britain really and dont go. They made a big a deal about the queen and pw. there was alot of flirting etc. Then when your lying awake was wonderfull as always. I have to say, it was a little slower than usual, but still great. trio was good, duet good, iol-lc stuff good, finale not so amazing.The lc was the best in this performance i have to say. the queen was great but not such a great voice. They were all a little quiet, i had a hard time hearing them. Overall not so amazing. Ok so now thespis.The music was composed by someone at mit, it was exceptional. the score included the 2 original songs and all new melodies. This was a much better performance i think than harvard. The set was much better. The orchestra more professional. Great special effects, lighting etc. Also better acting. It was also nice to see thespis because it is performed not very often. The most memorable actors were probably mercury, tipseion, Spark., nice., daphne, and thespis, although all were exceptional. Alec KacewNew York City  1,, Summary-line: 19-Apr cupid@MIT.EDU [17] #Re: Final Performance! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 Apr 2004 15:36:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3JJargF006640; Mon, 19 Apr 2004 15:36:53 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3JJarWF024489 for ; Mon, 19 Apr 2004 15:36:53 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) (authenticated bits=56) (User authenticated as cupid@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i3JJaqAf027383 for ; Mon, 19 Apr 2004 15:36:53 -0400 (EDT) Received: (from cupid@localhost) by contents-vnder-pressvre.mit.edu (8.12.9) id i3JJaqfw006956; Mon, 19 Apr 2004 15:36:52 -0400 (EDT) Date: Mon, 19 Apr 2004 15:36:52 -0400 (EDT) Message-Id: <200404191936.i3JJaqfw006956@contents-vnder-pressvre.mit.edu> From: Randi M Kestin To: opus@MIT.EDU In-reply-to: <200404180754.i3I7sZZd029846@multics.mit.edu> (opus@MIT.EDU) Subject: Re: Final Performance! References: <200404180754.i3I7sZZd029846@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 19 Apr 2004 15:36:52 -0400 (EDT) From: Randi M Kestin To: opus@MIT.EDU In-reply-to: <200404180754.i3I7sZZd029846@multics.mit.edu> (opus@MIT.EDU) Subject: Re: Final Performance! X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I was wondering if it's possible to also get a copy of the video of Vanessa's performance? Randi  1,, Summary-line: 19-Apr d-duffey@argonet.co.uk [68] #Pirates update X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 Apr 2004 15:40:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3JJevgF008737; Mon, 19 Apr 2004 15:40:57 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3JJetxL004365 for ; Mon, 19 Apr 2004 15:40:55 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3JJeeK5003321; Mon, 19 Apr 2004 20:40:41 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id UAA12074 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Mon, 19 Apr 2004 20:40:17 +0100 (BST) Received: by mserv1.dl.ac.uk id UAA12055 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Mon, 19 Apr 2004 20:40:12 +0100 (BST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id UAA12048 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Mon, 19 Apr 2004 20:40:09 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from tungsten.btinternet.com (tungsten.btinternet.com [194.73.73.81]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3JJcjK5003282 for ; Mon, 19 Apr 2004 20:38:46 +0100 Received: from [81.153.61.14] (helo=Computer) by tungsten.btinternet.com with smtp (Exim 3.22 #25) id 1BFeb5-0007n3-00 for buxton99@dl.ac.uk; Mon, 19 Apr 2004 20:38:28 +0100 Message-ID: <015501c42645$e2627a00$0400a8c0@Computer> From: "David Duffey" To: "B99" Subject: Pirates update Date: Mon, 19 Apr 2004 20:37:59 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: Pirates update Date: Mon, 19 Apr 2004 20:37:59 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO Dear all Very sorry to be so tardy in getting information out. The situation is that the costumes have been selected, and we will be seeking your measurements very soon. We have managed to pin things down to two companies - one for Pirates, daughters and servants, the other for Policemen, Major General and Frederic Act II. Most props have been secured, with the exception at the moment of special truncheon which I have to speak to Philip W about again. Philip, having been in the trade as it were, is being extremely useful. Denise, Angie, Deirdre, Carol and Sandra are servants, the other ladies are all daughters - that is not to say that the aforementioned are not beauties too, because they are. Only Basses (but not Samuel) to be policemen in Act II, but (sorry gents) Arthur and Tim are not on in Act I. The reason for this is that they will be made up to be Laurel and Hardy and be at either end of the policemen's line, and never quite manage to get together. There will be some quite intricate movement for the policemen and the Pirates in Act II. The police interweaving movements always taking Laurel and Hardy away from each other at the last moment. The Pirates in Act II will have to rehearse and rehearse their movements during Cat-like tread, as one of them will be carrying a ladder over his shoulder - therefore it might be sensible to wear hard hats for the early rehearsals, as all will have to duck at critical moments. The daughters will have a sprightly dance at the entrance, and the servants will have lots of work to do - although they too will be captured by the pirates. Poor Ruth too will be seen always to have lots of work to do in the opening scene. The choruses will be characterised by lots of movement, with sudden pictures - not freezes, but busyness suddenly resolving into a picture. There will be parasol work in "How Beautifully B the S". Ladies - character shoes for act I and ballet shoes for Act II. Wigs for both Acts - but I do want faces to be seen - faces are so lovely. Lets start using b99 - post questions please, because I'm sure to have left lots out. David  1, answered,, Summary-line: 19-Apr jhango@alumni.hmc.edu [19] #a Thespis DVD order X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 Apr 2004 21:22:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3K1MYgF001260; Mon, 19 Apr 2004 21:22:34 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3K1LwWF022410; Mon, 19 Apr 2004 21:21:58 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) (authenticated bits=56) (User authenticated as jhango@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i3K1LvRv016730; Mon, 19 Apr 2004 21:21:57 -0400 (EDT) Received: (from jhango@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id i3K1Lv6w028458; Mon, 19 Apr 2004 21:21:57 -0400 (EDT) Date: Mon, 19 Apr 2004 21:21:57 -0400 (EDT) Message-Id: <200404200121.i3K1Lv6w028458@scrubbing-bubbles.mit.edu> From: Jennie Hango To: opus@MIT.EDU, rls@MIT.EDU Subject: a Thespis DVD order Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 19 Apr 2004 21:21:57 -0400 (EDT) From: Jennie Hango To: opus@MIT.EDU, rls@MIT.EDU Subject: a Thespis DVD order Reply-To: Jennie Hango X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave and Ruth, I didn't get a chance to get into the green room on Sunday, so I didn't get to sign up for a DVD. I'd like to order one DVD. What contact information do you need? My phone number is 781-643-7961; I can pick up my DVD if you're dropping them off at the MITG&SP office. Thanks! Jennie  1,, Summary-line: 19-Apr dbj@MIT.EDU [38] #apple hardware [was Re: Minutes of the SIPB Meeting of 04/19/2004] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 Apr 2004 23:38:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3K3cLgF000590; Mon, 19 Apr 2004 23:38:21 -0400 (EDT) Received: from marcela.zlz.net ([140.239.227.18]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3K3cDBg000136; Mon, 19 Apr 2004 23:38:13 -0400 (EDT) Received: (from dbj@localhost) by marcela.zlz.net (8.11.7p1+Sun/8.11.6) id i3K3auh29167; Mon, 19 Apr 2004 23:36:56 -0400 (EDT) Sender: dbj@marcela.zlz.net To: wjh@mit.edu Cc: Ken T Takusagawa Subject: apple hardware [was Re: Minutes of the SIPB Meeting of 04/19/2004] References: From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" , sipb-bananas@mit.edu Date: 19 Apr 2004 23:36:55 -0400 In-Reply-To: Message-ID: Lines: 25 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.3 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: dbj@marcela.zlz.net To: wjh@mit.edu Cc: Ken T Takusagawa Subject: apple hardware [was Re: Minutes of the SIPB Meeting of 04/19/2004] From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" , sipb-bananas@mit.edu Date: 19 Apr 2004 23:36:55 -0400 In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ken T Takusagawa writes: > wjh: I talked to MIT's apple representative. He asked whether > SIPB would be interested in a loan of some number of > G5 Power Macs for a month or so. > kenta: I would be interested. This is interesting. I've been running MacOS/darwin pkgsrc builds (see ) on banana-sr, which is SIPB's 400mhz g4. Each run currently takes about 10 days. The pkgsrc maintainers would significantly benefit from a dedicated build machine. This would likely result in public availablity of up to date macos pkgsrc binaries. Additionally, i've been doing iokit serial port/tty device driver work on banana-sr as my time is available. Furthermore, the gee-three serial port in banana-sr facilitates NetBSD/macppc kernel debugging in between all the above. Clearly, Apple machines at SIPB will see use. I'm curious about the short term nature of such a loan. Can you talk to me about apple's expectations and interest for providing this hardware? Darrin  1, answered,, Summary-line: 20-Apr smalpert@MIT.EDU [13] #vhs reservation X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 Apr 2004 05:28:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3K9SCgF023167; Tue, 20 Apr 2004 05:28:12 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3K9SC5w018302 for ; Tue, 20 Apr 2004 05:28:12 -0400 (EDT) Received: from mit.edu (NIGHTRUNNER.MIT.EDU [18.243.0.214]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i3K9SBFk005802 for ; Tue, 20 Apr 2004 05:28:11 -0400 (EDT) Message-ID: <4084ED40.1080107@mit.edu> Date: Tue, 20 Apr 2004 05:28:32 -0400 From: Steve User-Agent: Mozilla/5.0 (Windows; U; Win 9x 4.90; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax; PROMO) X-Accept-Language: en-us, en MIME-Version: 1.0 To: opus@mit.edu Subject: vhs reservation Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 20 Apr 2004 05:28:32 -0400 From: Steve X-Accept-Language: en-us, en To: opus@mit.edu Subject: vhs reservation X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) i forgot to sign up in the green room - i'd like one vhs version of thespis (my parents are lame and won't get dvd player). thanks.  1,, Summary-line: 20-Apr c@pobox.co.uk [32] #Re: Oh spare them X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 Apr 2004 05:59:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3K9xigF006393; Tue, 20 Apr 2004 05:59:44 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3K9xgpm019991 for ; Tue, 20 Apr 2004 05:59:43 -0400 (EDT) Received: from mserv1.dl.ac.uk (mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3K9xYAw000637; Tue, 20 Apr 2004 10:59:35 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id KAA11122 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 20 Apr 2004 10:56:47 +0100 (BST) Received: by mserv1.dl.ac.uk id KAA10831 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 20 Apr 2004 10:54:45 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id KAA10819 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from c@pobox.co.uk); Tue, 20 Apr 2004 10:54:12 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from pseudofoo.demon.co.uk (pseudofoo.demon.co.uk [80.177.121.174]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i3K9q5Aw032684 for ; Tue, 20 Apr 2004 10:52:05 +0100 Received: (qmail 8532 invoked by alias); 20 Apr 2004 09:52:00 -0000 Date: Tue, 20 Apr 2004 10:51:59 +0100 From: Christopher Hall To: B99 Subject: Re: Oh spare them Message-ID: <20040420095159.GA3917@pseudofoo.demon.co.uk> Mail-Followup-To: B99 References: <017501c4264b$a9e709b0$0400a8c0@Computer> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <017501c4264b$a9e709b0$0400a8c0@Computer> User-Agent: Mutt/1.4.2i X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Date: Tue, 20 Apr 2004 10:51:59 +0100 From: Christopher Hall To: B99 Subject: Re: Oh spare them Mail-Followup-To: B99 Content-Disposition: inline In-Reply-To: <017501c4264b$a9e709b0$0400a8c0@Computer> X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO On Mon, Apr 19, 2004 at 09:19:44PM +0100, David Duffey wrote: >We will be performing the, "Oh spare them" version of the act II finale. This is now available at http://pseudofoo.demon.co.uk/pirates/ in various formats. (N.B. there's no "www" in the URL; that would reach my ISP's server rather than my own.) I've also re-set it in a form that hopefully looks better for printing (though I can't guarantee I've not introduced errors in the process; please let me know if you spot any). -- Chris Hall "It is my bounden duty to inform you That your proceedings will not be unwitnessed!"  1, answered,, Summary-line: 20-Apr chaika@MIT.EDU [39] #want Thespis video(tape); etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 Apr 2004 11:37:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3KFahSw004687; Tue, 20 Apr 2004 11:37:01 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3KFY6G0014885 for ; Tue, 20 Apr 2004 11:34:06 -0400 (EDT) Received: from quickstation-lobby-16-2.mit.edu (QUICKSTATION-LOBBY-16-2.MIT.EDU [18.55.1.65]) (authenticated bits=56) (User authenticated as chaika@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i3KFUXRv002195 for ; Tue, 20 Apr 2004 11:30:33 -0400 (EDT) Received: (from chaika@localhost) by quickstation-lobby-16-2.mit.edu (8.12.9) id i3KFUXNm014294; Tue, 20 Apr 2004 11:30:33 -0400 Message-Id: <200404201530.i3KFUXNm014294@quickstation-lobby-16-2.mit.edu> X-Mailer: exmh version 2.6.3 04/04/2003 with nmh-1.0 To: opus@mit.edu Subject: want Thespis video(tape); etc. Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Tue, 20 Apr 2004 11:30:33 -0400 From: Carol Novitsky X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: want Thespis video(tape); etc. Date: Tue, 20 Apr 2004 11:30:33 -0400 From: Carol Novitsky X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) (1) By the time I went into the green room to sign up for a Thespis video, the signup sheet was already down. I'd like one videotape. Do I need to put down a money deposit for it? Also I should mention that I might not be around here to pick it up, if it comes in next fall or later. In that case, could you mail it to my mom and dad? They are: Edward & Eleanor Novitsky 532 Harrison Street Hazleton, PA 18201 I can put down a money deposit that is an upper bound on the final cost, so I won't have to pay when it comes in (any extra can be considered a donation to G&S). (2) Can you keep the website and password alive for a couple more days? I'd like to listen to some things and look at the scores for non-percussion parts (might not have time today). (3) I did request a conductor's score--are these available and how much would one cost? (4) I have a bound copy of the vocal score which I used for rehearsal piano. How much does this cost and can I pay for this with the above? --Carol  1,, Summary-line: 20-Apr kytsing@MIT.EDU [22] #Re: Final Performance! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 Apr 2004 12:28:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3KGSWSo015174; Tue, 20 Apr 2004 12:28:32 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3KGSVG0022803 for ; Tue, 20 Apr 2004 12:28:32 -0400 (EDT) Received: from [18.79.0.179] (JOHANNA.MIT.EDU [18.79.0.179]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i3KGSVCN008019 for ; Tue, 20 Apr 2004 12:28:31 -0400 (EDT) Mime-Version: 1.0 X-Sender: kytsing@hesiod Message-Id: In-Reply-To: <200404180754.i3I7sZZd029846@multics.mit.edu> References: <200404180754.i3I7sZZd029846@multics.mit.edu> Date: Tue, 20 Apr 2004 12:28:29 -0400 To: "David C. Jedlinsky" From: Ky Lowenhaupt Subject: Re: Final Performance! Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: kytsing@hesiod In-Reply-To: <200404180754.i3I7sZZd029846@multics.mit.edu> Date: Tue, 20 Apr 2004 12:28:29 -0400 To: "David C. Jedlinsky" From: Ky Lowenhaupt Subject: Re: Final Performance! X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Opus - Jesse wondered whether anyone was going to make a CD of the soundtrack. She would like to have that in addition to the DVD. Let me know if you or Todd have any such plans. Jesse had a wonderful time in this show. This is the first one where she really felt like part of the cast, as opposed to the "kid". Thank you for the wonderful experience. ky  1,, Summary-line: 21-Apr kenta@MIT.EDU [15] #Finale 2004 installed on mariel-hemingway X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 21 Apr 2004 15:25:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3LJP0Td021797; Wed, 21 Apr 2004 15:25:00 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3LJOcVH002845 for ; Wed, 21 Apr 2004 15:24:38 -0400 (EDT) Received: from cutter-john.mit.edu (CUTTER-JOHN.MIT.EDU [18.187.1.62]) (authenticated bits=56) (User authenticated as kenta@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i3LJObRv029469 for ; Wed, 21 Apr 2004 15:24:37 -0400 (EDT) Received: (from kenta@localhost) by cutter-john.mit.edu (8.12.9) id i3LJOb35019122; Wed, 21 Apr 2004 15:24:37 -0400 Date: Wed, 21 Apr 2004 15:24:37 -0400 (EDT) From: Ken T Takusagawa To: sipb-bananas@MIT.EDU Subject: Finale 2004 installed on mariel-hemingway Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 21 Apr 2004 15:24:37 -0400 (EDT) From: Ken T Takusagawa To: sipb-bananas@MIT.EDU Subject: Finale 2004 installed on mariel-hemingway X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've installed Finale (a sheet music editing and composing software) on mariel-hemingway. It's a personal copy of the software, but mariel-hemingway is the only Mac I have easy access to. I'm keeping the original CD-ROM. --ken  1,, Summary-line: 22-Apr to: chaika@MIT.EDU [61] #Re: want Thespis video(tape); etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 Apr 2004 09:05:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3MD5tcR028782; Thu, 22 Apr 2004 09:05:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3MD5rpb016704; Thu, 22 Apr 2004 09:05:53 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i3MD5pAf023954; Thu, 22 Apr 2004 09:05:52 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i3MD5oUx008681; Thu, 22 Apr 2004 09:05:50 -0400 (EDT) Date: Thu, 22 Apr 2004 09:05:50 -0400 (EDT) Message-Id: <200404221305.i3MD5oUx008681@multics.mit.edu> From: "David C. Jedlinsky" To: chaika@MIT.EDU In-reply-to: <200404201530.i3KFUXNm014294@quickstation-lobby-16-2.mit.edu> (message from Carol Novitsky on Tue, 20 Apr 2004 11:30:33 -0400) Subject: Re: want Thespis video(tape); etc. References: <200404201530.i3KFUXNm014294@quickstation-lobby-16-2.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 22 Apr 2004 09:05:50 -0400 (EDT) From: "David C. Jedlinsky" To: chaika@MIT.EDU In-reply-to: <200404201530.i3KFUXNm014294@quickstation-lobby-16-2.mit.edu> (message from Carol Novitsky on Tue, 20 Apr 2004 11:30:33 -0400) Subject: Re: want Thespis video(tape); etc. X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Carol. I've got you down for one VHS videotape. You don't need to leave a deposit, though if you are going away a deposit will allow it to reach you sooner. I think an upper bound on the cost would be $20. The website will probably stay up until I need the disk space, so there's no rush. I can print and bind a conductor's score; it would cost $20. The vocal score is $16. I'm leaving town this afternoon, and won't be back for a while, so hopefully there's no rush on this, either. -Dave >Date: Tue, 20 Apr 2004 11:30:33 -0400 >From: Carol Novitsky > >(1) By the time I went into the green room to sign up for a Thespis >video, the signup sheet was already down. I'd like one videotape. > >Do I need to put down a money deposit for it? Also I should >mention that I might not be around here to pick it up, if it >comes in next fall or later. In that case, could you mail it to >my mom and dad? They are: > Edward & Eleanor Novitsky > 532 Harrison Street > Hazleton, PA 18201 > >I can put down a money deposit that is an upper bound on the >final cost, so I won't have to pay when it comes in (any extra >can be considered a donation to G&S). > >(2) Can you keep the website and password alive for a couple more >days? I'd like to listen to some things and look at the scores for >non-percussion parts (might not have time today). > >(3) I did request a conductor's score--are these available and how >much would one cost? > >(4) I have a bound copy of the vocal score which I used for rehearsal >piano. How much does this cost and can I pay for this with the above? > >--Carol > > > >  1,, Summary-line: 23-Apr rebecca@hains.net [64] #Directors: What is your vision for PIRATES? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Apr 2004 12:09:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3NG93Ym016318; Fri, 23 Apr 2004 12:09:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3NG8tR6006956 for ; Fri, 23 Apr 2004 12:08:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3NG8STJ003177; Fri, 23 Apr 2004 12:08:28 -0400 (EDT) Date: Fri, 23 Apr 2004 12:08:28 -0400 (EDT) Message-Id: <006001c4294c$d250cae0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Directors: What is your vision for PIRATES? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <403AA740.3070200@cris.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Apr 2004 12:08:28 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Directors: What is your vision for PIRATES? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <403AA740.3070200@cris.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all, A few months ago, Sylvan Kesilman and I submitted a proposal in response to a call for papers on pirates and mutineers in 19th-century literature. We proposed to write about The Pirates of Penzance, of course. Well, a bit of good news: We recently received an acceptance letter from the book's editor. She has provisional interest from Ashgate press, and if Ashgate does elect to publish the book, our paper will be included. As part of our proposal, I said that we would like to incorporate interviews with directors of recent productions of Pirates. I am specifically interested in hearing from stage directors, but would welcome replies from music directors, as well. I have a few open-ended discussion questions for all of you who have directed the show (or who are preparing to do so in the immediate future): When you directed Pirates, what was your vision for the characterization of the pirates? What influenced the development of that vision, and how did you incorporate it into the production? What do you hope was your audiences' impression of the pirates? Please reply to me privately at rebecca@hains.net. Feel free to answer my questions in as much detail as you'd like to. In your message, please include the following: a) a confirmation that you give us permission to quote in the chapter from your email b) your full name and your contact information, in case we have further questions c) when and where you directed the production of Pirates you're discussing (year, company, and city/state or province/country) d) permission to use your name -- or, if you prefer to remain anonymous, please suggest a pseudonym for yourself and the company you worked with that we may use in our chapter. Feel free to also send photos of your production, if you think they would be helpful. Or if you want me to watch a video of it, I'd be happy to do so -- just contact me for my mailing address. Thank you in advance for your time. I look forward to hearing from you! Sincerely, Rebecca Hains Temple University Philadelphia, PA  1,, Summary-line: 23-Apr LHall@tscwo.com [35] #Interesting News X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Apr 2004 13:18:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3NHI7Ym007995; Fri, 23 Apr 2004 13:18:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3NHFdR6022799 for ; Fri, 23 Apr 2004 13:15:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3NHF8TJ011303; Fri, 23 Apr 2004 13:15:08 -0400 (EDT) Date: Fri, 23 Apr 2004 13:15:08 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B024E10BB@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Interesting News MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Apr 2004 13:15:08 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Interesting News X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While catching up today on a friend's blog, I found the following: An optical scanning technique developed at Lawrence Berkeley National Laboratory enables digital replication of old, fragile vinyl and shellac sound recordings. "The technique should be able to retrieve sound from even the earliest grooved recordings from the late nineteenth century, [Mark] Roosa [director of preservation at the Library of Congress] hopes. The wax or metal cylinders on which these recordings were made had been considered too deteriorated to salvage, he says." http://www.nature.com/nsu/040419/040419-4.html Leta Hall Silver Spring, Maryland  1, forwarded,, Summary-line: 25-Apr bj.richards@btinternet.co [41] #Re: Here's good luck to X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 25 Apr 2004 17:35:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3PLZkmp017989; Sun, 25 Apr 2004 17:35:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3PLZjJs018853 for ; Sun, 25 Apr 2004 17:35:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3PLZHTJ005565; Sun, 25 Apr 2004 17:35:17 -0400 (EDT) Date: Sun, 25 Apr 2004 17:35:17 -0400 (EDT) Message-Id: <000101c42b0c$bdec7a10$792c8351@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Here's good luck to MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 25 Apr 2004 17:35:17 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Here's good luck to X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Let's all think of Bob and Jackie, moving today and about to embark on their > new venture. > > David Thanks David, our move down to Torquay went as well as can be expected and we, with Bob's daughter Polly's family (no Fawlty Towers jokes please) are now fully fledged & fully licenced owners of The Torcroft Hotel. Our first guests arrived on Thursday & since then our feet haven't touched the ground. We start work before 7 and don't go to bed until at least 11 - but we've loved every second - the view of Torbay (albeit spied through the car parks of the hotel opposite) makes it all worthwhile. The bar is now graced with all our G&S memorabilia which we hope will be a talking point - the 4 frames of the Player's cigarette card looking particularly fine! We were fully booked this weekend, no doubt helped by the lovely weather, so early this week will be the first chance to start organising what will be the first residential QWERT - watch this space!!!! Best wishes Bob & Jackie  1,, Summary-line: 25-Apr MusikDrama@aol.com [67] #Re: Major and minor X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 25 Apr 2004 21:13:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3Q1DFmp022412; Sun, 25 Apr 2004 21:13:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3Q1DEht004844 for ; Sun, 25 Apr 2004 21:13:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3Q1CGTJ023465; Sun, 25 Apr 2004 21:12:16 -0400 (EDT) Date: Sun, 25 Apr 2004 21:12:16 -0400 (EDT) Message-Id: <88.9300b0e.2dbdb984@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Major and minor MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 25 Apr 2004 21:12:16 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Major and minor X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 4/25/04 2:34:34 PM, Butagirl@aol.com writes: >NB "This is our duty plain" also ends in a minor key, if this hasn't been >counted yet. Funnily enough, it also begins in a minor key -- in fact, the same minor key in which it ends, that being G minor (as evidenced by the key signature of two flats which remains constant throughout). >Even the Act 2 finale only modulates to minor for the "walls >and fences scaling" section (I'm not counting very short changes). In this case the tonality isn't quite so cut and dried as in "This is our duty plain." I was going to attempt a "clever" response, along the lines of "Sorry, but in fact the chorus is scaling/wailing in G major," when I took a closer look at the score and found that Sullivan was being deliberately -- almost annoyingly -- ambiguous in this number in terms of tonality. The key signature is two flats and the tonic note is G, so technically you would have to analyze it as G minor. But in fact, there's not a single G minor chord in the piece, once the key change to two flats occurs (two bars before the men start singing). There is a G minor chord two bars *before* the key change happens, which definitely sets up the idea of G minor, but then Sullivan very cleverly manages to dodge a resolution to the tonic harmony for the entire chorus. The men's line is a melody in unison, without chordal accompaniment. The women sing in G major, immediately modulating to Eb major (which is harmonically closer to G minor than G major). Thereafter, any time there is a G chord it is invariably major rather than minor, which is what made me remember the piece as being in G major. It's the only "minor" piece I know of that works that way: it's a sort of globally applied "Picardy third" (a term used to describe a major chord that is used to *end* an otherwise minor piece)! There's a very harmonically disturbing moment in it, where Sullivan apparently is writing in two keys simultaneously: on the third beat of the bar in which the men sing "Dry your pretty eyes, O" and the women sing "entered here!" The harmonic movement of the voices suggest a chord progression of Eb7 to Ab major, but while the voices sing in Ab major (only two notes of the chord, actually -- Ab and C -- but the harmony is clearly implied by the way the voice parts resolve to the third beat), the orchestra is playing a B diminished chord which clashes with the men's C note in a very ugly way. At first I wondered if it was a mistake in the score (I have the large-print Chappell edition), but aparently it's no mistake. The same B diminished chord appears in the women's solo verse (when there's no C note to conflict with the chord), while in the men's solo verse they clearly sing a C at the same point (when there's no chord to conflict with the melody). It's only when the two choruses are put together that the discord occurs. Was Sullivan careless -- distracted, perhaps, by the pain in his liver? Was he anticipating Schoenberg and his cronies by half a century or so? Or was he merely suggesting that War is Hell? Anyway, it makes for some very interesting analysis! Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 25-Apr marchanc@juno.com [27] #SPAM time... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 25 Apr 2004 23:58:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3Q3wLmr004495; Sun, 25 Apr 2004 23:58:22 -0400 (EDT) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i3Q3vbEe011304 for ; Sun, 25 Apr 2004 23:57:38 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqUjK8QirssMI0uigXKC4v5/sNfAZ+HpBRw==">; Sun, 25 Apr 2004 20:56:54 PDT Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JT46DYPB; Sun, 25 Apr 2004 20:56:54 PDT To: marchanc@juno.com Date: Sun, 25 Apr 2004 00:51:18 -0500 Subject: SPAM time... Message-ID: <20040425.225618.2976.0.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 0-4,8,11 From: Christopher C Marchant X-Spam-Score: 0.323 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: marchanc@juno.com Date: Sun, 25 Apr 2004 00:51:18 -0500 Subject: SPAM time... X-Juno-Line-Breaks: 0-4,8,11 From: Christopher C Marchant X-Spam-Score: 0.323 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Okay, Here is another personality test I found amusing... If you only knew the power of the dark side.
Postatem obscuri lateris nescitis. "You do not know the power of the Dark
Side." There are two possibilities: you
are a Star Wars geek, or you are unreasoningly
scary.

Which Weird Latin Phrase Are You?
brought to you by Quizilla  1,, Summary-line: 26-Apr d-duffey@argonet.co.uk [36] #Web and Tee X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 01:55:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3Q5tXmp014956; Mon, 26 Apr 2004 01:55:33 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3Q5tWmg010573 for ; Mon, 26 Apr 2004 01:55:32 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3Q5tGgF023570; Mon, 26 Apr 2004 06:55:20 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id GAA22573 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Mon, 26 Apr 2004 06:53:28 +0100 (BST) Received: by mserv1.dl.ac.uk id GAA22549 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Mon, 26 Apr 2004 06:53:21 +0100 (BST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id GAA22542 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Mon, 26 Apr 2004 06:53:17 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from zinc.btinternet.com (zinc.btinternet.com [194.73.73.148]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3Q5pDgD023458 for ; Mon, 26 Apr 2004 06:51:13 +0100 Received: from [81.153.61.14] (helo=Computer) by zinc.btinternet.com with smtp (Exim 3.22 #25) id 1BHz1M-0004rg-00 for buxton99@dl.ac.uk; Mon, 26 Apr 2004 06:51:12 +0100 Message-ID: <001301c42b52$7b11e720$0400a8c0@Computer> From: "David Duffey" To: "B99" Subject: Web and Tee Date: Mon, 26 Apr 2004 06:51:12 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: Web and Tee Date: Mon, 26 Apr 2004 06:51:12 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO I'm so delighted that Bob and Jackie are enjoying their new life, but appreciate just how busy it is for them now. While they are able to produce a design for the Pirates tee-shirts, they will not be a able to produce and distribute them. The shirts are a significant income generator - in fact we cannot come anywhere close to a budget without them. Is there someone who can undertake the printing, collection and distribution? The main requirement is the ability to transport the boxes to Buxton. Likewise the web page. This has been an invaluable source of essential information. Chris Hall has kindly posted the "Oh spare them" page, but the draft rehearsal schedule has now been produced. I confess I have not the slightest idea how to produce and publish a web page - even though I have been show how to do it a couple of times. Thanks David  1,, Summary-line: 26-Apr d-duffey@argonet.co.uk [26] #Parasols X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 02:24:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3Q6O0mp000040; Mon, 26 Apr 2004 02:24:00 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3Q6Nxmg003144 for ; Mon, 26 Apr 2004 02:23:59 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3Q6NpPp026873; Mon, 26 Apr 2004 07:23:51 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id HAA23204 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Mon, 26 Apr 2004 07:16:46 +0100 (BST) Received: by mserv1.dl.ac.uk id HAA23185 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Mon, 26 Apr 2004 07:16:40 +0100 (BST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id HAA23178 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Mon, 26 Apr 2004 07:16:36 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from zinc.btinternet.com (zinc.btinternet.com [194.73.73.148]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3Q6DJPp026497 for ; Mon, 26 Apr 2004 07:13:19 +0100 Received: from [81.153.61.14] (helo=Computer) by zinc.btinternet.com with smtp (Exim 3.22 #25) id 1BHzMl-0000SB-00 for buxton99@dl.ac.uk; Mon, 26 Apr 2004 07:13:19 +0100 Message-ID: <003601c42b55$91d8b710$0400a8c0@Computer> From: "David Duffey" To: "B99" Subject: Parasols Date: Mon, 26 Apr 2004 07:13:18 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: Parasols Date: Mon, 26 Apr 2004 07:13:18 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO We have run into a little local difficulty with the parasols. At the moment the most satisfactory parasols are only available for sale. They come at £12.50 each, and I would like at least a dozen on stage during HBBTS. Please can you let me know if you are willing to purchase one. Thanks David  1,, Summary-line: 26-Apr pnh@dsl.pipex.com [50] #Re: QWERTY/Chieftain X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 07:05:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3QB5Gkn012112; Mon, 26 Apr 2004 07:05:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3QB5Fqd002350 for ; Mon, 26 Apr 2004 07:05:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3QB43TJ009350; Mon, 26 Apr 2004 07:04:03 -0400 (EDT) Date: Mon, 26 Apr 2004 07:04:03 -0400 (EDT) Message-Id: <000f01c42b7b$d5706060$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: QWERTY/Chieftain MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 Apr 2004 07:04:03 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: QWERTY/Chieftain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I would like to thank all those who used my typesetting of "The Chieftain" for their work checking for errors - and am pleased it gave so much enjoyment to all who were present. It is, as Andi and others have pointed out, an uneven work - and the joins between the earlier material inherited from "The Contrabandista" and the newer material written specifically for "The Chieftain" do show. But there is good material worth reviving in it, even if only as concert items. Some of the errors which crept in are the result of my not having a complete second edition to work from. Others are entirely my own fault - but no matter how careful you think you have been, there are always some things that have been overlooked. I shall make amendments when I get the full list. In the meantime, thanks again for those who took the trouble to look through the score in detail. Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 26-Apr jmfarron@sitestar.net [62] #RE: G&S Puzzle on Ebay X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 09:43:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3QDhDkn006423; Mon, 26 Apr 2004 09:43:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3QDhALf017665 for ; Mon, 26 Apr 2004 09:43:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3QDfjTJ000181; Mon, 26 Apr 2004 09:41:45 -0400 (EDT) Date: Mon, 26 Apr 2004 09:41:45 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: G&S Puzzle on Ebay MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040426124025.7550.qmail@web60209.mail.yahoo.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 Apr 2004 09:41:45 -0400 (EDT) Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: G&S Puzzle on Ebay X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040426124025.7550.qmail@web60209.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, now the secret is out. That picture is the source of all of the opera specific pictures that appear on the G&S Archive home page. Look carefully at it and you will see each of those images. Except that I didn't get them from a picture puzzle -- I got them from a double page spread of this painting that appeared in a Life Magazine of the same period. I paid VERY CONSIDERABLY less than $700 for it. I have placed a scan of this picture at http://diamond.boisestate.edu/gas/images/life_poster.jpg for anyone who would like a copy. This is a high enough resolution scan that it should produce a fairly good poster size print. -- Jim Farron -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of John Spartan Sent: Monday, April 26, 2004 8:55 AM To: Multiple recipients of list SAVOYNET Subject: Re: G&S Puzzle on Ebay Wow - I don't like puzzles but that would make a fine painting! http://tinyurl.com/2cybb "The Garden of Savoyard Delights" perhaps? But 700 DOLLARS? Yikes. John S LI NY __________________________________ Do you Yahoo!? Yahoo! Photos: High-quality 4x6 digital prints for 25" http://photos.yahoo.com/ph/print_splash  1,, Summary-line: 26-Apr bjaspan@MIT.EDU [105] #Support Heather in the Walk for MS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 12:30:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3QGU9kn016340; Mon, 26 Apr 2004 12:30:09 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3QGTTga013701; Mon, 26 Apr 2004 12:29:29 -0400 (EDT) Received: from brick.mit.edu (pool-151-203-151-171.wma.east.verizon.net [151.203.151.171]) (authenticated bits=0) (User authenticated as bjaspan@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i3QGTPAf013703 (version=TLSv1/SSLv3 cipher=DES-CBC3-SHA bits=168 verify=NOT); Mon, 26 Apr 2004 12:29:26 -0400 (EDT) Message-Id: <6.1.0.6.2.20040426120737.056a9b68@po12.mit.edu> X-Mailer: QUALCOMM Windows Eudora Version 6.1.0.6 Date: Mon, 26 Apr 2004 12:28:52 -0400 To: bjaspan@mit.edu From: Barry Jaspan Subject: Support Heather in the Walk for MS Cc: "Heather S. Roe" Mime-Version: 1.0 Content-Type: text/plain; x-AttchRem=yes; charset="us-ascii"; format=flowed X-Spam-Score: -10.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 Apr 2004 12:28:52 -0400 To: bjaspan@mit.edu From: Barry Jaspan Subject: Support Heather in the Walk for MS Cc: "Heather S. Roe" X-Spam-Score: -10.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Friends, As many of you already know, my girlfriend Heather Roe has Multiple Sclerosis. So do two of my close friends, the mother of another close friend, a family friend from high school, and several other people connected with my life. (NOTE: Please do not forward this message to others without asking me first. Heather still wants some control over who knows about her condition.) On May 8, Heather and I are participating in a Walk for MS in Northampton, MA. Rather than seeking sponsors myself, I am asking you to sponsor her directly. Donations must be received by May 5. You can donate online at https://www.nationalmssociety.org/pledge/index.asp Enter the name Heather Roe and the state Massachusetts in the boxes provided. If you would prefer to donate by check, let me know and I'll send you the necessary information. Heather has already raised over $300 (though most of it by check (her friends aren't as nerdy as mine :-) so it doesn't show up yet on the website). Her goal is $518, but I suspect she and I can do much better than that. :-) Enclosed below is a letter Heather wrote. If you have any questions, please feel free to ask me, or contact her directly at heather@hsroe.org. Thank you, Barry --------- snip snip ---------- April 24, 2004 Dear Friends and Family, I am writing today to ask for your help as I undertake a challenge that I hope will minimize the devastation of a crippling disease. Four years ago my best friend, Steven Cronen-Townsend, was diagnosed with Multiple Sclerosis. The disease almost killed him, keeping him hospitalized for most of the fall that year. Multiple Sclerosis (MS) is a progressive autoimmune disease of the central nervous system that affects the myelin sheath (the insulation that covers the nerves in the body, spine, and brain). It usually strikes adults in the prime of life, as it did with Steve, between the ages of 20 and 50. One new case of MS is diagnosed every hour. It comes and goes unpredictably, leaving people like Steve to wonder, "Will I become paralyzed or blind? Will I have trouble walking? Will I be able to raise my family and/or continue my career?" Despite these obstacles, Steve, his wife Rachel, and their two-and-a-half year old daughter Julie have struggled heroically with the staggering consequences and frightening implications of this disorder. Currently, there is no cure for this horrendous disease. With every day that goes by, however, researchers are making important strides. In order to continue the pursuit for innovative research and education, the Central New England Chapter of the National Multiple Sclerosis Society (NMSS) is holding an MS walk to raise money and awareness. I have proudly taken this challenge in honor of Steve, Rachel, little Julie, and other people I know who have been diagnosed with MS - including myself - since Steve almost died four years ago. This walk is taking place in Northampton in early May of this year. My goal for this walk is to raise at least $518. At this point, I have raised over 50% of my desired goal. Donations must be received by Wednesday, May 5th. Eighty-six cents of each dollar you donate will go toward either finding a cure or providing programs and assistance to those stricken with this disease. However, this fund raising effort is not just about money. For me, it is about the people, the caring, the hope, and the cure. Thank you for your time in reading and considering this request for a donation. The largest amount that you can give will help defeat this devastating disease. I am enclosing a contribution form and a self-addressed, stamped envelope for your convenience in order to return your donation to me before the walk. Checks should be made out to the National MS Society. If you decide you do not wish to donate, please pass along my letter, SASE, and pledge card to someone you think might be interested. If you would prefer to donate on line via the NMSS secure server, go to https://www.nationalmssociety.org/pledge/index.asp. When the pledge page appears, enter my first and last name in the "participant info" cells to be connected to my personal donation page. I thank you, as do my friends and all who have been touched by the heartbreak of MS. With extreme gratitude, Heather S. Roe  1,, Summary-line: 26-Apr jlourenco1@comcast.net [65] #The War That Made America...and my new job! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 21:13:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3R1DEkn028221; Mon, 26 Apr 2004 21:13:15 -0400 (EDT) Received: from rwcrmhc11.comcast.net (rwcrmhc11.comcast.net [204.127.198.35]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3R1DC3g015181; Mon, 26 Apr 2004 21:13:12 -0400 (EDT) Received: from rwcrmhc11.comcast.net (localhost[127.0.0.1]) by comcast.net (rwcrmhc11) with ESMTP id <20040427011312013002a4ike>; Tue, 27 Apr 2004 01:13:12 +0000 Received: from HOME (h0040ca6d860e.ne.client2.attbi.com[24.61.138.100]) by comcast.net (rwcrmhc11) with SMTP id <20040427010802013004r6rje>; Tue, 27 Apr 2004 01:08:04 +0000 X-Comment: AT&T Maillennium special handling code - c From: "Joe and Jenna Lourenco" To: "Bill Robbins" , "Terry & Jay Gans" , "Susan Sodergren" , "Sherry Fornwalt" , "Ruth Jedlinsky" , "Sarah Consentino" , "Rebecca Hains" , "Maureen O'Neil" , "Louise Cash" , "Lexie & Wayne Shaw" , "Joanna Bair" , "Hilde Heremans" , "Eunice Ferreira" , "Elizabeth R Stone" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Damien Wilkinson" , "Brenna Pomeroy" , "Becca Emigh" , "Alice & Tim O'Rourke" , "Ayn Vaughan" Subject: The War That Made America...and my new job! Date: Mon, 26 Apr 2004 21:08:20 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Comment: AT&T Maillennium special handling code - c From: "Joe and Jenna Lourenco" To: "Bill Robbins" , "Terry & Jay Gans" , "Susan Sodergren" , "Sherry Fornwalt" , "Ruth Jedlinsky" , "Sarah Consentino" , "Rebecca Hains" , "Maureen O'Neil" , "Louise Cash" , "Lexie & Wayne Shaw" , "Joanna Bair" , "Hilde Heremans" , "Eunice Ferreira" , "Elizabeth R Stone" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Damien Wilkinson" , "Brenna Pomeroy" , "Becca Emigh" , "Alice & Tim O'Rourke" , "Ayn Vaughan" Subject: The War That Made America...and my new job! Date: Mon, 26 Apr 2004 21:08:20 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everyone, Just sharing the great news. I've just started a new 3-week project...my most important job yet. I am the 2nd Assistant Costume Designer for the WQED (PBS Pittsburgh) Documentary Miniseries on the French & Indian War called "The War That Made America". I'm coming in rather late on the project, and won't be going with the rest of the crew to shoot near Pittsburgh, but it's terribly exciting all the same and I just couldn't help sharing. It's just been a weekend of research trying to catch up, and I still haven't seen a script, but imagine the bliss of working on a project this large...today I was sorting through huge rentals from all the major costume houses across the country, selecting shoes for the main characters, etc., tomorrow I order 140 pairs of stockings, just for the soldiers! There are still budget issues, and my department keeps trying to kill off characters to make our budget work, but I'm having fun! Please check out the show's website at www.thewarthatmadeamerica.org. The project is slated to air sometime in Fall 2005, and will be my first television project. The stitchers, etc. are some of the best in the greater Boston area and their work is just meticulous. I can't wait to pick up tips and skills from watching them and asking questions. Elizabeth - thank you, thank you for sending me the posting for this. This is a huge break for me. I hope craigslist is as fruitful for you. Thanks to everyone for letting me boast a bit, Jenna  1,, Summary-line: 26-Apr thallata@MIT.EDU [66] #MIT Gilbert and Sullivan Players Spring 2004 General X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Apr 2004 22:46:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3R2kIal015966; Mon, 26 Apr 2004 22:46:18 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3R2jINr010969; Mon, 26 Apr 2004 22:45:18 -0400 (EDT) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.7.16.76]) (authenticated bits=56) (User authenticated as thallata@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i3R2jHAf028303; Mon, 26 Apr 2004 22:45:17 -0400 (EDT) Received: (from thallata@localhost) by home-on-the-dome.mit.edu (8.12.9) id i3R2jGlk015231; Mon, 26 Apr 2004 22:45:16 -0400 (EDT) Message-Id: <200404270245.i3R2jGlk015231@home-on-the-dome.mit.edu> To: thallata@MIT.EDU Subject: MIT Gilbert and Sullivan Players Spring 2004 General Committee meeting Date: Mon, 26 Apr 2004 22:45:16 -0400 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: thallata@MIT.EDU Subject: MIT Gilbert and Sullivan Players Spring 2004 General Committee meeting Date: Mon, 26 Apr 2004 22:45:16 -0400 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Spring Term General Committee Meeting of the MIT Gilbert & Sullivan Players will take place on Saturday, May 1st at 2 pm in 8-302. Article II of our constitution (below) details various membership requirements. The short version is that you're eligible to be a voting member of GenComm if you were a voting member at a GenComm meeting within the past year or if you are involved in Thespis or were a voting member at Gencomm last year. Agenda Items: 1. Officer Reports 2. Show Reports -Thespis 3. Show selection for Fall 2004 and Spring 2005 Options will include: Iolanthe, The Mikado, Patience, Yeomen of the Guard, Princess Ida, Sorcerer, and Grand Duke. 4. Elections -President (two terms) -Treasurer (two terms) -Publicity Officer (two terms) -Secretary (one term) -Member-at-Large (one term) Hope to see you there! Erin Tyndall President Article II: Membership Any person involved in the production of a show by this organization shall be considered for membership. MIT/Wellesley undergraduates become members immediately. Any other person becomes a member only if the resulting proportions of MIT/Wellesley students to non-students meet current MIT guidelines for student group status. Membership shall continue until one year after the last show in which the member has participated. Members of the General Committee shall be able to vote at General Committee meetings and are eligible to hold office in MITG&SP. involved in the production of a show by this organization, who attends the first General Committee meeting following the close of that production. The Executive Committee may waive requirement of attendance at the General Committee meeting on a case-by-case basis, if more than one-half of the Executive Committee votes in favor of it. Membership in the General Committee shall continue until one year has elapsed after the last General Committee meeting attended by that person. Members of the General Committee may waive their membership in the General Committee by contacting the Executive Committee. ------- End of Forwarded Message  1,, Summary-line: 27-Apr c@pobox.co.uk [33] #Re: Oh spare them X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 03:44:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3R7iDal022800; Tue, 27 Apr 2004 03:44:13 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3R7iCSp029138 for ; Tue, 27 Apr 2004 03:44:12 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3R7huFv032385; Tue, 27 Apr 2004 08:44:02 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id IAA00396 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 27 Apr 2004 08:33:28 +0100 (BST) Received: by mserv1.dl.ac.uk id IAA00373 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 27 Apr 2004 08:33:20 +0100 (BST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id IAA00366 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from c@pobox.co.uk); Tue, 27 Apr 2004 08:33:16 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from pseudofoo.demon.co.uk (pseudofoo.demon.co.uk [80.177.121.174]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i3R7WEFr031911 for ; Tue, 27 Apr 2004 08:32:14 +0100 Received: (qmail 25417 invoked by alias); 27 Apr 2004 07:32:08 -0000 Date: Tue, 27 Apr 2004 08:32:08 +0100 From: Christopher Hall To: B99 Subject: Re: Oh spare them Message-ID: <20040427073208.GF19763@pseudofoo.demon.co.uk> Mail-Followup-To: B99 References: <00db01c426d5$f3a73e50$0400a8c0@Computer> <011901c426e7$879498e0$0400a8c0@Computer> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <011901c426e7$879498e0$0400a8c0@Computer> User-Agent: Mutt/1.4.2i X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Date: Tue, 27 Apr 2004 08:32:08 +0100 From: Christopher Hall To: B99 Subject: Re: Oh spare them Mail-Followup-To: B99 Content-Disposition: inline In-Reply-To: <011901c426e7$879498e0$0400a8c0@Computer> X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO On Tue, Apr 20, 2004 at 03:55:29PM +0100, David Duffey wrote: >On the .pdf version - I've not looked at the others, there is a >missing bit. At letter O, the score should indicate that the Major >General sings "What all noblemen?" Well spotted. (I'd actually corrected it anyway, but as I failed to post an announcement to that effect, you couldn't have been expected to know. :-) ) The version now on http://pseudofoo.demon.co.uk/pirates/ has this error corrected. If you downloaded it before the "update" note was added to the page, then you've got an old version. -- Chris Hall "There is a change in store"  1,, Summary-line: 27-Apr ulahlica@yahoo.com [41] #Hey - Let's do the THESPIS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 13:54:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3RHsbl7011061; Tue, 27 Apr 2004 13:54:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3RHsZSO001711 for ; Tue, 27 Apr 2004 13:54:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3RHrYTJ011611; Tue, 27 Apr 2004 13:53:34 -0400 (EDT) Date: Tue, 27 Apr 2004 13:53:34 -0400 (EDT) Message-Id: <20040427174916.81629.qmail@web60203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Hey - Let's do the THESPIS MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 Apr 2004 13:53:34 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Hey - Let's do the THESPIS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was so disappointed to hear that Colin's THESPIS would not be marketed that I decided to write my own score. In fact, I think *everyone* should write a score to THESPIS. Here's my opening chorus: http://www.geocities.com/ULAHLICA/THESPIS/Thespis01.html It's somewhat Sullivan meets Copeland meets Stravinsky meets someone with not too much talent. I may have to rename it "Not so Good all the other THESPISES." I'm just curious why the "Goodness Gracious" ensemble for Apollo, Mars, Mercury, Diana, and Jupiter is called a "quartet" in the two librettos I've located. John S LI NY __________________________________ Do you Yahoo!? Win a $20,000 Career Makeover at Yahoo! HotJobs http://hotjobs.sweepstakes.yahoo.com/careermakeover  1,, Summary-line: 27-Apr d-duffey@argonet.co.uk [37] #Web site X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 14:37:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3RIbSl7015229; Tue, 27 Apr 2004 14:37:28 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3RIaUZ7021746 for ; Tue, 27 Apr 2004 14:36:31 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3RIaGoE008438; Tue, 27 Apr 2004 19:36:19 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id TAA25502 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 27 Apr 2004 19:26:09 +0100 (BST) Received: by mserv1.dl.ac.uk id TAA25474 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 27 Apr 2004 19:26:02 +0100 (BST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id TAA25458 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Tue, 27 Apr 2004 19:25:57 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from protactinium.btinternet.com (protactinium.btinternet.com [194.73.73.176]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i3RIPHUE023785 for ; Tue, 27 Apr 2004 19:25:17 +0100 Received: from [81.153.61.14] (helo=Computer) by protactinium.btinternet.com with smtp (Exim 3.22 #25) id 1BIXGZ-0003k2-00 for buxton99@dl.ac.uk; Tue, 27 Apr 2004 19:25:11 +0100 Message-ID: <014901c42c84$f975d210$0400a8c0@Computer> From: "David Duffey" To: "B99" Subject: Web site Date: Tue, 27 Apr 2004 19:25:09 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: Web site Date: Tue, 27 Apr 2004 19:25:09 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-CCLRC-SPAM-report: 0.1 : RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO Peter Crichton has kindly set up a SavoyNet Pirates site: http://www.savoyard.co.uk/savoynet/pirates2004.htm Currently posted is a cast list and a rehearsal schedule. Both are incomplete in that the music rehearsals are not yet filled in, and not all the photographs are available. As Peter is currently Marcoing, it is unlikely he will welcome a host of e-mails containing picture attachments until next week; however please do look out a photograph to go next to your name ready to send when we get the go-ahead. Peter asks me to point out that it has been quickly set up, and will be refined. We still have the tee-shirt problem. David  1,, Summary-line: 27-Apr andi_s_r@yahoo.com [40] #Fun acquisition: Piano arrangement prohibited in USA X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 15:23:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3RJNVl7024169; Tue, 27 Apr 2004 15:23:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3RJMPZ7006434 for ; Tue, 27 Apr 2004 15:22:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3RJLHTJ003281; Tue, 27 Apr 2004 15:21:17 -0400 (EDT) Date: Tue, 27 Apr 2004 15:21:17 -0400 (EDT) Message-Id: <20040427190312.86998.qmail@web14521.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Fun acquisition: Piano arrangement prohibited in USA MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 Apr 2004 15:21:17 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Fun acquisition: Piano arrangement prohibited in USA X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've just bought from Ebay a piano arrangement of hit tunes from The Mikado arranged by W. Winterbottom (Bandmaster, 2nd Life Guards), which carries this note: "This arrangement is made from the copyrighted vocal score by permission of the proprietors thereof. Exportation to the United States of America of this arrangement is expressly forbidden." Hardly a surprising prohibition in the era when the US wasn't recognizing copyrights. Now that those have expired, and the money I paid for this did go to the UK, I hope that the shades of all concerned won't be perturbed if I play this quite-nice arrangement of Mikado tunes--*truly* arranged as a piano solo, not just a fiddled-with reduction--on a program sometime. I don't have the capability to scan it, but if any of the S'net pianists wants a photocopy, I'll make one for you and snail-mail it; contact me privately. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 27-Apr ihodgkin@acadia.net [46] #Re: Philip Potter, the QWERTY, and other Carte tenors X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 20:55:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3S0tgl7028496; Tue, 27 Apr 2004 20:55:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3S0sxxt021836 for ; Tue, 27 Apr 2004 20:55:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3S0rjTJ010807; Tue, 27 Apr 2004 20:53:45 -0400 (EDT) Date: Tue, 27 Apr 2004 20:53:45 -0400 (EDT) Message-Id: <118a01c42cb9$21b68c40$0100a8c0@computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ihodgkin@acadia.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Irv Hodgkin" To: Multiple recipients of list SAVOYNET Subject: Re: Philip Potter, the QWERTY, and other Carte tenors MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 Apr 2004 20:53:45 -0400 (EDT) Reply-To: ihodgkin@acadia.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Irv Hodgkin" To: Multiple recipients of list SAVOYNET Subject: Re: Philip Potter, the QWERTY, and other Carte tenors X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Our Hancock County group in Maine (GSSHC) has the distinct privilege of having Geoffrey Shovelton as Director again this year, and he will be in Ellsworth during our reprise of "The Mikado" July 15-18th, if anyone is interested. We have had the pleasure of hearing his fine tenor voice, up close and personal, during our after-show partying, and his duets with his soprano wife, Deborah Clague were delightful. --Irv (aka, The Mikado) Irv Hodgkin GSSHC, Hancock County, Maine PLEASE CHECK OUT OUR WEB SITE @ http://www.ellsworthme.org/gsshc ----- Original Message ----- Sylvan wrote: [snip] >Geoffrey Shovelton, whom I've seem many times, both with and after Carte, > is also quite good. His sparkling personality adds a great deal besides his > singing quality. So I'd think of the three of them as an eminent triumverate of > DOC tenors from the 1950s on.  1, forwarded,, Summary-line: 27-Apr jax.kirtley@verizon.net [29] #Star Wars post-screening info X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Apr 2004 22:30:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3S2Ucl7015819; Tue, 27 Apr 2004 22:30:38 -0400 (EDT) Received: from out008.verizon.net (out008pub.verizon.net [206.46.170.108]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3S2UQxt014142; Tue, 27 Apr 2004 22:30:27 -0400 (EDT) Received: from verizon.net ([68.163.128.220]) by out008.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040428023026.FBEI27801.out008.verizon.net@verizon.net>; Tue, 27 Apr 2004 21:30:26 -0500 Message-ID: <408F173D.1040109@verizon.net> Date: Tue, 27 Apr 2004 22:30:21 -0400 From: Jax Kirtley User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: star-wars@mit.edu, jedi-council@mit.edu Subject: Star Wars post-screening info Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [68.163.128.220] at Tue, 27 Apr 2004 21:30:22 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 Apr 2004 22:30:21 -0400 From: Jax Kirtley X-Accept-Language: en-us, en To: star-wars@mit.edu, jedi-council@mit.edu Subject: Star Wars post-screening info X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [68.163.128.220] at Tue, 27 Apr 2004 21:30:22 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I know that many of you couldn't make the Star Wars: Musical Edition screening tonight. While you did miss out, you shouldn't miss out on the information. So here is the story: 1) The vote taken after the screening was that Opus should finish doctoring the light saber duel. That means that dvds you ordered of the show won't be ready for another two months. Todd has the list of who ordered what, and you will be contacted when we get to that point. 2) Star Wars 2005 unfortunately won't be performed on main stage in Kresge. We are still working on where it will be performed and will keep you posted as we work this out. Talk to you all again soon, Jax Kirtley Pre-Producer, MTG Star Wars:Trilogy  1,, Summary-line: 28-Apr epish_shepherd@tiscali.co [34] #The Tempest: Five Fathoms Deep X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 Apr 2004 13:48:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3SHmlLH020986; Wed, 28 Apr 2004 13:48:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3SHmYbw022410 for ; Wed, 28 Apr 2004 13:48:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3SHlFTJ006668; Wed, 28 Apr 2004 13:47:15 -0400 (EDT) Date: Wed, 28 Apr 2004 13:47:15 -0400 (EDT) Message-Id: <6.0.1.1.0.20040428182448.01c6a158@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: The Tempest: Five Fathoms Deep Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 Apr 2004 13:47:15 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: The Tempest: Five Fathoms Deep X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Someone wrote me asking about this about a week ago, but I fear I cannot now find the e-mail. However, as I finished scanning Tempest today. (Mountebanks is next, as the first step towards the proofreading army for our new edition), I took the opportunity to check for the presence of this number. The short answer is, yes, it is indeed in the score. I hadn't listed it because the way the Vocal score is laid out, it looks like it's a second verse to Come unto these yellow sands. (The numbering of the score makes no sense whatsoever, and whether a song gets a heading, even what font that heading's in, is pretty random as well. Ah, well! I hope to be able to announce exciting things about the Tempest soon. Until then, I hold my piece and my collection of 108 individual scans. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 28-Apr epish_shepherd@tiscali.co [55] #Re: Recording of Sam's Singalong "The Chieftain" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 Apr 2004 13:51:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3SHpdLH023469; Wed, 28 Apr 2004 13:51:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3SHnxbw023762 for ; Wed, 28 Apr 2004 13:49:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3SHllTJ006885; Wed, 28 Apr 2004 13:47:47 -0400 (EDT) Date: Wed, 28 Apr 2004 13:47:47 -0400 (EDT) Message-Id: <6.0.1.1.0.20040428183508.01c72c48@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: Recording of Sam's Singalong "The Chieftain" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 Apr 2004 13:47:47 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: Recording of Sam's Singalong "The Chieftain" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >It was huge fun to learn "The Chieftain," and all the people involved >(particularly Andi and Marc) worked hard to make this come off as well as >it did. I suggest that in all future QWERTS and Singalongs a similar >effort be made to present the lesser know works of our favorite >Victorians. How about "The Mountebanks" next? > >Doug Whaley Indeed, Mountebanks would be a great score to do, but it's liable to be in proofreading for another couple months, at my estimate. It's long and particularly finicky. How about a nice Tempest in the meantime? There's not a huge amount of chorus work, so it might be more suitable to a British QWERT with minimal rehearsal time, but it has the advantage of being one of the few Sullivan pieces where the lyricist approaches Gilbert's level.* Also, it gives the pianists a chance to star for once, as it has several big dance numbers, which could be fun. Be warned, however - Whilst some attempt was made to allow the pianists to share a piano, I'm not convinced the attempt was completely successful, and some redistribution might be preferred. *No, I don't mean that as an insult to Shakesphere, but he wrote plays with a few short bits of lyrics thrown in, and his lyrics don't seem particularly better than, say, those of Johnson in Volpone, those of... Goldsmith, I believe it was in "She Stoops to Conquer" (Pretty clearly the model for Dorothy, by the way), or any of the other great playwrights of that tradition. Shakesphere was a true genius, but relatively shorter, set pieces aren't really comparable to say, a Gilbert Act I finale. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 28-Apr scottlfarrell@yahoo.com [42] #Re: 4th verse of Hassan's aria X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 Apr 2004 22:03:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3T23CLL021294; Wed, 28 Apr 2004 22:03:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3T22djd020563 for ; Wed, 28 Apr 2004 22:02:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3T21bTJ010495; Wed, 28 Apr 2004 22:01:37 -0400 (EDT) Date: Wed, 28 Apr 2004 22:01:37 -0400 (EDT) Message-Id: <20040429013928.6620.qmail@web40905.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: 4th verse of Hassan's aria MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 Apr 2004 22:01:37 -0400 (EDT) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: 4th verse of Hassan's aria X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) That text is indeed on those pages. I had the wrong review, and I've now copied out here. Now there's many a millionaire may thank The facts that I'm disclosing, For his riches and imposing rank Have sprung from rank imposing. If he shared your company, I declare, He need not act from pity, Your company's worth as much a share As his was in the City. ===== Scott Farrell "I attach a weight to anything that serves my purpose." -- George Dance, THE NAUTCH GIRL (1892) Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html __________________________________ Do you Yahoo!? Win a $20,000 Career Makeover at Yahoo! HotJobs http://hotjobs.sweepstakes.yahoo.com/careermakeover  1,, Summary-line: 29-Apr jana_ch@blarg.net [69] #OOTW Ida-- A Wire to the Moon X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Apr 2004 08:34:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3TCYtZG009173; Thu, 29 Apr 2004 08:34:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3TCXwqq028241 for ; Thu, 29 Apr 2004 08:33:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3TCWtTJ001538; Thu, 29 Apr 2004 08:32:55 -0400 (EDT) Date: Thu, 29 Apr 2004 08:32:55 -0400 (EDT) Message-Id: <4c74867a579ad32ecd66072981b75cac@www.blargmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW Ida-- A Wire to the Moon MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_4c74867a579ad32ecd66072981b75cac" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.2.1 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Apr 2004 08:32:55 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW Ida-- A Wire to the Moon X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --b1_4c74867a579ad32ecd66072981b75cac Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit Hilarion and his pals sing scoffingly about all the impossible deeds that Ida and her women foolishly imagine they will accomplish in the future. I can't be the only one who has noticed that most of these "impossible deeds" have been achieved by now, in one sense or another. To wit: A wire to the moon: Not only messages, but men have been sent to the moon. (Feminist humor: If they can send a man to the moon, why not send ALL of them?) Set the Thames on fire: More than one river has become so badly polluted that it has caught fire, though it's hardly an achievement to be proud of. Silk purses from sow's ears: Nylon and other silk-like artificial fabrics are created from even less promising raw materials. Trepanning weasels: Animal experimentation? Or brain surgery on pets? Sunbeams from cucumbers: Just hook up some light bulbs to your bio-energy generator that runs on kitchen waste. Cross the Polar Ocean: Submarines do it often, commercial jets do it every day, and as global warming continues we may be able to do it soon in rowboats. Perpetual motion: That we don't have, but we do have breeder reactors that produce more fuel than they use. Forswearing fashion: Feminists of my generation forswore it, along with make-up and uncomfortable foundation garments, back in the 1970s. Some of us (including yours truly) have never gotten around to un-forswearing it. Squaring the circle: That we haven't managed. Why should we? Flying pigs: Welcome to the wonderful world of genetic engineering. Bleaching n****rs: Two words-- Michael Jackson. One could also say that we have achieved a degree of racial equality that would seem like "bleaching" to Victorians. "Doing without" Man: All a girl needs is a good sperm bank and a turkey baster. I have often wondered if this idea could somehow be worked into the song as it is sung, maybe with slides projected on a scrim or the back of the stage. But I fear the whole thing is a bit too subtle and too conceptual to communicate to an audience quickly while they're busy listening to a song. Any ideas about how one might manage to "bring it in"? Jana Hollingsworth Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. P.S. Last time Seattle G&S performed Princess Ida, TITSAWTTM was re-written as a recounting of the achievements of real women. I thought this was a good idea. My only objection was that far too many of the accomplishments listed were sports achievements. Personally, I don't think that the ability to play a game well belongs in the same category as the achievements of artists, scientists, and politicians. It gave me the impression that women hadn't accomplished much after all, since the list had to be padded with sports heroines. But I am weird, of course. --b1_4c74867a579ad32ecd66072981b75cac Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit Hilarion and his pals sing scoffingly about all the impossible deeds that Ida and her women foolishly imagine they will accomplish in the future. I can't be the only one who has noticed that most of these "impossible deeds" have been achieved by now, in one sense or another. To wit:

A wire to the moon: Not only messages, but men have been sent to the moon. (Feminist humor: If they can send a man to the moon, why not send ALL of them?)

Set the Thames on fire: More than one river has become so badly polluted that it has caught fire, though it's hardly an achievement to be proud of.

Silk purses from sow's ears: Nylon and other silk-like artificial fabrics are created from even less promising raw materials.

Trepanning weasels: Animal experimentation? Or brain surgery on pets?

Sunbeams from cucumbers: Just hook up some light bulbs to your bio-energy generator that runs on kitchen waste.

Cross the Polar Ocean: Submarines do it often, commer cial jets do it every day, and as global warming continues we may be able to do it soon in rowboats.

Perpetual motion: That we don't have, but we do have breeder reactors that produce more fuel than they use.

Forswearing fashion: Feminists of my generation forswore it, along with make-up and uncomfortable foundation garments, back in the 1970s. Some of us (including yours truly) have never gotten around to un-forswearing it.

Squaring the circle: That we haven't managed. Why should we?

Flying pigs: Welcome to the wonderful world of genetic engineering.

Bleaching n****rs: Two words-- Michael Jackson. One could also say that we have achieved a degree of racial equality that would seem like "bleaching" to Victorians.

"Doing without" Man: All a girl needs is a good sperm bank and a turkey baster.

I have often wondered if this idea could somehow be worked into the song as it is sung, maybe with slides projected on a scrim or the back of t he stage. But I fear the whole thing is a bit too subtle and too conceptual to communicate to an audience quickly while they're busy listening to a song. Any ideas about how one might manage to "bring it in"?

Jana Hollingsworth
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor.

P.S. Last time Seattle G&S performed Princess Ida, TITSAWTTM was re-written as a recounting of the achievements of real women. I thought this was a good idea. My only objection was that far too many of the accomplishments listed were sports achievements. Personally, I don't think that the ability to play a game well belongs in the same category as the achievements of artists, scientists, and politicians. It gave me the impression that women hadn't accomplished much after all, since the list had to be padded with sports heroines. But I am weird, of course. --b1_4c74867a579ad32ecd66072981b75cac--  1,, Summary-line: 29-Apr lpinsker@erols.com [72] #RE: OOTW IDA--A Wire To The Moon X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Apr 2004 09:19:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3TDJkZG015968; Thu, 29 Apr 2004 09:19:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3TDJiqq007305 for ; Thu, 29 Apr 2004 09:19:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3TDIUTJ009849; Thu, 29 Apr 2004 09:18:30 -0400 (EDT) Date: Thu, 29 Apr 2004 09:18:30 -0400 (EDT) Message-Id: <4090FD5B.B1222869@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: OOTW IDA--A Wire To The Moon MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Apr 2004 09:18:30 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: OOTW IDA--A Wire To The Moon X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Reading Jana's post on this subject brought me in mind of a conversation I had with someone recently: like me, she's a fan of not only G&S but science fiction as well. We were talking about how SF writers in the past had made predictions about what the future (our present) would be like-- and how there were certain things they got right, certain things they predicted which didn't happen, and a good many things they didn't predict which did happen. It is interesting to note that some of the things that were considered impossible in the 1880's have indeed happened. But as to the claims made in the song in IDA...well...my background as a scientist compels me to comment on some of these: > A wire to the moon: Not only messages, but men have been sent to the moon > Somehow, I don't think Gilbert meant "wire" to mean "message"; I think he meant an actual wire or cable. And that's *still* impossible, or at the least highly impractical. > Perpetual motion: That we don't have, but we do have breeder reactors that produce more fuel > than they use. > Which is *not* the same thing. Not that that hasn't stopped people from trying. It's fairly well known that if someone attempts to patent anything claiming perpetual motion, as soon as the examiner sees those words, the application goes into the trash. > Squaring the circle: That we haven't managed. Why should we? > This isn't a case of a pursuit which serves no purpose or makes no sense. The fact that pi (3.14159 etc, etc, etc) is an irrational--indeed, transcendental--number makes the attempt to construct a square and a circle with the same precise area using only a compass and straightedge impossible. > Flying pigs: Welcome to the wonderful world of genetic engineering. > Not quite. We may--and it wouldn't surprise me in the least if someone did this already--create a pig that contains bird genes. But we still haven't gotten to the point where a pig could independently fly under its own power. Could we? It's not completely beyond possibility. Give it another thirty years or so. All the others...well, yes, those we have accomplished to some degree or other. BTW, one wonders if Wacko Jacko realizes that he's accomplished something that WSG claimed, 120 years ago, would never happen...I doubt it (and maybe just as well?) Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1, forwarded,, Summary-line: 29-Apr cmj@halhk.freeserve.co.uk [39] #Now in NJ X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Apr 2004 10:05:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3TE5qZG029962; Thu, 29 Apr 2004 10:05:54 -0400 (EDT) Received: from mwinf3004.me.freeserve.com (smtp1.freeserve.com [193.252.22.158]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3TE5pBI016586 for ; Thu, 29 Apr 2004 10:05:51 -0400 (EDT) Received: by mwinf3004.me.freeserve.com (SMTP Server, from userid 1003) id 1E2BD180008F; Thu, 29 Apr 2004 16:05:50 +0200 (CEST) Received: from wwinf3001 (wwinf3001 [172.22.159.28]) by mwinf3004.me.freeserve.com (SMTP Server) with ESMTP id 024761800081 for ; Thu, 29 Apr 2004 16:05:50 +0200 (CEST) Message-ID: <13101241.1083247550001.JavaMail.www@wwinf3001> From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: opus@mit.edu Subject: Now in NJ Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_17804_13291185.1083247549998" X-Originating-IP: [66.2.44.126] Date: Thu, 29 Apr 2004 16:05:50 +0200 (CEST) X-Spam-Score: 2.066 X-Spam-Level: ** (2.066) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: opus@mit.edu Subject: Now in NJ X-Originating-IP: [66.2.44.126] Date: Thu, 29 Apr 2004 16:05:50 +0200 (CEST) X-Spam-Score: 2.066 X-Spam-Level: ** (2.066) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------=_Part_17804_13291185.1083247549998 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Dear David and Ruth, I am now on American soil for a few weeks, and would be thrilled to see a video of Thespis as soon as it's available. I expect you still have my daughter's address in Scotch Plains NJ. If not please phone us on (908) 889 6579. Very best wishes, Colin Johnson -- Whatever you Wanadoo: http://www.wanadoo.co.uk/time/ This email has been checked for most known viruses - find out more at: http://www.wanadoo.co.uk/help/id/7098.htm ------=_Part_17804_13291185.1083247549998 Content-Type: text/html Content-Transfer-Encoding: 7bit

Dear David and Ruth,

I am now on American soil for a few weeks, and would be thrilled to see a video of Thespis as soon as it's available.

I expect you still have my daughter's address in Scotch Plains NJ.   If not please phone us on (908) 889 6579.

Very best wishes,

Colin Johnson



Whatever you Wanadoo

This email has been checked for most known viruses - find out more here ------=_Part_17804_13291185.1083247549998--  1,, Summary-line: 29-Apr andi_s_r@yahoo.com [77] #Re: Future QWERT suggestion (now: pianos) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Apr 2004 21:29:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3U1TDZG028368; Thu, 29 Apr 2004 21:29:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3U1Ss9v022935 for ; Thu, 29 Apr 2004 21:28:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3U1RqTJ000163; Thu, 29 Apr 2004 21:27:52 -0400 (EDT) Date: Thu, 29 Apr 2004 21:27:52 -0400 (EDT) Message-Id: <20040430010748.95669.qmail@web14525.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Future QWERT suggestion (now: pianos) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Apr 2004 21:27:52 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Future QWERT suggestion (now: pianos) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- "Woods, Clive" wrote: A > good piano is a work of art and will "draw in" the player and > coax more out of the player than he/she ever realised was > possible. A piano or keyboard that doesn't "feel" right is > similarly frustrating and disheartening. As I said before, > there is more to accompanying than merely pressing down keys > in the right order. > This is absolutely true--and there is nothing more thrilling than having a "really" good piano under one's hands. It IS inspiring, and I cherish fond memories of some major venues where I've had the chance to play the "real" concert grands the size of an 18-wheeler (large lorry, UK)--well, they look like that to me. And I could reminisce for hours about Lovely Pianos I Have Known, in people's homes, in concert venues, one at a library.... BUT!! At the same time, I don't want this discussion to start intimidating people who might be thinking of having QWERTs at home and who don't have a top-of-the-line instrument in their houses or apartments. QWERTs and SingIns and having friends over to sing around the piano (by any name) is not about The Absolute Level Of Quality--it's about having fun with live music. Not everyone who sings at these events is going to be offered a contract at the Met--and that's exactly as it should be; the point of getting together is to try things out, to sing things you might not get to sing someplace else, to have *fun* with the material. It's the spirit that counts. And while it's a nice plus if you happen to have a very good piano, that's similar to its' being a nice plus if we happen to have a couple of professional-caliber singers in the group--great if it happens, but *not* a necessity for A Good Time to Be Had by All, including the pianist(s). The basic home pianos of the sort most people tend to have, whether the occasional little baby grand or a lot of consoles, spinets, and uprights, are really just fine. The only thing most people need to do is to anticipate the need for tuning--if you're like 97% of the people I know, you don't keep your piano tuned regularly. In that case, it's going to need two tunings, spaced a week or so apart, to "hold" its tuned pitch. (It's a good idea to get the tuner in anyway to make sure all the pieces are in working order, if it's going to be running a marathon for several hours! Clive can touch up tuning and mechanical problems, but most of us can't.). It does not have to be A Big Deal to get people together to sing, whether G&S or anything else. Post an announcement, clear out enough room in your refrigerator for some cold drinks, and either invite your neighbors or circulate a courteous warning. Then relax--these things have a way of developing their own momentum very easily. Try it, you'll like it! ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 29-Apr barryhilton@earthlink.net [43] #Okay, I'll bite ... (Re: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Apr 2004 23:18:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3U3IjZG021638; Thu, 29 Apr 2004 23:18:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3U3IhEl010529 for ; Thu, 29 Apr 2004 23:18:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3U3HeTJ009125; Thu, 29 Apr 2004 23:17:40 -0400 (EDT) Date: Thu, 29 Apr 2004 23:17:40 -0400 (EDT) Message-Id: <004a01c42e5e$d70a8190$524ed2cc@yourwg5n33dutv> Errors-To: savoynet-owner@bridgewater.edu Reply-To: barryhilton@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "barryhilton" To: Multiple recipients of list SAVOYNET Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Apr 2004 23:17:40 -0400 (EDT) Reply-To: barryhilton@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "barryhilton" To: Multiple recipients of list SAVOYNET Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If, mind you I say if, a QWERT were to be organized in Brunswick, Maine (home of picturesque Bowdoin College, about half an hour north of Portland), some 5-6 months hence, what sort of turnout might one expect? Barry Hilton Guthven! ----- Original Message ----- From: "Samuel Silvers" To: "Multiple recipients of list SAVOYNET" Sent: Thursday, April 29, 2004 10:25 AM Subject: Future QWERT suggestion > In the US, the only people who have hosted QWERTs are me and Bobbie Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori did Toronto T2K. > > It's not so hard to host a singalong of the kind I have done seven or eight times now. You need a pianist and a leading tenor. Everything else pretty much falls into place. If you have a smaller apartment, you could just do two shows with a dozen guests or so. > > I don't see why we shouldn't have several of these events each year throughout the country. > > Sam  1, answered,, Summary-line: 30-Apr rebecca@hains.net [121] #RE: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 11:53:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UFrlEC009462; Fri, 30 Apr 2004 11:53:48 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3UFre2C006598 for ; Fri, 30 Apr 2004 11:53:40 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1BJaKa-0005PV-00 for opus@MIT.EDU; Fri, 30 Apr 2004 11:53:40 -0400 From: "Rebecca Consentino Hains" To: Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 11:53:27 -0400 Message-ID: <002d01c42ecb$46e70300$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200404301533.i3UFXYNn001276@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 11:53:27 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200404301533.i3UFXYNn001276@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Oh, and we're thinking of throwing one ourselves on Sept 18 or 25. Andi's committed -- it's up to her to select one of those two dates, then we'll announce it. Hope you'll come!!! Rebecca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of David C. Jedlinsky Sent: Friday, April 30, 2004 11:48 AM To: Multiple recipients of list SAVOYNET Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) I could be convinced to give a few savoynetters a ride from MHT (Manchester, NH) to a QWERT in Maine. I might even attend, myself! :-) Elise, if there's enough advance warning of a QWERT date, watch the fares on Southwest Airlines from Orlando to Manchester. They were at $49 each way last week, and will probably fluctuate back to there again. -Dave Jedlinsky opus@mit.edu Milford, NH >Date: Fri, 30 Apr 2004 08:28:25 -0400 (EDT) >From: "barryhilton" > >Portland (PWH) is half an hour away; Manchester NH about an hour away, >Boston about two hours. > >Cheers, > >Barry > >----- Original Message ----- >From: "Elise Curran" >To: ; "Multiple recipients of list SAVOYNET" > >Sent: Thursday, April 29, 2004 11:45 PM >Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) > > >> Where's the closest airport? >> >> Elise Curran >> Orlando >> >> -----Original Message----- >> From: barryhilton >> Sent: Apr 29, 2004 8:17 PM >> To: Multiple recipients of list SAVOYNET >> Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) >> >> If, mind you I say if, a QWERT were to be organized in Brunswick, Maine >> (home of picturesque Bowdoin College, about half an hour north of >Portland), >> some 5-6 months hence, what sort of turnout might one expect? >> >> Barry Hilton >> Guthven! >> >> ----- Original Message ----- >> From: "Samuel Silvers" >> To: "Multiple recipients of list SAVOYNET" >> Sent: Thursday, April 29, 2004 10:25 AM >> Subject: Future QWERT suggestion >> >> >> > In the US, the only people who have hosted QWERTs are me and Bobbie >> Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori did >> Toronto T2K. >> > >> > It's not so hard to host a singalong of the kind I have done seven or >> eight times now. You need a pianist and a leading tenor. Everything >else >> pretty much falls into place. If you have a smaller apartment, you could >> just do two shows with a dozen guests or so. >> > >> > I don't see why we shouldn't have several of these events each year >> throughout the country. >> > >> > Sam >> >> >> >> > >  1,, Summary-line: 30-Apr rebecca@hains.net [149] #RE: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 12:06:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UG6iEC019356; Fri, 30 Apr 2004 12:06:44 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3UG6h2C019249 for ; Fri, 30 Apr 2004 12:06:43 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1BJaXD-000134-00 for opus@MIT.EDU; Fri, 30 Apr 2004 12:06:43 -0400 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 12:06:30 -0400 Message-ID: <002e01c42ecd$1969bd30$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200404301559.i3UFxARS001884@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 12:06:30 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200404301559.i3UFxARS001884@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You're by best bud. You'd get first dibs on staying with us! -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, April 30, 2004 11:59 AM To: rebecca@hains.net Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) Hopefully MYPT's show is before then... Though, with hordes descending on your house, we probably have to find a hotel, right? -Dave >From: "Rebecca Consentino Hains" >Date: Fri, 30 Apr 2004 11:53:27 -0400 > >Oh, and we're thinking of throwing one ourselves on Sept 18 or 25. >Andi's committed -- it's up to her to select one of those two dates, >then we'll announce it. > >Hope you'll come!!! > >Rebecca > >Rebecca C. Hains >Temple University >Philadelphia, PA >http://astro.temple.edu/~hains > > >-----Original Message----- >From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On >Behalf Of David C. Jedlinsky >Sent: Friday, April 30, 2004 11:48 AM >To: Multiple recipients of list SAVOYNET >Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) > > >I could be convinced to give a few savoynetters a ride from MHT >(Manchester, NH) to a QWERT in Maine. I might even attend, myself! >:-) > >Elise, if there's enough advance warning of a QWERT date, watch the >fares on Southwest Airlines from Orlando to Manchester. They were at >$49 each way last week, and will probably fluctuate back to there >again. > >-Dave Jedlinsky >opus@mit.edu >Milford, NH > > >>Date: Fri, 30 Apr 2004 08:28:25 -0400 (EDT) >>From: "barryhilton" >> >>Portland (PWH) is half an hour away; Manchester NH about an hour away, >>Boston about two hours. >> >>Cheers, >> >>Barry >> >>----- Original Message ----- >>From: "Elise Curran" >>To: ; "Multiple recipients of list SAVOYNET" >> >>Sent: Thursday, April 29, 2004 11:45 PM >>Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) >> >> >>> Where's the closest airport? >>> >>> Elise Curran >>> Orlando >>> >>> -----Original Message----- >>> From: barryhilton >>> Sent: Apr 29, 2004 8:17 PM >>> To: Multiple recipients of list SAVOYNET >>> Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) >>> >>> If, mind you I say if, a QWERT were to be organized in Brunswick, >Maine >>> (home of picturesque Bowdoin College, about half an hour north of >>Portland), >>> some 5-6 months hence, what sort of turnout might one expect? >>> >>> Barry Hilton >>> Guthven! >>> >>> ----- Original Message ----- >>> From: "Samuel Silvers" >>> To: "Multiple recipients of list SAVOYNET" >>> Sent: Thursday, April 29, 2004 10:25 AM >>> Subject: Future QWERT suggestion >>> >>> >>> > In the US, the only people who have hosted QWERTs are me and Bobbie >>> Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori >did >>> Toronto T2K. >>> > >>> > It's not so hard to host a singalong of the kind I have done seven >or >>> eight times now. You need a pianist and a leading tenor. >Everything >>else >>> pretty much falls into place. If you have a smaller apartment, you >could >>> just do two shows with a dozen guests or so. >>> > >>> > I don't see why we shouldn't have several of these events each year >>> throughout the country. >>> > >>> > Sam >>> >>> >>> >>> >> >> > >  1,, Summary-line: 30-Apr yestismabel@earthlink.net [105] #Re: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 12:37:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UGbJEC011538; Fri, 30 Apr 2004 12:37:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3UGbCpt026883 for ; Fri, 30 Apr 2004 12:37:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3UGa1TJ021729; Fri, 30 Apr 2004 12:36:01 -0400 (EDT) Date: Fri, 30 Apr 2004 12:36:01 -0400 (EDT) Message-Id: <9991618.1083341885200.JavaMail.root@kermit.psp.pas.earthlink.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 Apr 2004 12:36:01 -0400 (EDT) Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This sounds good, Dave. I was checking fares last night from Orlando to Portland, and they were all over $200. When do you think you might want to do it, Barry? Elise Curran Orlando -----Original Message----- From: "David C. Jedlinsky" Sent: Apr 30, 2004 11:48 AM To: Multiple recipients of list SAVOYNET Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) I could be convinced to give a few savoynetters a ride from MHT (Manchester, NH) to a QWERT in Maine. I might even attend, myself! :-) Elise, if there's enough advance warning of a QWERT date, watch the fares on Southwest Airlines from Orlando to Manchester. They were at $49 each way last week, and will probably fluctuate back to there again. -Dave Jedlinsky opus@mit.edu Milford, NH >Date: Fri, 30 Apr 2004 08:28:25 -0400 (EDT) >From: "barryhilton" > >Portland (PWH) is half an hour away; Manchester NH about an hour away, >Boston about two hours. > >Cheers, > >Barry > >----- Original Message ----- >From: "Elise Curran" >To: ; "Multiple recipients of list SAVOYNET" > >Sent: Thursday, April 29, 2004 11:45 PM >Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) > > >> Where's the closest airport? >> >> Elise Curran >> Orlando >> >> -----Original Message----- >> From: barryhilton >> Sent: Apr 29, 2004 8:17 PM >> To: Multiple recipients of list SAVOYNET >> Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) >> >> If, mind you I say if, a QWERT were to be organized in Brunswick, Maine >> (home of picturesque Bowdoin College, about half an hour north of >Portland), >> some 5-6 months hence, what sort of turnout might one expect? >> >> Barry Hilton >> Guthven! >> >> ----- Original Message ----- >> From: "Samuel Silvers" >> To: "Multiple recipients of list SAVOYNET" >> Sent: Thursday, April 29, 2004 10:25 AM >> Subject: Future QWERT suggestion >> >> >> > In the US, the only people who have hosted QWERTs are me and Bobbie >> Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori did >> Toronto T2K. >> > >> > It's not so hard to host a singalong of the kind I have done seven or >> eight times now. You need a pianist and a leading tenor. Everything >else >> pretty much falls into place. If you have a smaller apartment, you could >> just do two shows with a dozen guests or so. >> > >> > I don't see why we shouldn't have several of these events each year >> throughout the country. >> > >> > Sam >> >> >> >> > >  1,, Summary-line: 30-Apr rebecca@hains.net [153] #RE: Okay, I'll bite ... (Re: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 13:41:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UHfDEG027644; Fri, 30 Apr 2004 13:41:25 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3UHdV9Q001159 for ; Fri, 30 Apr 2004 13:39:31 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1BJbz0-00072J-00 for opus@MIT.EDU; Fri, 30 Apr 2004 13:39:30 -0400 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 13:39:17 -0400 Message-ID: <003001c42eda$0fd87a10$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200404301559.i3UFxARS001884@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: RE: Okay, I'll bite ... (Re: Future QWERT suggestion) Date: Fri, 30 Apr 2004 13:39:17 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200404301559.i3UFxARS001884@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) p.s. if you have an air mattress, there'd still be room for more people, ie., if Elise wanted to stay she could take the bed. See, all we have is a twin bed and that ancient futon of yours! Although we may buy a queen-sized air mattress by then -- we shall see. becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, April 30, 2004 11:59 AM To: rebecca@hains.net Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) Hopefully MYPT's show is before then... Though, with hordes descending on your house, we probably have to find a hotel, right? -Dave >From: "Rebecca Consentino Hains" >Date: Fri, 30 Apr 2004 11:53:27 -0400 > >Oh, and we're thinking of throwing one ourselves on Sept 18 or 25. >Andi's committed -- it's up to her to select one of those two dates, >then we'll announce it. > >Hope you'll come!!! > >Rebecca > >Rebecca C. Hains >Temple University >Philadelphia, PA >http://astro.temple.edu/~hains > > >-----Original Message----- >From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On >Behalf Of David C. Jedlinsky >Sent: Friday, April 30, 2004 11:48 AM >To: Multiple recipients of list SAVOYNET >Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) > > >I could be convinced to give a few savoynetters a ride from MHT >(Manchester, NH) to a QWERT in Maine. I might even attend, myself! >:-) > >Elise, if there's enough advance warning of a QWERT date, watch the >fares on Southwest Airlines from Orlando to Manchester. They were at >$49 each way last week, and will probably fluctuate back to there >again. > >-Dave Jedlinsky >opus@mit.edu >Milford, NH > > >>Date: Fri, 30 Apr 2004 08:28:25 -0400 (EDT) >>From: "barryhilton" >> >>Portland (PWH) is half an hour away; Manchester NH about an hour away, >>Boston about two hours. >> >>Cheers, >> >>Barry >> >>----- Original Message ----- >>From: "Elise Curran" >>To: ; "Multiple recipients of list SAVOYNET" >> >>Sent: Thursday, April 29, 2004 11:45 PM >>Subject: Re: Okay, I'll bite ... (Re: Future QWERT suggestion) >> >> >>> Where's the closest airport? >>> >>> Elise Curran >>> Orlando >>> >>> -----Original Message----- >>> From: barryhilton >>> Sent: Apr 29, 2004 8:17 PM >>> To: Multiple recipients of list SAVOYNET >>> Subject: Okay, I'll bite ... (Re: Future QWERT suggestion) >>> >>> If, mind you I say if, a QWERT were to be organized in Brunswick, >Maine >>> (home of picturesque Bowdoin College, about half an hour north of >>Portland), >>> some 5-6 months hence, what sort of turnout might one expect? >>> >>> Barry Hilton >>> Guthven! >>> >>> ----- Original Message ----- >>> From: "Samuel Silvers" >>> To: "Multiple recipients of list SAVOYNET" >>> Sent: Thursday, April 29, 2004 10:25 AM >>> Subject: Future QWERT suggestion >>> >>> >>> > In the US, the only people who have hosted QWERTs are me and Bobbie >>> Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori >did >>> Toronto T2K. >>> > >>> > It's not so hard to host a singalong of the kind I have done seven >or >>> eight times now. You need a pianist and a leading tenor. >Everything >>else >>> pretty much falls into place. If you have a smaller apartment, you >could >>> just do two shows with a dozen guests or so. >>> > >>> > I don't see why we shouldn't have several of these events each year >>> throughout the country. >>> > >>> > Sam >>> >>> >>> >>> >> >> > >  1,, Summary-line: 30-Apr rebecca@hains.net [50] #Spontaneous September? (was RE: Future QWERT suggestion) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 15:41:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UJfMEC025373; Fri, 30 Apr 2004 15:41:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i3UJfL9Q006453 for ; Fri, 30 Apr 2004 15:41:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3UJe4TJ023506; Fri, 30 Apr 2004 15:40:04 -0400 (EDT) Date: Fri, 30 Apr 2004 15:40:04 -0400 (EDT) Message-Id: <003401c42ee8$44cf6770$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Spontaneous September? (was RE: Future QWERT suggestion) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040429170832.27129.qmail@website12.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 Apr 2004 15:40:04 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Spontaneous September? (was RE: Future QWERT suggestion) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040429170832.27129.qmail@website12.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Greetings all, Yesterday, I wrote: >> When I was in Boston, I had the same type of thing at my college on a semi-regular basis. We called it "The Spontaneous Savoyards." I would gladly host more Spontaneous/QWERTS here in Philadelphia -- my house has plenty of room, but I don't have a piano. That's a major obstacle. << After my post, Andi and I communicated off-list. She said that she'd be willing to drive here with her luggable keyboard. So, I'm game for hosting a "Spontaneous Savoyards" afternoon at my home sometime this fall. I was thinking that September would be a good time -- it'll be not too hot, not too cold, not too close to either Buxton or the Holidays, and not overlapping with Sam's springtime sing-ins. (Whew, what a list!) I'm thinking that the ideal afternoon would comprise of singing through four shows. I'm toying with the idea of adding to our Spontaneity by having a "Jumble" that is cast on the spot (which I can describe in greater detail later). :-) So, what kind of interest would you S'netters have in coming to Philadelphia around Sept. 18 or 25th? And also importantly -- Barry, what specific time frame are you considering for your Maine QWERT? Since we're both on the east coast, and since I'd enjoy coming to your QWERT too, we should probably try to stagger them. :-) Feel free to email me off-list at rebecca@hains.net to work out a timeframe! Rebecca Hains Philadelphia, PA p.s. I suggest that QWERT stands for "Quirky Widgets Eating Red Tape."  1,, Summary-line: 30-Apr epish_shepherd@tiscali.co [40] #Re: QWERTeetotaling X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 Apr 2004 15:41:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i3UJfmEC025731; Fri, 30 Apr 2004 15:41:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i3UJfju6011671 for ; Fri, 30 Apr 2004 15:41:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i3UJeeTJ023672; Fri, 30 Apr 2004 15:40:40 -0400 (EDT) Date: Fri, 30 Apr 2004 15:40:40 -0400 (EDT) Message-Id: <6.0.1.1.0.20040430202838.01c166b0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: QWERTeetotaling Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040430185518.66718.qmail@web14715.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 Apr 2004 15:40:40 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: QWERTeetotaling X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040430185518.66718.qmail@web14715.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >No, you're right -- I think I was the only SavoyNetter >who had a beer, and only one of two over all. >Fortunately I got my solo (and therefore my >teetotaling) out of the way early, and for the rest of >the day I attempted to atone. > >Carol D I get my solo over the first thing in the morning, and then, ha! ha! for the rest of the day I drink beer--I drink beer--I drink beer! (Melodramatically.) Two days since, I sang an oratorio and built a distillery. Yesterday I performed the Festival Te Deum and endowed a brewery. To-day I sing Rose Maybud and atone with a traditional English pub! This is what it is to be the sport and toy of a Savoy discussion group! But I will be bitterly revenged upon them! I will give them all American beer, and nobody shall ever come to my QWERTs again! -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 1-May rebecca@hains.net [37] #RE: QWERT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 01 May 2004 10:33:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i41EXi2V006717; Sat, 1 May 2004 10:33:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i41EXVgt018199 for ; Sat, 1 May 2004 10:33:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i41EWVTJ014982; Sat, 1 May 2004 10:32:32 -0400 (EDT) Date: Sat, 1 May 2004 10:32:31 -0400 (EDT) Message-Id: <005701c42f86$7f87dcf0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: QWERT MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <409386F6.70909@emeraldtablet.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 1 May 2004 10:32:31 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <409386F6.70909@emeraldtablet.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jennifer Cole wrote: >> I would love to see a qwert in Philadelphia! I have never been, and it sounds like such fun. How are they cast? << Typically, those planning on attending email the host of the QWERT, who then attempts to fill all the roles. :-) However, I have heard rumour that across the pond, QWERTs are cast on the day of the event, based on who's shown up...! BTW, I've received several requests for my Spontaneous Sing-in to be held on Sept. 25. If anyone else would be interested QWERTing at my place on Sept. 18 or Sept. 25, kindly email me at rebecca@hains.net and let me know which date you prefer. Best wishes, Rebecca Hains Philadelphia, PA  1,, Summary-line: 2-May chris@sounds-on-cd.co.uk [46] #SOUNDS ON CD - The End of an Era X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 02 May 2004 06:17:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i42AHJdB003103; Sun, 2 May 2004 06:17:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i42AHHX6029948 for ; Sun, 2 May 2004 06:17:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i42AGITJ005465; Sun, 2 May 2004 06:16:18 -0400 (EDT) Date: Sun, 2 May 2004 06:16:18 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: SOUNDS ON CD - The End of an Era MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 2 May 2004 06:16:18 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: SOUNDS ON CD - The End of an Era X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear All, I am now at an advanced stage of my preparations to move to Spain. It's a month since I called for 'last orders' for my CDs, so I would now like to call a halt to Savoynet orders for CDs for the time being. This will shortly be reflected at the SOCD webpage that Marc hosts for me, but until this is indicated there please take this message as an over-rider for Savoynetters. I realise non-Savoynetters and my mail-only customers will not be aware of this yet, but at least by calling a halt to Savoynet orders I should be sharply reducing the intake which will help in the present winding down process and I can accept or decline these orders at my discretion depending on the size of them. As indicated earlier, this is only a temporary closure but when my catalogue becomes available again it is likely to be through other very capable hands. Watch this space (and keep checking the webpage) for details of the new 'regime' later in the year - I think you'll be pleased. Thank you all for your support over the last seven years. There have of course been some ups and downs but on the whole it's been a joy to know that I've provided as much pleasure as I have on so many occasions. My online feedback probably doesn't represent one quarter of the favourable responses and support I've received and even if I have no more to do with CDs directly (though this is VERY unlikely) I'm going to be a very happy man for the rest of my life knowing what I achieved between 1997 and 2004. Regards Chris Chris Webster (Almost formerly of) SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 2-May vhq@MIT.EDU [26] #Post-Thespis Meeting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 02 May 2004 06:21:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i42ALcdB004633; Sun, 2 May 2004 06:21:38 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i42ALQCv004019; Sun, 2 May 2004 06:21:26 -0400 (EDT) Received: from tulpius-hilarus.mit.edu (TULPIUS-HILARUS.MIT.EDU [18.7.22.78]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i42ALQCM007871; Sun, 2 May 2004 06:21:26 -0400 (EDT) Received: (from nobody@localhost) by tulpius-hilarus.mit.edu (8.12.2+Sun) id i42ALPRN025055; Sun, 2 May 2004 06:21:25 -0400 (EDT) Received: from RANDOM-THREE-FIFTY-SEVEN.MIT.EDU (RANDOM-THREE-FIFTY-SEVEN.MIT.EDU [18.243.6.102]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Sun, 2 May 2004 06:21:25 -0400 Message-ID: <1083493285.4094cba5c19fb@webmail.mit.edu> Date: Sun, 2 May 2004 06:21:25 -0400 From: Vanessa H Quinlivan To: gsp-prod@mit.edu, gsp-ec@mit.edu, thespis@mit.edu Subject: Post-Thespis Meeting MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.243.6.102 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 2 May 2004 06:21:25 -0400 From: Vanessa H Quinlivan To: gsp-prod@mit.edu, gsp-ec@mit.edu, thespis@mit.edu Subject: Post-Thespis Meeting X-Originating-IP: 18.243.6.102 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear People-Who-Kept-the-Cast-of-Thespis-From-Performing-Unclothed(spam filter precaution)-On-a-Dark-and-Empty-Stage, Directors, Producers, and their Minions: At GenComm today, Opus suggested that we should have a post-show meeting for Thespis so we can discuss what went right, what could have been done better, and what we've learned that we can apply to future shows. I'm in favor of this, so though there's not a date set as of now (the EC needs to transition officers first), I want to invite all of you to come and give the rest of us your two cents. (Or twenty dollars. We're not picky.) That said, if you plan on coming, please tell me if you have any evening(after 17:00)weekday conflicts during the next couple of weeks. I'll try to find a time when everyone who wishes to do so can be there. Thank you, Vanessa Quinlivan  1,, Summary-line: 2-May proven@proven.org [32] #Party! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 02 May 2004 15:14:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i42JEpTd023113; Sun, 2 May 2004 15:14:52 -0400 (EDT) Received: from axiom.proven.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i42JEXjG003271; Sun, 2 May 2004 15:14:38 -0400 (EDT) Received: from axiom (localhost [127.0.0.1]) by axiom.proven.org (8.11.3/8.11.3) with ESMTP id i42JAZO12132; Sun, 2 May 2004 15:10:40 -0400 (EDT) (envelope-from proven@axiom.proven.org) Message-Id: <200405021910.i42JAZO12132@axiom.proven.org> To: ;@Party cc: proven@proven.org Subject: Party! Date: Sun, 02 May 2004 15:10:29 -0400 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: ;@Party cc: proven@proven.org Subject: Party! Date: Sun, 02 May 2004 15:10:29 -0400 From: Chris (Proven) Provenzano X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey folks! It's Spring in Boston, and I'm leaving for Portland, Oregon in a couple weeks to start a new job out there. Must be time for another party. So, come on over this Saturday, May 8th sometime after 8PM. Please RSVP, and feel free to bring spouses, SOs, and anyone I seem to have forgotten that should know me. Recap: What: A party!!! Where: Planet X 95 Liberty Avenue Somerville, MA Directions: http://www.mit.edu/~proven/directions.html When: Saturday, May 8th, 2004, at 8PM See you Saturday! --proven  1,, Summary-line: 2-May jtu@MIT.EDU [82] #Shirts (Coffeehouse Club, Opens Doors) (fwd) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 02 May 2004 17:11:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i42LBeTd016107; Sun, 2 May 2004 17:11:40 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i42LBIbX016239; Sun, 2 May 2004 17:11:18 -0400 (EDT) Received: from apo.mit.edu (APO.MIT.EDU [18.187.1.50]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i42LBICM027037; Sun, 2 May 2004 17:11:18 -0400 (EDT) Received: (from jtu@localhost) by apo.mit.edu (8.9.3p2) id RAA01611; Sun, 2 May 2004 17:11:18 -0400 Date: Sun, 2 May 2004 17:11:17 -0400 (EDT) From: Jennifer Tu To: Subject: Shirts (Coffeehouse Club, Opens Doors) (fwd) Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 2 May 2004 17:11:17 -0400 (EDT) From: Jennifer Tu To: Subject: Shirts (Coffeehouse Club, Opens Doors) (fwd) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If you're interested in a Coffeehouse or Course19 shirt, contact Mitch at shirts@mit.edu. --Jennifer [This message was sent to APO and SIPB social lists.] ---------- Forwarded message ---------- Date: Sun, 02 May 2004 05:41:07 -0400 From: Mitchell E Berger To: shirts@MIT.EDU Subject: Shirts (Coffeehouse Club, Opens Doors) It's time for another shirts order! (Or another try at one.) Available this term: Saturday Night Coffeehouse Club Shirts Preview of image available at http://web.mit.edu/mitchb/shirts/chaus.jpg Blue ink on black shirt. Course 19 (An MIT Education Opens Doors) Shirts (Design by Terran Melconian, reprinted with permission.) Preview of image available at http://web.mit.edu/mitchb/shirts/c19.jpg *Two options* "Traditional" - Red ink on black shirt. "Blood on Concrete" - Red ink on beige or gray shirt (color of shirt depends on what looks best when the company sends proofs). Shortsleeves are $10 each for any of the options above in sizes S - XL. Longsleeves are slightly more (more info will be sent to anyone who asks for longsleeves as soon as I get the info). If you'd like an XXL, that's available for an additional $2 per shirt. Please send me your orders by this coming Friday to guarantee yourself the shirts you want; requests received after that will be handled if shirts are available, and there's no guarantee of extras. As an added bonus and incentive to get your orders and money in really quickly (we're aiming to get these shirts in by the beginning of finals if at all possible), if you get your payment to me by next Sunday night, you can take $2 off for each shirt you buy - what a deal! Please make sure you provide all the necessary info with your order; for your convenience, you can cut-and-paste the table below and fill in the blanks or you can describe your order *clearly* in words. ------------------------------------------------------------------ | | | | Quantity | | Design | Color Scheme | Sleeves | S | M | L | XL | XXL | |---------|-----------------|----------|----|----|----|----|-----| | Chaus | Blue on black | Short | | | | | | |---------|-----------------|----------|----|----|----|----|-----| | Chaus | Blue on black | Long | | | | | | |---------|-----------------|----------|----|----|----|----|-----| | C19 | Red on black | Short | | | | | | |---------|-----------------|----------|----|----|----|----|-----| | C19 | Red on black | Long | | | | | | |---------|-----------------|----------|----|----|----|----|-----| | C19 | Blood/Concrete | Short | | | | | | |---------|-----------------|----------|----|----|----|----|-----| | C19 | Blood/Concrete | Long | | | | | | |---------|-----------------|----------|----|----|----|----|-----| Mitch --- This message was forwarded to some lists where several members might be interested; please check with me before sending it to some sizable list to avoid sending multiple copies to the same list, but do feel free to pass it along to friends who'd like shirts and didn't receive it.  1,, Summary-line: 3-May ahumez@TheWorld.com [25] #hapgood video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 03 May 2004 11:28:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i43FSHsa016472; Mon, 3 May 2004 11:28:17 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [192.74.137.142]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i43FR8t8026640 for ; Mon, 3 May 2004 11:27:08 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.theworld.com [192.74.137.71]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id i43FR4Uq019123; Mon, 3 May 2004 11:27:04 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id LAA2705667; Mon, 3 May 2004 11:27:02 -0400 (EDT) Message-Id: <200405031527.LAA2705667@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu cc: opus@ipnh.com Subject: hapgood video Date: Mon, 03 May 2004 11:27:01 -0400 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu cc: opus@ipnh.com Subject: hapgood video Date: Mon, 03 May 2004 11:27:01 -0400 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, Congratulations on Thespis! It was quite entertaining, and it looked like everyone was having fun up there. (I was sad not to be able to try out myself, but this semester has been kind of busy... alas.) Do you have any sense when you might be able to work on the Hapgood tapes? (I'm hoping to do another play this summer, and it would be nice to get the books officially closed on the last one. :) ) Thanks! Andrea  1, answered,, Summary-line: 6-May xiphmont@xiph.org [30] #Something interesting, was: Re: wanting to member jtwang, astronut X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 May 2004 20:41:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i470fZ4o016548; Thu, 6 May 2004 20:41:35 -0400 (EDT) Received: from lips.xiph.org (HOTASS-10.MIT.EDU [18.101.1.62]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i470fPgT026667; Thu, 6 May 2004 20:41:25 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id B0743DC15D; Thu, 6 May 2004 20:40:34 -0400 (EDT) Date: Thu, 6 May 2004 20:40:34 -0400 To: Jeff Arnold Cc: sipb-staff@MIT.EDU Subject: Something interesting, was: Re: wanting to member jtwang, astronut Message-ID: <20040507004034.GC17722@lips.xiph.org> References: Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: User-Agent: Mutt/1.4i From: xiphmont@xiph.org (Monty) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 May 2004 20:40:34 -0400 To: Jeff Arnold Cc: sipb-staff@MIT.EDU Subject: Something interesting, was: Re: wanting to member jtwang, astronut Content-Disposition: inline In-Reply-To: From: xiphmont@xiph.org (Monty) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Completely aside from listening to someone who's a freshman (you should be), I do think Jeff has more or less summarised the nail right on the head. The point that I relate to the most: There have been times when I've avoided SIPB because of unpleasant members. That's not at all the case right now (I don't actually know any of the active undergrads well). I've not been around because... well.. SIPB just isn't doing anything interesting today. Not that I'm aware of anyway, perhaps the problem is just awareness. So... Who likes digital audio manipulation? Monty  1,, Summary-line: 6-May arolfe@MIT.EDU [26] #www migration help X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 May 2004 20:49:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i470nD4o019893; Thu, 6 May 2004 20:49:13 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i470mpLc013314 for ; Thu, 6 May 2004 20:48:51 -0400 (EDT) Received: from metacircular-evaluator.mit.edu (METACIRCULAR-EVALUATOR.MIT.EDU [18.243.1.191]) (authenticated bits=56) (User authenticated as arolfe@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i470mpRv006325 for ; Thu, 6 May 2004 20:48:51 -0400 (EDT) Received: (from arolfe@localhost) by metacircular-evaluator.mit.edu (8.12.9) id i470moWE016419; Thu, 6 May 2004 20:48:50 -0400 Date: Thu, 6 May 2004 20:48:50 -0400 Message-Id: <200405070048.i470moWE016419@metacircular-evaluator.mit.edu> From: Alex Rolfe To: sipb-office@MIT.EDU Subject: www migration help Reply-to: arolfe@MIT.EDU X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 May 2004 20:48:50 -0400 From: Alex Rolfe To: sipb-office@MIT.EDU Subject: www migration help Reply-to: arolfe@MIT.EDU X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Since we're told that IS&T wants to take over www.mit.edu, SIPB needs to create an execute a plan for migrating our services from www to a new machine. This is also an excellent chance to add new web-based services that MIT students in particular will find useful. If you think you might want to help, say so and I'll add you to webmaster-internal. This project is a good way to learn more about web services/servers, so there's no prerequisite "clue" requirement. I also hope that it'll give us a chance and motivation to provide all the cool little web-based things that you've always wanted but never gotten around to doing. Specific ideas are welcome and I'll try to compile a list of ideas I had in the next couple of days. Alex  1,, Summary-line: 7-May vhq@MIT.EDU [43] #Fwd: Post-Thespis Meeting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 May 2004 01:12:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i475CH4o027919; Fri, 7 May 2004 01:12:17 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i475C9ed008708; Fri, 7 May 2004 01:12:09 -0400 (EDT) Received: from marengo-porosa.mit.edu (MARENGO-POROSA.MIT.EDU [18.7.22.80]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i475C8Fk008797; Fri, 7 May 2004 01:12:08 -0400 (EDT) Received: (from nobody@localhost) by marengo-porosa.mit.edu (8.12.2+Sun) id i475C8Kc000062; Fri, 7 May 2004 01:12:08 -0400 (EDT) Received: from 18.228.1.216 ([18.228.1.216]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Fri, 7 May 2004 01:12:08 -0400 Message-ID: <1083906728.409b1aa8853f6@webmail.mit.edu> Date: Fri, 7 May 2004 01:12:08 -0400 From: Vanessa H Quinlivan To: thespis@mit.edu, gsp-prod@mit.edu, gsp-ec@mit.edu Subject: Fwd: Post-Thespis Meeting MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.228.1.216 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 May 2004 01:12:08 -0400 From: Vanessa H Quinlivan To: thespis@mit.edu, gsp-prod@mit.edu, gsp-ec@mit.edu Subject: Fwd: Post-Thespis Meeting X-Originating-IP: 18.228.1.216 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I confirmed our room reservations. The meeting will be in W20-407. I hope to see you there! -Vanessa ----- Forwarded message from Vanessa H Quinlivan ----- Date: Thu, 6 May 2004 19:57:22 -0400 From: Vanessa H Quinlivan Reply-To: Vanessa H Quinlivan Subject: Post-Thespis Meeting To: thespis@mit.edu, gsp-prod@mit.edu, gsp-ec@mit.edu Monday, May 10th, 7:30pm (This was the best time for a majority of the Thespis staff and the EC) Please come and share your observations and advice on what went well and what should be done differently next time. If you can't make it to the meeting and want to contribute something, feel free to send email. Also, if you want to make comments anonymously, please contact the EC and we'll try to work out an individual meeting. We'll record what you have to say but keep your identity confidential. (I'm not promising this will happen any time soon, since it's finals season and we have Iolanthe interviews to do as well. But it's a possibility.) We'll meet on the 4th floor of the Student Center. We should have a room reserved from 7 to 10 that night, so we can hold the post-Thespis meeting there. When I find out which one I'll send mail. - Vanessa Quinlivan ----- End forwarded message -----  1,, Summary-line: 7-May rebecca@hains.net [45] #Imagine a G&S Carousel! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 May 2004 10:56:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i47EtxOP005838; Fri, 7 May 2004 10:55:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i47EtuCM020068 for ; Fri, 7 May 2004 10:55:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i47EsWTJ021637; Fri, 7 May 2004 10:54:32 -0400 (EDT) Date: Fri, 7 May 2004 10:54:32 -0400 (EDT) Message-Id: <001e01c4343f$a67b77f0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Imagine a G&S Carousel! MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 May 2004 10:54:32 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Imagine a G&S Carousel! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all, I had this thought a couple of weeks ago: One of the best things about riding old-fashioned merry-go-rounds is that the patrons get to enjoy delightfully loud, fun music as they go 'round. So, if we could have a Gilbert & Sullivan carousel, which songs would it play? I propose that one of its songs would have to be "The Soldiers of our Queen." It'd be just perfect for a military band organ. :-) Here's a web site featuring excerpts of carousel music, for your reference: http://www.carouselstores.com/cgi-bin/carouselstores/cmusic/index.cgi I s'pose the next question would be, what would the merry-go-round itself look like? I'm thinking the horses would be named after operettas and/or various characters, but how might they be styled to reflect their own names? Finally, what kind of fairgrounds would have this carousel? Maybe it would be part of a G&S-themed carnival (available for hire by the Buxton festival organizers -- oh my!). What other rides and games would be there? I hope this makes for a fun discussion. Enjoy! Rebecca Hains Philadelphia, pA  1,, Summary-line: 7-May jana_ch@blarg.net [42] #Re: Imagine a G&S Carousel! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 May 2004 16:14:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i47KEcOP019671; Fri, 7 May 2004 16:14:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i47KE0h4003187 for ; Fri, 7 May 2004 16:14:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i47KD2TJ010946; Fri, 7 May 2004 16:13:02 -0400 (EDT) Date: Fri, 7 May 2004 16:13:02 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Imagine a G&S Carousel! MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_af804ad378afac4326c04d603bc4cb9d" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.2.1 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 May 2004 16:13:02 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Imagine a G&S Carousel! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --b1_af804ad378afac4326c04d603bc4cb9d Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Fri, May 07, 2004 at 8:59am DvdFid@aol.com wrote: > probably with a mixture of boats and horses to ride in/on. Along with the naval and pirate ships we'll need a couple of gondolas, each with a wooden gondolier standing in the stern. Some horses need to be rigged like cavalry chargers (Patience) and some like a lady's palfrey from the Middle Ages (Princess Ida). I'd give some of the horses symbolic fairy wings, and maybe include the Lord Chancellor's dream-bicycle with fairy wings as well. Of course the whole thing needs to be surmounted with something Japanese-- it matters not what. Jana Hollingsworth Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_af804ad378afac4326c04d603bc4cb9d Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Fri, May 07, 2004 at 8:59am DvdFid@aol.com wrote:
>  probably with a mixture of boats and horses to ride in/on.

Along with the naval and pirate ships we'll need a couple of gondolas, each with a wooden gondolier standing in the stern. Some horses need to be rigged like cavalry chargers (Patience) and some like a lady's palfrey from the Middle Ages (Princess Ida). I'd give some of the horses symbolic fairy wings, and maybe include the Lord Chancellor's dream-bicycle with fairy wings as well.

Of course the whole thing needs to be surmounted with something Japanese-- it matters not what.

Jana Hollingsworth
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_af804ad378afac4326c04d603bc4cb9d--  1,, Summary-line: 7-May ulahlica@yahoo.com [45] #OOTW - Princess Ida - Ape Song X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 May 2004 18:09:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i47M96OP027856; Fri, 7 May 2004 18:09:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i47M60p4022536 for ; Fri, 7 May 2004 18:06:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i47M4mTJ018303; Fri, 7 May 2004 18:04:48 -0400 (EDT) Date: Fri, 7 May 2004 18:04:48 -0400 (EDT) Message-Id: <20040507214253.47300.qmail@web60204.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: OOTW - Princess Ida - Ape Song MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 May 2004 18:04:48 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: OOTW - Princess Ida - Ape Song X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm sure this has been asked before but what does "he paid a guinea to a toilet club' mean? I couldn't find the answer. I never liked this song. If it was sung as some kinda parable it would have been cute but it is preceded by Psyche's assessment that it is a statement of fact. It seems that not only do the ladies believe that society can continue once man is expelled but that there was once a time when the only sex was female. At least that's what the song seems to indicate. John S LI NY P.S. Here's my scoring for Thespis's "Celestial Drudge" song for the handful of you looking at the pages: http://www.geocities.com/ulahlica/THESPIS/Thespis02.html __________________________________ Do you Yahoo!? Win a $20,000 Career Makeover at Yahoo! HotJobs http://hotjobs.sweepstakes.yahoo.com/careermakeover  1,, Summary-line: 8-May rebecca@hains.net [69] #A World of QWERT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 08 May 2004 10:10:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i48E9xLE001653; Sat, 8 May 2004 10:09:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i48E9wtl006035 for ; Sat, 8 May 2004 10:09:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i48E8vTJ016991; Sat, 8 May 2004 10:08:57 -0400 (EDT) Date: Sat, 8 May 2004 10:08:57 -0400 (EDT) Message-Id: <000201c43503$ae388450$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A World of QWERT MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00db01c4347d$39e609f0$a34fd2cc@yourwg5n33dutv> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 8 May 2004 10:08:57 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A World of QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00db01c4347d$39e609f0$a34fd2cc@yourwg5n33dutv> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Coming! This Autumn! Not one, but Two East Coast G&S Singalongs! *********************************************** SPONTANEOUS SAVOYARDS, PHILADELPHIA Date/Time: Saturday 18 September, noon to 7 p.m.-ish Location: Drexel Hill, PA, at the home of Rebecca & Tyler Hains - 25 minutes from Philadelphia airport - two blocks from the 102 trolley's Garrettford stop (w/ connections to NY, NJ, & PA public transit) - 2 hours from Baltimore, Newark, & NYC (LGA & JFK) airports Program: HMS Pinafore Iolanthe Princess Ida The Zoo Contact: rebecca@hains.net *********************************************** THE MAINE ON WHICH WE DRAW Date/Time: Saturday 23 October, noon to 7 p.m.-ish Location: 11 Pleasant Street Center for the Arts, Brunswick, Maine - 45 minutes from Portland airport - 2 hours from Boston & Manchester NH airports Program: Princess Ida The Mikado Ruddigore Gondoliers Contact: barryhilton@earthlink.net *********************************************** CASTING OF SOLO PARTS: requests/nominations welcome (write to Rebecca or Barry as appropriate; we'll try to firm up lists before everybody heads off to Buxton in July). ACCOMPANISTS: We need at least two pianists for each event. The indefatigable Andi has kindly agreed to play at both, and Fred Goldrich will share the ivories with her in Maine. Does anybody want to volunteer to split Philadelphia with Andi? LODGINGS/OTHER WEEKEND EVENTS: TBA, depending on size of response. (There'll certainly be post-QWERT Saturday suppers; with sufficient numbers & advance organization, we may be able to get discounts on tours or motel accommodations.) Best regards, Rebecca Hains Barry Hilton  1, answered,, Summary-line: 8-May Jacquestew@aol.com [88] #Jenna Lourenco reference X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 08 May 2004 17:54:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i48LsWLE007185; Sat, 8 May 2004 17:54:32 -0400 (EDT) Received: from imo-d23.mx.aol.com (imo-d23.mx.aol.com [205.188.139.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i48LsUSC014873; Sat, 8 May 2004 17:54:30 -0400 (EDT) Received: from Jacquestew@aol.com by imo-d23.mx.aol.com (mail_out_v37_r1.3.) id 6.140.28fd4682 (4184); Sat, 8 May 2004 17:54:26 -0400 (EDT) From: Jacquestew@aol.com Message-ID: <140.28fd4682.2dceb112@aol.com> Date: Sat, 8 May 2004 17:54:26 EDT Subject: Jenna Lourenco reference To: opus@mit.edu, rls@mit.edu, ferreire@enc.edu CC: jlourenco1@comcast.net MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1084053266" X-Mailer: 9.0 for Windows sub 5026 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Jacquestew@aol.com Date: Sat, 8 May 2004 17:54:26 EDT Subject: Jenna Lourenco reference To: opus@mit.edu, rls@mit.edu, ferreire@enc.edu CC: jlourenco1@comcast.net X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1084053266 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi, I am inquiring about Jenna Lourenco. She gave me your names as contact persons and reference. I guess the best question to answer is: "In your view, is Jenna suited to be a designer for the Weathervane Repertory's 2004 production of Big River?" www.weathervanetheatre.org I am the Artistic Director for the Weathervane. I am looking to fill in the last slots in our costume department (4 stitcher/asst. designers, 2 shop supervisor, 1 co-supervisor, 4-7 guest designers). Jenna is only available to design. The Weathervane is an AEA 39 year old repertory theatre in northern NH. We produce 7 main stage shows (2 dramas, 5 musicals) and 4 children's shows. We are a company of 50 people each summer. I would appreciate it if you could take a few minutes to give me your sense of Jenna as a professional designer both in organization and artistry. And of course, your take on her strengths as a member of a team, shop, and company. Thanks, Jacques Stewart One last note: if you know of someone that you would like to recommend for any of the positions noted above, please let me know. -------------------------------1084053266 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Hi,
 
I am inquiring about Jenna Lourenco.  She gave me your names as co= ntact persons and reference.
 
I guess the best question to answer is: "In your view, is Jenna suited=20= to be a designer for the Weathervane Repertory's 2004 production of Big Rive= r?"
 
 
I am the Artistic Director for the Weathervane.  I am looking to f= ill in the last slots in our costume department (4 stitcher/asst. designers,= 2 shop supervisor, 1 co-supervisor, 4-7 guest designers).  Jenna is on= ly available to design. 
 
The Weathervane is an AEA 39 year old repertory theatre in northern NH.=   We produce 7 main stage shows (2 dramas, 5 musicals) and 4 children's= shows.  We are a company of 50 people each summer. 
 
I would appreciate it if you could take a few minutes to give me your s= ense of Jenna as a professional designer both in organization and artistry.&= nbsp; And of course, your take on her strengths as a member of a team, shop,= and company.
 
Thanks,
Jacques Stewart
 
One last note: if you know of someone that you would like to recommend=20= for any of the positions noted above, please let me know.
<= /HTML> -------------------------------1084053266--  1, forwarded,, Summary-line: 10-May deebee@connexus.net.au [119] #Einstein answers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 May 2004 02:41:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4A6fstR022151; Mon, 10 May 2004 02:41:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4A6fXGa027288 for ; Mon, 10 May 2004 02:41:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4A6f7TJ009064; Mon, 10 May 2004 02:41:07 -0400 (EDT) Date: Mon, 10 May 2004 02:41:07 -0400 (EDT) Message-Id: <409F230B.5050000@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Einstein answers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 10 May 2004 02:41:07 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Einstein answers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, far fewer attempted the questions this time - perhaps the fact that the questions were harder than before (well some, a few were very easy) put the faint-hearted off. Don Smith did the best with 11 correct answers ( co-incidently the same points that I got but not necessarily the to the same questions_. Derrick McLure attempted to get them all down in 90 seconds and did it in 2 minutes. Not bad, while it is qucker to read than hear the questions, it is also much faster to say than type the answers. Nonetheless Derrick and Arthur Robinson both did well. Here are the answers: > > 1 In which building is Sullivan buried? St Paul's Cathedral > > 2 What is the only G&S opera written in 3 acts and blank verse? Princess Ida > > 3 In The Mikado KoKo sings "On a tree by a river a little tom tit sang what? > (if you don't know this what are you doing on Savoynet!) actually 2 people got this wrong! It is Willow, tit willow, tit willow (not tit willow) > > 4 What is the full name of the sorcerer in the opera of the same name? John Wellington Wells > > 5 Three weeks after its initial production Gilbert's play The Ne'er do Well > was re-written and restaged under what name? The Vagabond. > > 6 At the age of 2 Gilbert was kidnapped and ransomed for 25GBP in what city? > (Don't waste time arguing about the authenticity of this - they won'y know!) Naples > > 7 What is the sub-title of Thespis? The Gods Grown Old > > 8 From what opera is the lyric "The law is the true embodiment ..." (this is > the first I was able to interupt - think they might be deliberately composing > the questions to circumvent this) Iolanthe > > 9 In Patience who claims to be "A broken hearted troubadour whose mind's > aethetic and..."? Archibald Grosvenor > > 10 Trial by Jury was written following D'Oyly Carte's request for an > afterpiece to Offenbach's ..." (getting the hang of interupting again!) La Pericole > > 11 Which opera ran for 196 performances in its first revival in 1897? The Yeomen of the Guard (I guessed Mikado but really I think this is beyond the boundaries of the topic) > > 12 In Utopia Limited the younger sisters of Princess Zara are the Princesses > Nekaya and ? Kalyba > > 13 Which member of Earnest Dumpkoff's company sings "If her gloves are > always splitting cheap kid .."? Bertha (my guess was Elsa but who would know this unless they had played the role?) > > 14 Sullivan's oratorio The Prodigal Son was first performed at which > cathedral? Worcester (Damn, I knew it was the 3 choirs Festival but said Birmingham) > > 15 In the Bab Ballad Captain Reece what is the name of the coxswain? William Lee. Am now going through the Babs for every obscure, mentioned only once character! I can't imagine what they will think up next! So far there have been no questions on the WSG short stories and I have had a friend shoot things at me like: Monday (bank holiday) Thursday (shot a fox) and 18th (Sir Gilbert) 6th (Sir Lionel) Any more ideas for study areas please let me know. The Grand Final goes to air in November so there won't be anymore questions till then. Diana Burleigh >  1,, Summary-line: 10-May raeburn@MIT.EDU [13] #mary's tonight, 5:30 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 May 2004 13:09:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4AH9NOa016003; Mon, 10 May 2004 13:09:23 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4AH8Hmv016778 for ; Mon, 10 May 2004 13:08:17 -0400 (EDT) Received: from [18.101.0.226] ([18.101.0.226]) (authenticated bits=0) (User authenticated as raeburn@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i4AH8AAf016321 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Mon, 10 May 2004 13:08:15 -0400 (EDT) Mime-Version: 1.0 (Apple Message framework v613) Content-Transfer-Encoding: 7bit Message-Id: <9A5916B2-A2A4-11D8-9B9E-000A95909EE2@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: rav_eaters@mit.edu From: Ken Raeburn Subject: mary's tonight, 5:30 Date: Mon, 10 May 2004 13:08:05 -0400 X-Mailer: Apple Mail (2.613) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: rav_eaters@mit.edu From: Ken Raeburn Subject: mary's tonight, 5:30 Date: Mon, 10 May 2004 13:08:05 -0400 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) RSVP to me by 5, or be there on time.... Ken  1,, Summary-line: 10-May bow@MIT.EDU [17] #Re: Dates for Iolanthe? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 May 2004 13:36:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4AHa1Oa004841; Mon, 10 May 2004 13:36:01 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4AHZZmv024508; Mon, 10 May 2004 13:35:35 -0400 (EDT) Received: from quickstation-senior-house.mit.edu (QUICKSTATION-SENIOR-HOUSE.MIT.EDU [18.244.1.82]) (authenticated bits=56) (User authenticated as bow@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i4AHZYRv003553; Mon, 10 May 2004 13:35:35 -0400 (EDT) Received: (from bow@localhost) by quickstation-senior-house.mit.edu (8.12.9) id i4AHZYJk026608; Mon, 10 May 2004 13:35:34 -0400 (EDT) Message-Id: <200405101735.i4AHZYJk026608@quickstation-senior-house.mit.edu> To: "David C. Jedlinsky" Cc: gsp-ec@MIT.EDU Subject: Re: Dates for Iolanthe? In-Reply-To: Your message of "Mon, 10 May 2004 13:27:59 EDT." <200405101727.i4AHRxga029233@multics.mit.edu> Date: Mon, 10 May 2004 13:35:34 -0400 From: Robert Morrison X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" Cc: gsp-ec@MIT.EDU Subject: Re: Dates for Iolanthe? In-Reply-To: Your message of "Mon, 10 May 2004 13:27:59 EDT." <200405101727.i4AHRxga029233@multics.mit.edu> Date: Mon, 10 May 2004 13:35:34 -0400 From: Robert Morrison X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) don't know how it happened, and it is worth looking into, but i can confirm the dates, having seen the list o' CAC reservations recently. it is contrary to the alternating agreement with mtg... oh, and sunday put-in as well. -rob  1,, Summary-line: 10-May SSilvers@sskfny.com [59] #Report from Bob & Jackie Richards (mostly OT) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 May 2004 18:25:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4AMPiOc008439; Mon, 10 May 2004 18:25:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4AMN5XN023818 for ; Mon, 10 May 2004 18:23:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4AMMcTJ027352; Mon, 10 May 2004 18:22:38 -0400 (EDT) Date: Mon, 10 May 2004 18:22:38 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Report from Bob & Jackie Richards (mostly OT) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 10 May 2004 18:22:38 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Report from Bob & Jackie Richards (mostly OT) Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Bob wrote: Torquay is in South Devon and is famous for Basil Fawlty and its Palm Trees and is situated on the eastern side of Torbay where the main industry is Tourism. To the west is Paignton (of PoP fame) and then the fishing village of Brixham, Paignton is the only of the three Torbay towns which is not very hilly - think Buxton, only by the sea. Our hotel has 15 letting rooms all with private bathrooms, boasts an elegant bar and dining room and a lovely landscaped garden to the front of the building. It was built in 1899 as a summer home for the Marquess of Leicestershire and has been a hotel since at least the 30s (we have a 1937 brochure to prove it) and in the 60s was extended at the rear to provide most of the bedrooms. It's some 300 yards up from the seafront on the eastern end of an elegant road of similar sized hotels of which the Torcroft is clearly the best. The reason we chose Torquay (other than Buxton or other holiday towns) is that the Devon Riviera (remember the palm trees) has a more pleasant climate than the rest of the UK and subsequently Torquay itself has a very long letting season. Besides the mandatory English Breakfast we also provide Evening Meals from a choice of 3 chosen by each guest at breakfast. We are slowly but surely getting getting our own accommodation organised - we've had to squeeze the contents of our Penarth 5 bedroom house into one bedroom! We've now worked out some sort of hierarchy - Jackie is the administrator and looks after the money, I cook the breakfasts, Polly & Jackie cook the evening meals, Tam is in charge of anything technical and whoever is left and is not on waiter/waitress/bar duty looks after Tilly & Ollie. I must say, and who shouldn't, that Jackie, Polly & Tam have been magnificent and all are brilliant with all our guests, charming every single one of them. We've booked our tickets for Pirates.... Keeping up with SavoyNet at the moment is a luxury but we are thinking of you all and are missing all the excitement building up to the show All the best, Bob co ruler Torcroft Hotel  1,, Summary-line: 10-May phylismyown@hotmail.com [56] #Re: Since Barataria is... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 May 2004 21:04:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4B14WOg001721; Mon, 10 May 2004 21:04:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4B148Ew025394 for ; Mon, 10 May 2004 21:04:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4B13fTJ001839; Mon, 10 May 2004 21:03:41 -0400 (EDT) Date: Mon, 10 May 2004 21:03:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Re: Since Barataria is... Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 10 May 2004 21:03:41 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Re: Since Barataria is... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Derrick McClure writes: >There seem to be no Baratarians at the court, only Italians who have come >over in company with M and G; Is there ANY way of getting the Barataria >notion to make sense? It is my firm belief that the Gondoliers arrive in Barataria and join a group of stodgy old men, or Baratarians. Giuseppe sings his song to illustrate to the disenchanted elders how good he and his brother are at being king. The Gondoliers have just over-run the court, and made the remaining Baratarians lives miserable. Remember a monarcy respects Monarchs, not Republicans. And they obviously feel that the boys are ruining the country. Let's say you divide the chorus up so that all the older men are Baratarians and all the younger are Gondoliers. Similar for a few of the women. The Baratarians should always appear disgruntled. They're mean, and they should have those massive wigs that stand a head or two high and poof out on the sides. Like a disgruntled group of Dr. Bartolos. And they should only loosen up during the big drinking dancing party where the lord high footman dances with such gusto. The chorus that greets the Duke and Duchess should also be Baratarians, not Gondoliers. Then at the very end, when Luiz is crowned, the Baratarians all kneel out of respect, while the Gondoliers and Contandine remain standing, renounce their royal ways, and tra la la la la the hell out of Barataria. And there you are... out of your difficulty at once. Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com _________________________________________________________________ Stop worrying about overloading your inbox - get MSN Hotmail Extra Storage! http://join.msn.com/?pgmarket=en-us&page=hotmail/es2&ST=1/go/onm00200362ave/direct/01/  1,, Summary-line: 13-May YesTisMabel@aol.com [65] #today's anniversary X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 May 2004 12:57:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4DGvusS015872; Thu, 13 May 2004 12:57:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4DGvtUl019868 for ; Thu, 13 May 2004 12:57:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4DGvSTJ013173; Thu, 13 May 2004 12:57:28 -0400 (EDT) Date: Thu, 13 May 2004 12:57:28 -0400 (EDT) Message-Id: <1c7.1921e275.2dd50041@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: today's anniversary MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1084466753" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5028 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 May 2004 12:57:28 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: today's anniversary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1084466753 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hello, all! The following was posted on OperaList today: Today we can celebrate the birthday of Sir Arthur Sullivan (1842-1900). The quote for today is: "'It was on a very cold morning,' Sir Arthur said, 'with the snow falling heavily, that Gilbert came round to my place, clad in a heavy fur coat. He had called to read over to me the manuscript of Trial By Jury. He read it through, as it seemed to me, in a perturbed sort of way, with a gradual crescendo of indignation, in a manner of a man considerably disappointed with what he had written. As soon as he had come to the last word, he closed up the manuscript violently, apparently unconscious of the fact that he had achieved his purpose so fas as I was concerned, insasmuch as I was screaming with laughter the whole time.'" Sir Arthur Sullivan. Elise -------------------------------1084466753 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Hello, all!

The following was posted on OperaList today:

To= day we can celebrate the birthday of Sir Arthur Sullivan (1842-1900).
The quote for today is: "'It was on a very cold morning,' Sir Arthur said,=20=
'with the snow falling heavily, that Gilbert came round to my place, cla= d in a
heavy fur coat.  He had called to read over to me the manusc= ript of Trial By
Jury.  He read it through, as it seemed to me, in=20= a perturbed sort of way, with
a gradual crescendo of indignation, in a m= anner of a man considerably
disappointed with what he had written. = As soon as he had come to the last word, he
closed up the manuscript vi= olently, apparently unconscious of the fact that he
had achieved his pur= pose so fas as I was concerned, insasmuch as I was
screaming with laught= er the whole time.'"  Sir Arthur Sullivan.

Elise
-------------------------------1084466753--  1,, Summary-line: 13-May brad_timmers@yahoo.com [38] #E.U. vs. Italy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 May 2004 13:40:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4DHeQsS015466; Thu, 13 May 2004 13:40:26 -0400 (EDT) Received: from web11509.mail.yahoo.com (web11509.mail.yahoo.com [216.136.129.46]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i4DHeOqv028904 for ; Thu, 13 May 2004 13:40:25 -0400 (EDT) Message-ID: <20040513174022.40611.qmail@web11509.mail.yahoo.com> Received: from [155.52.45.132] by web11509.mail.yahoo.com via HTTP; Thu, 13 May 2004 10:40:21 PDT Date: Thu, 13 May 2004 10:40:21 -0700 (PDT) From: Brad Timmers Subject: E.U. vs. Italy To: "David C. Jedlinsky" , rls@dimins.com, frodo@MIT.EDU Cc: Kendell Timmers In-Reply-To: <200405130049.i4D0n9C7020717@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 May 2004 10:40:21 -0700 (PDT) From: Brad Timmers Subject: E.U. vs. Italy To: "David C. Jedlinsky" , rls@dimins.com, frodo@MIT.EDU Cc: Kendell Timmers In-Reply-To: <200405130049.i4D0n9C7020717@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey, Dave & Ruth & Len, Last Sunday, after Mycroft had shown us his D&D Internet cartoon, I suggested another Internet cartoon, this one being about the reasons why Italy is incompatible with the rest of the E.U. Some people (Joe and John, I think) said they'd already seen it, but I wasn't sure if you guys had. Just go here, then click your mouse where the word "PLAY" is flashing: http://www.infonegocio.com/xeron/bruno/italy.html I guarantee this is funnier than the D&D cartoon... :) See you this Sunday! Good luck to those of you doing lots of driving on Saturday... Brad __________________________________ Do you Yahoo!? Yahoo! Movies - Buy advance tickets for 'Shrek 2' http://movies.yahoo.com/showtimes/movie?mid=1808405861  1,, Summary-line: 13-May Barny@SHERGOLD.ORG [45] #G & S Forums now open X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 May 2004 20:55:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4E0ssse002443; Thu, 13 May 2004 20:55:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4E0roNF006204 for ; Thu, 13 May 2004 20:53:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4E0rLTJ007279; Thu, 13 May 2004 20:53:21 -0400 (EDT) Date: Thu, 13 May 2004 20:53:21 -0400 (EDT) Message-Id: <03FC9733C2C9D611AA0500105AF0B5A4088D3E@HYDROGEN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Barny@SHERGOLD.ORG Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Barny Shergold To: Multiple recipients of list SAVOYNET Subject: G & S Forums now open MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2650.21) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 May 2004 20:53:21 -0400 (EDT) Reply-To: Barny@SHERGOLD.ORG Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Barny Shergold To: Multiple recipients of list SAVOYNET Subject: G & S Forums now open X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi All, I've just joined the group so apologies if the next bit is out of step, but I think it's something you may like. PBGS is a UK G & S society and we've just re-launched our website (www.pbgs.org) but the important bit is that we've created a bulletin board dedicated to G & S. As far as we know it's the only board of its type and we'd like to invite you to come and join. You can reach the forums here : www.pbgs.org/forums/ We've created a set for forums about PBGS (so you can see what we are up to), there are forums for each of the G & S operas, forums for general chit-chat (anything goes but keep it clean!) and society forums. The society forums are so that ANY G & S (or any amateur operatic soc) can have a place to discuss stuff specific to their society (also helps you get others interested!). If you are a committee member of your society and would like a forum then please drop me a line with your society's name, where you are based and some info about yourself. This service is FREE and always will be, all I ask is that once your forum is running that at least one member of your sociery becomes a moderator to make sure everyone behaves themselves! BTW Suggestions for additional forums are very much welcome. Thanks for listening and hope to see you on the forums. Kind Regards Barny Shergold PS I will be sticking around! :)  1,, Summary-line: 14-May rebecca@hains.net [88] #RE: G & S Forums now open X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 May 2004 10:14:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4EEEm2h015893; Fri, 14 May 2004 10:14:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4EEE3CN018843 for ; Fri, 14 May 2004 10:14:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4EEChTJ026984; Fri, 14 May 2004 10:12:43 -0400 (EDT) Date: Fri, 14 May 2004 10:12:43 -0400 (EDT) Message-Id: <00c301c439ba$7cf75220$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: G & S Forums now open MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <03FC9733C2C9D611AA0500105AF0B5A4088D3E@HYDROGEN> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 May 2004 10:12:43 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: G & S Forums now open X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <03FC9733C2C9D611AA0500105AF0B5A4088D3E@HYDROGEN> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Barny, That's a lovely site! It looks quite similar in style to the Savoynet Forums (http://www.savoynet.org/forums/), which were set up so that people on Savoynet proper could share attachments with others on the list. (Attached files are not to be sent on this listserv.) Some have asked me, via private email, why Savoynet does not move entirely to a web-based bulletin board like the forums at Savoynet.org (or those at pbgs.org). IMO, the primary constraint is the cost for a web space that would be large enough to accommodate our traffic. So, I would be curious to know how things go on the PBGS forums. Your categories are smartly planned, and I think you may find yourself getting lots of traffic. I'd love to know how the society handles it! With best wishes, Rebecca Hains Philadelphia, PA -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Barny Shergold Sent: Thursday, May 13, 2004 8:53 PM To: Multiple recipients of list SAVOYNET Subject: G & S Forums now open Hi All, I've just joined the group so apologies if the next bit is out of step, but I think it's something you may like. PBGS is a UK G & S society and we've just re-launched our website (www.pbgs.org) but the important bit is that we've created a bulletin board dedicated to G & S. As far as we know it's the only board of its type and we'd like to invite you to come and join. You can reach the forums here : www.pbgs.org/forums/ We've created a set for forums about PBGS (so you can see what we are up to), there are forums for each of the G & S operas, forums for general chit-chat (anything goes but keep it clean!) and society forums. The society forums are so that ANY G & S (or any amateur operatic soc) can have a place to discuss stuff specific to their society (also helps you get others interested!). If you are a committee member of your society and would like a forum then please drop me a line with your society's name, where you are based and some info about yourself. This service is FREE and always will be, all I ask is that once your forum is running that at least one member of your sociery becomes a moderator to make sure everyone behaves themselves! BTW Suggestions for additional forums are very much welcome. Thanks for listening and hope to see you on the forums. Kind Regards Barny Shergold PS I will be sticking around! :)  1,, Summary-line: 14-May phylismyown@hotmail.com [153] #Commedia Dell'arte X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 May 2004 13:10:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4EHAn2f004488; Fri, 14 May 2004 13:10:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4EHAj7E018069 for ; Fri, 14 May 2004 13:10:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4EH9jTJ010890; Fri, 14 May 2004 13:09:45 -0400 (EDT) Date: Fri, 14 May 2004 13:09:45 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Commedia Dell'arte Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 May 2004 13:09:45 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Commedia Dell'arte X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Lisa Berglund writes: >To further Derrick McClure's point: as comic opera, the G&S canon is >remarkable >for the absence of soubrettes. Granted, they are not typical in Rossini >and >Donizetti, but as previous postings have observed they're all over Mozart's >comic operas, and are typical of the French stage, both in operetta and >straight >theater. Gilbert is remarkably original in his plots--they don't depend on >clever servants or other typical devices from classical theater. When he >does >introduce potential soubrettes, the joke is that they're the most >lachrymose >characters on stage (Constance and Lisa). We should also note the similar >absence of the scheming or conspiratorial male servant--there are no >Figaros, >Dandinis or even Leporellos among Gilbert's dramatis personae. This is an incredibly interesting statement. After noticing that "The Mikado" and The Figaro Plays almost waltz along hand in hand plot-wise, I looked it up a while back. There is an old syle of comedy called "Commedia Dell'arte". Many of you probably already know this is where Harlequin comes from, as well as Zerbinetta, Columbine, etc. More of you will probably recognize the masks these characters wore than will know the character background or where they came from. They often appear at Mardi Gras or Carnival, and when one thinks of Venice, one almost always thinks of the masks... which on the whole, come from the Commedia. Now Commedia is a style of comedy based around structured plot instances and improvised gags. Generally Pantalone has a daughter who is in love with a boy, they are called Inamoratta, and Pantalone disaproves. Pantalone has a best friend, Il Dottore, who is a doctor or a lawyer, and he's pompous and often only legally or technically a lawyer or doctor, and is in fact just full of hot air. The servant of Il Dottore or Pantalone is Harlequin, and he loves Columbine or Zerbinetta, the servant of Pantalone's daughter. Harlequin causes and solves problems, getting the lovers together while keeping Pantalone and Il Dottore contented. There is also a soldier who is a braggart and boasts of his sexual escapades, but is in truth a coward and afraid of battle and women. Assorted servants and gypsies also sometimes appear. Now the old operas are all based on these Commedia Dell'arte themes. You'll find them in Figaro. Figaro is Harlequin, Susanna is Columbine, The Count and Countess are the Innamoratta, Dr. Bartolo is Pantalone and Don Basilio is the Il Dottore part. Barbarinna is Zerbinetta, Marcellinna is the ugly old lady part which was created late in Commedia history (Gilbert's favorite to work with). In Donizetti's "Elisir D'amore" Nemorinio and Adina are Innamoratta, Dr. Dulcamara is a hybird Il Dottore and Pantalone, and the soldier comes along to stir up problems. This is a basic Commedia plot. Shakespeare also used the Commedia Dell'arte themes in many of his plays. Now as for Gilbert, when he wrote "The Mikado" and "The Gondoliers" he used the Commedia formula to perfection. While every commedia story is beloved by all who see it, he perfected it in "The Mikado" much like Beaumarchais did with the Figaro plays. Ko-Ko is Pantalone, Yum-yum and Nanki-poo are Innamoratta, Pooh-bah is the inevitable Il Dottore. Pitti-Sing is the Zerbinetta, and Katisha the ugly old lady. The Mikado makes an impressive appearance as one of the servant characters, I'm assuming the same one that Rigoletto was based on, the cruel servant, but raised to a position of God Like importance. Gilbert knew the Commedia plot and fleshed out a beautiful and hilarious story. Again in "The Gondoliers". Harlequin and Columbine, and Zerbinetta and whatever-her-lovers-name-is appear as Marco, Giuseppe, Tessa and Gianetta. Il Dottore is personified in Don Alhambra De Bolero. Pantalone and the Ugly old Lady become the Duke and the Duchess. And again, the basic formula plots unfold in a delightfully impactful manner with their Gilbertian spin. All this to say that in truth Gilbert doesn't rely on the servants, but he does rely on the Commedia Mechanics to make his plots work. Nearly all great writers for the stage are influenced by the Commedia. I believe the main reason he doesn't rely on the servant characters, even though they are there... though not appearing AS servants (Mikado, Marco and Giuseppe) is because the serving class was starting to disappear in Victorian England. While many people still had servants, the servants weren't such a distinct class. They were considered real people who just had servant jobs. They weren't delegated into an actual class of servants. They were equal but of lesser means. In short, servants weren't the audience the victorian play authors were trying to win over. As was Figaro, for example, a servant humbling a Count in front of his wife. It would give any servant class fellow a boost in confidence. Gilbert though, was writing for the Pantalone's and Dottores of Victorian England. Thus the plots rely on the Pooh-bah's and the Ko-ko's. Or rather Barrington and Grossmith. So when it's stated that the servants only appear as Old Adam or Hercules, it is untrue. The servant characters appear, but not as servants. The actual servants like Hercules, are just parts for boys to play. Or in Old Adam, a satire on Melodramma, which isn't the same as the Commedia. They are different theatre styles. All this brings us back to who the Soubrettes are... and generally speaking, they would be the Jessie Bond parts. She's always given the part of one of the Commedia servants in Gilbert's Commedia influenced plays. This is probably the reason we call her parts the Soubrettes even though the parts are mezzo and never appear as servants. So, there may be no Dandini, a servant character from Commedia used in Rossini's "La Cenerentola"... but there are Don Magnifico's in Gilbert's plays. And there may be no servant "Leporellos" but there are Don Ottavios. So you see, Commedia Dell'arte is an ever changing style, with plots that can use, abuse or even lose the servants entirely... It's the actual character bases and plot points that are the mechanics, Not the servant characters that Gilbert uses... or for that matter any of the other great opera composers and librettists. It's just the others wrote in the days of the serving classes, so the job of servant was more common than say, the political positions of the Pooh-bah. I figure Gilbert relied on Commedia structure because he was always given the same actors for his plays. It is the best way to go, considering Commedia has stock characters and he had a stock of actors. That's not to say that Gilbert isn't remarkably original in his plots. He is, but his originality is reinforced by his background on HOW to write in the beloved comedy style of old Italy that never fails to entertain... The Commedia Dell'arte. Well, I could go on for the length of a whole book relating opera to Commedia, but hopefully it's already been done, and so I can quit, and you can visit your local library and look up "Commedia Dell'arte". You'll find it has had a bigger impact on drama than Wagner has had on music. Which is a pretty darn big impact, if you know what I mean. Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com _________________________________________________________________ Check out the coupons and bargains on MSN Offers! http://youroffers.msn.com  1,, Summary-line: 14-May cmj@halhk.freeserve.co.uk [42] #Video of Thespis X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 May 2004 15:11:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4EJBM2f026051; Fri, 14 May 2004 15:11:23 -0400 (EDT) Received: from mwinf3014.me.freeserve.com (smtp1.freeserve.com [193.252.22.158]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4EJAihk020961 for ; Fri, 14 May 2004 15:10:44 -0400 (EDT) Received: by mwinf3014.me.freeserve.com (SMTP Server, from userid 1003) id 1F9371800092; Fri, 14 May 2004 21:10:44 +0200 (CEST) Received: from wwinf3003 (wwinf3003 [172.22.159.30]) by mwinf3014.me.freeserve.com (SMTP Server) with ESMTP id 0B3321800087 for ; Fri, 14 May 2004 21:10:44 +0200 (CEST) Message-ID: <9701136.1084561844036.JavaMail.www@wwinf3003> From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: opus@mit.edu Subject: Video of Thespis Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_10930_21045217.1084561844033" X-Originating-IP: [66.2.44.7] Date: Fri, 14 May 2004 21:10:44 +0200 (CEST) X-Spam-Score: 0.543 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: opus@mit.edu Subject: Video of Thespis X-Originating-IP: [66.2.44.7] Date: Fri, 14 May 2004 21:10:44 +0200 (CEST) X-Spam-Score: 0.543 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------=_Part_10930_21045217.1084561844033 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Dear David, I emailed you a couple of weeks ago, hoping that I might be able to see a video of Thespis before we return to England on May 23rd. Perhaps you are taking a well-earned vacation, or maybe my earlier email didn't reach you. Anyway, my daughter Fiona Murray (who would love to see the NTSC version) is still at 2424 Richelieu Place, Scotch Plains NJ 07076, while I who am eager for the PAL version (or even an audio recording) will be at 19 Harman Avenue, Lympne, Hythe, Kent CT21 4LB, England in ten days time. Should you wish to phone me in NJ, the number is (908) 889 6579. Cheers, Colin -- Whatever you Wanadoo: http://www.wanadoo.co.uk/time/ This email has been checked for most known viruses - find out more at: http://www.wanadoo.co.uk/help/id/7098.htm ------=_Part_10930_21045217.1084561844033 Content-Type: text/html Content-Transfer-Encoding: 7bit

Dear David,

I emailed you a couple of weeks ago, hoping that I might be able to see a video of Thespis before we return to England on May 23rd.

Perhaps you are taking a well-earned vacation, or maybe my earlier email didn't reach you.

Anyway, my daughter Fiona Murray (who would love to see the NTSC version) is still at 2424 Richelieu Place, Scotch Plains NJ 07076, while I who am eager for the PAL version (or even an audio recording) will be at 19 Harman Avenue, Lympne, Hythe, Kent CT21 4LB, England in ten days time. 

Should you wish to phone me in NJ, the number is (908) 889 6579.

Cheers,

Colin



Whatever you Wanadoo

This email has been checked for most known viruses - find out more here ------=_Part_10930_21045217.1084561844033--  1, forwarded,, Summary-line: 16-May to: frodo@MIT.EDU, ktimme [28] #Wild Rice recipe X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 16 May 2004 23:27:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4H3RERk009207; Sun, 16 May 2004 23:27:14 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4H3RAfe021457; Sun, 16 May 2004 23:27:10 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i4H3P8Rv019835; Sun, 16 May 2004 23:25:09 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i4H3P7dh028448; Sun, 16 May 2004 23:25:07 -0400 (EDT) Date: Sun, 16 May 2004 23:25:07 -0400 (EDT) Message-Id: <200405170325.i4H3P7dh028448@multics.mit.edu> From: "David C. Jedlinsky" To: frodo@MIT.EDU, ktimmers@MIT.EDU, brad_timmers@yahoo.com Subject: Wild Rice recipe X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 16 May 2004 23:25:07 -0400 (EDT) From: "David C. Jedlinsky" To: frodo@MIT.EDU, ktimmers@MIT.EDU, brad_timmers@yahoo.com Subject: Wild Rice recipe X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's the recipe for the wild rice, as modified by Dave. 1 cup Wild Rice (Trader Joe's or similar) 1/2 stick Butter 1 8oz. can Sliced Water Chestnuts, slivered 1 large Shallot (about 3oz.), chopped 2 cubes Chicken Bouillon Rinse the wild rice under running water using a strainer or in a bowl of water and drain. Place the rice in a heavy saucepan with 4 cups of water. Bring to a boil; simmer, covered until kernels are open and tender but not mushy (about 45-55 minutes). Drain excess water. Saute the water chestnuts in the butter, and add the shallot once the chestnuts are soft. Dissolve the bouillon in the butter once the shallots have a slight brown edge to them. Add the cooked rice to the saute mix, stir and serve.  1,, Summary-line: 17-May esnealleyiii@yahoo.com [75] #Re: Dating MIKADO + Current Events (was Re: ENO MIKADO pictures and review) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 17 May 2004 09:31:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4HDUafV028604; Mon, 17 May 2004 09:31:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4HDUOeJ004992 for ; Mon, 17 May 2004 09:30:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4HDTXTJ000565; Mon, 17 May 2004 09:29:33 -0400 (EDT) Date: Mon, 17 May 2004 09:29:33 -0400 (EDT) Message-Id: <20040517131945.61300.qmail@web60502.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: Re: Dating MIKADO + Current Events (was Re: ENO MIKADO pictures and review) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 17 May 2004 09:29:33 -0400 (EDT) Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: Re: Dating MIKADO + Current Events (was Re: ENO MIKADO pictures and review) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Diana Burleigh wrote: >... at the opening of Opera Australia's scrubbed up production of The Mikado a couple of nights ago, I felt decidedly squeamish when Nanki Poo said "I will instantly perform the happy dispatch with this dagger" and produced in in a way that had me flashing back to horrendous pictures that have been on all our TV screens in the last week, as a prelude to a decapitation that has nothing funny about it. >I don't know if anyone else in the audience would have made the connection and I immediately dismissed it on the grounds that it has no relevance in this production - but the connection was there. The Ardensingers actually performed The Mikado last Saturday, in the Smyrna Opera House (Delaware), and not a few of our cast were feeling very uneasy about the unfortunate turn of events. This is especially true because at least one of our leads actually lives in West Chester, the same city as the Bergs. I believe we discussed cancelling, or substituting the a concert of songs from various G&S operas to avoid some of the more unfortunate comparions (especially in "The Criminal Cried") but we had been engaged by the Opera House and they elected to have us present the opera as is. They included a note in the program about the opera being set in "9th century Japan" when very different rules and customs applied, and further words trying to separate the much-loved comic opera from our unfortunate current events. It was an excellent performance, on the whole, and the audience seemed to enjoy it enthuiastically. Still I know I felt a bit uneasy saying, "Even if you only succeeded in cutting it half off, that at least would be something." On a somewhat lighter note, do we know in what time frame of Japanese history The Mikado is actually set? I'm not certain that the 9th century date (as mentioned in the program above) is correct. Edwin Nealley esnealleyiii@yahoo.com Philadelphia, PA __________________________________ Do you Yahoo!? SBC Yahoo! - Internet access at a great low price. http://promo.yahoo.com/sbc/  1, answered, forwarded,, Summary-line: 17-May bj.richards@btinternet.co [59] #QWERTY TOWERS X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 17 May 2004 09:53:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4HDrBfT012668; Mon, 17 May 2004 09:53:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4HDrAeJ023188 for ; Mon, 17 May 2004 09:53:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4HDqfTJ004921; Mon, 17 May 2004 09:52:41 -0400 (EDT) Date: Mon, 17 May 2004 09:52:41 -0400 (EDT) Message-Id: <004101c43c14$f1c1f810$755e8751@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY TOWERS MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 17 May 2004 09:52:41 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY TOWERS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As most of you might know, together with Bob's daughter and her husband Tam, we have just bought The Torcroft Hotel in Torquay, South Devon, and as promised we would like to announce our plans to hold SavoyNet's first residential QWERT. The dates are on the only weekend in the autumn when the hotel is free from other guests - we must assume than our devotion to singing the works of Gilbert & Sullivan for a whole weekend is an acquired taste and best enjoyed by the inner brotherhood! The dates of QWERTY TOWERS are the weekend of Friday 5th November - Sunday 7th November. We will be offering the weekend package at an inclusive price (apart from booze which can be bought at the bar) of £50 per person including accommodation. This will include an evening meal on Friday followed by a display of fireworks and a sing through of one opera. We'll start Saturday's festivities after Bob's now famous Torcroft breakfast by fitting in another 2 operas followed by a capital buffet lunch, we'll aim for at least another 2 operas in the afternoon followed by an evening meal cooked by Polly, after which we'll wind down with silly games/TbJ. After breakfast on Sunday we'll see if we can sing through another 2 before people head home. We'll let you know which operas we'll all be singing sometime after Buxton. If people are staying Sunday night we'll charge an extra £25 which includes Sunday Lunch (in the evening!), similarly if you can only make the Saturday the charge will just be £25. We might fit in a pilgrimage to the site of the Bijou Theatre for those who are keen, but to be honest we're not sure it's worth the trip into Paignton just to see a blue plaque on a wall. We'd love not to charge at all, but we hope SavoyNetters will understand our new lifestyle doesn't make this possible. We have 15 rooms, all en suite, most have double beds, two are family rooms (one sleeping 4, with a double bed & bunk beds, and the other with just a double and single), two are twin bedded rooms and two are single rooms. A couple can sleep on the double sofa bed in Jackie's office - no en suite (or Jackie) in this room. You'll have to leave it to us to work out the room allocation and if the weekend is oversubscribed we'll arrange for the hotel next door to take any overflow, so don't leave it too long to reply. So you can see how lovely our hotel is, the website is www.torcroft.co.uk XXX Jackie & Bob thanks to Mike Nash for the name of the QWERT  1, answered,, Summary-line: 17-May ktimmers@MIT.EDU [28] #Thank you! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 17 May 2004 15:44:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4HJipfT023112; Mon, 17 May 2004 15:44:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4HJifb8020582; Mon, 17 May 2004 15:44:41 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) (authenticated bits=56) (User authenticated as ktimmers@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i4HJieAf006741; Mon, 17 May 2004 15:44:40 -0400 (EDT) Received: (from ktimmers@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id i4HJieDS015215; Mon, 17 May 2004 15:44:40 -0400 (EDT) Date: Mon, 17 May 2004 15:44:39 -0400 (EDT) From: Kendell Timmers To: "David C. Jedlinsky" cc: brad_timmers@yahoo.com, rls@dimins.com Subject: Thank you! In-Reply-To: <200405130049.i4D0n9C7020717@multics.mit.edu> Message-ID: References: <200405122014.i4CKEgYQ011865@multics.mit.edu> <1084406500.40a2bae4d8732@webmail.mit.edu> <200405130049.i4D0n9C7020717@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 17 May 2004 15:44:39 -0400 (EDT) From: Kendell Timmers To: "David C. Jedlinsky" cc: brad_timmers@yahoo.com, rls@dimins.com Subject: Thank you! In-Reply-To: <200405130049.i4D0n9C7020717@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I didn't really have a chance last night to thank you both for the graduation/housewarming gift. It's really lovely, and will match our futon perfectly. Also, of course, many, many thanks for the magnificent food, entertainment, and company! (And for the wild rice receipe too.) After looking at the moving/traveling schedule again, we've decided we definitely won't be able to make July 4th in Boston this year; we hope you have a fantastic time at the Museum of Science, though - it sounds like a neat place to be. I don't know how fast non-SIPB email accounts expire after graduation, but my new email will be ktimmers@alum.mit.edu, which is already active. Brad's email won't be changing anytime soon. Stay in touch, and thanks once again for everything, Kendell and Brad  1,, Summary-line: 18-May chris@sounds-on-cd.co.uk [51] #RE: By air to Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 11:41:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4IFfWSH029336; Tue, 18 May 2004 11:41:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4IFfVWZ017694 for ; Tue, 18 May 2004 11:41:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4IFeWTJ023725; Tue, 18 May 2004 11:40:32 -0400 (EDT) Date: Tue, 18 May 2004 11:40:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: By air to Buxton MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 May 2004 11:40:32 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: By air to Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > >Being serious it is far easier to fly into Manchester with the rail link via > >Manchester City Centre to Buxton and a direct and cheap bus link to Buxton. > > Just to endorse what Peter said. Heathrow is a GRUELLING journey from the > North Midlands. Even Birmingham or East Midlands Airport would be > preferable, if there is no convenient flight to Manchester. It is only worth > going via London if you were consciously deciding to add 2-3 days > sightseeing at the end of the visit. I didn't see the origins of this message, so I hope I'm not jumping in with something that's irrelevant. I just wanted to say that I've made a lot of road trips in the last few weeks between South London and Liverpool going round the M25 past Heathrow each time, and while I agree that this USED to be a most harrowing journey on the road a new toll road round Birmingham (the "M6 Toll") has made a world of difference. I've travelled both at peak and off-peak times, including keeping to a steady-ish 60-70mph because for two journeys I was driving a full hired transit van that I was unfamiliar with, and the longest journey was only 4 and a quarter hours. Prior to the opening of this new toll road the same journey has often taken an average of 7 or so hours, and on one occasion I think it took as much as 9 hours. On one evening about 10 days ago my visit to the north was a very short one because I had a dinner date to get back for and a fellow guest, unbeknown to me, had been working in Manchester and had taken a similar homeward route to me and she was amazed and delighted by the difference the new road has made. The toll of ?2 is definitely well worth it for the difference it is making to people's journeys and because of the ease of pressure on the old road I expect that the non-toll journey is probably a lot easier now too. Unfortunately, I learned just this morning, after having recently raved to friends about this new road, that roadworks are planned on the non-toll road soon which is likely to force many more motorists onto the new road so it will be a lot less quiet and, surprise, surprise, the owners of the road have decided to increase the toll to ?3 just in time to catch the roadwork-evading traffic !! Regards Chris,  1,, Summary-line: 18-May tempsavoy@tradelaw.com [43] #Re: Does anyone know... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 11:57:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4IFvwSH010922; Tue, 18 May 2004 11:57:59 -0400 (EDT) Received: from taurus.lunarpages.com (taurus.lunarpages.com [64.235.234.121]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4IFvvWZ006111 for ; Tue, 18 May 2004 11:57:57 -0400 (EDT) Received: from adsl-68-72-115-210.dsl.chcgil.ameritech.net ([68.72.115.210] helo=Big_Island.tradelaw.com) by taurus.lunarpages.com with asmtp (Exim 4.34) id 1BQ6yT-0001g3-K0; Tue, 18 May 2004 08:57:51 -0700 Message-Id: <6.1.0.6.0.20040518105311.01bee4e0@taurus.lunarpages.com> X-Sender: tempsavoy@tradelaw.com@taurus.lunarpages.com X-Mailer: QUALCOMM Windows Eudora Version 6.1.0.6 Date: Tue, 18 May 2004 10:57:28 -0500 To: "David C. Jedlinsky" , rebecca@hains.net From: David Craven Subject: Re: Does anyone know... Cc: buxton99@dl.ac.uk In-Reply-To: <200405181517.i4IFH43R020075@multics.mit.edu> References: <002701c43cd2$7893d710$6400a8c0@DIMENSION> <200405181517.i4IFH43R020075@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - taurus.lunarpages.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - tradelaw.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: tempsavoy@tradelaw.com@taurus.lunarpages.com Date: Tue, 18 May 2004 10:57:28 -0500 To: "David C. Jedlinsky" , rebecca@hains.net From: David Craven Subject: Re: Does anyone know... Cc: buxton99@dl.ac.uk In-Reply-To: <200405181517.i4IFH43R020075@multics.mit.edu> X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - taurus.lunarpages.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - tradelaw.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 10:17 AM 5/18/2004, David C. Jedlinsky wrote: >British Airways from either Heathrow or Gatwick to Manchester is >around $120-130 roundtrip. It's very likely that the difference in >cost from Philly to London vs. Philly to Manchester is much greater >than that, which makes it worthwhile to do. The bus from Manchester >to Buxton is pretty easy to take, but I think it leaves from a >different terminal from where you arrive - you'd have to ask. Huh. From Chicago the fares to Manchester are about the same (if not a bit lower) than the fares to Heathrow. Also British Midland (BMI) goes non-stop from I believe Dulles Airport in Washington DC and could be an option for the Philly Phanatics.. Also British Midland apparently offers a round trip between Manchester and Heathrow for a lot less than $120 (USD) The Bus from Manchester to Buxton is VERY easy to use. The last time Gwyn and I were at Buxton we also had an 8 month old infant with us as well and it was still very easy. Assuming we go to Buxton in 2005, we will likely have a ten month old and a three year old and we will once again take the bus.  1,, Summary-line: 18-May keeganr@btinternet.com [47] #Public transport to Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 14:17:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4IIHnSH023112; Tue, 18 May 2004 14:17:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4IIHmAN002449 for ; Tue, 18 May 2004 14:17:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4IIGjTJ009904; Tue, 18 May 2004 14:16:45 -0400 (EDT) Date: Tue, 18 May 2004 14:16:45 -0400 (EDT) Message-Id: <006e01c43d00$59af6de0$bb297ad5@RACHEL> Errors-To: savoynet-owner@bridgewater.edu Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Public transport to Buxton MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 May 2004 14:16:45 -0400 (EDT) Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Public transport to Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I haven't had time to read all of the postings on this topic so I may be duplicating something that someone else has already said. The first year I went to Buxton, the web site from which I book train tickets gave two options - (a) train from London (Euston) to Buxton train station, changing at Stockport or (b) train from London (Euston) to Macclesfield from which there was a bus link to Buxton (run by Virgin Rail). I chose the Macclesfield option (because the bus stopped near my accommodation) and I enjoyed the scenic bus ride as it was my first experience of Derbyshire. Last year the Macclesfield option was not available because of engineering works, so I went by the Stockport route and by booking in advance was able to get two single tickets at 16 pounds each (which worked out cheaper than the cheapest return). Things seem to be different this year - the web site gives a complicated route involving 3 or 4 changes from which I have deduced that there must be engineering works on the Manchester to Buxton line (perhaps Savoynetters who live closer to Buxton can provide further information). Also, I have not been able to find any special cheap tickets - the cheapest return fare from London to Buxton that I have found is 56.80 pounds for a 'Saver' return. Other possibilities which I am investigating are: (i) National Express Coach from London (Victoria Coach Station) to Buxton Market Square. Journey takes about five hours - the bus to Buxton leaves London at 4.00 pm which means that you won't get there in time for the evening show on the day of travel. Return bus leaves Buxton at 9.25am. (ii) Train to Sheffield from which I think there is a bus to Buxton. Rachel Keegan Middlesex, UK  1,, Summary-line: 18-May joeybiscuit@yahoo.com [70] #Re: Does anyone know... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 14:42:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4IIgDSL010063; Tue, 18 May 2004 14:42:29 -0400 (EDT) Received: from web13904.mail.yahoo.com (web13904.mail.yahoo.com [216.136.175.67]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i4IIeZtX012052 for ; Tue, 18 May 2004 14:40:35 -0400 (EDT) Message-ID: <20040518184033.8315.qmail@web13904.mail.yahoo.com> Received: from [68.126.208.242] by web13904.mail.yahoo.com via HTTP; Tue, 18 May 2004 11:40:33 PDT Date: Tue, 18 May 2004 11:40:33 -0700 (PDT) From: Cara Arellano Subject: Re: Does anyone know... To: "David C. Jedlinsky" In-Reply-To: <200405181517.i4IFH43R020075@multics.mit.edu> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1262518971-1084905633=:7438" X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 May 2004 11:40:33 -0700 (PDT) From: Cara Arellano Subject: Re: Does anyone know... To: "David C. Jedlinsky" In-Reply-To: <200405181517.i4IFH43R020075@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-1262518971-1084905633=:7438 Content-Type: text/plain; charset=us-ascii Hey Dave! How have you been? Can I still get a copy of that Mikado tape? -Cara Foss Arellano "David C. Jedlinsky" wrote: British Airways from either Heathrow or Gatwick to Manchester is around $120-130 roundtrip. It's very likely that the difference in cost from Philly to London vs. Philly to Manchester is much greater than that, which makes it worthwhile to do. The bus from Manchester to Buxton is pretty easy to take, but I think it leaves from a different terminal from where you arrive - you'd have to ask. -Dave >From: "Rebecca Consentino Hains" >Date: Tue, 18 May 2004 08:20:13 -0400 > >I have a related question! > >If Tyler and I were to fly into London, how exactly would we get to >Buxton by rail? Or is there anyone who would be driving from London >with whom we could ride and pay driving expenses for? > >Airfares have gone up considerably since the fares Irv posted that he >found three weeks ago. I'm kicking myself for not buying then, >especially since with gas prices the way they are, the fares are >unlikely to come back down again. > >So, I'm looking for a good deal and am finding that flights from >Philadelphia to London are considerably less expensive than those to >Manchester. > >Thanks for any tips you may have! > >Rebecca > > --0-1262518971-1084905633=:7438 Content-Type: text/html; charset=us-ascii
Hey Dave!
 
How have you been?
Can I still get a copy of that Mikado tape?
 
-Cara Foss Arellano


"David C. Jedlinsky" <opus@MIT.EDU> wrote:

British Airways from either Heathrow or Gatwick to Manchester is
around $120-130 roundtrip. It's very likely that the difference in
cost from Philly to London vs. Philly to Manchester is much greater
than that, which makes it worthwhile to do. The bus from Manchester
to Buxton is pretty easy to take, but I think it leaves from a
different terminal from where you arrive - you'd have to ask.

-Dave


>From: "Rebecca Consentino Hains"
>Date: Tue, 18 May 2004 08:20:13 -0400
>
>I have a related question!
>
>If Tyler and I were to fly into London, how exactly would we get to
>Buxton by rail? Or is there anyone who would be driving from London
>with whom we could ride and pay driving expenses for?
>
>Airfares have gone up considerably since the fares Irv posted that he
&! gt;found three weeks ago. I'm kicking myself for not buying then,
>especially since with gas prices the way they are, the fares are
>unlikely to come back down again.
>
>So, I'm looking for a good deal and am finding that flights from
>Philadelphia to London are considerably less expensive than those to
>Manchester.
>
>Thanks for any tips you may have!
>
>Rebecca
>
>
--0-1262518971-1084905633=:7438--  1,, Summary-line: 18-May cwoods@iastate.edu [35] #Public transport to Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 15:48:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4IJmgSJ027611; Tue, 18 May 2004 15:48:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4IJkptX005321 for ; Tue, 18 May 2004 15:46:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4IJjkTJ015526; Tue, 18 May 2004 15:45:46 -0400 (EDT) Date: Tue, 18 May 2004 15:45:46 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Public transport to Buxton content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 May 2004 15:45:46 -0400 (EDT) Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Public transport to Buxton content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Macclesfield-Buxton bus apparently still lives - see http://www.ukbus.co.uk/cgi/jptt.exe?c=derb&a=001926&z=000004&s=Y&h=895687&x=3& but it is run by an independent company so doesn't show up on the Rail timetable. How far apart are the train and bus stations in Macclesfield? There is a good bus service from Nottingham/Derby to Buxton (see http://www.trentbuses.co.uk/timetables/times/transpeak.html) Clive Woods > -----Original Message----- > From: Rachel Keegan [mailto:keeganr@btinternet.com] > Sent: Tuesday, May 18, 2004 1:17 PM > > (b) train from London (Euston) to Macclesfield from which > there was a bus link to Buxton (run by Virgin Rail). > (ii) Train to Sheffield from which I think there is a bus > to Buxton.  1,, Summary-line: 18-May savoyard1@yahoo.com [86] #The law is the true embodiment . . . X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 19:27:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4INRdSH010926; Tue, 18 May 2004 19:27:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4INRaP8026174 for ; Tue, 18 May 2004 19:27:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4INQaTJ024478; Tue, 18 May 2004 19:26:37 -0400 (EDT) Date: Tue, 18 May 2004 19:26:36 -0400 (EDT) Message-Id: <20040518231901.26559.qmail@web13422.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: The law is the true embodiment . . . MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 May 2004 19:26:36 -0400 (EDT) Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: The law is the true embodiment . . . X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The mention of Chief Justice Rehnquist and the gold stripes on the sleeves has inspired me to post about a little G&S matter from this weekend. On Saturday the Ohio Supreme Court's new building had its dedication (actually, an oldish building, beautifully renovated, but let that pass). The featured speaker was Chief Justice Rehnquist. There were bands playing, choirs singing, all the bells tolling . . . Well, the Chief Justice was asked whether he wanted anything in particular as part of the entertainment at the celebratory luncheon. He said that he'd like to hear some Gilbert & Sullivan. My Dean was on the planning committee, and graciously volunteered me as a pianist-singer. I thus found myself playing G&S background music during a luncheon packed with judges, legislators, and, of course, the Chief Justice. (Interestingly, he had only three requests before the lunch, and none was G&S, though all were songs from the British Isles -- "The Blue Bells of Scotland," "Men of Harlech," and "Minstrel Boy.") Ohio's Chief Justice, aware that Chief Justice Rehnquist likes to lead sing-alongs, suggested that we do a little singing. I proposed "The law is the true embodiment," which Chief Justice Rehnquist quoted in one of his opinions, and "When I was a lad," an easy one for singing together. Well, modified rapture, I suppose. The playing went pretty well, and the Chief Justice came over to chat a bit. He made one G&S request -- "When Britain really ruled the waves." But, alas, he had to leave early, and so the singing was cancelled. Still, I was able to inflict my G&S playing on many of Ohio's great and good, which I suppose is something. Incidentally, I'd planned to bang out "All hail, great Judge" when the Chief Justice entered. I was intent on my music then, though, so it turns out I was playing "Oh, better far to live and die" as his entry music. Not, I suppose, so bad a choice after all. (It could have been "Behold the Lord High Executioner," so thank Heaven for small mercies.) Many thanks to Andi for supplying a Mikado medley from which I drew. (For what it's worth, I used selections from all save SORCERER, PATIENCE, UTOPIA, and GRAND DUKE -- three from IDA, pleasantly enough.) And now back to my customary quietude. Toodle-pip, Larry P.S. He had nice things to say about VLOC and the Savoyards, both of whose productions he attends -- indeed, it was a VLOC IOLANTHE that inspired his gold stripes (one for which I was MD -- and I may assure you that my stage nerves were not lessened when I learned he was in the house that night!). ===== Larry Garvin Worthington, OH "Whether you're an honest man or whether you're a thief Depends on whose solicitor has given me my brief!" -- W.S. Gilbert, Utopia, Ltd. __________________________________ Do you Yahoo!? SBC Yahoo! - Internet access at a great low price. http://promo.yahoo.com/sbc/  1,, Summary-line: 18-May oakapple@cris.com [76] #Call for Elections - Savoynet Production Group Steering Committee X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 May 2004 19:42:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4INgiSH018118; Tue, 18 May 2004 19:42:44 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4INggYq006649 for ; Tue, 18 May 2004 19:42:43 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i4INgTAA018322; Wed, 19 May 2004 00:42:32 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id AAA20941 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Wed, 19 May 2004 00:51:50 +0100 (BST) Received: by mserv1.dl.ac.uk id AAA20922 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Wed, 19 May 2004 00:51:46 +0100 (BST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id AAA20915 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from oakapple@cris.com); Wed, 19 May 2004 00:51:44 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i4INbJKr007888 for ; Wed, 19 May 2004 00:37:19 +0100 Received: from 207-237-230-44.c3-0.nyr-ubr2.nyr.ny.cable.rcn.com ([207.237.230.44] helo=cris.com) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1BQE98-0003Hr-00 for buxton99@dl.ac.uk; Tue, 18 May 2004 19:37:18 -0400 Message-ID: <40AA9E2B.6050906@cris.com> Date: Tue, 18 May 2004 19:37:15 -0400 From: Marc Shepherd User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: "buxton99@dl.ac.uk" Subject: Call for Elections - Savoynet Production Group Steering Committee Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-CCLRC-SPAM-report: 0.011 : TO_ADDRESS_EQ_REAL X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.122 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Date: Tue, 18 May 2004 19:37:15 -0400 From: Marc Shepherd X-Accept-Language: en-us, en To: "buxton99@dl.ac.uk" Subject: Call for Elections - Savoynet Production Group Steering Committee X-CCLRC-SPAM-report: 0.011 : TO_ADDRESS_EQ_REAL X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.122 X-Spam-Flag: NO The purpose of this message is to solicit candidates to serve on the Savoynet Production Group Steering Committee. If you are interested in becoming a candidate, a response is required by Tuesday, May 24th. The Steering Committee is responsible for putting on the Savoynet Show in Buxton. The Committee does not make artistic decisions, but it selects the Production Team to which those decisions are entrusted. The Committee also negotiates with Festival Management about what show(s) Savoynet is prepared to perform. We have not defined the Steering Committee's role in any further detail than that, and it may vary with circumstances and needs of each show. There have been years when difficult policy and/or strategy decisions needed to be made, and there have also been years when very little steering seemed to be required. What 2005 will bring we cannot predict, and it will partly depend on the interests and skills of those whom we now elect. There are seven seats, of which at most four are up for election in any given year. (The Savoynet Listowner and the current Production Team also serve ex-officio.) In 2003, we elected Diana Burleigh, Sam Silvers, Don Smith, and Sandra Vamplew to two-year terms. From the earlier informal (and unelected) Steering Committee, Keith Drage, David Duffey, Nick Sales, and later on David Cookson, remained aboard for an additional year, to ensure a smooth transition. Sam Silvers has informed the Committee that he does not wish to complete his term, so we have a total of four seats to fill. David Cookson, Keith Drage, and David Duffey have informed me that they will be candidates to retain their seats. Nick Sales has served us ably, but has decided to step aside given his busy international touring career. Anyone on the B99 list is eligible to serve or to vote. The B99 listowner, Stephen Hill, will resolve any eligibility questions. Our research has shown that very nearly everyone who has ever participated in a Savoynet show remains on B99. This is, quite simply, the group of people with both the interest and the experience to know the candidates and care about the result. If you would like to be a candidate, send me a short statement by Tuesday, May 24th. It should describe briefly your qualifications, your reasons for being interested, and anything else you would want voters to know. This statement will count as your self-nomination, to be circulated to the electorate if an election is needed. If there are more than four candidates, then an election will be held, to be supervised by an election committee of Don Smith and myself. The newly elected Steering Committee members, along with those continuing from last year, will be responsible for planning and executing the 2005 Savoynet production in Buxton. The current Committee will continue to be responsible for the 2004 show, till the last lights go out on August 10th. Once again, if you would like to be a candidate for one of the four available seats, I need your short statement by Tuesday, May 24th. If you would like to suggest a candidate, please write to that person directly. Only written statements from the candidates themselves, e-mailed to me by May 24th, will count as valid nominations. Marc Shepherd for the Committee -- Marc Shepherd New York, NY  1,, Summary-line: 19-May bbermack@alum.mit.edu [75] #Gondoliers Video Party! (and request for other video orders) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 May 2004 13:59:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4JHxHSN009344; Wed, 19 May 2004 13:59:17 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4JHudFT002012; Wed, 19 May 2004 13:56:39 -0400 (EDT) Received: from alum.mit.edu (VORKOSIGAN.MIT.EDU [18.89.2.31]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i4JHucFk008055; Wed, 19 May 2004 13:56:38 -0400 (EDT) Message-ID: <40AB9FD6.7030705@alum.mit.edu> Date: Wed, 19 May 2004 13:56:38 -0400 From: Brian Bermack Reply-To: gsp-board@MIT.EDU User-Agent: Mozilla/5.0 (X11; U; SunOS sun4u; en-US; rv:1.2.1) Gecko/20030123 X-Accept-Language: en, ja MIME-Version: 1.0 To: gsp-board@mit.edu Subject: Gondoliers Video Party! (and request for other video orders) Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 May 2004 13:56:38 -0400 From: Brian Bermack Reply-To: gsp-board@MIT.EDU X-Accept-Language: en, ja To: gsp-board@mit.edu Subject: Gondoliers Video Party! (and request for other video orders) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The MIT Gilbert and Sullivan Players is proud to announce... VIDEOS! First up: THE GONDOLIERS Spring 2002 on video! Saturday, May 22, 7-10pm - MIT Room 4-231 As is our custom, we'll be showing the video at a party to which all past, current, and future members of MITG&SP (but especially those who were involved in this production) are invited. If you have reserved a copy of the video, you can buy it there (or arrange another time with us). We may have extras, and we can get more if you want one but didn't pre-order. DVDs will be $20 each VHS will be $15 each Also.... We have been assured delivery of videos of the next four shows - Pirates, Utopia, Ruddigore, and Thespis - within the next few months. Exact prices will depend on the number of people who order them (the majority of the cost is the taping, so the more people who buy the videos, the less we have to charge for each) but will probably be the same as Gondoliers or less. IF YOU WOULD LIKE A VIDEO of one of these shows, please reply directly to this email and tell us which videos you'd like to buy. You could even use the following handy form: Pirates of Penzance, Fall 2002: VHS: DVD: Utopia Limited, Spring 2003: VHS: DVD: Ruddigore, Fall 2003: VHS: DVD: Thespis, Spring 2004: VHS: DVD: Please do this even if you've already signed up for a video at one of these productions. Finally... please note that due to way too much spam, we have decommissioned the savoyards-request mailing list. Please use gsp-board@mit.edu to reach us from now on. (There's also a form on our website you can use if you prefer.) Thank you, The MIT Gilbert and Sullivan Players http://web.mit.edu/gsp/www/  1,, Summary-line: 19-May ajcrowth@ukonline.co.uk [63] #RE: MMG parody (encore verse) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 May 2004 14:24:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4JINASZ026902; Wed, 19 May 2004 14:24:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4JIMqbc016815 for ; Wed, 19 May 2004 14:22:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4JILrTJ007712; Wed, 19 May 2004 14:21:53 -0400 (EDT) Date: Wed, 19 May 2004 14:21:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: MMG parody (encore verse) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 May 2004 14:21:53 -0400 (EDT) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: MMG parody (encore verse) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Chris Wain: >>Andrew once wrote a piece about the rules of rhyme and metre but I couldn't find it on the web without spending too much time. Maybe he would like to remind us of the url.<< Try this: http://web.ukonline.co.uk/ajcrowth/metre.htm There is absolutely nothing to stop anyone writing whatever they want and interpolating it into the G&S operas, just as there is nothing to stop someone rewriting "Hamlet" into modern Californian dialect or adding topical gags about Mr Bush to "The Importance of Being Earnest". We may call these texts sacred but no thunderbolt will strike you down. It's only a matter of whether you think doing these things is an act of good artistic taste. I think Sullivan should be reorchestrated. His versions are terribly old-fashioned; one must remember that the D'Oyly Carte folded because it was stuck in the past. A drum machine would do wonders for "The sun whose rays". (NB I'm joking!!) Gilbert wrote one encore verse for the Little List, in 1908. The opera had been revived twice before that date, in 1888 and 1896, but Gilbert had not written any encore verses for these. In any case it is important to remember that Gilbert wrote this encore verse himself. It is impossible to imagine him allowing George Grossmith or Walter Passmore, for instance, to write topical updates of their own. Gilbert was a huge stickler for the authorial integrity of his works. If you want to write topical rewrites, it's probably best not to appeal to Gilbert for your authority. I'm open to correction, but I believe the practice of introducing topical rewrites only started fairly recently---with the ENO Mikado in the 1980s? If I'm wrong, please correct this. It was traditional in the D'Oyly Carte to substitute a phrase very occasionally (as in "lady novelist", which became "prohibitionist" etc.), but this was a very rare liberty. Two questions for anyone wanting to do rewrites: 1) Why didn't Gilbert write "I've information animal, vegetable and mineral"? It's the same number of syllables as what he did write and it's more colloquial.... 2) Why did the Major General have such difficulty finding a rhyme for "Strategy"? If you don't know the answers to these questions, it may be best to find them out before going further. Again, this is just a suggestion. No thunderbolt will strike you down if you go ahead anyway. --Andrew Crowther  1,, Summary-line: 19-May andi_s_r@yahoo.com [33] #Re: G&S perfumes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 May 2004 17:39:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4JLdfSN008260; Wed, 19 May 2004 17:39:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4JLdev4000572 for ; Wed, 19 May 2004 17:39:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4JLZKTJ028412; Wed, 19 May 2004 17:35:20 -0400 (EDT) Date: Wed, 19 May 2004 17:35:20 -0400 (EDT) Message-Id: <20040519211604.45264.qmail@web14526.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: G&S perfumes MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040519210421.52003.qmail@web40906.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 May 2004 17:35:20 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: G&S perfumes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040519210421.52003.qmail@web40906.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Scott Farrell wrote: > Let's see. How about: > > Unnumbered daisies > This brings me back to one of Mad Andi's Odd Thoughts; whenever I've heard this line, it's made me contemplate its opposite, i.e., *numbered* daisies. I envision an entire meadow duly labelled, looking as though it had escaped from one of those paint-by-numbers kits that were popular in the 1950s.... ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 19-May yestismabel@earthlink.net [104] #RE: MMG parody (encore verse) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 May 2004 18:44:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4JMhhTj011312; Wed, 19 May 2004 18:44:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4JMhcwb029827 for ; Wed, 19 May 2004 18:43:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4JMgdTJ029315; Wed, 19 May 2004 18:42:39 -0400 (EDT) Date: Wed, 19 May 2004 18:42:39 -0400 (EDT) Message-Id: <20240491.1085005480116.JavaMail.root@statler.psp.pas.earthlink.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: RE: MMG parody (encore verse) Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 May 2004 18:42:39 -0400 (EDT) Reply-To: yestismabel@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Elise Curran To: Multiple recipients of list SAVOYNET Subject: RE: MMG parody (encore verse) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) John-- You're a GENIUS!!! :-) Elise Curran Orlando -----Original Message----- From: John Spartan Sent: May 19, 2004 5:36 PM To: Multiple recipients of list SAVOYNET Subject: RE: MMG parody (encore verse) Andrew asked... ***Why didn't Gilbert write "I've information animal, vegetable and mineral"?*** How are scanning "vegetable?" If you weren't an expert I wouldn't wonder. Jana wrote... ***It seems to me we are well on the way to becoming an oligarchic republic ourselves, or perhaps a plutocratic oligarchic republic. Too bad that last phrase won't fit into the Major General's Song.*** How's this? (OK - this is a one-time performance and I took pa-lenty of poetic license.) John S ******** MG: I'm quick to write the lyrics for a Gilbertian parody Without enlisting any form of cheating or vulgarity. I never say "piano" with a silent but not savvy "R" And I can make an omelet with a hundred pounds of caviar. I understand what happened to the D'Oyly Op'ra company And I can out-sing DUM di DUM di DUM di DUM di DUMP any. I know our ticket holders lack the vaguest sense of quality... Quality... Quality... (Jana whispers in his ear.) And understand the plutocratic oligarchic polity! Chorus: And understand the plutocratic oligarchic polity! And understand the plutocratic oligarchic polity! And understand the plutocratic oligarchic poli-poli-ty! MG: I've knowledge why the colonists are over-weight, admittedly, And when my encore lyrics have been summoned up half-wittedly In animal and mineral and veg-e-table mattering, My standing as a modern Major General is flattering. Chorus: In animal and mineral and veg-e-table mattering, His standing as a modern Major General is flattering. __________________________________ Do you Yahoo!? Yahoo! Domains ? Claim yours for only $14.70/year http://smallbusiness.promotions.yahoo.com/offer  1, forwarded,, Summary-line: 20-May bj.richards@btinternet.co [59] #Re: QWERTY TOWERS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 07:14:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KBEOSN017423; Thu, 20 May 2004 07:14:25 -0400 (EDT) Received: from smtp800.mail.ukl.yahoo.com (smtp800.mail.ukl.yahoo.com [217.12.12.142]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i4KBDMOt029079 for ; Thu, 20 May 2004 07:13:22 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@81.131.131.128 with login) by smtp800.mail.ukl.yahoo.com with SMTP; 20 May 2004 11:13:21 -0000 Message-ID: <000b01c43e5b$745610c0$80838351@HP763ADV> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <004101c43c14$f1c1f810$755e8751@HP763ADV> <200405181553.i4IFrEwT021676@multics.mit.edu> Subject: Re: QWERTY TOWERS Date: Thu, 20 May 2004 12:00:27 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: QWERTY TOWERS Date: Thu, 20 May 2004 12:00:27 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It'd be great to see you in this lovely part of the world, we've settled in quite well and are looking forward (indeed praying) for a successful summer. It's around 190 miles from London - apart from the last few miles it's all motorway - M4, M5, A38 & A380 - that should take around 4 hours at most. It depends on whether you're flying into Gatwick or Heathrow (there's even a midweek flight from Toronto to Cardiff!) as which is the best way to get here. Coach by National Express to Torquay would be cheaper but takes longer but you might be lucky and get a bus directly from the airport. Train would be pricier but more comfortable but you might have to change trains at Reading and/or Bristol to eventually get to Torquay (or Newton Abbot which is only a few mile away). BTW to be fair to the other QWERTERS we'll have to charge you for the QWERT itself, but if you would like to stay longer and sample the delights of the English Riviera please stay as long as you like as our guests. XXX Bob & Jackie ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Tuesday, May 18, 2004 4:53 PM Subject: Re: QWERTY TOWERS > > Hi Bob and Jackie! > > Ruth and I are glad to hear you've settled in so quickly to your new > lives. We are trying to determine whether we can afford to come to > the first QWERTY TOWERS or not, given the rather high airfares at the > moment (we're still trying to save in order to build Basingstoke). > > Can you tell us approximately how far (distance and time) it would be > to drive from Heathrow to Torquay? Or is the train a more feasible > alternative? > > What is the weather like in November? > > Thanks. > > -Dave >  1,, Summary-line: 20-May setiathome@ssl.berkeley.e [120] #SETI@home news bulletin X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 10:29:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KETFdn009030; Thu, 20 May 2004 10:29:15 -0400 (EDT) Received: from dyson.ssl.berkeley.edu (dyson.SSL.Berkeley.EDU [128.32.18.168]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4KESOBZ024407 for ; Thu, 20 May 2004 10:28:24 -0400 (EDT) Received: (from setiathome@localhost) by dyson.ssl.berkeley.edu (8.9.3p2/8.9.3) id HAA23613 for opus@mit.edu; Thu, 20 May 2004 07:28:21 -0700 (PDT) Date: Thu, 20 May 2004 07:28:21 -0700 (PDT) From: "SETI@home" Message-Id: <200405201428.HAA23613@dyson.ssl.berkeley.edu> Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 May 2004 07:28:21 -0700 (PDT) From: "SETI@home" Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear opus: SETI@home turned five years old on May 17, 2004! Thanks for participating in SETI@home. According to our records, you have processed 4752 work units, the most recent on December 10, 2000. Your contribution of computer time is greatly appreciated. If you have taken a break from SETI@home, now is a great time to start up again; you can download the latest software at http://setiathome.berkeley.edu/download.html Support SETI@home ------------------------------------ You can support SETI@home by donating directly to us (see http://setiathome.berkeley.edu/donor.html). Or join The Planetary Society, help SETI@home, and get a free SETI@home mug. In a special, limited-time offer, SETI@home volunteers can join The Planetary Society for two years at a reduced rate of $45.00 (a savings of $15.00 off the regular dues) and receive a SETI@home mug as a thank-you gift. Visit http://planetary.org/mugoffer.html The Planetary Society is the Founding Sponsor of SETI@home and has supported us unflaggingly for five years. SETI@home receives the bulk of your first-year membership dues when you join the Society through this special offer. (The rest goes to providing you with membership benefits, including a subscription to The Planetary Report.) You can also join the Society at the regular rate of $30 per year and receive a spectacular SETI poster as your thank you gift. http://planetary.org/html/member/SETIoffer.html Thanks to the people around the world who have donated to SETI@home, and to our other major supporters: the University of California, Sun Microsystems, NVIDIA, Snap Appliance, Network Appliance, Quantum, and Xilinx. Science News --------------- Last year, SETI@home was granted 24 hours at the Arecibo observatory to reobserve the best "candidate" locations detected by volunteers running the SETI@home screensaver. We were able to observe 226 points on the sky, including many of the best SETI@home candidates, others found by the SERENDIP project, and some interesting astronomical objects including known planetary systems and external galaxies. We sent the data from these observations to SETI@home volunteers (that means you!), and when the results came back we scanned them for signals similar to the candidates. We expected that, due to random noise, the scores of about 10% of candidates would improve. In fact, no matching signals were found for most candidates and therefore their scores got worse. The exceptions were Gaussian candidates with a wide frequency window; about half of their scores improved, but this is an artifact of the way SETI@home detects Gaussians. Of the other signal types, only one candidate was found whose score improved. It is a Gaussian-type signal with a narrow frequency window. This would normally get us excited, but unfortunately the properties of this particular signal don't seem consistent with it being an ET signal. In a narrow frequency window, we would expect to find Gaussians with low Doppler drift rates (ones whose frequency is not changing rapidly with time). This Gaussian candidate consists of signals whose Doppler drift rates are between 10 and 50 Hz per second. These would drift out of our 125 Hz matching window in a few seconds, so if we had looked at that part of the sky even a few seconds later (in any of our observations of this part of the sky), we wouldn't have found a match. So it's not likely that this is an ET signal. Even so, we'll keep an eye on this spot on the sky. For details of this entire process, see http://www.planetary.org/html/UPDATES/seti/SETI@home/Update_051704.html http://setiathome.ssl.berkeley.edu/candidates.html http://planetary.org/stellarcountdown/index.html http://setiathome.ssl.berkeley.edu/newsletters/newsletter8.html http://setiathome.ssl.berkeley.edu/newsletters/newsletter14.html. What's Next? ------------ The candidates we reobserved came from only the first 2 years of SETI@home observations, so we've still got a lot of work to do. Right now, we're identifying a new set of candidates, and we will request time on the Arecibo telescope to reobserve them. SETI@home will continue with a new software architecture (BOINC) and new hardware at Arecibo (the Arecibo L-band Feed Array, or ALFA, a new multi-beam receiver) that will perform a comprehensive survey of the sky. We hope you're as excited as we are about our search for life outside Earth. Thanks for your continued participation and support. Dr. David P. Anderson Project Director, SETI@home http://setiathome.berkeley.edu ---------------------------------------------------- If you wish to remove your name from the SETI@home email list, please go to the URL: http://setiathome.ssl.berkeley.edu/account_area.html  1,, Summary-line: 20-May cmj@halhk.freeserve.co.uk [41] #Thespis music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 11:42:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KFfhdp006264; Thu, 20 May 2004 11:41:59 -0400 (EDT) Received: from mwinf3002.me.freeserve.com (smtp1.freeserve.com [193.252.22.158]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4KFewV7002195 for ; Thu, 20 May 2004 11:40:59 -0400 (EDT) Received: by mwinf3002.me.freeserve.com (SMTP Server, from userid 1003) id 09DEF180008B; Thu, 20 May 2004 17:40:58 +0200 (CEST) Received: from wwinf3001 (wwinf3001 [172.22.159.28]) by mwinf3002.me.freeserve.com (SMTP Server) with ESMTP id EAE0B1800081; Thu, 20 May 2004 17:40:57 +0200 (CEST) Message-ID: <9011626.1085067657957.JavaMail.www@wwinf3001> From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: nealtodd@comcast.net Subject: Thespis music Cc: opus@mit.edu Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_80814_6061775.1085067657953" X-Originating-IP: [66.2.44.93] Date: Thu, 20 May 2004 17:40:57 +0200 (CEST) X-Spam-Score: -0.147 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Colin Johnson Reply-To: cmj@halhk.freeserve.co.uk To: nealtodd@comcast.net Subject: Thespis music Cc: opus@mit.edu X-Originating-IP: [66.2.44.93] Date: Thu, 20 May 2004 17:40:57 +0200 (CEST) X-Spam-Score: -0.147 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------=_Part_80814_6061775.1085067657953 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Dear Todd, During the past three weeks I've tried several times to contact Dave via email, without success. I was hoping that while I'm over here in New Jersey he might have sent me a recording of the Thespis music, as performed by your orchestra, but as we shall be returning to the UK on Sunday night I guess I'm out of luck. My earlier request to him was for two copies of the video, one in PAL format, the other NTSC, so that I might share the performance with friends on both sides of the pond. There is no longer any hurry, now that the opportunity has been lost, but I'm naturally still very interested in hearing a live performance of the end product. Perhaps one day someone may mail an NTSC tape to my daughter in NJ and another in PAL format to me in the UK at 19 Harman Avenue, Lympne, Hythe, Kent CT21 4LB. Again I must thank you for all your work and artistry in bringing our joint effort to fulfilment. Sincere good wishes, Colin -- Whatever you Wanadoo: http://www.wanadoo.co.uk/time/ This email has been checked for most known viruses - find out more at: http://www.wanadoo.co.uk/help/id/7098.htm ------=_Part_80814_6061775.1085067657953 Content-Type: text/html Content-Transfer-Encoding: 7bit

Dear Todd,

During the past three weeks I've tried several times to contact Dave via email, without success.    I was hoping that while I'm over here in New Jersey he might have sent me a recording of the Thespis music, as performed by your orchestra, but as we shall be returning to the UK on Sunday night I guess I'm out of luck.   My earlier request to him was for two copies of the video, one in PAL format, the other NTSC, so that I might share the performance with friends on both sides of the pond.   

There is no longer any hurry, now that the opportunity has been lost, but I'm naturally still very interested in hearing a live performance of the end product.   Perhaps one day someone may mail an NTSC tape to my daughter in NJ and another in PAL format to me in the UK  at 19 Harman Avenue, Lympne, Hythe, Kent CT21 4LB.

Again I must thank you for all your work and artistry in bringing our joint effort to fulfilment.

Sincere good wishes,

Colin 



Whatever you Wanadoo

This email has been checked for most known viruses - find out more here ------=_Part_80814_6061775.1085067657953--  1,, Summary-line: 20-May mstorie@nwlink.com [60] #Seattle Sneak Preview X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 13:08:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KH8Edn006881; Thu, 20 May 2004 13:08:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4KH8DV7025403 for ; Thu, 20 May 2004 13:08:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4KH72TJ010140; Thu, 20 May 2004 13:07:02 -0400 (EDT) Date: Thu, 20 May 2004 13:07:02 -0400 (EDT) Message-Id: <40ACAAE9.D39F2F4C@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Seattle Sneak Preview MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 May 2004 13:07:02 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Seattle Sneak Preview X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We are moving into the "heavy lifting" phase of our 50th Anniversary production of the double bill of "Pineapple Poll" and "HMS Pinafore." "Pinafore" is in 3 (soon going to 4) rehearsals per week (evenings) and "Poll" will start 4 rehearsals per week (days) at the end of May. Bernie Kwiram, our Music Director is burning midnight oil to complete the new orchestration for "Poll." It will be for a 30 piece orchestra with three trombones, two string basses, two bassoons and a keyboard for the more esoteric percussion instruments (celeste, harp, etc.). Donald Byrd, an internationally known choreographer and Artistic Director of Spectrum Dance Studio will be creating entirely new choreography for "Poll." We are going to emphasize the fact that Mrs. Cripps ("Little Buttercup") of "Pinafore" is actually Polly Pineapple ("Little Buttercup") of "Poll" twenty years later. Costume Designer, Ron Erickson, is taking inspiration from the paintings by Tissot of Victorian ladies visiting sailing ships. Scenic Designer, Nathan Rodda, has come up with a waterfront town scene for "Poll" that is a bit (his words) "wonky." (Reminiscent of the "Grand Duke" set we brought to Buxton -- only much more color. The scene aboard HMS Hot Cross Bun will have a similar cartoony appearance. These sets are designed to allow a 3-minute set change. The set for "HMS Pinafore" will be pretty traditional and, like the original, is inspired by the look of HMS Victory. We also have a stunning poster, done by Christian Salas (who did the "Gondoliers" poster last year). You can see a representation of it on our web page at www.pattersong.org. There is also a lot more information on "Poll," the dance company and ourselves there as well. If you would like a higher resolution copy of the poster, I can e-mail it to you. Or we can mail the real thing (30X16 inches) for a modest shipping fee. We will be doing a broadcast of excerpts from Pinafore on KING-FM in Seattle the first week of July and it will also be broadcast on the web over www.king.org. We will post the broadcast times when they are set. By the way, we open for 15 performances on July 9. Well worth a side trip. Mike Storie Producer  1,, Summary-line: 20-May rls@dimins.com [18] #Re: Cirque date? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 13:32:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KHWpdn023306; Thu, 20 May 2004 13:32:51 -0400 (EDT) Received: from sam-sheepdog.dimins.com ([67.153.64.2]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4KHWbV7017686 for ; Thu, 20 May 2004 13:32:37 -0400 (EDT) Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.11.6p2/8.7.1) id i4KHHvK25050 for ; Thu, 20 May 2004 13:17:57 -0400 Received: from pooh.dimins.com(204.215.187.44) by sam-sheepdog.dimins.com via smap (V2.0) id xma025048; Thu, 20 May 04 13:17:40 -0400 Date: Thu, 20 May 2004 13:32:19 -0400 Subject: Re: Cirque date? Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200405201721.i4KHLH3c005305@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 May 2004 13:32:19 -0400 Subject: Re: Cirque date? From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200405201721.i4KHLH3c005305@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) 8/24 On Thursday, May 20, 2004, at 01:21 PM, David C. Jedlinsky wrote: > > When are we going to see the show in Toronto?  1, answered,, Summary-line: 20-May bbermack@alum.mit.edu [28] #Preliminary video counts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 17:34:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4KLYndn014258; Thu, 20 May 2004 17:34:50 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4KLY8d7019787; Thu, 20 May 2004 17:34:49 -0400 (EDT) Received: from alum.mit.edu (dsl092-072-178.bos1.dsl.speakeasy.net [66.92.72.178]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i4KLU4Fk025285; Thu, 20 May 2004 17:30:04 -0400 (EDT) Message-ID: <40AD2361.4040803@alum.mit.edu> Date: Thu, 20 May 2004 17:30:09 -0400 From: Brian Bermack User-Agent: Mozilla Thunderbird 0.5 (Windows/20040207) X-Accept-Language: en-us, en MIME-Version: 1.0 To: "David C. Jedlinsky" , Ruth Jedlinsky , gsp-ec@mit.edu Subject: Preliminary video counts Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 May 2004 17:30:09 -0400 From: Brian Bermack X-Accept-Language: en-us, en To: "David C. Jedlinsky" , Ruth Jedlinsky , gsp-ec@mit.edu Subject: Preliminary video counts X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) They're still coming in, but as of now here are the order counts I have: (DVD/VHS) Pirates: 9 / 2 Utopia: 11/3 Ruddigore: 13/2 Thespis: 13/6 I'll give you another update after the video party, but I figured this might give you a useful general idea. This includes orders from: steve, mary, ion, jenny, brian, erica, nocturne, dave daly, art, debbie, drewbob, ky, tracy, carol, eliz, marleigh, skyler, rebecca, tom, jess, evan, bob piankin, randy. Brian  1,, Summary-line: 20-May andi_s_r@yahoo.com [213] #Sitting in Period Style X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 May 2004 22:51:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4L2pbdn003106; Thu, 20 May 2004 22:51:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4L2paHj024006 for ; Thu, 20 May 2004 22:51:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4L2oXTJ005035; Thu, 20 May 2004 22:50:33 -0400 (EDT) Date: Thu, 20 May 2004 22:50:33 -0400 (EDT) Message-Id: <20040521024807.140.qmail@web14524.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Sitting in Period Style MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 May 2004 22:50:33 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Sitting in Period Style X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's a complete change of pace from currently running threads. I just dug out a brief practical "monograph" I wrote awhile back for modern-day women portraying Victorian/Edwardian ladies, to send to a couple of friends--and then the thought occurred, why not post it? Maybe it'll be of interest to some of the rest of you. It's pretty rudimentary for most of us on S'net, but I've found it handy for indoctrinating those not of the Inner Brotherhood...Sisterhood?...whatever. FWIW.... --Andi The Art of Sitting and Rising approximately 1870-1920 A brief treatise for performers portraying Victorian and Edwardian ladies What grace, what delicacy, what refinement! The “effortless” grace of movement—actually carefully studied and practised until it became natural and easy—was one of the many factors that separated the classes in Victorian and Edwardian society. Governesses, dancing masters and finishing schools drilled young women of “good” families as relentlessly as military drill sergeants in proper carriage and deportment. Walking, standing, sitting, entering a room, the gestures of extending a hand to be kissed or shaken, various degrees of curtsies, how to hold a teacup and cake plate or the various types of wine glasses, the eating of an artichoke, etc., etc., etc. were all studied and practised. Most women of the late 20th and early 21st century have had this type of detailed drilling only in formal dance training or sports such as gymnastics, golf, or ice skating, not in everyday movement. The lack of it shows more clearly than anywhere else in the simple (?!) acts of sitting and rising—which principal characters are frequently asked to do. The purpose of this monograph is to give a quick lesson in the techniques of executing these moves in the Victorian/Edwardian manner. Thou Shalt Not Bend At The Waist – EVER! In true period costume, you would be wearing a corset with from 4 to 20 firm vertical strips of steel, wood, or whalebone encasing your torso from your bust to your bikini line. It is literally impossible to bend at the waist in any direction in a period corset. For an easy way to approximate the key effect, see the last page (Appendix). SITTING – On chairs, benches, etc. of normal height 1. Approach seat, turn your back squarely to it. 2. Move your right foot slightly back so that your leg touches the edge of the seat. Left foot is flat on the floor; right may either be flat or on the ball of the foot, whichever makes you feel more stable. (Yes, reverse this if you’re “left-footed”.) Do not spread the feet widely. 3. Using only the knees, lower your torso almost straight down, just slightly back—it’s really more of a slightly curved move, like an italic parenthesis: ) [This was italic and thus slanted in the HTML original] Keep your back straight, your head in alignment. The move is like a plie in ballet in that respect, though without the turnout. o Do not let your rump stick out o Do not bend forward o Do not stick out your neck o Do not make large counterbalancing gestures with the arms o Do not use the arms of a chair unless you are elderly or infirm 4. Depending on the style of your costume, it may be necessary or desirable to use one hand to guide your skirt out of the way so you don’t catch your heel in it. If so, never raise your skirt above your ankles. These people were so convinced of the provocative indecency of the lower “limbs” that at one point even piano legs were dressed in skirts!! When Seated 1. Sit toward the front of the seat. If the furniture has a back, never lean back against it in the presence of others. Back straight. 2. Feet: Feet should be placed side by side, aligned, just touching, the toes pointed straight out, the soles flat on the floor, knees together. o One foot may be placed a little behind the other, if desired. o Ankles may be crossed only if you do so in a manner that leaves the soles of your shoes flat on the floor. o NEVER cross your legs at the knee unless you are playing a bold woman of questionable virtue. o Do not allow your knees to separate. They need not be held tightly locked together—there should always be ease in the posture—but they must be kept close together. 3. Hands: The basic position is for hands to be “folded” in the lap. Lay one hand palm up on your lap, place the other on top of it, either palm up or palm down. The reason for the bottom hand’s being palm up is very practical in origin: Keeping the perspiration of the palm off the fabric of the dress. o You may use the arms of a chair, but if you do so, be sure to place your hand and arm with grace—never grasp the arm of a chair. Rising 1. Do not use the arms of a chair or the surface of a seat to “push off” or to support yourself. 2. You will rise the way you sat—using only the knees. Basically, reverse your sitting procedure: One foot a little behind the other, and move your body straight up on a very slight curve. 3. If a gentleman extends his hand to assist you up, lay your hand gracefully on his, but do not actually put any weight on it. You want him to believe that you are an ethereal creature who weighs no more than thistledown. Do the work of raising your weight with your knees. Overall This is going to feel very stiff, awkward, and unsteady at first. You are going to have to practise; just do it over and over again and concentrate on making the moves smooth and graceful. Sitting on the ground, as for a picnic Again, recall that you cannot bend at the waist. In lowering yourself to the ground, you will have to keep your torso straight and aligned. Do it by going down on one knee first. You can then sit on your heels in Japanese fashion and arrange your skirts around you modestly. You may also sit with your legs folded to the side. You may NOT sit “Indian” fashion. A lady never separates her legs in public. “Keep your knees together” was the warcry of governesses and mothers for hundreds of years. Remember not to expose your ankles when getting down or standing up. APPENDIX To get the “feel” of the corset’s restriction against bending at the waist, try this: You will need: o A tee shirt or tank top, not too loose. You may get tape gum on this, so don’t use your best one! o A 12” ruler, either wood or plastic o A roll of duct tape 1. Put on the tee shirt or tank top. 2. Hold the ruler vertically against your torso (over the shirt) with the top end just below the fullest part of your bust, the rest of it extending down past your waist onto your abdomen. 3. Run a length of duct tape around your waist tightly, holding the ruler in place. 4. Run a second length of duct tape around your chest just below your bust, also firmly, to hold the top end of the ruler in place. The ruler now approximates the “busk” or inflexible central front piece of the standard corset. Try sitting. You will find that you cannot bend at the waist without being prodded by the bottom of the ruler. You also cannot slump without being poked. Try picking something up off the floor, and try other ordinary motions to see what the limitations are. Even with just this one rigid “bone” impeding your motion, you will find yourself almost automatically assuming the proper posture and carriage. Working with this for as little as 15 to 30 minutes will give you a sense of “period” range of motion. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 21-May mail@lsimons.plus.com [25] #Pickfords (was Updates) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 May 2004 13:52:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4LHqoA1003644; Fri, 21 May 2004 13:52:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4LHoMTG021348 for ; Fri, 21 May 2004 13:50:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4LHnNTJ014728; Fri, 21 May 2004 13:49:23 -0400 (EDT) Date: Fri, 21 May 2004 13:49:23 -0400 (EDT) Message-Id: <06c101c43f59$36959b30$0100a8c0@laptop> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Pickfords (was Updates) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 21 May 2004 13:49:23 -0400 (EDT) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Pickfords (was Updates) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Pickfords website has a fascinating history of the company at http://www.pickfords.co.uk/html/11.html. One thing it doesn't mention though is that in the early 1880s, when Iolanthe was written and first produced, Pickfords's slogan was "We carry everything!" and theatre patrons (at least in the UK) would have been familiar with this because they would have seen it here, there and everywhere---in newspapers, on billboards and advertising hoardings, probably even cigarette cards etc. Has anyone seen a copy of the original 1882-3 D'Oyly Carte production's programme? I bet it had a Pickfords advert printed on the back!  1,, Summary-line: 21-May brad_timmers@yahoo.com [94] #Johnsoniana X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 May 2004 14:42:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4LIgD9v005366; Fri, 21 May 2004 14:42:13 -0400 (EDT) Received: from web11510.mail.yahoo.com (web11510.mail.yahoo.com [216.136.129.47]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i4LIeeTG008058 for ; Fri, 21 May 2004 14:40:40 -0400 (EDT) Message-ID: <20040521184040.63142.qmail@web11510.mail.yahoo.com> Received: from [18.98.3.61] by web11510.mail.yahoo.com via HTTP; Fri, 21 May 2004 11:40:40 PDT Date: Fri, 21 May 2004 11:40:40 -0700 (PDT) From: Brad Timmers Subject: Johnsoniana To: "David C. Jedlinsky" Cc: Kendell Timmers In-Reply-To: <200405201648.i4KGmM0c004478@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 21 May 2004 11:40:40 -0700 (PDT) From: Brad Timmers Subject: Johnsoniana To: "David C. Jedlinsky" Cc: Kendell Timmers In-Reply-To: <200405201648.i4KGmM0c004478@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, As you might have guessed, I'm something of a Samuel Johnson buff. In case you're curious, here's the website of his sole remaining residence in London, in Gough Square: http://www.drjh.dircon.co.uk/index.htm We've visited it; it's a neat old house. Funny to think that there are houses in Boston and Salem that are older, though! There is also (believe it or not) a "samueljohnson.com" on the web. It has a great database of Johnson quotes. Here's a link to a page of the most famous ones: http://www.samueljohnson.com/popular.html Evidently, I was mistaken about his patriotism quote -- that was in Boswell's "Life", not in the Dictionary itself. But the definition for "oats" was more or less right: "Definition of 'oats': 'A grain, which in England is generally given to horses, but in Scotland appears to support the people.'" You'll have to double check it in your own copy... :) The quote that the "Black Adder" episode seemed to be riffing off of, and which you've probably heard before, is this one, also on the same webpage: "Sir, a woman's preaching is like a dog's walking on his hind legs. It is not done well; but you are surprised to find it done at all." I particularly enjoyed the "Black Adder" variation that compared something (I forget what) to a "tomato fitted with wheels: very useless." Finally, one more quote from that webpage -- this is one of my very favorites: "No man will be a sailor who has contrivance enough to get himself into jail; for being in a ship is being in a jail, with the chance of being drowned." OK, I'll get down off my hobby horse now... My apologies if you're familiar with all of this already; just trying to find something cool to tell you about after you and Ruth blew our minds with the Secrets of the TDI Club. :) Thanks again for inviting us to "Shrek 2" and for waiting for Kendell and me to make it to Pizzeria Uno. It was great seeing you and Ruth again; and we're very glad to have made the acquaintance of the Chili's "Tarantula". We fly out to Amsterdam tomorrow, and will be back on June 1st. Maybe sometime that week, before Kendell's graduation on the 4th, we could see you again? We'll be on our roadtrip through Canada until about June 25th, and won't move to N.J. until July 1st, so that'd also give us one last opportunity to see you guys before leaving New England. We'll be in touch to confirm that we're back from our various vacations and see if we can't plan some kind of get-together. After we move to N.J., of course, you and Ruth have to make frequent pilgrimages to the Ridgewood and NYC G&S troupes, with lodgings at Casa de Timmers. (OK, lodgings at Apartamento de Timmers, but you know what I mean.) We'll be in touch! Brad __________________________________ Do you Yahoo!? Yahoo! Domains – Claim yours for only $14.70/year http://smallbusiness.promotions.yahoo.com/offer  1,, Summary-line: 22-May ajcrowth@ukonline.co.uk [66] #RE: Does your mother know you're a fairy? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 07:15:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MBFkE6000259; Sat, 22 May 2004 07:15:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MBFjm0026364 for ; Sat, 22 May 2004 07:15:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MBEjTJ018039; Sat, 22 May 2004 07:14:45 -0400 (EDT) Date: Sat, 22 May 2004 07:14:45 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Does your mother know you're a fairy? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <071b01c43f9b$db92ac80$0100a8c0@laptop> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 07:14:45 -0400 (EDT) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Does your mother know you're a fairy? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <071b01c43f9b$db92ac80$0100a8c0@laptop> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Larry Simons: >>According to the OED, the word "fairy" WAS in use at that time, as slang for a male homosexual. The following reference, from the American Journal of Psychology, Volume VII, page 216 (1895) is cited: ... I have long felt that if "'The Fairies' of New York" were sufficiently well known in 1895 to find mention in an academic journal, their existence could very well have been generally known 15 years earlier, and Gilbert is likely to have heard of them.... One has only to think of Wilde and the Lord Alfred Douglas, son of the Marquess of Queensbury, at about the same time as "Iolanthe" (well, about 15 years later).<< 15 years is a long time in subculture... think of the difference between 1989 and 2004 in the club scene! It may be important to remember that fairies were a strong theme in Victorian culture (e.g. fairy paintings, pantomime). Gilbert wrote several "fairy comedies" in the early 1870s and he was clearly interested in the idea. We are told that Gilbert had a fondness for "off-colour" stories in private life. It is difficult to imagine this, because there is so little direct evidence of it in his writings, public or private, but I suppose it must be true. However, this is different from saying that Gilbert was aware of what must have been a pretty clandestine subculture which must have been in its infancy in 1882. I may add that I think the humour value of the conflict of fairies and peers is reduced by about 99% if it is taken as an amusing gag against the supposed homosexual tendencies of the House of Lords. But that may just be me. >> It is also abundantly clear, from their duet scene, that Thomas Tolloller and George Mountararat are more than "just good friends". << Is it? If you mean that they are homosexual lovers, I don't think that's abundantly clear. It is a male friendship such as appears in much literature of all ages, as well as real life. I suppose you might argue there is a sexual undercurrent, as there is in all sorts of relationships which are not avowedly sexual, but I don't think that's what the relationship is "about". Gilbert makes the relationship absurd in the dialogue scene by making the sniping undercurrents obvious, but that's a different issue. Male friendship was not unusual--see Holmes and Watson, or Robert Audley and George Talboys in "Lady Audley's Secret", for near-contemporary examples. It even happens these days, among men who would be puzzled or outraged if you suggested that they must be gay because they like going out drinking with men. Andrew  1,, Summary-line: 22-May lpinsker@erols.com [55] #RE: Pickford's? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 10:16:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MEG8E6029769; Sat, 22 May 2004 10:16:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4MEG7TP008271 for ; Sat, 22 May 2004 10:16:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MEFBTJ020868; Sat, 22 May 2004 10:15:11 -0400 (EDT) Date: Sat, 22 May 2004 10:15:11 -0400 (EDT) Message-Id: <40AF5A99.C0EB549E@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: Pickford's? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 10:15:11 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: Pickford's? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've mentioned in this forum on earlier occasions that there were instances, during the productions I worked on at Cornell between 1982 and 1984, that liberties were occasionally taken with the scripts. In the case of the "Pickford's" reference, what the Mountararat said on that occasion sounded something like "Carry it? Of course he'll carry it! He's a Pickford's Parliamentary Pantechnicon--he carries everything!" It's a bit hard to tell from the recording what the audience's reaction was to that...but I will allow that there was more reaction to some of the mentions of the word "fairy"--I think the biggest one came when Strephon said "My bride knows nothing of my fairyhood...I dare not tell her lest it frighten her." Somebody said that one of the ways to handle the problem of references that were specific either to Great Britain or to the Victorian era is to have a "glossary" in the program. All well and good...but back then (and for anything I know to the contrary, this may still be the case), the programs that were used at Cornell Savoyard productions didn't lend themselves to that sort of thing...mainly because they were in the form of one oversized piece of paper rather than a booklet. And by the time you took care of the cast, orchestra members, stage crew, plot synopsis...there went the whole thing. The first time I saw IOLANTHE, I didn't know what Pickford's was (and it was probably a decade or so before I found out), much less why anyone or anything would be called a "Pickford's Parliamentary Pantechnicon". But the logic was simple: 1. Strephon is being called one of these; 2. It's stated that "he carries everything"; therefore 3. One of these must be someone or something that carries everything. And I think I can reasonably assume that most of the audience saw it that way as well...it might not have been the rip-roaring joke that it was in London in 1882, but it made sense. And isn't that all that's important? Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 22-May awrobins@yahoo.com [56] #Re: Culture-specific references--was RE: Updates X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 12:05:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MG57E6019090; Sat, 22 May 2004 12:05:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MG56DC008038 for ; Sat, 22 May 2004 12:05:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MG4CTJ022876; Sat, 22 May 2004 12:04:12 -0400 (EDT) Date: Sat, 22 May 2004 12:04:12 -0400 (EDT) Message-Id: <20040522154606.79076.qmail@web14522.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Culture-specific references--was RE: Updates MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 12:04:12 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Culture-specific references--was RE: Updates X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Andrew Crowther wrote: > For instance, I would prefer the Pickfords gag to be cut altogether rather than swapped for a modern gag. That is really a very sensible suggestion. I have reservations about rewriting Gilbert--sometimes it works, usually it's jarring and unfunny--but if a line is likely to be incomprehensible to most of the audience, and is not necessary to the plot, my advice, rather than attempting plastic surgery, is: Chop it off! Chop it off! > Would an English production of > "Oklahoma!" want to cut out > the Americanness of the libretto? Why not? P.G. Wodehouse once said he wished he had written OKLAHOMA. We can take our inspiration from him. CHORUS OF COWBOYS (wearing top hats and spats): Oklahoma, Where the pea-soup fogs brace up a chap! We’ll go to the Drones, Have tea and scones, Then we’ll toddle home and have a nap. Arthur Robinson __________________________________ Do you Yahoo!? Yahoo! Domains – Claim yours for only $14.70/year http://smallbusiness.promotions.yahoo.com/offer  1,, Summary-line: 22-May oakapple@cris.com [45] #Re: Culture-specific references--was RE: Updates X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 12:27:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MGRQE6026151; Sat, 22 May 2004 12:27:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MGRPDC021697 for ; Sat, 22 May 2004 12:27:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MGQTTJ023231; Sat, 22 May 2004 12:26:29 -0400 (EDT) Date: Sat, 22 May 2004 12:26:29 -0400 (EDT) Message-Id: <40AF7AA9.1040409@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Culture-specific references--was RE: Updates MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 12:26:29 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Culture-specific references--was RE: Updates X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andrew Crowther wrote: > So... Why do Americans go to see G&S at all? Please, if you have an answer, > let me know! I think it's central to this whole subject. Why do people of *any* culture patronize the art of any other culture? Why are Puccini's LA BOHEME and Bizet's CARMEN played all over the world, not just in Italy and France? Why do successful American musicals invariably make their way into the West End, and vice versa? If aliens from outer space arrived here, and Andrew's question was the first thing they read, they might guess that the G&S operas are unique in their trans-continental appeal. In fact, they aren't. Dan Kravetz wrote: > When [OKLAHOMA] goes into the public domain, will > there be public debates over updating those lyrics? Yes, without question. On OPERA-L, the e-mail list for opera, members debate the same textual issues we do here: fidelity to the authors' (or composers' intentions vs. updating for modern audiences. I don't belong to the musical theater list, but if it were legally possible to update OLKAHOMA, rest assured some productions would do it, and Internet discussion lists would have the same argument. -- Marc Shepherd New York, NY  1,, Summary-line: 22-May oakapple@cris.com [46] #Re: Ida recordings X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 13:54:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MHscE6023674; Sat, 22 May 2004 13:54:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MHsa4u014712 for ; Sat, 22 May 2004 13:54:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MHrhTJ025184; Sat, 22 May 2004 13:53:43 -0400 (EDT) Date: Sat, 22 May 2004 13:53:43 -0400 (EDT) Message-Id: <40AF8F42.8070603@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Ida recordings MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 13:53:43 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Ida recordings X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I realize this is a stale thread, but I'll jump in anyway. IMO, there is no entirely satisfactory recording of IDA. Whatever affection we may have for the 1924 acoustic recording, it inevitably sounds 'tinny' and distant to our ears, no matter how well the likes of Webster and Lockwood have restored it, and Winifred Lawson's unconventional soprano is definitely not to all tastes. The 1932 recording is the best of the bunch. All of the roles are well cast, and Sargent sets the pace briskly. The latest transfers almost make this sound like a modern recording--well, almost. It's the one IDA recording that I return to again and again. Godfrey in 1955 gives us a run for our money, but the quality of the orchestra and chorus in those days was at a historical low. Enough has been said about Victoria Sladen that we need not re-open that painful subject. Sargent in 1965 should have been *the* recording, but for the casting of Elizabeth Harwood as Ida and slow tempi under Sargent's direction that border on lugubrious. For a comparison of the timings of the last three recordings, look here: http://www.cris.com/~oakapple/gasdisc/ida-timings.htm If there's any G&S opera that cries out to be re-recorded, IDA is it. -- Marc Shepherd New York, NY  1,, Summary-line: 22-May ulahlica@yahoo.com [49] #RE: MMG ENCORE VERSES. X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 13:55:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MHt8E6023800; Sat, 22 May 2004 13:55:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MHt74u015035 for ; Sat, 22 May 2004 13:55:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MHsCTJ025275; Sat, 22 May 2004 13:54:12 -0400 (EDT) Date: Sat, 22 May 2004 13:54:12 -0400 (EDT) Message-Id: <20040522173601.25331.qmail@web60209.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: MMG ENCORE VERSES. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 13:54:12 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: MMG ENCORE VERSES. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Chris wrote... ***Try telling that to the majority of the thousands and thousands of people who made up the audiences of the D'Oyly Carte Opera Company! ... these 'side shows' became part and parcel of most DC performances and in my opinion these played as much a part as anything in keeping the operas fresh to changing audiences.*** That's interesting but whose argument does it support? I loved the D'Oyly Carte Opera Company but, sad to say, it did not succeed. I'm also curious why Gilbert never updated his text. Surely current events changed throughout the decades of G&S opera revivals. Was Gilbert opposed to updating text? I'm not saying this is a reason *not* to update. I'm just wondering why someone with Gilbert's imagination didn't do it himself. John S LI NY __________________________________ Do you Yahoo!? Yahoo! Domains – Claim yours for only $14.70/year http://smallbusiness.promotions.yahoo.com/offer  1,, Summary-line: 22-May pkraus@mcihispeed.net [72] #Re: Ida recordings X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 14:39:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MIdJE6008830; Sat, 22 May 2004 14:39:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4MIdI4u011404 for ; Sat, 22 May 2004 14:39:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MIcOTJ025583; Sat, 22 May 2004 14:38:24 -0400 (EDT) Date: Sat, 22 May 2004 14:38:24 -0400 (EDT) Message-Id: <000601c44029$adacdb40$6401a8c0@PhilipKraus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Philip A. Kraus" To: Multiple recipients of list SAVOYNET Subject: Re: Ida recordings MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 14:38:24 -0400 (EDT) Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Philip A. Kraus" To: Multiple recipients of list SAVOYNET Subject: Re: Ida recordings X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'd give my vote to Sargent 1965. Elizabeth Harwood is not negative in my opinion. She's musical and elegant. This recording does more justice the score in terms of vocal , choral, and orchestral felicity than any other recording. Sure you can nit pick at details, but overall it's at the top of the heap for me. Perhaps Telarc and Mackerass might give it a run for the money in the future. ----- Original Message ----- From: "Marc Shepherd" To: "Multiple recipients of list SAVOYNET" Sent: Saturday, May 22, 2004 12:53 PM Subject: Re: Ida recordings > I realize this is a stale thread, but I'll jump in anyway. IMO, there is no > entirely satisfactory recording of IDA. > > Whatever affection we may have for the 1924 acoustic recording, it inevitably > sounds 'tinny' and distant to our ears, no matter how well the likes of Webster > and Lockwood have restored it, and Winifred Lawson's unconventional soprano is > definitely not to all tastes. > > The 1932 recording is the best of the bunch. All of the roles are well cast, and > Sargent sets the pace briskly. The latest transfers almost make this sound like > a modern recording--well, almost. It's the one IDA recording that I return to > again and again. > > Godfrey in 1955 gives us a run for our money, but the quality of the orchestra > and chorus in those days was at a historical low. Enough has been said about > Victoria Sladen that we need not re-open that painful subject. > > Sargent in 1965 should have been *the* recording, but for the casting of > Elizabeth Harwood as Ida and slow tempi under Sargent's direction that border on > lugubrious. For a comparison of the timings of the last three recordings, look here: > > http://www.cris.com/~oakapple/gasdisc/ida-timings.htm > > If there's any G&S opera that cries out to be re-recorded, IDA is it. > > > -- > Marc Shepherd > New York, NY > >  1,, Summary-line: 22-May drew@buddie.plus.com [56] #The Future of G&S is in Safe Hands X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 15:02:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MJ2dE6015583; Sat, 22 May 2004 15:02:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4MJ1UbZ005594 for ; Sat, 22 May 2004 15:01:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MJ0WTJ025944; Sat, 22 May 2004 15:00:32 -0400 (EDT) Date: Sat, 22 May 2004 15:00:32 -0400 (EDT) Message-Id: <6.0.1.1.0.20040522193828.01b09788@mail.plus.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: drew@buddie.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Drew Buddie To: Multiple recipients of list SAVOYNET Subject: The Future of G&S is in Safe Hands Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003901c43fa2$cb59fa60$6501a8c0@Delta> X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 15:00:32 -0400 (EDT) Reply-To: drew@buddie.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Drew Buddie To: Multiple recipients of list SAVOYNET Subject: The Future of G&S is in Safe Hands X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003901c43fa2$cb59fa60$6501a8c0@Delta> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I had the honour and privilege of attending the Pinner and Hatch End Operatic Society's production of Yeoman last night, here in deepest, darkest Rickmansworth. The Musical Director happens to be known to me as the father of one of my school pupils, but that's beside the point (geddit? aw never mind). Anyway, the point (that pun again!) of this email is not only to praise the whole production - I took my 8 year old son to see it and he thoroughly enjoyed it - but to single out one particular individual for congratulations beyond measure. The part of Jack Point was played by a remarkable fellow called Adam Hepkin. He is only a smidgin over 18 (yes EIGHTEEN), yet his was a performance of such exuberance and wonder, that I still can scarce believe I witnessed it last night. I believe he will be known to some of you already as he has won awards (promising newcomer?) at Buxton when performing for a Sheffield G&S company, and he is currently studying at the Guildhall in London. I just wanted to share with Savoynet my joy at seeing this performance (and that of my 8 year old son who sang 'I have a song to sing oh' all the way home!) - I have heard and seen many, many G&S performances in my life, but Hepkin's Point last night will rank as the finest ever - and I REALLY REALLY mean that. I was still crying (I'm a 40 year old 15 stone male!) buckets at 1 am this morning as I thought of the sad, sad way the show ended - it was incredibly moving. His was a performance of beauty and perfection - he clearly knows his G&S onions and therefore everything he did was expertly and reverentially accomplished. I would also add that 2 other standouts for me were Shadbolt played by Andrew Taylor who spent the interval in stocks in the name of charity, and Philip Joslin who played as dark, smarmy and 'nasty' a Fairfax as it was possible to be. I hope some of you will get to see this young man perform in the future - the exciting thing is that he has CHOSEN to be a G&S devotee - not many 18 year olds are doing that these days, eh? He may even be in a Buxton production - if so I URGE you to seek out whatever he is in. Drew Buddie  1,, Summary-line: 22-May SSilvers@sskfny.com [40] #Re: Help! "G+S Chart" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 May 2004 18:17:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4MMHxE6011426; Sat, 22 May 2004 18:17:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4MMHvTq004336 for ; Sat, 22 May 2004 18:17:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4MMH3TJ027601; Sat, 22 May 2004 18:17:03 -0400 (EDT) Date: Sat, 22 May 2004 18:17:03 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Help! "G+S Chart" Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 May 2004 18:17:03 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: Help! "G+S Chart" Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) 1. Please don't send attachments to SavoyNet. Our listserv is not set up to handle it. You can post and ask people if you can send them an attachment to review privately. 2. What you are calling lead bass is normally referred to (in my experience) as the "heavy baritone" role in G&S. Usher, Marmaduke, *Deadeye* (not Capt.), Pirate King, Colonel, MtArarat, *Hildebrand* (not Arac), Pooh-Bah, Despard, Sgt. Meryll (not Lieut.), Don Alhambra, Paramount and Ludwig. 3. What you are calling "supporting bass" is often referred to as the lyric baritone. Counsel, Corcoran, none in Pir., Grosvenor (Duke is tenor in Patience), Strephon (Tolloller is the tenor), Florian (You have Florian listed in the wrong show. By the way, Ida uniquely has two tenor leads--Hilarion and Cyril), Pish Tush, none in Ruddigore, Wilfred are both lyric baritones in Yeo, Luiz, Goldbury and Tannhauser. 4. Then, many shows have a "second act" or "other" bass role: Sergeant of Police, Pvt. Willis, Arac, Roderic, Don Alhambra and Prince of Monte Carlo -- And/or somtimes a smaller bass role: Foreman, Notary in Sorcerer, Carpenter's Mate, Old Adam, Giorgio, Corcoran (Utopia), Hasbaz, 5. Some shows have an "other" minor baritone role: Boatswain, Samuel, Major Murgatroyd, 2nd Yeoman, Scynthius and Guron, Lieut. Chomondeley, Antonio, Blushington, Herald. 6. Other comments: Constance is a unique higher" mezzo or "soubrette" role than the Jessie Bond roles. Partlett is just an "extra" contralto, like Inez in Gondo. Hebe is "cousin" not "aunt". Corcoran is definitely not a bass. Edith is the lead mezzo, not Kate. Kate is a smaller role. Isabel is not a singing role. As I noted above, Duke is the tenor in Patience, although the lyric baritone, Grosvenor, gets the girl. Likewise, Tolloller is the tenor, while Strephon is the lyric baritone (although he gets the girl). Fleta is not a speaking role. Hilarion and Cyril must both be considered leading tenors, although cyril is more of a comic character. Melissa is the lead mezzo, while Psyche is definitely a soprano. Psyche is such a large role that it must be considered a second soprano lead. Chloe and Ada are not singing roles, but Sacharissa does sing a couple of lines. The last three shows have too many characters. In Gondoliers, there are definitely two leading s! opranos: Casilda and Giannetta, Giula just sings a couple of lines, Fiametta is the "supporting soprano", vittoria is a small mezzo role. Anibale does not sing. Francesco is a tenor or high baritone. Utopia: Scaphio and Phantis together are the patter baritone lead. Tarara is a smaller "other" baritone. Salata and Melene do not sing solo lines. GD: Julia not Julie. Lisa could be considered the lead mezzo. Olga and Gretchen are tiny roles. Viscount Mentone is one character, and does not sing a solo. Hasbaz is a tiny role. Tannhauser is a major role. The Princess of Monte Carlo is a substantial role. I'd call her the "supporting soprano." Best regards, Sam Silvers >>> 05/21/04 08:16PM >>> I made a chart of all the G and S parallels in characters (patter person, soprano romantic lead, tenor romantic lead, etc.) I know attachments may not work on some computers, but this is the only way I could send it so for those who can open the attachment, do you have any corrections for my chart? Alec Kacew New York City  1,, Summary-line: 23-May chris@sounds-on-cd.co.uk [34] #RE: Ida recordings X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 May 2004 06:01:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4NA1FDu011208; Sun, 23 May 2004 06:01:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4NA1EAG022345 for ; Sun, 23 May 2004 06:01:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4NA0ITJ001668; Sun, 23 May 2004 06:00:19 -0400 (EDT) Date: Sun, 23 May 2004 06:00:18 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Ida recordings MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000601c44029$adacdb40$6401a8c0@PhilipKraus> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 23 May 2004 06:00:18 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Ida recordings X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000601c44029$adacdb40$6401a8c0@PhilipKraus> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip wrote; > I'd give my vote to Sargent 1965. ... Sure you can nit pick at details, but overall it's at the top of > the heap for me. I agree with Philip. (Seems like I'm turning into the "PAK Fan Club"!) I know it's not a perfect recording but it's my personal favourite. > Perhaps Telarc and Mackerass might give it a run for the > money in the future. Musically, yes, though, for me, part of the enormous pleasure I get from the DC recordings is familiarity with most of the artists and the lift that their stage experience gives the recordings. Mackerras has already done a great Ida for the BBC, but, with the exception of Valerie Masterson, I can't get as much pleasure from it as I'd like because of having no affection for the rest of the cast and the lack of stage experience of the opera by most of the rest of the cast also makes it a little more lacklustre than it deserves to be given the otherwise superb musical qualities. I can't see this problem being overcome by any commercial recording today. Regards Chris.  1,, Summary-line: 23-May cjsmith@MIT.EDU [196] #Fwd: sad news X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 May 2004 23:02:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4O32MDu014007; Sun, 23 May 2004 23:02:22 -0400 (EDT) Received: from out005.verizon.net (out005pub.verizon.net [206.46.170.143]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4O31wL2023209 for ; Sun, 23 May 2004 23:01:58 -0400 (EDT) Received: from [192.168.1.101] ([151.203.242.131]) by out005.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040524030157.ROFY1603.out005.verizon.net@[192.168.1.101]> for ; Sun, 23 May 2004 22:01:57 -0500 Mime-Version: 1.0 (Apple Message framework v609) To: dinner@mit.edu Message-Id: Content-Type: multipart/alternative; boundary=Apple-Mail-1--313668794 From: Carolyn Smith Subject: Fwd: sad news Date: Sun, 23 May 2004 23:01:53 -0400 X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out005.verizon.net from [151.203.242.131] at Sun, 23 May 2004 22:01:57 -0500 X-Spam-Score: -4.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: dinner@mit.edu From: Carolyn Smith Subject: Fwd: sad news Date: Sun, 23 May 2004 23:01:53 -0400 X-Authentication-Info: Submitted using SMTP AUTH at out005.verizon.net from [151.203.242.131] at Sun, 23 May 2004 22:01:57 -0500 X-Spam-Score: -4.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --Apple-Mail-1--313668794 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed It occured to me that some of you may have known him, so I decided to forward this on. --cyn Begin forwarded message: > From: Jack Leifer > Date: May 21, 2004 3:20:28 PM EDT > To: MIT1987@MITVMA.MIT.EDU > Subject: sad news > Reply-To: Jack Leifer > > I received this from Tony Mercado '87; also multiple other sources. > > Memorial service information is included in case anyone can make it. > > - Jack Leifer '87 > > Dear Classmates, > > It is with deep regret that I inform you of the sudden passing of > our classmate William Wegerer II earlier this week. At MIT, Bill > lived > at both New House and East Campus and was very active with the (then) > 24 > hour coffeehouse, hacking, orange tours, and other activities almost > too > numerous > to mention. His most lasting contribution to MIT lore was probably > being > part of the group that created original Nerd X-ing sign. > > Bill had been living in Minneapolis since graduation with his wife > of > 14 > years, Susan. > > For friends interested in details of the services (scheduled for > this coming Monday) please use the following link. > > > http://www.legacy.com/Link.asp?Id=LS02253046X > > > thanks > Tony Mercado > > *********************************************************************** > *** > > Thank you for allowing us to reach you by email, the most immediate > means for sharing information with MIT alumni. > If you would like to unsubscribe from this mailing list send a blank > email to list_unsubscribe@alum.mit.edu > and put the list name in the subject line. > > For example: > > To: list_unsubscribe@alum.mit.edu > Cc: > Subject: mit1987 > > *********************************************************************** > **** --Apple-Mail-1--313668794 Content-Transfer-Encoding: 7bit Content-Type: text/enriched; charset=US-ASCII It occured to me that some of you may have known him, so I decided to forward this on. --cyn Begin forwarded message: 0000,0000,0000From: Jack Leifer < 0000,0000,0000Date: May 21, 2004 3:20:28 PM EDT 0000,0000,0000To: MIT1987@MITVMA.MIT.EDU 0000,0000,0000Subject: sad news 0000,0000,0000Reply-To: Jack Leifer < I received this from Tony Mercado '87; also multiple other sources. Memorial service information is included in case anyone can make it. - Jack Leifer '87 Dear Classmates, It is with deep regret that I inform you of the sudden passing of our classmate William Wegerer II earlier this week. At MIT, Bill lived at both New House and East Campus and was very active with the (then) 24 hour coffeehouse, hacking, orange tours, and other activities almost too numerous to mention. His most lasting contribution to MIT lore was probably being part of the group that created original Nerd X-ing sign. Bill had been living in Minneapolis since graduation with his wife of 14 years, Susan. For friends interested in details of the services (scheduled for this coming Monday) please use the following link. http://www.legacy.com/Link.asp?Id=LS02253046X thanks Tony Mercado ************************************************************************** Thank you for allowing us to reach you by email, the most immediate means for sharing information with MIT alumni. If you would like to unsubscribe from this mailing list send a blank email to list_unsubscribe@alum.mit.edu and put the list name in the subject line. For example: To: list_unsubscribe@alum.mit.edu Cc: Subject: mit1987 *************************************************************************** --Apple-Mail-1--313668794--  1, answered,, Summary-line: 24-May jgoodman@whoi.edu [29] #Re: DDR is good for you X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 May 2004 17:09:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4OL9ncR005088; Mon, 24 May 2004 17:09:49 -0400 (EDT) Received: from out008.verizon.net (out008pub.verizon.net [206.46.170.108]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4OL9lTw028124; Mon, 24 May 2004 17:09:47 -0400 (EDT) Received: from [192.168.1.100] ([151.203.242.131]) by out008.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040524210946.ENEZ27801.out008.verizon.net@[192.168.1.100]>; Mon, 24 May 2004 16:09:46 -0500 In-Reply-To: <200405242057.i4OKvP23004726@multics.mit.edu> References: <200405242057.i4OKvP23004726@multics.mit.edu> Mime-Version: 1.0 (Apple Message framework v613) Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: Content-Transfer-Encoding: 7bit Cc: Carolyn Smith From: Jason Goodman Subject: Re: DDR is good for you Date: Mon, 24 May 2004 17:09:45 -0400 To: "David C. Jedlinsky" X-Mailer: Apple Mail (2.613) X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [151.203.242.131] at Mon, 24 May 2004 16:09:46 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <200405242057.i4OKvP23004726@multics.mit.edu> Cc: Carolyn Smith From: Jason Goodman Subject: Re: DDR is good for you Date: Mon, 24 May 2004 17:09:45 -0400 To: "David C. Jedlinsky" X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [151.203.242.131] at Mon, 24 May 2004 16:09:46 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On May 24, 2004, at 4:57 PM, David C. Jedlinsky wrote: > Nice house. How big is it, and what town? The last picture makes it > look like you've already moved in. :-) More details than you really care about: Middleboro, Exit 3 off 495 2366 square feet, 2 acres, 5 bedrooms (more or less) Built 1910; new just-about-everything in last 5 years Bordered on 3 sides by forestry land and cranberry bogs (a bit of natural marsh in there too, but none on the property) Oil heat, well water 3-story barn, several other outbuildings, most of which need to be demolished Jason  1,, Summary-line: 24-May jgoodman@whoi.edu [55] #Re: DDR is good for you X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 May 2004 17:43:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4OLhBcR023243; Mon, 24 May 2004 17:43:11 -0400 (EDT) Received: from out011.verizon.net (out011pub.verizon.net [206.46.170.135]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4OLhATw026610 for ; Mon, 24 May 2004 17:43:10 -0400 (EDT) Received: from [192.168.1.100] ([151.203.242.131]) by out011.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040524214309.BYG18566.out011.verizon.net@[192.168.1.100]> for ; Mon, 24 May 2004 16:43:09 -0500 Mime-Version: 1.0 (Apple Message framework v613) In-Reply-To: <200405242121.i4OLLMo9006378@multics.mit.edu> References: <200405242057.i4OKvP23004726@multics.mit.edu> <200405242121.i4OLLMo9006378@multics.mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: <58EA0117-ADCB-11D8-B02D-000A957D7366@whoi.edu> Content-Transfer-Encoding: 7bit From: Jason Goodman Subject: Re: DDR is good for you Date: Mon, 24 May 2004 17:43:08 -0400 To: "David C. Jedlinsky" X-Mailer: Apple Mail (2.613) X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.242.131] at Mon, 24 May 2004 16:43:09 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <200405242121.i4OLLMo9006378@multics.mit.edu> From: Jason Goodman Subject: Re: DDR is good for you Date: Mon, 24 May 2004 17:43:08 -0400 To: "David C. Jedlinsky" X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.242.131] at Mon, 24 May 2004 16:43:09 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On May 24, 2004, at 5:21 PM, David C. Jedlinsky wrote: > > No, more details are good. Hmm, forestry land and cranberry bogs. > How many mosquito magnets are you getting? First day we were there (sunny afternoon), nary a mosquito. Second visit, cloudy morning, you could hardly breathe for the mosquitos. Third visit, cloudy morning, just one or two. Dunno what it's like in the nighttime, but yeah, I think we'll be getting one of those thingies. The home inspector generally seemed pretty impressed today. The structure is sound, except for a few small areas of long-ago insect damage which can be shored up easily, and the renovations have been done very well. Newish electrical, new upstairs bathroom, new roofs (barn too), new exterior clapboard, new windows, giant new deck, well-restored or repaneled hardwood floors, new kitchen, new paint everywhere -- they even opened up the exterior walls and insulated them. Only real concerns I see are the old insect damage, the fact that the electrical system is maxed out, and a paranoias about well water contamination and buried fuel tanks. > Planning any demolition parties? Could be fun - "Take down the barn > so we can have a BBQ". No, the barn stays. It looks sturdy enough we hope we can use it as a garage -- the only trick is, there's a level below the driveway, so the car is parked on a wooden floor, not a concrete pad. The inspector said he wasn't allowed to tell me whether parking a car would be okay. But there's five other outbuildings. Two are falling apart, one is a chicken coop, and the other two are potentially keepers. So yeah, we're going to do a demolition party or so. The thing I'm trying to decide is, whether it makes more sense to do it by hand (cheap, fun, hard work) or to bring in heavy equipment (expensive, fun, less exhausting). A riding mower is also definitely in our future.  1,, Summary-line: 24-May cjsmith@MIT.EDU [58] #Re: DDR is good for you X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 May 2004 19:04:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4ON4ncR004227; Mon, 24 May 2004 19:04:49 -0400 (EDT) Received: from out011.verizon.net (out011pub.verizon.net [206.46.170.135]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4ON4gTw006805; Mon, 24 May 2004 19:04:43 -0400 (EDT) Received: from [192.168.1.101] ([151.203.242.131]) by out011.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040524230442.VMB18566.out011.verizon.net@[192.168.1.101]>; Mon, 24 May 2004 18:04:42 -0500 In-Reply-To: <200405242121.i4OLLMo9006378@multics.mit.edu> References: <200405242057.i4OKvP23004726@multics.mit.edu> <200405242121.i4OLLMo9006378@multics.mit.edu> Mime-Version: 1.0 (Apple Message framework v609) Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: Content-Transfer-Encoding: 7bit Cc: Jason Goodman , dinner@mit.edu From: Carolyn Smith Subject: Re: DDR is good for you Date: Mon, 24 May 2004 19:04:43 -0400 To: "David C. Jedlinsky" X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.242.131] at Mon, 24 May 2004 18:04:41 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <200405242121.i4OLLMo9006378@multics.mit.edu> Cc: Jason Goodman , dinner@mit.edu From: Carolyn Smith Subject: Re: DDR is good for you Date: Mon, 24 May 2004 19:04:43 -0400 To: "David C. Jedlinsky" X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.242.131] at Mon, 24 May 2004 18:04:41 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Quite probably a demolition party (BYOC--bring your own crowbar), not for the barn, but for a couple of the outbuildings, unless we decide that those really need a contractor. Assuming the well water and septic are acceptable, and all else goes well, we hope to be moving in in July. Yes, there are lots of mosquitoes, but we'll probably only get one magnet--to cover the deck and in front of the house. Keep your fingers crossed for us! --cyn On May 24, 2004, at 5:21 PM, David C. Jedlinsky wrote: > > No, more details are good. Hmm, forestry land and cranberry bogs. > How many mosquito magnets are you getting? > > Planning any demolition parties? Could be fun - "Take down the barn > so we can have a BBQ". > > -Dave > > >> From: Jason Goodman >> Date: Mon, 24 May 2004 17:09:45 -0400 >> >> On May 24, 2004, at 4:57 PM, David C. Jedlinsky wrote: >>> Nice house. How big is it, and what town? The last picture makes it >>> look like you've already moved in. :-) >> >> More details than you really care about: >> >> Middleboro, Exit 3 off 495 >> 2366 square feet, 2 acres, 5 bedrooms (more or less) >> Built 1910; new just-about-everything in last 5 years >> Bordered on 3 sides by forestry land and cranberry bogs (a bit of >> natural marsh in there too, but none on the property) >> Oil heat, well water >> 3-story barn, several other outbuildings, most of which need to be >> demolished >> >> Jason >>  1,, Summary-line: 26-May SSilvers@sskfny.com [73] #A Brief History of @ (OT?) X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 May 2004 15:43:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i4QJhcZG025336; Wed, 26 May 2004 15:43:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i4QJhXhi008149 for ; Wed, 26 May 2004 15:43:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4QJexTJ021388; Wed, 26 May 2004 15:40:59 -0400 (EDT) Date: Wed, 26 May 2004 15:40:59 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: A Brief History of @ (OT?) Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 May 2004 15:40:59 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: A Brief History of @ (OT?) Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) by Bruno Giussani After 500 years, the sign is here to stay. So what do we call it? The @ sign appears to be one of the few survivors of the dot-com shakeout. It's part of the electronic identity of hundreds of millions of Internet users, and dozens of companies have tried to hijack it - together with the values of modernity, connectedness and speed that it embodies - by embedding it into their names. But usage of the @ sign to replace or "enhance" current words is also spreading. "CU 8.30 PM @ Bruno's," reads a typical message sent through a mobile phone. In Spain, the @ sign is increasingly used by youngsters as a politically correct way of avoiding specifying gender: "Hola, amig@s!" The man who first put the @ sign into the structure of e-mail addresses was Ray Tomlinson, a computer engineer who in 1971 performed what he calls "a quick hack" and sent the first electronic message - to himself. Why did he pick the sign? "I scanned the keyboard for a sign that wouldn't appear on anyone's name, and couldn't therefore create any confusion." But how did the @ sign end up on the computer keyboard in the firstplace? Linguists are divided. Some think it originated in the early Middle Ages, when monks laboring over manuscripts contracted the versatileLatin word "ad" - which can mean "at" or "towards" or "by" - into asingle character. Most linguists, however, say that the @ sign is a morerecent invention, appearing sometime during the 18th century as acommercial symbol indicating price per unit, as in "5 apples @ 10pence." Yet another linguist, researcher Denis Muzerelle, says the signis the result of a different twist, when the accent over the word "à"used by French and German merchants was hastily extended. But last July an Italian researcher discovered some 14th-century Venetian commercial documents clearly marked by the @ sign, where it was used to represent a gauge of quantity, the "anfora," or jar. Giorgio Stabile also found a Latin-Spanish dictionary dating from 1492 where "anfora" is translated into "arroba," a measure of weight. It's therefore natural that, in 1885 the "commercial a" was included on the keyboard of the first model of Underwood typewriter and from there migrated into the standard set of computing characters (such as ASCII) 80 years later. The biggest problem with the @ sign nowadays is what to call it. Spaniards and Portuguese still use "arroba" - which the French have borrowed and turned into "arobase." Americans and Britons call it the "at-sign." So do the Germans ("at-Zeichen"), Estonians ("ät-märk") and Japanese ("atto maak"). However, in most languages the sign is described using a wide spectrum of metaphors lifted from daily life. References to animals are the most common. Germans, Dutch, Finns, Hungarians, Poles and South Africans see it as a monkey tail. The snail - oddly enough for the anti-snail-mail set - portrays the @ sign not only in French ("petit escargot") and Italian ("chiocciola"), but also in Korean and Esperanto ("heliko"). Danes and Swedes call it "snabel-a" - the "a" with an elephant's trunk; Hungarians a worm; Norwegians a pig's tail; Chinese a little mouse; and Russians a dog. Food offers other tantalizing metaphors. Swedes have borrowed the cinnamon bun ("kanelbulle"). Czechs have been inspired by the rolled pickled herring ("zavinac") commonly eaten in Prague's pubs. Spaniards sometimes call it "ensaimada," which is a sort of sweet, spiral-shaped bagel typically made in Majorca. Hebrew speakers use "shtrudl" (or "strudel"), as in the well-known roll-shaped pastry. My favorite, though, is the Finnish "miukumauku" - the "sign of the meow" - inspired by a curled-up, sleeping cat.  1,, Summary-line: 27-May mgillett@umich.edu [27] #Re: Pinafore questions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 27 May 2004 10:08:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4RE8t3t015294; Thu, 27 May 2004 10:08:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4RE7eaU018897 for ; Thu, 27 May 2004 10:07:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i4RE6fTJ014795; Thu, 27 May 2004 10:06:41 -0400 (EDT) Date: Thu, 27 May 2004 10:06:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: Pinafore questions MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <032601c443b4$5852eb60$0200a8c0@packard> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 27 May 2004 10:06:41 -0400 (EDT) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: Pinafore questions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <032601c443b4$5852eb60$0200a8c0@packard> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ok, here is a page, and a website that is a boon to any costumer (particularly G&S) http://www.costumes.org/history/galleryimages/dresswornatcourt/dressatcourt.htm Here is what Sir Jo should look like, plus how the Iolanthe Earls and Utopia act 2 principals. if you back track, it is a source for tons of costume information. Mitch Gillett Ann Arbor, Mi  1,, Summary-line: 29-May nlgilman@MIT.EDU [33] #organic BEEF!!! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 May 2004 13:25:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4THPdD1005118; Sat, 29 May 2004 13:25:39 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4THPXWj017860 for ; Sat, 29 May 2004 13:25:33 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) (authenticated bits=56) (User authenticated as nlgilman@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i4THPWoL027431 for ; Sat, 29 May 2004 13:25:32 -0400 (EDT) Received: (from nlgilman@localhost) by no-knife.mit.edu (8.12.9) id i4THPWoJ019619; Sat, 29 May 2004 13:25:32 -0400 (EDT) Date: Sat, 29 May 2004 13:25:32 -0400 (EDT) Message-Id: <200405291725.i4THPWoJ019619@no-knife.mit.edu> From: Nancy Louise Bigler Gilman To: dinner@MIT.EDU Subject: organic BEEF!!! X-Spam-Score: -9.55 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 May 2004 13:25:32 -0400 (EDT) From: Nancy Louise Bigler Gilman To: dinner@MIT.EDU Subject: organic BEEF!!! X-Spam-Score: -9.55 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am about to place a bulk order for Organic Beef. The minimum order is a side. So I am looking for people to share it with :-) The beef is not only organic but the stock is beef cattle raised to be beef not dairy cattle. The farm is owned by my friend Rachel's (from Tuft's in Paris) Dad. Bread and Circus sells his steaks for $17.00-$23.00/lb and ground beef for $5/lb. It is sold by the hot carcass weight which includes all the bones. I have a call into the processor now so I am not sure of the exact price but it will be roughly $3.00/lb. Which is about $4.00/lb for the meat which would be a mix of cuts. The processor will vaccuum pack and freeze the meat. (If people want some steak fresh let me know) I think that about the minimum order that makes sense to get a good selection of meat is ~25lbs but I'll know for sure when I talk to the processor. Any of you interested? Thanks, Nancy  1,, Summary-line: 31-May bbermack@alum.mit.edu [33] #Video counts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 31 May 2004 12:02:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4VG2GxK019257; Mon, 31 May 2004 12:02:16 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4VG2B75003605; Mon, 31 May 2004 12:02:11 -0400 (EDT) Received: from [66.92.72.178] (dsl092-072-178.bos1.dsl.speakeasy.net [66.92.72.178]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i4VG29Rg026359; Mon, 31 May 2004 12:02:09 -0400 (EDT) Message-ID: <40BB5707.2030306@alum.mit.edu> Date: Mon, 31 May 2004 12:02:15 -0400 From: Brian Bermack User-Agent: Mozilla Thunderbird 0.6 (Windows/20040502) X-Accept-Language: en-us, en MIME-Version: 1.0 To: gsp-ec@mit.edu, "David C. Jedlinsky" Subject: Video counts Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 31 May 2004 12:02:15 -0400 From: Brian Bermack X-Accept-Language: en-us, en To: gsp-ec@mit.edu, "David C. Jedlinsky" Subject: Video counts X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) 12 Pirates DVD: jennie, brian, debbie, eliz, marleigh, skyler, jess, evan, bob, erin, kate, graham 2 Pirates VHS: erica, rebecca, 15 Utopia DVD: jennie, brian, dave, drewbob(2), ky, skyler, jess, evan, bob, randy, erin, kate, graham, matt 4 Utopia VHS: erica, art, rebecca, bromberg 15 Ruddigore DVD: jennie, brian, dave, debbie, drewbob(4), skyler(2), tom, jess, bob, erin, matt 2 Ruddigore VHS: erica, rebecca 15 Thespis DVD: ion, jennie, nocturne, drewbob(4), ky, tracy, skyler, jess, bob, randy, erin, matt 7 Thespis VHS: steve, mary, ion, erica, chaika, rebecca, bromberg Brian  1, forwarded,, Summary-line: 31-May vhq@MIT.EDU [46] #Re: Video counts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 31 May 2004 16:24:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i4VKO3xK028506; Mon, 31 May 2004 16:24:03 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i4VKNwqN015984; Mon, 31 May 2004 16:23:58 -0400 (EDT) Received: from tulpius-hilarus.mit.edu (TULPIUS-HILARUS.MIT.EDU [18.7.22.78]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i4VKNwtu003486; Mon, 31 May 2004 16:23:58 -0400 (EDT) Received: (from nobody@localhost) by tulpius-hilarus.mit.edu (8.12.2+Sun) id i4VKNw2I010804; Mon, 31 May 2004 16:23:58 -0400 (EDT) Received: from RANDOM-ONE-THIRTY-THREE.MIT.EDU (RANDOM-ONE-THIRTY-THREE.MIT.EDU [18.243.5.133]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Mon, 31 May 2004 16:23:57 -0400 Message-ID: <1086035037.40bb945de7d0a@webmail.mit.edu> Date: Mon, 31 May 2004 16:23:57 -0400 From: Vanessa H Quinlivan To: Brian Bermack Cc: gsp-board@mit.edu, opus@mit.edu Subject: Re: Video counts References: <40BB5707.2030306@alum.mit.edu> In-Reply-To: <40BB5707.2030306@alum.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.243.5.133 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 31 May 2004 16:23:57 -0400 From: Vanessa H Quinlivan To: Brian Bermack Cc: gsp-board@mit.edu, opus@mit.edu Subject: Re: Video counts In-Reply-To: <40BB5707.2030306@alum.mit.edu> X-Originating-IP: 18.243.5.133 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Oops. Knew I was forgetting something. I'd like DVDs of Pirates, Ruddigore, and Thespis, please. -Vanessa Quoting Brian Bermack : > 12 Pirates DVD: jennie, brian, debbie, eliz, marleigh, skyler, jess, > evan, bob, erin, kate, graham > > 2 Pirates VHS: erica, rebecca, > > 15 Utopia DVD: jennie, brian, dave, drewbob(2), ky, skyler, jess, evan, > bob, randy, erin, kate, graham, matt > > 4 Utopia VHS: erica, art, rebecca, bromberg > > 15 Ruddigore DVD: jennie, brian, dave, debbie, drewbob(4), skyler(2), > tom, jess, bob, erin, matt > > 2 Ruddigore VHS: erica, rebecca > > 15 Thespis DVD: ion, jennie, nocturne, drewbob(4), ky, tracy, skyler, > jess, bob, randy, erin, matt > > 7 Thespis VHS: steve, mary, ion, erica, chaika, rebecca, bromberg > > > Brian > >  1,, Summary-line: 2-Jun jmorzins@MIT.EDU [52] #Re: iLaTeX section on PDFs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 02 Jun 2004 13:44:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i52HiuxW024524; Wed, 2 Jun 2004 13:44:56 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i52HiC2x020961; Wed, 2 Jun 2004 13:44:12 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as jmorzins@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i52HiCoL027879; Wed, 2 Jun 2004 13:44:12 -0400 (EDT) Received: (from jmorzins@localhost) by multics.mit.edu (8.12.9) id i52HiB8a017467; Wed, 2 Jun 2004 13:44:11 -0400 (EDT) Date: Wed, 2 Jun 2004 13:44:10 -0400 (EDT) From: Jacob Morzinski To: John Hawkinson cc: sipb-office@MIT.EDU, keithw@MIT.EDU Subject: Re: iLaTeX section on PDFs In-Reply-To: <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> Message-ID: References: <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 2 Jun 2004 13:44:10 -0400 (EDT) From: Jacob Morzinski To: John Hawkinson cc: sipb-office@MIT.EDU, keithw@MIT.EDU Subject: Re: iLaTeX section on PDFs In-Reply-To: <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, 2 Jun 2004, John Hawkinson wrote: > It occurs to me that we should have an iLaTeX section on PDFs. > There appear to be several ways to generate PDFs from LaTeX right now: > > pdflatex catastrophic failure on ps figures > dvips | distill font problems > dvips -Ppdf | distill fewer font problems (perhaps -G0?) I played with these when using Latex for thesis work, and can say what I found most useful: * If your goal is to produce PDF files, pdflatex is the right choice. It has an important requirement that it cannot accept EPS format images. It does accept PDF images. I believe it also supports including JPEG and PNG images, but I did not use those types personally. Format your document with pdflatex: % pdflatex filename.tex * If you want to use EPS images files but still produce PDF output, the best way is to compile using latex, translate to PS with dvips, and distill the PS. % latex filename.tex % dvips -P pdf -G0 filename.dvi (do I need an output file?) % distill filename.pdf The -P pdf forces font outlines to be included in the PS file, and the -G0 forces a portable character set choice. Without -P pdf the PDF files will have jagged ugly fonts, and without the -G0 certain characters (some ligatures and mathematical symbols) will display as other, incorrect characters. > dvipdfm "doesn't work as well" per keithw > dvipdf ??; in linux release, also ghostscript locker I know that I tried dvipdfm, and since I didn't decide to use it in the end, I must have decided that there was a reason I didn't like it. I don't remember what that reason was.  1,, Summary-line: 2-Jun jmorzins@MIT.EDU [42] #Re: iLaTeX section on PDFs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 02 Jun 2004 15:31:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i52JVGxW009541; Wed, 2 Jun 2004 15:31:16 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i52JV352025689; Wed, 2 Jun 2004 15:31:03 -0400 (EDT) Received: from cutter-john.mit.edu (CUTTER-JOHN.MIT.EDU [18.187.1.62]) (authenticated bits=56) (User authenticated as jmorzins@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i52JV2Om028489; Wed, 2 Jun 2004 15:31:02 -0400 (EDT) Received: (from jmorzins@localhost) by cutter-john.mit.edu (8.12.9) id i52JV2ca013078; Wed, 2 Jun 2004 15:31:02 -0400 Date: Wed, 2 Jun 2004 15:31:02 -0400 (EDT) From: Jacob Morzinski To: John Hawkinson cc: sipb-office@MIT.EDU Subject: Re: iLaTeX section on PDFs In-Reply-To: <20040602175734.GJ15184@multics.mit.edu> Message-ID: References: <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> <20040602175035.GB20521@nerd-xing.mit.edu> <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> <200406021747.i52HlUPO003488@five-percent-nation.mit.edu> <200406021729.i52HTXh1003267@coleco-sidewinder.mit.edu> <20040602175734.GJ15184@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 2 Jun 2004 15:31:02 -0400 (EDT) From: Jacob Morzinski To: John Hawkinson cc: sipb-office@MIT.EDU Subject: Re: iLaTeX section on PDFs In-Reply-To: <20040602175734.GJ15184@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, 2 Jun 2004, John Hawkinson wrote: > I think it is probably important to address font choices, > because I assume that the goal is to avoid embedding Computer > Modern (either in bitmap or outline form) in the PDF The question of fonts is in fact a completely separate issue, and can be addressed separately from the question of PDF. The font question is easy to answer if the document does not contain math. For those cases, you load a package that redefines latex font families. The font style packages are in /usr/athena/share/texmf/tex/latex/psnfss/ For example, \usepackage{charter} will replace the CM Serif family with Charter. (The sans-serif and typewriter families are left unchanged.) If the document contains math, the font question becomes hard to answer. The only half-way reasonable answers are "use Times for text and extended Symbol for math", or "use Palatino for text and a font that resembles Palatino for math". Math fonts in Latex are hard to get right. To use courier+helvetica+times, in a math friendly way: \usepackage{courier} %sets \ttdefault \usepackage[scaled]{helvet} %sets \sfdefault \usepackage{mathptmx} %sets \rmdefault and math fonts To use courier+helvetica+palatino, the last of those lines should be: \usepackage{mathpazo} %sets \rmdefault and math fonts  1, answered,, Summary-line: 3-Jun endell_macqueen@yahoo.com [43] #New Address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 03 Jun 2004 14:55:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i53ItYOg000676; Thu, 3 Jun 2004 14:55:34 -0400 (EDT) Received: from web11502.mail.yahoo.com (web11502.mail.yahoo.com [216.136.172.47]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i53ItCH8013077 for ; Thu, 3 Jun 2004 14:55:13 -0400 (EDT) Message-ID: <20040603185512.3819.qmail@web11502.mail.yahoo.com> Received: from [18.98.3.61] by web11502.mail.yahoo.com via HTTP; Thu, 03 Jun 2004 11:55:12 PDT Date: Thu, 3 Jun 2004 11:55:12 -0700 (PDT) From: Kendell MacQueen Subject: New Address To: "David C. Jedlinsky" , rls@dimins.com Cc: brad_timmers@yahoo.com In-Reply-To: <200405190206.i4J263sQ011379@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 3 Jun 2004 11:55:12 -0700 (PDT) From: Kendell MacQueen Subject: New Address To: "David C. Jedlinsky" , rls@dimins.com Cc: brad_timmers@yahoo.com In-Reply-To: <200405190206.i4J263sQ011379@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey Dave and Ruth, We're back from Amsterdam (which was lovely, although we missed tulip season) and we've sorted out our new address, so we thought we'd send it along ahead of time. We'll be: Brad and Kendell Timmers 10 Landing Lane Apt. 6C New Brunswick, NJ 08901 That address is effective July 2. We're headed off to Canada on Monday, but we'll be back on June 24, and hope to be able to see you sometime before we move! Kendell (and Brad) PS - Ruth, did you know that Harry Potter opened yesterday in Europe? I've already heard complaints from people who've seen it there, who say the special effects are great, but not based on anything that happens in the book. I want to know how America didn't get the first release date? __________________________________ Do you Yahoo!? Friends. Fun. Try the all-new Yahoo! Messenger. http://messenger.yahoo.com/  1,, Summary-line: 6-Jun nlgilman@MIT.EDU [32] #Re: organic BEEF!!! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 06 Jun 2004 01:36:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i565ZxTt004371; Sun, 6 Jun 2004 01:35:59 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i565Z3eX003583; Sun, 6 Jun 2004 01:35:03 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) (authenticated bits=56) (User authenticated as nlgilman@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i565Z3Om004612; Sun, 6 Jun 2004 01:35:03 -0400 (EDT) Received: (from nlgilman@localhost) by no-knife.mit.edu (8.12.9) id i565Z3NA002897; Sun, 6 Jun 2004 01:35:03 -0400 (EDT) Date: Sun, 6 Jun 2004 01:35:03 -0400 (EDT) Message-Id: <200406060535.i565Z3NA002897@no-knife.mit.edu> From: Nancy Louise Bigler Gilman To: tytso@MIT.EDU CC: dinner@MIT.EDU In-reply-to: <20040602163024.GA14366@thunk.org> (tytso@MIT.EDU) Subject: Re: organic BEEF!!! References: <200405291725.i4THPWoJ019619@no-knife.mit.edu> <20040602163024.GA14366@thunk.org> X-Spam-Score: -9.55 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 6 Jun 2004 01:35:03 -0400 (EDT) From: Nancy Louise Bigler Gilman To: tytso@MIT.EDU CC: dinner@MIT.EDU In-reply-to: <20040602163024.GA14366@thunk.org> (tytso@MIT.EDU) Subject: Re: organic BEEF!!! X-Spam-Score: -9.55 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Date: Wed, 2 Jun 2004 12:30:24 -0400 From: "Theodore Ts'o" On Sat, May 29, 2004 at 01:25:32PM -0400, Nancy Louise Bigler Gilman wrote: > > I am about to place a bulk order for Organic Beef. The minimum order is > a side. So I am looking for people to share it with :-) > > Any of you interested? Hey Nancy, I'd be interested! When do you need to know quantities, cut selection, etc.? I'll know more of the details after I talk with the processor but at this point all I need to know is about how much people might be interested in. Nancy  1,, Summary-line: 6-Jun cordelia@MIT.EDU [126] #Jesam: Dosadni Prehrambeni Zahtjevi X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 06 Jun 2004 16:25:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i56KP3AR027174; Sun, 6 Jun 2004 16:25:03 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i56KOkIE025605 for ; Sun, 6 Jun 2004 16:24:46 -0400 (EDT) Received: from [192.168.8.14] ([217.207.199.114]) (authenticated bits=0) (User authenticated as cordelia@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i56KOjOl023164 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Sun, 6 Jun 2004 16:24:46 -0400 (EDT) Mime-Version: 1.0 (Apple Message framework v618) Content-Transfer-Encoding: 7bit Message-Id: <87473B4B-B7F7-11D8-AD5F-000A95928978@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: sipb-minutes@mit.edu From: Andy Ellis Subject: Jesam: Dosadni Prehrambeni Zahtjevi Date: Sun, 6 Jun 2004 16:24:36 -0400 X-Mailer: Apple Mail (2.618) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: sipb-minutes@mit.edu From: Andy Ellis Subject: Jesam: Dosadni Prehrambeni Zahtjevi Date: Sun, 6 Jun 2004 16:24:36 -0400 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Minutes of the European SIPB Meeting of 31 May through 2004 The meeting was summoned to disorder by bert around 19:00 local. In attendance were Voting members: Associate members: abbe bert cordelia crs fyfer gisele ingolia jweiss marc magdalen nygren Prospectives: johanna, mjaspan@bu.edu, ringrose Guests: a lot Treasurer's Report: jweiss: Vendors do not like giving change for kuna. I have Baybank disease in three currencies. nygren: I have it in four. Chairman's Report: We have many former chairpersons. abbe: bert and I got married. cordelia: We're waiting for the new prospectives. marc: So is Bert's mom. channeling jhawk: This meeting was not announced in advance. gisele: Yes it was channeling jhawk: Not as a SIPB meeting it wasn't. Office Report: nocturne: The weather is great. gisele: We like this sun thing. marc: I move that the SIPB Office Czar in Charge of Special Operations find us a satellite office near Dubrovnik. jweiss: The OCiCoSO is not currently reading his e-mail. [The minutes taker notes that he isn't sending his]. nygren: marc, you do realize that power for air conditioning costs more here than in Cambridge? Office Cleaning Report: cordelia: Office? What office? jweiss: I haven't found us a new office, so there isn't anything to clean yet. nygren: You know, all the swallows and pigeons will make cleaning the Dubrovnik office hard to clean. And you thought Coke in keyboards was bad. MIT Computing Report: '() Computer Services Report: nygren: There are Internet cafes everywhere. cordelia: I have laptop storage for everyone's photos, so you can empty your media here. Backup Report: bert: cordelia should back up those photos before leaving the country. cordelia: I will. [For the record, four CDs of photos went back to the US via an alternate route] ingolia: We have a backup SIPB in Dubrovnik. Publications Report: gisele: Those things that look like streets on your map may actually be staircases. Orientation Report: '() IAP Report: cordelia: If this isn't an independent activity, I don't know what is.... CokeComm Report: '() Other: bert: move to rename marc (marss) to marc (martz). cordelia: Given that we all thought johanna was a member, I'd suggest this meets the nominal requirements. cordelia: Wine and SIPB meetings mix well. nygren: Wine and most SIPB meetings would not mix well. Other Other: marc: More cooking should involve winches. fyfer: SIPB reminds me of my lab, and now I don't have to miss work. The meeting dissolved into chaos around 22:45 local.  1,, Summary-line: 7-Jun kchen@MIT.EDU [42] #SIPB Reunion RSVPs, Namebadges, and Food X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 07 Jun 2004 00:32:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i574W2AR019920; Mon, 7 Jun 2004 00:32:02 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i574VjiG011655; Mon, 7 Jun 2004 00:31:45 -0400 (EDT) Received: from scyther.mit.edu (SCYTHER.MIT.EDU [18.238.3.200]) (authenticated bits=56) (User authenticated as kchen@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i574VgOm014208; Mon, 7 Jun 2004 00:31:42 -0400 (EDT) Received: (from kchen@localhost) by scyther.mit.edu (8.12.9) id i574VfWK002386; Mon, 7 Jun 2004 00:31:41 -0400 Message-Id: <200406070431.i574VfWK002386@scyther.mit.edu> From: Kevin Chen Reply-to: sipb-reunion@MIT.EDU To: sipb-all@MIT.EDU cc: sipb-reunion@MIT.EDU Subject: SIPB Reunion RSVPs, Namebadges, and Food Date: Mon, 07 Jun 2004 00:31:41 -0400 Sender: kchen@MIT.EDU X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Kevin Chen Reply-to: sipb-reunion@MIT.EDU To: sipb-all@MIT.EDU cc: sipb-reunion@MIT.EDU Subject: SIPB Reunion RSVPs, Namebadges, and Food Date: Mon, 07 Jun 2004 00:31:41 -0400 Sender: kchen@MIT.EDU X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) (also BCC'd to all people who have RSVP'd) Hi! The SIPB 35th reunion (June 13 at 1 PM at the Kresge BBQ Pits) is quickly approaching. If you've already RSVP'd, great! Please check http://www.mit.edu/afs/sipb/admin/text/reunion/rsvp.ps or http://www.mit.edu/afs/sipb/admin/text/reunion/rsvp.pdf to verify the information that will appear on your namebadge (including name, username, and membership date), and the amount of food you and your guests will consume. If any of this information is missing or incorrect, please let us know. If you choose the meat option, please verify or let us know how many steaks you will have. If you choose the vegetarian option, please verify or let us know whether you would like tofuburger, portobello mushroom, or both. If you haven't RSVP'd and would like to come (regardless of whether you're a member or a prospective), please RSVP with the above information. While we will be buying a little extra, please RSVP by Tuesday so we can shop appropriately. While we encourage you to continue to RSVP (or even just show up), we can only guarantee enough quantities of the main dish for those who RSVP before Tuesday. Thanks! -- Kevin Chen http://www.sneswhiz.com/  1,, Summary-line: 7-Jun info@savoyardlightopera.o [122] #Savoyard Light Opera Co. to present August 1, 2004 G&S fantasy show X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 07 Jun 2004 15:08:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i57J8sU0010272; Mon, 7 Jun 2004 15:08:54 -0400 (EDT) Received: from fincorp.com (67-69-51-66.reonbroadband.com [66.51.69.67]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i57J8R78000411; Mon, 7 Jun 2004 15:08:27 -0400 (EDT) Received: from fincorpnts1 Brian@fincorp.com [66.51.69.66] by fincorp.com with Novell NIMS $Revision: 2.88.1.1 $ on Novell NetWare; Mon, 07 Jun 2004 14:51:55 -0400 Message-ID: <005b01c44cc1$0cb19420$6e0f230a@fincorp.net> From: "Savoyard Light Opera Company" To: Subject: Savoyard Light Opera Co. to present August 1, 2004 G&S fantasy show Date: Mon, 7 Jun 2004 14:55:48 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Savoyard Light Opera Company" To: Subject: Savoyard Light Opera Co. to present August 1, 2004 G&S fantasy show Date: Mon, 7 Jun 2004 14:55:48 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) THE SAVOYARD LIGHT OPERA COMPANY announces its upcoming presentation of: ========================================== "5/29/1911 - A Gilbert & Sullivan Fantasy" ========================================== Including excerpts from all 14 G&S Operettas Performed by twelve S.L.O.C. G&S Principals One performance only, Sunday, August 1, 2004 @ 2:00 p.m. Air-conditioned Corey Auditorium, Carlisle, Mass. Details, directions, order forms at our website: www.savoyardlightopera.org ***** $2.00 discount on adult tickets in June ***** Or, use this form: - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - PRINT THIS FORM, FILL OUT AND SEND WITH PAYMENT TO THE ADDRESS BELOW OR SAVE TO DISK, FILL OUT, AND EMAIL TO TICKETS@SAVOYARDLIGHTOPERA.ORG - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - T I C K E T M A I L O R D E R F O R M ========================================= Savoyard Light Opera Company P.O. Box 333 Carlisle, MA 01741 (978) 371-SLOC e-mail: tickets@savoyardlightopera.org web: www.savoyardlightopera.org "5/29/1911 - A Gilbert & Sullivan Fantasy" ========================================= Name: _______________________________________________________________ Address: ____________________________________________________________ City: __________________________ State: ________ Zip: ______________ Telephone: ______________________ E-Mail: (optional) ___________________________________ Please enter the ticket quantity desired: Qty: Ticket Type: Price: ====================================== ____ Regular Adult: $12.00 ($10 if ordered by June 30) ____ Senior (60 and over): $10.00 ____ Child (10 and under): $10.00 Note: For this show we are offering open (non-reserved) seating only. Tickets may be picked up at the door beginning one hour before show time. Ticket Total $__________ WE RELY ON YOU ~~~~~~~~~~~~~~ The Savoyard Light Opera Company is a non-profit organization which relies on the generosity of its friends and patrons. We gratefully acknowledge the generous donations we have received in past years and continue this tradition with our Donor Recognition Program. Please consider including a donation with your ticket order. It will help keep us strong in the years ahead. Thanks. Donation Levels: [ ] Supporter- $25+ $________ [ ] Patron - $75+ $________ [ ] Benefactor - $200+ $________ [ ] Sustainer - $500+ $________ [ ] Angel - $1000+ $________ Total Enclosed: $________ ============================================================================ I wish to pay by: [ ] Check (payable to "The Savoyard Light Opera Company" [ ] Credit Card Credit Card Type: [ ] VISA [ ] MasterCard Credit Card Number: ________________________________ Expiration Date: ________ Name on Card: ______________________________________ Please add me to your mailing list (Yes/No) _____ Thanks!  1,, Summary-line: 8-Jun jim@labsoftware.com [653] #singouts and The Mountebanks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Jun 2004 11:58:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i58Fw6t7017060; Tue, 8 Jun 2004 11:58:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i58Fuqs1024269 for ; Tue, 8 Jun 2004 11:56:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i58FtvTJ001833; Tue, 8 Jun 2004 11:55:58 -0400 (EDT) Date: Tue, 8 Jun 2004 11:55:57 -0400 (EDT) Message-Id: <200406081541.i58FfdGb021309@mail5.atl.registeredsite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: singouts and The Mountebanks MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=____1086709299696_P_inXebMA+" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Openwave WebEngine, version 2.8.11 (webedge20-101-194-20030622) X-Spam-Score: -3.062 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 8 Jun 2004 11:55:57 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: singouts and The Mountebanks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.062 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=____1086709299696_P_inXebMA+ Content-Type: text/plain; charset=ISO8859-1 Content-Transfer-Encoding: 7bit The next time someone wants to plan a suitable singout venue, out score for The Mountebanks is ready for a test drive. 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(po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Jun 2004 14:13:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i58IDot3017568; Tue, 8 Jun 2004 14:13:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i58IDm5d025369 for ; Tue, 8 Jun 2004 14:13:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i58ID1TJ019184; Tue, 8 Jun 2004 14:13:01 -0400 (EDT) Date: Tue, 8 Jun 2004 14:13:01 -0400 (EDT) Message-Id: <82.de3699c.2df75a55@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Sam's sing-in 2004 review pt. 3 (long) MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1086718037" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5028 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 8 Jun 2004 14:13:01 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Sam's sing-in 2004 review pt. 3 (long) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1086718037 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi, guys! Yes, this last part took forever.....illness, 3 different relatives visiting 3 weeks in a row (that's what you get when you live in Orlando!)....you know the drill. Here is the third and final part of the review....hope you enjoy! After The Chieftan, we essayed PATIENCE. The ladies chorus really seemed to enjoy those low notes, and we heard from our Ladies Ella (Marion Leeds-Carroll) and Angela (Emily Gouillart) for the first time, with Leta Hall's Saphir coming in shortly afterward. Rebecca Hains was a delightful Patience....her first aria suited her voice down to the ground, although she didn't give us the alternate high ending, which she obviously has the range and agility for. (Turned out she didn't have a copy of the alternate ending, so I sent her one last week.) All of her solo turns here showed what a great part this is for her. :-) After another round of the ladies chorus (2 and counting) we injected some testosterone into the proceedings with the men's rousing 'soldiers' chorus, with pianist Stuart M. keeping things moving briskly, and Laurie Weissbrot as the Colonel, who had to take over the role from Richard Holmes (who, as we mentioned earlier, was singing at the MET), did a nice job with his patter song, settling in nicely after a slightly rough opening. Bunthorne made his first appearance (more about this later), and the following double chorus went very well. Another ladies chorus (that's 3) followed, and then more from the boys, and then Eric Peterson finally got to do his thing as Bunthorne. His 'thing' being that he came on with a pink beret (that he found at a thrift store earlier that week!) and flower....hilarious! (I got pictures of this). He was also excellent in his patter song. In the duet that followed, poor Emily, who had accidentally prepared Ella instead of Angela, was helped out by certain members of the chorus when the harmonies went astray. That's one thing you can always count on at a sing-in....lots of helpers! Emily helped me out later on in Yeomen, which I will explain later. By the way, it's just too bad Gilbert didn't give the ladies more duets, this one being one of only 3 in the canon, and so delightful. Next Tyler Hains got to sing with his wife Rebecca, and everyone chuckled knowingly on his line, "will you marry me?" Poor Tyler was ill, but aquitted himself very well. The usual encore to this duet was called for, and received. :-) After Stuart played the entire intro, we all jumped into the act 1 finale, with appropriate cymbal sound effects. We finally got to hear the versatile 'baritenor' Dave Jedlinsky as the Duke, and when he asked all to sigh, we got a combination of sighs and one "oy"! I love the part when the men go into 3-part and then all into 4-part harmony under the Duke at the end, and wish the balance had been better, as a couple of the guys seemed to forget that the Duke is singing the melody! Bunthorne 'put himself up to be raffled for', complete with a huge red roll of tickets, which he handed out to all the ladies present (I still have mine, Eric!). The pink beret was employed to draw them from, and I have to say we ladies rattled off our patter response to Bunthorne with the precision of a group that had drilled for weeks! Next our Lady Jane, Jennifer Sharron-Stock, she of large, plummy voice, made her first entrance, and all her interactions with Bunthorne were played for full humor! Sam had to wait a long time to utter Major's first solo line, "exactly so". The sextet was lovely, and we had a rousing ending, where you can even hear our baritone Duke holding the high A with Patience, but I wonder if he went up for that high C....well, Dave? ;-) Another ladies chorus (that's 4 now) started act 2, and we got Jennifer's Jane with appropriately spread legs! Then ladies chorus #5 (even we ladies didn't seem to mind the fast tempo on this one, after so many of them!), and Tyler's magnet/churn song, which really suits his voice well, as does the whole role. We also got some nice dancing on the Jane/Bunthorne duet, and the guys' trio was hilariously choreographed on the spot by Dave, Sam, and Laurie, of which much picture evidence exists (I think I took about a dozen shots of this one number, which will be posted on SavoyNot). Stuart's playing on the quintet was superb....the cleanest rythmically I have ever heard on this song, which really makes the number work, and which is really hard to do. This is a real point with me, as one of the pianists in our local G&S group just can't play it, and it takes the sparkle out of this wonderful number. The show was crowned with a lively finale, and then on to our last, YEOMEN. Andi was back on the piano, and Emily as Phoebe got to sing a role she did at Sam's qwert last year. Sam had to call for an on-the-spot volunteer for 1st Yeoman, for which Jon Ichikawa gallantly offered his services, though he is but a baritone! Some folks had to wait for this show for their first solos, and Sylvan Kesilman's well-prepared 2nd Yeoman was one of them. An interesting sidelight of recording sing-ins is the chorus sound you happen to get for each show, as the microphone naturally picks up the folks who are sitting closest to it, and people switch seats all day. For the opening choruses of this show, we had several VERY fine baritones/basses by the mike, and it was marvelous! Leslie Middlebrook, who we heard last year as an extremely professional Duchess of PT, was fantastic as Dame Carruthers....unfortunately she had to leave early, which meant that we needed a substitute for her last 2 ensembles....more of that later. The following trio had Emily, with Jim Cooper as Leonard, and Laurie W. as Meryll. Last year's Leonard, Eric P., was a fine Lieutenant. Lee Patterson was another who had to wait 'til the bitter end to sing, and his sensitive and musical Fairfax had poignancy, because of his physical limitations, that saved him from the usual disdain the character engenders. Particularly when he sang the second aria, 'Free from his fetters grim---free to depart; Free both in life and limb, in all but heart", his disability added an extra dimension, and the text never had such an effect before... absolutely killed me. It was also very affecting to watch Marion, as Elsie, who had to be seated, and Lee singing together. Marion brought the proper vocal weight to her role, which we don't often hear. Marc Shepherd, who had been a name to me up to now, finally made an appearance, as Point. I particularly liked how he sat himself down cross-legged on the floor in front of the others in "a man who would woo a fair maid". He and Daniel Kelly, a sing-in debutant as Wilfred, made a nice contrast to each other in their duets. Daniel's first efforts were helped along by our usual sing-in stalwarts. The men's chorus got to make up for the relative scarcity of their parts in Patience by the gusto with which they sang in Yeomen. Actually, I have noticed at every singout or qwert that I've been to, where this show was performed, the men always really go to town! I think if we did a poll 'favorite shows ranked by men's choruses', it would be up there with Iolanthe. I absolutely LOVE the lyrical sections of 'night has spread her pall once more'....superb example of Gilbert's verbal and Sullivan's musical poetry working together as though from one mind. The soprano part is very satisfying to sing, and apparently the guys think so, too, since one of two of them were doing it falsetto! There wasn't a lot of room for dancing in the following duet, but the guys tried anyway, since Sullivan's spritely music demands it! I had always wanted to sing Kate, since 'strange adventure' is such a great quartet, and I finally got to. We all enjoyed ourselves, and never lost pitch.....wooohoooo! Andi kept things moving in the 'stone/lead' number, and the following trio and quartet, which are some of the best in the canon, were extremely well done....bravi! Next we found ourselves Dameless, as Leslie had had to leave, so Sam again asked for a volunteer for 'rapture, rapture', and as no one else stepped up, I went for it, with my best contralto voice! I sometimes sing the contralto parts back home in my G&S group, so it wasn't that much of a stretch for me, but I must have been really excited, as I rushed like crazy...sorry, Andi! (It struck me as an interesting twist, as Laurie and I were up there singing that duet near the end of the show, that the year before we had stood in the same spots and sang Point and Elsie!) But the subbing didn't end there. As we went into the finale, someone reminded us that Carruthers is in the trio....uh, oh! Here's where Emily saved the day and completely redeemed her earlier Angela/Ella gaffe. I admitted that I would have to fake the Dame's part, but that I had inadvertently practiced Phoebe's part (somehow I got the idea that Kate sang that part...doh!...Emily wasn't the only one!). Emily said she knew the Dame's part, so we switched, and ended up with Marion on top, me in the middle, and Emily at the bottom! If Emily had not been a woman of parts...literally!...we would not have sounded as good as we did. Really, this is the essence of what an informal qwert is all about, isn't it? :-) The finale started off with more falsetto guys....really, they do it so well, one wonders...hmmmm. Anyway, the guys also had to put in an 'ah--oo--gah' in to help out the piano orchestra, after 'this is our joy day unalloyed', but otherwise we finished appropriately, as Marc fell over, and lost the contents of his pockets in the process....living for his art, just like Tosca! Afterwards, many of us walked a couple of blocks up the street for chinese food, and finished the evening off with 'Hail, poetry', which the patrons of the very small take out joint seemed to enjoy as much as we did. On Sunday, Sam took us on his usual entertaining tour of Manhattan, including Chinatown, where I was able to buy a really good Mikado fan, one of those fabric ones that snaps really loudly. A great weekend! Thanks so much to Sam for hosting this well-organized event every year, and to everyone else who contributed their talents! Elise Curran Orlando -------------------------------1086718037 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Hi, guys!
 
Yes, this last part took forever.....illness, 3 different relatives vis= iting 3 weeks in a row (that's what you get when you live in Orlando!)....yo= u know the drill.  Here is the third and final part of the review....ho= pe you enjoy!
 
After The Chieftan, we essayed PATIENCE.  The ladies chorus really= seemed to enjoy those low notes, and we heard from our Ladies Ella (Marion=20= Leeds-Carroll) and Angela (Emily Gouillart) for the first time, wi= th Leta Hall's Saphir coming in shortly afterward.  Rebecca Hains was a= delightful Patience....her first aria suited her voice down to the ground,=20= although she didn't give us the alternate high ending, which she obviously h= as the range and agility for.  (Turned out she didn't have a copy=20= of the alternate ending, so I sent her one last week.)  All of her solo= turns here showed what a great part this is for her.  :-)
 
After another round of the ladies chorus (2 and counting) we injected s= ome testosterone into the proceedings with the men's rousing 'soldiers' chor= us, with pianist Stuart M. keeping things moving briskly, and Laurie Weissbr= ot as the Colonel, who had to take over the role from Richard Holmes (who, a= s we mentioned earlier, was singing at the MET), did a nice job with his pat= ter song, settling in nicely after a slightly rough opening.  Bunthorne= made his first appearance (more about this later), and the following double= chorus went very well.
 
Another ladies chorus (that's 3) followed, and then more from the boys,= and then Eric Peterson finally got to do his thing as Bunthorne.  His=20= 'thing' being that he came on with a pink beret (that he found at a thrift s= tore earlier that week!) and flower....hilarious! (I got pictures of this).&= nbsp; He was also excellent in his patter song.  In the duet that follo= wed, poor Emily, who had accidentally prepared Ella instead of Angela, was h= elped out by certain members of the chorus when the harmonies went astray.&n= bsp; That's one thing you can always count on at a sing-in....lots of helper= s!  Emily helped me out later on in Yeomen, which I will explain later.= By the way, it's just too bad Gilbert didn't give the ladies more duets, th= is one being one of only 3 in the canon, and so delightful.
 
Next Tyler Hains got to sing with his wife Rebecca, and everyone chuckl= ed knowingly on his line, "will you marry me?"  Poor Tyler was ill, but= aquitted himself very well.  The usual encore to this duet was called=20= for, and received.  :-)
 
After Stuart played the entire intro, we all jumped into the act 1 fina= le, with appropriate cymbal sound effects.  We finally got to hear the=20= versatile 'baritenor' Dave Jedlinsky as the Duke, and when he asked all to s= igh, we got a combination of sighs and one "oy"!  I love the part=20= when the men go into 3-part and then all into 4-part harmony under the Duke=20= at the end, and wish the balance had been better, as a couple of the gu= ys seemed to forget that the Duke is singing the melody!   Bunthor= ne 'put himself up to be raffled for', complete with a huge red roll of tick= ets, which he handed out to all the ladies present (I still have mine, Eric!= ).  The pink beret was employed to draw them from, and I have to say we= ladies rattled off our patter response to Bunthorne with the precision of a= group that had drilled for weeks!  Next our Lady Jane, Jennifer Sharro= n-Stock, she of large, plummy voice, made her first entrance, and all her in= teractions with Bunthorne were played for full humor!  Sam had to wait=20= a long time to utter Major's first solo line, "exactly so". &= nbsp; The sextet was lovely, and we had a rousing ending, where you can even= hear our baritone Duke holding the high A with Patience, but I wonder if he= went up for that high C....well, Dave?  ;-)
 
Another ladies chorus (that's 4 now) started act 2, and we got Jen= nifer's Jane with appropriately spread legs!  Then ladies chorus #5 (ev= en we ladies didn't seem to mind the fast tempo on this one, after so m= any of them!), and Tyler's magnet/churn song, which really suits his voice w= ell, as does the whole role.   We also got some nice dancing on th= e Jane/Bunthorne duet, and the guys' trio was hilariously choreographed on t= he spot by Dave, Sam, and Laurie, of which much picture evidence exists (I t= hink I took about a dozen shots of this one number, which will be posted on=20= SavoyNot).
 
Stuart's playing on the quintet was superb....the cleanest rythmically=20= I have ever heard on this song, which really makes the number work, and whic= h is really hard to do.  This is a real point with me, as one of the pi= anists in our local G&S group just can't play it, and it takes the spark= le out of this wonderful number.
 
The show was crowned with a lively finale, and then on to our last, YEO= MEN.  Andi was back on the piano, and Emily as Phoebe got to sing a rol= e she did at Sam's qwert last year. Sam had to call for an on-the-spot=20= volunteer for 1st Yeoman, for which Jon Ichikawa gallantly offered his servi= ces, though he is but a baritone!  Some folks had to wait for this show= for their first solos, and Sylvan Kesilman's well-prepared 2nd Yeoman=20= was one of them.
 
An interesting sidelight of recording sing-ins is the chorus sound you=20= happen to get for each show, as the microphone naturally picks up the folks=20= who are sitting closest to it, and people switch seats all day.  For th= e opening choruses of this show, we had several VERY fine baritones/bas= ses by the mike, and it was marvelous!
 
Leslie Middlebrook, who we heard last year as an extremely professional= Duchess of PT, was fantastic as Dame Carruthers....unfortunately she had to= leave early, which meant that we needed a substitute for her last 2 ensembl= es....more of that later.  The following trio had Emily, with Jim Coope= r as Leonard, and Laurie W. as Meryll. Last year's Leonard, Eric P., was a f= ine Lieutenant.
 
Lee Patterson was another who had to wait 'til the bitter end to sing,=20= and his sensitive and musical Fairfax had poignancy, because of his phy= sical limitations, that saved him from the usual disdain the character engen= ders.  Particularly when he sang the second aria, 'Free from his fetter= s grim---free to depart;  Free both in life and limb, in all but heart"= , his disability added an extra dimension, and the text never= had such an effect before... absolutely killed me.  It was also v= ery affecting to watch Marion, as Elsie, who had to be seated, and=  Lee singing together. Marion brought the proper vocal w= eight to her role, which we don't often hear.
 
Marc Shepherd, who had been a name to me up to now, finally made an app= earance, as Point.  I particularly liked how he sat himself down cross-= legged on the floor in front of the others in "a man who would woo a fair ma= id".  He and Daniel Kelly, a sing-in debutant as Wilfred, made a nice c= ontrast to each other in their duets.  Daniel's first efforts were help= ed along by our usual sing-in stalwarts.
 
The men's chorus got to make up for the relative scarcity of their= parts in Patience by the gusto with which they sang in Yeomen.  Actual= ly, I have noticed at every singout or qwert that I've been to, where this s= how was performed, the men always really go to town!  I think if we did= a poll 'favorite shows ranked by men's choruses', it would be up there with= Iolanthe.
 
I absolutely LOVE the lyrical sections of 'night has spread her pall on= ce more'....superb example of Gilbert's verbal and Sullivan's musical poetry= working together as though from one mind.  The soprano part is very sa= tisfying to sing, and apparently the guys think so, too, since one of two of= them were doing it falsetto!  There wasn't a lot of room for dancing i= n the following duet, but the guys tried anyway, since Sullivan's spritely m= usic demands it!
 
I had always wanted to sing Kate, since 'strange adventure' is such a g= reat quartet, and I finally got to.  We all enjoyed ourselves, and neve= r lost pitch.....wooohoooo! 
 
Andi kept things moving in the 'stone/lead' number, and the following t= rio and quartet, which are some of the best in the canon, were extremel= y well done....bravi!
 
Next we found ourselves Dameless, as Leslie had had to leave,= so Sam again asked for a volunteer for 'rapture, rapture', and as no one el= se stepped up, I went for it, with my best contralto voice!  I som= etimes sing the contralto parts back home in my G&S group, so it wasn't=20= that much of a stretch for me, but I must have been really excited, as=20= I rushed like crazy...sorry, Andi!  (It struck me as an interesting twi= st, as Laurie and I were up there singing that duet near the end of the show= , that the year before we had stood in the same spots and sang Point and Els= ie!)
 
But the subbing didn't end there.  As we went into the f= inale, someone reminded us that Carruthers is in the trio....uh, oh!&nb= sp; Here's where Emily saved the day and completely redeemed her earlier&nbs= p;Angela/Ella gaffe.  I admitted that I would have to fake the Dam= e's part, but that I had inadvertently practiced Phoebe's part (somehow I go= t the idea that Kate sang that part...doh!...Emily wasn't the only one!).&nb= sp; Emily said she knew the Dame's part, so we switched, and ended up w= ith Marion on top, me in the middle, and Emily at the bottom!  If=20= Emily had not been a woman of parts...literally!...we would not have sounded= as good as we did.  Really, this is the essence of what an informal qw= ert is all about, isn't it?  :-)
 
The finale started off with more falsetto guys....really, they do it so= well, one wonders...hmmmm.  Anyway, the guys also had to put= in an 'ah--oo--gah' in to help out the piano orchestra, after 'this is our=20= joy day unalloyed', but otherwise we finished appropriately, as Marc fell ov= er, and lost the contents of his pockets in the process....living for his ar= t, just like Tosca!
 
Afterwards, many of us walked a couple of blocks up the street for= chinese food, and finished the evening off with 'Hail, poetry', w= hich the patrons of the very small take out joint seemed to enjoy as much as= we did.  On Sunday, Sam took us on his usual entertaining tour of Manh= attan, including Chinatown, where I was able to buy a really good Mikad= o fan, one of those fabric ones that snaps really loudly.  A great week= end! 
 
Thanks so much to Sam for hosting this well-organized event every year,= and to everyone else who contributed their talents!
 
Elise Curran
Orlando  
 
 
 
 
 
 
 
 
 
 
 
-------------------------------1086718037--  1,, Summary-line: 8-Jun warlord@MIT.EDU [38] #Chris is coming to town, so let's have a cookout. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Jun 2004 21:27:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i591RSt3011252; Tue, 8 Jun 2004 21:27:28 -0400 (EDT) Received: from ihtfp.org (PENGUIN.IHTFP.ORG [204.107.200.4]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i591REld026519; Tue, 8 Jun 2004 21:27:14 -0400 (EDT) Received: from dogbert.ihtfp.org (me@DOGBERT.IHTFP.ORG [204.107.200.33]) by ihtfp.org (8.12.9/DAA19991208) with ESMTP id i591QSFO007211 for ; Tue, 8 Jun 2004 21:26:28 -0400 Received: (from warlord@localhost) by dogbert.ihtfp.org (8.12.9) id i591QRJp015809; Tue, 8 Jun 2004 21:26:27 -0400 To: Christopher C Marchant Cc: warlord@MIT.EDU, aurora@MIT.EDU Subject: Chris is coming to town, so let's have a cookout. From: Derek Atkins Date: Tue, 08 Jun 2004 21:26:27 -0400 Message-ID: User-Agent: Gnus/5.1003 (Gnus v5.10.3) Emacs/21.1 (gnu/linux) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Christopher C Marchant Cc: warlord@MIT.EDU, aurora@MIT.EDU Subject: Chris is coming to town, so let's have a cookout. From: Derek Atkins Date: Tue, 08 Jun 2004 21:26:27 -0400 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey all (bcc'd to a bunch of people), Chris is coming to town this weekend, so we're throwing a BBQ/cookout at our house in his honor. In addition to munchies and drinks we also plan to have makings for kebobs and we'll grill them "to order". Indy and Roo will also be here to entertain you all. The festivities will start around 5pm on Sunday, June 13th -- we'll fire up the grill sometime 6ish. Who : A bunch of people we know What : A party to see Chris and each other. Where: 6 Farragut Ave, Somerville. When : Sunday, June 13, 5:00pm until Chris gets tired RSVP so we know how much food to get. If we don't hear from you by 5pm on Friday the 11th we might not get enough food for you. Directions are available from Mapquest. If you have questions feel free to email or phone us at 617-623-0791. We look forward to hearing from you and then seeing you this weekend. -derek and heather -- Derek Atkins, SB '93 MIT EE, SM '95 MIT Media Laboratory Member, MIT Student Information Processing Board (SIPB) URL: http://web.mit.edu/warlord/ PP-ASEL-IA N1NWH warlord@MIT.EDU PGP key available  1,, Summary-line: 9-Jun chris@sounds-on-cd.co.uk [45] #Re: Not to toot my own horn, but... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jun 2004 19:27:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i59NRDw6009101; Wed, 9 Jun 2004 19:27:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i59NRBWO026425 for ; Wed, 9 Jun 2004 19:27:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i59NQSTJ028510; Wed, 9 Jun 2004 19:26:28 -0400 (EDT) Date: Wed, 9 Jun 2004 19:26:28 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Re: Not to toot my own horn, but... MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 9 Jun 2004 19:26:28 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Re: Not to toot my own horn, but... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here are two threads brought together... I think it was last week that David asked if any of us had a talent that we felt someone else did better. My late response is Playing the uke-banjo, and my idol George Formby played it better. Now we're being asked if any of us play instruments. My response is Yes, the banjolele, but not as well as George Formby. When I was a kid I was quite promising on the piano but I play very badly nowadays though I can play "Home Sweet Home" on the mouth-organ (harmonica to the posh ones out there) so long as I'm allowed to use my fingers so I only blow or suck down one hole at a time. (Few people will know that George Formby also played the gob-iron - I have recorded evidence of him in a medley with the Morton Fraser Harmonica Gang (and he also played THAT better than me too!! (;-)) )) .. So, this bloke walks into a pet-shop. He says to the shop keeper "There's been a terrible accident outside. A car has just run over a little mouse. Have you any mouse-organs?" [Audience groan at this point (if you've told it right!!)]. The shop-keeper looked very disturbed and asked "It wasn't a little brown mouse with a pink tail was it?", "Yes" the bloke replied. "Oh no!" said the shop-keeper in distress, "that was my own little pet mouse. That was ... [drum roll, here's the punchline] ... 'Our Monica' " [With apologies to Max Miller, c.1955] Regards Chris.  1,, Summary-line: 9-Jun oakapple@cris.com [40] #Re: Rollins & Witts on CD? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jun 2004 19:51:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i59Npjw6018901; Wed, 9 Jun 2004 19:51:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i59NpFAF014445 for ; Wed, 9 Jun 2004 19:51:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i59NoWTJ028863; Wed, 9 Jun 2004 19:50:32 -0400 (EDT) Date: Wed, 9 Jun 2004 19:50:32 -0400 (EDT) Message-Id: <40C7A131.5000803@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Rollins & Witts on CD? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040609141128.43752.qmail@web41605.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 9 Jun 2004 19:50:32 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Rollins & Witts on CD? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040609141128.43752.qmail@web41605.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Daniel Florip wrote: > If memory serves, a few years ago some Savoynetters > were talking about putting Rollins & Witts onto > CDs. Has anything developed with this undertaking? That's not the discussion I recall. Savoynetter George Low has for some years been working on a greatly expanded new edition of the book. There was some discussion of banding together to help him with the menial labour inherent in such an enormous project, but for various reasons George prefers to work alone at this time. I still believe that George would benefit by the collaboration, but we can't force him to accept help he does not want. If anyone spoke of putting R&W, as it stands on CD, I don't recall it, and the idea certainly didn't get very far. I transcribed one page of R&W to a PDF file, just to show what was possible with modern typesetting, and put it on the web. It isn't there any more, but I'm happy to send it to anyone by private e-mail. It was always my view that the book would need to be updated to reflect errors and discoveries since R&W last published. -- Marc Shepherd New York, NY  1,, Summary-line: 10-Jun YesTisMabel@aol.com [69] #Sam's sing-in Chieftain pics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Jun 2004 00:57:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5A4vfw6025345; Thu, 10 Jun 2004 00:57:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5A4vdnt015254 for ; Thu, 10 Jun 2004 00:57:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5A4utTJ001627; Thu, 10 Jun 2004 00:56:55 -0400 (EDT) Date: Thu, 10 Jun 2004 00:56:55 -0400 (EDT) Message-Id: <137.2ff29b6c.2df940e1@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Sam's sing-in Chieftain pics MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1086842593" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5028 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 10 Jun 2004 00:56:55 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Sam's sing-in Chieftain pics X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1086842593 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi guys! In case I forgot to mention it before, the pictures I took at Sam's sing-in a few weeks ago of The Chieftain :-) have been posted on SavoyNot, so if you want to see Doug Whaley's puppets, or observe for yourself how good Ruth Jedlinksy is at making hats, check it out. Yahoo! Groups : SavoyNot or http://groups.yahoo.com/group/SavoyNot/ Click on "photo", and then look for the album that says "Sam's sing-in 2004". Each show is in a separate folder, and there's also one for candids, which are not all posted yet. The Patience pictures are almost ready, and the others to follow. Then we can get some sound files up there........ Elise Curran Orlando "you only need a button press, and we do all the rest..." -------------------------------1086842593 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Hi guys!
 
In case I forgot to mention it before, the pictures I took at Sam's sin= g-in a few weeks ago of The Chieftain :-) have been posted on SavoyNot, so i= f you want to see Doug Whaley's puppets, or observe for yourself how good Ru= th Jedlinksy is at making hats, check it out.
Yahoo! Groups : Sav= oyNot  or    http://groups.yahoo.com/group/SavoyNot/  &nb= sp; Click on "photo", and then look for the album that says "Sam's sing-in 2= 004". Each show is in a separate folder, and there's also one for candids, w= hich are not all posted yet.
 
The Patience pictures are almost ready, and the others to follow. = Then we can get some sound files up there........
 
Elise Curran
Orlando
"you only need a button press, and we do all the rest..."
<= /HTML> -------------------------------1086842593--  1,, Summary-line: 10-Jun jtkohl@MIT.EDU [24] #in search of: automobile MP3 solutions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Jun 2004 08:39:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5ACdAFV002235; Thu, 10 Jun 2004 08:39:10 -0400 (EDT) Received: from kolvir.arlington.ma.us (kolvir.arlington.ma.us [140.239.227.34]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5ACcuLP020093; Thu, 10 Jun 2004 08:38:56 -0400 (EDT) Received: from desktop.john.kohl.name (kolvir.ne.client2.attbi.com [24.128.235.50]) by kolvir.arlington.ma.us (8.11.6p3/JTK20030411) with ESMTP id i5ACcsh12415; Thu, 10 Jun 2004 08:38:54 -0400 (EDT) Received: (from jtk@localhost) by desktop.john.kohl.name (8.11.6p3/JTK20030311) id i5ACcrB01097; Thu, 10 Jun 2004 08:38:53 -0400 (EDT) Date: Thu, 10 Jun 2004 08:38:53 -0400 (EDT) Message-Id: <200406101238.i5ACcrB01097@desktop.john.kohl.name> From: John Kohl To: tech-toys@mit.edu, dinner@mit.edu Subject: in search of: automobile MP3 solutions X-US-Snail: 34 James Street, Arlington, MA 02474 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 10 Jun 2004 08:38:53 -0400 (EDT) From: John Kohl To: tech-toys@mit.edu, dinner@mit.edu Subject: in search of: automobile MP3 solutions X-US-Snail: 34 James Street, Arlington, MA 02474 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm looking for a good solution for MP3 playing in my and my wife's cars. (2002 Passat, 2003 Jetta). VW sells an integrated unit (PhatBox) which you load on your PC and plug into the CD changer connectors on the radio, but it's not cheap. Other solutions I've seen suggested include various ways of hooking up portable MP3 players to the audio system (FM transmitters, custom wiring, cassette/mini-plug adapters) and various ways of powering/charging them while driving. Do any of you have suggestions/experience here? -- ==John Kohl , Home page:  1,, Summary-line: 10-Jun SSilvers@sskfny.com [33] #Ocarina -- How to make one X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Jun 2004 10:54:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5AEsAFV020833; Thu, 10 Jun 2004 10:54:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5AEs7ZS016824 for ; Thu, 10 Jun 2004 10:54:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5AErHTJ023043; Thu, 10 Jun 2004 10:53:17 -0400 (EDT) Date: Thu, 10 Jun 2004 10:53:17 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Ocarina -- How to make one Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 10 Jun 2004 10:53:17 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Ocarina -- How to make one Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a picturesque reference, but I'm not familiar with it. What is an Ocarina? I looked on the Internet. It turns out that I have one and didn't know it: Ocarina, the first wind instrument The ocarina is known by many names, past and present. Sand dollar, tune carrier, song maker, Loon impersonator. An ocarina made in the tradition of thousands of years past is formed of wet terra cotta into a myriad of shapes. Everything from faces to fishes to suns and moons. One shape traced to ancient times appears to be the image of a sand dollar. Each one painstakingly takes shape after being worked and formed by hand. No two should be alike, as each must find its own spirit. Played first when wet this assures that the ocarina has found its individual sound. A basic shape would be the oval, sized to fit in the palm of your hand. Forms each half, top and bottom, separately. Crimp the two sides together, remember to leave a blow hole along this crimped edge. After the two sides are together, pucker up or crimp up a small area. Then slide a smooth stiff item (a thinner knife would work) into this small crimped up edge. For reference, this is now the bottom edge of the ocarina. Two holes must then be placed in the bottom flat side, one towards bottom edge center and a smaller hole slightly higher off to the side. The larger hole about half the width of a pencil. On the top, or face of the ocarina, four holes need to be placed* two towards the bottom, each off to a side*the other two above these, both more towards the cen! ter. The only way to perfect the actual shaping though is through trial and error. Decorations, such as the same lines you would see on a sand dollar, can be carved into the clay at this time also. These then must then be air dried for several days. Next, it is time to build the pit fire.... After a nice bed of coals has built up start to set the ocarinas on the edge of the fire.... Over several hours, anywhere from six on up, slowly move them in to the coals themselves. Next, get your smothering material. This will deprive the fire of oxygen after it has burned for many hours. Called oxidation, it gives each ocarina its own distinct color and sturdy, useable finish. As the fire cools down, you can start to carefully retrieve the finished ocarinas from the pit. The finished product will be durable and washable.  1,, Summary-line: 11-Jun pnh@dsl.pipex.com [56] #Re: Air -The Fall of Paris (and other forgotten music) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 11 Jun 2004 16:10:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5BK9lkD017916; Fri, 11 Jun 2004 16:10:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5BK9AGh004682 for ; Fri, 11 Jun 2004 16:09:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5BK8OTJ007925; Fri, 11 Jun 2004 16:08:24 -0400 (EDT) Date: Fri, 11 Jun 2004 16:08:24 -0400 (EDT) Message-Id: <006201c44fef$7e909880$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: Air -The Fall of Paris (and other forgotten music) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 11 Jun 2004 16:08:24 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: Air -The Fall of Paris (and other forgotten music) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) When looking for scores of once popular, but now obscure pieces of music, it is worth searching: The Lester S Levy Music Collection at http://levysheetmusic.mse.jhu.edu/ The scores are in jpg format, and although a bit fuzzy, can usually be deciphered. Music for the Nation at http://memory.loc.gov/ammem/mussmhtml/mussmhome.html The scores here are clear tiff files, but take longer to download. The National Library of Australia at http://www.nla.gov.au/music/index.html Not as much material as the other two - but I have found items of interest here. Only those items with illustrations in the catalogue are scanned. Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 13-Jun nlgilman@MIT.EDU [28] #Here is more info about the beef X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) (authenticated user=nlgilman@MIT.EDU bits=0) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 13 Jun 2004 23:59:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5E3x39f022455; Sun, 13 Jun 2004 23:59:03 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5E3wxZs008220; Sun, 13 Jun 2004 23:58:59 -0400 (EDT) Received: (from nlgilman@localhost) by department-of-alchemy.mit.edu (8.12.9) id i5E3wwwZ021866; Sun, 13 Jun 2004 23:58:58 -0400 (EDT) Date: Sun, 13 Jun 2004 23:58:58 -0400 (EDT) Message-Id: <200406140358.i5E3wwwZ021866@department-of-alchemy.mit.edu> From: Nancy Louise Bigler Gilman To: nlgilman@MIT.EDU Subject: Here is more info about the beef X-Spam-Score: -0.908 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 13 Jun 2004 23:58:58 -0400 (EDT) From: Nancy Louise Bigler Gilman To: nlgilman@MIT.EDU Subject: Here is more info about the beef X-Spam-Score: -0.908 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have talked with the processor and at this point we could put an order in any day now and have it ready just a few days later. The meat ends up in about these ratios: 25% high quality steak (filet, sirloin, etc.) 50% roast quality meat (Rump, Round, Flank etc.) 25% stew and ground beef quality meat (brisket, flank, shank etc.) In a 20lb "share" one would get 5lbs of steak, 10 lbs of roasts/sirloin tips/flank "steaks", and 5 lbs of stew or ground beef. What I need now are peoples preferences about stew vs ground beef and tips v roasts etc. so I can fill in the cutting sheet. Got to run... Nancy  1,, Summary-line: 14-Jun ichikawa@gmail.com [35] #Would you Singout in Houston? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 14 Jun 2004 01:42:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5E5go9f019928; Mon, 14 Jun 2004 01:42:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5E5gn1T026592 for ; Mon, 14 Jun 2004 01:42:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5E5gBTJ005712; Mon, 14 Jun 2004 01:42:11 -0400 (EDT) Date: Mon, 14 Jun 2004 01:42:11 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Would you Singout in Houston? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 14 Jun 2004 01:42:11 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Would you Singout in Houston? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Although I've moved on to Rhode Island for most of the year, I am back in Houston this summer, and I was speaking yesterday with a board member for the Houston Gilbert & Sullivan Society about possible events that the group could sponsor other than the annual summer show. I suggested hosting a singout sometime, and inviting Savoynet members and whomever else wanted to come. Stressing that this is still at the brainstorming stage and would be at some extremely indeterminite point somewhere between the middle distance and the far-off horizon, do you think that you would be willing to come out to Houston, Texas to sing some G&S sometime? Private responses seem appropriate. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, Summary-line: 14-Jun to: cchomka@MIT.EDU [25] #Alumni parking issue X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 14 Jun 2004 12:35:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5EGZ9va010496; Mon, 14 Jun 2004 12:35:09 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5EGYpnN027931; Mon, 14 Jun 2004 12:34:51 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5EGYoOm022440; Mon, 14 Jun 2004 12:34:51 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5EGYoWw002289; Mon, 14 Jun 2004 12:34:50 -0400 (EDT) Date: Mon, 14 Jun 2004 12:34:50 -0400 (EDT) Message-Id: <200406141634.i5EGYoWw002289@multics.mit.edu> From: "David C. Jedlinsky" To: cchomka@MIT.EDU Subject: Alumni parking issue X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 14 Jun 2004 12:34:50 -0400 (EDT) From: "David C. Jedlinsky" To: cchomka@MIT.EDU Subject: Alumni parking issue X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Ms. Chomka, Thank you for spending the time to discuss the off-hours parking issue with Ruth and me during last week's alumni reunion. I have been speaking with several other alums during the week, and they have similar concerns about being able to park in the gated lots as well. Would it be helpful to have them contact you directly? We are eager to hear of any progress, especially if it results in being able to use an alumni ID card to open the parking gates in the evenings and on weekends. Thank you. David C. Jedlinsky '89 opus@alum.mit.edu  1,, Summary-line: 14-Jun cchomka@MIT.EDU [22] #(Away from my e-mail) Re: Alumni parking issue X-Coding-System: undecided-unix Return-Path: <@po9.mit.edu> Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 14 Jun 2004 12:35:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5EGZHva010574; Mon, 14 Jun 2004 12:35:17 -0400 (EDT) Received: from po11.mit.edu (PO11.MIT.EDU [18.7.21.73]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5EGZGGi016467 for ; Mon, 14 Jun 2004 12:35:16 -0400 (EDT) Received: by po11.mit.edu (8.12.4/4.7) id i5EGZGvr020459; Mon, 14 Jun 2004 12:35:16 -0400 (EDT) Message-ID: Date: Mon, 14 Jun 2004 12:35:16 -0400 X-Sieve: CMU Sieve 2.2 From: (via an auto-responder) To: Subject: (Away from my e-mail) Re: Alumni parking issue In-Reply-To: <200406141634.i5EGYoWw002289@multics.mit.edu> Auto-Submitted: auto-replied (auto-responder) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 14 Jun 2004 12:35:16 -0400 X-Sieve: CMU Sieve 2.2 From: (via an auto-responder) To: Subject: (Away from my e-mail) Re: Alumni parking issue In-Reply-To: <200406141634.i5EGYoWw002289@multics.mit.edu> Auto-Submitted: auto-replied (auto-responder) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I will be out of the office Friday, June 11 and Monday, June 14. During this time I will not be checking email and voicemail. If you have any urgent questions or concerns, please contact Mare Freed at 617-252-1144 or the Alumni Association main office at 617-253-8200. Thank you, Cyndi Chomka MIT Alumni Association 617-252-1491  1,, Summary-line: 15-Jun ahumez@TheWorld.com [17] #Hapgood video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 15 Jun 2004 09:59:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5FDxHvJ018453; Tue, 15 Jun 2004 09:59:17 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [192.74.137.142]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5FDxGBC027733 for ; Tue, 15 Jun 2004 09:59:16 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.theworld.com [192.74.137.71]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id i5FDt06f006725 for ; Tue, 15 Jun 2004 09:55:09 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id JAA7114182 for ; Tue, 15 Jun 2004 09:47:52 -0400 (EDT) Message-Id: <200406151347.JAA7114182@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@MIT.EDU Subject: Hapgood video Date: Tue, 15 Jun 2004 09:47:52 -0400 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@MIT.EDU Subject: Hapgood video Date: Tue, 15 Jun 2004 09:47:52 -0400 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, Could you let me know what likely ETA on the Hapgood video is? Thanks Andrea  1,, Summary-line: 15-Jun jim@labsoftware.com [46] #A mini singout- Gondo chorus score needed X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 15 Jun 2004 21:53:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5G1rKvJ006102; Tue, 15 Jun 2004 21:53:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5G1rJII003322 for ; Tue, 15 Jun 2004 21:53:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5G1rDTJ019469; Tue, 15 Jun 2004 21:53:13 -0400 (EDT) Date: Tue, 15 Jun 2004 21:53:13 -0400 (EDT) Message-Id: <6.1.0.6.2.20040615215201.02f46740@pop.registeredsite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: A mini singout- Gondo chorus score needed Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <2e2d22652c7d1163238d3f857f4900d0@www.blargmail.com> X-Mailer: QUALCOMM Windows Eudora Version 6.1.0.6 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 15 Jun 2004 21:53:13 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: A mini singout- Gondo chorus score needed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <2e2d22652c7d1163238d3f857f4900d0@www.blargmail.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >The Fairfield County Chorale (Connecticut, USA) sponsors 5-6 summer sings >of major choral works each summer in August. This summer, one of these evenings is "An Evening of Gilbert and Sullivan." With my connivance, I have persuaded them to do large portions of works, instead of "greatest hits." They will be doing Trial By Jury - complete Iolanthe - Act I Finale The Sorcerer - Act I Finale Gondoliers - Opening number Yeomen of The Guard - Act I Finale. Admission is $5, and $2 more to rent scores. Details at http://fairfieldcountychorale.org/FCChorale/summer.htm If anyone has a chorus score to Gondoliers, and could either copy the whole first number or loan me the score to copy, I'd be most appreciative as they are usually much shorter for duplication purposes. Private replies on this point, please. I still need to cover several roles if anyone is interested, contact me. Jim Cooper Wilton, CT who when he is tired of beef, determines to tackle the mutton.  1,, Summary-line: 16-Jun rls@dimins.com [24] #Getting together tomorrow (Thurs.) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 16 Jun 2004 10:38:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5GEccWx028005; Wed, 16 Jun 2004 10:38:38 -0400 (EDT) Received: from sam-sheepdog.dimins.com ([67.153.64.2]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5GEcQj8023061; Wed, 16 Jun 2004 10:38:26 -0400 (EDT) Received: (from mail@localhost) by sam-sheepdog.dimins.com (8.11.6p2/8.7.1) id i5GEM6K22161; Wed, 16 Jun 2004 10:22:06 -0400 Received: from pooh.dimins.com(192.168.2.198) by sam-sheepdog.dimins.com via smap (V2.0) id xma022159; Wed, 16 Jun 04 10:21:49 -0400 Date: Wed, 16 Jun 2004 10:38:06 -0400 Subject: Getting together tomorrow (Thurs.) Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) Cc: Len Giambrone , Ken Raeburn , Opus To: Christopher Marchant From: Ruth Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 16 Jun 2004 10:38:06 -0400 Subject: Getting together tomorrow (Thurs.) Cc: Len Giambrone , Ken Raeburn , Opus To: Christopher Marchant From: Ruth Jedlinsky X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Chris, Dave says he should be able to make it to Cambridge by 6:30 for dinner. Why don't we meet at the Bertucci's on Main St. at 6:45. I remembered that you probably haven't seen the "new" Tech Square, besides the Stata Center. Ken has offered his place after that for video watching. Len and Ken were also interested in joining us for these activities. If anyone isn't able to make it, let me know so we won't be waiting for you, or so we can change timing. Ruth  1, answered,, Summary-line: 16-Jun xiphmont@xiph.org [31] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 16 Jun 2004 19:04:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5GN4EWx016647; Wed, 16 Jun 2004 19:04:14 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5GN4Dqu026818 for ; Wed, 16 Jun 2004 19:04:13 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id D995FDC115; Wed, 16 Jun 2004 19:04:12 -0400 (EDT) Date: Wed, 16 Jun 2004 19:04:12 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Message-ID: <20040616230412.GB14962@xiph.org> References: <200406161916.i5GJGXmr013763@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406161916.i5GJGXmr013763@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 16 Jun 2004 19:04:12 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406161916.i5GJGXmr013763@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, Jun 16, 2004 at 03:16:33PM -0400, David C. Jedlinsky wrote: > > Hey Monty. > > How goes the sweetening? I'm nearly done with the other things needed > to finish the DVD. Snotfish blew up shortly after the party and I just got it back together again last night. I'll be running deverb on the soundtrack tonight. Given that I plan to do multiple passes at different levels of aggressiveness, the render will probably take most of a day. Do you also want crossediting across the various deverb sessions to generally choose the best one at a given time? That will probably also take the better part of a work day. Monty  1,, Summary-line: 16-Jun ulahlica@yahoo.com [87] #The Brigands - the new GWOS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 16 Jun 2004 20:15:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5H0F7Wx011945; Wed, 16 Jun 2004 20:15:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5H0F6Mh004985 for ; Wed, 16 Jun 2004 20:15:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5H0F1TJ028430; Wed, 16 Jun 2004 20:15:01 -0400 (EDT) Date: Wed, 16 Jun 2004 20:15:01 -0400 (EDT) Message-Id: <20040617000022.6755.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: The Brigands - the new GWOS MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 16 Jun 2004 20:15:01 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: The Brigands - the new GWOS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Judge my excitement today when my package from Amazon.com arrived. I had only ordered the OLO DUKE and BRIGANDS a few days ago when Andrew gave the timely announcement that Amazon was running out of copies. It's an excellent production but I had a strange reaction to it. I'm very familiar with the original BRIGANDS but I think I still approached this as if it would be a new Savoy opera. As I listened, I couldn't shake the need for an amorous contralto or a patter-singing baritone to appear. My desire for something Gilbertian to happen increased as the story evolved. For the most part, it was well sung and most of the words were understandable. The lead soprano was weak, though. Annoying, actually. I was glad the "male lead" was sung by a tenor and not done as the usual trouser role. The enclosed booklet reads "in the delightful English translation by W.S. Gilbert" and "his arch lyrics give the Offenbach work a uniquely hilarious quality." Well, I don't know what they're talking about. I read along with the music and didn't chuckle even once. The rhymes are neat and respectable but not clever in the slightest. They don't even sound like Gilbert. After reading all the ads, I was expecting something more. Of course, we all know Gilbert wasn't happy with his translation either. I always guessed this to mean the translation would be inaccurate, silly, or maybe scanned poorly. But it's just blah. In fact, the libretto only sounds English in origin in the dialogue. Any particular moment of the recording sounds wonderful - but by the last half hour I was praying it would end. No fault of Gilbert's, hearing it in English only drove home the realization that so little was happening. In fact, the plot synopsis in the booklet is just two small paragraphs. It's a "must have" and a "don't expect too much" all rolled into one. All this is subject to change after my second listening. There's much more to say but I'm not going to hog it all. (-8 Now to listen to DUKE and see if I can understand what Sam was saying about the dialogue. John S LI NY __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, Summary-line: 16-Jun MusikDrama@aol.com [116] #Re: Who Wilfred gonna call? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 16 Jun 2004 22:49:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5H2nLWx029187; Wed, 16 Jun 2004 22:49:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5H2nJZp024391 for ; Wed, 16 Jun 2004 22:49:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5H2nETJ000103; Wed, 16 Jun 2004 22:49:14 -0400 (EDT) Date: Wed, 16 Jun 2004 22:49:14 -0400 (EDT) Message-Id: <42.50afab2d.2e025d7b@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Who Wilfred gonna call? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 16 Jun 2004 22:49:14 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Who Wilfred gonna call? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 6/16/04 5:15:25 PM, leon.berger@virgin.net writes: >Bruce, having consulted (I believe) the autograph confirmed it was 'friend'. I can confirm Leon's recollection. Bruce helped me considerably with my own researches into "Jealous Torments" when I was editing the orchestra parts and creating a piano arrangement for the rehearsals for Seattle G&S's performance in 2000. On the subject of "fiend" vs. "friend," he wrote to me as follows: In a message dated 5/22/00 2:30:54 PM, BMILLER@holycross.edu writes: >The New York Public Library's full score, copied by Greinnert in 1888 for >the NY premiere, contains probably the most accurate rendering of the text, >both music and words. It never got to opening night, so there really is >no "definitive" text. The Greinnert score has "friend" not "fiend" by >the way, > >I don't know if the Licensing copy submitted to the Lord Chamberlain's >office has the words or not. Although, like others who have responded to this thread, I personally favor " friend" (we used it for the Seattle performances), I can see how someone who wanted to use "fiend" might justify it. The implication would be that when Wilfred favorably compares the idea of sitting on redhot coals to loving a heartless jade, he is picturing himself in Hell, where there would be many fiends available to perform the kindly service he has in mind. Lucifer's realm, Wilfred feels, is preferable to the hell which he (Wilfred) currently inhabits. That is certainly a valid interpretation, and is almost certainly what they had in mind on the New D'Oyly Carte recording. However, like Derrick, I think "friend" is much funnier. In a message dated 6/16/04 5:15:25 PM, leon.berger@virgin.net writes: >When preparing this song for the Bruce Miller/Helga Perry gig 'From the >Cutting room Floor' at Buxton in 1999 I raised this point (among other >textual anomalies) with Bruce. [Donald Adams's recording of Wilfred's aria >throws up yet further variations]. Indeed, there were many decisions to make in coming up with a "definitive" text (which, as Bruce said, does not actually exist). I had three different sources to work from, each with its own miniscule variants in the text, punctuation and melodic line (in the last of which categories Bruce's assistance was particularly invaluable). I simply had to make the best choices I could, to come up with a (to me) satisfactory performing version. Obviously these choices were entirely subjective, and anyone else has as much right as I have to choose which version they prefer. If anyone's interested, here's the version I provided for the Seattle performance (though, as I recall, Dave Ross occasionally substituted slightly different words in the actual performance, which is a typical occurence in any performance situation): When jealous torments rack my soul My agonies I can't control; Oh, better sit on redhot coal Than love a heartless jade! The redhot coal will hurt, no doubt, But redhot coals in time die out, But jealousy you cannot rout; Its fires will never fade. It's much less painful on the whole To go and sit on redhot coal 'Til you're completely flayed, Or ask some kindly friend to crack Your wretched bones upon the rack, Than love a heartless jade! The kerchief on your neck of snow I look on as a deadly foe, It goeth where I may not go, And stops there all day long! The belt that holds you in its grasp Is to my peace of mind a rasp, It claspeth what I may not clasp, Correct me if I'm wrong! It's much less painful on the whole, etc. The bird that breakfasts on your lip, I would I had him in my grip, He suppeth where I may not sip, I can't get over that. The cat you fondle, soft and sly, He lieth where I may not lie. We're not on terms, that cat and I, I do not like that cat! It's much less painful on the whole, etc. Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 17-Jun xiphmont@xiph.org [38] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jun 2004 02:32:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5H6WMWx003276; Thu, 17 Jun 2004 02:32:22 -0400 (EDT) Received: from lips.xiph.org (HOTASS-3.MIT.EDU [18.101.1.43]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5H6WLpK025022 for ; Thu, 17 Jun 2004 02:32:21 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id 07373DC115; Thu, 17 Jun 2004 02:31:44 -0400 (EDT) Date: Thu, 17 Jun 2004 02:31:44 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Message-ID: <20040617063144.GA18554@xiph.org> References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406170055.i5H0tlS2020781@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jun 2004 02:31:44 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406170055.i5H0tlS2020781@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, Jun 16, 2004 at 08:55:47PM -0400, David C. Jedlinsky wrote: > > >Snotfish blew up shortly after the party and I just got it back > >together again last night. I'll be running deverb on the soundtrack > >tonight. Given that I plan to do multiple passes at different levels > >of aggressiveness, the render will probably take most of a day. > > Okay. > > >Do you also want crossediting across the various deverb sessions to > >generally choose the best one at a given time? That will probably > >also take the better part of a work day. > > Do you mean you going over the sessions manually to make a custom > edit, or is there something you need to do to the mix to allow me to > do that? I wonder whether it's worth it to pick and choose, or if > it's better to just find the one that does the best average job and > leave it at that, and forget the crossediting. I was talking about doing four or so passes at varying levels of aggressiveness, then listen through and just crossfade between them if one is clearly superior. This may well not be neccessary. Monty  1,, Summary-line: 17-Jun ulahlica@yahoo.com [53] #RE: Entrances X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jun 2004 18:33:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5HMX6Oa026719; Thu, 17 Jun 2004 18:33:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5HMX6gR008907 for ; Thu, 17 Jun 2004 18:33:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5HMX1TJ022686; Thu, 17 Jun 2004 18:33:01 -0400 (EDT) Date: Thu, 17 Jun 2004 18:33:01 -0400 (EDT) Message-Id: <20040617221904.12658.qmail@web60206.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: Entrances MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jun 2004 18:33:01 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: Entrances X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Chris wrote... ***act two of the ENO/Miller Mikado opens with the ladies 'discovered' in a swirling line each attending to the back of the hair of the lady in front, which I think makes a quite beautiful stage picture...John, if I'm right perhaps a 'screen grab' could be put online?*** Coincidentally, just yesterday I was clearing out memory and almost deleted this page I made of the ENO MIKADO last year. But I liked the pictures so much I decided to keep it. I've put it back online and here it is, complete with the females chorus's raven hair: http://community-2.webtv.net/Earthflash/Mikado/ One of the things I liked best about the ENO productions (considering that I didn't like the whole take-it-out-of-Japan idea in the first place) was the old movie special effects. I'm still freaked out by the dancing headless bellboys though! I hope someday someone *will* write a comic opera that takes place in a 1920's seaside resort. John S LI NY __________________________________ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail  1,, Summary-line: 17-Jun spelvin214@sbcglobal.net [106] #Re: Making lyrics easy to sing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jun 2004 18:33:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5HMXbOa026861; Thu, 17 Jun 2004 18:33:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5HMXaFs026066 for ; Thu, 17 Jun 2004 18:33:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5HMXUTJ022781; Thu, 17 Jun 2004 18:33:31 -0400 (EDT) Date: Thu, 17 Jun 2004 18:33:30 -0400 (EDT) Message-Id: <004c01c454b9$4ca9dce0$0742fea9@sbcglobal.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: spelvin214@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Joe Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Making lyrics easy to sing MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0049_01C4548F.620EA540" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.806 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jun 2004 18:33:30 -0400 (EDT) Reply-To: spelvin214@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Joe Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Making lyrics easy to sing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.806 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C4548F.620EA540 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I've felt for decades now that Gilbert gave absolutely *no* thought to = how easy or difficult his lyrics were to sing ... or what notes Sullivan = would later attach to them. As Steve Lichtenstein pointed out, in his inimitable fashion, "Sloane = Square and South Kensington Stations" is a good example. These words = don't float trippingly off the tongue of even the greatest = professionals. As for Gilbert being able to be "sung to varying degrees of = accomplishment by everyone" -- that's an opinion with which it is = impossible to argue, as long as "incredibly lousy" is recognized as one = of the degrees of accomplishment. Sticking with the "Nightmare Song" -- how aptly named! -- even John Reed = couldn't quite pull off "the black silk with gold clocks." Impreccable = diction is more or less out of the question at that point. Anyway, I reiterate that Gilbert, who expected everyone to rise to his = lofty standards, probably never thought once, much less twice, about the = ease or difficulty with which his lyrics could be sung. I also don't = think Sullivan cared about it, either. They expected professionals to = handle whatever came their way. Joe Miller spelvin214@sbcglobal.net ------=_NextPart_000_0049_01C4548F.620EA540 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I've felt for decades now that Gilbert = gave=20 absolutely *no* thought to how easy or difficult his lyrics were to sing = .. or=20 what notes Sullivan would later attach to them.
 
As Steve Lichtenstein pointed out, in = his=20 inimitable fashion, "Sloane Square and South Kensington Stations" is a = good=20 example.  These words don't float trippingly off the tongue of even = the=20 greatest professionals.
 
As for Gilbert being able to be "sung = to varying=20 degrees of accomplishment by everyone" -- that's an opinion with which = it is=20 impossible to argue, as long as "incredibly lousy" is recognized as one = of the=20 degrees of accomplishment.
 
Sticking with the "Nightmare Song" -- = how aptly=20 named! -- even John Reed couldn't quite pull off "the black silk with = gold=20 clocks."  Impreccable diction is more or less out of the question = at that=20 point.
 
Anyway, I reiterate that Gilbert, who = expected=20 everyone to rise to his lofty standards, probably never thought once, = much less=20 twice, about the ease or difficulty with which his lyrics could be = sung.  I=20 also don't think Sullivan cared about it, either.  They expected=20 professionals to handle whatever came their way.
 
Joe Miller
spelvin214@sbcglobal.net
------=_NextPart_000_0049_01C4548F.620EA540--  1,, Summary-line: 17-Jun ichikawa@gmail.com [132] #I do mean a love potion! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jun 2004 18:34:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5HMY6Oa027075; Thu, 17 Jun 2004 18:34:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5HMY6gR009743 for ; Thu, 17 Jun 2004 18:34:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5HMY1TJ022875; Thu, 17 Jun 2004 18:34:01 -0400 (EDT) Date: Thu, 17 Jun 2004 18:34:01 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: I do mean a love potion! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jun 2004 18:34:01 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: I do mean a love potion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The following is somewhat long and the real meat of the issue is off-topic, but there is an interesting G&S connection that I'll make near the end. For discussion of the non-G&S part, reply off-list or on my blog where I discuss the issue at http://ichikawa.blogspot.com/2004_06_01_ichikawa_archive.html#108750729139424050. There are also links to the stories I read on my blog. The short version: recent biological research demonstrates that a certain kind of 'love potion' may be more plausible than we all think. Interesting moral and other philosophical issues arise, including a startling parallel to Alexis and Aline's Act II argument. ------ Researchers at Emory University recently made a fascinating discovery. They noticed a difference in social patterns between two closely-related species: the meadow vole and the prairie vole. The prairie vole mates for life, while the meadow vole runs around and sleeps with lots of different prarie voles over the course of his life. The scientists went looking for the biological explanation, and found it in a single gene: "The researchers, in essence, were able to change the meadow vole's natural propensity to philander by inserting a single gene that changed the way the pleasure centre in their brains worked. After a single treatment, they became as monogamous as prairie voles." (Globe and Mail) Monogamous relationships are rare in the animal kingdom. The Seattle Times story says that fewer than 5% of mammal species typically mate for life, including prairie voles and humans. And now scientists have a lead on the biochemical basis for monogamous instincts. What if they learned how to adapt the monogamization procedure for commitment-phobic humans? (USA Today begins their coverage of this study with the question, "Could the day come when a simple bit of gene therapy might cure infidelity?") Obviously, even assuming it's possible to develop drugs in that direction, it's a ways off from this interesting discovery about hormones in voles. But just the apparent plausibility of such a procedure raises a whole host of fascinating and potentially troubling questions. My co-worker John raised one of them this afternoon: devotion that is caused by a drug is no devotion at all. The idea, I think, is that a couple's commitment is cheapened or is less genuine if it is achieved with the help of a breakthrough in medical technology. (But we should ask: if I am severely depressed and overcome my self-loathing with the help of counselling and medication, does this cheapen or make less genuine my emotional recovery?) Another question has to do with responsibility. Any time we observe obvious physical influences on the part of mental life that we take to be the product of free will, issues about free will and responsibility come up. That's a very general problem, though, and I won't talk any more about it here. But what about this question (also rising from conversation with John): if I take a commitment pill, and it successfully causes me to remain faithful to my wife, am I remaining faithful of my own free will? My instinct is that I am, but John's isn't, and I feel the force behind John's point of view. After all, it's the drug that made me do it. (It may also become relevant whether I voluntarily and understandingly took the drug of my own free will.) Brad Templeton (who runs a fascinating blog that I've only just discovered) raises another issue: "[T]his story made me wonder about how people might try to alter the concept of marriage." Imagine there was a gene therapy which would improve the chances that you would remain in love with the one you currently love. Might couples want to take it when getting married? (Or, more practically, after a few years of test marriage and before children are begun.) And more to the point, if this became popular, might there arise pressure to do so, even for those who don't particuarly want it? One can imagine injecting the virus to deliver the gene at the wedding, truly sealing the bonds of love. (It's unlikely that the romantic idea of transmitting the virus in the first marital kiss would be a good idea.) But what if it starts coming down to "Honey, why won't you take the gene therapy? Don't you love me enough? I'll take it for you!" How will we answer that?" Brad asks a very good question, and suddenly Gilbert's Topsy-Turvy scene The Sorcerer looks a lot less Topsy-Turvy. ALINE. How joyful they all seem in their new-found happiness! .. ALEXIS. But one thing remains to be done, that my happiness may be complete. We must drink the philtre ourselves, that I may be assured of your love for ever and ever. ALINE. Oh, Alexis, do you doubt me? Is it necessary that such love as ours should be secured by artificial means? Oh, no, no, no! ALEXIS. My dear Aline, time works terrible changes, and I want to place our love beyond the chance of change. ALINE. Alexis, it is already far beyond that chance. Have faith in me, for my love can never, never change! ALEXIS. Then you absolutely refuse? ALINE. I do. If you cannot trust me, you have no right to love me - no right to be loved by me. ALEXIS. Enough, Aline, I shall know how to interpret this refusal. To me, this is a reminder that the abstract and difficult questions that philosophers deal with in agency theory, normative ethics, and moral psychology really are critically important. We really might have to deal with these questions about 'love potions' some day. If and when we do, it'd be great if we could go into the process armed with the correct theory of moral responsibility. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, Summary-line: 18-Jun ulahlica@yahoo.com [172] #Re: making lyrics easier to sing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jun 2004 16:40:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5IKe7j2018721; Fri, 18 Jun 2004 16:40:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5IKe6ZC011998 for ; Fri, 18 Jun 2004 16:40:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5IKdQTJ004294; Fri, 18 Jun 2004 16:39:26 -0400 (EDT) Date: Fri, 18 Jun 2004 16:39:26 -0400 (EDT) Message-Id: <20040618202501.58586.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: making lyrics easier to sing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <801457df89.7df8980145@email.bigpond.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jun 2004 16:39:26 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: making lyrics easier to sing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <801457df89.7df8980145@email.bigpond.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jana quoted me... ***did Gilbert really give consideration for which rhyme is easier to sing? I'm a lyricist and I don't.*** Not so fast there, Jana. You left off the "maybe I should" part and made me look unreasonable! (-8 Jana then wrote... ***Even when one is reciting rather than singing, I like to make the words flow easily off the tongue.*** Is this a standard among writers? (I'm asking.) Sure, the singer wants the easiest-to-sing lyrics but I prefer lyrics with a little snap to them. I don't like words that always flow smoothly. Sharon wrote... ***One of the reasons G&S is so popular is that it's a jolly good sing and can be sung to varying degrees of accomplishment by everyone. It would hardly be popular if the majority of people couldn't get their tongues around the lyrics.*** True but you have inverted the A proposition! When I wrote "I don't take into consideration which rhyme is easier to sing" I didn't mean "I don't care about the singer and I like to write impossible lyrics." I meant when two rhymes are possible ("shy" and "sly" for example) I would definitely use the one that made more sense and not let which one was easier to sing take precedence. I'm guessing but I would thing Gilbert would make sing-a-bility a second consideration also. ***Really? I have seen maybe 15 or 20, perhaps even more, productions of Pirates and have never heard it yelled.*** OK - I confess - I've only heard it yelled a *few* times. Ann Drummond-Grant did it in the DOC PIRATES, for example. Sarah wrote... ***I've heard that Gilbert generally had a tune in his head when he was writing his songs, and Sullivan asked Gilbert not to tell him the song because then Sullivan wouldn't be able to get it out of his head*** Right. I've heard that too. Scott Farrell also insists I not tell him what song I was thinking of when we collaborate. But I'm not sure I believe this about Gilbert. Too many of his songs have complex and unique rhyme structures. What could he possible be using as a base melody? Jonathan wrote... ***I remember the exception being "When I was a lad" from PINAFORE (a song with an unusually irregular meter).*** Tell me about it! Many of the songs I've parodied (I'm sure the other parodists can back me up) have very irregular meters and it's hard to set to the exact same melody. With GASBAGS LTD, it was a major challenge just figuring out what Gilbert had done with the meter in the UTOPIA finale - even before I wrote new lyrics. (This is not the quite the same thing but when I'm writing parody, as with GASBAGS, I already know where the high notes will be and switch my priorities. I make sure there are no difficult syllables on the high notes or in difficult passages. That's just being practical. Other-wise, I would trust the composer not to set high notes on difficult words.) Speaking of irregular rhythms, I'm presently having a major head-ache setting the Unction-Junction song from THESPIS. There are meter exceptions all over the place. Just last week I had shown it to Scott saying I didn't think it would be possible for a baritone to be able to breath with the way I was setting it. So it's not like I never think about the singer. Have a listen if you care. As per SOP, I tried to give it the feel of a run-a-away train. I've only gotten as far as the first two verses: http://www.geocities.com/ulahlica/THESPIS/Thespis06.html Sam wrote... ***Very few lyricists were as good as Gilbert at making words easy to sing.*** Could anyone give examples of some famous lyricists whose lyrics are *not* easy to sing? Elise (and others) wrote... ***As for the lyrics being easy to sing, most of the comments I hear about them are that they're very difficult, but they grow on you, you get used to them, and then you actually like them.*** As I stated, I'm no singer and wouldn't know but judging by the fact that a Gilbertian libretto can be seen as one giant vocabulary lesson - including foreign words, you would think his lyrics would *have* to be harder to sing. But that's just a speculation. Joe wrote... ***Sticking with the "Nightmare Song" -- how aptly named! -- even John Reed couldn't quite pull off "the black silk with gold clocks."*** At the LOOM, which I've gone on and on about, the popular and completely capable Raymond Allen would pull up his pants and pause for a second at that part. He made a joke out of it and it worked. ***Anyway, I reiterate that Gilbert, who expected everyone to rise to his lofty standards, probably never thought once, much less twice, about the ease or difficulty with which his lyrics could be sung.*** I think so too. I also think it's the lyricist's job to make his words the best they can be even if they're impossible to sing. The composer's job is to work around the problems in the libretto and slow down the beat when the difficult lyrics come. The singer's job is to mispronounce words where-ever necessary and get a nice sound that will impress the audience. (OK - OK - I'm closing with a joke. Got ya!) John S LI NY Librettist Composer Bum __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo  1,, Summary-line: 18-Jun jclockwood@78s2cd.com [39] #RE: Help with record speed adjustment X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jun 2004 18:50:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5IMoXj2016763; Fri, 18 Jun 2004 18:50:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5IMoVI5026552 for ; Fri, 18 Jun 2004 18:50:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5IMnlTJ007170; Fri, 18 Jun 2004 18:49:47 -0400 (EDT) Date: Fri, 18 Jun 2004 18:49:47 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: Help with record speed adjustment MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.0.1.1.0.20040618213046.01c9da20@pop3.tiscali.co.uk> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jun 2004 18:49:47 -0400 (EDT) Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: Help with record speed adjustment X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.0.1.1.0.20040618213046.01c9da20@pop3.tiscali.co.uk> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > -----Original Message----- > From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On > Behalf Of Adam Cuerden > Sent: Friday, June 18, 2004 1:38 PM > To: Multiple recipients of list SAVOYNET > Subject: RE: Help with record speed adjustment > > > > >Veering OT, how did the world decide it wanted records > >to rotate at 78, 80, 33 1/3 etc? These are such odd > >numbers. > > > At a guess, "convenient gear-ratios for a certain brand of cheap motor" > > Surprisingly there's apparently some truth in that. See: http://history.acusd.edu/gen/recording/speeds.html  1,, Summary-line: 18-Jun ulahlica@yahoo.com [73] #Don't "Wake Me Up" when I Go-Go X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jun 2004 19:12:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5INCWj2023722; Fri, 18 Jun 2004 19:12:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5INCUI5007701 for ; Fri, 18 Jun 2004 19:12:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5INBsTJ007358; Fri, 18 Jun 2004 19:11:54 -0400 (EDT) Date: Fri, 18 Jun 2004 19:11:54 -0400 (EDT) Message-Id: <20040618230555.15456.qmail@web60206.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Don't "Wake Me Up" when I Go-Go MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jun 2004 19:11:54 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Don't "Wake Me Up" when I Go-Go X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I forgot the original subject line for the G&S funeral tunes but I wanted to put in my two cents. Pardon me for being so contrary but I can't imagine having G&S operetta music played or sung at my wake. It seems so inappropriate and, even worse, I would be sad to leave my friends saying, "Every time I hear 'Three Little Maids From School' now I'll think of my poor dead friend John Spartan." I'd prefer to have selection from Sullivan's serious chamber music. Like these samples: http://tinyurl.com/3gzcm I'm not crazy about the idea of a wake in the first place. How depressing. When I go, just think about me for a minute, tell yourself what an incredible unique superior person I was, and then just forget about me. We'll all end up in the same place soon enough. I would rather not even be stuck in a coffin. I want to be thrown in a hole so I can quickly go back into the earth. But nooooo.... the health authorities say that's infectious. If I can't get thrown in a hole, I'd much rather be cut up and thrown off the back of a boat as chum. I don't think I'll be able to get anyone to do that though. So here's plan C: I haven't minded living a single life but, strange to tell, I feel uncomfortable about being buried off somewhere by myself. After all, all my relatives are in military graves. I like to be buried next to my parents but noooooo.... We have a lot of single people here so this is my plan. We start our own cemetery where we can be buried together. We'll all be buried in the costume of our favorite G&S character and put in the appropriate opera section. We'll call the cemetery "Topsy Turvy Plots." I guess this is all pretty dark but I'm serious! John "I'm not dead yet" Spartan __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1, answered,, Summary-line: 18-Jun xiphmont@xiph.org [52] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jun 2004 23:57:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5J3vej2012085; Fri, 18 Jun 2004 23:57:40 -0400 (EDT) Received: from lips.xiph.org (HOTASS-6.MIT.EDU [18.101.1.48]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5J3veZC017186 for ; Fri, 18 Jun 2004 23:57:40 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id AC5F4DC115; Fri, 18 Jun 2004 23:57:01 -0400 (EDT) Date: Fri, 18 Jun 2004 23:57:01 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Message-ID: <20040619035701.GC18554@xiph.org> References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406170055.i5H0tlS2020781@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jun 2004 23:57:01 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406170055.i5H0tlS2020781@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, Jun 16, 2004 at 08:55:47PM -0400, David C. Jedlinsky wrote: > > >Snotfish blew up shortly after the party and I just got it back > >together again last night. I'll be running deverb on the soundtrack > >tonight. Given that I plan to do multiple passes at different levels > >of aggressiveness, the render will probably take most of a day. > > Okay. > > >Do you also want crossediting across the various deverb sessions to > >generally choose the best one at a given time? That will probably > >also take the better part of a work day. > > Do you mean you going over the sessions manually to make a custom > edit, or is there something you need to do to the mix to allow me to > do that? I wonder whether it's worth it to pick and choose, or if > it's better to just find the one that does the best average job and > leave it at that, and forget the crossediting. After I've done a few render passes, it's clear that for the most part, leaving the songs alone is best and the dialogue has one good average. The only exception is dialogue happening over the Millenium Falcom rumble; I need to back off the deverb in the bass/midrange for that. Overall, it's not quite as cool as I hoped; it sounds like there's a fairly heavy compressor/limiter on the recording and it messes up a fundamental assumption of the deverber (that reverb energy dies away exponentially). So, I can only kill echos in the middle, then the audio level shoots back up and the deverber thinks it's new sound energy that should go through. It's still better than nothing, but not quite as magic as it usually is. Also, the left channel has *alot* of clipping in it. The digital recording I have isn't overranged, so it must have happened at an earlier stage. Was the original recording clipped? Monty  1,, Summary-line: 19-Jun warlord@MIT.EDU [32] #Re: No Lillypilly X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 19 Jun 2004 12:43:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5JGhEMo016525; Sat, 19 Jun 2004 12:43:14 -0400 (EDT) Received: from dogbert.ihtfp.org (DOGBERT.IHTFP.ORG [204.107.200.33]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5JGhDT1006101 for ; Sat, 19 Jun 2004 12:43:13 -0400 (EDT) Received: (from warlord@localhost) by dogbert.ihtfp.org (8.12.9) id i5JGhDAO008717; Sat, 19 Jun 2004 12:43:13 -0400 To: "David C. Jedlinsky" Subject: Re: No Lillypilly References: <200406191636.i5JGa8dK012678@multics.mit.edu> From: Derek Atkins Date: Sat, 19 Jun 2004 12:43:12 -0400 In-Reply-To: <200406191636.i5JGa8dK012678@multics.mit.edu> (David C. Jedlinsky's message of "Sat, 19 Jun 2004 12:36:08 -0400 (EDT)") Message-ID: User-Agent: Gnus/5.1003 (Gnus v5.10.3) Emacs/21.1 (gnu/linux) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" Subject: Re: No Lillypilly From: Derek Atkins Date: Sat, 19 Jun 2004 12:43:12 -0400 In-Reply-To: <200406191636.i5JGa8dK012678@multics.mit.edu> (David C. Jedlinsky's message of "Sat, 19 Jun 2004 12:36:08 -0400 (EDT)") X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've got plenty more in my basement, so feel free to keep the bottle. Thanks for looking. -derek "David C. Jedlinsky" writes: > I couldn't find any wines by Lillypilly in the NH liquor stores. Do > you want the bottle back for any reason? Maybe we'll look when we go > to Ohio in July. > > -Dave > > -- Derek Atkins, SB '93 MIT EE, SM '95 MIT Media Laboratory Member, MIT Student Information Processing Board (SIPB) URL: http://web.mit.edu/warlord/ PP-ASEL-IA N1NWH warlord@MIT.EDU PGP key available  1, answered,, Summary-line: 19-Jun xiphmont@xiph.org [75] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 19 Jun 2004 19:54:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5JNsJMo011957; Sat, 19 Jun 2004 19:54:19 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5JNsICj005501 for ; Sat, 19 Jun 2004 19:54:18 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id CE100DC115; Sat, 19 Jun 2004 19:54:13 -0400 (EDT) Date: Sat, 19 Jun 2004 19:54:13 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Message-ID: <20040619235413.GA30030@xiph.org> References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406191624.i5JGOl3W012471@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 19 Jun 2004 19:54:13 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406191624.i5JGOl3W012471@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Sat, Jun 19, 2004 at 12:24:47PM -0400, David C. Jedlinsky wrote: > > >Date: Fri, 18 Jun 2004 23:57:01 -0400 > >From: Monty > > > >After I've done a few render passes, it's clear that for the most > >part, leaving the songs alone is best and the dialogue has one good > >average. The only exception is dialogue happening over the Millenium > >Falcom rumble; I need to back off the deverb in the bass/midrange for > >that. > > > >Overall, it's not quite as cool as I hoped; it sounds like there's a > >fairly heavy compressor/limiter on the recording and it messes up a > >fundamental assumption of the deverber (that reverb energy dies away > >exponentially). So, I can only kill echos in the middle, then the > >audio level shoots back up and the deverber thinks it's new sound > >energy that should go through. It's still better than nothing, but > >not quite as magic as it usually is. > > > >Also, the left channel has *alot* of clipping in it. The digital > >recording I have isn't overranged, so it must have happened at an > >earlier stage. Was the original recording clipped? > > > >Monty > > > > That's the result of having IPNH's main sound engineer making a fool > of himself on stage instead of riding levels like usual. I put a > compressor inline so Ruth wouldn't have to learn how to do sound, but > as you noticed, it screws up the deverb. Ahhhh, right. I do remmeber you mentioning that. Hmm... too bad it wasn't a straight compand, I could reverse that. > I'll have to look into the clipping; I hadn't noticed it, except in > certain situations where the limiter wasn't fast enough. I'll check > to make sure it wasn't a post-production screwup. Got any good > examples for me to check? It could just be overly sharp fast attack reaction or a hard elbow on the limiter; the two sound similar. Honestly, it's noticable throughout, but only in left. Trilogy Tonight is full of it. I could have a look at the waveforms, I'd be able to spot if it's the limiter or not. > The audio tracks you gave me a while ago were from a different night, > and things don't line up. IIRC, I gave you the edit plus the raw recordings. > Unless you have a recording you made from > the same night as the video, I think we're stuck with doing the best > we can with the tracks I gave you. I might! I recorded every night but two. What date was yours? The only problems would be any edits you made + not having a common time-stripe. Monty  1, answered,, Summary-line: 20-Jun to: xiphmont@xiph.org [33] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jun 2004 12:20:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5KGK4ll012980; Sun, 20 Jun 2004 12:20:04 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5KGK2dB026489; Sun, 20 Jun 2004 12:20:02 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i5KGK1oL011456; Sun, 20 Jun 2004 12:20:01 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5KGK0aD014558; Sun, 20 Jun 2004 12:20:00 -0400 (EDT) Date: Sun, 20 Jun 2004 12:20:00 -0400 (EDT) Message-Id: <200406201620.i5KGK0aD014558@multics.mit.edu> From: "David C. Jedlinsky" To: xiphmont@xiph.org In-reply-to: <20040619235413.GA30030@xiph.org> (message from Monty on Sat, 19 Jun 2004 19:54:13 -0400) Subject: Re: Star Wars soundtrack References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> <20040619235413.GA30030@xiph.org> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 20 Jun 2004 12:20:00 -0400 (EDT) From: "David C. Jedlinsky" To: xiphmont@xiph.org In-reply-to: <20040619235413.GA30030@xiph.org> (message from Monty on Sat, 19 Jun 2004 19:54:13 -0400) Subject: Re: Star Wars soundtrack X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Okay, here's a summary of what I said on the phone today. The raw audio (16bit, 44kHz) you sent me (dated 20030207) matches the night we recorded. The levels are really low, but companding them doesn't bring too much grunge with it. If you could deverb your original audio track, I can work with it. If it makes more sense to do the companding yourself (to preserve bits or whatever), I used a multi-level setting to bring up the softer spoken voices, reduce applause a bit, and raise everything closer to a 0dB peak. The settings are as follows: Overall 14dB gain 1ms attack 500ms release 1:1 -inf -> -60dB 0.5:1 -60dB -> -48dB 2:1 -48dB -> -24dB 2.5:1 -24dB -> 0dB -Dave  1, forwarded,, Summary-line: 20-Jun jenselby@MIT.EDU [23] #negative SIPB CokeComm balance X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jun 2004 21:55:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5L1t1ll000628; Sun, 20 Jun 2004 21:55:02 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5L1t148003723 for ; Sun, 20 Jun 2004 21:55:01 -0400 (EDT) Received: from zygorthian-space-raiders.mit.edu (ZYGORTHIAN-SPACE-RAIDERS.MIT.EDU [18.187.1.80]) (authenticated bits=56) (User authenticated as jenselby@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i5L1t1oL023622 for ; Sun, 20 Jun 2004 21:55:01 -0400 (EDT) Received: (from jenselby@localhost) by zygorthian-space-raiders.mit.edu (8.12.9) id i5L1t14J021763; Sun, 20 Jun 2004 21:55:01 -0400 Date: Sun, 20 Jun 2004 21:55:01 -0400 Message-Id: <200406210155.i5L1t14J021763@zygorthian-space-raiders.mit.edu> To: opus@MIT.EDU From: Cokecomm Subject: negative SIPB CokeComm balance X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 20 Jun 2004 21:55:01 -0400 To: opus@MIT.EDU From: Cokecomm Subject: negative SIPB CokeComm balance X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is an automatically generated message from the CokeComm balance program. The balances were updated today and you have a negative balance of $3.20. Please make checks out to "Jen Selby", not to "CokeComm". If you must pay with cash, please give it to me directly or put it in a labeled envelope and leave it in the can. If you are not able to get to the office, you may mail the check to 4 Farragut Ave. Somerville, MA 02144 CokeComm does not accept paypal payments at the moment. CokeComm  1,, Summary-line: 21-Jun simon@derbygsc.com [43] #Trip to USA/Canada or maybe somewhere else? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Jun 2004 08:05:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5LC5qKu001486; Mon, 21 Jun 2004 08:05:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5LC5mAZ017536 for ; Mon, 21 Jun 2004 08:05:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5LC4jTJ009397; Mon, 21 Jun 2004 08:04:45 -0400 (EDT) Date: Mon, 21 Jun 2004 08:04:45 -0400 (EDT) Message-Id: <006a01c45787$a4155740$0100a8c0@dell> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@derbygsc.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Simon Hardy" To: Multiple recipients of list SAVOYNET Subject: Trip to USA/Canada or maybe somewhere else? MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 21 Jun 2004 08:04:45 -0400 (EDT) Reply-To: simon@derbygsc.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Simon Hardy" To: Multiple recipients of list SAVOYNET Subject: Trip to USA/Canada or maybe somewhere else? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear all, Derby G&S Company are still on the look out for a venue and host company to aid in another continental trip for the company. We visited Seattle and the wonderful Seattle G&S Society in 2002 and produced three highly acclaimed performances of Iolanthe. The show and thus the trip was a huge success. We would like to do this again travelling to a different part of the World hopefully in 2005 but more likely now in 2006. We have explored a few options already including Florida and Montreal but all have come to nothing so far. What we are looking for is a host theatre company who can manage negotiations with the host venue, etc and manage publicity before we arrive. The host company would not bear any huge financial costs however we will negotiate a profit share from any performances we give. For reference we are looking at Pinafore, Pirates or Ruddigore at the moment but may be persuaded to bring something else should that fit with programming better. Please reply to me privately if you or your company are interested. Thanks Simon Hardy Tel.: +44 (0)1332 705343  1,, Summary-line: 21-Jun sarah@sarahconsentino.com [73] #Want to see the new opera house? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Jun 2004 09:56:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5LDuCKu004111; Mon, 21 Jun 2004 09:56:13 -0400 (EDT) Received: from machine36.com (machine36.com [203.194.209.83]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i5LDuAhC026782 for ; Mon, 21 Jun 2004 09:56:11 -0400 (EDT) Received: (qmail 9734 invoked by uid 514); 21 Jun 2004 13:57:17 -0000 X-Abuse: Send abuse reports to: abuse@suresupport.com Message-ID: <20040621135717.9732.qmail@machine36.com> Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: sarah@sarahconsentino.com Subject: Want to see the new opera house? Date: Mon, 21 Jun 2004 13:57:17 +0000 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_b947667f5519530c7b3a034e004ac1493" X-Mailer: WebMail 2.3 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Abuse: Send abuse reports to: abuse@suresupport.com Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: sarah@sarahconsentino.com Subject: Want to see the new opera house? Date: Mon, 21 Jun 2004 13:57:17 +0000 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --_b947667f5519530c7b3a034e004ac1493 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit You may have heard about Boston's gorgeous renovated Opera House, which will be home to The Lion King starting in July. If you'd like to see the Opera House without paying Broadway prices, come to the Hard Hat Concert on Monday, June 28 at 8:00 pm! Tickets are only $10, and it will be a vaudeville-show format with performances by several local theaters/performers. Be one of the first to get a sneak peek of this historic building. I'll be singing in the ensemble for one or two numbers...hey, it's no Evita, but I get to perform on one of the nicest stages in Boston! TO PURCHASE TICKETS: Visit Filene's Ticketmaster Outlets, Bostix booths (Faneuil Hall and Copley Square) or The Colonial Theatre Box Office at 106 Boylston Street, Boston. Tickets may also be purchased through StageSource's website store at www.stagesource.org or call 617.720.6066. Add'l information: Broadway in Boston/Clear Channel Entertainment presents Hard Hat Concert - A Boston Vaudeville Monday, June 28 at 8:00pm at The Opera House, 539 Washington Street, Boston (near The Ritz). All tickets are $10.00 The Hard Hat Concert - A Boston Vaudeville will be a live performance at the newly restored Opera House, in the format of the vaudeville shows for which the Opera House was built in 1928. Be one of the first to get a sneak peak at this historic building - and enjoy a night of many of Boston's best entertainers! Hosted by Jimmy Tingle and featuring performances and appearances representing: Boston Playwrights' Theatre, City Stage Company, Lyric Stage Company, New England Light Opera, New Opera Musical Theatre, New Repertory Theatre, Nora Theatre Company, North Shore Music Theatre, Our Place Theatre Project, Overture Productions, SpeakEasy Stage Company, Stoneham Theatre, Sugan Theatre Company, AND REPRESENTATIVES FROM: Huntington Theatre Company, Queer Soup Theater Co., Wheelock Family Theatre, Publick Theatre, TheatreZone, Boston Theatre Works, American Repertory Theatre, "Only Fooling" Theater, and Theater Offensive. All the artists are volunteering their services and all proceeds will benefit StageSource. Directed by Scott Edmiston, Musical Direction by Michael Kreutz, Produced by Tony McLean, and Associate Producers Deb Poppel and Joseph Guglielmo. --_b947667f5519530c7b3a034e004ac1493 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: 8bit You may have heard about Boston's gorgeous renovated Opera House, which will be home to The Lion King starting in July.

If you'd like to see the Opera House without paying Broadway prices, come to the Hard Hat Concert on Monday, June 28 at 8:00 pm!

Tickets are only $10, and it will be a vaudeville-show format with performances by several local theaters/performers. Be one of the first to get a sneak peek of this historic building.

I'll be singing in the ensemble for one or two numbers...hey, it's no Evita, but I get to perform on one of the nicest stages in Boston!

TO PURCHASE TICKETS: Visit Filene's Ticketmaster Outlets, Bostix booths (Faneuil Hall and Copley Square) or The Colonial Theatre Box Office at 106 Boylston Street, Boston. Tickets may also be purchased through StageSource's website store at www.stagesource.org or call 617.720.6066.


Add'l information:
Broadway in Boston/Clear Channel Entertainment presents Hard Hat Concert - A Boston Vaudeville Monday, June 28 at 8:00pm at The Opera House, 539 Washington Street, Boston (near The Ritz).

All tickets are $10.00 The Hard Hat Concert - A Boston Vaudeville will be a live performance at the newly restored Opera House, in the format of the vaudeville shows for which the Opera House was built in 1928. Be one of the first to get a sneak peak at this historic building - and enjoy a night of many of Boston's best entertainers!

Hosted by Jimmy Tingle and featuring performances and appearances representing: Boston Playwrights' Theatre, City Stage Company, Lyric Stage Company, New England Light Opera, New Opera Musical Theatre, New Repertory Theatre, Nora Theatre Company, North Shore Music Theatre, Our Place Theatre Project, Overture Productions, SpeakEasy Stage Company, Stoneham Theatre, Sugan Theatre Company,

AND REPRESENTATIVES FROM: Huntington Theatre Company, Queer Soup Theater Co., Wheelock Family Theatre, Publick Theatre, TheatreZone, Boston Theatre Works, American Repertory Theatre, "Only Fooling" Theater, and Theater Offensive. All the artists are volunteering their services and all proceeds will benefit StageSource. Directed by Scott Edmiston, Musical Direction by Michael Kreutz, Produced by Tony McLean, and Associate Producers Deb Poppel and Joseph Guglielmo.




--_b947667f5519530c7b3a034e004ac1493--  1,, Summary-line: 21-Jun andi_s_r@yahoo.com [131] #VLOC's "Pinafore": Buoyant X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Jun 2004 19:18:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5LNIaKu017205; Mon, 21 Jun 2004 19:18:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5LNIZ6T020338 for ; Mon, 21 Jun 2004 19:18:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5LNHvTJ024376; Mon, 21 Jun 2004 19:17:57 -0400 (EDT) Date: Mon, 21 Jun 2004 19:17:57 -0400 (EDT) Message-Id: <20040621225245.22193.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: VLOC's "Pinafore": Buoyant MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 21 Jun 2004 19:17:57 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: VLOC's "Pinafore": Buoyant X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I made the trek to Rockville, MD on Saturday to see the penultimate performance of HMS Pinafore by Victorian Light Opera Company (VLOC) at the F. Scott Fitzgerald theatre that was home to the Rockville SingOut--principally because this production was directed by our own Leta Hall, and 'twas her first venture into directing a Canon work. I enjoyed it very much. Leta is a living oxymoron: a modest director, who gives a great deal of credit to everyone else, claiming little more than "selective editing" for herself. (I greatly prefer this to some of the other types of morons I have encountered in this position!) The fact is, however, that Leta's own stylistic stamp was evident everywhere, and delightfully so. Her thorough familiarty with 19th C. manners and mores ensured that there were no irritating anachronistic gaffes, and her thorough knowledge of G&S showed everywhere. It was a smooth, well-polished, light-hearted presentation, the humor given full play (and generally well paced), with everyone in spirit of what they "should" be yet no one seeming to be locked into a rigid box. While there was the occasional whiff of porkpie, it was usually genuinely funny and never became dominant. Several particularly nice touches: 1) The ladies did not immediately snuggle up to the lower-class seamen upon their entrance. There was respectfully cordial welcome offered (save for Deadeye, who was intrusively rude--intentionally so, leering, and apparently an imperfect ablutioner), but the ladies kept apart from the sailors, in their own grouping, until after Josephine had stopped Ralph's suicide and proclaimed her love for him. There was then mingling of the two groups, but they never became too "forward". 2) When Papa first gave Josephine the photograph of Sir Joseph, she smiled and said "My own thoughtful father" as though she really meant it. This startled me, as I'm used to Josephine reacting with some degree of revulsion to the photo. However, it was a setup for a very neat bit of business: When Sir Joseph appeared, Josephine was on deck, and appeared quite flummoxed, comparing the photo in her hand to the reality of the man, clearly conveying that the image had been...overly flattering. I loved it; absolutely right not only for the vain Sir Joseph but for the period when many "mail order" brides and grooms were in for similar disappointments. In the USA, we relate to this. In the UK, you folks may need to hark back to Henry VIII commissioning a portrait of one of his prospective wives (I think it was Anne of Cleves--one of them furriners, anyway) and later complaining that she did not resemble her portrait. Nice touch! The Josephine (Alicia Oliver) was a delight throughout, combining natural personal dignity with a great instinct for line delivery. As surfeited as I am with Pinafores, it has been a long time since I burst out laughing at a Josephine's reading of "Sir Joseph's attentions nauseate me", but she "got" me; really brilliant. Good voice, too. The Ralph (Jonathan Schultz) also has an excellent voice, and managed to make the over-the-top Cimmerian-darkness gibberish sound natural and earnest. Must comment about the costumes, which I loved. The ladies were not uniform; they were garbed in an assortment of colors and styles of the 1880s, chiefly the long polonaise-style top over a skirt or skirts, but many individual variations in color and pattern. I've enjoyed "uniform" productions with, say, red-white-and-blue themes, or identical styles on the women, but this made for a very interesting change, and the ladies of the chorus each had an individual character. Savoynetter Julie Stevens was made schoolmarmish in a deep purple walking suit; Savoynetter Deborah Jacobson, who is a wisp of slimness, had a fully draped bustle style in a light summery grayish blue-green. Josephine's Act I outfit had an underskirt consisting of multiple rows of ruffles about 3" wide, in a deep strawberry color, with a patterned pink polonaise top, very striking and becoming. Her Act II outfit was even more so, a denim-blue watered silk, with a draped tablier and bustle, edged in bright red braid; formal and nautical at the same time. The ship also was very handsome, looking fully capable of setting sail (and there was a particularly nice "second ship" whose 3-dimensional masts and spars were visible abaft the starboard side--up stage right to you landlubbers). The orchestra of 28 pieces, under the baton of Joe Sorge (again, SingOut attendees will recall him!) was excellent--former Savoynetter Kate Huntress-Reeve of the Washington Savoyards (who will be MD for a double bill of Trial and La Pericole in the coming season) enviously commented that she'd "kill" for his string section--and they favoured us with an extra goodie. In honour of Venus' recent transit of the sun, after the Act I Finale, the orchestra gave us a stirring rendition of Sousa's "Venus March". As Mr. Sousa was a great fan of G&S, it seemed entirely appropriate and quite wonderful! It was a delightful evening, both watching the show and having a chance to catch up with VLOC friends. I've left out mention of Savoynetter Maureen Roult, who was very much part of the ladies' chorus and served as "posture police" for the production. Kudos to Leta. While Pinafore is in some ways the "easiest" of the Canon works to direct--I swear the buoyant little vessel is durn near as indestructible as Old Ironsides--because of its familiarity it is also one of the most difficult to make fresh without resorting to contortions and externally imposed "concepts". Leta and her gallant crew succeeded with surprisingly few lapses of taste or skill of execution. Well done, all! I thoroughly enjoyed the performance, and look forward to Leta's next directing venture. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 23-Jun rebecca@hains.net [96] #A miscast or last-minute QWERT? (was RE: So what's up with Ruth?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 23 Jun 2004 17:04:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5NL4Lbi015099; Wed, 23 Jun 2004 17:04:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5NL49qG028620 for ; Wed, 23 Jun 2004 17:04:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5NL45TJ020555; Wed, 23 Jun 2004 17:04:05 -0400 (EDT) Date: Wed, 23 Jun 2004 17:04:05 -0400 (EDT) Message-Id: <00aa01c45965$33c14690$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A miscast or last-minute QWERT? (was RE: So what's up with Ruth?) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200406231555.AA604832046@mail.labsoftware.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 23 Jun 2004 17:04:05 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A miscast or last-minute QWERT? (was RE: So what's up with Ruth?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200406231555.AA604832046@mail.labsoftware.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As some of you recall, my husband and I are holding a sing-in on September 18 at our home in the Philadelphia suburbs. Our program: HMS Pinafore, Iolanthe, Princess Ida, and The Zoo. (If you missed the original announcement, email me for details.) I've been thinking about either casting one of the shows from the parties present at the last minute, or miscasting a show entirely. (Or, I suppose, both at once!) Pinafore or Iolanthe would be the most likely targets for such nonsense. If those of you who plan to attend are really really really itching to do Pinafore or Io all miscast, then do let me know and I'll make a decision. After all, I *have* had a hankering to play the Lord Chancellor for some time now...! Rebecca Hains, who always wanted to be a patter baritone; Philadelphia, PA -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Wendy Falconer Sent: Wednesday, June 23, 2004 4:16 PM To: Multiple recipients of list SAVOYNET Subject: Re: So what's up with Ruth? If ever someone casts Pinafore at a Sing-out in such a fashion, I am first in line to request the Captain. ---------- Original Message ---------------------------------- From: Patrick Gaik Reply-To: res04nht@gte.net Date: Wed, 23 Jun 2004 15:29:29 -0400 (EDT) >sangazure wrote: >> Marueen Roult wrote: >> >> << Ah, but getting cast as Ruth is much harder than getting cast in the >> chorus. Having never ("what, never? no, never" - another quote!) gotten >> even a comprimario role, let alone a lead, I think I've got a better chance >> at doing Cat-like Tread as a tenor. But I'd *happily* do it as Ruth. :) >> >> >> You think it's hard getting cast as Ruth? I've been trying to get cast as >> the Pirate King forever, it seems, but never even a callback. And, yes, I >> can reach the low notes, and swagger and brandish a sword. > >Wouldn't that be fun for a Buxton after-show cabaret or at a Sing-In? >Doing a concert of "Miscast" G&S where singers of the wrong sex/vocal >type/physical type get to perform their favorite numbers for roles they >are never going to get to do? There has been a series of cabarets >off-Broadway doing this. Personally, I'd love to do Alone and Yet Alive! > >Pat > >-- > > o o o o "To know you're there, we're deeply glad, > `//'//'//'//' deeply grateful, and deeply PLAID." > /\ /\ /\ /\ - Forever Plaid > http://www.patgaik.com > > -- Wendy Falconer Stamford, CT --  1,, Summary-line: 24-Jun jlourenco1@comcast.net [49] #General Announcement from Jenna X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 14:15:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OIF82Q006464; Thu, 24 Jun 2004 14:15:08 -0400 (EDT) Received: from rwcrmhc11.comcast.net (rwcrmhc11.comcast.net [204.127.198.35]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5OIF2TU007241; Thu, 24 Jun 2004 14:15:02 -0400 (EDT) Received: from HOME (h0040ca6d860e.ne.client2.attbi.com[24.61.138.100]) by comcast.net (rwcrmhc11) with SMTP id <2004062418145901300f4p6ne>; Thu, 24 Jun 2004 18:15:00 +0000 From: "Joe and Jenna Lourenco" To: "Sarah Consentino" , "Ruth Jedlinsky" , "Rebecca Hains" , "Maureen O'Neil" , "Mary Hurd" , "Louise Cash" , "Joanna Bair" , "Eunice Ferreira" , "Elizabeth R Stone" , "Dave Jedlinsky" , "Damien Wilkinson" , "Brenna Pomeroy" , "Ayn Vaughan" Subject: General Announcement from Jenna Date: Thu, 24 Jun 2004 14:15:04 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Joe and Jenna Lourenco" To: "Sarah Consentino" , "Ruth Jedlinsky" , "Rebecca Hains" , "Maureen O'Neil" , "Mary Hurd" , "Louise Cash" , "Joanna Bair" , "Eunice Ferreira" , "Elizabeth R Stone" , "Dave Jedlinsky" , "Damien Wilkinson" , "Brenna Pomeroy" , "Ayn Vaughan" Subject: General Announcement from Jenna Date: Thu, 24 Jun 2004 14:15:04 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everyone, I just wanted to give you all a heads up that I will be generally out of commission and difficult to reach (especially evenings and weekends) for the rest of the summer and possibly through the first weekend October. The reason is: I've been hired to be a dresser for Mamma Mia until it closes in Boston, but that date is uncertain and won't be announced until they know more about the ticket sales here. Of course, some union member who was holding out for Lion King and doesn't get it could always call up the boss lady and put me out of a job in July. But I won't think about that today...I'll worry about that tomorrow. Anyway, if you need to get in touch with me, send me an e-mail...I'll try to get back to you during the day, or leave me a voice-mail on my cell phone. Regrettably, my only night off is Mondays, so I will probably miss everyone's parties, performances, etc. She said swooning dramatically, "Think of me kindly while you're out having a good time!" ;-) Wishing everyone a great summer and I'll see/talk to you in the fall, Jenna PS - If you come to see the show, let me know so I can meet you at the stage door after the curtain.  1,, Summary-line: 24-Jun to: xiphmont@xiph.org [20] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 16:26:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OKQ52Q027768; Thu, 24 Jun 2004 16:26:05 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5OKPrlh021841; Thu, 24 Jun 2004 16:25:53 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5OKPqOm022430; Thu, 24 Jun 2004 16:25:53 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5OKPpQm013229; Thu, 24 Jun 2004 16:25:51 -0400 (EDT) Date: Thu, 24 Jun 2004 16:25:51 -0400 (EDT) Message-Id: <200406242025.i5OKPpQm013229@multics.mit.edu> From: "David C. Jedlinsky" To: xiphmont@xiph.org Subject: Re: Star Wars soundtrack References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> <20040619235413.GA30030@xiph.org> <200406201620.i5KGK0aD014558@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 16:25:51 -0400 (EDT) From: "David C. Jedlinsky" To: xiphmont@xiph.org Subject: Re: Star Wars soundtrack X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Monty. How does the deverb of your soundtrack compare with the one I gave you? Should we throw mine out & use yours? Are you planning on doing the companding, or just the deverb? Ruth or I will be around this weekend or Monday, if you've got stuff ready by then. -Dave  1, answered,, Summary-line: 24-Jun brad_timmers@yahoo.com [60] #Re: Weekend plans X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 17:36:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OLaL2Q006585; Thu, 24 Jun 2004 17:36:21 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5OLaK3T015569 for ; Thu, 24 Jun 2004 17:36:20 -0400 (EDT) Received: from web52606.mail.yahoo.com (web52606.mail.yahoo.com [206.190.39.144]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i5OLQ0o6015890 for ; Thu, 24 Jun 2004 17:26:00 -0400 (EDT) Message-ID: <20040624213614.79700.qmail@web52606.mail.yahoo.com> Received: from [18.98.3.61] by web52606.mail.yahoo.com via HTTP; Thu, 24 Jun 2004 14:36:14 PDT Date: Thu, 24 Jun 2004 14:36:14 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406242004.i5OK4SOP012538@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 14:36:14 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406242004.i5OK4SOP012538@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, Dave and Ruth! We're still up for coming up to your place Friday night, even if Saturday morning's ballooning ends up being cancelled. Garlic chicken was the entree before the showing of "Real Genius", and we loved it! (The meal and the movie.) We're up for more garlicky goodness, or whatever else you have in mind. Looking forward to it! Brad --- "David C. Jedlinsky" wrote: > > Hi Brad and Kendell. > > Welcome home! > > The weather is looking a bit "spotty" this weekend, which > might affect > the ballooning. There will still be events going on at > the festival, > and the weather's not supposed to be *too* bleak, but I > wanted to give > you a heads-up that they might not launch. > > By the way, did we already subject you to our garlic > chicken, or is > that a threat still unrealized? > > -Dave > > P.S. I created a small mailing list, "bkdr@ipnh.com", so > I don't have > to type out everyone's address, and we're all in the > loop. If you > send to the same list, we'll all see the discussion. > __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, Summary-line: 24-Jun rebecca@hains.net [32] #RE: A miscast or last-minute QWERT? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 17:49:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OLn82Q012045; Thu, 24 Jun 2004 17:49:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5OLn6sh014941 for ; Thu, 24 Jun 2004 17:49:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5OLn0TJ011926; Thu, 24 Jun 2004 17:49:00 -0400 (EDT) Date: Thu, 24 Jun 2004 17:49:00 -0400 (EDT) Message-Id: <017501c45a33$216a67f0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: A miscast or last-minute QWERT? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040624202234.2662.qmail@web60204.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 17:49:00 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: A miscast or last-minute QWERT? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040624202234.2662.qmail@web60204.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Bobbie wrote, >>I don't want to be a Pirate Queen. I want to be the Pirate King!<< John replied, >> OK - but you have to get an operation for that. (-8 << Actually, she doesn't: If she wants to dress the part, that would make her a drag king. And what better role for a drag king to play than the Pirate King? http://en.wikipedia.org/wiki/Drag_king Rebecca Hains Philadelphia, PA  1,, Summary-line: 24-Jun to: bkdr@ipnh.com [44] #Re: Weekend plans X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 18:00:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OM0U2Q017691; Thu, 24 Jun 2004 18:00:30 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5OM0T3T004316 for ; Thu, 24 Jun 2004 18:00:29 -0400 (EDT) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i5OLo9o6031163 for ; Thu, 24 Jun 2004 17:50:09 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5OM0SQ5016610 for ; Thu, 24 Jun 2004 18:00:28 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5OM0ROm014858 for ; Thu, 24 Jun 2004 18:00:27 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5OM0Rxv016600; Thu, 24 Jun 2004 18:00:27 -0400 (EDT) Date: Thu, 24 Jun 2004 18:00:27 -0400 (EDT) Message-Id: <200406242200.i5OM0Rxv016600@multics.mit.edu> From: "David C. Jedlinsky" To: bkdr@ipnh.com In-reply-to: <20040624213614.79700.qmail@web52606.mail.yahoo.com> (message from Brad Timmers on Thu, 24 Jun 2004 14:36:14 -0700 (PDT)) Subject: Re: Weekend plans References: <20040624213614.79700.qmail@web52606.mail.yahoo.com> X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 18:00:27 -0400 (EDT) From: "David C. Jedlinsky" To: bkdr@ipnh.com In-reply-to: <20040624213614.79700.qmail@web52606.mail.yahoo.com> (message from Brad Timmers on Thu, 24 Jun 2004 14:36:14 -0700 (PDT)) Subject: Re: Weekend plans X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, we've got all the fixin's to be rather boring and duplicate the earlier meal. But I don't want you to think we're a one-dish house or anything... Do you guys drink Sangria? What time can you come up tomorrow? I have to work, but it's Friday, so early isn't a problem. If you want to try the trampoline, we'd need some time to set it up (along with some help). I figure we want to head over to the festival no later than 7:30; the glow (if it happens) is at dusk. -Dave >Date: Thu, 24 Jun 2004 14:36:14 -0700 (PDT) >From: Brad Timmers > >Hi, Dave and Ruth! > >We're still up for coming up to your place Friday night, >even if Saturday morning's ballooning ends up being >cancelled. > >Garlic chicken was the entree before the showing of "Real >Genius", and we loved it! (The meal and the movie.) We're >up for more garlicky goodness, or whatever else you have in >mind. > >Looking forward to it! > >Brad  1, answered,, Summary-line: 24-Jun brad_timmers@yahoo.com [29] #Re: Weekend plans X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 18:11:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5OMBF2Q022768; Thu, 24 Jun 2004 18:11:15 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5OMBEsh000210 for ; Thu, 24 Jun 2004 18:11:14 -0400 (EDT) Received: from web52606.mail.yahoo.com (web52606.mail.yahoo.com [206.190.39.144]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i5OM0qo6006886 for ; Thu, 24 Jun 2004 18:00:52 -0400 (EDT) Message-ID: <20040624221106.89985.qmail@web52606.mail.yahoo.com> Received: from [18.98.3.61] by web52606.mail.yahoo.com via HTTP; Thu, 24 Jun 2004 15:11:06 PDT Date: Thu, 24 Jun 2004 15:11:06 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406242200.i5OM0Rxv016600@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 15:11:06 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406242200.i5OM0Rxv016600@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Do you guys drink Sangria? Never had it, but more than willing to try it! And don't worry, we know you guys don't *just* eat garlic chicken for dinner. Why, we know from a previous visit to your place that you also eat *barbecued* chicken! ;) How would our showing up at 5 or 5:30 tomorrow afternoon sound? Brad __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, Summary-line: 24-Jun anthporter@yahoo.com [44] #The place of Rubber Chickens, etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 19:40:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5ONeB2S000965; Thu, 24 Jun 2004 19:40:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5ONcq3T011337 for ; Thu, 24 Jun 2004 19:38:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5ONcnTJ013669; Thu, 24 Jun 2004 19:38:49 -0400 (EDT) Date: Thu, 24 Jun 2004 19:38:49 -0400 (EDT) Message-Id: <20040624232344.47865.qmail@web40706.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: anthporter@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Anthony Porter To: Multiple recipients of list SAVOYNET Subject: The place of Rubber Chickens, etc. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040623192744.32472.qmail@web52410.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 19:38:49 -0400 (EDT) Reply-To: anthporter@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Anthony Porter To: Multiple recipients of list SAVOYNET Subject: The place of Rubber Chickens, etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040623192744.32472.qmail@web52410.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Perhaps I should have mentioned that this production of Pirates was part of an evening where were presented Pirates, Pinafore, Ruddigore and Mikado in condensed forms (each about 30 minutes long) There were many things that were not traditional, that even I found not particularly funny (like Ko-Ko losing his wig *every* night at the end of the show and the entire cast having to act like it was so spontaneous and funny), but although (and I admit this) it was completely out of context and a huge suspension of disbelief, they were funny bits. I just get a little rankled when some bit is disparaged without having seen it. There are many bits that I have read about on this very list from the D'Oyly Carte Co. that I don't find particularly humorous, but then I have also heard about things that I found inappropriate but that worked and were funny when actually seen live. Just my two pence worth. Tony Porter (Lurking mode? What lurking mode?) __________________________________ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail  1,, Summary-line: 24-Jun nlbgilman@MIT.EDU [38] #Beef! Where will you be Monday night! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jun 2004 23:03:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5P33W2Q011517; Thu, 24 Jun 2004 23:03:33 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5P33QnB000699; Thu, 24 Jun 2004 23:03:26 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) (authenticated bits=56) (User authenticated as nlgilman@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5P33POm013294; Thu, 24 Jun 2004 23:03:25 -0400 (EDT) Received: (from nlgilman@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id i5P33O9A015274; Thu, 24 Jun 2004 23:03:24 -0400 (EDT) Date: Thu, 24 Jun 2004 23:03:24 -0400 (EDT) Message-Id: <200406250303.i5P33O9A015274@scrubbing-bubbles.mit.edu> To: nlbgilman@MIT.EDU From: nlbgilman@MIT.EDU Subject: Beef! Where will you be Monday night! X-Spam-Score: -9.208 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jun 2004 23:03:24 -0400 (EDT) To: nlbgilman@MIT.EDU From: nlbgilman@MIT.EDU Subject: Beef! Where will you be Monday night! X-Spam-Score: -9.208 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK The Beef has been cut but I don't know the final "yield." I will pick it up Monday at which point I will know how much meat and bones we got. Because of the new regulations more of the meat will be boneless (No Porterhouse or T-bone steaks) than I originally calculated. Also, we will be getting a little less in volume because I asked for 90% lean ground beef. Soooo I am guessing that a $125 share would give you 25-30lbs of meat $100 share would give you 20-24lbs and an $80 share would give you a 16-19lbs. So please let me know ASAP which size share you want and whether or not your are interested in some bones. Also, for those of you who are part of the eco-farm, I need to know where you live. For all of you I need to know when you will be home Monday evening. I have a large chest freezer that will hold a bunch of the meat, but I will need to deliver at least 5-6 shares on Monday and I will want to deliver the rest soon after that. Volunteers to help by either delivering/driving to someone who lives near you or to drive to Nahant would be greatly appreciated. The share will come solidly frozen, vaccum packed and in a cardboard box or equivalent. I can accept checks made out to me (Nancy Gilman) or for and additional $2 I can accept Mastercard and VISA debit or credit. You can call me at 781-592-5802. Cheers! Nancy  1,, Summary-line: 25-Jun to: bkdr@ipnh.com [36] #Re: Weekend plans X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 25 Jun 2004 12:08:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5PG8oN9023446; Fri, 25 Jun 2004 12:08:50 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5PG8k66026987 for ; Fri, 25 Jun 2004 12:08:46 -0400 (EDT) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i5PFwIo6031224 for ; Fri, 25 Jun 2004 11:58:18 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5PG8gP9019873 for ; Fri, 25 Jun 2004 12:08:42 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i5PG8foL021706 for ; Fri, 25 Jun 2004 12:08:42 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5PG8fMx013144; Fri, 25 Jun 2004 12:08:41 -0400 (EDT) Date: Fri, 25 Jun 2004 12:08:41 -0400 (EDT) Message-Id: <200406251608.i5PG8fMx013144@multics.mit.edu> From: "David C. Jedlinsky" To: bkdr@ipnh.com In-reply-to: <20040624221106.89985.qmail@web52606.mail.yahoo.com> (message from Brad Timmers on Thu, 24 Jun 2004 15:11:06 -0700 (PDT)) Subject: Re: Weekend plans References: <20040624221106.89985.qmail@web52606.mail.yahoo.com> X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 25 Jun 2004 12:08:41 -0400 (EDT) From: "David C. Jedlinsky" To: bkdr@ipnh.com In-reply-to: <20040624221106.89985.qmail@web52606.mail.yahoo.com> (message from Brad Timmers on Thu, 24 Jun 2004 15:11:06 -0700 (PDT)) Subject: Re: Weekend plans X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I will be home by 5:00. Since we want to go to the glow if the weather's good, and if you're planning on staying for dinner on Saturday, too, we could do something easier for tonight, like a beef & broccoli stir-fry (to prove we eat something besides chicken). Or, if you don't mind eating until about 10:00, we could prepare the chicken before we leave, and let it cook while we're gone. -Dave >Date: Thu, 24 Jun 2004 15:11:06 -0700 (PDT) >From: Brad Timmers > >> Do you guys drink Sangria? > >Never had it, but more than willing to try it! And don't >worry, we know you guys don't *just* eat garlic chicken for >dinner. Why, we know from a previous visit to your place >that you also eat *barbecued* chicken! ;) > >How would our showing up at 5 or 5:30 tomorrow afternoon >sound? > >Brad  1,, Summary-line: 25-Jun brad_timmers@yahoo.com [63] #Re: Weekend plans X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 25 Jun 2004 13:01:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5PH1wN9024855; Fri, 25 Jun 2004 13:01:58 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5PH1v66010955 for ; Fri, 25 Jun 2004 13:01:57 -0400 (EDT) Received: from web52610.mail.yahoo.com (web52610.mail.yahoo.com [206.190.39.148]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i5PGpVo6024806 for ; Fri, 25 Jun 2004 12:51:31 -0400 (EDT) Message-ID: <20040625170150.84001.qmail@web52610.mail.yahoo.com> Received: from [18.98.3.61] by web52610.mail.yahoo.com via HTTP; Fri, 25 Jun 2004 10:01:50 PDT Date: Fri, 25 Jun 2004 10:01:50 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406251608.i5PG8fMx013144@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 25 Jun 2004 10:01:50 -0700 (PDT) From: Brad Timmers Subject: Re: Weekend plans To: bkdr@ipnh.com In-Reply-To: <200406251608.i5PG8fMx013144@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks for the extra invite for a Saturday dinner, too! We have to leave Saturday afternoon, but do appreciate the generosity. As for tonight's dinner, we don't mind waiting until ten to eat chicken, or eating beef-and-broccoli stir-fry before going to the glow -- whatever's easier is fine by us. Don't worry, you don't have to prove to us that you don't just eat chicken. :) Brad --- "David C. Jedlinsky" wrote: > > I will be home by 5:00. Since we want to go to the glow > if the > weather's good, and if you're planning on staying for > dinner on > Saturday, too, we could do something easier for tonight, > like a beef & > broccoli stir-fry (to prove we eat something besides > chicken). Or, if > you don't mind eating until about 10:00, we could prepare > the chicken > before we leave, and let it cook while we're gone. > > -Dave > > > >Date: Thu, 24 Jun 2004 15:11:06 -0700 (PDT) > >From: Brad Timmers > > > >> Do you guys drink Sangria? > > > >Never had it, but more than willing to try it! And don't > >worry, we know you guys don't *just* eat garlic chicken > for > >dinner. Why, we know from a previous visit to your place > >that you also eat *barbecued* chicken! ;) > > > >How would our showing up at 5 or 5:30 tomorrow afternoon > >sound? > > > >Brad > __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail  1,, Summary-line: 25-Jun ulahlica@yahoo.com [91] #Opera TV X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 25 Jun 2004 16:46:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5PKjsNH029036; Fri, 25 Jun 2004 16:46:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5PKceVk018983 for ; Fri, 25 Jun 2004 16:38:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5PKcYTJ021384; Fri, 25 Jun 2004 16:38:34 -0400 (EDT) Date: Fri, 25 Jun 2004 16:38:34 -0400 (EDT) Message-Id: <20040625202300.1774.qmail@web60205.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Opera TV MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40DC7C5B.7070500@gte.net> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 25 Jun 2004 16:38:34 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Opera TV X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40DC7C5B.7070500@gte.net> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Patrick wrote... ***This makes me wonder - has anyone ever written a Jerry Springer-esque talk show scenario with famous characters from tragic operas?*** An excellent idea - but don't stop there! *** TONIGHT'S MOST PROMISING TV: 7:00 CBS Judge Judy Edwin sues Angelina for the engagement ring she says she threw into the woods. 7:30 NBC RAGS-2-RICHES Infomercial A Grandee of Spain promotes his book "Hoodwink a Debtor." 8:00 PAX Mother Angelica The Grand Inquisitor explains what happens when two husbands have three wives, why the bible is against burglary, and why Methodists don't understand God. 9:00 ABC Jerry Springer A ex-Japanese tailor claims spousal abuse and has the fan marks to prove it. His wife refuses anger management and the Mikado of Japan explains why all this makes him laugh. 10:00 Peer Eye for the Fairy Guy Lord Tolloller and Lord Mountararat show drag queen wanna-be's how to dress up with wigs and robes. 11:00 ABC - The Ricki Lake Show "You SAY you love me!" A jailer and a tower housekeeper have their partners take lie detector tests. The elderly yeomen is also asked to take a DNA test to prove which recruit is really his son. 11:30 TBS Candid Camera - Reality A young woman takes calls and gives out-dated 19th century etiquette advice not realizing all the calls (even the suicide) are fake. Allen Funt get whacked on the head with an etiquette book. 12:00 NBC - The Tonight Show A manager and his actors tell a completely unbelievable story why no one goes to see their theater productions. *** Anyone else? John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail is new and improved - Check it out! http://promotions.yahoo.com/new_mail  1,, Summary-line: 26-Jun chris@sounds-on-cd.co.uk [35] #Yet another bird - AND Bridget. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 03:33:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5Q7X2N9008285; Sat, 26 Jun 2004 03:33:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5Q7WkQC001852 for ; Sat, 26 Jun 2004 03:32:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5Q7WfTJ026903; Sat, 26 Jun 2004 03:32:41 -0400 (EDT) Date: Sat, 26 Jun 2004 03:32:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Yet another bird - AND Bridget. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007201c45a21$8b63a340$2806fd3e@5zsv40j> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 03:32:41 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Yet another bird - AND Bridget. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007201c45a21$8b63a340$2806fd3e@5zsv40j> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm surprised no one has taken the opportunity to tell a well known G&S bird anecdote that also ties in with the present interest in Bridget. Tom Round has told this story many times, and I'm sure it's in his autobiography. It concerns an open air production of Pirates which took place in Holland Park, London. There's a lot of bird life in the park and for the first few performances the same big black bird had his eye on the big black plume in Donald's Adams' Pirate King's hat, and I think actually took a swoop at it several times. Donald became very conscious of this to the point that he was giving his performance with one eye on the bird in case he needed to defend himself if it decided to attack again. After a few performances the management were informed of this, and I think they had suggested that they'd look after the situation by shooting the nuisance bird, which naturally horrified Don and Tom and they raised objections, but they heard no more about it and the bird was never seen again. And in case you're wondering what this has to do with Bridget D'Oyly Carte, Don and Tom had nicknamed Don's feathered assailant "Bridget". Regards Chris  1,, Summary-line: 26-Jun Savoyard1@aol.com [55] #A thoroughly modern Sullivan sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 10:52:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5QEq4mB019755; Sat, 26 Jun 2004 10:52:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5QEpQxY006088 for ; Sat, 26 Jun 2004 10:51:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5QEonTJ000795; Sat, 26 Jun 2004 10:50:50 -0400 (EDT) Date: Sat, 26 Jun 2004 10:50:49 -0400 (EDT) Message-Id: <1d0.24722a18.2e0ee412@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: A thoroughly modern Sullivan sighting MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 10:50:49 -0400 (EDT) Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: A thoroughly modern Sullivan sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If anyone has posted a message on this or read something similar, then please let your attention wander elsewhere as I haven't see anything on this subject before! On Wednesday night we had the pleasure of experiencing one of the most enjoyable musicals we have seen on the West End. That show was "Thoroughly Modern Millie". at the Shaftesbury Theatre, a stones throw from Seven Dials. Now I for one have never seen the film, played the LP or whatever, so can honestly say this is a first except of course for highlights played on radio. This show only opened in London in October but again lack of audiences has forced it to close earlier than expected and in fact tonight is the last night. Haven't we heard this recently with D'Oyly Carte? TMM was in our view an outstanding show and certainly deserved better attendances to assist in a longer run. I only hope it does a tour of the provinces as this is definitely a "must go again". Anyway to bring this right back on topic, I just wanted to say that in the show there is a song entitled "The Speed Test". Music was by Sullivan and lyrics by Dick Scanlon. Scanlon wrote the original lyrics along with Richard Morris. The tune is based on "My eyes are fully open" from Ruddigore. Basically, Millie goes for a job with an insurance company as a stenographer and part of her interview is take some shorthand notes from her boss Mr Graydon. He sings suitably altered words to the song and Millie has to repeat them. They are joined by Miss Flannery the supervisor and all the office workers who also repeat the words. There is a reprise at the end of the show. I don't think even half the audience would recognise the tune but it certainly went down well. The cast was brilliant, costumes, scenery - the lot. In fact there was a standing ovation at the end. My only criticism is the high cost of interval drinks which we didn't participate in. You don't get that in the North! Bring back Buxton! Well, together with visiting the Tower of London for the umpteenth time, that was my injection of G & S in the past week. When you consider we were in Venice only a fortnight before and in between times sang the part of Usher at the now closed Lytham Magistrates Court and attended a rehearsal for Utopia Limited, I'm getting rather high for this time of the year! Philip Walsh  1,, Summary-line: 26-Jun SSilvers@sskfny.com [47] #Donations to Savoynet Pirates? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 13:34:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5QHYSm7002209; Sat, 26 Jun 2004 13:34:29 -0400 (EDT) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5QHXuxY001586 for ; Sat, 26 Jun 2004 13:33:57 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i5QHXguD016849; Sat, 26 Jun 2004 18:33:43 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id SAA04111 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sat, 26 Jun 2004 18:44:00 +0100 (BST) Received: by mserv1.dl.ac.uk id SAA04092 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sat, 26 Jun 2004 18:43:55 +0100 (BST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id SAA04085 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from SSilvers@sskfny.com); Sat, 26 Jun 2004 18:43:52 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from mail76.messagelabs.com (mail76.messagelabs.com [216.82.240.83]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i5QHUupp020335 for ; Sat, 26 Jun 2004 18:30:56 +0100 X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-5.tower-76.messagelabs.com!1088269696!1331906 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Received: (qmail 22790 invoked from network); 26 Jun 2004 17:08:16 -0000 Received: from unknown (HELO mail.sskfny.com) (208.195.240.132) by server-5.tower-76.messagelabs.com with SMTP; 26 Jun 2004 17:08:16 -0000 Received: from SSDOM-Message_Server by mail.sskfny.com with Novell_GroupWise; Sat, 26 Jun 2004 13:08:14 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Sat, 26 Jun 2004 13:07:51 -0400 From: "Samuel Silvers" To: , Subject: Donations to Savoynet Pirates? Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i5QHUupp020335 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-5.tower-76.messagelabs.com!1088269696!1331906 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Date: Sat, 26 Jun 2004 13:07:51 -0400 From: "Samuel Silvers" To: , Subject: Donations to Savoynet Pirates? Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i5QHUupp020335 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO Dear SavoyNetters: I have been in touch with Steve Johnson about his donation (see message below). If anyone else feels moved to help support our show, you can do one of the following: 1. Buy a Pirates T-shirt(s) 2. Send a check in Pounds sterling to our treasurer Stephen Hill. Contact him at oldadam@ntlworld.com. 3. Send me a check in US dollars, and I will pay it in Pounds to Stephen in Buxton. If you do not specify otherwise, I will assume the donation is to help defray the general expenses of the production. If you have a specific idea, such as to purchase parasols for the ladies, let me know. Sorry, Savoynet is *not* a registered charity, and your donation will *not* be tax-deductible (in the US at least). Best regards, Sam Silvers Steve Johnson wrote: I am reminded that I made a promise to you more than a year ago to help finance Savoynetters experiencing financial difficulties by attending the Festival. The thought was, as I remember, to help them with their board.... Dede and I send our best wishes to all of you for a successful production this summer. Would that we were as footloose and fancy-free as we were 10 years ago. What a rush!!  1,, Summary-line: 26-Jun KelseyNL@wanadoo.nl [56] #RE: Secret location of David Duffey X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 17:32:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5QLWlm7007622; Sat, 26 Jun 2004 17:32:47 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5QLWa18000208 for ; Sat, 26 Jun 2004 17:32:37 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i5QLWIuF022247; Sat, 26 Jun 2004 22:32:20 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id WAA09654 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sat, 26 Jun 2004 22:35:49 +0100 (BST) Received: by mserv1.dl.ac.uk id WAA09635 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sat, 26 Jun 2004 22:35:44 +0100 (BST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id WAA09628 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from KelseyNL@wanadoo.nl); Sat, 26 Jun 2004 22:35:41 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp5.wanadoo.nl (smtp5.wanadoo.nl [194.134.35.176]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i5QLMLuD021766 for ; Sat, 26 Jun 2004 22:22:21 +0100 Received: from KelseyNieuw (c514484fe.cable.wanadoo.nl [81.68.132.254]) by smtp5.wanadoo.nl (Postfix) with ESMTP id F1109251DB for ; Sat, 26 Jun 2004 23:22:18 +0200 (CEST) From: "Kelsey Thornton" To: "'B99'" Subject: RE: Secret location of David Duffey Date: Sat, 26 Jun 2004 23:22:20 +0200 Message-ID: <003301c45bc3$aac39030$87d6fea9@KelseyNieuw> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.6626 In-Reply-To: Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv6.dl.ac.uk id i5QLMLuD021766 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "Kelsey Thornton" To: "'B99'" Subject: RE: Secret location of David Duffey Date: Sat, 26 Jun 2004 23:22:20 +0200 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 X-MIME-Autoconverted: from quoted-printable to 8bit by mserv6.dl.ac.uk id i5QLMLuD021766 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO Hi! If anyone is still in need of a map, then I can email anyone a small scan of part of the Buxton town map showing the opera house and Marlborough Road, with the position of the Harefield Hotel fairly clearly marked. I did try to download it to my web server but it wasn't playing for some reason... I really must say that I thought David's initial idea more reasonable. I mean, the last few years I reckon that upon arriving at the Opera House, every SavoyNutter must have found another one within about 30 seconds! L'Chaim! Kelsey. (Moge de Heer onze tsaar geleiden op zijn weg... Hier ver vandaan!) -----Oorspronkelijk bericht----- Van: owner-buxton99@dl.ac.uk [mailto:owner-buxton99@dl.ac.uk] Namens Samuel Silvers Verzonden: zaterdag 26 juni 2004 01:15 Aan: buxton99@dl.ac.uk Onderwerp: Secret location of David Duffey Jill has confirmed that the elusive David Duffey can be found in the downstairs apartment at the Harefield Guest House. Their website is located as follows: www.harefield1.freeserve.co.uk/harefield.htm Best regards, Sam "I can tell you every detail..." Silvers  1,, Summary-line: 26-Jun pdp@globalnet.co.uk [103] #Re: Facts versus opinions X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 18:56:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5QMuhm7029508; Sat, 26 Jun 2004 18:56:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5QMuG18009043 for ; Sat, 26 Jun 2004 18:56:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5QMtZTJ005364; Sat, 26 Jun 2004 18:55:35 -0400 (EDT) Date: Sat, 26 Jun 2004 18:55:35 -0400 (EDT) Message-Id: <3.0.6.32.20040626234959.014c5cb0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Facts versus opinions Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <83.f460335.2e0ec192@aol.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 18:55:35 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Facts versus opinions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <83.f460335.2e0ec192@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 08:15 26/06/04 -0400, Stephen Turnbull wrote: > > In a message dated 26/6/04 10:22:38 am, zanadoodoo@halefamily.net writes: > > > As a contributor to many such lists I have never before encountered anyone  > being asked to substantiate their postings. As a reader you can either  > choose to agree or disagree with anything I write. > > > > This is fine as long as one is trading in opinions, but when things are >stated as fact the reader is entitled to know on what the statement is based. I am surprised that the lack of courtesy when presented with facts by someone who was around at the time should be questioned by someone apparently hiding under a pseudonym. Even though he has now been exposed his attitude to the rest of us shows him up as needing to hide his identity. Those that know me and read my occasional contributions will appreciate that I endeavour to deal only in factual information and only very rarely do I express publically 'opinions'. I may do that privately from time to time. The reason is simple. I, as Diana puts it, grew up inside DOC and got to know many of the artists personally outside their performances on stage. I learnt from my dad at a very early age not to take sides and express opinions about performances to others as such opinions might (and did, that's how I learnt) get back to the person concerned. I became steeped in the traditions of the Theatre and its extreme jealousies. For someone loosely connected with the management of DOC, I was taught to be more careful if I wanted to stay friends with many of the artists. (It was a question of ''out of the mouths of babes and sucklings....''. I never did it again). In dealing with facts I have nowadays often to rely on my memory of events from long ago and can sometimes get the facts mixed up but I hope that does not often happen. However there are some subjects, and recordings is one such, where I happen to have acquired, (been entrusted would be a better phrase) with some written evidence of how things came about. As a young man I was interested technically in recording and had for its day some of the finest reproducing systems available. I worked for the GEC (UK) group of companies and in the course of that work came into contact with the acoustic research side of the GEC Research Laboratories at Wembley. Much of my equipment of the time was home built but based on designs and helped by staff at GEC Research. (I am still using, hand made by GEC Research, metal cone loudspeakers which I consider to be some of the finest reproducers ever made). My dad knew that and so did Bridget and that is why I was asked my opinion about recording matters from time to time. There were occasions (not often) when she came to listen to what certain records sounded like in a home environment. She had heard the records in the Decca Studio but always said to me they were played far too loud and not in a home atmosphere where the acoustics were different. She did not put it in those words but that was the gist of what she said. Reference has been made to the seagulls version of Pinafore; another question arose over the echoey ghost scene in the Ruddigore recording and that one was not Phase Four. I hope this explanation of my bona fides will explain the background to what I had stated.. I can't remember if I have told this story before on SavoyNet but I certainly did in a talk at Buxton. The incident took place in the 1950s when the Opera Company were due to play a cricket match at Harvel in Kent where Freddie Lloyd lived. It was a Sunday and Bridget came down and called at Orpington, where I and my parents lived, which was en route to Harvel. It was just as the Anna Russell recording had been released in UK. I had a copy, borrowed, as it happend. I told my dad I would play it to her and he was furious that doing so might upset the whole day. I did not know her well at that time. However I did play the record, much against my dad's wishes, as she seemed so friendly. It may have been the first time she had visited our house and my dad was keen that nothing should go wrong. She fell about laughing so much she nearly literally fell off the sofa. She had never heard G & S taken off in that way before. It was from then I got to know her better. I found her to be someone I could talk to but with respect as my dad's employer. Bridget was totally non-technical about radio, TV and such like. She gave me a pre war Marconi TV which had been installed in Rupert's suite in the hotel. It had not been switched on since TV ceased in 1939 at the outbreak of war. I refurbished that set and made it work and thought it great to have a 12 inch screen compared to the 9 inch norm which we did have at home. All Black and White of course in those days. I was asked to choose a TV for her for use in the Savoy and found one which included not only a radio but also a turntable. Up to then she had not been able to play the recordings at her suite in the Savoy Hotel. I remember the embarressment when the Savoy had to run a special AC supply to operate the set. The hotel generated its own electricity at 110 Volts DC in those days, but low power AC supplies were run for electric clocks. Sorry to have got carried away by my own verbosity. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 26-Jun epish_shepherd@tiscali.co [23] #Thespis Found? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 20:01:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R01km7014826; Sat, 26 Jun 2004 20:01:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5R01j5L007235 for ; Sat, 26 Jun 2004 20:01:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R017TJ005654; Sat, 26 Jun 2004 20:01:07 -0400 (EDT) Date: Sat, 26 Jun 2004 20:01:07 -0400 (EDT) Message-Id: <6.0.1.1.0.20040627005646.01c60488@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Found? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 20:01:07 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Found? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I heard a rumour today that a highly water-damaged score of Thespis had been found in one of the archives, and that it's being carefully analysed. Is this rumour true? -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 26-Jun leon.berger@virgin.net [106] #Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 22:35:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R2ZVm7029237; Sat, 26 Jun 2004 22:35:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5R2ZU5L021598 for ; Sat, 26 Jun 2004 22:35:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R2YpTJ007546; Sat, 26 Jun 2004 22:34:52 -0400 (EDT) Date: Sat, 26 Jun 2004 22:34:51 -0400 (EDT) Message-Id: <002801c45bee$5fba3780$3ad86751@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 22:34:51 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've taken Adam Cuerden's rumour and run with it a little - also, I guess, I'm thinking out loud following a related conversation at the SASS meeting last weekend. The following is not in any way meant to belittle Adam's posting, but it did set me ruminating on a few of the Thespis issues that beset us all. I grew up in the 70s with the rumour that the so-called Thespis vocal score was destroyed in the infamous Chappell fire in the early 1960s. A moment's reflection would raise the query, 'Does this mean that no-one (not even the early researchers like Hesketh Pearson, Leslie Bailey & Gervase Hughes - let alone the G&S Society and countless amateur operatic societies) had tried to prise it out of them?' Several researchers are of the opinion that Chappells themselves have used 'the fire' as a cover for their embarrassment for the loss or disposal of many items, some - but not necessarily all - G&S. Secondly one would wonder why Chappells would have a copy at all since they only published from 'PIRATES' onwards. There is no documentation that it was ever in their possession. So that's the myth of an earlier (my) generation scotched. Adam mentioned: ' I heard a rumour today that a highly water-damaged score of Thespis had been found in one of the archives, and that it's being carefully analysed.' Unpacking this a little: We would all like it to be true so let's try and get beyond the "Oh wow" factor, which is the rumour's main power. Like most musical theatre, the original Thespis cast would have had the lyrics only to learn from and would have had the music drummed into them. This is as prevalent today as it was in 1871 - actors are not expected to read music (this was pre-Savoy standards, remember). So there would have been no cast vocal scores. The rehearsal pianist might well have had only vocal lines, if that, and vamped an accompaniment with basic chords - this too is still not unusual. Likewise, even an orchestra can busk an accompaniment. Many times, playing working men's club circuits, I have sung material unfamiliar to the band. All they needed was a time and key signature to produce a passable accompaniment. The original orchestration of Thespis need not necessarily have been fully written-out. A couple of run-throughs and the band would have 'got it'. Maybe the odd individual string flourish or drum section might have been specified, but there was no need for a composer of even Sullivan's calibre to write it all out in an orchestral score. It wasn't that kind of show or that kind of an orchestra - it was panto, not opera. If there ever was a complete vocal or orchestral score of Thespis, it would surely be for Sullivan's private archives only since it served no practical purpose at the Gaiety Theatre. I go along (mostly) with Selwyn Tillett and Roderick Spencer's thesis that a huge portion of Pirates deliberately reused the Thespis score and that the original pages were discarded as the songs were transformed - the exception being the few pages of 'Climbing Over Rocky Mountains' that were torn out and inserted into the Pirates autograph as the words were unchanged. (It's in a copyist's hand by the way, not Sullivan's). If Tillett and Spencer's theory is correct, then it's unlikely that a complete vocal score exists - there's simply no point in keeping 'first-thoughts' Thespis music if it's being recycled into the much better Pirates. As with most rumours, the specifics are quite unprovable: 'found in one of the archives' sound impressive. But which 'one of the archives'? Is it one we already know of but with a hidden corner? Are there any archives not thoroughly searched over and over: D'Oyly Carte, British Library, Pierrpont Morgan, Ric Wilson etc etc? Has another archive turned up? No mention of a Thespis score in any auction house sale, ever. The phrase 'it's being carefully analysed' especially interests me. By whom, exactly? It's hard to believe that anyone involved in the last 40 years of scholarship - from Terence Rees to David Russell Hulme, David Mackie, Charles Mackerras or any of the splendid Broude people would be sitting on this information without some word getting out, even in hush-hush academic circles - and there are plenty of us privy to those on Savoynet. On another note I suppose, for me, the phrase that made me suspicious about the assertion was the description 'highly water-damaged' which contains that 'Oh no it's ruined - wait, it might be retrievable' emotional see-saw designed to make us sympathetic and disarm any doubts. All-in-all the discovery of a Thespis score is a Holy Grail for any G&S fan and, after all the dedicated searches people have made, it would be wonderful if it suddenly just 'turned up' unexpectedly - but realistically it ain't gonna happen. Leon ________________________________________________________ Disc home pages: COX & BOX / A SOCIETY CLOWN (Grossmith) / THE GROSSMITH LEGACY: www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/  1,, Summary-line: 26-Jun deebee@connexus.net.au [43] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 23:19:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R3JRm7009324; Sat, 26 Jun 2004 23:19:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5R3JROA016746 for ; Sat, 26 Jun 2004 23:19:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R3InTJ007872; Sat, 26 Jun 2004 23:18:49 -0400 (EDT) Date: Sat, 26 Jun 2004 23:18:49 -0400 (EDT) Message-Id: <40DE37DD.3030507@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 23:18:49 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Leon Burger wrote > Likewise, even an orchestra can busk an > accompaniment. Many times, playing working men's club circuits, I have sung > material unfamiliar to the band. All they needed was a time and key > signature to produce a passable accompaniment. The original orchestration of > Thespis need not necessarily have been fully written-out. A couple of > run-throughs and the band would have 'got it'. Maybe the odd individual > string flourish or drum section might have been specified, but there was no > need for a composer of even Sullivan's calibre to write it all out in an > orchestral score. It wasn't that kind of show or that kind of an orchestra - > it was panto, not opera. As always Leon's insights are well worth reading but I am loathe to admit that Thespis is completely lost (even though I know it probably is) however there is some evidence of the band parts. At the time of the great Pinafore riot when the directors of the Comedy Opera co tried to seize the sets and costumes and put on their own production, Sullivan took the trouble to establish his ownership of the band parts. In doing so he wrote to John Hollingshead at the Gaiety and asked him to acknowledge that these belonged to the composer and were loaned for the production at the same time asking for the return of the parts for The Merry Wives of Windsor and Thespis. So presumably these were in Sullivan's possession in 1979. As Leon said he had a vocal score with him in New York later that same year. Diana Burleigh  1,, Summary-line: 26-Jun qcochise@yahoo.com [62] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 26 Jun 2004 23:41:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R3fem7013807; Sat, 26 Jun 2004 23:41:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5R3fdOA026625 for ; Sat, 26 Jun 2004 23:41:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R3euTJ008064; Sat, 26 Jun 2004 23:40:57 -0400 (EDT) Date: Sat, 26 Jun 2004 23:40:56 -0400 (EDT) Message-Id: <20040627033652.46660.qmail@web13702.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002801c45bee$5fba3780$3ad86751@co.uk> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 26 Jun 2004 23:40:56 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002801c45bee$5fba3780$3ad86751@co.uk> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While I agree with Leon Berger's skepticism over Adam's rumor, I think that he overstates his case a bit. > Like most musical theatre, the original Thespis cast > would have had the > lyrics only to learn from and would have had the > music drummed into them. [snip] > but there was no > need for a composer of even Sullivan's calibre to > write it all out in an > orchestral score. We know that there was indeed some kind of written material for THESPIS at the Gaiety, for Sullivan's letter of 30 July 1879 survives. In it he asks for the hand-copied parts of THESPIS back to set a precedent for his retaining the band parts of PINAFORE when the sets, costumes, properties, etc, reverted to the directors of the Comedy Opera Company in July. A part of a letter to Joseph Rummel survives, probably from 1873, and mentions a full score to a duet from THESPIS that Rummel wished to arrange for pianoforte. Sullivan's autograph of PIRATES, as Leon mentions, contains a passage of "Climbing over rocky mountain" taken from a copyist's full score of THESPIS. This implies that at least a copied full score existed in December 1879. Tillett and Spencer's discovery that more passages from that same copyist's full score were assembled by Sullivan's secretary Wilfred Bendall for use by the composer for his 1897 ballet VICTORIA AND MERRIE ENGLAND shows that parts of the score survived another eighteen years. In sum, we know that some sort of written material did indeed exist, and that at least part of it existed nearly to the end of the nineteenth century. Kevin Wachs =====  1,, Summary-line: 27-Jun leon.berger@virgin.net [93] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jun 2004 04:28:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R8S6mB021285; Sun, 27 Jun 2004 04:28:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5R8RGwX025432 for ; Sun, 27 Jun 2004 04:27:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R8QcTJ009641; Sun, 27 Jun 2004 04:26:38 -0400 (EDT) Date: Sun, 27 Jun 2004 04:26:38 -0400 (EDT) Message-Id: <001701c45c1e$c44be920$47906751@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 27 Jun 2004 04:26:38 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm grateful for Diana and Kevin's corrections. Yes, it makes sense that there were band parts of sorts at the Gaiety. I guess my query is, whether they were sketchy or fully written-out, given the hurried composing time (even by Sullivan's standards). It also makes sense that Sullivan himself would have a full score - either at the time or assembled shortly after the event. But equally that recycled items were later jettisoned. The ballet was not used in PIRATES in 1879 and so survived until VICTORIA & MERRIE ENGLAND in 1897. I ought to make clear that my assertions are only speculation and I welcome contrary evidence and opinions. Leon ________________________________________________________ Disc home pages: COX & BOX / A SOCIETY CLOWN (Grossmith) / THE GROSSMITH LEGACY: www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/ ----- Original Message ----- From: "kevin wachs" To: "Multiple recipients of list SAVOYNET" Sent: Sunday, June 27, 2004 4:40 AM Subject: Re: Thespis and other urban myths (was: Thespis Found?) > While I agree with Leon Berger's skepticism over > Adam's rumor, I think that he overstates his case a > bit. > > > Like most musical theatre, the original Thespis cast > > would have had the > > lyrics only to learn from and would have had the > > music drummed into them. > [snip] > > but there was no > > need for a composer of even Sullivan's calibre to > > write it all out in an > > orchestral score. > > We know that there was indeed some kind of written > material for THESPIS at the Gaiety, for Sullivan's > letter of 30 July 1879 survives. In it he asks for > the hand-copied parts of THESPIS back to set a > precedent for his retaining the band parts of PINAFORE > when the sets, costumes, properties, etc, reverted to > the directors of the Comedy Opera Company in July. > > A part of a letter to Joseph Rummel survives, probably > from 1873, and mentions a full score to a duet from > THESPIS that Rummel wished to arrange for pianoforte. > > Sullivan's autograph of PIRATES, as Leon mentions, > contains a passage of "Climbing over rocky mountain" > taken from a copyist's full score of THESPIS. This > implies that at least a copied full score existed in > December 1879. > > Tillett and Spencer's discovery that more passages > from that same copyist's full score were assembled by > Sullivan's secretary Wilfred Bendall for use by the > composer for his 1897 ballet VICTORIA AND MERRIE > ENGLAND shows that parts of the score survived another > eighteen years. > > In sum, we know that some sort of written material did > indeed exist, and that at least part of it existed > nearly to the end of the nineteenth century. > > Kevin Wachs > > ===== >  1,, Summary-line: 27-Jun pdp@globalnet.co.uk [93] #Re Bridget--was Zanadoodoo exposed? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jun 2004 04:31:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5R8V2m7022318; Sun, 27 Jun 2004 04:31:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5R8RnHa019912 for ; Sun, 27 Jun 2004 04:27:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5R8RBTJ009732; Sun, 27 Jun 2004 04:27:11 -0400 (EDT) Date: Sun, 27 Jun 2004 04:27:11 -0400 (EDT) Message-Id: <3.0.6.32.20040627091940.014c4100@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re Bridget--was Zanadoodoo exposed? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40DDE59D.5080907@cris.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 27 Jun 2004 04:27:11 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re Bridget--was Zanadoodoo exposed? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40DDE59D.5080907@cris.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 17:27 26/06/04 -0400, Marc wrote: >Mr. Zanadoodoo is clearly anti-Bridget, but I have heard similar comments from >other former company members. Although he is clearly opinionated, much that he >said is clearly accurate, or at least defensible. For instance, you'd have no >trouble finding former Company members who'd agree that Bridget was "remote and >aloof." It is certainly true that she attended rehearsals and performances >relatively rarely, and it is certainly true that she didn't *directly* exercise >much supervision over the recordings. However, he was at a fairly low level in >the company, and no doubt there was a lot going on behind the scenes that he >wasn't aware of. What Marc has put is in my view correct. (There I go offering an opinion). However you can also find members of the company to whom Bridget was not remote and aloof but very friendly and helpful. I think with hindsight it was a matter of personality. Bridget was not brought up in the Theatre like her father. She was not in the scheme of things destined to take a role in the Opera Company or the Savoy Hotel. That was laid out carefully for her brother, Michael. That scheme of things came to an end when her brother was killed. It was a tragedy that Rupert and Lady Dorothy had not allowed for. I know of company members who appealed for help to Bridget and she did help, sometimes financially and in other ways. Her extreme shyness was often interpreted as being aloof. That was part of her upbringing. Like all of us she had her faults and I do not defend them. She chain smoked from an early age. I have somewhere a letter from Rupert instructing my dad to limit her pocket/spending money so that she could not purchase too many ciggarettes. It was the result of smoking that caused her death eventually. She had taken virtually no interest in the Operas, the running of the company, the Savoy Theatre, the artists or the Hotel up to the time of her father's unexpected death. She was like a fish out of water when that happened and had suddenly to take control. That she had a flair for artistic design and could do a job in the hotel was accepted, but even that caused controversy. My remembrance is that she was appointed over the existing head of that function; don't forget she was the largest sharholder; it could not have been otherwise in practise. Hugh Wontner was made Chairman of the Savoy Group which included the Theatre but NOT the Opera Company. That was still a private company, not even a limited company in the legal sense. That she wanted to dispose of the Opera Company and shut it down she admitted and wrote up in that preface I mentioned. The whole piece is well worth reading. That did not happen and to be fair it was not only my dad who counselled her at the time. He of course was very close to her having dealt with all the family matters for many years by then, including of course her separation and divorce. She could be strong willed if the occasion demanded. It was she who sacked Alfred Nightingale personally and effectively on the spot. Nightingale was ''a man of the Theatre'' and well known and respected. He had been appointed by Rupert to follow Collet after quite a long gap and she was reluctant to get rid of him as a result. Eventually things came to a head and she sacked him. That was a bigger tragedy than most knew for the company. Again with hindsight it appears that the Opera Company's offices were effectively provided free of charge by the hotel. How that was shown in the books of accounts I know not but successive managers of the hotel sought to rectify that position and did so causing them to move. All of these things weighed heavily on Bridget and I feel sure that such matters took precedence over attending to detail in the performance side of things, a matter she knew little about anway at that time. She employed people to run the business for her as had Rupert but he did deal (some would say interfere) with detail. I send this to give perhaps a more rounded picture of a complex lady that has been generally put about. Yes we need a biography of the Cart(e) family, but I am not the one to write it. There are huge gaps in my knowledge. If a biographer came along I would certainly contribute. Unfortunately Maqueen Pope and my dad both died before it happend but I still have the letters of intent. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 27-Jun peter.crichton@savoyard.c [21] #Latest G&S Festival Newsletter Available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jun 2004 10:58:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5REw349001364; Sun, 27 Jun 2004 10:58:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5REw271008829 for ; Sun, 27 Jun 2004 10:58:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5REvLTJ011687; Sun, 27 Jun 2004 10:57:21 -0400 (EDT) Date: Sun, 27 Jun 2004 10:57:21 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: Latest G&S Festival Newsletter Available MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Office Outlook, Build 11.0.5510 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 27 Jun 2004 10:57:21 -0400 (EDT) Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: Latest G&S Festival Newsletter Available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The latest G&S Festival Newsletter is now available to download at http://www.gs-festival.co.uk/ Peter Crichton Saddleworth, England  1,, Summary-line: 27-Jun phylismyown@hotmail.com [66] #Re: Thespis and other urban myths X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jun 2004 14:14:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5RIEf49024930; Sun, 27 Jun 2004 14:14:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5RIEecd019498 for ; Sun, 27 Jun 2004 14:14:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5RIE1TJ012902; Sun, 27 Jun 2004 14:14:01 -0400 (EDT) Date: Sun, 27 Jun 2004 14:14:01 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 27 Jun 2004 14:14:01 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Kevin Wachs explains: >We know that there was indeed some kind of written material for THESPIS at >the Gaiety... >A part of a letter mentions a full score to a duet from THESPIS... >Sullivan's autograph of PIRATES contains a passage taken from a copyist's >full score of THESPIS... ...parts of the score survived another eighteen >years... Now this may be a far out theory, but it has been mentioned here a few times that "The Beauty Stone" score has numerous songs in the score (Duets for laine and joan, jaqueline and satan) that we know exist, but have never seen because the owner of this score doesn't share well with others. Isn't it possible then, that if nobody has ever seen a score we know to exist, that maybe this very same person who owns "The Beauty Stone" also owns "Thespis" and just isn't telling anyone? Perhaps he bought it before anyone cared to think about "Thespis" or maybe he inherited it, and that's why no one's seen it. After all, a person who collects things and absolutely refuses to show them to others, although slightly creepy, does have that right. Though I can't think what a selfish joy it could be to keep something that would make so many people happy a secret, whether the hundreds who could enjoy "The Beauty Stone" or the thousands who would be interested in "Thespis." It's all very fascinating, and I wonder if anyone was going to newly record "The Beauty Stone" and were offering money, if they mysterious collecter would finally reveal his treasures? What say you, savoynet? Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com Gilbert and Sullivan Notecard Collection http://www.49-north.com P.S. My second theory is more outlandish, and reveals that Sullivan so hated his score for Thespis (Except Rocky Mountain) that he tore that one song out, threw the score into the ocean, and recently it floated through the sewer system and into a dank corner of some dusty archive, drear. This is the score Adam talks about, waterstain and all finally explained. _________________________________________________________________ Get fast, reliable Internet access with MSN 9 Dial-up – now 3 months FREE! http://join.msn.click-url.com/go/onm00200361ave/direct/01/  1,, Summary-line: 27-Jun BVallely@aol.com [68] #Re: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jun 2004 14:36:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5RIah49001193; Sun, 27 Jun 2004 14:36:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5RIagcd029954 for ; Sun, 27 Jun 2004 14:36:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5RIa3TJ013061; Sun, 27 Jun 2004 14:36:03 -0400 (EDT) Date: Sun, 27 Jun 2004 14:36:03 -0400 (EDT) Message-Id: <157.3887e7fe.2e106aa6@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: BVallely@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: BVallely@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_157.3887e7fe.2e106aa6_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Thunderbird - Mac OS X sub 206 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 27 Jun 2004 14:36:03 -0400 (EDT) Reply-To: BVallely@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: BVallely@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_157.3887e7fe.2e106aa6_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 6/27/04 11:14:07 AM, phylismyown@hotmail.com writes: > Though I can't think what a selfish joy it could be to keep something that > would make so many people happy a secret, whether the hundreds who could > enjoy "The Beauty Stone" or the thousands who would be interested in > "Thespis." > > It's all very fascinating, and I wonder if anyone was going to newly record > "The Beauty Stone" and were offering money, if they mysterious collecter > would finally reveal his treasures? > > What say you, savoynet? > I think Michael Moore has found the topic for his next "documentary". --part1_157.3887e7fe.2e106aa6_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 6/27/04 11:14:07 AM, phylismyown@hotmail.com writes:


Though I can't think=20= what a selfish joy it could be to keep something that
would make so many people happy a secret, whether the hundreds who could
enjoy "The Beauty Stone" or the thousands who would be interested in
"Thespis."

It's all very fascinating, and I wonder if anyone was going to newly record<= BR> "The Beauty Stone" and were offering money, if they mysterious collecter
would finally reveal his treasures?

What say you, savoynet?


I think Michael Moore has found the topic for his next "documentary".= --part1_157.3887e7fe.2e106aa6_boundary--  1, answered,, Summary-line: 28-Jun xiphmont@xiph.org [34] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 03:24:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5S7Ow49026716; Mon, 28 Jun 2004 03:24:58 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5S7OvVb019917 for ; Mon, 28 Jun 2004 03:24:57 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id E1A51DC115; Mon, 28 Jun 2004 03:24:47 -0400 (EDT) Date: Mon, 28 Jun 2004 03:24:47 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Message-ID: <20040628072447.GD32634@xiph.org> References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> <20040619235413.GA30030@xiph.org> <200406201620.i5KGK0aD014558@multics.mit.edu> <200406242025.i5OKPpQm013229@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406242025.i5OKPpQm013229@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 03:24:47 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406242025.i5OKPpQm013229@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thu, Jun 24, 2004 at 04:25:51PM -0400, David C. Jedlinsky wrote: > > Hi Monty. > > How does the deverb of your soundtrack compare with the one I gave > you? Should we throw mine out & use yours? Are you planning on doing > the companding, or just the deverb? > > Ruth or I will be around this weekend or Monday, if you've got stuff > ready by then. I should have stuff ready on monday. I was planning on only doing the deverb as my compander setup is different from yours and I can't do something exactly equivalent. (Sorry for not getting back earlier; once again the box with sufficient computing power exploded. Dead RAID card this time. Gaaaaah) Monty  1,, Summary-line: 28-Jun tony@a-b-u.demon.co.uk [81] #Re:Bridget and her role in recordings etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 05:53:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5S9rP49027785; Mon, 28 Jun 2004 05:53:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5S9rOR7012320 for ; Mon, 28 Jun 2004 05:53:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5S9qfTJ018615; Mon, 28 Jun 2004 05:52:41 -0400 (EDT) Date: Mon, 28 Jun 2004 05:52:41 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Re:Bridget and her role in recordings etc. Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express for Macintosh - 4.01 (295) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 05:52:41 -0400 (EDT) Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Re:Bridget and her role in recordings etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) When I was at Decca I often wondered whether the claim that the DOC recordings were made under the personal supervision of Bridget D'Oyly Carte would have held water in a court of law, should somebody have decided the challenge it. I attended the vast bulk of the company's recording sessions in the mid to late 'seventies up until its final Decca set ('Yeomen') and Bridget never came anywhere near the studios. However, Freddie Lloyd (as Bridget's representative on earth) was more or less omni-present in the control room during that time. His role seemed to be two-fold. Firstly to attend to any matter pertaining to the company itself, such as ensuring that all the chorus and principals were present when they should have been and to make sure that any absentees among the chorus did not receive their session fees. In this he acted rather as a school teacher would do when reading the register for his or her class. While the producer (in these latter cases ex-Decca staff producer Ray Horricks) really ruled the roast as far as the sessions themselves were concerned, Freddie Lloyd was there to oversee textual matters, which were then referred to Bridget for her to make the final decision. For example, during the recording of 'The Gondoliers' during Mike Rayner's singing of 'Rising Early In The Morning' he sang the line 'Or receive with ceremonial and state, an interesting Persian potentate' as was then the practice on stage. Both Ray Horricks and Mr. Lloyd pointed out that the printed text read ' an interesting Eastern potentate' so, while everone twiddled their thumbs at the CBS Studios in Whitfield Street (used for this recording as Decca's own Studio No. Three was booked for something else) Mr. Lloyd phoned Dame Bridget back at the office so that she could make the final decision. This was one of several similar incidents in this recording alone. He would sometimes make suggestions off his own bat as regards points of interpretation or point out faults of ensemble.He would also join with the producer in approving which 'take' of any particuar number would be used for the final edit. So the missing Meston in the famous line in 'Gondoliers' slipped past both Messers Lloyd and Horricks. So while Freddie Lloyd attended sessions on much more than the occasional basis asserted by Glyn Hale, the final decision on matters textual was actually Bridget's. Whether this could be construed as 'personal supervision' is a matter of conjecture. Although he always looked rather Dickensian and old fashioned in his mode of dress, appearing as though he would be rather more at home in a traditional City of London board room, Freddie Lloyd had a very good, broad, sense of humour and his sometimes devestating remarks about some of the company's principals were not only extremely funny, but also not to be repeated on a family-based forum such as 'Savoynet'. I had previously met him when he interviewed me, young as I then was, for an administrative job with the company in the early 'seventies and I always got on very well with him.Incidentally he offered me the job, but on the very same day I was promoted at Decca, so I stayed where I was. I often wondered how my working life would have worked out had I taken up DOC's offer. Mr. Lloyd also had considerable input when the subject arose as to which opera should be the next to be recorded. I remember letters from him to Decca proposing a particular opera, often because one of the company's current artists was especially impressive in a role. This was certainly the case with the late 'seventies 'Yeomen' which was recorded primarily because Mr. Lloyd considered Geoffrey Shovelton a particularly fine tenor and deemed his Fairfax an exceptional reading of the part and one which deserved to be preserved on record. In those days a set of test pressings would certainly have been sent to either Mr. Lloyd and Dame Bridget, but the ultimate approvalof them would have been down to the record producer. Mr. Lloyd's presence at the sessions would have been considered tacit approval that the recording was fit to be released. Tony Watts  1,, Summary-line: 28-Jun to: xiphmont@xiph.org [52] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 10:57:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SEvp4H006033; Mon, 28 Jun 2004 10:57:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SEvkHS010996; Mon, 28 Jun 2004 10:57:46 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5SEvjOm003750; Mon, 28 Jun 2004 10:57:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i5SEvj3k024076; Mon, 28 Jun 2004 10:57:45 -0400 (EDT) Date: Mon, 28 Jun 2004 10:57:45 -0400 (EDT) Message-Id: <200406281457.i5SEvj3k024076@multics.mit.edu> From: "David C. Jedlinsky" To: xiphmont@xiph.org Cc: rls@dimins.com In-reply-to: <20040628072447.GD32634@xiph.org> (message from Monty on Mon, 28 Jun 2004 03:24:47 -0400) Subject: Re: Star Wars soundtrack References: <200406161916.i5GJGXmr013763@multics.mit.edu> <20040616230412.GB14962@xiph.org> <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> <20040619235413.GA30030@xiph.org> <200406201620.i5KGK0aD014558@multics.mit.edu> <200406242025.i5OKPpQm013229@multics.mit.edu> <20040628072447.GD32634@xiph.org> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 10:57:45 -0400 (EDT) From: "David C. Jedlinsky" To: xiphmont@xiph.org Cc: rls@dimins.com In-reply-to: <20040628072447.GD32634@xiph.org> (message from Monty on Mon, 28 Jun 2004 03:24:47 -0400) Subject: Re: Star Wars soundtrack X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) That's the problem with living on the bleeding edge. Sometimes you bleed. :-) If you have the deverbed stuff ready by tonight, can you let Ruth know where she can pick it up? She'll be a Mary's at 5:30 (normal rav-eaters outing), and probably available to meet elsewhere after 7:00. You can either email her at "rls@dimins.com", or call her cell phone at 617-803-4192. Thanks. -Dave >Date: Mon, 28 Jun 2004 03:24:47 -0400 >From: Monty > >On Thu, Jun 24, 2004 at 04:25:51PM -0400, David C. Jedlinsky wrote: >> >> Hi Monty. >> >> How does the deverb of your soundtrack compare with the one I gave >> you? Should we throw mine out & use yours? Are you planning on doing >> the companding, or just the deverb? >> >> Ruth or I will be around this weekend or Monday, if you've got stuff >> ready by then. > >I should have stuff ready on monday. I was planning on only doing the >deverb as my compander setup is different from yours and I can't do >something exactly equivalent. > >(Sorry for not getting back earlier; once again the box with >sufficient computing power exploded. Dead RAID card this >time. Gaaaaah) > >Monty  1,, Summary-line: 28-Jun esnealleyiii@yahoo.com [79] #re: When Less Is More (was: Re: Chickens, etc.) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 11:45:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SFju4H006192; Mon, 28 Jun 2004 11:45:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SFjroG016856 for ; Mon, 28 Jun 2004 11:45:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SFj3TJ005191; Mon, 28 Jun 2004 11:45:03 -0400 (EDT) Date: Mon, 28 Jun 2004 11:45:03 -0400 (EDT) Message-Id: <20040628153537.6938.qmail@web52108.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: re: When Less Is More (was: Re: Chickens, etc.) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 11:45:03 -0400 (EDT) Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: re: When Less Is More (was: Re: Chickens, etc.) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- jana_ch wrote: > > There are times in G&S when laughs are supposed to > take the back seat to the music. --- "Andi" wrote: Amen. While I am not always in agreement with the choices made by and for my "home" company, NYGASP, ... there's one that, IMO, we do stunningly right: the Madrigal is sung without any staging or movement whatsoever, just the four principals standing still, placed along enough of a curve to be able to hear one another well. While I'm certainly in agreement about playing these for laughs, I do feel a little torn about the idea of always standing motionless. I just finished a Mikado (in Arden, DE) where the singers for the madrigal had some minor motion during the song, mostly to adjust the stage picture slightly. The picture started with Pitti-Yum-Nanki-Pish far downstage right (in that order going outward from center). Pish moved between Pitti and Nanki during the brief instrumental passage between the first passage and his solo line, as if engaging the comment to Pitti, to which she responded. We then remained in position during the remainder of the 1st verse. In the bridge between verses, Pish and Pitti stepped upstage, while Yum and Nanki walked to just right of center, then Pish and Pitti stepped down to their right to join them. During the short instrumental passage before Pish and Pitti's solo lines in the 2nd verse, both Pish and Pitti moved to the left end of the line, creating a gouping down center Pish-Pitti-Yum-Nanki, which we kept to the end of the song. I really liked the minor motions. They felt right to me, and made the "All must sip the cup of sorrow - I today and thou tomorrow" passages seem very conversational to the characters. The one question I had with it was that the upstage motion of Pitti and Pish between verses inevitably triggered premature applause from the audience - I think the motion signaled the number's end to the audience, instead of an adjustment. Becuase we were originally grouped around a stage piece (a bench in front of a bridge railing) walking upstage was necessary to give Nanki and Yum room to move, but I think it act as a kind of 'false cadence' to the audience. Do you agree that some motion is possible during these numbers, or should the small groupings merely stand motionless (as is traditional for most of them)? Edwin Nealley esnealleyiii@yahoo.com Philadelphia, PA  1,, Summary-line: 28-Jun andi_s_r@yahoo.com [52] #Re: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 11:46:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SFkc4H006650; Mon, 28 Jun 2004 11:46:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SFkWLw020762 for ; Mon, 28 Jun 2004 11:46:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SFjcTJ005497; Mon, 28 Jun 2004 11:45:38 -0400 (EDT) Date: Mon, 28 Jun 2004 11:45:38 -0400 (EDT) Message-Id: <20040628154047.32861.qmail@web14522.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20040627212239.01a613f8@taurus.lunarpages.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 11:45:38 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20040627212239.01a613f8@taurus.lunarpages.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- David Craven wrote: > At 10:18 PM 6/27/2004 -0400, BVallely@aol.com wrote: > > A legal right, perhaps, but not a moral right. And of course > if a copy > >could be obtained at this point, even illegally, the owner of > the score > >would have no right to prevent its dissemination, Wait, is there not a question related to publication date? I think I recall from a prior discussion something to the effect that if a previously unpublished writing were to be published, the copyright would run from the date of publication onward even if the writer had been dead for several centuries at the time. The libretto to Thespis has been available in print for many years, but the Sullivan score has never been published. IF the Sullivan music were to show up, would it not be copyrightable on the grounds that it had not been published previously? This raises some questions that are worthy of the Lord Chancellor: Some of the music is known to have been recycled into other works, most notably Climbing Over Rocky Mountain, which *has* been published. Assuming the mythical reappearance of the Thespis score, could it be copyrighted if it contains individual pieces which have previously been published and copyrighted and on which the copyright has expired? Would it then put those pieces under copyright again? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 28-Jun rebecca@hains.net [39] #RE: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 12:09:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SG9i4H021048; Mon, 28 Jun 2004 12:09:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SG9foG003903 for ; Mon, 28 Jun 2004 12:09:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SG8ZTJ007817; Mon, 28 Jun 2004 12:08:35 -0400 (EDT) Date: Mon, 28 Jun 2004 12:08:35 -0400 (EDT) Message-Id: <003c01c45d27$904ab7a0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Thespis and other urban myths MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040628154047.32861.qmail@web14522.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 12:08:35 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040628154047.32861.qmail@web14522.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andi wrote, >> I think I recall from a prior discussion something to the effect that if a previously unpublished writing were to be published, the copyright would run from the date of publication onward even if the writer had been dead for several centuries at the time. >> The libretto to Thespis has been available in print for many years, but the Sullivan score has never been published. IF the Sullivan music were to show up, would it not be copyrightable on the grounds that it had not been published previously?<< I thought that performance constituted publication for music. If this is the case, Sullivan's music would no longer be under copyright, as it has already been performed. But I could be very much mistaken! Perhaps one of our lawyerly S'netters would oblige us with a clarification. Rebecca Hains Philadelphia, PA  1,, Summary-line: 28-Jun jana_ch@blarg.net [42] #Re:Bridget and her role in recordings etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 12:11:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SGBl4H022426; Mon, 28 Jun 2004 12:11:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SGA1oG004085 for ; Mon, 28 Jun 2004 12:10:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SG99TJ007914; Mon, 28 Jun 2004 12:09:09 -0400 (EDT) Date: Mon, 28 Jun 2004 12:09:09 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re:Bridget and her role in recordings etc. MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_ae8d28888e4d14f2f8e2a6f5d8065216" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.3.0 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 12:09:09 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re:Bridget and her role in recordings etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --b1_ae8d28888e4d14f2f8e2a6f5d8065216 Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Mon, Jun 28, 2004 at 7:37am Clifton Coles wrote: > Um, why the line change to "Persian" in performance? Perhaps a preference for consonental alliteration ("Persian Potentate") over an alliteration of vowels ("interesting Eastern")? Just a guess. I wasn't there. Jana Hollingsworth Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_ae8d28888e4d14f2f8e2a6f5d8065216 Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Mon, Jun 28, 2004 at 7:37am Clifton Coles wrote:
> Um, why the line change to "Persian" in performance?

Perhaps a preference for consonental alliteration ("Persian Potentate") over an alliteration of vowels ("interesting Eastern")?

Just a guess. I wasn't there.

Jana Hollingsworth
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_ae8d28888e4d14f2f8e2a6f5d8065216--  1, forwarded,, Summary-line: 28-Jun mstorie@nwlink.com [21] #Watchdogs ever vigilant X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 12:55:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SGtq4H020035; Mon, 28 Jun 2004 12:55:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SGtlLw014320 for ; Mon, 28 Jun 2004 12:55:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SGssTJ009810; Mon, 28 Jun 2004 12:54:54 -0400 (EDT) Date: Mon, 28 Jun 2004 12:54:54 -0400 (EDT) Message-Id: <40DFEAE1.95DF1C56@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Watchdogs ever vigilant MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 12:54:54 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Watchdogs ever vigilant X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A friend of mine reports that he downloaded a G&S album from the Apple itunes music store and noticed that they had censored the title of one song: "On a tree by a river a little tom t*t" Nudge Nudge, Wink Wink... Mike Storie  1,, Summary-line: 28-Jun tempsavoy@tradelaw.com [57] #Re: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 13:39:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SHdv4H018560; Mon, 28 Jun 2004 13:39:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SHduni019727 for ; Mon, 28 Jun 2004 13:39:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SHdGTJ012713; Mon, 28 Jun 2004 13:39:16 -0400 (EDT) Date: Mon, 28 Jun 2004 13:39:16 -0400 (EDT) Message-Id: <6.1.0.6.0.20040628122742.0211c178@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040628154047.32861.qmail@web14522.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 6.1.0.6 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 13:39:16 -0400 (EDT) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040628154047.32861.qmail@web14522.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 10:40 AM 6/28/2004, Andi wrote: >Wait, is there not a question related to publication date? I >think I recall from a prior discussion something to the effect >that if a previously unpublished writing were to be published, >the copyright would run from the date of publication onward even >if the writer had been dead for several centuries at the time. Yes. But that date has now passed. >The libretto to Thespis has been available in print for many >years, but the Sullivan score has never been published. IF the >Sullivan music were to show up, would it not be copyrightable on >the grounds that it had not been published previously? It would have been, had it been published by the drop-dead date. But it was not, and it now "belongs to the ages" (ie the public). Of course, if it fell into the hands of someone "unscrupulous", they would refuse to let anyone "see" the original and would issue an "edition" with editorial markings and the like which would make this an "edited version" subject to a claim of copyright. The ultimate issue might well be whether such changes were sufficient to create a new work, but without the original to examine... Some of the music is known to have been recycled into other >works, most notably Climbing Over Rocky Mountain, which *has* >been published. Assuming the mythical reappearance of the >Thespis score, could it be copyrighted if it contains individual >pieces which have previously been published and copyrighted and >on which the copyright has expired? Would it then put those >pieces under copyright again? Assuming that the drop dead date had not passed, and assuming that they are not identical, yes those pieces probably would have been subject to copyright. As it is, I can take just about any Sullivan Tune and set of Gilbert Words and produce a derivative work which is subject to copyright. (A new "piano reduction" for example, might be subject to copyright). The key is whether any "authorship" or "creativity" would be involved.  1,, Summary-line: 28-Jun SANGAZ@aol.com [27] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 13:41:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SHei4h019155; Mon, 28 Jun 2004 13:41:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SHdQni019192 for ; Mon, 28 Jun 2004 13:39:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SHchTJ012601; Mon, 28 Jun 2004 13:38:43 -0400 (EDT) Date: Mon, 28 Jun 2004 13:38:43 -0400 (EDT) Message-Id: <146.2d042193.2e11b04f@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 13:38:43 -0400 (EDT) Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Leon writes re. the missing Thespis score << I go along (mostly) with Selwyn Tillett and Roderick Spencer's thesis that a huge portion of Pirates deliberately reused the Thespis score and that the original pages were discarded as the songs were transformed - the exception being the few pages of 'Climbing Over Rocky Mountains' that were torn out and inserted into the Pirates autograph as the words were unchanged >> So I wonder - has anyone ever tried to reconstruct Thespis basing the music largely or solely on the Pirates score? Angie Arnell  1,, Summary-line: 28-Jun conductor@rg-p.fslife.co. [63] #Re: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 14:25:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SIPu4H019443; Mon, 28 Jun 2004 14:25:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SIP3EE016666 for ; Mon, 28 Jun 2004 14:25:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SIOLTJ017099; Mon, 28 Jun 2004 14:24:21 -0400 (EDT) Date: Mon, 28 Jun 2004 14:24:21 -0400 (EDT) Message-Id: <011801c45d3b$9152e8c0$539b4e51@pbncomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 14:24:21 -0400 (EDT) Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David wrote - | > A legal right, perhaps, but not a moral right. And of course | > if a copy | > >could be obtained at this point, even illegally, the owner of | > the score | > >would have no right to prevent its dissemination, Andi asked - > Wait, is there not a question related to publication date? I > think I recall from a prior discussion something to the effect > that if a previously unpublished writing were to be published, > the copyright would run from the date of publication onward even > if the writer had been dead for several centuries at the time. Well, yes - and no... As I understand it, copyright law now says that a piece of music remains in copyright (owned by the composer or his heirs) for XX number of years irrespective of whether it has been published or not - and then falls into the public domain. What happens to it then is - well... If I found Thespis, I could publish it in any form, as the music (hand-written notes) is not in copyright of any description. However, if I then hid the autograph, and refused to allow anyone any form of access to it, thus making my published edition the *only* copy of the music available to Savoynet and other scholars, performers etc, then my published edition *would* be in copyright, owned by myself for XX number of years. The purpose of this copyright is to earn some income for myself while it lasts. If someone else managed to obtain a copy of the autograph (from where it is hidden away in my little back room) then they could use that copy (whether photocopy, hand-written or sung into a tape-recorder, etc) to create their own edition, since the music in the copy they have acquired (whether by fair means or foul) - is not subject to any copyright restrictions. That person would not, however, be able to make their own edition using my published edition, or I could sue for copyright infringement. I hope I make myself clear... ROBIN ######################################################## Robin Gordon-Powell Conductor & Music Publisher THE AMBER RING 9 Killieser Avenue, London, SW2 4NU, UK Mobile: +44 (0) 7881 934 165 Email: conductor@amber-ring.co.uk www.amber-ring.co.uk  1,, Summary-line: 28-Jun rls@dimins.com [41] #Re: [mstorie@nwlink.com: Watchdogs ever vigilant] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 14:49:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SInT4J004621; Mon, 28 Jun 2004 14:49:30 -0400 (EDT) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SImqni015508 for ; Mon, 28 Jun 2004 14:48:52 -0400 (EDT) Received: from dimins.com (pooh.dimins.com [::ffff:192.168.2.198]) by dimins.com with esmtp; Mon, 28 Jun 2004 14:48:18 -0400 Date: Mon, 28 Jun 2004 14:48:21 -0400 Subject: Re: [mstorie@nwlink.com: Watchdogs ever vigilant] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200406281836.i5SIai86001749@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 14:48:21 -0400 Subject: Re: [mstorie@nwlink.com: Watchdogs ever vigilant] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200406281836.i5SIai86001749@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Looking at the names of the songs on the Mikado Album, it shows this (copied and pasted): T*t Willow (from "The Mikado") 3:32 The King's Singers Here's a Howdy Do $0.99 Ruth On Monday, June 28, 2004, at 02:36 PM, David C. Jedlinsky wrote: > > Can you verify this without actually downloading the song? > > -Dave > > > ------- Start of forwarded message ------- > Date: Mon, 28 Jun 2004 12:54:54 -0400 (EDT) > From: Mike Storie > To: Multiple recipients of list SAVOYNET > Subject: Watchdogs ever vigilant > > A friend of mine reports that he downloaded a G&S album from the Apple > itunes music store and noticed that they had censored the title of one > song: "On a tree by a river a little tom t*t" > > Nudge Nudge, Wink Wink... > > Mike Storie > ------- End of forwarded message -------  1,, Summary-line: 28-Jun rls@dimins.com [44] #Re: [mstorie@nwlink.com: Watchdogs ever vigilant] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 14:53:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SIrg4P007440; Mon, 28 Jun 2004 14:53:56 -0400 (EDT) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SIr5EE008490 for ; Mon, 28 Jun 2004 14:53:06 -0400 (EDT) Received: from dimins.com (pooh.dimins.com [::ffff:192.168.2.198]) by dimins.com with esmtp; Mon, 28 Jun 2004 14:52:31 -0400 Date: Mon, 28 Jun 2004 14:52:34 -0400 Subject: Re: [mstorie@nwlink.com: Watchdogs ever vigilant] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200406281836.i5SIai86001749@multics.mit.edu> Message-Id: <5157FDFE-C934-11D8-B09C-003065AFF06A@dimins.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 14:52:34 -0400 Subject: Re: [mstorie@nwlink.com: Watchdogs ever vigilant] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200406281836.i5SIai86001749@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My last reply was the King Singers version. The G&S version is listed as: "The Mikado, Act Two, No 11, Song (Ko-Ko) 3:05 Arthur Sullivan, Glyndebourne Festival Chorus & William S. Gilbert Gilbert & Sullivan: The Mikado $0.99" Which matches the style of all tunes shown on the album. Ruth On Monday, June 28, 2004, at 02:36 PM, David C. Jedlinsky wrote: > > Can you verify this without actually downloading the song? > > -Dave > > > ------- Start of forwarded message ------- > Date: Mon, 28 Jun 2004 12:54:54 -0400 (EDT) > From: Mike Storie > To: Multiple recipients of list SAVOYNET > Subject: Watchdogs ever vigilant > > A friend of mine reports that he downloaded a G&S album from the Apple > itunes music store and noticed that they had censored the title of one > song: "On a tree by a river a little tom t*t" > > Nudge Nudge, Wink Wink... > > Mike Storie > ------- End of forwarded message -------  1,, Summary-line: 28-Jun tempsavoy@tradelaw.com [76] #Re: Thespis and other urban myths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 15:15:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SJFS4j022611; Mon, 28 Jun 2004 15:15:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SJElEE026334 for ; Mon, 28 Jun 2004 15:14:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SJE3TJ020690; Mon, 28 Jun 2004 15:14:03 -0400 (EDT) Date: Mon, 28 Jun 2004 15:14:03 -0400 (EDT) Message-Id: <6.1.0.6.0.20040628134911.01dbdec0@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <011801c45d3b$9152e8c0$539b4e51@pbncomputer> X-Mailer: QUALCOMM Windows Eudora Version 6.1.0.6 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 15:14:03 -0400 (EDT) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <011801c45d3b$9152e8c0$539b4e51@pbncomputer> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 01:24 PM 6/28/2004, Robin Gordon-Powell wrote: >If I found Thespis, I could publish it in any form, as the music >(hand-written notes) is not in copyright of any description. Yes and no. At least in the US if I wrote a brand new work (lets call it Thispis), it copyright would exist upon its creation for a certain, as of yet, indeterminate period of time. (Life of the Author plus whatever term of years Disney has foisted off on Congress at the point that the copyright expires) > However, if I >then hid the autograph, and refused to allow anyone any form of access to >it, thus making my published edition the *only* copy of the music available >to Savoynet and other scholars, performers etc, then my published edition >*would* be in copyright, owned by myself for XX number of years. Your edition would be in copyright even if you are honorable, and I am sure that you are, and made photostats of the autograph readily available. > The >purpose of this copyright is to earn some income for myself while it lasts. On this we disagree. The history of the copyright statute is pretty clear. The first copyright statute was in England and was intended to benefit not authors and other creators, but rather the Guild of Printers. Ever since that time copyright has been expanded and over expanded either overtly by the printers (and similar folk such as Disney, Universal, and the like) or by the printers claiming that it was done for the "poor artists". And a few artists have been duped into joining such demands for extension. But for the most part the primary beneficiaries of the copyright statutes have always been the printers. That you might get a little benefit is great... but that's not the purpose. (And part of this can be shown by the virtual lack of any right to preserve the integrity of the work... the holder of the rights in a work can pretty much do what they want not withstanding the desires and wishes of the author or creator.) >If someone else managed to obtain a copy of the autograph (from where it is >hidden away in my little back room) then they could use that copy (whether >photocopy, hand-written or sung into a tape-recorder, etc) to create their >own edition, since the music in the copy they have acquired (whether by fair >means or foul) - is not subject to any copyright restrictions. That person >would not, however, be able to make their own edition using my published >edition, or I could sue for copyright infringement. Yes. Very clear. And very correct. So when are you going to release your version of Thespis? (I am presuming that your e-mail is an announcement that you, in fact, have Thespis squirreled away in your back room. Assuming that this is true, would you mind putting up your schedule, when you intend to be away from your rooms, and a detailed listing of any and all security systems and precautions in place. A hiding place for keys and anything else needed to gain access to your back room would be helpful, as would a photocopy of the manuscript next to the actual autograph. Thanks... The G&S Liberation Society...)  1,, Summary-line: 28-Jun pnh@dsl.pipex.com [44] #Thespis reconstruction X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 17:08:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SL8c4H004103; Mon, 28 Jun 2004 17:08:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SL8brb013348 for ; Mon, 28 Jun 2004 17:08:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SL7xTJ000880; Mon, 28 Jun 2004 17:07:59 -0400 (EDT) Date: Mon, 28 Jun 2004 17:07:59 -0400 (EDT) Message-Id: <001701c45d53$e0e21c40$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Thespis reconstruction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 17:07:59 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Thespis reconstruction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Kevin Wachs wrote: It was also available on line at , but I'm not certain that the address is still active. The current url for the article about the Spencer/Tillett reconstruction of "Thespis" using "Pirates" music is: http://www.tillett.org.uk/Chimes/Thespis.pdf Paul Howarth York Associate Curator, Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Victorian Parlour Songs http://www.pnhowarth.org/songs Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 28-Jun j.d.mcclure@virgin.net [46] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 17:09:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SL9E4H004407; Mon, 28 Jun 2004 17:09:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SL8Brb013021 for ; Mon, 28 Jun 2004 17:08:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SL7VTJ000789; Mon, 28 Jun 2004 17:07:31 -0400 (EDT) Date: Mon, 28 Jun 2004 17:07:31 -0400 (EDT) Message-Id: <001201c45d52$c51362e0$9004fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 17:07:31 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Kevin wrote: >Yes, that is the direction from which Selwyn Tillett >and Roderick Spencer made their discovery. They were >working on a reconstruction of THESPIS and were >surprised by the number of fitting settings that they >found in Act I of PIRATES. Some are fitting, some are not. For example, I find it simply incredible that Sullivan in 1871 wrote a setting like: Here far a-way from all the world, Dis-se-en-sio-on AND de-ri-i-sio-o-on... and then in 1880 thought "HEY - this'll do just great for Oh is there not one maiden breast Which does not feel the MO-ral beauty..." My impression (we've discussed this before on the Savoynet, but if anybody would like to go back to it it would make a nice change from rubber chickens) was that these two skilled and learned gentlemen hit on a very intriguing possibility but pushed their argument beyond what the evidence would support. Derrick McClure. (A most contented man, though foolish persons think me mad.) P.S. Let's not get bogged down in another thread on the ups and downs and ins and outs and heres and theres and round abouts of copyright laws!!!! j.d.mcclure@virgin.net  1,, Summary-line: 28-Jun leon.berger@virgin.net [92] #Re: Thespis and other urban myths (was: Thespis Found?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 19:44:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SNiw4J010031; Mon, 28 Jun 2004 19:44:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5SNhiPh002039 for ; Mon, 28 Jun 2004 19:43:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5SNgvTJ002678; Mon, 28 Jun 2004 19:42:57 -0400 (EDT) Date: Mon, 28 Jun 2004 19:42:57 -0400 (EDT) Message-Id: <001401c45d67$21a51c60$0e406551@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 19:42:57 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis and other urban myths (was: Thespis Found?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Derrick mcCkure wrote ' find it simply incredible that Sullivan in 1871 wrote a setting like: 'Here far a-way from all the world, / Dis-se-en-sio-on AND de-ri-i-sio-o-on...' [to the tune of 'Oh is there not one maiden breast/ Who does not feel the moral beauty']. Good grief - when one has performed as much English opera as I have (and I don't just mean translations of foreign stuff), such a setting is elegance itself, And very grateful on the voice and the ear. Think of the lines as an actor - one might well emphasise the word 'AND' for effect anyway. Quite where you arc the phrase for legato line is up to the composer and, of course, any held notes make nonsense of spoken delivery. Reduce any of Sullivan's settings to phonetics to confirm this: eg in PIRATES, the end repeat of 'to re-e-escue such a one as I-I, from his unfortun-a-a -te pos-i-i-tion' as wriiten is bizarre. It's not helpful. Derrick offers: 'Dis-se-en-sio-on'. Try instead (if one must be note-for note-syllabic) 'Dis-se-e-en-tion AND deri--sion' though, of course, the 'e' is never aspirated vocally as it appears in the spelling. You've got to hear it to make sense of it. I do concede that Spencer and Tillet's arguement may have been pushed too far, and acknowledge that their's is not the final word on the matter. As scholars (let alone friends and colleagues) they would expect - nay, encourage - dissent on several areas. I would just like to add that I was privvy to all their researches - let alone the dozens of THESPIS reconstructions they reviewed to make their choices a- nd find their arguements made more sense than anything else I've come across. Leon ________________________________________________________ Disc home pages: COX & BOX / A SOCIETY CLOWN (Grossmith) / THE GROSSMITH LEGACY: www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/ ----- Original Message ----- From: "J. Derrick McClure" To: "Multiple recipients of list SAVOYNET" Sent: Monday, June 28, 2004 10:07 PM Subject: Re: Thespis and other urban myths (was: Thespis Found?) > Kevin wrote: > >Yes, that is the direction from which Selwyn Tillett > >and Roderick Spencer made their discovery. They were > >working on a reconstruction of THESPIS and were > >surprised by the number of fitting settings that they > >found in Act I of PIRATES. > > Some are fitting, some are not. For example, I find it simply incredible > that Sullivan in 1871 wrote a setting like: > > Here far a-way from all the world, > Dis-se-en-sio-on AND de-ri-i-sio-o-on... > > and then in 1880 thought "HEY - this'll do just great for > > Oh is there not one maiden breast > Which does not feel the MO-ral beauty..." > > My impression (we've discussed this before on the Savoynet, but if anybody > would like to go back to it it would make a nice change from rubber > chickens) was that these two skilled and learned gentlemen hit on a very > intriguing possibility but pushed their argument beyond what the evidence > would support. > > Derrick McClure. > (A most contented man, though foolish persons think me mad.) > > P.S. Let's not get bogged down in another thread on the ups and downs and > ins and outs and heres and theres and round abouts of copyright laws!!!! > > j.d.mcclure@virgin.net >  1,, Summary-line: 28-Jun jmorzins@MIT.EDU [69] #sipb meeting minutes, June 28 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 19:54:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5SNsl4H013120; Mon, 28 Jun 2004 19:54:47 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5SNrc8Q012431 for ; Mon, 28 Jun 2004 19:53:38 -0400 (EDT) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) (authenticated bits=56) (User authenticated as jmorzins@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i5SNrYOm002952 for ; Mon, 28 Jun 2004 19:53:37 -0400 (EDT) Received: (from jmorzins@localhost) by hodge-podge.mit.edu (8.12.9) id i5SNrYRk019249; Mon, 28 Jun 2004 19:53:34 -0400 (EDT) Date: Mon, 28 Jun 2004 19:53:33 -0400 (EDT) From: Jacob Morzinski To: sipb-minutes@MIT.EDU Subject: sipb meeting minutes, June 28 Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 19:53:33 -0400 (EDT) From: Jacob Morzinski To: sipb-minutes@MIT.EDU Subject: sipb meeting minutes, June 28 X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Minutes of the SIPB Meeting of 06/28/2004 The meeting was called to order at 7:30 by jtu. In attendance were Voting members: arolfe jtu jmorzins kchen merolish | golem Associate members: jhawk lnemzer Prospectives: asanka asedeno astronut btang zoz Guests: Treasurer's Report: arolfe: The fiscal year ends on Wednesday. We spent close to all our money. arolfe: Move to rescind allocations that haven't been spent before this meeting. <2 yes, 2 no, 3 abstain, motion fails>. Chairman's Report: jtu: "hi" Office Report: arolfe: A past allocation for a $2k office head would probably have gone over this year's budget. Fortunately, it hasn't arrived yet. jtu: If you have feedback about chairmats, give it to jmorzins. Office Cleaning Report: MIT Computing Report: zoz: IST minicourses will be revamped. Computer Services: arolfe: webmaster meeting after the meeting. Publications Report: jhawk: we have iLatex with hand-drawn graphics. Orientation Report: jtu: Allocate up to $500 for a howtogamit ad. merolish: Ike and I stuffed envelopes for the freshman mailing. The pizza was bad. IAP Report: CokeComm Report: jtu: There is a new cokecomm. Other: Other Other: jhawk: Our new electrical tape is dangerous in California. The meeting was adjourned at 7:36. Minutes taken and submitted by jmorzins.  1,, Summary-line: 28-Jun MB1224@aol.com [117] #What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 21:15:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5T1Fg4H011677; Mon, 28 Jun 2004 21:15:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5T1FePh019617 for ; Mon, 28 Jun 2004 21:15:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5T1F2TJ003723; Mon, 28 Jun 2004 21:15:02 -0400 (EDT) Date: Mon, 28 Jun 2004 21:15:02 -0400 (EDT) Message-Id: <8d.e7e6ac3.2e121bfe@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MB1224@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MB1224@aol.com To: Multiple recipients of list SAVOYNET Subject: What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1088471550" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5113 X-Spam-Score: -3.646 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 21:15:02 -0400 (EDT) Reply-To: MB1224@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MB1224@aol.com To: Multiple recipients of list SAVOYNET Subject: What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.646 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1088471550 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 06/28/2004 2:37:14 AM Eastern Daylight Time, dankravetz@yahoo.com writes: A recording produced under the "supervision" of a member of the Carte family could imply just about any form of artistic, technical or business involvement on the part of said individual, and if the recorded material had already been rehearsed and performed as part of the performers' regular repertoire, there would seem to be nothing more required of the Carte family member to put a stamp of approval on the recording other than to book the company into the studio and let them do their stuff. Therefore, I consider the key phrase to be a form of commercial hype... That may well have been true as time went on, but remember, in the beginning, "Supervised by Rupert D'Oyly Carte" was a little more than hype. While he may not have controlled every second of the recordings, there were times when Rupert D'Oyly Carte had to be the final arbiter of what went into the record. One off-hand example was in a recording of the 1932 Princess Ida HMV recording. While it is true that Sir Malcolm Sargent was given artistic control of the recording, the production staff wanted faster tempi [for a better fit on the 78 discs?] rather than the timing used in an actual stage production. Rupert D'Oyly Carte had to visit the recording studio in person to uphold Sargent and the stage pacing (Yes, I appreciate the irony). Furthermore the resources he offered HMV went a little further than just booking "...the company into the studio and let[ting] them do their stuff." Carte had J.M. Gordon preparing and rehearsing the singers who made the HMV recordings (many of whom were not of D'Oyly Carte in the earlier recordings). So even if Rupert D'Oyly Carte was not constantly present, the strictness and meticulous care that often went into Gordon's directing of the stage productions of the period were reflected in the HMV records, which explains why some of the performances of the early acoustic artists rise well beyond the shortcomings of the medium. The idea of a kosher-supervised record appeals to my humor though. The disc is perfect to hold the "U" of the Union of Orthodox Rabbis certification (O-U). Though it does sound a bit more Joycean than Gilbertian... Moshe Bloxenheim -------------------------------1088471550 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 06/28/2004 2:37:14 AM Eastern Daylight Time, dankrav= etz@yahoo.com writes:
A recording produced under the "supervision" o= f a member of the Carte family could imply just about any form of artistic,=20= technical or business involvement on the part of said individual, and if the= recorded material had already been
rehearsed and performed as part of th= e performers' regular repertoire, there would seem to be nothing more requir= ed of the Carte family member to put a stamp of approval on the recording ot= her than to book the company into the studio and let them do their stuff. Th= erefore, I consider the key phrase to be a form of commercial hype...=
That may well have been true as time went on, but remember, in the= beginning, "Supervised by Rupert D'Oyly Carte" was a little more than=20= hype.  While he may not have controlled every second of the recordings,= there were times when Rupert D'Oyly Carte had to be the final arbiter of wh= at went into the record.
 
One off-hand example was in a recording of the 1932 Princess Ida H= MV recording.  While it is true that Sir Malcolm Sargent was given= artistic control of the recording, the production staff wanted faster=20= tempi [for a better fit on the 78 discs?] rather than the timing used&n= bsp;in an actual stage production.  Rupert D'Oyly Carte had to vis= it the recording studio in person to uphold Sargent and the stage pacing (Ye= s, I appreciate the irony).
 
Furthermore the resources he offered HMV went a little further than jus= t booking "...the company into the studio and let[ting] them do their stuff.= "
 
Carte had J.M. Gordon preparing and rehearsing the singers who made the= HMV recordings (many of whom were not of D'Oyly Carte in the earlier record= ings).  So even if Rupert D'Oyly Carte was not constantly present, = ;the strictness and meticulous care that often went into Gordon's = directing of the stage productions of the period were reflected in the=20= HMV records, which explains why some of the performances of the early acoust= ic artists rise well beyond the shortcomings of the medium.
 
The idea of a kosher-supervised record appeals to my humor th= ough.  The disc is perfect to hold the "U" of the Union of Orthodox Rab= bis certification (O-U).  Though it does sound a bit more Joycean than=20= Gilbertian...
 
Moshe Bloxenheim
 
 
-------------------------------1088471550--  1,, Summary-line: 28-Jun andi_s_r@yahoo.com [38] #Re: What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 22:22:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5T2Mt4H007018; Mon, 28 Jun 2004 22:22:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5T2MsA3001830 for ; Mon, 28 Jun 2004 22:22:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5T2MDTJ005823; Mon, 28 Jun 2004 22:22:13 -0400 (EDT) Date: Mon, 28 Jun 2004 22:22:13 -0400 (EDT) Message-Id: <20040629021819.74805.qmail@web14526.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <8d.e7e6ac3.2e121bfe@aol.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 22:22:13 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: What is Supervision... Re: "Zanadoodoo that voodoo that you do so well..." X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <8d.e7e6ac3.2e121bfe@aol.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- MB1224@aol.com wrote: > The idea of a kosher-supervised record appeals to my humor > though. The disc > is perfect to hold the "U" of the Union of Orthodox Rabbis > certification > (O-U). Though it does sound a bit more Joycean than > Gilbertian... > > Moshe Bloxenheim > But, Moshe, think of the problems--the creamy tones with the meaty words, the tenors milking their high notes while the sound is beefed up by the technicians, not to mention all those "hams" and the inevitable pork pie--it would be a Kosher nightmare, as bad as a bacon cheeseburger!! With a smile from an old Brooklyn girl, who considers herself "honorarily" 1/4 Jewish and 1/4 Italian as a result, regardless of the DNA. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 28-Jun binder@actcom.net.il [132] #BDC and the "Sea gull" Pinafore X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Jun 2004 23:07:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5T3764H021873; Mon, 28 Jun 2004 23:07:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5T375eq025610 for ; Mon, 28 Jun 2004 23:07:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5T36RTJ007713; Mon, 28 Jun 2004 23:06:27 -0400 (EDT) Date: Mon, 28 Jun 2004 23:06:27 -0400 (EDT) Message-Id: <003101c45d8e$3df93d20$0500000a@222> Errors-To: savoynet-owner@bridgewater.edu Reply-To: binder@actcom.net.il Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Binder" To: Multiple recipients of list SAVOYNET Subject: BDC and the "Sea gull" Pinafore MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002E_01C45D9E.FF3FBE40" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Jun 2004 23:06:27 -0400 (EDT) Reply-To: binder@actcom.net.il Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Binder" To: Multiple recipients of list SAVOYNET Subject: BDC and the "Sea gull" Pinafore X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_002E_01C45D9E.FF3FBE40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Savoyards, I am pasting from the G and S Discography posted by Marc Shepherd a = comment I sent him several years ago re Dame Bridget's distaste of the = 1971 Pinafore (the Sea gull Pinafore). The URL is=20 http://www.cris.com/~oakapple/gasdisc/pin1971.htm To quote Marc: Charles Manekin related the following anecdote:=20 After graduating from my Baltimore high school in 1971, and already a = confirmed Savoyard, I traveled with my brother to London where I made a = pilgrimage to the offices of the D'Oyly Carte (hoping I may get a summer = job.) No job was forthcoming, but when I said to the secretary how awful = this recording was because of the notorious sound-effects, she replied, = "Dame Bridget agrees with you. You will notice that this is the only = recording that appears without the line "under the supervision of = Bridget D'Oyly Carte."=20 End of quote I have in my hand the Phase Four original album, and having hunted high = and low, I can see no mention whatever of Dame Bridget on the album = jacket or in the liner notes. Yours, Charles Manekin Now of the Jerusalem Gilbert and Sullivan Society ------=_NextPart_000_002E_01C45D9E.FF3FBE40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Dear Savoyards,
 
I am pasting from the G and S = Discography posted by=20 Marc Shepherd a comment I sent him several years ago  re Dame = Bridget's=20 distaste of the 1971 Pinafore (the Sea gull Pinafore). The URL is =
 
http://www.cris.com/~oakapple/gasdisc/pin1971.htm
 
To quote Marc:

Charles Manekin related the following = anecdote:=20

After graduating from my Baltimore high = school in=20 1971, and already a confirmed Savoyard, I traveled with my brother to = London=20 where I made a pilgrimage to the offices of the D'Oyly Carte (hoping I = may get=20 a summer job.) No job was forthcoming, but when I said to the = secretary how=20 awful this recording was because of the notorious sound-effects, she = replied,=20 "Dame Bridget agrees with you. You will notice that this is the only = recording=20 that appears without the line "under the supervision of Bridget D'Oyly = Carte."=20

End of quote

I have in my hand the Phase Four original = album, and=20 having hunted high and low, I can see no mention whatever of Dame = Bridget on the=20 album jacket or in the liner notes.

Yours,

Charles Manekin

Now of the Jerusalem Gilbert and Sullivan = Society

 

 

 

 

------=_NextPart_000_002E_01C45D9E.FF3FBE40--  1,, Summary-line: 29-Jun scaphio2002@yahoo.com [64] #Re: As One Individual... Unfortunately X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jun 2004 00:56:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5T4uw4H013378; Tue, 29 Jun 2004 00:56:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5T4uvnF017558 for ; Tue, 29 Jun 2004 00:56:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5T4uJTJ008490; Tue, 29 Jun 2004 00:56:19 -0400 (EDT) Date: Tue, 29 Jun 2004 00:56:19 -0400 (EDT) Message-Id: <20040629044410.81685.qmail@web52410.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: As One Individual... Unfortunately MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040629025412.22571.qmail@web60210.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Jun 2004 00:56:19 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: As One Individual... Unfortunately X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040629025412.22571.qmail@web60210.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Ian wrote... > > ***Not aware of this particular omission - where is > it?*** > > This is the recording... > > http://www.cris.com/%7Eoakapple/gasdisc/gond1977.htm > > ..and this is the excerpt from my LP (on a temporary > page) for those that are interested in this sort of > thing and haven't heard it: > > http://www.geocities.com/ulahlica/G/AsOneIndividual.html > > I could swear, if I listen carefully enough, there's > a > second voice in there around "any two of you" but > maybe it's just an echo. For the sake of anyone who can't listen to this, it's the lines "Then turn us round ... two of you we catch." We hear only Giuseppe, who is more conspicuous in the first half of this passage when he has harmony without melody. I agree with John ... it sounds as if that faint second voice begins just where he says. Frankly, it makes me wonder whether Marco is really present and there's just a terrible mixing job. I've had the same reaction to this gaffe as many of the rest of you, and I've had it now for about 25 years. It's nice to hear explanations even after so long an interval. My spell check recommends changing "gond" in that link to "gonad." ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Yahoo! Mail Address AutoComplete - You start. We finish. http://promotions.yahoo.com/new_mail  1,, Summary-line: 29-Jun pdp@globalnet.co.uk [62] #Re: What is Supervision... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jun 2004 06:02:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5TA2B4L023403; Tue, 29 Jun 2004 06:02:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5TA1vw0009268 for ; Tue, 29 Jun 2004 06:01:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5TA1JTJ010324; Tue, 29 Jun 2004 06:01:19 -0400 (EDT) Date: Tue, 29 Jun 2004 06:01:19 -0400 (EDT) Message-Id: <3.0.6.32.20040629104540.014c91e0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: What is Supervision... Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <8d.e7e6ac3.2e121bfe@aol.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Jun 2004 06:01:19 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: What is Supervision... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <8d.e7e6ac3.2e121bfe@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 21:14 28/06/04 -0400, you wrote: > While he may not have controlled every second of the recordings, there >were times when Rupert D'Oyly Carte had to be the final arbiter of what >went into the record. Rupert D'Oyly Carte had to visit the >recording studio in person to uphold Sargent and the stage pacing (Yes, I >appreciate the irony). Furthermore the resources he offered HMV went a >little further than just booking "...the company into the studio and >let[ting] them do their stuff." In the HMV recordings the D'Oyly Carte Opera Company was not engaged as a body. The artists were engaged separately and individually by HMV (The Gramaphone Company). Yes he did rely on J.M.Gordon and yes he did vet the results personally and rejected some takes and had them done again. He did not always agree with the choice of artist chosen by HMV but not to the point of refusing permission. I believe I am right, but do not have the full detail, that when Decca came in after the war, it was the D'Oyly Carte Opera Company that were engaged not the individual artists. Tony Watts may be able to confirm this. One must also remember Rupert never held the copyright control, only the rights of performance. In practice he represented the heirs to the Gilbert and Sullivan copyright holders, collected the copyright fees on their behalf and paid those over to the respective estates. Rupert wanted the artists performing on stage to be used, in general, but HMV considered that most of them were unsuitable for making records, including Lytton who had a name which would help sales. Gradually as recording technique improved more of the DOC artists did get employed, including Lytton towards the end. Also Rupert could not under his licence of performing rights, allow the use of the bandparts for recording. The copyright (including the right of performance other than DOC on stage) in those, rested with Herbert Sullivan. HMV wanted the orchestra to sound authentic and wanted to use the same bandparts as DOC used on stage. They therefore had to make a separate agreement with Herbert Sullivan and pay him a separate royalty on every record sold. Changes were indeed made to the bandparts, particularly in the acoustic era to enable the orchestration to be recorded at all. Also don't forget the conductor was not even a DOC man but an HMV staff employee in the early days. Without checking, I think Harry Norris was the first DOC conductor to be used and that was some operas into the series. My memory tells me that the first Iolanthe showed this position up in that some of the records in that set are marked as conducted by Byng and others by Norris, but I havn't looked up the detail. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 29-Jun pdp@globalnet.co.uk [74] #Re: BDC and the "Sea gull" Pinafore X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jun 2004 06:02:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5TA2W4H023597; Tue, 29 Jun 2004 06:02:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5TA2Vw0009609 for ; Tue, 29 Jun 2004 06:02:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5TA1mTJ010419; Tue, 29 Jun 2004 06:01:48 -0400 (EDT) Date: Tue, 29 Jun 2004 06:01:48 -0400 (EDT) Message-Id: <3.0.6.32.20040629104504.014cc780@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: BDC and the "Sea gull" Pinafore Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003101c45d8e$3df93d20$0500000a@222> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Jun 2004 06:01:48 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: BDC and the "Sea gull" Pinafore X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003101c45d8e$3df93d20$0500000a@222> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 23:06 28/06/04 -0400, you wrote: > End of quote I have in my hand the Phase Four original album, and having >hunted high and low, I can see no mention whatever of Dame Bridget on the >album jacket or in the liner notes. Yours, Charles Manekin Now of the >Jerusalem Gilbert and Sullivan Society I think it likely that the original issue of these records would have been in different ''wrappings'' between UK and USA. I can only answer for the UK version. As this was an early Phase Four recording in UK it was issued in a box with a libretto and illustrated leaflet. There is no mention of Bridget as such for permissions etc on the booklet or the actual, records or the box itself. However the booklet states ''... by arrangement with the D'Oyly Carte Opera Trust Limited''. There is a passing reference to her on page 3 of the booklet, in an article tracing the history of the G & S legacy. This recording may well have been released subsequently in different packaging. There were no printed record sleeves carrying production information, artists etc on the original issue. There is a re-issue of this recording on a two CD set and this also contains excerpts from Pirates, Ruddigore and Mikado. I admit never to have checked these excerpts but the CD booklet contains a statement that these excerpts from the mid 1960s were all recorded for Phase Four release, something I had not realised before now. Phase Four dates from 1962. The booklet appears (as usual) to contain errors of fact. It shows Tony D'Amato as executive producer for tracks 2-11 on CD 2 and James Walker likewise as recording director. But tracks 2-11 are part only of act two of Pinafore which finishes as track 19. The booklet also shows Malcolm Sargent as conductor for the excerpts and James Walker for Pinafore but also contains the words, not related specifically to any part of the CD recording, ''Recorded under the direction of Bridget D'Oyly Carte''. Up to now I had just assumed that these excerpts were just ''bonus tracks'' to make up the time on the second CD and were copies of the issued albums. I will now have to check to see if the actual recordings, supposedly in Phase Four are different in any way. The Decca booklet makes it clear that they, Decca, considered the Phase Four release to be an advance in technology by introducing the sound effects. I stated earlier that at that time I had a very up to date sound reproducing system. However many years later I had got to know Jim Rogers personally. This was after he had sold out Rogers Amplifiers and Speakers and was retired but still carrying on a specialised trade. On one occasion he played me a tape of this Pinafore, (he was not a G & S fan at all) to show off new speakers he had designed and made. These were unique ribbon designs and were never marketed. The results were absolutely astonishing and knocked my system, which he had heard, for six. The stamp of the boots when the marines welcome Sir Joseph on board had to be heard to be believed. It was uncanny. These very inefficient speakers had over 1000 watts of amplifier each to drive them. I remember discussing with him the merits of power mosfets, for those that know about these semiconductor devices. The system cost him the earth but it was his hobby. I was astonished that the original recording should have contained such low frequencies. I could reproduce down to 25 Hz but his system went down to below 10 Hz. He did live in a detached bungalow at the time!! Sorry to have wandered off topic but is it nonetheless G & S related. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 29-Jun mpw@nhm.ac.uk [297] #some reviews (long) X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jun 2004 06:07:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5TA7a4H026223; Tue, 29 Jun 2004 06:07:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5TA6iw0011911 for ; Tue, 29 Jun 2004 06:06:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5TA65TJ010610; Tue, 29 Jun 2004 06:06:05 -0400 (EDT) Date: Tue, 29 Jun 2004 06:06:05 -0400 (EDT) Message-Id: <3.0.1.32.20040629105349.01251ef8@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: some reviews (long) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Jun 2004 06:06:05 -0400 (EDT) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: some reviews (long) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) IOLANTHE Manor/Philbeach Society Wednesday 5 May 2004. Steiner Theatre, near Baker Street, London. I'm not sure whether these two operatic societies have amalgamated, or if this was simply a joint production, but it was a "fun" evening in a quaint sort of a way. I first encountered The Philbeach Society when I first came to the London area in 1968. They were considered to be a slightly bizarre social society composed of debutantes and solictor's clerks, for which membership considered social standing more important than musical or histrionic competence. Past members included John Grossmith George and Christopher Redwood. Mr. George is, as many will know, the grandson (or is it great grandson) of George Grossmith. I recall him as an utterly incompetent Gama, who got disastrously ahead of the orchestra in his song. By the time the MD, by dint of extreme work, had managed to bring the orchestra up to him, he jumped ahead again. I think he was totally oblivious of all this and believed he'd given a superb performance. His ideas on acting were also pretty bizarre. I recall him remarking "In order to portray a *gentleman* convincingly, you have to *be* a gentleman. Christopher Redwood had sung in the chorus of the original London University production of the Rees/Morton THESPIS and sang Sparkeion in the 1969 Glebe production of the same version. Both these productions exist on private recordings, which I have tried (unsuccessfully) to persuade Chris Webster to make available. They both differ from the Fulham (recorded) production in details of harmonies of the score, Morton had clearly kept tinkering with the score over the years. Christopher Redwood later became an expert on Delius and his operas, and, I believe, published a book on the subject. Manor House Light Opera was founded by Jesse Huggins and (Mrs) Muriel Woodall, the latter was a member of the D'Oyly Carte chorus in the 1920s. I met her many years ago and she told me her professional name, but I forgot it, and I have been unable to identify her from Rollins & Witts. The Huggins family have been prominent in the society since, the brothers Paul and Simon Huggins still appear in it. One of them is (was?) an entomologist working at the Natural History Museum. A notable product of Manor House Operatic Society was Mark Nelson, for a number of years a baritone with D'Oyly Carte and married to Lynn, sister of Howard Williamson. Manor House used to perform regularly in Central Square, Hampstead Garden Suburb. An ex D'Oyly Carte choreographer (whose name I've been racking my brains to remember [Alan Spencer?]) directed a number of productions there. The performance was variable (to put it politely) and some of the most hilarious moments were the things that went wrong. It was rather more like a dress rehearsal than a performance, but it was never dull and there was lots to enjoy. Everybody (including that seasoned performer Harvey Kesselman) were uncertain of their lines and even of the words of their songs, which is really unpardonable. Paraphrasing, and taking prompts is really not acceptable in G&S if people had been doing their work properly. A number of the cast were (according to the programme) musically trained, yet they still fluffed lines, missed entries, etc., which can only suggest that they were under-rehearsed. At tickets costing 12 pounds each, we were entitled to a better prepared show, yet, having said that, the enthusiasm of the cast and chorus was infectious, and one couldn't help but be carried along by the exuberance, and I'm afraid we laughed with glee at all the things that went wrong. The Steiner Theatre (near Baker Street station), long unused for operatic performances has been used more regularly of late. One of its main drawbacks is there is no orchestra pit, so that a full orchestra is virtually impossible. However, in this day and age, when societies are finding a full orchestra to be financially impossible and in any case, a mixed blessing in view of the difficulty of putting together a competent one, so they are increasingly opting for a reduced band that can be accomodated on the side. The orchestra on this occasion consisted of 2 flutes, 2 clarinets, 2 violins, viola, cello and bass. There was also a keyboard but it wasn't credited in the programme. The conductor, Paul Arman, had an annoying habit of singing along sotto voce to *help* the singers keep time. In some cases this was necessary, but in others it definitely wasn't. The programme included a note based on the controversial article by Kenneth Baker about the parallels between Iolanthe and Queen Victoria, an interesting theory but quite unproven (and in my view, unlikely) but here presented as proven fact. The opera was "modernised" in that the overture and act 1 were set, not in Arcadia, but on Hampstead Heath. Strephon was a Hampstead Ranger rather than an Arcadian shepherd, and Phyllis, while still a ward in Chancery, was not a shepherdess but a kind of debutante. The words of some of the numbers were altered accordingly. The change was unnecessary. Cuts were made in the overture which depicted a young Lord Chancellor meeting Iolanthe on the Heath and going off with her. If this was meant to clarify the plot, it didn't really succeed. Anyone who wasn't fully conversant with the story would have been totally baffled. As would they have been by the little girl walking her dog on the Heath, but the wee dog was so adorable that one couldn't be so churlish as to object. According to the programme, each act was divided into three scenes. The overture had been Hampsteasd Heath 1979, the first scene of Act 1 was on the Heath 2004. After this, something like the usual Act 2 was brought in. Scene 2 was "college lawn, Westminster", and scene 3, "The Chamber, House of Lords", but in fact the distinction between those two was academic, and barely noticeable. Act 2 was "Palace Yard, Westminster" (which was the same as "College Lawn" except for the addition of the Sentry Box), then the Lord Chancellor's bedroom (a bed and chair being wheeled in) and then back to Palace Yard. The bedroom scene for the Nightmare Song and the trio seems to be de rigueur these days, but of course they were in flat contradiction of Kenneth Baker's claim that the Chancellor represnted Gladstone walking the streets looked for prostitutes to reform! The fairies were divided into three groups, "Fairy tinkerbells", "Fairy Liquids" and "Fairy Noughs". I confess I didn't understand this, but the fairies were dressed in a strange variety of costumes - Leila, a fat fairy, was dressed in a sort of pink boiler suit. Harvey Kesselman (who I first saw 35 years ago as Orpheus in "Orpheus in the Underworld" is a vintage performer, but even he couldn't remember all his words either of dialogue, or of the songs, but was an expert in concealing it - probably nobody would have noticed if they hadn't (like infuriating me) known the text word for word. Nothing, however, could diminish his charisma. His performances ought to be recorded in heaven. Mountararat gave a strong performance, but he fluffed a few lines and missed at least one musical entry (I can only put this down to under rehearsal). Tolloller not only forgot his lines and words of songs, but cracked embarassingly on his top notes, particularly on "Spurn not" on which I and the friend I was with could not conceal our laughter. As we were in the front row (which alone among the seats gave ample room to our long legs) he must have noticed, and hope he wasn't hurt. Simon Huggins was a strong Willis, but the alteration of his song "Is either a Liberal-Democrat, a Labour or a Conservative" was unnecessary, unwieldy and unmusical. Strephon was a firm singer and performer, but forgot some of his dialogue, and the same could be said of Phyllis. The programme said that she is a graduate of the New England Conservatory with a Master's degree in voice. But she was clearly having difficulty in following the conductor. The Queen of the Fairies had a strong central European accent, which one had to suspect she was playing on in her delivery of dialogue, omitting certain words such as verbs, which one associates with "foreigners" speaking English, but which one assumes she could have been taught not to do in rehearsal. She sang well with excellent tone, but with a certain lack of confidence implying under rehearsal. Iolanthe (Emma Stanford-Durkin) was an absolutely lovely portrayer of the role. A sweet voice, a charming personality, and sincerity, what else can one say? The role requires nothing else. Celia and Fleta were quite adequate. Leila had an awful voice but an exuberant personality which one couldn't help loving, and a sense of extremely earthy humour. When she said "She certainly did surprising things" one could sense that she understood, but was underplaying, the irony of the fact that she was far fatter than the Queen! The biggest laugh of the evening was the ASM who brought on two covered benches for the peers to sit on in Act 1, scene 2. He had obviously never done this before and one sensed him getting hotter and hotter under the collar as he tried to rearrange them, clearly with no idea where they should go (aside from the fact that they were obviously the wrong way round. A lot of the production was unnecessarily fussy and added nothing substantial to what Gilbert had written - e.g. the litter bin on Hampstead Heath, and the fairies' attempts to clean up, which had nothing at all to do with the libretto of Iolanthe. And when the peers entered in the Act 1 finale with luncheon boxes, including a box from Kentucky Fried Chicken. A rather cheap laugh (except that nobody in the audience laughed) which again had nothing to do with, and added nothing to, the libretto. As always, Gilbert is usually funnier than director's attempts to jolly him up! But as I said, a fun evening, even if my friend and I were laughing at it rather than with it. The audience applauded vociferously at the end, and had obviously thoroughly enjoyed themselves. This, after all, is what amateur operatics is all about. One has to ask, whether criticism is appropriate for any other reason than to document for posterity what it was actually like. PIRATES OF PENZANCE. Steiner Theatre, Regent's Park. 23 June 2004. Little did I think I would ever see Grosvenor L.O.C. sink so low! When I first came to S.E. England over 30 years ago, the late Aidan Evans said he considered Grosvenor LOC and Geoids AOS to be the finest amateur performers of G&S anywhere. "Anywhere"? He may have meant in London. In those days there were upwards of a dozen amateur companies performing G&S in central London alone, but most have folded over the years. Grosvenor and Geoids remain, but the latter have virtually abandoned G&S for other reportoire (I saw them recently do an excellent production of "Guys and Dolls"). Geoids were always renowned for their acting, Grosvenor for their singing, and when I first knew them their performances were musically excellent, if their productions were very traditional and sometimes dull. In those days all amateur operatic companies performed with full orchestra, often professional. I remember particularly the Buckhurst Light Orchestra which seemed to make a living playing for amateur productions of G&S. It is long gone, disbanded after the death of its leader Kathleen Oyler. I also recall that Grosvenor considered their musical standards to be comparable with those of D'Oyly Carte, and with some justification. You had to be a singer with a voice worthy of the Royal Philharmonic Society to be accepted by Grosvenor. Evidently, no more. The Steiner Theatre seems only to have become used by amateur operatic companies in the last few years. It maybe that it was not used previously as it has no orchestra pit and cannot accommodate a full orchestra. But it seems that increasingly amateur operatic companies are abandoning full orchestras probably because they can no longer afford them, and probably can no longer afford the theatres/halls where they used to perform. It is a depressing trend. The "orchestra" for PIRATES consisted of a string quartet and a piano, who started off by playing the most eccentric and inaccurate performance of the Pirates overture I have ever heard. I could have put up with the eccentricities of the arrangement and the conductor's curious style if only the strings had played the music correctly. Frankly, I'd have preferred an ACCURATE piano and no strings. The curtain rose to reveal a stylised and quite pretty scene, but I was perturbed to see what appeared to be icy mountains and glaciers off the coast of Cornwall, until I realised they were obviously intended to be clouds. The scenery was evidently hired, but uncredited. I have never seen such camp pirates in my life. The mens chorus was augmented by a number of the ladies chorus dressed as men with twee (cutesey) and very obviously artificial wispy crepe beards on their very female faces. It was all terribly epicene. The Pirate King, Samuel and Frederic all delivered their lines in a simpering manner suitable for pantomime, but hardly for light opera. The Pirate King got a custard pie in his face at the end of his song, which in a way seemed to sum up the production. It wasn't that the whole thing was surreal, just bad taste. Ruth was not at all unattractive, and behaved rather like a saucy soubrette, winning her, not very middle aged way into his rather older than boyish heart. Mm, yes, well. The camp idea of having women as male pirates was then reversed when Frederic heard the General's daughters singing offstage and some obviously men's voices were added to them. A cheap joke, I thought. For the duet with Ruth, Frederic had changed into a singlet and knee-shorts. When Ruth exited at the end of the number she snatched at these and they came off, leaving Fred wearing nothing but union-jack patterned underpants which he wore for the rest of the act, later augmented by several wreaths of flowers. In February, in Cornwall. Mind you, the scenery did look a bit tropical. When he sang with Mabel he slouched around her with an almost animal lasciviousness. I was half expecting that at any moment he would say: Me; Tarzan; you; Jane. Admittedly his garb did give added point to his reference to "alarming costume" but was it really worth it? We also got the old chestnut "I saw a tart" but Frederic's enunciation was so woolly that I didn't notice until he stopped, paused and repeated the phrase clearly as "I, sore at heart". Could the director not think of something more genuinely original? Good points? Yes, there were some. The ladies chorus sang charmingly, and Mabel had an excellent voice. "Poor wandering one" was one of the few things I really enjoyed. The Major General entered in beach wear and an utterly ridiculous looking moustache, and was dressed by his daughters during the slow verse of his introductory song. One wondered why. It didn't seem to achieve anything, and it wasn't funny. The orphan-often joke was far too laboured and drawn out to be funny. It *can* be funny, but this is achieved neither by milking it (as here) or pruning the lines (as has been done elsewhere). It requires spot-precision timing. Also unfunny was the running gag of mistaking "indentures" for "dentures". At the end of the act one, Ruth fired a pistol into the air, and dead parrots fell out of the sky! Parrots!? In Cornwall!? Well, I did say the scene looked a bit tropical, and it is known that Psittacula krameri, the Rose-ringed Parakeet is naturalised to almost pest proportions in certain leafy parts of London, but not on the treeless coast of Cornwall. This was just a stupid production point. But what I felt was most at fault was the lack of sincerity and charm. Gags and extraneous jokes will never make up for this. Mind you, the people sitting near me seemed to be thoroughly enjoying themselves. I didn't stay for Act 2. I dread to think what they may have done with: "A rollicking band of pirates we, Who, tired of tossing on the sea …" But I didn't think it worth while waiting to find out. ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Fax: 0207-942-6150 Tel: 0207-942-6188 email: mpw@nhm.ac.uk "If Solomon had loved women less and books more, he would have been a wiser and happier man" (John Bartram).  1, answered,, Summary-line: 29-Jun xiphmont@xiph.org [36] #Re: Star Wars soundtrack X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jun 2004 17:22:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i5TLMqHs003934; Tue, 29 Jun 2004 17:22:54 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i5TLLsII008655 for ; Tue, 29 Jun 2004 17:21:55 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id 6888EDC115; Tue, 29 Jun 2004 17:21:41 -0400 (EDT) Date: Tue, 29 Jun 2004 17:21:41 -0400 From: Monty To: "David C. Jedlinsky" Cc: rls@dimins.com Subject: Re: Star Wars soundtrack Message-ID: <20040629212140.GA7974@xiph.org> References: <200406170055.i5H0tlS2020781@multics.mit.edu> <20040619035701.GC18554@xiph.org> <200406191624.i5JGOl3W012471@multics.mit.edu> <20040619235413.GA30030@xiph.org> <200406201620.i5KGK0aD014558@multics.mit.edu> <200406242025.i5OKPpQm013229@multics.mit.edu> <20040628072447.GD32634@xiph.org> <200406281457.i5SEvj3k024076@multics.mit.edu> <20040628235424.GA3119@xiph.org> <200406291619.i5TGJxpR004723@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200406291619.i5TGJxpR004723@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Jun 2004 17:21:41 -0400 From: Monty To: "David C. Jedlinsky" Cc: rls@dimins.com Subject: Re: Star Wars soundtrack Content-Disposition: inline In-Reply-To: <200406291619.i5TGJxpR004723@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Tue, Jun 29, 2004 at 12:19:59PM -0400, David C. Jedlinsky wrote: > > Obviously, we've already talked about this, but it begs the question: > > What OSes does your software run on? I'm using an old (16 bit max) > version of Sound Forge on Windows (SF has stupid, annoying license > schemes in the newer versions, so I'm not upgrading). We also have a > couple of Mac OSX machines. It might be nice to move to a more > reasonable piece of software. Right now, Postfish is Linux only. The biggest reason why is that I've not tried to build on other platfroms, and would need to write about two pages of code to support other OSs' audio interfaces. It's designed portably, I just haven't tried to port yet. Do you have a dev environment? This might only be a weekend task. As for Audacity, it's already Linux/Win32/OSX. It's just a very simple editor, but is a good very simple editor. Monty  1,, Summary-line: 30-Jun epish_shepherd@tiscali.co [30] #Thespis Reconstruction X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 30 Jun 2004 16:56:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i5UKuIWD025203; Wed, 30 Jun 2004 16:56:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i5UKuI5F022087 for ; Wed, 30 Jun 2004 16:56:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i5UKtdTJ029409; Wed, 30 Jun 2004 16:55:40 -0400 (EDT) Date: Wed, 30 Jun 2004 16:55:39 -0400 (EDT) Message-Id: <6.0.1.1.0.20040630214334.01d30940@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Reconstruction Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 30 Jun 2004 16:55:39 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Reconstruction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I hope you won't mind me posting this here, but... I'm trying my hand at making a Thespis reconstruction, and, whilst there may still be a few tweaks left to do... I thought that perhaps you might like a look at my first song? http://www.geocities.com/ulahlica/ADAM/Thespis01.html ..Realise I've never done anything like this before, so do feel free to give advice. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 1-Jul chris@sounds-on-cd.co.uk [54] #Farewell to Savoynet for a while X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Jul 2004 06:46:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i61Ak3WD016404; Thu, 1 Jul 2004 06:46:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i61Ak2XH013037 for ; Thu, 1 Jul 2004 06:46:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i61AjdTJ004551; Thu, 1 Jul 2004 06:45:39 -0400 (EDT) Date: Thu, 1 Jul 2004 06:45:39 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Farewell to Savoynet for a while MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 1 Jul 2004 06:45:39 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Farewell to Savoynet for a while X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is coming a little topsy-turvy because it ISN'T actually going to be my last message as there are several things I want to write later today and maybe tomorrow, but this is the easiest message to get out of the way. The day is very nearly here now when I set off for a new life Spain. In fact it's tomorrow, or rather it's in the early hours of Saturday morning but to all intents and purposes it's tomorrow. I'm taking the bar over in Benidorm on 2nd August, so I'll be spending a lot of time in July talking with builders and refitters etc, and they'll hopefully move in to do the work for a couple of weeks in August, so as I won't actually need a home in Benidorm until the bar opens I'll be staying at the apartment in Torrevieja which is an hour and a half away. For a month or two I expect I'll be limited to internet cafes because with only going to the apartment occasionally for short breaks in the past I've been able to manage with just a mobile and no phone line and it's not worth having a line put in for such a short time when the flat will probably be sold once the bar is open anyway. This is leading to me saying that although I won't be signing off from Savoynet because I'll be able to read messages via the mailbox feature at my server's website, I won't be able to post anything now until I've got a place sorted out in Benidorm with a phone line and can send direct from my subscribed PC. I will be able to send private replies, but please bear in mind how busy I'm likely to be so, again, replies might not be as quick as they would be under normal circumstances. I imagine that even when I'm set up with a phone line at home, I'll probably be reduced to lurking on Savoynet and private replies may be slower than they have been because I expect my time will be kept very busy with the bar. Obviously the Croydon address and phone number will cease to be of use shortly, though I'll have my mail re-directed to my parents for a while until I have a new permanent address. My mobile number and this email address should stay the same. One of my next messages will be to announce the very exciting news of what's happening with Sounds on CD, my G&S (and George Formby) recordings label. Is it me, or does much of the above sound far more complicated than it really is (?) when all I really want to say is - Farewell for now, my dear Savoynet friends. Have fun, and for those going to Buxton soon have an absolutely smashing Festival." Regards Chris. Chris Webster Almost temporarily of no fixed abode.  1,, Summary-line: 1-Jul jclockwood@78s2cd.com [56] #RE: The Future of SOCD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 Jul 2004 15:12:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i61JCXRr025433; Thu, 1 Jul 2004 15:12:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i61JCWev026934 for ; Thu, 1 Jul 2004 15:12:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i61JBuTJ002528; Thu, 1 Jul 2004 15:11:56 -0400 (EDT) Date: Thu, 1 Jul 2004 15:11:56 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: The Future of SOCD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 1 Jul 2004 15:11:56 -0400 (EDT) Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: The Future of SOCD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Hello Everyone, > > I'm thrilled to finally announce to you that the manufacture and > distribution of my SOCD catalogue is to continue in the hands of > two very capable and very similarly run small businesses to my own. > > Each party has their own style and no doubt when each is ready to > go live (which I think is pretty soon) they'll tell you more about > their own version. Thanks Chris. I'm very pleased to have this opportunity to team up in service to lovers of Gilbert and Sullivan, and other vintage recordings. In fact, Chris's G&S catalog is on line and open to ordering right now. At www.78s2cd.com, you will find every effort made to make ordering as easy as possible, including secure online ordering with MasterCard and Visa, Paypal, if you prefer, toll-free phone and mail ordering. Regardless of how you pay, you can assemble and relay your order using our online shopping cart. We leverage technology to ensure orders are received and responded to with the least delay possible. Details are on the web site; so, I won't expound furhter. But don't hesitate to email with questions. I take pride in excellent service, before, during and after the sale, and one of the commitments I've made to Chris is that I'll continue to support items sold prior to becoming involved with Sounds on CD. Don't hesitate to inquire about this. Finally, I've taken on an immense catalog of which I've only begun to produce copies. I may not be able to provide the immediate turn-around you've come to expect. I'll do the best I can, but I plan to take time to do it right. God speed, Chris! Buen viaje y vaya con dios! We'll talk soon! Best regards, Jim Lockwood PS, I listened to Chris's '57 Mikado the other evening, and it is simply stunning!  1,, Summary-line: 2-Jul YesTisMabel@aol.com [147] #Australia Mikado review X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 11:00:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i62F0ePe013935; Fri, 2 Jul 2004 11:00:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i62F0dUp012294 for ; Fri, 2 Jul 2004 11:00:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62ExvTJ003438; Fri, 2 Jul 2004 10:59:57 -0400 (EDT) Date: Fri, 2 Jul 2004 10:59:57 -0400 (EDT) Message-Id: <1cd.24e8c794.2e16d04a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Australia Mikado review MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1088779850" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 10:59:57 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Australia Mikado review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1088779850 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit THE MIKADO Gilbert & Sullivan Opera Australia, Opera House, June 30 Sydney Morning Herald July 2, 2004 By Peter McCallum The ornate curtain, a collage of Victorian advertising posters and chinoiserie around a stolid portrait of the stone-faced Queen - slightly pre-raphaelite, slightly Monty Pythonesque - set the reference points. This wasn't going to be one of those nostalgic G & S productions which made a sentimental journey into itself. In its original form, The Mikado was a gentle satire (and exploitation) of the fashion for orientalism which propelled the fabulous success of Liberty fabric prints, bequeathing us a whole language of oriental symbols. Today a learned dissertation in that language would be still-born theatrically. How to translate the codes of Gilbert's laconic, slightly lazy satire into something with contemporary zing remains the eternal challenge for major companies attempting this repertoire (amateur and school productions are exempt from the burden of boundary-pushing, of course: if the set stays up, celebrations abound). Ideally the whole night should be fun and entertaining, stylish and gorgeous to look at, but with a few affectionately satiric barbs. This scores four out of five. Here, the gentlemen of Japan, the opening male chorus, pursued the Knightsbridge-Japan which Gilbert and Sullivan would have known with aplomb. They were London commuters of the 19th century, with hats, umbrellas and extravagant facial hair, reading The Times on the back of their fans. The women's chorus were straight out of St Trinian's or Mean Girls: the three little maids from school had probably been expelled. Jonathan Biggins plays the Lord High Executioner as a klutz with nerdish thick glasses: a parable of our time with a good line in patter songs and Woody-Allen neuroses. He sings (for example the tit-willow song in Act 2, the opera's best tune) with a rasping, five-o'clock shadow voice: good for clarity of words and you have to imagine the colour and phrasing. There is an energy and inventive zaniness throughout. The tenor Kanen Breen, in the mock-romantic lead role of Nanki-Poo, has strong stage presence, lots of obliging energy and a strongly projected noble tenor sound which will benefit further as his voice grows in modulated variety of colour. Emma Matthews, as a pantomime-perfect Yum-Yum, returns to a character-type she has been trying to shed lately, but which she pursues with vocal professionalism and vivacity. Her two fellow maids from school, Jacqueline Dark as Pitti-Sing and Georgia Bassingthwaighte as Peep-Bo, were pert, lyrical and preppy. Warwick Fyfe, as Pish-Tush, was excellently clear in diction, deadpan in delivery, melodious and depressive in personality. John Bolton-Wood, as the Lord High Everything Else exemplified the best obsequiousness that money can buy as the parody of the accommodating (and corruptible) bureaucrat, Pooh-bah. Rosemary Gunn as Katisa, the sister-in-law-elect, spurned as an older woman after she was promised to and rejected by the young tenor, was a redoubtable and reliable heel-kicker. Donald Shanks was resplendent in red and gold and savage face-paint as the Mikado. Simon Kenway conducted with tempo and fluidity. I wondered if some moments in the overture and the Act Two curtain piece could not have tolerated a more bracing tempo. This production by Christopher Renshaw, with design by Tim Goodchild, is inventive, well-paced and vivacious. It is a matinee treat, without being a stereotype of the matinee treat. -------------------------------1088779850 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

THE MIKADO
Gilbert & Sullivan
Opera Australia, Opera House,<= BR>June 30

 

Sydney Morning Herald   July 2, 2004    By Peter= McCallum

The ornate curtain, a collage of Victorian advertising posters and chinoi= serie around a stolid portrait of the stone-faced Queen - slightly pre-rapha= elite, slightly Monty Pythonesque - set the reference points. This wasn't go= ing to be one of those nostalgic G & S productions which made a sentimen= tal journey into itself.

In its original form, The Mikado was a gentle satire (and exploita= tion) of the fashion for orientalism which propelled the fabulous success of= Liberty fabric prints, bequeathing us a whole language of oriental symbols.=

Today a learned dissertation in that language would be still-born theatri= cally. How to translate the codes of Gilbert's laconic, slightly lazy satire= into something with contemporary zing remains the eternal challenge for maj= or companies attempting this repertoire (amateur and school productions are=20= exempt from the burden of boundary-pushing, of course: if the set stays up,=20= celebrations abound).

Ideally the whole night should be fun and entertaining, stylish and gorge= ous to look at, but with a few affectionately satiric barbs. This scores fou= r out of five.

Here, the gentlemen of Japan, the opening male chorus, pursued the Knight= sbridge-Japan which Gilbert and Sullivan would have known with aplomb. They=20= were London commuters of the 19th century, with hats, umbrellas and extravag= ant facial hair, reading The Times on the back of their fans. The wom= en's chorus were straight out of St Trinian's or Mean Girls: the thre= e little maids from school had probably been expelled.

Jonathan Biggins plays the Lord High Executioner as a klutz with nerdish=20= thick glasses: a parable of our time with a good line in patter songs and Wo= ody-Allen neuroses. He sings (for example the tit-willow song in Act 2, the=20= opera's best tune) with a rasping, five-o'clock shadow voice: good for clari= ty of words and you have to imagine the colour and phrasing. There is an ene= rgy and inventive zaniness throughout.

The tenor Kanen Breen, in the mock-romantic lead role of Nanki-Poo, has s= trong stage presence, lots of obliging energy and a strongly projected noble= tenor sound which will benefit further as his voice grows in modulated vari= ety of colour.

Emma Matthews, as a pantomime-perfect Yum-Yum, returns to a character-typ= e she has been trying to shed lately, but which she pursues with vocal profe= ssionalism and vivacity. Her two fellow maids from school, Jacqueline Dark a= s Pitti-Sing and Georgia Bassingthwaighte as Peep-Bo, were pert, lyrical and= preppy. Warwick Fyfe, as Pish-Tush, was excellently clear in diction, deadp= an in delivery, melodious and depressive in personality. John Bolton-Wood, a= s the Lord High Everything Else exemplified the best obsequiousness that mon= ey can buy as the parody of the accommodating (and corruptible) bureaucrat,=20= Pooh-bah. Rosemary Gunn as Katisa, the sister-in-law-elect, spurned as an ol= der woman after she was promised to and rejected by the young tenor, was a r= edoubtable and reliable heel-kicker. Donald Shanks was resplendent in red an= d gold and savage face-paint as the Mikado. Simon Kenway conducted with temp= o and fluidity. I wondered if some moments in the overture and the Act Two c= urtain piece could not have tolerated a more bracing tempo.

This production by Christopher Renshaw, with design by Tim Goodchild, is=20= inventive, well-paced and vivacious. It is a matinee treat, without being a=20= stereotype of the matinee treat.

-------------------------------1088779850--  1,, Summary-line: 2-Jul scaphio2002@yahoo.com [39] #Re: STORY OF G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 13:40:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i62HeIPe017310; Fri, 2 Jul 2004 13:40:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i62HeHtM014657 for ; Fri, 2 Jul 2004 13:40:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62HdaTJ012908; Fri, 2 Jul 2004 13:39:37 -0400 (EDT) Date: Fri, 2 Jul 2004 13:39:36 -0400 (EDT) Message-Id: <20040702173511.71029.qmail@web52405.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: STORY OF G&S MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c46047$ab1f8290$efc93f40@PhilKraus> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 13:39:36 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: STORY OF G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c46047$ab1f8290$efc93f40@PhilKraus> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > http://www.dinosaur.org/opera/operamovie.htm I noticed the following on the bottom of this page: "Disclaimer: Unless otherwise noted in Amazon Books products, these videos are all believed in good faith to be in the public domain." That's not true of STORY OF G&S, is it? The works performed therein are no longer copyrighted, but the specific performances should be, not to mention the movie itself as a whole. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail  1,, Summary-line: 2-Jul mstorie@nwlink.com [90] #Internet broadcasts of "Pinafore" by Seattle G&S X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 14:24:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i62IORPq013640; Fri, 2 Jul 2004 14:24:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i62IO1tM017849 for ; Fri, 2 Jul 2004 14:24:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62INMTJ015176; Fri, 2 Jul 2004 14:23:22 -0400 (EDT) Date: Fri, 2 Jul 2004 14:23:22 -0400 (EDT) Message-Id: <40E5446E.77BB14B6@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Internet broadcasts of "Pinafore" by Seattle G&S MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 14:23:22 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Internet broadcasts of "Pinafore" by Seattle G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Starting Tuesday, July 6, KING-FM radio in Seattle will broadcast on the Internet excerpts from the Seattle Gilbert & Sullivan Society's production of "HMS Pinafore." They will start each evening at about 7PM Pacific Daylight Time (8 hours behind GMT). They have recorded three 15-20 minute segments of music that will be broadcast on subsequent nights during the week and repeated the following week. In addition, there will be interviews with myself as Producer, Christine Goff the Stage Director, and Bernie Kwiram the Music Director, as well as with Donald Byrd of Spectrum Dance Theater who has developed new modern dance choreography for "Pineapple Poll." Seattle G&S will produce both shows as a double bill opening July 9th and running for 15 performances through July 31st at the Bagley Wright Theatre at Seattle Center. KING-FM in Seattle has a web site (www.king.org) from which you can listen to the broadcasts in stereo. If necessary, you can also download a free audio player from their site. For audiences local to the Seattle area, KING will also broadcast the shows on 98.1 FM. There will be excerpts from "Poll" from a commercial recording and Donald Byrd will explain his approach to the choreography. Bernie will explain how he has reorchestrated the music for "Poll" down from its original 60-piece size to fit our 30-piece orchestra. The musical numbers from "Pinafore" are all by our cast with keyboard accompanyment and with narration by Dave Ross. Segment 1 "We sail the ocean blue…" 2:02 "I'm called Little Buttercup…" 1:30 "A maiden fair to see…" 2:10 "I am the Captain of the Pinafore…" 1:45 "Sorry her lot who loves too well…" 3:25 "Over the bright blue sea…" 0:44 "Sir Joseph's Barge is seen…" "Gaily tripping…" 2:00 "When I was a lad…" 2:38 Segment 2 "A British tar…." 2:10 "Can I survive this overbearing…" to end of Act I 9:01 Segment 3 "Fair moon…" 2:25 "Things are seldom what they seem…" 2:50 "Never mind the why and wherefore." 2:25 "Kind Captain, I've Important Information…" 2:03 "A many years ago…" 2:30 "Oh joy, Oh Rapture, unforeseen…" 3:15 There are a number of S-netters in the cast as well as many names that may be familiar from our shows in Buxton. We are in the middle of technical rehearsals at the theater. The orchestra (and the orchestration) sounds wonderful and the dancing is unbelievable. (When the girls throw themselves at Lt. Belaye, they REALLY throw themselves at Lt. Belaye.) The sets include a Portsmouth town square with the bow of HMS Hot Cross Bun visible on stage left and Jasper's Pub to the right. The second scene is aboard the ship at sea and then we segue to the quarter deck of HMS Pinfore. Quite a piece of work. Since it is our Golden Anniversary, we will be re-introducing the ending to "Pinafore" that Sullivan added for Queen Victoria's Golden Juilee. That plus the 15X30 foot Union Jack should do nicely. Mike Storie Producer Seattle  1,, Summary-line: 2-Jul simon@c20th.com [72] #Thespis research and Grossmith X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 14:47:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i62Il1Pe027504; Fri, 2 Jul 2004 14:47:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i62IkutM006088 for ; Fri, 2 Jul 2004 14:46:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62IkFTJ015868; Fri, 2 Jul 2004 14:46:16 -0400 (EDT) Date: Fri, 2 Jul 2004 14:46:15 -0400 (EDT) Message-Id: <002501c46062$45ef7900$0390b050@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Thespis research and Grossmith MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 14:46:15 -0400 (EDT) Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Thespis research and Grossmith X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I recently acquired a small collection of Gaiety programmes from the early 70s, including “Thespis” and some other 1871-80 productions. One in particular casts some interesting light on “The Gods Grown Old”, and I’d like to share my findings... On February 14th 1872 (during the run of Thespis), Hollingshead produced his traditional “Ash-Wednesday Miscellaneous Entertainment”. The eclectic events (including a ventriloquist, a “Comic Negro Scene” and “German Oddities from Herr and Madame Gelubcke”) are all timed in the programme, showing that this was an evening show, running from 7pm to about 11pm. An advert informed the audience that Thespis would be playing again the following evening. I believe that this is where some confusion has arisen regarding the run-length of Thespis. Most sources, including Rollins & Witts and the G&S Archive, give 64 performances, though a few, such as Ganzl and the Sullivan Society website, say 63. Bearing in mind that 1872 was a leap year, and assuming that there were no other extraordinary closures, then the piece must have run for 63 performances AT MOST. Of course, if there were just one other closure during the run, then everyone has got it wrong, and Thespis only ran for 62 nights. Does anyone know, for example, whether the theatres in London were generally open on New Years Day or whether Hollingshead tended to temporarily change the bill at New Year as he did every Ash-Wednesday ? (BTW: Mlle Clary’s benefit on 28th April should not of course be considered part of the “run” since it followed 20 days after closing night.) Perhaps the most surprising “turn” on the 1872 Ash-Wednesday bill was at 9.20pm: "Mr George Grossmith has consented to give an account of a Bloomsbury Penny Reading". Can we presume that this is "our" GG and not his father ? It would seem likely, given his background giving amateur penny readings - surely the perfect subject for him to lampoon - but would he not be "Jun." at this stage in his career ? To confuse the issue further, on 19th September 1872 the Gaiety's "Ali Baba a la Mode" included an extravaganza which featured the trio "I am so volatile" written by "G. Grossmith Jun." Is there any consensus on when each Grossmith used "Jun.", or is there known to have been some blurring of the titles ? Either way, it is exciting to think that during the run of Thespis the opera was "off" for one night, and that D'Oyly Carte's future superstar, or at the very least his Dad, should have filled the gap. I’d be interested in any comments. This little collection is the source of many more fascinating Thespis-facts, all of which will be discussed on my website when the programmes are ready for sale. As always, those on my mailing list will be given priority notice of the launch. Simon Moss London simon@c20th.com www.c20th.com --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.713 / Virus Database: 469 - Release Date: 6/30/04  1,, Summary-line: 2-Jul jclockwood@78s2cd.com [34] #Sounds on CD Catalogue Now Posted X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 14:47:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i62IlOPe027735; Fri, 2 Jul 2004 14:47:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i62IlN5n015231 for ; Fri, 2 Jul 2004 14:47:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62IkjTJ016011; Fri, 2 Jul 2004 14:46:45 -0400 (EDT) Date: Fri, 2 Jul 2004 14:46:45 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: Sounds on CD Catalogue Now Posted MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 14:46:45 -0400 (EDT) Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: Sounds on CD Catalogue Now Posted X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In response to a request, a PDF version of the official Sounds on CD Savoy Catalog has now been placed in the "Download" section of the www.78s2cd.com web site. This is a slightly revised version of a one-page catalogue I received from Chris Webster, in which I have converted all the prices from Sterling to US Dollars at the current rate. International customers please note our one-size-fits-all post and packing charge of only $3.99 per order, regardless of destination. There is never an extra charge for using Mastercard (preferred), VISA (preferred) or Paypal to pay in US Dollars. You will be amazed how easy it is to order securely from our Online CD Shop at www.78s2cd.com, the only address you need for both the Webster and the Lockwood catalogs. Best regards, Jim Lockwood Yuma, AZ  1,, Summary-line: 2-Jul mstorie@nwlink.com [26] #Summer Time and the livin' is easy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 16:41:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i62KfvPe009579; Fri, 2 Jul 2004 16:41:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i62KdrtM007238 for ; Fri, 2 Jul 2004 16:39:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62KdCTJ024017; Fri, 2 Jul 2004 16:39:12 -0400 (EDT) Date: Fri, 2 Jul 2004 16:39:12 -0400 (EDT) Message-Id: <40E56576.42A591E6@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Summer Time and the livin' is easy MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 16:39:12 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Summer Time and the livin' is easy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Larry Simons has pointed out that "Pacific Daylight Time" is actually 7 hours behind GMT. I should have said it is 8 hours behind summer time (whatever it is called) in Britain, which should be 1 hour ahead of GMT maiking it 8 hours ahead of PDT. Whereas "Pacific Standard Time" is 8 hours behind GMT. I hope I make myself perfectly clear. In any case, 3AM is not a convenient time of night to be listening to Gilbert & Sullivan from Seattle. Australia time is much more convenient. Mike Storie  1,, Summary-line: 2-Jul ulahlica@yahoo.com [55] #Re: Please help identify this tune! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 18:51:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i62MpVPe005132; Fri, 2 Jul 2004 18:51:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i62MpUXG014780 for ; Fri, 2 Jul 2004 18:51:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i62MopTJ025426; Fri, 2 Jul 2004 18:50:51 -0400 (EDT) Date: Fri, 2 Jul 2004 18:50:51 -0400 (EDT) Message-Id: <20040702224815.62320.qmail@web60202.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Please help identify this tune! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040702144144.28623.qmail@web52405.mail.yahoo.com> X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 18:50:51 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Please help identify this tune! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040702144144.28623.qmail@web52405.mail.yahoo.com> X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Adam wrote... ***I must give a huge debt of thanks to Elsie [sic], Les, and Phillip for correctly identifying the tune*** Well, besides telling everyone to head for cover (if you don't know why - don't ask) I'd also like to thank the three for making that connection - but - the beginning of this midi... http://myweb.tiscali.co.uk/farmer_giles/harkwhatisthat.mid ..strongly reminds me of something else. At the end of the first two lines, I expect the last note to go up instead of down. That's the way it's played in the mystery melody I remember. But I can't place it. While we're playing guess-the-tune, there are two commercials I've posted to NOT that I wish I could identify. For anyone who wants to play: http://groups.yahoo.com/group/SavoyNot/files/Commercials/ One more in a guess-the-singer department. Here are two songs that are hot hot HOT - and they're sung by a famous Savoynet soprano we all know and love: http://groups.yahoo.com/group/SavoyNot/files/Songs/ John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1,, Summary-line: 2-Jul mcain@ibigroup.com [428] #ASM and House Manager needed for Arthur Miller's "The Price" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 Jul 2004 18:55:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i62MtBPe006378; Fri, 2 Jul 2004 18:55:11 -0400 (EDT) Received: from mail.ibigroup.com (mail.ibigroup.com [206.222.88.75]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i62Msw0W025378 for ; Fri, 2 Jul 2004 18:54:58 -0400 (EDT) Received: from MCAIN (78.suh54.nycm.n54ny31ur.dsl.att.net [12.135.54.78]) by mail.ibigroup.com (Postfix) with ESMTP id 7BFE0158006 for ; Fri, 2 Jul 2004 18:54:56 -0400 (EDT) From: "Melissa Cain" To: Subject: ASM and House Manager needed for Arthur Miller's "The Price" Date: Fri, 2 Jul 2004 18:54:56 -0400 Message-ID: MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0004_01C46066.11761AE0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Melissa Cain" To: Subject: ASM and House Manager needed for Arthur Miller's "The Price" Date: Fri, 2 Jul 2004 18:54:56 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0004_01C46066.11761AE0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit This is an announcement for a community theater group that is performing Arthur Miller's "The Price". The group is called the Stanley B. Theater and they are performing at the Piano Factory at Mass Ave and Tremont The show runs August 5-29. Performances are Thursday-Saturday at 8:00pm and Sunday at 3:00pm. They are looking for an Assistant Stage Manager and a House Manager. Both positions need to be able to attend the performances. The ASM obviously needs to go to rehearsals, but they are flexible if you can't make all of the rehearsals. The positions are paid (but not a lot). Contact Dennis Strahan (the Producer) for more information. The rehearsal/performance schedule is attached. Dennis Strahan denstrahan@comcast.net (home) 781-297-9780 (cell) 781-424-6429 -----Original Message----- From: Dennis Strahan [mailto:denstrahan@comcast.net] Sent: Sunday, June 27, 2004 6:54 PM To: mcain@ibigroup.com Subject: "The Price" Hi Melissa, Nice talking to you. The rehearsal schedule is attached. The show runs August 5-29. Performances are Thursday-Saturday At 8:00pm and Sunday at 3:00pm. As I stated on the phone, we'll be as flexible as we can in working with your conflicts. I look forward to working with you. 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i62NCuTJ025619; Fri, 2 Jul 2004 19:12:56 -0400 (EDT) Date: Fri, 2 Jul 2004 19:12:56 -0400 (EDT) Message-Id: <20040702225733.51185.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Pubnlic Domain Opera movies MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c46047$ab1f8290$efc93f40@PhilKraus> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 Jul 2004 19:12:56 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Pubnlic Domain Opera movies X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c46047$ab1f8290$efc93f40@PhilKraus> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip discovered... *** http://www.dinosaur.org/opera/operamovie.htm *** Wow - a bonanza of oddities! Some priceless - some laughable. But is the G&S Story really public domain? I'm a big collector of public domain movies and I've never run across this on a list before. No matter. I'm rushing right back there to buy my copy of the LA BOHEME silent movie. Hope they added some good music! John S LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, Summary-line: 3-Jul annlarry@pacbell.net [79] #Ruth Stein X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 02:55:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i636tHPe000902; Sat, 3 Jul 2004 02:55:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i636tF8r023194 for ; Sat, 3 Jul 2004 02:55:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i636sbTJ029533; Sat, 3 Jul 2004 02:54:37 -0400 (EDT) Date: Sat, 3 Jul 2004 02:54:37 -0400 (EDT) Message-Id: <5.1.0.14.2.20040702221335.01d7e938@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Ruth Stein Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 02:54:37 -0400 (EDT) Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Ruth Stein X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ruth Stein, one of the founding members of Gilbert & Sullivan Society of San Jose (now Lyric Theatre of San Jose) over 30 years ago, passed away this afternoon (Friday) from lung cancer. This lady was phenomenal. In addition to directing many *many* productions, she also wrote witty and apt English translations and adaptations of many perennial favorites such as _Die Fledermaus_, _Merry Widow_, and _Countess Maritza_. Ruth was one of the most well-prepared directors I have ever encountered. Long before the first blocking rehearsal, she could be found in her breakfast nook moving buttons around a plan view of the set. This after carefully considering the height (and often girth) of the various members of the cast for optimal placement on stage. She knew exactly how she wanted the stage pictures to appear, and didn't waste the cast's time with on-the-fly experimentations. She respected the cast in every way. They were always "ladies and gentlemen", not "men and women" or "boys and girls". Everyone learned by doing at a rehearsal -- the pencils and notes came at the end, when she would stay and repeat the directions for transcription as long as anyone was left to take them down. For the last several years, she also served on the Lyric Theatre Board and was our liaison to the Silicon Valley Arts Coalition. Ruth came from a show business family. Her uncle was Arch Oboler, who produced the radio series "Lights Out" in the 1940s and 1950s. I forward below part of the letter to her friends from Doug Stein, her son. We will miss Ruth very much. -Larry Byler- annlarry@pacbell.net Sunnyvale, California USA >Dear Friends: > >It is with mixed sadness and relief that I write to let you know that Mom >passed away late this afternoon. In the course of the past week we all >had an opportunity to express our love and say our goodbyes before she >quietly and peacefully died due to respiratory failure. Given the rapid >spread of Mom's cancer in the last few weeks and the tremendous physical >pain it was causing her, we are happy that she was released from further >discomfort. > >Mom was at peace with her life and our final moments together are >something that we will all certainly treasure. Mom was also, even in the >final days, keenly aware of and extremely grateful to everyone for the >love and support expressed in some many cards, emails, phone calls, and >visits over the past several weeks. We thank you once more for all of >your kindness[...] > >If you have a desire to memorialize Mom's death in some way we encourage >you to make a donation to your favorite charity, or if you prefer you can >send a contribution to Lyric Theatre, PO Box 6741, San Jose, CA 95150. > >We'd appreciate your help in letting people know of Mom's passing - feel >free to pass this email along to those who you think would be interested. > >Regards, >doug  1,, Summary-line: 3-Jul pdp@globalnet.co.uk [46] #Re: G&S at the NY Phil X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 04:00:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6380bPe026312; Sat, 3 Jul 2004 04:00:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6380awW016058 for ; Sat, 3 Jul 2004 04:00:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i637xwTJ029959; Sat, 3 Jul 2004 03:59:58 -0400 (EDT) Date: Sat, 3 Jul 2004 03:59:58 -0400 (EDT) Message-Id: <3.0.6.32.20040703083726.014d8a10@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G&S at the NY Phil Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040703053948.68809.qmail@web53501.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 03:59:58 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G&S at the NY Phil X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040703053948.68809.qmail@web53501.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 01:48 03/07/04 -0400, you wrote: >The New York Philharmonic brought Gilbert & Sullivan >into its repertoire July 1 and 2 at Avery Fisher Hall >in Lincoln Center. Although it is claimed that the >orchestra had never performed G&S in concert before, >one of its earliest recordings was of the MIKADO >overture, conducted by Joseph Stransky around 1920, >available in at least one CD reissue. This program was >part of a series of four programs called "Summertime >Classics," conducted by Bramwell Tovey, consisting of >a Spanish program, a ballet program, and American >program and this one, called "A Little Light Opera." >Tovey's wry, amusing comments were featured throughout >the evening. Don't forget that Bramwell Tovey was the first conductor for New D'Oyly Carte when the company was reformed in 1988. He claimed he was given access to the original scores. He ought to know his G & S. He claimed he was the first conductor to be given such access but forgot (or did not know) that Sargent had had this, and recorded the events for posterity in a BBC radio programme many years ago. New D'Oyly Carte opened at Sunderland with Iolanthe and then Yeomen. Both those autographs were available in UK at the time; I do not know what others he may have had access to. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 3-Jul deebee@connexus.net.au [75] #Re: Thespis research and Grossmith X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 04:45:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i638jsPe015112; Sat, 3 Jul 2004 04:45:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i638jr8I019522 for ; Sat, 3 Jul 2004 04:45:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i638jGTJ000507; Sat, 3 Jul 2004 04:45:16 -0400 (EDT) Date: Sat, 3 Jul 2004 04:45:16 -0400 (EDT) Message-Id: <40E66E9A.2070008@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Thespis research and Grossmith MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 04:45:16 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Thespis research and Grossmith X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Simon's post on the run of Thespis is interesting. > On February 14th 1872 (during the run of Thespis), Hollingshead produced > his traditional “Ash-Wednesday Miscellaneous Entertainment”... An advert informed the audience that Thespis would be > playing again the following evening. I believe that this is where some > confusion has arisen regarding the run-length of Thespis. Most sources, > including Rollins & Witts and the G&S Archive, give 64 performances, > though a few, such as Ganzl and the Sullivan Society website, say 63. > Bearing in mind that 1872 was a leap year, and assuming that there were > no other extraordinary closures, then the piece must have run for 63 > performances AT MOST. In fact this was pointed out to me by Neil Smith at Buxton a few years ago. He had been told this by Terence Rees who acknowledged that he hadn't allowed for Ash Wednesday (when theatre were obliged to close) in his original calculations. While I have been trying to anticipate the sort of questions that I might get in the Grand Final of the TV quiz that I have entered, I have also noted areas which could be contentious and this one did strike me. With a 90 second period to answer 16 questions I wouldn't want to waste time. How long does "63 performances but most books say 54" take and would it rob me of another question at the end? :>) > > Perhaps the most surprising “turn” on the 1872 Ash-Wednesday bill was > at 9.20pm: "Mr George Grossmith has consented to give an account of a > Bloomsbury Penny Reading". Can we presume that this is "our" GG and not > his father ? "Our Grossmith" began his career in penny readings in 1870 so it could be but then it could also be his father. To confuse the > issue further, on 19th September 1872 the Gaiety's "Ali Baba a la Mode" > included an extravaganza which featured the trio "I am so volatile" > written by "G. Grossmith Jun." Is there any consensus on when each > Grossmith used "Jun.", or is there known to have been some blurring of > the titles ? It is at times such as these that the American system of So-and-so the 2nd and 3rd seems sensible! Our George did call himself Jr but so did his son. I was in a London shop which had some G&S memorabilia which included a picture of the son marked GG. The assistant was most interested when I pointed out that this was not the man who was at the Savoy. To confuse matters even father Grossmith fils entitled his autobiography GeeGee, a name by which his father was also known. At least Uncle Weedon (or brother Weedon) was decent enough to call his autobiography From Studio to Stage! Diana Burleigh  1,, Summary-line: 3-Jul ajcrowth@ukonline.co.uk [83] #RE: Film - "The G&S Story"-Topsy Turvy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 05:51:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i639pMPe012142; Sat, 3 Jul 2004 05:51:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i639pLKq016475 for ; Sat, 3 Jul 2004 05:51:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i639ohTJ000926; Sat, 3 Jul 2004 05:50:43 -0400 (EDT) Date: Sat, 3 Jul 2004 05:50:43 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Film - "The G&S Story"-Topsy Turvy MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <269c7f264247.264247269c7f@email.bigpond.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 05:50:43 -0400 (EDT) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Film - "The G&S Story"-Topsy Turvy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <269c7f264247.264247269c7f@email.bigpond.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Of course there's no doubt that "Topsy-Turvy" is more accurate factually than "The G&S Story"---and for that reason it was hailed on Savoynet as being virtually flawless. However, it does contain real inaccuracies (more important than calling Oslo Oslo!). Gilbert did not write the entire text of "The Mikado" in a big book and then read it to Sullivan all in a go, as the film implies--he pow-wowed with Sullivan to agree the plot, then wrote the lyrics piecemeal, sending them to him as and when, then wrote the dialogue last. The scene in the film clearly derives from what happened with "Trial by Jury"--where a completely different situation applied. In the film, we are shown Gilbert announcing the cut of the Mikado's song to the entire cast, and this comes as a surprise and shock to all, including Sullivan, Carte and Temple himself. In Gilbert's own account of the incident, written in 1885, he specifically says that Sullivan and Temple were privately consulted before the announcement was made. Many little bits go to build up the picture of Gilbert as cold, forbidding, unapproachable and so on. A few days ago I was reading Jessie Bond's famous account of the runup to the opening of "Yeomen", how Gilbert made a nuisance of himself by being more nervous than the cast (this is reflected in "Topsy-Turvy"), but how he was finally sent off by Jessie and "with a final frenzied hug" he left. Can the Gilbert of "Topsy-Turvy" be imagined hugging anyone? The warmer, human side of Gilbert is left untouched in the film; we are left with the impression of his home life--relationship with Kitty, etc.--as being something appalling: full of snarling, formality, bitterness and self-loathing. In the nature of things there's little or no direct evidence about this, but I find it very difficult to believe. I admit that Gilbert could be unapproachable and bitter and angry on occasion, but this is far from the full story, and to leave out the rest leaves a very unfair impression of one of the great geniuses of English drama. We do know that Gilbert was capable of being very tender, friendly and approachable where women were concerned. I think it's a great pity the film didn't suggest that--it might have been shown as an unexpected and funny quirk in Gilbert's character. "Topsy-Turvy" is a very good film--much better than we might reasonably hope. So much is right about it, that it seems churlish to complain. But we do tend to think of it as "definitive" or a complete reflection of the truth... and I include myself here. It's terrible, but when I think of Richard Temple these days I picture Timothy Spall! Instinctively we tend to believe the evidence of our eyes, and "Topsy-Turvy" gives a believable account, so we believe it implicitly. But it's only a film--a work of art which massages the facts to create something unified. Some parts of the film don't work for me--e.g. the rather crudely political scene in the eating house between Barrington, Grossmith and Lely. Too much research on display! There are other elements which simply intrigue me---did Lely really object to his costume showing his legs? If not, where on earth did that scene come from? Was d'Albert really like that? Was Barker like that (I do hope so!)? Oh, and Grossmith took drugs during "Mikado" to steady his nerves (!) but I doubt whether he was a "junky" as we would understand it. --Andrew Crowther Bradford, United Kingdom ------------------------------------------------------------ W.S. Gilbert Society website: http://web.ukonline.co.uk/ajcrowth/wsgsoc.htm Babliophile, my personal appreciation of Gilbert: http://web.ukonline.co.uk/ajcrowth/babliophile.htm  1,, Summary-line: 3-Jul simon@c20th.com [64] #RE: Film - "The G&S Story"-Topsy Turvy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 06:35:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i63AZ8Pe000795; Sat, 3 Jul 2004 06:35:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i63AZ78I018670 for ; Sat, 3 Jul 2004 06:35:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i63AYVTJ001278; Sat, 3 Jul 2004 06:34:31 -0400 (EDT) Date: Sat, 3 Jul 2004 06:34:31 -0400 (EDT) Message-Id: <001301c460e9$2bd5e0e0$0390b050@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: RE: Film - "The G&S Story"-Topsy Turvy MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 06:34:31 -0400 (EDT) Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: RE: Film - "The G&S Story"-Topsy Turvy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andrew Crowther commented regarding Topsy Turvey: < Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 12:05:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i63G5Dfc026409; Sat, 3 Jul 2004 12:05:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i63G4r2v022564 for ; Sat, 3 Jul 2004 12:04:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i63G4GTJ003905; Sat, 3 Jul 2004 12:04:16 -0400 (EDT) Date: Sat, 3 Jul 2004 12:04:16 -0400 (EDT) Message-Id: <006401c46116$9e390bd0$70c93f40@PhilKraus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Philip Kraus" To: Multiple recipients of list SAVOYNET Subject: Re: Re:Films - "The G&S Story" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 12:04:16 -0400 (EDT) Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Philip Kraus" To: Multiple recipients of list SAVOYNET Subject: Re: Re:Films - "The G&S Story" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This doesn't sound good! Is this the VHS or DVD version? Anyone else purchase the item and found this problem??? Philip > > Yes, but unless they (Musical Collectibles) have remastered the NTSC version, > you will find the music to be a semi-tone or so sharp and the dialogue to be > a little bit brighter. This is due to the unsophisticated way they transferred > the PAL original (25 frames per second) to NTSC (30 frames per second), > resulting > in a faster overall speed. > > I have this video, and its a little difficult to watch for this reason. > > -Larry Byler- > ..for the rest of the day I do good. > annlarry@pacbell.net > Sunnyvale, California USA > >  1,, Summary-line: 3-Jul andi_s_r@yahoo.com [44] #RE: NY Philharmonic sighting/hearing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 12:49:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i63GnAfc013638; Sat, 3 Jul 2004 12:49:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i63Gn92v025606 for ; Sat, 3 Jul 2004 12:49:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i63GmVTJ004287; Sat, 3 Jul 2004 12:48:31 -0400 (EDT) Date: Sat, 3 Jul 2004 12:48:31 -0400 (EDT) Message-Id: <20040703163301.15418.qmail@web14525.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: RE: NY Philharmonic sighting/hearing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 12:48:31 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: RE: NY Philharmonic sighting/hearing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Richard Duployen wrote: > > Soloists included Suart, who also apparently chews up the > scenery with > what my friend characterized as "a surprising amount" of > dialogue, > > Dear Sam, > > Could you explain this expression, please? > The expression "chews up the scenery" or just "chews the scenery" is a colloquialism for extremely unrestrained acting--usually big, broad, and often physically active over-acting or melodramatic acting. It is usually pejorative, though there are some characterizations for which "scenery chewing" may be appropriate--Elise Curran's wonderfully free rendition of Julia in The Grand Duke at the Rockville SingOut last year comes to mind. Elise was certainly chewing all the scenery in sight--but it was absolutely right for Julia's "mad scene" and entirely appropriate in context; in this case the description was not pejorative. As to Suart, he is often accused of over-acting, and it is probably safe to assume that the phrase was used in the pejorative sense in this case. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 3-Jul annlarry@pacbell.net [51] #Re: Re:Films - "The G&S Story" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 Jul 2004 16:35:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i63KYZfk016950; Sat, 3 Jul 2004 16:35:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i63KXTvm028448 for ; Sat, 3 Jul 2004 16:33:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i63KWqTJ006861; Sat, 3 Jul 2004 16:32:52 -0400 (EDT) Date: Sat, 3 Jul 2004 16:32:52 -0400 (EDT) Message-Id: <5.1.0.14.2.20040703131338.01dc1dd8@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Re: Re:Films - "The G&S Story" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006401c46116$9e390bd0$70c93f40@PhilKraus> X-Mailer: QUALCOMM Windows Eudora Version 5.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 Jul 2004 16:32:52 -0400 (EDT) Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Re: Re:Films - "The G&S Story" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006401c46116$9e390bd0$70c93f40@PhilKraus> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have the VHS, from long before they were offering DVDs (I vaguely recall 1997-98). As I wrote in my original note, I don't know if they have fixed the NTSC version. -Larry Byler- ..for the rest of the day I do good. annlarry@pacbell.net Sunnyvale, California USA At 12:04 PM 7/3/2004 -0400, Philip Kraus wrote: >This doesn't sound good! Is this the VHS or DVD version? Anyone else >purchase the item and found this problem??? > >Philip > > > > Yes, but unless they (Musical Collectibles) have remastered the NTSC >version, > > you will find the music to be a semi-tone or so sharp and the dialogue to >be > > a little bit brighter. This is due to the unsophisticated way they >transferred > > the PAL original (25 frames per second) to NTSC (30 frames per second), > > resulting > > in a faster overall speed. > > > > I have this video, and its a little difficult to watch for this reason. > > > > -Larry Byler- > > ..for the rest of the day I do good. > > annlarry@pacbell.net > > Sunnyvale, California USA > > > >  1,, Summary-line: 4-Jul keeganr@btinternet.com [31] #Cryptic clues X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 04 Jul 2004 07:56:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i64BuGeL012043; Sun, 4 Jul 2004 07:56:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i64BuFrY029618 for ; Sun, 4 Jul 2004 07:56:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i64BtbTJ012935; Sun, 4 Jul 2004 07:55:37 -0400 (EDT) Date: Sun, 4 Jul 2004 07:55:37 -0400 (EDT) Message-Id: <001901c460f3$8ef0c640$10167ad5@RACHEL> Errors-To: savoynet-owner@bridgewater.edu Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Cryptic clues MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 4 Jul 2004 07:55:37 -0400 (EDT) Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Cryptic clues X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Several years ago the radio station Classic FM had a late-night phone-in quiz programme called Six of the Best. This consisted of a series of cryptic questions, usually (but not always) music-related, which were solved as a joint effort by people phoning in. Listeners were invited to contribute questions and I sent in two, one of which was broadcast. It read as follows: In Portsmouth for the third and a metal cast the seventh. As for the eighth, I put it to you that the ninth is a diversion. Locate the tenth. Private replies (with reasoning) please. Probably much too easy for Messrs Duffey and Cookson! Rachel Keegan Middlesex, UK  1,, Summary-line: 4-Jul bdsweeney@cox.net [74] #Patience recording? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 04 Jul 2004 17:01:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i64L1neL017626; Sun, 4 Jul 2004 17:01:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i64L1mmt020327 for ; Sun, 4 Jul 2004 17:01:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i64L0xTJ015915; Sun, 4 Jul 2004 17:01:00 -0400 (EDT) Date: Sun, 4 Jul 2004 17:00:59 -0400 (EDT) Message-Id: <006801c46207$878a56e0$efc6e044@ri.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bdsweeney@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Patience recording? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0065_01C461E6.000C6080" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 4 Jul 2004 17:00:59 -0400 (EDT) Reply-To: bdsweeney@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Patience recording? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0065_01C461E6.000C6080 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Does anybody know where a person can get hold of the New D'OC Patience = with Simon Butteriss as Bunthorne? I've tried most obvious suspects = (Amazon.co, Amazon.co.uk, Bn.com, etc.) Thanks, Brian_Sweeney@Brown.edu "I'm honored to shake the hand of a brave Iraqi citizen who had his hand cut off by Saddam Hussein." ~George W. Bush, Washington, D.C., May 25, 2004 =20 ------=_NextPart_000_0065_01C461E6.000C6080 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
 
 
Does anybody know where a person can get hold of the = New D'OC=20 Patience with Simon Butteriss as Bunthorne?  I've tried = most=20 obvious suspects (Amazon.co, Amazon.co.uk, Bn.com, etc.)
 
Thanks,
 
Brian_Sweeney@Brown.edu
 
"I'm honored to shake the hand of a brave Iraqi = citizen
who=20 had his hand cut off by Saddam Hussein."
~George W. Bush, Washington, = D.C.,=20 May 25, 2004       
 

 
------=_NextPart_000_0065_01C461E6.000C6080--  1,, Summary-line: 5-Jul epish_shepherd@tiscali.co [41] #Re: Sex in G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 Jul 2004 22:23:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i662NmCE001964; Mon, 5 Jul 2004 22:23:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i662Nm6P029342 for ; Mon, 5 Jul 2004 22:23:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i662NDTJ004617; Mon, 5 Jul 2004 22:23:13 -0400 (EDT) Date: Mon, 5 Jul 2004 22:23:13 -0400 (EDT) Message-Id: <6.1.2.0.0.20040706032047.01c067e0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: Sex in G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.1.0.6.2.20040705214011.028b4f70@pop.hnsn.phub.net.cable. X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 Jul 2004 22:23:13 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: Sex in G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.1.0.6.2.20040705214011.028b4f70@pop.hnsn.phub.net.cable. X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > >Well, what do you make of the following exchange in THESPIS? > >THES. "Apollo was several times married, among others to Issa, Bolina, >Coronis, Chymene, Cyrene, Chione, Acacallis, and Calliope." > >DAPH. And Calliope. > >THES. [musing] Ha. I didn't know he was married to them. > >DAPH. [severely] Sir. This is the family edition. To which one can only reply, even if all the lyrics aren't yet written up on the webpage: http://www.geocities.com/ulahlica/ADAM/Thespis21.html -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 6-Jul bow@MIT.EDU [44] #happy birthday opus! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 Jul 2004 13:26:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i66HQE7F021803; Tue, 6 Jul 2004 13:26:14 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i66HQ7Pq001524; Tue, 6 Jul 2004 13:26:07 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) (authenticated bits=56) (User authenticated as bow@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i66HQ6Om025050; Tue, 6 Jul 2004 13:26:06 -0400 (EDT) Received: (from bow@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id i66HQ6JH026402; Tue, 6 Jul 2004 13:26:06 -0400 (EDT) Date: Tue, 6 Jul 2004 13:26:06 -0400 (EDT) Message-Id: <200407061726.i66HQ6JH026402@scrubbing-bubbles.mit.edu> From: Robert Morrison To: rls@MIT.EDU, opus@MIT.EDU Subject: happy birthday opus! X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 Jul 2004 13:26:06 -0400 (EDT) From: Robert Morrison To: rls@MIT.EDU, opus@MIT.EDU Subject: happy birthday opus! X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) hey opus and ruth! i'm right in rememberin' today as opus' b-day? my apologies for forgetting about it in recent years (i've known since '01 at least, 'cause that's when i got to the bbq at your house) and my further apologies for not thinkin' of anything cool to get ya. i been lazy as usual so far this summer, helpin' with what little mitg&sp, and lsc are doin', as well as bein' a little fellow in MTG's show, and run crew for Andrea Humez' project (though i haven't done anything yet for that) i also tried my hand at dragonboat racing in early june and got to watch the fireworks from one just upstream of the barge. this afternoon i have the most ambitious plans of tryin' to clean my room and do laundry, and maybe see if folk 'round here wanna go to ruddigore in binghamton this weekend. i have hopes of hiking later this summer, but that's 'bout all i've been up to of late. anyway, if i think of a b-day gift, i'll get it, and hold on 'til next i see ya. i'll try not to pester you yet again 'bout hudsucker proxy, but certainly let me know what ya think if you do see it. i think folk in mitg&sp are curious 'bout pirates status, but curent plan is to have party labor day weekend, and that's a ways off, so no great concern yet. the EC's been mostly dormant over the summer, having picked directors so Iolanthe's off to a good start, we've done little else besides meet asa deadlines. if i recall correctly, ruth volunteered to be social chair? i don't think there's been any discussion since late may about that sort of thing and as far as i can tell we're just hibernating over the summer (indeed, i'm not sure i've been officially appointed as assistant board member) i apologise if we never got back to you. if you're still interested in social chair, remind the group sometime 'round mid august as things begin to ramp up for iolanthe. well, hope you had a great 4th of july, and the garlic is doing well! sorry i generally haven't kept in touch! i'll try to be a little better in the future. take care! -rob  1,, Summary-line: 6-Jul carolyn@steele.mgh.harvar [20] #homeowners insurance X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 Jul 2004 14:46:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i66Ik87F014245; Tue, 6 Jul 2004 14:46:08 -0400 (EDT) Received: from steele.mgh.harvard.edu (steele.mgh.harvard.edu [132.183.110.30]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i66Ijvsv009869 for ; Tue, 6 Jul 2004 14:45:57 -0400 (EDT) Received: from W0025439-udp911439uds.mgh.harvard.edu [132.183.14.105] by steele.mgh.harvard.edu (AppleMailServer 10.2.3.0) id 51546 via TCP with SMTP; Tue, 06 Jul 2004 14:45:56 -0400 Mime-Version: 1.0 Message-Id: Date: Tue, 6 Jul 2004 14:45:50 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: homeowners insurance Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 Jul 2004 14:45:50 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: homeowners insurance X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi folks! We're buying a house and need to get homeowners insurance and were looking for advice. What companies do you use, what should we look out for? Thanks! --cyn PS Please email your response to my mit address, I cant set a reply-to from this account. Thanks!  1,, Summary-line: 7-Jul ichikawa@gmail.com [42] #Jonathan's Buxton Diary X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Jul 2004 02:44:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i676ib7H019923; Wed, 7 Jul 2004 02:44:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i676iGTK001768 for ; Wed, 7 Jul 2004 02:44:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i676haTJ025831; Wed, 7 Jul 2004 02:43:36 -0400 (EDT) Date: Wed, 7 Jul 2004 02:43:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Jonathan's Buxton Diary Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 Jul 2004 02:43:36 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Jonathan's Buxton Diary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everybody, So apparently I'm even more excited about my first Buxton trip than I'd realized. I've started a blog, pretty much about my personal thoughts, excitements, goals, etc. If you're interested in following such drivel, check out: http://buxtondiary.blogspot.com. I plan to update at least occasionally, and maybe often, from the festival. In the meantime, it's my G&S experience leading up to it. In my latest post, I discuss preparing a video audition for Grosvenor in the Young Artistes' PATIENCE. That video is even online, and linked from my blog. Isn't technology fun? Check it out if you're curious. And honest comments are very welcome -- email me or leave a comment on the blog entry (with or without your name). Buxton! Buxton! How cool is that? -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, Summary-line: 7-Jul to: ori.siegel@sympatico. [23] #I hear Toronto in August is nice X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Jul 2004 11:25:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i67FP4WH023268; Wed, 7 Jul 2004 11:25:04 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i67FOlBl008993; Wed, 7 Jul 2004 11:24:47 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i67FOkOm019883; Wed, 7 Jul 2004 11:24:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i67FOjJW004876; Wed, 7 Jul 2004 11:24:45 -0400 (EDT) Date: Wed, 7 Jul 2004 11:24:45 -0400 (EDT) Message-Id: <200407071524.i67FOjJW004876@multics.mit.edu> From: "David C. Jedlinsky" To: ori.siegel@sympatico.ca Subject: I hear Toronto in August is nice X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 Jul 2004 11:24:45 -0400 (EDT) From: "David C. Jedlinsky" To: ori.siegel@sympatico.ca Subject: I hear Toronto in August is nice X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Ori. We're (me, Ruth and a friend) going to be in Toronto on Tuesday, August 24, to see yet another Cirque du Soleil show. How many days we stay surrounding that Tuesday is still to be determined, but could be affected by news of a garlic special at a certain restaurant. Is there anything else going on during that particular week of which we ought to be aware? Thanks. -Dave  1, answered,, Summary-line: 7-Jul ori.siegel@sympatico.ca [26] #Re: I hear Toronto in August is nice X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Jul 2004 14:20:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i67IKMWH020686; Wed, 7 Jul 2004 14:20:22 -0400 (EDT) Received: from tomts14-srv.bellnexxia.net (tomts14-srv.bellnexxia.net [209.226.175.35]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i67IHeV9005716 for ; Wed, 7 Jul 2004 14:17:40 -0400 (EDT) Received: from mxmta.bellnexxia.net ([209.226.175.18]) by tomts14-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20040707181734.MMQM5106.tomts14-srv.bellnexxia.net@mxmta.bellnexxia.net>; Wed, 7 Jul 2004 14:17:34 -0400 X-Mailer: Openwave WebEngine, version 2.8.6.6 (webedge20-101-174-112-20020617)" From: To: "David C. Jedlinsky" Subject: Re: I hear Toronto in August is nice Date: Wed, 7 Jul 2004 14:17:34 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Message-Id: <20040707181734.MMQM5106.tomts14-srv.bellnexxia.net@mxmta.bellnexxia.net> X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: To: "David C. Jedlinsky" Subject: Re: I hear Toronto in August is nice Date: Wed, 7 Jul 2004 14:17:34 -0400 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Dave, I'm delighted to hear that you've picked a date and I will be eagerly looking forward to seeing y'all. Yeah, Toronto can be pretty nice in August - pretty hot and humid, too, so be prepared! As for things garlic, well, I'll just have to ask them when the next "festival" will be. Mind you, there are lots of fine dishes on their menu and I have a feeling that if you asked for something with lots of garlic, they may very well be able to whip something up. In any case, I shall make enquiries of them. Who knows - ya may get lucky again! I'll check my schedule to see what days I'm free around your visit. Are you taking any special route? cheers, Ori "It's very hard for me not to tell everybody everything." --Spalding Gray (1941-2004)  1,, Summary-line: 8-Jul Thirdfromleft@aol.com [117] #Re: Larry Simons flame war X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Jul 2004 16:39:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i68KcOx7003375; Thu, 8 Jul 2004 16:38:53 -0400 (EDT) Received: from imo-d04.mx.aol.com (imo-d04.mx.aol.com [205.188.157.36]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i68KY8Js029730 for ; Thu, 8 Jul 2004 16:34:08 -0400 (EDT) Received: from Thirdfromleft@aol.com by imo-d04.mx.aol.com (mail_out_v37_r2.6.) id r.31.4a1ac561 (16335); Thu, 8 Jul 2004 16:32:51 -0400 (EDT) From: Thirdfromleft@aol.com Message-ID: <31.4a1ac561.2e1f0973@aol.com> Date: Thu, 8 Jul 2004 16:32:51 EDT Subject: Re: Larry Simons flame war To: ulahlica@yahoo.com, SSilvers@sskfny.com CC: LetaHall@aol.com, MB1224@aol.com, PSternenberg@aol.com, rmacphai@Bridgewater.EDU, Jonathan_Ichikawa@brown.edu, BERGLUL@BSCMAIL.BuffaloState.edu, mark@concertart.com, lauriebrot@cox.net, oakapple@cris.com, kbyler@csufresno.edu, pookahone@earthlink.net, yestismabel@earthlink.net, rebecca@hains.net, marion@leedscarroll.com, opus@MIT.EDU, rjm@mormc.com, erique@nyc.rr.com, annlarry@pacbell.net, dsmith@UMassD.Edu, mgillett@umich.edu, andi_s_r@yahoo.com, dankravetz@yahoo.com, kalyba@yahoo.com, savoyard1@yahoo.com, thespian121@yahoo.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_31.4a1ac561.2e1f0973_boundary" X-Mailer: 6.0 sub 10582 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Thirdfromleft@aol.com Date: Thu, 8 Jul 2004 16:32:51 EDT Subject: Re: Larry Simons flame war To: ulahlica@yahoo.com, SSilvers@sskfny.com CC: LetaHall@aol.com, MB1224@aol.com, PSternenberg@aol.com, rmacphai@Bridgewater.EDU, Jonathan_Ichikawa@brown.edu, BERGLUL@BSCMAIL.BuffaloState.edu, mark@concertart.com, lauriebrot@cox.net, oakapple@cris.com, kbyler@csufresno.edu, pookahone@earthlink.net, yestismabel@earthlink.net, rebecca@hains.net, marion@leedscarroll.com, opus@MIT.EDU, rjm@mormc.com, erique@nyc.rr.com, annlarry@pacbell.net, dsmith@UMassD.Edu, mgillett@umich.edu, andi_s_r@yahoo.com, dankravetz@yahoo.com, kalyba@yahoo.com, savoyard1@yahoo.com, thespian121@yahoo.com X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_31.4a1ac561.2e1f0973_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 07/08/2004 3:36:04 PM Eastern Daylight Time, ulahlica@yahoo.com writes: > I am always really taken back by the occasional > anti-American posts here. As Sam wrote, we've already > been through this before - and I got a few indignant > emails from the English last time when I posted > "Saying we speak American in America is like saying > you speak European in England." Neither makes sense. > > Well, this list above is a bunch of extremely literate people -- I didn't take personal offense at Larry's post, nor should any of us on this list, although it did raise my hackles a notch. I recall a time in the stairway at the Buxton Opera House two years ago when all the Americans were reciting the "Farmer Thump" mantra with exaggeratedly flat As and Amurrican Rs. It was pretty funny (although we found it funnier than the Brits did). Now, if all they have to go by is our president... Carol P.S. "Farmer Thump" is David Cookson's diction exercise: Farmer Thump of Thickthorn Farm Thinks his thistles are getting thicker. Whether they're thick or whether they're thin, You won't find them on Thickthorn Farm. (and not an R to be heard) --part1_31.4a1ac561.2e1f0973_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable In a message dated 07/08/2004 3:36:0= 4 PM Eastern Daylight Time, ulahlica@yahoo.com writes:


I am always really taken ba= ck by the occasional
anti-American posts here. As Sam wrote, we've already
been through this before - and I got a few indignant
emails from the English last time when I posted
"Saying we speak American in America is like saying
you speak European in England." Neither makes sense.



Well, this list above is a bunch of extremely literate people -- I didn'= t take personal offense at Larry's post, nor should any of us on this list,=20= although it did raise my hackles a notch.

I recall a time in the stairway at the Buxton Opera House two years ago=20= when all the Americans were reciting the "Farmer Thump" mantra with exaggera= tedly flat As and Amurrican Rs.  It was pretty funny (although we found= it funnier than the Brits did).

Now, if all they have to go by is our president...=20

Carol

P.S.  "Farmer Thump" is David Cookson's diction exercise:

Farmer Thump of Thickthorn Farm
Thinks his thistles are getting thicker.
Whether they're thick or whether they're thin,
You won't find them on Thickthorn Farm.

(and not an R to be heard)







--part1_31.4a1ac561.2e1f0973_boundary--  1,, Summary-line: 8-Jul to: ori.siegel@sympatico. [54] #Re: I hear Toronto in August is nice X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Jul 2004 18:31:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i68MVrwX029414; Thu, 8 Jul 2004 18:31:53 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i68MVqhk024598; Thu, 8 Jul 2004 18:31:52 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i68MVpOm000083; Thu, 8 Jul 2004 18:31:51 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i68MVpaM022456; Thu, 8 Jul 2004 18:31:51 -0400 (EDT) Date: Thu, 8 Jul 2004 18:31:51 -0400 (EDT) Message-Id: <200407082231.i68MVpaM022456@multics.mit.edu> From: "David C. Jedlinsky" To: ori.siegel@sympatico.ca In-reply-to: <20040707181734.MMQM5106.tomts14-srv.bellnexxia.net@mxmta.bellnexxia.net> (ori.siegel@sympatico.ca) Subject: Re: I hear Toronto in August is nice References: <20040707181734.MMQM5106.tomts14-srv.bellnexxia.net@mxmta.bellnexxia.net> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 8 Jul 2004 18:31:51 -0400 (EDT) From: "David C. Jedlinsky" To: ori.siegel@sympatico.ca In-reply-to: <20040707181734.MMQM5106.tomts14-srv.bellnexxia.net@mxmta.bellnexxia.net> (ori.siegel@sympatico.ca) Subject: Re: I hear Toronto in August is nice X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Ori, We have not completely settled the details of our trip at this point. The only date that's firmly set is Tuesday the 24th, as we have tickets to Cirque that evening. But whether that's at the beginning, middle or end of our stay, I don't yet know. We have a tentative plan to drive to Toronto from New Hampshire via Detroit. The reason for this geographically odd route isn't just that we enjoy circumnavigating two great lakes, but we may make a side trip to Cedar Point amusement park in Ohio on the way there. If we do this, we'll probably arrive in Toronto on either Monday or Tuesday. We plan to head home via Montreal, so we'll be planning on spending the latter weekend with the Quebecois. Are you likely to be free during the middle of the week? What is your schedule typically like? -Dave >From: >Date: Wed, 7 Jul 2004 14:17:34 -0400 > >Dear Dave, > >I'm delighted to hear that you've picked a date and I will be eagerly looking forward to seeing y'all. Yeah, Toronto can be pretty nice in August - pretty hot and humid, too, so be prepared! > >As for things garlic, well, I'll just have to ask them when the next "festival" will be. Mind you, there are lots of fine dishes on their menu and I have a feeling that if you asked for something with lots of garlic, they may very well be able to whip something up. In any case, I shall make enquiries of them. Who knows - ya may get lucky again! > >I'll check my schedule to see what days I'm free around your visit. Are you taking any special route? > >cheers, >Ori > > > > >"It's very hard for me not to tell everybody everything." >--Spalding Gray (1941-2004) >  1, answered,, Summary-line: 9-Jul epish_shepherd@tiscali.co [67] #Re: Boston X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Jul 2004 16:33:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i69KXP5d016820; Fri, 9 Jul 2004 16:33:26 -0400 (EDT) Received: from mk-smarthost-1.mail.uk.tiscali.com (mk-smarthost-1.mail.uk.tiscali.com [212.74.114.37]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i69KXOLA015699 for ; Fri, 9 Jul 2004 16:33:25 -0400 (EDT) Received: from dsl-80-46-136-102.access.uk.tiscali.com ([80.46.136.102]:3360 helo=Adam.tiscali.co.uk) by mk-smarthost-1.mail.uk.tiscali.com with esmtp (Exim 4.30) id 1Bj23e-0007xO-JH for opus@MIT.EDU; Fri, 09 Jul 2004 21:33:22 +0100 Message-Id: <6.1.2.0.0.20040709211726.01dbd9e0@pop3.tiscali.co.uk> X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 Date: Fri, 09 Jul 2004 21:39:58 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200407092007.i69K7H1V022940@multics.mit.edu> References: <6.1.2.0.0.20040709183030.01d40130@pop3.tiscali.co.uk> <200407092007.i69K7H1V022940@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk Date: Fri, 09 Jul 2004 21:39:58 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200407092007.i69K7H1V022940@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have to admit I had to look at the Savoynet opera house photo I had labelled - David is a rather common name, I fear, and I have a tendency to get names confused - but once I did I remembered you clearly. First, the bad news: I'll be in Boston (actually Newburyport, upon checking with my father - is there much difference? from the 26th to the 29th. Which is going to be... interesting, I'm sure. However, on Sunday August 1st I travel back through Boston after a side-trip to visit my mother, and have a stopover from about 2:30 p.m. to about 7:30. p.m. - though, of course it'll be more like 2:45 to 7:00 once you take into account checking in and such. Would either of those be good for you? At 21:07 09/07/2004, you wrote: >Hello Adam. > >I don't know if you remember me; we met at Buxton last summer. > >Depending on the exact date, I would either enjoy meeting with you, or >apologis(z)e for not being available. Please inform me of the dates >you would be able to meet, and I will tell you which of the two >possibilities will be in effect. Boston pubs are different from other >American ones, since a new no-smoking law just went into effect. I >suppose that makes Boston pubs more like Irish ones. > >If you are in Boston between 26 July and 29 July, be forewarned that >there is a major political convention in the city, and it is going to >most inconvenient to travel during those days, due to security >concerns. A very large portion of the roads and trains are to be shut >down, and the resulting traffic confusion will radiate outwards away >from the city. > >-Dave Jedlinsky >opus@mit.edu > > > >Date: Fri, 9 Jul 2004 13:41:31 -0400 (EDT) > >From: Adam Cuerden > > > >At the End of July, I'll be in Boston for several days for my Grandmother's > >Memorial. Whilst I probably won't be able to get away for long, are there > >any Savoynetters that might be interested in meeting up for a... I was > >going to say quiet pint, but suspect that American pubs are very different > >to British ones. Coffee, perhaps? > > > >-Adam Cuerden > > > >Now comes with webcomic! > >http://www.graphicsmash.com/series.php?name=dangerous&view=current > > -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 9-Jul epish_shepherd@tiscali.co [37] #Boston - er, well, mostly Newburyport. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Jul 2004 16:57:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i69Kv15d028781; Fri, 9 Jul 2004 16:57:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i69KuwjR029720 for ; Fri, 9 Jul 2004 16:56:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i69Ku5TJ006781; Fri, 9 Jul 2004 16:56:05 -0400 (EDT) Date: Fri, 9 Jul 2004 16:56:05 -0400 (EDT) Message-Id: <6.1.2.0.0.20040709214018.01e73cd0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Boston - er, well, mostly Newburyport. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40EEF0EC.90007@charter.net> X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 Jul 2004 16:56:05 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Boston - er, well, mostly Newburyport. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40EEF0EC.90007@charter.net> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Having called my father to check the exact details (No-one ever tells me anything, probably because I don't tend to ask if it doesn't seem immediately important - after all, it's not like I can drive.), I have discovered that: * We will quickly move from Boston to the safety of Newburyport, but I can easily get an evening free to visit friends. The dates will be the 26th to 29th. * After a visit to my mother in Pittsburgh, I'll have a five-hour stopover in Boston airport from about 2:30pm to 7:30pm on the 1st of August. So... What looks good for everyone? -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1, answered,, Summary-line: 9-Jul epish_shepherd@tiscali.co [31] #Re: Boston X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Jul 2004 17:04:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i69L4m5d002403; Fri, 9 Jul 2004 17:04:48 -0400 (EDT) Received: from mk-smarthost-1.mail.uk.tiscali.com (mk-smarthost-1.mail.uk.tiscali.com [212.74.114.37]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i69L4IjR003750 for ; Fri, 9 Jul 2004 17:04:18 -0400 (EDT) Received: from dsl-80-46-136-102.access.uk.tiscali.com ([80.46.136.102]:3393 helo=Adam.tiscali.co.uk) by mk-smarthost-1.mail.uk.tiscali.com with esmtp (Exim 4.30) id 1Bj2XY-000HCC-NQ for opus@MIT.EDU; Fri, 09 Jul 2004 22:04:17 +0100 Message-Id: <6.1.2.0.0.20040709220552.01ecd8d0@pop3.tiscali.co.uk> X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 Date: Fri, 09 Jul 2004 22:10:56 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200407092056.i69KupWB024512@multics.mit.edu> References: <6.1.2.0.0.20040709183030.01d40130@pop3.tiscali.co.uk> <200407092007.i69K7H1V022940@multics.mit.edu> <6.1.2.0.0.20040709211726.01dbd9e0@pop3.tiscali.co.uk> <200407092056.i69KupWB024512@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk Date: Fri, 09 Jul 2004 22:10:56 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200407092056.i69KupWB024512@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I will be away until the 27th, but if you are available on the 28th or >29th, we could certainly explore Newburyport in search of a pub. I >haven't been to that town for about 20 years, so I have no >recommendations. How are you planning to travel once you arrive? My father and step-mother's plane gets in just before mine. I think they're planning on renting a car - I might be wrong. It should be alright, methinks! In any case, the 28th or 29th should be good! It's pretty unscheduled at the moment, but I suspect that, given my stepmother's limited walking range, that getting away for an evening won't be a problem. Talk to you soon! -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1, answered,, Summary-line: 9-Jul DglsWhaley@aol.com [52] #Re: Recording of Sam's Singalong "The Chieftain" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 Jul 2004 19:37:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i69Nbi5d029702; Fri, 9 Jul 2004 19:37:44 -0400 (EDT) Received: from imo-d05.mx.aol.com (imo-d05.mx.aol.com [205.188.157.37]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i69Nbhf1009664 for ; Fri, 9 Jul 2004 19:37:43 -0400 (EDT) Received: from DglsWhaley@aol.com by imo-d05.mx.aol.com (mail_out_v37_r2.6.) id 6.141.2de695cc (17377) for ; Fri, 9 Jul 2004 19:37:39 -0400 (EDT) From: DglsWhaley@aol.com Message-ID: <141.2de695cc.2e208643@aol.com> Date: Fri, 9 Jul 2004 19:37:39 EDT Subject: Re: Recording of Sam's Singalong "The Chieftain" To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1089416259" X-Mailer: 9.0 for Windows sub 5031 X-Spam-Score: -1.168 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: DglsWhaley@aol.com Date: Fri, 9 Jul 2004 19:37:39 EDT Subject: Re: Recording of Sam's Singalong "The Chieftain" To: opus@mit.edu X-Spam-Score: -1.168 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1089416259 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dave: I finally got around to trying to take out the hiss from my Chieftain recording, but has foundered. I was able to eliminate the hiss from the recording, but in its place there is now a musical tinkle or chime noise. Since this is a musical recording, another non-related musical track is unacceptable. When I eliminate that, it produces so much reverberation that the voices sound robotic. I have tried noise reduction under the Effects/filter menu to do all this. Any thoughts? Doug Whaley -------------------------------1089416259 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dave:
 
I finally got around to trying to take out the hiss from my Chieftain r= ecording, but has foundered. 
 
I was able to eliminate the hiss from the recording, but in its place t= here is now a musical tinkle or chime noise.  Since this is a musical r= ecording, another non-related musical track is unacceptable.  When I el= iminate that, it produces so much reverberation that the voices sound roboti= c.  I have tried noise reduction under the Effects/filter menu to do al= l this.  Any thoughts?
 
Doug Whaley
-------------------------------1089416259--  1,, Summary-line: 10-Jul d-duffey@argonet.co.uk [50] #Re: David Duffey's Cambridge Utopia? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 02:52:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6A6qr5d005939; Sat, 10 Jul 2004 02:52:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6A6qqxZ021472 for ; Sat, 10 Jul 2004 02:52:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6A6q2TJ012518; Sat, 10 Jul 2004 02:52:02 -0400 (EDT) Date: Sat, 10 Jul 2004 02:52:02 -0400 (EDT) Message-Id: <002f01c46647$580b1910$0400a8c0@MainBox> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: David Duffey's Cambridge Utopia? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Jul 2004 02:52:02 -0400 (EDT) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: David Duffey's Cambridge Utopia? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > And to bring this discussion back to G&S - David Duffey has a lovely story > >about Cambridge University's G&S Society's production of Utopia which I hope > >he'll share with us - there a lots of new SavoyNetters who haven't heard the > >story I really thought everybody in the G&S community was fed up to the back teeth with my recounting this story, but (thanks Bob) never the one to throw up an opportunity - stop me if I'm boring you - here goes. In the late sixties/early seventies - I've never tried to find out when, I might be disappointed - Jill and I found ourselves in the stalls of the Cambridge Arts Theatre eagerly anticipating the University's student production of Utopia. Utopias were few and far between in those long off days - tame stuff compared with Hair, Jesus Christ Superstar, O Calcutta, and Godspel. As one does, I fell into conversation with a lady in the seat next to me. She was no G&S fan, but was there because her daughter was in the chorus. I cannot now remember whether there was an overture, but the curtain opened to an excellent South Sea set. But, could it be? No! Surely not? But yes. The Utopian Maidens were topless. It was, I suppose, authentic. It also allowed Nekaya and Kalyba to appear uncomfortable in their English garb and have to be restrained by Lady Sophy from casting it off. But I didn't like it. I didn't know where to look; and I couldn't, as one usually does, lean over to the next seat and whisper, "Which one is your daughter?" David The Wash England old, and flabby, and cowardly; ugly too  1,, Summary-line: 10-Jul SSilvers@sskfny.com [46] #SavoyNet Cabaret - August 10 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 13:25:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6AHPpBc028102; Sat, 10 Jul 2004 13:25:51 -0400 (EDT) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6AHPn2Y008417 for ; Sat, 10 Jul 2004 13:25:50 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i6AHPFxA001191; Sat, 10 Jul 2004 18:25:23 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id SAA11818 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sat, 10 Jul 2004 18:22:19 +0100 (BST) Received: by mserv1.dl.ac.uk id SAA11799 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sat, 10 Jul 2004 18:22:14 +0100 (BST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id SAA11792 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from SSilvers@sskfny.com); Sat, 10 Jul 2004 18:22:11 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from mail76.messagelabs.com (mail76.messagelabs.com [216.82.240.83]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i6AHKfhN007167 for ; Sat, 10 Jul 2004 18:20:42 +0100 X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-7.tower-76.messagelabs.com!1089480035!2334165 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Received: (qmail 10739 invoked from network); 10 Jul 2004 17:20:35 -0000 Received: from unknown (HELO mail.sskfny.com) (208.195.240.132) by server-7.tower-76.messagelabs.com with SMTP; 10 Jul 2004 17:20:35 -0000 Received: from SSDOM-Message_Server by mail.sskfny.com with Novell_GroupWise; Sat, 10 Jul 2004 13:20:34 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Sat, 10 Jul 2004 13:20:05 -0400 From: "Samuel Silvers" To: , Subject: SavoyNet Cabaret - August 10 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i6AHKfhN007167 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-7.tower-76.messagelabs.com!1089480035!2334165 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Date: Sat, 10 Jul 2004 13:20:05 -0400 From: "Samuel Silvers" To: , Subject: SavoyNet Cabaret - August 10 Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i6AHKfhN007167 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO Thanks, David. You are about the closest thing we have to a professional Cabaret critic, seeing how many of them you have watched and rated on your site over the years. I think our cabaret will satisfy all of your criteria rather nicely, except that I cannot assure you about #5. We DID carefully choose the program so as not to duplicate the August 7 pot luck or the shows being presented on the nights immediately before or after the evening, so that, at least, those attending the festival for just a few days will not see anything in our cabaret that they will see in the Buxton Opera House. Given the uniqueness of Ian's and Bob's portions (from the silly to the sublime), and the fact that entire finales are rarely done in the cabarets, I think it very likely that our Cabaret will be novel as well as fun and easy to perform well for our cast. Our Cabaret contains some guaranteed crowd-pleasers, like Ian Henderson singing "Ghost's High Noon", Rebecca and Mitch singing "Oh Love, True Love", the Ruddigore madrigal, and of course, our Mystery Guest, who I think will be as popular with the rest of the cast as he or she (muahahaha) will be with the audience. By the way, Ian's Hollamby's portion (and possibly Bob's?) will be the FIRST short cabaret, so that our main cabaret should not be too long--It will certainly be shorter than a "pot luck". Best regards, Sam Silvers >>> "David Sandham" 07/10/04 06:59AM >>> Having attended many cabarets over the years in the Festival Club after the productions in the Opera House I think that these are several factors which go to make up a good cabaret:- 1. A high content of Gilbert & Sullivan (after all it is a G&S festival). 2. A well planned programme which has a master of ceremonies keeping everything on track. 3. A well rehearsed, disciplined cast who know what they are doing and are competent. I know much rehearsal may be difficult due to the constraints of time but it really does come across from the "stage"! 4. Not too long - about half an hour or a little more - leave the audience wanting more - not wondering when it will end. 5. Try to find out what has be done already during the festival - 6. Use of the microphones where appropriate - there is quite often a great deal of chattering going on at the bar! 7. A cast which looks as if they are enjoying themselves (even if they are worn out and just want a rest and have a beer after the performance.) and give of their best. 8. Keep it light and if possible keep it funny - we all enjoy a good laugh. 9. Finally keep it professional - remember that everyone in the room will have paid three pounds just to come in, and much more on beer and food. They want to be entertained - not to see some cobbled-together sloppy acts. The best one I have seen was put on by the Southampton group on 30th August 2003 (details on my website) - the whole place was buzzing that night. How many of these criteria will apply to the proposed SavoyNet cabaret? All of them I expect? Any thoughts?  1,, Summary-line: 10-Jul SKesilm@aol.com [77] #Re: The current unpleasantness, a historical linguistic note X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 15:17:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6AJHjBc003380; Sat, 10 Jul 2004 15:17:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6AJHhhf004697 for ; Sat, 10 Jul 2004 15:17:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6AJH5TJ021316; Sat, 10 Jul 2004 15:17:05 -0400 (EDT) Date: Sat, 10 Jul 2004 15:17:05 -0400 (EDT) Message-Id: <1c6.1b9d0e00.2e219619@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The current unpleasantness, a historical linguistic note MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 46 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Jul 2004 15:17:05 -0400 (EDT) Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The current unpleasantness, a historical linguistic note X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 7/10/04 5:45:44 AM, j.d.mcclure@virgin.net writes: << Bob wrote: >Iechyd Da (Good health in Welsh - a language spoken in the UK long before >the English came) Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 17:57:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6ALv7Bc017041; Sat, 10 Jul 2004 17:57:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6ALuTPD000739 for ; Sat, 10 Jul 2004 17:56:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6ALtqTJ026249; Sat, 10 Jul 2004 17:55:52 -0400 (EDT) Date: Sat, 10 Jul 2004 17:55:52 -0400 (EDT) Message-Id: <000d01c466c7$25e360c0$5604fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: The current unpleasantness, a historical linguistic note MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Jul 2004 17:55:52 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: The current unpleasantness, a historical linguistic note X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sylvan wrote: >Then came the Celts, with some form of ancient German. NO! The Celtic language family is quite distinct from the Germanic. >Then the Romans conquered and Latinized Britain in the first century C.E., Much too sweeping. They never conquered ALL of Britain, and even what they did conquer of it was never completely Latinised - in the sense that the native tongue was never totally superseded by Latin, as it was in Gaul. Gradually, during the centuries when Brittania (which was not the whole island) was part of the Roman Empire, Latin came to be adopted as the language of government and administration, and no doubt the main spoken language of the more important people; but the peasants went on speaking British - the ancestor languge of Welsh. >but their Latin was lost with the Anglo-Saxon conquest in the 5th century, which >brought a return to German. The Anglo-Saxon conquest took a lot more than a century: the time span from the first Anglo-Saxon invasions (Hengest and Horsa) to the final breaking of British resistance was more like two and a half centuries. The establishment of Anglo-Saxon (Old English) was a new linguistic development, not a RETURN to anything: and though their language was (still is) GermanIC, it wasn't (still isn't) GERMAN. Old High German and Old Low German existed at the same time as Old English. >Perhaps a German scholar could tell us if their "English German" became >different from German/German. Perhaps some Germans in Germany then >deplored the different form into which English-German evolved and even ranted >about it as not being German on the medieval equivalent of a discussion board. Well, remember that in those days the notion of national languages or standard languages, which we take for granted today, couldn't possibly have existed, given that (a) no language except Latin and Greek existed in written form (I'm talking about Western Europe, of course) and (b) nations as we know them didn't then exist. >(The Saxons' tongue could not rightfully be called British-German, They called it "Englisc". Interestingly enough, though that's obviously derived from the tribal name "Angle", the name of the language and the people in both Welsh and Gaelic today is derived from "Saxon" >because England [Angle-land] is an Anglo-Saxon name, and the rest of Britain: >Ireland, Scotland and Wales, retained Gaelic/Celtic) Gaelic and Celtic are not synonymous. The Celtic family has two branches, one including Scottish and Irish Gaelic and the other including Welsh and Breton: i.e. the latter two are Celtic but not Gaelic. Thanks for your patience! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 10-Jul andi_s_r@yahoo.com [162] #NYGASP at Buxton: An intro (long!) X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 20:13:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6B0DdBc020357; Sat, 10 Jul 2004 20:13:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6B0DcfT028122 for ; Sat, 10 Jul 2004 20:13:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6B09KTJ027723; Sat, 10 Jul 2004 20:09:20 -0400 (EDT) Date: Sat, 10 Jul 2004 20:09:20 -0400 (EDT) Message-Id: <20040711000125.46273.qmail@web14526.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: NYGASP at Buxton: An intro (long!) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Jul 2004 20:09:20 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: NYGASP at Buxton: An intro (long!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As most of you are aware, NYGASP is going to Buxton this year as one of the professional companies, and will be presenting both Pinafore and Iolanthe utilizing sets provided by the Festival. What follows here is an introductory note regarding this expedition, of interest primarily to those who will be at Buxton, but perhaps of some interest to others for what it shows about a smaller professional opera company. The group of 30 that NYGASP is bringing to Buxton accurately reflects both the strengths and vulnerabilities of the Company. We presented both Pinafore and Iolanthe at City Center in New York this past season. There was not much overlap between the casts at the time; we generally use a non-Pin/Mik/Pir show to bring new people into the Company, and for Iolanthe we also put more emphasis on dancers in the ladies’ chorus. Budget considerations alone would have prevented us from bringing two separate casts; we had to select one group that could do both shows. This has resulted in some people’s learning the other show for Buxton, some compromise casting, and, hardest for us, leaving home some of our best regulars for whom there was not an appropriate place in the other show. Some of our regular principals, and principals new last season, were also not available to come. Buxton is a very short engagement for us, a few days. The principals who work with us are full-time professionals who rely on theatrical engagements for their living. Some who are coming to Buxton have sacrificed opportunities elsewhere to do it; for others, that was neither financially nor professionally feasible. Six NYGASP principals—including our City Center Strephon, Phyllis, and Willis—are in a national tour of Camelot with Robert Goulet. Three of our regular principal sopranos, our regular Ralph, and two of our contraltos also have other summer engagements. And yet we will still be presenting a company capable of performing both shows, and which includes many of the people who would have been our first choices with nothing else to consider. In the few instances where we have Lords or Ladies High Substitute in light of the above contingencies, we hope you will agree we have chosen well. As there are several dozen S’netters who know the Company, I’m going to list the major principals for Buxton. Those of you who are not familiar with our people may find the accompanying notes interesting anyway as an introduction. Sir Joseph Porter/Lord Chancellor: Stephen O’Brien. We have two regular pattermen, Stephen O’Brien and Stephen Quint. While they routinely share the role of Sir Joseph, O’Brien is our regular Lord Chancellor. Ralph/Tolloller: Andrew MacPhail (no, not related to Rafe that they know of). This is substitute casting from within our regular roster. Andrew normally plays the younger and lighter tenor roles for us: Frederic, Nanki-Poo, Marco (he has been seen in the first two at Wolf Trap as well as in New York). He was the understudy for Tolloller at City Center and has learned Ralph for Buxton. Captain/Mountararat: Richard Holmes. Both roles are Richard’s regular roles. A 20-year company veteran with an extensive professional career elsewhere as well, Richard has done all the major baritone roles with the Company. This is a top-quality voice; if you get a chance, badger him into singing the Counsel and Dr. Daly’s songs for you for a special treat. While Richard has spent most of his life in the States, he was born in England not far from Buxton and has relatives in the area. Captain/Strephon: Keith Jurosko. I mentioned some compromise casting; here it is. Keith is in his late 50s and has just celebrated his 25th season with the Company. The Captain is one of his regular roles (others currently include The Mikado and the Sgt. of Police). Our season’s Strephon is engaged elsewhere, and we do not currently have another young principal baritone available. Keith relinquished tis role to younger performers a number of years ago, but until he did, it was his “signature” role with the Company. Our choice for Buxton was between casting someone entirely new in the role, with the extra rehearsal time that would entail, taking a risk on an unknown quantity for age-appropriateness, or casting a man who is frankly older than we would normally present but whose rendition of the role is a known quantity of style and delivery. As the Buxton audience is accustomed to accepting the passage of time in enjoying the performances of other skilled artists, we chose to present our “senior” Strephon. Bos’n,/ Willis: Tyler Bunch. The Bos’n is one of Tyler’s regular roles; he has learned Willis for Buxton. Also plays Wilfred, Pooh-Bah. One of the few who do not have operatic training, Tyler has Shakespearean training and many years with Jim Henson’s remarkable puppets. One of our best at comedy. Deadeye/Chorus Peer: Louis Dall’Ava. A long-standing member of the Company who is frequently a chorister when not in a principal role, “Louie” is our regular Deadeye and one of our Pooh-Bahs. Especially great when working with kids. Josephine/Phyllis: Elizabeth Hillebrand. Beth was new to the Company this past season, playing Josephine at City Center. New to G&S, she is an enthusiastic convert who happily took on learning Phyllis for Buxton. Vocally and personally she’s a joy; stickler that I am, I’m still working on the Victorian carriage! Cousin Hebe/Iolanthe: Erica Person. Our season’s Iolanthe, Erica has learned Hebe for Buxton. One of our sacrifice choices for company size; we couldn’t justify bringing two “Jessie Bond” mezzos, so had to leave regular Hebe Victoria Devany at home. It may be of interest that we include the extra dialogue for Hebe as provided to us by John Reed when he played Sir Joseph with NYGASP. Buttercup/Queen of the Fairies: Angela Smith. Our regular Buttercup, season understudy for QofF. Angie is one of our ‘home grown’ principals who began with us as a chorister, has been understudying contralto roles for several years, and is beginning to move into some of them. She is still on the sunny side of 30, young for her contralto voice, but coming along very nicely. In terms of choristers, we need our dancers for Iolanthe “fairyography”, as we call the dance routines for this show, so a number of the ladies have learned Pinafore for Buxton. I think that all of the chorus men going to Buxton did both shows in New York, but I won’t swear to it. I know they include most of our long-time regulars, an odd assortment of sizes and shapes but some really fine voices. While some of our younger performers are relatively new to G&S, the majority of our people going to Buxton are dyed-in-the-wool G&S-lovers who are looking forward to the overall experience and hope to have the chance, in the very limited time allotted by our budget, to do more than rehearse and sleep. New Yorkers who know them can vouch for their being mostly friendly sorts—we don’t cast people with diva/divo attitudes—and they’re all nervous about this venture, so as their limited time there permits, I hope those of you who are there will make my friends and colleagues feel welcome. (Once the rehearsals in New York are done, I am superfluous, not necessary, and not in the budget, so I shall be fidgeting at home.) ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 10-Jul andi_s_r@yahoo.com [46] #Re: Stanislavsky, G&S etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 Jul 2004 22:42:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6B2goBc027303; Sat, 10 Jul 2004 22:42:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6B2gnfT000910 for ; Sat, 10 Jul 2004 22:42:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6B2fuTJ028494; Sat, 10 Jul 2004 22:41:56 -0400 (EDT) Date: Sat, 10 Jul 2004 22:41:56 -0400 (EDT) Message-Id: <20040711022249.69693.qmail@web14524.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Stanislavsky, G&S etc. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 Jul 2004 22:41:56 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Stanislavsky, G&S etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I found it fascinating to read that Stanislavsky began with G&S--thanks, Paul, I wasn't aware of that! I don't find it at all incongruous, though, and I don't see why anyone would. To me it's simply common sense: If you're going to play a character onstage, you'd better know who that character is and be comfortable in his/her "skin". Andi Stryker-Rodda is a 21st century long-divorced American businesswoman, accompanist, and sometimes chorus person, certainly not a villager of Ploverleigh, a London housewife, or a spinster relative of Sir Joseph Porter; if I'm going to play any of them convincingly, I'd better be comfortable in the clothes they wear and know exactly what these women think and feel about everything that's going on around them, to what extent they would reveal those reactions and how. And to that end, I'll do my best to "get inside their skin", from carefully studying every scene in the show from the character's perspective to wearing long skirts around the house if it's been awhile since I last did, to supplementary reading to make myself more familiar with "her" physical world and likely psychological profile. I never studied acting formally, but I've been onstage in a wide assortment of productions since I was a toddler, and as far back as I can remember it was just the way it seemed logical to me to approach things....I don't see why it would make any difference that one is playing a so-called "froth" character like Ko-Ko, to use the word from the article Paul quoted, or Hamlet--it's still a matter of being inside that person's mind, no? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 11-Jul chris@bailward.freeserve. [50] #Re: Foreign accents X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 Jul 2004 04:42:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6B8g7Bc002874; Sun, 11 Jul 2004 04:42:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6B8bj6M026363 for ; Sun, 11 Jul 2004 04:37:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6B8apTJ000857; Sun, 11 Jul 2004 04:36:51 -0400 (EDT) Date: Sun, 11 Jul 2004 04:36:51 -0400 (EDT) Message-Id: <047401c46721$bf5de540$0200a8c0@packard> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@bailward.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Foreign accents MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 11 Jul 2004 04:36:51 -0400 (EDT) Reply-To: chris@bailward.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Foreign accents X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ----- Original Message ----- From: "Philip Sternenberg" To: Sent: Saturday, July 10, 2004 7:39 PM Subject: Foreign accents > Of course, we have a famous (to us) example in GRAND > DUKE. The characters hear German as spoken by native > Germans, but we hear English without a German accent. > Conversely, Julia's English-accented German was > originally conveyed by German-accented English. I am sure we have been here before but I will be interested to hear if people feel that it is important for Julia to deliver her lines with a German accent. My understanding of the history is that Gilbert wrote (or adapted) the part for Ilke Von Palmay, who had a strong Hungarian accent. With a few changes of words and minor excisions it is easy to remove this German (English) reference and for Julia to play her part with the same accent as the rest of the troupe. The Monte Carlos are more of a problem in that, although the Principality is fictitious, they are clearly meant to be from a country that speaks a Romance language and should therefore differ from the Teutons of Pfennig Halbpfennig. It then becomes a question of whether they should play their parts in the style of Peter Sellers or 'Allo 'Allo, or with a passable imitation of a genuine French person speaking English. I think I favour cod French but am interested to hear other views to assist a forthcoming production. Chris B Somerset UK http://www.milborneportopera.co.uk  1,, Summary-line: 11-Jul ejochum@po10.mit.edu [131] #TROILUS & CRESSIDA --Discount Tickets for MIT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 Jul 2004 09:16:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6BDGKti018024; Sun, 11 Jul 2004 09:16:20 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6BDG7J9020340; Sun, 11 Jul 2004 09:16:07 -0400 (EDT) Received: from [18.22.0.66] (MTA-DEB.MIT.EDU [18.22.0.66]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i6BDG6Rh004396; Sun, 11 Jul 2004 09:16:06 -0400 (EDT) Mime-Version: 1.0 X-Sender: ejochum@hesiod Message-Id: Date: Sun, 11 Jul 2004 09:12:12 -0400 To: theater@mit.edu From: Elizabeth Jochum Subject: TROILUS & CRESSIDA --Discount Tickets for MIT Content-Type: multipart/alternative; boundary="============_-1122570962==_ma============" X-Spam-Score: -9.833 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: ejochum@hesiod Date: Sun, 11 Jul 2004 09:12:12 -0400 To: theater@mit.edu From: Elizabeth Jochum Subject: TROILUS & CRESSIDA --Discount Tickets for MIT X-Spam-Score: -9.833 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --============_-1122570962==_ma============ Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hey folks- Once again I've been fortunate enough to spend my summer outdoors rehearsing with the Publick Theater--this time with a very talented cast & crew on Shakespeare's Troilus & Cressida. This is a truly wonderful production (of a play that is hardly every staged!...) I am organizing an MIT group discount for folks interested in seeing the show on Sunday, July 18th at 7:30pm. The MIT group rate for individual tickets is $20 (normal price is between $25 and $30) If you are interested, please email me (ejochum@mit.edu) with your FULL NAME and NUMBER OF TICKETS. no later than Friday, July 16th, and I will add you name to a list that the box office will keep. You can pick up your tickets at the door a half hour before performance. Please note this is a special offer only available to the MIT community on July 18th. Bring a picnic dinner and wine, if you're so inclined--you can picnic before the show on the lawn I hope to see some of you out at the park! Happy summer, Elizabeth Jochum ____________________________________________ DIRECTIONS, Show Dates & Ticket Info: http://publicktheatre.com/show1.asp PRESS: http://www.boston.com/ae/theater_arts/articles/2004/07/04/moral_ambiguity_a_questionable_war_how_very_modern/ --============_-1122570962==_ma============ Content-Type: text/html; charset="us-ascii" TROILUS & CRESSIDA --Discount Tickets for MIT
Hey folks-

Once again I've been fortunate enough to spend my summer outdoors rehearsing with the Publick Theater--this time with a very talented cast & crew on

Shakespeare's Troilus & Cressida.

This is a truly wonderful production (of a play that is hardly every staged!...)

I am organizing an MIT group discount for folks interested in seeing the show on

Sunday, July 18th at 7:30pm.

The MIT group rate for individual tickets is $20

(normal price is between $25 and $30)

If you are interested, please email me (ejochum@mit.edu)
 with your FULL NAME and NUMBER OF TICKETS.
no later than Friday, July 16th, and I will add you name to a list that the box office will keep. You can pick up your tickets at the door a half hour before performance.

Please note this is a special offer only available to the MIT community on
July 18th.

Bring a picnic dinner and wine, if you're so inclined--you can picnic before the show on the lawn I hope to see some of you out at the park!

Happy summer,

Elizabeth Jochum


____________________________________________
DIRECTIONS, Show Dates & Ticket Info:
http://publicktheatre.com/show1.asp

 PRESS:
http://www.boston.com/ae/theater_arts/articles/2004/07/04/moral_ambiguity_a_questionable_war_how_very_modern/


--============_-1122570962==_ma============--  1,, Summary-line: 11-Jul brad_timmers@yahoo.com [97] #Re: Fwd: Montreal street signs X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 Jul 2004 16:33:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6BKXUti018375; Sun, 11 Jul 2004 16:33:30 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6BKXSbw018867 for ; Sun, 11 Jul 2004 16:33:28 -0400 (EDT) Received: from web52602.mail.yahoo.com (web52602.mail.yahoo.com [206.190.39.140]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i6BKL1o6007743 for ; Sun, 11 Jul 2004 16:21:01 -0400 (EDT) Message-ID: <20040711203320.16172.qmail@web52602.mail.yahoo.com> Received: from [67.85.218.110] by web52602.mail.yahoo.com via HTTP; Sun, 11 Jul 2004 13:33:20 PDT Date: Sun, 11 Jul 2004 13:33:20 -0700 (PDT) From: Brad Timmers Subject: Re: Fwd: Montreal street signs To: bkdr@ipnh.com In-Reply-To: <20040709213658.89137.qmail@web52607.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 11 Jul 2004 13:33:20 -0700 (PDT) From: Brad Timmers Subject: Re: Fwd: Montreal street signs To: bkdr@ipnh.com In-Reply-To: <20040709213658.89137.qmail@web52607.mail.yahoo.com> X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ruth, Aww, don't let those Separatist Quebeckers get you down. Sure, we did encounter one or two who were anti-Anglophone, but all the rest of them were quite nice and willing to speak English to us. Just watch out for those Montrealer traffic cops. ;) By the way, a friend lent us his complete set of the "Black Adder" series, and while we were cruising through the DVDs' extras, we discovered that the actor who plays Samuel Johnson in "Ink and Incapability" (one Robbie Coltrane) is the very same fellow who plays Hagrid in the "Harry Potter" movies!! Have you seen the "Black Adder Christmas Carol"? Mr. Coltrane plays the ghost of Christmas Past in that one, and he had us exclaiming, "Shades of Hagrid!" Kendell said, "The people who did casting for 'Harry Potter' MUST have seen this episode!" Really, the costumes are practically identical. You guys, being the movie gurus you are, probably already knew this, but it blew our minds. Finally, to deliver on a promise I made during our last visit to your place: here's a link to the essay where I found what alleges to be a reference to "The Court Jester": http://www.dourish.com/goodies/decon.html Paragraph #5 contains the phrase "the paradigm of the parable of the model of the metaphor", and paragraph #6 claims that this is "pastiche of Danny Kaye's 'flagon with the dragon' bit from The Court Jester". I can't remember if this was said during the part you showed us, so I leave it to your judgement whether or not this statement is accurate. (Incidentally, the essay as a whole is really amusing and worth reading if you have a chance.) We're settling in here down in Joisey. I'm not sure if we've given you our address yet, so here are all the particulars: Brad & Kendell Timmers 10 Landing Lane, Apt. 6C New Brunswick, NJ 08901 Home: (732) 545-0060 B's cell: (732) 668-6748 K's cell: (732) 668-6749 Please let us know if you're ever in the area -- you're always welcome to stay at la Casa Timmers -- uh, that is, el Apartamento Timmers. :) Best wishes for your Canadian voyage! Brad & Kendell > Date: Fri, 9 Jul 2004 17:08:52 -0400 > Subject: Montreal street signs > CC: Kendell MacQueen > To: Opus > From: Ruth Jedlinsky > > Apparently, it's not an accident that the street signs > are not in English. Quote from Fodor's web site: > > > Montréal has endured the election (twice) of a > separatist provincial > > government, a law banning all languages but French on > virtually all > > public signs and billboards, ... > > > Maybe I don't want to visit. > > > Ruth > > > __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail  1,, Summary-line: 12-Jul edwpat@worldnet.att.net [30] #Re: Thespis Ballet Music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 11:04:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CF4GF7006996; Mon, 12 Jul 2004 11:04:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6CF47qX012451 for ; Mon, 12 Jul 2004 11:04:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6CF3ETJ003660; Mon, 12 Jul 2004 11:03:15 -0400 (EDT) Date: Mon, 12 Jul 2004 11:03:14 -0400 (EDT) Message-Id: <000f01c4681e$993dfaa0$ba0dfea9@PattersonE6.us.dbisna.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Ballet Music MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3612.1700 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jul 2004 11:03:14 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Ballet Music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Adam Cuerdan wrote: "I'd love to hear the Thespis Ballet music, but I know of no recording, nor source of scores. Can anyone recommend something?" CD = Marco Polo Label - Sullivan 0 Ballet Music: L'Ile Enchantee and Thespis 8.223460 - 1992 - RTE Concert Orchestra, Dublin - Andrew Penny. You will find that both these offerings use similar if not the same material, material later recurring in Victoria and Merrie England (which is also available complete on the same label with the same artists). Ed Patterson Come experience The Jade Owl by Edward C. Patterson, Illustrated by Daniela S. Daniel http://www.anotherchapter.com/StoryInfo.asp?ID=34  1,, Summary-line: 12-Jul DvdFid@aol.com [77] #Copyright - again X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 11:05:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CF56F7007621; Mon, 12 Jul 2004 11:05:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6CF55AG023513 for ; Mon, 12 Jul 2004 11:05:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6CF4FTJ003846; Mon, 12 Jul 2004 11:04:15 -0400 (EDT) Date: Mon, 12 Jul 2004 11:04:15 -0400 (EDT) Message-Id: <04E620B7.1FDBC1D5.00049845@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: Copyright - again MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jul 2004 11:04:15 -0400 (EDT) Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: Copyright - again X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was looking at an Intellectual Property issue at work. This led me to thinking over the various postings of the last few weeks. This, in turn, led me to thinking how Gilbert might have treated the subject. I then remembered that he had created the very character: The Pirate King addresses his apprentice who has determined to leave his dishonest master and go to work for FACT (Federation Against Copyright Theft) PIRATE KING: Oh better far to make my pile By giving folk the cheapest style. Than operate a Company neat With a will to win and a will to cheat. Away to the Corporate World go you Where pirates all are well-to-do But I'll be copying ev'rything And live and die a Pirate King. For I am a Pirate King! Etc... KING: When I reproduce a DVD I make a very big profit, see. The quality's not good, they say But you only get for what you pay. But many a chap on a Comp'ny throne. If he wants to keep his code his own Must manage somehow to get through More dirty work than ever I do, For I am a Pirate King! Etc.... Much later, he becomes an ex-Pirate King (and appears as an additional Flower of Progress?) Ex-KING: Whene'er you copy DVD or music so delightful, You only rob the writer, see, of royalties, his rightful. And when you copy stuff that's old you also rob his heirs, too, Of all that he intended they should get from him by will, due. Ah, don't the laws seem good and true When they protect what is to you due: And wouldn't it make you very cross If no-one else cared about all your loss. When hackers copy code that's new and sell it for a pittance, They do not offer help. Oh no, they only keep their distance! The alt'ring of your music scores or libs is only rightful When it is done in minute ways and is not a re-write, full! Ah, don't the laws seem good ...etc To copy bits for pers'nal use is perfectly alright, sir Provided that your use is fair and not commerciAL, sir. Remember that its life and sev'nty; print for twenty-five years, But only when it's publish'd and who now owns what is clear! Cheers. Ah! In short these laws protect for you All that you did write, or print, or do. Your rights are so clear for this or that: And you've nothing what ever to grumble at! IMPROVEMENTS WELCOME! David, Orkney  1, forwarded,, Summary-line: 12-Jul jik@kamens.brookline.ma.u [29] #BrassRing seeks Senior Release Engineer X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 11:47:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CFlGF7004746; Mon, 12 Jul 2004 11:47:16 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (jik.kamens.brookline.ma.us [66.92.74.250]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6CFksAG003069 for ; Mon, 12 Jul 2004 11:46:54 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (localhost.localdomain [127.0.0.1]) by jik.kamens.brookline.ma.us (8.13.0/8.13.0) with ESMTP id i6CFkq3r024316; Mon, 12 Jul 2004 11:46:52 -0400 Received: (from jik@localhost) by jik.kamens.brookline.ma.us (8.13.0/8.13.0/Submit) id i6CFkqfl024312; Mon, 12 Jul 2004 11:46:52 -0400 From: Jonathan Kamens MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Message-ID: <16626.45676.579963.489908@jik.kamens.brookline.ma.us> Date: Mon, 12 Jul 2004 11:46:52 -0400 To: sipb-all@mit.edu Subject: BrassRing seeks Senior Release Engineer X-Mailer: VM 7.18 under Emacs 21.3.1 Received-SPF: pass (jik.kamens.brookline.ma.us: localhost is always allowed.) X-Bogosity: No, tests=bogofilter X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Jonathan Kamens Date: Mon, 12 Jul 2004 11:46:52 -0400 To: sipb-all@mit.edu Subject: BrassRing seeks Senior Release Engineer Received-SPF: pass (jik.kamens.brookline.ma.us: localhost is always allowed.) X-Bogosity: No, tests=bogofilter X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm looking to hire a Senior Release Engineer to add to my team (currently four people including me) at BrassRing in Waltham. If you are interested or know someone who may be, please visit https://jobs.brassring.com/EN/ASP/TG/cim_jobdetail.asp?jobId=585&type=search&JobReqLang=1&recordstart=1&JobSiteId=5009 to find out more. See also http://www.brassring.com/en/html/about/careers/index.asp for more information about working at BrassRing. If you're interested, please apply for the position on-line at the URL given above. You may also wish to let me know when you've done so; if I think you're a good fit, I can make sure your application rises to the top of the pile. Please feel free to forward this message. Thanks, jik  1,, Summary-line: 12-Jul jik@kamens.brookline.ma.u [22] #Better URL for Senior Release Engineer position X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 12:17:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CGHUF7023017; Mon, 12 Jul 2004 12:17:30 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (jik.kamens.brookline.ma.us [66.92.74.250]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6CGHIqX006512 for ; Mon, 12 Jul 2004 12:17:18 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (localhost.localdomain [127.0.0.1]) by jik.kamens.brookline.ma.us (8.13.0/8.13.0) with ESMTP id i6CGGSmX026344; Mon, 12 Jul 2004 12:16:28 -0400 Received: (from jik@localhost) by jik.kamens.brookline.ma.us (8.13.0/8.13.0/Submit) id i6CGGSe8026340; Mon, 12 Jul 2004 12:16:28 -0400 From: Jonathan Kamens MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Message-ID: <16626.47452.89538.44270@jik.kamens.brookline.ma.us> Date: Mon, 12 Jul 2004 12:16:28 -0400 To: People who I wrote to about the BrassRing job opening Subject: Better URL for Senior Release Engineer position X-Mailer: VM 7.18 under Emacs 21.3.1 Received-SPF: pass (jik.kamens.brookline.ma.us: localhost is always allowed.) X-Bogosity: No, tests=bogofilter X-Spam-Score: -1.524 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Jonathan Kamens Date: Mon, 12 Jul 2004 12:16:28 -0400 To: People who I wrote to about the BrassRing job opening Subject: Better URL for Senior Release Engineer position Received-SPF: pass (jik.kamens.brookline.ma.us: localhost is always allowed.) X-Bogosity: No, tests=bogofilter X-Spam-Score: -1.524 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It would seem that I don't know my own company's applications as well as I should :-). You can't visit the URL for a specific job opening unless you first visit the main talent gateway page to get a cookie. Whether or not this is reasonable behavior is debatable :-). In any case, you can see the job opening by visiting https://jobs.brassring.com/EN/ASP/TG/cim_home.asp?sec=1&partnerid=14113&siteid=5009 to get a cookie and then visiting the URL I sent before, https://jobs.brassring.com/EN/ASP/TG/cim_jobdetail.asp?jobId=585&type=search&JobReqLang=1&recordstart=1&JobSiteId=5009, or just clicking on "Search openings" and then "Search". jik  1,, Summary-line: 12-Jul jagower@btconnect.com [33] #Re: Thespis Ballet Music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 12:59:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CGxFF7017780; Mon, 12 Jul 2004 12:59:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6CGxEAG006741 for ; Mon, 12 Jul 2004 12:59:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6CGwbTJ008962; Mon, 12 Jul 2004 12:58:37 -0400 (EDT) Date: Mon, 12 Jul 2004 12:58:37 -0400 (EDT) Message-Id: <004b01c46830$4169fb00$0300000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jagower@btconnect.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J A Gower" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Ballet Music MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jul 2004 12:58:37 -0400 (EDT) Reply-To: jagower@btconnect.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J A Gower" To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Ballet Music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Adam Cuerdan wrote: "I'd love to hear the Thespis Ballet music, but I know > of no recording, nor > source of scores. Can anyone recommend something?" > > EdPatterson replied: CD = Marco Polo Label - Sullivan 0 Ballet Music: L'Ile Enchantee and Thespis > 8.223460 - 1992 - RTE Concert Orchestra, Dublin - Andrew Penny. The Thespis Ballet music also appears as a "filler" on the New D'Oyly Carte recording of Iolanthe on the TER label. CDTER2 1188 - 1991 - Orchestra of the D'Oyly Carte Opera conducted by John Pryce-Jones. Tony Gower Isle of Wight, UK  1,, Summary-line: 12-Jul j.d.mcclure@virgin.net [139] #Re: The Celts. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jul 2004 16:01:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6CK17F7011335; Mon, 12 Jul 2004 16:01:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6CK166X024520 for ; Mon, 12 Jul 2004 16:01:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6CK0UTJ022300; Mon, 12 Jul 2004 16:00:30 -0400 (EDT) Date: Mon, 12 Jul 2004 16:00:30 -0400 (EDT) Message-Id: <007a01c4684a$5756ee40$a906fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: The Celts. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jul 2004 16:00:30 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: The Celts. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sylvan wrote (among a lot of other interesting things): >If you type into your browser "Ancient Celts" you'll see a variety of websites that >cast light on the different interpretations. (But DON'T type in just "Celts," or >you'll get the Boston Celtics basketball team.) I can believe that. If you type in "Beaker People" (the name, as we've heard, of the earliest identifiable inhabitants of Britain), the first couple of shots will refer to a musical group of that name consisting of my son, my nephew and a couple of friends! > The Celtic language group *is* classed, I now see, as a separate branch from > Germanic. If anything, according to some linguists, it's more closely related to Latin and its derivatives than to the Germanic family - though I can personally vouch for the fact that present-day Gaelic is not one whit more like modern Italian than it's like modern German. (I also see that not all eastern European languages are classed as > Slavic. > For example, there are other groups called Baltic, Yes - Latvian and Lithuanian are the two national languages that belong to this family, and it also includes several smaller languages, living and extinct. > However, some of the early Celts lived in > central Europe near the Germanic tribes, causing some ancient writers to call > them Germanic and leave a perception to that effect. But the Celts were known to the Graeco-Roman world long before the Germans were (Alexander the Great safeguarded his rear by making peace with the Celts before heading off to India). It wasn't till after Julius Caesar had conquered the Gauls (Celts) that the Romans came up against the Germans from beyond the Rhine to any serious extent. At first the Romans thought the Germans were a more barbaric species of Celt. > the part of Britain which the Romans > *did* conquer, namely, the future England, but you have to be careful in > using that word back then, since there was no "England" until the Anglo-Saxons > (Angle-land) came later. Exactly. It's very difficult to avoid projecting the modern map back on to the Britain of Roman times, but it MUST be avoided or you just get into a lot of unreal discussion coloured by Scottish, English or Welsh national outlooks. >The sources state that the Romans *did* establish their language in the area >they conquered, superseding Celtic, so this happy country > (future England) WAS Latinized completely, completely. (Phil beat me to the > use of that line.) The Romans also conquered Wales but did not supplant the > Celtic culture there as they did in future England. Still not quite right. The essential division of Britain is into the Highland Zone and the Lowland Zone - the former includes ALL of (what is now) Scotland, North and North-West England, Wales and the South-Western peninsula. That is, the Lowland Zone is SOME of modern England but not it all. THERE, Latin certainly became the dominant if not the only language, and the old Celtic culture disappeared. The Highland Zone was different - parts of it the Romans never reached, and in the rest of it they maintained a military presence but never integrated the areas into the town-and-estate-based structure of the Empire - and certainly the Celtic language survived there. >Those Britons who resisted > Romanization (such as Picts, Scots, and St. Patrick was one of them) The Scots don't come into the story yet: they came from Ireland, to which the Romans never even went. But before the breakdown of the Empire they, along with the Picts from the North and the Saxons from the East, were harassing Britannia. Yes, indeed, St Patrick was a Briton - and it's very interesting that although he was an educated man, son of an administrator and grandson of a priest, he still was self-conscious about his poor command of Latin! (That is not a legend like his driving the snakes out of Ireland - it's in his memoir.) > (Actually, when Roman > legions were withdrawn from Britain to defend the continent, a Kentish king > invited Hengest and Horsa over from Germany to protect them from the Picts in > Scotland, but they turned on him and proceeded to conquer all of southern > Britain.) Yes - a story which finds its way into some early versions of the Arthur cycle! The king's name was Vortigern, and early British chroniclers give him a VERY bad press for his disastrous miscalculation. > The Anglo-Saxons obviously spoke the > same Germanic tongue as the folks at home when they left Germany for Britain, > but in England it evolved into something different than Old German, just like > the English who later came to America spoke British English when they left but > in time developed the American variety over here. Yes, but although we have no evidence of what Anglo-Saxon was like until a good couple of centuries after Hengest and Horsa's time, it's already so different from the Germanic languages spoken contemporaneously on the Continent as to suggest that the original Germanic ancestor-language had begun to diverge BEFORE the Anglo-Saxons started their depredations on Roman Britain. > But a truce to this pother! All those minute details are beside my main > point, which was that there are various forms of all languages, making it difficult > to say that any single form is the true or correct one. Exactly so! > One common language I'm afraid we'll never get." Heaven forbid that we ever should! What would the world be without the fantastic, magnificent diversity of languages and cultures? Derrick McClure. (Use proper English, you're regarded as a freak.)  1,, Summary-line: 13-Jul mstorie@nwlink.com [92] #That 1% that never gets the word X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 Jul 2004 00:59:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6D4xhF9006541; Tue, 13 Jul 2004 00:59:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6D4wSWK001089 for ; Tue, 13 Jul 2004 00:58:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6D4wNTJ001886; Tue, 13 Jul 2004 00:58:23 -0400 (EDT) Date: Tue, 13 Jul 2004 00:58:23 -0400 (EDT) Message-Id: <40F2DF7F.37E195A7@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: That 1% that never gets the word MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 Jul 2004 00:58:23 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: That 1% that never gets the word X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Friday evening at the opening of our double bill of "Pineapple Poll" and "HMS Pinafore," a lady came up to me in the lobby during the intermission between "Poll" and "Pinafore" and asked; "I always thought that your productions had singing in them." I told her to wait for the "second half." We couldn't have been more pleased with the entire package. Following is our first review: GILBERT AND SULLIVAN NEVER LOOKED BETTER By Philippa Kiraly Special to the SEATTLE POST-INTELLIGENCER Seattle Gilbert & Sullivan Society has pulled out all the stops for its 50th anniversary season. A scrumptious production of "HMS Pinafore" follows a premiere for the society, the ballet "Pineapple Poll," danced by members of Spectrum Dance Theater and choreographed by its artistic director, Donald Byrd. The story line of "Poll" is a poem by William Gilbert that precedes the story of "Pinafore," and the music is a mosaic from all the Gilbert and Sullivan operettas, arranged originally by Charles Mackerras and rearranged for a smaller orchestra by the G&S Society's music director, Bernard Kwiram. Byrd is not known for the frivolous, but he could be: "Poll" is a very funny romp, imaginative and fast-moving, and his dancers throw themselves (literally) into it. David Alewine shines as Lt. Belaye, while Karen Black as the chaperone delivers some of Byrd's sharpest characterization and earns roars of laughter. Only in the title role of Poll does the performance falter. Meredith Taylor Webster seems miscast and her choreography more ordinary. The 45-minute ballet and "Pinafore" together last more than three hours, but interest never flags. "Pinafore" has been one of the most popular of librettist Gilbert and composer Arthur Sullivan's 13 comic operas since its first run 120 years ago. The G&S Society has performed it many times, yet each production is fresh, the emphasis a little different. In this one, the young lovers, who can be mawkishly sentimental, highlight Gilbert's sendup of Victorian England's unyielding class barriers. The cast's acting is particularly strong this year, and each performer has made his or her character a fully rounded personality. Thus the sailors have a close camaraderie, supporting hero Ralph Rackstraw (Scott Rittenhouse). Outcast Dick Deadeye (Cliff Watson) creeps and leaps about the stage like a malevolent crow in contrast. Amanda Brown's Josephine deliciously defies her father, the captain (Jon Palmason). Scott Bessho's Sir Joseph Porter is a ridiculous fop, and Little Buttercup (Nancy Gentemann Hebert) is the best preserved and alluring bumboat woman I've ever seen, with a lovely voice as well. But it's Christine Goff's stage direction that has created a tight, rich whole with deft touches in her third production for the society. Goff's profession is banking, but she's found her avocation here. Costume designer Ron Erickson has also surpassed himself. Although many costumes come from the society's capacious storage, they all look freshly designed (many by Erickson in the first place). Dresses with bustles worn by 16 women are masterpieces. The society also designed and made the ballet costumes for "Poll," a specialized job, but in Erickson's day job as costume design area head for Cornish College of the Arts, he has designed for many area theater companies as well as Pacific Northwest Ballet. Under the leadership of producer Mike Storie, the society mounts an extraordinarily polished production each year. All these people have other jobs or are retired and could be expected to putter in their gardens; but they have put countless hours into this for love of it. Let's hope they, or their successors, are around for another 50 years. (Free-lancer Philippa Kiraly has been writing on classical music in Seattle since 1991.) Mike Storie  1,, Summary-line: 13-Jul SANGAZ@aol.com [73] #G & S at my school X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 Jul 2004 18:25:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6DMPELs018135; Tue, 13 Jul 2004 18:25:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6DMPEKF003463 for ; Tue, 13 Jul 2004 18:25:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6DMOcTJ019714; Tue, 13 Jul 2004 18:24:38 -0400 (EDT) Date: Tue, 13 Jul 2004 18:24:38 -0400 (EDT) Message-Id: <148.2e316b3e.2e25b913@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: G & S at my school MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 Jul 2004 18:24:38 -0400 (EDT) Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: G & S at my school X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Last night I went to see my school production of The Sorcerer. It was excellent for a school production but I'm not surprised as it always is. I thought you might be interested in hearing that some schools in the UK still do G & S and do it very well. The production was put together in just 3 weeks and consisted of students in Years 10 and above (15 - 18) who were only allowed to rehearse after they had sat all GCSE's, A Level or other exams. It was fully staged and had an orchestra of 44 mostly our own students (some as young as 12) but also some ex-students who are now very accomplished musicians. The set was designed and constructed by our post exam students and the performers were all fully costumed. We also had students who operated the lighting most effectively. It was a fairly traditional production with some quirky extras and updates that were topical to the school. Some of the students were outstanding - JWW, Dr. Daly and Constance would have been popular with any amateur operatic society. They not only sang extremely well but they also acted superbly and seemed to understand exactly what the role demanded. Aline and Lady S were less strong but still great for a school production and for the opening night I only heard one line which was not word perfect (Lady S) Alexis struggled a little with the top notes and had been directed to sing down a note or two in places but he still came across very well as did the Notary and Mrs Partlett. Hercules was made into JWW's assistant which went down well with the audience and gave the opportunity for the items listed in JWW's song to be exploited. The only real criticism I would give is that the costumes did not give enough variety to allow the opportunities to mix classes and people in Act 2 - the chorus were all dressed in a similar way. Also a few wigs (or even talc!) would have made Dr.D, Lady S and Sir M more their character age instead of looking like 17-18 year olds. The 'I am an old fogy' speech just didn't have the ring of authenticity! Best of all the students obviously enjoyed themselves and appreciated the applause (which I started once or twice as the audience didn't seem familiar enough with the piece to know when to clap!). Their dedication and long rehearsals over the last few weeks puts many adults to shame. The high point for me was to see 'Oh Hideous Doom' returned to the 2nd act with some very clever choreography and music written 'in the style of Sullivan' by our Assistant Director of Music and fully orchestrated. This also gave a nice opportunity for the Lawyer to double as Arhimanhes and to return at the finale to remove JWW into the pit. It was also enjoyed by the audience. Our ADM did very well but he is not Sullivan and it would be great to hear his original score. The programme lists the operas performed by the school since the present Director of Music joined in 1984, although I believe the tradition has gone on for longer than this. 13 of the operas (including Sorcerer) have been G & S. I remember one year the 6th form actually asked to have a G & S instead of La Belle Helene and they got their wish (Yeomen) Looking down the list only Trial, Princess Ida, Utopia and Grand Duke are missing. Now, although I am generally recognised as the biggest G & S anorak on the staff I don't actually have anything to do with the opera (although I did once choreograph the can-can for Orpheus when the PE teacher broke her leg!) I do go and see it and it is wonderful to see young people performing G & S so well and enjoying it. Tickets always sell out fast - parents and others also enjoy it. The School is in SE London. There is talk of HMS Pinafore next year which would mean G & S for 4 years in a row! Who says G & S is dead in all schools and not enjoyed by young people? Angie  1,, Summary-line: 14-Jul mstorie@nwlink.com [57] #Seattle's "Poll" and "Pinafore" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 Jul 2004 02:07:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6E67UM0029690; Wed, 14 Jul 2004 02:07:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6E66qxg024663 for ; Wed, 14 Jul 2004 02:06:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6E66FTJ023551; Wed, 14 Jul 2004 02:06:15 -0400 (EDT) Date: Wed, 14 Jul 2004 02:06:15 -0400 (EDT) Message-Id: <40F43BD2.4B2FE7C6@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Seattle's "Poll" and "Pinafore" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 14 Jul 2004 02:06:15 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Seattle's "Poll" and "Pinafore" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Richard Duployen recently posted in reply to Jana Hollingsworth: >If you're anywhere near Seattle this month, don't miss Poll/Pinafore. How many of the "Pinafore" cast were good enough dancers to be in "Poll"? Zero, Zilch, None, Nada, Not One? No, no not one! One the other hand, none of the dancers in "Poll" could sing well enough to have made it into the "Pinafore" chorus. One of the most interesting rehearsals I have ever attended was a couple of weeks ago at Spectrum Dance where our cast got to see them dance some of "Poll" for the first time. Our cast gave them a standing ovation at the end of Belaye's Solo where the girls were running the width of the stage and flying through the air at Belaye. The guys were catching them in mid air and totally reversing their direction. It is stunning to watch. Then our "Buttercup" sang her song (On stage, both "Buttercups" have identical costumes and baskets.) and then the entire cast sang the finale to Act I of "Pinafore" and got their own standing ovation. (This was in a dance studio with mirrors on all the walls. The acoustics were like a tile shower stall and with our 37 singers!) To more directly answer the question, Spectrum Dance is thoroughly professional and they rehearse new material 4-6 hours a day. They also stretch, warm up and rehearse for about an hour and a half before each performance. They report to the theater at 4:30PM for a 7:30 curtain. Our amateur crowd shows up at 7:00 for the 8:30 curtain of "Pinafore" and do vocal warmups for about 1/2 hour. The orchestra is called at 6:30 for the 7:30 curtain. They are finding that playing "Poll" is quite a musical challenge (even the three trombones get the melody some of the time), but is a lot of fun. I've got the times down to the nearest quarter hour for matinee days. It's pretty snug. Particularly in the dressing rooms with over 50 performers, most of whom have two costumes and many have quick changes. Polly Pineapple, for example has about 40 seconds to go from "Little Buttercup" in a dress to a sailor suit. Mike Storie  1,, Summary-line: 15-Jul to: savoynet@bridgewater. [41] #Re: Buxton to London X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jul 2004 17:44:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6FLiSJE027598; Thu, 15 Jul 2004 17:44:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6FLiPCh026904 for ; Thu, 15 Jul 2004 17:44:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6FLhnTJ001189; Thu, 15 Jul 2004 17:43:49 -0400 (EDT) Date: Thu, 15 Jul 2004 17:43:49 -0400 (EDT) Message-Id: <200407152140.i6FLe5uU006890@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton to London X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jul 2004 17:43:49 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Buxton to London X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Date: Wed, 14 Jul 2004 15:27:14 -0400 (EDT) >From: Jonathan Ichikawa > >I'm *hoping* to perform in the Young Artistes PATIENCE the evening of >the 17th. I need to be at Gattwick the following morning for a 12:00 >flight back to Houston. Oops! Depending on how much it's worth for you to perform in Patience, there is a way to get to Gatwick in time. On the morning of the 18th, take the 4:30am Trent 199 bus from Buxton Market Place to Manchester Airport. Book a flight on British Airways flight 2903 to Gatwick (7:55am, arrives at 9:00am). This is what I had to do last year to catch a flight home the morning after the Savoynet show, so I know it's possible. It's just not the least expensive method. A one-way ticket from Manchester to Gatwick is about 155 pounds. If you need to get from Gatwick to Manchester at the start of your visit, a round trip ticket is nearer to 100 pounds. But if you do not use the first part of your ticket, the return portion will be cancelled. There might be a way to fly one-way for about 88 pounds; if you're interested, email me and I'll help you. -Dave Jedlinsky opus@mit.edu  1, answered,, Summary-line: 15-Jul ichikawa@gmail.com [64] #Re: Buxton to London X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jul 2004 17:49:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6FLn2JE029801; Thu, 15 Jul 2004 17:49:02 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.198]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i6FLn0Ch029945 for ; Thu, 15 Jul 2004 17:49:01 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id d78so440405rnf for ; Thu, 15 Jul 2004 14:49:00 -0700 (PDT) Received: by 10.38.207.66 with SMTP id e66mr111926rng; Thu, 15 Jul 2004 14:49:00 -0700 (PDT) Message-ID: Date: Thu, 15 Jul 2004 16:49:00 -0500 From: Jonathan Ichikawa To: "David C. Jedlinsky" Subject: Re: Buxton to London In-Reply-To: <200407152140.i6FLe5uU006890@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <200407152140.i6FLe5uU006890@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jul 2004 16:49:00 -0500 From: Jonathan Ichikawa To: "David C. Jedlinsky" Subject: Re: Buxton to London In-Reply-To: <200407152140.i6FLe5uU006890@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks, Dave -- this sounds like the best idea I've heard so far, especially if I can do it for the lower price you mentioned. I've already resigned myself to blowing a *lot* of money on this trip, so I'd probably be willing to do it if I didn't find another way, and if I end up getting cast. (That latter is, of course, a big 'if', but every day I set my heart a little bit more on that Grosvenor...) I'd appreciate any further advice. My society has a charter bus from Gattwick to Buxton on the way up, so I only need to travel one-way. But of course, I have no objection to buying a two-way for a lower price (regardless of whether it's usual). Jonathan On Thu, 15 Jul 2004 17:40:05 -0400 (EDT), David C. Jedlinsky wrote: > > >Date: Wed, 14 Jul 2004 15:27:14 -0400 (EDT) > >From: Jonathan Ichikawa > > > >I'm *hoping* to perform in the Young Artistes PATIENCE the evening of > >the 17th. I need to be at Gattwick the following morning for a 12:00 > >flight back to Houston. Oops! > > Depending on how much it's worth for you to perform in Patience, there > is a way to get to Gatwick in time. On the morning of the 18th, take > the 4:30am Trent 199 bus from Buxton Market Place to Manchester > Airport. Book a flight on British Airways flight 2903 to Gatwick > (7:55am, arrives at 9:00am). > > This is what I had to do last year to catch a flight home the morning > after the Savoynet show, so I know it's possible. It's just not the > least expensive method. > > A one-way ticket from Manchester to Gatwick is about 155 pounds. If > you need to get from Gatwick to Manchester at the start of your visit, > a round trip ticket is nearer to 100 pounds. But if you do not use > the first part of your ticket, the return portion will be cancelled. > There might be a way to fly one-way for about 88 pounds; if you're > interested, email me and I'll help you. > > -Dave Jedlinsky > opus@mit.edu > -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, Summary-line: 15-Jul YesTisMabel@aol.com [277] #Fwd: another Glimmerglass Patience review from Opera-L X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jul 2004 22:50:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6G2o8JE027569; Thu, 15 Jul 2004 22:50:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6G2o7Vg000233 for ; Thu, 15 Jul 2004 22:50:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6G2nTTJ003174; Thu, 15 Jul 2004 22:49:29 -0400 (EDT) Date: Thu, 15 Jul 2004 22:49:29 -0400 (EDT) Message-Id: <145.2e557504.2e289bd1@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Fwd: another Glimmerglass Patience review from Opera-L MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_145.2e557504.2e289bd1_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jul 2004 22:49:29 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Fwd: another Glimmerglass Patience review from Opera-L X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_145.2e557504.2e289bd1_boundary Content-Type: multipart/alternative; boundary="-----------------------------1089946065" -------------------------------1089946065 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi guys! I found this review on Opera-List and got the author's permission to post it here. Elise -------------------------------1089946065 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Hi guys!
 
I found this review on Opera-List and got the author's permission to po= st it here.
 
Elise
-------------------------------1089946065-- --part1_145.2e557504.2e289bd1_boundary Content-Type: message/rfc822 Content-Disposition: inline Return-path: From: RossiniSop@aol.com Full-name: RossiniSop Message-ID: <145.2e4f3c29.2e284942@aol.com> Date: Thu, 15 Jul 2004 16:55:30 EDT Subject: another Glimmerglass Patience review To: YesTisMabel@aol.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1089924930" X-Mailer: 9.0 for Windows sub 5032 -------------------------------1089924930 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date: Thu, 15 Jul 2004 14:05:34 -0400 From: "Stephen G. Landesman" Subject: Glimmerglass PATIENCE (long) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" Content-Transfer-Encoding: quoted-printable Here's my take on Glimmerglass Opera's production of Patience. Cast and staff below. Performance is the prima of July 2. "It is a pretty poem, Mr. Pope, but you must not call it Homer." - Richard Bentley [in Johnson's Life of Pope] COOPERSTOWN - Glimmerglass Opera's production of "Patience" is very good, but you must not call it Gilbert and Sullivan. Perhaps the wit of W.S. Gilbert's text is too much of an anachronism, virtually untranslatable for a modern audience save as a somewhat vague parody of the 19th century English aesthetic movement and the society of which it was a part. Director Tazewell Thompson seems to think so, both in his rather equivocal program notes and in the oversimplified manner in which he has staged one of the least appreciated of the G&S canon. "Impatience" might be a more suitable description of his efforts. Starting with "Patience," Gilbert's principals are not just more developed, but the songs are specifically designed for each character and situation - and the structure of the verse and its allusions are far too rigid to allow creative modern substitution as with "The Mikado." In short, "Patience" needs to be taken more seriously, and that's what this production fails to do by not making a clearer distinction, aside from a blond wig, between the Bunthorne of tenor Jeffrey Lentz and the Grosvenor of bass Kevin Burdette, albeit roles superbly sung by each. Whether Bunthorne is Oscar Wilde and Grosvenor is Algernon Swinburne - Grosvenor's Act 2 "Gentle Jane" certainly hints at Swinburne's curious predilection for S&M - wasn't always clear to Gilbert himself ("Fleshly Poet" would seem to be a more apt term for Swinburne than Wilde). Still, Sullivan's score remains absolutely delightful, vastly underrated next to the "big three" Savoyard operas whose plots are more focused. So it is really too bad that conductor Andrew Bisantz failed to give it the reading it deserves. His approach was too romantic, languorous and sometimes uneven, lacking the vibrancy it needs even in the most romantic interludes. Only with such show-stopping choruses (accompanied by the customary hand-clapping of the audience) as "The Soldiers of Our Queen" did the opening night performance regain some spirit. The choruses of "Twenty love-sick maidens" were delightfully sung, but consistently a trifle anemic. Elsewhere, caution was thrown to the winds: the tempo of Colonel Calverley's first patter song on the Heavy Dragoons was too rapid, forcing baritone Jake Gardner to swallow most of his words. Gardner's second outing ("When I first put this uniform on") was much clearer and delightfully sung. The Act 1 sextet ("I hear the soft note") was beautifully performed, but Bunthorne's recitative and song "Let me confess" was at times unsteady (perhaps because he had to sing it from the rooftop of Donald Eastman's large, ingenious unit set, a gleaming 19th-century mansion that pivoted as required to show the interior of Castle Bunthorne). The Patience of soprano Sarah Coburn, clad (by costume designer Merrily Murray-Walsh) in a stylized white suit, amusingly carried about two large milk buckets wherever she went but still sang flawlessly, even maintaining a lovely high C during the finale of Act 1. Otherwise, Murray-Walsh's lavish costume designs aptly reflected the period's fascination with Beardsley, peacock feathers and chinoiserie Both of Burdette's Act 2 ditties, "Gentle Jane" and the "Magnet and Churn" were performed with a warm and sonorous tone. Mezzo Joyce Castle was an outstanding Lady Jane. Her Act 2 recitative and aria on the ravages of age ("Sad is that woman's lot") was lugubrious (here, appropriately so) and very, very funny. The Major Murgatroyd of baritone Christopher Burchett and the Duke of tenor Darren T. Anderson were especially well-matched in ensembles, and the difficult unison choruses (here there were 14, not 20 in each) of love-sick maidens and dragoons was quite skillfully done. Reginald Bunthorne tenor Jeffrey Lentz Archibald Grosvenor bass Kevin Burdette Patience soprano Sarah Coburn The Lady Jane mezzo Joyce Castle Colonel Calverley baritone Jake Gardner The Duke of Dunstable tenor Darren T. Anderson* Major Murgatroyd baritone Christopher Burchett The Lady Angela mezzo Stephanie Chigas* The Lady Ella soprano Mara Bonde* The Lady Saphir soprano Rachel Gilmore* Bunthorne's solicitor John Gaston* countertenor conductor Andrew Bisantz director Tazewell Thompson sets Donald Eastman costumes Merrily Murray-Walsh lighting Robert Wierzel ----------------------------------------- Stephen G. Landesman sgl@zoom-dsl.com Jacksonville, NY "Wann geht der n=E4chste Schwan?" ----------------------------------------- -------------------------------1089924930 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Date:    Thu, 15 Jul 2004 14:05:34 -0400
From:   =20= "Stephen G. Landesman" <sgl@ZOOM-DSL.COM>
Subject: Glimmerglass PAT= IENCE (long)
MIME-Version: 1.0
Content-Type: text/plain; charset=3D"is= o-8859-1" ; format=3D"flowed"
Content-Transfer-Encoding: quoted-printable=

Here's my take on Glimmerglass Opera's production of Patience. Cast<= BR>and staff below. Performance is the prima of July 2.


"It is a=20= pretty poem, Mr. Pope, but you must not call it Homer."
- Richard Bentley= [in Johnson's Life of Pope]

COOPERSTOWN -  Glimmerglass Opera's= production of  "Patience" is very
good, but you must not call it Gi= lbert and Sullivan.

Perhaps the wit of W.S. Gilbert's text is too muc= h of an anachronism,
virtually untranslatable for a modern audience save=20= as a somewhat
vague parody of the 19th century English aesthetic movement= and the
society of which it was a part.

Director Tazewell Thompso= n seems to think so, both in his rather
equivocal program notes and in th= e oversimplified manner in which he
has staged one of the least appreciat= ed of the G&S canon.
"Impatience" might be a more suitable descriptio= n of his efforts.

Starting with "Patience," Gilbert's principals are=20= not just more
developed, but the songs are specifically designed for each= character
and situation - and the structure of the verse and its allusio= ns are
far too rigid to allow creative modern substitution as with "TheMikado."

In short, "Patience" needs to be taken more seriously, and= that's
what this production fails to do by not making a clearer distinct= ion,
aside from a blond wig,  between the Bunthorne of tenor Jeffrey= Lentz
and the Grosvenor of bass Kevin Burdette, albeit roles superbly su= ng
by each. Whether Bunthorne is Oscar Wilde and Grosvenor is AlgernonSwinburne - Grosvenor's Act 2 "Gentle Jane" certainly hints at
Swinburne= 's curious predilection for S&M - wasn't always clear to
Gilbert hims= elf ("Fleshly Poet" would seem to be a more apt term for
Swinburne than W= ilde).

Still, Sullivan's score remains absolutely delightful, vastly<= BR>underrated next to the "big three" Savoyard operas whose plots are
mor= e focused. So it is really too bad that conductor Andrew Bisantz
failed t= o give it the reading it deserves. His approach was too
romantic, languor= ous and sometimes uneven, lacking the vibrancy it
needs even in the most=20= romantic interludes. Only with such
show-stopping choruses (accompanied b= y the customary hand-clapping of
the audience) as "The Soldiers of Our Qu= een" did the opening night
performance regain some spirit.

The cho= ruses of "Twenty love-sick maidens" were delightfully sung,
but consisten= tly a trifle anemic. Elsewhere, caution was thrown to
the winds: the temp= o of Colonel Calverley's first patter song on the
Heavy Dragoons was too=20= rapid, forcing baritone Jake Gardner to
swallow most of his words. Gardne= r's second outing ("When I first put
this uniform on") was much clearer a= nd delightfully sung.

The Act 1 sextet ("I hear the soft note") was b= eautifully performed,
but Bunthorne's recitative and song "Let me confess= " was at times
unsteady (perhaps because he had to sing it from the rooft= op of
Donald Eastman's large, ingenious unit set, a gleaming 19th-century=
mansion that pivoted as required to show the interior of Castle
Bunth= orne).

The Patience of soprano Sarah Coburn, clad (by costume designe= r
Merrily Murray-Walsh) in a stylized white suit, amusingly carried
ab= out two large milk buckets wherever she went but still sang
flawlessly, e= ven maintaining a lovely high C during the finale of Act
1. Otherwise, Mu= rray-Walsh's lavish costume designs aptly reflected
the period's fascinat= ion with Beardsley, peacock feathers and
chinoiserie

Both of Burde= tte's Act 2 ditties, "Gentle Jane" and the "Magnet and
Churn" were perfor= med with a warm and sonorous tone.

Mezzo Joyce Castle was an outstand= ing Lady Jane. Her Act 2 recitative
and aria on the ravages of age ("Sad=20= is that woman's lot") was
lugubrious (here, appropriately so) and very, v= ery funny.

The Major Murgatroyd of baritone Christopher Burchett and=20= the Duke of
tenor Darren T. Anderson were especially well-matched in ense= mbles,
and the difficult unison choruses (here there were 14, not 20 ineach) of love-sick maidens and dragoons was quite skillfully done.

= Reginald Bunthorne              tenor Jef= frey Lentz
Archibald Grosvenor     bass Kevin Burdette
= Patience                   = ;     soprano Sarah Coburn
The Lady Jane      &n= bsp;    mezzo Joyce Castle
Colonel Calverley     = ;          baritone Jake Gardner
The Duke of Dun= stable   tenor Darren T. Anderson*
Major Murgatroyd   = ;             baritone Christopher BurchettThe Lady Angela         mezzo Stephanie Chigas*The Lady Ella           soprano Mara Bonde*The Lady Saphir         soprano Rachel Gilmore*Bunthorne's solicitor   John Gaston* countertenor

conduct= or               Andrew Bisantz
d= irector                Tazewell Thom= pson
sets            Donald Eastman
cost= umes                Merrily Murray-W= alsh
lighting                Robe= rt Wierzel


-----------------------------------------
Stephen G= Landesman
sgl@zoom-dsl.com
Jacksonville, NY
"Wann geht der n=3DE4= chste Schwan?"
-----------------------------------------
-------------------------------1089924930-- --part1_145.2e557504.2e289bd1_boundary--  1, answered,, Summary-line: 16-Jul YesTisMabel@aol.com [243] #another Glimmerglass Patience review X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 01:58:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6G5wGJE026600; Fri, 16 Jul 2004 01:58:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6G5vQtI000233 for ; Fri, 16 Jul 2004 01:57:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6G5OxTJ004615; Fri, 16 Jul 2004 01:24:59 -0400 (EDT) Date: Fri, 16 Jul 2004 01:24:59 -0400 (EDT) Message-Id: <1d5.26231448.2e28be92@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: another Glimmerglass Patience review MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1089954962" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 01:24:59 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: another Glimmerglass Patience review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1089954962 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit OK, guys, let's try that again, but with fewer attachments..... Here's that review of the Glimmerglass Patience that I got permission to post in its entirety from the guy who posted it on Opera-L. Elise Date: Thu, 15 Jul 2004 14:05:34 -0400 From: "Stephen G. Landesman" Subject: Glimmerglass PATIENCE (long) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" Content-Transfer-Encoding: quoted-printable Here's my take on Glimmerglass Opera's production of Patience. Cast and staff below. Performance is the prima of July 2. "It is a pretty poem, Mr. Pope, but you must not call it Homer." - Richard Bentley [in Johnson's Life of Pope] COOPERSTOWN - Glimmerglass Opera's production of "Patience" is very good, but you must not call it Gilbert and Sullivan. Perhaps the wit of W.S. Gilbert's text is too much of an anachronism, virtually untranslatable for a modern audience save as a somewhat vague parody of the 19th century English aesthetic movement and the society of which it was a part. Director Tazewell Thompson seems to think so, both in his rather equivocal program notes and in the oversimplified manner in which he has staged one of the least appreciated of the G&S canon. "Impatience" might be a more suitable description of his efforts. Starting with "Patience," Gilbert's principals are not just more developed, but the songs are specifically designed for each character and situation - and the structure of the verse and its allusions are far too rigid to allow creative modern substitution as with "The Mikado." In short, "Patience" needs to be taken more seriously, and that's what this production fails to do by not making a clearer distinction, aside from a blond wig, between the Bunthorne of tenor Jeffrey Lentz and the Grosvenor of bass Kevin Burdette, albeit roles superbly sung by each. Whether Bunthorne is Oscar Wilde and Grosvenor is Algernon Swinburne - Grosvenor's Act 2 "Gentle Jane" certainly hints at Swinburne's curious predilection for S&M - wasn't always clear to Gilbert himself ("Fleshly Poet" would seem to be a more apt term for Swinburne than Wilde). Still, Sullivan's score remains absolutely delightful, vastly underrated next to the "big three" Savoyard operas whose plots are more focused. So it is really too bad that conductor Andrew Bisantz failed to give it the reading it deserves. His approach was too romantic, languorous and sometimes uneven, lacking the vibrancy it needs even in the most romantic interludes. Only with such show-stopping choruses (accompanied by the customary hand-clapping of the audience) as "The Soldiers of Our Queen" did the opening night performance regain some spirit. The choruses of "Twenty love-sick maidens" were delightfully sung, but consistently a trifle anemic. Elsewhere, caution was thrown to the winds: the tempo of Colonel Calverley's first patter song on the Heavy Dragoons was too rapid, forcing baritone Jake Gardner to swallow most of his words. Gardner's second outing ("When I first put this uniform on") was much clearer and delightfully sung. The Act 1 sextet ("I hear the soft note") was beautifully performed, but Bunthorne's recitative and song "Let me confess" was at times unsteady (perhaps because he had to sing it from the rooftop of Donald Eastman's large, ingenious unit set, a gleaming 19th-century mansion that pivoted as required to show the interior of Castle Bunthorne). The Patience of soprano Sarah Coburn, clad (by costume designer Merrily Murray-Walsh) in a stylized white suit, amusingly carried about two large milk buckets wherever she went but still sang flawlessly, even maintaining a lovely high C during the finale of Act 1. Otherwise, Murray-Walsh's lavish costume designs aptly reflected the period's fascination with Beardsley, peacock feathers and chinoiserie Both of Burdette's Act 2 ditties, "Gentle Jane" and the "Magnet and Churn" were performed with a warm and sonorous tone. Mezzo Joyce Castle was an outstanding Lady Jane. Her Act 2 recitative and aria on the ravages of age ("Sad is that woman's lot") was lugubrious (here, appropriately so) and very, very funny. The Major Murgatroyd of baritone Christopher Burchett and the Duke of tenor Darren T. Anderson were especially well-matched in ensembles, and the difficult unison choruses (here there were 14, not 20 in each) of love-sick maidens and dragoons was quite skillfully done. Reginald Bunthorne tenor Jeffrey Lentz Archibald Grosvenor bass Kevin Burdette Patience soprano Sarah Coburn The Lady Jane mezzo Joyce Castle Colonel Calverley baritone Jake Gardner The Duke of Dunstable tenor Darren T. Anderson* Major Murgatroyd baritone Christopher Burchett The Lady Angela mezzo Stephanie Chigas* The Lady Ella soprano Mara Bonde* The Lady Saphir soprano Rachel Gilmore* Bunthorne's solicitor John Gaston* countertenor conductor Andrew Bisantz director Tazewell Thompson sets Donald Eastman costumes Merrily Murray-Walsh lighting Robert Wierzel ----------------------------------------- Stephen G. Landesman sgl@zoom-dsl.com Jacksonville, NY "Wann geht der n=E4chste Schwan?" ----------------------------------------- -------------------------------1089954962 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
OK, guys, let's try that again, but with fewer attachments.....
Here's that review of the Glimmerglass Patience that I got permission t= o post in its entirety from the guy who posted it on Opera-L.
 
Elise
 
 
 
 
Date:    Thu, 15 Jul 2004 14:05:34 -0400
From:   = ; "Stephen G. Landesman" <sgl@ZOOM-DSL.COM>
Subject: Glimmerglass P= ATIENCE (long)
MIME-Version: 1.0
Content-Type: text/plain; charset=3D"= iso-8859-1" ; format=3D"flowed"
Content-Transfer-Encoding: quoted-printab= le

Here's my take on Glimmerglass Opera's production of Patience. Cas= t
and staff below. Performance is the prima of July 2.


"It is=20= a pretty poem, Mr. Pope, but you must not call it Homer."
- Richard Bentl= ey [in Johnson's Life of Pope]

COOPERSTOWN -  Glimmerglass Opera= 's production of  "Patience" is very
good, but you must not call it=20= Gilbert and Sullivan.

Perhaps the wit of W.S. Gilbert's text is too m= uch of an anachronism,
virtually untranslatable for a modern audience sav= e as a somewhat
vague parody of the 19th century English aesthetic moveme= nt and the
society of which it was a part.

Director Tazewell Thomp= son seems to think so, both in his rather
equivocal program notes and in=20= the oversimplified manner in which he
has staged one of the least appreci= ated of the G&S canon.
"Impatience" might be a more suitable descript= ion of his efforts.

Starting with "Patience," Gilbert's principals ar= e not just more
developed, but the songs are specifically designed for ea= ch character
and situation - and the structure of the verse and its allus= ions are
far too rigid to allow creative modern substitution as with "The=
Mikado."

In short, "Patience" needs to be taken more seriously, a= nd that's
what this production fails to do by not making a clearer distin= ction,
aside from a blond wig,  between the Bunthorne of tenor Jeffr= ey Lentz
and the Grosvenor of bass Kevin Burdette, albeit roles superbly=20= sung
by each. Whether Bunthorne is Oscar Wilde and Grosvenor is Algernon<= BR>Swinburne - Grosvenor's Act 2 "Gentle Jane" certainly hints at
Swinbur= ne's curious predilection for S&M - wasn't always clear to
Gilbert hi= mself ("Fleshly Poet" would seem to be a more apt term for
Swinburne than= Wilde).

Still, Sullivan's score remains absolutely delightful, vastl= y
underrated next to the "big three" Savoyard operas whose plots are
m= ore focused. So it is really too bad that conductor Andrew Bisantz
failed= to give it the reading it deserves. His approach was too
romantic, langu= orous and sometimes uneven, lacking the vibrancy it
needs even in the mos= t romantic interludes. Only with such
show-stopping choruses (accompanied= by the customary hand-clapping of
the audience) as "The Soldiers of Our=20= Queen" did the opening night
performance regain some spirit.

The c= horuses of "Twenty love-sick maidens" were delightfully sung,
but consist= ently a trifle anemic. Elsewhere, caution was thrown to
the winds: the te= mpo of Colonel Calverley's first patter song on the
Heavy Dragoons was to= o rapid, forcing baritone Jake Gardner to
swallow most of his words. Gard= ner's second outing ("When I first put
this uniform on") was much clearer= and delightfully sung.

The Act 1 sextet ("I hear the soft note") was= beautifully performed,
but Bunthorne's recitative and song "Let me confe= ss" was at times
unsteady (perhaps because he had to sing it from the roo= ftop of
Donald Eastman's large, ingenious unit set, a gleaming 19th-centu= ry
mansion that pivoted as required to show the interior of Castle
Bun= thorne).

The Patience of soprano Sarah Coburn, clad (by costume desig= ner
Merrily Murray-Walsh) in a stylized white suit, amusingly carried
= about two large milk buckets wherever she went but still sang
flawlessly,= even maintaining a lovely high C during the finale of Act
1. Otherwise,=20= Murray-Walsh's lavish costume designs aptly reflected
the period's fascin= ation with Beardsley, peacock feathers and
chinoiserie

Both of Bur= dette's Act 2 ditties, "Gentle Jane" and the "Magnet and
Churn" were perf= ormed with a warm and sonorous tone.

Mezzo Joyce Castle was an outsta= nding Lady Jane. Her Act 2 recitative
and aria on the ravages of age ("Sa= d is that woman's lot") was
lugubrious (here, appropriately so) and very,= very funny.

The Major Murgatroyd of baritone Christopher Burchett an= d the Duke of
tenor Darren T. Anderson were especially well-matched in en= sembles,
and the difficult unison choruses (here there were 14, not 20 in=
each) of love-sick maidens and dragoons was quite skillfully done.
Reginald Bunthorne              tenor J= effrey Lentz
Archibald Grosvenor     bass Kevin BurdettePatience                  &nb= sp;     soprano Sarah Coburn
The Lady Jane     =20=      mezzo Joyce Castle
Colonel Calverley    &nb= sp;          baritone Jake Gardner
The Duke of D= unstable   tenor Darren T. Anderson*
Major Murgatroyd  &nb= sp;             baritone Christopher Burchett<= BR>The Lady Angela         mezzo Stephanie Chigas*<= BR>The Lady Ella           soprano Mara Bonde*=
The Lady Saphir         soprano Rachel Gilmore*=
Bunthorne's solicitor   John Gaston* countertenor

condu= ctor               Andrew Bisantzdirector                Tazewell Th= ompson
sets            Donald Eastman
co= stumes                Merrily Murray= -Walsh
lighting                Ro= bert Wierzel


-----------------------------------------
Stephen= G. Landesman
sgl@zoom-dsl.com
Jacksonville, NY
"Wann geht der n= =3DE4chste Schwan?"
-----------------------------------------
-------------------------------1089954962--  1,, Summary-line: 16-Jul chris@bailward.freeserve. [72] #Re: Paying directors X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 07:35:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6GBZYJE017930; Fri, 16 Jul 2004 07:35:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6GBZXfb005773 for ; Fri, 16 Jul 2004 07:35:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6GBYrTJ006724; Fri, 16 Jul 2004 07:34:53 -0400 (EDT) Date: Fri, 16 Jul 2004 07:34:53 -0400 (EDT) Message-Id: <01e801c46b27$4c456790$0200a8c0@packard> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@bailward.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Paying directors MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 07:34:53 -0400 (EDT) Reply-To: chris@bailward.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Paying directors X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ---- Original Message ----- From: "Daniel Florip" To: Sent: Thursday, July 15, 2004 2:28 PM Subject: Re: Paying directors We put a very, very small amount in the budget (about enough for a decent bottle of wine) for orchestra expenses: unusually we seem to be able to attract a competent orchestra of about 12-14 players without paying them. For many years we had only keyboard accompaniment which was OK but obviously lost much of the musical effect that Sullivan wanted. Performing "When the Night Wind Howls" to keyboard accompaniment, for example, is only a shade( excuse the unintentional pun) of what can be achieved with an orchestra. We use the excellent cut down orchestra parts from Jim Newby in Bradford UK JamesNewbyMusic@talk21.com but are usually forced to supplement some of the parts with keyboard. Brass players seem to be to be the *most* difficult to attract. Milborne Port is a large village on the borders of Somerset and Dorset with a population at last census of 2840. We normally get 500-600 paying customers over a 4 night run in the Village Hall which has a small permanent stage that we thrust out with 8x4 Ambideck stage sections to give a performing area of about 24' square and an audience capacity of about 200. This, as I said in my previous post, covers our costs. Shaftesbury, on the other hand, is a Dorset market town with a population of 6200 and we expect an audience of about 700 over a 5 night run at the permanent Arts Centre theatre (stage area about the same but audience capacity only 180). Shaftesbury has performed more musicals than G&S but audiences are fairly constant whatever we do. We had a very small audience for the first 2 nights of Orpheus in the Underworld until the populace realised that it wasn't Greek Tragedy and then we virtually sold out. This year we were supposed to be performing South Pacific this week but the theatre has had to be closed to clean up asbestos in the stage. We were going to experiment with a 2 week run of 5 nights per week and it would have been interesting to see the response - maybe next year. We find that the cast sells most of the tickets and we try to develop some competition in the weeks running up to the show by publishing the numbers of tickets sold by individuals. If each member of the cast sells 10 tickets we are about half way to our target and the rest seem to go to local regulars. As someone has already remarked marketing is important and a good relationship with local newspapers, journals and radio is critical. A poor production can adversely affect ticket sales the following year quite considerably. I hope that this has given an insight into performing G&S and other musical theatre in rural England. Milborne Port is presently very strong with some excellent principals none of whom live more than 15 miles away but Shaftesbury is quite weak. They are about 13 miles apart so share some performers but not much in the way of audience. Chris http://www.milborneportopera.com  1,, Summary-line: 16-Jul ian.bond@btinternet.com [35] #Re: Sullivan's songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 08:42:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6GCg7uE029768; Fri, 16 Jul 2004 08:42:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6GCg6fb017748 for ; Fri, 16 Jul 2004 08:42:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6GCfRTJ010675; Fri, 16 Jul 2004 08:41:27 -0400 (EDT) Date: Fri, 16 Jul 2004 08:41:27 -0400 (EDT) Message-Id: <000f01c46b2f$7e733190$6c027ad5@sndc09600028> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's songs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 08:41:27 -0400 (EDT) Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's songs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Robert Binder wrote: > Would someone please direct me to a source for the sheet music of Sullivan's > early songs, such as "O Mistress Mine," "Mary Morrison," and "The > Troubadour"? The midi files of all Sullivan's songs can be found on Paul Howarth's Sullivan Archive at http://www.arthursullivan.net/ballads/ballads.html Paul also publishes all of the songs. Ordering information is at http://www.arthursullivan.net/sales/order.html and the contents of each volume is listed at http://www.arthursullivan.net/sales/songbooks.html The Troubadour is in Volume 2, O Mistress Mine in Volume 8, Mary Morrison in Volume 16. There are 17 volumes in total. Ian (Somerset UK)  1,, Summary-line: 16-Jul ahumez@TheWorld.com [30] #Lion In Winter X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 09:27:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6GDR7uE003062; Fri, 16 Jul 2004 09:27:08 -0400 (EDT) Received: from TheWorld.com (pcls3.std.com [192.74.137.143]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6GDQsGx020955 for ; Fri, 16 Jul 2004 09:26:54 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.theworld.com [192.74.137.71]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id i6GDQsut024352 for ; Fri, 16 Jul 2004 09:26:54 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id JAA942527; Fri, 16 Jul 2004 09:26:53 -0400 (EDT) Date: Fri, 16 Jul 2004 09:26:53 -0400 (EDT) Message-Id: <200407161326.JAA942527@shell.TheWorld.com> From: Andrea L Humez To: theater@mit.edu Subject: Lion In Winter X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 09:26:53 -0400 (EDT) From: Andrea L Humez To: theater@mit.edu Subject: Lion In Winter X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Occasional Players Present The Lion In Winter By James Goldman Directed by Andrea Humez Featuring: Brian Bermack, Jenwa Hsung, Nick Bozard, Tom Giordano, Jan-Willem Maessen, Erica Schultz, Jesse Cox Friday-Saturday, July 30-31, 6:30 p.m. College Avenue United Methodist Church 14 Chapel Street, Somerville (On College Avenue, outside Davis Square) Tickets: $8 at the door  1,, Summary-line: 16-Jul dflorip@yahoo.com [111] #Ways to Sell RUDDIGORE (was: Ranking of shows). X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 13:54:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6GHskuE020758; Fri, 16 Jul 2004 13:54:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6GHsiPA025016 for ; Fri, 16 Jul 2004 13:54:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6GHs3TJ029792; Fri, 16 Jul 2004 13:54:03 -0400 (EDT) Date: Fri, 16 Jul 2004 13:54:03 -0400 (EDT) Message-Id: <20040716174258.18976.qmail@web41607.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Ways to Sell RUDDIGORE (was: Ranking of shows). MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40F7EA97.1010902@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 13:54:03 -0400 (EDT) Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Ways to Sell RUDDIGORE (was: Ranking of shows). X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <40F7EA97.1010902@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all, I don't think anyone remarked on this last winter, so I thought I'd share how UMGASS presented RUDDIGORE last December. Our director as a career actually worked in film, and he decided to present RUDDIGORE as an early-20th-century horror film (Think FRANKENSTEIN, NOSFERATU, etc.). This beautifully capitalized on the parody of melodrama, and was an interesting "concept" production that still remained faithful to the score, dialogue, and in general to RUDDIGORE's performance traditions. The main device used in presenting the show as a horror film was to present it in black and white. As anyone who's seen old films will attest, they're not technically black and white... the film yellows with age, so we were actually using lots of shades of brown, tan, and amber in addition to black and white. Our set designer actually combined greens, pinks, and purples to make the browns and grays on the set, so the stage picture was actually remarkably vivid, and not drab, as one might think reading this description. Although the whole thing looked beautiful in "aged" black and white, about the only colors we actually didn't allow on stage were red and blue. Props were also specifically de-colorized. As makeup designer, I had a bear of a time figuring out how to make up the performers for the black-and-white look without making them look dead. Ironically, for all of the performers in Act I (i.e., not the ghosts), I ended up blending the Ben Nye makeup colors of Cadaver Grey and Death Flesh to get the proper look for the "living" people! We achieved a wonderful black-and-white look with the makeup, and I'd be happy to share all the makeup secrets with anyone looking to do a "black-and-white" show (G&S or not!). Before the overture, Old Adam came out and gave a short introduction as one might have expected before a movie in the 30's, and during the overture a screen was lowered and filmed credits were presented. The ghosts were costumed and made up in a very pale light blue, which literally produced a hazy glow around the ghosts, and this looked incredibly neato (We didn't use fog effects.). As the ghosts' torture of Robin Oakapple, a "monster" type thing (again, as one might expect in an old horror movie) rose from the stage and raised and lowered its wings making Robin writhe in agony, and this was done over orchestra music written by our MD, which was actually a re-arrangement and re-orchestration of the Sausage Roll Song in minor (though you had to listen really closely to realize it!). The poster and ticket flyer design were done as old movie posters to fit with the theme. The audience loved it, even most of our "oldies" who give money to our Friends group. As for me, I generally don't like "concept" productions, but this one was faithful to the material, and simply presented it in different colors. Presenting the opera as an old film added a whole new sense of depth to the melodrama parody, and was well done. If anyone would like to see a couple of pictures from the show, e-mail me privately. Regards, Dan ===== Daniel Florip Ann Arbor, Michigan Ave Maria School of Law University of Michigan, BA Political Science 2003 UMGASS Participant Extraordinaire Check out UMGASS on the web at www.umgass.org. M GO BLUE! __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail  1, answered,, Summary-line: 16-Jul cchomka@MIT.EDU [113] #Re: Alumni parking issue X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 16:05:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6GK5fuE013116; Fri, 16 Jul 2004 16:05:41 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6GK5fgY017494 for ; Fri, 16 Jul 2004 16:05:41 -0400 (EDT) Received: from aa10-16.mit.edu (AA10-16.MIT.EDU [18.90.0.82]) (authenticated bits=0) (User authenticated as cchomka@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i6GK5eOm000218 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Fri, 16 Jul 2004 16:05:40 -0400 (EDT) Message-Id: <5.2.1.1.2.20040625152755.01ad3ca8@hesiod> X-Sender: cchomka@hesiod X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 Date: Fri, 16 Jul 2004 16:05:40 -0400 To: "David C. Jedlinsky" From: Cyndi Chomka Subject: Re: Alumni parking issue In-Reply-To: <200406141634.i5EGYoWw002289@multics.mit.edu> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_12463561==.ALT" X-Spam-Score: -10 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: cchomka@hesiod Date: Fri, 16 Jul 2004 16:05:40 -0400 To: "David C. Jedlinsky" From: Cyndi Chomka Subject: Re: Alumni parking issue In-Reply-To: <200406141634.i5EGYoWw002289@multics.mit.edu> X-Spam-Score: -10 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_12463561==.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hello Dave, Thank you for your email. My apologies that it has taken me a month to reply! I had hoped to have some information for you soon after receiving your email, but since I've yet to hear anything, I wanted to let you know that I hadn't forgotten about our discussion and had raised the issue to Beth Garvin HM, CEO and EVP of the Alumni Association. Unfortunately, the fiscal year-end and preparations for FY05 have been a bit all-consuming, so I don't have any updates for you, but I will try to get some information for you soon. Again, I send my apologies for the delay. I hope you and Ruth are enjoying summer. Take care, Cyndi At 12:34 PM 6/14/2004 -0400, you wrote: >Dear Ms. Chomka, > >Thank you for spending the time to discuss the off-hours parking issue >with Ruth and me during last week's alumni reunion. I have been >speaking with several other alums during the week, and they have >similar concerns about being able to park in the gated lots as well. >Would it be helpful to have them contact you directly? We are eager >to hear of any progress, especially if it results in being able to use >an alumni ID card to open the parking gates in the evenings and on >weekends. > >Thank you. > >David C. Jedlinsky '89 >opus@alum.mit.edu Participate, Designate, Make a Difference http://alum.mit.edu/ Cyndi Chomka Associate Director, Leadership Giving MIT Alumni Association 77 Massachusetts Avenue, Bldg 10-110 Cambridge, MA 02139 617.252.1491 phone 617.452.4162 fax cchomka@mit.edu --=====================_12463561==.ALT Content-Type: text/html; charset="us-ascii" Hello Dave,

Thank you for your email. My apologies that it has taken me a month to reply! I had hoped to have some information for you soon after receiving your email, but since I've yet to hear anything, I wanted to let you know that I hadn't forgotten about our discussion and had raised the issue to Beth Garvin HM, CEO and EVP of the Alumni Association. Unfortunately, the fiscal year-end and preparations for FY05 have been a bit all-consuming, so I don't have any updates for you, but I will try to get some information for you soon.

Again, I send my apologies for the delay. I hope you and Ruth are enjoying summer.
Take care,
Cyndi


At 12:34 PM 6/14/2004 -0400, you wrote:

Dear Ms. Chomka,

Thank you for spending the time to discuss the off-hours parking issue
with Ruth and me during last week's alumni reunion.  I have been
speaking with several other alums during the week, and they have
similar concerns about being able to park in the gated lots as well.
Would it be helpful to have them contact you directly?  We are eager
to hear of any progress, especially if it results in being able to use
an alumni ID card to open the parking gates in the evenings and on
weekends.

Thank you.

David C. Jedlinsky '89
opus@alum.mit.edu

Participate, Designate, Make a Difference
http://alum.mit.edu/

Cyndi Chomka
Associate Director, Leadership Giving
MIT Alumni Association
77 Massachusetts Avenue, Bldg 10-110
Cambridge, MA  02139

617.252.1491 phone
617.452.4162 fax
cchomka@mit.edu --=====================_12463561==.ALT--  1,, Summary-line: 16-Jul das@math.duke.edu [163] #Re: SAVOYNET digest 6264 (Ways to sell Ruddigore) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jul 2004 21:18:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6H1IiuE022436; Fri, 16 Jul 2004 21:18:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6H1IhOY005963 for ; Fri, 16 Jul 2004 21:18:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6H1I6TJ012906; Fri, 16 Jul 2004 21:18:06 -0400 (EDT) Date: Fri, 16 Jul 2004 21:18:06 -0400 (EDT) Message-Id: <40F8790B.6090008@math.duke.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: das@math.duke.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Smith To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 6264 (Ways to sell Ruddigore) MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <54.2e683396.2e29b5e1@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jul 2004 21:18:06 -0400 (EDT) Reply-To: das@math.duke.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Smith To: Multiple recipients of list SAVOYNET Subject: Re: SAVOYNET digest 6264 (Ways to sell Ruddigore) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <54.2e683396.2e29b5e1@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Very interesting, Dan! Our Ruddigore director this past spring (Durham Savoyards, Ltd.) had a similar concept in mind, although I don't know that he has worked in film. He is certainly a film buff -- in addition to touches from Frankenstein, he brought in lots of humorous and dramatic bits from Dracula, Son of Frankenstein, Bride of Frankenstein, and others, including Keystone Kops. I'm not a film buff, so there were probably others I didn't recognize. Our first-act chorus people were ambiguous as to whether they were dead or not -- the only changes made in dialogue and lyrics were to set the piece at night instead of day (so at the end of Act I, the sun was rising and the chorus ran off screaming). Oh, yes -- Richard was a werewolf who changed character every time the moon came out (which had no relationship to rotation around the earth). The men's chorus were vampire-like, and the women's chorus were flappers. (The signs on our dressing room doors read Vampires and Vamps, respectively.) Mad Margaret was clearly Bride of Frankenstein -- Despard was the mad scientist in the first act and a Chaplinesque character in the second. The ghosts in Act II (including Roderic) wore glow-in-the-dark half-skull masks, and the portraits also glowed as skulls under black light. In the finale, when Roderic declared us practically alive, we all came to life by removing the masks. As in the UMGASS production, ours was very faithful to the original script, except for the day/night switch. But more important, this was the funniest G&S show I've ever been in -- our audiences loved it, and five out of six gave us standing ovations. This is the most fun anyone can have with their clothes on! Our promo web page is still up at http://www.durhamsavoyards.org/. And if you sneak into the "members" area (no password needed), you will find lots of pictures and even a slide show. David savoynet@bridgewater.edu wrote: > SAVOYNET Digest 6264 > >Topics covered in this issue include: > > 5) Ways to Sell RUDDIGORE (was: Ranking of shows). > by Daniel Florip > > > Subject: > Ways to Sell RUDDIGORE (was: Ranking of shows). > From: > Daniel Florip > Date: > Fri, 16 Jul 2004 10:42:58 -0700 (PDT) > To: > savoynet@bridgewater.edu > > To: > savoynet@bridgewater.edu > > >Hello all, > >I don't think anyone remarked on this last winter, >so I thought I'd share how UMGASS presented >RUDDIGORE last December. > >Our director as a career actually worked in film, >and he decided to present RUDDIGORE as an >early-20th-century horror film (Think FRANKENSTEIN, >NOSFERATU, etc.). This beautifully capitalized on >the parody of melodrama, and was an interesting >"concept" production that still remained faithful >to the score, dialogue, and in general to >RUDDIGORE's performance traditions. > >The main device used in presenting the show as a >horror film was to present it in black and white. >As anyone who's seen old films will attest, they're >not technically black and white... the film yellows >with age, so we were actually using lots of shades >of brown, tan, and amber in addition to black and >white. Our set designer actually combined greens, >pinks, and purples to make the browns and grays on >the set, so the stage picture was actually >remarkably vivid, and not drab, as one might think >reading this description. Although the whole thing >looked beautiful in "aged" black and white, about >the only colors we actually didn't allow on stage >were red and blue. Props were also specifically >de-colorized. > >As makeup designer, I had a bear of a time figuring >out how to make up the performers for the >black-and-white look without making them look dead. > Ironically, for all of the performers in Act I >(i.e., not the ghosts), I ended up blending the Ben >Nye makeup colors of Cadaver Grey and Death Flesh >to get the proper look for the "living" people! We >achieved a wonderful black-and-white look with the >makeup, and I'd be happy to share all the makeup >secrets with anyone looking to do a >"black-and-white" show (G&S or not!). > >Before the overture, Old Adam came out and gave a >short introduction as one might have expected >before a movie in the 30's, and during the overture >a screen was lowered and filmed credits were >presented. > >The ghosts were costumed and made up in a very pale >light blue, which literally produced a hazy glow >around the ghosts, and this looked incredibly neato >(We didn't use fog effects.). As the ghosts' >torture of Robin Oakapple, a "monster" type thing >(again, as one might expect in an old horror movie) >rose from the stage and raised and lowered its >wings making Robin writhe in agony, and this was >done over orchestra music written by our MD, which >was actually a re-arrangement and re-orchestration >of the Sausage Roll Song in minor (though you had >to listen really closely to realize it!). > >The poster and ticket flyer design were done as old >movie posters to fit with the theme. > >The audience loved it, even most of our "oldies" >who give money to our Friends group. As for me, I >generally don't like "concept" productions, but >this one was faithful to the material, and simply >presented it in different colors. Presenting the >opera as an old film added a whole new sense of >depth to the melodrama parody, and was well done. > >If anyone would like to see a couple of pictures >from the show, e-mail me privately. > >Regards, >Dan > > -- David A. Smith www.math.duke.edu/~das das@math.duke.edu Editor, The Journal of Online Mathematics and its Applications www.joma.org President, Durham affiliate of the National Alliance for the Mentally Ill bb.nami.org/cgi-bin/b.pl?reg=Durham&ST=nc&fn=read Voice: 919-489-5515, Fax: 919-660-2821 Mail: 1408 Shepherd St., Durham NC 27707  1,, Summary-line: 21-Jul andi_s_r@yahoo.com [39] #Re: OT - help me remember (preposition) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 21 Jul 2004 16:59:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6LKxYcu029903; Wed, 21 Jul 2004 16:59:34 -0400 (EDT) Received: from web14524.mail.yahoo.com (web14524.mail.yahoo.com [216.136.224.53]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i6LKxWJO020842 for ; Wed, 21 Jul 2004 16:59:33 -0400 (EDT) Message-ID: <20040721205932.41229.qmail@web14524.mail.yahoo.com> Received: from [66.88.88.162] by web14524.mail.yahoo.com via HTTP; Wed, 21 Jul 2004 13:59:32 PDT Date: Wed, 21 Jul 2004 13:59:32 -0700 (PDT) From: Andi Subject: Re: OT - help me remember (preposition) To: "David C. Jedlinsky" In-Reply-To: <200407212011.i6LKB4vY026361@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 21 Jul 2004 13:59:32 -0700 (PDT) From: Andi Subject: Re: OT - help me remember (preposition) To: "David C. Jedlinsky" In-Reply-To: <200407212011.i6LKB4vY026361@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > This doesn't quite match your requirements (since "floor" is > not the > operative rhyme), but perhaps it is the doggerel you seek? Yup, that's it; goes to show you what 40+ years will do to one's memory. I would have sworn that the rhyme was "floor". > > I lately lost a preposition; > It hid, I thought, beneath my chair > And angrily I cried, "Perdition! > Up from out of under there." > > Correctness is my vade mecum, > And straggling phrases I abhor, > And yet I wondered, "What should he come > Up from out of under for?" > > (From: John Moore. 1961 "You English words. A book about > them") > > -Dave Jedlinsky > opus@mit.edu > ===== Andi Stryker-Rodda New York City/New Jersey USA  1, forwarded,, Summary-line: 22-Jul ahumez@TheWorld.com [44] #hapgood video--credits X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 Jul 2004 09:06:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6MD60n3002982; Thu, 22 Jul 2004 09:06:00 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [192.74.137.142]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6MD5RaG005416 for ; Thu, 22 Jul 2004 09:05:31 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.theworld.com [192.74.137.71]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id i6MD5MpE010359 for ; Thu, 22 Jul 2004 09:05:22 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id JAA1418951; Thu, 22 Jul 2004 09:05:22 -0400 (EDT) Date: Thu, 22 Jul 2004 09:05:22 -0400 (EDT) Message-Id: <200407221305.JAA1418951@shell.TheWorld.com> From: Andrea L Humez To: opus@mit.edu Subject: hapgood video--credits X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 22 Jul 2004 09:05:22 -0400 (EDT) From: Andrea L Humez To: opus@mit.edu Subject: hapgood video--credits X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) (Don't really have any images to use, just black with text is fine.) The Occasional Players present Hapgood By Tom Stoppard Directed by Andrea Humez Cast: Hapgood Marleigh Norton Blair Grant Gould Kerner Tom Giordano Ridley Nick Bozard Wates Matt Alvarado Maggs David Maze Merryweather Tommy Rhyne Joe David Maze Russian Jan-Willem Maessen Radio Voices Tom Giordano Charles Hope Tommy Rhyne Mark Van Dyke Production Staff: Technical Director: Michelle Goldberg Sound & Pieces of Paper: Laura Baldwin Tech Crew: Laura Baldwin Jerry Marty Video: Jeremy Brown David Jedlinsky  1,, Summary-line: 22-Jul abbe@MIT.EDU [38] #haptics in the sipb office or at home? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 Jul 2004 13:54:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6MHson3010744; Thu, 22 Jul 2004 13:54:50 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6MHrpKd004560 for ; Thu, 22 Jul 2004 13:53:51 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as abbe@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i6MHroOm004633 for ; Thu, 22 Jul 2004 13:53:50 -0400 (EDT) Received: (from abbe@localhost) by multics.mit.edu (8.12.9) id i6MHrnYq025736; Thu, 22 Jul 2004 13:53:49 -0400 (EDT) Date: Thu, 22 Jul 2004 13:53:49 -0400 (EDT) Message-Id: <200407221753.i6MHrnYq025736@multics.mit.edu> From: Abbe J Cohen To: sipb-office@MIT.EDU Subject: haptics in the sipb office or at home? X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 22 Jul 2004 13:53:49 -0400 (EDT) From: Abbe J Cohen To: sipb-office@MIT.EDU Subject: haptics in the sipb office or at home? X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, Just a little shameless plug: SensAble (where I worked for 5 years from 1998-2003, and couldn't stay away so I'm back consulting for them again) just announced something that I think is really cool: You can now buy a Phantom (3D touch force feedback device) for only $800, with a new SDK that makes writing haptic applications not so different from writing code in OpenGL, if you get in soon and if you plan to enter the Developer's Challenge. (They are giving out a $10K grand prize, for, basically, the coolest application using haptics and a Phantom that is developed between now and December 31 by an entrant in the contest.) The device that makes all this possible is something I did a lot of the early work on designing, so I am both glad to see it be possible for people to use haptics without spending $10,000-15,000, and excited because I worked hard on this project. So, perhaps there will be interest in a SIPB office Phantom, or maybe someone wants one of their very own? Just passing along the news... More info on the contest and the pricing offer at: http://www.sensable.com/newsevents/pressreleases/pr-Devkit072104.asp http://www.sensable.com/newsevents/pressreleases/pr-072104.asp --Abbe  1,, Summary-line: 22-Jul sommerfeld@orchard.arling [33] #Re: haptics in the sipb office or at home? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 Jul 2004 18:39:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6MMdMn3001011; Thu, 22 Jul 2004 18:39:22 -0400 (EDT) Received: from portal.hamachi.org (portal.hamachi.org [140.239.227.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6MMcx47017225; Thu, 22 Jul 2004 18:38:59 -0400 (EDT) Received: from portal (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id 9BAA817922; Thu, 22 Jul 2004 18:38:59 -0400 (EDT) From: Bill Sommerfeld To: Abbe J Cohen Cc: sipb-office@mit.edu Subject: Re: haptics in the sipb office or at home? In-Reply-To: Message from Abbe J Cohen of "Thu, 22 Jul 2004 13:53:49 EDT." <200407221753.i6MHrnYq025736@multics.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Thu, 22 Jul 2004 18:38:59 -0400 Sender: sommerfeld@portal.hamachi.org Message-Id: <20040722223859.9BAA817922@portal.hamachi.org> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: Abbe J Cohen Cc: sipb-office@mit.edu Subject: Re: haptics in the sipb office or at home? In-Reply-To: Message from Abbe J Cohen of "Thu, 22 Jul 2004 13:53:49 EDT." <200407221753.i6MHrnYq025736@multics.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Thu, 22 Jul 2004 18:38:59 -0400 Sender: sommerfeld@portal.hamachi.org X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'll counter with my own shameless plug.. In case someone is looking for a clever project idea, gluing one of Abbe's toys to an open source 3D desktop such as Looking Glass might prove *very* interesting. see: http://wwws.sun.com/software/looking_glass/index.html https://lg3d.dev.java.net/ (I haven't had to play with LG myself yet, but I have to imagine that 3d force feedback would make it much easier to unambigously grab and flip over an application window so you can scribble something on a postit on the back......) - Bill  1,, Summary-line: 23-Jul awrobins@yahoo.com [100] #Gilbert and Sullivan's letters to The Times X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Jul 2004 13:50:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6NHo0p4021698; Fri, 23 Jul 2004 13:50:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6NHnwd8013988 for ; Fri, 23 Jul 2004 13:49:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6NHnJTJ020972; Fri, 23 Jul 2004 13:49:19 -0400 (EDT) Date: Fri, 23 Jul 2004 13:49:19 -0400 (EDT) Message-Id: <20040723173106.91802.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan's letters to The Times MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.103 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Jul 2004 13:49:19 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan's letters to The Times X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.103 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Probably someone else has compiled this information somewhere, but I haven't seen it, so I'll post it. The library where I work has just got a temporary free trial of a database that has full text of the London Times for 1785-1985. Naturally, I used it to look for Gilbert's letters to the Times; I've seen some of these quoted in Stedman and Jacobs. I found letters for the following 32 dates (the titles are preumably not Gilbert's): Oct. 3, 1860, p. 12 column B, "Soldiers' Belts" Nov. 6, 1873, p. 5 col. F, "The Police and Their Prisoners" Dec. 2, 1873, 12F, "Gilbert v. Enoch" Dec. 4, 1873, 10B, "Mr. Gilbert and the Pall Mall Gazette" Jan. 17, 1879, 6C, "The Stage in 1878" July 4, 1879, 10F, "Lord Mayor's Day" April 22, 1880, 10E, "Dramatic Options" March 6, 1882, 6F, "Dramatic Thefts" April 11, 1882, 9B, "Dramatic Copyright" Aug. 31, 1885, 5F, "Circulars" Nov. 28, 1885, 11E, "Caution to Travellers" Jan. 5, 1886, 7F, "Hissing in Theatres" Feb. 2, 1886, 8B, "International Copyright" Jan. 2, 1888, 12B, "International Copyright" May 2, 1888, 5G, "Mer. Herkomer's 'The Sorceress'" Sep. 16, 1889, 6C, "The Brigands" Nov. 8, 1889, 10F, "Gilbert v. Boosey" Sept. 18,, 1891, 7E, "A Point of Taste" Jan. 26, 1892, 11E, "The Mountebanks" Apr. 15, 1892, 4F, "The Lyric Choristers" Aug. 29, 1894, 3G, "Rhyme" Oct. 23, 1894, 6C, "The Lady Interviewer" Sept. 28, 1897, 10C, "The London and North-western Railway" Sept. 29, 1902, 4F, "The Motor Problem" Oct. 4, 1902, 7B, "The Motor Problem" June 3, 1903, 10C, "The Motor Problem" Aug. 28, 1903, 5C, "The Savoy Operas" March 12, 1904, 9C, "The Savoy Opera" Jan. 22, 1907, 11A, "The Gondoliers" June 29, 1908, 9E, "Bailiff Shooting" July 20, 1908, 13E, :Our Hooligans and the Police" Oct. 17, 1908, 12C, "Police Methods at Hatfield" (There are also three letters co-signed by several dramatists including Gilbert, e.g. on Feb. 27, 1905, "The Proposed Memorial to Shakespeare.") I also found three letters by Sullivan: Oct. 27, 1881, pg. 8 column C, "English Composers and Musicians" Feb. 3, 1896, 7A, "Lord Leighton and Music" Jan. 29, 1897, 10B, "Victorian Era Exhibition, 1897" I hope this is of interest to someone. If anyone has questions, or additions that I've missed (the search capabilities of the database are impressive but I'm not sure it's complete--the Times is in digital format so the search capabilities depend presumably on indexers), please let me know. I haven't had time to read most of these letters yet, but will probably have some comments when I do. (If there's interest, I may type up a transcription for the G&S Archive--presumably these letters are in the public domain.) Arthur Robinson ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? Vote for the stars of Yahoo!'s next ad campaign! http://advision.webevents.yahoo.com/yahoo/votelifeengine/  1,, Summary-line: 28-Jul scaphio2002@yahoo.com [45] #Re: Zoo vocal scores X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 Jul 2004 19:08:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6SN8lWk027367; Wed, 28 Jul 2004 19:08:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6SN8k6T003281 for ; Wed, 28 Jul 2004 19:08:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6SN8ATJ026347; Wed, 28 Jul 2004 19:08:10 -0400 (EDT) Date: Wed, 28 Jul 2004 19:08:10 -0400 (EDT) Message-Id: <20040728225932.92225.qmail@web52402.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Zoo vocal scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040728185710.90160.qmail@web13704.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 Jul 2004 19:08:10 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Zoo vocal scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040728185710.90160.qmail@web13704.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Now that I think about it, all of the vocal score as > published by Clyde has new authorial content, as the > piano reduction is a new work. Not exactly. Clyde is almost exclusively a reprint of Cramer, for which the piano reduction had first been produced. Clyde fixed a small number of typos in Cramer (and left others intact), but otherwise the only difference I see between Cramer and Clyde is in Laetitia's song. Cramer printed it without lyrics. Clyde noted that closer examination of the manuscript revealed extra notes in the vocal line that Cramer had omitted. The uncredited lyrics (but acknowledged as not by Stephenson/Rowe) accompany the revised vocal line. I wrote my lyrics in 1981 before the revisions came to light, and I'd have to alter the thought process behind my work too much for it to fit the Clyde vocal line to make it worthwhile. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail  1,, Summary-line: 29-Jul scaphio2002@yahoo.com [82] #Re: ZOO scores X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Jul 2004 00:17:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i6T4HsWk022526; Thu, 29 Jul 2004 00:17:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i6T4HroO024756 for ; Thu, 29 Jul 2004 00:17:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6T4HHTJ028828; Thu, 29 Jul 2004 00:17:17 -0400 (EDT) Date: Thu, 29 Jul 2004 00:17:17 -0400 (EDT) Message-Id: <20040729035526.49455.qmail@web52402.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: ZOO scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Jul 2004 00:17:17 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: ZOO scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The earliest publication of any ZOO music to the best of my knowledge is in two brief quotes from Gervase Hughes's book on Sullivan's music, published in 1959. It's evidence that Hughes had access to the manuscript, whether or not Terence Rees or any other bidder was previously aware of its existence when it went up for auction. The first vocal score was published in 1969, and I invite anyone who owns a copy of it to supply details that I don't remember, particularly the identity of the publisher. It's in manuscript, and its content differs notably in a few places from editions that followed in ways that are heard on the first ZOO recording, by Fulham Light Operatic Society on Rare Recorded Editions. An example is the absence of the "Fare thee well" lines of Laetitia and Eliza. I believe Sullivan's manuscript was misread in these places when this vocal score was prepared, and the Fulham performance simply followed the only published score available at the time. This score made no mention whatsoever of Laetitia's lost song. The Cramer score of 1975 came next. It was the first typeset version, and Roderick Spencer is credited with the piano arrangement. (I remember that it differs from the 1969 score, and again I welcome information on who arranged its piano parts.) As I've already posted, the Clyde score now available is basically a reprint of this edition. I can't argue meaningfully about copyrights, but I can claim that ZOO differs from all of the other extant Sullivan operas by not having a contemporary vocal score published. The content was not in the public consciousness until 1969 aside from its handful of performances when it was new. So its copyright status may be a unique case within the Sullivan output. Sullivan's orchestrations have been published by WVD Press in Pennsylvania. WVD stands for William V. Dorwart, who may still be on SavoyNet and whom I invite to augment and correct anything I say here. Both full score and individual parts are available, and Ridgewood G&S used these for our 2001 production. My lyrics for Laetitia now appear in the full score. Bill was open to corrections at the time we used his materials, and that may still be true. These materials are "based on a set of parts transcribed by Terence Rees from original source material." I forget the details, but I believe Rees made parts available to a Pennsylvania group, possibly West Chester, and they were then made available to WVD. In any event, Bill went through proper channels to obtain rights to put his product together, and I believe he'd have a case if anyone tried to copy it. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail  1,, Summary-line: 29-Jul dorwart@bellatlantic.net [45] #Zoo scores X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 Jul 2004 11:56:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i6TFu987007327; Thu, 29 Jul 2004 11:56:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i6TFu7mq016457 for ; Thu, 29 Jul 2004 11:56:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i6TFtVTJ010065; Thu, 29 Jul 2004 11:55:31 -0400 (EDT) Date: Thu, 29 Jul 2004 11:55:31 -0400 (EDT) Message-Id: <4109183A.4AA038AF@bellatlantic.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pete and Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: Zoo scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.79 [en]C-CCK-MCD BA45DSL (Win95; U) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 Jul 2004 11:55:31 -0400 (EDT) Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Pete and Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: Zoo scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Some years ago I produced a full score and set of parts (but not a p/v score) for The Zoo using as source material a set of parts (but not a full score) that I found in the Music Library of West Chester University in Pennsylvania. When Terrence Rees' agent learned of this he objected that I had infringed copyright. I consulted some experts in the US and after some further correspondence it was agreed that the material was public domain. I had been made aware of the library's holding by an individual who spoke to me briefly after a performance of a G&S show. He told me that he had donated the parts to the library. I never learned where he got them. If he told me his name then I have since forgotten it. The parts bore Dr. Rees' name and were very faded. I had suggested to Dr. Rees' agent that if he wished to find the source of the library's material that he contract the university to see if there was a record of the donation. I don't know if this was ever done. I made some changes as I created my edition, the most important being in the horn parts. The source parts were in, as I recall, six different transpositions. I put the horn parts entirely into F in the belief that there would be players who would not be comfortable dealing with multiple transpositions. Laetetia's song in my full score contains the lyrics written by Savoynetter Plil Sternenberg, with a notice that they may be used in performance without payment of royalties so long as Phil is acknowledged in the program. William V. Dorwart, WVD Press, Bala Cynwyd, PA  1,, Summary-line: 2-Aug andi_s_r@yahoo.com [36] #Re: Resetting "Pirates" in the Mediterranean X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Aug 2004 15:22:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i72JMuS8020468; Mon, 2 Aug 2004 15:22:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i72JMqRL002006 for ; Mon, 2 Aug 2004 15:22:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i72JM8TJ021311; Mon, 2 Aug 2004 15:22:08 -0400 (EDT) Date: Mon, 2 Aug 2004 15:22:08 -0400 (EDT) Message-Id: <20040802190237.20611.qmail@web14521.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Resetting "Pirates" in the Mediterranean MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040802.063113.5883.153028@webmail06.nyc.untd.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 2 Aug 2004 15:22:08 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Resetting "Pirates" in the Mediterranean X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040802.063113.5883.153028@webmail06.nyc.untd.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If I were going to reset Pirates anywhere myself--which I have no intention of doing--I would follow along Gilbert's original line of thinking in selecting a popular seaside resort town, and would select one of many possible American equivalents or variants. It would be quite possible to do effective versions of the Pirates of: Kennebunkport, Hyannis, Newport, the Hamptons, etc., etc. Even the presence of a baronial castle newly acquired by a nouveau-riche M-G purchasing his ancestors would not be out of place in many of our beach communities, where celebrity glitterati frequently purchase pieces of history. I'm sure West Coast folk and Floridians would have their own variants, and IIRC there are some equivalents around the Great Lakes as well. ===== Andi Stryker-Rodda New York City/New Jersey USA  1, forwarded,, Summary-line: 2-Aug ulahlica@yahoo.com [219] #Re: Raked stages X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Aug 2004 15:23:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i72JNPS8020770; Mon, 2 Aug 2004 15:23:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i72JNO5m019112 for ; Mon, 2 Aug 2004 15:23:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i72JMdTJ021454; Mon, 2 Aug 2004 15:22:39 -0400 (EDT) Date: Mon, 2 Aug 2004 15:22:39 -0400 (EDT) Message-Id: <20040802191354.51571.qmail@web60209.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Raked stages MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 2 Aug 2004 15:22:39 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Raked stages X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This subject reminds me of something Antony Vickery posted a while ago about the English journalist Bernard Levin reviewing a performance of Spontini's La Vestale in Wexford in 1979. It was so incredibly funny, I saved it. Here it is again. John S LI NY *************************************************** "The set for Act I of the opera consisted of a platform laid over the stage, raised about a foot at the back and sloping evenly to the footlights. This was meant to represent the interior of the Temple where burned the sacred flame, and had therefore to look like marble; the designer had achieved a convincing alternative by covering the raised stage in Formica. But the Formica was slippery; to avoid the risk of a performer taking a tumble, designer and stage manager had between them discovered that an ample sprinkling of lemon juice would make the surface sufficiently sticky to provide a secure foothold. The story now forks; down one road, there lies the belief that the member of the stage staff whose duty it was to sprinkle the lifesaving liquid, and who had done so without fail at rehearsal and at the earlier performances (this was the last one of the Festival), had simply forgotten. Down the other branch in the road is a much more attractive rumour: that the theatre charlady, inspecting the premises in the afternoon, had seen to her horror and indignation that the stage was covered in the remains of some spilt liquid, and, inspired by professional pride, had thereupon set to and given it a good scrub and polish all over. The roads now join again, for apart from the superior charm of the second version, it makes no difference what the explanation was. What matters is what happened. What happened began to happen very early. The hero of the opera strides on to the stage immediately after the curtain has gone up. The hero strode; and instantly fell flat on his back. There was a murmur of sympathy and concern from the audience for his embarrassment and for the possibility that he might have been hurt; it was the last such sound that was to be heard that night, and it was very soon to be replaced by sounds of a very different nature. The hero got to his feet, with considerable difficulty, and, having slid some way down the stage in falling, proceeded to stride up-stage to where he should have been in the first place; he had, of course, gone on singing throughout, for the music had not stopped. Striding up-stage, however, was plainly more difficult than he had reckoned on, for every time he took a step and tried to follow it with another, the foot with which he had taken the first proceeded to slide down-stage again, swiftly followed by its companion; he may not have known it, but he was giving a perfect demonstration of what is called marcher sur place, a graceful manoeuvre normally used in mime, and seen at its best in the work of Marcel Marceau. Finding progress uphill difficult, indeed impossible, the hero wisely decided to abandon the attempt and stay where he was, singing bravely on, no doubt calculating that, since the stage was brightly lit, the next character to enter would notice him and adjust his own movements accordingly. So it proved, in a sense at least, for the next character to enter was the hero's trusted friend and confidant, who, seeing his hero further down-stage than he was supposed to be, loyally decided to join him there. Truth to tell, he had little choice, for from the moment he had stepped on to the stage he had begun to slide downhill, arms semaphoring, like Scrooge's clerk on the way home to his Christmas dinner. His downhill progress was arrested by his fetching up against his friend with a thud; this, as it happened, was not altogether inappropriate, as the opera called for them to embrace in friendly greeting at that point. It did not, however, call for them, locked in each other's arms and propelled by the impetus of the friend's descent, to careen helplessly further down- stage with the evident intention of going straight into the orchestra pit with vocal accompaniment - for the hero's aria had, on the arrival of his companion, been transformed into a duet. On the brink of ultimate disaster they managed to arrest their joint progress to destruction and, working their way along the edge of the stage like mountaineers seeking a route round an unbridgeable crevasse, most gallantly began, with infinite pain and by a form of progress most aptly described in the title of Lenin's famous pamphlet, Four Steps Forward, Three Steps Back, to climb up the terrible hill. It speedily became clear that this hazardous ascent was not being made simply from a desire to retain dramatic credibility; it had a much more practical object. The only structure breaking the otherwise all too smooth surface of the stage was a marble pillar, a yard or so high, on which there burned the sacred flame of the rite. This pillar was embedded firmly in the stage, and it had obviously occurred to both mountaineers at once that if they could only reach it it would provide a secure base for their subsequent operations, since if they held on to it for dear life they would at any rate be safe from any further danger of sliding downhill and/or breaking their necks. It was soon borne in upon them that they had undertaken a labour of truly Sisyphean proportions, and would have been most heartily pardoned by the audience if they had abandoned the librettist's words at this point, and fitted to the music instead the old moral verse: The heights by great men reached and kept, Were not attained by sudden flight; But they, while their companions slept, Were toiling upwards in the night. By this time the audience - all 440 of us - were in a state of such abandon with laughter that several of us felt that if this were to continue a moment longer we would be in danger of doing ourselves a serious internal mischief, little did we know that the fun was just beginning, for shortly after Mallory and Irvine reached their longed-for goal, the chorus entered, and instantly flung themselves en masse into a very freely choreographed version of Les Patineurs, albeit to the wrong music. The heroine herself, the priestess Giulia, with a survival instinct strong enough to suggest that she would be the one to get close to should any reader of these lines happen to be shipwrecked along with the Wexford opera company, skated into the wings and kicked her shoes off and then, finding on her return that this had hardly improved matters, skated back to the wings and removed her tights as well. Now, however, the singing never having stopped for a moment, the chorus had come to the same conclusion as had the hero and his friend, namely that holding on to the holy pillar was the only way to remain upright and more or less immobile. The trouble with this conclusion was that there was only one such pillar on the stage, and it was a small one; as the cast crowded round it, it seemed that there would be some very unseemly brawling among those seeking a hand-hold, a foothold, even a bare finger-hold, on this tiny island of security in the terrible sea of impermanence. By an instinctive understanding of the principles of co-operation, however, they decided the matter without bloodshed; those nearest the pillar clutched it, those next nearest clutched the clutchers, those farther away still clutched those, and so on until, in a kind of daisy- chain that snaked across the stage, everybody was accommodated. The condition of the audience was now one of fully extended hysteria, which was having the most extraordinary effect - itself intensifying the audience's condition - on the orchestra. At Wexford, the orchestra pit runs under the stage; only a single row of players - those at the edge of the pit nearest the audience, together, of course, with the conductor - could see what was happening on the stage. The rest realized that something out of the ordinary was going on up there, and would have been singularly dull of wit if they had not, for many members of the audience were now slumped on the floor weeping helplessly in the agony of their mirth, and although the orchestra at Wexford cannot see the stage, it can certainly see the auditorium. Theologians tell us that the delights of the next world are eternal. Perhaps; but what is certain is that all earthly ones, alas, are temporary, and duly, after giving us a glimpse of the more enduring joy of Heaven that must have strengthened the devout in their faith and caused instant conversion among many of the unbelievers, the entertainment came to an end when the first act of the opera did so, amid such cheering as I had never before heard in an opera house, and can never hope to hear again. In the interval before Act II, a member of the production staff walked back and forth across the stage, sprinkling it with the precious nectar, and we knew that our happiness was at an end. But he who, after such happiness, would have demanded more, would be greedy indeed, and most of us were content to know that, for one crowded half-hour, we on honeydew had fed, and drunk the milk of Paradise". __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, Summary-line: 3-Aug pdp@globalnet.co.uk [44] #Re: Two minor factors about Buxton performances.... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 02:45:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i736jbS8002033; Tue, 3 Aug 2004 02:45:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i736inYC001135 for ; Tue, 3 Aug 2004 02:44:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i736iFTJ029388; Tue, 3 Aug 2004 02:44:15 -0400 (EDT) Date: Tue, 3 Aug 2004 02:44:15 -0400 (EDT) Message-Id: <3.0.6.32.20040803073857.016033c0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Two minor factors about Buxton performances.... Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Aug 2004 02:44:15 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Two minor factors about Buxton performances.... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 23:06 02/08/04 -0400, Peter Zavon wrote: >For me, however, the great difficulty of the Buxton stage is the acoustics. >It throws sound forward very effectively. As a result, one side of the >stage has great difficulty hearing the singing from the other side of the >stage, and sometimes even from the orchestra. What is one man's difficulty is another man's benefit. The acoustics of the Buxton Opera House are a boon to anyone making a recording in the auditorium. I can speak of personal experience in making (officially) video recordings with sound there in 1997 and subsequently. The presence or absence of an audience usually makes a deal of difference in most theatres but at Buxton I have not noticed much change. I think it is true however that the more ''professional'' and sophisticated the equipment used the greater these problems become. Keep it simple is my motto, (speaking only of making recordings). Just about the worst stage at Buxton for acoustics is The Octagon. The echo in that hall is dreadful and I was surprised at the attempt to record, professionally, in that hall serious Sullivan a year or two back. The Paxton can be reasonable for sound but only if the dreadful hum from fans, bottle cooling plant and air conditioning is turned off. However then the auditorium is too hot for anyone to sit and listen! For this venue one does need sophisticated equipment to overcome the problems. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 3-Aug david@musicalsolutions.co [44] #Limerick Competition X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 12:36:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i73GaBvV022131; Tue, 3 Aug 2004 12:36:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i73GYrZM028979 for ; Tue, 3 Aug 2004 12:34:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i73GXpTJ004629; Tue, 3 Aug 2004 12:33:51 -0400 (EDT) Date: Tue, 3 Aug 2004 12:33:51 -0400 (EDT) Message-Id: <5.2.1.1.2.20040803165510.00a50ec0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Limerick Competition Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Aug 2004 12:33:51 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Limerick Competition X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is the first year where I've experienced the "Buxton Lull" at first hand, so I'm looking to gee things along a bit with a Limerick Competition. Of course, if any of you lucky Buxton-ites want to join in, then please feel free. There are three starting lines, as follows : "A Victorian playwright called Willie" or "I'm sorry, my middle name's 'Seymour' " or "We D'Oylys (the Carte's an addition) The final date for submissions is Friday 13th August, in whatever time-zone you're in. It would be useful if you could include the words "Limerick Competition" in your subject line - easily acheived by replying to this message. Private and public replies are welcome. The judge's decision (i.e., my decision) is final. I'll publish all submissions to SavoyNet at a later date. All the best David Cookson www.musicalsolutions.com  1,, Summary-line: 3-Aug mstorie@nwlink.com [30] #The raked stage in Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 13:54:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i73HsOvR012442; Tue, 3 Aug 2004 13:54:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i73HpEud026347 for ; Tue, 3 Aug 2004 13:51:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i73Hh1TJ005701; Tue, 3 Aug 2004 13:43:01 -0400 (EDT) Date: Tue, 3 Aug 2004 13:43:01 -0400 (EDT) Message-Id: <410F4159.F15DB00F@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The raked stage in Buxton MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Aug 2004 13:43:01 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: The raked stage in Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Because we took a set to Buxton ("The Grand Duke") that had scenic elements running up and down stage, we became very familiar with the rake. It is not particularly steep but it does need to be accounted for, particularly where the rake goes to flat at on the upstage side. The amount of rake is 1:24 or one inch in two feet. Another aspect for a scenic designer is that the lineset pipes, while having a rated capacity of about 800 lbs. are only about 1-1/4 inch in diameter. This means that at their rated capacity they sag in the middle, requiring turnbuckles or some other type of adjustment on the hanging wires. Mike Storie  1,, Summary-line: 3-Aug LHall@tscwo.com [34] #An interesting article X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 14:08:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i73I80vL021482; Tue, 3 Aug 2004 14:08:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i73I7uud008842 for ; Tue, 3 Aug 2004 14:07:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i73I7ITJ006565; Tue, 3 Aug 2004 14:07:18 -0400 (EDT) Date: Tue, 3 Aug 2004 14:07:18 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B024E1682@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: An interesting article MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Aug 2004 14:07:18 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: An interesting article X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Google sent this to me because of the passing reference to G&S, but it's quite a good read. And the description of Timothy Spall is certainly worth the click. But, oh please, British friends, what might Mr. Simkins have meant by "that Condor look"? Leta Aspen Hill, Maryland PS - I've not yet performed on a raked stage and share Mary's dislike of slippery surfaces. Around here the seating is usually raked and the stages are flat. At the Industrial Strength Theater (a 120-seat black boxish space) where the Elden Street Players performs, the audience rake is sharp enough that the shoulders of the audience member in front of one are at about knee height. No bad seats. Even Andi can have a clear view with Laurie Weissbrot in front of her.  1,, Summary-line: 3-Aug epish_shepherd@tiscali.co [34] #Re: Boston X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 16:23:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i73KNYvL023318; Tue, 3 Aug 2004 16:23:34 -0400 (EDT) Received: from mk-smarthost-4.mail.uk.tiscali.com (mk-smarthost-4.mail.uk.tiscali.com [212.74.114.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i73KNVud021364 for ; Tue, 3 Aug 2004 16:23:32 -0400 (EDT) Received: from dsl-80-46-133-209.access.uk.tiscali.com ([80.46.133.209]:3606 helo=Adam.tiscali.co.uk) by mk-smarthost-4.mail.uk.tiscali.com with esmtp (Exim 4.30) id 1Bs5oq-000MPZ-SA for opus@MIT.EDU; Tue, 03 Aug 2004 21:23:33 +0100 Message-Id: <6.1.2.0.0.20040803212555.01b8d448@pop3.tiscali.co.uk> X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 Date: Tue, 03 Aug 2004 21:29:48 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200408031641.i73Gf6gd004199@multics.mit.edu> References: <6.1.2.0.0.20040709183030.01d40130@pop3.tiscali.co.uk> <200407092007.i69K7H1V022940@multics.mit.edu> <6.1.2.0.0.20040709211726.01dbd9e0@pop3.tiscali.co.uk> <200407092056.i69KupWB024512@multics.mit.edu> <6.1.2.0.0.20040709220552.01ecd8d0@pop3.tiscali.co.uk> <200407231953.i6NJrCQE003674@multics.mit.edu> <6.1.2.0.0.20040723211455.01be35a0@pop3.tiscali.co.uk> <200407232020.i6NKK0eI004183@multics.mit.edu> <6.1.2.0.0.20040723212753.01be8c20@pop3.tiscali.co.uk> <200408031641.i73Gf6gd004199@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk Date: Tue, 03 Aug 2004 21:29:48 +0100 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Boston In-Reply-To: <200408031641.i73Gf6gd004199@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We managed alright, but we were getting in fairly late most days, and I couldn't break away from my parents as my step-mother had entered into one of her paranoid streaks (please don't ask), and heading out on my own was impossible as I can't drive and the hotel was in a small town on the New Hampshire border, so... Ah, well. I'm sure we'll have another chance at one of the Buxton Festivals. At 17:41 03/08/2004, you wrote: >Hi Adam. > >I guess things did not go quite as planned. Hope you didn't run into >problems with the convention in Boston. > >-Dave -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, Summary-line: 3-Aug Butagirl@aol.com [72] #Limericks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Aug 2004 16:51:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i73Kodw9009743; Tue, 3 Aug 2004 16:51:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i73KmoVj009199 for ; Tue, 3 Aug 2004 16:48:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i73KlnTJ009632; Tue, 3 Aug 2004 16:47:49 -0400 (EDT) Date: Tue, 3 Aug 2004 16:47:49 -0400 (EDT) Message-Id: <1cf.2792847e.2e41518e@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Limericks MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Aug 2004 16:47:49 -0400 (EDT) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Limericks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Cookson wrote: <> These may be a little familiar to some of the "old-timers", but they haven't been posted for two years, so what the heck: There once was a young lad called Cyril Who thought of himself as quite virile He dressed as a lady In conduct quite shady Secreting his nuts like a squirrel There once was a fellow called Nanki Who always was terribly cranky He suffered from cold (Or so I've been told) But never did carry a hanky. There once was a girl called Saphir Whose affections were given to veer She loved the aesthetic With passion pathetic And poets would turn her quite queer There once was a young girl called Mabel Who to sing a high E-flat was able She'd sing agitato With too much vibrato Till her sisters thought she was unstable There once was a nursemaid called Ruth Who was getting quite long in the tooth She misheard instructions Which caused no few ructions As Fred went to pirates uncouth There once was a girl called Aline Whose fiancee was selfish and mean He made her drink philtre - It threw her off-kilter Which none of them could have foreseen There once was a mad girl called Mags Who wandered round tattered, in rags Indulged in hysterics In front of the clerics Which sure got her plenty of ... attention. (The real task is to write one for Inez without including the most obvious rhyme - any volunteers?) Sharon Cutworth "Though I am butagirl@aol.com"  1,, Summary-line: 5-Aug ulahlica@yahoo.com [39] #Re: Virus-laden messages in SAVOYNET X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Aug 2004 19:10:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i75NAEhr005193; Thu, 5 Aug 2004 19:10:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i75NA70U022666 for ; Thu, 5 Aug 2004 19:10:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i75N9PTJ005735; Thu, 5 Aug 2004 19:09:25 -0400 (EDT) Date: Thu, 5 Aug 2004 19:09:25 -0400 (EDT) Message-Id: <20040805230526.32653.qmail@web60209.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Virus-laden messages in SAVOYNET MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Aug 2004 19:09:25 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Virus-laden messages in SAVOYNET X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ken wrote... ***You should also use something like "Spybot" (again, free) to check your system for adware/spyware on a regular basis.*** I just downloaded those two recently from here: http://www.microsoft.com/mscorp/twc/privacy/spyware.mspx They are the last two links at the bottom. For free. You'd be surprised how much stuff is getting written to your computer - slowing it down. John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail  1,, Summary-line: 5-Aug cjsmith@MIT.EDU [31] #Moving X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Aug 2004 21:42:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i761gYhr026643; Thu, 5 Aug 2004 21:42:34 -0400 (EDT) Received: from out010.verizon.net (out010pub.verizon.net [206.46.170.133]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i761gPvK019418 for ; Thu, 5 Aug 2004 21:42:25 -0400 (EDT) Received: from [192.168.1.100] ([151.203.230.19]) by out010.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040806014225.TGRE14383.out010.verizon.net@[192.168.1.100]>; Thu, 5 Aug 2004 20:42:25 -0500 Mime-Version: 1.0 (Apple Message framework v609) Content-Transfer-Encoding: 7bit Message-Id: Content-Type: text/plain; charset=US-ASCII; format=flowed To: dinner@mit.edu, Geoffrey Collins , freaks@suberic.net From: Carolyn Smith Subject: Moving Date: Thu, 5 Aug 2004 21:42:10 -0400 X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out010.verizon.net from [151.203.230.19] at Thu, 5 Aug 2004 20:42:24 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: dinner@mit.edu, Geoffrey Collins , freaks@suberic.net From: Carolyn Smith Subject: Moving Date: Thu, 5 Aug 2004 21:42:10 -0400 X-Authentication-Info: Submitted using SMTP AUTH at out010.verizon.net from [151.203.230.19] at Thu, 5 Aug 2004 20:42:24 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jason and I have bought a house!!!!!! We are slowly moving our stuff over. We will be renting a Uhaul on Saturday August 14 and moving the big furniture that day. So we're begging for help :-) If you're willing to help haul furniture let us know. We're aiming for starting to load the truck around noon. Hopefully it will go quickly, as the only stuff to load will be whatever we cant move by car before then!!! We will of course provide refreshements and dinner to whoever helps us out. Most likely take-out of some kind. And there will be a real housewarming at some later date. :-) --cyn  1,, Summary-line: 6-Aug ichikawa@gmail.com [24] #Self-Indulgent Jonathan Announcement X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 06 Aug 2004 04:36:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i768aIhr026173; Fri, 6 Aug 2004 04:36:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i768aHkg024059 for ; Fri, 6 Aug 2004 04:36:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i768ZSTJ008481; Fri, 6 Aug 2004 04:35:28 -0400 (EDT) Date: Fri, 6 Aug 2004 04:35:28 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Self-Indulgent Jonathan Announcement Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 6 Aug 2004 04:35:28 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Self-Indulgent Jonathan Announcement X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've been cast as Bunthorne in the Festival Young Artistes production of PATIENCE on August 17. I'm very excited. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, Summary-line: 6-Aug jgoodman@whoi.edu [39] #Re: Moving X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 06 Aug 2004 11:02:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i76F2ITs011491; Fri, 6 Aug 2004 11:02:19 -0400 (EDT) Received: from out007.verizon.net (out007pub.verizon.net [206.46.170.107]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i76F1qLp006389; Fri, 6 Aug 2004 11:01:52 -0400 (EDT) Received: from [192.168.1.101] ([151.203.230.19]) by out007.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040806150151.ZKD1210.out007.verizon.net@[192.168.1.101]>; Fri, 6 Aug 2004 10:01:51 -0500 In-Reply-To: <1EFC7E01-E76D-11D8-B3D1-000393AFBD2A@suberic.net> References: <1EFC7E01-E76D-11D8-B3D1-000393AFBD2A@suberic.net> Mime-Version: 1.0 (Apple Message framework v618) Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: <8AC4F3F4-E7B9-11D8-8E28-000A957D7366@whoi.edu> Content-Transfer-Encoding: 7bit Cc: Carolyn Smith , dinner@mit.edu, Geoffrey Collins , freaks@suberic.net From: Jason Goodman Subject: Re: Moving Date: Fri, 6 Aug 2004 11:01:49 -0400 To: Marc Moskowitz X-Mailer: Apple Mail (2.618) X-Authentication-Info: Submitted using SMTP AUTH at out007.verizon.net from [151.203.230.19] at Fri, 6 Aug 2004 10:01:50 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <1EFC7E01-E76D-11D8-B3D1-000393AFBD2A@suberic.net> Cc: Carolyn Smith , dinner@mit.edu, Geoffrey Collins , freaks@suberic.net From: Jason Goodman Subject: Re: Moving Date: Fri, 6 Aug 2004 11:01:49 -0400 To: Marc Moskowitz X-Authentication-Info: Submitted using SMTP AUTH at out007.verizon.net from [151.203.230.19] at Fri, 6 Aug 2004 10:01:50 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Aug 6, 2004, at 1:54 AM, Marc Moskowitz wrote: > Where is the house? > -Marc I suppose that matters! The apartment and the new house are both in Middleboro, MA. About an hour's drive from Arlington; a 1-hour train ride from South Station. We'll be happy to pick up and drop off at the train station if you'd like to come but have no car. Quick directions to the house, for future reference: From anywhere but Cape Cod, take 495 South to Exit 3. Turn right onto Route 28 South, and take the first right onto Smith Street -- there's a sign saying "Rock Village". Go about 1/4 mile, then turn left onto Bishop Avenue. Bishop is mostly unpaved and has an ancient street sign that actually reads "Bishup Ave": This is to be considered Local Character. The end of Bishop Ave turns into our driveway. If you didn't see the photos we took when we were looking at the place, check out http://suberic.net/~goodmanj/7-bishop/  1,, Summary-line: 7-Aug edwpat@worldnet.att.net [50] #Overtures X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 07 Aug 2004 10:06:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i77E6TIU024126; Sat, 7 Aug 2004 10:06:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i77E6RUG007208 for ; Sat, 7 Aug 2004 10:06:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i77E5qTJ023235; Sat, 7 Aug 2004 10:05:52 -0400 (EDT) Date: Sat, 7 Aug 2004 10:05:52 -0400 (EDT) Message-Id: <000301c47c84$77fcccc0$48389e0a@PattersonE6.us.dbisna.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Overtures MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3612.1700 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 7 Aug 2004 10:05:52 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Overtures X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Constantine Coutroulos wrote: "Can anyone give me the full information on who wrote which overtures (or tell me where I can find it easily--which I'm sure I can)?" Cox and Box - Sullivan (for the revival with The Chieftain) The Contrabandista - No Overture (just a few bars and by Sullivan) Thespis - Overture unknown Trial by Jury - No Overture The Sorceror - No Overture for first run (Dances from Henry VIII usd) - Hamilton Clarke for revival. HMS Pinafore - Cellier - but, I think no Overture was intended as Sullivan wrote the opening Entracte. Pirates - Cellier Patience - Eugene D'Albert Iolanthe - Sullivan Princess Ida - Sullivan (more a prelude) The Mikado - Clarke Ruddygore - Clarke (Toye wrote the Modern revival) Yeomen - Sullivan The Goldoliers - (Sullivan? - without the added cachucha coda) Ivanhoe - No Overture, just prelude Haddon Hall - Prelude & Vocal Prolog - Sullivan Utopia Limited - Sullivan (lost) The Chieftain - same as La Contrabandista - none The Grand Duke - Sullivan The Beauty Stone - Prelude - Sullivan The Rose of Persia - Sullivan (not very long) The Emerald Isle - German (with some Sullivan music) Thanks Ed Patterson Come experience The Jade Owl, by Edward C. Patterson, illustrated by Daniela S. Daniel http://www.anotherchapter.com/StoryInfo.asp?ID=34  1,, Summary-line: 7-Aug richard.ogden@btinternet. [99] #Back from Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 07 Aug 2004 17:05:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i77L5oIU006665; Sat, 7 Aug 2004 17:05:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i77L5nNf018975 for ; Sat, 7 Aug 2004 17:05:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i77L5FTJ028657; Sat, 7 Aug 2004 17:05:15 -0400 (EDT) Date: Sat, 7 Aug 2004 17:05:15 -0400 (EDT) Message-Id: <01a401c47cc0$fca8ea30$66868351@Marmaduke> Errors-To: savoynet-owner@bridgewater.edu Reply-To: richard.ogden@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Richard Ogden" To: Multiple recipients of list SAVOYNET Subject: Back from Buxton MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 7 Aug 2004 17:05:15 -0400 (EDT) Reply-To: richard.ogden@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Richard Ogden" To: Multiple recipients of list SAVOYNET Subject: Back from Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, here I am back at home at my PC, a week at Buxton behind me, and just a litle surprised that the downloading of backlogged mail doesn't contain a bit more about what has been happening there so far. I can offer only a few highly personal comments; my main reason for being there was to appear as a peer (Act I) and Private Willis (Act II) of Abbots Langley G&S Society's "Iolanthe" on Monday evening, 2 August. The previous weeks had seen some quite intense rehearsals on what was essentially a revival of the show we produced locally last February. We had to take into account a different shaped stage (and, yes, we did know about the rake!), several chorus members recruited to replace "originals" who couldn't make it - oh, and a different MD, but we know Philip Joslin so well, and he us, that this really was no problem at all. As it happened, we also had to cope with heavy peers' cloaks - and grenadier's uniform - that were a great deal hotter to wear in August than they had been in February! On Monday afternoon we admired a fine playing of the overture and then I had the dubious pleasure of being the first singer, as Act II was rehearsed before Act I (for scene-shifting convenience). We managed to run through all the music in the time allotted, and some of the dialogue, and then even just had time to run right through the March of the Peers just once more. So on to the evening. Somehow, being early in the Festival, we had been more than half prepared for a small audience, but we were delighted in the end to find ourselves with the best part of a full house - and what a splendid lot they were - so encouraging, of course - reacting as if they were seeing the piece for the first time. We know a good number of Texans were there, and had no little hand in the cheerleading - it was certainly appreciated across the footlights! We men were astonished to get a round of applause at our "chess board" move part way through the March, even before we had done it in reverse, and absolutely knocked out by the very prolonged applause when we finally completed the March! You can imagine how the dressing rooms were buzzing at the interval - and if yours truly was just that little bit quieter, it was at the prospect of having to "follow that" at the start of Act II. Well, I think I marched on just a tad too early, but "When all night long" went well enough, and so did the rest of the act. We felt that some of Miss Humphries' comments were very subjective, but, in retrospect, we realise she had been distinctly kind. And "officially", we have every reason to believe that we shall be back again - quite possibly as soon as next year! ALG&SS have established a tradition for the "morning after", before those who have to depart down South again - we meet up in the Pavilion Gardens for a very light hearted Crazy Golf tournament for the "Duchess Stakes" (it started in a "Gondoliers" year), then go for a musical ride on the miniature railway. This year we very nearly abandoned the golf due to the rain, but decided to go ahead, and the rain held off - just. The little train, however, was then found to be still firmly locked away in his engine shed/tunnel, so we had to be content with walking in a crocodile round the track doing some rather indifferent singing - well, have you tried to sing G&S whilst walking on sleepers and ballast? For my wife and myself that was our lot of G&S for several days, although we were staying in Buxton. We visited Haddon Hall, with its Sullivan associations, and highly recommended, especially if you don't have time to do Chatsworth and/or want something more intimate, and the Chestnut Centre, with its delightful otters and rather less active owls. We also travelled round Manchester to meet up with old friends in Chorley, Lancashire. And on Friday morning we went to the Flower Festival at St John's church, Buxton - highly recommended to anyone still there who has a little time to spare. I believe it is on until next Tuesday, and there are choral services on Sunday as well. And otherwise, we generally enjoyed the whole Peak District, of which we think Buxton itself is just about one of the very best features. We hope those of you, especially, who have come a very long way and may not do so again in a hurry, will not restrict yourselves to the interiors of the Opera House, the Paxton, the Octagon etc. At the very least, take a stroll round the Pavilion Gardens and the buildings closest to them, especially if you are treated to another sunny day. Then, finally, having abandoned any thought of Nene Opera's "Ida" on Thursday night, due to the thunderstorm which blew up, we decided to attend Southampton OS's "Pirates" on Friday evening. Very good in many ways, especially the Major General and Pirate King, but the chorus was generally agreed to be rather overwhelming, especially due to being almost continually on the move. Oh, and I'm afraid it had to be agreed that it was not only in stature that Frederic simply wasn't up to it. Perhaps he had Ruth's slight cold?? Surely he wasn't the only person they could get for the part? So, was it worth while, would I go again, and would I recommend it to anyone else? Emphatically "yes" on all counts. I hope the rest of you there now are enjoying it as much, and will continue to do so. Long may the event continue. Richard Ogden Chesham, England  1,, Summary-line: 7-Aug jstmcm@ntlworld.com [60] #Re: Back from Buxton X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 07 Aug 2004 18:11:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i77MBfIU025176; Sat, 7 Aug 2004 18:11:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i77MBYUS024960 for ; Sat, 7 Aug 2004 18:11:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i77MAxTJ029182; Sat, 7 Aug 2004 18:10:59 -0400 (EDT) Date: Sat, 7 Aug 2004 18:10:59 -0400 (EDT) Message-Id: <008301c47ccb$40dac160$b9b56351@nassurrey> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jstmcm@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jstmcm" To: Multiple recipients of list SAVOYNET Subject: Re: Back from Buxton MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 7 Aug 2004 18:10:59 -0400 (EDT) Reply-To: jstmcm@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "jstmcm" To: Multiple recipients of list SAVOYNET Subject: Re: Back from Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am a new member of this group, and have been lurking for the past week but this post has prompted me to break cover. I happened to be in Buxton for a mini-break last weekend, with my family. I had no idea when we booked that the G&S festival was on. I was introduced to G&S in my childhood by my mother, who was very fond of the operas/operettas, and have retained an affection for them though I perhaps only see a production (amateur) about once every 5 or more years. I am not at all knowledgable about the works and there are many I have never seen, although I know a lot of the music, but I have always particularly loved The Pirates of Penzance (my mother's favourite) and Iolanthe. Having discovered the festival was on, I then discovered that the Parson's Pirates and Iolanthe were both on during our stay, so I just had to see them. I went to the Come and Sing on Saturday afternoon, and thoroughly enjoyed hearing the familiar music again, and joining in where I could. On the Sunday afternon I saw the Parson's Pirates, which was a treat, and I saw Patience on the Sunday night, which was a work I had not seen before. I enjoyed it but was slightly disappointed that it wasn't more humourous, as the humour is equal to the music in importance to me. Mind you, I was probably in a state of shock when I was watching it as to my astonishment the conductor (Hilary Davan Wetton) was the man who conducts the choir which I sang in for 10 years until I had to give up last year for lack of time. On Monday I saw Iolanthe. Having seen the professional performers on Sunday afternoon and evening, and remembering some local amateur performances, I was a little apprehensive about what the standard might be for this amateur performance. I was completely blown away by it! The company were excellent, it was very funny and the music was as wonderful as ever. I can assure Richard that the applause we gave the "chessboard" move in the March was spontaneous and thoroughly deserved. It looked brilliant from where I was sitting in the circle. I had such a wonderful time that evening that I felt I must get into the G&S world and learn more about it. Having seen people walking around in Savoynet T-shirts this seemed like the place to start. I look forward to learning from all you experts. Can I start with what I am sure is a really embarrassingly ignorant question. The programme gave lots of information about all the companies involved and various individuals, but there was nothing at all about "the man himself" - Ian Smith. Perhaps it is assumed that everyone knows all about him, but I am afraid I don't. Did he sing with the D'Oyly Carte? Sara Truman Guildford, England  1,, Summary-line: 8-Aug pjhindle1@HOTMAIL.COM [57] #Who is Ian Smith? (was Re: Back from Buxton) X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 08 Aug 2004 10:29:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i78ET0Jo009577; Sun, 8 Aug 2004 10:29:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i78ES3Ec016031 for ; Sun, 8 Aug 2004 10:28:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i78ER9TJ004232; Sun, 8 Aug 2004 10:27:09 -0400 (EDT) Date: Sun, 8 Aug 2004 10:27:09 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: pjhindle1@HOTMAIL.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P. J. Hindle" To: Multiple recipients of list SAVOYNET Subject: Who is Ian Smith? (was Re: Back from Buxton) Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 8 Aug 2004 10:27:09 -0400 (EDT) Reply-To: pjhindle1@HOTMAIL.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P. J. Hindle" To: Multiple recipients of list SAVOYNET Subject: Who is Ian Smith? (was Re: Back from Buxton) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ian Smith is the Buxton Festival Organiser and his eldest son Neil is the festival factotum (I believe he gave up the role of festival secretary last year). Ian’s love of G & S began as a child as he was brought up with the strains of their works ringing in his ears. This love he has passed on to his children. He comes from a background of amateur G & S founding the West Yorkshire Savoyards Appreciation Society (or Halifax Savoyards for short) where he played the “patter parts”. He had the vision to contact John Read when he moved to West Yorkshire and consequently John directed a number of productions. Always the entrepreneur Ian runs his own business based in Halifax called ISM Ltd. As chairman of the Savoyards he arranged amateur “tours” which took the company to Hungary and America, as well as to the Waterford Festival in Ireland. Eleven years ago he realised his dream and using his business skills organised the first G & S Festival. As the High Peak Council was the most encouraging Ian decided to select Buxton as the home for the Festival. The stakes were very high but the gamble paid off as seen with the growing attendances each year. This prompted him to establish the short lived “International Musical Festival” which ran directly after the G &S Festival, but the enterprise faired less well and eventually ended. Balancing his work (ISM) and his hobby (G&S) was very time consuming and so Ian has (temporarily?) withdrawn from the Savoyards when he stepped down as chairman this year. In his spare time Ian founded the amateur NOMADS (which he ran concurrently with the Savoyards) and this semi regular performance company have allowed Ian and his son Neil the opportunity to perform during the festival in non adjudicated performances. People have many opinions as to Ian’s style and management acumen, however he is certainly one of life’s characters, with a sincere love of G & S in his heart. There is no doubt that the International G & S Festival would not have existed without this man. For that, if nothing else, he should be commended. Philip J. Hindle (Pip.) _________________________________________________________________ Express yourself with cool new emoticons http://www.msn.co.uk/specials/myemo  1,, Summary-line: 8-Aug pnh@dsl.pipex.com [227] #Buxton NYGASP Pinafore (longer than I intended) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 08 Aug 2004 16:53:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i78Krbtm025961; Sun, 8 Aug 2004 16:53:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i78KrahA003456 for ; Sun, 8 Aug 2004 16:53:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i78KqsTJ006564; Sun, 8 Aug 2004 16:52:59 -0400 (EDT) Date: Sun, 8 Aug 2004 16:52:54 -0400 (EDT) Message-Id: <000501c47d8a$105ce9e0$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Buxton NYGASP Pinafore (longer than I intended) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 8 Aug 2004 16:52:54 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Buxton NYGASP Pinafore (longer than I intended) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) New York Gilbert and Sullivan Players H.M.S. Pinafore Buxton Opera House Saturday 7 August 2004. Sir Joseph Porter - Stephen O'Brien Captain Corcoran - Richard Holmes Ralph - Andrew McPhail Dick Deadeye - Louis Dall'Ava Bill Bobstay - Tyler Bunch Bob Becket - David Macaluso Hebe - Erika Person Little Buttercup - Angela Smith Sgt of Marines - Paul Sigrist Conductor - Albert Bergeret. Mr. Bergeret began the performance with the National Anthem, which threw the audience a little - some of them clearly only knew two tunes: one is the Overture to H.M.S. Pinafore and the other isn't, and their confusion is obvious. >From the very start of the overture, it was obvious that this was going to be a performance of H.M.S. Pinafore in which the music had been carefully considered. In the second section of the overture, little touches of rubato and later, little crescendos emphasised the phrasing and made this performance anything but routine. The production was, I felt, broadly in line with "tradition" - although there were some bits of business both "original and novel". During the long prelude to the opening chorus, it was made clear in mime that there was an attraction between Josephine and Ralph, but once the chorus started, the sailors were doing what Gilbert intended - cleaning the brasswork, swabbing the decks, splicing rope etc. The opening chorus got the show off too a breezy start, and I was at once impressed by the mastery of an "English" accent - only detecting a wrong vowel sound on the word "saucy" In fact, all the cast were to be complimented on their "English" accents with only an odd vowel sound here and there sounding slightly odd to my ears - and if that's not nit-picking, I don't know what is! As Buttercup, Angela Smith was indeed a "plump and pleasing" person. During her opening number, she went through the traditional business of handing out specimens of her wares from her basket - and I'm pleased to say that I noticed no rubber chicken, if it was there. She affected a sort of "Mummerset" accent which was not entirely convincing - but many English singers would have failed to convince entirely as well. Andrew McPhail as Ralph looked the part - it was clear why Josephine would fall for him - and he sang the part heroically with clear, ringing top notes. I did wonder if the phrasing in "A maiden fair to see" was a little too careful - a thought which crossed my mind in Josephine's first aria too (that *her" phrasing was a little too careful, not Ralph's.) As Captain Corcoran, Richard Holmes was ideal. His class consciousness, and hypocrisy was clearly brought out (in matters of the heart he would not coerce his daughter? Don't you believe it!) and his singing crisp and clear. In that song the crew were clearly aware that he was being economical with the truth. Skipping momentarily to Act 2, His "Fair Moon" was lovingly sung and a joy to hear, rather than simply a sentimental ballad to get Act 2 going. The visual gag of him looking through his telescope at Little Buttercup's "round rear end" as she adjusted the contents of her basket just before her exit after the recitative was one which, in my opinion, could have been omitted. The women's chorus had a little difficulty following the beat whilst singing off stage, but when they came on and danced in a circle round Dick Deadeye soon recovered. Before Sir Joseph's entrance a single Marine entered with a very large gun which he had some difficulty controlling. This was another one of the "original and completely novel" bits of business which, although it worked for the vast majority of the audience, I did not particularly like. When Sir Joseph entered, he paid a great deal of attention to some of his cousins - keeping Maestro Bergeret and the orchestra waiting until they finally gave up. Sir Joseph had to prompt the orchestra into action before he could sing his song which was delivered with excellent, clear diction and appropriate actions. To comment on every felicity of the remainder of the first act would take all night. Suffice it to say that the action moved seamlessly on at a brisk pace, performance every number - "A British Tar" - "Refrain, audacious Tar" and the Finale to Act 1 breathed life into the music, and the dialogue was delivered with style which put over Gilbert's gags clearly so the audience could respond. I'll be briefer on Act 2. During the Entr'acte, we saw the Captain, Sir Joseph and Josephine seated at a table on deck enjoying what I assume was neat absinthe - since it affected Josephine quite quickly. I liked the way Buttercup produced a sphere covered with a cloth at the line about "gypsy blood in her veins" removing the cloth to reveal a grapefruit rather than a crystal ball. The Bell Trio - we were treated to the usual string of encores, with comic business with bells - Sir Joseph's wouldn't ring at one point, another bell he was given was too heavy for him to lift (although it had presented no difficulty to the young female relative who had carried it on.) The encores were only brought to an end when both Sir Joseph and Josephine had threatened Mr. Bergeret with a pistol. Us traditionalists expect silly encores here. These encores were funny without going over the top as I fear the old D'Oyly Carte did at times. The business with the wine glasses being used as a telephone during the dialogue after the Bell Trio was clever. (Sir J. and Capt. C. used two glasses as an old fashioned two piece telephone, Capt. C made out he couldn't hear, and promptly swapped the glasses round). Mentioning telephones, the only alteration to the text I detected was the change of "No telephone communicates" in the octet to "No mobile phone.." Naturally, I found this tampering with the libretto unpardonable, but the line was delivered with a sort of "hip jerk" by Hebe which was funny and prevented me scowling. I fact, I might have smiled. I've now remembered I haven't mentioned Hebe. Erika Person was clearly a relation to be reckoned with from the outset and made the most of what is a fairly insignificant part. In this she was helped by having some lines of the cut Hebe dialogue restores, but achieved it mainly by her stage presence and actin ability. Two quibbles about costume - Sir Joseph's hat, and the braiding on his tunic were not right at all - but his costume was considerably better than the one with which Sir Joseph was provided in that last "New" D'Oyly Carte Opera production which made him indistinguishable from the Captain - and the sailors collars should have been blue with the three white stripes. The plain white ones annoyed me. If anyone is still reading this, let me conclude that this was far and away the best, the brightest and liveliest "Pinafore" I have seen for a long, long time. The music was fresh, the action well paced, the acting purposeful, the singing excellent by all and the diction clear. It was received with enthusiasm by a paced house and it would have only taken one brave soul to lead the way and it would have had, and deservedly so, a standing ovation. I wish I could have stayed to see "Iolanthe" tonight. Paul Howarth York Associate Curator, Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Victorian Parlour Songs http://www.pnhowarth.org/songs John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 8-Aug nibelungen@btopenworld.co [44] #National Anthem X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 08 Aug 2004 17:51:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i78Lpqtm016185; Sun, 8 Aug 2004 17:51:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i78LppMH024743 for ; Sun, 8 Aug 2004 17:51:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i78LpGTJ006956; Sun, 8 Aug 2004 17:51:16 -0400 (EDT) Date: Sun, 8 Aug 2004 17:51:16 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: nibelungen@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C.M.Wade" To: Multiple recipients of list SAVOYNET Subject: National Anthem Mime-version: 1.0 Content-type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 8 Aug 2004 17:51:16 -0400 (EDT) Reply-To: nibelungen@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "C.M.Wade" To: Multiple recipients of list SAVOYNET Subject: National Anthem X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes it would surprise the audience It is Im afraid no longer "De rigeur" to play God Save the Queen in Theatres or Cinemas in the UK The only place it is played regularly is on Radio 4 either last thing at night after the shipping forecast and before the transmission switches to World Service or on the birthdays of H.M. The Queen and HRH. Prince Charles Even the Royal Opera House Covent Garden only plays it at the start and end of each season or on a state occasion ie. when the Queen or her representative is in attendance Oddly when Der Ring des Nibelungen was the first work mounted at ROH Covent Garden, then the National anthem wasn't played before Das Rheingold but was played before the next Opera to be mounted after the completion of the Cycle ( or Cycles) I used to belong to an Operatic Society in Colwyn Bay in North Wales, where I was a student. The National anthem was always played before the Overture every night, except on Civic Night when the Mayor and Mayoress were in attendance. On that occasion The National Anthem was played at the end and Land of My Fathers was played before the curtain. Those of us on stage who didn¹t speak welsh had a phonetic version written down on a piece of paper so we could join in!! C.M.Wade M.G.Lennon 50 Ravenscroft Crescent Stradbroke Sheffield S13 8PQ Telephone/Fax 0114 2656061 Mobile 07906 516840  1, answered,, Summary-line: 9-Aug monty@xiph.org [14] #Re: Soundtrack, DVD, cover art X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Aug 2004 04:27:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i798RNtm000671; Mon, 9 Aug 2004 04:27:24 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i798RF1Z021263 for ; Mon, 9 Aug 2004 04:27:15 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id C3384DC115; Mon, 9 Aug 2004 04:33:53 -0400 (EDT) Date: Mon, 9 Aug 2004 04:33:53 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Soundtrack, DVD, cover art Message-ID: <20040809083353.GA4716@xiph.org> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Aug 2004 04:33:53 -0400 From: Monty To: "David C. Jedlinsky" Subject: Re: Soundtrack, DVD, cover art Content-Disposition: inline X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) BTW, what would you expect is the proper way to ping MTG folks for CD orders? Send mail to the SW lists? Monty  1,, Summary-line: 9-Aug conductor@rg-p.fslife.co. [96] #Contrabandista - Unashamed Plug! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Aug 2004 17:06:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i79L6Fj4028177; Mon, 9 Aug 2004 17:06:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i79L6EkP005898 for ; Mon, 9 Aug 2004 17:06:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i79L5ITJ021339; Mon, 9 Aug 2004 17:05:18 -0400 (EDT) Date: Mon, 9 Aug 2004 17:05:18 -0400 (EDT) Message-Id: <005401c47e54$5219ed40$c31186d9@pbncomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Contrabandista - Unashamed Plug! MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0051_01C47E5C.A0730500" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Aug 2004 17:05:18 -0400 (EDT) Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Contrabandista - Unashamed Plug! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0051_01C47E5C.A0730500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit I am pleased to announce that my latest edition of the (hitherto unpublished) works of Sir Arthur Sullivan - the full score of his second operetta, THE CONTRABANDISTA - is published this week, and will be launched in Buxton on Saturday 14 August, where I shall be found selling copies from the Sir Arthur Sullivan Society stall. THE CONTRABANDISTA was Sullivan's second collaboration with librettist F C Burnand (the first was COX AND BOX) and is his first two-act opera. First presented by impresario Thomas German Reed (who had commissioned the opera) at London's St George's Opera House on 18 December 1867, it was an immediate 'hit', and ran for 74 performances before German Reed unexpectedly cut short his season of light operas and returned to his old home, the Royal Gallery of Illustration. Sullivan completely revised and expanded the orchestration for a revival of THE CONTRABANDISTA which was presented, together with COX AND BOX, in Manchester in 1874 - with the composer's brother, Fred, appearing in both pieces. Composer and librettist subsequently revised - and largely re-wrote - their early opera; the result was of course THE CHIEFTAIN, presented at the Savoy in 1894. No full score has ever been available until now; this new edition represents Sullivan's revised / Manchester orchestration, and is created from authentic sources. Orchestral parts are also available. The score is newly set and edited, both to the highest possible standards - indeed, this material was used for the recent, professional recording of THE CONTRABANDISTA by Ron Corp and the New London Orchestra (which should be available by October). The full score (279 pages plus introduction etc) is bound in hard-back, and costs GB£60 (sixty pounds sterling) plus postage. However, as a one-off, Buxton-special, anyone who shakes my hand and whispers "Savoynet" into my ear on Saturday at the memorabilia fair can save £10 - and buy the score for £50 only. Anyone not able to be at Buxton can order by email, telephone or post - please contact with a delivery address, and I shall quote for postage! Orchestral material, including a soft-cover/spiral-bound full score in two volumes(only available in this format as part of the complete set) may be purchased or rented - details and prices will be available on my website (which is currently being renovated) within the next few weeks. Also for sale at Buxton, I shall also have copies of the full scores of THE PRODIGAL SON (£50), KENILWORTH (£50), the newly reconstructed, *complete* MARMION and IMPERIAL MARCH (1 volume, £40). I look forward to meeting plenty of Savoynetters at Buxton on Saturday! ROBIN ######################################################## Robin Gordon-Powell Conductor & Music Publisher THE AMBER RING 9 Killieser Avenue, London, SW2 4NU, UK Mobile: +44 (0) 7881 934 165 Email: conductor@amber-ring.co.uk www.amber-ring.co.uk ------=_NextPart_000_0051_01C47E5C.A0730500 Content-Type: text/x-vcard; name="Albert Coomber.vcf" Content-Transfer-Encoding: 7bit Content-Disposition: attachment; filename="Albert Coomber.vcf" BEGIN:VCARD VERSION:2.1 N:Coomber;Albert FN:Albert Coomber EMAIL;PREF;INTERNET:albert@coomber1.fsnet.co.uk REV:20040809T210256Z END:VCARD ------=_NextPart_000_0051_01C47E5C.A0730500--  1,, Summary-line: 9-Aug kchen@MIT.EDU [106] #You need to keep your hands off the frosh, and that's about all X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Aug 2004 19:51:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i79Npnj4012680; Mon, 9 Aug 2004 19:51:49 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i79NosSc017267 for ; Mon, 9 Aug 2004 19:50:54 -0400 (EDT) Received: from coleco-sidewinder.mit.edu (COLECO-SIDEWINDER.MIT.EDU [18.187.2.149]) (authenticated bits=56) (User authenticated as kchen@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i79NorOn017196 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Mon, 9 Aug 2004 19:50:54 -0400 (EDT) Received: (from kchen@localhost) by coleco-sidewinder.mit.edu (8.12.9) id i79NorbM004859; Mon, 9 Aug 2004 19:50:53 -0400 (EDT) Date: Mon, 9 Aug 2004 19:50:53 -0400 (EDT) From: Kevin Chen To: sipb-minutes@MIT.EDU Subject: You need to keep your hands off the frosh, and that's about all you'll need to do. Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Aug 2004 19:50:53 -0400 (EDT) From: Kevin Chen To: sipb-minutes@MIT.EDU Subject: You need to keep your hands off the frosh, and that's about all you'll need to do. X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Minutes of the SIPB Meeting of 08/9/2004 The meeting was called to order at 7:30 by jtu. In attendance were Voting members: ike jtu kchen Associate members: hartmans jhawk lnemzer Prospectives: aerynne asedeno Guests: Treasurer's Report: jtu: He's at Termcomm, but doesn't have anything important to report. Chairman's Report: jtu: hi Office Report: jhawk: So, the people from Office Environments are coming to look at the steelcase chair that broke, so if anyone else has anything to report to them and note their chair numbers, that might be smart. Office Cleaning Report: MIT Computing Report: hartmans: Windows XP SP2 is coming out. It doesn't seem to work so hot with OpenAFS or Kerberos before 2.6.4 or stuff. Hope you weren't planning to run it on a win.mit.edu machine. jtu: Jerry Grochow is putting out some kind of annual process planning report. We should take a look at the draft and provide some comments as the SIPB. Computer Services: jtu: www went away. Our web server is now stuff.mit.edu. jhawk: Do we want to issue a press release? jtu: Sure! We can issue a press release. Do you want to talk with me after the meeting to write something for The Tech? Publications Report: jtu: I'd like to allocate $50 for however many copies we can get for $50 of iAthena. hartmans: Don't we have a standing allocation for that? jhawk: Yes. jtu: Ok. I'm not going to worry about the allocation then. Orientation Report: jtu: SIPB Computer Tours are coming up. We need people to herd. You don't have to know where you're going or have been on a tour before. You need to keep your hands off the frosh, and that's about all you'll need to do. They'll be Wednesday, September 8, 7-10 PM. If you can help herd, or want to help with food, let Kevin and me know. jtu: I'd like to allocate $400 for Computer Tours. IAP Report: jtu: If you have suggestions for speakers, talk with me or Sherri. If you want to teach a class, talk with Sherri or Natan. jhawk: All of our IAP URLs broke. CokeComm Report: aerynne: I'm going to go buy soda sometime this week. If there's something that you really really want and think that I might not notice, you should e-mail me and tell me about it, and I can make sure I get it. Otherwise, I'm just going to get standard stuff. jtu: Is Dr. Pepper standard? aerynne: It can be standard. Just e-mail me and let me know. Other: hartmans: Kerberos is closer to getting published. One of our documents was approved today. Other Other: jhawk: Jack Valenti does not return my phone calls. asedeno: My two XP boxes are running SP2 without any problems. aerynne: I painted my room. It's very exciting. The bedroom is gray, and the living room is sage green. ike: It's dark. jhawk: (singing) The sun will come out tomorrow. aerynne: It's not dark anymore. The meeting was adjourned at 7:36. Minutes taken and submitted by kchen.  1, answered,, Summary-line: 9-Aug monty@xiph.org [28] #Star Ward audio CDs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Aug 2004 21:48:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7A1mNj4026002; Mon, 9 Aug 2004 21:48:23 -0400 (EDT) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7A1lYGr027032 for ; Mon, 9 Aug 2004 21:47:34 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id B3763DC115; Mon, 9 Aug 2004 21:54:13 -0400 (EDT) Date: Mon, 9 Aug 2004 21:54:13 -0400 From: Monty To: jax.kirtley@verizon.net Cc: "David C. Jedlinsky" Subject: Star Ward audio CDs Message-ID: <20040810015413.GA6107@xiph.org> References: <20040809083353.GA4716@xiph.org> <200408091732.i79HW91T003837@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200408091732.i79HW91T003837@multics.mit.edu> User-Agent: Mutt/1.5.6i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Aug 2004 21:54:13 -0400 From: Monty To: jax.kirtley@verizon.net Cc: "David C. Jedlinsky" Subject: Star Ward audio CDs Content-Disposition: inline In-Reply-To: <200408091732.i79HW91T003837@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Jax! So, it turns out that I have Star Wars soundtrack CDs (two CD set, dialogue and music) ready to go. Unlike Ruth and Opus, who are somewhat more experienced at this, I never collected a list of orders or the like. It seems obvious in retrospect... What would be the appropriate way to do that? I'd like price to cover materiel cost of production and more orders will lower the overall cost somewhat. Like the DVDs, this will be a nicely packaged bookshelf-worthy set. I can turn out as many as we need at this point, and should be able to crank out a minimum of 50 sets or so a day. Monty  1,, Summary-line: 11-Aug to: marc@MIT.EDU [24] #New IP address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Aug 2004 12:27:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7BGRtfn016495; Wed, 11 Aug 2004 12:27:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7BGRkoO024229; Wed, 11 Aug 2004 12:27:46 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i7BGRkOm025149; Wed, 11 Aug 2004 12:27:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i7BGRjmj019820; Wed, 11 Aug 2004 12:27:45 -0400 (EDT) Date: Wed, 11 Aug 2004 12:27:45 -0400 (EDT) Message-Id: <200408111627.i7BGRjmj019820@multics.mit.edu> From: "David C. Jedlinsky" To: marc@MIT.EDU Subject: New IP address X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 11 Aug 2004 12:27:45 -0400 (EDT) From: "David C. Jedlinsky" To: marc@MIT.EDU Subject: New IP address X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Marc. Do you know the new IP numbers yet for after the move? Since my machine is also the master DNS server for my domain, I'd like to modify the toplevel domain server record to add the new IP as a nameserver, in order to reduce the time that people won't be able to reach me. With the 36 hour propagation of toplevel information, I'd like to set that up well before the move if possible. Thanks. -Dave  1,, Summary-line: 11-Aug marc@MIT.EDU [23] #Re: New IP address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Aug 2004 12:43:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7BGh7fn026113; Wed, 11 Aug 2004 12:43:08 -0400 (EDT) Received: from pulse-plasma-gun.nerd-militia.org (pulse-plasma-gun.nerd-militia.org [140.239.227.4]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7BGgNIF020403 for ; Wed, 11 Aug 2004 12:42:23 -0400 (EDT) Received: from horowitz-m1.mit.edu (unknown [172.16.0.1]) by pulse-plasma-gun.nerd-militia.org (Postfix) with ESMTP id 75EF34C6C2 for ; Wed, 11 Aug 2004 12:42:22 -0400 (EDT) Received: by horowitz-m1.mit.edu (Postfix, from userid 8888) id 344B72AC6A; Wed, 11 Aug 2004 12:42:22 -0400 (EDT) Sender: marc@MIT.EDU From: Marc Horowitz To: "David C. Jedlinsky" Subject: Re: New IP address References: <200408111627.i7BGRjmj019820@multics.mit.edu> Date: 11 Aug 2004 12:42:22 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Wed, 11 Aug 2004 12:27:45 -0400 (EDT)" Message-ID: Lines: 12 User-Agent: Gnus/5.0807 (Gnus v5.8.7) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: marc@MIT.EDU From: Marc Horowitz To: "David C. Jedlinsky" Subject: Re: New IP address Date: 11 Aug 2004 12:42:22 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Wed, 11 Aug 2004 12:27:45 -0400 (EDT)" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "David C. Jedlinsky" writes: >> Do you know the new IP numbers yet for after the move? Since my >> machine is also the master DNS server for my domain, I'd like to >> modify the toplevel domain server record to add the new IP as a >> nameserver, in order to reduce the time that people won't be able to >> reach me. With the 36 hour propagation of toplevel information, I'd >> like to set that up well before the move if possible. Not yet, but I'm expecting it before the weekend. Marc  1,, Summary-line: 11-Aug nygren@gmail.com [60] #Re: Invitation-only Infrastructure X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Aug 2004 14:32:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7BIWGfn005586; Wed, 11 Aug 2004 14:32:16 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.203]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7BIW08A004158 for ; Wed, 11 Aug 2004 14:32:04 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id 73so290171rnl for ; Wed, 11 Aug 2004 11:32:00 -0700 (PDT) Received: by 10.38.92.80 with SMTP id p80mr443109rnb; Wed, 11 Aug 2004 11:32:00 -0700 (PDT) Message-ID: <38894e5004081111321d7a5607@mail.gmail.com> Date: Wed, 11 Aug 2004 14:32:00 -0400 From: Erik Nygren Reply-To: erik@nygren.org To: sommerfeld@orchard.arlington.ma.us Subject: Re: Invitation-only Infrastructure Cc: chad brown , Ken T Takusagawa , Karl Ramm , sipb-office@mit.edu In-Reply-To: <20040811030712.B7FA817921@portal.hamachi.org> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <20040811030712.B7FA817921@portal.hamachi.org> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 11 Aug 2004 14:32:00 -0400 From: Erik Nygren Reply-To: erik@nygren.org To: sommerfeld@orchard.arlington.ma.us Subject: Re: Invitation-only Infrastructure Cc: chad brown , Ken T Takusagawa , Karl Ramm , sipb-office@mit.edu In-Reply-To: <20040811030712.B7FA817921@portal.hamachi.org> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yeah, I've just been using DaVite: http://marginalhacks.com/Hacks/DaVite/ which Katy sent a link out to. I modified the code somewhat to get it closer to my liking. My instance of it is running here: http://meepity.net/invite/cgi-bin/DaVite.cgi I'd be happy to give anyone I know access to the ACL to create invitations if they want to use it or play with it. I can also dig up a diff of my changes if anyone wants, although I'm not sure how useful they are over the normal source code. Most of them were for providing more privacy options. Erik On Tue, 10 Aug 2004 23:07:12 -0400, Bill Sommerfeld wrote: > > In the vein of solution-in-search-of-a-problem, e-vite is a relatively > > useful service that could apply to MIT student life reasonably well, > > and looks evil enough to be worth replacing... > > Erik Nygren had a personally-run non-evil mini-evite-like web service > set up for at least one of his parties; I'm not sure whether he got > code from someone or wrote it himself. > > >> I imagine it being used to advertise parties and events > >> where you want to invite more than just a few friends, but > >> not to have sketchy SIPB people who are subscribed to all > >> public mailing lists or > >> the-creature-formerly-known-as-carol-orme-johnson to find > >> out about (q.v. GHETTO PARTY). > > As long as you don't promise more than you can deliver.. > > One of Tom Clancy's books has a crack about how the chance that a > secret will leak is roughly proportional to the square of the number > of people who know it. > > Invite enough people, and the CFKACOJ's of the world will likely find > out about it. > > - Bill >  1,, Summary-line: 12-Aug scaphio2002@yahoo.com [58] #G&S reference from Paul Harvey today X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Aug 2004 17:00:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7CL0RKm018382; Thu, 12 Aug 2004 17:00:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7CKwkjH010745 for ; Thu, 12 Aug 2004 16:58:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7CKw6TJ005506; Thu, 12 Aug 2004 16:58:07 -0400 (EDT) Date: Thu, 12 Aug 2004 16:58:07 -0400 (EDT) Message-Id: <20040812205521.68695.qmail@web52410.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: G&S reference from Paul Harvey today MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Aug 2004 16:58:07 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: G&S reference from Paul Harvey today X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Today's edition of "The Rest of the Story" is decidedly on topic. There are too many different US and Canadian stations carrying this at too many different times to start listing them, but I've found at least three such stations with Internet streams: WDBO 580 Orlando FL 6:00-6:10 EDT http://580wdbo.com WGST 640 Atlanta GA 6:35-6:45 EDT http://www.wgst.com WGN 720 Chicago IL 7:50-8:00 EDT (if the Cubs are finished in time today) http://wgnradio.com The program lasts only five minutes, but starting times can vary a little, so I've given safe ranges. Be patient if it isn't on right away. WABC 770 in New York carries it 7:00-7:05 EDT over the air but deletes it from its Internet stream. www.paulharvey.com gives a list of all stations and broadcast times, although some listings are outdated. If you live in the western US, you'll probably find a local station carrying it after the above streams have occurred. Paul Junior delivers today's edition. He also writes the ones that Paul Senior usually narrates. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail  1,, Summary-line: 12-Aug MusikDrama@aol.com [39] #Re: Thespis Overture X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Aug 2004 17:18:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7CLIUKM027207; Thu, 12 Aug 2004 17:18:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7CLITjH025558 for ; Thu, 12 Aug 2004 17:18:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7CLHlTJ005958; Thu, 12 Aug 2004 17:17:47 -0400 (EDT) Date: Thu, 12 Aug 2004 17:17:47 -0400 (EDT) Message-Id: <10B0AAB2.69EA76EB.0C584AEE@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Overture MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Aug 2004 17:17:47 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Thespis Overture X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/11/2004 6:21:12 PM Eastern Daylight Time, "Paul Howarth" writes: >According to the published copy the correct spelling is "Thady O'Flinn"! >The British Library dates its publication of 1869. Thanks, Paul! Using that spelling, I was taken by the Great God Google to (among other places): http://www.gilbertandsullivanonline.com/photocop.htm Amid a large listing of vocal scores for sale, it lists the following (item 173): THADY O'FLINN No.2 in F Song The Words by W.S.Gilbert The Music composed expressly for Madame Lemmens Sherrington by J.L.Molloy. Boosey (c.1904) pp9 Full-size Curiouser and curiouser. Paul, is this true? Did Gilbert write the words? Maybe there's a reason the Thespis overture sounded like Thady O'Flinn! Steve Lichtenstein "A Jew, but poor!" P.S. I'd love to hear the MIDI. Got the words, too?  1,, Summary-line: 12-Aug ulahlica@yahoo.com [55] #Hymn to Nobility and Thady O'Flinn X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Aug 2004 19:39:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7CNdVKM021657; Thu, 12 Aug 2004 19:39:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7CNdUe6022021 for ; Thu, 12 Aug 2004 19:39:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7CNcpTJ009430; Thu, 12 Aug 2004 19:38:51 -0400 (EDT) Date: Thu, 12 Aug 2004 19:38:51 -0400 (EDT) Message-Id: <20040812233352.43587.qmail@web60208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Hymn to Nobility and Thady O'Flinn MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003401c48038$cf590c60$0200a8c0@packard> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Aug 2004 19:38:51 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Hymn to Nobility and Thady O'Flinn X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003401c48038$cf590c60$0200a8c0@packard> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here are two very interesting pieces. Let's just see if I can get the info correct. Chris Bailward and Paul Howarth have kindly sent midis and lyrics to me at my request. This is Chris' original setting of some extra lyrics Gilbert had removed from PIRATES before the debut. It's the "Hymn to Nobility." Gilbert's lyrics are there: http://www.geocities.com/ulahlica/CHRISB/Hymn.html This and more (much G&S Noteworthy and midi music - and photos) are available for easy download on the Milborne Port Opera website: http://www.themoose.co.uk/Opera/ (I enjoyed looking around. I especially liked the dreamy PIRATES program on the top of the opening page.) Also, Paul has supplied the "Thady O'Flinn" song (with lyrics) we've been wondering about: http://www.geocities.com/ulahlica/PAUL/Thady.html Thanks Chris and Paul! John S LI NY __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, Summary-line: 12-Aug david@musicalsolutions.co [196] #My Buxton Diary X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Aug 2004 22:14:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7D2EYKM020261; Thu, 12 Aug 2004 22:14:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7D2EXe6004932 for ; Thu, 12 Aug 2004 22:14:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7D2DuTJ011860; Thu, 12 Aug 2004 22:13:57 -0400 (EDT) Date: Thu, 12 Aug 2004 22:13:56 -0400 (EDT) Message-Id: <5.2.1.1.2.20040813023718.009f0330@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: My Buxton Diary Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Aug 2004 22:13:56 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: My Buxton Diary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sunday 8th August 2004 I started today as an unstung hero. Wait. The Fair Collette and I leave the Fylde (well, yes, all right, Blackpool) at about 12.15 pm, and we arrive in Buxton about 3.15 pm or so. It’s a two-hour journey, so don’t ask. We check in at the Victorian Guest House on the Broadwalk, pleased that we are at least going to be on the same level as the Opera House - no hills, with any luck. Top floor, OK. We start out at sea-level, and finish up somewhere close to the highest point in Buxton. I am panting for oxygen as we person-handle our bags into the “West Wing” - two rooms, with a bathroom in-between. TFC takes “The Egyptian Room”, I take the “Teddy Bear Room”. My bed is about a foot shorter than me - no problem, I’ll just let my feet dangle over the edge. This evening we see the first half of NYGASP’s “Iolanthe”. I listen carefully for SavoyNetters shushing each other on the steps of the Opera House before the SavoyNet dinner, but am disappointed. Next-door-but-one to us in the auditorium is Jonathan Ichikawa - we don’t introduce ourselves across the lady between us, but save it for the interval. By the time the Peers have come on, TFC and I are in “flight” mode - we’re squeezing each others’ hands at each train-crash, but we’re in the middle of a row of seats, so we have to wait. Oh dear, we are too late for the 2nd Act. What a pity. We decide to repair to our digs, and an early night. At precisely 23:39, I awake with a sharp pain in my left calf. I smack it, just in case I might be dreaming. I dance about the room in the dark for a little while, and then decide to switch the light on. There, in the folds of the sheets, is a dazed wasp. I have been stung. I make short work of the wasp, and then make my way to TFC’s room for some comfort. She says “Arrrgghhwaarff”, which, roughly translated, means “What would you like me to do about it, darling ?” I suggest something either acidic or alkaline (to either comfort me, or to drive me even further berserk), and she repeats her previous advice. We have neither oranges nor milk, so I take two Solpadeine-Max tablets, which do no good whatsoever. I consider making my way to the Festival Club, where I might acquire some lemon slices to rub into my wound. However, I picture myself rolling up my trousers and rubbing a handful of lemons into my left leg halfway through a Pot-Luck, and decide against it. I lie there in agony, and doze off by 2 am. I awake again at 6 am, just in time to hear *two* clocks chiming the hour at about a 4.5 second interval. One must be GMT, the other must be Greek Orthodox. Monday 9th August I’m an early riser. As soon as my eyes are open I have to get up. It’s silly to get up with one’s eyes closed. We partake of an *excellent* breakfast, and then I do battle with my mobile phone. I am “in the bathroom” when it rings (twice), and I spend a happy 15 minutes trying to work out how to get it to return the call. We descend to sea-level, and make our way up the hill to the SavoyNet rehearsal. We witness the general mayhem of the final morning’s rehearsal for “Pirates”, and I find myself repeating prayers I learnt as a child. We lunch, and are so tired by the experience that we have to spend the afternoon sleeping, before preparing ourselves for dinner at the Old Hall with our friends the Duffeys, the Crichtons, the Richards’, Ori Siegel, Lisa Berglund, and Mark the Lighting Man. Having dined, we make our way to the Festival Club, where David D. is “Bouncering”, along with Stuart Box (as Box) and William Revels (not as Revels, but as Cox). Their prelude is Carol Davis and Vikki Willoughby doing “Brush Up Your Gilbert” - all in all, a very funny Cabaret. I inspect my room for malicious insects, but, finding none, I balance myself carefully on the bed, and fall asleep. Tuesday 10th August Another good breakfast - it really is time that we rehabilitate The Victorian Guesthouse - it’s under new management, and has been for four years. I tidy my room up, and something that is never done, I tidy it down and sideways - it’s silly to miss those areas. I wander into the theatre, and find that the company have from 12 pm till 1 pm onstage. Ori hasn’t been called till 2 pm, so David D inveigles me (=Shang Hai’s me) into taking the 12 till 1 call. Excellent pianist Debbie Jacobson is playing, and decides to combine her excellent playing skills with an audition for “Goldilocks”, trying each pit piano in turn until she finds the right one. She gets the part. The tech rehearsal in the afternoon goes with no hitches - tons of snags, but no hitches. The rain !! It has been raining since the middle of the night, and doesn’t show any signs of abating. An elderly gentleman passes through, and asks if we have anyone who would like to crew his ark, and we lose the two giraffes which were to have been David D’s coup-de-théâtre in Act 2. At about 4 pm, the rain stops - such a shame, another half-an-hour would have seen us off Portsmouth. The SavoyNet “Pirates” - what a performance ! I don’t doze off once !! At the end, TFC removes the bulldog-clips from my eyes, and we make our way back to our digs. We change into our SavoyNet Pirates tee-shirts, and decide that clothing our lower levels might also be advisable. The SavoyNet Cabaret is brilliant ! Ian Hollamby is superb, such legerdemain. He also tries legerdejamb, and almost falls off the stage. Bob Richards sings some very entertaining songs, and is so involved in his act that he forgets to plug the Torcroft Hotel in Torquay. Two finales and a “Ghosts’ High Noon” (from Ian Henderson) later, and we’re ready for bed. Wednesday 11th August What’s this knocking ? Oh, it’s my head. We go down to breakfast, and arrive just in time to hear two tables-worth of Americans involved in a heated discussion : Table 1 : Well, *I* thought he gave in too early ! Table 2 : He didn’t have any choice ! Table 1 : He should have put up more of a fight ! Table 2 : I don’t see how he could have done ! So, that’s their analysis of the Sergeant of Police vs. Pirate King battle, is it ? No, they’re talking about Al Gore. I try in vain to change the subject. We diddle about in Buxton for the morning, and meet up with the Duffeys, who take us over the hills and far away for a ride out to Leek and an excellent lunch. We stop at a high point in the Peak District, where I discover that, if I look due east, I won’t see a higher point until I get to the Urinals. Most interesting. Trent’s “Yeomen” in the evening, and I am amazed that *someone else* is shushing the usherettes before *I* get the chance. Nick Sales sings wonderfully (I conduct him surreptitiously), and Leonard Meryll forgets eight of his seven lines of dialogue. He now owes Sergeant Meryll a huge amount of beer for having delivered what amounted to a monologue. Towards the end of Act 2, I doze off just in time to miss Jack Point taking poison, and so think he has been stung by a wasp (for instance) as he dies at the end. A lady dressed as a large potato sings during their Cabaret in the Festival Club, and I realise that SavoyNet has finally bidden goodbye to that kind of after-show entertainment. Thank goodness. Thursday 12th August The grouse season ! Collette and I eat yet another hearty breakfast (well, actually, we have one each), we check out, and find David D., just in time for Brian Jones’ excellent talk about Helen D’Oyly Carte. Just as it’s coming to an end, Brian announces that there will be a 10-minute coffee break. Actually, it’s a *superbly* researched talk, and I hope he will publish the text of it. We go to the pub by the Opera House for lunch. It’s open season on wasps there. We try (unsuccessfully) to convince Ian Hollamby that “aardvark” appears in his Daily Telegraph crossword. The Fair Collette bags a wasp in her Orange-and-Passionfruit J2O, and I go to replace it (the drink, not the wasp). As I do so, I ask the bar staff if they have any plans to deal with the wasp problem. They tell me that they haven’t found the nest. I arrive back just in time to see a wasp floating, dead, in my coffee. I go back in to the bar, and announce (to general merriment amongst the bar staff) that a wasp has committed suicide in my drink. I ask them if they could provide a saucer of jam (to act as a wasp-trap). They ask me : “What flavour ?” We bid our goodbyes. I shake hands with Debbie Jacobson, and congratulate her once again on being an excellent pianist. Sam Silvers reminds me that he was responsible for getting her to come to Buxton, and I give him 10% of the handshake. And so, we come home, wishing it had lasted longer. All the best David Cookson www.musicalsolutions.com  1,, Summary-line: 13-Aug rebecca@hains.net [39] #Buxton Pirates X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Aug 2004 03:44:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7D7iYKM005220; Fri, 13 Aug 2004 03:44:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7D7iXe6017205 for ; Fri, 13 Aug 2004 03:44:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7D7hwTJ017057; Fri, 13 Aug 2004 03:43:58 -0400 (EDT) Date: Fri, 13 Aug 2004 03:43:58 -0400 (EDT) Message-Id: <20040813072745.4537.qmail@website12.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "rebecca" To: Multiple recipients of list SAVOYNET Subject: Buxton Pirates MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: WebMail 2.3 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Aug 2004 03:43:58 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "rebecca" To: Multiple recipients of list SAVOYNET Subject: Buxton Pirates X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Now that I have done my Mabelling and have more time to spare, I thought I'd pop onto S'net and tell you all what a wonderful time I'm having. Buxton is a beautiful town, and everyone here--from the Buxton natives to the hoardes of G&S enthusiasts who've descended upon them-- has been an absolute delight to meet. This was my First G&S Festival Ever, and I've had a wonderful time. It's been great fun to connect so many more faces with names! I enthusiastically recommend that anyone considering attending the festival netxt year make it happen--you won't regret it. I'm not particularly good at diarying or blogging, so I'll just offer you a jumble of thoughts. First of all, if anyone is considering buying the video of Pirates by The SavoyNet Opera (as Miss Humphries referred to us), I would like to reassure you that I've viewed the DVD and the recording is quite good. It really captured the high quality of our production (though I say it who shouldn't?). My only criticisms of it are quite, quite minor squi bbles: There is the occasional bit of interesting business that the cameras missed, but they can't be blamed for that. Also, microphones in the house (rather than on stage) would have been LOVELY during 'Hail, Poetry'; the recording captured the incredibly strong diction that Ori so skillfully drilled into us all, but not the overall sound as I heard it even from my position at the very front of stage right... I imagine it would have been glorious from the house. All in all, it is worth purchasing. Secondly, I would like to extend a public thank you to all those involved in the production end of the show--those folks you won't see on the video, but whose influence most certainly will be. David Duffey and Ori Siegel did a fine job directing--I'm simply stunned by what they accomplished during an eight-day-long rehearsal period. They were both simply brilliant. Jill and Lizzie Duffey, our Queen and Princess respectively, were invaluable. I don't know what we would have done without them; the meals and tea-time snacks they prepared each day of rehearsals were delicious, and furthermore, they are both absolutely charming, level-headed, and consistently went beyond the call of Duty in tending to us all. Wardrobe goddessess Katheryn Barton and Elizabeth Pugh did an absolutely brilliant job with costumes, and Elizabeth spent oodles of time altering my Act II dress so that it fitted ME rather than the pregnant man it appears to have been built for (ugh)--demonstrating that she is indeed talented! Rehearsal accompanists Rachel Keegan and Debbie Jacobson were simply a dream. They untiringly worked for us all day long, and were so accommodating of those seeking extra time practising things that I'd be surprised to hear if either of them ever had a chance for a leisurely lunch or tea break. Debbie furthermore assisted with my makeup, adding brilliant little touches to David Craig's work, and she styled my hair, following the tips set forth by 'Wiggy Joan' (I don't know her real name! but that's what everyone called her--honest!) on adding one false piece to blend in with my already quite long hair so well that the adjudicator raved about how beautiful and well-suited my wig was. Huge props from to Debbie!!! (props meaning 'thanks', not 'items carried about on stage'). Don Smith and David Craig did an excellent job watching and providing us all with feedback during rehearsals. It was so nice to have them observing! About halfway through, I believe David C was given the job of focusing on the principals in particular while David Duffey watched the larger picture, and he indeed offered a great deal of helpful feedback. By the way, I noticed that Rachel posted an excellent selection of _Pirates_ by The SavoyNet Opera (as Miss Humphries referred to us) photos to her web site. Someone asked why Ruth had a gun to her head in one picture; that photo was taken just after Frederic cast her aside one final time in the Act II finale, just prior to the Sargeant charming her. However, I believe that bit of business was not captured by the videography. Finally, Sam Silvers is so amazingly knowledgable regarding All Things Buxton that we decided he needs a title. Sam the Omniscient would be suitably accurate and impressive--though someone irreverantly (but kindly, I assure you!) suggested that the 'Sam the Know-it-All' as a more amusing synonym, ha ha ha! I'm sure I'll think of more things to write at some later point, but I think this will have to do for now. I also imagine that other people who were in a different position from me will think of other people who deserve thanks and praise, considering how very many people worked so hard to make our production a success. So, um, go order a video as soon as possible, and while watching, please be sure to think of all the great people offstage who deserve our undying appreciation! With best wishes, Rebecca Hains  1,, Summary-line: 13-Aug jmfarron@sitestar.net [26] #Thady O'Flynn X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Aug 2004 13:14:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7DHE189011211; Fri, 13 Aug 2004 13:14:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7DHCRjH012615 for ; Fri, 13 Aug 2004 13:12:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7DHBpTJ026598; Fri, 13 Aug 2004 13:11:51 -0400 (EDT) Date: Fri, 13 Aug 2004 13:11:51 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: Thady O'Flynn MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Aug 2004 13:11:51 -0400 (EDT) Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: Thady O'Flynn X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Re the discussion about the Thespis Overture, I have posted in the G&S Archive both a midi file and score for Thady O'Flynn -- see http://diamond.boisestate.edu/gas/thespis/html/thady.html. Jim Farron Curator, G&S Archive -------------------------------------------------------------------- Gilbert and Sullivan Archive: http://diamond.boisestate.edu/gas Washington Area Butterfly Club: http://users.sitestar.net/butterfly --------------------------------------------------------------------  1,, Summary-line: 13-Aug Raywalker@macunlimited.ne [35] #Thespis Ov. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Aug 2004 17:10:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7DLAk87011366; Fri, 13 Aug 2004 17:10:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7DLAje6015643 for ; Fri, 13 Aug 2004 17:10:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7DL9uTJ000922; Fri, 13 Aug 2004 17:09:56 -0400 (EDT) Date: Fri, 13 Aug 2004 17:09:56 -0400 (EDT) Message-Id: <411BBF48.37489694@macunlimited.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Thespis Ov. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Aug 2004 17:09:56 -0400 (EDT) Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Thespis Ov. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The 'Thespis' first night critic's remark about 'Thady O'Flinn' was not only mentioned by Selwyn Tillett in his excellent lecture at the Cirencester SASS convention, but it was sung for us, complete, by Elizabeth Menzies. I tried hard to pick out any resemblance to all the S. material we know but could not detect any links. Some years before I made the bold suggestion that maybe the first night critic was confused about which Molloy song he was remembering and maybe he meant 'Just a song at Twilight'. Maybe S. had composed 'When a merry maiden marries' for Thespis all those years before. The metre of the lyrics certainly matches 'Little Maid of Arcadee'. At the time, I proposed that the original 'Little Maid' was set to the 'Merry Maiden' tune. This would then fit in with the pssibility that when 'Little Maid of Arcadee' was published six months after 'Thespis', a new tune was used. This could explain why no reference on the sheet music mentions that it came from 'Thespis'. Fuller details of my argument can be found in the G&S Society magazine, Summer 1998. Ray Walker Wilmslow Cheshire  1,, Summary-line: 13-Aug orapture@toastpoint.com [28] #Gondoliers question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Aug 2004 19:50:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7DNoU87002664; Fri, 13 Aug 2004 19:50:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7DNoUdE024200 for ; Fri, 13 Aug 2004 19:50:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7DNnpTJ003246; Fri, 13 Aug 2004 19:49:51 -0400 (EDT) Date: Fri, 13 Aug 2004 19:49:51 -0400 (EDT) Message-Id: <20040813193746.1335194803.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Gondoliers question Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba Professional Edition 2.0.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Aug 2004 19:49:51 -0400 (EDT) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Gondoliers question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, all - I'm about to do my third shot at "Giuseppe in concert" and have been reviewing the score. I finally noticed that the phrase "Siamo gondolieri", sung by Mark and Joe after the "O ciel" lines, is sung in harmony on both recording I own, although it's in unison in the Schirmer score. The harmony thirds are in the accompaniment, so it's pretty clear what the G's are singing on the recordings. Is this a Schirmer misprint or a "tradition"? Either way, I think I'll adopt it - it's more interesting. Another questionable bit is in the duet, on the line "when daylight is fading". Marco sings "A A Bb C DEEE EFFFFF". Giuseppe sings in thirds below, EXCEPT the very first note where he shares the A with Marco. So is that a typo as well and should G start on an F? Singing it that way feels more correct to me, but I'm perfectly willing to sing what's written... Any thoughts? - Eric (in NYC)  1,, Summary-line: 13-Aug ulahlica@yahoo.com [50] #Poor Wand'ring Cadenza Contest X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Aug 2004 21:47:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7E1l387029776; Fri, 13 Aug 2004 21:47:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7E1l29h009809 for ; Fri, 13 Aug 2004 21:47:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7E1kQTJ004102; Fri, 13 Aug 2004 21:46:26 -0400 (EDT) Date: Fri, 13 Aug 2004 21:46:26 -0400 (EDT) Message-Id: <20040814013402.49602.qmail@web60209.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Poor Wand'ring Cadenza Contest MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00f501c48187$a87c4120$ea864e51@pbncomputer> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Aug 2004 21:46:26 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Poor Wand'ring Cadenza Contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00f501c48187$a87c4120$ea864e51@pbncomputer> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Although I took John's post seriously (the one about a long elaborate cadenza for Mabel), I was joking with Robin about how we should start a cadenza contest here to liven things up. Well, Robin said he though we should actually do that, being silly season and all, and you know me, I'll go along with anything. (Speaking of which, I participated in the last two contests we had here and the judges, in both cases, never declared any winners. But I digress.) Here is my submission. As you know, I love Philip Glass. So I wrote a minimalistic yet bombastic ending cadenza for Mabel. I hope you like it. There are two problems though: 1 - It's totally obnoxious 2 - Only Elise could sing it Anyone else with the ability to make midi's please join in. I'll decide the winner and, in keeping with SavoyNet tradition, never tell anyone who it was. (08 http://www.geocities.com/ulahlica/PWCC/PWC1.html John S LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, Summary-line: 14-Aug ulahlica@yahoo.com [38] #Re: Poor Wand'ring Cadenza Contest X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 13:29:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7EHTh0E002995; Sat, 14 Aug 2004 13:29:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7EHTgRU004989 for ; Sat, 14 Aug 2004 13:29:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7EHT7TJ009757; Sat, 14 Aug 2004 13:29:07 -0400 (EDT) Date: Sat, 14 Aug 2004 13:29:07 -0400 (EDT) Message-Id: <20040814171547.27202.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Poor Wand'ring Cadenza Contest MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040814013402.49602.qmail@web60209.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 13:29:07 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Poor Wand'ring Cadenza Contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040814013402.49602.qmail@web60209.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Speaking of Mabel's cadenza, the only commercially released recording I know of that has Mabel going to town with her ending cadenza is by the Linden Singers (who went by other names). Here is one of my favorite sopranos, Elizabeth Harwood, singing that long cadenza on a temporary page I made. It's not to my taste for any singer to go on and on like this but, although it's definitely "wandering," it is not "poor" by any means. It's pretty impressive: http://www.geocities.com/ulahlica/PWCC/PWC.html This is the recording info on Marc's site: http://www.cris.com/%7Eoakapple/gasdisc/pirworld.htm John S LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, Summary-line: 14-Aug david@musicalsolutions.co [28] #Limerick Competition - Awards X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 14:28:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7EIS70E017212; Sat, 14 Aug 2004 14:28:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7EIS7Vw025599 for ; Sat, 14 Aug 2004 14:28:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7EIRVTJ010203; Sat, 14 Aug 2004 14:27:31 -0400 (EDT) Date: Sat, 14 Aug 2004 14:27:31 -0400 (EDT) Message-Id: <5.2.1.1.2.20040814192121.009f4ec0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Limerick Competition - Awards Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 14:27:31 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Limerick Competition - Awards X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wrote < The judge's decision (i.e., my decision) is final. I'll publish all submissions to SavoyNet at a later date.>> Well, here they are. Well, not exactly *here*, but at http://www.musicalsolutions.com/limerick.htm All the best David Cookson www.musicalsolutions.com  1,, Summary-line: 14-Aug deebee@connexus.net.au [41] #Re: G&S reference from Paul Harvey today X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 20:15:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7F0Fi0E007016; Sat, 14 Aug 2004 20:15:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7F0FhGo019084 for ; Sat, 14 Aug 2004 20:15:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7F0F7TJ012433; Sat, 14 Aug 2004 20:15:08 -0400 (EDT) Date: Sat, 14 Aug 2004 20:15:07 -0400 (EDT) Message-Id: <411EA851.20701@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: G&S reference from Paul Harvey today MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 20:15:07 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: G&S reference from Paul Harvey today X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip Stenenberg wrote > It's stated > that Gilbert (he's called just "Bill" until the very > end to maintain the element of surprise) saved a > little girl he was teaching how to swim. I always > thought it was a woman, young but still an adult. > It's also stated that the girl's identity is unknown > today. Can anyone verify or dispute these points? Her name was Ruby Preece and her companion was Winifred Emery. They were both young adults and Ruby jumped into the lake before Gilbert was ready and found that she could not reach bottom (the lake was only about 6 feet deep - too much for most women but WSG was 6'4") and called out. Gilbert told her to wait and dived into the water and swam to her, he told her to put her hands on his shoulders and as she did so he sank like stone, having suffered a heart attack. Gilbert had been warned by his doctor that his heart was weak and told to avoid sudden exertion. The body was fished up by a gardener from a small boat and the inquest held at Grims Dyke a few days later. The notoriety was such that Ruby decided to call herself Patricia Preece. Her later life was somewhat scandalous and event filled too. Diana Burleigh  1,, Summary-line: 14-Aug ulahlica@yahoo.com [65] #Re: Limerick Competition - Awards X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 21:14:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7F1EE0G020144; Sat, 14 Aug 2004 21:14:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7F1E2Go018764 for ; Sat, 14 Aug 2004 21:14:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7F1DQTJ012808; Sat, 14 Aug 2004 21:13:26 -0400 (EDT) Date: Sat, 14 Aug 2004 21:13:26 -0400 (EDT) Message-Id: <20040815005953.99045.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.2.20040814192121.009f4ec0@pop3.musicalsolutions.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 21:13:26 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.2.20040814192121.009f4ec0@pop3.musicalsolutions.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave had written, of which I had no memory... ***The final date for submissions is Friday 13th*** My bad. ***Well, here they are. Well, not exactly *here*, but at http://www.musicalsolutions.com/limerick.htm *** I'm so proud! That's my first award ever. (Just in case anyone has not looked at the awards, allow me to point out that David has oh-so generously [and wisely] given everyone a different award.) And I didn't just win an empty award - oh no - I also received the gift of learning a new word. (Thanks Dave!) I must say, I LOL'd hen I read the name of the award that the esteemed Andrew Crother received. He must be so proud too. A very entertaining page! I'd also like to say, as tactfully as possible, I have a question about rhyming. I too started a limerick that rhymed "addition" with "tradition." But there was no third rhyme to be had for the last line. Or was there? If you start a three syllable rhyme like that, are you allowed to follow with a two syllable rhyme? I mean, sure, "Addition" rhymes with "tradition" and "tradition" rhymes with "ignition" but do all three technically rhyme with each other? Perspiring minds want to know. John S "Best Needless Alexandrine" winner 2004 __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo  1,, Summary-line: 14-Aug npetrikov@hotmail.com [72] #Re: Limerick Competition - Awards X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 23:13:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7F3Dn0E023233; Sat, 14 Aug 2004 23:13:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7F3DmM0018470 for ; Sat, 14 Aug 2004 23:13:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7F39RTJ013759; Sat, 14 Aug 2004 23:09:27 -0400 (EDT) Date: Sat, 14 Aug 2004 23:09:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 23:09:27 -0400 (EDT) Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mr. Spartan hath written: >I'd also like to say, as tactfully as possible, I have >a question about rhyming. I too started a limerick >that rhymed "addition" with "tradition." But there was >no third rhyme to be had for the last line. Or was >there? > >If you start a three syllable rhyme like that, are you >allowed to follow with a two syllable rhyme? I mean, >sure, "Addition" rhymes with "tradition" and >"tradition" rhymes with "ignition" but do all three >technically rhyme with each other? Traditionally (ahem), the words "tradition" and "addition" were not considered rhymes in English (the rule I'm about to state doesn't hold in some languages): two words rhymed, if their endings sounded the same, starting just *after* the consonant *preceding* their last accented syllables. In other words, the last accented syllables had to begin with different consonantal sounds. And any identity of sound before the accented syllables simply didn't count at all. Thus, "Davy" and "gravy" rhyme, as E.C. Bentley famously noted, but "Davy" and "affidavy" do not. "Addition" and "tradition" were called "identities," and it was considered bad form to use identities in rhymed verse (though possibly Beerbohm, or possibly Chesterton, or possibly both, I forget now, used identities orphan). So "addition" can only be a two-syllable rhyme, since its accent is on the penult. If you look through Gilbert's stuff, you'll see that he never (hardly ever) uses identities. (Perversity and university are one of the rare exceptions; Mr. Crowther has noted that the Barcarolle in Pinafore contains another.) Indeed, so meticulous is his avoidance of identities, that he saves us the trouble of consulting a dictionary to learn that the words are pronounced "minstrelzee" and "poezee"; otherwise, Bab wouldn't have rhymed 'em with "see." See? Now is as good a time as any to plug the introduction to Clement Wood's Rhyming Dictionary, which not only lays out all the traditional rules of the craft, but speaks very highly of Gilbert at one point. He writes: "The student of versification will benefit by studying Tom Hood, for the use of puns in light verse; 'Mother Goose,' for inspired use of rhythm; Edward Lear and Lewis Carroll, for shapely nonsense verse; Charles Stuart Calverley for mastery of every trick of rhyming, and great dexterity in stanza-devising; W.S. Gilbert, for mastery of the whole field. The long finale of his 'Iolanthe' [the Act I finale, presumably] is his peak in rhyming, and almost the peak of light verse in English." (1936 edition, page 94.) An excellent primer, and terse. Pedantically, Keith H. Peterson Jersey City, New Jersey  1,, Summary-line: 14-Aug scaphio2002@yahoo.com [75] #Re: Limerick Competition - Awards X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Aug 2004 23:30:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7F3U40E027663; Sat, 14 Aug 2004 23:30:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7F3U1M0028533 for ; Sat, 14 Aug 2004 23:30:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7F3TNTJ014049; Sat, 14 Aug 2004 23:29:23 -0400 (EDT) Date: Sat, 14 Aug 2004 23:29:23 -0400 (EDT) Message-Id: <20040815031612.84031.qmail@web52410.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040815005953.99045.qmail@web60210.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Aug 2004 23:29:23 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Limerick Competition - Awards X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040815005953.99045.qmail@web60210.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > If you start a three syllable rhyme like that, are you > allowed to follow with a two syllable rhyme? I mean, > sure, "Addition" rhymes with "tradition" and > "tradition" rhymes with "ignition" but do all three > technically rhyme with each other? I'm surprised to see this from you, John, because you have one of the best senses of rhyme and meter on SavoyNet. The above is a little flawed, though. Two lines most properly rhyme when the vowels of the final accented syllables and everything that follows sound exactly alike, with allowances for slight liberties like "plan it, he" and "organity," all the more acceptable when the lines are humorous. On the other hand, what immediately precedes the identical accented vowels should sound different from each other. "Addition" and "tradition" are not a three-syllable rhyme, because their accents are on their second syllables. That makes them a two-syllable rhyme but a flawed one, because they have the identical D before the accented I. "Ignition" does form a proper two-syllable rhyme with each of these, though, because the N that precedes the accented I differs from the D in the other two words. Don't feel bad -- on rare occasions Gilbert introduced the same "identity" flaw, such as "University" and "perversity" in the Blanche-Melissa duet. I was trying to make this point with a friend whom I was assisting in her first attempt to write children's verse. She was using a rhyming dictionary, which for the most part was helpful. Nevertheless, it would group words like "ignition," "tradition," and "addition" together. That's understandable -- they belong together, because here the first word rhymes properly with either of the other two. The "identity" flaw has to be winnowed out by the user unless the dictionary writer is ambitious (and possibly confusing) enough to make subgroups of words that shouldn't be used to rhyme with each other. It was a little difficult trying to explain to my friend what the problem was in using "identity" rhymes, especially since the dictionary seemed to accept them without qualification. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail  1,, Summary-line: 15-Aug pnh@dsl.pipex.com [51] #Molloy's "Just a song at twilight" - was Thespis Overture X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Aug 2004 12:40:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7FGebW2025067; Sun, 15 Aug 2004 12:40:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7FGeNBR004682 for ; Sun, 15 Aug 2004 12:40:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7FGdmTJ018732; Sun, 15 Aug 2004 12:39:48 -0400 (EDT) Date: Sun, 15 Aug 2004 12:39:48 -0400 (EDT) Message-Id: <000b01c482e4$fe8fae40$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Molloy's "Just a song at twilight" - was Thespis Overture MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Aug 2004 12:39:48 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Molloy's "Just a song at twilight" - was Thespis Overture X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ray Walker wrote: Some years before I made the bold suggestion that maybe the first night critic was confused about which Molloy song he was remembering and maybe he meant 'Just a song at Twilight'. Maybe S. had composed 'When a merry maiden marries' for Thespis all those years before. The metre of the lyrics certainly matches 'Little Maid of Arcadee'. At the time, I proposed that the original 'Little Maid' was set to the 'Merry Maiden' tune. The problem with Ray's argument is that "Just a song at twilight" was not written until 1882! Paul Howarth York Associate Curator, Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Victorian Parlour Songs http://www.pnhowarth.org/songs John Sedding, Victorian Architect http://www.pnhowarth.org/ ----- Original Message ----- From: "Raywalker" To: "Multiple recipients of list SAVOYNET" Sent: Friday, August 13, 2004 10:09 PM Subject: Thespis Ov. >  1,, Summary-line: 15-Aug jax.kirtley@verizon.net [35] #MTG's Star Wars:Musical Edition finally out on DVD and Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Aug 2004 16:19:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7FKJLW0021824; Sun, 15 Aug 2004 16:19:21 -0400 (EDT) Received: from out003.verizon.net (out003pub.verizon.net [206.46.170.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7FKIGxN002878; Sun, 15 Aug 2004 16:18:16 -0400 (EDT) Received: from verizon.net ([68.163.131.55]) by out003.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040815201816.XRQC26805.out003.verizon.net@verizon.net>; Sun, 15 Aug 2004 15:18:16 -0500 Message-ID: <411FC4FE.3020609@verizon.net> Date: Sun, 15 Aug 2004 16:18:06 -0400 From: Jax Kirtley User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: star-wars@mit.edu, mtg-board@mit.edu, mtg-members@mit.edu Subject: MTG's Star Wars:Musical Edition finally out on DVD and Video Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [68.163.131.55] at Sun, 15 Aug 2004 15:18:15 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Aug 2004 16:18:06 -0400 From: Jax Kirtley X-Accept-Language: en-us, en To: star-wars@mit.edu, mtg-board@mit.edu, mtg-members@mit.edu Subject: MTG's Star Wars:Musical Edition finally out on DVD and Video X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [68.163.131.55] at Sun, 15 Aug 2004 15:18:15 -0500 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It seems like it has been forever since MTG performed Star Wars: Musical Edition. Finally, the DVDs and videos are here. Way back, some 115 copies were ordered through Todd and can now be picked up. (If you don't know if you ordered a copy, just hit reply to this and I will check the list.) I will be selling copies of SW:ME in the lobby before performances of Jesus Christ Superstar to those people who ordered them. If you are not in town to make it (check the website for performance dates), reply to this email and shipping arrangements can be made at your expense. If you did not order a copy, but want one, I will create a waiting list for another printing as necessary. The two disc dvd set costs $17 and vhs cost $15. I will work out additional costs for shipping when I have information. It has taken a while, but really we are just keeping Star Wars in your mind. Get ready to come back for the Trilogy Fall 2005 -- more information on that to come. See you at JCS. -Jax Kirtley Pre-Producer MTG Star Wars Trilogy 2005  1,, Summary-line: 15-Aug scaphio2002@yahoo.com [104] #Re: Identities (was "Limerick Competition - Awards) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Aug 2004 23:39:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7G3dCW0023004; Sun, 15 Aug 2004 23:39:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7G3cuwZ014217 for ; Sun, 15 Aug 2004 23:38:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7G3cHTJ022921; Sun, 15 Aug 2004 23:38:17 -0400 (EDT) Date: Sun, 15 Aug 2004 23:38:17 -0400 (EDT) Message-Id: <20040816033237.6917.qmail@web52408.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Identities (was "Limerick Competition - Awards) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040815183628.34821.qmail@web60206.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Aug 2004 23:38:17 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: Identities (was "Limerick Competition - Awards) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040815183628.34821.qmail@web60206.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I've learned that poetic term here before but I'm > still not sure what it means. Does it mean just > repeating the sound as in... > > A perversity > University Yes. In this case, the identity is "-versity." The definition is more obvious when the whole words are identical, such as the identity rhyme of "go" and "go" in "Over the bright blue sea." > ..or is it rhyming on an unaccented syllable as has > also been stated? No. > Mad Margaret called him Daffi Davy > Because he morned her Affidavy. > > A stupid rhyme, yes, but is it not a real rhyme? It's real, but you've introduced an interesting consideration on which I'll elaborate with one of your less stupid rhymes. > "Termination" rhymes with "germination" and > "germination" rhymes with "big sensation" but, for > limerick purposes, do all three rhyme with each > other? > The three do not rhyme in the same place and also do > not hit the ear as pleasingly. The interesting consideration is that "termination" has two accented syllables. The primary stress is on the third syllable, but there's a secondary stress in the first syllable, and in ordinary speech the difference of stress may be slight or nonexistent. The single word is a self-contained trochaic line with two feet. One may rightly start the rhyme on either stress. By starting on the first syllable, "termination" and "germination" rhyme. By starting on the third syllable, either of these rhymes with "big sensation." The latter case actually appears in G&S, specifically in the March of the Peers: "station" and "nation" are rhymed with "legislation." Gilbert took a little liberty at times. Going back to "University," he found a proper rhyme -- well, almost -- in UTOPIA with "her city." Although he italicized "her" to force the accent, the italicization can also be justified by context; there could conceivably be a reason to stress the word even if the lines that include it were prose. The less natural pronunciation comes in giving the second syllable in "city" an accent secondary to "her" but more stressed than the first syllable of "city," which is not how "city" is pronounced by itself. On the other hand, in IDA Gilbert rhymed "University" with "we shall see" by considering the secondary (more like tertiary) final syllable of the former as the starting point of a one-syllable rhyme. To indicate this, he resorted to his frequent "ee" tactic, in this case writing "Universitee." This particular perversity is driven home in IOLANTHE in tandem with another of his favorites: the italicized final Y to change its pronunciation to "eye." The word that should be spelled "Arcady" is instead spelled "ArcadY" (italic Y indicated by upper case) for Strephon to rhyme with "I" and "Arcadee" for the Peers to rhyme with "he," and each of these rhymes starts on what would be a weak secondary accent if "Arcady" were pronounced properly. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo  1,, Summary-line: 16-Aug keeganr@btinternet.com [40] #Pirates photographs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Aug 2004 18:43:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7GMhCjc006844; Mon, 16 Aug 2004 18:43:12 -0400 (EDT) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7GMhB8d000475 for ; Mon, 16 Aug 2004 18:43:11 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i7GMgnHe013403; Mon, 16 Aug 2004 23:42:50 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id XAA04819 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Mon, 16 Aug 2004 23:33:25 +0100 (BST) Received: by mserv1.dl.ac.uk id XAA04796 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Mon, 16 Aug 2004 23:33:12 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id XAA04789 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from keeganr@btinternet.com); Mon, 16 Aug 2004 23:33:04 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp803.mail.ukl.yahoo.com (smtp803.mail.ukl.yahoo.com [217.12.12.140]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i7GMXMHc013220 for ; Mon, 16 Aug 2004 23:33:22 +0100 Received: from unknown (HELO RACHEL) (keeganr@btinternet.com@213.122.85.170 with login) by smtp803.mail.ukl.yahoo.com with SMTP; 16 Aug 2004 22:33:16 -0000 Message-ID: <000701c483e0$f2798660$aa557ad5@RACHEL> From: "Rachel Keegan" To: "Buxton99" Subject: Pirates photographs Date: Mon, 16 Aug 2004 23:32:08 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1409 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "Rachel Keegan" To: "Buxton99" Subject: Pirates photographs Date: Mon, 16 Aug 2004 23:32:08 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1409 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO I would like to congratulate everyone on a great production - I was very proud to be associated with it. I took lots of photographs during the course of the week because it was a good opportunity to try out a new digital camera. I have put about 220 images onto a CD and am wondering whether anybody would be interested in having a copy of this. There are 78 pictures of the show (including the thirty or so pictures which some of you have looked at on my website) and many more of the rehearsals, meal etc. They are high resolution images suitable for printing. If anyone is interested, please email me privately with details of your snail mail address. If I receive any requests from our friends across the pond, I'm wondering if there's anyone in the USA who would be willing to make copies and distribute them (so that I would only have to send one copy). Best wishes to all Rachel  1,, Summary-line: 16-Aug scaphio2002@yahoo.com [88] #Re: "y", "ee" and long "i" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Aug 2004 20:02:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7H02tjc003064; Mon, 16 Aug 2004 20:02:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7H02sPX024501 for ; Mon, 16 Aug 2004 20:02:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7H02lTJ004686; Mon, 16 Aug 2004 20:02:47 -0400 (EDT) Date: Mon, 16 Aug 2004 20:02:47 -0400 (EDT) Message-Id: <20040816235519.35575.qmail@web52402.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: "y", "ee" and long "i" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040816043744.86815.qmail@web13705.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 16 Aug 2004 20:02:47 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: "y", "ee" and long "i" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040816043744.86815.qmail@web13705.mail.yahoo.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > There are hundreds of examples of this in Gilbert's > libretti and poems. Some examples include: > Majesty with deny; That's true, but the question then arises: How is "Majesty" supposed to be pronounced in Yum-Yum's song? I see these possibilities: 1. Pronounce it the usual way, which is what I've always heard, but that means Gilbert has created or is following a pedantic rule that says two words rhyme, even though the ear says otherwise. 2. Alter the final vowel to a long Y in defiance of the correct pronunciation, along the lines of "prejudIce" and "ConservatIve." Why the latter two are so altered when the first isn't then becomes a mystery. 3. Believe that "MajestY" was a legitimate pronunciation in Victorian England, maybe just for poetic purposes and maybe as an alternative in everyday speech. We may thank Basil Hood for proving it wasn't the only correct pronunciation, for in ROSE OF PERSIA he rhymed "Majesty" with "cadges tea." I go with #1 above, but if that IS the explanation, I doubt G&S would have achieved its success with adherence to too many similar "rules." It's what pleases the ear, not what's legislated as correct, that makes lyrics work. There is one peculiar example from IDA along these lines: A loveless life apart from thee Were hopeless slavery, If kindly death will set me free, Why should I fear to die? I've preserved Gilbert's indentations here. There is no question that "slavery" is indicated as rhyming with "die," although by the same "rule" that rhymes "Majesty" with "deny." I'll not bother writing out the rest of the lyrics, but every four of Hilarion's lines here follow the ABAB rhyme scheme, giving even more credence to what I've said than just the indentation. Yet we always hear "slavery" pronounced the usual way. Furthermore, Sullivan set these four lines to make the listener believe, without a libretto for closer analysis, that their rhyme scheme is AAAB. The repeat of the second line only emphasizes this in my opinion. So on this one occasion, Sullivan managed to turn a legislated rhyme into an aural one. It's an interesting departure from those times when he obscured a rhyme scheme for musical or logical purposes. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, Summary-line: 16-Aug cjsmith@MIT.EDU [17] #phones X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Aug 2004 20:48:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7H0mKjc017599; Mon, 16 Aug 2004 20:48:20 -0400 (EDT) Received: from out006.verizon.net (out006pub.verizon.net [206.46.170.106]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7H0m8PX009133 for ; Mon, 16 Aug 2004 20:48:08 -0400 (EDT) Received: from [192.168.1.100] ([66.31.149.108]) by out006.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040817004806.WVFR22385.out006.verizon.net@[192.168.1.100]> for ; Mon, 16 Aug 2004 19:48:06 -0500 Mime-Version: 1.0 (Apple Message framework v609) Content-Transfer-Encoding: 7bit Message-Id: <18476330-EFE7-11D8-BD07-00039386D324@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: dinner@mit.edu From: Carolyn Smith Subject: phones Date: Mon, 16 Aug 2004 20:48:03 -0400 X-Mailer: Apple Mail (2.609) X-Authentication-Info: Submitted using SMTP AUTH at out006.verizon.net from [66.31.149.108] at Mon, 16 Aug 2004 19:48:06 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: dinner@mit.edu From: Carolyn Smith Subject: phones Date: Mon, 16 Aug 2004 20:48:03 -0400 X-Authentication-Info: Submitted using SMTP AUTH at out006.verizon.net from [66.31.149.108] at Mon, 16 Aug 2004 19:48:06 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Random annoying bit of info: our cell phones seem to get only sporadic service in our new house. We are working on getting a land line. This means we are very hard to get ahold of while at home at the moment. If we miss calls, we apologize! --cyn  1,, Summary-line: 16-Aug qcochise@yahoo.com [51] #RE: "y", "ee" and long "i" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Aug 2004 22:57:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7H2vCjc028917; Mon, 16 Aug 2004 22:57:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7H2ueYF018008 for ; Mon, 16 Aug 2004 22:56:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7H2uYTJ005743; Mon, 16 Aug 2004 22:56:34 -0400 (EDT) Date: Mon, 16 Aug 2004 22:56:34 -0400 (EDT) Message-Id: <20040817024443.43159.qmail@web13702.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RE: "y", "ee" and long "i" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000401c483de$4bf089d0$4d837ed4@p4p7e3> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 16 Aug 2004 22:56:34 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RE: "y", "ee" and long "i" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000401c483de$4bf089d0$4d837ed4@p4p7e3> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip Sternenberg wrote: > The Schirmer score italicizes the DY > (not just the Y), though, and I was thinking > of that when I posted earlier. Anyone who has a > different score is welcome to let us know > how the word appears there. Similarly, Richard Pennicard wrote: > But in my vocal score (Chappell, circa 1930) the > word is italicised, > either Arca*dy* (for Strephon, to rhyme with "I") or > Arca*dee* (for the > peers, to rhyme with "he"). I assume it is to draw > attention to the > fact that the word is pronounced differently > according to the singer. Published scores were made directly or indirectly from Sullivan's transcriptions of Gilbert's lyrics while published libretti were taken directly from Gilbert's manuscripts. In the samples of Gilbert's manuscripts that survive, he was scrupulous about underscoring to let the typesetter know what and when to italicize. In addition to the libretti of the Savoy operas, we have the additional examples of the BAB BALLADS, Gilbert's libretti without Sullivan, and the Savoy songs that were published out of context with the BALLADS. Taken together, I think that an analysis will show the consistencies that I cite. Kevin Wachs =====  1,, Summary-line: 16-Aug qcochise@yahoo.com [51] #Re: "y", "ee" and long "i" in performance X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Aug 2004 23:16:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7H3GHjc004864; Mon, 16 Aug 2004 23:16:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7H3GF2v023517 for ; Mon, 16 Aug 2004 23:16:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7H3G9TJ005918; Mon, 16 Aug 2004 23:16:09 -0400 (EDT) Date: Mon, 16 Aug 2004 23:16:09 -0400 (EDT) Message-Id: <20040817025802.59178.qmail@web13708.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: "y", "ee" and long "i" in performance MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040816235519.35575.qmail@web52402.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 16 Aug 2004 23:16:09 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: "y", "ee" and long "i" in performance X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040816235519.35575.qmail@web52402.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip Sternenberg wrote: > the question then arises: How is > "Majesty" supposed to be pronounced in Yum-Yum's > song? > I see these possibilities: > > 1. Pronounce it the usual way, which is what I've > always heard, but that means Gilbert has created or > is > following a pedantic rule that says two words rhyme, > even though the ear says otherwise. Verse follows pedantic rules. Expressing oneself fully while constraining oneself to rules is part of the art. I stand by my observations of Gilbert's poesy irrespective of whatever implications it may have for performers. Anyone can pick up a volume or two of his works and confirm them. It's not really a matter of opinion. Because I have never been involved in any aspect of productions of the operas, I don't have a fully formed opinion about pronunciation in performance. My instinct says always pronounce the vowels as one normally would. My advice (were it solicited) would be to say it however the director wants it said. I have no idea how Gilbert expected it to sound; I only know how he wanted it to look on the page. Kevin Wachs =====  1,, Summary-line: 17-Aug orapture@toastpoint.com [42] #Gondoliers and the Mabel Question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 08:52:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7HCqVjc020289; Tue, 17 Aug 2004 08:52:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7HCqT4F011433 for ; Tue, 17 Aug 2004 08:52:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7HCpcTJ009678; Tue, 17 Aug 2004 08:51:38 -0400 (EDT) Date: Tue, 17 Aug 2004 08:51:38 -0400 (EDT) Message-Id: <20040817084845.2141279540.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Gondoliers and the Mabel Question Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba Professional Edition 2.0.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 08:51:38 -0400 (EDT) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Gondoliers and the Mabel Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes, those are two separate topics. I couldn't figure out how to work Mabel into the Gondoliers - there are enough sopranos in that show as it is... Thanks, everyone who responded to my Gondoliers question. The consensus seemed to be: 1) Every edition of the score that got checked to see what Marco and Giuseppe sing on "Siamo gondolieri' has them singing in unison. However, every recording that got checked (maybe not a representative sample?) has them singing in thirds. You could argue it either way. One possibility is that Sullivan wanted to highlight the loveliness of the phrase "Signorina, io tamo" by suddenly have them split into harmony. I did the lower third last night in the concert. I suggest that Giuseppes take the music director out for a plate of macaroni and a rusk and try to bend their will to whatever the singer wants to do. 2) According to resourceful Rachel Keegan, both Chappell and the Eulenberg miniature have Giuseppe beginning the phrase "when daylight is fading" on an F (in thirds below Marco), rather than the A pickup that Schirmer has. So the A, I think, is just a misprint. The concert went very well and was a lot of fun! Bobbie Herman and Paul Cohen were in the house, great to see them, and it was nice to work with Jim Cooper, Wendy Falconer (my Tessa!) and some of the other singout people I've met, like Tom Zimmerman. I also ended up sharing two of the train rides with Lora Shapiro, a member of the hosting choral society who sang Fairy Queen. She'd never done G&S before and is as unlikely a FQ as you'd find - she's more of a low Broadway voice, and is quite young - but worked very hard and was really fun in the performance. Especially because Wendy somehow managed to come up with a pair of wings for her that exactly matched her outfit - good trick, Wendy! p.s. Wendy showed me this year's Buxton Festival program and I was highly amused that the montage picture included the famous grope scene from Utopia. Elizabeth's expression is marvelous. --- And now to Mabel. The lovely and talented Rebecca Hains posed the question, "is Mabel really in love with Frederic, or is she just in it for the cadenza and the big wedding and the ring?" Which reminds me, what's the difference between a soprano and a pit bull? The jewelry. But I digress. I think the interpretation of her being shallow and all about the ring, etc., can be funny, but it's going to cause problems when you get to the Act II duet section. One reason why G&S is so worthwhile is that many shows, in the midst of all the goofiness, have a real human moment that can be just wonderful and heartbreaking. And that moment anchors the show in reality and makes it a better theatrical and emotional experience. The most obvious example is the Iolanthe/Lord Chancellor scene, but I'd throw "I Hear the Soft Note" in there as well. For Pirates, it's "Ah, Leave Me Not to Pine". If we can't BELIEVE Mabel there and think she's just being manipulative, it would ruin the mood, in my humble opinion. So if you can pull off the fun stuff, but somehow maintain an emotional arc that still lands her squarely in real sorrow in the Act 2 duet, then by all means - but I think, as an actor, it would be very hard to do. I've always kind of liked the concept that Mabel is the "bookish" sister that none of the other sisters understand, and she's a little over imaginative because she reads all these florid romances and stuff. So she's off to herself in the girl's entrance scene, and then pops up from behind a rock with her copy of "Love's Fiery Passionate Desire" or whatever for "Yes, One" and then does this over-the-top "take me I'm yours" number that's straight out of her books. (And she takes off her glasses, and my word, suddenly she's beautiful!) But that's just me. Enjoy! - Eric (in NYC)  1,, Summary-line: 17-Aug BVallely@aol.com [50] #Re: Mabel: In love or not? X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 09:53:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7HDrI2B017873; Tue, 17 Aug 2004 09:53:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7HDrF4F024681 for ; Tue, 17 Aug 2004 09:53:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7HDqWTJ010641; Tue, 17 Aug 2004 09:52:32 -0400 (EDT) Date: Tue, 17 Aug 2004 09:52:32 -0400 (EDT) Message-Id: <29.5f073ce9.2e53654c@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: BVallely@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: BVallely@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mabel: In love or not? MIME-Version: 1.0 Content-Type: text/plain; charset="UTF-8" Content-Language: en Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 46 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 09:52:32 -0400 (EDT) Reply-To: BVallely@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: BVallely@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mabel: In love or not? Content-Language: en X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 08/16/2004 8:55:46 AM, esnealleyiii@yahoo.com writes: << .. A director could validly choose to direct Mabel in (at least) two ways: 1. as having really fallen for Fred, or 2. as one who considers Frederic a convenient object for her calculated planning. Of these interpretations, to which do you think the libretto lends the most validity? As an audience member, which do you prefer? Are there other directions for her characterization that you might consider, if given the opportunity to direct? >> When I was developing "The Space Pirates of the Planet Penzance" for Dreamworks (which was sadly rejected by Spielburg himself as being "too cute and old fashioned") I turned the Pirate King into a woman, and changed the show into a catfight between the Queen and Mabel for Frederic. When developing the project, I tried to make the fight balanced, giving each women something to offer Frederic. To my surprise, when I finished the piece, everybody loved the Pirate Queen and hated Mabel. Mabel came off as arrogant, manipulative and feeding Frederic's insanity, whereas the Pirate Queen was perceived as being passionate and honestly in love. I believe the phrase I heard repeated in regard to Mabel was "she's a bitch." Of course, when executives at Dreamworks informs a writer that a lead character in his script is a bitch, what can one do but nod one's head in agreement? In later versions of the script, I made Mabel even more obviously a bad girl in good girl's clothing. One of the biggest challenges presenting G&S to the modern audiences is that Gilbert didn't believe anyone was purely good or evil. I don't believe Sir William ever created a single proper villain or hero. This is counterintuitive to today's audience – we have to create heroes and villains, even where none exists.  1, forwarded,, Summary-line: 17-Aug to: hains@temple.edu [22] #Re: Sept. 18 Sing-In Cast List X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 12:42:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7HGgi2B028713; Tue, 17 Aug 2004 12:42:44 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7HGgbBw007865; Tue, 17 Aug 2004 12:42:37 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i7HGgauu003800; Tue, 17 Aug 2004 12:42:36 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i7HGgZmX020693; Tue, 17 Aug 2004 12:42:35 -0400 (EDT) Date: Tue, 17 Aug 2004 12:42:35 -0400 (EDT) Message-Id: <200408171642.i7HGgZmX020693@multics.mit.edu> From: "David C. Jedlinsky" To: hains@temple.edu In-reply-to: <029e01c47404$32cf8ad0$6400a8c0@DIMENSION> (hains@temple.edu) Subject: Re: Sept. 18 Sing-In Cast List References: <029e01c47404$32cf8ad0$6400a8c0@DIMENSION> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 12:42:35 -0400 (EDT) From: "David C. Jedlinsky" To: hains@temple.edu In-reply-to: <029e01c47404$32cf8ad0$6400a8c0@DIMENSION> (hains@temple.edu) Subject: Re: Sept. 18 Sing-In Cast List X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Feh. Southwest has a sale today, and you won't be back until Wednesday. I *really* hope you and Tyler can get us to and from the airport, 'cause I decided to book the tickets anyway. Southwest Airlines: 9/17 MHT-PHL 1335 05:15PM - 06:35PM 9/19 PHL-MHT 2192 07:45AM - 09:00AM -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 18:00:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7HM0F2F004193; Tue, 17 Aug 2004 18:00:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7HLxcXU017676 for ; Tue, 17 Aug 2004 17:59:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7HLx2TJ023607; Tue, 17 Aug 2004 17:59:02 -0400 (EDT) Date: Tue, 17 Aug 2004 17:59:02 -0400 (EDT) Message-Id: <000b01c484a5$47de2e70$eeb4c618@yourwg5n33dutv> Errors-To: savoynet-owner@bridgewater.edu Reply-To: barryhilton@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "barryhilton" To: Multiple recipients of list SAVOYNET Subject: Re: Barry Hilton MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 17:59:02 -0400 (EDT) Reply-To: barryhilton@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "barryhilton" To: Multiple recipients of list SAVOYNET Subject: Re: Barry Hilton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) But Sam -- you told me (per second message below) that all I had to do was find a pianist and a tenor and all other problems would solve themselves automatically. 8-) Seriously, though, we're still on for 23 October in Brunswick, with a couple of dozen people from points as near as Portland and as distant as Orlando, Scioto, Toronto & the Old Country having expressed interest in participating; room for lots more. My omnibus message announcing part assignments, accommodations, travel directions &c keeps getting held up for updates & finishing touches, but stimulated by Sam's gentle reminder I'll make sure to get it out the door this week. It'll no doubt be subject to later tinkering no matter how perfect it gets in August. Cheers to all from Barry P.S. And don't forget Rebecca's Philly QWERT in September! ----- Original Message ----- From: "Samuel Silvers" To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, August 17, 2004 11:49 AM Subject: Attn: Barry Hilton > Barry Hilton had announced a QWERT to be held on Saturday 23 October in Brunswick, Maine USA. Does anyone know if this is still on track? As August is a big month for vacations, it may be that Barry is currently away from his computer. > > Sam ----- Original Message ----- From: "Samuel Silvers" To: "Multiple recipients of list SAVOYNET" Sent: Thursday, April 29, 2004 10:25 AM Subject: Future QWERT suggestion In the US, the only people who have hosted QWERTs are me and Bobbie Herman/Paul Cohen. And, of course Elise did Orlando Sing and Ori did Toronto T2K. It's not so hard to host a singalong of the kind I have done seven or eight times now. You need a pianist and a leading tenor. Everything else pretty much falls into place. If you have a smaller apartment, you could just do two shows with a dozen guests or so. I don't see why we shouldn't have several of these events each year throughout the country. Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 19:57:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7HNv42B019999; Tue, 17 Aug 2004 19:57:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7HNv3bt026071 for ; Tue, 17 Aug 2004 19:57:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7HNuQTJ024735; Tue, 17 Aug 2004 19:56:26 -0400 (EDT) Date: Tue, 17 Aug 2004 19:56:26 -0400 (EDT) Message-Id: <20040817234631.6985.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Poor Wand'ring Cadenza Contest - Mabel's Big Moment MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040814013402.49602.qmail@web60209.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 19:56:26 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Poor Wand'ring Cadenza Contest - Mabel's Big Moment X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040814013402.49602.qmail@web60209.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's a new original entry by Robin Gordon-Powell. I adore it. It goes on for a good four and a half minutes and, unlike those that I previously stated I disliked for going on and on for little reason, this one is truly entertaining. It's a whole-nother aria in itself! http://www.geocities.com/ulahlica/PWCC/PWCC.html I'd love to see something like this in a performance but not accompanied by the old gag of the rest of the characters being bored or going to sleep. For this uber-cadenza, Mabel should be increasingly cheered on by her sisters and Frederic, all working themselves into a frenzy of delight as the soprano shows off her superior abilities. John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Aug 2004 20:50:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7I0nv2B007989; Tue, 17 Aug 2004 20:49:59 -0400 (EDT) Received: from hawk.mail.pas.earthlink.net (hawk.mail.pas.earthlink.net [207.217.120.22]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7I0nubt001775 for ; Tue, 17 Aug 2004 20:49:56 -0400 (EDT) Received: from ernie.psp.pas.earthlink.net ([207.217.78.243]) by hawk.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1BxEeJ-0001ee-00; Tue, 17 Aug 2004 17:49:55 -0700 Message-ID: <33418483.1092790195764.JavaMail.root@ernie.psp.pas.earthlink.net> Date: Tue, 17 Aug 2004 20:49:55 -0400 (GMT-04:00) From: barryhilton@earthlink.net Reply-To: barryhilton@earthlink.net To: "David C. Jedlinsky" Subject: Re: Brunswick QWERT Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Aug 2004 20:49:55 -0400 (GMT-04:00) From: barryhilton@earthlink.net Reply-To: barryhilton@earthlink.net To: "David C. Jedlinsky" Subject: Re: Brunswick QWERT X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You did reply, David. I'm away from my home computer, but my recollection is that you asked me to count you as a probable, but that you didn't express a preference for a part. Anything you'd like to put in for? Cheers, Barry  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Aug 2004 01:12:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7I5CL2B016727; Wed, 18 Aug 2004 01:12:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7I5C1nu010483 for ; Wed, 18 Aug 2004 01:12:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7I5BpTJ027907; Wed, 18 Aug 2004 01:11:51 -0400 (EDT) Date: Wed, 18 Aug 2004 01:11:51 -0400 (EDT) Message-Id: <20040818050205.90966.qmail@web53502.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: G&S gets the Disney treatment MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Aug 2004 01:11:51 -0400 (EDT) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: G&S gets the Disney treatment X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) After having ignored the works of Gilbert & Sullivan for three-quarters of a century, Walt Disney Pictures has included Savoy opera selections in its new animated musical feature THE THREE MUSKETEERS, released directly to home video on Tuesday. The film stars Mickey Mouse, Donald Duck and Goofy (if I'm not mistaken, it's Mickey's first starring role in a feature-length film) as janitors in the French royal palace who long to follow in the footsteps of Dumas' musketeers. The evil Captain Pegleg Pete of the palace guard appoints them musketeers to further his plot to steal the throne of France by kidnapping Princess Minnie Mouse and her lady-in-waiting Daisy Duck. The story is interspersed with several songs consisting of new lyrics set to famous classical themes by Offenbach, Tchaikovsky, Grieg, Strauss, Bizet and Beethoven. The climactic scene is a sword battle at the old Paris opera house where a performance of THE PIRATES OF PENZANCE (neither the work nor its creators are identified by name) is taking place. A cast of canine pirates and porcine maidens, along with a porcine Major-General, are heard singing "With catlike tread,""Climbing over rocky mountain,""I am the very model" and "Poor wandering one" in the original texts, while the heroes duel with Pete and his henchmen on stage and in the wings. The opening bars of PRINCESS IDA are also heard when the combat grows particularly fierce. Eventually, the good guys (assisted by Pluto, who still walks on all fours and can't talk) win and are united as mouse and duck couples, while Goofy, in a nod to interspecial unions, claims Pete's turncoat lieutenant Clarabelle Cow as his own. The film, available on DVD and VHS, features a reasonable balance of retro-Disney sentiment and contemporary wise-guy humor, plus several instances of self-parody (at one point, Mickey complains, "Donald, I don't understand a word you're saying!"). I would call it enjoyable family viewing. Dan Kravetz Gilbert & Sullivan Society of New York __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Aug 2004 06:20:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7IAKu2B024734; Wed, 18 Aug 2004 06:20:57 -0400 (EDT) Received: from po-smtp1.temple.edu (po-smtp1.temple.edu [155.247.166.195]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7IAKtV2011839 for ; Wed, 18 Aug 2004 06:20:56 -0400 (EDT) Received: from po-a.temple.edu (po-a.temple.edu [155.247.166.191]) by po-smtp1.temple.edu (MOS 3.4.8-GR) with ESMTP id BXW03652; Wed, 18 Aug 2004 06:20:53 -0400 (EDT) Received: from 217.135.147.93 by po-a.temple.edu (MOS 3.4.8-GR) with HTTPS/1.1; Wed, 18 Aug 2004 06:20:53 -0400 Date: Wed, 18 Aug 2004 06:20:53 -0400 From: Subject: Re: Sept. 18 Sing-In Cast List To: "David C. Jedlinsky" Cc: tyler@hains.net X-Mailer: Webmail Mirapoint Direct 3.4.8-GR MIME-Version: 1.0 Message-Id: Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Junkmail-Status: score=0/50, host=po-smtp1.temple.edu X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Aug 2004 06:20:53 -0400 From: Subject: Re: Sept. 18 Sing-In Cast List To: "David C. Jedlinsky" Cc: tyler@hains.net X-Junkmail-Status: score=0/50, host=po-smtp1.temple.edu X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) no worries-- we will get you to/from the airport, by hook or by crook...! so glad you're coming to visit. be sure to send me your flight info again closer to the date, ok? i'm sure this message will be lost in the enormous mess of messages i've received whilst in buxton. becca  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Aug 2004 14:50:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7IIohnJ024539; Wed, 18 Aug 2004 14:50:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7IIoJH6021035 for ; Wed, 18 Aug 2004 14:50:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7IIoDTJ011572; Wed, 18 Aug 2004 14:50:13 -0400 (EDT) Date: Wed, 18 Aug 2004 14:50:13 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Short story by W.S. Gilbert rediscovered! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Aug 2004 14:50:13 -0400 (EDT) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Short story by W.S. Gilbert rediscovered! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Before I went to Buxton I posted on Savoynet that the latest issue of the W.S. Gilbert Society Journal contained news of a significant new Gilbert discovery. I wanted to put off explaining exactly what that discovery was until the members had received their copies--and I think I've now allowed enough time for that to happen. David Stone has discovered a previously unknown short story by Gilbert, entitled "Lady Mildred's Little Escapade". It was published in 1907 in a small-circulation charity magazine, and no bibliographer since then has picked up on its existence. It's sharp and funny, and it couldn't have been written by anyone except Gilbert. It's arguably one of his best short stories. Oh--and it is reprinted, complete, in the latest issue of the Journal! The Journal may be bought separately, for the very reasonable price of 2.50 pounds, plus 50 pence p&p (UK) or 1.50 pounds (non-UK). This represents astonishingly good value, as the Journal also contains an article by David Fidler about his experiences in directing Gilbert plays, two reviews of "Engaged", and a reprint of Gilbert's cynical cartoon story "Emily and Augusta". While the Journal can be bought on its own, you can naturally make the more solid long-term investment of joining the Society itself--eight pounds for UK members, twelve pounds for non-UK members. If you want to buy the Journal or become a member, please write, enclosing a pounds-sterling* cheque made out the the W.S. Gilbert Society, to: Andrew Crowther 5 Undercliffe Old Road Bradford BD2 4RQ UNITED KINGDOM. *If you can only pay in non-UK currency, please email me and we'll try to sort something out. I should warn you that the cost of currency conversion is greater than the price of a single issue of the Journal! --Andrew Crowther Hon. Sec, the W.S. Gilbert Society. ------------------------------------------------------------ W.S. Gilbert Society website: http://web.ukonline.co.uk/ajcrowth/wsgsoc.htm Babliophile, my personal appreciation of Gilbert: http://web.ukonline.co.uk/ajcrowth/babliophile.htm  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Aug 2004 16:10:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7IKAsnJ019896; Wed, 18 Aug 2004 16:10:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7IKAlH6006617 for ; Wed, 18 Aug 2004 16:10:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7IKAXTJ014022; Wed, 18 Aug 2004 16:10:33 -0400 (EDT) Date: Wed, 18 Aug 2004 16:10:33 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Back in the states.. MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Aug 2004 16:10:33 -0400 (EDT) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Back in the states.. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I just wanted to thank everyone again for the great show that I was for the first time a part of. I should let you know that I was working under a disadvanatge (aside from the absence of accent [I just saw part of the DVD.]). My wife's grandfather died a few days before the show, and so we were in the midst of figuring how to cut our London portion of the trip short, to make it home for the funeral. For anyone traveling to or from England, may I reccomend boycotting Northwest. They told us that regardless of the death hardship, to transfer our tickets to any earlier flight in the week would cost $7200 (3600 pounds), which is more than the down payment when we bought our house! This was impossible, so we were not in the best mood for the rest of our stay. I do appologize that I wasn't my sparkling self (which Sam has see.. ;-)), but I really appreciated the supportive atmospere that seems to be second nature to the Savoynet cast and crew. Thanks again to one and all for making Stephanie and I feel such a part of a large (and unusual) family. Oh, for those who know her, don't let the cat out of the bag about the grandfather situation, as she comes from a very private family and I have a very large mouth. :-) Mitch Gillett Ann Arbor, Mi USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Aug 2004 19:11:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7INBSnJ026759; Wed, 18 Aug 2004 19:11:28 -0400 (EDT) Received: from lips.xiph.org (KRESGE-TWO-SIXTY-TWO.MIT.EDU [18.175.6.7]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7INBJ5l012642; Wed, 18 Aug 2004 19:11:19 -0400 (EDT) Received: by lips.xiph.org (Postfix, from userid 1000) id 1ADB6DC115; Wed, 18 Aug 2004 19:17:19 -0400 (EDT) Date: Wed, 18 Aug 2004 19:17:19 -0400 To: Jax Kirtley Cc: star-wars@mit.edu, mtg-board@mit.edu, mtg-members@mit.edu Subject: MTG _Star Wars: Musical Edition_ Original Cast Recording CDs! Message-ID: <20040818231719.GC6227@xiph.org> References: <411FC4FE.3020609@verizon.net> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <411FC4FE.3020609@verizon.net> User-Agent: Mutt/1.5.6i From: xiphmont@xiph.org (Monty) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Aug 2004 19:17:19 -0400 To: Jax Kirtley Cc: star-wars@mit.edu, mtg-board@mit.edu, mtg-members@mit.edu Subject: MTG _Star Wars: Musical Edition_ Original Cast Recording CDs! Content-Disposition: inline In-Reply-To: <411FC4FE.3020609@verizon.net> From: xiphmont@xiph.org (Monty) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, In addition to DVDs, we'll also be selling a "_Star Wars: Musical Edition_ Original Cast Recording" two CD set. http://www.mit.edu/afs/athena/user/x/i/xiphmont/Public/cd1-thumb.png http://www.mit.edu/afs/athena/user/x/i/xiphmont/Public/cd2-thumb.png The CD soundtrack is a meticulous, seamless edit from six complete nights of recordings using the best night's take at each point. No missed high notes! No wondering what the lines were *supposed* to be! Hilarious asides... actually audible! It's the complete show, music and dialogue, and runs about 105 minutes. The 2 CD set is $9. Although the CD soundtrack was planned from the beginning, this may be the first time you've heard of it. Unlike Ruth and Opus, I made the now-apparent mistake of not precollecting orders; for that reason, I have no idea how many sets total to make. If you're planning to pick up a CD set, please let me know by replying to this message... but reply only to me, not the whole list please :-) Monty  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Aug 2004 11:33:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7JFXib1018993; Thu, 19 Aug 2004 11:33:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7JFWfSq015822 for ; Thu, 19 Aug 2004 11:32:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7JFWVTJ028732; Thu, 19 Aug 2004 11:32:31 -0400 (EDT) Date: Thu, 19 Aug 2004 11:32:31 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Back from Buxton Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Aug 2004 11:32:31 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Back from Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am back "home" now in the United States after an absolutely amazing two and a half weeks in Buxton. Thanks very much to Rebecca and Paul for the kind words about my Bunthorne. I haven't watched the video yet, but I my initial impression is that it was a performance I could be proud of. I do know that it was an honor to work with such a fantastic group, both in the cast and behind the scenes. The non-Bunthorne-inclusive parts of the show that I saw were excellent. It was wonderful to meet many of you at the festival, and I hope to see you again very soon. I'll be back at the festival the next time I can be. Next summer is not out of the question. I've been discussing my Buxton experience in quite a bit of depth online at: buxtondiary.blogspot.com I wrote about my daily activities, and also reviewed all the shows that I saw. I'm exhausted now, but back at work in my summer job. I leave for Rhode Island for the fall semester next week. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Aug 2004 11:58:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7JFwlap007766; Thu, 19 Aug 2004 11:58:47 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7JFwl8g024812; Thu, 19 Aug 2004 11:58:47 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i7JFwjJU011352; Thu, 19 Aug 2004 11:58:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i7JFwi1G016051; Thu, 19 Aug 2004 11:58:44 -0400 (EDT) Date: Thu, 19 Aug 2004 11:58:44 -0400 (EDT) Message-Id: <200408191558.i7JFwi1G016051@multics.mit.edu> From: "David C. Jedlinsky" To: YesTisMabel@aol.com Subject: Charlie says... X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Aug 2004 11:58:44 -0400 (EDT) From: "David C. Jedlinsky" To: YesTisMabel@aol.com Subject: Charlie says... X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Elise. My sister moved to Winter Springs last month, and had a rather rude welcome wagon drive through the neighborhood. Luckily, they only lost every large tree on the property, but they all had the good breeding to miss the house when they fell. The power and telephone is still out, however. After hearing their news, I got to wondering, how did you fare? I hope the lack of net presence is solely due to lack of power or telephone at your end, and not indicative of a more serious bit of damage. Please let me know how you're doing. -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Aug 2004 15:28:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7JJSqm6003538; Thu, 19 Aug 2004 15:28:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7JJSqCp014127 for ; Thu, 19 Aug 2004 15:28:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7JJSlTJ002527; Thu, 19 Aug 2004 15:28:47 -0400 (EDT) Date: Thu, 19 Aug 2004 15:28:47 -0400 (EDT) Message-Id: <6.1.2.0.0.20040819201017.01bc3918@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle PDF Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Aug 2004 15:28:47 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle PDF X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Emerald Isle is in an awkward copyright position for a year or two more: it MIGHT be copyrightable to the heirs of Edward German, but the copyright almost certainly is not enforced. Unless I'm told I shouldn't, therefore, I'm willing to make my scan of Emerald Isle Act I available to those who privately e-mail me, with Act II to follow. However, as the G&S archive is on a University site, I fear I must be circumspect and give it the last year or two before the copyright expires completely before I offer it to them. If anyone wants to make a donation to me for my work at scanning, I'd appreciate it, but it's not necessary. E-mail me if you wish to. P.S. I also have a rather rough and quick scan of Mountebanks, but there's a new version that's just awaiting a Sing-out to catch remaining errors, so... P.P.S. On Shore and Sea is next, followed by Dorothy. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Aug 2004 16:48:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7JKmvm6026846; Thu, 19 Aug 2004 16:48:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7JKmuCq005132 for ; Thu, 19 Aug 2004 16:48:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7JKmoTJ004089; Thu, 19 Aug 2004 16:48:50 -0400 (EDT) Date: Thu, 19 Aug 2004 16:48:50 -0400 (EDT) Message-Id: <20040819203006.89694.qmail@web60203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Poor Wand'ring Cadenza Contest - MabElise MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Aug 2004 16:48:50 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Poor Wand'ring Cadenza Contest - MabElise X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's Elise Curran's contribution to the PWCC. http://www.geocities.com/ulahlica/PWCC/PWCC.html She didn't write it herself but sings it spectacularly. Please bear in mind, though, the video production I took the segment from *and* my editing skills are not professional. I couldn't get the volume right and the sound is a little off. John S LI NY _______________________________ Do you Yahoo!? Express yourself with Y! Messenger! Free. Download now. http://messenger.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Aug 2004 17:08:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7JL8Em6007401; Thu, 19 Aug 2004 17:08:14 -0400 (EDT) Received: from marcela.zlz.net ([140.239.227.18]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7JL854p010302; Thu, 19 Aug 2004 17:08:05 -0400 (EDT) Received: (from dbj@localhost) by marcela.zlz.net (8.11.7p1+Sun/8.11.6) id i7JL5cx06185; Thu, 19 Aug 2004 17:05:38 -0400 (EDT) Date: Thu, 19 Aug 2004 17:05:38 -0400 (EDT) Message-Id: <200408192105.i7JL5cx06185@marcela.zlz.net> To: opus@mit.edu, rls@mit.edu Subject: Darrin's dv tape From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Aug 2004 17:05:38 -0400 (EDT) To: opus@mit.edu, rls@mit.edu Subject: Darrin's dv tape From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Over a year ago now, I hurridly dropped off a tape with Ruth. She recently reminded me that she still has the tape. Since I don't have any DV equipment and haven't really watched the tape since we were using it to review work in our lab, I was looking to see if you could transfer it to dvd, which I can view. Additionally, it would be useful to have an extra DV copy of the tape. I don't particularly have any editing needs at the moment as I don't have a particular use in mind or remember the specific details of its contents. That's part of why I need something I can view. It's currently just for my access. Can you make a recommendation and quote or estimate and let me know? Feel free to call me at 617-953-2000 or email. Sorry to take so long to address this. Thanks, Darrin  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Aug 2004 06:59:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7KAxMm6002737; Fri, 20 Aug 2004 06:59:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7KAxLeJ006051 for ; Fri, 20 Aug 2004 06:59:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7KAwkTJ015176; Fri, 20 Aug 2004 06:58:46 -0400 (EDT) Date: Fri, 20 Aug 2004 06:58:46 -0400 (EDT) Message-Id: <037201c486a3$ff920f50$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: "the purpose of doing shows at Buxton" MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 20 Aug 2004 06:58:46 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: "the purpose of doing shows at Buxton" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andi wrote, >> Is that the purpose of doing shows at Buxton, to get award nominations? Is that the purpose of seeing shows at Buxton, to check out your competition and see who's likely to cut you out of an award? Is that what you people are doing over there, turning it into a theatrical Olympic competition, focus on "competition"? << For the record, I met no one in our cast for whom the answer to those three questions would be "Yes, yes, and yes." I think you misread Mitch's post: His question of "Where's the thrill?" surely did not mean "Where's the thrill of going to Buxton?" I suspect he meant that the awards themselves seem rather unthrilling without an element of suspense. In all honesty, several of us in the cast (myself included) did not even *know* awards would be given out until we arrived in Buxton and heard the awards referred to by others. I mean, I knew there were awards for best show, because I'd heard of S'net being first runner-up last year; but that was the extent of my knowledge. (Point of interest: the awards are actually in the form of plaques and trophies and things that the winning parties must take home and engrave, then bring back the following year. I think that three awards from last year's production graced on our piano during rehearsals!) For those of us who are traveling to Buxton from abroad, and even for some traveling from within England, the trip cost an obscene amount of money. (BTW, have you all noticed how weak the dollar is right now? oh, my poor, pathetic bank account!!!) The awards are beside the point: We would not have gone to the festival were it not a labor of love. We were there because we love G&S and we love performing G&S and we love meeting others who share our interests! By the way, I am not certain, but I *think* that Miss Humphreys re-watches the videos of each show that is up for adjudication before the awards night. If this is the case, then it is certainly understandable that the nominees are not announced before the awards, as that's a LOT of videos to watch. Anyhow, I think the single most rewarding thing about attending the festival was the wonderful friends I made during its duration. It was delightful to get to know so many talented and fascinating people. That aspect of the festival alone has made me really, really, really-really-really want to find a way to get back to it next year, no matter what. I actually missed my U.S. QWERT and Sing Out friends at the festival. People I've enjoyed hanging out with in the past, like Andi, Elise, John S., David Craven, Leta, Dave J., Sylvan, Marion, etc. etc. etc., would have assuredly had a FANTASTIC time. I hope that many more folks have the opportunity to attend in the future. You won't regret it! Rebecca Hains Philadelphia, PA (At home now, but still on Buxton time and wide awake!) p.s. Mitch, you are an absolute doll, and really very kind; but oh, please don't speculate on me being nominated for anything!!! and  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Aug 2004 17:45:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7KLj25j005635; Fri, 20 Aug 2004 17:45:02 -0400 (EDT) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7KLj15Y006242 for ; Fri, 20 Aug 2004 17:45:01 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i7KLildh011653; Fri, 20 Aug 2004 22:44:49 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id WAA18049 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Fri, 20 Aug 2004 22:41:29 +0100 (BST) Received: by mserv1.dl.ac.uk id WAA18030 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Fri, 20 Aug 2004 22:41:23 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id WAA18023 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from SSilvers@sskfny.com); Fri, 20 Aug 2004 22:41:20 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from mail76.messagelabs.com (mail76.messagelabs.com [216.82.240.83]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i7KLfvdf011578 for ; Fri, 20 Aug 2004 22:41:57 +0100 X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-2.tower-76.messagelabs.com!1093038114!9338164 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Received: (qmail 22670 invoked from network); 20 Aug 2004 21:41:54 -0000 Received: from unknown (HELO mail.sskfny.com) (208.195.240.132) by server-2.tower-76.messagelabs.com with SMTP; 20 Aug 2004 21:41:54 -0000 Received: from SSDOM-Message_Server by mail.sskfny.com with Novell_GroupWise; Fri, 20 Aug 2004 17:41:52 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Fri, 20 Aug 2004 17:41:29 -0400 From: "Samuel Silvers" To: , Subject: Derby's Pinafore/ Buxton recollections Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i7KLfvdf011578 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: X-VirusChecked: Checked X-Env-Sender: SSilvers@sskfny.com X-Msg-Ref: server-2.tower-76.messagelabs.com!1093038114!9338164 X-StarScan-Version: 5.2.10; banners=-,-,- X-Originating-IP: [208.195.240.132] Date: Fri, 20 Aug 2004 17:41:29 -0400 From: "Samuel Silvers" To: , Subject: Derby's Pinafore/ Buxton recollections Content-Disposition: inline X-CCLRC-SPAM-report: -4.9 : BAYES_00 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id i7KLfvdf011578 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO Did anyone see Derby's Pinafore? A review would be nice. Thanks, Rebecca for your diary of your day with the Gilletts and Ian Henderson. Other than Jonathan and Sarah-Jane, who are diligently blogging away, does anyone else have any tales of the Festival? TFA (The Fair Annette), Paul, Jo and I went to Haddon Hall on our day off (August 8) and were treated to a beautiful day, but only a fair Bakewell pudding. The castle dates back to Norman times, and much of the furniture is from the 14th and 15th centuries. It is a far more rustic place than Chatsworth, the Duke of Devonshire's spotless home, but it sits in a beautiful vale with a winding stream and well-tended gardens. The castle is much better preserved than Peak-Haunting Peveril's ruin of a castle and gives one some sense of what it might have been like to live in the castle in the 15th century. Game was plentiful, and "da livin' was easy" unless you happened to be a kitchen servant, I think. Jo Dunbar and I also went to Poole's cavern, and the tour guide remembered that 40 SavoyNetters had sung in the cavern in 1998, when we did Trial at Buxton. Apparently it was a unique experience for him! I am not going to review any shows this year, except to say that I enjoyed the Festival's own professional G&S opera company (I saw Ruddigore on my last night, the 13th) very much, and that in the past few years they have become a top notch professional company. It was too bad that Carl Rosa did not return to Buxton this year, as they were really excellent last year. As for the Festival club, it was extremely disappointing that there was only an electric piano at the Festival club this year. The tinny little instrument was entirely inadequate, IMO, for accompanying things like the Utopia pot luck. One thing worth mentioning is that, on our cabaret video, you can see Bob Richards playing the guitar and singing "The Streets of Buxton," which was a funny and touching tribute to the Festival. Would you post the lyrics, Bob? Bob did a few other songs before the main part of our cabaret started, but they did not get on the video. Ian Holamby's magic show also did not make the video. Now that most of us are back from Buxton, reviews and recollections would be welcome! Sam Silvers Singing Little Buttercup on Sept. 18 in the sex-reversed Pinafore at Rebecca's.  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Aug 2004 18:28:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7KMS65j026876; Fri, 20 Aug 2004 18:28:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7KMS5rB022464 for ; Fri, 20 Aug 2004 18:28:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7KMRUTJ004832; Fri, 20 Aug 2004 18:27:30 -0400 (EDT) Date: Fri, 20 Aug 2004 18:27:30 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Explaining Julia Jellicoe; was: The flowers that bloom, Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 20 Aug 2004 18:27:30 -0400 (EDT) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Explaining Julia Jellicoe; was: The flowers that bloom, X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I'm wondering, does anyone really sympathize with Julia anyway? You're not supposed to. Julia is a dramatic device. We are not asked to connect with her because she is not connected to herself. Julia Jellicoe is performing the part of the comedienne in Ernest's theatrical troupe. This is a part she is NOT suited to, if only because she is English and the rest of the cast would be German, but also because she has not one funny bone in her body. She is compelled to play the part of Grand Duchess because her role as the troupe's leading lady demands it. Whether she wants to play it or not is irrelevant -- she must play it (you bet!). Once she scores the part of Grand Duchess, she is compelled to play it to the hilt, which means scenes of justifiable jealousy. When she loses the part of Grand Duchess, she behaves -- not as Julia Jellicoe would behave (and we never know how JJ would behave because we never actually see the real JJ) but as a jilted Grand Duchess would behave. Ergo, she indulges in operatic histrionics that include endless repetitions of the same idea -- which is what happens in a standard operatic (non-Gilbert) opera arias, which she is using as a basis for her performance as Grand Duchess of Pfennig Halbpfennig. (She also responds to Ernest's reappearance as one is expected to react when one sees a ghost -- again, she is acting. The real JJ may have no fear of ghosts, but that is irrelevant, because the part she is playing--and to a certain extent society-- requires that she be afraid of ghosts.) At the end, when everyone has chosen a spouse, Julia the comedienne MUST end up with Ernest because he is leading man and she is leading lady. It is irrelevant (for her) whether she loves him or not -- as leading lady, she must marry him. The Grand Duke is all about performance. Everyone (just about) is playing some role, and it doesn't matter about one's real personality -- the role is all. We see this in life all the time -- one going through the motions of x because that is what society (or some other authority) expects of one. One of the reasons The Grand Duke leaves readers and theatregoers cold is that this is a pretty cold theory, and whether you realize it or not, this underlying theory informs a reading or performance experience. I would argue that all of G's experience as a dramatist leads up to this moment (though I'm not quite sure if he was totally conscious of this when writing TGD). Actors confusing their real personalities with their parts. Actors conflating their egos to match the egos of the characters they are playing. Professionals so caught up in their work that they (and we) can't distinguish between what is their real personality and their work persona. It's a timeless theory, borne out in example after example. Is someone acting the part of x (grand duke, English comedienne, prince, herald) or are they really x, and if they are only acting, where is the real self? Cliff . . . . _________________________________________________________________ Don’t just search. Find. Check out the new MSN Search! http://search.msn.click-url.com/go/onm00200636ave/direct/01/  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Aug 2004 08:47:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7LClJ5j026126; Sat, 21 Aug 2004 08:47:20 -0400 (EDT) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7LCkxiV001431 for ; Sat, 21 Aug 2004 08:47:00 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i7LCkiub002799; Sat, 21 Aug 2004 13:46:44 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id NAA20823 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sat, 21 Aug 2004 13:39:46 +0100 (BST) Received: by mserv1.dl.ac.uk id NAA20802 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sat, 21 Aug 2004 13:39:36 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id NAA20795 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from bj.richards@btinternet.com); Sat, 21 Aug 2004 13:39:30 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp106.mail.sc5.yahoo.com (smtp106.mail.sc5.yahoo.com [66.163.169.226]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id i7LCe4ub002726 for ; Sat, 21 Aug 2004 13:40:05 +0100 Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp106.mail.sc5.yahoo.com with SMTP; 21 Aug 2004 12:40:02 -0000 Message-ID: <004b01c4877b$f7d9a6a0$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "Samuel Silvers" , , References: Subject: Buxton recollections Date: Sat, 21 Aug 2004 13:39:54 +0100 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0048_01C48784.576B7730" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-CCLRC-SPAM-report: -4.42 : BAYES_00,HTML_60_70,HTML_FONT_BIG,HTML_MESSAGE X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.42 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "Samuel Silvers" , , Subject: Buxton recollections Date: Sat, 21 Aug 2004 13:39:54 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-CCLRC-SPAM-report: -4.42 : BAYES_00,HTML_60_70,HTML_FONT_BIG,HTML_MESSAGE X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.42 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0048_01C48784.576B7730 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Sam Silvers wrote: >One thing worth mentioning is that, on our cabaret video, you can see = Bob Richards playing the guitar and singing "The Streets of >Buxton," = which was a funny and touching tribute to the Festival. Would you post = the lyrics, Bob? =20 Thanks Sam, I'm not sure that they're worthy of a wider audience than the Festival = Club but here they are . . .=20 Streets of Buxton (inspired by Ralph McTell's Streets of London) Have you seen the younger Smith inside the Portacabin Sorting through the cast lists of the Pot Luck Shows Mikado has a trusty ring - Karen Ann as Pitti Sing But how to make a choice between the thirty five KoKo's? =20 Chorus: So how can you tell me 'It's over G&S is dead I think you'll find' Let me take you by the hand and lead you through the Streets of Buxton I'll show you something to make you change your mind =20 Have you seen the legend, a forgotten D'Oyly Carter Flicking through their scrapbook with nostalgic tear No-one else knows who they are, but here at Buxton they're a star All their fans acclaim them while they hear the audience cheer Chorus: =20 Have you seen the Netters at the Half Time Ice Cream van queue? Looking for an E-mail friend to see if they agree It's the worst show they've sat through - a simply awful Nanki Poo And three little maids who finished school in 1963 Chorus: In the cyber cafe at a quarter to eleven A SavoyNetter at the screen - the keys are his to pound The first to tell the world of the night's show banners that unfurled With some luck he'll reach the club too late to buy his round Chorus: I'm not sure if singing in the cabaret kept alive my record of = performing at every Buxton Festival but it seemed to go down well on the = night although I was a bit disconcerted when a non-SavoyNetter in the = club told me that if he shut his eyes I sounded like a young man! BTW = Karen-Ann has never played Pitti-Sing - sorry KAL - artistic licence! Sam mentioned the rest of my programme, the other songs were With her head tucked underneath her arm - (The Lieutenant's lost song = from Yeomen ;o) ) Streets of Buxton Old Flames don't hold a candle to you Ah Woe! Ah Me! Leaving on a Jet Plane Bob Richards keeping his fingers crossed for SavoyNet awards on Sunday ------=_NextPart_000_0048_01C48784.576B7730 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Sam Silvers=20 wrote:

 

>One thing = worth mentioning=20 is that, on our cabaret video, you can see Bob Richards playing the = guitar and=20 singing "The Streets of >Buxton," which was a funny and touching = tribute to=20 the Festival.   Would you post the lyrics, = Bob?

 

Thanks = Sam,

I'm not sure that = they're worthy=20 of a wider audience than the Festival Club but here they are . .=20 ... 

 

Streets of=20 Buxton

(inspired by Ralph = McTell's=20 Streets of London)

 

Have you seen the = younger Smith=20 inside the Portacabin

Sorting = through the cast=20 lists of the Pot Luck Shows

Mikado has a = trusty ring =96=20 Karen Ann as Pitti Sing

But how to = make a choice=20 between the thirty five KoKo=92s?

 

Chorus:

So how can you tell me 'It=92s=20 over

G&S is dead I think = you=92ll=20 find'

Let me take you by the hand and = lead you=20 through the Streets of Buxton

I=92ll show you something to = make you change=20 your mind

  =20

Have you = seen the legend,=20 a forgotten D=92Oyly Carter

Flicking = through their=20 scrapbook with nostalgic tear

No-one else = knows who they=20 are, but here at Buxton they=92re a = star

All their = fans acclaim=20 them while they hear the audience cheer

Chorus:

 

Have you = seen the Netters=20 at the Half Time Ice Cream van = queue?

Looking for = an E-mail=20 friend to see if they agree

It=92s the = worst show=20 they=92ve sat through =96 a simply awful Nanki=20 Poo

And three little = maids who=20 finished school in 1963

Chorus:

 

In the cyber cafe = at a quarter=20 to eleven

A = SavoyNetter at the=20 screen - the keys are his to pound

The first to = tell the=20 world of the night=92s show banners that=20 unfurled

With some = luck he=92ll reach=20 the club too late to buy his round

Chorus:

 

 

I'm not sure = if singing in=20 the cabaret kept alive my record of performing at every Buxton Festival = but it=20 seemed to go down well on the night although I was a bit = disconcerted when=20 a non-SavoyNetter in the club told me that if he shut his eyes I = sounded=20 like a young man!  BTW Karen-Ann has never played Pitti-Sing - = sorry KAL -=20 artistic licence!

 

Sam = mentioned the rest of=20 my programme, the other songs were

 

With her head = tucked underneath=20 her arm - (The Lieutenant's lost song from Yeomen ;o) )

Streets of=20 Buxton

Old Flames don't = hold a candle=20 to you

Ah Woe! Ah = Me!

Leaving on a Jet=20 Plane

 

Bob = Richards

keeping his = fingers crossed for=20 SavoyNet awards on Sunday

------=_NextPart_000_0048_01C48784.576B7730--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Aug 2004 13:28:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7LHSjQZ003877; Sat, 21 Aug 2004 13:28:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7LHNiIk000982 for ; Sat, 21 Aug 2004 13:23:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7LHN9TJ015182; Sat, 21 Aug 2004 13:23:09 -0400 (EDT) Date: Sat, 21 Aug 2004 13:23:09 -0400 (EDT) Message-Id: <00bb01c487a2$51621290$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Buxton photos MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00BC_01C48780.CA507290" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Aug 2004 13:23:09 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Buxton photos X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_00BC_01C48780.CA507290 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hi everyone, I uploaded photos from our PIRATES dress rehearsal to the Savoynet Forums. Here's the link: http://www.savoynet.org/forums/viewtopic.php?t=70 Thanks to Debbie Jacobson for taking these photos for us! If anyone has questions or trouble accessing the pictures, just drop me an email message and I'll help you out. And remember to either log in to the forums with your own account or log in as "guest" with password "guest" for full access. Rebecca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains ------=_NextPart_000_00BC_01C48780.CA507290 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hi everyone,

 

I uploaded photos from our PIRATES dress rehearsal to the Savoynet = Forums.  Here’s the link:

 

http://www.s= avoynet.org/forums/viewtopic.php?t=3D70

 

Thanks to Debbie Jacobson for taking these photos for us!

 

If anyone has questions or trouble accessing the pictures, just drop me an email = message and I’ll help you out. And remember to either log in to the forums = with your own account or log in as “guest” with password = “guest” for full access.

 

Rebecca

 

 

Rebecca C. Hains

Temple University

Philadelphia, PA

http://astro.temple.edu/~hains

 

------=_NextPart_000_00BC_01C48780.CA507290--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Aug 2004 16:01:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7LK1cQx028710; Sat, 21 Aug 2004 16:01:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7LJxpHE021893 for ; Sat, 21 Aug 2004 15:59:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7LJx8TJ016560; Sat, 21 Aug 2004 15:59:08 -0400 (EDT) Date: Sat, 21 Aug 2004 15:59:08 -0400 (EDT) Message-Id: <4127A653.1080609@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Hating TAPOSE MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20040820212112.02bb20c8@taurus.lunarpages.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Aug 2004 15:59:08 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Hating TAPOSE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20040820212112.02bb20c8@taurus.lunarpages.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Craven wrote: > This is a message to Savoynet, not a request.. > The above has been added because Savoynet keeps bouncing my postings > claiming that they are a request of some sort. This suggests that > Bridgewater has upgraded the software... I'm not aware of any upgrades, and nobody else has reported this problem. On TAPOSE: > Its a wonderful song. Its great to sing at parties. It has no business > being in Gondoliers. It causes the whole show to come to a crashing stop > and makes it very hard to get the show going again. The fact that we do > not cut it is one of the (few) reasons that Gondoliers does not get the > respect that it would otherwise earn. In the U.K., THE GONDOLIERS has always been rated by critics and audiences alike as being among the partnership's best creations. It is certainly enduringly popular. Band part rental statistics show it to be in the top 5, and perhaps top 4 or 3 (I've forgotten the exact rank, but it is high.) With both popular and critical acclaim being almost universal, it's hard to argue that the opera would have been much better off without what is probably its best known song. It's a bit like arguing that THE KING AND I would have been a lot more successful without "Getting to know you." I grant that David referred to "respect," rather than "popularity." But precisely how are we to show that the work is popular, yet not respected? Exactly who disrespects it? As far as I can tell, it's the occasional G&S aficionado--and a small minority at that. The comment also reflects a lack of understanding of the grand opera exemplars that G&S were always parodying. COSI FAN TUTTE, which is one of the inspirations for THE GONDOLIERS, has aria after aria that, in David's term, "cause the whole show to come to a crashing stop." Indeed, COSI is "stopped" a lot more than it is moving. There are dozens of Handel and Rossini operas, plus scores of English ballad operas, in which this is case. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Aug 2004 17:09:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7LL9qQZ021665; Sat, 21 Aug 2004 17:09:52 -0400 (EDT) Received: from bittern.mail.pas.earthlink.net (bittern.mail.pas.earthlink.net [207.217.120.119]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7LL9q6k001440 for ; Sat, 21 Aug 2004 17:09:52 -0400 (EDT) Received: from waldorf.psp.pas.earthlink.net ([207.217.78.20]) by bittern.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1Byd7X-0006gt-00; Sat, 21 Aug 2004 14:09:51 -0700 Message-ID: <15248739.1093122591747.JavaMail.root@waldorf.psp.pas.earthlink.net> Date: Sat, 21 Aug 2004 17:09:51 -0400 (GMT-04:00) From: barryhilton@earthlink.net Reply-To: barryhilton@earthlink.net To: "David C. Jedlinsky" Subject: Re: Brunswick QWERT Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Aug 2004 17:09:51 -0400 (GMT-04:00) From: barryhilton@earthlink.net Reply-To: barryhilton@earthlink.net To: "David C. Jedlinsky" Subject: Re: Brunswick QWERT X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Great news, David! I was just about to write to ask if you might be able to take on some of the tenor load. By this I *probably* mean Marco & Hilarion, but I'll need to confirm that with charts at home (from which I am once again away) before putting that O-fficially on paper. Looking forward to seeing you, Barry ******************** Hi Barry. Please move me from "probable" to "intending". As for parts, I'm fairly flexible, and can fill in where you might have gaps. Roles which I would be pleased to do include: Gondoliers: Giuseppe Marco Luiz Ida: Hilarion Mikado: Nanki Poo Pish Tush Ko Ko Ruddigore: Richard Robin If there are other roles which you do not have volunteers, please ask me. If it's possible to pair me in a role against Rebecca Hains, Leta Hall or Elise Curran, I doubt you'd hear an objection. My wife, Ruth, will also be attending, but she would like to remain in chorus roles only. -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 22 Aug 2004 22:51:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7N2pOKK029011; Sun, 22 Aug 2004 22:51:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7N2mV3X018017 for ; Sun, 22 Aug 2004 22:48:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7N2mETJ001780; Sun, 22 Aug 2004 22:48:14 -0400 (EDT) Date: Sun, 22 Aug 2004 22:48:14 -0400 (EDT) Message-Id: <54.31946262.2e5ab352@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Score-related problems in Grand Duke (was Grand Duke/Mickey Mouse) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 22 Aug 2004 22:48:14 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Score-related problems in Grand Duke (was Grand Duke/Mickey Mouse) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/22/04 8:25:02 AM, duployenrichard@hotmail.com writes: >>Sandford's mangling of "maniac kick" (scrupulously following the absurd >>lyric alignment on page 106 of the score >There are too many forced rhymes in "G. D.", and possibly too much patter >(for Ludwig etc. as well as Rudolph). My citing of "maniac kick" above was not in fact a reference to the forced rhyme "maniac kick/Bacchic," though of course that rhyme is as forced as any you'll find in that show, or indeed in the entire canon. Rather, I was referring to the faulty underlay of the lyrics in the score. The syllables are broken up incorrectly underneath the music notes, resulting in a rhythm that is completely impossible to sing intelligibly. Not surprisingly, Kenneth Sandford, in following the score's instructions, signally failed to achieve the impossible. Marc argues that the show was new to the D'Oyly Carte performers, and they didn't have the leisure that we have to reflect on the score's errors. It's true that the score's inadequacies are manifold, and that it takes a considerable amount of study to correct them all. However, in this particular case, I didn't have to look at the score more than once to see how utterly wrong this passage was. All I needed was my native common sense, and my sense of rhythm. It's incredible to me that no-one involved in the recording seems to have realized there was anything wrong with the line, or to have tried to figure out how it should have been interpreted. Looking at page 106 of the score (2nd system, 3rd bar), you can see that the last syllable of "maniac" is italicized, indicating the presence of a forced rhyme. Looking at the same spot, you can also see that this italicized (therefore stressed) syllable is set to be sung on the sixteenth-note pickup to the fourth beat. Anyone capable of reading music should be able to tell instantly that this is not a tenable position in the music to create an accent. It needs to be on a downbeat -- specifically on the third beat, which is where the matching "ack" of "Bacchic" appears in the subsequent measure. That is the only way the forced rhyme can possibly be interpreted, and made to "work" (if you consider that it works at all, of course). To spell out the situation clearly, here is Gilbert's intended reading (and Sullivan's as well), as dictated by the rhythm inherent in the line. Accented syllables are capitalized, and the rhythm rolls along in pairs of syllables, in a long-short rhythmic sequence: COR-y- BAN-tian MA-ni- AC kick, DI-o- NY-si- AC or BACCH-ic And here is the way it appears in the score: COR-y- BAN-ti- AN ma- NI-ac (with italics on "ac") KICK, dio- NY-si- AC or BACCH-ic This adds an extra syllable to "Corybantian" (Co-ry-ban-tee-an" instead of "Co-ry-ban-tyan"), and collapses "Dionysiac" from five syllables to four ("Dio-" having to be forced into one syllable). While it is perfectly possible to sing "Dio-" on one note, using a liaison to connect the two vowels, it is far from possible to sing "NI-AC" in a long-short rhythm, accenting both syllables in sequence, followed immediately (a sixteenth note later) by an equally accented "KICK." Try it yourself; if you're doing it with sufficient vigor, and without slacking on the tempo in any way, it'll probably knock you right off your feet! Sandford couldn't do it, and didn't try. Instead he simply stopped momentarily, giving himself time to make a very unconvincing accent on "ac," and to make a little separation before "kick." That, and the unnatural accenuation on the "i" of "maniac," contrive to make it a truly "How's that again??" moment. Had I but world enough and time, I would make my own edition of Grand Duke and all the rest of the shows, correcting all the errors I could find and, though it's difficult to avoid adding new ones by mistake, at least refrain from adding new ones on purpose. As for instance the new fanfare in the Dover Mikado, or the equally ersatz alternate vocal line on "Well hardly ever!" that appears in the Dover Pinafore (obviously invented by the editors, and labelled with incredible audacity as "traditional"). Though I lent a hand to a certain extent with the new piano arrangement in their Mikado, I'd like to take this opportunity to dissociate myself completely with either of the above embarrassments. I wasn't there! Steve Lichtenstein "A Jew, but poor!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 23 Aug 2004 11:03:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7NF36KI029520; Mon, 23 Aug 2004 11:03:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7NF32NR017515 for ; Mon, 23 Aug 2004 11:03:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7NF2PTJ007280; Mon, 23 Aug 2004 11:02:27 -0400 (EDT) Date: Mon, 23 Aug 2004 11:02:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Trent YEOMEN (longish) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200408231039.AA1085276334@mail.labsoftware.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 23 Aug 2004 11:02:25 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Trent YEOMEN (longish) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200408231039.AA1085276334@mail.labsoftware.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Wendy asked, of the Derby PINAFORE and Trent YEOMEN: > Based on these awards, and from those of you who saw those performances last week, would you recommend I send away to buy the DVDs of one or both? I missed Derby's PINAFORE, as I was travelling back to Houston that day, but I did see the Trent YEOMEN. I was very impressed by it, but I know that not everyone was. (Interestingly, all the non-Savoynetters I talked to about it thought it was wonderful, while most of the Savoynetters I talked to thought it was non-wonderful or worse.) It was the first chance I'd gotten to see YEOMEN staged. I'll go ahead and post the review from my Buxton Diary here. ---------- I saw the Trent/Bluecoat Yeomen of the Guard tonight. It was actually my first Yeomen. It featured a professional, non-adjudicated Nick Sales as Fairfax, who was wonderful. There was the power and clarity I'd expect from a good professional tenor -- but the softness and tenderness was a glorious surprise. The conclusion of "Free from his fetters grim" was absolutely sublime. The entire production, I thought, was extremely good. For me, it was easily the best non-professional show I've seen this week. A couple of people I spoke to tonight were less impressed than I, though. Fairfax and Elsie (Samantha Hay) were both professionals, and were both very good, although I liked her acting less than I liked Nick's. Tonight's was a truly heroic Fairfax -- much less of an awful guy than I'm used to imagining. (This was helped along by a less sympathetic Point.) I also disagreed with one (rather major) directing decision regarding Elsie -- Trent played it as if Elsie was making up a lie about her dying mother, with exaggerated expressions of sorrow to match. I see no reason for such an interpretation -- they don't need to convince anyone that they need money, and her plight is more sympathetic if the emergency is real. Stephen Godward's Shadbolt was, I thought, the best of the rest of the lot. His comic timing was excellent, and his characterization was consistent and good. A very smooth and pleasant baritone voice, too -- not the bigger, harsher voice I'd expect in a Shadbolt, but it worked very well. Michael Tipler as Sergeant Meryll was a reasonably strong actor, but his voice was a little uncertain at points. I thought it was an odd choice to restore "A laughing boy" -- I'd've much rather heard "Jealous Torments". Joy Nicol's Phoebe was very strong, although she didn't quite look the part. Phoebe, even more than most of the young female roles, needs to look quite young. I also felt as though Phoebe might've been a little low for her. Zena Bradley as Dame Carruthers sang and acted well, but was really not an imposing figure in this show. It was easy to forget about her. I'm saving discussion of Jack Point for last. So on to the smaller roles, where things dropped off, particularly for the men. Colin Dawes's Lieutenant had a pleasant voice, but not a lot of stage presense -- he looked bored much of the time. His voice also wavered somewhat in the "I bring you news, good or ill" passage. Mark Pollard's Leonard Meryll, I thought, was the weakest of the lot (which, to be fair, was not particularly weak). All of the other principals looked very at home in their roles, standing confidently and delivering. Leonard Meryll moved his hands often in a way indicative of less than total comfort. (I know because this is another one of my own bad habits as an actor.) He also flubbed, rather noticably, a line near the beginning of the show, but Sergeant Meryll covered it well enough to keep the scene running. The tiny role of Kate, I thought, was done *excellently* by Katrina McWilliams -- the young woman who came out and corroborated Dame Carruthers's description of her dream (you'd think Gilbert would have granted a *couple* of lines to the small role there), then sang the top line in "Strange Adventure" did so *superbly*. I felt bad for her when I realized that as the company had brought in a professional Elsie, Kate was the best soprano role it had to offer to an amateur. "Strange Adventure", incidentally, was stunning. Four singers stood in a spread-out line and delivered. Absolutely wonderful. This festival has been a really great experience for me to focus on what I do and don't like in performing, and particularly in G&S performing. I think I've learned a lot. And now, Simon Theobald as Jack Point, who defines so much of a production of Yeomen. Theobald was older than one might expect, but I got used to him rather quickly. And, come to think of it, there's no reason Point can't be a middle-aged man. He's jaded enough. Tonight's was a darker Yeomen to go along with a darker Jack Point. He actually got just a little bit violent with Elsie in the Act I Finale, which was rather upsetting, but in keeping with the character he went on to develop in Act II. He delivered a very bitter "Private Buffoon" and went on to show us what really did seem something like a descent into madness. During the Act II Finale, he entered in crying clown makeup with the tragic mask he'd played with in Act I, and gathered up the flowers that had been placed before bride and groom Elsie and Fairfax, and offered them to Elsie. When she rejected them, he took a small vial of poison and laborously climbed onto their platform, where he eventually collapsed, clearly dead. The people I spoke to who didn't like it tended to focus on the Point. It was not a funny show tonight -- Shadbolt was the only character who really managed to get any laughs out of us. And Point was a much less sympathetic character than many are used to -- in addition to being self-absorbed, the Point tonight was also pretty much a jerk, and also rather unstable. I'd've been much more afraid to be alone with tonight's Point than with tonight's Shadbolt. For some, this interfered with the sympathy we feel for Point at the end of the show. For me, it didn't, I find that absolutely fascinating. Why do we have this strong emotional reaction for a character we don't like? (I was pretty thoroughly in tears.) Why do we feel differently about Jack Point and Bunthorne, if they're both jerks? I'll save the interesting post on aesthetics and philosophy of imagination for another day and another blog. I also heard the complaint that the Jack Point overacted in his final scene. I can understand this one, but I have only to say that I didn't find it to be distractingly overdone. Just a personal thing, I guess. I do have one nitpicky point about Jack Point, though. During the "Jester wishes he was dead business" (and God, do I hate that instance of "was". Subjunctive, Gilbert! Subjunctive!), Point went all the way in front of where the tabs would have fallen and leaned against the edge of the stage. Not only did this mean he wasn't well lit, it was also an unhelpful reminder of the piece's position as stagecraft -- it's difficult to imagine the story if we're constantly being reminded that it's just a play. Gilbert did such things occasionally -- particularly in The Mikado, but never in Yeomen and certainly not in this dramatic scene. There are lots of big arguments over how various characters ought to be played. They're good arguments and I enjoy participating in them, but there are differing and valid points of view. Tonight's darker Yeomen worked for me -- I don't know whether I'd do it the same way, but I thought it was good theater. I should not at all be surprised to see more than one major award go to Trent this festival. ---------- Two directly answer Wendy's question, I do think this might be a video-buying-worthy production, if you feel about the interpretations the same way I did. Obviously, if you're one of the people who hate the show to be done this way, you won't enjoy the video. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 23 Aug 2004 20:13:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7O0DoXg012474; Mon, 23 Aug 2004 20:13:50 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7O0DZcp024787; Mon, 23 Aug 2004 20:13:35 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as belmonte@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i7O0DYuu014146; Mon, 23 Aug 2004 20:13:35 -0400 (EDT) Received: (from belmonte@localhost) by multics.mit.edu (8.12.9) id i7O0DYlk029051; Mon, 23 Aug 2004 20:13:34 -0400 (EDT) Date: Mon, 23 Aug 2004 20:13:34 -0400 (EDT) Message-Id: <200408240013.i7O0DYlk029051@multics.mit.edu> From: belmonte@MIT.EDU (Matthew Belmonte) To: sipb-office@mit.edu Subject: Re: sipb project idea: spam filtering server X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 23 Aug 2004 20:13:34 -0400 (EDT) From: belmonte@MIT.EDU (Matthew Belmonte) To: sipb-office@mit.edu Subject: Re: sipb project idea: spam filtering server X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >It'd be neat if SIPB offered a generic spam filtering service. A spam filter more versatile that what I/S currently offer would be brilliant! A couple of things that I find myself wishing that I could do *easily*, on the server: Anything that's flagged as spam *and* doesn't have a whitelisted "To:" address (i.e. anything that looks like spam and is arriving via a mailing list) doesn't even make it into the Spamscreen folder, and is instead silently deleted. Other messages flagged as spam don't make it into Spamscreen either; they're instead bounced back to the sender with an appropriate message, so that I never have to spend time scanning my Spamscreen folder for false positives. (Yes I know that this response would allow spammers to calibrate their spam against our filters -- but really, they're going to do that anyway.) [Now some people will flame me about how my suggestions suck, and I won't respond, because I'll be working on a paper instead.]  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 23 Aug 2004 20:53:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7O0riXg029332; Mon, 23 Aug 2004 20:53:44 -0400 (EDT) Received: from rozz.csail.mit.edu (rozz.csail.mit.edu [128.30.2.16]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7O0rS8T002755; Mon, 23 Aug 2004 20:53:28 -0400 (EDT) Received: from node-423a7182.bos.onnet.us.uu.net ([66.58.113.130] helo=finite-subcover.lcs.mit.edu) by rozz.csail.mit.edu with esmtp (TLSv1:DES-CBC3-SHA:168) (Exim 4.30) id 1BzPZ2-0006sT-9A; Mon, 23 Aug 2004 20:53:28 -0400 Received: from finite-subcover.lcs.mit.edu (localhost [127.0.0.1]) by finite-subcover.lcs.mit.edu (8.12.8p2/8.12.8) with ESMTP id i7O0qulj078799; Mon, 23 Aug 2004 20:52:56 -0400 (EDT) (envelope-from sit@finite-subcover.lcs.mit.edu) Received: (from sit@localhost) by finite-subcover.lcs.mit.edu (8.12.8p2/8.12.8/Submit) id i7O0qu5X078798; Mon, 23 Aug 2004 20:52:56 -0400 (EDT) Date: Mon, 23 Aug 2004 20:52:56 -0400 From: Emil Sit To: Matthew Belmonte Cc: sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server Message-ID: <20040824005256.GA78791@finite-subcover.lcs.mit.edu> Mail-Followup-To: Matthew Belmonte , sipb-office@mit.edu References: <200408240013.i7O0DYlk029051@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200408240013.i7O0DYlk029051@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 23 Aug 2004 20:52:56 -0400 From: Emil Sit To: Matthew Belmonte Cc: sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server Mail-Followup-To: Matthew Belmonte , sipb-office@mit.edu Content-Disposition: inline In-Reply-To: <200408240013.i7O0DYlk029051@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Other messages flagged as spam don't make it into Spamscreen either; > they're instead bounced back to the sender with an appropriate > message, so that I never have to spend time scanning my Spamscreen You (and this service) may be interested in Mail Avenger, a new and highly configurable SMTP server that allows for checks against the remote relay during the SMTP transaction and refuse mail that it/you don't like. See www.mailavenger.org for details.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 23 Aug 2004 21:13:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7O1DIXg008059; Mon, 23 Aug 2004 21:13:18 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7O1D2cp003300 for ; Mon, 23 Aug 2004 21:13:02 -0400 (EDT) Received: from opus.mit.edu (OPUS.MIT.EDU [18.187.1.75]) (authenticated bits=56) (User authenticated as jmorzins@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i7O1D1JV006748 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Mon, 23 Aug 2004 21:13:02 -0400 (EDT) Received: (from jmorzins@localhost) by opus.mit.edu (8.12.9) id i7O1D1d1022532; Mon, 23 Aug 2004 21:13:01 -0400 Date: Mon, 23 Aug 2004 21:13:01 -0400 (EDT) From: Jacob Morzinski To: sipb-minutes@MIT.EDU Subject: Frosh are here! (Sipb Minutes) Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 23 Aug 2004 21:13:01 -0400 (EDT) From: Jacob Morzinski To: sipb-minutes@MIT.EDU Subject: Frosh are here! (Sipb Minutes) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Minutes of the SIPB Meeting of 08/23/2004 The meeting was called to order at 7:30 by jtu. In attendance were Voting members: kchen jtu jmorzins arolfe ike Associate members: hartmans jhawk | ocschwar alex_c Prospectives: annag paigep asedeno zoz | cfdoming aerynne Guests: Treasurer's Report: Alex R. reports that things are the same as last week. Chairman's Report: Jen is happy to report that she did Chair-like activities. We sent mail to Jerry Grochow and got in touch with Greg Anderson, who is arranging a student forum that will facilitate student feedback to IS&T. We need members to participate in these meetings for sipb! Speak up if you'd like to help decide who is on an advisory, or to be on the committte. She also talked with Phil Long about the collaborative space in the W20-575D room. We're planning on putting a short blurb in the AskSIPB column, and we talked to him about it. We also asked him if he can give us a guided tour of the new room, so we can help users with the equipment in the room. It has potentially interesting options, that students may have trouble figuring out. The Executive Committee met last week, and wrote up a statement: Some members complained to the chair about John Hawkinson's behavior and its effect on SIPB's image. The EC met to discuss whether to take formal action. We decided that these members will write a letter to jhawk and present it to him. Keith will also be present. The letter will also be sent to sipb-ec@mit.edu. The EC discussed SIPB's image and status in the community in general, including among prospective members, and within IS&T. The EC would like SIPB as whole to continue to discuss this. The EC recommends that members of the Board continue to consider the effect of their actions on SIPB's image in the community and the Board's efforts to recruit new members and achieve its goals of helping people. Jake moves to nominates Alejandro (asedeno) for membership. He says that Alejandro has been around the office, and has been around zephyr. He takes care of our Windows machine. He is expected to continue to be around MIT for at least the near future. <6 yes, 0 no, 0 abstain, motion passes> The membership meeting is tentatively scheduled for next week. Alejandro will talk to Jen after the meeting, and Jen will send mail. There is some discussion of whether we can get quorum; we recall that active members can mail absentee ballots to the Chair. Office Report: When Keith, Austin, and John went to install LAMP hardware in the machine room, they noticed that the office doesn't have a good supply of Phillips screwdrivers. John bought some P2 screwdrivers, moves to be reimbursed for the purchase. White ballot. [john allocation: $3 for screwdriver reimbursement] Jake says that cokecomm is becoming messy again. Cans should either be brought down to LaVerdes for the deposit, or tossed in the recycling bins. We'll clean it up after the meeting. Ike says that the sipb has acquired a mini-gong. Like the current gong, it is old-hard drive part that can be rung. It makes a higher pitched noise than the current gong that is hanging from the celiing Sam wants to know what the state of the amd64 box is. As far as hardware goes, John brought in a monitor from the machine room, so the amd box has a monitor on it now. The software is less well known; as of a few weeks ago, we think that Bill Hartnett was mainly booting the machine off of a Knoppix CD. We know that the IS&T linux installer doesn't yet support the box's network card. Probably nobody other than Bill knows the state of the software. Office Cleaning Report: nil MIT Computing Report: nil Computer Services: Over the weekend Alex R and Jake tried to add more memorey to stuff.mit.edu, to make it stop swapping. After a few tries, we decided that the memory we were trying was bad memory, and gave up. The machine is still going to experience more maintenance later, so people who want to get involved in server maintenance should still talk to Alex or other server folk. John reports that LAMP moved two racks in the machine room, into the space previously occupied by sipb's two rolling carts. The rolling carts will go away in the future, and the third rack will probably be deployed soon (although for non-LAMP purposes). We want to install new Usenet hardware. If anyone wants to maintain usenet, you should mail us, so we can help you get started. Publications Report: Inessential Athena is old, hasn't been revised since around the time of Athena 6. We would like to have a revision that we can give users. If you can help with iAthena, please speak up, that we can have something for people. It may be more useful to write a new document from scratch, than to try to patch the current text. John comments that the "Inessential" document series is intended to supplement Athena's official "Essential" document series, and so handing users the Essential guide would still help them. Also notes that the office didn't get new cluster cards, and that we will need them soon. Orientation Report: Frosh are here! Computer Tours will be Wed, Sep 8. We rented saferide busses to move bodies around. We'll go many fun places, and visit Alex Rolfe's office too! With luck we can visit the Inteligent Room. Max graduated, so maybe we'll have to talk to Howard Shrobe about it. Ike is our food-sucker, so talk to him if you have ideas or can help. We also need tour guides who can join us. Requirements are that you need to be able to herd frosh: keep them from wandering into closets, or getting lost. Jeff Arnold is running Midway and will be in town on Friday. If you can be there, let us know. We'll give away fuzzball tatoos at the booth. If you want to see them, look at the box in the office. IAP Report: Sherri and Jen have a list of potential speakers for IAP; things are not settled yet. You can talk to them about the list. If you want to teach a class, talk to them too! CokeComm Report: nil Other: Jen visited the w92 machine room to see scrubbing-bubbles.mit.edu, because the machine has actual Scrubbing Bubbles on it. Sadly, the machine was gone, so she couldn't show it off to people. Chris can't join us, because is biking across Scotland. Other Other: Alex says he likes his owlconf. It's gootten cooler. The meeting was adjourned at 19:44. Minutes taken and submitted by jmorzins.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 06:42:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7OAgGXg017233; Tue, 24 Aug 2004 06:42:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7OAgFKc024203 for ; Tue, 24 Aug 2004 06:42:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7OAbaTJ021190; Tue, 24 Aug 2004 06:37:37 -0400 (EDT) Date: Tue, 24 Aug 2004 06:37:36 -0400 (EDT) Message-Id: <003301c489c3$9d34d590$0400a8c0@MainBox> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Pirates at Buxton MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2741.2600 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Aug 2004 06:37:36 -0400 (EDT) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Pirates at Buxton X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My grateful thanks to all who made Pirates such an outstanding show, Long and bitter experience, full of embarrassment and shame, has revealed to me the dangers of embarking on public expressions of appreciation; obvious people are omitted and unintended offence caused. I am, however, uniquely qualified to ask what the boys in the backroom will have. Probably the most difficult and stressful job was that of wardrobe. Kathryn Barton was magnificent. Long before rehearsals started she juggled with the logistical nightmare of costume hire companies with differing requirements and cast measurements sent in by e-mail at different times and with varying degrees of credibility. When, on delivery, one complete chorus set and one character's costumes proved unacceptable she organised replacements overnight. Performers (rightly) and directors (even more so) are demanding of costumes, and Kathryn with unstinting help from Elizabeth and Anne, laboured to meet those demands; which included making a complete MG's daughter's frock from scratch. The testimony of my eyes and ears confirm that blood, toil tears and sweat were both offered and shed, and the superb results can be viewed on the DVD, which gives as good a record of a traditional Pirates as anyone could wish to see. Stephen Hill shouldered burden of matters financial; and very well he shouldered them too. Philip Walsh, by providing proper truncheons and genuine capes made the policemen much more effective. Frequent and unseen help from Peter Crichton - donator of the "duet" award to the Festival - made things far smoother for me. The support of Neil Smith was again, entirely unseen by cast and crew, but was deeply significant and I think only I fully appreciate how essential. Paul from BOH made the performance day so much more productive and I think the relationship we have built up over the years has benefited our group enormously. Without public recognition of any kind (being left off the programme *again*), my daughter Lizzie worked tirelessly. Of course I could never have managed without the broad shoulder of David Cookson to cry on. I appreciate that I've not mentioned the getting on for a hundred people - not least the steering group - whose contributions were essential. I've just tried to pick out one or two that most people would not know about. And not to forget Vic Stone non-SavoyNetter, indeed never even heard of G&S, who grasped my truncheon prop concept and made it reality. David (buy the DVD - it's worth it!)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 07:33:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7OBX0Xg014434; Tue, 24 Aug 2004 07:33:00 -0400 (EDT) Received: from portal.hamachi.org (portal.hamachi.org [69.25.196.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7OBWgSV026063; Tue, 24 Aug 2004 07:32:42 -0400 (EDT) Received: from portal (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id CD76317921; Tue, 24 Aug 2004 07:32:41 -0400 (EDT) From: Bill Sommerfeld To: Jeff Bigler Cc: belmonte@MIT.EDU, sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server In-Reply-To: Message from Jeff Bigler of "Tue, 24 Aug 2004 00:09:09 EDT." <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Tue, 24 Aug 2004 07:32:41 -0400 Sender: sommerfeld@portal.hamachi.org Message-Id: <20040824113241.CD76317921@portal.hamachi.org> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: Jeff Bigler Cc: belmonte@MIT.EDU, sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server In-Reply-To: Message from Jeff Bigler of "Tue, 24 Aug 2004 00:09:09 EDT." <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Tue, 24 Aug 2004 07:32:41 -0400 Sender: sommerfeld@portal.hamachi.org X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > While we're discussing spam filtering wish lists, I wish I could upload > files for whitelist & blacklist entries. If it were simple to whitelist > everybody in my BBDB file, I could have much more aggressive spam filter > settings. a couple other ideas: - Provide a per-user audit trail to let you know what happened to various delivery attempts (useful for knowing what happened if the filter is tuned too high). - I've seen references to patches to postfix which let you set up smtp-time acceptance policy on a per-user basis. provide an interface (web app?) which gives you a list of known blocklists, and let the end user decide which ones to use and what action to take on "hits" (refuse; accept but bitbucket; accept into spam folder; accept into regular inbox) - Greylisting as a possible action (defer mail until the peer retransmits it, so as to thwart spam-senders who don't bother to fully implement an smtp engine). greylisting does have some false positives, but it might work well as an action to use for senders listed in extremely agressive blocklists such as SPEWS level 2.. - A number of the blocklists provide mechanisms to let you download the entire list contents (rather than relying on real time DNS queries); using this data when available instead of dns queries makes the mail server more robust. It would also let us provide a related service to let people get an early warning if addresses/systems they care about appear in any such lists. - Bill  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) (authenticated user=jhawk@MIT.EDU bits=0) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 09:45:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7ODj9Xg029532; Tue, 24 Aug 2004 09:45:09 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7ODiraa009571; Tue, 24 Aug 2004 09:44:53 -0400 (EDT) Received: (from jhawk@localhost) by multics.mit.edu (8.12.9) id i7ODirZi007171; Tue, 24 Aug 2004 09:44:53 -0400 (EDT) Date: Tue, 24 Aug 2004 09:44:52 -0400 From: John Hawkinson To: Jeff Bigler Cc: sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server Message-ID: <20040824134452.GF1267@multics.mit.edu> References: <200408240013.i7O0DYlk029051@multics.mit.edu> <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu> User-Agent: Mutt/1.4.2i X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Aug 2004 09:44:52 -0400 From: John Hawkinson To: Jeff Bigler Cc: sipb-office@MIT.EDU Subject: Re: sipb project idea: spam filtering server Content-Disposition: inline In-Reply-To: <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jeff Bigler wrote on Tue, 24 Aug 2004 at 00:09:09 -0400 in <200408240409.i7O49937009112@grumpy-fuzzball.mit.edu>: > While we're discussing spam filtering wish lists, I wish I could upload > files for whitelist & blacklist entries. If it were simple to whitelist > everybody in my BBDB file, I could have much more aggressive spam filter > settings. I'm a bit unclear on why this is so difficult. It's not too hard to script the web interface. For instance, here's how you could add a 'foobar' entry to your whitelist: echo \ 'whitelist_view=add_whitelist_entry&add_whitelist_entry=foobar&action=update' \ | w3m -post - https://nic.mit.edu/cgi-bin/spamscreen You could also use curl, but it doesn't seem to be built with SSL support under Athena Solaris in sipb or outland. If you haven't setup w3m for certs, you need to export a certificate from another browser (e.g. mozilla) in PKCS12 format, e.g. as cert.p12, and then run openssl pkcs12 -in cert.p12 -clcerts -out cert.pem And then configure w3m to look at cert.pem for it's certificates (or invoke it with -o ssl_cert_file=cert.pem). If you want it to not prompt you for a passphrase, you can add -nodes to the openssl commandline (but then you'll have unencrypted certs lying around somewhere). Of course, the interface only lets you add or delete a single entry at a time, but it's a simple shell (or other) script to extract the list of current entries, run comm and compare it with your BBDB file, and then run a series of add and delete requests as appropriate. Seems easy enough to me, but I don't use the whitelist/blacklist feature :) --jhawk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 17:07:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7OL7H4M008876; Tue, 24 Aug 2004 17:07:17 -0400 (EDT) Received: from swat.thok.org (swat.thok.org [4.36.43.84]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i7OL70TA018788 for ; Tue, 24 Aug 2004 17:07:00 -0400 (EDT) Received: (qmail 30363 invoked by uid 3382); 24 Aug 2004 21:06:59 -0000 Sender: eichin@swat.thok.org To: Carolyn Smith Cc: dinner@mit.edu Subject: Re: Our mouse References: From: eichin@thok.org Date: 24 Aug 2004 17:06:59 -0400 In-Reply-To: Message-ID: Lines: 5 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.2 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: eichin@swat.thok.org To: Carolyn Smith Cc: dinner@mit.edu Subject: Re: Our mouse From: eichin@thok.org Date: 24 Aug 2004 17:06:59 -0400 In-Reply-To: X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So I guess you're not considering http://www.ratmousezapper.com/ "The RatZapper 2000" :-) At least some models take the approach of operating at the end of a tube long enough for the cat to not be able to reach (which is an approach that might work for whatever other traps you try...)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 20:47:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7P0lF4M019515; Tue, 24 Aug 2004 20:47:15 -0400 (EDT) Received: from kolvir.arlington.ma.us (kolvir.arlington.ma.us [69.25.196.34]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7P0l8Kk009379 for ; Tue, 24 Aug 2004 20:47:08 -0400 (EDT) Received: from desktop.john.kohl.name (desktop.john.kohl.name [192.168.0.200]) by kolvir.arlington.ma.us (8.11.6p3/JTK20030411) with ESMTP id i7P0l7q21936 for ; Tue, 24 Aug 2004 20:47:07 -0400 (EDT) Received: (from jtk@localhost) by desktop.john.kohl.name (8.11.6p3/JTK20030311) id i7P0l7X28685; Tue, 24 Aug 2004 20:47:07 -0400 (EDT) Date: Tue, 24 Aug 2004 20:47:07 -0400 (EDT) Message-Id: <200408250047.i7P0l7X28685@desktop.john.kohl.name> From: John Kohl To: dinner@mit.edu CC: susang@kolvir.arlington.ma.us Subject: barbecue, Saturday September 11, 2005 at John & Susan & Cheryl's X-US-Snail: 34 James Street, Arlington, MA 02474 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Aug 2004 20:47:07 -0400 (EDT) From: John Kohl To: dinner@mit.edu CC: susang@kolvir.arlington.ma.us Subject: barbecue, Saturday September 11, 2005 at John & Susan & Cheryl's X-US-Snail: 34 James Street, Arlington, MA 02474 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all, It's been a while since we've had people over at our house, so it's time again. You're invited to a barbecue/dinner gathering on Saturday, Sept 11th starting around 4pm, going until about Cheryl's bedtime (usually around 7:30 or so). We'll grill hot dogs and hamburgers and have typical bbq-style side dishes and snacks, and have some spare grill space for BYO. Please reply to let me know you'll be coming, so I have a rough headcount before food shopping. (Note: Sept 11th is Arlington's Town Day, there will be display and vendor tables on Mass Ave between Rt. 60 and Mill St. from about 9am to about 3pm.) -- ==John Kohl , Home page:  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Aug 2004 21:41:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7P1fs4Q009023; Tue, 24 Aug 2004 21:41:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7P1fn6F017221 for ; Tue, 24 Aug 2004 21:41:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7P1fiTJ007874; Tue, 24 Aug 2004 21:41:44 -0400 (EDT) Date: Tue, 24 Aug 2004 21:41:44 -0400 (EDT) Message-Id: <01ca01c48a44$c32f9060$0e906751@berger> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke - barely stage worthy? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Aug 2004 21:41:44 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke - barely stage worthy? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A few random thoughts to throw into the melting pot. CUTS: I have been engaged to sing in upwards of 200 operas in the last 23 years of professional singing and virtually all have had cuts of some kind. Sometimes optional (and printed in the score), sometimes traditional and sometimes a directorial decision. A complete MARRIAGE OF FIGARO (which I performed once) lasts three and a half hours; very few theatres can afford the staff overtime. Even through-composed opera , like Puccini and Wagner which is seemingly uncuttable, has had its snips in our major opera houses. When I am directing - as I am hired to do fairly regularly - I have often found that if one uses the most problematic scene, or even what seems to be the weakest section of material, as a starting point, then it's often a key for unlocking the rest of the piece. THE GRAND DUKE: There were only two professional performances of THE GRAND DUKE in the Twentieth Century - D'Oyly Carte (1974) and the Sir Arthur Sullivan Society (1996); I sang Ludwig in the latter. In preparing for the role I chatted to Ken Sandford who said that when he did it they were handed scores and libs and very much left to their own devices; my guess is that few made a deatiled study of the texts. There was no official line on discrepancies between the vocal scores and the libretti. Moreover, he said, the end of the season was so pressured with getting UTOPIA off-book and rehearsed, that the GRAND DUKE was the poor orphan when it came to a thought-through edition. The recordings, although made the following season, merely reflected what had been performed before the company break. Yes, maybe somebody, at that point, should have thought 'we are making a premier and definitive recording, let's investigate the urtexts and various performing editions' but, as David Mackie, is fond of pointing out, the company was engaged in the business of performing 8 shows a week and the exigencies of touring. Only occasionally did musical scholars like himself have inclination or time to consult the archives and dare to pick holes in a successful commercial formula. 'Oh no, not the 'Greek Song', Ken groans when I bring up 'At the Outset'. Luckily one of Ken Sandford's children was studying Greek and helped with the pronunciation. I, too, enlisted the aid of a Greek speaker (which I am not) who said that Gilbert's scansion and rhyming was extremely suspect and that Ken made a good stab at a badly written piece (!) - her words, not mine. Ken sang what was written - however inaccurately written - in the vocal score. D'OC unfortunately possessed no dramaturg at the time. My impression after performing the role? John Ayldon summed it up for me when he commiserated on the part, 'So many words, so few laughs'. Richard Duployen is right to point out that comedians are rarely funny offstage and it's in that capacity that we see Ludwig. However that's not much fun from a performer's point of view. I hope, one day, to perform the role with dialogue and take in its full compass. I have to say that Ludwig is one of the most satisfying G&S roles I've sung (and I've done the lyric and patter in 'em all professionally - including a version of Thespis), second only to Paramount. I'm not being jaded or perverse in plumping for the later works, I just think they are better written. G&S were by then at the peak of their craft - unfortunately Musical Comedy had taken a different turn and the public could only see the formulaic side of UTOPIA & THE GRAND DUKE rather than what was innovative -in spite of the former's attempt to ape the Gaiety shows . While I'm contributing a ragbag of random thoughts, I do feel that these two later pieces suffer from the fact that they were not revived in G&S's lifetime. A glance at Reginald Allen or Ian Bradley will show that the received editions of the G&S operas that we knew from the D'Oyly Carte performances and the Chappell Vocal scores, were not how they were presented in the original run. The shows were cut, modified and revised by G&S when they were revived - and further trimmed when the D'OC Company was revamped in the '20s. It is these revisions that constitute the standard performing editions. UTOPIA & THE GRAND DUKE escaped both these processes and so we only have an original text rather than a settled text, so it's not surprising that we feel that these works are somehow less polished than the main stream works - they are. Leon  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 14:46:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PIk40E027444; Wed, 25 Aug 2004 14:46:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7PIk3s0025841 for ; Wed, 25 Aug 2004 14:46:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PIjoTJ003855; Wed, 25 Aug 2004 14:45:50 -0400 (EDT) Date: Wed, 25 Aug 2004 14:45:50 -0400 (EDT) Message-Id: <013701c48ad3$1def96b0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Phyllis cadenza contest MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 14:45:50 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Phyllis cadenza contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At my QWERT on Sept. 18, I am singing the role of Phyllis. In the Act I finale, Phyllis has a cadenza ad lib. (It comes after her "Ah!" and before "Oh, shameless one, tremble.") However, I have never heard anyone perform a cadenza at that point--only what's written in the vocal score. Therefore, I would like to have a CONTEST: If you are so inclined, please email me your suggestions for a showy yet appropriately angry-sounding cadenza for Phyllis. The inclusion of a few ridiculously high notes are encouraged. (I'm comfortable holding a high E flat, and can briefly touch upon a high F.) I will announce and sing the winning entry (a.k.a. the one I like best) at my QWERT. :-) Have fun! Rebecca Hains Philadelphia, PA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 15:06:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PJ6G0E011106; Wed, 25 Aug 2004 15:06:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7PJ65d9000395 for ; Wed, 25 Aug 2004 15:06:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PJ5XTJ005233; Wed, 25 Aug 2004 15:05:33 -0400 (EDT) Date: Wed, 25 Aug 2004 15:05:33 -0400 (EDT) Message-Id: <192.2db393fd.2e5e3a0f@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 15:05:33 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/25/04 10:26:57 AM, SSilvers@sskfny.com writes: >Please post it to the 'Net or let us ALL know where to get it. >Also, please send it to Jim to put on the Archive. Rafe's post has inspired me to update my old errata list, which I left in some disorder many years ago. I've sent it to Rafe privately, and am planning to put it on my website, if and when I ever manage to create it. But in the meantime, as long as I've done the work, and there's at least one other person interested in it, here it is. Sam, please feel free to send it to Jim (whose address I don't have offhand) for inclusion in the Archive. I sent another version of this list to Savoynet in the distant past, but for anyone who may have saved it, I think this updated version will be more user-friendly. It's divided into categories (vocal and piano), and contains a few corrections. Mainly, I've deleted some commentary that I decided on reflection wasn't really helpful, and clarified a few entries that seemed to need clarification. I hope I make myself clear. Also, there are probably a few items added which I hadn't noticed at the time I posted the previous list. My apologies if the tab spacings come out wrong in e-mail form (which they probably will). No doubt Jim will be able to fix that if he puts it in the Archive. I hope it isn't too unreadable. Steve Lichtenstein "A Jew, but poor!" * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ERRATA LIST FOR PIRATES OF PENZANCE (Schirmer Piano/Vocal Score) Key to measure indications: A/B/C = Page/System/Measure L.H. = Left hand (piano part) R.H. = Right hand Note: I cannot guarantee that this list is fully comprehensive, but I fancy I've caught -- well, *nearly* all of the most glaring errors in the score! With a few exceptions, I haven't paid attention to the dialogue. This list covers mainly the music and lyrics. Steven Lichtenstein, Editor Vocal errata: 15/2/2 "Indentures" should be "indenture." 16/1/3 No comma after "Two-and-twenty." 45/4/2 Frederic's second note should be C (one step higher than printed) 52/2/7 Mabel's dotted half-note is missing the dot. 69/4/2 Basses should have a C on the fourth beat (on "di-" of "divinity," as at 109/4/2). 72/3/2 Samuel's first eighth-note should be dotted. 86/1/2 Last eighth-note in the chorus is printed a third low; notes should be G and Bb, not E and G. 107/3/1 Ruth's "you" should be a third lower (F, not A). 118 (dialogue) Major-General's line: "I CAME here to humble myself," etc. should probably be "I COME here," etc. (most libretti have "come," only First-Night G&S has "came") 136/2/2 Traditional interpolation: "Damme, you DON'T go!" 138/4/1 Note: Chappell omits "of" (an error on Gilbert's part). Schirmer correctly interpolates it. 141/3/4 Chappell has: "With quip and quibble quaint." Schirmer changes it to "quips and quibbles quaint." In my opinion, this is probably wrong; it's too "busy" sounding. The first version goes more trippingly on the tongue, and sounds more Gilbertian (as in "With joyous shout and ringing cheer" or "With laughing song and merry dance"). HOWEVER... all librettos I've checked render it as "quips and quibbles." 142/4/3 PK's verse: This "this" should be "that" (to match the beginning of his phrase). 143/2/3 Almost every libretto, score and recording has its own version of whether the text should be "This paradox," "That paradox" or "A paradox" here. The 1953 D'Oyly Carte recording with Peter Pratt as the MG (which I am used to!) gives, IMO, the best solution: Everyone says "A paradox" the first time (to match the rest of the refrain) and "That paradox" the second time (to match the PK's verse). Of course, Schirmer's use of "this" in the first verse does match Ruth's "this" in her refrain, so that is equally logical. As long as all three singers agree on how they are doing it, and it makes good sense, I suppose anything is permissible, unless someone can definitively state which is correct (and Gilbert and Sullivan themselves may not have ever officially agreed on this). 143/3/1 Ruth's note should be B (a third lower than printed). 144/3/2 "February" is incorrectly syllabified. "Febru-" should be intoned on the A, "-ary" on the G#. 145/3/2 Frederic: second note should be D (a third higher than written). 148/1/3 Chappell has "THAT curious paradox" (also at 148/2/3). 1953 DOC recording also has "THAT paradox" at 148/1/3, but ends with "A... paradox" at 148/2/3. 155/2/2 Frederic's first note should be an eighth-note, not a quarter (as in 155/3/1). 157/3/2 The rhythm is faulty in this measure. It should be intepreted thus: Four sixteenth-notes on "terrible dis-" an eighth and two sixteenths on "-closure has" two eighths and a quarter-note on "just been made." 158/2/1 "But you ARE twenty-one!" (an exclamation point, not a question mark) 170/1/3 The textless E half-note in the Sergeant's line is an aberration. Away with it -- erase it from the bar! ;-) 172/3/2 Sergeant's monologue should read "...so dear to all" (not "so dear to us all"). 175/3/1-2 Traditionally, in the second verse the Sergeant pronounces it "not a nappy one," and the chorus interpolates a second-space C on the second beat, sliding up to the Bb on the third beat. 178/2/1 Chappell and "First-Night G&S" have "General Stanley told" instead of "General Stanley's told." 184/3/2 The Pirates' last note should be D (as at 184/3/3). 192/2/3 Chappell has "e'er" instead of "ever" (dotted-quarter note). Sullivan may have altered Gilbert's text here for musical reasons. 196/1/2 PK: "His life is over" is generally omitted. 203/1/2-3 Police "our" should be "their," and "we" should be "they." PIANO ERRATA: 3/4/1 L.H.: Second and third beats should be phrased together; connected quarter-notes, not eighth-notes separated by eighth-rests. 5/4/3 L.H., next-to-last eighth-note: C should change to Db here, rather than one eighth-note later. 8/3/3 R.H.: Last note should be B (a third lower than printed). 10/6/3 R.H.: Last note should be E (a third lower than printed). 13/3/2 Ab in first beat (R.H.) should be G. 22/2/2 Top note of final R.H. chord should be F, not G. 34/3/3 The 8va is incorrect; the orchestration of this figure does not change. 41/1/3 Second eighth-note in R.H. should be D's (as at 41/1/1), not F's. 55/1/1 There should not be an 8va mark in the R.H. 70/2/3 Chord in 4th beat (R.H.) should have an E instead of a C#. The C# appears at the equivalent measure in the Pirate's verse (and also in the Act One finale), but the Chappell edition has an E here; and both Chappell and Schirmer have an E in the equivalent Girls' Chorus at 110/2/4. Musically the E is a better choice, since the chorus has the C#. The E fills in the missing harmony, rather than doubling the third. 94/1/3 L.H. second chord: B should be A. 96/1/4 Third chord in R.H., bottom note: B should be A. 113/4/6 R.H.: There should be no 8va on the final chord. L.H.: The low G should be doubled 8va basso (one ledger line is printed below the staff, but the note itself was omitted). 114/2/1 Grace note missing in R.H. (Ab before 4th beat, as at 114/3/1). 114/5/3 Second beat is missing in L.H. (should be an eighth-note G on top of treble clef). 132/2/2 L.H. should descend (G-F-E-D), as at 121/4/2. 142/2/2 The last eighth-note in the R.H. should have an F double-sharp, not F#. 157/4/1 The last four eighth-notes in the R.H. should be the same as the first four (all A7 chords). 184/4/3 The first beat of this measure should be marked piano in the piano part, and the chord should be the same as in the second and third beats (thus the only fortissimo in the measure is on the fourth beat). 203/2/3 L.H. should have a third-line D on the first beat (quarter-note followed by a quarter rest). 204/2/2 Chord on third beat should have an E-natural instead of Eb. 204/2/4 R.H. is missing an 8va sign (included in Chappell). And large-handed pianists should resolve the left hand properly: Bb-F-D (bottom to top). Suggestions for improving the piano part (Not as vital as items listed previously, but good to include if possible): 15/3/3 Third-beat chord in R.H. might as well have an F in the middle (as at 16/3/3). 16/1/2 Winds sustain in this bar (play dotted-half Eb/G in R.H.). 46/1/3 The melody should be doubled an octave higher on "his unfortunate position" (also in 48/2/1). 46/3/2 The eighth-note accompaniment should continue in this measure in the L.H. (also in 48/3/3). 61/5/5 L.H.: The bass line should be doubled 8va basso for the last three measures of the page. 108/2/2 R.H. ascending pattern should be A-C-D-A Bb-D-G-Bb for four bars (no eighth-rests). 108/3/3 R.H. eighth-rest should be an A (2nd space). 120/2/1 First note in L.H. should be sustained (probably a half- or whole-note; definitely not an eighth-note). 127/2/2 The triplet passage in the first three beats is completely backwards! This connecting phrase should begin high, and descend to the F sung by the Girls' Chorus on the fourth beat. (Note: I wrote the above several years ago, but neglected to provide specific notes for the correction. Probably not very vital, actually, as what's there works well enough for rehearsal purposes.) 160/1/4 R.H. is completely wrong. The notes should be: Eb-G-C-Bb-G-Eb-C-Bb (the first three notes ascend to C, the rest descend). The arrangement is obviously a simplification, and few people are likely to notice it one way or another. 180/4/2-3 Notably left out of the score are the following fortissimo chords, which should be hammered out with RH an octave higher than written, with full four-voice chords: the fourth beat of 180/4/2 and the second and third beats of 180/4/3 (also at 185/2/3 and 185/3/1). Sounds good to do it, but again, only the pianist is likely to notice. 202/2/2 L.H.: Better to double the Cb 8va basso, and omit the third-space Eb on the fourth beat. 204/1/3 Add 8va basso in L.H. on repeat of "They are all noblemen who have gone wrong!" 213/1/6 Accompaniment in this and the next seven bars should NOT be "oom-pah-pah." All beats have equal weight, and should include the bass note (Ab). 213/3/2 L.H.: The extra Eb on the second beat of this and the next bar may be easily omitted with no loss to the general effect.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 15:30:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PJTn0M026456; Wed, 25 Aug 2004 15:30:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7PJTJs0007375 for ; Wed, 25 Aug 2004 15:29:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PJT2TJ007220; Wed, 25 Aug 2004 15:29:02 -0400 (EDT) Date: Wed, 25 Aug 2004 15:29:02 -0400 (EDT) Message-Id: <6.1.2.0.0.20040825202747.01c3afc0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle PDF - Complete! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 15:29:02 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle PDF - Complete! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Anyone interested in the Second act and/or who missed the first act please contact me now. As before, any donation is strictly voluntary. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 17:07:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PL7G0E026442; Wed, 25 Aug 2004 17:07:16 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7PL6fGV010221; Wed, 25 Aug 2004 17:06:41 -0400 (EDT) Received: from myfairlady.mit.edu (MYFAIRLADY.MIT.EDU [18.187.2.36]) (authenticated bits=56) (User authenticated as radford@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i7PL6euv015190 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Wed, 25 Aug 2004 17:06:40 -0400 (EDT) Received: (from radford@localhost) by myfairlady.mit.edu (8.12.9) id i7PL6een016117; Wed, 25 Aug 2004 17:06:40 -0400 Date: Wed, 25 Aug 2004 17:06:40 -0400 (EDT) From: Todd Radford To: opus@MIT.EDU cc: jax@MIT.EDU Subject: videos info Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 17:06:40 -0400 (EDT) From: Todd Radford To: opus@MIT.EDU cc: jax@MIT.EDU Subject: videos info X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello David I'm just about to submit the invoice for Star Wars videos, and remembered that the last requisition I put in for videoing was considered a "professional service" and they needed a SSN or Employee ID Number to process. Do you have some such for IPNH? Thanks -Todd  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 17:49:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PLnT0E019685; Wed, 25 Aug 2004 17:49:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7PLmbvC022321 for ; Wed, 25 Aug 2004 17:48:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PLm3TJ015257; Wed, 25 Aug 2004 17:48:03 -0400 (EDT) Date: Wed, 25 Aug 2004 17:48:03 -0400 (EDT) Message-Id: <20040825214309.26280.qmail@web60203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <013701c48ad3$1def96b0$6400a8c0@DIMENSION> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 17:48:03 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <013701c48ad3$1def96b0$6400a8c0@DIMENSION> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Rebecca, the QWERT QUEEN (Yes, I know this is her first QWERT but I can't resist an alliteration) wrote: ***In the Act I finale, Phyllis has a cadenza ad lib...However, I have never heard anyone perform a cadenza at that point...Therefore, I would like to have a CONTEST*** As Constantine stated, it's done in the NDOC recording. For inspiration, here it is on yet another temporary page, sung by Elizabeth Woollett with a picture of Rowena Ronald. http://www.geocities.com/ulahlica/BECCA/PhyllisCadenzaContest.html I promise my submission won't sound anything like Phillip Glass this time. John S LI NY __________________________________ Do you Yahoo!? Y! Messenger - Communicate in real time. Download now. http://messenger.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 18:11:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PMBX0E000152; Wed, 25 Aug 2004 18:11:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7PMBWS9025663 for ; Wed, 25 Aug 2004 18:11:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PMATTJ016695; Wed, 25 Aug 2004 18:10:29 -0400 (EDT) Date: Wed, 25 Aug 2004 18:10:29 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 18:10:29 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/25/04 2:08:50 PM, scaphio2002@yahoo.com writes: >Steve lists several cases that I'd call interpretive, >where perhaps there isn't just one "correct" version. Philip's point is well taken, and I should have said something of the sort myself. Just as I can't claim 100% comprehensiveness in my list, I also can't claim 100% accuracy. Particularly in the situations involving the libretto, of which there have been more than one version. The early Stoddart edition, for instance, contains many text variants, in many cases quite different from what's in either Schirmer or Chappell. I tend to discount most if not all of those variants as coming from an outdated edition, which was subsequently revised. But let me emphasize: I am no literary scholar; my primary focus is the music. And even there, I only have my ears and musical training (extensive in the latter case, of the ordinary size in the former) to go by. I don't have access to an orchestra score, and most of my corrections (if I dare to give them that title) are based on my knowledge of the 1953 DOC recording, which is the only one I own. I don't even have access to that one at the moment; the list I just sent was prepared several years ago, and I wouldn't be prepared to swear that I wouldn't change my mind on some of the issues I listed if I were to study the score again. So, with all that in mind, I say: Caveat Lector! Marc Shepherd has frequently made the distinction between publications that are offered for free (such as my errata/variant lists) and those that are sold. A certain amount of license in terms of accuracy may be given in the former case that would not be so tolerable if there were money involved. For all that, though, I believe that my lists can generally be relied upon at least in terms of the correction of musical misprints. If anyone finds any point in this or any other my lists with which they disagree, I'd be more than happy to hear about it, and do my best to research the matter further. My ego isn't involved at all, I just want to get at the truth. And until Broude publishes their Pirates, Savoynet is far and away my best resource for doing so. So keep those criticisms coming, please! Best wishes, Steve Lichtenstein "Ever-watchful editor, eagle-eyed"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 18:52:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7PMq20E017467; Wed, 25 Aug 2004 18:52:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7PMq0YW029431 for ; Wed, 25 Aug 2004 18:52:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7PMprTJ018672; Wed, 25 Aug 2004 18:51:54 -0400 (EDT) Date: Wed, 25 Aug 2004 18:51:53 -0400 (EDT) Message-Id: <12a.49ba81d3.2e5e6f7f@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 18:51:53 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/25/04 2:08:50 PM, scaphio2002@yahoo.com writes: >172/1/4: A whole note on E should be given to the >Police instead of an empty measure. >Steve lists several cases that I'd call interpretive, >where perhaps there isn't just one "correct" version. Oops! Well, I've got egg all over my face. I've just realized that the above was an addition to my list that Philip was providing. I assumed wrongly that he was quoting from my list, and critiquing that entry as being interpretive rather than authoritative. I don't know why I thought that. Stupid of me, and I apologize for my lengthy explanation of it, as if Philip didn't understand what his own words meant. My excuses are a) that it's been so long since I originally wrote my list, and can't remember everything that was (or wasn't) on it, and b) that my brain is tired out from all this errata stuff I've been typing all day (I'm home sick from work, in case anyone's wondering why I have so much time on my hands)! All this talk of the Cantilation Scene draws my attention to another issue I left off my list: 172/1/2: Why is there a whole note in the piano part on the Chorus's first chanting line ("That is not a pleasant way of putting it")? Is it actually in the orchestra parts? I don't remember ever having heard it played. My theory (FWIW) is that Sullivan used to plunk out those notes in rehearsal, and somebody assumed it belonged in the score. I suppose it's OK to include in the score for rehearsal purposes, but if it's not in the orchestra (maybe someone could check that out for me), the notes should probably have been put in a smaller font or something, to differentiate them from actual accompaniment. Steve Lichtenstein "A Jew, but poor!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 21:33:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7Q1X60E017197; Wed, 25 Aug 2004 21:33:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7Q1WeS9012380 for ; Wed, 25 Aug 2004 21:32:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7Q1WZTJ020776; Wed, 25 Aug 2004 21:32:35 -0400 (EDT) Date: Wed, 25 Aug 2004 21:32:35 -0400 (EDT) Message-Id: <20040826012330.46237.qmail@web52402.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <105.4f1de6ba.2e5e6a6c@aol.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 21:32:35 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet -- addendum X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <105.4f1de6ba.2e5e6a6c@aol.com> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wrote: > 172/1/4: A whole note on E should be given to the > Police instead of an empty measure. > > Steve lists several cases that I'd call > interpretive, > where perhaps there isn't just one "correct" > version. Steve replied: > In this particular case I wasn't referring to any > variant versions of the > text, but to a layout inconsistency. My juxtaposition of thoughts might have been confusing. The 172/1/4 example is one that I found which wasn't on Steve's list (I'm surprised he missed it -- he's human after all), and it's clearly a typographical error. My "interpretive" comments dealt only with what followed, specifically the dialogue assigned to Mabel and the Sergeant. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA _______________________________ Do you Yahoo!? Win 1 of 4,000 free domain names from Yahoo! Enter now. http://promotions.yahoo.com/goldrush  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Aug 2004 22:32:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7Q2WO0E007865; Wed, 25 Aug 2004 22:32:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7Q2WNYW028932 for ; Wed, 25 Aug 2004 22:32:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7Q2WCTJ021438; Wed, 25 Aug 2004 22:32:12 -0400 (EDT) Date: Wed, 25 Aug 2004 22:32:12 -0400 (EDT) Message-Id: <412D49C5.186FDF49@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: The latest GRAND DUKE controversy MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Aug 2004 22:32:12 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: The latest GRAND DUKE controversy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This seems to be one of those recurring things that just won't go away...and it may never do so. I've often said in this forum that I'd rather see G&S at their worst than some other writers/composers at their supposed best. And some people have inferred that when I mention the worst of G&S, I'm referring to GRAND DUKE. It is true that I've only seen a fully staged production of DUKE once in my life up to this point, and it may be the case that the production I saw didn't do full justice to the material. It may also be the case that running the show at a QWERT, which happened at one I attended (QWERTYConn 2, 2002), doesn't give one the best chance to appreciate it. So it may be that I've been maligning the opera unfairly all this time. Even so, it's obvious by reading the various posts about this, that even the most ardent defenders of DUKE realize it has faults. Hey, the same is true of UTOPIA, which I prefer over DUKE. The argument can be--and has been--made that G&S went to the well one time too many (or *two* times too many); that if they'd quit after GONDOLIERS, they'd have gone out on a high note with no disputes. (Barring, of course, the continuing controversy surrounding "everyone's favorite tenor solo".) Should DUKE--or UTOPIA for that matter--be edited in some way to make them more palatable? I must admit that I've seen UTOPIA on three different occasions, and not one (no, no, not one) was unedited. What differed between the productions was *where* the editing occurred. At the time that I saw DUKE (10 years ago, as it happens), I wouldn't have known if any editing occurred. Just the reverse, in fact: the only script of DUKE I'd seen up to that point omitted the Roulette Song and in the production I saw, it was included. And let me say for the record that I'm all for that. That song is one of the best points of the entire opera. The point here is, there's extraneous material in DUKE (and in UTOPIA, for that matter) which can be pruned with no loss to the understanding of the plot. But I don't feel qualified to say where in DUKE it is. DUKE does have its good points as well as its weaknesses. You can say just about the same concerning all of the extant operas. But it'll probably never rank very high on my personal list. Still, I suppose that if the opportunity presented itself, I'd perform in a full-up production...just so I could say I'd done all of them. And maybe under those circumstances, I'd attain a greater appreciation for it. Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 10:35:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QEZE1U020446; Thu, 26 Aug 2004 10:35:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QEZ9Sr005486 for ; Thu, 26 Aug 2004 10:35:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QEZ1TJ027837; Thu, 26 Aug 2004 10:35:01 -0400 (EDT) Date: Thu, 26 Aug 2004 10:35:01 -0400 (EDT) Message-Id: <412DF338.8050207@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: early review MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 10:35:01 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: early review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Browsing the internet, I came across the following: (note date) Diana Burleigh All at sea HMS Pinafore reviewed in the Guardian, November 5, 1878 The Guardian The Comedy Opera Company are engaged for the week at this theatre [the Prince's Theatre, Manchester] for the performance of HMS Pinafore and The Sorcerer. The former is the latest of the joint productions of Messrs WS Gilbert and Arthur Sullivan. The dialogue is as sparkling in this as in preceding librettos from Mr Gilbert's pen, the words of the lyric portions lending themselves to music with a facility which is the especial secret of this writer. Mr Sullivan's part has been performed with equal facility apparently, for there is nothing in the music that is likely to enhance the high reputation the composer already enjoys. Everything is graceful, if light; but several of the songs are evidentially built upon previous models as to make this obvious to most of his hearers. The song of Sir Joseph Porter, KCB, has its prototypes in the judge's song in Trial by Jury and in the patter song of Mr John Washington Wells in The Sorcerer; nor is the latest addition musically superior to its predecessors. Perhaps it is unfortunate that this opera should have been so late in being produced in Manchester. It has been so much talked about, and expectation so highly raised in connection with it, that when witnessed at last it is perhaps almost inevitable that there should be a certain feeling of disappointment. A reading of the score had afforded us so much amusement that we had ourselves anticipated, we confess, much greater pleasure from the stage representation than we received. Advertiser links Find Shakespeare Plays on eBay.co.uk Buy and sell books, comics and magazines on eBay.co.uk, the... ebay.co.uk Essays on Shakespeare's Plays for Sale Hundreds of critical essays on Shakespeare's plays and... shakespearepapers.com Shakespeare Deals at lastminute.com From auctions to holidays, car hire to trains, gifts for... lastminute.com It is only fair to say, however, that last night the work did not "go" as well as might have been desired, the first act especially showing frequent evidence of want of rehearsal or want of confidence in the singers. As the same company have been playing it in the neighbourhood and elsewhere for some time, there should certainly be no want of acquaintance now with the work. The company can hardly, however, be said to be equal to what we have been accustomed to see at the Prince's Theatre in similar productions. Miss Douglas Gordon has a nice voice, but she does not always sing in tune; and none of the other characters has any very important music assigned to it, if we except, perhaps, the sailor lover, Ralph Rachstraw, in which Mr Charles J Campbell, however, does not produce much effect, though some of it is pretty. The absurd but well known song "The Englishman" - quoted recently by Sir Stafford Norethcote - amused but did not convulse the audience; nor did even the ejaculations and opinions of "the sisters, and the cousins, and the aunts" of the "First Lord" amuse as might have been expected. As the week goes on the work will no doubt go better, and as a consequence please more than it did last evening. ·  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 14:34:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QIYT1U007422; Thu, 26 Aug 2004 14:34:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QIYSua012114 for ; Thu, 26 Aug 2004 14:34:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QIYLTJ006044; Thu, 26 Aug 2004 14:34:21 -0400 (EDT) Date: Thu, 26 Aug 2004 14:34:21 -0400 (EDT) Message-Id: <60.4349b09e.2e5f85fd@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: chanting policemen MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 14:34:21 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: chanting policemen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/25/04 11:24:29 PM, comesabishopmaybe@hotmail.com writes: >The reason the Force is portrayed in this way is surely because of >Sullivan's singing policemen from the local cop shop when he needed men >for >a church choir. He did not have enough men and, as the French would say >"Tout ca change..." That's a very interesting bit of trivia, which I hadn't heard before. However, I wonder (along with Kevin) how the audience would been expected to "get" a private joke like that. At the same time, the ruined chapel thing doesn't seem to me significant enough to warrant a prolonged outburst of Anglican chant. At any rate, the connection never leaped out at me in any performance I've ever seen. But maybe that's my own fault, heathen that I am! It seems to me that it's just meant as silliness for its own sake, in the vein of Monty Python. Policemen doing unexpected things, like wielding magic wands or intoning laments to protect themselves from Killer Jokes. >And so: if the first note is-say "G" >on the one note "It is most distressing to us... before we joined" >and on E below: the >and F sharp: Force. >And the response again on G: "We should" >(And if my notes are wrong when consulting the vocal score, I crave your >indulgence. I have no score in front of me as I write.) Actually the intoning note is E, "the" is C# and "Force" is D#. But your relative pitch was faultless, and your point conveyed perfectly. >The following Anglican collect is, I think, used on both sides of the >Atlantic as well as down under, usually on the Second Sunday of Advent: (text of collect respectfully snipped in the interest of bandwidth) >I hope this helps, and does not constitute for too many a telling of a >grandmother how to suck eggs. I for one was grateful to be illuminated. The Lord be with you (and also with you)! Steve Lichtenstein A Jew, and poor (in knowledge of Anglican liturgy)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 15:13:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QJDt1U001636; Thu, 26 Aug 2004 15:13:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7QJDskh029065 for ; Thu, 26 Aug 2004 15:13:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QJDkTJ006646; Thu, 26 Aug 2004 15:13:46 -0400 (EDT) Date: Thu, 26 Aug 2004 15:13:46 -0400 (EDT) Message-Id: <20040826190757.44277.qmail@web60208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 15:13:46 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Peter Crichton wrote... ***wouldn't it be fun if we could arrange one that takes place on the same weekend ... we link up using a web cam and perform a joint opera over the internet and it will be a truly international QWERT.*** Not so mad. We did that with our sci fi group a few years ago with the mass egroup voice something-or-other chat feature. One big-mouth dominated the discussion and ruined the fun but an IQWERT is entirely possible. Anyone with a microphone plugged into his or her computer could join in. John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail Address AutoComplete - You start. We finish. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 15:55:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QJtY1U027583; Thu, 26 Aug 2004 15:55:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QJsKua014146 for ; Thu, 26 Aug 2004 15:54:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QJsDTJ007587; Thu, 26 Aug 2004 15:54:13 -0400 (EDT) Date: Thu, 26 Aug 2004 15:54:13 -0400 (EDT) Message-Id: <156.3d79f434.2e5f98ac@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@AOL.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@AOL.COM To: Multiple recipients of list SAVOYNET Subject: Butteriss as Robin MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 15:54:13 -0400 (EDT) Reply-To: Butagirl@AOL.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@AOL.COM To: Multiple recipients of list SAVOYNET Subject: Butteriss as Robin X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Nicola Lisle wrote: <> I heartily second Nicola's comment. I did not see The Ghosts of Ruddigore in person, but on Claire Little's recommendation, bought the video. Despite the middle almost completely reverting back to the "straight" Ruddigore, it is very cleverly done indeed. The denouement is fantastic and ingenious and the production features the most moving rendition of "There grew a little flower" (by Louise Crane and SavoyNetter Ian Belsey) that I have EVER seen or heard. And as for the portraits - well, they just have to be seen - I won't spoil it for anyone that hasn't seen it. Highly recommended. Sharon Cutworth "Though I am butagirl@aol.com"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 17:14:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QLEW1U014605; Thu, 26 Aug 2004 17:14:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QLEQ1r011862 for ; Thu, 26 Aug 2004 17:14:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QLEKTJ011341; Thu, 26 Aug 2004 17:14:20 -0400 (EDT) Date: Thu, 26 Aug 2004 17:14:20 -0400 (EDT) Message-Id: <11.31e370af.2e5fa9b2@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 17:14:20 -0400 (EDT) Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 26/08/04 09:23:11 GMT Daylight Time, peter.crichton@savoyard.co.uk writes: << With all these QWERTS being arranged around the world wouldn't it be fun if we could arrange one that takes place on the same weekend and at a convenient time to all (depending on time zones etc..) we link up using a web cam and perform a joint opera over the internet and it will be a truly international QWERT. Don't worry I am under treatment for it, >> Don't worry Peter about it being a mad thought, I think an international QWERT is a brilliant idea. I mentioned earlier this year that I thought 25th March would be a good day - or certainly the nearest weekend to it. The trouble is, any day we choose would not suit all. Someone is bound to have a show on around that time. As it happens though, 25th March 2005 is the 130th anniversary of Trial by Jury. Next year could certainly be a TRIALQWERT! It would also be known as an "Interqwert". The "Interquote" would be "They sing choruses in public. That's mad enough, I think!" Anyone prepared to design the T shirts? Philip Walsh Who also chants in public.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 17:36:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QLae1U026798; Thu, 26 Aug 2004 17:36:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7QLadhX005518 for ; Thu, 26 Aug 2004 17:36:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QLaXTJ011895; Thu, 26 Aug 2004 17:36:33 -0400 (EDT) Date: Thu, 26 Aug 2004 17:36:33 -0400 (EDT) Message-Id: <20040826213224.95071.qmail@web14522.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11.31e370af.2e5fa9b2@aol.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 17:36:33 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11.31e370af.2e5fa9b2@aol.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Savoyard1@aol.com wrote: > an international QWERT is a brilliant idea. > Anyone prepared to design the T shirts? > The heck with the T shirts, what's the best way to get the accompaniment audible to all? I'm intrigued by the idea of making it possible for a number of the S'net accompanists to get into this act either sequentially or playing two-piano arrangements or whatever--Rachel, David Cookson, Clive (wherever he is at that point), the West Coast USA men (Byler, Lichtenstein), Deb Jacobson, Eric, me.... This whole idea has my head spinning. A duet with a tenor in one country and the soprano halfway around the world....a trio from THREE countries...and without the airfare. Technobuffs, figure this one out, please, I think this has the potential to be fantastic fun for all. Would it be feasible to expand beyond the home environment to, say, adding in a whole group like a local society gathered in a hall? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 17:58:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QLw62M007056; Thu, 26 Aug 2004 17:58:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QLv41r011208 for ; Thu, 26 Aug 2004 17:57:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QLuvTJ012262; Thu, 26 Aug 2004 17:56:57 -0400 (EDT) Date: Thu, 26 Aug 2004 17:56:57 -0400 (EDT) Message-Id: <20040826224728.7ee22e8b.james@tappin.me.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Sylpheed version 0.9.12 (GTK+ 1.2.10; i386-pc-linux-gnu) In-Reply-To: <20040826213224.95071.qmail@web14522.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 17:56:57 -0400 (EDT) Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040826213224.95071.qmail@web14522.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thu, 26 Aug 2004 17:36:04 -0400 (EDT) Andi wrote: > Technobuffs, figure this one out, please, I think this has the > potential to be fantastic fun for all. Would it be feasible to > expand beyond the home environment to, say, adding in a whole > group like a local society gathered in a hall? > I think the biggest problem might be latency. I've not actually had any experience with video-conferencing software, but "so-called" live video feeds such as are currently available for the Olympics from the BBC (inter alia I'm sure) have a few seconds latency. So the tenor and soprano might in their venues be in sync with the pianist while everyone else perceives them to be lagging by 3 seconds. A complex ensemble convolved with varying delays would (I fear) end up sounding like Stockhausen on a bad day. I'd also be surprised if video conferenceing packages supported better than telephone quality sound, though I could be wrong on that. James -- James Tappin, O__ "I forget the punishment for using james@tappin.me.uk -- \/` Microsoft --- Something lingering http://www.tappin.me.uk/ with data loss in it I fancy"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 18:56:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7QMuX1U001298; Thu, 26 Aug 2004 18:56:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7QMuU1r015733 for ; Thu, 26 Aug 2004 18:56:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7QMuLTJ013090; Thu, 26 Aug 2004 18:56:21 -0400 (EDT) Date: Thu, 26 Aug 2004 18:56:21 -0400 (EDT) Message-Id: <412E6963.6030604@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Mikado Question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040826061659.49660.qmail@web81205.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 18:56:21 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Mikado Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040826061659.49660.qmail@web81205.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Don Tull wrote: > We have two presumably reliable sources at odds here. If Braham's memory > is correct, then Reginald Allen's hypothesis that the published libretto > available for opening night audiences was the same as the performance is > not correct, as his book does not mention the quintet, except in the > quote of Braham's in his introduction to the Mikado libretto. And her > mention of "Quintette" is followed by a "sic", which would indicate that > Allen must have been suspicious of her memory. From the facts available, we cannot determine what happened. At the time he wrote "First Night," Allen believed that changes to the libretto were a reliable index to what was actually performed. We now know that this wasn't always the case. Braham, on the other hand, was remembering these events 41 years later, and her memory could have been fuzzy. Up to and including RUDDIGORE, the published U.K. vocal scores reliably presented the settled state of the operas at the time of publication, aside from minor errors. The first opera for which this wasn't the case was the YEOMEN VS, which included the third and fourth Yeomen's couplets, which we know were cut in performance. We also know that Sullivan was unhappy with this cut. There is no reason to think that he was unhappy with any of the pre- or post-opening changes to THE MIKADO. Taking the evidence of Sullivan's autograph (which has Pish-Tush singing in the ensemble), the first published VS, and Braham's memory together, it seems far more likely that "So please you sir" was a quintet on opening night. Kevin Wachs asked: > Could the problems with Pish-Tushes have first > surfaced during that opening month as the provincial > companies were being rehearsed before being sent off > on tour? Could the problem have been, say, Ferdinand > Thieler's (hypothetical) good singing but poor acting > in E Company requiring a new Pish, rather than > Bovill's lightness of voice needing a Go? Whilst this cannot be ruled out, it seems to me unlikely. We know that Gilbert & Sullivan sometimes authorized simplified versions for touring. There is no known example where they altered the London text because of issues found on tour. It doesn't really make much sense. If they had a London text that pleased them, I don't think they would have altered it because the exigencies of touring required an artistic compromise. I would add, by the way, that the ability to sing Pish-Tush as originally conceived doesn't require a voice that's a freak of nature. I've seen numerous productions in which this was done. It's far more likely that one specific singer (Mr. Bovill) couldn't handle it, than that the touring companies couldn't find someone to take it on. Also, Gilbert and Sullivan usually made their post-opening adjustments within a couple of weeks, and indeed within the first few days. I can't think of an example where they came back for a pow-wow a month or two after opening, and started tinkering with a show. Kevin points out that Mr. Bovill must not have been totally incompetent, since he managed to last through the end of the run, although they wrote no role for him in RUDDIGORE. This is true enough, but his role got trimmed several times. Besides losing his part in the quintet, Go-To replaced him in the Madrigal and was assigned the line after the opening chorus, "Why, who are you who ask this question?" -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 21:53:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7R1rZ1U005647; Thu, 26 Aug 2004 21:53:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7R1rWnW024263 for ; Thu, 26 Aug 2004 21:53:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7R1rKTJ014539; Thu, 26 Aug 2004 21:53:20 -0400 (EDT) Date: Thu, 26 Aug 2004 21:53:20 -0400 (EDT) Message-Id: <06a701c48bd8$1a56a7e0$6d651146@jlkcd01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 21:53:20 -0400 (EDT) Reply-To: singndance@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Washington (DC) Savoyards just did Iolanthe in May and their Phyllis was instructed by the MD to "come up with something" for the cadenza. Boy, did she! Mary Gresock came up with a lengthy, show-stopping cadenza that quoted from at least 3 operas. (Opera illiterate as I am, I only recognized the Queen of the Night's aria, but did recognize the changes in style.) She seemed to do the entire thing on a single breath, maintained her usual sterling tone, and despite singing nothing but "Ah" throughout, was able to tell a whole story of her reactions to Strephon's perfidy. Oh, and she did it all a capella, and when the orchestra came back in, we learned she had stayed perfectly on pitch. Truly a tour de force, musically & dramatically! Savoynetter Julie Stevens was asst director for the production - Julie, can you elaborate on Mary's cadenza? Maureen Roult Hyattsville, Maryland "Inclined to dance and sing"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Aug 2004 23:31:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7R3VN1U007203; Thu, 26 Aug 2004 23:31:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7R3VLfF011002 for ; Thu, 26 Aug 2004 23:31:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7R3VFTJ015377; Thu, 26 Aug 2004 23:31:15 -0400 (EDT) Date: Thu, 26 Aug 2004 23:31:15 -0400 (EDT) Message-Id: <20040827031327.53090.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <06a701c48bd8$1a56a7e0$6d651146@jlkcd01> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Aug 2004 23:31:15 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Phyllis cadenza contest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <06a701c48bd8$1a56a7e0$6d651146@jlkcd01> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Maureen Roult wrote... ***I only recognized the Queen of the Night's aria, but did recognize the changes in style.*** But that's what *I* was doing for the contest. Crushed again! I guess I'll quote from PIMPINONE instead. Or maybe the SMOTHERS BROTHERS. o/~ I love the waltz. It has its faults o/~ John S LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1, answered,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 06:01:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RA1N1U003777; Fri, 27 Aug 2004 06:01:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RA0Q4V023377 for ; Fri, 27 Aug 2004 06:00:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7R9xpTJ018243; Fri, 27 Aug 2004 05:59:51 -0400 (EDT) Date: Fri, 27 Aug 2004 05:59:51 -0400 (EDT) Message-Id: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/TOWERS - Reminder MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 05:59:51 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/TOWERS - Reminder X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Now that Buxton is safely over we thought it would be timely to remind people about QWERTY/TOWERS. This will be the first residential qwert as it will be held in our hotel, The Torcroft, in Torquay from 5 to November. It will also be the first QWERT that will be held within sight (just) of the site of a G&S opera premiere - the Bijou Theatre, Paignton. We have settled on the following operas: Friday night - Trial by Jury Saturday - Pirates of Penzance, Yeomen of the Guard, Sorcerer, Princess Ida and Ruddigore Sunday morning - Iolanthe Sunday afternoon (for those remaining) Mikado and Pinafore. So please put in your requests for parts - in the time honoured QWERT tradition we will endeavour to give everybody anxious a chance to shine. We have already had a terrific response which means we have to use rooms in a neighbouring hotel. We are delighted that a great many attendees have decided to make an extended break and are staying a few days before and after the QWERT. We need confirmation from all attendees (if not already done so) confirmation of when they arrive and when they leave so that we can allocate the rooms. Whilst we would like everyone to stay in our hotel it will not be possible but those arriving first, travelling furthest and staying the longest are guaranteed a room in The Torcroft. Here are the list of those who have expressed an interest in attending: Peter and Carol Crichton David, Jill and Lizzie Duffey Sharon Cutworth Claire Little Don Smith Peter Withey Rachel Keegan Chris and Sandra Wain Les and Jane Richardson Kathryn and Phillip Barton Mike Nash Adam Cuerden Christopher Hall Stephen Hill Carole Round Larry and Robin Garvin (and Hannah) Stuart and Alison Box David Craig David and Ruth Jedlinsky Angie Arnell and John Penn Sarah-Jane Read Leta Hall Sandra and Sarah Vamplew Denise Wicken Elise Curren Ian Henderson Deirdre Kinkaid Ori Seigal Larry and Ann Byler Jackie and Bob for complete details see below: The dates of QWERTY TOWERS are the weekend of Friday 5th November - Sunday 7th November. We will be offering the weekend package at an inclusive price (apart from booze which can be bought at the bar) of £50 per person including accommodation. This will include an evening meal on Friday followed by a display of fireworks and a sing through of Trial by Jury. We'll start Saturday's festivities after Bob's now famous Torcroft breakfast by fitting in another 2 operas followed by a buffet lunch, then we'll be singing the 5 operas followed by an evening meal cooked by Bob's daughter Polly, after which we'll probably wind down with silly games. After breakfast on Sunday we'll sing through Iolanthe before most people head home. Those remaining will treat themselves to The Mikado and HMS Pinafore. We'll be charging £25 per person per day for anybody staying for extra days, this will include an evening meal and if there are enough people interested we'll try and organise a coach trip to the picturesque Cornish Village of Polperro on Monday at a charge of £10 per person.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 10:18:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7REI424003640; Fri, 27 Aug 2004 10:18:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7REHRqd026405 for ; Fri, 27 Aug 2004 10:17:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7REGpTJ024965; Fri, 27 Aug 2004 10:16:51 -0400 (EDT) Date: Fri, 27 Aug 2004 10:16:51 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 10:16:51 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: A mad thought Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) What if we had a G&S Marathon with one hour webcast from each time zone, and everyone singing/playing along in all the other time zones, so that by the time the sing-along was finished, all the time zones had been the "leaders" for exactly one hour, and it would be exactly one hour later in the last time zone than it had been at the beginning in the first time zone. With the program lasting a full 25 hours, I think you could do all 13 G&S shows plus dialogue-- or, you could do just the music to all 13, and add Zoo and C&B, a reading of Thespis, and if you had time, a reading of Engaged. When your hour is up, you must stop in mid-note, if necessary, and the group in the next time zone must begin then and there. --just kidding, by the way. Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 10:59:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7REwj1a005488; Fri, 27 Aug 2004 10:59:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7REveKY001514 for ; Fri, 27 Aug 2004 10:57:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7REv4TJ026426; Fri, 27 Aug 2004 10:57:04 -0400 (EDT) Date: Fri, 27 Aug 2004 10:57:04 -0400 (EDT) Message-Id: <20040827144418.51762.qmail@web40612.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: contralto2b@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Julie Stevens To: Multiple recipients of list SAVOYNET Subject: Mary Gresock's Cadenza for Phyllis MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040827053624.92920.qmail@web13701.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 10:57:04 -0400 (EDT) Reply-To: contralto2b@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Julie Stevens To: Multiple recipients of list SAVOYNET Subject: Mary Gresock's Cadenza for Phyllis X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040827053624.92920.qmail@web13701.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I believe Mary's Cadenza started with the Queen of the Night, then Lucia's Mad Scene, and ended with Violetta's aria from La Traviatta (sp?) It was spectacular, tho' I say it, who shouldn't? If I didn't get this right, I'm sure someone will correct me (Denise?) > The Washington (DC) Savoyards just did Iolanthe in May > and their Phyllis was > instructed by the MD to "come up with something" for the > cadenza. Boy, did > she! Mary Gresock came up with a lengthy, show-stopping > cadenza that quoted > from at least 3 operas. (Opera illiterate as I am, I > only recognized the > Queen of the Night's aria, but did recognize the changes > in style.) She > seemed to do the entire thing on a single breath, > maintained her usual > sterling tone, and despite singing nothing but "Ah" > throughout, was able to > tell a whole story of her reactions to Strephon's > perfidy. Oh, and she did > it all a capella, and when the orchestra came back in, we > learned she had > stayed perfectly on pitch. Truly a tour de force, > musically & dramatically! > > Savoynetter Julie Stevens was asst director for the > production - Julie, can > you elaborate on Mary's cadenza? > > Maureen Roult > Hyattsville, Maryland > "Inclined to dance and sing" ===== Julie Stevens Falls Church, VA Contralto2B@yahoo.com "I see no objection to stoutness; in moderation." (Now all I need to do is learn moderation) __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - 100MB free storage! http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 11:19:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RFJd1Y024159; Fri, 27 Aug 2004 11:19:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RFI5KY022791 for ; Fri, 27 Aug 2004 11:18:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RFHSTJ027469; Fri, 27 Aug 2004 11:17:28 -0400 (EDT) Date: Fri, 27 Aug 2004 11:17:28 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1093618632" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 11:17:28 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: _Pirates_ Errata Sheet? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1093618632 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 8/26/2004 4:17:22 PM Pacific Standard Time, ulahlica@yahoo.com writes: >***"Indentures" should be "indenture."*** >Hmmm. I'm not doubting you but after Samuel sings >"indenture" the chorus must surely still sing >"indentures" to rhyme with "ventures." >Was Gilbert unsure from how many indentures Frederic >was rising freed? John was quite right to call me into question on that one. I should not have included it as it's a variant, not an erratum. Bradley and Asimov (the only two copies of the libretto that I own) both have "indenture" in that instance, as does the old Stoddart score (I don't know what Chappell has offhand), and it's the way I learned it (probably from the 1953 DOC recording, though as my copy is in California and I'm in Washington I can't check it), but the G&S Archive libretto has "indentures." Not that that's much to go by, as it also contains such gems as "Angry be the Major's bride," but I fancy one could find "indentures" elsewhere if one looked. (Speaking of the Archive libretto, what has become of the Libretto Search Engine? I can't find it anywhere; has it slowly and silently vanished away?) As to the number of indentures: I'm not really qualified to speak on this subject, but there seems to be some sort of poetic license which allows a singular noun to stand in for a plural noun. I'm sure there's a fancy title for this grammatical usage. A few other examples in Gilbert's librettos include "With laughing song and merry dance," "With joyous shout and ringing cheer," "With quip and quibble quaint," "Give us quip and quiddity" and "Cut the satisfying sandwich." By the way, in my errata list I stated that all librettos I had checked rendered the line as "With quips and quibbles quaint." At the time I originally wrote that list I hadn't consulted Bradley (maybe it hadn't been written yet). Bradley has "quip and quibble." Steve Lichtenstein "A Jew, but poor!" -------------------------------1093618632 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 8/26/2004 4:17:22 PM Pacific Standard Time, ulahlica= @yahoo.com writes:
 
>***"Indentures" should be "indenture."***

>Hmmm. I'm not=20= doubting you but after Samuel sings
>"indenture" the chorus must surel= y still sing
>"indentures" to rhyme with "ventures."
 
>Was Gilbert unsure from how many indentures Frederic
>was ris= ing freed?
 
 
John was quite right to call me into question on that one. I should not= have included it as it's a variant, not an erratum.
 
Bradley and Asimov (the only two copies of the libretto that I own) bot= h have "indenture" in that instance, as does the old Stoddart score (I don't= know what Chappell has offhand), and it's the way I learned it (probably fr= om the 1953 DOC recording, though as my copy is in California and I'm in Was= hington I can't check it), but the G&S Archive libretto has "indentures.= " Not that that's much to go by, as it also contains such gems&nbs= p;as "Angry be the Major's bride," but I fancy one could find "ind= entures" elsewhere if one looked.
 
(Speaking of the Archive libretto, what has become of the Libretto Sear= ch Engine? I can't find it anywhere; has it slowly and silently vanished awa= y?)
 
As to the number of indentures: I'm not really qualified to speak on th= is subject, but there seems to be some sort of poetic license which allows a= singular noun to stand in for a plural noun. I'm sure there's a fancy title= for this grammatical usage. A few other examples in Gilbert's librettos inc= lude "With laughing song and merry dance," "With joyous shout and ringing ch= eer," "With quip and quibble quaint," "Give us quip and quiddity" and "= Cut the satisfying sandwich."
 
By the way, in my errata list I stated that all librettos I had ch= ecked rendered the line as "With quips and quibbles quaint." At the time I o= riginally wrote that list I hadn't consulted Bradley (maybe it hadn't b= een written yet). Bradley has "quip and quibble."
 
Steve Lichtenstein
"A Jew, but poor!"
-------------------------------1093618632--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 11:20:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RFKE1U024720; Fri, 27 Aug 2004 11:20:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RFKCKY024494 for ; Fri, 27 Aug 2004 11:20:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RFJYTJ027655; Fri, 27 Aug 2004 11:19:34 -0400 (EDT) Date: Fri, 27 Aug 2004 11:19:34 -0400 (EDT) Message-Id: <1dc.2a20d03b.2e60a9ae@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1093619629" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 11:19:34 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1093619629 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 8/26/2004 6:52:40 PM Pacific Standard Time, singndance@verizon.net writes: >Savoynetter Julie Stevens was asst director for the production - Julie, can >you elaborate on Mary's cadenza? Judging from Julie's reply below, it would seem that Mary elaborated on it quite enough, thank you. My question is, why? It sounds to me to have been in (pardon it, please) screamingly bad taste! Perhaps you had to be there. Steve Lichtenstein "A Jew, but poor!" In a message dated 8/27/2004 7:57:00 AM Pacific Standard Time, contralto2b@yahoo.com writes: >I believe Mary's Cadenza started with the Queen of the >Night, then Lucia's Mad Scene, and ended with Violetta's >aria from La Traviata -------------------------------1093619629 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 8/26/2004 6:52:40 PM Pacific Standard Time, singndan= ce@verizon.net writes:
 
>Savoynetter Julie Stevens was asst director for the production - Ju= lie, can
>you elaborate on Mary's cadenza?
 
Judging from Julie's reply below, it would seem that Mary elaborated on= it quite enough, thank you. My question is, why? It sounds to me to have be= en in (pardon it, please) screamingly bad taste!
 
Perhaps you had to be there.
 
Steve Lichtenstein
"A Jew, but poor!"
 
 
In a message dated 8/27/2004 7:57:00 AM Pacific Standard Time, contralt= o2b@yahoo.com writes:
 
>I believe Mary's Cadenza started with the Queen of the
>Night= , then Lucia's Mad Scene, and ended with Violetta's
>aria from La Trav= iata
-------------------------------1093619629--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 12:24:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RGO8L8019733; Fri, 27 Aug 2004 12:24:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RGO6KY000466 for ; Fri, 27 Aug 2004 12:24:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RGMaTJ029934; Fri, 27 Aug 2004 12:22:36 -0400 (EDT) Date: Fri, 27 Aug 2004 12:22:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Searching Archive librettos: was Re: _Pirates_ Errata Sheet? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1093623151" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 12:22:36 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Searching Archive librettos: was Re: _Pirates_ Errata Sheet? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1093623151 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 8/27/2004 8:41:21 AM Pacific Standard Time, andi_s_r@yahoo.com writes: > I don't know about that, but I find anything I'm looking for by > using: > 1) The Search This Site box on the Home page of the G&S Archive. > Enter the word "indentures", for example, and you'll come up > with a lot of entries including the libretto reference. Nowhere near as good as the old search engine. It came up with a list of every occurrence of a given term in all the operas, with a hyperlink to take you directly to each one. Very handy for quoting lines in Savoynet posts! It also included the Bab Ballads and other works. Now there's just a single document containing all the librettos, which you can search. But you get only one usage of a term at a time, rather than a convenient list of them, and no Bab Ballads. And, at least on my computer, that document takes a LONG time to load. Another annoying thing for me is that I can't even access the G&S Archive Home Page on my Macintosh (with System 9.04) anymore, since it was redesigned. It only shows up on my PC; on the Mac I get some sort of Java Script error. I generally use the Mac for Savoynet postings, since I have AOL 5.0 there, and that's when I usually want to use the Archive. If I'm posting in rich text more often nowadays, blame the Archive! Steve Lichtenstein "A Jew, but poor!" -------------------------------1093623151 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 8/27/2004 8:41:21 AM Pacific Standard Time, andi_s_r= @yahoo.com writes:
 
> I don't know about that, but I find anything I'm looking for=20= by
> using:

> 1) The Search This Site box on the Home page o= f the G&S Archive.
> Enter the word "indentures", for example, and= you'll come up
> with a lot of entries including the libretto referen= ce.
 
Nowhere near as good as the old search engine. It came up with a list o= f every occurrence of a given term in all the operas, with a=20= hyperlink to take you directly to each one. Very handy for quoting lines in=20= Savoynet posts! It also included the Bab Ballads and other works. Now there'= s just a single document containing all the librettos, which you can search.= But you get only one usage of a term at a time, rather than a convenie= nt list of them, and no Bab Ballads. And, at least on my computer, that= document takes a LONG time to load.
 
Another annoying thing for me is that I can't even access the G&S A= rchive Home Page on my Macintosh (with System 9.04) anymore, since it was re= designed. It only shows up on my PC; on the Mac I get some sort of Java Scri= pt error. I generally use the Mac for Savoynet postings, since I have AOL 5.= 0 there, and that's when I usually want to use the Archive. If I'm posting i= n rich text more often nowadays, blame the Archive!
 
Steve Lichtenstein
"A Jew, but poor!"
-------------------------------1093623151--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 13:44:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RHi1L8009568; Fri, 27 Aug 2004 13:44:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RHi09P017453 for ; Fri, 27 Aug 2004 13:44:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RHhGTJ002964; Fri, 27 Aug 2004 13:43:16 -0400 (EDT) Date: Fri, 27 Aug 2004 13:43:16 -0400 (EDT) Message-Id: <20040827173815.82079.qmail@web60203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Mr. Go-To (was "Mikado Question") MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <412EB2E8.1030507@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 13:43:16 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Mr. Go-To (was "Mikado Question") X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <412EB2E8.1030507@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Kevin wrote... ***Which is why it is so odd that Go-To was required on tour as well as at the Savoy*** Yes, yes, that's all well and good but both you and Marc are ignoring a bigger question. WHY does Katisha call for him in the second act? Was he an ex-lover or a bodyguard? I'm thinking the former. Katisha cries "Go-To, who knows so well as I that no one ever yet died of a broken heart!" I think Go-To is not an added character but a removed one. Perhaps Gilbert felt that if Katisha jilted Go-To and gave him a broken heart, we would not be as sympathetic to her plight. And rightfully so. Go-To is a a fine man. If it wasn't for him, the answer to Nanki-Poo's opening question would either be a mere "yes" or "no" and we'd never have that wonderful "Wand'ring Minstrel" song. God bless Go-To and a pox on Katisha. Here's another question. (and this one's real) I'm sure many of you have seen that SEINFELD episode where Elaine says "What?" to her English boyfriend and he is repulsed by her bad manners. He tells he she should say "Pardon." (As for me, I usually use "say again" or "excuse me.") Yet Katisha yells "What?" at Ko-Ko. Although she clearly heard what he said, I believe it is still in the same context. Every time I hear Katisha yell "What?" I think of the episode where poor Elaine got chastised. So tell me, exactly how rude *is* it in England to ask "What?" It's considered less than classy here but not actually correctable. John S LI NY P.S. My spellchecker doesn't have a listing for "Katisha" but has one for "Go-To." Go figure. __________________________________ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 14:02:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RI2rL8020958; Fri, 27 Aug 2004 14:02:53 -0400 (EDT) Received: from steele.mgh.harvard.edu (steele.mgh.harvard.edu [132.183.110.30]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i7RI2m9P004173 for ; Fri, 27 Aug 2004 14:02:48 -0400 (EDT) Received: from W0025439-udp911439uds.mgh.harvard.edu [132.183.14.105] by steele.mgh.harvard.edu (AppleMailServer 10.2.3.0) id 160699 via TCP with SMTP; Fri, 27 Aug 2004 14:01:40 -0400 Mime-Version: 1.0 Message-Id: Date: Fri, 27 Aug 2004 14:01:32 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: this is cool Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 14:01:32 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: this is cool X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK, I'm a biologist so I find this fascinating, but I thought some of you would be interested. http://www.cnn.com/2004/TECH/science/08/27/jaw.transplant.ap/index.html  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 14:07:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RI7YL8023836; Fri, 27 Aug 2004 14:07:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RI7W9L010553 for ; Fri, 27 Aug 2004 14:07:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RI2xTJ003342; Fri, 27 Aug 2004 14:02:59 -0400 (EDT) Date: Fri, 27 Aug 2004 14:02:59 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: i_p_henderson@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "ian henderson" To: Multiple recipients of list SAVOYNET Subject: Breaking silence re festival and awards Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 14:02:59 -0400 (EDT) Reply-To: i_p_henderson@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "ian henderson" To: Multiple recipients of list SAVOYNET Subject: Breaking silence re festival and awards X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have deliberately refrained from making comment in respect of the Festival and awards for a week, in order to ensure that I am emotionally stable, and therefore prevent quick passions from prompting me to make remarks in haste, which I may have cause to regret later on. Well now..... Having watched our DVD, I have to say - What a brilliant, consistent and utterly fantastic show we put on! - The whole 'week plus' of getting together, and working together on a show that we all so clearly love has paid-off in a production which I shall treasure for ever. I would like at this juncture, to offer my sincere thanks and to pay tribute to everybody involved; and to say that it has been a privilege and pleasure to work with you all. In particular, my thanks go to David, Ori, Angela, Sam and Mitch who I worked with most closely, but please everone else, be assured that you are included in my heartfelt thanks. Awards.... I can honestly say that after a week of reflection, it does not matter to me at all that I personally did not win an award, and although I am disappointed for various of the rest of the cast who I felt deserved 'tangible recognition' this has not marred the experience for me. The memories of the fun of the rehersal period, and the sheer thrill of hearing the audience reaction in the Opera House on the 10th are enough on their own. The adjudicator has a hard task to perform, and whilst clearly, there will never be complete accord in peoples opinions as to who should have won what; I have to say how delighted I am in seeing a number of 'adult' awards going to some of the younger performers. To me, this is what the Festival should be all about. - To encourage and support young people who have a genuine love for G&S in the same way that we fogeys have, and to therefore ensure that G&S continues to be enjoyed and performed by future generations. I agree with Andi S-R's comment that 'if we only attend the festival to win awards for ourselves, the we should not be attending at all'. Our love of G&S is genuine, and we must prove this by showing it to be completely unselfish. Long may the Festival continue to flourish, and long live Savoynet! - We gave a performance to be proud of! With fond love to all, and apologies for rambling-on at such length. Ian H xxx _________________________________________________________________ Express yourself with cool new emoticons http://www.msn.co.uk/specials/myemo  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 14:50:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RIopL8018792; Fri, 27 Aug 2004 14:50:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RIon9L011179 for ; Fri, 27 Aug 2004 14:50:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RIgPTJ005062; Fri, 27 Aug 2004 14:42:25 -0400 (EDT) Date: Fri, 27 Aug 2004 14:42:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: Searching Archive librettos: was Re: _Pirates_ Errata Sheet? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000E_01C48C42.A6645560" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 14:42:25 -0400 (EDT) Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: Searching Archive librettos: was Re: _Pirates_ Errata Sheet? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C48C42.A6645560 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit And this is why I added an alternative text home page at http://diamond.boisestate.edu/gas/home.html. You should be able to view this on any computer. Just add it to your favorites list and use that link anytime you want to reach the archive. The libretto search engine went away some years ago. It was useful, but I don't know if there is anything similar on the current server or not -- it has been upgraded from UNIX to Apache and has different tools now. I'll check with Alex Feldman on this. Yes, the file containing the full librettos for all 14 operas does take a while to load -- it is over a meg in size. -- Jim Farron -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of MusikDrama@aol.com Sent: Friday, August 27, 2004 12:23 PM To: Multiple recipients of list SAVOYNET Subject: Re: Searching Archive librettos: was Re: _Pirates_ Errata Sheet? In a message dated 8/27/2004 8:41:21 AM Pacific Standard Time, andi_s_r@yahoo.com writes: > I don't know about that, but I find anything I'm looking for by > using: > 1) The Search This Site box on the Home page of the G&S Archive. > Enter the word "indentures", for example, and you'll come up > with a lot of entries including the libretto reference. Nowhere near as good as the old search engine. It came up with a list of every occurrence of a given term in all the operas, with a hyperlink to take you directly to each one. Very handy for quoting lines in Savoynet posts! It also included the Bab Ballads and other works. Now there's just a single document containing all the librettos, which you can search. But you get only one usage of a term at a time, rather than a convenient list of them, and no Bab Ballads. And, at least on my computer, that document takes a LONG time to load. Another annoying thing for me is that I can't even access the G&S Archive Home Page on my Macintosh (with System 9.04) anymore, since it was redesigned. It only shows up on my PC; on the Mac I get some sort of Java Script error. I generally use the Mac for Savoynet postings, since I have AOL 5.0 there, and that's when I usually want to use the Archive. If I'm posting in rich text more often nowadays, blame the Archive! Steve Lichtenstein "A Jew, but poor!" ------=_NextPart_000_000E_01C48C42.A6645560 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
And this is why I added an = alternative text=20 home page at http://diamond.boise= state.edu/gas/home.html. =20 You should be able to view this on any computer.  Just add it to = your=20 favorites list and use that link anytime you want to reach the=20 archive.
 
The libretto search engine went = away some=20 years ago.  It was useful, but I don't know if there is anything = similar on=20 the current server or not -- it has been upgraded from UNIX to Apache = and has=20 different tools now.  I'll check with Alex Feldman on = this.
 
Yes, the file containing the full = librettos=20 for all 14 operas does take a while to load -- it is over a meg in=20 size.
 
       &nbs= p;            = ;           =20 -- Jim Farron
 
-----Original Message-----
From:=20 savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf = Of=20 MusikDrama@aol.com
Sent: Friday, August 27, 2004 12:23=20 PM
To: Multiple recipients of list = SAVOYNET
Subject: Re:=20 Searching Archive librettos: was Re: _Pirates_ Errata=20 Sheet?

In a message dated 8/27/2004 8:41:21 AM Pacific Standard Time,=20 andi_s_r@yahoo.com writes:
 
> I don't know about that, but I find anything I'm = looking for=20 by
> using:

> 1) The Search This Site box on the Home = page of=20 the G&S Archive.
> Enter the word "indentures", for example, = and=20 you'll come up
> with a lot of entries including the libretto=20 reference.
 
Nowhere near as good as the old search engine. It came up with a = list of=20 every occurrence of a given term in all the operas, = with a=20 hyperlink to take you directly to each one. Very handy for quoting = lines in=20 Savoynet posts! It also included the Bab Ballads and other works. Now = there's=20 just a single document containing all the librettos, which you can = search. But=20 you get only one usage of a term at a time, rather than a = convenient list=20 of them, and no Bab Ballads. And, at least on my computer, that = document=20 takes a LONG time to load.
 
Another annoying thing for me is that I can't even access the = G&S=20 Archive Home Page on my Macintosh (with System 9.04) anymore, since it = was=20 redesigned. It only shows up on my PC; on the Mac I get some sort of = Java=20 Script error. I generally use the Mac for Savoynet postings, since I = have AOL=20 5.0 there, and that's when I usually want to use the Archive. If I'm = posting=20 in rich text more often nowadays, blame the Archive!
 
Steve Lichtenstein
"A Jew, but poor!"
------=_NextPart_000_000E_01C48C42.A6645560--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 15:54:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RJsnL8026530; Fri, 27 Aug 2004 15:54:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RJsl9L028097 for ; Fri, 27 Aug 2004 15:54:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RJh6TJ007298; Fri, 27 Aug 2004 15:43:06 -0400 (EDT) Date: Fri, 27 Aug 2004 15:43:06 -0400 (EDT) Message-Id: <7CDDC13851C1644EAC61B4C63770A9B5B90509@dcmail2.rand.org> Errors-To: savoynet-owner@bridgewater.edu Reply-To: peetz@rand.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peetz, Debbie" To: Multiple recipients of list SAVOYNET Subject: RE: Mary Gresock's Cadenza for Phyllis content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 15:43:06 -0400 (EDT) Reply-To: peetz@rand.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peetz, Debbie" To: Multiple recipients of list SAVOYNET Subject: RE: Mary Gresock's Cadenza for Phyllis content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Why yes, it would help to have been there. Mary did not just stand there and wow us with her singing. She acted throughout -- the accusatory "Queen of the Night" pointing a finger at Sterphon's deceitfulness, the hurt and disappointment of the Mad Scene while on her knees at his feet, and the gathering of her wits as a strong woman in a world of men in the last bit of aria. Quite impressive. Debbie Peetz (dedicated lurker) > ---------- > From: MusikDrama@aol.com > Sent: Friday, August 27, 2004 11:13 AM > To: savoynet@bridgewater.edu > Subject: Re: Mary Gresock's Cadenza for Phyllis > > Judging from Julie's reply below, it would seem that Mary elaborated on it quite enough, thank you. My question is, why? It sounds to me to have been in (pardon it, please) screamingly bad taste! > > Perhaps you had to be there. > > Steve Lichtenstein > "A Jew, but poor!" > > In a message dated 8/27/2004 7:57:00 AM Pacific Standard Time, contralto2b@yahoo.com writes: > > >I believe Mary's Cadenza started with the Queen of the > >Night, then Lucia's Mad Scene, and ended with Violetta's > >aria from La Traviata >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 17:03:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RL3KL8004718; Fri, 27 Aug 2004 17:03:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RL3JxY015216 for ; Fri, 27 Aug 2004 17:03:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RL2hTJ010859; Fri, 27 Aug 2004 17:02:43 -0400 (EDT) Date: Fri, 27 Aug 2004 17:02:43 -0400 (EDT) Message-Id: <00ed01c48c76$c2f6cbc0$de94bd50@q1x1k5> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Simon Butteriss RUDDIGORE DVD (was: Chris Webster, etc.). MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 17:02:43 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Simon Butteriss RUDDIGORE DVD (was: Chris Webster, etc.). X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just to say 'me too' to David Duffey's view of the show and, similarly, to rush to the defence of Bruce Graham whose Despard I thought beautifully - and appropriately - ham in Act 1 and wonderfully underplayed in Act 2. Act 2 was a revelation. The original music, of course, we know from the New Sadler's Wells recording. But by reverting to the original dialogue suddenly the piece had a rigorous Gilbertian logic that only served to emphasise the flaws in the 1920s Chappell edition we have been fobbed off with for so long. The relationship between Despard and Margaret is far more developed, the issues between Robin and Hannah, whom he has had 'carried off', are made more explicit (what exactly are his intentions, she wonders) and the consequences of a dead man - Roderic - marrying a living woman (she is a wife and a widow by the same stroke, and thus free to marry again) are thoroughly worked out. In short, one of the best G&S evenings I've had in many a year - and I would regard myself as especially jaded. I think Simon Butteriss is one of the most intelligent patter men around (even though he's a tenor) and adored his Robin. In all his interpretations of the G&S roles he doesn't try to ride over inconsistencies of character, but plays up to them. Criticisms? Not sure why Dame Hanna was so underplayed in Act 1; but Jill Pert bloomed magnificently in her extended Act 2 sections.'You understand' was staged exactly as per trad D'OC. Nice to see the old dance steps again - but why do 'em? The extra ghost music was wonderfully atmospheric (what was Gilbert's problem, exactly? Nothing like 'Paradise Lost') but the staging of it was completely static. Please, if you're going to present us with unheard material, DO something with it to make it meaningful. Simon played for laughs the awful change of gear that occurs when Robin launches into 'For 35 years' and ended with a 'Hah, so there!' gesture to the audience at his exit. Frankly it's the only way to make the material work. The recitative 'Away remorse' (which survives in both versions of Robin's patter song) is perfect. But the song itself - both textually, and and hence musically, just does not satisfactorily conclude the scene that precedes it, for me. Having performed (and recorded) both 'For 35 years' and 'Henceforth all the Crimes' I've come to the conclusion that they are both brilliant songs, but utterly wrong for that character at that point in the show. Maybe either version exemplifies the way that WSG saw the level of the scene and how ASS was inspired to compose it. Finally, why use the awful Paul Lazel sets? They are very serviceable for a show with budget restrictions, got together in the theatre on the day; but not for a pro show with money thrown at it. The process of the transformation scene was hampered by the by the setting. Plusses? Simon, of course. Special praise for Charlie Page as Rose - one of the best I've ever seen, too. Not afraid to play her as the complete opportunist minx she is. And to Vikki for depping for Mad Margaret at 4 day's notice. I was a happy bunny until the Act 2 finale when, for some reason, they reverted to the Act 1 9/8 version of 'Oh happy the Lily' (as per Geoffrey Toye) rather than the original 4/4 version. So it was, as far as I could tell, only 99% 'original'. But a brilliant evening nevertheless. Leon  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 18:24:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RMO3L8009168; Fri, 27 Aug 2004 18:24:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RMO1HB000494 for ; Fri, 27 Aug 2004 18:24:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RMNGTJ012536; Fri, 27 Aug 2004 18:23:16 -0400 (EDT) Date: Fri, 27 Aug 2004 18:23:16 -0400 (EDT) Message-Id: <20040827220946.97279.qmail@web13721.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE cross purposes MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00ed01c48c76$c2f6cbc0$de94bd50@q1x1k5> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 18:23:16 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: RUDDIGORE cross purposes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00ed01c48c76$c2f6cbc0$de94bd50@q1x1k5> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Leon Berger wrote: > The extra ghost music was wonderfully > atmospheric (what was Gilbert's > problem, exactly? Nothing like 'Paradise Lost') Gilbert wasn't comparing the music to "Paradise Lost," but its inappropriateness to its context with the insertion of "Paradise Lost" into a lightly bantering comic work. Gilbert's problem wasn't the cut subsequently cut ghost music, but Sullivan's approach to the entire scene. Gilbert's ghosts are doddering old country gentlemen who have difficulty in following an argument. Roderick's song demonstrates that they are a jolly crew who attend evening balls every midnight. Although the "good night" of ghosts returning to their graves might be grisly and grim, there is nothing grisly or grim about these ghosts as Gilbert wrote them. Sullivan chose to set the ghost music in a way that ignores Gilbert's emphasis (both dramatic and metrical) in favor of the grim and grisly. When Roderick sings Sullivan's song, he and his ghostly crew are no longer jolly party goers, but demons in a witch's sabbath. The scene becomes darker and far more dramatic, completely altering the dramatic shape of the act. Nothing that follows it can feel like anything more than an anticlimax. "For thirty-five years" loses its resonance as moral satire, and the more obvious social satire of the substituted "Henceforth all the crimes" fares no better. > But the song itself - both textually, and > and hence musically, just > does not satisfactorily conclude the scene that > precedes it Without Sullivan's setting of the preceding scene and the song itself, "For thirty-five years" is the real dramatic and satiric high point of the act. Although I have never seen it performed, I have to agree with Leon that the first night dialog has point and rhythm that is lost in the cut version. I read both versions of the libretto long before I ever heard the music, and I regard RUDDYGORE (especially in its first night form) as one of Gilbert's best libretti, albeit one with some structural flaws in Act I. In listening to it as an opera, one gets the opposite impression -- that the libretto is weak and that the second act is badly structured, although its music, particularly in the ghost scene, is brilliant. Kevin Wachs =====  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 18:28:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RMSjL8010966; Fri, 27 Aug 2004 18:28:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RMSixY018935 for ; Fri, 27 Aug 2004 18:28:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RMMhTJ012437; Fri, 27 Aug 2004 18:22:43 -0400 (EDT) Date: Fri, 27 Aug 2004 18:22:43 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dsjacobson@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Deborah Jacobson To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <033b01c48c79$90335070$6701a8c0@paul> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 18:22:43 -0400 (EDT) Reply-To: dsjacobson@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Deborah Jacobson To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <033b01c48c79$90335070$6701a8c0@paul> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Sempre libera," of course, in a G&S show... in fact one of the younger cast members was complaining that the only thing she recognized in Mary's cadenza was "that little bit from Pirates" and she had to be gently disillusioned. :) And as for the over-the-top nature of such a cadenza, well, this wasn't exactly a traditional production of _Iolanthe_ to begin with, so it fit right in. In my opinion, it was one of the most successful bits of business, too, due to Mary's spectacular singing and acting skills. -Debbie Jacobson On Fri, 27 Aug 2004 17:22:48 -0400 (EDT), Paul Danaher wrote: > Which of Violetta's arias, if you know? > > > > Julie Stevens wrote: > > I believe Mary's Cadenza started with the Queen of the > > Night, then Lucia's Mad Scene, and ended with Violetta's > > aria from La Traviatta (sp?) It was spectacular, tho' I > > say it, who shouldn't? If I didn't get this right, I'm > > sure someone will correct me (Denise?) > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 19:22:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RNMbL8029329; Fri, 27 Aug 2004 19:22:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RNMaHB001003 for ; Fri, 27 Aug 2004 19:22:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RNM0TJ013126; Fri, 27 Aug 2004 19:22:00 -0400 (EDT) Date: Fri, 27 Aug 2004 19:22:00 -0400 (EDT) Message-Id: <003501c48c8a$da4a62a0$4ddb6751@q1x1k5> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: RUDDIGORE cross purposes MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 19:22:00 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: RUDDIGORE cross purposes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.012 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Good point Kevin, though I was being slightly tongue-in-cheek. The panto ghosts that Gilbert created and the sinister ghosts that Sullivan composed for are two different critters. And, I agree, that had we been given a bunch of inept spooks in words AND music, then either of Robin's songs would have been more in character. Leon Disc home pages: COX & BOX/ A SOCIETY CLOWN/ THE GROSSMITH LEGACY (Grossmith): www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/ ----- Original Message ----- From: "kevin wachs" To: "Multiple recipients of list SAVOYNET" Sent: Friday, August 27, 2004 11:23 PM Subject: RUDDIGORE cross purposes > Leon Berger wrote: > > > The extra ghost music was wonderfully > > atmospheric (what was Gilbert's > > problem, exactly? Nothing like 'Paradise Lost') > > Gilbert wasn't comparing the music to "Paradise Lost," > but its inappropriateness to its context with the > insertion of "Paradise Lost" into a lightly bantering > comic work. > > Gilbert's problem wasn't the cut subsequently cut > ghost music, but Sullivan's approach to the entire > scene. Gilbert's ghosts are doddering old country > gentlemen who have difficulty in following an > argument. Roderick's song demonstrates that they are > a jolly crew who attend evening balls every midnight. > Although the "good night" of ghosts returning to their > graves might be grisly and grim, there is nothing > grisly or grim about these ghosts as Gilbert wrote > them. > > Sullivan chose to set the ghost music in a way that > ignores Gilbert's emphasis (both dramatic and > metrical) in favor of the grim and grisly. When > Roderick sings Sullivan's song, he and his ghostly > crew are no longer jolly party goers, but demons in a > witch's sabbath. The scene becomes darker and far > more dramatic, completely altering the dramatic shape > of the act. Nothing that follows it can feel like > anything more than an anticlimax. "For thirty-five > years" loses its resonance as moral satire, and the > more obvious social satire of the substituted > "Henceforth all the crimes" fares no better. > > > But the song itself - both textually, and > > and hence musically, just > > does not satisfactorily conclude the scene that > > precedes it > > Without Sullivan's setting of the preceding scene and > the song itself, "For thirty-five years" is the real > dramatic and satiric high point of the act. > > Although I have never seen it performed, I have to > agree with Leon that the first night dialog has point > and rhythm that is lost in the cut version. > > I read both versions of the libretto long before I > ever heard the music, and I regard RUDDYGORE > (especially in its first night form) as one of > Gilbert's best libretti, albeit one with some > structural flaws in Act I. In listening to it as an > opera, one gets the opposite impression -- that the > libretto is weak and that the second act is badly > structured, although its music, particularly in the > ghost scene, is brilliant. > > Kevin Wachs > > ===== >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 19:47:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7RNlTL8007107; Fri, 27 Aug 2004 19:47:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7RNk2Zn011677 for ; Fri, 27 Aug 2004 19:46:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7RNfkTJ013305; Fri, 27 Aug 2004 19:41:46 -0400 (EDT) Date: Fri, 27 Aug 2004 19:41:46 -0400 (EDT) Message-Id: <20040827232352.73138.qmail@web52405.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Meaning of QWERTY MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003a01c48c5f$0089d030$0300a8c0@PhilipKraus> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 19:41:46 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: Meaning of QWERTY X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003a01c48c5f$0089d030$0300a8c0@PhilipKraus> X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Sorry... will someone remind me what QWERTY stands > for??? This is really two questions in one: 1. If you're asking what a QWERTY is, that's fairly easy to explain. It's an informal gathering of G&S fans in a casual setting, usually someone's home, where they sing through one or more of the G and/or S operas for each other's amusement. 2. If you're asking for the derivation of the term QWERTY, then it's unfortunate that this PMFAQ (probably most frequently asked question) arose only recently, which should explain any possible frustration it creates. Unfortunately, it led to a number of facetious responses that, if not downright confusing, might at least have led some newer SavoyNetters to think that the letters of QWERTY form an acronym. They do not. I'd have to search the SavoyNet archives for the complete history of the term, but by now it's just as well that I explain just the basic framework that I know. Several years ago there was such an event in the UK. Its organizers kept e-mailing each other in setting up the event, but they didn't have a concise subject line. They started using unwieldy acronyms, but these became so long that the writers eventually agreed on just typing across the top row on a standard keyboard, which became their code for the event. QWERTYUIOP was eventually shortened to QWERTY or QWERT. There have since been some creative attempts to assign real words to the letters of QWERTYUIOP and its abbreviations, but none of these are official. QWERTYUIOP is simply a convenient set of typewritten letters. ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA __________________________________ Do you Yahoo!? Yahoo! Mail - You care about security. So do we. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 21:16:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7S1GDL8008209; Fri, 27 Aug 2004 21:16:13 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7S1Fm6p021856 for ; Fri, 27 Aug 2004 21:15:48 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) (authenticated bits=56) (User authenticated as stiaszny@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i7S1FmJV001235 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Fri, 27 Aug 2004 21:15:48 -0400 (EDT) Received: (from stiaszny@localhost) by department-of-alchemy.mit.edu (8.12.9) id i7S1Fl2K002760; Fri, 27 Aug 2004 21:15:47 -0400 (EDT) Message-Id: <200408280115.i7S1Fl2K002760@department-of-alchemy.mit.edu> To: sipb-office@MIT.EDU Subject: spam Date: Fri, 27 Aug 2004 21:15:47 -0400 From: Martin Stiaszny X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: sipb-office@MIT.EDU Subject: spam Date: Fri, 27 Aug 2004 21:15:47 -0400 From: Martin Stiaszny X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This made me think about the discussion the other day for a spam filter - MIT's current spam is quite good for me - for a while, nothing got through, and I don't think I've ever had a false positive, afaik. But the two kinds of spam that seem to be getting through now are the ones that generate a lot of random characters, and the ones that quote random passages. It seems like the former would be pretty easy to screen out with a spectral analysis of the content, but the latter would be much harder to detect. I once read an article about something that some major ISP was piloting (AOL?) where users could tag a message as spam when they were deleting it, and once a certain threshold of users identified a message as spam, and further copies of the message were prevented from being delivered. It seems that one might be able to make pretty gnarly spam filter by combining all of these techniques. my 2 cents, - martin DNA ANALYSIS USED TO FIGHT SPAM Researchers at IBM's TJ Watson Research Center have modified an algorithm--originally created to discern patterns in protein sequencing--to serve as a spam filter. The algorithm, named Chung-Kwei after a Feng Shui character, analyzes e-mail, looking for patterns of letters that exist in spam but not in legitimate messages. Because of the amount of spam in circulation today, the researchers have an abundance of spam e-mail to feed to the algorithm to train it to identify those strings of characters that indicate a message is spam. Chung-Kwei is able to process 88,000 messages in about 15 minutes, said the researchers, and will continue to "learn" as more e-mail arrives. The tool is able, for example, to identify e-mails that have "S" replaced with "$" as spam. Researchers said Chung-Kwei is able to successfully detect nearly 97 percent of spam. BBC, 25 August 2004 http://news.bbc.co.uk/2/hi/technology/3584534.stm  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Aug 2004 21:39:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7S1d7L8015566; Fri, 27 Aug 2004 21:39:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7RNc1lr008483 for ; Fri, 27 Aug 2004 21:39:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7S1cPTJ014023; Fri, 27 Aug 2004 21:38:27 -0400 (EDT) Date: Fri, 27 Aug 2004 21:38:25 -0400 (EDT) Message-Id: <59.1474f2b0.2e6139aa@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Aug 2004 21:38:25 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Mary Gresock's Cadenza for Phyllis X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/27/04 5:21:10 PM, oakapple2@yahoo.com writes: >I didn't see it, but the score clearly says "Cadenza, ad lib." Few >performers take that direction literally, but it sounds like this >singer had the chops to make it work. Agreed. Sorry I was so curmudgeonly about the cadenza in my previous post (where I called it in "screamingly bad taste"). Having read Debbie Peetz's, I retract my hastily constructed views. Clearly the musical choices were entirely appropriate for the situation, and it sounds like it must have been a lot of fun. I had been imagining it as merely a pointless potpourri designed to show off the singer's vocal abilities and hold up the show to no good purpose. But, as my AOL screen name indicates, I can thoroughly appreciate a skillful blend of music and drama. No hard feelings, I hope! Steve Lichtenstein (MusikDrama@aol.com) "A Jew, but poor!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 28 Aug 2004 23:15:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7T3FJFT009357; Sat, 28 Aug 2004 23:15:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7T3FHjt024937 for ; Sat, 28 Aug 2004 23:15:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7T3EtTJ001037; Sat, 28 Aug 2004 23:14:55 -0400 (EDT) Date: Sat, 28 Aug 2004 23:14:55 -0400 (EDT) Message-Id: <413148F5.107390F3@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Another sighting in a weird place... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 28 Aug 2004 23:14:55 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Another sighting in a weird place... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ..and this one, I think, takes the prize for all-time craziest. On the American version of WHOSE LINE IS IT ANYWAY, there's a "game" called "Theater, Film, and TV Styles". The idea behind this is, the MC sets a scene, and the players start it off "straight"...but the audience, prior to the scene starting, call out suggestions of styles of theater, movies, television programs, and so on...and periodically, they have to switch from what they were doing to the latest suggestion. And on tonight's show, one of the styles that was suggested was...well, why else would I be mentioning it here? When MC Drew Carey stopped Wayne Brady, Colin Mochrie, and Ryan Stiles in mid-word of doing the scene in the style of Japanese anime, he said, "Good luck, guys--Gilbert and Sullivan!" The scene was, Brady was a policeman trying to capture escaped convicts Mochrie and Styles, who were chained together and stuck in a swamp full of alligators. As Brady is, beyond doubt, the cast member with the best musical abilities, he immediately shot into his version of a patter song, the melody of which wasn't *exactly* "I am the very model..." but one could sense that this was where he was deriving the basic idea. Of course, he was going too fast for me to make out the words--and even if I could have, I was on the floor laughing all through it. Well, all fifteen to twenty seconds of it. (Carey ended the game before it got too far.) They've done this game many times before, but AFAIK, this is the first time anyone suggested G&S as a "style". Better late than never, right? Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 29 Aug 2004 08:19:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7TCJHFT001545; Sun, 29 Aug 2004 08:19:18 -0400 (EDT) Received: from website12.com (website12.com [203.194.209.81]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i7TCJF5a028166 for ; Sun, 29 Aug 2004 08:19:16 -0400 (EDT) Received: (qmail 13861 invoked by uid 513); 29 Aug 2004 12:21:01 -0000 Message-ID: <20040829122101.13968.qmail@website12.com> Reply-To: "rebecca" From: "rebecca" To: opus@mit.edu Subject: Fwd: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... Date: Sun, 29 Aug 2004 12:21:00 +0000 MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="_b228eaf4309ecb071987e61151e00b9c9" X-Mailer: WebMail 2.3 X-Originating-IP: 24.147.231.249 X-Originating-Email: rebecca@hains.net X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "rebecca" From: "rebecca" To: opus@mit.edu Subject: Fwd: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... Date: Sun, 29 Aug 2004 12:21:00 +0000 X-Originating-IP: 24.147.231.249 X-Originating-Email: rebecca@hains.net X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --_b228eaf4309ecb071987e61151e00b9c9 Content-Type: multipart/alternative; boundary="_bf29743b50ac51aea0838e8571bf5e05c" --_bf29743b50ac51aea0838e8571bf5e05c Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit -------Original Message------- > From: > Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... > Sent: 29 Aug 2004 03:16:26 > > Hey Rebecca---I second that emotion! > > I am allergic to shellfish, so I wonder what we are to eat? Perhaps > the eggs and the ham and the strawberry jam..... > > btw, we get to do 3 Little Maids together.....shall we bring fans and work > out something at your qwert? I know 2 sets of choreo for that > number! > > Elise -------Original Message------- --_bf29743b50ac51aea0838e8571bf5e05c Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: 8bit



-------Original Message-------
> From: <YesTisMabel@aol.com>
> Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ...
> Sent: 29 Aug 2004 03:16:26
>
> Hey Rebecca---I second that emotion!
>
> I am allergic to shellfish, so I wonder what we are to eat? Perhaps
> the eggs and the ham and the strawberry jam.....
>
> btw, we get to do 3 Little Maids together.....shall we bring fans and work
> out something at your qwert? I know 2 sets of choreo for that
> number!
>
> Elise
-------Original Message-------


--_bf29743b50ac51aea0838e8571bf5e05c-- --_b228eaf4309ecb071987e61151e00b9c9 Content-Type: message/rfc822; name="=?iso-8859-1?Q?Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ...?=" Content-Transfer-Encoding: 7bit Content-Disposition: attachment; filename="=?iso-8859-1?Q?Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ...?=" Return-Path: Delivered-To: rebecca@hains.user Received: (qmail 16756 invoked from network); 29 Aug 2004 03:18:30 -0000 Received: from unknown (HELO imo-m22.mx.aol.com) (64.12.137.3) by website12.com with SMTP; 29 Aug 2004 03:18:30 -0000 Received: from YesTisMabel@aol.com by imo-m22.mx.aol.com (mail_out_v37_r3.4.) id y.15a.3dacbfa9 (4328); Sat, 28 Aug 2004 23:16:26 -0400 (EDT) From: YesTisMabel@aol.com Message-ID: <15a.3dacbfa9.2e62a48a@aol.com> Date: Sat, 28 Aug 2004 23:16:26 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: rebecca@hains.net, opus@ipnh.mv.com, tylerh@rewardforloyalty.com, rls@dimins.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1093749386" X-Mailer: 9.0 for Windows sub 5000 -------------------------------1093749386 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hey Rebecca---I second that emotion! I am allergic to shellfish, so I wonder what we are to eat? Perhaps the eggs and the ham and the strawberry jam..... btw, we get to do 3 Little Maids together.....shall we bring fans and work out something at your qwert? I know 2 sets of choreo for that number! Elise -------------------------------1093749386 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Hey Rebecca---I second that emotion!
 
I am allergic to shellfish, so I wonder what we are to eat?  Perha= ps=20 the eggs and the ham and the strawberry jam.....
 
btw, we get to do 3 Little Maids together.....shall we bring fans and w= ork=20 out something at your qwert?  I know 2 sets of choreo for that=20 number! 
 
Elise
 -------------------------------1093749386-- --_b228eaf4309ecb071987e61151e00b9c9--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 29 Aug 2004 11:52:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7TFqkxZ029759; Sun, 29 Aug 2004 11:52:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7TFqimo024431 for ; Sun, 29 Aug 2004 11:52:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7TFq9TJ008168; Sun, 29 Aug 2004 11:52:10 -0400 (EDT) Date: Sun, 29 Aug 2004 11:52:10 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Wilfred's Lyrics Question MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 29 Aug 2004 11:52:10 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Wilfred's Lyrics Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There was a lengthy thread on this subject on Savoynet in May 2000. At the time, I was doing a thorough study of both the words and music, creating a new piano reduction and correcting the orchestra parts for Seattle G&S Society's performance. Bruce Miller very kindly assisted me with this project. His reply to me on the subject of the text was as follows: In a message dated 5/22/00 2:30:54 PM, BMILLER@holycross.edu writes: >The New York Public Library's full score, copied by Greinnert in 1888 for >the NY premiere, contains probably the most accurate rendering of the text, >both music and words. It never got to opening night, so there really is >no "definitive" text. The Greinnert score has "friend" not "fiend" by >the way, > >I don't know if the Licensing copy submitted to the Lord Chamberlain's >office has the words or not. Bruce also sent me a copy of his own piano reduction, containing (I assume) the text as shown in the Greinnert score. As he said, "It's probably about as 'corrected' as you're going to get, as to articulation, words and pitches." As to the "lieth/layeth" question, Bruce's copy says "lieth." It's certainly more grammatical. Personally I could see making a case for "layeth." As Sam says, it makes for variety in the line, and Wilfred's grammar needn't necessarily be as good as his neighbor's. Also (though this is perhaps stretching credulity a bit), one might read into Wilfred's diction a subtle (make that extremely subtle) hint that there is perhaps the makings of a jester in him. Lines like "suppeth where I may not sip" and "layeth where I dare not lie" could indicate a love of wordplay, along the lines of Jack Point's "sipped no sup and craved no crumb." However, neither of those versions of the lines appear in the copy Bruce sent me. I'm reprinting the text from that copy below. It's pretty much what we used in Seattle, though I think we did decide to go with "suppeth where I may not sip" and "lieth where I may not lie," as in Bradley (since "dare" was already used in the previous verse). As Bruce said, there is no really "definitive" version. When jealous torments rack my soul, My agonies I can't control. Oh better sit on red hot coal Than love a heartless jade. The red hot coal will hurt, no doubt, But red hot coals in time die out, But jealousy you cannot rout, Its fires will never fade. It's much less painful, on the whole, To go and sit on red-hot coal 'Til you're completely flayed. Or ask a kindly friend to crack Your wretched bones upon the rack Than love a heartless jade. The kerchief on your neck of snow I look on as a deadly foe. It goeth where I dare not go And stops there all day long. The belt that holds you in its grasp Is, to my peace of mind, a rasp. It claspeth what I can not clasp. Correct me if I'm wrong. It's much less painful, on the whole, etc. The bird that breakfasts on your lip, I would I had him in my grip. He sippeth where I dare not sip, I can't get over that. The cat you fondle, soft and sly, He lieth where I dare not lie. We're not on terms, that cat and I. I do not like that cat. It's much less painful, on the whole, etc. (Coda) Or ask a kindly friend to crack Your wretched bones upon the rack Than love a heartless jade! Steve Lichtenstein "A Jew, but poor!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 30 Aug 2004 12:04:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i7UG4fW9024792; Mon, 30 Aug 2004 12:04:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i7UG3LjC003987 for ; Mon, 30 Aug 2004 12:03:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i7UG2OTJ029704; Mon, 30 Aug 2004 12:02:24 -0400 (EDT) Date: Mon, 30 Aug 2004 12:02:24 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: SavoyNet cabaret pictures Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 30 Aug 2004 12:02:24 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: SavoyNet cabaret pictures Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>> "David Sandham" wrote: If you can help out with any of the missing names... Pictures from top to bottom The magician is Ian Hollamby, who played Dick Dauntless in our Ruddigore and the Duke in our Patience. The first woman you show singing is Carol Davis, who was one of the servants in Pirates. The second woman is Vikki Willoughby, who played Kate in Pirates. Karen Ann always uses both first names, I believe. The picture of the two men shows Paul Ensell, our assistant director, and Mitch Gillett, our Frederic. Next is Tyler Hains, our Mabel's husband. Pay no attention to the man with the hug nose standing between Tyler and Rebecca. Next is Deirdre Kincaid and Wendy Falconer, respectively a servant and a daughter. The full program for the cabaret was: 1. Magic Show, Ian Hollamby 2. Bob Richards, songs with guitar 3. Sorcerer Act I Finale: Alexis: Mitch Gillett Sir Marmaduke: Paul Ensell Dr. Daly: Tyler Hains J. W. Wells: Samuel Silvers Aline: Rebecca C. Hains Lady Sangazure: Wendy Falconer Mrs. Partlett: Victoria Willoughby Constance: Karen Ann Loxley 4. Ian Henderson: "When the Night Wind Howls" 5. Ruddigore Act I Finale: Rose Maybud Jackie Richards Zorah Jo Dunbar Mad Margaret Karen Ann Loxley Dame Hannah Angela Lowe Richard Dauntless Peter Chrichton Robin Oakapple Jonathan Ichikawa Sir Despard Philip Walsh Old Adam David Duffey Best regards, Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 30 Aug 2004 13:10:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7UHAlW7006245; Mon, 30 Aug 2004 13:10:49 -0400 (EDT) Received: from portal.hamachi.org (portal.hamachi.org [69.25.196.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7UHAYUF027058 for ; Mon, 30 Aug 2004 13:10:34 -0400 (EDT) Received: from portal (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id 85CFC17922 for ; Mon, 30 Aug 2004 13:10:34 -0400 (EDT) From: Bill Sommerfeld To: dinner@mit.edu Subject: random links du jour. Reply-To: sommerfeld@netbsd.org Date: Mon, 30 Aug 2004 13:10:34 -0400 Sender: sommerfeld@portal.hamachi.org Message-Id: <20040830171034.85CFC17922@portal.hamachi.org> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: dinner@mit.edu Subject: random links du jour. Reply-To: sommerfeld@netbsd.org Date: Mon, 30 Aug 2004 13:10:34 -0400 Sender: sommerfeld@portal.hamachi.org X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Stuff I mentioned in passing last night: 1) viking kittens sing the Immigrant Song (flash animation): http://www.dennyweb.com/viking_kittens.htm 2) Flaming Turkeys at UL: http://www.ul.com/consumers/turkeys.html (including link to mpeg movie showing ways to kill yourself and start fires with a turkey deep fryer) 3) Lightning vs. robomower controller: http://blogs.sun.com/sommerfeld/Zorch - Bill  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 30 Aug 2004 21:59:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7V1xEW7009317; Mon, 30 Aug 2004 21:59:14 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7V1wukC022095; Mon, 30 Aug 2004 21:58:56 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i7V1wtJU009918; Mon, 30 Aug 2004 21:58:55 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i7V1wsRY021716; Mon, 30 Aug 2004 21:58:54 -0400 (EDT) Date: Mon, 30 Aug 2004 21:58:54 -0400 (EDT) Message-Id: <200408310158.i7V1wsRY021716@multics.mit.edu> From: "David C. Jedlinsky" To: rebecca@hains.net, yestismabel@aol.com, tylerh@rewardforloyalty.com Cc: opus@MIT.EDU, rls@dimins.com In-reply-to: <20040829122101.13968.qmail@website12.com> (rebecca@hains.net) Subject: Re: Fwd: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... References: <20040829122101.13968.qmail@website12.com> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 30 Aug 2004 21:58:54 -0400 (EDT) From: "David C. Jedlinsky" To: rebecca@hains.net, yestismabel@aol.com, tylerh@rewardforloyalty.com Cc: opus@MIT.EDU, rls@dimins.com In-reply-to: <20040829122101.13968.qmail@website12.com> (rebecca@hains.net) Subject: Re: Fwd: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Elise, Tyler and Becca! Elise, what are your travel plans for going to Barry's Maine QWERT? Many moons ago we talked about you possibly flying into Manchester, and hitching a ride. What have you booked? For those of us driving from NH to ME (Becca & Tyler, at least), it's about a two and half hour drive. Do we want to do a red-eye drive back after dinner, or do we want to plan to book a hotel in the area? As for dinner itself, I won't eat lobster either. We really need to band together, and ask Barry for an alternative menu. I'd rather eat with everybody else (as opposed to running off to a restaurant or something), but I don't want to eat what they're planning on serving. Ruth, on the other hand, won't come if she doesn't get lobster. :-) -Dave  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 30 Aug 2004 23:56:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7V3u9W7018912; Mon, 30 Aug 2004 23:56:09 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7V3tdkC010849; Mon, 30 Aug 2004 23:55:39 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i7V3tcuu016018; Mon, 30 Aug 2004 23:55:38 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i7V3tc1U028125; Mon, 30 Aug 2004 23:55:38 -0400 (EDT) Date: Mon, 30 Aug 2004 23:55:38 -0400 (EDT) Message-Id: <200408310355.i7V3tc1U028125@multics.mit.edu> From: "David C. Jedlinsky" To: bj.richards@btinternet.com In-reply-to: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> (bj.richards@btinternet.com) Subject: Re: QWERTY/TOWERS - Reminder References: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 30 Aug 2004 23:55:38 -0400 (EDT) From: "David C. Jedlinsky" To: bj.richards@btinternet.com In-reply-to: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> (bj.richards@btinternet.com) Subject: Re: QWERTY/TOWERS - Reminder X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello Bob and Jackie. Wonder of wonders, American Airlines just dropped their fares, and we have grabbed a couple of tickets while the prices are low. We are arriving at Heathrow at 6:20 AM on 3rd November, and we are departing on 10th November (ssshh - that's Ruth's birthday). Bob, I believe you recommended the National Express coach. Is the Lymington Road station the destination we should be planning to debark? How far is it to the Torcroft? Is the coach service reliable enough to choose a schedule which returns us to the airport three and a half hours before our flight? For purposes of determining rooms in the Torcroft vs. neighboring hotels, American Airlines assures us that the distance we are travelling is 3250 miles. If you have the space, we'd like to request a room with a double bed. -Dave Jedlinsky opus@mit.edu >Date: Fri, 27 Aug 2004 05:59:51 -0400 (EDT) >From: "Bob and Jackie" > >Now that Buxton is safely over we thought it would be timely to remind >people about QWERTY/TOWERS. This will be the first residential qwert as it >will be held in our hotel, The Torcroft, in Torquay from 5 to November. It >will also be >the first QWERT that will be held within sight (just) of the site of a G&S >opera >premiere - the Bijou Theatre, Paignton. > >We have settled on the following operas: > >Friday night - Trial by Jury >Saturday - Pirates of Penzance, Yeomen of the Guard, Sorcerer, Princess Ida >and Ruddigore >Sunday morning - Iolanthe >Sunday afternoon (for those remaining) Mikado and Pinafore. > >So please put in your requests for parts - in the time honoured QWERT >tradition we will endeavour to give everybody anxious a chance to shine. > >We have already had a terrific response which means we have to use rooms in >a >neighbouring hotel. We are delighted that a great many attendees have >decided to make an extended break and are staying a few days before and >after the QWERT. > >We need confirmation from all attendees (if not already done so) >confirmation of when they arrive and when they leave so that we can allocate >the rooms. Whilst we would like everyone to stay in our hotel it will not >be possible but those arriving first, travelling furthest and staying the >longest are guaranteed a room in The Torcroft. > >Here are the list of those who have expressed an interest in attending: > >Peter and Carol Crichton >David, Jill and Lizzie Duffey >Sharon Cutworth >Claire Little >Don Smith >Peter Withey >Rachel Keegan >Chris and Sandra Wain >Les and Jane Richardson >Kathryn and Phillip Barton >Mike Nash >Adam Cuerden >Christopher Hall >Stephen Hill >Carole Round >Larry and Robin Garvin (and Hannah) >Stuart and Alison Box >David Craig >David and Ruth Jedlinsky >Angie Arnell and John Penn >Sarah-Jane Read >Leta Hall >Sandra and Sarah Vamplew >Denise Wicken >Elise Curren >Ian Henderson >Deirdre Kinkaid >Ori Seigal >Larry and Ann Byler > > >Jackie and Bob > >for complete details see below: > >The dates of QWERTY TOWERS are the weekend of Friday 5th November - Sunday >7th November. We will be offering the weekend package at an inclusive price >(apart from booze which can be bought at the bar) of £50 per person >including accommodation. This will include an evening meal on Friday >followed by a display of fireworks and a sing through of Trial by Jury. >We'll start Saturday's festivities after Bob's now famous Torcroft breakfast >by >fitting in another 2 operas followed by a buffet lunch, then we'll be >singing the 5 >operas followed by an evening meal cooked by Bob's daughter Polly, after >which >we'll probably wind down with silly games. After breakfast on Sunday we'll >sing through Iolanthe >before most people head home. Those remaining will treat themselves to The >Mikado >and HMS Pinafore. >We'll be charging £25 per person per day for anybody staying for extra days, >this >will include an evening meal and if there are enough people interested we'll >try and organise >a coach trip to the picturesque Cornish Village of Polperro on Monday at a >charge of £10 per person. > >  1, answered,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 31 Aug 2004 07:19:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7VBJTW7024976; Tue, 31 Aug 2004 07:19:30 -0400 (EDT) Received: from smtp107.mail.sc5.yahoo.com (smtp107.mail.sc5.yahoo.com [66.163.169.227]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i7VBJSUF020443 for ; Tue, 31 Aug 2004 07:19:29 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp107.mail.sc5.yahoo.com with SMTP; 31 Aug 2004 11:19:28 -0000 Message-ID: <007401c48f4c$5fee5d80$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> <200408310355.i7V3tc1U028125@multics.mit.edu> Subject: Re: QWERTY/TOWERS - Reminder Date: Tue, 31 Aug 2004 12:19:24 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: QWERTY/TOWERS - Reminder Date: Tue, 31 Aug 2004 12:19:24 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David This is good news indeed. Lymington Road station is the correct destination. It is only about a mile from us and we will be very, very happy to collect you from the station. Likewise, on your return, we will get you to the station at whatever time is required. I believe the bus service is reliable enough but it is dependant on road conditions. Three and half hours before your flight time gives plenty of contingency - if the coach were two hours late you would probably still get your flight. At the moment you and the Wain's are the first arrivals so you get the best rooms (with balcony) and as you are travelling the furthest you get priority over the Wain's. Therefore, unless fourteen people arrive from the States (or further) before 3rd November, we can guarantee you a double room in The Torcroft. Can't wait until November to see you again. Love Jackie and Bob ps Did you go to Toronto this month? ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Tuesday, August 31, 2004 4:55 AM Subject: Re: QWERTY/TOWERS - Reminder > > Hello Bob and Jackie. > > Wonder of wonders, American Airlines just dropped their fares, and we > have grabbed a couple of tickets while the prices are low. > > We are arriving at Heathrow at 6:20 AM on 3rd November, and we are > departing on 10th November (ssshh - that's Ruth's birthday). Bob, I > believe you recommended the National Express coach. Is the Lymington > Road station the destination we should be planning to debark? How far > is it to the Torcroft? Is the coach service reliable enough to choose > a schedule which returns us to the airport three and a half hours > before our flight? > > For purposes of determining rooms in the Torcroft vs. neighboring > hotels, American Airlines assures us that the distance we are > travelling is 3250 miles. If you have the space, we'd like to request > a room with a double bed. > > -Dave Jedlinsky > opus@mit.edu > > > >Date: Fri, 27 Aug 2004 05:59:51 -0400 (EDT) > >From: "Bob and Jackie" > > > >Now that Buxton is safely over we thought it would be timely to remind > >people about QWERTY/TOWERS. This will be the first residential qwert as it > >will be held in our hotel, The Torcroft, in Torquay from 5 to November. It > >will also be > >the first QWERT that will be held within sight (just) of the site of a G&S > >opera > >premiere - the Bijou Theatre, Paignton. > > > >We have settled on the following operas: > > > >Friday night - Trial by Jury > >Saturday - Pirates of Penzance, Yeomen of the Guard, Sorcerer, Princess Ida > >and Ruddigore > >Sunday morning - Iolanthe > >Sunday afternoon (for those remaining) Mikado and Pinafore. > > > >So please put in your requests for parts - in the time honoured QWERT > >tradition we will endeavour to give everybody anxious a chance to shine. > > > >We have already had a terrific response which means we have to use rooms in > >a > >neighbouring hotel. We are delighted that a great many attendees have > >decided to make an extended break and are staying a few days before and > >after the QWERT. > > > >We need confirmation from all attendees (if not already done so) > >confirmation of when they arrive and when they leave so that we can allocate > >the rooms. Whilst we would like everyone to stay in our hotel it will not > >be possible but those arriving first, travelling furthest and staying the > >longest are guaranteed a room in The Torcroft. > > > >Here are the list of those who have expressed an interest in attending: > > > >Peter and Carol Crichton > >David, Jill and Lizzie Duffey > >Sharon Cutworth > >Claire Little > >Don Smith > >Peter Withey > >Rachel Keegan > >Chris and Sandra Wain > >Les and Jane Richardson > >Kathryn and Phillip Barton > >Mike Nash > >Adam Cuerden > >Christopher Hall > >Stephen Hill > >Carole Round > >Larry and Robin Garvin (and Hannah) > >Stuart and Alison Box > >David Craig > >David and Ruth Jedlinsky > >Angie Arnell and John Penn > >Sarah-Jane Read > >Leta Hall > >Sandra and Sarah Vamplew > >Denise Wicken > >Elise Curren > >Ian Henderson > >Deirdre Kinkaid > >Ori Seigal > >Larry and Ann Byler > > > > > >Jackie and Bob > > > >for complete details see below: > > > >The dates of QWERTY TOWERS are the weekend of Friday 5th November - Sunday > >7th November. We will be offering the weekend package at an inclusive price > >(apart from booze which can be bought at the bar) of £50 per person > >including accommodation. This will include an evening meal on Friday > >followed by a display of fireworks and a sing through of Trial by Jury. > >We'll start Saturday's festivities after Bob's now famous Torcroft breakfast > >by > >fitting in another 2 operas followed by a buffet lunch, then we'll be > >singing the 5 > >operas followed by an evening meal cooked by Bob's daughter Polly, after > >which > >we'll probably wind down with silly games. After breakfast on Sunday we'll > >sing through Iolanthe > >before most people head home. Those remaining will treat themselves to The > >Mikado > >and HMS Pinafore. > >We'll be charging £25 per person per day for anybody staying for extra days, > >this > >will include an evening meal and if there are enough people interested we'll > >try and organise > >a coach trip to the picturesque Cornish Village of Polperro on Monday at a > >charge of £10 per person. > > > >  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 31 Aug 2004 14:18:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7VII9pZ009628; Tue, 31 Aug 2004 14:18:09 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.202]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7VIFkUF013268 for ; Tue, 31 Aug 2004 14:15:46 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id 79so190969rnk for ; Tue, 31 Aug 2004 11:15:37 -0700 (PDT) Received: by 10.38.3.57 with SMTP id 57mr1692911rnc; Tue, 31 Aug 2004 11:15:37 -0700 (PDT) Received: by 10.38.74.5 with HTTP; Tue, 31 Aug 2004 11:15:37 -0700 (PDT) Message-ID: Date: Tue, 31 Aug 2004 11:15:37 -0700 From: SirRogue Reply-To: SirRogue To: Nori Pritchard , Jamez Kirtley , Derek Herrera , opus@mit.edu, Edmund Golaski , Todd Radford , Caitlin Marlow Subject: Let's Talk SW Cc: portnoy@portnoy.org Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 31 Aug 2004 11:15:37 -0700 From: SirRogue Reply-To: SirRogue To: Nori Pritchard , Jamez Kirtley , Derek Herrera , opus@mit.edu, Edmund Golaski , Todd Radford , Caitlin Marlow Subject: Let's Talk SW Cc: portnoy@portnoy.org X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey gang, I'm happily watching the DVD over and over again, enjoying it's various features and mentally editing for next Fall. ;) Caitlin and I are going to be in town to visit in two weeks (Sept 10-12). I'd like very much to get together with all of you and discuss of few ideas while I'm in town. I'll already be meeting with Steve and Jax to discuss things for '05, and I'd like to see you all immediately following, perhaps late afternoon on Saturday, probably in the MTG office. The things I'd like to cover will take less than half an hour, though I'll be happy to continue the discussion with those who are willing to stay later. I cannot stress enough how important it is to me to see you in person for this while I'm in town. I'd really appreciate it if I could chat with y'all about this in person and all together. PLEASE let me know either way if you'd be able to make a short meeting that Saturday (9/11). I know many of you are involved in JCS or other shows, I promise this won't interfere. Thanks so much! ~Rogue  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 31 Aug 2004 15:48:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7VJmnU3001347; Tue, 31 Aug 2004 15:48:50 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.199]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7VJmm9m012091 for ; Tue, 31 Aug 2004 15:48:48 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id 79so198465rnk for ; Tue, 31 Aug 2004 12:48:47 -0700 (PDT) Received: by 10.38.164.76 with SMTP id m76mr1739384rne; Tue, 31 Aug 2004 12:48:47 -0700 (PDT) Received: by 10.38.74.5 with HTTP; Tue, 31 Aug 2004 12:48:47 -0700 (PDT) Message-ID: Date: Tue, 31 Aug 2004 12:48:47 -0700 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: Let's Talk SW In-Reply-To: <200408311944.i7VJiYYr015839@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <200408311944.i7VJiYYr015839@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 31 Aug 2004 12:48:47 -0700 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: Let's Talk SW In-Reply-To: <200408311944.i7VJiYYr015839@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Sure, we could do that. When would you need to leave to give you enough time to get there? 3:30? 3:15? I'll definitely bump it up if it means you can make it. :D ~Rogue On Tue, 31 Aug 2004 15:44:34 -0400 (EDT), David C. Jedlinsky wrote: > > Hi Rogue. > > I've got to be in Methuen, north of Boston, at 4:00 on Saturday. Is > there any way to make it earlier in the afternoon? > > -Dave > > >Date: Tue, 31 Aug 2004 11:15:37 -0700 > >From: SirRogue > > > > > >Hey gang, > > > >I'm happily watching the DVD over and over again, enjoying it's > >various features and mentally editing for next Fall. ;) > > > >Caitlin and I are going to be in town to visit in two weeks (Sept > >10-12). I'd like very much to get together with all of you and discuss > >of few ideas while I'm in town. I'll already be meeting with Steve and > >Jax to discuss things for '05, and I'd like to see you all immediately > >following, perhaps late afternoon on Saturday, probably in the MTG > >office. The things I'd like to cover will take less than half an hour, > >though I'll be happy to continue the discussion with those who are > >willing to stay later. I cannot stress enough how important it is to > >me to see you in person for this while I'm in town. I'd really > >appreciate it if I could chat with y'all about this in person and all > >together. > > > >PLEASE let me know either way if you'd be able to make a short meeting > >that Saturday (9/11). I know many of you are involved in JCS or other > >shows, I promise this won't interfere. > > > >Thanks so much! > >~Rogue >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 31 Aug 2004 17:16:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i7VLGnU5015245; Tue, 31 Aug 2004 17:16:51 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.205]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i7VLFQcS001163 for ; Tue, 31 Aug 2004 17:15:26 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id 77so330214rnk for ; Tue, 31 Aug 2004 14:15:26 -0700 (PDT) Received: by 10.38.73.36 with SMTP id v36mr1784109rna; Tue, 31 Aug 2004 14:15:26 -0700 (PDT) Received: by 10.38.74.5 with HTTP; Tue, 31 Aug 2004 14:15:26 -0700 (PDT) Message-ID: Date: Tue, 31 Aug 2004 14:15:26 -0700 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: Let's Talk SW In-Reply-To: <200408312050.i7VKoQR9020038@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <200408311944.i7VJiYYr015839@multics.mit.edu> <200408312050.i7VKoQR9020038@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 31 Aug 2004 14:15:26 -0700 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: Let's Talk SW In-Reply-To: <200408312050.i7VKoQR9020038@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Cool. I'll see what everyone else's schedules are like, but I'll be sure to start things by 3pm at the latest. :) No, haven't had a chance to go hunting yet, just watched the show, the commentary, and the time-delay build. Love the final lightsaber effects, but it's really funny watching you grab your deadly glowing blade in the middle of the duel. ;) See you in a few weeks! ~R On Tue, 31 Aug 2004 16:50:26 -0400 (EDT), David C. Jedlinsky wrote: > > If we leave at 3:30, we can probably make it. > > -Dave > > P.S. Have you found *all* the various features on the DVD? :-) > > >Date: Tue, 31 Aug 2004 12:48:47 -0700 > > > >From: SirRogue > > > >Sure, we could do that. When would you need to leave to give you > >enough time to get there? 3:30? 3:15? I'll definitely bump it up if > >it means you can make it. :D > > > >~Rogue > > > >On Tue, 31 Aug 2004 15:44:34 -0400 (EDT), David C. Jedlinsky > > wrote: > >> > >> Hi Rogue. > >> > >> I've got to be in Methuen, north of Boston, at 4:00 on Saturday. Is > >> there any way to make it earlier in the afternoon? > >> > >> -Dave > >> > >> >Date: Tue, 31 Aug 2004 11:15:37 -0700 > >> >From: SirRogue > >> > >> > >> > > >> >Hey gang, > >> > > >> >I'm happily watching the DVD over and over again, enjoying it's > >> >various features and mentally editing for next Fall. ;) > >> > > >> >Caitlin and I are going to be in town to visit in two weeks (Sept > >> >10-12). I'd like very much to get together with all of you and discuss > >> >of few ideas while I'm in town. I'll already be meeting with Steve and > >> >Jax to discuss things for '05, and I'd like to see you all immediately > >> >following, perhaps late afternoon on Saturday, probably in the MTG > >> >office. The things I'd like to cover will take less than half an hour, > >> >though I'll be happy to continue the discussion with those who are > >> >willing to stay later. I cannot stress enough how important it is to > >> >me to see you in person for this while I'm in town. I'd really > >> >appreciate it if I could chat with y'all about this in person and all > >> >together. > >> > > >> >PLEASE let me know either way if you'd be able to make a short meeting > >> >that Saturday (9/11). I know many of you are involved in JCS or other > >> >shows, I promise this won't interfere. > >> > > >> >Thanks so much! > >> >~Rogue > >> >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 31 Aug 2004 23:24:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i813NxU5001384; Tue, 31 Aug 2004 23:24:01 -0400 (EDT) Received: from imo-m19.mx.aol.com (imo-m19.mx.aol.com [64.12.137.11]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i813NqpS020033 for ; Tue, 31 Aug 2004 23:23:52 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-m19.mx.aol.com (mail_out_v37_r3.4.) id 6.194.2d0afd74 (4214) for ; Tue, 31 Aug 2004 23:23:46 -0400 (EDT) From: YesTisMabel@aol.com Message-ID: <194.2d0afd74.2e669ac2@aol.com> Date: Tue, 31 Aug 2004 23:23:46 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1094009026" X-Mailer: 9.0 for Windows sub 5032 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: YesTisMabel@aol.com Date: Tue, 31 Aug 2004 23:23:46 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 -------------------------------1094009026 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 8/30/04 9:59:17 PM Eastern Daylight Time, opus@MIT.EDU writes: Elise, what are your travel plans for going to Barry's Maine QWERT? Many moons ago we talked about you possibly flying into Manchester, and hitching a ride. What have you booked? Hi Dave! I FINALLY have my computer back.....and I don't even have my Philly ticket, much less my Maine one! :-) I DO want to fly into Manchester, as you suggested, and then ride with you guys, so let me know when you want to leave. Elise -------------------------------1094009026 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 8/30/04 9:59:17 PM Eastern Daylight Time, opus@MIT.E= DU writes:
Elise, what are your travel plans for going to= Barry's Maine QWERT?
Many moons ago we talked about you possibly flying=20= into Manchester,
and hitching a ride.  What have you booked?<= /BLOCKQUOTE>
Hi Dave!
 
I FINALLY have my computer back.....and I don't even have my Philly tic= ket, much less my Maine one!   :-)
 
I DO want to fly into Manchester, as you suggested, and then ride with=20= you guys, so let me know when you want to leave.
 
Elise
-------------------------------1094009026--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Sep 2004 12:25:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i81GPnU3007018; Wed, 1 Sep 2004 12:25:49 -0400 (EDT) Received: from smtp108.mail.sc5.yahoo.com (smtp108.mail.sc5.yahoo.com [66.163.170.6]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i81GPlnB009833 for ; Wed, 1 Sep 2004 12:25:48 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp108.mail.sc5.yahoo.com with SMTP; 1 Sep 2004 16:25:47 -0000 Message-ID: <001a01c49040$54c65fd0$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002e01c48c1b$a20e2c60$0301a8c0@JACKIE> <200408310355.i7V3tc1U028125@multics.mit.edu> <007401c48f4c$5fee5d80$0301a8c0@JACKIE> <200409011330.i81DUEUU010334@multics.mit.edu> Subject: Re: QWERTY/TOWERS - Reminder Date: Wed, 1 Sep 2004 17:24:50 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: QWERTY/TOWERS - Reminder Date: Wed, 1 Sep 2004 17:24:50 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Duly noted - try to get some sleep on the coach We have just enjoyed our first day off (part of a day actually) since our lightening trip to Buxton, we took Tilly to Exeter, an historic university town, the main purpose of which was to enjoy the lovely 50 minute railway journey which runs along the coast and river estuary. We've come back to find that Polly & Tam have just booked our anonymous AA (Automobile Association) inspector in - our 2 star (pretigious) hotel AA rating depends on this guy's report - if you've seen the Fawlty Towers episode regarding the AA inspector you will know how important it is to get everything just right - fingers crossed XXXX Can't wait until November Bob & Jackie > > I have reserved tickets on the National Express coach. We are > arriving on the NX 501 at the Lymington Road station at 13:20 on 3rd > November. We are scheduled to depart from the same station at 9:45 on > 10th November. > > Thank you for your kind offer to meet us at the station. > > Is it November yet? Darn, two more months. > > -Dave >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Sep 2004 13:43:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i81HhKU3016303; Wed, 1 Sep 2004 13:43:20 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i81HhKDQ015369; Wed, 1 Sep 2004 13:43:20 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i81HhJuu028914; Wed, 1 Sep 2004 13:43:19 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i81HhJoH024806; Wed, 1 Sep 2004 13:43:19 -0400 (EDT) Date: Wed, 1 Sep 2004 13:43:19 -0400 (EDT) Message-Id: <200409011743.i81HhJoH024806@multics.mit.edu> From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <194.2d0afd74.2e669ac2@aol.com> (YesTisMabel@aol.com) Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... References: <194.2d0afd74.2e669ac2@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Sep 2004 13:43:19 -0400 (EDT) From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <194.2d0afd74.2e669ac2@aol.com> (YesTisMabel@aol.com) Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hi Elise. I'm glad to hear you're back up; was Charley a very bad boy? I hope his girlfriend Frances doesn't try to play a game of one-upsmanship. The drive from Manchester to Brunswick is around 2 and a half hours. You should plan to arrive no later than 9am on Saturday if we are to make it in time. You are welcome to stay at our house if the itinerary demands it; Becca and Tyler will be staying with us. Be warned that we do have a cat, though. I did a quick check for airfares; you can get something as low as $136.70 for the Philly trip, and $175.20 for the Manchester one. Both of those are on Southwest Airlines. All the other airlines appear to cost more, though you might get lucky on United. You could also try flying AirTran or JetBlue to Boston, but that's farther away, so you definitely have to arrive on Friday and leave on Sunday or Monday. -Dave >From: YesTisMabel@aol.com >Date: Tue, 31 Aug 2004 23:23:46 EDT > >In a message dated 8/30/04 9:59:17 PM Eastern Daylight Time, opus@MIT.EDU >writes: >Elise, what are your travel plans for going to Barry's Maine QWERT? >Many moons ago we talked about you possibly flying into Manchester, >and hitching a ride. What have you booked? >Hi Dave! > >I FINALLY have my computer back.....and I don't even have my Philly ticket, >much less my Maine one! :-) > >I DO want to fly into Manchester, as you suggested, and then ride with you >guys, so let me know when you want to leave. > >Elise  1, forwarded, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Sep 2004 14:50:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i81IniUP021505; Wed, 1 Sep 2004 14:50:28 -0400 (EDT) Received: from starling.mail.pas.earthlink.net (starling.mail.pas.earthlink.net [207.217.120.227]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i81InKDn027855 for ; Wed, 1 Sep 2004 14:49:20 -0400 (EDT) Received: from ptd-204-210-76-215.maine.rr.com ([204.210.76.215] helo=yourwg5n33dutv) by starling.mail.pas.earthlink.net with asmtp (Exim 4.34) id 1C2aAY-0001fw-VS for opus@MIT.EDU; Wed, 01 Sep 2004 11:49:19 -0700 Message-ID: <001e01c49054$60473af0$d74cd2cc@yourwg5n33dutv> From: "barryhilton" To: "David C. Jedlinsky" References: <00f501c48ca9$5d0ab140$02b1c618@yourwg5n33dutv> <200409011715.i81HFwiR023315@multics.mit.edu> Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement Date: Wed, 1 Sep 2004 14:49:08 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 Disposition-Notification-To: "barryhilton" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-ELNK-Trace: e365589aaa66c2c7d41790aae9fb07759ef193a6bfc3dd488aa1b29d4d87efae357e022557ac0d57a7ce0e8f8d31aa3f350badd9bab72f9c350badd9bab72f9c X-Originating-IP: 204.210.76.215 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "barryhilton" To: "David C. Jedlinsky" Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement Date: Wed, 1 Sep 2004 14:49:08 -0400 X-Priority: 3 X-MSMail-Priority: Normal Disposition-Notification-To: "barryhilton" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-ELNK-Trace: e365589aaa66c2c7d41790aae9fb07759ef193a6bfc3dd488aa1b29d4d87efae357e022557ac0d57a7ce0e8f8d31aa3f350badd9bab72f9c350badd9bab72f9c X-Originating-IP: 204.210.76.215 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Yup. The caterers evidently deal with such situations not infrequently. I'll try to remember to incorporate that information into Update #1. Cheers, Barry P.S.: Am I right in claiming you as a New Hampshire resident in the cast lists, David? I see that you're providing transportation from Manchester, and I like to emphasize the farflungness of our participation, but I wouldn't want to misrepresent ... ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Wednesday, September 01, 2004 1:15 PM Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement > > Hi Barry. > > Are there alternative menu choices for people who don't/can't eat > lobster? > > Thanks. > > -Dave Jedlinsky > opus@mit.edu  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 08:22:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i82CMMU3013562; Thu, 2 Sep 2004 08:22:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i82CMKYs023553 for ; Thu, 2 Sep 2004 08:22:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i82CLLTJ001378; Thu, 2 Sep 2004 08:21:21 -0400 (EDT) Date: Thu, 2 Sep 2004 08:21:21 -0400 (EDT) Message-Id: <001301c490e5$9802fe20$87d6403e@amd950> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Finished! At Last! Finished! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -2.743 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Sep 2004 08:21:21 -0400 (EDT) Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Finished! At Last! Finished! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.743 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 To Quote Bunthorne......Finished! At Last! Finished! I have now uploaded all my material for the 2004 International Gilbert & Sullivan Festival - Buxton. Everything went well until - you have guessed it - the last page - when I did something silly - I know not what - but all the top navigation bars were duplicated and it looked a right mess. Still after a few hours sorting out I think it is now even clearer than before. If you do spot any errors, or remember any songs or names, then please email the details to me. I hope you enjoy the site and remember if you want any of the photos (I may have more of a similar nature as well because I took over 700!) then I can send them to you at a much higher resolution and a larger size (everything is made smaller and compressed for the web). Cheers David www.savoyopera.co.uk  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 08:49:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i82CnqU3028215; Thu, 2 Sep 2004 08:49:52 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i82Cnmh1003940 for ; Thu, 2 Sep 2004 08:49:49 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1C2r2C-0007OS-00; Thu, 02 Sep 2004 08:49:48 -0400 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" , , Subject: RE: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Date: Thu, 2 Sep 2004 08:49:17 -0400 Message-ID: <002601c490eb$4278bde0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <200409011937.i81JbDH5001361@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" , , Subject: RE: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Date: Thu, 2 Sep 2004 08:49:17 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <200409011937.i81JbDH5001361@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 That is good to hear. Regarding your previous message: I'd prefer to head back to your house in the evening, unless we can find an ultra-cheap hotel room. My trip to Buxton pretty much bankrupted me... ouch. Now, I found a flight that arrives in Manchester on Friday night at 10:30 pm and another that departs on Sunday at 2:30 pm. Would this be okay with your schedule? (Ie, would you mind picking us up and dropping us off at those times?) If so, I will go ahead and book those tickets. Thanks and talk to you soon! Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, September 01, 2004 3:37 PM To: rebecca@hains.net; yestismabel@aol.com; tylerh@rewardforloyalty.com Subject: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Barry has an alternative menu; wait for the first update he's going to send. -Dave ------- Start of forwarded message ------- From: "barryhilton" To: "David C. Jedlinsky" Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement Date: Wed, 1 Sep 2004 14:49:08 -0400 Yup. The caterers evidently deal with such situations not infrequently. I'll try to remember to incorporate that information into Update #1. Cheers, Barry - ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Wednesday, September 01, 2004 1:15 PM Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement > > Hi Barry. > > Are there alternative menu choices for people who don't/can't eat > lobster? > > Thanks. > > -Dave Jedlinsky > opus@mit.edu ------- End of forwarded message -------  1, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 09:48:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i82Dm9UP023337; Thu, 2 Sep 2004 09:48:55 -0400 (EDT) Received: from mail04.southwest.com (mktftp02.southwest.com [63.169.44.162]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i82Dk9h1011832 for ; Thu, 2 Sep 2004 09:46:09 -0400 (EDT) Date: Thu, 2 Sep 2004 08:46:09 -0500 From: "Southwest Airlines" To: Reply-To: "Southwest Airlines" Subject: Ticketless Travel Passenger Itinerary Message-ID: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Sep 2004 08:46:09 -0500 From: "Southwest Airlines" To: Reply-To: "Southwest Airlines" Subject: Ticketless Travel Passenger Itinerary X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 **************************************************************** This e-mail contains Southwest Airlines Ticketless Travel information and is being sent to you at the request of the Purchaser, Passenger, or individual responsible for arranging this air travel. ********************* CONFIRMATION NUMBER ********************** RV56W7 Important: Please provide confirmation number and positive I.D. to receive a boarding pass for your flight. Snack Service: If your total flight itinerary includes a series of flights that each are less than two hours in duration, you will be served peanuts/pretzels on each flight segment. If your itinerary includes any nonstop flight longer than two hours, you will be served a packaged snack on that flight segment. Southwest Airlines does not serve sandwiches or meals, however, you may bring something to eat on board. ************************* PASSENGER(S) ************************* REBECCA HAINS LEWIS TYLER HAINS ************************** ITINERARY *************************** Friday, October 22 - Philadelphia(PHL) to Manchester(MHT) Flight 2116 Depart Philadelphia(PHL) at 09:15 PM and arrive in Manchester(MHT) at 10:30 PM Sunday, October 24 - Manchester(MHT) to Philadelphia(PHL) Flight 1539 Depart Manchester(MHT) at 02:30 PM and arrive in Philadelphia(PHL) at 03:50 PM Thank you for purchasing Southwest Airlines Ticketless Travel. For questions or changes concerning your reservation, call 1-800-I-FLY-SWA (1-800-435-9792). This is an itinerary only and is not considered a receipt. *See Southwest Airlines Checkin Requirements, Refund Information, and Conditions of Contract below. ************************ CLICK 'N SAVE ************************* Subscribe at www.southwest.com/email to receive email notice of the lowest one-way fares available only on southwest.com ********************* CHECKIN REQUIREMENTS ********************* Southwest Airlines Ticketless Travel is nontransferable. Positive identification is required at time of checkin. 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Please do not attempt to respond to this message.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 14:26:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i82IQpU5010453; Thu, 2 Sep 2004 14:26:56 -0400 (EDT) Received: from cardinal.mail.pas.earthlink.net (cardinal.mail.pas.earthlink.net [207.217.121.226]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i82IPdU5010751 for ; Thu, 2 Sep 2004 14:25:39 -0400 (EDT) Received: from gonzo.psp.pas.earthlink.net ([207.217.78.242]) by cardinal.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1C2wHC-0007iw-00; Thu, 02 Sep 2004 11:25:38 -0700 Message-ID: <32292929.1094149538282.JavaMail.root@gonzo.psp.pas.earthlink.net> Date: Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" , rebecca@hains.net Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Cc: yestismabel@aol.com, tylerh@rewardforloyalty.com, yestismabel@earthlink.net Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" , rebecca@hains.net Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Cc: yestismabel@aol.com, tylerh@rewardforloyalty.com, yestismabel@earthlink.net X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 HI guys! I prefer my AOL address.....the earthlink one is only going to be good until December, when I'm changing it to Yahoo. But AOL will be good for at least another year, so it's safer to use. I'll try to see if I can get flight times similar to Rebecca/Tyler, so you can pick us all up at the same time. And about the hotel, I don't have a preference. If we are driving back late that night, and R/T are staying with you guys overnight, then I'm assuming you're extending that offer to me, too.....are you? If not, I'll need to get a room. Let me know. btw, if things go the way they did last time, don't be surprised not to see me online for at least Saturday thru Monday, and of course, you won't be able to reach me, either. I'm assuming the power will go out. Elise -----Original Message----- From: "David C. Jedlinsky" Sent: Sep 2, 2004 9:22 AM To: rebecca@hains.net Cc: yestismabel@aol.com, tylerh@rewardforloyalty.com, yestismabel@earthlink.net Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Book the flight. It fits in perfectly with my evil plans, mua ha ha! Um, did I say that out loud? Anyway, we can hear from Elise about hotel preferences and then decide. Dinner is "scheduled" to end around 8:30, so with hanging out with people and what not, plan on getting home around midnight or later if we don't stay. Hotels are all going to be at least $70, and probably higher. Elise, should we use your aol or earthlink address? -Dave >From: "Rebecca Consentino Hains" >Date: Thu, 2 Sep 2004 08:49:17 -0400 > >That is good to hear. > >Regarding your previous message: I'd prefer to head back to your house >in the evening, unless we can find an ultra-cheap hotel room. My trip to >Buxton pretty much bankrupted me... ouch. > >Now, I found a flight that arrives in Manchester on Friday night at >10:30 pm and another that departs on Sunday at 2:30 pm. Would this be >okay with your schedule? (Ie, would you mind picking us up and dropping >us off at those times?) If so, I will go ahead and book those tickets. > >Thanks and talk to you soon! > >Becca > > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Wednesday, September 01, 2004 3:37 PM >To: rebecca@hains.net; yestismabel@aol.com; tylerh@rewardforloyalty.com >Subject: [barryhilton@earthlink.net: Re: 23 October G&S singalong in >Brunswick, Maine -- First Official Announcement] > > >Barry has an alternative menu; wait for the first update he's going to >send. > >-Dave > > >------- Start of forwarded message ------- >From: "barryhilton" >To: "David C. Jedlinsky" >Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >Official Announcement >Date: Wed, 1 Sep 2004 14:49:08 -0400 > >Yup. The caterers evidently deal with such situations not infrequently. >I'll try to remember to incorporate that information into Update #1. > >Cheers, > >Barry > > >- ----- Original Message ----- >From: "David C. Jedlinsky" >To: >Sent: Wednesday, September 01, 2004 1:15 PM >Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >Official >Announcement > > >> >> Hi Barry. >> >> Are there alternative menu choices for people who don't/can't eat >> lobster? >> >> Thanks. >> >> -Dave Jedlinsky >> opus@mit.edu >------- End of forwarded message ------- > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 17:44:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i82LhwU3014475; Thu, 2 Sep 2004 17:43:59 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i82LhtIG005668; Thu, 2 Sep 2004 17:43:55 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i82LhsJU013566; Thu, 2 Sep 2004 17:43:54 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i82Lhrqh024355; Thu, 2 Sep 2004 17:43:53 -0400 (EDT) Date: Thu, 2 Sep 2004 17:43:53 -0400 (EDT) Message-Id: <200409022143.i82Lhrqh024355@multics.mit.edu> From: "David C. Jedlinsky" To: yestismabel@aol.com CC: rebecca@hains.net, tylerh@rewardforloyalty.com, yestismabel@earthlink.net In-reply-to: <32292929.1094149538282.JavaMail.root@gonzo.psp.pas.earthlink.net> (message from Elise Curran on Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00)) Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] References: <32292929.1094149538282.JavaMail.root@gonzo.psp.pas.earthlink.net> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Sep 2004 17:43:53 -0400 (EDT) From: "David C. Jedlinsky" To: yestismabel@aol.com CC: rebecca@hains.net, tylerh@rewardforloyalty.com, yestismabel@earthlink.net In-reply-to: <32292929.1094149538282.JavaMail.root@gonzo.psp.pas.earthlink.net> (message from Elise Curran on Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00)) Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Elise, I love how you "prefer your AOL address", but you replied from the earthlink one! :-) Of course I'm extending the overnight offer to you, too. I did mention in an earlier email that we have a cat; let me know if that's a problem, and we'll play the sleeping quarters shuffle. Why don't we plan on skipping the hotel, and just driving back. I'll be good to drive as long as we leave by 9:30-10:00 that night. Judging from the fact I couldn't reach my sister for over a week, even on her cell phone, means I won't be surprised at your absence. Just worried until you tell us everything's fine. -Dave >Date: Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00) >From: Elise Curran > >HI guys! > >I prefer my AOL address.....the earthlink one is only going to be >good until December, when I'm changing it to Yahoo. But AOL will >be good for at least another year, so it's safer to use. > >I'll try to see if I can get flight times similar to Rebecca/Tyler, so >you can pick us all up at the same time. And about the hotel, I don't >have a preference. If we are driving back late that night, and R/T >are staying with you guys overnight, then I'm assuming you're extending >that offer to me, too.....are you? If not, I'll need to get a room. > >Let me know. btw, if things go the way they did last time, don't be surprised >not to see me online for at least Saturday thru Monday, and of course, you won't >be able to reach me, either. I'm assuming the power will go out. > >Elise > >-----Original Message----- >From: "David C. Jedlinsky" >Sent: Sep 2, 2004 9:22 AM >To: rebecca@hains.net >Cc: yestismabel@aol.com, tylerh@rewardforloyalty.com, yestismabel@earthlink.net >Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] > > >Book the flight. It fits in perfectly with my evil plans, mua ha ha! > >Um, did I say that out loud? > >Anyway, we can hear from Elise about hotel preferences and then >decide. Dinner is "scheduled" to end around 8:30, so with hanging out >with people and what not, plan on getting home around midnight or >later if we don't stay. Hotels are all going to be at least $70, and >probably higher. > >Elise, should we use your aol or earthlink address? > >-Dave > > >>From: "Rebecca Consentino Hains" >>Date: Thu, 2 Sep 2004 08:49:17 -0400 >> >>That is good to hear. >> >>Regarding your previous message: I'd prefer to head back to your house >>in the evening, unless we can find an ultra-cheap hotel room. My trip to >>Buxton pretty much bankrupted me... ouch. >> >>Now, I found a flight that arrives in Manchester on Friday night at >>10:30 pm and another that departs on Sunday at 2:30 pm. Would this be >>okay with your schedule? (Ie, would you mind picking us up and dropping >>us off at those times?) If so, I will go ahead and book those tickets. >> >>Thanks and talk to you soon! >> >>Becca >> >> >>-----Original Message----- >>From: David C. Jedlinsky [mailto:opus@MIT.EDU] >>Sent: Wednesday, September 01, 2004 3:37 PM >>To: rebecca@hains.net; yestismabel@aol.com; tylerh@rewardforloyalty.com >>Subject: [barryhilton@earthlink.net: Re: 23 October G&S singalong in >>Brunswick, Maine -- First Official Announcement] >> >> >>Barry has an alternative menu; wait for the first update he's going to >>send. >> >>-Dave >> >> >>------- Start of forwarded message ------- >>From: "barryhilton" >>To: "David C. Jedlinsky" >>Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >>Official Announcement >>Date: Wed, 1 Sep 2004 14:49:08 -0400 >> >>Yup. The caterers evidently deal with such situations not infrequently. >>I'll try to remember to incorporate that information into Update #1. >> >>Cheers, >> >>Barry >> >> >>- ----- Original Message ----- >>From: "David C. Jedlinsky" >>To: >>Sent: Wednesday, September 01, 2004 1:15 PM >>Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >>Official >>Announcement >> >> >>> >>> Hi Barry. >>> >>> Are there alternative menu choices for people who don't/can't eat >>> lobster? >>> >>> Thanks. >>> >>> -Dave Jedlinsky >>> opus@mit.edu >>------- End of forwarded message ------- >> >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Sep 2004 18:37:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i82MbKU3003134; Thu, 2 Sep 2004 18:37:20 -0400 (EDT) Received: from harrier.mail.pas.earthlink.net (harrier.mail.pas.earthlink.net [207.217.120.12]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i82MaAVb017177 for ; Thu, 2 Sep 2004 18:36:11 -0400 (EDT) Received: from thecount.psp.pas.earthlink.net ([207.217.78.22]) by harrier.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1C30Be-0003sl-00 for opus@MIT.EDU; Thu, 02 Sep 2004 15:36:10 -0700 Message-ID: <32624910.1094164570435.JavaMail.root@thecount.psp.pas.earthlink.net> Date: Thu, 2 Sep 2004 18:36:09 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: Earthlink Zoo Mail 1.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Sep 2004 18:36:09 -0400 (GMT-04:00) From: Elise Curran Reply-To: Elise Curran To: "David C. Jedlinsky" Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Yes, I hoped you wouldn't notice that! I happened to check my earthlink account, and saw the mail there first, so..... Cats are no problem....I have one. ttyl Elise -----Original Message----- From: "David C. Jedlinsky" Sent: Sep 2, 2004 5:43 PM To: yestismabel@aol.com Cc: rebecca@hains.net, tylerh@rewardforloyalty.com, yestismabel@earthlink.net Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] Elise, I love how you "prefer your AOL address", but you replied from the earthlink one! :-) Of course I'm extending the overnight offer to you, too. I did mention in an earlier email that we have a cat; let me know if that's a problem, and we'll play the sleeping quarters shuffle. Why don't we plan on skipping the hotel, and just driving back. I'll be good to drive as long as we leave by 9:30-10:00 that night. Judging from the fact I couldn't reach my sister for over a week, even on her cell phone, means I won't be surprised at your absence. Just worried until you tell us everything's fine. -Dave >Date: Thu, 2 Sep 2004 14:25:37 -0400 (GMT-04:00) >From: Elise Curran > >HI guys! > >I prefer my AOL address.....the earthlink one is only going to be >good until December, when I'm changing it to Yahoo. But AOL will >be good for at least another year, so it's safer to use. > >I'll try to see if I can get flight times similar to Rebecca/Tyler, so >you can pick us all up at the same time. And about the hotel, I don't >have a preference. If we are driving back late that night, and R/T >are staying with you guys overnight, then I'm assuming you're extending >that offer to me, too.....are you? If not, I'll need to get a room. > >Let me know. btw, if things go the way they did last time, don't be surprised >not to see me online for at least Saturday thru Monday, and of course, you won't >be able to reach me, either. I'm assuming the power will go out. > >Elise > >-----Original Message----- >From: "David C. Jedlinsky" >Sent: Sep 2, 2004 9:22 AM >To: rebecca@hains.net >Cc: yestismabel@aol.com, tylerh@rewardforloyalty.com, yestismabel@earthlink.net >Subject: Re: [barryhilton@earthlink.net: Re: 23 October G&S singalong in Brunswick, Maine -- First Official Announcement] > > >Book the flight. It fits in perfectly with my evil plans, mua ha ha! > >Um, did I say that out loud? > >Anyway, we can hear from Elise about hotel preferences and then >decide. Dinner is "scheduled" to end around 8:30, so with hanging out >with people and what not, plan on getting home around midnight or >later if we don't stay. Hotels are all going to be at least $70, and >probably higher. > >Elise, should we use your aol or earthlink address? > >-Dave > > >>From: "Rebecca Consentino Hains" >>Date: Thu, 2 Sep 2004 08:49:17 -0400 >> >>That is good to hear. >> >>Regarding your previous message: I'd prefer to head back to your house >>in the evening, unless we can find an ultra-cheap hotel room. My trip to >>Buxton pretty much bankrupted me... ouch. >> >>Now, I found a flight that arrives in Manchester on Friday night at >>10:30 pm and another that departs on Sunday at 2:30 pm. Would this be >>okay with your schedule? (Ie, would you mind picking us up and dropping >>us off at those times?) If so, I will go ahead and book those tickets. >> >>Thanks and talk to you soon! >> >>Becca >> >> >>-----Original Message----- >>From: David C. Jedlinsky [mailto:opus@MIT.EDU] >>Sent: Wednesday, September 01, 2004 3:37 PM >>To: rebecca@hains.net; yestismabel@aol.com; tylerh@rewardforloyalty.com >>Subject: [barryhilton@earthlink.net: Re: 23 October G&S singalong in >>Brunswick, Maine -- First Official Announcement] >> >> >>Barry has an alternative menu; wait for the first update he's going to >>send. >> >>-Dave >> >> >>------- Start of forwarded message ------- >>From: "barryhilton" >>To: "David C. Jedlinsky" >>Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >>Official Announcement >>Date: Wed, 1 Sep 2004 14:49:08 -0400 >> >>Yup. The caterers evidently deal with such situations not infrequently. >>I'll try to remember to incorporate that information into Update #1. >> >>Cheers, >> >>Barry >> >> >>- ----- Original Message ----- >>From: "David C. Jedlinsky" >>To: >>Sent: Wednesday, September 01, 2004 1:15 PM >>Subject: Re: 23 October G&S singalong in Brunswick, Maine -- First >>Official >>Announcement >> >> >>> >>> Hi Barry. >>> >>> Are there alternative menu choices for people who don't/can't eat >>> lobster? >>> >>> Thanks. >>> >>> -Dave Jedlinsky >>> opus@mit.edu >>------- End of forwarded message ------- >> >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Sep 2004 01:47:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i835l3U3010455; Fri, 3 Sep 2004 01:47:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i835l2uv006974 for ; Fri, 3 Sep 2004 01:47:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i835kvTJ020418; Fri, 3 Sep 2004 01:46:57 -0400 (EDT) Date: Fri, 3 Sep 2004 01:46:57 -0400 (EDT) Message-Id: <1094189824.31997.203619311@webmail.messagingengine.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@fastmail.fm Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Plug: Thespis in Evanston, IL (north of Chicago), October 2004 Content-Disposition: inline Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset="ISO-8859-1" MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: MIME::Lite 1.5 (F2.72; T1.001; A1.62; B3.01; Q3.01) X-Spam-Score: -3.575 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Sep 2004 01:46:57 -0400 (EDT) Reply-To: giuseppe_palmieri@fastmail.fm Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Michaels" To: Multiple recipients of list SAVOYNET Subject: Plug: Thespis in Evanston, IL (north of Chicago), October 2004 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.575 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Yes, you read that right. Although I'm no longer in Chicago and have no connection to the production (thus this doesn't count as a "shameless plug", I guess), I'm still on the Savoy-Aires' mailing list, and received a flyer for the show in today's mail. Here's the details, directly from the flyer: ************ The Savoy-Aires' 40th Anniversary production: Thespis, or the Gods Grown Old with a new score by Kingsley Day. First Production with Orchestra! Friday, October 1 & 8, 7:30 pm Saturday, October 2 & 9, 7:30 pm Sunday, October 3 & 10, 3:00 pm Chute Auditorium 1400 Oakton St., Evanston, IL (between Asbury & Dodge) Musical Director: Dan Robinson Stage Director: Martha Adrienne Adults $20, $15 & $10 Children $15, $10 & $5 All seats reserved Tickets (847)251-8767 *************** Although I'm not familiar with Kingsley Day's setting, it was apparently performed previously with piano accompaniment, as the flyer also contains a column of critical raves about the score. A few examples: "Day has written and arranged music that would do credit to the master himself." - Richard Christiansen, Chicago Tribune "A brilliant reconstruction! A rollicking success, a latter-day wonder that's true to the spirit of Sullivan." - Lawrence Bommer, Chiago Reader/Chicago Free Press "The composer is obviously a Savoyard honors student!" - Glenna Syse, Chicago Sun-Times Kingsley Day, who has been performing patter roles with the Savoy-Aires over the past several years and has also served on the company's board, composed several musical theatre works in the 1980's with book writer & lyricist partner Philip LaZebnik (sp?), most notably SUMMER STOCK MURDER, which I saw a couple of times and found to be a delightful entertainment. I wish I could make it back to Chicago to see this production, but it would be quite impossible at this point. I suppose I'll have to inquire afterwards about getting a copy of the videotape. If any SavoyNetters wind up seeing the show, I'd be very interested in seeing reviews posted on S'Net - especially opinions of how the score measures up to the other existing reconstructions (Bruce Montgomery, etc.). If it's good, perhaps I could persuade one of the G&S groups out here to give it a shot. David Michaels Seattle, WA, USA giuseppe_palmieri@fastmail.fm "The lucid interval has expired."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Sep 2004 14:02:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i84I22U3020016; Sat, 4 Sep 2004 14:02:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i84I20AC029869 for ; Sat, 4 Sep 2004 14:02:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i84HvaTJ019938; Sat, 4 Sep 2004 13:57:36 -0400 (EDT) Date: Sat, 4 Sep 2004 13:57:36 -0400 (EDT) Message-Id: <413A019B.4040308@imperial.cc.ca.us> Errors-To: savoynet-owner@bridgewater.edu Reply-To: joel@imperial.cc.ca.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Joel Jacklich To: Multiple recipients of list SAVOYNET Subject: String Quartet arrangements of G&S overtures (shameless plug) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.464 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Sep 2004 13:57:36 -0400 (EDT) Reply-To: joel@imperial.cc.ca.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Joel Jacklich To: Multiple recipients of list SAVOYNET Subject: String Quartet arrangements of G&S overtures (shameless plug) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.464 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I long had a string quartet arrangement of the overture to "H.M.S. Pinafore" on the sibeliusmusic.com web site. I have since added the overtures to "The Mikado", "The Pirates of Penzance" and "Iolanthe". I also was asked to arrange the overture to "H.M.S. Pinafore" for flute, violin, cello trio, which is now also on the site. If one wishes to view and hear the scores, one needs to download and install the Sibelius "Scorch" plug-in. If one visits the sites below, without the "Scorch" plug-in installed, a blank rectangle will appear where the music should be. Just above that rectangle (on the right-hand side) there will be a link in red: "Can't see the music?". This link will take one to the free download site for the "Scorch" plug-in. Once installed, one can see, and hear the scores in question. String Quartet arrangement of "H.M.S. Pinafore" http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=21410 String Quartet arrangement of "The Pirates of Penzance" http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=52149 String Quartet arrangement of "The Mikado" http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=52376 String Quartet arrangement of "Iolanthe" http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=52568 Flute, Violin, Cello Trio arrangement of "H.M.S. Pinafore" http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=54578 -- Joel Jacklich, M.F.A. Professor of Music/Music Dept. Head: Imperial Valley College Music Director/Conductor: Imperial Valley Symphony Violin/Viola/Arranger: Imperial Valley String Quartet  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 06 Sep 2004 22:12:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i872ChH6011671; Mon, 6 Sep 2004 22:12:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i872CBGO015461 for ; Mon, 6 Sep 2004 22:12:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i872BZTJ016825; Mon, 6 Sep 2004 22:11:35 -0400 (EDT) Date: Mon, 6 Sep 2004 22:11:35 -0400 (EDT) Message-Id: <005501c4947d$ae8aeea0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: A mad thought MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 6 Sep 2004 22:11:35 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: A mad thought X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 A nifty tool to assist us in our Worldwide QWERT planning: http://www.timeanddate.com/worldclock/meeting.html Rebecca Hains Philadelphia, PA  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 07 Sep 2004 17:31:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i87LVvH4028756; Tue, 7 Sep 2004 17:31:57 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.203]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i87LVunb008745 for ; Tue, 7 Sep 2004 17:31:56 -0400 (EDT) Received: by mproxy.gmail.com with SMTP id 77so499344rnk for ; Tue, 07 Sep 2004 14:31:56 -0700 (PDT) Received: by 10.38.14.71 with SMTP id 71mr2263761rnn; Tue, 07 Sep 2004 14:31:55 -0700 (PDT) Received: by 10.38.74.45 with HTTP; Tue, 7 Sep 2004 14:31:55 -0700 (PDT) Message-ID: Date: Tue, 7 Sep 2004 14:31:55 -0700 From: SirRogue Reply-To: SirRogue To: Todd Radford , Nori Pritchard , Jamez Kirtley , Caitlin Marlow , "David C. Jedlinsky" , Edmund Golaski , Stephen Peters , Mark , Derek Herrera , jax.kirtley@verizon.net Subject: Reminder: SWME Saturday at 3pm Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 7 Sep 2004 14:31:55 -0700 From: SirRogue Reply-To: SirRogue To: Todd Radford , Nori Pritchard , Jamez Kirtley , Caitlin Marlow , "David C. Jedlinsky" , Edmund Golaski , Stephen Peters , Mark , Derek Herrera , jax.kirtley@verizon.net Subject: Reminder: SWME Saturday at 3pm X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hey gang! Thank you all for responding and being willing to meet during my limited stay. Just to remind you, we'll be meeting this Saturday, Sept. 11 at 3pm in the MTG office to chat about the past, present, and future of Star Wars: Musical Edition and get your feedback on some particular points. I look forward to seeing you this weekend (if not before)! ~Rogue  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 07 Sep 2004 19:34:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i87NYGH4013894; Tue, 7 Sep 2004 19:34:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i87NYFSU027773 for ; Tue, 7 Sep 2004 19:34:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i87NXWTJ002201; Tue, 7 Sep 2004 19:33:32 -0400 (EDT) Date: Tue, 7 Sep 2004 19:33:32 -0400 (EDT) Message-Id: <6.1.2.0.0.20040908000915.01bd5f20@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: (On Topic - Really!) Isaac Asimov on Science Fiction Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 7 Sep 2004 19:33:32 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: (On Topic - Really!) Isaac Asimov on Science Fiction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 One of several Gilbert and Sullivan filks in Asimov's Short Story collection "The Earth is Room Enough" The Foundation of S.F. Success (with apologies to W.S.Gilbert) If you ask me how to shine in the science-fiction line as a pro of luster bright, I say, practice up the lingo of the sciences, by jingo (never mind if not quite right) You must talk of Space and Galaxies and tesseractic fallacies in slick and mystic style, Though the fans won't understand it, they will all the same demand it with a softly hopeful smile. And all the fans will say, As you walk your spatial way, If that young man indulges in flights through all the Galaxy, Why, what a most imaginative type of man that type of man must be. So success is not a mystery, just brush up on your history, and borrow day by day. Take an Empire that was Roman and you'll find it is at home in all the starry Milky Way. With a dive that's hyperspatial, through the parsecs you will race, you'll find that plotting is a breeze, With a tiny but of cribbin' from the works of Edward Gibbon and that Greek, Thucydides. And all the fans will say, As you walk your thoughtful way, If that young man involves himself in authentic history, Why, what a very learnéd kind of high IQ, his high IQ must be. Then, eschew all thoughts of passion of a man and woman fashion from your hero's thoughtful mind. He must spend his time on politics, and thinking up his shady tricks, and outside that he's blind. It's enough he's had a mother, other females are a bother, though they're jeweled and glistery. Thy'll just distract his dreaming and his necessary scheming with that psychohistory. And all the fans will say As you walk your narrow way, If all his yarns restrict themselves to masculinity, Why, what a most particularly pure young man that pure young man must be. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 12:49:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i88GmCHQ016284; Wed, 8 Sep 2004 12:49:18 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i88Ghqld011670 for ; Wed, 8 Sep 2004 12:43:52 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1C55Xz-0000cO-01 for opus@MIT.EDU; Wed, 08 Sep 2004 12:43:51 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" , "'Ruth Jedlinsky'" Subject: Oct 23 QWERT Date: Wed, 8 Sep 2004 12:42:41 -0400 Message-ID: <008801c495c2$dc285000$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0089_01C495A1.5516B000" X-Priority: 1 (Highest) X-MSMail-Priority: High X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: High X-MS-TNEF-Correlator: 000000003AD242CEE5F04E45996FB334BD469A4AE4E44100 X-Spam-Score: -3.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" , "'Ruth Jedlinsky'" Subject: Oct 23 QWERT Date: Wed, 8 Sep 2004 12:42:41 -0400 X-Priority: 1 (Highest) X-MSMail-Priority: High X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: High X-MS-TNEF-Correlator: 000000003AD242CEE5F04E45996FB334BD469A4AE4E44100 X-Spam-Score: -3.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This is a multi-part message in MIME format. ------=_NextPart_000_0089_01C495A1.5516B000 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dave & Ruth- Amy Allen (gasp!) is now tentatively planning to come to Barry's QWERT. She asked what hotel we're all staying in so she could stay with us, 'cept of course we're not staying in a hotel. What cars are you driving nowadays? Is there any way for you two, me and Tyler, Elise, and Amy to all drive comfortably together to Maine? 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Hains" To: "'Ruth Jedlinsky'" Cc: "'David C. Jedlinsky'" Subject: RE: Oct 23 QWERT Date: Wed, 8 Sep 2004 12:48:59 -0400 Message-ID: <00a301c495c3$bd3e8910$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00A4_01C495A2.362CE910" X-Priority: 1 (Highest) X-MSMail-Priority: High X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <9E5B8550-01B6-11D9-8E6F-003065AFF06A@dimins.com> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: High X-Spam-Score: -2.782 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'Ruth Jedlinsky'" Cc: "'David C. Jedlinsky'" Subject: RE: Oct 23 QWERT Date: Wed, 8 Sep 2004 12:48:59 -0400 X-Priority: 1 (Highest) X-MSMail-Priority: High In-Reply-To: <9E5B8550-01B6-11D9-8E6F-003065AFF06A@dimins.com> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: High X-Spam-Score: -2.782 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This is a multi-part message in MIME format. ------=_NextPart_000_00A4_01C495A2.362CE910 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hi Ruth, What email address should I use in the future? I don't have an alternate on file for you. And. so. if your largest car seats 4 comfortably, how are the five of us (you, dave, me, tyler and elise) getting to Barry's on Oct 23??? Hmmm Becca -----Original Message----- From: Ruth Jedlinsky [mailto:rls@dimins.com] Sent: Wednesday, September 08, 2004 12:46 PM To: Rebecca C. Hains Cc: 'David C. Jedlinsky' Subject: Re: Oct 23 QWERT Hi Becca, Same old cars. Our largest car only seats 4 comfortably and shoe horning 5 in for a short ride is still uncomfortable. We tried it on July 4th and I have a very uncomfortable memory of it. =-( Also, please don't send email to me at rls@dimins.com anymore. Today is my last day at this company so I won't receive your messages if you send them here. Ruth On Wednesday, September 8, 2004, at 12:42 PM, Rebecca C. Hains wrote: Dave & Ruth- Amy Allen (gasp!) is now tentatively planning to come to Barry's QWERT. She asked what hotel we're all staying in so she could stay with us, 'cept of course we're not staying in a hotel. What cars are you driving nowadays? Is there any way for you two, me and Tyler, Elise, and Amy to all drive comfortably together toMaine? Becca ------=_NextPart_000_00A4_01C495A2.362CE910 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hi Ruth,

 

What email address should I use in = the future? I don’t have an alternate on file for = you.

 

And… so… if your = largest car seats 4 comfortably, how are the five of us (you, dave, me, tyler and elise) = getting to Barry’s on Oct 23???

 

Hmmm

 

Becca

 

-----Original = Message-----
From: Ruth = Jedlinsky [mailto:rls@dimins.com]
Sent: Wednesday, September 08, 2004 12:46 = PM
To: Rebecca C. Hains
Cc: 'David C. Jedlinsky'
Subject: Re: Oct 23 = QWERT

 

Hi Becca,

Same old cars. Our largest car only seats 4 comfortably and shoe horning = 5 in for a short ride is still uncomfortable. We tried it on July 4th and I = have a very uncomfortable memory of it. =3D-(

Also, please don't send email to me at rls@dimins.com anymore. Today is = my last day at this company so I won't receive your messages if you send them = here.

Ruth

On Wednesday, September 8, 2004, at 12:42 PM, Rebecca C. Hains = wrote:

Dave & Ruth-

 

Amy Allen = (gasp!) is now tentatively planning to come to Barry’s QWERT. She asked = what hotel we’re all staying in so she could stay with us, ‘cept of = course we’re not staying in a hotel.

 

What cars are you driving nowadays? = Is there any way for you two, me and Tyler, Elise, and Amy to all drive comfortably together toMaine?

 

Becca

 

------=_NextPart_000_00A4_01C495A2.362CE910--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 15:50:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i88JnFHO002676; Wed, 8 Sep 2004 15:50:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i88JOw7C002798 for ; Wed, 8 Sep 2004 15:24:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i88JO3TJ014427; Wed, 8 Sep 2004 15:24:03 -0400 (EDT) Date: Wed, 8 Sep 2004 15:24:03 -0400 (EDT) Message-Id: <003401c495d9$6207b290$6401a8c0@davidnv57r8707> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Fw: G & S Concert (Nash, Shovelton, et al) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -3.407 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Sep 2004 15:24:03 -0400 (EDT) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Fw: G & S Concert (Nash, Shovelton, et al) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.407 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Those planning to be in New England in October may wish to consider this concert. Those who remember the D'Oyly Carte of the 1970s may be interested to know that Royston Nash has been conductor of Cape Symphony Orchestra for 25 (gasp) years. David Stone Fairfax, Virginia ----- Original Message ----- From: Eileen Tata To: jmfarron@sitestar.net ; pnh@dsl.pipex.com ; dstone4@cox.net Sent: Wednesday, September 08, 2004 2:31 PM Subject: G & S Concert Cape Symphony Orchestra presents: Gilbert and Sullivan & Nash Saturday October 9 at 8:00 PM Sunday October 10 at 3:00 PM BHS Performing Arts Center 744 West Main Street Hyannis, MA Tickets: $26 - $53 Groups receive 20% off!! Royston Nash, Conductor and Music Director of the CSO, was famous early in his career as the conductor of the great D'Oyly Carte Opera Company. Tenor Geoffrey Shovelton, soprano Deborah Clague and baritone Richard Conrad join us to bring you the often colourful, wonderfully witty, delightfully nonsensical and exceedingly funny music and lyrics of Arthur Sullivan and William S. Gilbert "Never mind the why and wherefore. Just be there!" www.capesymphony.org Eileen A. Tata Box Office Administrator Cape Symphony Orchestra 508.362.1111 X100 etata@capesymphony.org  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 16:27:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i88KRQH4025453; Wed, 8 Sep 2004 16:27:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i88KR6ZT012231 for ; Wed, 8 Sep 2004 16:27:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i88KQ2TJ016513; Wed, 8 Sep 2004 16:26:03 -0400 (EDT) Date: Wed, 8 Sep 2004 16:26:02 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: atmsteve@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Steve Andrews" To: Multiple recipients of list SAVOYNET Subject: RE: Savoy-Aires (IL) Thespis Correction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1094626521.5778.203911789@webmail.messagingengine.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: -3.691 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Sep 2004 16:26:02 -0400 (EDT) Reply-To: atmsteve@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Steve Andrews" To: Multiple recipients of list SAVOYNET Subject: RE: Savoy-Aires (IL) Thespis Correction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1094626521.5778.203911789@webmail.messagingengine.com> X-Spam-Score: -3.691 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 My old friend David, whose roles at Savoyaires I've seemingly inherited, is doing Yeoman duty in helping us publicize these first orchestrated performances of Kingsley Day's Thespis score. I wanted to report that after three weeks of rehersal, I'm very excited - this score is amazingly idiomatic though wholly original (except for the surviving pieces - "Climbing" and "Maid of Arcady"); and very singable. We're hoping to see many SavoyNet members during the run, as you consider the possibility of performing this version. Let us know if we can do anything to help you with tickets or housing.... Finally, there's at least one line in the show that is worthy of SavoyNet discussion - at least it has provoked much continuing discussion as to the way it should be understood and read: After the agreement between the God's and Thespis in Act 1 ("So that's arranged") there is this brief exchange which leads directly to the finale: Mercury: Here come your people! Thespis: People better now. If anyone understands the Thespis line, or even has inflection suggestions, we'd love the help. (Henry Odum, our Thespis, is threatening, barring additional help, a different line reading every performance.....) Thanks Steve Andrews (Jupiter for the nonce) -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of David Michaels Sent: Wednesday, September 08, 2004 2:08 AM To: Multiple recipients of list SAVOYNET Subject: Savoy-Aires (IL) Thespis Correction I'm back from a long weekend trip and just finished reading through my accumulated messages. Among them I found a message from Kingsley Day, which provides the following correction to the information in the Thespis flyer: > Thanks for posting the Thespis info on the Web! If you get a chance, > you might update the data in one respect; because Martha had surgery in > early August (after the flyer had gone to press), we had to find a new > stage director, namely Terry McCabe, who's directed professionally all > over Chicago, off-Broadway, Edinburgh Fringe Festival, etc. The Martha in question is original director Martha Adrienne, who has worked with several times both as a fellow actor (she was Katisha to my Mikado with PARIGASS) and as a director. My best wishes to Martha for a speedy recovery. David Michaels Seattle, WA, USA giuseppe_palmieri@fastmail.fm "The lucid interval has expired."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 17:41:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i88LeuHC004324; Wed, 8 Sep 2004 17:41:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i88LSdcZ026339 for ; Wed, 8 Sep 2004 17:28:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i88LRsTJ017711; Wed, 8 Sep 2004 17:27:54 -0400 (EDT) Date: Wed, 8 Sep 2004 17:27:54 -0400 (EDT) Message-Id: <9E718D142619D511AD7100A02462211012EEDD13@CHIUTILD> Errors-To: savoynet-owner@bridgewater.edu Reply-To: odumh@ada.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Odum, Henry M." To: Multiple recipients of list SAVOYNET Subject: RE: Savoy-Aires (IL) Thespis Correction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Sep 2004 17:27:54 -0400 (EDT) Reply-To: odumh@ada.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Odum, Henry M." To: Multiple recipients of list SAVOYNET Subject: RE: Savoy-Aires (IL) Thespis Correction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 If interested, the link to the Savoy-Aires is www.savoyaires.org/thespis.htm Also, if interested, below is the first section of Kinglsey Day's preface to the score. henry o "Pary Productions is doing Thespis and they don't have a score. You should talk to them." That tip from Chicago theatre critic Jonathan Abarbanel late in 1981 should have raised an obvious question: Why would anyone schedule a production of Thespis without knowing what to use for a score? But when I took Jonathan's advice and approached Pary-a small not-for-profit theatre company, now long-since defunct-I probably thought it impolitic to ask. Of course I knew about Thespis-Gilbert and Sullivan's first collaboration-and its famously missing score. And I knew that others had composed new music for it or had arranged other Sullivan music to fit the surviving libretto. I had never felt any burning desire to write my own Thespis score, but I had already composed several musicals that had been successfully produced in Chicago, and as a Gilbert and Sullivan fanatic I knew most of their operettas backwards and forwards. So I figured that if anyone's new version of Thespis was getting a Chicago production, it might as well be mine. The folks at Pary agreed, and I was off and running. Auditions were only a month away, so I wrote my version of the score about as quickly as Sullivan wrote the original. I intentionally followed Sullivan's typical practice of starting at the beginning of Act II, continuing to the end, and then going back to the top of Act I. I unintentionally followed Sullivan's practice of initially writing out only the vocal parts, and for the same reason he did-so that rehearsals could get started while the accompaniment was still being notated. Then I wrote out a piano accompaniment, but no piano-vocal score. Thespis opened at Theatre Building Chicago on March 18, 1982, in a chamber production-with piano accompaniment and a cast of 13 playing the 16 named roles, so with neither chorus nor orchestra. The following year a short-lived Chicago group that performed all 14 Gilbert and Sullivan operettas in one season used my score for its opening double bill of Thespis and Trial by Jury, accompanied by piano and a few random instruments. The score also attracted interest from other light opera companies, but they were reluctant to schedule the show until it was orchestrated, and I was reluctant to undertake so mammoth a project without a guarantee that the result would actually get produced. Lost in this catch-22, the score languished for two decades. In 1998 I became involved with the Savoyaires, a Gilbert and Sullivan troupe of long standing based in Evanston, Illinois. It was that group's decision to present my version of Thespis in fall 2004 as the company's 40th annual production that has given the score a new lease on life."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 19:37:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i88NbqH8020476; Wed, 8 Sep 2004 19:37:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i88NZZen009268 for ; Wed, 8 Sep 2004 19:35:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i88NYxTJ019718; Wed, 8 Sep 2004 19:34:59 -0400 (EDT) Date: Wed, 8 Sep 2004 19:34:59 -0400 (EDT) Message-Id: <20040908231743.1288.qmail@web14525.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: RE: Sensation Novel MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.195 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Sep 2004 19:34:59 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: RE: Sensation Novel X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.195 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 > >Andrew Lloyd-Webber is about to open a new musical, "The > Woman in White," > >based on Wilkie Collins's mid-19th-century "sensation novel," > which is > >currently in previews. Does anyone know whether it seems to > borrow from > >Gilbert's work? > I apologize in advance is this is something that everyone knows, but it's possible that some may not. The sensation novel is a genre of literature, the heyday of which was the 1860s. There were a number of novelists writing these at the time; Wilkie Collins is the one whose work is probably best known today. They gave rise to various kinds of modern thrillers, murder mysteries, detective stories, and several other types of spiritual descendants in popular literature. Anyone who is interested in learning more about the genre as a whole, I suggest a search at www.google.com, using the term, in quotation marks, "sensation novel". The first few items will be references to Gilbert's work, but continue on down the list and there is a considerable amount of information about the genre and specific books that fell within it. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Sep 2004 21:56:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i891uJH4007398; Wed, 8 Sep 2004 21:56:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i891uIen006377 for ; Wed, 8 Sep 2004 21:56:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i891tgTJ021113; Wed, 8 Sep 2004 21:55:42 -0400 (EDT) Date: Wed, 8 Sep 2004 21:55:42 -0400 (EDT) Message-Id: <5b71889a04090818401bb86925@mail.gmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: purpuraria@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Lydia Haile To: Multiple recipients of list SAVOYNET Subject: Pirates/SavoyNet Dinner pictures and movies Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Sep 2004 21:55:42 -0400 (EDT) Reply-To: purpuraria@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Lydia Haile To: Multiple recipients of list SAVOYNET Subject: Pirates/SavoyNet Dinner pictures and movies X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Well, it's now almost a month since the SavoyNet show. So, in honor of the one month anniversary, here are pictures and movies. First of all, here are selected pictures: http://homepage.mac.com/nikandre/PhotoAlbum35.html And here are movies of the SavoyNet dinner: http://homepage.mac.com/nikandre/iMovieTheater38.html http://homepage.mac.com/nikandre/iMovieTheater39.html http://homepage.mac.com/nikandre/iMovieTheater40.html http://homepage.mac.com/nikandre/iMovieTheater41.html I'll be taking the movies down on the sixteenth, but the pictures should stay up more or less indefinitely. I just want to say what a wonderful time I had in the show. I also really want to thank the Duffeys for their hard work; sharing an apartment with them, I got to see how many hours they were putting into making things go so smoothly. I'm still in awe of how much Herr Direktor was able to get us all to do in so little time (people I've told about this never are quite able to believe we got an entire show going in so little time) and I have such fond memories of the wonderful tea tray and lunches. (I think I'm going to be trying to find a recipe for pasties for lunches this winter). I miss all of it so much. -Lydia  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Sep 2004 13:48:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i89Hm0Cj026837; Thu, 9 Sep 2004 13:48:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i89Hfigv021538 for ; Thu, 9 Sep 2004 13:41:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i89Hf1TJ029935; Thu, 9 Sep 2004 13:41:01 -0400 (EDT) Date: Thu, 9 Sep 2004 13:41:01 -0400 (EDT) Message-Id: <20040909172624.EVCA28208.tomts15-srv.bellnexxia.net@mxmta.bellnexxia.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: To: Multiple recipients of list SAVOYNET Subject: Re: lyric help MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Openwave WebEngine, version 2.8.6.6 (webedge20-101-174-112-20020617)" X-Spam-Score: -3.936 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 9 Sep 2004 13:41:01 -0400 (EDT) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: To: Multiple recipients of list SAVOYNET Subject: Re: lyric help X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.936 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 A meagre attempt: When a copper is engaged in his employment He leaves with you the holidays to plan But his shoptalk seems to be his sole enjoyment And he never really got on with your clan Still he never shows you much appreciation And he never really seems to have much fun Unless the hotel's by a police station A policeman's wife is not a happy one Ah, when the homemaker has duties to be done, to be done, A policeman's wife is not a happy one. Happy one. When he says the sergeant keeps him late for dinner And his pay does not reflect the extra time And he really isn't getting any thinner You suspect that he's not really fighting crime Then you find his sergeant's name is Elspeth Cruther And his work now seems to be a lot more fun So you pack your bags to go home to your mother A policeman's wife is not a happy one Ah, when a homemaker has duties to be done, to be done, A policeman's wife is not a happy one. Happy one. Hmmmmmmmm. I'm actually going to post this... cheers, Ori Bobby Hill: "Hey Ma, what's a K-nish?" Peggy Hill: "It's pronounced 'nish', dear. The 'K' is silent."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Sep 2004 18:15:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i89MFeCj028618; Thu, 9 Sep 2004 18:15:40 -0400 (EDT) Received: from tomts6-srv.bellnexxia.net (tomts6.bellnexxia.net [209.226.175.26]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i89MFd1W003368 for ; Thu, 9 Sep 2004 18:15:39 -0400 (EDT) Received: from mxmta.bellnexxia.net ([209.226.175.27]) by tomts6-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20040909221538.TPLO6954.tomts6-srv.bellnexxia.net@mxmta.bellnexxia.net>; Thu, 9 Sep 2004 18:15:38 -0400 X-Mailer: Openwave WebEngine, version 2.8.6.6 (webedge20-101-174-112-20020617)" From: To: "David C. Jedlinsky" Subject: Re: lyric help Date: Thu, 9 Sep 2004 18:15:38 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Message-Id: <20040909221538.TPLO6954.tomts6-srv.bellnexxia.net@mxmta.bellnexxia.net> X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: To: "David C. Jedlinsky" Subject: Re: lyric help Date: Thu, 9 Sep 2004 18:15:38 -0400 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 "Elspeth" because is sounds so damned British and "Cruther" for the rhyme! Perhaps not up to the "Bates Motel" piece, but a bit of fun anyway. BTW, I got the Triptiks off the AAA site but not after some experimentation to get a routing other than through Southern New England. To get the "direct" route, I first mapped Toronto to Sherbrooke then mapped Sherbrooke to Brunswick. It's all in there, you just have to know how to tickle it out! cheers, Ori Bobby Hill: "Hey Ma, what's a K-nish?" Peggy Hill: "It's pronounced 'nish', dear. The 'K' is silent."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Sep 2004 18:17:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i89MHQCj029313; Thu, 9 Sep 2004 18:17:26 -0400 (EDT) Received: from rwcrmhc12.comcast.net (rwcrmhc12.comcast.net [216.148.227.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i89MHC1W004850; Thu, 9 Sep 2004 18:17:12 -0400 (EDT) Received: from rwcrmhc12.comcast.net (localhost[127.0.0.1]) by comcast.net (rwcrmhc12) with ESMTP id <2004090922171101400lbk84e>; Thu, 9 Sep 2004 22:17:12 +0000 Received: from Kimmerie (h00045afd1c4c.ne.client2.attbi.com[24.218.38.236]) by comcast.net (rwcrmhc12) with SMTP id <2004090922120901400mboh0e>; Thu, 9 Sep 2004 22:12:17 +0000 X-Comment: AT&T Maillennium special handling code - c Message-ID: <069201c496b9$c6b8ea20$6501a8c0@Kimmerie> From: "Kimmerie H.O .Jones" To: Subject: news! Date: Thu, 9 Sep 2004 18:10:02 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Comment: AT&T Maillennium special handling code - c From: "Kimmerie H.O .Jones" To: Subject: news! Date: Thu, 9 Sep 2004 18:10:02 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2739.300 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 So you may have noticed I've been kinda incommunicado lately... my apologies to all the unanswered emails and other stuff that I've been supposed to do but have not done. but I have a good reason! I've been in bed throwing up pretty much since Arcadia closed - but hopefully in another few weeks that will stop. yes, I'm pregnant! we're due sometime in early April, so I guess I won't be doing the spring MTG show. (I have, however, already worked out babysitters for Star Wars) now we can take votes on whether we want to bring a mini-Brian or a mini-Kimmerie into the world.... (the mind reels!) hugs, Kimmerie  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Sep 2004 13:06:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8AH63aR006677; Fri, 10 Sep 2004 13:06:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8AH2wL2024807 for ; Fri, 10 Sep 2004 13:02:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8AH2DTJ015755; Fri, 10 Sep 2004 13:02:13 -0400 (EDT) Date: Fri, 10 Sep 2004 13:02:13 -0400 (EDT) Message-Id: <003b01c49757$5487c770$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: (On Topic - Really!) Isaac Asimov on Science Fiction MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Sep 2004 13:02:13 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: (On Topic - Really!) Isaac Asimov on Science Fiction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.096 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Given our recent discussions on limericks, I propose the following: At a performance of Pinafore, Having oft heard its great dinafore, The brash Issac Asimov Said with sarcasm, "Of *Course* you'd expect a new rhyme here. Stupid git!" Rebecca Hains Philadelphia, PA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Sep 2004 15:46:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8AJkMaT009864; Fri, 10 Sep 2004 15:46:27 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8AJjZMv028698; Fri, 10 Sep 2004 15:45:35 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) (authenticated bits=56) (User authenticated as nlgilman@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8AJjYqY017903 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Fri, 10 Sep 2004 15:45:34 -0400 (EDT) Received: (from nlgilman@localhost) by biohazard-cafe.mit.edu (8.12.9) id i8AJjYNc018512; Fri, 10 Sep 2004 15:45:34 -0400 (EDT) Date: Fri, 10 Sep 2004 15:45:34 -0400 (EDT) Message-Id: <200409101945.i8AJjYNc018512@biohazard-cafe.mit.edu> From: Nancy Louise Bigler Gilman To: nlgilman@mit.edu Subject: [Alfred.S.Gilman@ieee.org: Re: Louise Hutchins honored] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Sep 2004 15:45:34 -0400 (EDT) From: Nancy Louise Bigler Gilman To: nlgilman@mit.edu Subject: [Alfred.S.Gilman@ieee.org: Re: Louise Hutchins honored] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This is one of the great Aunts that I am named after. She has come up in discussions with some of you a couple times over the years so I thought some of you might be interested. Ed Gilman is Louise's younger sister and the original message is from his wife Priscilla. Nancy Louise :-) ------- Start of forwarded message ------- Date: Thu, 9 Sep 2004 17:51:54 -0400 From: Al Gilman More on this story, http://kentucky.gov/Newsroom/GOV_OFFICE/women%20remembered.htm with pictures at http://governor.ky.gov/Photos/Kentucky+Women+Remembered/ Al .. with a little help from my friends at Google, of course... At 9:21 PM -0400 9/8/04, Ed Priscilla Gilman wrote: >Dear Clan, > > For those of you who do not see the Berea College Magazine the following >quote in the issue which arrived in the mail today will surely be of great >interest. > > Gov. Ernie Fletcher and his wife, Glenna, recognized Dr. Louise >Gilman Hutchins, wife of former Berea College President Francis S. Hutchins, >at a ceremony March 5 aimed at remembering outstanding Kentucky women. A >physician and family planning pioneer in Eastern Kentucky, and founder of >Berea's Mountain Maternal Health League, Hutchins was one of four women >honored in portraits unveiled in the Capitol Rotunda in Frankfort. The >honorees were nominated by Kentucky citizens and selected by board members >from the Kentucky Commission on Women. Hutchins joins 42 others in the >Kentucky Women Remembered exhibit in the west wing of the State Capitol. > > How Louise's spirit and influence lives on! > >With love to all, Priscilla ------- End of forwarded message -------  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Sep 2004 22:15:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8B2FqaR026466; Fri, 10 Sep 2004 22:15:52 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8B2EVW9005571; Fri, 10 Sep 2004 22:14:32 -0400 (EDT) Received: from [18.238.6.8] (EASTCAMPUS-SEVEN-SEVENTY-FIVE.MIT.EDU [18.238.6.8]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8B2EVEq029382; Fri, 10 Sep 2004 22:14:31 -0400 (EDT) Mime-Version: 1.0 (Apple Message framework v619) Message-Id: <90F33FB6-0398-11D9-A078-00039359F2B2@mit.edu> Content-Type: multipart/alternative; boundary=Apple-Mail-34-597661653 To: theater@mit.edu, dramashop@mit.edu Subject: Cambridge U. students perform Shakespeare this week! From: Helen McCreery Date: Fri, 10 Sep 2004 22:16:18 -0400 X-Mailer: Apple Mail (2.619) X-Spam-Score: 0.694 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 To: theater@mit.edu, dramashop@mit.edu Subject: Cambridge U. students perform Shakespeare this week! From: Helen McCreery Date: Fri, 10 Sep 2004 22:16:18 -0400 X-Spam-Score: 0.694 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 --Apple-Mail-34-597661653 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed CAST (Cambridge University American Stage Tour) presents Shakespeare's As You Like It A group of students from Cambridge U. in England will be coming to MIT to perform Shakespeare's As You Like It in Kresge Little! Shakespeare... the way it was meant to be..... with British accents! Don't miss it! This Monday and Tuesday (the 13th and 14th) Kresge Little Theater 8:00pm --Apple-Mail-34-597661653 Content-Transfer-Encoding: 7bit Content-Type: text/enriched; charset=US-ASCII CAST (Cambridge University American Stage Tour) presents Shakespeare's As You Like It A group of students from Cambridge U. in England will be coming to MIT to perform Shakespeare's As You Like It in Kresge Little! Shakespeare... the way it was meant to be..... with British accents! Don't miss it! This Monday and Tuesday (the 13th and 14th) Kresge Little Theater 8:00pm --Apple-Mail-34-597661653--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Sep 2004 22:39:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8B2Z2b7000585; Fri, 10 Sep 2004 22:39:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8B2XwAB001372 for ; Fri, 10 Sep 2004 22:33:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8B2XMTJ023443; Fri, 10 Sep 2004 22:33:22 -0400 (EDT) Date: Fri, 10 Sep 2004 22:33:22 -0400 (EDT) Message-Id: <20040911022521.38950.qmail@web60206.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Elise as Julia as a Southern Belle MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.195 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Sep 2004 22:33:22 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Elise as Julia as a Southern Belle X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.195 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 OK - one more try. It seems GEOCITIES will allow me to upload an mp3 up to 5 megs but it won't allow me to actually play one if it's over 1.5 megs. Go figure. It's a mystery to me how anyone was able to play these at all. Here is Elise singing Julia's three songs, accompanied by the excellent voices of David Jedlinsky and Sam Silvers. http://www.geocities.com/elisecurran/GAS/Julia.html Please contact me privately if there is still a problem. John S LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 11 Sep 2004 06:27:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8BAQxaR029781; Sat, 11 Sep 2004 06:26:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8BAQwed004395 for ; Sat, 11 Sep 2004 06:26:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8BAQLTJ026334; Sat, 11 Sep 2004 06:26:21 -0400 (EDT) Date: Sat, 11 Sep 2004 06:26:21 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Another glimpse of firebrand Gilbert MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: -3.691 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 11 Sep 2004 06:26:21 -0400 (EDT) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Another glimpse of firebrand Gilbert X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.691 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I was rereading Audrey Williamson's "Gilbert and Sullivan Opera", (revised edn, London: Marion Boyars, 1982)--a book I last read probably ten or fifteen years ago. I would disagree with a lot of her views; but she has some interesting opinions... and she quotes one or two unusual things from the Victorian periodicals--reviews and so on. On p278 she quotes from an interview with Gilbert in the "Workers and their Work" series from "The Daily News", just before the opening of "The Mikado" (she is infuriatingly vague about the date). "You and I and a few more are happy in our domestic and other relations; but is this true of all English people? What the contemporary playwright is asked to represent is not what life is, but what it ought to be.... Hence, except in the case of Shakespeare or of French adaptations, English dramatists are driven within the narrow limits of _bourgeois_ thought imposed by the survival of Puritanical prejudice. The English dramatist dances his hornpipe in fetters." We've heard that last phrase before--I've often quoted from Gilbert's little article called "A Hornpipe in Fetters"--but how startling to see Gilbert expressing his artistic frustration at the limitations imposed on him by convention! He very rarely opened up in this way, preferring to pretend to be a purely commercial worker. And what a contrast to the Gilbert we are shown in "Topsy-Turvy", with his sneerings at poor old Ibsen in Oslo (or Christiana, as the case may be)! Andrew  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 11 Sep 2004 18:15:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8BMFjaR008580; Sat, 11 Sep 2004 18:15:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8BMFivC001648 for ; Sat, 11 Sep 2004 18:15:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8BM7kTJ001961; Sat, 11 Sep 2004 18:07:46 -0400 (EDT) Date: Sat, 11 Sep 2004 18:07:46 -0400 (EDT) Message-Id: <006001c4984a$7e58b0c0$f64d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Here we are again MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -3.805 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 11 Sep 2004 18:07:46 -0400 (EDT) Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Here we are again X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.805 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Having gone through the last several weeks ignoring anything to do with late arrivals at the Savoyard ball, last night I suffered a quite inexplicable fit of punnerism. I do apologise to all of you who are heartily fed up with this, particularly if these have appeared before. I've tried to make them as long and convoluted as possible to make that less likely, and your existences even more miserable. So here we go with some very late arrivals - brought from a great distance (ie all very far-fetched) Mrs Zaray-Zarallablaze and her SON, HUGH ZARAY-ZARALLABLAZE Sir Joseph Scuzzenzandizantz and HIS SISTER, SANDY SCUZZENZANDIZANTZ Sir Edward Nowing and his PRETTY DAUGHTER, HERMIONE, AND HER SISTER, PAM NOWING Mr and Mrs Ever and their sons WHARTON EVER and WILLARD LEE EVER King Gama Rider and his daughter Ida. ('Ida Rider is her name') His Excellency DONALD HAMBURGH and his four young friends OTIS HAY, GLORIA STINGIWEEN, TOBY R WRIGGLER, ROY L QUEEN. Mr and Mrs Didyagoandephius and the AUNT THEY LOVE, LEIGH Y DIDYAGOANDEPHIUS Mr Mortaleyedoolove and Mrs Duzzeneyedont and their sons, one popular and the other not, both called Arthur. Mr Bickery-Shackery and his son.... (chorus interrupting) OWEN E BICKERY-SHACKERY II That's quite enough. Mrs Ozone-Throat's son, IAN. PS the proms little list was half updated, quite well really, by Kit Hesketh Harvey. He was also responsible for a very funny but scurrilous update of the policeman's song in PP in which the repated syllables of each line became (punningly) double-entendres.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 11 Sep 2004 18:37:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8BMb8aR013827; Sat, 11 Sep 2004 18:37:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8BMb7BW021768 for ; Sat, 11 Sep 2004 18:37:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8BMTBTJ002366; Sat, 11 Sep 2004 18:29:11 -0400 (EDT) Date: Sat, 11 Sep 2004 18:29:11 -0400 (EDT) Message-Id: <000c01c4984d$45bfadb0$3fa52e50@LAPTOP> Errors-To: savoynet-owner@bridgewater.edu Reply-To: the-maestro@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "The Maestro" To: Multiple recipients of list SAVOYNET Subject: Requests for sheet music, songs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -0.624 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 11 Sep 2004 18:29:11 -0400 (EDT) Reply-To: the-maestro@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "The Maestro" To: Multiple recipients of list SAVOYNET Subject: Requests for sheet music, songs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.624 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Those who request sources of the sheet music for various songs from time to time may care to bookmark the following three very useful resources: http://memory.loc.gov/ammem/sm1870query.html http://levysheetmusic.mse.jhu.edu/advancedsearch.html http://www.aria-database.com/ Joel Masters  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 12 Sep 2004 14:08:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8CI8uaR005751; Sun, 12 Sep 2004 14:08:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8CI8OSD006789 for ; Sun, 12 Sep 2004 14:08:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8CI7VTJ010188; Sun, 12 Sep 2004 14:07:31 -0400 (EDT) Date: Sun, 12 Sep 2004 14:07:31 -0400 (EDT) Message-Id: <00f901c498f0$ea75faf0$6601a8c0@paul> Errors-To: savoynet-owner@bridgewater.edu Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: To-tally OT Question MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.096 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 12 Sep 2004 14:07:31 -0400 (EDT) Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: To-tally OT Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.096 X-Spam-Flag: NO For example http://www.uwosh.edu/faculty_staff/shaffer/jasochst.htm Barbara Herman wrote: > Last night Paul and I saw "Vanity Fair." I will not comment on this > film or encourage discussion about it. > > However, I have a question, which I hope one of our British friends > can answer. > > One of the characters, Mathilde Crawley, is the rich spinster sister > of Lord Pitt. She lives on her own, in a luxurious house in London, > and everyone is hoping to be named in her will. > > It has always been my understanding that women of that time (early > 1800's) were not permitted to own property in their own right, and > that everything (land, houses, money, etc) always went to the first > son. Spinsters lived with their married brothers or sisters, > grateful for their generosity. > > Would someone be kind enough to explain Mathilde's situation to me? > > Many thanks, > > Bobbie > sangazure2@sbcglobal.net > "Love me! I'll stick sunflowers in my hair!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 12 Sep 2004 16:31:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8CKVAaT014650; Sun, 12 Sep 2004 16:31:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8CKUbSD024318 for ; Sun, 12 Sep 2004 16:30:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8CKTwTJ011813; Sun, 12 Sep 2004 16:29:58 -0400 (EDT) Date: Sun, 12 Sep 2004 16:29:58 -0400 (EDT) Message-Id: <001501c49905$61e57390$55e42ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0006_01C4990D.866902B0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.996 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 12 Sep 2004 16:29:58 -0400 (EDT) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.996 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0006_01C4990D.866902B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I have no idea if this will be of any interest to fellow Savoynetters = but, self-indulgently, I'm going to do it anyway - G & S from the = cutting edge if you like!=20 Anybody who has been foolish enough to read any of my recent posts will = have determined that I am currently rehearsing 'Gondoliers'. I am = playing a somewhat superannuated Marco opposite the almost Methusalan = Savoynetter, William Revels - the whole being under the direction of = aged Savoynetter Stuart Box/Cox. Here is how we are doing! Well, we have five weeks to go and we have 'done' the Cachuca - However, = as William and I are both to terpsichory, what President Dubya is to the = English language, Stuart is getting somewhat nervous! Never mind, we = have cracked 'Contemplative Fashion' mostly due to the skills of our = leading ladies and have even worked out something fairly intelligent for = the 'Gavotte'. All we have to do now is get used to ruling as one = individual. The Duke and his entourage are having a brilliant time and have learned = their stuff already!! Also, they do it really well - rotten sods! They = have cheated hugely by LEARNING - yes LEARNING their roles with five = weeks to go! Unheard of !! Ah well, next rehearsal is Tuesday, and if anyone should be interested, = I shall report shortly thereafter (I shall report even if _nobody_ is = interested!) Ian P.S. This will be the best production of 'The Gondoliers' that = Littlehampton has seen in the last five years! ------=_NextPart_000_0006_01C4990D.866902B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I have no idea if this will be of any = interest to=20 fellow Savoynetters but, self-indulgently, I'm going to do it anyway=20 - G & S from the cutting = edge if you=20 like!
Anybody who has been foolish enough to = read any of=20 my recent posts will have determined that I am currently rehearsing=20 'Gondoliers'. I am playing a somewhat superannuated Marco opposite the = almost=20 Methusalan Savoynetter, William Revels - the whole being under the = direction of=20 aged Savoynetter Stuart Box/Cox.
 
Here is how we are doing!
 
Well, we have five weeks to go and we = have 'done'=20 the Cachuca - However, as William and I are both to terpsichory, what = President=20 Dubya is to the English language, Stuart is getting somewhat = nervous! Never=20 mind, we have cracked 'Contemplative Fashion' mostly due to the = skills of=20 our leading ladies and have even worked out something fairly = intelligent=20 for the 'Gavotte'. All we have to do now is get used to ruling as one=20 individual.
The Duke and his entourage are having a = brilliant=20 time and have learned their stuff already!! Also, they do it really well = -=20 rotten sods! They have cheated hugely by LEARNING - yes LEARNING their = roles=20 with five weeks to go! Unheard of !!
Ah well, next rehearsal is Tuesday, and = if anyone=20 should be interested, I shall report shortly thereafter (I shall report = even if=20 _nobody_ is interested!)
 
Ian
 
P.S. This will be the best production = of 'The=20 Gondoliers' that Littlehampton has seen in the last five=20 years!
------=_NextPart_000_0006_01C4990D.866902B0--  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 12 Sep 2004 16:51:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8CKovaR019770; Sun, 12 Sep 2004 16:50:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8CKotRh023596 for ; Sun, 12 Sep 2004 16:50:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8CKoJTJ012115; Sun, 12 Sep 2004 16:50:19 -0400 (EDT) Date: Sun, 12 Sep 2004 16:50:19 -0400 (EDT) Message-Id: <001f01c49907$df607d40$f64d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Ivanhoe dissertation MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.805 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 12 Sep 2004 16:50:19 -0400 (EDT) Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Ivanhoe dissertation X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.805 X-Spam-Flag: NO Co-inciendtally, Ivanhoe may be getting a few press references this week with the re-opening of the Palace Theatre (Carte's old Royal English Opera House) for Lloyd Webber's 'Woman in White' on Wednesday. The Daily Telegraph had a full page on Saturday, mainly on the theatre. Quotes include: "it was the Palace Theatre that bankrupted Richard D'Oyly Carte."..... "When Sullivan's Ivanhoe failed to be a hit, D'Oyly Carte went under and his swanky opera house declined into a variety house". Quoted as having spent £7m, the theatre is 'urecognisable', 'oozes opulence' yet with only 1,000 saleable seats 'will never make long term commercial sense'.. In the meantime "the palace glistens as it has not done since the opening of Ivanhoe". Ian L ----- Original Message ----- From: "Larry Garvin" To: "Multiple recipients of list SAVOYNET" Sent: Sunday, September 12, 2004 7:49 PM Subject: Ivanhoe dissertation > I read in the latest newsletter of the American > Musicological Society that one Jeff S. Dailey won the > National Opera Association Dissertation Competition > with his New York University dissertation "The > Successful Failure: Arthur Sullivan's Ivanhoe." Has > anyone seen this dissertation? Certainly the topic is > not without interest. . . . > > ===== > Larry Garvin > Bexley, OH > "Whether you're an honest man or whether you're a thief > Depends on whose solicitor has given me my brief!" > > -- W.S. Gilbert, Utopia, Ltd. > > > > _______________________________ > Do you Yahoo!? > Express yourself with Y! Messenger! Free. Download now. > http://messenger.yahoo.com > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 13 Sep 2004 14:19:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8DIJXs9012981; Mon, 13 Sep 2004 14:19:34 -0400 (EDT) Received: from adelie.local (69-163-47-51.lndnnh.adelphia.net [69.163.47.51]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8DIIWk2022652 for ; Mon, 13 Sep 2004 14:18:32 -0400 (EDT) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id i8DIIX9H002924 for ; Mon, 13 Sep 2004 14:18:33 -0400 (EDT) Date: Mon, 13 Sep 2004 14:18:32 -0400 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: F1 Boston From: Ruth Jedlinsky To: opus@mit.edu (David Jedlinsky) Content-Transfer-Encoding: 7bit Message-Id: <522696FF-05B1-11D9-A608-00039399130C@ipnh.com> X-Mailer: Apple Mail (2.553) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.114 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 13 Sep 2004 14:18:32 -0400 Subject: F1 Boston From: Ruth Jedlinsky To: opus@mit.edu (David Jedlinsky) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.114 X-Spam-Flag: NO jpegs are in my homedir on Marco. Ruth  1, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 10:54:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8FErisp005408; Wed, 15 Sep 2004 10:54:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8FEpsp5022006 for ; Wed, 15 Sep 2004 10:51:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8FEpJTJ027151; Wed, 15 Sep 2004 10:51:19 -0400 (EDT) Date: Wed, 15 Sep 2004 10:51:19 -0400 (EDT) Message-Id: <6.1.2.0.2.20040915102731.032916a8@pop.registeredsite.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Possible Qwerty-Whales next year! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 10:51:19 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Possible Qwerty-Whales next year! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO We talked somewhat jokingly about having a QWERTY or at least a small G&S sing-in on Nantucket island (Massachusetts) because we go there every year. So I am now on Nantucket and have made a few calls and found several suitable spaces for a Saturday afternoon sing-in. I will be here next year starting on Labor Day weekend, and can book a space for Saturday afternoon September 10, 2005. It is not hard to get to Nantucket and you do not need to make reservations a year in advance unless you want to bring a car over, and I do not recommend you bring a car, since there is no place downtown to park it anyway. Distant people can fly to Nantucket: there are direct flights from NY-La Guardia and from Boston. Northeasterners can just drive to Hyannis, Massachusetts on Cape Cod and take the ferry to Nantucket. The fare is about $14 each way for the normal 2-hour trip and $28 for the 1-hour high speed ferry. The high speed ferry requires reservations. The low speed usually does not. Lodging is available at any number of bed and breakfasts, as well as a couple of hotels. The hotels tend to be pricey, the B&Bs somewhat less so. So I ask for private E-mails telling me if you are interested before I sign my life away on a contract. You can come for the day and take a ferry back the same night, I plan the sing-in for 12-6, or you can come a day earlier and stay as long as you want. Nantucket is a beautiful resort island with lovely beaches and world-class restaurants! So, I away your E-mails! Jim Cooper Wilton, CT who when he is tired of beef, determines to tackle the mutton.  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 11:09:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8FF9Rs9014774; Wed, 15 Sep 2004 11:09:27 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8FF7wu0001685 for ; Wed, 15 Sep 2004 11:07:58 -0400 (EDT) Received: from myfairlady.mit.edu (MYFAIRLADY.MIT.EDU [18.187.2.36]) (authenticated bits=56) (User authenticated as radford@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8FF7v5Q004622 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Wed, 15 Sep 2004 11:07:57 -0400 (EDT) Received: (from radford@localhost) by myfairlady.mit.edu (8.12.9) id i8FF7vcM019962; Wed, 15 Sep 2004 11:07:57 -0400 Date: Wed, 15 Sep 2004 11:07:57 -0400 (EDT) From: Todd Radford To: opus@MIT.EDU Subject: DVD check Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -4.805 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 11:07:57 -0400 (EDT) From: Todd Radford To: opus@MIT.EDU Subject: DVD check X-Spam-Score: -4.805 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hey David Just wanted to let you know that we have a check for you. We've had it pretty much since I got your respones, but I guess I forgot to let you know, and for this, I apologize. It is currently in the mtg office. Let me know how you would like us to get it to you. Thanks -Todd  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 11:13:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8FFCrsJ016819; Wed, 15 Sep 2004 11:13:17 -0400 (EDT) Received: from fiserv2.sftlaw.com (207-152-162-41.mcsp.net [207.152.162.41] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8FFAip5007385 for ; Wed, 15 Sep 2004 11:10:44 -0400 (EDT) Received: from mail.sftlaw.com ([192.168.1.2]) by fiserv2.sftlaw.com with Microsoft SMTPSVC(5.0.2195.6713); Wed, 15 Sep 2004 11:10:40 -0400 Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Wed, 15 Sep 2004 11:10:43 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Wed, 15 Sep 2004 11:10:28 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_59795D63.6B0A6012" X-OriginalArrivalTime: 15 Sep 2004 15:10:40.0229 (UTC) FILETIME=[29A2C950:01C49B36] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 11:10:28 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? X-OriginalArrivalTime: 15 Sep 2004 15:10:40.0229 (UTC) FILETIME=[29A2C950:01C49B36] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_59795D63.6B0A6012 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Got back from Disney - got in right after Frances, took off just before Ivan. Parks were nice & quiet for the most part - by Wednesday last, they were up to 50% cancellations! But it was fun! CJ --=_59795D63.6B0A6012 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Got back from Disney - got in right after Frances, took off just before Ivan.  Parks were nice & quiet for the most part - by Wednesday last, they were up to 50% cancellations!
 
But it was fun!
 
CJ
--=_59795D63.6B0A6012--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 16:45:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8FKjQs9005355; Wed, 15 Sep 2004 16:45:26 -0400 (EDT) Received: from adelie.local (69-163-42-186.lndnnh.adelphia.net [69.163.42.186]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8FKjORp011966 for ; Wed, 15 Sep 2004 16:45:25 -0400 (EDT) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id i8FKjI9H012770; Wed, 15 Sep 2004 16:45:18 -0400 (EDT) Date: Wed, 15 Sep 2004 16:45:17 -0400 Subject: chimney sweeps Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) Cc: rls@ipnh.com To: David Jedlinsky From: Ruth Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <26D7F975-0758-11D9-BD9C-00039399130C@ipnh.com> X-Mailer: Apple Mail (2.553) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.114 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 16:45:17 -0400 Subject: chimney sweeps Cc: rls@ipnh.com To: David Jedlinsky From: Ruth Jedlinsky X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.114 X-Spam-Flag: NO Sons $125 Colonial $115 but if find it doesn't need cleaning only $45 for inspection D&D left message Flue Season no answer Kaliscik number disconnected Admiralty left message Southern NH left message Pete Fornier number disconnected Olde Country Chimney Sweeps number disconnected  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 19:40:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8FNe7s9023908; Wed, 15 Sep 2004 19:40:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8FNe5mL025038 for ; Wed, 15 Sep 2004 19:40:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8FNdUTJ010756; Wed, 15 Sep 2004 19:39:30 -0400 (EDT) Date: Wed, 15 Sep 2004 19:39:30 -0400 (EDT) Message-Id: <2FBCDD43564C474492C718943B1DB11E122B96@bscmail3.bsclogon.buffalostate.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: BERGLUL@BuffaloState.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Berglund, Lisa" To: Multiple recipients of list SAVOYNET Subject: Dodging hoopskirts: a chorister's harrowing journey content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 19:39:30 -0400 (EDT) Reply-To: BERGLUL@BuffaloState.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Berglund, Lisa" To: Multiple recipients of list SAVOYNET Subject: Dodging hoopskirts: a chorister's harrowing journey content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO All choristers, and maybe even some principals, will appreciate this entertaining post! I forward it with permission from opera-l. Lisa Berglund berglul@buffalostate.edu -----Original Message----- From: Discussion of opera and related issues on behalf of Tom Reed Sent: Wed 9/15/2004 2:01 PM To: OPERA-L@LISTSERV.CUNY.EDU Cc: Subject: La Traviata - From A Forced Perspective La Traviata - From A Forced Perspective by Tom Reed Verdi's "La Traviata" is among the loveliest of operas, and as someone lucky enough to be a member of the chorus in San Francisco Opera's resplendent production, I can tell you firsthand that everyone on stage had the most extraordinary time. This opera is filled with the kind of happy, big crowd choruses that audiences adore! Dressed in sumptuous costumes we pack the stage with elegant festivity. The opulent set employs "forced perspective," which is to say that in order to make the set appear larger, it actually grows narrower as one moves upstage, creating the illusion of depth and space. Now as we know, the upstage area is the realm of the chorus, and I can confide that things do tend to get just a bit tight up there. Compressing forty-four choristers, half of them in six-foot wide Gone-With-The-Wind hoopskirts, into an ever-narrowing space requires perhaps a wee bit more force than perspective. But we manage it with astonishing grace and poise. The curtain rose Tuesday night on a festive party bubbling with guests and courtesans. Some of us are lucky enough to be placed all the way down front where we get to exchange an hilarious anecdote with none other than Violetta, the principal soprano! But almost immediately we must move upstage to our positions for the famous "Libiamo" chorus. Now, the trek from my downstage left "laughing" position to my upstage right "drinking" position can be fraught with peril. Everyone moves at once. There's a lot for us to do, and it must all be accomplished in less than twenty seconds. There can be no train wrecks! For me it requires dodging principals, weaving through a boiling sea of moving furniture and guests, and avoiding at all cost the greatest faux pas of all - treading on those hoops. You can understand why the entire move had to be carefully choreographed and rehearsed. Yet last night it went off without a hitch! Well.... we all expand just a little on opening night, taking up ever so slightly more space than we required in rehearsals. So just before the big move I nervously glanced upstage to survey the field of battle. To my horror, all was not as expected. I was supposed to pass between two chorus women, but forces beyond their control had shoved them tightly together. There they stood - practically joined at the hip - their hoopskirts bowing outward in opposite directions like a set of Siamese church bells. In one terrifying flash I realized that there would be no room for them to move apart, and no way for me to get around them. I was going to have to bowl my way right through them! At that same instant their eyes locked onto me like laser weapons that had found their target. Something in their fixed smiles seemed to say, "Try it and die!!" There was no time to think. On cue the whole stage sprang into action. Choristers moved in all directions, supernumerary servants grabbed furniture and plowed into the fray, principals scrambled for the safety of downstage, and the fateful moment had arrived. With trepidation I pushed myself upstage toward my appointment with destiny. But just as I approached the blockade a miracle happened! Out of somewhere a chorus gentleman squeezed forward to kiss the hand of the lady on the left, distracting her just long enough for me to pounce. In a move not unlike Quasimodo leaping onto the bells, I hopped onto the left hoopskirt while simultaneously swinging the other one up and away with my free foot. With a polite, "Pardon me" I then jammed myself between the two and forced my way through to the other side. Before the two women could react I made my getaway by hopping in behind a couple of supers who were valiantly fighting their way across the stage using a table as a battering ram. Riding its wake through the raging choral waters I was able to reach my destination on the far upstage right shore, where my assigned lady companions waited nervously. Pretending to kiss the hand of one, I deftly yanked her out of the way of a moving chair, wedged her into a corner, stuffed the other one onto an overcrowded sofa, and grabbed a glass of fake champagne just in time to join in the sparkling toast to love! Throughout the scene the chorus kept up the jovial mood until Violetta nearly ruined it with her repeated fainting spells. Just as the chorus was heading upstage to dance we had to keep stopping and looking back to see what was wrong with her. And we had to pull these mass maneuvers off without looking like a giant accordion. Think it's easy? Try it yourself at your next hoopskirt party. In the next act the plot turned morose, so we worked feverishly to restore the festive mood by faking a bull fight - no small accomplishment in tux and hoops - but once again a principal came in and ruined everything. This time it was Alfredo kicking up a ruckus downstage. We rushed forward, falling all over ourselves to hear what was going on, only to witness the ill tempered Alfredo throwing a pile of cash in Violetta's face. It's always the principals! From there on it was all downhill. In the last act we tried one last time to brighten things by whooping it up offstage as a bunch of drunken revelers, but meanwhile onstage some doctor was telling everyone that Violetta had only a few hours left to live. Honestly, how can a chorus compete with that much negative energy? We gave up and went home. And Violetta? She didn't even last six minutes. Another downer! Sorry. We really tried. Tomsky@comcast.net  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Sep 2004 21:43:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8G1hds9005676; Wed, 15 Sep 2004 21:43:40 -0400 (EDT) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8G1hUmL017486 for ; Wed, 15 Sep 2004 21:43:30 -0400 (EDT) Received: from mit.edu (h000c4175b3b5.ne.client2.attbi.com[24.218.252.106]) by comcast.net (sccrmhc13) with SMTP id <200409160143290160062om4e>; Thu, 16 Sep 2004 01:43:29 +0000 Message-ID: <4148EF6E.4090808@mit.edu> Date: Wed, 15 Sep 2004 21:42:06 -0400 From: Nancy Gilman User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: dinner@mit.edu Subject: All the details on the organic beef. Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.159 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Sep 2004 21:42:06 -0400 From: Nancy Gilman X-Accept-Language: en-us, en To: dinner@mit.edu Subject: All the details on the organic beef. X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.159 X-Spam-Flag: NO It was such a hit the first time I did it I am ordering more organic beef. I got orders for a side and a half of beef and requests are still tricking in, so I went ahead and ordered a whole cow. :-) This time I have a much better write-up and since it came up again at the dinner this past weekend I thought I would pass it along.... Nancy ----------------- Hello! Here is the information I promised about the bulk orders of Mountain Meadows Farm organic beef. If you have any questions, please let me know. Feel free to pass this message on to any one else that might be interested. The beef is not only organic but the stock is beef cattle raised to be beef not dairy cattle. Bread and Circus (and some Whole Foods Markets in NY) sells the steaks for $17.00-$23.00/lb and ground beef for $5/lb. Because the animals are allowed to graze for so much of their life and because they are not pumped with hormones the animals take longer to grow. This means that those of you who know your cuts very well will notice that the meat is slightly tougher than you are used to and that all but the better cuts benefit from moist/gentle cooking methods. While this is true with all organic and natural beef, Mountain Meadows Farm is raising the cattle to be beef. They work to minimize the effect and produce a consistent product, something that is not possible if the stock is primarily excess dairy cattle. The meat has a wonderful flavor and aroma that you just can't find in supermarket beef. Be prepared to find out what beef should taste like. This gives incredible body to any sauce or stew that you cook the meat in. How this informal "co-op" works is that I buy the beef as a whole side directly from the farm. It is sent to the processors and cut according to the instructions I provide. The processor will vacuum pack and freeze the meat. I have done this once so far so I am still in the learning process. The meat is sold by the hot carcass weight which includes all the bones. The exact price/lb can't be determined until we see how much meat we get based on my instructions which is why the number of pounds in a share is so approximate. Because of the new regulations and the age of the animals there are no T-bone or porterhouse steaks. The ground beef is roughly 90% lean. There are three basic sizes of share. A $130 share gives you 25-30lbs of meat (an overflowing paper grocery bag) with several steaks including tenderloin, and a wide variety of other cuts and ~10lbs ground and ~4lbs stew beef. $110 share gives you 20-24lbs (a full paper grocery bag) with several steaks, some roasts and other cuts and ~8lbs ground and ~4lbs stew beef. An $85 share gives you a 16-19lbs (an almost full grocery bag) and includes 2 steaks, 1 pot roast (or equivalent), 1 other cut (such as kebabs) and ~8lbs ground and ~4lbs stew beef. Because the quality as well as quantity of cuts varies between the three different sizes of share the price/lb varies as well. If the price/lb is the same as last time the $130 share will be ~$5.25/lb the $110 share will be ~$5.00/lb and the $85 share will be ~$4.75/lb. Additional ground beef (at $3.50/lb, 1lb/pkg) and stew beef (at $3.75/lb, 2lbs/pkg) is available. People ordering a $130 share also have the option of marrow bones at no additional charge. If there are particular cuts that are you favorite, please let me know as I do have some flexibility. In order to participate, all you have to do is to let me know what share you are interested in. A first choice and second choice size of share would be appreciated. I've structured the shares to divide the side fairly well so if all of one kind of share is sold out this time around you'll have the choice of a different share or waiting until the next time. As soon as I have enough people interested to order a side, I will get back in touch to confirm the order and arrange for pickup/delivery and payment. After I place the order for the side of beef, it will be ready in a 3-5 days. I hope this makes sense, it has been typed in bits and spurts in between everything else! Thanks, Nancy  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 08:36:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GCa8sD017495; Thu, 16 Sep 2004 08:36:11 -0400 (EDT) Received: from fiserv2.sftlaw.com (207-152-162-41.mcsp.net [207.152.162.41] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8GCZqu9000238 for ; Thu, 16 Sep 2004 08:35:53 -0400 (EDT) Received: from mail.sftlaw.com ([192.168.1.2]) by fiserv2.sftlaw.com with Microsoft SMTPSVC(5.0.2195.6713); Thu, 16 Sep 2004 08:35:51 -0400 Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Thu, 16 Sep 2004 08:35:52 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Thu, 16 Sep 2004 08:35:31 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_507055B8.89E882FC" X-OriginalArrivalTime: 16 Sep 2004 12:35:51.0129 (UTC) FILETIME=[B3505C90:01C49BE9] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 08:35:31 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? X-OriginalArrivalTime: 16 Sep 2004 12:35:51.0129 (UTC) FILETIME=[B3505C90:01C49BE9] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_507055B8.89E882FC Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Got in late on Monday (Labor Day) - as opposed to Sunday morning, but that whole "the airport is closed" thing had to be dealt with. The airlines & Disney were good about changing the whole package forward a day, so we didn't offically lose any time (although we came home Sunday just in case Ivan went east). We got everything seen we wanted to see... although DisneyQuest and the Cornado Springs paddleboats are priorities for the 2009 trip!! CJ --=_507055B8.89E882FC Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Got in late on Monday (Labor Day) - as opposed to Sunday morning, but that whole "the airport is closed" thing had to be dealt with.  The airlines & Disney were good about changing the whole package forward a day, so we didn't offically lose any time (although we came home Sunday just in case Ivan went east).  We got everything seen we wanted to see... although DisneyQuest and the Cornado Springs paddleboats are priorities for the 2009 trip!!
 
CJ
--=_507055B8.89E882FC--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 11:41:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GFfJs9026933; Thu, 16 Sep 2004 11:41:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8GFfCo4014790 for ; Thu, 16 Sep 2004 11:41:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8GFeXTJ024035; Thu, 16 Sep 2004 11:40:33 -0400 (EDT) Date: Thu, 16 Sep 2004 11:40:33 -0400 (EDT) Message-Id: <000101c49c01$c8ed1ee0$113f4e51@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nicolalisle@nlisle.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Nicola Lisle" To: Multiple recipients of list SAVOYNET Subject: Re: Poll: Smartest Characters. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 11:40:33 -0400 (EDT) Reply-To: nicolalisle@nlisle.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Nicola Lisle" To: Multiple recipients of list SAVOYNET Subject: Re: Poll: Smartest Characters. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Daniel wrote: > IDA: Hilarion (plain common sense wins out over Ida's > educated dillusions) Yes, but he must be a bit dense if he can't work out why Ida was half his age when he was 2, but no longer is 20 years later - and has the cheek to blame "false and foolish prophets" for his own stupidity! How any tenor keeps a straight face while espousing this rubbish I shall never know! Nicola Lisle Oxford  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 12:01:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GG1ns9008898; Thu, 16 Sep 2004 12:01:49 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8GG1OdG014667; Thu, 16 Sep 2004 12:01:24 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8GG1NFh020258; Thu, 16 Sep 2004 12:01:23 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i8GG1MfA025227; Thu, 16 Sep 2004 12:01:22 -0400 (EDT) Date: Thu, 16 Sep 2004 12:01:22 -0400 (EDT) Message-Id: <200409161601.i8GG1MfA025227@multics.mit.edu> From: "David C. Jedlinsky" To: mitparking@MIT.EDU Subject: Vehicle change on parking application X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 12:01:22 -0400 (EDT) From: "David C. Jedlinsky" To: mitparking@MIT.EDU Subject: Vehicle change on parking application X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hello. I recently applied for occasional/evening parking as an alumnus, and paid by check. Unfortunately, the car I listed on the application was wrecked, and I would like to change the car listed. The new car I would like to have listed is a 2002 VW Jetta, Blue, with NH license plate "IPNH". Thank you. -Dave Jedlinsky opus@mit.edu  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 13:02:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GH2HhV012960; Thu, 16 Sep 2004 13:02:17 -0400 (EDT) Received: from fiserv2.sftlaw.com (207-152-162-41.mcsp.net [207.152.162.41] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8GH2FZD029393 for ; Thu, 16 Sep 2004 13:02:16 -0400 (EDT) Received: from mail.sftlaw.com ([192.168.1.2]) by fiserv2.sftlaw.com with Microsoft SMTPSVC(5.0.2195.6713); Thu, 16 Sep 2004 13:02:14 -0400 Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Thu, 16 Sep 2004 13:02:15 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Thu, 16 Sep 2004 13:01:52 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_A080A507.51305A22" X-OriginalArrivalTime: 16 Sep 2004 17:02:14.0582 (UTC) FILETIME=[EA31BD60:01C49C0E] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 13:01:52 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? X-OriginalArrivalTime: 16 Sep 2004 17:02:14.0582 (UTC) FILETIME=[EA31BD60:01C49C0E] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_A080A507.51305A22 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Agh. I don't even want to think about how many sets of XXXenophile cards we've got... we've still got unopened boxes! Bj's also made some limited edition cards (Phil & Kaja loved them)... sigh. I think that took up a good chunk of two years before Disney..! Hm. The Pirates game sounds cool - does everyone get to shoot, or just the gunners? I don't remember seeing it there, but we hardly went through all of DQ. Pretty much straight to the top floor for the CJ-Feeding (yummy pannini!)... ... and it looks like I'm collecting Jessica Rabbit pins. I just won two on eBay... sigh!! CJ --=_A080A507.51305A22 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Agh. I don't even want to think about how many sets of XXXenophile cards we've got... we've still got unopened boxes!  Bj's also made some limited edition cards (Phil & Kaja loved them)... sigh.  I think that took up a good chunk of two years before Disney..!
 
Hm.  The Pirates game sounds cool - does everyone get to shoot, or just the gunners?  I don't remember seeing it there, but we hardly went through all of DQ.  Pretty much straight to the top floor for the CJ-Feeding (yummy pannini!)...
 
... and it looks like I'm collecting Jessica Rabbit pins.  I just won two on eBay... sigh!!
 
CJ
--=_A080A507.51305A22--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 14:16:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GIGkhV025185; Thu, 16 Sep 2004 14:16:47 -0400 (EDT) Received: from mail3.speakeasy.net (mail3.speakeasy.net [216.254.0.203]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8GIGYIM027553 for ; Thu, 16 Sep 2004 14:16:34 -0400 (EDT) Received: (qmail 9068 invoked from network); 16 Sep 2004 18:16:33 -0000 Received: from starbasezero.ne.client2.attbi.com (HELO speakeasy.net) (darford@[24.147.122.27]) (envelope-sender ) by mail3.speakeasy.net (qmail-ldap-1.03) with RC4-MD5 encrypted SMTP for ; 16 Sep 2004 18:16:33 -0000 Message-ID: <4149D793.7010402@speakeasy.net> Date: Thu, 16 Sep 2004 14:12:35 -0400 From: "Darlene J. Ford" Reply-To: darford@alum.mit.edu User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.2.1) Gecko/20030225 X-Accept-Language: en-us, en MIME-Version: 1.0 To: dinner@mit.edu Subject: new address, ride begging Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 14:12:35 -0400 From: "Darlene J. Ford" Reply-To: darford@alum.mit.edu X-Accept-Language: en-us, en To: dinner@mit.edu Subject: new address, ride begging X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I've moved to Cambridge. My new address is: 26 Fairmont Ave Cambridge MA 02139 Best to call my cell (781-738-4348) if you want to telephone. Could I mooch a ride out to Jason and Carolyn's on Saturday? My other Saturday commitment just got cancelled, so I could go pretty much whenever is convenient for you. -Darlene  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 14:21:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GILAhV027753; Thu, 16 Sep 2004 14:21:10 -0400 (EDT) Received: from machine36.com (machine36.com [203.194.209.83]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i8GIL7IM001502 for ; Thu, 16 Sep 2004 14:21:08 -0400 (EDT) Received: (qmail 23842 invoked by uid 514); 16 Sep 2004 18:23:02 -0000 Message-ID: <20040916182302.11826.qmail@machine36.com> Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: sarah@sarahconsentino.com Subject: looking for a $ gig? Date: Thu, 16 Sep 2004 18:23:02 +0000 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_b1db5f0839e013f8c7266f03baa0c838d" X-Mailer: WebMail 2.3 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.5 X-Spam-Level: ***** (5.5) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: sarah@sarahconsentino.com Subject: looking for a $ gig? Date: Thu, 16 Sep 2004 18:23:02 +0000 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.5 X-Spam-Level: ***** (5.5) X-Spam-Flag: NO --_b1db5f0839e013f8c7266f03baa0c838d Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Hi All, Want a good-paying and relatively low-commitment gig this fall/winter? Audition for Quincy Dinner Theater's holiday/Broadway revue, "Musical Holiday Party." It would be great to perform with you! :) Pay is roughly $300; rehearsals start in 3 weeks; and it runs Dec 3-19 (14 shows total, some weeknights and weekends). They've already cast people through their first round of auditions and seek a few more female singers, several male singers and a few wonderful dancers. Their next round of auditions will take place this Saturday at noon and Wednesday at 7:30, both at 1170 Hancock St. in Quincy. For more information, email Meredith at mpaschke@equiserve.com. Please tell her that I gave you her email address. Website: www.quincydinnertheater.com Please forward this along to anyone who might be interested! Sarah --_b1db5f0839e013f8c7266f03baa0c838d Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Hi All,

Want a good-paying and relatively low-commitment gig this fall/winter? Audition for Quincy Dinner Theater's holiday/Broadway revue, "Musical Holiday Party."

It would be great to perform with you! :)

Pay is roughly $300; rehearsals start in 3 weeks; and it runs Dec 3-19 (14 shows total, some weeknights and weekends).

They've already cast people through their first round of auditions and seek a few more female singers, several male singers and a few wonderful dancers.

Their next round of auditions will take place this Saturday at noon and Wednesday at 7:30, both at 1170 Hancock St. in Quincy. For more information, email Meredith at mpaschke@equiserve.com. Please tell her that I gave you her email address.

Website: www.quincydinnertheater.com

Please forward this along to anyone who might be interested!

Sarah
--_b1db5f0839e013f8c7266f03baa0c838d--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Sep 2004 16:10:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8GKAVhV002361; Thu, 16 Sep 2004 16:10:31 -0400 (EDT) Received: from mail8.atl.registeredsite.com (mail8.atl.registeredsite.com [64.224.219.82]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8GK8KIM006793 for ; Thu, 16 Sep 2004 16:08:20 -0400 (EDT) Received: from mail.labsoftware.com (mail.labsoftware.com [64.224.177.61]) by mail8.atl.registeredsite.com (8.12.11/8.12.8) with ESMTP id i8GK8JQs010656; Thu, 16 Sep 2004 20:08:19 GMT Date: Thu, 16 Sep 2004 16:08:15 -0400 Message-Id: <200409161608.AA915734744@mail.labsoftware.com> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii From: "Wendy Falconer" Reply-To: To: , Tyler Hains CC: "David C. Jedlinsky" , Subject: Re: Schedule for Philly QWERT X-Mailer: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Sep 2004 16:08:15 -0400 From: "Wendy Falconer" Reply-To: To: , Tyler Hains CC: "David C. Jedlinsky" , Subject: Re: Schedule for Philly QWERT X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO FYI I am going offline for the weekend at @5:00 this evening (computer access from the office only). As dinner plans will be based off the arrival time of the Jedlinsky's flight (which could for all we know be delayed if it is rainy in Philadelphia tomorrow) let's touch base by phone on where and what time to meet tomorrow night. I have your home number from your set of directions. Here are my numbers: Cell #(203) 273-6481 Home #(203) 602-0765 - I will be home for most of this evening, and likely until @noon tomorrow if the weather is poor (which is likely - getting residual from all the hurricanes). Also, depending on the weather, I may not go sightseeing in historical Philadelphia, but leave home mid-day and arrive at my hotel in time to check in at @4:00, so may travel to your place directly from that location in New Jersey. I will review yours and Tyler's directions. Looking forward to a great weekend. See you tomorrow. Wendy ---------- Original Message ---------------------------------- From: Tyler Hains Date: Thu, 16 Sep 2004 11:20:08 -0400 >That will probably depend on how much we have left to do at dinner time... > >hains@temple.edu wrote: > >>Actually, the only Vinny Testa's beyond New England is in Bryn >>Mawr, PA. They renamed it "Vinny T's of Boston" about a year ago. :-) >>Tyler, do you think that's too far for dinner, or should we go to Porta >>Rosa? let us know what you think. >> >>becca >> >> >>. >> >> >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 14:20:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HIKAhb002051; Fri, 17 Sep 2004 14:20:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8HIHhEa006434 for ; Fri, 17 Sep 2004 14:17:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HIH0TJ010077; Fri, 17 Sep 2004 14:17:00 -0400 (EDT) Date: Fri, 17 Sep 2004 14:17:00 -0400 (EDT) Message-Id: <20040917181346.1218.qmail@web14523.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's voice on Radio4 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 14:17:00 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan's voice on Radio4 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO --- Anthony Baker wrote: > Just to let people know today in the series on BBC Radio 4 > called > "Gramophones and Grooves" that has been playing all this week > they > played the Sullivan cylinder recording of his greeting to > Thomas > Eddison and a small 1898 clip of a duet from "Patience" If you haven't visited the G&S Archive lately, check it out--there's a link to a file of the recording of Sullivan's voice, plus a recording of The Lost Chord made the same year. This URL will get you to the Sullivan page; look at the About Sullivan section, and you'll see an entry for "Sullivan's Voice". http://diamond.boisestate.edu/gas/other_sullivan/html/index.html If that doesn't click through for you, use the basic Archive address, http://diamond.boisestate.edu/gas, go to the Sullivan button at the left-hand side on the home page, and you can get there from that... ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 14:35:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HIZchh010304; Fri, 17 Sep 2004 14:35:50 -0400 (EDT) Received: from fiserv2.sftlaw.com (207-152-162-41.mcsp.net [207.152.162.41] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8HIZ1Ia012068 for ; Fri, 17 Sep 2004 14:35:02 -0400 (EDT) Received: from mail.sftlaw.com ([192.168.1.2]) by fiserv2.sftlaw.com with Microsoft SMTPSVC(5.0.2195.6713); Fri, 17 Sep 2004 14:34:58 -0400 Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Fri, 17 Sep 2004 14:34:59 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Fri, 17 Sep 2004 14:34:50 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_0F2F0843.5F3E5412" X-OriginalArrivalTime: 17 Sep 2004 18:34:58.0166 (UTC) FILETIME=[08C30960:01C49CE5] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.7 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 14:34:50 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day Disney trip? X-OriginalArrivalTime: 17 Sep 2004 18:34:58.0166 (UTC) FILETIME=[08C30960:01C49CE5] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.7 X-Spam-Flag: NO This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_0F2F0843.5F3E5412 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Boxes of the starter sets as well as the booster packs, I think. I do eBay, he doesn't. And I'm the one collecting; I always am. Travel safe!! CJ --=_0F2F0843.5F3E5412 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Boxes of the starter sets as well as the booster packs, I think.
 
I do eBay, he doesn't.  And I'm the one collecting; I always am.
 
Travel safe!!
 
CJ
--=_0F2F0843.5F3E5412--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 15:19:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HJJehV005252; Fri, 17 Sep 2004 15:19:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8HJJbIa020320 for ; Fri, 17 Sep 2004 15:19:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HJImTJ015369; Fri, 17 Sep 2004 15:18:49 -0400 (EDT) Date: Fri, 17 Sep 2004 15:18:49 -0400 (EDT) Message-Id: <210501c49cea$bd0f66c0$e6150a0a@SOLOVAY> Errors-To: savoynet-owner@bridgewater.edu Reply-To: asolovay@rubberducky.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Solovay" To: Multiple recipients of list SAVOYNET Subject: How should Sir Joseph be dressed? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 15:18:49 -0400 (EDT) Reply-To: asolovay@rubberducky.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Solovay" To: Multiple recipients of list SAVOYNET Subject: How should Sir Joseph be dressed? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Apologies if this topic has already been beaten to death, but here's a topic I've wondered about: Just how should Sir Joseph be costumed in "H.M.S. Pinafore"? As I understand it, the "First Lord of the Admiralty" is a *civilian* post. Sir Joseph is not an admiral, and not in the Navy; rather, he is the government official who *commands* the Navy. So as I understand it, having him dress in what's essentially a comic-opera Admiral's uniform is a *joke*. As a civilian, he ought to be in civilian clothing. Having him arrive in absurd navy gear just shows what a buffoon he is--it's kind of like if Donald Rumsfeld gave a press conference wearing camouflage and a helmet. The thing is, while Gilbert's audience might have gotten the joke, I'm pretty sure that American audiences wouldn't. They just assume that he's some kind of admiral, and his costume is no more outlandish (to American eyes) than anyone else's on stage. So the joke is lost; and also, I think, a lot of the tension/humor in the situation. That is, Sir Joseph is an officious civilian, who has no idea how military life actually works, and turns the ship upside down with his helpful suggestions. But I think that's lost on the audience if they think he's some kind of officer. (Though, of course, "When I was a Lad" establishes that whether he's military or civilian, he has no real naval experience.) So... how have people costumed him (or seen him costumed)? One idea that occurs to me is to have him dressed in civilian clothing (frock coat, etc.), but wearing an admiral's hat. This would play up the ridiculousness of his pretending to be naval when he isn't, and make his actual status a little more clear to an American audience. Has anyone seen anything like this done? --AMS  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 16:48:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HKmJhV022918; Fri, 17 Sep 2004 16:48:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8HKjoD1007347 for ; Fri, 17 Sep 2004 16:45:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HKjCTJ020932; Fri, 17 Sep 2004 16:45:12 -0400 (EDT) Date: Fri, 17 Sep 2004 16:45:12 -0400 (EDT) Message-Id: <85c095ccbbd2c9566af06ee6fc6fd5c6@www.blargmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: RE: How should Sir Joseph be dressed? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_85c095ccbbd2c9566af06ee6fc6fd5c6" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.4.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 16:45:12 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: RE: How should Sir Joseph be dressed? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO --b1_85c095ccbbd2c9566af06ee6fc6fd5c6 Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Fri, Sep 17, 2004 at 1:00pm Richard Duployen wrote: > Sir Joseph is not an admiral, and not in the Navy; rather, he is the > government official who *commands* the Navy. I've been under the vague impression that Sir Joseph traditionally wears official court attire for someone in his position, but I'm a mere 'Merkin, and may be wrong. Can someone who "IS an Englishman" (or woman) clarify? In Seattle this summer, our Sir Joseph dressed in fancy regalia with a red sash and what I assume was his KCB medal, but not in a nautical blue coat with gold lace. A cannon was fired for his entrance, after which you heard him shouting; he then arrived in a bosun's chair, waving his admiral's hat with a large hole in it. He tossed it overboard and went hatless for the rest of the show, which was a good move, and made him look less admiral-like. Mike Storie recently posted a link with some photos of the show (www.pattersong.org) if anyone wants to take a look. I don't think there's any way to make an average American audience appreciate, at gut level, that Sir Joseph is of a much lower social rank than the Captain. For me, Anglophile that I am, it never gets beyond an abstract, intellectual amusement. I know in my head that the situation is absurd, but I don't feel it inside. Jana Hollingsworth Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_85c095ccbbd2c9566af06ee6fc6fd5c6 Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Fri, Sep 17, 2004 at 1:00pm Richard Duployen wrote:
> Sir Joseph is not an admiral, and not in the Navy; rather, he is the
> government official who *commands* the Navy.

I've been under the vague impression that Sir Joseph traditionally wears official court attire for someone in his position, but I'm a mere 'Merkin, and may be wrong. Can someone who "IS an Englishman" (or woman) clarify?

In Seattle this summer, our Sir Joseph dressed in fancy regalia with a red sash and what I assume was his KCB medal, but not in a nautical blue coat with gold lace. A cannon was fired for his entrance, after which you heard him shouting; he then arrived in a bosun's chair, waving his admiral's hat with a large hole in it. He tossed it overboard and went hatless for the rest of the show, which was a good move, and made him look less admiral-like.

Mike Storie recently posted a link with some photos of the show (www.pattersong.org) if a nyone wants to take a look.

I don't think there's any way to make an average American audience appreciate, at gut level, that Sir Joseph is of a much lower social rank than the Captain. For me, Anglophile that I am, it never gets beyond an abstract, intellectual amusement. I know in my head that the situation is absurd, but I don't feel it inside.

Jana Hollingsworth
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_85c095ccbbd2c9566af06ee6fc6fd5c6--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 18:07:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HM6whn028217; Fri, 17 Sep 2004 18:07:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8HM6LO0000454 for ; Fri, 17 Sep 2004 18:06:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HM5hTJ021953; Fri, 17 Sep 2004 18:05:43 -0400 (EDT) Date: Fri, 17 Sep 2004 18:05:43 -0400 (EDT) Message-Id: <3.0.6.32.20040917224638.014fc850@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's tailor Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002801c49c43$2fd0ee20$f64d2952@idealpc> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 18:05:43 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's tailor X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002801c49c43$2fd0ee20$f64d2952@idealpc> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO At 19:34 16/09/04 -0400, was written> >Phillip Walsh wrote: > >> "At the 75th Anniversary of the G & S Society at Grim's Dyke, there was a >> beige suit on show belonging to Gilbert. Can't say who owns it, but John >> Cannon >> will probably know and give the measurements if it is in the G & S Society >> Archive." > >and John Cannon responded > >> It certainly isn't in the archive, and I wouldn't know whose it was. I >> understand that the G.and S. Society did once have an astrakhan coat that >> had belonged to Richard D'Oyly Carte, presumably as shown in his >well-known >> Spy cartoon, but it was destroyed by moths! The Astrakhan coat complete with fur collar as depicted in the cartoon had been acquired somehow by J. Jennings and had descended to his granddaughter Jeanette Grenfell. It was she, that via myself, passed it on to the Society, many years ago now. It was not in good shape when handed over and there was some doubt as to its authenticity as no proof existed. However J. Jennings was very well connected with D'Oyly Carte (look him up in R & W) and was not the sort of person to make false claims. Neither I nor Jeanette have any note of who the maker/tailor was. I understood that J.J. would wear the coat from time to time when going to the theatre. J.J. as he was known worked for Illustrated Newspapers and was responsible for all those colour editions of the Sphere and Bystander. He looked after the publicity for D'Oyly Carte (Rupert) for London Seasons and was also my godfather. His full time job was as assistant editor of the Tatler among other titles. He looked after the pictures. The success of the 1919 and 1920 London seasons was very much helped by the publicity he was able to provide. Jeanette is still handing over relics of the past and only this week has passed on a parcel containing, I understand, two decorated boxes, which although I now have, I have not seen as they are sealed and wrapped up at this moment in time. No doubt when these items reach John Cannon he will identify what they are. I have most of J.Js collection of programmes, photographs etc of the Opera Company, most of which are signed by the artists. I am aware that Leo Sheffield had a hobby of making/decorating small boxes and other items in Pewter leaf. I have some of these, given originally to my father. Peter. >From pdp@globalnet.co.uk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 18:46:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HMkhhV011618; Fri, 17 Sep 2004 18:46:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8HMkfO0028250 for ; Fri, 17 Sep 2004 18:46:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HMk2TJ022316; Fri, 17 Sep 2004 18:46:02 -0400 (EDT) Date: Fri, 17 Sep 2004 18:46:02 -0400 (EDT) Message-Id: <414B64DF.9050305@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The 1885 SORCERER: Why? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040915154345.82177.qmail@web40911.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 18:46:02 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The 1885 SORCERER: Why? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040915154345.82177.qmail@web40911.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I've just a few comments to add to the discussion. I've never heard the 1884 revisions described as a cost-saving device, although this could very well have been part of it. The original production required two sets. For a stop-gap revival, a revision that allowed it to be played on one set made sense. However, if that had been the only motivation, G&S needn't have revised the end of Act I. That they did so suggests that they were dissatisfied with it. I think "Happy are we is undistinguished." Sullivan phoned it in. > - A new overture. The original had a few bars of > "Marvelous illusion" and then the Henry 8th dance (is > that right?). How was this accepted as the > introduction to the opera? It bears little thematic > resemblance to it. I can't understand why this was > chosen. Plenty of operas have overtures that don't preview thematic material from the rest of the work. (Rossini used several of his overtures for more than one opera.) I'm not aware that any critics in 1877 thought that this was a problem. But by 1884, the overture format we're familiar with had become established, so Sullivan probably thought that the 1877 introduction would no longer be appropriate. > - "Oh hideous doom". Deletion is entirely > understandable. This passage was almost certainly deleted early in the original run. It was *not* an 1884 change. > Why were these changes made? Why were there no changes > to dialogue? They had decided it was a finished > project in 1877, so why did they feel the need to go > back and "fix it"? Gilbert tweaked the dialogue in 1884, as well. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 19:28:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8HNSQhV023971; Fri, 17 Sep 2004 19:28:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8HNSPD1007362 for ; Fri, 17 Sep 2004 19:28:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8HNRnTJ022924; Fri, 17 Sep 2004 19:27:49 -0400 (EDT) Date: Fri, 17 Sep 2004 19:27:49 -0400 (EDT) Message-Id: <002e01c49d0d$368fdcb0$f64d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.188 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 19:27:49 -0400 (EDT) Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.188 X-Spam-Flag: NO No comment yet from netters on the circumstances of the 'illustrated records' by 'The Sphere' of the 1926 and 1939 DOC seasons. In the meantime, here's a double acrostic printed in the 1939 issue. The introduction explains that 'uprights and lights are taken from words scenes or characters in one opera'. Mother and son - surely they cannot be For she's the younger, anyone can see! 1 Of various advantages they hold Not least is that of never growing old 2 Like many a noble who before him sped this lordy personage has lost his head 3 Certain little ladies bright Almost lived upon this light 4 He herded sheep in this fair spot And seemed more proud of it than not 5 Professional licence if indulged too far This light reversed is very apt to bar 6 For one who's quickly struck by manly grace This epithet is surely out of place 7 Curtail what they could not dissemble Fear it was that made them tremble 8 A most precocious little sage A lawyer at this tender age. Have fun! Ian  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Sep 2004 23:12:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8I3CqhV020799; Fri, 17 Sep 2004 23:12:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8I3Cov2003954 for ; Fri, 17 Sep 2004 23:12:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8I3CFTJ025446; Fri, 17 Sep 2004 23:12:15 -0400 (EDT) Date: Fri, 17 Sep 2004 23:12:15 -0400 (EDT) Message-Id: <9e.14f89281.2e7cfdbf@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Ilanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ilanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S COCKTAILS MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_9e.14f89281.2e7cfdbf_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 8.0 for Windows sub 6032 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.657 X-Spam-Level: ** (2.657) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 17 Sep 2004 23:12:15 -0400 (EDT) Reply-To: Ilanthe@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ilanthe@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S COCKTAILS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.657 X-Spam-Level: ** (2.657) X-Spam-Flag: NO --part1_9e.14f89281.2e7cfdbf_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit While looking through an Old Mr. Boston DeLuxe Official Bartender's Guide from 1956 I came across some interesting Gilbert and Sullivan related drinks. I thought I would share them with the rest of the G&S lovers out there. Does anyone know of any others? MIKADO COCKTAIL 2 oz. Old Mr. Boston California Brandy; 2 Dashes Bitters; 1/2 Teaspoon Sreme de Cacao; 1/2 Teaspoon Curacao. Shake well with cracked ice and strain into 3 oz. Cocktail glass. K. C. B. COCKTAIL 1/2 oz. Old Mr. Boston Kummel; 1 1/2 oz. Dry Gin; 1/4 Teaspoon Apricot Flavored Brandy; 1/4 Teaspoon Lemon Juice. Shake well with cracked ice and strain into 3 oz. glass. Add twist of Lemon Peel and drop in glass. POOP DECK COCKTAIL 1 1/4 oz. Blackberry Brandy; 1/2 oz. Port Wine; 1/2 oz. Old Mr. Boston California Brandy. Stir well with cracked ice and strain into 3 0z. cocktail glass. PORT AND STARBOARD 1/2 oz. Grenadine; 1/2 oz. Old Mr. Boston Green Creme de Menthe. Pour carefully, in order given, into Pousse Cafe glass, so that each ingredient floats on preceding one. QUARTER DECK COCKTAIL 3/4 oz. Sherry WIne; 1 1/2 oz. Old Mr. Boston Imported Rum; Juice of 1/2 Lime. Stir well with cracked ice and strain into 3 oz. glass. OPERA COCKTAIL 1/2 oz. Maraschino; 1/2 oz. Dubonnet; 1 1/2 oz. Old Mr. Boston Dry Gin. Stir well with cracked ice and strain into 3 oz. glass. AND FOR ALL OF THE ACTORS OUT THERE... GREEN ROOM COCKTAIL 3/4 oz. Old Mr. Boston California Brandy; 1 1/2oz. French Vermouth; 1/2 Teaspoon Curacao. Shake well with cracked ice and strain into a 3 oz. cocktail glass. DIDN'T SULLIVAN DO SOMETHING WITH THIS TITLE? EMERALD ISLE COCKTAIL 2 oz. Dry Gin; 1 Teaspoon Old Mr. Boston Green Creme de Menthe; 3 Dashes of Bitters. Stir well with cracked ice and strain into a 3 oz. glass. Nancy B. Kraus "Come bumpers, aye, ever so many" --part1_9e.14f89281.2e7cfdbf_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable While looking through an Old Mr. Bo= ston DeLuxe Official Bartender's Guide from 1956 I came across some interest= ing Gilbert and Sullivan related drinks.  I thought I would share them=20= with the rest of the G&S lovers out there.  Does anyone know of any= others?

MIKADO COCKTAIL
2 oz. Old Mr. Boston California Brandy; 2 Dashes Bitters; 1/2 Teaspoon Sreme= de Cacao; 1/2 Teaspoon Curacao. 
Shake well with cracked ice and strain into 3 oz. Cocktail glass.

K. C. B. COCKTAIL
1/2 oz. Old Mr. Boston Kummel; 1 1/2 oz. Dry Gin; 1/4 Teaspoon Apricot Flavo= red Brandy; 1/4 Teaspoon Lemon Juice.
Shake well with cracked ice and strain into 3 oz. glass.  Add twist of=20= Lemon Peel and drop in glass.

POOP DECK COCKTAIL
1 1/4 oz. Blackberry Brandy; 1/2 oz. Port Wine; 1/2 oz. Old Mr. Boston Calif= ornia Brandy.
Stir well with cracked ice and strain into 3 0z. cocktail glass.

PORT AND STARBOARD
1/2 oz. Grenadine; 1/2 oz. Old Mr. Boston Green Creme de Menthe.
Pour carefully, in order given, into Pousse Cafe glass, so that each ingredi= ent floats on preceding one.

QUARTER DECK COCKTAIL
3/4 oz. Sherry WIne; 1 1/2 oz. Old Mr. Boston Imported Rum; Juice of 1/2 Lim= e.
Stir well with cracked ice and strain into 3 oz. glass.

OPERA COCKTAIL
1/2 oz. Maraschino; 1/2 oz. Dubonnet; 1 1/2 oz. Old Mr. Boston Dry Gin.
Stir well with cracked ice and strain into 3 oz. glass.

AND FOR ALL OF THE ACTORS OUT THERE...

GREEN ROOM COCKTAIL
3/4 oz. Old Mr. Boston California Brandy; 1 1/2oz. French Vermouth; 1/2 Teas= poon Curacao.
Shake well with cracked ice and strain into a 3 oz. cocktail glass.

DIDN'T SULLIVAN DO SOMETHING WITH THIS TITLE?

EMERALD ISLE COCKTAIL
2 oz. Dry Gin; 1 Teaspoon Old Mr. Boston Green Creme de Menthe; 3 Dashes= of Bitters.
Stir well with cracked ice and strain into a 3 oz. glass.

Nancy B. Kraus
"Come bumpers, aye, ever so many" --part1_9e.14f89281.2e7cfdbf_boundary--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Sep 2004 19:45:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8INj0hV020086; Sat, 18 Sep 2004 19:45:00 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8INiPpS027428 for ; Sat, 18 Sep 2004 19:44:25 -0400 (EDT) Received: from [18.214.0.181] (TIN-FOIL.MIT.EDU [18.214.0.181]) (authenticated bits=0) (User authenticated as glasser@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8INiKVA021463 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Sat, 18 Sep 2004 19:44:24 -0400 (EDT) Mime-Version: 1.0 (Apple Message framework v619) Content-Transfer-Encoding: 7bit Message-Id: Content-Type: text/plain; charset=US-ASCII; format=flowed To: sipb-office@mit.edu From: David Glasser Subject: AirPort Express now does iTunes AirTunes Date: Sat, 18 Sep 2004 19:44:22 -0400 X-Mailer: Apple Mail (2.619) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 To: sipb-office@mit.edu From: David Glasser Subject: AirPort Express now does iTunes AirTunes Date: Sat, 18 Sep 2004 19:44:22 -0400 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO The AirPort Express, instead of being plugged into nothing but power, is now back in speaker-land plugged into the stereo. You need to set the stereo to CD and push 3 on the clicky-thing. Then you can play from any computer with iTunes and wireless to it. (Volume is not controlled by xvolume.) Will document and post on the side of x15. I gave it one of our laptop addresses, otis-oracle, since it seemed to not want to work with a net 10 address and I couldn't figure out how to set it up for DHCP (if that would even be politically appropriate). --dave -- David Glasser | glasser@mit.edu | http://www.davidglasser.net/  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 12:33:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JGX5hV007228; Sun, 19 Sep 2004 12:33:05 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JGW4dq017046; Sun, 19 Sep 2004 12:32:04 -0400 (EDT) Received: from mass-toolpike.mit.edu (MASS-TOOLPIKE.MIT.EDU [18.7.16.71]) (authenticated bits=56) (User authenticated as jcb@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8JGUrQN001058 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Sun, 19 Sep 2004 12:31:54 -0400 (EDT) Received: (from jcb@localhost) by mass-toolpike.mit.edu (8.12.9) id i8JGUYET015175; Sun, 19 Sep 2004 12:30:34 -0400 (EDT) Date: Sun, 19 Sep 2004 12:30:34 -0400 (EDT) Message-Id: <200409191630.i8JGUYET015175@mass-toolpike.mit.edu> To: (Friends & Relatives of Nancy Gilman and Jeff, Margaret & Laura Bigler) Subject: Apple Cider Party Invitation (Saturday 10/16/2004) From: Jeff Bigler , Nancy Gilman X-Mailer: GNU Emacs 21.3.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i Sender: jcb@MIT.EDU Reply-to: jcb@alum.MIT.EDU, nlgilman@MIT.EDU Errors-to: jcb@MIT.EDU, nlgilman@MIT.EDU X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.501 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 12:30:34 -0400 (EDT) To: (Friends & Relatives of Nancy Gilman and Jeff, Margaret & Laura Bigler) Subject: Apple Cider Party Invitation (Saturday 10/16/2004) From: Jeff Bigler , Nancy Gilman Sender: jcb@MIT.EDU Reply-to: jcb@alum.MIT.EDU, nlgilman@MIT.EDU X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.501 X-Spam-Flag: NO Nancy Gilman and Jeff, Margaret and Laura Bigler invite you to our annual apple cider party. Important info: Date: Saturday, October 16, 2004. Time: noon-midnight; pressing starts at 1:00pm sharp! Location: 8 Little Nahant Rd., Nahant, Mass. For new folks: Our Apple Cider Party is where all of our social circles have a chance to meet and mingle while we press 15 bushels of apples into about 25 gallons of fresh cider on a 100-year-old apple cider press. Note that this is a large event--we've had over 100 guests at each of the past several cider parties. Please bring: Food for potluck lunch or dinner. (Lunch items are particularly appreciated if you'll be arriving before 3pm.) A towel if you think you'll be using the hot tub. We have some extras, but not enough for everyone. Also, feel free to bring guests and/or forward this invitation to people who know us and who might be interested. (If we've left anyone out it was accidental.) However please check with us before forwarding the invitation to a mailing list. Allergies: We have two indoor cats. We always have the house thoroughly cleaned before the party, but bring allergy medications if think you'll need them. Yellow jackets love apple cider. I don't think we've ever had more than one or two people get stung in over a dozen years (they're much more interested in the cider than the people), but if you're allergic enough to need a bee sting kit or epi-pen, please bring it. We don't allow smoking anywhere indoors, including the porch and garage. More Information about the party: There is a FAQ at This page has a lot of useful information, so please look at it if you're thinking of coming. Directions: This page is linked from the FAQ. Carpooling: Please try to carpool if you can. We can help arrange carpools from the Boston area and/or pick you up from the Lynn MBTA station. Please let us know if you need a ride, or if you can provide one. RSVP: Always appreciated, especially if it contains news of how you're doing and what's new in your life. However, if you don't get around to sending one, don't let that stop you from coming. We'll send out a reminder about a week before the party. Our News: Jeff is still teaching high school chemistry, but now at Peabody High School. He is still playing viola with Symphony by the Sea (a North-Shore-based professional orchestra) and the New England Philharmonic, and now maintains the web sites for both orchestras. He is also still dancing and playing music for Red Herring and MOTley Morris, though it's a good thing that both groups have other musicians. Nancy, besides taking care of two very active little girls, is now chairman of the Nahant School Committee and is working from home as a nutrition/weight loss coach in her copious spare time. She has lost more than 70 lbs. since last year's cider party! Margaret is still a little bundle of energy! She has started her second year of pre-school at the Stoneridge Children's Montessori School in Beverly. (She also asked me to mention that she "always asks lots of questions".) Laura will celebrate her first birthday just before the cider party. She's now walking, climbing, and shows a strong interest in anything musical. Jeff, Nancy, Margaret and Laura -- 8 Little Nahant Rd. phone: +1 (781) 592-5802 Nahant, MA 01908-1120 USA http://www.mit.edu/~jcb/directions/ GPS: 70deg 56min 9.34sec West, 42deg 26min 5.21sec North Jeff: jcb@alum.mit.edu N1VSK Nancy: nlgilman@mit.edu N1VFQ --------------------------- Note: We sent blind carbon copies of this message to all of our friends for whom we have current email addresses, plus several email lists that contain a significant number of our friends. * If you got multiple copies, that means we're on some of the same email lists. Consider yourself multiply invited. * If you live outside the Boston area, we assume you're not coming (unless we hear otherwise), but we want you to know that you're still invited. In lieu of an RSVP, feel free to drop us a line and let us know how you're doing. * If you don't know us, or don't know why you got this invitation, it was probably BCC'ed to a mailing list that you're on. You're still invited, and there will most likely be people you know there.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 13:38:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JHcRhV024372; Sun, 19 Sep 2004 13:38:27 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JHcRdq026463; Sun, 19 Sep 2004 13:38:27 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8JHcOFh015585; Sun, 19 Sep 2004 13:38:25 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i8JHcO4x019215; Sun, 19 Sep 2004 13:38:24 -0400 (EDT) Date: Sun, 19 Sep 2004 13:38:24 -0400 (EDT) Message-Id: <200409191738.i8JHcO4x019215@multics.mit.edu> From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <200409011743.i81HhJoH024806@multics.mit.edu> (opus@MIT.EDU) Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... References: <194.2d0afd74.2e669ac2@aol.com> <200409011743.i81HhJoH024806@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 13:38:24 -0400 (EDT) From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <200409011743.i81HhJoH024806@multics.mit.edu> (opus@MIT.EDU) Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Elise! We missed you at Becca's QWERT this weekend. Ruth was disappointed not to see you. If you haven't already bought tickets to fly to Manchester for Barry's QWERT, Southwest.com is having a sale this week. If you hurry, you could get a round trip ticket for as little as $135.20. Don't worry about arrival or departure times; we'll get you to and from the airport no matter when you need to be there. I hope you can make it to Maine! -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 13:43:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JHhWhV025468; Sun, 19 Sep 2004 13:43:32 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JHhMdq027209; Sun, 19 Sep 2004 13:43:22 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8JHhKFh015684; Sun, 19 Sep 2004 13:43:21 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i8JHhKNr019446; Sun, 19 Sep 2004 13:43:20 -0400 (EDT) Date: Sun, 19 Sep 2004 13:43:20 -0400 (EDT) Message-Id: <200409191743.i8JHhKNr019446@multics.mit.edu> From: "David C. Jedlinsky" To: empritch@MIT.EDU In-reply-to: <1094832916.4141d314589f3@webmail.mit.edu> (message from Eleanor M Pritchard on Fri, 10 Sep 2004 12:15:16 -0400) Subject: Re: Costume donation References: <200409101608.i8AG8Jqp021948@multics.mit.edu> <1094832916.4141d314589f3@webmail.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 13:43:20 -0400 (EDT) From: "David C. Jedlinsky" To: empritch@MIT.EDU In-reply-to: <1094832916.4141d314589f3@webmail.mit.edu> (message from Eleanor M Pritchard on Fri, 10 Sep 2004 12:15:16 -0400) Subject: Re: Costume donation X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO As you noticed, we couldn't make it to the Star Wars briefing last week. Our car's engine ate itself. Ruth is coming down Monday to do a bunch of stuff, one item of which is to pick up a check from Todderz. She could bring the costumes, and leave them in the office; is there a good place to put them, or should she just toss them on the back of the couch? -Dave >Date: Fri, 10 Sep 2004 12:15:16 -0400 >From: Eleanor M Pritchard > >Sure! That'd be great. Additions to the guild's somewhat weak stock are welcome >:) See you tomorrow! > > thanks, > > -Nori > > >Quoting "David C. Jedlinsky" : > >> >> Hey Nori. >> >> My dad cleaned out his house to sell it, and gave me a couple of >> fancy dresses and a poodle skirt. Would the Guild be interested in >> taking them? I can bring them tomorrow when I come to Rogue's >> meeting. >> >> -Dave >> > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 14:36:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JIaXhb009719; Sun, 19 Sep 2004 14:36:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8JIa5rv027033 for ; Sun, 19 Sep 2004 14:36:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8JIZSTJ012348; Sun, 19 Sep 2004 14:35:28 -0400 (EDT) Date: Sun, 19 Sep 2004 14:35:28 -0400 (EDT) Message-Id: <6.1.2.0.0.20040919193135.01cfe538@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Mispronunciation Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040919130121.ZOTJ28208.tomts15-srv.bellnexxia.net@mxmta. X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.103 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 14:35:28 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Mispronunciation X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040919130121.ZOTJ28208.tomts15-srv.bellnexxia.net@mxmta. X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.103 X-Spam-Flag: NO There once was a woman from Milngavie Who said, no matter how one wilntravie. A modern Diogenes could ask for days Before "I'm honest" someone says And even then they stilnlavie -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 16:37:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JKbMhb014874; Sun, 19 Sep 2004 16:37:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JKZfkD009768 for ; Sun, 19 Sep 2004 16:35:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8JKYvTJ013497; Sun, 19 Sep 2004 16:34:57 -0400 (EDT) Date: Sun, 19 Sep 2004 16:34:57 -0400 (EDT) Message-Id: <20040919202224.133.qmail@web14525.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: The Philly QWERT: Great success... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.502 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 16:34:57 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: The Philly QWERT: Great success... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.502 X-Spam-Flag: NO Well, we G&S folk are a doughty lot. Despite threats from the soggy tailfeathers and decidedly bad temper of the tattered but still dangerous Hurricane Ivan (tornadoes, flooding and such), a considerable number of us packed the main-floor rooms of Rebecca and Tyler Hains' home in Drexel Hill, Pennsylvania, a suburb a bit to the west of Philadelphia. And a great time was had by all who did. The program for the day included: HMS PINAFORE, with the women singing the men's roles and vice-versa, but without changes to lyrics. Highlights: Jennifer Coles' superb Ralph (I'd enjoy hearing her Josephine sometime!), Julie May's growly Dick Deadeye (she later proved on several other roles that this is a wonderful voice in her normal register!), Phil Sternenberg's rendering the Scena and making good fun out of the notes regarding it that I've posted to S'net, including giving us decidedly emphatic "p's" at the end of both verse-ending occurences of the word "hope" and a very large separation between "blue and white" and "Venetian finger glasses", about which I posted a week or so ago. (Aha, but he missed the comma between "sofa" and "pillows", about which I had *not* commented...sorry, Phil, no NYGASP Josephine for you this year....) Wendy Falconer's excellent "Fair Moon" (my, how her voice has grown and settled in the past couple of years!), and Sam Silvers' incomparable Buttercup, replete with basket of goodies. IOLANTHE. Highlights too numerous to mention, but a few include Christine Osborn as the QofF appearing in full gown of pale blue tulle; husband Jeff singing a fine Mountararat with David Jedlinsky's Tolloller; our host and hostess giving us a delightful pair of young lovers (a bit of Method acting there?), Barry Hilton's excellent LC, Jonathan Ichikawa's wonderfully droll Willis...the odd sight of Julie Stevens as Iolanthe wearing blue jeans and fairy wings...and an appearance, courtesy of Sam S., of a stuffed bear at "forbear..." THE ZOO. This piece was new to a quite a few of the attendees, who enjoyed discovering it "live". It was surprisingly well executed for such a relatively unfamiliar piece. I've lost my cast list and was busy keeping my nose in the score; I hope someone else will comment on who did what to whom in this one, as it was really quite good. PRINCESS IDA. Rousing and rollicking good fun all the way, with stellar performances by all and some of the best diction I've heard out of a bunch of QWERTers yet. Special honours to Rebecca, all of whose pieces were beautifully interpreted and shaped, and hearing her hold that "before I call myself his wiiiiiiiiiiiiiiiiiiiiiiiiiife" was thrilling. Lunch--back there somewhere--was an excellent selection of local pizzas, with assorted crudites available throughout for the healthy-minded, and one of Wendy Falconer's absolutely deadly delicious chocolate things, at least 3000 calories just to look at, for those less conscientious who a need chocolate/sugar restorer. Supper was at a Chinese restaurant, a whole room set aside for us, and the management was gracious about accommodating special dietary needs. After supper, we had a most unusual piece: An abridged and sex-reversed PIRATES with new lyrics by John Spartan. These are quite clever, and I hope John will now publish a link to the libretto. Musically it was rather a mixed effect, with some of the women choosing to sing "down the octave" in men's range, some in their own register, and the men likewise. It was great fun, especially as I was getting to sing the policewomen's "rah rah" bass part, with Deb Jacobson ably accompanying for this one. Unusually for a QWERT, we actually ran *ahead* of schedule all the way, but that was welcomed by those who had had an arduous drive or who were contemplating one on the return journey. The day was full of laughter and camaraderie, a lot of fluffs nobody cared about, a lot of really wonderful music that we all cared about, lots of prop and costume pieces making their appearances at appropriate moments, and general gusto. This was a real let-down-your-hair-and-have-fun QWERT, and we all did. Many thanks to Rebecca and Tyler for organizing and hosting us--and I hope their neighbors are still speaking to them!! ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 16:51:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JKpThV019848; Sun, 19 Sep 2004 16:51:30 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JKpTEU022343 for ; Sun, 19 Sep 2004 16:51:29 -0400 (EDT) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8JKpRZO022274 for ; Sun, 19 Sep 2004 16:51:27 -0400 (EDT) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id i8JKpREA008294; Sun, 19 Sep 2004 16:51:27 -0400 (EDT) Received: from EASTCAMPUS-TWO-SEVENTY-TWO.MIT.EDU (EASTCAMPUS-TWO-SEVENTY-TWO.MIT.EDU [18.248.6.17]) (User authenticated as empritch@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Sun, 19 Sep 2004 16:51:27 -0400 Message-ID: <1095627087.414df14f7c3ed@webmail.mit.edu> Date: Sun, 19 Sep 2004 16:51:27 -0400 From: Eleanor M Pritchard To: "David C. Jedlinsky" Subject: Re: Costume donation References: <200409101608.i8AG8Jqp021948@multics.mit.edu> <1094832916.4141d314589f3@webmail.mit.edu> <200409191743.i8JHhKNr019446@multics.mit.edu> In-Reply-To: <200409191743.i8JHhKNr019446@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.248.6.17 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 16:51:27 -0400 From: Eleanor M Pritchard To: "David C. Jedlinsky" Subject: Re: Costume donation In-Reply-To: <200409191743.i8JHhKNr019446@multics.mit.edu> X-Originating-IP: 18.248.6.17 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Yeah, just toss them on the back of the couch and I'll get them Tuesday at the Board meeting. Thanks again, -Nori Quoting "David C. Jedlinsky" : > > As you noticed, we couldn't make it to the Star Wars briefing last > week. Our car's engine ate itself. > > Ruth is coming down Monday to do a bunch of stuff, one item of which > is to pick up a check from Todderz. She could bring the costumes, and > leave them in the office; is there a good place to put them, or should > she just toss them on the back of the couch? > > -Dave > > > >Date: Fri, 10 Sep 2004 12:15:16 -0400 > >From: Eleanor M Pritchard > > > >Sure! That'd be great. Additions to the guild's somewhat weak stock are > welcome > >:) See you tomorrow! > > > > thanks, > > > > -Nori > > > > > >Quoting "David C. Jedlinsky" : > > > >> > >> Hey Nori. > >> > >> My dad cleaned out his house to sell it, and gave me a couple of > >> fancy dresses and a poodle skirt. Would the Guild be interested in > >> taking them? I can bring them tomorrow when I come to Rogue's > >> meeting. > >> > >> -Dave > >> > > > > > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 16:56:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JKuJhV021347; Sun, 19 Sep 2004 16:56:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JKuIkD016590 for ; Sun, 19 Sep 2004 16:56:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8JKtcTJ013682; Sun, 19 Sep 2004 16:55:38 -0400 (EDT) Date: Sun, 19 Sep 2004 16:55:38 -0400 (EDT) Message-Id: <5.2.1.1.2.20040919203805.0225a720@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Creeping developments in Musical Theatre (and a Crossword Comp) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 16:55:38 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Creeping developments in Musical Theatre (and a Crossword Comp) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO TFC and I have been in London this weekend, and (to try and keep this post on-topic), I'm going to begin with some remarks about what I see as some developments in Musical Theatre which have crept up on me (at least). Last night we saw "Tonight's The Night" - a musical consisting of Rod Stewart songs which strung together a tenuous (though predictable) story-line. It was pretty awful, really, and we only lasted the first half. I've always been quite pleased and glad that WSG lifted musical theatre away from burlesque and started a new genre. I thought that last night I might be witnessing a return to the "old" genre. My *first* thought was that Ben Elton (who is also responsible for the "Queen" musical "We Will Rock You") is leading musical theatre back to where it was pre-Gilbert - almost to the realm of Music Hall. Many people carrying their drinks into the auditorium, 3 people going out for a wee (well, I presume they were) during the 1st half (and this was just from our bit of the Dress Circle) - one even climbing over seats to get out. A thin story line, bawled singing, and tired choreography. Audience participation. It felt like how I imagine burlesque must have been in the 1860s. But then, on talking about it with TFC, she suggested that perhaps this type of show was not leading us back to a position of some 140 years ago, but rather filling a gap which has been vacant at least since the demise of burlesque, and certainly (in West End theatres) since the demise of Music Hall. Yer common man (drinking, burping, cursing, joining in, and generally being a prole) hasn't been at ease in the West End since Gilbert's day (or has he ?), and now he (and she) is. This might be worthy of some discussion on SavoyNet - but please keep it on-topic. I think I'm right in saying that we are all grateful for WSG taking Musical Theatre a step or two further on - but what about the gap which was left ? Are we now seeing it filled by such offerings as "Tonight's The Night" ? A minor Crossword matter. This weekend was the Final of the Daily Telegraph Crossword Competition - and I didn't exactly come out covered in laurel, but I think I did OK. There were 113 competitors altogether - 100 "finalists", plus 13 people who completed last year's final correctly within 15 minutes. Of that number, 57 (ie., about half) completed the crossword correctly within one hour - and I was one of those. They didn't give individual placings, but they did tell us that 12 people completed this year's puzzle correctly within 15 minutes (still with me ?). My time was just over 17 minutes, so I reckon I was about 15th or so. The winner did the puzzle in 4 minutes 43 seconds. There were 32 clues, so he averaged about 9 seconds per clue (solving and filling in) - truly amazing. My average time works out at about 32 seconds per clue. I don't get a bye into next year's competition, as I didn't finish within the 15 minutes. But I've won a pen (hurrah) for completing it correctly within the 60 minutes allotted. The puzzle appears in tomorrow's Daily Telegraph. There were no G&S-related clues. All the best David Cookson  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 16:56:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JKuohV021511; Sun, 19 Sep 2004 16:56:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JKumkD016774 for ; Sun, 19 Sep 2004 16:56:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8JKuATJ013779; Sun, 19 Sep 2004 16:56:10 -0400 (EDT) Date: Sun, 19 Sep 2004 16:56:10 -0400 (EDT) Message-Id: <1cb.2b8dd9c1.2e7f4a89@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: Kenneth Sandford. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.061 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 16:56:10 -0400 (EDT) Reply-To: Savoyard1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Savoyard1@aol.com To: Multiple recipients of list SAVOYNET Subject: Kenneth Sandford. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.061 X-Spam-Flag: NO I am sorry to report that Kenneth Sandford died today aged 80 years. No other information was given. Philip Walsh  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Sep 2004 17:39:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8JLdhhd004446; Sun, 19 Sep 2004 17:39:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8JLcZkD000278 for ; Sun, 19 Sep 2004 17:38:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8JLbxTJ014548; Sun, 19 Sep 2004 17:37:59 -0400 (EDT) Date: Sun, 19 Sep 2004 17:37:59 -0400 (EDT) Message-Id: <002b01c49e90$08e01940$83ff1246@jlkcd01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Re: How should Sir Joseph be dressed? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Sep 2004 17:37:59 -0400 (EDT) Reply-To: singndance@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Re: How should Sir Joseph be dressed? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO ----- Original Message ----- From: "jana_ch" > I go with the straight-forward interpretation that she is indeed describing her father's home, in which she will remain for some time longer if she doesn't marry Ralph. I think she never had any intention of marrying Sir Joseph, at least not once she laid eyes on him. When Leta directed Pinafore in June, she had the Capt. give Josephine a photo (or perhaps a miniature?) of Sir J. She seemed rather taken w/ the image in the photo. Judging from the look of incredulity & growing horror on her face when Sir J. actually arrived, the image must have been made many, many years earlier, when Sir J. was, perhaps, slimmer, trimmer, and definitely not so gray! Maureen Roult Hyattsville, Maryland "Inclined to dance and sing"  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Sep 2004 00:22:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8K4M6hV009309; Mon, 20 Sep 2004 00:22:06 -0400 (EDT) Received: from imo-m25.mx.aol.com (imo-m25.mx.aol.com [64.12.137.6]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8K4Kfb6011968 for ; Mon, 20 Sep 2004 00:20:41 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-m25.mx.aol.com (mail_out_v37_r3.7.) id 6.1e2.2b13f05f (4238) for ; Mon, 20 Sep 2004 00:20:36 -0400 (EDT) From: YesTisMabel@aol.com Message-ID: <1e2.2b13f05f.2e7fb493@aol.com> Date: Mon, 20 Sep 2004 00:20:35 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1095654035" X-Mailer: 9.0 for Windows sub 5032 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.64 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: YesTisMabel@aol.com Date: Mon, 20 Sep 2004 00:20:35 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.64 X-Spam-Flag: NO -------------------------------1095654035 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 9/19/04 1:38:47 PM Eastern Daylight Time, opus@MIT.EDU writes: If you haven't already bought tickets to fly to Manchester for Barry's QWERT, Southwest.com is having a sale this week. If you hurry, you could get a round trip ticket for as little as $135.20. Don't worry about arrival or departure times; we'll get you to and from the airport no matter when you need to be there. Hi Dave! I went to the website and found the fare you mentioned. I would fly in Friday evening and leave Sunday evening. Would you guys be able to put me up for Friday and Saturday night? If so, I will get my ticket tomorrow......I don't want to be left out in the cold (well, actually, going up there in October, versus being down here, would be more cold, but....) like I was for Becca's qwert. Elise -------------------------------1095654035 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 9/19/04 1:38:47 PM Eastern Daylight Time, opus@MIT.E= DU writes:
If you haven't already bought tickets to fly t= o Manchester for Barry's
QWERT, Southwest.com is having a sale this week.=   If you hurry, you
could get a round trip ticket for as little as $= 135.20.  Don't worry
about arrival or departure times; we'll get you= to and from the
airport no matter when you need to be there.
Hi Dave!
 
I went to the website and found the fare you mentioned.  I would f= ly in Friday evening and leave Sunday evening.  Would you guys be able=20= to put me up for Friday and Saturday night?  If so, I will get my ticke= t tomorrow......I don't want to be left out in the cold (well, actually, goi= ng up there in October, versus being down here, would be more cold, but....)= like I was for Becca's qwert.
 
Elise
-------------------------------1095654035--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Sep 2004 21:43:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8L1hJhV028354; Mon, 20 Sep 2004 21:43:19 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8L1h9Ql004611; Mon, 20 Sep 2004 21:43:09 -0400 (EDT) Received: from brad-majors.mit.edu (BRAD-MAJORS.MIT.EDU [18.18.2.165]) (authenticated bits=56) (User authenticated as zacheiss@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8L1h7wI025234 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Mon, 20 Sep 2004 21:43:08 -0400 (EDT) Received: (from zacheiss@localhost) by brad-majors.mit.edu (8.12.9) id i8L1h7B0020353; Mon, 20 Sep 2004 21:43:07 -0400 (EDT) Date: Mon, 20 Sep 2004 21:43:07 -0400 (EDT) Message-Id: <200409210143.i8L1h7B0020353@brad-majors.mit.edu> From: Garry Zacheiss To: Jonathon Weiss CC: hartmans@MIT.EDU (Sam Hartman), charon-maintainers@MIT.EDU In-reply-to: "[4545] in Charon_Maintainers_Archive" Subject: Re: mkds_mail seems broken X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Sep 2004 21:43:07 -0400 (EDT) From: Garry Zacheiss To: Jonathon Weiss CC: hartmans@MIT.EDU (Sam Hartman), charon-maintainers@MIT.EDU In-reply-to: "[4545] in Charon_Maintainers_Archive" Subject: Re: mkds_mail seems broken X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 As far as I can tell, the problem is that /var/qmail/users/assign.lock is opened for reading, not for writing, so I'm not quite sure how it ever worked. This patch (untested) seems to fix it, and cleans up some grossness along the way. One could also make things look more like standard perl idiom by replacing the if (foo == 0) { print something; exit; } blocks with open || die and the like, but I ran out of motivation at that point. Garry --- /afs/sipb/machine/charon2/src/mkds_mail Fri Dec 17 23:27:46 1999 +++ mkds_mail Mon Sep 20 21:36:01 2004 @@ -5,10 +5,8 @@ # # mhpower@mit.edu, 21 April 1998 # -$LOCK_EX = 2; -$LOCK_NB = 4; -$LOCK_UN = 8; +use Fcntl qw(:flock); umask(022); $saw_a_or_d = 0; @@ -94,12 +92,12 @@ #print "(DEBUG) ", $#ARGV, "\n"; -$e = open(THELOCK, "/var/qmail/users/assign.lock"); +$e = open(THELOCK, ">/var/qmail/users/assign.lock"); if (!defined($e)) { die "could not open assign.lock, $!,"; } -$e = flock(THELOCK, $LOCK_EX | $LOCK_NB); +$e = flock(THELOCK, LOCK_EX|LOCK_NB); if ($e == 0) { print "/var/qmail/users/assign.lock is already locked\n"; @@ -224,5 +222,5 @@ system("/var/qmail/bin/qmail-newu"); -flock(THELOCK, $LOCK_UN); +flock(THELOCK, LOCK_UN); close(THELOCK);  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 09:56:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LDuIhX029362; Tue, 21 Sep 2004 09:56:23 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8LDstuN027601; Tue, 21 Sep 2004 09:54:55 -0400 (EDT) Received: from marengo-porosa.mit.edu (MARENGO-POROSA.MIT.EDU [18.7.22.80]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8LDsqNn029867; Tue, 21 Sep 2004 09:54:52 -0400 (EDT) Received: (from nobody@localhost) by marengo-porosa.mit.edu (8.12.2+Sun) id i8LDsqEl028493; Tue, 21 Sep 2004 09:54:52 -0400 (EDT) Received: from QUICKSTATION-1.MIT.EDU (QUICKSTATION-1.MIT.EDU [18.56.0.175]) (User authenticated as bframe@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Tue, 21 Sep 2004 09:54:52 -0400 Message-ID: <1095774892.415032ac547fe@webmail.mit.edu> Date: Tue, 21 Sep 2004 09:54:52 -0400 From: Gabrielle L Frame To: gsp-cast@MIT.EDU, gsp-tech-int@MIT.EDU Subject: Iolanthe set build! Sunday! MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.56.0.175 X-Spam-Score: -3.513 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 09:54:52 -0400 From: Gabrielle L Frame To: gsp-cast@MIT.EDU, gsp-tech-int@MIT.EDU Subject: Iolanthe set build! Sunday! X-Originating-IP: 18.56.0.175 X-Spam-Score: -3.513 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Cast, crew, countrymen, The first in a long and exciting string of set builds will be held from 1-5pm this Sunday in the set shop. Come help create the imposing 16-foot facade of Act II! Come build a waterfall that can be removed between acts! Come for the excitement! The fun! The food! (well, maybe) The set shop is in the basement of Walker, for those of you who haven't been there before: http://whereis.mit.edu/map-jpg?selection=50&Buildings=go All skill levels are welcome. We'll have jobs ranging from mindless-drone to 1337-5ki11z. For those of you who have a) never been to our set shop before or b) have never been to *any* set shop before, I'll be giving a short introduction and walkthrough before the build at 12:30. If you have questions like, "But where can I find the dexion twerps?" or "What the hell is dexion?" I'll do my best to answer them. So, in summary: Set build! Sunday! 1-5pm! Come one, come all, but come in close-toed shoes and long pants, please! -Brie Frame YfnMaster Carpenter  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 14:52:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LIqChV027063; Tue, 21 Sep 2004 14:52:13 -0400 (EDT) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8LIqCPB001846 for ; Tue, 21 Sep 2004 14:52:12 -0400 (EDT) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8LIqAjc000356 for ; Tue, 21 Sep 2004 14:52:11 -0400 (EDT) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id i8LIqAVI012045; Tue, 21 Sep 2004 14:52:10 -0400 (EDT) Received: from 63.71.19.253 ([63.71.19.253]) (User authenticated as mrbonk@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Tue, 21 Sep 2004 14:52:10 -0400 Message-ID: <1095792730.4150785aaafc9@webmail.mit.edu> Date: Tue, 21 Sep 2004 14:52:10 -0400 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: "David C. Jedlinsky" Subject: Re: light saber tubes References: <1095723972.414f6bc454d68@webmail.mit.edu> <200409211751.i8LHpHAK000681@multics.mit.edu> In-Reply-To: <200409211751.i8LHpHAK000681@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 63.71.19.253 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 14:52:10 -0400 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: "David C. Jedlinsky" Subject: Re: light saber tubes In-Reply-To: <200409211751.i8LHpHAK000681@multics.mit.edu> X-Originating-IP: 63.71.19.253 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO the 'pot sells them? cool! My dad gave us a bunch to play with when we were kids. I didn't know where to get more. -Edmvnd Quoting "David C. Jedlinsky" : > > Home Depot. > > They're flourescent lightbulb "breakage containment" tubes, made out > of polycarbonate. > > -Dave > > > >Date: Mon, 20 Sep 2004 19:46:12 -0400 > >From: "Edmvnd W. Golaski" > > > >where did you get the tubes you used for the light sabers? I tried Staples > and > >couldn't find anything of the sort. > > > >-Edmvnd > > > >------------------------------------------------ > >Edmvnd W. Golaski > >golaski@alum.mit.edu > >A One that is not cold is scarcely a One at all. > >------------------------------------------------ > ------------------------------------------------ Edmvnd W. Golaski golaski@alum.mit.edu A One that is not cold is scarcely a One at all. ------------------------------------------------  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 16:15:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LKF4hV018819; Tue, 21 Sep 2004 16:15:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8LKF2xc005262 for ; Tue, 21 Sep 2004 16:15:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8LKEOTJ005520; Tue, 21 Sep 2004 16:14:24 -0400 (EDT) Date: Tue, 21 Sep 2004 16:14:24 -0400 (EDT) Message-Id: <00ab01c4a017$459c4e20$f64d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.428 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 16:14:24 -0400 (EDT) Reply-To: ilawson@rapidial.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.428 X-Spam-Flag: NO Adam hated to ask... > ...but could you remind me how one sets about solving a double > acrostic? I have a vague idea that the first represents the two words > (uprights) that will be formed from the words to be found (lights?) but > can't remember if it's first letter of each word forms one, and last letter > of each word forms the other, or? The numbered clues each lead to a word (or variant thereof, if so indicated by the clue - eg clue 2 below). The first letters of each answer (or 'light') spell out one 8-letter character, the last letters spell out another. By writing the lights one above the other, these first and last letter formations become 'uprights'. The first unnumbered clue stanza is a rather obvious clue to the two uprights - and indeed the opera that all the clues relate to. No-one has answered this hard acrostic yet - but perhaps you all have a pretty line in paradox instead?? Here's the acrostic again: > >Mother and son - surely they cannot be > >For she's the younger, anyone can see! > > > >1 Of various advantages they hold > > Not least is that of never growing old > > > >2 Like many a noble who before him sped > > this lordy personage has lost his head > > > >3 Certain little ladies bright > > Almost lived upon this light > > > >4 He herded sheep in this fair spot > > And seemed more proud of it than not > > > >5 Professional licence if indulged too far > > This light reversed is very apt to bar > > > >6 For one who's quickly struck by manly grace > > This epithet is surely out of place > > > >7 Curtail what they could not dissemble > > Fear it was that made them tremble > > > >8 A most precocious little sage > > A lawyer at this tender age. Cheers Ian Lawson  1, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 16:15:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LKEdhj018574; Tue, 21 Sep 2004 16:15:38 -0400 (EDT) Received: from mail02.southwest.com (mail02.southwest.com [12.5.136.142]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i8LKDkxc004130 for ; Tue, 21 Sep 2004 16:13:46 -0400 (EDT) Date: Tue, 21 Sep 2004 15:13:46 -0500 From: "Southwest Airlines" To: Reply-To: "Southwest Airlines" Subject: Ticketless Travel Passenger Itinerary Message-ID: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 15:13:46 -0500 From: "Southwest Airlines" To: Reply-To: "Southwest Airlines" Subject: Ticketless Travel Passenger Itinerary X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO **************************************************************** This e-mail contains Southwest Airlines Ticketless Travel information and is being sent to you at the request of the Purchaser, Passenger, or individual responsible for arranging this air travel. Beginning 12:01 AM local time on the day of departure, you may check in online and print your boarding pass at southwest.com by visiting: http://www.southwest.com/travel_center/retrieveCheckinDoc.html&src=receipt ********************* CONFIRMATION NUMBER ********************** RXZM3D Important: Please provide confirmation number and positive I.D. to receive a boarding pass for your flight. Snack Service: If your total flight itinerary includes a series of flights that each are less than two hours in duration, you will be served peanuts/pretzels on each flight segment. If your itinerary includes any nonstop flight longer than two hours, you will be served a packaged snack on that flight segment. Southwest Airlines does not serve sandwiches or meals, however, you may bring something to eat on board. ************************* PASSENGER(S) ************************* ELISE CURRAN ************************** ITINERARY *************************** Friday, October 22 - Orlando(MCO) to Manchester(MHT) Flight 1030 Depart Orlando(MCO) at 12:00 PM and arrive in Manchester(MHT) at 02:40 PM Sunday, October 24 - Manchester(MHT) to Orlando(MCO) Flight 950 Depart Manchester(MHT) at 08:05 PM and arrive in Orlando(MCO) at 11:05 PM Thank you for purchasing Southwest Airlines Ticketless Travel. For questions or changes concerning your reservation, call 1-800-I-FLY-SWA (1-800-435-9792). 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Please do not attempt to respond to this message.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 16:21:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LKLbhV022592; Tue, 21 Sep 2004 16:21:37 -0400 (EDT) Received: from imo-m20.mx.aol.com (imo-m20.mx.aol.com [64.12.137.1]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8LKLatx007927 for ; Tue, 21 Sep 2004 16:21:36 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-m20.mx.aol.com (mail_out_v37_r3.7.) id 6.8a.15aaf3c4 (3850) for ; Tue, 21 Sep 2004 16:21:31 -0400 (EDT) From: YesTisMabel@aol.com Message-ID: <8a.15aaf3c4.2e81e74b@aol.com> Date: Tue, 21 Sep 2004 16:21:31 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1095798091" X-Mailer: 9.0 for Windows sub 5032 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.64 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: YesTisMabel@aol.com Date: Tue, 21 Sep 2004 16:21:31 EDT Subject: Re: FW: 23 October G&S singalong in Brunswick, Maine -- First Official Announ... To: opus@mit.edu X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.64 X-Spam-Flag: NO -------------------------------1095798091 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 9/19/04 1:38:47 PM Eastern Daylight Time, opus@MIT.EDU writes: If you haven't already bought tickets to fly to Manchester for Barry's QWERT, Southwest.com is having a sale this week. If you hurry, you could get a round trip ticket for as little as $135.20. Don't worry about arrival or departure times; we'll get you to and from the airport no matter when you need to be there. Did it.....thanks! I sent you a copy of the itinerary. I tried to pick times that would work out most easily for you guys to pick me up, but there weren't many choices left...glad you let me know about the sale! See you sooooon! :-) Elise -------------------------------1095798091 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 9/19/04 1:38:47 PM Eastern Daylight Time, opus@MIT.E= DU writes:
If you haven't already bought tickets to fly t= o Manchester for Barry's
QWERT, Southwest.com is having a sale this week.=   If you hurry, you
could get a round trip ticket for as little as $= 135.20.  Don't worry
about arrival or departure times; we'll get you= to and from the
airport no matter when you need to be there.
Did it.....thanks!  I sent you a copy of the itinerary.  I tr= ied to pick times that would work out most easily for you guys to pick me up= , but there weren't many choices left...glad you let me know about the sale!=
 
See you sooooon!  :-)
 
Elise
-------------------------------1095798091--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 17:21:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LLLWhX027380; Tue, 21 Sep 2004 17:21:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8LLGlC0020824 for ; Tue, 21 Sep 2004 17:16:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8LLGCTJ006674; Tue, 21 Sep 2004 17:16:12 -0400 (EDT) Date: Tue, 21 Sep 2004 17:16:12 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.567 X-Spam-Level: * (1.567) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 17:16:12 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: The Sphere - acrostic X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.567 X-Spam-Level: * (1.567) X-Spam-Flag: NO In a message dated 9/21/04 1:14:20 PM, ilawson@rapidial.co.uk writes: >No-one has answered this hard acrostic yet - but perhaps you all have a >pretty line in paradox instead?? Well, your explanation of acrostics made that a whole lot easier! The first time you posted it, I had no idea what was meant by "lights" and "uprights," and I was rather puzzled by the whole thing (apart from the general idea that it was referring to Iolanthe). The answers can be found by scrolling down, if anyone's still stuck... Steve Lichtenstein "A vapid and vain old muff" I mmortal S O untarara T L ove R A rcade E N oitomor P T oug H H orr O E leve N  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Sep 2004 19:50:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8LNoshV000438; Tue, 21 Sep 2004 19:50:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8LNoqC0011219 for ; Tue, 21 Sep 2004 19:50:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8LNokTJ010317; Tue, 21 Sep 2004 19:50:46 -0400 (EDT) Date: Tue, 21 Sep 2004 19:50:46 -0400 (EDT) Message-Id: <4150BBC3.9040700@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Ballads, Songs and Speeches MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.472 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Sep 2004 19:50:46 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Ballads, Songs and Speeches X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.472 X-Spam-Flag: NO The BBC had an article today about politicians who quote Gilbert in their speeches. The link, passed along by a fellow Savoynetter, is: http://newsvote.bbc.co.uk/mpapps/pagetools/print/news.bbc.co.uk/1/hi/magazine/3634126.stm Here's a brief excerpt: It's party conference season again - so here's a new challenge to pass the time: keeping an ear open for politicians using lines from the works of Gilbert and Sullivan. Pay attention to a political debate on crime for any length of time and the chances are that, before too long, you will hear someone use one of the great clichés of the issue. There will almost certainly be a reference to the "short, sharp shock" that offenders have coming to them. And somebody is bound to express their desire to 'let the punishment fit the crime'. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 22 Sep 2004 12:41:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8MGfYhV029586; Wed, 22 Sep 2004 12:41:34 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8MGfYcn005907 for ; Wed, 22 Sep 2004 12:41:34 -0400 (EDT) Received: from tulpius-hilarus.mit.edu (TULPIUS-HILARUS.MIT.EDU [18.7.22.78]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8MGfPNn015321 for ; Wed, 22 Sep 2004 12:41:26 -0400 (EDT) Received: (from nobody@localhost) by tulpius-hilarus.mit.edu (8.12.2+Sun) id i8MGfPpu027371; Wed, 22 Sep 2004 12:41:25 -0400 (EDT) Received: from 63.71.19.253 ([63.71.19.253]) (User authenticated as mrbonk@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Wed, 22 Sep 2004 12:41:25 -0400 Message-ID: <1095871285.4151ab35c604c@webmail.mit.edu> Date: Wed, 22 Sep 2004 12:41:25 -0400 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: "David C. Jedlinsky" Subject: Re: light saber tubes References: <1095723972.414f6bc454d68@webmail.mit.edu> <200409211751.i8LHpHAK000681@multics.mit.edu> <1095820222.4150e3be6acf3@webmail.mit.edu> <200409221557.i8MFvGOh003026@multics.mit.edu> <1095869356.4151a3ac6c2c2@webmail.mit.edu> <200409221627.i8MGRBXE004485@multics.mit.edu> In-Reply-To: <200409221627.i8MGRBXE004485@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 63.71.19.253 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 22 Sep 2004 12:41:25 -0400 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: "David C. Jedlinsky" Subject: Re: light saber tubes In-Reply-To: <200409221627.i8MGRBXE004485@multics.mit.edu> X-Originating-IP: 63.71.19.253 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 telescoping. I was having trouble coming up with a two-way drive that would fit in the package, but I think I've got something... -Edmvnd Quoting "David C. Jedlinsky" : > > That sounds cool. Are you thinking telescoping, or something else? > > -Dave > > > >Date: Wed, 22 Sep 2004 12:09:16 -0400 > >From: "Edmvnd W. Golaski" > > > >I'm working on an idea for a saber variant. Specifically, I want to > >see if I can make one that shoops in and out at the push of a button. > > > >-Edmvnd > > > >Quoting "David C. Jedlinsky" : > > > >> > >> So, what do you need them for? Making more sabers, or something > >> completely different? > >> > >> -Dave > >> > > > > > >------------------------------------------------ > >Edmvnd W. Golaski > >golaski@alum.mit.edu > >A One that is not cold is scarcely a One at all. > >------------------------------------------------ > ------------------------------------------------ Edmvnd W. Golaski golaski@alum.mit.edu A One that is not cold is scarcely a One at all. ------------------------------------------------  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 23 Sep 2004 14:56:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8NIrrj1023291; Thu, 23 Sep 2004 14:56:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8NIqxEI010116 for ; Thu, 23 Sep 2004 14:53:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8NIqLTJ008948; Thu, 23 Sep 2004 14:52:21 -0400 (EDT) Date: Thu, 23 Sep 2004 14:52:21 -0400 (EDT) Message-Id: <0fdd01c4a19d$23011f30$6601a8c0@paul> Errors-To: savoynet-owner@bridgewater.edu Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: Marathon to Waterloo (was re: Plucky and Adventury ) MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 23 Sep 2004 14:52:21 -0400 (EDT) Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: Marathon to Waterloo (was re: Plucky and Adventury ) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO While we're working on that, you might want to look at http://www.upennmuseum.com/cuneiform.cgi Other interesting sites include: http://www.livius.org/cg-cm/chronicles/reading.html http://www.klinopis.cz/ and - of special interest to this community - http://members.aol.com/ricdum/mane.htm For your own (reproduction) cuneiform tablet http://www.talariaenterprises.com/product_lists/favorites/products_large/4535.html Ken Chambers wrote: >> The scholarship of the Savoynet bunch continues to amaze. I >> wouldn't want to bet we won't be given links to a website providing >> a washing bill written in Babylonic cuneiform. > > Ken Chambers > A genuine philanthropist  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 24 Sep 2004 15:50:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8OJnmhb015931; Fri, 24 Sep 2004 15:49:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8OJlxkn022516 for ; Fri, 24 Sep 2004 15:48:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8OJlDTJ027018; Fri, 24 Sep 2004 15:47:13 -0400 (EDT) Date: Fri, 24 Sep 2004 15:47:13 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Sandford's recorded dialogue Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.804 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 24 Sep 2004 15:47:13 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Sandford's recorded dialogue Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.804 X-Spam-Flag: NO >>> TS Wrench asks: Both [Ken's] Grosvenor & Grand Inquisitor were recorded with complete dialogue, and of course the Mikado film has dialogue. Does anyone know if the TV Patience mentioned in the obit has ever come out on video? I don't know. In addition, didn't Ken participate in the G&S for All video series? That must have dialogue. Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 24 Sep 2004 17:11:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8OLBKhV029679; Fri, 24 Sep 2004 17:11:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8OL9K2Y022807 for ; Fri, 24 Sep 2004 17:09:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8OL9GTJ028085; Fri, 24 Sep 2004 17:09:16 -0400 (EDT) Date: Fri, 24 Sep 2004 17:09:16 -0400 (EDT) Message-Id: <003e01c4a279$4cfb59e0$a6068751@tinypc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris.wain@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Wain" To: Multiple recipients of list SAVOYNET Subject: Creasy's battles MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 24 Sep 2004 17:09:16 -0400 (EDT) Reply-To: chris.wain@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Wain" To: Multiple recipients of list SAVOYNET Subject: Creasy's battles X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Many thanks to Paul for doing what I should have done and finding the full list. They are indeed indicative of the time and place of their choice - but it is not a bad selection, even so. For instance it is not unfair to say that sea battles are not usually decisive - in the end it is the land that has to be held by the conquering power, that is where people live to be dominated, after all. Also, it tends to be easier for the weaker side to avoid a decisive conflict on the sea, simply by staying in harbour and waiting for the weather and/or disease to do for you what you can't do for yourself. Crecy and Agincourt, spectacular though they were at the time, didn't actually have any lasting effect beyond 1453, so that's why they're not there. I'm surprised Pavia isn't there - I should have thought it had more of a claim than Pultowa and Valmy. It is a Euro-centric list, of course - but what else could have they been at that period? Do Genghis Khan's battles even have names? (Genuine question - if the answer is that they do, then perhaps one of them should have had a claim). BTW, I love Clive's washing bill! Chris > David Craven wrote: > > I think that the actual list would be rather > > revealing of a mind set... and of course, this > > historic bit really puts MG Stanley even > > more into a specific place. > > "Paul Danaher" wrote: > .. the 15 battles are > The Battle Of Marathon > Defeat Of The Athenians At Syracuse, B.C. 413. > The Battle Of Arbela, B.C. 331. > The Battle Of The Metaurus, B.C. 207. > Victory Of Arminius Over The Roman Legions Under > Varus, A.D. 9. > The Battle Of Chalons, A.D. 451. > The Battle Of Tours, A.D. 732. > The Battle Of Hastings, A.D. 1066. > Joan Of Arc's Victory Over The English At Orleans, > A.D. 1429. > The Defeat Of The Spanish Armada, A.D. 1588. > The Battle Of Blenheim, A.D. 1704. > The Battle Of Pultowa, A.D. 1709. > Victory Of The Americans Over Burgoyne At Saratoga, > A.D. 1777. > The Battle Of Valmy. > The Battle Of Waterloo, 1815. > > > And yes, as David Craven suggested, the actual list > certainly says something about when it was written, > where it was written, and who it was written by! > > These are a euro-centric and anglo-centric set of > battles, based on events of great political and social > importance to Europe (and Britain) of that age. I > notice that the list also happens to exclude all naval > battles, save the Spanish Armada - perhaps it is also > an "Army-centric" listing. (a fault which one might > forgive in an otherwise so well-rounded Major General) > > > Edwin Nealley > esnealleyiii@yahoo.com > Philadelphia, PA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 25 Sep 2004 13:02:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8PH2ahV009949; Sat, 25 Sep 2004 13:02:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8PH2PR2003498 for ; Sat, 25 Sep 2004 13:02:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8PH2JTJ006239; Sat, 25 Sep 2004 13:02:19 -0400 (EDT) Date: Sat, 25 Sep 2004 13:02:19 -0400 (EDT) Message-Id: <20040925.094915.5216.781880@webmail23.nyc.untd.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dunham16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "dunham16@juno.com" To: Multiple recipients of list SAVOYNET Subject: Authenticity Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: WebMail Version 2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.043 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 25 Sep 2004 13:02:19 -0400 (EDT) Reply-To: dunham16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "dunham16@juno.com" To: Multiple recipients of list SAVOYNET Subject: Authenticity X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.043 X-Spam-Flag: NO With most of the 19th century romantic and late 18th century classical works performed today, there are two problems with authenticity. One is that the audiences at the premiere often knew things of which today's audiences are unaware. For example, when looking at opera libretti such as Verdi's "Ernani" and Donizetti's "Lucia", the Hugo play "Hernani" and the Scott novel "The Bride of Lammermour" were regularly available in Italian translations at the time these operas premiered, so that the extraordinary amount of background material needed to explain the considerable literary merit of these storyboards and of the imagery to 20th or 2lst century opera-going public wasn't necessary then. Second of all, it was really toward the end of the nineteenth century that publishers stopped "editing" scores and started printing precisely what the composer had written down. In the case of ballet, the male soli were completely lost by the time the ballet got to Russia, where the men wore heeled shoes and partnered ballerinas in the pas de deux, while ballerinas added endless soli featuring the new techniques being developed from the time of Petipa to the time of Vaganova. Around 1940, the male soli we know today started to be regularly performed, and none of this music or choreography for this is in any original score, as well as none of the female soli which had been added over the decades. The same basic situation is true of opera, where, for example, every number written over time for "Figaro" and "Don Giovanni" is included in scores, while conductors and artistic directors pick and choose what is added or left out in their decade. The same is true of the original Ricordi scores of Verdi operas, where pages and pages of set pieces written at various times for middle-period operas, such as FORZA DEL DESTINO and DON CARLOS, are generally included in vocal scores, which makes these operas nearly six hours in the theater if all is performed with a lackadasical conductor. FORZA was always performed in a cut version, though today, its ridiculous plot makes it less a showcase for famous singers doing familiar music than it was even 20 years ago. DON CARLOS suffers from an added "backstory act" in France not intended by Schiller where Carlos comes to visit Elisabeth de Valois with a proposal of marriage from his father, King Philip II. This scene is not in the original Schiller play and spoils the very refined dramatic structure of the Schiller play, though there is enough excellent tenor and soprano music in it to make tenors and sopranos with "clout" have it performed for individual productions. Indeed, including this scene in the six hour version wrecks the effect in Schiller's opening scene when the unstable Carlos blurts out of nowhere to his father's male paramour that he has romantic feelings for his stepmother, the basis of King Philip's very unwise and politically dangerous decisions in the play, such as continuing an opressive military rule over the Netherlands and publicly announcing his intent to imprison his own son at a public spectacle-the burning of heretics. As far as "authentic" versions of the G&S operettas, one need only discover the viewpoint of many UK Savoynetters concerning the Schirmer piano-vocal scores widely available in the US to realize how difficult it is to "go back to the original", which has always been accomplished with less accuracy than most believe in the performing arts. Then, of course, there is the considerable amount of research which modern audiences not subscribing to Savoynet have to do to understand the individual references in the list songs. Arrow ________________________________________________________________ Get your name as your email address. Includes spam protection, 1GB storage, no ads and more Only $1.99/ month - visit http://www.mysite.com/name today!  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 25 Sep 2004 20:45:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8Q0j4hV008580; Sat, 25 Sep 2004 20:45:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8Q0j2fD018972 for ; Sat, 25 Sep 2004 20:45:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8Q0iuTJ009456; Sat, 25 Sep 2004 20:44:56 -0400 (EDT) Date: Sat, 25 Sep 2004 20:44:56 -0400 (EDT) Message-Id: <6.1.2.0.0.20040926011048.01cc31d0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Musings on Thespis. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 25 Sep 2004 20:44:56 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Musings on Thespis. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Yes, my production is still in the works - I have about half the act I finale, and most of the Act II, but, obviously, the finales take a bit longer to do than the shorter pieces. Here's a few thoughts that struck me whilst working on it: The Festival Te Deum, written a year after Thespis, may well have some Thespis material in it. The military band section of No 7 is the only tune that I can find in all Sullivan that fits "We will go / Down below / Revels rare / We will share / Ha ha ha (ha ha ha ha ha)". No. 3 ("We believe that thou shalt come to be our judge") has a long very operetta-like section that fits "Oh, I'm the celestial drudge" with a few minor changes. (mainly just dividing a few notes and collectin together the four vocal parts who sing sequentially) No 6. fits a huge section of the Act II finale - in its entirety. Only changes that might be advisable to make are to remove the soprano soloist's lines, and shoving the remaining choral parts together - but even then that's not necessary. And consider that the meters are all off in these songs. For instance WHOM thou HAST re DEEM ed WITH thy PREcious BLOOD - surely that should be amphibrachs: whom THOU hast re DEEM ed with THY pre cious BLOOD. I could be wrong, but I do believe that Sullivan's stealing from Thespis started at the outset. It was supposed to be a one-off. He never expected working with Gilbert would later make Thespis profitable. It's also my theory that so much of Thespis had been used up that the "revival" of Thespis would have been essentially a new work, but they waited too long, the Carpet Quarrel happened, and they stopped being as profitable a name. After the Festival Te Deum was dedicated to the Queen, what more could Sullivan do but recompose? He couldn't very well admit to his reusing a burlesque in a serious religious piece with the patronage of the Queen. No, Thespis had to be buried. Finally, This is Thoughts no 1: http://diamond.boisestate.edu/gas/other_sullivan/chamber/thought1.mid This is Thady O'Flynn: http://diamond.boisestate.edu/gas/thespis/thady/thady.mid Do they sound similar to any of you? Of course, I realise that EVERY reconstructor of Thespis will find something "actually from Thespis", so I could well be wrong =) -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 15:49:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8QJn8hV013408; Sun, 26 Sep 2004 15:49:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8QJn6K3008570 for ; Sun, 26 Sep 2004 15:49:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8QJn1TJ015621; Sun, 26 Sep 2004 15:49:01 -0400 (EDT) Date: Sun, 26 Sep 2004 15:49:01 -0400 (EDT) Message-Id: <003001c4a3ff$c517b630$084486d9@Computywooty> Errors-To: savoynet-owner@bridgewater.edu Reply-To: william@revels4341.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "William Revels" To: Multiple recipients of list SAVOYNET Subject: Re: Rehearser's diary 3 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 15:49:01 -0400 (EDT) Reply-To: william@revels4341.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "William Revels" To: Multiple recipients of list SAVOYNET Subject: Re: Rehearser's diary 3 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO My fellow Savoynetters If you have been following Ian Hollamby's accounts of our rehearsals, you will know that Littlehampton Players Operatic Society will shortly be performing Stuart Box's production of The Gondoliers. I am new to Giuseppe, and I must say that the role is a real bugger to learn. It turns out that Ian has sung Marco, Giuseppe and Luiz before - how dare he be so polimathic! I feel that I must put the record straight: Ian, quiet timid and unassuming chap that he is, is far too self-deprecating about his dancing abilities. He has what can only be described as a very individual way with dance-routines, and I can assure you that during the Cachucha, every eye in the house will be on him. Truly a unique talent. Well, Stuart's production is just four weeks away, and with all this talk of authenticity I thought you'd all like a flavour of it. First it has to be said that it is unashamedly modern, with Armani suits and sunglasses much in evidence in Act 1. I'm pleased to say that I have been able to borrow a small speedboat (one of the benefits of a theatre on the seafront), in lieu of a gondola, in which the gondoliers arrive in Act 1, and all depart for Barataria in at the end of that act. Don Alhambra has become the Reverend Donald Alhambra, an American fundamentalist TV evangelist, a transformation which works surprisingly well, and Act 2 is set in concrete hotel in the cheap Spanish nudist resort of Barataria, which saves a lot of money on costumes. Stuart's sensitive total-rewrite of dialogue and lyrics shows that you can change almost all the words and yet remain completely faithful to W S Gilbert. I don't want to give away the ending, but I can reveal that Stuart's new Act 2 finale sees some new, and not totally heterosexual pairings, which works rather well because that dreadful final Cachucha is replaced by a chorus of "I am what I am". I shall shortly be posting detailed booking information on SavoyNet, and I urge anyone in the Europe area to book early for this not-to-be-seen event. William Revels Pinch of Salt Productions, Littlehampton, West Sussex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 16:32:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8QKWMhV026883; Sun, 26 Sep 2004 16:32:23 -0400 (EDT) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8QKRKZh008325; Sun, 26 Sep 2004 16:27:20 -0400 (EDT) Received: from attraction.mit.edu (ATTRACTION.MIT.EDU [18.101.0.116]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8QKRIjc016785; Sun, 26 Sep 2004 16:27:18 -0400 (EDT) Received: (from jweiss@localhost) by attraction.mit.edu (8.9.3) id QAA04480; Sun, 26 Sep 2004 16:27:18 -0400 Message-Id: <200409262027.QAA04480@attraction.mit.edu> From: Jonathon Weiss To: Richard Tibbetts cc: multics-maintainers@MIT.EDU Subject: Re: RSA authentication for SSH on Multics In-reply-to: Your message of "Sat, 25 Sep 2004 13:10:05 EDT." <20040925171005.GA4374@nibbler.grassybrook.com> Date: Sun, 26 Sep 2004 16:27:18 -0400 Sender: jweiss@MIT.EDU X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Jonathon Weiss To: Richard Tibbetts cc: multics-maintainers@MIT.EDU Subject: Re: RSA authentication for SSH on Multics In-reply-to: Your message of "Sat, 25 Sep 2004 13:10:05 EDT." <20040925171005.GA4374@nibbler.grassybrook.com> Date: Sun, 26 Sep 2004 16:27:18 -0400 Sender: jweiss@MIT.EDU X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 > I would find it very useful if multics ran an sshd that would accept > RSA authentication, either on port 22 or on another port. Brief > discussion on -i multics today seemed to agree that was reasonable. > Would someon be up for doing that? Or I could take care of it, if > someone wants to give me access. I'm not comfortable changing the behavior on port 22, since I think there are really old crufty SIPB membrs who would be hurt by it, but I have no problem running another sshd. Unless I hear objections I'll set it up in a few days. Suggestions for what port number to use will be considered. Jonathon  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 17:10:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8QLAuhV009124; Sun, 26 Sep 2004 17:10:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8QL9ksR002089 for ; Sun, 26 Sep 2004 17:09:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8QL9YTJ016664; Sun, 26 Sep 2004 17:09:34 -0400 (EDT) Date: Sun, 26 Sep 2004 17:09:34 -0400 (EDT) Message-Id: <20040926210555.23491.qmail@web60201.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001a01c4a3f0$cf5f62f0$41e52ac2@ian> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.705 X-Spam-Level: * (1.705) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 17:09:34 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001a01c4a3f0$cf5f62f0$41e52ac2@ian> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.705 X-Spam-Level: * (1.705) X-Spam-Flag: NO Andrew wrote... ***Incidentally, I think it's obvious that there are limits to "authenticity".*** Right - maybe not so with "presentation" but definitely with "experience." I've posted something like this before but I don't see how you can recreate the authentic experience if the original audience was used to gaslight (just to pick one aspect) and today's audience is used to electricity. Ian wrote... ***we can 'update' the jokes for a modern audience - Gilbert did this himself didn't he?*** Wouldn't that be an interesting concept: To write topical operas that demand future lyricists to update all the songs? The original work wouldn't be replaced or forgotten - but would be designed as a vehicle to document cultural attitudes through the centuries. Ho! Ho! Who's behind me on this? *crickets chirping* Then William wrote... ***Stuart's sensitive total-rewrite of dialogue and lyrics shows that you can change almost all the words and yet remain completely faithful to W S Gilbert.*** How odd. I just signed on to suggest a contest where competitors would take a G&S opera and completely rewrite all the lyrics to make them politically up-to-date. (I would come in dead last since I never have a clue what's going on in the world.) But this is just a wild idea for a slow week-end. Now to find my copy of DON CARLO because the group has sparked my interest. I think I listened to it once then forgot about it. John S LI NY __________________________________ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 17:30:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8QLUfhV014777; Sun, 26 Sep 2004 17:30:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8QLTpsR011319 for ; Sun, 26 Sep 2004 17:29:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8QLTjTJ016854; Sun, 26 Sep 2004 17:29:45 -0400 (EDT) Date: Sun, 26 Sep 2004 17:29:45 -0400 (EDT) Message-Id: <003401c4a40e$a6d28b50$50e52ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Naked Gondoliers MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0031_01C4A417.07576E70" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 17:29:45 -0400 (EDT) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Naked Gondoliers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0031_01C4A417.07576E70 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable William Revels wrote: Well, Stuart's production is just four weeks away, and with all this = talk of authenticity I thought you'd all like a flavour of it. First it has to = be said that it is unashamedly modern, with Armani suits and sunglasses = much in evidence in Act 1. I'm pleased to say that I have been able to borrow a small speedboat (one of the benefits of a theatre on the seafront), in = lieu of a gondola, in which the gondoliers arrive in Act 1, and all depart = for Barataria in at the end of that act. Don Alhambra has become the = Reverend Donald Alhambra, an American fundamentalist TV evangelist, a = transformation which works surprisingly well, and Act 2 is set in concrete hotel in the cheap Spanish nudist resort of Barataria, which saves a lot of money on costumes. Stuart's sensitive total-rewrite of dialogue and lyrics shows that you = can change almost all the words and yet remain completely faithful to W S Gilbert. I don't want to give away the ending, but I can reveal that Stuart's new Act 2 finale sees some new, and not totally heterosexual pairings, which works rather well because that dreadful final Cachucha = is replaced by a chorus of "I am what I am". I shall shortly be posting detailed booking information on SavoyNet, and I urge anyone in the = Europe area to book early for this not-to-be-seen event. I can only confirm William's approbation of our 'Gondoliers'=20 I admit to being uncomfortable in an Armani suit & sunglasses, but = William's=20 speedboat is superbly realised - a Gondola with attitude, if you will! The Rev. Alhambra comes into his own when he sings his 'Bishops in their shovel hats' line, and the nudity in the Barataria resort works = brilliantly - =20 it certainly _does_ save money on costumes O.K. 'Contemplative Fashion' may not, by the end, conform to the = expected heterosexual norm, but it does make sense of 'Here is a case = unprecedented' I agree with William, that Stuart's total rewrite is truly inspired. My = only worry has to do with having Inez played by a man. Ian ( Ncl) ------=_NextPart_000_0031_01C4A417.07576E70 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
William Revels wrote:
 
Well, Stuart's production is just four weeks away, and = with all=20 this talk of
authenticity I thought you'd all like a flavour of it. = First it=20 has to be
said that it is unashamedly modern, with Armani suits and=20 sunglasses much in
evidence in Act 1. I'm pleased to say that I have = been=20 able to borrow a
small speedboat (one of the benefits of a theatre on = the=20 seafront), in lieu
of a gondola, in which the gondoliers arrive in = Act 1, and=20 all depart for
Barataria in at the end of that act. Don Alhambra has = become=20 the Reverend
Donald Alhambra, an American fundamentalist TV = evangelist, a=20 transformation
which works surprisingly well, and Act 2 is set in = concrete=20 hotel in the
cheap Spanish nudist resort of Barataria, which saves a = lot of=20 money on
costumes.

Stuart's sensitive total-rewrite of = dialogue and=20 lyrics shows that you can
change almost all the words and yet remain=20 completely faithful to W S
Gilbert. I don't want to give away the = ending, but=20 I can reveal that
Stuart's new Act 2 finale sees some new, and not = totally=20 heterosexual
pairings, which works rather well because that dreadful = final=20 Cachucha is
replaced by a chorus of "I am what I am". I shall shortly = be=20 posting
detailed booking information on SavoyNet, and I urge anyone = in the=20 Europe
area to book early for this not-to-be-seen = event.

I can=20 only confirm William's approbation of our 'Gondoliers'=20
I  admit=20 to being uncomfortable in an Armani suit & sunglasses, but William's =
speedboat is=20 superbly realised - a Gondola with attitude, if you = will!
The Rev.=20 Alhambra comes into his own when he sings his 'Bishops in=20 their
shovel hats'=20 line, and the nudity in the Barataria resort works brilliantly -=20  
it certainly=20 _does_ save money on costumes
 
O.K.=20 'Contemplative Fashion' may not, by the end, conform to the=20 expected
heterosexual=20 norm,=20 but it does make sense of  'Here is a case=20 unprecedented'
 
I agree with=20 William, that Stuart's total rewrite is truly inspired. My only=20 worry
has to do with=20 having Inez played by a man.
 
Ian (=20 Ncl)


 ------=_NextPart_000_0031_01C4A417.07576E70--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 19:32:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8QNWkhV022527; Sun, 26 Sep 2004 19:32:46 -0400 (EDT) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8QNWZbi005087; Sun, 26 Sep 2004 19:32:35 -0400 (EDT) Received: from egyptian-gods.mit.edu (EGYPTIAN-GODS.MIT.EDU [18.101.0.162]) (authenticated bits=56) (User authenticated as ghudson@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i8QNWWv2027130 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Sun, 26 Sep 2004 19:32:33 -0400 (EDT) Received: (from ghudson@localhost) by egyptian-gods.mit.edu (8.12.9) id i8QNWW0b023653; Sun, 26 Sep 2004 19:32:32 -0400 Subject: Re: RSA authentication for SSH on Multics From: Greg Hudson To: Jonathon Weiss Cc: Richard Tibbetts , multics-maintainers@mit.edu In-Reply-To: <200409262027.QAA04480@attraction.mit.edu> References: <200409262027.QAA04480@attraction.mit.edu> Content-Type: text/plain Content-Transfer-Encoding: 7bit Message-Id: <1096241551.18270.87.camel@egyptian-gods.mit.edu> Mime-Version: 1.0 X-Mailer: Ximian Evolution 1.4.5 Date: Sun, 26 Sep 2004 19:32:31 -0400 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Subject: Re: RSA authentication for SSH on Multics From: Greg Hudson To: Jonathon Weiss Cc: Richard Tibbetts , multics-maintainers@mit.edu In-Reply-To: <200409262027.QAA04480@attraction.mit.edu> Date: Sun, 26 Sep 2004 19:32:31 -0400 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 On Sun, 2004-09-26 at 16:27, Jonathon Weiss wrote: > > I would find it very useful if multics ran an sshd that would accept > > RSA authentication, either on port 22 or on another port. Brief > > discussion on -i multics today seemed to agree that was reasonable. > > Would someon be up for doing that? Or I could take care of it, if > > someone wants to give me access. > > I'm not comfortable changing the behavior on port 22, since I think > there are really old crufty SIPB membrs who would be hurt by it To be hurt by it, you would need to make your Athena ~/.ssh directory world-readable and create a ~/.ssh/authorized_keys file containing a public key corresponding to a private key on the client. I don't know how someone does this by accident. (Also, the client has to not be using gss authentication, but that's a lot easier to envision.)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 20:15:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8R0FkhZ006586; Sun, 26 Sep 2004 20:15:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8R0EsAT026464 for ; Sun, 26 Sep 2004 20:14:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8R0EhTJ018588; Sun, 26 Sep 2004 20:14:43 -0400 (EDT) Date: Sun, 26 Sep 2004 20:14:43 -0400 (EDT) Message-Id: <000e01c4a425$5a96e440$18379851@computername> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lynda.read@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "lynda.read" To: Multiple recipients of list SAVOYNET Subject: Tom Round sing at our last night of Mikado MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000B_01C4A42D.BA0A5760" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 20:14:43 -0400 (EDT) Reply-To: lynda.read@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "lynda.read" To: Multiple recipients of list SAVOYNET Subject: Tom Round sing at our last night of Mikado X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_000B_01C4A42D.BA0A5760 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Couldn't post this last week, as I've been on holiday. Our last night of "Mikado", was last Saturdays, (18th Sept), and as it = was our society's 50th year production, we asked Tom on stage. By the = way the society is Staveley Amateur Operatic Society. He normally comes = to see our productions, and comes back stage, but this year we asked him = if he would like to come on stage, and he jumped at the chance. He gave a lovely "speech", and even sang the "curtain call", which was = from 'the threatened cloud has passed away'. He even stayed on stage = after the curtain came down, to congratulate everyone, and thanking us = for asking him. It really was a wonderful end to our 50th production. We were all quite = moved. We asked him about the G and S for all videos, and he said there are a = few places to get them from. I'd pulled some of the information given to = me by some of you out there! When I asked about Tom on video, I knew about the G and S for all = videos, but I was wanting a full length production. Any way, I just thought I'd share that little bit a pleasure our society = had. Lynda Read Lancaster England ------=_NextPart_000_000B_01C4A42D.BA0A5760 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Couldn't post this last week, as I've = been on=20 holiday.
Our last night of "Mikado", was last = Saturdays,=20 (18th Sept), and as it was our society's 50th year production, we asked = Tom on=20 stage. By the way the society is Staveley Amateur Operatic Society. He = normally=20 comes to see our productions, and comes back stage, but this year we = asked him=20 if he would like to come on stage, and he jumped at the = chance.
He gave a lovely "speech", and even = sang the=20 "curtain call", which was from 'the threatened cloud has passed away'. = He even=20 stayed on stage after the curtain came down, to congratulate everyone, = and=20 thanking us for asking him.
It really was a wonderful end to our = 50th=20 production. We were all quite moved.
We asked him about the G and S for all = videos, and=20 he said there are a few places to get them from. I'd pulled some of the=20 information given to me by some of you out there!
When I asked about Tom on video, I knew = about the G=20 and S for all videos, but I was wanting a full length = production.
Any way, I just thought I'd share that = little bit a=20 pleasure our society had.
 
Lynda Read
Lancaster = England
------=_NextPart_000_000B_01C4A42D.BA0A5760--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 20:16:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8R0GjhV006895; Sun, 26 Sep 2004 20:16:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8R0GhAT027393 for ; Sun, 26 Sep 2004 20:16:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8R0GaTJ018695; Sun, 26 Sep 2004 20:16:36 -0400 (EDT) Date: Sun, 26 Sep 2004 20:16:36 -0400 (EDT) Message-Id: <20040927001517.2720.qmail@web13726.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040926210555.23491.qmail@web60201.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 20:16:36 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040926210555.23491.qmail@web60201.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO John Spartan wrote: > I've posted something like this before but I don't > see > how you can recreate the authentic experience if the > original audience was used to gaslight (just to pick > one aspect) and today's audience is used to > electricity. For that matter, none of us can recreate the authentic experience of our first encounter with an opera. Hopefully, though, there are qualities in play or opera to recommend it beyond novelty or authenticity. In a similar vein but with a different point, David Craven explained that some of the original blocking might have been due to the demands of gaslight or heavy costuming or early electrical lighting, etc. (Out of curiosity, does this end with staging, or might there be elements within the four corners of the script that also reflect the limitations or demands of the stagecraft of the day? Is the legitimacy of authorial intent so easily defined as to draw the line at the published word?) If David is arguing that all directorial decisions for a current production ought to have a rational thought process behind them rather than be mere reproductions of earlier practices without question, then his point is an excellent one. If, on the other hand, he is arguing that there is no point in researching earlier productions for valid ideas because recreating a truly authentic production is pointless given the changes in technology, then the argument is a red herring. All art is created within an art historical context. That the historical context or the artistic medium has changed since doesn't render the art illegitimate. We don't ignore the work of a great fresco painter just because modern canvas might have influenced his art in ways that were impossible in his day. Rather we make ourselves as familiar as possible with the choices that were available to the artist and marvel at what he did with them. Likewise we don't ignore a baroque concerto simply because the composer might have written differently had modern instruments been available. Rather we research both the techniques of the composer's day and more recent developments and find various legitimate ways of expressing the music. If this approach as applied to staging is what David is campaigning for, then count me as his disciple. If he is instead arguing for beginning with a blank slate with no research or concern for the dramatist's practices (or those of subsequent skilled and artistic directors who might have brought additional insight to the work), then I fear I am among the dolts who are too thick to get his argument. Kevin Wachs =====  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Sep 2004 21:18:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8R1IFhX027890; Sun, 26 Sep 2004 21:18:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8R1HUAT001280 for ; Sun, 26 Sep 2004 21:17:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8R1HLTJ019325; Sun, 26 Sep 2004 21:17:21 -0400 (EDT) Date: Sun, 26 Sep 2004 21:17:21 -0400 (EDT) Message-Id: <171d01c4a42d$78aace80$6601a8c0@paul> Errors-To: savoynet-owner@bridgewater.edu Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 26 Sep 2004 21:17:21 -0400 (EDT) Reply-To: watwinc@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Danaher" To: Multiple recipients of list SAVOYNET Subject: Re: Authenticity - How? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Marc Shepherd wrote: > John Spartan wrote: > >> I've posted something like this before but I don't see >> how you can recreate the authentic experience if the >> original audience was used to gaslight (just to pick >> one aspect) and today's audience is used to >> electricity. > > Yes, there are a couple of Savoynetters who point this out whenever > the authenticity debate rears its head. > > But just because *that* aspect of the experience cannot be > replicated, does not mean that the entire authenticity movement is > categorically misguided. Ah, that word "categorically"! But you're right, of course. On the broader scale, we have the whole raging debate about authentic performance of works from the Baroque period and earlier. Bach's preludes and fugues obviously sound very different on a modern piano. Some of the noises produced by the Early Music consorts based on strange caricatures of monks chanting in manuscript illuminations (and even stranger notions of why the monks "looked" like that) are now part of the critical canon. (And sometimes I listen to works performed by shaums and rebecs and think to myself that this could easily be the Tulsa Early Music Kazoo Consort.) And then I go back to the 70s in London, when Gardiner was rediscovering Monteverdi, written off by Einstein as a musical primitive, and we were hearing the magic of "Pur ti miro" from "L'incoronazione di Poppea". Or earlier, when Colin Davis was reviving the splendour of Berlioz's "Les Troyens". I've sung in any number of different interpretations - more or less "authentic" - of "Messiah", and some of them were triumphant, some of them merely pedantic. I think the message has to be related to Joseph Papp's reinterpretation of "Pirates". (All of us will, I think, agree that Kevin Klein can't sing his way out of a paper bag. His acting, on the other hand, reset the bar.) Whatever puts people in touch with The Music (a passing - and unwilling - tribute to "Amadeus" and "10") has to have something going for it, no?  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 10:09:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SE9ohV027469; Tue, 28 Sep 2004 10:09:50 -0400 (EDT) Received: from steele.mgh.harvard.edu (steele.mgh.harvard.edu [132.183.110.30]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8SE9foQ016077 for ; Tue, 28 Sep 2004 10:09:41 -0400 (EDT) Received: from [132.183.14.105] (w0025439-udp911439uds.mgh.harvard.edu [132.183.14.105]) by steele.mgh.harvard.edu (Postfix) with ESMTP id 1AD06309DD2 for ; Tue, 28 Sep 2004 10:09:41 -0400 (EDT) Mime-Version: 1.0 Message-Id: Date: Tue, 28 Sep 2004 10:09:36 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: date grab Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.001 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 10:09:36 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: date grab X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.001 X-Spam-Flag: NO Just a reminder, Halloween Party on (surprise) Halloween! This year the annual party will be in Middleboro. :-) --cyn  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 10:53:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SErNhV023848; Tue, 28 Sep 2004 10:53:23 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8SEeiH0029162; Tue, 28 Sep 2004 10:40:44 -0400 (EDT) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i8SEeeNn015623; Tue, 28 Sep 2004 10:40:40 -0400 (EDT) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id i8SEeett000256; Tue, 28 Sep 2004 10:40:40 -0400 (EDT) Received: from h0000e2599cce.ne.client2.attbi.com (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (User authenticated as jbraun@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Tue, 28 Sep 2004 10:40:40 -0400 Message-ID: <1096382440.415977e86303b@webmail.mit.edu> Date: Tue, 28 Sep 2004 10:40:40 -0400 From: Jennifer M Braun To: mtg-announce@mit.edu Subject: *MTG AUDITIONS TONIGHT!* How to Succeed in Business Without Really Trying MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 66.30.24.248 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 10:40:40 -0400 From: Jennifer M Braun To: mtg-announce@mit.edu Subject: *MTG AUDITIONS TONIGHT!* How to Succeed in Business Without Really Trying X-Originating-IP: 66.30.24.248 X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild announces auditions for its Fall 2004 production of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING Book by Abe Burrows, Jack Weinstock and Willie Gilbert Lyrics and music by Frank Loesser Directed by Kristin Hughes Vocal directed by Cinda Anne Rousculp Orchestra directed by Elizabeth Zakzewski Choreographed by Liz MacEnulty MTG will be holding >>>>>> AUDITIONS <<<<<< September 28th and 29th from 7-9pm Room 36-153 (http://whereis.mit.edu/map-jpg?selection=36&Buildings=go) Callbacks September 30th Prepare a song, in English, and bring sheet music for the accompanist. Be prepared to do cold readings, and dress for movement. To request an alternate audition time (due to conflicts), email Jennifer Braun, co-producer at jbraun@mit.edu. SHOW DATES: December 3-5 and 9-11, 2004 Power, sex, ambition, greed... it's just another day at the office. From the authors of “Guys And Dolls” comes one of the most delightfully irreverent musicals of all time. A satire of big business and all it holds sacred, “How To Succeed In Business Without Really Trying” follows the rise of J. Pierrepont Finch, who uses a little handbook called "How To Succeed In Business Without Really Trying" to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant "company man," the boss' whiny, nepotistic nephew, the office party, backstabbing co-workers, caffeine addiction and, of course, true love. ******************************************************************** Contact us at mtg-board@mit.edu or 617-253-6294 with questions. Cast, production staff, and orchestra positions are open to everyone, although preference will be given to MIT students and community members in accordance with the MTG constitution. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. MTG is a volunteer organization; compensation is not provided to production staff, cast, or orchestra members. ****************************************************************** bcc'd to mtg-info@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons@mit.edu, theater@mit.edu  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 11:17:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SFF9id008009; Tue, 28 Sep 2004 11:17:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8SFDHEX006275 for ; Tue, 28 Sep 2004 11:13:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8SFCvTJ018469; Tue, 28 Sep 2004 11:12:58 -0400 (EDT) Date: Tue, 28 Sep 2004 11:12:57 -0400 (EDT) Message-Id: <6.1.2.0.0.20040928160231.01c72b80@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Today's Free VS: Dorothy Act I! Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 11:12:57 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Today's Free VS: Dorothy Act I! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Whoever is interested in the Cellier opera that annoyed Sullivan by being more popular than any of his own operas may now receive Act I! Just e-mail me and ask. At the same time, I hate to ask, but... since the binding was just loose enough to get in the way of scanning, I had to take my score apart into 16 page sections. Anyone willing to donate a pound or two to the "rebind Adam's Dorothy" fund can send it by paypal to farmer_giles@tiscali.co.uk or cheques (Pounds sterling only, please) to Adam Cuerden Flat 3, 7, Wheatfield Road, Gorgie, Edinburgh, EH11 2PT UK Any donations are voluntary. I only ask because, well, there is some expense involved in preparing scores, and wit would be nice to have some of it covered. Anyway, I do hate to ask. Anyway, later this week: Act II and III (Act III's really short) then probably the first-edition Sorcerer, then either Geisha, Quaker Girl, or some of the stuff I'm getting from the SASS, if I'm allowed to scan it, like Íle Enchantee. -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 15:45:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SJjlhV001304; Tue, 28 Sep 2004 15:45:48 -0400 (EDT) Received: from kirameki-neko.metacarta.com (kirameki-neko.metacarta.com [66.92.95.189]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8SJj3Gl021097; Tue, 28 Sep 2004 15:45:04 -0400 (EDT) Received: by kirameki-neko.metacarta.com (Postfix, from userid 501) id E3319DE358; Tue, 28 Sep 2004 15:44:35 -0400 (EDT) To: rls@mit.edu Cc: dinner@mit.edu Subject: Teddy Bears... In... Space! From: eichin@thok.org Message-Id: <20040928194435.E3319DE358@kirameki-neko.metacarta.com> Date: Tue, 28 Sep 2004 15:44:35 -0400 (EDT) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 To: rls@mit.edu Cc: dinner@mit.edu Subject: Teddy Bears... In... Space! From: eichin@thok.org Date: Tue, 28 Sep 2004 15:44:35 -0400 (EDT) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO The first British teddy bear to be launched into space is preparing for lift off. Terence the teddy bear will tomorrow be a special guest onboard aviation legend Burt Rutan's SpaceShipOne when it attempts its second spaceflight. The bear is part of a charity drive by Great North Air Ambulance in Cumbria, which hope to auction Terence after his flight into space. http://news.scotsman.com/latest.cfm?id=3556211  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 15:46:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SJjwhV001431; Tue, 28 Sep 2004 15:45:58 -0400 (EDT) Received: from kirameki-neko.metacarta.com (kirameki-neko.metacarta.com [66.92.95.189]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8SJj3WJ029952; Tue, 28 Sep 2004 15:45:03 -0400 (EDT) Received: by kirameki-neko.metacarta.com (Postfix, from userid 501) id 13336DE359; Sat, 11 Sep 2004 02:48:29 -0400 (EDT) From: Mark Eichin To: opus@mit.edu, dinner@mit.edu Subject: ultimate roller coaster Message-Id: <20040911064829.13336DE359@kirameki-neko.metacarta.com> Date: Sat, 11 Sep 2004 02:48:29 -0400 (EDT) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.366 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Mark Eichin To: opus@mit.edu, dinner@mit.edu Subject: ultimate roller coaster Date: Sat, 11 Sep 2004 02:48:29 -0400 (EDT) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.366 X-Spam-Flag: NO (at least, short of sneaking about SS1 in two weeks :-) Xeni Jardin, via boingboing.net: > The flight I'm taking next week (for NPR and Wired News) is part of > ZERO-G's five-city media launch. Soon, they'll begin a commercial > service on specially-equipped Boeing 727-200s. For about $3,000 US, > passengers will be able to experience about 20 doses of parabolic > weightlessness during a 90-minute trip http://www.nogravity.com/  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 16:45:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SKjBhX008894; Tue, 28 Sep 2004 16:45:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8SKdxfC026589 for ; Tue, 28 Sep 2004 16:40:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8SKdKTJ027835; Tue, 28 Sep 2004 16:39:20 -0400 (EDT) Date: Tue, 28 Sep 2004 16:39:20 -0400 (EDT) Message-Id: <000701c4a599$e8afa120$240110ac@BARBARATLNUUUM> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sangazure2@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Barbara Herman" To: Multiple recipients of list SAVOYNET Subject: Bobbie's 15 Minutes of Fame -- Totally and Completely OT MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.508 X-Spam-Level: * (1.508) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 16:39:20 -0400 (EDT) Reply-To: sangazure2@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Barbara Herman" To: Multiple recipients of list SAVOYNET Subject: Bobbie's 15 Minutes of Fame -- Totally and Completely OT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.508 X-Spam-Level: * (1.508) X-Spam-Flag: NO Hi, Everyone -- Check out this link. We made the Official Kerry-Edwards website! http://blog.johnkerry.com/blog/archives/002955.html#more Bobbie (Vote Early and Vote Often) sangazure2@sbcglobal.net "Love me! I'll stick sunflowers in my hair!"  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 17:05:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SL5HhV023084; Tue, 28 Sep 2004 17:05:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8SL08fC015718 for ; Tue, 28 Sep 2004 17:00:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8SL02TJ028330; Tue, 28 Sep 2004 17:00:02 -0400 (EDT) Date: Tue, 28 Sep 2004 17:00:02 -0400 (EDT) Message-Id: <20040928205747.5759.qmail@web60709.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tom_campbell125@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Thomas Campbell To: Multiple recipients of list SAVOYNET Subject: Thespis to be performed in Evanston, Illinois MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.499 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 17:00:02 -0400 (EDT) Reply-To: tom_campbell125@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Thomas Campbell To: Multiple recipients of list SAVOYNET Subject: Thespis to be performed in Evanston, Illinois X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.499 X-Spam-Flag: NO Because I am somewhat new to the list, my apologies if this subject has been addressed before. I perform in the chorus of the Savoyaires, a community theater group that performs G&S in the Chicago area. The Savoyaires are celebrating their 40th anniversary by mounting a production of Thespis. A member of the company, Kingsley Day, has written a new score for the existing libretto (except for, of course, what survives of Sullivan’s original music). The production will feature the 24-piece Savoyaires Orchestra. The production will be directed by Terry McCabe; musical direction is by Daniel Robinson. Having heard the score countless times at rehearsals, I can attest to the fact that the marriage of old music with new compositions sounds seamless to my ear. Kingsley Day has done quite a job of capturing Sullivan’s style. Thespis will be performed at Chute Middle School at 1400 Oakton Street in Evanston, Illinois, at 7:30 on October 1, 2, 8, and 9; and at 3:00 on October 3 and 10. Ticket prices range from $10 to 20 for adults and $5 to 15 for children. To order tickets please call 1-847-251-8767. We hope to see you there! Tom Campbell Highland Park, Illinois _______________________________ Do you Yahoo!? Express yourself with Y! Messenger! Free. Download now. http://messenger.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 28 Sep 2004 19:46:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8SNkFhf008105; Tue, 28 Sep 2004 19:46:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8SNii4W021762 for ; Tue, 28 Sep 2004 19:44:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8SNibTJ000537; Tue, 28 Sep 2004 19:44:37 -0400 (EDT) Date: Tue, 28 Sep 2004 19:44:37 -0400 (EDT) Message-Id: <20040928233359.73533.qmail@web60208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Sisters in Misfortune MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 28 Sep 2004 19:44:37 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Sisters in Misfortune X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO I got a few letters from my friends after posting that Tessa and Gianetta were sisters. Am I wrong? There are two "sister" references in the libretto. If Gilbert didn't intend for the two to be taken as sisters, I think he was being careless. Also, to publicly explain their other question, my English associates say that Inez has been made the subject of a few limericks. If pronounced correctly, the name rhymes with "Venus"... among other things. So when "Naked Gondoliers" boasted a male Inez, in a round-about way, I posted that we could see the validity of these limericks. Get it? Have I been ambiguous enough? John S LI NY _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 29 Sep 2004 07:24:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8TBOQhV004882; Wed, 29 Sep 2004 07:24:28 -0400 (EDT) Received: from tomts8-srv.bellnexxia.net (tomts8.bellnexxia.net [209.226.175.52]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8TBOPRr008082 for ; Wed, 29 Sep 2004 07:24:25 -0400 (EDT) Received: from mxmta.bellnexxia.net ([209.226.175.20]) by tomts8-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20040929112424.UHAK2099.tomts8-srv.bellnexxia.net@mxmta.bellnexxia.net>; Wed, 29 Sep 2004 07:24:24 -0400 X-Mailer: Openwave WebEngine, version 2.8.6.6 (webedge20-101-174-112-20020617)" From: To: "David C. Jedlinsky" Subject: other (two) bits Date: Wed, 29 Sep 2004 7:24:24 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Message-Id: <20040929112424.UHAK2099.tomts8-srv.bellnexxia.net@mxmta.bellnexxia.net> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: To: "David C. Jedlinsky" Subject: other (two) bits Date: Wed, 29 Sep 2004 7:24:24 -0400 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO Hi Dave, Since you ask: The only quarter missing prior to this year is Arkansas. As for 2004, the only one I have, thanks to you, btw, is Texas. If you should come across any other aught four coins, I'd appreciate them. I'm trying to assemble a selection of Canadian coins for your safekeeping. The trouble is that there have been so many exceptions over the past five years, it's hard to find the rules! Looking forward to a nice, leisurely drive to Brunswick and an even more leisurely one back. I'll be taking a couple of days of vacation time which will be tacked on the begining of a four-day weekend. Ah, bliss! With any luck, the New England scenery will be spectacular by then. How goes it with Jedlinsky vs the State of New Hampshire and assorted townships? cheers, Ori Bobby Hill: "Hey Ma, what's a K-nish?" Peggy Hill: "It's pronounced 'nish', dear. The 'K' is silent."  1, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 29 Sep 2004 13:32:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8THSnjv013491; Wed, 29 Sep 2004 13:32:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8THNACJ001126 for ; Wed, 29 Sep 2004 13:23:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8THN3TJ014375; Wed, 29 Sep 2004 13:23:03 -0400 (EDT) Date: Wed, 29 Sep 2004 13:23:03 -0400 (EDT) Message-Id: <008301c4a647$92437600$0301a8c0@JACKIE> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: "Pinafore Dress" MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0080_01C4A64F.F2FA65A0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 29 Sep 2004 13:23:03 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: "Pinafore Dress" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0080_01C4A64F.F2FA65A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Usually they're called 'pinnies' and ladies sometimes wore 'pinnies' = that were worn from the waist down. At our hotel the kitchen staff (Me, = Jackie & daughter Polly) wear full length 'pinnies' proudly emblazoned = with the Torcroft logo when about our duties of the day. Bob Richards ------=_NextPart_000_0080_01C4A64F.F2FA65A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Usually they're called 'pinnies' and = ladies=20 sometimes wore 'pinnies' that were worn from the waist down. At our=20 hotel the kitchen staff (Me, Jackie & daughter = Polly) wear full=20 length 'pinnies' proudly emblazoned with the Torcroft logo when about = our=20 duties of the day.
 
Bob=20 Richards
------=_NextPart_000_0080_01C4A64F.F2FA65A0--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 29 Sep 2004 14:03:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8TI31hV004112; Wed, 29 Sep 2004 14:03:01 -0400 (EDT) Received: from steele.mgh.harvard.edu (steele.mgh.harvard.edu [132.183.110.30]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8TI2oTf017139; Wed, 29 Sep 2004 14:02:50 -0400 (EDT) Received: from [132.183.14.105] (w0025439-udp911439uds.mgh.harvard.edu [132.183.14.105]) by steele.mgh.harvard.edu (Postfix) with ESMTP id 28FDD340D8B; Wed, 29 Sep 2004 14:02:50 -0400 (EDT) Mime-Version: 1.0 Message-Id: Date: Wed, 29 Sep 2004 14:02:41 -0400 To: dinner@mit.edu, freaks@suberic.net, marymary@suberic.net, shmike@mit.edu, Geoffrey Collins , Beth Ashman-Collins , tahnan@mit.edu From: Carolyn Smith Subject: Civ Foo Cape Date Grab Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 29 Sep 2004 14:02:41 -0400 To: dinner@mit.edu, freaks@suberic.net, marymary@suberic.net, shmike@mit.edu, Geoffrey Collins , Beth Ashman-Collins , tahnan@mit.edu From: Carolyn Smith Subject: Civ Foo Cape Date Grab X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO I'll send a real invite later. Just trying to get the dates set. Announcing the first Civ Foo Cape at our place the weekend of Dec 3-5. Floor space will be available for people to stay. For those who dont know, a Civ Foo is a weekend of games. Lots and lots of games. Civ, Catan, Cheapass, whatever. Marathon games. Dont expect a lot of sleep :-) Bring games. Also reminder--Halloween Party at our place on Halloween. I'll figure out a time at some point soon. Really. --cyn PS Jason, can you please forward this to Curtis and Michelle and Jeff and Rebecca and Avon and Leslie? I dont have their email addresses at work.  1,, X-Coding-System: undecided-unix Return-Path: Received: from m24-004-milter-1.mit.edu (M24-004-MILTER-1.MIT.EDU [18.7.22.87]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 29 Sep 2004 15:59:26 -0400 X-Sieve: CMU Sieve 2.2 Received: (from mdefang@localhost) by m24-004-milter-1.mit.edu (8.12.4) id i8TJsRZQ001569; Wed, 29 Sep 2004 15:54:27 -0400 Received: from pacific-carrier-annex.mit.edu (PACIFIC-CARRIER-ANNEX.MIT.EDU [18.7.21.83]) by po9.mit.edu (MIMEDefang) with ESMTP id i8TJtAhZ015453 for ; Wed, 29 Sep 2004 15:54:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8TJp1Kn007506 for ; Wed, 29 Sep 2004 15:51:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8TJooTJ017537; Wed, 29 Sep 2004 15:50:50 -0400 (EDT) Date: Wed, 29 Sep 2004 15:50:50 -0400 (EDT) Message-Id: <20040929194713.48265.qmail@web14708.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Blue Hill Troupe High Society & Grand Duke MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 8.1 X-Spam-Level: ******** (8.1) X-Spam-Flag: YES *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 29 Sep 2004 15:50:50 -0400 (EDT) Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Blue Hill Troupe High Society & Grand Duke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 8.1 X-Spam-Level: ******** (8.1) X-Spam-Flag: YES Hi, all, For those in the New York City area, or anyone traveling here this Fall or Spring, a little info about Blue Hill Troupe performances... In November, I am co-producing a run of Cole Porter's High Society, featuring Rich Miller as Dexter and with a wonderful cast and chorus. Directed by Doug Hodge and Music Directed by Paul Chamlin. The show runs for eight performances at the Dicapo Opera Theater, 184 East 76th Street, NY from November 5 through 13. All tickets $30. Write me if you'd like more info. THEN...from April 8 - 16, 2005, we're doing a "new" version of the Grand Duke, tightened and rearranged slightly, with the hope of having it make more sense to audiences. I've read it, and I have some reservations, but on the whole I feel the goals have been met, admirably. It will, in any evcent, be interesting. More details to follow. Both productions benefit Student Sponsor Partners, an organization that, through personal sponsors, puts underprivileged kids into better schools and introduces them to all sorts of cultural opportunities, with amazing results. The Blue Hill Troupe's performances always benefit a local charity, and we've given away a lot of money since 1924. More than I meant to write. Both shows should be good! Carol D _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 30 Sep 2004 13:03:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8UH3EhV005230; Thu, 30 Sep 2004 13:03:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8UH3Chs021646 for ; Thu, 30 Sep 2004 13:03:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i8UH2YTJ002730; Thu, 30 Sep 2004 13:02:34 -0400 (EDT) Date: Thu, 30 Sep 2004 13:02:34 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: B2005: HELP!!! Call For Help MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Office Outlook, Build 11.0.5510 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.445 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 30 Sep 2004 13:02:34 -0400 (EDT) Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: B2005: HELP!!! Call For Help X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.445 X-Spam-Flag: NO I have already been asked if I am mad taking on the role of Producer, I suppose I must be but it will be an interesting challenge. My aim is to all but make myself redundant. We have some really good talent and experience on SavoyNet that I want to really exploit (anything to make my life easier!!!). I would like to build on what we have achieved over the last few years at Buxton and develop and enhance the production team, I see my role as managing the experts not necessarily being the expert. So with this in mind I have drawn up a list of areas where we need volunteers, it is by no means definitive and if anyone has any ideas or can offer assistance in other ways please do not hesitate to contact me. I could contact individuals and ask them to volunteer (press ganging will be the last resort!) In order that I don't offend anyone by missing someone out who has been involved in the past and whom I am not aware of, could you please contact me if you are interested in helping out in the following areas, I am aware of some who have already expressed an interest and I will be contacting them in due course. The jobs that need to be covered;- Assistant Stage Director - If you are interested please also contact Diana deebee@connexus.net.au Assistant Musical Director - If you are interested please also contact Dick dick@stockton.org.uk Choreographer - If you are interested please also contact Diana deebee@connexus.net.au Repetiteur Rehearsal Accompanists Wardrobe Prop manager Web site Rehearsal facilities Catering Technical Director Lighting Design Props Financial and Administrative Director Scenery Co-ordinator Programme/Publicity Stage Manager Prompt corner (on the night) to run the calls. Make-Up Rehearsal Manager - This is a new post requested by Diana. This person would basically make sure that rehearsals ran smoothly, so would be responsible for opening the hall every morning, liaising with the church if necessary, letting the catering team know when refreshments would be needed, setting up the rehearsal space and making sure that the props etc were on hand to work with, making sure the cast were where they were needed and generally keeping an eye on everything that happens. Cast Manager A new position but someone to answer basic questions, keep all the contact info for the cast and make sure there are no problems arising which cause last-minute changes. I look forward to a deluge of emails!! Peter Crichton Saddleworth, England P.S. To make life easier for me and hopefully others may I suggest that all emails connected with the 2005 production matters start with 'B2005:' in the subject line as this will make them easier to filter them out in Outlook.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 30 Sep 2004 13:45:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8UHjahV027285; Thu, 30 Sep 2004 13:45:36 -0400 (EDT) Received: from web14521.mail.yahoo.com (web14521.mail.yahoo.com [216.136.224.50]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i8UHjYu8025912 for ; Thu, 30 Sep 2004 13:45:34 -0400 (EDT) Message-ID: <20040930174534.24830.qmail@web14521.mail.yahoo.com> Received: from [66.88.88.162] by web14521.mail.yahoo.com via HTTP; Thu, 30 Sep 2004 10:45:34 PDT Date: Thu, 30 Sep 2004 10:45:34 -0700 (PDT) From: Andi Subject: Re: Rose of Persia To: "David C. Jedlinsky" In-Reply-To: <200409301553.i8UFrZGD004654@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 30 Sep 2004 10:45:34 -0700 (PDT) From: Andi Subject: Re: Rose of Persia To: "David C. Jedlinsky" In-Reply-To: <200409301553.i8UFrZGD004654@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO --- "David C. Jedlinsky" wrote: > > Hi Andi. > > Do you know if the ROP concert in April is an afternoon or > evening > affair? I'm asking so I can consider logistics, not attire. > :-) > > Thanks. > Sunday afternoon, 3 p.m. at Symphony Space, Broadway at West 95th Street, NYC. Street parking available if you allow plenty of time for prowling to look for it. Cheers Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 30 Sep 2004 16:23:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i8UKMmhV020573; Thu, 30 Sep 2004 16:22:53 -0400 (EDT) Received: from portal.hamachi.org ([69.25.196.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i8UKL408019802; Thu, 30 Sep 2004 16:21:04 -0400 (EDT) Received: from portal (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id 50D8317921; Thu, 30 Sep 2004 16:20:36 -0400 (EDT) From: Bill Sommerfeld To: Mark Eichin Cc: opus@mit.edu, dinner@mit.edu Subject: Re: ultimate roller coaster In-Reply-To: Message from Mark Eichin of "Sat, 11 Sep 2004 02:48:29 EDT." <20040911064829.13336DE359@kirameki-neko.metacarta.com> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Thu, 30 Sep 2004 16:20:36 -0400 Sender: sommerfeld@portal.hamachi.org Message-Id: <20040930202036.50D8317921@portal.hamachi.org> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: Mark Eichin Cc: opus@mit.edu, dinner@mit.edu Subject: Re: ultimate roller coaster In-Reply-To: Message from Mark Eichin of "Sat, 11 Sep 2004 02:48:29 EDT." <20040911064829.13336DE359@kirameki-neko.metacarta.com> Reply-To: sommerfeld@orchard.arlington.ma.us Date: Thu, 30 Sep 2004 16:20:36 -0400 Sender: sommerfeld@portal.hamachi.org X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO on a vaguely related note, if you happen to be in NZ, be sure to arrange for a jet boat ride. The one I rode was NZ$75 (about US$50): http://www.hukajet.co.nz/ They're both very fast (80kph/50mph) and very maneuverable. The driver was a little psycho.. while they've got thrust reversers, they preferred to stop by doing 360 degree spins.. (I'm on my way back -- waiting for my connecting flight in LA..) - Bill  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 30 Sep 2004 16:33:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i8UKXdhV025826; Thu, 30 Sep 2004 16:33:39 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i8UKXcKG021976 for ; Thu, 30 Sep 2004 16:33:38 -0400 (EDT) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i8UKSfFt015930 for ; Thu, 30 Sep 2004 16:28:41 -0400 (EDT) From: opus@ipnh.com Received: (from opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) id i8UKSfMC008377; Thu, 30 Sep 2004 16:28:41 -0400 (EDT) Date: Thu, 30 Sep 2004 16:28:41 -0400 (EDT) Message-Id: <200409302028.i8UKSfMC008377@marco.ipnh.com> To: bkdr@marco.ipnh.com Subject: Moved in yet? X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.56 X-Spam-Level: ***** (5.56) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: opus@ipnh.com Date: Thu, 30 Sep 2004 16:28:41 -0400 (EDT) To: bkdr@marco.ipnh.com Subject: Moved in yet? X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.56 X-Spam-Level: ***** (5.56) X-Spam-Flag: NO Hi Brad and Kendell! How have you adjusted to life in Joisey? Ruth and I have recently become addicted to the music from "Wicked", which is currently on Broadway. We'd like to see the show before the woman playing Elphaba (the Wicked Witch of the West) leaves the cast in January. Would you be interested in joining us? Broadway shows are fairly expensive, and they're often sold out months in advance. It looks like it would be possible to see the 8:00pm show on Thursday, December 16; the ticket prices range from $50 for nosebleed seats to $100 for orchestra and front mezzanine. Random Fact: Did you know there's now a Hershey Store in Niagara Falls, Ontario? -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 08:49:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i91Cmuhd029771; Fri, 1 Oct 2004 08:49:07 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i91CmgIr010760 for ; Fri, 1 Oct 2004 08:48:43 -0400 (EDT) Received: from web52610.mail.yahoo.com (web52610.mail.yahoo.com [206.190.39.148]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i91ChfFt024570 for ; Fri, 1 Oct 2004 08:43:41 -0400 (EDT) Message-ID: <20041001124837.59354.qmail@web52610.mail.yahoo.com> Received: from [65.220.74.179] by web52610.mail.yahoo.com via HTTP; Fri, 01 Oct 2004 05:48:37 PDT Date: Fri, 1 Oct 2004 05:48:37 -0700 (PDT) From: Kendell MacQueen Subject: Re: Moved in yet? To: opus@ipnh.com, bkdr@marco.ipnh.com In-Reply-To: <200409302028.i8UKSfMC008377@marco.ipnh.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 05:48:37 -0700 (PDT) From: Kendell MacQueen Subject: Re: Moved in yet? To: opus@ipnh.com, bkdr@marco.ipnh.com In-Reply-To: <200409302028.i8UKSfMC008377@marco.ipnh.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hey Dave and Ruth! We would love to see "Wicked" with you on 12/16! I haven't heard the music to it yet, but I keep hearing that it's great. I assume that one person should buy the tix so that we can all sit together - did you want to buy them and tell us how much we owe you? We've mostly adjusted to life in Joisey, but that's more or less pointless since we'll be moving to New York within the year... Brad will be starting a new job in the city in a few weeks, and I will be transferred to a new office of my company that will be opening up in midtown sometime in the spring. Once we both work up there, we'll move there too, since the commute from New Brunswick won't be pleasant. Are either of you involved at all in Iolanthe? We were hoping to be able to come up and see it in November, and I'm already curious to know how it's going. How was your Canada trip? We actually did know about the Hershey store in Niagara Falls (I was sorely tempted by some of the things in there, but it was a hot day and I couldn't carry around a load of chocolate); it turns out there's one just off Times Square too. Like the theme song from ChocolateWorld back in my hometown says, "Wherever you go, no matter how far, you're always near a Hershey bar!" (Dang... now I'm going to have that in my head all day.) Stay in touch and let us know what's going on with you guys! Kendell --- opus@ipnh.com wrote: > > Hi Brad and Kendell! > > How have you adjusted to life in Joisey? > > Ruth and I have recently become addicted to the > music from "Wicked", > which is currently on Broadway. We'd like to see > the show before the > woman playing Elphaba (the Wicked Witch of the West) > leaves the cast > in January. Would you be interested in joining us? > Broadway shows > are fairly expensive, and they're often sold out > months in advance. > It looks like it would be possible to see the 8:00pm > show on Thursday, > December 16; the ticket prices range from $50 for > nosebleed seats to > $100 for orchestra and front mezzanine. > > Random Fact: Did you know there's now a Hershey > Store in Niagara > Falls, Ontario? > > -Dave > _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 12:20:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i91GK7hZ008101; Fri, 1 Oct 2004 12:20:16 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i91GJBg4029466 for ; Fri, 1 Oct 2004 12:19:11 -0400 (EDT) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i91GE8Ft021713 for ; Fri, 1 Oct 2004 12:14:08 -0400 (EDT) Received: from localhost (opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) with ESMTP id i91GE8xc012263 for ; Fri, 1 Oct 2004 12:14:08 -0400 (EDT) Date: Fri, 1 Oct 2004 12:14:08 -0400 (EDT) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Re: Moved in yet? In-Reply-To: <20041001124837.59354.qmail@web52610.mail.yahoo.com> Message-ID: References: <20041001124837.59354.qmail@web52610.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 12:14:08 -0400 (EDT) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Re: Moved in yet? In-Reply-To: <20041001124837.59354.qmail@web52610.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO Hi Kendell and Brad! That's wonderful that you'd like to see the show! Here's the current situation on tickets for 12/16/04: (Seating chart is at http://www.wickedthemusical.com/tickets.htm#SeatingChart) Orchestra ($100) seats are in row X. Front Mezzanine ($100) seats are row D. Mid-Mezzanine ($75) seats are row F (front of the section!), but on the left. Rear Mezzanine ($50) are row K, but center section. What would you prefer, remembering that these may not be available once I go back to try and purchase them? My feeling is that the $75 seats, especially if row F is still available, is a good compromise between cost and viewability. If you would prefer any of the other options, please let me know. Also, there's a $6.50 "convenience charge" per ticket, and we have to decide how we want them delivered. For $1.75 (for the whole order), we can get it delivered via email and print them out. Standard mail is free. There's obviously plenty of time to have them mailed. We're not involved in Iolanthe; I still have to catch up on video editing, and we're going to England during prod week to visit some friends. They need basses and baritones, if Brad can find the time to come and rehearse! :-) Canada was fun; we checked-off another Cirque du Soleil show from our to-do list, and went to Montreal for a bit. There was a pretty cool provincial fair going on, and we got to sample lots of neat foods from the countryside. We did stop at the Hershey store in Niagara Falls, and I had their chocolate shake, precisely because it was a hot day! I won't torture you further... Lessee, other things. We went to a TDI (diesel car) festival, Ruth quit her job, we trashed the engine of one of the cars (but it'll be fixed soon), we've got a wedding to attend, we keep going to G&S weekend singouts (next one is in Maine in a couple weeks), we're going to be in NYC this Tuesday (but only for the day), and that only brings you up to date through November. How about you? -Dave On Fri, 1 Oct 2004, Kendell MacQueen wrote: > Hey Dave and Ruth! > > We would love to see "Wicked" with you on 12/16! I > haven't heard the music to it yet, but I keep hearing > that it's great. I assume that one person should buy > the tix so that we can all sit together - did you want > to buy them and tell us how much we owe you? > > We've mostly adjusted to life in Joisey, but that's > more or less pointless since we'll be moving to New > York within the year... Brad will be starting a new > job in the city in a few weeks, and I will be > transferred to a new office of my company that will be > opening up in midtown sometime in the spring. Once we > both work up there, we'll move there too, since the > commute from New Brunswick won't be pleasant. > > Are either of you involved at all in Iolanthe? We > were hoping to be able to come up and see it in > November, and I'm already curious to know how it's > going. > > How was your Canada trip? We actually did know about > the Hershey store in Niagara Falls (I was sorely > tempted by some of the things in there, but it was a > hot day and I couldn't carry around a load of > chocolate); it turns out there's one just off Times > Square too. Like the theme song from ChocolateWorld > back in my hometown says, "Wherever you go, no matter > how far, you're always near a Hershey bar!" (Dang... > now I'm going to have that in my head all day.) > > Stay in touch and let us know what's going on with you > guys! > > Kendell > > > > > > > > --- opus@ipnh.com wrote: > > > > > Hi Brad and Kendell! > > > > How have you adjusted to life in Joisey? > > > > Ruth and I have recently become addicted to the > > music from "Wicked", > > which is currently on Broadway. We'd like to see > > the show before the > > woman playing Elphaba (the Wicked Witch of the West) > > leaves the cast > > in January. Would you be interested in joining us? > > Broadway shows > > are fairly expensive, and they're often sold out > > months in advance. > > It looks like it would be possible to see the 8:00pm > > show on Thursday, > > December 16; the ticket prices range from $50 for > > nosebleed seats to > > $100 for orchestra and front mezzanine. > > > > Random Fact: Did you know there's now a Hershey > > Store in Niagara > > Falls, Ontario? > > > > -Dave > > > > > > > _______________________________ > Do you Yahoo!? > Declare Yourself - Register online to vote today! > http://vote.yahoo.com >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 13:36:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i91HaThV013521; Fri, 1 Oct 2004 13:36:29 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i91HaSZ1027724 for ; Fri, 1 Oct 2004 13:36:28 -0400 (EDT) Received: from web52606.mail.yahoo.com (web52606.mail.yahoo.com [206.190.39.144]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i91HVPFt025430 for ; Fri, 1 Oct 2004 13:31:25 -0400 (EDT) Message-ID: <20041001170141.78031.qmail@web52606.mail.yahoo.com> Received: from [65.220.74.179] by web52606.mail.yahoo.com via HTTP; Fri, 01 Oct 2004 10:01:41 PDT Date: Fri, 1 Oct 2004 10:01:41 -0700 (PDT) From: Kendell MacQueen Subject: Re: Moved in yet? To: opus@ipnh.com, bkdr@marco.ipnh.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 10:01:41 -0700 (PDT) From: Kendell MacQueen Subject: Re: Moved in yet? To: opus@ipnh.com, bkdr@marco.ipnh.com In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I agree that the $75 are optimal. I suppose I'd prefer the $50 as a second choice, but if you're really set on the $100 that's OK with us too - do what looks best when you make the reservation. Either delivery method works for us too. I can't respond to the rest of this email right now (deadline emergency just came up at work) but my mouth is watering at the chocolate milkshake ... if you feel like you need to talk to one of us before you buy the tickets, my cell is 732-668-6749 (Brad's is the same except the last digit is 8, but I couldn't reach him a moment ago...). Otherwise, just let us know how much to write the check for! Kendell --- opus@ipnh.com wrote: > > Hi Kendell and Brad! > > That's wonderful that you'd like to see the show! > > Here's the current situation on tickets for > 12/16/04: > > (Seating chart is at > http://www.wickedthemusical.com/tickets.htm#SeatingChart) > > Orchestra ($100) seats are in row X. > Front Mezzanine ($100) seats are row D. > Mid-Mezzanine ($75) seats are row F (front of the > section!), but on the > left. > Rear Mezzanine ($50) are row K, but center section. > > What would you prefer, remembering that these may > not be available once I > go back to try and purchase them? My feeling is > that the $75 seats, > especially if row F is still available, is a good > compromise between cost > and viewability. If you would prefer any of the > other options, please let > me know. > > Also, there's a $6.50 "convenience charge" per > ticket, and we have to > decide how we want them delivered. For $1.75 (for > the whole order), we > can get it delivered via email and print them out. > Standard mail is free. > There's obviously plenty of time to have them > mailed. > > We're not involved in Iolanthe; I still have to > catch up on video editing, > and we're going to England during prod week to visit > some friends. They > need basses and baritones, if Brad can find the time > to come and rehearse! > :-) > > Canada was fun; we checked-off another Cirque du > Soleil show from our > to-do list, and went to Montreal for a bit. There > was a pretty cool > provincial fair going on, and we got to sample lots > of neat foods from the > countryside. We did stop at the Hershey store in > Niagara Falls, and I had > their chocolate shake, precisely because it was a > hot day! I won't > torture you further... > > Lessee, other things. We went to a TDI (diesel car) > festival, Ruth quit > her job, we trashed the engine of one of the cars > (but it'll be fixed > soon), we've got a wedding to attend, we keep going > to G&S weekend > singouts (next one is in Maine in a couple weeks), > we're going to be in > NYC this Tuesday (but only for the day), and that > only brings you up to > date through November. > > How about you? > > -Dave > > > On Fri, 1 Oct 2004, Kendell MacQueen wrote: > > > Hey Dave and Ruth! > > > > We would love to see "Wicked" with you on 12/16! > I > > haven't heard the music to it yet, but I keep > hearing > > that it's great. I assume that one person should > buy > > the tix so that we can all sit together - did you > want > > to buy them and tell us how much we owe you? > > > > We've mostly adjusted to life in Joisey, but > that's > > more or less pointless since we'll be moving to > New > > York within the year... Brad will be starting a > new > > job in the city in a few weeks, and I will be > > transferred to a new office of my company that > will be > > opening up in midtown sometime in the spring. > Once we > > both work up there, we'll move there too, since > the > > commute from New Brunswick won't be pleasant. > > > > Are either of you involved at all in Iolanthe? We > > were hoping to be able to come up and see it in > > November, and I'm already curious to know how it's > > going. > > > > How was your Canada trip? We actually did know > about > > the Hershey store in Niagara Falls (I was sorely > > tempted by some of the things in there, but it was > a > > hot day and I couldn't carry around a load of > > chocolate); it turns out there's one just off > Times > > Square too. Like the theme song from > ChocolateWorld > > back in my hometown says, "Wherever you go, no > matter > > how far, you're always near a Hershey bar!" > (Dang... > > now I'm going to have that in my head all day.) > > > > Stay in touch and let us know what's going on with > you > > guys! > > > > Kendell > > > > > > > > > > > > > > > > --- opus@ipnh.com wrote: > > > > > > > > Hi Brad and Kendell! > > > > > > How have you adjusted to life in Joisey? > > > > > > Ruth and I have recently become addicted to the > > > music from "Wicked", > > > which is currently on Broadway. We'd like to > see > > > the show before the > > > woman playing Elphaba (the Wicked Witch of the > West) > > > leaves the cast > > > in January. Would you be interested in joining > us? > > > Broadway shows > > > are fairly expensive, and they're often sold out > > > months in advance. > > > It looks like it would be possible to see the > 8:00pm > > > show on Thursday, > > > December 16; the ticket prices range from $50 > for > > > nosebleed seats to > > > $100 for orchestra and front mezzanine. > > > > > > Random Fact: Did you know there's now a Hershey > > > Store in Niagara > > > Falls, Ontario? > > > > > > -Dave > > > > > > > > > > > > > _______________________________ > > Do you Yahoo!? > > Declare Yourself - Register online to vote today! > > http://vote.yahoo.com > > > _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 14:08:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i91I80hV028364; Fri, 1 Oct 2004 14:08:00 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i91I7xSC007242 for ; Fri, 1 Oct 2004 14:07:59 -0400 (EDT) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i91I2uFt014355 for ; Fri, 1 Oct 2004 14:02:56 -0400 (EDT) Received: from localhost (opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) with ESMTP id i91I2uPp008034 for ; Fri, 1 Oct 2004 14:02:56 -0400 (EDT) Date: Fri, 1 Oct 2004 14:02:56 -0400 (EDT) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Re: Moved in yet? In-Reply-To: <20041001170141.78031.qmail@web52606.mail.yahoo.com> Message-ID: References: <20041001170141.78031.qmail@web52606.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.752 X-Spam-Level: * (1.752) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 14:02:56 -0400 (EDT) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Re: Moved in yet? In-Reply-To: <20041001170141.78031.qmail@web52606.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.752 X-Spam-Level: * (1.752) X-Spam-Flag: NO Okay, the $75 seats were still available, so I grabbed them. They're Mid-Mezzanine, Row F, seats 23-29 (left of center). The jerks (Ticketmaster) tossed on a $3.05 "Order Processing Charge" on top of the $6.50 x 4 "Convenience Charge", but didn't bother to mention it until the credit card was charged. What a way to run a railroad. Anyway, I selected the standard mail route, so no extra charge there. The total for all four tickets comes to $329.05, so how does $164.50 sound? I hope you meet your deadline emergency. Talk to you later about the other details, and see you in December! Oh yeah, could we persuade y'all to let us spend the night after the show at your place? -Dave On Fri, 1 Oct 2004, Kendell MacQueen wrote: > I agree that the $75 are optimal. I suppose I'd > prefer the $50 as a second choice, but if you're > really set on the $100 that's OK with us too - do what > looks best when you make the reservation. > > Either delivery method works for us too. > > I can't respond to the rest of this email right now > (deadline emergency just came up at work) but my mouth > is watering at the chocolate milkshake ... if you feel > like you need to talk to one of us before you buy the > tickets, my cell is 732-668-6749 (Brad's is the same > except the last digit is 8, but I couldn't reach him a > moment ago...). > > Otherwise, just let us know how much to write the > check for! > > Kendell > --- opus@ipnh.com wrote: > > > > > Hi Kendell and Brad! > > > > That's wonderful that you'd like to see the show! > > > > Here's the current situation on tickets for > > 12/16/04: > > > > (Seating chart is at > > > http://www.wickedthemusical.com/tickets.htm#SeatingChart) > > > > Orchestra ($100) seats are in row X. > > Front Mezzanine ($100) seats are row D. > > Mid-Mezzanine ($75) seats are row F (front of the > > section!), but on the > > left. > > Rear Mezzanine ($50) are row K, but center section. > > > > What would you prefer, remembering that these may > > not be available once I > > go back to try and purchase them? My feeling is > > that the $75 seats, > > especially if row F is still available, is a good > > compromise between cost > > and viewability. If you would prefer any of the > > other options, please let > > me know. > > > > Also, there's a $6.50 "convenience charge" per > > ticket, and we have to > > decide how we want them delivered. For $1.75 (for > > the whole order), we > > can get it delivered via email and print them out. > > Standard mail is free. > > There's obviously plenty of time to have them > > mailed. > > > > We're not involved in Iolanthe; I still have to > > catch up on video editing, > > and we're going to England during prod week to visit > > some friends. They > > need basses and baritones, if Brad can find the time > > to come and rehearse! > > :-) > > > > Canada was fun; we checked-off another Cirque du > > Soleil show from our > > to-do list, and went to Montreal for a bit. There > > was a pretty cool > > provincial fair going on, and we got to sample lots > > of neat foods from the > > countryside. We did stop at the Hershey store in > > Niagara Falls, and I had > > their chocolate shake, precisely because it was a > > hot day! I won't > > torture you further... > > > > Lessee, other things. We went to a TDI (diesel car) > > festival, Ruth quit > > her job, we trashed the engine of one of the cars > > (but it'll be fixed > > soon), we've got a wedding to attend, we keep going > > to G&S weekend > > singouts (next one is in Maine in a couple weeks), > > we're going to be in > > NYC this Tuesday (but only for the day), and that > > only brings you up to > > date through November. > > > > How about you? > > > > -Dave > > > > > > On Fri, 1 Oct 2004, Kendell MacQueen wrote: > > > > > Hey Dave and Ruth! > > > > > > We would love to see "Wicked" with you on 12/16! > > I > > > haven't heard the music to it yet, but I keep > > hearing > > > that it's great. I assume that one person should > > buy > > > the tix so that we can all sit together - did you > > want > > > to buy them and tell us how much we owe you? > > > > > > We've mostly adjusted to life in Joisey, but > > that's > > > more or less pointless since we'll be moving to > > New > > > York within the year... Brad will be starting a > > new > > > job in the city in a few weeks, and I will be > > > transferred to a new office of my company that > > will be > > > opening up in midtown sometime in the spring. > > Once we > > > both work up there, we'll move there too, since > > the > > > commute from New Brunswick won't be pleasant. > > > > > > Are either of you involved at all in Iolanthe? We > > > were hoping to be able to come up and see it in > > > November, and I'm already curious to know how it's > > > going. > > > > > > How was your Canada trip? We actually did know > > about > > > the Hershey store in Niagara Falls (I was sorely > > > tempted by some of the things in there, but it was > > a > > > hot day and I couldn't carry around a load of > > > chocolate); it turns out there's one just off > > Times > > > Square too. Like the theme song from > > ChocolateWorld > > > back in my hometown says, "Wherever you go, no > > matter > > > how far, you're always near a Hershey bar!" > > (Dang... > > > now I'm going to have that in my head all day.) > > > > > > Stay in touch and let us know what's going on with > > you > > > guys! > > > > > > Kendell > > > > > > > > > > > > > > > > > > > > > > > > --- opus@ipnh.com wrote: > > > > > > > > > > > Hi Brad and Kendell! > > > > > > > > How have you adjusted to life in Joisey? > > > > > > > > Ruth and I have recently become addicted to the > > > > music from "Wicked", > > > > which is currently on Broadway. We'd like to > > see > > > > the show before the > > > > woman playing Elphaba (the Wicked Witch of the > > West) > > > > leaves the cast > > > > in January. Would you be interested in joining > > us? > > > > Broadway shows > > > > are fairly expensive, and they're often sold out > > > > months in advance. > > > > It looks like it would be possible to see the > > 8:00pm > > > > show on Thursday, > > > > December 16; the ticket prices range from $50 > > for > > > > nosebleed seats to > > > > $100 for orchestra and front mezzanine. > > > > > > > > Random Fact: Did you know there's now a Hershey > > > > Store in Niagara > > > > Falls, Ontario? > > > > > > > > -Dave > > > > > > > > > > > > > > > > > > > _______________________________ > > > Do you Yahoo!? > > > Declare Yourself - Register online to vote today! > > > http://vote.yahoo.com > > > > > > > > > > _______________________________ > Do you Yahoo!? > Declare Yourself - Register online to vote today! > http://vote.yahoo.com >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 14:18:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i91IIbhV003118; Fri, 1 Oct 2004 14:18:37 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i91IIZSC017315 for ; Fri, 1 Oct 2004 14:18:35 -0400 (EDT) Received: from web52610.mail.yahoo.com (web52610.mail.yahoo.com [206.190.39.148]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i91IDWFt015449 for ; Fri, 1 Oct 2004 14:13:33 -0400 (EDT) Message-ID: <20041001181829.49143.qmail@web52610.mail.yahoo.com> Received: from [155.52.45.132] by web52610.mail.yahoo.com via HTTP; Fri, 01 Oct 2004 11:18:29 PDT Date: Fri, 1 Oct 2004 11:18:29 -0700 (PDT) From: Brad Timmers Subject: Update from New Jersey To: bkdr@marco.ipnh.com In-Reply-To: <20041001170141.78031.qmail@web52606.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 11:18:29 -0700 (PDT) From: Brad Timmers Subject: Update from New Jersey To: bkdr@marco.ipnh.com In-Reply-To: <20041001170141.78031.qmail@web52606.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi, Dave & Ruth! I'll step up and give the update... I think we already told you about our trip through Canada. We moved into our apartment in New Brunswick on Friday, July 2nd. We spent a week off work getting settled into the new place. After that, Kendell had to spend about ten days at an intense orientation program for her new job. Since her employer is based in Evanston, IL, she had to fly out to Chicago. During part of that time, I had to go back to Boston to spend a week at the office. I may have told you that though I was leaving Boston, I wouldn't be leaving my job there -- not just yet. All this summer, I've been telecommuting to the job, and occasionally coming up to the office for a week or two at a time, just so I can touch base with my bosses. In fact, as I write this now, I'm in Boston. I'm going back to New Jersey for the weekend, but next week I'll be in Boston, too. After next week, I'll start working at my new job in New York City, which I think Kendell mentioned in an earlier e-mail. The new job will also involve SAS programming, so it won't be terribly different from the one I've got. But the office is at 25 Broadway -- I'm excited about being in the thick of things in Manhattan soon. Still, until Kendell and I move to the city next spring, the commute there and back will be pretty long. Let's see, other stuff... We rented "Benny & Joon" a few weekends ago, on your recommendation, Ruth. Johnny Depp was, as always, amazing. (How come I didn't know this before "Pirates of the Caribbean"?) We also rented "Chariots of Fire". I'd seen it once before, but that was way back when Gilbert and Sullivan were merely names to me. I got a kick out of all the G&S references -- evidently one of the runners, Abrahams, was a big fan. "Iolanthe" was even mentioned in the beginning of the movie, when the new students at Cambridge are looking for activities to sign up for. Plus there was a "Pirates" song, a scene from "Pinafore", and even a scene from "The Mikado" as done by D'Oyly Carte! (So it said in the credits at the end of the movie.) Have you guys ever seen a D'Oyly Carte production? [Insert stupid question:] Is their home theater the Savoy, or do they have another theater? We haven't seen anything on Broadway yet, so we're keen to go to "Wicked" -- and going with you guys will make it even more fun. We do go into the City about once every other weekend. We've seen some concerts there, including a performance by TMBG in Brooklyn's Prospect Park. In fact, we're going to another TMBG concert in Manhattan tomorrow. (Yeah, we're obsessed.) We've done some exploring of New Jersey: Cape May, Atlantic City, Washington's Crossing, and Princeton. The campus and town of Princeton are very pretty and have a very similar feel to Chapel Hill -- except everything in Princeton is ten times as expensive. :) Kendell's taken up crocheting since we moved to New Jersey, although lately she's been working such long hours that she hasn't had time to work on it as much as she'd like. She's trying to crochet some scarves and an afghan as Christmas presents. We've both taken up writing in blogs on Live Journal. If you're interested, you can find 'em at: http://uzbradistan.livejournal.com http://kendellsquare.livejournal.com If y'all have blogs too and wouldn't mind some new readers, we'd love to know all about it. If you're on Live Journal, we could even "friend" each other! Oh yeah, we have "gmail" accounts now, if you need invites. Our addresses are: btimmers@gmail.com ktimmers@gmail.com Well, I think that's it, pretty much. Oh yeah, Kendell was in a minor car accident recently -- don't worry, she wasn't at all injured. Hope the garlic is growing nicely up north! Thanks again for getting in touch with us about going to "Wicked". We're really looking forward to seeing you again. And it goes without saying that you're free to spend the weekend at our place. Later, Brad _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 14:33:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i91IXDhl010737; Fri, 1 Oct 2004 14:33:36 -0400 (EDT) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i91IX0SC001264 for ; Fri, 1 Oct 2004 14:33:00 -0400 (EDT) Received: from web52605.mail.yahoo.com (web52605.mail.yahoo.com [206.190.39.143]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id i91IRuFt030665 for ; Fri, 1 Oct 2004 14:27:57 -0400 (EDT) Message-ID: <20041001182943.36339.qmail@web52605.mail.yahoo.com> Received: from [155.52.45.132] by web52605.mail.yahoo.com via HTTP; Fri, 01 Oct 2004 11:29:43 PDT Date: Fri, 1 Oct 2004 11:29:43 -0700 (PDT) From: Brad Timmers Subject: Re: Moved in yet? To: bkdr@marco.ipnh.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 11:29:43 -0700 (PDT) From: Brad Timmers Subject: Re: Moved in yet? To: bkdr@marco.ipnh.com In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Dave, Whoops! Looks my message crossed yours in the mail... Yes, of course you can stay with us!!! We still have twenty episodes of "The Muppet Show" on DVD to watch! Moo woo hoo hoo ha ha ha ha... ;) The seats sound great, and $164.50 is fine by us. In fact, we like you guys so much -- we'll round up and throw in the extra two cents -- heck, let's round it up to three. Just 'cause it's you guys. ;) Can't wait! Brad P.S. I assume you got the expression "What a way to run a railroad!" from "Duck Amok". ("Thanks for the sour persimmons, cousin.") --- opus@ipnh.com wrote: > > Okay, the $75 seats were still available, so I grabbed > them. They're > Mid-Mezzanine, Row F, seats 23-29 (left of center). The > jerks > (Ticketmaster) tossed on a $3.05 "Order Processing > Charge" on top of the > $6.50 x 4 "Convenience Charge", but didn't bother to > mention it until the > credit card was charged. What a way to run a railroad. > > Anyway, I selected the standard mail route, so no extra > charge there. The > total for all four tickets comes to $329.05, so how does > $164.50 sound? > > I hope you meet your deadline emergency. Talk to you > later about the > other details, and see you in December! > > Oh yeah, could we persuade y'all to let us spend the > night after the show > at your place? > > -Dave __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 01 Oct 2004 17:14:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i91LEohV025428; Fri, 1 Oct 2004 17:14:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i91LEiCa027515 for ; Fri, 1 Oct 2004 17:14:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i91LESTJ001010; Fri, 1 Oct 2004 17:14:28 -0400 (EDT) Date: Fri, 1 Oct 2004 17:14:28 -0400 (EDT) Message-Id: <6.1.2.0.0.20041001220401.01c6fcf8@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Today's Scan: Sorcerer First Edition Sample Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 1 Oct 2004 17:14:28 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Today's Scan: Sorcerer First Edition Sample X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Today's scan is a bit odd: It's the First edition of Sorcerer from the Act I finale to I rejoice that it's decided, as that takes in all the major changes - the extended ending to the Finale, Happy are we in our loving frivolity, the change in keys and transitional material in Dear friends take pity on my lot and I rejoice that it's decided, etc. I should, however, warn that I had some problem with bleeding through from the other side of the page on some pages, but I've endeavoured to correct that. That said, though, I MAY have missed something in need of correction, so if anyone finds anything, please tell me and I'll make an updated copy, and, if the scans are found to be completely unsuitable, I'm happy to rescan Of course, this also means I wouldn't suggest printing it out immediately until you've checked it's suitable. But, that said, I DID spend two hours cleaning it up, so I probably got most of it. Anyway! Who wants it? -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 03 Oct 2004 06:35:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i93AZThV001134; Sun, 3 Oct 2004 06:35:29 -0400 (EDT) Received: from mx.plaxo.com (mx01.plaxo.com [66.54.249.34]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i93AZGe4009620 for ; Sun, 3 Oct 2004 06:35:16 -0400 (EDT) Received: (qmail 17891 invoked from network); 3 Oct 2004 10:35:15 -0000 Received: from unknown (10.1.0.7) by mx04.plaxo.com with QMQP; 3 Oct 2004 10:35:15 -0000 Received: from 83.216.138.237 by pas02.plaxo.com; 30 Sep 2004 13:55:59 -0000 Message-ID: <1096799715.22746.4521.sendUpdate@mx.plaxo.com> XDSB-Id: 1031992::20040701::PlaxoUpdateRequest Date: 3 Oct 2004 10:35:15 -0000 From: "Tam Lynass" To: "David C. Jedlinsky" Reply-to: "Plaxo Contact Update for Tam Lynass" Precedence: bulk Subject: Your contact info MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="_-------==3678958174" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.32 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 XDSB-Id: 1031992::20040701::PlaxoUpdateRequest Date: 3 Oct 2004 10:35:15 -0000 From: "Tam Lynass" To: "David C. Jedlinsky" Reply-to: "Plaxo Contact Update for Tam Lynass" Subject: Your contact info X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.32 X-Spam-Flag: NO This is a multi-part message in MIME format. --_-------==3678958174 Content-Type: multipart/alternative; boundary="_--=======3460980209" --_--=======3460980209 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit David, I'm updating my address book. Please take a moment to update your latest contact information. Your information is stored in my personal address book and will not be shared with anyone else. Plaxo is free, if you'd like to give it a try. Click the following link to correct or confirm your information: https://www.plaxo.com/edit_contact_info?r=30065051238-3316189--265807167 Name: David C. Jedlinsky Job Title: Company: Work E-mail: opus@MIT.EDU Work Phone: Work Fax: Work Address Line 1: Work Address Line 2: Work City, State, Zip: Mobile Phone: Home E-mail: Home Phone: Home Fax: Home Address Line 1: Home Address Line 2: Home City, State, Zip: Birthday: P.S. I've included my current contact information below. I've also attached a copy as a vCard. +----------------- | Tam Lynass | tam_lynass@msn.com | Hotelier | | Torcroft Hotel | 28-30 Croft Road | Torquay | Devon TQ2 5UE | work: 01803 298292 | fax: 01803 291799 | mobile: 07860 825040 | web: www.torcroft.co.uk | | Personal Information: | Torcroft | 28-30 Croft Road | Torquay Devon TQ2 5UE | home: 01803 298292 | fax: 01803 291799 | mobile: 07860 825040 | e-mail: tam_lynass@msn.com +------------------------------------- ____________________________________________________________ This message was sent to you by tam_lynass@msn.com via Plaxo. To opt out: https://www.plaxo.com/opt_out?r=30065051238-3316189--265807167 Plaxo's Privacy Policy: http://www.plaxo.com/support/privacy --_--=======3460980209 Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit Your Contact Info

David,

I'm updating my address book. Please take a moment to update your latest contact information. Your information is stored in my personal address book and will not be shared with anyone else. Plaxo is free, if you'd like to give it a try.

Thanks,
Tam Lynass

 
Click the button below to change or confirm your info
David C. Jedlinsky
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 no company
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opus@MIT.EDU
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IM: none
work: none
fax: none
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Do I have all your latest information? 

P.S. I've attached my current information in a vcard. If you get Plaxo too, we'll stay in touch automatically.

If you do not wish to receive update request emails from Tam Lynass, click here to opt-out.

--_--=======3460980209-- --_-------==3678958174 Content-Type: text/x-vcard; charset=ISO-8859-1; name="Tam Lynass.vcf" Content-Transfer-Encoding: 8bit Content-Disposition: attachment; filename="Tam Lynass.vcf" BEGIN:VCARD VERSION:2.1 X-PLAXO-VERSION:1.0 N:Lynass;Tam;;; FN:Tam Lynass ORG:Torcroft Hotel TITLE:Hotelier ADR;WORK;ENCODING=QUOTED-PRINTABLE:;;28-30 Croft Road;Torquay;Devon;TQ2 5UE; TEL;WORK;VOICE:01803 298292 TEL;CELL;VOICE:07860 825040 TEL;WORK;FAX:01803 291799 EMAIL;PREF;INTERNET:tam_lynass@msn.com URL;WORK:www.torcroft.co.uk ADR;HOME;ENCODING=QUOTED-PRINTABLE:;;Torcroft=0D=0A28-30 Croft Road;Torquay;Devon;TQ2 5UE; TEL;HOME;VOICE:01803 298292 TEL;CELL;VOICE:07860 825040 TEL;HOME;FAX:01803 291799 EMAIL;INTERNET:tam_lynass@msn.com BDAY:2004-10-12 END:VCARD --_-------==3678958174--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 03 Oct 2004 11:03:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i93F36hV008538; Sun, 3 Oct 2004 11:03:06 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i93F33jv018464 for ; Sun, 3 Oct 2004 11:03:03 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i93F2lw2005405; Sun, 3 Oct 2004 16:02:51 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id PAA03142 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sun, 3 Oct 2004 15:59:42 +0100 (BST) Received: by mserv1.dl.ac.uk id PAA03123 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sun, 3 Oct 2004 15:59:36 +0100 (BST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id PAA03116 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from enquiries@torcroft.co.uk); Sun, 3 Oct 2004 15:59:33 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp-relay02.x-mailer.co.uk (smtp-relay02.x-mailer.co.uk [212.69.217.31]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i93EsBT2008960 for ; Sun, 3 Oct 2004 15:54:11 +0100 Received: from [212.69.208.225] (helo=cdp.dsvr.co.uk) by smtp-relay02.x-mailer.co.uk with esmtp (Exim 4.30) id 1CE7kU-0005iz-Ku for buxton99@dl.ac.uk; Sun, 03 Oct 2004 15:54:06 +0100 Received: from HP763ADV (83-216-138-237.torcro639.adsl.metronet.co.uk [83.216.138.237] (may be forged)) by cdp.dsvr.co.uk (8.11.7/8.11.7) with SMTP id i93EsaZ23828 for ; Sun, 3 Oct 2004 15:54:36 +0100 Message-ID: <006b01c4a958$d4983ea0$0301a8c0@JACKIE> From: "Torcroft Hotel" To: Subject: Your contact info - an apology Date: Sun, 3 Oct 2004 15:54:05 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "Torcroft Hotel" To: Subject: Your contact info - an apology Date: Sun, 3 Oct 2004 15:54:05 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-CCLRC-SPAM-report: 0 : X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.9 X-Spam-Flag: NO Dear B99 You may have got an email from Tam Lynass asking you to verify your contact details. We have to apologise on behalf of our daft son-in-law who is a big kid when it comes to trying out gimmicky computer programs. He was using an old computer of ours that somehow has our old address book stored which was picked up by Plaxo. I am sure we do not need to tell you to delete the email. Jackie and Bob Richards  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 05 Oct 2004 20:22:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i960MnhV009456; Tue, 5 Oct 2004 20:22:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i960MmLt015129 for ; Tue, 5 Oct 2004 20:22:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i960MWTJ029897; Tue, 5 Oct 2004 20:22:32 -0400 (EDT) Date: Tue, 5 Oct 2004 20:22:32 -0400 (EDT) Message-Id: <6.1.2.0.0.20041006012138.01e75d30@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 5 Oct 2004 20:22:32 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Emerald Isle X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I was asked the plot of Emerald Isle. I think I must be mad: Oh, it's just your basic plot: Boy loves girl, boy is leader of Irish rebels, girl is daughter of the English Lord Lieutenant of Ireland, Boy capture's Girl's father's elocution teacher to have him teach the peasants to become more Irish, Girl's father hires comical devonshire soldiers to root out Boy's rebels, Girl's farther's ex-elocution teacher pretends to be old man trapped by fairies for many a decade to scare soldier off, Boy's rebels are a bit shocked that Boy loves Girl, but get over it, Girl's Father's Ex-elocution teacher's plan to scare off soldiers again fails as it catches blind fiddler, who isn't blind. Blind fiddler loses girl (but not Girl, another girl), Blind fiddler regains girl (still the other girl), Girl's father comes with soldiers, Sergeant does not want to be kissed by Girl's mother, so quotes all of The Vly be on the turmit, Girl's Father's Ex-elocution teacher claims he's ensorcelled, it comes out that Boy is rebel, Girl's servant runs in front of Boy to stop Boy from being shot. Girl returns and takes Servant's place, Girl's Mother is American, Girl's Father's Ex Elocution Teacher claims America is a friend to Ireland, so they're mighty sorry for revolting. Boy gets Girl, Fiddler gets Other Girl, Girl's Father's Ex-Elocution Teacher gets Girl's Servant, Sergeant gets Elocution lessons to moderate Devonshire Accent, Girl's Father gets whack on head by Shilleleigh -Adam Cuerden Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Oct 2004 15:19:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i96JJAhV004609; Wed, 6 Oct 2004 15:19:10 -0400 (EDT) Received: from smtp03.mrf.mail.rcn.net (smtp03.mrf.mail.rcn.net [207.172.4.62]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i96JJ8M4027369 for ; Wed, 6 Oct 2004 15:19:08 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp03.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CFHJc-0003Rp-00 for opus@MIT.EDU; Wed, 06 Oct 2004 15:19:08 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 15:18:32 -0400 Message-ID: <007d01c4abd9$45000a60$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200410061533.i96FXtGd021224@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 15:18:32 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200410061533.i96FXtGd021224@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO The only seat that was available in your row was allll the way down at F6. So I took seat G29 instead. Someone nice and short like Ruth can do the honor of sitting in front of me, yes? I promise not to kick her seat! I'm not sure at what time I'll be able to join you that day. The class I TA for has a final exam scheduled from 2-4 p.m., so unless I don't actually need to be there to proctor it (which I may not), I'll probably have to eat dinner on the train and catch up with you in time dessert near the theater. :-) Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, October 06, 2004 11:34 AM To: hains@temple.edu; rebecca@hains.net Subject: Wicked tix Hi Becca! Our tickets are for Thursday, December 16, Mid Mezzanine, row F, seats 23-29 (left of center). See if you can call Ticketmaster and get seat 31 in row F. If you try it online, they'll give you row G, because the available seats are closer to the center and therefore "better". Ticketmaster: 212-307-4100 or 800-755-4000 -Dave  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Oct 2004 15:44:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i96JiWhV018806; Wed, 6 Oct 2004 15:44:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i96JXjM4012464 for ; Wed, 6 Oct 2004 15:33:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i96JXNTJ012915; Wed, 6 Oct 2004 15:33:23 -0400 (EDT) Date: Wed, 6 Oct 2004 15:33:23 -0400 (EDT) Message-Id: <008b01c4abda$f7f11a50$0301a8c0@JACKIE> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/TOWERS - AN UPDATE MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.906 X-Spam-Level: ** (2.906) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 6 Oct 2004 15:33:23 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/TOWERS - AN UPDATE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.906 X-Spam-Level: ** (2.906) X-Spam-Flag: NO QWERTY/TOWERS - 3rd - 5th November, Torcroft Hotel, Torquay, UK Here is the revised attendance list: David, Jill and Lizzie Duffey Larry and Robin Garvin Larry and Ann Byler David and Ruth Jedlinsky Angie Arnell Sharon Cuttworth Claire Little Carole Round Rachel Keegan David Craig Chris and Sandra Wain Peter and Carol Crichton Stuart and Alison Box Don Smith Peter Withey Sarah-Jane Read Les and Jane Richardson Kathryn and Philip Barton John Penn Ian Hollamby and Anne Perryman Barrie and Karen Billinge Deirdre Kincaid Mike Nash Adam Cuerden Christopher Hall Ian Henderson Stephen Hill Sylvia Greinig To be confirmed: Sandra Vamplew Gareth Davies Vikki Willoughby Carol Davis Here is the revised programme (note changes to Pirates and inclusion of Patience): Friday: Trial by Jury Fireworks - GwS play recently discovered ;-) Saturday: Patience Yeomen of the Guard Sorcerer Princess Ida Ruddigore Sunday: Volunteered excerpts from Pirates of Penzance ending up with 'Hail Poetry' David Duffey has requested we sing the madrigal from Haddon Hall which I am happy to fit in as long as people bring their own copies Iolanthe Mikado Pinafore We appreciate that not everyone can stay until the end of Pinafore (or even Mikado) on Sunday but we anticipate enough of us remaining to include the opera. Many are staying on a few nights extra so who knows, we may even manage a Gondoliers, Utopia and Grand Duke over the next day or so. We will also try and fit in a pilgrimage to the site of The Bijou Theatre in Paignton about 3 miles away and which is just about visible from our dining room. Very few have yet to volunteer for a part so there are plenty available - remember the Qwert ethos - just go for it, let me know what parts you would like to play. For those of you arriving by coach or train, let us know your ETA and we will try and collect you from the stations. For those of you arriving by car, you can get directions from our web site at www.torcroft.co.uk. Please let us know your ETA anyway for catering purposes. As some, particularly our friends from the States, are staying up to a week, this could prove to be the longest Qwert in history. Jackie Richards  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Oct 2004 15:46:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i96Jk2hx019600; Wed, 6 Oct 2004 15:46:35 -0400 (EDT) Received: from smtp03.mrf.mail.rcn.net (smtp03.mrf.mail.rcn.net [207.172.4.62]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i96JimDG027761 for ; Wed, 6 Oct 2004 15:44:49 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp03.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CFHiS-0007mh-00 for opus@MIT.EDU; Wed, 06 Oct 2004 15:44:48 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 15:44:12 -0400 Message-ID: <009201c4abdc$daf1c8d0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200410061938.i96Jcg9R028003@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 15:44:12 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200410061938.i96Jcg9R028003@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Wow... a lot earlier than I thought... 10:09 pm. That's no good! Er... ummm... Did you say you'll be staying with a friend in New Brunswick? How nice are they to poor planning girls like me? (My train goes right through New Brunswick, so it would be an extremely easy matter of dropping me off at the rail station the next morning...) :-P Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, October 06, 2004 3:39 PM To: hains@temple.edu Subject: Re: Wicked tix Wicked Awesome! (Can you tell I grew up in Boston?) Well, that's pretty close, I guess! I'll see if Ruth wants to be all the way down there or not. :-) I don't yet know what our plans are regarding food. They don't have much in the theatre itself, so we'll either be eating beforehand, or maybe we'll go for dessert later. How late do the trains run back to Philly? -Dave >From: "Rebecca C. Hains" >Date: Wed, 6 Oct 2004 15:18:32 -0400 > >The only seat that was available in your row was allll the way down at >F6. So I took seat G29 instead. > >Someone nice and short like Ruth can do the honor of sitting in front of >me, yes? I promise not to kick her seat! > >I'm not sure at what time I'll be able to join you that day. The class I >TA for has a final exam scheduled from 2-4 p.m., so unless I don't >actually need to be there to proctor it (which I may not), I'll probably >have to eat dinner on the train and catch up with you in time dessert >near the theater. > >:-) Becca > > > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Wednesday, October 06, 2004 11:34 AM >To: hains@temple.edu; rebecca@hains.net >Subject: Wicked tix > > >Hi Becca! > >Our tickets are for Thursday, December 16, Mid Mezzanine, row F, seats >23-29 (left of center). See if you can call Ticketmaster and get seat >31 in row F. If you try it online, they'll give you row G, because >the available seats are closer to the center and therefore "better". > >Ticketmaster: 212-307-4100 or 800-755-4000 > >-Dave >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Oct 2004 19:20:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i96NKJhV024339; Wed, 6 Oct 2004 19:20:19 -0400 (EDT) Received: from smtp03.mrf.mail.rcn.net (smtp03.mrf.mail.rcn.net [207.172.4.62]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i96NKIH7022834 for ; Wed, 6 Oct 2004 19:20:18 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp03.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CFL4z-0001wa-00 for opus@MIT.EDU; Wed, 06 Oct 2004 19:20:17 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 19:19:40 -0400 Message-ID: <00a601c4abfa$f4cfcf90$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 In-Reply-To: <200410062308.i96N8xCK005094@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Wed, 6 Oct 2004 19:19:40 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200410062308.i96N8xCK005094@multics.mit.edu> Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I checked and I can't skip the final exam for the class, but I can leave campus by 4:30. I could drive, but rush hour *might* be bad enough to make me miss curtain. (It once took Tyler from 5:00 to 9 pm to make it to Times Square from here, b/c traffic was that bad.) Hmm. I hate wrinkles. Maybe Sam would put me up for the night. I could take a cab to his place after dessert. Hmm. becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, October 06, 2004 7:09 PM To: hains@temple.edu Subject: Re: Wicked tix Hmm. That's a wrinkle. I don't think they have much in the way of room. Is there any way you could drive? -Dave >From: "Rebecca C. Hains" >Date: Wed, 6 Oct 2004 15:44:12 -0400 > >Wow... a lot earlier than I thought... 10:09 pm. That's no good! > >Er... ummm... Did you say you'll be staying with a friend in New >Brunswick? How nice are they to poor planning girls like me? > >(My train goes right through New Brunswick, so it would be an extremely >easy matter of dropping me off at the rail station the next morning...) > >:-P > >Becca > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Wednesday, October 06, 2004 3:39 PM >To: hains@temple.edu >Subject: Re: Wicked tix > > >Wicked Awesome! (Can you tell I grew up in Boston?) > >Well, that's pretty close, I guess! I'll see if Ruth wants to be all >the way down there or not. :-) > >I don't yet know what our plans are regarding food. They don't have >much in the theatre itself, so we'll either be eating beforehand, or >maybe we'll go for dessert later. How late do the trains run back to >Philly? > >-Dave > > >>From: "Rebecca C. Hains" >>Date: Wed, 6 Oct 2004 15:18:32 -0400 >> >>The only seat that was available in your row was allll the way down at >>F6. So I took seat G29 instead. >> >>Someone nice and short like Ruth can do the honor of sitting in front >of >>me, yes? I promise not to kick her seat! >> >>I'm not sure at what time I'll be able to join you that day. The class >I >>TA for has a final exam scheduled from 2-4 p.m., so unless I don't >>actually need to be there to proctor it (which I may not), I'll >probably >>have to eat dinner on the train and catch up with you in time dessert >>near the theater. >> >>:-) Becca >> >> >> >>-----Original Message----- >>From: David C. Jedlinsky [mailto:opus@MIT.EDU] >>Sent: Wednesday, October 06, 2004 11:34 AM >>To: hains@temple.edu; rebecca@hains.net >>Subject: Wicked tix >> >> >>Hi Becca! >> >>Our tickets are for Thursday, December 16, Mid Mezzanine, row F, seats >>23-29 (left of center). See if you can call Ticketmaster and get seat >>31 in row F. If you try it online, they'll give you row G, because >>the available seats are closer to the center and therefore "better". >> >>Ticketmaster: 212-307-4100 or 800-755-4000 >> >>-Dave >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 07 Oct 2004 10:01:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i97E1MhV006439; Thu, 7 Oct 2004 10:01:23 -0400 (EDT) Received: from server281.com (server281.com [64.14.68.73]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i97E1Kvk017339 for ; Thu, 7 Oct 2004 10:01:20 -0400 (EDT) Received: (qmail 2902 invoked from network); 7 Oct 2004 14:01:27 -0000 Received: from unknown (HELO HOME) (24.61.138.100) by server281.com with SMTP; 7 Oct 2004 14:01:27 -0000 From: "Jenna Lourenco" To: "Becca Emigh" , "Eunice Ferreira" , "Scott Gagnon" , "Sarah Consentino" , "Ruth Jedlinsky" , "Peter Sofronas" , "Maureen O'Neil" , "Louise Cash" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Brenna Pomeroy" , "Alice & Tim O'Rourke" , "Terry & Jay Gans" , "Mike O'Rourke" , "Adrianna Lourenco" , "Mary Hurd" , "Elizabeth R Stone" , , Cc: "Joanna Bair" , , , , , , Subject: Headline: Jenna Lourenco Costumes Boston Premiere of Albee's "Baby" Date: Thu, 7 Oct 2004 09:57:29 -0400 Message-ID: MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0002_01C4AC54.0E4E4F60" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Jenna Lourenco" To: "Becca Emigh" , "Eunice Ferreira" , "Scott Gagnon" , "Sarah Consentino" , "Ruth Jedlinsky" , "Peter Sofronas" , "Maureen O'Neil" , "Louise Cash" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Brenna Pomeroy" , "Alice & Tim O'Rourke" , "Terry & Jay Gans" , "Mike O'Rourke" , "Adrianna Lourenco" , "Mary Hurd" , "Elizabeth R Stone" , , Cc: "Joanna Bair" , , , , , , Subject: Headline: Jenna Lourenco Costumes Boston Premiere of Albee's "Baby" Date: Thu, 7 Oct 2004 09:57:29 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0002_01C4AC54.0E4E4F60 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Hello all, I just want to invite you to my most recent design project: the Boston Premiere of Edward Albee's "The Play About the Baby". See the postcard attached below for more info. Some near nudity and swearing, probably not for the underage crowd. Excellent actors, and a dedicated and creative production staff...definitely a must-see. See you there, Jenna ------=_NextPart_000_0002_01C4AC54.0E4E4F60 Content-Type: application/applefile; name="MILL6_BABY_EMAIL.jpg" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="MILL6_BABY_EMAIL.jpg" AAUWAAACAAAAAAAAAAAAAAAAAAAAAAAAAAUAAAADAAAAVgAAABQAAAAIAAAAlgAAABAAAAAJAAAA pgAAACAAAAAKAAAAxgAAAAQAAAACAAAAygAAztRNSUxMNl9CQUJZX0VNQUlMLmpwZwAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAEpQRUc4 QklNBABNSUxMNl8AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAQAAAM5SAADNUgAAAIIAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAATEkFkb2JlIFBob3Rvc2hvcCBDUwAAOMQ4xAAAAAAAoABxABEC/wwA//4AAABIAAAASAAA AAAAAACgAHEAAAAAAKEB8gAWOEJJTQAAAAAAAACgAHFHcolwaK9iagChAOACNAAAAAAAAAIwQURC 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7qhBPpa7jWnTrArpcHEswLbkdqlTnl8EoZZltLcUrxBIJOuduD51y+tKuSKsD9+nMvftDae1lpjR wZRuhR5biAXEpoqqA0Cmm0k/KgKRw9+LVxp1dtC18oD5RakBN6xq1jFsFlKH9BcLjsQ48iv1yFPM Up1bh16fY5t8vsqyzLHJzzqbtaLmmKx5spKOzQpCnUkrCgsk0411b/lIp5fXzmjn99W+1yewe3RX 5TNuaWHG03KepkKKQUg7f5JG3yl7m8asOW8y04Tz2zHmqzk3NvE7ha5guNylQ5ylQLRuSlDbDZWQ 7RRNFKpwHDXy2sUwmerNsheza2X252u3xXfOYyn34anYvZAKW6WRFWSpIoeNOg65G41zsxO85M5j 3Kq2x3bHZZiYcqDOUppB84JWjhtZWNpNa8aa58XDkBgzst6wZjbrjjuHXyO3fpkVt9i3NKlrjkOh 0pU0+ts0O3bX63WD57iuJ403zCxbl7bM25q8snYzjS7mtDm4siBGbKnFKW24ytJUlRTtTurTXybc 0ultXhF+vNhkw3OVzQUxAtceMGShyHCWAuOF7huCqkjYPrdYQ02grccwO0obbA4lRkzAAB6OuR/y drUQzEw7Hk5DlSEcBJvNxUtDjrnhKSl0pr0JXTq7z8o/maf9kV9M/wADxNdcSTTXSdcDTXE1/g6k mvh1wJGqg0Ph1Xr8OnWoMZuI088uQ822KBTrhqtZ8aj066f4Zd0iWWDGuThJXPaYbS6SrpO8CtT1 6fEGExCElwvSQw2lvtHD0rVtAqT4T3G8NncwcimYmy2lpvG3rnKXCDafSt9gpwoKU9SSKDqGrnjU DILjCx29LQ5eLExKdbhyltkFCn2EqCHCkpFCoGlBqTiTOQ3JnFpsgS5mNolOpguyE7aOrjhXZqWN ifKIrwHg7kO02fmflVqtdvaSxAt0S8TGWGWkCiUNtodCUpA6ABr9bHL/AHFeU+dCd+sapLpnedJI 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[147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i97HqAhZ008376 for ; Thu, 7 Oct 2004 13:52:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i97Hq2TJ025487; Thu, 7 Oct 2004 13:52:02 -0400 (EDT) Date: Thu, 7 Oct 2004 13:52:02 -0400 (EDT) Message-Id: <20041007173023.21509.qmail@web14710.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Grand Duke & RoP performances MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.2 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 7 Oct 2004 13:52:02 -0400 (EDT) Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Grand Duke & RoP performances X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.2 X-Spam-Flag: NO HI, all, I am looking for help constructing a history of performances of the Grand Duke and Rose of Persia. Not just professional performances, ANY performances... Particularly in our lifetimes (we're all about 35, right?), and most particularly in the New York area, but I'm also curious about other companies worldwide that have performed either of these two works. Andi provided us with a professional performance history of RoP, via Stephen Turnbull, so I have that, and I'm not interested in recordings -- at least not yet. My reason: this coming spring in New York, NYGASP is doing Rose of Persia and the Blue Hill Troupe is doing Grand Duke. This seems like a rare opportunity for audiences, and I'm loking for info on "just-how-rare," for the Palace Peeper. Thanks! Private replies fine, unless of general interest. Carol D in NYC _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 07 Oct 2004 16:08:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i97K86hV018610; Thu, 7 Oct 2004 16:08:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i97K5Aug018957 for ; Thu, 7 Oct 2004 16:05:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i97JwuTJ027152; Thu, 7 Oct 2004 15:58:56 -0400 (EDT) Date: Thu, 7 Oct 2004 15:58:56 -0400 (EDT) Message-Id: <002301c4aca4$deff3de0$6500a8c0@arg> Errors-To: savoynet-owner@bridgewater.edu Reply-To: anthonyrgreen@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Anthony R. Green" To: Multiple recipients of list SAVOYNET Subject: Thespis MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0020_01C4AC7A.F4F37500" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 7 Oct 2004 15:58:56 -0400 (EDT) Reply-To: anthonyrgreen@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Anthony R. Green" To: Multiple recipients of list SAVOYNET Subject: Thespis X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0020_01C4AC7A.F4F37500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable There were three performances of "Thespis" last weekend and there will = be three more this coming weekend, Friday and Saturday evening and = Sunday afternoon matinee. The audiences have been enthusiastic. Kingsley = Day's music is very much in the Sullivan style, especially for the = patter songs and other light moments. Good overture too. The chorus = taken by Sullivan into "Pirates" is restored as a SATB chorus, to his = music. Also in the second act "Little Maid of Arcady" is to Sullivan's = music. It's "The Savoyaires" 40th anniversary production and well staged. Those = Savoynetters in the U.S. Midwest who are interested may call (847) = 251-8767 for more details and/or to book tickets. Prices range from $10 = to $20 and the performances are in Evanston, Illinois. Regards, Anthony Green Wilmette, Illinois=20 anthonyrgreen@sbcglobal.net or argreen@hotmail.com ------=_NextPart_000_0020_01C4AC7A.F4F37500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
There were three performances = of=20 "Thespis" last weekend and there will be three more this coming weekend, = Friday=20 and Saturday evening and Sunday afternoon matinee. The audiences have = been=20 enthusiastic. Kingsley Day's music is very much in the Sullivan style,=20 especially for the patter songs and other light moments. Good overture = too. The=20 chorus taken by Sullivan into "Pirates" is restored as a SATB chorus, to = his=20 music. Also in the second act "Little Maid of Arcady" is to Sullivan's=20 music.
 
It's "The Savoyaires" 40th = anniversary=20 production and well staged. Those=20 Savoynetters in the U.S. Midwest who are interested may call (847) = 251-8767 for=20 more details and/or to book tickets. Prices range from $10 to $20 and = the=20 performances are in Evanston, Illinois.
 
Regards, Anthony = Green
Wilmette,=20 Illinois
anthonyrgreen@sbcglobal.net or argreen@hotmail.com
<= /BODY> ------=_NextPart_000_0020_01C4AC7A.F4F37500--  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 07 Oct 2004 18:12:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i97MCbhV018180; Thu, 7 Oct 2004 18:12:37 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i97MCalX012122 for ; Thu, 7 Oct 2004 18:12:36 -0400 (EDT) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i97MCXJf013968 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Thu, 7 Oct 2004 18:12:35 -0400 (EDT) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: Date: Thu, 7 Oct 2004 18:12:32 -0400 To: opus@mit.edu From: Alex French Subject: Clue video? Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod Date: Thu, 7 Oct 2004 18:12:32 -0400 To: opus@mit.edu From: Alex French Subject: Clue video? X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Opus, What's the status of the Guild's Clue video now? Is it in production? -- Alex French President MIT Musical Theatre Guild cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 07 Oct 2004 20:14:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i980EMhV025298; Thu, 7 Oct 2004 20:14:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i980EEBw001392 for ; Thu, 7 Oct 2004 20:14:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i980DZTJ029071; Thu, 7 Oct 2004 20:13:36 -0400 (EDT) Date: Thu, 7 Oct 2004 20:13:35 -0400 (EDT) Message-Id: <20041008000037.9451.qmail@web14525.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke & RoP performances MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041007204117.58677.qmail@web14523.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 7 Oct 2004 20:13:35 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke & RoP performances X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041007204117.58677.qmail@web14523.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO The Rose of Persia was presented several times in concert format at the Gilbert & Sullivan Society of New York. Dan Kravetz or Frances Yasprica will remember the details better than I. I believe that there was one done in the late '70s or early '80s under the aegis of Veronica Burke, and then there was another that pre-dated the one Arthur mentioned (I know that I played for 2 separate outings of this, one shortly after I became involved with the Society, which would make it after 1986, and the second that Arthur Robinson mentioned in 1990). NYGASP presented a staged concert version of The Grand Duke at Symphony Space in the autumn of 1996, with Jocelyn Wilkes as the Baroness, Stephen O'Brien in the title role, Richard Holmes as Ludwig, Susan Case as Julia, Karen Dixon as Lisa, Michael Collins as the Prince of Monte Carlo, and other company regulars in the rest of the roles. Preparatory to that, NYGASP "previewed" the version--edited by Al Bergeret and Richard Holmes--at a meeting of the Gilbert & Sullivan Society of New York on 14 June 1996 (I remember the date because my mother passed away that afternoon, and I played the program that evening as a private tribute to her--she's the one who got me interested in G&S and also saw to it that I had piano lessons!). GASLOCOLI (Gilbert & Sullivan Light Opera Company of Long Island, the amateur company with which Gayden Wren is affiliated) also presented The Grand Duke. This company embarked on the project of presenting all the G&S operas, and has now finished the list. They did not take them strictly in sequence--their final one was The Mikado!--so I don't recall what year they did The Grand Duke. (I was not involved with that production.) "GD" is, of course, a favorite at QWERTs and Sing-Outs, especially if Larry Garvin can be prevailed upon to conduct and zip through it speedily. It was done at QWERTYConnII with Larry himself singing the title role as well as conducting, and it was done at the 2003 Rockville Sing-Out with Larry conducting again and, as has been mentioned previously on S'net, Elise Curran delivering an unforgettable Julia with a Suthun Belle accent. With the exception of the NYGASP staged concert version in the fall of 1996, all of these were done with piano. The Rose of Persia NYGASP will present on 3 April 2005 will be with full orchestra. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 00:35:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i984ZthV008406; Fri, 8 Oct 2004 00:35:55 -0400 (EDT) Received: from mc.lcs.mit.edu (mc.lcs.mit.edu [128.31.0.12]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i984ZcI8012893; Fri, 8 Oct 2004 00:35:38 -0400 (EDT) Received: by mc.lcs.mit.edu (Postfix) id 08BA9726; Fri, 8 Oct 2004 00:37:30 -0400 (EDT) Delivered-To: kabuki-kabuki@mc.lcs.mit.edu Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by mc.lcs.mit.edu (Postfix) with ESMTP id 98217725; Fri, 8 Oct 2004 00:37:29 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i984ZUeo002905; Fri, 8 Oct 2004 00:35:30 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) (authenticated bits=56) (User authenticated as tower@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i984ZSJg023211 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Fri, 8 Oct 2004 00:35:29 -0400 (EDT) Received: (from tower@localhost) by no-knife.mit.edu (8.12.9) id i984ZScO002027; Fri, 8 Oct 2004 00:35:28 -0400 (EDT) Date: Fri, 8 Oct 2004 00:35:28 -0400 (EDT) Message-Id: <200410080435.i984ZScO002027@no-knife.mit.edu> From: tower@alum.mit.edu (Leonard H. Tower Jr.) To: kabuki@mc.lcs.mit.edu Sent-Via-Bcc-To: kabuki-west@midgard.net, kw-comm@midgard.net, kw-talk@midgard.net Subject: lists moved X-No-Bcc: X-No-Bcc X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 00:35:28 -0400 (EDT) From: tower@alum.mit.edu (Leonard H. Tower Jr.) To: kabuki@mc.lcs.mit.edu Sent-Via-Bcc-To: kabuki-west@midgard.net, kw-comm@midgard.net, kw-talk@midgard.net Subject: lists moved X-No-Bcc: X-No-Bcc X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Hackers et al. 1) If any one would like to host a kabuki dinner, feel free. You can also ask me for some tips on doing so. 2) The kabuki lists that use to be on ai.mit.edu have moved to mc.lcs.mit.edu: kabuki@mc.lcs.mit.edu kabuki-kabuki@mc.lcs.mit.edu Please update your records. Please send deletion and change of address requests to kabuki-request@mc.lcs.mit.edu kabuki@ai has moved back to it's original hostname. Due to the AI Lab and Lab for Computer Science being merged into CSAIL (http://www.csail.mit.edu/), the server ai.mit.edu will be turned off sometime. Until then: kabuki@ai.mit.edu kabuki-kabuki@ai.mit.edu will forward to mc.lcs.mit.edu. But please switch over to using the mc.lcs.mit.edu's addresses. Just to review: kabuki@ is moderated to filter out SPAM. The moderator usually reviews the queues daily. kabuki-kabuki@ is unmoderated. kabuki@ and kabuki-kabuki@ reaches the same subscribers. Please let the kabuki lists grow by word of mouth. And please, no mention of it on USENET and other broadcast forums. Kabuki is a mailing list of around 115 people who like to get together at a different restaurant for dinner every so often, usually on Tuesdays or Wednesday. We've had between 3 and 15 people so far. It's a third generation offspring of the original kabuki@mc.lcs.mit.edu (which died some years ago) via kabuki-west@wonderlan.midgard.net (kabuki-west-request exists). Though initially weekly, they have been increasingly rarer. Anyone on the list is welcome to organize a dinner. kabuki@mc.lcs.mit.edu is moderated to filter out SPAM. kabuki-kabuki@mc.lcs.mit.edu is unmoderated (at least until the SPAMers find it). They both reach the same list of people. kabuki@mc.lcs.mit.edu & kabuki-kabuki@mc.lcs.mit.edu are for dinner announcements ONLY. They are not general purpose discussion lists. Kabuki's have been known to be scheduled so out of town people can attend when they visit. Consult with kabuki-request@mc.lcs.mit.edu. At least a week notice will help maximize attendance. Expect no more than a few messages a month. Restaurant suggestions are welcome - please send them to kabuki-request@mc.lcs.mit.edu You may also organize kabuki dinners - ask kabuki-request@mc.lcs.mit.edu for a few pointers. The initial list was assembled from party lists that Alix (oops - now Max) and I each had, as well as a list of hackers and unix wizs that Ambar knew. Anyone with an e-mail address who enjoys socializing with computer types and their friends is invited to join in. Guests are welcome. Spouses and spousal equivalents most welcome. yilf&s -len  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 11:28:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i98FSchV010740; Fri, 8 Oct 2004 11:28:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i98FNRZT020392 for ; Fri, 8 Oct 2004 11:23:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i98FNKTJ007132; Fri, 8 Oct 2004 11:23:21 -0400 (EDT) Date: Fri, 8 Oct 2004 11:23:20 -0400 (EDT) Message-Id: <5ED5CFDDAD68B0408440634910D57BAC45B0@guapissima.JCLockwood78s2CD.local> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jim@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: 1920's G&S (was: Nelson Eddy in G&S (was: musical comedy versus operetta)) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-class: urn:content-classes:message Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.103 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 11:23:20 -0400 (EDT) Reply-To: Jim@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: RE: 1920's G&S (was: Nelson Eddy in G&S (was: musical comedy versus operetta)) Content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.103 X-Spam-Flag: NO Way back last month John S wrote: > > Plus no G&S fan should go without hearing George > Baker's patter abilities in his younger days. > > I'm surprised Jim hasn't set up little mp3 samples on > his site to entice people. > This is a very much delayed response because I wanted to revalidate what I was about to say. I've never had a whole lot of use for mp3. I have to admit that I haven't played with the settings to try to optimize results, but I do have what *should* be a decent encoder built into Adobe Audition (sound editing software), which I've tried out at the default, "high-quality" settings. I haven't found mp3 to do a particularly good job at compressing vintage audio. I can tell the difference from the original, and I don't care for the result. I think the problem has to do with trying to compress the inevitable noise in old recordings. I'm aware that others have made mp3's out of some of Chris's and my transfers, and some may be happy with the results. Others have clearly stated that they are not happy with the results. So, if I put mp3 samples on my site (or some other compressed format, which I did try a long time ago), do I then explain that what you hear on the site isn't exactly like what you will get on the CD? I prefer to entice people with the promise that they can buy the CD and decide for themselves if it's what they want. If not, they can return it. Regards, Jim Lockwood www.78s2cd.com and Sounds on CD.  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 11:29:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i98FTBhV011040; Fri, 8 Oct 2004 11:29:11 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i98FT9ZT025258 for ; Fri, 8 Oct 2004 11:29:10 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CFwg9-0000OK-00 for opus@MIT.EDU; Fri, 08 Oct 2004 11:29:09 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Fri, 8 Oct 2004 11:28:21 -0400 Message-ID: <00c001c4ad4b$723fe900$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410062308.i96N8xCK005094@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Wicked tix Date: Fri, 8 Oct 2004 11:28:21 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410062308.i96N8xCK005094@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Sam says I can stay at his place, and that he's usually up till midnight, so I needn't worry about getting in particularly early. So, we're good! Will you be driving? Can you drop me at Sam's after so I don't have to take the subway all alone so late at night? -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, October 06, 2004 7:09 PM To: hains@temple.edu Subject: Re: Wicked tix Hmm. That's a wrinkle. I don't think they have much in the way of room. Is there any way you could drive? -Dave >From: "Rebecca C. Hains" >Date: Wed, 6 Oct 2004 15:44:12 -0400 > >Wow... a lot earlier than I thought... 10:09 pm. That's no good! > >Er... ummm... Did you say you'll be staying with a friend in New >Brunswick? How nice are they to poor planning girls like me? > >(My train goes right through New Brunswick, so it would be an extremely >easy matter of dropping me off at the rail station the next morning...) > >:-P > >Becca > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Wednesday, October 06, 2004 3:39 PM >To: hains@temple.edu >Subject: Re: Wicked tix > > >Wicked Awesome! (Can you tell I grew up in Boston?) > >Well, that's pretty close, I guess! I'll see if Ruth wants to be all >the way down there or not. :-) > >I don't yet know what our plans are regarding food. They don't have >much in the theatre itself, so we'll either be eating beforehand, or >maybe we'll go for dessert later. How late do the trains run back to >Philly? > >-Dave > > >>From: "Rebecca C. Hains" >>Date: Wed, 6 Oct 2004 15:18:32 -0400 >> >>The only seat that was available in your row was allll the way down at >>F6. So I took seat G29 instead. >> >>Someone nice and short like Ruth can do the honor of sitting in front >of >>me, yes? I promise not to kick her seat! >> >>I'm not sure at what time I'll be able to join you that day. The class >I >>TA for has a final exam scheduled from 2-4 p.m., so unless I don't >>actually need to be there to proctor it (which I may not), I'll >probably >>have to eat dinner on the train and catch up with you in time dessert >>near the theater. >> >>:-) Becca >> >> >> >>-----Original Message----- >>From: David C. Jedlinsky [mailto:opus@MIT.EDU] >>Sent: Wednesday, October 06, 2004 11:34 AM >>To: hains@temple.edu; rebecca@hains.net >>Subject: Wicked tix >> >> >>Hi Becca! >> >>Our tickets are for Thursday, December 16, Mid Mezzanine, row F, seats >>23-29 (left of center). See if you can call Ticketmaster and get seat >>31 in row F. If you try it online, they'll give you row G, because >>the available seats are closer to the center and therefore "better". >> >>Ticketmaster: 212-307-4100 or 800-755-4000 >> >>-Dave >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 12:22:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i98GMmhV008349; Fri, 8 Oct 2004 12:22:48 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i98GLvL8009370; Fri, 8 Oct 2004 12:21:57 -0400 (EDT) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.7.16.76]) (authenticated bits=56) (User authenticated as radford@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i98GLuJg012988 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Fri, 8 Oct 2004 12:21:57 -0400 (EDT) Received: (from radford@localhost) by home-on-the-dome.mit.edu (8.12.9) id i98GLu9v015732; Fri, 8 Oct 2004 12:21:56 -0400 (EDT) Date: Fri, 8 Oct 2004 12:21:56 -0400 (EDT) From: Todd Radford To: mitcp-info@mit.edu Subject: **MITCP Auditions for THE EIGHT: REINDEER MONOLOGUES Oct 13 & 14 ** Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-ID: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 12:21:56 -0400 (EDT) From: Todd Radford To: mitcp-info@mit.edu Subject: **MITCP Auditions for THE EIGHT: REINDEER MONOLOGUES Oct 13 & 14 ** Content-ID: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& The MIT Community Players &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& are pleased to announce AUDITIONS for their winter production THE EIGHT: REINDEER MONOLOGUES by Jeff Goode Dates: Oct 13 and 14 Time: 7-9pm Location: 8-302 (http://whereis.mit.edu/map-jpg?mapterms=8&mapsearch=go) Plot Synopsis: Not everything is merry at the North Pole. A reindeer has stepped forward and made an official charge of sexual harassment towards Santa himself. The scandal spreads quickly to the mass media and everyone wants to tell their story, especially the other members of Santa's sleigh team. Note: This show contains strong language and mature content A copy of the text is available on reserve in Rotch library for any who are interested. For a character breakdown, go to the MIT Community Players website at http://web.mit.edu/mitcp/www/current1.html There are roles for five men and three women. Auditions will consist of cold readings from the script. As the play is made up of individual monologues, time commitment for rehearsals will be small, and scheduling will be flexible. Please email mitcp-info@mit.edu or call (617) 253-2530 with any questions about auditions. Performance Dates: Thursday, December 16th, 8 PM Friday, December 17th, 8 PM Saturday, December 18th, 8 PM bcc-ed to: mitcp-pub@mit.edu, mtg-info@mit.edu;savoyards@mit.edu;midnight-players@mit.edu; chorus@mit.edu; ensemble@mit.edu; dancetroupe@mit.edu; gsp@mit.edu; chamber@mit.edu; ds_announce@mit.edu; bdclub@mit.edu; muses@mit.edu; crossproducts@mit.edu; logarhythms@mit.edu; blagtg@mit.edu; choral@mit.edu; toons@mit.edu; theater@mit.edu  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 12:47:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i98GkuhV019228; Fri, 8 Oct 2004 12:47:06 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i98GksZT006594 for ; Fri, 8 Oct 2004 12:46:54 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CFxtO-0002mt-00 for opus@MIT.EDU; Fri, 08 Oct 2004 12:46:54 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Videotaping Date: Fri, 8 Oct 2004 12:46:06 -0400 Message-ID: <00c501c4ad56$4e8358c0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410061821.i96ILMaM025759@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.229 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Videotaping Date: Fri, 8 Oct 2004 12:46:06 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410061821.i96ILMaM025759@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.229 X-Spam-Flag: NO Hi Dave, Thanks for this message! I passed it along to the people in charge. They spent yesterday talking about it. Apparently, it is difficult for them to answer your questions in a timely fashion, since they do not have access to the space. So with their concern about the quick approach of the show, they have decided to go with the expensive-but-crappy videographer--for this time, at least. *sigh* They are thinking of having the videographer plug into their own sound system to record the show. Do you think this is a good idea? And what do you think are the most important factors in getting a quality product? Are there things you could suggest for us to ask about, so our videos don't suck? Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, October 06, 2004 2:21 PM To: hains@temple.edu Subject: Videotaping Hi Becca. I have a few questions I'd like to get answered to help determine whether it's feasible for us to record your show. We'd write up a document listing our expections, and what you can expect from us. What is the theatre house like? Is there floor space behind the audience for us to set up cameras, or will we need to shoot from within the seats? If the latter, we usually need ten seats or so in the back row or along the sides, and the house manager needs to know which seats, to prevent them from being sold to audience members. If the audience is flat (not raked), is there any way to elevate the cameras to give us better sight lines? Are there any restrictions to using gaffer tape (non-residue) on walls or floors? We plan to use two cameras. This requires separate, grounded, power outlets if we are on different sides of the audience. There needs to be sufficient current available (i.e. not completely taken up by lighting, for example). Is there space available to store empty cases during the performance? How wide is the stage, and how deep is the house? We need to determine whether it is possible to cover the entire stage in a wide-angle shot. Is there an orchestra pit? Can we place microphones within the pit? Are there existing microphones, or is the theatre wired for recording? The microphone situation can probably be determined when we get there. Is the theatre handicapped accessible? Can we bring equipment in using a cart, or must it be carried by hand? Is there a Radio Shack or equivalent near the theatre? If we discover we need some random connector, it would be nice to know what resources are available nearby. Are there time limits for theatre availability both before and after the performance? We usually need about two hours before the house opens in order to set up, and about two hours afterwards to completely strike. If there is a time constraint on either end, we would need additional manpower to be provided in order to allow us to meet the deadline. How many tapes/DVDs are typically ordered by your group? Our price will need to include our travel expenses, but we will list a minimum number of tapes and DVDs which must be ordered. We'd like to set the minimum to something reasonable, but high enough that the per-copy cost isn't outrageous. We normally deliver final copies within six months. If an earlier deadline is needed, please let me know what it is, and I'll see if we can accomodate it. Our plan is to drive down on Friday and take notes at the Friday evening performance. We would record the Saturday evening performance. There should be a single person determined by the group who will make a decision as to whether we would be needed to record again (due to performance problems, for example); there would be an additional charge, which would be known in advance, if we are requested to record again. The backup recording, if necessary, would be at the Sunday matinee. It is possible to re-record a single scene or song after the Saturday performance, rather than asking us to come back the next day. There would be no charge for this, but the cast and orchestra must be told immediately to remain in costume and ready to perform, and the audience must either be cleared, or remain in their seats. Thanks. -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 19:58:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i98NvohZ014427; Fri, 8 Oct 2004 19:58:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i98NvFjW003727 for ; Fri, 8 Oct 2004 19:57:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i98NuvTJ013470; Fri, 8 Oct 2004 19:56:57 -0400 (EDT) Date: Fri, 8 Oct 2004 19:56:57 -0400 (EDT) Message-Id: <20041008234543.64850.qmail@web60206.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: The 1992 NDOC Mikado Video MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <10759-4166CD50-3336@storefull-3136.bay.webtv.net> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 19:56:57 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: The 1992 NDOC Mikado Video X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <10759-4166CD50-3336@storefull-3136.bay.webtv.net> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO I bought this video a few years ago off of eBay, well aware that it was recorded in PAL format and I wouldn't be able to watch it until converted. I recently had it converted. The entire new DVD is about half a second off with the sound. It comes off like a dubbed Japanese movie. I thought maybe the conversation wasn't perfect but the company said it was the same way on the original. I'm happy with the DVD as it is but I'm still curious. Do all copies have the sound unsynchronized like this? I agree with the comments on Marc's site that state the singing is good but the staging and costumes are appalling. Here is all the info on Marc's site: http://www.cris.com/%7Eoakapple/gasdisc/mikndocv.htm Here are some pictures I screengrabbed myself and put on a temporary page: http://community-2.webtv.net/Earthflash/NDOCMikado/ It seems to me that the costumes were designed to illustrate the idea (that most people hold but I don't) that these are really Englishmen dressed us as Japanese. The costumes are half English, half Japanese. For me, this mixture makes the characters look neither English nor Japanese. They look like they belong to some other undiscovered European country. It's unsettling. The staging is usually very dark. If I wasn't familiar with the opera, I wouldn't be able to guess the location. Fenton Gray was very likable as Ko-Ko and Lesley Echo Ross was the most amazing Yum-Yum I've ever heard. They sang both verses of the Act I love duet and both verses of Katisha's Act II solo. The former always works for me. I wish it was done more. It's so beautiful. John S LI NY _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 19:58:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i98NwrhV014650; Fri, 8 Oct 2004 19:58:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i98NwqjW004919 for ; Fri, 8 Oct 2004 19:58:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i98NwiTJ013654; Fri, 8 Oct 2004 19:58:44 -0400 (EDT) Date: Fri, 8 Oct 2004 19:58:44 -0400 (EDT) Message-Id: <006c01c4ad91$d2551130$eee72ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary 9 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0069_01C4AD9A.09DF8970" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 19:58:44 -0400 (EDT) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary 9 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0069_01C4AD9A.09DF8970 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Ah well, I suppose we had to have a rehearsal like this at some time - = you know - those rehearsals where _everything_ goes wrong for = _everybody_=20 In my experience they do tend to manifest themselves fairly close to the = run. Put shortly, we were rubbish (the men that is, the women were = great!) Poor William had spent the day boning up on Act 1 - We ran Act = 2!!=20 Consequently, we failed entirely to rule as one individual, more like = three fifths of an individual between us. Our music wasn't too bad as = William has a superb voice, and I'm just about keeping up with him I = think. Also the terpsichory is now fixed and not bad at all (despite the = fact that I spent yesterday evening, Morris Dancing!) The problem was = the dialogue - Oh dear!=20 Marco has comparatively little dialogue I know, but both William and I = (together with The Duke) seemed to be inflicted with serial amnesia - it = seems to be catching, as hitherto the dialogue has gone swimmingly - I = wonder why it is? Friday - we're all knackered at the end of the week, = and the Run is only 10 days away? Possibly.=20 I take comfort from the fact that every show I've been in has one of = "those" rehearsals, which involves the Director burying his head in his = hands and slowly shaking it. I have little sympathy for him however, as he made me sing TAPOSE again = - unfeeling swine! We now have two more rehearsals before getting in to the theatre, and = the knee trembling has begun. Ian ------=_NextPart_000_0069_01C4AD9A.09DF8970 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Ah well, I suppose we had to have a = rehearsal like=20 this at some time - you know - those rehearsals where _everything_ goes = wrong=20 for _everybody_
In my experience they do tend to = manifest=20 themselves fairly close to the run. Put shortly, we were rubbish (the = men that=20 is, the women were great!) Poor William had spent the day boning up on = Act 1 -=20 We ran Act 2!!
Consequently, we failed entirely to = rule as one=20 individual, more like three fifths of an individual between us. Our = music wasn't=20 too bad as William has a superb voice, and I'm just about keeping up = with him I=20 think. Also the terpsichory is now fixed and not bad at all = (despite the=20 fact that I spent yesterday evening, Morris Dancing!) The problem was = the=20 dialogue - Oh dear!
 
Marco has comparatively little dialogue = I know, but=20 both William and I (together with The Duke) seemed to be inflicted = with=20 serial amnesia - it seems to be catching, as hitherto the = dialogue has gone=20 swimmingly - I wonder why it is? Friday - we're all knackered at the end = of the=20 week, and the Run is only 10 days away? Possibly.
 
I take comfort from the fact that every = show I've=20 been in has one of "those" rehearsals, which involves the Director = burying his=20 head in his hands and slowly shaking it.
 
I have little sympathy for him however, = as he made=20 me sing TAPOSE again - unfeeling swine!
 
We now have two more rehearsals before = getting in=20 to the theatre, and the knee trembling has begun.
 
Ian
------=_NextPart_000_0069_01C4AD9A.09DF8970--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 08 Oct 2004 20:40:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i990eHhV023612; Fri, 8 Oct 2004 20:40:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i990eFKq010269 for ; Fri, 8 Oct 2004 20:40:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i990e5TJ014013; Fri, 8 Oct 2004 20:40:05 -0400 (EDT) Date: Fri, 8 Oct 2004 20:40:05 -0400 (EDT) Message-Id: <003301c4ad98$b7cbaf70$f64d2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Pitlochry's Engaged MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.458 X-Spam-Level: ******* (7.458) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 8 Oct 2004 20:40:05 -0400 (EDT) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Pitlochry's Engaged X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.458 X-Spam-Level: ******* (7.458) X-Spam-Flag: NO I finally caught upwith Engaged at the Pitlochry Festival Theatre at last Saturday's matinee. Although the play has been running in repertory since April the house was packed full - and enthusiastic. As I haven't seen a review on Savoynet I thought I should contribute this. The production was certainly sumptuous. The Gretna garden had cottage to the left, laundry to the right and large five bar gate in the centre with lane running along behind. Angus Mcleod (altered from Gilbert's Macalister in order, according to the programme, to avoid a clash of tartans - clearly local sensitivities to the fore!) was big and burly, which made the greetin' all the funnier. Maggie, delightfully winsome. Belvawney, mephistophilean in green glasses, was a little mannered for my taste. Cheviot, although acted cleverly, even charmingly, was quite OTT in this respect. Whenever he became diverted by another it was an excuse for all sorts of physical contortions, leg tricks, bosom ogling. The programme printed part of Gilbert's exhortation on the title page for the characters to believe in the perfect sicerity of their words and actions, but tellingly omitted the bit about no exaggeration in costume make-up or demeanour. Costumes generally were extravagant, but not overly so; make-up was invisible, but Cheviot's demeanour and Belvawney's to a lesser extent were not as Gilbert would have wished! The other girls, Belinda and Minnie, though equally mercenary were well deliniated. Belinda was wonderful in her mourning scene and received well deserved applause for the speech where she describes how she is rent with conflictng doubts, leading to a rapid recital of questions. Minnie was deliciously arch. Uncle Symperson was beautifully played - devious and sly. Major McGillicuddy's brief appearance at the climactic end of Act 1 was glorious and the hilarious revelation of the cake worked brilliantly. Act 3 was given a third set - a conservatory on the other side of the double doors at the back of the Act 2 drawing room, which saved a cetain amount of scene shifting. All the sets got a ripple of applause at curtain-up - a nice gesture. I'd forgotten (but was not surprised at) how many phrases and ideas Gilbert reworked in the operas - the Grand Duke as more fiancees come to claim Cheviot and especially the Gondoliers as Belvawney addresses whichever one of two girls isn't already engaged and declares undying love for her (whichever it is). This production, however, didn't introduce any music. The programme condemned other productions which did this as watering down Gilbert's satire. I don't know. In the operas, I find Sullivan's music is a good foil for the satire. It's only 5 years since neighbouring Perth did Engaged with musical extracts. That production seemed the better of the two to me, partly because it was played much faster and maybe that was because a few verses of songs were introduced - all well chosen. Having invested in the 90 minute driive into the Highlands we stayed on for the evening performance - The Shop at Sly Corner - a fabulous old thriller from the 1940's excellently played. Pitlochry is certainly to be highly commended for both shows. Their foyer shop sold postcards from the plays - that from Engaged a delightful picture of the three Scots on the sofa in Act 2 in all their tartans. Maybe you could write and buy up stock now the season's almost over. There was also a suggestion box in the foyer - I requested Tom Cobb next! Ian L  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 09 Oct 2004 00:46:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i994k9hV020172; Sat, 9 Oct 2004 00:46:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i994k7xC029633 for ; Sat, 9 Oct 2004 00:46:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i994k0TJ015693; Sat, 9 Oct 2004 00:46:00 -0400 (EDT) Date: Sat, 9 Oct 2004 00:46:00 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: twrench@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "twrench" To: Multiple recipients of list SAVOYNET Subject: RE: Grand Duke & RoP performances MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041007173023.21509.qmail@web14710.mail.yahoo.com> X-Mailer: Microsoft Office Outlook, Build 11.0.5510 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 9 Oct 2004 00:46:00 -0400 (EDT) Reply-To: twrench@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "twrench" To: Multiple recipients of list SAVOYNET Subject: RE: Grand Duke & RoP performances X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041007173023.21509.qmail@web14710.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO MIT Gilbert & Sullivan players did GD in May 2001. Cast, directors, etc can be found at: http://web.mit.edu/gsp/www/Archive/2001spring_duke/index.html -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Carol Davis Sent: Thursday, October 07, 2004 12:51 PM HI, all, I am looking for help constructing a history of performances of the Grand Duke and Rose of Persia. Not just professional performances, ANY performances...  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 09 Oct 2004 16:28:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i99KSphV025531; Sat, 9 Oct 2004 16:28:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i99KSoIo014717 for ; Sat, 9 Oct 2004 16:28:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i99KSjTJ021894; Sat, 9 Oct 2004 16:28:45 -0400 (EDT) Date: Sat, 9 Oct 2004 16:28:45 -0400 (EDT) Message-Id: <6.1.2.0.0.20041009211654.01ce5588@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: British Library Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41684261.5030407@cris.com> X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 9 Oct 2004 16:28:45 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Re: British Library X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41684261.5030407@cris.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO Where, exactly? They aren't marked in Original Plays. >Adam Cuerden wrote: > >>Er, one thing: WHAT music to Rosencrantz and Guildenstern? Wasn't it a >>straight play? > >It was basically a straight play, but it had a few songs mixed in. > > >-- >Marc Shepherd >New York, NY > -Adam Cuerden "That monkeys once were men -- peers, statesmen, flunkeys-- That's rather hard on unoffending monkeys!" -W.S.Gilbert, La Vivandiere Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 09 Oct 2004 16:49:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i99KnihV029367; Sat, 9 Oct 2004 16:49:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i99KngFq001519 for ; Sat, 9 Oct 2004 16:49:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i99KnaTJ022164; Sat, 9 Oct 2004 16:49:36 -0400 (EDT) Date: Sat, 9 Oct 2004 16:49:36 -0400 (EDT) Message-Id: <000801c4ae40$ad57f820$0a00000a@paul2bvcylozb3> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Updating the Archive MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 9 Oct 2004 16:49:36 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Updating the Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Whilst lots of new - and otherwise unavailable - material has been added to the archive over the past year or more and Jim has done a lot of work improving the appearance of various pages, he and I have been discussing the fact that the core content of the Archive, namely the Gilbert and Sullivan Operas, has been rather neglected. Some of it is quite old and in need of revision and updating. This is an appeal for some help! Jim and I intend to work through the operas in chronological order, starting with Trial by Jury, and attempt to do the following: 1. Convert the libretti into modern file formats. 2. Redesign the pages. 3. Provide a new set of MIDI files which are both accurate and consistent throughout the opera. I hope there might be some Savoynetters out there who would be willing to help with the sequencing of the MIDI files. If you would be willing to help, please get in touch and I'll outline the sort of thing we are aiming for. There are only 14 numbers in Trial by Jury - that's only three or four songs each if we get four volunteers! Paul Howarth Associate Curator The Gilbert and Sullivan Archive  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 08:08:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9AC8Qhb005027; Sun, 10 Oct 2004 08:08:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9AC8KPg015755 for ; Sun, 10 Oct 2004 08:08:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9AC8ETJ028410; Sun, 10 Oct 2004 08:08:15 -0400 (EDT) Date: Sun, 10 Oct 2004 08:08:14 -0400 (EDT) Message-Id: <004601c4aec2$86763a00$18e5fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: "Sparkling eyes" - what does it mean? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 08:08:14 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: "Sparkling eyes" - what does it mean? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I LIKE TAPOSE! I fully agree with Jana that Gilbert contented himself here with writing some pretty vacuous words which Sullivan could set to a charming romantic tune; but they're perfectly adequate for that, and Sullivan played up splendidly. And they DO make more sense than Ian is willing to acknowledge. "Sparkling eyes" - well, Gilbert's hardly the first or the only poet to describe lady's eyes as "sparkling", is he? Juliet's eyes could take the place of twinkling stars, in Romeo's not unbiased opinion. "Sparkle" is not just a descriptive word - it's a word with positive emotive force, implying merriment or joy: "sparkling eyes" suggests smiles and laughter. As to "Press it - in parentheses": this becomes clearer if you note the sense of "take", throughout the song. This is a RECIPE: take four eggs, half a pound of butter, four ounces of flour, etc., etc. As a recipe for perfect happiness, TAKE the following ingredients... (And when you come to the tender little hand, as you list it among the other ingredients give it a wee squeeze in passing.) Sure, it's not Gilbert at his cleverest, in fact it's pretty laboured; but it does make some kind of sense on its own terms. Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 13:54:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9AHsXhV007923; Sun, 10 Oct 2004 13:54:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9AHsVQH006987 for ; Sun, 10 Oct 2004 13:54:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9AHsQTJ000920; Sun, 10 Oct 2004 13:54:26 -0400 (EDT) Date: Sun, 10 Oct 2004 13:54:26 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: Ten Rules for a Tyro Director MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-class: urn:content-classes:message Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 13:54:26 -0400 (EDT) Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: Ten Rules for a Tyro Director Content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO As Ian Hollamby has observed, there are only two more weeks until our production of "The Gondoliers" hits an unsuspecting Littlehampton. As a first-time director, my trembling hasn't just begun, It started weeks ago, and is now building up to such a pitch that holding a cup of hot tea on rehearsal nights is a dangerous thing! I have decided that if I ever get asked to direct again (and after next week that might not be for a long time) I should document my experiences before the euphoria of performance warps my perceptions, so that I can refer to them if I'm ever asked to direct again. I therefore humbly submit to the list my Ten Rules for a Tyro Director. This is very much my own view, and relates to the type of G&S I do and experience, your mileage may vary, the price of shares may go down as well as up, etc. etc. Ten Rules for a Tyro Director. (1) Don't underestimate the commitment you are making. As a Principal, or Chorister, you have probably had the occasional night off from rehearsal, you may not have been needed, or you just told the director and had a night off. (You _did_ tell him, right?). Well as the Director you're supposed to be there All The Time. Every Rehearsal, come rain, snow, or glom of nit. If you're not there, things don't happen, scenes are not set or rehearsed, and the company will fall back on that old time filler "singing". (2) You are supposed to be there, ready to start at 7:30pm, everyone else can roll up anytime between 7:40pm and 9:00pm. No matter how many times you tell them, some people will always turn up late, even at the Theatre. (This is why male chorus members like Ruddigore and dislike Mikado). This is also why it is a Bad Idea to set any movement during the Overture, or - worse still - cut the Overture. The cast lose valuable panicking time. I know several performers who are able to have a complete change of clothes, make-up and a four course meal during the Overture to "The Sorcerer". Without this safety margin they would go on stage undressed, pale and unfed. (3) As well as having to be there, you are expected to know exactly what you want the Cast to do. Not having the entire Opera set and committed to memory is calculated to produce remark. People will think You Do Not Know What You Are Doing. Trying out several different approaches to a scene will confirm this, as will changing your mind from one rehearsal to the next. (4) Despite (3) most of the cast will forget what you told them to do at the last rehearsal, and be unable to remember your directions from one week to the next. This makes it possible for you to try out several different approaches to a scene, and change your mind from one rehearsal to the next. Keep a large notepad with you and when challenged - "that's not what you said last week!", appear to consult this and state firmly that it was. (5) Be aware that most of your cast suffer from "Gerald Ford Syndrome", and are unable to walk and chew gum at the same time. It is always a trade-off. If you have complicated moves, the music will suffer (people will forget to sing because they're concentrating so hard on their pas de basque). If you have complicated music, they will forget to move. This can be alleviated by either a) practising a certain move every rehearsal so most will remember it, and b) failing to turn up one night so that rule (1) will apply. (6) If you have a good rehearsal pianist, look after them. Fetch their tea, plump up their cushions, turn their pages, anything to keep them happy contented and _playing_. Good repetiteurs are like Diamonds only rarer and more valuable. (7) If you have a bad rehearsal pianist, look after them. Fetch their tea, plump up their cushions etc. etc. You never know, they may improve! Anyway, anything's got to be better that you picking the tune out with one finger on a casio keyboard, hasn't it? (8) Watch for ambiguity in the directions you give. Terms like "Right" and "Left" can confuse your cast. The "Porter" method can help here, ("no no the _other_ left"), alternatively painting their shoes with whitewash will help, but you may end up sounding like Jonathan Ross ("White foot forward, White foot back"). Often going on to the stage and physically moving someone is the only way, or, of course, showing them by doing the move yourself (see rule 9). (9) Always set the dances to be within the capabilities of your Cast. It is probable that I am a member of the last generation who were sent to Ballroom dancing classes by their parents in the mistaken hope that they would acquire the social graces by being able to dance the St Bernard Waltz. As a consequence I can Waltz(Slowly), Quickstep(Badly) and Polka(Dangerously). However I now find that if a Chorus is old enough to remember being taught to Waltz, they are often now too infirm to do so. If you are fortunate enough to have Young People in your cast they will look at you uncomprehendingly when you mention ballroom dancing, and regard you as older than Methuselah's Grandfather. All this means that the most you can expect in the field of Terpsichore is "the G&S shuffle", i.e. Step to the side, point right foot, step back, point left foot -no no the _other_ left, here let me show you, like _this_....(see rule (8)). (10) Never forget that this is supposed to be fun, and is only burlesque of the lowest sort. It is true that if the show is a success everyone will praise the Performers, the set, and Orchestra. If it is a failure they will all unhesitatingly blame the Director. But that is no reason to get upset, lose your temper or attempt to set about the men's chorus with a Gondola pole. Remember what you keep shouting to the cast, "Smile d*mn you, Smile!" In the end, as one of my cast opined.... "it's only G&S, not _real_ Opera". Stuart  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 14:38:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9AIcYhV017028; Sun, 10 Oct 2004 14:38:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9AIcWZD019295 for ; Sun, 10 Oct 2004 14:38:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9AIcSTJ001357; Sun, 10 Oct 2004 14:38:28 -0400 (EDT) Date: Sun, 10 Oct 2004 14:38:28 -0400 (EDT) Message-Id: <20041010183052.30036.qmail@web40905.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Kingsley Day's THESPIS -- long review MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 14:38:28 -0400 (EDT) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Kingsley Day's THESPIS -- long review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Last night (October 9), I attended the Savoyaires' THESPIS by Kingsley Day. First let me say that I was not excited about seeing this show, which is really odd because this is one of my favourite operas in the series. I got my first surprise when I looked at the programme and the role of Venus was not included. I had then assumed that Day had scored his opera to the uncorrected libretto and not Terence Rees' version. In the notes, Day explains that he "...adopted some but not all of his suggested interpolations." The original version doesn't have to be a rule for every single THESPIS out there. The overture, true to the THESPIS style (except that "Little Maid" was not quoted as usual), felt frothy to me. The middle section of it was pretty, though I never made out what song it was mirroring. But by the end of the overture, I got the distinct feeling I was listening to a pistache of PIRATES, probably because a couple of bars from the near end of the PIRATES overture were included (you know that soaring passage in Dflat just before Mabel pops out that top C? that's the one). I would assume that Day was on the up and up about Reginald Allen's suggestion of this song in THESPIS when he first scored it. The curtain opens after loud rolls off the timpani and some almost atonal brass chords. A very different mood of mystery and wonder fills the auditorium. When the lights go up, we see many people dressed in black, each wearing some glowing pendant around the neck that goes off when they take it off. "Throughout the night" was one of the better songs of the show. The star soloist, Katie Panattoni, has a fine voice but at the very beginning, it was tough to hear her over the orchestra. This passed quickly and the rest of it was fine. Diana (Kara Chandler) and Apollo (William King) were a joy to watch in the first scene. Later, Mercury (Julia Hathaway) came on, very chirpy and wonderfully in character. However, her first song was somewhat dull. Not her fault, but I was not impressed by the song. It reminded me of a mix of "Craxy Jacqueline" and "Come bumpers". Points off for that. Jupiter (Steve Andrews) comes in and goes through the usual business. Mars (David Hunt) is not introduced for "Goodness gracious", so his line was given to Jupiter. This eliminates his clumsy entrance but it also leaves Mars with nothing to do in the first act. The quartette has a cute melody. This is the first example I've heard of the group singing "Our impeding/Their proceeding/WERE good breeding" instead of "We're good breeding". I'm glad someone finally caught that. Sparkeion (Brian DeCou) and Nicemis (Jennifer Grubb) have a beautiful duet, though the words were hard to make out at times. Throughout the show was a very different pronunciation of their names "Ny-SEE-mus" and "spar-KEY-un", which I think defeated Gilbert's joke. The other thespians are introduced and our own Henry Odum (the middle name isn't necessary in the programme) plays the title role. The picnic scene was just a precursor to the impending letdown. Two of the speaking roles (I won't single them out and hurt their feelings) did not appear to have any idea how to play the parts. I could have done better. BUT it is entirely possible that they were directed to tone it down and that resulted in what I saw. If this is the case, please accept my apologies. The railway song was the big flop of the evening. Henry did his best with it, but it's such a droll song, with no railway bells, whistles, sandpaper blocks or anything else we've been taught to hear in this song. Even the chorus of the song was boring. It was not catchy and I was totally disappointed with it. The scene continues with Jupiter's problem and Thespis' solution. What bothered me about the finale was the quartette "So that 's arranged". It's a good song, reminding me of Terry Hawes, but poor Mars stood off to one side while the rest of the Gods sang a fun tune, looking rather rejected. I wish someone would write a verse for Mars to sing in this song so he has a real purpose in the opera, in every score. The gods go out and Mercury looks off to the left "Here come your people". I think the "People better now" was omitted entirely, but the thespians came on with no reason. ("Let them enter, with no reason.") After "mighty Jove", the "pretty tale" stuff smacks of PIRATES, almost perfectly feeling like "Here's a first rate opportunity". Not very original, or matching the rest of the score. It was jarring on the ears to not hear "Oddysees" rhyme with "goddessees". The gods return with suitcases for various destinations in Greece (like Delphi for Apollo and Troy for Mars) and the curtain falls. The second act opens with a stunning visual picture, with one slight flaw. The temple is fixed up and is very standard but that wasn't the stunning part. The costumes and depictions of the various gods and goddesses brought some applause from the audience. Among them, I saw Atlas, Neptune, Hephastus (I think), Cupid and others who I didn't identify or I've forgotten. By the by, who was the guy with the club? I swear I saw him in something else but I don't know what. He also wore a fishing hat in the first act. Sillimon (Bob Green) was quite good in his role, considering how small it is, though he tends to smile when he shouldn't (like during Mercury's song). Pretteia (Reina Hardy) is a beautiful young lady and plays her thankless part to perfection. "Little maid" was sung in Bb, which sounds god-awful. I wish composers who rescore THESPIS would leave this song in G. Any higher up and it sounds strained, regardless of the talent of the artist. After this point, I was pretty bored with the whole thing. One song after another reminded me of something else, whether by Sullivan or another composer, and I was not impressed by a single song. By the time "You're Diana, I'm Apollo" came around, I was just waiting for it to be over. The melody is rather childish and not very imaginative. (I found most of the second act to have this lack of creativity in the music.) Daphne (Diana Stoic) made a great joke as the other woman and gave her all in this little part. The trio "Oh rage and fury" felt like focus was lacking. It just didn't go far enough. The final scene was very natural and never losing pace, but I was still bored. Maybe I just know the opera too well and no surprises are left? The finale did have a couple of surprises, that there was virtually no break in the music between sections, as most THESPIS finales have. Diana eventually popped back in (was she late??) and the thespians were cursed by the gods. The chorus did not stay in character when they started leaving the stage. Some of them looked happy to leave, in spite of the recent curse. Thespis showed little emotion at his failure, contempt for Jupiter was prevailing but nothing more. The railway reprise was just as uneventful as before. When the curtain fell and the show was over, I was only too happy to get up, get out and drive the 70 miles back to Rockford. What bothered me I'll probably never know. Maybe I'm just spoiled to Sullivan scores and resettings with his music. If I may paraphrase Lucy, "It's like paying for tickets to see Xavier Cougat and getting Ernie Ford instead." I was really disappointed, and I don't think Day's score quite lives up to Sullivan. It's imitative at best, if not unimaginative and he simply does not do the master justice, like the reviews say. That's not to say it's a bad score; I just was not impressed by it. I don't think we should say it's "mimicking Sullivan's style" but rather that it is, in its own right, a new Savoy opera, like those of the 1890s. That doesn't make it a bad show either. In the programme, there's a slip of paper to purchase the recording that will be available next year. I wouldn't buy it because I know I wouldn't listen to it. You won't be missing much if you don't get it. I had more fun listening to Quade Winter's THESPIS, and I didn't much care for that either. On the whole, I have mixed feelings about this show. I'm glad I wasn't in it, because I would have heard this at the first rehearsal and, being a composer myself, probably would have told Day what I think of it. I wouldn't have been in the show much longer after that. While the first act had some good things about it, the second was too skimpy and I found myself thinking about settings I liked better than the one in front of me. I know I'm no authority to judge who has a good score and who doesn't and I don't mean to hurt feelings. It's not a good substitute for the original and "like most substitutes, nothing at all like the real thing." Sorry, Mr Day, I was very disappointed with your music. The cast and chorus gave a fine performance and I congratulate them for bringing THESPIS to the area once again. ===== Scott Farrell "I attach a weight to anything that serves my purpose." -- George Dance, THE NAUTCH GIRL (1892) Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 14:39:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9AId8hV017134; Sun, 10 Oct 2004 14:39:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9AId7QH006318 for ; Sun, 10 Oct 2004 14:39:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9AId4TJ001455; Sun, 10 Oct 2004 14:39:04 -0400 (EDT) Date: Sun, 10 Oct 2004 14:39:04 -0400 (EDT) Message-Id: <20041010183153.52628.qmail@web52405.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: G&S 101 and LOOM MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 4.955 X-Spam-Level: **** (4.955) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 14:39:04 -0400 (EDT) Reply-To: scaphio2002@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Sternenberg To: Multiple recipients of list SAVOYNET Subject: G&S 101 and LOOM X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 4.955 X-Spam-Level: **** (4.955) X-Spam-Flag: NO I found an interesting link while browsing for general music purposes: http://www.musicals101.com/g&s101.htm It's part of musicals101.com, and it links to the G&S Archive and LOOM. For the latter, you may go directly to http://www.geocities.com/mdonadio which is an illustrated history by LOOM staff photographer Michael F. Donadio. BTW, the G&S 101 site specifically refers to the "canon." ===== Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 17:45:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9ALjchV028903; Sun, 10 Oct 2004 17:45:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9ALja5S002300 for ; Sun, 10 Oct 2004 17:45:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9ALjWTJ003219; Sun, 10 Oct 2004 17:45:32 -0400 (EDT) Date: Sun, 10 Oct 2004 17:45:32 -0400 (EDT) Message-Id: <5.2.1.1.2.20041010223218.021d81f0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Coarse G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 17:45:32 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Coarse G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Following on from Stuart's Ten Rules for a Tyro Director, I have here a questionnaire for you, to help you establish whether or not you are a "Coarse G&S Artist" - with apologies to Michael Green, the doyen of all Coarse Actors. 1. Has a society ever demanded payment in advance for your costume ? 2. Do you always feel you need one more wig ? Or one more item of make-up ? 3. Do you get pushed about in the wings ? 4. Has anyone ever mistaken your singing for either grief, or illness ? 5. Do you ever join a society for more than one show ? 6. Has anyone ever left in the middle of a show you were in (other than by falling into the orchestra pit) ? 7. Have you ever prayed for a show to finish ? 8. Are you scared when the scenery wobbles ? 9. Do you sing in tune ? 10. Does anyone in your society sing in tune ? 11. Have you ever had a persistent cold around about audition time ? 12. When the central heating breaks down at the rehearsal venue, do you jump around shouting, "Yippee, we needn't rehearse" ? 13. Has the Musical Director ever shouted, "For God's sake, why don't you know the words ?" 14. Has he/she ever shouted anything else ? 15. Have you ever had stage-fright during a rehearsal ? 16. Have you ever left a society because the music rehearsals were too strenuous ? 17. Have you ever left a society in the car on the way to rehearsal ? The Coarse answers are "yes" to all questions except 5, 9, and 10. Anyone with a score of fewer than five "yesses" is a liar. Incidentally, my own answer to question 7 is "yes". It happened in Buxton. A PEARL FROM THE PIT If, during an outdoor production of "HMS Pinafore", a large bird perches on the mast-head, whatever you do, don't shoot it. All the best David Cookson www.musicalsolutions.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 20:50:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9B0oEhV011528; Sun, 10 Oct 2004 20:50:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9B0oDIr022812 for ; Sun, 10 Oct 2004 20:50:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9B0o8TJ004644; Sun, 10 Oct 2004 20:50:08 -0400 (EDT) Date: Sun, 10 Oct 2004 20:50:08 -0400 (EDT) Message-Id: <4169D83D.5040001@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Further on G&S Full Scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.906 X-Spam-Level: ** (2.906) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 20:50:08 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Further on G&S Full Scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.906 X-Spam-Level: ** (2.906) X-Spam-Flag: NO In response to an off-list query, I did a lookup on some of the other full scores available: The Kalmus full scores are priced as follows on http://www.sheetmusicplus.com/ TRIAL: $70 PINAFORE: $100 PIRATES: $100 PATIENCE: $85 IOLANTHE: $125 MIKADO: $175 RUDDIGORE (Savoy version): $150 GONDOLIERS: $150 YEOMEN: $150 The Kalmus scores vary widely in quality, but until a few years ago they were the only ones available. They tend to correspond to the standard D'Oyly Carte parts as of the 1970s. Where a newer score is available (Broude, Oxford, or Dover), the new one is usually better, unless your main priority is to have a score that agrees with D'Oyly Carte parts. David Larrick (http://d.larrick.home.comcast.net/GandS.html) offers the following full scores: COX AND BOX: $125 THE SORCERER: $200 PRINCESS IDA: $250 UTOPIA LIMITED: $300 I consider these a bit overpriced, but AFAIK they're the only options for the above operas (aside from C&B, which has a critical edition from R. Clyde). The late Bruce Miller considered the Larrick scores a reasonable, if occasionally frustrating, option. Lastly, for THE GRAND DUKE, the full score is $175 from the Seattle G&S Society. See here: http://www.pattersong.org/grand_duke_orchestration.htm WVD Press offers full scores for almost the entire canon. These have gotten mixed reviews. Prices aren't indicated--I guess you need to write to the publisher for a quote. See here: http://members.bellatlantic.net/~dorwart/ -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Oct 2004 23:35:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9B3ZJhV018138; Sun, 10 Oct 2004 23:35:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9B3ZIrh025442 for ; Sun, 10 Oct 2004 23:35:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9B3ZDTJ005737; Sun, 10 Oct 2004 23:35:13 -0400 (EDT) Date: Sun, 10 Oct 2004 23:35:13 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: British Library MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41684261.5030407@cris.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 10 Oct 2004 23:35:13 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: British Library X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41684261.5030407@cris.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I believe the "Rosencrantz and Guildenstern" music in the Gilbert papers was the incidental music composed by Edmund W. Rickett for one of the charity matinees in which Gilbert appeared as King Claudius. See (as I recall) Rickett & Hoogland's book on G&S production for a letter from W. S. G. regarding this. Rafe On Sat, 9 Oct 2004, Marc Shepherd wrote: > Adam Cuerden wrote: > > > Er, one thing: WHAT music to Rosencrantz and Guildenstern? Wasn't it a > > straight play? > > It was basically a straight play, but it had a few songs mixed in. > > > -- > Marc Shepherd > New York, NY > > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 11 Oct 2004 03:19:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9B7JPhV005754; Mon, 11 Oct 2004 03:19:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9B7IAnY006416 for ; Mon, 11 Oct 2004 03:18:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9B7HoTJ006922; Mon, 11 Oct 2004 03:17:50 -0400 (EDT) Date: Mon, 11 Oct 2004 03:17:50 -0400 (EDT) Message-Id: <20041011071021.87152.qmail@web14524.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Ten Rules for a Tyro Director MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041010220806.95661.qmail@web60202.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 11 Oct 2004 03:17:50 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Ten Rules for a Tyro Director X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041010220806.95661.qmail@web60202.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 7.106 X-Spam-Level: ******* (7.106) X-Spam-Flag: NO ROFL. I've forwarded this post to several friends who direct! Whatever our trans-Atlantic differences, in this instance they're limited chiefly to tea versus coffee as the accompanists' beverage of choice. I'd add another rule: At the first rehearsal, announce the date when you allegedly want them all off book--I say "allegedly" because you should tell them a date at least a week before you really require it. And on your real date, take the books out of their hands and make them flounder through. This will generally embarrass them into doing their studying. If you don't, you're going to have both principals and chorus still stashing their VS in the wings after you open. You probably will anyway (is the term "security blanket" used in the UK?), but perhaps fewer.... A couple of other axiomatic matters: 1) All choreographers confuse their own feet, including the professionals. The cast of one production for which I was MD presented the choreographer with a pair of white canvas tennis shoes (his favored footwear) lovingly embroidered with a large "L" and "R", correctly placed. 2) All choreographers get the lyrics wrong, even when they have been in the show themselves many times and been word-perfect as cast members. One must assiduously correct them as they teach the steps, or one's cast will learn the choreographer's paraphrase instead of Gilbert's lyrics. 3) All choreographers and trained dancers count very strangely. Their counts bear no resemblance to anything in the time signature or the musical phrase as a normal person or musician (I never confuse the two) would think of it. Rehearsal pianists are well advised to pencil in the choreographer's counting system. (Actually, I pencil in brief abbreviations of what the choreography is so that time isn't wasted figuring out where the choreographer wants to go back to.) SOOOO nice to see a director appreciating the rehearsal pianist, by the way! It would also be helpful if the director would recall that the rehearsal pianist does not usually have a Porta-Potty under the bench and should not be expected to spend all breaks plunking notes without an opportunity to utilise the plumbing facilities. Believe it or not, an amateur company *can* be trained to better timeliness and less wastage of rehearsal time. Early on in my amateur theatrical career, I had the eye-opening experience of working under a professional director who liked to try out ideas for his professional summer stock productions by doing them first with the local community theatre group. He simply ran his rehearsals like professional Equity rehearsals--he started on the dot of the time called, worked without let-up until time for a break, resumed promptly at the end of the announced break time, and terminated the rehearsal on the dot of the announced closing hour. Any stragglers had to pick up whatever they had missed from fellow cast members on their own time. It took only 2 rehearsals at this pace to get most of the habitual stragglers in line--by the third rehearsal, the only people who were late were ones with absolutely unavoidable problems such as a train breakdown. I filed that for future reference, and when I began doing music direction in my own right a year or two later, I did the same thing with my music rehearsals. And, by jiminy, it worked for me, too! I sincerely hope that this production of The Gondoliers will be videotaped and the tape made available for those of us who can't be there but who have been following the notes and diaries! All the best for it.... ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 11 Oct 2004 21:08:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9C18UhV012003; Mon, 11 Oct 2004 21:08:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9C18SJu010178 for ; Mon, 11 Oct 2004 21:08:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9C18OTJ019181; Mon, 11 Oct 2004 21:08:24 -0400 (EDT) Date: Mon, 11 Oct 2004 21:08:24 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: twrench@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "twrench" To: Multiple recipients of list SAVOYNET Subject: RE: THESPIS VERSIONS MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <057801c4afef$f2e44ff0$0300a8c0@PhilipKraus> X-Mailer: Microsoft Office Outlook, Build 11.0.5510 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 11 Oct 2004 21:08:24 -0400 (EDT) Reply-To: twrench@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "twrench" To: Multiple recipients of list SAVOYNET Subject: RE: THESPIS VERSIONS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <057801c4afef$f2e44ff0$0300a8c0@PhilipKraus> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Philip A. Kraus >How many performing versions of Thespis are there >I went to the Kingsley Day Thespis in Evanston last weekend also. >I also know of the Quade Winter and Frank Miller settings. >Any more?? The MIT G&S Players did the World Premiere of a new version by Colin Johnson last spring. It's the only one I've seen--I thought it was quite good. The "Diddlesex Junction" song was terrific!  1,, X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 11 Oct 2004 22:11:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9C2B1hV000839; Mon, 11 Oct 2004 22:11:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9C2B0Ju024952 for ; Mon, 11 Oct 2004 22:11:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9C2AtTJ019881; Mon, 11 Oct 2004 22:10:55 -0400 (EDT) Date: Mon, 11 Oct 2004 22:10:55 -0400 (EDT) Message-Id: <20041012015801.81845.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: THESPIS VERSIONS MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <057801c4afef$f2e44ff0$0300a8c0@PhilipKraus> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 11 Oct 2004 22:10:55 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: THESPIS VERSIONS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <057801c4afef$f2e44ff0$0300a8c0@PhilipKraus> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO I asked a similar question about a month ago and Kevin Wachs (who has been very quiet lately) sent the below amazing list to me. When Scott, Adam, and I finish our own versions (hey - everybody's doin' the THESPIS) they'll be three more. I'm presently attempting Mercury's second act song. I'm going to need a few good variations for all those verses. Before I get to that, perhaps someone (who's interested in this sort of thing) can write to me privately and tell me whose melody I've "borrowed" here. It sounds very familiar but I cannot place it (I'm being serious). http://www.geocities.com/ulahlica/THESPIS/Olympus.html John S LI NY *************************************************** 1. The original production at the Gaiety, 1871 – burlesque extravaganza 2. An unknown adapter in New York who first had the idea of using melodies by Sullivan sometime in the 1940s or earlier. The late Louis Weissman of New York G&S Society subsequently noted down his settings from a score, and Weissman’s notes are now in the possession of William Hyder of Maryland. This version is presumed unperformed. 3. Frank Miller and the G&S Opera Company of New York, 1953 (new music, Savoy style) 4. Jerry Bilik, University of Michigan Gilbert and Sullivan Society (hereafter UMGASS), 1954 (new music) 5. Robert Brandzel, for UMGASS in the later 1950s, unperformed (new music) 6. Colin Johnson, in the UK 1957, unfinished and unperformed (new music in mock-Sullivan style) 7. Terence Rees/Garth Morton, London University 1962 and subsequent revivals (Sullivan). This ground-breaking piece appears to be no longer performable – all vocal score and band part material has deteriorated to such an extent, through being stored in damp conditions, that it is now unusable. 8. Alex Brand/Maxwell Smart for Purves’s Puppets (voices supplied by the Edinburgh University Gilbert &Sullivan Opera Group and G&S Society) – Edinburgh Festival Fringe 1968 and revivals (new music) 9. London Academy of Music and Dramatic Arts (LAMDA), student production sometime in early 1971 – (new music) 10. Bruce Montgomery, G&S Players, Philadelphia - centenary performance 1971 and many revivals (new music) 11. Roger Wirtenberger/Ron Orenstein/Gersh Morningstar, UMGASS 1972 (Sullivan) 12. Terence Rees/Eugene Minor (complete new music) - score published by Kalmus in 1974 13. Stewart Nettleship, Cardiff University G&S Society, 1975 (new music) 14. Jonathan Strong, Somerville, Massachusetts – a ‘performing edition’ score privately published in 1977 (Sullivan) – it is unclear if any performances went alongside this 15. Kingsley Day, Pary Production Co (Chicago) 1981 – (new music) 16. Victor Golding/David Eden, Sir Arthur Sullivan Society, 1981 (Sullivan). The physical setting of the piece was modernised, and all the lyrics rewritten, to allow of little-known pieces of Sullivan being introduced. 17. Michael Stone, New York University dissertation performance 1983 and revivals (Sullivan) 18. Jonathan Strong, Connecticut G&S Society 1988 (Sullivan, entirely different settings from the 1977 version) 19. Ron Orenstein/John Huston, St Pat’s Players of Toronto, 1993 and revivals (Sullivan, entirely different settings from Orenstein’s version of 1971, burlesque style) 20. Dr Will Hutchinson, Weymouth and London, 1994, believed unperformed (new music, Savoy style) 21. Quade Winter, Ohio Light Opera 1996 – (new music) 22. Roderic Spencer/Selwyn Tillett, Chimes Musical Theatre for the Sir Arthur Sullivan Society Festival 2002 (Sullivan, burlesque style)" _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 12 Oct 2004 12:36:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9CGaRhV020892; Tue, 12 Oct 2004 12:36:27 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9CGZQAx018868 for ; Tue, 12 Oct 2004 12:35:26 -0400 (EDT) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9CGZOJf017970 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Tue, 12 Oct 2004 12:35:25 -0400 (EDT) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: In-Reply-To: <200410121624.i9CGOQVu025162@multics.mit.edu> References: <200410121624.i9CGOQVu025162@multics.mit.edu> Date: Tue, 12 Oct 2004 12:35:22 -0400 To: "David C. Jedlinsky" From: Alex French Subject: Re: Clue video? Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.904 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod In-Reply-To: <200410121624.i9CGOQVu025162@multics.mit.edu> Date: Tue, 12 Oct 2004 12:35:22 -0400 To: "David C. Jedlinsky" From: Alex French Subject: Re: Clue video? X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.904 X-Spam-Flag: NO I'll check with Steph and Heather and let you know, or failing that, retake orders. >Hi Alex. > >Clue is ready to be duplicated; do you know how many VHS and DVD I >should be making? > >Thanks. > >-Dave -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 12 Oct 2004 15:11:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9CJBNhX018985; Tue, 12 Oct 2004 15:11:33 -0400 (EDT) Received: from smtp111.mail.sc5.yahoo.com (smtp111.mail.sc5.yahoo.com [66.163.170.9]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9CJ8w8x008577 for ; Tue, 12 Oct 2004 15:08:59 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp111.mail.sc5.yahoo.com with SMTP; 12 Oct 2004 19:08:58 -0000 Message-ID: <00f301c4b08e$eceaec40$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <008b01c4abda$f7f11a50$0301a8c0@JACKIE> <200410121724.i9CHOMi9026340@multics.mit.edu> Subject: Re: QWERTY/TOWERS - AN UPDATE Date: Tue, 12 Oct 2004 20:08:56 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.908 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: QWERTY/TOWERS - AN UPDATE Date: Tue, 12 Oct 2004 20:08:56 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.908 X-Spam-Flag: NO > Ruth and I are arriving on the National Express NX 501 coach at 13:20 > on 3rd November. Great, we'll be there to greet you, it's a long journey so make sure you have enough to drink and to keep yourselves amused > > Are we pre-assigning parts? Yes, so put in your wish list, we'll fill in any missing parts on the day - there's enough talent to cope with any cast needs >Ruth would be happy to assist in the > kitchen, rather than be forced to sing. We'll be getting in daughters of the plough to help with the kitchen duties, but there are a few wives to keep her company who are also non-singing and there's lots to explore in the area. > "Out of all the Welsh performers I know, Bob is my favorite." ;-) Surely not better than the sainted Bryn, Tom Jones, Shirley Bassey, Sir Anthony Hopkins, Catherine Zeta-Douglas, Della Jones, Eric Roberts, Rhys Ifans - well perhaps you're right ;o) > Three weeks and counting! It's coming around very fast, we have 2 full Rotary Club weekends to negotiate before the Qwert so we should be up to speed dealing with big parties - the Qwert however will be our biggest party yet and will push our newly honed hoteliers skills to the limit Bob & Jackie BTW This week Polly, Tam & the kids are in Disneyland Paris for Tam's 40th - it won't be a patch on Florida - too cold and full of French!  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 12 Oct 2004 19:40:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9CNemhV019553; Tue, 12 Oct 2004 19:40:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9CNelo9018606 for ; Tue, 12 Oct 2004 19:40:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9CNefTJ004455; Tue, 12 Oct 2004 19:40:41 -0400 (EDT) Date: Tue, 12 Oct 2004 19:40:41 -0400 (EDT) Message-Id: <017601c4b0b4$5902e3e0$0300a8c0@PhilipKraus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Philip A. Kraus" To: Multiple recipients of list SAVOYNET Subject: Thespis Recordings MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0173_01C4B08A.6FD71AC0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 12 Oct 2004 19:40:41 -0400 (EDT) Reply-To: pkraus@mcihispeed.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Philip A. Kraus" To: Multiple recipients of list SAVOYNET Subject: Thespis Recordings X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.305 X-Spam-Level: ****** (6.305) X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0173_01C4B08A.6FD71AC0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Thanks to all (especially John Spartan) for sending me the various = information on Thespis editions. Are any of these available in recorded form??? The Kingsley Day edition = will be recorded by the Savoyaires Co. in the near future. I also have a private tape of the Frank Miller version well performed by = the same company. Any others??? Philip ------=_NextPart_000_0173_01C4B08A.6FD71AC0 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Thanks to all (especially John Spartan) = for sending=20 me the various information on Thespis editions.
 
Are any of these available in recorded=20 form???  The Kingsley Day edition will be recorded by the = Savoyaires Co. in=20 the near future.
I also have a private tape of the Frank = Miller=20 version well performed by the same company.
 
Any others???
 
 
Philip
------=_NextPart_000_0173_01C4B08A.6FD71AC0--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 12 Oct 2004 21:42:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9D1gbhV025991; Tue, 12 Oct 2004 21:42:38 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9D1fwqe005222; Tue, 12 Oct 2004 21:41:59 -0400 (EDT) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.7.16.76]) (authenticated bits=56) (User authenticated as jcb@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9D1dxJo019827 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Tue, 12 Oct 2004 21:40:49 -0400 (EDT) Received: (from jcb@localhost) by home-on-the-dome.mit.edu (8.12.9) id i9D1dcFT011065; Tue, 12 Oct 2004 21:39:38 -0400 (EDT) Date: Tue, 12 Oct 2004 21:39:38 -0400 (EDT) Message-Id: <200410130139.i9D1dcFT011065@home-on-the-dome.mit.edu> To: (Friends & Relatives of Nancy Gilman and Jeff, Margaret & Laura Bigler) Subject: Apple Cider Party Invitation THIS Saturday (10/16/2004) From: Jeff Bigler , Nancy Gilman X-Mailer: GNU Emacs 21.3.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i Sender: jcb@MIT.EDU Reply-to: jcb@alum.MIT.EDU, nlgilman@MIT.EDU Errors-to: jcb@MIT.EDU, nlgilman@MIT.EDU X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 12 Oct 2004 21:39:38 -0400 (EDT) To: (Friends & Relatives of Nancy Gilman and Jeff, Margaret & Laura Bigler) Subject: Apple Cider Party Invitation THIS Saturday (10/16/2004) From: Jeff Bigler , Nancy Gilman Sender: jcb@MIT.EDU Reply-to: jcb@alum.MIT.EDU, nlgilman@MIT.EDU X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Reminder: Nancy Gilman and Jeff, Margaret and Laura Bigler have invited you to our annual apple cider party this Saturday. (Note: this invitation goes out to more than 500 people individually, which makes it a lot easier to send out a second mailing to the same address list than to edit the list after the first batch of replies. If you have already responded to the first message, I beg your pardon. There's no need to send a second reply.) Important info: Date: THIS Saturday, October 16, 2004. Time: noon-midnight; pressing starts at 1:00pm sharp! Location: our house, 8 Little Nahant Rd., Nahant, Mass. For new folks: Our Apple Cider Party is where all of our social circles have a chance to meet and mingle while we press 15 bushels of apples into about 25 gallons of fresh cider on a 100-year-old apple cider press. Note that this is a large event--we've had over 100 guests at each of the past several cider parties. Please bring: Food for potluck lunch or dinner. (Lunch items are particularly appreciated if you'll be arriving before 3pm.) A towel if you think you'll be using the hot tub. We have some extras, but not enough for everyone. Also, feel free to bring guests and/or forward this invitation to people who know us and who might be interested. (If we've left anyone out it was accidental.) However please check with us before forwarding the invitation to a mailing list. Allergies: We have two indoor cats. We always have the house thoroughly cleaned before the party, but bring allergy medications if think you'll need them. Yellow jackets love apple cider. I don't think we've ever had more than one or two people get stung in over a dozen years (they're much more interested in the cider than the people), but if you're allergic enough to need a bee sting kit or epi-pen, please bring it. We don't allow smoking anywhere indoors, including the porch and garage. More Information about the party: There is a FAQ at This page has a lot of useful information, so please look at it if you're thinking of coming. Directions: This page is linked from the FAQ. Carpooling: Please try to carpool if you can. We can help arrange carpools from the Boston area and/or pick you up from the Lynn MBTA station. Please let us know if you need a ride, or if you can provide one. RSVP: Always appreciated, especially if it contains news of how you're doing and what's new in your life. However, if you don't get around to sending one, don't let that stop you from coming. Jeff, Nancy, Margaret and Laura -- 8 Little Nahant Rd. phone: +1 (781) 592-5802 Nahant, MA 01908-1120 USA http://www.mit.edu/~jcb/directions/ GPS: 70deg 56min 9.34sec West, 42deg 26min 5.21sec North Jeff: jcb@alum.mit.edu N1VSK Nancy: nlgilman@mit.edu N1VFQ --------------------------- Note: We sent blind carbon copies of this message to all of our friends for whom we have current email addresses, plus a few email lists that contain a significant number of our friends. * If you got multiple copies, that means we're on some of the same email lists. Consider yourself multiply invited. * If you live outside the Boston area, we assume you're not coming (unless we hear otherwise), but we want you to know that you're still invited. In lieu of an RSVP, feel free to drop us a line and let us know how you're doing. * If you don't know us, or don't know why you got this invitation, it was probably BCC'ed to a mailing list that you're on. You're still invited, and there will almost certainly be people you know there.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Oct 2004 12:55:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9DGtThV010703; Wed, 13 Oct 2004 12:55:30 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9DGtHjP014275; Wed, 13 Oct 2004 12:55:17 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9DGtGJf022547; Wed, 13 Oct 2004 12:55:16 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i9DGtFid023653; Wed, 13 Oct 2004 12:55:15 -0400 (EDT) Date: Wed, 13 Oct 2004 12:55:15 -0400 (EDT) Message-Id: <200410131655.i9DGtFid023653@multics.mit.edu> From: "David C. Jedlinsky" To: aentin@hotmail.com In-reply-to: (aentin@hotmail.com) Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT References: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Oct 2004 12:55:15 -0400 (EDT) From: "David C. Jedlinsky" To: aentin@hotmail.com In-reply-to: (aentin@hotmail.com) Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Alvin. Here's my address; send me yours with the tape, so I can return it. Do you have any detailed information about the event, or about Jim? Ruth could design an insert to go in the DVD case, to serve as a tribute. We should also ask Andi and Jonathan for their permission before sending the copies out, since they are also performing on it. I doubt they'd object, but it's best to ask. Thanks. David Jedlinsky 4 Foster Rd. Milford, NH 03055-3604 >From: "alvin entin" >Date: Tue, 12 Oct 2004 12:09:26 -0400 > >Hi David; >Thanks for the offer. I will forward this to the twins. Can you send >me your address so I can have them send you the master. If you make >DVD's and I make VHS copies we can getb through this a lot quicker. > >Alvin > >Alvin Entin >Pembroke Pines, Florida > > > >>From: "David C. Jedlinsky" >>To: aentin@hotmail.com >>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT >>Date: Tue, 12 Oct 2004 12:07:03 -0400 (EDT) >> >>Hi Alvin. >> >>My wife, Ruth, helped your sons with the videotaping of Jim at the >>Orlando Sing Out. If you would like, we could take the original >>digital tape and convert it to DVD for anyone who would be interested >>in seeing it in that format. >> >>-Dave Jedlinsky >>Milford, New Hampshire >> >> >> >Date: Tue, 12 Oct 2004 11:10:19 -0400 (EDT) >> >From: "alvin entin" >> > >> >As some of you may recall, Jim Drew performed his one man show " >> >Mr. Gilbert " at the Orlando G&S Sing Out two years ago. My twin >> >sons, with Jims permission taped the performance ( Jim was for some >> >inexplicable reason fond of my boys ). Shorthly after Jim's passing >> >several members of his family and Savoynetters recalling that the >> >performance was taped requested copies of it. To my great >> >consternation my sons had misplaced it and we were unable to make >> >copies for anyone. My wife and I recently moved our home ( kids >> >gone-downsize time ) and during the packing we forwarded what we >> >thought was a great deal of "junk" to our sons who now live in >> >Beautiful Downtown Burbank. We recieved a call last night informing >> >us that the missing tape has now been found! I am having them >> >transfer the digital video to a VHS and then send it to me. I would >> >be pleased to make copies for members of Savoyney who would like >> >them. ( It will be a lengthy process as we are still unpacking, but I >> >should be able to accommodate anyone who is willing to wait ). I do >> >not intend to charge for the tape other then the postage. Please >> >respond to me privately if you would like a copy of this momento of >> >our dear friend, Jim Drew. >> > >> >Alvin Entin >> >Pembroke Pines, Florida >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Oct 2004 12:59:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9DGxjhV012737; Wed, 13 Oct 2004 12:59:45 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9DGxdjP015293; Wed, 13 Oct 2004 12:59:39 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9DGxbJf023619; Wed, 13 Oct 2004 12:59:38 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i9DGxa9n023734; Wed, 13 Oct 2004 12:59:36 -0400 (EDT) Date: Wed, 13 Oct 2004 12:59:36 -0400 (EDT) Message-Id: <200410131659.i9DGxa9n023734@multics.mit.edu> From: "David C. Jedlinsky" To: andi_s_r@yahoo.com In-reply-to: <20041012153938.8305.qmail@web54310.mail.yahoo.com> (message from Andi on Tue, 12 Oct 2004 11:52:01 -0400 (EDT)) Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT References: <20041012153938.8305.qmail@web54310.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Oct 2004 12:59:36 -0400 (EDT) From: "David C. Jedlinsky" To: andi_s_r@yahoo.com In-reply-to: <20041012153938.8305.qmail@web54310.mail.yahoo.com> (message from Andi on Tue, 12 Oct 2004 11:52:01 -0400 (EDT)) Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO Hi Andi. I offered to make DVD copies of Jim's performance for Alvin, and he'll be sending me the original digital tape at some point to do that. If you send me the script and the program, I'll scan them and include them as data files on the DVD. Can I assume that you are giving your permission to have your performance distributed along with Jim's? :-) Thanks. -Dave Jedlinsky 4 Foster Rd. Milford, NH 03055-3604 >Date: Tue, 12 Oct 2004 11:52:01 -0400 (EDT) >From: Andi > > >--- alvin entin wrote: > >As of you may recall, Jim Drew performed his one man show " Mr. >Gilbert " at the Orlando G&S Sing Out two years ago. >============================================================ > >I'd like to append a note of caution so that those who were not >there are not disappointed by the tape Alvin is so kindly and >generously offering. > >This was presented at the hotel where we were staying, using an >electric keyboard, after a full day of the Sing-Out. Jim was >very tired and had not been feeling well; add to that, he and I >had had just one brief rehearsal together. It's definitely NOT >a smooth and polished performance. But in a way it also shows >the best of our Savoynet spirit--people were still receptive, >Jim's own charm shows through, and when Jim's voice was giving >way and he realized that he couldn't get through The Nightmare >Song, he called for a volunteer. It was Jonathan Ichikawa--who >was meeting fellow S'netters face to face for the first time >that weekend--who came up and rendered a flawless Nightmare that >impressed the daylights out of all of us. > >Jim had edited the version of "Mr Gilbert" for Orlando down from >a full evening's script, and edited further on the spot to >shorten it. I have a paper printout of the hour-long version he >intended; I don't have it in the computer but would be happy to >snail-mail a copy to someone to scan to post somewhere, along >with the charmingly old-fashioned program he generated for the >occasion. > >Initially we had intended to present it in costume and makeup, >also, with me gotten up like Mrs Gilbert, replete with wig. I >had my costume with me, but Jim had not been able to get his >together, so it was presented in regular clothes. > >Whatever the imperfections of the performance, though, the tape >should be a pleasant memento of Jim for those of us who knew >him. > > > > >===== >Andi Stryker-Rodda >New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Oct 2004 13:06:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9DH6BhV016032; Wed, 13 Oct 2004 13:06:11 -0400 (EDT) Received: from hotmail.com (bay8-f26.bay8.hotmail.com [64.4.27.26]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9DH66Jp005492 for ; Wed, 13 Oct 2004 13:06:07 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Wed, 13 Oct 2004 10:06:06 -0700 Received: from 66.205.240.86 by by8fd.bay8.hotmail.msn.com with HTTP; Wed, 13 Oct 2004 17:05:13 GMT X-Originating-IP: [66.205.240.86] X-Originating-Email: [aentin@hotmail.com] X-Sender: aentin@hotmail.com From: "alvin entin" To: opus@MIT.EDU Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT Date: Wed, 13 Oct 2004 13:05:13 -0400 Mime-Version: 1.0 Content-Type: text/html Message-ID: X-OriginalArrivalTime: 13 Oct 2004 17:06:06.0261 (UTC) FILETIME=[ED706650:01C4B146] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.919 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [66.205.240.86] X-Originating-Email: [aentin@hotmail.com] X-Sender: aentin@hotmail.com From: "alvin entin" To: opus@MIT.EDU Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT Date: Wed, 13 Oct 2004 13:05:13 -0400 X-OriginalArrivalTime: 13 Oct 2004 17:06:06.0261 (UTC) FILETIME=[ED706650:01C4B146] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.919 X-Spam-Flag: NO

Dear David;

The twins said they would send the tapes out to me before Friday. When I get them I will forward the master to you. I think Andi implicitly gave her permission in her post to Savoynet yesterday. She also emailed me asking for a copy. I do not suppose it would hurt to ask Jonathan ( who is a very nice guy ) but no one should object as we are doing this for free. I will get some personal bio stuff from Jim's friend Karen Whaley and probably a picture for the insert. I will get back to you further when the tape has arrived.( By the way are you a professor or student at MIT? In either event did you perhaps know my daughters boyfriend/fiancee etc. who graduated about a year ago, Patrick Nichols? )

Thanks

Alvin

Alvin




Alvin Entin
Pembroke Pines, Florida
>From: "David C. Jedlinsky" <opus@MIT.EDU>
>To: aentin@hotmail.com
>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT
>Date: Wed, 13 Oct 2004 12:55:15 -0400 (EDT)
>
>Hi Alvin.
>
>Here's my address; send me yours with the tape, so I can return it.
>Do you have any detailed information about the event, or about Jim?
>Ruth could design an insert to go in the DVD case, to serve as a
>tribute.  We should also ask Andi and Jonathan for their permission
>before sending the copies out, since they are also performing on it.
>I doubt they'd object, but it's best to ask.
>
>Thanks.
>
>David Jedlinsky
>4 Foster Rd.
>Milford, NH 03055-3604
>
>
> >From: "alvin entin" <aentin@hotmail.com>
> >Date: Tue, 12 Oct 2004 12:09:26 -0400
> >
> >Hi David;
> >Thanks for the offer. I will forward this to the twins. Can you send
> >me your address so I can have them send you the master. If you make
> >DVD's and I make VHS copies we can getb through this a lot quicker.
> >
> >Alvin
> >
> >Alvin Entin
> >Pembroke Pines, Florida
> >
> >
> >
> >>From: "David C. Jedlinsky" <opus@MIT.EDU>
> >>To: aentin@hotmail.com
> >>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT
> >>Date: Tue, 12 Oct 2004 12:07:03 -0400 (EDT)
> >>
> >>Hi Alvin.
> >>
> >>My wife, Ruth, helped your sons with the videotaping of Jim at the
> >>Orlando Sing Out.  If you would like, we could take the original
> >>digital tape and convert it to DVD for anyone who would be interested
> >>in seeing it in that format.
> >>
> >>-Dave Jedlinsky
> >>Milford, New Hampshire
> >>
> >>
> >> >Date: Tue, 12 Oct 2004 11:10:19 -0400 (EDT)
> >> >From: "alvin entin" <aentin@hotmail.com>
> >> >
> >> >As some of you may recall, Jim Drew performed his one man show "
> >> >Mr. Gilbert " at the Orlando G&S Sing Out two years ago. My twin
> >> >sons, with Jims permission taped the performance ( Jim was for some
> >> >inexplicable reason fond of my boys ). Shorthly after Jim's passing
> >> >several members of his family and Savoynetters recalling that the
> >> >performance was taped requested copies of it. To my great
> >> >consternation my sons had misplaced it and we were unable to make
> >> >copies for anyone. My wife and I recently moved our home ( kids
> >> >gone-downsize time ) and during the packing we forwarded what we
> >> >thought was a great deal of "junk" to our sons who now live in
> >> >Beautiful Downtown Burbank. We recieved a call last night informing
> >> >us that the missing tape has now been found! I am having them
> >> >transfer the digital video to a VHS and then send it to me. I would
> >> >be pleased to make copies for members of Savoyney who would like
> >> >them. ( It will be a lengthy process as we are still unpacking, but I
> >> >should be able to accommodate anyone who is willing to wait ). I do
> >> >not intend to charge for the tape other then the postage. Please
> >> >respond to me privately if you would like a copy of this momento of
> >> >our dear friend, Jim Drew.
> >> >
> >> >Alvin Entin
> >> >Pembroke Pines, Florida
> >>
> >
 1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Oct 2004 14:44:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9DIhfiF009154; Wed, 13 Oct 2004 14:44:27 -0400 (EDT) Received: from web54304.mail.yahoo.com (web54304.mail.yahoo.com [68.142.225.146]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9DIh9Jp005440 for ; Wed, 13 Oct 2004 14:43:10 -0400 (EDT) Message-ID: <20041013184309.56141.qmail@web54304.mail.yahoo.com> Received: from [66.88.88.162] by web54304.mail.yahoo.com via HTTP; Wed, 13 Oct 2004 11:43:09 PDT Date: Wed, 13 Oct 2004 11:43:09 -0700 (PDT) From: Andi Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT To: "David C. Jedlinsky" In-Reply-To: <200410131659.i9DGxa9n023734@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Oct 2004 11:43:09 -0700 (PDT) From: Andi Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT To: "David C. Jedlinsky" In-Reply-To: <200410131659.i9DGxa9n023734@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Such as it is, you have my permission! Not my best performance pianistically, either, on my cheapie little keyboard at the end of a long day....But yes, you have my permission. I just missed our daily UPS pickup; I'll pack the things to send to you tomorrow. Cheers, Andi --- "David C. Jedlinsky" wrote: > > Hi Andi. > > I offered to make DVD copies of Jim's performance for Alvin, > and he'll > be sending me the original digital tape at some point to do > that. If > you send me the script and the program, I'll scan them and > include > them as data files on the DVD. > > Can I assume that you are giving your permission to have your > performance distributed along with Jim's? :-) > > Thanks. > > -Dave Jedlinsky > 4 Foster Rd. > Milford, NH 03055-3604 > > > >Date: Tue, 12 Oct 2004 11:52:01 -0400 (EDT) > >From: Andi > > > > > >--- alvin entin wrote: > > > >As of you may recall, Jim Drew performed his one man show " > Mr. > >Gilbert " at the Orlando G&S Sing Out two years ago. > >============================================================ > > > >I'd like to append a note of caution so that those who were > not > >there are not disappointed by the tape Alvin is so kindly and > >generously offering. > > > >This was presented at the hotel where we were staying, using > an > >electric keyboard, after a full day of the Sing-Out. Jim was > >very tired and had not been feeling well; add to that, he and > I > >had had just one brief rehearsal together. It's definitely > NOT > >a smooth and polished performance. But in a way it also > shows > >the best of our Savoynet spirit--people were still receptive, > >Jim's own charm shows through, and when Jim's voice was > giving > >way and he realized that he couldn't get through The > Nightmare > >Song, he called for a volunteer. It was Jonathan > Ichikawa--who > >was meeting fellow S'netters face to face for the first time > >that weekend--who came up and rendered a flawless Nightmare > that > >impressed the daylights out of all of us. > > > >Jim had edited the version of "Mr Gilbert" for Orlando down > from > >a full evening's script, and edited further on the spot to > >shorten it. I have a paper printout of the hour-long version > he > >intended; I don't have it in the computer but would be happy > to > >snail-mail a copy to someone to scan to post somewhere, along > >with the charmingly old-fashioned program he generated for > the > >occasion. > > > >Initially we had intended to present it in costume and > makeup, > >also, with me gotten up like Mrs Gilbert, replete with wig. > I > >had my costume with me, but Jim had not been able to get his > >together, so it was presented in regular clothes. > > > >Whatever the imperfections of the performance, though, the > tape > >should be a pleasant memento of Jim for those of us who knew > >him. > > > > > > > > > >===== > >Andi Stryker-Rodda > >New York City/New Jersey USA > ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Oct 2004 15:57:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9DJsRir018671; Wed, 13 Oct 2004 15:57:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9DJqBJp012381 for ; Wed, 13 Oct 2004 15:52:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9DJq1TJ003219; Wed, 13 Oct 2004 15:52:01 -0400 (EDT) Date: Wed, 13 Oct 2004 15:52:01 -0400 (EDT) Message-Id: <1097695847.416d8267494d0@web.mail.umich.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: mgillett@umich.edu To: Multiple recipients of list SAVOYNET Subject: Re: THESPIS MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041013045014.9685.qmail@web52401.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Oct 2004 15:52:01 -0400 (EDT) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: mgillett@umich.edu To: Multiple recipients of list SAVOYNET Subject: Re: THESPIS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041013045014.9685.qmail@web52401.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO at a future point, I may make available, (in small #'s) for those who simple must have everything for their collection, a cd-r of the Bilik Thespis with "Richley Rewarded" to fill out the space. But I am in the throes of directing Gondoliers, and my life is not my own.... Two very unique UMGASS productions of the 1950's, thought. Mitch Gillett Ann Arbor, Mi USA Quoting Philip Sternenberg : > > I have heard one other one--the one that's on that > > G&S Rarities tape > > that Mitch Gillett put together a couple of years > > ago (I don't feel like > > digging it up right now to determine which version > > that was). > > The Jerry Bilik version. > > ===== > Philip Sternenberg > psternenberg@aol.com > Bergenfield, NJ USA > > __________________________________________________ > Do You Yahoo!? > Tired of spam? Yahoo! Mail has the best spam protection around > http://mail.yahoo.com > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Oct 2004 19:50:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9ENoahV027528; Thu, 14 Oct 2004 19:50:36 -0400 (EDT) Received: from web54306.mail.yahoo.com (web54306.mail.yahoo.com [68.142.225.148]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9ENoH9G026069 for ; Thu, 14 Oct 2004 19:50:17 -0400 (EDT) Message-ID: <20041014235017.62880.qmail@web54306.mail.yahoo.com> Received: from [66.88.88.162] by web54306.mail.yahoo.com via HTTP; Thu, 14 Oct 2004 16:50:17 PDT Date: Thu, 14 Oct 2004 16:50:17 -0700 (PDT) From: Andi Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT To: "David C. Jedlinsky" In-Reply-To: <200410142250.i9EMoIaE006986@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Oct 2004 16:50:17 -0700 (PDT) From: Andi Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT To: "David C. Jedlinsky" In-Reply-To: <200410142250.i9EMoIaE006986@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO --- "David C. Jedlinsky" wrote: > > Hi Andi. > > Thanks for the permission; I kinda thought that would be the > case, but > it's better to ask beforehand. I very much appreciate that, David. Even on the informal level, it's a courtesy that I wish everyone would observe; after all, there are times when we aren't at our best and might *not* want the world to hear what we did. John Spartan does the same before posting photos, which I also appreciate. I certainly wasn't at my own best that night, and wouldn't want, say, Clive Woods critiquing my playing, but I'm willing to set that aside for the much more important purpose of sharing Jim's performance. > Come to think of it, if you haven't already shipped the script > and the program, you could just bring it with you to Maine and save on the mailing cost. I probably still won't have the tape by then. Good thought; I think I'll take you up on that. It was a hectic day and I *didn't* get them into the post. Thanks again, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Oct 2004 23:02:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9F32WhV020988; Thu, 14 Oct 2004 23:02:32 -0400 (EDT) Received: from mproxy.gmail.com (rproxy.gmail.com [64.233.170.204]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9F32U02029170 for ; Thu, 14 Oct 2004 23:02:30 -0400 (EDT) DomainKeys-Signature: a=rsa-sha1; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=teXlsemaYiNBohIXo763jO9zodrm5QSp3P3v5oOoGGccJ1qmc1i1Kn4uWMBsM/pbGWl3rifYHF1AlI1hNdPrGPiizMU0F3QJK2hhLq/e+tI3ADkDn6TIQQThBfpEZncIFD+KSeyTrqW3thB63tHpIfxIFex8TQOwkeFC+R+bwts Received: by mproxy.gmail.com with SMTP id 76so3693rnl for ; Thu, 14 Oct 2004 20:02:30 -0700 (PDT) Received: by 10.38.99.62 with SMTP id w62mr305408rnb; Thu, 14 Oct 2004 20:02:30 -0700 (PDT) Received: by 10.38.65.34 with HTTP; Thu, 14 Oct 2004 20:02:30 -0700 (PDT) Message-ID: Date: Thu, 14 Oct 2004 23:02:30 -0400 From: Jonathan Ichikawa Reply-To: Jonathan Ichikawa To: "David C. Jedlinsky" Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT In-Reply-To: <200410142247.i9EMlEoD006878@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <200410142247.i9EMlEoD006878@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKeys-Signature: a=rsa-sha1; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=teXlsemaYiNBohIXo763jO9zodrm5QSp3P3v5oOoGGccJ1qmc1i1Kn4uWMBsM/pbGWl3rifYHF1AlI1hNdPrGPiizMU0F3QJK2hhLq/e+tI3ADkDn6TIQQThBfpEZncIFD+KSeyTrqW3thB63tHpIfxIFex8TQOwkeFC+R+bwts Date: Thu, 14 Oct 2004 23:02:30 -0400 From: Jonathan Ichikawa Reply-To: Jonathan Ichikawa To: "David C. Jedlinsky" Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT In-Reply-To: <200410142247.i9EMlEoD006878@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Of course, Dave. Absolutely. I'd love a copy, too, for that matter. Jonathan On Thu, 14 Oct 2004 18:47:14 -0400 (EDT), David C. Jedlinsky wrote: > > Hi Jonathan. > > I offered to make DVD copies of Jim's performance for Alvin, and he'll > be sending me the original digital tape at some point to do that. > Since your rendition of the nightmare song is part of that > performance, will you give your permission to have your performance > distributed along with Jim's? > > Thanks. > > -Dave Jedlinsky > opus@mit.edu > -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Oct 2004 07:06:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9FB6YhV005677; Fri, 15 Oct 2004 07:06:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9FB6WWn003725 for ; Fri, 15 Oct 2004 07:06:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9FB6RTJ004166; Fri, 15 Oct 2004 07:06:27 -0400 (EDT) Date: Fri, 15 Oct 2004 07:06:27 -0400 (EDT) Message-Id: <3.0.1.32.20041015120343.0071e61c@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: TAPOSE Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 15 Oct 2004 07:06:27 -0400 (EDT) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: TAPOSE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I have not been following or keeping the correspondence as to why people do or don't like this song, but it should be pointed out that it is a very popular song, and has been recorded by practically every English tenor who has ever made records, whether or not he had any other connection with G&S. A number of years ago I listened to 8 different record of the song and noted the places where the different singers breathed. I thought the results were rather interesting: The singers were: 1 John Harrison, 2 Tudor Davies, 3 Derek Oldham, 4 Webster Booth, 5 John Coates, 6 Frasnk Mullings, 7 Thomas Round, 8 Heddle Nash. Take a pair of sparkling eyes (1) Hidden ever and anon (1, 2) In a merciful eclipse (1,2,3,4,5,6,7,8) Do not heed their mild surprise (3) Having passed the Rubicon (1,4) Take a pair of rosy lips (1,2,3,4,5,6,7,8) Take a figure trimly planned (1,3,4,5,6) Such as admiration whets (1,3,4,5,6,7,8) Be particular in this (1,2,3,4,5,6,7,8) Take a tender little hand (3,5,6,7) Fringed with dainty fingerettes (1,5,6,7,8) Press it (4), press it, (1,2,3,4,5,6,7,8) in parenthesis (1,4,5) Ah, take all these (2) you lucky man (1,3,4,5,6,7,8) Take and keep them if you can (1,2,3,4,5,6,7,8), if you can (1,2,3,4,5,6,7,8) Take all these you lucky man (1,3,4,5,6,7,8) Take and keep them (1,3,4,5,6,7,8) if you can (1,2,3,4,5,6,7,8) if you can (1,2,3,4,5,6,7,8) One final observation. Surely Gilbert *intended* it to be a tasteless and mawkish ballad, of the kind that would have been prevalent at the time. ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Fax: 0207-942-6150 Tel: 0207-942-6188 email: mpw@nhm.ac.uk "If Solomon had loved women less and books more, he would have been a wiser and happier man" (John Bartram).  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Oct 2004 12:23:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9FGNqhV016022; Fri, 15 Oct 2004 12:23:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9FGNlba015400 for ; Fri, 15 Oct 2004 12:23:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9FGLfTJ010401; Fri, 15 Oct 2004 12:21:41 -0400 (EDT) Date: Fri, 15 Oct 2004 12:21:41 -0400 (EDT) Message-Id: <0faf7959807c1cbf74a4e39a2867108b@www.blargmail.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Corcorans vs. Porters MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="b1_0faf7959807c1cbf74a4e39a2867108b" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.4.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 15 Oct 2004 12:21:41 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Corcorans vs. Porters X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO --b1_0faf7959807c1cbf74a4e39a2867108b Content-Type: text/plain; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Thu, Oct 14, 2004 at 8:55pm John Phipps wrote: > Aren't British school children taught to recited the English Kings and > Queens in order categorical starting with William the Conqueror? Willie, Willie, Harry, Stee, Harry, Dick, John, Harry Three. One, two, three Neds, Richard Two, Three more Harrys-- then comes who? Edward Four, Five, Dick the Bad, Harry Seven, Eight, Ned the Lad. Mary, Bessie, James the Scot, Charlie-- Ollie? Count him not! Charlie Two and James his brother, Will and Mary next, together. Anne, four Georges, Willie Four, Vicky, Edward, George once more. Ned who gave it up to wed, And left the job to George instead. Liz the Second now holds sway, Charlie Three Some future day. Then, if all proceeds to plan, My verse will end as it began. Years ago I come across a version of this poem in Smithsonian Magazine; it went only as far as Queen Victoria. I have re-written it heavily, starting right after "Ned the Lad," and brought it up to date. Jana Hollingsworth, Anglophile and history buff Seattle Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_0faf7959807c1cbf74a4e39a2867108b Content-Type: text/html; charset = "iso-8859-1" Content-Transfer-Encoding: 8bit On Thu, Oct 14, 2004 at 8:55pm John Phipps wrote:
> Aren't British school children taught to recited the English Kings and
> Queens in order categorical starting with William the Conqueror?

Willie, Willie, Harry, Stee,
Harry, Dick, John, Harry Three.
One, two, three Neds, Richard Two,
Three more Harrys-- then comes who?
Edward Four, Five, Dick the Bad,
Harry Seven, Eight, Ned the Lad.
Mary, Bessie, James the Scot,
Charlie-- Ollie? Count him not!
Charlie Two and James his brother,
Will and Mary next, together.
Anne, four Georges, Willie Four,
Vicky, Edward, George once more.
Ned who gave it up to wed,
And left the job to George instead.
Liz the Second now holds sway,
Charlie Three Some future day.
Then, if all proceeds to plan,
My verse will end as it began.

Years ago I come across a version of this poem in Smithsonian Magazine; it went only as far as Queen Victoria. I have re-writte n it heavily, starting right after "Ned the Lad," and brought it up to date.

Jana Hollingsworth, Anglophile and history buff
Seattle
Saith Floss Forbes: If you don't know the tune, sing tenor. --b1_0faf7959807c1cbf74a4e39a2867108b--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Oct 2004 11:09:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9GF9ShV015435; Sat, 16 Oct 2004 11:09:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9GF9RFv024795 for ; Sat, 16 Oct 2004 11:09:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9GF9NTJ024713; Sat, 16 Oct 2004 11:09:23 -0400 (EDT) Date: Sat, 16 Oct 2004 11:09:23 -0400 (EDT) Message-Id: <002a01c4b391$95255c60$4f878351@tinypc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris.wain@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Wain" To: Multiple recipients of list SAVOYNET Subject: Re: Some Brits and Some Americans think.... MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Oct 2004 11:09:23 -0400 (EDT) Reply-To: chris.wain@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Wain" To: Multiple recipients of list SAVOYNET Subject: Re: Some Brits and Some Americans think.... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO For the Table of Precedence, see http://www.burkes-peerage.net/Sites/Peerage/SitePages/page62-4.asp and the two links listed at the bottom of that page. Chris > > Not social precedence: the order of precedence for official functions > will put the Archbishop of Canterbury and The Lord High Chancellor > higher than the Duke of Plaza Toro, but Duke of PT's social influence is > enormously greater than either of those two gentlemen. > > I wonder if I will live see women in either of those roles? LC first I > guess (if the office survives). > > It happens that I have discussed questions of social class with an > ex-Archbishop of Canterbury. Geoffrey Fisher (he who officiated at the > Queen's coronation) described to me how, when Archbishop on an official > visit to Japan, he was greeted by a person who, through an interpreter, > said, "I am [name], a member of the upper middle class", to which the > Archbishop replied, "And I too, am a member of the upper middle class". > He claimed that exactly placed him. > > Archbishop Fisher retired to a small living in Dorset(Trent), close to > where I then resided and often invited groups I was associated with to > give concerts in the village. He enjoyed his G&S and was a frequent > attender of shows, occasionally waking up and humming along. Nobody > admonished him for it. > > It might be an amusing exercise to compile an official order of > precedence for a function attended by all the characters in the canon. > > David > The Wash > England  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 17 Oct 2004 13:21:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9HHLBhZ019104; Sun, 17 Oct 2004 13:21:19 -0400 (EDT) Received: from smtp108.mail.sc5.yahoo.com (smtp108.mail.sc5.yahoo.com [66.163.170.6]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9HHKprt014318 for ; Sun, 17 Oct 2004 13:20:52 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp108.mail.sc5.yahoo.com with SMTP; 17 Oct 2004 17:20:51 -0000 Message-ID: <006301c4b46d$a478c670$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Fw: QWERTY/TOWERS - AN UPDATE Date: Sun, 17 Oct 2004 18:20:46 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Fw: QWERTY/TOWERS - AN UPDATE Date: Sun, 17 Oct 2004 18:20:46 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO David Would you also like to do Strephon? Jackie ----- Original Message ----- From: "Bob and Jackie" To: "David C. Jedlinsky" Sent: Sunday, October 17, 2004 5:35 PM Subject: Re: QWERTY/TOWERS - AN UPDATE > Hi David > > How would Florian and Grosvenor suit you? Most of the tenor parts are still > available as the tenors are shy in coming forward. I think there will be > lots of parts going, particularly on Sunday when people start to leave. > > Love > > Jackie > > ----- Original Message ----- > From: "David C. Jedlinsky" > To: > Sent: Tuesday, October 12, 2004 6:24 PM > Subject: Re: QWERTY/TOWERS - AN UPDATE > > > > > > Ruth and I are arriving on the National Express NX 501 coach at 13:20 > > on 3rd November. > > > > Are we pre-assigning parts? I have not given much thought to which > > parts I'd like to play, and Ruth would be happy to assist in the > > kitchen, rather than be forced to sing. :-) Any middle baritone/low > > tenor part is fine with me. > > > > >Or if it really is dreadful - say how wonderful the piece is - 'The > Mikado > > >(or whatever) is one of my favourite shows' usually gives the impression > > >that it's their production you're talking about. > > > > > >Bob > > >who has often been on the receiving end of that ploy > > > > "Out of all the Welsh performers I know, Bob is my favorite." ;-) > > > > Three weeks and counting! > > > > -Dave > > >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 11:26:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9KFQ9hV009067; Wed, 20 Oct 2004 11:26:09 -0400 (EDT) Received: from exchangeimc.remedystaff.com (exchangeimc.remedystaff.com [216.65.214.197]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9KFK7X9024383 for ; Wed, 20 Oct 2004 11:20:08 -0400 (EDT) Received: from exch2.remedystaff.com ([172.17.1.39]) by exchangeimc.remedystaff.com with Microsoft SMTPSVC(5.0.2195.6713); Wed, 20 Oct 2004 08:20:07 -0700 X-MimeOLE: Produced By Microsoft Exchange V6.5.7226.0 Content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C4B6B8.48081DFB" Disposition-Notification-To: "Amy Allen" Subject: Blast from the Past Date: Wed, 20 Oct 2004 08:20:07 -0700 Message-ID: <317C8B87F1727142A304DB578022688E05EEF646@exch2.remedystaff.com> X-MS-Has-Attach: X-MS-TNEF-Correlator: Thread-Topic: Blast from the Past Thread-Index: AcS2uEfQaiHIf+uFS2qwa/HDp05DQA== From: "Amy Allen" To: X-OriginalArrivalTime: 20 Oct 2004 15:20:07.0310 (UTC) FILETIME=[4819BAE0:01C4B6B8] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.6 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-MimeOLE: Produced By Microsoft Exchange V6.5.7226.0 Content-class: urn:content-classes:message Disposition-Notification-To: "Amy Allen" Subject: Blast from the Past Date: Wed, 20 Oct 2004 08:20:07 -0700 X-MS-Has-Attach: X-MS-TNEF-Correlator: Thread-Topic: Blast from the Past Thread-Index: AcS2uEfQaiHIf+uFS2qwa/HDp05DQA== From: "Amy Allen" To: X-OriginalArrivalTime: 20 Oct 2004 15:20:07.0310 (UTC) FILETIME=[4819BAE0:01C4B6B8] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.6 X-Spam-Flag: NO This is a multi-part message in MIME format. ------_=_NextPart_001_01C4B6B8.48081DFB Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Hey David, Amy Allen here..... =20 I am wondering if either you or Ruth have extra scores for the singout on Saturday...I have had a hell of a time trying to wrangle some scores to borrow, I may be able to get mine out of storage in Boston - but I don't have a Mikado one, so even if you could loan me that one I may be able to find the other three.... =20 I look forward to seeing you and Ruth again! =20 Regards, =20 =20 Amy E. Allen Recruiter Accounting Operations & Business Services 904.928.0878 (') 904.928.0441 (7) amyal@remedystaff.com (:) =20 =20 ------_=_NextPart_001_01C4B6B8.48081DFB Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hey David, Amy = Allen here…..

 

I am wondering if either you or Ruth have extra = scores for the singout on Saturday…I have had a hell of a time trying to = wrangle some scores to borrow, I may be able to get mine out of storage in = Boston – but I don’t have a Mikado one, so even if you could loan me that = one I may be able to find the other three….

 

I look forward to seeing you and Ruth = again!

 

Regards,

 

 

Amy E. = Allen

Recruiter

Accounting = Operations & Business Services

904.928.0878 (')

904.928.0441 (7)

amyal@remedystaff.com (:)

 

 

------_=_NextPart_001_01C4B6B8.48081DFB--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 16:00:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9KJw5j1010082; Wed, 20 Oct 2004 16:00:44 -0400 (EDT) Received: from hotmail.com (bay16-f30.bay16.hotmail.com [65.54.186.80]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9KJlbUK001882 for ; Wed, 20 Oct 2004 15:47:37 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Wed, 20 Oct 2004 12:46:08 -0700 Received: from 209.87.90.97 by by16fd.bay16.hotmail.msn.com with HTTP; Wed, 20 Oct 2004 19:45:48 GMT X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] X-Sender: vikkiwilloughby@hotmail.com From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: UK - QWERTY/TOWERS Date: Wed, 20 Oct 2004 15:45:48 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 20 Oct 2004 19:46:08.0131 (UTC) FILETIME=[717DBD30:01C4B6DD] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] X-Sender: vikkiwilloughby@hotmail.com From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: UK - QWERTY/TOWERS Date: Wed, 20 Oct 2004 15:45:48 -0400 X-OriginalArrivalTime: 20 Oct 2004 19:46:08.0131 (UTC) FILETIME=[717DBD30:01C4B6DD] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hey Dave: Sorry to have missed you at Sam's. I was in a show during that time or I would have been there with Bells on. I was sorely distressed to miss you all (but the pictures were great!). Thank you for all your help. I was stressing over making my own travel plans as Carol Davis cannot make it to the QWERTY. Bummer. BUT I have hooked up with another 'carole' friend, that is Carole Round and she and I will at least be taking the Coach (or, bus) together. I feel greatly relieved over this. I have no sense of direction and could very well end up back in Buxton if I am not careful. My plans are similar to yours, actually. My flight arrives early Thursday morning and Carole and I are taking the 11:15 bus to Torquey, so I think that will work. This promises to be quite the EVENT and I can't wait. The Pirates Gang were a wonderful collection of people and it was a great experience. Anyway, thanks so much for your help, I really appreciate it and I will see you soon Love Vic >From: "David C. Jedlinsky" >To: vikkiwilloughby@hotmail.com >Subject: Re: UK - QWERTY/TOWERS >Date: Fri, 8 Oct 2004 15:32:00 -0400 (EDT) > >Hi Vikki. > >Glad to hear you and Carol are planning on going to QWERTY/TOWERS! > >On Bob and Jackie's recommendation, we are taking the National Express >Coach from Heathrow to the station in Torquay. You can book a trip at >www.nationalexpress.com; it's L52 for two people, round trip. Our >flight arrives in London early in the morning, and we're taking the >8:30am coach. Our flight home is at 5:55 in the evening, so the >9:45am coach gets us there with three and half hours to spare. > >Hopefully, your flights will work in a similar fashion. > >It'll be fun to see you two again! I was hoping to see you in Philly >or Maine, but I guess I'll have to wait for the local QWERT in >England. :-) > >-Dave > > > >From: "Victoria Willoughby" > >Date: Fri, 08 Oct 2004 14:30:34 -0400 > > > >Dear David: > > > > I see that you and Ruth are on the list for QWERTY/TOWERS. Could I > >ask you how you are getting there?? Carol Davis and I are trying to >firm > >up some plans and want to fly in to London (very cheap flights available) > >and take a train from London to Torquay, but there lies our difficulty. > > > > I do have a few web sites with some suggested trains but confusion > >arises as to where exactly they pick you up. London is a pretty big >place. > >For that matter, so it Heathrow Airport! > > > > Anyway, could you let me know what you are doing and how you are >doing > >it? We had such a great time in Buxtion (had missed YOUR year which I > >still regret) and want to see everyone again. > > > >Hope you are all well, looking forward to seeing you soon! > >Take are > >Vikki Willoughby > > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 16:48:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9KKdQmX001288; Wed, 20 Oct 2004 16:48:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9KKAQUK023914 for ; Wed, 20 Oct 2004 16:10:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9KKA3TJ015320; Wed, 20 Oct 2004 16:10:04 -0400 (EDT) Date: Wed, 20 Oct 2004 16:10:03 -0400 (EDT) Message-Id: <20041020.130531.550.70285@webmail22.nyc.untd.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dunham16@JUNO.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "dunham16@juno.com" To: Multiple recipients of list SAVOYNET Subject: Sighting - slightly OT Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: WebMail Version 2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.456 X-Spam-Level: *** (3.456) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Oct 2004 16:10:03 -0400 (EDT) Reply-To: dunham16@JUNO.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "dunham16@juno.com" To: Multiple recipients of list SAVOYNET Subject: Sighting - slightly OT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.456 X-Spam-Level: *** (3.456) X-Spam-Flag: NO Today's local paper has a human interest article about a judge who requested to be excused from a summons to report to a jury box at a particular date and time because he would be required to report to himself- the judge presiding over the case! The officer who grants or refuses the request to be exempted from jury service assured the newspaper reporter that there evists no precedent or statute which would give her the right excuse this individual preventing anyo0ne from being simultaneously "judge and jury" - eg being the presiding judge while simultaneously ordered to sit in the jury box during the every moment throughout the trial.. I am sure that there are MANY lines in Gilbert which would apply to this paradox. Any ideas? Arrow Would he marry her himself? ________________________________________________________________ Speed up your surfing with Juno SpeedBand. Now includes pop-up blocker! Only $14.95/ month - visit http://www.juno.com/surf to sign up today!  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 18:39:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9KMcwhV025749; Wed, 20 Oct 2004 18:38:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9KMcuGi000306 for ; Wed, 20 Oct 2004 18:38:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9KMcoTJ018342; Wed, 20 Oct 2004 18:38:50 -0400 (EDT) Date: Wed, 20 Oct 2004 18:38:50 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Brown G&S Update Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Oct 2004 18:38:50 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Brown G&S Update X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO For anyone who's interested, here is the latest in my attempt to bring Gilbert & Sullivan to Brown University: We auditioned for a MIKADO last week -- results were promising but disappointing. We ended up happily casting every female principal role, and we had excellent men for Pooh-Bah and Nanki-Poo. We pencilled me in for the Mikado (in addition to my vocal directing role). And that's as far as we got. No Pish-Tush, no Ko-Ko, no men's chorus, and a woman's chorus of two altos and nothing else. The director and I had a long talk, and we decided we had no choice but to postpone the production indefinitely -- we're hoping to pick it up this spring or next fall, once we have a better student base. In the meantime, we've found a whole bunch of interested and enthusiastic young people in the would-be cast. They were very understandably disappointed at the show's cancellation, but they've already started making plans for other fun G&S things -- starting with a fun mini-concert later this semester. We're also working on establishing our organization as an official student group. We're not hitting the ground running quite as fast as we'd tried for, but Gilbert & Sullivan is growing at Brown University. Maine people, I will see you Saturday. (I'm driving up with a friend that morning, so I won't be joining for dinner Friday.) I've been working hard -- I had no idea Giuseppe's music was so difficult! Take care, Jonathan -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 19:20:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9KNKhhV011106; Wed, 20 Oct 2004 19:20:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9KNKeGi005370 for ; Wed, 20 Oct 2004 19:20:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9KNKYTJ019088; Wed, 20 Oct 2004 19:20:34 -0400 (EDT) Date: Wed, 20 Oct 2004 19:20:34 -0400 (EDT) Message-Id: <4176F004.8080907@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000601c4b4f4$8c6ab5c0$0d00000a@paul2bvcylozb3> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Oct 2004 19:20:34 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000601c4b4f4$8c6ab5c0$0d00000a@paul2bvcylozb3> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Paul Howarth posted about the new engraving of COX & BOX that he has posted to the G&S Archive. As usual, Paul appears to have done a solid job. However, his criticism of the R. Clyde edition by Roger Harris is misplaced. Harris's aim was to put out a scholarly text, and he did this by adding his annotations to an existing out-of-copyright edition. This is an accepted practice for such editions, although I understand Paul's view that a freshly typeset edition would be more user-friendly. Paul pointed out a number of errors that he feels Harris missed. But against this, it is a near human certainty that Paul has introduced new errors, for I have never seen a score of this type that was free of error. Even the big boys (Oxford, Broude), with their professional proofreading staffs, make such errors occasionally. A score prepared at home, even by somebody as good at it as Paul, is bound to have a lot more of them. (For scores prepared with home DTP software, and not professionally proofread, I have seen error rates as high as several per page. In my past experience with his work, Paul does a lot better than that, but it is unlikely that he fixed all of the errors Harris missed without introducing any new ones.) Paul's score is more user-friendly than the Harris score, as it is printed in modern notation, and the user needn't bother parsing the footnotes--'cuz there aren't any. But I wouldn't describe Paul's score as a better one than Harris's. They serve different purposes. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Oct 2004 20:22:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9L0MYhV001384; Wed, 20 Oct 2004 20:22:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9L0MXn6003033 for ; Wed, 20 Oct 2004 20:22:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9L0MPTJ019852; Wed, 20 Oct 2004 20:22:25 -0400 (EDT) Date: Wed, 20 Oct 2004 20:22:25 -0400 (EDT) Message-Id: <003201c4b702$cb7cfc40$e4e72ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary - First Night over! MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002F_01C4B70B.16CD19C0" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Oct 2004 20:22:25 -0400 (EDT) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: Rehearser's Diary - First Night over! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C4B70B.16CD19C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Legs now thoroughly broken! Many thanks for all the good wishes - our = opening night has concluded. How was it? Curate's egg I think. I was fairly pleased with my own = offering, but I am never 100% satisfied with any of my performances - I = sang all the notes and spoke all the words as stipulated by our heroes. = BUT, there is _always_ room for improvement. Anybody who comes off stage = and thinks that they could not have performed better, is an idiot. = (Maybe _that's_ why we do it - the need to outdo yourself every time) The ladies were magnificent - word and note perfect, despite Tessa being = in posession of a nasty and unwanted cold - she did _so_ well. My = Gianetta (Gudrun) is an absolute delight to work with. She knows her = stuff, and is one of those brilliant actresses who gives you back what = _you_ give, and then some. You act against "Gianetta" and not against = someone 'pretending' to be Gianetta; it makes my job (as idiot tenor) so = much easier. I was cheered tonight after TAPOSE!!=20 I was almost pleased with myself until, in the dressing room afterwards = I recalled the Welsh lilt attached to the cheers. Fellow Savoynetters = Jackie & Bob Richards were in the audience, and Director Stuart had = apparently given them several leeks, a considerable bribe and the offer = of drinks afterwards, to form a sort of 'Celtic Claque'! As expected, nervous before going on, but also as usual, this evaporated = after 10 seconds on stage - This is a strange phenomenon. I have = performed so many times that I should _know_ that I will not be nervous = once I get stuck in on stage, so why is it 'brown trousers' _before_ I = go on? Weird! There were some glitches tonight (orienteered dialogue, recasting of = Sullivan's music etc.) but on the whole, given the small forces that we = command, a bloody good effort. Tomorrow is another day however, and we will strive to be better. Herr = Direcktor is coming on Saturday, so we bloody well better be!!!! Regards (Still pumped up three hours after performance) Ian ------=_NextPart_000_002F_01C4B70B.16CD19C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Legs now thoroughly broken! Many thanks = for all the=20 good wishes - our opening night has concluded.
 
How was it? Curate's egg I think. I was = fairly=20 pleased with my own offering, but I am never 100% satisfied with any of = my=20 performances - I sang all the notes and spoke all the words as = stipulated=20 by our heroes. BUT, there is _always_ room for improvement. Anybody who = comes=20 off stage and thinks that they could not have performed better, is an = idiot.=20 (Maybe _that's_ why we do it - the need to outdo yourself every=20 time)
 
The ladies were magnificent - word and = note=20 perfect, despite Tessa being in posession of a nasty and unwanted cold - = she did=20 _so_ well. My Gianetta (Gudrun) is an absolute delight to work with. She = knows=20 her stuff, and is one of those brilliant actresses who gives you back = what _you_=20 give, and then some. You act against "Gianetta" and not = against someone=20 'pretending' to be Gianetta; it makes my job (as idiot tenor) so much=20 easier.
 
I was cheered tonight after TAPOSE!! =
I was almost pleased with myself until, = in the=20 dressing room afterwards I recalled the Welsh lilt attached to the = cheers.=20 Fellow Savoynetters Jackie & Bob Richards were in the audience, and = Director=20 Stuart had apparently given them several leeks, a considerable bribe and = the=20 offer of drinks afterwards, to form a sort of 'Celtic = Claque'!
 
As expected, nervous before going on, = but also as=20 usual, this evaporated after 10 seconds on stage - This is a strange = phenomenon.=20 I have performed so many times that I should _know_ that I will not be = nervous=20 once I get stuck in on stage, so why is it 'brown trousers' _before_ I = go on?=20 Weird!
 
There were some glitches tonight = (orienteered=20 dialogue, recasting of Sullivan's music etc.) but on the whole, given = the small=20 forces that we command, a bloody good effort.
 
Tomorrow is another day however, and we = will strive=20 to be better. Herr Direcktor is coming on Saturday, so we bloody well = better=20 be!!!!
 
Regards (Still pumped up three hours = after=20 performance)
 
Ian
 
------=_NextPart_000_002F_01C4B70B.16CD19C0--  1, filed, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Oct 2004 00:46:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9L4kqhV022729; Thu, 21 Oct 2004 00:46:52 -0400 (EDT) Received: from asmtp-a063f29.pas.sa.earthlink.net (asmtp-a063f29.pas.sa.earthlink.net [207.217.120.131]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9L4knbc014019 for ; Thu, 21 Oct 2004 00:46:50 -0400 (EDT) Received: from ptd-24-198-188-205.maine.rr.com ([24.198.188.205] helo=yourwg5n33dutv) by asmtp-a063f29.pas.sa.earthlink.net with asmtp (Exim 4.34) id 1CKUom-0006ht-HV; Wed, 20 Oct 2004 21:44:53 -0700 Message-ID: <023701c4b728$aa2569d0$cdbcc618@yourwg5n33dutv> From: "barryhilton" To: "Multiple recipients of list SAVOYNET" , "Beth Harmon" , "Deborah Jacobson" , "Julie Stevens" , , , "Leta Hall" , "Nadeau, Linda" , , "Rebecca Consentino Hains" , , , "James W Cooper" , , , "Ori Siegel" , , , , "Doug Whaley" , "David C. Jedlinsky" , , , , "jsmd att net" , , , "Julie Poole" Cc: "keith garovoy" , , , , , , , "Marion Leeds Carroll" , , , , , "Brad Kenney" , , , , "Diana Doyle" , , , , "Donna M DeWitt" , , "Fred Frabotta" , , , , , , , , , , , , , , , , , , "Rick Barnes" , , , , , , , , , , , , , , Subject: UPDATE #2 -- 23 October G&S singalong in Brunswick, Maine (see SPECIAL NOTE for latest changes) Date: Thu, 21 Oct 2004 00:44:22 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0234_01C4B707.1B569650" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 Disposition-Notification-To: "barryhilton" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-ELNK-Trace: e365589aaa66c2c7d41790aae9fb07759ef193a6bfc3dd4846d66b2ea67f9ff8238cc1c0d0b1bb42a8438e0f32a48e08350badd9bab72f9c350badd9bab72f9c X-Originating-IP: 24.198.188.205 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.895 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "barryhilton" To: "Multiple recipients of list SAVOYNET" , "Beth Harmon" , "Deborah Jacobson" , "Julie Stevens" , , , "Leta Hall" , "Nadeau, Linda" , , "Rebecca Consentino Hains" , , , "James W Cooper" , , , "Ori Siegel" , , , , "Doug Whaley" , "David C. Jedlinsky" , , , , "jsmd att net" , , , "Julie Poole" Cc: "keith garovoy" , , , , , , , "Marion Leeds Carroll" , , , , , "Brad Kenney" , , , , "Diana Doyle" , , , , "Donna M DeWitt" , , "Fred Frabotta" , , , , , , , , , , , , , , , , , , "Rick Barnes" , , , , , , , , , , , , , , Subject: UPDATE #2 -- 23 October G&S singalong in Brunswick, Maine (see SPECIAL NOTE for latest changes) Date: Thu, 21 Oct 2004 00:44:22 -0400 X-Priority: 3 X-MSMail-Priority: Normal Disposition-Notification-To: "barryhilton" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-ELNK-Trace: e365589aaa66c2c7d41790aae9fb07759ef193a6bfc3dd4846d66b2ea67f9ff8238cc1c0d0b1bb42a8438e0f32a48e08350badd9bab72f9c350badd9bab72f9c X-Originating-IP: 24.198.188.205 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.895 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0234_01C4B707.1B569650 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable You are cordially invited to take part in the first annual "THE MAINE ON = WHICH WE DRAW" festival. WHAT: a 6-hour singathon performing all the music from four Gilbert and = Sullivan operas: The Gondoliers, Princess Ida, The Mikado, and = Ruddigore. WHEN: Saturday 23 October, from 12 noon through the final chord (circa = 6:30 p.m.), followed by an on-site lobster supper. (See TIMETABLE under = DETAILS below.) WHERE: the 11 Pleasant Street Center for the Arts, Brunswick, Maine. = (See DIRECTIONS and LODGINGS under DETAILS below.) WHO: You! Solos and choruses to be performed by Gilbert and Sullivan = enthusiasts from (so far) eleven states and two foreign countries. (See = DONATIONS, QUESTIONS, RSVP, SCORES, SOLOISTS and THRONG under DETAILS = below.) Feel free to pass this announcement along to friends who may be = interested. SPECIAL NOTE: This update, probably the last before the event, is a = patched version of the entire original 27 August announcement as = modified by the 10 October Update #1. Changes incorporated are as = follows: 1. Asterisks have been removed from soloist lists--everybody has checked = in, BUT we still have a couple of vacancies, slightly different from the = ones as of Update #1: Gondoliers/Antonio is now covered, but we still = need an Ida/Florian, and we've developed a probable Ruddigore/Despard = gap. Volunteers desperately welcome (cross-gender Florian applicants = will be considered). 2. At the very end of the message, after the TIMETABLE, I've created a = consolidated list (THRONG) of all solo and non-solo participants, = including my best shot at capturing menu preferences for dinner (26 = lobster-eaters [I assume you are one unless you've told me otherwise and = I haven't lost your message], 8 non-lobster-eating carnivores, 1 = vegetarian, 6 who probably can't stay for dinner). Do let me know ASAP, = please, of any glaring errors, omissions, or changes. Sorry, no = confirmation yet of what the non-vegetarian alternative(s) to lobster = will be, although chicken is a good guess. =20 3. We never got quite as systematic as I'd hoped about pre-arranging = score rentals and lending. As it stands, most people will be bringing = their own but a few people don't have ready access to scores. Could I = ask anybody who has spares for any of the four shows to bring them? = Thanks. ********************************************** DETAILS: DIRECTIONS to 11 Pleasant Street: From the South: Leave the Maine Turnpike (I-95) at exit 44, onto I-295. = Follow I-295 to exit 28, which takes you onto US-1 (Pleasant Street) = with all the fast food, car dealers and motels (see LODGINGS below). At = the third light, US-1 turns 90 degrees left but Pleasant Street = continues straight ahead into Brunswick. Eleven Pleasant is a former = furniture store on the right about half a block before Pleasant ends at = Main Street. Plenty of parking available either on street or in the = empty-on-weekends parking lots of adjoining doctors. From the North: Leave I-295 at exit 31 (Rt 196 EAST at Topsham), turn = right onto Rt 201 (Main Street), and cross over the bridge into = Brunswick. Pleasant Street is a few blocks down on the right-hand side, = but is one-way the wrong way. Go past it one block to the Dunkin Donuts, = then make three right turns which will put you on Pleasant going the = right way. Eleven Pleasant is a former furniture store on the right = about half a block before Pleasant ends at Main Street. Plenty of = parking available either on street or in the empty-on-weekends parking = lots of adjoining doctors. DONATIONS requested: For the singalong, $10 per person ($5 for pizza, soft drinks and other = snacks throughout the afternoon; $5 for partial reimbursement of hall = rental fee; accompanists free). For those staying on for the post-singalong lobster feast, $12 per = person (plus $6 for each lobster after the first). LODGINGS: The following motels have agreed to provide somewhat reduced room rates = for travellers identifying themselves with "The Gilbert and Sullivan = Group". Prices shown will be increased by 7 percent Maine tax. All the = Pleasant Street addresses are within two miles of 11 Pleasant, an easy = walk; the Super Eight is about three miles away and would require a car. = Comfort Inn is most expensive but also (from outside) very nice-looking = indeed. Travelers Inn, 130 Pleasant Street, $62; 800-457-3364. Maineline Motel, 133 Pleasant Street, $55 one person or $62 for two; = 877-725-8761. Comfort Inn, 199 Pleasant Street, $85 ; 207-729-1129. EconoLodge, 215 Pleasant Street, $71; 800-654-9991. Super Eight Motel, 224 Bath Road, $67; 207-725-8883. QUESTIONS/COMPLAINTS etc.: private e-mail to barryhilton@earthlink.net, = please; I'll respond to sender and/or the world at large as appropriate. RSVP: ALL participants, particularly soloists, please announce, confirm = or cancel attendance at singalong and lobsterfest via private e-mail to = barryhilton@earthlink.net; please use BRUNSWICK HEADCOUNT as first words = of subject line. There's still time to join up, particularly if you can = fill one of the TBA solo slots. Hope nobody has to cancel, but if it = happens please alert us ASAP. SCORES: Previous info on this is pretty much OBE. Please bring spares = if you've got 'em. SOLOISTS: The Gondoliers (pianist Andi Stryker-Rodda, New York) Casilda--Elise Curran, Florida Duchess--Beth Harmon, Maine Fiametta--Julie Poole, Connecticut Gianetta--Jo Dunbar, U.K. Giulia--Mary Finn, Massachusetts Inez--Julie Stevens, Virginia Tessa--Amy Allen, Florida Vittoria--Leta Hall, Maryland Antonio--Lee Patterson, Maine Don Alhambra--Ori Siegel, Canada Duke--Sam Silvers, New York Francesco--Robert Walkling, Maine Giorgio--Doug Whaley, Ohio Giuseppe--Jonathan Ichikawa, Rhode Island Luiz--Jim Cooper, Connecticut Marco--David Jedlinsky, New Hampshire Princess Ida (pianist Andi Stryker-Rodda, New York) Blanche--Beth Harmon, Maine Ida--Julie Poole, Connecticut Melissa--Deb Jacobson, Virginia Psyche--Mary Finn, Massachusetts Sacharissa--Elise Curran, Florida Arac--Robert Walkling, Maine Cyril--Lee Patterson, Maine Florian--TBA Gama--Jonathan Ichikawa, Rhode Island Guron--Barry Hilton, Maine Hildebrand--Doug Whaley, Ohio Hilarion--David Jedlinsky, New Hampshire Scynthius--Sam Silvers, New York The Mikado (pianist Deb Jacobson, Virginia) Katisha--Linda Nadeau, Connecticut Peep-Bo--Jo Dunbar, U.K. Pitti-Sing--Rebecca Hains, Pennsylvania Yum-Yum--Elise Curran, Florida Ko-Ko--Sam Silvers, New York Mikado--Bob Russell, Massachusetts Nanki-Poo--Lee Patterson, Maine Pish-Tush--Barry Hilton, Maine Pooh-Bah--Ori Siegel, Canada =20 Ruddigore (pianist Andi Stryker-Rodda, New York) Dame Hannah--Leta Hall, Maryland Mad Margaret--Linda Nadeau, Connecticut Rose Maybud--Rebecca Hains, Pennsylvania Zorah--Deb Jacobson, Virginia Adam--Robert Walkling, Maine Despard--TBA Richard--Jim Cooper, Connecticut Robin--Tyler Hains, Pennsylvania Roderic--Bob Russell, Massachusetts TIMETABLE: 12:00 noon (sharp) The Gondoliers 2:00 p.m. (approximately, following pizza break) Princess Ida 3:30 p.m. (more approximately) The Mikado 5:15 p.m. (even more approximately) Ruddigore 6:30 p.m. (guesstimate) supper begins 8:30 p.m. (wild guess) supper ends THE THRONG WITH JOY ADVANCING: 35 definite dinner participants (YES/NO =3D lobster/non-lobster) Amy Allen (Florida) -- YES Jim Cooper (Connecticut) -- YES Elise Curran (Florida) -- NO Debba Curtis (Maine) -- YES Joan DeOrsey (Maine) -- YES Stan DeOrsey (Maine) -- YES Jo Dunbar (U.K.) -- YES Rebecca Hains (Pennsylvania) -- NO Tyler Hains (Pennsylvania) -- NO David Hall (Maine) -- NO Leta Hall (Maryland) -- NO Nancy Hall (Maine) -- YES Beth Harmon (Maine) -- YES Barry Hilton (Maine) -- YES Elaine Hunt (Maine) -- YES H. Draper Hunt (Maine) -- YES Jonathan Ichikawa (Rhode Island) -- YES Deb Jacobson (Virginia) --Vegetarian=20 David Jedlinsky (New Hampshire) -- NO Linda Nadeau (Connecticut) -- YES Lee Patterson (Maine) -- YES Julie Poole (Connecticut) -- NO Bob Russell (Massachusetts) -- YES Linda Russell (Massachusetts) -- YES Emily Senturia (Rhode Island) -- YES Dona Sherburne (Maine) -- YES Keith Sherburne (Maine) -- YES Ori Siegel (Canada) -- YES Sam Silvers (New York) -- YES Don Smith (Massachusetts) -- YES Julie Stevens (Virginia) -- YES Andi Stryker-Rodda (New York) -- NO Julia Walkling (Maine) -- YES Robert Walkling (Maine) -- YES Doug Whaley (Ohio) -- YES 6 who may have to leave early (lobster preferences shown just in case) Judi Becker (New Hampshire) --YES? Martha Blaxall (Maryland) -- NO Joe Dickey (Maryland) --YES? Mary Finn (Massachusetts) -- NO Charlene Rydell (Maine) --YES? Lars Rydell (Maine) --YES? ------=_NextPart_000_0234_01C4B707.1B569650 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
You are cordially invited to take = part in=20 the first annual "THE MAINE ON WHICH WE DRAW" festival.
 
WHAT: a 6-hour = singathon=20 performing all the music from four Gilbert and Sullivan operas: The=20 Gondoliers, Princess Ida, The Mikado, and=20 Ruddigore.
 
WHEN: Saturday 23 = October,=20 from 12 noon through the final chord (circa 6:30 p.m.), followed by an = on-site=20 lobster supper. (See TIMETABLE under DETAILS below.)
 
WHERE: the 11 = Pleasant=20 Street Center for the Arts, Brunswick, Maine. (See DIRECTIONS and = LODGINGS under=20 DETAILS below.)
 
WHO: You! Solos = and=20 choruses to be performed by Gilbert and Sullivan enthusiasts from (so = far)=20 eleven states and two foreign countries. (See DONATIONS, QUESTIONS, = RSVP,=20 SCORES, SOLOISTS and THRONG under DETAILS below.) Feel free to pass this = announcement along to friends who may be interested.
 
SPECIAL NOTE: = This update,=20 probably the last before the event, is a patched version of the entire = original=20 27 August announcement as modified by the 10 October Update #1. Changes=20 incorporated are as follows:
 
1. Asterisks have been removed = from soloist=20 lists--everybody has checked in, BUT we still have a couple of = vacancies,=20 slightly different from the ones as of Update #1: Gondoliers/Antonio is = now=20 covered, but we still need an Ida/Florian, and we=92ve = developed=20 a probable Ruddigore/Despard gap. Volunteers = desperately=20 welcome (cross-gender Florian applicants will be = considered).
 
2. At the very end of the message, = after the=20 TIMETABLE, I=92ve created a consolidated list (THRONG) of all solo and = non-solo=20 participants, including my best shot at capturing menu preferences for = dinner=20 (26 lobster-eaters [I assume you are one unless you've told me otherwise = and I=20 haven't lost your message], 8 non-lobster-eating carnivores, 1 = vegetarian, 6 who=20 probably can't stay for dinner). Do let me know ASAP, please, of any = glaring=20 errors, omissions, or changes.  Sorry, no confirmation yet of what = the=20 non-vegetarian alternative(s) to lobster will be, although chicken is a good = guess.   =20
 
3. We never got quite as = systematic as I=92d=20 hoped about pre-arranging score rentals and lending. As it stands, most = people=20 will be bringing their own but a few people don=92t have ready access to = scores.=20 Could I ask anybody who has spares for any of the four shows to bring=20 them?  Thanks.
**********************************************
DETAILS:
 
DIRECTIONS to 11 = Pleasant=20 Street:
 
From the South: = Leave the=20 Maine Turnpike (I-95) at exit 44, onto I-295. Follow I-295 to exit 28, = which=20 takes you onto US-1 (Pleasant Street) with all the fast food, car = dealers and=20 motels (see LODGINGS below). At the third light, US-1 turns 90 degrees = left but=20 Pleasant Street continues straight ahead into Brunswick. Eleven Pleasant = is a=20 former furniture store on the right about half a block before Pleasant = ends at=20 Main Street. Plenty of parking available either on street or in the=20 empty-on-weekends parking lots of adjoining doctors.
 
From the North: = Leave I-295=20 at exit 31 (Rt 196 EAST at Topsham), turn right onto Rt 201 (Main = Street), and=20 cross over the bridge into Brunswick. Pleasant Street is a few blocks = down on=20 the right-hand side, but is one-way the wrong way. Go past it one block = to the=20 Dunkin Donuts, then make three right turns which will put you on = Pleasant going=20 the right way. Eleven Pleasant is a former furniture store on the right = about=20 half a block before Pleasant ends at Main Street. Plenty of parking = available=20 either on street or in the empty-on-weekends parking lots of adjoining=20 doctors.
 
DONATIONS=20 requested:
For the singalong, $10 per person = ($5 for=20 pizza, soft drinks and other snacks throughout the afternoon; $5 for = partial=20 reimbursement of hall rental fee; accompanists free).
For those staying on for the = post-singalong=20 lobster feast, $12 per person (plus $6 for each lobster after the=20 first).
 
LODGINGS:
The following motels have agreed = to provide=20 somewhat reduced room rates for travellers identifying themselves with = "The=20 Gilbert and Sullivan Group". Prices shown will be increased by 7 percent = Maine=20 tax. All the Pleasant Street addresses are within two miles of 11 = Pleasant, an=20 easy walk; the Super Eight is about three miles away and would require a = car.=20 Comfort Inn is most expensive but also (from outside) very nice-looking=20 indeed.
Travelers Inn, 130 Pleasant = Street, $62;=20 800-457-3364.
Maineline Motel, 133 Pleasant = Street, $55=20 one person or $62 for two; 877-725-8761.
Comfort Inn, 199 Pleasant Street, = $85 ;=20 207-729-1129.
EconoLodge, 215 Pleasant Street, = $71;=20 800-654-9991.
Super Eight Motel, 224 Bath Road, = $67;=20 207-725-8883.
 
QUESTIONS/COMPLAINTS etc.: =  private e-mail to barryhilton@earthlink.net, please; I'll respond to sender and/or the = world at=20 large as appropriate.
 
RSVP:  ALL=20 participants, particularly soloists, please announce, confirm or cancel=20 attendance at singalong and lobsterfest via private e-mail to barryhilton@earthlink.net; please use BRUNSWICK HEADCOUNT as first = words of=20 subject line. There=92s still time to join up, particularly if you can = fill one of=20 the TBA solo slots. Hope nobody has to cancel, but if it happens please = alert us=20 ASAP.
 
SCORES:  = Previous info=20 on this is pretty much OBE. Please bring spares if you=92ve got = =91em.
 
SOLOISTS:
 
The Gondoliers = (pianist=20 Andi Stryker-Rodda, New York)
  Casilda--Elise Curran,=20 Florida
  Duchess--Beth Harmon,=20 Maine
  Fiametta--Julie Poole,=20 Connecticut
  Gianetta--Jo Dunbar,=20 U.K.
  Giulia--Mary Finn,=20 Massachusetts
  Inez--Julie Stevens,=20 Virginia
  Tessa--Amy Allen,=20 Florida
  Vittoria--Leta Hall,=20 Maryland
  Antonio--Lee Patterson,=20 Maine
  Don Alhambra--Ori Siegel,=20 Canada
  Duke--Sam Silvers, New=20 York
  Francesco--Robert Walkling, = Maine
  Giorgio--Doug Whaley,=20 Ohio
  Giuseppe--Jonathan = Ichikawa, Rhode=20 Island
  Luiz--Jim Cooper,=20 Connecticut
  Marco--David Jedlinsky, New = Hampshire
 
Princess Ida = (pianist Andi=20 Stryker-Rodda, New York)
  Blanche--Beth Harmon,=20 Maine
  Ida--Julie Poole,=20 Connecticut
  Melissa--Deb Jacobson,=20 Virginia
  Psyche--Mary Finn,=20 Massachusetts
  Sacharissa--Elise Curran,=20 Florida
  Arac--Robert Walkling,=20 Maine
  Cyril--Lee Patterson,=20 Maine
  Florian--TBA
  Gama--Jonathan Ichikawa, = Rhode=20 Island
  Guron--Barry Hilton,=20 Maine
  Hildebrand--Doug Whaley,=20 Ohio
  Hilarion--David Jedlinsky, = New=20 Hampshire
  Scynthius--Sam Silvers, New = York
 
The Mikado = (pianist Deb=20 Jacobson, Virginia)
  Katisha--Linda Nadeau,=20 Connecticut
  Peep-Bo--Jo Dunbar, = U.K.
  Pitti-Sing--Rebecca Hains,=20 Pennsylvania
  Yum-Yum--Elise Curran,=20 Florida
  Ko-Ko--Sam Silvers, New=20 York
  Mikado--Bob Russell,=20 Massachusetts
  Nanki-Poo--Lee Patterson,=20 Maine
  Pish-Tush--Barry Hilton,=20 Maine
  Pooh-Bah--Ori Siegel,=20 Canada
  =
Ruddigore = (pianist Andi=20 Stryker-Rodda, New York)
  Dame Hannah--Leta Hall,=20 Maryland
  Mad Margaret--Linda Nadeau, = Connecticut
  Rose Maybud--Rebecca Hains, = Pennsylvania
  Zorah--Deb Jacobson,=20 Virginia
  Adam--Robert Walkling,=20 Maine
  Despard--TBA
  Richard--Jim Cooper,=20 Connecticut
  Robin--Tyler Hains,=20 Pennsylvania
  Roderic--Bob Russell,=20 Massachusetts
 
TIMETABLE:
  12:00 noon (sharp) The=20 Gondoliers
   2:00 p.m. = (approximately,=20 following pizza break) Princess Ida
   3:30 p.m. (more = approximately)=20 The Mikado
   5:15 p.m. (even more=20 approximately) Ruddigore
   6:30 p.m. = (guesstimate) supper=20 begins
   8:30 p.m. (wild = guess) supper=20 ends
 
THE THRONG WITH JOY=20 ADVANCING:
 
35 definite dinner participants = (YES/NO =3D=20 lobster/non-lobster)
  Amy Allen (Florida) --=20 YES
  Jim Cooper (Connecticut) -- = YES
  Elise Curran (Florida) --=20 NO
  Debba Curtis (Maine) --=20 YES
  Joan DeOrsey (Maine) --=20 YES
  Stan DeOrsey (Maine) --=20 YES
  Jo Dunbar (U.K.) -- = YES
  Rebecca Hains = (Pennsylvania) --=20 NO
  Tyler Hains (Pennsylvania) = --=20 NO
  David Hall (Maine) -- = NO
  Leta Hall (Maryland) --=20 NO
  Nancy Hall (Maine) --=20 YES
  Beth Harmon (Maine) --=20 YES
  Barry Hilton (Maine) --=20 YES
  Elaine Hunt (Maine) --=20 YES
  H. Draper Hunt (Maine) --=20 YES
  Jonathan Ichikawa (Rhode = Island) --=20 YES
  Deb Jacobson (Virginia) = --Vegetarian=20
  David Jedlinsky (New = Hampshire) --=20 NO
  Linda Nadeau (Connecticut) = --=20 YES
  Lee Patterson (Maine) --=20 YES
  Julie Poole (Connecticut) = --=20 NO
  Bob Russell (Massachusetts) = --=20 YES
  Linda Russell = (Massachusetts) --=20 YES
  Emily Senturia (Rhode = Island) --=20 YES
  Dona Sherburne (Maine) --=20 YES
  Keith Sherburne (Maine) --=20 YES
  Ori Siegel (Canada) --=20 YES
  Sam Silvers (New York) --=20 YES
  Don Smith (Massachusetts) = --=20 YES
  Julie Stevens (Virginia) -- = YES
  Andi Stryker-Rodda (New = York) --=20 NO
  Julia Walkling (Maine) --=20 YES
  Robert Walkling (Maine) --=20 YES
  Doug Whaley (Ohio) --=20 YES
 
6 who may have to leave early = (lobster=20 preferences shown just in case)
  Judi Becker (New Hampshire) = --YES?
  Martha Blaxall (Maryland) = --=20 NO
  Joe Dickey (Maryland)=20 --YES?
  Mary Finn (Massachusetts) = --=20 NO
  Charlene Rydell (Maine)=20 --YES?
  Lars Rydell (Maine)=20 --YES?
------=_NextPart_000_0234_01C4B707.1B569650--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Oct 2004 07:56:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9LBuphV007710; Thu, 21 Oct 2004 07:56:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9LBumb8018206 for ; Thu, 21 Oct 2004 07:56:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9LBudTJ025732; Thu, 21 Oct 2004 07:56:39 -0400 (EDT) Date: Thu, 21 Oct 2004 07:56:39 -0400 (EDT) Message-Id: <000a01c4b762$09849b60$0d00000a@paul2bvcylozb3> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 21 Oct 2004 07:56:39 -0400 (EDT) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Marc Shepherd wrote: "My criticism of the R. Clyde edition by Roger Harris is misplaced. Harris's aim was to put out a scholarly text, and he did this by adding his annotations to an existing out-of-copyright edition. This is an accepted practice for such editions, although I understand Paul's view that a freshly typeset edition would be more user-friendly." I cannot help but feel that where Harris has left the incorrect notes in the score - off hand the example I can think of is on page 61 - and corrected them by adding a footnote, it is less than helpful to performers. Marc " Paul pointed out a number of errors that he feels Harris missed. But against this, it is a near human certainty that Paul has introduced new errors, for I have never seen a score of this type that was free of error. Even the big boys (Oxford, Broude), with their professional proofreading staffs, make such errors occasionally. A score prepared at home, even by somebody as good at it as Paul, is bound to have a lot more of them." My list of errors which I pointed out as having been missed by Harris were largely corroborated by comparison with that editor's full score of "Cox and Box". The reason I drew the attention of Savoynet members to my score was in the hope that people would look at it, perhaps try it out, and draw my attention to the errors I have - as Marc says - undoubtedly introduced so they might be corrected. Marc: " Paul's score is more user-friendly than the Harris score, as it is printed in modern notation, and the user needn't bother parsing the footnotes--'cuz there aren't any. But I wouldn't describe Paul's score as a better one than Harris's. They serve different purposes." It was not my intention to compete with Harris - but to produce a more readable score Paul Howarth Associate Curator The Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ John Dando Sedding, Victorian Architect http://www.pnhowarth.org  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Oct 2004 11:02:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9LF2ZhV024501; Thu, 21 Oct 2004 11:02:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9LF2XoD019509 for ; Thu, 21 Oct 2004 11:02:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9LF1pTJ028814; Thu, 21 Oct 2004 11:01:51 -0400 (EDT) Date: Thu, 21 Oct 2004 11:01:51 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Cox and Box Score; QWERT Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 21 Oct 2004 11:01:51 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Cox and Box Score; QWERT Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO >>> Marc Shepherd ..As usual, Paul appears to have done a solid job. However... it is a near human certainty that Paul has introduced new errors, for I have never seen a score of this type that was free of error.... Paul's score is more user-friendly than the Harris score....>>>> Some of you may recall that we peformed C&B at a QWERT at my place a couple of years ago, and that it was a difficult exercise because of the differences in the Savoy edition of the score and the full score, particularly without any rehearsal between the pianist and the singers. It has been done much more successfully in Buxton on two occasions by Stuart Box and William Revels using first me and then David Duffey as Bouncers, because Stuart and William have rehearsed the piece together many times and have their own "edition", and because there was some rehearsal in Buxton for these festival club sings. Next time we have a QWERT (after the ones already scheduled, of course) I suggest that we do a performance of Paul's new score and vet the edition beforehand at a rehearsal, just as was done for the Chieftain last year. I suggest that the three singers selected all be good enough musicians to catch any errors in their own parts, and that the pianist, as well as some other volunteer proofreaders participate, just as they did for the Chieftain. Perhaps late this spring? I would be pleased to host, but the date will depend on whether or not I peform in BHT's Grand Duke. Best regards, Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Oct 2004 12:25:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9LGPphV010918; Thu, 21 Oct 2004 12:25:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9LGPjoD006534 for ; Thu, 21 Oct 2004 12:25:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9LGOqTJ000029; Thu, 21 Oct 2004 12:24:52 -0400 (EDT) Date: Thu, 21 Oct 2004 12:24:52 -0400 (EDT) Message-Id: <20041021161256.67601.qmail@web54302.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score; QWERT MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 21 Oct 2004 12:24:52 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Cox and Box Score; QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO --- Samuel Silvers wrote: > Next time we have a QWERT (after the ones already scheduled, > of course) I suggest that we do a performance of Paul's new > score and vet the edition beforehand at a rehearsal, just as > was done for the Chieftain last year. I suggest that the > three > singers selected all be good enough musicians to catch any > errors in their own parts, and that the pianist, as well as > some > other volunteer proofreaders participate, just as they did for > the Chieftain. > > Perhaps late this spring? I would be pleased to host, but > the date will depend on whether or not I peform in BHT's > Grand Duke. > As always, I'm happy to volunteer to help beta-test one of Paul's scores. (Sam, when you plan your Spring QWERT date, please also keep in mind NYGASP's Rose of Persia on 3 April, and the fact I'll be up to my ears in rehearsal for the preceding month!) In order to keep this from being such an exclusive operation (only 3 singers), we might consider putting 2 or more voices on each part. That would allow more people to participate in actually singing the material (psst, it might also give a chance for a couple of the ladies to sneak in on this normally all-male show!), and would add more eyes to our beta-testing. I'd be glad to download, print, and send copies to anyone interested in participating in this! Also, Paul, if you can send me a photocopy, scan, or other copy of the material you worked from in resetting this, I can also copy and distribute that to any willing proofreaders. ===== Andi Stryker-Rodda New York City/New Jersey USA  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Oct 2004 14:38:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9LIcLhV020527; Thu, 21 Oct 2004 14:38:21 -0400 (EDT) Received: from cmailm4.svr.pol.co.uk (cmailm4.svr.pol.co.uk [195.92.193.211]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9LIcJYH027758 for ; Thu, 21 Oct 2004 14:38:19 -0400 (EDT) Received: from modem-2210.marahu.dialup.pol.co.uk ([81.78.216.162] helo=halhk) by cmailm4.svr.pol.co.uk with smtp (Exim 4.41) id 1CKhpK-0003xt-9f; Thu, 21 Oct 2004 19:38:18 +0100 Message-ID: <000001c4b79d$864a9600$a2d84e51@freeserve.co.uk> From: "Colin Johnson" To: , "David C. Jedlinsky" References: Subject: Re: Thespis recordings Date: Thu, 21 Oct 2004 19:39:39 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.555 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Colin Johnson" To: , "David C. Jedlinsky" Subject: Re: Thespis recordings Date: Thu, 21 Oct 2004 19:39:39 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.555 X-Spam-Flag: NO Dear David, I'm wondering whether the long-awaited Thespis recording and/or video = will be available in time for the festive season, when Barbara and I = should again be on New Jersey soil. I have seen various reports = hinting that the only successful number in the show was the Diddlesex = Junction song, but I'm curious to hear why the overture sounded, at = least to some ears, interminably dreary. I still look forward to news of this project, hoping that some awful = catastrophe hasn't obliterated everything. Best wishes, Colin =20 ----- Original Message -----=20 From: To: Cc: Sent: Thursday, May 20, 2004 5:18 PM Subject: Thespis recordings >=20 > Dear Colin. >=20 > I had no idea my emails weren't getting to you! I'm sending this one = from > another account; hopefully it will be delivered. I apologize for not > following up with a phone call when I didn't hear back from you. >=20 > At this point, I have not finished editing the videos of Thespis; I = expect > to have them completed during the summer. You will indeed receive > separate copies in the appropriate format in New Jersey and Lympne, = along > with some other mementos we have collected that you might find > interesting. >=20 > I am sorry I was not able to finish the editing to coincide with your > stateside visit. Please accept my humblest apologies for preventing = you > from seeing your work come to fruition. >=20 > -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Oct 2004 05:35:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9M9ZchV019657; Fri, 22 Oct 2004 05:35:38 -0400 (EDT) Received: from smtp108.mail.sc5.yahoo.com (smtp108.mail.sc5.yahoo.com [66.163.170.6]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i9M9Zaif006800 for ; Fri, 22 Oct 2004 05:35:37 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp108.mail.sc5.yahoo.com with SMTP; 22 Oct 2004 09:35:35 -0000 Message-ID: <001701c4b81a$7ae33e70$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <006301c4b46d$a478c670$0301a8c0@JACKIE> <200410192010.i9JKAkxQ020765@multics.mit.edu> Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Fri, 22 Oct 2004 10:35:32 +0100 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Fri, 22 Oct 2004 10:35:32 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO David To quote the BBC weather site "There is a good deal of uncertainty for the beginning of next month. It looks as though it will still be unsettled with outbreaks of rain for most, but also fairly chilly, so temperatures may well be below average by day and night. Night time frosts are likely to become widespread." Torquay tends to be milder and sunnier than elsewhere but basically, who can tell? Love Jackie  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Oct 2004 07:11:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9MBBrhV005902; Fri, 22 Oct 2004 07:11:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9MBBkif017078 for ; Fri, 22 Oct 2004 07:11:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9MBBhTJ012029; Fri, 22 Oct 2004 07:11:43 -0400 (EDT) Date: Fri, 22 Oct 2004 07:11:43 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: "The Gondoliers", half-time directors report MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-class: urn:content-classes:message Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 22 Oct 2004 07:11:43 -0400 (EDT) Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: "The Gondoliers", half-time directors report Content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Half way through the run of "The Gondoliers", two nights done, two to go. Things are going well. "Well" here is a relative term, remember we are talking about provincial amateur G&S, "well" means that the right music is played in approximately the right tempo for each song, no-one has completely corpsed in a scene and walked off muttering "I must find my lib...", no-one has slipped on stage and dislocated or broken a limb or joint, the scenery has resolutely resisted falling apart, the lights still work, and most of the principals (and even some of the chorus) are entering and exiting in the right places. We had some slight "tech" problems first night. The curtain was late opening on Act 1, the SM only remembered he had forgotten something when the girls started singing "List & Learn"! Antonio brought a new order to his verses of "The merriest fellows", but to give him his due he recovered well. There were numerous little slips, the lone chorister entering two bars too early etc. Truth to tell all of the cast had some nerves in varying degree, but after all, it is live entertainment, if you want perfection listen to a CD. After the finale act 2, the SM, to make up for his earlier faux pas, proceeded to close the curtain slightly early after the first "Company Bow", had it had been a drop curtain he might have killed someone, as it was it was only slightly irritating. I appear to have introduced an innovation at Littlehampton, in that we now have a brisk series of bows, one company bow, then curtain. The SM is under strict instructions NOT to open them again unless the audience is actively rioting and shouting encore. Leave 'em wanting more say I. Past practice has been a couple of curtains, and THEN a choral reprise of the "big number". This is often done whilst the audience are collecting coats and hats, looking at their watches and muttering under their breath that it's nearly time for their coco, and why don't we get on with it. Doing this has marked me down as a radical reformer, with some of the "old guard" saying that the show seems incomplete. But I maintain that Finale means what it says, anything afterwards should be as short and sweet as possible. What do others think ? It is incredible how the addition of an audience has changed the show for the better. Performers are now getting that vital ingredient "feedback". They can sense in a very real way what works and what doesn't. Everyone reacts to this and it subtly changes their acting style. Some, of course, go too far and end up mugging and upstaging because "it gets a laugh!", but thankfully there's not too much of that. Which leads me to my second point. As director I'm still giving notes and points, attempting to improve or change an interpretation, and in some instances tone down the OTT mugging. Not great changes, for sure, but I'm still doing it. This is not what usually happens with this company, often the Director gives no further input past dress rehearsal, and as a result (IMHO) the show "coarsens" and "loosens" as we approach the final night. As most of my performances have been with this company, or one-night stands at Buxton, I don't know how other Directors do it. Directors, do you give notes during the run, and if so, at what level, radical changes or just small fixes, and Performers how do you feel about changes and "improvements" during the run? But onwards and upwards, Friday nights have usually been our best night in past shows. The audience is usually very good and responsive, and we have a full house to play to which always helps. Stuart  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Oct 2004 09:07:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9MD6xhV004918; Fri, 22 Oct 2004 09:06:59 -0400 (EDT) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9MD6L34022070; Fri, 22 Oct 2004 09:06:21 -0400 (EDT) Received: from brick.mit.edu (69-163-42-186.lndnnh.adelphia.net [69.163.42.186]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i9MD6Gjd021579; Fri, 22 Oct 2004 09:06:17 -0400 (EDT) Message-Id: <6.1.1.1.2.20041022090535.0409c680@po12.mit.edu> X-Sender: bjaspan@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 6.1.1.1 Date: Fri, 22 Oct 2004 09:06:11 -0400 To: everyone-barry-knows@mit.edu From: Barry Jaspan Subject: Barry's October Vacation Mime-Version: 1.0 Content-Type: text/plain; x-AttchRem=yes; charset="us-ascii"; format=flowed X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.409 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: bjaspan@po12.mit.edu (Unverified) Date: Fri, 22 Oct 2004 09:06:11 -0400 To: everyone-barry-knows@mit.edu From: Barry Jaspan Subject: Barry's October Vacation X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.409 X-Spam-Flag: NO Friends, I am writing to tell you what I'm doing this month, because I've never done anything like it before. From October 4 through November 2, I am volunteering full-time for the Kerry/Edwards 2004 campaign in New Hampshire. I've taken the entire month off because I believe this election is incredibly important, John Kerry must win, and come November 3, win or lose, I want to know that I did everything I could. You can read this and subsequent messages from me at , where I'll tell you (if I have time) more about what it has been like, the kind of things I've been doing, and who I've gotten to meet. :-) For now, though, a public service message: IF YOU SUPPORT JOHN KERRY FOR PRESIDENT, YOU NEED TO VOLUNTEER TO HELP THE CAMPAIGN RIGHT NOW. As of today, there are 11 days left before the election. If you want to be a "part of the solution, not part of the problem," it is time to act. IF YOU LIVE IN MASSACHUSETTS, New Hampshire needs you. Call the MA party office at (617) 472-0637 to find out about the volunteer buses coming up both remaining weekends and on Election Day. If you can volunteer during the week, call the Manchester field office at 603-622-2549 and ask what you can do. Or, if you'd specifically like to work with me (please!) on Manchester-area college campuses helping organize and turning out the student vote (which I happen to be in charge of), contact me personally. If you live elsewhere, there are a wide variety of things you can do. You can volunteer in person in swing states, or you can work from home by making phone calls into swing states signing up other volunteers. Call your state's Democratic Party office and ask how you can best help, but BE AGGRESSIVE in tracking down where you can go and what you can do, because everyone is so busy that you might fall through the cracks. Rather than continuing to email updates to everyone, I have created a blog at . You can read and reply to my updates there. If you have questions about using Live Journal, email me directly. I am not going to wake up on November 3 and think, "Damn! I wish I had gotten more involved." Are you? Thanks, Barry PS: If you support George Bush for President, please disregard this message. :-)  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Oct 2004 11:25:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9MFPqhV014639; Fri, 22 Oct 2004 11:25:53 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9MFNXKe000761 for ; Fri, 22 Oct 2004 11:23:33 -0400 (EDT) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9MFNV1U010900 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Fri, 22 Oct 2004 11:23:32 -0400 (EDT) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: In-Reply-To: <200410220028.i9M0SCIL006133@multics.mit.edu> References: <200410121624.i9CGOQVu025162@multics.mit.edu> <200410220028.i9M0SCIL006133@multics.mit.edu> Date: Fri, 22 Oct 2004 11:23:29 -0400 To: "David C. Jedlinsky" From: Alex French Subject: Re: Clue video? Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.001 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod In-Reply-To: <200410220028.i9M0SCIL006133@multics.mit.edu> Date: Fri, 22 Oct 2004 11:23:29 -0400 To: "David C. Jedlinsky" From: Alex French Subject: Re: Clue video? X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.001 X-Spam-Flag: NO Hi Opus, I apologize if I hadn't been cc:ing you. Our producer's thought it better to re-spam for interest (i.e. they had lost the original list). They're collecting orders. This weekend they'll send out a "last chance" e-mail, and by Wednesday of next week I should have a total number for you. Thanks for your patience. Alex >Hi Alex. > >Any progress on finding out how many DVD and VHS copies to make for >Clue? > >Thanks. > >-Dave > > >>Date: Tue, 12 Oct 2004 12:35:22 -0400 >>From: Alex French >> >>I'll check with Steph and Heather and let you know, or failing that, >>retake orders. >> >>>Hi Alex. >>> >>>Clue is ready to be duplicated; do you know how many VHS and DVD I >>>should be making? >>> >>>Thanks. >>> >>>-Dave >> >> >>-- >>Alex French >>MIT Class of 2005 >>cell: (617) 645-2747 >>AIM: respectableAlex -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Oct 2004 16:10:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9PK8JiF028358; Mon, 25 Oct 2004 16:10:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9PJu2Rl015451 for ; Mon, 25 Oct 2004 15:56:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9PJtaTJ005321; Mon, 25 Oct 2004 15:55:36 -0400 (EDT) Date: Mon, 25 Oct 2004 15:55:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: Maine Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Oct 2004 15:55:36 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: Maine X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I wrote: > It's always fun to sing with Dave Jedlinsky, who did Marco (last time > at Rebecca's, I'd sung Florian to his Hildebrand). But of course, I *meant* to write, "...to his Hilarion." -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Oct 2004 16:53:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9PKqMiB021999; Mon, 25 Oct 2004 16:53:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9PKIWk6000558 for ; Mon, 25 Oct 2004 16:18:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9PKGcTJ005948; Mon, 25 Oct 2004 16:16:38 -0400 (EDT) Date: Mon, 25 Oct 2004 16:16:38 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Maine Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Oct 2004 16:16:38 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Maine X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I'll go ahead and add a few late words about Barry's sing-in. I thought it was a marvelous time -- I managed to convince my best friend Emily to come along with me, and she enjoyed it as well. Barry was very kind to me with casting -- I got to sing Giuseppe, Gama, *and* Despard! I'd been worried about Giuseppe, as there's a ton of music, and most of it is non-melody, and therefore somewhat harder to learn. I was generally satisfied with myself there. It wasn't perfect by any stretch, but I think I managed to avoid embarrassing myself or causing trainwrecks. Gama and Despard were much more comfortable for me. The entire GONDOLIERS group was very good, I thought. It's one of the shows I know less well, but I really enjoyed listening to everyone. It's always fun to sing with Dave Jedlinsky, who did Marco (last time at Rebecca's, I'd sung Florian to his Hildebrand). I also enjoyed working with Amy Allen, whom I'd never met before. She sang a very nice Tessa. The highlight of GONDOLIERS for me was "In a contemplative fashion", in which we actually managed to stay pretty much together. I was also impressed by Sam Silvers's Duke -- that's never been a role that's stood out for me as particularly interesting or fun, but in true Sam fashion, Sam made it memorable and fun. In IDA, we were treated to Julie Poole. She'd sung a very nice Fiametta in GONDOLIERS, but she was a jaw-dropping Ida. *Amazing* power behind that voice. Wow. We were also treated to a creatively-cast Amy Allen as Florian, who made a fun and mischievous trio with Dave's Hilarion and Lee Patterson's Cyril. Incidentally, I *love* watching Lee sing. His face is a real delight -- lots of nuance and subtlety to all his roles. The other performance I'd like to mention was Deb Jacobson as a delightfully fun Melissa. I've met her several times now, but this was the first time I got to see her sing. MIKADO was fun all-around, with Sam's predictably enjoyable and enthusiastic Ko-Ko, and Elise's delightful Yum-Yum. Lee's Nanki-Poo was also excellent. I also really enjoyed Ori's Pooh-Bah -- he's another person I've met a few times but never heard sing. Rebecca Hains appeared in an unusual role for her, and was a very fine Pitti-Sing. Bob Russell was a new face for me -- a great, big voice for a Mikado. But the show -- and probably the afternoon -- was stolen by Linda Nadeau's Katisha. From top to bottom, it was a fantastic, nuanced, brilliant performance. One could put it directly on stage in any production he wanted. Ruddigore was last, and also great fun. Rebecca and Tyler managed to be a couple again as Rose and Robin. (Tyler has a really nice baritone voice. I'd've liked to have heard him more.) Jim Cooper was an enthusiastic and spry Richard. I'm sorry to say I missed a fair amount of the spectating action for this one, because I spent some time in the bathroom, jury-rigging my shirt to serve as a cape for Despard. But the whole show seemed to be quite a lot of fun. Barry's venue was fantastic. It wasn't cramped at all -- it hardly felt like a sing-in! The quality of singers overall was very good. I'd've liked to have more people -- particularly men -- to sing the choruses, but overall I can't complain. Thanks Barry, for organizing, and to all for participating. I love this stuff. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Oct 2004 21:36:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9Q1aShV009441; Mon, 25 Oct 2004 21:36:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9Q1YcJW008576 for ; Mon, 25 Oct 2004 21:34:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9Q1FNTJ011100; Mon, 25 Oct 2004 21:15:23 -0400 (EDT) Date: Mon, 25 Oct 2004 21:15:23 -0400 (EDT) Message-Id: <6.1.2.0.0.20041026010428.0458e760@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Ballet Music Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.1.2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.015 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Oct 2004 21:15:23 -0400 (EDT) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Thespis Ballet Music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.015 X-Spam-Flag: NO As (most of us) know, Selwyn Tillet, I believe, discovered three of at least five ballet pieces in the papers relating to L'Île Enchantée. He then proposed two additional songs based on certain evidences. It's these evidences I want to look at now. The evidence for the second ballet is very weak. I fail to see why, just because a harp is thought to be in Thespis - hardly unlikely, given Apollo plays a large role in it - Apollo's lyre, you know. - it absolutely must be used in a slow harp movement that frankly, doesn't seem at all appropriate in a burlesque. What needs to be asked - and hasn't been, I fear - is what, precisely, is going on in the ballet. If it's the gods trying out their new attributes, then this makes a difference to what goes into the ballet (and also probably keeps it out of the Act II finale and instead ether at the end of Act I or mid-Act II.) The next evidence is the odd scene of a woman with sword and shield fighting a man wearing a dragon's head identified as belonging to Thespis. This causes him to put in the Friar Tuck and the Dragon scene from Victoria and Merrie England. This is far more successful, with a few caveats, and, in this case, I can provide the music - it's used in all Sullivan's ballets. First off, here's the relevant music. http://myweb.tiscali.co.uk/farmer_giles/FTD.mid It's not a bad bit of music, and it ties in to the Galop surprisingly well (though the VME ending would appear to be very slightly different from the LIE, unless this Selwyn Tillet score I have merely makes an alternate choice on the ending, which wouldn't surprise me, given that the VME score is completely devoid of grace notes.) However, in both other appearances of this music (L'Île Enchantee) it's followed by low bass chords that allow a build up to the next scene. So, though this ending is certainly possible, if one presumes that no time is needed to get the next lot of dancers on stage - for instance, they were all clustered around, watching the battle). However, the renaming of it "St. George and the Dragon" frankly, makes no sense. Why St. George in the middle of an opera about Greek Myths. Especially since a quick search of mythology resources found this: Apollo's first achievement was to rid Pytho (Delphi) of the serpent (or dragon) Python. This monstrous beast protected the sanctuary of Pytho from its lair beside the Castalian Spring. There it stood guard while the "Sibyl" gave out her prophecies as she inhaled the trance inducing vapors from an open chasm. Apollo killed Python with his bow and arrows (Homer wrote "he killed the fearsome dragon Python, piercing it with his darts"). Apollo not only took charge of the oracle but rid the neighboring countryside of widespread destruction, as Python had destroyed crops, sacked villages and polluted streams and springs. However, to make amends for killing Python, as the fearsome beast was the son of Gaia, Apollo had to serve king Admetus for nine years (in some versions eight) as a cowherd. This he did, and when he returned to Pytho he came in the guise of a dolphin bringing with him priests from Crete (Apollo's cult title "Delphinios" meaning dolphin or porpoise, is probably how Delphi was so named). After killing Python and taking possession of the oracle, the god of light (Phobus) became known as "Pythian Apollo". He dedicated a bronze tripod to the sanctuary and bestowed divine powers on one of the priestesses, and she became known as the "Pythia". It was she who inhaled the hallucinating vapors from the fissure in the temple floor, while she sat on a tripod chewing laurel leaves. After she mumbled her answer, a male priest would translate it for the supplicant. Delphi became the most important oracle center of Apollo, there were several including Clarus and Branchidae. There are other options. The 11th labour of Hercules: Hercules holds up the sky whilst Atlas gets the apples from where the dragon guards them. Hercules then asks Atlas to hold the sky a moment and scarpers. Cecrops, A half man and half snake, born from the soil, legendary ancestor of the Greeks. He was the founder (and first king) of Athens. He taught the inhabitants to bury the dead, get married and how to read and write. In his reign Poseidon and Athena contended for the lordship of Attica, and Cecrops decided in the favor of Athena. The citadel, or Acropolis, of Athens was named Cecropia in his honor. (From Pantheon.org.) -Adam Cuerden "That monkeys once were men -- peers, statesmen, flunkeys-- That's rather hard on unoffending monkeys!" -W.S.Gilbert, La Vivandiere Now comes with webcomic! http://www.graphicsmash.com/series.php?name=dangerous&view=current  1,, X-Coding-System: undecided-unix Return-Path: <@po9.mit.edu> Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 26 Oct 2004 11:39:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9QFcDi7021753; Tue, 26 Oct 2004 11:39:35 -0400 (EDT) Received: from omr-m05.mx.aol.com (omr-m05.mx.aol.com [64.12.138.17]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9QFbKam004672 for ; Tue, 26 Oct 2004 11:37:20 -0400 (EDT) Received: from rly-xa02.mx.aol.com (rly-xa02.mail.aol.com [172.20.64.38]) by omr-m05.mx.aol.com (v98.19) with ESMTP id RELAYIN4-5417e6f1d5c; Tue, 26 Oct 2004 11:37:01 -0400 Received: from localhost (localhost) by rly-xa02.mx.aol.com (8.8.8/8.8.8/AOL-5.0.0) with internal id LAE24613; Tue, 26 Oct 2004 11:37:01 -0400 (EDT) Date: Tue, 26 Oct 2004 11:37:01 -0400 (EDT) From: Mail Delivery Subsystem Message-Id: <200410261537.LAE24613@rly-xa02.mx.aol.com> To: MIME-Version: 1.0 Content-Type: multipart/report; report-type=delivery-status; boundary="LAE24613.1098805021/rly-xa02.mx.aol.com" Subject: Returned mail: User unknown Auto-Submitted: auto-generated (failure) X-AOL-IP: 172.20.64.38 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.479 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 26 Oct 2004 11:37:01 -0400 (EDT) From: Mail Delivery Subsystem To: Subject: Returned mail: User unknown Auto-Submitted: auto-generated (failure) X-AOL-IP: 172.20.64.38 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.479 X-Spam-Flag: NO This is a MIME-encapsulated message --LAE24613.1098805021/rly-xa02.mx.aol.com The original message was received at Tue, 26 Oct 2004 11:36:50 -0400 (EDT) from biscayne-one-station.mit.edu [18.7.7.80] *** ATTENTION *** Your e-mail is being returned to you because there was a problem with its delivery. The address which was undeliverable is listed in the section labeled: "----- The following addresses had permanent fatal errors -----". The reason your mail is being returned to you is listed in the section labeled: "----- Transcript of Session Follows -----". The line beginning with "<<<" describes the specific reason your e-mail could not be delivered. The next line contains a second error message which is a general translation for other e-mail servers. Please direct further questions regarding this message to your e-mail administrator. --AOL Postmaster ----- The following addresses had permanent fatal errors ----- ----- Transcript of session follows ----- ... while talking to air-xa03.mail.aol.com.: >>> RCPT To: <<< 550 cjbstitches IS NOT ACCEPTING MAIL FROM THIS SENDER 550 ... User unknown --LAE24613.1098805021/rly-xa02.mx.aol.com Content-Type: message/delivery-status Reporting-MTA: dns; rly-xa02.mx.aol.com Arrival-Date: Tue, 26 Oct 2004 11:36:50 -0400 (EDT) Final-Recipient: RFC822; cjbstitches@aol.com Action: failed Status: 5.1.1 Remote-MTA: DNS; air-xa03.mail.aol.com Diagnostic-Code: SMTP; 550 cjbstitches IS NOT ACCEPTING MAIL FROM THIS SENDER Last-Attempt-Date: Tue, 26 Oct 2004 11:37:01 -0400 (EDT) --LAE24613.1098805021/rly-xa02.mx.aol.com Content-Type: text/rfc822-headers Received: from biscayne-one-station.mit.edu (biscayne-one-station.mit.edu [18.7.7.80]) by rly-xa02.mx.aol.com (v102.9) with ESMTP id MAILRELAYINXA29-59417e6f10222; Tue, 26 Oct 2004 11:36:48 -0400 Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9QFamHo013764 for ; Tue, 26 Oct 2004 11:36:48 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9QFak1U027016 for ; Tue, 26 Oct 2004 11:36:47 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i9QFakvk022218; Tue, 26 Oct 2004 11:36:46 -0400 (EDT) Date: Tue, 26 Oct 2004 11:36:46 -0400 (EDT) Message-Id: <200410261536.i9QFakvk022218@multics.mit.edu> From: "David C. Jedlinsky" To: Cjbstitches@aol.com In-reply-to: <12b.4e4bc3dc.2eacf288@aol.com> (Cjbstitches@aol.com) Subject: Re: Jed - Zenophile Cards for Sale (purposely misspelled to Avoid Filtering References: <12b.4e4bc3dc.2eacf288@aol.com> X-Scanned-By: MIMEDefang 2.42 X-AOL-IP: 18.7.7.80 X-AOL-SCOLL-SCORE: 0:2:480016277:13153337 X-AOL-SCOLL-URL_COUNT: 0 --LAE24613.1098805021/rly-xa02.mx.aol.com--  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 26 Oct 2004 12:13:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9QGCxhV013091; Tue, 26 Oct 2004 12:13:00 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9QGCHam022025; Tue, 26 Oct 2004 12:12:17 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CMTvl-0006p3-00; Tue, 26 Oct 2004 12:12:17 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Cc: Subject: RE: video stuff Date: Tue, 26 Oct 2004 12:11:41 -0400 Message-ID: <008a01c4bb76$7b055aa0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410261542.i9QFgOJE022361@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Cc: Subject: RE: video stuff Date: Tue, 26 Oct 2004 12:11:41 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 In-Reply-To: <200410261542.i9QFgOJE022361@multics.mit.edu> Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.001 X-Spam-Flag: NO Hi Dave, I can get Elise's discs from you in December, if that's ok. I'm sorry I forgot 'em! Hmmm. As far as the DVD recorder goes-- could I record from *any* camcorder onto it? Tyler says he thinks the DVD recorder only has S Video inputs. Yes, 6 hours on one disc is pretty low quality. But I could always do 4 hours per disc...hmmm. Thanks for helping figure all this out! Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Tuesday, October 26, 2004 11:42 AM To: hains@temple.edu Cc: rls@MIT.EDU Subject: Re: video stuff Hi Becca. I took a look at the USB streaming stuff. It apparently turns the camcorder into a webcam. I don't know if you can record that stuff; it's probably possible, but I haven't seen software to do it. Your DVD recorder might be able to help if it really can record six hours on a disk (it's probably really low quality, though). That would mean you could cram the 96 hours of stuff onto 16 disks. If you don't need to edit them, then it might be the way to go, since you've already got the recorder. All you'd need is the camcorder, some cables, and a bunch of blank disks. By the way, you left the two CDs that Elise gave you at our house. Do you need them soon, or should we bring them to NY in December? -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 26 Oct 2004 15:46:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9QJkmhV017457; Tue, 26 Oct 2004 15:46:48 -0400 (EDT) Received: from smtp110.mail.sc5.yahoo.com (smtp110.mail.sc5.yahoo.com [66.163.170.8]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9QJkdv8017351 for ; Tue, 26 Oct 2004 15:46:39 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp110.mail.sc5.yahoo.com with SMTP; 26 Oct 2004 19:46:38 -0000 Message-ID: <009301c4bb94$81cd3600$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <006301c4b46d$a478c670$0301a8c0@JACKIE> <200410192010.i9JKAkxQ020765@multics.mit.edu> <001701c4b81a$7ae33e70$0301a8c0@JACKIE> <200410261919.i9QJJJlW028902@multics.mit.edu> Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Tue, 26 Oct 2004 20:36:15 +0100 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Tue, 26 Oct 2004 20:36:15 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi David Yes, we have wireless access. Just realised that the qwert is next week and the first arrivals are a week today. So excited. Jackie ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Tuesday, October 26, 2004 8:19 PM Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE > > Hi Bob and Jackie. > > I hope this week passes quickly, so I can stop pestering you with > questions via email. Doing it in person is so much more fun! > > Do you have wireless access? If not, do you have public internet > access, or is there an internet cafe in town? > > -Dave >  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 27 Oct 2004 04:56:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9R8u2hV012343; Wed, 27 Oct 2004 04:56:03 -0400 (EDT) Received: from smtp109.mail.sc5.yahoo.com (smtp109.mail.sc5.yahoo.com [66.163.170.7]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i9R8svs0010313 for ; Wed, 27 Oct 2004 04:54:57 -0400 (EDT) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp109.mail.sc5.yahoo.com with SMTP; 27 Oct 2004 08:54:56 -0000 Message-ID: <000701c4bc02$a1e28530$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <006301c4b46d$a478c670$0301a8c0@JACKIE> <200410192010.i9JKAkxQ020765@multics.mit.edu> <001701c4b81a$7ae33e70$0301a8c0@JACKIE> <200410261919.i9QJJJlW028902@multics.mit.edu> <009301c4bb94$81cd3600$0301a8c0@JACKIE> <200410262310.i9QNA7Q0007574@multics.mit.edu> Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Wed, 27 Oct 2004 09:54:54 +0100 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Mimeole: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Wed, 27 Oct 2004 09:54:54 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-Mimeole: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO The Wain's beat you to it by one day - but you do stay longer than them. Jackie ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Wednesday, October 27, 2004 12:10 AM Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE > > Hi Jackie. > > That's good news indeed! We'll bring a laptop. > > Oh well, I thought we were the earliest arrivals. Who arrives next > Tuesday? > > -Dave > > >>From: "Bob and Jackie" >>Date: Tue, 26 Oct 2004 20:36:15 +0100 >> >>Hi David >> >>Yes, we have wireless access. Just realised that the qwert is next week >>and >>the first arrivals are a week today. So excited. >> >>Jackie >> >>----- Original Message ----- >>From: "David C. Jedlinsky" >>To: >>Sent: Tuesday, October 26, 2004 8:19 PM >>Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE >> >> >>> >>> Hi Bob and Jackie. >>> >>> I hope this week passes quickly, so I can stop pestering you with >>> questions via email. Doing it in person is so much more fun! >>> >>> Do you have wireless access? If not, do you have public internet >>> access, or is there an internet cafe in town? >>> >>> -Dave >>> >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 27 Oct 2004 16:25:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9RKNrj7016230; Wed, 27 Oct 2004 16:25:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9RKNgxU017410 for ; Wed, 27 Oct 2004 16:23:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9RKNVTJ024736; Wed, 27 Oct 2004 16:23:31 -0400 (EDT) Date: Wed, 27 Oct 2004 16:23:31 -0400 (EDT) Message-Id: <008e01c4bc5f$a535ad90$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Actor/Singer/what? MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041027153215.39529.qmail@web54305.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 27 Oct 2004 16:23:31 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Actor/Singer/what? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041027153215.39529.qmail@web54305.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Richard Duployen queried, >>I know there's a lot of lying in show business, but quite a lot of us have integrity and don't do it. [...] Why check up on us?<< The reason, as I understand it, is as follows. Richard frequently posts information to Savoynet. He supports these posts by noting his expertise and history as a performer, to lend them credibility. This is a perfectly legitimate thing to do. However, through his pointed queries, Ian Hollamby has implied that he doubts the veracity of Richard's posts because he doubts Richard's credibility. That seems to be why he is "checking up" on Richard. It is debatable whether the vigorousness and openness with which Ian has been querying Richard is fair or unfair. However, if Ian has doubts as to Richard's credibility, and since Richard frequently makes posts here, then publicly questioning him seems a reasonable course of action. After all, Savoynet is a large, international listserv for G&S enthusiasts. Among the primary reasons that people read posts here: the desire to learn something more about G&S. And we want to be learning things that are accurate, informed by actual experience and sound reasoning. As Ko Ko, Pitti-Sing and Pooh Bah learn, spouting lots of untrue corroborative details can cause a person *lots* of trouble! (Boiling oil or melted lead?!? Oh, my!) The problem with learning anything from an online source--whether it be a web site or a listserv--is that there are no gatekeepers. Newspapers have gatekeepers in the form of editors, who attempt to ensure that the reporters in their employ report only upon facts. Likewise, publishers ensure that non-fiction books written under their supervision are, indeed, works of non-fiction. Newspapers and publishers will therefore frequently employ fact-checkers to ensure the veracity of claims and comments made in their publications. The internet, however, has revolutionized mass communication. ANYONE can say ANYTHING they want, without any fact-checkers to authenticate their claims! For example, someone could create a professionally-designed web site advertising bottled kittens for sale (http://www.bonsaikitten.com/), but which is actually an elaborate leg-pull. Or people could send out official-looking email messages with no factual basis, such as the claim that AOL will charge its users for every Instant Message they send (http://www.snopes.com/inboxer/petition/im.htm ). Corroborative fiddlestick! In short, the possibilities for misleading people online--whether by mild exaggeration or by boldfaced lying--are endless. The folks on Savoynet tend to be some of the sharper knives in the drawer. They're well aware of this. Therefore, if they want to take a post with seriousness, they must compensate for our lack of gatekeeping and do a little fact-checking, either through direct queries or through Google.com. And that's what's been going on here. As Andi Strykker-Rodda wrote, >> Mr. Duployen has claimed expertise in a number of areas that have been discussed on SavoyNet, particularly those related to performance art per se. << >> It is a natural impulse, and a normal reaction of an intelligent person, to want to know "where he's coming from", as we say in the States--i.e., what is the nature of the experience from which the individual is speaking? << And she is absolutely right. Understanding "where he's coming from"--the "nature of [his] experience"--is useful. Online posts that say things like, "Everybody should now by now that I'm an actor/singer, a good musician" are bound to be met eventually with the answer, "I didn't know that. And--hey--I couldn't find much about you on Google, either! So prove it." Replying with evasive-sounding comments like "I'd rather someone formed an opinion in order to give me work, which has happened in the past," and "Why check up on us?" raise suspicions, making matters worse. Better to not reply at all, methinks. Rebecca "My turn to be googled!" Hains p.s. Perhaps when this has all blown over, the fantabulous Elise Curran (http://www.google.com/search?hl=en&lr=&q=%22elise+curran%22 ) can regale us with another awards ceremony. The prospect is Elise-ian! ;-)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 27 Oct 2004 17:45:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9RLjQhV026712; Wed, 27 Oct 2004 17:45:26 -0400 (EDT) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9RLjQgq018598; Wed, 27 Oct 2004 17:45:26 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9RLjO1U018639; Wed, 27 Oct 2004 17:45:25 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i9RLjNJG006283; Wed, 27 Oct 2004 17:45:23 -0400 (EDT) Date: Wed, 27 Oct 2004 17:45:23 -0400 (EDT) Message-Id: <200410272145.i9RLjNJG006283@multics.mit.edu> From: "David C. Jedlinsky" To: bbermack@alum.MIT.EDU Subject: Pirates status X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 27 Oct 2004 17:45:23 -0400 (EDT) From: "David C. Jedlinsky" To: bbermack@alum.MIT.EDU Subject: Pirates status X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Brian. Here's the status on the Pirates video. The dropouts did indeed get worse the further I got into the show, but I'm getting fairly good at hiding them. I'm currently 8 minutes from the end ("Yes, we are here, though hitherto concealed"), and think I'll be done within the week. The last mail I have from you regarding numbers was 13 DVDs and 2 VHS (the extra DVD was Vanessa, who forgot to add herself to the original numbers). If those haven't changed, I'll work on getting those completed. We leave the country on election day, and come back during prod week for Iolanthe. I'm attempting to have the videos complete before we leave; I'll send you another update when I know for sure. Sorry for the infinite delay; I *really* hope the other shows go faster... -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 27 Oct 2004 23:27:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9S3R4hV016719; Wed, 27 Oct 2004 23:27:04 -0400 (EDT) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9S3QvMW027944; Wed, 27 Oct 2004 23:26:57 -0400 (EDT) Received: from [66.92.72.178] (dsl092-072-178.bos1.dsl.speakeasy.net [66.92.72.178]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i9S3Qtjc025770; Wed, 27 Oct 2004 23:26:56 -0400 (EDT) Message-ID: <41806700.8070000@alum.mit.edu> Date: Wed, 27 Oct 2004 23:26:56 -0400 From: Brian Bermack User-Agent: Mozilla Thunderbird 0.8 (Windows/20040913) X-Accept-Language: en-us, en MIME-Version: 1.0 To: "David C. Jedlinsky" CC: gsp-ec Subject: Re: Pirates status References: <200410272145.i9RLjNJG006283@multics.mit.edu> In-Reply-To: <200410272145.i9RLjNJG006283@multics.mit.edu> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 27 Oct 2004 23:26:56 -0400 From: Brian Bermack X-Accept-Language: en-us, en To: "David C. Jedlinsky" CC: gsp-ec Subject: Re: Pirates status In-Reply-To: <200410272145.i9RLjNJG006283@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I don't think I've gotten any more emails since then, but it's hard to say at this point. Let's assume that's the count. We can always order a few more from you later, right? If the results of the election are going to affect your decision of whether to come back, consider yourself prodded to get the videos to us before it... :-) Brian David C. Jedlinsky wrote: > Hi Brian. > > Here's the status on the Pirates video. The dropouts did indeed get > worse the further I got into the show, but I'm getting fairly good at > hiding them. I'm currently 8 minutes from the end ("Yes, we are here, > though hitherto concealed"), and think I'll be done within the week. > > The last mail I have from you regarding numbers was 13 DVDs and 2 VHS > (the extra DVD was Vanessa, who forgot to add herself to the original > numbers). If those haven't changed, I'll work on getting those > completed. > > We leave the country on election day, and come back during prod week > for Iolanthe. I'm attempting to have the videos complete before we > leave; I'll send you another update when I know for sure. > > Sorry for the infinite delay; I *really* hope the other shows go > faster... > > -Dave  1, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 27 Oct 2004 23:46:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9S3krhV022017; Wed, 27 Oct 2004 23:46:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9S3jQLA024252 for ; Wed, 27 Oct 2004 23:45:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9S3jMTJ000770; Wed, 27 Oct 2004 23:45:22 -0400 (EDT) Date: Wed, 27 Oct 2004 23:45:22 -0400 (EDT) Message-Id: <20041028034020.7642.qmail@web54301.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Santa Monica, CA: G&S vocal coach wanted MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 27 Oct 2004 23:45:22 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Santa Monica, CA: G&S vocal coach wanted X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO As has been mentioned here, Hal Linden will be appearing as a guest artist with NYGASP at City Center in January. We have very little rehearsal time with him--we just had 3 evenings, and will have 4 in January, not a lot of time to get the Modern Major-General role into one's head, voice, and body. Hal is obviously planning to work on the role himself at home in the interim between now and January. "Home" is Santa Monica, California. He asked whether we knew anyone in that area who is a pianist who knows G&S, whom he could engage to work with him. If anyone knows someone appropriate, please contact me privately. Hal is a really, really nice man and a good musician in his own right--and knows what he doesn't know, which is a great quality in anybody. He's new to the idiom and frankly knows he needs to work to get comfortable with the famous patter song. He's lovely to work with; I wish I could take the time off to fly to the Coast myself, but I can't. Recommendations, anyone? Hoping our famous networking can help here.... Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Oct 2004 13:20:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9SHK9hV021834; Thu, 28 Oct 2004 13:20:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9SHHuMd005628 for ; Thu, 28 Oct 2004 13:17:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9SHHNTJ012877; Thu, 28 Oct 2004 13:17:23 -0400 (EDT) Date: Thu, 28 Oct 2004 13:17:23 -0400 (EDT) Message-Id: <008001c4bd11$73635580$46c34e51@pbncomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Contrabandista / Foresters CD MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Oct 2004 13:17:23 -0400 (EDT) Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Contrabandista / Foresters CD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO I believe it is scheduled for 1 November - at any rate, this is what is listed in the current Gramophone magazine. May I take this opportunity to remind everyone that I have recently published the first-ever full score of THE CONTRABANDISTA - it is available in hard-back, at a cost of GB£65. Postage within the UK is an additional £4-67 (first class); elsewhere with the EU postage is and to USA and Australia additional £11-69 for airmail (it's a fairly hefty volume!). I can also quote for recorded delivery, next-day delivery, etc. I am happy to receive your cheque or bank draft (in sterling only, please!) or you can make a secure payment online through PayPal - please email for details. My score and orchestral parts were used by Ron Corp and the New London Orchestra for the recording, made in January. They also used my score and orchestral parts for THE FORESTERS, which is due for publication early-ish in 2005; watch this space for details! I look forward to hearing from y'all - ROBIN ######################################################## Robin Gordon-Powell Conductor & Music Publisher THE AMBER RING 9 Killieser Avenue, London, SW2 4NU, UK Mobile: +44 (0) 7881 934 165 Email: conductor@amber-ring.co.uk www.amber-ring.co.uk ----- Original Message ----- From: "Clifton Coles" To: "Multiple recipients of list SAVOYNET" Sent: Thursday, October 28, 2004 5:09 PM Subject: Contrabandista / Foresters CD > Does anyone know the release date for the Contrabandista / Foresters CD? > > Cliff . . . . > > _________________________________________________________________ > Don’t just search. Find. Check out the new MSN Search! > http://search.msn.click-url.com/go/onm00200636ave/direct/01/ >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Oct 2004 14:57:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9SIvDhV016431; Thu, 28 Oct 2004 14:57:14 -0400 (EDT) Received: from out012.verizon.net (out012pub.verizon.net [206.46.170.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9SIvCji020588 for ; Thu, 28 Oct 2004 14:57:12 -0400 (EDT) Received: from mendyke.com ([4.5.28.187]) by out012.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20041028185711.XVWW2329.out012.verizon.net@mendyke.com> for ; Thu, 28 Oct 2004 13:57:11 -0500 Message-ID: <41814103.5070804@mendyke.com> Date: Thu, 28 Oct 2004 11:57:07 -0700 From: Mike Mendyke User-Agent: Mozilla Thunderbird 0.5 (Windows/20040207) X-Accept-Language: en-us, en MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: G&S Coach Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [4.5.28.187] at Thu, 28 Oct 2004 13:57:09 -0500 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Oct 2004 11:57:07 -0700 From: Mike Mendyke X-Accept-Language: en-us, en To: "David C. Jedlinsky" Subject: G&S Coach X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [4.5.28.187] at Thu, 28 Oct 2004 13:57:09 -0500 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Dave, I spoke with my friend, Bryan Chadima, who sings with me in the Vantastix. I think he would be a great coach for Hal Linden, and so I forwarded along the contact email to him. I'll let you know if he ends up with the gig. Thanks for the heads-up! Mike P.S. I hope you don't have to be in Boston this weekend; I'm guessing it's going to be a pretty wild time for all those excited Red Sox fans...  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Oct 2004 18:35:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9SMYuhZ006616; Thu, 28 Oct 2004 18:35:03 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9SMY2Dq023258 for ; Thu, 28 Oct 2004 18:34:02 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CNIqI-00023I-00 for opus@MIT.EDU; Thu, 28 Oct 2004 18:34:02 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Forbidden Broadway Date: Thu, 28 Oct 2004 18:33:50 -0400 Message-ID: <002e01c4bd3e$32641ba0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <200410282118.i9SLItk7007972@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Forbidden Broadway Date: Thu, 28 Oct 2004 18:33:50 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <200410282118.i9SLItk7007972@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Ok. So here's a thought: What if you and Ruth came back to Philadelphia with me on Thursday night or Friday morning? You could hang out while I grade my students' final exams on Friday, and then we can go up for the Saturday matinee together. Tyler would probably come. :-) becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Thursday, October 28, 2004 5:19 PM To: hains@temple.edu Subject: Forbidden Broadway Hi Becca. The good news is that Forbidden Broadway is spoofing "Wicked", and Idina Menzel. The bad news is that the only show on Fridays is 8:15pm. There is a Wednesday, Saturday and Sunday matinee. -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Oct 2004 19:03:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9SN36hV016243; Thu, 28 Oct 2004 19:03:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9SN35hI025379 for ; Thu, 28 Oct 2004 19:03:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i9SN2oTJ021863; Thu, 28 Oct 2004 19:02:51 -0400 (EDT) Date: Thu, 28 Oct 2004 19:02:50 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Brown Gilbert & Sullivan Concert Dec 10 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Oct 2004 19:02:50 -0400 (EDT) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Brown Gilbert & Sullivan Concert Dec 10 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO For anyone in the area, the brand new BUGS (Brown University Gilbert & Sullivan) will be performing a concert, it's first-ever event, on December 10. More specific details to follow. I'm rather heavily involved -- I designed the concert and will be vocal coach for our singers, and will narrate the evening. I'll also do at least a little bit of singing -- plans as of now have me doing the Nightmare Song and Jealous Torments. (Funny coincidence, me getting to do my two favorite songs to perform...) Savoynetter Lydia Haile is also involved. The concert'll be in Providence, RI. Let me know if you're interested in more information. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Oct 2004 09:25:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9TDOkhf007945; Fri, 29 Oct 2004 09:24:55 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9TDNwxa020170 for ; Fri, 29 Oct 2004 09:23:59 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CNWjR-0001tZ-00; Fri, 29 Oct 2004 09:23:56 -0400 From: "Rebecca Consentino Hains" To: Cc: "'David C. Jedlinsky'" , , "'Jo Dunbar'" Subject: RE: Maine qwert review (long) Date: Fri, 29 Oct 2004 09:23:37 -0400 Message-ID: <007501c4bdba$81b31360$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_000_0076_01C4BD98.FAA17360" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <7a.6514223a.2eb3360c@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.084 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: Cc: "'David C. Jedlinsky'" , , "'Jo Dunbar'" Subject: RE: Maine qwert review (long) Date: Fri, 29 Oct 2004 09:23:37 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <7a.6514223a.2eb3360c@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.084 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0076_01C4BD98.FAA17360 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0077_01C4BD98.FAA17360" ------=_NextPart_001_0077_01C4BD98.FAA17360 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Eliiiiiiiise, dahling! I really like your Ruddigore review; thank you very much! You really are fantabulous. I think I'm going to make that your official title-the Fantabulous Elise. ;-) But. wait, stop the presses! Regarding the Mikado-tsk, tsk-you need a fact checker, missy! I went off book for 3 little maids at your urging, and so Jo and I did, in fact, do as much of your blocking as possible. Check your photos. Is this the blur of a maid on book? Certainly not! Does it look like choreography to you? Absotively! 3fuzzymaids.jpg (Three Fuzzy Maids. tee hee hee! I love it. Oh, and-wait-is that a corner of my score on the chair next to Ori, behind Jo? Why, golly gee, I reckon it is.!) Anyway, because I was trying to do the choreo and wasn't holding my book, I sang Peep Bo's harmonies instead of Pitti's. So you should have heard some harmony on your recording. just not the three part Sullivan wrote! So, what does it all mean? It means that there was never "any question about my mezzo duties" (except in my own mind-singing so low doesn't set right with me). The reason question regarding "See how the fates" was Ori's: He complained that HE didn't know it, and asked if we could skip it-which makes my reply MUCH funnier. Don'tcha think? :-) Jo and Ori will vouch for me.! "Only the facts, ma'am!" With hugs, Becca -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of YesTisMabel@aol.com Sent: Friday, October 29, 2004 2:04 AM To: Multiple recipients of list SAVOYNET Subject: Maine qwert review (long) Hello, everyone! We just had a lovely time this past weekend in Brunswick, Maine, where Barry Hilton hosted his first annual "Maine on which we draw" QWERT, on Saturday, Oct. 23. This post will naturally be somewhat self-indulgent, which I hope you'll excuse. ;-) After a little delay, waiting for some VERY important folks to arrive (well, they were principals in the first show, GONDOLIERS, so we just HAD to wait!), we started, to the rollicking accompaniment of Andrea Stryker-Rodda, who really earned her pay (!) for this show. :-) Being in such a barn-like acoustic (compared with our usual venues) made all our choruses sound very full. We also had top-notch ladies in the secondary roles: Julie Poole as Fiametta, Leta Hall as Vittoria, and Mary Finn as Giulia. Jo Dunbar had come all the way from England to sing Gianetta (among other things), and we were all very pleased to hear her lovely, bright soprano and witness her lively acting. Amy Allen, a new resident of Florida, was a great Tessa. I have to admit that I have never particularly cared for 'when a merry maiden marries' (please you, do not hurt us!), and for once, a performer didn't bore me with her rendering (that sounds terrible, but you know what I mean). We also had luxury casting for Antonio, with Lee Patterson doing the honors in this first of his 3 roles. This part and 2 others needed last minute filling in, and this was not a problem for our guys and girls (more about that later). Doug Whaley got his first outing as Giorgio, and a Maine local, Robert Walkling, was Francesco. David Jedlinsky and Jonathan Ichikawa made a fun team as Marco and Giuseppe (someone gave them a wolf whistle when they entered!). Jonathan treated 'rising early in the morning' as a REAL patter song, and got a laugh with his "in search of beer and booty", and Dave gave a very nice reading of TAPOSE, which we were anxious to hear, in light of the recent thread on the subject here on Savoynet. [Andi called out "now, the most controversial number in the canon" and Sam said, after one line, "what does that mean?"] David is a baritone, and sang TWO tenor roles very well....he had several high Abs to negotiate, which he handled securely. He also has very dainty fingerettes! (see picture on SavoyNot) As to the certain already-mentioned (by Sam) mispronounced (deliberately or otherwise) word of Giuseppe's after 'republican' in the act 1 finale, I can only say that the chorus took care to emphasize the proper word! ;-) The Spanish contingent consisted of Sam Silvers as the Duke, Beth Harmon as the Duchess, yours truly as Casilda, and Jim Cooper as Luiz, with Ori Siegel bringing up the rear as Don Alhambra. Sam and Beth had a lot of fun playing off each other in their duet and her very-well-done solo, and Sam's handkerchief was much in evidence! Ori's Alhambra was properly pompous, and it was great having him center our quintet, "try we lifelong" (after a surprisingly gratuitous cadenza by Casilda!), which was so nice, with everyone listening to each other, and singing the dynamics, with NO rehearsal!! Jim and I had sung together once before, as Alexis and Aline at the Orlando singout, and I'm sure he was much happier to be doing a baritone role....what our guys will do for singouts! I enjoyed Casilda more this time than when I first did it at Sam's 2 years ago, after having learned the role for my erstwhile local production. I got to try some new things in the 'bury, bury' duet, which is another reason singouts are so great....you can do things you wouldn't otherwise dare (and find out what doesn't work)! There was plenty of dancing and fooling around in this show, as there were in all of them, since we all had so much room to move around. I'm sure the audience members who weren't singing felt like they got a performance, and not just a read-thru. There's an unwritten law amongst sopranos at qwerts that you should take gratuitous high notes at opportune places, like ends of finales or arias. The rule is that the leading soprano reserves that right to herself, and the other sopranos must wait for their own turns to exhibit! It is also considered bad form for a chorus soprano to try to sing higher or louder than the leading soprano! :-) In this show, Jo got to show off her high C# and D at the end of the Act 1 finale, and high C at the end of "dance a cachucha", and since there are TWO leading sopranos in Gondoliers, I also threw in a high Db at the end of "here is a case unprecedented". GRATUITOUS HIGH NOTE COUNT, so far: 3 After pizza, we had PRINCESS IDA, which Andi also played for, and which gave us all a tremendous introduction to Julie Poole, who has the biggest, richest voice I have ever heard in the service of G&S! I had begged Barry to give me Ida, as it's a role I've always wanted to sing, but IMMEDIATELY understood the casting when Julie's voice rang out with "Minerva"....the term 'jaw-dropping' used by Jonathan in his review is no exaggeration! 'Netter Linda Nadeau brought Julie with her from Connecticut, and we were all treated to a thrilling performance.....the high Bb in the act 1 finale was so powerful that she didn't need to do any gratuitous high notes! :-) When she sang "audacious tyrant, do you dare to beard a maiden in her lair", I thought Hildebrand wouldn't dare! Hopefully, Julie will join Savoynet, if she hasn't already. Ida was another show that needed last-minute fill-ins, and we had the interesting choice of Amy as Florian, which played out well when she had to 'pretend' to be a girl graduate. The boys trio was rounded out by Dave as Hilarion, with high Bb firmly in place, and Lee as a well-sung Cyril, who ripped out his high A on "Madame, your words so wise"...go Lee!...and as has already been mentioned, earned a kiss---on the mouth, yet---from Leta Hall at the end of his kissing song! Doug was a vigorous Hildebrand, and it was highly amusing to see the warriors three, Robert W, Barry H, and Sam S, enter and try to look hulking, which none of them actually was! Julie called out "we're really not related!" Jonathan's Gama relished his nastiness, making Ida further regret her relatives and make claims of adoption. :-) Mary Finn led the ladies as Psyche, with Deb Jacobson a very amusing Melissa, and I had to run from behind the piano (I was turning pages) to deliver my one line as Sacharissa! I love singing the ladies choruses in this show, and we girls did sound nice. Beth H brought her fine voice to Blanche, and her duet with Deb was better done than I've seen it in the past, with more interplay between them and taking full advantage of the humor of the text. Oh, and a high C was sung by...somebody....hmm...who could that have been?....at the end of "death to the invader". GRATUITOUS HIGH NOTE COUNT: 4 MIKADO was next, and by this time Sam and I, who were playing Ko Ko and Yum Yum and were suffering from upper respiratory indispositions, were losing our voices, but we made it alright. Deb Jacobson presided at the piano, and Barry, as Pish, gave a great rendition of "our great Mikado". Lee P did his third role in a row, this time Nanki, and I loved singing with him. We did both verses of our duet, once I figured out where to go back. In our 2nd act madrigal, he said "come, gather round me". As some of you may know, Lee has physical infirmities that require him to sit while singing, and most of us who sang with him sat next to him to make it nice and cosy. This ensemble was a highpoint for me, as again, without having sung it together before, we all sang dynamics and did nice phrasing. Ori S unobtrusively conducted some of the sections, as he was sitting amongst us, and said afterward, "this is the best seat in the house!" I think he liked it. ;-) Speaking of Ori, I've always thought would make a great Pooh, and I was right. We girls had some fun with him.... Sam, even though he was becoming voiceless, gave a typically excellent interpretation of Ko Ko, and, equipped as suits his station, was wearing a red oriental vest and had a nice long scroll, with some updated lyrics for his song. Some highlights: "Pestilential Times reporters' bogus paragraphs", "all people who use mobile phones in theaters, to chat", "the subway serenader who looks like he's on the lam", "that singular anomaly, The Bachelor finalist", and mention of Arnold 'being back' with appropriate accent! I also really enjoyed his quiet, sensitive "titwillow". Now, despite a charge of 'forcing' the girls to learn choreography for 3 Little Maids, I merely suggested :-) we do it and thought it would be fun....and it was! No one but me actually DID the choreo, as Rebecca Hains, not being a mezzo and unfamiliar with Pitti's harmonies, needed to use her music, and Jo decided it would be funny to react to what I was doing...at least I think that's what she was doing....I was too busy running around being silly! At times, seeing that Jo, Rebecca, and I are all sopranos and have all sung YY, we had no harmony at all since people forgot what part they were singing, but we always had lots of giggles! The fun continued as we went into the quartet. Ori said, somewhat sotto voce, "schoolgirls? you don't look it!", but we paid him back for that comment, hitting him with our fans, poking him, pushing him around, latching on to his arms, and grabbing him 'round the waist as he clung to his prerogatives!! (I had handed over my camera to Jonathan, as there's a limit to what you can do and sing at the same time, and he got lots of pictures, though we were all constantly moving, and didn't make his job easy) Linda Nadeau made her big entrance as Katisha, and boy, did she ever! Great presence and voice, and she really knows how to work that fan! We were all annoyed when the guy outside the window started up with his weedwhacker, buzzsaw, atomic bomb, or whatever it was, during her quiet solo..."SILENT sadness"...NOT! But she performed very affectingly just the same. She and Bob Russell, a local guy with a real bass voice as the Mikado, were great together, as were she and Sam. Linda also showed that it's not only sopranos that can take gratuitous high notes.....she went UP to her high G for the last note of the act 1 finale! :-) There weren't really any gratuitous high note opportunities for me in this show, as most of the sopranos are instructed to go up and sing the high Bbs at the finales, so I decided to try one of those things that you would never do in a performance, and in the act 2 finale, went up an octave to a DOUBLE high Bb....yeah, it's a coloratura thing! You could almost not hear it, however, as we had several ladies with very nice powerful Bbs. Good thing I decided, in true soprano fashion, to hold it longer than anyone else! :-) GRATUITOUS HIGH NOTE COUNT: 6 A couple of side notes: I decided to throw in the 'yes, I am indeed beautiful' monologue before my solo (also in true soprano fashion), and the response of the audience was unanimous when I asked if this were indeed 'vanity'..."YES!" My DEAR friend Dave finished up my efforts by the hand-over-the-mouth, coughingly-disguised 'bullsh*t' trick...thanks, Dave! And there was some little discussion before "see how the fates" about whether or not to sing it, as Rebecca had seemed doubtful about some of her other mezzo duties. When Ori suggested skipping it, she said,"no, I have the melody. I can sing melody--I'm a soprano!" Lastly in our northeastern feast was RUDDIGORE, and we had managed to make up our lost time, so Andi played a lot of the dance music which we don't usually get, like my favorite, the act 1 finale minuet, and Dauntless' hornpipe, as well as all the ending music to the act 1 finale, which Tyler and Robert used to bring back Robin as Sir Ruthven, complete with Despard's discarded 'cape'. I had been turning pages for the accompanists, taking pictures, recording, and singing, and generally running all over the place, and when I finally sat down for Ruddigore, and MERELY sang chorus (alto....I had already trashed my voice, so I went for it) and took a few pictures, I realized how tired I was and quickly wilted. It was delightful seeing Rebecca and Tyler Hains together in this show, as Rose and Robin, and you all know what great performers they are. Rebecca was worried about singing Rose after having done a mezzo part, but her beautiful voice was as ping-y as you could wish, and larger than I'd ever heard. This was Tyler's first outing as Robin, and he aquitted himself with aplomb, and with much nicer tone than you usually hear in that role, although he did 'away' with "away remorse". Deb was our Zorah, with her little satiric inflections, and Leta Hall was a stirring Dame Hannah, who made us all jump in her song on "roasted". Linda N was back as Margaret, and she and Jonathan gave us amusing 'blameless dances'. Her flubbing of the words in the patter trio was hilarious, as was her recit to her aria. Despard was one of those roles that needed to be covered at the last minute, and Jonathan I. eagerly accepted the challange, as he had done the role last year. It showed in his complete characterization, making an entrance from the back of the hall, along with use of props and dancing. I got a particularly good picture of him snarling and sneering, and we all enjoyed very much screaming and flinching at the end of his entrance song. Jon already mentioned the spritely Jim C as Dauntless, who danced for us after his song and with Jonathan in their duet, and we had double-barreled bass Bobs in this show with Robert W and Bob R as Adam and Roderic Robert gave a great low Eb at the end of his duet with Tyler, and Bob was an imposing Roderic in the "ghost's high noon" (and Sam said when he was done, "I recognize you now....you're the.....Mikado of Japan", but Bob wasn't familiar enough with the show to respond with "in a bad light, I am". Tyler ended up crouched on the floor with his score over his head! (see picture) Rebecca's gratuitous high note opportunity came at the end of the act 2 finale, with her great big high Eb, and so the final GRATUITOUS HIGH NOTE COUNT for the qwert is 7! As I've been sitting here listening to the recording (as I've been typing this review), and all the lively times and endless and riotous laughter and vocal appreciation of other people's efforts and talents, I've been grinning along, and sometimes just at something as simple as the "you understand" duet, and how wonderful it is, and thinking how I am NEVER, EVER jaded by Gilbert & Sullivan. We opened and closed this QWERT with "hail, poetry", and that just never palls. HAIL, GILBERT & SULLIVAN!!!!! And thanks, Barry, for making it possible. Elise Curran Orlando ps I missed the end of Gondoliers, as my disc ran out, so if anyone recorded it, I would appreciate a copy. ------=_NextPart_001_0077_01C4BD98.FAA17360 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Eliiiiiiiise, dahling!  I = really like your Ruddigore review; thank you very much!  You really are = fantabulous. I think I’m going to make that your official title—the = Fantabulous Elise. ;-)

 

But… wait, stop the presses! = Regarding the Mikado—tsk, tsk—you need a fact checker, missy! =

 

I went off book for 3 little maids = at your urging, and so Jo and I did, in fact, do as much of your blocking as = possible. Check your photos.  Is this the blur of a maid on book? Certainly not! = Does it look like choreography to you? Absotively!

 

3D3fuzzymaids.jpg

 

(Three Fuzzy Maids… tee hee = hee! I love it.  Oh, and—wait—is that a corner of my score on = the chair next to Ori, behind Jo? Why, golly gee, I reckon it = is…!)

 

Anyway, because I was trying to do = the choreo and wasn’t holding my book, I sang Peep Bo’s harmonies = instead of Pitti’s. So you should have heard some harmony on your recording… just not = the three part Sullivan wrote! <blush>

 

So, what does it all mean? It means = that there was never “any question about my mezzo duties” (except = in my own mind—singing so low doesn’t set right with me).  = The reason question regarding “See how the fates” was Ori’s: He = complained that HE didn’t know it, and asked if we could skip it—which = makes my reply MUCH funnier. Don’tcha think? J

 

Jo and Ori will vouch for = me…!

 

“Only the facts, = ma’am!”

 

With hugs,

Becca

 

-----Original = Message-----
From: = savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On = Behalf Of YesTisMabel@aol.com
Sent: Friday, October 29, 2004 2:04 = AM
To: Multiple recipients of list SAVOYNET
Subject: = Maine qwert review (long)

 

Hello, = everyone!

 

We just had a lovely time = this past weekend in Brunswick, Maine, where Barry Hilton hosted his first annual "Maine on which we draw" QWERT, on Saturday, Oct. 23.  = This post will naturally be somewhat self-indulgent, which I hope you'll = excuse.  ;-)

 

After a little delay, = waiting for some VERY important folks to arrive (well, they were principals in the = first show, GONDOLIERS, so we just HAD to wait!), we started, to the = rollicking accompaniment of Andrea Stryker-Rodda, who really earned her pay (!) for = this show.  :-) Being in such a barn-like acoustic (compared with our = usual venues) made all our choruses sound very full.  We also had = top-notch ladies in the secondary roles: Julie Poole as Fiametta, Leta Hall as = Vittoria, and Mary Finn as Giulia.   

 

Jo Dunbar had come all the = way from England to sing Gianetta (among other things), and we were all very = pleased to hear her lovely, bright soprano and witness her lively acting. = Amy Allen, a new resident of Florida, was a great Tessa.  I have to admit that = I have never particularly cared for 'when a merry maiden marries' (please you, = do not hurt us!), and for once, a performer didn't bore me with her = rendering (that sounds terrible, but you know what I = mean). 

 

We also had luxury = casting for Antonio, with Lee Patterson doing the honors in this first of his 3 roles.  This part and 2 others needed last minute filling in, and = this was not a problem for our guys and girls (more about that = later).  Doug Whaley got his first outing as Giorgio, and a Maine local, Robert Walkling, was Francesco. 

 

David Jedlinsky and = Jonathan Ichikawa made a fun team as Marco and Giuseppe (someone gave them a wolf whistle when they entered!).  Jonathan treated 'rising early in the morning' as a REAL patter song, and got a laugh with his "in search = of beer and booty", and Dave gave a very nice reading of TAPOSE, which = we were anxious to hear, in light of the recent thread on the subject here = on Savoynet.  [Andi called out "now, the most controversial = number in the canon" and Sam said, after one line, "what does that mean?"]  David is a baritone, and sang TWO tenor roles very well....he had several high Abs to negotiate, which he handled = securely.  He also has very dainty fingerettes! (see picture on SavoyNot)  As = to the certain already-mentioned (by Sam) mispronounced (deliberately or otherwise) word of Giuseppe's after 'republican' in the act 1 = finale, I can only say that the chorus took care to emphasize the proper = word!  ;-)

 

The Spanish contin= gent consisted of Sam Silvers as the Duke, Beth Harmon as the Duchess, yours = truly as Casilda, and Jim Cooper as Luiz, with Ori Siegel bringing up the rear = as Don Alhambra.  Sam and Beth had a lot of fun playing off each other in = their duet and her very-well-done solo, and Sam's handkerchief was much in evidence!  Ori's Alhambra was properly pompous, and it was great = having him center our quintet, "try we lifelong" (after a = surprisingly gratuitous cadenza by Casilda!), which was so nice, with everyone = listening to each other, and singing the dynamics, with NO rehearsal!!  =

 

Jim and I had sung together = once before, as Alexis and Aline at the Orlando singout, and I'm sure he was = much happier to be doing a baritone role....what our guys will do = for singouts!  I enjoyed Casilda more this time than when I first did = it at Sam's 2 years ago, after having learned the role for my erstwhile local production.  I got to try some new things in the 'bury, bury' duet, = which is another reason singouts are so great....you can do things you = wouldn't otherwise dare (and find out what doesn't work)!

 

There was plenty of dancing = and fooling around in this show, as there were in all of them, since we all = had so much room to move around.  I'm sure the audience members who = weren't singing felt like they got a performance, and not just a = read-thru. 

 

There's an unwritten law = amongst sopranos at qwerts that you should take gratuitous high notes at = opportune places, like ends of finales or arias.  The rule is that the = leading soprano reserves that right to herself, and the other sopranos must wait = for their own turns to exhibit!  It is also considered bad = form for a chorus soprano to try to sing higher or louder than the leading soprano!  :-)  In this show, Jo got to show off her high C# = and D at the end of the Act 1 finale, and high C at the end of "dance a cachucha", and since there are TWO leading sopranos in Gondoliers, = I also threw in a high Db at the end of "here is a case unprecedented".  GRATUITOUS HIGH NOTE COUNT, so far:  = 3

 

After pizza, = we had PRINCESS IDA, which Andi also played for, and which gave us all a tremendous introduction to Julie Poole, who has the biggest, richest voice I have = ever heard in the service of G&S!  I had begged Barry to give me = Ida, as it's a role I've always wanted to sing, but IMMEDIATELY understood the = casting when Julie's voice rang out with "Minerva"....the term = 'jaw-dropping' used by Jonathan in his review is no exaggeration!  'Netter Linda = Nadeau brought Julie with her from Connecticut, and we were all treated to a = thrilling performance.....the high Bb in the act 1 finale was so powerful that she = didn't need to do any gratuitous high notes!  :-)  When she sang "audacious tyrant, do you dare to beard a maiden in her = lair", I thought Hildebrand wouldn't dare!  Hopefully, Julie will join = Savoynet, if she hasn't already.

 

Ida was another show that = needed last-minute fill-ins, and we had the interesting choice of Amy as = Florian, which played out well when she had to 'pretend' to be a girl = graduate.  The boys trio was rounded out by Dave as Hilarion, with high Bb firmly = in place, and Lee as a well-sung Cyril, who ripped out his high A on = "Madame, your words so wise"...go Lee!...and as has already been mentioned, = earned a kiss---on the mouth, yet---from Leta Hall at the end of his kissing song!  Doug was a vigorous Hildebrand, and it was highly amusing to = see the warriors three, Robert W, Barry H, and Sam S, enter and try to = look hulking, which none of them actually was!  Julie called out = "we're really not related!"  Jonathan's Gama relished his nastiness, making Ida further regret her relatives and make = claims of adoption.  :-)

 

Mary Finn led the = ladies as Psyche, with Deb Jacobson a very amusing Melissa, and I had to run from = behind the piano (I was turning pages) to deliver my one line as Sacharissa!  I love singing the ladies choruses in this show, = and we girls did sound nice.  Beth H brought her fine = voice to Blanche, and her duet with Deb was better done than I've seen it in the = past, with more interplay between them and taking full advantage of the humor of = the text.  Oh, and a high C was sung by...somebody....hmm...who could = that have been?....at the end of "death to the invader".  = GRATUITOUS HIGH NOTE COUNT: 4

 

MIKADO was next, and by = this time Sam and I, who were playing Ko Ko and Yum Yum and were suffering from = upper respiratory indispositions, were losing our voices, but we made it alright.  Deb Jacobson presided at the piano, and Barry, as Pish, gave a great rendition of "our great Mikado".  = Lee P did his third role in a row, this time Nanki, and I loved singing with him.  We did both verses of our duet, once I figured out = where to go back.  In our 2nd act madrigal, he said "come, = gather round me".  As some of you may know, Lee has physical infirmities that require him to sit while singing, and most of us = who sang with him sat next to him to make it nice and cosy.  This ensemble = was a highpoint for me, as again, without having sung it together before, we = all sang dynamics and did nice phrasing.  Ori S unobtrusively conducted some = of the sections, as he was sitting amongst us, and said afterward, "this = is the best seat in the house!"  I think he liked it. ;-)  Speaking of Ori, I've always thought would make a great = Pooh, and I was right.  We girls had some fun with him.... =

 

Sam, even though he was = becoming voiceless, gave a typically excellent interpretation of Ko Ko, and, equipped as suits his station, was wearing a red oriental vest = and had a nice long scroll, with some updated lyrics for his song.  = Some highlights:  "Pestilential Times reporters' bogus = paragraphs", "all people who use mobile phones in theaters, to chat", = "the subway serenader who looks like he's on the lam", "that = singular anomaly, The Bachelor finalist", and mention of Arnold 'being = back' with appropriate accent!  I also really enjoyed his quiet, = sensitive "titwillow".

 

Now, despite a charge of = 'forcing' the girls to learn choreography for 3 Little Maids, I merely suggested :-) we do it and thought it would be fun....and it was!  No = one but me actually DID the choreo, as Rebecca Hains, not being a mezzo and = unfamiliar with Pitti's harmonies, needed to use her music, and Jo decided it would = be funny to react to what I was doing...at least I think that's what she = was doing....I was too busy running around being silly!  At times, = seeing that Jo, Rebecca, and I are all sopranos and have all sung YY, = we had no harmony at all since people forgot what part they were singing, but = we always had lots of giggles!  The fun continued as we went into = the quartet.  Ori said, somewhat sotto voce, "schoolgirls?  = you don't look it!", but we paid him back for that comment, hitting him = with our fans, poking him, pushing him around, latching on to his arms, and = grabbing him 'round the waist as he clung to his prerogatives!!  (I had = handed over my camera to Jonathan, as there's a limit to what you can do and = sing at the same time, and he got lots of pictures, though we were all = constantly moving, and didn't make his job easy)

 

Linda Nadeau made her big = entrance as Katisha, and boy, did she ever!  Great presence and voice, and = she really knows how to work that fan!  We were all annoyed when = the guy outside the window started up with his weedwhacker, buzzsaw, atomic bomb, or whatever it was, during her quiet solo..."SILENT sadness"...NOT! But she performed very affectingly just the same.  She and Bob Russell, a local guy with a real bass voice as = the Mikado, were great together, as were she and Sam.   Linda also = showed that it's not only sopranos that can take gratuitous high notes.....she = went UP to her high G for the last note of the act 1 finale!  :-)  = There weren't really any gratuitous high note opportunities for me in this = show, as most of the sopranos are instructed to go up and sing the high Bbs at = the finales, so I decided to try one of those things that you would never do = in a performance, and in the act 2 finale, went up an octave to a DOUBLE high Bb....yeah, it's a coloratura thing!  You could almost not hear it, however, as we had several ladies with very nice powerful Bbs.  = Good thing I decided, in true soprano fashion, to hold it longer than anyone = else!  :-)  GRATUITOUS HIGH NOTE COUNT:  6

 

A couple of side notes: =  I decided to throw in the 'yes, I am indeed beautiful' monologue before my = solo (also in true soprano fashion), and the response of the audience was = unanimous when I asked if this were indeed 'vanity'..."YES!"   = My DEAR friend Dave finished up my efforts by the hand-over-the-mouth, coughingly-disguised 'bullsh*t' trick...thanks, Dave!  And there = was some little discussion before "see how the fates" about whether or = not to sing it, as Rebecca had seemed doubtful about some of her other mezzo duties.  When Ori suggested skipping it, she said,"no, I have the melody. I can sing melody--I'm a = soprano!"

 

Lastly in our northeastern = feast was RUDDIGORE, and we had managed to make up our lost time, so Andi played a = lot of the dance music which we don't usually get, like my favorite, = the act 1 finale minuet, and Dauntless' hornpipe, as well as all = the ending music to the act 1 finale, which Tyler and Robert used to bring back Robin as = Sir Ruthven, complete with Despard's discarded 'cape'.  I had been = turning pages for the accompanists, taking pictures, recording, and singing, and generally running all over the place, and when I finally sat down for Ruddigore, and MERELY sang chorus (alto....I had already trashed my = voice, so I went for it) and took a few pictures, I realized how tired I was = and quickly wilted.

 

It was delightful = seeing Rebecca and Tyler Hains together in this show, as Rose and Robin, and = you all know what great performers they are.  Rebecca was worried about = singing Rose after having done a mezzo part, but her beautiful voice was as = ping-y as you could wish, and larger than I'd ever heard.  This was = Tyler's first outing as Robin, and he aquitted himself with aplomb, and = with much nicer tone than you usually hear in that role, although he did 'away' = with "away remorse". Deb was our Zorah, with her little = satiric inflections, and Leta Hall was a stirring Dame Hannah, who made us all = jump in her song on "roasted".  Linda N was back as Margaret, and = she and Jonathan gave us amusing 'blameless dances'.  Her flubbing of = the words in the patter trio was hilarious, as was her recit to her = aria.

 

Despard was one of those = roles that needed to be covered at the last minute, and Jonathan I. eagerly = accepted the challange, as he had done the role last year.  It showed in = his complete characterization, making an entrance from the back of the hall, = along with use of props and dancing.  I got a particularly good picture = of him snarling and sneering, and we all enjoyed very much screaming and = flinching at the end of his entrance song.  Jon already mentioned the spritely = Jim C as Dauntless, who danced for us after his song and with Jonathan in their = duet, and we had double-barreled bass Bobs in this show with Robert W and = Bob R as Adam and Roderic  Robert gave a great low Eb at the end of = his duet with Tyler, and Bob was an imposing Roderic in the "ghost's = high noon" (and Sam said when he was done, "I recognize you = now....you're the.....Mikado of Japan", but Bob wasn't familiar enough with the = show to respond with "in a bad light, I am".  Tyler ended up = crouched on the floor with his score over his head! (see picture)

 

Rebecca's gratuitous high = note opportunity came at the end of the act 2 finale, with her great big high = Eb, and so the final GRATUITOUS HIGH NOTE COUNT for the qwert is = 7!

 

As I've been sitting here = listening to the recording (as I've been typing this review), and all the lively = times and endless and riotous laughter and vocal appreciation of other people's = efforts and talents, I've been grinning along, and sometimes just at something = as simple as the "you understand" duet, and how wonderful it = is, and thinking how I am NEVER, EVER jaded by Gilbert & Sullivan.  = We opened and closed this QWERT with "hail, poetry", and = that just never palls.

 

HAIL, GILBERT & SULLIVAN!!!!!  And thanks, Barry, for making it = possible.

 

Elise = Curran

Orlando

ps  I missed the end = of Gondoliers, as my disc ran out, so if anyone recorded it, I would = appreciate a copy.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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imo-m15.mx.aol.com (imo-m15.mx.aol.com [64.12.138.205]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9TGT7Ix014408 for ; Fri, 29 Oct 2004 12:29:08 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-m15.mx.aol.com (mail_out_v37_r3.8.) id y.a3.662c1cee (3842); Fri, 29 Oct 2004 12:28:46 -0400 (EDT) From: YesTisMabel@aol.com Message-ID: Date: Fri, 29 Oct 2004 12:28:45 EDT Subject: Re: Maine qwert review (long) To: rebecca@hains.net CC: opus@mit.edu, ori.siegel@sympatico.ca, jodunbar@blueyonder.co.uk MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1099067325" X-Mailer: 9.0 for Windows sub 5035 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.44 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: YesTisMabel@aol.com Date: Fri, 29 Oct 2004 12:28:45 EDT Subject: Re: Maine qwert review (long) To: rebecca@hains.net CC: opus@mit.edu, ori.siegel@sympatico.ca, jodunbar@blueyonder.co.uk X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.44 X-Spam-Flag: NO -------------------------------1099067325 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en In a message dated 10/29/04 9:24:29 AM Eastern Daylight Time,=20 rebecca@hains.net writes: I went off book for 3 little maids at your urging, and so Jo and I did, in=20 fact, do as much of your blocking as possible. Check your photos. Is this t= he=20 blur of a maid on book? Certainly not! Does it look like choreography to you= ?=20 Absotively! Yes, you're right....it does look like choreography! <<<< Oh, there was some harmony, and even 3-part sometimes. I was just talking=20 about a spot or 2 where all 3 of us were singing the same thing, when we wer= en't=20 supposed to be. Did you notice the ladies chorus didn't come in where they=20 were supposed to? I wonder if they weren't sure, or if they were too busy=20 laughing! =20 Someone told me that Jo didn't do the choreo, that she was riffing off of my= =20 sillyness....I know I looked at her at one point, and she was standing there= ,=20 with her hands on her hips, giving me a look like, "girl, you crazy!" Come=20 on, Jo, admit it.... :-) I could barely tell what anyone was doing, as I= =20 really was running around like a chicken with my head cut off! Jonathan too= ks=20 lots of pictures of the trio and the quartet....do you want to see them, fuz= zy=20 as they are? <<>> But Barry announced, at the beginning, something like "by special request, w= e=20 have a designated Pitti Sing for the madrigal, who is Amy Allen"? (But you= =20 ended up singing it fine, with no help.) I got the impression that you must= =20 have told him that you weren't sure you knew your part....I know you told me= =20 that about the trio. But yes, your reply was HILARIOUS, no matter which way= you=20 look at it....so soprano! And Ori, not knowing the quintet....for shame,=20 sir! But yes, I'm very willing to have a fact-checker. Can he be about 6 feet=20 tall and dark, with brains for days? :-) Elise -------------------------------1099067325 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en
In a message dated 10/29/04 9:24:29 AM Eastern Daylight Time, rebecca@h= ains.net writes:

I went off book for 3=20= little maids at your urging, and so Jo and I did, in fact, do as much of you= r blocking as possible. Check your photos.  Is this the blur of a maid=20= on book? Certainly not! Does it look like choreography to you? Absotively!

Yes, you're right....it does look like choreography!
 

<<Anyway, becaus= e I was trying to do the choreo and wasn=E2=80=99t holding my book, I sang P= eep Bo=E2=80=99s harmonies instead of Pitti=E2=80=99s. So you should have he= ard some harmony on your recording=E2=80=A6 just not the three part Sullivan= wrote! <blush><<<

Oh, there was some har= mony, and even 3-part sometimes.  I was just talking about a spot or 2=20= where all 3 of us were singing the same thing, when we weren't supposed to b= e.  Did you notice the ladies chorus didn't come in where they wer= e supposed to?  I wonder if they weren't sure, or if they were too busy= laughing! 

Someone told me that J= o didn't do the choreo, that she was riffing off of my sillyness....I know I= looked at her at one point, and she was standing there, with her hands on h= er hips, giving me a look like, "girl, you crazy!"  Come on, Jo, admit=20= it....   :-)   I could barely tell what anyone was doing, as=20= I really was running around like a chicken with my head cut off!  Jonat= han tooks lots of pictures of the trio and the quartet....do you want to see= them, fuzzy as they are?

<<<So, what d= oes it all mean? It means that there was never =E2=80=9Cany question about m= y mezzo duties=E2=80=9D (except in my own mind=E2=80=94singing so low doesn= =E2=80=99t set right with me).  The reason question regarding =E2=80= =9CSee how the fates=E2=80=9D was Ori=E2=80=99s: He complained that HE didn= =E2=80=99t know it, and asked if we could skip it=E2=80=94which makes my rep= ly MUCH funnier. Don=E2=80=99tcha think? >>>

But Barry announced, at the beginning,=  something like "by special request, we have a designated Pit= ti Sing for the madrigal, who is Amy Allen"?   (But you ended up s= inging it fine, with no help.)  I got the impression that you must have= told him that you weren't sure you knew your part....I know you told me tha= t about the trio.  But yes, your reply was HILARIOUS, no matter which w= ay you look at it....so soprano! &n= bsp; And Ori, not knowing the quintet....for shame, sir!

But yes, I'm very willing to have= a fact-checker.  Can he be about 6 feet tall and dark, with brains for= days?  :-)

Elise

-------------------------------1099067325--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Oct 2004 14:09:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9TI8khr002281; Fri, 29 Oct 2004 14:09:14 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9TI6X8g005119 for ; Fri, 29 Oct 2004 14:06:33 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CNb8z-0004QP-00 for opus@MIT.EDU; Fri, 29 Oct 2004 14:06:33 -0400 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Forbidden Broadway Date: Fri, 29 Oct 2004 14:06:16 -0400 Message-ID: <008e01c4bde1$fbc63a20$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <200410291611.i9TGBFSd002663@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Forbidden Broadway Date: Fri, 29 Oct 2004 14:06:16 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: <200410291611.i9TGBFSd002663@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Wow, $62? I didn't realize they are that expensive. So.. that would have been a bit much for me, too. Another time, tho! becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, October 29, 2004 12:11 PM To: hains@temple.edu Subject: Re: Forbidden Broadway Ruth reminded me that she is currently unemployed, and $62 per ticket on top of the $75 each for Wicked is a bit much. -Dave >From: "Rebecca C. Hains" >Date: Thu, 28 Oct 2004 18:33:50 -0400 > >Ok. So here's a thought: What if you and Ruth came back to Philadelphia >with me on Thursday night or Friday morning? You could hang out while I >grade my students' final exams on Friday, and then we can go up for the >Saturday matinee together. Tyler would probably come. > >:-) becca > > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Thursday, October 28, 2004 5:19 PM >To: hains@temple.edu >Subject: Forbidden Broadway > > >Hi Becca. > >The good news is that Forbidden Broadway is spoofing "Wicked", and >Idina Menzel. > >The bad news is that the only show on Fridays is 8:15pm. There is a >Wednesday, Saturday and Sunday matinee. > >-Dave >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Oct 2004 14:23:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9TIMvhV011042; Fri, 29 Oct 2004 14:22:57 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9TIMuUM025707 for ; Fri, 29 Oct 2004 14:22:56 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CNbOp-0007DT-00; Fri, 29 Oct 2004 14:22:55 -0400 From: "Rebecca Consentino Hains" To: Cc: , , Subject: RE: Maine qwert review (long) Date: Fri, 29 Oct 2004 14:22:38 -0400 Message-ID: <009201c4bde4$45413130$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0093_01C4BDC2.BE2F9130" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.2 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: Cc: , , Subject: RE: Maine qwert review (long) Date: Fri, 29 Oct 2004 14:22:38 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.2 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0093_01C4BDC2.BE2F9130 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Tsk, tsk! O, fantabulous one, the special request on the madrigal was Amy's, not mine. I had offered her Pitti Sing in an effort to induce her to come to the QWERT. She said she didn't know it, so I mediated and you agreed to "give her" Tessa. However, she didn't want to come up to sing "only one role" (sound familiar, Miss Thang? hehehe), and suggested that I let her sing Pitti Sing's line in the madrigal, since she'd learned it for a concert some time ago. Being the accommodating person that I am, I agreed. (Look at us Sopranos, giving away singing opportunities right and left! Who *says* we're divas?) At the last minute, Amy inexplicably changed her mind from the audience. So yes, I'll place a bid on eBay for a brainy, six-foot-tall fact checker for you as soon as I see one come up for auction! Till then, please double check with me before posting assumptions about me to Savoynet, ok? Yours always in gratuitous high notes, ;-) Becca -----Original Message----- From: YesTisMabel@aol.com [mailto:YesTisMabel@aol.com] Sent: Friday, October 29, 2004 12:29 PM To: rebecca@hains.net Cc: opus@MIT.EDU; ori.siegel@sympatico.ca; jodunbar@blueyonder.co.uk Subject: Re: Maine qwert review (long) In a message dated 10/29/04 9:24:29 AM Eastern Daylight Time, rebecca@hains.net writes: I went off book for 3 little maids at your urging, and so Jo and I did, in fact, do as much of your blocking as possible. Check your photos. Is this the blur of a maid on book? Certainly not! Does it look like choreography to you? Absotively! Yes, you're right....it does look like choreography! <<<< Oh, there was some harmony, and even 3-part sometimes. I was just talking about a spot or 2 where all 3 of us were singing the same thing, when we weren't supposed to be. Did you notice the ladies chorus didn't come in where they were supposed to? I wonder if they weren't sure, or if they were too busy laughing! Someone told me that Jo didn't do the choreo, that she was riffing off of my sillyness....I know I looked at her at one point, and she was standing there, with her hands on her hips, giving me a look like, "girl, you crazy!" Come on, Jo, admit it.... :-) I could barely tell what anyone was doing, as I really was running around like a chicken with my head cut off! Jonathan tooks lots of pictures of the trio and the quartet....do you want to see them, fuzzy as they are? <<>> But Barry announced, at the beginning, something like "by special request, we have a designated Pitti Sing for the madrigal, who is Amy Allen"? (But you ended up singing it fine, with no help.) I got the impression that you must have told him that you weren't sure you knew your part....I know you told me that about the trio. But yes, your reply was HILARIOUS, no matter which way you look at it....so soprano! And Ori, not knowing the quintet....for shame, sir! But yes, I'm very willing to have a fact-checker. Can he be about 6 feet tall and dark, with brains for days? :-) Elise ------=_NextPart_000_0093_01C4BDC2.BE2F9130 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Tsk, tsk!  O, fantabulous one, = the special request on the madrigal was Amy’s, not mine.   I = had offered her Pitti Sing in an effort to induce her to come to the QWERT. She said = she didn’t know it, so I mediated and you agreed to “give = her” Tessa. 

 

However, she didn’t want to = come up to sing “only one role” (sound familiar, Miss Thang? = hehehe), and suggested that I let her sing Pitti Sing’s line in the madrigal, = since she’d learned it for a concert some time ago.  Being the accommodating person that I am, I agreed. (Look at us Sopranos, giving = away singing opportunities right and left! Who *says* we’re divas?) =  At the last minute, Amy inexplicably changed her mind from the audience. =

 

So yes, I’ll place a bid on = eBay for a brainy, six-foot-tall fact checker for you as soon as I see one come = up for auction!

 

Till then, please double check with = me before posting assumptions about me to Savoynet, ok?

 

Yours always in gratuitous high = notes,  ;-)

 

Becca

 

-----Original = Message-----
From: YesTisMabel@aol.com<= /font> = [mailto:YesTisMabel@aol.com<= /font>]
Sent: Friday, October 29, 2004 12:29 = PM
To: rebecca@hains.net
Cc: opus@MIT.EDU; = ori.siegel@sympatico.ca; jodunbar@blueyonder.co.uk
Subject: Re: = Maine qwert review (long)

 

In a message dated 10/29/04 = 9:24:29 AM Eastern Daylight Time, rebecca@hains.net writes:

I went off book = for 3 little maids at your urging, and so Jo and I did, in fact, do as much of = your blocking as possible. Check your photos.  Is this the blur of a = maid on book? Certainly not! Does it look like choreography to you? = Absotively!

Yes, you're right....it = does look like choreography!

 

<<Anyway, = because I was trying to do the choreo and wasn’t holding my book, I sang = Peep Bo’s harmonies instead of Pitti’s. So you should have heard = some harmony on your recording… just not the three part Sullivan wrote! = <blush><<<

Oh, there was = some harmony, and even 3-part sometimes.  I was just talking about a spot or 2 = where all 3 of us were singing the same thing, when we weren't supposed to = be.  Did you notice the ladies chorus didn't come in where they were = supposed to?  I wonder if they weren't sure, or if they were too busy laughing! 

Someone told me = that Jo didn't do the choreo, that she was riffing off of my sillyness....I know = I looked at her at one point, and she was standing there, with her hands = on her hips, giving me a look like, "girl, you crazy!"  Come on, = Jo, admit it....   :-)   I could barely tell what anyone was = doing, as I really was running around like a chicken with my head cut = off!  Jonathan tooks lots of pictures of the trio and the quartet....do you = want to see them, fuzzy as they are?

<<<So, = what does it all mean? It means that there was never “any question about my = mezzo duties” (except in my own mind—singing so low doesn’t = set right with me).  The reason question regarding “See how the = fates” was Ori’s: He complained that HE didn’t know it, and asked = if we could skip it—which makes my reply MUCH funnier. Don’tcha = think? >>>

But Barry = announced, at the beginning, something like "by special request, we have a designated Pitti Sing for the madrigal, who is Amy Allen"?   (But you ended up singing it fine, with no help.)  I got the impression that you must have told him that you = weren't sure you knew your part....I know you told me that about the trio.  = But yes, your reply was HILARIOUS, no matter which way you look at it....so = soprano!   And Ori, not = knowing the quintet....for shame, sir!

But = yes, I'm very willing to have a fact-checker.  Can he be about 6 feet tall = and dark, with brains for days?  :-)

Elise

------=_NextPart_000_0093_01C4BDC2.BE2F9130--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Oct 2004 14:39:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9TIdThV019918; Fri, 29 Oct 2004 14:39:30 -0400 (EDT) Received: from tomts20-srv.bellnexxia.net (tomts20-srv.bellnexxia.net [209.226.175.74]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9TIdP8g016595 for ; Fri, 29 Oct 2004 14:39:26 -0400 (EDT) Received: from home4bd15b3a15 ([64.231.213.108]) by tomts20-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20041029183925.MCZW25820.tomts20-srv.bellnexxia.net@home4bd15b3a15>; Fri, 29 Oct 2004 14:39:25 -0400 Message-ID: <003801c4bde6$9df78a70$9a04fea9@home4bd15b3a15> From: "Ori Siegel" To: , Cc: , References: Subject: Re: Maine qwert review (long) Date: Fri, 29 Oct 2004 14:39:26 -0400 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="UTF-8"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: , Cc: , Subject: Re: Maine qwert review (long) Date: Fri, 29 Oct 2004 14:39:26 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO > ...And Ori, not knowing the quintet....for shame, sir! Excuse us (that's the royal Pooh objective pronoun use of the word) for living, but our protoplasmic etc. soul thinks that this particular quintet rather sucks. We live in the happy knowledge that it is usually DROPPED, that's DROPPED, I say, from most performances of this insignificant little opus. Kindly be reminded that during that excrutiatingly irreverent quartet at which we deigned to be TOUCHED by you little, ugh, girls, we felt our obligation to any musical number lacking pith (and substantial cash advance) to be fulfilled. >But yes, I'm very willing to have a fact-checker. Can he be about 6 feet >tall and dark, with brains for days? :-) I, rather WE already have two of those three qualities and to attain the third precondition, I understand the Mikado has an ample supply of walnut juice. There is a pre-election day special rate for fact-checking which, if you book immediately, comes with double grovelling points. You may secure our services from our Personal Secretary at ori.siegel@sympatico.ca. Payments should be made as direct deposit to our Ministry of Finance at ori.siegel@sympatico.ca. Yours with not the slightest of prepaid respect, Pooh, er, that other guy...  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Oct 2004 18:21:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9TMLMhV003224; Fri, 29 Oct 2004 18:21:23 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9TMKGZw026259 for ; Fri, 29 Oct 2004 18:20:17 -0400 (EDT) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CNf6V-0002fa-00; Fri, 29 Oct 2004 18:20:15 -0400 From: "Rebecca C. Hains" To: , "'John Spartan'" , , Subject: oh. my. god. Date: Fri, 29 Oct 2004 18:19:57 -0400 Message-ID: <00e201c4be05$6c956320$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00E3_01C4BDE3.E583C320" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.455 X-Spam-Level: ** (2.455) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: , "'John Spartan'" , , Subject: oh. my. god. Date: Fri, 29 Oct 2004 18:19:57 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 Importance: Normal X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.455 X-Spam-Level: ** (2.455) X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_00E3_01C4BDE3.E583C320 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit I do not want to begin discussing a ganged-up-upon, already-beaten-down man from Savoynet off list, as I try awfully hard to not be cruel to others. So keep that in mind when I tell you that something was just forwarded to me about our dear "Singer/Actor/What" that is too much for me to handle. I simply cannot be the only non-Englander in the know and must share this priceless information with you four, my S'net pen pals of today! Go to IMDB.com. Search for Richard Duployen. Be sure to click on the lonely, solitary film link that comes up. Read the synopsis of it. React. Then Google the film for even more info on it. React again. (This information courtesy of a friend across the pond, met in Buxton, who shall remain nameless.) Just thought you should know. *gasp* Rebecca ------=_NextPart_000_00E3_01C4BDE3.E583C320 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

I do not want to begin discussing a ganged-up-upon, already-beaten-down man = from Savoynet off list, as I try awfully hard to not be cruel to others. So = keep that in mind when I tell you that something was just forwarded to me = about our dear “Singer/Actor/What” that is too much for me to handle. = I simply cannot be the only non-Englander in the know and must share this = priceless information with you four, my S’net pen pals of = today!

 

Go to IMDB.com.

 

Search for Richard Duployen.

 

Be sure to click on the lonely, solitary film link that comes up. Read the synopsis of it. React. Then Google the film for even more info on it. = React again.

 

(This information courtesy of a friend across the pond, met in Buxton, who = shall remain nameless.)

 

Just thought you should know.

 

*gasp*

Rebecca

 

 

------=_NextPart_000_00E3_01C4BDE3.E583C320--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 02:52:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9V7qChV010649; Sun, 31 Oct 2004 02:52:12 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9V7pqbW008661; Sun, 31 Oct 2004 02:51:52 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id i9V7po1U016641; Sun, 31 Oct 2004 02:51:50 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i9V7pn3g018922; Sun, 31 Oct 2004 02:51:49 -0500 (EST) Date: Sun, 31 Oct 2004 02:51:49 -0500 (EST) Message-Id: <200410310751.i9V7pn3g018922@multics.mit.edu> From: "David C. Jedlinsky" To: ulahlica@yahoo.com CC: hains@temple.edu In-reply-to: <20041030000641.37054.qmail@web60203.mail.yahoo.com> (message from John Spartan on Fri, 29 Oct 2004 17:06:41 -0700 (PDT)) Subject: Re: Happy Halloween! References: <20041030000641.37054.qmail@web60203.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 31 Oct 2004 02:51:49 -0500 (EST) From: "David C. Jedlinsky" To: ulahlica@yahoo.com CC: hains@temple.edu In-reply-to: <20041030000641.37054.qmail@web60203.mail.yahoo.com> (message from John Spartan on Fri, 29 Oct 2004 17:06:41 -0700 (PDT)) Subject: Re: Happy Halloween! X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi John. I'm curious how Becca came to have a DVD of Ruddigore. As far as I know, only VHS tapes were made. I don't know if the DVD you received still has the copyright notice intact, but the MIT G&S Players do hold the copyright on the performance, and might wish to be asked before excerpts of the recording is posted on the web. Let me know if you need the info to contact the group. -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 07:11:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9VCBKhd016688; Sun, 31 Oct 2004 07:11:34 -0500 (EST) Received: from web60202.mail.yahoo.com (web60202.mail.yahoo.com [216.109.118.97]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i9VCAMZc000241 for ; Sun, 31 Oct 2004 07:10:22 -0500 (EST) Message-ID: <20041031121021.8503.qmail@web60202.mail.yahoo.com> Received: from [209.240.205.60] by web60202.mail.yahoo.com via HTTP; Sun, 31 Oct 2004 04:10:21 PST Date: Sun, 31 Oct 2004 04:10:21 -0800 (PST) From: John Spartan Subject: Re: Happy Halloween! To: "David C. Jedlinsky" Cc: hains@temple.edu In-Reply-To: <200410310751.i9V7pn3g018922@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.255 X-Spam-Level: ** (2.255) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 31 Oct 2004 04:10:21 -0800 (PST) From: John Spartan Subject: Re: Happy Halloween! To: "David C. Jedlinsky" Cc: hains@temple.edu In-Reply-To: <200410310751.i9V7pn3g018922@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.255 X-Spam-Level: ** (2.255) X-Spam-Flag: NO Hi Dave, Thanks for the heads up. As I told Rebecca, the site is pretty much hers and I'm just working on it. (It's been a lot of work too but it's my pleasure.) I'll leave it up to you and Rebecca to decide if it needs clearance. Other-wise, I'll be posting it to SavoyNet in a few hours. Also, I would be sure to remove your material if you objected to its being there. Best, John __________________________________ Do you Yahoo!? Yahoo! Mail Address AutoComplete - You start. We finish. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 08:05:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9VD5XhV023671; Sun, 31 Oct 2004 08:05:33 -0500 (EST) Received: from web60201.mail.yahoo.com (web60201.mail.yahoo.com [216.109.118.96]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i9VD5Vii005634 for ; Sun, 31 Oct 2004 08:05:31 -0500 (EST) Message-ID: <20041031130531.98879.qmail@web60201.mail.yahoo.com> Received: from [63.159.204.179] by web60201.mail.yahoo.com via HTTP; Sun, 31 Oct 2004 05:05:31 PST Date: Sun, 31 Oct 2004 05:05:31 -0800 (PST) From: John Spartan Subject: RE: oh. my. god. To: "Rebecca C. Hains" , YesTisMabel@aol.com, opus@MIT.EDU, ori.siegel@sympatico.ca In-Reply-To: <00fa01c4be20$6eee5300$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 31 Oct 2004 05:05:31 -0800 (PST) From: John Spartan Subject: RE: oh. my. god. To: "Rebecca C. Hains" , YesTisMabel@aol.com, opus@MIT.EDU, ori.siegel@sympatico.ca In-Reply-To: <00fa01c4be20$6eee5300$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Richard wrote to me privately about my last post and asked if I was a stand-up comedian. I told him no but that I try to be funny in amateur productions. I sent a picture to him of me in our latest project "Dr Horrors House of Terrible." http://www.geocities.com/DrHorrorsHouseofTerrible/PICS/labcoat.html Her wrote back to say he's done low-budget movies too and confirmed the biker film. And that's that! It's in the open. Happy Halloween, John P.S. In the mean-time, I don't know if www.geocities.com/MITRuddigore will be posted today because of copyright issues. __________________________________ Do you Yahoo!? Yahoo! Mail Address AutoComplete - You start. We finish. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 08:09:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9VD9mhV025058; Sun, 31 Oct 2004 08:09:49 -0500 (EST) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9VD9lVm011347 for ; Sun, 31 Oct 2004 08:09:47 -0500 (EST) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1COFSt-0005o7-00 for opus@MIT.EDU; Sun, 31 Oct 2004 08:09:47 -0500 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Happy Halloween! Date: Sun, 31 Oct 2004 08:09:29 -0500 Message-ID: <006601c4bf4a$db1a5e40$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <200410310751.i9V7pn3g018922@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Happy Halloween! Date: Sun, 31 Oct 2004 08:09:29 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <200410310751.i9V7pn3g018922@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I made a DVD-RW of my VHS to loan him, just in case he were to never send it back to me. (I'm 99% sure he'll send it back, though--in which case, girl power cartoons are going right over it.) Since I'm the one who loaned him the vid, I'll drop GSP-EC a note on John's behalf about posting audio clips. Becca -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Sunday, October 31, 2004 2:52 AM To: ulahlica@yahoo.com Cc: hains@temple.edu Subject: Re: Happy Halloween! Hi John. I'm curious how Becca came to have a DVD of Ruddigore. As far as I know, only VHS tapes were made. I don't know if the DVD you received still has the copyright notice intact, but the MIT G&S Players do hold the copyright on the performance, and might wish to be asked before excerpts of the recording is posted on the web. Let me know if you need the info to contact the group. -Dave  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 08:31:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i9VDVFhV028245; Sun, 31 Oct 2004 08:31:15 -0500 (EST) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i9VDUsii022801 for ; Sun, 31 Oct 2004 08:30:54 -0500 (EST) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1COFnK-0000LO-00; Sun, 31 Oct 2004 08:30:54 -0500 From: "Rebecca C. Hains" To: "'John Spartan'" Cc: Subject: message sent Date: Sun, 31 Oct 2004 08:30:36 -0500 Message-ID: <006901c4bf4d$ce29cf10$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <20041031131529.4272.qmail@web60206.mail.yahoo.com> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.401 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'John Spartan'" Cc: Subject: message sent Date: Sun, 31 Oct 2004 08:30:36 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <20041031131529.4272.qmail@web60206.mail.yahoo.com> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.401 X-Spam-Flag: NO I sent the following message to the group. It's a little confusing, but damn, I'm tired this morning...! I think my brain isn't fully working just yet. Becca --- A friend has made a web site of audio clips of the 1997 RUDDIGORE (which I appeared in). He is posting the site to Savoynet as a Halloween surprise. However, your group of course holds copyright on the performance. If you would like this site to be removed, please email me ASAP and I will have him take it down immediately. Or, if because it's just audio clips you want him to go through the indiv. cast members to get permission to post it (I'm still in touch with most of them!), please let me know. If the site is ok with you, then feel free to either link to it or take it and put it on your site somewhere, or to let me know the terms under which you'd like it posted. (I.e., is there anything he should add to the site?) Here it is: http://geocities.com/MITRuddigore/  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 31 Oct 2004 18:55:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i9VNtOhV005082; Sun, 31 Oct 2004 18:55:24 -0500 (EST) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i9VNsTiP014155; Sun, 31 Oct 2004 18:54:30 -0500 (EST) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i9VNsSjc019005; Sun, 31 Oct 2004 18:54:28 -0500 (EST) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id i9VNsSIG005849; Sun, 31 Oct 2004 18:54:28 -0500 (EST) Received: from RANDOM-FOUR-FIFTY-SIX.MIT.EDU (RANDOM-FOUR-FIFTY-SIX.MIT.EDU [18.243.6.201]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Sun, 31 Oct 2004 18:54:28 -0500 Message-ID: <1099266868.41857b347e2de@webmail.mit.edu> Date: Sun, 31 Oct 2004 18:54:28 -0500 From: Vanessa H Quinlivan To: vhq@mit.edu Subject: MIT Gilbert and Sullivan Players Fall 2004 General Committee Meeting MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.243.6.201 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 31 Oct 2004 18:54:28 -0500 From: Vanessa H Quinlivan To: vhq@mit.edu Subject: MIT Gilbert and Sullivan Players Fall 2004 General Committee Meeting X-Originating-IP: 18.243.6.201 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO The Fall Term General Committee Meeting of the MIT Gilbert & Sullivan Players will take place on Monday, November 29th at 7pm in W20-491 (4th floor, MIT Student Center). Article II of our constitution (below) details various membership requirements. The short version is that you're eligible to be a voting member of GenComm if you were a voting member at a GenComm meeting within the past year or if you are involved in Iolanthe or Thespis. Agenda Items: 1. Officer Reports 2. Show Reports -Iolanthe 3. Elections -Secretary (two terms) -Member-at-Large (two terms) 4. Show proposals for IAP 2005 * * The potential producer of an IAP show must request a meeting with the ExecComm at least 2 weeks prior to GenComm, which is November 15th. The ExecComm must grant all requests for such a meeting. The purpose of this meeting will be to give the ExecComm the opportunity to provide feedback on the proposed budget, help determine available performance dates and space, discuss performance rights, and give both the producer and the ExecComm a forum to address logistical issues before bringing the proposal to GenComm. After such a meeting is requested, the proposal will be put on the agenda at the potential producer's request. Please note that two weeks before GenComm is show week for Iolanthe, and so may prove to be a very busy time. Please schedule a meeting ASAP if you plan to present a show proposal. Hope to see you there! Vanessa Quinlivan MITG&SP President Article II: Membership Any person involved in the production of a show by this organization shall be considered for membership. MIT/Wellesley undergraduates become members immediately. Any other person becomes a member only if the resulting proportions of MIT/Wellesley students to non-students meet current MIT guidelines for student group status. Membership shall continue until one year after the last show in which the member has participated. Members of the General Committee shall be able to vote at General Committee meetings and are eligible to hold office in MITG&SP. Membership in the General Committee shall be open to any person involved in the production of a show by this organization, who attends the first General Committee meeting following the close of that production. The Executive Committee may waive requirement of attendance at the General Committee meeting on a case-by-case basis, if more than one-half of the Executive Committee votes in favor of it. Membership in the General Committee shall continue until one year has elapsed after the last General Committee meeting attended by that person. Members of the General Committee may waive their membership in the General Committee by contacting the Executive Committee.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Nov 2004 06:15:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA1BFChV000346; Mon, 1 Nov 2004 06:15:12 -0500 (EST) Received: from smtp111.mail.sc5.yahoo.com (smtp111.mail.sc5.yahoo.com [66.163.170.9]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id iA1BFA36020217 for ; Mon, 1 Nov 2004 06:15:11 -0500 (EST) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp111.mail.sc5.yahoo.com with SMTP; 1 Nov 2004 11:15:09 -0000 Message-ID: <001301c4c004$0a45b840$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <006301c4b46d$a478c670$0301a8c0@JACKIE> <200410192010.i9JKAkxQ020765@multics.mit.edu> <001701c4b81a$7ae33e70$0301a8c0@JACKIE> <200410261919.i9QJJJlW028902@multics.mit.edu> <009301c4bb94$81cd3600$0301a8c0@JACKIE> <200410262310.i9QNA7Q0007574@multics.mit.edu> <000701c4bc02$a1e28530$0301a8c0@JACKIE> <200411010630.iA16Ub6L027796@multics.mit.edu> Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Mon, 1 Nov 2004 11:15:04 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE Date: Mon, 1 Nov 2004 11:15:04 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi David I suppose I could spare five minutes for Ruth. Glad to help. I hope you are not giving up your constitutional right to vote by coming over here (or perhaps you are glad of an excuse to get away from all the fuss)? See you on Wednesday. Love Jackie ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Monday, November 01, 2004 6:30 AM Subject: Re: Fw: QWERTY/TOWERS - AN UPDATE > > Hi Jackie, > > Okay, I lied about not pestering you via email before arriving this > week. > > Ruth has a strange request. When she returns from visiting, she would > like to truthfully tell the unemployment office that she had an > interview that week. She had some interesting ideas when she viewed > the Torcroft website, and would like to discuss them with you. Could > you interview her as a web designer? A job offer is not required to > satisfy the unemployment office. > > Thanks. > > -Dave > >  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Nov 2004 10:41:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA1FfKhV005359; Mon, 1 Nov 2004 10:41:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA1FN2De007322 for ; Mon, 1 Nov 2004 10:23:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA1FMuTJ019284; Mon, 1 Nov 2004 10:22:56 -0500 (EST) Date: Mon, 1 Nov 2004 10:22:56 -0500 (EST) Message-Id: <41865294.20805@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Nov 2004 10:22:56 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Peter Crichton wrote: > I have just purchased today in HMV Manchester the complete DVD boxed set of > the George Walker videos. [snip] > I have had a quick look at the Yeomen and it doesn’t include the two Fairfax > songs as on the video. Does anyone know why they were left out? There are three known versions of the Walker YEOMEN: 1) As originally broadcast on BBC, two full numbers were cut: "Free from his fetters grim" and "Alas, I waver to and fro." The production also cut the first verse of "When maiden loves," and quite a bit of dialogue. 2) In subsequent broadcasts, including the U.S. Public Broadcasting Service (PBS), four additional numbers were cut: "Is life a boon," "Strange adventure," "When a wooer goes a-wooing," and "Rapture, rapture." 3) The Pioneer LaserDisc restored three of the cut songs: "Is life a boon," "Strange adventure," and "Rapture, rapture." Version 1 has never been issued commercially. All commercial videos with the exception of Pioneer LaserDisc have been #2. In all likelihood, "Free from his fetters grim" and "Alas, I waver to and fro" were never taped. The PBS version had to complete inside of two hours, including time for Douglas Fairbanks Jr.'s tedious introductions. This explains the additional cuts in Version #2. When you watch that version, the cuts are clearly an afterthought. For instance, the characters get into position to sing "Strange Adventure," and there's an awkward jump in continuity to the next scene. The Pioneer release was clearly a one-off. They contacted the original director and managed to obtain the "out-takes," which they re-edited into the production. Why they received only three of the four cut songs is unclear, but it's still better than any of the other home video versions. No other publisher has managed to obtain the Pioneer cut. Every other re-issue has been the full set of all 10 productions, as broadcast on PBS, with the Fairbanks introductions, and without any material restored. The Brent Walker production company has long since dispersed, and there is probably no hope of getting any better versions than the ones we now have. -- Marc Shepherd New York, NY  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Nov 2004 13:43:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA1IhvhV022149; Mon, 1 Nov 2004 13:43:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA1IhsAc029360 for ; Mon, 1 Nov 2004 13:43:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA1IhaTJ025289; Mon, 1 Nov 2004 13:43:36 -0500 (EST) Date: Mon, 1 Nov 2004 13:43:36 -0500 (EST) Message-Id: <3.0.6.32.20041101183945.01578320@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Nov 2004 13:43:36 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.719 X-Spam-Flag: NO At 08:58 01/11/04 -0500, Petere Crichton wrote: >I have just purchased today in HMV Manchester the complete DVD boxed set of >the George Walker videos. It is obviously a new release for the UK market as >the packaging is completely different from the version issued in the states, >I have a couple of these I bought in Hong Kong last year. > >They claim to have the sound track in Stereo, Dolby Digital 5.1 and DTS 5.1, >I have not yet tried them the verify this. They are distributed by >Universal. These Brent Walker videos were recorded in plain stereo, according to my records at the time. Originally they were issued in VHS with linear stereo audio tracks, which system never worked well. That stereo effect was achieved by dividing the linear mono sound track into two separate halves but the tape tracking in most machines was not good enough. When the tapes were re-issued by all and sundry, Hi-Fi sound had become available on VHS but some of the transfers must have been done with poor equipment and without recourse to the original recordings. The idea was to make them cheap. I tried to trace what had happened to the original sound recordings made as far as I know mixed down on to 12 track tape but although I traced and contacted Mr Myers the ''sound man'' I was never able to find out who had them or where they were. Abbey Road studios where the sound was recorded, confirmed they no longer had them after doing a search. Quite a number of folk complained of a hum on the sound, in the re-issues particularly on versions being sold in USA My local record shop asked me if I wanted these DVDs and I said no. I think the price is far too high for what they are. Marc has stated the position over the cut songs. I don't suppose the Lazer disc versions are still on sale. I was never able to find those in UK and Pioneer confirmed they were never officially on sale here. Anyway, who has a player for those now?? Question for Peter Crichton: is it possible to re-create genuine Dolby 5.1 or DTS 5.1 from a two track stereo original. Obviously one can fake it. Does the name Goldcrest Films appear anywhere on the box or labels? They took over the copyrights from Brent Walker but would not discuss matters at all. I met with a total refusal. They would not even make an appointment to see me.; I did try. I should be interested if you notice any changes to the copyright title frames at the end of each DVD compared with the VHS tapes. The various versions of the tapes show some differences. Peter. >From pdp@globalnet.co.uk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Nov 2004 09:39:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA2EdihV021888; Tue, 2 Nov 2004 09:39:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA2EdftF004015 for ; Tue, 2 Nov 2004 09:39:42 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA2EdUTJ008612; Tue, 2 Nov 2004 09:39:31 -0500 (EST) Date: Tue, 2 Nov 2004 09:39:30 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Gilbert dialogue (was Pitlochry's Engaged) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000301c4c07a$99bfe650$634d2952@idealpc> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Nov 2004 09:39:30 -0500 (EST) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: RE: Gilbert dialogue (was Pitlochry's Engaged) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000301c4c07a$99bfe650$634d2952@idealpc> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Dear Ian.... This is a public response, because I think a lot of Savoynetters might be interested, and they probably have much better ideas on the subject than I have. >>Be that as it may, it occurred to me after seeing a good Gilbert Without Sullivan Or Anyone Else For That Matter (GWOSOAEFTM), that I've never really heard the dialogue sections in the operas done 100% convincingly. Is it because we tend to be singers who try to act rather than actors who try to sing?<< I think this must be part of it. The sheer technical demands of acting are not always appreciated, I think. An example: at the performance of "Engaged" I saw in Pitlochry, the lady who was supposed to be playing Minnie Symperson was indisposed. So the lady playing Parker the maid took her place, and someone from their pool of actors was drafted in to play Parker--both reading from scripts. Not a very satisfactory solution, you might think.... But both women sketched in the characterisation so convincingly that one quickly forgot that they were stand-ins; even the fact that they were reading from scripts seemed natural. And *that*, it seems to me, is what professional acting training does: it makes the basics of line-reading and characterisation seem natural and instantaneous. I am in awe of actors; I know that I couldn't do even a hundredth of what they take as a matter of course. >> What is the secret of getting the pace right? Often speed of cues is lacking, but I don't think the answer is only speed. I suspect we're not brave enough to take that telling pause or build in that moment or action that illuminates character. << Speaking as a non-performer, who stands in awe, etc. (see above)... but who has seen a good number of performances of G&S and Gilbert.... I would say that the problems tend to come when the actor isn't thinking and acting in character. At the most obvious level, I don't like it when a character (usually Ko-Ko or Sir Joseph Porter) stops being that character, simply for the sake of some crummy bit of shtick...ahem, some piece of business which may be very funny and ingenious but doesn't fit in with what's going on round it. At a more subtle level, the characters need to interact with each other as characters. The example I always go to is the Tolloller/Mountararat dialogue in Act 2 of "Iolanthe". The humour can fall dead as a duck if the actors are just delivering the lines, mechanically reproducing the intonations they've heard on the DOC recording without bothering about what is actually going on. Each man is trying to wrong-foot the other, saying the opposite of what the other expects, but always maintaining a pose of complete self-possession. This depends so much on small nuances of reaction.... Each has to be listening to what the other is saying. Hmm... I'm not sure if I'm making my point clearly here, but it'll have to do. Rowan Atkinson in the "Blackadder" series is an object lesson in how to act so as to show the thought processes. One other point, which may or may not be relevant: Gilbert often gives a character a big block of speech, not broken up into nice easy interaction. It's all too easy to splurge it all out as a single block of speech, but it seems to me that each sentence, maybe ieach phrase, needs to be treated separately, each being a different thought building on the previous one. Example---each line being a separate thought in a different direction: A fig for this Fairfax! [angry at the obstacle] Be mine-- [sudden resolution] He will never know-- [wheedle] He dares not show himself; [separate idea] And if he dare... [on the other hand] What art thou to him? [trying to bluster her through] Fly with me, Elsie-- [resolute] We will be married tomorrow, [this *will* happen] And thou shalt be the happiest wife in England! [trying to make her cheerful] Please bear in mind that I'm not an actor or a director... though I do have some interest in these matters, having written a small handful of plays which have been performed locally, and having some experience of watching the rehearsal process as a result. All reactions, arguments, etc. welcomed. Andrew  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Nov 2004 10:10:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA2FABhV009360; Tue, 2 Nov 2004 10:10:11 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA2FABgU006287 for ; Tue, 2 Nov 2004 10:10:11 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iA2FA81U020972 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Tue, 2 Nov 2004 10:10:10 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: Date: Tue, 2 Nov 2004 10:10:06 -0500 To: opus@mit.edu From: Alex French Subject: Clue video orders Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod Date: Tue, 2 Nov 2004 10:10:06 -0500 To: opus@mit.edu From: Alex French Subject: Clue video orders X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Opus, Sorry I hadn't gotten back to you earlier, I spent most of a week with a high fever and a few days at MIT medical. But waiting until mid-November is no problem. We'd like 12 copies total. We're happy to do all DVDs, since I'm under the impression that significantly saves pricewise. Let me know if you have any other questions. -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Nov 2004 17:07:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA2M7UhV004960; Tue, 2 Nov 2004 17:07:30 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [128.30.16.9]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA2M7QZv012587; Tue, 2 Nov 2004 17:07:26 -0500 (EST) Received: from neon-gw.transmeta.com (neon-gw-l3.transmeta.com [63.209.4.196]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-7.1) with ESMTP id iA2M6EZq020031 (version=TLSv1/SSLv3 cipher=EDH-RSA-DES-CBC3-SHA bits=168 verify=FAIL) for ; Tue, 2 Nov 2004 17:06:15 -0500 Received: from victor.transmeta.com (victor.transmeta.com [10.0.2.120]) by neon-gw.transmeta.com (Postfix) with ESMTP id 831DE5F8042 for ; Tue, 2 Nov 2004 14:06:07 -0800 (PST) Received: from localhost (localhost.localdomain [127.0.0.1]) by localhost.transmeta.com (Postfix) with ESMTP id 37D9C2140AC for ; Tue, 2 Nov 2004 14:06:09 -0800 (PST) Received: from victor.transmeta.com ([127.0.0.1]) by localhost (victor [127.0.0.1]) (amavisd-new, port 10022) with LMTP id 10232-01-37 for ; Tue, 2 Nov 2004 14:06:09 -0800 (PST) Received: from deepthought.transmeta.com (deepthought.transmeta.com [10.1.1.15]) by victor.transmeta.com (Postfix) with ESMTP id 2C7182140A3 for ; Tue, 2 Nov 2004 14:06:09 -0800 (PST) Received: from cobalt.transmeta.com (cobalt.transmeta.com [10.10.25.99]) by deepthought.transmeta.com (Postfix) with ESMTP id 0942CBD66 for ; Tue, 2 Nov 2004 14:06:09 -0800 (PST) Received: (from gjr@localhost) by cobalt.transmeta.com (8.11.6/8.11.6) id iA2M69r08579; Tue, 2 Nov 2004 14:06:09 -0800 Date: Tue, 2 Nov 2004 14:06:09 -0800 Message-Id: <200411022206.iA2M69r08579@cobalt.transmeta.com> From: "Guillermo 'Bill' J. Rozas" To: lsc-alums@zurich.csail.mit.edu Subject: New baby Reply-To: gjr@transmeta.com X-Virus-Scanned: by amavisd-new/internal at transmeta.com X-Spam-Status: No, hits=-4.0 required=5.0 tests=AWL,BAYES_00 autolearn=ham version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Nov 2004 14:06:09 -0800 From: "Guillermo 'Bill' J. Rozas" To: lsc-alums@zurich.csail.mit.edu Subject: New baby Reply-To: gjr@transmeta.com X-Virus-Scanned: by amavisd-new/internal at transmeta.com X-Spam-Status: No, hits=-4.0 required=5.0 tests=AWL,BAYES_00 autolearn=ham version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Helena Patricia Rozas was born on Halloween at 10:49 am. 6 lb. 5 oz, 19" at birth. Mom and baby are doing well.  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Nov 2004 08:04:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA3D4mhV011122; Wed, 3 Nov 2004 08:04:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA3D4jSc028998 for ; Wed, 3 Nov 2004 08:04:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA3D4XTJ025677; Wed, 3 Nov 2004 08:04:34 -0500 (EST) Date: Wed, 3 Nov 2004 08:04:33 -0500 (EST) Message-Id: <3.0.1.32.20041103125638.0127e0f8@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: John Harrison Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Nov 2004 08:04:33 -0500 (EST) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: John Harrison X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO JOHN HARRISON [This emerged from a pile of papers I'd been sorting through. I thought it might be of some interest as Harrison sang on the first recordings of Mikado, Gondoliers and Merrie England, reissued by Chris Webster.] >From THE SOUND WAVE, April 1929. With the death of John Harrison another link is severed with a fast receding gramophone past. At the age of sixty-one, this one-time favourite tenor died recently at his home in Colne, Lancashire. Many thousands of gramophonists still hold the name of John Harrison in affectionate remembrance, though he is, perhaps, hardly known to the younger generation. Twenty years or so ago, however, his was a name to conjure with on gramophone records, and he was the "star" tenor of the Gramophone Company's ordinary list. People bought John Harrison who could not afford Caruso; and for a long period new records by Harrison appeared each month, and were eagerly bought up. His voice was a well-trained tenor of fine and expressive quality, and with plenty of power in his palmy days. He sang with equal facility opera, oratorio and ballads, but it was undoubtedly his charm and artistry as a ballad singer which gained him most popularity. Beginning life as a mill boy, he was trained in London, first singing in public at the Boosey ballad concerts, and subsequently appearing at Covent Garden. Strangely enough, he was trained as a baritone, but developed into a tenor. Harrison was one of the first vocalists to make a perfect tenor record by the old system [?acoustic]. He had scores of successes, singing every tenor song of note, but probably his greatest "hit" was the beautiful song (still being sung and recorded) specially written for the Gramophone Company by Leoncavallo, entitled "Mattinata" ('Tis the Day), and which at different times has been sung by every tenor in the world, great and small. So recently as 1923 there were nearly fifty titles in "His Master's Voice" catalogues by Harrison, but if you would hear his voice now the selection is very limited. He is still to be found, however, in many of the numbers of "Merrie England" of which there are eleven records. This is retained in the catalogue probably because it was recorded under the direction of Sir Edward German himself, who also conducted the orchestra. These records are, in a sense, historic, since Edna Thornton, Bessie Jones, Ernest Pike, George Baker and that fine baritone, the late Charles Mott, also took part in the production. (D18 to 28). Harrison is also to be heard with [Robert] Radford in four famous duets - the never-to-be-forgotten "Excelsior," coupled with "Watchman, What of the Night?" (D301), and "Larboard Watch," with the humorous "We'll run 'em in" (E107); and again with Edna Thornton in Verdi's "Home to our Mountains," which is paired with the trio, "O Memory" (D306), fine records all, even judged by modern standards. It is strange, perhaps, that Harrison should have passed away on the threshold of a Spring unusually vivid and rich in promise [I don't know what this means. MPW], and one is irresistibly reminded of the opening lines of the song he, more than anyone, helped to make famous:- "A beautiful morning is breaking; With wonder and light now the Sun The whole world from slumber is waking, And kissing the flowers each one." Let us hope that these words are symbolical, not only for the soul that is sped, but for the future of English song. JOHN HARRISON - Discography. This makes no claims to be complete. All HMV. [The information for the single-sided discs is taken from J.R. Bennett (c. 1955) Voices of the Past 1898-1925. The first number is the catalogue number followed by the title. Other information, not necessarily in consistent order includes; a four-figure number in brackets = the matrix number; a two-digit number in brackets = the speed if other than 78. This information is not necessarily correct, and the matrix information is sparse. The final figure (e.g. 8/04 is the date of issue = August 1904). Where the single-sided record was later transferred to a double-sided version this is indicated by a D or E prefixed number at the end. Information on the double-sided issues is from Michael Smith (2001) "HMV Black and Red label issues; the D & E series". Dates in square brackets preceding the issue date of the single-sided version are from Smith and are the date of recording. All speeds are from Bennett, Smith does not give this information. The baritone Joseph Harrison was probably a relative, as the very few records he made are all duet with John.] 2-2455 Mary (Richardson) 8/04 2-2456 Tom Bowling (Dibdin) 7/04 2-2457 The Holy City (Adams) 7/04 2-2458 Then you'll remember me (Balfe "Bohemian Girl") 9/04 2-2475 Alice, where art thou? (Ascher) 9/04 2-2476 Come into the garden, Maud (Balfe) 9/04 2-2486 'Tis the day (Leoncavallo) 10/04 2-2488 Let me like a soldier fall (Wallace "Maritana") 2-2996 Drink to me only with thine eyes 1904 2-2997 To Mary (M.V. White) 1904 2-2998 My pretty Jane (Bishop) (4717) 1904 3-2007 Come into the garden, Maud (Balfe) 11/04 3-2009 O vision entrancing (Goring-Thomas "Esmeralda") 3/04 2-2010 Nirvana (Adams) (4751) 3/04 3-2088 'Tis the day (Leoncavallo) (5395b) 8/04 3-2111 The sailor's grave (Sullivan) 3-2143 My sweetheart when a boy (Morgan) (6491b) 12/04 3-2144 My queen (Blumenthal) 12/04 3-2153 Be thou faithful (Mendelssohn "St. Paul") 1905 3-2181 Take a pair of sparkling eyes (Sullivan) 3/05 3-2213 'Tis the day (Leoncavallo) with orchestra (1713e) [2 Feb. 1905] 4/05 E62 (issued 4/20, deleted 12/22. The other side of E62 is not Harrison) 3-2220 The star of Bethlehem (Adams) (6521b) 4/05 3-2234 All hail thy dwelling (Gounod "Faust") 5/05 3-2249 The last watch (Pinsuti) with orchestra 12/05 3-2250 The Holy City (Adams) (76) with orchestra 7/05 3-2251 Let me like a soldier fall (Wallace "Maritana") with orchestra 8/05 3-2252 Roses (Adams) 6/05 3-2280 Nirvana (Adams) (2187e) (76) with orchestra [30 June 1905] 9/05 E58 (issued 4/20, deleted 12/27) 3-2293 If with all your hearts (Mendelssohn "Elijah") with orchestra 10/05 3-2315 Take a pair of sparkling eyes (Sullivan) (2193e) (77) with orchestra 11/05 3-2382 My lady fair (Gregh) (77) with orchestra 1/06 3-2390 Mary (Richardson) (77) (3148e) with piano 2/06 Another matrix, Ho1115ak, recorded January 1915 seems to have been issued on the same catalogue number, to become coupled on E56 (issued 4/20, deleted 12/26) 3-2397 Ailsa Mine (Newton) (3110e) 7/06 3-2408 Mary Morrison (Sullivan) with piano 4/06 3-2427 There is a flower that bloometh (Wallace "Maritana") (3114e) (77) with orchestra [16 Nov. 1916] -?5/06 (probably two matrices involved here?) E61 (issued 4/20, deleted 12/25) 3-2435 To Mary (M.V. White) with piano 6/06 3-2436 Love is waiting (Squire) with piano (3455e) 6/06 3-2448 My pretty Jane (Bishop) 7/06 3-2451 Once Again (Sullivan) (75) 8/06 3-2456 O vision entrancing (Goring-Thomas "Esmeralda") (77) with orchestra 9/06 3-2457 Come, Margherita, come. (Sullivan "Martyr of Antioch") with orchestra 9/06 3-2458 Because (d'Hardelot) (77) 9/06 3-2464 Alice, where art thou? (Ascher) (76) 10/06 3-2465 The anchor's weighed (Braham) (75) (8299) 10/06 3-2472 When all the world is fair (Cowen) (77) 11/06 3-2481 The Irish emigrant (Barker) (76) with piano (8781b) 11/06 3-2484 Thou shalt break them (Handel "Messiah") (77) (8514b) 17 Oct. 1906 E55 (see below) 3-2485 The rebuke has broken (Handel "Messsiah") (8515b) 1906 3-2486 Behold and see (Handel "Messiah") (8516b) 1906 3-2487 But thou didn't not leave (Handel "Messiah") (77) (8517b) 17 Oct. 1906 E55 (issued 4/20, deleted 12/27 3-2495 Sally in our alley (Carey) (76) (8418b) 12/06 3-2496 Thora (Adams) (77) 12/06 3-2535 When other lips (Balfe "Bohemian Girl") (7") 2/05 3-2541 So fare thee well (Cellier "Doris") (7") 2/05 3-2475 Mary Morrison (Sullivan) (7") 4/05 3-2585 The Holy City (Adams) with orchestra (7") 6/05 3-2756 Beloved, it is morn (Aylward) (77) 1906 3-2757 The blue Alsatian mountains (Adams) 1906-7 3-2766 An evening song (Blumenthal) with piano (8816h) 2/07 3-2767 Serenade (Schubert) 2/07 3-2786 Tom Bowling (Dibdin) (77) 3/07 3-2787 The sea hath its pearls (Cowan) (77) 3/07 3-2800 Roses (Adams) (y13583e) (80) [26 April 1911?] 4/07 [Are two matrices involved here?] E59 (issued 4/20, deleted 12/22) 3-2849 The scent of lillies (Cobb) 5/07 3-2854 I know a lovely garden (d'Hardelot) (77) A love song (Kaiser) (77) 1907 3-2863 Oft in the stilly night (79) 1907 3-2867 When Spring returns (Somerville) (77) 7/07 3-2868 Roses in June (German) (79) (10077b) 7/07 3-2873 My sweetheart when a boy (Morgan) 8/07 3-2881 The carrier dove (79) 9/07 3-2882 Like stars above (Squire) (76) (6224e) 9/07 3-2893 Mother o' mine (Tours) (79) (6222e) 10/07 3-2902 I know of two bright eyes (Clutsam) (80) with piano (6055e) 11/07 E54 (issued 4/20, deleted 12/26) 3-2912 Love's request (Reichardt) (80) 12/07 3-2913 Margaretha (Loehr) (80) 12/07 3-2923 The thorn (Shield) (79) 1907-8 3-2935 Were I the streamlet (Lloyd) (79) with piano (6742e) 2/08 3-2936 Because (d'Hardelot) with piano (7457e) 3/08 3-2941 Two eyes of grey (McGeogh) (7399e) 4/08 E61 (issued 4/20, deleted 12/25) 3-2951 A rose memory (Deacon) (81) 5/08 3-2957 My lady fair (Gregh) (81) 1908 [= E57 error] 3-2958 The rosary (Nevin) (80) 1908 [=E57 error] 3-2961 To Mary (E.V. White) (80) with piano (8099e) 7/08 3-2970 The distant shore (Sullivan) 9/08 3-2981 Molly dear (Gould) 11/08 4-2019 Annie Laurie (Scott) (8686e) (80) [1908], 7/09 E51 (issued 4/20, deleted 12/28) 4-2027 O flower of all the world (Woodforde-Finden) (8673e) (81) [1908] 6/09 E58 (issued 4/20, deleted 12/27) 4-2045 I dreamt of you (Juleff) (81) 12/09 4-2055 I hid my love (d'Hardelot) (81) 1909-10 4-2059 I think (d'Hardelot) (81) 1909-10 4-2064 The sweetest flower that blows (Hawley) (82) 5/10 [= E59 error] 4-2077 Because (d'Hardelot) (11620e) [19 April 1910] 7/10 E52 (see below) 4-2086 Take a pair of sparkling eyes (Sullivan) (81) 10/10 4-2098 Beyond (Lambert) (81) 12/10 4-2103 Beautiful garden of roses (Schmid) (12727e) (80) 5/11/10 E52 (issued 4/20, deleted 12/21) 4-2113 The rosary (Nevin) (12629e) (81) [5 November 1910] 2/11 E57 (issued 4/20, deleted 12/25) 4-2126 For you alone (Geehl) (13242e) (81) [20 Feb. 1911] 5/11 E56 (issued 4/20, deleted 12/26) 4-2134 The garden I love (Nutting) (81) 5/11 4-2154 Pleading (Elgar) (80) 10/11 4-2182 The token (Squire) (81) 11/11 4-2196 The sweetest flower that blows (Hawley) (13966e) (81) [14 August 1011] 3/12 E59 (issued 4/20, deleted 12/22) 4-2362 A spray of Roses (Sanderson) with piano (81) (y16588e) 8/13 4-2385 Drink to me only with thine eyes (Hullah) (80) with piano 11/13 4-2401 Love is mine (Gartner) 12/13 4-2425 All soul's day (R. Strauss) (17232e) (79) with piano [26 Nov. 1913] 3/14 E51 (issued 4/20, deleted 12/28) 4-2441 A rose memory (Deacon) (79) with piano 5/14 4-2447 Tom Bowling (Dibdin) (Ak17556e) with piano [25 Feb. 1914] 7/14 E60 (issued 4/20, deleted 12/23) 4-2510 The Yeomen of England (German "Merrie England") (Ho1050ak) (79) [Oct. 1914] 1914-15 E60 (ditto) 4-2523 I dream of a garden of sunshine (Loehr) (79) with piano 2/15 4-2528 The Indian soldier (Kennedy Russell) (80) 3/15 4-2646 Alone in love's garden (Hewitt) (79) with piano 2/16 4-2763 One tender thought (Anderson) with piano 9/16 4-2780 Come, Margherita, come (Sullivan "Martyr of Antioch") (79) 10/16 4-2848 My lady fair (Gregh) with piano 6-7/17 [= E57 error] 4-2897 Bonny Mary of Argyll (79) with piano (Ho2994ae) [28 July 1916] 10/17 E54 (issued 4/20, deleted 12/27) 4-2949 [not in Bennett] My Lady Fair (Gregh) (Ho2995ae)28 July 1916 E57 (issued 4/20, deleted 12/25) 5-2049 Blue days of June (Ring) (Ho3220ae) (79) with piano [18 Oct 1916] 7/19 E53 (issued 4/20, deleted 12/21) 5-2132 Home that is calling for me (Drummond) (Ho3221ae) (79) with piano [18 Oct 1916] 2/20 E53 (ditto) 5-2161 Almona (Corbett) 19/11/16 [not in Bennett] E189 (issued 7/20, deleted 12/21) 5-2162 A wayside flower (d'Hardelot) (ditto) 5-2175 It is not love (Sullivan: Sorcerer) 31/7/16 E194 (issued 9/20, deleted 12/21) 5-2176 Dawn skies (Drummond) with orchestra conducted Arthur Wood. (ditto) [5-2175/6 were listed by Bennett in the index as Harrison records, but no entries appeared for them. Data from Smith, who wrongly gives the Sorcerer song as "Is it not love?"] 5-2307 My little maid (Macmurrough) [not in Bennett] 8/12/20 E213 (issueed 2/21, deleted 12/21) 5-2308 Cedars of Lebanon (Brewer) (ditto) 02007 Nirvana (Adams) 7/03 02008 Drink to me only with thine eyes 7/03 02057 Sound an alarm (Handel "Judas Maccabaeus") (876F) 9/05 D238 02069 Deeper and deeper still (Handel "Jeptha") (77) with piano 5/06 02070 Waft her angels (Handel "Jeptha") (77) with piano 5/06 D238 02073 A wandering Minstrel (Sullivan "Mikado") (733c) 11/06 D242 02074 Every valley (Handel "Messiah") (76) (699c) 1906 D233 02075 Comfort ye (Handel "Messiah") (77) 1906 D233 02096 Goodbye, sweetheart, goodbye (Hatton) (1950f) 9/07 02105 Maid of Athens (Allen) (79) 10/07 02121 The parting hour (Birch) (79) 3/08 02122 Thora (Adams) with piano (2195F) 3/08 D242 02124 My queen (Blumenthal) (79) with piano (2227f) 4/08 02125 There is a green hill (Gounod) (2205f) 1908 D240 02136 Only once more (Moir) (79) 1908 02140 The soft southern breeze (Barnby) (80) 7/08 02141 So fare thee well (Cellier "Doris") (81) with piano 8/08 02147 My dreams (Tosti) (81) with piano (2514F) 9/08 D235 02152 Kathleen Mavourneen (Crouch) (79) with piano (2477f) 10/08 D232 02154 Thoughts and tears (Temple) (80) 11/08 02160 Till the dawn/ On a brown boy's edge (Rubens-Addy) (80) 12/08 02168 The sailor's grave (Sullivan) (81) 2/09 02171 Of all Septembers (Lambert) (81) 3/09 02175 By a lent hearth (Wagner "Meistersingers of Nuremburg") (81) 4/09 02179 O vision entrancing (Goring-Thomas "Esmeralda") (81) (2506F) 5/09 D235 02188 Where'er you walk (Handel "Semele") (82) 8/09 02192 The death of Nelson (Braham) (81) 9/09 02207 Only for you (Rooney) (81) 11/09 02213 The ribbon, the ring and the rose (Willeby) (82) 12/09 02214 The star of Bethlehem (Adams) (81) 1909 D239 02218 Maid of Malabar (Adams) (81) with piano (3631F) 1/10 02223 A song of sleep (Somerset) with violin obbligato (81) (3864f) 1909 D228 02225 The sailor's grave (Sullivan) (81) (3860F) 3/10 D241 02232 The pilgrim of love (Bishop) (82) 4/10 02243 Star of the desert (Bonheur) (82) with piano (3604f) 6/10 02249 The night has a thousand eyes (Lambert) (80)/ Across the blue sea (Somerset) (80) (4119F) 8/10 D241 02254 Ailsa mine (Newton) (81) with piano (3564f) 9/10 D228 02258 I seek for thee in every flower (Ganz) (81) 10/10 02283 Stars of Normandie (Adams) (81) (3654F) 11/10 02321 The Holy Temple (Gounod) (80) 6/11 02322 Tell her I love her so (de Faye) (80) 6/11 D243 02332 An evening song (Blumenthal) (81) with piano (Z4988F) 7/11 D230 02333 Come into the garden, Maud (Balfe) (81) with piano (4511f) 8/11 02338 Mona (Adams) (81) with piano (Ac4784f) 9/11 02342 My sweetheart when a boy (Morgan) (81) with piano 10/11 D236 02359 Margharita (Loehr) (81) 2/12 02363 For I do love you so (Leoncavallo) (81) 1/12 02375 The Holy City (Adams) (81) (Z4982F) 4/12 D239 02383 The distant shore (Sullivan) (81) 5/12 02468 Beyond the dawn (Sanderson) (80) with piano and organ 7/13 D231 02483 The anchor's weighed (Braham) (79) with piano 10/13 02499 The rosary (Nevin) with organ and bells (AI7568f) c. 1913 D243 02617 Beloved, it is morn (Aylward) (79) with piano and orchestra 3/16 02651 The children's home (Cowen) (HO1254ac) 6/16 D240 02683 The thorn (Shield) (79) with piano 12/16 02686 All mine alone (Phillips) (79) with piano 1/17 02702 Molly bawn (Lover) with piano 3/17 02764 My pretty Jane (Bishop) with piano 12/17 D236 02780 I'll sing thee songs of Araby (Clay) (79) with piano 3/18 D231 02783 A wandering minstrel I (Sullivan "Mikado") (HO2773af) 1918 D3 [N.B. A number of the acoustic G&S sides from the sets were given single sided numbers and alleged to have been issued under these numbers. No copies are, however, known to exist and it is therefore unproven whether these records were, in fact, ever issued in this format.] 02794 Oft in the stilly night (Moore) (79) with piano (HO1265ac) 7/18 D234 02798 The English Rose (German "Merrie England") (HO 3188af) 1918 D23 02807 Lend me your aid (Gounod "Queen of Sheba") (79) (HO1924ac) 2/19 D234 02809 All hail thou dwelling pure and lowly (Gounod "Faust") (79) (HO3405af) 1918 D229 02810 On with the Motley (Leoncavallo "Pagliacci") (79) 1918 D237 02813 Sound an alarm (Handel "Judas Maccabaeus") (79) 3/19 D238 02834 Flower Song (Bizet "Carmen") (HO3408af) 11/19 D229 4238 Flow gently Deva (with Bartell) (Parry) (7") 6/03 4287 Canadian boat song (with Bartell) (7") 7/03 4293 All's well (with Bartell) (Braham) (7") 7/03 4381 Trio- Finale Faust (with Alice Esty and Peter Dawson) (Gounod) (76) with orchestra 12/05 4382 Miserere (with Esty) (Verdi "Trouvatore") with orchestra 2/06 4384 The wound upon thine arm (with Esty) (Balfe "Bohemian Girl") with orchestra 12/05 4405 All's well (with Joseph Harrison) (Braham) 9/06 4453 The larboard watch (with Robert Radford) (Williams) (79) (7683e) [Feb. 1908] 4/08 E107 (issued 4/20, deleted 1/34) 4454 All hail, Prince Henry (with Radford) (Sullivan "Golden Legend") (79) 4/08 4482 Could a man be secure (with Radford) (Goodwin) (81) 11/08 4483 Gendarmes Duet (with Radford) (Offenbach) (8862e) (80) [Feb. 1908] 1/09 E107 (see 4453 above) 2-4011 O, who will over the downs so free (with Allen, Thornton & Radford) (Pearsall) (81) (11621e) [19 April 1910] 10/10 E112 (issued 4/20, deleted 12/25. Other side not these singers)) 2-4217 Good King Wenceslas (with Allen, Thornton and Gardner) (Ho1087ak) 21 Oct. 1914 E111 (issued 4/20, deleted 12/27) 2-4218 While shepherds watched their flocks (Ho1089ak) (ditto) E111 (ditto) 04005 A night in Venice (with Allen) (Lucantoni) (77) (1862F) 7/07 04006 Love divine (Stainer "Daughter of Jairus") (1867F) 8/07 D296 04008 O Gladsome light (with Allen, Thornton & Radford) (Sullivan) (77) (1927f) 8/07 D309 04009 Watchman, what of the night (with Radford) (Sargeant) (77) 9/07 D301 04010 Sweet and Low (with Allen, Thornton & Radford) (Barnby) (77) (Z5487f) 9/07 D290 04013 The two beggars (with Radford) (H. Lane Wilson) (79) 10/07 04014 The moon hath raised (Benedict "Lily of Killarney") (79) 11/07 D300 04017 Love and War (with Radford) (Cooke) (79) 2/08 04018 If I pray there be none to hear (with Radford) (Gounod "Faust") (79) 3/08 04019 Be mine the delight (with Radford) (Gounod "Faust") (79) 3/08 D300 04020 Onward & Onward (with Allen) (Sullivan "Golden Legend") 3/08 04021 Ah woe the day! (with Allen) (Sullivan "Golden Legend") (79) 4/08 04022 Excelsior (with Radford) (Balfe) (79) (2277F) 5/08 D301 04023 The battle's eve (with Radford) (Bonheur) (80) 1908 04025 God is a spirit (with Allen, Lakin & Radford) (Sterndale Bennett) (81) 1908 D291 04027 The parting kiss (with Allen, Lakin & Radford) (Pinsuti) (80) 7/08 04028 In this hour of softened splendour (with Allen, Lakin & Radford) (Pinsuti) (81) 8/08 D242 04030 Goodnight, beloved (with Allen, Lakin & Radford) (Pinsuti) (79) 8/08 04031 My song shall always be (with Allen) (Mendelssohn "Hymn of Praise") (80) 10/08 04036 When hands meet (With Allen, Lakin & Radford) (Pinsuti) (79) 11/08 D299 04037 Yea, though I walk (with Allen, Lakin & Radford) (Sullivan "Light of the World") 12/08 04047 In England, (with Allen, Lakin & Radford)(German "Merrie England")(80)10/09 D292 04048 The Army & navy (with Radford) (Cooke) (81) 11/09 04049 Goodnight, thou glorious sun (with Allen, Lakin & Radford) (Smart) (81) 11/09 04050 O that we two were maying (with Allen) (Smith) (80) (3490F) 11/09 D296 04051 When the budding bloom (with Allen, Lakin & Radford) (Sullivan) (80) 12/09 04052 It was a lover and his lass (with Allen) (Walthew) (80) 12/09 04054 O hush thee my babie (with Allen, Lakin & Radford) (Sullivan) (81) 1/10 D309 04055 The mariners (with Allen & Radford) (Randegger) (82) 1909-10 04056 Believe me if all (with Allen, Lakin & Radford) (Moore) (82) 3/10 D291 04057 O memory (with Allen & Lakin) (Leslie) (82) (3480F) 4/10 D306 04058 Watchman, what of the night? (with Radford) (Sargeant) (81) (3595F) 5/10 D301 04059 Quando corpus (with Allen, Thornton & Radford) (Rossini "Stabat Mater") (81) 6/10 D308 04063 Spring, her lovely charms unfolding (with Allen) (Haydn "Seasons") (81) 9/10 04064 The long day closes (with Allen, Thornton & Radford) (Sullivan) (80) (4124F) 9/10 D290 04069 The sailor sighs (with Thornton) (Balfe) (81) 10/10 04084 Before the battle (with Radford) (Hedgecock) (81) 5/11 04088 O hush thee, my babie (with Allen, Thornton & Radford) (Sullivan) (81) 11/11 D309 04090 God so loved the world "Crucifixion"/Sevenfold Amen (80) both by Stainer (with Allen, Thornton & Radford) 12/11 D309 04096 When hands meet (with Allen, Thornton & Radford) (Pinsuti) (80) 2/13 D299 04105 The parting kiss (with Allen, Thornton & Radford) (Pinsuti) (80) 8/13 04121 Hark, the herald angels sing (with Allen, Thornton & Gardner) D307 04122 The mistletoe bough (arr. Russell) (with Allen, Thornton & Gardner) D307 04132 Dear love of mine (with Allen) (Goring Thomas) with piano 11/15 04147 Let me gaze (with Eveline Matthews, soprano) (Gounod "Faust") (79) 4/16 D304 [I know nothing about this singer, the two duets with Harrison seem to be her only recordings] 04150 A wish (with Evelyn Harding and Thornton) (Myles Foster) (79) with piano 5/16 04174 Speak to me of my mother (with Matthews) (Bizet "Carmen") (80) 1/17 D304 04179 The two beggars (with Joseph Harrison) (H. Lane Wilson) (79) with piano 12/16 04218 And have I journeyed (with Radford; part side) (Sullivan "Mikado") (HO2809af) D4 04222 See how the fates/ the flowers that bloom (with Thornton, B.Jones, Radford & Baker) (Sullivan "Mikado") (HO2809af) D11 04244 All's well (with Joseph Harrison) (Braham) (79) with piano 9/18 D299 04674 With aspect stern (Sullivan "Mikado" with others) (HO2808af) D7 04675 Finale Act 1 (with Thornton & ors) (Sullivan "Mikado") (HO2769af) D7 04676 Here's a how-de-do (with others; part side) (Sullivan "Mikado") (HO2798af) D10 E189 Almona (Corbett) (79)/ A wayside flower (d'Hardelot) (79) (issued 7/20, deleted 12/21) Originally recorded 19 Nov. 1915, matrices Ho2111ab, Ho2108ab, cat. Nos 5-2161/2, but no information is issued in single-sided form. E194 It is not love (Sullivan "Sorcerer")/ Dawn skies (Drummond) (issued 9/20, deleted 12/21) Originally recorded 31 July and 18 Oct. 1916, respectively, matrices Ho3010ae, Ho3219ae, cat. Nos. 5-2175/6, but no information if ever issued in single-sided form. E213 My little maid (Macmurrough)/Cedars of Lebanon (Brewer) (issued 2/21, deleted 12/21) matrices Ho5865ae, Ho5962ae, cat. Nos. 5-2307/8, but no information if ever issued in single-sided form. D6 [2-12] The Mikado (deleted 4/27) D19-27 [18-28] Merrie England (deleted 3/34) D36-46 Gondoliers (deleted 12/27) D228 A song of sleep (Somerset) (81) (3864f) 02223 13 Jan. 1909 /Ailsa mine (Newton) (3564f) 02254 (81) 8 August 1909 (issued 4/20, deleted 12/23) D229 All hail thou dwelling pure and lowly (Gounod "Faust") (Ho3405af) 02909 /Flower Song (Carmen) Ho3408af) 02834 26 July 1918 (issued 4/20, deleted 12/23) D230 An evening song (Blumenthal) (z875f) 02332 7 March 1911 (81)/ Beloved it is morn (Aylward) (Ho3408af) (79) 17 Nov. 1915 (issued 4/20, deleted 12/23) D231 Beyond the dawn (Sanderson) (z7313f) 02468 (80) 25 Apr. 1913/ Ill sing thee songs of Araby (Clay) (Ho1253ac) 02617 17 Nov. 1915 (79) (issued 4/20, deleted 12/23) D232 Come into the garden, Maud (Balfe) (z846f) 02333 (80) 2 Mar. 1911 /Kathleen Mavourneen (Crouch) (79) (2477f) 02152 1908 (issued 4/20, deleted 12/23) D233 Comfort ye (Handel "Messiah") (77) (700c) 02075 / Every valley (ditto) (76) (699c) 02074 both recorded 1906 (issued 4/20, deleted 12/24) D234 Lend me your aid (Gounod "Queen of Sheba") (79) (Ho1924ac) 02807 16 July 1916/ Oft in the stilly night (Moore) (79) (Ho1265ac) 02794 20 Nov. 1915 (issued 4/20, deleted 12/27 D235 My dreams (Tosti) (81) (2514f) 02147 / O vision entrancing (Goring Thomas "Esmeralda) (2506f) 02179 both recorded 1908 (issued 4/20, deleted 12/24 D236 My pretty Jane (Bishop) (Ho1297ac) 02764 /My sweetheart when a boy (Morgan) (81) (Ho1294ac) 02342 both recorded 27 Nov. 1915 (issued 4/20, deleted 12/24) D237 On with the motley (Leoncavallo "Pagliacci") (79) (Ho3406f) 02810 26 July 1918 [other side not Harrison] (issued 4/20, deleted 12/27) D238 Sound an alarm (Handel "Judas Maccabaeus) (79) (Ho1923ac) 02813 17 June 1917/ Waft her, angels (Handel "Jeptha") (77) (2507f) 02070 1908 (issued 4/20, deleted 12/25) D239 The star of Bethlehem (Adams) (81) (3597f) 02214 6 Aug. 1909/ The Holy City (Adams) (81) (z4982f) 02375 (issued 4/20, deleted 12/21) D240 The children's home (Cowen) (81) (Ho1254ac) 02651 17 Nov. 1915/ There is a green hill (Gounod) (2205f) 02125 1908 (issued 4/20, deleted 12/27) D241 The night has a thousand eyes (Lambert)/ Across the blue sea (Somerset) (80) (4119f) 02249 18 Apr. 1910/ The sailor's grave (Sullivan (81) (3860f) 02225 30 Nov. 1909 D242 A wandering minstrel I (Sullivan "Mikado") (81) (733c) 02073/Thora (Adams) (2195f) 02122 both recorded 1908 (issued 4/20, deleted 12/21) D243 Tell her I love her so (de Faye) (81) (z4874f) 02322 7 Mar. 1911/ The rosary (Nevin) (A17568f ) 02499 20 Oct. 1913 (issued 4/20, deleted 12/23) D290 Sweet and low (Barnby) (with Allen, Thornton & Radford) (76) (z5487f) 04010 20 Nov. 1911/ The long day closes (Sullivan) (same singers) (80) (4124f) 04064 19 Apr. 1910 (issued 4/20, deleted 12/21) D291 Believe me, if all those endearing young charms (with Allen, Lakin & Radford) (82) (3471f) 04056 15 July 1909/[God is a spirit (Sterndale Bennett) (same singers) (81). This information is from Bennett, but according to Smith, the second side is a duet by Allen & Radford "The Crucifix" by J. Fauré] (issued 4/20, deleted 12/23) D292 In England, Merrie England (German "Merrie England") (80) (with Allen, Lakin & Radford) (3465f) 04047/ In this hour of softened splendour (Pinsuti) (81) (same singers) (2385f) 04028. Both recorded 1908 (issued 4/20, deleted 12/23) D296 Love Divine (Stainer "Daughter of Jairus") (with Perceval Allen) (1867f) 04006 1907/ O that we two maying (Kingsley Smith) (with Allen) (80) (3490f) 04050 19 July 1909 both with piano (issued 4/20, deleted 12/22) D299 All's well (Braham) (with Joseph Harrison) (79) (Ho2026af) 04244 24 July 1916 with piano / When hands meet (Pinsuti) (with Allen, Thornton & Radford) (80) (z5467f) 04096 20 Sept. 1911 (issued 4/20, deleted 12/22) D300 Be mine the delight (Gounod "Faust") (with Radford) (79) (2223f) 04019 1908/ The moon hath raised her lamp above (Benedict "The Lily of Killarney") (w Radford) (79) (1945f) 04014 1907 both with piano (issued 4/20, deleted 12/22) D301 Excelsior (Balfe) (79) (w Radford) with piano and bells (2277f) 04022 1908/ Watchman, what of the Night (Sargeant) (w Radford) (81) with piano (3395f) 04058 6 Aug. 1909 (issued 4/20, deleted 12/29) D304 Let me gaze (Gounod "Faust") (with Eveline Matthews, soprano [her only traceable recordings]) (79) with orchestra conducted by Percy Pitt (Ho1308ac) 04147 30 Nov. 1915/ Speak to me of my mother (Bizet "Carmen") (80) (w Matthews) with orchestra conducted by Mr. Gibson (Ho1328ac) 04147 4 Dec. 1915 (issued 4/20, deleted 12/22) D306 Home to our mountains (Verdi "Il Trouvatore") (79) (with Thornton) [fide Bennett, sic. According to Smith, the tenor on this side is Walter Hyde, not Harrison] (Ho2678af) 04271 24 May 1917 with orchestra conducted by Arthur Wood/ O memory (Leslie) (82) (with Allen and Lakin) (3480f) 04047 15 July 1909 (issued 4/20, deleted 9/22) D307 Hark the herald angels sing (Mendelssohn) (with Allen, Thornton & Gardner) (Ho587al) 04121/ The mistletoe bough (Traditional, arr. K. Russell) (same singers, with organ and celeste accompaniment) (Ho594al) 04122 both recorded October 1914 (issued 4/20, date of deletion not stated) D308 God so loved the world; Sevenfold Amen (Stainer "Crucifixion) (with Allen, Thornton & Radford) (5480f) 04090 20 Sept. 1911 / Quando Corpus (Rossini "Stabat Mater") (same singers) (81) (4125f) 04059 19 April 1910 (issued 4/20, deleted 12/22) D309 O gladsome light (Sullivan) (77) (with Allen, Thornton & Radford) (z5490f) 04008 20 Aug. 1911/ Oh hush thee, my babie (Sullivan) (same singers) (81) (z8449f) 04088 3 Mar. 1911 (issued 4/20, deleted 12/26). An incomprehensible note follows this entry in Smith, and reads: "Note: Matrix z4849f given as z842f. D1195 Air in B flat, Blackbird reel (Cc9079-1, 07879)/ Lament of Fanold Grove (Cc9082-1, 07880) Both arr. Hughes, with piano accompaniment; recorded 7 October 1926. Issued 3/27, deleted 1/30. ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Fax: 0207-942-6150 Tel: 0207-942-6188 email: mpw@nhm.ac.uk "If Solomon had loved women less and books more, he would have been a wiser and happier man" (John Bartram).  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Nov 2004 12:46:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA3HkmhV000746; Wed, 3 Nov 2004 12:46:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA3HhdCp014860 for ; Wed, 3 Nov 2004 12:43:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA3HhJTJ002199; Wed, 3 Nov 2004 12:43:19 -0500 (EST) Date: Wed, 3 Nov 2004 12:43:19 -0500 (EST) Message-Id: <20041103173356.19707.qmail@web14716.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: New York area set pieces available MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.529 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Nov 2004 12:43:19 -0500 (EST) Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: New York area set pieces available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.529 X-Spam-Flag: NO Hi, all, The Blue Hill Troupe's High Society (starring tenor Rich Miller as baritone Dexter Haven) (he's great, BTW) opens on Friday Nov 5 and runs through Nov 13. It's selling extremely well, so if you're planning on seeing it, act now! Go to www.bht.org (or email me back). Now...the set pieces from the show are available -- no charge, but a contribution to our charity (Student Sponsor Partners) might be nice. Here's what we've got: 2 French door flats (non- opening) 6ft wide by 9 ft tall made of luan, one working French door flat 7 ft wide by 12 ft tall made of 3/4 inch ply. 2 triangular pieces with flats on two sides of different scenes - bedroom window, fireplace, trellis, window covered with blinds - size of each side is 6 ft wide by 11 ft tall. One painted folding screen 8 - 9 ft wide by 71/2 ft tall. If you're interested in seeing the pieces, let me know. Also let me know if you're planning to see the show; I'll be there at most performances. Carol D in NYC __________________________________ Do you Yahoo!? Check out the new Yahoo! Front Page. www.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Nov 2004 15:13:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA3KBTiR025370; Wed, 3 Nov 2004 15:13:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA3KA2xm015805 for ; Wed, 3 Nov 2004 15:10:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA3K9nTJ005247; Wed, 3 Nov 2004 15:09:49 -0500 (EST) Date: Wed, 3 Nov 2004 15:09:49 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: The ideal Christmas present MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Nov 2004 15:09:49 -0500 (EST) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: The ideal Christmas present X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO Now that Hallowe'en is behind us, the long run-up to Christmas is at last commencing, and of course the universal cry is: "What can we get our Gilbert-loving loved ones to gladden their hearts at this year's Yuletide celebrations? What, oh what in the world is special enough to suit the fanatical Gilbertian in my life?" To this, there can be but one answer: Issue 15 of the W.S. Gilbert Society Journal. Why is Issue 15 the perfect present? Because it contains the first printing in nearly a century of a long-lost Gilbert short story, "Lady Mildred's Little Escapade", which is not only a world exclusive scoop, but also a very funny story in its own right. As if that were not enough, the issue also contains the usual mix of articles, reviews and Gilbert cartoons that we have come to expect from the Journal. And all this can be yours--yes, *yours*, madam!--for the absurdly reasonable price of three pounds (UK), or four pounds for overseas. Incidentally.... we of the W.S. Gilbert Society do not shy away from awkward questions, so let me ask: "Why is your Gilbert-fanatical loved one not a member of the Gilbert Society already? Tell me that!" Joining the Society is just as easy as ordering a copy of its Journal, costing a mere eight pounds for UK membership and twelve pounds for overseas membership. All cheques etc (made payable to the W.S. Gilbert Society) should be sent to me at this address: Andrew Crowther 5 Undercliffe Old Road Bradford BD2 4RQ United Kingdom. If you have any problems or queries, please email me privately at: ajcrowth@ukonline.co.uk This was a public service announcement. We now return you to the programme. --Andrew Crowther Hon Sec, W.S. Gilbert Society ------------------------------------------------------------ W.S. Gilbert Society website: http://web.ukonline.co.uk/ajcrowth/wsgsoc.htm Babliophile, my personal appreciation of Gilbert: http://web.ukonline.co.uk/ajcrowth/babliophile.htm  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Nov 2004 17:41:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA3Mephb020213; Wed, 3 Nov 2004 17:41:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA3MdGHv024806 for ; Wed, 3 Nov 2004 17:39:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA3MdATJ008377; Wed, 3 Nov 2004 17:39:10 -0500 (EST) Date: Wed, 3 Nov 2004 17:39:10 -0500 (EST) Message-Id: <3.0.6.32.20041103223353.01585a40@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re:CD s and DVDs--was The Contrabandista/The Foresters Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c4c1d0$7818b520$fe1f7ad5@sndc09600028> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.405 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Nov 2004 17:39:10 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re:CD s and DVDs--was The Contrabandista/The Foresters X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c4c1d0$7818b520$fe1f7ad5@sndc09600028> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.405 X-Spam-Flag: NO At 13:24 03/11/04 -0500, Ian Bond wrote: > >Adam reminds us that Chris Webster's CONTRABANDISTA also contains >CHIEFTAIN - however, it is far from an ideal recording and, as with all >Chris' issues I do find that they are unplayable on some equipment >presenting problems similar to those mentioned in connection with this new >Hyperion recording yesterday. In fact on one of my CD decks Chris' >CONTRABANDISTA/CHIEFTAIN registers an error and will not play at all. Ian has highlighted a growing problem on playability of both CDs and DVDs. With good old 78s and LPs we did not have a problem. All records apart from the occasional faulty pressing played on any turntable. With the coming of CDs the position has changed and is even worse with DVDs. There are many reasons for this but the fact remains that some players, usually the more expensive types, will not play all CDs or DVDs. It is true of studio equipment as well. Have you noticed that a lot of TV programmes are now transmitted from DVDs which ''freeze'' now and again. If you watch French, Italian or German TV (satellite) you will find many such incidents and there is never any apology. In a good many cases the programmes sticks with a frozen image and that may persist for 10 minutes or more. It suggests to me that no one is in the control room watching the actual transmission, no doubt for reasons of cost of personel. I have seen stuck DVD pictures from players being transmitted when they have reverted to the name of the maker, Pioneer machines for instance do this after several minutes. Eventually they will switch off entirely and a blank screen is then transmitted. Digital satellite channels have become cheap and have multiplied but at a reduced performance technically to the viewing public. I no longer subscribe to Sky as such so I don't know what standards they have. Some of these ''stuck'' programmes are commercial films. I have found, so far, no problem with Chris Webster's CDs but have had a problem with some of the DVDs from Buxton. I think Chris Faulkner has now found the answer to that. The incompatability problem is made worse by the multiple standards in use for DVDs namely +R; -R and RAM and their sub variants. One then has to distinguish between an incompatible format or a playing fault if a disc does not play. The nightmare is getting worse day by day. I have a UK version of Topsy-Turvy which will not always play correctly but does most of the time. The USA version always plays correctly. Its nothing to do with PAL versus NTSC but sheer tracking problems. It may have something to do with the fact that the UK version has a lot more data on the disc than the USA version. (the directors commentary). They are both dual layer discs. Home brew dual layer is just about to hit the UK market and goodness knows what problems that will show up. Peter. >From pdp@globalnet.co.uk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Nov 2004 04:48:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA49mehV018252; Thu, 4 Nov 2004 04:48:40 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA49mbDk025829 for ; Thu, 4 Nov 2004 04:48:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA49mPTJ015664; Thu, 4 Nov 2004 04:48:25 -0500 (EST) Date: Thu, 4 Nov 2004 04:48:25 -0500 (EST) Message-Id: <200411040938.iA49cqAh010834@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 4 Nov 2004 04:48:25 -0500 (EST) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: George Walker DVD Boxed Set X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO >Date: Mon, 1 Nov 2004 13:43:36 -0500 (EST) >From: "P.D.Parker" > >I don't suppose the Lazer disc versions are still on sale. I was >never able to find those in UK and Pioneer confirmed they were never >officially on sale here. Anyway, who has a player for those now?? I do. I also have the Pioneer Yeomen in question; but looking at the jacket is as far as I got before heading to QWERTY/TOWERS. I shall investigate further upon my return if there are any questions posed which I might answer. >Question for Peter Crichton: is it possible to re-create genuine Dolby 5.1 >or DTS 5.1 from a two track stereo original. Obviously one can fake it. >Does the name Goldcrest Films appear anywhere on the box or labels? They >took over the copyrights from Brent Walker but would not discuss matters at >all. I met with a total refusal. They would not even make an appointment to >see me.; I did try. I should be interested if you notice any changes to the >copyright title frames at the end of each DVD compared with the VHS tapes. >The various versions of the tapes show some differences. I'm not Peter, but I'll put in my oar regardless. In order to create a "genuine" 5.1 soundtrack, one must have at least three original tracks, and preferably four or five. It is easy enough to create a 3.1 (though I've not heard of anyone doing it), but extracting a surround channel or two would be unsatisfactory. It's best to stick with the same number of channels as the original, as both Dolby Digital and DTS are compressed soundtracks, and fewer channels means less compression and higher fidelity. There's nothing wrong with Dolby 2.0 if the original was stereo. Is Goldcrest Films the current copyright holder of the Brent Walker series? If they won't even discuss the matter, that's unfortunately their prerogative. It means we must wait for a more reasonable owner to take over before seeing the complete material re-released. -Dave Jedlinsky opus@mit.edu Milford, NH (currently in Torquay)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Nov 2004 14:40:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA4JenhX000150; Thu, 4 Nov 2004 14:40:53 -0500 (EST) Received: from smtp2.global.net.uk (smtp2.global.net.uk [80.189.94.52]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA4JdoCR028043 for ; Thu, 4 Nov 2004 14:39:50 -0500 (EST) Received: from gr.189.169.44.dial.global.net.uk ([80.189.169.44] helo=pdp) by smtp2.global.net.uk with smtp (Exim 4.24; FreeBSD) id 1CPnSV-000FNT-QK for opus@MIT.EDU; Thu, 04 Nov 2004 19:39:48 +0000 Message-Id: <3.0.6.32.20041104193600.01585670@pop3.norton.antivirus> X-Sender: pdp/mail.globalnet.co.uk@pop3.norton.antivirus X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Thu, 04 Nov 2004 19:36:00 +0000 To: "David C. Jedlinsky" From: "P.D.Parker" Subject: Re: George Walker DVD Boxed Set In-Reply-To: <200411040938.iA49cqAh010834@multics.mit.edu> References: <3.0.6.32.20041101183945.01578320@pop3.norton.antivirus> <3.0.6.32.20041101183945.01578320@pop3.norton.antivirus> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Authenticated-Sender: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.547 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: pdp/mail.globalnet.co.uk@pop3.norton.antivirus Date: Thu, 04 Nov 2004 19:36:00 +0000 To: "David C. Jedlinsky" From: "P.D.Parker" Subject: Re: George Walker DVD Boxed Set In-Reply-To: <200411040938.iA49cqAh010834@multics.mit.edu> Authenticated-Sender: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.547 X-Spam-Flag: NO Dear David, (at Torquay) At 04:38 04/11/04 -0500, you wrote: > >>Date: Mon, 1 Nov 2004 13:43:36 -0500 (EST) > > >I do. I also have the Pioneer Yeomen in question; but looking at the >jacket is as far as I got before heading to QWERTY/TOWERS. I shall >investigate further upon my return if there are any questions posed >which I might answer. > Yes there are a number of questions which need answering. You seem to have been lucky in obtaining one of these discs. When I tried the only place in London which had any knowledge of them was that shop alonside the Colesium which sold laser discs but by the time I wanted to buy this they had none and said they would not have any more. Moreover they wanted a very high price of the order of =A330 per disc for those that were still on sale. I would not have been willing to pay that sort of cost as I theoretically already had the recording on VHS tape. The fact that for Yeomen the recording differs did not emerge until after I had done my homework. I tried to order a copy direct from USA but that also drew a blank. If you look in the G & S Archive you will find my analysis of the variations of the published versions of this recording, depending on what copy was used originally. The various Brent Walker VHS issues and re-issues have changed some of the copyright titles and what is more some of the omitted songs were recorded and re-inserted on the laser discs but nowhere else. The story of how those were obtained has already been told on SavoyNet. They will not be included on the new boxed set now on sale. I don't like to ask if you are willing to make me a private copy on VHS tape or DVD of the laser disc, but do ask nonetheless. I would of course refund any costs and/or supply the tape. That the BBC had more complete versions was fact but I for one deleted some of those off air tapes when the price of them dropped for sale in re-issues not realising they were different at the time. The original sale price of versions marked as Brent Walker was around =A335 per opera. At that price they did not sell. Woolworths sold them at =A39.99 eventually and I bought my set from them even though I already had several originally belonging to Bridget D'Oyly Carte. Some of those were faulty even though they were supplied direct to her by George Walker personally. Patience stops half way through act 1; the rest of the tape is blank. Bridget never played them as she did not have a VHS machine. They have been transmitted on the Performance Channel some while ago and I think also on Channel Four but always the cut ''as sold'' versions. Neither broadcaster was the least bit interested when I told them they had cut versions. The BBC did not keep the versions they had but returned them to Brent Walker who were at that time still in business. >I'm not Peter, but I'll put in my oar regardless. In order to create >a "genuine" 5.1 soundtrack, one must have at least three original >tracks, and preferably four or five. It is easy enough to create a >3.1 (though I've not heard of anyone doing it), but extracting a >surround channel or two would be unsatisfactory. It's best to stick >with the same number of channels as the original, as both Dolby >Digital and DTS are compressed soundtracks, and fewer channels means >less compression and higher fidelity. There's nothing wrong with >Dolby 2.0 if the original was stereo. > =20 Yes I agree with that but I gathered that they are claiming a 5.1 soundtrack. Dolby digital and 5.1 was not even thought of when these were made in around 1982. Its the usual false hype which accompanies so many products these days. Please get in touch after the qwert. Regards Peter. From pdp@globalnet.co.uk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Nov 2004 15:03:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA4K01iP011038; Thu, 4 Nov 2004 15:03:45 -0500 (EST) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA4JwNCR021094 for ; Thu, 4 Nov 2004 14:58:24 -0500 (EST) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Thu, 4 Nov 2004 14:58:21 -0500 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16B03E9F7DE@MAILMAN> From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: George Walker DVD Boxed Set Date: Thu, 4 Nov 2004 14:58:16 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: George Walker DVD Boxed Set Date: Thu, 4 Nov 2004 14:58:16 -0500 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO Give my best to everyone there - especially Bob and Jackie. I wish I were with y'all. Leta -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Thursday, November 04, 2004 4:39 AM To: pdp@globalnet.co.uk Subject: Re: George Walker DVD Boxed Set >Date: Mon, 1 Nov 2004 13:43:36 -0500 (EST) >From: "P.D.Parker" > >I don't suppose the Lazer disc versions are still on sale. I was never >able to find those in UK and Pioneer confirmed they were never >officially on sale here. Anyway, who has a player for those now?? I do. I also have the Pioneer Yeomen in question; but looking at the jacket is as far as I got before heading to QWERTY/TOWERS. I shall investigate further upon my return if there are any questions posed which I might answer. >Question for Peter Crichton: is it possible to re-create genuine Dolby >5.1 or DTS 5.1 from a two track stereo original. Obviously one can fake >it. Does the name Goldcrest Films appear anywhere on the box or labels? >They took over the copyrights from Brent Walker but would not discuss >matters at all. I met with a total refusal. They would not even make an >appointment to see me.; I did try. I should be interested if you notice >any changes to the copyright title frames at the end of each DVD >compared with the VHS tapes. The various versions of the tapes show >some differences. I'm not Peter, but I'll put in my oar regardless. In order to create a "genuine" 5.1 soundtrack, one must have at least three original tracks, and preferably four or five. It is easy enough to create a 3.1 (though I've not heard of anyone doing it), but extracting a surround channel or two would be unsatisfactory. It's best to stick with the same number of channels as the original, as both Dolby Digital and DTS are compressed soundtracks, and fewer channels means less compression and higher fidelity. There's nothing wrong with Dolby 2.0 if the original was stereo. Is Goldcrest Films the current copyright holder of the Brent Walker series? If they won't even discuss the matter, that's unfortunately their prerogative. It means we must wait for a more reasonable owner to take over before seeing the complete material re-released. -Dave Jedlinsky opus@mit.edu Milford, NH (currently in Torquay)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Nov 2004 06:21:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA5BL2hV013975; Fri, 5 Nov 2004 06:21:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA5BL07L012591 for ; Fri, 5 Nov 2004 06:21:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA5BKsTJ007274; Fri, 5 Nov 2004 06:20:54 -0500 (EST) Date: Fri, 5 Nov 2004 06:20:54 -0500 (EST) Message-Id: <006401c4c326$fca79070$ff6bbcbc@RFCharlton> Errors-To: savoynet-owner@bridgewater.edu Reply-To: fraser.charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fraser Charlton" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert dialogue (was Pitlochry's Engaged) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Nov 2004 06:20:54 -0500 (EST) Reply-To: fraser.charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Fraser Charlton" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert dialogue (was Pitlochry's Engaged) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO ----- Original Message ----- From: "Ian Lawson" To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, November 02, 2004 1:23 AM > Be that as it may, it occurred to me after seeing a good Gilbert Without > Sullivan Or Anyone Else For That Matter (GWOSOAEFTM), that I've never really > heard the dialogue sections in the operas done 100% convincingly. This is the reason that I became a director! I had worked, as a principal, with a number of directors who, though often excellent at choreography/creating stage pictures, too often left the actors to do what they wanted with dialogue. Jokes were missed, and I used to get extremely annoyed when they'd say 'I don't know what this means, but just say it anyway!'. Find out, for God's sake! Of course, in reality, it isn't always easy to get what you want. Casting at an amateur (and, I daresay, professional) level is a compromise between acting and singing abilities, and there are very different aptitudes when it comes to saying lines. I find that with those of more limited ability, I try and prescribe more exactly how to say a line (when the voice goes up, pauses, etc.), while leaving the more able to find their own way, with more subtle guidance. I do always ensure that everyone understands not only the meaning of all their lines, but also the purpose (i.e. the _point_ of the joke, conveying particular information, etc.). You must also consider the shape of both an individual speech and the entire scene, so that things flow at the right speed. As Ian points out, pacing is a whole bundle of factors, and that a well-paced show doesn't equal a fast one. Knowing when to slow down and focus is something that I have only become aware of with experience. One of the main thrusts of my directorial style is to try to do the serious bits seriously. All the shows have got them, and, if you can carry them off, you get a greater depth to the experience. I think that it also makes the funny bits funnier. Aided by a tenor who can act particularly well, I think that our audiences may have found the romances of Ralph and Josephine, and Frederic and Mabel actually a bit believable. On the topic of accuracy of text, I don't like paraphrasing in G&S at all, although I'm more tolerant in the less-aphoristic later shows. In Edwardian Musicals, I find a more relaxed attitude to accuracy can be beneficial for the show (likewise, minor ad libs). Gilbert was a master craftsman, though, and, when at his peak, every word is carefully chosen. I correct even minor errors whenever they occur more than once (otherwise they can become fixed). Sometimes this is too late - there was one actor who had a memory that I likened to a CD-ROM - once learned, that was it, it could never change. My brother pointed out, though, that a vinyl record was a better analogy - a line couldn't be changed, but it could be jumped... Fraser. ---------------------------------------------------------------------- Dr Fraser Charlton, Consultant Pathologist Royal Victoria Infirmary, Newcastle Upon Tyne Tel: 0191 282 4445 E-mail: Fraser.Charlton@ncl.ac.uk WWW HomePage: http://www.staff.ncl.ac.uk/fraser.charlton ----------------------------------------------------------------------  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Nov 2004 20:07:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA617ChV011775; Fri, 5 Nov 2004 20:07:13 -0500 (EST) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA6179ok016622 for ; Fri, 5 Nov 2004 20:07:09 -0500 (EST) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CQF2q-0002Wp-00 for opus@MIT.EDU; Fri, 05 Nov 2004 20:07:08 -0500 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Address? Date: Fri, 5 Nov 2004 20:06:45 -0500 Message-ID: <00ac01c4c39c$e2e99590$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <200411060027.iA60R591002506@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: RE: Address? Date: Fri, 5 Nov 2004 20:06:45 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <200411060027.iA60R591002506@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO 3425 Verner St Drexel Hill, P/a 19026 :-) becca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, November 05, 2004 7:27 PM To: hains@temple.edu Subject: Address? Hey Becca. I've got an 820 Foss Avenue address for you, but I wasn't sure if that's old. Is it? If so, what's the correct one? -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Nov 2004 12:13:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA6HCrhl000539; Sat, 6 Nov 2004 12:13:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA6HCcaM018610 for ; Sat, 6 Nov 2004 12:12:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA6HCSTJ000954; Sat, 6 Nov 2004 12:12:28 -0500 (EST) Date: Sat, 6 Nov 2004 12:12:28 -0500 (EST) Message-Id: <002a01c4c421$6c8c5ec0$9a04fea9@home4bd15b3a15> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: QWERTY TOWERS report - long distance variety MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0027_01C4C3F7.839E8900" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.16 X-Spam-Level: *** (3.16) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Nov 2004 12:12:28 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: QWERTY TOWERS report - long distance variety X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.16 X-Spam-Level: *** (3.16) X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C4C3F7.839E8900 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I just heard Jane Richardson singing "Silvered is the raven hair" - and = very lovely it was, by the way - but can only guess at what she was = doing to cause the assembled minion at the Torcroft to laugh. = Telephonic communication goes only so far, sigh... In any case, it sounds like they're having a ball in Torquay and I am = just a bit sad that I wasn't able to join them, sigh, sigh. My guess is = that this will not be a one-off weekend, so though of us who couldn't = tear away this time will get other opportunities. Start applying = pressure on the Richards NOW, although from the sounds of it, I don't = think it will take a lot. Well done B & J! Seems you've created a winner! cheers, Ori ------=_NextPart_000_0027_01C4C3F7.839E8900 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I just heard Jane Richardson singing = "Silvered is=20 the raven hair" - and very lovely it was, by the way - but can only = guess at=20 what she was doing to cause the assembled minion at the Torcroft to = laugh. =20 Telephonic communication goes only so far, sigh...
 
In any case, it sounds like they're = having a ball=20 in Torquay and I am just a bit sad that I wasn't able to join them, = sigh,=20 sigh.  My guess is that this will not be a one-off weekend, so = though of us=20 who couldn't tear away this time will get other opportunities.  = Start=20 applying pressure on the Richards NOW, although from the sounds of = it, I=20 don't think it will take a lot.
 
Well done B & J!  Seems you've = created a=20 winner!
 
cheers,
Ori
 
 
 
------=_NextPart_000_0027_01C4C3F7.839E8900--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Nov 2004 13:37:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA6IbHhV022333; Sat, 6 Nov 2004 13:37:18 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA6IbHKj025076 for ; Sat, 6 Nov 2004 13:37:17 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iA6IbF1U012863 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Sat, 6 Nov 2004 13:37:16 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: Date: Sat, 6 Nov 2004 13:37:12 -0500 To: opus@mit.edu From: Alex French Subject: Clue VHS Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod Date: Sat, 6 Nov 2004 13:37:12 -0500 To: opus@mit.edu From: Alex French Subject: Clue VHS X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Opus, If it isn't going to affect our overall price (I know at one point I heard that making an initial master tape was rather expensive) we'd actually like 2 VHS and 10 DVD, instead of 12 DVD. Let me know if that's a problem for any reason. -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Nov 2004 13:38:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA6IcthV022757; Sat, 6 Nov 2004 13:38:55 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA6IctKj025772 for ; Sat, 6 Nov 2004 13:38:55 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iA6Icq1U013009 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Sat, 6 Nov 2004 13:38:54 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: Date: Sat, 6 Nov 2004 13:38:49 -0500 To: opus@mit.edu From: Alex French Subject: one more Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod Date: Sat, 6 Nov 2004 13:38:49 -0500 To: opus@mit.edu From: Alex French Subject: one more X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Opus, That should have actually been 2 VHS and 11 DVD. And that's my last change. Probably. -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 03:21:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA78LohV008169; Sun, 7 Nov 2004 03:21:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA78Lmuv005492 for ; Sun, 7 Nov 2004 03:21:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA78L8TJ006256; Sun, 7 Nov 2004 03:21:08 -0500 (EST) Date: Sun, 7 Nov 2004 03:21:08 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: wright2@tpg.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Wright" To: Multiple recipients of list SAVOYNET Subject: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 03:21:08 -0500 (EST) Reply-To: wright2@tpg.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Wright" To: Multiple recipients of list SAVOYNET Subject: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Congratulations to Diana Burleigh who has just become the inaugural Grand Champion of "The Einstein Factor" with a special subject of G & S! This is, I believe, the second time Diana has conquered a national quiz show, specialising in matters Savoy. She defeated an Irish policeman talking about Michael Collins and some fellow interested in rock-and-roll. A well deserved victory! Martin Wright Melbourne  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 04:24:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA79O3hV018006; Sun, 7 Nov 2004 04:24:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA79N5uv015193 for ; Sun, 7 Nov 2004 04:23:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA79MLTJ006627; Sun, 7 Nov 2004 04:22:21 -0500 (EST) Date: Sun, 7 Nov 2004 04:22:21 -0500 (EST) Message-Id: <1c5.1fcee425.2ebf4256@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1099819094" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5035 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.465 X-Spam-Level: ****** (6.465) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 04:22:21 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.465 X-Spam-Level: ****** (6.465) X-Spam-Flag: NO -------------------------------1099819094 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 11/7/04 3:20:36 AM Eastern Standard Time, wright2@tpg.com.au writes: Congratulations to Diana Burleigh who has just become the inaugural Grand Champion of "The Einstein Factor" with a special subject of G & S! Ok, I challenge everyone to write a verse praising Diana, based on "Hail, poetry". Here's mine: Hail, Diana, from Savoynet! You've given us the best win yet. Hail, flowing fount of things Savoy All hail, all hail, our praise you'll now enjoy! Elise Curran Orlando -------------------------------1099819094 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 11/7/04 3:20:36 AM Eastern Standard Time, wright2@tp= g.com.au writes:
Congratulations to Diana Burleigh who has just= become the inaugural Grand
Champion of "The Einstein Factor" with a spec= ial subject of G & S!
 
Ok, I challenge everyone to write a verse praising Diana, based on "Hai= l, poetry".
Here's mine:
 
Hail, Diana, from Savoynet!
You've given us the best win yet.
Hail, flowing fount of things Savoy
All hail, all hail, our praise you'll now enjoy!
 
Elise Curran
Orlando
-------------------------------1099819094--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 09:06:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7E66hV028612; Sun, 7 Nov 2004 09:06:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA7E64KZ022254 for ; Sun, 7 Nov 2004 09:06:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7E5JTJ008251; Sun, 7 Nov 2004 09:05:19 -0500 (EST) Date: Sun, 7 Nov 2004 09:05:19 -0500 (EST) Message-Id: <011301c4c4d1$dfb5a950$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1c5.1fcee425.2ebf4256@aol.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 09:05:19 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1c5.1fcee425.2ebf4256@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Elise wrote, >> I challenge everyone to write a verse praising Diana, based on "Hail, poetry". << Ooh, I accept! She clearly deserves My verse: Hail, Diana, thou brilliant dame! Thou winnest e'en the hardest game. Hail, flowing fount of eloquence; All hail, all hail, thy great intelligence! With many congratulations, Rebecca Hains Philadelphia, PA  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 09:51:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7Eo6hn007175; Sun, 7 Nov 2004 09:51:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA7ElpKZ024354 for ; Sun, 7 Nov 2004 09:47:51 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7El2TJ008826; Sun, 7 Nov 2004 09:47:02 -0500 (EST) Date: Sun, 7 Nov 2004 09:47:02 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 09:47:02 -0500 (EST) Reply-To: npetrikov@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Keith Peterson" To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO I can't do "Hail, Poetry," but here's my contribution, to a possibly recognizable tune: Our eyes are fully open to Diana Burleigh’s talents, Her spectacular abilities and perfect mental balance. She’s received a commendation after mastering “The Factor”; And to think that this encomium was given to an actor! Now, we do not want to quibble after such a perfect innings, But we have a word of warning, if she celebrates her winnings: It were better, if she didn’t start the partying too early-- We would rather not be saddled with tomorrow’s hurly Burleigh. With tomorrow’s hurly Burleigh, Burleigh, Burleigh, Burleigh, Burleigh, Etc. Good on yer, Diana! Keith H. Peterson Jersey City, New Jersey  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 11:33:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7GUei5027685; Sun, 7 Nov 2004 11:33:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA7GTs7p022007 for ; Sun, 7 Nov 2004 11:29:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7GTATJ009420; Sun, 7 Nov 2004 11:29:10 -0500 (EST) Date: Sun, 7 Nov 2004 11:29:10 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Three Princesses - a commentary and a plug MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 11:29:10 -0500 (EST) Reply-To: pzavon@rochester.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Three Princesses - a commentary and a plug X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Well, almost. Last weekend I saw the Opera-Lytes's mostly conventional production of Princess Ida in Amherst, NY (a Buffalo suburb). This weekend I saw the Off-Monroe Players' concept production of Princess Ida in Rochester, NY. It was set in the American southwest. In four weeks I hope to see the Village Light Opera Group's production of Princess Ida in New York City. I am calling this message a commentary because I don't take notes (mental or written) sufficient to produce the kind of detailed production review we sometimes see here. And I am writing this before seeing the VLOG production because I don't take written notes at all and don't want to rely on fading memory a month from now. But I think the "Three Princesses" subject line is catchy, so you are stuck with it. PRINCESS I Opera-Lytes is the company Lisa Berglund performs with. They are in their 10th year and 20th production. They sometimes perform at the Lancaster Opera House, in Lancaster, NY, but I have only seen them at their other location, a nicely appointed auditorium in an elementary school that has been converted to a Community Center. The auditorium is nice for the audience, with comfortable chairs and lots of leg room, but perhaps a bit less nice for the production. The stage is 20-25 feet wide and lighted in performance by white flood lights with no dimming capability. When I saw their Utopia two years ago they had a small orchestra for accompaniment. This time, they had piano accompaniment. However, like Princess Ida herself, the Musical Director and Conductor (Jonathan Wilder) is able to play several instruments at once. In addition to conducting, he added seasoning to the music by playing trumpet, drums and chimes as needed. The costuming was, on the whole, conventional, low-budget, community theatre costuming. The Goons, as I think of them, were dressed in nice looking armor with the usual Velcro quick releases, except that Guron and Synthius wore bicycle and hockey helmets. I understand this was making a virtue (joke) out of necessity (three suitable costume helmets not available). I thought Psyche had a neat little partial departure from convention in the third act. Dressed in pointed hat, with hat and robe marked in a manner reminiscent of the Harry Potter universe, she carried a wand with a star on the end. At one point during her "Let us dispense..." speech, she made a motion with the wand, and the accompanists somehow produced a sound similar to the light, "I'm doing magic" sounds heard in cartoons and some movies. The small stage had a minimal set to allow maximum room for the cast, which was nevertheless small as Ida casts go. There were only five women in the chorus, and four men. Two of those men were non-singing supernumeraries, so the men's chorus lacked the tenor line. Depending on who else was on stage, this was sometimes noticeable, even to me. I thought the performance was enjoyable and worth the 55 mile drive (one hour) to get there. As is usual with such groups, the vocal quality of the leads varied but was acceptable on the whole. Even during those difficult double choruses they all stayed together. I was a bit disappointed with the number of people in the audience, which seemed to be just under a hundred in a house able to accommodate a bit more than 200. This was the second performance of a three performance run and I felt I was helping them decide when to applaud, especially during the first act. Oh, yes, the performance was organized as three acts, with an intermission between Acts 1 and 2, and a musical interlude between 2 and 3. Other than functioning water fountains, no refreshments were available during the intermission. PRINCESS II Last night I saw the Off-Monroe Players (OMP) decidedly concept version of Princess Ida. This is the group I performed with for a while, but I been exclusively an audience member for the last several years. OMP is in its 27th year and 69th production. In the front of the program, Director Brian Smith puts the audience on notice that he has mounted a different production, as he did also during announcements from the stage before the show began. Off-Monroe Players ALWAYS has announcements from the stage, pointing out where the restrooms and emergency exits are, announcing the intermission plan and availability of refreshments, etc. The performance was organized as a Prologue and two Acts. The curtain rose on "Search throughout the Panorama", without a preceding overture or musical introduction. That introductory music was reserved for use as a musical interlude between the Prologue and Act I (which began with "Towards the Empyrean Heights"). I think this worked well. It might be considered for more conventional productions. In this rethinking of Princess Ida, the production is set in the American southwest. King Hildebrand and Prince Hilarion become Colonel Hildebrand and Captain Hilarion, officers of a cavalry troop that includes Sergeant Cyril and Corporal Florian. King Gama becomes Don Gama de Mexico. Castle Adamant becomes Fort Adamant, Princess Ida is Donna Ida and Lady Blanche is the Widow Blanche. The dialog and lyrics were touched only lightly in moving the setting, the music not at all. "Prince Hilarion" in some lyrics, for example, became "young Hilarion." However the effort to match setting seemed to have run out of time or energy at some point as references to "castle walls" and such began to appear toward the end of Act I (the middle of the three parts) and were quite noticeable in Act II (the last act). I noticed in particular toward the end where Ida tells her followers to admit Hildebrand and company for the final challenge and the get "within the castle walls" the obvious alternative of "within the barracks walls" or similar phrases were not used. The biggest change to the book was the complete removal of the sequence where Ida falls into the river and is saved by Hilarion. I guess there are not that many deep rivers near de-militarized forts in the southwest. The costumes were delightfully southwestern. The women in Prologue and Act 1 wore the kinds of bonnets, dresses and aprons you would expect to see in a good community production of "Oklahoma!" In the last Act, they were more in blue jeans with a touch of "Annie Get Your Gun." Several of the women were armed with rifles, so I wondered how the fusiliers fear of weapon discharge in battle would be dealt with. They did this by changing fusiliers to pistoleros, who were armed with hatchets. The Cavalry men were in blue and yellow that clearly evoked US Cavalry uniform, without being costly, rented uniforms at all. The costumes for the Mexicans were spectacular by comparison. Don Gama was in golds and light yellows and his sons were in darker colors. All wore the highly decorated sombreros of the Mexican Vaquero, or perhaps of the Mariachi Band, as well as cartridge bandoliers over each shoulder. They also had cigarillos clenched in their teeth, both completing the bandito image and validating Cyril's long distance observation about their smoking cigars. Ida, on the other hand wore a white blouse lightly embroidered with a line of flowers, and a pair of blue jeans. She wore a six-shooter on her left hip and a coiled whip on her right hip. This is highly reminiscent of the costume of the female lead in a Hollywood western of the 1950's that involved a Hispanic-Anglo confrontation as a sub-plot. I am blanking on the name of the movie, and of its stars, but I think this may be an intentional similarity. Accents are worth mentioning here. OMP usually tries for open vowels and similar pronunciation changes that make American audiences think of a stereotypical "English accent." For this production, however, they did quite the opposite. The non-Mexican characters mostly had the highly nasal pronunciation of the American mid-west or southwest, such as you might find in a production of Oklahoma. (Ado Annie in the movie version is a good example of this.) Both chorus and leads affected this accent and carried it in song as well as dialog. The Mexican characters affected Mexican, or Hispanic, accents. For two of the Goons this was probably not a far reach, as one is Mexican and another Puerto Rican. However Susanna Adams, who played Ida, is apparently of Hungarian origin. When she began her opening speech to the women of Fort Adamant, my first thought was that she was voicing Julia Jellico. She normally performs quite unaccented to the American ear, but trying to affect a Mexican accent must have brought back some of her Hungarian as well. After a while I could cue on the Hispanic elements and ignore the Hungarian, but it was quite a surprise at first. The most entertaining accent was provided by Ted Benedict as Gama. He played the part as a cross between a Mexican patrón and a bandit, with an accent and cadence based on the cartoon character, Speedy Gonzales, but modified a bit, and carried it successfully throughout the show, both in song and dialog. The character's misshapenness was there but not emphasized as he performed some five minutes of interpolated dialog in his first song. That had him addressing the age of a female companion of a member of the audience. (Funny, and an aid to establishing Gama's Hispanic Bandito character, if a bit out of place.) For me, the most spectacular performance was given by Cynthia Cuddeback as the Widow Blanche. She had the strong voice and projection to overcome the unusually high remembrence of the hall the night I was there (smaller audience than usual), and she used a Georgia Belle accent. (Ethyl Merman meets Elise Curran as Julia Jellico at the Rockville Singout). As usual, accompaniment was by piano only. Also as usual, there was no conductor. Performers are expected to take their cues from the accompanist, located to the left of the stage on the house floor, and from special indicators that are designed to help them over difficult parts. The night I was there the more complex pieces fell apart momentarily more than once, illustrating a weakness of this system. The audience is seated on metal chairs, each provided with two pads for improved comfort. This has the advantage of permitting only enough seats to be placed to accommodate the expected audience on a given evening, so a sparse house does not get widely scattered and diluted. But, additional seats can rapidly be placed if an unexpected number of walk-ins arrive. I've seen this house (a combination gymnasium/auditorium) set for as few as 100 seats or for more than 300 seats. If you are near enough to catch this production, and if you are not turned off by the concept, I recommend it. They are performing evenings at 8 pm on 12, 13, 19, and 20 November with a 1 PM matinee today (7 November) and on 14 November. Admission is free, reservations are recommended, and contributions are gratefully accepted. See their web site at http://www.off-monroeplayers.org/ By the way, OMP will be performing Gayden Wren's "G&S Christmas Carol" on 10 & 11 December at 8PM. PRINCESS III I expect to attend the VLOG performance of Princess Ida on 4 December. Any other Savoynetters going to be there that night? Peter Zavon Penfield, NY PZAVON@Rochester.rr.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 11:50:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7GoihV002386; Sun, 7 Nov 2004 11:50:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA7GogEk022687 for ; Sun, 7 Nov 2004 11:50:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7Go1TJ009700; Sun, 7 Nov 2004 11:50:01 -0500 (EST) Date: Sun, 7 Nov 2004 11:50:01 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Cooke" To: Multiple recipients of list SAVOYNET Subject: RE: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 11:50:01 -0500 (EST) Reply-To: tim@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tim Cooke" To: Multiple recipients of list SAVOYNET Subject: RE: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Congrats to Diana. There is a feature page here: http://www.abc.net.au/einsteinfactor/txt/s1036963.htm -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of Wright Sent: 07 November 2004 08:20 To: Multiple recipients of list SAVOYNET Subject: Savoynetter Grand Champion! Congratulations to Diana Burleigh who has just become the inaugural Grand Champion of "The Einstein Factor" with a special subject of G & S! This is, I believe, the second time Diana has conquered a national quiz show, specialising in matters Savoy. She defeated an Irish policeman talking about Michael Collins and some fellow interested in rock-and-roll. A well deserved victory! Martin Wright Melbourne  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 13:14:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7IE7hV023770; Sun, 7 Nov 2004 13:14:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA7IE47p018217 for ; Sun, 7 Nov 2004 13:14:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7IDGTJ010414; Sun, 7 Nov 2004 13:13:16 -0500 (EST) Date: Sun, 7 Nov 2004 13:13:16 -0500 (EST) Message-Id: <82.1a8f32a7.2ebfbb1d@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Qwerty Towers - a great success! MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 13:13:16 -0500 (EST) Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Qwerty Towers - a great success! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO I had hoped to be the first to post my thanks and a short piece on Qwerty Towers but I see that Ori has beaten me to it - albeit by phone link! Jackie and Bob have really done us proud. This has been a most wonderful few days in their lovely hotel by the Torquay sea and even the weather was warm and sunny for us. Some of us arrived early so we managed to sing through a Gondoliers on the Thursday night. On Friday the bulk of the guests arrived - over 40 in all, and we sang Trial by Jury which was followed 'by a display of fireworks in the evening' kindly lit by Ian Hollamby. On Saturday we sang our way through Sorcerer, Ida, Ruddigore, Patience and Yeomen. Unfortunately we had to leave after breakfast on Sunday but 4 more were scheduled for Sunday. I'm sure others will post with their favourite moments and perhaps include cast lists etc. By indicating in advance to Jackie, roles you would like to perform, everyone had an opportunity to perform their favourites or those they'd always wanted a chance to do. There was some superb singing and the chorus work sounded wonderful. Ori will be pleased to hear that all the hard work he had done with us in the summer on diction seems not to have been in vain and Karen Ann will be pleased to hear that in keeping with British Qwert tradition a certain tenor gentleman appeared on the piano. We missed you Karen! It's difficult to pick out highlights (there were so many) but I think mine included the 3 tin men from Ida's Act 3 piece which included by Tim (Arac) + Mike N and Adam making a grand entrance wearing motor bike gear etc which they removed at the appropriate moments and Jackie's cry of 'Our first Hail Poetry' after we'd sung that after supper on Friday to officially open the Qwert. It was also good to sing the operas performed less often on the Saturday (although I'm sure someone will refute this!) Hearing Sharon sing Princess Ida and give the 'women of Adamant' speech again was another treat. As we arrived early we had a couple of days to see local places of interest wit SavoyNet friends which was also nice. Jackie and Bob need to have the last word though. Along with Polly and Tam we were really looked after well. The hotel brochure says 'hearty breakfasts' and this is certainly an apt description for all the food we were given. Jackie's final words were 'As long as no one went hungry' - we were fed to the hilt both by physical food and the food of G & S friendship and companionship that I think only a group of SavoyNetters can share when they meet on this sort of occasion. Thank you very much Bob and Jackie. When's the next one? Angie and John  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 14:20:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7JKBhV010494; Sun, 7 Nov 2004 14:20:11 -0500 (EST) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA7JJTxd015608; Sun, 7 Nov 2004 14:19:29 -0500 (EST) Received: from mit.edu (SCYTHER.MIT.EDU [18.238.3.200]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id iA7JIAl9001062; Sun, 7 Nov 2004 14:19:24 -0500 (EST) Message-Id: <200411071919.iA7JIAl9001062@melbourne-city-street.mit.edu> Date: Sun, 07 Nov 2004 14:18:12 -0500 From: cwstern@alum.mit.edu Subject: Tastes Like Chicken, Smells Like FEAR (11/13) To: assassins-guild@mit.edu Sender: kchen@MIT.EDU Reply-To: cwstern@alum.mit.edu Precedence: list Content-type: text/plain To-Get-Off-This-List-Send-Mail-To: assassins-guild-request@mit.edu Approved-By: high-council@mit.edu X-Bulkmail: 3.12 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 07 Nov 2004 14:18:12 -0500 From: cwstern@alum.mit.edu Subject: Tastes Like Chicken, Smells Like FEAR (11/13) To: assassins-guild@mit.edu Sender: kchen@MIT.EDU Reply-To: cwstern@alum.mit.edu To-Get-Off-This-List-Send-Mail-To: assassins-guild-request@mit.edu Approved-By: high-council@mit.edu X-Bulkmail: 3.12 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO "OMFG. Zombies." Saturday, November 13... "No way." Fear has a familiar face... "Way." Specifically, a semi-intelligent and decoposing face... "Well, s***. Run." Tastes Like Chicken, Smells Like FEAR "Too late. Latern just ran out of fuel." A Derek Herrera and Carl Stern production *sounds of crunching and screaming* - - - - - - - - - - - - TLCSLF is a high-action, high-schtick game. With zombies. Fight, run, and hide your way across "R City" -- anything it takes to survive. TLCSLF is for teams of six players. New runs will launch every two hours across the course of the day. Players should submit exactly ONE application per team of exactly SIX players. Individual applications from prospective players without teams will also be accepted, but will have much lower priority and will only be processed if we receive at least six. Individual players should also not apply under multiple teams. Individual applications to play just as an NPC zombie are acceptable. Specifically, we need NPC zombies for the 12:00 run. Anyone who NPCs at noon will be given priority for the High Threat Response runs launching at and after 22:00. Just reply with "I can NPC" and your available times in either of these cases. When you apply to play in one slot, you agree to have everyone there at least 45 minutes before that slot for prep. Also, you agree to be an NPC for the following slot (not really so hard). So your total time commitment is [slot - 45 min] until [slot + 4 hours] or so. This under-five-hour period is a hard limit and includes all preparation, run, wrapup, and NPC time. Replies and queries to: cwstern@alum.mit.edu - - - - CUT HERE / REPLY WITH FOLLOWING - - - - List of players: NAME1 // EMAILADDRESS1 NAME2 // EMAILADDRESS2 NAME3 // EMAILADDRESS3 NAME4 // EMAILADDRESS4 NAME5 // EMAILADDRESS5 NAME6 // EMAILADDRESS6 Acceptable slots in order of preference: 12:00 14:00 16:00 18:00 20:00 22:00 (SPECIAL - HTR RUN) Reason your team is cooler than every other team: WILD SELF-INFLATION GOES HERE ---------------------------------------------------------- (un)subscription requests: assassins-guild-request@mit. edu  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 16:09:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7L8Hhb009029; Sun, 7 Nov 2004 16:09:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA7KviCD005499 for ; Sun, 7 Nov 2004 15:57:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7Kv4TJ011862; Sun, 7 Nov 2004 15:57:04 -0500 (EST) Date: Sun, 7 Nov 2004 15:57:04 -0500 (EST) Message-Id: <003f01c4c509$8c556240$df05fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.397 X-Spam-Level: ** (2.397) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 15:57:04 -0500 (EST) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.397 X-Spam-Level: ** (2.397) X-Spam-Flag: NO Well, I found I couldn't fit "Diana" into the metre of "Hail, Poetry", so I've taken the liberty of using one of Diana's mythological namesake's OTHER names. She may use her lunar rays and strike me flighty if she doesn't approve - or maybe she'll think it's not needed! Hail, Cynthia! How great thy score! Thy lamp doth blaze with Savoy lore! Hail, guardian of our duo's fame! All hail! Thy skill shall dim Minerva's flame! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 16:53:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7LrjhV021001; Sun, 7 Nov 2004 16:53:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA7LdxMh012570 for ; Sun, 7 Nov 2004 16:40:00 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7LdJTJ012395; Sun, 7 Nov 2004 16:39:19 -0500 (EST) Date: Sun, 7 Nov 2004 16:39:19 -0500 (EST) Message-Id: <96.197d4dfb.2ebfecc6@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: A new game MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_96.197d4dfb.2ebfecc6_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 7.0 for Windows sub 10502 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.157 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 16:39:19 -0500 (EST) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: A new game X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.157 X-Spam-Flag: NO --part1_96.197d4dfb.2ebfecc6_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi all, While at QWERTY Towers, we played a few games on the Saturday evening, one of which was to devise G&S FIlm Titles. Without preparation this was difficult - the best we could come up with were Pirates of the Caribbean and Bring me the Fred of Alfredo Garcia. However, this game would work well on SavoyNet. Here's what I have come up with so far: Robin Oakapple, Prince of Thieves For Your Eyes O Ni Bikkuri Shakkuri To Much Mikado about nothing Moulin Rouge, Lip-Salve and Pearly Grey A Ruthven Runs Though It Pinafore Weddings and a Funeral The Eagle High Has Landed How Green Was My Valley-de-Sham The Picture of Florian Gray Divine Secrets of the Yum-Yum Sisterhood Saphir's Choice There's Something about Mabel Isabel and Fred's Excellent Adventure Jason and the Arquebus Goodbye Mrs Cripps Basingstoke - The Legend of Tarzan Now it's your turn! Sharon Cutworth "Though I am butagirl@aol.com" --part1_96.197d4dfb.2ebfecc6_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Hi all,

While at QWERTY Towers, we played a few games on the Saturday evening, one o= f which was to devise G&S FIlm Titles. Without preparation this was diff= icult - the best we could come up with were Pirates of the Caribbean and Bri= ng me the Fred of Alfredo Garcia. However, this game would work well on Savo= yNet. Here's what I have come up with so far:

Robin Oakapple, Prince of Thieves
For Your Eyes O Ni Bikkuri Shakkuri To
Much Mikado about nothing
Moulin Rouge, Lip-Salve and Pearly Grey
A Ruthven Runs Though It
Pinafore Weddings and a Funeral
The Eagle High Has Landed
How Green Was My Valley-de-Sham
The Picture of Florian Gray
Divine Secrets of the Yum-Yum Sisterhood
Saphir's Choice
There's Something about Mabel
Isabel and Fred's Excellent Adventure
Jason and the Arquebus
Goodbye Mrs Cripps
Basingstoke - The Legend of Tarzan

Now it's your turn!

Sharon Cutworth
"Though I am butagirl@aol.com" --part1_96.197d4dfb.2ebfecc6_boundary--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 16:53:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA7LrmhV021014; Sun, 7 Nov 2004 16:53:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA7LeaMh012938 for ; Sun, 7 Nov 2004 16:40:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA7LdvTJ012515; Sun, 7 Nov 2004 16:39:57 -0500 (EST) Date: Sun, 7 Nov 2004 16:39:57 -0500 (EST) Message-Id: <000a01c4c511$fd090840$b6e52ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: TORQWERT@QWERTYTOWERS MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0007_01C4C511.DF537100" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 16:39:57 -0500 (EST) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: TORQWERT@QWERTYTOWERS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0007_01C4C511.DF537100 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable What a QWERT! We have been to a few, and all have been wonderful, but I think that we = have moved on to a new level here! Conducted at Bob & Jackie Richards' magnificent establishment in = Torquay, Savoynetters from both sides of the pond (and then some!) = combined for a superbly organised QWERT. Imagine an entire hotel, taken over by Savoynet! It was full of friends = both old and new, and possessed an indefinable atmosphere of bonhomie.=20 Although I could not stay for the whole QWERT, I had a fantastic time in = the roles I was assigned to sing, as well as being hugely impressed by = my fellow performers. You want "Actor/Singers"?=20 I offer you both Ian Henderson and David Craig. These gentlemen are able = to achieve the 'Holy Grail' of being bloody good at both! - Bastards! For myself, I had the immense pleasure of performing Richard Dauntless = with Vikki. Now, she is seriously good - what a voice! A Rose who can = actually sing a top B flat! Other Highlights? The Person who sang JWW in Sorcerer. (Welcome back!) Larry Garvin's revelatory "Point" in 'Yeomen' (This was a seriously good = performance) Peter Crichton's "Free from his Fetters" ditto - quite the best I've = heard him do it! Don's 'Private Willis' in "Iolanthe" - his adjustment to Gilbert's = lyrics went down a storm! As ever, the whole QWERT was conducted very informally, and therefore, a = good time was had by all! Bob and Jackie cannot be congratulated too much for their organisation, = enthusiasm and hospitality - how can we top this one??!! Ian & Anne ------=_NextPart_000_0007_01C4C511.DF537100 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
What a QWERT!
 
We have been to a few, and all have = been wonderful,=20 but I think that we have moved on to a new level here!
 
Conducted at Bob & Jackie Richards' = magnificent=20 establishment in Torquay, Savoynetters from both sides of the pond (and = then=20 some!) combined for a superbly organised QWERT.
 
Imagine an entire hotel, taken over by = Savoynet! It=20 was full of friends both old and new, and possessed an indefinable=20 atmosphere of bonhomie.
 
Although I could not stay for the whole = QWERT, I=20 had a fantastic time in the roles I was assigned to sing, as well as = being=20 hugely impressed by my fellow performers.
 
You want "Actor/Singers"?
 
I offer you both Ian Henderson and = David Craig.=20 These gentlemen are able to achieve the 'Holy Grail' of being bloody = good at=20 both!  - Bastards!
 
For myself, I had the immense pleasure = of=20 performing Richard Dauntless with Vikki. Now, she=20 is seriously good - what a voice! A Rose who can actually sing a top B=20 flat!
 
Other Highlights?
 
The Person who sang JWW in Sorcerer. = (Welcome=20 back!)
 
Larry Garvin's revelatory "Point" in = 'Yeomen' (This=20 was a seriously good performance)
 
Peter Crichton's "Free from his = Fetters" ditto -=20 quite the best I've heard him do it!
 
Don's 'Private Willis' in "Iolanthe" - = his=20 adjustment to Gilbert's lyrics went down a storm!
 
As ever, the whole QWERT was conducted = very=20 informally, and therefore, a good time was had by all!
 
Bob and Jackie cannot be congratulated = too much for=20 their organisation, enthusiasm and hospitality - how can we top this=20 one??!!
 
Ian & Anne
 
------=_NextPart_000_0007_01C4C511.DF537100--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 19:26:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA80PrhV004148; Sun, 7 Nov 2004 19:25:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA80PmMh017786 for ; Sun, 7 Nov 2004 19:25:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA80P6TJ014231; Sun, 7 Nov 2004 19:25:06 -0500 (EST) Date: Sun, 7 Nov 2004 19:25:06 -0500 (EST) Message-Id: <20041108001809.43918.qmail@web60205.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003f01c4c509$8c556240$df05fd3e@5zsv40j> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.798 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 19:25:06 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003f01c4c509$8c556240$df05fd3e@5zsv40j> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.798 X-Spam-Flag: NO As per Elise's challenge: Diana, rules - and not just waves - With brains each SavoyNetter craves! Great mortal on Athena's par, You've won, you've won, much more that just a car! (that is, everyone's admiration.) Big Congratulations! JS LI NY __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 19:46:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA80jrhV009379; Sun, 7 Nov 2004 19:45:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA80PGMh017144 for ; Sun, 7 Nov 2004 19:25:17 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA80OXTJ014124; Sun, 7 Nov 2004 19:24:33 -0500 (EST) Date: Sun, 7 Nov 2004 19:24:33 -0500 (EST) Message-Id: <20041108000523.25706.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Ann Drummond-Grant - the Soprano MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 19:24:33 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Ann Drummond-Grant - the Soprano X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO As we all know, Chris Webster has been very busy. He didn't realize that a very interesting addition to his "corner" had never been unveiled. This is a 1937 recording of Ann Drummond-Grant singing soprano. Details by Chris are on the page: http://www.geocities.com/ulahlica/WEB/Drummie.html John S IL NY __________________________________ Do you Yahoo!? Check out the new Yahoo! Front Page. www.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 20:16:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA81ECht017653; Sun, 7 Nov 2004 20:16:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA817bvG024150 for ; Sun, 7 Nov 2004 20:07:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA816pTJ014595; Sun, 7 Nov 2004 20:06:51 -0500 (EST) Date: Sun, 7 Nov 2004 20:06:51 -0500 (EST) Message-Id: <5.2.1.1.2.20041107233420.01e5dec0@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: How we missed being at the QWERT ! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 20:06:51 -0500 (EST) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: How we missed being at the QWERT ! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO We've missed all the good times you obviously had at the TORQWERT this weekend - but I wouldn't like you to think we had a completely G&S-free weekend. Oh, no, because TFC and I had the great good fortune to be at Blackpool's Grand Theatre for "A Feast of G&S". Not only ex-DCOC John Ayldon and Pat Leonard, together with Yvonne Patrick and Jeremy Peaker, but also .... ta-daaaaa .... Nick Sales !! While you were all qwertying away, we have spent the weekend (a) wishing we were with you, and (b) looking forward to seeing and hearing Nick again. We weren't disappointed. The Grand's fierce rake was made even fiercer by the concert taking place on the set of "Blood Brothers" (which is currently at the Grand). I can truly say it's the first time I've seen a G&S concert take place on Skelmersdale Terrace. I think I learnt something about myself tonight. The concert had items from all 13 extant G&S operas, and I didn't nod off, *ever*. I think I liked the "not too much of anything, but a bit of everything" approach. John Ayldon was very funny indeed - he dried during a dialogue scene with Jeremy Peaker, and was so funny that I started to believe that it had been planned - not so, according to Nick. The accompanist was David Smith, and he accompanied sensitively on a superb piano. So - we missed being at the QWERT - but we did have a wonderful consolation. All the best David Cookson www.musicalsolutions.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Nov 2004 20:18:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA81Dxij017602; Sun, 7 Nov 2004 20:18:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA818jP1002628 for ; Sun, 7 Nov 2004 20:08:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA8183TJ014797; Sun, 7 Nov 2004 20:08:03 -0500 (EST) Date: Sun, 7 Nov 2004 20:08:03 -0500 (EST) Message-Id: <5.2.1.1.2.20041107235757.01e52030@pop3.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: A new game Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <96.197d4dfb.2ebfecc6@aol.com> X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 20:08:03 -0500 (EST) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: A new game X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <96.197d4dfb.2ebfecc6@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO TFC and I saw "Birth" on Friday night - encapsulating the plot, it's where Nicole Kidman falls in love with a 10-year-old boy, believing him to be the reincarnation of her 10-years-dead husband. A bit Pinafore-ish, as far as the age differences go. Indeed, if a remake were ever made, relocating the setting from New York to Portsmouth, it could be called "Captain Kid". But back to Sharon's game. How about When Harry Met Sally Lunn Spartacus (on his solicitor) Major-General Dundee Carrie (my love with me to the tomb) Follow The Fleta Private Willises On Parade (The Ghosts') High Noon Plaza-Toro Suite Oh, Mr Porter ! Town Without Pitti-Sing and All You Ever Wanted To Know About Six, But Were Too Afraid To Ask (cf. the Patience 2nd Act quintet) All the best David Cookson www.musicalsolutions.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 00:02:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA851uhV025069; Mon, 8 Nov 2004 00:01:57 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA84xhGx016195 for ; Sun, 7 Nov 2004 23:59:43 -0500 (EST) Received: from portnoy.mit.edu (PORTNOY.MIT.EDU [18.187.2.128]) (authenticated bits=56) (User authenticated as aerynne@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iA84xg1V009724 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Sun, 7 Nov 2004 23:59:43 -0500 (EST) Received: (from aerynne@localhost) by portnoy.mit.edu (8.12.9) id iA84xgjg011505; Sun, 7 Nov 2004 23:59:42 -0500 (EST) Date: Sun, 7 Nov 2004 23:59:42 -0500 (EST) Message-Id: <200411080459.iA84xgjg011505@portnoy.mit.edu> To: opus@MIT.EDU From: Cokecomm Subject: negative SIPB CokeComm balance X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Nov 2004 23:59:42 -0500 (EST) To: opus@MIT.EDU From: Cokecomm Subject: negative SIPB CokeComm balance X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO This is an automatically generated message from the CokeComm balance program. The balances were updated today and you have a negative balance of $3.20. Please make checks out to "Erin Price", not to "CokeComm". If you must pay with cash, please give it to me directly or put it in a labeled envelope and leave it in the can. You may mail checks to 282 Windsor St. #3, Cambridge, MA 02139. CokeComm does not accept paypal payments at the moment. CokeComm  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 01:44:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA86iOhX000506; Mon, 8 Nov 2004 01:44:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA86geic024133 for ; Mon, 8 Nov 2004 01:42:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA86fuTJ017138; Mon, 8 Nov 2004 01:41:56 -0500 (EST) Date: Mon, 8 Nov 2004 01:41:56 -0500 (EST) Message-Id: <418F1222.30000@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.966 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 01:41:56 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Savoynetter Grand Champion! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.966 X-Spam-Flag: NO Thank you Martin for posting this. And thanks to all the kind souls who sent public and private messages. I am chuffed of course and look forward to the 7 and a half minutes of fame it will bring. I haven't decided where to house the trophy which can now come out of the closet it has been in since the taping (when we were sworn to secrecy). My luck held. The 40 episodes of The Einstein Factor brought out many people with really great knowledge of all manner of subjects and there was a lot of luck in which of us got through, especially in the general knowledge areas. Peter asked for the questions and I'll put them in a separate post. At the taping I asked if I could have the cards the questions are on and was told they had to go back to the production company who provided them, but someone must have overheard as they arrived a few days later in the post without any indication of who sent them. My opponents, as Martin said, were a dour Cop (with no sense of humour) and a very nice young bloke whose subject was Australian Rock music - about which I know nothing. Round 1 is the contestant's own subject and I was on first and did not do as well as in previous rounds. I only got 9 questions right and thought "that's it, I won't win". But the Cop (on the Irish terrorist Michael Collins) only got 8 right (obviously to his surprise) and John (the Rock lover) got 6. They had made the questions harder. Round 2 is multiple choice and again the questions were more difficult and included the gas with the highest atomic number (Whaaaaaaat?) and the name of the bit of water that links the atlantic and the pacific oceans!!!!! However I pulled ahead very slightly in this round. The last round is 15 question answered by whoever can buzz in first. It soon became clear that the cop had got a strategy of being the first on the buzzer no matter what. Again, I almost gave up but then realised that he was not getting them all right. In fact he answered 10 questions getting 5 right and 5 wrong. As 100 points are deducted in this round for each wrong answer he went backwards and when the quizmaster called the end I held my breath, hoping. To my delight and I must say surprise, I had won and the Chairman of the ABC had been brought down from Sydney to present the trophy. All great fun and I was relieved that I could stop reciting the dates of each opera and every other bit of obscure trivia that occured to me to be a poosible basis for a question. I did meet the question setter at a party after the taping. He knows nothing about G&S but had used the archive to for his research. Surprisingly there wasn't one question on any part of the dialogue (and I knew that Tuesday was the false income tax return without any thinking time!). There had - in previous episodes - been a number of queries about the questions so the Producers had sought out experts to vet the final questions and be present to solve and challenges. The person they used for Michael Collins was the head of Irish studies at Melbourne Univserity. The Executive Producer told me that when they looked for a G&S expert, whoever they asked suggested me! In the end they asked Jim Murphy, who is not a Savoynetter but is a member of SASS and known to many of you. Thank you everyone for your interest and support. Diana Burleigh  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 02:45:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA87iuhd012095; Mon, 8 Nov 2004 02:45:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA87i8ic002999 for ; Mon, 8 Nov 2004 02:44:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA87hRTJ017715; Mon, 8 Nov 2004 02:43:27 -0500 (EST) Date: Mon, 8 Nov 2004 02:43:27 -0500 (EST) Message-Id: <418F1FF6.8040002@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: You too can be Eintein! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 02:43:27 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: You too can be Eintein! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO Here as requested, are the questions. If you want to send me answers privately, I 'll post your score with the answers in 2 or 3 days. And tell you which ones I didn't get. These have to be answered in 90 seconds - I only managed to get through 13 of the 15 questions and don't have copies of the ones they did not get to ask. Several of them won't give anyone any trouble at all. Your time starts now: 1 Which opera features the lines: When I was young and charming, as some of you may know, I practised Baby-farming? 2 In 1900 Patience was revived for 150 performances while which opera was revived for 127? 3. According to Lady Psyche in Princess Ida, what is nature's sole mistake? 4.Premiering at the Savoy, which opera's debut season ran for 389 performances? 5 Gilbert financed which theatre in Charing Cross Road that opened in 1889? 6.In The Grand Duke, duels with weapons being illegal, Ernest and Ludwig instead use a deck of cards, Earnest drawing a what? 7. How many hours are supposed to have elapsed between acts one and two of The Sorcerer? 8 In The Gondoliers, the chorus of girls sings "My papa he keeps three horses, black and white and what sir"? 9 Gilbert and Sullivan first met at the Royal Gallery of Illustrations, during rehearsals of which operetta? 10 In addition to Sillimon and Stupidas, which other member of Thespis' Travelling Theatrical Company has a name beginning with S? 11 Which character sings "I need no longer pine, I've but to speak the word and Lo! the maid is mine"? 12 The Mikado had its Australasian premiere in 1885 at which Sydney theatre? 13 In The Pirates of Penzance, which of General Stanley's daughters sings "Every moment brings a treasure of its own especial pleasure"?  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 07:44:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA8CiOhX003985; Mon, 8 Nov 2004 07:44:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA8CX4ic019016 for ; Mon, 8 Nov 2004 07:33:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA8CWPTJ020219; Mon, 8 Nov 2004 07:32:25 -0500 (EST) Date: Mon, 8 Nov 2004 07:32:25 -0500 (EST) Message-Id: <20041108071414.2028164820.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: ON-TOPIC plug for New Yorkers Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba Professional Edition 2.0.1 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 07:32:25 -0500 (EST) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: ON-TOPIC plug for New Yorkers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO For those of you in and around New York City on Nov. 20: The Lesbian & Gay Big Apple Corps Concert Band, under the cryptic baton of its maestro, opens its 26th season with a concert of all-British music: http://home.nyc.rr.com/tpannex/englandsmall.jpg CLOSE YOUR EYES AND THINK OF ENGLAND - British Music from the Baroque to the Beatles Sat Nov. 20th, 8 pm, Washington Irving High School, Manhattan The concert will open with a new wind ensemble transcription of the overture to "The Yeomen of the Guard". (see? On-topic!) Also on the program: Purcell's Symphony from "The Fairy Queen" (heh-heh-heh) Britten's "Courtly Dances" from GLORIANA (selected) Coates's "Knightsbridge March" Vaughan Wms's "Folk Song Suite for Military Band" Elgar's "Enigma Variations" (selected) Sparke's "Hymn of the Highlands" plus a Lloyd Webber medley, a Beatles medley and Bohemian Rhapsody! It's a fun program that I've wanted to do for years, very varied and entertaining. I'm playing timpani on the Sparke, which my associate is conducting. I've never played timpani before - great fun! The Big Apple Corps is a community wind ensemble of gay, straight and unlabeled adults, going strong since 1979. This is my last season as artistic director, so if you've been thinking "I should go to one of Eric's band concerts", you're running out of chances (the big farewell is the spring concert). If you want tickets, let me know. I have a limited number of comps available. - Eric  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 13:04:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA8I2Mhj010109; Mon, 8 Nov 2004 13:04:01 -0500 (EST) Received: from machine36.com (machine36.com [203.194.209.83]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id iA8HoMic019826 for ; Mon, 8 Nov 2004 12:50:26 -0500 (EST) Received: (qmail 19573 invoked by uid 514); 8 Nov 2004 17:48:29 -0000 Message-ID: <20041108174829.30037.qmail@machine36.com> Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: aimee.Doherty@lfr.com, alex@savitzky.com, a_clemmer@hotmail.com, evita@andrewgladstone.com, ademone@adelphia.net, Anngarvin4@aol.com, amccoy@sssb.com, Pezzzz78@att.net, Arthur.M.Dunlap@state.ma.us, TBBLNKY@comcast.net, kateririta@hotmail.com, kimbab@alum.rpi.edu, serafino@emmanuel.edu, tapbstn@theworld.com, hawes79@hotmail.com, figueroachristian@yahoo.com, TeagueEsq@yahoo.com, chucksue@comcast.net, clairebear16@aol.com, MAChatis@comcast.net, pseudol@aol.com, cnconsentino7@hotmail.com, MJoDanD7@msn.com, garc2355@hotmail.com, pocky@mit.edu, danawiebe@aol.com, danielle22@mac.com, opus@mit.edu, dawnypony@aol.com, chartrettes@aol.com, Donald.Baillargeon@iona.com, evrattos@hotmail.com, ericdwinnells@yahoo.com, jf3148@aol.com, bound4venus@hotmail.com, geoff.jennifer@verizon.net, hildreth@bu.edu Cc: h-n-boyce-sr@comcast.net, jamesscotman1@earthlink.net, Jacehero@aol.com, jperfect@spencerstuart.com, jmcdirector@yahoo.com, jenclee@mit.edu, jlourenco1@comcast.net, sandra.laliberte@mullen.com, jsb@brumit.org, gagnons@emmanuel.edu, rklimeczko@hotmail.com, rls@dimins.com, mimpstar@yahoo.com, sgavin@partners.org, shahanriehlr@wit.edu, shereen1126@yahoo.com, stephenbeaudoin@hotmail.com, tarynactress@aol.com, tdevaney66@aol.com, tom@tomdinger.net, tnygard39@aol.com, vokesplays@aol.com, glycerol@alum.rpi.edu, numbuh@juno.com, yolanda@post.harvard.edu, victory333@aol.com, natasha_azank@yahoo.com, srussell@smithleadership.org Subject: get ready for the holidays! Date: Mon, 08 Nov 2004 17:48:29 +0000 MIME-Version: 1.0 X-Mailer: WebMail 2.0 X-Originating-IP: 170.223.15.87 X-Originating-Email: sarah@sarahconsentino.com Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Sarah Consentino" From: "Sarah Consentino" To: aimee.Doherty@lfr.com, alex@savitzky.com, a_clemmer@hotmail.com, evita@andrewgladstone.com, ademone@adelphia.net, Anngarvin4@aol.com, amccoy@sssb.com, Pezzzz78@att.net, Arthur.M.Dunlap@state.ma.us, TBBLNKY@comcast.net, kateririta@hotmail.com, kimbab@alum.rpi.edu, serafino@emmanuel.edu, tapbstn@theworld.com, hawes79@hotmail.com, figueroachristian@yahoo.com, TeagueEsq@yahoo.com, chucksue@comcast.net, clairebear16@aol.com, MAChatis@comcast.net, pseudol@aol.com, cnconsentino7@hotmail.com, MJoDanD7@msn.com, garc2355@hotmail.com, pocky@mit.edu, danawiebe@aol.com, danielle22@mac.com, opus@mit.edu, dawnypony@aol.com, chartrettes@aol.com, Donald.Baillargeon@iona.com, evrattos@hotmail.com, ericdwinnells@yahoo.com, jf3148@aol.com, bound4venus@hotmail.com, geoff.jennifer@verizon.net, hildreth@bu.edu Cc: h-n-boyce-sr@comcast.net, jamesscotman1@earthlink.net, Jacehero@aol.com, jperfect@spencerstuart.com, jmcdirector@yahoo.com, jenclee@mit.edu, jlourenco1@comcast.net, sandra.laliberte@mullen.com, jsb@brumit.org, gagnons@emmanuel.edu, rklimeczko@hotmail.com, rls@dimins.com, mimpstar@yahoo.com, sgavin@partners.org, shahanriehlr@wit.edu, shereen1126@yahoo.com, stephenbeaudoin@hotmail.com, tarynactress@aol.com, tdevaney66@aol.com, tom@tomdinger.net, tnygard39@aol.com, vokesplays@aol.com, glycerol@alum.rpi.edu, numbuh@juno.com, yolanda@post.harvard.edu, victory333@aol.com, natasha_azank@yahoo.com, srussell@smithleadership.org Subject: get ready for the holidays! Date: Mon, 08 Nov 2004 17:48:29 +0000 X-Originating-IP: 170.223.15.87 X-Originating-Email: sarah@sarahconsentino.com X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO It's hard to believe that the holidays are just around the corner! My next performance, "Musical Holiday Party" at Quincy Dinner Theatre, is sure to get everyone in the spirit. This revue features more than 25 holiday and Broadway songs--solos, trios, quartets and ensemble numbers--performed by a cast of 16. I have two solos and sing solo lines or backup in many of the numbers. There are 14 shows to choose from: Dec. 3, 4, 5, 7, 9, 10, 11, 12, 14, 15, 16, 17, 18 & 19. A four-course dinner will be served, and group discounts are available! Visit www.quincydinnertheater.com or www.sarahconsentino.com. Warmly, Sarah  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 13:32:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iA8IUoi1025973; Mon, 8 Nov 2004 13:32:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iA8IPIic027596 for ; Mon, 8 Nov 2004 13:25:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA8INuTJ025177; Mon, 8 Nov 2004 13:23:57 -0500 (EST) Date: Mon, 8 Nov 2004 13:23:56 -0500 (EST) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B03E9F803@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: And in Diana's own words MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C4C5BD.B25F5720" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.323 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 13:23:56 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: And in Diana's own words X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.323 X-Spam-Flag: NO This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C4C5BD.B25F5720 Content-Type: text/plain Diana Burleigh: How I won The Einstein Factor Crikey - Australia .. but I would have to read Titus Andronicus; maybe an area of English history - the Tudors or the Plantagenets but why when Gilbert and Sullivan would come ... http://www.crikey.com.au/whistleblower/2004/11/08-0004.html Please allow me to add my congratulations to ever-growing list. Well done! Leta ------_=_NextPart_001_01C4C5BD.B25F5720 Content-Type: text/html Content-Transfer-Encoding: quoted-printable Message
 
 Diana Burleigh: How I won The = Einstein=20 Factor
Crikey -=20 Australia
... but I would have to read Titus = Andronicus; maybe=20 an area of English history - the Tudors or the Plantagenets but why = when=20 Gilbert and Sullivan would come ...  
 
htt= p://www.crikey.com.au/whistleblower/2004/11/08-0004.html = ;
Please allow me to add my congratulations to = ever-growing=20 list.  Well done!
 
Leta
------_=_NextPart_001_01C4C5BD.B25F5720--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 17:16:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA8MGFhd004503; Mon, 8 Nov 2004 17:16:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA8MDMde010759 for ; Mon, 8 Nov 2004 17:13:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA8MCJTJ029341; Mon, 8 Nov 2004 17:12:19 -0500 (EST) Date: Mon, 8 Nov 2004 17:12:19 -0500 (EST) Message-Id: <200411081700.AA2239692980@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: why I missed QWERTY TOWERS & plug Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 17:12:19 -0500 (EST) Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: why I missed QWERTY TOWERS & plug X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I thought of all the lucky soles in Torquay while I was giving Henry Higgins my two cents - actually I was in the midst of dress rehearsals for My Fair Lady in which I am Mrs. Pearce. Before someone slaps me with a "This is OT" please note at least MFL takes place in G&S land and I am using the same attempt at an English accent I used as Pitti Sing. Anyway, for those Savoynetters in CT or NYC area, perhaps you might come by and see me in my first major role outside of G&S. My Fair Lady by: Theatre Genesius St. John's R.C. Church, Darien, CT. on Route 1. Off I-95 North exit 10. - I can e-mail more specific directions. Dates: Nov. 11, 12, 13, 18, 19, 20 - all at 8:00 Nov. 14 and 21 at 2:00. Matinees are selling fast Cost: $25 adults, $22 seniors Full production (yes, we are doing the often cut ballroom scene) Custom made costumes. Eliza's Ascot dress looks almost like Audrey Hepburn's. 12 piece orchestra Miked I hope to see a few familiar faces! -- Wendy Falconer Stamford, CT --  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 20:15:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA91F5hV012461; Mon, 8 Nov 2004 20:15:05 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA91Eohs007082 for ; Mon, 8 Nov 2004 20:14:50 -0500 (EST) Received: from zygorthian-space-raiders.mit.edu (ZYGORTHIAN-SPACE-RAIDERS.MIT.EDU [18.187.1.80]) (authenticated bits=56) (User authenticated as kenta@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iA91En1V027478 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT) for ; Mon, 8 Nov 2004 20:14:49 -0500 (EST) Received: (from kenta@localhost) by zygorthian-space-raiders.mit.edu (8.12.9) id iA91EnXA030849; Mon, 8 Nov 2004 20:14:49 -0500 Date: Mon, 8 Nov 2004 20:14:49 -0500 (EST) From: Ken T Takusagawa To: sipb-minutes@MIT.EDU Subject: donate the money to the ACLU and the Electronic Frontier Foundation Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 20:14:49 -0500 (EST) From: Ken T Takusagawa To: sipb-minutes@MIT.EDU Subject: donate the money to the ACLU and the Electronic Frontier Foundation X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Minutes of the SIPB Meeting of 11/8/2004 The meeting was called to order at 19:30 by jtu. In attendance were Voting members: kenta kchen golem jtu jbarnold ike Associate members: alien jhawk rjbarbal | asedeno Prospectives: bgelb aerynne yoz xsdg tabbott | bpepper astronut Guests: bobmah Treasurer's Report: jtu: I saw him Chairman's Report: jtu: I've been going to these ISTAB meetings. IS&T (Student) Advisory board. I brougnt up the issue of switches on network: coming up with a list of permitted switches such that if you have a permitted switch, it's OK to put it on the network. The Network group did not approve of this. I plan to bring it up again with Jerry Grochow the next time ISTAB meets with him. The Advisory board also wants feedback from students on what they want regarding MIT information services. kenta: what things are good for advocating through ISTAB as opposed to other channels? jtu: I don't know. This is new, I'm willing to try things and see what happens. Office Report: jhawk: After 5 attempts, all the Steelcase chairs are fixed. jhawk: We also got our staplers replaced under warranty. And we have more spare staplers in the bottom of the monolith. Office Cleaning Report: MIT Computing Report: Computer Services: Publications Report: jtu: we might be running low on cluster cards. Orientation Report: IAP Report: alien: I'm entering the current schedule. I anticipate non-disaster. kenta: when's the deadline for the print guide? jtu: there is no print guide, so there is no deadline. ike: yay trees. jhawk: it's all new-growth anyway. CokeComm Report: aerynne: i ran dots. if you have requests send email to cokecomm or zephyrs to me or my class. I don't regularly read -c sipb. jtu: very soon jis will not be the highest dot, unless jhawk stops drinking coke or jis starts hanging out in the office more. alien: can we get juice? specifically non-corn syrup juice. Other: golem: there will much drunken debauchery at Las Vegas this weekend. A SIPB member is having her 21st birthday: rax. Other Other: jhawk: shrub won. when will find out about provisional ballot counts? ike: the secretary of state said 11 days after election. kenta: I won $86 on the election. As soon as the check arrives from Ireland, I plan to donate the money to the ACLU and the Electronic Frontier Foundation. The meeting was adjourned at 19:37. Minutes taken and submitted by kenta.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Nov 2004 21:35:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA92Z8hV009382; Mon, 8 Nov 2004 21:35:08 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA92Yq5f018884; Mon, 8 Nov 2004 21:34:52 -0500 (EST) Received: from tulpius-hilarus.mit.edu (TULPIUS-HILARUS.MIT.EDU [18.7.22.78]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id iA92YmNn019264; Mon, 8 Nov 2004 21:34:48 -0500 (EST) Received: (from nobody@localhost) by tulpius-hilarus.mit.edu (8.12.2+Sun) id iA92Ymi8016468; Mon, 8 Nov 2004 21:34:48 -0500 (EST) Received: from EASTCAMPUS-FOUR-ELEVEN.MIT.EDU (EASTCAMPUS-FOUR-ELEVEN.MIT.EDU [18.248.6.156]) (User authenticated as empritch@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Mon, 8 Nov 2004 21:34:47 -0500 Message-ID: <1099967687.41902cc7b1ad2@webmail.mit.edu> Date: Mon, 8 Nov 2004 21:34:47 -0500 From: Eleanor M Pritchard To: thedan@brown.edu, jax.kirtley@verizon.net, James Kirtley , aff@mit.edu, colls@mit.edu, lurknomore@hotmail.com, "Kimmerie H.O .Jones" , bedunkel@alum.MIT.EDU, portnoy@portnoy.org, mlpeters@sdg.com, "Edmvnd W. Golaski" , Susanne Swalley , jbraun@mit.edu, Rob Radez , Lost in Space , emw@boerjes.com, nicolina@mit.edu, radford@mit.edu, Dana Ozik , "David C. Jedlinsky" , lohman@mit.edu, lemur@mit.edu, Dawn Michelle Erickson , Monty , Stepka , Brian M Wong , edavidson@alum.MIT.EDU Subject: dinner Friday MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.248.6.156 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Nov 2004 21:34:47 -0500 From: Eleanor M Pritchard To: thedan@brown.edu, jax.kirtley@verizon.net, James Kirtley , aff@mit.edu, colls@mit.edu, lurknomore@hotmail.com, "Kimmerie H.O .Jones" , bedunkel@alum.MIT.EDU, portnoy@portnoy.org, mlpeters@sdg.com, "Edmvnd W. Golaski" , Susanne Swalley , jbraun@mit.edu, Rob Radez , Lost in Space , emw@boerjes.com, nicolina@mit.edu, radford@mit.edu, Dana Ozik , "David C. Jedlinsky" , lohman@mit.edu, lemur@mit.edu, Dawn Michelle Erickson , Monty , Stepka , Brian M Wong , edavidson@alum.MIT.EDU Subject: dinner Friday X-Originating-IP: 18.248.6.156 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hello everybody, This Thursday I'll be turning 21. Which means I'm finally old enough to legally go out to dinner with my friends. Friday Nov. 12th, 8 PM at S&S. Please let me know if you can make it. thanks, -Nori  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Nov 2004 13:59:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA9IxOhV026945; Tue, 9 Nov 2004 13:59:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA9Im4Qi021013 for ; Tue, 9 Nov 2004 13:48:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA9Il9TJ013748; Tue, 9 Nov 2004 13:47:09 -0500 (EST) Date: Tue, 9 Nov 2004 13:47:09 -0500 (EST) Message-Id: <003d01c4c68b$3a940730$68268751@RACHEL> Errors-To: savoynet-owner@bridgewater.edu Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: QWERTY Towers MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Nov 2004 13:47:09 -0500 (EST) Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: QWERTY Towers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO What a wonderful time we all had at Torquay (and I believe that some people are still there - lucky things!) I expect that in due course somebody will provide a detailed review of the weekend, but it can be summarised as follows: Friday evening - Trial, followed by fireworks Saturday - Sorcerer, Ida, Ruddigore, Patience and Yeomen Sunday - Iolanthe, Mikado, Pinafore and Pirates We also performed the madrigal from Haddon Hall. I understand that Gondoliers was sung on Thursday - I cannot report on any singing which took place after I left on Sunday. Solo roles were taken by at least 30 different people (this is just from memory - there may be people whom I've forgotten). These included the two accompanists (Larry Byler and myself) I was glad that the schedule included some time off to get some fresh air and to have a quick look at Torquay. Bob and Jackie's hotel is just a few minutes' walk from the sea front (a bit longer going back, because it's uphill!) There are plenty of things to see and do in the surrounding area and many can be reached by public transport. I had time to take the local bus to Paignton yesterday morning. The site of the Bijou Theatre (of Pirates of Penzance fame) is marked by a blue plaque (sadly in slightly shabby condition) which was much photographed during the weekend (much to the surprise of the local residents who were hurrying past en route for the nearby Woolworths store). When I was young, my family frequently spent summer holidays at Paignton, so it was an interesting trip down memory lane. The biggest surprise was the reddish-brown colour of the sand - our family album contains many black and white photos of the two young Keegan sisters on the beach at Paignton and I had always imagined that we were sitting on golden yellow sand. Please, please, please can we have another one!!!!!! Rachel Keegan  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Nov 2004 15:02:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA9K12hp003668; Tue, 9 Nov 2004 15:02:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA9JtFQi018901 for ; Tue, 9 Nov 2004 14:55:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA9JsXTJ016483; Tue, 9 Nov 2004 14:54:33 -0500 (EST) Date: Tue, 9 Nov 2004 14:54:33 -0500 (EST) Message-Id: <007901c4c694$7c9ba0d0$fd47d0d9@Lotte> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kimmo.08.6543249@telia.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Kimmo Eriksson" To: Multiple recipients of list SAVOYNET Subject: New run of Flex & Plex in Stockholm MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.799 X-Spam-Level: * (1.799) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Nov 2004 14:54:33 -0500 (EST) Reply-To: kimmo.08.6543249@telia.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Kimmo Eriksson" To: Multiple recipients of list SAVOYNET Subject: New run of Flex & Plex in Stockholm X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 1.799 X-Spam-Level: * (1.799) X-Spam-Flag: NO This spring I posted a note on Savoynet about our performances of Flex & Plex, our Swedish adaptation of Cox & Box. We are now giving a few more performances, in Stockholm, 23-24 November. For the convenience of people who do not understand Swedish very well, we can now provide a textbook in which we have translated the entire show back to English! Of course, we used the original English lines where appropriate, roughly 50 percent. A funny thing happened when we tested our translation on a couple of native English speakers here who weren't acquainted with the play. We told them to point out any phrases in our English text that would sound strange to a real Englishman. It turned out that they did find several such phrases; however, there was almost no overlap between which phrases the two persons thought strange, and about half of the strange phrases were not our inventions but taken directly from the original play! It seems you Britons have less of a common language than one would expect... We have made a studio recording that will some day be on a CD. If someone's interested in hearing how Cox & Box sounds in Swedish, I have one track (the finale) available from my webpage, playable in Windows Media Player: http://www.mdh.se/ima/personal/ken05/KAOS/FlexPlexTrack11.wma (Real connoisseurs, listen carefully and compare with your scores at home. Do you hear anything different? I know it's a tricky one, so here's the answer: Two parts are sung by women.) Kimmo  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Nov 2004 15:28:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iA9KRYhX019725; Tue, 9 Nov 2004 15:28:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iA9KILQi000052 for ; Tue, 9 Nov 2004 15:18:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iA9KHaTJ019007; Tue, 9 Nov 2004 15:17:36 -0500 (EST) Date: Tue, 9 Nov 2004 15:17:36 -0500 (EST) Message-Id: <001601c4c696$6935bce0$ebe72ac2@ian> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: TORQWERT & Soprano MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0013_01C4C696.67ECC220" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Nov 2004 15:17:36 -0500 (EST) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Hollamby" To: Multiple recipients of list SAVOYNET Subject: TORQWERT & Soprano X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0013_01C4C696.67ECC220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I wrote, regarding the recent QWERT, >A Rose who can actually sing a top B flat! This was a reference to Vikki who was absolutely brilliant to sing with, = and can do a top B Flat with considerable ease, and probably in her = sleep!. Richard Duployen wrote: >But , Ian, she's meant to sing it, e.g. with Richard , end of >"Happily = Coupled". You _amaze_ me!!! Er - - Yes Richard - I DO know that Rose is meant to sing top B flat at = the end of "Happily coupled", and I also did say that I appreciated = Vikki's ability to do this, during a sing through of - er - 'Ruddygore' = when we sang it together! Let me make it obvious - I got to sing "Dauntless" with Vikki's "Rose" = and it was brilliant - She sang ALL the notes! I have sung "Dauntless" with sopranos who have _shrieked_ the high notes = - Vikki _sang_ them! A delight. Hence my post Ian ------=_NextPart_000_0013_01C4C696.67ECC220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I wrote, regarding the recent=20 QWERT,

>A Rose who can actually sing a top B flat!
 
This was a reference to Vikki who was absolutely brilliant to sing = with,=20 and can do a top B Flat with considerable ease, and probably in her=20 sleep!.
 
Richard Duployen wrote:
 
>But , Ian, she's meant to sing it, e.g. with Richard , end of=20 >"Happily Coupled".
 
You _amaze_ me!!!
 
Er - - Yes Richard - I DO know that Rose is meant to sing top = B flat=20 at the end of "Happily coupled", and I also did say that = I=20 appreciated Vikki's ability to do this, during a sing through = of - er=20 - 'Ruddygore' when we sang it together!
 
Let me make it obvious - I got to sing "Dauntless" with Vikki's = "Rose" and=20 it was brilliant - She sang ALL the notes!
I have sung "Dauntless" with sopranos who have _shrieked_ the high = notes -=20 Vikki _sang_ them! A delight. Hence my post
 
Ian
 ------=_NextPart_000_0013_01C4C696.67ECC220--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Nov 2004 19:10:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAA0A6hV007178; Tue, 9 Nov 2004 19:10:07 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAA09uHr002526; Tue, 9 Nov 2004 19:09:57 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAA09t1U028013; Tue, 9 Nov 2004 19:09:56 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iAA09tqD023537; Tue, 9 Nov 2004 19:09:55 -0500 (EST) Date: Tue, 9 Nov 2004 19:09:55 -0500 (EST) Message-Id: <200411100009.iAA09tqD023537@multics.mit.edu> From: "David C. Jedlinsky" To: barrie@billinge.org.uk In-reply-to: <3.0.2.32.20041109234500.00b4d260@mail.u-net.com> (message from Barrie on Tue, 9 Nov 2004 18:54:57 -0500 (EST)) Subject: Re: Querty Towers References: <3.0.2.32.20041109234500.00b4d260@mail.u-net.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Nov 2004 19:09:55 -0500 (EST) From: "David C. Jedlinsky" To: barrie@billinge.org.uk In-reply-to: <3.0.2.32.20041109234500.00b4d260@mail.u-net.com> (message from Barrie on Tue, 9 Nov 2004 18:54:57 -0500 (EST)) Subject: Re: Querty Towers X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Barry. Ruth and I were so happy to meet you and Karen at the QWERT, and to get to know you after the crowds dwindled. If you are able to make that copy of the Ruddigore cartoon, I would be very happy to receive it. My address is David Jedlinsky 4 Foster Rd. Milford, NH 03055-3604 USA Thanks so much! -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Nov 2004 21:48:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAA2mmhV029726; Tue, 9 Nov 2004 21:48:48 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAA2m4JR017231; Tue, 9 Nov 2004 21:48:04 -0500 (EST) Received: from brute-force.mit.edu (BRUTE-FORCE.MIT.EDU [18.18.0.227]) (authenticated bits=56) (User authenticated as the_geek@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAA2m21V015894 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Tue, 9 Nov 2004 21:48:03 -0500 (EST) Received: (from the_geek@localhost) by brute-force.mit.edu (8.12.9) id iAA2m2Sd023253; Tue, 9 Nov 2004 21:48:02 -0500 (EST) Date: Tue, 9 Nov 2004 21:48:02 -0500 (EST) From: Jacqueline Felton To: happy-geek-friends@MIT.EDU Subject: It's that time again... Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Nov 2004 21:48:02 -0500 (EST) From: Jacqueline Felton To: happy-geek-friends@MIT.EDU Subject: It's that time again... X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Yup, another year, another year older. And it's time for me to celebrate accidentally getting dropped on the obstetrics ward floor, which means it's time for The Usual Maggiano's Birthday Mob! Wheee! This time it's going to be Sunday, November 14th, at 7:30 pm. Afterwards I want to do something interesting, and nefarious, but I have absolutely NO idea what it is. So, when you RSVP, provide inspiration! I was thinking it would be fun to go see a band play, or go to a movie, or watch a movie or play video games in E51, or just... something. I'd drag you all out to Arlington and get you drunk, but it's a little far to walk home with a BAC of .42. Please RSVP by 2pm on Friday, November 12, so I can give them an idea of how many people to expect. Looking forward to seeing you all! Jacquie  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 04:45:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAA9jNhV004674; Wed, 10 Nov 2004 04:45:24 -0500 (EST) Received: from he101war.uk.vianw.net (he101war.uk.vianw.net [195.102.244.132]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAA9jMrs020048 for ; Wed, 10 Nov 2004 04:45:22 -0500 (EST) Received: from [213.2.96.83] (helo=SEGOVIA) by he101war.uk.vianw.net with smtp (Exim 4.04) id 1CRp2W-0003WY-00 for opus@MIT.EDU; Wed, 10 Nov 2004 09:45:20 +0000 Message-Id: <3.0.2.32.20041110094913.00b4c4f8@mail.u-net.com> X-Sender: bsbweb@mail.u-net.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.2 (32) Date: Wed, 10 Nov 2004 09:49:13 +0000 To: "David C. Jedlinsky" From: Barrie Subject: Re: Querty Towers In-Reply-To: <200411100009.iAA09tqD023537@multics.mit.edu> References: <3.0.2.32.20041109234500.00b4d260@mail.u-net.com> <3.0.2.32.20041109234500.00b4d260@mail.u-net.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: bsbweb@mail.u-net.com Date: Wed, 10 Nov 2004 09:49:13 +0000 To: "David C. Jedlinsky" From: Barrie Subject: Re: Querty Towers In-Reply-To: <200411100009.iAA09tqD023537@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi David and Ruth, We enjoyed your company and friendship as well. Our five-hour journey home was mainly cloudy and wet, but we had sunshine in our hearts from the many happy memories of a superb weekend. It will be a pleasure to send you a copy of the cartoon "Ruddigore" It will be in the post this week. Have a safe and speedy return home. Best regards, Barrie & Karen. At 19:09 09/11/2004 -0500, you wrote: > >Hi Barry. > >Ruth and I were so happy to meet you and Karen at the QWERT, and to >get to know you after the crowds dwindled. > >If you are able to make that copy of the Ruddigore cartoon, I would be >very happy to receive it. My address is > >David Jedlinsky >4 Foster Rd. >Milford, NH 03055-3604 >USA > >Thanks so much! > >-Dave > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 09:34:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAAEX3hj020903; Wed, 10 Nov 2004 09:33:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAAEUmRj019303 for ; Wed, 10 Nov 2004 09:30:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAAEUhTJ003567; Wed, 10 Nov 2004 09:30:43 -0500 (EST) Date: Wed, 10 Nov 2004 09:30:43 -0500 (EST) Message-Id: <20041110142236.31124.qmail@web54303.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Sighting (it was the cat) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 09:30:43 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Sighting (it was the cat) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO My favorite of G&S cat-namings was a pair of Siamese who permitted a friend of mine to co-occupy their residence (anyone familiar with cats understands this phrasing): Silent Be (who, being Siamese, was anything but) and Again as in "Silent Be, it was the cat" and "it was Again the cat".... ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 13:37:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAAIbihV009508; Wed, 10 Nov 2004 13:37:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAAINdoZ006204 for ; Wed, 10 Nov 2004 13:23:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAAINNTJ013693; Wed, 10 Nov 2004 13:23:24 -0500 (EST) Date: Wed, 10 Nov 2004 13:23:23 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: John Harrison Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.396 X-Spam-Level: ** (2.396) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 13:23:23 -0500 (EST) Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: John Harrison X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 2.396 X-Spam-Level: ** (2.396) X-Spam-Flag: NO >I think it would be vanishingly unlikely that HMV would have employed two >different tenors with the same name. Nowadays, certainly, it would be against Equity rules to have two performers with the same name. As Peter Pratt said to me once in a letter, "that's what we pay them for". Best wishes, Richard _________________________________________________________________ Want to block unwanted pop-ups? Download the free MSN Toolbar now! http://toolbar.msn.co.uk/  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 13:56:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAAIpghx017352; Wed, 10 Nov 2004 13:55:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAAImCZj013713 for ; Wed, 10 Nov 2004 13:48:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAAIm4TJ014457; Wed, 10 Nov 2004 13:48:04 -0500 (EST) Date: Wed, 10 Nov 2004 13:48:04 -0500 (EST) Message-Id: <20041110182327.72398.qmail@web14714.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: G&S exhibit & (Rafe!) lecture at U of Rochester MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.2 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 13:48:04 -0500 (EST) Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: G&S exhibit & (Rafe!) lecture at U of Rochester X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.2 X-Spam-Flag: NO Hi, all, There is what I expect to be a fantastic G&S exhibit (from the prodigious collection of Hal Kanthor) at the University of Rochester (NY) that runs through March 15, 2005. And, as a special treat, Ralph MacPhail is giving a talk this coming Saturday on his particular passion (well, one of them): The Mikado, in its various incarnations. Information on both the exhibit and the talk follow. I suspect that Rafe is much too modest to post anything himself, and I hope he does not mind my taking this liberty. Alas, though I am from Rochester, I will not be able to get there this weekend, because of the second weekend of the Blue Hill Troupe run of High Society. I will get to the exhibit at some point (Christmas-time?) -- anyone else going, please let me know when...and anyone in the area, GO! Carol D in NYC (read on...) Rare Books and Special Collections Lecture: Ralph MacPhail Jr. On Saturday, November 13, 2004, Ralph MacPhail Jr., Professor of Theatre and Communications at Bridewater College and an outstanding Gilbert and Sullivan scholar and director, will present "The Mikado--Red, Hot and Swing!" a review of the jazzed up and otherwise unusual productions of The Mikado. The talk is in conjunction with the exhibition "Gilbert and Sullivan: From London to America" presently on display in the Department. The Lecture begins at 4 p.m. in the Department of Rare Books and Special Collection, Rush Rhees Library, and is free and open to the public. And the exhibit itself: Gilbert & Sullivan: From London to America This exhibit is the featured exhibition in the Rare Books and Special Collections Library on the 2nd floor of Rush Rhees Library. The items on display are on loan from the collection of Dr. Harold A. Kanthor and focus on the original Gilbert and Sullivan productions (1871-1896) in London and their transfer to New York and other major American cities. Included are autograph letters and drawings by W.S. Gilbert and Arthur Sullivan, programs and souvenirs from the original productions, presentation copies, cabinet photographs of the original performers, and nineteenth century and advertising material demonstrating the wide popularity of Gilbert and Sullivan in America. The exhibition continues to March 15, 2005. The Department is open Monday, Tuesday, Thursday, Friday from 9 to 5; Wednesday from 9 to 8; Saturday from 11-3. For more information telephone (585) 275-4477 __________________________________ Do you Yahoo!? Check out the new Yahoo! Front Page. www.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 15:37:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAAKaJhX018745; Wed, 10 Nov 2004 15:36:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAAKW4Zj007724 for ; Wed, 10 Nov 2004 15:32:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAAKVwTJ018972; Wed, 10 Nov 2004 15:31:58 -0500 (EST) Date: Wed, 10 Nov 2004 15:31:58 -0500 (EST) Message-Id: <200411102030.iAAKUW5D007928@Isis.bridgewater.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: alan@borthwic.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "aborth" To: Multiple recipients of list SAVOYNET Subject: SPLENDID new Contrabandista / Foresters MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0056_01C4C72C.C2283580" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Office Outlook, Build 11.0.6353 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 15:31:58 -0500 (EST) Reply-To: alan@borthwic.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "aborth" To: Multiple recipients of list SAVOYNET Subject: SPLENDID new Contrabandista / Foresters X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.995 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_0056_01C4C72C.C2283580 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Recent correspondence on Savoynet has spurred me on to write to the = group. SOMEONE needs to congratulate all concerned on the high quality of the = new Contrabandista/Foresters recording!!!! I was horrified to see the = modified rapture and the attempts to justify perceived =93flaws=94 in recording = and performance. Let=92s get things straight folks!!!! We have here a fully professional recording of these pieces =96 at last!!! =96 and one that = everyone should be welcoming unreservedly and with open arms. =20 Of course we all have ideas of what we would consider to be the correct =93ambience=94 and =93balance=94 for a recording of a Sullivan opera, = and we have singers that we like and others we don=92t. These are personal choices. Personally I always preferred the =93pit band=94 sound of the 1949/50 = Decca recordings to the fuller sound of the later series, and I would have = liked less reverb on this new recording and a different balance for the = chorus. However, in general I preferred the singers on the 59/60s Decca series. = But these are personal choices. To criticise a recording because it = doesn=92t play well on a particular home audio system is surely perverse!! Of course it could be that Hyperion had issued a batch that is in some way flawed, = but I can assure the group that my copy played beautifully with no distortion = at any point and with the principal voices beautifully captured. I note = that one of your correspondents complains that a male chorus voice was very prominent in part of the act one finale. The score indicates clearly = that the part referred to is scored for chorus plus Sancho and Jose. The =93prominent=94 voice is obviously that of Mr Maxwell in the role of = Jose. Having sung frequently with the gentleman in question I can vouch for = the fact that he would be heard clearly over any chorus - and then some!!! = And surely this is just what Sullivan required!! If Rita=92s voice does = indeed overpower the main melody at the end of the finale (another criticism = from the same correspondent) I would suggest that this is less an engineering balance problem than the fact that Sullivan almost certainly wrote the = lines for Rita and Vasquez high in their registers with the sole purpose of = having the countermelody soar over the other voices (or =93overpower the main = melody=94 if one wants to be less charitable!!). Possibly the balance engineers slightly overdid this? You may think so =96 I don=92t!! Personal choice! =20 So at last those of us who recorded the works with The Prince Consort = get their wish!!! To use Mr Bond=92s true, but rather hurtful phrase, we are effectively =93knocked out of the frame=94. I would simply add =93AT = LAST=94!!! We always hoped that our attempts (made on less than a shoestring and, in = the cases of The Contrabandista and The Chieftain issued very reluctantly because, as I explained on the sleeve notes, neither David Lyle nor = myself were happy with the performance and the recording balance) would give = people a taste for the S-without-G operas and that our efforts would ultimately lead to fully professional recordings being issued. Whether or not our efforts helped in any way to bring about this new recording I neither = know nor care. The fact is that a spanking good recording of The = Contrabandista is now on the shelves and, yes, feel free to put the Prince Consort recording of the piece to the bottom of the pile!! However, maybe = you=92ll retain just a small bit of affection for it. There again =85. !!! =20 Thankyou to SASS and to Hyperion for these recordings =96 and to Sir = Arthur for writing such wonderful pieces.=20 =20 And isn=92t The Foresters a real gem? Bliss!! =20 Alan Borthwick =20 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.770 / Virus Database: 517 - Release Date: 27/09/2004 =20 ------=_NextPart_000_0056_01C4C72C.C2283580 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable

Recent correspondence on Savoynet has spurred me on = to write to the group. SOMEONE needs to congratulate all concerned on the high = quality of the new Contrabandista/Foresters recording!!!! I was horrified to see the modified rapture and the = attempts to justify perceived “flaws” in recording and performance. = Let’s get things straight folks!!!! We have here a fully professional = recording of these pieces – at last!!! – and one that everyone should be welcoming unreservedly and with open arms.

 

Of course we all have ideas of what we would consider = to be the correct “ambience” and “balance” for a = recording of a Sullivan opera, and we have singers that we like and others we = don’t. These are personal choices. Personally I always preferred the “pit band” sound of the 1949/50 Decca recordings to the fuller sound of = the later series, and I would have liked less reverb on this new recording = and a different balance for the chorus. However, in general I preferred the = singers on the 59/60s Decca series. But these are personal choices. To criticise = a recording because it doesn’t play well on a particular home audio = system is surely perverse!! Of course it could be that Hyperion had issued a = batch that is in some way flawed, but I can assure the group that my copy played beautifully with no distortion at any point and with the principal = voices beautifully captured. I note that one of your correspondents complains = that a male chorus voice was very prominent in part of the act one finale. The = score indicates clearly that the part referred to is scored for chorus = plus Sancho and Jose. The “prominent” voice is obviously that of = Mr Maxwell in the role of Jose. Having sung frequently with the gentleman = in question I can vouch for the fact that he would be heard clearly over any = chorus - and then some!!! And surely this is just what Sullivan required!! If Rita’s voice does indeed overpower the main melody at the end of = the finale (another criticism from the same correspondent) I would suggest = that this is less an engineering balance problem than the fact that Sullivan = almost certainly wrote the lines for Rita and Vasquez high in their registers = with the sole purpose of having the countermelody soar over the other voices (or “overpower the main melody” if one wants to be less = charitable!!). Possibly the balance engineers slightly overdid this? You may think so = – I don’t!! Personal choice!

 

So at last those of us who recorded the works with = The Prince Consort get their wish!!! To use Mr Bond’s true, but rather hurtful phrase, we are effectively “knocked out of the = frame”. I would simply add “AT LAST”!!! We always hoped that our = attempts (made on less than a shoestring and, in the cases of The Contrabandista and The Chieftain issued very reluctantly because, as I explained on = the sleeve notes, neither David Lyle nor myself were happy with the = performance and the recording balance) would give people a taste for the S-without-G = operas and that our efforts would ultimately lead to fully professional recordings = being issued. Whether or not our efforts helped in any way to bring about this = new recording I neither know nor care. The fact is that a spanking good = recording of The Contrabandista is = now on the shelves and, yes, feel free to put the Prince Consort recording of = the piece to the bottom of the pile!! However, maybe you’ll retain = just a small bit of affection for it. There again …. = !!!

 

Thankyou to SASS and to Hyperion for these recordings – and to Sir Arthur for writing such wonderful pieces. =

 

And isn’t The Foresters a real gem? Bliss!!

 

Alan Borthwick

 


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------=_NextPart_000_0056_01C4C72C.C2283580--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 16:15:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAALFihV011724; Wed, 10 Nov 2004 16:15:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAALFfZj019463 for ; Wed, 10 Nov 2004 16:15:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAALFYTJ021916; Wed, 10 Nov 2004 16:15:34 -0500 (EST) Date: Wed, 10 Nov 2004 16:15:34 -0500 (EST) Message-Id: <41927436.834147B4@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: New Seattle Videos of "Pineapple Poll" and "HMS Pinafore" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 16:15:34 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: New Seattle Videos of "Pineapple Poll" and "HMS Pinafore" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO I'm very pleased to announce that "Pineapple Poll" and the companion "HMS Pinafore" from the Seattle Gilbert & Sullivan Society has had its world premiere to wild acclaim and copies are ready for immediate shipment. This is our first all digital, all DVD production and was taped with three studio cameras before a live audience on July 31, 2004. The video was produced, directed and edited by Skip Barttels. The DVDs are indexed by musical number and are coded for Region 0 (universal). They are in NTSC (North American) format but many European and other players can now play them. Bernard Kwiram, our Music Director, put a great deal of effort into re-orchestrating Poll for a 30-piece orchestra. (With the permission of Sir Charles Mackerras and Warner-Chappell.) To our ususal 26-piece G&S orchestra he added a second string bass, a second bassoon, a third trombone and a keyboard for harp and other effects. I feel that he was able to catch the wonderful feeling of the original without it sounding "thin." The sound quality on both DVDs is excellent and in stereo. The goal of the "Pineapple Poll" project was to maintain the high energy and fun, but with new choreography. Donald Byrd, the Choreographer and Artistic Director of Spectrum Dance Theater in Seattle, was very serious about paying homage to the amazing work of John Cranko. On thing I learned in the process, was that in dance as well as music there can be a fine line between homage, parody and being derivative. We certainly were trying for homage and I'm confident others will enjoy the differences. In any case, this production has sparked considerable interest in the local dance community and Spectrum Dance Theater will be reprising "Pineapple Poll" as part of their repertoire this coming February. "HMS Pinafore" was Directed by Christine Goff and features the usual Seattle G&S suspects. We worked to make "Poll" a prequel to "Pinafore" and to indicate that Little Buttercup was actually Polly Pineapple 20 or so years later. The "Pinafore" is a quite traditional production but with plenty of sparkling bits of humor. Stills from both shows are available on our web page at www.pattersong.org The two shows are available on two DVDs for $35 each plus shipping. If you indicate that you are a Savoynet member when you order, you may purchase both shows for $60. You may order the DVDs through our web site at www.pattersong.org or you can place an order immediately by contacting our business manager at manager@pattersong.org Phone orders can be made at 206-682-0796. We can accept checks, VISA or MasterCharge orders. We have VHS versions of all the other G&S shows except for "Patience," "Princess Ida" and "Utopia, Ltd." We will film "Patience" next July. These VHS versions are available for $30 per show. We also have a new CD with all 12 G&S overtures played by our orchestra and conducted by either Bernie Kwiram or Alan Lund. This is a great item to have in the car stereo. Mike Storie Producer  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Nov 2004 21:50:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAB2oKhV013420; Wed, 10 Nov 2004 21:50:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAB2mIB0001681 for ; Wed, 10 Nov 2004 21:48:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAB2laTJ000452; Wed, 10 Nov 2004 21:47:36 -0500 (EST) Date: Wed, 10 Nov 2004 21:47:36 -0500 (EST) Message-Id: <20041110.183855.18084.171857@webmail11.lax.untd.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "buttercup16@juno.com" To: Multiple recipients of list SAVOYNET Subject: new aubrey-craven product Mime-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: WebMail Version 2.0 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.043 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Nov 2004 21:47:36 -0500 (EST) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "buttercup16@juno.com" To: Multiple recipients of list SAVOYNET Subject: new aubrey-craven product X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.043 X-Spam-Flag: NO David Craven asked me to pass on the word that Gwyn gave birth to a "big guy" (10-pounds plus) Baby John Craven. Sometime between 4.30 and 5 this afternoon, presumably central time. They had just enough time to put the Mikado on in the Delivery Room and Gwyn gave birth before Nanki Poo's entrance. Nine minutes, from parking lot to delivery. All well. (Altho David sounded rather shakier than usual) Pesumably details will follow. sandy rovner..."difficent, modest and shy..."  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Nov 2004 09:48:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iABEm2hV008531; Thu, 11 Nov 2004 09:48:02 -0500 (EST) Received: from smtp108.mail.sc5.yahoo.com (smtp108.mail.sc5.yahoo.com [66.163.170.6]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id iABElxaX028948 for ; Thu, 11 Nov 2004 09:48:00 -0500 (EST) Received: from unknown (HELO HP763ADV) (bj.richards@btinternet.com@83.216.138.237 with login) by smtp108.mail.sc5.yahoo.com with SMTP; 11 Nov 2004 14:47:59 -0000 Message-ID: <002201c4c7fd$6f6cef80$0301a8c0@JACKIE> Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" References: <006301c4b46d$a478c670$0301a8c0@JACKIE> <200410192010.i9JKAkxQ020765@multics.mit.edu> Subject: QWERTY/TOWERS Date: Thu, 11 Nov 2004 14:47:56 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "Bob and Jackie" From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: QWERTY/TOWERS Date: Thu, 11 Nov 2004 14:47:56 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi David and Ruth Hope you got back home safely and without incident or delay. Sorry we were not able to wish you goodbye on Wednesday but at least we got the Garvin's to the airport in good time. We passed your coach a short distance from Exeter as we were heading back - we did wave but I don't suppose you saw us. One thing we must all apoligise for is for forgetting Ruth's birthday. There was so much going on that it slipped all our minds until we had time to sit down quietly but by which time it was too late. Anyway, belated birthday wishes to Ruth. We were so glad that you came over and look forward to our next meeting, whenever and whereever it is. Love Jackie and Bob Polly, Ollie, Tillie and Tam xxxxx ps still not seen a fly  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Nov 2004 11:06:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iABG5Bhd006437; Thu, 11 Nov 2004 11:05:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iABG2mGh025888 for ; Thu, 11 Nov 2004 11:02:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iABG26TJ009393; Thu, 11 Nov 2004 11:02:06 -0500 (EST) Date: Thu, 11 Nov 2004 11:02:06 -0500 (EST) Message-Id: <003101c4c805$78dda5c0$0301a8c0@JACKIE> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Thanks from all at QWERTY TOWERS MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Nov 2004 11:02:06 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Thanks from all at QWERTY TOWERS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO All is still now at The Torcroft and we'd all like to say what a wonderful weekend we've just had. Jackie, Polly, Tam & myself have been planning Qwerty Towers since we bought the hotel in April and we're delighted to say that the festivities exceeded our wildest dreams. Bob had the relatively easy task of being called to the bar while Jackie, Polly & Tam had the less glamorous task of ensuring that the biggest group of guests that we'd ever had were fed, happy & contented, but all of us had a brilliant time. With the exception of Utopia & The Grand Duke we sang through all the operas with the added bonus of the Haddon Hall madrigal and the standard was of a very high order indeed, particularly the choruses and madrigals. We hope we succeeded in granting everyone an opportunity to sing their favourite parts and our expensive purchase of a Yamaha Clavinova was vindicated when Rachel used its sampled trumpet sound to wonderful effect for the opening of the Peers Chorus - thanks to her and Larry B for taking it in turns to provide the excellent accompaniment. We were thrilled that so many people came from so far away with the Bylers, the Garvins, the Jedlinskys, Carole Round, Vickki Willoughby and Don Smith all coming from the States. Larry and Robin came with liitle Hannah and it was a delight to see her playing so well with our grandchildren Tilly & Ollie - perhaps in a few years time they'll be singing choruses in public themselves. Jackie has put up a few photographs on a website http://torcroft.co.uk/qwertytowers/pictures.htm Thanks again from a strangely quiet Devon Bob & Jackie  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Nov 2004 18:25:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iABNP5hX002553; Thu, 11 Nov 2004 18:25:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iABNKnXs021120 for ; Thu, 11 Nov 2004 18:20:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iABNK2TJ019330; Thu, 11 Nov 2004 18:20:02 -0500 (EST) Date: Thu, 11 Nov 2004 18:20:02 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Mrs Dracula MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Nov 2004 18:20:02 -0500 (EST) Reply-To: ajcrowth@ukonline.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Mrs Dracula X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO Please pardon the over-dramatic subject line! There's a new biography of Bram Stoker, "From the Shadow of 'Dracula'" by Paul Murray. I browsed through it in a bookshop a few weeks ago, and now have it on loan from the library. It has been noticed in the past that Gilbert corresponded with Bram Stoker's wife Florence. He wrote a well-known letter to her, complaining that "The Grand Duke" was "an ugly misshapen little brat"! However, this biography gives rather more detail. They corresponded over some time, certainly from 1887 and through into the 20th century...though there were rows which (uncharacteristically) Gilbert was very anxious to patch up. The biographer wonders if there might have been something apart from "amiable flirtation" going on--certainly more than one letter from Gilbert suggests a note of secrecy, and the biographer wonders if the use of a car as "an erotic aid" in one of Bram Stoker's late novels implies jealousy of the car-driving Gilbert. In general, the causes of the rows between Gilbert and Florence Stoker are unknown--though it's not difficult to imagine jealousy on the part of the spouses coming into it. But in one case the cause is fairly clear--I won't give details, but the very unwise gift of a monkey caused some havoc in the Stoker household at one point.... I get the impression that Gilbert found it rather easier to get one with women than with men. Unfortunately, the prurience of society...and maybe unreasonable emotions as well...prevent friendships of this sort from being completely comfortable. Things are too easily misunderstood. There is something plaintive in Gilbert's letter to Florence in 1908: "What we have done we don't know. It used not to be so." Andrew  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Nov 2004 01:06:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAC66fhV007488; Fri, 12 Nov 2004 01:06:43 -0500 (EST) Received: from tomts10-srv.bellnexxia.net (tomts10.bellnexxia.net [209.226.175.54]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAC64cW2010545 for ; Fri, 12 Nov 2004 01:04:38 -0500 (EST) Received: from home4bd15b3a15 ([64.231.215.163]) by tomts10-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20041112060437.KITB1863.tomts10-srv.bellnexxia.net@home4bd15b3a15>; Fri, 12 Nov 2004 01:04:37 -0500 Message-ID: <003201c4c87d$7e0c0280$9a04fea9@home4bd15b3a15> From: "Ori Siegel" To: Subject: Fw: i mean... Date: Fri, 12 Nov 2004 01:04:37 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002F_01C4C853.94E01250" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.895 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: Subject: Fw: i mean... Date: Fri, 12 Nov 2004 01:04:37 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.895 X-Spam-Flag: NO This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C4C853.94E01250 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable As most of you know, I very seldom pass along unsolicited URLs, but this = one is superb. You'll plotz! N.B. - R.K. please forward to your pop and big brother 'cause I don't = have their e-mail addresses! http://www.vidlit.com/yidlit/yidlit.html ------=_NextPart_000_002F_01C4C853.94E01250 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
As most of you know, I = very seldom=20 pass along unsolicited URLs, but this one is superb.  You'll=20 plotz!
 
N.B. - R.K. please = forward to=20 your pop and big brother 'cause I don't have their=20 e-mail addresses!
 
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------=_NextPart_000_002F_01C4C853.94E01250--  1,, X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Nov 2004 16:15:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iACLFMhZ029679; Fri, 12 Nov 2004 16:15:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iACLEZa1027318 for ; Fri, 12 Nov 2004 16:14:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iACLDrTJ002997; Fri, 12 Nov 2004 16:13:53 -0500 (EST) Date: Fri, 12 Nov 2004 16:13:53 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: vikkiwilloughby@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Victoria Willoughby" To: Multiple recipients of list SAVOYNET Subject: My Torquay Vacation Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.596 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Nov 2004 16:13:53 -0500 (EST) Reply-To: vikkiwilloughby@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Victoria Willoughby" To: Multiple recipients of list SAVOYNET Subject: My Torquay Vacation X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.596 X-Spam-Flag: NO My Favorite Moments at the Torcroft Hotel, Torquay, UK - - QWERTY TOWERS Meeting the entire Greinig family, Fluer, Hattie, Jeffrey and Heavenly Hostess Sylvia and touring the countryside at breakneck speed…. Ian Hollamby’s graciously provided FIREWORKS on the lawn. These are against the law in the United States because we are clumsy as a rule and blow off our arms…. Rousing cheer following the delayed entrance of Ian Henderson at dinner Friday night Adam Cuerden creating a new ‘speed of sound’ in all solo interpretations… Crisp clean diction from ‘patter-man-in-the-making’ Chris Hall Sandra Wain’s smashing rendition of Katisha including quivering chin during Tit Willow Carole Round’s awesome Fairy Queen (a Fairy NOT to be messed with….) Tim Bartlett’s leather-coated strip tease. Photos might be worth some money… Sharon ‘butagirl’ multi-vocal-range singing all weekend - but especially as Elsie…. Bob Richards request for ‘Strange Adventure’ in memory of Stan German David Duffey’s solo renditions of what must be his FAVORITE ROLES…. I didna’ recognize him… Lizzy Duffey’s generous gift of no less than 5 real British beers which I had to carefully pack and clutch-to-my-person during our 17+ hour trip home to the USA (negating any need for arm-lifting at the gym this week) Matching up with Rachel (second time singing!) and Sarah-Jane for speedy renditions of those two trios in Mikado – all harmony ‘spot-on’ (that word is Brit) Poignant performance of Jack Point by Larry Garvin Watching Tilly and Hannah Garvin holding hands all weekend - Love at first sight. Stephen Hill’s splendid gratuitous loonnnnggg notes during Sorcerer Coming home to Ian Hollanby’s kind words and follow up posting. Singing with Ian & David Craig is also known as ‘Soprano Heaven’ Ian Henderson’s repeated ‘Crown our rapture with a ‘Rabbit Stew’ Performance by Stuart Box of his Swanee whistle during David Craig’s ‘Engaged to So and So…. (see ‘Freddy QWERT’ in Feb.) whilst Claire urged on with ‘louder, louder….’ INCREDIBLE singing from the men during Yeomen and ‘Painted Emblems’ Lovely solos from Gentlemen Newbie Singers – Larry Byler and Don Smith David’s gentle verbal torture and Ruth Jedlinsky showing me ‘the town’ ‘You summon me and I obey’ sung by the group to poor Jackie Richards who was busy cooking breakfast… Rachel’s sensitive playing during ‘A Prisoner Comes’ Peter and Carol Crichton’s squiring Carole and I about the surrounding countryside and of course, Peter’s beautiful voice…. Many thanks to Bob and Jackie, Polly and Tam for making this vacation possible. It was a tremendous gathering of talented Savoynetters and we all look forward to the next QWERT – wherever it may be… Love to You All - Vic  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Nov 2004 23:43:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAD4gnhZ008544; Fri, 12 Nov 2004 23:43:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAD4gEP3006749 for ; Fri, 12 Nov 2004 23:42:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAD4fSTJ006016; Fri, 12 Nov 2004 23:41:29 -0500 (EST) Date: Fri, 12 Nov 2004 23:41:28 -0500 (EST) Message-Id: <41958D5D.2090007@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: You too can be Einstein! - answers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Nov 2004 23:41:28 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: You too can be Einstein! - answers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.935 X-Spam-Flag: NO I promised to post the answers to the quiz final. Elise, Robert and Arthur all got 8 correct but as one was specific to Australia and answering that is "not to be expected" - so they did as well as I did in this round. Congratulations. A couple of people said they had tested themselves and admitted to 7. Marc Shepherd remarked that the questions (including in the previous rounds) were either insultingly easy or so obscure as to be absurd. I tend to agree, but the question setter knew little about G&S so he would not have known what was easy or otherwise. Anyway, here are the questions again, with the answers: > 1 Which opera features the lines: When I was young and charming, as some of > you may know, I practised Baby-farming? HMS Pinafore (strictly I should have marked anyone who just wrote Pinafore wrong, because the rule was full title but I am kinder > > 2 In 1900 Patience was revived for 150 performances while which opera was > revived for 127? The Pirates of Penzance. (Surprise, I got it wrong -who wouldn't?) > > 3. According to Lady Psyche in Princess Ida, what is nature's sole mistake? Man (did I need to give the answer?) > > 4.Premiering at the Savoy, which opera's debut season ran for 398 > performances? Iolanthe > > 5 Gilbert financed which theatre in Charing Cross Road that opened in 1889? The Garrick > > 6.In The Grand Duke, duels with weapons being illegal, Ernest and Ludwig > instead use a deck of cards, Earnest drawing a what? A king. > > 7. How many hours are supposed to have elapsed between acts one and two of > The Sorcerer? 12 - of course I had to make a split second decision that they meant the 1885 version and had not heard that there was an earlier one with an alternate time. > > 8 In The Gondoliers, the chorus of girls sings "My papa he keeps three > horses, black and white and what sir"? Dapple grey - again, easy. > > 9 Gilbert and Sullivan first met at the Royal Gallery of Illustrations, > during rehearsals of which operetta? Ages Ago > > 10 In addition to Sillimon and Stupidas, which other member of Thespis' > Travelling Theatrical Company has a name beginning with S? Sparkeion - not really difficult but I could not bring it to mind. > > 11 Which character sings "I need no longer pine, I've but to speak the word > and Lo! the maid is mine"? Phantis - I am afraid I went blank on the name and the opera it came from despite the fact that I have directed Utopia > > 12 The Mikado had its Australasian premiere in 1885 at which Sydney theatre? Theatre Royal (I made a point of looking up the Aussie premiere and notable castings) > > > 13 In The Pirates of Penzance, which of General Stanley's daughters sings > "Every moment brings a treasure of its own especial pleasure"? Edith - I said Kate. There was a discussion on talkback radio last night about quiz shows in general and someone phoned in to say that The Einstein Factor was unfair because we did not get all the questions. That of course was the point - it was 15 (the caller insisted it was 19) - answered against the clock. I think I have answered all the lovely emails from Savoynet friends, if not they were gratefully received. Diana Burleigh >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 13 Nov 2004 18:55:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iADNtVhV015122; Sat, 13 Nov 2004 18:55:31 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iADNtVjB014932 for ; Sat, 13 Nov 2004 18:55:31 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iADNtQ1U004966 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Sat, 13 Nov 2004 18:55:30 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: Date: Sat, 13 Nov 2004 18:55:24 -0500 To: opus@mit.edu From: Alex French Subject: really last change Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod Date: Sat, 13 Nov 2004 18:55:24 -0500 To: opus@mit.edu From: Alex French Subject: really last change X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO If you haven't made VHS copies already, we'd like to switch back to 12 DVD and 1 VHS (Welkin's grandmother just got a DVD player). If you've already made VHS, we'll stick with the 11 and 2. -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Nov 2004 19:06:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAF06fhV002443; Sun, 14 Nov 2004 19:06:41 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAF06CVv020626 for ; Sun, 14 Nov 2004 19:06:13 -0500 (EST) Received: from marengo-porosa.mit.edu (MARENGO-POROSA.MIT.EDU [18.7.22.80]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id iAF06BNn024624 for ; Sun, 14 Nov 2004 19:06:11 -0500 (EST) Received: (from nobody@localhost) by marengo-porosa.mit.edu (8.12.2+Sun) id iAF06BsZ009078; Sun, 14 Nov 2004 19:06:11 -0500 (EST) Received: from h004005a8a3c2.ne.client2.attbi.com (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) (User authenticated as mrbonk@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Sun, 14 Nov 2004 19:06:11 -0500 Message-ID: <1100477171.4197f2f32617c@webmail.mit.edu> Date: Sun, 14 Nov 2004 19:06:11 -0500 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: opus@mit.edu Subject: light sabers MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 24.61.15.239 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 14 Nov 2004 19:06:11 -0500 From: "Edmvnd W. Golaski" Reply-to: golaski@alum.mit.edu To: opus@mit.edu Subject: light sabers X-Originating-IP: 24.61.15.239 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Oh, I forgot on friday - I saved the core from a roll of plotter paper, which is some sort of matte-finish white plastic, and it glows very nicely with a flashlight inside it. not quite the same direction as the glow-wire, but the stuff diffuses light so nicely that you could probably just put a strong source in the handle and maybe some diffusers inside to even the light over the whole length, and get a cool effect. the tube is the wrong diameter, but it does demonstrate the material quite nicely, and may be findable in the right diameter. if you're interested in seeing the stuff, lemme know and we can figure something out. -Edmvnd ------------------------------------------------ Edmvnd W. Golaski golaski@alum.mit.edu A One that is not cold is scarcely a One at all. ------------------------------------------------  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 11:50:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFGoChV007816; Mon, 15 Nov 2004 11:50:12 -0500 (EST) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFGksld029963 for ; Mon, 15 Nov 2004 11:46:54 -0500 (EST) Received: from [66.92.72.178] (dsl092-072-178.bos1.dsl.speakeasy.net [66.92.72.178]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id iAFGkrjc022504 for ; Mon, 15 Nov 2004 11:46:53 -0500 (EST) Message-ID: <4198DD85.3050904@alum.mit.edu> Date: Mon, 15 Nov 2004 11:47:01 -0500 From: Brian Bermack User-Agent: Mozilla Thunderbird 0.8 (Windows/20040913) X-Accept-Language: en-us, en MIME-Version: 1.0 To: gsp-alum@mit.edu Subject: Video update and questions Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Nov 2004 11:47:01 -0500 From: Brian Bermack X-Accept-Language: en-us, en To: gsp-alum@mit.edu Subject: Video update and questions X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hello, MITG&SP alumni! The current EC has decided that we have vast stocks of old videos and CDs taking up valuable space in our cabinet, and that it would make sense to offer them for sale to those who want them. Our plan is to keep at least three copies of each item for posterity and/or loaning. We will also keep all copies of Pinafore '96 (with Charlie Korsmo) and the Sweeney Todd CDs, because we don't think we're allowed to sell them. We're also keeping Gondoliers '02 videos because we don't think we've gotten them to everyone who ordered them yet. Everything else, we plan to offer for sale at Iolanthe performances. We plan to offer videos for $15 each, and CDs for $10 (those may not have been the original prices, but they seem fair, and really we'd like them out of the cabinet). Whatever doesn't sell will go back in the cabinet, but I think we should preserve the tradition and keep offering them at future events. If I'm remembering correctly, what we can sell includes VHS for Ruddigore 97, Pirates 98, Mikado 98, Yeomen 99, Iolanthe '99, Ida '00, Sorcerer '00, Zoo '01, Duke '01, and Pinafore '01; DVD for Duke '01, and CDs for Pinafore '01, Pirates '02, and Gondoliers '02. We have Truly Vast Quantities of some of those (20 or more in some cases). Do any of you who've been around longer than we have think this is a bad plan? Are there other videos we don't have the right to sell? Thanks, Brian Bermack MITG&SP Secretary  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 12:15:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFHEthV022554; Mon, 15 Nov 2004 12:14:56 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFHEX7J029399; Mon, 15 Nov 2004 12:14:33 -0500 (EST) Received: from [192.168.1.101] (h002078c528a7.ne.client2.attbi.com [66.30.207.66]) (authenticated bits=0) (User authenticated as mlcar@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAFHES1U012956 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT); Mon, 15 Nov 2004 12:14:29 -0500 (EST) Mime-Version: 1.0 X-Sender: mlcar@po10.mit.edu Message-Id: In-Reply-To: <4198DD85.3050904@alum.mit.edu> References: <4198DD85.3050904@alum.mit.edu> Date: Mon, 15 Nov 2004 12:14:26 -0500 To: Brian Bermack , gsp-alum@mit.edu From: Marion Leeds Carroll Subject: Re: Video update and questions Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mlcar@po10.mit.edu In-Reply-To: <4198DD85.3050904@alum.mit.edu> Date: Mon, 15 Nov 2004 12:14:26 -0500 To: Brian Bermack , gsp-alum@mit.edu From: Marion Leeds Carroll Subject: Re: Video update and questions X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Of course, the video I want to see is the '89 - or was it '90? - Patience -- the one where the video was geat and the audio was great, but the two never did line up. I think it's a good plan to save a few but sell the rest. However -- there may be performers other than Charlie Korsmo who would object to having their work sold. Instrumentalists and conductors seem to be the most prickly about this, since they are more likely to be able to make money themselves out of their music, while we poor singers generally are grateful to be permitted to sing at all. I hope the project can be carrried out with few headaches. Lovely Iolanthe! bravi to the set and costume folks in particular; really nice stage pictures and movements in the crowd scenes, some nice new ideas on characterization (the Fairy Queen as the loveliest creature on the stage, Strephon trying out his Fairy powers during th Act I finale) - although I have to admit I have a number of reservations. (EG: What was Phyllis doing on stage *flirting* during the March of the Peers, immediately after plighting her faith to Strephon? Why did neither Phyllis nor Strephon have pocket handkerchiefs?) Have a good run! - mlc At 11:47 AM -0500 11/15/04, Brian Bermack wrote: >Hello, MITG&SP alumni! > >The current EC has decided that we have vast stocks of old videos >and CDs taking up valuable space in our cabinet, and that it would >make sense to offer them for sale to those who want them. > >Our plan is to keep at least three copies of each item for posterity >and/or loaning. We will also keep all copies of Pinafore '96 (with >Charlie Korsmo) and the Sweeney Todd CDs, because we don't think >we're allowed to sell them. We're also keeping Gondoliers '02 videos >because we don't think we've gotten them to everyone who ordered >them yet. > >Everything else, we plan to offer for sale at Iolanthe performances. >We plan to offer videos for $15 each, and CDs for $10 (those may not >have been the original prices, but they seem fair, and really we'd >like them out of the cabinet). Whatever doesn't sell will go back in >the cabinet, but I think we should preserve the tradition and keep >offering them at future events. > >If I'm remembering correctly, what we can sell includes VHS for >Ruddigore 97, Pirates 98, Mikado 98, Yeomen 99, Iolanthe '99, Ida >'00, Sorcerer '00, Zoo '01, Duke '01, and Pinafore '01; DVD for Duke >'01, and CDs for Pinafore '01, Pirates '02, and Gondoliers '02. We >have Truly Vast Quantities of some of those (20 or more in some >cases). > >Do any of you who've been around longer than we have think this is a >bad plan? Are there other videos we don't have the right to sell? > > >Thanks, >Brian Bermack >MITG&SP Secretary -- -Marion ____________________________ Marion Leeds Carroll MIT Libraries Web Assistant mlcar@mit.edu | E25-131 | 781.646.9115 visit http://www.bostoncure.org for information on the Boston Cure Project for Multiple Sclerosis  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 12:18:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFHHhhZ024079; Mon, 15 Nov 2004 12:18:04 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFHHE7J000389; Mon, 15 Nov 2004 12:17:14 -0500 (EST) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) (authenticated bits=56) (User authenticated as cupid@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAFHHD1V013822 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Mon, 15 Nov 2004 12:17:13 -0500 (EST) Received: (from cupid@localhost) by biohazard-cafe.mit.edu (8.12.9) id iAFHHCho007819; Mon, 15 Nov 2004 12:17:12 -0500 (EST) Date: Mon, 15 Nov 2004 12:17:12 -0500 (EST) Message-Id: <200411151717.iAFHHCho007819@biohazard-cafe.mit.edu> From: Randi M Kestin To: bbermack@alum.MIT.EDU CC: gsp-alum@MIT.EDU In-reply-to: <4198DD85.3050904@alum.mit.edu> (message from Brian Bermack on Mon, 15 Nov 2004 11:47:01 -0500) Subject: Re: Video update and questions References: <4198DD85.3050904@alum.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Nov 2004 12:17:12 -0500 (EST) From: Randi M Kestin To: bbermack@alum.MIT.EDU CC: gsp-alum@MIT.EDU In-reply-to: <4198DD85.3050904@alum.mit.edu> (message from Brian Bermack on Mon, 15 Nov 2004 11:47:01 -0500) Subject: Re: Video update and questions X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Brian, It sounds like a good idea. My only concern is about the most recent Pinafore video since my understanding is the videotaping of it wasn't complete at the end? Personally, I haven't watched my copy myself yet. If we happen to have the end of the show on that tape, than great! But if we don't, I wouldn't want the public ripped off for an incomplete show. Would be bad publicity for the group, etc. Randi  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 13:04:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFI44hV018656; Mon, 15 Nov 2004 13:04:05 -0500 (EST) Received: from sweet-transvestite.mit.edu (SWEET-TRANSVESTITE.MIT.EDU [18.18.1.157]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFI3sv0015605; Mon, 15 Nov 2004 13:03:54 -0500 (EST) Received: (from pocky@localhost) by sweet-transvestite.mit.edu (8.12.9) id iAFI3jV8007269; Mon, 15 Nov 2004 13:03:45 -0500 (EST) Date: Mon, 15 Nov 2004 13:03:45 -0500 (EST) From: Daniel Kamalic X-X-Sender: pocky@sweet-transvestite.mit.edu To: Marion Leeds Carroll cc: Brian Bermack , gsp-alum@MIT.EDU Subject: Re: Video update and questions In-Reply-To: Message-ID: References: <4198DD85.3050904@alum.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Nov 2004 13:03:45 -0500 (EST) From: Daniel Kamalic X-X-Sender: pocky@sweet-transvestite.mit.edu To: Marion Leeds Carroll cc: Brian Bermack , gsp-alum@MIT.EDU Subject: Re: Video update and questions In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I seem to recall that, back in the stone age, when we rode our dinosaurs to 6.001, and I agreed to perform with MITG&SP, I made either a verbal or written contract with them to use my likeness for publicity purposes and for the video. I am pretty sure it was understood that the video would be sold to anyone who wanted it. I'm pretty sure there was something on the audition sheet that went somewhat thus: "The show will be videotaped for MITG&SP's archives and for sale to cast members and the public." There was also a line in there like: "Are you willing to cut your hair if asked to by the costume designer or director?" If for some reason there wasn't, there really should have been, and perhaps MITG&SP should make sure to do exactly that in the future, just to cover itself legally for all future productions. You should probably go so far as to make sure to have a "signature" line at the bottom of the audition sheet (or conductor/instrumentalist sign-up sheet) that says "I understand that by accepting a position with MITG&SP, I agree to these things." I am sure that if you're really worried about any of this, the MIT Intellectual Property Office would be happy to help and probably give you some standard forms (which you probably want to avoid using because they're unnecessarily long and complicated and you're not *too* worried about this.) On Mon, 15 Nov 2004, Marion Leeds Carroll wrote: > Of course, the video I want to see is the '89 - or was it '90? - > Patience -- the one where the video was geat and the audio was > great, but the two never did line up. > > I think it's a good plan to save a few but sell the rest. However -- > there may be performers other than Charlie Korsmo who would object to > having their work sold. Instrumentalists and conductors seem to be > the most prickly about this, since they are more likely to be able to > make money themselves out of their music, while we poor singers > generally are grateful to be permitted to sing at all. I hope the > project can be carrried out with few headaches. > > Lovely Iolanthe! bravi to the set and costume folks in particular; > really nice stage pictures and movements in the crowd scenes, some > nice new ideas on characterization (the Fairy Queen as the loveliest > creature on the stage, Strephon trying out his Fairy powers during th > Act I finale) - although I have to admit I have a number of > reservations. (EG: What was Phyllis doing on stage *flirting* during > the March of the Peers, immediately after plighting her faith to > Strephon? Why did neither Phyllis nor Strephon have pocket > handkerchiefs?) > > Have a good run! - mlc > > > At 11:47 AM -0500 11/15/04, Brian Bermack wrote: > >Hello, MITG&SP alumni! > > > >The current EC has decided that we have vast stocks of old videos > >and CDs taking up valuable space in our cabinet, and that it would > >make sense to offer them for sale to those who want them. > > > >Our plan is to keep at least three copies of each item for posterity > >and/or loaning. We will also keep all copies of Pinafore '96 (with > >Charlie Korsmo) and the Sweeney Todd CDs, because we don't think > >we're allowed to sell them. We're also keeping Gondoliers '02 videos > >because we don't think we've gotten them to everyone who ordered > >them yet. > > > >Everything else, we plan to offer for sale at Iolanthe performances. > >We plan to offer videos for $15 each, and CDs for $10 (those may not > >have been the original prices, but they seem fair, and really we'd > >like them out of the cabinet). Whatever doesn't sell will go back in > >the cabinet, but I think we should preserve the tradition and keep > >offering them at future events. > > > >If I'm remembering correctly, what we can sell includes VHS for > >Ruddigore 97, Pirates 98, Mikado 98, Yeomen 99, Iolanthe '99, Ida > >'00, Sorcerer '00, Zoo '01, Duke '01, and Pinafore '01; DVD for Duke > >'01, and CDs for Pinafore '01, Pirates '02, and Gondoliers '02. We > >have Truly Vast Quantities of some of those (20 or more in some > >cases). > > > >Do any of you who've been around longer than we have think this is a > >bad plan? Are there other videos we don't have the right to sell? > > > > > >Thanks, > >Brian Bermack > >MITG&SP Secretary > > > -- > -Marion > ____________________________ > Marion Leeds Carroll > MIT Libraries Web Assistant > mlcar@mit.edu | E25-131 | 781.646.9115 > > visit > http://www.bostoncure.org > for information on the Boston Cure Project for Multiple Sclerosis >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 13:25:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFIP4hV000994; Mon, 15 Nov 2004 13:25:04 -0500 (EST) Received: from mx2.whoi.edu (tassadar.whoi.edu [128.128.76.63]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFIOYv0015353; Mon, 15 Nov 2004 13:24:34 -0500 (EST) Received: by mx2.whoi.edu (Postfix, from userid 103) id CFB791629DA; Mon, 15 Nov 2004 13:24:32 -0500 (EST) Received: from [128.128.31.76] (beren.whoi.edu [128.128.31.76]) by mx2.whoi.edu (Postfix) with ESMTP id D54741629D6; Mon, 15 Nov 2004 13:24:28 -0500 (EST) Mime-Version: 1.0 (Apple Message framework v619) Content-Transfer-Encoding: 7bit Message-Id: <957BE07A-3733-11D9-A0B1-000A956F2A2E@whoi.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: Curtis Mitchell , Joy , Matt Morse , Katherine Bryant , Mary Agner , Rebecca Christiansen , shmike@MIT.EDU, Jeffery Chan , Michelle Dunnewind , Peter Winsor , Freak House , Lisa Gay , John Girash , Denis Moskowitz , Beth Collins , tbobjohnson@hotmail.com, Geoffrey Collins , Avon Russell , Dinner Crowd , Jennie Hango , Leslie Longo , Jessica Hekman , JMac Macintosh , Shane Landrum , Reebee Girash , droshek@hotmail.com, Lance Nathan , Michelle Herder , Colorwheel , Matt Sakai From: Jason Goodman Subject: Civ Foo Cape, December 3-5, 2004 Date: Mon, 15 Nov 2004 13:24:27 -0500 X-Mailer: Apple Mail (2.619) X-Virus-Status: No X-Spam-Checker-Version: SpamAssassin 2.63 (2004-01-11) on tassadar X-Spam-Status: No, hits=-104.9 required=7.5 tests=BAYES_00,USER_IN_WHITELIST autolearn=ham version=2.63 X-Spam-Level: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Curtis Mitchell , Joy , Matt Morse , Katherine Bryant , Mary Agner , Rebecca Christiansen , shmike@MIT.EDU, Jeffery Chan , Michelle Dunnewind , Peter Winsor , Freak House , Lisa Gay , John Girash , Denis Moskowitz , Beth Collins , tbobjohnson@hotmail.com, Geoffrey Collins , Avon Russell , Dinner Crowd , Jennie Hango , Leslie Longo , Jessica Hekman , JMac Macintosh , Shane Landrum , Reebee Girash , droshek@hotmail.com, Lance Nathan , Michelle Herder , Colorwheel , Matt Sakai From: Jason Goodman Subject: Civ Foo Cape, December 3-5, 2004 Date: Mon, 15 Nov 2004 13:24:27 -0500 X-Virus-Status: No X-Spam-Checker-Version: SpamAssassin 2.63 (2004-01-11) on tassadar X-Spam-Status: No, hits=-104.9 required=7.5 tests=BAYES_00,USER_IN_WHITELIST autolearn=ham version=2.63 X-Spam-Level: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO You're hereby invited to attend "Civ Foo", a weekend-long games party, now hosted for the first time by Jason Goodman and Carolyn Smith at our house at 7 Bishop Avenue, Middleboro, MA on December 3-5. "Civ Foo? What's that?" "Civ" stands for Civilization, the epic board game by Avalon Hill (not the Sid Meier computer game.) Civ takes 7-8 people a full day to play, so it's a party all by itself. "Foo" stands for any of dozens of other, less intense card and board games, which get played before, after, during, and instead of Civilization (a partial list is below). Foo also stands for food, friends, and fun. More people come for Foo than Civ, and in recent years we've sometimes not played Civ at all. "What sort of games?" Almost anything goes, but strategy board and card games are most common. It's a good time to tackle long, involved games, but there are plenty of short ones too. A partial list of things we've played in the past, with a big bias toward my favorites: Civilization Settlers of Cataan Tikal Junta Euro Rails (and relatives) Axis and Allies Apples to Apples Carcassonne Bohnanza Tigris and Euphrates Lord of the Rings Cheapass Games (all of 'em) Button Men Modern Art RoboRally Evo Puerto Rico Entdecker Lost Cities Chez Geek Illuminati Titan Citadels Diplomacy Domaine Set In a bit of a change from previous years, multi-player video games are welcome too. We'll set up the TV and consoles in a separate room, to keep the noise level low, and to keep the event kid-friendly in case people want to play anything violent. Some of you are designing your own games. Bring them along, and we'll play-test them! "What else is there?" That's not enough for you? We'll also have food, conversation, and a fair amount of pretty outdoors to explore and enjoy (though keep in mind it'll be December.) "When is it?" You're welcome to show up at our house starting at 6:00 p.m. on Friday, December 3rd. You should leave before 6:00 p.m. on Sunday, December 5th. "How do I get there?" http://www.mit.edu/~goodmanj/directions.html If you're taking the train, give us a call at least 15 minutes before you arrive, and we'll pick you up at the train station. "Where will I sleep?" You intend to sleep?! What a lightweight! Seriously, though, our house has plenty of room for crashing, and we'll have a futon and some inflatable mattresses to lie down on. We will prioritize sleeping arrangements by how difficult it is for you to get here. People who live nearby or can drive to our house easily should consider going home to sleep; people who're driving a long way, or taking a train, are welcome to spend the night. The cut-off will depend on how many RSVPs we get. We can't guarantee you a room of your own, or even a room with a door, but we'll try to accomodate as many as we can. "Are you feeding us?" We'll supply lots of munchies and a quick meal or two, but we understandably don't intend to cook full sit-down meals for 40 people for two days, especially since our tables will be covered with gaming apparatus. So, expect pizza, take-out, snacks, and informal eating. You won't care, you'll be too busy with world domination, right? Bring cash for pizza / take-out. If you would like to bring some food, please do! We won't be serving alcohol, but you are welcome to bring drinks to share. "Is there Internet? Must check e-mail!!" Even more important than food, and we've got ya covered here. Cable modem, wireless hub. You're welcome to borrow our Macs, or bring your laptop. If you spend the whole weekend online, though, we'll mock you mercilessly. "What should I bring?" Games! See http://www.mit.edu/~goodmanj/foo/gamelist.html for a list of what people are bringing. If you e-mail me a list of the games you intend to bring, I'll add it to this list. That way we can avoid duplicates, and be able to sort out whose game is whose at the end of the weekend. Video Game Stuff We have a nice TV and a Gamecube. You're welcome to bring your PS2, Xbox, controllers, and any games you'd like to share. Games should be multi-player, and we'd prefer games without realistic violence. (That said, I wouldn't turn down some 16-player Halo 2 if it was feasible...) Bedding and towels (if you intend to spend the night) Food/Drink If you'd like, bring a potluck dish. Preferably something informal, and which doesn't need to be eaten immediately. You may also bring beer or wine. Folding Chairs & Tables We haven't got quite as many tables and chairs as we'd like for an event this size. If you have a folding card table or patio chairs and can bring them easily, please do so. "Got any rules and warnings?" * Kids are very welcome, and we expect a few to attend. We'll have kid games and toys to play with. Parents, be aware that this'll be a pretty crowded party, with lots of small game pieces to eat and carefully-set-up game boards to knock over. Our house is also not babyproof, and we don't have a good changing station. (Whee! Adventures in parenting!) * We have cats. Bring medicine if you're allergic. * Please park on the grass alongside the driveway and on the front and back lawns. Try to keep the driveway clear as much as possible. In the event of serious snowfall, current plans call for panic and anguish. * There is a small chance that a major war may be occurring in Puzzle Pirates, an online roleplaying game I'm addicted and committed to, during the Foo. If this is the case, I may be chained to my computer for a fair chunk of the weekend, but that doesn't make you any less welcome guests. * There is a very small chance our septic system might be being upgraded during the Foo. This will cause total chaos, in terms of restroom use and parking. We might decide to cancel or scale back the event if this happens. "Do you need an RSVP?" We'd appreciate it. Please reply with the following info: * Number of guests? * What games, if any, will you bring? (see http://www.mit.edu/~goodmanj/foo/gamelist.html first) * Will you bring food/drink? * Will you need/want a place to stay overnight? Please show up even if you forgot to RSVP! --------------------------------------------- Caveats: "Civ Foo" is an unregistered trademark of Seidler-Broekman Sheep Farms, Inc, blatantly used without permission. We blame Lance. But Blair and Jen, who invented the Foo, are invited even though we've never met 'em. "Civ Foo Cape" is a misnomer, since we don't actually live on Cape Cod. But "Civ Foo North But Not Quite So Far North As Usual" didn't have the same ring to it.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 13:45:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFIj1hV011369; Mon, 15 Nov 2004 13:45:01 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFIif7J012141; Mon, 15 Nov 2004 13:44:41 -0500 (EST) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) (authenticated bits=56) (User authenticated as epeisach@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAFIie1V010089 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Mon, 15 Nov 2004 13:44:40 -0500 (EST) Received: (from epeisach@localhost) by contents-vnder-pressvre.mit.edu (8.12.9) id iAFIidh1025473; Mon, 15 Nov 2004 13:44:39 -0500 (EST) Date: Mon, 15 Nov 2004 13:44:39 -0500 (EST) From: Ezra Peisach To: Daniel Kamalic cc: Marion Leeds Carroll , Brian Bermack , gsp-alum@mit.edu Subject: Re: Video update and questions In-Reply-To: Message-ID: References: <4198DD85.3050904@alum.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Nov 2004 13:44:39 -0500 (EST) From: Ezra Peisach To: Daniel Kamalic cc: Marion Leeds Carroll , Brian Bermack , gsp-alum@mit.edu Subject: Re: Video update and questions In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I think the cast has been required to sign such a form for a number of years.... That policy was formalized into a by law on April 30 2000 bylaw - so it might have been sporadic before that with regards to policy. The wording is interesting... "It can be assumed that all MITG\&SP productions will be recorded in one form or another and distributed to the general public. In accordance, the Executive Committee will take steps to try and ensure that all persons directly connected to the production are informed of this fact......" The cast has been notified - and has signed the disclaimer (which I am sure that GSP has kept on record for legal purposes - right?) But - has anyone ever formally notified the orchestra? Maybe something is said - but the audition forms for cast indicate that if they do not want to be videotaped - they should speak up - has the same courtesy been given to the orchestra members? I know there were auditions this year - was there anything formal given? I do not believe that one could use an argument that the orchestra is heard but not seen - as I think many of the videos at least have the images of the conductor walking over to the orchestra.... During the curtain call they are shown, etc... So - that said, personally I have no objections... I am not sure where the legal issues are... (This brings up an interesting question - I notice that images are being put online in the web directory from one of the performances this weekend. I see audience members, set crew during set construction, etc... I am sure they have not asked if they want a picture of themselves on the web.... - luck for us you can only see the faces of a few audience members - the rest are the back of their heads. Other people who probably have never given permission to there faces being used include Drea, Garry, Larry...) Ezra  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 14:24:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFJNqhX003973; Mon, 15 Nov 2004 14:24:08 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAFJNPEb001211; Mon, 15 Nov 2004 14:23:25 -0500 (EST) Received: from [155.38.6.63] (dhcp63.55chapel.edc.org [155.38.6.63] (may be forged)) (authenticated bits=0) (User authenticated as nbozard@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAFJNN1T022503 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT); Mon, 15 Nov 2004 14:23:24 -0500 (EST) In-Reply-To: References: <4198DD85.3050904@alum.mit.edu> Mime-Version: 1.0 (Apple Message framework v619) Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: Content-Transfer-Encoding: 7bit Cc: Brian Bermack , gsp-alum@mit.edu, Daniel Kamalic , Marion Leeds Carroll From: Nick Bozard Subject: Re: Video update and questions Date: Mon, 15 Nov 2004 14:23:23 -0500 To: Ezra Peisach X-Mailer: Apple Mail (2.619) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: Cc: Brian Bermack , gsp-alum@mit.edu, Daniel Kamalic , Marion Leeds Carroll From: Nick Bozard Subject: Re: Video update and questions Date: Mon, 15 Nov 2004 14:23:23 -0500 To: Ezra Peisach X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO When I was on the EC (not terribly long ago--pinafore through about utopia) we told the cast something like "This production will be videotaped and will be sold to people in the show and may be sold outside the group at cost. If this is a problem, let us know ASAP." No signatures or anything were acquired. I believe it's been done as a both an announcement at sing-thru and as a handout at auditions and/or singthru. I don't believe the orchestra or production staff was ever really notified much beyond "we're videotaping the friday show." I have no idea if more recent ECs have been doing anything of the sort at all. Nick On Nov 15, 2004, at 1:44 PM, Ezra Peisach wrote: > > I think the cast has been required to sign such a form for a number of > years.... That policy was formalized into a by law on April 30 2000 > bylaw - so it might have been sporadic before that with regards to > policy. > > The wording is interesting... "It can be assumed that all MITG\&SP > productions will be recorded in one form or another and distributed to > the > general public. In accordance, the Executive Committee will take steps > to > try and ensure that all persons directly connected to the production > are > informed of this fact......" > > > The cast has been notified - and has signed the disclaimer (which I > am sure that GSP has kept on record for legal purposes - right?) > > But - has anyone ever formally notified the orchestra? Maybe > something is > said - but the audition forms for cast indicate that if they do not > want > to be videotaped - they should speak up - has the same courtesy been > given > to the orchestra members? I know there were auditions this year - was > there anything formal given? > > I do not believe that one could use an argument that the orchestra is > heard but not seen - as I think many of the videos at least have the > images of the conductor walking over to the orchestra.... During the > curtain call they are shown, etc... > > So - that said, personally I have no objections... I am not sure where > the > legal issues are... > > (This brings up an interesting question - I notice that images are > being > put online in the web directory from one of the performances this > weekend. > I see audience members, set crew during set construction, etc... I am > sure > they have not asked if they want a picture of themselves on the > web.... - > luck for us you can only see the faces of a few audience members - the > rest are the back of their heads. Other people who probably have never > given permission to there faces being used include Drea, Garry, > Larry...) > > Ezra >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Nov 2004 14:56:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAFJuLhV023536; Mon, 15 Nov 2004 14:56:21 -0500 (EST) Received: from sweet-transvestite.mit.edu (SWEET-TRANSVESTITE.MIT.EDU [18.18.1.157]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAFJtlpa003695; Mon, 15 Nov 2004 14:55:47 -0500 (EST) Received: (from pocky@localhost) by sweet-transvestite.mit.edu (8.12.9) id iAFJtdHY007847; Mon, 15 Nov 2004 14:55:39 -0500 (EST) Date: Mon, 15 Nov 2004 14:55:38 -0500 (EST) From: Daniel Kamalic X-X-Sender: pocky@sweet-transvestite.mit.edu To: Ezra Peisach cc: Daniel Kamalic , Marion Leeds Carroll , Brian Bermack , gsp-alum@MIT.EDU Subject: Re: Video update and questions In-Reply-To: Message-ID: References: <4198DD85.3050904@alum.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Nov 2004 14:55:38 -0500 (EST) From: Daniel Kamalic X-X-Sender: pocky@sweet-transvestite.mit.edu To: Ezra Peisach cc: Daniel Kamalic , Marion Leeds Carroll , Brian Bermack , gsp-alum@MIT.EDU Subject: Re: Video update and questions In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO > (This brings up an interesting question - I notice that images are being > put online in the web directory from one of the performances this weekend. > I see audience members, set crew during set construction, etc... I am sure > they have not asked if they want a picture of themselves on the web.... - > luck for us you can only see the faces of a few audience members - the > rest are the back of their heads. Other people who probably have never > given permission to there faces being used include Drea, Garry, Larry...) The laws about photography tend to be clearer. They vary from country to country, but in general, if what you're doing can be classified as "photojournalism", no releases are required from individuals who you photograph. Sheldon Brown's site, for example, is probably classifiable as photojournalism. I think on MITG&SP's own site, though, it would be sketchy.  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Nov 2004 14:27:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAGJR6hX007648; Tue, 16 Nov 2004 14:27:22 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAGJQsLd014795 for ; Tue, 16 Nov 2004 14:26:54 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAGJQq1U026167 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Tue, 16 Nov 2004 14:26:53 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: In-Reply-To: <200411151548.iAFFmf3h014831@multics.mit.edu> References: <200411151548.iAFFmf3h014831@multics.mit.edu> Date: Tue, 16 Nov 2004 14:26:49 -0500 To: "David C. Jedlinsky" From: Alex French Subject: Re: really last change Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod In-Reply-To: <200411151548.iAFFmf3h014831@multics.mit.edu> Date: Tue, 16 Nov 2004 14:26:49 -0500 To: "David C. Jedlinsky" From: Alex French Subject: Re: really last change X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Opus, Do you have office access? If you do, droppping them off at your leisure and leaving us an invoice is fine. If not, we can work out a time when someone else will be in the office. Alex >I've got the Clue DVDs and VHS finished. The total is $402, payable >to "IPNH". Ruth could bring them down tonight, or else next week. > >-Dave -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Nov 2004 19:07:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAH06thZ027830; Tue, 16 Nov 2004 19:07:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAH04hov027424 for ; Tue, 16 Nov 2004 19:04:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAH03vTJ006084; Tue, 16 Nov 2004 19:03:57 -0500 (EST) Date: Tue, 16 Nov 2004 19:03:57 -0500 (EST) Message-Id: <20041116235452.99544.qmail@web60209.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet diary website? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6b.3869c9d2.2ecbe47a@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 16 Nov 2004 19:03:57 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet diary website? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6b.3869c9d2.2ecbe47a@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Elise asked... ***John, how do we use the calendar feature?*** Haven't got a clue. Here's the page for those that can get in: http://groups.yahoo.com/group/SavoyNot/cal I'm not exactly sure what Jo needs but, if this is it, it seems self-explanatory. John __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Nov 2004 20:15:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAH1FJhV021279; Tue, 16 Nov 2004 20:15:19 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAH1FJFD010050 for ; Tue, 16 Nov 2004 20:15:19 -0500 (EST) Received: from [192.168.2.26] (h0000e2599cce.ne.client2.attbi.com [66.30.24.248]) (authenticated bits=0) (User authenticated as aff@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAH1FE1U018666 (version=TLSv1/SSLv3 cipher=RC4-SHA bits=128 verify=NOT) for ; Tue, 16 Nov 2004 20:15:18 -0500 (EST) Mime-Version: 1.0 X-Sender: aff@hesiod Message-Id: In-Reply-To: <200411162138.iAGLclwU025879@multics.mit.edu> References: <200411151548.iAFFmf3h014831@multics.mit.edu> <200411162138.iAGLclwU025879@multics.mit.edu> Date: Tue, 16 Nov 2004 20:15:11 -0500 To: "David C. Jedlinsky" From: Alex French Subject: Re: really last change Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: aff@hesiod In-Reply-To: <200411162138.iAGLclwU025879@multics.mit.edu> Date: Tue, 16 Nov 2004 20:15:11 -0500 To: "David C. Jedlinsky" From: Alex French Subject: Re: really last change X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Opus, To get a check cut, we'll need an invoice. If you want to tack one to the guild door in an envelope, that would be fine, and then it'll take just a few days for a check. >Alex, > >I do not have office access. > >The Clue DVDs and VHS (along with invoice) are in my drawer in the >SIPB office on the fifth floor. If you or someone else wants to fetch >them and replace them with a check, that would probably be the easiest >way to do the exchange. The drawer is in the back of the office, >second from the bottom, in the second column from the left. It's >labelled "opus/rls". > >-Dave > > >>Date: Tue, 16 Nov 2004 14:26:49 -0500 >>From: Alex French >> >>Opus, >> >>Do you have office access? If you do, droppping them off at your >>leisure and leaving us an invoice is fine. If not, we can work out a >>time when someone else will be in the office. >> >>Alex >> >>>I've got the Clue DVDs and VHS finished. The total is $402, payable >>>to "IPNH". Ruth could bring them down tonight, or else next week. >>> >>>-Dave >> >> >>-- >>Alex French >>MIT Class of 2005 >>cell: (617) 645-2747 >>AIM: respectableAlex -- Alex French MIT Class of 2005 cell: (617) 645-2747 AIM: respectableAlex  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Nov 2004 09:18:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAHEIjhV007223; Wed, 17 Nov 2004 09:18:46 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.199]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAHEI5mS003756 for ; Wed, 17 Nov 2004 09:18:05 -0500 (EST) Received: by rproxy.gmail.com with SMTP id a41so1016901rng for ; Wed, 17 Nov 2004 06:18:05 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:mime-version:content-type:content-transfer-encoding; b=rD2IT9fvKEUb9Dla3s3qnduFnegWfPCnWZ8bB0FjY6HY6RP56DjLPD1mpQd2esOCcOQMRS74GCBRRIJ4IRBr04XZc4Q+OOcIWJ5YjNr+ta38cbhOCfbeKECT3jGAhr6JASvy+E6hxF5NdOLKdJX27etBanU+9ELii2DQdNE49vQ= Received: by 10.38.59.6 with SMTP id h6mr74754rna; Wed, 17 Nov 2004 06:18:05 -0800 (PST) Received: by 10.38.72.75 with HTTP; Wed, 17 Nov 2004 06:18:05 -0800 (PST) Message-ID: <78d942e50411170618799ae1bd@mail.gmail.com> Date: Wed, 17 Nov 2004 09:18:05 -0500 From: Andrea Humez Reply-To: shadow@alum.mit.edu To: jean.humez@umb.edu, alexhumez@juno.com, tomato@nycap.rr.com, gencom2@cs.com, jenwahsung@yahoo.com, dahm@rown.edu, jemorris@mit.edu, munch@mit.edu, et-boston@mit.edu, oath@mit.edu, assassin-social@mit.edu, auria@mit.edu, writerscabal@yahoogroups.com, mikka@mit.edu, dcltdw@mit.edu, dinner@mit.edu, argentarius@juno.com, kholodenko@pobox.com, jlgalley@pobox.com, crikkett@standfordalumni.org, doriaa.hughes@comcast.net, ghudson@mit.edu, alex_aminoff@alum.mit.edu, jenise@jenise.net, mccall@ai.mit.edu, bbermack@alum.mit.edu, ryan.caveney@alum.mit.edu, aglazer@neamc.com, ccrazy@theworld.com, bow@mit.edu, JRaine@bostonconservatory.edu, muffin@theworld.com, Ninian_Stein@brown.edu Subject: email address change Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:mime-version:content-type:content-transfer-encoding; b=rD2IT9fvKEUb9Dla3s3qnduFnegWfPCnWZ8bB0FjY6HY6RP56DjLPD1mpQd2esOCcOQMRS74GCBRRIJ4IRBr04XZc4Q+OOcIWJ5YjNr+ta38cbhOCfbeKECT3jGAhr6JASvy+E6hxF5NdOLKdJX27etBanU+9ELii2DQdNE49vQ= Date: Wed, 17 Nov 2004 09:18:05 -0500 From: Andrea Humez Reply-To: shadow@alum.mit.edu To: jean.humez@umb.edu, alexhumez@juno.com, tomato@nycap.rr.com, gencom2@cs.com, jenwahsung@yahoo.com, dahm@rown.edu, jemorris@mit.edu, munch@mit.edu, et-boston@mit.edu, oath@mit.edu, assassin-social@mit.edu, auria@mit.edu, writerscabal@yahoogroups.com, mikka@mit.edu, dcltdw@mit.edu, dinner@mit.edu, argentarius@juno.com, kholodenko@pobox.com, jlgalley@pobox.com, crikkett@standfordalumni.org, doriaa.hughes@comcast.net, ghudson@mit.edu, alex_aminoff@alum.mit.edu, jenise@jenise.net, mccall@ai.mit.edu, bbermack@alum.mit.edu, ryan.caveney@alum.mit.edu, aglazer@neamc.com, ccrazy@theworld.com, bow@mit.edu, JRaine@bostonconservatory.edu, muffin@theworld.com, Ninian_Stein@brown.edu Subject: email address change X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO (For those with no interest in contacting me in the future, I apologize for the mass mail.) My email account at World is going away. ahumez@world.std.com or ahumez@theworld.com will no longer reach me. You can reach me at shadow@alum.mit.edu. I'm going to try to make this my official address from now on, so that if I have to mess around with providers again, I don't have to switch contact info again. If you're the administrator of a mailing list and find yourself getting bounces from my old address, could you please exchange it for the alum one? (I've been trying to switch addresses on all the lists I'm on, but it keeps turning out there are more I've forgotten about...) Andrea -- Please email me at: shadow@alum.mit.edu  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Nov 2004 12:41:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAHHeNhb001994; Wed, 17 Nov 2004 12:41:03 -0500 (EST) Received: from megs35.100mwh.com (megs35.100mwh.com [205.214.86.38]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAHHc1iF017322 for ; Wed, 17 Nov 2004 12:38:02 -0500 (EST) Received: from pool-68-162-105-19.phil.east.verizon.net ([68.162.105.19] helo=[192.168.1.42]) by megs35.100mwh.com with esmtp (Exim 4.43) id 1CUTkn-0008IU-He; Wed, 17 Nov 2004 10:38:01 -0700 Message-ID: <419B8C76.3070509@rewardforloyalty.com> Date: Wed, 17 Nov 2004 12:37:58 -0500 From: Tyler Hains User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.7.3) Gecko/20040910 X-Accept-Language: en-us, en, ja MIME-Version: 1.0 To: "David C. Jedlinsky" CC: hains@temple.edu Subject: Re: FW: [PRESENCE-L] Device adds realism and exercise to videogames References: <006901c4cc57$5d73fcc0$6400a8c0@DIMENSION> <200411171725.iAHHPpvi029113@multics.mit.edu> In-Reply-To: <200411171725.iAHHPpvi029113@multics.mit.edu> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - megs35.100mwh.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - rewardforloyalty.com X-Source: X-Source-Args: X-Source-Dir: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Nov 2004 12:37:58 -0500 From: Tyler Hains X-Accept-Language: en-us, en, ja To: "David C. Jedlinsky" CC: hains@temple.edu Subject: Re: FW: [PRESENCE-L] Device adds realism and exercise to videogames In-Reply-To: <200411171725.iAHHPpvi029113@multics.mit.edu> X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - megs35.100mwh.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - rewardforloyalty.com X-Source: X-Source-Args: X-Source-Dir: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I wonder if any Gyms or Arcades would get something like this... It's probably more in the arcade category, although it could open up Gyms to an entirely new set of clientelle. Tyler David C. Jedlinsky wrote: >I'd say it's an evolutionary step beyond DDR. I'd love to try it, but >not at $1300! Ouch. > >-Dave > > > > >>From: "Rebecca C. Hains" >>Date: Tue, 16 Nov 2004 22:41:47 -0500 >> >>:-) This sounds like DDR Xtreme! >> >> >>-----Original Message----- >>From: Presence-l Listserv [mailto:presence-l@listserv.temple.edu] On >>Behalf Of Matthew Lombard >>Sent: Tuesday, November 16, 2004 8:13 AM >>To: PRESENCE-L@LISTMAIL.TEMPLE.EDU >>Subject: [PRESENCE-L] Device adds realism and exercise to videogames >> >> >> >>FROM THE PRESENCE-L LISTSERV: > > >>[From The Boston Herald >>(>4050>)... >> >>--Matthew ] >> >>Fitness geek - stay in shape while playing video games >>By Stephanie Schorow >>Monday, November 15, 2004 >> >>Is the world ready for buff geeks? >> >>An upstart California company is betting on it with the >>development of the ``FP(first person)GameRunner,'' a device >>that melds fitness training with computer/video games. >> >>The FPGameRunner is a specialized treadmill that can be >>hooked up to a personal computer loaded with an action- >>oriented game. Using the treadmill track, a throttle handle >>and control board, players create game movements by actually >>running, walking and turning sideways. The faster you run, >>for example, the faster your game character moves. >> >>Charles Van Noland, a Grass Valley, Calif., metal and >>plastics engineer, got the idea for the FPGameRunner while >>watching his 6-year-old son playing PC games. As the boy >>manipulated the keyboard, his upper body rested on a desk so >>his legs were free to simulate running. Why not, Van Noland >>thought, create a treadmill that would allow gamers to >>exercise, let off tension and have a more realistic >>experience? >> >>So in partnership with his sister, Joy Garner, a writer, Van >>Noland launched a company to build and market a gaming >>treadmill. >> >>``We had to come up with a new category,'' Garner explained. >>``That is: cyber-athletics.'' >> >>The treadmill doesn't need a separate power source. It gets >>all its ``juice'' via a USB port to the computer. The >>treadmill's throttle control substitutes for both a keyboard >>and mouse, and even allows players to ``strafe,'' that is, >>move sideways or backward with the press of a button. >> >>Gamers can adjust for speed, depending on how much exercise >>they want. ``For every five steps, you could take 30 steps in >>the game, or, at the other extreme, for every 40 steps (in >>real life) it's five steps in the game,'' Garner said. >> >>While FPGameRunner works with various games, ``the ideal >>setting for it is really a first-person shooter game,'' >>Garner said. >> >>FPGameRunner has been tested on that most discerning of >>clients: teenage boys. >> >>Garner's 16-year-old nephew, Andy Cornell, said playing >>``Quake 2'' with the GameRunner prototype, ``is a step up >> >> >>from sitting on the couch - you're way more in the game.'' > > >>Three hours pass like three minutes. ``You just get sucked >>into the game so much you don't realize you're running or >>walking,'' Cornell said. ``It's more fun than going out for >>jogging - you have something to run for.'' >> >>Currently FPGameRunner works only with computers. Garner and >>Van Noland hope to have a PlayStation console version ready >>within a year. >> >>FPGameRunner can only be ordered via www.fpgamerunner.com and >>costs $1,299 each. >> >>``The new cyber-athlete will truly be a champion,'' Garner >>said. ``After all it was his strength, speed and endurance >>that saved the world from the aliens.'' >> >> >> >>__________________________________ >>Matthew Lombard, Ph.D. >>Temple University >>Philadelphia, Pennsylvania >>President, International Society for Presence Research >> >>(215) 204-7182 >>lombard@temple.edu >>http://matthewlombard.com >>http://ispr.info >> >>________________________________________________________ >> >>Presence-L is the listserv for discussion and >>announcements related to the concept of presence. >> >>To post a message, send e-mail to >>. >> >>To subscribe, unsubscribe, or view archived >>messages, go to: >>. >> >>For a variety of presence resources, visit ISPR, >>the International Society for Presence Research, >>at . >> >> >> > > > > > -- Tyler Hains MIS Manager ProfitPoint, Inc. 610-446-4277 800-661-0781 www.rewardforloyalty.com Browse the Web on your terms ------------------------------------------------------------------------ This e-mail contains information that may be confidential and/or proprietary. 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Thank you.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 13:54:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAIIrahb004610; Thu, 18 Nov 2004 13:54:15 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAIIqri7018462 for ; Thu, 18 Nov 2004 13:52:54 -0500 (EST) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id iAIIfsFt004770 for ; Thu, 18 Nov 2004 13:41:54 -0500 (EST) Received: from localhost (opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) with ESMTP id iAIIfslt007119 for ; Thu, 18 Nov 2004 13:41:54 -0500 (EST) Date: Thu, 18 Nov 2004 13:41:54 -0500 (EST) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Wicked tix Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 13:41:54 -0500 (EST) From: opus@ipnh.com To: bkdr@marco.ipnh.com Subject: Wicked tix X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO Kendell just reminded me (by mentioning that we'll next see you at the show) that I never told you that we received the tickets. We did. So, there's no reason to panic, now that you know. Also, I mentioned to a friend that we were going to the show, and she screamed in my ear (I was on the cell phone at the time) that she really, really, really wants to see the show. I told her where we were sitting, and she went and got a ticket for the row behind us. I hope you don't mind a tagalong... Also, logistics. We're driving down during the day, and will probably park the car and hang around Manhattan. I assume we could try to meet Brad somewhere near Wall Street near whatever is quittin' time, but what's Kendell's schedule like? Are we going to be able to do dinner before the show, or after? -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 16:41:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAILf9hV015757; Thu, 18 Nov 2004 16:41:09 -0500 (EST) Received: from world.peace.net (world.peace.net [66.92.68.221]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAILeOI0027108; Thu, 18 Nov 2004 16:40:25 -0500 (EST) Received: from joelll (helo=localhost) by world.peace.net with local-esmtp (Exim 3.35 #1 (Debian)) id 1CUu1A-0006xm-00; Thu, 18 Nov 2004 16:40:40 -0500 Date: Thu, 18 Nov 2004 16:40:40 -0500 (EST) From: Joel Herda X-X-Sender: joelll@world.peace.net To: gsp-prod@mit.edu, gsp-cast@mit.edu, gsp-tech-int@mit.edu Subject: Joel-the-master-electrician's Birthday Party, Dec. 4th at 8pm Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Sender: "Joel M. Herda" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 16:40:40 -0500 (EST) From: Joel Herda X-X-Sender: joelll@world.peace.net To: gsp-prod@mit.edu, gsp-cast@mit.edu, gsp-tech-int@mit.edu Subject: Joel-the-master-electrician's Birthday Party, Dec. 4th at 8pm Sender: "Joel M. Herda" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hello all, (This invite is being cross-posted to a number of places; if you're receiving multiple copies, then you're in more than one of my circles of friends...) I'm turning 38 (ooo scary!) on November 29th. Since my actual birthday is inconveniently close to Thanksgiving, I'm throwing a birthday party for myself on Saturday, December 4th, from 8pm until around 1:30am. It'll be held at Aaron Block's condo in Somerville (many thanks are due!). The address is #69 Pearson Ave, Unit 2. (I realize that this party coincides with at least one other party or event. It's really tough to find any evening without another major event on it during the holiday rush season. I hope you'll be able to stop by if you can.) Everyone who knows me (or who I post or send this to) is invited, along with SO's, interesting friends, etc. Please note that while the under-18 set won't be excluded, this isn't intended to be a kid-friendly party. Refreshments will be offered, though contributions of food and drink will certainly be welcome. Party theme drinks will be frozen mudslides (in honor of the frozen mud season), hot buttered rum, and mulled cider. Please email to me if you need directions or if you have non-standard tips and pointers on how to avoid being grumpy and cantankerous about birthdays after age 37. RSVP's appreciated but not required. Joel Herda Iolanthe master-electrician-guy -- Joel Herda joelll@genericdomain.net  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 17:04:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAIM4BhX028333; Thu, 18 Nov 2004 17:04:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAILhSI0001303 for ; Thu, 18 Nov 2004 16:43:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAILgeTJ023804; Thu, 18 Nov 2004 16:42:40 -0500 (EST) Date: Thu, 18 Nov 2004 16:42:40 -0500 (EST) Message-Id: <200411181630.AA881197268@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: Re: Calendar/list of G&S productions Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.517 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 16:42:40 -0500 (EST) Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: Re: Calendar/list of G&S productions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.517 X-Spam-Flag: NO Elise, I for one would love to see all your photos and everyone else's pictures and/or postings/music midis etc. My issue is this. I am the first to admit I am not great with computers and know just enough to get on Savoynet and *occasionlly* buy something on-line, plus use Word/Excel/e-mail and my company's network. I have tried to get to SavoyNot and other places using Yahoo, and even tried to set up an e-mail address/mailbox but got lost, or blank screens or "This screen is not available". In addition, I think many of us who do not know how to take digital photos and upload them have no idea the time that might be involved. As far as I imagine you put the disk from your camera into the computer, press "save" and a few other buttons and your done. I don't think anyone has any intention of blowing off the hard work done by our friends. I really appreciate the work, even if I cannot get at it! :( Bottom line is I am (and I am sure there are others) perhaps computer deficient and need help in viewing/retrieving everything on the Net. For some reason, some people's photo postings can be pulled up with two clicks of the mouse right from the e-mail message, and others give me these blank screens. I don't know why that happens. I want to see it all, but I can't seem to be able to do that. ---------- Original Message ---------------------------------- From: YesTisMabel@aol.com Reply-To: YesTisMabel@aol.com Date: Thu, 18 Nov 2004 15:32:35 -0500 (EST) > >-------------------------------1100809600 >Content-Type: text/plain; charset="US-ASCII" >Content-Transfer-Encoding: 7bit > >> >Considering that this group was set up specifically for, among other things, >viewing pictures that I and others take at qwerts, and that it takes a lot of >time to upload the pictures, I don't think it's asking too much to ask you to >join if you want to see those pictures. It takes HOURS to upload and label >the pictures I take from just one qwert. How long does it take to join >SavoyNot...5 minutes? > >As John has said ad nauseum, you can set up your membership to 'NO MAIL', and >then you get no postings from the group, but can go there and look at >pictures. > >I DO think it's asking too much to ask me to send pictures privately to each >person who wants them. I don't have a website with enough memory to store the >TONS of pictures I have taken at the 5 qwerts/singouts I've been to. > >Before summer of 2003, we had nowhere to post these pictures, and now we have >2 sites. > >I guess I expected that people would thank me and others for posting their >pictures, instead of complaining about it. > >Maybe I'm wrong, and nobody looks at them. I'd like to know if that's true, >so I can stop doing all that work for nothing. Speak up, people! Do you like >having the pictures posted? > >Elise Curran >Orlando > >-------------------------------1100809600 >Content-Type: text/html; charset="US-ASCII" >Content-Transfer-Encoding: quoted-printable > > >rset=3DUS-ASCII"> > >f"> >
In a message dated 11/18/04 3:07:24 PM Eastern Standard Time, SSilvers@= >sskfny.com writes:
>
2px solid">All I'm saying is that I don't want to have to= > maintain
membership in a Yahoo! group just so that I can follow
a li= >nk that someone posts from time to time to see
QWERT pictures, because I=20= >have no interest in anything
else on SavoyNot. 
>
 
>
Considering that this group was set up specifically for, among other th= >ings, viewing pictures that I and others take at qwerts, and that it ta= >kes a lot of time to upload the pictures, I don't think it's asking too much= > to ask you to join if you want to see those pictures.  It takes H= >OURS to upload and label the pictures I take from just one qwert. = > How long does it take to join SavoyNot...5 minutes?
>
 
>
As John has said ad nauseum, you can set up your membership to 'NO MAIL= >', and then you get no postings from the group, but can go there and look at= > pictures. 
>
 
>
I DO think it's asking too much to ask me to send pictures privately to= > each person who wants them.  I don't have a website with enough memory= > to store the TONS of pictures I have taken at the 5 qwerts/singouts I've be= >en to.
>
 
>
Before summer of 2003, we had nowhere to post these pictures, = >;and now we have 2 sites. 
>
 
>
I guess I expected that people would thank me and others for posti= >ng their pictures, instead of complaining about it. 
>
 
>
Maybe I'm wrong, and nobody looks at them. I'd like to know if that's t= >rue, so I can stop doing all that work for nothing.  Speak up, people!&= >nbsp; Do you like having the pictures posted?
>
 
>
Elise Curran
>
Orlando
>
> >-------------------------------1100809600-- >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 18:29:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAINOZid005257; Thu, 18 Nov 2004 18:29:24 -0500 (EST) Received: from web54306.mail.yahoo.com (web54306.mail.yahoo.com [68.142.225.148]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id iAINNUqf008829 for ; Thu, 18 Nov 2004 18:23:30 -0500 (EST) Received: (qmail 29723 invoked by uid 60001); 18 Nov 2004 23:23:30 -0000 Message-ID: <20041118232329.29712.qmail@web54306.mail.yahoo.com> Received: from [66.88.88.162] by web54306.mail.yahoo.com via HTTP; Thu, 18 Nov 2004 15:23:29 PST Date: Thu, 18 Nov 2004 15:23:29 -0800 (PST) From: Andi Subject: Re: little maid of arcadee To: opus@mit.edu In-Reply-To: <200411182157.iAILvAZF011068@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 15:23:29 -0800 (PST) From: Andi Subject: Re: little maid of arcadee To: opus@mit.edu In-Reply-To: <200411182157.iAILvAZF011068@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO --- "David C. Jedlinsky" wrote: > > You may download the copy I typeset for Thespis at > PRIVATE NOTE David, Thank you for this. I'm curious about something, though. I compared the stem directions in the vocal part on your setting against the stem directions of the scan to which Arthur posted a link. Visually, I find the stems choices in that scan more user-friendly, specifically the treatment of the middle-line-of-the-clef B, which always has a down-stem in your setting but which varies between up- and down-stems in the scan, depending on the context of other notes. Is this a limitation in the particular software you used? Is there a way to override it or not? I've become very conscious of eye-friendly stem treatment after the Chieftain exercise--I had Paul go back and override default stems and flags in a number of places in the piano part of that to match the original, where they ran smoothly in one direction even though they "should" have gone back and forth between up and down. It seems like a little thing, but the switch in direction does create an additional obstacle to visual accessibility. Cheers, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 18:45:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAINj8hV013792; Thu, 18 Nov 2004 18:45:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAINbcI0004519 for ; Thu, 18 Nov 2004 18:37:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAINauTJ028091; Thu, 18 Nov 2004 18:36:56 -0500 (EST) Date: Thu, 18 Nov 2004 18:36:56 -0500 (EST) Message-Id: <200411182319.iAINJ4O2012932@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: little maid of arcadee X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 18:36:56 -0500 (EST) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: little maid of arcadee X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Thank you, Arthur, for those links. I've found innumerable errors in my typesetting just by looking at the first page of each of those scans. Ah, the pressures one is put under when producing a score for performance... I am curious about the lyric differences, too. I got my lyrics from a "Plays by Gilbert", or something like that (I'm not at home to look up the title). All three of your reference copies agree with each other, but not with my source. Were there changes made between the libretto of Thespis, and the separately published sheet music? rival vs. equal Happily vs. Rapidly "Weary of his lover's play" vs. "Fickle as the month of May" Wretched vs. Doleful until vs. "and ill" "Cousin Richard" vs. "Till another" -Dave Jedlinsky Milford, New Hampshire >Date: Thu, 18 Nov 2004 17:32:09 -0500 (EST) >From: Arthur Robinson > > >--- SANDRA VAMPLEW >wrote: > >> Does anyone have the music for this, mine appears to >> been lost.many thanks >> Sandra > > >I see that David Jedlinksy has responded to this. But >just in case anyone is interested, you can also see >digitized (digitised?) sheet music for this song from >the Levy collection at: > >http://levysheetmusic.mse.jhu.edu/cgi-bin/display.pl?record=106.052.001&pages=4 > >http://levysheetmusic.mse.jhu.edu/cgi-bin/display.pl?record=119.060.000&pages=3 > >http://levysheetmusic.mse.jhu.edu/cgi-bin/display.pl?record=175.075a.000&pages=6 > >(Click on the links to go on to the next page.) > >Now if they'll just post the music for the rest of THESPIS... > >===== >Arthur Robinson, Reference Librarian >Banks Library, LaGrange College >LaGrange, Georgia 30240 >USA > > > >__________________________________ >Do you Yahoo!? >Meet the all-new My Yahoo! - Try it today! >http://my.yahoo.com > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 19:33:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAJ0VPhb000755; Thu, 18 Nov 2004 19:32:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAJ0OFo8028449 for ; Thu, 18 Nov 2004 19:24:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAJ0NYTJ029545; Thu, 18 Nov 2004 19:23:34 -0500 (EST) Date: Thu, 18 Nov 2004 19:23:34 -0500 (EST) Message-Id: <000301c4cdcc$6c9541c0$0d00000a@paul2bvcylozb3> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: I just wonder.... MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 19:23:34 -0500 (EST) Reply-To: pnh@dsl.pipex.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Howarth" To: Multiple recipients of list SAVOYNET Subject: I just wonder.... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO ..if Gilbert might have had the lyrics of this song at the back of his mind when writing "Sighing softly to the river"? I heard the rippling brooklet sing, Among the poplar trees, I heard the willows whispering Unto the evening breeze, Unto the evening breeze. They are from the song "It Was a Dream" with music by Frederic. H. Cowen and words by R. E. Francillon and was published in 1873 as far I can tell. If you'd like to hear the song, go to http://www.pnhowarth.org/songs/was_a_dream.html Paul Howarth Associate Curator The Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ John Dando Sedding, Victorian Architect http://www.pnhowarth.org  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 19:51:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAJ0njhh007112; Thu, 18 Nov 2004 19:51:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAJ0k6o8022040 for ; Thu, 18 Nov 2004 19:46:07 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAJ0jPTJ029981; Thu, 18 Nov 2004 19:45:25 -0500 (EST) Date: Thu, 18 Nov 2004 19:45:25 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: G&S Archive; Calendar/list of G&S events MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 19:45:25 -0500 (EST) Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: RE: G&S Archive; Calendar/list of G&S events X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO Sorry for the delay in getting involved in this discussion, and I thank Paul Howarth for his earlier posting. I had the second follow-up visit with the doctor today following my surgery last Friday, and maybe I can stay awake long enough now for a few comments. First, just a comment on locations. The physical location of an Internet server is totally irrelevant today. Its location is the Internet, and the Internet's location is planet earth. I think we should all be very appreciative of the support provided by Alex Feldman and Boise State University in Boise, Idaho, which has hosted the Gilbert and Sullivan Archive since it was established in September of 1993. They provide essentially unlimited server space and connections, and all technical support, and the fact the G&S is not particularly well known in Boise is of no consequence. Building a resource of this magnitude would have been much more difficult without their support. Similarly, the hosting of SavoyNet on a server in Bridgewater, Virginia, rather than in the UK is also of no particular importance. It is a worldwide resource, and, like the Archive, is located at its particular location due to the support of a faculty member at that school. And certainly there is no shortage of materials to post on the Archive. Both Paul and I could productively expand the Archive for the remainder of our lives just using the materials we already have available for posting. Which means I at least am not concerned about being able to keep busy now that I am retired (I retired at the beginning of January this year). It is my belief that G&S is going to continue to be popular for a long, long time. Their appeal is universal to intelligent English speaking people everywhere. (And I didn't exactly SAY that if they don't like it they aren't intelligent!) When I started the Archive in 1993 there was essentially NOTHING available in digital form. Now (including Dave Stone's Who Was Who site) we have over 6,000 web pages in the Archive and -- well, you are all familiar with it -- the resources there are tremendous. But my emphasis is, of necessity, on the long run -- on those things that are going to be used for a long time in educating people about our favorite duo and their works. But I don't think that many people realize how much work is involved in creating and maintaining the materials in the Archive. There simply is not enough time for those of us working on the core Archive materials to also work on the ephemeral, no matter how valuable they would be to our visitors. I would love to have calendars of G&S performances, and a number of the other items that have been mentioned in this discussion, but I also know that the time involved in maintaining them would be far beyond what is available to me. But if someone else would like to maintain such a list, I will be more than happy to link to it. Just be aware that I have seen them come and go in the past, and no one has been prepared for the amount of time required to maintain such a list year after year. If it isn't done right from the beginning, I don't see much purpose from doing it at all. And to me "right" means a vigorous campaign, sustained over a long period, to convince people to report their program schedules to the schedule server. Only if it is recognized as reasonably complete and current is it going to server any real purpose -- people aren't going to look at it very often if they don't consider it to be accurate and complete. We do have a Directory of G&S Performing Groups in the Archive (http://diamond.boisestate.edu/gas/societies/list/index.htm), and I update it from reports that I receive. But I have been very careful not to solicit an update on SavoyNet -- I know I couldn't handle it. So fairly high on my priority list at this time is the development of a web form which would permit people to submit their updates through the use of this form and then the updating of the page would be at least semi-automated from that input. If there are any JavaScript programmers out there who would like to take this on as a project, please let me know. Another programming project that I could use some help on is a server based database to support a G&S bibliography. I have much of the information for it, but need an easy way to enter it into a database before I start to compile it. I hope that everyone checks the Archive What's New page (http://diamond.boisestate.edu/gas/new.html) regularly. We are constantly adding new materials to the Archive and upgrading those we already have. For example, in the last two days alone we announced a complete overhaul of the Trial by Jury pages, including totally new MIDI and MIDI Karaoke files, and the addition of several interactive jigsaw puzzles for Mikado and Pirates that you can work on your screen using just your mouse -- each providing a very pleasant several minutes diversion, and I can add more if there is any interest. Which leads me to the subject of feedback. I appreciate feedback, I try to answer comments and suggestions, and I frequently make changes to the Archive based on these suggestions. It is NOT a good idea to put questions and comments for me in regular SavoyNet postings however, as I read less than half of the SavoyNet mail. Best regards to all . . . Jim Farron The Archive: http://diamond.boisestate.edu/gas/index.html -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On Behalf Of Samuel Silvers Sent: Thursday, November 18, 2004 4:43 PM To: Multiple recipients of list SAVOYNET Subject: G&S Archive; Calendar/list of G&S events >>> John Spartan wrote: In my last post I even asked the owners of the official sites to explain how they work and what kind of submissions they accept. >>> Jim will consider any submission he receives for the Archive, but he gets alot of submissions, and he sometimes vets them with David Stone or other experts to see if they are reliable enough to post to the Archive. In any case, I think he has a big backlog of stuff, so it may take a while to get stuff posted to the Archive unless he believes it is a high priority. Correct me if I'm wrong about any of this, Jim. So, I guess, the Archive would not be the best place for a calendar of performances and G&S events. Therefore, as I said before, David Sandham's site www.savoyopera.co.uk seems like a good place for it, as compared to S'not, which does not have universal access, or the Forums, which are not as speedily maintained and organized. Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Nov 2004 23:59:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAJ4xOhZ026444; Thu, 18 Nov 2004 23:59:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAJ4vTxc015587 for ; Thu, 18 Nov 2004 23:57:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAJ4ufTJ003913; Thu, 18 Nov 2004 23:56:41 -0500 (EST) Date: Thu, 18 Nov 2004 23:56:41 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: little maid of arcadee MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200411182319.iAINJ4O2012932@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Nov 2004 23:56:41 -0500 (EST) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: little maid of arcadee X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <200411182319.iAINJ4O2012932@multics.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0.805 X-Spam-Flag: NO The discrepancies in the "Little Maid of Arcadee" lyrics reflect the changes made (by the publisher?) when the song was removed from _Thespis_ and published separately. If you compare the two, you will see that some of the changes slightly bowdlerize the lyric, making it more fit for a nice Victorian young lady to sing! Rafe On Thu, 18 Nov 2004, David C. Jedlinsky wrote: > I am curious about the lyric differences, too. I got my lyrics from a > "Plays by Gilbert", or something like that (I'm not at home to look up > the title). All three of your reference copies agree with each other, > but not with my source. Were there changes made between the libretto > of Thespis, and the separately published sheet music? > > rival vs. equal > Happily vs. Rapidly > "Weary of his lover's play" vs. "Fickle as the month of May" > Wretched vs. Doleful > until vs. "and ill" > "Cousin Richard" vs. "Till another" -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Nov 2004 08:24:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAJDNMhb026243; Fri, 19 Nov 2004 08:24:16 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAJDKk1q011935 for ; Fri, 19 Nov 2004 08:20:46 -0500 (EST) Received: from web52607.mail.yahoo.com (web52607.mail.yahoo.com [206.190.39.145]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id iAJD9fFt014040 for ; Fri, 19 Nov 2004 08:09:41 -0500 (EST) Received: (qmail 41533 invoked by uid 60001); 19 Nov 2004 13:20:40 -0000 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=evKYCPca981whIionQXYAjH7pF2kup7arjV9/4c4zWl9V5+Bdixs4hmr2QDJuF3FU8oVtsAN15kFaUWaPZBSWIW1kTeWLv/OPVKnGxP4w4QtAR6g+eBTkAqSAjq8fIUV+ITcSJYDrx30nEqnTgAuFlnBzef+gvEm0osrxSKJrZ8= ; Message-ID: <20041119132040.41513.qmail@web52607.mail.yahoo.com> Received: from [65.220.74.179] by web52607.mail.yahoo.com via HTTP; Fri, 19 Nov 2004 05:20:40 PST Date: Fri, 19 Nov 2004 05:20:40 -0800 (PST) From: Kendell MacQueen Subject: Re: Wicked tix To: bkdr@marco.ipnh.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=evKYCPca981whIionQXYAjH7pF2kup7arjV9/4c4zWl9V5+Bdixs4hmr2QDJuF3FU8oVtsAN15kFaUWaPZBSWIW1kTeWLv/OPVKnGxP4w4QtAR6g+eBTkAqSAjq8fIUV+ITcSJYDrx30nEqnTgAuFlnBzef+gvEm0osrxSKJrZ8= ; Date: Fri, 19 Nov 2004 05:20:40 -0800 (PST) From: Kendell MacQueen Subject: Re: Wicked tix To: bkdr@marco.ipnh.com In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 0 X-Spam-Flag: NO Hey, Glad to know our tix are in. :) As for your friend, she's more than welcome to tag along, and also to crash at our place afterwards, although since we have but one futon, she'd have to sleep on the floor. (We've got tons of blankets, though...) You were still planning on staying with us, right? Wow - driving into Manhattan? You are brave folk. We have yet to do so. I think the earliest I can get into town is 7 p.m. (What time does the show start, again? 8?) But it will be a pretty late night if we try and have dinner after the show, so I'm thinking you guys should just go to dinner without me and I'll catch something at Penn Station. Hopefully, I can then catch up with you guys before the show. In other news, thanks for the postcard! We got it on Monday. You'll have to tell us all about your trip. By the way, congrats, _opus_, on finally jumping on the bandwagon - LJ is fun and addictive. See you soon, Kendell __________________________________ Do you Yahoo!? Meet the all-new My Yahoo! - Try it today! http://my.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Nov 2004 20:57:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAK1vkhV007127; Fri, 19 Nov 2004 20:57:47 -0500 (EST) Received: from smtp802.mail.ukl.yahoo.com (smtp802.mail.ukl.yahoo.com [217.12.12.139]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id iAK1vje5021246 for ; Fri, 19 Nov 2004 20:57:45 -0500 (EST) Received: from unknown (HELO frodo) (Sandra.Vamplew@btinternet.com@213.122.166.196 with login) by smtp802.mail.ukl.yahoo.com with SMTP; 20 Nov 2004 01:57:43 -0000 Message-ID: <002201c4cea4$53693a20$c4a67ad5@frodo> From: "Sandra Vamplew" To: "David C. Jedlinsky" References: <005a01c4cdaf$153f3010$02f28351@frodo> <200411182157.iAILvAZF011068@multics.mit.edu> Subject: Re: little maid of arcadee Date: Sat, 20 Nov 2004 01:57:41 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Sandra Vamplew" To: "David C. Jedlinsky" Subject: Re: little maid of arcadee Date: Sat, 20 Nov 2004 01:57:41 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO thank you Sandra x ----- Original Message ----- From: "David C. Jedlinsky" To: Cc: Sent: Thursday, November 18, 2004 9:57 PM Subject: Re: little maid of arcadee > > You may download the copy I typeset for Thespis at > > > -Dave Jedlinsky > Milford, New Hampshire > > >>Date: Thu, 18 Nov 2004 15:55:47 -0500 (EST) >>From: "SANDRA VAMPLEW" >> >>Does anyone have the music for this, mine appears to been lost.many thanks >>Sandra  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Nov 2004 12:46:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAKHkNhV011884; Sat, 20 Nov 2004 12:46:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAKHj86W020136 for ; Sat, 20 Nov 2004 12:45:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAKHj1TJ002898; Sat, 20 Nov 2004 12:45:01 -0500 (EST) Date: Sat, 20 Nov 2004 12:45:01 -0500 (EST) Message-Id: <3.0.6.32.20041120172620.0159f580@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Seattle's Pineapple Poll Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.469 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 20 Nov 2004 12:45:01 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Seattle's Pineapple Poll X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -2.469 X-Spam-Flag: NO I have now seen this DVD which is playable on most modern UK DVD players and TV sets. The Pineapple Poll ballet is simply superb in my view. As far as I know there has never before been a video of Pineapple Poll sold publically. A number of folk taped the BBC broadcast of many years ago but this one comes with copyrights acknowledged and paid for and with the assistance of Sir Charles Mackerras no less. To anyone familiar with Pineapple Poll and the original Royal Birmingham Ballet's performance (Sadlers Wells Ballet that was), this DVD brings it all to life again and adds a few original touches. The precision dancing of the the professional dance company ''Spectrum Dance Theater'' particularly in the grand finale to the music of ''So go to him and say to him..'' is something not to be missed and I think we are fortunate in now having a DVD record of this production. Those familiar with the original, will remember the cannon episode. This DVD has put in an extra scene during the interval when the stage is being reset and a sort of Keystone Cops action shows it being loaded with a cannon ball. When in the action of scene two the cannon gets fired you actually see the cannon ball just rolling gently out of the barrel in a puff of smoke. Great fun and timing. The orchestra parts have been re-written with Sir Charles consent to allow for a smaller orchestra than was originally used. Even so they have used 30 players. The dance steps are not the original Cranko version as that is still covered by copyright but does pay homage to Cranko's style and is not a parody. I think this is far and away the best DVD Seattle have ever produced. I could make one negative criticism that the curtain comes down at the end about 5 seconds too soon, but they do a reprise. It was videoed at a public performance; these things happen. The DVD does contain some 13 chapter markers so you can replay major scene parts without having to wade through the whole ballet. They have added a sort of overture of music from Utopia Ltd and the music in the interval/entracte is from Grand Duke so thay are able to claim that all of the G & S operas are represented. (Ignoring Thespis of course) Mike Storie did put on SavoyNet a few days ago (November 10th) that this was now ready for sale and how to order. If you enjoy Pineapple Poll buy it you won't be dissappointed. Its not often that I wax lyrical over such things let alone go into print but this DVD is a ''must have'' for any serious lover of Poll. Peter. >From pdp@globalnet.co.uk  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 21 Nov 2004 21:11:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAM2BGhV010212; Sun, 21 Nov 2004 21:11:16 -0500 (EST) Received: from mercury.mv.net (mercury.mv.net [199.125.85.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id iAM2AfFJ013872 for ; Sun, 21 Nov 2004 21:10:41 -0500 (EST) Received: (qmail 12712 invoked from network); 21 Nov 2004 21:10:39 -0500 Received: from rcracer.mv.com (HELO rcracer) (207.22.4.90) by mercury.mv.net with SMTP; 21 Nov 2004 21:10:39 -0500 X-Peer-Info: remote-ip 207.22.4.90 local-ip 199.125.85.40 local-name mercury.mv.net Message-Id: <4.2.0.58.20041121205739.01cd6788@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Sun, 21 Nov 2004 21:10:30 -0500 To: dinner@mit.edu, carsten@prospeed.net, Carel.Chapman@hp.com, jf@mae.mit.edu, 74020.2366@compuserve.com, short@bose.com, marge@hideaway.mv.com, joefamularo@attbi.com, Joerg@vigiltech.com, bjcochrane@adelphia.net, sharon@alum.mit.edu, barry.margolin@comcast.net From: Rocky Cardalisco Subject: Silver Bells, Silver Bells.... It's Christmas Time in the City..... Cc: rocky@rcracer.mv.com Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_437244703==_.ALT" X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Peer-Info: remote-ip 207.22.4.90 local-ip 199.125.85.40 local-name mercury.mv.net X-Sender: rcracer-ro@pop.mv.net Date: Sun, 21 Nov 2004 21:10:30 -0500 To: dinner@mit.edu, carsten@prospeed.net, Carel.Chapman@hp.com, jf@mae.mit.edu, 74020.2366@compuserve.com, short@bose.com, marge@hideaway.mv.com, joefamularo@attbi.com, Joerg@vigiltech.com, bjcochrane@adelphia.net, sharon@alum.mit.edu, barry.margolin@comcast.net From: Rocky Cardalisco Subject: Silver Bells, Silver Bells.... It's Christmas Time in the City..... Cc: rocky@rcracer.mv.com X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.8 X-Spam-Flag: NO --=====================_437244703==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hey, So I'm a little late this year... The year has just flown by and I haven't had enough time to appreciate it, but I want to invite you all to come to my house to celebrate "The Most Wonderful Time of The Year" for the annual Christmas Party. The date is set for December 11, 2004. Party starting on or around 4:00 PM at the Cardalisco Residence 115 Comstock Drive. Tentative schedule: 4:00-6:00 Appetizers and catching up 6:00-8:00 The main meal and more talking 8:00-8:30 Dessert 9:00-whenever - the usual Please respond via email rocky@rcracer.mv.com not by phone (I don't have a working answering machine). Easiest way to get a hold of me is to call my cell 617-834-0920 If you would like to bring anything please call and I will let you know what I need I hope to see you all here on the 11th Merry Christmas Rocky --=====================_437244703==_.ALT Content-Type: text/html; charset="us-ascii" Hey,

So I'm a little late this year...  The year has just flown by and I haven't had enough time to
appreciate it, but I want to invite you all to come to my house to celebrate "The Most Wonderful
Time of The Year" for the annual Christmas Party.

The date is set for December 11, 2004.  Party starting on or around 4:00 PM at the Cardalisco
Residence 115 Comstock Drive.

Tentative schedule:
4:00-6:00 Appetizers and catching up
6:00-8:00 The main meal and more talking
8:00-8:30 Dessert
9:00-whenever - the usual

Please respond via email rocky@rcracer.mv.com not by phone (I don't have a working answering machine).  Easiest way to get a hold of me is to call my cell 617-834-0920

If you would like to bring anything please call and I will let you know what I need

I hope to see you all here on the 11th

Merry Christmas

Rocky
--=====================_437244703==_.ALT--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Nov 2004 07:10:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAMCAOhV005784; Mon, 22 Nov 2004 07:10:25 -0500 (EST) Received: from kolvir.arlington.ma.us (kolvir.arlington.ma.us [69.25.196.34]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAMCADt2023379 for ; Mon, 22 Nov 2004 07:10:13 -0500 (EST) Received: from desktop.john.kohl.name (desktop.john.kohl.name [192.168.0.200]) by kolvir.arlington.ma.us (8.11.6p3/JTK20030411) with ESMTP id iAMCADq12982; Mon, 22 Nov 2004 07:10:13 -0500 (EST) Received: (from jtk@localhost) by desktop.john.kohl.name (8.11.6p3/JTK20030311) id iAMCA7U09974; Mon, 22 Nov 2004 07:10:07 -0500 (EST) Date: Mon, 22 Nov 2004 07:10:07 -0500 (EST) Message-Id: <200411221210.iAMCA7U09974@desktop.john.kohl.name> From: John Kohl To: rocky@rcracer.mv.com CC: dinner@mit.edu In-reply-to: <4.2.0.58.20041121205739.01cd6788@pop.mv.net> (message from Rocky Cardalisco on Sun, 21 Nov 2004 21:10:30 -0500) Subject: Re: Silver Bells, Silver Bells.... It's Christmas Time in the City..... X-US-Snail: 34 James Street, Arlington, MA 02474 References: <4.2.0.58.20041121205739.01cd6788@pop.mv.net> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Nov 2004 07:10:07 -0500 (EST) From: John Kohl To: rocky@rcracer.mv.com CC: dinner@mit.edu In-reply-to: <4.2.0.58.20041121205739.01cd6788@pop.mv.net> (message from Rocky Cardalisco on Sun, 21 Nov 2004 21:10:30 -0500) Subject: Re: Silver Bells, Silver Bells.... It's Christmas Time in the City..... X-US-Snail: 34 James Street, Arlington, MA 02474 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO Hi all, Sorry I can't make Rocky's holiday party this year--my parents are visiting that weekend. Hopefully next year! -- ==John Kohl , Home page:  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Nov 2004 09:12:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAMECahX012096; Mon, 22 Nov 2004 09:12:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAMEAJoV002042 for ; Mon, 22 Nov 2004 09:10:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAMEACTJ023862; Mon, 22 Nov 2004 09:10:12 -0500 (EST) Date: Mon, 22 Nov 2004 09:10:12 -0500 (EST) Message-Id: <02c501c4d09b$a845c6f0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Yeomen in West Chester, Pa. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6d.38cc50e8.2ed300bf@aol.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Nov 2004 09:10:12 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Yeomen in West Chester, Pa. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6d.38cc50e8.2ed300bf@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Thanks to Sylvan for posting his review! I thought I'd add additional info on a few points he mentioned. Elsie Maynard was played by the talented and lovely Roni Gerry, and the music director behind our excellent orchestra was Savoynetter Florrie Marks. The set was designed with the actual Tower of London in mind and much attention to detail, though with appropriate artistic license. Our Phoebe/ producer, Julie May, could tell you which parts of the set were supposed to be which parts of the Tower of London, and fittingly, there were several types of "stone" used in the set to reflect the different eras during which the Tower was built. It was a gorgeous set. Also: on Thursday, Kevin Strauss--who photographed our show at the Wednesday dress rehearsal--posted a brief review to the Savoy Company listserv. Our Jack Point, played by Brendan O'Brian, forwarded it to the G&S of Chester County listserv, and I'm now forwarding it here (see below my signature). Stay tuned... I'll be posting photos and a couple of audio files from our production to the Savoynet Forums in the near future. I haven't yet decided which songs to post (well, except for "Strange Adventure"--*grin*--), so if you have any special requests, email me privately and I'll see what I can do! Rebecca "page one-sixty-two" Hains Philadelphia, PA KHSTRAUSS@aol.com wrote: > Last evening, I had the chance to attend the dress reheasal of > Gilbert & Sullivan/Chester County's presentation of /Yeoman of The Guard./ > > My congratulations go out to the entire cast and crew. You have put > on the consumate rendition of the show that Willie and Art considered > their finest effort. You have done them proud. > > From the first downbeat of the conductor's baton to the final drop of > the curtain, you are completely transported back to the days of yore. > The unit set is exquisite, and the costumes can only be described as > sumptuous. Kudos to to the entire cast, which includes a large number > of Savoyards--Gary Kuronv, Michael Dutka, John Dennison, Royal McGeorge, > and Brendan O'Brien. > > Brendan's portrayal of Jack Pointe is beyond compare. He has thrown > himself into this role, hard on the heels of doing Bunthorne in Rose > Valley's /Patience/ just days ago. I assure you there will be few dry > eyes in the house as the curtain falls. > > Folks, if there's */anything /*you do this weekend, go see this show! > > For more information about this production go to www.gsschesco.org > > > Kevin Strauss  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Nov 2004 17:43:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAMMhEhV029670; Mon, 22 Nov 2004 17:43:14 -0500 (EST) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAMMc3UL004265; Mon, 22 Nov 2004 17:38:04 -0500 (EST) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id iAMMc2jc003030; Mon, 22 Nov 2004 17:38:02 -0500 (EST) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id iAMMc2GK025909; Mon, 22 Nov 2004 17:38:02 -0500 (EST) Received: from RANDOM-FOUR-FIFTY-FIVE.MIT.EDU (RANDOM-FOUR-FIFTY-FIVE.MIT.EDU [18.243.6.200]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Mon, 22 Nov 2004 17:38:01 -0500 Message-ID: <1101163081.41a26a49ef4d3@webmail.mit.edu> Date: Mon, 22 Nov 2004 17:38:01 -0500 From: Vanessa H Quinlivan To: vhq@mit.edu Subject: MIT Gilbert and Sullivan Players Fall 2004 General Committee Meeting - Reminder MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 18.243.6.200 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Nov 2004 17:38:01 -0500 From: Vanessa H Quinlivan To: vhq@mit.edu Subject: MIT Gilbert and Sullivan Players Fall 2004 General Committee Meeting - Reminder X-Originating-IP: 18.243.6.200 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO The Fall Term General Committee Meeting of the MIT Gilbert & Sullivan Players will take place on Monday, November 29th at 7pm in W20-491 (4th floor, MIT Student Center). Article II of our constitution (below) details various membership requirements. The short version is that you're eligible to be a voting member of GenComm if you were a voting member at a GenComm meeting within the past year or if you are involved in Iolanthe or Thespis. Agenda Items: 1. Officer Reports 2. Show Reports -Iolanthe 3. Elections -Secretary (two terms) -Member-at-Large (two terms) Hope to see you there! Vanessa Quinlivan MITG&SP President on behalf of the Executive Committee Article II: Membership Any person involved in the production of a show by this organization shall be considered for membership. MIT/Wellesley undergraduates become members immediately. Any other person becomes a member only if the resulting proportions of MIT/Wellesley students to non-students meet current MIT guidelines for student group status. Membership shall continue until one year after the last show in which the member has participated. Members of the General Committee shall be able to vote at General Committee meetings and are eligible to hold office in MITG&SP. Membership in the General Committee shall be open to any person involved in the production of a show by this organization, who attends the first General Committee meeting following the close of that production. The Executive Committee may waive requirement of attendance at the General Committee meeting on a case-by-case basis, if more than one-half of the Executive Committee votes in favor of it. Membership in the General Committee shall continue until one year has elapsed after the last General Committee meeting attended by that person. Members of the General Committee may waive their membership in the General Committee by contacting the Executive Committee.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Nov 2004 14:15:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAPJFLhV029892; Thu, 25 Nov 2004 14:15:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAPJFKCb012754 for ; Thu, 25 Nov 2004 14:15:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAPJEETJ009279; Thu, 25 Nov 2004 14:14:16 -0500 (EST) Date: Thu, 25 Nov 2004 14:14:14 -0500 (EST) Message-Id: <20041125185215.7527.qmail@web60205.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: "Lady Pirates" MP3s and pics! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008f01c4d2a2$1751aca0$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 25 Nov 2004 14:14:14 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: "Lady Pirates" MP3s and pics! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008f01c4d2a2$1751aca0$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Rebecca "Pirate Queen" Hains wrote... ***Double* meaning? Gosh, and here I thought the naughty meaning was the only one...!*** I admit, I did not do the double meaning very well. I thought the original dream lyrics were too obvious but I think I'll put them back: Bernie Shaw insists on wrestling Shakespeare for my hand Next within my clothes they're nestling, I don't understand. Nuff said? BTW1 - *ahem* *ahem* The narrator must have "accidentally" changed the bodyguard's name from "Rupert" to "Ruthven." That's exactly what I was trying to avoid in the gender reversal. I didn't want to do the standard Samuel/Samantha Frederic/Frederica Ruth/Ruthven switcheroo thing. It's so drag! I also didn't want to remind anyone of the original characters. BTW2 - This was all Rebecca's idea but I have to thank Scott Farrell too. When I first make the gender switch, I changed as little as possible, just the "he's" to "she's" and vice versa. When I showed the libretto to Scott, he said "not very interesting." Well, that was the sad truth so I went to town with the lyrics. Thanks Scott! (I'm being serious.) John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail - You care about security. So do we. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Nov 2004 15:17:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAPKHohV011848; Thu, 25 Nov 2004 15:17:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAPKHkCb002754 for ; Thu, 25 Nov 2004 15:17:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAPKH6TJ010041; Thu, 25 Nov 2004 15:17:06 -0500 (EST) Date: Thu, 25 Nov 2004 15:17:06 -0500 (EST) Message-Id: <000001c4d329$7d7c1420$597fa851@mrm9ak1ip2vx7y> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim@timbartlett.eclipse.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Recycling MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <55.671ac3b1.2ed6f364@aol.com> X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 25 Nov 2004 15:17:06 -0500 (EST) Reply-To: tim@timbartlett.eclipse.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: Recycling X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <55.671ac3b1.2ed6f364@aol.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO A strange fancy crowded upon my poor mad brain, and I thought -- given the current enthusiasm for recycling -- what would happen if we recycled some popular film titles into G&S? I don't claim all of these to be entirely original, but my apologies to anyone whose gems I have cribbed. Nor do I think they are as good as can be got -- I'm sure other people will produce some brilliant ones -- but here are what I've come up with:- TBJ Judgement Day SOR Twenty four weddings and a funeral HMS Hardly ever Say Hardly ever Again POP Confessions of a nursery maid PAT "Butch" Bunthorne and the Grosvenor Kid IOL The Godmother PI Runaway Bride MIK Nearly Fatal Attraction (or Swindler's List) RUD Ghostbusters YOG Carry on don't lose your head GON The Italian Job UT The Empire Strikes GD Aces High All the best Tim Bartlett ================================ "The prospect of a lot of dull MPs in close proximity, all thinking for themselves is what no man can face with equanimity" (W S Gilbert, 1882)  1,, X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Nov 2004 18:58:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAPNwchV018791; Thu, 25 Nov 2004 18:58:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAPNuV5L016099 for ; Thu, 25 Nov 2004 18:56:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAPNtjTJ016012; Thu, 25 Nov 2004 18:55:45 -0500 (EST) Date: Thu, 25 Nov 2004 18:55:45 -0500 (EST) Message-Id: <20041125234328.40446.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: IDA recordings and pics from Philly QWERT MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <005001c4d250$6387fe50$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 25 Nov 2004 18:55:45 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: IDA recordings and pics from Philly QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <005001c4d250$6387fe50$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Great stuff, again. We need more recordings of IDA where the soprano can pull a "WIIIIIIIFE" like Rebecca. (When I listen to the "but a girl" line, I always imagine Ida using air quotes. Would she really call herself a girl?) So tell me, what was said (and who said it) during the "I am a Maiden" trio that ended "...makes me look fat" when everyone laughed? John S LI NY __________________________________ Do you Yahoo!? All your favorites on one personal page – Try My Yahoo! http://my.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 00:43:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQ5hhhV025614; Fri, 26 Nov 2004 00:43:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQ5hfXe014617 for ; Fri, 26 Nov 2004 00:43:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQ5gkTJ017992; Fri, 26 Nov 2004 00:42:46 -0500 (EST) Date: Fri, 26 Nov 2004 00:42:46 -0500 (EST) Message-Id: <005901c4d378$767ac4b0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: IDA recordings and pics from Philly QWERT MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041125234328.40446.qmail@web60210.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 00:42:46 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: IDA recordings and pics from Philly QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041125234328.40446.qmail@web60210.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO >> So tell me, what was said (and who said it) during the "I am a Maiden" trio that ended "...makes me look fat" when everyone laughed? << Hmm. I believe I hear Jonathan saying, "Do you think this [something] makes me look fat?" and David replying, "Oh, absolutely!" They must have been working from a lost edition of the score. ;-) Rebecca Hains Philadelphia, PA  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 01:06:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQ661hV028648; Fri, 26 Nov 2004 01:06:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQ64DXe001848 for ; Fri, 26 Nov 2004 01:04:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQ63STJ018164; Fri, 26 Nov 2004 01:03:28 -0500 (EST) Date: Fri, 26 Nov 2004 01:03:28 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: IDA recordings and pics from Philly QWERT Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <005901c4d378$767ac4b0$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 01:03:28 -0500 (EST) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: IDA recordings and pics from Philly QWERT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <005901c4d378$767ac4b0$6400a8c0@DIMENSION> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO John: > >> So tell me, what was said (and who said it) during the > "I am a Maiden" trio that ended "...makes me look fat" > when everyone laughed? << Rebecca: > Hmm. I believe I hear Jonathan saying, "Do you think this [something] > makes me look fat?" and David replying, "Oh, absolutely!" Yes, that's my memory of the events. I believe I said something like, "do these academic robes make me look fat?" -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 14:20:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQJIqhj009098; Fri, 26 Nov 2004 14:19:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAQJHLCR005336 for ; Fri, 26 Nov 2004 14:17:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQJGfTJ023533; Fri, 26 Nov 2004 14:16:41 -0500 (EST) Date: Fri, 26 Nov 2004 14:16:41 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041126184210.28236.qmail@web60204.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 14:16:41 -0500 (EST) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041126184210.28236.qmail@web60204.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO John wrote: > I just now realized that bleaching anyone may > be the only exception to the "impossible" rule. It may > be pointless but it's not impossible - even then. I'm not sure I agree -- there are several things they mention that were possible. Here's the whole list, with a bit of analysis. [They intend to send a wire to the moon]: IMPOSSIBLE [And they'll set the Thames on fire very soon]: IMPOSSIBLE (I guess) [Then they'll learn to make silk purses with their rigs]: POSSIBLE (but see below). (I'm not sure exactly what this one means, but but Bradley gives three possible meanings of 'rigs' -- women's clothing, women's sewing equipment, clever techniques -- all of which let this task be possible.) [From the ears of Lady Circe's Piggy-wigs]: Not a sentence! Oh, unless it's to be combined with the previous line... they're making purses out of the the ears? Ok, maybe that's IMPOSSIBLE after all. I guess that's the only way it makes sense... I'd never noticed that before. [And weasels at their slumbers they trepan]: POSSIBLE! [To get sunbeams from cucumbers they've a plan]: IMPOSSIBLE [They can cross the Polar Ocean]: POSSIBLE, right? Why not? [And they'll find Perpetual Motion]: IMPOSSIBLE [As for fashion, they forswear it]: POSSIBLE (well, depending on how stereotypically sexist we're being) [And the circle -- they will square it some fine day]: IMPOSSIBLE [Then the little pigs they're teaching]: IMPOSSIBLE [Each newly joined aspirant to the clan must repudiate the tyrant known as Man]: POSSIBLE (in fact, actual) So it seems to be a healthy mix of impossible, pointless, and stupid ambitions. -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 15:00:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQJxwhV016059; Fri, 26 Nov 2004 14:59:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQJvkAA027205 for ; Fri, 26 Nov 2004 14:57:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQJvfTJ023780; Fri, 26 Nov 2004 14:57:41 -0500 (EST) Date: Fri, 26 Nov 2004 14:57:41 -0500 (EST) Message-Id: <20041126195517.18402.qmail@web54302.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 14:57:41 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO --- Jonathan Ichikawa wrote: >> > [Then they'll learn to make silk purses with their rigs]: > POSSIBLE > (but see below). > (I'm not sure exactly what this one means, but but Bradley > gives three > possible meanings of 'rigs' It would be "sewing equipment" in this context. Actually, I think that a certain type of lace-making involves "rigs". > [From the ears of Lady Circe's Piggy-wigs]: Not a sentence! > Oh, > unless it's to be combined with the previous line... they're > making > purses out of the the ears? Got it, Jonathan. This is a common expression, synonymous with the idea of impossibility: "You might as well try to make a silk purse out of a sow's ear." In the broad interpretation, it is the impossibility of turning something coarse into something fine. 'Enry 'Iggins was to demonstrate that it IS possible--at least in theatrical performances. > [Then the little pigs they're teaching]: IMPOSSIBLE And this is another common phrase expressing the idea of impossibility: "When pigs fly" Gilbert was very fond of using common mottos (what we would think of as "bumper sticker" phrases) and sayings in his lyrics, slightly paraphrased or turned around. "Things are seldom what they seem" from Pinafore and "If you go in" from Iolanthe are the examples that come to mind, as both are chock-full of them, but they pop up frequently in other places. ===== Andi Stryker-Rodda New York City/New Jersey USA SavoyNet FAQs may be found at: http://trouperslightopera.org/Troupers/Savoynet/faqs.htm The Online G&S Archive may be found at: http://diamond.boisestate.edu/gas G&S Calendars of Events may be found at: http://groups.yahoo.com/group/SavoyNot/cal (Elise Curran) http://www.savoyopera.co.uk (David Sandham)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 15:21:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQKLLhV020823; Fri, 26 Nov 2004 15:21:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQKLKAA022641 for ; Fri, 26 Nov 2004 15:21:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQKLGTJ024284; Fri, 26 Nov 2004 15:21:16 -0500 (EST) Date: Fri, 26 Nov 2004 15:21:16 -0500 (EST) Message-Id: <20041126200511.26778.qmail@web54301.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Those pigs again (was The N-word we'll be bleaching) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 15:21:16 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Those pigs again (was The N-word we'll be bleaching) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Meanwhile, having brought up the flying pigs and the sows' ears: For those who haven't had a look at The Odyssey for awhile, it might be worth a reminder that "Lady" Circe is cited because she was the enchantress who transformed men into swine (literally, snouts and curly tails and all). The Iliad and The Odyssey were required reading in Gilbert's time, in the original Greek, and the reference would have been very familiar to his audience. ===== Andi Stryker-Rodda New York City/New Jersey USA SavoyNet FAQs may be found at: http://trouperslightopera.org/Troupers/Savoynet/faqs.htm The Online G&S Archive may be found at: http://diamond.boisestate.edu/gas G&S Calendars of Events may be found at: http://groups.yahoo.com/group/SavoyNot/cal (Elise Curran) http://www.savoyopera.co.uk (David Sandham)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 15:23:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQKNNhV021333; Fri, 26 Nov 2004 15:23:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQKKmAA021960 for ; Fri, 26 Nov 2004 15:20:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQKKhTJ024190; Fri, 26 Nov 2004 15:20:43 -0500 (EST) Date: Fri, 26 Nov 2004 15:20:43 -0500 (EST) Message-Id: <611F17E7F18F564E9003F6550866CEFE18034C@er.ece.iastate.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: And the N-word we'll be bleaching content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 15:20:43 -0500 (EST) Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: And the N-word we'll be bleaching content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO > -----Original Message----- > From: Jonathan Ichikawa [mailto:ichikawa@gmail.com] > Sent: Friday, November 26, 2004 1:17 PM > > [They intend to send a wire to the moon]: IMPOSSIBLE Not necessarily. This has been done quite literally by every lunar probe, each of which undoubtedly has contained many pieces of wire. And of course, if "wire" is interpreted as "telegram", something similar is also very possible now. > [And they'll set the Thames on fire very soon]: IMPOSSIBLE (I guess) Not if it is covered with an oil slick first. > [Then they'll learn to make silk purses with their rigs]: > [From the ears of Lady Circe's Piggy-wigs]: Not a sentence! > Oh, unless it's to be combined with the previous line... > they're making purses out of the the ears? Ok, maybe that's > IMPOSSIBLE after all. I guess that's the only way it makes > sense... I'd never noticed that before. "Making silk purses out of sows' ears" is a well-known proverbial "impossibility", and this is the only way Gilbert could make it scan. I believe this has actually been done, in a sense, though I forget the details. > [And the circle -- they will square it some fine day]: IMPOSSIBLE Just so there is no misunderstanding, "squaring the circle" is a well-known problem in classical Greek geometry, wherein it has been proven an impossibility to construct a square of the same area as a given circle using only a ruler and compass. But there are other ways of achieving this by relaxing some of the conditions specified in classical geometry. From time to time, cranks come up with ways of achieving it (about as frequently as inventing perpetual motion machines) that are either erroneous or break one or more of the rules of the classical geometers. Clive Woods  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 15:44:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQKi9hV024903; Fri, 26 Nov 2004 15:44:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQKfxAA014277 for ; Fri, 26 Nov 2004 15:42:00 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQKfsTJ024472; Fri, 26 Nov 2004 15:41:54 -0500 (EST) Date: Fri, 26 Nov 2004 15:41:54 -0500 (EST) Message-Id: <1a4.2c0b203c.2ed8eada@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: G&S Diary of productions MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1101500634" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: 9.0 for Windows sub 5035 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.835 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 15:41:54 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: G&S Diary of productions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.835 X-Spam-Flag: NO -------------------------------1101500634 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 11/26/04 11:09:07 AM Eastern Standard Time, sandham@tiscali.co.uk writes: I have been checking through my links to G&S related sites and adding any productions which they are advertising. I've been doing the same, and noticed that David has got far more English companies listed than I have, so I'm not going to try to keep up with that side of the pond. I'll mainly list the American productions, and the very-well-known English ones. It takes lots of time to just do the ones I've done already......I need to step away from the keyboard...... :-) About that--since yesterday I have added another half-dozen productions, and have also updated the links page.....there are 23 new ones! Some of the groups don't have their spring productions listed yet, but I added all who did. I sometimes had to guess at times for shows, since you'd be surprised how often they are not listed! Also, you can add events to the calendar yourselves.....that would be really great for me! It's pretty easy....you go to the day your production opens, click on 'add', and a screen pops up with all the fields for you to fill with all your details. So if I missed your group, feel free to go tell us, tell us all about it. The format of my calendar is different from David's, which I think is a good thing, since everybody can be sure to find what suits them either way. Mine shows a whole month, with each day listing all the events for that day. For instance, take a look at Dec 4, 2004....NINE productions....wow! Anyway, as a reminder, the calendar is at http://groups.yahoo.com/group/SavoyNot/cal Elise Curran Orlando http://groups.yahoo.com/group/SavoyNot/ -------------------------------1101500634 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 11/26/04 11:09:07 AM Eastern Standard Time, sandham@= tiscali.co.uk writes:
I have been checking through my links to G&= ;S related sites and adding any
productions which they are advertising.<= /FONT>
 
I've been doing the same, and noticed that David has got far more Engli= sh companies listed than I have, so I'm not going to try to keep up with tha= t side of the pond.  I'll mainly list the American productions, and the= very-well-known English ones.  It takes lots of time to just do the on= es I've done already......I need to step away from the keyboard...... =20= :-)
 
About that--since yesterday I have added another half-dozen productions= , and have also updated the links page.....there are 23 new ones! Some of th= e groups don't have their spring productions listed yet, but I added all who= did. I sometimes had to guess at times for shows, since you'd be surprised=20= how often they are not listed!
 
Also, you can add events to the calendar yourselves.....that would be r= eally great for me!  It's pretty easy....you go to the day your product= ion opens, click on 'add', and a screen pops up with all the fields for you=20= to fill with all your details.  So if I missed your group, feel free to= go tell us, tell us all about it.
 
The format of my calendar is different from David's, which I think is a= good thing, since everybody can be sure to find what suits them either way.=   Mine shows a whole month, with each day listing all the events for th= at day.  For instance, take a look at Dec 4, 2004....NINE productions..= .wow!
 
Anyway, as a reminder, the calendar is at http://groups.yahoo.com/group/SavoyNot/cal
 
Elise Curran
Orlando
-------------------------------1101500634--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 15:45:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQKithV025058; Fri, 26 Nov 2004 15:44:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQKgVAA014561 for ; Fri, 26 Nov 2004 15:42:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQKgQTJ024566; Fri, 26 Nov 2004 15:42:26 -0500 (EST) Date: Fri, 26 Nov 2004 15:42:26 -0500 (EST) Message-Id: <20041126203133.54eb661b.james@tappin.me.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Sylpheed version 1.0.0beta3 (GTK+ 1.2.10; i386-pc-linux-gnu) In-Reply-To: <611F17E7F18F564E9003F6550866CEFE18034C@er.ece.iastate.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 15:42:26 -0500 (EST) Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <611F17E7F18F564E9003F6550866CEFE18034C@er.ece.iastate.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO On Fri, 26 Nov 2004 15:20:08 -0500 (EST) "Woods, Clive" wrote: > > [Then they'll learn to make silk purses with their rigs]: > > [From the ears of Lady Circe's Piggy-wigs]: Not a sentence! > > Oh, unless it's to be combined with the previous line... > > they're making purses out of the the ears? Ok, maybe that's > > IMPOSSIBLE after all. I guess that's the only way it makes > > sense... I'd never noticed that before. > > "Making silk purses out of sows' ears" is a well-known proverbial > "impossibility", and this is the only way Gilbert could make it scan. I > believe this has actually been done, in a sense, though I forget the > details. Indeed; a pig's ear is mostly collagen which is what silk is made of. I recall seeing many years ago at a talk on the physics of natural polymers a slide of a silk purse that was allegedly[*] made from pigs ear collagen. James [*] I have no reason to doubt the veracity of the claim, but I had no means to verify it either. -- James Tappin, O__ "I forget the punishment for using james@tappin.me.uk -- \/` Microsoft --- Something lingering http://www.tappin.me.uk/ with data loss in it I fancy"  1,, X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 16:03:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQL3ehV028571; Fri, 26 Nov 2004 16:03:40 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAQL3cAA010226 for ; Fri, 26 Nov 2004 16:03:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQL3YTJ024738; Fri, 26 Nov 2004 16:03:34 -0500 (EST) Date: Fri, 26 Nov 2004 16:03:34 -0500 (EST) Message-Id: <20041126204348.51447.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <611F17E7F18F564E9003F6550866CEFE18034C@er.ece.iastate.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 16:03:34 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: And the N-word we'll be bleaching X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <611F17E7F18F564E9003F6550866CEFE18034C@er.ece.iastate.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO Clive wrote... ***"squaring the circle" is a well-known problem in classical Greek geometry, wherein it has been proven an impossibility to construct a square of the same area as a given circle using only a ruler and compass.*** Very interesting. But do you mean a ruler, a compass, and no math? On the other hand, can you circle the square? ***From time to time, cranks come up with ways of achieving it*** What *would* you need to accomplish this? I'm half asleep so I may be missing the point. John S __________________________________ Do you Yahoo!? All your favorites on one personal page – Try My Yahoo! http://my.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Nov 2004 16:45:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iAQLjMhV007775; Fri, 26 Nov 2004 16:45:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iAQLjKqI012774 for ; Fri, 26 Nov 2004 16:45:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAQLjFTJ025130; Fri, 26 Nov 2004 16:45:15 -0500 (EST) Date: Fri, 26 Nov 2004 16:45:15 -0500 (EST) Message-Id: <006b01c4d3fe$bc4292d0$ec9d2752@DKZYR0J> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: A quick maths lesson (was: And the N-word we'll be bleaching) MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Nov 2004 16:45:15 -0500 (EST) Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: A quick maths lesson (was: And the N-word we'll be bleaching) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO ----- Original Message ----- From: "John Spartan" Clive wrote... ***"squaring the circle" is a well-known problem in classical Greek geometry, wherein it has been proven an impossibility to construct a square of the same area as a given circle using only a ruler and compass.*** Very interesting. But do you mean a ruler, a compass, and no math? On the other hand, can you circle the square? To which I reply......... O Mount Vesuvius, here we are in arithmetic! The point is that due to the nature of pi (3.14.... etc) which is number with no patterns in it, and which cannot be expressed in any simpler terms, the area of a circle (pi multiplied by the square of the radius) cannot be a number which is in itself the square of another number. Hence it is geometrically impossible to produce a square and a circle with the same areas. I hope I make myself clear? Paul Ensell Newcastle-upon-Tyne, England "A catastrophe curve is what opera runs along. Opera happens because a large number of things amazingly fail to go wrong." Terry Pratchett - Maskerade  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 27 Nov 2004 10:00:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iARF0ThV003158; Sat, 27 Nov 2004 10:00:29 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iARExtgZ003591; Sat, 27 Nov 2004 09:59:55 -0500 (EST) Received: from grumpy-fuzzball.mit.edu (GRUMPY-FUZZBALL.MIT.EDU [18.7.16.79]) (authenticated bits=56) (User authenticated as jcb@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iARExW1X012518 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NOT); Sat, 27 Nov 2004 09:59:44 -0500 (EST) Received: (from jcb@localhost) by grumpy-fuzzball.mit.edu (8.12.9) id iARExBFq012888; Sat, 27 Nov 2004 09:59:11 -0500 (EST) Date: Sat, 27 Nov 2004 09:59:11 -0500 (EST) Message-Id: <200411271459.iARExBFq012888@grumpy-fuzzball.mit.edu> To: (Friends of Jeff Bigler) Subject: Jeff Bigler's 40th birthday party Sunday December 19, 2004 From: "Jeff Bigler" Reply-to: jcb@MIT.EDU, nlgilman@MIT.EDU Errors-to: jcb@MIT.EDU, nlgilman@MIT.EDU X-Mailer: GNU Emacs 21.3.1 X-Zippy: YOW!! Now I'm playing with my HOLOGRAPHIC ATOMIC SIMULATION LASER pinball machine!! WORLD PEACE is in the BALANCE!! X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 27 Nov 2004 09:59:11 -0500 (EST) To: (Friends of Jeff Bigler) Subject: Jeff Bigler's 40th birthday party Sunday December 19, 2004 From: "Jeff Bigler" Reply-to: jcb@MIT.EDU, nlgilman@MIT.EDU X-Zippy: YOW!! Now I'm playing with my HOLOGRAPHIC ATOMIC SIMULATION LASER pinball machine!! WORLD PEACE is in the BALANCE!! X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO I'm turning 40 on December 19. I'm inviting you to a birthday party so you can: * help me celebrate * give me grief about being old * give me grief about being young * give me grief just because * not give me any grief at all * socialize with my other friends Here are the details: Date: Sunday, December 19 2004. (My actual birthday) Time: 3:59pm-whenever (I was born at 3:59pm) Location: my house, 8 Little Nahant Rd., Nahant, Mass. Please bring: Yourself, if possible. Your family, S.O. and/or close friends. Bring your children if you want/need to. (We're bringing ours.) Drinks, munchies, desserts, etc. (We'll provide dinner.) A towel if you think you'll be using the hot tub. (We have some extras if you forget.) Note that the hot tub is in our drafty, unheated, detached garage. Allergies: We have two indoor cats. Bring allergy meds as needed. Please, no smoking anywhere indoors, including the garage. Directions: Carpooling: Please try to carpool if you can. We'll make sure there's parking in the driveway and on both sides of the street. If you come by T, we'll be happy to pick you up from the Lynn commuter rail/bus station. RSVP: Please try to let us know if you're thinking of coming so we can plan food. Definitely let us know if you're coming in time for dinner and you have dietary restrictions we need to know about. However, if you don't R and you decide to come at the last minute, that's still OK. ("R" is the "respond" part of RSVP.) Holidays: This is a birthday party, not a Christmas/Hanukkah/Yule/Kwanzaa party. I'm sure people will be talking about the holidays, but we won't be playing Christmas music on the stereo, and while we've probably invited Santa Claus, he'll be off duty. Spam alert: We'll probably send out a reminder about a week before the party. It will look remarkably similar to this message. Jeff (and Nancy, Margaret and Laura) -- 8 Little Nahant Rd. phone: +1 (781) 592-5802 Nahant, MA 01908-1120 USA http://www.mit.edu/~jcb/directions/ GPS: 70deg 56min 9.34sec West Jeff: jcb@alum.mit.edu N1VSK 42deg 26min 5.21sec North Nancy: nlgilman@mit.edu N1VFQ --------------------------- Note: We sent this invitation to over 500 of our closest friends (pretty much everyone on our cider party list). After all, if you turn 40 right, once is enough. * If you got multiple copies, that means we have some of the same groups of friends in common (and are therefore on some of the same email lists). Consider yourself multiply invited. * If you live outside the Boston area, I assume you're not coming (unless you tell me otherwise), but I want you to know that you're still invited.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Nov 2004 20:21:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAU1LOJb005221; Mon, 29 Nov 2004 20:21:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAU1LMrP002710 for ; Mon, 29 Nov 2004 20:21:23 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAU1L5TJ001809; Mon, 29 Nov 2004 20:21:05 -0500 (EST) Date: Mon, 29 Nov 2004 20:21:05 -0500 (EST) Message-Id: <00d601c4d67a$1c4c67a0$6664a8c0@DESKTOP> Errors-To: savoynet-owner@bridgewater.edu Reply-To: the-maestro@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "The Maestro" To: Multiple recipients of list SAVOYNET Subject: Re: Instrumentation Question: Fag. MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 29 Nov 2004 20:21:05 -0500 (EST) Reply-To: the-maestro@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "The Maestro" To: Multiple recipients of list SAVOYNET Subject: Re: Instrumentation Question: Fag. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Maureen Roult asked > If fagotto/fagotte is the bassoon, what would be the reference for the > other > reeds (oboe, English horn, clarinet, etc.)? Piccolo = Flauto Piccolo Flute = Flauto (pl. Flauti) Oboe = Oboe (pl. Oboi) Cor Anglais = Corno Inglese Clarinet = Clarinetto (pl. Clarinetti) Bass Clarinet = Clarinetto Basso Bassoon = Fagotto (pl. Fagotti) Double Basoon = Contrafagotto French Horn = Corno (pl. Corni) Trumpet = Tromba (pl. Trombe) Cornet = Cornetto (pl. Cornetti) Trombone = Trombone (pl. Tromboni) Tenor Trombone = Trombone Tenore Bass Trombone = Trombone Basso Timpani = Timpani Bass Drum = Gran Cassa Cymbal = Piatto (pl. Piatti) Triangle = Triangolo Drum = Tamburo Tambourine = Tamburino Harp = Arpa Organ = Organo Piano = Pianoforte Violin = Violino (pl. Violini) Viola = Viola (pl. Viole) Cello = Violoncello (pl. Violoncelli) Double Bass = Contrabasso (pl. Contrabassi) Joel  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Nov 2004 20:22:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAU1MHJb005619; Mon, 29 Nov 2004 20:22:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAU1KarP001989 for ; Mon, 29 Nov 2004 20:20:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iAU1KUTJ001715; Mon, 29 Nov 2004 20:20:30 -0500 (EST) Date: Mon, 29 Nov 2004 20:20:30 -0500 (EST) Message-Id: <6.2.0.14.0.20041130010836.03f09470@pop3.demon.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@cello.prestel.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David England To: Multiple recipients of list SAVOYNET Subject: Re: Instrumentation Question: Fag. Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_3678317==.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006201c4d676$5a2b7920$27551146@jlkcd01> X-Mailer: QUALCOMM Windows Eudora Version 6.2.0.14 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 29 Nov 2004 20:20:30 -0500 (EST) Reply-To: david@cello.prestel.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David England To: Multiple recipients of list SAVOYNET Subject: Re: Instrumentation Question: Fag. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <006201c4d676$5a2b7920$27551146@jlkcd01> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.619 X-Spam-Flag: NO --=====================_3678317==.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Maureen Roult wrote: >If fagotto/fagotte is the bassoon, what would be the reference for the other >reeds (oboe, English horn, clarinet, etc.)? Here goes! English - Italian Recorder - Flauto dolce Flute - Flauto Piccolo - Flauto piccolo Alto Flute - Flauto contralto English Horn (U.S.) or Cor anglais - Corno inglese Oboe d'amore - Oboe d'amore Clarinet - Clarinetto Bass Clarinet - Clarinetto basso Bassoon - Fagotto Contrabassoon - Contrafagotto French Horn - Corno Natural Horn - Corno naturale Valve Horn - Corno ventile or Corno cromatico Trumpet - Tromba Cornet - Cornetta Trombone - Trombone Tuba - Tuba Drum - Tamburo Kettle Drums - Timpani Side Drum - Tamburo piccolo Bass Drum - Cassa Cymbals - Piatti Castanets - Castagnette Triangle - Triangolo Tambourine - Tamburino Glockenspiel - Campanelli Xylophone - Xilifono Vibraphone - Vibrafono Celesta - Celesta Harp - Arpa Strings - Archi Violin - Violino Viola - Viola Cello - Violoncello Double Bass - Contrabasso Harpsichord, Harpsicon, Harpsical, Cymbel, Clavicymbal - Arpichordo, Cembalo, Clavicembalo, Claricembalo, Gravicembalo David Erudite Merc Lover --=====================_3678317==.ALT Content-Type: text/html; charset="us-ascii" Maureen Roult wrote:

If fagotto/fagotte is the bassoon, what would be the reference for the other
reeds (oboe, English horn, clarinet, etc.)?

Here goes!

English  -  Italian
Recorder  -  Flauto dolce
Flute  -  Flauto
Piccolo  -  Flauto piccolo
Alto Flute  -  Flauto contralto
English Horn (U.S.) or Cor anglais  -  Corno inglese
Oboe d'amore  -  Oboe d'amore
Clarinet  -  Clarinetto
Bass Clarinet  -  Clarinetto basso
Bassoon  -  Fagotto
Contrabassoon  -  Contrafagotto
French Horn  -  Corno
Natural Horn  -  Corno naturale
Valve Horn  -  Corno ventile or Corno cromatico
Trumpet  -  Tromba
Cornet  -  Cornetta
Trombone  -  Trombone
Tuba  -  Tuba
Drum  -  Tamburo
Kettle Drums  -  Timpani
Side Drum  -  Tamburo piccolo
Bass Drum  -  Cassa
Cymbals  -  Piatti
Castanets  -  Castagnette
Triangle  -  Triangolo
Tambourine  -  Tamburino
Glockenspiel  -  Campanelli
Xylophone  -  Xilifono
Vibraphone  -  Vibrafono
Celesta  -  Celesta
Harp  -  Arpa
Strings  -  Archi
Violin  -  Violino
Viola  -  Viola
Cello  -  Violoncello
Double Bass  -  Contrabasso
Harpsichord, Harpsicon, Harpsical, Cymbel, Clavicymbal  -  Arpichordo, Cembalo, Clavicembalo, Claricembalo, Gravicembalo


David
Erudite Merc Lover --=====================_3678317==.ALT--  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Nov 2004 21:58:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAU2wFJb005908; Mon, 29 Nov 2004 21:58:15 -0500 (EST) Received: from melbourne-city-street.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAU2w4to004672; Mon, 29 Nov 2004 21:58:04 -0500 (EST) Received: from [66.92.72.178] (dsl092-072-178.bos1.dsl.speakeasy.net [66.92.72.178]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id iAU2w3jc001179; Mon, 29 Nov 2004 21:58:03 -0500 (EST) Message-ID: <41ABE1CB.5040901@alum.mit.edu> Date: Mon, 29 Nov 2004 21:58:19 -0500 From: Brian Bermack User-Agent: Mozilla Thunderbird 0.8 (Windows/20040913) X-Accept-Language: en-us, en MIME-Version: 1.0 To: gsp-ec , Ken Raeburn , "David C. Jedlinsky" Subject: [Fwd: Video counts] Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 29 Nov 2004 21:58:19 -0500 From: Brian Bermack X-Accept-Language: en-us, en To: gsp-ec , Ken Raeburn , "David C. Jedlinsky" Subject: [Fwd: Video counts] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Here is the email I sent to you on 5/31/04 of video counts, followed by a summary of emails received since then. (I can expn the names if needed to.) -------- Original Message -------- Subject: Video counts Date: Mon, 31 May 2004 12:02:15 -0400 From: Brian Bermack To: gsp-ec@mit.edu, "David C. Jedlinsky" 12 Pirates DVD: jennie, brian, debbie, eliz, marleigh, skyler, jess, evan, bob, erin, kate, graham 2 Pirates VHS: erica, rebecca, 15 Utopia DVD: jennie, brian, dave, drewbob(2), ky, skyler, jess, evan, bob, randy, erin, kate, graham, matt 4 Utopia VHS: erica, art, rebecca, bromberg 15 Ruddigore DVD: jennie, brian, dave, debbie, drewbob(4), skyler(2), tom, jess, bob, erin, matt 2 Ruddigore VHS: erica, rebecca 15 Thespis DVD: ion, jennie, nocturne, drewbob(4), ky, tracy, skyler, jess, bob, randy, erin, matt 7 Thespis VHS: steve, mary, ion, erica, chaika, rebecca, bromberg ---------------- Add to the above (which you've seen before): Vanessa: DVDs of Pirates, Ruddigore, Thespis Esther: one Ruddigore DVD  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Nov 2004 22:11:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAU3BWJd011276; Mon, 29 Nov 2004 22:11:34 -0500 (EST) Received: from out007.verizon.net (out007pub.verizon.net [206.46.170.107]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAU3BRrP005683 for ; Mon, 29 Nov 2004 22:11:27 -0500 (EST) Received: from [192.168.1.50] ([4.4.39.87]) by out007.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20041130031127.MEXK1327.out007.verizon.net@[192.168.1.50]>; Mon, 29 Nov 2004 21:11:27 -0600 In-Reply-To: <200411292031.iATKVmAp017620@multics.mit.edu> References: <200411292031.iATKVmAp017620@multics.mit.edu> Mime-Version: 1.0 (Apple Message framework v619) Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: <85AE8461-427D-11D9-B21A-000A95BA5AF2@alum.mit.edu> Content-Transfer-Encoding: 7bit From: Guillermo Rozas Subject: Re: Rocky Date: Mon, 29 Nov 2004 19:11:26 -0800 To: "David C. Jedlinsky" X-Mailer: Apple Mail (2.619) X-Authentication-Info: Submitted using SMTP AUTH at out007.verizon.net from [4.4.39.87] at Mon, 29 Nov 2004 21:11:26 -0600 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 In-Reply-To: <200411292031.iATKVmAp017620@multics.mit.edu> From: Guillermo Rozas Subject: Re: Rocky Date: Mon, 29 Nov 2004 19:11:26 -0800 To: "David C. Jedlinsky" X-Authentication-Info: Submitted using SMTP AUTH at out007.verizon.net from [4.4.39.87] at Mon, 29 Nov 2004 21:11:26 -0600 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Thanks. I appreciate it. On Nov 29, 2004, at 12:31 PM, David C. Jedlinsky wrote: > > Hi Bill. > > I just called Rocky on his cell phone (617-834-0920). He says he'll > give you a call. His email hasn't been working, but he recently > cleared out his mailbox, so you ought to be able to send him mail now. > > -Dave >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Nov 2004 23:15:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iAU4FMJb001559; Mon, 29 Nov 2004 23:15:22 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iAU4FB78026794; Mon, 29 Nov 2004 23:15:11 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iAU4FA1U027976; Mon, 29 Nov 2004 23:15:10 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iAU4F9oo026923; Mon, 29 Nov 2004 23:15:09 -0500 (EST) Date: Mon, 29 Nov 2004 23:15:09 -0500 (EST) Message-Id: <200411300415.iAU4F9oo026923@multics.mit.edu> From: "David C. Jedlinsky" To: bbermack@alum.MIT.EDU CC: gsp-ec@MIT.EDU, raeburn@MIT.EDU In-reply-to: <41ABE1CB.5040901@alum.mit.edu> (message from Brian Bermack on Mon, 29 Nov 2004 21:58:19 -0500) Subject: Re: [Fwd: Video counts] References: <41ABE1CB.5040901@alum.mit.edu> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 29 Nov 2004 23:15:09 -0500 (EST) From: "David C. Jedlinsky" To: bbermack@alum.MIT.EDU CC: gsp-ec@MIT.EDU, raeburn@MIT.EDU In-reply-to: <41ABE1CB.5040901@alum.mit.edu> (message from Brian Bermack on Mon, 29 Nov 2004 21:58:19 -0500) Subject: Re: [Fwd: Video counts] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Brian. Thanks for the followup. If you have the email addresses for anybody in Ruddigore, I'd appreciate it if you could send them. The additional names I have for Ruddigore DVDs are: erika (2), shawna lea (2), deborah s., jonathan ichikawa, kat bryant, ashley kim, maggie zhang, carolyn smith, elizabeth stone And Ruddigore VHS: skyler (2), jonathan ichikawa, tom dawkins If you or anyone else has contact information for those people, that'd also be cool to get. -Dave >Date: Mon, 29 Nov 2004 21:58:19 -0500 >From: Brian Bermack > >Here is the email I sent to you on 5/31/04 of video counts, followed by >a summary of emails received since then. (I can expn the names if needed >to.) > >-------- Original Message -------- >Subject: Video counts >Date: Mon, 31 May 2004 12:02:15 -0400 >From: Brian Bermack >To: gsp-ec@mit.edu, "David C. Jedlinsky" > >12 Pirates DVD: jennie, brian, debbie, eliz, marleigh, skyler, jess, >evan, bob, erin, kate, graham > >2 Pirates VHS: erica, rebecca, > >15 Utopia DVD: jennie, brian, dave, drewbob(2), ky, skyler, jess, evan, >bob, randy, erin, kate, graham, matt > >4 Utopia VHS: erica, art, rebecca, bromberg > >15 Ruddigore DVD: jennie, brian, dave, debbie, drewbob(4), skyler(2), >tom, jess, bob, erin, matt > >2 Ruddigore VHS: erica, rebecca > >15 Thespis DVD: ion, jennie, nocturne, drewbob(4), ky, tracy, skyler, >jess, bob, randy, erin, matt > >7 Thespis VHS: steve, mary, ion, erica, chaika, rebecca, bromberg > >---------------- >Add to the above (which you've seen before): > >Vanessa: DVDs of Pirates, Ruddigore, Thespis >Esther: one Ruddigore DVD > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Dec 2004 01:29:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB36RsFW027263; Fri, 3 Dec 2004 01:29:05 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.199]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB36PuCF021703 for ; Fri, 3 Dec 2004 01:25:56 -0500 (EST) Received: by rproxy.gmail.com with SMTP id i8so130601rne for ; Thu, 02 Dec 2004 22:25:55 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:cc:mime-version:content-type:content-transfer-encoding; b=cu+8OnIydE2Z0EJl1BypVlL+42qznWcoiKHKgA169hkLabQll1v57YxH5QRcjpFmGSv0gxNIadtC2ERGs289ncQndggpGNlBTVD/IjLCY44uN6nHxm2KOezdeJPR/eYEU4rDn3A0OmYvxxkq3vjmE9KFDChFa8cb3c1hJK5CD50= Received: by 10.38.15.61 with SMTP id 61mr1228956rno; Thu, 02 Dec 2004 22:25:55 -0800 (PST) Received: by 10.38.78.28 with HTTP; Thu, 2 Dec 2004 22:25:55 -0800 (PST) Message-ID: Date: Thu, 2 Dec 2004 22:25:55 -0800 From: SirRogue Reply-To: SirRogue To: Nori Pritchard , Todd Radford , Caitlin Shindler , Jamez Kirtley , "David C. Jedlinsky" , Derek Herrera , Edmund Golaski Subject: C3 - Start blocking your calendars... Cc: Stephen Peters , Jax Kirtley Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:cc:mime-version:content-type:content-transfer-encoding; b=cu+8OnIydE2Z0EJl1BypVlL+42qznWcoiKHKgA169hkLabQll1v57YxH5QRcjpFmGSv0gxNIadtC2ERGs289ncQndggpGNlBTVD/IjLCY44uN6nHxm2KOezdeJPR/eYEU4rDn3A0OmYvxxkq3vjmE9KFDChFa8cb3c1hJK5CD50= Date: Thu, 2 Dec 2004 22:25:55 -0800 From: SirRogue Reply-To: SirRogue To: Nori Pritchard , Todd Radford , Caitlin Shindler , Jamez Kirtley , "David C. Jedlinsky" , Derek Herrera , Edmund Golaski Subject: C3 - Start blocking your calendars... Cc: Stephen Peters , Jax Kirtley X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hey folks, Just an update; I've heard from our contact at Lucasfilm that they've put us in for a sizeable budget, certainly enough to get us there and back and do the show. We're still waiting for final approval, but I'm told it's quite favorable, and almost a formality at this point. So at this point, I'd say we're going!!! It's not OFFICIAL official, so we're not announcing anything yet, but we're starting to talk to selected cast members from '03 and getting people to fill in the chorus for those who won't be returning. I'd like you all to take a few weeks to seriously go over your calendars, block out the time sink this will represent, and reassure yourselves (and me!) that you want to do this. I know I got vigorous nods and yeses from many of you at the meeting in September, but consider this the official RSVP. Let me know by December 20 that you are definitely in. Info to know: Star Wars Celebration 3 is April 21-24, 2005. Everyone going on the trip should expect to be out of town April 20-25. If we do get back in time for anyone's work/class on Monday 25, you'll likely be too exhausted to go anyway, so just count it as spent. Prod weeks (yes, weekS) will begin between performance weeks of the MTG spring show, and likely run Sunday 4/10 through Wednesday 4/13 (and possibly the 14th for those not in/working on the show), ajourn for the weekend, and resume Sunday 4/17 through Tuesday 4/20. We'll depart late that night or early the next morn, travel all of Wednesday, rehearse in space early afternoon Thursday. Perform Thurday night, Friday night, Saturday afternoon and night, and Sunday afternoon, then come home late Sunday or early Monday. These are the mega-important dates. Please clear them. Participation in this DOES NOT preclude you from doing the Spring show! You can do both if you wish, I'll work with it! In addition to these times, there will be "brush up", or rather, re-learning rehearsals in the early part of the year, once or twice a week starting during or after IAP, at Steve's discretion. He'll follow up with more details on that as the time approaches. I'm REALLY REALLY excited about this, and I hope you are, too! I very much look forward to sharing this experience with all of you!!!! :) Cheers, Rogue  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Dec 2004 13:00:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB3I0WF2023731; Fri, 3 Dec 2004 13:00:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB3HwuBk009417 for ; Fri, 3 Dec 2004 12:58:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iB3HwpTJ028987; Fri, 3 Dec 2004 12:58:51 -0500 (EST) Date: Fri, 3 Dec 2004 12:58:51 -0500 (EST) Message-Id: <20041203174103.16594.qmail@web54305.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Contraltos MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041203170611.50862.qmail@web40627.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Dec 2004 12:58:51 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Contraltos X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041203170611.50862.qmail@web40627.mail.yahoo.com> X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO True contraltos of solo quality are to women's voices as "true" basses of solo quality are to men's voices: a small percentage of the vocal population. They do exist, but the good ones without significant flaws of production and technique are scarce. Generalizations are by their nature flawed, but in my experience the distribution of vocal ranges in the population runs roughly as follows: WOMEN: Most common to least common Sopranos of chorus caliber - about 65% 2nd sopranos/"light" mezzos of chorus caliber Sopranos of principal caliber (of any category) "Light" mezzos (Jessie Bond roles) of principal caliber Chorus caliber lower mezzos/contraltos, with vocal flaws About 0.5%: Principal caliber contraltos (yes, one in 200) MEN: Most common to least common Baritones of chorus caliber: about 65% Tenor II of chorus caliber Tenor I of chorus caliber Baritones of principal calber Tenors of principal caliber Bass-baritones of chorus caliber Bass-baritons of principal caliber True basses of chorus caliber About 0.25%: Principal caliber true basses (yes, one in 400) People in other situations may have seen a different distribution, but this is the breakdown I've observed at NYGASP auditions in NYC over the past 18 years. ===== Andi Stryker-Rodda New York City/New Jersey USA SavoyNet FAQs may be found at: http://trouperslightopera.org/Troupers/Savoynet/faqs.htm The Online G&S Archive may be found at: http://diamond.boisestate.edu/gas G&S Calendars of Events may be found at: http://groups.yahoo.com/group/SavoyNot/cal (Elise Curran) http://www.savoyopera.co.uk (David Sandham)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Dec 2004 19:23:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iB40NWF0001474; Fri, 3 Dec 2004 19:23:33 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iB40NMFv020215; Fri, 3 Dec 2004 19:23:22 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iB40NK1U002446; Fri, 3 Dec 2004 19:23:21 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iB40NJkD021027; Fri, 3 Dec 2004 19:23:19 -0500 (EST) Date: Fri, 3 Dec 2004 19:23:19 -0500 (EST) From: "David C. Jedlinsky" To: SirRogue cc: Ruth L Jedlinsky Subject: Re: C3 - Start blocking your calendars... In-Reply-To: Message-ID: References: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Dec 2004 19:23:19 -0500 (EST) From: "David C. Jedlinsky" To: SirRogue cc: Ruth L Jedlinsky Subject: Re: C3 - Start blocking your calendars... In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hey Rogue. Sounds good! Of course, it's been really tough having to tell people we're booked, without being able to tell them why... Let us know as soon as we can let the cat out of the bag officially! Ruth sez I can go do the show, but only if she gets to go along (she'll tech, help with costumes, props, or whatever is needed). If it comes down to an issue of cost, she'll pay her way, but she wants a backstage pass at the very least. And perhaps we'd be permitted to share a room... Oh, and are they planning to record it in any form? I'm fairly sure they won't want us to do it (they're more picky about things in their own venue), but it'd be a shame if nobody did. -Dave  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Dec 2004 02:34:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iB47Y3F0025409; Sat, 4 Dec 2004 02:34:03 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id iB47Y2Bh000967 for ; Sat, 4 Dec 2004 02:34:03 -0500 (EST) Received: from zenodorus-asper.mit.edu (ZENODORUS-ASPER.MIT.EDU [18.7.22.98]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id iB47Y1Nn007184 for ; Sat, 4 Dec 2004 02:34:01 -0500 (EST) Received: (from nobody@localhost) by zenodorus-asper.mit.edu (8.12.2+Sun) id iB47Y1k5006509; Sat, 4 Dec 2004 02:34:01 -0500 (EST) Received: from pool-141-154-228-253.bos.east.verizon.net (pool-141-154-228-253.bos.east.verizon.net [141.154.228.253]) (User authenticated as lcs@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Sat, 4 Dec 2004 02:34:01 -0500 Message-ID: <1102145641.41b168692158b@webmail.mit.edu> Date: Sat, 4 Dec 2004 02:34:01 -0500 From: Larry Stone To: opus@mit.edu Subject: got NeXT? MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 141.154.228.253 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.1 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Dec 2004 02:34:01 -0500 From: Larry Stone To: opus@mit.edu Subject: got NeXT? X-Originating-IP: 141.154.228.253 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.1 X-Spam-Flag: NO Reliable sources tell me you have a weakness for antique computers in beautifully-designed black cases... so do I, but I also need to get rid of the hardware that it's clear i'll never have the time to enjoy properly. How would you like a vintage 68040 next cube, a couple of mono monitors, keyboard, mouse, external CD drive, and some other bits? it hasn't been proven to work together but ought to, and the cpu and monitor appeared working when last tried. it'd have to be picked up at W92 sometime in the next month. thanks, -- Larry  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Dec 2004 14:18:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iB4JICF0012090; Sat, 4 Dec 2004 14:18:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iB4JIAMZ016118 for ; Sat, 4 Dec 2004 14:18:11 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iB4JI5TJ019746; Sat, 4 Dec 2004 14:18:05 -0500 (EST) Date: Sat, 4 Dec 2004 14:18:05 -0500 (EST) Message-Id: <20041204190826.61832.qmail@web40909.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Nautch Girl USA premiere CDs now available MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Dec 2004 14:18:05 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Nautch Girl USA premiere CDs now available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO On August 7 2004, the Royal English Opera Company gave the North American premiere of Edward Solomon's THE NAUTCH GIRL. The CDs from that production are now available for purchase. John S. has kindly posted a couple of sound files from the CD at this webpage: http://www.geocities.com/thenautchgirl/index.htm This recording was taken live on August 7 and 8 at First Presbyterian Church in Rockford, Illinois. We performed the opera in concert selection style with a narration to link the songs together. We also performed six selections from Edward German's A PRINCESS OF KENSINGTON (without a narration). Although few people saw the performances, it was our best production in our five-year existence. Details about the production and photos from the performance can be found on my website: http://hometown.aol.com/royalenglishopra/nautchgirl.html Each CD comes with a programme from the performance. Each CD is $12 for US customers and 6.2 GBP for our friends in the UK. S&H is included on these prices. I can accept PayPal payments and bank cheques. Credit card payments through Paypal will require a very small additional fee (so I get what I'm owed after PP takes their portion). If you've any questions/comments or would like to purchase 1 or 2 or 20, please contact me privately. ===== Scott Farrell "I attach a weight to anything that serves my purpose." -- George Dance, THE NAUTCH GIRL (1892) Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html __________________________________ Do you Yahoo!? The all-new My Yahoo! - Get yours free! http://my.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Dec 2004 15:58:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB4Kw7F0006533; Sat, 4 Dec 2004 15:58:07 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.193]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB4Kw5vH022480 for ; Sat, 4 Dec 2004 15:58:05 -0500 (EST) Received: by rproxy.gmail.com with SMTP id i8so46775rne for ; Sat, 04 Dec 2004 12:58:03 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=MvgPm06YaXHvc+s+HkcwHvbYpUn1AcDB6qWPNjpbeKClmBLZGLvz8hYKWLaM71N4k7Phz4GHrswKnmKcme/JBUULooecTABfYIYH6pKxCjXk2ZePlfunR48aJwnK0Z7OUlAtrPpW06yLmQcLltL59HFIJAB2vRLAews4ZkQIYTw= Received: by 10.38.181.62 with SMTP id d62mr348774rnf; Sat, 04 Dec 2004 12:58:03 -0800 (PST) Received: by 10.38.78.28 with HTTP; Sat, 4 Dec 2004 12:58:03 -0800 (PST) Message-ID: Date: Sat, 4 Dec 2004 12:58:03 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.908 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=MvgPm06YaXHvc+s+HkcwHvbYpUn1AcDB6qWPNjpbeKClmBLZGLvz8hYKWLaM71N4k7Phz4GHrswKnmKcme/JBUULooecTABfYIYH6pKxCjXk2ZePlfunR48aJwnK0Z7OUlAtrPpW06yLmQcLltL59HFIJAB2vRLAews4ZkQIYTw= Date: Sat, 4 Dec 2004 12:58:03 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -0.908 X-Spam-Flag: NO There will be cameras running feed to jumbotrons half way back in the house so everyone can see. I'm looking into getting copies of the feed from each performance that we might be able to edit together later for our own (non-commercial) use. :) ~Rogue On Fri, 3 Dec 2004 19:23:19 -0500 (EST), David C. Jedlinsky wrote: > > Hey Rogue. > > Sounds good! Of course, it's been really tough having to tell people > we're booked, without being able to tell them why... Let us know as soon > as we can let the cat out of the bag officially! > > Ruth sez I can go do the show, but only if she gets to go along (she'll > tech, help with costumes, props, or whatever is needed). If it comes down > to an issue of cost, she'll pay her way, but she wants a backstage pass at > the very least. And perhaps we'd be permitted to share a room... > > Oh, and are they planning to record it in any form? I'm fairly sure they > won't want us to do it (they're more picky about things in their own > venue), but it'd be a shame if nobody did. > > -Dave > >  1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 06 Dec 2004 15:54:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB6KsYF0027906; Mon, 6 Dec 2004 15:54:34 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.195]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB6KqRKj005791 for ; Mon, 6 Dec 2004 15:52:28 -0500 (EST) Received: by rproxy.gmail.com with SMTP id i8so149516rne for ; Mon, 06 Dec 2004 12:52:23 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=ElrCiEc6Enk0s+U5oSf1O/os4SRKp81DYU3oEXk0/5spkHqfi/lMx7laW3QEFqmMuqLfgm1cTzY/k0Qj96hzZUOZLve73cnugvygx/8sAydtii8bx0drAgufyoTuig0dEdz5GjJvNelLff1AmmldTzh4VU/Zn9grRaN7KXlmbXE= Received: by 10.39.3.56 with SMTP id f56mr720558rni; Mon, 06 Dec 2004 12:52:23 -0800 (PST) Received: by 10.38.78.28 with HTTP; Mon, 6 Dec 2004 12:52:23 -0800 (PST) Message-ID: Date: Mon, 6 Dec 2004 12:52:23 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=ElrCiEc6Enk0s+U5oSf1O/os4SRKp81DYU3oEXk0/5spkHqfi/lMx7laW3QEFqmMuqLfgm1cTzY/k0Qj96hzZUOZLve73cnugvygx/8sAydtii8bx0drAgufyoTuig0dEdz5GjJvNelLff1AmmldTzh4VU/Zn9grRaN7KXlmbXE= Date: Mon, 6 Dec 2004 12:52:23 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Actually, I have something in mind for Ruth already. I was hoping to do this myself, though I had no idea when I was going to have time, but I really like the idea of someone working on this fulltime so it doesn't fall through the cracks. I'd like to do a sort of documentary of the trip, from prep and brush-ups to prod week, travel, and backstage candids all along the way. Doesn't have to be the giant production cameras, just a simple camcorder. I'll buy the tapes. :) If she could take that as her pet project for the trip, that'd be awesome. :) Glad to have y'all aboard! ~R On Fri, 3 Dec 2004 19:23:19 -0500 (EST), David C. Jedlinsky wrote: > > Hey Rogue. > > Sounds good! Of course, it's been really tough having to tell people > we're booked, without being able to tell them why... Let us know as soon > as we can let the cat out of the bag officially! > > Ruth sez I can go do the show, but only if she gets to go along (she'll > tech, help with costumes, props, or whatever is needed). If it comes down > to an issue of cost, she'll pay her way, but she wants a backstage pass at > the very least. And perhaps we'd be permitted to share a room... > > Oh, and are they planning to record it in any form? I'm fairly sure they > won't want us to do it (they're more picky about things in their own > venue), but it'd be a shame if nobody did. > > -Dave > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Dec 2004 14:00:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB8J0oF0002522; Wed, 8 Dec 2004 14:00:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB8Iwhtk002515 for ; Wed, 8 Dec 2004 13:58:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iB8IwXTJ017275; Wed, 8 Dec 2004 13:58:33 -0500 (EST) Date: Wed, 8 Dec 2004 13:58:33 -0500 (EST) Message-Id: <20041208185532.69517.qmail@web54301.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Paraphrase exercise MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Dec 2004 13:58:33 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Paraphrase exercise X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -3.194 X-Spam-Flag: NO This is a standard acting exercise, but within NYGASP we've found that it works particularly well for G&S: We go through both the lyrics and the dialogue of a show and have the principals paraphrase everything. They are not allowed to use the same word Gilbert did, with a few exceptions. The primary exception is an instance where a joke is dependent on the wordplay (orphan/often), but we allow a few others. We've found the exercise valuable for two purposes: First, it reveals the performers' understanding of the vocabulary and of the meaning of the lines--valuable for people new to a role, of course, but we've discovered that even those who have played the same roles a number of times in a variety of companies may still have lacunae in their understanding. Second, it is good for refreshing delivery/interpretation by people who have been doing the same roles for years, because it forces them to think about what they're actually saying. When they go back to the dialogue as written, a few may suffer a relapse into rote delivery, but most carry along *something* from the exercise. We do this in an informal manner, and allow stopping for discussion if a paraphrase misses the mark or brings up an idea that's new to one or more of the performers. It may seem silly to some, but I've heard some very seasoned performers say "I had no idea the line meant that!", or make similar remarks. Besides, it's fun! ===== Andi Stryker-Rodda New York City/New Jersey USA SavoyNet FAQs may be found at: http://trouperslightopera.org/Troupers/Savoynet/faqs.htm The Online G&S Archive may be found at: http://diamond.boisestate.edu/gas G&S Calendars of Events may be found at: http://groups.yahoo.com/group/SavoyNot/cal (Elise Curran) http://www.savoyopera.co.uk (David Sandham)  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Dec 2004 16:49:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iB8LnTF0004888; Wed, 8 Dec 2004 16:49:29 -0500 (EST) Received: from tomts10-srv.bellnexxia.net (tomts10.bellnexxia.net [209.226.175.54]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iB8Lbx59012662 for ; Wed, 8 Dec 2004 16:37:59 -0500 (EST) Received: from home4bd15b3a15 ([69.156.104.18]) by tomts10-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with SMTP id <20041208213758.DQDX1863.tomts10-srv.bellnexxia.net@home4bd15b3a15> for ; Wed, 8 Dec 2004 16:37:58 -0500 Message-ID: <000701c4dd6e$30d234c0$9a04fea9@home4bd15b3a15> From: "Ori Siegel" To: "David C. Jedlinsky" References: Subject: Re: Unsolicited URL Date: Wed, 8 Dec 2004 16:38:00 -0500 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: "David C. Jedlinsky" Subject: Re: Unsolicited URL Date: Wed, 8 Dec 2004 16:38:00 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -1.524 X-Spam-Flag: NO > In case you've forgotten the true meaning of Hanukkah, here's a refresher: Purrfectly clear to me! Zai gezint unt gut yontif! Ori ======================== "Anyone who is capable of getting themselves made President should on no account be allowed to do the job." -Douglas Adams (1952-2001) ========================  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Dec 2004 01:17:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iB96HvF0024830; Thu, 9 Dec 2004 01:17:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iB96Hs8Q011653 for ; Thu, 9 Dec 2004 01:17:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iB96HmTJ024892; Thu, 9 Dec 2004 01:17:48 -0500 (EST) Date: Thu, 9 Dec 2004 01:17:48 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: I'm a guest artist! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 9 Dec 2004 01:17:48 -0500 (EST) Reply-To: ichikawa@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: I'm a guest artist! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Here's a brand new sort of experience for me, that just came up, and which I cannot keep myself from sharing. I've mentioned before that I co-founded the Rice Light Opera Society in 2001 when I was an undergrad at Rice, in Houston, TX. We did a MIKADO and an IOLANTHE before I graduated and moved to Rhode Island in 2003, and then they did a really excellent PIRATES without me in 2004. They've scheduled PATIENCE for 2005, and auditions were this week. They ended up short a Bunthorne, and gave me a call. RLOS is going to fly me from Providence to Houston for two weekends next spring to perform Bunthorne! I'm wildly excited about this opportunity, and about an unconventional schedule. I'll spend most of January, my winter break, in Houston, and catch the first couple of weeks of their rehearsals. Then they won't see me until dress rehearsals. Obviously not an ideal system, but I hope to fit myself into their system very quickly. I'd be interested in hearing perspectives and advice from others who have performed in similar situations. I know the role -- I performed it in Buxton -- but I'm not sure what I ought to be doing to fit into a new production very quickly. I guess a lot of work will have to be done during the weeks in Houston. Advice very welcome. I am bubbling over with anticipation. Ok, now I'm calming down, working on a term paper, and getting some sleep before our BUGS (Brown University Gilbert & Sullivan) concert tomorrow evening... -- Jonathan Ichikawa Graduate Student Philosophy Department Brown University "Oh, philosophers may sing!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 10:31:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBAFV1F4001952; Fri, 10 Dec 2004 10:31:21 -0500 (EST) Received: from hotmail.com (bay22-f16.bay22.hotmail.com [64.4.16.66]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBAFN21g020845 for ; Fri, 10 Dec 2004 10:23:02 -0500 (EST) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Fri, 10 Dec 2004 07:23:01 -0800 Message-ID: Received: from 66.205.240.86 by by22fd.bay22.hotmail.msn.com with HTTP; Fri, 10 Dec 2004 15:22:42 GMT X-Originating-IP: [66.205.240.86] X-Originating-Email: [aentin@hotmail.com] X-Sender: aentin@hotmail.com From: "alvin entin" To: opus@mit.edu Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT Date: Fri, 10 Dec 2004 10:22:42 -0500 Mime-Version: 1.0 Content-Type: text/html; format=flowed X-OriginalArrivalTime: 10 Dec 2004 15:23:01.0866 (UTC) FILETIME=[23361CA0:01C4DECC] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.787 X-Spam-Level: *** (3.787) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [66.205.240.86] X-Originating-Email: [aentin@hotmail.com] X-Sender: aentin@hotmail.com From: "alvin entin" To: opus@mit.edu Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT Date: Fri, 10 Dec 2004 10:22:42 -0500 X-OriginalArrivalTime: 10 Dec 2004 15:23:01.0866 (UTC) FILETIME=[23361CA0:01C4DECC] X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 3.787 X-Spam-Level: *** (3.787) X-Spam-Flag: NO



Dear David;

It has taken awhile but I have finally finished making copies of the Jim Drew one man show. Mailings will be on Monday and you should have it before the end of the Holidays. Let me know if your address has changed.

Best Regards




Alvin Entin
Pembroke Pines, Florida
>From: "David C. Jedlinsky" <opus@MIT.EDU>
>To: aentin@hotmail.com
>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT
>Date: Wed, 13 Oct 2004 12:55:15 -0400 (EDT)
>
>Hi Alvin.
>
>Here's my address; send me yours with the tape, so I can return it.
>Do you have any detailed information about the event, or about Jim?
>Ruth could design an insert to go in the DVD case, to serve as a
>tribute.  We should also ask Andi and Jonathan for their permission
>before sending the copies out, since they are also performing on it.
>I doubt they'd object, but it's best to ask.
>
>Thanks.
>
>David Jedlinsky
>4 Foster Rd.
>Milford, NH 03055-3604
>
>
> >From: "alvin entin" <aentin@hotmail.com>
> >Date: Tue, 12 Oct 2004 12:09:26 -0400
> >
> >Hi David;
> >Thanks for the offer. I will forward this to the twins. Can you send
> >me your address so I can have them send you the master. If you make
> >DVD's and I make VHS copies we can getb through this a lot quicker.
> >
> >Alvin
> >
> >Alvin Entin
> >Pembroke Pines, Florida
> >
> >
> >
> >>From: "David C. Jedlinsky" <opus@MIT.EDU>
> >>To: aentin@hotmail.com
> >>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT
> >>Date: Tue, 12 Oct 2004 12:07:03 -0400 (EDT)
> >>
> >>Hi Alvin.
> >>
> >>My wife, Ruth, helped your sons with the videotaping of Jim at the
> >>Orlando Sing Out.  If you would like, we could take the original
> >>digital tape and convert it to DVD for anyone who would be interested
> >>in seeing it in that format.
> >>
> >>-Dave Jedlinsky
> >>Milford, New Hampshire
> >>
> >>
> >> >Date: Tue, 12 Oct 2004 11:10:19 -0400 (EDT)
> >> >From: "alvin entin" <aentin@hotmail.com>
> >> >
> >> >As some of you may recall, Jim Drew performed his one man show "
> >> >Mr. Gilbert " at the Orlando G&S Sing Out two years ago. My twin
> >> >sons, with Jims permission taped the performance ( Jim was for some
> >> >inexplicable reason fond of my boys ). Shorthly after Jim's passing
> >> >several members of his family and Savoynetters recalling that the
> >> >performance was taped requested copies of it. To my great
> >> >consternation my sons had misplaced it and we were unable to make
> >> >copies for anyone. My wife and I recently moved our home ( kids
> >> >gone-downsize time ) and during the packing we forwarded what we
> >> >thought was a great deal of "junk" to our sons who now live in
> >> >Beautiful Downtown Burbank. We recieved a call last night informing
> >> >us that the missing tape has now been found! I am having them
> >> >transfer the digital video to a VHS and then send it to me. I would
> >> >be pleased to make copies for members of Savoyney who would like
> >> >them. ( It will be a lengthy process as we are still unpacking, but I
> >> >should be able to accommodate anyone who is willing to wait ). I do
> >> >not intend to charge for the tape other then the postage. Please
> >> >respond to me privately if you would like a copy of this momento of
> >> >our dear friend, Jim Drew.
> >> >
> >> >Alvin Entin
> >> >Pembroke Pines, Florida
> >>
> >
 1, answered,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 10:53:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBAFrkF0014516; Fri, 10 Dec 2004 10:53:47 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBAFrk5w009115; Fri, 10 Dec 2004 10:53:46 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iBAFri1U005800; Fri, 10 Dec 2004 10:53:45 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iBAFrhSe006472; Fri, 10 Dec 2004 10:53:43 -0500 (EST) Date: Fri, 10 Dec 2004 10:53:41 -0500 (EST) From: "David C. Jedlinsky" To: alvin entin Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT In-Reply-To: Message-ID: References: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Dec 2004 10:53:41 -0500 (EST) From: "David C. Jedlinsky" To: alvin entin Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO Hi Alvin. Thanks for the update. My address remains the same. Are you sending any pictures or written information along with the digital tape? If so, I can use that for cover art or as supplemental material on the DVDs. Thanks. -Dave On Fri, 10 Dec 2004, alvin entin wrote: > > > > Dear David; > > It has taken awhile but I have finally finished making copies of the Jim > Drew one man show. Mailings will be on Monday and you should have it > before the end of the Holidays. Let me know if your address has changed. > > Best Regards > > > > > Alvin Entin > Pembroke Pines, Florida > >From: "David C. Jedlinsky" > >To: aentin@hotmail.com > >Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT > >Date: Wed, 13 Oct 2004 12:55:15 -0400 (EDT) > > > >Hi Alvin. > > > >Here's my address; send me yours with the tape, so I can return it. > >Do you have any detailed information about the event, or about Jim? > >Ruth could design an insert to go in the DVD case, to serve as a > >tribute. We should also ask Andi and Jonathan for their permission > >before sending the copies out, since they are also performing on it. > >I doubt they'd object, but it's best to ask. > > > >Thanks. > > > >David Jedlinsky > >4 Foster Rd. > >Milford, NH 03055-3604 > > > > > > >From: "alvin entin" > > >Date: Tue, 12 Oct 2004 12:09:26 -0400 > > > > > >Hi David; > > >Thanks for the offer. I will forward this to the twins. Can you send > > >me your address so I can have them send you the master. If you make > > >DVD's and I make VHS copies we can getb through this a lot quicker. > > > > > >Alvin > > > > > >Alvin Entin > > >Pembroke Pines, Florida > > > > > > > > > > > >>From: "David C. Jedlinsky" > > >>To: aentin@hotmail.com > > >>Subject: Re: JIM DREW'S ONE MAN SHOW--MR. GILBERT > > >>Date: Tue, 12 Oct 2004 12:07:03 -0400 (EDT) > > >> > > >>Hi Alvin. > > >> > > >>My wife, Ruth, helped your sons with the videotaping of Jim at the > > >>Orlando Sing Out. If you would like, we could take the original > > >>digital tape and convert it to DVD for anyone who would be interested > > >>in seeing it in that format. > > >> > > >>-Dave Jedlinsky > > >>Milford, New Hampshire > > >> > > >> > > >> >Date: Tue, 12 Oct 2004 11:10:19 -0400 (EDT) > > >> >From: "alvin entin" > > >> > > > >> >As some of you may recall, Jim Drew performed his one man show " > > >> >Mr. Gilbert " at the Orlando G&S Sing Out two years ago. My twin > > >> >sons, with Jims permission taped the performance ( Jim was for some > > >> >inexplicable reason fond of my boys ). Shorthly after Jim's passing > > >> >several members of his family and Savoynetters recalling that the > > >> >performance was taped requested copies of it. To my great > > >> >consternation my sons had misplaced it and we were unable to make > > >> >copies for anyone. My wife and I recently moved our home ( kids > > >> >gone-downsize time ) and during the packing we forwarded what we > > >> >thought was a great deal of "junk" to our sons who now live in > > >> >Beautiful Downtown Burbank. We recieved a call last night informing > > >> >us that the missing tape has now been found! I am having them > > >> >transfer the digital video to a VHS and then send it to me. I would > > >> >be pleased to make copies for members of Savoyney who would like > > >> >them. ( It will be a lengthy process as we are still unpacking, but > I > > >> >should be able to accommodate anyone who is willing to wait ). I do > > >> >not intend to charge for the tape other then the postage. Please > > >> >respond to me privately if you would like a copy of this momento of > > >> >our dear friend, Jim Drew. > > >> > > > >> >Alvin Entin > > >> >Pembroke Pines, Florida > > >> > > > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 13:30:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBAIT7F6007706; Fri, 10 Dec 2004 13:30:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBAIP63k018068 for ; Fri, 10 Dec 2004 13:25:07 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBAIOxTJ029029; Fri, 10 Dec 2004 13:24:59 -0500 (EST) Date: Fri, 10 Dec 2004 13:24:59 -0500 (EST) Message-Id: <41B9E936.3090904@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Contrabandista: Score and Recording MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Dec 2004 13:24:59 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Contrabandista: Score and Recording X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: 6.205 X-Spam-Level: ****** (6.205) X-Spam-Flag: NO The new recording of THE CONTRABANDISTA has already received plenty of comment, so I will just add a brief note of approval. It is an excellent recording, very capably sung. You'll either love Richard Suart's Grigg or hate it, but his musicianship is first-rate, including several strong top G's that are well above anything he has to sing in his "usual" roles. I've listened to the recording three times--following twice with the vocal score, and once with the new full score that Amber Ring has recently issued. The work has grown on me. Even as early as 1867, Sullivan's dramatic instincts are nearly infallible. The present orchestration, dating from an 1874 revision, is full of little surprises. Even non-G&S specialists will enjoy listening, and I hope the recording gets some attention in the mainstream classical music press. The second act of THE CONTRABANDISTA seems to me distinctly inferior. Part of the fault lies with Burnand: the plot practically stalls while we await the deus ex machina that ends the story. As we so often find in Sullivan's works, when the story loses focus, so does the composer. Mind you, Act II has its moments of interest, but it lacks the sustained inspiration of the first. Perhaps it's not surprising that when Burnand and Sullivan revised the work in 1894 as THE CHIEFTAIN, they jettisoned their original second act. Fortunately, the second act is fairly brief. For an amateur group looking to branch out, THE CONTRABANDISTA is a good place to look. A double-bill with TRIAL BY JURY would probably be the best way to present it, as CONTRABANDISTA by itself is considerably shorter than the typical G&S two-acter. Also, the chorus has very little to do in CONTRABANDISTA, and including TRIAL on the bill would make it worth their while. The two critical roles are Grigg and Inez. Grigg is very much the precursor to the patter baritone, but as I mentioned previously, he must have a solid top G, placing his tessitura above that of the Grossmith roles. Inez is a contralto, but with more exposed solo and ensemble work than some of the contraltos in the G&S works. If you don't have a very strong contralto, you should not perform THE CONTRABANDISTA. Another point worth noting is that the orchestra absolutely requires two percussionists, whereas most of the G&S works can be performed easily with just one. For the recent recording, Robin Gordon-Powell prepared an edition of the full score. This is Gordon-Powell's fourth major Sullivan edition, and once again he has done a superb job. A facsimile edition of the original vocal score is available from Raymond Walker, but it's a strain on the eyes after you've spent an hour with Gordon-Powell's clean new edition. Let's hope that Gordon-Powell produces a companion vocal score before long. My only criticism of Gordon-Powell is that he omitted the dialogue. This was once the convention, but most Sullivan opera scores published in the last decade or so have included it, and it wouldn't have added more than a handful of pages to the score. Perhaps this omission will be corrected if Gordon-Powell publishes a vocal score. Full congratulations to Hyperion Records, Robin Gordon-Powell, and the Sir Arthur Sullvain Society. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 15:08:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBAK8qF0028648; Fri, 10 Dec 2004 15:08:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBAK8mpo024130 for ; Fri, 10 Dec 2004 15:08:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBAK8ZTJ000210; Fri, 10 Dec 2004 15:08:35 -0500 (EST) Date: Fri, 10 Dec 2004 15:08:35 -0500 (EST) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B03E9F971@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: RE: Paraphrase exercise MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Dec 2004 15:08:35 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: RE: Paraphrase exercise X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO I find that the best way (for me, anyway) to avoid mis-memorizing is to read the play. Actors trying to get off book fall into the habit of only using the script to provide their cues. You know, cover the page with one's hand and slowly "scroll" down reading the cue and saying the line. Of course, practice only makes permanent, not perfect, so I try to simply read the play a few times a week in addition to memorizing and it has done wonders in helping me to correct my mis-memorizations. Right now I'm working on "The Man Who Came to Dinner." I'm playing Maggie, which I've done twice before. (In the DC area, if I'm not cast as Maggie the producers have to get my signature on a bunch of waivers and permissions. Or so they think, thank goodness.) The show was written in the late 30s and is full, full, full of obsolete references, so I put together a list of all of them for the cast and staff, because even if the audience doesn't know who Charley Ross is, they'll get the joke if the actor knows. One night of deliberate paraphrasing won't undo real memorization and it sounds like a good way to make sure that everyone is on the same page Leta Hall Aspen Hill, Maryland http://letahall.blogspot.com/ --- Larry Byler wrote: > It may work well for pros, but I'm afraid in the amateur side of > things it may promote just the opposite effect from that intended -- > namely making it more likely that a principal will replace 's > words with the paraphrase during a performance.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 15:30:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBAKUUF0010681; Fri, 10 Dec 2004 15:30:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBAKURqv029498 for ; Fri, 10 Dec 2004 15:30:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBAKUETJ000766; Fri, 10 Dec 2004 15:30:14 -0500 (EST) Date: Fri, 10 Dec 2004 15:30:14 -0500 (EST) Message-Id: <41BA04DD.8030101@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The Nautch Girl MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Dec 2004 15:30:14 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The Nautch Girl X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.095 X-Spam-Flag: NO Clifton Coles posted about Scott Farrell's recording of The Nautch Girl, plus excerpts from A Princess of Kensington. Cliff gave a much more detailed review than I can, but I'll just add a few comments. This recording reminded me of what one might hear at an informal Sing-Out, with the performances being more polished than sight-reading, but less polished than a full production. The recording gives a good idea of the delights these operas have to offer, if one has the patience to look past some uneven performances. Overall, it is the men who come off slightly better than the women. I agree with Cliff that the choral passages are problematic, while the solo and ensemble numbers are all presented at least competently. Cliff found fault with the pianist, but I found the accompanying consistently solid. Unfortunately, the microphone placement gave the piano a bit too much prominence, to the soloists' occasional disadvantage. The recording is worth a listen, but these works still await the full professional recordings they deserve. -- Marc Shepherd New York, NY  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 10 Dec 2004 16:13:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBALDZF0002823; Fri, 10 Dec 2004 16:13:36 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBALDPqv020323; Fri, 10 Dec 2004 16:13:25 -0500 (EST) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id iBALDXJK023964 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NO) for ; Fri, 10 Dec 2004 16:13:11 -0500 (EST) Received: from localhost (opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) with ESMTP id iBALDXJg008398 for ; Fri, 10 Dec 2004 16:13:11 -0500 (EST) Date: Fri, 10 Dec 2004 16:13:11 -0500 (EST) From: opus@ipnh.com To: party@marco.ipnh.com Subject: New Year's Eve Party Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 10 Dec 2004 16:13:11 -0500 (EST) From: opus@ipnh.com To: party@marco.ipnh.com Subject: New Year's Eve Party X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.74 X-Spam-Flag: NO You're invited to Dave and Ruth's annual New Year Party. Come spend the evening playing games, watching movies, and chatting with friends. If you'd like alcohol, feel free to bring some plus a bit to share. We'll provide munchies, drinks, some games (but feel free to bring others), a large television, and many DVDs available to watch. Be warned that there is a cat in the house and that the television will be tuned to the ball dropping at midnight. Attendees can vote which movies to watch. One unusual request on our part is for RSVPs if you're coming. We're driving home from Florida a few days before and if for some reason we don't make it home in time for our own party, we would like to send a message to the people planning on coming to the party. If you don't manage to RSVP but decide to come at the last minute, phone us first to be sure we're back (Ruth's Cell # is 617-803-4192 and our home # is 603-672-5442). Place: Toyland, Milford, NH, For directions see below Date: Dec. 31, 2004 (of course) Time: 7pm until people decide to leave If you'd like to spend the night, please let us know in advance so we can be sure we have enough beds set up. --Directions-- From Boston: Take I-93 North to I-495 South to Route 3 North. Alternately, you can take I-93 North to Route 128 South to Route 3 North. The key is to get to Route 3 North. Drive until you find New Hampshire. Continue below. From New Hampshire: Find your way to Route 3 in Nashua. Go to exit 7 or 8 (Route 101A West) - it doesn't matter which, except that exit 8 misses some lights. Follow 101A West for several miles. Just after you cross route 122 (and some railroad tracks), take Route 101 West (second left, towards Milford). Go down one exit, get off at Route 13. Turn left at the bottom of the ramp. Go a little less than a mile, look for Colburn Rd. on your left, just after the Milford Technology Center (also on the left). If you see a garden center or Ladd's convenience store, you've gone too far. End Game: Turn onto Colburn. Drive to the end (about 2 miles). Turn right onto Foster Road. Number 4 is the last driveway on the right just before the road turns into dirt (which might be hard to notice if there's snow). There is only a mailbox with a "4" on it to let you know you've found the place. The house is *definitely* not visible from the road. Yes, the long road you just turned onto is in fact our driveway. Yes, it is only partially paved. Drive slowly over the dirt parts. If it has rained recently, buy pontoons. Don't hit the occasional reflectors, or you will be unhappy. They mark hazards. You can't miss the house once you're on the driveway... Alternate Directions for the Adventurous, or those wishing to avoid an overturned tanker truck on Route 3: These directions are for people heading out from the Alewife area, or those who live in the Concord/Acton/Sudbury area. The estimated time from Medford to Milford is about one hour using the following route. Note that the roads try to lose you occasionally - pay attention to road signs, and really make that hard left at the lights if the sign says to do so. Head out on Route 2 West. Go past 128, into no-man's land (west of the belt). Drive out into Concord, until you reach a big rotary by the prison (sorry, House of Correction). Spin off on the 2A/119 road. Follow Route 119 for a *long* time, about half an hour or more. During this time, you will pass over route 495 in Littleton. Eventually, you'll reach Townsend. Look for signs indicating Route 13. Take Route 13 North. Drive for about fifteen minutes. You will pass Route 130 on the way (landmark to make you start paying attention). After about four miles past 130, look for "Ladd's" market on the left. About one mile after that, Colburn Road will be on your right. If you come across the Milford Technology Center on the right, or Route 101 further on, you've gone too far. Turn around and look for Colburn on the left this time. When you get to Colburn, follow the directions under "End Game", above.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 11 Dec 2004 00:55:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBB5tHF0002553; Sat, 11 Dec 2004 00:55:17 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [66.30.116.169]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBB5nRPC016726; Sat, 11 Dec 2004 00:49:27 -0500 (EST) Received: from localhost (circe [127.0.0.1]) by circe.portnoy.org (Postfix) with ESMTP id 150BAC094; Sat, 11 Dec 2004 00:49:19 -0500 (EST) Received: from circe.portnoy.org ([127.0.0.1]) by localhost (circe [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 20636-04; Sat, 11 Dec 2004 00:49:12 -0500 (EST) Received: by circe.portnoy.org (Postfix, from userid 6762) id 20B5AC093; Sat, 11 Dec 2004 00:49:12 -0500 (EST) To: Aaron Moronez , Alice Shiang-Ru Tsay , Bill Andrews , "Gabrielle L. Frame" , Caitlin Shindler , Caitlin Smythe , Cinda Anne Rousculp , Dana Ozik , David Jedlinsky , Derek Herrera , Edmund Golaski , Heather Brundage , Jamez Kirtley , Jeff and Kristin Suess , "Jennifer M. Braun" , Jon Wetzel , Kristin Hughes , Lina Gomes , "Elizabeth K. Zakszewski" , Marissa Jacovich , Mike Rolish , Mary Linton Peters , Monty , "Nicolina A. Akraboff" , "Eleanor M. Pritchard" , Pete Chambers , Rogue Shindler , "Stephanie S. Cavagnaro-Wong" , Steven Flowers , Stephen Peters , Todd Radford , TR Jordan , "Welkin H. Pope" Subject: An invitation: SW:ME Celebration Reply-To: Stephen Peters , Rogue Shindler , Jax Kirtley From: Stephen Peters Date: Sat, 11 Dec 2004 00:49:12 -0500 Message-ID: User-Agent: Gnus/5.1002 (Gnus v5.10.2) Emacs/21.2 (gnu/linux) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Virus-Scanned: by amavisd-new-20030616-p3 (Debian) at portnoy.org X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Aaron Moronez , Alice Shiang-Ru Tsay , Bill Andrews , "Gabrielle L. Frame" , Caitlin Shindler , Caitlin Smythe , Cinda Anne Rousculp , Dana Ozik , David Jedlinsky , Derek Herrera , Edmund Golaski , Heather Brundage , Jamez Kirtley , Jeff and Kristin Suess , "Jennifer M. Braun" , Jon Wetzel , Kristin Hughes , Lina Gomes , "Elizabeth K. Zakszewski" , Marissa Jacovich , Mike Rolish , Mary Linton Peters , Monty , "Nicolina A. Akraboff" , "Eleanor M. Pritchard" , Pete Chambers , Rogue Shindler , "Stephanie S. Cavagnaro-Wong" , Steven Flowers , Stephen Peters , Todd Radford , TR Jordan , "Welkin H. Pope" Subject: An invitation: SW:ME Celebration Reply-To: Stephen Peters , Rogue Shindler , Jax Kirtley From: Stephen Peters Date: Sat, 11 Dec 2004 00:49:12 -0500 X-Virus-Scanned: by amavisd-new-20030616-p3 (Debian) at portnoy.org X-Scanned-By: MIMEDefang 2.42 X-Spam-Score: -4.9 X-Spam-Flag: NO [Some of the people who are receiving this mail already know about this; my apologies for duplicating information -- we wanted everyone who was being invited to know who else was on the list.] As most of you know, the Guild put on a production of "Star Wars: Musical Edition" in IAP of 2003, written by Rogue Shindler and Jeff Suess, and orchestrated by Stephen Peters. The show, for those of you who didn't get a chance to see it, was essentially a retelling of the first Star Wars film, peppered with song parodies borrowed mostly from Broadway standards, giving us such marvelous tunes as "I am I, Ben Kenobi," and "Don't Cry For Me, Princess Leia." The cast involved had a grand time, and it was well received by the public. That's the history. Now for the crazy part. LucasFilm has contacted the three of us and asked for SW:ME to be performed, for five live shows, at the 3rd Star Wars Celebration convention in Indianapolis, from April 21st through 24th. We'll be playing to crowds of rabid Star Wars fans, in a hall that could hold up to 2500 people. They're giving us a budget that is fairly generous, and will include hotel rooms and convention passes. We'll be using part of the budget for bus transportation as well, so people who wish to join the cast will not need to worry about any finances beyond feeding themselves. We're still working with LucasFilm to iron out the final arrangements, but this is now looking like its going to happen. However, we'll need cast members. And that's why we're sending this to all of you, and hoping that you'll be interested in joining us in this unique opportunity. All of you are people we have worked with and believe` would fit in well with the demands of this production. Although we're trying to bring back many of the cast members of the original production, this is not a Guild show. We will be doing our utmost to avoid conflicts with the Guild's rehearsals and show dates, so people planning to work on Company will not be inconvenienced. Also, although many of the leads have already been approached, there are still some larger parts that are not yet assigned, and we'll be trying to promote people into those parts after we know who's available to do the show. Please let us know if you're only willing to come if you have such a larger part; we can take that into consideration. Be warned that dedicated crew will be minimal; we'll expect cast members to act like crew members backstage, assisting with what are likely to be extensive costume, makeup, and prop changes. And because of the show dates and transportation time, it could mean missing up to four days of classes or work. Please take some time to think about it, examine what you know about your commitments for next term and especially for mid-April, and then get back to us, hopefully before you leave for the holidays. See http://starwars.portnoy.org/celebration/ for more detailed information on tentative rehearsal schedules, travel, script, etc. Please send us email if you have any questions about, really, anything. Thank you for listening, and we hope to hear from (and work with) you all soon. -- Stephen Peters and Rogue Shindler Music Director and Director of SW:ME (Celebration)  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 11 Dec 2004 12:28:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBBHSoF0007726; Sat, 11 Dec 2004 12:28:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBBHSmK7014858 for ; Sat, 11 Dec 2004 12:28:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBBHSfTJ013537; Sat, 11 Dec 2004 12:28:42 -0500 (EST) Date: Sat, 11 Dec 2004 12:28:41 -0500 (EST) Message-Id: <20041211170823.4021.qmail@web14521.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: NODA sale of libretti and vocal scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41BA04DD.8030101@cris.com> X-Spam-Score: 0.182 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 11 Dec 2004 12:28:41 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: NODA sale of libretti and vocal scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <41BA04DD.8030101@cris.com> X-Spam-Score: 0.182 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 A couple of years ago I mentioned on Savoynet that NODA (the National Operatic & Dramatic Association, http://www.noda.org.uk) was selling vocal scores of old comic operas and operettas for £9.95 each. They are now selling off their Archive stock at reduced prices. Most libretti cost only £1.00, and most scores are available from £1.00 to £1.50, though for some they are charging the outrageous price of £2.50 (maybe they’re in better condition). Some caveats: some of the items listed on their web site are no longer available, so be prepared for disappointment; and the condition of these libretti and scores is, as they say, "variable"--some of those I got were quite nice, others extremely tatty; also, many scores are rebound without their original covers (which makes them less "collectable" but easier to use), and the web site doesn’t identify the publishers of the scores. But I was very happy with the items I received. There is apparently a surcharge for using a credit card, so those who can pay with a cheque in sterling may want to do so; and shipping over the pond costs more than the scores themselves, even if you request surface mail, as I did. You can link to their archive stock through: http://www.noda.org.uk/store/acatalog/NODA_Sales_Archive_1.html The libretti they list, in addition to the usual suspects (Trial by Jury, HMS Pinafore, Patience, Iolanthe, Mikado, Ruddigore, Yeomen, Gondoliers), include: Haddon Hall The Emerald Isle Merrie England and Tom Jones (Edward German comic operas) Engaged (the 1960’s Rowell-Mobbs musical adaptation of Gilbert’s play) Tarantara! Tarantara! (by Ian Taylor) The vocal scores, in addition to G&S scores (Trial by Jury, Sorcerer, Pinafore, Patience, Iolanthe, Princess Ida, Mikado, Ruddigore, Yeomen, Gondoliers, Utopia Ltd.), include: Cox and Box The Zoo Engaged (see above) The Savoyards (opera about Gilbert, Sullivan, and D’Oyly Carte, with music adapted from Sullivan) Dorothy (Alfred Cellier and B.C. Stephenson) Tom Jones (see above) Willow Pattern and Young England (lyrics by Basil Hood) These are not all rarities, but the price can’t be beat. There are also scores of scores and some libretti for early operettas and musicals (Victor Herbert, Kern, etc.), and some more recent musicals. Happy hunting to anyone who’s interested! Arthur Robinson __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 12 Dec 2004 22:14:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBD3EIF0024635; Sun, 12 Dec 2004 22:14:19 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBD3EBsk025341 for ; Sun, 12 Dec 2004 22:14:11 -0500 (EST) Received: from web52609.mail.yahoo.com (web52609.mail.yahoo.com [206.190.39.147]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id iBD3EWJJ017084 for ; Sun, 12 Dec 2004 22:14:10 -0500 (EST) Received: (qmail 91369 invoked by uid 60001); 13 Dec 2004 03:14:05 -0000 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=0a2WGsXXWZycm4j8PFut1DgbWitO8pVmiDuBkBVWqeQ/YpxJAdnW36qHlcI82AQaavuTyK9Gz7V8WAFxjsvBFjvCxO1D7X4RhlhzJ570UhXAU4Dh2jr6oAO9MQCVc6M4Zbz38gXYDHKQwdn1moR/Fwc51CFDsd7a/WafUulb010= ; Message-ID: <20041213031405.91361.qmail@web52609.mail.yahoo.com> Received: from [67.85.218.110] by web52609.mail.yahoo.com via HTTP; Sun, 12 Dec 2004 19:14:05 PST Date: Sun, 12 Dec 2004 19:14:05 -0800 (PST) From: Brad Timmers Subject: "Wicked" this week To: bkdr@ipnh.com Cc: Kendell Timmers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=0a2WGsXXWZycm4j8PFut1DgbWitO8pVmiDuBkBVWqeQ/YpxJAdnW36qHlcI82AQaavuTyK9Gz7V8WAFxjsvBFjvCxO1D7X4RhlhzJ570UhXAU4Dh2jr6oAO9MQCVc6M4Zbz38gXYDHKQwdn1moR/Fwc51CFDsd7a/WafUulb010= ; Date: Sun, 12 Dec 2004 19:14:05 -0800 (PST) From: Brad Timmers Subject: "Wicked" this week To: bkdr@ipnh.com Cc: Kendell Timmers X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hi, Dave & Ruth! Can't wait to see you guys this Thursday for "Wicked"! I guess we should start nailing some of the logistics down, now that the date is almost upon us... As you know, I'll be in Manhattan and can meet you guys anywhere in the city you want after I get off work at 6:00. Kendell will need more time to meet up with us: she'll be coming from Princeton, NJ, by train. She's planning on getting off work at 5:30 that day; she probably won't make it to Penn Station until 6:30 or 7, so she'll meet us at the theater. After the show, I figure we'll all take the train down to New Brunswick. If you're driving down to New York, though, perhaps we can all pile in your car? :) Kendell and I have to go to work Friday, but you and your friend are welcome to stick around at our place all day if you like. Your friend may want to bring a sleeping bag if she has one -- we have some extra bedding, but no extra mattress, and our floor is uncarpeted, so we don't want her to wake up the next day black and blue. (You guys will be on the futon, of course.) Brad __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 13 Dec 2004 15:18:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBDKIlF0012068; Mon, 13 Dec 2004 15:18:47 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBDKIj7Q005614 for ; Mon, 13 Dec 2004 15:18:46 -0500 (EST) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id iBDKJ7JK023320 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NO) for ; Mon, 13 Dec 2004 15:18:45 -0501 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBDKIgfI023806; Mon, 13 Dec 2004 15:18:42 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iBDKIdmM005299; Mon, 13 Dec 2004 15:18:40 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iBDKIdJX022743; Mon, 13 Dec 2004 15:18:39 -0500 (EST) Date: Mon, 13 Dec 2004 15:18:38 -0500 (EST) From: "David C. Jedlinsky" To: Brad Timmers cc: bkdr@ipnh.com, Kendell Timmers Subject: Re: "Wicked" this week In-Reply-To: <20041213031405.91361.qmail@web52609.mail.yahoo.com> Message-ID: References: <20041213031405.91361.qmail@web52609.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 13 Dec 2004 15:18:38 -0500 (EST) From: "David C. Jedlinsky" To: Brad Timmers cc: bkdr@ipnh.com, Kendell Timmers Subject: Re: "Wicked" this week In-Reply-To: <20041213031405.91361.qmail@web52609.mail.yahoo.com> X-Spam-Score: -4.345 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Does Kendell have two email addresses, or should I be updating the bkdr alias to point to the gmail one? We're planning on driving down and doing some shopping in Manhattan before we meet. We could either meet you near where you get off work (Wall St. area, right?), or we could meet closer to the theater (222 West 51st St.). Penn Station is around West 31st St., so maybe we could meet Kendell there and head up the 20 blocks together? We'll probably try to find a parking garage near the theater, so it'll be easier to leave after the show. We'll take the subway or walk after dumping the car. And yes, you can pile into the car instead of taking the train home. I had told our friend (Rebecca) that you didn't have much space in your apartment, so she made arrangements to stay with a friend in the city. The only other logistical question is whether you have any weekend plans. We hadn't really thought terribly far ahead, and are flexible on when we need to head back home. We can do it Friday during the day if you guys are booked, or we can stay if you'd like. -Dave On Sun, 12 Dec 2004, Brad Timmers wrote: > Hi, Dave & Ruth! > > Can't wait to see you guys this Thursday for "Wicked"! I > guess we should start nailing some of the logistics down, > now that the date is almost upon us... > > As you know, I'll be in Manhattan and can meet you guys > anywhere in the city you want after I get off work at 6:00. > Kendell will need more time to meet up with us: she'll be > coming from Princeton, NJ, by train. She's planning on > getting off work at 5:30 that day; she probably won't make > it to Penn Station until 6:30 or 7, so she'll meet us at > the theater. > > After the show, I figure we'll all take the train down to > New Brunswick. If you're driving down to New York, though, > perhaps we can all pile in your car? :) > > Kendell and I have to go to work Friday, but you and your > friend are welcome to stick around at our place all day if > you like. Your friend may want to bring a sleeping bag if > she has one -- we have some extra bedding, but no extra > mattress, and our floor is uncarpeted, so we don't want her > to wake up the next day black and blue. (You guys will be > on the futon, of course.) > > Brad > > > > __________________________________ > Do you Yahoo!? > Take Yahoo! Mail with you! Get it on your mobile phone. > http://mobile.yahoo.com/maildemo >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 13 Dec 2004 17:54:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBDMs1FC003012; Mon, 13 Dec 2004 17:54:15 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.194]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBDMrKXZ028204 for ; Mon, 13 Dec 2004 17:53:20 -0500 (EST) Received: by rproxy.gmail.com with SMTP id a41so1053759rng for ; Mon, 13 Dec 2004 14:53:19 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:cc:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=dU3GZ2o0YVzA1f3Oa81wBZzifbO/9ijqjzEWLPcouI3B5Q2PzXcdok+dsnBCMeEGvTTPDTUQTlY0tERLcybLyJ7shi92w9sfQTiY/YXDqggpiKVuylzMmI4boCY1Z2/pL/oZ6FkII/3Gdj8ot4ibkVhXJfsPkt3nKAaOmbZjvYM= Received: by 10.38.90.75 with SMTP id n75mr3018271rnb; Mon, 13 Dec 2004 14:53:19 -0800 (PST) Received: by 10.38.161.11 with HTTP; Mon, 13 Dec 2004 14:53:19 -0800 (PST) Message-ID: Date: Mon, 13 Dec 2004 17:53:19 -0500 From: Kendell Timmers Reply-To: Kendell Timmers To: "David C. Jedlinsky" Subject: Re: "Wicked" this week Cc: Brad Timmers , bkdr@ipnh.com In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <20041213031405.91361.qmail@web52609.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:cc:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=dU3GZ2o0YVzA1f3Oa81wBZzifbO/9ijqjzEWLPcouI3B5Q2PzXcdok+dsnBCMeEGvTTPDTUQTlY0tERLcybLyJ7shi92w9sfQTiY/YXDqggpiKVuylzMmI4boCY1Z2/pL/oZ6FkII/3Gdj8ot4ibkVhXJfsPkt3nKAaOmbZjvYM= Date: Mon, 13 Dec 2004 17:53:19 -0500 From: Kendell Timmers Reply-To: Kendell Timmers To: "David C. Jedlinsky" Subject: Re: "Wicked" this week Cc: Brad Timmers , bkdr@ipnh.com In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Dave et al, I am impressed that you noticed the dual addresses. Most people never look at that. I am most likely to get my mail if you send it to ktimmers@gmail.com or ktimmers@alum.mit.edu (which points to the gmail address). As for the logistics, I think you can pretty much count me out of any pre-theater plans based on the lateness of the hour in which I'll be rolling in to NYC. I hope to be at the theater at 7:30 so that nobody will have to wait out to give me my ticket. I am not the type to arrive at 8:10 after Act I has started, so you don't need to worry about that, but I don't think you can count on walking to the theater with me. Our weekend plans are thus - we have to meet my family for a dinner on Saturday evening, and we both have to work during the day on Friday. You are welcome to stay over Friday and Saturday nights, but you'll only be able to see us Friday night and Saturday until about 3:30 p.m. Sorry our schedules are so crunched - normally I'd try and take Friday off since I have a lot of vacation time, but this week is super-crunched. Let us know what your plans are - we can't wait to see you (and Wicked!) soon. Kendell On Mon, 13 Dec 2004 15:18:38 -0500 (EST), David C. Jedlinsky wrote: > > Does Kendell have two email addresses, or should I be updating the bkdr > alias to point to the gmail one? > > We're planning on driving down and doing some shopping in Manhattan before > we meet. We could either meet you near where you get off work (Wall St. > area, right?), or we could meet closer to the theater (222 West 51st St.). > Penn Station is around West 31st St., so maybe we could meet Kendell there > and head up the 20 blocks together? > > We'll probably try to find a parking garage near the theater, so it'll be > easier to leave after the show. We'll take the subway or walk after > dumping the car. And yes, you can pile into the car instead of taking the > train home. > > I had told our friend (Rebecca) that you didn't have much space in your > apartment, so she made arrangements to stay with a friend in the city. > > The only other logistical question is whether you have any weekend plans. > We hadn't really thought terribly far ahead, and are flexible on when we > need to head back home. We can do it Friday during the day if you guys > are booked, or we can stay if you'd like. > > -Dave > > > > > On Sun, 12 Dec 2004, Brad Timmers wrote: > > > Hi, Dave & Ruth! > > > > Can't wait to see you guys this Thursday for "Wicked"! I > > guess we should start nailing some of the logistics down, > > now that the date is almost upon us... > > > > As you know, I'll be in Manhattan and can meet you guys > > anywhere in the city you want after I get off work at 6:00. > > Kendell will need more time to meet up with us: she'll be > > coming from Princeton, NJ, by train. She's planning on > > getting off work at 5:30 that day; she probably won't make > > it to Penn Station until 6:30 or 7, so she'll meet us at > > the theater. > > > > After the show, I figure we'll all take the train down to > > New Brunswick. If you're driving down to New York, though, > > perhaps we can all pile in your car? :) > > > > Kendell and I have to go to work Friday, but you and your > > friend are welcome to stick around at our place all day if > > you like. Your friend may want to bring a sleeping bag if > > she has one -- we have some extra bedding, but no extra > > mattress, and our floor is uncarpeted, so we don't want her > > to wake up the next day black and blue. (You guys will be > > on the futon, of course.) > > > > Brad > > > > > > > > __________________________________ > > Do you Yahoo!? > > Take Yahoo! Mail with you! Get it on your mobile phone. > > http://mobile.yahoo.com/maildemo > > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 14 Dec 2004 09:03:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBEE39F0009938; Tue, 14 Dec 2004 09:03:10 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBEE37SM004505 for ; Tue, 14 Dec 2004 09:03:07 -0500 (EST) Received: from web52601.mail.yahoo.com (web52601.mail.yahoo.com [206.190.39.139]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id iBEE3TJJ002457 for ; Tue, 14 Dec 2004 09:03:07 -0500 (EST) Received: (qmail 58707 invoked by uid 60001); 14 Dec 2004 14:03:02 -0000 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=fsnvdSC9EsaxUEvPdu+kXN73WXdPbm94T1PVBaabHwybbpDKFE/6o3yx6Si+4aSljFcNt2tcBoZ910veXAq0VylPr18rNrSTFpiw+RmFU4lGVPthV0XCPd1RjqAiIpAU2Sx6J9eQ6ZBvB15hg4o+NBwQ/Kacc1X0RizeKKsUO0s= ; Message-ID: <20041214140301.58705.qmail@web52601.mail.yahoo.com> Received: from [38.117.230.234] by web52601.mail.yahoo.com via HTTP; Tue, 14 Dec 2004 06:03:01 PST Date: Tue, 14 Dec 2004 06:03:01 -0800 (PST) From: Brad Timmers Subject: Re: "Wicked" this week To: bkdr@ipnh.com Cc: Kendell Timmers In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=fsnvdSC9EsaxUEvPdu+kXN73WXdPbm94T1PVBaabHwybbpDKFE/6o3yx6Si+4aSljFcNt2tcBoZ910veXAq0VylPr18rNrSTFpiw+RmFU4lGVPthV0XCPd1RjqAiIpAU2Sx6J9eQ6ZBvB15hg4o+NBwQ/Kacc1X0RizeKKsUO0s= ; Date: Tue, 14 Dec 2004 06:03:01 -0800 (PST) From: Brad Timmers Subject: Re: "Wicked" this week To: bkdr@ipnh.com Cc: Kendell Timmers In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hi Dave & Ruth, I actually don't work near Wall Street anymore -- I've moved to an office near Union Square. It's on Fifth Avenue, between 15th and 16th Streets, if you're curious. But in any event, I can come meet you guys anywhere you want -- we don't have to meet near my office. I'm sorry that our weekend has ended up being rather cluttered with stuff. In addition to Kendell's and my going to work on Friday, and our going to a dinner in Pennsylvania on Saturday evening with her family, I will have to do some Dana-Farber stuff Friday evening as well. It's pretty low-intensity stuff, the kind I can easily do while hanging out with people: you know, starting a job running every five to ten minutes, and waiting around for it to grind its way to completion. So you're more than welcome to hang out with us Friday night. Also, if you'd like to use our place as a base of operations for further forays into New York, by all means, go for it! Hopefully we can meet up with you guys sometime again soon in 2005 when we don't have any other competing claims to our time. Again, we're really looking forward to seeing you again! Brad --- Kendell Timmers wrote: > Dave et al, > > I am impressed that you noticed the dual addresses. Most > people never > look at that. I am most likely to get my mail if you > send it to > ktimmers@gmail.com or ktimmers@alum.mit.edu (which points > to the gmail > address). > > As for the logistics, I think you can pretty much count > me out of any > pre-theater plans based on the lateness of the hour in > which I'll be > rolling in to NYC. I hope to be at the theater at 7:30 > so that nobody > will have to wait out to give me my ticket. I am not the > type to > arrive at 8:10 after Act I has started, so you don't need > to worry > about that, but I don't think you can count on walking to > the theater > with me. > > Our weekend plans are thus - we have to meet my family > for a dinner on > Saturday evening, and we both have to work during the day > on Friday. > You are welcome to stay over Friday and Saturday nights, > but you'll > only be able to see us Friday night and Saturday until > about 3:30 p.m. > Sorry our schedules are so crunched - normally I'd try > and take Friday > off since I have a lot of vacation time, but this week is > super-crunched. > > Let us know what your plans are - we can't wait to see > you (and Wicked!) soon. > > Kendell > > On Mon, 13 Dec 2004 15:18:38 -0500 (EST), David C. > Jedlinsky > wrote: > > > > Does Kendell have two email addresses, or should I be > updating the bkdr > > alias to point to the gmail one? > > > > We're planning on driving down and doing some shopping > in Manhattan before > > we meet. We could either meet you near where you get > off work (Wall St. > > area, right?), or we could meet closer to the theater > (222 West 51st St.). > > Penn Station is around West 31st St., so maybe we could > meet Kendell there > > and head up the 20 blocks together? > > > > We'll probably try to find a parking garage near the > theater, so it'll be > > easier to leave after the show. We'll take the subway > or walk after > > dumping the car. And yes, you can pile into the car > instead of taking the > > train home. > > > > I had told our friend (Rebecca) that you didn't have > much space in your > > apartment, so she made arrangements to stay with a > friend in the city. > > > > The only other logistical question is whether you have > any weekend plans. > > We hadn't really thought terribly far ahead, and are > flexible on when we > > need to head back home. We can do it Friday during the > day if you guys > > are booked, or we can stay if you'd like. > > > > -Dave > > > > > > > > > > On Sun, 12 Dec 2004, Brad Timmers wrote: > > > > > Hi, Dave & Ruth! > > > > > > Can't wait to see you guys this Thursday for > "Wicked"! I > > > guess we should start nailing some of the logistics > down, > > > now that the date is almost upon us... > > > > > > As you know, I'll be in Manhattan and can meet you > guys > > > anywhere in the city you want after I get off work at > 6:00. > > > Kendell will need more time to meet up with us: > she'll be > > > coming from Princeton, NJ, by train. She's planning > on > > > getting off work at 5:30 that day; she probably won't > make > > > it to Penn Station until 6:30 or 7, so she'll meet us > at > > > the theater. > > > > > > After the show, I figure we'll all take the train > down to > > > New Brunswick. If you're driving down to New York, > though, > > > perhaps we can all pile in your car? :) > > > > > > Kendell and I have to go to work Friday, but you and > your > > > friend are welcome to stick around at our place all > day if > > > you like. Your friend may want to bring a sleeping > bag if > > > she has one -- we have some extra bedding, but no > extra > > > mattress, and our floor is uncarpeted, so we don't > want her > > > to wake up the next day black and blue. (You guys > will be > > > on the futon, of course.) > > > > > > Brad > > > > > > > > > > > > __________________________________ > > > Do you Yahoo!? > > > Take Yahoo! Mail with you! Get it on your mobile > phone. > > > http://mobile.yahoo.com/maildemo > > > > > > __________________________________ Do you Yahoo!? Yahoo! Mail - now with 250MB free storage. Learn more. http://info.mail.yahoo.com/mail_250  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 14 Dec 2004 13:30:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBEIUgF0029866; Tue, 14 Dec 2004 13:30:42 -0500 (EST) Received: from dimins.com (www.dimins.com [69.25.77.57]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBEIUc8E015975; Tue, 14 Dec 2004 13:30:38 -0500 (EST) Received: from dimins.com ([::ffff:192.168.7.168]) by dimins.com with esmtp; Tue, 14 Dec 2004 13:25:26 -0500 id 000192CD.41BF3016.00005B34 Message-ID: <41BF3304.3060502@dimins.com> Date: Tue, 14 Dec 2004 13:37:56 -0500 From: James Kirtley User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax) X-Accept-Language: en-us, en MIME-Version: 1.0 To: opus@mit.edu, Ethan Butler Subject: West Side Story Details Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 14 Dec 2004 13:37:56 -0500 From: James Kirtley X-Accept-Language: en-us, en To: opus@mit.edu, Ethan Butler Subject: West Side Story Details X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hey Opus, it's Jamez. So I'm pretty sure that Jax and I talked to you about the West Side Story videos, but maybe we only talked to Ruth about it. We were talking about possibly getting you guys to convert them to an easily modified format (Possibly including Editing, as well). If this doesn't ring a bell, feel free to ask... ;) Anyway, he's (Ethan Butler, the fellow who played Tony) got them on a HD Digital video tape (and some of them downloaded to Hard Disk, although aparently he's already lost some of it due to disk failure). He doesn't think he can get them off of the tape without the camera (aparently it's a rare format) but our hope is that he's wrong, and that you guys have the right equipment. The Camera is a JVC GR-HD1, which hopefully means something to you. Also, it strikes me if you guys are interested (and you'll have to let me know how much it costs so I can figure out if we've got the budget or not), it might just be easier for you to get in touch with him. His email: Ethan Butler If you'd rather just deal with me, that's fine too. If you don't have the time or inclination, let me know and I'll see where else I can look. If you have no idea what I'm talking about, feel free to ask. ;) Thanks! -Jamez  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 14 Dec 2004 22:14:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBF3EVF0029877; Tue, 14 Dec 2004 22:14:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBF3ESfx027720 for ; Tue, 14 Dec 2004 22:14:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBF3DxTJ010534; Tue, 14 Dec 2004 22:13:59 -0500 (EST) Date: Tue, 14 Dec 2004 22:13:59 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: margaret.maloney@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Margaret Maloney To: Multiple recipients of list SAVOYNET Subject: Princess Ida Conductor's Score Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 14 Dec 2004 22:13:59 -0500 (EST) Reply-To: margaret.maloney@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Margaret Maloney To: Multiple recipients of list SAVOYNET Subject: Princess Ida Conductor's Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hi Savoyards! I've just subscribed to SavoyNet. I'm a member of the Harvard-Radcliffe Gilbert and Sullivan Players, and am one of the producers for our Spring show, Princess Ida. I was wondering if you could help us out; we're in a bit of a bind. It's been quite a long time (eight years) since we've performed Ida, and in that time we apparently have managed to lose our Ida conductor's score. We've contacted our normal music vendors, and besides being told that they do not have such a score, they have said they are not even sure if such a score exists! So, I am looking for information on finding a Princess Ida conductor's score, whether it be one that's available for sale or if we just borrow it for the duration of our production (we would need it from the first of February through April 19th). Thanks for your help, Margaret Maloney HRG&SP Cambridge, Massachusetts  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 14 Dec 2004 23:37:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBF4bYF0022528; Tue, 14 Dec 2004 23:37:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBF4b2ml015610 for ; Tue, 14 Dec 2004 23:37:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBF4asTJ011632; Tue, 14 Dec 2004 23:36:54 -0500 (EST) Date: Tue, 14 Dec 2004 23:36:54 -0500 (EST) Message-Id: <20041215042731.48170.qmail@web54307.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Costs, etc. was RE: auditions MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.329 X-Spam-Level: ** (2.329) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 14 Dec 2004 23:36:54 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Costs, etc. was RE: auditions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.329 X-Spam-Level: ** (2.329) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 --- Samuel Silvers wrote: > NYGASP (professional) tickets are from about $50 to about $85 > for "priority" tickets. > This is nearly as much as a Broadway show. > > NYGASP has patrons and some corporate sponsors, and sometimes > some > small government grants, I believe. NYGASP's costs to > produce its shows > in NY are astronomical. Really hard to believe or > understand. They > seem to be able to control costs much better on tour. NYGASP is a fully professional company that does not compare with anything else. Most of our performers are members of Actors' Equity; both Equity and non-Equity performers are paid for rehearsal as well as performances. Our stage managers and assistant stage managers are members of Actors' Equity and are paid. Our orchestra is a Union orchestra, paid for rehearsal and performances. All New York City theatres have been rated by the assorted Unions and have miscellaneous mandatory requirements. At City Center we are not only paying to rent the house, we MUST pay a certain number of Union stagehands, carpenters, and electricians whether we actually need all of them or not. The Musicians' Union charges differential rates at different houses. Our orchestra payroll more than doubled when we made the move from Symphony Space to City Center. Directors and choreographers are paid. We maintain an office; whoever works with Al Bergeret in the office is paid. There is no mystery at all to the large budgets when one factors in all of the above. We also have publicity expenses; as I've mentioned on previous occasions, the price of a 1/4 page ad in one issue of the Sunday New York Times is the price of a new Toyota Corolla...or maybe it's up to the price of a Camry now. Even when we're back at Symphony Space, most of the costs remain constant--orchestra, cast, production staff, publicity. The theatre rental itself is lower and we don't have to engage as many Union personnel as stagehands, electricians, and carpenters, but our costs are still high. We "control" our costs on the road by charging a flat fee for performances. We do not have to pay theatre rental, the theatres are hiring us. The theatres have their own tech staff, which they pay--we bring a skeleton crew of our own people, and are not required to pay for X number of carpenters/electricians/stagehands. The theatres that hire us are also responsible for generating their own publicity. (We get paid our flat fee regardless of how many people are in the audience.) What we are paying for on the road are the salaries of the performers, orchestra, and our crew, the housing costs (hotel), and transportation (airfare and/or bus and truck rental). In addition to wages, the personnel all receive a "per diem"--a set amount of spending money per day--in cash for food and other expenses. But overall, it is simply a much less expensive process for us to take shows on the road on a flat-fee basis than it is for us to produce our own at either City Center or Symphony Space in New York. A professional company is in a completely different position from ANY of the volunteer companies, thanks largely to the stranglehold that the Unions have on everything. We are literally not ALLOWED to have any of our own people doing any of the physical work of a load-in (putting up the sets, hanging/adjusting the lights) for example, at City Center, as we do at Symphony Space. This MUST be done by Union personnel. And in addition to wages, we are required to pay health benefits for everyone on our payroll, and to carry a considerable amount of insurance. Working in a Union house is a bizarre experience when one is accustomed to volunteer companies, as I am. There are times when you are not permitted to set foot on the stage at all. You aren't permitted to do anything whatsoever with props, scenery, costumes; there are Union people designated to do these things and they'll bite your head off if you touch anything. And there are contract provisions and Union rules covering just about everything except sneezing. Historically, NYGASP has survived by making a great deal larger percentage of our income from box office than is considered good by "Development" experts. Our grant monies are quite small. We do rely on the generosity of individual and a few corporate contributors. We are fortunate to receive annual grants from Wine Spectator magazine for the specific purpose of funding special morning performances for disadvantaged "inner city" school children during our regular runs. (Remember, every time we put people on the stage, we've got all the per-performance salaries to pay for everyone involved with the production.) The cost of one orchestra rehearsal with a 25-piece Union orchestra now costs us around $5,000 for the orchestra wages alone. It's just a totally different world, and yes, it is utterly incomprehensible unless you're actually inside it and see where all the money has to be paid out, for function after function after function that is done by unpaid volunteers in G&S groups. We also are bound by some types of provisions that would never even occur to most of you--for example, laundry. Under Union rules, we MUST do laundry of all washables after EVERY performance, the sole exception being on days when we have a 3:00 matinee and an 8:00 evening performance, and there literally would not be enough time to get the laundry washed and dried between the time the afternoon performance comes down and half-hour for the evening performance. The laundry for HMS Pinafore is formidable, as ALL of the sailors' whites, plus their striped T-shirts and socks, the girls' tights and blouses, must be laundered. Add about 900 et ceteras, and you've got a whopping budget. Oh, yeah, I forgot--we also have to pay our performers for a certain number of rehearsal hours per week during the contract period, whether we actually call them for rehearsal or not, just as we have to pay X electricians and carpenters at the theatre whether we use them or not. ===== Andi Stryker-Rodda New York City/New Jersey USA SavoyNet FAQs may be found at: http://trouperslightopera.org/Troupers/Savoynet/faqs.htm The Online G&S Archive may be found at: http://diamond.boisestate.edu/gas G&S Calendars of Events may be found at: http://groups.yahoo.com/group/SavoyNot/cal (Elise Curran) http://www.savoyopera.co.uk (David Sandham)  1, answered, forwarded,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Dec 2004 11:22:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBFGM6F0028412; Wed, 15 Dec 2004 11:22:06 -0500 (EST) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBFGLxMl018259 for ; Wed, 15 Dec 2004 11:21:59 -0500 (EST) Received: from 207-172-118-139.c3-0.upd-ubr2.trpr-upd.pa.cable.rcn.com ([207.172.118.139] helo=DIMENSION) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #7) id 1CebuZ-0000wx-00 for opus@MIT.EDU; Wed, 15 Dec 2004 11:21:59 -0500 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: tomorrow Date: Wed, 15 Dec 2004 11:21:37 -0500 Message-ID: <006001c4e2c2$2991f2a0$6500a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0061_01C4E298.40BBEAA0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: tomorrow Date: Wed, 15 Dec 2004 11:21:37 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Spam-Score: -4.687 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This is a multi-part message in MIME format. ------=_NextPart_000_0061_01C4E298.40BBEAA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hi Dave, OK, I have some flexibility tomorrow! I found someone to cover me in proctoring the final exam for the class I TA for. I can get to Penn Station at any of the following times: 3:26 pm 4:31 4:58 5:27 6:02 6:32 pm I would be departing about 2.5 hours before whichever arrival time, from 30th Street Station in Philadelphia. I will have my cell phone with me: 610-202-9352. What do you and Ruth want to do? What are your plans? I can kick around town with you for a bit if you'll be doing fun stuff, or I could just plan on catching up with you around 6 or 6:30 before the show. By the way, please bring Elise's CDs (that I forgot at your house) for me. I'd really appreciate it! :-) Is there anything I was supposed to bring to you.? Also by the way, random question: what are Ruth's favorite colors??? Becca ------=_NextPart_000_0061_01C4E298.40BBEAA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hi Dave,

 

OK, I have some flexibility tomorrow!  I found someone to cover me in = proctoring the final exam for the class I TA for.

 

I can get to Penn Station at any of the following times:

 

3:26 pm

4:31

4:58

5:27

6:02

6:32 pm

 

I would be departing about 2.5 hours before whichever arrival time, from = 30th Street Station in Philadelphia.  I will have my cell phone with = me: 610-202-9352.

 

What do you and Ruth want to do?  What are your plans?  I can kick = around town with you for a bit if you’ll be doing fun stuff, or I could = just plan on catching up with you around 6 or 6:30 before the = show.

 

By the way, please bring Elise’s CDs (that I forgot at your house) = for me. I’d really appreciate it! J   Is there = anything I was supposed to bring to you…?

 

Also by the way, random question:  what are Ruth’s favorite = colors???

 

Becca

------=_NextPart_000_0061_01C4E298.40BBEAA0--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Dec 2004 12:50:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBFHonF0002337; Wed, 15 Dec 2004 12:50:49 -0500 (EST) Received: from rproxy.gmail.com (rproxy.gmail.com [64.233.170.202]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBFHoAMl026413 for ; Wed, 15 Dec 2004 12:50:11 -0500 (EST) Received: by rproxy.gmail.com with SMTP id q1so609213rnf for ; Wed, 15 Dec 2004 09:50:10 -0800 (PST) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=CMHsfZIngpqtr7p0Ers58jDQUj7Bnv6BAf/P5pdcac3+cFurWeDJ4wBSI4LufBzG5EZbJ+u+a318zoUkv+8zF3k7iEH6k2Zjb3Va2+gL+BXhRr0Y93Lf7W/KlCbkpV5iRR+TyJ/UHOcF7Y+mQAEjAmadcpMQ6p7ZtT/lEmjalu4= Received: by 10.38.163.31 with SMTP id l31mr144519rne; Wed, 15 Dec 2004 09:50:10 -0800 (PST) Received: by 10.38.78.28 with HTTP; Wed, 15 Dec 2004 09:50:10 -0800 (PST) Message-ID: Date: Wed, 15 Dec 2004 09:50:10 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: <200412151728.iBFHSkeC006895@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit References: <200412151728.iBFHSkeC006895@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=CMHsfZIngpqtr7p0Ers58jDQUj7Bnv6BAf/P5pdcac3+cFurWeDJ4wBSI4LufBzG5EZbJ+u+a318zoUkv+8zF3k7iEH6k2Zjb3Va2+gL+BXhRr0Y93Lf7W/KlCbkpV5iRR+TyJ/UHOcF7Y+mQAEjAmadcpMQ6p7ZtT/lEmjalu4= Date: Wed, 15 Dec 2004 09:50:10 -0800 From: SirRogue Reply-To: SirRogue To: "David C. Jedlinsky" Subject: Re: C3 - Start blocking your calendars... In-Reply-To: <200412151728.iBFHSkeC006895@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Sure, I'd like a hand in it. Did you ever see that old PBS doc from '85, "Star Wars to Jedi: The Making of a Saga?" It had a great unintrusive occasional voice-over by Mark Hammill. While I'd love to do the voiceovers myself, that seems highly impractical. I'll think on it a bit. Thanks! ~Rogue On Wed, 15 Dec 2004 12:28:46 -0500 (EST), David C. Jedlinsky wrote: > > Ruth can certainly do a documentary. She'll want to consult with you > on your expectations, who you'd like for voiceover, etc. > > -Dave > > >Date: Mon, 6 Dec 2004 12:52:23 -0800 > >From: SirRogue > > > >Actually, I have something in mind for Ruth already. I was hoping to > >do this myself, though I had no idea when I was going to have time, > >but I really like the idea of someone working on this fulltime so it > >doesn't fall through the cracks. > > > >I'd like to do a sort of documentary of the trip, from prep and > >brush-ups to prod week, travel, and backstage candids all along the > >way. Doesn't have to be the giant production cameras, just a simple > >camcorder. I'll buy the tapes. :) If she could take that as her pet > >project for the trip, that'd be awesome. :) > > > >Glad to have y'all aboard! > >~R > > > > > >On Fri, 3 Dec 2004 19:23:19 -0500 (EST), David C. Jedlinsky > > wrote: > >> > >> Hey Rogue. > >> > >> Sounds good! Of course, it's been really tough having to tell people > >> we're booked, without being able to tell them why... Let us know as soon > >> as we can let the cat out of the bag officially! > >> > >> Ruth sez I can go do the show, but only if she gets to go along (she'll > >> tech, help with costumes, props, or whatever is needed). If it comes down > >> to an issue of cost, she'll pay her way, but she wants a backstage pass at > >> the very least. And perhaps we'd be permitted to share a room... > >> > >> Oh, and are they planning to record it in any form? I'm fairly sure they > >> won't want us to do it (they're more picky about things in their own > >> venue), but it'd be a shame if nobody did. > >> > >> -Dave > >> > >> >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Dec 2004 13:14:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBFIEbF4016967; Wed, 15 Dec 2004 13:14:42 -0500 (EST) Received: from adelie.local (69-163-42-186.lndnnh.adelphia.net [69.163.42.186]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBFIE8Ml020778 for ; Wed, 15 Dec 2004 13:14:08 -0500 (EST) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id iBFIE85T001441 for ; Wed, 15 Dec 2004 13:14:09 -0500 (EST) Date: Wed, 15 Dec 2004 13:14:07 -0500 Subject: Re: [hains@temple.edu: tomorrow] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200412151759.iBFHx32E007721@multics.mit.edu> Message-Id: <1C63A58C-4EC5-11D9-A922-00039399130C@ipnh.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.808 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Dec 2004 13:14:07 -0500 Subject: Re: [hains@temple.edu: tomorrow] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200412151759.iBFHx32E007721@multics.mit.edu> X-Spam-Score: -4.808 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I'd suggest she take the train that gets to Penn at 5:27 and phone us to see where we are. We can try to meet her there if we aren't in the middle of something far away. Then we can have dinner together. Make sure she has both our cell numbers. You should send them to Brad and Kendell too. Becca asked colors (plural)... Blue and purple. In case you've forgotten Disney DDR was her b-day and xmas gift and the Red Sox shirt was the same for Tyler. Ruth On Wednesday, December 15, 2004, at 12:59 PM, David C. Jedlinsky wrote: > > Got an opinion on when Becca should arrive in NY? > > And what's your favorite color? > > -Dave > > P.S. Jen's message is forwarded > > > ------- Start of forwarded message ------- > From: "Rebecca C. Hains" > To: "'David C. Jedlinsky'" > Subject: tomorrow > Date: Wed, 15 Dec 2004 11:21:37 -0500 > > Hi Dave, > > > > OK, I have some flexibility tomorrow! I found someone to cover me in > proctoring the final exam for the class I TA for. > > > > I can get to Penn Station at any of the following times: > > > > 3:26 pm > > 4:31 > > 4:58 > > 5:27 > > 6:02 > > 6:32 pm > > > > I would be departing about 2.5 hours before whichever arrival time, > from > 30th Street Station in Philadelphia. I will have my cell phone with > me: > 610-202-9352. > > > > What do you and Ruth want to do? What are your plans? I can kick > around town with you for a bit if you'll be doing fun stuff, or I could > just plan on catching up with you around 6 or 6:30 before the show. > > > > By the way, please bring Elise's CDs (that I forgot at your house) for > me. I'd really appreciate it! :-) Is there anything I was supposed to > bring to you.? > > > > Also by the way, random question: what are Ruth's favorite colors??? > > > > Becca >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Dec 2004 16:10:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBFLA4F2002327; Wed, 15 Dec 2004 16:10:06 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBFL8d61028437 for ; Wed, 15 Dec 2004 16:08:39 -0500 (EST) Received: from web52608.mail.yahoo.com (web52608.mail.yahoo.com [206.190.39.146]) by marco.ipnh.com (8.12.9/8.12.9) with SMTP id iBFL8xJJ020424 for ; Wed, 15 Dec 2004 16:08:37 -0500 (EST) Received: (qmail 10805 invoked by uid 60001); 15 Dec 2004 21:08:32 -0000 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=6ZU1xlSfaevwnA14Yk6F/FMm+zOlPHzLnz+LBUDbNyisKu3Pl1ra90q+muUUmFggHSa1jitZoUvNBu3Q+kWHYOLBK8HzvDn9I4hKUcobvUY/3aIL09fxhY35lA0aBCHWEdx2Puwzm9QXAnE7QS98hH+zJQzqPAvLS9qC+xlndWg= ; Message-ID: <20041215210832.10801.qmail@web52608.mail.yahoo.com> Received: from [38.117.230.234] by web52608.mail.yahoo.com via HTTP; Wed, 15 Dec 2004 13:08:32 PST Date: Wed, 15 Dec 2004 13:08:32 -0800 (PST) From: Brad Timmers Subject: Our Cell Phone Numbers To: bkdr@ipnh.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -1.428 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=6ZU1xlSfaevwnA14Yk6F/FMm+zOlPHzLnz+LBUDbNyisKu3Pl1ra90q+muUUmFggHSa1jitZoUvNBu3Q+kWHYOLBK8HzvDn9I4hKUcobvUY/3aIL09fxhY35lA0aBCHWEdx2Puwzm9QXAnE7QS98hH+zJQzqPAvLS9qC+xlndWg= ; Date: Wed, 15 Dec 2004 13:08:32 -0800 (PST) From: Brad Timmers Subject: Our Cell Phone Numbers To: bkdr@ipnh.com In-Reply-To: X-Spam-Score: -1.428 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hey Dave & Ruth, Just 24 hours (+/- 3) to go until we meet tomorrow! I thought I'd give you our cell phone numbers just in case: Brad: (732) 668-6748 Kendell: (732) 668-6749 By the way, guess what we're reading? "Make Room! Make Room!" I bought it long before I'd heard you recommend Harry Harrison. In fact, I bought it before Kendell and I moved to Cambridge! The reason I bought it was because the back of the book mentioned which movie was based on it ("Soylent Green", of course), and I'd seen enough skits and comedians making fun of the movie's last line that I was curious to read the book. We plan to see the movie sometime after reading the book. Speaking of books, we just learned this past weekend that "Wicked" is based on a book. -- You guys are probably saying, "Duh!" We bow to your theater knowledge. Which in turn reminds me of "Noises Off": we bought it on DVD and showed it to my family over Thanksgiving. None of them has ever been into drama, but two of the three loved it. I laughed just as hard the second time seeing it as when you first showed it to us -- thanks again!! OK, enough of my babbling. Can't wait to see you guys tomorrow! Brad __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Dec 2004 16:34:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBFLYFF0021582; Wed, 15 Dec 2004 16:34:15 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBFLY7Gn026986 for ; Wed, 15 Dec 2004 16:34:07 -0500 (EST) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id iBFLYRJK016930 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-SHA bits=256 verify=NO) for ; Wed, 15 Dec 2004 16:34:05 -0500 (EST) Received: from outgoing.mit.edu (OUTGOING-AUTH.MIT.EDU [18.7.22.103]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBFLY416005613; Wed, 15 Dec 2004 16:34:04 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by outgoing.mit.edu (8.12.4/8.12.4) with ESMTP id iBFLY0mM000827; Wed, 15 Dec 2004 16:34:01 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id iBFLXxha013591; Wed, 15 Dec 2004 16:33:59 -0500 (EST) Date: Wed, 15 Dec 2004 16:33:56 -0500 (EST) From: "David C. Jedlinsky" To: Brad Timmers cc: bkdr@ipnh.com Subject: Re: Our Cell Phone Numbers In-Reply-To: <20041215210832.10801.qmail@web52608.mail.yahoo.com> Message-ID: References: <20041215210832.10801.qmail@web52608.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: 0.555 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Dec 2004 16:33:56 -0500 (EST) From: "David C. Jedlinsky" To: Brad Timmers cc: bkdr@ipnh.com Subject: Re: Our Cell Phone Numbers In-Reply-To: <20041215210832.10801.qmail@web52608.mail.yahoo.com> X-Spam-Score: 0.555 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hey Brad & Kendell (both email addresses on the list, now)! You beat me to it; our cell phone numbers are: Dave: (617) 642-1343 Ruth: (617) 803-4192 I think the best bet for us to meet is for us to try and be somewhere in the vicinity (we're thinking of window shopping up and down Fifth Avenue), and you could call one of us when you get off work, and we'll meet to do dinner and head to the theater, where Kendell will be waiting. I love it when a plan comes together. Yes, "Wicked" is based on a book. Despite reading it, we still want to see the show. :-) Our current theater knowledge isn't so great; "Wicked" will be the first show we've seen while still in its initial run since "Cats". We haven't seen any of the Disney adaptations, or "Urinetown", or "Avenue Q", or anything else up for a Tony in the past five years. -Dave On Wed, 15 Dec 2004, Brad Timmers wrote: > Hey Dave & Ruth, > > Just 24 hours (+/- 3) to go until we meet tomorrow! I > thought I'd give you our cell phone numbers just in case: > > Brad: (732) 668-6748 > Kendell: (732) 668-6749 > > By the way, guess what we're reading? "Make Room! Make > Room!" I bought it long before I'd heard you recommend > Harry Harrison. In fact, I bought it before Kendell and I > moved to Cambridge! The reason I bought it was because the > back of the book mentioned which movie was based on it > ("Soylent Green", of course), and I'd seen enough skits and > comedians making fun of the movie's last line that I was > curious to read the book. We plan to see the movie sometime > after reading the book. > > Speaking of books, we just learned this past weekend that > "Wicked" is based on a book. -- You guys are probably > saying, "Duh!" We bow to your theater knowledge. > > Which in turn reminds me of "Noises Off": we bought it on > DVD and showed it to my family over Thanksgiving. None of > them has ever been into drama, but two of the three loved > it. I laughed just as hard the second time seeing it as > when you first showed it to us -- thanks again!! > > OK, enough of my babbling. Can't wait to see you guys > tomorrow! > > Brad > > __________________________________________________ > Do You Yahoo!? > Tired of spam? Yahoo! Mail has the best spam protection around > http://mail.yahoo.com >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Dec 2004 19:09:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBH090F0011489; Thu, 16 Dec 2004 19:09:00 -0500 (EST) Received: from psmtp.com (exprod8ob6.obsmtp.com [64.18.3.216]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id iBH08pEg020217 for ; Thu, 16 Dec 2004 19:08:52 -0500 (EST) Received: from source ([66.88.88.163]) by exprod8ob6.obsmtp.com ([64.18.7.12]) with SMTP; Thu, 16 Dec 2004 16:08:51 PST Received: by ntexchange.salov-na.com with Internet Mail Service (5.5.2653.19) id ; Thu, 16 Dec 2004 19:08:00 -0500 Message-ID: <6DB6C68190AFF749B086CDCF5EC7123B04B13D@ntexchange.salov-na.com> From: asr@salov-na.com To: opus@MIT.edu, YesTisMabel@aol.com, ulahlica@yahoo.com Subject: Mister Gilbert shortened.doc Date: Thu, 16 Dec 2004 19:07:56 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: multipart/mixed; boundary="----_=_NextPart_000_01C4E3CC.75CE3BA0" X-Spam-Score: 5.66 X-Spam-Level: ***** (5.66) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: asr@salov-na.com To: opus@MIT.edu, YesTisMabel@aol.com, ulahlica@yahoo.com Subject: Mister Gilbert shortened.doc Date: Thu, 16 Dec 2004 19:07:56 -0500 X-Spam-Score: 5.66 X-Spam-Level: ***** (5.66) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_000_01C4E3CC.75CE3BA0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C4E3CC.75CE3BA0" ------_=_NextPart_001_01C4E3CC.75CE3BA0 Content-Type: text/plain <> David, Elise, John: I found the version of "Mister Gilbert" that Jim Drew actually performed in Orlando; I'd forgotten that he'd sent it to me as a Word document by email. Here it is, attached. This is the version that we were working from. Cheers, Andi ------_=_NextPart_001_01C4E3CC.75CE3BA0 Content-Type: text/html Content-Transfer-Encoding: quoted-printable Mister Gilbert shortened.doc

<<Mister = Gilbert shortened.doc>>
David, Elise, John:
I found the version of "Mister = Gilbert" that Jim Drew actually performed in Orlando; I'd = forgotten that he'd sent it to me as a Word document by = email.

Here it is, attached.  This is = the version that we were working from.
Cheers,
Andi

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for ; Thu, 16 Dec 2004 23:43:15 -0500 (EST) Received: from [64.231.213.252] by tomts25-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with ESMTP id <20041217044303.MJTS25979.tomts25-srv.bellnexxia.net@[64.231.213.252]>; Thu, 16 Dec 2004 23:43:03 -0500 Received: from 127.0.0.1 (AVG SMTP 7.0.296 [265.5.4]); Thu, 16 Dec 2004 23:43:03 -0500 Message-ID: <001f01c4e3f2$e4d1ec10$9a04fea9@home4bd15b3a15> From: "Ori Siegel" To: Subject: Fw: New guy in prison Date: Thu, 16 Dec 2004 23:43:03 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_001C_01C4E3C8.FBC9B080" X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: Subject: Fw: New guy in prison Date: Thu, 16 Dec 2004 23:43:03 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 ------=_NextPart_000_001C_01C4E3C8.FBC9B080 Content-Type: text/plain; format=flowed; charset=iso-8859-1; reply-type=original Content-Transfer-Encoding: 7bit You'll enjoy this one! 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Content-Transfer-Encoding: 7bit Content-Disposition: attachment; filename="Header.dat" Return-path: <> X-MimeOLE: Produced By Microsoft Exchange V6.5.7226.0 Content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----_=_NextPart_002_01C4E127.402ECE80" Subject: New guy in prison Date: Mon, 13 Dec 2004 08:16:02 -0700 X-MS-Has-Attach: yes X-MS-TNEF-Correlator: thread-index: AcThJqg6LMqE/cR4QZqLemwVcFwRPA== From: "Norm Sandersen" To: "Norm Sandersen" ------=_NextPart_000_001C_01C4E3C8.FBC9B080 Content-Type: text/plain; x-avg=cert; charset=us-ascii Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Description: "AVG certification" No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.296 / Virus Database: 265.5.4 - Release Date: 15/12/2004 ------=_NextPart_000_001C_01C4E3C8.FBC9B080--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Dec 2004 14:55:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBIJthF0024241; Sat, 18 Dec 2004 14:55:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBIJtfeV021636 for ; Sat, 18 Dec 2004 14:55:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBIJtYTJ023096; Sat, 18 Dec 2004 14:55:34 -0500 (EST) Date: Sat, 18 Dec 2004 14:55:34 -0500 (EST) Message-Id: <20041218193409.96590.qmail@web60201.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Gilbert, Sullivan, Rossini, and, yes, even Opera Singing Chickens MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <198.3483203c.2ef5210d@aol.com> X-Spam-Score: -2.572 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 18 Dec 2004 14:55:34 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Gilbert, Sullivan, Rossini, and, yes, even Opera Singing Chickens X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <198.3483203c.2ef5210d@aol.com> X-Spam-Score: -2.572 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I got bored a few days ago when Savoynet went down again so, since we were talking about cartoons, I made a temporary page with a few G&S mp3's from the Looney Tune cartoon "From Hare to Eternity." http://www.geocities.com/ulahlica/BUGS/Hare.html I was surprised to see Frank Gorshin in the credits. I guess he was singing G&S long before he brutalized the part of King Gama. It's only moderately interesting though. Once I had everything plugged in, I figured I might as well upload "The Rabbit of Seville" too since we were briefly talking about BARBER. Now *that's* a classic. In fact, it was the single experience that launched my interest in opera: http://www.geocities.com/ulahlica/BUGS/Seville.html I found the cartoon could actually be watched right here: http://tinyurl.com/68jtw Unfortunately, it is edited down there and starts right after the opening that had lyrics added (sung by Bugs Bunny). BTW do you like the curtains on The "Seville" page? I "borrowed" them from a site Elise posted to SavoyNot: http://www.orrielsmith.com/index.htm Yes, yes, we all know chickens can sing opera. The real question to reasonable people is, can they sing ROCK? John S LI NY __________________________________ Do you Yahoo!? Yahoo! Mail - Helps protect you from nasty viruses. http://promotions.yahoo.com/new_mail  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Dec 2004 19:51:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBJ0pWF0011900; Sat, 18 Dec 2004 19:51:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBJ0pSsp021881 for ; Sat, 18 Dec 2004 19:51:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBJ0pLTJ026376; Sat, 18 Dec 2004 19:51:21 -0500 (EST) Date: Sat, 18 Dec 2004 19:51:21 -0500 (EST) Message-Id: <000801c4e563$06ae8480$a40da143@Erik> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nice.guy@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "nice.guy" To: Multiple recipients of list SAVOYNET Subject: PATIENCE, or BUNTHORNE'S BARBER; (also, Robin's hair) MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C4E51F.F6FF7460" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-Spam-Score: -3.373 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 18 Dec 2004 19:51:21 -0500 (EST) Reply-To: nice.guy@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "nice.guy" To: Multiple recipients of list SAVOYNET Subject: PATIENCE, or BUNTHORNE'S BARBER; (also, Robin's hair) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.373 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C4E51F.F6FF7460 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Jonathan Ichikawa's query about a wig vs. one's own long hair for = Bunthorne. I've played Bunthorne 3 times, each time with a long wig in = a sort of page-boy style - not D'OC hair-style with Whistler's white = lock. No one has let me do what I really wanted to: I wanted a small = wagon wheeled in for "Am I Alone?" to have it take place inside = Bunthorne's room - at a dressing table with a mirror, which would just = be a frame, so Bunthorne could stare through it and address himself and = the audience at the same time. During the recit., probably immediately = after "I'm an aesthetic sham", Bunthorne rips off the wig. The = dramatic music leading to "Let me confess" would be time for the = audience to respond without losing any subsequent lyrics. The wig = could be put on for the last verse of the song. Or after the applause, = through a window of his "room" Bunthorne could spy Patience entering, = quickly re-don the wig and go out to confront her as the wagon is = (quietly) rolled off. Let me confess: I've also wanted to do a similar thing as = Robin/Ruthven. In most productions, Despard usually appears to be older = than Robin, who is, after all, the elder brother. In my version, Robin = wears a wig in Act I. During the Act I finale, Despard enters, goes to = Robin and sings "I claim young Robin as - my elder brother" snatching = the wig from his head during the final phrase, revealing = thinning/greying hair or, at any rate, something that makes him look a = little older. Once again, as in the PATIENCE sequence above, there is = dramatic music following that would allow audience to respond - as well = as the other characters on stage. Just a couple of thoughts. Ed Glazier nice.guy@comcast.net ------=_NextPart_000_0005_01C4E51F.F6FF7460 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Re: Jonathan Ichikawa's query about a = wig vs. one's=20 own long hair for Bunthorne.  I've played Bunthorne 3 times, each = time with=20 a long wig in a sort of page-boy style - not D'OC hair-style with = Whistler's=20 white lock.  No one has let me do what I really wanted to:  I = wanted a=20 small wagon wheeled in for "Am I Alone?" to have it take place inside=20 Bunthorne's room - at a dressing table with a mirror, which would just = be a=20 frame, so Bunthorne could stare through it and address himself and the = audience=20 at the same time.  During the recit., probably immediately after = "I'm an=20 aesthetic sham",  Bunthorne rips off the wig.   The = dramatic=20 music leading to "Let me confess" would be time for the audience to = respond=20 without losing any  subsequent lyrics.   The wig could be = put on=20 for the last verse of the song.  Or after the applause, through a = window of=20 his "room" Bunthorne could spy Patience entering, quickly re-don the wig = and go=20 out to confront her as the wagon is (quietly) rolled off.
 
Let me confess:  I've also wanted = to do a=20 similar thing as Robin/Ruthven.  In most productions, Despard = usually=20 appears to be older than Robin, who is, after all, the elder = brother.  In=20 my version, Robin wears a wig in Act I.  During the Act I finale, = Despard=20 enters, goes to Robin and sings "I claim young Robin as - my elder=20 brother" snatching  the wig from his head during the final = phrase,=20 revealing thinning/greying hair or, at any rate, something that makes = him look a=20 little older.  Once again, as in the PATIENCE sequence above, there = is=20 dramatic music following that would allow audience to respond - as well = as the=20 other characters on stage.
 
Just a couple of thoughts.
 
Ed Glazier
nice.guy@comcast.net ------=_NextPart_000_0005_01C4E51F.F6FF7460--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Dec 2004 15:32:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBJKWTF0028567; Sun, 19 Dec 2004 15:32:29 -0500 (EST) Received: from tomts10-srv.bellnexxia.net (tomts10.bellnexxia.net [209.226.175.54]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBJKWNGo008093 for ; Sun, 19 Dec 2004 15:32:23 -0500 (EST) Received: from [64.231.211.49] by tomts10-srv.bellnexxia.net (InterMail vM.5.01.06.10 201-253-122-130-110-20040306) with ESMTP id <20041219203144.WJDJ1863.tomts10-srv.bellnexxia.net@[64.231.211.49]>; Sun, 19 Dec 2004 15:31:44 -0500 Received: from 127.0.0.1 (AVG SMTP 7.0.296 [265.6.0]); Sun, 19 Dec 2004 15:31:44 -0500 Message-ID: <008f01c4e609$c1977800$9a04fea9@home4bd15b3a15> From: "Ori Siegel" To: Subject: Fw: More Piano! Date: Sun, 19 Dec 2004 15:31:44 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_008C_01C4E5DF.D84CB530" X-Spam-Not-Checked: Messages over 100K not checked X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ori Siegel" To: Subject: Fw: More Piano! 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Version: 7.0.296 / Virus Database: 265.6.0 - Release Date: 17/12/2004 ------=_NextPart_000_008C_01C4E5DF.D84CB530--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 08:26:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBKDQ0F6010085; Mon, 20 Dec 2004 08:26:04 -0500 (EST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBKDPJWo026486 for ; Mon, 20 Dec 2004 08:25:20 -0500 (EST) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id iBKDP6aN023951; Mon, 20 Dec 2004 13:25:09 GMT Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id NAA28843 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Mon, 20 Dec 2004 13:16:15 GMT Received: by mserv1.dl.ac.uk id NAA28823 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Mon, 20 Dec 2004 13:16:10 GMT Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id NAA28816 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from deebee@connexus.net.au); Mon, 20 Dec 2004 13:16:07 GMT From: X-DL-MFrom: X-DL-Connect: Received: from power.connexus.net.au (power.connexus.net.au [203.12.22.20]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id iBKDGoaL023131 for ; Mon, 20 Dec 2004 13:16:51 GMT Received: from connexus.net.au (122-140-166.dsl.connexus.net.au [203.122.140.166]) by power.connexus.net.au (8.12.4/8.11.6) with ESMTP id iBKDF0rd029207; Tue, 21 Dec 2004 00:15:01 +1100 (EST) (envelope-from deebee@connexus.net.au) XAntiVirus: This e-mail has been scanned for viruses via the Connexus Internet Service Message-ID: <41C6D033.6020504@connexus.net.au> Date: Tue, 21 Dec 2004 00:14:27 +1100 Reply-To: deebee@connexus.net.au, deebee@connexus.net.au User-Agent: Mozilla/5.0 (Macintosh; U; PPC Mac OS X; en-US; rv:1.0.2) Gecko/20030208 Netscape/7.02 X-Accept-Language: en,pdf MIME-Version: 1.0 To: "buxton99@dl.ac.uk" , SAVOYNET Subject: From thy dark exile thou art summoned - to Buxton Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-CCLRC-SPAM-report: 0.285 : NO_REAL_NAME X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: X-DL-MFrom: X-DL-Connect: XAntiVirus: This e-mail has been scanned for viruses via the Connexus Internet Service Date: Tue, 21 Dec 2004 00:14:27 +1100 Reply-To: deebee@connexus.net.au, deebee@connexus.net.au X-Accept-Language: en,pdf To: "buxton99@dl.ac.uk" , SAVOYNET Subject: From thy dark exile thou art summoned - to Buxton X-CCLRC-SPAM-report: 0.285 : NO_REAL_NAME X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.74 X-Spam-Flag: NO Dear All, Well, now we know! Buxton becomes fariyland from next August! I am delighted at the choice and greatly look forward to working on the Savoynet production again. The Sorcerer was one of the great theatrical experiences of my life, not the least because of the wonderful group of people who were involved in all aspects of the production. I hope many of The Sorcerer crew can be there again and I look forward to meeting new people too. Savoynet has gone from strength to strength and it would be idle to deny that one of the main reasons for this is the contribution of David Duffey who in many ways created the template for the productions. I am glad that David will be liaising over the rehearsal space and I hear on the grapevine that Jill will be queen of the kitchen again with Lizzie as her partner! How could we not do well? I am also delighted to be working with Dick Stockton. I think we made a good team last time. We are joined by Peter Crichton as Production Manager - and his enthusiasm, energy and knowledge of all things technical will be a wonderful asset. Now - to the business of the day. As soon as we may, we will be puting out the audition notices. Of course we need a full complement of principals, chorus and "others" (and sometimes the "others" as the most important of the lot!). Peter Crichton has already set to work to recruit the team. If you are interested in being part of the backstage or support group, please contact him. CHORUS - if this is your interest, please just wait! Because we are late in getting going this year, we need to concentrate on the principal audition process. You will not be forgotten! POTENTIAL PRINCIPALS. MOST IMPORTANT - if neither Dick nor I has ever set eyes on you, you will not be cast without a video of your work. So please start thinking of what you can obtain now. ALSO - when the audition details come out, please take time to read them fully. This may sound obvious, but when someone asked me why they did not get a role in Sorcerer and I replied that (among other things) their audition gave no indication of something I had said was important in the performance, the person confessed not to have read the character advice I had sent out. When we have the audition details sorted, I will send out a notice. Please do nothing till then. Auditionees will be asked to provide an audio tape of the music/dialogue we set.* We will also require video footage of you in role - any role. *of course if you have played the role and have a video of yourself, then we do not need you to do an audio as well. Details of where you send this will be given later. As with Sorcerer, the audition pieces will be supplied on request and not placed on B99. This means you will have to email me and say which roles you are interested in. BUT please wait for the call. Once that procedure is under way we will ask for chorus to indicate their interest. Well, that is all for now. You will be sick of hearing from me by next July! Diana Burleigh who sometimes does surprising things.  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 18:23:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBKNNfF0007432; Mon, 20 Dec 2004 18:23:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBKNNdx6023006 for ; Mon, 20 Dec 2004 18:23:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBKNNXTJ024262; Mon, 20 Dec 2004 18:23:33 -0500 (EST) Date: Mon, 20 Dec 2004 18:23:33 -0500 (EST) Message-Id: <008a01c4e6e9$78111390$5923edcf@D7KJFH31> Errors-To: savoynet-owner@bridgewater.edu Reply-To: juliepoole@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Julie Poole" To: Multiple recipients of list SAVOYNET Subject: Re: Audtions MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1437 X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 18:23:33 -0500 (EST) Reply-To: juliepoole@rcn.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Julie Poole" To: Multiple recipients of list SAVOYNET Subject: Re: Audtions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Hello Everyone! My name is Julie Poole and I've been signed on since October after having a FABULOUS time at a G&S sing-in (I hope I've got my terms correct) with many talented people up in Maine. I've been reading everyone's posts and am fascinated and awed by the knowledge and love of all things G&S. I intend to use all of you as resources in the very near future! A quick background, then I'll get to my point: I've sung most of the leading ladies in G&S shows with primarily two companies: Simsbury Light Opera Company in CT (SLOCO) and Valley Light Opera (in Amherst, MA). My experience with auditions has been quite varied from "no thanks" to "we had auditions, didn't like what we heard, we want you to come sing with us." My feelings are thus: At my tender age of 38, my voice has grown quite a bit. To sing in a chorus would mean that I would need to "pull back" and modify my sound to blend. And, I may be alone in this situation, but I find it harder and harder to "change" my voice in order to blend. I'm not sure if for men it is a little different because they have access to a falsetto, but has become too wearing on my voice to continually "sing light." I can do it, but it now takes a full day to "recover." I recently gave up a church gig for this reason. I choose to audition for principal roles and opt not to sing in the chorus. If I am not cast, and I have the time, I volunteer to work backstage. I've been known to coach shows, work the ticket office, etc.(I'm a great set painter!). Why should a company take it personally if someone does not want to sing in their chorus? I never take it personally if I'm not chosen as a lead. Forgive my long windedness. I hope I've made some sense here. cheers! julie ----- Original Message ----- From: "J. Derrick McClure" To: "Multiple recipients of list SAVOYNET" Sent: Monday, December 20, 2004 4:57 PM Subject: Re: Audtions > Just as a word from my neck of the woods, Aberdeen OC has a question on the > form which members are expected to fill out before auditioning: "If you > don't get the part you're auditioning for, will you be prepard to sing in > the chorus?" [that's the gist, not the exact words]. My only personal > experience was last year in KISS ME KATE: I auditioned for Baptista (having > played the father of a wayward son in BRIGADOON the previous year, I thought > I'd have a bash at playing the father of a wayward daughter this time!). I > was just ever so slightly miffed when I didn't get it and a retired member > of the company was brought back to play the part; but the producer had the > tact to say specifically that my voice was wanted in the chorus as Baptista > doesn't appear in most of the big chorus scenes. Don't worry, I'm aware of > the possibility that the other chap was better than I would have been; and > I'd have sung in the chorus anyway - the point is that this was the action > of a tactful producer. > > Derrick McClure. > (A most contented man, though foolish persons think me mad.) > > j.d.mcclure@virgin.net > >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 19:15:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL0FMF0018858; Mon, 20 Dec 2004 19:15:22 -0500 (EST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBL0FKKD015284 for ; Mon, 20 Dec 2004 19:15:20 -0500 (EST) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id iBL0F6Hj016123; Tue, 21 Dec 2004 00:15:07 GMT Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id AAA09207 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 21 Dec 2004 00:08:35 GMT Received: by mserv1.dl.ac.uk id AAA09179 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 21 Dec 2004 00:08:30 GMT Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id AAA09165 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from deebee@connexus.net.au); Tue, 21 Dec 2004 00:08:27 GMT From: X-DL-MFrom: X-DL-Connect: Received: from power.connexus.net.au (power.connexus.net.au [203.12.22.20]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id iBL09WHh015546 for ; Tue, 21 Dec 2004 00:09:35 GMT Received: from connexus.net.au (122-140-166.dsl.connexus.net.au [203.122.140.166]) by power.connexus.net.au (8.12.4/8.11.6) with ESMTP id iBL08Hrd043950; Tue, 21 Dec 2004 11:08:20 +1100 (EST) (envelope-from deebee@connexus.net.au) XAntiVirus: This e-mail has been scanned for viruses via the Connexus Internet Service Message-ID: <41C76950.3060602@connexus.net.au> Date: Tue, 21 Dec 2004 11:07:44 +1100 Reply-To: deebee@connexus.net.au User-Agent: Mozilla/5.0 (Macintosh; U; PPC Mac OS X; en-US; rv:1.0.2) Gecko/20030208 Netscape/7.02 X-Accept-Language: en,pdf MIME-Version: 1.0 To: "buxton99@dl.ac.uk" , SAVOYNET Subject: B 2005 Auditions Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-CCLRC-SPAM-report: 0.285 : NO_REAL_NAME X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.74 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 From: X-DL-MFrom: X-DL-Connect: XAntiVirus: This e-mail has been scanned for viruses via the Connexus Internet Service Date: Tue, 21 Dec 2004 11:07:44 +1100 Reply-To: deebee@connexus.net.au X-Accept-Language: en,pdf To: "buxton99@dl.ac.uk" , SAVOYNET Subject: B 2005 Auditions X-CCLRC-SPAM-report: 0.285 : NO_REAL_NAME X-Scanned-By: MIMEDefang 2.42 X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.74 X-Spam-Flag: NO All Savoynetters are invited to auditon for all roles in Iolanthe, to be presented by Savoynet at the Buxton International Gilbert and Sullivan Festival on Tuesday 9th August 2005. The audition panel consists of Dick Stockton (music director), Diana Burleigh (Director) and David Cookson (formerly on the music staff of the real D'Oyly Carte and G&S expert ). No roles are pre-cast and all comers (who comply with the simple instructions which will be provided) will be considered. We want the best cast possible so an indication that you will appear in the chorus if not offered a role will not disadvantage you. As I will be away for a few days over Christmas, I am getting this notice out now to encourage those wanting to audition to contact me ASAP. I will repeat the call in the New Year for hose who may be away at the moment. The deadline for submission of tapes and the addresses will be given later. All you need do now is think about preparing the required audition. SO Those wishing to be considered for a role need to * send me a message with B2005 Auditions in the title bar. * let me know which role(s) you are interested in. Please add the following information (which will be kept on file until needed): 1 Your name. 2 your home address. 3 your age (lie if you wish but make it credible). 4 your height. 5 a very brief resume of your training and major experience. 6 will you be coming to Buxton anyway. As soon as I may (very soon I hope) I will reply with the details of the audition pieces for the roles. Diana Burleigh Director B2005  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 21:08:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL28vF0012182; Mon, 20 Dec 2004 21:08:58 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [69.25.196.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBL28ttS005888 for ; Mon, 20 Dec 2004 21:08:55 -0500 (EST) Received: from adelie.local (69-163-42-186.lndnnh.adelphia.net [69.163.42.186]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id iBL29GJJ028135 for ; Mon, 20 Dec 2004 21:08:54 -0501 (EST) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id iBL28lgM005829; Mon, 20 Dec 2004 21:08:48 -0500 (EST) Date: Mon, 20 Dec 2004 21:08:47 -0500 Subject: Re: Town without phones Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v553) Cc: bkdr@ipnh.com To: Kendell Timmers From: Ruth Jedlinsky In-Reply-To: Message-Id: <3FABD33E-52F5-11D9-86E6-00039399130C@ipnh.com> Content-Transfer-Encoding: 7bit X-Mailer: Apple Mail (2.553) X-Spam-Score: 0.229 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 21:08:47 -0500 Subject: Re: Town without phones Cc: bkdr@ipnh.com To: Kendell Timmers From: Ruth Jedlinsky In-Reply-To: X-Spam-Score: 0.229 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Thanks Kendell! I realized on Sunday, when I was trying to find it to wear to a party, that I must have forgotten the necklace. I think Dave's been busy enough that he didn't miss the magazines until you mentioned them. We haven't noticed anything else missing yet, but Dave did some shopping without my looking so he'll have to send a separate message if we forgot anything along those lines. I'm glad Brad found a way to read the article too. It hadn't expired yet when I sent the link. Good Luck with the drains. I guess we did have good timing. We had about 5" of snow here today and the outside temperature was 7. The woodstove couldn't get the house above about 68 even though I had it running all out. Dave's watching for Wicked to travel to Boston. We're likely to see it again if it does. Interested in going again and staying with us this time? =-) Ruth On Monday, December 20, 2004, at 08:16 AM, Kendell Timmers wrote: > Ruth, > > Thanks for sending the link. For some reason, every time I click on > the headline to go to the actual story, it starts to take me there and > then goes back to the menu page. :( But I had enough time to read > the first two lines and I got the gist. > > You have perhaps noticed that the lovely bead necklace you bought did > not make it home with you? I'll be sending that, along with two > magazines, back to you today. Let me know if you find out anything > else is missing and we'll search for it on this side! > > We awoke today to find that the high for today will be in the teens > (negative temps with windchill) and our shower drain is spewing nasty > gunk every time we run the sink, so it looks like you chose a good > time to visit us. :) > > Happy holidays, > Kendell > > On Sat, 18 Dec 2004 23:22:45 -0500, Ruth Jedlinsky > wrote: >> I found the article I mentioned earlier today about the town that >> doesn't even have land lines yet. >> >> Here's the link: >> >> http://bellsouth.com.com/Louisiana+town+awaits+telephone+age/2100- >> 1037_3-5488277.html >> >> Ruth >> >> >  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 21:54:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL2sOF4021183; Mon, 20 Dec 2004 21:54:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBL2s5tS013243 for ; Mon, 20 Dec 2004 21:54:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBL2rPTJ026399; Mon, 20 Dec 2004 21:53:26 -0500 (EST) Date: Mon, 20 Dec 2004 21:53:25 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: margaret.maloney@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Margaret Maloney To: Multiple recipients of list SAVOYNET Subject: Re: Campness? Mime-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041221020812.86035.qmail@web60205.mail.yahoo.com> X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 21:53:25 -0500 (EST) Reply-To: margaret.maloney@gmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Margaret Maloney To: Multiple recipients of list SAVOYNET Subject: Re: Campness? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20041221020812.86035.qmail@web60205.mail.yahoo.com> X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 In that vein, see the lyrics below to our hack night version of "When a Felon's Not Engaged" from just a couple weeks ago. Note before you do, however, that my University is a very VERY liberal one-- they are rather political. DIALOGUE I'm confused about my decision. ("We cannot understand it at all.") I have presented the case to the people of this country that the pirates represented a credible threat to our national security. They could be developing canons that they could point right at the sails of our ships. And then they would have weapons of mast destruction. ("That makes a difference of course. Still, we repeat, we cannot understand it at all.") No matter. Our course is clear. We must do our best to capture these pirates, alone. It is most distressing to us to be stuck in this quagmire with no chance of escaping any time soon. I suppose the pirates won't necessarily welcome us as liberators. But we should have thought of that before we decided to attack. ("We should") Thanks for your unanimous support, Cabinet. But it is too late now! ("It is") WHEN A PRESIDENT'S ENGAGED… When a president's engaged in his employment, Or maturing yet another battle plan, His capacity for massive troop deployment, Does not mean he will go into Sudan. Disagreement he will casually smother, When he feels there's moral duty to be done. Ah take over one small nation or another, A crusader's lot is not a happy one. Ahhh [make machine gun motion with clubs] (When he feels there's moral duty to be done, to be done, A crusader's lot is not a happy one, happy one.) Of a humble foreign policy he boasted. But conqu'ring countries gives him such a thrill. In schools the Ten Commandments should be posted, But he never learned to read, 'Thou shalt not kill.' When a complete sentence he can utter. He loves to lie about uranium. Ah take one false explanation or another, A crusader's lot is not a happy one. Ahhh [lay palm upward, push down imaginary button with finger] [chorus all falls down] (When he feels there's moral duty to be done, to be done, A crusader's lot is not a happy one, happy one.) - by Josiah Pertz (Sgt.) - sung on hack night, 12/11/04 Margaret HRG&SP  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 22:18:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL3IZF0025717; Mon, 20 Dec 2004 22:18:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBL3IWWS011954 for ; Mon, 20 Dec 2004 22:18:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBL3HqTJ027290; Mon, 20 Dec 2004 22:17:52 -0500 (EST) Date: Mon, 20 Dec 2004 22:17:52 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Threaten with Emutes and assorted silly weapons Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 22:17:52 -0500 (EST) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Threaten with Emutes and assorted silly weapons Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.095 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 >>> John Spartan wrote: I always thought it meant some kind of musket. Judge my surprise to learn it meant "outburst." >>> That's Gilbert: A lesser playwright would have a militia of some kind fighting pistol-(or at least sword-) wielding Pirates. Instead, Gilbert has the mild-mannered London Constabulary, armed only with truncheons, fight the pirates, armed only with emutes and life preservers. By the way, are the pirates near London, or are the Police in Cornwall? Either way, it seems like a long way from home base for one group or the other! John, we can dispense with Villianous saltpetre while we have tongues with which to blow them up! Best regards, Sam  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 22:19:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL3JHF0025822; Mon, 20 Dec 2004 22:19:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBL3J1tS015698 for ; Mon, 20 Dec 2004 22:19:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBL3IsTJ027481; Mon, 20 Dec 2004 22:18:55 -0500 (EST) Date: Mon, 20 Dec 2004 22:18:54 -0500 (EST) Message-Id: <6.2.0.14.2.20041220215215.02b6f6d8@pop.hnsn.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: An Oz sighting - Movies with G&S references Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_277137612==.ALT" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.2.0.14.0.20041220150500.04e35b10@pop3.demon.co.uk> X-Mailer: QUALCOMM Windows Eudora Version 6.2.0.14 X-Spam-Score: -3.915 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 22:18:54 -0500 (EST) Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: An Oz sighting - Movies with G&S references X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.2.0.14.0.20041220150500.04e35b10@pop3.demon.co.uk> X-Spam-Score: -3.915 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 --=====================_277137612==.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed At 10:20 AM 12/20/2004, David England wrote: >Mateus de Castro wrote: > >> With that in mind I want to raise a subject. How many G&S movie >> references can we come up with? > >http://www.agitators.com/movies/c/g.html gives: >Chariots of Fire >(1981) >"Three little maids from school are we" from The Mikado >Foul Play (1978) >Overture; "If you want to know who we are"; >The Hand That >Rocks the Cradle (1992) >"My gallant crew", "I am the Captain of the Pinafore", "Sir Joseph's barge >is seen" and "Hardly ever..." from HMS Pinafore >"Oh dry the glistening tear" and "Poor wandering ones" from The Pirates of >Penzance >Kate & Leopold >(2001) >"I am the very model of a modern Major-General" from The Pirates of Penzance >Pret-a-Porter >(1994) >Excerpts from The Pirates of Penzance >Raiders of the >Lost Ark (1981) >"A British Tar" from HMS Pinafore >Star Trek: >Insurrection (1998) >"A British Tar" from HMS Pinafore >Things to Do in >Denver When You're Dead (1995) >"When the foeman bares his steel" from The Pirates of Penzance >Up Periscope (1959) >"With Cat-Like Tread" from The Pirates of Penzance >Wilde (1997) >"Ah, leave me not to pine" from The Pirates of Penzance In addition, there are, of course, THE STORY OF GILBERT AND SULLIVAN, TOPSY-TURVY, and LILLIAN RUSSELL in which our heroes are portrayed (though the portrayal of G&S in the last is a travesty); THE PIRATE MOVIE, DEADEYE DICK, and the two theatrical films of THE MIKADO; Mr Darling sings "When I was a lad" in the recent PETER PAN (but why not something from Pirates, which would surely have been more apropos?); and, there is, I'm afraid, a porno film set in Victorian times with a G&S soundtrack (I can provide no details, I'm happy to say). And though it isn't a theatrical movie, G&S can be heard here and there in THE PALLISERS. TALES OF BEATRIX POTTER features a snatch of THE BEAUTY STONE, of all things. As far as references to UL or GD go, has anyone ever filmed THE WEST END HORROR (which mentions GD)? -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ron.orenstein@rogers.com --=====================_277137612==.ALT Content-Type: text/html; charset="us-ascii" At 10:20 AM 12/20/2004, David England wrote:

Mateus de Castro wrote:

   With that in mind I want to raise a subject. How many G&S movie references can we come up with?

http://www.agitators.com/movies/c/g.html gives:
Chariots of Fire (1981)
"Three little maids from school are we" from The Mikado
Foul Play (1978)
Overture; "If you want to know who we are";
The Hand That Rocks the Cradle (1992)
"My gallant crew", "I am the Captain of the Pinafore", "Sir Joseph's barge is seen" and "Hardly ever..." from HMS Pinafore
"Oh dry the glistening tear" and "Poor wandering ones" from The Pirates of Penzance
Kate & Leopold (2001)
"I am the very model of a modern Major-General" from The Pirates of Penzance
Pret-a-Porter (1994)
Excerpts from The Pirates of Penzance
Raiders of the Lost Ark (1981)
"A British Tar" from HMS Pinafore
Star Trek: Insurrection (1998)
"A British Tar" from HMS Pinafore
Things to Do in Denver When You're Dead (1995)
"When the foeman bares his steel" from The Pirates of Penzance
Up Periscope (1959)
"With Cat-Like Tread" from The Pirates of Penzance
Wilde (1997)
"Ah, leave me not to pine" from The Pirates of Penzance


In addition, there are, of course, THE STORY OF GILBERT AND SULLIVAN, TOPSY-TURVY, and LILLIAN RUSSELL in which our heroes are portrayed (though the portrayal of G&S in the last is a travesty); THE PIRATE MOVIE, DEADEYE DICK, and the two theatrical films of THE MIKADO; Mr Darling sings "When I was a lad" in the recent PETER PAN (but why not something from Pirates, which would surely have been more apropos?); and, there is, I'm afraid, a porno film set in Victorian times with a G&S soundtrack (I can provide no details, I'm happy to say).  And though it isn't a theatrical movie, G&S can be heard here and there in THE PALLISERS.  TALES OF BEATRIX POTTER features a snatch of THE BEAUTY STONE, of all things.

As far as references to UL or GD go, has anyone ever filmed THE WEST END HORROR (which mentions GD)?

--
Ronald I. Orenstein                           Phone: (905) 820-7886
International Wildlife Coalition              Fax/Modem: (905) 569-0116
1825 Shady Creek Court                
Mississauga, Ontario, Canada L5L 3W2          mailto:ron.orenstein@rogers.com
       --=====================_277137612==.ALT--  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 22:21:29 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL3LSF0026194; Mon, 20 Dec 2004 22:21:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBL3LHWS016166 for ; Mon, 20 Dec 2004 22:21:17 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBL3KcTJ027779; Mon, 20 Dec 2004 22:20:39 -0500 (EST) Date: Mon, 20 Dec 2004 22:20:38 -0500 (EST) Message-Id: <41C7940F.567FCC7@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: movies with G&S references MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: 3.06 X-Spam-Level: *** (3.06) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Dec 2004 22:20:38 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: movies with G&S references X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.06 X-Spam-Level: *** (3.06) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I'd mentioned these before, but for benefit of our new member (no, we've never had anyone from Brazil before, but whatever happened to that guy from Argentina...?) There's a British movie from the '50s that starred Alec Guiness called THE CAPTAIN'S PARADISE. There's a scene that takes place in Gibraltar; the captain (Guiness) is attending a band concert at which is played everyone's favorite tenor solo (to our newbies: that's my code phrase for "Take A Pair Of Sparkling Eyes"--hang around here for a while and you'll see where the phrase comes from; or you can contact me privately for an explanation) And there was a movie I'd seen about 2 years ago--a documentary about silent-film era comedians in which several G&S excerpts were used as background music. The specifics (from my original posting): > Late last night/early this morning, Philadelphia's PBS station aired a > movie called 4 CLOWNS. It's basically a compilation of film clips of > some old silent movie comedians: Laurel and Hardy (separately and > together), Charley Chase, and Buster Keaton. > > What was interesting was that I > heard four separate instances of Sullivan's music from the Savoy Operas: > "A Wandering Minstrel I", "With Cat-Like Tread", "My Name is John > Wellington Wells", and "When A Felon's Not Engaged..." > So you see? There are more instances of this sort of thing than most people think! Leonard Pinsker lpinsker@erols.com West Chester, PA USA "This is the *real* Leonard, dolt!"  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Dec 2004 23:09:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL49mF0005847; Mon, 20 Dec 2004 23:09:49 -0500 (EST) Received: from web60204.mail.yahoo.com (web60204.mail.yahoo.com [216.109.118.99]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id iBL49Xua018572 for ; Mon, 20 Dec 2004 23:09:34 -0500 (EST) Received: (qmail 71786 invoked by uid 60001); 21 Dec 2004 04:09:33 -0000 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=Mf/h5ZZ8Syto6HVOR9sbFHjHVcPtzw2O469/NCMpJeEtnVrUievRlYANDUxRQXRmZbYK+YOIkGl/OJN9Mkvu4eqdko2C6XL3XB1F5pyNIn5YqkdTdLzM+YuEMQa5+8bADvOlOEoq+T0/bOQaFFY4ftkxKFxYKe5qGV55YoP+d4s= ; Message-ID: <20041221040933.71784.qmail@web60204.mail.yahoo.com> Received: from [4.172.6.187] by web60204.mail.yahoo.com via HTTP; Mon, 20 Dec 2004 20:09:33 PST Date: Mon, 20 Dec 2004 20:09:33 -0800 (PST) From: John Spartan Subject: Pics To: David Jedlinsky MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0.001 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=Mf/h5ZZ8Syto6HVOR9sbFHjHVcPtzw2O469/NCMpJeEtnVrUievRlYANDUxRQXRmZbYK+YOIkGl/OJN9Mkvu4eqdko2C6XL3XB1F5pyNIn5YqkdTdLzM+YuEMQa5+8bADvOlOEoq+T0/bOQaFFY4ftkxKFxYKe5qGV55YoP+d4s= ; Date: Mon, 20 Dec 2004 20:09:33 -0800 (PST) From: John Spartan Subject: Pics To: David Jedlinsky X-Spam-Score: 0.001 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Dave! Almost forgot - There is only one close-up of you in all of MIT Ruddigore - at the end with Margaret's arm around you. I think I'm going to use the hallway shot at Sam's sing-out. John __________________________________ Do you Yahoo!? Yahoo! Mail - Easier than ever with enhanced search. Learn more. http://info.mail.yahoo.com/mail_250  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Dec 2004 01:08:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL68sF0001534; Tue, 21 Dec 2004 01:08:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBL68qIK015011 for ; Tue, 21 Dec 2004 01:08:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBL68kTJ029741; Tue, 21 Dec 2004 01:08:46 -0500 (EST) Date: Tue, 21 Dec 2004 01:08:46 -0500 (EST) Message-Id: <6.2.0.14.2.20041220220510.02bb6280@pop.hnsn.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: M*vies with G&S references Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 6.2.0.14 X-Spam-Score: -0.103 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Dec 2004 01:08:46 -0500 (EST) Reply-To: ron.orenstein@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: M*vies with G&S references X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -0.103 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 The new "Encyclopedia of Opera on Screen" by Ken Wlaschin has a lengthy entry on a 1937 movie called "The Girl Said No", which features performances by members of the Gilbert and Sullivan Opera Company of New York. Here is the entry: "This little-known movie is a kind of Gilbert and Sullivan time capsule, as it contains scenes of their comic operas as they were performed in a traditional manner by members of the old Gilbert and Sullivan Opera Company of New York. William Danforth, who sings the role of the Mikado, is said to have performed it for 25 years on stage. In the film, Danforth (playing old Savoyard William Hathaway) and his screen wife Beatrice (fellow Savoyard Vera Ross) own a restaurant where they can sing Gilbert and Sullivan with former colleagues Frank Moulan and Vivian Hart. When bookie Jimmie Allen (Robert Armstrong, the hero of King Kong) arranges as staging of The Mikado with the Savoyards at the theater to which he has access through a friend, Hathaway and his wife sell their restaurant to back the show. Unfortunately, it is actually a swindle arranged by Jimmie to get revenge on Pearl (Irene Hervey), whom he promised star billing in the show -- for a fee. Although he had planned to run off with the money, he falls in love with Pearl and confesses all to the Savoyards. They decide to put on the show anyway, with Frank Moulan as Ko-Ko and Carita Crawford as Yum-Yum, and it's a big hit. In The Mikado scenes, Danforth plays the Mikado. The Gilbert and Sullivan songs featured in the film include "A Wandering Minstrel I," "The Mikado's Song," "The Flowers That Bloom in the Spring," "Three Little Maids From School," and "The Lord High Executioner" from The Mikado; "I'm Called Little Buttercup" and "I am the Monarch of the Sea" from HMS Pinafore; "A Policeman's Lot is Not a Happy One" from The Pirates of Penzance; and "The Magnet and the Churn" from Patience. Betty Laidlaw and Robert Lively wrote the screenplay, Ira Morgan was the cinematographer, and Andrew Stone directed for Grand National Films. The film is also known as With Words and Music. Black and White. In English. 63 minutes. Video Yesteryear VHS." Has anyone out there actually seen this film, or can anyone shed any further light on it? -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ron.orenstein@rogers.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Dec 2004 02:49:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBL7nHF0015346; Tue, 21 Dec 2004 02:49:17 -0500 (EST) Received: from outgoing-legacy.mit.edu (OUTGOING-LEGACY.MIT.EDU [18.7.22.104]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBL7nAQ2002776; Tue, 21 Dec 2004 02:49:10 -0500 (EST) Received: from marengo-porosa.mit.edu (MARENGO-POROSA.MIT.EDU [18.7.22.80]) ) by outgoing-legacy.mit.edu (8.12.4/8.12.4) with ESMTP id iBL7n820026189; Tue, 21 Dec 2004 02:49:08 -0500 (EST) Received: (from nobody@localhost) by marengo-porosa.mit.edu (8.12.2+Sun) id iBL7n7Au004523; Tue, 21 Dec 2004 02:49:07 -0500 (EST) Received: from Host-64-179-37-3.StVincent.Edu (Host-64-179-37-3.StVincent.Edu [64.179.37.3]) (User authenticated as vhq@ATHENA.MIT.EDU) by webmail.mit.edu (IMP) with HTTP for ; Tue, 21 Dec 2004 02:49:07 -0500 Message-ID: <1103615347.41c7d573d41bd@webmail.mit.edu> Date: Tue, 21 Dec 2004 02:49:07 -0500 From: Vanessa H Quinlivan To: "David C. Jedlinsky" Cc: gsp-ec@mit.edu Subject: Re: Princess Ida Conductor's Score (fwd) References: In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.2.2 X-Originating-IP: 64.179.37.3 X-Spam-Score: -1.499 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Dec 2004 02:49:07 -0500 From: Vanessa H Quinlivan To: "David C. Jedlinsky" Cc: gsp-ec@mit.edu Subject: Re: Princess Ida Conductor's Score (fwd) In-Reply-To: X-Originating-IP: 64.179.37.3 X-Spam-Score: -1.499 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I don't know if anyone got back to you yet - We have a conductor's score, but it isn't bound. I don't know how much use that would be. (I'm also not sure if it's the correct type.) We can lend it out, as long as we get all of the pieces back. -Vanessa Quoting "David C. Jedlinsky" : > > Does MITG&SP own an Ida conductor's score? > > -Dave > > > ---------- Forwarded message ---------- > From: Margaret Maloney > To: Multiple recipients of list SAVOYNET > Date: Tue, 14 Dec 2004 22:13:59 -0500 (EST) > Subject: Princess Ida Conductor's Score > > Hi Savoyards! > > I've just subscribed to SavoyNet. I'm a member of the > Harvard-Radcliffe Gilbert and Sullivan Players, and am one of the > producers for our Spring show, Princess Ida. I was wondering if you > could help us out; we're in a bit of a bind. > > It's been quite a long time (eight years) since we've performed Ida, > and in that time we apparently have managed to lose our Ida > conductor's score. We've contacted our normal music vendors, and > besides being told that they do not have such a score, they have said > they are not even sure if such a score exists! > > So, I am looking for information on finding a Princess Ida conductor's > score, whether it be one that's available for sale or if we just > borrow it for the duration of our production (we would need it from > the first of February through April 19th). > > Thanks for your help, > Margaret Maloney > > HRG&SP > Cambridge, Massachusetts >  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Dec 2004 09:52:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id iBLEqOF6022254; Tue, 21 Dec 2004 09:52:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id iBLEpb8v012285 for ; Tue, 21 Dec 2004 09:51:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBLEpOTJ006276; Tue, 21 Dec 2004 09:51:24 -0500 (EST) Date: Tue, 21 Dec 2004 09:51:24 -0500 (EST) Message-Id: <20041221144726.27849.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Dick Deadeye or Duty Done MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.2.0.14.2.20041221010308.02b92bb0@pop.hnsn.phub.net.cable.rogers.com> X-Spam-Score: 3.961 X-Spam-Level: *** (3.961) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Dec 2004 09:51:24 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Dick Deadeye or Duty Done X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.2.0.14.2.20041221010308.02b92bb0@pop.hnsn.phub.net.cable.rogers.com> X-Spam-Score: 3.961 X-Spam-Level: *** (3.961) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 I taped the cartoon in question off TV many years ago and it was so annoying I actually taped over it. (And I save everything.) In the story, Dick Deadeye searches for the ultimate secret. (Shh!) http://www.cris.com/%7Eoakapple/gasdisc/mdeadeye.htm I've got the book and the soundtrack on LP. The wockicha-wockicha of the electric guitars is what did me in. I do like the new and improved lyrics though: I'm called little Buttercup Dear little Buttercup Though I would much rather not. But Ma called me Buttercup Pa called me Buttercup Parents like that should be shot. (Before the pedants zoom in, It might be "dear" or "sweet" or "12 Century representation of Renaissance man" Buttercup - I forget.) John __________________________________ Do you Yahoo!? Meet the all-new My Yahoo! - Try it today! http://my.yahoo.com  1,, X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Dec 2004 11:39:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBLGd0F0005297; Tue, 21 Dec 2004 11:39:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBLGcIid012285 for ; Tue, 21 Dec 2004 11:38:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBLGbLTJ008180; Tue, 21 Dec 2004 11:37:21 -0500 (EST) Date: Tue, 21 Dec 2004 11:37:21 -0500 (EST) Message-Id: <20041221163133.50324.qmail@web60207.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Die Another Deus -or- The Gods Grow Opium MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.182 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Dec 2004 11:37:21 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Die Another Deus -or- The Gods Grow Opium X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.182 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 Since we don't seem to be having any Christmas games this week, I turned my attention to Dan Kravetz's James Bond opera idea. Unfortunately, I found it was already done. There once was an ill-fated spy opera called "Die Another Deus." Below is the movie review I found. John S LI NY ***************** James Bondolier battles the evil Dr Nunca, who has set up an opium plantation in the small South American country of País de Americano sul Pequeno. Dr. Nunca drugs the natives during a tea party and forces them to work on his plantation. The always neurotic James Bondolier must comes to terms with his entomophobia, which attempts to provide the comic relief, as he makes his way through the bug-infested rain forest of País de Americano sul Pequeno. At the end of this opera seria, Bondolier finds Nunca's super missile, the “Mater ex Machina” but it is surrounded by tarantulas. Bondolier cannot get near. All seems lost until the chorus of natives rush on stage and remind him that tarantulas are not insects and his entomophobia will not prevent him from disabling the war-head. Unfortunately, he *is* killed by hundreds of spider bites when he slips on a squashed tarantula. As he sings the spectacularly difficult aria "Good-bye my friends, it's time to die" he falls on the control panel, launching the missile. Everyone is dead by the final curtain. Everyone. Critics panned the opera unanimously, saying that the word-play solution at the end was totally unbelievable (even for an opera), that there were way too many patter-songs for such a serious plot, and that having a tarantula-covered Bondolier get up, stagger to the window, look out, gasp, and sing "Everyone on Earth is now dead" just caused laughter and outrage. ***** P.S. Scott, can we re-write this opera? I think we can make it a hit. __________________________________ Do you Yahoo!? Send holiday email and support a worthy cause. Do good. http://celebrity.mail.yahoo.com  1,, X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Dec 2004 11:58:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id iBLGwbF0017338; Tue, 21 Dec 2004 11:58:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id iBLGwYid029630 for ; Tue, 21 Dec 2004 11:58:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id iBLGwGTJ008665; Tue, 21 Dec 2004 11:58:16 -0500 (EST) Date: Tue, 21 Dec 2004 11:58:16 -0500 (EST) Message-Id: <20041221164707.36601.qmail@web50904.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: M*vies with G&S references MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-492697030-1103647627=:30575" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.094 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Dec 2004 11:58:16 -0500 (EST) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: M*vies with G&S references X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.094 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.42 --0-492697030-1103647627=:30575 Content-Type: text/plain; charset=us-ascii > "Ronald Orenstein" ron.orenstein@rogers.com asked: > >Has anyone out there actually seen this film, or can anyone shed any >further light on it? I have the film on VHS. The extended Mikado sequences at the end are rather good. Particularly endearing is the end scene when Jimmie papers the house with Damon Runyon types to finish swindling Pearl the taxi dancer-turned-Yum-Yum. The show stops and one of the mugs in the audience yells to keep the show running because they "really love deez old shows". It is also know as "With Words And Music", because of the title conflict with a 1930 film of the same name. Oops. See IMdb: http://www.imdb.com/title/tt0028931/?fr=c2l0ZT1kZnxteD0yMHxzZz0xfGxtPTIwMHx0dD1vbnxwbj0wfHE9VGhlIEdpcmwgU2FpZCBub3xodG1sPTF8bm09b24_;fc=1;ft=8;fm=1 Marc Kenig Mt. View, CA --------------------------------- Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. Learn more. --0-492697030-1103647627=:30575 Content-Type: text/html; charset=us-ascii

> "Ronald Orenstein" ron.orenstein@rogers.com asked:
>
>Has anyone out there actually seen this film, or can anyone shed any
>further light on it?
I have the film on VHS.
 
The extended Mikado sequences at the end are rather good. Particularly endearing is the end scene when Jimmie papers the house with Damon Runyon types to finish swindling Pearl the taxi dancer-turned-Yum-Yum. The show stops and one of the mugs in the audience yells to keep the show running because they "really love deez old shows".
 
It is also know as "With Words And Music", because of the title conflict with a 1930 film of the same name. Oops.
 
 
Marc Kenig
Mt. View, CA
 

Do you Yahoo!?
Yahoo! Mail - Find what you need with new enhanced search. Learn more. --0-492697030-1103647627=:30575-- 
If you= would like to purchase the completed works, each one will be available o= n CD for US$10 + US$5 shipping (US$8 shipping outside North America). We = expect to have final copies available for shipping in late November - jus= t in time for Christmas stocking stuffers. It would be useful to hav= e some idea of demand so, if you are interested, please let us know.
 
 
Kindest regards,
&n= bsp;
Mike Newsome & Jean Minielly
 
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------=_NextPart_001_0000_01C12B47.618BAA60--  1,, Summary-line: 22-Aug mstorie@nwlink.com [41] #Conductor's Score for the Seattle "The Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA19819; Wed, 22 Aug 2001 15:19:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA19869 for ; Wed, 22 Aug 2001 15:19:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA06310; Wed, 22 Aug 2001 15:18:42 -0400 (EDT) Date: Wed, 22 Aug 2001 15:18:42 -0400 (EDT) Message-Id: <3B840322.E67F561C@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Conductor's Score for the Seattle "The Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Wed, 22 Aug 2001 15:18:42 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Conductor's Score for the Seattle "The Grand Duke" Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As many of know, the Seattle Gilbert & Sullivan Society commissioned our Music Director, Alan Lund, to produce an orchestration of "The Grand Duke" for our performances in Seattle and Buxton in 1999. This orchestration is available for sale and to date we have sold over a dozen sets. (A full description of these computer printed band parts is available on the G&S Archive web page as well as our web page at www.pattersong.org) We did not however produce a conductor's full score (with the vocal parts) mostly due to time constraints and the fact that Alan generally conducts from a marked up vocal score. Several of our customers have requested a full score and several have volunteered to assist in producing one. We appreciate these offers of help, but the Trustees have been reluctant to send out the computer readable version of the orchestration. (It is fairly easy to produce a conductor's score from the computerized instrumental parts. Adding the vocal lines and lyrics, necessary to make the score useful, entails much more work.) After a considerable amount of private e-mail over the past several months, Alan has decided to add the vocal lines to the existing conductor's score himself and make it generally available. He estimates that this job will be completed by the end of this year and an announcement of the details will be made at that time. Mike Storie Producer  1,, Summary-line: 23-Aug ichardbeighton@lineone.ne [195] #In defense of the Grand Duke . Part One(Long) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA19022; Thu, 23 Aug 2001 15:48:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA15407 for ; Thu, 23 Aug 2001 15:48:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA27547; Thu, 23 Aug 2001 15:47:33 -0400 (EDT) Date: Thu, 23 Aug 2001 15:47:33 -0400 (EDT) Message-Id: <001301c12c08$355359e0$0e3e7bd5@mybeighton> Errors-To: savoynet-owner@bridgewater.edu Reply-To: richardbeighton@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Beighton 1" To: Multiple recipients of list SAVOYNET Subject: In defense of the Grand Duke . Part One(Long) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Thu, 23 Aug 2001 15:47:33 -0400 (EDT) Reply-To: richardbeighton@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Beighton 1" To: Multiple recipients of list SAVOYNET Subject: In defense of the Grand Duke . Part One(Long) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There's been a lot of talk about GD & UL of late as indeed there is ever 6 months or so. As it is my favourite of the operas and I am usually guilty of being able to give no better reason for this than saying, "It just is, so there", I thought I'd try to see how much of it I actually find musical or dramatically worthwhile. And in the prosess I imagine that I'll go some way to explaining why it's still better than anything by Andrew Lloyd Webber. I suppose the real reason it's my favourite is that I'm always drawn to things which are out of the ordinary. I like GD simply because it is so flawed. I'm going to begin with the music of act one. (Act two will follow later.) And for those of you with no interest in hearing about what I think of GD then please feel free to stop reading now. It is very long, so I won't be offended. "Won't it be a pretty wedding?" I have always found this to be a wonderful opening to the opera. It has a driving force created by the constant quaver movement of the lower parts and an uplifting feel to the melody. (Which starts with an upward leap from dominant to tonic.) There is also so excellent us of syncopation, which constantly stress the second beat, towards then end of the opening. The solos keep up this mood by starting with a leap up of a 6th. Then we return to the opening which is this time concluded with the new material on "Here they come". This section always makes me think of ringing bells, which seems very appropriate. All in all it adds up to a stiking opening chorus. Yes, it is true that the cutting nature of a few of Gilbert's lyrics are lost, but then this is often the case. "Pretty Lisa" Yes, I admit this doesn't have much going for it. It's a charming waltz in itself but to my mind it holds up the action and does little to develop the characters of Ludwig or Lisa. "By the mystic regulation" I love this number. It's quite simple musically but to me it says so much. I suppose your reaction to this number depends on your reaction to the whole sausage roll business. I you go along with this ridiculous premise then it's a great number. The march tempo and dotted rhythm help capture the air of conspirasy. Particularly the dotted rhythm, which gives the impression that even if you are singing it loudly you give the impression of a conspiritorial whisper. Gilbert's words seem to follow very cleverly and inevitably. And the final stroke is Ludwig's vocal decorations at the end. Sullivan must have realised that there was humour in treating this ridiculous idea in such an obviously operatic way. "Were I a king" Again I admit that there it not much going for this aria. The setting is rather stodgy and the words are hardly original. Gilbert had used letters much more successfully elsewhere. ("A private baffoon"). But on the other hand, it is nice to see the tenor getting something a little different to sing. After all he it hardly cast in the role of a romantic lead. I've always felt that despite it's shortcomings this aria does help to set up the character of Ernest for us. "How would I play this part-" A gift of a song for the right actress. Wonderfully structured leading to the melodramatic middle section and then gradually relaxing back into the opening material. It ups up Julia perfectly. The actress who gets carried away. However, I do feel that the duet with which it closes has little to offer. "My goodness me!" A great chorus number which perfectly sums up, in it's overlapping phrases, the fear of the troup. "Ten minutes since" Not always inspired but it does the job and is set in such a way that the words can be clearly heard. After all they are vital and Sullivan always knew when to take a back seat. Where this song does rise above the ordinary is in the chorus parts. With this simple use of imitation Sullivan perfectly catures the growing fear of the actors. Then to change time from 2/4 to 6/8 at the end to increase their agitation. Sullivan surely know what he was doing here. "About a century since" Where I think this song falls down is coming straight after the last one. It's another song in which the story that is being told is of paramount importance. So coming wher it does in the opera it often sounds uninspired. But again I think Sullivan knew that a simple setting was needed. And in it's favour the chorus it again quiet a gem with the soprano line gliding lyrically over the more staccato nature of the others. "Strange the views" I love this madrgal. Wonderful harmony. Wonderful part writing with Julia constantly gliding off into the sky above the others. And the most wonderful depiction of chiming bells. Added to this we have a wonderful lyric by Gilbert. Very philosophic in nature and at times a odds with Sullivan's setting, which to my mind simply makes the whole piece more satisfying. "Now take a card" Servicable and nothing more. The lyrics are hardly inspired and neither is the music. But after such a wonderful madrigal who can complain. It does the job and it brings us back to the main action with a jolt after the interlude of the madrigal. "The good Grand Duke" I always think the lyrics to these are pretty terrible. But it could be argued that they are suposed to be, as if the chamberlains find it difficult to sing any real words of praise to the Duke. And a similar argument could be put forward for the melody. "A pattern to professors of monarchical autonomy" Very run of the mill. I always fing myself wishing for some form of patter song here. But I think the stilted nature of the dotted rhythms does in a way convey a little of the Duke's belief in formality. "As o'er a peny roll we sing" I love this duet. The words are not great but I think the tune captures the characters of the Duke and Baroness perfectly. This is particularly true for me in the chorus where Sullivan has them singing in 6/8 against a very strict 2/4 tango accumpaniment. I think this is a wonderful effect and also gives us the impression of the pair dancing (as it were) at odds with reality. "When you find you're a broken down critter" A wonderful song with a lot of little touchs to bring it to life. There is lots to use here for a gifted actor or director as was shown in Seattle's production a couple of years ago where David Ross turned it into one of the highlights of the show. It also tends to help us sympathise with the Duke as the end of each verse it set in a lyrical and touching way. (On "better lie down" and "not at all well.). I have always thought that this makes a wonderful change from having a patter song here and shows that Gilbert and Sullivan could still be original. "Finale Act One" Very long and rambling. Yes. But if cut down it has many wonderful and dramatic moments. 1. "Come hither" is a great dramatic opening. 2. "With faltering feet" perfectly captures the mood of the chorus. 3. "Big bombs" is a wonderful and ridiculous musical and poetic creation of an argument. Added to this, it is so ridiculous that we can see it is all an act. Of course the chorus can't and so when they begin with, "When two doughty heros thunder" their music is truely dramatic. 4. "For this will be a jolly court" makes for a wonderful jolly close to the first half. Well that's it so far. And if you've stayed the course you can see that I really do believe that GD has a lot going for it. Andrew PS. Part Two will follow next week.  1,, Summary-line: 24-Aug seppe_palmieri@altavista. [87] #Re: In defense of the Grand Duke . Part One(Long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA03507; Fri, 24 Aug 2001 04:13:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA04733 for ; Fri, 24 Aug 2001 04:13:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA17456; Fri, 24 Aug 2001 04:12:30 -0400 (EDT) Date: Fri, 24 Aug 2001 04:12:30 -0400 (EDT) Message-Id: <20010824080422.26514.cpmta@c012.sfo.cp.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: In defense of the Grand Duke . Part One(Long) Content-Type: text/plain Content-Disposition: inline Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Web Mail 3.9.3.5 *** EOOH *** Date: Fri, 24 Aug 2001 04:12:30 -0400 (EDT) Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: In defense of the Grand Duke . Part One(Long) Content-Type: text/plain Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am a fellow GRAND DUKE admirer, but even among people with the same general opinion, there can be differences on the specifics. So here goes: On Thu, 23 August 2001, "Andrew Beighton 1" wrote: > "Won't it be a pretty wedding?" I'm not at all fond of this number - I find the chorus music rather boring, and it's much too reminiscent of the opening chorus of TBJ for my taste (and I don't care much for that number either). The solos seem to me a bit awkward both musically and lyrically. I do like the "wedding bells" at the end of the number, though. > "Pretty Lisa" Again my opinion is opposite Andrew's; this is one of my favorite pieces in the opera, probably because of its strong Viennese waltz flavor (it reminds me of the "Liebeslieder Waltzes", which I happen to be quite fond of). I also think it serves as a nice introduction to Ludwig and Lisa. > "By the mystic regulation" I find the sausage roll idea quite amusing, and I agree that the pompousness of Sullivan's setting nicely shows up the ridiculousness (if that's a word) of the idea. But musically it's not one of my favorite numbers in the show. > "Were I a king" I like this number somewhat better than Andrew does, but I agree it's far from spectacular. > "How would I play this part-" I completely agree with Andrew on this one; it's a splendid song for Julia, and I also don't care much for the brief duet section at the end. > "My goodness me!" I'm not particularly fond of this chorus - it serves a similar purpose to the chorus section of "Hark! What was that, sir?" in YEOMEN, but is musically less attractive. > "Ten minutes since" I like the melody of Ludwig's solo in this one, and also the cascading chorus entrances that Andrew mentioned. The switch to the fast 6/8 (as Andrew also pointed out) is quite effective. > "About a century since" I have a better opinion of this number than Andrew does. Again it reminds me of a previous G & S number, but this time it's one that I like: "Our great Mikado". > "Strange the views" I agree completely with Andrew on this number; a lovely madrigal, ranking up there in my mind with "Strange adventure" and "Brightly dawns our wedding day". > "Now take a card" I generally agree that this is not particularly inspired, although I do like some of the harmony writing in the ensemble sections. > "The good Grand Duke" I don't especially like the melody of the song, but I do like the gracious instrumental tune that preludes it and then repeats afterwards as a transition into the next song. I like the lyrics better than Andrew does, though. > "A pattern to professors of monarchical autonomy" I love the lyrics of this song; it does an excellent job of introducing Rudolph to the audience. The tune (as Andrew says) is not great but fits his character well. > "As o'er a peny roll we sing" I used to dislike this number but it's been growing on me more each time I hear it. It's still not one of my favorites in the opera, though, and I think it adds little to the characterization of Rudolph and the Baroness that the preceding dialogue hasn't already thoroughly covered, and if you're looking for something to cut, I'd say this would be a candidate. > "When you find you're a broken down critter" This is one of my favorite numbers in the show (again Andrew and I agree); the lyrics are delightful, and Sullivan does a wonderful job of setting it. There are some cute touches in the orchestration that emphasize certain phrases in the text. > "Finale Act One" This number is for me a very mixed bag. On the plus side, it has a pretty solo for Lisa ("The die is cast"), a nice solo with chorus for Ludwig ("A monarch who boasts intellectual graces"), and the "big bombs" section is kind of cute. On the other hand, a lot of the rest of it is uninspired and tedious; it also has some appalling lyrics (e.g. "if our plot complete he has managed to diskiver" and "all the pretty women weep'll"). The section where Julia goes on and on about her "professional position" forcing her to take the role of the Grand Duke's wife is way too long (and is as a result often severely edited in performance). I'm eagerly awaiting Andrew's post about act II, and I will probably chime in again with my opinions once he has done so. David Michaels Seattle, WA, USA giuseppe_palmieri@altavista.com "Nothing is more annoying than to feel that you're not equal to the intellectual pressure of the conversation." Find the best deals on the web at AltaVista Shopping! http://www.shopping.altavista.com  1, answered,, Summary-line: 24-Aug cjedlinsky@yahoo.com [14] #test X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA07669; Fri, 24 Aug 2001 10:33:46 -0400 (EDT) Received: from web20302.mail.yahoo.com (web20302.mail.yahoo.com [216.136.226.83]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id KAA12478 for ; Fri, 24 Aug 2001 10:30:29 -0400 (EDT) Message-ID: <20010824143026.51778.qmail@web20302.mail.yahoo.com> Received: from [65.199.214.39] by web20302.mail.yahoo.com; Fri, 24 Aug 2001 07:30:26 PDT Date: Fri, 24 Aug 2001 07:30:26 -0700 (PDT) From: Cindy Jedlinsky Subject: test To: opus@MIT.EDU MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Fri, 24 Aug 2001 07:30:26 -0700 (PDT) From: Cindy Jedlinsky Subject: test To: opus@MIT.EDU Content-Type: text/plain; charset=us-ascii Hola- just set up a yahoo account for a little privacy when sending resume's so wanted to see if it really works. My address is cjedlinsky@yahoo.com __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  1,, Summary-line: 24-Aug nlgilman@MIT.EDU [19] #Re: reputable IT/software temp agency? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA17880; Fri, 24 Aug 2001 15:44:25 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA18022; Fri, 24 Aug 2001 15:44:25 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA20997; Fri, 24 Aug 2001 15:44:25 -0400 (EDT) Received: (from nlgilman@localhost) by department-of-alchemy.mit.edu (8.9.3) id PAA23044; Fri, 24 Aug 2001 15:44:24 -0400 (EDT) Date: Fri, 24 Aug 2001 15:44:24 -0400 (EDT) Message-Id: <200108241944.PAA23044@department-of-alchemy.mit.edu> From: Nancy Louise Bigler Gilman To: mwhitson@mit.edu CC: opus@mit.edu In-reply-to: (message from Mike Whitson on 10 Aug 2001 19:29:30 -0400) Subject: Re: reputable IT/software temp agency? References: *** EOOH *** Date: Fri, 24 Aug 2001 15:44:24 -0400 (EDT) From: Nancy Louise Bigler Gilman To: mwhitson@mit.edu CC: opus@mit.edu In-reply-to: (message from Mike Whitson on 10 Aug 2001 19:29:30 -0400) Subject: Re: reputable IT/software temp agency? Dave may have some more up to date information for you. It has been long enough since I worked with any of the local agencies that I can't give specific recommendations. However, it really helps to have an "inside" reference. You are more likely to be looked at seriously by an agency if one of their people recommends you. In the current market that can be more important than some of the other diffenerces between companies. Hope it helps... Nancy  1,, Summary-line: 25-Aug cjedlinsky@yahoo.com [54] #Re: test X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA16972; Sat, 25 Aug 2001 15:07:28 -0400 (EDT) Received: from web20306.mail.yahoo.com (web20306.mail.yahoo.com [216.136.226.87]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id PAA29029 for ; Sat, 25 Aug 2001 15:07:27 -0400 (EDT) Message-ID: <20010825190726.96955.qmail@web20306.mail.yahoo.com> Received: from [63.61.209.43] by web20306.mail.yahoo.com via HTTP; Sat, 25 Aug 2001 12:07:26 PDT Date: Sat, 25 Aug 2001 12:07:26 -0700 (PDT) From: Cindy Jedlinsky Subject: Re: test To: "David C. Jedlinsky" In-Reply-To: <200108241452.KAA11130@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Sat, 25 Aug 2001 12:07:26 -0700 (PDT) From: Cindy Jedlinsky Subject: Re: test To: "David C. Jedlinsky" In-Reply-To: <200108241452.KAA11130@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Hola! I was just trying to figure out what was in the market- no one places ads with freaking salaries printed. Erika told me that the market is pretty bad up there right now and when I get onto Bostonworks there isn't anything available- but work is ok right now. Making pretty good money and am just fine for staying where I am for now. How is life without Ruth? Has she returned from Europe yet? Did she buy you anything cool? I'm typing on Tom's kickass new computer. It's a Dell Dimension 8100 and it's all black. You'd get a hard on over it. He says it has a Pentium 4 (whatever that is). Anyway- we're going to arrive on Friday in Columbus- what are your plans Mr I Fly for Free? When does Dad arrive? Let's try and get together- we don't have plans to stay at the hotel on Friday night b/c Tom has a friend in Columbus and we're going to stay at his place but I'd still like to see you if possible on Friday. Of course, I haven't even bought our plane tickets yet so I'll have to let you know when we arrive. Gotta go- chat whicha lata. Luv-your favorite youngest sister Cinders --- "David C. Jedlinsky" wrote: > > Yup, it works. > > Resume's? You mean you're looking for a job? :-) > > Still planning on visiting? Or are we next going to > see you in > Columbus? > > -Dave __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  1,, Summary-line: 26-Aug DSMITH@UMassD.Edu [192] #B2001 Savoynet Production Quote Book X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA16573; Sun, 26 Aug 2001 12:27:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA06533 for ; Sun, 26 Aug 2001 12:27:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA23496; Sun, 26 Aug 2001 12:25:47 -0400 (EDT) Date: Sun, 26 Aug 2001 12:25:47 -0400 (EDT) Message-Id: <01K7L8EGS3UQ000H2P@UMassD.Edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DSMITH@UMassD.Edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: B2001 Savoynet Production Quote Book MIME-version: 1.0 Content-type: TEXT/PLAIN; CHARSET=us-ascii Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 26 Aug 2001 12:25:47 -0400 (EDT) Reply-To: DSMITH@UMassD.Edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: B2001 Savoynet Production Quote Book Content-type: TEXT/PLAIN; CHARSET=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear All, It has been my privilege to carry on the traditions of the Savoynet Production Quote Book this year. As Sharon Brindle remarked in compiling previus versions: [The Quote Book contains] "those chance comments that could be misconstrued if taken out of context. If there was a double entrendre within earshot, I had it in that book quicker than you can say 'No, I don't mean that!'" While the Quote Book officially closed with the end of the Production, there were a few choice remarks throughout the remainder of the Festival which were too good to let lapse into obscurity. Here it is while the events are still fresh in peoples' minds. Enjoy! Don Smith East Taunton, Mass. ===================================== "Ladies, if there are gentlemen at your table who are not performing adequately ..." (Nick Sales) "We don't want to be punished by TFC for not having adequate beards." (Peter Crichton) "Oh yes you do! She does a very good job!" (David Cookson, excitedly) "Every other secretary I've ever had has quit." (David Craven, on his current secretary) "We're trying to become as intimate as possible." (Stephen Turnbull) "It's got replaceable rubber bits." (Stuart Box) "Does anybody here have a spare screw...?" (Neil Smith) "Can I have two men please?" (Sandra Vamplew) "Stand up please! Oh, you are standing!?) (David Duffey to Bob Richards) "Yours isn't long enough." (Carol Crichton to Peter Crichton) "Have you finished with the women?" (Larry Garvin to David Duffey) "Would you leave my privates alone?" (Ian Hollamby to David Duffey) "Kelsey's got the longest ones." (Bob Richards) "For the first time ever, I'm enjoying the Mikado." (Mike Nash) "I pinched Kelsey's seat last night." (Julie Bjerregaard) "I dine ON middle-class people." Richard Ogden (a portly Pooh-Bah in the Abbott's-Langley Mikado" (The first to make the quote book from on-stage.) "Jill puts up a board to ask if you want a roll for lunch." (David Duffey) "Put your thumb on top to help guide it in." (David Duffey) "Use vaseline on it." (David Duffey) "Get your swords up to the light and flash." (David Duffey) "Keep your eyes on Lisa for the speed you go down at." (David Duffey) "Only get them half out." (David Duffey) "If you could open yourself out a little more." ((David Duffey to Claire Little) "They don't know what's happening so they fall back." (David Duffey) "Alright, you can go back in now." (Marc Shepherd) "You'll have to work on getting the jump together." (David Duffey) "Don't do it ostentatiously." (Ian Hollamby) "Just hold it while he does his bit." (David Duffey) "We will discuss this off-line." (Marc Shepherd) "If you haven't had what you fancy..." (Jill Duffey) "You're a 1/2 tone sharp." (David Duffey) "Stop stealing my jokes." (David Cookson" "How else would he have any." (Larry Garvin) "The ladies clumps will be in front of the gentlemen's clumps." (David Duffey) "That won't go down well." (Tim Bartlett." "The technical term is 'pissed off' - rapturously pissed off." (David Duffey) "Gentlemen - at this point grab yourself a woman. ..Grab the nearest available bit." (David Duffey) "How many positions?" (Peter Wilde) "68 more to go. Use your imagination." (David Duffey) "Let's go through this and get them off." (Marc Shepherd) "Marc is busy yelling at me." (David Duffey) "He's not the only one." (Jill Duffey) "After rehearsal today I'm meeting with the Director to work on my attitude. (David Craven) "Don't show that you are screwing yourself up for it." (David Duffey) "It's better when it comes out naturally." (David Duffey) "That's as far as you go." (Carol Crichton to Peter Crichton) "Paul has already warmed up the ladies." (Lisa Berglund) "When we bow, are we admiring the ladies' faces and boobs or the squashed fly?" (Tim Bartlett) "If you get turned around, all they will see is your backside, which is not what we want to show the audience." (Marc Shepherd to Stephen Hill) "If I tap you on the shoulder, it means you aren't being romantic enough." (Marc Shepherd) "We want to give the audience lots of thrills." (David Duffey) "The two of you leaning on Bob will be very efective." (David Duffey) "Janice, when you cross over, can you go all they way?" (David Duffey) "You've obviously been rubbing yours hard." (Jackie Richards to Kelsey Thornton) "At the end, KAL will be on the telephone talking to the Solicitor." (David Duffey) "That's 0898..." (Mike Nash) "Who would think that Bob Richards would try to milk a scene?" (David Duffey) "Loved ones will have a better shot at you." (Marc Shepherd) "There are a lot of hills in Buxton - and sheep." (David Duffey) "Bob Richards wants to interrupt. Is that uunsual?" (David Duffey) "It's the only thing of Jackie's I haven't screwed up all day." (Bob Richards) "It's amazing that all the kazoo sounds are coming from the vegetarian section. (John Duffey) "I've got me teabag up me spout." (Jill Duffey) "We'll just stitch over each end to keep them stiff." (Jill Duffey) "Up to now you have known Jill as an angel of mercy. You will now see her in her true colours." (David Duffey) "There is some question of your modesty when you go down and the legs go up." (David Duffey) "I haven't had all the ladies." (Stephen Hill) "Can you pull and tug each other?" (Jill Duffey) "Do you know the difference between a buffalo and an orchestra? (Overheard from the ladies' chorus dressing room on show day.) "I didn't give you one, did I?" (Neil Smith to Stephen Turnbull) "I've had my hands in more men's trousers this week." (Sandra Vamplew) And the FINAL CLASSIC (not from a Savoynetter but one which deserves to be immortalized): "Great projection!" (Cynthia Morey in commenting on the South Anglia Pirate King, who wore tights with nothing on underneath.)  1,, Summary-line: 28-Aug dennisj@charter-ne.com [251] #Fwd: Fw: COW POLITICS X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA21745; Tue, 28 Aug 2001 10:56:38 -0400 (EDT) Received: from etics.charter-ne.com (hidden-user@tics1.charter-ne.com [24.151.8.172]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA27355 for ; Tue, 28 Aug 2001 10:56:38 -0400 (EDT) Received: from tics1.charter-ne.com (tics1.charter-ne.com [172.19.1.2]) by etics.charter-ne.com (8.8.8/8.8.8) with ESMTP id KAA11350 for ; Tue, 28 Aug 2001 10:56:38 -0400 (EDT) (envelope-from dennisj@charter-ne.com) Received: (from nobody@localhost) by tics1.charter-ne.com (8.8.8/8.8.8) id KAA01462; Tue, 28 Aug 2001 10:56:37 -0400 (EDT) (envelope-from dennisj@charter-ne.com) Date: Tue, 28 Aug 2001 10:56:37 -0400 (EDT) Message-Id: <200108281456.KAA01462@tics1.charter-ne.com> Subject: Fwd: Fw: COW POLITICS To: "David Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00FE_01C12FA9.ABE25580" *** EOOH *** Date: Tue, 28 Aug 2001 10:56:37 -0400 (EDT) Subject: Fwd: Fw: COW POLITICS To: "David Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications Content-Type: multipart/alternative; boundary="----=_NextPart_000_00FE_01C12FA9.ABE25580" ------=_NextPart_000_00FE_01C12FA9.ABE25580 Content-type: text/plain; charset=us-ascii (This message by Allan P. Vaughan is forwarded to you from dennis jedlinsky .) ----- Original Message ----- From: jstack To: Allan Vaughan (E-mail) Sent: Tuesday, August 28, 2001 9:51 AM Subject: COW POLITICS This is pretty clever ----- Original Message ----- Subject: COW POLITICS > THE TWO COW EXPLANATION OF POLITICS AND CULTURE... > > A CHRISTIAN DEMOCRAT: > You have two cows. You keep one and give one to your neighbor. > > A SOCIALIST: > You have two cows. The government takes one and gives it to your neighbor. > > A REPUBLICAN: > You have two cows. Your neighbor has none. So what? > > A DEMOCRAT: > You have two cows. Your neighbor has none. You feel guilty for being > successful. You vote people into office who tax your cows, forcing you to > sell one to raise money to pay the tax. The people you voted for then take > the tax money and buy a cow and give it to your neighbor. You feel righteous. > > A COMMUNIST: > You have two cows. The government seizes both and provides you with milk. > > A FASCIST: > You have two cows. The government seizes both and sells you the milk. You > join the underground and start a campaign of sabotage. > > DEMOCRACY, AMERICAN STYLE: > You have two cows. The government taxes you to the point you have to sell > both to support a man in a foreign country who has only one cow, which was a > gift from your government. > > CAPITALISM, AMERICAN STYLE: > You have two cows. You sell one, buy a bull, and build a herd of cows. > > BUREAUCRACY, AMERICAN STYLE: > You have two cows. The government takes them both, shoots one, milks the > other, pays you for the milk, then pours the > milk down the drain. > > AN AMERICAN CORPORATION: > You have two cows. You sell one and force the other to produce the milk of > four cows. You are surprised when the cow > drops dead. > > A FRENCH CORPORATION: > You have two cows. You go on strike because you want three cows. > > A JAPANESE CORPORATION: > You have two cows. You redesign them so they are one-tenth the size of an > ordinary cow and produce twenty times the milk. > > A GERMAN CORPORATION: > You have two cows. You reengineer them so they live for 100 years, eat once a > month, and milk themselves. > > AN ITALIAN CORPORATION: > You have two cows but you don't know where they are. You break for lunch. > > A RUSSIAN CORPORATION: > You have two cows. You count them and learn you have five cows. You count > them again and learn you have 42 cows. You count them again and learn you > have 12 cows. You stop counting cows and open another bottle of vodka. > > A MEXICAN CORPORATION: > You think you have two cows, but you don't know what a cow looks like. You > take a nap. > > A SWISS CORPORATION: > You have 5000 cows, none of which belongs to you. You charge for storing them > for others. > > A BRAZILIAN CORPORATION: > You have two cows. You enter into a partnership with an American corporation. > Soon you have 1000 cows and the American corporation declares bankruptcy. > > AN INDIAN CORPORATION: > You have two cows. You worship them. > ----------------------- Headers -------------------------------- Return-Path:
 
----- Original Message -----=20
From: jstack =
Sent: Tuesday, August 28, 2001 9:51 AM
Subject: COW POLITICS

This=20 is pretty clever
 
 
----- Original Message -----=20
Subject: COW POLITICS

> THE TWO COW EXPLANATION OF = POLITICS AND=20 CULTURE...
>
>  A CHRISTIAN DEMOCRAT:
>  = You have=20 two cows. You keep one and give one to your neighbor.
> =
>  A=20 SOCIALIST:
>  You have two cows. The government takes one = and gives=20 it to your
neighbor.
>
>  A REPUBLICAN: =
> =20 You have two cows. Your neighbor has none. So what?
> =
>  A=20 DEMOCRAT:
> You have two cows. Your neighbor has none. You feel = guilty=20 for being
> successful. You vote people into office who tax your = cows,=20 forcing you to
> sell one to raise money to pay the tax. The = people you=20 voted for then take
> the tax money and buy a cow and give it to = your=20 neighbor. You feel
righteous.
>
>  A COMMUNIST: =
>=20 You have two cows. The government seizes both and provides you with = milk.=20
>
>  A FASCIST:
> You have two cows. The = government=20 seizes both and sells you the milk. You
> join the underground = and start=20 a campaign of sabotage.
>
>  DEMOCRACY, AMERICAN = STYLE:=20
> You have two cows. The government taxes you to the point you = have to=20 sell
> both to support a man in a foreign country who has only = one cow,=20 which was
a
> gift from your government.
> =
> =20 CAPITALISM, AMERICAN STYLE:
> You have two cows. You sell one, = buy a=20 bull, and build a herd of cows.
>
>  BUREAUCRACY, = AMERICAN=20 STYLE:
> You have two cows. The government takes them both, = shoots one,=20 milks the
> other, pays you for the milk, then pours the
> = milk=20 down the drain.
>
>  AN AMERICAN CORPORATION: =
> You=20 have two cows. You sell one and force the other to produce the milk of =
>=20 four cows. You are surprised when the cow
> drops dead.
>=20
>  A FRENCH CORPORATION:
> You have two cows. You go = on=20 strike because you want three cows.
>
>  A JAPANESE=20 CORPORATION:
> You have two cows. You redesign them so they are = one-tenth=20 the size of an
> ordinary cow and produce twenty times the milk. =
>=20
>  A GERMAN CORPORATION:
> You have two cows. You = reengineer=20 them so they live for 100 years, eat
once a
> month, and milk = themselves.
>
>  AN ITALIAN CORPORATION:
> You = have=20 two cows but you don't know where they are. You break for lunch. =
>=20
>  A RUSSIAN CORPORATION:
> You have two cows. You = count them=20 and learn you have five cows. You count
> them again and learn = you have=20 42 cows. You count them again and learn you
> have 12 cows. You = stop=20 counting cows and open another bottle of vodka.
>
>  = A=20 MEXICAN CORPORATION:
> You think you have two cows, but you don't = know=20 what a cow looks like. You
> take a nap.
>
>  = A SWISS=20 CORPORATION:
> You have 5000 cows, none of which belongs to you. = You=20 charge for storing
them
> for others.
>
>  = A=20 BRAZILIAN CORPORATION:
> You have two cows. You enter into a = partnership=20 with an American
corporation.
> Soon you have 1000 cows and = the=20 American corporation declares bankruptcy.
>
>  AN = INDIAN=20 CORPORATION:
> You have two cows. You worship them.
> =



----------------------- Headers=20 --------------------------------
Return-Path: <germ=20
------=_NextPart_000_00FE_01C12FA9.ABE25580--  1,, Summary-line: 28-Aug mkenig@yahoo.com [47] #New G&S "recording" - G&S for Yamaha Disklavier X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA11831; Tue, 28 Aug 2001 19:37:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA00653 for ; Tue, 28 Aug 2001 19:37:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA22508; Tue, 28 Aug 2001 19:36:15 -0400 (EDT) Date: Tue, 28 Aug 2001 19:36:15 -0400 (EDT) Message-Id: <20010828231338.15782.qmail@web10502.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: New G&S "recording" - G&S for Yamaha Disklavier MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 28 Aug 2001 19:36:15 -0400 (EDT) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: New G&S "recording" - G&S for Yamaha Disklavier Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A new *recording* and a first! G&S for Yamaha Disklavier: http://www.yamahamusicsoft.com/prod/product_test.php?productid=4662&midi=1&print=0 "Pianosoft" is the label Yamaha has for the Disklavier proprietary software the sell. PianoSoft Plus - Audio is a CD format which combines Midi tracks for the piano solo with a live recorded sound and plays them simultaneously. Singers, soloists, etc are recorded, the piano is "live". The new pianos, Disklavier MkIII, take a CD media as well as diskette. "Nine songs from Gilbert & Sullivan's comic opera classics H.M.S. Pinafore@ The Mikado and The Pirates of Penzance are sung by top vocalists accompanied by Bryan Pezzone on piano. This great CD in the Classical Collection also features the Czech Symphony Orchestra and the Prague Philharmonic Choir. Songs include: I Am the Very Model (Of a Modern Major General), (I'm Called) Little Buttercup, Three Little Lads(sic?), Tit-Willow, When I Was a Lad, and more." As a Disklavier owner, all I can say is: Be still my beating heart. Marc Kenig Mt. View, CA __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  1,, Summary-line: 29-Aug kingparamount@gilbert-and [78] #North American Participation. (Was Re: Adjudication X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA03234; Wed, 29 Aug 2001 15:29:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA18880 for ; Wed, 29 Aug 2001 15:26:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA13937; Wed, 29 Aug 2001 15:22:56 -0400 (EDT) Date: Wed, 29 Aug 2001 15:22:56 -0400 (EDT) Message-Id: <5.0.2.1.0.20010829135718.06528bc0@mail.gilbert-and-sullivan.org> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: North American Participation. (Was Re: Adjudication Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3B8D363D.9941.8838D0@localhost> X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Wed, 29 Aug 2001 15:22:56 -0400 (EDT) Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: North American Participation. (Was Re: Adjudication Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3B8D363D.9941.8838D0@localhost> I think that it really is not - at least on an individual level and on a production level. The difficulty comes at a Company level. A commitment to appear at a festival, particularly a commitment by a US Company to appear at a Festival in the UK is quite significant. Right now, for example, there are simply no companies in the Chicago area that could reasonable be expected to participate in a festival. They are all either too small or with too small an audience base, too low in quality, too weak financially, or too weak organizationally to participate. But even if they were in a condition to participate, possessing sufficient talent, audience and financial base and organizational strength (for example, the late 1970's to early 1980's Savoy-aires) it is unlikely that they would do so - even in an adjudicated festival, and certainly not in a non-adjudicated festival. And for a Company, it is virtually all risk. The only prospect of "reward" comes from increasing the "Team" spirit within the Company from participating in a Festival and the publicity, if any, which can be generated from going. A company which wins an award at the Buxton Festival, particularly a big award, such as International Champion, would no doubt be able to use this in publicity the following year. I suspect that an award of this magnitude would actually mean, for example, that a Chicago Area Company would have a respectable chance at getting a couple of paragraphs in the Major Dailies. But at least in a front-runner city like Chicago, it would need to be a "victory" as opposed to participation. Realistically, the best chance that a company from the US is going to have to participate is if it is created or recreated with the intent of developing productions of a quality appropriate for Buxton and with the goal of going to Buxton. This might require creativity. For example, a "Company" might need to be created with "Troupes" in three or four cities. These Troupes would, over the course of a year, put on the same production or productions, using the same sets and same costumes with the same general blocking and choreography. The "Competition" production would consist of a production made up of the "best" (or available) elements from each of these troupes. (And, no doubt, in order to establish to the Smiths the quality level of the production, a "Competition" caliber production would need to be produced and performed at at least one location, proving that this can be done and that the quality will be sufficient. Mind you, if properly worked out, this concept could really work quite well as a company would be able to put on three productions with only one set and costume cost (plus additional transportation) and if spread over four or five cities, the price would drop even further. (This also, frankly, would provide a good way to "jump start" companies in other areas. For example, if there were people in City X who wanted to start a G&S Company, but didn't have enough people for the first production, the interested people in City X could join this "Regional Company" and have enough extra people from other Troupes in the Regional Company to fill out the missing parts of the production. Hopefully the production would be sufficiently successful that fewer and fewer outside people would be needed until the production was self-sufficient...) It would At 12:45 PM 8/29/01, you wrote: >I find this suggestion very, very worrying indeed. It seems Jeremy >is suggesting that the only cause of people's striving for excellence >is the hope of winning an award. Is it? > >Arthur Kincaid A King of Autocratic Power We-- A despot whose tyrannic will is law-- Whose rule is paramount o'er land and sea, A Presence of unutterable awe!  1,, Summary-line: 3-Sep j.d.mcclure@virgin.net [55] #Re: Accents (Britain and US) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA01520; Mon, 3 Sep 2001 17:53:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26696 for ; Mon, 3 Sep 2001 17:53:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA24148; Mon, 3 Sep 2001 17:45:30 -0400 (EDT) Date: Mon, 3 Sep 2001 17:45:30 -0400 (EDT) Message-Id: <003301c134c1$000effc0$3d8cfc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Accents (Britain and US) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Mon, 3 Sep 2001 17:45:30 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Accents (Britain and US) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum By jings - what a hornets' byke I've stirred up this time! To answer Jim's point first - yes, I MIGHT say somebody had "an American accent" but I think I could (and probably would) be more precise. Certainly I could tell a New England accent from a New York one, or a Californian from a Mid-Western; and once in South Carolina, when I was getting attuned to what I THOUGHT was their Deep South accent, I had a query answered by a Texan and was knocked back to hear how different she sounded from the locals. I could also - I think - still identify a Canadian from east of the Great Lakes. BUT - the difference between "America" and "Britain" in this context is the one Cenydd identified: the USA is one country as Britain is not. Scotland, England and Wales are historically three different nations, and STILL are different nations: "Britain" is a political construction. And there's NO accent spoken anyplace in "Britain" which is not a Scottish, English or Welsh accent. Andi was right to mention the "landed gentry" accent, but it is an English accent which also happens to be spoken by a few - usually very deracinated - Scotsmen as well as some Englishmen: it's still not "British". And citizens of the United Kingdom don't, as a rule, think of themselves as British, but as Scottish, English, or Welsh. For obvious historical reasons, the situation in America is not comparable. Therefore, to answer Marc's point: it's uninformative to describe an accent as "British" - what kind of "British"? AND - here we come to the sensitive crux of the matter - far too many people are not clear about the difference between England and Britain, or English and British, and think the terms are interchangeable: a mistake which will be corrected whenever it rears its ugly head. Now, Gilbert was born and brought up in England and certainly thought of himself as an Englishman. And equally certainly, he assumed that his libretti would be performed in English accents: several of his rhymes depend on that. He didn't assume that they'd be performed in any OTHER kind of "British" accent - he probably knew that "important" doesn't rhyme with "oughtn't" when a Scot says the words. So - IF GILBERT WANTED AN ENGLISH ACCENT, WHY NOT SAY SO??? Derrick McClure. (A most contented man, though foolish persons think me mad.) A non G'n'S P.S. What's a clambake? I've just been singing about a real nice one at Aberdeen OC's second rehearsal of the season. It's obviously some kind of picnic featuring seafood, but can any New Englanders explain further? j.d.mcclure@virgin.net  1,, Summary-line: 4-Sep j.d.mcclure@virgin.net [52] #Re: Accents (Britain and US) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA03390; Tue, 4 Sep 2001 15:32:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA29280 for ; Tue, 4 Sep 2001 15:28:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA27057; Tue, 4 Sep 2001 15:27:27 -0400 (EDT) Date: Tue, 4 Sep 2001 15:27:27 -0400 (EDT) Message-Id: <004901c13576$46060fe0$69d0fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Accents (Britain and US) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Tue, 4 Sep 2001 15:27:27 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Accents (Britain and US) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Logically, as some Netters have pointed out (this splendid thread has grown so multifaceted that I won't try and remember who's made all the individual points - forgive me!), Scottish and Welsh (and Northern Irish Protestant) accents are just as "British" as English accents. But would anybody describe a Scottish (say) accent as "British"; or say "This rhyme only works in a British accent" if they meant that a Scottish or Welsh accent would do? NO - they wouldn't. They'd only say "a British accent" if they meant an English accent. From which it follows that they either think the terms are interchangeable, or they think the accent they have in mind is used all over Britain - neither of which happens to be true. Re Gilbert's use of England and Britain in UTOPIA, though - it's probably true that the confusion of the two terms caused less annoyance in the Victorian heyday than it does now. Robert Louis Stevenson, for example, doesn't seem to have been in the least worried at being referred to, or even referring to himself, as English. In the 18C, the mindset among the Scots (some of them anyway) was that we now had put the old Anglo-Scottish hostility aside and were marching forward together as "Britain" - James Thomson's anthem is a fine literary illustration. Unfortunately the English showed no signs of reciprocating - but conceivably, because the Scots played a far bigger part in colonising, administering and profiting from the British Empire than their proportionate population size would suggest, they weren't too bothered in those days about insisting on their separate identity. But of course, those days are gone! Is G'n'S an English or a British cultural phenomenon? English, of course - despite the fact that Gilbert was half Scottish by birth, served for a time in a Scottish regiment, and was photographed looking very smart in his kilt! But is that anything to prevent the Scots, Welsh, Irish, Americans, etc. from appreciating it? Heaven forbid! Back to clambakes - THANKS to all those real nice netters who explained them to me! And back to accents - the issue is certainly going to arise in Aberdeen this winter! When we did OKLAHOMA in '99, some of us at least aimed at a Southern twang. Can anybody come over and tutor us in New England pronunciation for CAROUSEL? I suspect we're going to need it! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 4-Sep SSilvers@sskfg.com [64] #More on the copyright issue Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA06006; Tue, 4 Sep 2001 16:17:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA14189 for ; Tue, 4 Sep 2001 16:17:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA04215; Tue, 4 Sep 2001 16:16:40 -0400 (EDT) Date: Tue, 4 Sep 2001 16:16:40 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: More on the copyright issue Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Tue, 4 Sep 2001 16:16:40 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: More on the copyright issue Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Further to our discussion some months ago about the wrongful use of the copyright notice on public domain materials, such as G&S scores, see the recent decision of the U.S. Southern District Court in Matthew Bender v. West (July 2, 2001) Index No. 94-0589. The court held that West Publishing must pay attorney's fees of $814,000 to the lawyers for Matthew Bender & Co. because West tried to sue Matthew Bender for using West's citation page number system in MB lawbooks when West knew that the system was uncopyrightable, and the courts had previously held that West's copyright notice (the (c) sign) was not enforceable with respect to various aspects of their publications that were deemed public domain. See Feist Publications v. Rural Telephone (1991). Note that U.S. and U.K. law are different with respect to the copyrightability of certain editorial features, such as fonts. The point is that, as we have discussed before, not only is the copyright notice unenforceable when it is used on public domain works, but that there may be significant penalties for using it wrongfully, including the payment of the defendant's legal fees and expenses. Best regards, Sam I previously wrote: Here is a frequently cited law review article on the topic. If you search google for "public domain and music" you will find hundreds of entries, but you are better off asking the law librarian at a major law library for help. http://www.sneezy.org/clarinet/Misc/46DLJ241noframe.html See also: http://counsel.cua.edu/IP/Public_Domain/Questions.htm Professor Heald believes that, with respect to the wrongful use of the copyright notice, you could sue or counterclaim for various kinds of tort and contract damages related to the improper application of the copyright notice and for bringing a frivolous action.  1,, Summary-line: 4-Sep to: postmaster@mit.edu [82] #[noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA25006; Tue, 4 Sep 2001 16:40:44 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA21503; Tue, 4 Sep 2001 16:40:44 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA22168; Tue, 4 Sep 2001 16:40:39 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id QAA25622; Tue, 4 Sep 2001 16:40:38 -0400 (EDT) Date: Tue, 4 Sep 2001 16:40:38 -0400 (EDT) Message-Id: <200109042040.QAA25622@multics.mit.edu> From: "David C. Jedlinsky" To: postmaster@mit.edu Subject: [noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] *** EOOH *** Date: Tue, 4 Sep 2001 16:40:38 -0400 (EDT) From: "David C. Jedlinsky" To: postmaster@mit.edu Subject: [noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] A few days ago, I reported receiving a number of spam messages of the following sort. They are still arriving, at a rate of about two a day. Is there any way MIT can filter out this junk, or do I have to open myself up to even greater spamming by following their unsubscribe procedure? Thanks. -Dave Jedlinsky opus@mit.edu ------- Start of forwarded message ------- X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA16799; Tue, 4 Sep 2001 00:00:51 -0400 (EDT) Received: from web3.internetwebhosting.com (web3.internetwebhosting.com [208.179.45.13]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA29657 for ; Tue, 4 Sep 2001 00:00:51 -0400 (EDT) Received: from nobody by web3.internetwebhosting.com with local (Exim 3.22 #1) id 15e7OL-0001zP-00 for opus@mit.edu; Mon, 03 Sep 2001 21:00:49 -0700 To: opus@mit.edu From: ProBizTips Weekly Reply-To: ProBizTips Weekly Subject: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE! 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To cease all future mailings, click below and you will be removed immediately. - --------------------------------------------------------------------------- To be unsubscribed from the ProBizTips Weekly mailing list simply click on the link below http://www.probizlist.com/smpro/s.cgi?r=1&l=1&e=opus=:mit.edu ------- End of forwarded message -------  1,, Summary-line: 4-Sep hoffmann@MIT.EDU [17] #Re: [noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA15502; Tue, 4 Sep 2001 18:16:34 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA12145; Tue, 4 Sep 2001 18:16:34 -0400 (EDT) Received: from Paddington.MIT.EDU (PADDINGTON.MIT.EDU [18.18.1.1]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA13385; Tue, 4 Sep 2001 18:16:34 -0400 (EDT) Received: (from hoffmann@localhost) by Paddington.MIT.EDU (8.9.3) id SAA06008; Tue, 4 Sep 2001 18:16:32 -0400 (EDT) Date: Tue, 4 Sep 2001 18:16:32 -0400 (EDT) Message-Id: <200109042216.SAA06008@Paddington.MIT.EDU> From: Ron Hoffmann To: opus@mit.edu CC: postmaster@mit.edu Reply-to: postmaster@MIT.EDU In-reply-to: <200109042040.QAA25622@multics.mit.edu> (opus@MIT.EDU) Subject: Re: [noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] References: <200109042040.QAA25622@multics.mit.edu> *** EOOH *** Date: Tue, 4 Sep 2001 18:16:32 -0400 (EDT) From: Ron Hoffmann To: opus@mit.edu CC: postmaster@mit.edu Reply-to: postmaster@MIT.EDU In-reply-to: <200109042040.QAA25622@multics.mit.edu> (opus@MIT.EDU) Subject: Re: [noreply@probizlist.com: ProBizTips.com - Make All The Money You Can Stand - 30 Day GUARANTEE!] Dave, we don't do filtering at the mailhubs unless we've detected something massive which is causing an operational problem to the overall mail system. For enduser filtering, we recommend you employ whatever facilities your mail client offers. -Ron Hoffmann  1, forwarded,, Summary-line: 5-Sep cjedlinsky@sembler.com [60] #AN IRISH TOAST X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA14830; Wed, 5 Sep 2001 12:28:15 -0400 (EDT) Received: from SEMBLER.COM (mail.sembler.com [65.199.208.132]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id MAA04323 for ; Wed, 5 Sep 2001 12:28:15 -0400 (EDT) Received: from SEMBLER_DOM-Message_Server by SEMBLER.COM with Novell_GroupWise; Wed, 05 Sep 2001 12:30:34 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Wed, 05 Sep 2001 12:30:29 -0400 From: "Cindy Jedlinsky" To: , , , , Subject: AN IRISH TOAST Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Wed, 05 Sep 2001 12:30:29 -0400 From: "Cindy Jedlinsky" To: , , , , Subject: AN IRISH TOAST Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline > > > > Dennis Dempsey O'Riley was a member of an > > Irish Toast > > Masters Club and one > > evening at the local Irish Toast Masters > > meeting, a > > contest was held to see > > who could deliver the best toast. Well, Dennis > > Dempsey > > O'Riley won the contest for the best toast of > > the evening, > > > > "Here's To The Best Years o' Me Life, Spent > > Between The > > Legs o' Me Wife." > > > > When O'Riley arrived home his beautiful wife > > asked him > > how the Toast Masters meeting went and he said, > > "I won > > the contest for the best toast of the evening." > > > > > > His wife then asked him what his toast was, and > > he said, > > "Here's To The Best Years o' me Life, Spent in > > Church wi' me Wife." > > > > His wife then said, "Why Denny, that's so nice > > of you to > > include me in your toast." > > > > The next morning,Mrs. O'Riley was downtown > > shopping and > > ran into the local > > policeman on the beat who was also at the Toast > > Masters > > meeting with Denny . He said, "Hello Mrs. > > O'Riley, that was some > > great toast that your husband gave at the > > Toast Masters meeting > > last evening. He won first prize". > > > > "Yes, that's right," said the lovely Mrs. > > O'Riley, "but > > he wasn't quite honest with the facts:" he's > > only been > > there twice, the first time he fell asleep and > > the second time > > I had to pull him out by the ears."  1,, Summary-line: 5-Sep rianjones_insp@hotmail.co [77] #Re: Jessie Bond - quite long and very historical X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA26510; Wed, 5 Sep 2001 13:36:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA27953 for ; Wed, 5 Sep 2001 13:36:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA16877; Wed, 5 Sep 2001 13:30:31 -0400 (EDT) Date: Wed, 5 Sep 2001 13:30:31 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: brianjones_insp@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Brian Jones" To: Multiple recipients of list SAVOYNET Subject: Re: Jessie Bond - quite long and very historical Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 5 Sep 2001 13:30:31 -0400 (EDT) Reply-To: brianjones_insp@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Brian Jones" To: Multiple recipients of list SAVOYNET Subject: Re: Jessie Bond - quite long and very historical Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >From: "Brian Jones" brianjones_insp@hotmail.com >To: Multiple recipients of list SAVOYNET >Subject: Jessie Bond's career (was Poor Jonathon) >Date: Wed 5 September 6.15 pm British Summer Time Jessie Bond – after 1896/7 Simon Moss's question prompted some speculation about Jessie Bond’s life after her second marriage (to Lewis Ransome) shortly after she played Pitti-Sing in The Mikado at the Savoy Theatre. Here is a little more background. London’s Evening Standard published a short obituary on the day Jessie died (17th June 1942). “Miss Bond did not wish to marry until she had left the stage.” This is true, but not quite the whole truth. The Ransome family were Quakers, and disapproved very strongly of the theatre. If Jessie had attempted to continue acting after her marriage, she would have faced very severe opposition from her in-laws. Lewis himself was far more tolerant. The Evening Standard obit says: “For 12 years Mr Ransome watched every evening performance at the Savoy Theatre in which Miss Bond took part.” The Ransome family owned an engineering company in Chelsea, so the theatre was only about 3 miles away. Incidentally, although two obituaries give the date of the marriage as 1896, it may have been early in 1897. The twelfth anniversary of The Mikado is of course 14th March 1897. Also, Rollins & Witts shows Jessie continuing as Pitti Sing until 17th February 1897. Does anyone have a record of the exact date of Jessie’s marriage? Shortly after their marriage, the family took the decision to move their business from Chelsea to Retford in Nottinghamshire. This is about 150 miles north of London. Jessie and Lewis bought a very spacious house (now called Pedler’s Way) in the village of Farndon. Lewis died in the early 1920s, and Jessie found it difficult to keep up her standard of living. In October 1926, she sold the house in Farndon, and moved to a (presumably smaller) house in Newark (also in Nottinghamshire). Two items offered at auction were her original spinning wheel from The Yeomen of the Guard, and a silver bowl inscribed with the names of the characters she had played. This was W.S. Gilbert’s wedding present to her. He gave it to her 15 years after the marriage. By 1930, Jessie had moved to Worthing. In an interview in the national Daily Mail, she described how a relative had asked her to deny a report that she was in “straitened circumstances”. She did the opposite. “Why should I deny what is true?” she said. “I am only in two rooms here that have been furnished for me by my friends.” Jessie did not end her work with the stage completely. Newark Library has a Jessie Bond archive. Local studies librarian T. Warner was very helpful to myself and Paul Ernill when we were researching Jessie’s life a few years ago. Mr Warner came up with a local newspaper cutting, which he dates at about 1918. Jessie appears in witch’s costume, together with about 80 children, in a production by the Farndon village school. Her obituary notice in the Newark Herald in 1942 also included a note of thanks from her “children” in Newark Dramatic Society. The archive at Newark has Jessie’s own scrapbook of newspaper cuttings from 1865 to 1871, and other playbills etc going right up to 1878. But that is another story…. Brian Jones Librarian, The Gilbert and Sullivan Society Editor, The WS Gilbert Journal _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp  1,, Summary-line: 5-Sep dennisj@charter-ne.com [73] #Fwd: Fw: the fisherman X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA02178; Wed, 5 Sep 2001 14:29:51 -0400 (EDT) Received: from etics.charter-ne.com (hidden-user@tics1.charter-ne.com [24.151.8.172]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA15597 for ; Wed, 5 Sep 2001 14:26:03 -0400 (EDT) Received: from tics1.charter-ne.com (tics1.charter-ne.com [172.19.1.2]) by etics.charter-ne.com (8.8.8/8.8.8) with ESMTP id OAA24531 for ; Wed, 5 Sep 2001 14:26:02 -0400 (EDT) (envelope-from dennisj@charter-ne.com) Received: (from nobody@localhost) by tics1.charter-ne.com (8.8.8/8.8.8) id OAA07478; Wed, 5 Sep 2001 14:26:02 -0400 (EDT) (envelope-from dennisj@charter-ne.com) Date: Wed, 5 Sep 2001 14:26:02 -0400 (EDT) Message-Id: <200109051826.OAA07478@tics1.charter-ne.com> Subject: Fwd: Fw: the fisherman To: "David Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications *** EOOH *** Date: Wed, 5 Sep 2001 14:26:02 -0400 (EDT) Subject: Fwd: Fw: the fisherman To: "David Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications (This message by Allan P. Vaughan is forwarded to you from dennis jedlinsky .) In case the HP/Compaq merger dosen'tmake you rich, consider this ----- Original Message ----- From: jstack To: Allan Vaughan (E-mail) Sent: Wednesday, September 05, 2001 10:57 AM Subject: FW: the fisherman > > Good lesson here! > The Fisherman > > > The American investment banker was at the pier of a small coastal > Mexican village when a small boat with just one fisherman docked. Inside > the > small boat were several large yellow fin tuna. The American > complimented the Mexican on the quality of his fish and asked how long > it > took to catch them. The Mexican replied, only a little while. > > The American then asked why didn't he stay out longer and catch more > fish? The Mexican said he had enough to support his family's immediate > needs. The American then asked, "but what do you do with the rest of > your > time?" > > The Mexican fisherman said, "I sleep late, fish a little, play with my > children, take siesta with my wife, Maria, stroll into the village each > evening where I sip wine and play guitar with my amigos, I have a full > and busy life." > > The American scoffed, "I am a Harvard MBA and could help you. You should > > spend more time fishing and with the proceeds, buy a bigger boat with > the > proceeds from the bigger boat you could buy several boats, eventually > you > would have a fleet of fishing boats. Instead of selling your catch to a > middleman you would sell directly to the processor, eventually opening > your > own cannery. You would control the product, processing and distribution. > You > would need to leave this small coastal fishing village and move to > Mexico > City, then LA and eventually NYC where you will run your expanding > enterprise." > > The Mexican fisherman asked, "But, how long will this all take?" > To which the American replied, "15-20 years." > "But what then?" > The American laughed and said that's the best part. "When the time is > right you would announce an IPO and sell your company stock to the > public and become very rich, you would make millions." > > "Millions.. Then what? > > The American said, "Then you would retire. Move to a small coastal > fishing village where you would sleep late, fish a little, play with > your kids, take siesta with your wife, stroll to the village in the > evenings where you could sip wine and play your > guitar with your amigos."  1,, Summary-line: 7-Sep jtidwell@animato.arlingto [73] # X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA10409; Fri, 7 Sep 2001 15:47:32 -0400 (EDT) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.210.6]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA22837; Fri, 7 Sep 2001 15:44:30 -0400 (EDT) Received: from localhost (jtidwell@localhost) by animato.animato.arlington.ma.us (8.9.3/8.9.3) with ESMTP id PAA25234; Fri, 7 Sep 2001 15:41:51 -0400 Date: Fri, 7 Sep 2001 15:41:51 -0400 (EDT) From: Jenifer Tidwell To: Lots of People Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Fri, 7 Sep 2001 15:41:51 -0400 (EDT) From: Jenifer Tidwell To: Lots of People Content-Type: TEXT/PLAIN; charset=US-ASCII Dear friends and family, As many of you have heard by now, I will be spending the month of October in Nepal. During the first week or so, I'll solo-trek (with a porter) through the Solu region, just south of the Khumbu. Then I'll hook up with an organized guided trek run by Alpine Ascents International for a trip through the Khumbu itself. During this trek, we will come within shouting distance of Mount Everest; at our northernmost point, we'll climb up Kala Pattar, one of the Himalayan foothills with the best views of Everest. Near the end of the trek, we will attempt an alpine climb of Island Peak, a 20,300-foot "real" mountain with extraordinary views of the surrounding peaks (or so they say). Emphasis on "attempt." No "Into Thin Air"-style heroics or screwups, I hope! Rich, sadly, is not going with me -- trekking and high-altitude suffer-fests aren't his thing. I couldn't convince him to fly to Kathmandu and back for a few days, either. :-) The short itinerary: Oct 6 -- Leave Boston on a two-day trip, spending one night in Bangkok. (Please, no "Chess" jokes, I've heard them...) Oct 8-10 -- Hanging out in Kathmandu (No Bob Seger songs, either.) Oct 11-16 -- "Solo" tea-house trek from Phaplu to Lukla Oct 17-Nov 3 -- AAI-run trek through the Khumbu region Nov 3-6 -- Kathmandu again Nov 6 -- Leave Kathmandu, to arrive in Boston Nov. 7 A detailed itinerary can be found on AAI's Web site, here: http://alpineascents.com/island-mera.asp Contacting me over there will be difficult at best. The AAI team carries an Iridium phone (via which they make daily reports that get posted on their Website), but it's one-way except for genuine emergencies. Call Rich, or AAI's office in Seattle, if you really need to get in touch with me. If you want updates on our team's progress, definitely read the AAI webcasts... Want anything brought back? I've already gotten requests for prayer flags and for good Kathmandu tea -- remember, we'll be literally within miles of the Darjeeling region of India -- and one request to bring back a Sherpa child (sorry, if I find an available one I'll keep her myself). :-) Requests for small, easily-packable, *legal* things, like tea, will be entertained; just send me email, and I'll see what I can do. Thanks so much to all of you who have helped with the planning so far, by relating their own experiences in Nepal and about trekking/climbing in general. You've all been a tremendous help! - Jenifer  1,, Summary-line: 8-Sep Karen@kloxley.freeserve.c [75] #Buxton - Strange Fancies 2 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA24227; Sat, 8 Sep 2001 06:28:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA08612 for ; Sat, 8 Sep 2001 06:28:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA25523; Sat, 8 Sep 2001 06:26:48 -0400 (EDT) Date: Sat, 8 Sep 2001 06:26:48 -0400 (EDT) Message-Id: <001c01c1384f$3d3f1240$a18087d9@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Karen@kloxley.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Karen Loxley" To: Multiple recipients of list SAVOYNET Subject: Buxton - Strange Fancies 2 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6600 *** EOOH *** Date: Sat, 8 Sep 2001 06:26:48 -0400 (EDT) Reply-To: Karen@kloxley.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Karen Loxley" To: Multiple recipients of list SAVOYNET Subject: Buxton - Strange Fancies 2 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum 4 - Daytime activities With no disrespect to any of the soloists involved, who sang and acted well, I found both the "Scratch Pirates" and the "Scratch Ruddigore" too sedate. In previous Festivals the opening ceremony used to be exciting, bustling and fun. The dwindling number of participants in the costume parade over the years understandably meant that it was not included in this year's opening ceremony, but I felt we needed to begin the Festival with something more special than just a sing-along concert. During the week of the SavoyNet "Patience" rehearsals I didn't attend many daytime activities. However, after one rehearsal I did attend Ian Smith's meeting about his "Educational Initiative" (although I did not make it there in time for the beginning). I heard how G. and S. needs to be put "back" into schools. I can see the reasoning behind this comment even though at some schools G. and S. puts in its oar on a day to day basis ("Do the fly bit for us again, miss....please..." - Mad Margaret was teaching my class last year), and the idea to give schools some help with G. and S. direction is a good one, especially if it means they perform G. and S. instead of trendy musicals. Later in the Festival I went to talks by Mike Rayner, Gareth Jones, Joyce Wright, Jean Hindmarsh and David Turner, which were all entertaining in many various ways. I had not intended to go to the masterclass by Ken Sandford and Roberta Morrell because I was doing something else at the time, but at the eleventh hour the call came (from Neil) for vocal scores. After fetching all the scores from the car boot and delivering them to the Paxton I was not in a fit state to limp any further, so I stayed to listen. It was interesting to see how they (KS and RM) improved the performances of their prey - I mean their pupils -by advocating the "less is more" policy - a useful lesson! I watched only one of the films on offer - the 1930s "Mikado". I've seen it before so I knew what to expect - quite entertaining. At the memorabilia fair I didn't buy anything (!) - well nobody was selling photos of a certain tenor! But I really admired Ken Sandford's paintings and in particular the one of himself with Peggy Ann Jones as Despard and Margaret in "Ruddigore" Act 2. Pity they weren't selling prints of this one at the Festival shop!!! The Estonian "Cox and Box", sandwiched in between the other "Cox and Box"s was fun and the Estonians had some very good ideas ( I liked the cat in the cage!). Their show was presented entirely in black and white - costumes, scenery - the lot. If I hadn't already known "Cox and Box" I don't think I'd have had a clue what was going on though! The display of wedding dresses in St. John's Church was worth a visit. It was a good idea to link it to the Festival by captioning the displays with G. and S. quotes. KAL Karen Ann Loxley My opinion doesn't matter matter matter matter matter  1,, Summary-line: 8-Sep ishani@MIT.EDU [44] #Re: questions X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA02160; Sat, 8 Sep 2001 10:18:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA12833 for ; Sat, 8 Sep 2001 10:18:55 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id KAA19326 for ; Sat, 8 Sep 2001 10:18:54 -0400 (EDT) Received: (from ishani@localhost) by department-of-alchemy.mit.edu (8.9.3) id KAA07234; Sat, 8 Sep 2001 10:18:54 -0400 (EDT) Message-Id: <200109081418.KAA07234@department-of-alchemy.mit.edu> To: "David C. Jedlinsky" Subject: Re: questions In-Reply-To: Your message of "Fri, 07 Sep 2001 15:32:09 EDT." <200109071932.PAA08902@multics.mit.edu> Date: Sat, 08 Sep 2001 10:18:54 -0400 From: Ishani R Das *** EOOH *** To: "David C. Jedlinsky" Subject: Re: questions In-Reply-To: Your message of "Fri, 07 Sep 2001 15:32:09 EDT." <200109071932.PAA08902@multics.mit.edu> Date: Sat, 08 Sep 2001 10:18:54 -0400 From: Ishani R Das Thanks so much for responding! I'll check into it. Are you planning another show? Let me know. I'd like to come to it. Ishani > > Hi Ishani. > > >For the mic system.. I want to have clip-on mics since we are doing > >this performance outside. They are 40 bucks a piece.. and AV only has > >3 right now. Where can we get at least 4 more? I think they are called > >LAV mics. > > I don't know where you can rent Lav mics outside of MIT, but I'm > fairly sure you'll end up paying more for them than at AV. One trick > you can try is to swap mics between people who are not on stage at the > same time (this may or may not be possible). > > >Also, what exactly would a technician do in relation to the sound > >system? Can we do it ourselves? > > A sound engineer would set up the system, make sure the audio levels > are ok, and raise and lower the mics during the show as various people > enter and exit the stage. > > A general rule to follow is that the mics get placed on the actor by > the sound engineer, and turned on. The actor never touches it after > that; it's the engineer's responsibility to make sure that the mics is > turned down (using the mixing board) whenever the actor is offstage. > > It's not a particularly hard job to do, but you must have someone > dedicated just to sound issues for the performance. If you have > someone in your group who can do that, sure, you can do it > yourselves. > > -Dave  1,, Summary-line: 9-Sep cjsmith@MIT.EDU [10] #gathering X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA26422; Sun, 9 Sep 2001 14:20:17 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA10099; Sun, 9 Sep 2001 14:20:16 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA08142; Sun, 9 Sep 2001 14:20:16 -0400 (EDT) Received: (from cjsmith@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id OAA27587; Sun, 9 Sep 2001 14:20:15 -0400 (EDT) Message-Id: <200109091820.OAA27587@scrubbing-bubbles.mit.edu> To: dinner@MIT.EDU, marymary@suberic.net Subject: gathering Date: Sun, 09 Sep 2001 14:20:15 -0400 From: CarolYN J Smith *** EOOH *** To: dinner@MIT.EDU, marymary@suberic.net Subject: gathering Date: Sun, 09 Sep 2001 14:20:15 -0400 From: CarolYN J Smith Hiya! As you know, Jason and I will be visiting next weekend. Ken has kindly offered to let us use his apartment for a gathering on Sunday afternoon. Hope to see people than, say satring at 2PM... --cyn  1,, Summary-line: 10-Sep proven@proven.org [31] #Party at Planet 10. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA10609; Mon, 10 Sep 2001 17:10:49 -0400 (EDT) Received: from axiom.proven.org (h004005a8a3c2.ne.mediaone.net [24.91.8.226]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA05367; Mon, 10 Sep 2001 17:10:32 -0400 (EDT) Received: from axiom (localhost [127.0.0.1]) by axiom.proven.org (8.11.3/8.11.3) with ESMTP id f8AL9XD01745; Mon, 10 Sep 2001 17:09:34 -0400 (EDT) (envelope-from proven@axiom.proven.org) Message-Id: <200109102109.f8AL9XD01745@axiom.proven.org> To: Lots of People:;@axiom.proven.org, ;@Family, ;@Vividon, ;@FastEngines, ;@Cygnus, sipb-soc@mit.edu Subject: Party at Planet 10. Date: Mon, 10 Sep 2001 17:09:33 -0400 From: Chris (Proven) Provenzano *** EOOH *** To: Lots of People:;@axiom.proven.org, ;@Family, ;@Vividon, ;@FastEngines, ;@Cygnus, sipb-soc@mit.edu Subject: Party at Planet 10. Date: Mon, 10 Sep 2001 17:09:33 -0400 From: Chris (Proven) Provenzano Hey folks! It's almost October! It's time to have another party!!! So, Planet 10 will be having a party Sunday, October 7th from 2 PM until late. We will supply food and drinks. All you have to supply is yourself. Feel free to bring a guest and/or forward this to people who know us and might be interested. Please RSVP if you are coming. Recap: What: A party!!! Where: Planet 10 95 Liberty Avenue Somerville, MA When: Sunday, October 7th, 2001. Why: Because, we like you! See you there! CAP  1,, Summary-line: 11-Sep tytso@thunk.org [39] #I am no longer working for VA Linux Systems X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14012; Tue, 11 Sep 2001 00:33:21 -0400 (EDT) Received: from thunk.org (THANK.THUNK.ORG [216.175.175.163]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA16303; Tue, 11 Sep 2001 00:33:20 -0400 (EDT) From: "Theodore Ts'o" Received: from ted-w20.mit.edu ([18.187.1.124] helo=think.thunk.org) by thunk.org with asmtp (Exim 3.31 #1 (Debian)) id 15gfEX-0002RJ-00; Tue, 11 Sep 2001 00:33:13 -0400 Received: from tytso by think.thunk.org with local (Exim 3.31 #1 (Debian)) id 15gfEU-00014c-00; Tue, 11 Sep 2001 00:33:10 -0400 To: A lot of colleages and friends Subject: I am no longer working for VA Linux Systems Phone: (781) 391-3464 Message-Id: Date: Tue, 11 Sep 2001 00:33:10 -0400 *** EOOH *** From: "Theodore Ts'o" To: A lot of colleages and friends Subject: I am no longer working for VA Linux Systems Phone: (781) 391-3464 Date: Tue, 11 Sep 2001 00:33:10 -0400 Hello friends and colleagues: I apologize for the impersonal nature of this note, but there are a a large number of people which I'd like to notify, and this is the simplest and most efficient way to go about it. As of last Friday, VA Linux Systems decided to shut down the NAS / Systems Software group. We were trying fairly hard to sell our division to another company, but unfortunately, the negotations broke down at the last moment, and so VA had no choice but to lay off everyone in our division. As a result, I have now joined the ranks of the unemployed. The most immediate change that this represents is that the e-mail address tytso@valinux.com no longer functions; mail should now be sent to either tytso@mit.edu or tytso@thunk.org. Similarly my old cell phone number of 408-887-5897 will shortly get connected; my new cell phone number is 781-526-0121. I expect to take at least a month or two to decompress and unwind before seriously starting a job search and jumping back into the fray. During that time, I will continue to answer e-mail, handle IETF matters, work on organizing the next kernel workshop, hack on the linux kernel, etc. However, not needing to run on afterburners while trying to help save a failing division should help me have more time to clean up my house and yard, apply Bondo and fiberglass to certain rusted-out portions of my car, take flying lessons, etc. The bottom line is that I'm very much looking forward to being gainfully unemployed. :-) - Ted  1,, Summary-line: 12-Sep dunham16_99@yahoo.com [54] #Another New York City Story X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA10339; Wed, 12 Sep 2001 01:32:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA25941 for ; Wed, 12 Sep 2001 01:28:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA11973; Wed, 12 Sep 2001 01:28:03 -0400 (EDT) Date: Wed, 12 Sep 2001 01:28:03 -0400 (EDT) Message-Id: <20010912052427.95646.qmail@web20608.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dunham16_99@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Louis Wernick To: Multiple recipients of list SAVOYNET Subject: Another New York City Story MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 12 Sep 2001 01:28:03 -0400 (EDT) Reply-To: dunham16_99@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Louis Wernick To: Multiple recipients of list SAVOYNET Subject: Another New York City Story Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am grateful that I barely missed staying Monday night in Battery Park City, virtually across the street from the two now-fallen World Trade Towers, in which case I would have been rudely awakened to ??? by the crashing of the hijacked planes. I ran an audition downtown Monday night which went into major overtime when we got into the main calendar of a trade paper, with nearly 200 people showing up. It was lucky that the theater manager showed signs of distress around midnight because hopefuls had been lining up from 3pm for a 6:30 pm audition. This now-fortuitous alert came in sufficient time for me to make the last commuter bus back to Yonkers around 1am, or eight hours before the towers were endangered, and therefore viewing the catastrophe on television from about seventeen miles away. The residential complex where I would have stayed overnight has been reported on the television as evacuated as has all of that area of downtown and there is no word on my friend who lives there because there has been no phone service in that part of the city since the general evacuation. The underground system serving that location has been reported on television as partially collapsed. As of now, there are no trains scheduled to be running south of Canal Steet (eg into the actual zone of the structural damage). One other note - vehicular traffic attempting to go south from Yonkers into New York City has been stopped by a double ring of police barricades with Yonkers officers at the north end and New York City officers at the south end. Commuter trains as of Tuesday night were being refused entrance to New York City, with trains turned around back north at the Yonkers and Mount Vernon stations (sorry if it sounds like a parody of the Nightmare Song - it's scary!) I guess I'm glad to be one of the lucky ones and wish everyone the best. Louis  1,, Summary-line: 13-Sep SSilvers@sskfg.com [24] #Carole Round; The Show Will Go On X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA07230; Thu, 13 Sep 2001 11:00:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA19205 for ; Thu, 13 Sep 2001 11:00:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA16106; Thu, 13 Sep 2001 10:56:04 -0400 (EDT) Date: Thu, 13 Sep 2001 10:56:04 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Carole Round; The Show Will Go On Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.2 *** EOOH *** Date: Thu, 13 Sep 2001 10:56:04 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Carole Round; The Show Will Go On Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I just spoke to Carole Round, who is fine and was turned away when she got to court for jury duty. The building that she worked in is apparently likely to either collapse or be useless. Everyone in my show, Mikado at Regina Opera, are apparently OK, and we will resume rehearsals on Saturday. Sam  1,, Summary-line: 13-Sep tere@MIT.EDU [26] #new address X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA27471; Thu, 13 Sep 2001 11:19:47 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA02059; Thu, 13 Sep 2001 11:19:41 -0400 (EDT) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.7.16.70]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id LAA08093; Thu, 13 Sep 2001 11:19:38 -0400 (EDT) Received: (from tere@localhost) by all-night-tool.mit.edu (8.9.3) id LAA13962; Thu, 13 Sep 2001 11:19:34 -0400 (EDT) Message-Id: <200109131519.LAA13962@all-night-tool.mit.edu> To: tere@MIT.EDU Subject: new address Date: Thu, 13 Sep 2001 11:19:34 -0400 From: Teresa Hernandez *** EOOH *** To: tere@MIT.EDU Subject: new address Date: Thu, 13 Sep 2001 11:19:34 -0400 From: Teresa Hernandez Hi everyone, I just thought I'd drop you a line to let you know that I now have a real live address in Chicago. I'm working as a Research Tech at the University of Chicago and living in the south loop. My new contact info is: 740 S. Federal St. Apt. 309 Chicago, IL 60605 (773)991-6747 tdh@alum.mit.edu thernand@drugs.bsd.uchicago.edu And yes... I updated my alum info so any of you mit alums can now promptly misplace, accidently delete, or forget you got this e-mail shoud you so wish :o) I hope everyone is doing ok. Take care. Tere  1,, Summary-line: 15-Sep david@musicalsolutions.co [56] #Re: an idle question X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA23264; Sat, 15 Sep 2001 17:06:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA12783 for ; Sat, 15 Sep 2001 17:06:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA19583; Sat, 15 Sep 2001 17:02:40 -0400 (EDT) Date: Sat, 15 Sep 2001 17:02:40 -0400 (EDT) Message-Id: <4.1.20010915210621.009fb880@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: an idle question Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Sep15.153827edt.115244@gateway.intersys.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Sat, 15 Sep 2001 17:02:40 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: an idle question Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Sep15.153827edt.115244@gateway.intersys.com> At 20:47 15/09/01 , Mary Finn wrote: >Did either of Our Heroes (Gilbert seems the most likely) ever learn to >drive and/or own a car? Somehow, the thought of Gilbert behind the wheel of >an automobile alarms me. WSG certainly owned a few cars. One of his diary entries reads "Le motor très bien sur le top speed, beaucoup de bruit au middle speed" - for some reason, he took to making diary entries in Franglais. There's a picture in Leslie Baily's G&S Book, showing WSG, together with Mrs G. and Nancy McIntosh (and a chauffeur) in a Darracq. The caption says he was "over seventy years of age" when it was taken (ie., 1906 onward). Dark & Grey have it that WSG bought his first car in 1902. He wrote to his cousin, Mrs Mary Talbot, on 6th October 1902 : "I dare say you've read in the papers that I've taken to motoring, and that I made my debût by spoiling a parson who came round from under a dead wall on a bicycle. He was pretty badly hurt. The car was turned over at a ditch. I was pitched over the dashboard on to my head ( I saw many stars of beautiful colours and was quite sorry when they vanished), and my wife was pitched very comfortably into a hedge, where she looked like a large and quite unaccountable bird's-nest. The car is a steam one - a Locomobile - an American one in honour to yourself ..." He wrote again to Mary, on 21st December 1902 [a Monday] :"We have had several very jolly runs about the country in the car. Yesterday [Sunday 20th December 1902] we went to Chesham, lunched there and returned, all in three hours. We seem fated, however, to cause disaster. On Thursday [17th December 1902], although we were only creeping on at two miles an hour, we caused a horse, which was driven in a trap by two ladies, to shy up a bank. .. The ladies both said it was the horse's fault, as we were going as slowly as a wheelbarrow and showing no steam. Yesterday [Sunday 20th December 1902] a tipsy man rushed out from behind a cart and was knocked down by the car. He apologised with drunken profusion of etiquette. This is the third accident we have had, and in each case have been held blameless by the damaged people ..." Whether he was driving, or whether he used a chauffeur, isn't clear. Whichever, I'd probably share Mary (Finn's) alarms. All the best David Cookson  1,, Summary-line: 15-Sep mstorie@nwlink.com [38] #Bob and Jackie Richards X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA10503; Sat, 15 Sep 2001 19:08:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA06548 for ; Sat, 15 Sep 2001 19:08:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA22846; Sat, 15 Sep 2001 19:06:20 -0400 (EDT) Date: Sat, 15 Sep 2001 19:06:20 -0400 (EDT) Message-Id: <3BA3CCFA.E1F9B13@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Bob and Jackie Richards MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Sat, 15 Sep 2001 19:06:20 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Bob and Jackie Richards Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum For those who may be interested: Bob and Jackie Richards have arrived in good condition in Seatttle and are being entertained this weekend by the Seattle Gilbert & Sullivan Society. They arrived by boat from Victoria, Canada after a cruise to Alaska and after spending some time with Gordon Pascoe on Vancouver Island. They will be leaving by train due to the transportation problems brought on by the recent terrible events. It took about 2 hours for the baggage inspection at the Canadian end and an additional hour with customs at the U.S. end. They have already had a tour of our theatre and our production facility and are today seeing the sights of downtown on their own. We're having a party for them this evening at the home of our Society President where we'll do serious damage to some wine and cheese and check out some early rushes of our new "Mikado" video. They intend to leave for Vancouver, Canada by train on Monday and hopefully, by then, their flight will be operating from Vancouver to the UK. Mike Storie  1,, Summary-line: 16-Sep jtk@kolvir.arlington.ma.u [14] #washington post opinion piece X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA18274; Sun, 16 Sep 2001 20:41:48 -0400 (EDT) Received: from kolvir.arlington.ma.us (kolvir.ne.mediaone.net [66.31.107.184]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA18442 for ; Sun, 16 Sep 2001 20:41:47 -0400 (EDT) Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.11.0/JTK20001203) id f8H0fld05248; Sun, 16 Sep 2001 20:41:47 -0400 (EDT) Date: Sun, 16 Sep 2001 20:41:47 -0400 (EDT) Message-Id: <200109170041.f8H0fld05248@kolvir.arlington.ma.us> From: John Kohl To: dinner@mit.edu Subject: washington post opinion piece X-US-Snail: 34 James Street, Arlington, MA 02474 *** EOOH *** Date: Sun, 16 Sep 2001 20:41:47 -0400 (EDT) From: John Kohl To: dinner@mit.edu Subject: washington post opinion piece X-US-Snail: 34 James Street, Arlington, MA 02474 I mentioned this to those of you who stopped by today: http://www.washingtonpost.com/wp-dyn/articles/A35106-2001Sep15.html -- ==John Kohl , Home page: Bicycled across the USA in 2001!  1,, Summary-line: 27-Sep Pmeason@aol.com [30] #Re: Fw: [piffle] Pipkin??? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA12252; Thu, 27 Sep 2001 04:11:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA14969 for ; Thu, 27 Sep 2001 04:11:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA28329; Thu, 27 Sep 2001 04:09:38 -0400 (EDT) Date: Thu, 27 Sep 2001 04:09:38 -0400 (EDT) Message-Id: <9b.1b89d4a5.28e43316@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Fw: [piffle] Pipkin??? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Thu, 27 Sep 2001 04:09:38 -0400 (EDT) Reply-To: Pmeason@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pmeason@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Fw: [piffle] Pipkin??? Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A Pipkin is a measure of 4.5 Imperial (UK) Gallons. Having, in a previous life, been in the brewing industry, the measures are..... 4.5 Gallons - Pipkin (sometimes abbreviated to "Pin") 9 Gallons - Firkin 18 Gallons - Kilderkin (usually abbreviated to "Kil") 36 Gallons - Barrel (not the same as either the wine barrel or oil barrel measure) 54 Gallons - Hogshead Peter Meason (Hardwicke, nr Gloucester, UK) Organist and Choirmaster - St Andrew's United Reformed Church, Cheltenham Musical Director ("Patience") - Cotswold Savoyards and Rehearsal Accompanist - Charlton Kings Choral Society. http://members.aol.com/pmeason  0,, Summary-line: 27-Sep primovanous@yahoo.com [44] #LOL! *** EOOH *** X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA13816; Thu, 27 Sep 2001 19:29:04 -0400 (EDT) Received: from web20906.mail.yahoo.com (web20906.mail.yahoo.com [216.136.226.228]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id TAA14998 for ; Thu, 27 Sep 2001 19:29:04 -0400 (EDT) Message-ID: <20010927232903.47182.qmail@web20906.mail.yahoo.com> Received: from [212.170.18.154] by web20906.mail.yahoo.com via HTTP; Thu, 27 Sep 2001 16:29:03 PDT Date: Thu, 27 Sep 2001 16:29:03 -0700 (PDT) From: primo vanous Subject: LOL! To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii A Russian, a Cuban, an American and a Lawyer are in a train. The Russian takes a bottle of the Best Vodka out of his pack; pours some into a glass, drinks it, and says: "In USSR, we have the best vodka of the world, nowhere in the world you can find vodka as good as the one we produce in Ukrainia. And we have so much of it, that we can just throw it away...". Saying that, he opens the window and throws the rest of the bottle out the window. All the others are quite impressed. The Cuban opens a box of Havanas, takes one of them, lights it and begins to smoke it saying: "In Cuba, we have the best cigars of the world: Havanas. Nowhere in the world there is so many and so good cigar and we have so much of them, that we can just throw them away...". Saying that, he throws the box of havanas out the window. One more time, everybody is quite impressed. At this time, the American just stands up, opens the window, and throws the Lawyer out... __________________________________________________ Do You Yahoo!? Listen to your Yahoo! Mail messages from any phone. http://phone.yahoo.com  1,, Summary-line: 28-Sep jhawk@MIT.EDU [51] #[chrisc@vmunix.com: NetBSD "Why Not" T-Shirt Pre-Order Final Call] X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA16393; Fri, 28 Sep 2001 11:34:17 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA25205; Fri, 28 Sep 2001 11:34:12 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id LAA10496; Fri, 28 Sep 2001 11:34:12 -0400 (EDT) Received: (from jhawk@localhost) by multics.mit.edu (8.9.3) id LAA24712; Fri, 28 Sep 2001 11:34:10 -0400 (EDT) Date: Fri, 28 Sep 2001 11:34:10 -0400 From: John Hawkinson To: netbsd-dev@MIT.EDU Cc: sipb-soc@MIT.EDU Subject: [chrisc@vmunix.com: NetBSD "Why Not" T-Shirt Pre-Order Final Call] Message-ID: <20010928113410.D23491@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.3.19i *** EOOH *** Date: Fri, 28 Sep 2001 11:34:10 -0400 From: John Hawkinson To: netbsd-dev@MIT.EDU Cc: sipb-soc@MIT.EDU Subject: [chrisc@vmunix.com: NetBSD "Why Not" T-Shirt Pre-Order Final Call] Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.3.19i I'm feeling lame about paying exhorbitant shipping on top of an $18 shirt order. Would anyone else care to go in on a bulk order? I shall collect and collate. Deadline for getting back to me is Tue, 2 Oct 2001. --jhawk ----- Forwarded message from Chris Coleman ----- Delivered-To: netbsd-announce@netbsd.org Date: Fri, 28 Sep 2001 00:40:40 -0400 (EDT) From: Chris Coleman To: netbsd-announce@netbsd.org Subject: NetBSD "Why Not" T-Shirt Pre-Order Final Call Precedence: list As previously announced on this list, Daemon News is producing a new NetBSD T-Shirt. You can view the artwork here: http://mall.daemonnews.org/?page=shop/flypage&product_id=1133 We are planning on making the actual order on Wednesday Oct 3rd. At this point, you can choose any size from Small to XXX-Large and any of three colors: Ash, Natural, and White. We are calculating the stock we order based on the pre-orders. Therefore, after we place the order, any color size combinations not ordered will be removed from the list of options. So if you want a particular color or size, please make you order before Wednesday. A portion of the proceeds will go to The NetBSD Foundation. Chris Coleman Editor in Chief Daemon News E-Zine http://www.daemonnews.org Print Magazine http://magazine.daemonnews.org Open Packages http://www.openpackages.org ----- End forwarded message -----  1,, Summary-line: 9-Oct rlcarr@MIT.EDU [46] #Jenifer update X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA24332; Tue, 9 Oct 2001 16:32:26 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA29639 for ; Tue, 9 Oct 2001 16:32:26 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA25471 for ; Tue, 9 Oct 2001 16:32:26 -0400 (EDT) Received: (from rlcarr@localhost) by biohazard-cafe.mit.edu (8.9.3) id QAA22036; Tue, 9 Oct 2001 16:32:25 -0400 (EDT) Date: Tue, 9 Oct 2001 16:32:25 -0400 (EDT) Message-Id: <200110092032.QAA22036@biohazard-cafe.mit.edu> From: Rich Carreiro To: dinner@mit.edu Subject: Jenifer update *** EOOH *** Date: Tue, 9 Oct 2001 16:32:25 -0400 (EDT) From: Rich Carreiro To: dinner@mit.edu Subject: Jenifer update Hello, all. Thought I'd update you on Jenifer's progress... She left Boston on Saturday morning, bound for Kathmandu via London and Bangkok (with a 22-hour layover in Bangkok). She arrived safely in Kathmandu as scheduled. She had a bit of a scare when one of her bags (of course the one with most of her trekking/mountaineering gear) failed to show in Bangkok. After around 36 hours of frustration with American (flight to London) and Qantas (flight to Bangkok) pointing fingers at each other (QF said the bag never made it to London, AAL said it did), Qantas finally did find the bag in London and claim it is on the way to Kathmandu. We'll see (crosses fingers). She said the flight route from London to Bangkok was interesting -- instead of a great circle over Russia & China, they flew into southern Europe, over Greece, over the Persian Gulf(!), and eventually over India into Thailand. On the negative side, she had to sit through _Tomb Raider_ and _A Knight's Tale_. :) As I write this, Jenifer is spending her 2nd night in Kathmandu. Earlier, she registered at the US Embassy, did some shopping and saw the "monkey temple". Tomorrow she's planning to go to another temple (a/the famous square one with the painted "eyes of Buddha" a couple of miles outside the city core) and later to the airport to claim (hopefully) the delayed bag. Assuming it does show, she'll be starting her trekking on Thursday. She said Kathmandu is "busy and dirty" but is "fascinating". She said the Nepalese she's run into have been friendly, though she's drawn a lot of stares, too. She does have e-mail access (jtidwell@angelfire.com) (and of course phone) until she checks out of her hotel (the Yak & Yeti) on Thursday. After that she'll be pretty incommunicado until she returns to Kathmandu (again at the Y&Y) in early November (though once she's past her quasi-solo initial 5-day trek and joins the main group, the group does have access to some sort of satellite phone which is used to send in periodic progress reports which are posted at the trekking company's website - www.alpineascents.com). So far Charlie and I are doing OK. :) == Rich  1,, Summary-line: 10-Oct blairk@MIT.EDU [81] #FW: Bicycle Sports Sale Info X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA20433; Wed, 10 Oct 2001 13:20:46 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA14432; Wed, 10 Oct 2001 13:20:46 -0400 (EDT) Received: from ironman (IRONMAN.MIT.EDU [18.67.0.30]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id NAA08941; Wed, 10 Oct 2001 13:20:46 -0400 (EDT) Reply-To: From: "Kim B. Blair, Ph.D." To: , Subject: FW: Bicycle Sports Sale Info Date: Wed, 10 Oct 2001 13:20:45 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 *** EOOH *** Reply-To: From: "Kim B. Blair, Ph.D." To: , Subject: FW: Bicycle Sports Sale Info Date: Wed, 10 Oct 2001 13:20:45 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 > -----Original Message----- > From: Bicycle Sports [mailto:jcobb@bicyclesports.com] > Sent: Tuesday, October 09, 2001 1:35 PM > To: blairk@mit.edu > Subject: Bicycle Sports Sale Info > > > BICYCLE SPORTS > SUPER SEASON SALE > (318) 861-2272 (800) 365-2453 > website: www.bicyclesports.com > e-mail: jcobb@bicyclesports.com > > It's less than two weeks away from SALE DAY! > > October 20 is the day Bicycle Sports will offer you the best deals of the year. Our > Super Season Sale will include storewide markdowns - 2001 bikes and frames in stock, 2002 > bikes and frames, wheels, parts, accessories, clothing and more - all discounted for a > single day only. > > In preparation for the sale we are currently reviewing our inventory and making final > markdowns. This will be your opportunity to save big on complete bikes, frames, wheels > and more. Here are some examples of our October 20th Discounts. > > 2001 Floor Bikes 20-50% Off > TREK - Quantana Roo - Litespeed - Softride - Kestrel - Griffen - Javelin > > Wheels 15-20% Off > HED - ZIPP - Rolf - Spinergy - Others > > Accessories 15-30% Off > Pedals - Saddles - Pumps - Car Racks - Bar Wrap - Tools > > Continental Tires 20% Off > Tubular: Comp GP, Podium, Sprinter, Giro > Clincher: Supersonic, Grand Prix > > Clothing and Shoes 20% Off > Shebeest - Pearl Izumi - Louis Garneau - Giordana - Sockguy - DeFeet - SIDI - Carnac > > Wetsuits 15% Off > Quantana Roo > > Parts 15-50% Off > Full Kits - New Parts - Seat Posts - Stems - Forks - Bars - Miscellaneous Parts > > Helmets 20% Off > Giro Road Helmets > > Sale Details > Sale Day - October 20, 2001. > We will be open from 12:00 noon until 8:00pm CST. Sale prices are good October 20 only. > Visit our store or call us to make your purchases. We will also be checking e-mail > (jcobb@bicyclesports) during the day if you send an order via e-mail. All sales > transactions must be completed on October 20 to receive sale prices. E-mail orders are > subject to prior sale. Sale prices limited to IN-STOCK merchandise. Only 2002 > Bikes/Frames will be available for order at a 10% discounted price. > No Fittings will be available on October 20. > > Watch our website www.bicyclesports.com on October 15 for a listing of bikes, frames and > wheels and other merchandise in stock with prices listed. Watch our website, call us, or > e-mail for additional information. > Kim Blair blairk@mit.edu > > >  1,, Summary-line: 11-Oct jtidwell@angelfire.com [32] #Waiting in Kathmandu X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA20570; Thu, 11 Oct 2001 12:04:41 -0400 (EDT) Received: from angelfire.com (xyzzyz.whowhere.com [209.1.236.99]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id MAA25161 for ; Thu, 11 Oct 2001 12:04:41 -0400 (EDT) Received: from Unknown/Local ([?.?.?.?]) by angelfire.com; Thu Oct 11 09:03:56 2001 To: many_people@animato.arlington.ma.us Date: Thu, 11 Oct 2001 12:03:56 -0400 From: "Jenifer Tidwell" Message-ID: Mime-Version: 1.0 X-Sent-Mail: on Reply-To: jtidwell@angelfire.com X-Mailer: MailCity Service Subject: Waiting in Kathmandu X-Sender-Ip: 202.161.131.251 Organization: Angelfire (http://email.angelfire.mailcity.lycos.com:80) Content-Type: text/plain; charset=us-ascii Content-Language: en Content-Transfer-Encoding: 7bit *** EOOH *** To: many_people@animato.arlington.ma.us Date: Thu, 11 Oct 2001 12:03:56 -0400 From: "Jenifer Tidwell" X-Sent-Mail: on Reply-To: jtidwell@angelfire.com Subject: Waiting in Kathmandu X-Sender-Ip: 202.161.131.251 Organization: Angelfire (http://email.angelfire.mailcity.lycos.com:80) Content-Type: text/plain; charset=us-ascii Content-Language: en I'm still here in the Yak & Yeti hotel, an oasis of quiet in the middle of the noisiest, wildest, most sensory-overloading city I've ever seen in my life. I was supposed to start the trek today, but there was a bit of a mixup with my bags -- the biggest one, the one with ALL the climbing gear and most of my clothes, got lost on the flights here. It finally made its way to Kathmandu this afternoon, after several days of prodding (by myself, the trekking company, the travel insurance company, and Rich), airline finger-pointing and general confusion. Really, there was no guarantee it would get here at all... I'm lucky it's here and intact! Replacing its contents would have been difficult or impossible. In Nepal, you can't easily get by unless you put your watch away and relax. People are polite, but don't expect instant responses from phone calls or questions; you likely won't get them without waiting a few minutes. Restaurants let you sit for a long time between courses. Tea is offered over and over again, even in shops. They don't consider it odd if you spend two hours in a thangka (silk painting) shop, as I did yesterday. Oh, and the country's time zone is fifteen minutes off the rest of the world; go figure. Kathmandu is like a medieval city with motor scooters instead of horses. Walking from the Yak & Yeti down through Indra Chowk, one of countless little named intersections and courts, I feel like a time traveller. Narrow streets run between contiguous multistory buildings covered with wood carvings and pigeons. The road is dusty and barely paved; it teems with people and tiny vehicles moving in a practiced, detached choreography that just barely prevents collisions. The air smells of rotten fruit, dust, goats, and exhaust fumes. Street kids follow me for blocks trying to sell me trinkets ("no" is merely an invitation to start bargaining). A teenager sidles up to me and offers Tiger Balm in the tones of a drug dealer. Vendors of everything imaginable take up all available space on the first floors and in the street: bolts of cloth, T-shirts, brass sculptures, cheap shoes, thangkas, kids' bicycles, odd-looking fruits and vegetables. Miniature shrines and temples, some de! corated with marigolds and bright red tika powder, appear where you least expect them. Hindu? Buddhist? Both, probably, in this town. Religious exclusivists they are not. Which is pretty cool, especially in a time darkened by the anger of extremists at the diversity of the world. Some of you may have seen pictures (or movie scenes, if you saw the Omnimax Everest film) of the enormous white Buddhist temple here, Boudhanath. That's the one with the pairs of eyes on each of the four sides, towering over a huge white dome. I visited it yesterday with a kid that offered to be my "tour guide" for the day (and he was pretty good at it). Did you know that there's nothing inside it? The temple was build just to be looked at, climbed upon, and circumambulated by the Buddhist faithful. It truly feels like a sacred place, even though it's smack in the middle of a very crowded part of Kathmandu. The AAI Cho Oyu team got back into town last night. They didn't make the summit, but I heard lots of fun stories over dinner last night with them. Our group's chief guide, Luis Benitez, was a guide on their team too; he'll relax for a few days here and go out with us to Island Peak. Todd Burleson, a somewhat famous climber, was also with the team; he's very nice, very soft-spoken, and very... tall. :-) There's lots more to be said about Kathmandu, but I'm paying for every minute here in the Y&Y's "business centre" and I need to go to sleep before flying to Phaplu early tomorrow. The real fun will begin then! Take care, everyone. Here's hoping nothing bad happens in the world for at least the next few weeks. - Jenifer Get 250 color business cards for FREE! http://businesscards.lycos.com/vp/fastpath/  1,, Summary-line: 15-Oct mkenig@yahoo.com [109] #Re: Bad MIDI files in Archive - Help! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA02337; Mon, 15 Oct 2001 16:42:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA20744 for ; Mon, 15 Oct 2001 16:42:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA05595; Mon, 15 Oct 2001 16:42:00 -0400 (EDT) Date: Mon, 15 Oct 2001 16:42:00 -0400 (EDT) Message-Id: <20011015202732.18845.qmail@web10502.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 15 Oct 2001 16:42:00 -0400 (EDT) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One of the problems here is that people are assuming that there is a 1-1 correspendence between MIDI files and "scoring". Or, rather that a pleasant MIDI result of a work is the same as the actual representation of the music as written on the staves of a score. That is naive about MIDI. I won't, nor would anyone, argue that the MIDI files should have correct notes. Nor will I argue that a "reference" copy of the Midi for the various Kalmus/Schirmer/etc scores wouldn't aid amateur groups. But that's not why I sequence songs. IMHO Midi results are meant to be listened to, not dissected and re-edited. It's not always possible to open any given MIDI piece and get a reasonable score which would match your Schirmer p.v. or whatever. It doesn't work like that. For example, most scoring software will completely fail to recognize triplets read from a midi file. And completely forget about recognizing grace notes. The world has invented other file formats for that. It ain't what Midi is about. Now, as an (admittedly amateur) MIDI sequencer (and no, I'm not getting defensive, read on, please) I can say that many times I WILL purposefully divert from the printed score (exception, as I said above, is not sequencing wrong notes). Speaking for myself, I feel that the goal is to create a pleasing sounding aural result, not a 'photo-auralistic' version of the piano-vocal score. So: 1) In order to cause the vocal line(s) to stand out, one must do some tinkering to avoid striking the same note or notes on other tracks, especially when sequencing only for piano. I give priority to the vocal line, and since I often use an acoustic Midi device, I have to. So I will even remove notes in other lines of the score so the vocal phrases stand out. Shoot me. (Yes, I'm carefull to preserve harmonies). 2) I don't always bother to with separate vocal lines for each vocal part. Why bother? I do what is convenient for me when editing. Less tracks simple, more tracks hard. So if you're looking for separating out parts for rehearsal purposes, you'll be outta luck, I'm not Midi sequencing rehearsal tapes for the pitch-challenged. 3) I don't even sometimes bother with setting key signatures or meter if it varies through a *short* section. Who cares, so long as it SOUNDS RIGHT and eventually works out to even bars?!!!?!?!?! Midi sequencing is tedious enough as it is! Again: Midi files are meant to be listened to, not dissected and re-edited. 4)Dynamics are particularly tricky. They aren't always even spelled out properly in the piano scores. So one has to tinker to get the "idea" (what it sounds like in performance) across. 5) I add rhythmic "swing" to enhance Humanization - induced randomness to make sure the result doesn't sound totally lifeless with a clockwork slavish rhythm music box quality. A common complaint against Midi. But, if read back into a program, again, one will see variances. Too bad. I'll admit that I even consider some of my early sequencing efforts, a couple of which appear on the G&S archive, sub-standard. But they're years old, and my Midi skill and apparatus has advanced considerably since. Someday, I'll find the time to enhance them, but in the meantime, people can hear what "Jealous Torments" and "For 35 years" SOUND LIKE. Point #1, above brings up an interesting issue: Pianos - or other instruments - and human voices are decidedly different timbres. Midi sequencing vocals in p.v. scores only approximate pitch, duration and dynamics, really of vocal performance. For an interesting Midi tool, see "Melody Assistant" sequencing software's (http://www.myriad-online.com) embryonic "Virtual Singer" which attempts to synthesize human singing. The results are interesting in this regard - the same Midi line, even with synthesized singers, sounds very different from one with some other instrument assigned. Marc Kenig __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com  1,, Summary-line: 15-Oct goldrich@panix.com [76] #Re: Bad MIDI files in Archive - Help! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA14046; Mon, 15 Oct 2001 17:32:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA24985 for ; Mon, 15 Oct 2001 17:32:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA08878; Mon, 15 Oct 2001 17:31:54 -0400 (EDT) Date: Mon, 15 Oct 2001 17:31:54 -0400 (EDT) Message-Id: <3BCB52DD.824B8435@panix.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.78 [en] (Win98; U) *** EOOH *** Date: Mon, 15 Oct 2001 17:31:54 -0400 (EDT) Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marc Kenig wrote: > IMHO Midi results are meant to be listened to, not > dissected and re-edited. It's not always possible to > open any given MIDI piece and get a reasonable score > which would match your Schirmer p.v. or whatever. It > doesn't work like that. For example, most scoring > software will completely fail to recognize triplets > read from a midi file. And completely forget about > recognizing grace notes. The world has invented other > file formats for that. It ain't what Midi is about. It may well be that the developers of MIDI had more modest goals in mind, but the fact is that MIDI transcriptions can be quite sophisticated indeed. Just to pick some extreme cases, some major orchestral works have been realized for 32-channel MIDI with remarkable fidelity to the original (granted, not every- one has the capacity to play them!), and it is amazing what people have gotten this simple protocol to do. I recommend sites like http://www.prs.net/midi.html or http://midiworld.com/cmc, the second of which contains some G&S overtures of varying quality. If you want an example of the advanced work I was speaking of before, try Edward Gold's realization of Elgar's Cockaigne Over- ture, for 32 channels if you can handle it, but the 16-channel ver- sion is quite good too (both on the midiworld site). I must confess that there are many times when I would prefer to listen to a file from one of these sites than a real human recording, and the selection is overwhelming. However, quality of this kind takes time, effort, and a lot of know-how -- and excellent sequencing software doesn't hurt either. (I'm not sure what Marc means above about recognizing triplets and grace notes. Some low-end software makes *input* of complex rhythms difficult or impossible, but playback is no problem; the MIDI protocol specifies timings, not note values, and is indifferent to matters of notation. That's why MIDI files can transcriptions of actual perfor- mances, complete with all the rhythmic and dynamic fluctuations typical of a human performance.) MIDI transcriptions show a wide range of approaches, depending on the skills and desires of the sequencer. One can choose to make a transcription that follows -- as precisely as one wants -- the piano accompaniment in a vocal score, or the full orchestral accompaniment, or anything in between. Marc is quite correct when he speaks of the difficulties and subtleties involved in representing the voice parts. Of course this is not an issue in the case of transcriptions designed to be accompaniments only. In short, I agree that the MIDI files could stand some cleaning up with regard to outright errors; but it is not practical to try to enforce uniformity in the "instrumentation" of the transcription, and of course other parameters like tempo are matters of taste. -- Fred Goldrich -- Fred Goldrich goldrich@panix.com  1,, Summary-line: 16-Oct blairk@MIT.EDU [47] #FW: Bicycle Sports Sale Info X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA04965; Tue, 16 Oct 2001 16:34:00 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA16389; Tue, 16 Oct 2001 16:34:00 -0400 (EDT) Received: from ironman (IRONMAN.MIT.EDU [18.67.0.30]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with SMTP id QAA14053; Tue, 16 Oct 2001 16:33:59 -0400 (EDT) Reply-To: From: "Kim B. Blair, Ph.D." To: , Subject: FW: Bicycle Sports Sale Info Date: Tue, 16 Oct 2001 16:34:00 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 *** EOOH *** Reply-To: From: "Kim B. Blair, Ph.D." To: , Subject: FW: Bicycle Sports Sale Info Date: Tue, 16 Oct 2001 16:34:00 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 > -----Original Message----- > From: Dave Bunce - Bicycle Sports [mailto:dbunce@bicyclesports.com] > Sent: Tuesday, October 16, 2001 4:29 PM > To: blairk@mit.edu > Subject: Bicycle Sports Sale Info > > > BICYCLE SPORTS > SUPER SEASON SALE > (318) 861-2272 (800) 365-2453 > website: www.bicyclesports.com > e-mail: jcobb@bicyclesports.com > > > > We have updated or website with a list of Bikes, Framesets, Wheels, Wetsuits, Helmets, > Shoes and more for our sale on October 20, 2001. > > Look over our list of inventory available and call us for more information or details. > > New 2002 bikes and framesets will be available at a 10% discount. All transactions must > be completed on October 20th. We also have clothing and accessories on sale. All > clothing and shoes will be discounted at 20%. Accessories will be discounted from 15% to 30%. > > Shop in the store, call us, or send your order via E-Mail. > > > No Fittings will be available on October 20. > > Kim Blair blairk@mit.edu > > >  1,, Summary-line: 16-Oct pdp@globalnet.co.uk [43] #Re: TOPSY TURVY in the UK X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA01106; Tue, 16 Oct 2001 17:13:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA03085 for ; Tue, 16 Oct 2001 17:13:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA07659; Tue, 16 Oct 2001 17:10:56 -0400 (EDT) Date: Tue, 16 Oct 2001 17:10:56 -0400 (EDT) Message-Id: <3.0.6.32.20011016215505.00a47c80@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: TOPSY TURVY in the UK Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003301c15678$e8146700$80fa403e@mycomputer> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Tue, 16 Oct 2001 17:10:56 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: TOPSY TURVY in the UK Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003301c15678$e8146700$80fa403e@mycomputer> At 15:33 16/10/01 -0400, you wrote: >"JVSpillett" wrote >> It may interest UK members that tonight TUESDAY 16th >> October 2001 - at 2315 on Sky premier chanel 3 - Topsy >> Turvy is being broadcast. late advice - but I've only just >> noticed it. > >Well this is a tad odd, because according to the Radio Times website, "Godfather Part III" is screening tonight on Sky Premier 3, from 2300 to 0150 --- > >http://www.radiotimes.beeb.com:80/ListingsServlet?event=10&channelId=259&pr ogrammeId=2295978&jspLocation=/jsp/prog_details.jsp > >Anyone know which is right? I have checked with the Sky Box Office on Screen system and cannot find any mention of Topsy-Turvy at all, today or tomorrow. I have checked all the movie channels not just Premier 3. Godfather part III is certainly shown as playing at the time quoted on Premier Channel 3 Where did Mr Spillet see his data? I could not watch it anyway as I do not pay to unscramble the movie channels, but I can look at the "what's on" pages in the Sky Box Office Index. TT was shown a few weeks ago on, I think, a cable channel; not one listed on the Sky system. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 17-Oct cbailward@bigfoot.com [58] #Re: Bad MIDI files in Archive - Help! X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA15765; Wed, 17 Oct 2001 17:51:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA00273 for ; Wed, 17 Oct 2001 17:51:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA21559; Wed, 17 Oct 2001 17:49:14 -0400 (EDT) Date: Wed, 17 Oct 2001 17:49:14 -0400 (EDT) Message-Id: <000901c15754$ccdd2940$312187d9@chris> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cbailward@bigfoot.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Wed, 17 Oct 2001 17:49:14 -0400 (EDT) Reply-To: cbailward@bigfoot.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Bailward" To: Multiple recipients of list SAVOYNET Subject: Re: Bad MIDI files in Archive - Help! Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Isn't Savoynet wonderful. Here am I beavering away in Somerset and there are you goodness knows where doing much the same thing. I have virtually finished the whole of Ida but my sequencing is an exact (hopefully) copy of the Chappell Vocal Score entered via Noteworthy Composer so what you should see is an exact copy of that score. Unfortunately I do not have access to band parts and no ability to orchestrate so that is as far as it will go. unless someone can make them available in the public domain.) I still have to finish The Mighty Must, Death to the Invader and Whene'er I spoke - probably another evening. If anyone would like the results in Noteworthy (*.nwc) or midi form I propose to post them to Milborne Port Opera Group's website in due course http://www.themoose.demon.co.uk/ and may send some more to Jim Farron for the G&S Archive. I started doing this for practice purposes. The ability to bring up the volume on your own vocal line in ensemble, or even mute the other vocal lines if you are really unsure of your own, I find invaluable. But like Topsy it growed! I was very interested by the remarks of Marc Kenig on how and why he sequences. I take some of his points but cannot really see why the inclusion of all the notes written in the score should make the end result imperfect in aural form. Certainly with Noteworthy you can alter and vary the dynamic on individual staves to bring out the vocal line and change the tempo etc. Granted what you hear is very dependant on the quality of your sound card but with a good card with 100+ instruments available for £30 or so that is hardly a constraint. For anyone that has not yet acquired Noteworthy Composer the site to visit is http://www.noteworthysoftware.com/. I think it is a fantastic bit of kit and amazing value for money. I am told that Sibelius is the ultimate in notation software but at the price so it should be. There isn't much that Noteworthy can't do for a humble non musico like me so I shall stick with it. Chris Bailward - Somerset UK > > > We're currently working on Ida. (Hey chris... how far have you > got... i think we've got all the orchestra parts in... no vocals or > piano reduction yet) >  1,, Summary-line: 18-Oct lewis502@hotmail.com [46] #Hello X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA22950; Thu, 18 Oct 2001 00:04:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA23881 for ; Thu, 18 Oct 2001 00:04:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA03595; Thu, 18 Oct 2001 00:04:20 -0400 (EDT) Date: Thu, 18 Oct 2001 00:04:20 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: lewis502@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bernard Lewis" To: Multiple recipients of list SAVOYNET Subject: Hello Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 18 Oct 2001 00:04:20 -0400 (EDT) Reply-To: lewis502@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bernard Lewis" To: Multiple recipients of list SAVOYNET Subject: Hello Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear Savoynet members, I'm not a Gilbert and Sullivan afficianado, in fact I've never seen a Gilbert and Sullivan Opera. I did inherit this February, my Grandmother's house in Pasadena and it was full of her belongings. I am the executor of her estate and must dispose of the contents. My Grandmother was a friend of Galli-Curci who lived up the coast in Santa Barbara, and both of them knew Ellen Beach Yaw, who lived in the San Gabrial Valley. When Galli Curci died, my mother received all her papers and music. Galli Curci had received material from Miss Yaw. All of this is in cardboard boxes and Orange Crates. In going over this, much of it is Grand Opera, but several of the boxes are clearly to do with Sullivan. (Of the Gilbert and Sullivan fame) I don't read music but some of it looks like music for the parts of an orchestra. There is a great deal of old writing on the music sheets and many pages are totally hand written. There is some sheet music by Arthur Sullivan and a number of letters dated 1885 and before. The clothing is in very bad condition with moth holes but appear to be for a male of the last century. I am told that your use-net is comprised of many experts in the area of Sullivan. I feel that I need the services of such an expert to evaluate and identify what is in this collection. It may prove to be worthless but perhaps there is something of value to a scholar. Do you have any Savoynet members in Los Angeles,or Southern California or know of a Gilbert and Sullivan expert in this area that would be able to help me? Failing that I suppose I could photograph some of the material and post it on your network, or give you a list of song titles. I'm curious what the House of Savoy has to do with Gilbert and Sullivan. Thanking you in advance. Bernard Lewis. _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp  1,, Summary-line: 18-Oct rlcarr@MIT.EDU [18] #Jenifer update -- Namche Bazaar X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA05312; Thu, 18 Oct 2001 12:15:29 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA00950; Thu, 18 Oct 2001 12:10:45 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA03652; Thu, 18 Oct 2001 12:10:44 -0400 (EDT) Received: (from rlcarr@localhost) by biohazard-cafe.mit.edu (8.9.3) id MAA11008; Thu, 18 Oct 2001 12:10:45 -0400 (EDT) Date: Thu, 18 Oct 2001 12:10:45 -0400 (EDT) Message-Id: <200110181610.MAA11008@biohazard-cafe.mit.edu> From: Rich Carreiro To: lots-of-people@mit.edu Subject: Jenifer update -- Namche Bazaar *** EOOH *** Date: Thu, 18 Oct 2001 12:10:45 -0400 (EDT) From: Rich Carreiro To: lots-of-people@mit.edu Subject: Jenifer update -- Namche Bazaar I arrived at work today to find a 25-second message from Jenifer sitting in my voicemail box. She was calling from Namche Bazaar, and is doing OK aside from a slight cold and said everything is on schedule. This would imply that she has hooked up with the main team and is no longer in the "quasi-solo" part of her trek (whew :). She's hoping to talk to me this evening (our time -- it would be tomorrow morning her time). The team will be in Namche all that day and will spend a 2nd night there (it's an acclimatization stop). There's a chance she might be able to send e-mail from Namche, since as of a couple of years ago there was one public internet access point in the town (might be more now, or the one may have gone under). == Rich  1,, Summary-line: 19-Oct rlcarr@MIT.EDU [17] #Hello... X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA04398; Fri, 19 Oct 2001 01:07:00 -0400 (EDT) From: Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA02548 for ; Fri, 19 Oct 2001 01:07:00 -0400 (EDT) Received: from mass-toolpike.mit.edu (MASS-TOOLPIKE.MIT.EDU [18.7.16.71]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id BAA08439 for ; Fri, 19 Oct 2001 01:06:59 -0400 (EDT) Received: (from rlcarr@localhost) by mass-toolpike.mit.edu (8.9.3) id BAA14341; Fri, 19 Oct 2001 01:06:59 -0400 (EDT) Date: Fri, 19 Oct 2001 01:06:59 -0400 (EDT) Message-Id: <200110190506.BAA14341@mass-toolpike.mit.edu> To: dinner@MIT.EDU Subject: Hello... *** EOOH *** From: Date: Fri, 19 Oct 2001 01:06:59 -0400 (EDT) To: dinner@MIT.EDU Subject: Hello... If anyone out there with a network connection that is independent of ATT Broadband has the capability of offering PPP with a fairly constant IP address (so that I can put in a low-priority MX record on my animato domain pointing to that address) I'd be willing to cough up some $$$ for it and agree to only call at/during specified times. Alternatively, any other suggestions for ways to continue to get mail addressed to [whoever]@animato.arlington.ma.us if/when I fall off the net (as appears likely tomorrow) due to ATT's utter DHCP debacle would be appreciated. Thanks! == Rich  1,, Summary-line: 19-Oct jtidwell@angelfire.com [29] #Namche Bazaar X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA22481; Fri, 19 Oct 2001 08:19:47 -0400 (EDT) Received: from angelfire.com (xyzzyz.whowhere.com [209.1.236.99]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id IAA19137 for ; Fri, 19 Oct 2001 08:15:31 -0400 (EDT) Received: from Unknown/Local ([?.?.?.?]) by angelfire.com; Fri Oct 19 05:14:46 2001 To: many_people@animato.arlington.ma.us Date: Fri, 19 Oct 2001 08:14:46 -0400 From: "Jenifer Tidwell" Message-ID: Mime-Version: 1.0 X-Sent-Mail: off Reply-To: jtidwell@angelfire.com X-Mailer: MailCity Service Subject: Namche Bazaar X-Sender-Ip: 202.52.251.8 Organization: Angelfire (http://email.angelfire.mailcity.lycos.com:80) Content-Type: text/plain; charset=us-ascii Content-Language: en Content-Transfer-Encoding: 7bit *** EOOH *** To: many_people@animato.arlington.ma.us Date: Fri, 19 Oct 2001 08:14:46 -0400 From: "Jenifer Tidwell" X-Sent-Mail: off Reply-To: jtidwell@angelfire.com Subject: Namche Bazaar X-Sender-Ip: 202.52.251.8 Organization: Angelfire (http://email.angelfire.mailcity.lycos.com:80) Content-Type: text/plain; charset=us-ascii Content-Language: en There is a brand-new cybercafe in Namche Bazaar, a large and famous Sherpa town situated at the top of a heart-pounding 2000-foot climb. Our AAI guide, Luis Benitez, finds it remarkable that it's even here; connectivity has been sparse at best in the past. Apparently even phone connections are fairly new... but even in a remote place like this, people want things like computers and washing machines. They're all hauled up that hill on the backs of porters and dzopkios (yak/cow crossbreeds). It's a little chilly in this tiny little room, where several languages are being spoken. Outside, a cloud just settled in over the town. Our team -- now down to three clients, two guides, a sirdar, and a few dzopkios, thanks to American paranoia about foreign travel -- are taking a rest day here in Namche, letting our bodies acclimatize to the thin air at 11,000 feet. It's not bad! The several days I took to hike in here have helped, I imagine. Bag finally found, I flew to the town of Phaplu a few days ago (landing on a postage-stamp-sized dirt runway). With my guide Nima and our young porter Govinda, we took five easy days to trek to Lukla, where the rest of the team met us. Neither Nima nor Govinda spoke much English, and I even less Nepali, but we muddled through. :-) Staying in small Sherpa-run lodges along the way, I learned a lot about Sherpa culture and family life. More than I can possibly write about here... It was frustrating at times, but a terrific experience. Tomorrow we head up-valley, to a town called Tengboche, where hopefully we can see the lama at the monastery and get his blessing before continuing up into sparser, colder country. Island Peak awaits! I hope everyone is doing well. We're getting some news here in Namche and yesterday in Lukla, so we know about current events (for now, anyway). I've got a rip-roaring chest cold, but that seems to be going away now. Also, AAI is *not* cybercasting this trek -- there was a logistical mixup with the satellite phone -- but so far, everyone is strong and healthy and getting along well with each other. When we return to Namche in a couple of weeks, I'll write again. With love to everyone, - Jenifer Get 250 color business cards for FREE! http://businesscards.lycos.com/vp/fastpath/  1,, Summary-line: 20-Oct awrobins@yahoo.com [80] #Re: Decline of SavoyNet X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA27569; Sat, 20 Oct 2001 19:46:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA07051 for ; Sat, 20 Oct 2001 19:46:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA06222; Sat, 20 Oct 2001 19:45:29 -0400 (EDT) Date: Sat, 20 Oct 2001 19:45:29 -0400 (EDT) Message-Id: <20011020232832.47262.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Decline of SavoyNet MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004e01c159a1$19ec2e40$1a84fc3e@5zsv40j> *** EOOH *** Date: Sat, 20 Oct 2001 19:45:29 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Decline of SavoyNet Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004e01c159a1$19ec2e40$1a84fc3e@5zsv40j> > What makes a pun good or bad? I think that to work, a pun has to be either really good or really bad (I subdivide bad puns, just as there are good bad movies--someone once described Casbalanca as the best bad movie ever made--and bad bad movies). A good pun (IMO--obviously I'm not stating facts, as puns are a matter of taste, or distaste) is subtle; a good bad pun is not, but is so excruciating it wrings a groan (the pain that is all but a pleasure). I'd say "I love, and love, alas, above my station" is a good pun, and "a pack-of-cardiac affection" a bad pun, but I enjoy them both. A bad bad pun, IMO, is lame; it calls attention to itself but isn't funny. (I hope I make myself clear,lady? No, I don't think so.) >And what, by your definition, are Gilbert's best and worst? I'll have to think about this. >Why is "his sting is present but his STUNG is > past" bad? It's far-fetched but not funny; it sounds ungrammatical; I don't know, it just IS bad. >What about "Trial-la-law"? I'd call this a good bad pun. I guess, to be honest, my definition is: if I like a pun, it's either good or good-bad. If I don't like it, it's just plain bad. >And to widen > the discussion - who's > the best punster among Gilbert, Burnand and Hood? Burnand is the worst--that's the easy part. If you overuse puns, they get tedious; just read one of Gilbert's early extravaganzas--even the good puns don't work because even a pun addict like myself gets tired of them in such profusion (like toffee). Hood was a clever punster, but overdid it slightly, especially in the dialogue. (I think puns work better in lyrics than dialogue; I'm not sure whether this is because lyrics lend themselves to wordplay, or lyrics speed on so a bad pun doesn't seem so annoying.) I may say more on this subject later (though I've probably said too much already--some of you may be longing for the good old days of low traffic before Paul and Derrick stirred me up). > Who are "Earth's poor daughters"? Well, in Greek mythology, the children of Earth (Gaia) were eaten by their father. But I don't think that's what Gilbert meant. Arthur Robinson (a most mad man, though fooolish people think me contented) __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com  1,, Summary-line: 21-Oct mike@mpnash.com [87] #Re: Decline of SavoyNet X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA26913; Sun, 21 Oct 2001 07:10:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id HAA11445 for ; Sun, 21 Oct 2001 07:10:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA17679; Sun, 21 Oct 2001 07:09:53 -0400 (EDT) Date: Sun, 21 Oct 2001 07:09:53 -0400 (EDT) Message-Id: <002b01c15a20$2d7e74c0$499f87d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Decline of SavoyNet MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sun, 21 Oct 2001 07:09:53 -0400 (EDT) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Decline of SavoyNet Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Derrick McClure wrote:- > What makes a pun good or bad? And what, by your definition, are > Gilbert's best and worst? Why is "his sting is present but his STUNG is > past" bad? Not being equal to the intellectual pressure etc. etc., but it's not that obvious what the play on words is to me. On the face of it, it just seems to say "'sting' is present tense, 'stung' is past tense", and that's not funny. Thinking about it, I suppose the second half of the sentence could be taken as "his tongue is past" (or "passed") - but that doesn't make sense. Go on, tell me what I'm missing! > What about "Trial-la-law"? I didn't "get" this one for years, and when I did, it really wasn't that clever. So it sounds like "tra la la". Big deal. I suppose you could render it as "Trial L.A. Law"... > And to widen the discussion - who's > the best punster among Gilbert, Burnand and Hood? The only things I know of Burnand's are "Cox And Box" and the odd lyric from "The Contrabandista", and on the basis of those I'd say both Gilbert and Hood were far better. But my vote would be (don't kill me!) for Hood - I loved the exchange in "Merrie England" about "two legs are forelegs". Arthur Robinson wrote:- > Is anyone interested in a SWOG and GWOS > opera-of-the-week, covering COX AND BOX, IVANHOE... I'd be interested. I'd suggest that at the beginning of each discussion, someone (or a few people) post informative messages about the opera in question for the benefit of those who don't know about it: who wrote it and when, who the main characters are, what the musical numbers are and so on. Not only to save the hassle of finding the info on the G&S Archive before being able to join in, if the resultant documents are to be useful introductions to the operas to anyone reading them it's far better that they be self-contained. David Michaels wrote:- > My vote for the worst pun in the canon (actually two in the same line) would > go to King Gama's "Why, she so particular that she'll scarcely suffer Doctor > Watts' hymns, and all the animals she owns are 'hers'". When we staged this at Woodley in April we had this as the first thing in Gama's dialogue which Arac, Guron and Scynthius (I was Arac, BTW) understood, so we roared with laughter while everyone else was silent. > There are also some pretty bad puns in GRAND DUKE, although I must > confess I do rather like the "pack-of-cardiac affection" one. I love the awful puns in "Grand Duke". In Poynton's production in 1998 I spoke the "pack of cardiac affection" line with relish (the sausage rolls long since (in-)digested), and the rest of the cast winced (I'm not sure it was all acting). I think the best bad pun in G&S is in "Pinafore": "True, I lack birth" / "You've a berth aboard this very ship!" I keep expecting the Bo'sun to turn to the audience and say "Boom, boom!" like Basil Brush. The best pun I would say is "D may be dull... while F is F sharp" in "A Private Buffoon". The lamest pun I would say is the aforementioned "Trial-la-law". Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: www.mpnash.com  1,, Summary-line: 22-Oct cmceniry@MIT.EDU [13] #XL1 for sale. X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA01175; Mon, 22 Oct 2001 10:34:24 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA02476 for ; Mon, 22 Oct 2001 10:34:23 -0400 (EDT) Received: from I-fear-reorgs.mit.edu (I-FEAR-REORGS.MIT.EDU [18.7.21.89]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id KAA25193 for ; Mon, 22 Oct 2001 10:34:22 -0400 (EDT) Received: (from cmceniry@localhost) by I-fear-reorgs.mit.edu (8.9.3+Sun) id KAA15060; Mon, 22 Oct 2001 10:34:23 -0400 (EDT) Message-Id: <200110221434.KAA15060@I-fear-reorgs.mit.edu> To: opus@MIT.EDU Subject: XL1 for sale. Date: Mon, 22 Oct 2001 10:34:22 -0400 From: Christopher A Mceniry *** EOOH *** To: opus@MIT.EDU Subject: XL1 for sale. Date: Mon, 22 Oct 2001 10:34:22 -0400 From: Christopher A Mceniry I don't have the spare money or time for it right now, so I figured I'd send the offer your way. aD is seeling a ~1 year old XL1 with the standard lens and a wide angle lens(I think the total retailed for ~$4500) for 1500. You can probably also talk Justin down a little bit with it. You interested? --chris  1, forwarded,, Summary-line: 26-Oct mike@mpnash.com [110] #Seven of Nine as Patience - I wonder... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA11552; Fri, 26 Oct 2001 18:34:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA15155 for ; Fri, 26 Oct 2001 18:34:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA26007; Fri, 26 Oct 2001 18:33:33 -0400 (EDT) Date: Fri, 26 Oct 2001 18:33:33 -0400 (EDT) Message-Id: <000701c15e6a$b59268a0$f79587d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Seven of Nine as Patience - I wonder... MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Fri, 26 Oct 2001 18:33:33 -0400 (EDT) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Seven of Nine as Patience - I wonder... Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Bill Vallely's comment about trying to persuade Jeri Ryan (Seven of Nine in "Star Trek Voyager") to play Patience set me wondering what it might be like... SEVEN OF NINE: Captain Janeway, tell me two things. Firstly, what is this love that upsets everybody; and secondly, how is it to be distinguished from insanity? CAPTAIN JANEWAY: Poor blind child! Oh, forgive her, Eros! Why, love is of all passions the most essential! It is the embodiment of purity, the abstraction of refinement! It is the one unselfish emotion in this wormhole of grasping greed! SEVEN: Your observations are irrelevant. You have described some of its abstract qualities but you have not answered my questions. THE DOCTOR: Perhaps I might be of assistance here. Love is essentially a medical condition in which the body produces an elevated amount of certain chemicals which in turn produce behavioural anomalies such as impaired judgement and irrational obsession. It may be distinguished from insanity as follows. Here are the chemicals which produce love (producing a computer printout of a chemical formula) and here are the chemicals which produce insanity (producing another similar printout). As you can see, the structures of the carbon chains are quite different, the insanity compound possessing a higher proportion of covalent bonds. JANEWAY: Computer, delete Emergency Medical Hologram. Painfully! DOCTOR: I say, that's not AAARRRGGGHHH!!! (He disappears) JANEWAY: Love, Seven, is a state of bliss in which one devotes oneself to another without any regard for oneself. SEVEN: I see. Love is essentially being assimilated into the Borg Collective. JANEWAY: No! One doesn't lose one's individuality. One is transported to a higher plane of existence. SEVEN: A multi-dimensional sub-space shift. That does not comply with known observations or with data retrieved from fictional and non-fictional literature of various Alpha Quadrant worlds. Your description is flawed. This conversation is futile. I shall go to the Cargo Bay and regenerate. (She moves to exit) JANEWAY: Wait, Seven! Is it possible you have never loved anybody? SEVEN: Yes, one. JANEWAY: Ah! Whom? SEVEN: The Coordinator of my Sub-unit in the Borg Cube in which I was first assimilated. JANEWAY: Borg drones don't count. SEVEN: Then there's nobody. At least - no, nobody. Not since I was a baby. But that doesn't count either, I suppose. JANEWAY: I don't know. Tell me all about it. SEVEN (singing): Long years ago, fourteen maybe, Ere I was captured by the Borg, A sentient life-form linked with me, We met on aliens dot org, A wondrous being, surpassed by few, With knowledge great and huge IQ, Who, to my childish ESP Was all a life-form ought to be; Ah, how we loved, that being and I, No pair had loved so well, How true our love - and, by the by, It was a Speak And Spell. JANEWAY (singing): Ah, old, old tale of computer's touch! I thought as much - I thought as much! It was a stupid toy! SEVEN: Now don't dismiss me with your quips, It had the latest microchips, The Super Speak And Spell! JANEWAY: No doubt! Yet, spite of all your pains, The interesting fact remains: It was a little toy! TOGETHER: It quite befits an ex-Borg drone That her first love, if truth be known, It was a little toy! It was a little toy! Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: www.mpnash.com  1,, Summary-line: 27-Oct j.d.mcclure@virgin.net [72] #Odds and ends. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA23554; Sat, 27 Oct 2001 13:42:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA20383 for ; Sat, 27 Oct 2001 13:42:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA18105; Sat, 27 Oct 2001 13:41:40 -0400 (EDT) Date: Sat, 27 Oct 2001 13:41:40 -0400 (EDT) Message-Id: <006801c15f0d$26f09880$f4ccfc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Odds and ends. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sat, 27 Oct 2001 13:41:40 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Odds and ends. Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum If the Savoynet was in decline a fortnight ago, it's right back on top form now! This is just a few random comments on some of the threads that have been burgeoning over the last few days. ON MIKING - I'm no musician and still less of a technician, but just for the record: Aberdeen OC, which plays in a theatre with very good acoustics and a capacity of about 1000, never used mikes until its last production, CHESS, and that was because it was our first attempt at a show that couldn't be played with a classical orchestra. The results were not altogether satisfactory: mikes notwithstanding, the singers' voices and the words of the choruses tended to get lost in the big scenes. Most of the principals, too, were not G'n'S singers and had vocal styles totally unlike those of our usual cast. Maybe this proves nothing except that we'd better get more accomplished technicians next time we do a modern show (not this year with CAROUSEL). ON MELODY - Bruce mentioned that Rodgers is the top melodist of the 20th century. I wouldn't try to counter that - but if so, what the deil HAPPENED to melody after 1900? Did "serious" composers start thinking it was beneath their dignity, or what? My nominations for the greatest composers (post-Beethoven) of the 19c are Chaikovsky and Dvorak - men whose every composition is packed with TUNES that just transport you to Elysian fields. How - and WHY - did tunes come to be regarded as only fit for musical comedy? ON G'n'S AS CLASSICAL MUSIC - heck, of course it is! I don't know - though I'm sure others do - whether it's best described as operetta or light opera, but how can there be any possible doubt whatever that it's right bang in the European classical tradition? ON SULLIVAN'S RHYTHMS - just to start with, one favourite of mine: reading the words of "About a century since", what could be more obvious than that it should be set to a dotted rhythm? And how smart of Sullivan NOT to set it to one! And another- ah LEAVE me NOT to PINE a-LONE and DE-so-LATE. no FATE seemed FAIR as MINE, no HAP-pi-NESS so GREAT - What a totally uninspiring lyric for rhythm and rhyme! And look what Sullivan did with it by simply ignoring both factors - brought out the dramatic potential to make it one of the most emotionally moving numbers in the canon! ON ABSOLUTELY NOTHING - The BBC is currently giving us one of its excellent educational series, called "The Blue Planet" and dealing with marine life. A couple of weeks ago we learned about some deep-sea fish of which the female is a hideous creature consisting almost entirely of mouth and sharp teeth, and the male a small entity of which the sole purpose is to find a female and bite onto it, when it fuses onto the body of the other fish and degenerates to an external parasite, but still with functioning gonads to fertilise the female's eggs. "With her little tail a-swishin' every lady fish is wishin' that a male would come and grab her by the gills!!" Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 27-Oct afpv@afpv.com [89] #Re: Bizarre G&S News X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA21287; Sat, 27 Oct 2001 17:45:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA19528 for ; Sat, 27 Oct 2001 17:45:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA25989; Sat, 27 Oct 2001 17:45:02 -0400 (EDT) Date: Sat, 27 Oct 2001 17:45:02 -0400 (EDT) Message-Id: <5.1.0.14.2.20011027172728.03f35ec0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: afpv@afpv.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Antony F. P. Vickery" To: Multiple recipients of list SAVOYNET Subject: Re: Bizarre G&S News Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <24465-3BDB13FE-5330@storefull-288.iap.bryant.webtv.net> X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Sat, 27 Oct 2001 17:45:02 -0400 (EDT) Reply-To: afpv@afpv.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Antony F. P. Vickery" To: Multiple recipients of list SAVOYNET Subject: Re: Bizarre G&S News Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <24465-3BDB13FE-5330@storefull-288.iap.bryant.webtv.net> Philip Nolen asked about the Bethany Halliday news article in its original form. With a cheer for Lexis-Nexis, I am happy to oblige. Antony F. P. Vickery afpv.@afpv.com **************************************************************** Copyright 2001 Telegraph Group Limited THE DAILY TELEGRAPH(LONDON) May 18, 2001, Friday SECTION: Pg. 13 LENGTH: 267 words HEADLINE: Pregnant singer claims pounds 5,000 after failing to land virginal role BYLINE: By Thomas Penny BODY: AN ACTRESS has claimed an opera company sexually discriminated against her after it turned her down for the part of a virgin because she would be heavily pregnant by the end of the show's run. Bethany Halliday, 28, decided to take the D'Oyly Carte Opera company to an industrial tribunal after she failed to get a part in the production of the Pirates of Penzance at London's Savoy Theatre. Ian Martin, the company's general manager, said the idea of a pregnant woman playing the role was absurd. "We were casting for the ladies' chorus, who all play the teenage virginal daughters of Major General Stanley and scream every time they see a man. It would not make sense to have a pregnant virginal daughter. He said the logical conclusion of the European directive that forms the basis of the case would see the Royal Shakespeare Company being forced to have a pregnant actress playing the female lead in Romeo and Juliet. He said Miss Halliday did not get the part because she was pregnant and was unsuitable as an understudy for one of the main parts, a role taken on by members of the chorus. "We are defending ourselves on the grounds that producers should have the right to make decisions commensurate with common sense," he said. Miss Halliday is to claim the full value of the contract, which is believed to have been worth around pounds 5,000 for the two-month run, at an employment tribunal. Yesterday, she refused to comment about the case. A spokesman for Equity, the actors' union, said: "We are supporting our member and we believe we are going to win." [PS]News: [ES] LOAD-DATE: May 18, 2001 At 10/27/01, Philip Nolen wrote: >What follows is an excerpt from Chuck Shepard's humor column "News of >the Weird," in which he collects the most bizarre news tidbits from the >mainstream press, most of which come from news clippings sent in by >readers. > >"Actor Bethany Halliday filed a lawsuit in May against the British opera >company D'Oyly Carte because it allegedly pulled back an offer it made >to her earlier to play a blushing teenage virgin in 'The Pirates of >Penzance.' D'Oyly Carte said that whatever interest it had in Halliday >at one time no longer existed when she showed up pregnant and would be >three months from delivery when the show opened. The character she was >to play is so sheltered she screams in fright every time she sees a >man.." > >I would be interested to know if any UK "Netters had spotted this news >flash in its original form. I think Koko would say that her suit is >hopeless, for producers can discriminate as they like when it comes to >casting.  1,, Summary-line: 27-Oct Butagirl@aol.com [40] #Miking X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA10546; Sat, 27 Oct 2001 18:35:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA16690 for ; Sat, 27 Oct 2001 18:35:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA27864; Sat, 27 Oct 2001 18:34:27 -0400 (EDT) Date: Sat, 27 Oct 2001 18:34:27 -0400 (EDT) Message-Id: <69.1d0939ad.290c8f15@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Miking MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Sat, 27 Oct 2001 18:34:27 -0400 (EDT) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Miking Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Re the miking issue: I feel I have a vested interest in this matter. In my late teens I damaged my voice permanently through misuse and overuse. This left me with a voice which I could never describe as powerful, yet I nevertheless managed to produce a good, if quieter, sound during my early twenties. Because of the nature of the damage, I would never manage to get the same projection as a singer with an undamaged voice. Does this make me a good singer? Certainly not. Did amplification allow me to get principal roles during this period? It most certainly did. My voice has now become so damaged (not through overuse, but for other as yet unknown reasons) as to render the prospect of further principal roles a virtual impossibility, at least for the next few years if not for ever. However, I am grateful for the presence of mikes to allow me to have played principal roles and get a few years more mileage out of my voice. PS An important issue people have not yet mentioned (at least explicitly) is the difference between having a good voice and being a good singer. Being a good singer is not just having a beautiful voice, but knowing how to use it. Phrasing, interpretation and general musicianship is just as important, and not all people with well-trained voices have this ability. I am afraid I have seen too many people with beautiful voices in roles who have singularly failed to make the most of them because they didn't know how to play the wonderful instruments they had. Sharon Brindle "Though I am butagirl@aol.com"  1,, Summary-line: 27-Oct BMILLER@holycross.edu [55] #Re: Yawning gulf, miking, etc. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA28426; Sat, 27 Oct 2001 18:59:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA19006 for ; Sat, 27 Oct 2001 18:59:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA28564; Sat, 27 Oct 2001 18:58:00 -0400 (EDT) Date: Sat, 27 Oct 2001 18:58:00 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Yawning gulf, miking, etc. Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Sat, 27 Oct 2001 18:58:00 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Yawning gulf, miking, etc. Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Andrew wrote, responding to me: >>Some of Gilbert's dialogue sequences are spectacular in their effect, matching the music. >Hmm. What exactly is in Bruce's mind here? I suppose the parodies of melodrama--e.g. Ralph's Cimmerian Darkness speech--may come under this heading. But note the words "some of".... There needs to be the capacity for a great range of dynamic. I would love to see the first Robin/Rose scene played as a great moment in itself, with pauses and comic embarrassment; quietly and subtly. Tedious Homily Number 6437: Gilbert's dialogue is more than simply a stopgap between the songs.> I hope I never suggested _that_. But: It is quite possible for quiet passages, such as the one cited above, to be "spectacular" in effect. There are many passages in Gilbert's dialogue that are tour-de-force examples in many various ways. Dialogue does not have to be shouted or overblown to have a spectacular effect. Great actors can take your breath away with beautifully delivered, quiet scenes. >I asked: >... is there a difference between singing G&S on stage and on CD? and Bruce replied: >>Not with the best of companies.... My counter question - what do we use as the standard for a G & S performance: a professional one on a CD, or the typical community theater presentation? ... Bruce seems to misunderstand me...Should a professional singer create a different sort of noise in the opera house (to please a gathered audience in an auditorium) to the noise he/she creates in a recording studio (to please people who are listening to the recording in the comfort of their own homes)?... Suppose--just suppose--that a CD recording should create a more intimate atmosphere. Imagine a CD recording which is not simply a record of a theatrical performance but a work of art in itself---as fully reimagined as a good radio version of a classic play. Could it be done? If so, how?> I _did_ misunderstand. Thanks for your clarification. It's a complex issue. Some recordings _are_ recalculated for home listening, but it's much easier to do with a play consisting only of dialogue than with an opera having large orchestras and choruses, with 10 to 15 principal singers. In opera, most often the attempt is made to create an environment for the listener as if he was in the opera house himself in the best seat in the place. How, and to what extent, do you "modify" such a sound for an "intimate living room" environment? There _are_ occasions when miking of such performances allows certain details to stand out far more clearly that they would in the concert hall or opera house, and the technique also allows for a kind of vocal cheating. When John Reed sings "Oh, thoughless crew, Ye know not what ye do. Attend to me and shed a tear or two" on his Yeomen recording under Sargeant, he was so closely miked that he could whisper it to wonderful effect. It was something Reed did often in his recordings. He probably could not get away with that on stage, in performance. However, I don't know how, or why, you'd want to modify the end of the Yeomen Act I Finale, or the March of the Peers in Iolanthe. The Phase 4 D'Oyly carte Pinafore did what Andrew suggested with much of the dialogue. I suppose it's a matter of taste, but most people don't like that recording very much. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 27-Oct andi_s_r@yahoo.com [83] #Re: Actors and singers X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA08143; Sat, 27 Oct 2001 19:24:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA29671 for ; Sat, 27 Oct 2001 19:24:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA29421; Sat, 27 Oct 2001 19:23:00 -0400 (EDT) Date: Sat, 27 Oct 2001 19:23:00 -0400 (EDT) Message-Id: <20011027231845.84791.qmail@web10805.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Actors and singers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 27 Oct 2001 19:23:00 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Actors and singers Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Teaching a classically trained singer to act is not the brief and breezy venture Mary Finn suggests. While some educational programs are paying more attention to this facet for a singer's education now than they did 20 years ago, I am still seeing top-notch young singers with beautifully trained voices who have had little or no exposure to even the most basic acting experience, and who are profoundly uncomfortable attempting to express themselves outside the familiar context of vocal material. They are often at a complete loss in terms of how to go about it. Coaching them on comedic material is the worst, whether the victim is a Yum-Yum or a Katisha, an Aline or a Lady Blanche. They've never done anything like it, and the whole idea is alien to them. Really effective delivery for any of these characters (and dozens more) requires a type of freedom that isn't natural to them; many Serious Young Musicians have been taking themselves *so* Seriously that loosening up for, say, the quicksilver flirtatiousness of the Yum/Nanki scene before the "Kissing Duet" is so strange that they fumble and fret and stare blankly. Some of the intelligent ones who are basically secure young women and who have a sense of humour are capable of playing "catchup" reasonably well, with good results, but that's what it IS for them, in many cases--trying to catch up, in a few weeks, on the kind of on-stage experience or simply ways of thinking that many others have been better grounded in since childhood, especially those of us who are (a) hams by nature and (b) the imaginative sort who've delighted in pretending to be Somebody Else (other than A Great Diva). I'm not saying it can't be done--at least half of the fine young classical singers who come to audition for a G&S are doing so with the object of expanding their skills and are willing to work at it, and many of them will eventually do well--but not usually more than passibly in their first role. I've seen deer-in-the-headlights terror at the prospect of speaking even a couple of lines from young women who think nothing of delivering the Scena with all the bells and whistles. This is the fault of the educational process for classical singers, part and parcel of the narrow bias that still exists in too many places and among too many teachers, restricting the type of material and performing situation with which young performers are made familiar. It is changing, thank heavens, and in some places there are very enlightened programs (hear,hear!), but it's still got a l-o-n-g way to go. While it is not as necessary for someone to have intensive formal training in acting to become a good actor as it is to have formal vocal training to realize the full potential of the vocal instrument--it *is* something that can be picked up "by the seat of one's pants" to a very functional degree by many people--there *does* have to be exposure and experience for that to happen, and something that will acquaint them with the basic *mindset*. Many superb classical singers have simply never had that, and they are starting almost completely from scratch, with little or no frame of reference. If you want to take on coaching A Singer on acting, I'd never say "don't try it", but I will say, "don't assume you're going to get quick and easy results", and don't expect them to make up for 20 or 30 years of ignorance in a few weeks. ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com  1,, Summary-line: 27-Oct BMILLER@holycross.edu [36] #Re: Miking (Was Re: Yawning gulf) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA08854; Sat, 27 Oct 2001 19:26:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA29582 for ; Sat, 27 Oct 2001 19:23:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA29287; Sat, 27 Oct 2001 19:22:36 -0400 (EDT) Date: Sat, 27 Oct 2001 19:22:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Sat, 27 Oct 2001 19:22:36 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf) Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >>> 10/27/01 06:41PM >>> In a message dated 10/27/01 3:34:14 PM, BMILLER@holycross.edu writes: << It is a great mistake to assume that G & S "settled" for any one kind of performer. They had a good number of excellent singers who also could act. They also had character actors who had character voices. The roles were tailored for these people. We do not need to re-define "taste" (read "standards") downwards for G & S to "survive." >> >And if Gilbert and Sullivan enjoyed steady rotation in professional companies, this wouldn't be an issue. However, mostly they are performed in amature houses -- where settling for whoever walks through the door is a fact of life.> What an insult to those excellent amateur companies (and there are many of them) who _don't_ have such a problem! In New York City, in particular, there is no shortage of such companies. The surest way to turn off the potential future audience for G & S is to hold up "settling for whoever walks in the door" as the standard. This phenomenon, all too often observed in the lower echelon of amateur companies, has done as much to injure the reputation of Gilbert & Sullivan as has the "preserved in amber" production technique. Sometimes, both are combined. We seem to have gone from the playing to the supposed "changing tastes" (i.e. regarding standards and attention span) in modern audiences to accepting a lack of competence among amateur performers. Why don't we just concentrate on quality in both departments? Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 27-Oct andi_s_r@yahoo.com [76] #Re: Actors and singers X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA23837; Sat, 27 Oct 2001 23:44:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA22360 for ; Sat, 27 Oct 2001 23:44:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA04991; Sat, 27 Oct 2001 23:43:37 -0400 (EDT) Date: Sat, 27 Oct 2001 23:43:37 -0400 (EDT) Message-Id: <20011028032003.20456.qmail@web10807.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Actors and singers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Oct27.202701edt.119055@gateway.intersys.com> *** EOOH *** Date: Sat, 27 Oct 2001 23:43:37 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Actors and singers Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Oct27.202701edt.119055@gateway.intersys.com> --- Mary Finn wrote: > At 07:22 PM 10/27/2001 -0400, And I definitely feel that most G&S productions would benefit > more from > helping a wonderful singer become a better actor, than by > casting a good > actor with poor vocal technique, and handing them a > microphone. No argument; that's the direction my "home" company, NYGASP, takes when we have to make a lesser-of-two-weaknesses choice instead of being able to hire someone who has the hole package. In our case it's an issue of vocal consistency; we have a core company for which a certain vocal standard has been maintained, and newcomers have to be slotted into that. On the thankfully-rare occasions when we have to settle for less than the company standard vocally, it's painfully noticeable. When we do have to train an acting-green singer, it works best if we are able to hire the victim in question first for a minimal-dialogue role like Mabel, Peep-Bo, or Kate or Edith in Pirates instead of having to throw her into the deep end of the pool with a dialogue-heavy role; working in a production in a role like that at least provides some initial experience with the style and the modus operandi. However, we don't always have that luxury in seasons when marriage, motherhood, and more lucrative professional engagements elsewhere have stripped the roster of its leading ladies. We lose good leading tenors at almost the same rate, but, in case anyone was wondering why I've been commenting exclusively on the woes of working with the distaff contingent, it has been a quirk of our particular history that we've been able to engage male performers with already developed acting skills much more consistently than has been the case for the young women. However, one last rebuttal to Mary: When something comes easily to oneself, there's a tendency to underestimate how difficult it is for others, or not to understand how and or why it could be difficult for someone else. That's universal; dancers have trouble understanding why anyone has difficulty picking up an "easy" step like a timestep, those who read music easily don't understand why it would be hard for anyone else, and so on. All I can say is that people have different aptitudes, some of them gifts of nature, some of them the product of nurture and exposure--and one's forte is another's bete noire. The prospect of a dialogue scene can be every bit as daunting to a classical singer who does not have acting training and experience as executing a double timestep with wings to a performer without tap training or playing the VS accompaniment to someone who dropped piano lessons at age 10. I've known at least two classical singers who would rather have been asked to learn "brain surgery"--at least they wouldn't have had to say anything more than "scalpel...sponge". ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com  1,, Summary-line: 28-Oct deebee@netspace.net.au [90] #Pro v Am, was Yawning gulf X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14273; Sun, 28 Oct 2001 00:30:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA18644 for ; Sun, 28 Oct 2001 00:30:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA05753; Sun, 28 Oct 2001 00:30:18 -0400 (EDT) Date: Sun, 28 Oct 2001 00:30:18 -0400 (EDT) Message-Id: <3BDB7876.C1DCBAF5@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Pro v Am, was Yawning gulf MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Sun, 28 Oct 2001 00:30:18 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Pro v Am, was Yawning gulf Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One of the threads of this topic has been the old amateur productions are better than pro ones (though to be fair no one has said exactly that). One of the things which most infuriates most professional performers that I know is to experience the not uncommon attitude that "we could do it better" usually from amateur companies which have an inflated idea of their worth. I have seen amateur shows in which much of the quality has been of professional standard and pro productions which are a disgrace to their name, but it is very rare for amateurs to be able to reach a standard which is comparable to a professional one. A former mentor of mine, the late Hayes Gordon (an American actor, singer, director, teacher who settled in Australia) one said to me that amateurs can sometimes be brilliant but professionals have to be good all the time. (I'll leave aside the fact that some professionals are not always good, as a generalisation the comparison works). Because amateurs usually perform in more intimate settings they can establish a close relationship with the audience, many of whom are sisters, cousins and aunts. There is also an enthusiasm and joie de vivre that permeates the amateur productions (the word does mean love after all) and this adds a kind of infectious good humour to the experience. I have often enjoyed amateur performances just for this reason. Professional shows on the other hand, even if tired and seen on an off-night, almost always have a polish and a patina which only comes with the skill, training and experience that only pros have. If you think no further than the conditions that each have to work with one of the reasons for the different quality becomes apparent. Few amateur G&S society's work in fully equiped theatres (Seattle being an exception, they have the luxury - won by a lot of hard work I am sure - of not only a good theatre, but professional technical staff). Most amateur orchestras leave a lot to be desired. I am told when I complain that lack of money means inadequate rehearsal time but in my experience the musicians who won't commit themselves to every performance of a 5 season run, don't turn up to more than a minimum of rehearsals anyway. While pro G&S too often skimps on orchestra numbers at least they can mostly play the notes well. The ever-rising costs of sets and costumes puts the amateur at a disadvantage as does the lack of tech knowledge in lighting etc. But on stage is where the main difference lies. Most pro companies consist of well-trained and experienced singers. They do not have to make up the numbers by letting people through who only just have a voice, or look wrong or have no ability in acting. Both types of company often work under a tight time schedule but pros at least tend to work in an ordered timeframe and build on what they developed in the last rehearsal. Amateur choruses (who often do not read music) come to rehearsal weekly (if something in their personal lives does not take precedence) and have often forgotten the routines they learned the previous week, so much time is taken up with revision. Achieving an evenness across the company is usually impossible for amateurs, who are lucky if all the major principals are gifted. While some of the smaller roles and choruses can be filled with eager, hard working enthusiasts, there is always a few (and that's a few too many) who resent having to act as well as sing. Once they know the music and where they have to move or stand they think that the show is ready for performance and the idea of giving meaning to lines or contributing to the whole as observers on stage is too much for them. These are the ones whose score remains in the back of the car between rehearsals and the thought of home work is just not on. OK, I am being rather harsh and unfair to many who do want to do the best they can, but every time I hear "We work all day and do this for relaxation, it doesn't matter if it is not good" my blood boils, it is an attitude all too prevelant and brings down too many productions. It is also such people who are the ones without any idea of their own standards who will blast professionals for not doing as well as they themselves do. Got that off my chest! It's like 8 hours at the seaside! Diana Burleigh Melbourne  1,, Summary-line: 28-Oct deebee@netspace.net.au [74] #Re: Miking (Was Re: Yawning gulf X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14417; Sun, 28 Oct 2001 00:31:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA26459 for ; Sun, 28 Oct 2001 00:31:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA06026; Sun, 28 Oct 2001 00:31:14 -0400 (EDT) Date: Sun, 28 Oct 2001 00:31:14 -0400 (EDT) Message-Id: <3BDB789A.33056930@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Sun, 28 Oct 2001 00:31:14 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum BVallely@aol.com wrote: > > > (Do you have a name, I find it difficult to converse with someone called > Valley?) <<<< > > Bill Vallely. Spelled like a misspelling, pronounced like a mispronunciation. Thanks Bill, that's much easier. > > > > . The boys > > are almost never performed in the large opera houses, at least not in > > America. > > Well, since you brought it up, Gilbert and Sullivan is virtually unknown > outside the English speaking world. The odd translations pop up here and > there, and I even own a few such translations. But generally, there's not a > lot. That is irrelevant to the point under discussion. You said that because G&S is not performed in large opera houses (classiying America as the place that has such things) they are not classics. They are performed in large opera houses. I leave Bruce's post as evidence of their clasical status. > > The operas are not classical music, they are theatrical pieces. Acting is > as > > important as singing. > > >>>>So is it in many operas. >>>> > > Moreso with Gilbert and Sullivan, in my humble opinion. Well, I would class all opera as "theatrical pieces". There are some roles in G&S I would cast purely on the best voice, some on the best actor and some on the person who combines both better than other contenders. The same would apply to all operas with spoken dialogue (including Carmen, The Magic Flute - oh how I would love to direct that! - all the works of Offenbach and other operettas such as Merry Widown and Fledermaus. So does this mean those are not classics? > > > The mousetrap has become a tourist trap. People buy tickets for a pleasant > evening, and to go to the longest running play in England. However, nobody > else performs the show anymore. I've never heard of a production in America, > it's only remembered as a curiosity. As the royalties were strictly guarded to ensure that tourist only saw the show in London, this is not surprising. For that matter the Three Tenors are also a tourist trap, People who would never enter an opera house flocked to pay 5 times more than the most expensive opera seat to be put off seeing opera ever by a badly mounted, badly amplified, ego trip. Best wishes Diana Burleigh Melbourne  1,, Summary-line: 28-Oct deebee@netspace.net.au [74] #Re: Miking (Was Re: Yawning gulf X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14450; Sun, 28 Oct 2001 00:32:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA26445 for ; Sun, 28 Oct 2001 00:31:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA05888; Sun, 28 Oct 2001 00:30:44 -0400 (EDT) Date: Sun, 28 Oct 2001 00:30:44 -0400 (EDT) Message-Id: <3BDB7886.8331C322@netspace.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 (Macintosh; I; PPC) *** EOOH *** Date: Sun, 28 Oct 2001 00:30:44 -0400 (EDT) Reply-To: deebee@netspace.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@netspace.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Miking (Was Re: Yawning gulf Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum BVallely@aol.com wrote: > > > (Do you have a name, I find it difficult to converse with someone called > Valley?) <<<< > > Bill Vallely. Spelled like a misspelling, pronounced like a mispronunciation. Thanks Bill, that's much easier. > > > > . The boys > > are almost never performed in the large opera houses, at least not in > > America. > > Well, since you brought it up, Gilbert and Sullivan is virtually unknown > outside the English speaking world. The odd translations pop up here and > there, and I even own a few such translations. But generally, there's not a > lot. That is irrelevant to the point under discussion. You said that because G&S is not performed in large opera houses (classiying America as the place that has such things) they are not classics. They are performed in large opera houses. I leave Bruce's post as evidence of their clasical status. > > The operas are not classical music, they are theatrical pieces. Acting is > as > > important as singing. > > >>>>So is it in many operas. >>>> > > Moreso with Gilbert and Sullivan, in my humble opinion. Well, I would class all opera as "theatrical pieces". There are some roles in G&S I would cast purely on the best voice, some on the best actor and some on the person who combines both better than other contenders. The same would apply to all operas with spoken dialogue (including Carmen, The Magic Flute - oh how I would love to direct that! - all the works of Offenbach and other operettas such as Merry Widown and Fledermaus. So does this mean those are not classics? > > > The mousetrap has become a tourist trap. People buy tickets for a pleasant > evening, and to go to the longest running play in England. However, nobody > else performs the show anymore. I've never heard of a production in America, > it's only remembered as a curiosity. As the royalties were strictly guarded to ensure that tourist only saw the show in London, this is not surprising. For that matter the Three Tenors are also a tourist trap, People who would never enter an opera house flocked to pay 5 times more than the most expensive opera seat to be put off seeing opera ever by a badly mounted, badly amplified, ego trip. Best wishes Diana Burleigh Melbourne  1,, Summary-line: 28-Oct lpinsker@erols.com [77] #For the love (hate?) of Mike... X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA02440; Sun, 28 Oct 2001 23:44:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA28316 for ; Sun, 28 Oct 2001 23:42:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA25824; Sun, 28 Oct 2001 23:37:49 -0500 (EST) Date: Sun, 28 Oct 2001 23:37:49 -0500 (EST) Message-Id: <3BDCD69B.69AAB795@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: For the love (hate?) of Mike... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) *** EOOH *** Date: Sun, 28 Oct 2001 23:37:49 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: For the love (hate?) of Mike... Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I've been following this discussion, but couldn't comment so far. As the run of IDA in Chester County is now over... The question of mikes or not is one that I've seen from three different perspectives: audience member, sound engineer (kind of), and performer. In an ideal world, all performers would be able to sing properly in any kind of theater. And all theaters would be designed correctly. But since we aren't in an ideal world, this is what I've had to deal with. (Bear in mind that not all references involve G&S, but the principle's the same. Pretty much.) Audience member: in 1995, a certain theater in the Philly region was doing THE SECRET GARDEN. As this musical involves young children in critical roles, it was decided to give them body mikes. The most notable result of this was that when an unmiked adult was in close proximity to a miked child, there were cases of "Donald Duck Syndrome". In fairness, I should mention that I was there on opening night, but there should have been sufficient time to get the technical problems worked out. I happened to see the director during intermission: he knew that there were problems and was rather angry about it. Still... Sound engineer: in 2000, I was the sound engineer for a production of BRIGADOON. The performers were not miked, but there were overhead mikes which needed to be controlled. These were used predominantly when the chorus was offstage singing the title song, but also had to be used when Charlie sang the reprise of "Come to Me, Bend to Me." What I had to do in that case was drop the level of the background music--this group tends not to use live musicians--while tweaking the level of the mikes *and* the output level of the speakers. All at the same time. This took several rehearsals and at least one coring-out by the AD. You almost wonder if it's worth it. But then... Performer: Back in January of this year, when Chester County G&S (hey, back on topic!) did THESPIS, we found ourselves in a theater which was a sound trap. I may not be a highly trained singer (more on that topic in a separate posting) but the group has people who are. And *they* couldn't be heard. This time, for IDA, we had overhead mikes and an expert running the sound board. And it worked. Maybe not perfectly--there was a problem with a hearing aid used by an audience member causing a hum in the speakers (myself and other members of the men's chorus were looking around for the fly that we thought was causing this). Of course, the flip side was during the Savoy 100th Anniversary Concert in September: all the leads were miked, and this led--during the dress rehearsal at least--to an effect whereby "master of ceremonies" Cynthia Morey sounded like the public-address announcer at a baseball game. And to the chorus--which was physically behind (ok, ok, "upstage of") the leads--this was rather disconcerting. Bottom line? As I said earlier, in an ideal world, there would be no need for this sort of thing. And on principle alone, it's probably best to restrict use of such devices to the absolute bare minimum. But we must recognize that there *are* instances where it's necessary, and act accordingly. Of course, that statement leads to other questions, but I'll leave that for another time. Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 29-Oct eichin@thok.org [16] #0.2.3 released; updated prices X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA20813; Mon, 29 Oct 2001 01:53:23 -0500 (EST) Received: from thok.org (qmailr@paycheck.thok.org [4.36.43.74]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id BAA04636 for ; Mon, 29 Oct 2001 01:49:55 -0500 (EST) Received: (qmail 29197 invoked by uid 3382); 29 Oct 2001 06:49:54 -0000 Delivered-To: eichin-mmmravs-announce@thok.org Received: (qmail 29194 invoked by alias); 29 Oct 2001 06:49:53 -0000 Delivered-To: mmmravs-announce@thok.org Received: (qmail 29191 invoked from network); 29 Oct 2001 06:49:53 -0000 Received: from swat.thok.org (4.36.43.84) by paycheck.thok.org with SMTP; 29 Oct 2001 06:49:53 -0000 Received: (qmail 21248 invoked by uid 3382); 29 Oct 2001 06:49:52 -0000 Sender: eichin@swat.thok.org To: mmmravs-announce@thok.org Subject: 0.2.3 released; updated prices From: Mark Eichin Date: 29 Oct 2001 01:49:52 -0500 Message-ID: Lines: 10 X-Mailer: Gnus v5.7/Emacs 20.7 *** EOOH *** Sender: eichin@swat.thok.org To: mmmravs-announce@thok.org Subject: 0.2.3 released; updated prices From: Mark Eichin Date: 29 Oct 2001 01:49:52 -0500 I updated the prices (from Ken and Cana's changes, but I verified them against a takeout menu tonight.) I also added the "small" icon for list mode, and rearranged the screen a little (in particular, so the new mooshi list doesn't scroll off.) I also switched to a 20% tip (and labelled it as such); if you want to do 15%, subtract the displayed tip :-) _Mark_ The Herd Of Kittens  1,, Summary-line: 29-Oct Nicktenor@aol.com [113] #Repeat CD Plug plus Re: Yawning gulf, miking, etc. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA05424; Mon, 29 Oct 2001 03:30:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id DAA13405 for ; Mon, 29 Oct 2001 03:30:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA00244; Mon, 29 Oct 2001 03:29:37 -0500 (EST) Date: Mon, 29 Oct 2001 03:29:37 -0500 (EST) Message-Id: <18.147bde07.290e6c3b@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: Repeat CD Plug plus Re: Yawning gulf, miking, etc. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 117 *** EOOH *** Date: Mon, 29 Oct 2001 03:29:37 -0500 (EST) Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: Repeat CD Plug plus Re: Yawning gulf, miking, etc. Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As it's now over 3 months since my initial plug for my CD, I humbly crave your indulgence for a second bite of the cherry. Listed at the foot of this message are reiterated details of my CD, "A tenor, all singers above?" together with some of the comments from customers (and from a couple of press reviews). There may be people who miraculously managed to miss it the first time round, or who may be recent devotees to Savoynet. Also, Christmas is approaching.... ;o) However, it was Andrew Crowther's recent comments on the miking debate that got me thinking along these lines, in my capacity of Savoynetter who has perhaps most recently recorded a CD: << is there a difference between singing G&S on stage and on CD? Is a different style necessary? >> and also Bruce Miller's comment: << How, and to what extent, do you "modify" such a sound for an "intimate living room" environment? >> When I began to record (and in my thinking beforehand) I had devoted some thought to this. There were two major technical differences I could see in comparison with, say, a concert - firstly, no need to project the sound over an orchestra, as Clive's piano and myself were independently miked; secondly, the opportunity to be far more subtle in my delivery than I might dare on stage - small touches, inflexions in the vocal tone and so on, would be more likely to be picked up by the microphone, and therefore make it through to the finished CD, hopefully communicating better with my audience. I hope I was successful in this second aim - the number of positive comments in this light has been most gratifying. When recording each track, I did make a conscious effort to assume, as far as possible, the character I was portraying (let's face it, a CD of 26 tracks all sang in the same vocal style would be dull as ditchwater, no matter how good the material or how skilled the performer), and I think I succeeded. I also tried to imagine a fictional group of listeners, so that each track as recorded would not be anodyne but would hopefully involve the audience at least in part. I hope this gives a small insight from the recorder's perception of how the miking issue affected the process. As to miking on stage, I have my own set of firm opinions, but will spare them for now. Enough rambling already (well, nearly.....) And now the commercial; forgive me (and feel free to stop reading at this point): My CD is entitled: "A tenor, all singers above? - Gilbert and Sullivan Arias", and features me singing 26 arias, all either G&S, S-without-G or G-without-S. Piano accompaniment for all tracks was provided by the supremely able, QWERT veteran, Savoynet's very own Clive Woods, and Conceqwert host David Duffey was a most welcome presence during recording, offering expert advice during the whole process. My aim was not only to include ALL tenor arias from the G&S operas, as well as many tracks from other Savoy operas, as well as one or two "other" numbers. As you will no doubt be aware, many of the songs normally feature chorus singing, which was impossible for me to incorporate with this disc, and so for these tracks, I have, with help and guidance from Clive and David, arranged them so that they hopefully give the best possible version of the songs, which would be suitable, say, for singing in a solo concert situation. I've been wanting to do something along these lines for quite a while, and I'm delighted that circumstances have come together to make it possible now. My thanks are due to many people, most of whom I've thanked in person prior to making the original announcement, and to Savoynet as a whole for the best part of five years of argument, debate, fun, information, help and guidance. Thanks, folks. In addition, I'd like to thank the people whose comments I have reproduced in part below as recommendations. Thanks once again. The web page is www.tenorecord.com and features a full track listing, audio samples of some tracks, sundry information about the CD contents and me, and most importantly of all, details on price and how to order from wherever you are in the world. For anyone with email but without internet access who would like to order a copy or copies, please send me a private email and I'll gladly help you out. Comments from previous customers: "...a sheer delight from beginning to end" "...what I loved most about it was its completeness...all the solos for tenors that I could think of" "...sheer magic with impeccable articulation of music and words" "...beautifully performed, very well accompanied...a completely delightful collection" "...the sheer beauty of tone is matched only by the musicianship of performance and intelligence of interpretation" That's quite enough, I think. I find this self-publicity hard enough as it is. Thanking you for your kind forbearance, and returning you now to your scheduled, non-plugging Savoynetting...... Very best wishes to all Nicktenor "A tenor, all singers above?" www.tenorecord.com  1,, Summary-line: 31-Oct Nicktenor@aol.com [89] #COTW: Alexis (Sorcerer) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA12369; Wed, 31 Oct 2001 06:39:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA21477 for ; Wed, 31 Oct 2001 06:39:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA10332; Wed, 31 Oct 2001 06:38:49 -0500 (EST) Date: Wed, 31 Oct 2001 06:38:49 -0500 (EST) Message-Id: <82.12568a14.291137e8@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis (Sorcerer) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 117 *** EOOH *** Date: Wed, 31 Oct 2001 06:38:49 -0500 (EST) Reply-To: Nicktenor@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nicktenor@aol.com To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis (Sorcerer) Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Great Stuff! Regarding Alexis's characterisation, I can't better (nor do I disagree with) Derek's assessment. Should the thread mutate, I might come back in on it, but for now, I'll stick to what I know - << 3. Music: What are the merits of his songs? What range of singer does the part require? Is singing ability the most important aspect of the performance of this part? How should each of his songs be approached? >> I'd say that of all the G&S tenor roles, Alexis is probably the most difficult, on this basis: I'd say that it is one of the roles least suited to being sung by a "nearly" tenor, or a high baritone, making it one of the hardest to cast for some societies. Roles such as Marco, Dick Dauntless, Cyril, The Defendant etc. are well within the range of a versatile (and ambitious!) light baritone, but I'd strongly advocate against casting a non-tenor as Alexis if at all possible. It's not just the tessitura, though it does lie high in places; I think both songs are very well constructed, and done so that only the true tenor voice can put them across well. I know when I first played Alexis, I wasn't vocally ready for it, but there wasn't anyone else. I certainly had the required notes, but definitely not the vocal maturity, nor a sufficiently developed technique. The first song ("Love feeds on many kinds of food") is a meltingly lyrical ballad, very typical of many parlour songs, but requiring very careful and intelligent phrasing from the singer, and also a conductor not hellbent on rushing through it - to do so spoils the effect Gilbert's words should have. If the tempo is sedate, then one can point the words and I believe it's much more pleasant to listen to. Good breath control is also a boon - those phrases at the end of each verse culminating in the climactic A flat really ought to be sung in one breath each time. The second act aria ("Thou hast the pow'r") has long been a favourite of mine, and one I always dreaded singing for a long time. I would vote for this as in the top 3 most difficult G&S tenor arias to sing. It's a fairly straightforward matter to sing it badly, but to do it justice is really a hard task. It is beautifully set, at a point of tremendous dramatic moment in the second act, and if done well, ought to bring the house all-but down. Sullivan's sweeping string intro always infuses me with a certain je ne sais quoi, and, before a note is sung, captures Alexis's mood and emotional state to perfection. Here again are long phrases, but for me it's the "gear change" that makes the song. We go from righteous indignation to firm, gentle chastisement (and of course from 4/4 to 3/4 time). If the conductor allows it, I like to slow the waltz down, but of course this makes it harder still to sing with the necessary smooth vocal line and consistent tone. Volume (and indignation) ought to increase throughout the waltz until the climax at the end of both verses. The final top A is a gift to the confident, true tenor from Sir Arthur (and a note that has probably scared many better tenors than I over the years!) Aside from the two arias, Alexis has some great ensemble stuff - the Act II Quintet (if it can be kept in tune) is lovely; the Act I finale is great (that glorious, melting duet with Aline!), and the incantation tremendous fun. Cenydd asks: << Is singing ability the most important aspect of the performance of this part? >> Good question; I think dramatically it's potentially a very tricky role - although he's not the most complex character, the character won't play itself. That said, I do think that many amateur societies, finding someone vocally adept enough to sing the role, would almost certainly cast that person ahead of a gifted actor who happened to be a high baritone. At least I hope they would. If they didn't, I know I wouldn't enjoy the experience as an audience member. All told, I think Alexis is a wonderful opportunity for a confident tenor who fancies a challenge. I eagerly await the next opportunity that comes my way (and there aren't in truth many roles I can say that for......) Best wishes to all, Nick Sales - " A tenor, all singers above?" www.tenorecord.com www.nicksales.com  1,, Summary-line: 31-Oct rlcarr@MIT.EDU [24] #Jenifer update X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA17259; Wed, 31 Oct 2001 07:40:06 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA29935; Wed, 31 Oct 2001 07:36:49 -0500 (EST) Received: from mass-toolpike.mit.edu (MASS-TOOLPIKE.MIT.EDU [18.7.16.71]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id HAA10150; Wed, 31 Oct 2001 07:36:47 -0500 (EST) Received: (from rlcarr@localhost) by mass-toolpike.mit.edu (8.9.3) id HAA01408; Wed, 31 Oct 2001 07:36:47 -0500 (EST) Date: Wed, 31 Oct 2001 07:36:47 -0500 (EST) Message-Id: <200110311236.HAA01408@mass-toolpike.mit.edu> From: Rich Carreiro To: lots-of-people@mit.edu Subject: Jenifer update *** EOOH *** Date: Wed, 31 Oct 2001 07:36:47 -0500 (EST) From: Rich Carreiro To: lots-of-people@mit.edu Subject: Jenifer update Jenifer just called me from Namche Bazaar again, this time on her way back to Kathmandu. She is doing fine and has had a "delightful" time so far. Unfortunately she was *not* able to even attempt climbing Island Peak. :( :(. The one (and so far only) day she's had stomach or intestinal problems was summit attempt day :(, and they were bad enough that she couldn't proceed (and now she's making noises about trying again someday...hmmmm 1/2 :). Hopefully she'll send some e-mail from Namche herself, but I don't know if she'll have a chance to do so. If the current schedule (and the weather in Lukla) holds, she'll be back in Kathmandu sometime during the day on 3 November (her time). == Rich  1,, Summary-line: 31-Oct dorwart@bellatlantic.net [30] #scores- was Pirates scores X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA08494; Wed, 31 Oct 2001 07:49:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id HAA01830 for ; Wed, 31 Oct 2001 07:49:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA12418; Wed, 31 Oct 2001 07:48:35 -0500 (EST) Date: Wed, 31 Oct 2001 07:48:35 -0500 (EST) Message-Id: <3BDFEFC8.CC204DE@bellatlantic.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: William & Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: scores- was Pirates scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.73 [en]C-CCK-MCD BA45DSL (Win95; U) *** EOOH *** Date: Wed, 31 Oct 2001 07:48:35 -0500 (EST) Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: William & Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: scores- was Pirates scores Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A number of posters to Savoynet have commented in recent days on the availability of full conductor's scores and band parts for G&S. Some of these posters seemed unaware that new versions of all of the G&S shows are available from "small" publishers, so that no one need rely on Kalmus any more. I, as WVD Press, have done all but Utopia and Grand Duke (also The Zoo). David Larrick has done Utopia and a group from Seattle G&S Society have done Grand Duke. Websites for all of us are accessible through the G&S Archives site. I make no claim that my editions are scholarly or critical. I offer to co-operate with any Savoynetter who would like to collaborate in modifying them further. I also ask that anyone who has material related to any shows by Victor Herbert, Franz Lehar (other than Merry Widow, which I have already done) consider sharing it with me so that I can make more new editions. Anyone who provides source material will receive a copy of the finished work. I am also interested in Johann Strauss Jr.s Gypsy Baron.  1,, Summary-line: 31-Oct finn@intersys.com [79] #COTW: Alexis (Sorcerer) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA08736; Wed, 31 Oct 2001 10:39:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA27526 for ; Wed, 31 Oct 2001 10:35:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA06726; Wed, 31 Oct 2001 10:34:10 -0500 (EST) Date: Wed, 31 Oct 2001 10:34:10 -0500 (EST) Message-Id: <01Oct31.101124est.119147@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis (Sorcerer) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 *** EOOH *** Date: Wed, 31 Oct 2001 10:34:10 -0500 (EST) Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis (Sorcerer) Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'll take Nicktenor's word about the need to cast a great singer as Alexis, but it doesn't do to underrate the need for a good actor in this role. For the show as a whole to fly, the audience (and the cast) must be given reason to feel that sparing Alexis is the "right" outcome. Boyish enthusiasm will go a long way towards doing that. Alexis is sort of like a puppy that you can't punish because his joy in chewing your slippers is so adorable. (I mean the puppy chews your slippers. Alexis doesn't, unless it's a concept show.) Other ways to make Alexis likeable: I once saw a production that I liked very much, where Aline took the potion by pouring herself a cup of cold tea from the urn that had been left on stage after the Act I finale. When Alexis came on and and said "the philtre. You have tasted it?" he started to do the same thing. Aline stopped him by singing "Alexis, don't do that. You must not." but his willingness to take the potion was a huge point in his favor. (When you think about it, Alexis' reaction ("False one, I spurn thee.") to this setback is another aspect of his boyishness. It's basically a child's tantrum.) In a production I was once in, our director tried an experiment. Just as Alexis goes to curse Aline, he realizes what he is about to do. He can't quite get the word "curse" out, and breaks down instead. (Thus the audience gets to see his moment of redemption.) Dr. Daly's line "Hold!" is actually directed to the chorus in this case, because they are about to crowd around Alexis in sympathy, not anger. Did the experiment work? Sort of. Our Alexis wasn't all that comfortable being asked to "act" non-verbally, and both the chorus and Dr. Daly were a little too eager to move on. If the moment had been half again as long as it was, I think it would have been considerably more effective. Getting back to Alexis' character, don't forget the man in the boy/man. I have always thought that Alexis essentially seduces Aline into going along with his plan to drug the village. Aline has a head on her shoulders. Regardless of their chronological ages (which we don't know exactly anyway), she is definitely more mature than Alexis, and not likely to be carried away by enthusiasm. In her case, I think sex overcomes reason. I think Alexis knows full well that he has this power over her, and that he considers it a cool benefit to growing up. (Not a long-range thinker, our Alexis.) I would be interested in seeing a production where Alexis did not play the "Go and fetch the teapot" bit as an arrogant, over-bearing Victorian husband-to-be. Instead, what if turned it into a seductive sort of half-joke? Then Aline's "I'm sure Dr. Daly would disapprove" might actually mean "I'm sure he would disapprove of your using your masculine wiles to overcome my judgement (although *I* like it!)" Or, assuming Alexis was getting a bit handsy, it could even mean "I'm sure Dr. Daly would disapprove of your groping me in public (although *I* like it!)" If the sexual connection between Aline and Alexis were being played in this way, It would also be interesting to see that although seduction works for Alexis over the teapot, it *doesn't* work when it comes to convincing Aline to take the potion herself. To sum up, I think Alexis truly is a boy/man, and I dream of an ideal being with a glorious tenor voice, and the acting chops to pull off what is a fairly difficult role. ******************************************************** Mary A. Finn (finn@intersystems.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 31-Oct finn@intersys.com [38] #COTW: Alexis -- a question X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA28471; Wed, 31 Oct 2001 11:02:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA22217 for ; Wed, 31 Oct 2001 10:59:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA14160; Wed, 31 Oct 2001 10:58:26 -0500 (EST) Date: Wed, 31 Oct 2001 10:58:26 -0500 (EST) Message-Id: <01Oct31.104018est.119125@gateway.intersys.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis -- a question Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 *** EOOH *** Date: Wed, 31 Oct 2001 10:58:26 -0500 (EST) Reply-To: finn@intersys.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: COTW: Alexis -- a question Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Another thought. I believe I asked this a while ago, but I don't think anyone had any answers. Why does Alexis specifically want people to fall in love outside of their own social and economic class? He's not marrying outside his class. I can understand him believing that class doesn't matter, that love levels all ranks. But why does he specifically try to match up navvies and countesses, and why does he rejoice that the potion results in MIS-matches? (See, for example his speech in Act 2 about how "we are wiser than the world.") The obvious answer is "It fuels the plot." But Gilbert could have written a script in which Alexis believes that everyone should fall in love with an "appropriate" person, and then is surprised and dismayed that the potion knows no class boundaries. He didn't do so, however. If I were playing Alexis, I would want to fabricate some sort of internal reason (a "back story" if you will) that explains why I believe marrying outside of one's class is so important -- except in my case. Or my father's. Does anyone have thoughts on what that reason might be? ******************************************************** Mary A. Finn (finn@intersystems.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 31-Oct kingparamount@gilbert-and [111] #Re: COTW: Alexis (Sorcerer) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA02915; Wed, 31 Oct 2001 12:12:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA26172 for ; Wed, 31 Oct 2001 12:11:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA26731; Wed, 31 Oct 2001 12:10:41 -0500 (EST) Date: Wed, 31 Oct 2001 12:10:41 -0500 (EST) Message-Id: <5.0.2.1.0.20011031100602.05d60ab0@mail.gilbert-and-sullivan.org> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: Re: COTW: Alexis (Sorcerer) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Oct31.101124est.119147@gateway.intersys.com> X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Wed, 31 Oct 2001 12:10:41 -0500 (EST) Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: Re: COTW: Alexis (Sorcerer) Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01Oct31.101124est.119147@gateway.intersys.com> At 09:33 AM 10/31/01, Mary Finn wrote: >I'll take Nicktenor's word about the need to cast a great singer as >Alexis, but it doesn't do to underrate the need for a good actor in this >role. For the show as a whole to fly, the audience (and the cast) must be >given reason to feel that sparing Alexis is the "right" outcome. Boy, do I disagree with that point. Part of the Topsy-Turvy nature of G&S is that the characters don't always do the "regular world" thing. And in Sorcerer, at least in most of the productions that I have really liked, the natural inclination of the audience should be to like Wells and hate Alexis.. but understand that societal order demands that the wrong person be dammed. We should loathe (okay a bit strong) Alexis and pity Aline. >(When you think about it, Alexis' reaction ("False one, I spurn thee.") to >this setback is another aspect of his boyishness. It's basically a child's >tantrum.) Or it can be played as a control freak upset that the person that he is trying to control is showing some independence of will.. >In a production I was once in, our director tried an experiment. Just as >Alexis goes to curse Aline, he realizes what he is about to do. He can't >quite get the word "curse" out, and breaks down instead. (Thus the >audience gets to see his moment of redemption.) That, of course, takes it right in line with virtually all shows which feature a "character" which has been dammed. We see a "moment" of redemption. (okay... the Don Juan/Don Giovanni exception is acknowledged). That's what makes Sorcerer good, it doesn't follow the formula. It turns the formula on its head in a subtle way. I prefer a Sorcerer where Alexis DOESN'T have a moment of Redemption and redemption is "forced" upon him by a Societally Conforming Dr. Daly and an ever forgiving Parent (the two who lead the cries to condemn the poor innocent JWW). > Dr. Daly's line "Hold!" is actually directed to the chorus in this case, > because they are about to crowd around Alexis in sympathy, not anger. Did > the experiment work? Sort of. Our Alexis wasn't all that comfortable > being asked to "act" non-verbally, and both the chorus and Dr. Daly were > a little too eager to move on. If the moment had been half again as long > as it was, I think it would have been considerably more effective. It may well work that way, I think it works better the other way. >Getting back to Alexis' character, don't forget the man in the boy/man. I >have always thought that Alexis essentially seduces Aline into going along >with his plan to drug the village. Aline has a head on her shoulders. >Regardless of their chronological ages (which we don't know exactly anyway), Hmm. We have a clue which suggests that Alexis and Aline are about the same age and are a bit older. Marmaduke notes that he and Lady S were in love 50 years before. And, based on the discussion, it was love which was of the type which only occurs after sexual maturity. (No... not THAT kind of love... merely the emotional attachments of the young..) That would, be no early than 13 or 14 (and that's on the young side...) Thus Lady S and Sir M. must be at least 64. During that period particularly, but even today, it is unexpected that a woman over 40 would have a child. Thus, on the very outside, Aline is at least 24, and more likely in her late 20's or early 30's. Alexis, could be anything from 18 to 48. >she is definitely more mature than Alexis, and not likely to be carried >away by enthusiasm. In her case, I think sex overcomes reason. I think >Alexis knows full well that he has this power over her, and that he >considers it a cool benefit to growing up. (Not a long-range thinker, our >Alexis.) He's a control freak. >I would be interested in seeing a production where Alexis did not play the >"Go and fetch the teapot" bit as an arrogant, over-bearing >Victorian husband-to-be. Instead, what if turned it into a seductive sort >of half-joke? Then Aline's "I'm sure Dr. Daly would disapprove" might >actually mean "I'm sure he would disapprove of your using your masculine >wiles to overcome my judgement (although *I* like it!)" Or, assuming >Alexis was getting a bit handsy, it could even mean "I'm sure Dr. Daly >would disapprove of your groping me in public (although *I* like it!)" Again, it might work. I just prefer Alexis as evil. He doesn't like sex because it is enjoyable. He likes sex because it gives him "power". And that also explains the question from your prior e-mail. He wants to throw a bomb the societal status structures because it will give him a feeling of power. Power that he was able to radically change this. >To sum up, I think Alexis truly is a boy/man, and I dream of an ideal >being with a glorious tenor voice, and the acting chops to pull off what >is a fairly difficult role. No doubt its a very difficult role. And I don't think that it could be pulled off as a "good" guy, even if the tenor had the Voice of Nick Sales, the Feet of Gene Kelly, the charm of Fred Astaire, and the acting skills of Larry Oliver (and fills out a uniform like Mark Ramprakash. I think it needs to be played as a darker character... and then it could work even if the Alexis sings like Bob Dylan, Acts like Rob Schneider, and dances like me (and fills out a uniform like Pavoratti in Daughter of the Regiment).  1,, Summary-line: 31-Oct katdaniel@juno.com [60] #Re: COTW: Alexis -- a question X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA03468; Wed, 31 Oct 2001 12:13:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA09077 for ; Wed, 31 Oct 2001 12:12:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA27098; Wed, 31 Oct 2001 12:11:37 -0500 (EST) Date: Wed, 31 Oct 2001 12:11:37 -0500 (EST) Message-Id: <20011031.115425.-3855587.2.katdaniel@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: katdaniel@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: COTW: Alexis -- a question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 5.0.33 *** EOOH *** Date: Wed, 31 Oct 2001 12:11:37 -0500 (EST) Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: katdaniel@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: COTW: Alexis -- a question Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Wed, 31 Oct 2001 10:57:50 -0500 (EST) Mary Finn writes: > > The obvious answer is "It fuels the plot." But Gilbert could have > written a script in which Alexis believes that everyone should fall > in love with an "appropriate" person, and then is surprised and > dismayed that the potion knows no class boundaries. He didn't > do so, however. If I were playing Alexis, I would want to fabricate > some sort of internal reason (a "back story" if you will) that explains > why I believe marrying outside of one's class is so important -- > except in my case. Or my father's. > > Does anyone have thoughts on what that reason might be? Possibly in these cases it's not so much a question of class but of personalities? Aline is, for the most part, very sympathetic to his goals and was very likely his childhood sweetheart as well. It may have been a partially arranged marriage that both came to regard in a positive light (parents on marching estates conspire to match their children and throw them together at every opportunity; the two fall for the trick and each other). As for Sir Marmaduke and Mrs. Partlett, it may not be her class that Alexis objects to- he may just dislike Mrs. Partlett. Also, since Alexis and Aline know that their respective parents were in love in their youth, that overly romantic pair were probably plotting to match them up again and Sir M's announcement knocked them for a loop. Of course, I still think Alexis is a spoiled brat who needs a good pummeling, but in these cases he may not be entirely in the wrong. It would make a nice switch, I think. Kate the Rationalizing Fairy Kate Cunningham Arlington, MA Katdaniel@juno.com You have the right to remain silent; if you give up that right, you may talk, sing, dance, impersonate Elvis, or anything else you like. You also have the right to an attorney; if you're broke and can't afford an attorney, tough ****, now get in the car, you suspected felon, you. (Jeff Blue, Undercover Blues) ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  1,, Summary-line: 31-Oct DIXONGEOFFREY@aol.com [45] #The Gilbert & Sullivan Sorting System X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA29682; Wed, 31 Oct 2001 12:39:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA08347 for ; Wed, 31 Oct 2001 12:39:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA00977; Wed, 31 Oct 2001 12:37:35 -0500 (EST) Date: Wed, 31 Oct 2001 12:37:35 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: DIXONGEOFFREY@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DIXONGEOFFREY@aol.com To: Multiple recipients of list SAVOYNET Subject: The Gilbert & Sullivan Sorting System MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Wed, 31 Oct 2001 12:37:35 -0500 (EST) Reply-To: DIXONGEOFFREY@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DIXONGEOFFREY@aol.com To: Multiple recipients of list SAVOYNET Subject: The Gilbert & Sullivan Sorting System Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Further to Mark Stacpole's reply to Diana Burleigh, full details of my recently published book are as follows: Dixon, Geoffrey. The Gilbert & Sullivan sorting system:: a classification scheme for use with the materials of G.& S. studies. Rhosearn Press, 2001. 140p. (A4) ISBN 0952553236 (Price: GBP 17 (USD 25) plus p.&p. GBP 3 (USD 8 by airmail) Available from address below, but if anyone wishes more information or an advertising flyer then please e-mail me. The sub-title explains what the work is and the preface begins: This classification scheme has been devised so that Gilbert & Sullivan enthusiasts of all kinds - performers, spectators, students and scholars - may arrange their collections in some kind of systematic order. It may also be used of course to arrange a set of notes or papers, or a catalogue of a collection - either print or electronic. It caters for all kinds of material, from books and periodicals, through recordings both of sound and vision, to pictures, posters and pottery. It comprises the schedules themselves, 9 tables (e.g. of Musical Numbers, Principals, Stage Properties, Costume Designers, Setting Designers), List of Practical Examples and Index The scheme has of course been used to arrange my own collection (or at least the "books and scores" part of it) physically on the shelves and is also used as a field in every record in my specially developed database which lists items in every medium (text, music, recordings, photos. and illustrations, programmes, and what librarians sometimes call "realia", e.g. pottery, jewellery, costume items, greetings cards, models and so forth. Geoff. Dixon 93, Carcluie Crescent Ayr, Scotland KA7 4SZ  1,, Summary-line: 1-Nov lizandgareth@zoom.co.uk [71] #VENGEANCE DIRE is coming off the press! X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA27812; Thu, 1 Nov 2001 03:58:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id DAA25671 for ; Thu, 1 Nov 2001 03:58:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA02002; Thu, 1 Nov 2001 03:56:31 -0500 (EST) Date: Thu, 1 Nov 2001 03:56:31 -0500 (EST) Message-Id: <003901c162af$bd450320$60ce28c3@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: VENGEANCE DIRE is coming off the press! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Thu, 1 Nov 2001 03:56:31 -0500 (EST) Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: VENGEANCE DIRE is coming off the press! Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Roberta Morrell's first novel will be ready in a couple of weeks time. Is your performimg group unruffled and unstained? Here's a good read that will tell you what it could really be like. The balance of this posting is a copy of Roberta's booking form. The book will be ready at her G & S weeking in Nefyn, North Wales on 16 November, for which, she says, there are still spaces available. VENGEANCE DIRE Tania Sargent is a renowned professional director. The Castlethorpe Gilbert and Sullivan Society's production of The Pirates of Penzance is to be her latest success - or is it? Scandal, gossip and politics are always rife in amateur theatre groups and Tania soon learns that Castlethorpe is no exception; but can she keep a grip on rehearsals when murder makes an unscripted appearance and her own life is in danger? Intrigue and jealousy share the stage with pirates and policemen as the show reaches its gripping finale. Roberta Morrell's 30-year association with the works of Gilbert and Sullivan, both as a performer with the original D'Oyly Carte Opera Company and as a renowned director of amateur and professional productions of the Savoy Operas on both sides of the Atlantic, gives this book a stamp of authenticity which will be instantly recognised by all who have trodden the amateur stage. It is a classic murder story, replete with red herrings, motives and suspicious behaviour. VENGEANCE DIRE evokes the unique atmosphere of camaraderie, rivalry, friendships and politics which are the hallmark of most amateur Gilbert and Sullivan groups. It is rich in sharply-observed characters and intriguing situations to delight not only the devotee, but also the newcomer to the fascinating world of amateur theatre. In the UK, VENGEANCE DIRE costs £6.99 plus £1.76 post and packing. Please make sterling cheques payable to Roberta Morrell and send to: "REDERRING" MADRYN CASTLE PWLLHELI GWYNEDD LL53 8UE USA $16 CANADA $25 AUSTRALIA $31 NEW ZEALAND $38 SOUTH AFRICA Rd142 All the above include shipping and handling EUROPE £6.99 plus £2.75 post and packing OR 16 Euros inclusive. Telephone orders or enquiries 01758 721397 e-mail rob@rederring.freeserve.co.uk Internet orders, please give MasterCard/VISA card number, expiry date and name as it appears on the card.  1,, Summary-line: 1-Nov cjedlinsky@sembler.com [67] #Humorous Response to "11" email X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA00053; Thu, 1 Nov 2001 15:31:42 -0500 (EST) Received: from SEMBLER.COM (mail.sembler.com [65.199.208.132]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id PAA19818 for ; Thu, 1 Nov 2001 15:31:41 -0500 (EST) Received: from SEMBLER_DOM-Message_Server by SEMBLER.COM with Novell_GroupWise; Thu, 01 Nov 2001 15:33:17 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Thu, 01 Nov 2001 15:33:05 -0500 From: "Cindy Jedlinsky" To: , , , , , , , Subject: Humorous Response to "11" email Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Thu, 01 Nov 2001 15:33:05 -0500 From: "Cindy Jedlinsky" To: , , , , , , , Subject: Humorous Response to "11" email Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Original Letter: The date of the attack: 9/11 - 9 + 1 + 1 =3D 11 September 11th is the 254th day of the year: 2 + 5 + 4 =3D 11 After September 11th there are 111 days left to the end of the year. 119 is the area code to Iraq/Iran. 1 + 1 + 9 =3D 11 Twin Towers - standing side by side, looks like the number 11 The first plane to hit the towers was Flight 11 I Have More.......State of New York - The 11th State added to the Union = New York City - 11 Letters Afghanistan - 11 Letters The Pentagon - 11 Letters Ramzi Yousef - 11 Letters (convicted or orchestrating the attack at the = WTC in 1993) Flight 11 - 92 on board - 9 + 2 =3D 11 Flight 77 - 65 on board - 6 + 5 =3D 11 Dave's response: Oh my! How worried should I be? There are 11 letters in the name "David = Pawson!" I'm going into hiding NOW. See you in a few weeks. Wait a sec ... just realized "YOU CAN'T HIDE" also has 11 letters! What am = I gonna do? Help me!!! The terrorists are after me! ME! I can't believe it! Oh crap, there must be someplace on the planet Earth I could hide! But = no..."PLANET EARTH" has 11 letters, too! Maybe Nostradamus can help me. But dare I trust him? There are 11 letters = in "NOSTRADAMUS." I know, the Red Cross can help. No they can't...11 letters in "THE RED = CROSS," can't trust them. I would rely on self defense, but "SELF DEFENSE" has 11 letters in it, = too! Can someone help? Anyone? If so, send me email. No, don't... "SEND ME EMAIL" has 11 = letters.... Will this never end? I'm going insane! "GOING INSANE???" Eleven letters!! Nooooooooooo!!!!!! I guess I'll die alone, even though "I'LL DIE ALONE" = has 11 letters..... Oh my gosh, I just realized that America is doomed! Our Independence Day = is July 4th. 7/4 ... 7+4=3D11!=20 ~Dave PS. "IT'S BULLSHIT" has 11 letters also.=20 =20  1,, Summary-line: 1-Nov exexpats@ozemail.com.au [115] #The Sydney sing-out X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA04111; Thu, 1 Nov 2001 19:12:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA05345 for ; Thu, 1 Nov 2001 19:12:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA09657; Thu, 1 Nov 2001 19:11:08 -0500 (EST) Date: Thu, 1 Nov 2001 19:11:08 -0500 (EST) Message-Id: <3BE1E339.DA573D64@ozemail.com.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul McShane To: Multiple recipients of list SAVOYNET Subject: The Sydney sing-out MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.75 [en] (Win98; U) *** EOOH *** Date: Thu, 1 Nov 2001 19:11:08 -0500 (EST) Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul McShane To: Multiple recipients of list SAVOYNET Subject: The Sydney sing-out Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The G&S Marathon Singfest, as we called it, was perpetrated upon a paying audience of about 200 people throughout the day last Sunday. The inspiration for the event came from the North American singouts held over the last few years, and in this regard we were grateful to Leta Hall and Ori Segal for several bits of good advice. We had hired a good suburban theatre for the occasion, and amazingly we managed to just about break even on costs. Our Singfest started at 10 a.m. with "Sorcerer" and then "Pirates", following which there was a hour lunch break. The afternoon session started at 2 p.m., and comprised "Yeomen" and "Utopia". After the 90 minute dinner break, the evening session commenced at 7 p.m. with "Iolanthe", and "Mikado" concluded the day around 10 p.m. We sold tickets by the session, with significant discounts for purchases of a second and a third session. The performers all paid a registration fee, which entitled them to a Singfest T-shirt (worn on stage), a programme and a seat in the theatre when they weren't singing. We had about 80 singers, 6 musical directors (two of whom also sang) and 5 accompanists (two of whom also musically directed another opera). The MD's arranged a couple of principal rehearsals and in general there were no chorus rehearsals, although a few choristers attended one or two "Utopia" rehearsals. So the chorus and MD were confronting each other in such passages as "Oh, day of terror" for the first time. But it all seemed to work. The audience was invited to sing along in some numbers in each show - the words were in the programme for them. This worked best in "Pirates", where the MD got them to stand up each time, and in "Mikado", where the MD gave them a short bit of choral drill in advance. While most of the singers were Sydney based, it wasn't always the case. Our Mabel flew in from north of Brisbane and one of the choristers took a flight from Lismore (northern New South Wales) the previous day. Several of the cast lived out of Sydney, and drove distances up to 200 miles each way on the day. Principals included sometime SavoyNetters Francis Young (Dr. Daly, Strephon) and David Spicer (Frederick). Our King Paramount found that he wasn't recovering from a throat operation as well as he would have liked, and was replaced at the eleventh hour by Stuart Maunder (Artistic Director of Opera Australia - his name might mean something to Melbourne-based SavoyNetters) who coped magnificently. All who participated in the show deemed it to be a great success and were most enthusiastic about doing it again with the other operas. Which we'll probably do - with the possible exception of "Grand Duke", which is scarcely worth doing anyway, and which suffers from the additional drawback that hardly anyone in Sydney has participated in it before. Some vignettes: * In lieu of the tired old "sategy, fategy, mategy" routine, the Major-General (Brian O'Grady) said "ah, strategy. A rhyme, a rhyme, my kingdom for ...... a horse? Aha! You'll say a better ... etc." Very clever - has anyone heard this before? * I taped a 30 minute interview plugging the show at a local community FM radio station early last week. It seemed to go OK - I even mentioned SavoyNet. When I got home, the telephone was ringing - it was the presenter saying the no sound was coming out of the tape, and could I come back and do it all again live in 2 days time? Grr! * With reference to a SavoyNet thread of a year or so ago, Pooh Bah sniffed Nanki-Poo's sleeve and wrinkled his nose on the "very imperfect ablutioner" line. * A BIG group of people who had sung with the Sydney Gilbert & Sullivan Society about 20 years ago had a monster reunion during the day; including the two who had taken flights to Sydney the previous day. * Derrick McClure will be delighted to hear that "Utopia" was generally regarded as the best performance of the day. It was the only opera which got an encore - no prizes for guessing which song. * One of the best spin-offs of the day was the discovery of a good stockpile of potential G&S singers who were not previously well known to the Society. Our Major-General, Phyllis, Phoebe, Yum-Yum, Katisha and Pooh-Bah were all particularly notable in this regard. * You may recall Sharon Brindle tabling a few months ago a clever parody she had written called "The Director's Lament", recounting a "Patience" production, and sung to the tune of "When a felon's not engaged". Well, she wrote another one about a "Pirates" production, and she was good enough to let me have it for the Singfest. We sang it immediately after "Pirates" - just before the lunch break. It went over so well that we had to do it again before the dinner break! I can now understand how Ori and Leta must have felt the week after their Sing-outs. Washed out, but happy. -- Paul McShane, Sydney. "Steps into the world once more"  1,, Summary-line: 2-Nov Info@queensburypress.com [29] #Vengeance Dire in the U.S. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA11497; Fri, 2 Nov 2001 04:04:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA05168 for ; Fri, 2 Nov 2001 04:03:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA29234; Fri, 2 Nov 2001 04:02:48 -0500 (EST) Date: Fri, 2 Nov 2001 04:02:48 -0500 (EST) Message-Id: <200111020854.fA28s4wX008339@sm10.texas.rr.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Info@queensburypress.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Barbara Steager Malone" To: Multiple recipients of list SAVOYNET Subject: Vengeance Dire in the U.S. MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 2 Nov 2001 04:02:48 -0500 (EST) Reply-To: Info@queensburypress.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Barbara Steager Malone" To: Multiple recipients of list SAVOYNET Subject: Vengeance Dire in the U.S. Content-type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Nov. 1 David Michaels asked: would I be correct in assuming that eventually one will also be able to obtain it through normal chanels? and for the benefit of those who collect signed first editions, would [Roberta Morrell] be willing to sign it on request? The Queensbury Press expects a shipment of Vengeance Dire within the next few weeks. We will be distributing Roberta Morrell's new book in the U.S. as we do her exceptional biography/primer on Ken Sandford and his technique: http://www.queensburypress.com/ksbio.html We are keeping "a little list" of interested parties. Please reply privately if you would like your name inscribed thereon, including any "signed copy" requests. Thanks. Barbara Malone Editor & Publisher, The Queensbury Press Houston, TX USA  1,, Summary-line: 2-Nov C.T.Phillips@swansea.ac.u [98] #COTW Discussions - a firm proposition X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA20502; Fri, 2 Nov 2001 07:16:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA25792 for ; Fri, 2 Nov 2001 07:16:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA02028; Fri, 2 Nov 2001 07:14:57 -0500 (EST) Date: Fri, 2 Nov 2001 07:14:57 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: C.T.Phillips@swansea.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "PHILLIPS C.T." To: Multiple recipients of list SAVOYNET Subject: COTW Discussions - a firm proposition X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2448.0) *** EOOH *** Date: Fri, 2 Nov 2001 07:14:57 -0500 (EST) Reply-To: C.T.Phillips@swansea.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "PHILLIPS C.T." To: Multiple recipients of list SAVOYNET Subject: COTW Discussions - a firm proposition X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum It seems to me that we have reached a stage where we can think about going ahead, and that general expressed opinion is that you would like me to co-ordinate the project. Therefore I am coming forward with a more formal proposition and request for assistance in those areas where I need it. Firstly, as co-ordinator what will I be doing? 1. Deciding what characters/shows will be discussed in what order. Since we have already gone some way into Alexis, I propose to let this one run and start from there, then going in order until for this 'round', finishing with Thespis and Trial. Then I suggest a GWOS or SWOG show for a week, and starting again with a Thespis character. 2. Posting an initial message to prompt discussion into that week's character (about mid week would probably be best, I think). This will be roughly weekly, though I may let things run a little longer if a particular discussion is still on-going and interesting. 3. Working out who will archive what, and cover the other aspects of help I will need (I will come to this later!), and prompting them with reminders at the relevant times. 4. Posting the 'rules of the game', as part of each discussion starting message, modifying where necessary and perhaps pointing out to people when they are outside guidelines (though I'm dubious about doing that sort of thing, I really don't want to step on Marc's toes, and as far as I'm concerned any role which I may take on for the purpose of these ongoing discussions would be entirely dependant on Marc's full approval). Now to the help I will need to make this workable: 1. Volunteers to archive discussions. There have been a few, and my thanks to them. If they could let me know if they have a preference for what show(s) they would prefer to do, I can make up a list of who is doing what. Also, people to archive the show discussions for GWOS and SWOG shows. The more people that can help, the less each will have to do, and if we don't have enough the whole project is a non-starter, so if you can help, please do! 2. Somebody to prompt the discussions on the shows I know less well (ie GD and Thespis). Obviously I can read the cast and just post a name, but I feel it would be better if the post starts the discussions by posing some questions or making some statements. it would also be better if they decided the order for the characters in these particular shows. 3. Basically as for 2., but for the GWOS and SWOG show discussions. I know we have some experts here in the independant works of both, so I would rather leave it to them to prompt these, decide order (and which are worth discussing fully, or incombination or whatever), etc. I really don't think I know enough about them to cover this. 4. An assistant to cover times when I am not able to be here. I am usually around during the week (not on weekends, but I do get the messages at the start of the week), but I do take holidays. On that subject, I would also suggest we take a couple of weeks off COTW over Xmas and New Year (and Buxton, if they continue for that length of time, which they could easily do if we don't get bored with the idea!), when large numbers of list members are likely to be absent (or to busy to contribute). please contact me privately if you are able to help in any of these areas. 'Rules of the Game' These are largely to help the archivists in their work, and are mostly just reminders of general 'netiquette'. 1. Avoid direct quoting - If you have to quote to make your point, incorporate that into your text rather than as the usual quotation at the start, or intermittently within, the message. This is not usual netiquette as such, but will make the resultant end document considerably more readable, and the archivists' job considerably less unpleasant! 2. Keep separate points/subjects in separate paragraphs. 3. Use clear subject headings, including COTW and the character name, but also giving a clue as to content (eg. Costume, history, Character, etc.) 4. Try to stick to the character being discussed. By all means refer to other characters, but enlightening comments about others may be lost to the world if the archivist does not consider them relevant to the current COTW discussion. 5. Sign your name if possible. Pseodonames are great, but in the OOTW archives, comments are credited to people, which would seem good practice for COTW too. Though some of us may have an idea of who you are, if you can put your name at the end of your message it will be easier and more reliable. I await your comments, and will let you know what is happening next week. cheers, Cenydd ======================================================= Uplands Arts - Swansea's G&S Society (with the World Wide G&S Events Diary) http://welcome.to/uplandsarts  1,, Summary-line: 2-Nov bbermack@alum.mit.edu [49] #HMS Pinafore Put-In Needs YOU X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA14424; Fri, 2 Nov 2001 11:52:56 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA10580; Fri, 2 Nov 2001 11:52:53 -0500 (EST) Received: from alum.mit.edu (NAKULA.MIT.EDU [18.89.2.31]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id LAA07071; Fri, 2 Nov 2001 11:52:52 -0500 (EST) Sender: bbermack@MIT.EDU Message-ID: <3BE2CF64.DF6ED902@alum.mit.edu> Date: Fri, 02 Nov 2001 11:52:52 -0500 From: Brian Bermack X-Mailer: Mozilla 4.78 [en] (X11; U; SunOS 5.8 sun4u) X-Accept-Language: en, ja MIME-Version: 1.0 To: gsp-prod@mit.edu CC: gsp-tech@mit.edu, gsp-tech-int@mit.edu, gsp-lights@mit.edu, gsp-sets@mit.edu Subject: HMS Pinafore Put-In Needs YOU Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Sender: bbermack@MIT.EDU Date: Fri, 02 Nov 2001 11:52:52 -0500 From: Brian Bermack X-Accept-Language: en, ja To: gsp-prod@mit.edu CC: gsp-tech@mit.edu, gsp-tech-int@mit.edu, gsp-lights@mit.edu, gsp-sets@mit.edu Subject: HMS Pinafore Put-In Needs YOU Content-Type: text/plain; charset=us-ascii Put-in for HMS Pinafore will take place Saturday evening (Nov 3rd) and Sunday (Nov 4th). WE NEED YOUR HELP! Saturday @ 5:30 pm: Moving stuff from Walker to Sala. Also be hanging set pieces and preparing for light hang (instrument sort/check, gelling, etc). Sunday @ 2:00 am: Light hang. (Donuts and coffee will be provided at breakfast). Sunday @ 10:00 am: Assembling the set. (Pizza will be provided at lunch). Sunday @ 3:00 pm: Painting begins and assembly of the set continues. If you can help with any of these things, PLEASE COME! E-mail me and let me know what you'd like to do and when, so I can plan accordingly, but come even if you don't warn me. Wear clothes you don't mind getting dirty or getting paint on. If you're coming on Saturday, bring work gloves. If you're coming Sunday, bring a screw gun or power drill if you have one, and long extension cords. (Label them so they don't get lost.) Leathermen or other pocket knives are also useful. We ESPECIALLY need bodies Saturday from 5:30 pm to 9:00 pm, and Sunday from 11:00 am to 2:00 pm, so if you can only make it for a little while, that's the time to come. Brian Bermack H.M.S. Pinafore Production Manager  1,, Summary-line: 3-Nov agfitz@MIT.EDU [21] #City of Angels X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22091; Sat, 3 Nov 2001 16:51:31 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA27058 for ; Sat, 3 Nov 2001 16:50:19 -0500 (EST) Received: from seminary.mit.edu (SEMINARY.MIT.EDU [18.227.0.120]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA18346 for ; Sat, 3 Nov 2001 16:47:42 -0500 (EST) Message-Id: <4.3.2.7.2.20011103164811.00b5e5c0@hesiod> X-Sender: agfitz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Sat, 03 Nov 2001 16:50:04 -0500 To: opus@mit.edu From: Arthur Fitzmaurice Subject: City of Angels Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: agfitz@hesiod (Unverified) Date: Sat, 03 Nov 2001 16:50:04 -0500 To: opus@mit.edu From: Arthur Fitzmaurice Subject: City of Angels Content-Type: text/plain; charset="us-ascii"; format=flowed Hey, Dave. I would like to order 25 City of Angels videos. Do you have any idea of when you will have those done? I assume that you will be at HMS Pinafore in the next couple of weeks. If so, I know that you will be busy, but it would be very convenient for you if I could meet you with a check and get the videos one of those nights, right? Please let me know what you think. Thanks a lot, Arthur  1,, Summary-line: 4-Nov cjsmith@MIT.EDU [16] #boston visit X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA17911; Sun, 4 Nov 2001 09:10:45 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA23092; Sun, 4 Nov 2001 09:10:43 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id JAA16335; Sun, 4 Nov 2001 09:10:42 -0500 (EST) Received: (from cjsmith@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id JAA01846; Sun, 4 Nov 2001 09:10:43 -0500 (EST) Message-Id: <200111041410.JAA01846@scrubbing-bubbles.mit.edu> To: wedplan@MIT.EDU cc: dinner@MIT.EDU Subject: boston visit Date: Sun, 04 Nov 2001 09:10:43 -0500 From: CarolYN J Smith *** EOOH *** To: wedplan@MIT.EDU cc: dinner@MIT.EDU Subject: boston visit Date: Sun, 04 Nov 2001 09:10:43 -0500 From: CarolYN J Smith Here's the info for our next visit to Boston... ********************** Itinerary ************************ AIR> Dec 7 UA # 392 ORD --> BOS 6:45 pm 9:57 pm AIR> Dec 17 UA # 701 BOS --> ORD 7:45 am 9:24 am ************************************************************* --cyn  1,, Summary-line: 4-Nov oakapple@cris.com [281] #Review: The Gilbert and Sullivan Sorting System X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA06973; Sun, 4 Nov 2001 17:53:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA28618 for ; Sun, 4 Nov 2001 17:53:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA00896; Sun, 4 Nov 2001 17:51:24 -0500 (EST) Date: Sun, 4 Nov 2001 17:51:24 -0500 (EST) Message-Id: <3BE5C0DE.EDB4AE5@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: The Gilbert and Sullivan Sorting System MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Sun, 4 Nov 2001 17:51:24 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: The Gilbert and Sullivan Sorting System Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum THE GILBERT & SULLIVAN SORTING SYSTEM: A Classification Scheme for Use with the Materials of G&S Studies Geoffrey Dixon (Ayr, Scotland: Rhosearn Press, 2001) Paperback; xvi + 140 pages; 8 3/16 x 11 1/2 inches An initial reaction to this book might be, "Who needs a sorting system that takes 140 pages to describe?" Geoffrey Dixon says that his audience is Gilbert & Sullivan enthusiasts of all kinds -- performers, spectators, students and scholars ... [to] arrange their collections in some kind of systematic order. It may also be used of course to arrange a set of notes or papers, or a catalogue of a collection -- either print or electronic. It caters for all kinds of material, from books and periodicals, through recordings of both sound and vision, to pictures, posters and pottery. I suspect that the largest audience for a G&S sorting system would be die-hard collectors. Is The Gilbert & Sullivan Sorting System for them? The system is certainly very powerful, but it is also very dense, and the author's explanations of it are frustratingly cryptic. There is just a 3 1/2 page introduction, couched as a series of abrupt commands, with very little background to justify the system or explain its underlying logic. Dixon seems to have believed that his examples (which fortunately are numerous) speak for themselves. But at times, I struggled for 10-20 minutes at a time to decode the long strings of numbers and letters that he expects users of the system to master. I eventually figured most of them out, but I wonder how many readers will give up. It's an industrial-strength system that perhaps overshoots the needs of 99.9% of potential users. Dixon's system, to be sure, is capable of arranging even the most complex G&S topics. It is arranged by subject and could be used for a variety of purposes. One could even assign a Dixon number to each Savoynet post -- this post would be sorted as 024.1002. Dixon is a librarian by training, and I assume that as a work of Library Science the system is technically sound. But we laymen require a considerably clearer explanation than Dixon has given us. I also think that the base system could have been simpler, with the heavy sorting artilery relegated to appendices. It may be comforting to know that Dixon's system is sufficiently powerful to allocate a unique number to a comparison of Yum-Yum with Phoebe: 398.55288z6z95. But I wonder how many sorters will take the trouble to do so? The Dixon system begins with ten high-level classes, as follows: 000 - Generalia 100 - Texts, Libretti 200 - Scores 300 - Critical Works 400 - Biography 500 - Production and Performance 600 - Gilbert without Sullivan 700 - Sullivan without Gilbert 800 - Related Subjects 900 - Non-Book Material (alternative class) Dixon believes strongly that materials should be sorted by their subject. A CD recording of THE MIKADO is a *performance*, and it is therefore classed in the 500 series with other performances. Dixon's 900 series is provided as an alternative for those who want to sort first by medium, which is evidently not his preference. To give a few simple examples: a biography of Gilbert is classed as "410". A Gilbert autobiography is "410.1". A biographical interview with Gilbert is "410.11". The system expands to accommodate any little knick-knack that one might want to catalogue. I wonder if Dixon was half-joking when he offered this example: 092.212/Sb SavoyNet tee-shirt. Fruit of the Loom, 1996. The Dixon class numbers "fold back" on one another, and it is here that Dixon's explanation is really inadequate. The 200 series, for instance, is devoted to scores, and the first few entries in the series are as follows: 200 Scores 210 Full 210.1 Combined scores and libretti 210.102 Annotated 210.1021 Conductor's copies However, these numbers are not used for scores of individual operas. Instead, one goes to the 290 series. The number 298.5 designates scores of THE MIKADO (29 + 85, with a decimal point after the 3rd position; the '85' derived from 1885, the year in which the opera was written). To the number 298.5 one appends further digits describing the type of score. The Dover MIKADO would be classed as 298.5101 (298.5 + 101, because Dover's score is a combined score and libretto). The confusing point is that one takes the class number for a combined full score and libretto, 210.1, and drops both the leading '2' and the decimal point. It is astonishing that a concept so fundamental to the sorting system is not succinctly explained anywhere in the book. The book is full of breadcrumb trails that must be followed from page to page to construct class numbers. I have serious doubts about readers' patience to construct and/or decode Dixon's longer concoctions. For example, Dixon tells us that a programme from the G&S Society of Edinburgh's 1999 production of IVANHOE would be classified as: 733.4y5819314409999/Pp How is this number derived? On p. 47, we find that the classification number for IVANHOE is 733.4. We are also told to "Apply Table 8," which we find on p. 79. In Table 8, the entry for "Amateur societies, by Location," is "5819", and we are told to add this number to the main classification, preceded by a 'y'. So what we have so far is: 733.4y5819 We are then told to "Add the numbers in Table 6 after deleting the initial zero." There (p.76), we find that the code for Edinburgh is "031445". Recalling Dixon's stricture to drop the leading zero, the number so far is: 733.4y581931445 Table 6 (p. 77) tells us that a 20th-century year is shown by tacking "09" plus the last three digits of the year onto the class number. This gets us to: 733.4y58913144509999 Finally, Table 9 (p. 82) instructs us to append "/Pp" to designate a theatrical programme. This gets us to the final class number in all its glory: 733.4y8913144509999/Pp Incidentally, I have come up with an extra '5' before the '09999' that Dixon's example didn't have. Have I misread the system, or has its expositor made a mistake? Time alone can tell. Dixon's Table 9, "Format Identifiers," is used for designating the format where it is not a book or periodical. Here we find that there is a unique identifier for 7" LP discs ('/C'), but oddly none for DVDs -- a curious omission, as the format has been out for several years. The identifier for videocassettes ('/H') does not distinguish between the various types of videocassettes, which is not consistent with the level of detail provided for LP discs. The list of formats is written out several times in different ways, a redundancy that I should have thought avoidable. I am no specialist in sorting and have no other sorting systems to which I can compare Dixon's. Nevertheless, I've some theoretical objections. The classes 100, 200, 300, and 500 are for libretti, scores, criticism, and performances of G&S. GWOS and SWOG get their own class numbers (600 and 700), an arrangement that seems both redundant and confusing. For instance, a theatrical programme for a 1991 New D'Oyly Carte performance of THE GONDOLIERS in Glasgow is classed as: 598.97293143509991/Pp You'll observe that the last chunk of digits and letters is similar to the IVANHOE programme discussed above. "31435" is the code for Glasgow, "09991" is the code for 1991, and "/Pp" designates a theatrical programme. But the first part of the class number, "598.9729" is constructed according to entirely different rules from that of the IVANHOE programme discussed above. To compare the two, the class number of the GONDOLIERS program is built up thus: 5 G&S Performance 59 Performance of an individual opera 598.9 Performance of THE GONDOLIERS 598.97 Professional performance of THE GONDOLIERS 598.972 Performance of THE GONDOLIERS by New D'OC 598.9729 Performance of GN by ND'OC, by venue 598.972931435 Performance in Glasgow 598.97293143509991 Performance in 1991 598.97293143509991/Pp Theatrical programme In contrast, the class number for the IVANHOE programme is built up thus: 7 Sullivan without Gilbert 73 Theatrical works 733 Musical plays, opera 733.4 IVANHOE 733.4y5 Performance of IVANHOE 733.4y58 Non-professional performance of IVANHOE 733.4y581 Amateur society performance of IVANHOE 733.4y5819 Amateur performance of IVANHOE, by location 733.4y581931445 Amateur performance in Edinbugh 733.4y58193144509999 Performance in 1999 733.4y58193144509999/Pp Theatrical programme As an aside, the location code for Edinburgh is built up similarly: 3 Europe 31 Scotland 31445 Edinburgh Anyway, perhaps you see my point that the system is overly complicated by the fact that the numbers are built up differently depending on whether the work in question is G&S or non-G&S. It amounts to having to learn two separate systems. I also question the rationale for insisting on such long strings of digits, with just one decimal point after the 3rd position. Would not that GONDOLIERS programme's class number be a bit easier on the eyes if it were: 5989.729.31435.09991/Pp There are other needlessly complex byways in the sorting system. Table 2 provides sorting codes for each principal character. In TRIAL BY JURY, the Judge is z1, the Plaintiff z2, and the Defendant z3. But why use a system of *numbers* following the letter 'z', when a perfectly clear system using *letters* was invented by Rollins and Witts a generation ago? If I tell you that R&W's character codes for TRIAL were Jg, Pl, Df, Cl, Us, Fm, As and Bd, you will probably guess what they stand for without any help. Just try to do that with z1 through z8. As an aside, we can now explicate '398.55288z6z95', the class number for a critical comparison of Yum-Yum and Phoebe: 3 Critical Works (Discussion) 39 Criticism of Individual Operas 398.5 Criticism of THE MIKADO 398.55 Comparisons between THE MIKADO and... 398.552 Comparisons between THE MIKADO and another G&S 398.55288 Comparisons between MIKADO and YEOMEN 398.55288z6 Comparisons between Yum-Yum and.... 398.55288z6z95 ....Phoebe (Yum-Yum is character z6 in THE MIKADO, and Phoebe is character z95 in YEOMEN, per Dixon's Table 2, p. 68.) Table 3 provides encoding for the property lists used by the old D'Oyly Carte Opera Company prior to 1982. Under THE SORCERER, q5 stands for "Tea trays (4), 13 cups & 13 plates on each," while q10 stands for "Tea tray (2 cups, 2 saucers, spoons) (Constance)." q6 is Wells's trick tea-pot, q7 is Aline's (non-trick) tea-pot, q8 is yet another tea-pot. The point of offering coded identifiers for production-specific properties that haven't been used in over twenty years utterly eludes me. Elsewhere, I would dispute Dixon's application of his own system. For instance, he classes dramatic re-enactments of the life of G&S in the 400 series ("biography"), but he classes Leslie Bailey's history of the G&S partnership in the 300 series ("criticism"). He also classifies the script of TOSPY-TURVY as a work of criticism (302.1\TOP). Any sorting system will be a reflection of its time, and Dixon's system is informed by the way he sees the G&S world in 2001. There are numeous specific entries for Savoynet and the International G&S Festival. These wouldn't have been there had the book been published a decade ago, and ere another decade is gone the system may require adjustment. It isn't always clear where Dixon's numbers are based on an underlying logic, and where he has simply assigned numbers arbitrarily based on what mattered to him at the time. For instance, the class number for the 1970 International Conference on G&S in Kansas is: "076.3810970". This would seem utterly unmotivated, until one found that the code for Kansas is "6381". The final three digits are surely derived from the year, but as I read the system the full class number requires an extra '9' before '970'. Has Dixon tripped up, or is there a deeper logic here that I am missing? Anyway, the Kansas Conference number -- although warranting an assigned number in the system -- could in fact have been logically derived as follows: 0 Generalia 07 Festivals, Conferences, Courses 076 Conference in North America 076.3 Conference in United States 076.381 Conference in Kansas 076.3810970 Kansas Conference in 1970 (But I think it should be "071.38109970" if Dixon were following his system religiously.) "The Gilbert & Sullivan Sorting System" obviously represents an enormous labor of love by its creator. When I am ready to catalog my own collection, I'll give it a long look. But despite its marvellous power, the system is poorly explained and almost hopelessly complicated. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 7-Nov cbailward@bigfoot.com [24] #Princess Ida sound files X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA14029; Wed, 7 Nov 2001 16:49:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA10860 for ; Wed, 7 Nov 2001 16:49:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA02620; Wed, 7 Nov 2001 16:48:06 -0500 (EST) Date: Wed, 7 Nov 2001 16:48:06 -0500 (EST) Message-Id: <004901c167d5$76327dc0$ad03893e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cbailward@bigfoot.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Princess Ida sound files MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Wed, 7 Nov 2001 16:48:06 -0500 (EST) Reply-To: cbailward@bigfoot.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "chris bailward" To: Multiple recipients of list SAVOYNET Subject: Princess Ida sound files Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Midi and Noteworthy files for the whole of Princess Ida are now available on the Milborne Port Opera website http://www.themoose.demon.co.uk/. I acknowledge a debt to Peter Crichton who provided a considerable amount of the sequencing which I have tidied up and added lyrics. I am sure it is not perfect but if you find faults you can remedy them yourself with Noteworthy Composer http://www.noteworthysoftware.com/. Please feel free to use them as you wish. I have also sent them to Jim Farron for inclusion on the archive in due course. Chris Bailward. Somerset UK  1,, Summary-line: 8-Nov letsdanz@MIT.EDU [24] #MIT Dance Troupe Spring 2001 Video Orders X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA15885; Thu, 8 Nov 2001 03:38:00 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA16228 for ; Thu, 8 Nov 2001 03:37:59 -0500 (EST) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id DAA28985 for ; Thu, 8 Nov 2001 03:37:58 -0500 (EST) Message-Id: <5.0.2.1.2.20011108033439.01bf1a18@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 08 Nov 2001 03:39:35 -0500 To: opus@mit.edu From: Kimberly Subject: MIT Dance Troupe Spring 2001 Video Orders In-Reply-To: <4.1.20010924160720.00b5ec00@po12.mit.edu> References: <200109241914.PAA00557@biohazard-cafe.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Thu, 08 Nov 2001 03:39:35 -0500 To: opus@mit.edu From: Kimberly Subject: MIT Dance Troupe Spring 2001 Video Orders In-Reply-To: <4.1.20010924160720.00b5ec00@po12.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed Greetings! MIT Dance Troupe Spring 2001 Video Orders: 15 Friday wide videos 22 Saturday wide videos 32 Saturday edited videos Total: 69 videos Can you tell me how much the total cost will be so I can write a check for that amount? Also, when the videos will the videos be ready? Thank you! cheers, Kimberly Chao  1,, Summary-line: 8-Nov pdp@globalnet.co.uk [110] #Re: G&S on DVD (BW, DC and ENO) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA03329; Thu, 8 Nov 2001 04:24:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA05761 for ; Thu, 8 Nov 2001 04:24:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA02996; Thu, 8 Nov 2001 04:24:13 -0500 (EST) Date: Thu, 8 Nov 2001 04:24:13 -0500 (EST) Message-Id: <3.0.6.32.20011108090520.00a8d330@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G&S on DVD (BW, DC and ENO) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3BEA0256.8AF51FDE@cris.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Thu, 8 Nov 2001 04:24:13 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G&S on DVD (BW, DC and ENO) Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3BEA0256.8AF51FDE@cris.com> At 22:58 07/11/01 -0500, Marc wrote: > >Well, to begin with, someone would need to know just who ARE the powers that be. >Peter Parker tried diligently to find them several years ago, but in vain. The >original company had gone through so many fire sales that the people responsible >(or should I say irresponsible?) could not be located. > That is so. I did trace the firm who appeared to be the current owners of the master rights but they refused absolutely to discuss the matter. That firm have sub-licensed the current VHS tape issuers who are various. I was told by the company secretary of the then almost defunct Brent Walker firm who personally to contact as they had sold all their rights to that company. This man/firm would not make an appointment for me to see them and when I called upon their office in London the receptionist was told to get rid of me. She was most embarrassed. This was all a few years ago now and I do not know if that firm are still the copyright holders or even if they still exist. I wrote several times but none of my letters were even acknowledged. The man concerned was always "out of the office" and no promises for him to phone back were ever kept. I even wondered if the name was ficticious and just a front. That the various issuers of the Brent Walker tapes have used different copyright names on them, depending on which opera and which issuer is involved, indicates that there is/was sonmething very odd about these affairs. One of the copyright holders was very upset that I had traced their company and told me over the phone that they wished they had never had anything to do with these films. They also refused to talk to me about the tapes and wanted to know how I had traced them. Currently these tapes are (except for Ruddigore) still obtainable, I gather, but the issuers do not hold any rights other than to be able to sell tapes in UK or whatever country. They do not hold the original masters. Mostly they are not even aware that there are/were uncut masters in existence. Its a right mess! I would think that this state of affairs came about quite deliberately to ensure that anyone probing for information would be put off. Remember George Walker and his companies went to the wall in a big fraud legal case. I still think someone somewhere is raking in cash income from the sales worldwide, but are too remote to be traceable. >Before the Fairbanks introductions were filmed, longer versions of at least >RUDDIGORE and particularly YEOMEN were broadcast on BBC and CBS Cable. Some of >the cuts were restored in the laserdisc version of YEOMEN. It is possible that >there were cuts in GONDOLIERS too, since it is a similarly long opera. That is not absolutely correct. The original films marketed directly by Brent Walker had the Douglas Fairbanks Jr introductions on them. Those were available some year or two before they were broadcast by BBC. They were then very expensive in UK at over 35 pounds each. (Trial and Cox and Box were then on separate tapes at this price). I have some but not all of these versions which are the cut versions. Most of my original tapes were part of a present made by George Walker himself to Bridget D'Oyly Carte personally. She did not have a video machine and so far as I know they were never played until I and Albert Truelove got our hands on them. One, Patience, was itself defective and part of that tape is unrecorded altogether. The original tapes are dated circa 1982. The BBC broadcasts were I think 1986. There could have been broadcasts in USA earlier but it is my view that the Fairbanks bits were put in/on by Judith De Paul originally and merely not transmitted for broadcasting. The fact that the laserdisc versions and the BBC versions were more complete shows that at that time (four or more years after the original filming) the masters must have existed. I think it fair to say that none of us knew that there were longer uncut versions until those broadcasts were done. The BBC told me that they were under an obligation to return the Beta copies they had used for these broadcasts and that they were unable to retain copies. They showed them (and had a licence stipulating this) twice only. Now I wonder if the fact they they used a different physical medium, Beta, is a reason why we saw two versions. The BBC did not transmit the Fairbanks intros. Whether these were on those tapes I know not. Broadcasts are still done from time to time by commercial channels here, notably The Performance Channel, but they are all identical to the cut versions on sale. That Channel were unaware that different versions for broadcasting had ever been made or used. The one person who might be able to throw some explanation as to what went on and who may know the answer to the rights riddle would be the producer, Judith De Paul. I was never able to make contact with her but I did try. I did make contact with Paul Myers who was listed as sound producer and he was quite helpful but unable to produce any answers as he was not involved in those matters. He actually tried to find out for me if the 12 channel tape masters were still around but without success. The sound recordings were done at Abbey Road and in some cases they might have retained master copies but checking there drew a blank. It was not, of course, an Abbey Road/EMI project. The studios were merely hired as required. SavoyNetters may recall that some of the USA re-issues had a nasty hum on the sound and that was why I traced Paul Myers originally. I have now virtually given up trying to uncover the original masters, who owns them and where they are, and I think it would take someone in the business who knows this industry and the individuals to take it any further. Do we have anyone out there in such a position? Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 9-Nov PSternenberg@aol.com [127] #Brent Walker Videos (long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA14287; Fri, 9 Nov 2001 11:23:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA07810 for ; Fri, 9 Nov 2001 11:23:17 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA26901; Fri, 9 Nov 2001 11:22:44 -0500 (EST) Date: Fri, 9 Nov 2001 11:22:44 -0500 (EST) Message-Id: <3b.1cf88d38.291d5648@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Brent Walker Videos (long) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Fri, 9 Nov 2001 11:22:44 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Brent Walker Videos (long) Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Brent Walker set was produced in two phases. Phase 1 consisted of what were presumably the five most popular operas in the minds of the producers: PINAFORE, PIRATES, IOLANTHE, MIKADO, and GONDOLIERS. I believe it took only a few weeks to get all five in the can, after which the company waited over a year before producing Phase 2: C&B, TRIAL, SORCERER, PATIENCE, IDA, RUDDIGORE, and YEOMEN. It's noteworthy that Ian Bradley had the same set of priorities; delete C&B, and one has the exact same breakdown between the original two volumes of his annotated libretti. It's also noteworthy that aside from the RUDDIGORE and YEOMEN cuts, most people (myself included) consider the Phase 2 productions the better ones. CBS Cable couldn't have aired RUDDIGORE or YEOMEN in any form. It went out of business in December 1982, and it used its final week on the air to show the Phase 1 operas, the only ones released at the time, on consecutive evenings. I was fortunate enough to commit them to my VCR, although I've since erased most of them as clearer versions became available. Douglas Fairbanks was nowhere to be seen. For that matter, the closing credits were also deleted, and it wasn't until these started showing up on PBS that I realized there WERE closing credits. What aired on PBS in the US, starting in 1984, as "The Compleat Gilbert & Sullivan" is the same as what Opera World provides on video. In other words, the same cuts are made, the same narrations by Fairbanks are used, and the filler items with producer Judith DePaul for TRIAL/C&B, SORCERER, PINAFORE, and PIRATES are included, as they were for the CBS Cable airings of PINAFORE and PIRATES. This was the PBS schedule of first airings: 1984: YEOMEN, GONDOLIERS, TRIAL/C&B, MIKADO 1985: RUDDIGORE, PIRATES, SORCERER, PATIENCE 1987: IOLANTHE, PINAFORE, IDA The 1987 operas were originally scheduled for 1986, but apparently a less than enthusiastic reception of the earlier ones led to their delay. The numbers cut from YEOMEN are as follows: "When maiden loves" Verse 1 "Alas, I waver to and fro" "Is life a boon?" "Free from his fetters grim" "Strange adventure" "When a wooer goes a-wooing" "Rapture, rapture" Also missing are two significant chunks of dialogue: the scene between Fairfax and Elsie (thereby making her acceptance of the proposal by "Leonard" come out of the blue), and Meryll's spilling the beans to Dame Carruthers. In comparison, TRIAL, SORCERER, PINAFORE, PIRATES, PATIENCE, and IOLANTHE are uncut (not counting overtures and an occasional line of dialogue whose omission might have been accidental). C&B is mostly the original version, including "Sixes," using the transpositions and orchestral cuts of the Savoy Edition. (Example: Bouncer's song includes both verses but is in E instead of F and is missing the four measures of the intro that were cut for the Savoy Edition.) Musically IDA lacks only "Come, mighty Must," and GONDOLIERS lacks only Verse 2 of "For the merriest fellows are we," but both are missing numerous individual lines of dialogue. These cuts don't interfere with the plot, but some jokes are lost. Bradley mentions that some of these lost lines had become DCOC cuts towards the end of its existence. MIKADO is musically complete, but there's a painful cut of part of the "boiling oil" dialogue. RUDDIGORE is missing only two lines of dialogue but is cut musically as follows: "I shipped, d'ye see" "The battle's roar is over" "When the buds are blossoming" Verse 2 "Oh, happy the lily" principal stanzas "Away, remorse" Most of the operas have condensed overtures with the opening credits. The C&B and IDA overtures are complete. The PINAFORE and PIRATES overtures are heard in their entirely in the DePaul fillers. The complete SORCERER overture is heard over a pantomimed extension of the final scene which turns into the closing credits. TRIAL is preceded by Overture di Ballo played over a pantomime of preparations for the trial. As for the cuts, I'm both willing to believe and hoping that RUDDIGORE and YEOMEN exist in more complete versions, but I have yet to see any. For YEOMEN it's possible that the cut version isn't simply a fuller one edited down but rather a special production in itself. To be sure I'd have to know exactly what's missing from the longer version, but the shorter one has some cuts that must have been taped as they now appear. Here's an extended scene that argues both ways. As Fairfax delivers the speech that would lead into "Fetters," Meryll approaches from behind and immediately delivers his first line of the next scene. So this had to be taped this way, although it could have been an alternate take inserted into a version that included "Fetters." At the end of this dialogue, Meryll starts saying "Aye, I know one of them" as a "talking head," but the camera cuts to a long shot of the four principals as Meryll's line continues. It's difficult to say for sure, but it appears as if Meryll's mouth is no longer moving. The four are standing still as if they're waiting for a musical cue that never comes, so they give up and, excepting Fairfax, leave. It's possible that we're seeing an exit from "Strange adventure" with part of Meryll's dialogue superimposed in a re-edit. Then Fairfax says one line and after the words "... with my eyes open" reacts to a gunshot. Meryll arrives, but Elsie has never been seen. Again, this scene must have been taped this way; again, perhaps as an alternate take. For now, assuming the stories of the existence of a longer YEOMEN to be true, I figure that Brent Walker produced two versions at the source, although only a select few places needed more than one take that was included in a final product. I reserve final judgment until I know the contents of and preferably see a longer version. The same is probably true for RUDDIGORE. I never even heard of a blackboard cartoon lecture bit for Richard until today; I assume it accompanies "I shipped." Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at http://www.dancaster.com/RidgewoodGandS  1, answered,, Summary-line: 14-Nov ahumez@world.std.com [65] #Video advice X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA22838; Wed, 14 Nov 2001 11:25:02 -0500 (EST) Received: from TheWorld.com (root@pcls4.std.com [199.172.62.106]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA12894 for ; Wed, 14 Nov 2001 11:25:01 -0500 (EST) Received: from world.std.com (sleepyca@world-f.std.com [199.172.62.5]) by TheWorld.com (8.9.3/8.9.3) with ESMTP id LAA15252 for ; Wed, 14 Nov 2001 11:25:00 -0500 Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id LAA11513 for ; Wed, 14 Nov 2001 11:25:00 -0500 (EST) Message-Id: <200111141625.LAA11513@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: Video advice Date: Wed, 14 Nov 2001 11:24:59 -0500 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: Video advice Date: Wed, 14 Nov 2001 11:24:59 -0500 From: Andrea L Humez Dave-- I have this strange video disaster that I've inherited, and was wondering if you could advise me on what the trouble might be and whether theyre's any way of salvaging the data. The background here is that Jeremy taped the show I directed this summer, with 2 cameras. The tapes from one camera had had something wrong with them right off; he said the data was there but not easily accessible (I don't know what was causing this). Now, a couple of months later, the second set of tapes has developed a problem as well (see attached email for a description). Does this sound like anything in particcular to you? Thanks Andrea ------- Forwarded Message Return-Path: Received: from life.ai.mit.edu (life.ai.mit.edu [128.52.32.80]) by TheWorld.com (8.9.3/8.9.3) with ESMTP id RAA28894 for ; Tue, 13 Nov 2001 17:53:43 -0500 Received: from suspiria.ai.mit.edu (suspiria [128.52.39.94]) by life.ai.mit.edu (8.9.3/8.9.3/AI2.13/ai.master.life:2.21) with ESMTP id RAA21711; Tue, 13 Nov 2001 17:53:41 -0500 (EST) Received: by suspiria.ai.mit.edu (8.8.8/1.1.19.2/08Jul98-0847PM) id RAA0000081125; Tue, 13 Nov 2001 17:53:30 -0500 (EST) Date: Tue, 13 Nov 2001 17:53:30 -0500 (EST) Message-Id: <200111132253.RAA0000081125@suspiria.ai.mit.edu> From: "Jeremy H. Brown" To: "Andrea L. Humez" , mikka@mit.edu, Eon Harry Cc: jhbrown@ai.mit.edu Subject: Total Hapgood disaster The DV tapes have gone south too. I think that I must have stored all the tapes somewhere dangerous -- like, say, my desk drawer at work. I can only assume the drawer is slightly magnetic, or that the monitor on top of it hosed the tapes. At this point, the 2 hi-8 tapes seem to have uncorrectable tracking problems. The 2 DV tapes seem to want to run at double-speed. Both seem fine when still-framed, so in principle you could at least get some good publicity stills or embarassing shots... Mark Eichin suggests that maybe you could contact Opus, who does professional video work, and see about restoring the lost data. I can give you the tapes, if you want to try that route. Sorry about the trouble; I'm really upset about it. (More than just your tapes have been ruined...) Jeremy ------- End of Forwarded Message  1, answered,, Summary-line: 15-Nov jhbrown@ai.mit.edu [44] #Re: word from Opus X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA13016; Thu, 15 Nov 2001 00:30:57 -0500 (EST) Received: from life.ai.mit.edu (ai.mit.edu [128.52.32.80]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA29852 for ; Thu, 15 Nov 2001 00:30:57 -0500 (EST) Received: from suspiria.ai.mit.edu (suspiria [128.52.39.94]) by life.ai.mit.edu (8.9.3/8.9.3/AI2.13/ai.master.life:2.21) with ESMTP id AAA22321; Thu, 15 Nov 2001 00:30:56 -0500 (EST) Received: by suspiria.ai.mit.edu (8.8.8/1.1.19.2/08Jul98-0847PM) id AAA0000082543; Thu, 15 Nov 2001 00:30:56 -0500 (EST) To: opus@mit.edu Cc: Andrea L Humez Subject: Re: word from Opus References: <200111142125.QAA18287@world.std.com> From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 15 Nov 2001 00:30:56 -0500 In-Reply-To: <200111142125.QAA18287@world.std.com> Message-ID: Lines: 35 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: opus@mit.edu Cc: Andrea L Humez Subject: Re: word from Opus From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 15 Nov 2001 00:30:56 -0500 In-Reply-To: <200111142125.QAA18287@world.std.com> User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 Content-Type: text/plain; charset=us-ascii Hey there. I've been wrangling the videotapes, so Andrea figured I'd be the right person to answer the questions you asked. As it turns out, I'm pretty ignorant of what I've been doing, but here goes: There are 2 hi-8 tapes, and 2 dv tapes. > Hi8 tapes: do they play in the camcorder which created them? How > about in another camcorder? Although initially one of the Hi-8 tapes played okay in the original camcorder, at this point both in the camcorder and in the professional hi-8 deck, both tapes appear to have serious problems. Freeze-frame and frame-advance work fine, but full-speed playback has a big band of static through the bottom and the sound is also very noisy. The Hi-8 camera I used is undoubtedly on its last legs, and so I wasn't entirely surprised that these tapes didn't come out well. > DV tapes: same questions. Were they recorded in SP or LP mode? DV or > DVCAM? To be honest, I don't know the answer to the SP vs. LP question -- I wasn't aware there were options. (This isn't my day job ;-) Is this something the camcorder should auto-detect, or might a misconfiguratoin there be responsible for the problem I'm seeing? (Playback at about 2x speed, with glitchy video and audio.) (I also don't know the distinction between DV and DVCAM. I just stuck the tape in and started shooting...) Anyhow, if this might be the issue, I can try playing them from the camera I shot them with instead of the one I've been using to try to get the bits off -- maybe there's a configuration difference. Jeremy  1,, Summary-line: 15-Nov rocky@rcracer.mv.com [37] #30 days until the Christmas Party X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10345; Thu, 15 Nov 2001 14:16:19 -0500 (EST) Received: from mercury.mv.net (root@mercury.mv.net [199.125.85.40]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA19069 for ; Thu, 15 Nov 2001 14:16:18 -0500 (EST) Received: from rcracer (rcracer.mv.com [207.22.4.90]) by mercury.mv.net (8.8.8/mem-971025) with ESMTP id OAA01282; Thu, 15 Nov 2001 14:16:16 -0500 (EST) Message-Id: <4.2.0.58.20011115135923.00bb2980@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Thu, 15 Nov 2001 14:16:36 -0500 To: dinner@mit.edu, leah.sullivan@us.pwcglobal.com, florence.c.sullivan@verizon.com, bpettus@illuminata.com, bjcochrane@adelphia.net, jjs@thegemgroup.com, lsc-alums@zurich.ai.mit.edu From: Rocky Cardalisco Subject: 30 days until the Christmas Party Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: rcracer-ro@pop.mv.net Date: Thu, 15 Nov 2001 14:16:36 -0500 To: dinner@mit.edu, leah.sullivan@us.pwcglobal.com, florence.c.sullivan@verizon.com, bpettus@illuminata.com, bjcochrane@adelphia.net, jjs@thegemgroup.com, lsc-alums@zurich.ai.mit.edu From: Rocky Cardalisco Subject: 30 days until the Christmas Party Content-Type: text/plain; charset="us-ascii"; format=flowed Ho Ho Ho.... Merry Christmas (well not for 30 more days + 10) The annual Christmas Party is scheduled for Saturday 15-Dec-2001. at the Cardalisco residence Where: Rocky's House 115 Comstock Drive Milford, NH 03055 Phone: 603 673-0601 (if you need directions send e-mail) When: Saturday December 15, 2001 Appetizers at 4:00 Dinner approximately 6:00 Presents just after dessert (7:30-8:00) RSVP: PLEASE, PLEASE, RSVP for food planning rocky@rcracer.mv.com Come and see the progress of the media room and share some holiday cheer. I realize that some of you are far away, but if you're in the neighborhood please drop by. Rocky  1,, Summary-line: 20-Nov ahumez@world.std.com [22] #Hapgood video X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA00561; Tue, 20 Nov 2001 09:37:06 -0500 (EST) Received: from TheWorld.com (pcls2.std.com [199.172.62.104]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA20859; Tue, 20 Nov 2001 09:37:05 -0500 (EST) Received: from world.std.com (root@world-f.std.com [199.172.62.5]) by TheWorld.com (8.9.3/8.9.3) with ESMTP id JAA04472; Tue, 20 Nov 2001 09:37:03 -0500 Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id JAA06623; Tue, 20 Nov 2001 09:37:02 -0500 (EST) Message-Id: <200111201437.JAA06623@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: jhbrown@mit.edu cc: opus@mit.edu, eon@twinknj.net Subject: Hapgood video Date: Tue, 20 Nov 2001 09:36:59 -0500 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: jhbrown@mit.edu cc: opus@mit.edu, eon@twinknj.net Subject: Hapgood video Date: Tue, 20 Nov 2001 09:36:59 -0500 From: Andrea L Humez Jeremy-- I looked at the video & it seems pretty good to me. There are a couple of places where it would be nice to edit in from the other camera's tape, if that's feasible. But that assumes not only being able to resurrect the Hi8 tapes, but also having someone willing to do the editing. (Eon--not having talked to you directly, I don't know what if anything you're willing to do in this department, but I heard this theory that you might be convincable. :) ) Opus, how much of a pain would it be for you to diagnose the tapes? Thanks, all! Andrea  1,, Summary-line: 26-Nov awrobins@yahoo.com [144] #Re: Hooray for Emerald Isle! X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA13436; Mon, 26 Nov 2001 17:49:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA00867 for ; Mon, 26 Nov 2001 17:49:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA05474; Mon, 26 Nov 2001 17:47:53 -0500 (EST) Date: Mon, 26 Nov 2001 17:47:53 -0500 (EST) Message-Id: <20011126222727.84658.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Hooray for Emerald Isle! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C028C78.62298015@netspace.net.au> *** EOOH *** Date: Mon, 26 Nov 2001 17:47:53 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Hooray for Emerald Isle! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C028C78.62298015@netspace.net.au> --- deebee@netspace.net.au wrote: > Although I have never heard any of the music, my fav > GW/OS is His > Excellency. If Sullivan had set it, it would have > been a big hit. Agreed! Agreed! Agreed! > So what do others like? I take it this means our favorite SWOGs and GWOSs in terms of stageworthiness, rather than scores? Despite my interest in the SWOGs and GWOSs, the only ones I’ve seen have been two early SWOGs: THE ZOO and COX AND BOX. So I can only judge most from having heard recordings and read the libretti. Here are the ones I’d most like to see: 1. THE ROSE OF PERSIA: an easy choice; IMO Sullivan’s best score AND libretto without Gilbert. Hood doesn’t have Gilbert’s originality or wit, but his lyrics are excellent (possibly too fond of internal rhymes and puns, but those are two of my own weaknesses) and usually amusing; and he certainly imitates Gilbert better than anyone I know. (Hood is weak at plotting, but in ROP he just copies Gilbert, and it works.) 2. THE EMERALD ISLE: The dialogue needs considerable pruning, and the plot peters out, but a very pleasant score, and I think it could be stageworthy with sufficient cuts. 3. THE ZOO: The music is lots of fun, and if the libretto isn’t as clever as Gilbert or even Hood, it is quite funny in parts. (Maybe it's a sign of arrested development, but I especially like the Duke's line to Eliza: "The gentle armadillo/ And Rattlesnake,/ When you awake,/ You'll find upon your pillow.") 4. THE BEAUTY STONE: A glorious score. I’d like to see this as a curiosity, but please, with cuts in the dialogue. 5. HADDON HALL: Excellent music, and I’ve always thought the lyrics were quite good technically (i.e., as words written to be sung), though the content is not of great interest. Like BEAUTY STONE, probably better as a recording than on stage. 6. COX AND BOX: I’d rate this much higher in terms of “best” SWOGs, but for some reason I don’t care for it as much. 7. THE CHIEFTAIN: I like most of the music very much. But the libretto.... In terms of the music, rather than the total package, here is my ranking (again, personal oreference, not "the best"): 1. ROSE OF PERSIA 2. THE BEAUTY STONE 3. HADDON HALL 4. THE ZOO 5. THE EMERALD ISLE 6. THE CHIEFTAIN 7. COX AND BOX (I’ve left out IVANHOE, which I don’t know as well, and CONTRABANDISTA since it’s a shorter version of THE CHIEFTAIN.) Rating the GWOSs is harder because I only know the music for THE MOUNTEBANKS (mostly very good, probably better than the libretto, but not as much fun as Sullivan) and AGES AGO (enjoyable music but Clay doesn’t have Sullivan’s stage instinct or humor); I have heard but don’t know well the music for HASTE TO THE WEDDING (not impressive), part of HIS EXCELLENCY (pleasant, what I know of it, but not nearly as good as the lyrics), and one song of FALLEN FAIRIES (very good). So I’ve based my ratings on Gilbert’s libretti, not the music. 1. HIS EXCELLENCY: By far Gilbert’s best non-Sullivan libretto (and the only one that FEELS like G&S). When I first read it I was especially dazzled by the metre; the lyrics seemed to sing, even without music. Like Gilbert’s other late (post-YEOMEN) libretti, it’s too long; also, the plot isn’t much; but the comic situations, and comic lines, are there. 2. PRINCESS TOTO: as another Savoynetter has said, it’s silly; but that’s the point. Very funny, at least for the first act or so; I think the “zaniness” was too hard for Gilbert to maintain. 3. THE MOUNTEBANKS: a very uneven libretto; parts of it (mainly the Mountebank and Brigand scenes) are brilliant and very funny, but much of it falls flat. 4. AGES AGO: entertaining if minor Gilbert. 5. HASTE TO THE WEDDING: interesting with plenty of funny lines, but an odd mixture--Gilbert and bedroom farce. 6. FALLEN FAIRIES: The lyrics are good metrically, brilliantly rhymed, and occasionally funny, but more often dull in content. The dialogue is more consistent--consistently bad. I’ve left out, with some misgiving, A SENSATION NOVEL and THE GENTLEMAN IN BLACK—-IMO very funny libretti (especially the former) that somehow seem like plays with incidental music rather than libretti. (I don’t know why I make that distinction since I don’t know the music for most of the above; maybe because the lyrics for these two pieces are inferior to the dialogue.) Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1  1,, Summary-line: 26-Nov Bj.Richards@btinternet.co [25] #Re: Blackpool weekend - alternative X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA27347; Mon, 26 Nov 2001 18:19:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA27668 for ; Mon, 26 Nov 2001 18:18:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA06862; Mon, 26 Nov 2001 18:12:00 -0500 (EST) Date: Mon, 26 Nov 2001 18:12:00 -0500 (EST) Message-Id: <005601c176cd$e8d793e0$2e1b073e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Blackpool weekend - alternative MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Mon, 26 Nov 2001 18:12:00 -0500 (EST) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Blackpool weekend - alternative Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Chris Webster has asked for dates for the G.& S.Blackpool weekend. > Neil advises that the dates are March 9th and 10th. And for those you who like their pleasures to come in endless series, Cardiff G&S will be presenting The Grand Duke from the 6th - 9th March, details from Bob & Jackie who will be playing Ludwig & Julia J respectively (almost). Bob & Jackie  1,, Summary-line: 27-Nov mcnewsome@hotmail.com [52] #Christmas Gift for SavoyNet X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA14870; Tue, 27 Nov 2001 01:43:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA09377 for ; Tue, 27 Nov 2001 00:53:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA15322; Tue, 27 Nov 2001 00:51:15 -0500 (EST) Date: Tue, 27 Nov 2001 00:51:15 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mcnewsome@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Newsome" To: Multiple recipients of list SAVOYNET Subject: Christmas Gift for SavoyNet Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 27 Nov 2001 00:51:15 -0500 (EST) Reply-To: mcnewsome@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Newsome" To: Multiple recipients of list SAVOYNET Subject: Christmas Gift for SavoyNet Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Having been unsubscribed while I took a vacation I thought that I would return and deliver a gift to SavoyNet members. I have set up two pages that, combined, contain complete MP3 recordings for The Gondoliers. The pages are: Act 1 - http://www.withyoustill.com/gondoliers.htm Act 2 - http://www.withyoustill.com/gondoliers2.htm Take and use them if you can..... We may be very slow, but these represent the culmination of over two solid person years of work in arranging, MIDI sequencing, recording and mixing. They are not perfect, but our hope is that they may heighten the level of serious interest in MIDI and electronic music as an alternative to a live orchestra in those cases where a good live orchestra is impossible to assemble for financial or other reasons. As a clarinetist I know that this will seem like heresy to the pure musicians among us, but as a singer/actor I am sure that I am not the only performer to suffer the strings and sorrows of a less than desirable ensemble. As Arch Bishop of Titipu..... I hope that you will accept this gift whatever your point-of-view. I sincerely hope that you enjoy the music, and that you are inclined to sing along. If you are, and there happens to be a microphone available, perhaps you could send me your MP3 recording. There's an idea. If you can record your vocal on a separate track, I'll do my best to mix them and produce a SavoyNet Gondoliers recording. Any interest? Have a great holiday season and most of all have fun. Mike Newsome www.SavoyOperas.com _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp  1,, Summary-line: 28-Nov ornstn@home.com [32] #New Address X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA14878; Wed, 28 Nov 2001 19:46:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA24150 for ; Wed, 28 Nov 2001 19:46:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA17742; Wed, 28 Nov 2001 19:44:51 -0500 (EST) Date: Wed, 28 Nov 2001 19:44:51 -0500 (EST) Message-Id: <5.1.0.14.2.20011128192648.02a2f010@mail.wlfdle1.on.wave.home.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: New Address Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Wed, 28 Nov 2001 19:44:51 -0500 (EST) Reply-To: ornstn@home.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: New Address Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi one and all - This is to let you know that, thanks to the wonderful folks at Rogers@home, my email address is changing from ornstn@home.com to: ornstn@rogers.com The old address will NO LONGER WORK as of 30 November. For those interested. my web address will also change; just insert "members.rogers.com" in place of "members.home.com" into whichever URL you are using (after Nov. 30!!). Sorry about this! I will be unsubscribing and resubscribing under my new address over the next few days. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@home.com  1, answered,, Summary-line: 29-Nov cjsmith@MIT.EDU [10] #Re: Wedding dates? X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA19954; Thu, 29 Nov 2001 15:17:03 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA28371 for ; Thu, 29 Nov 2001 15:17:04 -0500 (EST) Received: from buzzword-bingo.mit.edu (BUZZWORD-BINGO.MIT.EDU [18.7.16.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA16231 for ; Thu, 29 Nov 2001 15:17:03 -0500 (EST) Received: (from cjsmith@localhost) by buzzword-bingo.mit.edu (8.9.3) id PAA00115; Thu, 29 Nov 2001 15:17:04 -0500 (EST) Message-Id: <200111292017.PAA00115@buzzword-bingo.mit.edu> To: "David C. Jedlinsky" Subject: Re: Wedding dates? In-Reply-To: Your message of "Thu, 29 Nov 2001 15:13:10 EST." <200111292013.PAA04347@multics.mit.edu> Date: Thu, 29 Nov 2001 15:17:04 -0500 From: CarolYN J Smith *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Wedding dates? In-Reply-To: Your message of "Thu, 29 Nov 2001 15:13:10 EST." <200111292013.PAA04347@multics.mit.edu> Date: Thu, 29 Nov 2001 15:17:04 -0500 From: CarolYN J Smith May 4, 2002. Just missed...where are you going to be on the 10? --cyn  1, answered, forwarded,, Summary-line: 29-Nov Bj.Richards@btinternet.co [33] #Thank you X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA21765; Thu, 29 Nov 2001 16:27:56 -0500 (EST) Received: from gadolinium.btinternet.com (gadolinium.btinternet.com [194.73.73.111]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA22147 for ; Thu, 29 Nov 2001 16:27:56 -0500 (EST) Received: from [213.122.231.244] (helo=default) by gadolinium.btinternet.com with smtp (Exim 3.22 #8) id 169Yip-0002GN-00 for opus@MIT.EDU; Thu, 29 Nov 2001 21:27:55 +0000 Message-ID: <002601c1791d$2d2386c0$f4e77ad5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Thank you Date: Thu, 29 Nov 2001 21:18:25 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Thank you Date: Thu, 29 Nov 2001 21:18:25 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 David We have received a rather unexpected and delightful package from you. How very kind of you to think of us and can I say, the gift is most appreciated. We have set it up in our bedroom and can see the time all through the night now (if we wanted to). it really is a most ingenious device and can't imagine how we lived without it. It was a pleasure to be host to Ruth and Ken, we hope they enjoyed the rest of their stay in the UK. You know that any time you are over you are welcome to stay here and we would be doubly delighted if you came to see The Grand Duke. Although the SavoyNet production isn't finalised it's likely to be either Iolanthe or Sorcerer, the smart money being on The Sorcerer. If so, I'm sure, Dave, that you would have a good chance of playing Alexis, to perform at Buxton is a mighty must for any G&S performer. Thanks once again for the great gift Bob & Jackie  1,, Summary-line: 29-Nov randrj@mindspring.com [18] #hi dave X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA12036; Thu, 29 Nov 2001 17:26:36 -0500 (EST) Received: from barry.mail.mindspring.net (barry.mail.mindspring.net [207.69.200.25]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA15124 for ; Thu, 29 Nov 2001 17:26:37 -0500 (EST) Received: from user-38lc0p2.dialup.mindspring.com ([209.86.3.34] helo=oemcomputer) by barry.mail.mindspring.net with smtp (Exim 3.33 #1) id 169Zdc-0002E9-00 for opus@mit.edu; Thu, 29 Nov 2001 17:26:37 -0500 Message-ID: <009a01c17924$5de5a840$02000003@oemcomputer> From: "R. Janssen" To: "David C. Jedlinsky" Subject: hi dave Date: Thu, 29 Nov 2001 14:22:42 -0800 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2014.211 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2014.211 *** EOOH *** From: "R. Janssen" To: "David C. Jedlinsky" Subject: hi dave Date: Thu, 29 Nov 2001 14:22:42 -0800 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2014.211 It was nice to see you at the tapas place in Somerville! It's been quite a while since I saw you. You are still doing G&S at MIT. I'm not surprised. The people there are great to work with. Say Hi to Ruth for us. Rachel  1,, Summary-line: 30-Nov goodmanj@uchicago.edu [37] #Dad in Afghanistan X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA12658; Fri, 30 Nov 2001 01:13:31 -0500 (EST) Received: from harrier.prod.itd.earthlink.net (harrier.mail.pas.earthlink.net [207.217.120.12]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA01983 for ; Fri, 30 Nov 2001 01:13:28 -0500 (EST) Received: from user-33qt9dl.dialup.mindspring.com ([199.174.165.181] helo=uchicago.edu) by harrier.prod.itd.earthlink.net with esmtp (Exim 3.33 #1) id 169gvO-0004tk-00; Thu, 29 Nov 2001 22:13:27 -0800 Message-ID: <3C07237D.40102@uchicago.edu> Date: Fri, 30 Nov 2001 00:13:17 -0600 From: Jason Goodman User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:0.9.5+) Gecko/20011101 X-Accept-Language: en-us MIME-Version: 1.0 To: dinner@mit.edu, hovenweep@littejo.earlham.edu, Jennie Hango , Avon Russell , freaks@suberic.net, dmm@suberic.net, marymary@suberic.net, User9357@aol.com Subject: Dad in Afghanistan Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Fri, 30 Nov 2001 00:13:17 -0600 From: Jason Goodman User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:0.9.5+) Gecko/20011101 X-Accept-Language: en-us To: dinner@mit.edu, hovenweep@littejo.earlham.edu, Jennie Hango , Avon Russell , freaks@suberic.net, dmm@suberic.net, marymary@suberic.net, User9357@aol.com Subject: Dad in Afghanistan Content-Type: text/plain; charset=us-ascii; format=flowed Cross-posted from Legacy: I've mentioned before that my father, a doctor, volunteered with the International Medical Corps in Pakistan during the Afghan-Soviet war. He treated Afghan refugees in the camps in Peshawar, and trained mujahideen as medics, in two three-month stints. He's decided he wants to do more of this sort of thing: in January, he's going to go to Afghanistan. He doesn't know quite what his duties will be, but he wants to teach medicine and help reorganize health care in the country. I asked him how long he'll be gone, and he said "Oh, I don't know... but I promise to come back for your wedding in May." I think he would agree with me that this is partly motivated by Mom's death, for two reasons: on the one hand, he's trying to figure out what to do now that she's gone, and on the other, he's now free to do things like this without worrying about his wife and kids. He's also become increasingly frustrated with modern corporate medicine, and wants to get away from that. -- Jason Goodman, Research Associate, Dept. of Geophysics, University of Chicago goodmanj@uchicago.edu goodmanj@mit.edu http://www.mit.edu/~goodmanj/  1,, Summary-line: 1-Dec darford@TheWorld.com [17] #new address (sort of) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA07743; Sat, 1 Dec 2001 17:04:21 -0500 (EST) Received: from TheWorld.com (pcls1.std.com [199.172.62.103]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26210; Sat, 1 Dec 2001 17:04:19 -0500 (EST) Received: from shell.TheWorld.com (monk@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.9.3/8.9.3) with ESMTP id RAA17491; Sat, 1 Dec 2001 17:04:19 -0500 Received: (from darford@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id RAA2851885; Sat, 1 Dec 2001 17:04:19 -0500 (EST) Date: Sat, 1 Dec 2001 17:04:19 -0500 (EST) From: Darlene J Ford Message-Id: <200112012204.RAA2851885@shell.TheWorld.com> To: apo-pftgoto@mit.edu, sipb-soc@mit.edu Subject: new address (sort of) *** EOOH *** Date: Sat, 1 Dec 2001 17:04:19 -0500 (EST) From: Darlene J Ford To: apo-pftgoto@mit.edu, sipb-soc@mit.edu Subject: new address (sort of) It's been pointed out to me that I should get around to giving people my new address: Darlene Ford 27 W. Central St. Natick, MA 01760 508-650-1450 Sorry I've been so lame about writing, folks.  1,, Summary-line: 2-Dec james@xena.uklinux.net [33] #Re: Transatlantic Confusions X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA18706; Sun, 2 Dec 2001 03:41:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA21125 for ; Sun, 2 Dec 2001 03:41:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA19197; Sun, 2 Dec 2001 03:40:17 -0500 (EST) Date: Sun, 2 Dec 2001 03:40:17 -0500 (EST) Message-Id: <200112020818.fB28IFM16333@s1.uklinux.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: james@xena.uklinux.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: Transatlantic Confusions Content-Type: text/plain; charset="iso-8859-1" MIME-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <012e01c17ad3$c6222860$11b7fea9@hannahjmc> X-Mailer: KMail [version 1.3.2] *** EOOH *** Date: Sun, 2 Dec 2001 03:40:17 -0500 (EST) Reply-To: james@xena.uklinux.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Re: Transatlantic Confusions Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <012e01c17ad3$c6222860$11b7fea9@hannahjmc> On Saturday 01 December 2001 23:15, cdrcam wrote: > Yes, U.S. "Slate: to enregister, as on a slate, for an appointment, > nomination, etc." > > We also have "Certified: endorsed authoritatively", which in England I > found to be restricted to "insane". > > And of course "knocked up", British/Australian for "awakened". Another one is "Ticked off": UK = Scolded US = Was very annoyed by James -- James Tappin, O__ "I forget the punishment for using james@xena.uklinux.net -- \/` Microsoft --- Something lingering http://www.xena.uklinux.net/ with data loss in it I fancy"  1,, Summary-line: 3-Dec o: Bj.Richards@btinternet [29] #Re: Thank you X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA14806; Mon, 3 Dec 2001 02:37:24 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA03903; Mon, 3 Dec 2001 02:37:23 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id CAA05043; Mon, 3 Dec 2001 02:37:22 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id CAA06351; Mon, 3 Dec 2001 02:37:22 -0500 (EST) Date: Mon, 3 Dec 2001 02:37:22 -0500 (EST) Message-Id: <200112030737.CAA06351@multics.mit.edu> From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <002601c1791d$2d2386c0$f4e77ad5@default> (Bj.Richards@btinternet.com) Subject: Re: Thank you References: <002601c1791d$2d2386c0$f4e77ad5@default> *** EOOH *** Date: Mon, 3 Dec 2001 02:37:22 -0500 (EST) From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <002601c1791d$2d2386c0$f4e77ad5@default> (Bj.Richards@btinternet.com) Subject: Re: Thank you Hi Bob and Jackie. We're glad you enjoyed the clock, and we're sure you'll put it to better use than we ever could. We have been thinking about attending your performance of Grand Duke ever since it was announced on savoynet. Now that our vacation schedules are a little clearer for the next year, it appears that it might in fact be possible to plan a short trip. Would it be too much trouble to stay with you while you are busy with the show? A tentative itinerary could involve our arrival some time Saturday morning, March 9, and a return to London on Tuesday. It's fairly flexible at the moment; what do you think? Also, we're thinking about the Qwerty/mouse trip in May. Do you have a block of hotel rooms reserved in Tallahassee, or just in Orlando? Thank you for the invitation. -Dave and Ruth  1, answered,, Summary-line: 3-Dec Bj.Richards@btinternet.co [66] #Re: Thank you X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA16283; Mon, 3 Dec 2001 14:45:04 -0500 (EST) Received: from carbon.btinternet.com (carbon.btinternet.com [194.73.73.92]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA12395 for ; Mon, 3 Dec 2001 14:43:44 -0500 (EST) Received: from [213.1.150.141] (helo=default) by carbon.btinternet.com with smtp (Exim 3.22 #8) id 16Az0A-0007hp-00 for opus@MIT.EDU; Mon, 03 Dec 2001 19:43:43 +0000 Message-ID: <000301c17c33$4984c9a0$8d9601d5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> Subject: Re: Thank you Date: Mon, 3 Dec 2001 18:52:15 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Thank you Date: Mon, 3 Dec 2001 18:52:15 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Hi David and Ruth We would love to see you here for our Grand Duke. Usually we have a load ofSavoyNetters come to see our show so it will be an exciting house full - almost a mini qwert. We will both be back at work on the Monday so we won't be able to take you out but Cardiff City centre is a splendid place to spend a day with good shops, a castle and museum. You could come into town with me where I work and them back home with me in the evening. Alternately you could come here on the Friday and leave on the Monday. This is so exciting (we will really have to make sure we put on a good show now). Regarding qwerty mouse, there has been a limited response from the UK so Larry was thinking about postponing the qwert, possible for a year to ensure a better turn out. I think there will be more on this in the New Year but if it does go ahead we will be going over directly to Tallahassee for a long weekend and will not now be organising a trip to Orlando. Love Jackie and Bob ----- Original Message ----- From: David C. Jedlinsky To: Sent: Monday, December 03, 2001 7:37 AM Subject: Re: Thank you > > Hi Bob and Jackie. > > We're glad you enjoyed the clock, and we're sure you'll put it to > better use than we ever could. > > We have been thinking about attending your performance of Grand Duke > ever since it was announced on savoynet. Now that our vacation > schedules are a little clearer for the next year, it appears that it > might in fact be possible to plan a short trip. Would it be too much > trouble to stay with you while you are busy with the show? A > tentative itinerary could involve our arrival some time Saturday > morning, March 9, and a return to London on Tuesday. It's fairly > flexible at the moment; what do you think? > > Also, we're thinking about the Qwerty/mouse trip in May. Do you have > a block of hotel rooms reserved in Tallahassee, or just in Orlando? > > Thank you for the invitation. > > -Dave and Ruth > >  1,, Summary-line: 3-Dec o: Bj.Richards@btinternet [59] #Re: Thank you X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA23680; Mon, 3 Dec 2001 18:45:33 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA21506; Mon, 3 Dec 2001 18:45:32 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA23925; Mon, 3 Dec 2001 18:45:30 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA12432; Mon, 3 Dec 2001 18:45:30 -0500 (EST) Date: Mon, 3 Dec 2001 18:45:30 -0500 (EST) Message-Id: <200112032345.SAA12432@multics.mit.edu> From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <000301c17c33$4984c9a0$8d9601d5@default> (Bj.Richards@btinternet.com) Subject: Re: Thank you References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> *** EOOH *** Date: Mon, 3 Dec 2001 18:45:30 -0500 (EST) From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <000301c17c33$4984c9a0$8d9601d5@default> (Bj.Richards@btinternet.com) Subject: Re: Thank you Hi Jackie and Bob. The most likely inbound flight would arrive in London on Friday morning. I'm not sure I want to drive to Wales immediately upon arrival, so we'd probably stay the night in London. Also, the return flight is around 10 in the morning, so again, we'd want to spend the last night in London. We will have a car, and don't mind fending for ourselves during the day while you are at work; I've never been to Wales, so I'm sure there's plenty to occupy our time. Would it be better for us to stay at a nearby Bed and Breakfast? We don't mind staying in the vicinity if there will be too many people at your house, though we would appreciate a recommendation for lodging. >Alternately you could come here on the Friday and leave on the Monday. That would also work. Are you taking the Friday off from work? I'll put the qwerty mouse plans on hold for the time being. -Dave >From: "Bob and Jackie" >Date: Mon, 3 Dec 2001 18:52:15 -0000 > >Hi David and Ruth > >We would love to see you here for our Grand Duke. Usually we have a load >ofSavoyNetters come to see our show so it will be an exciting house full - >almost a mini qwert. We will both be back at work on the Monday so we won't >be able to take you out but Cardiff City centre is a splendid place to spend >a day with good shops, a castle and museum. You could come into town with >me where I work and them back home with me in the evening. > >Alternately you could come here on the Friday and leave on the Monday. > >This is so exciting (we will really have to make sure we put on a good show >now). > >Regarding qwerty mouse, there has been a limited response from the UK so >Larry was thinking about postponing the qwert, possible for a year to ensure >a better turn out. I think there will be more on this in the New Year but >if it does go ahead we will be going over directly to Tallahassee for a long >weekend and will not now be organising a trip to Orlando. > >Love > >Jackie and Bob  1,, Summary-line: 4-Dec chris@sounds-on-cd.co.uk [223] #NEW RELEASES FROM SOUNDS ON CD X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA06941; Tue, 4 Dec 2001 15:47:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA19137 for ; Tue, 4 Dec 2001 15:37:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA19474; Tue, 4 Dec 2001 15:30:40 -0500 (EST) Date: Tue, 4 Dec 2001 15:30:40 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: NEW RELEASES FROM SOUNDS ON CD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Tue, 4 Dec 2001 15:30:40 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: NEW RELEASES FROM SOUNDS ON CD Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am once again pleased to be able to offer another batch of Gilbert and Sullivan recordings on CD. Firstly, is the much anticipated, and quite splendid, virtually complete, with dialogue, UMGASS (University of Michigan Gilbert and Sullivan Society) recording of THE GRAND DUKE. This is a modern stereo studio recording from 1973 which has been much admired by connoisseurs who have known it from the old private LP pressings for many years. In fact it was the encouragement of such enthusiasts which caused me to make further enquiries into this recording and I am able to quite genuinely able to add myself to the growing list of fans of this recording. My enthusiasm for the recordings of the old DC is widely known, but I really do think that this recording has the edge over their rather ponderous and unexciting recording. For this transfer I've worked from the best copies of the LPs that could be located as the master tapes are sadly believed to have been destroyed. The odd surface noise has occasionally got the better of me because the LPs pressings were on low quality vinyl, but pre-release reviewers have nevertheless been delighted with the transfer which offers the recording in better sound than it has ever been heard with before. Here are some of the comments that have been made about this recording in the past Ed Patterson wrote: "As to recordings, without a doubt the best recording of the Grand Duke is IMHO is (drum role) UMGASS!! It is so musically precise and sung to perfection. My hope is that some day our resident Savoynet CD saviors will get the rights to reproduce the UMGASS Grand Duke for general consumption. It will fulfil the need for those who have raised the question regarding "Loving the Grand Duke" - in Gilbert's words 'O that little monster!' " and: "Bravo! Bravo! Excitement should be running high - since the Savoy world would finally have a Grand Duke that could very well answer the question that has been the subject of a recent thread - "Loving the GD" - Hearing is the best answer to the question - and folks, up to now, on recording at least, we've had nothing to redeem the work from the critics or the rumbles of time." Roy Taylor wrote: "American accents in G & S do usually jar with me but none did in this recording, in fact I could almost believe that I was listening to an English professional company. Eric Stern's interpretation of the score is pure delight with many fine touches and the excellent cast give the opera a new lease of life. In my opinion a much superior performance than the 1976 D'Oyly Carte recording and certainly deserves a much wider audience. I'm sure that it will become one of Chris's best selling CD's." Mitch Gillette wrote: "Not to toot one of our own horn for him, but Jim Drew directed The University of Michigan Gilbert and Sullivan Society in it's first production of The Grand Duke in 1973. A wonderful studio recording was made that included all the songs, some of the first night dialogue, and a few cuts to the first act finale ( but very few). ... I wonder if anyone knows if the original tapes could be found and transferred to CD, as it is a quintessential production of the work. It is the recording that made me fall in love with the show, and has one of the best "mad scenes" ever." Jeremy and Rosemary Stevenson wrote: "This is the best GRAND DUKE we have ever heard." Michael Walters wrote: "The Michigan GRAND DUKE is the best recording of the opera I have ever heard. Sadly, I only have it on reel-to-reel tape and my old player is not too reliable these days ..." and has more recently written: "I have just been listening to Chris Webster's transfer of the 1973 Umgass GRAND DUKE, and it confirms my long held opinion that it is the finest recording of GD that I have ever heard (though probably there are some I haven't heard). I knew it previously only from a rather scratchy reel-to-reel tape, so it is good to hear it now the glorious Webster technicolour (or is it technicolor?). It was particularly moving to hear such a fine performance from the late Stephen Poulos. Chris has done a superb job in preparing this recording. Get it!" A friend of mine who is not yet known to Savoynet emailed me last week on the same day as he had bought a pre-release copy saying "... I'm impressed, very impressed. ... Its great having dialogue. Brilliant!! ... Thanks again for a smashing recording you clever s*d!!" He was so keen that he also left a message on my telephone answering machine saying "... I really love it. I think it's really excellent ... the accents are good and they're not very American at all. In fact, it's actually a super recording. I think you've done a brilliant job of it so well done, mate. I'm really thrilled" Michael's review above brings me to a rather sad note. During my work on this transfer I received the tragic news that Stephen Poulos, heard here as Ludwig, lost his life in the shocking events in New York on September 11th, 2001. I am therefore respectfully dedicating this CD issue to his memory and have decided that a donation from each sale will be made to an appropriate charity of his widow, Lisa's, choice. I learned that opera had been a passion of Steve's. He was studying it at Michigan at the time of this recording when he was 18, and it was his career for 20 years. He was particularly interested in the encouragement and development of young singing talent and Lisa had already requested amongst family and friends that any donations should be sent to the Metropolitan Opera Lindemann Young Artist Development Program, and this is her wish in this instance also. I am very happy to comply with this and so a donation from the sale of each set will be made in Steve's memory. For more details about this excellent cause please visit www.metopera.org/infodesk/lyadp.html The recording is magnificently conducted by Eric Stern who is now a well known conductor on Broadway. To quote from Jim Drew's notes "Everyone connected with this production accepted it as an established fact that Eric Stern was a certified genius. Subsequent history has proven the accuracy of this assessment. Eric's work as a Broadway conductor has placed him in the forefront of his profession. Every tempo in this recording has the feel of being the one exactly right for the moment. ... the amazing control of dynamics in the concerted numbers can leave one breathless." There is the occasional slip but these are infrequent and quite often are hardly even noticeable. All in all this really is a very fine recording of a very under-rated Savoy Opera which has had all too few recordings, and it deserves a place in every G&S collectors CD collection. There are very few cuts and the total running time is over 145 minutes. As mentioned above, the notes are by Jim Drew who is no stranger to Savoynet and who was the stage director of the original stage production upon which this recording is based. I am indebted to Jim for assisting with this project in many ways far too numerous to mention, and also to Dan Florip, who is also well known on Savoynet and who is a member of the present UMGASS committee. Dan has also had a huge input into assisting with this recording, indeed it was Dan's gentle persuasiveness with the present committee that has made this CD issue possible at all and, like Jim, his help with so many different matters has been immeasurable. I think that probably only Michael Walters and Jim Lockwood have any real idea of how thorough I am with my projects, and I'm pretty sure that neither Dan nor Jim quite realised what they were letting themselves in for when I initially asked them for their special support and I am much indebted to them. Thanks, boys. Other than to thank Matt Bland for another great cover, which this time is based on Dudley Hardy's original Savoy poster, and to tell you that this double CD set (VGS 230) is £15 sterling or $26 USD (plus p+p) I think that that's about it for The Grand Duke. My second issue of this batch is another UMGASS recording. While I was working on GD it came to my attention that the UMGASS archive contains many fine live recordings of their stage performances, and so in addition to their studio Duke I am really happy to be launching a series of these live recordings with a smashing 1986 performance of Pirates. When I first heard this I was bowled over by the sheer energy of the live atmosphere, the talents of the performers and the musicians and also by the enormous enthusiasm of the audience. This is what G&S is all about! This performance happily captures the zip of Papp's Pirates, while remaining faithful to a more traditional style of performance. There are many fine studio recordings of Gilbert and Sullivan's operas but few of them have captured the fun and atmosphere of a live performance as this recording has. Although it is regrettable that fluffs should be present in a recording, I believe that this recording was made at the final performance and so it was impossible to re-record any problematic moments. However, I feel that, for the reasons raised above, this recording will still be a source of much pleasure. This recording uniquely incorporates Gilbert's long deleted chorus from the original Paignton performance, "With timid step and watchful eye", to a setting by UMGASS MD Francis Cianfrocca, Sullivan's original music having been lost or perhaps never composed. Also the character of James is reintroduced from that first performance. This recording includes the late Bev Pooley who was a particular favourite with UMGASS audiences. Bev was a terrific G&S performer who normally played the patter roles but who, on this occasion, plays a wonderful Sergeant of Police (even giving us an encore of 'A Policeman's lot' in Latin). With my hand on my heart, I can honestly say that when I heard recordings of Bev as Bunthorne and Jack Point I honestly felt as though I was listening to one of the best performers of these roles that I was ever likely to hear. Also heard here is Savoynetter and Buxton's 1999 and 2001 Savoynet MD Larry Garvin as Samuel. Again Jim and Dan have helped behind the scenes of this release in many various ways, and Matt has come up trumps for the cover art with a great adaptation of the original advertising poster for this stage production. As ever my sincere thanks to all concerned. The running time is just under two hours, and the price of this double CD set (VGS 231) is also £15 sterling or $26 USD (plus p+p). And finally, though not a Sounds on CD product, I am delighted to be assisting with the distribution of this first official studio recording of Terry Hawes’ enjoyable Sullivanesque setting of W S Gilbert’s His Excellency. This can be purchased through SOCD, for £13.50 / $22, INCLUDING postage. Ordering is as per usual by sterling cheques or PayPal to me (my PayPal account is paypal@sounds-on-cd.co.uk ) or by US dollar checks to Richard Freedman. Please visit the site below for more exact details. Orders placed in the next few days should be fine to arrive before Christmas. Thanks for reading. Regards Chris Chris Webster SOUNDS ON CD http://www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm  1, answered,, Summary-line: 4-Dec Bj.Richards@btinternet.co [91] #Re: Thank you X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA15512; Tue, 4 Dec 2001 18:18:56 -0500 (EST) Received: from rhenium (rhenium.btinternet.com [194.73.73.93]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA26696 for ; Tue, 4 Dec 2001 18:18:56 -0500 (EST) Received: from host62-7-38-19.btinternet.com ([62.7.38.19] helo=default) by rhenium with smtp (Exim 3.22 #8) id 16BOpz-0006TE-00 for opus@MIT.EDU; Tue, 04 Dec 2001 23:18:55 +0000 Message-ID: <001701c17d1a$8424a3e0$1326073e@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> <200112032345.SAA12432@multics.mit.edu> Subject: Re: Thank you Date: Tue, 4 Dec 2001 23:21:27 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Thank you Date: Tue, 4 Dec 2001 23:21:27 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Yes, we will both be off work on the Friday and of course you must stay with us. We have lots of spare rooms and can accommodate quite a few people. We don't know yet who will be coming but we have had a full house in the past - last year it was only Mike Nash who always comes and supports our shows. As far as we are concerned, the more SavoyNetters, the merrier. Jackie ----- Original Message ----- From: David C. Jedlinsky To: Sent: Monday, December 03, 2001 11:45 PM Subject: Re: Thank you > > Hi Jackie and Bob. > > The most likely inbound flight would arrive in London on Friday > morning. I'm not sure I want to drive to Wales immediately upon > arrival, so we'd probably stay the night in London. Also, the return > flight is around 10 in the morning, so again, we'd want to spend the > last night in London. > > We will have a car, and don't mind fending for ourselves during the > day while you are at work; I've never been to Wales, so I'm sure > there's plenty to occupy our time. > > Would it be better for us to stay at a nearby Bed and Breakfast? We > don't mind staying in the vicinity if there will be too many people at > your house, though we would appreciate a recommendation for lodging. > > >Alternately you could come here on the Friday and leave on the Monday. > > That would also work. Are you taking the Friday off from work? > > I'll put the qwerty mouse plans on hold for the time being. > > -Dave > > > >From: "Bob and Jackie" > >Date: Mon, 3 Dec 2001 18:52:15 -0000 > > > >Hi David and Ruth > > > >We would love to see you here for our Grand Duke. Usually we have a load > >ofSavoyNetters come to see our show so it will be an exciting house full - > >almost a mini qwert. We will both be back at work on the Monday so we won't > >be able to take you out but Cardiff City centre is a splendid place to spend > >a day with good shops, a castle and museum. You could come into town with > >me where I work and them back home with me in the evening. > > > >Alternately you could come here on the Friday and leave on the Monday. > > > >This is so exciting (we will really have to make sure we put on a good show > >now). > > > >Regarding qwerty mouse, there has been a limited response from the UK so > >Larry was thinking about postponing the qwert, possible for a year to ensure > >a better turn out. I think there will be more on this in the New Year but > >if it does go ahead we will be going over directly to Tallahassee for a long > >weekend and will not now be organising a trip to Orlando. > > > >Love > > > >Jackie and Bob >  1,, Summary-line: 6-Dec awrobins@yahoo.com [69] #Foggerty's Fairy and Other Tales for sale X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA27441; Thu, 6 Dec 2001 14:18:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27430 for ; Thu, 6 Dec 2001 14:18:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA05690; Thu, 6 Dec 2001 14:16:25 -0500 (EST) Date: Thu, 6 Dec 2001 14:16:25 -0500 (EST) Message-Id: <20011206185824.51487.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Foggerty's Fairy and Other Tales for sale MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 6 Dec 2001 14:16:25 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Foggerty's Fairy and Other Tales for sale Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I just noticed this book listed on the Advanced Book Exchange (http://www.abebooks.com): Gilbert, W S Foggerty's Fairy and Other Tales London: George Routledge and Sons, 1892 Cloth. Fair. First Edition. 185x120. 366pp. Hingeing weak at both end-papers; slight sun-tanning to both end-papers and minimal foxing; small ink ins inside front cover. Spine faded and slightly worn/torn Book # 00176 Price: £ 25.00 (approx. None 35.58) convert currency Buy directly from the Bookseller Oxonian Services, Brackley, NTH, United Kingdom, NN13 5JW. Email: oxonserve@btinternet.com Terms of Sale E-mail us in the first instance (quoting item number, title and author) to obtain full quotation (including shipping charges). Payment by Personal Cheque (UK), by Sterling Bank Draft (all other countries). US and/or UK Banknotes accepted (at risk of sender) Condition of books advertised are described to the best of our ability. If the purchaser is dissatisfied for any reason, we offer a full refund upon receipt of returned book/s. >From the description, this book isn't in great condition, and may be hard to get if you can't pay in sterling; but this book usually sells for over $100, so I thought I'd alert Savoynetters who don't have it (I know Andrew does). There is a copy in better condition listed by another dealer at ABE for £58.00. (If you want one in really nice condition, Wilfrid M. de Freitas lists one at $275.) I don't know this dealer (and no, I don't get a commission), but dealers on the Advanced Book Exchange are, to paraphrase Private Willis, generally reliable. Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Send your FREE holiday greetings online! http://greetings.yahoo.com  1,, Summary-line: 6-Dec mike@mpnash.com [35] #Ghosts (was re: What kind of a farmer is Robin?) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA25976; Thu, 6 Dec 2001 18:22:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA11376 for ; Thu, 6 Dec 2001 18:22:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA09152; Thu, 6 Dec 2001 18:19:53 -0500 (EST) Date: Thu, 6 Dec 2001 18:19:53 -0500 (EST) Message-Id: <002c01c17eaa$bf576380$599887d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Ghosts (was re: What kind of a farmer is Robin?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Thu, 6 Dec 2001 18:19:53 -0500 (EST) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Ghosts (was re: What kind of a farmer is Robin?) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marc Kenig wrote:- > - If he was supposed to be dead, how come the ghostly > ancestors didn't notice he wasn't one of them? I > suppose perhaps only the ones that succeed the title, > have a portrait painted and die for refusing to commit > the crime can come back to haunt? The paradoxical nature of the curse requires a Baronet to die by refusing to commit his daily crime, and only thus can the space-time continuum split into two streams, allowing the aforementioned Baronet to exist as a G.H.O.S.T. (Generated Hiatus Over Space-Time). The paintings, being static, two-dimensional constructions, are required to hold the asymptotic four-dimensional differential curves in check, naturally. Sir Roderic would have explained it all, but it's amazing how foggy one becomes after ten years of being dead. Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: www.mpnash.com  1,, Summary-line: 7-Dec toybox-rsvp@MIT.EDU [81] #New Year's Eve Party! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA27405; Fri, 7 Dec 2001 17:40:31 -0500 (EST) Received: from lax1evtmx2.citysearch.com (lax1evtmx2.citysearch.com [209.104.61.11]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA08705 for ; Fri, 7 Dec 2001 17:40:28 -0500 (EST) Message-Id: <200112072240.RAA08705@fort-point-station.mit.edu> Received: (qmail 10384 invoked from network); 7 Dec 2001 22:40:05 -0000 Received: from lax1evtwww1.prod.tmcs (HELO lax1evtmx2.evite.com) (192.168.61.20) by 0 with SMTP; 7 Dec 2001 22:40:05 -0000 X-Sender: toybox-rsvp@mit.edu Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Fri, 07 Dec 2001 22:38:40 To: opus@mit.edu From: "Jeremy, Marc, and Barry" Subject: New Year's Eve Party! *** EOOH *** X-Sender: toybox-rsvp@mit.edu Content-Type: text/plain; charset="us-ascii" Date: Fri, 07 Dec 2001 22:38:40 To: opus@mit.edu From: "Jeremy, Marc, and Barry" Subject: New Year's Eve Party! Jeremy, Marc, and Barry has invited you to "New Year's Eve Party!". Note from Jeremy, Marc, and Barry: Event: New Year's Eve Party Hosts: Jeremy Brown, Marc Horowitz, and Barry Jaspan Date: New Year's Eve (December 31) 2001 Time: Starting 9pm, ending sometime next year Place: 9 Valentine St., Cambridge, MA Phone: 617-354-6428 Directions: http://www.mit.edu/people/marc/directions.html RSVPs: much appreciated -- use the Evite link below, even if you're not sure if you'll make it. Cats: None. (Sorry, Dave!) Chaos: Yes. Violence: Forbidden. ("Heftigkeit ist verboten.") Nudity: Requires approval by at least 2/3rds of those in line of sight, or any one host. Stuff: There will be munchies, booze, non-booze, champagne; also sparkling cider and/or grape juice for the alcohol-disinclined. Plus anything you happen to bring. People: We've doubtless forgotten to send this to some people we should have -- if you note such an omission, let us know and we'll fix the problem. See you New Year's Eve! Jeremy, Marc, and Barry Click below to visit Evite for more information about the event and also to RSVP. http://www.evite.com/r?iid=XCEXWOZHIPLYTHHQRJCL This invitation was sent to you by Jeremy, Marc, and Barry using Evite. To remove yourself from this guest list please contact us at support@evite.com This Evite Invite is covered by Evite's privacy policy*. To view this privacy policy, click here: http://www.evite.com/privacy ********************************* ********************************* HAVING TROUBLE? Perhaps your email program doesn't recognize the Web address as an active link. To view your invitation, copy the entire URL and paste it into your browser. If you would like further assistance, please send email to support@evite.com * Updated 03/15/01.  1,, Summary-line: 7-Dec to: party@ipnh.mv.com [20] #Got New Year's plans yet? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA23012; Sat, 8 Dec 2001 11:43:38 -0500 (EST) Received: from ipnh.mv.com (ipnh.mv.com [199.125.64.3]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA16842; Sat, 8 Dec 2001 11:43:35 -0500 (EST) Received: (from opus@localhost) by ipnh.mv.com (8.9.1/8.9.1) id LAA01136; Fri, 7 Dec 2001 11:57:26 -0500 (EST) Date: Fri, 7 Dec 2001 11:57:26 -0500 (EST) From: "David C. Jedlinsky" Message-Id: <200112071657.LAA01136@ipnh.mv.com> To: party@ipnh.mv.com Subject: Got New Year's plans yet? *** EOOH *** Date: Fri, 7 Dec 2001 11:57:26 -0500 (EST) From: "David C. Jedlinsky" To: party@ipnh.mv.com Subject: Got New Year's plans yet? If not, we'd like you to help us celebrate it at Toyland! The party starts December 31, 2001. Come by any time after 6pm. Hopefully you can stay to watch the ball drop. There'll be movies, munchies, games, and there's always the hot tub. If we're lucky, the new addition to our household will have arrived so we can introduce you. Let us know if you're planning to join us so we can guesstimate how much food to buy. Feel free to join us even if you didn't RSVP. Directions available upon request. Phone number 603-672-5442. Dave and Ruth  1, answered,, Summary-line: 8-Dec jhbrown@ai.mit.edu [41] #Re: Ruth says... X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA13895; Sat, 8 Dec 2001 18:23:45 -0500 (EST) Received: from life.ai.mit.edu (life.ai.mit.edu [128.52.32.80]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA25921 for ; Sat, 8 Dec 2001 18:23:43 -0500 (EST) Received: from suspiria.ai.mit.edu (suspiria [128.52.39.94]) by life.ai.mit.edu (8.9.3/8.9.3/AI2.13/ai.master.life:2.21) with ESMTP id SAA04414; Sat, 8 Dec 2001 18:23:34 -0500 (EST) Received: by suspiria.ai.mit.edu (8.8.8/1.1.19.2/08Jul98-0847PM) id SAA0000110256; Sat, 8 Dec 2001 18:23:33 -0500 (EST) To: Ruth Jedlinsky , "David C. Jedlinsky" , Andrea L Humez Cc: jhbrown@ai.mit.edu Subject: Re: Ruth says... References: <200112071420.JAA29098@world.std.com> From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 08 Dec 2001 18:23:33 -0500 In-Reply-To: <200112071420.JAA29098@world.std.com> Message-ID: Lines: 31 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: Ruth Jedlinsky , "David C. Jedlinsky" , Andrea L Humez Cc: jhbrown@ai.mit.edu Subject: Re: Ruth says... From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 08 Dec 2001 18:23:33 -0500 In-Reply-To: <200112071420.JAA29098@world.std.com> User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 Content-Type: text/plain; charset=us-ascii OK, I've dropped the two hi-8 tapes in the appropriate SIPB drawer... thanks! Jeremy Andrea L Humez writes: > From: Ruth Jedlinsky > Subject: Re: getting tapes from point A to point B > To: Andrea L Humez > Cc: rls@mit.edu, jhbrown@world.std.com > Date: Thu, 6 Dec 2001 16:47:48 -0800 > > We have a drawer at the back of the office. It faces the > refrigerator but is off toward the left side of the bank of drawers > and near your shins. I can check it Monday after Mary's, 7pm or so, > (assuming I can find parking). Are they likely to be there by then? > > Ruth > > At 3:42 PM -0500 12/6/01, Andrea L Humez wrote: > >Ruth--Do you and/or Dave still have a drawer at SIPB? If so, would > >it work for Jeremy to leave the tapes there for you to collect? (I > >imagine you don't come to campus much when there isn't a show on, but > >on the other hand, it wouldn't be too far out of the way from a Mary's > >trip...) > > > >Andrea > > ----------  1,, Summary-line: 10-Dec ajcrowth@globalnet.co.uk [57] #choices of Gilbert plays X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA16837; Mon, 10 Dec 2001 18:57:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA15203 for ; Mon, 10 Dec 2001 18:57:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA06307; Mon, 10 Dec 2001 18:56:30 -0500 (EST) Date: Mon, 10 Dec 2001 18:56:30 -0500 (EST) Message-Id: <01c181d3$03e1d960$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: choices of Gilbert plays MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Mon, 10 Dec 2001 18:56:30 -0500 (EST) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: choices of Gilbert plays Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Jeff DeMarco wrote: >>Which non-musical work of Gilbert's do people think would be the best offering for a community theater? There's a group locally that I have done a lot of work with that might well be willing to try something of his.<< Hmm.... Tricky. I'll give you four possibilities, each with its own little sting.... First I give you three plays which I always group together in my mind, because they are the closest to the familiar Gilbert of the Savoy operas. 1) "Tom Cobb" (1875). A crazy, witty farce in three short acts. 2) "Engaged" (1877). Witty, a little bitter, but still very funny, in three longer acts. 3) "Foggerty's Fairy" (1881). Wildly original, inventive, funny, perhaps a little overblown.... Again, three acts. All these have the same little sting---the fact that each needs a strong central performance. The actor playing, respectively, Tom Cobb, Cheviot Hill, and Freddy Foggerty needs the personality to carry us along with him, and the stamina and memory to cope with being on stage much of the time. 4) "Sweethearts" (1874). In two shortish acts. This is effectively a two-hander, though there are two other minor roles. The style is much gentler, with more emphasis on character than on wit. There is an ironic twist at the heart, but the cynicism is not too brutal, and it is rather a feelgood piece. The sting here is that the two main characters have to "age" thirty years between the acts! My guess is that this has to be done quite realistically, but without mannerisms getting too much in the way--which is tricky. And yet..... maybe there are less naturalistic ways to get round this. I don't know. The texts for all these plays may be found on the Gilbert and Sullivan Archive, from the "Other Stage Works by W.S. Gilbert" page at: http://diamond.boisestate.edu/gas/other_gilbert/html/other_gilbert.html They are listed by date. Good luck! - Andrew.  1,, Summary-line: 12-Dec agfitz@MIT.EDU [20] #Videos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA04204; Wed, 12 Dec 2001 21:11:19 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA19966 for ; Wed, 12 Dec 2001 21:11:16 -0500 (EST) Received: from seminary.mit.edu (SEMINARY.MIT.EDU [18.227.0.120]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id VAA17043 for ; Wed, 12 Dec 2001 21:11:15 -0500 (EST) Message-Id: <4.3.2.7.2.20011212211002.00b96950@hesiod> X-Sender: agfitz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 Date: Wed, 12 Dec 2001 21:11:38 -0500 To: opus@mit.edu From: Arthur Fitzmaurice Subject: Videos Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: agfitz@hesiod (Unverified) Date: Wed, 12 Dec 2001 21:11:38 -0500 To: opus@mit.edu From: Arthur Fitzmaurice Subject: Videos Content-Type: text/plain; charset="us-ascii"; format=flowed Hey there! So I finally got freedom. After two and a half years, some other sucker is president. So now you wont have to be bothered by me all the time. However, I told the new president that I would email you to find out about videos. Do you know when they will be done? That would be great if you do. Thanks, Arthur  1,, Summary-line: 13-Dec to: jhbrown@ai.MIT.EDU, a [15] #Video tapes X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA07060; Thu, 13 Dec 2001 16:58:47 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA17238; Thu, 13 Dec 2001 16:58:45 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA05946; Thu, 13 Dec 2001 16:53:48 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id QAA20592; Thu, 13 Dec 2001 16:53:47 -0500 (EST) Date: Thu, 13 Dec 2001 16:53:47 -0500 (EST) Message-Id: <200112132153.QAA20592@multics.mit.edu> From: "David C. Jedlinsky" To: jhbrown@ai.MIT.EDU, ahumez@world.std.com Subject: Video tapes *** EOOH *** Date: Thu, 13 Dec 2001 16:53:47 -0500 (EST) From: "David C. Jedlinsky" To: jhbrown@ai.MIT.EDU, ahumez@world.std.com Subject: Video tapes I took a look at the tapes. The video is pretty good; the noise bar is confined to a small part of the bottom of the image. However, I can't get any audio. If you can use just the video, I can mask off the noise so it looks ok. Let me know if you want me to do this, and if so, how much of the show you want. -Dave  1,, Summary-line: 13-Dec jhbrown@ai.mit.edu [30] #Re: Video tapes X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA12991; Thu, 13 Dec 2001 17:08:40 -0500 (EST) Received: from life.ai.mit.edu (life.ai.mit.edu [128.52.32.80]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA09775 for ; Thu, 13 Dec 2001 17:06:21 -0500 (EST) Received: from suspiria.ai.mit.edu (suspiria [128.52.39.94]) by life.ai.mit.edu (8.9.3/8.9.3/AI2.13/ai.master.life:2.23) with ESMTP id RAA02678; Thu, 13 Dec 2001 17:06:21 -0500 (EST) Received: by suspiria.ai.mit.edu (8.8.8/1.1.19.2/08Jul98-0847PM) id RAA0000003742; Thu, 13 Dec 2001 17:06:20 -0500 (EST) To: "David C. Jedlinsky" Cc: ahumez@world.std.com Subject: Re: Video tapes References: <200112132153.QAA20592@multics.mit.edu> From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 13 Dec 2001 17:06:20 -0500 In-Reply-To: <200112132153.QAA20592@multics.mit.edu> Message-ID: Lines: 21 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: "David C. Jedlinsky" Cc: ahumez@world.std.com Subject: Re: Video tapes From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 13 Dec 2001 17:06:20 -0500 In-Reply-To: <200112132153.QAA20592@multics.mit.edu> User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 Content-Type: text/plain; charset=us-ascii The audio is fine on the DV tape, so we should be fine without the audio from the Hi-8. As far as how much of the show -- how much trouble would it be for you to just dump the entirety of each tape to a VHS tape so that we can give it to Eon (or whoever edits it)? That might be easier than having you pick out selected short cuts from the middle of each tape... Jeremy "David C. Jedlinsky" writes: > I took a look at the tapes. The video is pretty good; the noise bar > is confined to a small part of the bottom of the image. However, I > can't get any audio. If you can use just the video, I can mask off > the noise so it looks ok. > > Let me know if you want me to do this, and if so, how much of the show > you want. > > -Dave  1,, Summary-line: 14-Dec jhbrown@ai.mit.edu [31] #Re: Video tapes X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA06712; Fri, 14 Dec 2001 17:31:14 -0500 (EST) Received: from life.ai.mit.edu (life.ai.mit.edu [128.52.32.80]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA06755 for ; Fri, 14 Dec 2001 17:31:12 -0500 (EST) Received: from suspiria.ai.mit.edu (suspiria [128.52.39.94]) by life.ai.mit.edu (8.9.3/8.9.3/AI2.13/ai.master.life:2.23) with ESMTP id RAA20306; Fri, 14 Dec 2001 17:31:11 -0500 (EST) Received: by suspiria.ai.mit.edu (8.8.8/1.1.19.2/08Jul98-0847PM) id RAA0000005618; Fri, 14 Dec 2001 17:31:11 -0500 (EST) To: "David C. Jedlinsky" Cc: ahumez@world.std.com Subject: Re: Video tapes References: <200112132153.QAA20592@multics.mit.edu> <200112142109.QAA27896@multics.mit.edu> From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 14 Dec 2001 17:31:11 -0500 In-Reply-To: <200112142109.QAA27896@multics.mit.edu> Message-ID: Lines: 22 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: "David C. Jedlinsky" Cc: ahumez@world.std.com Subject: Re: Video tapes From: jhbrown@ai.mit.edu (Jeremy H. Brown) Date: 14 Dec 2001 17:31:11 -0500 In-Reply-To: <200112142109.QAA27896@multics.mit.edu> User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 Content-Type: text/plain; charset=us-ascii The show is about 2 hours and 5 minutes, which is just about the most annoying time it could run in terms of fitting on DV tapes -- a tiny bit of editing around intermissions and set-changes can probably get it down to 2 hours. Anyhow, if you had some DV tapes already lying around that you could use temporarily, I'm sure we could get them back to you reasonably soon for re-use in a different application, or alternately, we could ask Andrea what she'd like to spend on this process ;-) (Andrea: DV tapes are $10ish a pop.) Jeremy "David C. Jedlinsky" writes: > Are you sure you'd want it on VHS? There will be a huge quality hit. > I could get it to you on DV, except that DV is only an hour per tape > (how long is the show?), and the tapes are more expensive. > > I could re-record it to Hi8, but again, there would be a quality hit, > though not nearly as bad as VHS. > > -Dave  1,, Summary-line: 15-Dec ahumez@world.std.com [25] #Re: Video tapes X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA15717; Sat, 15 Dec 2001 11:53:34 -0500 (EST) Received: from TheWorld.com (pcls2.std.com [199.172.62.104]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA15176 for ; Sat, 15 Dec 2001 11:53:33 -0500 (EST) Received: from world.std.com (src@world-f.std.com [199.172.62.5]) by TheWorld.com (8.9.3/8.9.3) with ESMTP id LAA21809; Sat, 15 Dec 2001 11:53:33 -0500 Received: from localhost (ahumez@localhost) by world.std.com (8.9.3/8.9.3) with SMTP id LAA12968; Sat, 15 Dec 2001 11:53:33 -0500 (EST) Message-Id: <200112151653.LAA12968@world.std.com> X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: jhbrown@ai.mit.edu (Jeremy H. Brown) cc: "David C. Jedlinsky" , ahumez@world.std.com, ahumez@world.std.com Subject: Re: Video tapes In-reply-to: Your message of "14 Dec 2001 17:31:11 EST." Date: Sat, 15 Dec 2001 11:53:32 -0500 From: Andrea L Humez *** EOOH *** X-Authentication-Warning: world.std.com: ahumez@localhost didn't use HELO protocol To: jhbrown@ai.mit.edu (Jeremy H. Brown) cc: "David C. Jedlinsky" , ahumez@world.std.com, ahumez@world.std.com Subject: Re: Video tapes In-reply-to: Your message of "14 Dec 2001 17:31:11 EST." Date: Sat, 15 Dec 2001 11:53:32 -0500 From: Andrea L Humez We ultimately want to get the whole business onto VHS, so it can be viewed on mundane VCRs. :) But if going through DV is a better way to go, that's fine; I can certainly spring for a couple of DVs tapes if need be. If it's not too much trouble to transfer the whole thing, that would be the best thing for editing purposes as Jeremy said. If it's a pain, I can identify the most necessary scenes to have the Hi8 version of the video for (the two "pool" scenes, definitely; I'd have to watch it again to remind myself of the other couple of places that needed editing). Thanks! Andrea  1,, Summary-line: 19-Dec cjedlinsky@sembler.com [154] #Fwd: FW: FYI Birthday Locator can be used for fraud X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA01027; Wed, 19 Dec 2001 11:22:28 -0500 (EST) Received: from SEMBLER.COM (mail.sembler.com [65.199.208.132]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id LAA25368 for ; Wed, 19 Dec 2001 11:22:26 -0500 (EST) Received: from SEMBLER_DOM-Message_Server by SEMBLER.COM with Novell_GroupWise; Wed, 19 Dec 2001 11:25:20 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Wed, 19 Dec 2001 11:25:08 -0500 From: "Cindy Jedlinsky" To: Subject: Fwd: FW: FYI Birthday Locator can be used for fraud Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=_ABF6BA60.A5C4A953" *** EOOH *** Date: Wed, 19 Dec 2001 11:25:08 -0500 From: "Cindy Jedlinsky" To: Subject: Fwd: FW: FYI Birthday Locator can be used for fraud Content-Type: multipart/mixed; boundary="=_ABF6BA60.A5C4A953" This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_ABF6BA60.A5C4A953 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline I don't know if this should worry you, but I found you on this website = with your birthday. Didn't know if you'd want to delete it --=_ABF6BA60.A5C4A953 Content-Type: message/rfc822 Received: from c1nexs03.iesg.com ([63.236.110.8]) by SEMBLER.COM; Wed, 19 Dec 2001 10:51:10 -0500 Received: by c1nexs03.iesg.com with Internet Mail Service (5.5.2653.19) id ; Wed, 19 Dec 2001 10:47:58 -0500 Message-ID: From: "Chappell, Julie" To: "Hutcheson, Dawn" , "Inabinett, Nikki" , "Pharr, Paige" , 'Alison Anderson' , 'Angie Lee - work' , 'Cindy Jedlinsky' , 'Debra Dyer' , 'Denise Browning - Work' , 'Denise Milner' , 'Jamie Smock - work' , 'Julie Newkirk' , 'Kim Lynch' , 'Renee Lawson' , 'Trish Dulko - Work' , 'Tonya Carter - office' Subject: FW: FYI Birthday Locator can be used for fraud Date: Wed, 19 Dec 2001 10:47:58 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable >=20 > Thanks for sending this. With everything that has > been going on, I don't=20 > think we can be too careful. >=20 > Everyone else, >=20 > Please check this website. I found my name, my > mother's name (listed two=20 > ways), my brother's name, and my father's name on > this site. >=20 > I tried removing them by following the instructions, > but they never=20 > disappeared. It gives you an email address to send > a message to if the=20 > suggested method does not work. I'm curious as to > where they came up with=20 > this information, because the address that they had > me listed under was not=20 > correct. >=20 > Have a safe and happy holiday season! > Kim >=20 > ATTACHMENT part 2 message/rfc822=20 > From: Jennie-Blair Ward > To: MCKERLEYNOONAN > , > "Amy Beth Dudley (E-mail)" > , > "Hannah Wesson (E-mail)" > , > "Jennifer Henderson (E-mail)" > , > "Kim Harder (E-mail)" , > "Lynne Ferrell (E-mail)" > , > "Melanie Liberto (E-mail)" > > Subject: FYI Birthday Locator can be used for fraud=20 > Date: Mon, 17 Dec 2001 15:13:44 -0600 >=20 > Okay. I was skeptical but I went and searched to > see if my name or Bryan's > was on the list. Fortunately, we are not on the > list. However, my parents > were on the list! So what else is out there that > contains my personal > information???? >=20 >=20 >=20 > =A0I=A0received this e-mail from a colleague=A0and found > the information to be > true and correct. I recommend that you visit > www.anybirthday.com and remove > your personal information as recommended below. > --Amye=A0 >=20 > One of my friends attended a fraud presentation by > our FRAUD department > at=A0AIM. Recently this friend was a victim of > identity theft. While she was > in=A0this presentation, the instructor told her about > a web site criminals > use=A0to=A0obtain information about you. The website is > www.anybirthday.com=A0 )> . This web site has your name, zip code and > birthday. Your birth date is > a helpful tool for criminals to steal your=A0identity. > I pulled up my name and > it had my full name, correct birth date,=A0gender and > zip code. I was able to > delete this information from the website=A0by clicking > on the FAQ section, > then click on the privacy section.=A0=A0=A0I recommend > that you=A0go=A0to this site > and DELETE your information from their data base.=A0 >=20 > Remember to check ALL versions of your > name?=A0=A0Check=A0your nickname, > maiden=A0and your given name.=A0 Also, if you pull your > listing, make=A0sure to > put in the date the same way that they do.=A0 > ------_=3D_NextPart_001_01C18327.58D5E2E0-- >=20 > RFC822 header > ----------------------------------- >=20 >=20 >=20 __________________________________________________ Do You Yahoo!? Check out Yahoo! Shopping and Yahoo! Auctions for all of your unique holiday gifts! Buy at http://shopping.yahoo.com or bid at http://auctions.yahoo.com --=_ABF6BA60.A5C4A953--  1,, Summary-line: 19-Dec o: Bj.Richards@btinternet [107] #Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA06694; Wed, 19 Dec 2001 12:43:44 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.21.85]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA21452; Wed, 19 Dec 2001 12:43:40 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA17619; Wed, 19 Dec 2001 12:43:41 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id MAA06763; Wed, 19 Dec 2001 12:43:41 -0500 (EST) Date: Wed, 19 Dec 2001 12:43:41 -0500 (EST) Message-Id: <200112191743.MAA06763@multics.mit.edu> From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <001701c17d1a$8424a3e0$1326073e@default> (Bj.Richards@btinternet.com) Subject: Grand Duke References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> <200112032345.SAA12432@multics.mit.edu> <001701c17d1a$8424a3e0$1326073e@default> *** EOOH *** Date: Wed, 19 Dec 2001 12:43:41 -0500 (EST) From: "David C. Jedlinsky" To: Bj.Richards@btinternet.com In-reply-to: <001701c17d1a$8424a3e0$1326073e@default> (Bj.Richards@btinternet.com) Subject: Grand Duke Hi Jackie and Bob. We have purchased our plane tickets, so I guess we're coming! Our plan is to drive from London on Friday the 8th and return Monday the 11th. If this works with your plans, we'll be happy to stay chez vous. I hope you can obtain tickets for us to see the Grand Duke. Would the Friday performance be the best to see? Or the Saturday? Or both? I'm looking forward to seeing you again. -Dave >From: "Bob and Jackie" >Date: Tue, 4 Dec 2001 23:21:27 -0000 > >Yes, we will both be off work on the Friday and of course you must stay with >us. We have lots of spare rooms and can accommodate quite a few people. We >don't know yet who will be coming but we have had a full house in the past - >last year it was only Mike Nash who always comes and supports our shows. > >As far as we are concerned, the more SavoyNetters, the merrier. > >Jackie > > > > >----- Original Message ----- >From: David C. Jedlinsky >To: >Sent: Monday, December 03, 2001 11:45 PM >Subject: Re: Thank you > > >> >> Hi Jackie and Bob. >> >> The most likely inbound flight would arrive in London on Friday >> morning. I'm not sure I want to drive to Wales immediately upon >> arrival, so we'd probably stay the night in London. Also, the return >> flight is around 10 in the morning, so again, we'd want to spend the >> last night in London. >> >> We will have a car, and don't mind fending for ourselves during the >> day while you are at work; I've never been to Wales, so I'm sure >> there's plenty to occupy our time. >> >> Would it be better for us to stay at a nearby Bed and Breakfast? We >> don't mind staying in the vicinity if there will be too many people at >> your house, though we would appreciate a recommendation for lodging. >> >> >Alternately you could come here on the Friday and leave on the Monday. >> >> That would also work. Are you taking the Friday off from work? >> >> I'll put the qwerty mouse plans on hold for the time being. >> >> -Dave >> >> >> >From: "Bob and Jackie" >> >Date: Mon, 3 Dec 2001 18:52:15 -0000 >> > >> >Hi David and Ruth >> > >> >We would love to see you here for our Grand Duke. Usually we have a load >> >ofSavoyNetters come to see our show so it will be an exciting house >full - >> >almost a mini qwert. We will both be back at work on the Monday so we >won't >> >be able to take you out but Cardiff City centre is a splendid place to >spend >> >a day with good shops, a castle and museum. You could come into town >with >> >me where I work and them back home with me in the evening. >> > >> >Alternately you could come here on the Friday and leave on the Monday. >> > >> >This is so exciting (we will really have to make sure we put on a good >show >> >now). >> > >> >Regarding qwerty mouse, there has been a limited response from the UK so >> >Larry was thinking about postponing the qwert, possible for a year to >ensure >> >a better turn out. I think there will be more on this in the New Year >but >> >if it does go ahead we will be going over directly to Tallahassee for a >long >> >weekend and will not now be organising a trip to Orlando. >> > >> >Love >> > >> >Jackie and Bob >> >  1,, Summary-line: 19-Dec rdavis@jlc.net [71] #Re: Groucho/Miller Conundrum!? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA07039; Wed, 19 Dec 2001 18:02:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA26735 for ; Wed, 19 Dec 2001 18:02:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA16844; Wed, 19 Dec 2001 18:01:23 -0500 (EST) Date: Wed, 19 Dec 2001 18:01:23 -0500 (EST) Message-Id: <003101c188de$911e8be0$259fc9c7@computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rdavis@jlc.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rick" To: Multiple recipients of list SAVOYNET Subject: Re: Groucho/Miller Conundrum!? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Wed, 19 Dec 2001 18:01:23 -0500 (EST) Reply-To: rdavis@jlc.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rick" To: Multiple recipients of list SAVOYNET Subject: Re: Groucho/Miller Conundrum!? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am a 2 month-old "lurker", and this is my initial post. I'm a comic principal player with a small, semi-professional company in New Hampshire, USA. My personal goal is to play all the Grossmith roles - but enough about me... In "The Marx Brothers Scrapbook" by Groucho Marx and Richard Anobile (Darien House, Copyright 1973) Groucho says he learned to love Gilbert and Sullivan from a fellow actor named Ed Metcalf. According to Groucho, Metcalf was a "damned good actor" who did Gilbert and Sullivan in England. Groucho "used to hear him singing around the stage before going on." "That's a goddamned good lyric," Groucho said, "Did you write that?" After being told it was written by W.S. Gilbert, Groucho said he "became crazy about them." And one more Groucho bit... A video copy of the televised MIKADO with Groucho can be seen at the Museum of Broadcasting in New York City. That is, I assume it is still there. I last saw it in 1982. Rick Davis Temple, New Hampshire rdavis@jlc.net ----- Original Message ----- From: "J. Donald Smith" To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, December 18, 2001 3:12 PM Subject: Re: Groucho/Miller Conundrum!? > At 2:45 PM -0500 12/18/01, Arthur Robinson wrote: > > >--- Louise Pauly wrote: > > >> Perhaps his Gilbertian bent came through better through echoes > >> such as the "Hail Fredonia" operetta-like episodes. > > > >I agree. For any U.S. Groucho fans out there who get > >Turner Classic Movies, they have a Marx Brothers > >festival this week; DUCK SOUP is on at 9:15 p.m. > >tonight (Tuesday night, Eastern time). The "Fredonia" > >sequence is near the beginning. > > > >As for SavoyNetters who don't get Turner Classic > >Movies, or aren't Groucho fans--in the words of Dr. Daly, I pity, pity you. > > > >Arthur Robinson (with apologies for a somewhat OT post) > > > > To bring it back on topic: one of Sullivan's nephews (whose name I forget > at the moment) appears in the film as one of the Fredonia Judges - and is > made up to look like AS! > > Don Smith > East Taunton, Mass. > > >  1,, Summary-line: 26-Dec jtidwell@animato.arlingto [36] #Nepal slideshow X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA20270; Wed, 26 Dec 2001 13:32:37 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.211.222]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA19970; Wed, 26 Dec 2001 13:32:32 -0500 (EST) Received: from [192.168.1.102] (terpsichore.animato.arlington.ma.us [192.168.1.102]) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id fBQIWU008101; Wed, 26 Dec 2001 13:32:30 -0500 Mime-Version: 1.0 X-Sender: jtidwell@192.168.1.2 (Unverified) Message-Id: Date: Wed, 26 Dec 2001 13:32:30 -0500 To: dinner@mit.edu, danhedonia@yahoo.com, amyv@mit.edu, shostack@apocalypse.org, abbe@mit.edu, bert@alum.mit.edu, saletnik@shore.net, mhlynka@yahoo.com, rs@world.std.com, richmond@alum.mit.edu, kmann@nc.com, mhausma@suffolk.edu, kfallon@seneschal.com, bgallagher@seneschal.com From: Jenifer Tidwell Subject: Nepal slideshow Cc: carsten@netway.com, rlcarr@animato.arlington.ma.us, jtidwell@animato.arlington.ma.us Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: jtidwell@192.168.1.2 (Unverified) Date: Wed, 26 Dec 2001 13:32:30 -0500 To: dinner@mit.edu, danhedonia@yahoo.com, amyv@mit.edu, shostack@apocalypse.org, abbe@mit.edu, bert@alum.mit.edu, saletnik@shore.net, mhlynka@yahoo.com, rs@world.std.com, richmond@alum.mit.edu, kmann@nc.com, mhausma@suffolk.edu, kfallon@seneschal.com, bgallagher@seneschal.com From: Jenifer Tidwell Subject: Nepal slideshow Cc: carsten@netway.com, rlcarr@animato.arlington.ma.us, jtidwell@animato.arlington.ma.us Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hello, everyone! With Christmas safely out of the way, it's time I followed up on my promise to show the slides I took in Nepal. Some of these pictures will go up in a Web presentation in a week or so, so you won't miss out entirely if you can't come; but you'll see all the good ones in the slideshow, not just the ones that got digitized! Date: Saturday, January 12 Time: 4:00, with the slideshow starting when it gets dark Dinner? Yes. If you have special dietary needs, or want to bring something, please let me know!* RSVPs requested Because our house isn't large enough to do this -- and because we don't have a slide projector -- our friend Carsten has kindly offered to host. He lives in Westford; when you RSVP to me, I will send you directions. I hope you all had wonderful holidays, and we're looking forward to seeing you! - Jenifer * I promise we will not serve dal bhatt, yak meat, or Sherpa tea. Probably lasagna.  1,, Summary-line: 28-Dec epeisach@MED-XTAL.bu.edu [28] #I'm moving on... X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA08943; Fri, 28 Dec 2001 14:01:23 -0500 (EST) Received: from medxtal.bu.edu (med-xtal.bu.edu [155.41.132.110]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA04482; Fri, 28 Dec 2001 14:01:18 -0500 (EST) Received: (from epeisach@localhost) by medxtal.bu.edu (SGI-8.9.3/8.9.3) id OAA00754; Fri, 28 Dec 2001 14:01:08 -0500 (EST) Date: Fri, 28 Dec 2001 14:01:08 -0500 (EST) Message-Id: <200112281901.OAA00754@medxtal.bu.edu> From: Ezra Peisach To: Some_friends@MED-XTAL.bu.edu Subject: I'm moving on... *** EOOH *** Date: Fri, 28 Dec 2001 14:01:08 -0500 (EST) From: Ezra Peisach To: Some_friends@MED-XTAL.bu.edu Subject: I'm moving on... Hi, As many of you know, my laboratory is shutting down next week. I will be starting another postdoctoral position at Boston University School of Medicine - located in scenic South Boston (or maybe it is Roxbury). So, it's time to update your PDA's, BBDB, rolodex, etc. During the day, I will be living at: Department of Physiology and Biophysics, R702 Boston University School of Medicine 80 East Concord Street Boston, MA 02118-2394 Phone: 617-638-4285 Fax: 617-638-4273 email: epeisach@med-xtal.bu.edu (I suspect that epeisach@bu.edu will work someday when I officially get on staff next week) -Ezra  1,, Summary-line: 28-Dec oakapple@cris.com [66] #UMGASS GRAND DUKE Issue X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA17923; Fri, 28 Dec 2001 15:28:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA23079 for ; Fri, 28 Dec 2001 15:27:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA21119; Fri, 28 Dec 2001 15:27:13 -0500 (EST) Date: Fri, 28 Dec 2001 15:27:13 -0500 (EST) Message-Id: <3C2CD08E.794854CD@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: UMGASS GRAND DUKE Issue MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Fri, 28 Dec 2001 15:27:13 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: UMGASS GRAND DUKE Issue Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Chris Webster has issued on CD the 1973 University of Gilbert & Sullivan Society (UMGASS) recording of THE GRAND DUKE. UMGASS issued recordings of its stage productions for many years, particularly throughout the '70s and much of the '80s. I doubt that there were many societies that undertook the huge expense (and risk) of issuing their performances on LP, as UMGASS did for well over a decade. Usually these recordings were transcriptions of stage performances, with all the attendent flaws (audience noise, pounding feet, stage gaffes, imperfect mike placement). In 1973 there was no professional recording of THE GRAND DUKE available, and none of the amateur ones was satisfactory. And so, uniquely in its history, UMGASS made this recording in a studio, a few days after the production run had ended, to get the best GRAND DUKE on tape that they could possibly have. Naturally, the recording was gobbled up by conoisseurs eager to have a any recording of this seldom-recorded opera, and it is long out of print. The D'Oyly Carte recording was, at the time, several years away. And even now, many consider it the best GRAND DUKE on record, a view with which I almost agree. I say "almost," because the D'Oyly Carte recording of 1976 benefits from professional performers. There are occasional lapses in the UMGASS performance, and for the polish that only pros can give, the D'Oyly Carte set still has its uses. But the UMGASS set is about as good an amateur performance as you'll hear, and it has the sparkle that comes from having actually given the work on stage (which D'Oyly Carte had not done at the time). The UMGASS recording also includes all the dialogue. Now, I realize there are many listeners who do not like dialogue on recordings, but if you want the whole opera, UMGASS's cast give a very pleasing account of it. If I recall correctly, UMGASS cut one of the two Ernest/Julia duets in performance, but both are given on the recording. There are, however, several cuts (though not the standard ones) in the Act I finale. I favor such cuts in performance, but I would have liked to have the whole finale here, although I recognize that it was not practicable to teach the chorus new music just for the recording. The principals are first-class by amateur standards, with only the minor female chorus leads being noticeably weak. Chorus diction and phrasing are excellent, and Eric Stern (who has gone on to a substantial pro career) gets a better performance out of the orchestra than Royston Nash does for D'Oyly Carte. The Ludwig, Stephen Poulos, lost his life in New York on September 11, 2001. A portion of the sales from this recording will go to the Metropolitan Opera Young Artist Development Fund, a charity selected by Poulos's widow. Highly recommended! Contact Chris Webster, chris@sounds-on-cd.co.uk. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 3-Jan drsmith@MIT.EDU [33] #Flying slots in January X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA05482; Thu, 3 Jan 2002 16:18:09 -0500 (EST) Received: from sword.com ([199.92.100.10]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06513; Thu, 3 Jan 2002 16:18:01 -0500 (EST) Received: from sword.com (localhost [127.0.0.1]) by sword.com (8.10.0.Beta10/8.10.0.Beta10) with ESMTP id g03LI0I09189; Thu, 3 Jan 2002 16:18:00 -0500 Message-Id: <200201032118.g03LI0I09189@sword.com> From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, luna@MIT.EDU, rmtietge@alum.mit.edu cc: David Smith Subject: Flying slots in January Date: Thu, 03 Jan 2002 16:18:00 -0500 Sender: drsmith@sword.com *** EOOH *** From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, luna@MIT.EDU, rmtietge@alum.mit.edu cc: David Smith Subject: Flying slots in January Date: Thu, 03 Jan 2002 16:18:00 -0500 Sender: drsmith@sword.com I have the Decathalon (a 2 seat aerobatic bird) scheduled for several slots in January if anyone is interested in coming for a ride... Sat 01/05 7:30AM Sun 01/06 7:30AM Wed 01/09 3:30PM Fri 01/11 9:30AM Sun 01/13 9:30AM Tue 01/15 7:30AM David Smith Standard caveats: 0. I think people getting this email have expressed interest in bumming a ride when I go flying. If I am mistaken, let me know and I'll stop sending you the email. 1. If the weather sucks I won't be flying. I can make a good guess the night before, but won't know for sure until the morning weather briefing becomes available.  1,, Summary-line: 5-Jan j.d.mcclure@virgin.net [44] #Julia's German (and two P.S.s). X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA29040; Sat, 5 Jan 2002 15:54:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA00080 for ; Sat, 5 Jan 2002 15:53:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA23430; Sat, 5 Jan 2002 15:53:03 -0500 (EST) Date: Sat, 5 Jan 2002 15:53:03 -0500 (EST) Message-Id: <006901c19628$65b36b40$4787fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Julia's German (and two P.S.s). MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sat, 5 Jan 2002 15:53:03 -0500 (EST) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Julia's German (and two P.S.s). Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum How much of a German accent should the actress playing Julia assume? What prompted me to bring this up was the performance by the singer on the UMGASS recording, who makes what I think is the serious mistake of representing it by a few crass and wholly erroneous stereotypes - "shtart, shtab, shpades" - "veek oont veery" and the like. In the first place, the part was created by a talented and experienced player who - presumably - simply spoke and sang with the unavoidable trace of her Hungarian accent. I can't imagine Gilbert instructing Ilka von Palmay to exaggerate her accent for laughs: I suspect she wouldn't have been very pleased if he had. Secondly, it's not a comic part: Julia is not a female Ben Hashbaz. It's a many-layered part (in an opera where the layers of irony are piled up more highly than in any of the others), and sometimes in a sense the "laugh" is on Julia; but she should not seem ridiculous. Sullivan makes his contribution to this: to sing "veek oont veery" to that setting strikes me as insensitive, to say the least. Thoughts, anybody? Derrick McClure. (A most contented man, though foolish persons think me mad.) P.S.1. Re "Scotch" - yes, nowadays it's considered more correct to say "Scots" or "Scottish"; but many people are surprised to learn that this assumption is very recent. Burns and Scott use the form "Scotch" freely. Even in Gilbert's time, I don't think anybody would have been offended by the word - certainly I don't think he MEANT to be offensive by the mere fact of using it; though of course he's not averse to making digs at his mother's nation sometimes! (Incidentally, I wonder why there should be two unrelated "Scotch" jokes in GD?) P.S.2. OK, Jim: I'll follow your advice and give IDA another chance! j.d.mcclure@virgin.net  1,, Summary-line: 5-Jan oakapple2@yahoo.com [694] #Review: Gayden Wren's A MOST INGENIOUS PARADOX (Long) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA21099; Sat, 5 Jan 2002 23:06:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA06876 for ; Sat, 5 Jan 2002 23:06:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA01954; Sat, 5 Jan 2002 23:05:28 -0500 (EST) Date: Sat, 5 Jan 2002 23:05:28 -0500 (EST) Message-Id: <20020106035513.71370.qmail@web13301.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Gayden Wren's A MOST INGENIOUS PARADOX (Long) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 5 Jan 2002 23:05:28 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Gayden Wren's A MOST INGENIOUS PARADOX (Long) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A MOST INGENIOUS PARADOX By Gayden Wren Oxford University Press (New York, 2001) xii + 396 pages. Works of pure criticism have not been plentiful in the G&S literature, so it is remarkable that two such books have been published in as many years. In 2000, we had Andrew Crowther's CONTRADICTION CONTRADICTED, and now there is Gayden Wren's A MOST INGENIOUS PARADOX. There are differences in the two writers' approaches. Crowther discusses all of Gilbert's works, but he says little about the music. Wren critiques both words and music, but he largely confines himself to the G&S pieces. Crowther calls the works "operas"; Wren calls them "shows." Both books discuss the works chronologically. Wren's book grew out of a course he taught at Oberlin College in 1982-3, whereas Crowther's grew out of his Master's thesis. You would expect Wren to be the more mature writer (he taught the material, after all), but this isn't the case. Wren's analysis is often insightful and always detailed, but it's all over the map. Two decades' gestation has left the new book unfocused, inconsistent, and full of mistakes. Wren dedicates a chapter to each opera, providing an analysis of its characters, situations, and musical treatment. Two short opening chapters discuss Gilbert and Sullivan's accomplishments before they collaborated; two closing chapters discuss their works apart and legacy. Wren's emphasis is on what he calls "themes," with "thematic" and "thematically" being the book's two most over-used words. Each chapter constitutes a stand-alone essay on its opera, with minimal linkage between the chapters. Wren doesn't hesitate to make a point by comparing the work at hand to others in the series, but the book's structure still limits his ability to make broader comparisons in a consistent way. Many aspects of Gilbert's art are hardly touched, such as Gilbert's use of inversion (or topsy-turvydom). I believe the word "Gilbertian" never makes an appearance. Wren has obviously thought deeply about the operas and has studied the field for a lifetime. He knows the texts thoroughly and brings a solid theatrical sensibility to his analysis. I didn't always agree with him, but Wren at least makes it interesting. The writing style is conversational, unpretentious, and contemporary. There is enough background explanation in the book that a novice can benefit from it, but it digs sufficiently deep beneath the surface that any G&S fan will learn something. Admirably, Wren does not burden the main narrative by explaining the plot, but synopses of all fourteen works are offered in an appendix. Nevertheless, the book disappoints on many levels. Most seriously, it is full of contradictions and isn't even true to itself; as Wren might say, there is a lack of thematic coherence to his writing. In the Introduction, Wren argues that the secret to the operas' "astonishing" durability and "lasting popularity" is ... "a powerful thematic core that makes their works effective to this day": Despite the wit of the operas, their thematic substance is generally not comic. In fact, in nearly all of the operas, the most effective points are serious moments as often as funny ones. The operas are at bottom a series of powerful, very human stories whose themes are as universal as their parody and satire are dated, and it is this fact that I think accounts for the operas' longevity. In this book, I hope to explore those themes and present a coherent argument for my premise that these are, for the most part, serious works, not musical comedies but comedies in the Shakespearean sense. He later describes the operas as "serious, character-oriented, and thematically driven musical theater." It is not clear what counts as a theme in Wren's world, but he finds TRIAL BY JURY, H.M.S. PINAFORE, THE PIRATES OF PENZANCE, THE MIKADO, and the final three operas, largely theme-less. Now, not even Wren could offer an explanation for the operas' longevity that fails to account for so many of the partnership's most successful works. So, what is going on here? I hesitate to speculate, but bearing in mind that most books' introductions are written last, I suspect that the preceding quoted paragraph represents Wren's settled view, but after two decades of over-familiarity with his own material he could not do the needed rewrites to pull it together. Indeed, evidence of missing rewrites abounds. Early on, Wren tackles "the intentionality issue" -- that is, did Gilbert & Sullivan intend the connections between the operas' "imagery, characterization, and thematic content?" Or, are those features there unconsciously? In the Introduction, Wren argues that Gilbert most likely wasn't aware of what he had done, but in two of the later chapters he says exactly the opposite. (For what it's worth, he consistently believes that Sullivan did intend all of the unifying elements found in his scores.) Or, take the THESPIS chapter. He says, "Terence Rees has argued that the libretto as we know it represents a rough draft, but his case is not entirely persuasive, especially given Gilbert's general care to ensure that his work was printed accurately." But in the annotated bibliography, Wren says, "Rees reconstructs the circumstances of THESPIS admirably and argues convincingly that the surviving THESPIS libretto differs substantially from the performed version." Maybe someone can explain how it's possible to be "convincing," yet "not entirely persuasive." The SORCERER chapter contains a tabular statistical comparison between that opera and THE MIKADO, showing how much more the earlier opera depended on solos and recitatives. Little bits of Wren's statistical analysis are sprinkled among the later chapters, but many chapters don't mention it at all. For some operas there are musical examples, but for others there are not. No musical examples are offered for PRINCESS IDA, yet Wren opines, "Sullivan's score is arguably his best" -- surely a claim that calls for supporting examples. There are six musical examples for IOLANTHE, but none for YEOMEN. Generally, there are far more of these for the earlier operas than the later ones, as if Wren had lost interest in that part of the project. Even Wren's title, A MOST INGENIOUS PARADOX, is a misstep. It's not until the last chapter's penultimate page that he tells us what paradox he's referring to: Thus Gilbert and Sullivan's legacy leaves them in an appropriately paradoxical position: Their works are universally known and all but universally misunderstood. The people who love their operas don't necessarily understand why they do, and the people who dislike them do so for reasons that aren't necessarily so. Nothing in the book's preceding 310 pages leads you to think Wren's headed for this conclusion. In this sense Andrew Crowther has done far better: he tells you up front what CONTRADICTION CONTRADICTED is about. Wren's comment also betrays more than a little hubris--the belief that most people who love the operas don't understand them. Perhaps for this reason Wren doesn't bother much with surveying past commentators' views. Wren doesn't mind contradicting himself in the same sentence. Of Audrey Williamson's "Gilbert & Sullivan Opera: A New Assessment" he says, "Despite a number of flaws, this is the single best book on the operas themselves yet to appear" and "Though she never really understands the operas themselves, she does provide numerous worthwhile insights." How Williamson managed to reach those insights without understanding the operas is not explained. But it tells you all you need to know about Wren that the "single best book" is by an author who "never really understands" the operas. Perhaps Wren's greatest contradiction is found in his final chapter: Given the immense success of the operas, then and now, it is all the more surprising that, in terms of theater history, they represent an evolutionary dead end. ... [G&S] have left behind them theatrical and musical worlds in which their lasting success seems an anomaly, disconnected from the stream of artistic history before or since. In this excerpt is found perhaps the single greatest error that a G&S critic can make: the claim that the Savoy Operas came out of nowhere. As for the contention that they influenced nobody, Wren follows this passage shortly with a long list of writers who *were* influenced by Gilbert (although, like Audrey Williamson, they allegedly didn't understand the operas). Wren says he's found no one who was influenced by Sullivan, but as his musical analysis is noticeably weaker than his literary analysis, this is not surprising. Perhaps he'd have a different view had he read Gerald Bordman's book, AMERICAN OPERETTA: FROM H.M.S. PINAFORE TO SWEENEY TODD. When Wren is discussing the operas themselves, he is on safer ground. He traces the arc of Gilbert & Sullivan's creative development, pointing out the comparatively simple structure of the early operas and showing how they deepened and became artistically more assured. He makes the case persuasively that the operas got progressively more serious over time, reaching a climax in THE YEOMEN OF THE GUARD, with THE MIKADO being an anomaly during that stretch. ("While [THE MIKADO] is arguably their best opera, it is far from typical.") But in his eagerness to show Gilbert & Sullivan's artistic progression, he heaps scorn on several of the early pieces. I already mentioned that Wren dismisses without justification Terence Rees's core conclusion that the existing libretto of THESPIS represents a rough draft, and one can see why: it is far easier for Wren to argue that THESPIS is weak if the surviving libretto is the final one. He excuses THE SORCERER's weaknesses by observing that its creators "were novices to the genre," adding "it's a ragged work that has more in common with THESPIS than with PATIENCE." A later chapter refers to "the rather lame SORCERER." Nevertheless, in THE SORCERER Wren first finds Gilbert working on three levels--those of story, subject, and theme, making it "the first of the 'real' Savoy operas and an interesting, even compelling work in its own right." The vigor of his argument is harmed by a failure to distinguish subjects and themes clearly, or even to say how the concept applies to each opera. (The theme of THE SORCERER is "What is love?" He doesn't say what its subject is.) Wren doesn't attempt to tie the pieces of his argument together again until the UTOPIA chapter, but too much of the intervening discussion muddies the waters. Wren would have been better off had he presented his chapters as independent essays, and not tried to claim for them a unity that they don't have. Wren is prone to exaggeration, sometimes to the point of almost comical over-reaching. He is at his worst in the PINAFORE chapter, making comments nothing short of astonishing: The fact is that H.M.S. PINAFORE triumphs in spite of itself: Its creators' raw talents transcend a structure that undercuts even the opera's best moments. But, despite their growth since THE SORCERER, both men are still new at what they're doing, and their inexperience shows.... H.M.S. PINAFORE['s] great weaknesses are a lack of focus in lyrics and dialogue alike, and its failure to create characters who are either funny or real.... [It] may be a comic opera, but its jokes aren't funny. It has only a few character laughs and virtually no dialogue laughs.... As for the songs, most lack any comic point.... Most of the songs merely serve the plot, and few are at all funny ... Most of the other songs have no raison d'etre, conveying neither humor nor dramatic content. None of the other numbers in H.M.S. PINAFORE live up to the standard of "The Hours Creep On Apace".... H.M.S. PINAFORE uses stock characters to a degree that no future Gilbert & Sullivan opera would.... [But RUDDIGORE is virtually a study in such characters.] Compared to their work in the later operas, in H.M.S. PINAFORE Gilbert & Sullivan lack the technical skills to be really sharp, the originality to be really funny or the depth to be really moving. It remains a brilliant piece of superficial work.... And this is just a smattering of what he finds wrong with PINAFORE, leaving us in wonder that the work remains popular. In CONTRADICTION CONTRADICTED, Andrew Crowther is far more persuasive when he argues that PINAFORE was the first play in Gilbert's career in which "the opposing elements were evenly and attractively balanced." But Andrew has given himself the easier job--he is explaining why a popular work became popular. Wren aspires to persuade us that PINAFORE's popularity is undeserved, and his case founders. [Aside: Wren might have made a better case had he been tracing Verdi's career. NABUCCO, which first put Verdi on the operatic map, seems in hindsight a work trapped in formulaic imitation of better predecessors. Only intermittently does it rise above that (most famously in the great chorus "Va Pensiero"--which ironically is a patriotic number, just like one of PINAFORE's most famous tunes, "He is an Englishman."). But Verdi far surpassed NABUCCO, and it is no wonder that RIGOLETTO, LA TRAVIATIA, IL TROVATORE, DON CARLO, AIDA, OTELLO, and FALSTAFF are now more frequently performed. In Gilbert & Sullivan's case, while PINAFORE is (like NABUCCO for Verdi) an early work that put them on the map, it's not clear that they often surpassed it. Certainly the public hasn't seen it that way, and more than enough time has gone by for the operas' reputations to shake out--as clearly has happened in Verdi's case, and has also happened with THE SORCERER (once a success, today among the least frequently done).] Wren is similarly on the prowl against "Take a pair of sparkling eyes," in THE GONDOLIERS. He is perhaps right that the song has "no specific relevance to the opera's story or to the character who sings it." Not satisfied with that, he adds, "Sullivan's setting is, predictably, the most unimaginative moment in an otherwise ingenious score. And Gilbert's lyrics are among his most inane ever." Why it is nevertheless the opera's most popular song (by a long shot) does not trouble him. This lack of balance torpedoes Wren again and again. In his PRINCESS IDA chapter (one of his longest, at 24 pages), 16 pages go by before Wren acknowledges any faults in that work whatsoever. Once he gets around to it, Wren hits the nail on the head, but compared to his hatchet job on PINAFORE it is off the mark. If THE PIRATES OF PENZANCE fares better under Wren's microscope, perhaps he is willing to excuse its faults due to the "tremendous haste with which the new opera was written" (although he doesn't quite get the history right). He finds it far funnier, although it lacks "any real satiric point." ...THE PIRATES OF PENZANCE contains the elements of a coherent opera, but the pieces don't fit together.... [W]hile THE PIRATES OF PENZANCE in some ways begins the partner- ship's mature period, it isn't itself a mature work.... [It] is strikingly unpretentious, the work of two men approaching artistic maturity but not above having a good time doing it. Anything but integrated--the police sequences, for example, have virtually nothing to do with the rest of the opera--THE PIRATES OF PENZANCE shows both men kicking back and being funny, exciting, dramatic, or moving as the fancy seizes them, reveling in the sheer scope of their talents. It is this spirit of fun that makes the opera so beloved today. THE PIRATES OF PENZANCE succeeds in outdoing H.M.S. PINAFORE on nearly every front, but it's neither as funny nor as musically effective as its successors. The hastily written PIRATES OF PENZANCE had been too rushed for substantial innovation.... These multifaceted contradictions--the opera is written in a spirit of fun, yet it is not as funny as its successors--bedevil Wren chapter after chapter. Throughout the book, the reader finds Wren "swinging for the fences," trying to hit a home run even when he doesn't have a good pitch to hit. A smattering of Wren's exaggerations in later chapters illustrates the depth of the problem. Concerning the opening scene of PATIENCE: The [opening] scene is more unified and coherent than any previous Gilbert & Sullivan effort; in fact, among its operatic contemporaries, only Wagner had practiced this degree of integration. A few pages later: Unfortunately, the show [i.e. PATIENCE] does not sustain this high level of integration. In particular, the music falls apart, so that scenes that Gilbert wrote in integrated form...become musically fragmented and inconsistent." So, Sullivan's score is Wagnerian for a little while, and then "falls apart." The comment on Wagner may be Wren's single most naive observation--one must wonder how much other music he has studied. After IOLANTHE, "The stage was set for seven years that would change musical theater forever." It's an odd comment for Wren to make at this juncture, after PINAFORE and PIRATES are behind, and two of the next three operas are destined to be comparative failures. In PRINCESS IDA: Ida's near-killing of Hilarion.... [It is *threatened*, but comes nowhere near being carried out.] ...the violent hell of Act 1.... Again and again, PRINCESS IDA couples sex and violence in imagery of rape. The Act 1 finale is particularly ingenious, with its three main sections each offering a different blending of sex and violence. Act 2 continues this implicitly violent tone, with Psyche's bestial images of men. The rape imagery returns full throttle with the Act 2 finale. In THE MIKADO: Given the creators' conscious efforts to undercut the opera's seriousness, the greatest "wrong note" in THE MIKADO is in the character of Katisha. Her two solos, "The Hour of Gladness is Dead and Gone" and "Alone and Yet Alive" ... feel as if they'd been dropped in from another show. ... Many directors deal with this problem by simply cutting the two solos. [I cannot recall a MIKADO in which these two solos were cut.] In YEOMEN: "Of all the operas' tenor roles, Colonel Fairfax is surely the best, save perhaps the purely comic Lord Tolloller. [He's of course entitled to his opinion, but "surely" suggests a "beyond all doubt" certainty that doesn't exist here.] In many ways, THE YEOMEN OF THE GUARD was the end of their journey together. It was not only the last time they were to consider the nature of love, but also the last time that who-marries-whom would be a significant plot issue. ["Who-marries-whom" is THE plot issue in THE GRAND DUKE.] The 1877 THE SORCERER also reads like an 1890s Gilbert libretto for Osmond Carr and sounds like an 1890s Sullivan score for Comyns Carr and Arthur Pinero. [Yes, this comment is in the YEOMEN chapter.] "There were three operas to come, including two of their finest.... But just two pages later, in the GONDOLIERS chapter: [T]here are warning signs amid the roses, flaws masked by the brilliance of THE GONDOLIERS that would seriously mar the team's remaining two operas, UTOPIA, LIMITED and THE GRAND DUKE. ..but also... The fact is that THE GONDOLIERS and THE GRAND DUKE are, for all their flaws, brilliant pieces of theater; much of UTOPIA, LIMITED is on the same level. Continuing with THE GONDOLIERS: This arbitrariness [of the marriages in THE GONDOLIERS] stands as a virtual rebuttal to the previous operas' story lines. [But many of the operas contain arbitrary marriages in their story lines, e.g., "If Saphir I choose to marry," in PATIENCE.] The late operas are hardly themeless, but they lack the compelling thematic power that motivated the collaborators to their Herculean perfectionism--and, as a result, that perfectionism begins to slip. While Wren amply demonstrates the lack of perfectionism in the late operas, and especially the last two, the connection to a lack of "thematic power" is tenuous. Wren also conveniently forgets the ample flaws he himself has pointed out in PRINCESS IDA and RUDDIGORE, both works that he considers thematically strong. More on THE GONDOLIERS: Its putative subject matter, the parody of republicanism, is almost arbitrary. All in all, THE GONDOLIERS shows a Gilbert whose interest is waning. [The richness of the surviving source material (much of it discarded), and the variety of rewrites/alternatives offered Sullivan, belies this.] The core findings of Wren's UTOPIA and GRAND DUKE chapters are basically sound. He dutifully counts off the manifold flaws of both works, while finding UTOPIA the considerably weaker piece (as do I). Even here, however, he overreaches: As for Sullivan, he simply dissociated himself from any problems with the final two operas. Where once he had served as virtual co-author of the plots for the previous shows, dissecting characters, paring dialogues and rejecting lyrics without hesitation, now he went along with nearly anything that Gilbert wanted, as long as it didn't directly hamper the music. ..and... Compared with the middle operas, UTOPIA, LIMITED hardly counts as a collaboration, so disengaged were its creators. It resembles THESPIS or TRIAL BY JURY, operas for which Sullivan had basically set Gilbert's existing libretti without any say on his part. With UTOPIA, LIMITED and THE GRAND DUKE, Sullivan is in certain respects once again a journeyman composer rather than a full partner in each opera as a whole. Wren is wrong here on many levels. There is no evidence that Sullivan had no input to the libretti of THESPIS and TRIAL BY JURY. He may have had no input to their subject matter, but both operas had significant late changes, and it is certainly likely that Sullivan had his say in them. And for that matter, UTOPIA and GRAND DUKE also had numerous late changes, as documented in Wolfson's FINAL CURTAIN, and there is no reason to doubt that Sullivan had a role in those too. Indeed, he did object at least twice during UTOPIA's gestation (concerning the character of Lady Sophy and the Act 2 finale). The composer also pronounced himself happy with Gilbert's scenario for THE GRAND DUKE, so he cannot be judged entirely innocent of its faults. The failure of so many of Sullivan's operas without Gilbert undercuts Wren's view that Sullivan had "as keen an eye as ever." Lastly, I cannot offhand recall any significant examples where Sullivan had a significant role "paring dialogues." Nor is Wren's coverage of these operas free of other exaggerations: "In its fulsomeness, UTOPIA, LIMITED recalls the early-draft versions of THE SORCERER, IOLANTHE, or THE GONDOLIERS." In a chapter discussing the partners' work apart after THE GRAND DUKE, Wren writes: FALLEN FAIRIES is by far the most substantial of Gilbert's later works. ... Of all the works Gilbert or Sullivan wrote after their collaboration, FALLEN FAIRIES is clearly the best. Wren's entitled to his opinion, but "clearly" suggests an obviousness that is belied by the failure of virtually every other critic who studied the matter to reach a similar conclusion. Wren is at his strongest in the chapters on PATIENCE, IOLANTHE, and YEOMEN, operas in which he finds the thematic content that so strongly appeals to him. His chapters on PRINCESS IDA and RUDDIGORE are also enjoyable, although he is a bit of an apologist for these pieces, particularly IDA. He is less fond of THE GONDOLIERS ("the great thematic cycle had ended with THE YEOMEN OF THE GUARD"), but his explication of its two-operas-in-one structure is first rate. His discussion of THE GRAND DUKE as meta-theater is both convincing and, as far as I know, novel. I feel that he positively misreads the ending of PATIENCE. He says: Instead, PATIENCE adopts the pretense that what attracted her to Grosvenor was his aestheticism. ... In principle, PATIENCE could have done this at any time. But, like any questing youth, she must strike bottom before she learns what she already knows. To the contrary, I find no pretense in the character of Patience at all; indeed, it is her utter lack of pretense that sets her apart. To my mind, she is much closer to Frederic (both of them slaves to misguided ideas that are good in moderation, but ridiculous when carried to exaggeration: he to duty, she to love). Wren's analysis of the end of RUDDIGORE misses the mark similarly. The PATIENCE chapter contains an excellent summation of relics of the original "clerical" plot that remain in the final version of the work (although he wrongly says that the earlier version survives; only about a third of it survives). Similarly, the SORCERER chapter shows the many inconsistencies that were left behind when the work was revised in 1884. However, the YEOMEN chapter leaves untouched the many gaping plot holes in that opera. Perhaps most fascinating are the parallels Wren finds between PATIENCE and YEOMEN. The similarities go far beyond the surface fact that both operas leave the patter baritone without a mate. Wren would probably be interested to know that Gilbert revised the ending of PATIENCE to resemble YEOMEN even more closely (in the 1902 Doubleday edition), although apparently he never staged it that way. Perhaps least excusable are the book's many outright errors. Many writers in the field have made the mistake of publishing without seeking peer review, Ian Bradley being a prominent example. Commendably, Wren's Acknowledgements section provides a healthy list of reviewers who commented on early drafts, including two extremely knowledgeable Savoynetters. So how did so many clunkers slip through the cracks? I decline to speculate (and certainly no one but Wren is accountable for them), but here's a sampling: Sullivan's [THESPIS] music has been lost, however, except for two numbers: "Little Maid of Arcadee" ... and the chorus "Climbing Over Rocky Mountain.... Some of its ballet music has supposedly also been recovered, though I find the attribution a bit questionable. (Well, perhaps this isn't strictly an error, but no one, at least with respect to three of the ballet movements, has previously questioned the findings of Selwyn Tillett and Roderick Spencer.) When [THE SORCERER] was revived in 1884...Sullivan wrote a new overture (there had been none previously). (The original overture consisted of "O marvelous illusion" grafted to the Graceful Dance from HENRY VIII.) [W]hen Sir Joseph asks for "that splendid seaman to step forward," Captain Corcoran calls for Ralph without hesitation. (The traditional business of Deadeye coming forward was not Gilbert's, incidentally. It is a performer's interpolation that got a laugh, though 30 years later Gilbert permitted its use in a revival at the Savoy.) (Compounding this error, Wren cites as evidence the passage's omission from an early American vocal score, as if that demonstrated anything.) The most revealing passage not in [THE PIRATES OF PENZANCE] is one included in the initial New York production but cut by the London premiere. (He goes on to quote the "What! All noblemen...." passage in the Act II finale. But only half of this passage was cut by the London premiere; the "What all...nearly all" passage remained in the opera until at least 1900.) [IOLANTHE's] use of musical themes to embody ideas and attitudes begins as early as the overture--the first one he had actually composed himself, after years of leaving this last-minute task to assistants, and thus obviously one more important to him than most. (Of all the subsequent operas, only THE YEOMEN OF THE GUARD and THE GRAND DUKE would open with Sullivan overtures, though RUDDIGORE's assistant-written overture was later replaced with a Sullivan original. (Among the subsequent overtures, Sullivan also wrote the overtures to PRINCESS IDA, THE GONDOLIERS, and UTOPIA. The replacement RUDDIGORE overture was by Geoffrey Toye. Among previous G&S overtures before IOLANTHE, he wrote the first overture to THE SORCERER (brief though it was), and he is generally assumed to have written the overture to THESPIS.) "Sir Roderic" is consistently misspelled "Sir Roderick." Wilfred's "Jealous Torments" was "apparently never set" to music. (It *was* set to music and has been recorded. Wren describes this as a "fortunate cut," disagreeing with most other analysts. While I don't count this opinion an error per se, Wren is of course unaware of the number's musical unity with the rest of the score, since he doesn't know it *has* a score. As late as THE YEOMEN OF THE GUARD, Gilbert's rejection of two separate settings of "Is Life a Boon?" had eventually produced the opera's most popular song. (Wren is, of course, entitled to *admire* "Is Life a Boon," but I can conceive no possible justification for rating it the opera's most *popular* song.) The earliest American editions of the Savoy Operas represent their status two or three weeks before the London premieres, when the plates had to be shipped overseas. For the shows through THE YEOMEN OF THE GUARD, these early editions reveal that substantial revisions of book, lyrics, and music were made up to the last minute--and, in almost every case, after opening night.... As of THE GONDOLIERS, however, the first American editions became largely the same as the first English editions. Fewer difficult-but-effective changes were being made, and the operas got longer and flabbier. (In fact, the first American edition of THE GONDOLIERS includes a lengthy scene cut before opening night. And there are other errors in that paragraph too. Coordinated publication of the American and British editions began only with THE PIRATES OF PENZANCE, and the actual *plates* were sent over only on a few occasions.) THE GRAND DUKE's run of 123 performances ... qualified it as the team's least successful work after THESPIS. (Literally true, if measured by length of run, but it is clear from the literature that GRAND DUKE *failed*, and THESPIS did not. As an ephemeral Christmas piece, THESPIS wasn't supposed to have a long run.) Only one conductor of stature led the [D'Oyly Carte] company in the twentieth century--Malcolm Sargent, later Sir Malcolm. (Charles Mackerras, later Sir Charles, also led them, though not as often or as famously as Sargent.) [A]fter the copyright expired, it was some years before independent producers, directors, and performers ventured new approaches to the operas. (The untraditional Sadler's Wells production of IOLANTHE opened virtually the day the copyright expired. Tyrone Guthrie's experimental productions of PINAFORE and PIRATES came not long thereafter.) There were other productions, notably by the Glyndebourne Opera.... (This appears to be a reference to the series of recordings conducted by Sir Malcolm Sargent. But those recordings were not based on productions, and there was no association with Glyndebourne, except that its chorus was used.) [The old D'Oyly Carte] staged its final performance on February 27, 1983. (It was 1982.) ...The Ballad of Jim-Jams, written for THE MOUNTEBANKS and never set... (That number was set.) Perhaps Wren's fans consider this a reasonable number of errors in an almost 400-page book, but it's enough to cast doubt on virtually anything Wren says. For instance, he cites Gilbert's love of Offenbach at least twice. I don't count this as an "error," but I don't recall reading it anywhere else. He also says that Sullivan disliked setting rhymed couplets, another "fact" that was new to me. At the back of the book, an annotated bibliography lists most of the major G&S books in the literature, with a paragraph or two of Wren's own take on each of them. I found myself largely in agreement with his rating of the books, but it's ironic to find him describing so many of them as error-prone, when Wren himself has done little better in that department. The annotated bibliography has its own share of mistakes. The Godfrey Cave edition of THE YEOMEN OF THE GUARD is misdated 1929 (it should be 1979), and he says: "Both illustrators are very much in the style of the 1920s." But only Charles E. Brock's illustrations are from the 1920s; Russell Flint's date from 1909. Wren also lists the Godfrey Cave MIKADO--also misdated--but he is apparently unaware of the six other operas Flint illustrated (all of them originally published in 1909-10 by G. Bell). All bibliographies are selective, but why does Wren list the 4th series of Chatto & Windus ORIGINAL PLAYS, and omit the first three? THE PRINCESS is listed in an 1870 Samuel French edition, when copies of the 1st series of Chatto & Windus, in which it is also found, are more plentiful. And if he is going to list vocal scores, why is the only one mentioned an 1878 Oliver Ditson printing of PINAFORE? Despite its innumerable mistakes, exaggerations, and lack of focus, there are the hints of a great book in A MOST INGENIOUS PARADOX, which makes it all the more frustrating that the opportunity was not realized. Although Wren was evidently unaware of the almost comical over-reaching that drips from nearly every page, much of the basic analysis is sound. With a more judicious writer at the helm, or perhaps an editor to send Wren's more ridiculous flights of fancy back for revision, it could have been a very fine book. It is, instead, a thing of shreds and patches. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Send FREE video emails in Yahoo! Mail! http://promo.yahoo.com/videomail/  1,, Summary-line: 6-Jan robertray@labyrinth.net.a [57] #More on Ruby Preece X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA19520; Sun, 6 Jan 2002 18:33:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA04428 for ; Sun, 6 Jan 2002 18:33:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA19068; Sun, 6 Jan 2002 18:32:37 -0500 (EST) Date: Sun, 6 Jan 2002 18:32:37 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: More on Ruby Preece Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v475) Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Apple Mail (2.475) In-Reply-To: <01c19699$54ec0080$0100007f@localhost> *** EOOH *** Date: Sun, 6 Jan 2002 18:32:37 -0500 (EST) Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: More on Ruby Preece Content-Type: text/plain; charset=US-ASCII; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01c19699$54ec0080$0100007f@localhost> I have posted this some time ago, but thought it might be of re-newed interest regarding Ruby Preece aka Patricia. I quote from Frances Spalding's biography of the painter Duncan Grant (page 345): "Like other members of Bloomsbury, they (Grant and Vanessa Bell) gave support to an attractive, vivacious painter called Patricia Preece. Her real name was Ruby Preece. As a young woman she and a female friend had been invited by Sir William Gilbert, of Gilbert and Sullivan, to bathe in his private lake at Harrow. There Ruby, finding herself out of her depth, called for help. The seventy-four-yer-old Sir William gallantly dived in, had a heart attack and sank like a stone. At the inquest, Ruby was obliged to admit she could swim 'a little'. Afterwards she thought it wise to change her name and became Patricia. Her love of manipulating others, however, remained unaltered. In 1922, a year after leaving Slade, she had secured an introduction to Roger Fry, who gained her entry to the Dorothy Warren Gallery. There her work caught the attention of Augustus John who praised it in Vogue. Owing largely to Fry's support, Preece, by 1929 had become an accredited artist and a probationary member of the select London Artists' Association, one whose work, Fry said, is 'serious and really counts.' Little did Fry realise that in fact she rarely lifted a brush. The first to notice it was Stanley Spencer, who began courting her in 1932, and in 1937 made her his second wife. The failure of the marriage was implicit from the start, when Preece insisted that her friend Dorothy Hepworth should share the honeymoon. " Spalding goes on to explain that Hepworth was the real painter, and Preece took the credit. It is thought that Hepworth as a shadowy and awkward figure disliked coping with dealers etc and was happy for her lesbian lover to take the credit. She goes on: "Though duplicitous in their art, they were loyal to each other. Lifelong companions, they were finally buried in the same grave." Well, what a saga! Kinda gives new meaning to to title Grim's Dyke, doesn't it?.Ruby (Patricia) Preece was obviously pretty, charming and highly manipulative. A deadly combination in the case of Sir William. Some unkind people might think him a silly old fool to be taken in. Robert Ray  1,, Summary-line: 6-Jan cannon149@tesco.net [42] #Ruby Preece X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA07865; Sun, 6 Jan 2002 20:33:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA16541 for ; Sun, 6 Jan 2002 20:33:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA23642; Sun, 6 Jan 2002 20:32:16 -0500 (EST) Date: Sun, 6 Jan 2002 20:32:16 -0500 (EST) Message-Id: <010801c19718$67eed840$b957fea9@j3d4n2> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cannon149@tesco.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Cannon of Horsham" To: Multiple recipients of list SAVOYNET Subject: Ruby Preece MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sun, 6 Jan 2002 20:32:16 -0500 (EST) Reply-To: cannon149@tesco.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Cannon of Horsham" To: Multiple recipients of list SAVOYNET Subject: Ruby Preece Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The truth is stranger than fiction in this matter. Patricia Preece, as she became known, was already in a lifelong lesbian relationship with the artist Dorothy Hepworth, when Stanley Spencer divorced his first wife to marry her. Their honeymoon was a farce, which Patricia spent with Dorothy in a rented Cornish cottage, The marriage was not consumated, and Stanley and Patricia never lived together. Patricia was in reality something of a con artist, and when she pursuaded Stanley to put his house and contents into her name and subsequently evicted him, she reduced him to penury for the rest of his life. Dorothy was a far better artist than Patricia, whom she had first met at the Slade School of Art, and the subterfuge under which Patricia came to sign and exhibit Patricia's work (with Patricia's connivance) led to embarrassments while Dorothy was alive, and uproar in the art world after Dorothy died. A preliminary "exposee" of Ruby Preece appeared in "The Savoyard" of Autumn 1973, written by Kenneth Pope, whose biography of Sir Stanley Spencer was published in 1993. Spencer's background was much aired in the media when the exhibition "Stanley Spencer" opened at the Tate Britain in March 2001. There was considerable press coverage, a radio play (? the play "Stanley" referred to by Leon), and a long TV documentary, in which a close friend of the Spencer family described Patricia as "the most unpleasant person I have ever met". There were also a couple of Savoynet postings. John Cannon  1,, Summary-line: 7-Jan pdp@globalnet.co.uk [74] #Re: Savoy programmes (and TT) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA15368; Mon, 7 Jan 2002 04:30:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA22940 for ; Mon, 7 Jan 2002 04:29:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA01619; Mon, 7 Jan 2002 04:29:07 -0500 (EST) Date: Mon, 7 Jan 2002 04:29:07 -0500 (EST) Message-Id: <3.0.6.32.20020107090938.00b162d0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy programmes (and TT) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01b701c196fe$dd3ce660$562801d5@PhilipBarton> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Mon, 7 Jan 2002 04:29:07 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy programmes (and TT) Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01b701c196fe$dd3ce660$562801d5@PhilipBarton> At 17:21 06/01/02 -0500, you wrote: >There is a moment in the TT that shows the synchronised page turning by the >"toffs" in the stalls as they follow the proceedings on stage. Presumably >their programmes included the whole lib? > > Just a thought, but did these include the songs that were cut just before >the first night? No! The programmes did not contain any lib. However libs in some cases were available to be purchased. I do not just off the top of my head know which operas these libs were available for but yes they did have some songs and dialogue subsequently cut. There is a trade in such libs and they are quite scarce to find. It was certainly the practice to have the house lights on but dimmed so that patrons could read during the show. Whether libs were available on all first nights is another question. For Ida by the time illustrated in TT libs would certainly have been available. The best record I know of the actual first night libs, and the programmes, is the Reginald Allen book "The First Night Gilbert and Sullivan", accompanying the early editions of which are facsimile reproductions of all the first night programmes. Diana asks do I know when the practice of a darkened auditorium was introduced. I do not know positively but in the gas era (before the Savoy Theatre of 1881) the auditorium lighting had to be kept on although at a reduced brilliance for reasons of safety. This was on two grounds; to enable to audience to see to get out in an emergency and secondly the re-ignition of the "Sun Burner" if totally extinguished could not be guaranteed to be immediate. With the arrival of electric lighting, the Savoy being the first, it was possible to black out the auditorium but that was not done because the audience would have been frightened. That there were gas burners still lit as an emergency source of light in the auditorium is also true. Secondary (emergency) lighting rules were introduced into all places of public entertainment, but I do not have the date in my head. To the present day (say 10 years ago) some theatres still retain gas as the emergency lighting source. Nowadays the usual practice is for the emergency lighting source to be from batteries but other arrangements are possible and were permitted. When the Savoy Hotel was built it generated its own power (110 volts DC) and supplied power to the theatre for emergency lighting. From the start of the hotel, (1889) it seems likely that all the theatre lighting power came from the hotel and that the hotel power station was a development of the original power plant for the theatre. The Savoy Theatre also at one time had an emergency power supply (AC at 33.3 HZ) from the Southern Railway or District Railway system. I remember seeing the supply intake room as a child with the various meters for the different services. Lighting operated from the 33.3 HZ supply showed a pronounced flicker. One must remember that public (mains) electricity supplies did not exist and that individual organisations had to make their own provision. By the time I saw it the theatre got its main power from the Metropolitan Power Company's system who had started to lay public distribution cables. However the Savoy Hotel system (The Strand Power Company, a hotel subsidiary) continued to generate and operate well into the 1950s and supplied electricity to The Coal Hole, Woolworths, Simpsons Restaurant as a main power supply. I was taught about electricity as a child by Mr Paye who was the chief engineer for the Savoy Hotel at the time and by Mr Brown who was Chief Electrician in the theatre. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 7-Jan cjedlinsky@sembler.com [36] #I've Moved!! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA17055; Mon, 7 Jan 2002 12:05:35 -0500 (EST) Received: from SEMBLER.COM (mail.sembler.com [65.199.208.132]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id MAA03157 for ; Mon, 7 Jan 2002 12:05:28 -0500 (EST) Received: from SEMBLER_DOM-Message_Server by SEMBLER.COM with Novell_GroupWise; Mon, 07 Jan 2002 11:46:02 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.3 Date: Mon, 07 Jan 2002 11:45:38 -0500 From: "Cindy Jedlinsky" To: , , , , , , , , , , , , , , , , , , , , , , , , Subject: I've Moved!! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Mon, 07 Jan 2002 11:45:38 -0500 From: "Cindy Jedlinsky" To: , , , , , , , , , , , , , , , , , , , , , , , , Subject: I've Moved!! Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Hooray! My house has sold and I've moved closer to civilization. My new address is: 6134 Abercorn Avenue Dunwoody, GA 30346 (it's the Savannah at Park Place apartment complex across the street from = Perimeter Mall) My new number is: 770.804.1825 I am currently accepting house warming gifts that are of the grape variety = :-)=20  1,, Summary-line: 8-Jan mpw@nhm.ac.uk [98] #Re: << Grazie, Grazie >>: What became of H. Lyall ("Durward X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA02303; Tue, 8 Jan 2002 11:06:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA01699 for ; Tue, 8 Jan 2002 11:05:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA11725; Tue, 8 Jan 2002 11:05:20 -0500 (EST) Date: Tue, 8 Jan 2002 11:05:20 -0500 (EST) Message-Id: <3.0.1.32.20020108154517.00699c2c@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Re: << Grazie, Grazie >>: What became of H. Lyall ("Durward Lely") in 1888? Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020108143610.6069.qmail@web14904.mail.yahoo.com> X-Mailer: Windows Eudora Light Version 3.0.1 (32) *** EOOH *** Date: Tue, 8 Jan 2002 11:05:20 -0500 (EST) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Re: << Grazie, Grazie >>: What became of H. Lyall ("Durward Lely") in 1888? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020108143610.6069.qmail@web14904.mail.yahoo.com> At 09:51 08/01/02 -0500, George Low wrote: (Lely never sang for >DOC again, but it is not clear whether Carte never >offered him a part again, or whether, after being >sacked, Lely chose not to work with Carte again.) Personally, my guess is that in view of his subsequent career, Lely probably chose not to work with Carte again. In 1887, after leaving the Savoy, Lely was engaged by an impressario called Kuhe who offered him the lead tenor in a concert at the Dome, Brighton; and Lely discovered to his surprise that the soprano opposite whom he would be singing was Adelina Patti. In the same year he played Don José to Emily Soldene's Carmen on several tours, apparently regarding her as the best of the many Carmens with whom he had appeared; and she in her memoirs, states that together they created a record by singing Carmen together every night for three weeks, to packed houses. In April 1886, Lely's diary had made reference to a benefit performance of Faust indicating that he was preparing to return to grand opera; and on 19th May of that year, he played in a matinee performance of Rigoletto at the Gaiety Theatre. At about the time The Yeomen of the Guard was playing at the Savoy, Lely was appearing at the Opera Comique as Den Felix de Tornado in an opera called Carina. This was written by Edward Leman Blanchard and Cunningham Bridgeman, with music by Julia Wolff. Lely's concert with Madame Patti seems to have boded well, for later he sang with her regularly, becoming nicknamed Madame Patti's tenor , and playing, among other things, Faust to her Marguerite. The two of them formed a life-long friendship. Patti was, however, getting on in years, and it may be (if it does not sound too ungenerous to both) that Lely suited her, because he was a good enough tenor to do her justice, but not so good that he detracted from her stardom. On 12 August 1891, the Patti Theatre at the lady's home, Craig-y-Nos castle, opened with a performance which included Act 1 of La Traviata with Patti as Violetta and Lely as Alfredo. It was an historic evening, and it had been intended that Henry Irving should open the theatre with a speech, but at the last minute he found he was unable to attend, and instead sent as deputy the popular actor William Terriss (father of Ellaline Terriss). The conductor was Luigi Arditti, another great friend to Patti's. It was in this little theatre that Patti was to spend the evening of her career, giving delightful and intimate opera performances before invited audiences of her devoted admirers. Prima donna to the last, she went out with grace and elegance, she both deserved and could afford to. Lely must have been pleased to share in the withdrawal of so great a lady. However, Patti still had some foreign touring to do, and took Lely to the U.S.A. with her. In her tour of 1893 she appeared in Boston in a new one-sct opera called Gabriella by Charles Burne, with music written specially for he by Emilio Pizzi. In this piece Lely sang the tenor lead, and apparently the love duet between them brought the house down and had to be repeated. During the period 1890-3, Lely appeared in a number of London productions of opera. He was Count Rodolpho in Wallace's Lurline at Drury Lane for two performances on 12 and 15 April 1890: the following year he gave a single matinee performance as Don José in Carmen on 3 October 1891, again at Drury Lane. Two more matinees followed on 10 and 17 October, as Thaddeus in Balfe's The Bohemian Girl. These were also at Drury Lane, as was his appearance in a matinee performance of Nydia, the Blind Girl of Pompeii by George Fox; this took place on 27 July 1892, with Lely as Glaucus. Next, he gave some more performances as Don José, and in 1893 took over from Tom A. Shale the role of Geoffrey Norreys in Goring Thomas's The Golden Web. On 12 July 1894, Patti gave a charity concert in Swansea, and it is recorded that Lely had not returned from America in time, so someone else had to take his place. Later the same year Lely and Richard Temple were touring in Rob Roy, which reached the Princess's, Glasgow, early in September, for a month's run. It is said to have played to the fullest houses ever known at the at the theatre up to that time. In 1896, Lely was on tour with his own opera company, and produced the opera Holyrood by Dr. John Grieg, at Glasgow on 5 October 1896. He also sang for some time with the Carl Rosa Company, appearing in such operas as Carmen, Faust, The Bohemian Girl, Maritana, Martha, Norma, Mignon, Lucia de Lammermoor, Rigoletto, La Sonnambula, Il Trouvatore, Don Pasquale and La Favourite. In addition, he gained a reputation singing in such oratorios as The Messiah and cantatas such as Acis and Galatea. ------------------------------------------------------------------------- Michael P. Walters Curator of Eggs Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Tel: 0207-942-6161 Fax: 0207-942-6150 email: mpw@nhm.ac.uk "The song of canaries never varies. And when they are moulting - they're pretty revolting" (Ogden Nash)  1,, Summary-line: 8-Jan jtidwell@animato.arlingto [14] #Nepal trip report X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA07091; Tue, 8 Jan 2002 14:13:11 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.211.222]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17488; Tue, 8 Jan 2002 14:13:00 -0500 (EST) Received: from localhost (jtidwell@localhost) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id g08JCoc26009; Tue, 8 Jan 2002 14:12:50 -0500 Date: Tue, 8 Jan 2002 14:12:50 -0500 (EST) From: Jenifer Tidwell To: Jenifer Tidwell Subject: Nepal trip report Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 8 Jan 2002 14:12:50 -0500 (EST) From: Jenifer Tidwell To: Jenifer Tidwell Subject: Nepal trip report Content-Type: TEXT/PLAIN; charset=US-ASCII It took long enough, but finally, I've finished writing a "trip report" about my month in Nepal. There are about fifty pictures here, too -- enjoy! http://www.mit.edu/~jtidwell/nepal/ - Jenifer  1,, Summary-line: 8-Jan jtidwell@animato.arlingto [19] #Re: Nepal trip report X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA00545; Tue, 8 Jan 2002 18:01:27 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.211.222]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA14540 for ; Tue, 8 Jan 2002 18:01:20 -0500 (EST) Received: from localhost (jtidwell@localhost) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id g08N1K027262 for ; Tue, 8 Jan 2002 18:01:20 -0500 Date: Tue, 8 Jan 2002 18:01:20 -0500 (EST) From: Jenifer Tidwell To: "David C. Jedlinsky" Subject: Re: Nepal trip report In-Reply-To: <200201082257.RAA19292@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 8 Jan 2002 18:01:20 -0500 (EST) From: Jenifer Tidwell To: "David C. Jedlinsky" Subject: Re: Nepal trip report In-Reply-To: <200201082257.RAA19292@multics.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII On Tue, 8 Jan 2002, David C. Jedlinsky wrote: > Cool! > > So what are you going to do at the slide show? :-) Tell the stories I couldn't tell on a Web page. Hee hee hee. :-) I'm serious, actually... also, I only posted 50 or so of the 250+ pictures I took. - Jenifer  1,, Summary-line: 8-Jan cjsmith@MIT.EDU [16] #audio recording X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA09481; Tue, 8 Jan 2002 18:22:10 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA11775; Tue, 8 Jan 2002 18:17:08 -0500 (EST) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id SAA15910; Tue, 8 Jan 2002 18:17:07 -0500 (EST) Received: (from cjsmith@localhost) by department-of-alchemy.mit.edu (8.9.3) id SAA28796; Tue, 8 Jan 2002 18:17:07 -0500 (EST) Message-Id: <200201082317.SAA28796@department-of-alchemy.mit.edu> To: opus@MIT.EDU cc: goodmanj@MIT.EDU Subject: audio recording Date: Tue, 08 Jan 2002 18:17:07 -0500 From: CarolYN J Smith *** EOOH *** To: opus@MIT.EDU cc: goodmanj@MIT.EDU Subject: audio recording Date: Tue, 08 Jan 2002 18:17:07 -0500 From: CarolYN J Smith Hi Dave! I'm thinking of getting a new computer, and the most important thing to me is to be able to burn CDs of concerts (as we did before from minidisc) and to be able to do typesetting (and preferably midi input of somekind, audio-to-midi would be best, playing recorder into a mic, but midi keyboard would work too). I'm thinking about getting one of the new iMac's in March, and I wanted to ask you what hardware/software you have that we used, or what alternative architectures you would recommend. --cyn  1,, Summary-line: 10-Jan goldrich@panix.com [42] #Another beautiful winter in Maine X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA00238; Thu, 10 Jan 2002 22:41:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA10300 for ; Thu, 10 Jan 2002 22:41:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA22585; Thu, 10 Jan 2002 22:40:19 -0500 (EST) Date: Thu, 10 Jan 2002 22:40:19 -0500 (EST) Message-Id: <3C3E43CC.555F922C@panix.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Another beautiful winter in Maine MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.78 [en] (Win98; U) *** EOOH *** Date: Thu, 10 Jan 2002 22:40:19 -0500 (EST) Reply-To: goldrich@panix.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fred Goldrich To: Multiple recipients of list SAVOYNET Subject: Another beautiful winter in Maine Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Now, folks, every year at about this time I extol the virtues of Hancock County in February, and every year I've had pitiful few takers. (Don Smith is a regular and notable exception.) So far I've been patient, but don't push me. The first two weekends in February, Fri-Sat eves., Sun mat., the G&S Society of Hancock County will be presenting Ruddigore. Long-time favo- rite Roland Dube will be Despard, and our own Irv Hodgkin really gets to show off his fine voice as Roderic. Steve Estey, who played the title role in our Sorcerer two years ago, and Samuel / Frederic in the winter / summer runs of Pirates last year, will be Robin. Lindsay Smith, a young company veteran from a family of company veterans, will appear in her first major role as Rose. Dede Johnson will return as Artistic Director, and swears again that this is her last show. This time I believe her. I won't mention the ticket prices; they're quite moderate and couldn't possibly be a factor for anyone who would actually consider traveling to Maine in the winter. Call the Grand at 207-667-9500 to reserve your seats now! -- Fred Goldrich -- Fred Goldrich goldrich@panix.com  1,, Summary-line: 20-Jan marchanc@go.com [22] #A Beautiful Mind X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA29519; Sun, 20 Jan 2002 17:41:47 -0500 (EST) Received: from webmailmta.go.com ([204.202.140.199]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA21913; Sun, 20 Jan 2002 17:41:35 -0500 (EST) Received: from gomailjtp05 ([10.212.0.165]) by mta07.seamail.go.com (Sun Internet Mail Server sims.4.0.2000.10.12.16.25.p8) with ESMTP id <0GQ90085ODOEVK@mta07.seamail.go.com>; Sun, 20 Jan 2002 14:41:02 -0800 (PST) Date: Sun, 20 Jan 2002 14:41:23 -0800 (PST) From: Christopher Marchant Subject: A Beautiful Mind To: asarahm@mit.edu, warlord@mit.edu, aurora@mit.edu, opus@mit.edu Message-id: <2338419.1011566483145.JavaMail.marchanc@gomailjtp05> MIME-version: 1.0 X-Mailer: GoMail 3.0.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT *** EOOH *** Date: Sun, 20 Jan 2002 14:41:23 -0800 (PST) From: Christopher Marchant Subject: A Beautiful Mind To: asarahm@mit.edu, warlord@mit.edu, aurora@mit.edu, opus@mit.edu Content-type: text/plain; charset=iso-8859-1 Hello all, I don't know if any of you have seen "A Beautiful Mind" but I saw it and enjoyed it. The previews did a good job of not giving away the plot (although, I suppose if you already knew the story, it wouldn't be much of a surprise). Anyway, I do have one question, in case you are in the know. Was that supposed to be 18.02? (or 18.023/18.024???) At first I thought it was, but it didn't seem right. Forgive me if you don't know what I am talking about. Otherwise, all is going fairly well in TX. A few problems here and there, but things seem to be working out (thanks to a lot of complaining on my part). Hope all is well in the Northeast. ------Chris ___________________________________________________ GO.com Mail Get Your Free, Private E-mail at http://mail.go.com  1,, Summary-line: 22-Jan ehj99@earthlink.net [73] #Re: Review: Dover PIRATES (Long) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA16400; Tue, 22 Jan 2002 05:01:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id FAA22882 for ; Tue, 22 Jan 2002 05:00:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA16151; Tue, 22 Jan 2002 05:00:36 -0500 (EST) Date: Tue, 22 Jan 2002 05:00:36 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: EJones To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover PIRATES (Long) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C4D0614.F6115C19@cris.com> *** EOOH *** Date: Tue, 22 Jan 2002 05:00:36 -0500 (EST) Reply-To: ehj99@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: EJones To: Multiple recipients of list SAVOYNET Subject: Re: Review: Dover PIRATES (Long) Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C4D0614.F6115C19@cris.com> Marc Shepherd wrote: > > I think the one feature of the Dover edition that frustrates the >> scholarly community the most is the absence of exhaustive footnotes >> that they seem more interested in than in the actual work itself. > >I can't speak for the other so-called scholars, but this isn't my >issue at all. >My issue is that, once an editor has chosen an approach --- whatever it may be >--- it's reasonable to expect the editor to be faithful to that approach. A >non-scholarly work is just fine with me, but errors is errors. > >Since I've described the Dover score as by far the best thing of its kind >available, I hardly see how the comment "more interested in [the >footnotes] than >in the actual work itself" can be justified. Level that criticism at >someone to >whom it applies. I thought I worded this in a way that you wouldn't consider it an attack against you, which it isn't. I am grateful for your honest appraisal of the Dover Pirates, but there is still (again) an undercurrent in your review of dissatisfaction with the scope of our edition in comparison with what you think it should have included or failed to live up to (in your estimation). Both Carl and I are satisfied that the scores deliver what we set out to do, apart from a few mechanical errors and typos, as you pointed out. We will leave the comprehensive critical work with its generous employment of footnotes and commentaries to those who are best able to do it well. I am still very interested to hear from pianists who have played through the score, for their reaction to the piano part which is quite different in places from the traditional one found in the Schirmer and Chappell editions. There are two omissions of accidentals in the vocal score and an incorrect note I would like to point out, all of them in Climbing Over Rocky Mountain. In measure 48, the alto line, the second eighth note should be an F not a G (Fred Goldrich pointed this out to me). In measure 53 the sixteenth note A in the Sopranos should have a natural sign. Measure 150 piano part, there should be a courtesy natural sign on the first eighth note G in the right hand. We have been urged to believe by some that what the scholars will produce will be so much better than our efforts but nothing is available yet to compare and verify this conclusion. I am sure what will eventually appear will be documented to the hills but I wonder how much of the actual musical text and libretto will be different? I am very confident of the integrity of the musical and lyrical texts of our Dover editions because I know how much care and attention both Carl and myself have put into these scores to ensure they are accurate and faithful to the sources we used. The presence of minor errors is irritating to us, but they aren't fatal as far as the usability of the editions is concerned, since the only scores released so far by Broude and Oxford contain some errors as well, and they spent considerably more time researching and proofing their editions than we did. We'll just have to wait (and wait, and wait, and wait) and see. -- Ephraim Hammett Jones MusicScribe  1,, Summary-line: 23-Jan YesTisMabel@aol.com [84] #Orlando QWERT/Phillip Potter X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA17785; Wed, 23 Jan 2002 00:18:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA21198 for ; Wed, 23 Jan 2002 00:17:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA07988; Wed, 23 Jan 2002 00:17:10 -0500 (EST) Date: Wed, 23 Jan 2002 00:17:10 -0500 (EST) Message-Id: <107.bb82db4.297f9e88@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Orlando QWERT/Phillip Potter MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Wed, 23 Jan 2002 00:17:10 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Orlando QWERT/Phillip Potter Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello, all! Two things--- I decided to do something about our lack of QWERTS here in FL, and so my local G&S group is going to do a mini-singout---that is, we are only doing 6 of the shows/operettas/operas in one day. We are currently trying to ally ourselves with the Orlando Opera Company's secondstage production of Pinafore to be held May 3, 4, 5, (possibly also 7, 8), 10, 11, & 12. The company's director likes G&S and even played the Judge when they did Trial several years ago. We are looking into using their facilities and feeding off of their publicity. I also have publicity contacts and will make sure we get onto the local 11 o'clock newscast, like our singing carwash did!! :-) We also want to include their singers if possible--our group's wife sings with their chorus. There are several things up in the air about which day/weekend to choose for the QWERT. We wanted to make it possible for people traveling from out of area to see OOC's Pinafore AND participate in our QWERT, so your response to this post will help determine this. If it looks like many of you are making plans to come to Orlando, we will choose either of the 2 Saturdays of their performances, May 4 or 11. If not many people were thinking of traveling here, and it will be mostly locals, then we are probably going to do it the weekend before or after the Pinafore performance, so the local cast members will have enough voice to participate in our singout. Either way, we ARE having a singout, even if there are just 20 of us in my friend John's apartment singing along with the cds!!! Since this is the first central FL QWERT, and we don't have much experience, we choose the shows that have been done around here, which are: Pinafore, Pirates, Mikado, Trial, Iolanthe, and Ruddigore. That way our chorus stands a chance of having a clue to their parts! I am going to wait approximately 2 weeks to garner responses from this list, and then I will make the decision for the date. Once the date is decided, I will let you all know, and will start taking role requests. I am assuming it takes about 8 hours to sing the 6 shows listed above---if I'm way off, will someone let me know?---so we will probably start at 10am and go to 6pm, or something like that. As to my second post topic, John says if we do the QWERT in his apartment, John Reed is going on the piano!! I told him about the custom with Phillip Potter, and frankly, neither of us can understand what the fascination is with this particular G&S tenor. My ex-fiancee (well, he didn't like my singing, and so I had to let him go!) used to say that Phillip Potter as Frederic lisped so much that he couldn't understand him, and that he sounded like he should be a fairy in Iolanthe! My own judgement is not so harsh, but I admit that the fluttery vibrato speaks to me of lack of support. Thomas Round gets my vote as favorite G&S tenor, probably because he was my first. However, I have heard several others, some live (ok, one--Geoff Shovelton, who was wonderful!), and I still like Round the best overall. I was so pleased to see him on that program on Ovation, "Instant Merriment". Have you all seen and discussed that? I'm sure you must, since several Savoynetters were on the program! Anyway, he was up there singing and dancing away at age 70 or whatever, God bless him! So what is this mysterious fascination that Potter seems to exercise over all who come across him? Really, it is simply cloying! I wonder if it's the "English tenor" factor---that you all are so used to that sound, some would say nasal (although I don't find Potter so), that is a characteristic of many of the British exponents of the tenor's art. What do you think? That's all for now...anxious to hear from you. Elise Curran Orlando, FL pf I am SURE ce chere Nick has NOTHING of the nasal about him---I heard his sound bites!  1,, Summary-line: 23-Jan oldadam@ntlworld.com [89] #B2002 Sorcerer - B99 List Instructions X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA03167; Wed, 23 Jan 2002 21:57:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA24421 for ; Wed, 23 Jan 2002 21:57:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA20672; Wed, 23 Jan 2002 21:57:07 -0500 (EST) Date: Wed, 23 Jan 2002 21:57:07 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: oldadam@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stephen F. Hill" To: Multiple recipients of list SAVOYNET Subject: B2002 Sorcerer - B99 List Instructions Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 23 Jan 2002 21:57:07 -0500 (EST) Reply-To: oldadam@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stephen F. Hill" To: Multiple recipients of list SAVOYNET Subject: B2002 Sorcerer - B99 List Instructions Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This message is directed at those with an interest in the SavoyNet Production of "The Sorcerer" in Buxton, August 2002. Those who are not interested may allow their attentions to wander......... HISTORY ======= Since the start of 1999 there has been a subsidiary list setup to allow detailed discussion of the SavoyNet Productions in Buxton. This is to avoid flooding the SavoyNet list with lots of irrelevant (to most) messages. It appears to have worked well & this years production team is planning to use it again as the main communication route for direct details about the mechanics of the production. Although in theory it is possible to run the listserv software on a home-PC & a dialup connection - it is far easier to use an email server designed for high volume mail with a direct 24hr internet connection. I have obtained permission from the mail administrator at my workplace to serve the B99 list - the only difference between it and a standard list such as SavoyNet is that I have to send a special command to add email addresses to the list. HOW DO I JOIN ============== If you are interested in taking part in the production, either on stage or off, or are not going to be able to get to Buxton this year but want to find out how the show is put together - please contact me with your name & the email address where you want the B99 list traffic to go to (since many people nowadays have more than one address). It will help if you put some reference to B99 in the subject heading. Once you are subscribed, you should receive an automated welcome/acknowledgement message from the listserv. HOW TO CONTACT ME ==================== My primary email address is this one: oldadam@ntlworld.com with backup addresses in case of problems: s.f.hill@dl.ac.uk oldadam@cwctv.net I am copying this message to the B99 list so that people who believe that they should be subscribed already can check that they receive two copies. Also if any B99 subscribers -Don't_ want to receive postings any longer, this can act as prompt to unsubscribe. UNSUBSCRIBING FROM B99 ======================== Does not usually require manual intervention. Just send a message to the listserv address: majordomo@dl.ac.uk with a blank subject line and a text body of: unsubscribe buxton99 Stephen -- ------------------------------------------------------------------------- Stephen F. Hill G6FPX oldadam@ntlworld.com Runcorn, Cheshire, UK "I believe I'm the merriest dog that barks": W.S. Gilbert -------------------------------------------------------------------------  1,, Summary-line: 24-Jan keithw@MIT.EDU [38] #MIThenge X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA09798; Thu, 24 Jan 2002 02:14:31 -0500 (EST) Received: from frank-n-furter.mit.edu (FRANK-N-FURTER.MIT.EDU [18.18.0.211]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA19635; Thu, 24 Jan 2002 02:14:20 -0500 (EST) Received: (from keithw@localhost) by frank-n-furter.mit.edu (8.9.3) id CAA19618; Thu, 24 Jan 2002 02:14:20 -0500 Message-Id: <200201240714.CAA19618@frank-n-furter.mit.edu> To: lmf-random@MIT.EDU, sipb-office@MIT.EDU Subject: MIThenge Date: Thu, 24 Jan 2002 02:14:20 -0500 From: Keith Winstein *** EOOH *** To: lmf-random@MIT.EDU, sipb-office@MIT.EDU Subject: MIThenge Date: Thu, 24 Jan 2002 02:14:20 -0500 From: Keith Winstein It's that time of the year again. Starting near the end of this week and continuing through the middle of next, the sun will start to stream through the entire length of the infinite corridor when it sets. Please observe the MIThenge etiquette if you decide to go. Arrive early, especially since the predictions appear to have a systematic error on the order of 5-8 minutes. Go up the stairs to the third floor on the east side of the corridor (the building 8 end). Don't walk in the corridor in front of people who are trying to see! And don't hurt your eyes. If you tried to see MIThenge in November and thought it was lame, these Winter ones can be better because leaves aren't on the trees in front of lobby 7. No promises, though. You might also want to pick a day in the middle of the list. This month, MIThenge is predicted for: Date Time Altitude 1/27/2002 16:50:45 -0:04:46 1/28/2002 16:49:50 0:13:46 1/29/2002 16:48:53 0:33:12 1/30/2002 16:47:53 0:53:38 1/31/2002 16:46:53 1:14:35 For more information, including some nice photographs of past MIThenges from Paul Schechter, Joseph Kaye and Matt Yourst, see http://www.mit.edu/mithenge -Keith  1,, Summary-line: 25-Jan YesTisMabel@aol.com [85] #QWERTYMOUSE/singout X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA22274; Fri, 25 Jan 2002 12:06:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA07719 for ; Fri, 25 Jan 2002 12:06:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA23864; Fri, 25 Jan 2002 12:06:22 -0500 (EST) Date: Fri, 25 Jan 2002 12:06:22 -0500 (EST) Message-Id: <138.848a253.2982e677@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: QWERTYMOUSE/singout MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Fri, 25 Jan 2002 12:06:22 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: QWERTYMOUSE/singout Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi everybody! Update time..... We have definitely secured the facilities belonging to Orlando Opera. The building is called the Dr. Phillips Center, and it has all their rehearsal space and offices, and is shared by one of our local ballet troups. It is also the performance space for the resident artist programs, including full productions. As I already mentioned, they are doing Pinafore. What I have found out is that their set designer has decided to turn the ENTIRE performance space into the SHIP! That means the whole big room, which usually has a smallish stage at one end and folding chairs everywhere else, will be the deck of the Pinafore! The audience will be ON the ship! Cool, huh? That means we will be on the ship, too, for the singout. The director of Orlando Opera, Bob Swedberg, is thrilled that we are doing this, and says we can have the space whenever we want, as many times as we want. He also has offered us a Savoynet group rate on tickets to their show. We have decided that the best time for the QWERT is the weekend of May 10-12. What we have NOT decided is the actual dates. Lots of helpful people wrote to tell me that we would not be able to do 6 shows in one day, esp. if we have to quit by 6pm or so, in order to be out of the theater space so the cast can use it. So it looks like we will do 2 days for sure, and possibly 3, since several people also wrote to suggest that we just go ahead and have a full singout. So I see two possible scenarios: A-----We add another show or 2, like Sorcerer (for those of you who can't go to Buxton, or those who want a shot at practicing for Buxton) and possibly Patience (for those of us who didn't get to go to Buxton last year!), and do 2 days for the QWERT. Saturday May 11 is definitely going to be one of the days, no matter what else we choose. The other day could be Sunday, but since there is a Pinafore matinee, we would have to do a split session, singing one show before the matinee, then possibly attending the matineee, and then singing 2 others afterward. We could also do Friday as the other day, and do 2 days of 4 shows each. B-----We do a FULL singout of 13 shows in 3 days, and either do Thur, Fri, Sat, Fri, Sat, Sun, OR Sat, Sun, Mon. Here is where I need the imput of all Savoynet members, since I did not attend the Toronto or any other singout. If we do a full singout, will more of you come? One of our FL Savoynetters can possibly do hotel discounts since he is in the business. Will more of you from the other side of the Atlantic come if we go whole hog? Will that make it worth your while? I assume people just MIGHT want to do the Disney/Universal thing while they are here ( I can HIGHLY recommend Universal Islands of Adventure---the castle entrance to Dueling Dragons alone is worth the price of admission!). I missed the posts this summer about planning the original QWERTYMOUSE and exactly when that was supposed to be, etc. I also need to know what combination of 3 days works the best for airfare rates to be the lowest, etc. It seems to me if we are going to do 2 days, we may as well do 3 days. There is more of a problem here for our local chorus people if we do a full singout, since most of them have no clue about Utopia, etc. Our G&S group, OGASP, does several programs where we do selections from all the shows, but mostly that is me and John doing solos. If enough of you come, we will be ok, since they can follow along. I have already started making recordings for the people here so they can start learning their music! Also, tell me, for pity's sake, tell me, if we do all 13 shows, we call it a singout, and if we don't, it's a QWERT? Is that the distinction? So let me know, everyone...... Elise Curran Orlando, FL  1,, Summary-line: 25-Jan kingparamount@gilbert-and [166] #Re: QWERTYMOUSE/singout X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA26084; Fri, 25 Jan 2002 12:53:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA24431 for ; Fri, 25 Jan 2002 12:53:17 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA28754; Fri, 25 Jan 2002 12:53:15 -0500 (EST) Date: Fri, 25 Jan 2002 12:53:15 -0500 (EST) Message-Id: <5.0.2.1.0.20020125111126.066cadc0@mail.gilbert-and-sullivan.org> Errors-To: savoynet-owner@bridgewater.edu Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: Re: QWERTYMOUSE/singout Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <138.848a253.2982e677@aol.com> X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 *** EOOH *** Date: Fri, 25 Jan 2002 12:53:15 -0500 (EST) Reply-To: kingparamount@gilbert-and-sullivan.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: King Paramount I To: Multiple recipients of list SAVOYNET Subject: Re: QWERTYMOUSE/singout Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <138.848a253.2982e677@aol.com> At 11:05 AM 1/25/02, YesTisMabel@aol.com wrote: >We have definitely secured the facilities belonging to Orlando Opera. The >building is called the Dr. Phillips Center, and it has all their rehearsal >space and offices, and is shared by one of our local ballet troups. It is >also the performance space for the resident artist programs, including full >productions. That is really good news. It sounds like a great space. >As I already mentioned, they are doing Pinafore. What I have found out is >that their set designer has decided to turn the ENTIRE performance space into >the SHIP! That means the whole big room, which usually has a smallish stage >at one end and folding chairs everywhere else, will be the deck of the >Pinafore! The audience will be ON the ship! Cool, huh? That means we will >be on the ship, too, for the singout. Hmmm. I am surprised that they are letting you do this -- only because of the possible, although clearly unintentional, damage to their set as well as liability insurance concerns. (Assuming that the Pinafore set has some rigging, masts, booms and spars..) >The director of Orlando Opera, Bob Swedberg, is thrilled that we are doing >this, and says we can have the space whenever we want, as many times as we >want. He also has offered us a Savoynet group rate on tickets to their show. Sure. Its great PR for them. Is Roger Bingaman still involved with Orlando Opera? He is a SUPERB pianist/music director who worked with John Reed in Colorado at some point and knows G&S real well. If so, make sure Bing at least gets an invitation (and say hello for me) >We have decided that the best time for the QWERT is the weekend of May 10-12. > What we have NOT decided is the actual dates. Lots of helpful people wrote >to tell me that we would not be able to do 6 shows in one day, esp. if we >have to quit by 6pm or so, in order to be out of the theater space so the >cast can use it. Hmmm. I think 6 sounds more than a bit adventurous. Plus you may want to leave a bit more time for people to meet other people.. after all, if Toronto had done its singout in only one day (T2K), Bruce Miller and I probably wouldn't have buried the hatchet and at least one of us (me....) would probably still be using it... I would go for a smaller number... > So it looks like we will do 2 days for sure, and possibly >3, since several people also wrote to suggest that we just go ahead and have >a full singout. Hmmm. Ask the Toronto and Rockville people. I am not sure whether or not you really have enough time to set this up. Those are big endevaours that need lots of logistical support and lots of accompanists. >So I see two possible scenarios: > >A-----We add another show or 2, like Sorcerer (for those of you who can't go >to Buxton, or those who want a shot at practicing for Buxton) and possibly >Patience (for those of us who didn't get to go to Buxton last year!), and do >2 days for the QWERT. Saturday May 11 is definitely going to be one of the >days, no matter what else we choose. The other day could be Sunday, but >since there is a Pinafore matinee, we would have to do a split session, >singing one show before the matinee, then possibly attending the matineee, >and then singing 2 others afterward. We could also do Friday as the other >day, and do 2 days of 4 shows each. I would do a number of shows, and possibly spread them out. >B-----We do a FULL singout of 13 shows in 3 days, and either do Thur, Fri, >Sat, >Fri, Sat, Sun, OR Sat, Sun, Mon. Here is where I need the imput of all >Savoynet members, since I did not attend the Toronto or any other singout. >If we do a full singout, will more of you come? I would guess that you would but you really need more than Savoynet to pull off a full singout. Their are a surprisingly large number of roles with quite a bit of "vocal" demand. Even with the outstanding group of S-netters and some good local people, its going to be a bit too much. More importantly, I would think that you would do better to start with a slightly smaller project which can be done without question and then plan ahead for a large project. > One of our FL Savoynetters >can possibly do hotel discounts since he is in the business. That's quite helpful. > Will more of >you from the other side of the Atlantic come if we go whole hog? Truthfully, even the full blown, well run singouts in Rockville and Toronto drew a good deal of their numbers from local groups with only a smattering of folks from across the pond... just like Buxton, to be truthful, draws a relatively small number of Yanks. (I can claim, almost without question, the distinction of being the "best" principal performer at Buxton last year from the United States... since I was the ONLY one who fit this category...) I wouldn't count on it... although the folks from across the pond will need to comment on this. >Will that >make it worth your while? I assume people just MIGHT want to do the >Disney/Universal thing while they are here ( I can HIGHLY recommend Universal >Islands of Adventure---the castle entrance to Dueling Dragons alone is worth >the price of admission!). I missed the posts this summer about planning the >original QWERTYMOUSE and exactly when that was supposed to be, etc. I also >need to know what combination of 3 days works the best for airfare rates to >be the lowest, etc. I suspect that lots of us would do just that (Well.. except Gywn, Dorothy and I... we would have to spend time visiting lots of relatives in the area...) >It seems to me if we are going to do 2 days, we may as well do 3 days. There >is more of a problem here for our local chorus people if we do a full >singout, since most of them have no clue about Utopia, etc. What does work (at a singout) is trying to get a commitment from a group that has done the work before and is willing to bring a lot of people. For example, the superb North Carolina group which brought in the leads for Iolanthe (although it would have been nice if everyone had known ahead of time about the Fairie Queen's word changes....) But, again, this is why singouts take time. QWERT's are less formal. > >Also, tell me, for pity's sake, tell me, if we do all 13 shows, we call it a >singout, and if we don't, it's a QWERT? Is that the distinction? Hmmm. I guess it depends. To me, a singout is a far larger and more organized event. A QWERT is generally a smaller gathering. I view a QWERT as a slightly more organized function than, for example, the "Shakespeare" parties which we hold sometimes in Chicago (we prepick the play, but the parts are drawn at random... as is the next play. Since no one really want to do the next play that we have drawn (King Lear), we haven't had one recently. At both functions, people doing roles should know the music, but at the Singout, they should know the music to the point where it is "performance ready". Sam's functions (which are, apparently not QWERT's) as I understand it are a bit larger than most QWERT's, but still much smaller than singouts. I am no expert, but I would plan something less than a full singout, see if it works out, and if it does, plan, with more lead time, a full singout.  1,, Summary-line: 25-Jan andi_s_r@yahoo.com [108] #Re: QWERTY/MOUSE misc. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA14076; Fri, 25 Jan 2002 19:39:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA02148 for ; Fri, 25 Jan 2002 19:39:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA02905; Fri, 25 Jan 2002 19:39:08 -0500 (EST) Date: Fri, 25 Jan 2002 19:39:08 -0500 (EST) Message-Id: <20020126002632.34553.qmail@web10802.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: QWERTY/MOUSE misc. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 25 Jan 2002 19:39:08 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: QWERTY/MOUSE misc. Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I've gone to "Digest" mode, but Elise is copying me on Orlando posts. Some comments responding to questions in her most recent: AIRFARE: In my day job, I do a lot of travel planning for the company executives, and what I have found to be true in a large majority of cases is that there are 2 key points about airfare that override nearly all other considerations: (1) Include a Saturday night stay (2) Purchase tickets at least 14 days in advance--and much earlier if you can, because the lowest priced seats sell out first. If you do these two things, it really doesn't matter-matter- matter what other day(s) you tack on, on either side. Eliminate the Saturday night, or procrastinate to within the last few days before purchasing tickets, and the airfare goes up astronomically, often to five or even 10 times the Saturday-night-stay/14-day-advance fare. As of this morning, there were round-trip tickets available from New York to Orlando for the weekend in question on Delta Airlines at USD 129 for selected flights--and on other flights, the lowest price shown was USD 321 (Source: Expedia.com). MY OPINION RE HOW MUCH: LESS IS MORE For a "maiden voyage" of planning, on a comparatively short time frame, IMHO the 6-opera plan would be better than a full-scale all-13 Sing-Out. For selfish reasons related to my day job, I would like to see it planned so that I don't have to take more than 1 weekday off from work--either the Friday or the Monday ("one of [the] two, and I don't care which"). I admit to a personal bias in favor of shorter events. As much as I enjoyed the T2K experience, I found the marathon very tiring, and had "fuzzed out" psychologically as well as physically by about 10 p.m. Saturday night--about 4 hours before my normal threshhold, when I'm used to adding 3- or 4-hour rehearsals to a full corporate workday plus an hour-plus commute at the end of the evening. Of course, I'd also played two of the shows, which does expend somewhat more energy than most expend when singing chorus. While there is a stalwart contingent of hearties (or hardies) who indeed have the stamina and enthusiasm to carry them through (on top of whatever travel weariness one incurs), there were a number of other attendees at T2K who admitted privately to being tired "in body and in mind"(omit tarantara)--while regretting it and feeling guilty about it, not wanting to miss out on anything, wishing they could put everything on "Hold" for a few hours for a rest. THE GOLDILOCKS CHOICE In my opinion, the 6-opera plan, spread over 2 days of the weekend, is a nice choice, midway between the all-out marathon of a Sing-Out and the abbreviated proceedings of a one-day QWERT like Sam's. The necessity of stopping so that the host company can prepare for and do a Saturday evening performance and a Sunday matinee will automatically cut down on the exhaustion factor and "fuzz out" factor--and allow time for some socializing. I would also suggest that the preparation standard be a "midway" one--not the pressure to be fully prepared at "performance level" that a Sing-Out implies, which can be nerve-wracking to some, yet not quite so casual, perhaps, as an informal gathering of friends. Shall we say "familiar with" the material? WHICHEVER... To me, whatever we decide on, the most important thing is to have fun, enjoy seeing old friends and meeting new ones, and enjoy sharing the wonderful material that brings us together. For me, one of the highlights of T2K was when the alto section heartily joined in with the men in singing The March of the Peers. Definitely not the usual choice for "performing"--but oh, boy, was it FUN--I've been envying the men that number for years! I'll go along with whatever is decided--I've already volunteered my fingers as needed/desired--but there are my thoughts, FWIW. Best to all, Andi ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com  1,, Summary-line: 28-Jan mike@mpnash.com [90] #Perceptions of Ko-Ko (quite long!) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA11175; Mon, 28 Jan 2002 18:29:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA24746 for ; Mon, 28 Jan 2002 18:29:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA19050; Mon, 28 Jan 2002 18:29:04 -0500 (EST) Date: Mon, 28 Jan 2002 18:29:04 -0500 (EST) Message-Id: <004801c1a851$464c2fe0$1ddb883e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Perceptions of Ko-Ko (quite long!) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Mon, 28 Jan 2002 18:29:04 -0500 (EST) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Perceptions of Ko-Ko (quite long!) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I was going to stay out of this thread for obvious reasons, but Chris Webster asked me a direct question:- > I know that Mike hates playing Ko-Ko but loves Point and the Chancellor > (is the dislike to the role itself or just to playing it)... A bit of both, and other things. The other things first: Ko-Ko, it seems to me, is probably the role more than any other in G&S which is so bound up with "trad business". I'm not against all trad biz, but with Ko-Ko it's rather like how the Duke of Dunstable feels about toffee. There's just too much of it - almost every moment he's on stage there's something he's supposed to be doing which isn't scripted but "that's always done". Furthermore, maybe my sense of humour (that is, assuming that I've got any) is out of kilter with everyone else's, but a good deal of the trad biz for Ko-Ko I find is not funny, just silly. If you watch the complete series of "Monty Python" you realise that the sketches everyone remembers (the funny ones) only made up a fraction of the total output, and an awful lot of sketches failed because they were silly but the humour was weak. That's how I feel about Ko-Ko's business. It's designed to make him look as idiotic and ridiculous as possible, and that contradicts the picture of Ko-Ko I get from reading the script. What I see there is a very ordinary man, trying his best to cope with an increasingly insane situation and with people much more ridiculous than himself. But what I dislike about the character most of all (the real character, discounting the trad biz) is that he's such a loser. He says, "My brain it teems with endless schemes", but none of them work, and he ends up with a fate worse than death - being married to Katisha. At least Point gets to confront the audience with the injustice of his situation and make people understand that weaker people are not on this Earth solely for stronger people to push down - or if they are, they shouldn't be. But Ko-Ko just drifts with the tide and apparently says, "It's OK to laugh at me, folks, 'cos I'm a funny little man." And as for my personal dislike of playing the role, it ties in very much with what I've just said. One of the main reasons why I go on stage, if not THE main reason, is escapism. I get to be someone who can say and do things I never have the opportunity to say and do in real life, or which I don't have the nerve to say or do. The more I admire a character, the more I enjoy playing him. But I find nothing to admire in Ko-Ko; and with all the trad biz added in, less than nothing (i.e. plenty to despise). And audiences have a nasty habit of not differentiating between the character and the actor playing the role. That's fine if it's a really great character, though it can still lead to problems - but I do not want to be pigeonholed as the complete loser Ko-Ko is. As I said, I do theatre for escapism, and I've had quite enough of being cast as the loser in real-life situations for one lifetime, without having salt rubbed into the wounds. > Also does the opinion of playing the role have anything to do with the > position of The Mikado is a 1 to 13 (14?) favourite opera list (as in > 'opera' not 'character') At least, it does so in my case. "Mikado" is 13th out of 14 ("Utopia" is 14th, and my opinion of "Thespis" is based on the Bruce Montgomery version I saw at Buxton). I did enjoy Abbots Langley's version of "Mikado" at Buxton last year because (a) there was little or no trad biz and no encores and (b) Ko-Ko came across as much more robust than usual, which I felt made him less of a "victim" and his pairing up with Katisha much less "sad" (in the most derogatory sense of the word). But I also think that the libretto of "The Mikado" lacks a good deal of the topsy-turvy nature of the other operas. The characters have fewer layers, and the story is too straightforward for my taste. There's not as much to discover on repeated watchings, unlike, say, "Patience" or "Yeomen". I think Sullivan was considerably stronger than Gilbert in "The Mikado". > My interest is mainly because I think it is a wonderful role when played > well, particularly because of its comedic opportunities... Maybe that's my problem - I'm just not a comedian. Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: www.mpnash.com  1, answered,, Summary-line: 28-Jan scwang@MIT.EDU [18] #Pinafore Videos, etc X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA22968; Mon, 28 Jan 2002 23:52:33 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA07018; Mon, 28 Jan 2002 23:52:22 -0500 (EST) Received: from angelwings.mit.edu (ANGELWINGS-NEXT.MIT.EDU [18.242.2.215]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id XAA08227; Mon, 28 Jan 2002 23:52:21 -0500 (EST) Message-Id: <5.0.2.1.2.20020128235509.026357a0@hesiod> X-Sender: scwang@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Mon, 28 Jan 2002 23:56:38 -0500 To: opus@mit.edu, opus@ipnh.com, rls@mit.edu From: Stephanie C Wang Subject: Pinafore Videos, etc Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: scwang@hesiod (Unverified) Date: Mon, 28 Jan 2002 23:56:38 -0500 To: opus@mit.edu, opus@ipnh.com, rls@mit.edu From: Stephanie C Wang Subject: Pinafore Videos, etc Content-Type: text/plain; charset="us-ascii"; format=flowed Hey Dave, The Pinafore numbers have finally come in and it looks like we will be ordering 45 videos for Pinafore. Also - any progress on the Zoo and Sorcerer tapes? People are getting restless. Let me know, and hope all is well, Steph.  1,, Summary-line: 30-Jan pdp@globalnet.co.uk [58] #Re: Ruddigore Vivication? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA14199; Wed, 30 Jan 2002 18:19:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA26807 for ; Wed, 30 Jan 2002 18:19:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA12370; Wed, 30 Jan 2002 18:16:30 -0500 (EST) Date: Wed, 30 Jan 2002 18:16:30 -0500 (EST) Message-Id: <3.0.6.32.20020130225649.00ac25c0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Ruddigore Vivication? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000901c1a9a2$dd1324e0$a759893e@argonet.co.uk> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Wed, 30 Jan 2002 18:16:30 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Ruddigore Vivication? Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000901c1a9a2$dd1324e0$a759893e@argonet.co.uk> I have seen an amateur performance which did not require any blackout for the transformation. It was done in full view of the audience. Firstly all the portraits were individually painted to exactly match the chorus member's costume, including the faces. The paintings were done on a gauze and very cleverly lit so as to show the portrait with no obvious human behind them. They used black backgrounds and the lighting had been arranged such that no spill over into the area behind the portraits was present. As the change approached the chorus members took their places invisible to the audience and assumed the exact pose of the portrait. For the actual change the lighting was cross faded so that the baronets were made visible and the gauze portraits became almost invisible. The baronets all moved very slightly before stepping down pushing the gauze aside. The impression to the audience was that they had come to life. This performance was the very best transformation scene I had ever witnessed and I wrote to the producer to tell him so afterwards. Unfortunately these things can go wrong and at the performance I attended when it came to resume the poses one of the pictures lighting dimmers got stuck and the poor fellow had to stand there in full illumination. The lighting control was front of house but the stage setting was angled and the lighting controller could not see that particular portrait. Some but not all of the audience could see the spoilt effect which was a pity. I have no doubt that at other performances all worked as it should have. This performance was at the Dome Theatre Worthing Sussex UK some three or four years ago and was produced and conducted by Max Morris. Overall this performance I rated as one of the very best produced Ruddigores I had ever seen, including the old DOC. The scene after the transformation was played with Robin as a ghost, the real Robin having fallen asleep in a large wing chair back to the audience but with an arm and leg visible. That was static through the whole scene and of course done with a dummy. When at the end of the transformation scene Robin comes back to life the ghost of Robin sat in the chair and the real Robin was awakened by Old Adam. This performance restored nearly all of the original version and music but not the second transformation scene. Done this way it worked wonderfully. It really made Ruddigore come to life if I may use that expression. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 31-Jan Bj.Richards@btinternet.co [31] #The Grand Duke:Penarth, UK X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA18792; Thu, 31 Jan 2002 05:38:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA15453 for ; Thu, 31 Jan 2002 05:38:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA25508; Thu, 31 Jan 2002 05:37:59 -0500 (EST) Date: Thu, 31 Jan 2002 05:37:59 -0500 (EST) Message-Id: <005e01c1aa40$a9b93280$3f5601d5@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: The Grand Duke:Penarth, UK MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Thu, 31 Jan 2002 05:37:59 -0500 (EST) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: The Grand Duke:Penarth, UK Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum To remind everybody that Cardiff G&S Society will be producing The Grand Duke at The Paget Rooms, Penarth (South Wales, UK) between 6-9 March. Jackie will be playing Julia Jellicoe and Bob will be playing Ludwig. As usual we will be throwing our home open to SavoyNetters who want to come and see the productions. This year we will be welcoming Carole Round from New York and the Ruth & Dave Jedlinsky from New Hampshire, and nearer home, the Duffeys, Mike Nash and possibly Chris Webster - almost enough for a QWERT! We still have some room at Ty Richards and lots of tickets to sell! We are confident that the production will be good fun, rehearsals certainly are - you don't get the usual promts from smart-alecs in the chorus! Don't miss it Bob & Jackie  1,, Summary-line: 1-Feb alasdairking@yahoo.co.uk [85] #Videoing G&S X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA19786; Fri, 1 Feb 2002 06:09:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA04239 for ; Fri, 1 Feb 2002 06:09:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA14743; Fri, 1 Feb 2002 06:08:41 -0500 (EST) Date: Fri, 1 Feb 2002 06:08:41 -0500 (EST) Message-Id: <20020201104732.24128.qmail@web9105.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: alasdairking@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Alasdair=20King?= To: Multiple recipients of list SAVOYNET Subject: Videoing G&S MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 1 Feb 2002 06:08:41 -0500 (EST) Reply-To: alasdairking@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?Alasdair=20King?= To: Multiple recipients of list SAVOYNET Subject: Videoing G&S Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello all, The recent discussion of videos prompts me to ask the question: how should an amateur G&S production be filmed? We have a fellow who comes in and tapes two shows, one from the back of the auditorium, and one from the middle. The auditorium is shallow but wide, so this lets him combine shots of the whole stage with close-ups of the principals or certains sections of the action. He edits them together to produce one show recording, which is purchased by the society members. My reservations with this approach are as follows: - Political one: most of the people who buy the video are our large chorus. They want to see themselves on stage. Shooting the face of the lead soprano while an energetic dance routine is going on around her is a shame for the chorus members. On the other hand, at a full-width distance, individuals may be unrecognisable anyway, so why not pan across the chorus doing the dance? - Artistic one: the actual audience experience is gained from viewing the whole stage, and attempting to film sections of that simply interposes an ignorant filter between the production and the viewer. (Ignorant in not knowing the production, not stupid). The 'wrong' bits get filmed. On the other hand (again) the audience will tend to focus on a particular area of the stage because of lighting/movement and so on, so shouldn't the camera focus in there as well and benefit from being able to resolve what's going on rather than having blobs dancing at a distance? I suppose one solution is to have the director film the show, but this might still fail to convey the production (the director knows you should be looking over there, but the audience never did because the director didn't make them: why should the camera?) and be more partisan in choosing whom to film than any outside agent. I think this is a particular problem for G&S because there tends to be so much chorus work, and because there are a limited number of scenes which use the entire stage (as a general rule). A modern musical uses trucks, more focused lighting, and front-of-curtain scenes to divide the space into smaller areas which can be more amenable to filming closeups. Any comments? Should one just shoot the whole thing pointing at the stage? Or zoom and pan to see faces? Or just give up on worrying, because (as observed) a 2000GBP video camera isn't really up to the job, and it's only a momento for the society, not a true record of the production? Best wishes, Alasdair King PS So, does one "video" a "video"? Or "film" a "tape"? "I video", "You video", "He videos" ... "He is videoing"? "Video, Vides, Videt"? Ugh. __________________________________________________ Do You Yahoo!? Everything you'll ever need on one web page from News and Sport to Email and Music Charts http://uk.my.yahoo.com  1,, Summary-line: 1-Feb Raywalker@appleonline.net [37] #Recording Buxton sound X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA29791; Fri, 1 Feb 2002 08:52:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA01225 for ; Fri, 1 Feb 2002 08:52:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA23311; Fri, 1 Feb 2002 08:52:15 -0500 (EST) Date: Fri, 1 Feb 2002 08:52:15 -0500 (EST) Message-Id: <3C5A8BFA.FBFBC06@appleonline.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Recording Buxton sound MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77 (Macintosh; U; PPC) *** EOOH *** Date: Fri, 1 Feb 2002 08:52:15 -0500 (EST) Reply-To: Raywalker@appleonline.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raywalker To: Multiple recipients of list SAVOYNET Subject: Recording Buxton sound Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum We can witter on to our hearts' content about the pros and cons of the videoing at Buxton. I agree a lot with all that has been said by Peter and others though think we ought to put the matter in proper perspective. They do give a fair record of the evening's event. The videos in recent years have in my opinion been quite good. Using a three camera set up with on-line or off-line editing does not come cheap and when one considers the return for the number of copies sold I should hardly think it pays for even the present sophistication. I quite see Paul Cohen's remark about the sound and if he were present he would probably have noticed that the mic. placings are far from ideal. Two rifle mics are situated at the perches over the pit stage left and right. I have never been able to spot any other mics picking up the orchestra. Rifle mics are far from ideal. The frequency resonse of a cardiod microphone is seriously affected when used with the rifle element since the rifle cannot be tuned to a wide frequency response. The BBC uses cardiod for music but perhaps omidirectional mics might improve matters since they need to pick up more than a 90 degree angle. Ceetainly, I would have miced the event differently. I am not so worried about a stereo separation though I would have thought it would pose no problem during recording.  1,, Summary-line: 1-Feb pdp@globalnet.co.uk [51] #Re: Videoing G&S X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA13030; Fri, 1 Feb 2002 10:06:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA03691 for ; Fri, 1 Feb 2002 10:06:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA09580; Fri, 1 Feb 2002 10:06:25 -0500 (EST) Date: Fri, 1 Feb 2002 10:06:25 -0500 (EST) Message-Id: <3.0.6.32.20020201143935.0083c100@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Videoing G&S Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020201104732.24128.qmail@web9105.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Fri, 1 Feb 2002 10:06:25 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Videoing G&S Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020201104732.24128.qmail@web9105.mail.yahoo.com> At 06:08 01/02/02 -0500, Alasdair King wrote: >We have a fellow who comes in and tapes two shows, one >from the back of the auditorium, and one from the >middle. The auditorium is shallow but wide, so this >lets him combine shots of the whole stage with >close-ups of the principals or certains sections of >the action. He edits them together to produce one >show recording, which is purchased by the society >members. > I would be surprised if editing two separate perfomances into a combined whole would not be quite noticeable to a viewer who was not part of the cast. Different tempi would be one problem. Quite small changes can be detected. Audience reaction would be another as no two shows will be the same. I have had the experience also of the temperature of the room/theatre changing the pitch of the instruments making comparisons very noticeable between performances and that was with professionals. I suppose it depends how fussy one is. The piano is particularly susceptible to this. >I suppose one solution is to have the director film >the show, but this might still fail to convey the >production (the director knows you should be looking >over there, but the audience never did because the >director didn't make them: why should the camera?) and >be more partisan in choosing whom to film than any >outside agent. > Absolutely! The lack of the videographer being able to attend a rehearsal and get things right is a bugbear. But it all depends! If you set out to produce a "film" of a show the approach is quite different from producing a record of the production, mainly for the cast's benefit. Anything done live, on line, without any post editing facility is bound to be a record of the production and not a fully produced video of a show. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 3-Feb mike@mpnash.com [36] #Is GD underrated? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA27554; Sun, 3 Feb 2002 15:16:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA10459 for ; Sun, 3 Feb 2002 15:16:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA16380; Sun, 3 Feb 2002 15:16:17 -0500 (EST) Date: Sun, 3 Feb 2002 15:16:17 -0500 (EST) Message-Id: <001101c1acef$0fb27780$64d4883e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Is GD underrated? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sun, 3 Feb 2002 15:16:17 -0500 (EST) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Is GD underrated? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sheldon Richman wrote:- > Does anyone out there agree with me that DG is underrated? and corrected himself:- > Of course, I meant GD! There are quite a few of us who are "Grand Duke" fans. I first saw the opera performed in 1991 by Manchester University G&S Soc and thought it was great. Then Poynton G&S Society performed it in 1998 and I was lucky enough to play Ludwig, one of the most enjoyable roles I've ever done. I'm looking forward to seeing Bob and Jackie Richards in Penarth's production of GD next month (Bob as Ludwig, Jackie as Julia). But why does it seem as if anyone who has a particular liking for GD dislikes "Utopia Limited" and vice versa, or else they don't particularly care for either? Is there anyone who really likes both operas, and if so, what do you like about each? Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Visit my web site: http://www.mpnash.com  1,, Summary-line: 3-Feb andi_s_r@yahoo.com [59] #Re: Is GD underrated? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA27423; Sun, 3 Feb 2002 16:28:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA05227 for ; Sun, 3 Feb 2002 16:28:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA17786; Sun, 3 Feb 2002 16:28:05 -0500 (EST) Date: Sun, 3 Feb 2002 16:28:05 -0500 (EST) Message-Id: <20020203210826.10856.qmail@web10802.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Is GD underrated? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c1acef$0fb27780$64d4883e@default> *** EOOH *** Date: Sun, 3 Feb 2002 16:28:05 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Is GD underrated? Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c1acef$0fb27780$64d4883e@default> --- Mike Nash wrote: Is there anyone who really likes both operas, > and if so, > what do you like about each? >From a weary pianist at the end of a 3-month siege of working on The Big Three: My reaction comes under the "No, no, anything but that!" heading: I like 'em both because they're *not* The Mikado!! Once past that reflex reaction set off by massive overexposure, I like them both more for Sullivan's work than for Gilbert's. Hoi polloi (of which there are none in this august group, of course) tend to think of "G&S" as being in one consistent style, but I'm of that number who enjoy the Canon for exactly the opposite reason, the interesting variety in the material by both collaborators. While agreeing with those who feel that both works, especially GD, would have profited from the more thorough editing by their creators of which pre-rift works had the benefit, I enjoy Sullivan's composition in his "later" period as much as in the "early" and "middle" periods. While at times I get the feeling that he was struggling to avoid replicating earlier writing and sometimes being a bit artificial in the departures, he was always aware of the musical trends around him, and by the 1890s there are a number of different flavors and influences showing up in his composition, some of which seem to me to look forward toward 20th century usage rather than back toward older styles. To me, the G&S collaborations and Sullivan's other compositions are like a buffet table on which dishes of many different types are offered--and when I get tired of beef, I am especially grateful for the mutton! ===== Andi Stryker-Rodda New York City/New Jersey You may be able to catch a glimpse of me at the piano in photos from QWERTYConn and T2K by clicking: http://photos.yahoo.com/andi_s_r (This link works for some but not for others) __________________________________________________ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com  1,, Summary-line: 3-Feb short@bose.com [21] #change of address X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA16858; Sun, 3 Feb 2002 17:00:23 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA14877; Sun, 3 Feb 2002 17:00:11 -0500 (EST) Received: from trend.bose.com (chameleon.bose.com [4.19.252.131]) by zurich.ai.mit.edu (8.9.3/8.9.3/Debian 8.9.3-21) with SMTP id QAA20046 for ; Sun, 3 Feb 2002 16:59:37 -0500 X-Authentication-Warning: zurich.ai.mit.edu: Host chameleon.bose.com [4.19.252.131] claimed to be trend.bose.com Received: from LAB-LOKALEIKA (lab-lokaleika.bose.com) by mailhost.bose.com (4.1/SMI-4.1) id AA26119; Sun, 3 Feb 02 16:59:02 EST Message-Id: <3.0.6.32.20020203165902.02866550@mmail> X-Sender: short@mmail X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Sun, 03 Feb 2002 16:59:02 -0500 To: lsc-alums@zurich.ai.mit.edu From: "William R. Short" Subject: change of address Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" *** EOOH *** X-Authentication-Warning: zurich.ai.mit.edu: Host chameleon.bose.com [4.19.252.131] claimed to be trend.bose.com X-Sender: short@mmail Date: Sun, 03 Feb 2002 16:59:02 -0500 To: lsc-alums@zurich.ai.mit.edu From: "William R. Short" Subject: change of address Content-Type: text/plain; charset="us-ascii" I've moved. For those of you who have been following this project, you'll recall that it's been going on for two and a half years. And it's still not done. Regardless, the new contact information is: 47 Pine Hill Road Southborough, MA 01772-1313 508 626 0640 Bill  1,, Summary-line: 3-Feb LostandSpaced@webtv.net [59] #The Grand Duke and Utopia Limited X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA24317; Sun, 3 Feb 2002 17:42:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26941 for ; Sun, 3 Feb 2002 17:42:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA19164; Sun, 3 Feb 2002 17:42:04 -0500 (EST) Date: Sun, 3 Feb 2002 17:42:04 -0500 (EST) Message-Id: <19177-3C5DBC3F-474@storefull-2134.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LostandSpaced@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LostandSpaced@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: The Grand Duke and Utopia Limited Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 3 Feb 2002 17:42:04 -0500 (EST) Reply-To: LostandSpaced@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LostandSpaced@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: The Grand Duke and Utopia Limited Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sheldon asked if anyone else feels GD is underrated - and I do! Mike (I'd give anything to see him play Ludwig) Nash asked if anyone likes both Utopia Limited and Grand Duke - and I do! I'm crazy about both - UTOPIA for the plot and the good music (not the lyrics) and DUKE for the great music (not the plot or the lyrics). As I posted here before, we all know Gilbert got tired of the old G&S "let my words be heard" conflict and told Sullivan to do as he pleased with the DUKE libretto. He did! The music is SO innovative. Part of my opinion might be due to my age. Many of us here went a long time before they recorded UL and GD. Years ago, in desperation to hear them, I sent away for the two piano scores and played them the best I could - but I'm no pianist. (In fact, my playing was so bad that I played the opening chorus as if it was composed of all eighth notes. You know what came out? "How beautifully blue the sky." That's what. And I'm sure the musicians here are all aware that the opening chorus to PINAFORE and PIRATES start out with the same notes too.) After going years UL and GD free - it was practically a religious experience for me when the music finally came out. Most of the music in GD could be argued to be the best in the series - although one or two numbers don't work. "Opononax - Opononax" could have come straight out of the mouths of the Greek gods and goddesses. Many numbers in UL sound amateurish (for Sullivan) but the big numbers are fantastic. The plot is interesting and ripe for transplantation. I'm still very angry with the D'Oyly Carte, though, for making all those cuts in both. Who makes decisions like that? Also, Andi asked for people to explain why they don't like "Sparkling Eyes" - and I can't. Great lyrics. Great music. Great that CD players have a SKIP button. It's not that I hate it. It just bores me. Strange. Love the GONDOLIERS though! John S Long Island, New York, U.S.A. LostandSpaced@webv.net  1,, Summary-line: 4-Feb YesTisMabel@aol.com [29] #Light of Love's Lingering Ember X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA23136; Mon, 4 Feb 2002 02:57:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id CAA08277 for ; Mon, 4 Feb 2002 02:57:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA00823; Mon, 4 Feb 2002 02:53:31 -0500 (EST) Date: Mon, 4 Feb 2002 02:53:31 -0500 (EST) Message-Id: <145.8ed0384.298f9604@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Light of Love's Lingering Ember MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Mon, 4 Feb 2002 02:53:31 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Light of Love's Lingering Ember Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sheldon said: <> I also LOVE this duet--possibly my all-time favorite. Besides the wonderful lilt in the waltz section, the counterpoint between the voices is fantastic! I'm dying to sing it---I hope one of you tenors coming to the QWERTYMOUSE is prepared for it! We can do it Friday night at the little opening night sing-around-the-piano fun that we are planning. Elise Curran Orlando, FL  1, answered,, Summary-line: 4-Feb cround@lehman.com [69] #RE: Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA17120; Mon, 4 Feb 2002 10:29:31 -0500 (EST) Received: from extrelay2.lehman.com (extrelay2.Lehman.COM [192.147.58.145]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA16852 for ; Mon, 4 Feb 2002 10:29:16 -0500 (EST) Received: from smtprelay05.lehman.com (smtprelay05.lehman.com [10.5.165.70]) by extrelay2.lehman.com (Postfix) with SMTP id 6A563D7B1B for ; Mon, 4 Feb 2002 10:29:16 -0500 (EST) Received: from 146.127.49.129 by smtprelay05.lehman.com with ESMTP ( Tumbleweed MMS SMTP Relay (MMS v4.7)); Mon, 04 Feb 2002 10:29:14 -0500 X-Server-Uuid: 6f70d564-fb91-11d4-8d7a-0002a52cad74 Received: by exnyc13.lehman.com with Internet Mail Service (5.5.2654.89) id <1DB9QHFC>; Mon, 4 Feb 2002 10:29:47 -0500 Message-ID: From: "Round, Carole J" To: "'David C. Jedlinsky'" Subject: RE: Grand Duke Date: Mon, 4 Feb 2002 10:29:42 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2654.89) X-WSS-ID: 10407740450574-02-01 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit *** EOOH *** X-Server-Uuid: 6f70d564-fb91-11d4-8d7a-0002a52cad74 From: "Round, Carole J" To: "'David C. Jedlinsky'" Subject: RE: Grand Duke Date: Mon, 4 Feb 2002 10:29:42 -0500 X-WSS-ID: 10407740450574-02-01 Content-Type: text/plain; charset=iso-8859-1 Hi Dave, I've booked my flight, etc. & am very enthused. I'm going over the previous Sunday and staying in London at the Thistle Euston (presumably near Euston Station - an American Airlines package). I also plan to go to Wales on Friday, so if we can meet up for the drive, great - otherwise I'm sure I can find some kind of ground transportation. I'll be flying back on Monday afternoon and will take a bus out of Cardiff to Heathrow. I'll be in touch as I get more details. Regards, Carole -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Wednesday, January 23, 2002 12:47 PM To: Round, Carole J Subject: Re: Grand Duke Hi Carole. We're planning a very short trip to see Bob & Jackie (and the Grand Duke). Our travel plans are currently set as follows: Arrive in London Thursday, March 7. Stay overnight in London. Rent a car Friday morning, drive to Bob & Jackie's place. We plan to stay with Bob & Jackie until Monday the 11th, when we drive back to London, and spend the night there. Fly home Tuesday, March 12. Let me know how that fits in with your plans, and maybe we can coordinate somewhat, even with our short visit. -Dave >From: "Round, Carole J" >Date: Wed, 23 Jan 2002 10:51:31 -0500 > >Hi David: > >Jackie Richards tells me you're going over to see their show, as am I - & >that we might coordinate plans. I've not yet made my reservations & am >considering a few days in London, but thought it might be useful to have >your information. Of course, to take advantage of current airfares, I plan >to book soon. I look forward to hearing from you & getting together with >you and all. Regards. > >Carole Round >392 Central Park West >Apt. 15W >New York, NY 10025 >phone - 212/866-5625 ------------------------------------------------------------------------------ This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.  1,, Summary-line: 5-Feb rlcarr@MIT.EDU [11] #VHS -> DVD X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA21482; Tue, 5 Feb 2002 00:02:24 -0500 (EST) From: Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA00672 for ; Tue, 5 Feb 2002 00:02:13 -0500 (EST) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id AAA11216 for ; Tue, 5 Feb 2002 00:02:12 -0500 (EST) Received: (from rlcarr@localhost) by biohazard-cafe.mit.edu (8.9.3) id AAA01436; Tue, 5 Feb 2002 00:02:12 -0500 (EST) Date: Tue, 5 Feb 2002 00:02:12 -0500 (EST) Message-Id: <200202050502.AAA01436@biohazard-cafe.mit.edu> To: opus@MIT.EDU Subject: VHS -> DVD *** EOOH *** From: Date: Tue, 5 Feb 2002 00:02:12 -0500 (EST) To: opus@MIT.EDU Subject: VHS -> DVD If/when you have the facility to transfer a VHS tape to DVD, I have a couple of tapes for you :) Similarly for transferring analog audio tape to CD. == Rich  1,, Summary-line: 5-Feb eichin@thok.org [15] #new version X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA06662; Tue, 5 Feb 2002 13:41:37 -0500 (EST) Received: from thok.org (paycheck.thok.org [4.36.43.74]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id NAA03969 for ; Tue, 5 Feb 2002 13:41:25 -0500 (EST) Received: (qmail 14590 invoked by uid 3382); 5 Feb 2002 18:41:24 -0000 Delivered-To: eichin-mmmravs-announce@thok.org Received: (qmail 14587 invoked by alias); 5 Feb 2002 18:41:24 -0000 Delivered-To: mmmravs-announce@thok.org Received: (qmail 14584 invoked from network); 5 Feb 2002 18:41:23 -0000 Received: from swat.thok.org (4.36.43.84) by paycheck.thok.org with SMTP; 5 Feb 2002 18:41:23 -0000 Received: (qmail 677 invoked by uid 3382); 5 Feb 2002 18:41:23 -0000 Sender: eichin@swat.thok.org To: mmmravs-announce@thok.org Subject: new version From: Mark Eichin Date: 05 Feb 2002 13:41:23 -0500 Message-ID: Lines: 9 X-Mailer: Gnus v5.7/Emacs 20.7 *** EOOH *** Sender: eichin@swat.thok.org To: mmmravs-announce@thok.org Subject: new version From: Mark Eichin Date: 05 Feb 2002 13:41:23 -0500 For those of you still using my version instead of Ken's, I've put out a 0.2.4 with the exit-path cleanup code that Ken found. (This fixes a problem you'd see going directly from mmmravs to certain other apps, instead of going via the Launcher, but makes no other interface changes from 0.2.3.) As usual, http://www.thok.org/intranet/pilot/mmmravs/index.html _Mark_ The Herd Of Kittens  1, answered,, Summary-line: 18-Feb Bj.Richards@btinternet.co [154] #Re: Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA26684; Mon, 18 Feb 2002 15:27:54 -0500 (EST) Received: from tungsten.btinternet.com (tungsten.btinternet.com [194.73.73.81]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA25838 for ; Mon, 18 Feb 2002 15:27:39 -0500 (EST) Received: from host213-1-102-53.in-addr.btopenworld.com ([213.1.102.53] helo=default) by tungsten.btinternet.com with smtp (Exim 3.22 #8) id 16cuNu-0007kr-00 for opus@MIT.EDU; Mon, 18 Feb 2002 20:27:38 +0000 Message-ID: <00a601c1b8ba$c51378a0$356601d5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> <200112032345.SAA12432@multics.mit.edu> <001701c17d1a$8424a3e0$1326073e@default> <200112191743.MAA06763@multics.mit.edu> Subject: Re: Grand Duke Date: Mon, 18 Feb 2002 19:50:22 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Grand Duke Date: Mon, 18 Feb 2002 19:50:22 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Hi David Have you got our contact details and directions to get there - Ruth has probably still got them from last time - if not let us know and we will send them again. We are really looking forward to seeing the two of you here and isn't it great that Carole Round is coming over as well. I understand that you are hooking up with her and bringing her from the airport on Friday? If you could get to us as early as possible on Friday it would be appreciated. We leave for the Theatre about 6pm, although it is only a five minute walk from the house. We can feed you up before we leave. I will get you tickets for the Friday and Saturday - although if you want to sell a couple of programmes on the Saturday night you need not pay for your seats. After the show on Friday we are all going for a Curry - hope you like Indian Food. After the show on the Saturday there is a sort of party where we all take food and go through the (not serious) awards for the show. By the time we have cleared the theatre of scenery and packed away the costumes and cleared out the dressing rooms there is not much time for anything else. Can't wait to see you both in a couple of weeks. Love Jackie and Bob ----- Original Message ----- From: David C. Jedlinsky To: Sent: Wednesday, December 19, 2001 5:43 PM Subject: Grand Duke > > Hi Jackie and Bob. > > We have purchased our plane tickets, so I guess we're coming! Our > plan is to drive from London on Friday the 8th and return Monday the > 11th. If this works with your plans, we'll be happy to stay chez > vous. > > I hope you can obtain tickets for us to see the Grand Duke. Would the > Friday performance be the best to see? Or the Saturday? Or both? > > I'm looking forward to seeing you again. > > -Dave > > > >From: "Bob and Jackie" > >Date: Tue, 4 Dec 2001 23:21:27 -0000 > > > >Yes, we will both be off work on the Friday and of course you must stay with > >us. We have lots of spare rooms and can accommodate quite a few people. We > >don't know yet who will be coming but we have had a full house in the past - > >last year it was only Mike Nash who always comes and supports our shows. > > > >As far as we are concerned, the more SavoyNetters, the merrier. > > > >Jackie > > > > > > > > > >----- Original Message ----- > >From: David C. Jedlinsky > >To: > >Sent: Monday, December 03, 2001 11:45 PM > >Subject: Re: Thank you > > > > > >> > >> Hi Jackie and Bob. > >> > >> The most likely inbound flight would arrive in London on Friday > >> morning. I'm not sure I want to drive to Wales immediately upon > >> arrival, so we'd probably stay the night in London. Also, the return > >> flight is around 10 in the morning, so again, we'd want to spend the > >> last night in London. > >> > >> We will have a car, and don't mind fending for ourselves during the > >> day while you are at work; I've never been to Wales, so I'm sure > >> there's plenty to occupy our time. > >> > >> Would it be better for us to stay at a nearby Bed and Breakfast? We > >> don't mind staying in the vicinity if there will be too many people at > >> your house, though we would appreciate a recommendation for lodging. > >> > >> >Alternately you could come here on the Friday and leave on the Monday. > >> > >> That would also work. Are you taking the Friday off from work? > >> > >> I'll put the qwerty mouse plans on hold for the time being. > >> > >> -Dave > >> > >> > >> >From: "Bob and Jackie" > >> >Date: Mon, 3 Dec 2001 18:52:15 -0000 > >> > > >> >Hi David and Ruth > >> > > >> >We would love to see you here for our Grand Duke. Usually we have a load > >> >ofSavoyNetters come to see our show so it will be an exciting house > >full - > >> >almost a mini qwert. We will both be back at work on the Monday so we > >won't > >> >be able to take you out but Cardiff City centre is a splendid place to > >spend > >> >a day with good shops, a castle and museum. You could come into town > >with > >> >me where I work and them back home with me in the evening. > >> > > >> >Alternately you could come here on the Friday and leave on the Monday. > >> > > >> >This is so exciting (we will really have to make sure we put on a good > >show > >> >now). > >> > > >> >Regarding qwerty mouse, there has been a limited response from the UK so > >> >Larry was thinking about postponing the qwert, possible for a year to > >ensure > >> >a better turn out. I think there will be more on this in the New Year > >but > >> >if it does go ahead we will be going over directly to Tallahassee for a > >long > >> >weekend and will not now be organising a trip to Orlando. > >> > > >> >Love > >> > > >> >Jackie and Bob > >> > > >  1, answered,, Summary-line: 19-Feb YesTisMabel@aol.com [133] #more G&SingOrlando 2002 info X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA20273; Tue, 19 Feb 2002 02:47:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA18570 for ; Tue, 19 Feb 2002 02:46:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id CAA23641; Tue, 19 Feb 2002 02:46:37 -0500 (EST) Date: Tue, 19 Feb 2002 02:46:37 -0500 (EST) Message-Id: <182.3ced47d.29a35b23@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: more G&SingOrlando 2002 info MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Tue, 19 Feb 2002 02:46:37 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: more G&SingOrlando 2002 info Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum OK everybody--- More information about the G&SingOrlando2002 May 10-12 at the Dr. Phillips Center for the Performing Arts on Orange Ave. Note the new name! Jim Drew is negotiating with Comfort Suites for accomodations very close to the venue. More on this next week. Most of the people who have responded about the dinner plans for Saturday night at Chapters have chosen the buffet, so I will try to have the price information for you next week. Here are the Netters who have responded so far: Andi S-Rodda Sam Silvers and friend Larry Garvin and wife Jim Cooper Eric Peterson Bobbie Herman Jim Drew John Segers and wife Alvin Entin and wife Doug Whaley ME! Elise Curran and some maybes-- Clive Woods David Craven (sorry if I missed anybody--let me know) How about the rest of you, esp. those who are NOT going to Buxton? And I am surprised that more Floridians on the list have not responded yet----y'all? Spread the word---the more, the merrier! Please let me know if you are even thinking about coming but haven't decided yet. I have QUITE a group of local people I am involving as well, because I just don't want to have to sing everything myself! :-) I WANT US ALL TO HAVE FUN!!!!!!!! In my last post I asked for preferences about which shows to do to possibly replace Mikado as show #7, but did not get enough responses to justify changing it. Also, our local college, UCF, is doing Mikado in the fall and I already have commitments from people involved in that to sing/direct/play for/with us! Soooooo, *************************************CASTING CALL****************************************** ALL roles are available at this time (even Mabel, although I really want that one, but am willing to give it up if someone will travel to sing it!) Several people have already mentioned a few role preferences, but nothing is cast yet, so y'all come on!! I cannot overemphasize this point: AAAALLLLLLLLLLLLLLL roles are open! A reminder that the shows are as follows: TRIAL, SORCERER, PINAFORE, PIRATES, IOLANTHE, MIKADO, AND RUDDIGORE, not in that order. I need you to LIST any and all ROLES that you are interested in, with your TOP 3 in order of preference. It would be helpful to know ALL the roles you have sung, so I can fill in any gaps remaining. (Also let me know if you play piano or can conduct.) If the role you get determines whether or not you will come, PLEASE say so! I have no problem making the trip worth your while in this respect. :-) This information will not be made public---I will just list the role assignments with no explanations. I would like to make sure that each person gets to sing at least ONE role that they reeeeally want. The deadline for role requests is MARCH 1, because I need to tell the locals what they will get to sing (leftovers, of course!) Let me know if this deadline is a problem for any of you. For those of you who missed the other messages about this event, here is a recap: The VENUE--rehearsal hall/perfomance space of the Dr. Phillips Center, made up to look like the deck of the Pinafore for their shows the first 2 weekends in May. FRIDAY, May 10.......6pm-ish----dinner and 'open mike' around the piano at Chapters Book Store and Cafe in Orlando, down the street from the venue SATURDAY, May 11.........9am--sign in, light breakfast; 10-1pm 2 SHOWS; LUNCH(pizza ordered in); 2-6or 7pm 3 SHOWS; 7-8pm-ish buffet DINNER and Jim Drew's one-man Gilbert show at Chapters; Mulvany's pub afterward for the stalwart! SUNDAY, May 12........10-1pm 2 SHOWS;LUNCH(pizza again) during the same time frame for those who want to stay and see the show afterwards; 2-4:30pm Orlando Opera Company's HMS PINAFORE at the same venue; 4:30pm end of events The order of the shows will be determined once they are cast. I will also need a preliminary count of how many are attending the OOC's Pinafore--I guaranteed the artistic director 20 people minimum, in return for them letting us use the venue. OK---now it's your turn! Elise Curran Orlando, FL YesTisMabel@aol.com Alvin Entin and wife Andi R-S Sam Silvers and friend Larry and Robin Garvin (Friday night only) Douglas Whaley Bobbie Herman Eric Peterson Jim Cooper--Ct Clive Woods? David Craven?  1,, Summary-line: 20-Feb to: YesTisMabel@aol.com [46] #Re: more G&SingOrlando 2002 info X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA20602; Wed, 20 Feb 2002 18:27:57 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA27848; Wed, 20 Feb 2002 18:27:41 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA27762; Wed, 20 Feb 2002 18:27:41 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA22519; Wed, 20 Feb 2002 18:27:40 -0500 (EST) Date: Wed, 20 Feb 2002 18:27:40 -0500 (EST) Message-Id: <200202202327.SAA22519@multics.mit.edu> From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <182.3ced47d.29a35b23@aol.com> (YesTisMabel@aol.com) Subject: Re: more G&SingOrlando 2002 info References: <182.3ced47d.29a35b23@aol.com> *** EOOH *** Date: Wed, 20 Feb 2002 18:27:40 -0500 (EST) From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <182.3ced47d.29a35b23@aol.com> (YesTisMabel@aol.com) Subject: Re: more G&SingOrlando 2002 info Hi Elise. My wife, Ruth, and I (David) are planning on attending the G&SingOrlando in May. Ruth will not be requesting any roles (though she'll probably join in some of the chorus work). Here is my list of roles I'd like, in order of preference (no, I cannot play piano or conduct). The ones I have performed are marked with an '*'. *Ko-Ko (Mikado) Richard (Ruddigore) Dr. Daly (Sorcerer) Major-General (Pirates) Strephon (Iolanthe) *Sir Joseph (Pinafore) Judge (Trial) *Pirate King (Pirates) Captain Corcoran (Pinafore) *Despard (Ruddigore) Tololler (Iolanthe) Pooh-Bah (Mikado) Montararat (Iolanthe) Robin (Ruddigore) Pish-Tush (Mikado) *Samuel (Pirates) Roderick (Ruddigore) Defendant (Trial) We would like to know what costs are involved for the event, and would probably be interested in seeing the OOC Pinafore. Finally, I could be convinced to relearn "Love's lingering ember"; I had to be familiar with it when we did Grand Duke last year, in case I was called upon to understudy. But I've never performed it, as such. Let me know if you need a tenor. :-) -Dave Jedlinsky opus@mit.edu  1,, Summary-line: 21-Feb TommyTimp@compuserve.com [37] #SAVOYNET digest 4711 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14519; Thu, 21 Feb 2002 00:46:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA05923 for ; Thu, 21 Feb 2002 00:46:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA13638; Thu, 21 Feb 2002 00:45:28 -0500 (EST) Date: Thu, 21 Feb 2002 00:45:28 -0500 (EST) Message-Id: <200202210027_MC3-F2D7-213D@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: TommyTimp@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Thomas M Shea To: Multiple recipients of list SAVOYNET Subject: SAVOYNET digest 4711 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 21 Feb 2002 00:45:28 -0500 (EST) Reply-To: TommyTimp@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Thomas M Shea To: Multiple recipients of list SAVOYNET Subject: SAVOYNET digest 4711 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Message text written by INTERNET:savoynet@bridgewater.edu >What I need is a part that fits my capabilities: 0% acting ability 0% singing ability 0% dancing ability 100% ability to memorize lines< Ahem. The Army. The Navy. The Church. And The Stage. Thank you. Drive safely. Tom Shea Chicago, USA "Did you ever kill anybody? No? Why not?"  1, answered,, Summary-line: 21-Feb YesTisMabel@aol.com [20] #Re: more G&SingOrlando 2002 info X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA06138; Thu, 21 Feb 2002 00:56:58 -0500 (EST) From: Received: from imo-d05.mx.aol.com (imo-d05.mx.aol.com [205.188.157.37]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA24318 for ; Thu, 21 Feb 2002 00:56:43 -0500 (EST) Received: from YesTisMabel@aol.com by imo-d05.mx.aol.com (mail_out_v32.5.) id 6.199.294f4e9 (4230) for ; Thu, 21 Feb 2002 00:56:41 -0500 (EST) Message-ID: <199.294f4e9.29a5e619@aol.com> Date: Thu, 21 Feb 2002 00:56:41 EST Subject: Re: more G&SingOrlando 2002 info To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Thu, 21 Feb 2002 00:56:41 EST Subject: Re: more G&SingOrlando 2002 info To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hi David! YES I need a tenor! Consider yourself tapped for 'love's lingering ember'!! You have listed tenor and high and low baritone roles---what are you, really? :-) I have to talk to Andi and Sam some more about other costs that people will incur besides planefare and hotel. I'll be posting more info on Savoynet as soon as I get it. I'm so glad you and Ruth are coming--we are all going to have such fun! Elise  1, filed,, Summary-line: 21-Feb cround@lehman.com [117] #RE: Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA17664; Thu, 21 Feb 2002 11:16:39 -0500 (EST) Received: from extrelay1.lehman.com (extrelay1.Lehman.COM [192.147.58.144]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA23953 for ; Thu, 21 Feb 2002 11:16:24 -0500 (EST) Received: from smtprelay07.lehman.com (smtprelay07.lehman.com [10.5.165.71]) by extrelay1.lehman.com (Postfix) with SMTP id 86AEE8069 for ; Thu, 21 Feb 2002 11:15:51 -0500 (EST) Received: from 146.127.49.129 by smtprelay07.lehman.com with ESMTP ( Tumbleweed MMS SMTP Relay (MMS v4.7);); Thu, 21 Feb 2002 11:15:52 -0500 X-Server-Uuid: 6f70d564-fb91-11d4-8d7a-0002a52cad74 Received: by exnyc13.lehman.com with Internet Mail Service (5.5.2654.89) id ; Thu, 21 Feb 2002 11:16:21 -0500 Message-ID: From: "Round, Carole J" To: "'David C. Jedlinsky'" Subject: RE: Grand Duke Date: Thu, 21 Feb 2002 11:16:14 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2654.89) X-WSS-ID: 106BC2B240929-01-01 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit *** EOOH *** X-Server-Uuid: 6f70d564-fb91-11d4-8d7a-0002a52cad74 From: "Round, Carole J" To: "'David C. Jedlinsky'" Subject: RE: Grand Duke Date: Thu, 21 Feb 2002 11:16:14 -0500 X-WSS-ID: 106BC2B240929-01-01 Content-Type: text/plain; charset=iso-8859-1 Hi Dave, I also don't plan to have a lot of luggage - & won't do THAT much shopping in London. Probably only a medium size bag also. Don't worry if it doesn't work out - I've checked train schedules and there seem to be some good connections direct to Penarth. FYI, I'm flying out of New York early AM, March 3, and my London hotel is: Thistle Euston, Cardington StreetEuston, London NW1 2LP - reception: 0870 333 9107fax: 0870 333 9207 My home phone in New York if you want to speak prior to my departure is 212/866-5625. I look forward to seeing you - wherever. Carole -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Monday, February 18, 2002 4:02 PM To: Round, Carole J Subject: Re: Grand Duke Hi Carole. I'm sorry I didn't respond sooner; Ruth and I just got back from Puerto Rico. We'd be happy to have you come along with on Friday when we drive to Wales, but I'm not sure if we will all fit with our luggage. We've rented a "sub-compact" (not sure what model), and I don't know how large the trunk will be. Do you have any idea how much luggage you would be bringing with you? We'll probably have two medium-sized bags which have been known to fill the majority of the trunk in a small car. I'll try to find out exactly how big the car will be. -Dave >From: "Round, Carole J" >Date: Mon, 4 Feb 2002 10:29:42 -0500 > >Hi Dave, > >I've booked my flight, etc. & am very enthused. I'm going over the previous >Sunday and staying in London at the Thistle Euston (presumably near Euston >Station - an American Airlines package). I also plan to go to Wales on >Friday, so if we can meet up for the drive, great - otherwise I'm sure I can >find some kind of ground transportation. I'll be flying back on Monday >afternoon and will take a bus out of Cardiff to Heathrow. I'll be in touch >as I get more details. > >Regards, >Carole > >-----Original Message----- >From: David C. Jedlinsky [mailto:opus@MIT.EDU] >Sent: Wednesday, January 23, 2002 12:47 PM >To: Round, Carole J >Subject: Re: Grand Duke > > > >Hi Carole. > >We're planning a very short trip to see Bob & Jackie (and the Grand >Duke). Our travel plans are currently set as follows: > >Arrive in London Thursday, March 7. Stay overnight in London. Rent a >car Friday morning, drive to Bob & Jackie's place. We plan to stay >with Bob & Jackie until Monday the 11th, when we drive back to London, >and spend the night there. Fly home Tuesday, March 12. > >Let me know how that fits in with your plans, and maybe we can >coordinate somewhat, even with our short visit. > >-Dave > > >>From: "Round, Carole J" >>Date: Wed, 23 Jan 2002 10:51:31 -0500 >> >>Hi David: >> >>Jackie Richards tells me you're going over to see their show, as am I - & >>that we might coordinate plans. I've not yet made my reservations & am >>considering a few days in London, but thought it might be useful to have >>your information. Of course, to take advantage of current airfares, I plan >>to book soon. I look forward to hearing from you & getting together with >>you and all. Regards. >> >>Carole Round >>392 Central Park West >>Apt. 15W >>New York, NY 10025 >>phone - 212/866-5625 ------------------------------------------------------------------------------ This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.  1,, Summary-line: 22-Feb exexpats@ozemail.com.au [33] #Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA25729; Fri, 22 Feb 2002 20:33:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA25610 for ; Fri, 22 Feb 2002 20:32:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA24414; Fri, 22 Feb 2002 20:32:55 -0500 (EST) Date: Fri, 22 Feb 2002 20:32:55 -0500 (EST) Message-Id: <00c101c1bc09$62ab8520$b4c4223f@pauladrienne> Errors-To: savoynet-owner@bridgewater.edu Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul McShane" To: Multiple recipients of list SAVOYNET Subject: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Fri, 22 Feb 2002 20:32:55 -0500 (EST) Reply-To: exexpats@ozemail.com.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul McShane" To: Multiple recipients of list SAVOYNET Subject: Cutting "Grand Duke" Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Having thoroughly dissected "Utopia", the obvious question is now: If you found yourself directing its unworthy successor, "The Grand Duke", what would you cut? I would be tempted to go for the jugular, but I realise that there are some SavoyNetters who love the opera even more dearly than I (poor, misguided fools). Uncut, the opera is even longer than "Utopia", and so there is ample scope for pruning. Curiously, the standard version of the libretto omits its best number (the Roulette song) - so if we put that in, the opera becomes even longer before cutting. Paul McShane, Sydney. "Steps into the world once more"  1,, Summary-line: 22-Feb drsmith@MIT.EDU [47] #Flying slots in March X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA11970; Fri, 22 Feb 2002 23:05:12 -0500 (EST) Received: from sword.com ([199.92.100.10]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA16523; Fri, 22 Feb 2002 23:04:56 -0500 (EST) Received: from sword.com (localhost [127.0.0.1]) by sword.com (8.10.0.Beta10/8.10.0.Beta10) with ESMTP id g1N44q405053; Fri, 22 Feb 2002 23:04:52 -0500 Message-Id: <200202230404.g1N44q405053@sword.com> From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, luna@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, darien@MIT.EDU cc: drsmith@MIT.EDU Subject: Flying slots in March Date: Fri, 22 Feb 2002 23:04:52 -0500 Sender: mitmail@sword.com *** EOOH *** From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, luna@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, darien@MIT.EDU cc: drsmith@MIT.EDU Subject: Flying slots in March Date: Fri, 22 Feb 2002 23:04:52 -0500 Sender: mitmail@sword.com I have the Decathalon (a 2 seat aerobatic bird) scheduled for several slots in Mar. if anyone is interested in coming for a ride. I may have to bump people for a few slots out of this list. My next competition is comming up and my instructor/coach will need a few of of these slots and I don't have his schedule yet. Also, I'll usually only be able to drop people off at 77 Mass due to me needing to turn the car over to Rosemary there. Date Time Passenger Sun 02/24 9:30AM -> 11:30AM Avail Sat 03/02 9:30AM -> 11:30AM Avail Sun 03/03 9:30AM -> 11:30AM Avail Sat 03/09 9:30AM -> 11:30AM Avail Sun 03/10 9:30AM -> 11:30AM Avail Sat 03/16 9:30AM -> 11:30AM Avail Sun 03/17 9:30AM -> 11:30AM Avail Sat 03/23 9:30AM -> 11:30AM Avail Thu 03/28 9:30AM -> 11:30AM Avail Fri 03/29 9:30AM -> 11:30AM Avail Sat 03/30 9:30AM -> 11:30AM Avail Sun 03/31 9:30AM -> 11:30AM Avail David Smith Standard caveats: 0. I think people getting this email have expressed interest in bumming a ride when I go flying. If I am mistaken, let me know and I'll stop sending you the email. 1. If the weather sucks I won't be flying. I can make a good guess the night before, but won't know for sure until the morning weather briefing becomes available.  1,, Summary-line: 22-Feb cliftoncoles@hotmail.com [50] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA01768; Fri, 22 Feb 2002 23:38:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA16504 for ; Fri, 22 Feb 2002 23:38:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA26372; Fri, 22 Feb 2002 23:38:35 -0500 (EST) Date: Fri, 22 Feb 2002 23:38:35 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 22 Feb 2002 23:38:35 -0500 (EST) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >If you found yourself directing its unworthy successor, "The Grand >Duke", what would you cut? I want to first chime in and say that I am not in favor of cuts except when absolutely necessary (a soloist not up to the task, for example, or no thoughts on how to imaginatevely stage something). I have seen performances of Pirates where the whole thing falls apart at the extraordinary length of "Oh leave me not to pine" (which I'm sure is never cut) and the audience perks up for a one-verse version of "Sighing softly to the river" (which is often cut from two). However: Has anyone tried cutting the middle out of "Take care of him"? -- from the very end of the first verse to "And O the bygone bliss!" in the second, thus effectively taking the two refrains (with the different words as written, of course) one after the other. It would be worth a try. I'm quite in favor of a complete performance of "Oh, pity me, my comrades true" -- the exasperated chorus repeats of "Why, what's the matter?" rise and rise to such a pitch of frustration that they are bound to raise a laugh. I think, however, that Rudolph's last solo should be cut. It is too much too late. It is the only thing I would cut from The Grand Duke without pause (I would bring it up BEFORE auditions), though I would seriously consider snipping "Now Julia come" and "Strange the views some people hold" -- the latter impossible to stage with any interest (I realize the whole point of the song is vocal, and I'll be interested to hear what others say regarding effective staging of this number.) The other common omissions (a verse from Ludwig's second act song, the middle section of "As o'er our penny roll we sing", "So ends my dream", etc.) I wouldn't make. Cliff . . . _________________________________________________________________ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx  1,, Summary-line: 23-Feb danflorip@yahoo.com [138] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA29564; Sat, 23 Feb 2002 03:32:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA15023 for ; Sat, 23 Feb 2002 03:32:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA28286; Sat, 23 Feb 2002 03:32:13 -0500 (EST) Date: Sat, 23 Feb 2002 03:32:13 -0500 (EST) Message-Id: <20020223080953.79451.qmail@web20508.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: danflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00c101c1bc09$62ab8520$b4c4223f@pauladrienne> *** EOOH *** Date: Sat, 23 Feb 2002 03:32:13 -0500 (EST) Reply-To: danflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00c101c1bc09$62ab8520$b4c4223f@pauladrienne> -----Paul McShane wrote: Having thoroughly dissected "Utopia", the obvious question is now: If you found yourself directing its unworthy successor, "The Grand Duke", what would you cut? ----- I love THE GRAND DUKE, but I do think it could use some cuts and tightening up. I offer the following suggestions (some of which can be credited to UMGASS's recent directing team). I think priority numero uno is making the act one finale not drag so much. There are too many slow numbers which (rightly or wrongly) can put the audience to sleep after an already incredibly long act one. --Severely prune the dialogue. There is a *ton* of dialogue in GD that simply isn't needed... not for plot, character development, comedy, or anything. Get rid of it. --Cut Julia's German accent joke. Utterly stupid. --Cut verse 1 of "About a century since". It's not needed... change "seemed to him" line in verse 2 to "seems to be". --Cut "Strange the views". --Cut "The good Grand Duke". Play a few measures of "bum-BUMs", then go right into "A pattern to professors". Why would a miser pay to have seven guys carry his handkerchief? Cut them to two, and prune the next dialogue. --Cut a verse of the Habanera. It's an awfully good song, but it gets pretty long with the dance at the end. --Cut "Broken-down critter." About as dull a song as exists in the canon... and incredibly long. --Cut the second round of bickering in the act one finale (starting with "tall snobs, short snobs). Funnier, I think, if this fight is shorter. --Cut "My lord grand duke, farewell". --Cut "Oh pity me" until "Our duty if we're wise". --Cut "The die is cast". Would someone in Lisa's position really sing this right now? And it's boring. Just let her leave. --Cut verse 2 of "At the outset". --Cut "So ends my dream". Isn't Julia funnier and more within her character if we don't know these inner feelings? This song is long and can drag. --Cut "If the love of life's lingering ember" up to Julia's first "So spectre apalling". Any capable MD can compose a few suitable intro bars. --Cut verse 2 of the Herald's song. --Cut verse 2 of "Well, you're a pretty kind of fellow". --Of course, clean up the dialogue to reflect the cutting of songs. Really, it looks like I'd cut a lot, but there's so much *unneeded* fat in GD that cutting lots doesn't hurt it. In fact, even more of an overhaul than I've suggested still leaves quite a good show. Last fall, UMGASS's directors (two un-teenaged people very well versed in G&S and its traditions) made 20 musical cuts, including 8 entire songs. In addition to cleaning up much of the dialogue, we were left with an IOLANTHE-lengthed show, and quite a good one, I might add. Say what you want about the number of cuts, but if any of you were to have seen a performance or the video, I think you'd be hard pressed to say that we didn't put on an excellent show. As hardcore G&S fans, you might've missed bits, but not all the world are Savoynetters. The cuts work because there's *so much* fat that can be trimmed to leave a nice, meaty steak. Really! I actually *love* GRAND DUKE! Regards, Dan PS... I'm typing this at 3:11am after a rather fun Friday night in a college town. Please excuse any spelling and grammatical errors. ===== Daniel Florip University of Michigan, Ann Arbor UMGASS Company Promoter UMGASS 2002 Iolanthe Chorus danflorip@yahoo.com Find more UMGASS info at www.umgass.org M GO BLUE! __________________________________________________ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com  1,, Summary-line: 23-Feb seppe_palmieri@altavista. [135] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA14713; Sat, 23 Feb 2002 05:33:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA25794 for ; Sat, 23 Feb 2002 05:32:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id FAA00752; Sat, 23 Feb 2002 05:32:53 -0500 (EST) Date: Sat, 23 Feb 2002 05:32:53 -0500 (EST) Message-Id: <20020223100958.24598.cpmta@c016.snv.cp.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain Content-Disposition: inline Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Web Mail 3.9.3.5 *** EOOH *** Date: Sat, 23 Feb 2002 05:32:53 -0500 (EST) Reply-To: giuseppe_palmieri@altavista.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Michaels To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My initial reactions to Dan Florip's list of cuts was to blanch with horror; however, I thought it would be more useful to respond in a more logical manner, so here are my reactions to them: > --Severely prune the dialogue. There is a *ton* > of dialogue in GD that simply isn't needed... not > for plot, character development, comedy, or > anything. Get rid of it. No major objection here, although I might quibble about the "severely" part - I think some judicious pruning would definitely help, though. > --Cut Julia's German accent joke. Utterly > stupid. No, no, no! This is one of my favorite running gags in the opera, and when well done (as it was in the Seattle production, despite Buxton adjudicator David Turner's failure to get the joke) it gets a lot of laughs. > --Cut verse 1 of "About a century since". It's > not needed... change "seemed to him" line in > verse 2 to "seems to be". I disagree with this one (although not strenuously); I like the first verse, and I think the song would seem a bit unfinished without it. > --Cut "Strange the views". My initial impulse is to keep it in just because I think it's a beautiful number, but this is definitely a good example of a "show-stopper" (ref. one of the other recent threads) which serves no purpose whatsoever, so I'd reluctantly let it be dropped. > --Cut "The good Grand Duke". Play a few measures > of "bum-BUMs", then go right into "A pattern to > professors". Why would a miser pay to have seven > guys carry his handkerchief? Cut them to two, > and prune the next dialogue. I *strongly* disagree with this one. No logical reason, really, but I think it helps show the absurdity of the way in which Rudolph runs his Grand Duchy. As for the question of why he'd pay seven men to carry his handkerchief: first of all, I doubt he's paying them very much ("instead of beer, a penny each..."), and second of all, he's such a stickler about "dignified formality". Keep all the chamberlain stuff in! > --Cut a verse of the Habanera. It's an awfully > good song, but it gets pretty long with the dance > at the end. I'd actually cut the whole song; I don't care for it very much, and it doesn't say anything about the characters that hasn't already been amply said in the dialogue preceding. > --Cut "Broken-down critter." About as dull a > song as exists in the canon... and incredibly > long. No, no, no, no! And again, no! This is my favorite number in the whole show; the lyrics are hilarious, and Sullivan's setting is brilliant (I love the blatting in the low winds after "a headache down here", just for example). > --Cut the second round of bickering in the act > one finale (starting with "tall snobs, short > snobs). Funnier, I think, if this fight is > shorter. I can go for this one - the second verse doesn't add anything at all. > --Cut "My lord grand duke, farewell". I dunno - the song itself is poor, but without it there isn't anything for Rudolph to react to with his "rapscallions" recit. I guess if you wanted to do this, you'd have to cut "rapscallions" as well, and just have Rudolph exit after "I'll come to life tomorrow". > --Cut "Oh pity me" until "Our duty if we're > wise". Agreed - this section of the finale is way too long and is in fact often cut in performance. > --Cut "The die is cast". Would someone in Lisa's > position really sing this right now? And it's > boring. Just let her leave. I disagree - I think it's a lovely number (especially the harmonies when the ensemble joins in) and would hate to see it go, and I don't understand Dan's comment about someone in Lisa's position not singing it. > --Cut verse 2 of "At the outset". This number is often edited; Seattle actually trimmed it to one verse (a combination, if memory serves, of verses 1 and 3), but I thought that was a bit too much of a cut. The first production I was in combined parts of verses 1 & 2 and left verse 3 intact, and that seemed to work pretty well. > --Cut "So ends my dream". Isn't Julia funnier > and more within her character if we don't know > these inner feelings? This song is long and can > drag. Well, maybe. I put this in the same boat as "The Hours Creep On Apace"; a really good soprano can sell this one, and the number is so truly diva-like that it suits Julia's character perfectly. > --Cut "If the love of life's lingering ember" up > to Julia's first "So spectre apalling". Any > capable MD can compose a few suitable intro bars. Sorry, I like this number as is; it would be lopsided with Ernest's part of the duet cut out (and Ernest gets little enough to do in the show as it is). > --Cut verse 2 of the Herald's song. There really isn't a verse 2 - the first verse just gets repeated with the chorus joining in the second time. Anyway, I assume that repeated verse was what Dan was referring to, and I'd agree that it could be cut without significant loss, particularly since it gets repeated a third time after the bridge. > --Cut verse 2 of "Well, you're a pretty kind of > fellow". Agreed - it's a bit of overkill, although poor Rudy's been sitting offstage for the entire 2nd act and it seems a bit of a shame to chop up his only number in the act. > Last fall, UMGASS's directors (two un-teenaged > people very well versed in G&S and its > traditions) made 20 musical cuts, including 8 > entire songs. In addition to cleaning up much of > the dialogue, we were left with an > IOLANTHE-lengthed show, and quite a good one, I > might add. I didn't see the show, but I seem to recall Dan posting a description of the cuts some time ago, and I was quite distressed about some of the cuts they made; not to say I wouldn't still have enjoyed the performance if I had been able to attend (I enjoyed both of the UMGASS shows I saw previous to that one), but the absence of some of my favorite songs would most likely have been a distraction to me. > The cuts work because there's *so much* fat that > can be trimmed to leave a nice, meaty steak. > Really! I actually *love* GRAND DUKE! I don't think there really is *that* much fat in GRAND DUKE; but then I'm not usually in the majority opinion in this regard. > PS... I'm typing this at 3:11am after a rather > fun Friday night in a college town. Please > excuse any spelling and grammatical errors. And I'm typing my response at 2:00 am Pacific time, so ditto. David Michaels Seattle, WA, USA giuseppe_palmieri@altavista.com "Nothing is more annoying than to feel that you're not equal to the intellectual pressure of the conversation." Find the best deals on the web at AltaVista Shopping! http://www.shopping.altavista.com  1,, Summary-line: 23-Feb mike@mpnash.com [64] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA03364; Sat, 23 Feb 2002 06:11:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA21703 for ; Sat, 23 Feb 2002 06:10:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA01783; Sat, 23 Feb 2002 06:10:48 -0500 (EST) Date: Sat, 23 Feb 2002 06:10:48 -0500 (EST) Message-Id: <002901c1bc58$91274b60$67fc86d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Sat, 23 Feb 2002 06:10:48 -0500 (EST) Reply-To: mike@mpnash.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I suppose I'm one of SavoyNet's fiercest "Grand Duke" protagonists but I wouldn't suggest doing GD completely uncut. For the record, this is what we did at Poynton in 1998, in which I was Ludwig, and also featured fellow Savoynetters Kelsey Thornton as Ernest, Anne Allwright as the Baroness and Stephen Hill as (the leading light of) the chorus (this is going from memory, so correct me if I'm wrong, guys):- We only cut two musical numbers outright: "Strange The Views" and the "Wild Dance" music (a.k.a. the menu music on the "Topsy Turvy" DVD). The former because it doesn't say anything important and because it kills the momentum of the scene stone dead (not just statutorily dead), and the latter(-o) because the director, who was also playing the Prince of Monte Carlo, didn't want to be out of breath when singing the Roulette Song. We made a few, but only a few, musical "trims": the Act 1 Finale we pruned as on the 1976 D'OC album, with "Big bombs, small bombs" being cut to one verse, and Julia's soliloquizing and the chorus' "Why, what's the matter" responses trimmed back. Ludwig's Act 2 patter song, "At The Outset I May Mention" we trimmed to two verses, by (I think) using verse 1 complete and half each of verses 2 and 3. I was very glad, not because I disliked the song - far from it - but because (a) I didn't have to pronounce all those Greek words and (b) it is a very difficult song to sing, in my experience - much more difficult than "My Name Is John Wellington Wells". We did consider cutting "Take Care Of Him" but our Lisa (Roey Darling) sang it so beautifully in rehearsals that we had to reinstate it. (That was the only time I can remember when my stage tears weren't faked.) I think everything else remained uncut. We trimmed the dialogue a fair bit - not scenes, but mostly interjections and corroborative detail. And we ended with Ludwig reunited with Lisa, Ernest finally united with a warming-to-the-idea Julia and (shock horror!) Rudolph reunited with the Baroness - on the grounds that they actually loved each other. The Prince and Princess of Monte Carlo didn't partner up with anybody, but did receive a lucrative contract for the Pfenning-Halbpfenning Roulette franchise! The end result was about 2 hours 40 minutes INCLUDING a 20 minute interval - no longer than a typical "Gondoliers" or "Yeomen". And if even Nicktenor, who loves GD not, enjoyed the show, we must have done something right! By the way, I'm looking forward to seeing Bob and Jackie in GD in two weeks' time; and if you find yourself choking on a sausage roll, Bob, consider it Divine Retribution! ;-) Mike Nash Macclesfield, Cheshire, England "Jack (Point) of all trades, Master (Wilfred) of none" Web site and e-mail addresses changing within the next 48 hours - watch this space  1,, Summary-line: 23-Feb Bj.Richards@btinternet.co [43] #Re: cutting UTOPIA X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA23905; Sat, 23 Feb 2002 07:00:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id HAA24968 for ; Sat, 23 Feb 2002 07:00:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA02509; Sat, 23 Feb 2002 07:00:00 -0500 (EST) Date: Sat, 23 Feb 2002 07:00:00 -0500 (EST) Message-Id: <004a01c1bc5f$3f654140$7f7601d5@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: cutting UTOPIA MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sat, 23 Feb 2002 07:00:00 -0500 (EST) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: cutting UTOPIA Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Marc Shepherd writes In UTOPIA and > GRAND DUKE, the former working relationship was shot to pieces, which > is why we're stuck finishing the job for them. We can't do as good a > job as they would've done in their prime, but we owe it to our > audiences to recognize that both operas are, in a very real sense, > unfinished. I think Marc is absolutely right. Both operas have plot strands that are either under or over written. In Cardiff G&S's production of The Grand Duke coming up we've cut both Ludwig's 'Greek' patter song and Julia's Mad song. I can only assume that both parts were built up to give Ilka von Palmay & Rutland Barrington the lion's share of the action. We've made other cuts as well, including 'Strange The Views', the effect is to move the piece along nicely. On the other hand, like most Grand Duke productions nowadays, we've restored 'Bumpers', the 'Roulette Song' and the Grand Duke's last gasp patter song. I know this will upset the purists, but our aim was to have our audiences saying 'Why isn't it done more often?' rather than 'You can see why it's not done more often' Jackie & I worked hard to convince the Cardiff G&S Committee that we could present The Grand Duke in a format that would please our audience - I hope we've succeeded, we'll know the week after next! Bob Richards  1,, Summary-line: 23-Feb awrobins@yahoo.com [141] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA14913; Sat, 23 Feb 2002 12:37:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA03567 for ; Sat, 23 Feb 2002 12:36:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA07498; Sat, 23 Feb 2002 12:36:50 -0500 (EST) Date: Sat, 23 Feb 2002 12:36:50 -0500 (EST) Message-Id: <20020223171245.16065.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223080953.79451.qmail@web20508.mail.yahoo.com> *** EOOH *** Date: Sat, 23 Feb 2002 12:36:50 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223080953.79451.qmail@web20508.mail.yahoo.com> --- Daniel Florip wrote: > -----Paul McShane wrote: > If you found yourself directing > its unworthy successor, "The Grand Duke", what > would you cut? If I had my own way, I'd cut a lot of the dialogue, but leave the musical portions intact or nearly so. But reading Daniel's suggestions, I realise that some numbers I like might not over so well on the stage for general audiences (to use the MPAA's term). So here are my thoughts (as fingers across the world reach for the "Delete" button)... > --Severely prune the dialogue. Agreed! Agreed! Agreed! > --Cut Julia's German accent joke. Utterly > stupid. I find it pretty funny, but it's a matter of taste, and I can see it might wear thin after a while. > --Cut verse 1 of "About a century since". It's > not needed... If the song began with Verse 2, I suspect some people would go "Huh?" But it's an interesting idea. > --Cut "Strange the views". I'd keep at least one verse; the music is too good for lose. But I admit it could be cut. > --Cut "The good Grand Duke". It's not a great number, but is needed to introduce the character. I think cutting it would leave the audience feel it was misisng something. > and prune the next dialogue. Definitely. > --Cut a verse of the Habanera. It's an awfully > good song, but it gets pretty long with the dance > at the end. I agree, reluctantly. > --Cut "Broken-down critter." About as dull a > song as exists in the canon... and incredibly > long. I don't agree about its being dull, but I agree it may be a "show-stopper for the wrong reason." > --Cut the second round of bickering in the act > one finale (starting with "tall snobs, short > snobs). I could live with this, but I think this number should be very fast, so it wouldn't save much time. > --Cut "My lord grand duke, farewell". No! I like this song--beautiful music, and amusing in performance. > --Cut "Oh pity me" until "Our duty if we're > wise". Again, I like this, but have to admit it's cuttable. > --Cut "The die is cast". The lyric is trite, but I rather like the music, and the number can be a moving moment in the midst of a fast-paced farce. I'd probably cut it on stage, but if a recording were made, I'd insist on its being included (in fact on the entire score being recorded). > --Cut verse 2 of "At the outset". Again, I agree reluctantly. This is a funny song, but probably only if you've had classical Greek. (I'd hate to lose the Attic line, though.) > --Cut "So ends my dream". Again, I like this song but agree it might drag for an audience. It might depend on the actress. > --Cut "If the love of life's lingering ember" up > to Julia's first "So spectre apalling". No! This is one of my favourite GD songs, and what I like best is the switch from the first part to "So spectre appalling." It cracks me up. (Okay, I'm strange.) > --Cut verse 2 of the Herald's song. I wouldn't mind this, but audiences seem to like it. > --Cut verse 2 of "Well, you're a pretty kind of > fellow". This makes sense, though personally I think this song is funnier with more -atter rhymes. I'd probably shorten "How would I play this part"; it covers the same ground as the Act II mad song, which is much funnier. (I'm glad to see Daniel doesn't advocate cutting the mad scene, which I have known to be cut, but I think is hilarious if decently staged.) Hmm, I think my e-mail needs cutting... Oh, well, I'll let Daniel do it. Arthur Robinson __________________________________________________ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com  1,, Summary-line: 23-Feb PSternenberg@aol.com [67] #Re: Cutting UTOPIA X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA22266; Sat, 23 Feb 2002 20:45:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA16200 for ; Sat, 23 Feb 2002 20:45:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA19677; Sat, 23 Feb 2002 20:45:13 -0500 (EST) Date: Sat, 23 Feb 2002 20:45:13 -0500 (EST) Message-Id: <181.418f922.29a99d62@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Cutting UTOPIA MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Sat, 23 Feb 2002 20:45:13 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Cutting UTOPIA Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I wonder whether we'd even be having this discussion had UTOPIA found a spot in the regular DCOC repertoire. It seems to me that people's consciences are less bothered about cutting a work that doesn't have a strong tradition. Then again, it's almost a Catch 22. Its lack of a strong tradition may be largely attributed to its weaknesses, real and/or perceived. So I'm somewhat forgiving for having it mildly cut (not otherwise rewritten), whether or not I agree with the method. Nevertheless, I'd prefer as little cutting as possible and instead be presented with Lyric Theater tempi (complete recording with dialogue at about 2:05) rather than the DCOC dirges. There is ample justification for cutting Verse 2 of "Autocratic power," as it doesn't appear in Gilbert's ORIGINAL PLAYS and probably in other versions of the libretto. I believe it was cut during the original run, but I don't have the proof at hand. ORIGINAL PLAYS has the full "Ah, gallant soldier," but I wouldn't be surprised to learn that it, too, was trimmed during the original run. I've been astounded by how much support cutting "First you're born" has received. I know UMGASS once made this cut, as I heard one of their LP sets done this way. I found it very unsettling, and I still do. Wasn't it Workman who made a vintage recording of the song? Maybe he found it something that suited his talents, but I'm willing to believe that it originally went over well. If that's the case, then it would have been a mainstay in the regular DCOC productions -- had there been any. Paramount should really have his own song. "Autocratic power" was already trimmed and is more like part of a scene, and "Society has quite forsaken" makes its impact as an ensemble. So that leaves "First you're born" as all that really belongs just to the King. If anyone considers the lyrics a bit too harsh (I don't), Sullivan counteracts this with a cheerful setting. I would suggest only that the song be sung in a lively manner, not the slow tempo of the DCOC recording. (BTW, does the beginning of this song remind anyone besides me of the Singing Nun's "Dominique"?) As for the unresolved love quadrilateral, I've always considered it settled by the impasse that's created. I liken it to Ko-Ko's promotion to LHE. The Titiputians don't really fix the Mikado's anti-flirting law; its possibility of enforcement merely grinds to a halt by force of logic. Similarly, Fitz and Zara know that the duel between the Wise Men should never logically occur. Even if it did, the loser had already given up Zara to Fitz to make sure that the winner wouldn't get her. Yes, I know that Wolfson provides a complete Act 2 resolution scene. I'm willing to believe that Gilbert jettisoned it because, aside from needing to trim what had become an extremely long libretto, he realized that there was a more subtle and ingenious resolution without it. I refuse to believe that he thoughtlessly left matters unresolved; since the Act 2 scene was scrapped, he must have considered it superfluous. It's unfortunate that some of the lyrics that help explain the resolution to the audience are lost by being sung simultaneously with conflicting ones. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at www.ridgewoodgands.com  1,, Summary-line: 24-Feb oakapple2@yahoo.com [48] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA14972; Sun, 24 Feb 2002 01:09:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA09986 for ; Sun, 24 Feb 2002 01:09:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA27192; Sun, 24 Feb 2002 01:09:30 -0500 (EST) Date: Sun, 24 Feb 2002 01:09:30 -0500 (EST) Message-Id: <20020224055017.91451.qmail@web13307.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223100958.24598.cpmta@c016.snv.cp.net> *** EOOH *** Date: Sun, 24 Feb 2002 01:09:30 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223100958.24598.cpmta@c016.snv.cp.net> --- David Michaels wrote: > > --Cut Julia's German accent joke. Utterly stupid. > > No, no, no! This is one of my favorite running gags in the opera, > and when well done (as it was in the Seattle production, despite > Buxton adjudicator David Turner's failure to get the joke) it gets a > lot of laughs. I agree that it's one of Gilbert's funnier jokes, but it can be difficult to find an amateur performer who's a first-class soprano AND can make the words understood while still sounding believably German. If the joke comes at a sacrifice of diction (as it often does), I think the joke should go. I'd say that German accent joke has been dropped from about 1/2 of the GD's I've seen. And of those that included it, about 2/3rds shouldn't have so done, because they didn't have the right performer to pull it off. Of the three traits needed to be a great Julia -- a fine voice, a superb stage presence, and a German accent -- only the third is dispensable. If I were producing G.D., I'd consider myself delighted just to find someone who could sing and act the part in plain English. If the issue of bruising amateurs' ego weren't a consideration, perhaps I'd wait to see who turned up before deciding whether to cut it. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com  1,, Summary-line: 24-Feb oakapple2@yahoo.com [94] #Re: Cutting "Grand Duke" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA07430; Sun, 24 Feb 2002 11:22:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA20958 for ; Sun, 24 Feb 2002 11:21:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA00122; Sun, 24 Feb 2002 11:21:41 -0500 (EST) Date: Sun, 24 Feb 2002 11:21:41 -0500 (EST) Message-Id: <20020224160300.75427.qmail@web13304.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223100958.24598.cpmta@c016.snv.cp.net> *** EOOH *** Date: Sun, 24 Feb 2002 11:21:41 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Cutting "Grand Duke" Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20020223100958.24598.cpmta@c016.snv.cp.net> Having offended plenty of folk with my assertion that UTOPIA needs the surgeon's knife, I now offer the same bald assertion for GRAND DUKE. To begin with, there are a number of substantial cuts that Gilbert himself made after opening night. These were reflected in the Chappell libretto (published under Gilbert's supervision), but not the vocal score (published under Sullivan's supervision). The discrepancy shows that even the two creators weren't even in agreement about what the final version of the opera really was. (There are similar inconsistencies in the UTOPIA vocal score, but not as many of them.) Anyhow, Gilbert's musical cuts were: 1. The middle section of "As o'er our penny roll we sing"; 2. The second verse of "Big bombs, small bombs...." 3. A bunch of material in the "Why, what's the matter" section 4. The Baroness's drinking song 5. The Roulette song 6. Rudolph's Act II patter song #1-3 above are also cut on the D'Oyly Carte 1976 recording, even though the same recording did include #4-6. Every production of GD that I've seen has restored the Baroness's drinking song and the Roulette song --- whatever else they may have cut. Rudolph's Act II patter song is more problematic. It comes at a point where the audience is really plotted out, and the song takes an awfully long time to make its point. Many productions leave it in, while cutting it down to two verses. That's probably what I'd do. Like so many things, it depends on the quality of the performer playing Rudolph. "As o'er our penny roll" is great character development for Rudolph and the Baroness. Here's another case where one would ideally prefer to know who will play the parts before deciding whether to cut none of it, half of it, or all of it. (One could also leave in both verses but cut the dance; I've seen several productions in which the dance really didn't live up to its potential.) Most productions make cuts #2 & #3 above (both in the Act II finale). The "Why, what's the matter" section, especially, seems to go on forever. I think Gilbert was right that it needed tightening. Ludwig has plenty to do in this opera, and I wouldn't mind losing the entirety of "At the outset I may mention." I don't find it particularly distinguished as a lyric OR a song, however I have seen a GD or two in which the song really did work. Every production in my experience cuts at least the verse that's partly in Greek (the second, I believe). "Strange the views some people hold" is in the same musical family as "Strange adventure" from YEOMEN, the Madrigal from THE MIKADO, and numerous other principal ensemble numbers in the canon. It's there to give a moment of pause for the characters to contemplate life's absurdities, and it depends for its success almost entirely on musical interpretation. It is beautiful if done well, but excruciating if not. Here again, it helps to know what kind of performers will be available. Both of Ernest & Julia's duets, Julia's "mad scene," and "So ends my dream" are among the score's best pieces. But all four depend on the quality of the singer/actress playing Julia. (Ernest & Ludwig too, but *especially* Julia.) If this role cannot be cast from strength, then some of this material should probably not be included. As I observed in my UTOPIA post, it really depends on which numbers the director feels he can "sell." The long can-can dance in Act II is in the same musical family as all dance movements, from the gavotte in RUDDIGORE to the cachucha in GONDOLIERS. It depends for its success on choreography. Many amateur groups are at their weakest when it comes to choreography, but there is nothing wrong with the number per se. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com  1,, Summary-line: 25-Feb oakapple2@yahoo.com [45] #Re: Julia's accent (was Cutting "Grand Duke") X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA22265; Mon, 25 Feb 2002 14:16:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA00853 for ; Mon, 25 Feb 2002 14:16:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA11026; Mon, 25 Feb 2002 14:15:42 -0500 (EST) Date: Mon, 25 Feb 2002 14:15:42 -0500 (EST) Message-Id: <20020225190318.42271.qmail@web13307.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Julia's accent (was Cutting "Grand Duke") MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C790F3A.CD978282@csuohio.edu> *** EOOH *** Date: Mon, 25 Feb 2002 14:15:42 -0500 (EST) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Julia's accent (was Cutting "Grand Duke") Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3C790F3A.CD978282@csuohio.edu> --- Kevin Wachs wrote: > Of course we all know that the part was written for Ilka von Palmay's > natural Hungarian accent, but do we know what the English actresses > did during the original provincial tours? I certainly think that there's a good research project here. In general, most of the reviews cited in the existing literature are from the London periodicals. Reviews tended to be VERY detailed, so if Julia had a German accent on tour, some reviewer probably mentioned it. One cannot simply delete the German accent without doing a bit of rewriting, and it's not beyond possibility's realm that this occurred. Against this, bear in mind that D'Oyly Carte had the luxury of casting professional performers. It is not unusual for a pro to have the skill of assuming various accents. The problem we've been talking about is in amateur productions (i.e., the only kind of production GD is likely to have these days). I'd also point out that audiences in those days often followed along in their librettos. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com  1, answered,, Summary-line: 26-Feb YesTisMabel@aol.com [18] #Re: more G&SingOrlando 2002 info X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA05093; Tue, 26 Feb 2002 17:23:24 -0500 (EST) From: Received: from imo-r10.mx.aol.com (imo-r10.mx.aol.com [152.163.225.106]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA27424 for ; Tue, 26 Feb 2002 17:23:08 -0500 (EST) Received: from YesTisMabel@aol.com by imo-r10.mx.aol.com (mail_out_v32.5.) id 6.41.190c0ddd (4217) for ; Tue, 26 Feb 2002 17:23:04 -0500 (EST) Message-ID: <41.190c0ddd.29ad64c7@aol.com> Date: Tue, 26 Feb 2002 17:23:03 EST Subject: Re: more G&SingOrlando 2002 info To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Tue, 26 Feb 2002 17:23:03 EST Subject: Re: more G&SingOrlando 2002 info To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Dave--- Would you like to do Alexis also? Jackie is doing Constance, so I guess that's not really a pairing......my friend Linda is doing Aline, and has a huge dramatic soprano voice. I really wanted her to do Ida if we were doing that show. Her voice is really too big to do G&S sopranos, for the most part. I've asked a local guy with a huge voice to sing Alexis, but I have a feeling he's going to conk out on me....I don't trust him to commit. I will have to see. Elise  1,, Summary-line: 27-Feb PSternenberg@aol.com [49] #Re: G&S self-quotations in UTOPIA X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA26932; Wed, 27 Feb 2002 00:55:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA17454 for ; Wed, 27 Feb 2002 00:55:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA18417; Wed, 27 Feb 2002 00:55:00 -0500 (EST) Date: Wed, 27 Feb 2002 00:55:00 -0500 (EST) Message-Id: <121.cacc5bb.29adc98a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: G&S self-quotations in UTOPIA MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Wed, 27 Feb 2002 00:55:00 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: G&S self-quotations in UTOPIA Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Thanks for reposting, Steve. It is no longer unreadable. (BTW, my dictionary defines "unreadable" as "illegible," so I don't understand why you think they're different.) Anyway, here are a few more: MUSICAL SIMILARITIES: Marco & Giuseppe: For everyone who feels inclined Scaphio & Phantis: In every mental lore, -tal lore Hildebrand: Now hearken to my strict command Phylla: The song of birds in ivied towers TEXTUAL SIMILARITIES: Ida: Two and two make five -- or three -- or seven; Or five-and-twenty, if the case demands! Zara: Two and two are three, or five, or anything you please STRADDLING BOTH CATEGORIES: Daly: Ah me, ah, me, I was a pale young curate then! Sophy: Well, well -- well, well -- I was a maid of fifteen year! Ah, me! -- Ah, me! -- Is but a mask on Nature's face! And if we look at Sullivan's work with other librettists, we see that the line "In lazy languor -- motionless" is, aside from key, melodically identical to "Now, nay, fair flower of Palestine" from the earlier IVANHOE (sung by the Templar on Chappell P. 155 less than a minute after "Lord of our chosen race" has ended). Lyrically, the same opening line of UTOPIA looks forward to the opening line of ROSE OF PERSIA: "As we lie in languor lazy." Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA Visit Ridgewood G&S at www.ridgewoodgands.com  1, forwarded,, Summary-line: 28-Feb oakapple@cris.com [132] #Singout Nova Scotia X-Coding-System: raw-text-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA14794; Thu, 28 Feb 2002 19:07:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA18109 for ; Thu, 28 Feb 2002 19:06:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA14324; Thu, 28 Feb 2002 19:06:47 -0500 (EST) Date: Thu, 28 Feb 2002 19:06:47 -0500 (EST) Message-Id: <3C7EC2DF.DD9EDB5@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Singout Nova Scotia MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.5 [en] (Win98; U) *** EOOH *** Date: Thu, 28 Feb 2002 19:06:47 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Singout Nova Scotia Content-Type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have received word of a G&S Singout to be held in Halifax, Nova Scotia, over the weekend of July 19-21, 2002. A text version of the announcement is provided below. I have also posted an Adobe Acrobat pdf version to my website, at: http://www.cris.com/~oakapple/gsweb/novascotia.pdf Text of the announcement below.... Gilbert & Sullivan Society of Nova Scotia 25th Anniversary **** SINGOUT **** Halifax, Nova Scotia July 19­21, 2002 Sir James Dunn Theatre, Dalhousie University (The information below is also attached in PDF format.) HOW WOULD YOU LIKE to sing in and watch several G&S Productions in one weekend, with lots of time for socializing! € No dialogue, no overtures and best of all, no rehearsals. The shows go faster without dialogue and overture! € Music directors, pianists and soloists will be provided. € You are both audience and chorus, á la ³Messiah from Scratch.² Sit in your voice section. Soloists, Music Director and pianist will have a few minutes before each production to discuss tempos. € Before, after and between shows, there will be ample opportunity to socialize. € We are inviting our 500 members and former members as well as Savoyards from all over North America. € Anticipated registration fee: app. $50 Canadian € To get the best possible production, potential soloists will be asked to volunteer, stating their experience, especially in the role(s) they are applying for. A committee will select and assign soloists and pianists and music directors. € Selection and schedule of productions, location and social events will be announced soon. Halifax and Nova Scotia are great places to visit! Americans, your dollar goes much further in Canada! We can help with your extended holiday plans in Nova Scotia. Tentative Schedule: Friday, July 19, Evening Registration Shows 1 & 2 Wine & cheese party Saturday, July 20 Continental Breakfast Show 3 Lunch Break Shows 4&5 Supper Break Shows 6&7 The ³Cast Party² Sunday, July 21 Social Activities TBA For more info and to express interest please send form below or contact Leo Weniger: gilbertandsullivansingout@hotmail.com or (902)425-3392 504-1333 South Park St., Halifax, NS B3J 2K9 Canada I am interested in the Singout. Name_______________________________ Address _______________________________ ____________________________________ Postal or Zip Code________________________ E-mail _______________________________ Tel __________________________________ I am interested in (circle): Music Director Pianist Soloist The top 5 shows that I would like to see done are _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 28-Feb jtidwell@animato.arlingto [33] #Nepalapalooza II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA26746; Thu, 28 Feb 2002 21:52:28 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.mediaone.net [24.147.211.222]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA00313; Thu, 28 Feb 2002 21:52:06 -0500 (EST) Received: from [192.168.1.102] (terpsichore.animato.arlington.ma.us [192.168.1.102]) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id g212q3r26520; Thu, 28 Feb 2002 21:52:04 -0500 Mime-Version: 1.0 X-Sender: jtidwell@192.168.1.2 (Unverified) Message-Id: Date: Thu, 28 Feb 2002 21:52:07 -0500 To: lots-of-people@mit.edu From: Jenifer Tidwell Subject: Nepalapalooza II Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: jtidwell@192.168.1.2 (Unverified) Date: Thu, 28 Feb 2002 21:52:07 -0500 To: lots-of-people@mit.edu From: Jenifer Tidwell Subject: Nepalapalooza II Content-Type: text/plain; charset="us-ascii" ; format="flowed" So there were a lot of people who didn't make it to the first slideshow of my trip to Nepal. We wanted to do this a second time, before I forget all the good stories. :-) The show is about 250 pictures of the trip I took with AAI the Everest region last October. Some of these pictures are online, but the full show is better -- so much of the material just didn't fit in the Website! Date: Saturday, March 23rd Time: 6:00 - whenever (at least 10:00) Slides will start when it gets dark, probably around 6:30. We'll serve dinner at some convenient time during the slideshow (it will be vegetarian-friendly), and the show will continue afterwards. That worked well last time. Carsten and his family have graciously offered to host it again at their Westford home; directions will be sent upon RSVP, should you need them. Those of you who were at the first one -- nothing new to see here. :-) But you would be welcome anyway! Hope to see many of you there, - Jenifer  1,, Summary-line: 1-Mar YesTisMabel@aol.com [69] #last call---G&SingOrlando2002 roles X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22010; Fri, 1 Mar 2002 16:18:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA08179 for ; Fri, 1 Mar 2002 16:18:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA07637; Fri, 1 Mar 2002 16:18:08 -0500 (EST) Date: Fri, 1 Mar 2002 16:18:08 -0500 (EST) Message-Id: <169.9a03653.29b14514@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: last call---G&SingOrlando2002 roles MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Fri, 1 Mar 2002 16:18:08 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: last call---G&SingOrlando2002 roles Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi everyone! Well, we have had several people jump in this week to add their voices to our merry band. Here is the updated list of attendees: Ori Siegel Carole Round Wendy Falconer Marc Lewis Laurie Weissbrot and wife Bob & Jackie Richards David & Ruth Jedlinsky Henry Sherr Paul Enchelmeyer Gersh Morningstar David & Gwyn Craven and petite paquet Jim Cooper Eric Peterson Alvin Entin and family Doug Whaley Larry & Robin Garvin Sam Silvers & friend Jim Drew Andi S-R John & Thersa Segers Elise Curran Clive Woods? Micki Adams ? I have also received more roles requests, and so the following are what is left at this point: Usher, Foreman, Deadeye, Mikado, Nanki Poo, Tolloler, Alexis, Major General, Rose, Peep Bo, Celia, Leila, Ruth, and Mad Margaret. Several of these roles have been requested as seconds by people with one role already, and I know who you are! There are also some roles that I am still negotiating with local about. I still need conductors for Trial, Sorcerer, and Mikado. Pianists so far are Eric P (Trial), and Andi. Could use some more piano players, Clive! I have NOT made the final decisions on any roles yet---I am going to do that this weekend and post the list on Monday. This list will be subject to last-minute entries, so if I give you two or more roles, please be aware that you may have to forfeit one of them if I get some late-comers. NOW is the time for any who are still thinking about coming but haven't mentioned it to me yet to let me know, so if I assign a role that you want to someone else as a second role, I can do so with a proviso that should you be able to come, you get the role. Today is the deadline, so try to get you information to me ASAP. Elise Curran Orlando, FL YesTisMabel@aol.com ps It looks like the $34/night hotel room rate is a GO! More on Monday......  1, forwarded,, Summary-line: 1-Mar andi_s_r@yahoo.com [36] #G&SingOrlando2002: A Bargain... X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA00154; Fri, 1 Mar 2002 23:26:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA07710 for ; Fri, 1 Mar 2002 23:26:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA16288; Fri, 1 Mar 2002 23:26:16 -0500 (EST) Date: Fri, 1 Mar 2002 23:26:16 -0500 (EST) Message-Id: <20020302042120.3563.qmail@web10804.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: G&SingOrlando2002: A Bargain... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 1 Mar 2002 23:26:16 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: G&SingOrlando2002: A Bargain... Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Some S'net friends have expressed private waffling about the Orlando event for monetary reasons. This is not going to be an expensive venture. It looks as though we'll have a discounted hotel rate of USD 34 per night (GBP 23.8), and airfare from New York was available as low as USD 145 last week. Both Saturday and Sunday will feature pizza lunches ordered in, and I'm told that the Saturday night dinner menu is very reasonably priced. I encourage everyone to check out the actual travel costs, and to think about coming (US residents, you'll even have your tax refunds in hand by then in many cases....). This has the potential to be a really great time at a really reasonable price--and the more the merrier. ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Yahoo! Sports - sign up for Fantasy Baseball http://sports.yahoo.com  1,, Summary-line: 2-Mar Butagirl@aol.com [92] #GASLibs X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA02228; Sat, 2 Mar 2002 09:11:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA28884 for ; Sat, 2 Mar 2002 09:10:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA19757; Sat, 2 Mar 2002 09:09:01 -0500 (EST) Date: Sat, 2 Mar 2002 09:09:01 -0500 (EST) Message-Id: <2b.234d18f7.29b23244@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: GASLibs MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Sat, 2 Mar 2002 09:09:01 -0500 (EST) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: GASLibs Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Finished! At last! finished! The GASlibs are now complete. Some of you may remember that a few weeks ago I asked for participants for some GASlibs. Our gallant crew supplied random words without knowing into which piece they would be inserted, and the results are below. Many thanks to participants Mike Nash, Nick Sales, Dave Kirby and Jonathan Ichikawa, Sylvia Greinig, Sheldon Richman, Dan Schwartz, Carol Davis, Leonard Pinsker, Paul McShane and Jim Drew. No prizes for guessing which pieces they come from! Anyway, here they are - hope you enjoy them. If any of you would like to participate in some more GASlibs, please let me know. 1) Take a cassowary of sticky eruptions, Dainty, ever and anon, In a fastidious lung -- Do not liquefy their freakish surprise-- Having rummaged the aardvark, Take a cassowary of deranged lips; Take a figure trimly undressed-- Such as squeegee whets-- (Be glorious in this); Take a tender little muffin, Fringed with crestfallen fingerettes, Exemplify it--in parenthesis;-- Ah! lubricate all these, you mystical man-- Take and masticate them, if you can! 2) I cannot dribble what this porterhouse steak may be That gesticulate to all but not to me. It cannot be sticky as they'd stiffen, Or why do these beds galumph? It cannot be minstrel and rapture lugubrious, Or why do these gentle parachutes plug? It cannot be foreign as `tis smote, Or why are their television repairmen so nominally red? Though ev'rywhere true porterhouse steak I see A-genuflecting to all, but not to me, I cannot dribble what this porterhouse steak may be! For I am weird and I am temptation, While they sit debating night and day. For I am weird and I am temptation, Shudder of the kumquat `twixt them and me, Shudder of the kumquat `twixt them, and me, Fal la la la la la la la la la la la la la la la la la la la la la la la la la la, and etui! 3) None shall smooch us from each other, One in tadpole and scratchings are we: Bargepole in bargepole to one another-- I to thee and thou to me! Thou the agora and I the truncheon-- Thou the detective; I the styrofoam -- Thou the redwood and I the kangaroo-- Thou the lunatic; I the sluggard! All in all since that fond conductor When, in tackle, I woke to maul Mine the stain within thee calibrating, Mine the breast that stain sucked! Thou the sump-pump and I the head-- Thou the Christianity; I the dragon-- Thou the champagne; I the paederast-- Thou the fans; I the docker! Sharon Brindle "Though I am butagirl@aol.com"  1, forwarded,, Summary-line: 2-Mar rchains@attbi.com [164] #Re: [oakapple@cris.com: Singout Nova Scotia] X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA04064; Sat, 2 Mar 2002 17:25:06 -0500 (EST) Received: from rwcrmhc52.attbi.com (rwcrmhc52.attbi.com [216.148.227.88]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA23145 for ; Sat, 2 Mar 2002 17:24:49 -0500 (EST) Received: from DIMENSION ([24.147.81.209]) by rwcrmhc52.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with SMTP id <20020302222449.SLMY1147.rwcrmhc52.attbi.com@DIMENSION> for ; Sat, 2 Mar 2002 22:24:49 +0000 Message-ID: <003f01c1c238$db86b480$0c2aa8c0@DIMENSION> From: "Rebecca C. Hains" To: "David C. Jedlinsky" References: <200203022219.RAA12113@multics.mit.edu> Subject: Re: [oakapple@cris.com: Singout Nova Scotia] Date: Sat, 2 Mar 2002 17:23:19 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4910.0300 *** EOOH *** From: "Rebecca C. Hains" To: "David C. Jedlinsky" Subject: Re: [oakapple@cris.com: Singout Nova Scotia] Date: Sat, 2 Mar 2002 17:23:19 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4910.0300 Thanks! Pocky says he's interested in Candide... what about you? :oD BTW, do you have a program handy with the dates of the Savoy Club? I can't find my copy, and Pocky wants a better sense of when this would take place. ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Saturday, March 02, 2002 5:19 PM Subject: [oakapple@cris.com: Singout Nova Scotia] > ------- Start of forwarded message ------- > Date: Thu, 28 Feb 2002 19:06:47 -0500 (EST) > Reply-To: oakapple@cris.com > Originator: savoynet@bridgewater.edu > Sender: savoynet@bridgewater.edu > Precedence: bulk > From: Marc Shepherd > To: Multiple recipients of list SAVOYNET > Subject: Singout Nova Scotia > Content-Type: text/plain; charset=iso-8859-1 > X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas > X-Comment: Gilbert and Sullivan Forum > > I have received word of a G&S Singout to be held in Halifax, Nova Scotia, over > the weekend of July 19-21, 2002. A text version of the announcement is provided > below. I have also posted an Adobe Acrobat pdf version to my website, at: > > http://www.cris.com/~oakapple/gsweb/novascotia.pdf > > Text of the announcement below.... > > > Gilbert & Sullivan Society of Nova Scotia 25th Anniversary > > **** SINGOUT **** > > Halifax, Nova Scotia > July 19­21, 2002 > Sir James Dunn Theatre, Dalhousie University > > (The information below is also attached in PDF format.) > > HOW WOULD YOU LIKE to sing in and watch several G&S Productions in one > weekend, with lots of time for socializing! > > ? No dialogue, no overtures and best of all, no rehearsals. > The shows go faster without dialogue and overture! > > ? Music directors, pianists and soloists will be provided. > > ? You are both audience and chorus, á la ³Messiah from Scratch.² Sit in your > voice section. Soloists, Music Director and pianist will have a few minutes > before each production to discuss tempos. > > ? Before, after and between shows, there will be ample opportunity to > socialize. > > ? We are inviting our 500 members and former members as well as Savoyards > from all over North America. > > ? Anticipated registration fee: app. $50 Canadian > > ? To get the best possible production, potential soloists will be asked to > volunteer, stating their experience, especially in the role(s) they are > applying for. A committee will select and assign soloists and pianists and > music directors. > > ? Selection and schedule of productions, location and social events will be > announced soon. > > Halifax and Nova Scotia are great places to visit! > Americans, your dollar goes much further in Canada! > We can help with your extended holiday plans in Nova Scotia. > > Tentative Schedule: > > Friday, July 19, Evening > Registration > Shows 1 & 2 > Wine & cheese party > > Saturday, July 20 > Continental Breakfast > Show 3 > Lunch Break > Shows 4&5 > Supper Break > Shows 6&7 > The ³Cast Party² > > Sunday, July 21 > Social Activities TBA > > > For more info and to express interest > please send form below or contact Leo Weniger: > gilbertandsullivansingout@hotmail.com or (902)425-3392 > 504-1333 South Park St., Halifax, NS B3J 2K9 Canada > > > I am interested in the Singout. > > Name_______________________________ > > Address _______________________________ > > ____________________________________ > > Postal or Zip Code________________________ > > > > E-mail _______________________________ > > Tel __________________________________ > > > I am interested in (circle): > > Music Director Pianist Soloist > > > > The top 5 shows that I would like to see done are > > _______________________________ > > _______________________________ > > _______________________________ > > _______________________________ > > _______________________________ > > > > > > - -- > Marc Shepherd > New York, New York > oakapple@cris.com > ------- End of forwarded message ------- >  1, forwarded,, Summary-line: 3-Mar Bj.Richards@btinternet.co [49] #Re: Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA19377; Sun, 3 Mar 2002 17:37:21 -0500 (EST) Received: from rhenium.btinternet.com (rhenium.btinternet.com [194.73.73.93]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA04839 for ; Sun, 3 Mar 2002 17:37:04 -0500 (EST) Received: from host62-7-114-75.in-addr.btopenworld.com ([62.7.114.75] helo=default) by rhenium.btinternet.com with smtp (Exim 3.22 #8) id 16hebH-0000Ju-00 for opus@MIT.EDU; Sun, 03 Mar 2002 22:37:03 +0000 Message-ID: <003b01c1c304$04f5fd00$4b72073e@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> <200112032345.SAA12432@multics.mit.edu> <001701c17d1a$8424a3e0$1326073e@default> <200112191743.MAA06763@multics.mit.edu> <00a601c1b8ba$c51378a0$356601d5@default> <200203031929.OAA22953@multics.mit.edu> Subject: Re: Grand Duke Date: Sun, 3 Mar 2002 22:34:59 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Grand Duke Date: Sun, 3 Mar 2002 22:34:59 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 > Hi Bob and Jackie. That's a difficult one - better bring some rainwear with you. It is likely to be on the cool side, but the weather could equally be pleasant and spring like. For instance, last night we all went for a meal at the local Italian Restaurant about a 10 minute walk away and I (Bob) just went in a jacket and shirt (apart from the usual trousers & shoes of course). We never get icy conditions (well hardly ever) in Penarth as we are by the sea, it'll probably be 50ish degrees. It's been very wet and windy but that, mercifully, seems to have stopped. We will be walking to the Theatre which is about a 15 minutes walk away, we can all have a drink after the show. > > Could you let us know what sort of weather and temperatures we should > expect? > > Also, I spoke with Carole Round before she left yesterday, and we > decided that we'll go to the Hertz car rental place on Thursday and > look at the car to see if it's large enough for three of us along with > our luggage. If so, we'll bring Carole with us on Friday, and we'll > call you to let you know that it won't be necessary to get her at the > train station. Unless you are bringing vast amounts of luggage (don't bother bringing towells) you should get 2 cases in the boot and at least one next to Carole on the back seat. > > Hopefully, our cell phone will still work when we get there; the > number is 07880-628149. If you need to call us, we'll be arriving in > London Thursday morning, and staying at the Hilton Hyde Park. The > number for the hotel is 020-72212217. > > -Dave Looking forward to seeingyou all again - can Ruth remember the way? Bob & Jackie  1,, Summary-line: 4-Mar KPeterson@dfrv-ny.com [256] #Brent Walker Trial by Jury (long!) X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA13194; Mon, 4 Mar 2002 11:09:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA03520 for ; Mon, 4 Mar 2002 11:09:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA03368; Mon, 4 Mar 2002 11:09:29 -0500 (EST) Date: Mon, 4 Mar 2002 11:09:29 -0500 (EST) Message-Id: <003b01c1c393$e32c88c0$456bce41@DFRVNY.Local> Errors-To: savoynet-owner@bridgewater.edu Reply-To: KPeterson@dfrv-ny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith H Peterson" To: Multiple recipients of list SAVOYNET Subject: Brent Walker Trial by Jury (long!) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 *** EOOH *** Date: Mon, 4 Mar 2002 11:09:29 -0500 (EST) Reply-To: KPeterson@dfrv-ny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith H Peterson" To: Multiple recipients of list SAVOYNET Subject: Brent Walker Trial by Jury (long!) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Having received the complete Brent Walker video set for Christmas, I decided it was about time to purchase one of those VCR-thingummies and watch them, which I accordingly did and am doing. (Imagine my chagrin to discover that even the cheapest of these contraptions no longer features a flashing "12:00," but sets its own clock upon being plugged in. Such efficiency is bad for my image.) What I found in the videos was the cinematographic equivalent of a dozen Oxonian eggs: parts of them are excellent. Many aspects of the productions (I'm about to begin Mikado) take advantage of the scenic scope, complex settings, intimate close-ups and special effects that television permits. At the same time, many bits of business and choreography seem "busy" or even pointless (this even creeps into the commentary. Why, when Fairbanks is speaking of Katisha's 200-year-old costume, does a picture of the Mikado appear on the screen?). Some of the direction is positively prop-happy. While some aspects of production seem lavish, one aspect does not: I get the distinct impression that budgetary limits permitted only so much rehearsal before filming, and so many "takes" of each scene, the best of which, warts and all, was chosen for the final cut; rather like a weekly television series. This is the only way I can explain Clive Revill's spoiling the rhyme in Sorcerer by singing "Or he or I must die," instead of "Or I or he must die." And why else "incumbrance" instead of "incubus" in the Learned Judge's song? And then there are the occasionally dropped props. I propose that we take a charitable view of most of these things, however, since the production of twelve works is a mammoth undertaking that no one else has dared to do. "Like a dog walking on its hinder legs" about sums it up. Since I have virtually no operatic background, I cannot comment on the tendency to cast hibernal poultry ("no spring chickens") in juvenile roles; perhaps this is a necessity born of the need for vocal maturity, and cannot be helped. I tried to approach the tapes in the spirit of Fairbanks's commentary, which are addressed to the novice. Does the production get across to the outsider either what Gilbert and Sullivan were trying to say, or why Gilbert and Sullivan have endured, or both? Having so far viewed Trial by Jury through Princess Ida, my answer in many cases is yes. I have no a priori objection to heterodoxy in casting, business or staging. I think playing the overture as an afterpiece is an excellent idea in a home video; I'm always anxious to get on with it at the outset, but I like to enjoy the afterglow when the show ends. One cannot overestimate the luxury of being able to pause, rewind and listen in the peace and quiet of one's own home, whenever one pleases. The following are more particular comments on Trial by Jury, taking the videos in order. No one need fear that my comments on succeeding shows will be as long-winded as this one. Trial by Jury is one of my hobby horses. With any luck, though, SavoyNet Assembled will come crashing down upon me like a ton of bricks, which always makes the daily pack of e-mail such fun. The most remarkable thing about the production is, of course, the use of Overture di Ballo as an introduction, in the course of which we watch the characters prepare for court. Apart from affording the pleasure of hearing the piece itself, this is a good idea for developing character and motivation. The idea is sometimes realized, sometimes ignored and sometimes annoying. On the annoying side is the Judge, who engages in pointless slapstick and mugging during the Overture, in the course of which he tries on several wigs, only of one of which, to my unlearned Yankee eye, seems designed for judge's wear. On the "ignored" side are the bridesmaids, who, with a pert housemaid, fuss with their hats to no apparent end that I can see. The Usher's function is aptly foreshadowed by his complex regimen of spraying, gargling and lozenge-ing, as is Angelina's pretense to injury by her rapid consumption of a hearty breakfast to the point of hiccoughs. I also approve the suggestion that Edwin is a musician by trade (you know how those musicians are!). The Foreman profits most from the Overture. His pea-cocky devotion to his Slawkenbergian moustache, enthusiastically seconded by his wife (for whom he rings, as if she were the maid!), underscores the hypocrisy of "Oh, I was like that when a lad." Introducing the Foreman's wife turns "Just like a father I wish to be" from a mere offhand fib to a defense, giving it a deeper meaning and connecting it to the prior line, "If faint you're feeling, recline on me." The Overture turns this "three-liner" into a fully-rounded character. But it misses a trick with Angelina. Edwin first appears in bed next to the Other Lady (shades of Peter Arno's "Wake up, you mutt! We're getting married today"). One might infer that he debauches all his fiancées as a matter of course. Yet, when Angelina sings, "I am no unhappy maid," she sings it with the traditional emphasis on "no unhappy"; the stiff upper lip that elicits sympathy and inflates general damages (in this case, what was once called "heart balm," as opposed to special damages, for out-of-pocket expense). If Angelina had sung the line to mean, "I am no unhappy maid; I'm an unhappy fallen woman," she might have had a chance of recovering punitive damages! "Faded flower" and "cheated maid" might have been given a deeper, darker meaning, as well. (On the other hand, Angelina sucks suggestively on her lolly just as Counsel is telling the jury that she "coyly wooed and gently won" Edwin). The selection of a foreman of the jury by lot during the opening chorus is an excellent addition to the staging, but why does the Usher "fix" it by slipping the mustachioed gentleman the winning slip? Does it echo the "job" by which the Judge rose to the bench? And must the Judge absentmindedly attempt to preside from the dock to show that his case parallels Edwin's? And what's with the clerk's rolling his eyes now and again? Gilbert's lyrics are quite enough to show the bias of the proceedings; there is no need to lay it on with a trowel. Nothing could be more pointless than the suggestion that Angelina is in the loo when the Usher calls her into Court. I am mystified by the parties' addressing "I love him" to the Judge. This song is addressed to the jury, whose job it is to fix damages, as the score makes clear ("That is an abatement" [of damages]. I'll warrant that no audience has ever heard that line in performance!). "I love him" is Gilbert's strongest satire in the piece: a passionate declaration of love turned into a baldfaced "touch." The Judge, however, has nothing to do with it. Indeed, I doubt that one would be so familiar as to refer to a Judge in the second person—"When you I'm addressing." Another bit of legal nonsense in the video, as far as I could tell, is placing Edwin in the dock, as if he were on trial for a crime (that would be Queen's Bench, I believe). Perhaps the British members can correct me on this, as well as on the question of the Judge's wigs—or anything else in my pontifications, for that matter. Such errors are grating because they miss the point of the show, which endures because it satirizes the legal system without misrepresenting it. Gilbert's portrayal of the law is as accurate as Lewis Carroll's description of chess. Hardly a single word in the libretto rings a false legal note. Some examples of Gilbert's skill [bus.: stable criticism; mount hobby-horse]: "Comes the faded flower; comes the cheated maid" is not just an affected poetic inversion. At one time (perhaps still, in some places), pleadings began with something like, "Comes now the plaintiff and, complaining of the defendant, alleges as and for her verified complaint as follows: . . ." In other words, Gilbert has written, with his usual genius, a pastoral lyric in legalese! (By the way, contrary to popular belief, the next two lines are not "Inside half an hour, Edwin got her laid.") "Doubly criminal to do so, for the maid had bought her trousseau." We laugh at the way he says it, but Counsel is being very shrewd (and how Life imitated Art when Mr. Cochran said, "If it doesn't fit, you must acquit"!). As I mentioned, damages are of three kinds: general, specific and punitive. Punitive damages are awarded only in the most outrageous cases, and specific damages are limited by actual proof of monetary loss; so the big bucks, as every lawyer knows, are in general damages, which require no more proof than acting ability on the part of counsel and his client. The risk with general damages, however, is that the jury may discount the plaintiff's injury. The jury found that Ruskin defamed Turner, but they only awarded Turner the proverbial peppercorn. Counsel in Trial by Jury, therefore, is careful to point out that his client is seeking special damages, so as to ensure an award large enough to pay his fees and court costs. (By the way, while Angelina pleads for general damages (her broken heart), she leaves the sordid subject of out-of-pocket damages to Counsel; another of Gilbert's realistic touches.) "With a sense of deep emotion" contains every trial attorney's cliché in the book, all in flawless verse. A tour de force. I have a theory as to why Gilbert sets the case in Exchequer, the traditional venue of tax cases, instead of in Common Pleas. At law school, we were taught (and, being taught, believed) that, at common law, plaintiffs with weak cases took to devising legal fictions to avoid bringing their actions in the "proper" court, where the judges knew the applicable area of law too well (we Yanks call this "forum-shopping"). Consider an action in debt: A plaintiff who anticipated difficulty in proving that his defendant had made an enforceable promise to pay might bring his action in the Court of the Exchequer by means of a writ of quo minus (Defendant has failed to pay plaintiff, "by which reason" plaintiff is "the less" able to pay his taxes). Tax judges, unpracticed in the niceties of offer and acceptance but conscious of the needs of the public purse, might be more apt to find for such a plaintiff. This practice was so widespread that the functions of the three courts became, in course of time, quite blurred. Evidence that Angelina has employed such a tactic: (1) Edwin is too crafty to have made a legally enforceable promise to marry. (2) By immediately admitting that he has thrown Angelina over in "Tink-a-tank," Edwin pleads a demurrer (legalese for "what of it?"). Edwin is pleading that, even if Angelina proves all that she alleges, she has not made out a case. This can only mean that Angelina has failed to plead an unequivocal promise of marriage. (3) Counsel's opening paints a vivid picture of every fact of the case except the most important one: as to the promise to marry, Counsel merely says "vows, et cetera, deriding." The heart of the case, reduced to an "et cetera" and a dependent clause! The video supports this theory by the knowing look Counsel gives Angelina when he sings this line and by introducing Angelina's mother, who presses her daughter, who seems at times reluctant or sheepish, to pursue the action (during the Judge's song, Counsel and Mother are deep in a discussion of the case; Counsel barely glances at Angelina). It is apparent that Angelina has fibbed to Mamma about what really went on when she and Edwin were left alone in the drawing room. Edwin's second song amounts to a tender of judgment. Once he realizes that he faces substantial damages, he offers specific performance: he will stand by his promise and marry Angelina. The power of this plea is that it turns Angelina's claim against her; traditionally, a plaintiff may not have specific performance, unless damages are an inadequate remedy. Edwin is saying, "I agree; damages cannot heal a wound so deep." In New York, a similar ju-jitsu tactic was once widely used in divorce: A wife would sue for divorce and seek a division of marital property; her husband would admit to the grounds for divorce, move for partial summary judgment in favor of her and against himself, and then be freed of the marriage tether, while the fight over the property dragged on for years. The video regrettably preserves the grammatical error that has crept into some editions of this song: "To turn his [sic; for your] attention to dinner." Because specific performance is an "equitable" remedy, it may not be granted if inequity would result, so Edwin says that he must likewise keep his promise to the other lady; and it may not be granted to one who has behaved inequitably, so he argues that he has acted equitably by obeying the laws of nature. In twenty-four lines of amphibrachic trimeter, Edwin expresses a complete and rather complex legal argument. Plaintiffs who receive specific performance aren't entitled to damages, and Counsel, facing a Pyrrhic victory if, as the Judge threatens, he is forced to settle, immediately moves to counter Edwin's tactic with the Burglaree dodge. Notwithstanding my gripes, the video evinces again and again a thoughtful and thorough line-by-line study of the libretto that results in numerous felicities of facial expression and business. I'm not qualified to comment on the quality of the musical direction, but it was satisfactory to me, except for the Judge, who was not equal to the demands of his part, even taking into account the latitude afforded to comic baritones. Mr. Howerd's shortcomings were most evident in a bit of business interpolated into the first line of "A nice dilemma," in which he objects to Counsel's interrupting him, but then resumes singing the end of the first line so tunelessly and faintly that the joke falls flat on its face. It is doubtless the poorest singing by a professional ever heard. (Please don't prove me wrong; "I don't wish to know that.") Regards, Keith H. Peterson  1,, Summary-line: 4-Mar rmacphai@bridgewater.edu [71] #Fw: Italian Hoky-Poky? (fwd) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA13596; Mon, 4 Mar 2002 11:10:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA03860 for ; Mon, 4 Mar 2002 11:10:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA03500; Mon, 4 Mar 2002 11:09:58 -0500 (EST) Date: Mon, 4 Mar 2002 11:09:58 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Fw: Italian Hoky-Poky? (fwd) MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 4 Mar 2002 11:09:58 -0500 (EST) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Fw: Italian Hoky-Poky? (fwd) Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I forwarded the Hoky-Poky messages to my son Alexander, now a senior seminarian at Virginia Theological Seminary; he asked me to forward his reply to SavoyNet. -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ----- Original Message ----- From: Alexander MacPhail To: savoynet@bridgewater.edu Sent: Saturday, March 02, 2002 5:22 PM Subject: Re: Italian Hoky-Poky? (fwd) Dear Savoynetters, Actually Hokey-Pokey comes to us from the words of Jesus' institution of the Mass: "Hoc est enim Corpus meum." Or in English: This is my Body. The song which developed mocks liturgy and the clergy: You put your right hand in your put your right hand out, you put your right hand in, and you shake it (the priest making the sign of the cross over the bread and wine) all about. You do the "hokey pokey" (words of institution) and you... turn yourself around (repentance), and...well...that's what it's all about. The belief in transubstantiation (Fourth Lateran Council I believe) promoted this idea that some sort of magic was taking place at the consecration of bread and wine...so that's also where we get Hoccus Poccus. Best, Alexander MacPhail --------------------------------------------------------- Alexander D. MacPhail The Diocese of Virginia The Protestant Episcopal Seminary in Virginia St George Hall 3737 Seminary Road Alexandria, Virginia 22304 703.461.6656 -------------------------------------------------------- P.S. from Rafe: I've seen t-shirts advertised in novelty catalogs with the imprint "What if the Hokey-Pokey really _is_ what it's all about?" Many would say, of course, that it _is_!  1,, Summary-line: 4-Mar andi_s_r@yahoo.com [112] #Re: Audition pieces X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA09832; Mon, 4 Mar 2002 13:41:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA08834 for ; Mon, 4 Mar 2002 13:37:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA15574; Mon, 4 Mar 2002 13:37:26 -0500 (EST) Date: Mon, 4 Mar 2002 13:37:26 -0500 (EST) Message-Id: <20020304183203.7864.qmail@web10808.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Audition pieces MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 4 Mar 2002 13:37:26 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Re: Audition pieces Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There is very little correlation between a particular piece and the audition success in a general sense (e.g., that Poor Wand'ring One produces more positive results than the Scena across the board), because it is much more a question of how well you have chosen the material for your particular voice and how well you execute the piece. Each individual performer will have his or her own pieces that "work best" for him or her; it's just not a general thing. I've probably heard two or three dozen of each of those soprano arias in the current round of NYGASP auditions, at quality levels ranging from the sublime to the ridiculous and a big bell curve inbetween. The same could be said of any other frequently heard number, e.g., Is there not one maiden breast and the Pirate King's song. It's your particular ability and your particular command of the piece that makes it "work best", not the piece itself. The important things for audition success are: 1) Choose a piece you KNOW WELL. Learning a piece on short notice for an audition unless you are specifically instructed to do so is nearly always a mistake because it will lack the security and freedom of a piece that is familiar and comfortably worked into your voice. Murphy's Law kicks in with a high frequency with underprepared material + audition nerves. If you *are* forewarned to learn a particular piece, use your best efforts to learn it thoroughly! 2) Choose a piece that SHOWCASES THE BEST ASPECTS of your particular voice and ducks most of its flaws. This includes choosing a piece in your own natural vocal range. This may seem too rudimentary to mention, but in the past few days of NYGASP auditions, we've had 3 mezzos come in with "The Sun Whose Rays" (which tells us next to nothing about a "mezzo" quality) and a tenor come in with "Softly, as in a morning sunrise" (don't remember the real title) in a key a third down from the score, which put it well down in baritone register and away from the "tenory" part of his voice. 3) If auditioning for a role, choose a piece that is ROUGHLY SIMILAR in type--at least to the extent of not using a patter song if you're auditioning for a lyric baritone role, etc. Show the committee at least a suggestion of what you might be able to do with the type of part. This includes NOT singing in lounge crooner, rock, gospel, or Broadway styles unless this is a "concept" production and so indicated in the audition announcement. Women, Thou Shalt Not Belt or deliver whispery versions suited only to body-miking. 4) Always bring your own music--neatly marked and prepared, and in the correct key. Never assume that the company will have on hand whatever music you want to sing from, or that an audition accompanist can play by ear, play from memory, sight-transpose, work from "lead sheets", or read hand-written music manuscript. The audition pianist is the most important factor at the vocal audition after your own talent; risk or undermine his/her ability to support you well, and even a very fine voice may suffer the consequences of the accompanist's difficulty. Not to mention the fact that the committee is very likely to make note of such failures of proper preparation, and it may well count against you in the decision process. Whether you're paid or not, you're still being hired for a job, and the same factors that pertain at a job interview pertain at an audition--including creating an impression of being prepared and well-organized. 5) Animation is good--avoid standing stock-still and dourly expressionless!!--but don't "oversell" the material, either. Moderation in all things, unless you're asked for something else. My omigod-here-we-go-again reflex reaction to seeing Prima Donna, Chacun a son gout, Glitter and be gay, Where is the life that late I led, and some of the other audition standards listed on an audition sheet is that people tend to go way over the top with "selling" these. I want to see that you have an intelligent understanding of what you're singing about, but I don't want you in my lap, thank you. And puh-leeze don't try to "distinguish" yourself from the hoard by over-the-top oddball comedy stuff, elaborate self-choreography, or cutesy "costuming". These are the marks of the weird or the desperate, and evoke ??? rather than positive responses more than most of the time. Dress neatly, walk and stand with confidence, be well-prepared, smile pleasantly--standard job-interview things, but just as key to making a good audition impression, and if there are two people with roughly equal talents (and perhaps a roughly equal rendition of the same audition piece)these factors can tip the balance in your favor. ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Yahoo! Sports - sign up for Fantasy Baseball http://sports.yahoo.com  1,, Summary-line: 4-Mar cana@MIT.EDU [131] #Angie's sandwich isn't networked X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA09616; Mon, 4 Mar 2002 20:14:24 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA20659 for ; Mon, 4 Mar 2002 20:13:51 -0500 (EST) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id UAA00771 for ; Mon, 4 Mar 2002 20:13:50 -0500 (EST) Received: from localhost (cana@localhost) by hodge-podge.mit.edu (8.9.3) with ESMTP id UAA16050; Mon, 4 Mar 2002 20:13:50 -0500 (EST) Date: Mon, 4 Mar 2002 20:13:50 -0500 (EST) From: Cana Lynn McCoy To: Subject: Angie's sandwich isn't networked Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 4 Mar 2002 20:13:50 -0500 (EST) From: Cana Lynn McCoy To: Subject: Angie's sandwich isn't networked Content-Type: TEXT/PLAIN; charset=US-ASCII Minutes of the SIPB Meeting of 03/4/2002 The meeting was called to order at 19:30 by tibbetts. In attendance were Voting members: aatharuv golem tibbetts alex_c cana arolfe | alien Associate members: jhawk tytso ingolia jweiss sly dmaze | jered marc Non-voting members: Prospectives: xela jtu gschmidt the_geek Guests: Treasurer's Report: tibbetts: I see no treasurer here. Chairman's Report: alex_c: Move to nominate xela for membership golem: seconded A membership election will be scheduled. Office Report: tibbetts: We have toner now. golem: Labelmaker exists. I mailed Brother asking for technical specs on the labeler. No reply yet. jhawk: The command-line interface to the scanner has this neat feature where you can save the page to a file, and iterate. tibbetts: We now have one hundred thousand staples. sly: snork is now running 9.0, when I'm feeling inspired I'll redo Pismere on deathtongue tibbetts: 8.4 on vmware is doomed, says arun. golem: Our broken Linux video cards are doomed. jweiss: More are likely to show up - really. And there will be new and different ones in the future. tibbetts: Just when you thought Linux hardware was a good idea... Office Cleaning Report: sly: There is something sentient in the fridge. Cleaning will occur soon - label your belongings. tibbetts: Live mouse sighting the other day. It went behind the monolith. Also, cans are a big mess. MIT Computing Report: jhawk: MIT now has a whoopiedoo arrangement with GovConnection (aka PCConnection) that may replace the NECX arrangement. jweiss: The net cell db servers are being renumbered, this may cause issues with net cell & MIT web servers. jweiss: The Athena cell upgrade to OpenAFS went smoothly. Computer Services: jweiss: Interested in helping with charon? Talk to me. sly: www will now give a different error page for deactivated user pages. SIPB Backup Report: tibbetts: Probably did themselves. Publications Report: arolfe: Only one iLatex left. tibbetts: Move to allocate $50 for iLatex copies aatharuv: Actually, I have an outstanding allocation. tibbetts: I withdraw my motion. jhawk: The Linux-Athena one-sheet fails to mention 9.0 completely. If you have any responsibility for this, you suck. Orientation Report: IAP Report: CokeComm Report: tibbetts: We can't member anyone who is alphabetically before tibbetts because my dots are in a good spot. marc: If we change your username to spanky, would that help? Sucks: golem: MIT network backbone (sucks!) dmaze: SUIF2 (sucks!) the_geek: ARAMARK (sucks!) jered: Senator Hollins (sucks!) golem: the commencement speaker (sucks!) marc: this sucks report (sucks!) jhawk: LSC... [monkey chatter all around] Other: dmaze: Sucks! Other Other: jered: I have further evidence that Bluetooth works and is not useful. jhawk: I have $2s. sly: LSC Gencomm, 8pm, rm 491 dmaze: I can compile simple programs for a simple four-cluster VLIW machine. tibbetts: Aletta's in a faraway land but they have network there. The meeting was adjourned at 19:43. Minutes taken and submitted by cana.  1,, Summary-line: 4-Mar YesTisMabel@aol.com [51] #G&SingOrlando roles X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA12979; Mon, 4 Mar 2002 20:23:06 -0500 (EST) From: Received: from imo-m09.mx.aol.com (imo-m09.mx.aol.com [64.12.136.164]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA08337 for ; Mon, 4 Mar 2002 20:22:48 -0500 (EST) Received: from YesTisMabel@aol.com by imo-m09.mx.aol.com (mail_out_v32.5.) id 6.73.1bc96188 (4564); Mon, 4 Mar 2002 20:21:48 -0500 (EST) Message-ID: <73.1bc96188.29b577ab@aol.com> Date: Mon, 4 Mar 2002 20:21:47 EST Subject: G&SingOrlando roles To: savoynet@bridgewater.edu, andi_s_r@yahoo.com, Cround01@aol.com, aentin@hotmail.com, Savoyard1@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, DglsWhaley@aol.com, erique@nyc.rr.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Mon, 4 Mar 2002 20:21:47 EST Subject: G&SingOrlando roles To: savoynet@bridgewater.edu, andi_s_r@yahoo.com, Cround01@aol.com, aentin@hotmail.com, Savoyard1@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, DglsWhaley@aol.com, erique@nyc.rr.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com Content-Type: text/plain; charset="US-ASCII" OK, ALL! Here is the casting for the Orlando sing so far. Again, please be aware that if you are given 2 roles, I may have to take one away and give it to someone who signs on late. If that becomes necessary, I will ask your preference. Jim Cooper--Counsel and tbd David Craven--Dr. Daly, Cpt. Corcoran Jim Drew--Sir Marmaduke, Sir Despard Alvin Entin--notary David Jedlinsky--Dick Dauntless Marc Lewis--Pooh Bah, Sir Roderic Eric Peterson--Carpenter, Robin Bob Richards--Ko-Ko, Sir Joseph Ori Siegel--Pirate King, Bos'n Sam Silvers--JWWells, Mikado John Segers--Lord Chancellor Doug Whaley--Pish-Tush Laurie Weissbrot--Mountararat Elise Curran--Mabel Gwyn Craven--Pitti-Sing, Mrs. Partlett Wendy Falconer--Zorah Jackie Richards--Constance, Rose Carole Round--Queen, Buttercup Theresa Segers--Hebe Notice I have only listed Savoynetters, and not the Orlando singers. Many of the remaining roles are cast from locals, but not all. If you only got one role and want to try for another one, let me know which of the roles not listed above you might be interested in, and I can tell you if it is cast or almost cast. more later... Elise Curran Orlando, FL YesTisMabel@aol.com  1,, Summary-line: 4-Mar whalerdan@earthlink.net [194] #Director Search for Titanic and Brigadoon X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA07514; Mon, 4 Mar 2002 23:35:56 -0500 (EST) Received: from harrier.prod.itd.earthlink.net (harrier.mail.pas.earthlink.net [207.217.120.12]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA21847 for ; Mon, 4 Mar 2002 23:35:38 -0500 (EST) Received: from dialup-209.245.97.168.dial1.manchester1.level3.net ([209.245.97.168] helo=computer.earthlink.net) by harrier.prod.itd.earthlink.net with esmtp (Exim 3.33 #1) id 16i6de-0004Pe-00; Mon, 04 Mar 2002 20:33:22 -0800 Message-Id: <5.1.0.14.2.20020304233025.00b3ebe8@mail.earthlink.net> X-Sender: whalerdan@mail.earthlink.net X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 04 Mar 2002 23:30:53 -0500 To: actorsingers@actorsingers.org From: Dan Pelletier Subject: Director Search for Titanic and Brigadoon Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_2360193==_.ALT" *** EOOH *** X-Sender: whalerdan@mail.earthlink.net Date: Mon, 04 Mar 2002 23:30:53 -0500 To: actorsingers@actorsingers.org From: Dan Pelletier Subject: Director Search for Titanic and Brigadoon Content-Type: multipart/alternative; boundary="=====================_2360193==_.ALT" --=====================_2360193==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Instructions for being removed from this email list are at the end of this message Actorsingers searching for Directors, Music Directors and Choreographers for their 2002-2003 Season Dear Friends, ; If you have an interest in directing an Actorsinger production, the Actorsingers would like to invite you to submit an application as director for Actorsingers Fall '02/Spring '03 season. The season includes "Titanic" (Fall '02) and "Brigadoon" (Spring '03). If you personally are not interested, but you know some one who might be, the Actorsingers would appreciate your forwarding this message to them. The Actorsingers customarily use a 10-week rehearsal schedule, rehearsing twice a week, on Sundays and Wednesdays. Additional days may also be scheduled, depending upon the needs of the directors. If you are interested in applying for one of the director positions, please respond to this letter, and you will be contacted to set up an interview with the board. Interviews will be scheduled for April 9th, and April 18th in the evening. Mail the enclosed application, along with a resume if available, to: Actorsingers PO Box 91 219 Lake Street Nashua, NH 03061-0091 attention: Beth Fenske or e-mail, as an attachment (MS Word only please) to mailto:bfenske@geosinc.com If you have any questions, please contact me at 603-883-4500 x131, 9am-5pm, or e-mail me at the above address. You can also find out more about the Actorsingers at www.actorsingers.org. Hope to hear from you soon. Sincerely, Beth Fenske Corresponding Secretary ACTORSINGERS PO Box 91, 219 Lake St., Nashua, NH 03061-0091 E-mail: mailto:bfenske@geosinc.com Fax: 1-603-388-9332 DIRECTORS APPLICATION (Please circle production) PRODUCTION: "Titanic" PRODUCTION DATES: TBA (Tentative: November '02) PRODUCTION: "Brigadoon" PRODUCTION DATES: TBA (Tentative: May '03) NAME: ____________________________________________________________ ADDRESS: ____________________________________________________________ ____________________________________________________________ HOME PHONE#: __________________________ WORK PHONE# __________________________ E-MAIL: __________________________ POSITION DESIRED: _______Director _______Music Director _______Choreographer ________________________________________________________________________ Please attach a resume or supply pertinent information on the back of this form and mail to: Beth Fenkse Actorsingers Corresponding Secretary PO Box 91, 219 Lake Street Nashua, NH 03061-0091 mailto:bfenske@giosinc.com If you want to know more about the Actorsingers check out the main site http://www.actorsingers.org If you do not wish to receive these notices of Actorsinger special events, meetings, auditions for adult shows or Actorsinger and Junior Actorsinger productions please do the following. Click here mailto:remove@actorsingers.org When your email program starts ADD the word REMOVE to the subject line and click SEND. We will promptly remove your name from our list and add your name to our Do Not Send list. Please note that if this message was forwarded to you, you need to contact the individual who sent it to you. This list is NEVER exchanged, traded or sold. --=====================_2360193==_.ALT Content-Type: text/html; charset="us-ascii" Instructions for being removed from this email list are at the end of this message

Actorsingers searching for Directors,
Music Directors
and Choreographers
for their
2002-2003 Season

Dear Friends,                              ;                                           
If you have an interest in directing an Actorsinger production, the Actorsingers would like to invite you to submit an application as director for Actorsingers Fall ‘02/Spring ’03 season.  The season includes “Titanic” (Fall ’02) and “Brigadoon” (Spring ’03). 

If you personally are not interested, but you know some one who might be, the Actorsingers would appreciate your forwarding this message to them.

The Actorsingers customarily use a 10-week rehearsal schedule, rehearsing twice a week, on Sundays and Wednesdays.  Additional days may also be scheduled, depending upon the needs of the directors.

If you are interested in applying for one of the director positions, please respond to this letter, and you will be contacted to set up an interview with the board.  Interviews will be scheduled for April 9th, and April 18th in the evening.  Mail the enclosed application, along with a resume if available, to:

Actorsingers
PO Box 91
219 Lake Street
Nashua, NH 03061-0091
attention: Beth Fenske

or e-mail, as an attachment (MS Word only please) to mailto:bfenske@geosinc.com If you have any questions, please contact me at 603-883-4500 x131, 9am-5pm, or e-mail me at the above address.  You can also find out more about the Actorsingers at  www.actorsingers.org.

Hope to hear from you soon.

Sincerely,
Beth Fenske
Corresponding Secretary

ACTORSINGERS

PO Box 91, 219 Lake St., Nashua, NH  03061-0091
E-mail: mailto:bfenske@geosinc.com Fax: 1-603-388-9332

DIRECTORS APPLICATION

(Please circle production)

PRODUCTION:                     “Titanic”
PRODUCTION DATES:               TBA (Tentative: November ’02)

PRODUCTION:                     “Brigadoon”
PRODUCTION DATES:               TBA (Tentative: May ’03)


NAME:   ____________________________________________________________
ADDRESS:        ____________________________________________________________
                ____________________________________________________________

HOME PHONE#:    __________________________
WORK PHONE#     __________________________
E-MAIL:         __________________________

POSITION DESIRED:                       _______Director
                                        _______Music Director
                                        _______Choreographer
________________________________________________________________________

Please attach a resume or supply pertinent information on the back of this form and mail to:

Beth Fenkse
Actorsingers Corresponding Secretary
PO Box 91, 219 Lake Street
Nashua, NH 03061-0091 
mailto:bfenske@giosinc.com


If you want to know more about the Actorsingers check out the main site http://www.actorsingers.org

If you do not wish to receive these notices of Actorsinger special events, meetings, auditions for adult shows or Actorsinger and Junior Actorsinger productions please do the following.

Click here mailto:remove@actorsingers.org When your email program starts ADD the word REMOVE to the subject line and click SEND. We will promptly remove your name from our list and add your name to our Do Not Send list. Please note that if this message was forwarded to you, you need to contact the individual who sent it to you. This list is NEVER exchanged, traded or sold.
--=====================_2360193==_.ALT--  1,, Summary-line: 5-Mar justom@MIT.EDU [39] #Arsenic & Old Lace at Harvard, March 8th-16th X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA29939; Tue, 5 Mar 2002 00:02:56 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA12612; Tue, 5 Mar 2002 00:02:35 -0500 (EST) Received: from prowler.mit.edu (PROWLER.MIT.EDU [18.152.0.140]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id AAA08173; Tue, 5 Mar 2002 00:02:34 -0500 (EST) Received: (from justom@localhost) by prowler.mit.edu (8.9.3) id AAA23293; Tue, 5 Mar 2002 00:02:34 -0500 (EST) Date: Tue, 5 Mar 2002 00:02:34 -0500 (EST) Message-Id: <200203050502.AAA23293@prowler.mit.edu> From: Tom Giordano To: theater@mit.edu cc: doom@mit.edu, assassin-social@mit.edu Subject: Arsenic & Old Lace at Harvard, March 8th-16th *** EOOH *** Date: Tue, 5 Mar 2002 00:02:34 -0500 (EST) From: Tom Giordano To: theater@mit.edu cc: doom@mit.edu, assassin-social@mit.edu Subject: Arsenic & Old Lace at Harvard, March 8th-16th Murder... Mayhem... Atomic Mass 74.92... ARSENIC AND OLD LACE What do Boris Karloff, Teddy Roosevelt, a neurotic theatre critic, a talkative police officer and a pair of lovably murderous old spinsters have in common? Come see the hilarious classic comedy hit Arsenic and Old Lace...the show people are dying to get into! Mortimer Brewster has just become engaged to the minister's daughter when he discovers that his two eccentric aunts like to help "lonely souls" find peace by way of a poison-spiked glass of homemade elderberry wine. Of course, they hold lovely funeral services before burying the bodies in their basement! Add in one brother who thinks he's Teddy Roosevelt (and digs the Panama Canal in the basement) and another brother who is a mass murderer with an uncanny resemblance to Boris Karloff, a couple of dead bodies, and a squadron of crazy cops, and the Brewster house becomes the scene of manic mayhem and farce... At the Agassiz Theater in Radcliffe Yard, between Garden St and Brattle St: March 8, 9, 14, 15 and 16 at 8 pm March 9, 10 and 16 at 2pm Tickets $9 general/$7 students/$6 groups of 10 or more. Available at the Harvard Box Office in Holyoke Arcade, 617-496-2222. For more information, contact Katherine O'Gara (ogara@fas.harvard.edu)  1, answered,, Summary-line: 5-Mar Bj.Richards@btinternet.co [29] #Re: Buxton & directions X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA20423; Tue, 5 Mar 2002 05:03:52 -0500 (EST) Received: from tungsten.btinternet.com (tungsten.btinternet.com [194.73.73.81]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA19090 for ; Tue, 5 Mar 2002 05:03:34 -0500 (EST) Received: from host213-123-50-97.in-addr.btopenworld.com ([213.123.50.97] helo=default) by tungsten.btinternet.com with smtp (Exim 3.22 #8) id 16iBnB-0007gS-00 for opus@MIT.EDU; Tue, 05 Mar 2002 10:03:33 +0000 Message-ID: <004701c1c42d$173f95a0$61327bd5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <002601c1791d$2d2386c0$f4e77ad5@default> <200112030737.CAA06351@multics.mit.edu> <000301c17c33$4984c9a0$8d9601d5@default> <200112032345.SAA12432@multics.mit.edu> <001701c17d1a$8424a3e0$1326073e@default> <200112191743.MAA06763@multics.mit.edu> <00a601c1b8ba$c51378a0$356601d5@default> <200203031929.OAA22953@multics.mit.edu> Subject: Re: Buxton & directions Date: Tue, 5 Mar 2002 10:03:18 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Buxton & directions Date: Tue, 5 Mar 2002 10:03:18 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Just a thought for you to dwell upon while you're flying over the Atlantic - have you considered auditioning for Alexis in the SavoyNet Sorcerer at Buxton? Keep it to yourselves, but they're having difficult in casting the part! See you soon - are you happy about finding us - get on to the M4 (west) come off at Junction 33 take the left onto the dual carriageway (A4232) . Come off at the 3rd major junction (there is a slip road to the Welsh Folk Museum but I'm not counting that as a major turning) signposted Penarth. This will take you under the dual carriageway, follow the signs to Penarth town centre, turn right at Blockbuster video in the town centre and our house is on the other end of that block. Turn right and our house and then right into our back yard which should have its gates open for you. If you are stuck our phone number is 029 2070 6635 Have a safe journey Bob  1,, Summary-line: 5-Mar raser.Charlton@newcastle. [65] #Shameless Plug: Grand Duke, 19th-23rd March, Newcastle upon Tyne, UK X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10734; Tue, 5 Mar 2002 14:49:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA23341 for ; Tue, 5 Mar 2002 14:49:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA01673; Tue, 5 Mar 2002 14:48:51 -0500 (EST) Date: Tue, 5 Mar 2002 14:48:51 -0500 (EST) Message-Id: <3C858B28@webmail.ncl.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Fraser.Charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fraser Charlton To: Multiple recipients of list SAVOYNET Subject: Shameless Plug: Grand Duke, 19th-23rd March, Newcastle upon Tyne, UK Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: InterChange (Hydra) SMTP v3.61.01 *** EOOH *** Date: Tue, 5 Mar 2002 14:48:51 -0500 (EST) Reply-To: Fraser.Charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Fraser Charlton To: Multiple recipients of list SAVOYNET Subject: Shameless Plug: Grand Duke, 19th-23rd March, Newcastle upon Tyne, UK Content-Type: text/plain; charset="ISO-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum For the first time since 1949... and the first show under their new name... Gosforth Trinity Musical Society proudly presents 'The Grand Duke'. The Dates: Tuesday 19th-Saturday 23rd March 2002. The Time: 7.30pm The Venue: Gosforth URC Church Hall, West Avenue, Gosforth, Newcastle upon Tyne. The Price: 5 pounds (4 pounds children all week & unwaged on Tuesday and Wedndesday) To get tickets: E-mail fraser.charlton@ncl.ac.uk or call 07974 513302 Directed by me, musical direction by Tony Hurst. I'm also playing Rudolph. Of course, what you'll want to know is about the changes! Briefly, these are: 1) The show will be performed in 3 acts (splitting after 'Now take a card') with 3 different sets (Act 1 is a rehearsal room) 2) The only musical cuts in Acts 1 & 2 are 1 verse of 'Strange the views' (I actually rolled the two verses into one) and the usual 'Oh pity me, my comrades true' edits. That means we have both verses of the Rudolph-Baroness duet, 'Big bombs' and so on. Not much dialogue cut at all - in fact, some has been re-instated! 3) In Act 3 (old Act 2) are the biggest changes: Julia's 'So ends my dream' is gone (IMHO always drags the show to a halt - anyway, Julia already has a solo in that act and it isn't so well suited to our Julia's voice). The Prince of M-C's nobles have gone, as has his Herald - and the Wild Dance (which will be used as a playout). He enters singing the Herald's song and the following dialogue is edited appropriately. I imagine that this is the most controversial change. I must admit that I think that the scene can be very funny, but it really comes very late in a long show, and it makes the plot seem even more confusing. In rehearsal this cut makes things run much more smoothly and makes the narrative line clearer. We shall see how it goes in performance. This arrangement also suited our cast better, I might add. 4) The German accent is in - and our Julia performs it brilliantly! Hope to see some of you there. Fraser. ---------------------------------------------------- Fraser Charlton, Clinical Lecturer in Histopathology Pathology, RVI, Newcastle upon Tyne, UK Work Telephone: 0191 282 4445 E-mail: fraser.charlton@ncl.ac.uk Homepage: www.staff.ncl.ac.uk/fraser.charlton ---------------------------------------------------- ---------------------------------------------------------------------- Fraser Charlton, Clinical Lecturer in Histopathology Royal Victoria Infirmary, Newcastle Upon Tyne Tel: 0191 282 4445 E-mail: Fraser.Charlton@ncl.ac.uk WWW HomePage: http://www.staff.ncl.ac.uk/fraser.charlton ----------------------------------------------------------------------  1, answered,, Summary-line: 5-Mar letsdanz@MIT.EDU [9] #Dance Troupe Videos X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA12227; Tue, 5 Mar 2002 14:51:50 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17238 for ; Tue, 5 Mar 2002 14:51:34 -0500 (EST) Received: from buzzword-bingo.mit.edu (BUZZWORD-BINGO.MIT.EDU [18.7.16.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA16839 for ; Tue, 5 Mar 2002 14:51:34 -0500 (EST) Received: (from letsdanz@localhost) by buzzword-bingo.mit.edu (8.9.3) id OAA19468; Tue, 5 Mar 2002 14:51:33 -0500 (EST) Message-Id: <200203051951.OAA19468@buzzword-bingo.mit.edu> To: opus@MIT.EDU Subject: Dance Troupe Videos Date: Tue, 05 Mar 2002 14:51:33 -0500 From: Kimberly G Chao *** EOOH *** To: opus@MIT.EDU Subject: Dance Troupe Videos Date: Tue, 05 Mar 2002 14:51:33 -0500 From: Kimberly G Chao Please call me. I'd like to talk about MIT Dance Troupe videos. my number is 617-256-6883. call me anytime. thanks! Kimberly Chao Dance Troupe Historian  1, forwarded,, Summary-line: 5-Mar YesTisMabel@aol.com [54] #May 2002 itineraries X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA22387; Tue, 5 Mar 2002 19:30:24 -0500 (EST) From: Received: from imo-m09.mx.aol.com (imo-m09.mx.aol.com [64.12.136.164]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA11639 for ; Tue, 5 Mar 2002 19:26:07 -0500 (EST) Received: from YesTisMabel@aol.com by imo-m09.mx.aol.com (mail_out_v32.5.) id r.188.454a5d9 (4214); Tue, 5 Mar 2002 19:24:07 -0500 (EST) Message-ID: <188.454a5d9.29b6bba7@aol.com> Date: Tue, 5 Mar 2002 19:24:07 EST Subject: May 2002 itineraries To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@MIT.EDU, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Tue, 5 Mar 2002 19:24:07 EST Subject: May 2002 itineraries To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@MIT.EDU, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com Content-Type: text/plain; charset="US-ASCII" Hello, all my lovely Orlando G&Singers! I hope you all like your assignments and are filled with anticipation---I know I am! I talked to Bob Swedberg, the General Director of Orlando Opera, today, and he needs to know how many people are attending his Pinafore and which performance. He said he actually prefers us to attend his Fri or Sat performance, as he anticipates a larger crowd for Sunday, seeing as it's Mother's Day and a matinee. I told him we might be able to attend Sat. night, and do Jim Drew's show Friday night instead, but I needed to consult with you all first. What I really want to know are your estimated times of arrival and departure. If many people are going to leave fairly early on Sunday, then we should go see his Pinafore on Sat. night. If, however, people have adjusted their flights so as to leave after his Sunday show, that's important to consider. What I want is your actual flight times, not how much time you think it will take to get to the airport, etc. I also need to know if enough of you will be here early enough on Friday night to see Jim's show. We can do the sing around the piano after he's done performing, if it comes to that. If any of you are bringing numbers of people that you have not already told me about, let me know that, too. So here's a little form you can fill out and cut and paste back to me: ARRIVE:____________ DEPART:___________ # of Pinafore tickets:________which perf--FRI_______SAT_______SUN_______ Bob is anxious that everything turn out well, and he is being very accomodating. He says he DOES want to sing with us--I have offered him the Judge, which he has sung before, or Deadeye, which he will be performing with his company! Please get back to me ASAP...... thanks, everybody! Elise  1, forwarded,, Summary-line: 6-Mar jf@mae.mit.edu [17] #FYA X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA15615; Wed, 6 Mar 2002 07:45:17 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA09969; Wed, 6 Mar 2002 07:45:00 -0500 (EST) Received: from mae.mit.edu (MAE.MIT.EDU [18.62.3.162]) by zurich.ai.mit.edu (8.9.3/8.9.3/Debian 8.9.3-21) with SMTP id HAA06309 for ; Wed, 6 Mar 2002 07:42:36 -0500 Received: (qmail 26441 invoked from network); 6 Mar 2002 11:39:35 -0000 Received: from bombur.mit.edu (HELO bombur) (18.62.3.1) by mae.mit.edu with SMTP; 6 Mar 2002 11:39:35 -0000 From: "J Frisbie" To: Subject: FYA Date: Wed, 6 Mar 2002 07:39:15 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 *** EOOH *** From: "J Frisbie" To: Subject: FYA Date: Wed, 6 Mar 2002 07:39:15 -0500 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 The new Fox show, Greg the Bunny, has had a previous life first on cable access then the Independent Film Channel. Most of bits are movie spoofs. Check them out -- http://mmnt.millennium.berkeley.edu/gtb/home.html  1,, Summary-line: 6-Mar Bj.Richards@btinternet.co [30] #Cardiff G&Ss Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA26331; Wed, 6 Mar 2002 09:01:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA00952 for ; Wed, 6 Mar 2002 08:59:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id IAA01018; Wed, 6 Mar 2002 08:59:00 -0500 (EST) Date: Wed, 6 Mar 2002 08:59:00 -0500 (EST) Message-Id: <009401c1c514$06c55ce0$1564073e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Cardiff G&Ss Grand Duke MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Wed, 6 Mar 2002 08:59:00 -0500 (EST) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Cardiff G&Ss Grand Duke Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Cardiff G&S Soc open tonight with their production of The Grand Duke at The Paget Rooms, Penarth (UK). SavoyNetters taking part in the production are Jackie Richards as Julia Jellicoe, Trish Reynolds ar Elsa & Bob Richards as Ludwig. We expect to welcome Jeremy & Rosemary Stevenson on Thursday night, Ruth & Dave Jedlinsky & Carole Round for Friday who are also staying for the Saturday performance joined by the Duffeys, Angie Arnell & Mike Nash. The site can be found at http://www.btinternet.com/~richards.gands/grand_duke2002/grand_duke.htm Best wishes Bob & Jackie  1,, Summary-line: 6-Mar ajcrowth@globalnet.co.uk [38] #Gayden Wren---was Re: Sondheim (yet again) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA15622; Wed, 6 Mar 2002 11:20:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA04957 for ; Wed, 6 Mar 2002 11:19:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA11196; Wed, 6 Mar 2002 11:19:41 -0500 (EST) Date: Wed, 6 Mar 2002 11:19:41 -0500 (EST) Message-Id: <01c1c528$ab5dcee0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gayden Wren---was Re: Sondheim (yet again) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Wed, 6 Mar 2002 11:19:41 -0500 (EST) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Gayden Wren---was Re: Sondheim (yet again) Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Clifton Coles wrote re Wren's "A Most Ingenious Paradox": > the annotated bibliography, which, though biased (obviously) >and incomplete, does give some insights into the listed books' merits and >demerits. I agree. It's a bizarre list of books, including several that by Wren's own admission are almost worthless (Ffinch, Brahms, etc.) but omitting several "classic" texts such as Hesketh Pearson's "Gilbert and Sullivan" and Dark & Grey's "W.S. Gilbert: His Life and Letters". A short article by Alan Fischler is included, but not his full-length study of the G&S operas "Modified Rapture" (a work which gives the lie to Wren's claim that his book is the first critical examination of the operas in 50 years). And how on earth Charlotte MacLeod's "The Plain Old Man", described by Wren as "A run-of-the-mill murder mystery" with a G&S background, got into the Bibliography I simply can't understand..... Wren's verdicts on the books are largely sound. He would have done better to distrust Peter Haining's "The Lost Stories of W.S. Gilbert" more, though, as it leads him to misdate the short story "An Elixir of Love". - Andrew.  1, answered,, Summary-line: 6-Mar YesTisMabel@aol.com [28] #Itineraries for May/changes X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA28316; Wed, 6 Mar 2002 11:36:20 -0500 (EST) From: Received: from imo-r06.mx.aol.com (imo-r06.mx.aol.com [152.163.225.102]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA26433 for ; Wed, 6 Mar 2002 11:33:06 -0500 (EST) Received: from YesTisMabel@aol.com by imo-r06.mx.aol.com (mail_out_v32.5.) id r.109.e82c940 (25512); Wed, 6 Mar 2002 11:27:31 -0500 (EST) Message-ID: <109.e82c940.29b79d73@aol.com> Date: Wed, 6 Mar 2002 11:27:31 EST Subject: Itineraries for May/changes To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Wed, 6 Mar 2002 11:27:31 EST Subject: Itineraries for May/changes To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com Content-Type: text/plain; charset="US-ASCII" Hello, all! I hope I didn't put too many of you into a panic with my last email! I seriously had NO INTENTION of changing our plans, but I told Bob Swedberg I would ask, and I now have. Not all of you have responded, but enough have to justify not changing our original plans.....I can't imagine Bob not being able to seat 30-odd (or is that 30 ODD?) people on Sunday! For those of you who have not sent itineraries, I do still need those, because we are going to make transportation arrangements for you, and I also need numbers for the dining arrangements. Elise, chugging along.......  1,, Summary-line: 6-Mar foley@MIT.EDU [97] #Re: Spring MIT P&R Basic Pistol Course X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA00227; Wed, 6 Mar 2002 12:04:46 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA23909; Wed, 6 Mar 2002 11:59:11 -0500 (EST) Received: from Sunnuva.MIT.EDU (SUNNUVA.MIT.EDU [18.80.0.105]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id LAA28347; Wed, 6 Mar 2002 11:59:11 -0500 (EST) Received: (from foley@localhost) by Sunnuva.MIT.EDU (8.9.3) id LAA19595; Wed, 6 Mar 2002 11:59:11 -0500 Sender: foley@SUNNUVA.MIT.EDU To: sipb-soc@MIT.EDU, apo-pftgoto@MIT.EDU, doom@MIT.EDU, punt@MIT.EDU, tetazoo@MIT.EDU, florey@MIT.EDU Reply-To: Valerie Lowe Subject: Re: Spring MIT P&R Basic Pistol Course References: <4.2.2.20020227123713.018d4b30@popx> From: Joe Foley Date: 06 Mar 2002 11:58:31 -0500 In-Reply-To: Valerie Lowe's message of "Wed, 27 Feb 2002 12:51:25 -0500" Message-ID: Lines: 88 X-Mailer: Gnus v5.7/Emacs 20.7 *** EOOH *** Sender: foley@SUNNUVA.MIT.EDU To: sipb-soc@MIT.EDU, apo-pftgoto@MIT.EDU, doom@MIT.EDU, punt@MIT.EDU, tetazoo@MIT.EDU, florey@MIT.EDU Reply-To: Valerie Lowe Subject: Re: Spring MIT P&R Basic Pistol Course From: Joe Foley Date: 06 Mar 2002 11:58:31 -0500 In-Reply-To: Valerie Lowe's message of "Wed, 27 Feb 2002 12:51:25 -0500" This class is what you need to get an FID/License to Carry Valerie Lowe writes: > --Boundary_(ID_uKnxHclB/rbboLThb7pM2Q) > Content-type: text/plain; charset=us-ascii; format=flowed > Content-transfer-encoding: 7BIT > > It's my pleasure to announce the dates for the Spring MIT P&R Basic Pistol > Course. The course will be held on April 11, 12, 18, 19 from 6 to 9 PM at > the pistol range in the DuPont gymnasium on the MIT campus. These dates > consist of Thursday and Friday evenings over two consecutive weeks. > > Registration, information forms and maps may be found at > http://www.mitshooting.org/mitprc/index.htm. To register, please return > the registration form and $20 deposit to me, Valerie Lowe, at Draper > Laboratory, 555 Tech Square, M/S 53, Cambridge MA 02139. You may also FAX > forms to 617-258-4444. The course will be filled on a first-come > first-served basis, however, please note that you are not registered until > I receive BOTH your registration form and your deposit. I can accept > deposits in the form of cash, money orders, or checks. Checks should be > made payable to MIT P&R Development Fund. I can also accept electronic > funds transfer (free if you register your checking account) or > Visa/Mastercard (add $1 to cover credit card fee) via PayPal. My PayPal > account is: vlowe@draper.com. > > Registration will be restricted to members of the MIT community (MIT, LL, > Draper, Whitehead, Wellesley, etc.) and their guests until the end of March > at which time registration will be open to everyone. Interested non-MIT > community members should send in their forms & deposits in early so they > can be added to the list immediately when registration opens up in > April. In the event that the class is filled, any unused deposits will be > returned. > > Hope to hear from you soon, > Val > > If you wish to be removed from this mailing list, please reply to this > email with the word 'REMOVE' in the subject line. Thanks! > > > --Boundary_(ID_uKnxHclB/rbboLThb7pM2Q) > Content-type: text/html; charset=us-ascii > Content-transfer-encoding: 7BIT > > > It's my pleasure to announce the dates for the Spring MIT P&R Basic > Pistol Course.  The course will be held on April 11, 12, 18, 19 from > 6 to 9 PM at the pistol range in the DuPont gymnasium on the MIT > campus.   These dates consist of Thursday and Friday evenings > over two consecutive weeks. 
>
> Registration, information forms and maps may be found at > http://www.mitshooting.org/mitprc/index.htm.   > To register, please return the registration form and $20 deposit to me, > Valerie Lowe, at Draper Laboratory, 555 Tech Square, M/S 53, Cambridge MA > 02139.  You may also FAX forms to 617-258-4444.   The > course will be filled on a first-come first-served basis, however, please > note that you are not registered until I receive BOTH your registration > form and your deposit.  I can accept deposits in the form of cash, > money orders, or checks.  Checks should be made payable to MIT > P&R Development Fund.  I can also accept electronic funds > transfer (free if you register your checking account) or Visa/Mastercard > (add $1 to cover credit card fee) via PayPal.  My PayPal account is: > vlowe@draper.com.
>
> Registration will be restricted to members of the MIT community (MIT, LL, > Draper, Whitehead, Wellesley, etc.) and their guests until the end of > March at which time registration will be open to everyone.  > Interested non-MIT community members should send in their forms & > deposits in early so they can be added to the list immediately when > registration opens up in April.  In the event that the class is > filled, any unused deposits will be returned.
>
> Hope to hear from you soon,
> Val
>
> If you wish to be removed from this mailing list, please reply to this > email with the word 'REMOVE' in the subject line.  Thanks!
>
> > > --Boundary_(ID_uKnxHclB/rbboLThb7pM2Q)-- -- Joe Foley,CS,EE,ME N1ZRN foley@mit.edu, nei@mit.edu "When you have a hammer, every problem starts to look like a nail!" PGP fingerprint: 17 A3 B8 C6 F0 7E 12 B1 57 E4 A8 18 FB E9 AE 85  1,, Summary-line: 6-Mar BMILLER@holycross.edu [45] #RE: Record prices and some blunt opinions X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA01333; Wed, 6 Mar 2002 12:06:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA12097 for ; Wed, 6 Mar 2002 12:06:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA13309; Wed, 6 Mar 2002 12:06:13 -0500 (EST) Date: Wed, 6 Mar 2002 12:06:13 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: RE: Record prices and some blunt opinions Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Wed, 6 Mar 2002 12:06:13 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: RE: Record prices and some blunt opinions Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Peter Parker wrote: >I think we would all be very dissapointed if we were to hear with modern acoustic quality any of the G & S performances of say the late 1800s or early 1900s.> With respect, this is not provable. There were different ideas of what constituted good singing in those days, but I for one would love to be able to hear someone like Rosina Brandram sing Katisha, Rosavella sing Mabel or Geraldine Ulmar sing Josephine or Elsie. The critical accounts of artists like these uniformly praised their singing. Richard Duployen wrote: >G and S didn't expect symphony orchestras... This is a hoary misconception that refuses to die. If you're talking about size, no. They expected an orchestra of about 30 and 35 players, which may not be the size of a symphony orchestra but is fully sufficient to play the pieces well. If you're talking about quality, yes, they did. It is well documented that Sullivan went to great pains to hire the best available professional players for his pit bands. When the Comedy Opera Co. directors cut back on the quality and quantity of the original Pinafore pit band, Sullivan put them on notice that he would withdraw his score if the situation were not put back to the way he had it for the first performances. In another famous case, he went to Paris to hire a principal oboeist. He certainly would have gasped if he heard the orchestra on the first Decca Pinafore, which was unacceptably scratchy, especially in the strings. >...but who can tell me if members of the record orchestras sometimes played in symphony orchestras ? Who were they ?> The Decca records used thinly veiled names so it would be possible to tell. Take the word "New" off the name of the orchestra and you know where the players came from. >We performers (G and S, Offenbach etc. didn't want opera singers) are only human.> This is a common misconception. G & S _did_ use singers from opera in certain roles. Richard Temple and Durward Lely were well known opera singers. A number of the principals, including the prima donna sopranos and principal contraltos, tenors and basses, were supposed to be of operatic quality. The exception was made for soubrettes and male comedians. Gilbert may have said, "Where is your grand opera soprano who can act?" but apparently Leonora Braham made a pretty decent imitation of one. This is, once again, an example of applying asmateur standards to pieces written for professionals. >Was Osborn ill during recordings apart from " Patience " when Griffiths did some of the Duke, perhaps with less characterisation ? Was there rehearsal for the records ? There are mistakes, perhaps force of circumstances.> They would be, at best, excuses. Everyone on those records worked under equal conditions, but they all didn't sound out of their depth as Osborn did, all too often. It would have been better for his reputation if he had declined to record, for example, Ralph in Pinafore. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 7-Mar rangus02@snet.net [17] #Iolanthe at the Savoy X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA18154; Thu, 7 Mar 2002 09:39:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA04841 for ; Thu, 7 Mar 2002 09:39:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA26666; Thu, 7 Mar 2002 09:38:21 -0500 (EST) Date: Thu, 7 Mar 2002 09:38:21 -0500 (EST) Message-Id: <003101c1c5e3$aeab6240$37f73ccc@bobangus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rangus02@snet.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robert Angus" To: Multiple recipients of list SAVOYNET Subject: Iolanthe at the Savoy MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Thu, 7 Mar 2002 09:38:21 -0500 (EST) Reply-To: rangus02@snet.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robert Angus" To: Multiple recipients of list SAVOYNET Subject: Iolanthe at the Savoy Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A query from a Colonial who plans to be in London over the Easter holidays---will "Iolanthe" still be running at the Savoy then? How difficult is it to get tickets at short notice?  1,, Summary-line: 7-Mar chris@sounds-on-cd.co.uk [37] #RE: Iolanthe at the Savoy X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA19429; Thu, 7 Mar 2002 10:29:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA05829 for ; Thu, 7 Mar 2002 10:27:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA02961; Thu, 7 Mar 2002 10:26:42 -0500 (EST) Date: Thu, 7 Mar 2002 10:26:42 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Iolanthe at the Savoy MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003101c1c5e3$aeab6240$37f73ccc@bobangus> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Thu, 7 Mar 2002 10:26:42 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Iolanthe at the Savoy Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003101c1c5e3$aeab6240$37f73ccc@bobangus> > A query from a Colonial who plans to be in London over the Easter > holidays---will "Iolanthe" still be running at the Savoy then? How > difficult is it to get tickets at short notice? I don't know when Easter is, but Iolanthe is on until 6th April, then a dark week before Yeomen starts on 12th April. A friend of mine went to see Iolanthe on a Friday night and reported back that the house wasn't nearly full so I don't think there will be a problem booking last minute. It's a shame that it isn't selling better (especially as the Coli has been packed, and even sold out, during the latest run of Miller's Mikado) because it seems as though it is an excellent production I'm going to see Iolanthe (with Michael Walters) next Wednesday. Regards Chris. Chris Webster Croydon, UK.  1,, Summary-line: 7-Mar BMILLER@holycross.edu [33] #Re: Richard Temple - Singer/actor X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA16892; Thu, 7 Mar 2002 13:24:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA22319 for ; Thu, 7 Mar 2002 13:18:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA24039; Thu, 7 Mar 2002 13:17:48 -0500 (EST) Date: Thu, 7 Mar 2002 13:17:48 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Richard Temple - Singer/actor Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Thu, 7 Mar 2002 13:17:48 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Richard Temple - Singer/actor Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Alvin entin wrote: >Richard Temple has left us some examples of his singing which are found on the Pearl recoding Art of The Savoyard. Listening to him was and is painful to say the least. Even making allowances for Pearls restoration and the fact that these excerpts are from cylinders, they are very unimpressive by any vocal measure.> They were not cylinders, but very early discs. The technology used when Temple was recording was quite primitive compared with records made only a few years later. >By the same token other early prerved voices captured on original Edison technology are much better, Caruso et. al. Even the Pearl preservations of Barrington, early Lytton and Passmore are way superior.> The records you mention by Caruso (who made only three cylinders, BTW, - not for Edison - but you are probably remembering his early records for G & T), Lytton and Passmore were made when these artists were either in the earlier career stages (Caruso) or in their prime (Lytton and Passmore). The fact is that by the time Temple made his few recordings, he was in retirement. It is not fair to judge his capabilities in this way. Barrington made one extant record, BTW, and it is hardly a stellar recording from any point of view. >My perception is that the early company was more concerned with singing actors than acting singers.> Based on analyses of how many singers from the 1880's and 1890's, taking into account contemporary reviews? Those who made early recordings tended to be the comedians, who were not the company's better singers - but then, you _did_ praise Lytton and Passmore... Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 7-Mar BMILLER@holycross.edu [38] #Re: Richard Temple - Singer/actor X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA10474; Thu, 7 Mar 2002 14:30:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22370 for ; Thu, 7 Mar 2002 14:30:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA06740; Thu, 7 Mar 2002 14:29:48 -0500 (EST) Date: Thu, 7 Mar 2002 14:29:48 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Richard Temple - Singer/actor Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Thu, 7 Mar 2002 14:29:48 -0500 (EST) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Richard Temple - Singer/actor Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >>> Kevin Wachs 03/07/02 02:05PM >>> "Bruce I. Miller" wrote: > The fact is that by the time Temple made his few recordings, he was in retirement. It is not fair to judge his capabilities in this way. His recordings were made in 1902 - 1903. When did he retire? He appeared in revivals of THE SORCERER in 1898 and PINAFORE in 1899. In 1904 he briefly played Strephon in IOLANTHE on tour (page 120 of Rollins and Witts). In 1908 he participated in the second Savoy repertory season, again briefly. > Semi-retirement is a word I considered. He was much less active during this period than he had been during the 1870's and 80's. >... it must have been felt that he could still acquit himself well. He was a well-known name. The record company may have been trying to capitalize on his previous reputaiton. It has been known to happen! >A first night review of THE SORCERER (the HORNET, quoted in Allen's FIRST NIGHT, page 48) praised Barrington's voice as "well-trained," which we know is not so. Contemporary reviews cannot answer our doubts about the standards of the time, for the critics' opinions reflect those standards, whatever they might have been. > This is an overly broad statement and is in conflict with the record generally. Of course it is possible to find the occasional grossly misinformed critic, such as the one above, or one with an ax to grind, such as Figaro's critic with the first production of Pinafore. When a broad range of critics agree, it's another matter entirely. Most critics said other things about Barrington, so the Hornet review is rightly considered an anomaly, the opinion not be taken as representing fact. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1, forwarded,, Summary-line: 7-Mar dennisj@charter-ne.com [132] #Fwd: Fw: New Element Found X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA24028; Thu, 7 Mar 2002 17:00:20 -0500 (EST) Received: from etics.charter-ne.com (tics1.charter-ne.com [24.151.8.172]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA07527; Thu, 7 Mar 2002 17:00:01 -0500 (EST) Received: from tics1.charter-ne.com (tics1.charter-ne.com [172.19.1.2]) by etics.charter-ne.com (8.8.8/8.8.8) with ESMTP id QAA01778; Thu, 7 Mar 2002 16:59:48 -0500 (EST) (envelope-from dennisj@charter-ne.com) Received: (from nobody@localhost) by tics1.charter-ne.com (8.8.8/8.8.8) id QAA21057; Thu, 7 Mar 2002 16:59:48 -0500 (EST) (envelope-from dennisj@charter-ne.com) Date: Thu, 7 Mar 2002 16:59:48 -0500 (EST) Message-Id: <200203072159.QAA21057@tics1.charter-ne.com> Subject: Fwd: Fw: New Element Found To: "Cindy Jedlinsky" , "David Jedlinsky" , "Ruth Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00E0_01C1C5DB.2827EF20" *** EOOH *** Date: Thu, 7 Mar 2002 16:59:48 -0500 (EST) Subject: Fwd: Fw: New Element Found To: "Cindy Jedlinsky" , "David Jedlinsky" , "Ruth Jedlinsky" From: "dennis jedlinsky" Reply-To: "dennis jedlinsky" Organization: Charter Communications Content-Type: multipart/alternative; boundary="----=_NextPart_000_00E0_01C1C5DB.2827EF20" ------=_NextPart_000_00E0_01C1C5DB.2827EF20 Content-type: text/plain; charset=us-ascii For you workers out there: (This message by Allan P. Vaughan is forwarded to you from dennis jedlinsky .) > New Element Discovered........Administratium > > A major research institution has recently announced the discovery of the > heaviest element yet known to science. This new element has been > tentatively named "Administratium". > > Administratium has 1 neutron, 12 assistant neutrons, 75 deputy neutrons, > and > 111 assistant deputy neutrons, giving it an atomic mass of 312. These 312 > particles are held together by a force called morons, which are surrounded > by vast quantities of lepton-like particles called peons. > > Since Administratium has no electrons, it is inert. However, it can be > detected as it impedes every reaction with which it comes into contact. A > minute amount of Administratium causes one reaction to take over 4 days to > complete when it would normally take less than a second. > > Administratium has a normal half-life of 3 years; it does not decay but > instead undergoes a reorganization, in which a portion of the assistant > neutrons and deputy neutrons and assistant deputy neutrons exchange > places. > In fact, Administratium's mass will actually increase over time, since > each > reorganization causes some morons to become neutrons forming isodopes. > > This characteristic of moron-promotion leads some scientists to speculate > that Administratium is formed whenever morons reach a certain quantity in > concentration. > > This hypothetical quantity is referred to as "Critical Morass." > > You will know it when you see it... > ------=_NextPart_000_00E0_01C1C5DB.2827EF20 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
----- Original Message -----=20
From: James = Stack=20
Sent: Thursday, March 07, 2002 1:16 PM
Subject: New Element Found

 
 Up in=20 Cushing.  Good luck this weekend. I'm coming back Sat to watch the = second=20 game with Brown. 
> New=20 Element Discovered........Administratium
>
> A major = research=20 institution has recently announced the discovery of the
> heaviest = element=20 yet known to science. This new element has been
> tentatively = named=20 "Administratium".
>
> Administratium has 1 neutron, 12 = assistant=20 neutrons, 75 deputy neutrons,
> and
> 111 assistant deputy = neutrons,=20 giving it an atomic mass of 312. These 312
> particles are held = together=20 by a force called morons, which are surrounded
> by vast = quantities of=20 lepton-like particles called peons.
>
> Since = Administratium has no=20 electrons, it is inert. However, it can be
> detected as it = impedes every=20 reaction with which it comes into contact. A
> minute amount of=20 Administratium causes one reaction to take over 4 days to
> = complete when=20 it would normally take less than a second.
>
> = Administratium has a=20 normal half-life of 3 years; it does not decay but
> instead = undergoes a=20 reorganization, in which a portion of the assistant
> neutrons and = deputy=20 neutrons and assistant deputy neutrons exchange
> places.
> = In fact,=20 Administratium's mass will actually increase over time, since
>=20 each
> reorganization causes some morons to become neutrons = forming=20 isodopes.
>
> This characteristic of moron-promotion leads = some=20 scientists to speculate
> that Administratium is formed whenever = morons=20 reach a certain quantity in
> concentration.
>
> = This=20 hypothetical quantity is referred to as "Critical Morass."
> =
> You=20 will know it when you see it...
> =
------=_NextPart_000_00E0_01C1C5DB.2827EF20--  1,, Summary-line: 11-Mar tytso@MIT.EDU [55] #My mother has passed away... X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA12998; Mon, 11 Mar 2002 01:25:20 -0500 (EST) From: Received: from thunk.org (THANK.THUNK.ORG [216.175.175.163]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA25378; Mon, 11 Mar 2002 01:25:02 -0500 (EST) Received: from 61.san-francisco-38-39rs.ca.dial-access.att.net ([12.81.79.61] helo=think.thunk.org) by thunk.org with asmtp (Exim 3.34 #1 (Debian)) id 16kJEx-0004RX-00; Mon, 11 Mar 2002 01:25:01 -0500 Received: from tytso by think.thunk.org with local (Exim 3.34 #1 (Debian)) id 16kI0L-0000R4-00; Mon, 11 Mar 2002 00:05:49 -0500 To: asgilman@iamdigex.net, 72614.3672@compuserve.com, atgilman@io.com, smoy45@hotmail.com, netbelievers@snmp.com, sct@redhat.com, dinner@mit.edu, leira@mit.edu, walt.drummond@intransa.com, mcneil@freestandards.org, byfraser@cisco.com, ekr@rtfm.com, cschell@JacquardSystems.com, cjsmith@bayarea.net, jis@mit.edu, ambar@clock.org, fair@clock.org, Radia.Perlman@sun.com, saviour@world.std.com, hartmans@mit.edu, ellie@usenix.org, hpa@transmeta.com Reply-to: tytso@MIT.EDU Subject: My mother has passed away... Phone: (781) 391-3464 Message-Id: Date: Mon, 11 Mar 2002 00:05:49 -0500 *** EOOH *** From: To: asgilman@iamdigex.net, 72614.3672@compuserve.com, atgilman@io.com, smoy45@hotmail.com, netbelievers@snmp.com, sct@redhat.com, dinner@mit.edu, leira@mit.edu, walt.drummond@intransa.com, mcneil@freestandards.org, byfraser@cisco.com, ekr@rtfm.com, cschell@JacquardSystems.com, cjsmith@bayarea.net, jis@mit.edu, ambar@clock.org, fair@clock.org, Radia.Perlman@sun.com, saviour@world.std.com, hartmans@mit.edu, ellie@usenix.org, hpa@transmeta.com Reply-to: tytso@MIT.EDU Subject: My mother has passed away... Phone: (781) 391-3464 Date: Mon, 11 Mar 2002 00:05:49 -0500 Dear Friends, As some of you may have heard, my mother passed away this weekend. My parents were a little over a week into a three week vacation in Australia. They were in Cairns, in Queensland, at a training class learning how to snorkel, in preparation for seeing the Great Barrier Reef. The instructor noticed that Mother was the only one of the students who hadn't let go of the training/flotation ring, so he went over to check on her, and the best guess at this point was that she had some kind of heart attack or stroke, and then aspirated a lot of water into her lungs. They dragged her to the beach and attempted to resuscitate her, but she was pronounced dead upon arrival at Queensland Hospital. As I type this, I am en-route to Australia, to be with my dad and help him deal with logistics, and will arrive in Cairns mid-day on Tuesday. (Dad is over 70, and is used to relying on my mom for all of the logistical details when traveling.) The police want to do an autopsy, so we're not too sure exactly when they will release the body. If all goes well, we'll be able go home by Saturday 3/16, at which point I'll deliver my father to my sister in Chicago, and then I will be heading off to the IETF meeting in Minneapolis. After the IETF, I'll head back to Chicago on 3/22, and then I'll probably spend a few days in Chicago helping my sister figure out the computer systems at the office. (Mother was Dad's office manager, and she's the only one who knows how the patient billing system, general ledger system, etc. all works. My sister, bless her heart, has volunteered to take a leave of absence from Motorola and serve as the office manager, so that Father can have the option of continuing his medical practice, if that's what he wants.) At this point, my best guess is that I'll be back in Boston during Holy Week, probably 3/27 or 3/28. As you might imagine, this is a stressful time for my family and me. If you are so inclined, any prayers or best wishes would be most appreciated. Many thanks for all of your support. - Ted  1,, Summary-line: 11-Mar YesTisMabel@aol.com [31] #schedule resolution X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA02674; Mon, 11 Mar 2002 18:31:34 -0500 (EST) From: Received: from imo-r09.mx.aol.com (imo-r09.mx.aol.com [152.163.225.105]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA12203 for ; Mon, 11 Mar 2002 18:31:15 -0500 (EST) Received: from YesTisMabel@aol.com by imo-r09.mx.aol.com (mail_out_v32.5.) id r.162.a28a7d0 (16485); Mon, 11 Mar 2002 18:30:41 -0500 (EST) Message-ID: <162.a28a7d0.29be9820@aol.com> Date: Mon, 11 Mar 2002 18:30:40 EST Subject: schedule resolution To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Mon, 11 Mar 2002 18:30:40 EST Subject: schedule resolution To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com Content-Type: text/plain; charset="US-ASCII" Hi everyone! I finally heard back from Bob Swedberg, and he has no problem with us attending his Sunday show, but does not feel like he can give us the discounted ticket price for that performance. Since the regular ticket price is only $15, I don't think this should be a hardship for anyone. Please let me know if it is. So we have not had to change anything about our regular schedule except for starting both days at 9am instead of 10am. Bob needs us out of the room 2 hours before his show times, so that necessitated the earlier start. I hope everyone can get out of bed early enough---I know I'll just LOVE singing Mabel at that time of the morning! I almost have the show order figured out....still coordinating pianists and local singers. I'll try to get that set for you pretty soon. Elise  1,, Summary-line: 13-Mar cliftoncoles@hotmail.com [115] #Re: Savoy Dances X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA15765; Wed, 13 Mar 2002 12:55:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA27038 for ; Wed, 13 Mar 2002 12:55:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA27743; Wed, 13 Mar 2002 12:54:41 -0500 (EST) Date: Wed, 13 Mar 2002 12:54:41 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy Dances Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 13 Mar 2002 12:54:41 -0500 (EST) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy Dances Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > >I have noticed an interesting pattern in the Savoy >operas of the 1890s. Perhaps you have too. >Why are there so many more dances in these operas than >anywhere else in the series? And it's not just the Gilbert and Sullivan (either as a team or seperately) works that have this preponderance of dancing. Remember that at the time ALL the operas produced at the Savoy were Savoy Operas, not just the Gilbert-and-Sullivans. Dancing had always been commonplace on the comic opera stage. G's libretti, which are more verbal than visual (especially those of the 1880s), did not lend themselves to dancing -- but look how much dancing occurs. There's "If Saphir I choose to marry" and "The woman of the wisest wit" -- both of which were designed to be accompanied by dance steps -- as well many intros and outros like those to "You understand?" "If we're weak enough to tarry" and "The flowers that bloom in the spring" -- not to mention the hornpipe and the gavotte from Ruddigore. At any rate, as musical comedy began its ascendancy in the 1890s, the number of dances at the Savoy DID increase, especially those purely instrumental and unaccompanied by verse and voice. One would be tempted to say that this was a feature designed to combat musical comedy or taken from the music hall to make comic opera more "modern" and "enjoyable" to the less conservative playgoers of the Gay Nineties. But that may be going too far. Some things, like the coon song, actually served this purpose, but I think dancing became more and more of an integral part of British comic opera on its own accord: as more dancers became trained and available, as dancing itself became less and less stigmatized, as movement became an integral part of a comic performer's repertoire, as comic opera plots became more and more diffuse. But, in an effort to keep the Savoy Operas of the 1890s in living memory, I recap: The Nautch Girl: One number is designed to show off national dances from separate European cultures at the end of each verse which verbalizes the culture of the country in question and illustrates the stereotypes associated with that country's music -- this same joke appears in His Majesty and A Princess of Kensington. Also, there is a "vocal" nautch dance that seems to act as a sort of hypnotic ballet with the chorus imitating the buzzing of a mosquito. The Vicar of Bray: Act 2 includes an instrumental Pas de Cinq. The Pas de Cinq was a dance whose star was rising but which is unremembered today (though it may still exist under another name). I have no idea the characteristics of a Pas de Cinq, any more than I have any idea what makes a quadrille or a lancer (I have been known to waltz, however). Haddon Hall: Act 2 has a Scottish Dance performed by the McCrankie and one of the interchangable singing maids. There is also a musical outro following "We have thought the matter out" that demands a dance. Also there's a dance immediately following the opening chorus. There's another one (a gavotte) following the storm. Jane Annie: There is a dance in act 2, and two of the individual sections of the finale of act 1 are followed by longish dances. The act 2 dance as published was apparently much more extensive on opening night. Mirette: Gypsy dances abound in the second version of this opera, and there is a pantomime dance in the first act involving Bobinet and Zerbinette. The Chieftain: There's the fiesta del amor that is a highlight of the act one finale. There are two separate versions of this dance. His Majesty: There is no separate dance number, but every opportunity to let Passmore wiggle his legs as Boodel was taken, including a hornpipe and a dance after his "coon song" which probably had its share of cellar flaps. The Beauty Stone: Do you think the long outro to the opening number of Act 3 scene 2 ("O'er Mirlemont City the banners are flying") was meant to be danced, or was it played under dialogue? At any event, Jacqueline and the Devil kick their heels up once or twice, and a feature of their cut duet "Up and down" is the dancing. And of course Saida reminds us of the warm islands of the Mediterranean with her hips as well as her lips (her dance, that is, as well as her singing). The Lucky Star: A number was added to act 2 specifically to interpolate a dance. Many a short dance ends many a song in this, the most "musical comedy"-ish of the Savoy Operas. The Rose of Persia: "Dance and song, Song and dance A life of joy enhance" -- I can't remember the words, but you get the idea. My favorite dance here is the "contradanse" in act two, performed by Dancing Sunbeam and I think six other principals. To conclude: while the men get all the credit for so much that makes G&S, I would like to toot the horn of Emmie Owen, who, given the roles she played, must have been the Savoy's prominent singer-dancer. Remember that the Princess of Monte Carlo was called upon to be prominent in the Galop and that Nekaya/Kalyba (whichever part Own played) participates in a Tarentella, which while not a solo shine as a dance, certainly would reveal some skill to a discerning eye (like Helen DOC and Gilbert). Owen led the dances in Jane Annie, had her part expanded in Mirette so that she could dance more, repeated basically the same part in The Chieftain, played boys prone to mischief and terpsichore in The Beauty Stone and The Lucky Star, and did little more than dance in The Rose of Persia. Shall we dance? Cliff . . . . _________________________________________________________________ Send and receive Hotmail on your mobile device: http://mobile.msn.com  1,, Summary-line: 13-Mar cjsmith@MIT.EDU [14] #recording X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA01795; Wed, 13 Mar 2002 14:23:39 -0500 (EST) Received: from relay.it.northwestern.edu (northwestern.edu [129.105.16.56]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27158 for ; Wed, 13 Mar 2002 14:23:21 -0500 (EST) Received: (from mailnull@localhost) by relay.it.northwestern.edu (8.9.3/8.9.3) id NAA01120 for ; Wed, 13 Mar 2002 13:23:19 -0600 (CST) Received: from mit.edu (berry2.cmb.nwu.edu [165.124.242.69]) by relay.acns.nwu.edu via smap (V2.0) id xma028745; Wed, 13 Mar 02 13:22:38 -0600 Message-ID: <3C8FA6FF.13FAC01D@mit.edu> Date: Wed, 13 Mar 2002 13:22:40 -0600 From: Carolyn Jean Smith X-Mailer: Mozilla 4.61 (Macintosh; I; PPC) X-Accept-Language: en MIME-Version: 1.0 To: opus@mit.edu Subject: recording Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Wed, 13 Mar 2002 13:22:40 -0600 From: Carolyn Jean Smith X-Accept-Language: en To: opus@mit.edu Subject: recording Content-Type: text/plain; charset=us-ascii Hi there! Can you tell me what sound editing software you used to make my CDs? I just bought one of the new iMacs and I'm starting to think about setting myself up to be able to do that stuff... Thanks much! --cyn  1, forwarded,, Summary-line: 14-Mar YesTisMabel@aol.com [75] #Fwd: Hotel Rooms for G&Sing X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA12537; Thu, 14 Mar 2002 03:11:28 -0500 (EST) From: Received: from imo-r05.mx.aol.com (imo-r05.mx.aol.com [152.163.225.101]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id DAA00333 for ; Thu, 14 Mar 2002 03:11:09 -0500 (EST) Received: from YesTisMabel@aol.com by imo-r05.mx.aol.com (mail_out_v32.5.) id r.10c.e6ac359 (4214); Thu, 14 Mar 2002 03:06:04 -0500 (EST) Message-ID: <10c.e6ac359.29c1b3eb@aol.com> Date: Thu, 14 Mar 2002 03:06:03 EST Subject: Fwd: Hotel Rooms for G&Sing To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_10c.e6ac359.29c1b3eb_boundary" X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Thu, 14 Mar 2002 03:06:03 EST Subject: Fwd: Hotel Rooms for G&Sing To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com Content-Type: multipart/mixed; boundary="part1_10c.e6ac359.29c1b3eb_boundary" --part1_10c.e6ac359.29c1b3eb_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit --part1_10c.e6ac359.29c1b3eb_boundary Content-Type: message/rfc822 Content-Disposition: inline Return-Path: Received: from rly-yb01.mx.aol.com (rly-yb01.mail.aol.com [172.18.146.1]) by air-yb05.mail.aol.com (v83.45) with ESMTP id MAILINYB54-0313191826; Wed, 13 Mar 2002 19:18:26 -0500 Received: from scylla.aug.com (scylla.aug.com [205.216.79.9]) by rly-yb01.mx.aol.com (v83.45) with ESMTP id MAILRELAYINYB14-0313191812; Wed, 13 Mar 2002 19:18:12 -0500 Received: from customer.aug.com (cvx1-i26.alci.net [208.14.183.90]) by scylla.aug.com (8.12.2/8.11.6) with ESMTP id g2E0IArh068422 for ; Wed, 13 Mar 2002 19:18:10 -0500 (EST) (envelope-from jmdesq@aug.com) Message-Id: <5.1.0.14.0.20020313185555.00a0fec0@aug.com> X-Sender: jmdesq@aug.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Wed, 13 Mar 2002 19:13:30 -0500 To: YesTisMabel@aol.com From: Jim Subject: Hotel Rooms for G&Sing Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Dear Elise; Please forward the following to all concerned. I've reserved a block of 20 rooms - which number can be increased or decreased as the date approaches. The price will be $34. plus 11% tax per night. Buffet Breakfast can be added for an additional $5. per person per day. Buffet Dinner can be added for an additional $8. per person per day. Check-in time: 3:00 P.M. Check-out time: 11:00 A.M. Reservations will be made by each individual, using their own credit cards. Participants should call 1-800825-7600 or 407-996-1600. Please refer to File No. 514 or "G&S" when making reservations to receive this special rate. A credit card or a one-night's deposit will guarantee the reservations for the day of arrival. All unassigned rooms will be released on April 19th at 5:00 P.M. Cancellations mut be made up to 48 hours before the event, after which time participants will be charged for one night's stay. The hotel has a web-site, if you'd like to take a look, at: http://www1.choicehotels.com/ires/en-US/hotel/FL106?sid=6izXM.2rEKdFmCm.1 --part1_10c.e6ac359.29c1b3eb_boundary--  1,, Summary-line: 14-Mar jmdesq@aug.com [53] #Hotel Rooms for G&Sing X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA24382; Thu, 14 Mar 2002 15:05:31 -0500 (EST) Received: from scylla.aug.com (scylla.aug.com [205.216.79.9]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA28811 for ; Thu, 14 Mar 2002 15:05:12 -0500 (EST) Received: from customer.aug.com (cvx1-a031.alci.net [205.216.79.159]) by scylla.aug.com (8.12.2/8.11.6) with ESMTP id g2EK4Yrh096213; Thu, 14 Mar 2002 15:04:35 -0500 (EST) (envelope-from jmdesq@aug.com) Message-Id: <5.1.0.14.0.20020314145305.00a09ce0@aug.com> X-Sender: jmdesq@aug.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Thu, 14 Mar 2002 15:03:15 -0500 To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com From: Jim Subject: Hotel Rooms for G&Sing In-Reply-To: <10c.e6ac359.29c1b3eb@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: jmdesq@aug.com Date: Thu, 14 Mar 2002 15:03:15 -0500 To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, lweissbrot@nedelta.com, pookahone@earthlink.net, oris@interlog.com From: Jim Subject: Hotel Rooms for G&Sing In-Reply-To: <10c.e6ac359.29c1b3eb@aol.com> Content-Type: text/plain; charset="us-ascii"; format=flowed Hello, All; Here's the hotel reservation information again, with a few clarifications and without the unnecessary electronic rigamarole. Please make your calls soon. I've reserved a block of 20 rooms - which number can be increased or decreased as the date approaches. Three nights are available - that Friday, Saturday and Sunday. Any further nights you might require will be, I assume, at the regular hotel rate. The price will be $34. plus 11% tax per night. Buffet Breakfast can be added for an additional $5. per person per day. Buffet Dinner can be added for an additional $8. per person per day. Check-in time: 3:00 P.M. Check-out time: 11:00 A.M. Reservations will be made by each individual, using their own credit cards. Participants should call 1-800-825-7600 or 407-996-1600 to make reservations. Please refer to File No. 514 or "G&S" to receive this special rate. A credit card or a one-night's deposit will guarantee the reservations for the day of arrival. All unassigned rooms will be released on April 19th at 5:00 P.M. Cancellations must be made up to 48 hours before the event, after which time participants will be charged for one night's stay. The hotel has a web-site with details and maps, etc. If you'd like to take a look, go to: http://www1.choicehotels.com/ires/en-US/hotel/FL106?sid=6izXM.2rEKdFmCm.1  1,, Summary-line: 15-Mar jtidwell@animato.arlingto [27] #Change of contact info X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA17438; Fri, 15 Mar 2002 00:14:42 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.client2.attbi.com [24.147.211.222]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA27251; Fri, 15 Mar 2002 00:13:58 -0500 (EST) Received: from [192.168.1.102] (terpsichore.animato.arlington.ma.us [192.168.1.102]) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id g2F5DvS26779; Fri, 15 Mar 2002 00:13:57 -0500 Mime-Version: 1.0 X-Sender: jtidwell@192.168.1.2 (Unverified) Message-Id: Date: Fri, 15 Mar 2002 00:14:11 -0500 To: lots-of-people@mit.edu From: Jenifer Tidwell Subject: Change of contact info Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: jtidwell@192.168.1.2 (Unverified) Date: Fri, 15 Mar 2002 00:14:11 -0500 To: lots-of-people@mit.edu From: Jenifer Tidwell Subject: Change of contact info Content-Type: text/plain; charset="us-ascii" ; format="flowed" This morning I joined the ranks of the unemployed! It came earlier than I was expecting, but in balance, it's not a bad thing. :-) If you had my Curl Corporation phone number and email address in your PDAs or address books, please remove them, as they won't work now. My permanent contact info is, as always: Jenifer Tidwell 781-646-8500 jtidwell@alum.mit.edu Oh, and if you know of anyone looking for a UI designer, either for desktop apps or the Web, let me know. Here's my resume. (I'd rather it not get found by bots, so please don't link to it -- thanks!) http://www.mit.edu/~jtidwell/resume_mar_2002.html Looking forward to some free time, - Jenifer  1, answered,, Summary-line: 15-Mar letsdanz@MIT.EDU [11] #please contact me X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA14320; Fri, 15 Mar 2002 00:56:37 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA09640 for ; Fri, 15 Mar 2002 00:56:18 -0500 (EST) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id AAA09780 for ; Fri, 15 Mar 2002 00:56:18 -0500 (EST) Message-Id: <5.0.2.1.2.20020315005708.022eaa58@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Fri, 15 Mar 2002 00:57:39 -0500 To: opus@mit.edu From: Kimberly Subject: please contact me Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Fri, 15 Mar 2002 00:57:39 -0500 To: opus@mit.edu From: Kimberly Subject: please contact me Content-Type: text/plain; charset="us-ascii"; format=flowed hi, we need to talk about dance troupe videos. 617-256-6883 thanks  1,, Summary-line: 15-Mar dduffey@argonet.co.uk [102] #Cardiff G&S Grand Duke Review - long X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA01247; Fri, 15 Mar 2002 07:13:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA27854 for ; Fri, 15 Mar 2002 07:13:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id HAA10066; Fri, 15 Mar 2002 07:13:05 -0500 (EST) Date: Fri, 15 Mar 2002 07:13:05 -0500 (EST) Message-Id: <001201c1cc1a$120814a0$9a84bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Cardiff G&S Grand Duke Review - long MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Fri, 15 Mar 2002 07:13:05 -0500 (EST) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Cardiff G&S Grand Duke Review - long Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Pictures from this production can be viewed at: http://www.btinternet.com/~richards.gands/grand_duke2002/grand_duke.htm I think this is the third production I have seen of this society, having missed the Pirates last year for a reason I can't now remember, but which must have been pressing, as one does not lightly turn down a chance of sampling the hospitality of Bob & Jackie Richards. Last weekend was a joy, and we hugely enjoyed the Cardiff G&S production of The Grand Duke. It was a pleasure and a privilege to be invited to the last night party and savour the obvious pride to company took in having attempted and achieved the challenge of one of the more difficult operas to make successful. The production was at The Paget Rooms in Penarth,a venue with distinct drawbacks for the production of musical theatre, The stage is very small, with a smallish apron in front of the proscenium. Scenery is a very tight fit, and with the set mounted there is only access to the acting area from stage left (prompt side). This of course makes chorus entrances difficult. It would be possible in a piece like GD not always to have the whole chorus coming on all together at the same time - some could be occupying themselves about the village square or the ducal palace. The company is doing Gondoliers next year, and the director might like to think about ways of breaking up the trooping on and off. We arrived earlier than expected on Friday night and were able to sneak into the last act - our tickets being for the Saturday show. Immediately it was noticeable that new MD Wayne Warlow had effected a huge improvement to the orchestral sound. The ensemble and the intonation were far better than in previous years. The chorus sound was also much better - full and rich. Unfortunately there were some choristers who had not learned all their words. The first act had Victorian costumes, with the constumier on from the very beginning to help the cast get dressed for the wedding - this was a good idea, and could have been make a lot more of. Cindy Howells, Carol Bluett, Catherine Carey and Trish Reynolds all proved to be very good in the minor principal roles, but I must confess I don't know which was which. Bob Richards as Ludwig commanded attention from the first. He played the principal comedian like a principal comedian, much the way I guess Rutland Barrington would have done it. I would have preferred more movement from him, but he was rightly the focus whenever he was on, and achieved this without overplaying. Liinos Jones was excellent as Lisa, with a pleasant voice and real feeling in her acting. Iestyn Morris was a very Welsh sounding Ernest Dummkopf. I always think that Ernest should be made up as Richard D'Oyly Carte - for why else would Gilbert have written in a Theatrical Manager and called him Dummkopf? Morris, however, was given the only strikingly out-of-place costume in the show, a glaringly loud blue checked monstrosity which was vulgar without being funny. He overcame this by singing well and delivering his lines effectively and with point, even if he did come close at times to giving semaphore sub titles. Jackie Richards bestrode the stage as Julia Jellicoe, always putting herself first, always out for the main chance - just like most Gilbert principal sopranos, but much more up front about it, which is exactly the correct way to play it. Her second act song (which she did better on the Friday than the Saturday) was a real tour de force. I'm sorry the recitation number was cut, but I can understand why. Andrew Griffith was rather too robust in style and large in appearance to be effective as Rudolph. I don't believe he really thought through the character. The songs were well sung, but he was playing Despard Act I rather than The Grand Duke. Any Baroness has a difficulty with the uneven nature of the part, and Angela Sadler was no exception. She sang the songs and danced the measures, but was going through the motions rather than making any headway with the character. I also regret that The Notary was - frankly - bad. There were cuts - mostly effective, but the one I found jarring was that which brought the Prince & Princess straight on and into the Herald's song sung by the Prince and Princess. John Richardson sang the Roulette song with great aplomb, but don't you think it tends to go on for too long? Sian Evans was the Princess, she did very well, but her French accent lapsed so disconcertingly into Welsh that Jill had to stop me laughing inappropriately. Jill comments that of the four GD's she has seen in the last three years, this ranks number two. I agree. David David Duffey The Wash England  1, answered,, Summary-line: 22-Mar drsmith@MIT.EDU [55] #Flying slots in Mar/Apr X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA14400; Fri, 22 Mar 2002 17:40:23 -0500 (EST) Received: from sword.com ([199.92.100.10]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA00976; Fri, 22 Mar 2002 17:40:01 -0500 (EST) Received: from sword.com (localhost [127.0.0.1]) by sword.com (8.10.0.Beta10/8.10.0.Beta10) with ESMTP id g2MMdw422166; Fri, 22 Mar 2002 17:39:58 -0500 Message-Id: <200203222239.g2MMdw422166@sword.com> From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, luna@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, darien@MIT.EDU cc: drsmith@MIT.EDU Subject: Flying slots in Mar/Apr Date: Fri, 22 Mar 2002 17:39:58 -0500 Sender: mitmail@sword.com *** EOOH *** From: David Smith To: amilio@MIT.EDU, cmtwomey@MIT.EDU, cross@MIT.EDU, diedrich@MIT.EDU, drcraig@MIT.EDU, estock@MIT.EDU, luna@MIT.EDU, lwolf@MIT.EDU, marc@MIT.EDU, kristinj@MIT.EDU, melwoo@MIT.EDU, rmottley@MIT.EDU, ryanowen@MIT.EDU, amyv@MIT.EDU, deborah@suberic.net, aurora@MIT.EDU, jforman@akornn.com, jhaggard@world.std.com, lca@charter.net, frodo@MIT.EDU, calliope15@earthlink.net, opus@MIT.EDU, tytso@MIT.EDU, tsmith@draper.com, darien@MIT.EDU cc: drsmith@MIT.EDU Subject: Flying slots in Mar/Apr Date: Fri, 22 Mar 2002 17:39:58 -0500 Sender: mitmail@sword.com Does anyone have one of those small camcorders I could borrow for a bit. I was thinking that getting some footage and then turning it into a mpeg would be really cool... I have the Decathalon (a 2 seat aerobatic bird) scheduled for several slots in Mar/Apr if anyone is interested in coming for a ride. The next competition is comming up in May and I have Mike (my instructor) booked in the middle of Apr. If his time frees up I may need to bump people for additional coaching sessions. Also, I'll usually only be able to drop people off at 77 Mass due to me needing to turn the car over to Rosemary there. Date Time Passenger Wed 03/27 9:30AM -> 11:30AM Avail Thu 03/28 9:30AM -> 11:30AM Avail Fri 03/29 9:30AM -> 11:30AM Louise Sat 03/30 9:30AM -> 11:30AM Avail Sun 03/31 9:30AM -> 11:30AM Louise Wed 04/03 7:30AM -> 09:30AM Avail Sat 04/06 7:30AM -> 09:30AM Avail Sun 04/07 9:30AM -> 11:30AM Avail Wed 04/10 7:30AM -> 09:30AM Avail Sat 04/13 7:30AM -> 09:30AM Mike Sun 04/14 9:30AM -> 11:30AM Avail Wed 04/17 7:30AM -> 09:30AM Mike Fri 04/19 7:30AM -> 09:30AM Mike Sat 04/20 7:30AM -> 09:30AM Avail Sun 04/21 9:30AM -> 11:30AM Avail Wed 04/24 7:30AM -> 09:30AM Avail David Smith Standard caveats: 0. I think people getting this email have expressed interest in bumming a ride when I go flying. If I am mistaken, let me know and I'll stop sending you the email. 1. If the weather sucks I won't be flying. I can make a good guess the night before, but won't know for sure until the morning weather briefing becomes available.  1,, Summary-line: 23-Mar Bj.Richards@btinternet.co [104] #Re: Riverboat and other vacation information X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02820; Sat, 23 Mar 2002 13:04:03 -0500 (EST) Received: from tungsten.btinternet.com (tungsten.btinternet.com [194.73.73.81]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA17309 for ; Sat, 23 Mar 2002 13:03:42 -0500 (EST) Received: from host213-123-67-225.in-addr.btopenworld.com ([213.123.67.225] helo=default) by tungsten.btinternet.com with smtp (Exim 3.22 #8) id 16oprg-00077x-00 for opus@MIT.EDU; Sat, 23 Mar 2002 18:03:40 +0000 Message-ID: <004301c1d295$298ab200$4054073e@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <200203212135.QAA14540@multics.mit.edu> Subject: Re: Riverboat and other vacation information Date: Sat, 23 Mar 2002 18:03:13 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Riverboat and other vacation information Date: Sat, 23 Mar 2002 18:03:13 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 David You have been doing your homework. Thanks for this information - it gives us a lot to go on and is very helpful. I have been reading one of Bill Bryson's books where he drives round The States - I am taking note of the places he likes and dislikes - he loved Charlston. Glad you both got home alright. It really was great seeing you both again and fantastic that you took the trouble to come all this way to see our Grand Duke. Not long to May now. Love Jackie and Bob ----- Original Message ----- From: David C. Jedlinsky To: Sent: Thursday, March 21, 2002 9:35 PM Subject: Riverboat and other vacation information > > Hi Bob and Jackie. > > Thanks so much for being such wonderful hosts. Ruth and I had a > fabulous time during our all-too-short visit. > > I checked into various riverboat cruises. Something that came up was > a consideration that November is the beginning of winter, so some of > these boats in the northern parts of the country won't be running. > You might want to consider visiting New Orleans, or taking a two hour > cruise as part of your visit, rather than taking an overnight trip. > > These don't seem to have overnight trips in November, but if you plan > another trip during the summer, they might be a good choice. > > http://www.spiritofpeoria.com > http://www.riverboattwilight.com > > These always only have daily trips. > > http://www.memphisqueen.com > http://www.tnriverboat.com > http://www.bbriverboats.com > http://www.belleoflouisville.com > > These are based in New Orleans. The Delta Queen has overnight trips, > but most of them are 7 days, going from Saturday to Saturday. > > http://www.deltaqueen.com > http://www.steamboatnatchez.com > > I also checked into some sample airfares for you. Flying from New > York (JFK) to New Orleans (MSY) on JetBlue (a nice low-cost airline) > would cost about $80 each, one way. New York to Tampa (TPA) on > JetBlue is also $80. > > If you wanted to go from New York to Key Largo, then to Tampa, you > could fly to Fort Lauderdale (FLL, $80 each), drive to Key Largo > (about two hours), drive back to Fort Lauderdale, and fly to Tampa > ($34 on Southwest Airlines). > > http://www.jetblue.com > http://www.southwest.com > > There doesn't appear to be an airport near Charleston, and flights to > Savannah from New York are prohibitively expensive. If you want to > visit one city or the other, then the train may be the best option. > As an example, going from New York Penn Station (NYP) to Charleston > (CHS) will cost $174 (for the two of you). Then taking the train from > Charleston to Tampa (TPA) will cost $114. Both of these trips can be > done during the day, with no overnight on the train, so coach seats > are sufficient and will save you quite a bit. Going to Savannah (SAV) > instead would cost $218/$96. I don't know why Savannah is more > expensive, since it's the same train! > > http://www.amtrak.com > > Take a look at the following for things to do in the various > destinations I've mentioned. > > http://www.neworleans.com > http://www.charleston.com > http://www.savannahgeorgia.com > > I hope that somewhere in this message, you'll find something to do in > the week between QWERTY/Conn and your cruise! > > -Dave >  1,, Summary-line: 25-Mar tb@becket.net [42] #I'm on Win Ben Stein's Money! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA01500; Mon, 25 Mar 2002 20:42:53 -0500 (EST) Received: from becket.becket.net (vp190174.reshsg.uci.edu [128.195.190.174]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA01529; Mon, 25 Mar 2002 20:42:26 -0500 (EST) Received: from tb by becket.becket.net with local (Exim 3.34 #1 (Debian)) id 16pg0H-00038k-00; Mon, 25 Mar 2002 17:44:01 -0800 To: lots-of-people@becket.net Subject: I'm on Win Ben Stein's Money! X-Reply-Permission: Posted or emailed replies to this message constitute permission for an emailed response. X-PGP-Fingerprint: 1F0A1E51 63 28 EB DA E6 44 E5 5E EC F3 04 26 4E BF 1A 92 X-Tom-Swiftie: "You've put too much peanut butter on the sandwich," Tom said thickly From: tb@becket.net (Thomas Bushnell, BSG) Date: 25 Mar 2002 17:44:01 -0800 Message-ID: <87d6xsrtlq.fsf@becket.becket.net> Lines: 31 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.1 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: lots-of-people@becket.net Subject: I'm on Win Ben Stein's Money! X-Reply-Permission: Posted or emailed replies to this message constitute permission for an emailed response. X-PGP-Fingerprint: 1F0A1E51 63 28 EB DA E6 44 E5 5E EC F3 04 26 4E BF 1A 92 X-Tom-Swiftie: "You've put too much peanut butter on the sandwich," Tom said thickly From: tb@becket.net (Thomas Bushnell, BSG) Date: 25 Mar 2002 17:44:01 -0800 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.1 Content-Type: text/plain; charset=us-ascii So I was on Win Ben Stein's Money, as many of you know. Here are the broadcast details, as I have them so far. The show airs on the cable network "Comedy Central". My episode number is #6054. This is the most important thing to remember, because that's the only way to know from listings whether you are seeing my episode. Comedy Central originally scheduled the episode for June 6, 2002, at 5pm. However, they rearrange their schedule frequently, and so by the time this comes around, it will surely have changed. You can find out the broadcast schedule for the next couple weeks by: 1) Visit www.comedycentral.com in your web browser. 2) Find the button labelled "TV SCHEDULE". 3) Type "Win Ben Stein's Money" into the box labelled "Schedule Search". Note the schedule, which does not tell you the names of contestants, but does mention the episode numbers. You want to look for episode number 6054. I will send out another email as the date approaches. If possible (I might have another obligation on the broadcast day) I will have a party at my place when the episode airs. If I can't do it on that day, I'll have it taped, and schedule a party shortly thereafter. Thomas  1,, Summary-line: 26-Mar rls@dimins.com [51] #Re: vhs -> dvd X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA20754; Tue, 26 Mar 2002 17:15:19 -0500 (EST) Received: from dimins.com (host154.209-113-215.oem.net [209.113.215.154] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA28902; Tue, 26 Mar 2002 17:14:28 -0500 (EST) Received: (from mail@localhost) by dimins.com (8.11.0/8.7.1) id g2QMAEV02491; Tue, 26 Mar 2002 17:10:14 -0500 Received: from gandalf.dimins.com(204.215.187.24) by dimins.com via smap (V2.0) id xma002488; Tue, 26 Mar 02 17:09:59 -0500 Mime-Version: 1.0 X-Sender: rls@192.168.2.11 Message-Id: In-Reply-To: <200203262129.QAA23944@prowler.mit.edu> References: <200203262129.QAA23944@prowler.mit.edu> Date: Tue, 26 Mar 2002 17:15:00 -0500 To: Angie Kelic From: Ruth Jedlinsky Subject: Re: vhs -> dvd Cc: opus@mit.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: rls@192.168.2.11 In-Reply-To: <200203262129.QAA23944@prowler.mit.edu> Date: Tue, 26 Mar 2002 17:15:00 -0500 To: Angie Kelic From: Ruth Jedlinsky Subject: Re: vhs -> dvd Cc: opus@mit.edu Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hi Angie, Dave and I do this kind of thing as part of our video business. If you're looking for a DVD, we can create a DVD+RW for you. It will cost at least $50, depending on the condition of the original and if you want us to clean up any dropouts and sharpen the VHS image as best we can. We're rather busy right now so we won't be able to work on it for a few months. If you need it sooner, you could check with DVD Works (http://www.dvdworks.com) on Soldiers Field Road in Boston. I believe they provide a similar service, although at a higher cost. Ruth >Hi there, > >I was talking to Mark Eichin (and Garry and the rest >of that gang) recently about a movie I have on VHS tape >that I want to transfer to a more permanent piece of media >-- it's over two hours long I believe. They suggested that >you might have the equipment to do something like this. (I'd >certainly be happy to pay you for your time.) > >Background on the movie itself is that it was made by some >folks I knew at the university of michigan, played at sundance >and a bunch of other film festivals to rave reviews, was >passed around miramax (I have a copy of the review copy that >was going around miramax) who was outbid by someone else, >who then squashed it. At this point the distributor who >technically owns it, barely admits to having it, so I'd >really like to preserve the copy I have before it deteriorates >to nothing since I can't get another one. > >Thanks, >Angie > >****************************************************** >The goal of engineering is to build better mousetraps. >The goal of nature is to build better mice. >******************************************************  1,, Summary-line: 27-Mar to: opus@mit.edu [68] #Re: video questions X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA18639; Wed, 27 Mar 2002 12:16:30 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA19641 for ; Wed, 27 Mar 2002 12:16:09 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA18199 for ; Wed, 27 Mar 2002 12:16:08 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id MAA10792; Wed, 27 Mar 2002 12:16:08 -0500 (EST) Date: Wed, 27 Mar 2002 12:16:08 -0500 (EST) Message-Id: <200203271716.MAA10792@multics.mit.edu> From: "David C. Jedlinsky" To: opus@mit.edu In-reply-to: <200203220054.TAA14000@w20-575-109.mit.edu> (message from Robert Morrison on Thu, 21 Mar 2002 19:54:33 -0500 (EST)) Subject: Re: video questions References: <200203220054.TAA14000@w20-575-109.mit.edu> *** EOOH *** Date: Wed, 27 Mar 2002 12:16:08 -0500 (EST) From: "David C. Jedlinsky" To: opus@mit.edu In-reply-to: <200203220054.TAA14000@w20-575-109.mit.edu> (message from Robert Morrison on Thu, 21 Mar 2002 19:54:33 -0500 (EST)) Subject: Re: video questions Hi Rob. I've finally had the breakthrough I've been hoping for, and should be able to finish up the Sorcerer tapes before Gondoliers closes. I don't know if you want to change the message you're sending based on this news, or if you still want to get people's contact info. The other two shows will come soon afterwards (I'm hoping both will be done by the end of May). On a related note, did you get someone else to record Gondoliers? -Dave >Date: Thu, 21 Mar 2002 19:54:33 -0500 (EST) >From: Robert Morrison > >Hey Dave and Ruth, > >I've been meaning to send an email out to folk in Sorcerer asking for new >contact info if anyone is moving out soon so that we'll still be able to get >them a video if they ordered one, and I wanted to run the email by you before >I sent it to see if you had any suggestions or wished to include a better >explanation of the issues which have arisen from the Sorcerer video. > >The EC also was wonderin' if you could give us an update as to the status of >the other videos, Grand Duke and Pinafore. > >Oh, and one last thing, though i don't suppose you have the time for it, the >chorus is still in need of a baritone. > >anyway, thanks a bundle, and i look forward to seein' ya once again during >put-in! > >-rob > >-- Draft of Sorcerer note -- > >to sorcerer list >subject Sorcerer Video delay > >Greetings Sorcerer folk! > >I regret to announce that the Sorcerer Video is taking longer than anticipated >to be finished. > >I spoke with Dave and Ruth (the folk who video taped us) and there are still a >number of issues they are dealing with apart from the trapdoor cut scene they >will be working in. > >If your contact information is likely to change in the next year (I certainly >don't anticipate it taking that long, but it's best to ask for that and be on >the safe side) please forward us your new contact info. > >Thanks a bundle, and again sorry we don't have a video to show you! (I'm still >dyin' to see the powerpoint presentation as well as the incantation) > >yer ol' producer, >-rob  1, answered, forwarded,, Summary-line: 27-Mar SCWang21@aol.com [38] #Gondoliers X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA03864; Wed, 27 Mar 2002 15:08:07 -0500 (EST) From: Received: from imo-d07.mx.aol.com (imo-d07.mx.aol.com [205.188.157.39]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA02036; Wed, 27 Mar 2002 15:07:45 -0500 (EST) Received: from SCWang21@aol.com by imo-d07.mx.aol.com (mail_out_v32.5.) id 6.9b.24f07143 (4188); Wed, 27 Mar 2002 15:07:30 -0500 (EST) Message-ID: <9b.24f07143.29d38082@aol.com> Date: Wed, 27 Mar 2002 15:07:30 EST Subject: Gondoliers To: opus@mit.edu CC: scwang@mit.edu, bow@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_9b.24f07143.29d38082_boundary" X-Mailer: AOL 6.0 for Windows US sub 10564 *** EOOH *** From: Date: Wed, 27 Mar 2002 15:07:30 EST Subject: Gondoliers To: opus@mit.edu CC: scwang@mit.edu, bow@mit.edu Content-Type: multipart/alternative; boundary="part1_9b.24f07143.29d38082_boundary" --part1_9b.24f07143.29d38082_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dave, Hi - that's great news about Sorcerer and Grand Duke videos. I look forward to seeing them soon. We would love to have you record Gondoliers for us. The show dates are April 12-14, 18-21. All evening shows except 2 Sunday matinees. Let me know if you can do it and which performance would be best for you. Thanks! Steph --part1_9b.24f07143.29d38082_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dave,

Hi - that's great news about Sorcerer and Grand Duke videos.  I look forward to seeing them soon.  

We would love to have you record Gondoliers for us.  The show dates are April 12-14, 18-21.  All evening shows except 2 Sunday matinees.  Let me know if you can do it and which performance would be best for you.

Thanks!
Steph --part1_9b.24f07143.29d38082_boundary--  1, answered, forwarded,, Summary-line: 28-Mar Bj.Richards@btinternet.co [25] #Re: A favor X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA19524; Thu, 28 Mar 2002 06:07:50 -0500 (EST) Received: from protactinium (protactinium.btinternet.com [194.73.73.176]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA03006 for ; Thu, 28 Mar 2002 06:07:29 -0500 (EST) Received: from host213-1-148-10.btinternet.com ([213.1.148.10] helo=default) by protactinium with smtp (Exim 3.22 #8) id 16qXkd-0002CV-00 for opus@MIT.EDU; Thu, 28 Mar 2002 11:07:28 +0000 Message-ID: <005101c1d648$dab6ffa0$7f5b7ad5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <200203272328.SAA16654@multics.mit.edu> Subject: Re: A favor Date: Thu, 28 Mar 2002 11:07:27 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: A favor Date: Thu, 28 Mar 2002 11:07:27 -0000 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 The deed is done - settle up with us in Florida in dollars at whatever the rate is now. Thanks for the information re Charleston & Savannah, we must sup a mint julip - is it anything like iced tea? See you soon Bob > > Could you go 'round the corner to the Woolworth's store, and purchase > the "Black Adder" four-season boxed set of DVDs for me? It should > cost about GBP50. If you'll let me know whether you'd like GBP50, or > USD75 (or whatever exchange rate you think fair), I'll provide that to > you when we see you in May.  1,, Summary-line: 31-Mar dapsrpmail@fuse.net [53] #WF10A027547682 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA25152; Sun, 31 Mar 2002 08:40:48 -0500 (EST) Received: from smtpgw01.fujifilmesys.net (smtpgw01.fujifilmesys.net [207.250.50.150]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA13652 for ; Sun, 31 Mar 2002 08:40:26 -0500 (EST) Received: from [masked] by smtpgw01.fujifilmesys.net (NTMail 7.01.0023/NY9948.00.19b4f186) with ESMTP id kablkbaa for opus@mit.edu; Sun, 31 Mar 2002 08:40:25 -0500 Received: from www004 ([172.17.18.4]) by smtp01.fujifilmesys.net with Microsoft SMTPSVC(5.5.1877.197.19); Sun, 31 Mar 2002 08:40:25 -0500 From: Danielle & Steven To: "opus@mit.edu" Date: Sun, 31 Mar 2002 13:39:03 "GMT" X-MSMail-Priority: Normal X-mailer: AspMail 3.03 (SMTP812B8F) Subject: WF10A027547682 Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----xxxxxx"; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Message-ID: <0d6e72540131f32ESYSTEMS01@smtp01.fujifilmesys.net> *** EOOH *** From: Danielle & Steven To: "opus@mit.edu" Date: Sun, 31 Mar 2002 13:39:03 "GMT" X-MSMail-Priority: Normal Subject: WF10A027547682 Content-Type: multipart/alternative; boundary="----xxxxxx"; charset="us-ascii" ------xxxxxx Content-Type: text/plain; Content-Transfer-Encoding: quoted-printable Happy Easter! Sending a few photos for those of you who haven't seen Emilie in= a while. Also included a photo of our house. Danielle Pray has invited you to see photos at the Walmart.com= Photo Center. Copy and Paste the link below into your Web Browser to see= Danielle's photos. http://www.walmart.com/agt/bounce.gsp?ID=3D3903rjk7mogpuhfh3siv We hope you enjoy your visit to the Photo Center where you can= share your photos online and order gorgeous prints and photos= gifts all at Every Day Low Prices. Best wishes, Walmart.com http://www.walmart.com ------xxxxxx Content-Type: text/html; Content-Transfer-Encoding: quoted-printable The Information You= RequestedHappy Easter!

Sending a few= photos for those of you who haven't seen Emilie in a while. Also= included a photo of our house.

Danielle Pray has invited= you to see photos at the Walmart.com Photo Center.

Click= on the link below to see Danielle's photos.

http://www.walmart.com/agt/bounce.gsp?ID=3D3903rjk7mogpuhfh3siv<= /a>

For users of web-based email, you may be able to view= the photos more quickly by cutting and pasting the above web= address into a new browser window.

We hope you enjoy your= visit to the Photo Center where you can share your photos online= and order gorgeous prints and photos gifts all at Every Day Low= Prices.

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------xxxxxx--  1, answered,, Summary-line: 31-Mar YesTisMabel@aol.com [14] #another role X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA14155; Sun, 31 Mar 2002 17:14:58 -0500 (EST) From: Received: from imo-r03.mx.aol.com (imo-r03.mx.aol.com [152.163.225.99]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA07647 for ; Sun, 31 Mar 2002 17:14:36 -0500 (EST) Received: from YesTisMabel@aol.com by imo-r03.mx.aol.com (mail_out_v32.5.) id 6.15c.b096c0c (4209) for ; Sun, 31 Mar 2002 17:14:30 -0500 (EST) Message-ID: <15c.b096c0c.29d8e446@aol.com> Date: Sun, 31 Mar 2002 17:14:30 EST Subject: another role To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Sun, 31 Mar 2002 17:14:30 EST Subject: another role To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hey David! I have been trying to work out another role for you. How about Edwin? I thought one of our young local guys was going to do this, but he backed out. I have actually got most of the tenor roles covered now....(crossing fingers). Elise  1,, Summary-line: 1-Apr KPeterson@dfrv-ny.com [271] #Brent Walker's Pirates (long!) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA08882; Mon, 1 Apr 2002 18:57:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA17614 for ; Mon, 1 Apr 2002 18:57:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA01975; Mon, 1 Apr 2002 18:55:50 -0500 (EST) Date: Mon, 1 Apr 2002 18:55:50 -0500 (EST) Message-Id: <001b01c1d9d5$fd685860$456bce41@DFRVNY.Local> Errors-To: savoynet-owner@bridgewater.edu Reply-To: KPeterson@dfrv-ny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith H Peterson" To: Multiple recipients of list SAVOYNET Subject: Brent Walker's Pirates (long!) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 *** EOOH *** Date: Mon, 1 Apr 2002 18:55:50 -0500 (EST) Reply-To: KPeterson@dfrv-ny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Keith H Peterson" To: Multiple recipients of list SAVOYNET Subject: Brent Walker's Pirates (long!) Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Long years ago-thirty, maybe-Glendale Community College in Phoenix, Arizona, mounted a production of Pirates, in which the director introduced himself to the company by saying (in earnest!) that he was eminently qualified to direct Pirates, because he had once flown in an airplane as it passed over Penzance (the video's aerial scenes of Penzance brought this bizarre memory back to life). This, his words implied, gave him a deeper insight than if he had communicated with Gilbert's ghost itself. By a similar standard, I am eminently qualified to comment on Brent Walker's Pirates. The video struck me as less than rollicking, because of Frederic (an enlightening but not exciting performance), the Major General (a solid but not scintillating performance) and the Pirate King (say what?). I've always imagined Frederic as something along the lines of Neddie Seagoon or Dudley Doright: gung-ho, but dim (imagine Neddie or Dudley saying, "Once more unto the breach, dear friends!!" and you'll get the idea). The actor cast as Frederic (who, as has already been remarked, is unsettlingly long in the tooth) portrays a different Frederic: the original Hollow Man, a slave of duty but otherwise without a moral bone in his body, and utterly blase. Actually, it isn't fair to say that the video Frederic is amoral; it's just that, in acting according to his code, he hasn't the least thought for consequences to others or his own interests. In this regard, my imagined Frederic and the video Frederic are similar. Frederic is more complex than Rose Maybud, with her book of etiquette. Rose uses the book as an excuse to do what she's already inclined to do (at least in her scene with Richard Dauntless). Frederic, however, does not always act in his own interests. Why does he reveal the pirates' weaknesses to them, when to do so is poor strategy for one resolved to exterminate them? Why, when he seems inclined to leave Ruth behind with the pirates, does he make a point of revealing (with that smarmy "it would reflect on my well-loved Ruth") that she's so unreliable that she can't tell a pirate from a pilot? Why does he reveal the Major General's innocent fiction, when the pirates have expressed no further interest in the Major General, and why, having done so, does he not reveal to Mabel that the pirates intend to attack Tremorden Castle? These acts and omissions may be consistent with Duty, but they are contrary to his own interests, since there is no reason to doubt his sincere desire to leave the pirates, atone for his past deeds and return to respectability; and, as he is aware, he needs respectable people like the Stanleys to do so. Why, too, does he pardon Ruth for his years of apprenticeship to the loathsome pirates, but not for holding the opinion that she is still fair? On paper, Frederic is inconsistent, in that he is neither (a) always a selfish person who uses duty as an excuse to do as he pleases, nor (b) always a truly dutiful person who wishes to promote good and defeat evil. To me, the video Frederic delights in knowing what others do not know and in telling them what he knows. For the video Frederic, "duty" is a pretext for hoarding and dispensing information, at the precise moment needed to gain the maximum effect. Frederic "knows it all" and makes sure that everyone knows that he knows it all by disclosing things at the precise moment needed to gain the maximum effect. The video Frederic thus explains some of the seeming inconsistencies in Frederic's obedience to duty. The video Frederic's pretension to omniscience is consistent with Frederic's insistence on absolute precision: correcting Ruth's observation that "pirate" and "pilot" WERE so much alike by pointing out that they still ARE; saying that the Major General is not only not an orphan, but never was one; describing his costume as "alarming but effective" (sic). I believe that Frederic would have followed, like a bloodhound, President Clinton's point about the meaning of "is." Frederic insists on the strict letter of Ruth's representation that she is fair as gold, and throws her over when it proves false. Only such a person, or a 19th century jurist, could fall for that "twenty-first birthday" gag, of course. The "moral" characters are the Pirate King and Major General Stanley, who, although at opposite ends of the spectrum otherwise, have at least this in common. Major General Stanley considers consequences, and does the only sensible thing by telling an innocent fiction to a gang bent on forcible matrimony (oddly, it is Frederic who makes this practical point in Major General Stanley's favor; certainly, Frederic would never have made that kind of a point to justify his own actions). Yet the Major General feels remorse for having done so. He's so acutely aware that fibbing affects others, that he expresses concern for the escutcheon of his ancestors-by-purchase. The Pirate King is, of course, "true to the song he sings." Since he attempts to attack Great Britain's mercantile navy, he's obviously an honest thief, and not one of those pirates who are really members of the Establishment, like Sir Francis Drake. The video Pirate King, however, displays none of this character; he simply comes off as a poor imitation of Kevin Kline. I web-surfed a bit to see what I could learn about Peter Allen, a name new to me (It was not until about 1974 that I first heard a Beatles song and KNEW that what I was listening to was a Beatles song, so don't expect me to know who Peter Allen is), and discovered that he's probably the only person in these videos that I've actually seen in the flesh: he was dressed as Legs Diamond and riding on a float in a Macy's Thanksgiving Day Parade back in the 1980's (you see what sort of garbage I take the trouble to note and remember). His Pirate King may explain why Legs Diamond immediately went belly-up. It would have helped if he had learned how to pronounce "inestimable," and, by confusing "incredulous" with "credulous," he put me in mind of the King of Hearts debating "important" and "unimportant." Put the performances of the three principal men together, and the result is not electrifying, however. This video is by no means thrilling. The production is prop-happy, with a diploma for Frederic; skull-and-crossbones bath towels; an opera hat; a chalkboard, an animalculous being, a dusty book, and an Old Master for the Major General's song; and music stands, for Bab's sake! during "Hail, Poetry." Speaking of "show-stoppers," what price "Hail Poetry"? I've always thought it was a poor counterpart to Pinafore's "He is an Englishman," and utterly dispensable. It's nothing but a string of mixed metaphors that ends by likening poetry to hand lotion. (There! If that doesn't raise Hell among y'all, I give up.) Major General Stanley enters on a donkey; I expected Aunt Betsey Trotwood to appear at any moment. The donkey, by the way, was a better actor than the Pirate King. A few props work: Ruth carries a handsome blunderbuss in Act II (perhaps alluding to her blunderbore counterpart in Yeomen). The ripping of the articles of indenture in the opening scene leads to an amusing moment when the parts are produced again in the Paradox scene. To a sane person (or, if none is available, a lawyer), the paradox is feeble to begin with: one could argue that the opening scene constitutes a waiver by the Pirate King; or that the Pirate King is estopped (i.e., it would be unjust for him to change his position now), because Frederic, changing his position in reliance on his release by the Pirate King, has now committed himself to Mabel and respectability. Or one could combat the paradox with course-of-performance evidence (the parties' behavior after the agreement was signed proves that "twenty-first year" was intended); evidence of custom and usage (in commercial circles generally, apprenticeships cease at age twenty-one; but fancy trying to marshal evidence of custom and usage of pirates with respect to apprenticeships! Does one call Bluebeard as an expert witness?); or even parol evidence (evidence of the parties' intent when the agreement was signed; courts don't like to hear about this one, though, and may treat the advocate as Strephon was treated in Chancery Lane). Of course, none of these arguments would occur to Frederic: they're much too subjective, nice and complex for simple-minded Duty Boy. But the thought that the Pirate King, after destroying the articles of indenture, is now trying to paste the pieces together again: what a hoot! The production fails to take advantage of the magic of television on more than one occasion. When the pirates have left in Act I, a slow fade out and in for Ruth's and Frederic's scene would have given the impression that time has passed. As it is, it's very confusing to see that, in the flash of an eye, all evidence of pirates has disappeared except Ruth's work station (which itself has changed; the hanging laundry is different and the washtub has been dragged out). Not only has the flagpole been removed, but the railing that the Pirate King broke during his solo has been repaired. These are very considerate pirates! In the few seconds that Frederic turns his attention to the approaching girls, Ruth manages to remove her work station, too. (It appears that the video did not even consider the problem of time passing here, since Frederic begins the scene still wearing the opera hat he acquired during the Pirate King's solo). The same sort of fade out and in might have been used in Act II, perhaps just before "Now for the pirates' lair," or just before "No, I am brave," so that the change from the twilight of the opening chorus to past midnight in the finale makes some sense. We suspend our disbelief when it comes to time and space in the theatre because we have to, but there's no reason to carry these conventions over to other media (it might be more accurate to say that the video ought to obey the arbitrary time-and-space conventions of television). In "Ah, Leave Me Not to Pine," I had a momentary hope that, whereas Mabel sang the he-is-here stanza facing the audience, Frederic might sing the he-is-gone stanza with his back to the audience. This would have been extremely effective as a dramatic device; one difficult of execution on a stage for obvious reasons, but a piece of cake on television. The opportunity was missed. The choreography sometimes fits and sometimes doesn't. I think it captures well the exuberance of the girls' entrance, certainly one of the most thrilling moments in the entire canon (Entrance of the Peers included), but it's utterly unnecessary when the girls begin to talk about the weather. It's also far too "busy" for the policemen's second number. Sullivan has so well managed to express stodginess without dragging, and constant movement spoils it, I think. Perhaps it was the fault of the camerawork, which comes in too close, but I got no sense whatsoever of "we go, we go; yes, but you don't go" at the end of the big Act II number. (NYGASP does it so simply and so much better: the policemen assume a "menacing post-u-are," lean forward, point their billy clubs toward the unseen foe, and then-step backwards!! It never fails to get a laugh.) The entire video ends in a (modified) transformation scene, with the entire company (pirates now coronetted) waltzing about the ruined chapel to the strains of the policemen's band (apparently featuring a young Queen Victoria). All it lacks is red fire in the wings. This ending may not be canonical, but waltzing is what we all feel like doing at the end of Pirates, so why not? The set of Act I is well-conceived in one respect: from the shore, the "pirates' lair" would appear to be a cave, but the mouth of the cave is in fact merely a hole in a rock formation, beyond which (i.e., "downstage") the "lair" is as open to the elements as the beach. The sand and the tidal pool in the foreground show that it is not even protected from the tides. The whole thing suggests a vulnerability and ingenuousness exactly appropriate to pirates who refuse to attack weaker parties and orphans. Its utter accessibility becomes obvious, when the girls attain it from one direction, Mabel from another, and the Major General from a third. Ruth's rendition of her song is excellent, giving the somewhat contrived rhymes for "pilot" and "pirate" just the right intonation to make them seem natural. The motivation for the pirates' ignoring the third stanza of Ruth's opening song is opaque to me. Presumably, they're hearing this story for the first time, so there's no need for such a "there she goes again" attitude. By the way, can anyone identify the contraption that appears now and again on the left of the screen between Ruth's work area and the small table and chairs where the pirates do their ignoring? It's a light brown circular gizmo on curved legs, and appears to have the hilts of daggers and cutlasses protruding from it; at one point, a pirate hat is hanging from it. I am utterly mystified by the pirates' appearance in Act II: most of "Come, friends" is sung in and about the "lair" of Act I (except for a few cheesy shots of a ship's prow in front of a green screen; what gives, anyway?), but the song concludes with the company entering the grounds of Tremorden through a sepulcher in the churchyard. The Great Escape did not evince such foresight in constructing Tom, Dick and Harry as the pirates seem to have done, on the off chance that they might someday wish to reap a penalty fifty-fold from the current holder of the estate. The video offers one excellent improvement on motivation at the Act I finale. I have always wondered how Frederic knows that the pirates will return and why the pirates do, indeed, return, when they were so anxious to catch the tide. In the video, Frederic and Mabel attempt to canoodle in a sort of bathing machine, but the girls are able to spy on them through the holes in the canvas (actually, I've always imagined these gizmos being made of wood, not canvas). This audience cramps Frederic's style. He therefore tells them of the pirates' propinquity to drive them away, little thinking that pirates will actually appear. For some reason, this approach makes me readier to accept that the pirates, departing in one direction, have spotted the Stanleys approaching in the distance and have decided to return. The bathing machine, by the way, is another prop, like Dr. Daly's book of verse, that alludes in one opera to another; in this case, Iolanthe (unless, of course, the allusion is to The Hunting of the Snark ;-)). My thanks to SavoyNet Assembled for not drumming me out of the corps for venting ad nauseam on the Brent Walker videos, which have probably been done to death in ante-Peterson postings. I've been away from Gilbert and Sullivan for ages, and, returning, have gotten rather above myself. Think of Pongo's Uncle Fred, who, after being cooped up in the country for some time, has been let loose in the City, where he is proceeding to step high, wide and plentiful. I don't know if you know what "excesses" means, but those are what Pongo's Uncle Fred, when in the City, invariably commits. Ditto self. Regards, Keith H. Peterson Jersey City, New Jersey kpeterson@dfrv-ny.com  1, answered,, Summary-line: 1-Apr letsdanz@MIT.EDU [42] #Fwd: Re: spring01 videoooooos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA12136; Mon, 1 Apr 2002 21:55:06 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA22576 for ; Mon, 1 Apr 2002 21:54:44 -0500 (EST) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id VAA06686 for ; Mon, 1 Apr 2002 21:54:43 -0500 (EST) Message-Id: <5.0.2.1.2.20020401215441.01edbd08@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Mon, 01 Apr 2002 21:56:16 -0500 To: opus@mit.edu From: Kimberly Subject: Fwd: Re: spring01 videoooooos Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Mon, 01 Apr 2002 21:56:16 -0500 To: opus@mit.edu From: Kimberly Subject: Fwd: Re: spring01 videoooooos Content-Type: text/plain; charset="us-ascii"; format=flowed hey dave, could you send me an invoice by tomorrow night at the latest so that our treasurer can have a check ready for you by this wkend? thanks! Kimberly >X-Sender: easmith@hesiod >X-Mailer: QUALCOMM Windows Eudora Pro Version 4.0.2 >Date: Mon, 01 Apr 2002 21:43:41 -0500 >To: Kimberly >From: Elena Smith >Subject: Re: spring01 videoooooos > >Hi Kimberly, > They cut checks in RLSLP Thursday, so I would need it by Tuesday > so I can >get it into the office Wednesday so it will be ready by Thursday/Friday. >So, if you could get me the invoice by tomorrow night, I will fill out the >form and he could have a check by this weekend. > Have a good night! > :) Elena > >At 09:17 PM 4/1/02 -0500, you wrote: > >I just spoke with opus. we should have the spring 2001 videos by this > >wkend for distribution. Elena, how soon would > >you need an invoice so that we could have a check cut by Saturday? > > > >Kimberly > > > >ps. I'll make the video order form inserts for the programs. I might be > >able to make them in the rlslp office so that we won't have to pay copytech. > >  1, answered,, Summary-line: 2-Apr thespian121@yahoo.com [69] #plug: "Patience" - Cambridge, MA - April 4-13 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA21785; Tue, 2 Apr 2002 00:29:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA00993 for ; Tue, 2 Apr 2002 00:29:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA13655; Tue, 2 Apr 2002 00:28:43 -0500 (EST) Date: Tue, 2 Apr 2002 00:28:43 -0500 (EST) Message-Id: <20020402051533.18283.qmail@web9208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: plug: "Patience" - Cambridge, MA - April 4-13 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 2 Apr 2002 00:28:43 -0500 (EST) Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: plug: "Patience" - Cambridge, MA - April 4-13 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear all, (Back from a week of spring vacation, and while I haven't gone through the backlog of messages completely, it seems like several recent threads may show up in this post . . . ) After much too long, I am finally making my debut in the Harvard-Radcliffe Gilbert & Sullivan Players (any alumni of the company out there?) in PATIENCE, which runs this weekend and next as follows: Thursday, April 4 (8pm) - Black Tie Friday, April 5 (8pm) Saturday, April 6 (2pm) - Children's Matinee Saturday, April 6 (8pm) Sunday, April 7 (2pm) Thursday, April 11 (8pm) Friday, April 12 (8pm) Saturday, April 13 (2pm) Saturday, April 13 (8pm) - Hack Night (for whatever it's worth. I've never performed OR seen one before, so I reserve the right to make judgment afterwards.) Agassiz Theater, Radcliffe Yard Cambridge, Massachusetts The Harvard Box Office is at (617) 496-2222. Tickets $6-$12. It's a really creative, energetic, production featuring several very talented performers. Personally, having done this show much more often than any other G&S, for some reason - from singing Patience in a children's production at age 14 to doing Saphir/Ella on about 5 minutes notice in a Buxton Festival Club and all sorts of things in between - I'm really enjoying getting into the whole rapturous maiden bit . . . :) Anyway, so sorry for the short notice, but if any greater-Boston Savoynetters have some free time in the next two weekends, it should be a lot of fun. If you're coming, let me know! Cheers, Marisa Green Cambridge, MA P.S. Congratulations to the cast of "The Sorcerer." Wishing I were able to be there this summer . . . __________________________________________________ Do You Yahoo!? Yahoo! Tax Center - online filing with TurboTax http://http://taxes.yahoo.com/  1,, Summary-line: 3-Apr YesTisMabel@aol.com [17] #Re: another role X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA07258; Wed, 3 Apr 2002 01:29:49 -0500 (EST) From: Received: from imo-m02.mx.aol.com (imo-m02.mx.aol.com [64.12.136.5]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA28406 for ; Wed, 3 Apr 2002 01:29:27 -0500 (EST) Received: from YesTisMabel@aol.com by imo-m02.mx.aol.com (mail_out_v32.5.) id 6.15b.baedf8b (3934) for ; Wed, 3 Apr 2002 01:29:21 -0500 (EST) Message-ID: <15b.baedf8b.29dbfb40@aol.com> Date: Wed, 3 Apr 2002 01:29:20 EST Subject: Re: another role To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Wed, 3 Apr 2002 01:29:20 EST Subject: Re: another role To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hey Dave! Yes, I will definitely want you to help with the shuttle service. As we get closer to the time, I will get everyone's arrival times and we can coordinate the driving. btw, I am looking at having our Friday night dinner/sing right down there on Int. Dr. where the hotel is.....it'll be easier for you all, and there are LOTS of restaurants there. Elise  1,, Summary-line: 4-Apr afliotsos@sla.purdue.edu [26] #Dorothy Raedler/American Savoyards X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA27545; Thu, 4 Apr 2002 10:17:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA23304 for ; Thu, 4 Apr 2002 10:13:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA18255; Thu, 4 Apr 2002 10:13:31 -0500 (EST) Date: Thu, 4 Apr 2002 10:13:31 -0500 (EST) Message-Id: <58ADA7C02FDCD411B5FB00B0D03D9E842D4358@exchange.sla.purdue.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: afliotsos@sla.purdue.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fliotsos, Anne" To: Multiple recipients of list SAVOYNET Subject: Dorothy Raedler/American Savoyards MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2655.55) *** EOOH *** Date: Thu, 4 Apr 2002 10:13:31 -0500 (EST) Reply-To: afliotsos@sla.purdue.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fliotsos, Anne" To: Multiple recipients of list SAVOYNET Subject: Dorothy Raedler/American Savoyards Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello, I just logged onto the list to ask a question. Did any of you know Dorothy Raedler, the founder & Artistic Director of the American Savoyards (popular from the late '40s-60s)? I'm writing a brief essay on her work as a director. My background is in theatre rather than operetta/opera, so I'm a bit out of my element. I have limited info right now--some is from the NY Public Library Billy Rose Theatre Collection, but am looking for other sources (esp. archives) or people who worked with her. Please send responses directly to me at: afliotsos@yahoo.com. Many thanks! Anne Asst. Professor of Theatre, Purdue University  1,, Summary-line: 5-Apr lsimons@usa.com [36] #Re: Grammatical rules in scores (and a totally shameless OT plug) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA00380; Fri, 5 Apr 2002 17:47:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26854 for ; Fri, 5 Apr 2002 17:47:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA10746; Fri, 5 Apr 2002 17:46:50 -0500 (EST) Date: Fri, 5 Apr 2002 17:46:50 -0500 (EST) Message-Id: <20020405222913.22861.qmail@usa.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lsimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Grammatical rules in scores (and a totally shameless OT plug) Content-Type: text/plain; charset="iso-8859-1" Content-Disposition: inline Content-Transfer-Encoding: 7bit MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: MIME-tools 5.41 (Entity 5.404) *** EOOH *** Date: Fri, 5 Apr 2002 17:46:50 -0500 (EST) Reply-To: lsimons@usa.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Grammatical rules in scores (and a totally shameless OT plug) Content-Type: text/plain; charset="iso-8859-1" Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum "The Essentials of Music Copying" by Susan Homewood and Colin Matthews, a small handbook which I find absolutely invaluable published by The Music Publishers' Association (1990), has the following to say about this topic: "No clear set of principles has been established about where divisions between syllables occur. Often they correspond with the divisions used by typesetters of verbal text when a word at the end of a line needs to be split, but concessions are made where the sound of a word could be affected; for example, perhaps 'sa-viour' instead of 'sav-iour'." All in all, not very helpful: I've always found this a problemmatic area. ----------- As an aside (and my sincere apologies to anyone offended by this outrageously off-topic addendum), I would like to introduce anyone and everyone who has not heard of her to an amazing young British performer, who can perhaps be described as the country's best-kept secret. Her name is Chloe Hanslip, she's just 14 years old, and she plays the violin - very, very well!!! I have a website (http://www.chloefans.plus.com) and a Yahoo! discussion group (http://groups.yahoo.com/group/chloe-fans) about her, both of which everyone is welcome to visit, and next Wednesday (10th April) evening she is taking part in a charity gala concert in aid of Great Ormond Street Hospital Children's Charity at Barbican Hall in the City of London, at which she will be playing Bruch's Violin Concerto No. 1 in G minor with the City of London Sinfonia, conducted by Harry Christophers. It promises to be a great show, and well worth attending: and it's in aid of a really good cause, too. There are lots of ! tickets for this concert still available, full details and booking information can be found on my "Chloe Fans" website, in the "Diary" section. By the way, I am not associated with Chloe, her family, her agents, or her recording company (Warner Classics) in any way. Larry Simons London, UK -- _______________________________________________ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup  1,, Summary-line: 7-Apr rlcarr@MIT.EDU [23] #Cellulose insulation X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA07154; Sun, 7 Apr 2002 14:10:30 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA11451; Sun, 7 Apr 2002 14:10:07 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA27018; Sun, 7 Apr 2002 14:08:42 -0400 (EDT) Received: (from rlcarr@localhost) by biohazard-cafe.mit.edu (8.9.3) id OAA20937; Sun, 7 Apr 2002 14:08:42 -0400 (EDT) Date: Sun, 7 Apr 2002 14:08:42 -0400 (EDT) Message-Id: <200204071808.OAA20937@biohazard-cafe.mit.edu> From: Rich Carreiro To: wesommer@mit.edu, marc@mit.edu, opus@mit.edu, eichin@mit.edu, jtkohl@mit.edu, tytso@mit.edu, carsten@prospeed.net Subject: Cellulose insulation *** EOOH *** Date: Sun, 7 Apr 2002 14:08:42 -0400 (EDT) From: Rich Carreiro To: wesommer@mit.edu, marc@mit.edu, opus@mit.edu, eichin@mit.edu, jtkohl@mit.edu, tytso@mit.edu, carsten@prospeed.net Subject: Cellulose insulation I've e-mailed this to you because you strike me as do-it-yourselfers of various intensity. Given that, I wonder if you happen to have any ideas on where to find bagged cellulose insulation (the stuff that is basically shredded, recycled, fireproofed newspapers)? I've called Home Despot, Tags, and a number of other hardware stores to no avail. Why, you ask? Because the stuff makes excellent model rocket recovery wadding, and is much cheaper than the magic "toilet paper" from Estes et al. Thanks for any ideas. == Rich  1, forwarded,, Summary-line: 10-Apr YesTisMabel@aol.com [137] #G&Sing Orlando update X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA08390; Wed, 10 Apr 2002 17:41:09 -0400 (EDT) From: Received: from imo-d10.mx.aol.com (imo-d10.mx.aol.com [205.188.157.42]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA09717 for ; Wed, 10 Apr 2002 17:40:43 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-d10.mx.aol.com (mail_out_v32.5.) id 6.18b.6358551 (4563); Wed, 10 Apr 2002 17:36:23 -0400 (EDT) Message-ID: <18b.6358551.29e60a56@aol.com> Date: Wed, 10 Apr 2002 17:36:22 EDT Subject: G&Sing Orlando update To: savoynet@bridgewater.edu, Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Squirt1683@aol.com, epreiss@cfl.rr.com, killer_diller@hotmail.com, Cichlid597@aol.com, JCDBrown@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, jcharba@mail.ucf.edu, mchriste@stetson.edu, waterviewpress@mindspring.com, sethe@pegasus.cc.ucf.edu, angus120@cfl.rr.com, paulench@cfl.rr.com, Bella8822@aol.com, JHughes670@aol.com, piratekingk@yahoo.com, Calohmeier@cs.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, Euphabarit@aol.com, Mspiro@aol.com, divasith@yahoo.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Wed, 10 Apr 2002 17:36:22 EDT Subject: G&Sing Orlando update To: savoynet@bridgewater.edu, Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Squirt1683@aol.com, epreiss@cfl.rr.com, killer_diller@hotmail.com, Cichlid597@aol.com, JCDBrown@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, jcharba@mail.ucf.edu, mchriste@stetson.edu, waterviewpress@mindspring.com, sethe@pegasus.cc.ucf.edu, angus120@cfl.rr.com, paulench@cfl.rr.com, Bella8822@aol.com, JHughes670@aol.com, piratekingk@yahoo.com, Calohmeier@cs.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, Euphabarit@aol.com, Mspiro@aol.com, divasith@yahoo.com Content-Type: text/plain; charset="US-ASCII" Hey guys! Here's the latest information, hot off the presses! The G&Sing Orlando,May 10-12 will be held at the Dr. Phillips Center for the Arts, 1111 N. Orange Ave, Orlando, FL. The Quality Inn on International Dr. is where we are staying. Jim Drew reserved a block of 20 rooms - which number can be increased or decreased as the date approaches. The price will be $34. plus 11% tax per night. Buffet Breakfast can be added for an additional $5. per person per day. Buffet Dinner can be added for an additional $8. per person per day. Check-in time: 3:00 P.M. Check-out time: 11:00 A.M. Reservations will be made by each individual, using their own credit cards. Participants should call 1-800825-7600 or 407-996-1600. Please refer to File No. 514 or "G&S" when making reservations to receive this special rate. A credit card or a one-night's deposit will guarantee the reservations for the day of arrival. All unassigned rooms will be released on April 19th at 5:00 P.M. Cancellations mut be made up to 48 hours before the event, after which time participants will be charged for one night's stay. The hotel has a web-site, if you'd like to take a look, at: http://www1.choicehotels.com/ires/en-US/hotel/FL106?sid=6izXM.2rEKdFmCm.1 Here is the event schedule as it stands right now: FRIDAY 5/10 6:00 Dinner at restaurant on Intl Dr. near hotel, sing around the piano afterward SATURDAY 5/11 8:30 registration[get name tags, programs, pay fee($5 for singers, $10 for nonsingers)] 9am PIRATES 10:30 IOLANTHE noon lunch 1:00 RUDDIGORE 3:00 TRIAL 3:45 PINAFORE 6pm dinner at Mulvaneys--Jim Drew's one man Gilbert show afterwards, and then more singing around piano SUNDAY 5/12 9am MIKADO 10:30 SORCERER noon lunch 2:00 Orlando Opera CO's HMS Pinafore performance(cost $15) 4:30 event over--byebye! I am still waiting for Bob Swedberg at OOC to say if he wants to handle the food concession or not. If he chooses not to, then Sunday's lunch will not be on site, but at a nearby pizza place(which just got voted best pizza in Orlando!). Here are the role assignments: Savoynetters Jim Cooper--Counsel and Alexis David Craven--Dr. Daly and Cpt. Corcoran Jim Drew--Sir Marmaduke Paul Enchelmeyer--chorus Alvin Entin--Notary Larry Garvin--Sergeant David Jedlinsky--Dick Dauntless and tbd Gerritt Koester--Strephon Marc Lewis--Pooh Bah and Roderic Eric Peterson--Carpenter, Robin Bob Richards--Ko-Ko, Sir Joseph John Segers--Lord Chancellor Henry Sherr--chorus Ori Siegel--Pirate King, Bos'n Sam Silvers--Wells, Mikado Doug Whaley--Pish Tush, Mountararat Elise Curran--Mabel (no Mad M for me, alas!) Gwyn Craven--Pitti-Sing, Mrs. Partlett Wendy Falconer--Zorah Jackie Richards--Constance, Rose Carole Round--Queen, Dame Hannah Theresa Segers--Hebe Michele Spiro--Phyllis I have several local people who I think might be Savoynetters, but I'm not sure how to check that out, so I have not listed them here. pianos--Andi S-R, Eric P.(Trial), and Joe Kreines(Mikado) conductors--Trial ?, Sorcerer ?, Pinafore--Ori S.,Pirates--Eric P., Iolanthe--Jim C., Mikado ?, Ruddigore--Ori S. Anyone interested in the ones that haven't been taken yet should let me know. If I have forgotten anyone, or if any of you out there want to jump on in with the rest of us, email me. I will be posting again in 2 weeks with final details, and then again with important phone numbers for you while you are in Orlando. IT'S getting CLOSER...... more later Elise Curran 407-695-7915H 407-592-3919C YesTisMabel@aol.com  1, answered,, Summary-line: 11-Apr YesTisMabel@aol.com [20] #another role? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA12492; Thu, 11 Apr 2002 01:29:30 -0400 (EDT) From: Received: from imo-r01.mx.aol.com (imo-r01.mx.aol.com [152.163.225.97]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA15961 for ; Thu, 11 Apr 2002 01:29:06 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-r01.mx.aol.com (mail_out_v32.5.) id 6.1a9.84e2e9 (4570) for ; Thu, 11 Apr 2002 01:29:00 -0400 (EDT) Message-ID: <1a9.84e2e9.29e6791c@aol.com> Date: Thu, 11 Apr 2002 01:29:00 EDT Subject: another role? To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Thu, 11 Apr 2002 01:29:00 EDT Subject: another role? To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hi David! I know I forgot to list your role of Edwin on the post I made to Savoynet today, but I know that you are doing Dauntless and Edwin. Would you be prepared to sing Frederic if absolutely necessary, taking down any high notes you don't care to sing? My Frederic backed out--he's judging a competition, and I have one last guy to try, but it is not looking good. I don't want to overload your poor tenor brain and vocal chords, because we know a tenor, all singers above, must keep himself quiet, but you're the man! let me know..... Elise  1, forwarded,, Summary-line: 11-Apr YesTisMabel@aol.com [20] #Re: another role? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA23236; Thu, 11 Apr 2002 12:13:59 -0400 (EDT) From: Received: from imo-r05.mx.aol.com (imo-r05.mx.aol.com [152.163.225.101]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA08511 for ; Thu, 11 Apr 2002 12:13:36 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-r05.mx.aol.com (mail_out_v32.5.) id 6.46.25ae1780 (25508) for ; Thu, 11 Apr 2002 12:13:25 -0400 (EDT) Message-ID: <46.25ae1780.29e71025@aol.com> Date: Thu, 11 Apr 2002 12:13:25 EDT Subject: Re: another role? To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Thu, 11 Apr 2002 12:13:25 EDT Subject: Re: another role? To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" Hi david! The fee is to cover the expense of photocopying chorus scores, of paying someone $50 to play Mikado(because Andi said she just didn't want to play that one), and to pay OOC to have someone in the building with us. By nonsingers, I mean just that. Lots of people want to come along with their family members and just watch, not even sing chorus. Other people I've talked to say this singout will be as good as a show, and really want to observe. I consider chorus as singers. So observers pay more. I figured that some of the people who say they just want to watch could be persuaded to sing if they get a $5 discount! :-) Elise  1,, Summary-line: 11-Apr LostandSpaced@webtv.net [139] #Lewis Carrol X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA21418; Thu, 11 Apr 2002 19:50:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA01606 for ; Thu, 11 Apr 2002 19:49:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA15210; Thu, 11 Apr 2002 19:49:22 -0400 (EDT) Date: Thu, 11 Apr 2002 19:49:22 -0400 (EDT) Message-Id: <9311-3CB61E0A-2662@storefull-2133.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LostandSpaced@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LostandSpaced@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Lewis Carrol Content-Disposition: Inline Content-Type: Text/Plain; Charset=ISO-8859-1 MIME-Version: 1.0 (WebTV) Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "John Sprengel" 's message of Thu, 11 Apr 2002 16:39:43 -0400 *** EOOH *** Date: Thu, 11 Apr 2002 19:49:22 -0400 (EDT) Reply-To: LostandSpaced@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: LostandSpaced@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Lewis Carrol Content-Disposition: Inline Content-Type: Text/Plain; Charset=ISO-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "John Sprengel" 's message of Thu, 11 Apr 2002 16:39:43 -0400 A few months ago, I mentioned in my 99% accurate G&S quiz that Lewis Carrol was offended by THE SORCERER because of how Gilbert depicted the clergy. Today, to my surprise, I found that Carrol was *also* offended by Children's PINAFORE. This paragraph... *** On top of all this, there was an illicit production by a juvenile company also playing in the southern capital, inspired no doubt by Gilbert and Sullivan's own Children's Pinafore which, while very popular, saddened Lewis Carroll "beyond words...at sweet, innocent girls...singing with bright, happy looks "Damn me! Damn me!"   *** ..can be found at this website (which is also filled with many interesting photos) :   http://members.ozemail.com.au/~andig/   It strikes me as very odd that two G&S operas in a row offended the same writer. Always willing to delve deeper, I searched the Net for more information about Gilbert, Sullivan, and Carrol. To my horror, I found that Carrol was offended by *all* the Savoy operas. These are the Newspaper articles I found and I'm shocked. That's what I am. Shocked. **************** 4/15/1880 The matinee of PIRATES OF PENZANCE yesterday was ruined for all by the booing of no other than Lewis Carrol as the final curtain came down. Mr. Carrol later said he was offended by many of the opera's themes: Making jokes about orphans, the hard of hearing, and lying to solve problems. He was later heard to add "If it wasn't for the appealing idea of being able to kidnap and marry any woman of your choice, I would have left after Act I."   4/27/1881 Lewis Carrol stormed out of the theater today during the second act of PATIENCE. He was heard to exclaim he was deeply disturbed by the mockery of Bunthorne's brilliant poetry and the acceptance of the awkward symbolism in the "Magnet and Churn" song. 11/25/1882 Lewis Carrol had to be removed from the premiere of IOLANTHE last night after creating a stir during ACT I. As soon as IOLANTHE spoke the line "I left my husband by your royal command" he yelled out "You mean the LORD CHANCELLOR?" and spoiled the surprise ending for everyone. Gilbert was later quoted as saying "I don't know how Carrol found out about my surprise ending but I had heard he was going to pull something like this. At the last minute, I changed the name of the opera from PEROLA to IOLANTHE, hoping he would think the plot twist occurred in some *other* opera. Apparently my little ruse didn't work." Lewis later said the opera offended him because there were so many "fairy jokes." He is quoted as saying "What next? A Gay PINAFORE?" 1/5/1884 Lewis Carrol demanded his money back from the Savoy Theater last night after inadvertently leaving PRINCESS IDA after the second act. An hour later, in a nearby pub, he over-heard that Gilbert had broken tradition by adding a third act. He felt Gilbert had done this for no other reason than to trick him into leaving the theater.   3/25/1885 Lewis Carrol organized a boycott of Gilbert and Sullivan's MIKADO last week. He said  "This opera contains the "T" word over twenty times. Four or five times would have been plenty." 1/27/1885 Lewis Carrol called for the closing of Gilbert and Sullivan's RUDDYGORE today, insisting that it would inspire a rash of "copycat" crimes where thrill-seekers would start forging their own wills and disinheriting their unborn children. 10/8/1888 Today, Lewis Carrol announced he was outraged by the "stolen plot" of Gilbert and Sullivan's new YEOMEN OF THE GUARD. He is quoted as saying "At first I was enjoying the opera but by the end I realized the entire plot was based on some song I had heard previously... somewhere. It was some duet about a woman leaving a jester for a popinjay. I know I've heard it somewhere before and Gilbert stole the idea."  12/7/1889 The GONDOLIERS opened to great acclaim today by everyone but, you guessed it, Lewis Carrol. He was over-heard saying "Three women married to two men? Why hasn't the Church put this travesty on the Index?" 10/7/1893 At the Savoy Theater today, Lewis Carrol condemned the use of excessive violence in UTOPIA LIMITED. Other opera goers said he jumped out of his seat and screamed like a woman every time Tarara threw down a fire-cracker. Eventually he had to be removed from the theater. 3/7/1896 Lewis Carrol made his usual racket after the premier of GRAND DUKE tonight. To everyone's surprise, he was heard remarking "At *last* a Savoy Opera that makes sense! I don't know why it took Gilbert fourteen operas to write a solid plot. I especially liked the invisible rabbit." ****************************    Long Island, New York, U.S.A. LostandSpaced@webtv.net  1, answered,, Summary-line: 11-Apr letsdanz@MIT.EDU [41] #Re: Fwd: Dance Troupe voucher X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA00440; Thu, 11 Apr 2002 20:19:34 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA29443; Thu, 11 Apr 2002 20:19:09 -0400 (EDT) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id UAA10370; Thu, 11 Apr 2002 20:19:09 -0400 (EDT) Message-Id: <5.0.2.1.2.20020411201841.01f854c8@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 11 Apr 2002 20:19:42 -0400 To: Elena Smith , opus@mit.edu From: Kimberly Subject: Re: Fwd: Dance Troupe voucher In-Reply-To: <200204112043.QAA18855@melbourne-city-street.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Thu, 11 Apr 2002 20:19:42 -0400 To: Elena Smith , opus@mit.edu From: Kimberly Subject: Re: Fwd: Dance Troupe voucher In-Reply-To: <200204112043.QAA18855@melbourne-city-street.mit.edu> Content-Type: text/plain; charset="us-ascii"; format=flowed is Dave allowed to send his SS# directly to Laurie? I know I wouldn't feel comfortable having other people pass my SS# around over the internet to each other.... At 04:40 PM 4/11/2002 -0400, Elena Smith wrote: >Hi Kim, > I submitted Opus's invoice. But the office needs his social security >number to process the check. Could you email him to get his SS# and I will >email it to Laurie Ward so his check can be processed. However, this means >he may not get his check until next week. I am sorry - I did not think we >needed his SS# for this. I was mistaken. > Thanks. > :) Elena > > >To: easmith@MIT.EDU > >cc: safarrar@MIT.EDU, laurie@MIT.EDU > >Subject: Dance Troupe voucher > >Date: Thu, 11 Apr 2002 10:32:57 -0400 > >From: Sarah A Farrar > > > >Hi Elena, > > > >In order to process the voucher you just submitted for "Spring 2001 >Concert Videos," we need David Jedlinsky's SSN. (This is because Dance >Troupe is paying him to do a service; for tax reporting purposes, we need >his address and SSN, and the address is already on the invoice you >submitted.) Please email his SSN to laurie@mit.edu. > > > >Thanks! > >Sarah Farrar > >Student Activities Finance > >  1,, Summary-line: 11-Apr andi_s_r@yahoo.com [83] #Re: G&Sing Orlando: Score editions X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA24211; Thu, 11 Apr 2002 23:51:03 -0400 (EDT) Received: from web10808.mail.yahoo.com (web10808.mail.yahoo.com [216.136.130.250]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id XAA00819 for ; Thu, 11 Apr 2002 23:50:38 -0400 (EDT) Message-ID: <20020412035037.6714.qmail@web10808.mail.yahoo.com> Received: from [64.24.173.47] by web10808.mail.yahoo.com via HTTP; Thu, 11 Apr 2002 20:50:37 PDT Date: Thu, 11 Apr 2002 20:50:37 -0700 (PDT) From: Andi Stryker-Rodda Subject: Re: G&Sing Orlando: Score editions To: YesTisMabel@aol.com, Cround01@aol.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Squirt1683@aol.com, epreiss@cfl.rr.com, killer_diller@hotmail.com, Cichlid597@aol.com, JCDBrown@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, jcharba@mail.ucf.edu, mchriste@stetson.edu, waterviewpress@mindspring.com, sethe@pegasus.cc.ucf.edu, angus120@cfl.rr.com, paulench@cfl.rr.com, Bella8822@aol.com, JHughes670@aol.com, piratekingk@yahoo.com, Calohmeier@cs.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, Euphabarit@aol.com, Mspiro@aol.com, divasith@yahoo.com In-Reply-To: <18b.6358551.29e60a56@aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Thu, 11 Apr 2002 20:50:37 -0700 (PDT) From: Andi Stryker-Rodda Subject: Re: G&Sing Orlando: Score editions To: YesTisMabel@aol.com, Cround01@aol.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@elizabetharden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Squirt1683@aol.com, epreiss@cfl.rr.com, killer_diller@hotmail.com, Cichlid597@aol.com, JCDBrown@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, jcharba@mail.ucf.edu, mchriste@stetson.edu, waterviewpress@mindspring.com, sethe@pegasus.cc.ucf.edu, angus120@cfl.rr.com, paulench@cfl.rr.com, Bella8822@aol.com, JHughes670@aol.com, piratekingk@yahoo.com, Calohmeier@cs.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, Euphabarit@aol.com, Mspiro@aol.com, divasith@yahoo.com In-Reply-To: <18b.6358551.29e60a56@aol.com> Content-Type: text/plain; charset=us-ascii Hello, fellow Orlando-goers... As indicated in Elise's most recent update, I will be the piano accompanist for the following in Orlando: PIRATES PINAFORE IOLANTHE RUDDIGORE SORCERER I am most familiar with and will be playing from the following editions of the vocal scores: PIRATES: Schirmer PINAFORE: Schirmer (plus transposition to C of Fair Moon) IOLANTHE: Schirmer RUDDIGORE: Schirmer SORCERER: Cramer If anyone wants to include material that is not in these editions, (1) please clear it first with the CONDUCTOR for that work, (2) please notify me, and (3) please be aware that you may need to supply me with a copy of the music (probably not until we get to Orlando, but please ask!) In the case of RUDDIGORE, I own the OUP edition as well as the Schirmer, and can therefore include material from that edition IF it has been cleared by the conductor. Ori Siegel is conducting RUDDIGORE, and is aware that decisions will need to be made concerning version of the Finale, etc. IOLANTHE: If Strephon wants to include "Fold Your Flapping Wings", I will need a copy of the music. If anyone has any questions, or if either performers or conductors want to discuss the material with me in advance of Orlando, please feel free to email me anytime at andi_s_r@yahoo.com or gs_piano@yahoo.com. For those of you who don't know: I've been the regular rehearsal pianist for NYGASP in New York City since the 1985-86 season, and have played for at least 2 full production periods for all of the above. PIRATES and PINAFORE are repertory touring shows for NYGASP. Looking forward to seeing (and hearing!) you in Orlando! Cheers, Andi ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? Yahoo! Tax Center - online filing with TurboTax http://taxes.yahoo.com/  1,, Summary-line: 12-Apr to: laurie@MIT.EDU [56] #Re: Fwd: Dance Troupe voucher X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA18395; Fri, 12 Apr 2002 11:08:41 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA15052; Fri, 12 Apr 2002 11:08:17 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id LAA28056; Fri, 12 Apr 2002 11:05:31 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id LAA28259; Fri, 12 Apr 2002 11:05:31 -0400 (EDT) Date: Fri, 12 Apr 2002 11:05:31 -0400 (EDT) Message-Id: <200204121505.LAA28259@multics.mit.edu> From: "David C. Jedlinsky" To: laurie@MIT.EDU CC: easmith@MIT.EDU, letsdanz@MIT.EDU, safarrar@MIT.EDU In-reply-to: <5.0.2.1.2.20020411201841.01f854c8@hesiod> (message from Kimberly on Thu, 11 Apr 2002 20:19:42 -0400) Subject: Re: Fwd: Dance Troupe voucher References: <5.0.2.1.2.20020411201841.01f854c8@hesiod> *** EOOH *** Date: Fri, 12 Apr 2002 11:05:31 -0400 (EDT) From: "David C. Jedlinsky" To: laurie@MIT.EDU CC: easmith@MIT.EDU, letsdanz@MIT.EDU, safarrar@MIT.EDU In-reply-to: <5.0.2.1.2.20020411201841.01f854c8@hesiod> (message from Kimberly on Thu, 11 Apr 2002 20:19:42 -0400) Subject: Re: Fwd: Dance Troupe voucher Hi Laurie. Could you give me a phone number to call you with my SSN? I won't send it over email. By the way, I know I gave my SSN to Edmund in 1999; do you need to get it from me every year? Thanks. -Dave >Date: Thu, 11 Apr 2002 20:19:42 -0400 >From: Kimberly > >is Dave allowed to send his SS# directly to Laurie? I know I wouldn't feel >comfortable having other people pass my SS# around over the internet to >each other.... > >At 04:40 PM 4/11/2002 -0400, Elena Smith wrote: >>Hi Kim, >> I submitted Opus's invoice. But the office needs his social security >>number to process the check. Could you email him to get his SS# and I will >>email it to Laurie Ward so his check can be processed. However, this means >>he may not get his check until next week. I am sorry - I did not think we >>needed his SS# for this. I was mistaken. >> Thanks. >> :) Elena >> >> >To: easmith@MIT.EDU >> >cc: safarrar@MIT.EDU, laurie@MIT.EDU >> >Subject: Dance Troupe voucher >> >Date: Thu, 11 Apr 2002 10:32:57 -0400 >> >From: Sarah A Farrar >> > >> >Hi Elena, >> > >> >In order to process the voucher you just submitted for "Spring 2001 >>Concert Videos," we need David Jedlinsky's SSN. (This is because Dance >>Troupe is paying him to do a service; for tax reporting purposes, we need >>his address and SSN, and the address is already on the invoice you >>submitted.) Please email his SSN to laurie@mit.edu. >> > >> >Thanks! >> >Sarah Farrar >> >Student Activities Finance >> > >  1, answered,, Summary-line: 16-Apr letsdanz@MIT.EDU [73] #Re: Fwd: Dance Troupe voucher X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA12836; Tue, 16 Apr 2002 18:18:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA08762 for ; Tue, 16 Apr 2002 18:18:32 -0400 (EDT) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id SAA05045 for ; Tue, 16 Apr 2002 18:18:31 -0400 (EDT) Message-Id: <5.0.2.1.2.20020416181856.028537b0@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Tue, 16 Apr 2002 18:19:22 -0400 To: opus@mit.edu From: Kimberly Subject: Re: Fwd: Dance Troupe voucher In-Reply-To: References: <200204121505.LAA28259@multics.mit.edu> <5.0.2.1.2.20020411201841.01f854c8@hesiod> <200204121505.LAA28259@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Tue, 16 Apr 2002 18:19:22 -0400 To: opus@mit.edu From: Kimberly Subject: Re: Fwd: Dance Troupe voucher In-Reply-To: Content-Type: text/plain; charset="us-ascii"; format=flowed when can i get the videos from you? At 09:15 AM 4/16/2002 -0400, you wrote: >Hi Dave. >Thanks for contacting me. I was out of the office on Friday and just >confirmed that I had your SS# on file. I am all set and will issue the >check this week. >-Laurie > >At 11:05 AM -0400 4/12/02, David C. Jedlinsky wrote: >>Hi Laurie. >> >>Could you give me a phone number to call you with my SSN? I won't >>send it over email. By the way, I know I gave my SSN to Edmund in >>1999; do you need to get it from me every year? >> >>Thanks. >> >>-Dave >> >> >>>Date: Thu, 11 Apr 2002 20:19:42 -0400 >>>From: Kimberly >>> >>>is Dave allowed to send his SS# directly to Laurie? I know I wouldn't feel >>>comfortable having other people pass my SS# around over the internet to >>>each other.... >>> >>>At 04:40 PM 4/11/2002 -0400, Elena Smith wrote: >>>>Hi Kim, >>>> I submitted Opus's invoice. But the office needs his social >>>> security >>>>number to process the check. Could you email him to get his SS# and I will >>>>email it to Laurie Ward so his check can be processed. However, this means >>>>he may not get his check until next week. I am sorry - I did not think we >>>>needed his SS# for this. I was mistaken. >>>> Thanks. >>>> :) Elena >>>> >>>> >To: easmith@MIT.EDU >>>> >cc: safarrar@MIT.EDU, laurie@MIT.EDU >>>> >Subject: Dance Troupe voucher >>>> >Date: Thu, 11 Apr 2002 10:32:57 -0400 >>>> >From: Sarah A Farrar >>>> > >>>> >Hi Elena, >>>> > >>>> >In order to process the voucher you just submitted for "Spring 2001 >>>>Concert Videos," we need David Jedlinsky's SSN. (This is because Dance >>>>Troupe is paying him to do a service; for tax reporting purposes, we need >>>>his address and SSN, and the address is already on the invoice you >>>>submitted.) Please email his SSN to laurie@mit.edu. >>>> > >>>> >Thanks! >>>> >Sarah Farrar >>>> >Student Activities Finance >>>> > > >-- >Student Activities Finances (SFA) Office >W20-549, ph. x3-3680, fx. x3-8391 >laurie@mit.edu >http://web.mit.edu/rlslp/finances  1, answered,, Summary-line: 17-Apr kcallen@fas.harvard.edu [15] #Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA14295; Wed, 17 Apr 2002 11:51:37 -0400 (EDT) Received: from smtp3.fas.harvard.edu (smtp3.fas.harvard.edu [140.247.34.53]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA11257 for ; Wed, 17 Apr 2002 11:51:12 -0400 (EDT) Received: from is08.fas.harvard.edu (IDENT:daemon@is08.fas.harvard.edu [140.247.34.108]) by smtp3.fas.harvard.edu with ESMTP id g3HFpCO20686; Wed, 17 Apr 2002 11:51:12 -0400 (EDT) Received: by is08.fas.harvard.edu with ESMTP id g3HFpCw26080; Wed, 17 Apr 2002 11:51:12 -0400 (EDT) X-Authentication-Warning: is08.fas.harvard.edu: kcallen owned process doing -bs Date: Wed, 17 Apr 2002 11:51:12 -0400 (EDT) From: Kenneth Allen To: Subject: Grand Duke Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** X-Authentication-Warning: is08.fas.harvard.edu: kcallen owned process doing -bs Date: Wed, 17 Apr 2002 11:51:12 -0400 (EDT) From: Kenneth Allen To: Subject: Grand Duke Content-Type: TEXT/PLAIN; charset=US-ASCII Hi there, Dave. How's it going? I was just wondering whether the Grand Duke videos were available, yet. If not, when do you think they'll be ready? Can't wait to see the performance! All good wishes, Ken  1, answered,, Summary-line: 18-Apr letsdanz@MIT.EDU [27] #Fwd: Re: Fwd: Dance Troupe voucher X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA01282; Thu, 18 Apr 2002 01:42:27 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA01692 for ; Thu, 18 Apr 2002 01:42:02 -0400 (EDT) Received: from AXO-KIDUYS8U77P.mit.edu (CMONLETSDANZ.MIT.EDU [18.245.3.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id BAA11366 for ; Thu, 18 Apr 2002 01:42:02 -0400 (EDT) Message-Id: <5.0.2.1.2.20020418014151.0287fd40@hesiod> X-Sender: letsdanz@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 18 Apr 2002 01:42:50 -0400 To: opus@mit.edu From: Kimberly Subject: Fwd: Re: Fwd: Dance Troupe voucher Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: letsdanz@hesiod (Unverified) Date: Thu, 18 Apr 2002 01:42:50 -0400 To: opus@mit.edu From: Kimberly Subject: Fwd: Re: Fwd: Dance Troupe voucher Content-Type: text/plain; charset="us-ascii"; format=flowed Your check has been processed and I have it. please let me know when you will be here on friday so i can plan my schedule accordingly >Date: Wed, 17 Apr 2002 11:40:58 -0400 >To: "David C. Jedlinsky" >From: Kimberly >Subject: Re: Fwd: Dance Troupe voucher > >I'm available on friday afternoon after 2pm. what time will you be arriving? > >At 09:23 AM 4/17/2002 -0400, you wrote: > >> >when can i get the videos from you? >> >>I will be on campus Friday and Saturday, videotaping MTG and G&S, >>respectively. Can we arrange a time to meet early Friday or Saturday >>evening? >> >>-Dave  1,, Summary-line: 20-Apr j.d.mcclure@virgin.net [85] #The Chichibu MIKADO. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA08351; Sat, 20 Apr 2002 15:42:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA06175 for ; Sat, 20 Apr 2002 15:42:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA07566; Sat, 20 Apr 2002 15:41:54 -0400 (EDT) Date: Sat, 20 Apr 2002 15:41:54 -0400 (EDT) Message-Id: <000701c1e8a2$7caf6520$3204fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: The Chichibu MIKADO. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sat, 20 Apr 2002 15:41:54 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: The Chichibu MIKADO. Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One of my treasured souvenirs from my trip to Japan is - you'll never guess - the libretto, programme and video of the Japanese version of THE MIKADO, performed two years ago in Chichibu (and, incidentally, to be performed there again next year). First impressions! Well, it's at once noticeable that in its new guise it's very much a showpiece for Chichibu. The programme and libretto have on their title page the three Japanese syllable characters for MI-KA-DO and, in English, THE TOWN OF CHICHIBU - that is clearly its main title. (In case anybody didn't know this, "Mikado" is not the ordinary Japanese name for the Emperor - that is "Tenno". "Mikado" is a very old-fashioned and poetic title: I've heard that only old people nowadays even know it, much less use it.) And though I'm far from able to understand most of the words (so far anyway), the name Chichibu occurs a lot more often than "Titipu" does in the original. As you can guess, it's a strange experience hearing the familiar music to exotically different words, and in a superb production with a beautiful blending of Japanese and Western stage techniques (re Japanese, I'm going by my only experience of a Kabuki play and its highly stylised movements). It's a big stage with a fairly sparse but very graceful set, a cherry tree being the main feature. The choruses are small but each member - especially the men - appears to be individually choreographed and is obviously a highly skilled dancer. There's also a ballet group, costumed (unlike the main cast, who are in traditional Japanese dress) in flowing, filmy, voluminous draperies. The singing is first class (I wonder how much experience they have in singing Western-style operas and musicals: they're so accomplished that I can't believe this is their only one); and the Japanese words fit the tunes almost flawlessly. They don't rhyme, though: Japanese poetry simply doesn't use rhyme, so that's to be expected. The performances are different in several cases from what we expect: Ko-Ko is played straight but Pish-Tush as a clown, for one thing. And there are several scenes where the dialogue is greatly expanded: don't ask me what it's about! (I can conduct a face-to-face conversation in Japanese, but understanding stage dialogue from a live performance is another matter. But I'll be spending many happy hours translating bits from the libretto, and - if Netters are interested - will report back at intervals!) For a start, as far as I can work out, the Mikado-Katisha duet means something like this. M: Each and every one of you prostrate yourselves! I'm the Mikado: I'm the Emperor of Japan! (The last phrase is sung in English.) K: And I am Her Highness the Royal Consort! I am the one who has been chosen as the Crown Prince's bride! M: I will restore the country's morals! K: I deserve to be the Crown Prince's bride! Down! I'm the Royal Consort! Ch: Down! She's the Crown Prince's bride! M: I, your Mikado, am the heart of the whole nation. I am called the Ruler of the Sacred Land. K: But it takes real qualification to be the Royal Consort! I graduated from the Peers' School* and my talents are great! M: Every day I pray for the peace and happiness of the nation. K: But the Consort's health is the most important thing! Down! I'm the Royal Consort! Ch: Down! She's the Crown Prince's bride! *I don't know what this means - the word is "gakusyuuin" and that's what my Japanese dictionary says. By the way, I'd better mention this: the libretto, programme and video are not on sale commercially: I got them through the kind offices of a friend. And I am not passing on the address of the gentleman who provided them: he was interested at getting one query from a foreigner, but I don't know how he'd react to dozens. Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 21-Apr ajcrowth@globalnet.co.uk [34] #Re: Savoy Yeomen review in DT X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA26984; Sun, 21 Apr 2002 14:21:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA06056 for ; Sun, 21 Apr 2002 14:21:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA07066; Sun, 21 Apr 2002 14:21:17 -0400 (EDT) Date: Sun, 21 Apr 2002 14:21:17 -0400 (EDT) Message-Id: <01c1e960$eeba3f00$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy Yeomen review in DT MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Sun, 21 Apr 2002 14:21:17 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Savoy Yeomen review in DT Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum John Spartan wrote: >> The Yeoman plot is fascinating. It is not presented as a documentation of the times. << Well, no, but Gilbert did try to get things reasonably right---and I think he made a pretty good job of it! (Give or take the occasional slip about when the arquebus was invented, etc.) Granted that I'm partisan, I still don't understand how Rupert Christiansen can call the "Yeomen" libretto "pretty awful"---particularly bearing in mind the pitiful excuse for a libretto he has to endure whenever he reviews a "proper" Grand Opera. (He's clearly a Sullivan man rather than a Gilbert man.) Gilbert certainly didn't fall into the "Merrie England" trap of giving us twee twaddle about England's Golden Age. The world of "Yeomen" is full of cruelty, and he doesn't gloss over that. I've written to the Daily Telegraph about all this, but I doubt if they'll print my letter. - Andrew.  1,, Summary-line: 25-Apr finn@intersystems.com [94] #Sightings: explained, improvised, and (sort of) requested X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA03282; Thu, 25 Apr 2002 22:55:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA04399 for ; Thu, 25 Apr 2002 22:55:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id WAA26538; Thu, 25 Apr 2002 22:54:24 -0400 (EDT) Date: Thu, 25 Apr 2002 22:54:24 -0400 (EDT) Message-Id: <02Apr25.223244edt.119266@gateway.intersystems.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersystems.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Sightings: explained, improvised, and (sort of) requested Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 *** EOOH *** Date: Thu, 25 Apr 2002 22:54:24 -0400 (EDT) Reply-To: finn@intersystems.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Sightings: explained, improvised, and (sort of) requested Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi, Remember a few weeks ago when someone mentioned a fleeting glimpse of a MIKADO score in the new Tim Allen movie "Big Trouble"? I have learned the inside scoop of how that came to be. It turns out that SavoyNet is indirectly responsible! I'm just back from my company's annual customer conference in Orlando, Florida. My employer is one of the enlightened kind -- they do not expect me to work 24 X 7 -- so I had the opportunity to hook up with sometimes SavoyNetter Philip Nolen. Currently, Philip is unsubscribed because he is very busy. In addition to his "day job" doing improv at the Comedy Warehouse on Disney's Pleasure Island (more about that anon), he is also in rehearsal for a professional production of "Around the World In Eighty Days". Over lunch, Philip mentioned that he had a small part in "Big Trouble", playing Tim Allen's boss who fires him in the first scene. Mindful of his SavoyNet connections, Philip brought his MIKADO score to the shoot, thinking it might be an appropriate prop. The director (Barry Sonnenfeld) wouldn't let Philip be seen actually reading the score, but he did think it was the sort of "snooty" item Philip's character might have on his desk. Voila! A sighting purposely engineered for the entertainment of SavoyNet. Philip was pleased to learn that someone had noticed, and posted. Philip is one of those rare fish, a working actor, and as I mentioned, he has a job doing improv at the Comedy Warehouse. Once I was released from the dark room where people droned at me about technology I only half understand, I dragged a colleague over to Pleasure Island to catch one of Philip's performances. It was terrific! Since I personally practice the "deer in headlights" form of improv, I am in awe of people who possess the freedom and bravery (not to mention talent) to do it well. At one point in the proceedings, Philip was required to die a dramatic death, and the audience was polled for a "style" and a location. "What kind of music DON'T you listen to?" was the question. *Someone* (Indeed I can't imagine who. I've no idea at all, have you?) lied and called out "Gilbert and Sullivan". Someone else provided a hockey rink as a location, so Philip proceeded to operatically get run over by a Zamboni. Later, since he knew I was in the audience, he worked a G&S reference into another improvised song. (I was the only person to applaud it. Sigh.) Time passed, and the conference drew to a close. (I learned not to ride the coaster at Universal three times.) On our last evening in Orlando, the wife of our company's owner/CEO threw a very fancy (and wine-soaked) "appreciation dinner" for the 20 or so friends, family, and salaried minions who work behind the scenes making the conference run smoothly. I was included in their number because I help set the agenda, write the conference brochures, etc. Little did I know that this year, I would also end up being the floor show at the dinner. We ate. We drank. At dessert we sang "Happy Birthday" to one of the attendees -- and the cat was out of the bag. My hostess (the wife of the owner of the company, remember her?) realized that I could sing. She (supposedly at the behest of her aunt) asked me to sing something from "Porgy and Bess". Being a soprano, I gave them "Summertime". And I did okay, considering all the aforementioned eating and drinking. (I was relieved. It's always a crap shoot in these situations whether or not my evil and untalented twin is suddenly going to make an appearance.) We finished desert. Liqueurs and whatnot were consumed. And I tried to fend off requests for another song, but to no avail. My mind was racing to come up with something short, and in English. Then I suddenly thought "What the heck. I've already told them that sing a lot of Gilbert & Sullivan." So I did. The first verse of "Sorry Her Lot", except (being a soprano) I took the high notes at the end. I don't really know how well it went over. It probably would have been better if there had been some sort of accompaniment. Naturally, everyone told me it was lovely, but... Anyway, all this goes to show that you, too, can create your own G&S sightings. ******************************************************** Mary A. Finn (finn@intersys.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 26-Apr cupid@MIT.EDU [14] #new contact info. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA02627; Fri, 26 Apr 2002 18:07:55 -0400 (EDT) Received: from kangaroo.mit.edu (KANGAROO.MIT.EDU [18.86.0.32]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id SAA29943; Fri, 26 Apr 2002 18:07:26 -0400 (EDT) Received: by kangaroo.mit.edu (5.65v4.0/1.1.10.5/14Jun00-0334PM) id AA14064; Fri, 26 Apr 2002 18:07:26 -0400 Date: Fri, 26 Apr 2002 18:07:26 -0400 Message-Id: <10204262207.AA14064@kangaroo.mit.edu> From: Randi M Kestin To: dinner@mit.edu, gsp@mit.edu, gsp-cast@mit.edu, mtg-members@mit.edu Subject: new contact info. *** EOOH *** Date: Fri, 26 Apr 2002 18:07:26 -0400 From: Randi M Kestin To: dinner@mit.edu, gsp@mit.edu, gsp-cast@mit.edu, mtg-members@mit.edu Subject: new contact info. Hi guys, Ezra and I have finally moved. Here's our new info. Please keep in touch! Randi Kestin and Ezra Peisach 1 Cliff Street Apt. 3 Attleboro, MA 02703 (508) 226-7760  1, answered,, Summary-line: 29-Apr YesTisMabel@aol.com [93] #Pinafore ticket count/carpooling/meals X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA21906; Mon, 29 Apr 2002 16:23:29 -0400 (EDT) From: Received: from imo-m07.mx.aol.com (imo-m07.mx.aol.com [64.12.136.162]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA00488 for ; Mon, 29 Apr 2002 16:23:02 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-m07.mx.aol.com (mail_out_v32.5.) id l.a7.1fd0850a (4394); Mon, 29 Apr 2002 16:21:50 -0400 (EDT) Message-ID: Date: Mon, 29 Apr 2002 16:21:50 EDT Subject: Pinafore ticket count/carpooling/meals To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@mail.labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@ElizabethArden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, yourmom@rice.edu, Cichlid597@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, CliftonR@Bolles.org, waterviewpress@mindspring.com, Euphabarit@aol.com, angus120@cfl.rr.com, lellzy@yahoo.com, sandrajean8@yahoo.com, Bella8822@aol.com, LGlusing@msn.com, JHughes670@aol.com, kaufmann@osceola.k12.fl.us, piratekingk@yahoo.com, Calohmeier@cs.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Mary.Patrick@Rollins.Edu, Squirt1683@aol.com, epreiss@cfl.rr.com, SingerRx@aol.com, killer_diller@hotmail.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, rstenor@earthlink.net, Mspiro@aol.com, divasith@yahoo.com, davidstork@msn.com, RossiniSop@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Mon, 29 Apr 2002 16:21:50 EDT Subject: Pinafore ticket count/carpooling/meals To: Cround01@aol.com, andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@mail.labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@ElizabethArden.com, Kingparamount@gilbert-and-sullivan.org, opus@mit.edu, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, yourmom@rice.edu, Cichlid597@aol.com, apbuschbaum@cfl.rr.com, Pitstop747@aol.com, OperSanger@aol.com, CliftonR@Bolles.org, waterviewpress@mindspring.com, Euphabarit@aol.com, angus120@cfl.rr.com, lellzy@yahoo.com, sandrajean8@yahoo.com, Bella8822@aol.com, LGlusing@msn.com, JHughes670@aol.com, kaufmann@osceola.k12.fl.us, piratekingk@yahoo.com, Calohmeier@cs.com, KeHarmony@aol.com, TPATER27@aol.com, Bluesheet@aol.com, Mary.Patrick@Rollins.Edu, Squirt1683@aol.com, epreiss@cfl.rr.com, SingerRx@aol.com, killer_diller@hotmail.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, rstenor@earthlink.net, Mspiro@aol.com, divasith@yahoo.com, davidstork@msn.com, RossiniSop@aol.com Content-Type: text/plain; charset="US-ASCII" Hi all! Busy doing all the last-minute details here. I recently found out that we will be charged by OOC to have one of their staff members on site both days. I just got the quote Friday, and it's $225. However, Swedberg says if I sell enough tickets he will give us a discount on that amount. And OGASP is willing to pay for this---I do not want to add anything to you Savoynetters what I am charging already, since it is so close to showtime! However, I need a complete ticket count from you all so I can pass it on to Swedberg. Here is what I have so far. If it's wrong, please respond ASAP. Andi --- 1 for Sun Jim C. --- 1 for Sat. Paul --- 2 for Sun Ori --- 1 for Sun Bob and Jackie --- 2 for Sun Eric --- 1 for Sun David and Ruth --- 4 for Sun Wendy --- 1 for Sat Sam --- 2 for Sun Carole --- ? Marc --- ? Alvin ---? David et al ---? Jim D. ---? Henry --- ? Doug --- ? Larry and Robin --- no tickets Jon --- ? and the Orlando people---please let me know..... We have finally decided to do Sat. night's dinner at Chapters, but then leave there and go back to the hotel's Topsy Turvy Lounge (yes, you heard that right) for Jim's show. One of our local Savoynetters, Michele Spiro, is letting us use her electric piano. I also need to know if you guys have a preference for pizza or subs for lunch on Sunday between our singing and Orlando Opera's show. We can eat on the premises, but have to order something in. Our local Publix supermarkets have great subs, so I thought you might want a break from pizza, which we are doing on Saturday for lunch. Please let me know your preference, if you have one. I am aware that some of you will not be staying after Sorcerer on Sunday morning, because of your travel plans, so let me know that when you respond to this email. I am also making a list of who will have rental cars and be willing to drive people around. Our local people can help with this too, but I need of count of rentals. The following people have said they will be renting cars and have room: Ori and Eric. These other folks have family in town or live in FL and I assume don't need rides: David & Ruth, Wendy, Carole, Alvin et al with Marc, Henry, Jim D., the Cravens, and all the Orlando people. That leaves the following who need rides: Jim C., Bob & Jackie, Sam and friend, Doug, Jon. Now, unless I have counted wrong, I think we already have enough people with cars to take up the slack. But let me know! I will be emailing you again in a couple of days with driving directions and more sundry details! Elise "If I were not a little mad, and generally silly"....then I would be by now!  1, forwarded, answered,, Summary-line: 29-Apr Bj.Richards@btinternet.co [29] #Next week X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA11496; Mon, 29 Apr 2002 18:06:02 -0400 (EDT) Received: from gadolinium.btinternet.com (gadolinium.btinternet.com [194.73.73.111]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA13219 for ; Mon, 29 Apr 2002 18:02:38 -0400 (EDT) Received: from host213-122-247-9.in-addr.btopenworld.com ([213.122.247.9] helo=default) by gadolinium.btinternet.com with smtp (Exim 3.22 #8) id 172JEC-0004Sl-00; Mon, 29 Apr 2002 23:02:36 +0100 Message-ID: <005601c1efc9$b1c92920$a28f01d5@default> From: "Bob and Jackie" To: "Ruth Jedlinsky" , "David C. Jedlinsky" Subject: Next week Date: Mon, 29 Apr 2002 22:38:46 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "Ruth Jedlinsky" , "David C. Jedlinsky" Subject: Next week Date: Mon, 29 Apr 2002 22:38:46 +0100 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Hi David and Ruth We are starting to get excited about next week now and can't wait to see all our wonderful friends again.# Is the offer for a lift from the airport still on? If so, our flight details are as follows: flight no VS15 - to arrive at Orlando (MCO) at 16:40 on 10th May. Is there anything you want us to bring over? I seem to recall Ruth having a fondness for a certain chocolate bar (was it Crunchy?). Love Jackie  1,, Summary-line: 30-Apr marc@MIT.EDU [46] #Re: Real Genius X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA25371; Tue, 30 Apr 2002 02:37:13 -0400 (EDT) Received: from horowitz-m1.mit.edu (horowitz.ne.client2.attbi.com [24.218.251.56]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA17345 for ; Tue, 30 Apr 2002 02:36:47 -0400 (EDT) Received: (from marc@localhost) by horowitz-m1.mit.edu (8.11.6/8.11.6) id g3U6ak704322; Tue, 30 Apr 2002 02:36:46 -0400 (EDT) Sender: marc@horowitz-m1.mit.edu From: Marc Horowitz To: "David C. Jedlinsky" Subject: Re: Real Genius References: <200204300616.CAA01946@multics.mit.edu> Date: 30 Apr 2002 02:36:46 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Tue, 30 Apr 2002 02:16:54 -0400 (EDT)" Message-ID: Lines: 37 User-Agent: Gnus/5.0807 (Gnus v5.8.7) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Sender: marc@horowitz-m1.mit.edu From: Marc Horowitz To: "David C. Jedlinsky" Subject: Re: Real Genius Date: 30 Apr 2002 02:36:46 -0400 In-Reply-To: "David C. Jedlinsky"'s message of "Tue, 30 Apr 2002 02:16:54 -0400 (EDT)" User-Agent: Gnus/5.0807 (Gnus v5.8.7) Emacs/20.7 Content-Type: text/plain; charset=us-ascii Excellent, thanks for the pointer. Plus, dvdplanet will ship USPS priority mail, which will come faster. If you want in on my order, let me know :-) Marc "David C. Jedlinsky" writes: >> Hi Marc. >> >> www.dvdplanet.com has Real Genius for $17.47. Shipping is $2.50 for >> the first item, and $.50 for each additional, which means it will be >> cheaper than Amazon if you order three or more. >> >> Just thought you might want to know about that (I was just about to >> put in an order tonight when your message came by). >> >> By the way, they also have UHF for $10.47. >> >> -Dave >> >> >> >From: Marc Horowitz >> >Date: 29 Apr 2002 22:24:52 -0400 >> > >> >I'm going to preorder Real Genius on DVD from Amazon. If I order six >> >copies, shipping is free. >> > >> >If you're interested in a copy (or more than one), email me. I plan >> >on placing the order sometime Friday, so I need to receive your email >> >before noon on May 3. Each DVD is $18.71. >> > >> >If I've mentioned this to you before, and you said you were >> >interested, you should still send me mail. >> > >> > Marc  1,, Summary-line: 1-May katdaniel@juno.com [41] #Finding X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA23399; Wed, 1 May 2002 12:53:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA10367 for ; Wed, 1 May 2002 12:53:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA16347; Wed, 1 May 2002 12:52:53 -0400 (EDT) Date: Wed, 1 May 2002 12:52:53 -0400 (EDT) Message-Id: <20020501.124554.22240.3734@wm2.nyc.untd.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: katdaniel@juno.com To: Multiple recipients of list SAVOYNET Subject: Finding X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno Webmail Version 1.0 *** EOOH *** Date: Wed, 1 May 2002 12:52:53 -0400 (EDT) Reply-To: katdaniel@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: katdaniel@juno.com To: Multiple recipients of list SAVOYNET Subject: Finding X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ahhh, the joys of working in a secondhand bookstore.... The other day someone left a lot of boxes of books just to get rid of them. When I went through them, I found a treasure trove. Boston Comic Opera Co. libretto for Iolanthe Chappell & Co., Ltd. libretto, Ida, dated 1911 5 Bass Publishers librettos- 2 Iolanthe, 1 Yeomen, 1 Ruddigore, 1 Gondoliers 2 D'Oyly Carte Souvenir/Librettos- Iolanthe and Gondoliers, both with Martyn Greene, Evelyn Gardiner, Sydney Granville, and other familiar names. A Treasury of Gilbert & Sullivan, edited by Deems Taylor. Still in its original box, I might add. Copyright 1941. Individually, not a big deal. But all coming in at the same time? Pretty sweet, especially since we don't sell this sort of thing at the store, so I got to keep them. Kate the Gloating Fairy Kate Cunningham Arlington, MA katdaniel@juno.com ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  1,, Summary-line: 10-May finn@intersystems.com [40] #possible QWERT venue X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA29518; Fri, 10 May 2002 09:59:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA19288 for ; Fri, 10 May 2002 09:59:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA07582; Fri, 10 May 2002 09:58:33 -0400 (EDT) Date: Fri, 10 May 2002 09:58:33 -0400 (EDT) Message-Id: <02May10.093032edt.119258@gateway.intersystems.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn@intersystems.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: possible QWERT venue Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 4.3.2 *** EOOH *** Date: Fri, 10 May 2002 09:58:33 -0400 (EDT) Reply-To: finn@intersystems.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: possible QWERT venue Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My exciting news of the day -- my mother and I are buying a house together! I signed the sales agreement last night. No more apartments for me! The house is in Webster, Massachusetts. Webster is on I-395, south from Worcester, almost in Connecticut. It encompasses Lake Chargoggagoggmanchaugagoggchaubunagungmaugg (pronounced "Lake Webster") -- the longest place name in the United States, and, I believe the third longest place name in the world. The longest is in Wales -- go figure. But the important point is that having a house, I will possibly be able to host a QWERT. We should have room enough, and I will even be able to offer sleeping accommodations to a few people. The only fly in the ointment -- I don't own a real piano, although I do have decent keyboard. (Does that mean that I have to have a digital picture of Philip Potter?) Also, I don't play. I will be entirely dependent on attracting/hiring accompanists. Don't expect this to happen any time soon. I'm thinking next year, either in the summer so that people can swim in Lake Char-etc., or during leaf-peeping season. Do people (particularly any potential accompanists) have a preference? ******************************************************** Mary A. Finn (finn@intersystems.com) from the environs of Boston, Massachusetts Teems with quiet fun. *********************************************************  1,, Summary-line: 10-May jim@78s2cd.com [46] #It's Official - 78s2CD in Arizona X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA17624; Fri, 10 May 2002 11:20:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA14294 for ; Fri, 10 May 2002 11:19:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id LAA23909; Fri, 10 May 2002 11:18:59 -0400 (EDT) Date: Fri, 10 May 2002 11:18:59 -0400 (EDT) Message-Id: <5.1.0.14.2.20020510075058.02cab670@mail1.abac.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood To: Multiple recipients of list SAVOYNET Subject: It's Official - 78s2CD in Arizona Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Fri, 10 May 2002 11:18:59 -0400 (EDT) Reply-To: jim@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Lockwood To: Multiple recipients of list SAVOYNET Subject: It's Official - 78s2CD in Arizona Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Effective today 10 May, we have licensed our little virtual CD shop in Yuma, and are requesting that future orders be directed to the address and FAX number below. Orders sent to our San Diego PO Box will reach us, but it may take a little longer. The good news for Californians is that we will no longer be collecting CA sales tax. The fact that we will be collecting AZ sales tax is probably a mute point, as we have never, even once, shipped an order to Arizona. I will try to change that, of course. I know for a fact that there has been at least one other person in Yuma that has heard of G&S, because I was browsing through a local thrift shop the other day and noticed a copy of the Readers Digest boxed LP set of G&S. I took a double take, thinking that I might have accidentally given my copy away along with a couple bushels of LPs I donated to make room for 78s. But no, I still have my copy safe and sound. Best regards, Jim Lockwood PS, I still haven't identified the California customer who thinks they ordered a MIKADO set, but didn't because my former FAX machine had broken. Should that person, or someone who thinks they may be that person read this, I have posted a complete explanation at www.78s2cd.com . Or please, just email for details. J. C. Lockwood 7523 E 25TH PL YUMA AZ 85365 928-344-6806 www.78s2cd.com  1,, Summary-line: 10-May oakapple2@yahoo.com [99] #Lady Sangazure Song Discovery --- Maybe X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA01091; Fri, 10 May 2002 19:51:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA08845 for ; Fri, 10 May 2002 19:51:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA18281; Fri, 10 May 2002 19:51:04 -0400 (EDT) Date: Fri, 10 May 2002 19:51:04 -0400 (EDT) Message-Id: <20020510233733.48681.qmail@web13306.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Lady Sangazure Song Discovery --- Maybe MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 10 May 2002 19:51:04 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Lady Sangazure Song Discovery --- Maybe Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum At a recent meeting of the New England Gilbert & Sullivan Society, Marion Leeds Carroll sung the possible world-premiere of the rediscovered, and till now presumed lost, ballad for Lady Sangazure, "In days gone by." Or, did she? Marion has received permission for me to post this account received from the discoverer, Jonathan Strong. The last piece of evidence either confirming or refuting Jonathan's work would be some of the surviving band parts (in private hands) from the Opera Comique that contain the orchestra parts: >THE SEARCH FOR SANGAZURE >In the last Bray, Paul Richmond's query about the existence of the > music for Lady Sangazure's ballad caused me to look more closely at > the Sorcerer Lancers (arranged by Charles D'Albert and published in > February 1878 byMetzler). The final movement of this piano medley > is labeled "Lady Sangazure" and naturally caught the eye of Fredric > Woodbridge Wilson (curator of the Harvard Theater Collection), who > brought it to my attention. > > With very little adjustment, a sixteen-measure passage of this > finale perfectly and, indeed, aptly sets the Sangazure lyric, if > sung at a comfortable andante. But David Goldhirsch, accompanist > extraordinaire,pointed out in a flash of recognition that the > charming melody is nothing other than the counter melody played > in the orchestra below the opera's opening chorus and seldom > discerned when the Ploverleigh villagers are drowning it out. I > should have noticed it, though, as the Metzler sheet music bears > the motto "Ring Forth, Ye Bells" beneath the heading "Lady > Sangazure." There is still a question why the Lancers finale is > titled as it is, but it may have been a random designation; and as > D'Albert worked from Sullivan's conductor's score when arranging > these medleys, he may simply have ignored the chorus parts. It is, > of course, still possible that Sullivan was playing one of his > clever contrapuntal games by fitting in atdouble speed a melody > he had already given to the contralto later in the opera (for he > never composed his scores in order of performance), but this is > a farfetched supposition. We will perhaps have a clear answer when > the few stray orchestra lines that have survived, in privately held > band parts, have been consulted. It is likely that they will be > found not to fit the ballad as I arranged it from the Lancers sheet > music and as was sung, in a world premiere of sorts, at half an > hour's notice by Marion Leeds Carroll at the 25th Anniversary Gala. > Should the surviving parts prove, as I imagine they will, that there > was once quite another and, alas, now unrecoverable setting (because > there's not much to be made out of say a viola part on its own!), > then maybe my ersatz setting can serve anyone who wishes to insert > it in a production; I will happily make it available. It is, after > all, by Sullivan, and it does come from The Sorcerer, and it is (as > Marion proved) a charming little song. For now, though, we must > await the next installment of our search for Sangazure. > JONATHAN STRONG > > >Ballad for Lady Sangazure (following her entrance recitative) >In days gone by, these eyes were bright, >This bosom fair, these cheeks were rosy, >This faded brow was snowy white, >These lips were fresh as new-plucked posy; >My girlish love he never guessed, >Until the day when we were parted; >I treasured it within my breast* >And lived alone and broken-hearted. > >These cheeks are wan with age and care, >These weary eyes have done their duty, >As white as falling snow my hair, >And faded all my girlish beauty. >I see my every charm depart; >But Memory's chain I cannot sever, >For ah, within my poor old heart >The fire of love burns bright as ever. > >*First-night libretto reads "I treasured it within my heart," > but clearly the rhyme requires "breast." ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________________________ Do You Yahoo!? Yahoo! Tax Center - online filing with TurboTax http://taxes.yahoo.com/  1,, Summary-line: 11-May dcl@ties.org [81] #Re: Iolanthe Orchestrations X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA08602; Sat, 11 May 2002 01:03:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA29122 for ; Sat, 11 May 2002 01:02:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id BAA24923; Sat, 11 May 2002 01:02:16 -0400 (EDT) Date: Sat, 11 May 2002 01:02:16 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe Orchestrations Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003001c1f82b$63bda660$c5b482c1@inspub-180-197.iee.org.uk> *** EOOH *** Date: Sat, 11 May 2002 01:02:16 -0400 (EDT) Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Re: Iolanthe Orchestrations Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003001c1f82b$63bda660$c5b482c1@inspub-180-197.iee.org.uk> >What is the absolute minimum you can get away with, and which >instruments (and quantities) are an absolute must for Iolanthe? At the risk of seeming flippant: the absolute minimum is one piano. (And the arguably "standard orchestration" would include twice as many strings as you list, because string players are indeed assumed to play two-to-a-book -- for a total of 38.) Between those extremes, choosing which instruments to retain and which are expendable depends on many factors, including: - space - budget, both for paying musicians if applicable, and for renting, buying, or commissioning a reduced arrangement - availability of suitable players on various instruments - size and acoustics of your hall - expectations and preferences of your audience, cast, and staff The decisions should be driven by the head of the Music Department -- the Music Director or Conductor. They involve specialized knowledge (of Sullivan, orchestration, stagecraft, and conducting, among other topics), so if that person doesn't have this type of expertise, bring in someone who does to help. That said, here are some approaches I might consider: - Today's synthsizer technology can be very effective at emulating solo instruments and ensembles, alone or in combination with real instruments. But misguided application of that technology can easily be unbearably cheesy. - In my opinion, the key to Sullivan's orchestration style is his writing for winds -- brass as well as woodwinds, although he uses the trumpets and trombones sparingly. His string writing is less distinctive and, frankly, less inspired. So replacing the entire string section with one piano is a workable solution, and supplementing a small string section with a piano is even better. - The Entrance of the Peers contains an extended trumpet fanfare that most would consider essential. It would sound very silly played on any other instrument. - Percussion is a special problem. Like the brass, the drums wait around a lot, but when they do play they add enormously to the drama of the moment. Unfortunately, they take up a huge amount of precious space -- two timpani, big bass drum, and some smaller toys. Here's where knowledge of your audience comes in -- if they're a refined lot, accustomed to following complex story lines and admiring lovely singing, you can afford to omit the drums. If your audience is more attuned to catchy musical comedies, or to MTV, I would suggest finding room for percussion to keep 'em awake. Please note that percussion won't help the singers with their timing. Sullivan's percussion writing is from the orchestral tradition, adding bright and dramatic tone colors, rather than keeping the beat as in musical comedies and marching bands. - Under no cirumstances should you simply use the full-orchestration books, simply omitting the second flute, second clarinet, second trumpet, etc. Unlike, for example, Broadway orchestrations, Sullivan's arrangements just weren't designed to be reduced in that way. Harmonies would be thin and awkward, dynamics and balance would be askew, and in some cases crucial doublings and countermelodies would never be played. -- David Larrick, dcl@ties.org, http://www.ultranet.com/~larrick/  1,, Summary-line: 12-May raser.charlton@newcastle. [72] #More on Fallen Fairies X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA02515; Sun, 12 May 2002 06:39:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA27198 for ; Sun, 12 May 2002 06:38:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA01970; Sun, 12 May 2002 06:38:38 -0400 (EDT) Date: Sun, 12 May 2002 06:38:38 -0400 (EDT) Message-Id: <003601c1f99e$bb3694f0$3fe2c250@meshstudy> Errors-To: savoynet-owner@bridgewater.edu Reply-To: fraser.charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fraser Charlton" To: Multiple recipients of list SAVOYNET Subject: More on Fallen Fairies MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Sun, 12 May 2002 06:38:38 -0400 (EDT) Reply-To: fraser.charlton@newcastle.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fraser Charlton" To: Multiple recipients of list SAVOYNET Subject: More on Fallen Fairies Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I went to see this show last night. I went on my own and, as usual at Newcastle G&S shows, found I knew about a quarter of the audience - including SavoyNet's own Andrew Crowther. I feel you should all know that he has recently grown a beard in an attempt to confound his enemies... It was a very enjoyable evening. All of the principals were good, several excellent (Sarah Fairfay as Selene, Ruchika Batr as Zayda and Chris Montford as Lutin), and the music and book put across very well (some of the lyrics were somewhat harder to follow). I feel very grateful to Richard, the director, for putting forward the show to the society and to the society for giving me a chance to see something that I don't imagine I'll ever see again. I found the thought that, for several people in the cast, they'll be saying after this that their first ever show was 'Fallen Fairies' extremely whimsical. It is, however, very sad that one of the main reasons for choosing it was that they could just about cast a show requiring only three men. From when I joined the society in 1985, there were 7500 students in the University and about 50 in the cast. Now there are well over double the number of students in the University, there is a cast of 13... The show itself is certainly a mixed bag and, for this viewer, there is no mystery as to its short initial run. There are some very funny incidents and some surprisingly effective serious bits (notably the ending), but the overall impression is of Victorian seriousness and earnestness with insufficient Gilbertian humour to lighten the load. As Andrew pointed out, this is Gilbert being genuinely serious, without a deflating joke around the corner. Saying that, the audience seemed pretty responsive, even the students who gave the impression, when they arrived, that they had been forced to attend! The musical score seems, to me, to be a minor one, and, now having heard most of German's work for the musical stage, I can't mourn the relatively early end to his career. The songs, although pleasant and tuneful, seemed a little 'samey' and, with a few exceptions, lacked strong melodies. There was also a good deal of multiple repetition of phrases, which is never very helpful to performers, and the playouts seemed a little extended, dragging down the mood at the end of songs and not allowing them to finish with a bang. One thing I had never noticed upon reading the play was the phrase 'ecstatically ejaculates' occurs at the end of verse 1 of the song by Darine and Zayda in Act 1. These things can be missed by a modern ear hearing them for the first time, but not when German sets it something like 'Ejaculates! Ejaculates! Ecstatically ejaculates! Ejaculates! Ejaculates! Ecstatically ejaculates!' sung by full chorus! Apart from this, the songs that stood out for me were 'When homage to his Queen', 'When a knight loves layde', 'But dost thou hear?' and 'In yonder world'. Anyway, a delightful and fascinating time was had by me, and one I'll certainly remember for a long time. I do hope that the University Society will continue to live and that the charming fairies will be able to attract a few more mortal men to join them next year! Fraser. ---------------------------------------------------------------------- Fraser Charlton, Consultant Pathologist Royal Victoria Infirmary, Newcastle Upon Tyne, UK. Tel: 0191 282 4445 E-mail: Fraser.Charlton@ncl.ac.uk WWW HomePage: http://www.staff.ncl.ac.uk/fraser.charlton ----------------------------------------------------------------------  1,, Summary-line: 12-May wcvenman@attbi.com [24] #Reduced arrangements X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA05963; Sun, 12 May 2002 10:20:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA19049 for ; Sun, 12 May 2002 10:19:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA04322; Sun, 12 May 2002 10:19:21 -0400 (EDT) Date: Sun, 12 May 2002 10:19:21 -0400 (EDT) Message-Id: <3CDE7725.8D145D8B@attbi.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wcvenman@attbi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "William C. Venman" To: Multiple recipients of list SAVOYNET Subject: Reduced arrangements MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.78 [en]C-CCK-MCD NSCPCD478 (Win98; U) *** EOOH *** Date: Sun, 12 May 2002 10:19:21 -0400 (EDT) Reply-To: wcvenman@attbi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "William C. Venman" To: Multiple recipients of list SAVOYNET Subject: Reduced arrangements Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have been reading the posts regarding reduced arrangements and have wondered whether mention would be made of arrangements done by Arpad Elo, Jr., who now lives in Vermont. The Valley Light Opera has used his arrangements on occasion, and as MD, I found them to be solid, very much in the Sullivan idiom, and very workable. Unfortunately, unlike Newby, Arpad hasn't done all of them. When the VLO did GD in 1988, I asked Arpad do a reduced orchestration, which we then used. We did GD again last year with the full (Kalmus) orchestration, and the two compared *very* favorably. Bill Venman, Valley Light Opera  1,, Summary-line: 12-May ajcrowth@globalnet.co.uk [94] #Fallen Fairies X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA14549; Sun, 12 May 2002 18:00:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA22387 for ; Sun, 12 May 2002 18:00:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA20590; Sun, 12 May 2002 17:59:46 -0400 (EDT) Date: Sun, 12 May 2002 17:59:46 -0400 (EDT) Message-Id: <01c1f9fe$ed7ebcc0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Fallen Fairies MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Sun, 12 May 2002 17:59:46 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Fallen Fairies Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Well, I wasn't sure if I would be able to make it up to Newcastle, and it's left my finances shot to pieces for the next couple of weeks, but I'm very very glad I did go and see "Fallen Fairies" last night. I won't do a proper review, except to say that the cast did full justice to the material, as far as I can judge. I enjoyed the evening tremendously, and I think the rest of the audience did too. It isn't primarily a funny piece, but there were some genuine laughs (as well as a few laughs at the expense of the lib. which, though unfortunate, couldn't be avoided). The director Richard Temperley edited the material a little--probably wisely--but some problems still remained. The seemingly endlessly repeated refrain "Ecstatically ejaculate" has already been mentioned (and it brought me to the point of hysteria). A scene imported from the original play of "The Wicked World" has the fairy Zayda saying to Lutin: "Then let us... wander, hand in hand, from grot to grot"--leaving an impression of green slime which presumably Gilbert didn't intend. Another laugh at the expense of Gilbert came with Zayda's early "plot point" speech beginning: "Yet I have heard/That there's a half-forgotten law which says...." (etc). The shifting of gears was almost audible. Can this be done so it seems natural? Maybe, but I can't think of a way off the top of my head. Finally, some of the speeches, particularly the Fairy Queen Selene's towards the end of Act 2, seemed to go on too long. Most of these problems could be solved with a little fine-tuning of the editing. The sad fact is that Gilbert's libretto does need play-doctoring if it is to work for a modern audience. I don't like admitting this sort of thing, but it seems to be true. And yet I think it *can* be stageworthy---in fact the Newcastle G&S Society has proved it. It works as a drama, though with reservations. If other societies also began staging it, they would begin to learn from each other what worked and what didn't, and they would no longer be in the position of the Newcastle group of having to start from scratch. Please remember, everyone, this is a show with an all-female chorus! It's as if Gilbert knew that G&S societies would have a dearth of male peformers in anno domini 2002.... "Fallen Fairies" is a completely different sort of piece from the G&S operas. The tone is rather unvaried: the plot is very simple, all the action springing from a single idea, and the fairies seem not to have any individual characters at all for most of Act 1. Everything that happens revolves round the same small compass of ideas about mortal love, jealousy and passion. And yet it is, it seems to me, a powerful little parable. I can only speak for myself when I say that a lot of what it says still seems relevant. The Fairies do not love as mortals love, and are pure in thought, unselfish, bland, and united. When two mortal men are summoned to Fairyland--handsome devils, chivalrous and hotblooded, cousins to Fairfax--the Fairies experience love for the first time, including all the painful and ridiculous aspects involved. The men take merciless advantage of all these besotted and beautiful maidens, in the most cynical way. In fact, and rather oddly, it is the comic relief Lutin who behaves with most decency in this respect, admitting that he is contrained by the fact that he loves his absent wife, despite all the jokes he makes at her expense. There are times when the plot seems little more than a wish-fulfilment fantasy in which the men surrounded by compliant, adoring women.... but our perspective constantly shifts between the men and the women, and the vision soon fades. Sometimes the women are exasperating, more often the men are obnoxious. There are flashes of insight in amongst the more ordinary passages. Gilbert understands both sides, and makes fun of both sides too. In the Prologue to the original play "The Wicked World", it is stated baldly that the play's message is "That Love is not a blessing, but a curse". But if there is a message, it is nothing so simple. It is more like the *start* of a debate on love and the battle of the sexes, rather the end of one. Hmm. I'm losing the thread of what I wanted to say here. But bearing all the above in mind, I think it can "work" as a piece, properly edited, and treated not as a Savoy Opera but something soberer and simpler---that is, on its own terms. Newcastle G&S made a good first attempt at such an approach. Andrew Crowther 82, The Avenue, Clayton, Bradford BD14 6RT, Great Britain. tel: (+44) 1274 882143. ajcrowth@globalnet.co.uk Visit Babliophile, my W.S. Gilbert site, at: http://www.users.globalnet.co.uk/~ajcrowth/babphile.htm "We know it's weakness, but the weakness is so strong!" - W.S. Gilbert, "Iolanthe"  1,, Summary-line: 13-May srz@MIT.EDU [43] #Episode II.I: Party of the Clones X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA17213; Mon, 13 May 2002 00:35:27 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA23358; Mon, 13 May 2002 00:34:56 -0400 (EDT) Received: from coleco-sidewinder.mit.edu (COLECO-SIDEWINDER.MIT.EDU [18.187.2.149]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id AAA05439; Mon, 13 May 2002 00:34:55 -0400 (EDT) Received: (from srz@localhost) by coleco-sidewinder.mit.edu (8.9.3) id AAA02634; Mon, 13 May 2002 00:34:54 -0400 (EDT) Date: Mon, 13 May 2002 00:34:54 -0400 (EDT) Message-Id: <200205130434.AAA02634@coleco-sidewinder.mit.edu> From: Stan Zanarotti To: srz@mit.edu Subject: Episode II.I: Party of the Clones *** EOOH *** Date: Mon, 13 May 2002 00:34:54 -0400 (EDT) From: Stan Zanarotti To: srz@mit.edu Subject: Episode II.I: Party of the Clones A time not too far away, in a galaxy really really close... Episode II.I It is a period of relative calm in the MIT academic calendar. By next weekend, evil classes will be over, with only with a small number of finals to be conquered. A long awaited movie opens this Thursday... Seeing a gap in their social calendars, hordes of long suffering MIT student yearn for a place where they can discuss such matters with pleasant food and drink without fear of spoiling innocent ears. A social event like no other... You are cordially invited to: Episode II.I: Party of the Clones A party with a minor Star Wars theme (*) Saturday, May 18th 8:30pm until it ends. Stan's Place in East Cambridge (*): It's a party first, Star Wars theme second. Feel free to dress up, bring Star Wars toys, games, Troops videos, etc. We won't laugh at you. And you shouldn't laugh at us. :-) Directions in http://www.mit.edu/people/srz/directions.txt Feel free to bring S.O.'s and dear friends. RSVP's useful to avoid lectures from overly-talkative protocol droids.  1,, Summary-line: 13-May andi_s_r@yahoo.com [76] #Orlando G&S Weekend X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA16257; Mon, 13 May 2002 19:32:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA18015 for ; Mon, 13 May 2002 19:32:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA19519; Mon, 13 May 2002 19:32:16 -0400 (EDT) Date: Mon, 13 May 2002 19:32:16 -0400 (EDT) Message-Id: <20020513230724.32282.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Orlando G&S Weekend MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 13 May 2002 19:32:16 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: Orlando G&S Weekend Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum While the weekend has to be described as "modified rapture" in some respects because of a few difficulties along the way--some problems about the evening arrangements and illness plaguing some of our participants being the primary ones--there were nevertheless some really wonderful things. I was playing many of the shows so did not really get to see all that was being done--I hope someone else will post with details--but some standouts for me personally were: Larry Garvin as the Sgt of Police - Larry's great sense of fun with the style got us off to a great start! He and Robin had to leave by midday Saturday for a family commitment, but at least we saw them briefly... Elise Curran, Michele Spiro (local resident), and Jackie Richards - Three absolutely top-notch sopranos. In addition to Mabel, which she had planned to do, Elise stepped in on Sunday to cover Aline (illness of the original Aline) and did it beautifully. We had Jackie's Sweet Rose Maybud and Constance. For fresh and lovely "English schoolgirl" sound, there is just no one quite like Jackie, and it was a delight to hear her. Bob Richards' Ko-Ko - Bob's twinkly humour (including a rewritten third verse of the List that I hope he posts for us) Jonathan Ichikawa - In addition to singing Willis as scheduled, Jonathan stepped in on Sunday for ailing others, singing both the title role of The Mikado and Sir Marmaduke in Sorcerer flawlessly. He, too, had a hysterically funny rewrite verse for The Mikado. David Craven & Family - Delighted to report that baby Dorothy is a charming beauty who did NOT give us an opportunity to judge her singing ability during the proceedings (she's a little young to read music accurately). David, who sang both the Captain in Pinafore and Dr. Daly in The Sorcerer, delivered excellent performances. Marc Lewis - Flamboyant in the grand (anyone remember the expression "high camp"?) operatic style, Marc added considerable flare and flourish to his performances as Roderic and Pooh-Bah. Just a few of many (to which I hope other participants will add, hint, hint, hint). I didn't get to do as much socializing as I'd have liked to myself, partly from doing so much of the playing and partly from the need to rest, but I saw lots of good chatter happening, and despite the small problems (and a lower than hoped for turnout of local support), the weekend was a great deal of fun. ===== Andi Stryker-Rodda New York City/New Jersey __________________________________________________ Do You Yahoo!? LAUNCH - Your Yahoo! Music Experience http://launch.yahoo.com  1,, Summary-line: 13-May yourmom@rice.edu [89] #Orlando for a Newbie X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA21046; Mon, 13 May 2002 23:56:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA19874 for ; Mon, 13 May 2002 23:56:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id XAA27546; Mon, 13 May 2002 23:56:27 -0400 (EDT) Date: Mon, 13 May 2002 23:56:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Orlando for a Newbie MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Mon, 13 May 2002 23:56:27 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Orlando for a Newbie Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I am also back from Orlando. My experience in the singout this weekend comprised many firsts for me: my first time attending a Savoynet event, my first time meeting anyone on Savoynet who isn't Jonathan Ichikawa, my first time singing a whole lot of stuff I'd never sung before, my first time to Orlando, and many others that I'm too tired to continue listing at the moment. Many thanks to Elise for putting the whole thing together. She was wonderful. Unfortunately, I missed her Mabel (story below) but I heard that it was sublime. Following is my story of the weekend, which is relatively long. You won't necessarily find it interesting; if you find it likely that you won't, I advise you not to read it. I post it because some people may do well to read it, particularly nervous people like me considering attending their first sing-through sometime in the future. Elsie had given me Samuel and Private Willis to sing. I went in a little nervous about singing in front of this group... I'm not particularly trained, vocally, and I had no idea what I was getting into, especially since Pirates was the first scheduled opera, so I was to be the first soloist. My concerns were rendered baseless when I failed to wake up for the 9:00 Pirates. I finally arose at about 11:30 to Elise's third phone call. I guess finals and moving out of my dorm room last week finally caught up to me. I missed Pirates and Act I of Iolanthe, and arrived just in time for Private Willis's opening solo. Unfortunately, I was rather non-warmed up and didn't feel terribly good about my performance there. But there was a change in store. That evening, Jim Drew performed his one-man show (which was excellent) and was feeling tired near the end and asked for a Nightmare Song volunteer. He found one in me and I delivered the song, which I love. My self-confidence was high again going into day two. Sam Silvers graciously yielded his Mikado role to me when Elise asked him to Saturday afternoon. Saturday night I prepared two new verses to the Mikado's song: This one replaced the "railway carriages" verse: The college student who sleeps all-morning (His tardiness makes him upset) He'll never live down His now-famous renown To the entirety of Savoynet! This one replaced "the music-hall singer": The G&S purist, who throws a tantrum when- ever a song is re-wrot must attend to each aria sung by a starry- eyed* lifeless automaton-bot! *honest, that rhyme works even though it doesn't look like it. Try it! After Mikado, I stepped in for Marmaduke, which was also great fun. I feel like I've written a lot, and I don't want to bore anyone, so I'll stop here, but the idea I desire to convey (officially) is that this was a wonderful experience for me, and I'm very glad that I attended, and that other people who might feel apprehensive or intimidated by this very knowledgeable and talented body ought not to heed that apprehension or intimidation, because it's great fun. -- Jonathan Ichikawa Rice University '03 Houston, TX yourmom@rice.edu "I sing choruses in public. That's mad enough, I think."  1,, Summary-line: 14-May mstorie@nwlink.com [131] #Early Warning Plug -- Seattle X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02157; Tue, 14 May 2002 13:07:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA20388 for ; Tue, 14 May 2002 13:06:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id NAA00311; Tue, 14 May 2002 13:05:44 -0400 (EDT) Date: Tue, 14 May 2002 13:05:44 -0400 (EDT) Message-Id: <3CE13FE0.229F53B7@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Early Warning Plug -- Seattle MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) *** EOOH *** Date: Tue, 14 May 2002 13:05:44 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Early Warning Plug -- Seattle Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum There are going to be interesting doings in the far reaches of the Northwest USA (Seattle, to be exact) in late July and early August this year. In fact, they may prove to be so interesting that some of you who can't afford the time or money to go to Buxton may consider Puget Sound as an alternative destination. By way of background, during an interval at Buxton in 1999, I was approached by Andy Loydall and Andrew Nicklin of Derby G&S Company (who had just finished their "Yeomen" and we had just finished our "Grand Duke"). They expressed an interest in their company visiting Seattle for a set of joint performances, "sometime in the future." To cut to the chase... They will be arriving in Seattle on or about July 23rd, this summer. For details, see their web page at www.Derbygsc.com Specifically, The Seattle Gilbert & Sullivan Society will be performing a double bill of "Trial by Jury" and "The Sorcerer," for eleven performances, July 12-13, 18-20, and 25-27. We will then strike our set(s), put up theirs and they will perform "Iolanthe" for three performances, August 2-3. Derby will use our orchestra, which Andrew Nicklin directed for the Scratch "Pirates" at the Buxton Octagon in 1999. Here's what you can expect: "The Sorcerer" will be directed by Hal Ryder who has staged our last four shows, including the Buxton "Duke." The set will be a cross section of the "Gosford Park" mansion, with a lot of magic plus light touches of "Upstairs-Downstairs," "Harry Potter," and "Young Frankenstein." The music will be very traditional and the dialogue only slightly "tweaked" to reflect a change from outdoors to indoors. "Trial" will be directed by Christine Goff (Julia Jellicoe in "The Duke") It will be mostly traditional but with a few very fresh staging ideas. Our 26-piece orchestra will be conducted by Bernie Kwiram who has brought incredible new energy this year to the Music Director position. Seattle will have a chorus of 32 voices shared between "Trial" and "Sorcerer" and there will be no overlap of principals. Some casting highlights for Seattle: Tom Derbyshire as the "Learned Judge." Tom was awarded best male voice at Buxton in 1996 for "Captain Corcoran." Edie Hoppin as "Angelina." Edie was awarded best supporting female at Buxton in 1999 for "Lisa." Bill Darkow as "Sir Marmaduke." The "Amazing William" not only amazed people in buxton with his legerdemain but performed as "Dick Deadeye" in '96 and as the beer stein inspired "Tannhauser" in '99. He is also acting as a magic consultant for "Sorcerer." He is remembered for attempting to escape from a straitjacket by the time Dave Ross finished singing the "Nightmare Song" at our cabaret in Buxton in '99. (It was a tie) Dave Ross will play J.W. Wells. He has done all of the patter roles with Seattle and was featured as "Sir Joseph Porter" in '96 and as "Grand Duke Rudolph" in '99 at Buxton. Ariadne Votava as "Aline." Ariadne entranced everyone with her beautiful voice and "valley girl" approach to Yum-Yum here last season. Richard Barrett as "Edwin." This is Richard's third show with us. He starred as Nanki-Poo last season. Jon Palmason as "Dr. Daly." Jon was the large, energetic Ernest Dummkopf in "The Grand Duke" at Buxton. He also sang in the quintette that won best concerted item in '99, along with Christine Goff (now the director), Edie Hoppin, Bill Darkow, and Garrett Brown (Off at college). Ed Poole as the world's oldest Notary. He had people howling with his walk-on bits at our Cabaret in Buxton in '96 (He also was Bill Bobstay). Unfortunately he had a heart attack during our run of "Iolanthe" in '97, had a bypass and came back as a policeman for "Pirates" in '98, had a pacemaker implanted and came back for "Yeomen" in 2000, and is now literally the oldest inhabitant of Ploverleigh! Seattle won "Best Chorus" at both appearances at the Buxton Festival. Derby certainly needs no introduction to Buxton fans. They simply have taken the top award at Buxton more times than any other company in the world. At this counting, about 60 people from Derby will be arriving in Seattle in time to see the last weekend of the Seattle productions. They will be bringing their own set and costumes and will present the "Iolanthe" that won the top award at Buxton in 2000. Andrew Nicklin, the most prolific award winner at Buxton and many other venues will be the Director/Producer. For "Iolanthe," the Seattle Orchestra will be conducted by Fraser Goulding, who was Music Director of the original D'Oyly Carte Opera Company from 1979 until 1982. Since then he has conducted BBC Concert Orchestras, as well as many other prestigious concert orchestras, and has appeared with the Royal Philharmonic. He is Associate Conductor of the National Chamber Orchestra of Wales. Patrick Dawson will be the Lord Chancellor. He has also performed the entire G&S canon of patter roles and won "Best Male Performer" at Buxton in 2001. Stephen Godward will play the Earl of Mountararat. He has won "Best Male Performer" twice at the Buxton Festivals of 1998 and 1999. Bronwen Evans will play Phyllis. She has won "Best Female Performer" at Buxton both in 1998 and in 2000. Celia will be played by Katrina McWilliams who won as "Best Female Performer under 15 years" at Buxton in 1999. As you can see, this will be quite a concentration of performing talent. If anyone has questions about production details, tickets or even lodging please contact me or visit our web page at www.pattersong.org. Mike Storie Producer Seattle G&S Society  1,, Summary-line: 15-May Bj.Richards@btinternet.co [26] #Just thanks X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA15380; Wed, 15 May 2002 16:43:37 -0400 (EDT) Received: from protactinium.btinternet.com (protactinium.btinternet.com [194.73.73.176]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA29206 for ; Wed, 15 May 2002 16:43:06 -0400 (EDT) Received: from host62-7-3-30.in-addr.btopenworld.com ([62.7.3.30] helo=default) by protactinium.btinternet.com with smtp (Exim 3.22 #8) id 1785c1-0002NX-00 for opus@MIT.EDU; Wed, 15 May 2002 21:43:05 +0100 Message-ID: <010d01c1fc51$41ff85a0$1e03073e@default> From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Just thanks Date: Wed, 15 May 2002 20:07:39 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Just thanks Date: Wed, 15 May 2002 20:07:39 +0100 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Please accept our heartfelt thanks for the many ways and kindnesses that made our trip to Orlando so memorable. We took an age to book in and so missed you at the airport, we did wait until 6.10 but by then assumed that you must have booked in very quickly and had had to go through - it was a shame because we didn't have chance to say thank you and say goodbye properly. Our flight was full of kids and famillies with vast amounts of luggage - it was a wonder that the plane (a jumbo) took off. The journey was uneventful anfd Polly and Tilly were there to meet us at Cardiff station - Polly was thrilled with the dresses and the fridge is now looking even more splendid. Once more we can't thank you enough for making our trip to Florida so special Bob & Jackie  1,, Summary-line: 15-May Bj.Richards@btinternet.co [35] #The Owner of the Wallet is traced X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA00298; Wed, 15 May 2002 16:47:15 -0400 (EDT) Received: from protactinium.btinternet.com (protactinium.btinternet.com [194.73.73.176]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA23540 for ; Wed, 15 May 2002 16:43:15 -0400 (EDT) Received: from host62-7-3-30.in-addr.btopenworld.com ([62.7.3.30] helo=default) by protactinium.btinternet.com with smtp (Exim 3.22 #8) id 1785c4-0002NX-00; Wed, 15 May 2002 21:43:08 +0100 Message-ID: <010f01c1fc51$43c4b540$1e03073e@default> From: "Bob and Jackie" To: "Ruth Jedlinsky" , "David C. Jedlinsky" Subject: The Owner of the Wallet is traced Date: Wed, 15 May 2002 21:00:48 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "Ruth Jedlinsky" , "David C. Jedlinsky" Subject: The Owner of the Wallet is traced Date: Wed, 15 May 2002 21:00:48 +0100 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Hi Both Just to let you know I have traced the owner of the wallet remarkably easy from the comfort of my own computer. I deduced (from the hairdresser's number) that she lives in Portsmouth. I then went to the on-line phone directory and listed all Hartleys in Portsmouth. This produced a substantial list but spookily enough I rang one number - no answer. I picked another number at random and got her son. And guess what - the first number I rang was his mother's!! The reason she did not answer is because she is still over in Orlando on a two centre break. She returns on Friday. What is even more spooky is the son worked on our barrage for four years and knows Penarth very well. A speedy and happy outcome. Love Jackie  1,, Summary-line: 15-May Bj.Richards@btinternet.co [34] #Re: Orlando for two oldies X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA19143; Wed, 15 May 2002 17:09:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA08615 for ; Wed, 15 May 2002 17:04:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA04647; Wed, 15 May 2002 17:04:05 -0400 (EDT) Date: Wed, 15 May 2002 17:04:05 -0400 (EDT) Message-Id: <011401c1fc53$dd7fa620$1e03073e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Orlando for two oldies MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Wed, 15 May 2002 17:04:05 -0400 (EDT) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Orlando for two oldies Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum We're back in Wales after a whirlwind tour of Florida's attractions - mainly the G&S Sing. We enjoyed every second and made us realise again what a wonderful group of people SavoyNetters are. Elise organised the event superbly and hosting it on the set of Orlando Opera's Pinafore gave it a special atmosphere. It was good to meet up with some of our SavoyNet friends again and to meet some more and very talented new friends. May these events continue to be held whenever and where ever. We've missed a night's sleep (flying back on the red-eye) so it's early to bed. Bob & Jackie PS one of the audience, an ex-pat Welshmen who has lived in Orlando for some 20 years, on his last visit back to the old country some 6 years ago, remembered Bob playing Bunthorne for Cardiff G&S's production of Patience in Penarth!  1,, Summary-line: 18-May YesTisMabel@aol.com [240] #G&Sing Orlando 2002 review (long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA19651; Sat, 18 May 2002 20:41:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA18853 for ; Sat, 18 May 2002 20:41:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id UAA08636; Sat, 18 May 2002 20:41:07 -0400 (EDT) Date: Sat, 18 May 2002 20:41:07 -0400 (EDT) Message-Id: <143.eac13c6.2a184b2f@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: G&Sing Orlando 2002 review (long) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Sat, 18 May 2002 20:41:07 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: G&Sing Orlando 2002 review (long) Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hey everybody! I have stepped into the world once more, so it's time to give you all the rundown on the fun we had this past weekend here in Orlando. Almost everyone arrived Friday, while I was struggling with the hotel about whether or not we were going to be able to use their Topsy Turvey Lounge (they had told me yes a month ago, but then backed out on me, since they had hired entertainment). We all met at the lounge starting at 6pm, and chatted for about an hour, and then went to dinner at a chinese buffet down the street. When we got back to the hotel after dinner, all ready to repair to the lounge to sing, why, there was some local yokel crooning away his pop/country songs! We eventually ended up in the smoke free dining room at 10pm, and various people got up and sang to Andi's professional accompaniment---Jackie Richards did Ida's second aria, Eric Peterson gave us Pish's song, Gerrit Koester sang "Rising early in the morning", Michele Spiro did Josephine's 2nd act aria, Sam, Doug, and Larry? did "I am so proud" (I really wish I had written this down at the time!), David Jedlinsky and I did our much-anticipated duet "If the light of love's lingering ember", we did the Mikado quartet and the other trio, and more...(anybody remember?). We couldn't persuade Jonathan Ichikawa to sing--he was exhausted. We found out how exhausted next morning....... When everyone finally found the venue Saturday morning, after trying to follow my dyslexic directions, we started just before 10am with Pirates (maybe I did it on purpose so as to delay as much as possible having to sing high notes in the morning!). That opening chorus of the men was just wonderful--what I great start to the day! :-) Then we got to hear dear Ori Siegel as the Pirate King, Orlando's own Terrilea Myers as a dynamic Ruth, a young man from Stetson University who learned Frederic in 2 weeks!, two sweet young ladies as Edith and Kate, whilst we girls got to raise our voices for the first time (and Wendy Falconer very kindly filled in as Kate), our local friend Steve Combs in his first ever lead role as the Major General, and the HILARIOUSLY funny Larry Garvin as the Sergeant, before he and Robin had to hit the road to continue on to his uncle's wedding in Ft. Lauderdale. The highpoint for me personally was when I sang, "yes, tis Maaaaaaaaaaaaaaaaaaaaaaaabel" and all the Savoynetters greeted me with applause---you can't imagine what a lift that was!! :-) All of this was very ably led by Eric Peterson, and of course our rock Andi was at the piano. The only thing missing was Samuel---where was Jonathan? Well, he has already told his story. Jim Cooper filled in for him in Pirates, but Iolanthe was next, and Willis was Jonathan's other role. We decided to lunch after Act I finale of Iolanthe, so Jonathan could make it, which he did, to our delight! This time around, we got to see and hear Michele Spiro, a new Savoynetter, as Phyllis, with that huge voice coming out of her tiny little body, the adorable Gerrit as Strephon, a very 17-looking Iolanthe of Siobhan Connelly, who sang very movingly. We had another substitution in this show--our Tolloller was hoarse, so Michele's husband Panaiotis, who is a composer, btw, filled in. Also first heard here were the delightful Doug Whaley as Mountararat, and our own Queen stateside, Carole Round! The director of OGASP, John Segers, took the coveted role of the Lord Chancellor, and performed it to the manor born. Jim Cooper wielded the stick with Andi again doing piano honors. The men's chorus was again a highlight. Next up was Ruddigore, which, imo, was the strongest overall cast. You will understand this when I tell you that we had the marvelous Sam Silvers in the tiny role of Old Adam. Eric Peterson was a wonderful Robin, David Jedlinsky's Dick Dauntless made us all want to get up and do a hornpipe, David Stork from Daytona Beach was suitably smarmy as Despard, and Marc Lewis, freed from his possible extra duty as Adam by Sam, made QUITE an entrance as Roderic! He came in from the quarterdeck door (remember, we were on the set of OOC's Pinafore), and had changed his clothing all to black! He also restored the extra entrance music, which the men's chorus nobly sightread, and, as Andi already mentioned, really gave it to us! The ladies were slightly less dramatic ;-) , with the perfectly lovely Rose of Jackie Richards, Wendy leading the ladies chorus as Zorah, Janet Rabe-Meyer, also from Daytona Beach, singing a wonderful Dame Hannah (if somewhat belately!), and yours truly finally getting to perform Mad Margaret, complete with playing my own flute cadenza (after straying a bit into Donizetti!). I would not like to forget the absolutely note-perfect performance of Dorothy Craven as Ruth Rowbottom--she dazzled all with her big blue eyes! Ori Siegel on the podium threatened to take the patter trio as fast as possible, but mercifully desisted, with the unflagging Andi's cooperation at the piano. He opted to do both finales with the cut. Next up was Trial by Jury, led by Panaiotis, who volunteered 5 days before the event to take some of the conducting duties so I wouldn't have to! Doug Whaley realized his fondest dream of playing the Judge when I found out the day before that our local Judge would not be joining us (shame!). He strongly led an excellent cast, which consisted of the spritely Michele as Angelina, complete with cadenzas, David J. in another tenor role, as Edwin, just as good as ever, Jim Cooper doing yeomen service as Counsel, Jim Drew, our singout inspiration, as the sonorous Usher, and local Savoynetter Paul Enchelmeyer, whose pictures you are hopefully enjoying, as Foreman. We all got to hear what a great pianist the versatile Eric Peterson was, as well. I thought the choruses were particularly well-sung for this show. To finish the day, we sang HMS Pinafore. What a delight this was, to perform this on an actual Pinafore set! It was almost as if this was the Pinafore we were all there to see, especially since so many of the principals knew their roles off-book and really staged the entire thing. We heard for the first time at the singout the marvelous David Craven as Cpt. Corcoran, who really shone in his 'fair moon'. We also had luxury casting of roles that are so often done by non-singers--David Stork as Bos'n (who we really regretted not hearing more of), Eric Peterson as Carpenter (what a great trio the boys did!), and the wonderfully sinister Deadeye of Sam Silvers, who kept me in stitches all weekend! Jim Bishop, who sang Rafe for us on one-week's notice, had sung the role in college and did a great job this time around. He is the band/orchestra director at Brevard Community College, and will perhaps arrange for an orchestra for us in the coming years--we have already discussed it! Also, after waiting all day, we saw the delightful debut of Bob Richards as Sir Joseph. As many times as I have sing the choruses to 'when I was a lad', it was an all-new experience with Bob! Who could ask for more? Well, then there were the ladies. Janet again sang a terrific Buttercup, a role she had performed at Natchez Opera last year, Theresa Segers reprised her role of Hebe, the role she was playing when she met her future husband John back in 1994. And finally we came to the lovely Josephine of Barbara Norris, erstwhile directress of First Coast Opera in St. Augustine. It was truly inspirational to hear a woman who had suffered a stroke less than 2 months ago sing one of the most difficult soprano roles in the canon with such professionalism and beauty. We had stayed on schedule so well that we finished at 5pm, instead of 6, and so everyone missed the visit of Robert Swedberg, the general director of Orlando Opera, who came to pay his respects. He was very disappointed to have missed the proceedings, and asked me to tell you all how pleased he was to be our host. He extended an invitation to us to come back next year, which we may take him up on! Most of us repaired to Chapters, right down the street from the venue, for a nice dinner in a quaint atmosphere, and then back to the hotel for the much-anticipated one-man Gilbert show of Jim Drew. We opted to use the hotel restaurant again instead of the lounge, (which was yokel-free but not smoke-free) and Jim got started just before 10pm. I will leave it to Jim to give you the run-down on his performance, but I was so impressed by his characterizations; not just of Gilbert, but of others appearing in the Bab Ballads, for instance. Jim's voice had not been holding up well, so he asked for volunteers to sing a few of the songs, and so Gerrit sang 'when all night long', and Jonathan amazed everyone with his intensely dramatic rendition of the Nightmare song! No one seemed at all anxious to do any more singing that evening (I wonder why), so we all retired to be as fresh as possible for Sunday morning. We began our Mikado pretty close to the scheduled starting time, and again had a bang-up cast, along with a surprising number of locals who missed church to come sing with us. Local tenor Bill Cashman got the ball rolling with 'a wandring minstrel', Doug favored us with his well-done Pish Tush, Marc Lewis again cracked us up with a wonderfully haughty Pooh Bah, and out came the drollest thing you ever saw---Bob Richards as Ko-Ko, with his little knapsack and very long scroll! I felt like I had finally seen the quintessential Ko-Ko. Sam Silvers was to have sung Mikado, but very graciously gave the part to Jonathan, since he had missed doing his Samuel. As it happened, Jonathan got to do another role as well in Sorcerer, but more of that later. Our 3 little maids, complete with fans, Patty Osborne, Jackie, and Janet, were as cute as could be, and had delicious fun teasing Marc's Pooh Bah. Jackie was filling in for a local who had cancelled 2 days before, and Patty, a member of the Orlando Opera chorus, brought her beautiful voice to Yum Yum. Our thrilling Katisha was played by Carole, who really enjoyed singing that high so early on a Sunday morning! ;-) Ori again lead us strongly, and we had a guest pianist from Melbourne, who has done some G&S over on the Space Coast. Our final show was Sorcerer, and we were all awaiting the Sir Marmaduke of Jim Drew, but he found his voice not cooperating, and so Jonathan picked up another role! Long-suffering Alvin Entin, who had brought his wife, daughter, and teenaged twin sons along, finally got to sing the Notary, and a good job he made of it! The boys had fun all weekend taking video of the proceedings. Alvin brought something else with him too, as you'll see in the next paragraph but one. Sam's star turn as Wells was very...well, very well indeed! No, really, he was superb, and I particularly enjoyed his finale scene, where he invites us all to be happy---touching, in the manner of Jack Point. Speaking of pointing, David Craven made sure to point to our Alexis of Jim Cooper when it came time to decide who must die! :-) Poor Jim---he didn't deserve it. I had twisted his arm to sing Alexis for us, as he swore he was really a second tenor, but he jumped right in there and did it! And who can forget the excellent Dr. Daly of David, even without flageolet! We were finally to hear my friend Linda as 'Aline', but she had been 'ailing' (ouch! Is that just too dreadful?), and I was deputised to fill in, which I have to say I enjoyed, as the 'oh love, true love' duet is my second favorite in all the canon. Of course Jackie was luxury casting as Constance, and her scene with Alvin was highly enjoyed by all. Janet pleased us with her Dame Hannah (after a little cover by Carole), and Carole agreed to take over Mrs. P from me, as I never had been able to fill that role. Panaiotis again conducted, this time a score he didn't know at all but learned in 4 days, and we finished the weekend with Andi at the piano, which is as it should be. We had to hustle out of there pretty quickly, as the cast of OOC's Pinafore was coming in, so we went our separate ways--some to the airport, some to the hotel, some to enjoy the beautiful lakeside view at the Dr. Phillips Center, and the rest to stay and eat pizza and wait for Pinafore, which we greatly enjoyed. I never got the chance to really read to everyone the interesting item Alvin Entin obtained for us from Tallahassee, our state capitol. Seems he knows someone in the Governor's office, and we got a welcome from Jeb Bush. It is quite short, so I will quote the entire thing: "Dear Friends: Welcome to the GIlbert & Sullivan Sing Out. Music is a significant part of the culture of every nation, and this event provides an excellent expression of unforgettable favorites of Gilbert & Sullivan. Floridians are fortunate to have the opportunity to experience this beautiful music, and I hope that participants and spectators alike will enjoy this weekend together. Thank you for providing this outstanding opportunity to celebrate the arts. Special thinks to Elise Curran and Jim Drew, two wonderful Floridians, who have coordinated this entire event. Best wishes for a very enjoyable and memorable weekend. Sincerely, Jeb Bush" After the Pinafore was over, some of us met for dinner and watching the Jedlinsky's videos of Sunday's performances. Then I was finally able to go home and collapse! When I wasn't running around, I spent the entire weekend either singing or laughing!! What great fun we had! Please visit the website Jim Cooper set up for us to view pictures. The link is: G&SingOrlando2002 We are already talking about plans for next year, as we had several suggestions about whether to take a year off or not, or to perhaps have a G&S cruise, or maybe just do a one-day singout in December or January. This is all up in the air until I know what Larry Garvin has planned, but since Bob Swedberg not once but twice invited us back, something will happen here again! Thank you all for being so wonderful, and I think I might go to the Halifax Singout, which should be just as much fun, but much LESS work! Elise ps I have t-shirts left over if anyone is interested. I will post again later about them.  1,, Summary-line: 20-May joel@imperial.cc.ca.us [48] #Shameless Advertisement: "HMS" Overture for String Quartet X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA18352; Mon, 20 May 2002 10:53:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA21009 for ; Mon, 20 May 2002 10:52:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA15525; Mon, 20 May 2002 10:52:38 -0400 (EDT) Date: Mon, 20 May 2002 10:52:38 -0400 (EDT) Message-Id: <3CE90B02.2080001@imperial.cc.ca.us> Errors-To: savoynet-owner@bridgewater.edu Reply-To: joel@imperial.cc.ca.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Joel Jacklich To: Multiple recipients of list SAVOYNET Subject: Shameless Advertisement: "HMS" Overture for String Quartet MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 20 May 2002 10:52:38 -0400 (EDT) Reply-To: joel@imperial.cc.ca.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Joel Jacklich To: Multiple recipients of list SAVOYNET Subject: Shameless Advertisement: "HMS" Overture for String Quartet Content-Type: text/plain; charset=us-ascii; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have recently added a string quartet arrangement of the Overture to "H.M.S. Pinafore" to my website at: http://members.sibeliusmusic.com/jjacklich/ One needs to load the Scorch plugin to be able to view, and HEAR(!) the arrangement. The Scorch plugin is available at: http://www.sibelius.com/cgi-bin/download/get.pl?com=sh&prod=scorch The work was premiered this past Saturday and Sunday as the curtain raiser for the Imperial Valley Master Chorale's 10th-Year Anniversary concert. "H.M.S. Pinafore" had been their first fully-staged production in their new home at the Southwest Performing Arts Theater (El Centro, California) when it opened back in 1996. The premiere was without cello, however, as two of our three professional cellists were on a cruise in Alaska, and the third was leading her high school orchestra in a festival concert in Vancouver, British Columbia, Canada. The one lone college student cellist in the community was attending an out-of-state wedding, and there was no money available to hire a pro from San Diego (120 miles to the west). I covered the cello part on an Oktave-Geige, a tenor violin which has the shape of a baby cello, but is still tucked under the chin like a violin (big stretch of the neck!). It is pitched an octave below the violin, halfway between the viola and the cello. It sounds very much like a cello. I had to take all the notes below G2 up an octave, but the results were fairly good. The overture had an enthusiastic response from the audience. If you have a chance, stop by the website and give a listen to a midi performance of the piece. -- Joel Jacklich, M.F.A. Professor of Music/Music Dept. Head: Imperial Valley College Music Director/Conductor: Imperial Valley Symphony Violin/Viola/Arranger: Imperial Valley String Quartet  1,, Summary-line: 22-May dave.kirby@hp.com [23] #Mikado makeup revisited X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA28336; Wed, 22 May 2002 15:35:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA16291 for ; Wed, 22 May 2002 15:35:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA27401; Wed, 22 May 2002 15:35:15 -0400 (EDT) Date: Wed, 22 May 2002 15:35:15 -0400 (EDT) Message-Id: <8C18139EDEBC274AAD8F2671105F0E8E60AC9E@cacexc02.americas.cpqcorp.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dave.kirby@hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Kirby, Dave (CUP)" To: Multiple recipients of list SAVOYNET Subject: Mikado makeup revisited Content-Class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 22 May 2002 15:35:15 -0400 (EDT) Reply-To: dave.kirby@hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Kirby, Dave (CUP)" To: Multiple recipients of list SAVOYNET Subject: Mikado makeup revisited Content-Class: urn:content-classes:message Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A short while ago, I mentioned the stylized eye makeup I used for the Stanford Savoyards' production of "The Mikado" and noted that I had a GIF to illustrate it but couldn't include it in the message. Philip Lewis volunteered to put it on his web site, so if you're interested in seeing what my design looks like, see http://trfn.clpgh.org/savoyard/images/mikadoeye.gif. Thanks, Philip. David Kirby Compaq Computers, part of the new HP Some people have a way with words, while others...er...um...ah...thingy.  1,, Summary-line: 24-May cjsmith@MIT.EDU [81] #aspartame X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA22596; Fri, 24 May 2002 11:27:18 -0400 (EDT) Received: from relay.it.northwestern.edu (relay.it.northwestern.edu [129.105.16.56]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA16218 for ; Fri, 24 May 2002 11:23:40 -0400 (EDT) Received: (from mailnull@localhost) by relay.it.northwestern.edu (8.9.3/8.9.3) id KAA16917 for ; Fri, 24 May 2002 10:23:39 -0500 (CDT) Received: from mit.edu (berry2.cmb.northwestern.edu [165.124.242.69]) by relay.it.northwestern.edu via smap (V2.0) id xma015731; Fri, 24 May 02 10:23:20 -0500 Message-ID: <3CEE5AEA.E6ED439F@mit.edu> Date: Fri, 24 May 2002 10:23:22 -0500 From: Carolyn Jean Smith X-Mailer: Mozilla 4.61 (Macintosh; I; PPC) X-Accept-Language: en MIME-Version: 1.0 To: dinner@mit.edu Subject: aspartame Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Fri, 24 May 2002 10:23:22 -0500 From: Carolyn Jean Smith X-Accept-Language: en To: dinner@mit.edu Subject: aspartame Content-Type: text/plain; charset=us-ascii Someone asked me at the post-wedding gathering about the actual effects of sugar substitutes on the body. Here's just one abstract, in rats. Certainly not conclusive, but bears further study: 1: Life Sci 1998;63(5):337-49 Formaldehyde derived from dietary aspartame binds to tissue components in vivo. Trocho C, Pardo R, Rafecas I, Virgili J, Remesar X, Fernandez-Lopez JA, Alemany M. Departament de Bioquimica i Biologia Molecular, Facultat de Biologia, Universitat de Barcelona, Spain. Adult male rats were given an oral dose of 10 mg/kg aspartame 14C-labelled in the methanol carbon. At timed intervals of up to 6 hours, the radioactivity in plasma and several organs was investigated. Most of the radioactivity found (>98% in plasma, >75% in liver) was bound to protein. Label present in liver, plasma and kidney was in the range of 1-2% of total radioactivity administered per g or mL, changing little with time. Other organs (brown and white adipose tissues, muscle, brain, cornea and retina) contained levels of label in the range of 1/12 to 1/10th of that of liver. In all, the rat retained, 6 hours after administration about 5% of the label, half of it in the liver. The specific radioactivity of tissue protein, RNA and DNA was quite uniform. The protein label was concentrated in amino acids, different from methionine, and largely coincident with the result of protein exposure to labelled formaldehyde. DNA radioactivity was essentially in a single different adduct base, different from the normal bases present in DNA. The nature of the tissue label accumulated was, thus, a direct consequence of formaldehyde binding to tissue structures. The administration of labelled aspartame to a group of cirrhotic rats resulted in comparable label retention by tissue components, which suggests that liver function (or its defect) has little effect on formaldehyde formation from aspartame and binding to biological components. The chronic treatment of a series of rats with 200 mg/kg of non-labelled aspartame during 10 days resulted in the accumulation of even more label when given the radioactive bolus, suggesting that the amount of formaldehyde adducts coming from aspartame in tissue proteins and nucleic acids may be cumulative. It is concluded that aspartame consumption may constitute a hazard because of its contribution to the formation of formaldehyde adducts. On the other hand, a study published in Toxicology found no problems: Toxicology 1981;21(2):91-4 Toxicity of aspartame and its diketopiperazine for Wistar rats by dietary administration for 104 weeks. Ishii H, Koshimizu T, Usami S, Fujimoto T. Aspartame (APM) or L-aspartyl-L-phenylalanine, and a 3 : 1 combination of APM with its decomposition product, 5-benzyl-3,6-dioxo-2-piperazine acetic acid (DKP), were incorporated at levels of up to 4 g/kg in the diet of male and female Wistar rats from 6 weeks to 104 weeks of age. There was a dose-dependent depression of body weight gain at 2 and 4 g/kg AMP and at 4 g/kg APM + DKP in males, and at all dose levels in females, correlated with decreased food consumption and attributed to liberation of amino acids from hydrolysis of APM. Increases in urinary specific gravity and pH, with increase of relative kidney weight, were attributed to the urinary excretion DKP and acidic metabolites of APM. A dose-related increase in urinary calcium probably reflected increased calcium absorption, as from high protein diets. A slight decrease in serum cholesterol and an increase in relative spleen weight appeared to be without adverse effect. It is concluded that the treatments were without toxic effect. I havent by any means done an exhaustive search on this.... --cyn  1,, Summary-line: 24-May mail@timandlucy.co.uk [40] #Fallen Fairies - The Video - Episode II - Attack of the Merkins X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA16135; Fri, 24 May 2002 15:13:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA08240 for ; Fri, 24 May 2002 15:07:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id PAA05017; Fri, 24 May 2002 15:07:30 -0400 (EDT) Date: Fri, 24 May 2002 15:07:30 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim and Lucy Cooke" To: Multiple recipients of list SAVOYNET Subject: Fallen Fairies - The Video - Episode II - Attack of the Merkins MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 24 May 2002 15:07:30 -0400 (EDT) Reply-To: mail@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim and Lucy Cooke" To: Multiple recipients of list SAVOYNET Subject: Fallen Fairies - The Video - Episode II - Attack of the Merkins Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum As a followup to my previous post, I am pleased to announce that I have been able to get the Newcastle University G&S production converted to NTSC. Unfortunately, the cost of getting it done is about twice that of the PAL version. I have to check on shipping costs to various places in the US, but _estimate_ the cost will be $15-20 including shipping. Included with the video will be a copy of the Program, as we were unable to get titles put on the video itself. It would be my guess that there may be a US customs charge too, so if anyone knows how to get round this, please let me know. If you have already asked for a PAL copy and live in the US, please let me know so I can change the order. For information, the CD of the show will be pulled in from Minidisc rather than the video soundtrack (which should make it better quality). Cost of CDs, which will include full lib too, will be $10, including shipping. Again customs charges may apply. I have setup a PayPal account and will post the necessary details when I have finalised the costs. PLEASE DO NOT ATTEMPT TO SEND PAYMENT YET, I will post again soon (hopefully before the end of next week). As before, if you would prefer to collect from Buxton, I will arrange this. Tim Cooke Northumberland, UK  1,, Summary-line: 25-May lpinsker@erols.com [32] #RE: favorite small musical moments X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA11171; Sat, 25 May 2002 10:55:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA19140 for ; Sat, 25 May 2002 10:54:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA16443; Sat, 25 May 2002 10:54:22 -0400 (EDT) Date: Sat, 25 May 2002 10:54:22 -0400 (EDT) Message-Id: <3CEFA48B.8677031D@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: favorite small musical moments MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) *** EOOH *** Date: Sat, 25 May 2002 10:54:22 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: RE: favorite small musical moments Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Jump in--what are your favourite small moments? > During the Act One finale of PINAFORE, when the two choruses have just finished the last line of the reprise of "A British Tar", you have the leads singing "his eyes should flash, his breast protrude" while the choruses sing "his attitude, his attitude" under that...and then there's a descending sequence that starts with Josephine hitting a high b-flat... This is also in the very end of the overture. And I always get chills when I hear it. And, God, Bruce Montgomery and Florrie Marks, and a few other things willing, I'll have the chance to actually be onstage for this in about six months... Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 25-May BMILLER@holycross.edu [50] #Re: D'Oyly Carte at the Savoy - further toughts X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA18259; Sat, 25 May 2002 16:17:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28438 for ; Sat, 25 May 2002 16:16:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA20235; Sat, 25 May 2002 16:13:53 -0400 (EDT) Date: Sat, 25 May 2002 16:13:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte at the Savoy - further toughts Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Sat, 25 May 2002 16:13:53 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte at the Savoy - further toughts Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Peter Parker wrote: >The statement...that the standards of local operatic societies could never reach that of the DOC is only true of the 'old' DOC. There are many amateur companies who put on performances which have standards equal to or better than the present DOC overall. They may not have the trained singers/voices but they show an understanding of G & S which far outweighs the Musical Comedy Pork Pie versions we are seeing from NDOC.> If we assume that the words and the music have equal importance in G & S, then the admission that "They may not have the trained singers/voices" speaks for itself. Showing "an understanding of G & S" is certainly of importance to a successful production, but standards of performance are also of concern on this level. Precious few amateur productions can boast the depth of musicianship or vocal quality demonstrated by the NDOC cast, and the NDOC orchestra can be equaled by even fewer companies. (They are a damn sight better than what the old DOC often fielded.) Frankly, if a company and its director "understand" G & S but sing and/or play weakly, or out of tune, it's simply not a great production. Bravo to those non-professional companies that occasionally meet this high standard, but it is *not* the norm. This affords an opportunity to clarify my original review. As a few careful readers have observed, my review was, on the whole, positive. I did note that the production had much going for it; that not *all* of the serious moments were marred by a director inserting inappropriate business; and that, in fact, I found that some of the new business (such as the dramatic treatment of Kate) worked acceptably, or well. Giving us a new take on Kate worked, at least for me, because the comic element didn't wreck the effect of the scene itself. Let's face it, Kate is there only because Sullivan needed a soprano for the "Strange adventure" quartet. Gilbert gave her a dramatic function, although exactly what kind of person she is is usually left to our imagination. The director and the actress did some filling in of blanks. Did this harm the scene? Not at all; it's a colloquial moment, Kate's personality didn't get in the way of us knowing anything we needed to know and, in fact, it went some way to explaining how she managed to get the information on her tablets in the first place. What bothered me about the show was not that the director was trying to be innovative, just that enough of the innovations were sufficiently puerile (this word is deliberately chosen) to mar the overall effect. Bad taste and misguided direction should not be excused by suggesting that this is what one has to do to bring new audiences into the theatre. What will brings an audience is compelling artistry on the part of every member of the company, from the top down. The word of mouth, let alone the reviews, would do the rest. Musically, the NDOC has this quality already. Whatever one might say about the Joseph Papp production of Pirates, it was conceived and directed by people who had an obvious love and respect for the material, yet managed to be innovative. The mindless copying of this production is *not* innovative. In the years since the original production it has be come as tiring to watch, rehashed by others, as those productions that Mr. Craven likes to say are "preserved in amber." Is there not a general belief among us, at least, that the dramatic values in Yeomen are sufficiently compelling to form the basis of a modern production? In England, of all countries on earth, one suspects there is a reserve of patriotism that could be relied upon in the Tower Warders scene and during the Tower Legend. Why not stage them in such a way as to feed that spirit, as both Gilbert & Sullivan surely did? Both of these scenes need not be static, but to turn them into farce can only lead to a dramatic disconnect unless the words and music are altered. It is much more difficult to successfully innovate *and* respect the text, than to deliver a series of slaps in the face to the authors and those who happen to know the work in question. It is an insult to the intelligence of both, as well as to the audience. It is certainly an insult to the younger generation of theatregoers to assume they will attend opera only if they are given vulgarity and instant gratification, rather than a production that encourages them to think and share a human experience on an adult level, rather than that of a 10 year old's. Do we need to take into account the fact the latest generation responds more readily to visual stimuli than previous generations? Yes, of course we do; and we should take advantage of modern technical improvements in stagecraft that serve this taste. But in G & S the stars are the words and the music. I don't think we should give up on the current generation. I've just had an experience in teaching the Brahms Requiem (in German) to a group of college students for whom this work is as culturally foreign, probably more so, than G & S. It was very hard slogging during the first month. Melodically, today's 18 - 22 year-olds (in the USA, at least) have little concept of what to do with a Brahmsian long, long melodic line. The harmonic movement is utterly foreign to people whose knowledge of chord progressions is founded on today's popular music. But by the time they had the material under control, they were loving the piece, because here was a work that made a profound philosophical and spiritual statement to which they related, even if they weren't "religious." If today's students can react that way to Brahms, they can fully embrace G & S as the authors wrote the operas. It is easy to pander; it is much more difficult to innovate with integrity. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 25-May BMILLER@holycross.edu [30] #Re: Favourite small musical moments X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA13673; Sat, 25 May 2002 17:32:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA17972 for ; Sat, 25 May 2002 17:32:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id RAA21239; Sat, 25 May 2002 17:29:29 -0400 (EDT) Date: Sat, 25 May 2002 17:29:29 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Favourite small musical moments Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Sat, 25 May 2002 17:29:29 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Favourite small musical moments Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Thanks, Andi, for starting this thread. It is so hard to single out one favorite moment; there are so many brilliant things that Sullivan has given us. About my all-time favorite might be the moment in Tessa's Gondoliers solo, "When a merry maiden marries," when out of nowhere Sullivan perfectly matches the lines Every sigh that finds a vent Be a sigh of sweet content! Technically it is a deft modulation to a very distant key on the word "vent," and his return to the original key as just as telling. But this is not mere technical virtuosity; Sullivan tells us what has happened to the sigh before Tessa explains, in song, what has happened to it. The music works almost as well for the second verse words, but the tone-painting on "vent" is extraordinary, especially considering how Sullivan orchestrated it. Only a master could have done that. Those who criticized Sullivan for plagarizing "Love's Old Sweet Song" seem to have missed this moment entirely. It brings Sullivan's song into a higher class entirely. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 25-May jamie_moffat@hotmail.com [53] #RE: Waning G&S X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA05247; Sat, 25 May 2002 18:21:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA11599 for ; Sat, 25 May 2002 18:21:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA22199; Sat, 25 May 2002 18:19:03 -0400 (EDT) Date: Sat, 25 May 2002 18:19:03 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jamie_moffat@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jamie moffat" To: Multiple recipients of list SAVOYNET Subject: RE: Waning G&S Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 25 May 2002 18:19:03 -0400 (EDT) Reply-To: jamie_moffat@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jamie moffat" To: Multiple recipients of list SAVOYNET Subject: RE: Waning G&S Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Andi's comments here are well taken. G&S has indeed moved into a new phase. Like all great music Sullivan's music has ongoing, even increasing appeal, and Gilbert's satire is no less blunted for its antiquity. But the fact is, the operas are now into their 120s, and it would be foolish to pretend that this does not carry certain responsibilities. It is not so much a question of "waning" I think as settling into a certain niche - as Andi suggests, has happened with Shakespeare, Verdi, Wagner - anything at all vaguely 'classic'. Far from being discouraged by this, I find it all rather invigorating. The nay sayers who fifty years ago suggested that G&S was popular theatre with little or no redeeming artistic value have been pretty well proved wrong. The operas are moving into the mainstream operatic repertoire, leaving them open to greater interpretation, and a distinct testing of the boundaries. Not in a dumbed down, camped up, 'subtelty of a tank' style of the Essgee productions, perhaps, but something a little more considered and researched. Ian Judge may not have been universally praised for his Mikado, but as with his production of Gounod's Faust, he challeneged certain stereotypes of a work steeped in a tradition that threatens to be constrictive. The cries of "disrespect" will always be there, as they should be. There were those who claimed that the young Olivier brutalised Shakespeare, because he did not read the verse like Henry Irving. Its things like this that keep the art alive. So where does D'Oyly Carte fit in with all of this. THir Yeomen has been slammed as vulgar, and I can already hear shrill cries well before Jasper Carrot takes to the stage in their Mikado revival in June. For myself I am happy to say they have taken a step towards the mainstream, rotating casts, finding new directors, taking a fresh look. And if they fall on their faces, then so what? The point is G&S isn't waning, it is evolving, and that is what all great art should do. End of rant. Nice to be back. Jamie Melbourne _________________________________________________________________ Join the world’s largest e-mail service with MSN Hotmail. http://www.hotmail.com  1,, Summary-line: 26-May YesTisMabel@aol.com [56] #Re: favorite small musical moments X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA20368; Sun, 26 May 2002 03:33:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id DAA27944 for ; Sun, 26 May 2002 03:33:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id DAA29896; Sun, 26 May 2002 03:33:06 -0400 (EDT) Date: Sun, 26 May 2002 03:33:06 -0400 (EDT) Message-Id: <1bf.2f00a7b.2a21e821@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: favorite small musical moments MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Sun, 26 May 2002 03:33:06 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: favorite small musical moments Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi guys! Well, Andi, since you suggested this topic, it is only fitting that you should have made one of these moments possible to me to participate in, along with David Jedlinsky. I am referring of course to my favorite duet, 'the light of love's lingering ember', but to stay in topic, the actual moment that slays me is is where they are singing together, and Ernest starts his "I'll hau--------nt you..." thing with the eighth notes while Julia is singing the melody---just about 8 measures of pure heaven for me! And here are only SOME others---can't possibly name them all: In Yeomen, the absolutely authentic sound of the oboe and clarinet modal riffs at the beginning of "I've jibe and joke"---HOW it evokes the period for me. The first time I heard it, I had to play it over and over, at least 20 times! Still do, but it's easier now on my cd player! The particular moment is when Point is singing "at peer or prince, at prince or peer, I ply my shaft, and know no fear", and the woodwinds there, with that particular 'weird' harmony---what color! In Pirates, the thing that makes me want to be a mezzo and sing Ruth, so I can do the trio, 'away, away', and sing with that FANTASTIC rolling bass line underneath the opening 18 measures. The exquisite minuet from the Act 1 finale of Ruddigore--I don't need all of it, as that would not fit the 'moment' requirement in this thread, but perhaps it's the transition from the madrigal to the minuet that is so perfect...the voices fade, and then the delicate strings take over. My second favorite duet, "oh love, true love" from the Sorcerer, which I was so fortunate as to get to sing 2 weeks ago....it's all wonderful, but the moments for me are the "oh, heeeeeeeeeeear" of Aline's that soars above Alexis' moving line, and then again lower, as he continues his moving line. How like Mozart that is! Of course, that's our Sullivan, with Gilbert's inspiration. Just one more---my favorite--gives me actual chills, goosebumps, and anything else you can name---from Ruddigore, in The Ghost's High Noon---can you guess? The spine-tingling, sinuous clarinet and bassoon line on the second verse "the sob of the breeze sweeps over the trees"....oooooooohhhhhhhhh! Believe it or not, the rest of the song is almost--I say 'almost'--a letdown! Elise Curran Orlando  1,, Summary-line: 26-May dblovell@arcadee.freeserv [77] #Die Piraten von Penzance X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA07147; Sun, 26 May 2002 19:36:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03091 for ; Sun, 26 May 2002 19:35:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id TAA07264; Sun, 26 May 2002 19:35:28 -0400 (EDT) Date: Sun, 26 May 2002 19:35:28 -0400 (EDT) Message-Id: <00e701c2050c$4d41cea0$b0da87d9@freeserve.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dblovell@arcadee.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Lovell" To: Multiple recipients of list SAVOYNET Subject: Die Piraten von Penzance MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sun, 26 May 2002 19:35:28 -0400 (EDT) Reply-To: dblovell@arcadee.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Lovell" To: Multiple recipients of list SAVOYNET Subject: Die Piraten von Penzance Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Gruss Gott. Having returned from Vienna, my Pflicht compels me to write. No, not a review, not yet at least. I would not wish to spoil it for those who have yet to witness PIRATEN for themselves save to say that those who contributed recently to the 'surprise ending' thread ain't seen nothing yet! To answer but a few of the questions that have been posed so far: No, Dame Gwyneth Jones has never done any G&S before. Jonathan and I were fortunate to spend about an hour in her company at a small radio lecture in the EMI store in Vienna town centre the afternoon before the performance. Having apologised for my German (hers was impeccable - even when berating an inconsiderate mobile phone user) I asked if she had performed in G&S. I did suggest that an engagement at the Savoy might be her next project - she's just waiting to be asked! She also intimated that it is unlikely that this production will be recorded given its unconventional content. However, on the night we saw it, someone was videoing it from a single fixed camera at the back of the stalls, so hope springs eternal. The production blended English and German dialogue and lyrics seamlessly although our general impression was that when people were being honourable they spoke German and when they weren't, they spoke English - I'm not quite sure what idea this is trying to convey, but... The production was in modern dress (in almost every sense of the word) and the minimalist set was sparkling, even though it seemed the budget had been swallowed by the pirateship ( and probably Dame Gwyneth's fee). Musically is where the true difference lay between English professional productions and the Viennese. There was no splitting of the male chorus in act 2; we had the full force of two full male choruses - I have never heard 'Cat-Like Tread' (or should I say 'Im Katzenschritt') end with such a gloriously loud sound. The seventeen daughters of Generalmajor Stanley (yes, daughters, not wards, but all goddaughters of the Queen) couldn't help but give a spine-tingling rendition of 'Climbing Over Rocky Mountain' ('Flink von Fels zu Felsrand schwingen'). And ofr what it's worth a well sung 'Hail Poetry' brings a tear to the eye in any language. As anyone can hear from the soundclips the orchestra and singers were top class but there are others who have seen or are going to see it who are better qualified to comment on musicianship, although to those who were disappointed not to hear Mabel's ad lib cadenza at the end of 'Poor Wandering One' ('Blick nicht zuruck') all I will say is that Jonathan and I were almost compelled to stand up as she squealed 'God Save the Queen.' Enough for now, but I'll leave the group with these few well chosen words: for 'topsy-turvy' read 'theatre of the absurd', for 'W.S. Gilbert' think 'Quentin Tarantino', for 'gentle satire' read 'sledgehammer' (or better 'Kalashnikov') ... make of it what you will. I look forward to hearing what others have to say. David Lovell Leicester, UK "Ein Paradox! Ein Paradox! Ein hochst kurioses Paradox!"  1,, Summary-line: 27-May BMILLER@holycross.edu [23] #Re: Stage Directors/Would-be Directors X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA25595; Mon, 27 May 2002 17:00:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA29274 for ; Mon, 27 May 2002 16:57:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id QAA19437; Mon, 27 May 2002 16:57:27 -0400 (EDT) Date: Mon, 27 May 2002 16:57:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Stage Directors/Would-be Directors Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Mon, 27 May 2002 16:57:27 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Re: Stage Directors/Would-be Directors Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Princess Ida, because I would like to try out an idea for the Act III finale: a visually stunning moving stage picture that would match Sullivan's music during the chorus of the final verse. The (sizeable) chorus would be doing a stately, slow dance in a large circle surrounding the now-happy couple (on a raked stage). The lighting would become gradually more brilliant, shimmering at the end. Everything comes to a stop before the final "Above the sway of love." I'm convinced that such a staging would make a for a more-than-fully satisfying conclusion to the opera, without resorting to re-writing the music for the finale as some productions do. The musical close is sufficiently satisfying as it is, if played and sung well. This pageantry would amplify the effect. For Iolanthe, I'd go all out with magical effects that really cost big bucks. Bruce I. Miller bmiller@holycross.edu Worcester, Massachusetts U.S.A.  1,, Summary-line: 27-May cliftoncoles@hotmail.com [39] #RE: Clifton Coles' production of GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA06989; Mon, 27 May 2002 21:02:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA28322 for ; Mon, 27 May 2002 21:01:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA24198; Mon, 27 May 2002 21:01:32 -0400 (EDT) Date: Mon, 27 May 2002 21:01:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: RE: Clifton Coles' production of GRAND DUKE Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 27 May 2002 21:01:32 -0400 (EDT) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: RE: Clifton Coles' production of GRAND DUKE Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > > > For example, the Baroness is a > > real miser in the first act, but her real desire is to indulge in drink > > and > > fun, in direct contradiction to her role as a frugal baroness > > >Now for the "but". The lyrics of her song *don't* contradict her role >as a frugal baroness-- >Oh, she's all for having a good time--so long as *she* isn't footing the >bill. No contradiction. All right, all right. But in the first act there's nothing to indicate that she's at all for having a good time, at hers or anyone else's expense, unless it's on a cold December and she's dancing to keep herself warm. She's prepared to sublimate her passion for drink and fun in order to fulfill her future role as wife to the local grand miser. But it's not too clean and I'm not going to press the point. There are other characters I'm more interested in. Cliff . . . "An open-handed dear. . ." _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com  1,, Summary-line: 27-May yourmom@rice.edu [30] #Iolanthe Videos? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA12616; Mon, 27 May 2002 21:31:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA00623 for ; Mon, 27 May 2002 21:31:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA24792; Mon, 27 May 2002 21:30:55 -0400 (EDT) Date: Mon, 27 May 2002 21:30:55 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Iolanthe Videos? MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Mon, 27 May 2002 21:30:55 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Iolanthe Videos? Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Rice Light Opera Society is preparing for a March 2003 production of Iolanthe, which I will probably direct. As I've never been in or even seen a staged production of the show, I'm looking for videos or amateur productions to help get me started. If anyone has a video from a local performance for which copyright is not an issue, I'd appreciate very much if he would send me a copy. I'm happy to pay for a blank tape and shipping. Private responses, of course. Thanks very much. -- Jonathan Ichikawa Rice University '03 Houston, TX yourmom@rice.edu "I sing choruses in public. That's mad enough, I think."  1,, Summary-line: 27-May jtk@kolvir.arlington.ma.u [47] #Pan-Massachusetts Challenge: will you sponsor Susan and me? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA01041; Mon, 27 May 2002 21:53:54 -0400 (EDT) Received: from kolvir.arlington.ma.us (kolvir.ne.client2.attbi.com [66.31.107.23]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA04988 for ; Mon, 27 May 2002 21:53:22 -0400 (EDT) Received: (from jtk@localhost) by kolvir.arlington.ma.us (8.11.3nb1/JTK20020425) id g4S1rMu10640; Mon, 27 May 2002 21:53:22 -0400 (EDT) Date: Mon, 27 May 2002 21:53:22 -0400 (EDT) Message-Id: <200205280153.g4S1rMu10640@kolvir.arlington.ma.us> From: John Kohl To: dinner@mit.edu Subject: Pan-Massachusetts Challenge: will you sponsor Susan and me? X-US-Snail: 34 James Street, Arlington, MA 02474 X-Message-Flag: All your base are belong to us *** EOOH *** Date: Mon, 27 May 2002 21:53:22 -0400 (EDT) From: John Kohl To: dinner@mit.edu Subject: Pan-Massachusetts Challenge: will you sponsor Susan and me? X-US-Snail: 34 James Street, Arlington, MA 02474 X-Message-Flag: All your base are belong to us Dear dinner@mit.edu gang, It's time for us to start putting the miles on our tandem bicycle in preparation for this year's Pan-Mass Challenge. And that means it's time to ask for your help to raise money for the Jimmy Fund (http://www.jimmyfund.org/) of the Dana-Farber Cancer Institute. The Jimmy Fund helps Dana-Farber with ground-breaking cancer treatment research. Last year's ride was pretty tough because of the wet weather and our bike's mechanical problems. We can't do anything about the weather, but we plan to be physically fit and ready to ride (with a tuned-up bicycle) from Sturbridge to Provincetown on August 3rd and 4th, a distance of 192 miles over two days. This is John's sixth year and Susan's second year riding. In 2001 we raised over $13,000 for cancer research. We thank everyone who helped us reach that total, and we hope you'll help us do even better this year. You can make a donation in one of two ways: By check: Make it out to "PMC - Jimmy Fund" and send it to us at: 34 James Street Arlington, MA 02474 By credit card: Visit the PMC web site, http://www.pmc.org/, click eGifts, enter JK0059 in the "Rider's eGift ID" field, and click Submit. Click the "Give by Credit Card" link and then fill in the required information. (Please also send us a message in the "send a message to the rider" so we can thank you for your donation.) On Sunday August 4th, we will wear our memorial jerseys, which honor loved ones who are cancer survivors or who died of cancer. Please send us any names you'd like us to write on the jerseys. -- ==John Kohl , Home page:  1,, Summary-line: 28-May michaelo@MIT.EDU [19] # X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA10772; Tue, 28 May 2002 12:51:53 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA10276 for ; Tue, 28 May 2002 12:51:18 -0400 (EDT) Received: from [18.90.2.47] (MICHAELO.MIT.EDU [18.90.2.47]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id MAA08377 for ; Tue, 28 May 2002 12:51:18 -0400 (EDT) Mime-Version: 1.0 Message-Id: Date: Tue, 28 May 2002 12:51:16 -0400 To: theater@mit.edu From: Michael Ouellette Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** Date: Tue, 28 May 2002 12:51:16 -0400 To: theater@mit.edu From: Michael Ouellette Content-Type: text/plain; charset="us-ascii" ; format="flowed" Friends, I wanted to let you all know that Janet Sonenberg is stepping down from the position of Director of Theater. After years of service, she is finally being given the opportunity to concentrate on her own research. I know you all will want to join me in thanking her for all she's done. I have been appointed her successor. As this change takes place, there will have to be some adjustments to the teaching schedule in the fall. Janet will now be teaching "Actor and the Text," instead of me, and the time for the class has been changed to MW, 1-3. She will be teaching this class in addition to the production seminar. I will still be doing "Script Analysis" and a section of "Introduction to Acting." Michael Ouellette  1,, Summary-line: 28-May cana@MIT.EDU [219] #Yo. Four-hundred bucks. X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA02128; Tue, 28 May 2002 13:30:35 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA29947 for ; Tue, 28 May 2002 13:29:38 -0400 (EDT) Received: from pullman-standard.mit.edu (PULLMAN-STANDARD.MIT.EDU [18.18.2.52]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id NAA18492 for ; Tue, 28 May 2002 13:29:37 -0400 (EDT) Received: from localhost (cana@localhost) by pullman-standard.mit.edu (8.9.3) with ESMTP id NAA04634; Tue, 28 May 2002 13:29:38 -0400 (EDT) Date: Tue, 28 May 2002 13:29:38 -0400 (EDT) From: Cana Lynn McCoy To: Subject: Yo. Four-hundred bucks. Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 28 May 2002 13:29:38 -0400 (EDT) From: Cana Lynn McCoy To: Subject: Yo. Four-hundred bucks. Content-Type: TEXT/PLAIN; charset=US-ASCII Minutes of the SIPB Meeting of 05/27/2002 The meeting was called to order at tibbetts by 19:30. In attendance were Voting members: cana aatharuv tibbetts arolfe alex_c nim golem aletta Associate members: srz foley jhawk jered hartmans dbj ingolia lnemzer belmonte yak Non-voting members: Prospectives: int18 rradu aiba dlovell kenta Guests: Treasurer's Report: nim: Tahiti was nice. tibbetts: What is our end-of-year spending looking like? And have they taken away the money for the vmware stuff yet? nim: I don't know if they have. Soon, we will have a lot of money. We have next year's budget, essentially. We have this year's budget, but can no longer spend it. golem: I don't know if I buy this. There are things with 3-day turnaround. How long does it take to close the case in the financial records end and what not? nim: I don't know how long closing the case takes. jhawk: We watched Revolution OS, and didn't much like it. Do we want to buy it? aatharuv: I saw it too. It was bad. hartmans: I think that if there's any chance it would come out of next year's money, then it's not worth it. tibbetts: I think it's not worth it anyway. Chairman's Report: tibbetts: The chairman's laptop is not actually dead. Office Report: kenta: I was lurking on a zephyr conversation about a keyboard that had been coked. It took me a while to figure out what `coked' means, but now I understand. I was wondering if SIPB would be interested in buying waterproof keyboards. Radio Shack has them for $39.95. jered: We've had them before, and they're incredibly painful to type on. foley: So I was attempting to burn my roast movies, and I notice we don't have the right firewire cables. I'd like to allocate up to $50 for 4-to-6 cables. jhawk: What does this cable do? foley: Connect a digital video camera to a firewire Mac. [foley allocation: $50 for 4-to-6 firewire cables] aletta: I sent mail to mycroft asking him to take away zsr and chomp. I haven't heard anything yet, but I only sent it yesterday. golem: We should get a gong. dbj: Didn't that get black balloted before? tibbetts: Does anyone know how much cage nuts cost? jhawk: Twenty cents. tibbetts: We have this rack, and it takes square cage nuts and screws, and we don't have any. Our options are either to hire a child from a third-world country, or buy some nuts. Move to allocate $25 to buy some rack-mounting hardware. [tibbetts allocation: $25 for cage nuts and assorted rack hardware] Office Cleaning Report: ingolia: The fish has been having trouble because office heads keep moving, and it hangs forever to reach them. hartmans: Which machines? ingolia: bill-the-cat and yaz? MIT Computing Report: jhawk: A breaker failed on the fourth floor of W20 the other day, and this caused some networks to fall over, including the SIPB machine room network. Other machine room networks didn't fall over. tibbetts: How come ours stopped working? jhawk: I talked to Ron about why our network is insufficiently loved. They seem to think that making dorm networks better is a higher priority. Computer Services: hartmans: I sent out mail about the Debian Athena laptop initiative. Several people are interested, and a couple of them are here today. One of the problems we're running into is actually running through CD-Rs too quickly. I find myself actually wanting CD-RWs. I'd like to move to allocate X dollars for Y CD-RWs, with numbers filled in by tibbetts. tibbetts: Seconded. 25 CD-RWs for $20. [tibbetts allocation: $20 for CD-RWs] tibbetts: I sent the vmware service contact in today. Our two contacts are me, and JJ Sipbadmin. My salesperson is on vacation until tomorrow, but maybe then he'll call me, and maybe he'll be useful. This is the most difficulty I've had trying to give someone $1500. hartmans: After the meeting, I'll be going through and talking to people interested in Debian-Athena. But Debian-Athena is not Athena, so we'll be calling it something else. tibbetts: I'm reviving sipb-rt. It's a trouble-ticketing system. People who are interested in helping out with it should contact me. Also, the new thornhump came in. SIPB Backup Report: hartmans: I've been concerned about the number of times I've seen the AFS backups feeding tapes in the middle of the week. If someone feels like looking into that, that would be nice. It's probably not a problem, though. Publications Report: Orientation Report: aatharuv: I wasn't sure whether we'd actually turned in the flyer, so I went in and turned in a duplicate copy. arolfe: We had. hartmans: Are you planning on going to the stuffing party? arolfe: No. aletta: When is it? I'll go if it's not between June 17th and the 24th. tibbetts: We'll send mail. arolfe: It's June 26th. aletta: I'll go. Send me mail. IAP Report: CokeComm Report: tibbetts: I want vanilla coke. jered: Second! belmonte: CokeComm has Spider-man Dr Pepper. jhawk: Is vanilla coke available in cans? tibbetts: I have not seen it in cans. It is available in bottles. Other: hartmans: yaz seems to have a problem that prevents you from fingering it or logging into it. This should be looked into, since yaz is an important part of the SIPB antiquity services. yak: The fax machine on the first floor tries to rape you if you pay with a credit card. There's a magic phone card that costs nothing per minute in my drawer, if people want to use it. tibbetts: Does SIPB want a tablet? golem: I tried to get one a year and a half ago. Someone said they were going to bring one in. We should get one. jhawk: Yo. $200. yak: If anyone is going to be using one for the things they're useful for, which we aren't, the $100 or $200 ones are crap. jhawk: Yo. $400. hartmans: *makes motion properly* nim: Where are we going to put this tablet? tibbetts: On the Mac. hartmans: Er? Are we planning to allocate permanent desk space for this? tibbetts: We're not planning. hartmans: I withdraw my motion then. The Kinesis keyboards have been bad enough. I don't think it will spend most of its time in the monolith, which it should. belmonte: With regard to the vague mention of previous interest in a graphics tablet that was made a minute ago, the date of the meeting in question was 20 September 1999, and it was rls who said `I can donate one with mac-specific software.' We may want to contact rls before proceeding with this purchase. jhawk: Yo. $400. [jhawk allocation: $400 for a graphics tablet] Other Other: golem: P2P is a name for a type of meth lab. tibbetts: Cool! We should install a P2P meth lab. tibbetts: The latest academic software catalog tells me that Painter 7 no longer comes in a paint can. This is sad. Software that comes in paint cans is cool. hartmans: I don't know why I'm bringing this up, but I heard that jjv is working on a project to make getting chemicals at MIT harder, if you're not supposed to have them. tibbetts: This would make stocking our meth lab harder. belmonte: Stock up! jhawk: Everyone look at Chad report! We can't play, because it's wet, but it's now the right time of year. tibbetts: We could play post-meeting frisbee indoors, in the lounge. jhawk: Having done this... rruda: It's just been waxed. jhawk: Dude, I've got cleats! The meeting was adjourned at 19:52. Minutes taken and submitted by cana.  1,, Summary-line: 28-May Jennie_Garde@canadalife.c [19] #Favourite musical moments X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA16063; Tue, 28 May 2002 14:23:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17282 for ; Tue, 28 May 2002 14:23:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA11969; Tue, 28 May 2002 14:17:55 -0400 (EDT) Date: Tue, 28 May 2002 14:17:55 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jennie_Garde@canadalife.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jennie Garde" To: Multiple recipients of list SAVOYNET Subject: Favourite musical moments MIME-Version: 1.0 Content-type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 28 May 2002 14:17:55 -0400 (EDT) Reply-To: Jennie_Garde@canadalife.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jennie Garde" To: Multiple recipients of list SAVOYNET Subject: Favourite musical moments Content-type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum One of mine is in Grand Duke: the clarinet counterpoint to the Lisa/Julia catty duet, "Oh listen to me, dear!" That lead-in of 5 chromatic, descending notes always makes me think that this bit REALLY ought to be played as a jazz saxaphone number. My dad plays both - maybe I can convince him to do it on sax next production??? Jennie in Toronto  1, answered,, Summary-line: 29-May heine@media.mit.edu [76] #Fwd: Re: Fwd: Score of The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA09315; Wed, 29 May 2002 10:12:54 -0400 (EDT) Received: from aleve.media.mit.edu (aleve.media.mit.edu [18.85.2.171]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA21501 for ; Wed, 29 May 2002 10:12:21 -0400 (EDT) Received: from [18.85.22.202] (dhcp-admin-202.media.mit.edu [18.85.22.202]) by aleve.media.mit.edu (8.9.3/8.9.3/+ALEVE) with ESMTP id KAA08550 for ; Wed, 29 May 2002 10:12:21 -0400 (EDT) Mime-Version: 1.0 Message-Id: X-Priority: 1 (Highest) Date: Wed, 29 May 2002 10:11:51 -0400 To: opus@MIT.EDU From: Lynn Heinemann Subject: Fwd: Re: Fwd: Score of The Grand Duke Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Priority: 1 (Highest) Date: Wed, 29 May 2002 10:11:51 -0400 To: opus@MIT.EDU From: Lynn Heinemann Subject: Fwd: Re: Fwd: Score of The Grand Duke Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hi Dave -- I'm hoping this email still works, as we've had no luck getting an answer from the kids at MITGASP. Would you be able to answer this woman's question about THE GRAND DUKE... She's starting to sound desperate! Her name is Pam Ronck (regalopera@juno.com) and she's looking for a shortened script of THE GRAND DUKE. Thanks. --Lynn Heinemann, MIT Office of the Arts =========================================== >To: heine@media.mit.edu >Date: Tue, 28 May 2002 19:41:40 -0700 >Subject: Re: Fwd: Score of The Grand Duke >MIME-Version: 1.0 >X-Juno-Line-Breaks: 0-1,6-11,13-57 >From: Pamela J Ronck >X-Virus-Scanned: by AMaViS-perl11-milter (http://amavis.org/) >Status: > >Lynn, > >I appreciate your help in directing my e-mail to the correct place. I >have another question, though. Is this student group on summer break and >probably not likely to check e-mails? The reason I ask is because I have >a deadline to find a shortened script or I'll have to take on the job of >shortening the original myself. > >Thanks again, >Pam Ronck > > > ========================================== >> >> >>To: newsoffice@mit.edu >> >>Date: Wed, 22 May 2002 09:31:40 -0700 >> >>Subject: Score of The Grand Duke >> >>X-Juno-Line-Breaks: 0,5-8 > > >>From: Pamela J Ronck >> >> >> >> > > >>I work with the Regal Opera Company of the Dallas/Fort Worth area > > >>in Texas. We are preparing to present The Grand Duke in September > > >>of this year and are searching for a score which has been revised > > >>(shortened). I see that your company has performed this operetta. > > >>Did you perform it with the original score or a shortened version? > > >>Thanks for your help, > > >>Pam Ronck >> >>www.regalopera.org >> >> >> >>________________________________________________________________ >> >>GET INTERNET ACCESS FROM JUNO! >> >>Juno offers FREE or PREMIUM Internet access for less! >> >>Join Juno today! For your FREE software, visit: >> >>http://dl.www.juno.com/get/web/. >> >> > >________________________________________________________________ >GET INTERNET ACCESS FROM JUNO! >Juno offers FREE or PREMIUM Internet access for less! >Join Juno today! For your FREE software, visit: >http://dl.www.juno.com/get/web/.  1,, Summary-line: 29-May lweissbrot@nedelta.com [43] #Favourite Wyned X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA29396; Wed, 29 May 2002 14:58:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA00020 for ; Wed, 29 May 2002 14:57:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA12648; Wed, 29 May 2002 14:53:23 -0400 (EDT) Date: Wed, 29 May 2002 14:53:23 -0400 (EDT) Message-Id: <85256BC8.0066F64D.00@ntserver4.nedelta.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lweissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Favourite Wyned Mime-Version: 1.0 Content-type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 29 May 2002 14:53:23 -0400 (EDT) Reply-To: lweissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Favourite Wyned Content-type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Want to put in my oar on two threads. Reading over everyone's favo(u)rite moments leads me to two conclusions: First, I love almost every one of the ones mentioned. As I read them the orchestration/words/rhyme/tenderness/drama . . . jumps into my head and I revel in the moment. It only goes to show how chock full of greatness these silly little operettas are. Second, I must spend more time with The Grand Duke. I've never done it. I've never seen a live performance. I own one videotape, which I've only watched once. So while I can appreciate "the spine-tingling, sinuous clarinet and bassoon line (Ghost's High Noon)" or "Sullivan's woodwind filigree (I've jibe and jest)," or any of an hundred others cited from shows I've done, I can't relate to the moments cited from GD. My loss. Jim Griffin mentioned "doesn't Donald Adams pronounce "wyned" in "When the night wind howls-"? yet it is not rhyming with anything." That is how I was taught to sing it, and how I did it when I sang Roderic. I do it, but I don't like it. It is more difficult to sing the diphthong. Of course, when I see a Mikado I listen for that pronunciation in A Wandering Minstrel, because it is the "wyned" -- windlass -- that is free, allowing the ship to move from its mooring, not the "winned" that will blow the ship along. Laurie Most obedient to command  1, answered,, Summary-line: 29-May marion@leedscarroll.com [83] #Re: Contact information for Jonathan Strong? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA15261; Wed, 29 May 2002 18:10:10 -0400 (EDT) Received: from rwcrmhc51.attbi.com (rwcrmhc51.attbi.com [204.127.198.38]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA08633 for ; Wed, 29 May 2002 18:09:37 -0400 (EDT) Received: from amadeus ([66.31.126.44]) by rwcrmhc51.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with ESMTP id <20020529220936.RSXN11426.rwcrmhc51.attbi.com@amadeus> for ; Wed, 29 May 2002 22:09:36 +0000 Message-Id: <4.2.2.20020529175745.00c01100@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 Date: Wed, 29 May 2002 18:05:36 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Contact information for Jonathan Strong? In-Reply-To: <200205291644.MAA26122@multics.mit.edu> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_65838718==_.ALT" *** EOOH *** X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Wed, 29 May 2002 18:05:36 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Contact information for Jonathan Strong? In-Reply-To: <200205291644.MAA26122@multics.mit.edu> Content-Type: multipart/alternative; boundary="=====================_65838718==_.ALT" --=====================_65838718==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hi, Dave! He's at 978 546 6176 His partner has e-mail, finally, but I don't know if they're ready to let that be generally known. For his snail-mail address, you'd have to ask Janice Dallas, who's the NEGASS membership chair - Janice@dallas-family.com - Marion At 12:44 PM 5/29/02 -0400, you wrote: >Hi Marion. > >Do you know how I can get in touch with Jonathan Strong? I was >forwarded a message from a woman in Texas who wants to do a shortened >version of The Grand Duke, and I think Jonathan's version would suit >her perfectly. > >Thanks. > >-Dave ========================= Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com --=====================_65838718==_.ALT Content-Type: text/html; charset="us-ascii" Hi, Dave!

He's at  978 546 6176

His partner has e-mail, finally, but I don't know if they're ready to let that be generally known.

For his snail-mail address, you'd have to ask Janice Dallas, who's the NEGASS membership chair - Janice@dallas-family.com

- Marion

At 12:44 PM 5/29/02 -0400, you wrote:

Hi Marion.

Do you know how I can get in touch with Jonathan Strong?  I was
forwarded a message from a woman in Texas who wants to do a shortened
version of The Grand Duke, and I think Jonathan's version would suit
her perfectly.

Thanks.

-Dave

=========================
Marion Leeds Carroll
marion@leedscarroll.com
(781) 646-9115
--=====================_65838718==_.ALT--  1,, Summary-line: 30-May eichin@thok.org [27] #Re: digital pictures from Carolyn & Jason's wedding X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA08390; Thu, 30 May 2002 15:38:32 -0400 (EDT) Received: from swat.thok.org (swat.thok.org [4.36.43.84]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id PAA29528 for ; Thu, 30 May 2002 15:35:43 -0400 (EDT) Received: (qmail 15254 invoked by uid 3382); 30 May 2002 19:35:43 -0000 Sender: eichin@swat.thok.org To: dinner@mit.edu, Johanna Bobrow Subject: Re: digital pictures from Carolyn & Jason's wedding References: <200205071328.JAA05213@nerd-xing.mit.edu> From: Mark Eichin Date: 30 May 2002 15:35:42 -0400 In-Reply-To: Jeff Bigler's message of "Tue, 7 May 2002 09:28:19 -0400 (EDT)" Message-ID: Lines: 20 X-Mailer: Gnus v5.7/Emacs 20.7 *** EOOH *** Sender: eichin@swat.thok.org To: dinner@mit.edu, Johanna Bobrow Subject: Re: digital pictures from Carolyn & Jason's wedding From: Mark Eichin Date: 30 May 2002 15:35:42 -0400 In-Reply-To: Jeff Bigler's message of "Tue, 7 May 2002 09:28:19 -0400 (EDT)" My wedding-pictures collection is at http://www.thok.org/me/cyn.html (just typing "thok/me/cyn.html" should work, now that I have thok.com as well...) Username is "lilacs", password is "nolycra". (Note that this seems to work in everything *except* Netscape 4; if that's a problem, let me know, but I have tested it with galeon and mozilla, and it supposedly works in IE as well.) Doesn't yet have the movie clips, and there are a few other things that need cleaning up, but it's finally up and running. I tagged most of the pictures with people names that I recognized, and extracted out ego-albums, so if you want to see pictures that you're in [or just the cute pictures of Margaret :-)], that's what the other tags are for. If I missed any, or if you have the time to go through and identify more people for me, send mail (the "img_xxxx.jpg" is enough to identify any image you want to comment on.) _Mark_  1, answered,, Summary-line: 30-May regalopera@juno.com [125] #Re: Fwd: Re: Fwd: Score of The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA27454; Thu, 30 May 2002 22:34:38 -0400 (EDT) Received: from m23.boston.juno.com (m23.boston.juno.com [64.136.24.86]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA20669 for ; Thu, 30 May 2002 22:34:05 -0400 (EDT) Received: from cookie.juno.com by cookie.juno.com for <"K7S6Cp7XQbO8+Y6zLgHeqKtlxx5RLGcDvNPPYVTZ3QnQ2ryGe0jA/w=="> Received: (from regalopera@juno.com) by m23.boston.juno.com (jqueuemail) id G34UYAT9; Thu, 30 May 2002 22:33:06 EDT To: opus@MIT.EDU Date: Thu, 30 May 2002 20:54:27 -0700 Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke Message-ID: <20020530.213440.-1872399.1.regalopera@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary=--__JNP_000_54de.775e.36d4 X-Juno-Line-Breaks: 8-6,7-8,12-15,19-24,26-47,48-32767 From: Pamela J Ronck *** EOOH *** To: opus@MIT.EDU Date: Thu, 30 May 2002 20:54:27 -0700 Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke Content-Type: multipart/alternative; boundary=--__JNP_000_54de.775e.36d4 X-Juno-Line-Breaks: 8-6,7-8,12-15,19-24,26-47,48-32767 From: Pamela J Ronck This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ----__JNP_000_54de.775e.36d4 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit David, You're a (G)godsend! I would very much like to know some details. Since he doesn't have e-mail, perhaps he can fax me some details, i.e. VLO did the shortening of the original, where I can purchase said script, cost, etc.). My fax number is 817-329-3440 and my cellular number is 817-874-8744. Thank you for you helpfulness. Also, if you don't mind, I might pass your name and e-mail address on to our stage director. She's great but hasn't done much Gilbert and Sullivan. Patience was our first (last fall). Thanks again! Pam Ronck On Thu, 30 May 2002 12:36:27 -0400 (EDT) "David C. Jedlinsky" writes: > > Pam, > > I was forwarded your message about The Grand Duke from Lynn > Heinemann > at the MIT Office of the Arts. My name is David Jedlinsky; I > directed > the MIT G&S Players' most recent production. We did the show in > its > entirety, and do not have a shortened version. > > However, I know of a shorter version done by Jonathan Strong which > has > been performed at the Valley Light Opera of Amherst, Massachusetts > (http://www.vlo.org). If you would like, I can try to reach > Mr. Strong (he does not have email that I am aware of), and find > out > particulars for you. > > -Dave Jedlinsky > opus@mit.edu > ----__JNP_000_54de.775e.36d4 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: quoted-printable
David,
 
You're a (G)godsend!  I would very much like to know some=20 details.  Since he doesn't have e-mail, perhaps he can fax me some = details,=20 i.e. VLO did the shortening of the original, where I can purchase said = script,=20 cost, etc.).
 
My fax number is 817-329-3440 and my cellular number is 817-874-8744.&= nbsp;=20
 
Thank you for you helpfulness.  Also, if you don't mind, I might = pass=20 your name and e-mail address on to our stage director.  She's great = but=20 hasn't done much Gilbert and Sullivan.  Patience was our= =20 first (last fall).
 
Thanks again!
Pam Ronck
 
 
On Thu, 30 May 2002 12:36:27 -0400 (EDT) "David C. Jedlinsky" <opus@MIT.EDU> writes:
>
>= =20 Pam,
>
> I was forwarded your message about The Grand Duke = from=20 Lynn
> Heinemann
> at the MIT Office of the Arts.  My = name is=20 David Jedlinsky; I
> directed
> the MIT G&S Players' most= =20 recent production.  We did the show in
> its
> entirety, = and=20 do not have a shortened version.
>
> However, I know of a = shorter=20 version done by Jonathan Strong which
> has
> been performed = at the=20 Valley Light Opera of Amherst, Massachusetts
> (http://www.vlo.org).  If you would = like, I=20 can try to reach
> Mr. Strong (he does not have email that I am aware= of),=20 and find
> out
> particulars for you.
>
> -Dave=20 Jedlinsky
> opus@mit.edu
> =
 
----__JNP_000_54de.775e.36d4-- ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  1,, Summary-line: 31-May YesTisMabel@aol.com [42] #VERY unusual sighting X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA17050; Fri, 31 May 2002 00:07:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA06888 for ; Fri, 31 May 2002 00:07:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id AAA20916; Fri, 31 May 2002 00:06:57 -0400 (EDT) Date: Fri, 31 May 2002 00:06:57 -0400 (EDT) Message-Id: <10e.11f519ef.2a284c6a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: VERY unusual sighting MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Fri, 31 May 2002 00:06:57 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: VERY unusual sighting Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi guys! My sighting happened Tuesday late afternoon, just about 45 minutes after I hit a police car with my car on my way to a Nunsense rehearsal! Oh, well, I'm sure you don't want to hear about that, but the sighting is definitely worth telling. ;-) As some of you may know, I have a license plate that reads "G & S 1". The state trooper who was writing up my ticket was a very friendly guy, and kept joking around with me and trying to keep me calm. He pointed to my plate and asked what it meant. When I replied, he said, "oh, yes, HMS Pinafore, right? Wouldn't you say that is their most popular opera?" You could have knocked me over with a feather! When I answered, smiling, that Mikado and Pirates were also popular, he said, "oh yeah, I forgot about Pirates---there are policemen in that one, right?" After that, we were discussing why I failed to hear the siren of the police car that I hit (I had the green light, but he was on an emergency call, and was making a left turn in front of me, and I never heard him), and I mentioned that I had music playing. He said, "was it G&S?" to which I shamefacedly replied that, no, it was Cecilia Bartoli singing Rossini, Donizetti, and Bellini. Mr. State Trooper replied, "you see, that's your problem. You should have been listening to G&S!" Maybe that's why I got that ticket...... Elise Curran Orlando  1,, Summary-line: 31-May to: regalopera@juno.com [36] #Re: Fwd: Re: Fwd: Score of The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA15460; Fri, 31 May 2002 11:07:58 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA00900; Fri, 31 May 2002 11:07:25 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id LAA18327; Fri, 31 May 2002 11:05:50 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id LAA05915; Fri, 31 May 2002 11:05:49 -0400 (EDT) Date: Fri, 31 May 2002 11:05:49 -0400 (EDT) Message-Id: <200205311505.LAA05915@multics.mit.edu> From: "David C. Jedlinsky" To: regalopera@juno.com In-reply-to: <20020530.213440.-1872399.1.regalopera@juno.com> (message from Pamela J Ronck on Thu, 30 May 2002 20:54:27 -0700) Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke References: <20020530.213440.-1872399.1.regalopera@juno.com> *** EOOH *** Date: Fri, 31 May 2002 11:05:49 -0400 (EDT) From: "David C. Jedlinsky" To: regalopera@juno.com In-reply-to: <20020530.213440.-1872399.1.regalopera@juno.com> (message from Pamela J Ronck on Thu, 30 May 2002 20:54:27 -0700) Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke Hi Pam, I just spoke with Jonathan Strong, who was able to clarify a few details for me. The shortened version of Grand Duke was a concert version, with linking dialog to help the plot. But it was primarily a concert. So, I'm not sure that's the sort of thing you are looking for. The best advice I can give, some of which comes from Jonathan, is to get a copy of the full show, and decide what cuts, if any, make sense for your company and audience. There have been many performances of The Grand Duke, most of which have been shortened, and none of them have been cut in the same way. When we did the show at MIT, we started with the full script, intending to make cuts as they seemed necessary, and we ended up not making any! The full, uncut show runs a little over three hours. You can obtain a full orchestration and set of vocal scores from the Seattle G&S Society. Their web site is . I also highly recommend getting a copy of their video, unless your director doesn't want to be spoiled by a "concept" production (they set their show in the 1920s, and made the cast up as movie stars from that era). I'd be happy to have you pass my name and email address on to your director. -Dave Jedlinsky  1,, Summary-line: 31-May regalopera@juno.com [62] #Re: Fwd: Re: Fwd: Score of The Grand Duke X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA00488; Fri, 31 May 2002 13:30:59 -0400 (EDT) Received: from m23.boston.juno.com (m23.boston.juno.com [64.136.24.86]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA09715 for ; Fri, 31 May 2002 13:30:26 -0400 (EDT) Received: from cookie.juno.com by cookie.juno.com for <"K7S6Cp7XQbO8+Y6zLgHeqKtlxx5RLGcDt2gKR4yTVSjkR4Sea25LxQ=="> Received: (from regalopera@juno.com) by m23.boston.juno.com (jqueuemail) id G36GAPS7; Fri, 31 May 2002 13:30:05 EDT To: opus@MIT.EDU Date: Fri, 31 May 2002 12:31:01 -0700 Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke Message-ID: <20020531.123102.-1490589.1.regalopera@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 0-1,3-8,10-47 From: Pamela J Ronck *** EOOH *** To: opus@MIT.EDU Date: Fri, 31 May 2002 12:31:01 -0700 Subject: Re: Fwd: Re: Fwd: Score of The Grand Duke Content-Type: text/plain; charset=us-ascii X-Juno-Line-Breaks: 0-1,3-8,10-47 From: Pamela J Ronck Dave, You've been a tremendous help! I think you're right. I'll order the original and snip, if necessary. Thanks!! Pam On Fri, 31 May 2002 11:05:49 -0400 (EDT) "David C. Jedlinsky" writes: > > Hi Pam, > > I just spoke with Jonathan Strong, who was able to clarify a few > details for me. The shortened version of Grand Duke was a concert > version, with linking dialog to help the plot. But it was primarily > a > concert. So, I'm not sure that's the sort of thing you are looking > for. > > The best advice I can give, some of which comes from Jonathan, is > to > get a copy of the full show, and decide what cuts, if any, make > sense > for your company and audience. There have been many performances > of > The Grand Duke, most of which have been shortened, and none of them > have been cut in the same way. When we did the show at MIT, we > started with the full script, intending to make cuts as they seemed > necessary, and we ended up not making any! The full, uncut show > runs > a little over three hours. > > You can obtain a full orchestration and set of vocal scores from > the > Seattle G&S Society. Their web site is > . I also highly > recommend getting a copy of their video, unless your director > doesn't > want to be spoiled by a "concept" production (they set their show > in > the 1920s, and made the cast up as movie stars from that era). > > I'd be happy to have you pass my name and email address on to your > director. > > -Dave Jedlinsky > ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  1, forwarded,, Summary-line: 2-Jun deebeemwangi@hotmail.com [47] #Re: Hello from Ruth and Dave X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA13261; Sun, 2 Jun 2002 09:27:48 -0400 (EDT) Received: from hotmail.com (f266.law11.hotmail.com [64.4.16.141]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA23853 for ; Sun, 2 Jun 2002 09:27:14 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Sun, 2 Jun 2002 06:27:13 -0700 Received: from 209.245.109.37 by lw11fd.law11.hotmail.msn.com with HTTP; Sun, 02 Jun 2002 13:27:13 GMT X-Originating-IP: [209.245.109.37] From: "DB Mwangi" To: opus@MIT.EDU Subject: Re: Hello from Ruth and Dave Date: Sun, 02 Jun 2002 09:27:13 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 02 Jun 2002 13:27:13.0707 (UTC) FILETIME=[34EBAFB0:01C20A39] *** EOOH *** X-Originating-IP: [209.245.109.37] From: "DB Mwangi" To: opus@MIT.EDU Subject: Re: Hello from Ruth and Dave Date: Sun, 02 Jun 2002 09:27:13 -0400 Content-Type: text/plain; format=flowed X-OriginalArrivalTime: 02 Jun 2002 13:27:13.0707 (UTC) FILETIME=[34EBAFB0:01C20A39] Hi Ruth and Dave, Congratulations on your new acquisition! We picked up the Passat 3 weeks ago. I overslept during the bidding of a wagon that I wanted. This one was nice with low miles and a low price. The new car dealer that we bought it from did not know what he had. Tha Smart Box is a good value for the money. I would pay more for it. I think it is better than a chip and VERY easy to install/remove. Seeyou soon & Happy TDI-ing! David. ----Original Message Follows---- From: "David C. Jedlinsky" To: deebeemwangi@hotmail.com Subject: Hello from Ruth and Dave Date: Sat, 1 Jun 2002 20:00:59 -0400 (EDT) You know, those other TDI folk in Southern NH... I saw a posting of yours on TDIclub about the Jannetty Smart Box, and Ruth looked at your signature. "Hey! When did he get a Passat?" she said. So, when? :-) Dunno if you saw our other posting, but we've finally got the new 2002 Jetta Wagon. -Dave _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com  1,, Summary-line: 3-Jun : deebeemwangi@hotmail.co [27] #Re: Hello from Ruth and Dave X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA04159; Mon, 3 Jun 2002 13:17:39 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA23128; Mon, 3 Jun 2002 13:17:04 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id NAA26224; Mon, 3 Jun 2002 13:17:04 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id NAA21995; Mon, 3 Jun 2002 13:17:03 -0400 (EDT) Date: Mon, 3 Jun 2002 13:17:03 -0400 (EDT) Message-Id: <200206031717.NAA21995@multics.mit.edu> From: "David C. Jedlinsky" To: deebeemwangi@hotmail.com In-reply-to: (deebeemwangi@hotmail.com) Subject: Re: Hello from Ruth and Dave References: *** EOOH *** Date: Mon, 3 Jun 2002 13:17:03 -0400 (EDT) From: "David C. Jedlinsky" To: deebeemwangi@hotmail.com In-reply-to: (deebeemwangi@hotmail.com) Subject: Re: Hello from Ruth and Dave Hi David. The Passat sounds great! Got any exhaust smoking issues using the Smart Box? I'm trying to convince Ruth to let me get one or two, but she says she doesn't need one for the Passat (though she did ask me to put the chip back in - hmmm). And she says I should drive the Jetta stock for a while, before changing things. How do you argue with that? It's a shame there are two models of Smart Box; otherwise I might be able to convince her to get one, and try it in each car. Ruth wants to invite both of you over sometime for a BBQ or whatever. This weekend is out, 'cause we're going to be testing the long distance driveability of the Jetta. I just found out about the GTG, but it's not possible for us to change our plans. Oh well. Would you be interested in a cookout sometime? We've got a nice movie collection, if you want to stay for that. -Dave  1,, Summary-line: 4-Jun to: xela@MIT.EDU [37] #Re: land X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA05446; Tue, 4 Jun 2002 17:03:45 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA03829; Tue, 4 Jun 2002 16:58:41 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA25877; Tue, 4 Jun 2002 16:55:07 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id QAA22178; Tue, 4 Jun 2002 16:55:05 -0400 (EDT) Date: Tue, 4 Jun 2002 16:55:05 -0400 (EDT) Message-Id: <200206042055.QAA22178@multics.mit.edu> From: "David C. Jedlinsky" To: xela@MIT.EDU Subject: Re: land *** EOOH *** Date: Tue, 4 Jun 2002 16:55:05 -0400 (EDT) From: "David C. Jedlinsky" To: xela@MIT.EDU Subject: Re: land Hi Alex. Ruth forwarded your message to me about the land in NH. Do you want to be added to our mailing list for discussing potential properties? The land Ted described to you is 158 acres, located in Lyndeborough on Dutton Road. I don't have exact Lat/Long coordinates, but it's approximately (N42-54.043', W71-45.496'). Go up Route 3 to New Hampshire, and take Exit 8 to 101A West. Follow 101A for about 7 miles. Once you cross Route 122 (at a railroad crossing), take Route 101 West (second left, towards Milford). After about 5 miles, you'll come to a couple of traffic lights; the second one is also a railroad crossing. Go straight; you're now on North River Rd. Proceed to the first four-way intersection; there will be a green sign just before indicating Milford to the right and Lyndeborough to the left. Turn left onto Lyndeborough Center Rd. Follow Center Rd. for about 5 miles, passing Johnson Corner Rd and Curtis Brook Rd. along the way. Dutton Rd. is a little tricky to see; it's a dirt road which meets Center Rd. at a reverse angle on the right, and the street sign is on a telephone pole angled in such a way as to make it difficult to see. If you come to New Road, you went too far. The property is a few hundred feet down Dutton Road, on the left. There is a good-sized dirt road leading into the property, and there's a Coldwell Banker Ashton-Kilgore Realty sign nailed up. -Dave  1,, Summary-line: 9-Jun yourmom@rice.edu [34] #Amusing Ruddigore Description on Ebay X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA01644; Sun, 9 Jun 2002 04:42:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA29980 for ; Sun, 9 Jun 2002 04:41:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id EAA25322; Sun, 9 Jun 2002 04:41:14 -0400 (EDT) Date: Sun, 9 Jun 2002 04:41:14 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Amusing Ruddigore Description on Ebay MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Sun, 9 Jun 2002 04:41:14 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jonathan Ichikawa To: Multiple recipients of list SAVOYNET Subject: Amusing Ruddigore Description on Ebay Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I came across an auction for a Ruddigore poster. The following was included in the description: "Original poster portrait of Sir Ruthven Murgatroyd standing before a painting of his ancestor, Sir Rupert Murgatroyd, whose actions persecuting witches caused a curse to be laid on each succeeding Lord of Ruddigore. The poster was created in the 1920's by Stafford & Co., London, to be used by one of the many road companies who were constantly presenting this witty and confusing operetta." I find this amusing. If you're interested, it's item number 2110227436 on ebay. -- Jonathan Ichikawa Rice University '03 yourmom@rice.edu "I sing choruses in public. That's mad enough, I think."  1,, Summary-line: 9-Jun srichman@conwaycorp.net [28] #Utopia Limited X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA26433; Sun, 9 Jun 2002 10:03:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA24801 for ; Sun, 9 Jun 2002 10:02:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA27800; Sun, 9 Jun 2002 10:02:24 -0400 (EDT) Date: Sun, 9 Jun 2002 10:02:24 -0400 (EDT) Message-Id: <000301c20fbc$786c31a0$9b229018@D52SMN01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: srichman@conwaycorp.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sheldon Richman" To: Multiple recipients of list SAVOYNET Subject: Utopia Limited MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 *** EOOH *** Date: Sun, 9 Jun 2002 10:02:24 -0400 (EDT) Reply-To: srichman@conwaycorp.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Sheldon Richman" To: Multiple recipients of list SAVOYNET Subject: Utopia Limited Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Many months ago some here said that Savoyards like either Utopia Limited or the Grand Duke but not both. If that is correct, I fail to fit another mold. I love them both! I have spent the last few weeks becoming familiar with Utopia, having never heard it until recently. I think it is wonderful, with some of the most clever words and beautiful melodies in the canon. Count me as a lover of both UL and GD. Is there a readily available video of either? Sheldon Richman srichman@conwaycorp.net Conway, Arkansas, USA Decidedly de trop  1,, Summary-line: 9-Jun thorntonk@attbi.com [32] #FW: Leaving town X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA14232; Sun, 9 Jun 2002 12:10:50 -0400 (EDT) Received: from sccrmhc01.attbi.com (sccrmhc01.attbi.com [204.127.202.61]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA09252; Sun, 9 Jun 2002 12:10:16 -0400 (EDT) Received: from [192.168.1.100] ([66.30.3.9]) by sccrmhc01.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with ESMTP id <20020609161016.BZRK1024.sccrmhc01.attbi.com@[192.168.1.100]>; Sun, 9 Jun 2002 16:10:16 +0000 User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 09 Jun 2002 12:15:50 -0400 Subject: FW: Leaving town From: Katherine Thornton To: , , , , Message-ID: In-Reply-To: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Sun, 09 Jun 2002 12:15:50 -0400 Subject: FW: Leaving town From: Katherine Thornton To: , , , , In-Reply-To: Content-type: text/plain; charset="US-ASCII" As many of you know, I will be leaving Boston in August to pursue further education in California (i.e. an MBA at UC Irvine). I was informed by people I respect highly that if I tried to leave without giving people an opportunity to say farewell, they would hunt me down in California and kill me. Therefore, I hereby declare a foo* at Diesel (Davis Square) on Sunday July 15 from 4pm to whenever (I will hang out until at least 10pm). I will be hanging out in the back near the pool tables, so just look for me there. Further, for those of you who can't make that, I'm also prepared to do brunch at the S&S on Sunday July 29 around noon for as many people as would like to do this. However, because the S&S will actually take a reservation if we have a lot of people who wish to do this, I require an RSVP for this one. Please e-mail me at thorntonk@attbi.com to RSVP by Friday, July 27 at 6pm. If you have any questions about either of those, or can't make it and want to schedule something else, please e-mail me at thorntonk@attbi.com or call me at 617 354-8876. Kate  1,, Summary-line: 9-Jun Earthflash@webtv.net [52] #Re: Utopia Limited X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA15471; Sun, 9 Jun 2002 12:16:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA20501 for ; Sun, 9 Jun 2002 12:16:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id MAA29267; Sun, 9 Jun 2002 12:15:38 -0400 (EDT) Date: Sun, 9 Jun 2002 12:15:38 -0400 (EDT) Message-Id: <784-3D037E57-5124@storefull-2137.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Utopia Limited Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "Sheldon Richman" 's message of Sun, 9 Jun 2002 10:02:21 -0400 (EDT) *** EOOH *** Date: Sun, 9 Jun 2002 12:15:38 -0400 (EDT) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Utopia Limited Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "Sheldon Richman" 's message of Sun, 9 Jun 2002 10:02:21 -0400 (EDT) Move over, Sheldon! I'm a GDULL also! (Although I do not love them as "evenly" as I do the others.) You can find both videos here: http://www.gs-festival.co.uk/musical_collectables/musical.htm Fortunately for you, I have already wasted much me trying to order from this site and will advise you not to try yourself. Two kind SavoyNetters instructed me to write to christine@vicarage-publications.co.uk to do my ordering. Christine is very willing and helpful. The GRAND DUKE there is the excellent Seattle Opera version. The UTOPIA is the must-see "Space Utopia" where you get to see Nick Sales in action. I *would* like to add to my collection, though, a traditional UTOPIA but that I haven't found yet. While we're on the subject, here's another wayward review. http://www.mit.edu/activities/gsp/reviews/spring96TB.html Why is Utopia strange and disturbing? Why does the author feel Gilbert ridicules the contralto worse than ever? Go figure. John S Long Island, New york, U.S.A. EarthFlash@webtv.net  1,, Summary-line: 12-Jun kcallen@attbi.com [54] #permanent email address X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA07585; Wed, 12 Jun 2002 00:51:36 -0400 (EDT) Received: from rwcrmhc51.attbi.com (rwcrmhc51.attbi.com [204.127.198.38]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA10366; Wed, 12 Jun 2002 00:49:04 -0400 (EDT) Received: from jwvdm ([66.30.3.56]) by rwcrmhc51.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with SMTP id <20020612044903.ZIDK11426.rwcrmhc51.attbi.com@jwvdm>; Wed, 12 Jun 2002 04:49:03 +0000 Message-ID: <012401c211cc$2e951d00$6401a8c0@jwvdm> Reply-To: "Kenneth Allen" From: "Kenneth Allen" To: "Kenneth Allen" Subject: permanent email address Date: Wed, 12 Jun 2002 00:46:51 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0121_01C211AA.A3E87BF0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2919.6700 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2919.6700 *** EOOH *** Reply-To: "Kenneth Allen" From: "Kenneth Allen" To: "Kenneth Allen" Subject: permanent email address Date: Wed, 12 Jun 2002 00:46:51 -0400 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0121_01C211AA.A3E87BF0" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2919.6700 This is a multi-part message in MIME format. ------=_NextPart_000_0121_01C211AA.A3E87BF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My current email address is kcallen@attbi.com, but my permanent email = address is kcallen@post.harvard.edu (which will forward mail to my = current address, whatever that may be). If you're updating your = addressbook, I suggest using the latter. Best regards, Ken ------=_NextPart_000_0121_01C211AA.A3E87BF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My current email address is kcallen@attbi.com, but my = permanent email=20 address is kcallen@post.harvard.edu&nbs= p;(which=20 will forward mail to my current address, whatever that may be).  If = you're=20 updating your addressbook, I suggest using the latter.
 
Best regards,
Ken
------=_NextPart_000_0121_01C211AA.A3E87BF0--  1,, Summary-line: 13-Jun rmacphai@bridgewater.edu [145] #You Had to Be There (fwd) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA00792; Thu, 13 Jun 2002 14:19:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17400 for ; Thu, 13 Jun 2002 14:18:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA25608; Thu, 13 Jun 2002 14:18:23 -0400 (EDT) Date: Thu, 13 Jun 2002 14:18:23 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: You Had to Be There (fwd) MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 13 Jun 2002 14:18:23 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: You Had to Be There (fwd) Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The following came my way from Fredric Woodbridge Wilson, and I forward it to SavoyNet with his permission. Rafe -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---------- Forwarded message ---------- Date: Wed, 12 Jun 2002 21:58:32 -0400 From: F. W. Wilson Subject: You Had to Be There Gerald Coventry, the stage-manager, narrates an amusing incident which occurred during a rehearsal of "The Pirates of Penzance" when he was bringing out the piece. At the point where Frederic the hero comes in, and the girls sing:-- "Oh, is there not one maiden here, Whose homely face and bad complexion, Have caused all hope to disappear Of ever winning man's affection?" -- a charwoman, who had been watching the rehearsal intently, broke out with the audible comment: "Begorra! and I think there's a lot of them!" -- Wit and Humor of the Stage (Philadelphia: George W. Jacobs & Co., 1909), p. 87. W. S. Gilbert does not retain all of his humor for use in his librettos. In the early days of his success, when Gilbert and Sullivan were considered by managers as the "sure winners" in the comic-opera field, a young woman who was a member of one of the Pinafore companies wrote to Gilbert telling him of her approaching marriage with a young man of good position and family. Gilbert congratulated the young woman, and expressed the hope that her future might be prosperous and happy. Only a little more than a month passed, and another letter from the same girl reached him, in which she stated that her engagement with the young man had been broken, and that she had accepted another suitor. He replied that he had every confidence in her judgment, and again expressed his hearty wishes for her welfare. It was almost two months after that Gilbert received a third letter from the same girl, who had imformed him that young Lord ---- had proposed and that she had accepted him, after breaking her engagement with No. 2. Gilbert's humor could no longer withstand the temptation, and he wrote, "I desire to congratulate you on your approaching marriage with ----" Here he placed an asterisk, and in a footnote added: "Here insert the name of the happy man." -- p. 121. George Grossmith, "Gee Gee," the popular English entertainer and creator of the principal leading funny characters in Gilbert and Sullivan's operas, says that when Sullivan was knighted some one asked him why he, and not his collaborator, W. S. Gilbert, was chosen for this honor. "I don't exactly know," said Sir Arthur; "but I suppose her Majesty did it to make the punishment fit the crime." -- p. 149. During an early performance of Gilbert and Sullivan's opera, "The Gondoliers," at the Fifth Avenue Theatre, New York, its manager, John Stetson, and Sir Arthur Sullivan watched the performance from a box. [Very good house; I counted them myself.] Presently Stetson asked Sullivan the name of the opera. Sullivan told him. "A good name," retorted Stetson, looking around the half empty house." "'Gone Dollars,' eh? Yes, I see 'em going out of my pockets." -- p. 159. George Grossmith, Jr., the popular actor, tells, with great enjoyment, this little anecdote: The elder Grossmith -- his father, who is also the famous entertainer -- was due at a hall in London at nine o'clock one evening, to deliver one of his inimitable "talks" before a large audience. His train had been delayed, and the start from his hotel was made at an hour that would bring he and his son, who accompanied him, to their destination about a half-hour after the time advertised for his appearance. It was with considerable mental discomfort that the entertainer, whose ideas of the virtue of promptness are unusual, viewed the streets from a cab window, anxiously scanning the passing buildings for a sight of the one in which his audience, doubtless, was impatiently waiting for him. At last a brilliantly lighted building was brought into view, from whose open doors a stream of people was pouring. Terrible thought: the audience had grown tired of waiting and was leaving! Without ordering the driver to stop, the elder Grossmith sprang from the cab and rushed into the thick of the crowd, raising his arms imploringly, and shouting, "Go back! Go back! I am here. I was delayed. Grossmith is here." The building, however, proved to be a church, from which the congregation was issuing after early service; and shortly, after an embarrassed retreat, Grossmith found his audience in a hall a few yards beyond, awaiting his arrival with a commendable lack of impatience. -- p. 207. During the run of "Patience" at the Fifth Avenue Theatre in New York, Sir Arthur Sullivan, conducting the opera [Any bids for the program of that performance?], complained that late comers at the matinees annoyed the audience. Stetson immediately sent for Sharp, his scenic artist, to paint a door sign to the effect that the matinees invariably began at two o'clock and that late comers disturbed the performances. Obeying the orders, the scenic artist painted a sign in large letters as follows: "Please Take Notice! The Matinee Performances Begin at Two O'Clock Sharp!" Stetson passed the theatre later, and, seeing the sign, became livid with rage. He sent for the scenic artist and blurted out, "Do you or I run this theatre?" "Of course you are the manager," answered the painter. "Then get busy and take your blank name off that sign and put in its place 'John Stetson.'" -- p. 220. Ric Wilson  1,, Summary-line: 13-Jun rmacphai@bridgewater.edu [52] #Re: G&S and the OED: Analysis by work cited X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA03855; Thu, 13 Jun 2002 21:42:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA23670 for ; Thu, 13 Jun 2002 21:41:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id VAA12950; Thu, 13 Jun 2002 21:41:23 -0400 (EDT) Date: Thu, 13 Jun 2002 21:41:23 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Thu, 13 Jun 2002 21:41:23 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: I'm behind in my SavoyNet reading, but no one seems to have responded to Keith's comment: On Sun, 9 Jun 2002, Keith Peterson wrote: > I'm delighted to hear that Foggerty's Fairy has pride of place, for > sentimental reasons. One of the first words I ever looked up in the OED was > "vampire," where I discovered that it had a theatrical as well as a > Transylvanian meaning. To exemplify usage of the word in the theatrical > sense, the editors simply quoted "Where's my vampire?" from FF. How in > heaven's name this was supposed to assist the reader to understand the > meaning, connotation or usage of the word has always beaten me. I assume > the editors were having their little joke (you know what cut-ups those > lexicographers are!). I think the reference is to The Vampire Trap, a special type of trap door that made sudden appearances possible. It was hexagonal or octagonal in shape, with triangular bits meeting in the center of the opening. Under the trap was a platform on vertical tracks with counterweights so that, on cue, a person could literally be shot up from below to above the stage, the trap openings would close, and the person appearing would land on the closed trap. As I recall, this certainly fits in with _FF_, for vampire traps were frequently used in pantos. Rafe -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, Summary-line: 14-Jun watw@earthlink.net [56] #Re: G&S and the OED: Analysis by work cited X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA17563; Fri, 14 Jun 2002 06:30:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA09150 for ; Fri, 14 Jun 2002 06:30:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id GAA16000; Fri, 14 Jun 2002 06:29:52 -0400 (EDT) Date: Fri, 14 Jun 2002 06:29:52 -0400 (EDT) Message-Id: <016501c2138c$00f4fd40$6b0efea9@paul> Errors-To: savoynet-owner@bridgewater.edu Reply-To: watw@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "PaulDanaher" To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Fri, 14 Jun 2002 06:29:52 -0400 (EDT) Reply-To: watw@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "PaulDanaher" To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum ----- Original Message ----- From: "Michael Walters" To: "Multiple recipients of list SAVOYNET" Sent: Friday, June 14, 2002 5:18 AM Subject: Re: G&S and the OED: Analysis by work cited > At 21:40 13/06/02 -0400, Ralph MacPhail, Jr. wrote: > >I think the reference is to The Vampire Trap, a special type of trap door > >that made sudden appearances possible. It was hexagonal or octagonal in > >shape, with triangular bits meeting in the center of the opening. Under > >the trap was a platform on vertical tracks with counterweights so that, on > >cue, a person could literally be shot up from below to above the stage, > >the trap openings would close, and the person appearing would land on the > >closed trap. > > I always thought this was called the Star Trap. > http://members.aol.com/johntowsen/mybook.html "The stage in most pantomime theaters included a trapdoor known as the "star trap" or, internationally, the "English trap." This trap was usually circular in shape and consisted of sixteen triangle-like sections of oneand-one-half-inch planking that were so lightly secured to the surrounding floor that the least bit of pressure from below forced them open. Underneath it (in the area below the stage) was a platform on pulleys, designed rather like an elevator, that could catapult a performer through the stage floor faster than the eye could see. When the counterweights attached to the platform were released, the performer - sometimes Clown, but more often a supernatural sprite - was shot through the trap to appear suddenly as if out of nowhere. The performer had to remain poised, for any sudden movement could result in a grave accident. Similar to this was the "vampire trap," said to have first been seen in 1820 in James Planché's melodrama, The Vampyre; or, the Bride of the Isles. It was a segmented trapdoor on spring hinges, usually consisting of two spring leaves, which assumed its original configuration after the performer had passed through it, thus enabling him to enter or exit through what seemed to be a solid surface. These vampire traps were frequently placed in flats and drops so that Harlequin could escape his would-be captors by leaping through a "solid" clock or mirror. In John Fairburn's description of Harlequin and Mother Goose, for example:"  1,, Summary-line: 14-Jun awrobins@yahoo.com [49] #Re: G&S and the OED: Analysis by work cited X-Coding-System: raw-text-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA10456; Fri, 14 Jun 2002 09:19:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA11857 for ; Fri, 14 Jun 2002 09:18:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id JAA23154; Fri, 14 Jun 2002 09:18:39 -0400 (EDT) Date: Fri, 14 Jun 2002 09:18:39 -0400 (EDT) Message-Id: <20020614130406.8868.qmail@web10805.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: *** EOOH *** Date: Fri, 14 Jun 2002 09:18:39 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: G&S and the OED: Analysis by work cited Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: --- "Ralph MacPhail, Jr." wrote: > > I think the reference is to The Vampire Trap, a > special type of trap door > that made sudden appearances possible. Here, thanks to teh magic of copy-and-paste, is the OED entry for this definition of "vampire": 4. A double-leaved trap-door, closing by means of springs, used in theatres to effect a sudden disappearance from the stage. 1881 W. S. GILBERT Foggerty's Fairy I, Where's my vampire? 1886 Stage Gossip 69 A ‘vampire’ is a trap used by the sprites, and is cut in the ‘flats’, and often in the stage--the sprite falling bodily through the trap. The OED even has a definition for "vampire bookseller." ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Yahoo! - Official partner of 2002 FIFA World Cup http://fifaworldcup.yahoo.com  1, forwarded,, Summary-line: 14-Jun rocky@rcracer.mv.com [132] #Annual 4th of July/Birthday Party Extravaganza X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA19756; Fri, 14 Jun 2002 10:11:42 -0400 (EDT) Received: from mercury.mv.net (mercury.mv.net [199.125.85.40]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA00681 for ; Fri, 14 Jun 2002 10:11:07 -0400 (EDT) Received: from rcracer (rcracer.mv.com [207.22.4.90]) by mercury.mv.net (8.9.3/8.9.3/mem-20020217) with ESMTP id KAA03109; Fri, 14 Jun 2002 10:10:55 -0400 (EDT) Message-Id: <4.2.0.58.20020612213917.00caf530@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Fri, 14 Jun 2002 10:07:29 -0400 To: dinner@mit.edu From: Rocky Cardalisco Subject: Annual 4th of July/Birthday Party Extravaganza Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_-1895440369==_.ALT" *** EOOH *** X-Sender: rcracer-ro@pop.mv.net Date: Fri, 14 Jun 2002 10:07:29 -0400 To: dinner@mit.edu From: Rocky Cardalisco Subject: Annual 4th of July/Birthday Party Extravaganza Content-Type: multipart/alternative; boundary="=====================_-1895440369==_.ALT" --=====================_-1895440369==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hey All The date is set for Saturday July 6, 2002 starting at 4:00 PM. Munchies to start and the grilling to begin at 5:30-6:00 It is getting close to the time for the annual 4th of July/Birthday Party Announcing the Annual 4th of July Extravaganza. This year again poses a slight problem to the party given that the 4th is placed on a Thursday so I have decided that this years annual party will be on Saturday July 6. Therefore, please accept this invitation to the annual 4th of July Party Date: Saturday 6-July-2001 Location: 115 Comstock Drive, Milford NH, 03055 Phone: +1 603 673 0601 Time: anytime after 3:00PM I have croquet, volleyball and bocce for people arriving early and want to play. I plan on having the usual BBQ type food, Burgers, Dogs, etc. If you have any special dietary restrictions please let me know and we can work something out. I am a Caffeine-Free Diet Coke/Water Drinker those are the beverages that I will supply. Since there are too many people drinking other beverages, I ask that you bring you own beverage. I will have a limited selection of Killian's and Red Wolf beer. Since you are coming to a wooded area be aware that there are mosquitos, ticks and other flying insects which can be annoying (bug spray suggested). Anyone who wishes to bring beverages, munchies, and desserts or anything else please let me know. Please RSVP to rocky@rcracer.mv.com so I know how much to buy. Thanks Hope to see you on the 6th Rocky --=====================_-1895440369==_.ALT Content-Type: text/html; charset="us-ascii" Hey All

The date is set for Saturday July 6, 2002 starting at 4:00 PM. Munchies
to start and the grilling to begin at 5:30-6:00

It is getting close to the time for the annual 4th of July/Birthday Party

Announcing the Annual 4th of July Extravaganza. This year again poses a
slight problem to the party given that the 4th is placed on a Thursday
so I have decided that this years annual party will be on Saturday July 6.

Therefore, please accept this invitation to the annual 4th of July Party

Date: Saturday 6-July-2001

Location: 115 Comstock Drive, Milford NH, 03055

Phone:  +1 603 673 0601

Time: anytime after 3:00PM

I have croquet, volleyball and bocce for people arriving early and want to play.

I plan on having the usual BBQ type food, Burgers, Dogs, etc. If you have any
special dietary restrictions please let me know and we can work something out.

I am a Caffeine-Free Diet Coke/Water Drinker those are the beverages that
I will supply.  Since there are too many people drinking other beverages, I ask that
you bring you own beverage.  I will have a limited selection of Killian's and Red Wolf
beer.

Since you are coming to a wooded area be aware that there are mosquitos, ticks and
other flying insects which can be annoying (bug spray suggested).

Anyone who wishes to bring beverages, munchies, and desserts or anything else
please let me know.

Please RSVP to rocky@rcracer.mv.com so I know how much to buy.

Thanks

Hope to see you on the 6th

Rocky



--=====================_-1895440369==_.ALT--  1,, Summary-line: 17-Jun jweiss@MIT.EDU [778] #Re: Unconfirmed reports of vulnerabilities on multics X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA04228; Mon, 17 Jun 2002 16:07:36 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA01736; Mon, 17 Jun 2002 16:04:25 -0400 (EDT) Received: from dnab408ad2.stanford.edu (DNab408ad2.Stanford.EDU [171.64.138.210]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA19743; Mon, 17 Jun 2002 16:04:24 -0400 (EDT) Received: (from jweiss@localhost) by dnab408ad2.stanford.edu (8.9.3) id QAA01189; Mon, 17 Jun 2002 16:04:23 -0400 Message-Id: <200206172004.QAA01189@dnab408ad2.stanford.edu> From: Jonathon Weiss To: Kev cc: multics-maintainers@MIT.EDU Subject: Re: Unconfirmed reports of vulnerabilities on multics In-reply-to: Your message of "Sun, 16 Jun 2002 23:33:53 EDT." <200206170333.XAA28720@multics.mit.edu> MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----- =_aaaaaaaaaa0" Content-ID: <1186.1024344231.0@dnab408ad2.stanford.edu> Date: Mon, 17 Jun 2002 16:04:23 -0400 Sender: jweiss@MIT.EDU *** EOOH *** From: Jonathon Weiss To: Kev cc: multics-maintainers@MIT.EDU Subject: Re: Unconfirmed reports of vulnerabilities on multics In-reply-to: Your message of "Sun, 16 Jun 2002 23:33:53 EDT." <200206170333.XAA28720@multics.mit.edu> Content-Type: multipart/mixed; boundary="----- =_aaaaaaaaaa0" Content-ID: <1186.1024344231.0@dnab408ad2.stanford.edu> Date: Mon, 17 Jun 2002 16:04:23 -0400 Sender: jweiss@MIT.EDU ------- =_aaaaaaaaaa0 Content-Type: text/plain; charset="us-ascii" Content-ID: <1186.1024344231.1@dnab408ad2.stanford.edu> > Because the email alerting me to these is rather long, I've chosen not to > forward it here (but will forward it to others upon request). Basically, > I have a claim that multics is vulnerable to an RPC statd format string > attack (http://online.securityfocus.com/bid/1480/discussion/) and cfingerd > util-c buffer overflow (http://www.iss.net/security_center/static/6744.php). > Presently, I don't believe this claim, but I would be irresponsible to not > pass it on at least. After looking at this, the URL's referenced here are about Linux vulnerabilities. I looked at the mail actually sent to Kevin (attached below) and it looks like the rstatd warning was a general warning that there exist vulnerable rstatd's, which while not surprising, is not especially a concern. The refereced site for the finger hole indicates that it is a local vulnerability, so I imagine that the probing didn't actually test for it. Also we are using the sun finger implementation, not the cfinger one. Unless anyone has any evidence that either of thes holes actually apply to something in Solaris 8, I'm planning to ignore them. Thanks for passing the warning along though. Jonathon ------- =_aaaaaaaaaa0 Content-Type: message/rfc822 Content-ID: <1186.1024344231.2@dnab408ad2.stanford.edu> Return-Path: Received: from central-city-carrier-station.mit.edu (CENTRAL-CITY-CARRIER-STATION.MIT.EDU [18.7.7.72]) by tla.mit.edu (8.9.3) for with ESMTP id PAA15509; Mon, 17 Jun 2002 15:45:58 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA05701 for ; Mon, 17 Jun 2002 15:45:57 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA04163 for ; Mon, 17 Jun 2002 15:45:57 -0400 (EDT) Received: (from klmitch@localhost) by multics.mit.edu (8.9.3) id PAA12403; Mon, 17 Jun 2002 15:45:54 -0400 (EDT) Resent-Message-Id: <200206171945.PAA12403@multics.mit.edu> Received: from pacific-carrier-annex.mit.edu by po12.mit.edu (8.9.2/4.7) id WAA13925; Sun, 16 Jun 2002 22:48:34 -0400 (EDT) Received: from imf03bis.bellsouth.net (mail203.mail.bellsouth.net [205.152.58.143]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA21724 for ; Sun, 16 Jun 2002 22:48:27 -0400 (EDT) Received: from HYDRA ([216.78.21.199]) by imf03bis.bellsouth.net (InterMail vM.5.01.04.05 201-253-122-122-105-20011231) with ESMTP id <20020617024946.PXJE29727.imf03bis.bellsouth.net@HYDRA> for ; Sun, 16 Jun 2002 22:49:46 -0400 From: "Brian A. Cline" To: Subject: Multics* Date: Sun, 16 Jun 2002 22:48:18 -0400 Message-ID: <000001c215a9$70482db0$05010f0a@ircplanet.net> MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0001_01C21587.E9368DB0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.2616 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Resent-To: jweiss@MIT.EDU Resent-Date: Mon, 17 Jun 2002 15:45:54 -0400 Resent-From: Kev This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C21587.E9368DB0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Kev, You may or may not recognize me from Undernet and/or the coder-com lists -- I've submitted several patches before and on IRC my nick is brian (previously Trask). Just this evening you may recall myself and a Romanian fellow by the nick of Ducoci getting off topic as (among other stupid things) I asked him to stop scanning me for vulnerabilities. After he took it to privmsg, per your request, I shared with him the appropriate information that gave me reason to believe he was scanning my gateway server for vulnerabilities. I worked a slight bit of social engineering and took my guard down for a moment, talking casually, seeing if he would share any information that he may have (should have) noticed about my system. He failed to do so, but that is besides the point. He did, however, bring up something different -- what _appear_ to be vulnerabilities in network services on the multics.mit.edu system. He asked me not to tell you, but I'm not convinced that's the most ethical approach -- these may [or may not] be vulnerabilities. I'm not sure who exactly runs the multics.* server, but if you do not then perhaps you can redirect these concerns to the proper administrator. Ducoci sent me a link to an xml-driven html page on his site generated by a program called LANguard Network Scanner (http://www.gfisoftware.com/) which pointed out that multics.* _appears_ to have the following vulnerabilities: * RPC statd format string attack (http://online.securityfocus.com/bid/1480/discussion/) * cfingerd util-c buffer overflow (http://www.iss.net/security_center/static/6744.php) I've attached the xml and htm files that he had posted on his web site, as I am sure they are probably removed by now (http://www.ducoci.ro/finger/). Also attached is scan.log, showing his /whois and /userip from Undernet, as well as Apache log entries showing the extensive HTTPd scan he launched on my server at home -- if multics.* is a web server you may find similar entries. I also checked /var/log/messages log and noticed there were several messages pertaining to denied sshd, anonymous ftp, portmap, etc. sessions for his host. If you would like the complete privmsg log, I will be happy to send it. Again, these may or may not be issues on multics.* in particular, but in case they are, I wanted to make sure someone who is an administrator of that server, or someone who knows of an administrator to contact, knows about this. Thank you for reading. I will never get off-topic again. -- Brian A. Cline ------=_NextPart_000_0001_01C21587.E9368DB0 Content-Type: text/html; name="18.187.1.73 - 17 June.htm" Content-Transfer-Encoding: quoted-printable Content-Disposition: attachment; filename="18.187.1.73 - 17 June.htm" just a finger :D

=20
 =20
 

  Users (15)    
      alex_c    
          alex_c Alexander S Coventry pts/9 = 9 Sat 21:00 :pts/14:S.0 =20    
          alex_c Alexander S Coventry *pts/14 = 9 Sun 20:05 stratton-three-seven    
          alex_c Alexander S Coventry pts/43 = 10 Sat 21:17 :pts/14:S.1 =20    
      klmitch    
          klmitch Kevin L Mitchell *pts/47 = 17 Tue 19:30 kit.ne.client2.attbi    
          klmitch Kevin L Mitchell pts/55 = 17 Sun 10:31 :pts/47:S.2 =20    
          klmitch Kevin L Mitchell pts/54 = 23 Sun 10:31 :pts/47:S.1 =20    
          klmitch Kevin L Mitchell pts/86 = 19 Sun 06:04 :pts/47:S.0 =20    
      jhawk    
          jhawk John Hawkinson pts/23 = 7:37 Fri 01:08 :pts/48:S.0 =20    
          jhawk John Hawkinson pts/33 = 3:25 Fri 01:10 :pts/48:S.1 =20    
          jhawk John Hawkinson pts/35 = 5:51 Fri 01:13 :pts/48:S.2 =20    
          jhawk John Hawkinson pts/45 = 8d Fri 18:55 :pts/48:S.6 =20    
          jhawk John Hawkinson pts/39 = 1d Fri 17:05 :pts/48:S.3 =20    
          jhawk John Hawkinson pts/53 = 3d Fri 17:07 :pts/48:S.4 =20    
          jhawk John Hawkinson *pts/48 = 1d Sat 15:00 zorkmid.mit.edu =20    
          jhawk John Hawkinson pts/56 = 6d Fri 18:58 :pts/48:S.7 =20    
          jhawk John Hawkinson pts/92 = 5d Tue 13:03 :pts/48:S.5 =20    
      amu    
          amu Aaron M. Ucko pts/49 = 17 Sun 20:20 :pts/66:S.0 =20    
          amu Aaron M. Ucko *pts/66 = 17 Sun 20:20 pool-141-156-97-78.r    
          amu Aaron M. Ucko pts/68 = 17 Sun 20:21 :pts/66:S.1 =20    
      lnemzer    
          lnemzer Lex Nemzer pts/69 = 1d Thu 21:52 h00a0cce1d515.ne.cli    
          lnemzer Lex Nemzer *pts/70 = 1:31 Sat 12:25 h00a0cce1d515.ne.cli    
          lnemzer Lex Nemzer pts/87 = 1:31 Fri 23:57 :pts/102:S.1 =20    
          lnemzer Lex Nemzer pts/94 = 1:32 Fri 23:56 :pts/102:S.0 =20    
          lnemzer Lex Nemzer pts/95 = 21: Sat 00:59 :pts/102:S.2 =20    
      lnemzer    
          lnemzer Lex Nemzer pts/69 = 1d Thu 21:52 h00a0cce1d515.ne.cli    
          lnemzer Lex Nemzer *pts/70 = 1:31 Sat 12:25 h00a0cce1d515.ne.cli    
          lnemzer Lex Nemzer pts/87 = 1:31 Fri 23:57 :pts/102:S.1 =20    
          lnemzer Lex Nemzer pts/94 = 1:32 Fri 23:56 :pts/102:S.0 =20    
          lnemzer Lex Nemzer pts/95 = 21: Sat 00:59 :pts/102:S.2 =20    
      rgardner    
          rgardner Richard Gardner pts/30 = 2:06 Sun 19:43 xensei-ppp-n0176.xen    
          rgardner Richard Gardner pts/78 = 5 Sun 21:46 xensei-ppp-n0107.xen    
          rgardner Richard Gardner pts/93 = 1:44 Sun 20:07 xensei-ppp-n0110.xen    
      tibbetts    
          tibbetts Richard Tibbetts pts/73 = 2d Fri 08:41 innocuous.mit.edu =20    
      jdaniel    
          jdaniel Jeremy Daniel pts/6 = 9:45 Mon 16:11 :pts/74:S.5 =20    
          jdaniel Jeremy Daniel pts/21 = 9:45 Sat 21:39 :pts/74:S.8 =20    
          jdaniel Jeremy Daniel pts/27 = 1 Fri 00:33 :pts/74:S.0 =20    
          jdaniel Jeremy Daniel pts/28 = 2 Tue 00:36 :pts/74:S.1 =20    
          jdaniel Jeremy Daniel pts/34 = 2d Fri 16:58 :pts/74:S.2 =20    
          jdaniel Jeremy Daniel pts/24 = 9:45 Fri 23:21 :pts/74:S.4 =20    
          jdaniel Jeremy Daniel *pts/74 = Sat 18:24 h00601d1c6642.ne.cli    
          jdaniel Jeremy Daniel pts/90 = 1:54 Fri 18:45 :pts/74:S.7 =20    
      rgardner    
          rgardner Richard Gardner pts/30 = 2:06 Sun 19:43 xensei-ppp-n0176.xen    
          rgardner Richard Gardner pts/78 = 5 Sun 21:46 xensei-ppp-n0107.xen    
          rgardner Richard Gardner pts/93 = 1:44 Sun 20:07 xensei-ppp-n0110.xen    
      gamache    
          gamache peeto de la noche pts/88 = 1d Thu 12:31 north-vietnamese-arm    
      rgardner    
          rgardner Richard Gardner pts/30 = 2:06 Sun 19:43 xensei-ppp-n0176.xen    
          rgardner Richard Gardner pts/78 = 5 Sun 21:46 xensei-ppp-n0107.xen    
          rgardner Richard Gardner pts/93 = 1:44 Sun 20:07 xensei-ppp-n0110.xen    
      gutnik    
          gutnik Vadim Gutnik *pts/100 = 1d Thu 23:29 cs24332-218.austin.r    
      marc    
          amgreene Andrew Marc Greene = < . . . . >    
          marc Marc Horowitz pts/7 = 6d Mon 18:52 thermite.broadfire.c    
      yonah    
          yonah Yonah Schmeidler pts/4 = Tue 10:08 :pts/113:S.3 =20    
          yonah Yonah Schmeidler pts/19 = 114d Sun 16:48 :pts/113:S.1 =20    
          yonah Yonah Schmeidler pts/18 = 3:22 Sun 16:48 :pts/113:S.2 =20    
          yonah Yonah Schmeidler pts/41 = 5 Sun 16:48 :pts/113:S.0 =20    
          yonah Yonah Schmeidler *pts/113 = Sun 21:46 yonah.ne.client2.att


=              Login Name TTY = Idle When Where    
        =      alex_c Alexander S = Coventry *pts/14 9 Sun 20:05 stratton-three-seven    
        =      klmitch Kevin L = Mitchell *pts/47 17 Tue 19:30 kit.ne.client2.attbi    
        =      jhawk John = Hawkinson *pts/48 1d Sat 15:00 zorkmid.mit.edu    
        =      amu Aaron M. = Ucko *pts/66 17 Sun 20:20 pool-141-156-97-78.r    
        =      lnemzer Lex Nemzer = pts/69 1d Thu 21:52 h00a0cce1d515.ne.cli    
        =      lnemzer Lex Nemzer = *pts/70 1:31 Sat 12:25 h00a0cce1d515.ne.cli    
        =      rgardner Richard = Gardner pts/30 2:06 Sun 19:43 xensei-ppp-n0176.xen    
        =      tibbetts Richard = Tibbetts pts/73 2d Fri 08:41 innocuous.mit.edu    
        =      jdaniel Jeremy = Daniel *pts/74 Sat 18:24 h00601d1c6642.ne.cli    
        =      rgardner Richard = Gardner pts/78 5 Sun 21:46 xensei-ppp-n0107.xen    
        =      gamache peeto de la = noche pts/88 1d Thu 12:31 north-vietnamese-arm    
        =      rgardner Richard = Gardner pts/93 1:44 Sun 20:07 xensei-ppp-n0110.xen    
        =      gutnik Vadim = Gutnik *pts/100 1d Thu 23:29 cs24332-218.austin.r    
        =      marc Marc = Horowitz pts/7 6d Mon 18:52 thermite.broadfire.c    
        =      yonah Yonah = Schmeidler *pts/113 Sun 21:46 yonah.ne.client2.att    
    

------=_NextPart_000_0001_01C21587.E9368DB0 Content-Type: text/xml; name="18.187.1.73 - 17 June.xml" Content-Transfer-Encoding: quoted-printable Content-Disposition: attachment; filename="18.187.1.73 - 17 June.xml" 18.187.1.73 probably Unix MULTICS.MIT.EDU 0 239 0 1 0 0 0 0 alex_c klmitch jhawk amu lnemzer lnemzer rgardner tibbetts jdaniel rgardner gamache rgardner gutnik marc yonah Time of day ]"> Sun Jun 16 21:51:36 2002 File Transfer Protocol ]"> 220 multics.mit.edu FTP server (Version 5.60) ready. Remote Login Protocol ]"> SSH-1.5-1.2.26 Remote Login Protocol ]"> nencrypted connection refused. Goodbye. Simple Mail Transfer Protocol ]"> 220 multics.mit.edu Applesauce! ESMTP Login Name TTY Idle When = Where alex_c Alexander S Coventry *pts/14 9 Sun 20:05 = stratton-three-seven klmitch Kevin L Mitchell *pts/47 17 Tue 19:30 = kit.ne.client2.attbi jhawk John Hawkinson *pts/48 1d Sat 15:00 = zorkmid.mit.edu amu Aaron M. Ucko *pts/66 17 Sun 20:20 = pool-141-156-97-78.r lnemzer Lex Nemzer pts/69 1d Thu 21:52 = h00a0cce1d515.ne.cli lnemzer Lex Nemzer *pts/70 1:31 Sat 12:25 = h00a0cce1d515.ne.cli rgardner Richard Gardner pts/30 2:06 Sun 19:43 = xensei-ppp-n0176.xen tibbetts Richard Tibbetts pts/73 2d Fri 08:41 = innocuous.mit.edu jdaniel Jeremy Daniel *pts/74 Sat 18:24 = h00601d1c6642.ne.cli rgardner Richard Gardner pts/78 5 Sun 21:46 = xensei-ppp-n0107.xen gamache peeto de la noche pts/88 1d Thu 12:31 = north-vietnamese-arm rgardner Richard Gardner pts/93 1:44 Sun 20:07 = xensei-ppp-n0110.xen gutnik Vadim Gutnik *pts/100 1d Thu 23:29 = cs24332-218.austin.r marc Marc Horowitz pts/7 6d Mon 18:52 = thermite.broadfire.c yonah Yonah Schmeidler *pts/113 Sun 21:46 = yonah.ne.client2.att World Wide Web, HTTP ]"> HTTP/1.0 405 Unsupported methodConnection: closeContent-Type: = text/html_HTML__HEAD__TITLE_Error 405: Unsupported = method_/TITLE__/HEAD__BODY__H1_Error 405: Unsupported method_/H1__P_Your = request could not be completed as received._P_Please check your URL and = try again, or contactbug-dialup@mit.edu for = assistance._/BODY__/HTML_ SUN Remote Procedure Call ]"> portmapper, Ver : 4, Proto : TCP, Port : 111 portmapper, Ver : 3, Proto : TCP, Port : 111 portmapper, Ver : 2, Proto : TCP, Port : 111 portmapper, Ver : 4, Proto : UDP, Port : 111 portmapper, Ver : 3, Proto : UDP, Port : 111 portmapper, Ver : 2, Proto : UDP, Port : 111 rstatd, Ver : 2, Proto : UDP, Port : 51258 rstatd, Ver : 3, Proto : UDP, Port : 51258 rstatd, Ver : 4, Proto : UDP, Port : 51258 Secure HTTP ]"> SSH-1.5-1.2.26 statd format string attack Some versions of this service are vulnerable (Run arbitrary = commands as root) 1480 cfingerd util-c buffer overflow The cfingerd package versions 1.4.3 and earlier is = vulnerable to a buffer overflow in the util.c file http://xforce.iss.net/static/6744.php ------=_NextPart_000_0001_01C21587.E9368DB0 Content-Type: application/octet-stream; name="scan.log" Content-Transfer-Encoding: quoted-printable Content-Disposition: attachment; filename="scan.log" Ducoci is ~Ducoci@db0.logicnet.ro * The Grand Ducoci Ducoci on #coder-com #=A5 @#x-zone @#www.ducoci.ro @#targoviste = @#ienachita @#heroin @#general #corrs=20 Ducoci using *.undernet.org The Undernet Underworld Ducoci is away: what you do in life it goes in *eternity* [32m 38s] Ducoci has been idle 2mins 4secs, signed on Sun Jun 16 20:52:57 ducoci End of /WHOIS list. Ducoci=3D-~Ducoci@193.254.43.254 -- 193.254.43.254 - - [16/Jun/2002:21:17:52 -0400] "HEAD / HTTP\1.0" 200 0 = "-" "-" 193.254.43.254 - - [16/Jun/2002:21:17:54 -0400] "HEAD /// HTTP/1.0" 200 = 0 "-" "-" db0.logicnet.ro - - [16/Jun/2002:21:17:56 -0400] "HEAD ///server-info = HTTP/1.0" 403 0 "-" "-" db0.logicnet.ro - - [16/Jun/2002:21:17:57 -0400] "HEAD ///server-status = HTTP/1.0" 403 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:17:58 -0400] "HEAD /site/eg/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:17:59 -0400] "HEAD /doc/ HTTP/1.0" = 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:00 -0400] "HEAD /~nobody/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:02 -0400] "HEAD ///manual/ = HTTP/1.0" 200 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:04 -0400] "HEAD /cgi-bin/ = HTTP/1.0" 403 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:05 -0400] "HEAD /cgi-bin/ad.cgi = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:05 -0400] "HEAD /cgi-bin/aglimpse = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:06 -0400] "HEAD /cgi-bin/AnyForm2 = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:07 -0400] "HEAD = /cgi-bin/bbs_forum.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:08 -0400] "HEAD = /cgi-bin/bsguest.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:09 -0400] "HEAD = /cgi-bin/bslist.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:10 -0400] "HEAD /cgi-bin/campas = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:11 -0400] "HEAD /// HTTP/1.0" 200 = 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:12 -0400] "HEAD ///carbo.ddl = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:13 -0400] "HEAD /cgi-bin/count.cgi = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:15 -0400] "HEAD = /cgi-bin/cgforum.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:16 -0400] "HEAD /cgi-bin/faxsurvey = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:17 -0400] "HEAD /cgi-bin/gbook.cgi = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:18 -0400] "HEAD /cgi-bin/htsearch = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:18 -0400] "HEAD = /cgi-bin/htmlscript HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:19 -0400] "HEAD /cgi-bin/jj = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:20 -0400] "HEAD /technote/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:21 -0400] "HEAD = /cgi-bin/mmstdod.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:22 -0400] "HEAD /cgi-bin/newdesk = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:23 -0400] "HEAD = /cgi-bin/register.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:24 -0400] "HEAD = /cgi-bin/simplestguest.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:25 -0400] "HEAD = /cgi-bin/statusconfig.pl HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:26 -0400] "HEAD /cgi-bin/webgais = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:27 -0400] "HEAD /iisadmpwd/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:28 -0400] "HEAD /cgi-bin/webgais = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:29 -0400] "HEAD /cgi-bin/perl.exe = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:30 -0400] "HEAD /cgi-dos/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:31 -0400] "HEAD /scripts/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:32 -0400] "HEAD = /cgi-bin/infosrch.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:33 -0400] "HEAD = /cgi-bin/rguest.exe HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:34 -0400] "HEAD /mall_log_files/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:35 -0400] "HEAD = /cgi-bin/ezshopper2/loadpage.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:36 -0400] "HEAD /Admin_files/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:37 -0400] "GET ///quote.html = HTTP/1.0" 404 284 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:38 -0400] "GET = /cgi-bin/cal_make.pl?p0=3D../../../../../../../../../../../../etc/passwd%= 00 HTTP/1.0" 404 291 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:39 -0400] "HEAD = /cgi-bin/dcboard.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:40 -0400] "GET = /cgi-bin/nph-maillist.pl HTTP/1.0" 404 295 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:41 -0400] "GET = /cgi-bin/talkback.cgi?article=3D../../../../../../../../etc/passwd%00&act= ion=3Dview&matchview=3D1 HTTP/1.0" 404 292 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:43 -0400] "GET = /cgi-bin/ustorekeeper.pl?command=3Dgoto&file=3D../../../../../../../../..= /../etc/passwd HTTP/1.0" 404 295 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:46 -0400] "HEAD = /cgi-bin/ikonboard/ HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:48 -0400] "HEAD /foldoc/ HTTP/1.0" = 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:50 -0400] "HEAD /cgi-bin/adcycle/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:55 -0400] "GET = /cgi-bin/store.cgi?StartID=3D../etc/passwd%00.html HTTP/1.0" 404 289 "-" = "-" 193.254.43.254 - - [16/Jun/2002:21:18:56 -0400] "HEAD = /cgi-bin/bbs_forum.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:57 -0400] "HEAD = /cgi-bin/commerce.cgi?page=3D../../../../etc/hosts%00index.html = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:58 -0400] "GET = /cgi-bin/auktion.pl?menue=3D../../../../../../../../../../../../../etc/pa= sswd HTTP/1.0" 404 290 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:18:59 -0400] "GET = /cgi-bin/hsx.cgi?show=3D../../../../../../etc/passwd%00 HTTP/1.0" 404 = 287 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:00 -0400] "HEAD = /cgi-bin/mailnews.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:01 -0400] "HEAD = /cgi-bin/newsdesk.cgi HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:02 -0400] "HEAD /cgi-bin/pals-cgi = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:03 -0400] "HEAD /ROADS/ HTTP/1.0" = 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:04 -0400] "GET = /cgi-bin/sendtemp.pl?templ=3D../../etc/passwd HTTP/1.0" 404 291 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:05 -0400] "HEAD /way-board/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:06 -0400] "GET = /cgi-bin/webspirs.cgi?sp.nextform=3D../../../../../../etc/passwd = HTTP/1.0" 404 292 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:07 -0400] "HEAD = /cgi-bin/DCShop/Orders/orders.txt HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:08 -0400] "HEAD = /cgi-bin/a1disp3.cgi?/../../../../../../etc/passwd HTTP/1.0" 404 0 "-" = "-" 193.254.43.254 - - [16/Jun/2002:21:19:09 -0400] "HEAD /cgi-bin/a1stats/ = HTTP/1.0" 404 0 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:10 -0400] "GET /cgi-bin/get32.exe = HTTP/1.0" 404 289 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:11 -0400] "GET = /cgi-bin/auktion.cgi?menue=3D../../../../../../../../../etc/passwd = HTTP/1.0" 404 291 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:12 -0400] "GET = ///index.php?chemin=3D..%2F..%2F..%2F..%2F..%2F..%2Fetc HTTP/1.0" 200 = 690 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:14 -0400] "GET = /cgi-bin/index.php?chemin=3D..%2F..%2F..%2F..%2F..%2F..%2Fetc HTTP/1.0" = 404 289 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:15 -0400] "GET = ///edit_image.php?dn=3D1&userfile=3D/etc/passwd&userfile_name=3D%20;ls;%2= 0 HTTP/1.0" 404 288 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:16 -0400] "GET = /cgi-bin/eshop.pl?seite=3D;cat%20/etc/passwd| HTTP/1.0" 404 288 "-" "-" 193.254.43.254 - - [16/Jun/2002:21:19:30 -0400] "GET / HTTP/1.1" 200 702 = "-" "Mozilla/4.0 (compatible; MSIE 5.5; Windows 98; Win 9x 4.90)" 193.254.43.254 - - [16/Jun/2002:21:19:31 -0400] "GET /notify2.gif = HTTP/1.1" 200 5432 "http://216.78.23.136/" "Mozilla/4.0 (compatible; = MSIE 5.5; Windows 98; Win 9x 4.90)" ------=_NextPart_000_0001_01C21587.E9368DB0-- ------- =_aaaaaaaaaa0--  1,, Summary-line: 17-Jun oris@interlog.com [42] #TORONTO 2004 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA08401; Mon, 17 Jun 2002 18:20:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA18384 for ; Mon, 17 Jun 2002 18:20:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id SAA16405; Mon, 17 Jun 2002 18:19:55 -0400 (EDT) Date: Mon, 17 Jun 2002 18:19:55 -0400 (EDT) Message-Id: <5.0.0.25.1.20020617175457.00a754a0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO 2004 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.0 *** EOOH *** Date: Mon, 17 Jun 2002 18:19:55 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO 2004 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi folks, A frequently asked question at virtually any G&S event I attend is "are you having another singout in Toronto?" The reply at first was "God, no!" then eventually, "we'll see, we'll see." Enough, already!!! Time to make a decision. The committee (4/5 of us, anyway, met a few nights ago and we reached a tentative agreement that we should procede with plans to hold another G&S Singout in August, 2004. Please understand that there is a LOT of work to be done even before we select the exact weekend and things are subject to cancellation. We are, however, doing the preliminary groundwork which we hope will lead to another very successful gathering. For the time being, just make a note somewhere that over the period of one weekend in August 2004, we're gonna have us a time!! Don't even THINK of asking for a role yet!!! stay tuned, Ori VA3ORI Toronto, Ontario, CANADA ---------------------------- *TORONTO 2004* such a nice place for Gilbert & Sullivan you could just plotz! =============== August dates t.b.a. -------------------------------  1,, Summary-line: 18-Jun Sangazure1@aol.com [19] #Re: QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA26152; Tue, 18 Jun 2002 12:24:13 -0400 (EDT) From: Received: from imo-m07.mx.aol.com (imo-m07.mx.aol.com [64.12.136.162]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id MAA15541 for ; Tue, 18 Jun 2002 12:23:37 -0400 (EDT) Received: from Sangazure1@aol.com by imo-m07.mx.aol.com (mail_out_v32.5.) id 6.16.20d0136e (24897) for ; Tue, 18 Jun 2002 12:23:34 -0400 (EDT) Message-ID: <16.20d0136e.2a40b87b@aol.com> Date: Tue, 18 Jun 2002 12:23:23 EDT Subject: Re: QWERTY/Conn II To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Tue, 18 Jun 2002 12:23:23 EDT Subject: Re: QWERTY/Conn II To: opus@mit.edu Content-Type: text/plain; charset="US-ASCII" In a message dated 6/18/02 11:42:03 AM Eastern Daylight Time, opus@MIT.EDU writes: << Before I forget (again, since I didn't reply immediately), let me add myself and probably Ruth to the list of "yesses". >> Wonderful!! We look forward to seeing you again. Bobbie Sangazure1@aol.com "Love Me! I'll stick sunflowers in my hair!"  1, answered,, Summary-line: 18-Jun oris@interlog.com [57] #TORONTO 2004 (aka: Son of Singout) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA27380; Tue, 18 Jun 2002 14:11:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA26521 for ; Tue, 18 Jun 2002 14:11:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA23421; Tue, 18 Jun 2002 14:11:10 -0400 (EDT) Date: Tue, 18 Jun 2002 14:11:10 -0400 (EDT) Message-Id: <5.0.0.25.1.20020618132619.00a343b0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO 2004 (aka: Son of Singout) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.0 *** EOOH *** Date: Tue, 18 Jun 2002 14:11:10 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: TORONTO 2004 (aka: Son of Singout) Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum To get things rolling, here is the e-mail address to which you may send to add yourself to the mailing list: torontosingout2004@sympatico.ca To get on the distribution list, please include the following information: name full mailing address including apartment # where applicable, city, state or province, zip or postal code home phone business phone e-mail address Should you move after sending along your information, please remember to contact us so that we can update the mailing list!! Please pass along the singout e-mail address to others who may not be on Savoynet and feel free to publish it in upcoming programs and newsletters as well as your personal or society webpages. Also, please feel free to direct any and all questions either to me at the above address or to Herschel at the singout address. Our organization for the 2004 event is still in its infancy but we will certainly apply the lessons we learned from doing the first one. I'll pass along a timeline to Savoynet and others as soon as we've developed one. Following the initial announcement, we've already received several notes from persons planning on attending the next singout. This is VERY encouraging, to say the least, and we're looking forward to seeing all of our old friends and many new ones as well two years hence. cheers, Ori VA3ORI Toronto, Ontario, CANADA ---------------------------- *TORONTO 2004* such a nice place for Gilbert & Sullivan you could just plotz! =============== August dates t.b.a. -------------------------------  1,, Summary-line: 18-Jun setiweb@ssl.berkeley.edu [144] #SETI@home news X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA15553; Tue, 18 Jun 2002 19:27:25 -0400 (EDT) Received: from koloth.ssl.berkeley.edu (koloth.ssl.berkeley.edu [128.32.18.153]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA18292 for ; Tue, 18 Jun 2002 19:23:51 -0400 (EDT) Received: (from setiweb@localhost) by ssl.berkeley.edu (8.9.3+Sun/8.9.1) id QAA27893 for opus@mit.edu; Tue, 18 Jun 2002 16:23:44 -0700 (PDT) Date: Tue, 18 Jun 2002 16:23:44 -0700 (PDT) From: SETI Web Message-Id: <200206182323.QAA27893@ssl.berkeley.edu> Subject: SETI@home news Apparently-To: *** EOOH *** Date: Tue, 18 Jun 2002 16:23:44 -0700 (PDT) From: SETI Web Subject: SETI@home news Apparently-To: Dear opus: SETI@home continues to use the computing power of the Internet to search for life outside Earth. Thanks for being part of this history-making effort! According to our records, you have processed 4752 work units, the most recent on December 10, 2000. Your contribution of computer time to SETI@home is greatly appreciated. If you have taken a break from SETI@home, now is a great time to start up again; you can download the latest software at http://setiathome.berkeley.edu/download.html This newsletter covers the following topics: - Message from our sponsors - Science news - Project news - New web site features Dr. David P. Anderson Project Director, SETI@home http://setiathome.berkeley.edu To be removed from our mailing list, see the instructions at the bottom of this message. ---------------------------------------------------- SUPPORT SETI@HOME - JOIN THE PLANETARY SOCIETY The Planetary Society (TPS) is one of the few organizations in the world that fund SETI research. TPS members support several innovative programs that scan the skies of both hemispheres, searching for possible signals from other civilizations. As we struggled to get SETI@home off the ground, TPS stepped forward to become our founding sponsor. They made SETI@home happen! We strongly encourage all SETI@home users to join TPS. If you join today, you'll receive a free poster of the famous "Pale Blue Dot" image of Earth, with the inspirational words of Planetary Society co-founder Carl Sagan. Go to https://planetary.org/membership_bluedot.htm ---------------------------------------------------- You can also support SETI@home by shopping at the SETI@home store: http://www.exploratoriumstore.com/explo/setmainpag.html Now you can save 15-40% on everything from mugs and T-shirts to science activity kits and desk clocks. Show your support by wearing a SETI@home T-shirt, sweatshirt, or jacket. Spend $75 or more and receive a free hat! Let us know what other items you'd like to see in the SETI@home store; email us at seti@exploratorium.edu. A randomly selected correspondent will win a SETI@home sweatshirt. Thanks also to our other major sponsors: the UC DiMI program, Sun Microsystems, Network Appliance, Fujifilm Computer Products, and Quantum; and to individuals around the world who have generously donated to SETI@home: see http://setiathome.berkeley.edu/donor.html ---------------------------------------------------- SCIENTIFIC NEWS Using the processing power of SETI@home participants, we've amassed a huge database of candidate signals - 3.2 billion spikes and 266 million Gaussians. Now we're sifting through these signals. The first step involves comparing the redundant results for each work unit, making sure they agree, and discarding erroneous results. Then we identify the times and frequencies at which man-made interference has occurred, so that we can filter it out. Finally we look for signals that are "persistent" - that occur at the same place and frequency, but at different times. Currently we have checked our Gaussian and pulse signals, and have found several thousand persistent signals; see http://setiathome.berkeley.edu/Candidates/index.html We are applying for telescope time at Arecibo to reobserve these points in the sky. We continue to record data on the Hydrogen line band at Arecibo. Our receiver was out of operation from August 2001 to March 2002 because of hardware problems at Arecibo. We installed a new receiver and have started recording again. We've also started using the SETI@home data tapes for two completely different purposes: making a map of hydrogen gas in the Milky Way, and searching for broadband pulses that might be evidence of evaporating black holes - a phenomenon that has been predicted but not observed. We also might detect broadband pulses from ET; no one has ever tried this. ---------------------------------------------------- PROJECT NEWS SETI@home continues to grow. In May 2001 we recorded our 3 millionth user, in September we passed the ZettaFLOP (10^21 operations) mark - by far the largest computation ever performed (at least on Earth!), and recently we surpassed one million years of CPU time. We are working on new SETI searches, using new versions of SETI@home software. We hope to start recording data at a telescope in Australia (with coverage of most of the southern sky) and to expand our frequency coverage at Arecibo, if we can raise the funds. With success has come a variety of technical problems. The most serious of these happened in early 2002 when the U.C. Berkeley Internet connection became saturated; during peak hours little bandwidth was available to SETI@home and many users were unable to connect and get work units. We have solved this problem by getting our own high-speed network connection. ---------------------------------------------------- NEW WEB SITE FEATURES We've added many new features to our web site, including: - User profiles: http://setiathome.berkeley.edu/user_profile/profile_menu.html Write about yourself and about SETI, show a picture of yourself, and browse profiles of other users. Every day we highlight a "User of the Day" profile. - Message boards: http://setiathome.berkeley.edu/bb/bb.cgi Converse with other users on a variety of topics. - Progress page: http://setiathome.berkeley.edu/process_page/ See a concise view of the SETI@home pipeline. - Power maps: http://setiathome.berkeley.edu/clickplots/ See a summary of the signals we've detected, broken down by frequency and time. - Class pages: http://setiathome.berkeley.edu/classpages/ See other users who started running SETI@home on the same day as you. ---------------------------------------------------- If you wish to remove your name from the SETI@home email list, please go to the URL: http://setiathome.berkeley.edu/cgi-bin/cgi?cmd=unsub&a=922237&b=2928739 If you asked to be removed previously and are receiving this, please accept our apologies. Due to technical difficulties we may not have received your request. We hope that this new approach will solve the problem.  1,, Summary-line: 21-Jun awrobins@yahoo.com [90] #Copying and/or digitizing vocal scores X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA27850; Fri, 21 Jun 2002 14:02:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA23576 for ; Fri, 21 Jun 2002 14:01:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id OAA14338; Fri, 21 Jun 2002 14:00:57 -0400 (EDT) Date: Fri, 21 Jun 2002 14:00:57 -0400 (EDT) Message-Id: <20020621174220.74797.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Copying and/or digitizing vocal scores MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 21 Jun 2002 14:00:57 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Copying and/or digitizing vocal scores Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This message is especially for James Farron, but I thought it would be of interest to some other Savoynetters as well (also, I have a copyright question--a topic that has been coming up recently in connection with Jessie Bond). After posting the information about the vocal scores available from NODA, and mentioning that I had got away with their only sale copies of the vocal scores of HIS EXCELLENCY and FALLEN FAIRIES, I got a couple of private e-mails. One asked “Do you think there's any hope of getting a grant to electronically archive these works before they physically disintegrate?" The other person asked if I would be willing to sell a photocopy of the vocal score of HIS EXCELLENCY. First, I assume that HIS EXCELLENCY is in the public domain, since the composer, Osmond Carr, died in 1916. If I'm wrong about this, will someone please let me know? Also, would the works of Edward German, who died in 1936, also be in the public domain, since it is now 75 years since his death? It would be wonderful if we could digitize rare vocal scores that are in the public domain and put them on the G&S Archive. I think this was discussed in the past, but since at the time I didn't own any rare scores myself, I didn't participate in the discussion myself. I should be happy to make available a photocopy of my score(s) for this purpose, since--unusually for such scores--since they have been bound, they can be photocopied without too much damage. But I don't have the facilities myself to digitize them, and am not clear on how much work and expense is involved (I'm embarrassed to say I have never scanned anything--I'm not a technophobe, I'm just a techno-ignoramus). Is this something that James Farron would be able to do? I know he's busy--I don't know how he does as much as he does with the Archive. Or is there someone else who would want to volunteer to digitize these if I supplied photocopies, if this would make it easier for Jim (i.e., if someone else sent him the score in digital form, would that make it easier for him to make it available on the G&S Archive)? To answer the Savoynetter who inquired about the photocopy: My preference would be to have the score of HIS EXCELLENCY made available to everyone on the Internet, then he could just print off a copy. But if this won't work, then yes, I should be happy to supply a photocopy at cost (the cost of photocopying 236 pages or whatever at 10 cents a page, or possibly a little less, plus postage), assuming the score is in the public domain. In the latter case, I'd be happy to take requests from other Savoynetters interested in a photocopy of this, to save having to run it through the copier again! But before I do this, I want to know whether it's possible to put the score in the G&S Archive. I hope to hear from James or anyone else about the practicality of digitizing this score (and others). Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? Yahoo! - Official partner of 2002 FIFA World Cup http://fifaworldcup.yahoo.com  1,, Summary-line: 29-Jun Sangazure1@aol.com [52] #Re: Outdoor catastrophes -- Totally OT X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA18036; Sat, 29 Jun 2002 10:50:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA01930 for ; Sat, 29 Jun 2002 10:50:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.9.3/8.9.3) with SMTP id KAA16930; Sat, 29 Jun 2002 10:49:48 -0400 (EDT) Date: Sat, 29 Jun 2002 10:49:48 -0400 (EDT) Message-Id: <19b.486718c.2a4f202b@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Outdoor catastrophes -- Totally OT MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Sat, 29 Jun 2002 10:49:48 -0400 (EDT) Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Outdoor catastrophes -- Totally OT Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This wasn't G&S, but -- Paul and I planned a Housewarming Party for Saturday evening, August 16, 1997. We sent out invitations to a Clambake. We had a tent, tables, caterer and an electronic keyboard jazz musician. What we didn't tell the guests was that we were also planning to be married that evening. The ceremony was to take place at about 6:30. At about 6:15 the guests were standing around, enjoying their cocktails when suddenly, a mini-tornado came roaring through the area. The table settings went flying around the lawn, the skies opened up, everyone ran indoors for cover, the power went out and I totally lost control. My beautiful wedding (planned down to the last detail -- a la Martha Stewart) ruined. Of course, since the wedding was a surprise, no one could undertand why I was so hysterical! About fifteen minutes later, the tornado had passed and everything was as peaceful and serene as before, except we were without power. No matter -- the guests helped reset the tables, and a friend ran home for several sets of candlesticks. At that point, our Minister (who was a good friend and an invited guest) announced that he couldn't attend a party without working, so "would you all please gather around." The ceremony went off without a hitch, except that the electronic keyboard wasn't functioning. The pianist held up a boom box with a CD playing the "Wedding March" and we sang a hymn a cappella. Luckily, the caterer had gas grills. And the candlelight reception was very romantic. The power was restored about five minutes after the last guest left. Bobbie Sangazure1@aol.com "Love Me! I'll stick sunflowers in my hair!"  1,, Summary-line: 30-Jun admin@monkeys.com [106] #SECURITY NOTIFICATION: Open proxy list for AS 3 X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA09431; Sun, 30 Jun 2002 09:41:24 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA16258; Sun, 30 Jun 2002 09:40:43 -0400 (EDT) Received: from Paddington.MIT.EDU (PADDINGTON.MIT.EDU [18.18.1.1]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id JAA27417; Sun, 30 Jun 2002 09:40:43 -0400 (EDT) Received: (from hoffmann@localhost) by Paddington.MIT.EDU (8.9.3) id JAA24989; Sun, 30 Jun 2002 09:40:44 -0400 (EDT) Message-Id: <200206301340.JAA24989@Paddington.MIT.EDU> From: "Monkeys.Com Administrator" To: security@MIT.EDU, sipb-staff@MIT.EDU cc: postmaster@MIT.EDU Subject: SECURITY NOTIFICATION: Open proxy list for AS 3 Date: Sun, 30 Jun 2002 09:40:44 -0400 Sender: hoffmann@MIT.EDU *** EOOH *** From: "Monkeys.Com Administrator" To: security@MIT.EDU, sipb-staff@MIT.EDU cc: postmaster@MIT.EDU Subject: SECURITY NOTIFICATION: Open proxy list for AS 3 Date: Sun, 30 Jun 2002 09:40:44 -0400 Sender: hoffmann@MIT.EDU Forwarded to security and sipb-staff by hoffmann. ------- Forwarded Message Return-Path: Received: from pacific-carrier-annex.mit.edu by po12.mit.edu (8.9.2/4.7) id FAA17467; Sun, 30 Jun 2002 05:05:47 -0400 (EDT) Received: from segfault.monkeys.com (segfault.monkeys.com [66.60.157.246]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id FAA25880 for ; Sun, 30 Jun 2002 05:05:36 -0400 (EDT) Received: by segfault.monkeys.com (Postfix, from userid 0) id A6FB86637; Sun, 30 Jun 2002 02:05:35 -0700 (PDT) From: "Monkeys.Com Administrator" To: postmaster@mit.edu Subject: SECURITY NOTIFICATION: Open proxy list for AS 3 Reply-To: "Monkeys.Com Administrator" Message-Id: <20020630090535.A6FB86637@segfault.monkeys.com> Date: Sun, 30 Jun 2002 02:05:35 -0700 (PDT) The message is a security notification regarding security problems that were recently detected on your network, AS 3. The IP addresses shown below, which are located on your network, were recently submitted to us as possible unsecured TCP proxies. We have tested these IP addresses and found that they are indeed dangerously unsecured open proxies. Because these unsecured proxies may represent a serious security threat to your network, and because these unsecured proxies may also be abused by either hackers or spammers or both, to attack or to compromise the security of other networks elsewhere, we urge you in the strongest possible terms to take all necessary actions to either reconfigure or to disconnect these proxies from the Internet immediately. We also request that you respond to this e-mail message so that we may be assured that this important security notification has in fact been seen by at least one actual human and by at least one authorized network administrator for AS 3. (NOTE: If you have trouble sending us a reply due to e-mail filtering, please use the contact web form at http://www.monkeys.com/contact.html to reache us instead.) The list of unsecured TCP proxies that were proven to exist on your network (AS 3) recently follows below. Please note that each line in the following list is composed of two parts, a proxy description, followed by a date/time stamp. Each proxy description is composed of three parts, separated by colons. The first part is the IP address of the unsecured open proxy. The second part is the port number of the unsecured proxy. The third and final part of each proxy description is a two-character abbreviation denoting the protocol used by the proxy. The proxy protocol abbreviations and their meanings are as follows: s4 - SOCKS Version 4 protocol s5 - SOCKS Version 5 protocol hc - HTTP CONNECT method protocol h2 - Modified HTTP CONNECT method protocol The date/time stamps indicate the most recent time when the corres- ponding proxy was verified as insecure. The date/time stamps shown below are all in the format yyy-mm-dd/HH:MM:SS. These times are relative to Pacific Daylight Time (USA West Coast) which is 7 hours negative offset (-0700) relative to GMT/UTC. Times are accurate to within a second and sync'd with multiple public NTP time servers. ============================================= 18.181.0.32:8000:hc 2002-06-28/13:19:58 ============================================= (Note that all of the proxies listed above have been re-verified as being unsecured within the past 48 hours.) Please respond to this message at your earilest convenience. Please send all responses to . Please be sure to include your network's registered AS number in any and all communications with us regarding the open proxy list given above. Remember, if you have trouble replying to this message due to our junk e-mail filtering, please use the contact form on our web site at http://www.monkeys.com/contact.html as an alternative method of reaching us. If there is a better or more appropriate e-mail address to which we should direct future messages regarding serious network security issues involving your network, please be sure to include that e-mail address in your reply to us. Thank you for your cooperation. Regards, Administrator Monkeys.Com ------- End of Forwarded Message  1,, Summary-line: 30-Jun keithw@MIT.EDU [18] #Re: SECURITY NOTIFICATION: Open proxy list for AS 3 X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA18466; Sun, 30 Jun 2002 23:19:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA09689; Sun, 30 Jun 2002 23:19:14 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id XAA02722; Sun, 30 Jun 2002 23:19:13 -0400 (EDT) Received: (from keithw@localhost) by multics.mit.edu (8.9.3) id XAA10292; Sun, 30 Jun 2002 23:19:12 -0400 (EDT) Message-Id: <200207010319.XAA10292@multics.mit.edu> To: security@MIT.EDU, sipb-staff@MIT.EDU, postmaster@MIT.EDU, keithw@MIT.EDU Subject: Re: SECURITY NOTIFICATION: Open proxy list for AS 3 In-Reply-To: Your message of "Sun, 30 Jun 2002 09:40:44 EDT." <200206301340.JAA24989@Paddington.MIT.EDU> Date: Sun, 30 Jun 2002 23:19:11 -0400 From: Keith Winstein *** EOOH *** To: security@MIT.EDU, sipb-staff@MIT.EDU, postmaster@MIT.EDU, keithw@MIT.EDU Subject: Re: SECURITY NOTIFICATION: Open proxy list for AS 3 In-Reply-To: Your message of "Sun, 30 Jun 2002 09:40:44 EDT." <200206301340.JAA24989@Paddington.MIT.EDU> Date: Sun, 30 Jun 2002 23:19:11 -0400 From: Keith Winstein > ============================================= > 18.181.0.32:8000:hc 2002-06-28/13:19:58 > ============================================= This is the junkbuster service, an HTTP proxy that attempts to screen out advertisements. Because of concern about junkbuster's 'CONNECT' proxying, I have added an acl (/etc/junkbuster/aclfile) restricting access to 18/8. -Keith  1,, Summary-line: 1-Jul thorntonk@attbi.com [13] #Going away foo* X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA21928; Mon, 1 Jul 2002 18:19:49 -0400 (EDT) Received: from sccrmhc01.attbi.com (sccrmhc01.attbi.com [204.127.202.61]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA14037 for ; Mon, 1 Jul 2002 18:19:12 -0400 (EDT) Received: from [192.168.1.100] ([66.31.115.4]) by sccrmhc01.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with ESMTP id <20020701221912.BNWH29588.sccrmhc01.attbi.com@[192.168.1.100]>; Mon, 1 Jul 2002 22:19:12 +0000 User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 01 Jul 2002 18:24:56 -0400 Subject: Going away foo* From: Katherine Thornton To: Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit *** EOOH *** User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 Date: Mon, 01 Jul 2002 18:24:56 -0400 Subject: Going away foo* From: Katherine Thornton To: Content-type: text/plain; charset="US-ASCII" Since there has been some confusion, just a correction. the Foo* at Diesel will be Sunday July _14_ from 4pm to 10pm. The brunch at S&S will be Sunday July _28_ at noon (please RSVP). Thanks Fenice  1,, Summary-line: 2-Jul EScholtz@iso-ne.com [17] #Mountain Bike for Sale X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA02373; Tue, 2 Jul 2002 16:47:14 -0400 (EDT) Received: from www0.iso-ne.com (www0old.iso-ne.com [208.132.134.60] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id QAA01972 for ; Tue, 2 Jul 2002 16:46:36 -0400 (EDT) Received: (qmail 23832 invoked from network); 2 Jul 2002 20:46:35 -0000 Received: from ngate1.iso-ne.com (HELO ?205.172.241.2?) (205.172.241.2) by wwwold.iso-ne.com with SMTP; 2 Jul 2002 20:46:35 -0000 Received: from mailscan.iso-ne.com by [205.172.241.2] via smtpd (for wwwold.iso-ne.com [208.132.134.38]) with SMTP; 2 Jul 2002 21:00:16 UT Received: FROM exch2.iso-ne.com BY MAILSCAN ; Tue Jul 02 17:00:40 2002 -0400 Received: by exch2.iso-ne.com with Internet Mail Service (5.5.2653.19) id ; Tue, 2 Jul 2002 16:54:08 -0400 Message-ID: <4A19F19A1BB4D51183220020ED0697140138F1BF@exch2.iso-ne.com> From: "Scholtz, Ernst" To: sales@euroclub.mit.edu, cycling@mit.edu Subject: Mountain Bike for Sale Date: Tue, 2 Jul 2002 16:54:05 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: "Scholtz, Ernst" To: sales@euroclub.mit.edu, cycling@mit.edu Subject: Mountain Bike for Sale Date: Tue, 2 Jul 2002 16:54:05 -0400 Content-Type: text/plain; charset="iso-8859-1" Cadex Carbon Fibre Mountain Bike for Sale. The bike has an old Suntour Groupset on it. The frame is a 46cm frame (I talk under correction --- it is a small mountian bike). No suspension. This is a really nice bike. The reason I want to sell it is that I purchased a new road bike and can do with the cash. My asking price is $550. If you are interested you can email me at escholtz@mit.edu or phone me at 617 470 3494. Ernst  1,, Summary-line: 3-Jul SSilvers@sskfg.com [51] #Outdoor performance TRIUMPHS X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA25864; Wed, 3 Jul 2002 15:35:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA06447 for ; Wed, 3 Jul 2002 15:34:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g63JYWDU004584; Wed, 3 Jul 2002 15:34:32 -0400 (EDT) Date: Wed, 3 Jul 2002 15:34:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Outdoor performance TRIUMPHS Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 *** EOOH *** Date: Wed, 3 Jul 2002 15:34:32 -0400 (EDT) Reply-To: SSilvers@sskfg.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Outdoor performance TRIUMPHS Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I was asked to do a Ko-ko for a July 4th outdoor performance in SouthHampton NY, 'way out on the east end of Long Island. I feared the worst. We didn't get started until quite late, and as we reached the end of the show, it was maybe almost 9pm, and getting to be twilight. The audience had finished all their picnics on the blankets spread before us, as we stood in a large open gazebo (About as big as the Buxton bandstand, but not as high). Little candles and such were being lit all over the lawn. Before Tit-willow began, I noticed that nearly all of the small children of the families watching us (maybe 50 or 70 families, ALL with small children) were running around the lawn in a somewhat energetic mode. As I began singing Tit-willow, the children stopped running, and they all turned to face me, eerily silent. I sobbed, and I sighed, I gurgled, I did the hand motions and bobbled my head like a Tom-tit. The children imitated everything I did in COMPLETE SILENCE! By the time I plunged myself into the Bil-low-wy-wave, standing on one foot, with my arms out in a classic swan-dive position, and saw scores of silent 2-3 foot tall children doing the same thing, I couldn't stand it any longer, and I had to go out among my tiny people. During the third verse, I wove my way out to the edge of the lawn, past all the families and their blankes, and as I did, all the children followed me. From the edge of the lawn, I turned back to face the gazebo and sang to Katisha. "And if YOU remain callous...." All the children stood before me in a sea of little faces, just as the munchkins did for Dorothy: "The house began to twitch...." I'll never forget it. Sam Silvers  1,, Summary-line: 10-Jul esnealleyiii@yahoo.com [61] #RE: COTW: Dick Deadeye X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA04563; Wed, 10 Jul 2002 08:48:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA24450 for ; Wed, 10 Jul 2002 08:47:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g6ACktDU000310; Wed, 10 Jul 2002 08:46:55 -0400 (EDT) Date: Wed, 10 Jul 2002 08:46:55 -0400 (EDT) Message-Id: <20020710122915.67598.qmail@web11203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: RE: COTW: Dick Deadeye MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 10 Jul 2002 08:46:55 -0400 (EDT) Reply-To: esnealleyiii@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Edwin Nealley To: Multiple recipients of list SAVOYNET Subject: RE: COTW: Dick Deadeye Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum --------Cenydd wrote:--------- What about the possibilities of turning the whole thing around, and having Dick played as the only well turned out, dutiful member of the crew, and not deformed at all. With the rest of the men played as a slovenly bunch, poorly dressed and poorly mannered (their 'polite' greeting of the ladies purely for personal gain, if you see what I mean!), with the utterly incompetant captain and Sir J totally oblivious to the crew's difficiencies Dick's 'face and form' would be equally offensive to the crew in this situation, and 'three cornered' could in this interpretation refer to his well pressed uniform when compared with theirs. It could then give him a certain arrogance that he is the only proper sailor aboard What a fascinating take on Deadeye! Never thought of turning it topsy-turvy again (or does that make it turvy-topsy?) My personal take is that he is a villain, but only in the sense of acting counter to the thrust of the protagonist. He is, as has been pointed out, the only one with a realistic point of view from the period. He rejoices in telling the truth, especially an unpleasant one. Such an one will never be popular in any day and age, but perhaps they ought to be more admired. Also, an interesting point is that he is the only such villain in G&S to go unpunished - he is left more or less in the same position as he was when he started. (This of course discounts the "Nanki as villain", "Fairfax as villain" and "Alexis as villain" threads upon which more will be said when come to those COTW's I'm sure!). Edwin Nealley esnealleyiii@yahoo.com Philadelphia, PA __________________________________________________ Do You Yahoo!? Sign up for SBC Yahoo! Dial - First Month Free http://sbc.yahoo.com  1,, Summary-line: 11-Jul stuart.box@burningsuit.co [102] #G&S Munroing X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA13170; Thu, 11 Jul 2002 06:12:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA26593 for ; Thu, 11 Jul 2002 06:11:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g6BABeDU012024; Thu, 11 Jul 2002 06:11:40 -0400 (EDT) Date: Thu, 11 Jul 2002 06:11:40 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: G&S Munroing MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" content-class: urn:content-classes:message Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 11 Jul 2002 06:11:40 -0400 (EDT) Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: G&S Munroing Content-Type: text/plain; charset="US-ASCII" content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum A recent visit to Portsmouth, and preparations for a local "Yeomen of the Guard" have started me thinking about watching or performing G&S operas in their "correct" locations. I've personally started to "bag" operas seen or done in what I suppose is an appropriate location. Much as Scottish hill walkers bag "Munro's" (hills above 914.4 m high ,or 3000 ft in old money). For my own amusement I've started a points system to measure this activity, and would like to share it with you. Whilst inviting comments, can any of you think of better locations for Patience, Ida, Utopia, or indeed any of them? Using this system I can currently only score 40, counting each Opera once and taking the highest score for each. I'm sure many of you can do better. Has anyone an appropriate name for this activity. But before it's suggested please don't call it "Boxing" ! Stuart Box "Is their aught in nature more ridiculous?" Billingshurst, West Sussex UK Points allocation for watching, performing or otherwise participating in a G&S performance. Trial-By-Jury 10 points for watching or performing at the Central Criminal Court, Old Bailey. 5 points for watching or performing in any accredited court of Law. The Sorcerer 10 Points for a location in Somerset or Dorset. 5 Points for a location at a Stately Home (+5 if stately home belongs to a Knight of the Realm, +5 more if KotR is called Marmaduke) 5 Points if performance followed by Tea, Eggs, Ham, Strawberry Jam, and other comestibles at location. HMS Pinafore 10 Points for H.M.S. Victory 5 Points for any Navy Ship 2 points for Ferry or other floating location Pirates of Penzance 10 Points for location in Penzance or Minack Theatre Cornwall (+5 if performed on February 29th) 5 Points for any Seaside location (+5 if performed on February 29th) Patience 10 points for location outside a Castle Iolanthe 10 Points for location within view of Big Ben 5 Points for location or participation of any accredited State legislature. (i.e. involvement of real Peers, MP's, Lord Chancellor or local equivalent) Princess Ida 10 Points for location at Ladies only College 5 Points for any female only establishment (Girls school, Convent etc) Mikado 10 Points for location anywhere in Japan 5 points for participation of any full Japanese Ruddigore 10 Points for location in a Baronet's Picture Gallery 5 Points for location on Baronet's property 2 Points for location in Fishing Village The Yeomen of the Guard 10 Points for location at the Tower of London 5 Points for location at any recognised Castle. The Gondoliers 10 Points for location in Venice 5 Points for any location where the Gondola used actually floats Utopia Ltd 10 Points for location in Hawaii or South Sea Island The Grand Duke 10 Points for location in any Grand Duchy  1,, Summary-line: 13-Jul toddlong@erols.com [183] #On the move... again! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA16333; Sat, 13 Jul 2002 11:35:12 -0400 (EDT) Received: from smtp-hub.mrf.mail.rcn.net (smtp-hub.mrf.mail.rcn.net [207.172.4.107]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA03846; Sat, 13 Jul 2002 11:34:32 -0400 (EDT) Received: from smtp03.mrf.mail.rcn.net ([207.172.4.62]) by smtp-hub.mrf.mail.rcn.net with esmtp (Exim 3.35 #5) id 17TOub-0003LR-00; Sat, 13 Jul 2002 11:34:21 -0400 Received: from 66-44-61-92.s346.tnt4.lnhva.md.dialup.rcn.com ([66.44.61.92] helo=erols.com) by smtp03.mrf.mail.rcn.net with esmtp (Exim 3.35 #5) id 17TOuZ-0004To-00; Sat, 13 Jul 2002 11:34:20 -0400 Message-ID: <3D304665.14A0634C@erols.com> Date: Sat, 13 Jul 2002 11:25:25 -0400 From: Todd Long X-Mailer: Mozilla 4.06 [en]C-RR082798 (Win95; I) MIME-Version: 1.0 To: Amy Allen , Amy Judd , Andre Enceneat , Andrea Schewe , Ariana Pullano , Atia DeRosa , Bailey Whiteman , Barry Hilton <70372.42@compuserve.com>, Becca Consentino , Bill Rippey , Blair Eig , Bob Anderson , Bob Jacobson , Bryce Westervelt , Caren Welik , Carolyn Anderson Barrett , Chrissellene Petropoulos , Christina Pizzo , Christina Roseman , Christine Wood , Cory Walker , Courtney Morton , Courtney Morton , Dad , Dad2 , Dan Lockwood , Daniel Gravely , Dave Bradley , David Jedlinsky , David Williams , Dawn Crum Snyder , Dawn Snyder , Deb Jacobson , Debbie Niezgoda , Debbie Peetz , Dee Hatch , Denise Young , Denise Young - Home , Derek & Brenda Carpenter , Don Benson , Don Corin , Donna Jaffe , Donna Roessler , Doris Steindel , Dyan Madrey , Ed Bydry , Elizabeth Keller , Elizabeth Vrenios , Ephraim Herrera , Father John , "Fiddlehead Theatre Co." , Fiona Tyndall , Gay Hill , Gaye Freese , Gene Dante , "GeneralAnnounce@lists.sudburysavoyards.org" , Gina Nowacki , Giselle Ganz , Gregg & Mary Quiggle , Hodges Pamela P NSSC , Ingrid Cowan , Ira Haber , Ira Haber - Work , Janice Dallas , Jason Simon , Jay Dzigas , Jean & Jay , Jed Collard , Jeff & Colleen Whitfield , Jeff Kelly , Jeff Mahoney , Jennifer Gavin , Jenny Bland , Jessica Tanguy , Jim Simon , Joanna Hobbs , Joe Sorge , Joel & Kathleen Steindel , Johanna Perri , John & Coleen Steindel , John Barclay Burns , John Guinan , John Murelle , John Perine , Jon Saul , Joshua Holmes , Julie Kingman , Julie Stevens , Julie Tierney , Julio Martinez , Kaja Schuppert , Karen Rice , Kate Huntress-Reeve , Kate Lawniczak , "Kate Lawniczak (work)" , Katherine Engel Meifert , Katherine Meifert , Katherine Moore , Kathy Lague , Kent Woods , Kerry Freese , Kerry Freese , Kevin Aries , Kristen Almechatt , Leanne Satter , Leigh Mann Miller , Les Elkins , Leta , Leta Hall , Leta Hall - work , Libby Dorot , Linda Nadeau , LISA FREESE , Lisa Freese , Lisa Lockhart , Lisa Sacks , Little Longs , Louise Lerner , Lyle & Donna Jaffe , Lynn Anslow , Lynne Claflin , "Mahoney, Jeffrey" , Marcy Ratcovich , Marie Martin , Marion Leeds Carroll , Mary Gresock , Matt Williams , Maureen Roult , Meghan Conway , Meghan Williams , Melissa Murer , "Members@lists.sudburysavoyards.org" , Merle Haber , Michael Galizia , Michael Hammond , Michelle Alexander , Mike Kuzniar , Mike Lague , Mitch Gillett , Mollie Toms , Mom , Nancy Shneiderman , Naz Chaudhry , Pam Hodges , Pam Bilik , Prescott Crocker , Rachel Goldman , Ralph Johnson , Randi Kestin , Ray Lattanzio , "Ray O'Hare" , Rebecca Consentino Hains , Richard Gorbutt , Robert Worst , Ronda Yeomans , Rusty Suter , Sarah Consentino , "savoyards@MIT.EDU" , Scott Kenison , Scott Reed , Scott Reed Work , Shari Hauser , "Shari, Second Address" , Shawn Perry , Shelly Breneman , Shirley Friedman , Stacey Sommer , Stacie Shirley Moye , Stephanie Brigham , "Stephen F. Malionek" , Steve Mager , Susanna Reckford-Raymer , Thomas Fuchs , Todd and Cindy Messinger , Tom Goode , Tony Dwyer , Vicki Gau , VLOC E-Group , Webster Rogers , William Kolodrubetz , William Weiss , Jeffrey Lachman Subject: On the move... again! Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit *** EOOH *** Date: Sat, 13 Jul 2002 11:25:25 -0400 From: Todd Long To: Amy Allen , Amy Judd , Andre Enceneat , Andrea Schewe , Ariana Pullano , Atia DeRosa , Bailey Whiteman , Barry Hilton <70372.42@compuserve.com>, Becca Consentino , Bill Rippey , Blair Eig , Bob Anderson , Bob Jacobson , Bryce Westervelt , Caren Welik , Carolyn Anderson Barrett , Chrissellene Petropoulos , Christina Pizzo , Christina Roseman , Christine Wood , Cory Walker , Courtney Morton , Courtney Morton , Dad , Dad2 , Dan Lockwood , Daniel Gravely , Dave Bradley , David Jedlinsky , David Williams , Dawn Crum Snyder , Dawn Snyder , Deb Jacobson , Debbie Niezgoda , Debbie Peetz , Dee Hatch , Denise Young , Denise Young - Home , Derek & Brenda Carpenter , Don Benson , Don Corin , Donna Jaffe , Donna Roessler , Doris Steindel , Dyan Madrey , Ed Bydry , Elizabeth Keller , Elizabeth Vrenios , Ephraim Herrera , Father John , "Fiddlehead Theatre Co." , Fiona Tyndall , Gay Hill , Gaye Freese , Gene Dante , "GeneralAnnounce@lists.sudburysavoyards.org" , Gina Nowacki , Giselle Ganz , Gregg & Mary Quiggle , Hodges Pamela P NSSC , Ingrid Cowan , Ira Haber , Ira Haber - Work , Janice Dallas , Jason Simon , Jay Dzigas , Jean & Jay , Jed Collard , Jeff & Colleen Whitfield , Jeff Kelly , Jeff Mahoney , Jennifer Gavin , Jenny Bland , Jessica Tanguy , Jim Simon , Joanna Hobbs , Joe Sorge , Joel & Kathleen Steindel , Johanna Perri , John & Coleen Steindel , John Barclay Burns , John Guinan , John Murelle , John Perine , Jon Saul , Joshua Holmes , Julie Kingman , Julie Stevens , Julie Tierney , Julio Martinez , Kaja Schuppert , Karen Rice , Kate Huntress-Reeve , Kate Lawniczak , "Kate Lawniczak (work)" , Katherine Engel Meifert , Katherine Meifert , Katherine Moore , Kathy Lague , Kent Woods , Kerry Freese , Kerry Freese , Kevin Aries , Kristen Almechatt , Leanne Satter , Leigh Mann Miller , Les Elkins , Leta , Leta Hall , Leta Hall - work , Libby Dorot , Linda Nadeau , LISA FREESE , Lisa Freese , Lisa Lockhart , Lisa Sacks , Little Longs , Louise Lerner , Lyle & Donna Jaffe , Lynn Anslow , Lynne Claflin , "Mahoney, Jeffrey" , Marcy Ratcovich , Marie Martin , Marion Leeds Carroll , Mary Gresock , Matt Williams , Maureen Roult , Meghan Conway , Meghan Williams , Melissa Murer , "Members@lists.sudburysavoyards.org" , Merle Haber , Michael Galizia , Michael Hammond , Michelle Alexander , Mike Kuzniar , Mike Lague , Mitch Gillett , Mollie Toms , Mom , Nancy Shneiderman , Naz Chaudhry , Pam Hodges , Pam Bilik , Prescott Crocker , Rachel Goldman , Ralph Johnson , Randi Kestin , Ray Lattanzio , "Ray O'Hare" , Rebecca Consentino Hains , Richard Gorbutt , Robert Worst , Ronda Yeomans , Rusty Suter , Sarah Consentino , "savoyards@MIT.EDU" , Scott Kenison , Scott Reed , Scott Reed Work , Shari Hauser , "Shari, Second Address" , Shawn Perry , Shelly Breneman , Shirley Friedman , Stacey Sommer , Stacie Shirley Moye , Stephanie Brigham , "Stephen F. Malionek" , Steve Mager , Susanna Reckford-Raymer , Thomas Fuchs , Todd and Cindy Messinger , Tom Goode , Tony Dwyer , Vicki Gau , VLOC E-Group , Webster Rogers , William Kolodrubetz , William Weiss , Jeffrey Lachman Subject: On the move... again! Content-Type: text/plain; charset=us-ascii Yes, believe it or not, after only one year in DC, we are on the move again. Aroostine has been offered a great position similar to what she was doing in Boston and we are excited for such a great opportunity. This means that we are leaving for PITTSBURGH in just a few weeks. Yes, back to Pennsylvania. Most likely, we will be in the "Burgh" for two years and then continue on to a European post for two more. Vienna, Geneva, Brussels or the like. Rough, I know. Below is the address of our new house: 68 Mayfair Drive Pittsburgh, PA 15228 It's in the Mt. Lebanon area of the city with a great school for Katie just across the park! If you're interested in a pic, just e-mail us at the new address listed below and we'll pass it on. When we get a phone number, we will pass that along too. If you need to reach us after July 25, Todd's cell is (703) 732-1810 or Aroostine's cell is (703) 501-5024. Aroostine and Katie leave DC on July 27 and Todd leaves on August 10. Todd is going to continue to work for PTCB. He will be telecommuting from his basement office! Also, this e-mail address is going away. No Erols in Pittsburgh. Please change your address books to tacklong@aol.com. The "tack" is Todd, Aroostine, Cassidy and Katie. Cassidy is our Gordon Setter Mix dog, not a new kid (if you were thinking that). Please change any list serves that you have us on to tacklong@aol.com. Well, that's about it. Everyone please keep in touch. And if you find yourself in the Western Pennsylvania area, please feel free to look us up and come and stay a spell. We have room for lots of friends! Take care and we'll see "yinz" soon! ~The Longs (Todd, Aroostine, Cassidy and Katie) p.s. - Sorry if this message was a duplicate for some of you.  1,, Summary-line: 26-Jul thespian121@yahoo.com [200] #Halifax Memories X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA17495; Fri, 26 Jul 2002 12:57:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA13070 for ; Fri, 26 Jul 2002 12:56:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g6QGu3DU015049; Fri, 26 Jul 2002 12:56:03 -0400 (EDT) Date: Fri, 26 Jul 2002 12:56:03 -0400 (EDT) Message-Id: <20020726163154.19560.qmail@web9208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Halifax Memories MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 26 Jul 2002 12:56:03 -0400 (EDT) Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Halifax Memories Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'm really not the expert review-writer, but I just wanted to share some reflections and memories of the recent Nova Scotia Singout: First of all, to echo what Pete Emery said, highest praise to Leo Weniger and the entire organizing committee. The whole thing ran beautifully - helpful, friendly staff (throughout the whole process and especially on the day itself!), on schedule, etc. And the hospitality of the entire Society left nothing to be desired; Halifax is a wonderful city, populated by wonderful people (especially those who like G&S). Thank you all! Anyway, on to the airy persiflage . . . I was particularly excited for this event, not only because it had been so long since I had participated in anything of the sort, but because I was finally going to introduce my entire family (parents & sisters ages 11 and 14) to the world of "organized G&S madness"! They were already well-seasoned lovers and performers of the material, but this was definitely something new. And, to top it all off, I was finally going to be able to perform the role that I'd been waiting to do for about ten years: Tessa in THE GONDOLIERS. It was certainly quite the road trip: approximately 1300 miles each way (21-22 hours), and because of everyone's schedule, we couldn't leave until noon on Friday. If all went without a hitch, we'd make it to Halifax just in time for Pirates at 10:30 on Saturday morning. However, things weren't quite so perfect: owing to some colossal highway closings and detours around Montreal, we wound up getting behind schedule and eventually realized that there was no way we were going to make it on time. It was a bit of a bummer, especially because I was scheduled to sing Edith, but I called the site and asked them to find a sub. Word has it that Savoynetter Elise Curran stepped in, and I'm sure she did a fabulous job! We actually ended up getting there right at 1:30, just as Mikado was starting. So I can't comment on the first three shows (Trial, Iolanthe, Pirates), but I'm sure someone can! The venue, duMaurier Hall in the Neptune Theatre complex, was quite nice, with soloists, conductor, and pianist on stage and the chorus in the audience seats. Mikado was a great way to start off the day for me, with lots of fun music for the chorus and a very engaging group of principals. Pete Emery gave us a lovely Nanki-Poo and Melody Dobson-Weiland, visiting from Germany, sang beautifully as Yum-Yum. The ladies' trios were rounded out by Marjorie Alburger, a bright and cheerful Pitti-Sing, and my sister Rachel as Peep-Bo. Unfortunately, Rachel was working at nowhere near full capacity as she was under a lot of vocal fatigue from rehearsing Mabel for a summer theatre performance next week, and so while the sound and the pitch were there, the volume wasn't quite. Bruce Miller was a musically solid and dramatically entertaining Pooh-Bah, and I don't think that anyone present will soon forget Ginger Snapp-Cunningham's antics as Katisha - especially her wild (and resoundingly encored) dance with Ko-Ko (Brian King) during the final duet! Alasdair MacKay was a physically and vocally strong and commanding Mikado, but I have to say that his orange fan almost stole the show: opened, and held parallel to his body, the diameter was at least as tall as he was. I've never seen a bigger fan in my entire life. Wow. We moved on next to Yeomen, which featured several outstanding performers: Canadian tenor Len Henderson as a lyrically moving Fairfax, Frank Good as a ruefully witty Jack Point, Pete Emery continuing his yeoman (sorry) service as Leonard, and local mezzo Pam Lutz as Phoebe (excellent presence and diction; nice, clear voice, absolutely solid on the Act II ensembles, all of which were definitely among the day's musical highlights). And let me just say that if you haven't heard Elizabeth Evans-Emery sing "Tis done! I am a bride", then you are missing out. Seriously. WOW. After a break for dinner, it was time for Ruddigore. Elise Curran, who I'd been looking forward to hearing since her triumphs in Orlando, combined playfulness and emotion with a lovely soprano voice as Rose Maybud - quite a success. Halifax native Steven Holloway was a great Robin Oakapple, and Pete Emery (again!) gave us a very strong Richard. Cynthia Cuddeback was an appropriately unstable Mad Margaret (with two amazing hats) and Alasdair MacKay's Sir Roderic was big, resounding, and sinister. Particular kudos to the men's chorus for one of the most spirited renditions of the Ghost Scene that I've heard in a long time! This was also my first chance to sing a solo role (Zorah). It went fine, but not without about two seconds of panic! In preparing for the singout, I knew that Zorah had the solo in the first number and the top line of the trio in "Oh, happy the lily," but that was it - or so I thought. So, the chorus is wrapping up the "bad Bart" section, and I turn the page. OH, WAIT A MINUTE - there's a recit. ("Who is the wretch that hath betrayed thee?") Hel-LO, sustained high G. Oh well, at least ten seconds later it was all over!! Last but certainly not least was the show I'd been looking forward to the most: Gondoliers. And what amazing colleagues I had to sing with! Elise Curran as Gianetta (who brought more fun to the part than I've ever seen - and the tambourine was a great addition to the Cachucha!), Len Henderson and Brian Smith made a fabulous pair of gallant gondolieri, and Pete and Elizabeth were once again stunning as the royal couple. Great singing by the chorus, and we were all quite nimbly put through our paces by conductor Bruce Miller (who did an excellent job of leading several very complicated ensembles!). And who could forget Bernadette Wallworth as Inez?? I really don't know how to describe her other than to say that she has the largest ratio of energy to square inches (in body mass, that is) that I have EVER witnessed in my life. To all of you other mezzos out there who haven't yet had a chance to sing Tessa, DO IT SOMETIME - it's really a fun role with a ton of great singing. (Beware the obscure pickup notes, though!) I was very happy that I managed to get through the entire show with only one mistake (that I was aware of): in the aria, of all places. I tried to do it off book and wound up switching the verses. Well, all the words got sung exactly once, just not in the proper order! After the official singing was done, the food, fun, and fellowship continued - first later that night at the "cast party" nearby, then the next morning at brunch at a lovely restaurant where we proceeded to regale all the patrons with strains of Hail Poetry, the Pinafore Act I Finale, Brightly Dawns, With Cat-Like Tread, and all the other classics. My family was definitely NOT expecting this, but soon joined in with great enthusiasm and afterwards, pronounced it one of their favorite parts of the whole weekend! I must admit that one of the most personally satisfying moments for me was when I (being, I think, just about the only person in the room at that time who knew it from memory) volunteered to sing the soprano part of Strange Adventure with the rest of the quartet. I hadn't sung this piece in exactly two years, and to my surprise I found that it had become markedly easier and more comfortable to sing and stay in pitch. Perhaps it was age, or vocal rest (after a singout? As if!), or lack of nerves, or something, but it was different. And all of those of you who remember the circumstances under which I last sang that piece may understand how much it meant to me to finally "get back on the horse," as it were. With many thanks and farewells to the marvelous Halifax staff and all our old and new friends, we were on the road at around 1 PM, to return to Cleveland at 10:30 on Monday morning (and be back at work by 11:15!), having spent a wonderful weekend doing one of the most fun things ever with some of the greatest people ever. Thank you, thank you, thank you. Can't wait for the next one!! (Toronto '04?!?) And lo, I have said enough. :) To all of our company who are imminently departing for Buxton - have a wonderful time, and best of luck on "The Sorcerer"!! The rest of us will be anxiously waiting for you to, in the immortal words of Gianetta and Tessa, tell us, tell us all about it. Cheers, Marisa Green Shaker Heights, OH / Cambridge, MA __________________________________________________ Do You Yahoo!? Yahoo! Health - Feel better, live better http://health.yahoo.com  1,, Summary-line: 8-Aug scottlfarrell@yahoo.com [157] #And ANOTHER new opera (long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA16169; Thu, 8 Aug 2002 13:36:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA27903 for ; Thu, 8 Aug 2002 13:36:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g78HZYDU003049; Thu, 8 Aug 2002 13:35:34 -0400 (EDT) Date: Thu, 8 Aug 2002 13:35:34 -0400 (EDT) Message-Id: <20020808171505.14981.qmail@web10907.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: And ANOTHER new opera (long) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 8 Aug 2002 13:35:34 -0400 (EDT) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: And ANOTHER new opera (long) Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hallo. Since there's discussion about this, I will show to you one of my weirdest operas. I intended it to be a parody of MOUNTEBANKS and UTOPIA but neither one comes through clearly. I wrote THE ISLAND OF IKAIKA-WAKU about a year and a half ago, just to get it out of my system. I wanted to write a totally off-the-wall and ridiculous plot. Tell me if I succeeded. The story happens on a South Pacific island. On one shore of the isle grows a tree which bears magic fruit. Whenever one makes a wish and eats the fruit, the wish comes true. But the monarch has forbidden its use, because something bad will happen. He's been saving it for just an emergency. The cast is as follows: King Rootin-Tootin Princess Alura Bengasi, her suitor Kalibas, an islander who lost his love in tropical storm The Witch Doctor The Blind Prophet Awcomonawana, an island girl Iwanacasa-Kahlua, another After the scene is set up, we learn that the King has set up a marriage between Bengasi and Alura. But she wants nothing to do with him. So she prays to the sea to bring her a lover; it doesn't matter who. At this point, a foghorn is heard in the distance. A ship sinks and a rowboat comes to the island, filled with 7 passengers. And here they are. Captain Beano, of the S.S. Flatulence General Consternation, from England Sir Walter Adams, an aristocrat Lady Foxwood, wife of the Captain Margaret, a tourist Bertha, another Mr Bottumsup, a tipsy tourist They sing the dumbest song when they come on. Tell me if this fits a tune from GONDOLIERS. Captain: Here upon this sunny shore We shall rest our rowing oar. General: We are all of us so wet, We are shipwrecked, I would bet. Foxwood: You should show the Lord some thanks. Margaret: We might have gone under with our banks. Adams: Well, at least we're all alive The seven of us did survive! All: but if we don't make it out, It won't do us good to shout; We'll never, never, never, never, never be seen again! [And the second verse in similar strain.] ("Strain" isn't the word for it!) While several split up to find help, food and shelter, the Captain and Adams are met by Kalibas. He spills the beans about the fruit while making dumb jokes. One such is this: Kalibas. If the King discovers that the fruit has been eaten, you will be roasted alive and serve as our main course. Captain. You're not serious. Kalibas. We're not regular cannibals. We have a Meatless Tuesday every month. He then shows them around, while the other tourists return. Close to starvation, they eat the fruit and (conveniently) make their wishes without knowing what they've done. When the Captain and Adams return, they agree to leave and never look back. But it's too late. They get caught and try to talk their way out of it. Margaret saves the lot by pleading that it was her fault. But Kalibas rescues her and (thoughtlessly) turns her into his wife, who perished during a tropical storm many years ago. Alura falls for Adams, and they start getting _too_ comfortable for public display. Alura takes command, silences her father and tells everyone to make their wishes. And that's the end of Act 1. In the second act, we see everyone unsatisfied with their wishes. Foxwood wanted new clothes, but it's too warm to wear them. "It's awfully hard to walk through the sand wearing an evening gown and high heels. I don't know how these island girls do it!" The General wished for more money, but he can't spend it. The Captain wished for his boat to be fixed, so he's gone off to get it (we don't see him again till much later). Adams and Alura are madly in love, while Margaret and Kalibas are having problems. The King devises a plan to upset his daughter's unholy union with the help of the Witch Doctor and Bengasi. At this point, the audience will see the volcano at the back give a soft glow. It's strangely active tonight. But no one notices, except the General. If it blows, the whole place will be covered and there's no place to run for cover. The King tells Alura that Adams fell into the volcano and is just ashes now. She, believing him, eats the fruit and wishes for death. Adams sings a tearful farewell and threatens to jump into the lava pits. But the King has a change of heart and orders the tree to be burned to reverse the spell. Everything is restored to normal and the volcano dies down. Adams and Alura still have their love, for they won over the magic spell. Just then, the Coast Guard arrives with the Captain; he has come to take the tourists home. Bengasi is exiled from the King's sight and all ends happily. Isn't that weird? Stupid? Ridiculous? "Yes. You are all three." ===== Scott Farrell "always craving for some unreasonable indulgence" -- HIS EXCELLENCY scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________________________ Do You Yahoo!? HotJobs - Search Thousands of New Jobs http://www.hotjobs.com  1,, Summary-line: 9-Aug jik@kamens.brookline.ma.u [12] #It's a girl! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA15342; Fri, 9 Aug 2002 16:31:15 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (jik.kamens.brookline.ma.us [66.92.77.120]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA13821; Fri, 9 Aug 2002 16:29:41 -0400 (EDT) Received: (from jik@localhost) by jik.kamens.brookline.ma.us (8.12.5/8.12.5) id g79KRtsf010853; Fri, 9 Aug 2002 16:27:55 -0400 Date: Fri, 9 Aug 2002 16:27:55 -0400 From: Jonathan Kamens Message-Id: <200208092027.g79KRtsf010853@jik.kamens.brookline.ma.us> To: Lots of people Subject: It's a girl! *** EOOH *** Date: Fri, 9 Aug 2002 16:27:55 -0400 From: Jonathan Kamens To: Lots of people Subject: It's a girl! Andrea gave birth to a healthy 7 lbs. 11 ozs. baby girl at 12:43pm today, August 9. Mommy and baby are doing great, and I'm about to wake up Miriam and Bayla to go meet their new sister. God willing, we'll be naming the baby in synagogue tomorrow morning. Jon  1,, Summary-line: 10-Aug dc@isleofman.net [41] #RE: Naff & Twee X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA28273; Sat, 10 Aug 2002 04:59:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA13415 for ; Sat, 10 Aug 2002 04:58:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7A8vTDU001655; Sat, 10 Aug 2002 04:57:29 -0400 (EDT) Date: Sat, 10 Aug 2002 04:57:29 -0400 (EDT) Message-Id: <412002861084651517@isleofman.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dc@isleofman.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: dc@isleofman.net To: Multiple recipients of list SAVOYNET Subject: RE: Naff & Twee MIME-Version: 1.0 Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 10 Aug 2002 04:57:29 -0400 (EDT) Reply-To: dc@isleofman.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: dc@isleofman.net To: Multiple recipients of list SAVOYNET Subject: RE: Naff & Twee Content-type: text/plain; charset=iso-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum 'Naff' is in common use in the UK meaning crude, or crass or inept. It is of course slang, and often is used meaning worthless in style or taste, insipid. 'Twee' means small and sweet, probably from a contraction of Tiny and Wee (Scottish for small). Also could mean sentimentally pretty. Whereas 'naff' is NOT a compliment, 'twee' is not usually uncomplimentary. Hope this helps, Regards Dennis ---- Original Message ---- From: bkelly@snet.net To: savoynet@bridgewater.edu, Subject: RE: Naff & Twee Date: Fri, 9 Aug 2002 20:15:31 -0400 (EDT) >This list's UK correspondents sometimes use the words "naff" and >"twee." > Could someone please explain what they mean -- in particular, the >difference between them? > >-- > >William S. Kelly >Guilford, Connecticut USA > >  1,, Summary-line: 10-Aug PZavon@compuserve.com [150] #More on Sorcerer X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA28291; Sat, 10 Aug 2002 04:59:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA13446 for ; Sat, 10 Aug 2002 04:58:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7A8w6DU001762; Sat, 10 Aug 2002 04:58:06 -0400 (EDT) Date: Sat, 10 Aug 2002 04:58:06 -0400 (EDT) Message-Id: <200208100448_MC3-1-A80-3C46@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: More on Sorcerer MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 10 Aug 2002 04:58:06 -0400 (EDT) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: More on Sorcerer Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Presumably, some of the locally based participants will now have had time to post about this production, but as I write this I have not downloaded messages since I last posted. So this is written without reference to what others may have said on-line. This is the first Savoynet production that I have seen entirely from front-of-house, so it is difficult for me to compare it with previous work, but several in the cast have said they think it the best of the run. I would not dispute that assessment I was not aware of any instances of cast out of sync with orchestra, or with eachother in concerted or ensemble numbers. With one slight exception at the Finale dissappearance of JW Wells, I was not aware of any timing failures, either of entrances or of interactions. You could argue that my level of awaremness was not at its best last night, but I would say that the production overall ran well and smoothly. It was also well conceived and well executed. For me, the highlight was the character of JW Wells, as performed by Duncan Hamilton. A fine voice that carried well. Costumed as a prosperous tradesman. Presented as "larger than life" in a sense. And he did his magic bits very nicely, too. (During the flags at the curtain calls, his was at the end of the collored hankerchief trick. Unfortunately, he pulled the knotted handkerchiefs out of his sleve so fast that the flag got away from him and had to be retrieved from the stage floor.) I think Mrs Partlet (Vikky Willoughby), Aline (Jackie Richards), and Dr. Daly (Bob Richards) will also stand out in memory for me when I think about this production in a year or so. I had not intended to buy any videos this year, but I now think I'll get the recording of this production - on DVD-R if it looks like my playback equipment will handle what is being created. Some neat bits worth mentioning, at least, I think so: -------------- During the opening number some of the cast cary trays of food for the festivities. It looked to me as if one was a tray of sandwiches and the other a tray of the Buxton version of Bakewell Tarts. Now, Bakewell Tarts are very nice things and I enjoy them. The variant available in Buxton seems to be quite different from what you get in Bakewell itself, which is not too far away. I enjoy the Buxton variant, too. It might be called the best substitute for the real thing, and , as the line goes in Thespis, like all good substitutes, its nothing at all like the real thing. (Actually, that may be a bit of an exageration in this case, but it reads well.) During Constance's response to Mrs. Partlett's recit, Diana had a baker walk on stage. Mrs Partlett immediately focused on her dealings with the baker, much to Constance's annoyance. The scene was played as the stereotype of the parent who asks a question of the child and doesn't listen to anything the child says in response. This is difficult to describe, but it worked very well and gave quite a different character to Mrs. Partlett in the first act. David Turner seemed to like the presentation but felt it made the character of Mrs. Partlett an unlikeable one, too unlikable for his taste. As an add-on to this parent-child interaction, when Mrs Partlett says she will probe the Vicar regarding marriage, Constance is appalled and tries to prevent her mother's interference. Again, stereotypical child-parent interplay. Very nicely done. -------------- When Dr. Daly presents his flowery compliment using the metaphor of the middle distance and far horizon, it is obvious from the staging that he has in fact written it out ahead of time . He pauses to refer to his notes from time to time, etc. This then supports the lines about his providing a fairly written COPY, as he already has a written original. ------------ There was some slight alteration to "My Name is John Wellington Wells" This served as the lyric equivalent of placing the "@" symbol somewhere on the set. I the last versy of the song, the lines were altered to read: If anyone anything lacks It's all on the Web, so relax Just log-on today At your Cyber-cafe [website] 70 Simmery Axe! In performance, there was a long pause on the word "web" to permit recognition and response to the change. The word "website" was spoken as an announcement. You need to see the video to fully appreciate how well this worked. As written, it sounds contrived. It is not. ------------------ The incantation scene requires a message of its own. I'll leave that for later, or for others. Suffice it for now to say that it was conventional in tone, unusual inexecution, and it worked well. ----------------- Bob Richards played Daly with a generous Welsh accent. In that vein, it may be worth noting that at the end, Dr. Daly proposed to withdraw to the "congenial gloom of an Anglican Archbisopric." ---------------- When Wells disappears in the lead in to the Act 2 Finale, he does so with a flash of light from the tea-pot, held over his head. Having handed his top hat to Hercules just before, the hat is seen to hold a rabbit just after the disappearance. Did Wells put the rabbit back in the hat? During the flags in the curtain calls, the Australian flag appeard in the rabbit's hand. Does this mean that Diana is a cuddly bunny rabbit? ---------------- David Turner in describing the character given by Angela Lowe to Sangazure, said aprovingly, "Her pomposity was so genuine." --------------- That's all for the moment. The weather continues cool, overcast, and wet. This morning, there will be some sort of "conversation" with Thomas Round at the Old Hall. And at both 3 and 8 pm the Dee & Alyn G&S Society will perfrom The Merry Widdow by Franz Lehar in the Paxton Theatre. (abbridged, presumably) And, of course, this evening is the Savoynet Photo Session, followed by the Savoynet Chinese Dinner. I understand the photo will probably be taken with a digital camera, and so may be more readily availble on the web and by e-mail than in the past. Means of providing quality printouts for those lacking photo-quality printers are under discussion. Peter Zavon Penfield, NY on the road in Buxton, Derbyshire, England PZAVON@COMPUSERVE.COM until 19 August, then PZAVON@Rochester.RR.Com  1,, Summary-line: 11-Aug PZavon@compuserve.com [125] #Saturday at Buxton X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA02648; Sun, 11 Aug 2002 05:27:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA25395 for ; Sun, 11 Aug 2002 05:26:23 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7B9PbDU014129; Sun, 11 Aug 2002 05:25:37 -0400 (EDT) Date: Sun, 11 Aug 2002 05:25:37 -0400 (EDT) Message-Id: <200208110515_MC3-1-A6E-2466@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Saturday at Buxton MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 11 Aug 2002 05:25:37 -0400 (EDT) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Saturday at Buxton Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Well Saturday has finished and Sunday dawned bright and sun... Oops! sorry. Wrong script. Saturday was cool and overcast but we did see the sun during the latter part of the afternoon. Personally, I find this quite comfortable, as long as the wind is light to non-existant and nothing liquid or solid is falling from the skies. But I have seen people walking around in medium-weight coats. I carry an umbrella in my shoulder bag - just in case. I did not attend the morning session in which, apparently, Thomas Round was interviewed by Ian Smith. The event was a late addition to the schedule and was announced fro the stage and by several flyers posted around the opera House complex. I did attend the afternoon event - a "semi-staged" concert performance of The Merry Widow, offered by the Dee & Alyn Gilbert and Sullivan Society in the Paxton Theatre. As usual, the Paxton was, shall we say, VERY warm. The performance was fully costumed and all scenes presented were blocked. No sets or stage furniture were used, however. Much dialog and , I presume, some music, was cut and replaced by a narration at podium, stage left, by the character of Njegus, the Baron Zeta's Factotum. It wasn't G&S but it was very well done, IMHO. Thomas Round, sitting across the aisle from me, seemed to enjoy it. (His presence was acknowledged at the beginnning by Ian Smith, who described him as the definitive Danilo.) Unfortunately, I was still in the grip of jet lag, and the temperature in the hall did not help me fight it. So my awareness of details was impaired at times. Throughout the day the Memorabilia Fair in the Octogon Foyer offered an opportunity to meet people and spend too much money. I think, mind I say I think, I managed to avoid doing the latter. The Fair seemed well attended. Perhaps some of the vendors will offer an opinion as to its success as a Fair or Market. The Savoynet Photo Shoot was, I think, successful. Several high resolution digital images were captured and small prints of them were circulated during the Dinner that followed. They will be made available electronically. Details will follow, no doubt. The Chinese Dinner was very well attended and quite successful. The multi-course meal was consumed by our large party on both levels of the restaurant. Following dinner, the people upstairs were brought downstairs for additional festivities. [Upstairs, Downstairs. Hmm. That might make a good title for a TV show. Sorry, I digress. Must be lingering effects of jetlag.] As has become traditional, David Duffey served as self-appointed Master of Ceremonies. He began by selecting an octet to sing "Hail Poetry". The remainder of the celebrants were divided into groups, each to sing a different part of the accompaniment (strings, percussion, etc.) Of course, as this is an unaccompanied chorus, some invention was required to accomplish this assignment. But anything for the former Herr Direktor. There followed a Mime Contest in which each table was directed in turn to select and mime (in unison) a line from a song in G&S. Everyone else was to determine the line being mimed. I thought the most inventive mime was the one for the line "Hold!" (variously from Pinafore, Pirates, Ruddigore, and others.) Scoring and criteria for winning in general, was left to the imagination of each table. As Friday had been Lisa's birthday, and the dinner was later in the month than was traditional so the birthday of the Proprietor's daughter, Wing, was a week or more past, we sang "Happy Birthday" to Lisa. There followed the Alphabet Game. Beginning with the letter "A" and runnig in order through "Z", each table - selected at random by David - was to sing a song from G&S that began with the assigned letter. Rules this time included the grant that articles ("A", "The" etc.) were optional. They could be used or ignored, at the option of the table "under the gun." A new rule was that the entire room was to pick up the line and sing the song. [When asked if he was "making this up", David answered "of course."] As it was now 11 pm and a game of this type could easily require an hour or more to reach "Oh, Zara, My Beloved One." I withdrew to my chambers. The remainder of the festivities at the Chinese Dinner will have to be recorded by somebody else, ma'am, by somebody else. Sunday dawned cool and overcast. Ian Smith will be speaking in a few minutes on his 50 years of G&S, but I've decided to pass on that event. (On Friday evening, in his speech before the performance, he thanked the third person to purchase a ticket to his talk, so I think there will be a substantial croud there.) The Doves Hole Band will be performing at the Gazebo at 2 pm. This is not part of the festival, but a summer long collection of Band Concerts. I think I'll attend anyway. At 3pm we will have the Edinburgh G&S Society in a concert called "And from the Forth the Joyous Sound" As usual, the Festival has offered little or no description of what will be offered, but I've bought a ticket and so will cut short my time at the Band Concert to attend this at St. John's Church. This evening, as counter programming to the professional Mikado, the schedule of Fringe Activites lists the Jerusalem G&S Society in Cox and Box - and I have a ticket for the same. I believe the word on Savoynet was that Jerusalem had to cancel, but neither the people at the Port-a-Cabin, nor the Box Office staff know anything about this, at least as of mid-day Saturday. It will be interesting to so what happens. And more to follow. Peter Zavon Penfield, NY on the road in Buxton, Derbyshire, England PZAVON@COMPUSERVE.COM until 19 August, then PZAVON@Rochester.RR.Com  1,, Summary-line: 11-Aug admin@welcomenewborn.com [30] #You're invited to meet a new baby! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA15076; Sun, 11 Aug 2002 15:04:53 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (jik.kamens.brookline.ma.us [66.92.77.120]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA24879; Sun, 11 Aug 2002 15:03:42 -0400 (EDT) Received: (from mail@localhost) by jik.kamens.brookline.ma.us (8.12.5/8.12.5) id g7BJ0j4J019971 for baby-announcements-real; Sun, 11 Aug 2002 15:00:45 -0400 X-Authentication-Warning: jik.kamens.brookline.ma.us: mail set sender to owner-baby-announcements using -f To: Various people Received: from welcome.welcomenewborn.com (web1.welcomenewborn.com [66.166.13.25] (may be forged)) by jik.kamens.brookline.ma.us (8.12.5/8.12.5) with ESMTP id g7BJ0iJj019961 for ; Sun, 11 Aug 2002 15:00:45 -0400 Received: from mail pickup service by welcome.welcomenewborn.com with Microsoft SMTPSVC; Sun, 11 Aug 2002 15:00:43 -0400 From: Subject: You're invited to meet a new baby! Date: Sun, 11 Aug 2002 15:00:43 -0400 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4522.1200 Message-ID: X-OriginalArrivalTime: 11 Aug 2002 19:00:43.0507 (UTC) FILETIME=[649B5C30:01C24169] *** EOOH *** X-Authentication-Warning: jik.kamens.brookline.ma.us: mail set sender to owner-baby-announcements using -f To: Various people From: Subject: You're invited to meet a new baby! Date: Sun, 11 Aug 2002 15:00:43 -0400 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4522.1200 X-OriginalArrivalTime: 11 Aug 2002 19:00:43.0507 (UTC) FILETIME=[649B5C30:01C24169] Dear Everyone, St._Elizabeths_Medical_Center is pleased to share with you some wonderful news. We've had a new birth and you have been invited to meet the new baby online! To visit the baby's welcomesite, please click the link below and choose the option: 'visit a loved ones's welcomesite.' You will need to know the mother's last name and her secret word, which appear below. .............................................................. Mother's last name: Kamens Secret word: snuffle .............................................................. http://www.welcomenewborn.com/link.asp?Hospital=St._Elizabeths_Medical_Cen ter Note: You can find this welcomesite at any time by visiting www.welcomenewborn.com and selecting 'visit a loved one's welcomesite.'  1,, Summary-line: 11-Aug PZavon@compuserve.com [123] #Sunday at Buxton X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA17366; Sun, 11 Aug 2002 17:31:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA12431 for ; Sun, 11 Aug 2002 17:31:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7BLUJDU024005; Sun, 11 Aug 2002 17:30:19 -0400 (EDT) Date: Sun, 11 Aug 2002 17:30:19 -0400 (EDT) Message-Id: <200208111704_MC3-1-AD1-B060@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Sunday at Buxton MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 11 Aug 2002 17:30:19 -0400 (EDT) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Sunday at Buxton Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Sunday began with composition of a long and wordy message to Savoynet. Thank goodness that's over. Then, lunch at the Pavilion Gardens snack shop where all the G&S World can be seen during the Festival, if you but wait a while. The Doves Hole Public Band began their concert at teh gazebo promptly at 2. Young and old were gathered in not overwealming numbers for this event. They enjoyed ice cream, lounged in deck chairs provided by the Burough Council, or on park benches, and listened to the band. It was cool enough that most wore sweaters or jackets. I left as the band played a medoly from Oliver!, and walked to St. John's Church, not more than across the street from the Pavilion Gardens. At 3 pm the Gilbert & Sullivan Society of Edinburgh gave a concert of varied Sullivan music. The house was comfortable but not full. I believe the title of the event was partly responsible for this. "And from the Forth, the Joyous Sound" does not really say what sound will be provided, especially in a G&S context with a church venue. A single line explanation with the event title could have encouraged more attendance by those who chose to see the Mikado in the evening. The Society were supported by Bruce Graham, former member of the Society who has performed with D'Oyly Carte and is now with Carl Rosa All were piped both into and from the hall by a kilted Piper playing traditional music. Except for the encore piece, a traditional Scottish song possibly called "The Fiddler," the music presented were G&S pieces, Sullivan songs and pieces from Ivanhoe, Haddon Hall, Light of the World and the Golden Legend. Ttitles were: Plantagenetsa and Ho, Jolly Jenkin (Ivanhoe), Hoity-Toity, What's a Kiss? and Ribbons to Sell (Haddon Hall), Fold Your Flapping Wings (Iolanthe), Oh, Hush Thee, My Baby (a song) The Letter (words by Tennyson, part of a song cycle called "The Window") The Lost Chord The Long Day Closes and many others. (Full list on request.) One of the songs presented by Bruce Graham was "A Laughing Boy But Yesterday." He left every other rendition I have seen in the dust. I note that Strange Adventure was sung as a choral number with the last note merging into a hummm. Diana was heard to express wonder and amazement that one company should have three great tenors, as this one did. The lead soprano (Fiona Main), who is also Society President, displayed a fine voice, as did the other lead singers. A wealth of riches. [Pause to give the secret sign] The professional company gave The Mikado this evening, and word at the interval is that it is a very good performance. (Act 2 continues as I compose this note.) I had chosen to see the Jerusalem G&S Society in Cox and Box. As they were unable to come to England at this time, an alternate performance of the work was provided. This was the 1866 music, with the 1921 D'Oyly Carte dialogue and a few modifications to merge the two appropriately. The cast was heavily Savoynet connected, with Leon Berger as Cox and Nick Sales as Box. Bouncer was played by Ellis C. Pike. It must have been a dream cast, because it was a fine, no, a wonderful performance. The rain and overcast had lowered the outside temperature so the house was only toasty-warm. On stage, of course, it was much warmer and part of the curtain calls involved providing an open bottle of beer (I presume) for each performer. That should keep them hydrated until they can reach the Festival Club. The Paxton is now well miked and nearly every word said on stage was easily understood throughout the hall. The voices were excellent, the directing and coreography were fine. A young child of about 5 near me in the audience was absolutely delighted with the Rataplan choreography. So was I, but perhaps not so vocally. High, delighted giggles from the house at the right times _do_ seem to enhance a performance. There was one intentional dialogue change. At one point, the script has Box say to Cox. "Have you read the latest Bradshaw?" In this instance Nick Sales, as Box said, "Have you read the latest Savoynet Digest?" My impression is that the response came from more than just the Savoynetters in the audience. There was one unintentional dialogue change. At the point that Cox comes to understand that Box is the Box whose loss he has heard Penelope Anne lament, the script has him say, "You are Box! The lamented Box!" Unfortunately, Leon as Cox seemed to forgot who he was playing. He rendered the line as, "You are Cox, Cox..." After a pause, Nick fed him the missing word, "Box" and all proceeded well to the end. The performance ended in time for those who wanted to visit the ice cream truck and mingle with the Opera House audience, as the Mikado had also reached its interval. They were all huddled under the Opera House canopy as a slight drizzel was falling; a few at a tie would walk to the ice cream truck. The interval over, I continued on my way to the hotel, having decided to forgoe the Festival Club this night. And so, off to bed. Much forgotten and too much said. Peter Zavon Penfield, NY on the road in Buxton, Derbyshire, England PZAVON@COMPUSERVE.COM until 19 August, then PZAVON@Rochester.RR.Com  1,, Summary-line: 11-Aug Earthflash@webtv.net [60] #Re: Quote of the Week X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA13928; Sun, 11 Aug 2002 19:33:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA26220 for ; Sun, 11 Aug 2002 19:32:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7BNW6DU024607; Sun, 11 Aug 2002 19:32:07 -0400 (EDT) Date: Sun, 11 Aug 2002 19:32:06 -0400 (EDT) Message-Id: <7626-3D56F21B-14@storefull-2132.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Quote of the Week Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 11 Aug 2002 19:32:06 -0400 (EDT) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Quote of the Week Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum "I do find it daunting trying to do 100-year old jokes in an original way" The Top Ten Gilbertian responses would be.. 10 - "Then find me someone who can act." 09 - "I find it daunting trying to *stop* actors from doing 100-year old jokes in an original way. 08 - "Here. Daunt this." (obscene gesture omitted) 07 - "Then you'll never play Richard in Ruddigore because he's Dauntless." (rimshot) 06 - Very interesting. NEEEEXT!" 05 - "Have you considered swinging over the audience from a rope?" (ESSGEE humor) 04 - Have you considered working with John Goodman as the Mikado? (Brent Walker Humor) 03 - "Have you considered sitting in some pork pie? (Savoy standard) 02 - Have you considered going on stage sober? (running out of ideas) And the number one Gilbertian response to "I do find it daunting trying to do 100-year old jokes in an original way" ... "Exactly how long *have* you been sleeping with my wife anyway?" (rimshot again) JS Long Island, New york, U.S.A. EarthFlash@webtv.net  1,, Summary-line: 11-Aug thirdfromleft@juno.com [39] #home again X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA08716; Sun, 11 Aug 2002 22:07:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA16759 for ; Sun, 11 Aug 2002 22:07:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7C26LDU026962; Sun, 11 Aug 2002 22:06:21 -0400 (EDT) Date: Sun, 11 Aug 2002 22:06:21 -0400 (EDT) Message-Id: <20020811.214204.29808.90957@webmail6.nyc.untd.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thirdfromleft@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: thirdfromleft@juno.com To: Multiple recipients of list SAVOYNET Subject: home again X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno Webmail Version 1.0 *** EOOH *** Date: Sun, 11 Aug 2002 22:06:21 -0400 (EDT) Reply-To: thirdfromleft@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: thirdfromleft@juno.com To: Multiple recipients of list SAVOYNET Subject: home again X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi, all, I'm sure I have missed some Buxton postings while being un-subscribed. And I'm sure that others will write more than I'm about to, but... Too tired now even to comtemplate a diary. But being among the first to return (reluctantly) home, I think I might be able to muster a quick impression. What a glorious 10 days I had! Rehearsals were exhausting but so-o-o-o-o good -- everyone impressively well prepared, minimal egos, lovely directors and principals, an energetic and enthusiastic -- and funny -- chorus. An interesting array of other performances, dinners and cabarets, good beer, great good fellowship. Our show was really excellent: very creative direction, amazing principal performances, gorgeous costumes and make-up, a really lovely sound and atmosphere. David Turner mentioned (among other things) that he perceived a great "bonding" among Savoynetters. We joked about it a bit, but the bonding was there in spades, both onstage and off. After a delicious and wacky dinner last evening, and about 4 hours sleep, Vikki Willoughby and I made for Manchester and home early this AM. A good Blue Hill Troupe showing in the cast this year, BTW, with Vikki as Mrs P and Rich Miller as Alexis, and Sam Silvers and me typecast (ri-i-ight) as chorus aristocrats. I can't run through all of the well-deserved thanks, because I'm bone-tired weary. So thanks to all, for everything. It was my first time (and how many other chances in life will I have to say THAT?), and I loved every minute of it. Carol D in NYC ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  1,, Summary-line: 14-Aug PZavon@compuserve.com [171] #Tuesday in Buxton X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA12778; Wed, 14 Aug 2002 04:31:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA25944 for ; Wed, 14 Aug 2002 04:28:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7E8RwDU014424; Wed, 14 Aug 2002 04:27:59 -0400 (EDT) Date: Wed, 14 Aug 2002 04:27:58 -0400 (EDT) Message-Id: <200208140414_MC3-1-B1A-2FD8@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Tuesday in Buxton MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 14 Aug 2002 04:27:58 -0400 (EDT) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Tuesday in Buxton Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The performance Tuesday evening was Pirates of Penzance, by Nene Opera. This is an expansion of The Wandering Minstrels, who provided fringe performances during Festivals prior to 2000. They have given main stage (Opera House) productions in the last couple of years. A substantial fraction of their cast is said to be younger than 21 years. In fact, their Frederic this evening was young enough to actually look the part. Unfortunately, youth brought with it a voice that was not mature enough for the demands of the part. But, as Ian Smith is fond of saying in a variety of ways, the future of G&S is in the youth, and so the Festival and the Festival audience tends to cut them some slack. This production was a conventional traditional presentation, or perhaps a traditional conventional one. Through the first act in particular, I had that feeling that I had seen the production before. Of course, I had not, but the set had been used in several past Festivals for Pirates, and the costumes, too, I fancy. The blocking was close enough to "standard" (traditional D'Oyly Carte) as to make little difference to my jet-lagged brain. That is not to say it was a poor production. In fact, it was generally quite a competant performance, but not one to stir the blood and lay down memories to be recalled during future Festvals, except, of course, for the participants and thier families. During the day, the weather continued non-rainy, with highly variable degrees of overcast and bright sun. I took the day off from Festival attendance, wandered the town and generally relaxed. It occurs to me that some Savoynetters who are new to the list and have never been to Buxton might be interested in hearing about the town generally. The following is something along those lines, cast as a description of my doings (and non-doings) in the course of the day on Tuesday. Those of you who have been to Buxton, or who are not interested in such things, may allow your attentions to wander (press the NEXT button) as what I am about to say will not interest you. I am staying at the Palace Hotel, the largest of the hotels in town. For better ventilation, it was built on a hilltop above the spring that has made the town a destination for centuries for those who would "take the waters." The hotel opened in 1868. Note that this makes it older than the Savoy Hotel in London. When you consider the advances in hotel design that the Savoy made, you will realize that arrangements at the Palace have been upgraded over the years. (The first time I came to Buxton, an old woman on the train was reminiscing as the train came up the valley into town, about years past when she worked at the Palace Hotel and Vivian Leigh would stay there when visiting the town.) After breakfast, I decided to do my laundry. The hotel has a service for this, of course, but in most years I have used the Five Corners Cafe and Laundrette - a less costly service but one located on the other side of the town. So I packed those items in need of washing and set off on the 15-minute walk into and through the center of town. From the bottom of the hotel grounds, manicured lawn with flowerbeds on the south slope of the hill, I walked along The Quadrant (a business street) past the Indian restaurant that opens at 4:30 pm but whose staff are shocked if a customer comes in before 7pm. Then it was along the Terrace Road to the top of the hill where the Town Hall is located. The northern slope of this hill would be a respectable climb in San Francisco. [Buxton is in The Peak District, named for a pre-Christian people of the region called The Peak People. That name came, I think, from the fact that they lived in this hilly country.] Walking along High Street, the upper business district, I passed through the Market Square. Buxton is the highest (altitude above sea level) Market Town in England (as distinct from other parts of the Island of Britain). Tuesday, and Friday (I believe), are market days in Buxton, so the Market Square was well occupied. This is a flat area immediately south of the Town Hall in which an open air market is established each market day. The wares offered range from clothing, pillows and carpeting to bathroom cleaners, garbage bags, small consumer electronics, and decorative pieces. It is something like an open-air K-Mart (no offense intended to the Buxton Market). Proceeding further along High Street, past bakeries, restaurants, banks, and other establishments, I came to Scriveners. This is the major used bookstore in town and one that carries items related to G&S and other light opera, as well as many other topics. They advertise 5 floors of books. But each floor, while stuffed with books, is rather small in extent. Two short blocks further, down a gentle slope, I came to the intersection of 5 roads - High Street, Dale Road, London Road, Green Lane and West Road. On one corner of this intersection is the Five Corners Cafe and Laundrette. A portion of the establishment is a small cafe or restaurance where you can get tea or coffee, sandwishes, etc. Another portion is a coin-operated laundry - very important for many Festival participants. So you can have coffee or a light meal while your laundry is washing or drying. One particularly helpful feature of this establishment is that you can leave your laundry with them and they will run it through the machines and fold it for you, for a service charge of GBP 3.00 on top of the costs of operating the machines and buying detergent. I left my laundry for a "Service Wash and Dry" and walked back by a different route, going round the hill rather than up and over it. Turning left, I walked along West Road, which is lined with residential structures, row houses with small, walled gardens or lawns in front of most. Along the way I met a friendly, well kept cat standing on one of the walls. After a short and careful conversation (I like cats but am allergic to them) I moved on, with the cat walking hopefully with me for the next 4 or 5 houses. Then I turned into the Broadwalk, a road wide enough for cars but reserved for pedestrians. The Broadwalk runs north along the west edge of the Pavilion Gardens, a large Victorian park that has been restored in recent years to something like its original appearance. The River Wye runs through the park (not the well-known river of that name, but the other one) and several large ponds have been restored, along with water spouts in the centers of some. There are swans and innumerable ducks in ponds and river, paved paths, large grassy areas in which people play frisby with their dogs, and even a small 4-car train for children and their adults to ride round the park. The side of the Broadwalk opposite the Gardens is lined with hotels, guest houses, residential facilities (Council Flats?), even a nurseing home. This is a very pleasant, park-like setting for a walk. At the end of the Broadwalk is the Grosvenor House (hotel and restaurant), and across The Square, The Old Hall Hotel. The Old Hall incorporates the oldest structure in Buxton, the tower where Mary Stuart was held when as prisoner of Elizabeth she came to Buxton to take the waters. The Square is a short road forming the northeast edge of the Pavilion Gardens. It is also a square building opposite the gardens built in the late 19th century along with The Crescent as part of a development scheme for the town. In addition to being a Victorian Park, The Pavilion Gardens is an early 20th century building complex housing the Opera House, a restaurant, cafe and snack bar, the Paxton Theatre, the Octogon and (a latter addition) an indoor community swimming pool. So having started out at 9, I was by 10 am at the Opera House and the adjecent Festival Shop in the PortaKabin. Then back to the hotel for a while. Later I walked down the Quadrant to The Slopes, a municipal park on the north slope of the hill at the top of which stands the Town Hall. The Crescent forms one side of this park, and leads east to The Spring Gardens, a commercial street that has been closed to motor traffic, and opened to pedestrians, for three blocks. Sitting on a park bench opposite the Cavendish Arcade I just relaxed and watched the blue sky on all visible horizons do battle with the low-flying gray clouds centered over the town. The clouds generally won out but did not drop rain, for the most part. I even found myself dosing off after awhile. Galvanized by three small rain drops landing on my face, it was off down the Springs Gardens to test out the latest American invasion, the KFC, for lunch. Then to Thorntons in the Spring Gardens ( shopping mall behind the buildings in the Spring Gardens, the street) for some chocolates and to WH Smith for a book ot read on the flight home. I spent much of the afternoon in the hotel, writing an information sheet on the ergonomics of computer workstation arrangements. Then back to the Five Corners at 4pm to pick up my laundry, returning again by way of the Pavilion Gardens. A short wait for my scheduled seating time at dinner (6:30) and then off to the Opera House for an evening of Pirates. And so another day in Buxton.  1,, Summary-line: 14-Aug YesTisMabel@aol.com [36] #G&Sing recordings X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA13052; Wed, 14 Aug 2002 15:43:16 -0400 (EDT) From: Received: from imo-d02.mx.aol.com (imo-d02.mx.aol.com [205.188.157.34]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA01699 for ; Wed, 14 Aug 2002 15:39:59 -0400 (EDT) Received: from YesTisMabel@aol.com by imo-d02.mx.aol.com (mail_out_v33.5.) id r.10.236121b3 (24895); Wed, 14 Aug 2002 15:39:22 -0400 (EDT) Message-ID: <10.236121b3.2a8c0bea@aol.com> Date: Wed, 14 Aug 2002 15:39:22 EDT Subject: G&Sing recordings To: andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@mail.labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@ElizabethArden.com, Kingparamount@gilbert-and-sullivan.org, opus@MIT.EDU, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, yourmom@rice.edu, BishopJ@brevardcc.edu, OperSanger@aol.com, waterviewpress@mindspring.com, Euphabarit@aol.com, paulench@cfl.rr.com, piratekingk@yahoo.com, TPATER27@aol.com, captluci@bellsouth.net, Squirt1683@aol.com, Muzakmayhem@aol.com, SingerRx@aol.com, killer_diller@hotmail.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, davidstork@msn.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** From: Date: Wed, 14 Aug 2002 15:39:22 EDT Subject: G&Sing recordings To: andi_s_r@yahoo.com, paul@enchelmayer.com, SSherr1030@aol.com, jim@mail.labsoftware.com, SSilvers@sskfg.com, aentin@hotmail.com, savoyard1@yahoo.com, jmdesq@aug.com, DglsWhaley@aol.com, erique@nyc.rr.com, eric@toastpoint.com, labradors@ureach.com, Wendy.Falconer@ElizabethArden.com, Kingparamount@gilbert-and-sullivan.org, opus@MIT.EDU, Bj.Richards@btinternet.com, pookahone@earthlink.net, oris@interlog.com, yourmom@rice.edu, BishopJ@brevardcc.edu, OperSanger@aol.com, waterviewpress@mindspring.com, Euphabarit@aol.com, paulench@cfl.rr.com, piratekingk@yahoo.com, TPATER27@aol.com, captluci@bellsouth.net, Squirt1683@aol.com, Muzakmayhem@aol.com, SingerRx@aol.com, killer_diller@hotmail.com, jsegers@pegasus.cc.ucf.edu, CousinHebe@earthlink.net, davidstork@msn.com Content-Type: text/plain; charset="US-ASCII" Hi all! I have the recordings of our singout, everything but Pirates (the only part of Pirates that got recorded is from Mabel's "no, I am brave" to the end). I'd like to have suggestions on how you would like to get copies of the event. I have the original audio tapes that they were recorded on, and cds of those tapes. I was thinking of making mp3 files, but someone told me those would be really long. So as far as I can see, if I don't go that route, then I would have to make you copies of the tapes or cds and just mail them to you the old-fashioned way. If any of you are technically oriented and can tell me whether you think mp3s would still be ok, despite the long download time, please do so! Elise ps Does anyone know Carole Round's new email address?  1,, Summary-line: 15-Aug PZavon@compuserve.com [180] #Wednesday in Buxton X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA26004; Thu, 15 Aug 2002 04:27:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id EAA23031 for ; Thu, 15 Aug 2002 04:27:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7F8LxDU002643; Thu, 15 Aug 2002 04:21:59 -0400 (EDT) Date: Thu, 15 Aug 2002 04:21:59 -0400 (EDT) Message-Id: <200208150412_MC3-1-B68-4157@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Wednesday in Buxton MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 15 Aug 2002 04:21:59 -0400 (EDT) Reply-To: PZavon@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PZAVON To: Multiple recipients of list SAVOYNET Subject: Wednesday in Buxton Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The day dawned overcast, as has come to be expected. While somewhat warmer, it was still well within the "very confortable" range throughout the day, although I did see some people wearing jackets or sweaters. In the course of the day the clouds cleared until by mid-afternoon the sky was partly clear, with fleecy white clouds and visibility good enough that from the Hotel grounds I could easily see Solomon's Temple atop its hill to the southwest, well beyond the hill where the Town Hall sits. Solomon's Temple is a late 19th century "folly." In order to give work to the local stone masons, a prosperous local farmer had a round, two-storey tower built in the middle of one of his pastures. It is now something of a tourist attraction, out beyond Poole's Cavern. It is still in the middle of a pasture and access is only on foot, but that is less of a problem in this land of foot paths and walking holidays than it would be in the US. Once one reaches the tower, the climb to the top nothing, and the view is quite good. The first Festival event of the day was at 10:30, a Pot Luck performance of Ruddigore at the Bandstand. A Pot Luck performance is where Ian Smith organizes the principals, or most of them, in advance and anyone who wants sings in the chorus. There is little or no staging, and certainly no secenery, props or costumes. In this case all "performers" gathered on the Bandstand. The audience seemed to be about 100 people. Some of those would have been there without any entertainment, as this is an area to sit, rest, eat ice cream and enjoy the weather. However, there were certainly more people present than on a "normal" day. The Bandstand had one microphone, connected to speakers hung in two trees closer to the Pavillion Gardens buildings. This is quite adequate for spoken announcements, but tends to be overloaded by the volume of singing. And the tonal fidelity of the speakers was not amazing. There were clearly plenty of people to fill out the chorus, so I felt no need to help in that way. As the sound from the speakers was less than enticing, even to my deteriorated hearing, I allowed my attention to wander from the Festival for the morning and early afternoon. At 2:30 Steven Turnbull presented the Sir Arthur Sullivan Society Lecture and Recital in the Paxton. As usual the Paxton was the warmest place in town other than the Opera House Upper Circle seating. The topic was "Arthur Sullivan: The Last Ten Years" and dealt with his musical achievements and other efforts during the last ten years of his life. The recital element was provided by Leon Berger (baritone, in case you did not know), Sylvia Greinig (contralto), Hilary Morgan (piano) and William Parry (reader). The lecture was intersperced with song and dramatic readings to illustrate or supplement points made, and this began with Sylvia giving an excellent dramatic reading of an uncomplimentary review of Gondoliers. Songs presented included "Ho, Jolly Jenkin" (Ivanhoe), "To Help Unhappy Commoners" (Gondoliers), "I've Heard It Said" (Haddon Hall), "A Wonderful Joy Her Eyes to Bless" (Utopia), "From Rock to Rock" (The Chieftan), "When You Find Find You're a Broken Down Critter" and "Come Bumpers, Aye Ever So Many" (Grand Duke), "The Stone Comes Back to Me" (The Beauty Stone), Jubilee Hymn and several others. One highlite was a musical rendering of a parody sketch from Puck, published the day after The Rose of Persia opened, and purporting to describe the development and rehearsal of that work using parody of verse from earlier G&S works. The 95 minute event concluded with two verses of "The Absent Minded Beggar" (with community singing of the second chorus), and as a encore piece, "First You're Born" from Utopia. In the course of his presentation, Steven noted that one of the events at the Sullivan Society gathering in September will be presented by the people who discovered the Thespis Ballet Music. It is expected that they will have additional discoveries to report, but those who will assist them in their presentation have been sworn to secrecy until then. In his pre-performance curtain speach, Ian Smith paid tribute to one member of the audience who had arrived from Ireland that day. On arrival at Manchester Airport, they had found the door to the arrivals area was locked. Determined not to miss the performance, this person had, along with the rest of the passengers, crawled along the baggage conveyor to get out into the Customs and Immigration area. Ian also noted that a firm called SAGA Tours has been selling packaged G&S Festival trips and that this has become their best-selling offering. Ian is now running a contest as to what the letters "SAGA" stand for. He offered several possible examples, which I'll not try to repeat here. The main performance this day was Trent Opera presenting HMS Pinafore and The Bluecoat Trial By Jury. I was told that this is known in some circles as "All Aboard HMS Pinafore. Nick Sales played Rafe, and a very good Rafe he was. Steven Godward was Deadeye. The rest of the cast were at the same level of excellence, or nearly so. Trent is well known for presenting concept shows, and that is what they did this evening. To quote from the program, "The action takes place on board HMS Pinafore, anchored in the Caribbean, now." That does not tell the whole story, however. As best I can tell, this Pinafore is an aircraft carrier. Deadeye is the ship's cook, Buttercup is a native of the Caribbean. The music was untouched, except for one song, see below. The words were slightly modified to conform to the new locale and time, but this was almost entirely restricted to early in the first act. For example, Deadeye says that "captain's daughters don't marry bilge hands" rather than "foremast hands," but the second act line from Sir Joseph, "Your position as a topman is a very exalted one," is retained. On her entrance, Buttercup sings that she has "soft tommies and excellent yams" which are so good "you'll tink [sic] they were cooked by your mam." Deadeye says he is "not very nice to look at, and you all hate my food, don't you?" The cast at the opening are dressed in a representation of Naval white tropical uniform. As a large modern ship, the crew includes women, in WREN uniform, who are seen exercising, and sweeping the deck during the opening. They mouthed the words of the opening song, but did not I think, actually sing it. This retaind the musical values that Sullivan created. They did sing the women's parts once the Sisters, Cousins, and Aunts boarded. There were too many bits to describe here, you will have to look at the video. However, the concept seemed to be consistantly applied throughout. One bit that was particularly good, in my opinion, was the dialogue between Corcoran and Josephine (My daughter, I grieve to see you are prey to melancholy. ...) Josephine is down, right, seated on a chair on deck. The Captain is up, center on an upper deck. He speakes to her through a fully functional, battery operated megaphone. She replies without mechanical aids. Both punctuate the ends of their statements with "over." It works much better than it reads here. The Bluecoat Trial was staged at the beginning of and leading into Act 2 of Pinafore. It was staged as the entertainment caping the dinner party put on to honor the presence of Sir Joseph and his family. There are tables on deck and a grand piano, one end loaded with bottles of liquor and the curved portion covered by a Union Flag. Dinner has finished, the party are enjoying after-dinner drinks and the paid entertainer (Andrew Nicklin) is playing cocktail lounge renditions of popular melodies like "Somewhere Over the Rainbow." The Captain calls for the entertainment, and Trial By Jury begins as a show within a show. The 12 Jurymen, members of the crew of HMS Pinafore, are in naval blue dinner jackets, hence the name. Sir Joseph plays the Judge, Deadeye the Council for the Plaintiff (with good Scotts accent),Bill Bobstay is the Usher and Bob Beckett is the Foreman. The Plaintiff is played by a Leading WREN and the Defentant by a Squadron Leader dresses in WWI flying clothes, complete with scarf perpetually in the wind. The other WRENs played the Bridesmaids, and were dressed in leather flying helmets, smoked nylon stockings and body-fitting fingy things (I'm sure there is a name for this, but it eludes me at the moment). The net effect for the Bridesmaids is something that would fit the Hot Box Girls in "Guys and Dolls" and certainly grabbs the attention of the Jurymen after "Comes a Broken Flower." Again,music and lyrics were not altered. You have to see the video to fully appreciate what was done here. After the Trial curtain calls, the deck is quickly cleared leaving the piano, piano player, and Corcoran alone on deck. "Fair Moon" is then sung in the style of a cocktail lounge piece, with piano accompaniment. There follows the dialog with Buttercup and the rest of act 2. Leaving the Opera House at 10:30 following teh 20 minute adjudication, I found the air calm, dry and very comfortable. It was that temperature that made me want to stay out all night and perhaps even sleep under the stars. But there were no stars to be seen and I thought it might rain, so I did not explore that possibility. Peter Zavon Penfield, NY on the road in Buxton, Derbyshire, England PZAVON@COMPUSERVE.COM until 19 August, then PZAVON@Rochester.RR.Com  1,, Summary-line: 16-Aug tytso@MIT.EDU [32] #Re: dinner X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA00316; Fri, 16 Aug 2002 13:29:07 -0400 (EDT) Received: from thunk.org (THANK.THUNK.ORG [216.175.175.163]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA26016; Fri, 16 Aug 2002 13:28:22 -0400 (EDT) Received: from think.thunk.org ([216.175.175.162]) by thunk.org with asmtp (Exim 3.35 #1 (Debian)) id 17fktY-0006u3-00; Fri, 16 Aug 2002 13:28:20 -0400 Received: from tytso by think.thunk.org with local (Exim 3.35 #1 (Debian)) id 17fktY-0002aN-00; Fri, 16 Aug 2002 13:28:20 -0400 Date: Fri, 16 Aug 2002 13:28:20 -0400 From: "Theodore Ts'o" To: Bill Sommerfeld Cc: Mark Eichin , "David C. Jedlinsky" , dinner@mit.edu Subject: Re: dinner Message-ID: <20020816172820.GF7786@think.thunk.org> References: <200208130353.g7D3ra102066@syn.hamachi.org> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200208130353.g7D3ra102066@syn.hamachi.org> User-Agent: Mutt/1.3.28i *** EOOH *** Date: Fri, 16 Aug 2002 13:28:20 -0400 From: "Theodore Ts'o" To: Bill Sommerfeld Cc: Mark Eichin , "David C. Jedlinsky" , dinner@mit.edu Subject: Re: dinner Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: <200208130353.g7D3ra102066@syn.hamachi.org> User-Agent: Mutt/1.3.28i On Mon, Aug 12, 2002 at 11:53:36PM -0400, Bill Sommerfeld wrote: > BTW, AA has been announcing weirdly-restricted netsaaver fares on the > BOS<->ORD (that's "O'Hare") route for $168 round trip on my last few > visits to the site. (have to fly on a saturday, tuesday, or > wednesday; prices look to be about $40 higher for friday->monday) Actually, "ORD" is short for "Orchard Field". It was renamed to O'Hare in 1949 in honor of Lt. Cmdr. Edward O'Hare the first "Ace" of WWII. More of his story (including how saved the USS Lexington and how father turned states' evidence against Al Capone in order to get O'Hare into the Naval Academy at Annapolis) can be found here: http://www.ipsn.org/ohare.html Truth is stranger than fiction.... Anyway, as far as proposing a weekend --- how about the weekend of September 28th? I'll be flying out earlier to visit relatives in the area, so I won't be participating in the carpool. - Ted  1,, Summary-line: 19-Aug Bj.Richards@btinternet.co [27] #QWERTY/CONN II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA18537; Mon, 19 Aug 2002 04:30:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA14232 for ; Mon, 19 Aug 2002 04:29:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7J8TCDU008475; Mon, 19 Aug 2002 04:29:12 -0400 (EDT) Date: Mon, 19 Aug 2002 04:29:12 -0400 (EDT) Message-Id: <005001c2475a$4f6a7200$481f073e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/CONN II MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Mon, 19 Aug 2002 04:29:12 -0400 (EDT) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: QWERTY/CONN II Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Travelling Richards' will be making the trip to Connecticut to attend Paul & Bobbie's QWERT in November. We'll be flying to Newark on Thursday, 7th of November and staying with with Carole Round before going to P&B's. It'll be difficult to top the first QWERTY/CONN in April 2000 when 9 Brits made the trip over to Paul & Bobbie's lovely house in Westport but we'll sure have a darn good try! If any Brits have any leave left, try & join us, Paul & Bobbie's first QWERT was one of the best, flights to New York aren't too expensive and we're sure that NY SavoyNetters will extend their legendary hospitality to soften the financial blow! Bob & Jackie  1, answered,, Summary-line: 19-Aug warlord@MIT.EDU [22] #Movie night this weekend? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA16500; Mon, 19 Aug 2002 20:30:37 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA23284; Mon, 19 Aug 2002 20:29:55 -0400 (EDT) Received: from kikki.mit.edu (KIKKI.MIT.EDU [18.18.1.142]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id UAA20687; Mon, 19 Aug 2002 20:29:55 -0400 (EDT) Received: (from warlord@localhost) by kikki.mit.edu (8.9.3) id UAA16592; Mon, 19 Aug 2002 20:29:55 -0400 (EDT) To: opus@MIT.EDU, rls@MIT.EDU Subject: Movie night this weekend? From: Derek Atkins Date: 19 Aug 2002 20:29:55 -0400 Message-ID: Lines: 15 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: opus@MIT.EDU, rls@MIT.EDU Subject: Movie night this weekend? From: Derek Atkins Date: 19 Aug 2002 20:29:55 -0400 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 Content-Type: text/plain; charset=us-ascii As you (may) know, Chris Marchant is coming to town and he wanted to come up for Movie Night (and to see the showcasing of your new "big screen tv".. I just wanted to make sure that (a) this was a relatively open invite, and (b) adding Chris, Heather, Dave, Rosemary and I to your cast of many would be ok... I also wanted to re-confirm the time and date. Thanks, -derek -- Derek Atkins, SB '93 MIT EE, SM '95 MIT Media Laboratory Member, MIT Student Information Processing Board (SIPB) URL: http://web.mit.edu/warlord/ PP-ASEL-IA N1NWH warlord@MIT.EDU PGP key available  1,, Summary-line: 20-Aug dduffey@argonet.co.uk [74] #Re: Festival/Awards/What Next? X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id DAA27663; Tue, 20 Aug 2002 03:26:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id DAA01174 for ; Tue, 20 Aug 2002 03:25:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7K7P4DU003579; Tue, 20 Aug 2002 03:25:04 -0400 (EDT) Date: Tue, 20 Aug 2002 03:25:04 -0400 (EDT) Message-Id: <003201c2481a$0351fe90$6a69bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Festival/Awards/What Next? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Tue, 20 Aug 2002 03:25:04 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Festival/Awards/What Next? Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > I fully support the suggestion made by David Duffy > and others to create a "Board" to choose the producer, > director and musical director and to streamline and > organize our pre-show needs. Thanks to Sam for bringing this matter up; it follows on from a verbal report I made to the assembled SavoyNet company. When Stephen Hill, the efficient and experienced production co-coordinator of previous SavoyNet shows indicated that he was for professional reasons obliged to forgo standing for re-election, I, with some reluctance, put myself forward for election to the post. I did however, in my election address, state that it was a condition of my candidature that I be allowed to establish a "steering group" which could debate and advise on the sometimes difficult and occasionally contentious non-artistic matters requiring a decision. I took my unopposed election to be a mandate to establish such a group, and accordingly invited a number of people with Buxton experience to be members. I tried also to provide geographical coverage. They are: Bob & Jackie Richards; David Cookson; Marc Shepherd; Larry Garvin; Celia Perry; Keith Drage; Nick Sales; Stephen Hill; Paul McShane; David Duffey and, on their election Diana Burleigh and Dick Stockton as the current artistic directors. This group assisted throughout the year in advising on critical decisions, at least two of which could not have been foreseen. At Buxton, such of those above who were there met face to face. Things were already moving apace for the 2003 Festival, and decisions had to be made. I can report that SavoyNet have been invited to submit proposals for a show at the 10th International Festival. Ian and Neil Smith are anxious to proceed quickly with the programming and it is likely, due to the large number of groups which have already indicated their interest, that further critical decisions will have to be made about the SavoyNet production very shortly. The steering committee therefore have determined that it will remain in place to take the decisions necessary to secure the successful production of a SavoyNet entry into the 2003 Festival, including the selection of the three directors. It will, however, propose a constitution whereby membership of the steering committee is opened to proper election so that a democratically selected group be in place to take any decisions necessary for a 2004 production. Ideally this will mean that the 2004 group should be in place by March 2003. In the meantime, any of the members of the steering committee will be happy to receive suggestions about its constitution. I trust our conduct meets your approbation. David The Wash England "I'm a miserable old man"  1,, Summary-line: 21-Aug pdp@globalnet.co.uk [60] #RE: Musings on the Awards X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA06006; Wed, 21 Aug 2002 06:21:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA23938 for ; Wed, 21 Aug 2002 06:20:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7LAK8DU026102; Wed, 21 Aug 2002 06:20:08 -0400 (EDT) Date: Wed, 21 Aug 2002 06:20:08 -0400 (EDT) Message-Id: <3.0.6.32.20020821103626.00edd100@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Musings on the Awards Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01C2489C.CB239500.rpennicard@clara.co.uk> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Wed, 21 Aug 2002 06:20:08 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Musings on the Awards Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01C2489C.CB239500.rpennicard@clara.co.uk> At 18:21 20/08/02 -0400, you wrote: >First of all congratulations to all the award winners and nominees, whether >Savoynetters or not. > >Looking at the awards and nominations, one thing that does puzzle me: what >constitutes a "supporting actress (or actor), and how does this differ from >a character actress/actor? Last year it seemed that the winners played >some of the smaller parts - Old Adam and Kate. I can't see any such logic >this year; indeed the same person was nominated for both best character >actress and best supporting actress. > >Suggestions anyone? > I also am puzzled! As it was announced by Ian Smith that this year all the awards were judged solely by David Turner without any outside help, who did the nominating? If there is to be a sole judge then there is no point in making any other comment than the winner surely. Nominating suggests to me that folk were put forward, IE; NOMINATED and then a judgement made. The more one looks in fine detail at the final results with hindsight after the event, the more odd some of the judgements appear. To me it looks as if Turner had say 20 awards to give out to a smaller number of companies and apart from one company shared them out sort of piecemeal. This is not to decry any of the winners even if I personally disagreed with some of his judgements. The overall winners had two bites at the cherry, one at Eastbourne, not judged and badly flawed by stage management faults, such as the ghosts emerging with the stage lights still full on, and a blackout for them to re-enter their frames at the wrong moment so that the lights were on again at the critical point. What a mess that was! That they got it right for Buxton was to their credit but at least they had a chance other companies did not have in doing a practice public performance. David Turner was not present at Eastbourne so would not have seen that show. I have just played back my copy of the Sorcerer video and I think it is by far the best video I have of that opera. When I get a machine which will play DVD-R I shall buy a DVD copy to get the stereo sound. One thing which did surprise me was the clarity of the mono sound track on the VHS tape. Much better than in previous years including the dialogue; congratulations to Chris Faulkner and his partner. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 21-Aug awrobins@yahoo.com [46] #Gilbert's ORIGINAL PLAYS for sale X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA05763; Wed, 21 Aug 2002 08:22:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA08944 for ; Wed, 21 Aug 2002 08:22:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7LCLnDU000973; Wed, 21 Aug 2002 08:21:49 -0400 (EDT) Date: Wed, 21 Aug 2002 08:21:49 -0400 (EDT) Message-Id: <20020821115838.61207.qmail@web10807.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's ORIGINAL PLAYS for sale MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 21 Aug 2002 08:21:49 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's ORIGINAL PLAYS for sale Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I just noticed on the Advanced Book Exchange that a bookseller in the UK is selling the 4-volume set of Gilbert's ORIGINAL PLAYS for 10 pounds each (the price is listed as $15.29, but I assume that's 10 pounds). The first three volumes aren't too hard to find, but the fourth is. If anyone's interested, go to: http://www.abebooks.com and contact the dealer. I've pasted in the description of volume 4 below. Arthur Robinson W.S. Gilbert Original Plays. Fourth Series. London: Chatto & Windus, 1911 Full-Leather. Good. Fine-paper edition. Pocket size leather bound edition. 475pp. Photographic frontispiece protected by tissue guard. All edges gilt. Decorated endpapers. Gilt devices and lettering on spine. See Book No's 5606, 5607, 5608. Bookseller Inventory # 5609 Price: US$ 15.29 (approx. None 15.29) convert currency Presented by Peter Arnold, Ilford, United Kingdom ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do You Yahoo!? HotJobs - Search Thousands of New Jobs http://www.hotjobs.com  1,, Summary-line: 21-Aug sctang@MIT.EDU [152] #The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA14309; Wed, 21 Aug 2002 09:17:05 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA02354; Wed, 21 Aug 2002 09:15:54 -0400 (EDT) Received: from sonya-jd27fkurm.mit.edu (SUNNYBUNNY.MIT.EDU [18.245.3.19]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id JAA14539; Wed, 21 Aug 2002 09:15:54 -0400 (EDT) Message-Id: <5.0.2.1.1.20020821084643.0157b8d8@po12.mit.edu> X-Sender: sctang@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Wed, 21 Aug 2002 09:15:45 -0400 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS for "The Pirates of Penzance" Cc: grand-duke@mit.edu, pinafore@mit.edu, trial-full@mit.edu, pirates02@mit.edu, mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mtg-members@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu, dancetroupe@mit.edu, rkb@mit.edu, midnight-players@mit.edu, gsp@mit.edu, ds_announce@mit.edu, blactg@mit.edu, choral@mit.edu, muses@mit.edu, techiya@mit.edu, gsp-cast-int@mit.edu, sorcerer@mit.edu, zoo@mit.edu Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_171655958==_.ALT" *** EOOH *** X-Sender: sctang@po12.mit.edu (Unverified) Date: Wed, 21 Aug 2002 09:15:45 -0400 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS for "The Pirates of Penzance" Cc: grand-duke@mit.edu, pinafore@mit.edu, trial-full@mit.edu, pirates02@mit.edu, mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mtg-members@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu, dancetroupe@mit.edu, rkb@mit.edu, midnight-players@mit.edu, gsp@mit.edu, ds_announce@mit.edu, blactg@mit.edu, choral@mit.edu, muses@mit.edu, techiya@mit.edu, gsp-cast-int@mit.edu, sorcerer@mit.edu, zoo@mit.edu Content-Type: multipart/alternative; boundary="=====================_171655958==_.ALT" --=====================_171655958==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed >> >> >> \ )_________ _________( / >> > | )_____________________________________( | < >> /___| THE MIT | | PLAYERS |___\ >> \_________| G I L B E R T & S U L L I V A N |_________/ >> \_____________________________________/ >> >> >> proudly announce AUDITIONS for the Fall 2002 Production of THE PIRATES OF PENZANCE Dates and Locations of Auditions: Wednesday, September 4 2002: 7-10 pm W20-407 in the Student Center at MIT (84 Mass. Ave.) Thursday, September 5 2002: 7-10 pm West Lounge in the Student Center at MIT Please bring two copies of sheet music of a prepared song in English. Don't have a song? Sing "Happy Birthday" Directors will provide a scene to be acted at the auditions Performance Dates: Thursday, November 21 @ 8p Friday, November 22 @ 8p Saturday, November 23 @ 2p Saturday, November 23 @ 8p Sunday, November 24 @ 2p All shows are in La Sala de Puerto Rico in the Student Center of MIT (84 Massachusetts Avenue) Plot Synopsis: When Frederic was yet a little boy, his nurse (Ruth) was told to apprentice him to become a pilot. She heard the word incorrectly and apprenticed him to a band of pirates, remaining with them herself as a maid-of-all-work. On his 21st birthday, Frederic parts company with the pirates who raised him, and pledges to go straight. He soon falls for Mabel, one of the Major-General's daughters, but the Pirate King has a plot to keep Frederic in his band of rogues forever. For more information about auditions, please email savoyards-request@mit.edu or call (617)253-0190 or visit web.mit.edu/gsp/www --=====================_171655958==_.ALT Content-Type: text/html; charset="us-ascii"


 \   )_________                                       _________(   /
  >  |         )_____________________________________(         |  <
 /___| THE MIT |                                     | PLAYERS |___\
     \_________|  G I L B E R T  &  S U L L I V A N  |_________/
               \_____________________________________/


                               proudly announce

                                 AUDITIONS

                            for the Fall 2002 Production of

                THE PIRATES OF PENZANCE

Dates and Locations of Auditions:

Wednesday, September 4 2002: 7-10 pm W20-407 in the Student Center at MIT (84 Mass. Ave.)
Thursday, September 5 2002: 7-10 pm West Lounge in the Student Center at MIT


Please bring two copies of sheet music of a prepared song in English. 
Don't have a song? Sing "Happy Birthday"

Directors will provide a scene to be acted at the auditions

Performance Dates:
Thursday, November 21 @ 8p
Friday, November 22 @ 8p
Saturday, November 23 @ 2p
Saturday, November 23 @ 8p
Sunday, November 24 @ 2p

All shows are in La Sala de Puerto Rico in the Student Center of MIT (84 Massachusetts Avenue)

Plot Synopsis:
When Frederic was yet a little boy, his nurse (Ruth) was told to apprentice him to become a pilot.  She heard the word incorrectly and apprenticed him to a band of pirates, remaining with them herself as a maid-of-all-work. On his 21st birthday, Frederic parts company with the pirates who raised him, and pledges to go straight. He soon falls for Mabel, one of the Major-General's  daughters, but the Pirate King has a plot to keep Frederic in his band of
 rogues forever.

For more information about auditions, please email savoyards-request@mit.edu
or call (617)253-0190 or visit web.mit.edu/gsp/www



--=====================_171655958==_.ALT--  1,, Summary-line: 21-Aug samclapp@bellsouth.net [101] #Words to overtures X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA25818; Wed, 21 Aug 2002 11:15:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA09609 for ; Wed, 21 Aug 2002 11:14:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7LFC8DU022015; Wed, 21 Aug 2002 11:12:08 -0400 (EDT) Date: Wed, 21 Aug 2002 11:12:08 -0400 (EDT) Message-Id: <20020821145535.MHYZ1202.imf16bis.bellsouth.net@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: Words to overtures MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 21 Aug 2002 11:12:08 -0400 (EDT) Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: Words to overtures Content-Type: text/plain; charset=ISO-8859-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > > ----- Original Message ----- > From: > > > Has anyone ever written words for the overtures? I know that Clarence "Dude" Stephenson, of the fabled and gigantic G&S productions at Interlochen Arts Camp, wrote lyrics to (at least) the overture to The Sorcerer. (Stephenson's productions were always respectful, but, shall we say, liberal). These completely inane (but fun) lyrics went something like this: [Trumpet business, then...] Now we bring you the story of Ploverleigh village Its daughters (blah blah) and its sons of the tillage. Here's the lovely Aline! Here's Alexis so brave; And his father so true; Doctor Daly, oh, so grave; Lady Sangazure, too! Mrs. Partlett you'll meet, And her daughter, so sweet. Here they are, just for you! Yes, they're here. Greet them, too! But don't close your eyes Or your ears you'll be suing We have one more surprise, Just you wait and see [music changes, slows] "Oh, but what is that?" you say? Oh, dear, no, no, no. It's not this person here, Not this plain old man. You'll see him very soon, we promise, so have no fear. [When he is here] Know then, dear friends, that in our story You'll learn of loves, both lost and won We hold a tale of pain and glory The tides of life that flow o'er each and every one (repeat) Perhaps you, too, have known a longing A deep desire for what might be: (I completely forget the rest of this verse) [music changes again, leading into "you very very plain old man," which goes...] But do we suppose that you might think That we forgot the promise made To bring you one more strange surprise? Now, please, don't be afraid. This person you're about to meet Is quite a character, tis true He's most eccentric, wierd and wild! There's nothing he won't do! The part that he plays is important, you'll see it And it's better for you just to see it than be it, For could be, when you see it, you might want to flee it (forgotten, maybe... He's inciteful Not delightful Rather frightful, yes it's true... but not certain) [JWW music] FOr we can't do without him, we're sorry to mention So although he's repulsive, pray pay him attention He's here and he's waiting, This man fascinating We give you John Wellington Wells! So although he's repulsive, we're sorry to mention We can't do without him, so pay him attention We give you John Wellington Yes, it's John Wellington Wells! [Music builds, with VO: "Ladies and Gentlemen, boys and girls, we bring you... THe Sorcerer!" Curtain rises, and we find JWW in the middle of some godawful magic trick. Rest of overture--no lyrics] ---- I have to admit, I rather like the idea of using that build in the middle of the overture as an introduction; it would be lovely to fling up the curtain at that point and have something fabulous happening behind it. The lyrics are indeed inane, and you would never catch Gilbert in a million years with anything like that "we can't do without him" awfulness. Still, the "better for you to see than be, for could be when you see you might want to flee" is rather clever. Sam Clapp East Point, GA  1,, Summary-line: 22-Aug PGallagher@tavi-port.org [85] #RE: Musings on the Awards X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA27223; Thu, 22 Aug 2002 10:10:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA26490 for ; Thu, 22 Aug 2002 10:10:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7MEA4DU006989; Thu, 22 Aug 2002 10:10:04 -0400 (EDT) Date: Thu, 22 Aug 2002 10:10:04 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: PGallagher@tavi-port.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: AS Patrick Gallagher To: Multiple recipients of list SAVOYNET Subject: RE: Musings on the Awards MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) *** EOOH *** Date: Thu, 22 Aug 2002 10:10:04 -0400 (EDT) Reply-To: PGallagher@tavi-port.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: AS Patrick Gallagher To: Multiple recipients of list SAVOYNET Subject: RE: Musings on the Awards Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Peter wrote "South Anglia are not a geographical town based group as far as I know and I don't know if they perform other than at/for Buxton. Their Eastbourne show was August 1st and the Buxton show August 4th. One was more like a dress rehearsal for the other. The Festival production is also a once off affair and quite a lot of Savoynetters were in the chorus. However they always have the benefit of a professional producer and this year had some professional principals." South Anglia were originally a touring group which arose from the Grosvenor Light Opera Company, who rehearse just off Fleet Street, over 20 years ago. Originally called the Central London Players they toured various countries having a holiday and giving a show, rather in the way that Neil is proposing for the Nomads. When they started competing in Waterford it was thought that Central London Players appeared rather pretensious and so the name was changed to South Anglia Savoy Players, since Derek Collins resided and most of the rehearsing was based in Witham, Essex. The rehearsal period this year comprised 6 rehearsals for full company with two extra ones for principals. South Anglia had four Performances in the season this year. Each was in a different place with a variety of sizes of stage: Monday: Witham Public Hall - Witham Essex Tuesday: New Empire Theatre - Southend-on-Sea Essex Thursday: Devonshire Park Theatre - Eastbourne Sunday: Buxton Opera House The group requires the revenue obtained from the first two performances to meet its costs. members pay a show levy in the same way that most other societies do. The members travel considerable distances to attend rehearsals (Kent, Surrey, North London, Hertfordshire and others). The group has no professional singers in its membership in the sense that no-one is currently deriving their living from singing and the society does not pay any of its members. The group does however invite performers in, and seeks to maintain the quality of both its front line and chorus by doing so. It was noted in our first meeting this year that the intention is to maintain the "family" feeling of the group. We were asked to appear in Eastbourne by Ian and Neil and were happy to be able to accept. It was not a performance without its incidents as has been reported and the lighting designer for one had some problems during the evening. It was also extremely hot indeed for each of the first three performances. Buxton was hot too but considerably cooler than Eastbourne. The company certainly do not consider any performance in front of paying patrons to be a dress rehearsal, but would naturally aim to be at the peak of their form for the adjudicated performance. Not very startling is it?!? Patrick Ever Ready for a Knock Down Blow = Tavistock & Portman NHS Trust Disclaimer. This message and any attachment(s) are confidential and may be privileged or otherwise protected from disclosure. If you are not the intended recipient then please contact the sender either by telephone or email and delete this message plus any attachment(s) if there are any. If you are not the intended recipient then you must not copy this message or attachment(s) or disclose the contents to any other person or organisation. Further information on the tavistock can be obtained at http://www.tavi-port.org  1,, Summary-line: 22-Aug LHall@tscwo.com [48] #The Zoo credits X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA19605; Thu, 22 Aug 2002 17:30:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA14200 for ; Thu, 22 Aug 2002 17:24:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7MLOfDU003685; Thu, 22 Aug 2002 17:24:41 -0400 (EDT) Date: Thu, 22 Aug 2002 17:24:41 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16BA928EA@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: The Zoo credits MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) *** EOOH *** Date: Thu, 22 Aug 2002 17:24:41 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: The Zoo credits Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'm doing the program for VLOC's upcoming production of "Trial" and "The Zoo" (see plug, below) and I'm confused about how to credit the lyricist. Stephenson? Bolton Rowe? BC Rowe? If Stephenson, what first name? Troubled sigh. Private reply, I guess. And here's the plug: Please come to see the Victorian Lyric Opera Company's presentation of The Zoo (by .... By... Oh whatever) and Trial by Jury (by Gilbert and Sullivan) Thursday, September 5 - Saturday, September 8, 2002 F. Scott Fitzgerald Theater Rockville, Maryland USA (For ticket reservations, 301-545-5660) "Trial" is directed by Todd Long, late of any eastern G&S society he can find and newly resident of Pittsburgh and music directed/conducted by Joe Sorge, "The Zoo" is directed by yours truly and music directed/conducted by savoynetter Deborah Jacobson. Other savoynetters in the production include Rob Ritter (the usher and Thomas Brown) and Julie Stevens. Jenny Bland, familiar to some of you from her assistance to Pamela Leighton-Bilik with the children's production, is our rehearsal accompanist and a member of the "band." Deb Jacobson will rest from her conducting labors by appearing as one of the lovely bridesmaids in "Trial." As I have been directing another show concurrently with "The Zoo" I will rest from my labors after it's all over by unpacking some more boxes at my new place. Leta Hall a happy new condo owner in Layhill, Maryland. "Happy, happy be thy life, Old Maid."  1,, Summary-line: 22-Aug oris@interlog.com [69] #Re: Pineapple Poll X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA20001; Thu, 22 Aug 2002 17:55:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA24659 for ; Thu, 22 Aug 2002 17:55:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7MLpLDU004185; Thu, 22 Aug 2002 17:51:21 -0400 (EDT) Date: Thu, 22 Aug 2002 17:51:21 -0400 (EDT) Message-Id: <5.0.0.25.1.20020822164959.00a4dcb0@mail.interlog.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: Re: Pineapple Poll Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001501c24a06$01fcd040$551186d9@pbncomputer> X-Mailer: QUALCOMM Windows Eudora Version 5.0 *** EOOH *** Date: Thu, 22 Aug 2002 17:51:21 -0400 (EDT) Reply-To: oris@interlog.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ori Siegel To: Multiple recipients of list SAVOYNET Subject: Re: Pineapple Poll Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001501c24a06$01fcd040$551186d9@pbncomputer> At 02:21 PM 2002-08-22 -0400, Robin Gordon-Powell wrote: >I disagree about the ethics of re-choreographing *Pineapple Poll* - after >all, Prokofiev's *Romeo and Juliet* was someone else's ballet before Cranko >(and zillions of other choreographers) had a go at it... Not a valid comparison. Prokofiev wrote R&J under contract with the Kirov and the premiere was choreographed by one Leonid Lavrosky. The Soviet Union was not a signatory to the International Copyright Convention and so, both the music and any subsequent choreography could be used with impunity. Cranko's choreography became one of the great standards of western productions and companies worldwide could use it for a fee. It by no means implied that Cranko's was the only valid choreography. >and what about >*Rites of Spring* or *Swan Lake* - I have never heard anyone complain about >the ethics of any productions other than Nijinsky's or Marius Petipa's! Well then, I suggest that you may not have heard the last word on that!! I've heard "purists" argue that theirs' are the only true interpretations of the works created for them. However, copyright is once again an issue. The fact is that the copyright on these ballets (music and choreography) have long expired. That fact that many of their works are still being performed largely as they created them speaks volumes for their genius. Even so, it does not invalidate different interpretations and choreography. >(This is not to decry Cranko's *Poll* which is indeed lovely.) And why >should there be a *legal* question about it - always assuming that Sir >Charles Mackerras has no objection to his arrangement being used otherwise? It may simply be that Sir Charles does not have a say in the matter. Whereas public performances of the music alone may be simply a matter of licencing through the appropriate performing rights organization, performance of the full ballet fall under the rights granted to Cranko's successor. The suite was created for Cranko's use, not for anyone who wanted to take a crack at it. Like so many contemporary ballets, the works belong to the choreographers who created them, or their estates. Some productions are much easier to procure than others. Some are virtually impossible (i.e., Martha Graham's catalogue, so I'm told). >Someone may own the rights to Cranko's choreography, but they don't own the >rights to Gilbert's Bab Ballad on which the ballet is based! Irrelevant. If that were the only consideration then any composer would be free to arrange Sullivan's music VA3ORI Toronto, Ontario, CANADA ---------------------------- *TORONTO 2004* such a nice place for Gilbert & Sullivan you could just plutz! =============== Summer dates t.b.a. -------------------------------  1,, Summary-line: 23-Aug pdp@globalnet.co.uk [150] #Re: Most Traditional Should Read Best Traditional X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA19959; Fri, 23 Aug 2002 18:38:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA23109 for ; Fri, 23 Aug 2002 18:38:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7NMbtDU013136; Fri, 23 Aug 2002 18:37:55 -0400 (EDT) Date: Fri, 23 Aug 2002 18:37:55 -0400 (EDT) Message-Id: <3.0.6.32.20020823233340.00eca340@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Most Traditional Should Read Best Traditional Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Fri, 23 Aug 2002 18:37:55 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Most Traditional Should Read Best Traditional Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: At 17:24 22/08/02 -0400, Tone Watts wrote: > >It is always fascinating to read Peter Parker's views on tradition in >staging G&S, for his family associations with the old D'Oyly Carte company >and his own long experience in seeing the operas on stage give him a >perspective which must be unique amongst Savoynetters. > >What I really wanted to ask (and I suspect that only Peter Parker will be >able to answer) is just how authentic is the Carl Rosa staging? As I said >it differs enormously from what I remember seeing in the Besch re-working >which, however, included several pieces of choral business whch can be seen >in the old film from the late 'thirties with Green and Granville. If these >were not parts of Gilbert's original staging, then when were they introduced >to the DOC production? Was the piece re-staged at the time of the Ricketts >re-dressing in 1926? Any light that can be shed on this tangled web would >be fsacinating to at least one Savoynetter with an enormous interest in such >matters. Old I may be (73+) but not unfortunately old enough to know all the answers. I wasn't born until 1928 and I don't think I saw the operas in a way I would understand until I was about eight or nine years old. I made the point in my talk at Buxton last year that I was not taken to the theatre until I was old enough not to scream and run about and that it is a pity such standards of behaviour do not seem to apply today! In recent times a lady turned up for a show at the Savoy with a babe in arms and the management, quite rightly in my view, refused her permission to enter the theatre. For instance I never saw Leo Sheffield in G & S on stage, although I got to know him and his second wife (Dorothy Gates) known as Freckles quite well later on. Certainly I did see many of the operas pre world war two and during the war. It was during the war period I learnt much of what I know about G & S productions from folk like Harry Arnold who was stage manager by then. I got to know Graeme Clifford very well and it was he who taught me photography, picture composition and the chemical processes that went with developing and enlarging. He travelled with a portmanteau portable darkroom on tour. I still have a single lens Reflex Korelle camera that belonged to Leonard Rooke. Few will know the names of such folk in the old DOC who did not appear on stage by the time I am refering to. (Cis Blain, Harry Haste et all) My knowledge, such as it is, of productions was learnt more or less accidentally, by being there, rather than studying the prompt books. I never had any wish to perform as such. That being the case my recollections need to be ''jogged'' by something. I could not sit down and write it up. On Mikado staging one has to define what Tony means by using the phrase ''re-staged''. Many changes were made to scenery and certainly there is evidence that in 1926 Charles Ricketts re-designed both costumes and scenery. That is recorded on film in colour and is on view to the public at Coleton Fishacre, Rupert D'Oyly Carte's house near Kingswear in Devon, (National Trust). The film runs for about four minutes only but does show some chorus business and blocking, the Mikado's entrance (Fancourt); Katisha's entrance in act one, (Bertha Lewis); bits of Ko-Ko, (Henry Lytton); bits of Pooh-Bah, (Leo Sheffield) and Yum-Yum, (Elsie Griffin). The dance steps for The Flowers that Bloom in the Spring are filmed. I lent Carl Rosa a copy of that film and that is why my name appears in the programmes among the credits of people who helped. I do know that Peter Mulloy looked up old prompt books. The Theatre Museum has many of these and I think also there are some at Oak Hall, Sheffield Park. One of the things which is shown in the film but not done by Carl Rosa and which I certainly do not remember, live, is the entrance steps of the Mikado where Fancourt is seen to be stepping in a jerky hestitant mode and taking very large steps. That must have been changed and could be a hangover from pre 1926. Fancourt (and Donald Adams) was known to perform out of habit and in Adams case was known to have hidden in Pirates behind a part of the Ruined Chapel when that piece of scenery had collapsed and been removed! I do remember the big Red doors of act one as depicted in Rollins and Witts but you will notice that the very elaborate setting of these doors is different from the 1908 act one scene also in R & W. The same thing applies to act two, comparing 1919 with 1926 act two also shown in R & W. Some of the operas were ''re-staged'' without costume changes of any significance; Yeomen springs to mind and the furore over the tree which is what I remember. Goffin's tree was not popular and was the subject of much complaint. Many will remember the Goffin ''box sets''. These affected most if not all the operas taken on tour and were introduced to reduce transport costs of touring separate sets for each opera. Howver I do not recall that the action on stage was revised except to accomodate entrances and exits, nor, in general, were the costumes changed. Does that count as 're-staging'? I have not made a serious study of the Gilbert and Sullivan Journal over these past years but I think it likely that all these details would be found therein (and The Savoyard later on). Any small change was apt to get reported and written up. The Journal (now called G & S News) started in 1925 but of course only changes would have been noted not the actual scenario as a whole. My set of prompt books dates from mid 1950s and these tended to lag behind what had been introduced on stage but they were gradually brought into line with current practice. They do not detail costumes or scenery as such. As I pointed out in my earlier posting, Gondoliers was vastly re-staged more than once, The Sorcerer by Osbert Lancaster March 29th 1971, (I was there). I am told this was very different to what DOC had done pre war, which I never saw. Princess Ida was re-staged Sept 27th 1954, I was there. My dad told me the revised scenery and production was quite different from what had been done pre war. I never saw Ida pre war. If one consults R & W and the four amendment sets to R & W, many notes will be found of changes of scene and re-staging. I remember projection scenery at Royal Festival Hall, which never worked!! (Blame Albert Truelove for that one). Patience was re-staged Jan 28th 1957. Page VII and VIII of R & W shows just how many changes were made to scenery and costumes over the years but how much the stage business changed is unknown to me. So what was the tradition? I think all the old DOC performances were done in a style which did not vary much and that is irrespective of costumes or scenery, which one may call re-staged. Perhaps the most radical approach was the Gondoliers production when John Reed had to eat spaghetti, but that was but a small blip on the whole picture. For several years I would no longer go to see Gondoliers done in that way. The portrayal of Don Alhambra was also cheapened and made undignified. This was an attempt to be funny and improve upon Gilbert. One thing I firmly believe is that these works used in general to be treated as Comic Opera and not as Musical Comedy. Unfortunately so many modern producers do not seem to understand the difference, viz New D'Oyly Carte. The Carl Rosa Mikado is done as Comic Opera in the style of the old DOC, with perhaps the exception of an over the top Ko-Ko. The costumes used are those re-created for the Topsy-Turvy film which are close to the original designs as photographed. But none of us will ever know how close to the original performances this production really is. They are doing what Peter Mulloy considers close to the original, and he has done a lot of research on the matter. One thing I have noticed is that changes done by the old DOC (such as the spaghetti eating in Gondoliers) have been seized upon by amateur groups as having authenticity. EG: this years Buxton Festival Production staged by an old (but not very old) D'Oyly Carter. I am not saying that Gilbert was infallible and always right. Changes have to be made to fit in with the changes of life style over the years. Certain words are no longer acceptable but many of the ''funnies'' we see (professional and amateur) make Musical Comedy out of what was Comic Opera. Its all a matter of balance. I also think towards the end of the 19th century public taste was changing and moving towards Musical Comedy. I believe that is one reason (there were other reasons) why Utopia and Grand Duke were relative failures in spite of Carte making the productions the most lavish he had done. Shows at the Gaiety under George Edwardes were the 'in' thing and far removed from opera. Humor had changed and Gilbert was old. I hope this may answer some of the questions. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 24-Aug jmfarron@sitestar.net [60] #Curator Needed for G&S Archive X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA21803; Sat, 24 Aug 2002 13:08:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA13419 for ; Sat, 24 Aug 2002 13:07:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7OH6EDU003403; Sat, 24 Aug 2002 13:06:14 -0400 (EDT) Date: Sat, 24 Aug 2002 13:06:14 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: Curator Needed for G&S Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Sat, 24 Aug 2002 13:06:14 -0400 (EDT) Reply-To: jmfarron@sitestar.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Farron" To: Multiple recipients of list SAVOYNET Subject: Curator Needed for G&S Archive Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum After nine years of maintaining the Gilbert and Sullivan Archive (http://diamond.boisestate.edu/gas), I've decided that it is time for me to step aside and turn the Archive over to someone else. It has been a great experience, but there is far more to do on the Archive than I can possibly handle and I would really like to have more time for some of my many other interests, as well as my day job, which also keeps me very busy. There is quite enough work involved in maintaining the Archive for more than one person, but there needs to be one person in charge who can coordinate all the work and be responsible for the overall Archive direction and structure. If you are interested in assuming this responsibility, or in helping the new curator, please drop me a note expressing your interest and briefly outlining what you would like to do for the Archive and the ways in which you think it could be improved. Once we get an idea of the amount of interest, Alex Feldman and I will develop an appropriate selection procedure, which may well include asking for further information from the candidates. Maintaining the Archive requires good computer, and particulary HTML, skills. Good MIDI experience is a definite plus. And it almost goes without saying that you need a good knowledge, and love, of G&S. You should have plenty of time available to devote to it -- the Archive is large and I have a large amount of material on hand which I have not had the time to post, including hundreds of MIDI files. As the Archive grew up along with the Web, many of the older pages need to be revised and brought up to current web standards. And there is an almost endless list of things which could be added to the Archive if there was just the time to do so. I don't plan to totally end all of my work on the Archive. I plan to continue to develop the British Musical Theatre section of the Archive, which is now just barely underway (http://diamond.boisetate.edu/gas/british). Also, over the years I have developed quite a nice collection of resource materials which I can make available to the new Curator, and I can take on individual assignments for portions of the Archive. It has been quite a rewarding experience in many ways, including giving me the experience which got me my current job as Webmaster for the Office of Insurance Programs, U.S. Office of Personnel Management. This can be a tremendous opportunity for you to learn and gain a reputation in the web development area also, and who knows what it might lead to. -- Jim Farron  1,, Summary-line: 26-Aug david@musicalsolutions.co [56] #ConceQwert 2003 X-Coding-System: raw-text-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA02862; Mon, 26 Aug 2002 17:17:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA16461 for ; Mon, 26 Aug 2002 17:16:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7QLF7DU014222; Mon, 26 Aug 2002 17:15:07 -0400 (EDT) Date: Mon, 26 Aug 2002 17:15:07 -0400 (EDT) Message-Id: <4.1.20020826213423.0098a280@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: ConceQwert 2003 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 *** EOOH *** Date: Mon, 26 Aug 2002 17:15:07 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: ConceQwert 2003 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In May 2001, David and Jill Duffey hosted the ConceQwert - a QWERT which had, as its central feature, a concert at the beautiful “Cathedral of the Fens”, the church of St Mary Magdalene in Gedney, where the Duffeys live. The ConceQwert was a great success, and the good news is that SavoyNet have been asked to reprise that success - with a considerable added bonus for the SavoyNet production in Buxton 2003. The proposition is this : (1) That we enjoy a QWERT, hosted by the Duffeys, on Friday/Saturday/Sunday, 25th-27th May 2003. (2) On the Saturday evening, we perform a concert in the church, as we did in 2001. (3) [and this is where it differs from the ConceQwert 2001 ] The profits are split 50/50 between the church and the SavoyNet Production. I know that, in the aftermath of the ConceQwert 2001, we were offered a number of opportunities to stage similar events, but without item (3) above. My attitude then (and now) is that I didn’t really want to travel the length and breadth of the country to sing/play at concerts for the love of it. However, given item (3), my attitude has changed. David has written to me, saying <>, and that means that the proposed ConceQwert 2003 would raise a conderable sum towards the SavoyNet 2003 production. Not only that, but we get to enjoy a QWERT as well ! Such a boost to the SavoyNet Production funds ! - together with the fun, friendship and fellowship of a QWERT - such an opportunity may not occur again - or rather, I hope it might occur at yearly intervals. I’m up for it - are you ? Reply to dduffey@argonet.co.uk , copying your reply to david@musicalsolutions.com , with “ ConceQwert 2003 ” in the subject line. All the best David Cookson  1,, Summary-line: 30-Aug deebee@connexus.net.au [120] #Airy persiflsge 2 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA08322; Fri, 30 Aug 2002 22:58:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA02255 for ; Fri, 30 Aug 2002 22:57:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7V2uVDU003634; Fri, 30 Aug 2002 22:56:31 -0400 (EDT) Date: Fri, 30 Aug 2002 22:56:31 -0400 (EDT) Message-Id: <3D711E6A.3ABB1EBE@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy persiflsge 2 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Fri, 30 Aug 2002 22:56:31 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy persiflsge 2 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The train from London to Wales goes from Padington station. I rang Bob and Jackie on late Sunday morning to ask what time I should arrive the following day and Bob said that all the family were over and could I come today? Well I had paid the rent on the London flat and there was nothing to keep me in there, so I threw everything into a my suitcase (large - it had to cope with a 2 month trip) and caught a taxi to Paddington. Once I had bought my ticket I made for the platform and found myself passing platform 9 and then 10. There is no wall there to even attempt to crash through to find number 9 and 3/4! What is British Transport doing to the Romantics of the world? >From Cardiff I caught a tiny 2 cariage train to Penarth and Bob and Jackie turned up on foot to collect me. They live just down the road in a large and comfy house and one glance at the walls would make anyone realise that this was the home of G&S lovers. The strange thing about Penarth (which is an attractive small town on the coast) is that you go out for a walk by turning right (say) and it doesn't matter where you go because you will find yourself coming back from the different direction and never have to retrace your steps. Canberra is built in circles but Penarth doesn't seem to be. So here is a place ripe for someone to use for a work of whimsical fiction. Bob and Jackie are excellent hosts and in a few days I saw Penarth, Cardiff, Cardiff Bay (not at all like its former self of Tiger Bay - neither Hayley Mills nor Shirley Bassey were to be seen anywhere), a museum of Welsh Life (delightful open air place) and we had a trip to Hay on Wye - a town comprising almost entirely of bookshops. I did not visit everyone but looked through piles of music and literature books and picked up an old Cox and Box score (among other things) which Marc Shepherd looked at in Buxton and said was not a first edition but a rare early copy nevertheless. Some months ago Bob's daughter had been in Melbourne and I had driven her around some of the sights, she returned the favour and I also met Bob's other daughter and husband who have a beautiful baby, Matilda better known as Tilly. Of course I had to bounce her on my knee and sing Waltzing Matilda. Tilly showed remarkable tolerance! We also of course had time to run through Aline and Dr Daly's parts giving us a head start on rehearsals. Bob and Jackie always look after the supplying of Savoynet tea shirts. Not many of us would know how much work this is. After designing and organising for them to be bought and printed, they have to be collected and then sorted so that everyone's is labeled and made ready for disribution. They also then have to be packed into the family car and brought to Buxton. I think Jackie said there were 96 tea shirts. As there were 53 people on stage and another dozen of us organising, it means that the interest in owning these wonderful bits of clothing is wider than just the performing group and I am sure they are coverted by many more. The number of tea shirts to be packed (95, as I had taken mine) meant that although my suitcase could fit into the car, I could not, so on Friday I set off by train for Buxton in the morning, leaving Bob and Jackie to complete a day's work and come on in the evening. I had hardly got off the train before I heard a toot and there were the family Vamplew driving by. It was a bit like comeing home. I found my digs, a B&B which advertises itself as being only a few minutes from the town centre. The ad does not say that few minutes is all but vertical and I struggled up Mount Olympus with no breath left to sing Climbing over Rocky Mountain at the top. With nothing to unpack I soon set off for the Club House (pub opposite the opera house). It had been suggested on B99 that those of us arriving on Friday should meet there. One or two of the newbies had asked how would we know each other? It wasn't difficult! We were the noisy group greeting every arrival like a long-lost relative. Someone said we could be heard clear across the gardens (nonsence - possibly). I think it was KAL who said that we had to be grateful to the Smiths. Not only did they run a Festival but provided us with a chance for family reunions! It is true. It is also true that many of the Buxton businesses look forward to the annual influx of the GandSophiles - we bring in the money. The Club House, right next to the Opera House, should be among these yet it never seems ready to cope! One is reminded of a letter that Gilbert wrote to a railway company saying something like "saturdays, although occuring at regular and well-forseen intervals, always seem to take this company by surprise". Rather than move on somewhere else for a meal, we decided to stay to be around to greet latecomers. The Club House barely coped. Within a few days they failed to cope completely. Notices went up saying that they could only serve meals if orders were in by (at first) 6 pm. Later this became 5 pm! Fortunately the Pavilion Gardens restaurant (just on the other side of the Opera House) is under new management and was able to provide more than adequate snacks and meals quickly and at a reasonable price and many of us shifted our loyalty there. One of the most attractive things about the Buxton experience for me is the commeraderie experienced by all Snetters. Wandering alone in town, would almost always result in hearing one's name called and an invitation to join some others for a drink, a meal or just a wander. I was able, that first evening, to meet almost all the members of the cast that I hadn't before and it was late when we all made our way back to our various lodgings for the last sleep before beginning the great adventure of Sorcerer! I always do feel that beginning rehearsals is a bit like setting out on a voyage. We have the crew and the vessel. We know the destination that we want to reach but the way ahead is littered with rocks, shoals and quicksands. We may come into port with a fabulous cargo and be greeted with acclaim or founder on one of the many dangers which litter the way. I always approach the first rehearsal with butterflies in my tummey. At least The Sorcerer could not have had a better support crew. David and Larry at the piano, Jill in the galley (abley assisted by Lizzie and at times Peter Withey) and Peter Parker giving video back up and Paul and Katherine handling props and others too. As Captain and Chief Engineer, Dick and I commanded a right good crew er cast. In all honesty I can say that I have never had a more enjoyable rehearsal period. Everyone worked hard but that did not mean that there wasn't time for a lot of laughter. The good natured banter flowed and no one seemed to mind being sent up. In the past Sharon Brindle has kept a log of all those things that everyone wished they had phrased better as the words left their lips. Perhaps it is just as well no such list was kept this time! Though I have to say that given the nature of the act 1 finale I see nothing strange about my saying that the men's buns were better than the girls' jam! Possibly the best comment was passed by Duncan (JWW) but few were close enough to hear it. On his entry Wells shook hands with Aline and as his hand left hers she discovered that she had a bunch of flowers in it. We had been promised a real magician's bunch but it did not eventuate so Duncan went into Buxton and brought some unlikely looking material back. The wonderful Katherine Barton (who has planned to sit and embroider a church kneeler cover during rehearsals) undertook to make the flowers. You will understand that for the trick to work the flowers have to be able to be concealed in a very small space. I heard Duncan explaining this by saying: It doesn't matter what size it is when it comes out. It is the size going in that matters! By the end of the day we had set up to the beginning of the Act 1 finale and set off to eat and many of us went to the opening Festival perfomance at the opera house, which is what will open part 3 of these interminable memoirs - well feel free to let your attention wander (she could have told us that before!) Diana Burleigh  1, answered,, Summary-line: 31-Aug Bj.Richards@btinternet.co [24] #Re: Airy persiflsge 2 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA19773; Sat, 31 Aug 2002 04:36:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA18159 for ; Sat, 31 Aug 2002 04:36:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g7V8ZlDU005150; Sat, 31 Aug 2002 04:35:47 -0400 (EDT) Date: Sat, 31 Aug 2002 04:35:47 -0400 (EDT) Message-Id: <001d01c250c6$2c102f00$14f97ad5@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Airy persiflsge 2 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 *** EOOH *** Date: Sat, 31 Aug 2002 04:35:47 -0400 (EDT) Reply-To: Bj.Richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob and Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Airy persiflsge 2 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > The good natured banter flowed and no one seemed to mind being sent up. The best rehearsal quote was given to me quietly by David Cookson. Diana had spent some considerable time setting Irv's moves as the Notary in the 'All is prepared scene', and after Diana's final exhortation to Irv, David whispered 'Did the Irv move for you, Diana?' Bob Richards Penarth (which is an attractive small town on the coast)  1,, Summary-line: 31-Aug finn63@charter.net [131] #Buxton 2002 recollections -- part 3 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA28709; Sat, 31 Aug 2002 20:31:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA09937 for ; Sat, 31 Aug 2002 20:31:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g810UhDU022649; Sat, 31 Aug 2002 20:30:43 -0400 (EDT) Date: Sat, 31 Aug 2002 20:30:43 -0400 (EDT) Message-Id: <3D715CC6.2080807@charter.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Buxton 2002 recollections -- part 3 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 31 Aug 2002 20:30:43 -0400 (EDT) Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Finn To: Multiple recipients of list SAVOYNET Subject: Buxton 2002 recollections -- part 3 Content-Type: text/plain; charset=us-ascii; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Inspired by Diana's airy persiflage, I continue. Sunday, August 4th The congregation of Trinity Church had the temerity to worship on Sunday morning, so the chorus wasn't called until noon. That's about the last time off we'll have until we go up. (N.B. -- The preceeding statement turned out not to be *quite* true.) After a music rehearsal, we blocked the Act I finale. It's going to be great, but the female servants (I'm a parlourmaid) get run ragged. (The footmen are useless, and their taste in comestibles is deplorable.) Perhaps I should explain that parenthetical remark. In Diana's version of THE SORCERER, Ploverleigh is a village of "virtual virgins." This is a town desparately in need of a love potion. There's a sort of men vs. women thing going on, and it even extends to the kinds of food we like. All right-minded people (i.e., women) like jam. Now for the Buxton weather report: It hasn't been hot, and for the most part it has rained at night, or during the afternoon while we've been rehearsing. Tonight, however, there was a downpour just as I headed out the the theatre to see South Anglia's RUDDIGORE. Umbrellas rule. South Anglia won 1st Prize at last year's festival, so I expected this to be a good show. I was not disappointed. (Editor's Note: Claiming weariness, the author breaks off at this point, promising to record detailed impression of RUDDIGORE tomorrow.) Tuesday, August -- well, early August Somehow, "tomorrow" became "Tuesday" without my noticing. But that's all to the good because it turned out that some of the players from RUDDIGORE were in last night's PATIENCE. I got to compare and contrast. As I said, I liked RUDDIGORE very much. I saw some bits that were similar to SavoyNet's production of four years ago, but I assume that's because both South Anglia's director and David Duffey (SavoyNet's RUDDIGORE director) nicked ideas from the "traditional DOyly Carte production(s). Poorish points: The bridesmaids were a little lackluster, I thought, particularly in the opening. Also, I wasn't entirely happy with Robin, although I have a hard time firguring out why. Perhaps he was just less excellent than the rest of the cast. Particularly strong points: Mad Margaret (I loved the way she fitted he hand movements to the music in her opening recit.); Rose's singing (a nice floaty voice Her acting was okay, but seeming to rely more on the standard interpretation than thinking things out for herself.); Dick Dauntless was an excellent actor. He had a great voice too, but it didn't blend too well in "When Sailing O'er Life's Ocean Wide". It was interesting that he had the same problem in the Medieval Arts trio in PATIENCE. (He was playing the Duke.) During the interval of PATIENCE, Don Smith had to pull out a program to prove to me that RUDDIGORE's Sir Despard was playing Grovesnor. "Oh no," I said, "It's a completely different voice." Well, in a sense, it was. Although Nicholas Clough made a fine Despard, I found his upper range very nasal, and I disliked his sound as Grovesnor. As far as interpretation goes, we saw a lot (in fact too much) of the gentle district visitor in Grovesnor. He certainly came across as the "mild" poet, but I would have appreciated some more contrast in the role. Other PATIENCE cast worthy of note: Our very own Tony Smith was reprising his role as Col. Calvery, and he did a fine job. I liked Patience's intrpretation of the role very much, but her accent did tend to get in the way of her vocal quality. When she (mostly) dropped the accent and sang "Love is a Plaintive Song", she proved to have a very nice voice. Some might say that she had too much vibrato for the role -- I would like to hear her as Julia Jellicoe, or perhaps Josephine. Lady Jane was very good, but she was no Angela Lowe. In fact, for the most of the evening I felt like I was watching a watered-dowm version of SavoyNet's Patience. (An impression not helped by the fact that Trinity had rented the same aesthetic costumes. The biggest flaws of this production of PATIENCE were the tempi (slow) and the lighting (dark). The last deserves special mention. Usually, I don't notice the lighting at all. It has to be pretty bad before I can tell that something is wrong. My impression with this show is that the lighting designer was given a budget for gobbos, and spent most of his time playing with them -- forgetting to light the rest of the stage. I should mention that hte set was a very simple, stark white, homemade affair. It benefitted from *some* of the light painting. But there was one very odd set of gobbos that looked like microscope shots of biological specimens, and some horrible, sharp-edged, flower power sort of things. Other problems included lights focussed at hip level (which was okay for the maidens sitting on the floor) and a general tendency to turn *down* the lights on whoever was singing. (Hindsight: I wrote the above before we learned that the Festival was affording performing groups even less time for tech work than in previous years. It's possible that Trinity simply didn't have time to focus their lights correctly.) But enough of other people -- what of SavoyNet? Rehearsals for THE SORCERER continue to go well, and I am increasingly impressed with all of our leads. We've really got a strong bunch this year! Yesterday (that would be Monday), Gwyn choreographed the dance after "If You'll Marry Me". Diana had said that, rather than any set and precise choreography, she wanted the dance to seem spontaneous -- an organic outgrowth of our high spirits at suddenly finding ourselves in love. And that's what we've got. Gwyn has divided the loving couples into three groups: snoggers, snakers, and squares. The squares are groups of two couples who do a set country dance more or less in one spot. The snakers are groups of two or three couples who join hands and weave their way around the squares and each other. (Gwyn tells us this is based on a Latvian fertility dance -- and she has pictures!) The snoggers -- I'll leave that up to your imaginations. My stage paramour John Penn and I are -- I'll leave that up to your imaginations too. The typing fingers are getting numb. To be continued... Mary Finn Massachusetts, USA Teems with quiet fun  1,, Summary-line: 31-Aug klb@cybercom.net [21] #Change of e-mail address X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA29754; Sat, 31 Aug 2002 21:21:36 -0400 (EDT) Received: from rwcrmhc51.attbi.com (rwcrmhc51.attbi.com [204.127.198.38]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA16382; Sat, 31 Aug 2002 21:20:39 -0400 (EDT) Received: from saxikath ([24.61.43.104]) by rwcrmhc51.attbi.com (InterMail vM.4.01.03.27 201-229-121-127-20010626) with SMTP id <20020901012038.WZIW12451.rwcrmhc51.attbi.com@saxikath>; Sun, 1 Sep 2002 01:20:38 +0000 Message-ID: <002701c25156$12d9dbe0$0a01a8c0@saxikath> From: "Katherine Bryant" To: Subject: Change of e-mail address Date: Sat, 31 Aug 2002 21:22:31 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-MIMEOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 *** EOOH *** From: "Katherine Bryant" To: Subject: Change of e-mail address Date: Sat, 31 Aug 2002 21:22:31 -0400 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 Friends, family, and colleagues -- Due to a combination of factors, including truly staggering quantities of spam, I will shortly be cancelling this account, klb@cybercom.net. In the future, please use klbryant@attbi.com. I'd appreciate it if those of you who have manual control over mailing lists would make this change as well. (And my apologies to anyone who gets this message more than once.) Thanks! Katherine Bryant  1,, Summary-line: 31-Aug dsmith@umassd.edu [183] #Savoynet production QuoteBook 2002 (was Airy persiflsge 2) X-Coding-System: raw-text-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA01436; Sat, 31 Aug 2002 23:01:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA28025 for ; Sat, 31 Aug 2002 22:57:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g812vEDU023539; Sat, 31 Aug 2002 22:57:14 -0400 (EDT) Date: Sat, 31 Aug 2002 22:57:14 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Savoynet production QuoteBook 2002 (was Airy persiflsge 2) Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sat, 31 Aug 2002 22:57:14 -0400 (EDT) Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: Savoynet production QuoteBook 2002 (was Airy persiflsge 2) Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Diana Burleigh wrote: >In all honesty I can say that I have never had a more enjoyable >rehearsal period. Everyone >worked hard but that did not mean that there wasn't time for a lot >of laughter. The good >natured banter flowed and no one seemed to mind being sent up. In >the past Sharon Brindle has >kept a log of all those things that everyone wished they had phrased >better as the words left >their lips. Perhaps it is just as well no such list was kept this >time! Though I have to say >that given the nature of the act 1 finale I see nothing strange >about my saying that the men's >buns were better than the girls' jam! Possibly the best comment was >passed by Duncan (JWW) >but few were close enough to hear it. On his entry Wells shook >hands with Aline and as his >hand left hers she discovered that she had a bunch of flowers in it. >We had been promised a >real magician's bunch but it did not eventuate so Duncan went into >Buxton and brought some >unlikely looking material back. The wonderful Katherine Barton (who >has planned to sit and >embroider a church kneeler cover during rehearsals) undertook to >make the flowers. You will >understand that for the trick to work the flowers have to be able to >be concealed in a very >small space. I heard Duncan explaining this by saying: It doesn't >matter what size it is when >it comes out. It is the size going in that matters! The above provides a nice introduction to the fact that this year's Savoynet Quote Book did not go unrecorde. In so far as my role as a Sprite of Earth and/or Air was a small one (the role, not me), I filled the time by trying to record those verbal gems which needed to be preserved for posterity. In a few cases, from my perch to the far side of the rehearsal facility, I was not able to discern the originator of a quip so such a remark is attributed to X. If he or she wants to take credit, I will happily grant it. And of course, if anyone feels that she or he has been misquoted, blame the person who reported the quotation to me. Enjoy! Don Smith ============================================================== Neil Smith (at Eastbourne, introducing the Eastonian Bel Etage performances): "Šafter the interval, we will go into "The Quaker Girl." Dick Stockton: "I'm getting more sex from the men than I am from the women," Diana Burleigh (to Chris Hall at the gathering at the Old Clubhouse on Friday evening): "Ah, a Savoynet virgin." David Cookson: "Not for long." Diana Burleigh: "Relate to people according to their position." Diana Burleigh: "Grab Aline and attach her to there." Diana Burleigh: "Mrs. Partlett comes out of tent with Stephen. You've done your business in there." Mark Shepherd: "I was just keeping it warm." Diana Burleigh: "You're going to look after my knickers, aren't you?" Diana Burleigh: "I'll get to the tenor stories later." Diana Burleigh: "If you servants could come down a bit." Diana Burleigh: "I'll deal with Alexis after tea." Diana Burleigh: "'Thank you' is a polite way of saying 'shut up.'" Diana Burleigh: "You can stop writing them down. I'm going to drop them all week." Diana Burleigh to Mrs. Partlett: "You get to choose who does the business." Diana Burleigh: "Kelsey, would you expose your breast please?" David Cookson: "I think you've unplugged me now." Diana Burleigh: "Buns are better." Diana Burleigh: "Buns to the audience." Diana Burleigh: "You will show your buns." Diana Burleigh: "Sam Silvers claims to have good buns." Diana Burleigh: "Find anybody inappropriate and partner with them." Diana Burleigh: "You'll all have to learn to control yourselves." Diana Burleigh: "Hattie, I need to see your tongue." Diana Burleigh: "Like loaded springs, they are." Diana Burleigh: "Will you find your new partner and get with them, please? This is not the Savoynet version of group sex. That happens Saturday night at the restaurant. Why do you think we booked the upstairs room?" Duncan Hamilton: "Are we in front of the bodies or in the bodies?" Gwen Aubrey: "They're called the snoggersŠ..virtual virgins." Gwen Aubrey: "Stuart and Julie - you're going to have a nice little chat about what you're going to be doing to each other later." Gwen Aubrey: "This is the Victorian Era - It takes 24 minutes to get undressed. Who's feeling particularly athletic today? Gwen Aubrey: "I need some public displays of affection." Gwen Aubrey: "'If you'll marry me' you'll do something nice." Gwen Aubrey: "This is an old fertility danceŠ.We don't have that much timeŠ.Does anyone feel they don't have enough to do?" Diana Burleigh: "If David Turner doesn't think it's a real dance, 'tough shit.'" Diana Burleigh: "The straight people can move forward. The bent people can move in behind Kay." Dick Stockton: "That phrase which you can't sing in one breath, I want you to sing in one breath. Dick Stockton: "Bob, when you get the dotted notes right, please don't give me that pleased expression - particularly when you get the subsequent ones wrong." Diana Burleigh: "It's a marsupial rabbit." Diana Burleigh (to Stuart Box): "Yes, you should have Julie." Diana Burleigh: "We could have the servants going 'Ah, shit' but we won't." Ian Henderson: "At least we'll crown our rapture, with a rabbit stew." Diana Burleigh (to Annette): "You're easy too." Sandra Vamplew (to Dave Kirby): "I need your legs." Gwen Aubrey: "You all looked happier with the other people." Diana Burleigh: "The ladies can whip it off." Diana Burleigh: "There will be a flag from the pit." XXX: "A white flag." Jackie Richards (to Diana Burleigh): "You will get a big one." Diana Burleigh (to Alexis): "I do not question it - snatch." Bob Richards: "She always does it better in the morning." Bob Richards: "It seemed to take a long time to get it out." Diana Burleigh: "Take a long time to get it out and up." Andrew Crowther (after seeing the professional Mikado): "I'm beginning to see why people don't like Richard Suart." Neil Smith: "Richard Suart gets all the best parts. [Suart had a female chorister in his lap.] David Duffey (on entering the ladies chorus dressing room to shrieks): "That's alright. There's not much of Julie I haven't seen." -- J. Donald Smith East Taunton, Mass.  1,, Summary-line: 1-Sep marchanc@juno.com [12] #JOKE OF THE DAY X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA05808; Sun, 1 Sep 2002 01:08:41 -0400 (EDT) Received: from webmail3.wlv.untd.com (outbound-8.wlv.untd.com [64.136.8.100]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA12031; Sun, 1 Sep 2002 01:07:58 -0400 (EDT) Received: from cookie.juno.com by cookie.juno.com for <"X60rG+vJE2RvE1m9oJxqqcr6tIBu3u+j6z2WboyxKX7oJ5ngAHOZGw=="> Received: (from marchanc@juno.com) by webmail3.wlv.untd.com (jqueuemail) id HBLLSGJU; Sat, 31 Aug 2002 22:07:51 PDT X-Original-From: "Christopher Marchant" Date: Sun, 1 Sep 2002 05:07:50 GMT To: MARCHANC@juno.com Subject: JOKE OF THE DAY X-Mailer: Juno Webmail Version 1.0 From: Christopher Marchant Message-Id: <20020831.220751.19716.13083@webmail3.wlv.untd.com> *** EOOH *** X-Original-From: "Christopher Marchant" Date: Sun, 1 Sep 2002 05:07:50 GMT To: MARCHANC@juno.com Subject: JOKE OF THE DAY From: Christopher Marchant Joke of the day, written by Tim Allen: Electricity can be dangerous. My nephew tried to stick a penny into a plug. Whoever said a penny doesn't go far didn't see it shoot across that floor. I told him he was grounded.  1,, Summary-line: 2-Sep farmer_giles@tiscali.co.u [35] #Re: Konniti wa! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA21034; Mon, 2 Sep 2002 00:16:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA06913 for ; Mon, 2 Sep 2002 00:15:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g824F4DU000054; Mon, 2 Sep 2002 00:15:04 -0400 (EDT) Date: Mon, 2 Sep 2002 00:15:04 -0400 (EDT) Message-Id: <003301c25234$85b05ca0$6fda403e@harthacnut> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Konniti wa! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Mon, 2 Sep 2002 00:15:04 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Konniti wa! Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Right... Latin dictionary out... > DOLOR MALVM CVRA LVCTE CITO EX LATIBVLO OMNIA RAPTIM ABITE bodily-pain/sorrow, disaster, care/carefulness, strive, to produce/call forth/quickly, out of, a hiding place, every, violently/hastily, departure Which, I believe is, although I must confess to a bit of help from luck: Pain, trouble, and care, Misery, heart-ache, and worry, Quick, out of your lair! Get you gone in a hurry! Toil, sorrow, and plot, Fly away quicker and quicker-- Three spoons in the pot-- That is the brew of your vicar! Very tricky one!  1,, Summary-line: 2-Sep j.d.mcclure@virgin.net [23] #Re: Konniti wa! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA24736; Mon, 2 Sep 2002 09:58:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA28921 for ; Mon, 2 Sep 2002 09:57:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g82Dv2DU004307; Mon, 2 Sep 2002 09:57:02 -0400 (EDT) Date: Mon, 2 Sep 2002 09:57:02 -0400 (EDT) Message-Id: <003d01c25287$cf9e0ee0$4904fd3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Konniti wa! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Mon, 2 Sep 2002 09:57:02 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Konniti wa! Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum EXACTLY - except for LUCTE, which is supposed to be the vocative of LUCTUS, another synonym for pain, trouble, care, misery, etc. How about a Gilbertian chronogram competition as one of our Christmas ploys? Nice to be back! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 2-Sep deebee@connexus.net.au [156] #Airy Persiflage 4 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA12709; Mon, 2 Sep 2002 22:42:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA04942 for ; Mon, 2 Sep 2002 22:42:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g832fODU017369; Mon, 2 Sep 2002 22:41:24 -0400 (EDT) Date: Mon, 2 Sep 2002 22:41:24 -0400 (EDT) Message-Id: <3D750935.B411E202@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage 4 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Mon, 2 Sep 2002 22:41:24 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage 4 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Monday a new expression entered the Savoynet lexicon. While we were rehearsing "Dear friends take pity" there was a discussion on whether this should be played happy or otherwise. I said it had to be happy and (off the top of my head) compared it with The Palace of Truth. Lots of blank faces hit me. So I explained that The Palace of Truth is a play by Gilbert in which everyone who enters the palace must say what they really feel but do not realise they are doing this. To show how it worked I slapped Dick on the back and beamed at him: "You are a really awful MD; working with you is a terrible experience" I continued with a broad congratulatory smile on my face. I don't think Dick has trusted me since! However from then on anytime the someone was asked for an honest opinion it became a "Palace of Truth Moment". (where was Andrew Crowther when we needed him?) That scene of course follows the opening of Act 2 and the country dance. As Mary Finn has already pointed out, I asked Gwyn Aubrey not to set a dance which was a formal one. It always bothers me that in the middle of falling in love (or whatever) people stop to do a set bit of choreography. Conversley it doesn't worry me that the same people break into song in 4 part harmony - but there you are! I left Gwyn to set the spontaneous dance expecting it to take most of the afternoon. It was done in record time and I think they repeated it half a dozen times while I finished off a principal scene and then took a tea break and showed it to me. It was exactly what I wanted. An outbreak of high spirits exploding all over the stage. There were several completely accurate dances going on and intersecting and all made perfect sense. None of the chorus had had any partners in Act 1 so the inappropriate coupling in Act 2 was the first time that the sexes were paired. I kept the details of this quiet until the chorus arrived back from lunch to find their partners listed on the wall. I got a lot of satisfaction from the laughter that went round as they read the list - tall women/short men. old with young and as completely inappropriate a coupling as you could find! There were 3 more women than men, so 3 teenagers in the ladies chorus aged down to children. One was a scullery maid the other 2 a couple of hoydens who would embarrass any mother on formal occasions! Again, I discovered that they had worked out a whole relationship between them, which added richness to their performance. Once I had set principal work I left them to rehearse the scenes on their own with a certain latitude to "improve" what I had done. Sir Marmaduke and Lady S came to show me what they had been working on and it began very differently from my blocking. They saw my face and said "just let us show you what we've done. You have the right to veto". "Right" I said "Show it to me and then I'll veto it!" Fortunately we all laughed and I didn't veto it - completely! Going into the Opera House that night I went through my bundle of tickets and said to the usherette, "this can't be right, it says Monday". I was assured that it was indeed Monday. I couldn't believe it. We had only spent 3 days rehearsing. So intense was the work it felt like much longer. I also felt a sense of elation that there were still 3 full days of rehearsal left before we got into the theatre. Trinity's Patience made the effort to avoid the tired old Lazell sets by hanging gauze curtains around the stage. In the centre was a white gazebo-like structure. Gobbos projected shapes onto the gauze walls. This was effective and added the right sense of aetheticism to the production. To be really picky, the unrelieved white really needed some colour washes on it and to show that up the designs of the gobbos the overall lighting was kept too low. However the very limited time that each group had in the theatre may have been responsible for this. The production itself was good. It was in the traditional style but everyone had obviously thought-through what they were doing and not just repeating the old actions. The cast was good and I liked Patience but (being picky again) she chose a lower alternative to the soaring high note at the end of act 1, which I missed. But overall I thought it was a very good production. Most enjoyable. On Tuesday we finished all the blocking and polished up all the chorus work and then went off to see Peterborough's Yeomen in the evening. I gather this production was done in advance of its "home" run which would account for the lack of general polish. It was a reasonalby good production based on the Traditional one with some changes. To my mind it didn't come up to the standard of Patience but was much better than Ruddigore. The one aspect I loved above all else was the portrayal of Wilfred. Over the past few years the temptation to play this character as an oaf has grown to the extent that he is often lugubrious, dirty and quite repulsive. In this production he was taken by a young man who was an eager beaver, not too bright but very willing to improve himself as the Head Jailer and assistant tormantor. To Phoebe he was not love's young dream but I got the feeling she would train him to her ways and they would make a good pair in the end. I also loved the way that David Duffey's Sargeant made up the conspirisy on the spot to help Fairfax escape and disguise him as his own son. When you think of it, the scheme is so hairbrained that it could not have been worked out with any great thought. We were told that Dame Curuthers had taken on her role with little notice but we would not have known. Point gave a good account of himself. On Wednesday morning we ran act 1 twice, with a bit of extra attention to the incantation scene as we now had all the extra "sprites of earth and air". If their costumes resembled those of any wizards of popular fiction, it was purely co-incidental! After lunch we ran act 2 twice. I had originally intended to make the first run of each act without dialogue but Sorcerer is so short that we were able to do all the show and stop and start when it was necessary. I had suggested that the principals should save their voices, especially the first time we ran each act as the intention was for them to get a feeling of continuity. Our heldentenor Rich Miller obviously doesn't understand the concept of "saving" and gave a full-out rendition of his songs which left the rafter ringing and all of us in open mouthed admiration. After a brief pause someone was heard to say "I can't wait till he sings out!" That evening we saw The Mikado from the Haworth West Lane Baptist Group. Haworth is a small town on the Yorkshire moors whose principal industry is the Brontes. It was at the parsonage that Emily, Charlotte and (blank moment - is it Agnes?) lived with their eccentric father and ill-starred brother Branwell. Mention was made of this in Mikado; Nanki Poo's adress was given as the Parsonage steps! That I didn't particularly mind, there was too much else to worry about. The setting was (as someone else has described) a windswept corner of a grey industrial town in England. It featured a bench beside a bus stop (at one point an imaginary bus came on, some of the cast mimed getting into it and being driven off) and a kiosk with some tables and chairs to allow him to serve tea to passers by. The men were dressed in business suits and the women in kimonos. Yes, it was different but what did it add? Did it throw a new light on the work? Whether you like the ENOs white production or not, it did give us a dimension that was new. I don't think Haworth did. In fact I eventually came to the conslusion that the only reason for the staging was to distract our attention from the inadequacy of the cast and director. Some of the cast were good. I was relieved when Yum Yum sang and performed well, she was staying in the same B&B as I was and was able to say with perfect sincerity that I liked her performance at breakfast the next morning. KoKo was also a talented actor but this angered me. He should have been working for the production but gave a lazy performance full of old schtick - irrelevant foolling that related to nothing else on stage. When it came to the Little List song, he sat at a table, put on his glasses and pulled out a bit of crumpled paper from his pocket and proceeded to read the updated words! For this he was rightly wrapped on the knuckles by David Turner. But then Richard Suart did the same thing several nights later in the professional production! On thursday we ran the whole show in the morning and (after a bit of tidying up) again in the afternoon, this time with full costume and props and some effects. The Fair Collette had returned and had measured up the faces for the make up they would wear the following day and Keith Dredge arrived fresh from Seattle. He took charge of the tea pot and spent some time with new batteries and wires and then disappeared outside with a few of the cast involved in the incantation scene. Then there was an enormous flash through the window. He later returned having re-set the pot and when we did the scene the tall wizard with long white hair pressed the button at the appropriate moment and the low-roofed room filled with smoke and half the cast had what appeared to be an asthma attack! We did not know till later that someone had seen the first flash and called the fire brigade, who must have had a fruitless time searching for a fire! We finsished this phase of our rehearsals by cleaning up the hall and church to a standard that Sargeant-Major Jill Duffey approved of and packed everything up ready for the move into the opera house the next morning. That evening was my first chance to see one of the youth productions. I was not prepared for how charmed I would be with it. There were what seemed like thousands of small children filling the stage. It was a production that was geared to the age and ability of the cast and had many delightful touches. While everyone had lots to do, there are a few young singers who during the festival showed that they have talent and that the future of G&S is bright in their hands. Some of these have been coming to the Festival for some years and have almost grown up under the eyes of those who attend regularly. Pamela Leighton-Bilik must be congratulated at what she accomplishes with this large cast in a very short time. As the youth production do no cabaret, there was a pot luck Iolanthe and I was glad that the SavoyNet table was not as large as usual. I stayed around like a nervous hen, anxious to push my chickens off to bed as early as possible and then finally "retired to my attic" knowing that I had a big day ahead of me! Diana Burleigh  1,, Summary-line: 2-Sep cana@MIT.EDU [202] #Caveman Technology X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA17166; Mon, 2 Sep 2002 23:11:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA05532 for ; Mon, 2 Sep 2002 23:10:31 -0400 (EDT) Received: from boeing-vertol.mit.edu (BOEING-VERTOL.MIT.EDU [18.18.2.164]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id XAA29911 for ; Mon, 2 Sep 2002 23:08:50 -0400 (EDT) Received: from localhost (cana@localhost) by boeing-vertol.mit.edu (8.9.3) with ESMTP id XAA21187; Mon, 2 Sep 2002 23:08:50 -0400 Date: Mon, 2 Sep 2002 23:08:50 -0400 (EDT) From: Cana Lynn McCoy To: Subject: Caveman Technology Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 2 Sep 2002 23:08:50 -0400 (EDT) From: Cana Lynn McCoy To: Subject: Caveman Technology Content-Type: TEXT/PLAIN; charset=US-ASCII Minutes of the SIPB Meeting of 08/26/2002 The meeting was called to order at 19:30 by tibbetts (with the office rock). In attendance were Voting members: keithw arolfe alex_c cana ssen int18 tibbetts Associate members: cfox hartmans dbj tytso marc yak | deberg Non-voting members: Prospectives: jtu jcalicea harrisct | jcarver miah Guests: Treasurer's Report: Chairman's Report: tibbetts: We don't have a gavel, we're using a rock. hartmans: Move to regress to caveman technology? tibbetts: There'll probably be an election for ike next week. Office Report: cfox: Should we consider buying cardstock next time we buy office supplies? I think the signs would last longer if they were cardstock. arolfe: I can sell you some from LSC. tibbetts: For zero dollars, right? arolfe: No, but it'll be easier... tibbetts: I bought the new Pismere machine. It should show up whenever GovConnection gets around to sending it. cfox: We have lots of freshmen - should we do introductions. tibbetts: Welcome freshmen! We're kinda informal. Office Cleaning Report: alex_c: There is a mouse. MIT Computing Report: cfox: The IS/Linux installer installs Athena 9.1 by default now. hartmans: Due to the release of MacOSX 10.2, we threw out all the goo to make Kerberos work. It's sort of a disaster. marc: You mean "released", right? hartmans: Yes. tibbetts: The EC network sucks less. This is neat. Computer Services: keithw: The Library Access to Music project has many deadlines of various sorts. If you're interested in providing access to music for students, let me know. hartmans: We have this Activities midway coming up. I'm not planning on being there. If someone is planning on being there, we may want to look at having CDs/one-sheets about SIPB Debian. It's my intent to get those ready, and if someone wants to take them there, it would be great. tibbetts: I'd upgraded the VMware machine to fix the SSL hole, and replace the license key so it won't crap out for another year. hartmans: SIPB/Debian would be happy if you have a laptop that we can test our install on. Especially if you have any interesting PCMCIA devices and such. arolfe: Sam and I will be upgrading two of the SIPB AFS servers on Friday and Saturday morning SIPB Backup Report: hartmans: AFS backups failed on Sunday. Basically it was the "my tapes haven't expired yet, I'm gonna be whiney!" tibbetts: What does it mean for the tape to expire? hartmans: When you do backups in AFS, you say that there's a certain number of days that you'd like to keep the tape around for, and it would be good not to erase or reuse it during that time. Publications Report: cfox: We ran out of cluster cards, and I found one lump worth in the back which I put out. I don't know if there are more around the office, or we should order more. alex_c: Angie brought them in, so she'll know where they are. Orientation Report: tibbetts: I move to allocate $400 for a whole bunch of copies of various things for the Midway. [tibbetts allocation: $400 for lots of photocopies for orientation] alex_c: Move to allocate up to $50 for drinks from CokeComm for the midway. [alex_c allocation: $50 for midway drinks from CokeComm] tibbetts: Aletta's sick, so I have this thing of hers to read: The midway is this Friday, from 4:30-7, we'll be leaving from the office at 3:45. We won't be bringing any office heads, because the freshmen have seen computers before. hartmans: Someone should at least bring a laptop, so if there are questions or anything... tibbetts: I'm planning to bring a laptop. arolfe: The ASA wants you to be there at 2:30 so they know you're not punting. tibbetts: Their website says 4. tibbetts: Also from Aletta: "One of the major difficulties with recruiting sipb prospectives is that they feel like they "don't know enough", and whether or not they do, sipb is not a very structured environment for trying out what knowledge they do have or learning more. They often feel lost when they do try to get involved, but they are uncomfortable randomly talking to people trying to get help/advice. So, I'd like to try offering new prospectives (and old ones, for that matter) "mentors". I'd like to be able to give the frosh a list of theoretical projects that they could start or join, and a contact person for each of them; and I'd also like to have a list of peoples' general interests that frosh could tap if they have project ideas of their own. Having a mentor would by no means be required, but I would like to have people available to frosh if they want to go seek them. If you're willing to be a mentor, send me mail. If you have specific projects you think would be good for prospectives to either get involved in or try do on their own, include those. Otherwise, just give me a general idea of knowledge you have and would be willing to share." tibbetts: The general idea came out of the idea that there's lots of cool things that SIPB could do that I could do, but don't have time, but I can teach someone else how to do them. hartmans: While this is not particularly a bad idea, I'll point out that it's at least the third time I've heard this idea since 1994. It might work for a few people, but it's not likely to be a revolutionary thing. jtu: Tours are happening 9/5 from 7-lateish. If you're over 21 and can drive our vans, please let me know. If you can be a tour guide, and know where all the buildings are, please let me know! IAP Report: CokeComm Report: Other: deberg: My Vaio is dying, and I want a Mac. People who have iBooks should let me know which ones are better. keithw: Christopher Tresco was sent to jail for three years. Which means, don't do any warez. tibbetts: I had a dumb idea, so I went and talked to the Tech. SIPB should run a computer question and answer column for the Tech. Since they have no journalistic standards, their excited about this. It would probably be every two weeks. I need to get the first one into the editor by Thursday. I'll send mail. alex_c: simsong is around. Maybe we should get his help. ssen: What's the audience for this? tibbetts: People who read the Tech in lecture. ssen: So everyone, then. hartmans: On that note, simsong dropped into the office recently, and announced that he's going to be a grad student, looking at things like what students think of Athena. cfox: Move to allocate $50 to buy a ball gag. Other Other: The meeting was adjourned at 19:52 Minutes taken and submitted by cana.  1,, Summary-line: 2-Sep cana@MIT.EDU [155] #They looked really similar from the back of the rack X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA18841; Mon, 2 Sep 2002 23:16:21 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA05661 for ; Mon, 2 Sep 2002 23:14:25 -0400 (EDT) Received: from boeing-vertol.mit.edu (BOEING-VERTOL.MIT.EDU [18.18.2.164]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id XAA12820 for ; Mon, 2 Sep 2002 23:09:56 -0400 (EDT) Received: from localhost (cana@localhost) by boeing-vertol.mit.edu (8.9.3) with ESMTP id XAA21191; Mon, 2 Sep 2002 23:09:56 -0400 Date: Mon, 2 Sep 2002 23:09:56 -0400 (EDT) From: Cana Lynn McCoy To: Subject: They looked really similar from the back of the rack Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Mon, 2 Sep 2002 23:09:56 -0400 (EDT) From: Cana Lynn McCoy To: Subject: They looked really similar from the back of the rack Content-Type: TEXT/PLAIN; charset=US-ASCII Minutes of the SIPB Meeting of 09/2/2002 The meeting was called to order at 19:30 by tibbetts. In attendance were Voting members: tibbetts golem nim cana alex_c aletta int18 arolfe Associate members: yonah yak jhawk rjbarbal ingolia | gschmidt Non-voting members: Prospectives: mwp jtu ssen rradez miah jenselby harrisct jcarver merolish kstolt bergey gsivek kchen pdox syosi amdragon thaddeus rclehman | ike glasser natan Guests: Treasurer's Report: tibbetts: Wow them with how much money we have! nim: I suck. Yeah. I should do stuff. Chairman's Report: tibbetts: If we turned SIPB into the students for democratic society, it would be noted there. Office Report: golem: Move to spend $300 for a gong for the office. tibbetts: You need to justify this. golem: Another group brought a gong to the midway. I was so ashamed. aletta: I looked on eBay and it looks like we could get a one or two foot gong for a couple of hundred. rjbarbal: Does that include the net interface for the gong? aletta: No, it does not. tibbetts: Find a real gong to buy, by next week. gschmidt: There's a store near Porter Square that has very nice gongs. nim: SIPB should have a toaster oven. tibbetts: No we shouldn't! We barely manage to not set fire to ourselves with the coffee pot! Were you actually serious? nim: No. ike: Why is mkc unhappy? tibbetts: The stereo isn't working either. cana: Perhaps these things are related. Office Cleaning Report: tibbetts: Does the fish still run? ingolia: I think it got broken in the latest charon upgrade. MIT Computing Report: cana: test.dialup now only accepts encrypted connections (except from the pasta pads, or other dialups) This is not only a preview of things to come, but a way for people to test their broken or confusing software, to make sure you're really getting an encrypted connection. Computer Services: Last week Sam and I upgraded two of the AFS servers in the SIPB cell, ronald-ann and rosebud. Rosebud didn't go quite so well - it included an unplanned outage of ronald-ann. tibbetts: Are you doing rc at some point? arolfe: No, because there's going to be new hardware for it. SIPB Backup Report: tibbetts: People briefly thought the backups weren't running, but they were confused. Publications Report: jhawk: We have only one copy of iZephyr. Furthermore, I have moved the SIPB-Debian pile from the iZephyr pile to the Installing Athena pile, because it makes more sense there. golem: None of the documents are where they're supposed to be. tibbetts: We should buy a new document rack that doesn't suck. You should feel empowered to change the labels. tibbetts: Move to allocate $50 for iZephyr. [tibbetts allocation: $50 for iZephyr copies] Orientation Report: yonah: Do you know which way north is? tibbetts: The fifth floor always gets me turned around. jtu: Computer tours are Thursday. We're wandering and looking at computers stuff all over campus. Meet in the W20 fifth floor lobby, right out there, at 7pm. If you want to be a guide, let me know! There will be email. tibbetts: Aletta, how did the midway go? aletta: It went well. WE got a bunch of freshmen, they're on a list now. Chuck Vest got removed from the list, unfortunately. aletta: I have a SIPB new prospectives survey here - what you want to learn, what you want to get out of SIPB! I'm going to try to hand them out, but if I somehow miss you, come get one from me! IAP Report: glasser: Sherri told me I should be running the lectures. tibbetts: I guess you should be running the lectures, then. yonah: It's probably about a month until the IAP guide deadline. CokeComm Report: Other: tibbetts: I think that SIPB should buy network security-related condoms. Apparently net-security was going to, but IS said they couldn't. Does anyone frat related know how to order condoms with writing on them? rjbarbal: Where will be putting these? In the med stop...? aletta: You can use our stapler... you can take a condom... rjbarbal: Friendly amendment to make them glow in the dark? tibbetts: I'll look into this more closely. yak: SIPB does not want to be in the business of distributing BAD condoms. yonah: Unlike some other organizations on campus. Other Other: golem: I want a sucks report! tibbetts: Ok... Sucks: golem: OpenSSL! jenselby: Turning the key in your car and having nothing happen! rjbarbal: Having trouble finding housemates! int18: Evolution! tibbetts: StarOffice! The meeting was adjourned at 20:06. Minutes taken and submitted by cana.  1,, Summary-line: 2-Sep PSternenberg@aol.com [82] #Re: my favorite fictitious cast.................. X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA25339; Mon, 2 Sep 2002 23:36:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA14035 for ; Mon, 2 Sep 2002 23:35:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g833YtDU019517; Mon, 2 Sep 2002 23:34:55 -0400 (EDT) Date: Mon, 2 Sep 2002 23:34:55 -0400 (EDT) Message-Id: <26.2d2df9aa.2aa586d0@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: my favorite fictitious cast.................. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Mon, 2 Sep 2002 23:34:55 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: my favorite fictitious cast.................. Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Okay, okay, I'm hallucinating. But what are some of the Savoynet members > favorite sets that never existed? Cast lists and conductors essential...... I posted the following on April 1, 2001, and it meets these requirements. It was done in the spirit of April Fools without an attempt at deceit, but I actually got at least three SavoyNetters to believe that this recording really existed: Subject: New LP to CD D'Oyly Carte transfer on sale It was with great anticipation that I began listening today to my newest CD purchase: Decca/London's transfer of the 1951 D'Oyly Carte recording of THE GRAND DUKE. As this recording came out of copyright this year, Decca decided to jump the gun on the other producers of DCOC transfers with the blatantly misleading series name "Pearly CD Sounds." Loyalty to Chris Webster aside, I couldn't wait for what will undoubtedly be a superior product from him. After all, this particular recording was withdrawn almost immediately after its initial LP release, due to the departure from DCOC of several of the artists who appear on it. I believe Decca was afraid these artists might claim royalties on their individual talents, but the details are cloudy even to this date. Whatever, so few people have even heard the LP version (and I, alas, am not one of them) that it's worth giving a few more details than usual. Rudolph was the swan song of Martyn Green's illustrious DCOC career. As much as it pains me to offend his many supporters, I feel he sings the part as if he's really dying of malnutrition. Perhaps "Well, you're a pretty kind of fellow" should have been cut, as Green mixes up several of the rhymes. Nevertheless, he was still the principal comedian, and Peter Pratt as the Herald proves he didn't yet deserve promotion from his position as Green's understudy. Those who like Richard Watson as Pooh-Bah, Don Alhambra, and others will delight in his Ludwig, what Watson liked to call his "Sausage Role." The difficult "At the outset" is delivered with perfection, and in his other numbers he displays a voice that makes even greasy kinds of pasty sound appetizing. Darrell Fancourt as the Prince sings in French as easily as if it had been his first language, making the listener wish only that Fancourt had recorded the role when he first played it in 1936 . As Dr. Tannhaeuser, Alan Styler sings with such conviction that the listener will truly believe that "ghoest" is the way the word should be pronounced. The role of Ernest is credited solely to Leonard Osborn, but he sings only "Were I a king" and is then unexpectedly replaced by Neville Griffiths. IMHO, I wish Griffiths had sung the entire part. Muriel Harding doesn't attempt any kind of German accent as Julia. I consider this a plus, as the listener is not thereby distracted by any gimmicks and can make favorable comparisons to her other recordings, particularly pitting "So ends my dream" against her other tour de force, "The hours creep on apace." Margaret Mitchell makes a particularly sweet and appealing Lisa. One is tempted to wonder how well Harding and Mitchell would have done by switching roles; regrettably, that is a recording we shall never hear. Ella Halman ended her DCOC tenure as the Baroness, and, like Green, she either got out just in time or not soon enough. She sings "Come, bumpers" so tipsily that one wonders whether she had to be similarly fortified to commit the song for posterity. Had this recording been made a year later, we might instead have heard the superior Ann Drummond-Grant as the Baroness, instead of being miscast as the Princess. On the whole, though, I've found the recording to be delightful, not the least due to the spirited conducting of Isidore Godfrey. Don't take my word for it, though -- get your copy today. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 3-Sep PSternenberg@aol.com [51] #Dialogue rescue X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA22252; Tue, 3 Sep 2002 00:01:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA18108 for ; Tue, 3 Sep 2002 00:00:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8340XDU020112; Tue, 3 Sep 2002 00:00:33 -0400 (EDT) Date: Tue, 3 Sep 2002 00:00:33 -0400 (EDT) Message-Id: <34.2cbc6845.2aa58d33@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Dialogue rescue MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Tue, 3 Sep 2002 00:00:33 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Dialogue rescue Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > Well done! To have consideration for ones colleagues! I was once fed by a > Hamlet. Sometimes on stage as we know it can be the contrary: selfishness > e.g. upstaging etc. Personal experience has produced mixed results: 1. As the Major in PATIENCE, I was asked by the Duke whether I was fond of toffee. I answered, "Very," but there was dead silence while we awaited the Colonel's line. After a few seconds, I said it myself: "We are all fond of toffee." I even preceded it with a slight stutter to connect the two lines as if they were one. The other Dragoons said, "We are," and we were back on course. The Colonel apparently didn't object afterwards, and the Stage Director was appreciative. 2. As the Carpenter in PINAFORE, I wasn't supposed to have any more dialogue than the men's chorus responses, but the Boatswain made no indication that he was ever going to deliver his last line before the Captain's first entrance. After an uncomfortable stretch of silence, I gave it: "My lads, our gallant Captain, etc." The Stage Director was appreciative afterwards. The Boatswain told me that I was out of line and never to do anything like that again. FWIW, the Colonel was a veteran of our company who's still with us. The Boatswain disappeared soon afterwards. I don't remember whether these incidents occurred before or after our group stopped using prompters. In any case, it was clear to me that the lines were going to take far too long to be delivered, if at all. My characters were both times justified by the story, if not by Gilbert, in delivering the lines, else I'd have kept quiet. Nevertheless, I've also had a "know it all" reputation that causes anything from great appreciation to strong resentment. My point is this: I think dialogue rescue is appropriate, but not everyone else does. Anyone who attempts it could get just about any kind of reaction, and it might not be pleasant. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 3-Sep Sangazure1@aol.com [73] #QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA07954; Tue, 3 Sep 2002 10:42:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA23843 for ; Tue, 3 Sep 2002 10:41:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g83EcIDU019280; Tue, 3 Sep 2002 10:38:18 -0400 (EDT) Date: Tue, 3 Sep 2002 10:38:18 -0400 (EDT) Message-Id: <158.13779168.2aa61d05@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: QWERTY/Conn II MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Tue, 3 Sep 2002 10:38:18 -0400 (EDT) Reply-To: Sangazure1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sangazure1@aol.com To: Multiple recipients of list SAVOYNET Subject: QWERTY/Conn II Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum For all of those who didn't receive (or ignored) our previous message, it is repeated below. We have received a gratifying number of replies and are close to capacity, so those of you who wrote that they "might come," please make up your minds and decide. One thing I forgot to mention -- we have a cat. She was at the previous QWERTY, and no one seemed to have a problem. But if you have a serious allergy, you should take this into consideration. Here goes -- Warm up your vocal chords -- study your scores -- and whet your appetites for another exciting SavoyNet gathering! Bobbie Herman and Paul Cohen announce -- (roll of drums) -- QWERTY/Conn II ! The dates selected are Saturday, November 9 and Sunday, November 10. As I'm sure you're aware, this will be Veteran's Day Weekend. As Monday is a legal holiday, you won't have to run off early. For those of you who attended QWERTY/Conn in April 2000, Paul and I have moved about one mile east of our former house to Fairfield, Connecticut, three miles east of Exit 42 of the Merritt Parkway (Route 15) and three miles north of the Connecticut Turnpike (I-95). It's about one hour by train from Grand Central Station, and trains run hourly. The house is slightly smaller, but still large enough to hold a good-sized crowd. Parking is easier, AND (I'm keeping my fingers crossed) -- we have two fully-functioning septic systems! We've found several nice hotels in the area, at a slight distance, but moderately-priced and recently-constructed. As before, we will share expenses for lunch -- I estimate about $10 per day. Please let me know if you'd like to attend one or both days and which operas you'd prefer (we'll assign roles later). Last time we did all except IDA, PINAFORE, MIKADO, GRAND DUKE and PATIENCE, so perhaps we should give them a turn. I'd love to do DUKE if enough people can get scores, and THE ZOO might be fun. Let me know your thoughts. If you think we should pursue the idea of designing and ordering commemorative T-shirts let me know that, too. If an added incentive is needed, let me inform you that our peripatetic Wandering Minstrels -- the Welsh Warblers -- Jackie and Bob Richards will be here. Accompanists are DESPERATELY needed. Last time, Andi Stryker-Rodda and Eric Peterson each valiantly took over one whole day. Even if you can only play for one opera, please volunteer.. Further details and directions will follow. And please -- no children under eleven years old. Bobbie Sangazure1@aol.com "Love Me! I'll stick sunflowers in my hair!"  1, answered,, Summary-line: 3-Sep Bj.Richards@btinternet.co [45] #Re: Parsnips X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA25585; Tue, 3 Sep 2002 14:48:03 -0400 (EDT) Received: from carbon (carbon.btinternet.com [194.73.73.92]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA26301 for ; Tue, 3 Sep 2002 14:47:20 -0400 (EDT) Received: from host213-123-14-139.in-addr.btopenworld.com ([213.123.14.139] helo=default) by carbon with smtp (Exim 3.22 #8) id 17mIhr-0002Tp-00 for opus@MIT.EDU; Tue, 03 Sep 2002 19:47:19 +0100 Message-ID: <004801c2537a$99721020$8b0e7bd5@default> From: "Bob and Jackie" To: "David C. Jedlinsky" References: <200209031508.LAA02236@multics.mit.edu> Subject: Re: Parsnips Date: Tue, 3 Sep 2002 19:35:24 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 *** EOOH *** From: "Bob and Jackie" To: "David C. Jedlinsky" Subject: Re: Parsnips Date: Tue, 3 Sep 2002 19:35:24 +0100 Content-Type: text/plain; charset="iso-8859-1" X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 Hi David Funny you should start talking of parsnips as we bought you a packet of seeds last week to bring over when we go to Bobbie's qwert in November (we trust you are going?). I can't remember what I did with the parsnips on that particular occasion. I usually just roast them but sometimes boil then mash them with seasoning and a bit of butter (and a little cream if you want to be decadent). When we roast them we boil them for a couple of minutes in salted water first. > > We hope you are well after the excitement of Buxton, and are looking > forward to November in Connecticut! > Buxton was certainly exciting and no doubt you have read all the postings about it on SavoyNet. It is our opinion that Sorcerer was the best show we have ever performed in for all sorts of reasons. We can't wait for November to sing some relaxed, informal G&S and meet up with all our lovely friends again. > There was a television show which interviewed some people from Wales. > Although they were speaking English, the producers of the show felt it > necessary to provide subtitles. I don't know if we've become > accustomed to the accent enough to find this amusing, or if Americans > in general are really that thick. > Ah! You have obviously spent too much time in our company (if possible). Love to you both Jackie and Bob  1, answered,, Summary-line: 3-Sep SSilvers@sskfg.com [63] #Hotels at QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA23457; Tue, 3 Sep 2002 19:47:47 -0400 (EDT) Received: from shack01 ([208.195.240.132]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id TAA06204 for ; Tue, 3 Sep 2002 19:47:04 -0400 (EDT) Received: from SSDOM-Message_Server by shack01 with Novell_GroupWise; Tue, 03 Sep 2002 19:33:42 -0400 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Tue, 03 Sep 2002 19:33:22 -0400 From: "Samuel Silvers" To: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Subject: Hotels at QWERTY/Conn II Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline *** EOOH *** Date: Tue, 03 Sep 2002 19:33:22 -0400 From: "Samuel Silvers" To: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Subject: Hotels at QWERTY/Conn II Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline I called all three hotels just now. Here is what I learned: All of the hotels have plenty of rooms left, and all offer group rates for 10 or more rooms (the Hilton only requires a commitment of 7 rooms). We need to call during=20 business hours for the group rates. I know that Marc, Leta, Don, Larry G. and I ALL are planning to get rooms, so that's already 5 rooms! Marriott Courtyard - $64+tax for one room. 474 Main Avenue Norwalk, Connecticut 203-849-9111 =20 Sheraton Four Points - $79+tax for one room. 426 Main Avenue Norwalk, Connecticut 203-849-9828 Call Director of sales re: group rates Hilton Garden Inn - $79+tax for one room. 560 Main Avenue Norwalk, Connecticut 203-523-4000 (Call Lisa Stavetski at 203-523-4040 for group sales) We can all save and have more fun if we all stay at the same hotel. No one seems to have any particular chain preference or loyalty. SO: 1. Can someone volunteer to call during business=20 hours tomorrow to find out about group rates for us? Hotels often say one rate, but if you press them, the back down to a lower rate. 2. PLEASE RESPOND to me if you will be joining us and booking a room FOR SURE. That way, we can get a minimum count, and we can make arrangements with a hotel. Best regards, Sam Silvers  1,, Summary-line: 4-Sep cliftoncoles@hotmail.com [59] #Re: Lady Sangazure - Lady Sophy X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA08159; Wed, 4 Sep 2002 10:23:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11571 for ; Wed, 4 Sep 2002 10:22:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g84ELWDU024018; Wed, 4 Sep 2002 10:21:32 -0400 (EDT) Date: Wed, 4 Sep 2002 10:21:32 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Lady Sangazure - Lady Sophy Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 4 Sep 2002 10:21:32 -0400 (EDT) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Lady Sangazure - Lady Sophy Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Bob Richards wrote of Lady Sophy that she is: >the dullest of the Savoy Opera contralto >characters. Lady Sophy, dull? A forcible term! Like Lady Blanche, in the hands of a fine actress Lady Sophy can be a wonderful part, and of the females in Utopia, she has the most material (dialogue and music) and serves as both the (female) romantic and comic lead (there being no real wooing and winning of Zara by Fitzbattleaxe). The dialogue in act one between the good Lady and the autocratic King may be easily overlooked, but it is chock-full of comic potential in performance. The duet that follows is, in my opinion, taken at too slow a speed in the DCOC and OLO recordings, denying it any life and comedy -- think how much more lively and interesting it would be if taken at a little jauntier a 6/8, perhaps contrasted by the slower tempo for the parenthetical statements, which would then work in a similar way as asides? As for the other two solos, "Bold-faced ranger" is meant to be acted out by Nekaya and Kalyba with Lady Sophy's words as instructional narrative. I like to think of this number as a ballet where most of one's attention is on the dancers. As a recording or a separate number, "Bold-faced ranger" is not one of my favorites, but as a performance, it is hilarious, especially if N and K are good actresses (I have always seen this scene played with the girls paired with a male chorister or Calynx playing the part of the "bold-faced ranger" and acting out the words along with the girls). Lady S, not entirely negligible, can inject her strong personality into the proceedings--"DON'T forget the references!" I am willing to forgive S for repetitive music and not the most interesting waltz in the interest of good theatre. I am a big fan of "Queen of the roses" from Haddon Hall and I think "When but a maid of 15 year" is a deliberate imitation of it. I think this is what S wanted. G's words make the scene more humorous than it perhaps ought to be ("short-petticoated," "short-sighted," "unsought, unplighted," "an early riser," "an advertiser"), but he nicely builds a dramatic situation by having Paramount enter and overhear the second verse. (Note also that the recit "Oh would some demon power" is nicely reminiscent of "Alone, and yet alive!") And I just LOVE "Oh, the rapture unrestrained." Cliff . . . . "red and rosal" _________________________________________________________________ Send and receive Hotmail on your mobile device: http://mobile.msn.com  1,, Summary-line: 4-Sep deebee@connexus.net.au [143] #Airy Persiflage - the day arrives X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA06246; Wed, 4 Sep 2002 22:19:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA12357 for ; Wed, 4 Sep 2002 22:18:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g852ESDU015474; Wed, 4 Sep 2002 22:14:28 -0400 (EDT) Date: Wed, 4 Sep 2002 22:14:28 -0400 (EDT) Message-Id: <3D77A66E.6197FF7A@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage - the day arrives MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Wed, 4 Sep 2002 22:14:28 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage - the day arrives Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ken Sandford was giving a masterclass. One of the chorus approached me. She had been a great admirer of his for many years, could she possibly attend his session? The masterclass co-incided with the dress rehearsal of Sorcerer. After much debate internal I did not release her! There a several areas which I think the steering committee or its successor should address about the long day on which each group must get into the Opera House and perform. While sympathising with the plight of the professional technicians who must work long hours with people of different ability and expertise, they are there to serve the productions not the other way round. The amount of access to the stage has shrunk over the years. Someone put this point to Ian Smith who seemed genuinely not to know - each group has the whole day in the theatre, was his attitude. Yes, but at the discretion of the technicians, who exclude the director while the set is going up and do not allow the cast on stage in the morning excerpt for the brief minutes that they are having their tea break. If the performing company can be on stage while the tea break is on, why does this not apply to the hour when they lock up the theatre for their lunch? The aim surely is to help the groups perform to their best, so why the restrictions? The answer seems to be to convenience the professionals employed to help with the productions, though that is only my surmise. If there is a better reason then it should be made known. The technical work on lighting has to be done at the same time as the dress rehearsal. It is amazing that it is as competant as it often is. Yet I never saw the finished state of act 2 which was much too dark. I asked for a red backcloth for the end of act 1 when Wells' spell was taking effect and everyone was swaying side to side. It did not happen. I don't want to dwell on this for too long, but one aspect of importance which could be improved upon is the technical presentation and I believe ways to do this should be investigated, perhaps in conjunction with other groups who regularly appear. The Savoynetters coped with the day extremely well - as always. Dressing rooms were set up, costumes ironed, make up applied. Many of the men had grown appropriate facial hair, others submitted to what someone called jerbills being stuck on to their cheeks.TFC, David Kirby and Katherine Barton were busy in the dressing rooms. David Cookson, Keith Dredge, Paul Cohen and Ian Hollomby organised things backstage and Larry Byler made sure that there was piano accompaniment handy when the orchestra was unavailable. There were probably more people who I haven't mentioned but I was too busy to notice. In the auditorium were several of the faithful helpers, Peter Parker with his video camera, Peter Crighton with his still camera who then put the pictures on CD "It only takes 700" he said breezily! That paralysing sense of nervousness I often feel was not present. Perhaps the speed of the week had chased them away. I had the extra edge of tension which served to keep me alert and flutter in my tummy but that was all. The dress rehearsal went fairly smoothly (well there's always one person ...) and with a short show and one set, it was finished in time to allow us an extra half hour with the orchestra to clean up a couple of scenes. Eventually there was nothing left to do but wish everyone "a wizard time" and take my seat in the auditorium leaving my partner, Dick the Stick, to face the music! Of course I am not going to attempt to review my own production. An audience sees the achievment on stage. The director is all too aware of the gap between what was achieved and what was intended - and that gap is always there no matter how good the show. I was dissatisfied with my blocking of one scene; wished I had made time to work with the principals in another to make its intention clearer (ie it was my fault, not that of those on stage) and saw many instances of small moments of timing which could have been cleaner and therefore more effective. But what I saw more than anything was a ensemble who were doing a fantastic job of working together to perform a comic opera which was delighting the audience. I felt tremendous gratitude to them for their dedication. I was also aware of the tremendous work that was being achieved in the pit. Dick's tempo was bright and lively, hitting just the right feel of the opera. When a quieter moment came, its contrast was most effective. The orchestra sound (with the exception of the much discussed chimes) was excellent. I have walked out of too many of my productions saying that it had been let down by the pit musicians. It was a pleasure to hear such a backing which added so much to the presentation. Because there has been some comment about the ending of the show, I will explain what happened. There is no way that Wells can disappear through a trap in the Buxton stage and I have always felt that to have him scramble off in a blackout was a cop out. So as he prepared to yield himself up to Arhimines, Duncan removed his hat and handed it to Hercules (the most scene-stealing little 6 year old you could imagine!) and then as a (slightly late arriving) flash went off from the posts beside the door (no, not as someone said from a tea pot) and the chorus closed in,and then opened out to show that Wells had jumped into his hat and turned himself into a rabbit. When we rehearsed this the first time, Ian Henderson followed up by singing Come to my mansion all of you. At last we'll crown our rapture with a rabbit stew! Which was so clever that I almost left it in! Incidently, Ian's Sir Marmaduke was costumed and made up to look like Gilbert in his Lieutenant of the County uniform but sadly not many made the connection, despite a crusty characterisation. My reaction on seeing him made up was that Gilbert's hair was parted on the other side and I heard David Duffey muttter something about anoraks! On the night the curtain fell to cheers and the cast prepared to produced carefully hidden national flags to wave in the call. After the chorus and various principals made their bows, it should have been the turn of Wells, on came Hercules, still carrying the rabbit - surely Wells was going to turn himself back into human for the call? Well of course he did. As everyone else had their nationality represented on stage I thought it only fair that I did too, so arranged for an Aussie flag to be popped into the hat with the rabbit. Highly appropriate: rabbits are a non-indiginous to this country but have settled and thrived here. I won't persue the analogy as of course rabbits are also pests which defy attempts at extirmination - and I know if I hadn't posted this someone else would have! I was rather taken by Peter Zavon's interpretation that I was presenting myself as a cuddly rabbit and for a moment was tempted to use it as a new sign off. I have only seen bits of the video and not watched the adjudication again, so my memory is of the comments heard from behind the curtain. Although David Turner was pickier than he had been on other nights, I don't recall being offended by anything he said and agreed with many of his criticisms. Everyone set off with a will and it wasn't long before we were making our way to the club to relax and party in high spirits. When I eventually got back to Harefield House (I can't remember what small hour of the morning it was) there was a note stuck on the stairs to the 7 of us staying there from the owners who had seen the show,congratulating us on a show and reminding us that breakfast was at 7 am ("Just kidding!"). All 7 of us shared a table for breakfast - and we were all down by 8.30 - and all had put on our SavoyNet Sorcerer tea shirts. When we went into the town later we discovered most of the others in the group were also wearing them and we had the pleasant embarrassment of being stopped all day by people saying how much they enjoyed the show. Even Bob's granddaughter in her pram was in a specially made tea shirt and came in for admiration! Tom Round made a point of saying how much he liked the production but I think the best compliment came from Jean Hindmarsh. She told me that she had only ever seen Sorcerer once before and had felt she was glad she had seen it because she need never see it again. She then added that she liked our production very much and was glad to have been able to see Sorcerer in a new light. I must confess (if I may be allowed a little hubris) that I was delighted that our production seemed to have rehabilitated Sorcerer in the eyes of several who had not believed it was a very good show (it was one of the first I saw and has always been a favourite). I think I may have also converted a few to the idea that the second act is flawed and can be improved by reversing the order of "I rejoice that it's decided" and "Thou hast the power". It is something I have mentioned in Savoynet discussions before but others seemed to think this wasn't a good idea. Those who noticed the change all said how much better it is. I was amused that some tenors remarked that it gave Alexis a much more dramatic exit and from sopranos that it was so much easier for Aline to build up to the dcision to take the philtre. I have often said that it was my dream to work on a G&S production with people who had the same commitment to the production that I did and were prepared to give 100% to it. I have now achieved that ambition! Diana Burleigh The cuddly rabbit ? No it doesn't work!  1,, Summary-line: 5-Sep radford@MIT.EDU [38] #Re: MTG "Anything Goes" Videos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA16862; Thu, 5 Sep 2002 12:38:01 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA27014 for ; Thu, 5 Sep 2002 12:37:18 -0400 (EDT) Received: from buzzword-bingo.mit.edu (BUZZWORD-BINGO.MIT.EDU [18.7.16.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA04199 for ; Thu, 5 Sep 2002 12:37:18 -0400 (EDT) Received: from localhost (radford@localhost) by buzzword-bingo.mit.edu (8.9.3) with ESMTP id MAA06923; Thu, 5 Sep 2002 12:37:18 -0400 (EDT) Date: Thu, 5 Sep 2002 12:37:18 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: MTG "Anything Goes" Videos In-Reply-To: <200209051623.MAA26659@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Thu, 5 Sep 2002 12:37:18 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: MTG "Anything Goes" Videos In-Reply-To: <200209051623.MAA26659@multics.mit.edu> Content-Type: TEXT/PLAIN; charset=US-ASCII Dave Thanks for the quick response. I'm the new president, so I guess that makes me the cantact for all of the videos. I'll get in touch with the producers of the shows and get you numbers and a graphic for mattress as soon as I can. Thanks -Todd On Thu, 5 Sep 2002, David C. Jedlinsky wrote: > > Hi Todd. > > I'm glad you sent another message; I don't seem to have received your > earlier one. The "Anything Goes" videos are ready, except I don't > know how many copies to make. If you can let me know, I can have them > ready next week. > > Are you the contact for all the MTG videos, or just Anything Goes? If > you are dealing with the others, would you happen to know where I can > get a better graphic for "Once Upon a Mattress"? All we have is the > program, which doesn't look very good. I'll also need a count of how > many copies to do for that, and I can get them for you pretty quickly, > too. > > -Dave >  1,, Summary-line: 5-Sep KeithDrage@compuserve.com [146] #Re: Airy Persiflage - the day arrives X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA07154; Thu, 5 Sep 2002 16:36:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA07497 for ; Thu, 5 Sep 2002 16:35:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g85KYJDU015294; Thu, 5 Sep 2002 16:34:19 -0400 (EDT) Date: Thu, 5 Sep 2002 16:34:19 -0400 (EDT) Message-Id: <200209051608_MC3-1-EB9-95BB@compuserve.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: KeithDrage@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Keith Drage To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 5 Sep 2002 16:34:19 -0400 (EDT) Reply-To: KeithDrage@compuserve.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Keith Drage To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Right, well I will try to give the technical viewpoint. The amount of access to the stage has not shrunk and it is organised at our discretion. As far as I know (as Savoynets technical person in charge on that day) everything that had to happen was happening as fast as it was likely to - once some of the things started. To the best of my knowledge the director was not refused access to the stage during the morning, but the director and her cast were. If the director understood otherwise then wires were crossed. The issue is primarily one of lighting, and we certainly lost time here. Without a lighting designer coming in with show (and we didn't have one) - 9:00 in the morning has to start with an explanation of the lighting requirements for the show, the resident staff then have to think about what is required, pull out the colours, and then start focussing. For various reasons (which were not the fault of the technical staff but ours), that explanation of requirements did not complete until gone 10:00 and focussing did not start until much later. I agree that some people could have focussed faster - but we did not employ said people - and focussing certainly went faster that any focus call I have been on with professional staff from across the Atlantic. Lighting consists of design, colour call, focussing and then plotting, happening in sequence. None of the first three can occur during a dress rehearsal, and for the last, anything done after the dress rehearsal is pure guesswork. Lighting has moved beyond 3 battens and followspots; that stopped when directors started calling for more than spots in R wash, or FUF. While stage focussing is occurring, we have a man at the top of a tallescope focussing, and shouting instructions to the people at the bottom of the tallescope as to where to be moved, and shouting instructions to the person in the lighting box to bring up new channels (the secondary channel controller which could be used from stage is dead and no budget exists to replace it). While front of house focussing is occurring, we have a person wearing a safety harness front of house and clambering around the lighting bars, concentrating on hanging on, and shouting to the person in the lighting box to bring up channels. In those circumstances, I suggest you put yourself in either of those positions and consider what you would do with a cast and director on stage at the same time (neither of whom by the nature of things are quiet). Essentially if lights are to be focussed, that is what must be done. Anybody who says otherwise will have to justify their statements under health and safetly, noting that rigging and tallescope accidents are one of the primary contributors to the theatre injury record. Incidently some theatres insist on hard hats being worn below while anybody is up a tallescope - there would not have been enough to go round the entire cast!!!! In the distant past there have been standard lighting rigs for the festival, with no permission to touch the standard colour washes. Most incoming designers have found this too restricting (the washes cover the entire stage, including large areas of misfocussed light on what happens to be on stage in the way of scenery on that day) and therefore they do not exist anymore. Essentially this means focussing all the lanterns in the rig, rather than refocussing a few specials. As regards the one hour break for lunch, this has always been in place during the festival. The idea is that the crew get their legally entitled lunch break, and do not start racking up the extra payments on the Smith's budget. As regards other people present on stage, insurance demands and health and safety legislation then kick in. Any stage is regarded as a factory floor and any visitors have to be appropriately supervised (this means at least a staff presence in the building once it is established that people have the intelligence not to fall in the pit or wander into areas where they may interfere which stage machinery and thereby endanger the lives of others. We actually had an extra half hour at tea time over what we were entitled to as the breaks were split. It was not possible to do this at lunch (although some staggering may have occurred to get FOH focus finished so that you could have the stage by 2:00) as the focus crew involves all the resident staff plus more (1 on lighting board, 1 at top of tallescope, 3 at bottom of tallescope - and yes, the person at the top of the tallescope does tend to be fussy about whether the body at the bottom knows what they are doing - and I understand the risk assessment say at least one of these has to be resident crew). There is an option of doubling the number of permanent staff from the minimum 4 up to 8, but this would either cost the Smith's or Savoynet a considerable amount of money, and remember that your Savoynet people do need at least one break during a 14/15 hour day. As to what happened to the red backcloth I dont know, I assume you wished the cyclorama to be bathed in red light, as I certainly knew nothing about having to find a red backcloth. I dont know whether red was in the Iris bar at that point. If it was not, then putting it there should have occurred before the house set went up, and the house set was up before the requirements were made known to the resident staff. I agree the Smith's tend to have an absence of knowledge about what happens with regard to the technical aspects (or maybe they get better results by consistently giving that impression - I never know). The amateur shows they produce never seem to have stage management or lighting designers appointed. For the professional shows, it principally seems to happen at the insistance of the incoming director. SOLUTION: Make sure Savoynet appoint a lighting designer who is able to to the lighting design and colour call before 9:00 on the morning of the show. Patience had a lighting designer because I persuaded him to do it. For a number of reasons, he was not available to us this year, and noone else volunteered, and we lost time because of it. Keith Drage ( note the spelling or was the insult intentional) Swindon UK Message text written by Diana Burleigh >While sympathising with the plight of the professional technicians who must work long hours with people of different ability and expertise, they are there to serve the productions not the other way round. The amount of access to the stage has shrunk over the years. Someone put this point to Ian Smith who seemed genuinely not to know - each group has the whole day in the theatre, was his attitude. Yes, but at the discretion of the technicians, who exclude the director while the set is going up and do not allow the cast on stage in the morning excerpt for the brief minutes that they are having their tea break. If the performing company can be on stage while the tea break is on, why does this not apply to the hour when they lock up the theatre for their lunch? The aim surely is to help the groups perform to their best, so why the restrictions? The answer seems to be to convenience the professionals employed to help with the productions, though that is only my surmise. <  1,, Summary-line: 5-Sep oakapple@cris.com [54] #Festival Videos on DVD X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA06535; Thu, 5 Sep 2002 19:07:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA07321 for ; Thu, 5 Sep 2002 19:06:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g85N5rDU021643; Thu, 5 Sep 2002 19:05:54 -0400 (EDT) Date: Thu, 5 Sep 2002 19:05:53 -0400 (EDT) Message-Id: <3D77DDC8.4050901@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Festival Videos on DVD MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 5 Sep 2002 19:05:53 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Festival Videos on DVD Content-Type: text/plain; charset=ISO-8859-1; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Several people have asked about the availability of G&S Festival videos. Every production at the Festival is available on video. The videos are on VHS or DVD. It's been pointed out that the DVD format is actually DVD-R, and the discs might not play correctly on some older systems (although they seem to play fine on most). For amateur shows, I believe (but don't hold me to it) that VHS PAL costs £17.50, and VHS NTSC costs £19.50. DVD is a pound or two more. The pro shows are available too, and they cost a bit extra. The Festival's marketing arm, Musical Collectables, will sell you a video of pretty much any show in the Festival's 9-year history, aside from some of the early pro shows for which the Smiths may not have obtained the necessary releases. During the Festival, members of each performing group can order a "Company Video," which includes not only the show, but also the post-show Cabaret. The company videos are a one-time offer, as the master tapes for the cabarets are not saved. Hence, if you don't already have a company video, the only way you can see this year's Savoynet TBJ cabaret is to borrow a copy. If you purchase the Savoynet SORCERER from the Smiths, you will get just the show. Sam Clapp is right: the Festival website is a disaster. I generally advise people to contact Musical Collectables by either phone or mail, as follows: Musical Collectables The Old Vicarage, Haley Hill Halifax HX3 6DR Tel. 01422 323252 Fax. 01422 355604 They have an e-mail address, musicalcollectables@gs-festival.co.uk. Correspondents sometimes inform me that e-mails are not answered. They take credit cards. Be sure to specify the show & format (VHS or DVD; PAL or NTSC), and they'll charge the right amount including postage & handling. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 5-Sep lbyler@cup.hp.com [46] #Re: Festival Videos on DVD X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA16969; Thu, 5 Sep 2002 19:32:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA14483 for ; Thu, 5 Sep 2002 19:32:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g85NUkDU022200; Thu, 5 Sep 2002 19:30:46 -0400 (EDT) Date: Thu, 5 Sep 2002 19:30:46 -0400 (EDT) Message-Id: <5.1.1.6.0.20020905161618.00a77c40@mammoth.cup.hp.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Byler To: Multiple recipients of list SAVOYNET Subject: Re: Festival Videos on DVD Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3D77DDC8.4050901@cris.com> X-Mailer: QUALCOMM Windows Eudora Version 5.1.1 *** EOOH *** Date: Thu, 5 Sep 2002 19:30:46 -0400 (EDT) Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Byler To: Multiple recipients of list SAVOYNET Subject: Re: Festival Videos on DVD Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3D77DDC8.4050901@cris.com> At 07:05 PM 9/5/02 -0400, Marc Shepherd wrote: >For amateur shows, I believe (but don't hold me to it) that VHS PAL costs £17.50, Correct. >and VHS NTSC costs £19.50. Also correct. >DVD is a pound or two more. £5.00 more. So NTSC DVDs of amateur shows cost £24.50. Well worth it, IMHO, since it gets you true stereo sound and much better audio quality than the linear audio present on (at least the NTSC) videos. >The pro shows are available too, and they cost a bit extra. An additional £2.00 above all the above prices, ISTR. All of the above are subject to additional charges for postage and handling. >The Festival's marketing arm, Musical Collectables, will sell you a video of pretty much any show in the Festival's 9-year history, aside from some of the early pro shows for which the Smiths may not have obtained the necessary releases. Yes, but DVDs are new this year. I haven't heard of any move to reissue past years' performances on DVD. -Larry Byler- "for the rest of the day I do good" annlarry@pacbell.net Sunnyvale, California USA  1,, Summary-line: 5-Sep oakapple@cris.com [28] #Re: Festival Videos on DVD X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA02501; Thu, 5 Sep 2002 20:50:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA12161 for ; Thu, 5 Sep 2002 20:50:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g860nTDU027869; Thu, 5 Sep 2002 20:49:29 -0400 (EDT) Date: Thu, 5 Sep 2002 20:49:29 -0400 (EDT) Message-Id: <3D77F9A3.2060606@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Festival Videos on DVD MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Thu, 5 Sep 2002 20:49:29 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Festival Videos on DVD Content-Type: text/plain; charset=us-ascii; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Larry Byler wrote: > Yes, but DVDs are new this year. I haven't heard of any move to reissue past years' > performances on DVD. My understanding is that virtually all of the DVDs and videocassettes are made to order. While there's been no "official utterance" on the matter, I assume that they can put any available tape into their DVD recorder. It wouldn't seem to make a difference what year the show was from. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 5-Sep deebee@connexus.net.au [103] #Airy Persiflage - the magic lingers X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA05736; Thu, 5 Sep 2002 22:29:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA08606 for ; Thu, 5 Sep 2002 22:28:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g862RmDU003078; Thu, 5 Sep 2002 22:27:48 -0400 (EDT) Date: Thu, 5 Sep 2002 22:27:48 -0400 (EDT) Message-Id: <3D78FE2B.EEAC10D7@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage - the magic lingers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Thu, 5 Sep 2002 22:27:48 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Airy Persiflage - the magic lingers Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Someone asked me how I would be spending my time once the production was over. Well, I had a feeling that there was a Festival happening in Buxton that I had been missing out on and was looking forward to being involved in it. This began on saturday morning. Instead of following my inclination to catch up on some sleep I set off early for the memorabilia fair. The early bird does catch the worm! As I walked in I spotted a pile of display sleeves containing handwritten sheets. The top one had a familiar signature on it and I swept it up as I walked past to look at a pile of books. What does it say? Someone asked seeing it in my hand. I hadn't bothered to stop and read, all I knew was that I had at last managed to pick up a letter written and signed by Sullivan! Of course I spent too much and most of what I bought is still on its way back to Australia by slow boat. I did arrive with 8 CDs and 6 videos or DVDs as well as too many weighty programmes etc but then I wouldn't be without them. With the Savoynet dinner in the evening, I had only the one chance to see the professional company's Pirates was the matinee and I managed to squeeze in to the packed theatre. I am glad I did. It was the best producton that I have seen of this company. The opera was fast paced, funny, well-sung and a superb afternoon's entertainment. Stephen Brown was particularly impressive as Frederic. His boyish good looks and sweet top notes make him ideal for this role. Jill Pert (who was the Contralto understudy when I last saw the old D'Oyly Carte) was a revelation as Ruth. Not only does she have a good low register (real contraltos are harder to find than good tenors) but her dialogue delivery was wonderful. There were several others who were excellent and made up for the rather too mature daughters of Major General Stanley. Richard Suart was fortunately somewhat constricted in what he was allowed to do and his performance was largely inoffensive (oh but what could Simon Butteriss have done with this role?) and Mabel was adequate rather than thrilling in her rendition of Poor Wandering One. The only part of the opera which did not have the sort of life that I expect was the policemen's scene and double chorus in Act 2. That apart I came out feeling on a wonderful high. The traditional Savoynet dinner has grown since we first crowded into the Chinese restaurant in 1999. Someone said this is their biggest night of the whole year and I am not surprised. The proprietor's daughter's birthday co-incides with this annual event and we have raised the rafters each year by singing to her. This year it was made known that she was 16 and felt too old for this to happen. But it was also the birthday of one of the Savoynetters and the daughter would have discovered that some adults are serenaded with Happy Birthday with great enthusiasm! During rehearsals a director is constantly "on duty" at the front of the performing area and doesn't have the same chance to socialise as the cast. Toward the end of the week I realised that there were several people who I would have liked to get to know better but time was running out as many of the company were off home once the show was over. At least I was able to remedy this to some extent at the dinner. This year we packed out the downstairs area of the restaurant and spilled upstairs too. For a fairly modest amount the food kept coming and coming and coming! During the morning, I had felt a twinge as a calf muscle was pulled. This has happened before and usually rights itself after a day or two but within a few hours the calf muscle in my other leg also went! By Monday these were giving me a lot of pain. This meant that I wasn't able to wear the good pair of shoes I had brought with me and the old faithful, comfortable pair decided to wear out and let in the rain just at that same time. I shuffled off to the shops and bought a replacement comfortable pair which by the end of the day had rubbed all the skin of the heel, which sent me back to the old pair - thankfully there was no more rain! What a crock! I am sure I looked ridiculous shuffling around the town for the rest of the week, I certainly felt it! I was most grateful to several people with cars who offered me lifts over short distances but which made my life a lot easier. Peter and Carol Crighton in particular drove me back to the digs on any night they were in Buxton and labeled their lovely car "Diana's taxi" - some taxi, not many cabs I know are super-comfy BMWs. Needless to say as soon as I arrived home there was a miraculous cure and I even find the new shoes can be worn all day without problems. Nothing was going to curb my enjoyment of the Festival and my woes were put in perspective when Jill Duffey had a tumble and had to have her whole leg heavily strapped and she was on crutches for the rest of the week. She retained her cheerful demeanour and coped with uncomplaining fortitude throughout. On Sunday afternoon the Edinburgh G&S Society gave us a concert in St John's church of Sullivan's choral works which was simply splendid. While they included some old favourites there was a marvelous opportunity to hear unusual works, including The Long Day Closes and other sacred works. The company was led in by a piper and disappeared at the end so there was no chance to thank them or say how much enjoyment they had given. Although the ensemble work was excellent, the quality of the soloists really impressed me. They have 3 superb tenors (it's unfair - these voices should be shared around more!) as well as a good soprano, mezzo and several basses! In the evening I had a ticket for The Mikado. I should have torn it up and gone to see Cox and Box featuring 2 of our own; Nicktenor and Leon Berger. My excuse it that they were late substitutes for another group which had cancelled. My 4th Mikado in a month was also the least interesting of the various productions. It was a dull, lacklustre production without much in the way of ingenutiy to keep the flagging attention. Richard Suart broke free from his restraints and clowned inappropriately throughout. The good work of Jill Pert and Stephen Brown could not carry the show. The set was dominated by a set of stairs which went up across the stage and then down again, so to get from left to right, many people simply walked up and then down. It was an awful lof of effort to travel 20 feet and quite meaningless. After the show, the chorus of the pro company did a cabaret in the club. This could have been titled "The most boring songs from bad musicals!" They had obviously not considered their audience's age or interests but had put together their "party pieces". It was irritating to hear such good voices singing such rubbish. This is not the rant of an opera buff - I like musicals but The Scarlett Pimpernel and Jeckle and Hyde died as they should have, after short Broadway runs. I left early but still looked forward to the fact there was still a week of the Festival to go! Diana Burleigh  1,, Summary-line: 5-Sep deebee@connexus.net.au [57] #Re: Airy Persiflage - the day arrives X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA16376; Thu, 5 Sep 2002 23:19:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA22858 for ; Thu, 5 Sep 2002 23:19:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g863I2DU005498; Thu, 5 Sep 2002 23:18:02 -0400 (EDT) Date: Thu, 5 Sep 2002 23:18:02 -0400 (EDT) Message-Id: <3D790A50.215B2642@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Thu, 5 Sep 2002 23:18:02 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Firstly my profound apology to Keith for misspelling his name. Another Savoynetter pointed this out to my privately and I was going to post a groveling appeal for forgiveness but Keith's post beat me to it. I also did not perhaps give enough credit to Keith and Davd Duffey for their work on the day of the show. I understand that it was only through their good offices and relations with the theatre that we gained as much access as we did and I am grateful to them both. Nevertheless, I do think that we should try to negotiate better access.When I arrived at the theatre, at the hour I was asked to by the Production Manager, I was told I was not allowed to go through the stage to the auditorium, so I was denied access. If the exclusion during lunch is only for the want of one health and safety officer, then let's put pressure on the Smith's to pay for someone to do this job and give us an extra hour on stage. I was not aware of the fact that the lighting arrangements have changed to allow some re-focussing in the morning and this explains why this process takes up more time. We must balance this against the need to use the stage - I can see arguements on both sides. In 1999 the Ruddigore cast was able to be on stage for a longer time than the half hour tea break in the morning. I had prepared 2 extra copies of the libretto for David Cookson (in the corner) and David Duffey with information about entries and lighting requirements, so these should have been available from the earliest. In refering to the fact that the lighting did not happen until the dress rehearsal, I was of course refering not to the set up but the setting of levels. Aa there is no technical rehearsal - for obvious reasons - this cannot be done until the dress rehearsal is in progress. So while the cast are doing one scene, the lighting people are setting up for another. This did mean that I could not see or approve of the levels for several scenes, I never saw the level for act 2 (my notes in the libretto asked for a very low level at the opening - which we had - and then for them to be cheated up as the cast woke up, this is what was too low and remained so) It is not the fault so much of the lighting guys - they are working under very difficult conditions. It is something that we should look at with a view to improving. As for the red lighting at the end of act 1, in "playing" the lights, suddenly a perfect red background came up and I asked that it be kept. For some reason it wasn't. This was a mistake but no greater than someone losing a line or a late cue. These things happen in a show and in this sort of rushed production shouldn't be made more of than an acknowledgement of having happened. As there were several other productions where the lighting levels were too low this is something which can and should be addressed. It is no slight on the technical staff to try to gain better conditions. I believe that we have done a lot of work on improving other areas, the technical side seems to me to be the next area where we look to. Diana Burleigh  1,, Summary-line: 6-Sep dduffey@argonet.co.uk [32] #Re: Airy Persiflage - the day arrives X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id CAA09030; Fri, 6 Sep 2002 02:11:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id CAA26574 for ; Fri, 6 Sep 2002 02:10:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g866A5DU008227; Fri, 6 Sep 2002 02:10:05 -0400 (EDT) Date: Fri, 6 Sep 2002 02:10:05 -0400 (EDT) Message-Id: <003f01c25569$e346cbf0$0470bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 *** EOOH *** Date: Fri, 6 Sep 2002 02:10:05 -0400 (EDT) Reply-To: dduffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - the day arrives Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum > progress. So while the cast are doing one scene, the lighting people are setting up for > another. This is often so, but the BOH crew are very experienced and generally keep up pretty well. We could have helped by stricter adherence to the "no flash photography" rule. In setting the levels the technician has to judge the state of individual lights of different colours within the context of the whole set up. Whenever a flash went off, the technician's vision suffered "flare" and had to readjust. It sometimes took up to half a minute before he was able to discriminate the colours again. These half-minutes mount up. Also, consider a stage wait of half a minute! David The Wash England "I'm a miserable old man"  1,, Summary-line: 6-Sep tony@a-b-u.demon.co.uk [42] #Carrott Revisited X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id FAA04480; Fri, 6 Sep 2002 05:49:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA02511 for ; Fri, 6 Sep 2002 05:49:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g869maDU009674; Fri, 6 Sep 2002 05:48:36 -0400 (EDT) Date: Fri, 6 Sep 2002 05:48:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Carrott Revisited Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express for Macintosh - 4.01 (295) *** EOOH *** Date: Fri, 6 Sep 2002 05:48:36 -0400 (EDT) Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Carrott Revisited Content-type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I normally try to attend more than one performance of each of the D'Oyly Carte's productions at the Savoy, so as I am a great fan of Charlotte Page and had already heard Jacqueline Varsey sing Yum-Yum, I found out from her agent the dates on which she was due to appear and booked my ticket accordingly. I arrived at the Savoy on Thursday evening, noted that the sign in the foyer listed Ms. Page as appearing that night, so imagine my surprise when the three little maids ran on the stage to find Ms. Varsey alongside Sandra Nakhosteen and Michelle Lokey-Smid. Not that I had any cause to complain as Ms. Varsey is a very good Yum-Yum, however I do feel that the DOC management should have made an announcement or adjusted the front of house notice. A healthy house enjoyed an excellent performance, very well conducted by Timothy Higgs. I last saw the show a few days after it opened in June and more than two months on I must pay tribute to the enormous improvement in Jasper Carrott's performance. Then I felt that he did not know the role (or the style in which to play it) that well and that his obvious discomfort on stage was due to that fact. I must say that on this occasion I thought he gave a splendid performance. The parts that were good before were even better and those scenes which he had not played too well had improved enormously. It is good to see that, by the end of the run at least, he is thoroughly justifying his engagement. I must apologise to Peter Parker and other Netters who replied to my posting a couple of weeks ago about the authenticity of the Carl Rosa 'Mikado' and particularly to Peter Mulloy of that opera company who sent me a long and fascinating private email about the research he had undertaken before staging the production. Unfortunately I have been so busy with work that I have not had a chance to reply at the length the subject requires. It is something that I hope to rectify during the next few days. Tony Watts  1,, Summary-line: 6-Sep oakapple@cris.com [32] #Re: "Happy are we" X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA06738; Fri, 6 Sep 2002 07:04:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id HAA10795 for ; Fri, 6 Sep 2002 07:03:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g86B3HDU010496; Fri, 6 Sep 2002 07:03:17 -0400 (EDT) Date: Fri, 6 Sep 2002 07:03:17 -0400 (EDT) Message-Id: <3D788B5F.2080507@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: "Happy are we" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 6 Sep 2002 07:03:17 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: "Happy are we" Content-Type: text/plain; charset=us-ascii; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Paul McShane asked, "Is anyone planning to put the music on the G&S Website?" The music is at http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.pdf and the MIDI is at http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.mid There's no HTML page, but if your browser has the right plug-ins you should be able to access either file. -- Marc Shepherd New York, New York oakapple@cris.com  1,, Summary-line: 6-Sep pdp@globalnet.co.uk [51] #Re: Airy Persiflage - flash photography & Dress rehearsals X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA15976; Fri, 6 Sep 2002 08:18:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id IAA27579 for ; Fri, 6 Sep 2002 08:17:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g86CH4DU013889; Fri, 6 Sep 2002 08:17:04 -0400 (EDT) Date: Fri, 6 Sep 2002 08:17:04 -0400 (EDT) Message-Id: <3.0.6.32.20020906130143.0100f6c0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - flash photography & Dress rehearsals Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003f01c25569$e346cbf0$0470bc3e@Computer> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Fri, 6 Sep 2002 08:17:04 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Airy Persiflage - flash photography & Dress rehearsals Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <003f01c25569$e346cbf0$0470bc3e@Computer> May I remark that in previous years but not this one there has been an ''official'' photographer present at the dress rehearsal. Whether this was known to the cast or production staff of SavoyNet I know not. His photographs were on sale at what I considered to be a high price afterwards. He took photographs of many of the amateur shows. He did have permission to be in the theatre and on a previous year had objected to my being there as he thought I was stealing his livelyhood. He used flash. I saw some of the results and did not think them worthy of the cost. He was not there this year, or if he was I did not see him. My video system does not use any extra lighting and will produce 'stills' if needed. Modern electronic cameras do not need flash to take photos on the theatre. However I have to agree that the Dress Act 2 of Sorcerer was ''difficult'' for reasons we now all know about. Photographing the rehearsals is not something the stage crew should have to allow for. They have a job to do in a limited time and nothing should get in the way of that. To my mind the discussion shows that the time has come for consideration to be given to holding the dress rehearsal somewhere else, but that I see as impossible given that we have only one stage and orchestra pit. The time will come when using the afternoon will be impossible due to the technical complexity of the show. These are getting more complex as time goes on. It will soon take all day for that to be rigged. I cannot envisage erecting scenery twice. What then is the solution? The other amateur shows nearly always have had a production before Buxton and have therefore had the experience of doing the show on stage with orchestra. Maybe thought should be given to using the Octagon stage, without scenery and piano only to get a run through in better conditions than obtain in the church. Its time and the absence of a fourth wall we need surely. The church hall admirable as it is does not reproduce the acoustic of the theatre. The volume sounds wonderful there but can be lost in the real theatre.The longer the show the worse the position. Could we have done our Ruddigore in the now prevailing circumstances? Two sets, more complex lighting et al? I suspect not. The show would go on but the results not be as good as it was. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 7-Sep BMILLER@holycross.edu [25] #Shameless O.T. Plug X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA28194; Sat, 7 Sep 2002 16:05:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA26198 for ; Sat, 7 Sep 2002 16:04:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g87K4DDU007490; Sat, 7 Sep 2002 16:04:13 -0400 (EDT) Date: Sat, 7 Sep 2002 16:04:13 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Shameless O.T. Plug Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 5.5.5.1 *** EOOH *** Date: Sat, 7 Sep 2002 16:04:13 -0400 (EDT) Reply-To: BMILLER@holycross.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bruce I. Miller" To: Multiple recipients of list SAVOYNET Subject: Shameless O.T. Plug Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum If any SavoyNetters in the Boston, Massachusetts area are interested in attending a Boston Red Sox [baseball] game before the season ends, you might want to try getting a ticket (it's almost sold out) for the one vs. Baltimore on Saturday, September 14, 5 p.m., Fenway Park. Once again, the Holy Cross Chamber Singers have been invited to sing the National Anthem prior to the start. (They - the Chamber Singers, anyway - are in great shape.) We exit the field, into the stands, just behind home plate; if anyone happens to attend, please stop by and say hello! Bruce I. Miller Worcester, Massachusetts U.S.A. bmiller@holycross.edu O: 508.793.2430 H: 508.756.4129 Fax: 508.793.3020  1,, Summary-line: 8-Sep sandham@tiscali.co.uk [37] #Re. Festival DVDs X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA05760; Sun, 8 Sep 2002 15:10:26 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA27765 for ; Sun, 8 Sep 2002 15:09:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g88J8uDU023492; Sun, 8 Sep 2002 15:08:56 -0400 (EDT) Date: Sun, 8 Sep 2002 15:08:56 -0400 (EDT) Message-Id: <3D7B9D50.000007.15031@athlon> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Re. Festival DVDs MIME-Version: 1.0 Content-Type: Text/Plain Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: IncrediMail 2001 (1750710) *** EOOH *** Date: Sun, 8 Sep 2002 15:08:56 -0400 (EDT) Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Re. Festival DVDs Content-Type: Text/Plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I purchased the 1999 Yeomen of the Guard by Derby G&S Company on DVD at this years Buxton Festival - Chris Faulkner, who videos the performances did it overnight for me. It is possible to get any of the recent performances (since Chris has been involved) except the earlier professional shows, which were not recorded. The sound on the two I bought is really good when compared with previous video tapes. If you can not get them via Musical Collectables at www.gs-festival.co.uk then why not try Chris direct at chris@allmediaworks.co.uk or contact him at:- 35 Athelstan Road, Harold Wood Romford Essex RM3 0QD Tel 01708 345127 Fax 01708 707296 Remember they are in DVD-R format David www.savoyopera.com  1,, Summary-line: 9-Sep savoyard1@yahoo.com [56] #Morgan Library [temporary] closing X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA09162; Mon, 9 Sep 2002 13:07:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA16465 for ; Mon, 9 Sep 2002 13:06:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g89H5sDU019466; Mon, 9 Sep 2002 13:05:54 -0400 (EDT) Date: Mon, 9 Sep 2002 13:05:54 -0400 (EDT) Message-Id: <20020909164534.53992.qmail@web13403.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: Morgan Library [temporary] closing MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 9 Sep 2002 13:05:54 -0400 (EDT) Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: Morgan Library [temporary] closing Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Those who might want to make use of the Morgan Library's peerless G&S collection should know that the library is about to start extensive renovations which will affect access. To quote from a message from Rigbie Turner, the curator of music manuscripts and books: "The Library will stop accepting orders for new photography and microfilms on 15 October 2002. The Library's Reading Room will close at end of day on 20 December 2002. The library will close to the public in April of May 2003, and the staff will be moved to an off-site location. Construction is scheduled to begin in May 2003. By September 2003 the Library hopes to make its rare collections accessible and to reopen its photographic services department, both on a limited basis, at its temporary location. The Library plans to reopen at its old location in early 2006." So those with relatively pressing needs to consult material at the Morgan should hurry -- especially people who want microfilm, as there looks to be about a year with no orders, effective next month. And so much for anyone's summer plans to use the materials. (This message comes courtesy of indefatigable musicologist and reticent SavoyNetter Robin Garvin, who prefers not to break her perfect record of lurking.) Larry ===== Larry Garvin Tallahassee, FL "Whether you're an honest man or whether you're a thief Depends on whose solicitor has given me my brief!" -- W.S. Gilbert, Utopia, Ltd. __________________________________________________ Do You Yahoo!? Yahoo! Finance - Get real-time stock quotes http://finance.yahoo.com  1,, Summary-line: 10-Sep LWeissbrot@nedelta.com [38] #Re: Hotels at QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA15794; Tue, 10 Sep 2002 09:38:05 -0400 (EDT) Received: from ntserver4.nedelta.com ([12.105.80.51]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA25995 for ; Tue, 10 Sep 2002 09:37:22 -0400 (EDT) To: Sangazure1@aol.com Cc: andi_s_r@yahoo.com, BERGLUL@BSCMAIL.BuffaloState.edu, Bj.Richards@btinternet.com, cjround@earthlink.net, cwoods@iastate.edu, DglsWhaley@aol.com, Divasrtrd@aol.com, dsmith@UMassD.Edu, eric@toastpoint.com, finn63@charter.net, Gamarexx@aol.com, ihodgkin@acadia.net, JBSALOMON@aol.com, LHall@tscwo.com, marion@leedscarroll.com, oakapple@cris.com, opus@mit.edu, oris@interlog.com, PHC@prodigy.net, pookahone@earthlink.net, PZavon@Rochester.RR.Com, savoyard1@yahoo.com, snappy@megalink.net, SSilvers@sskfg.com, sylvia.greinig@btconnect.com, thirdfromleft@juno.com, tomzkat@yahoo.com, Trice2@aol.com, Wendy.Falconer@ElizabethArden.com Subject: Re: Hotels at QWERTY/Conn II MIME-Version: 1.0 X-Mailer: Lotus Notes Release 5.0.10 March 22, 2002 Message-ID: From: "Laurence Weissbrot" Date: Tue, 10 Sep 2002 09:34:59 -0400 X-MIMETrack: Serialize by Router on NTServer4/Delta(Release 5.0.10 |March 22, 2002) at 09/10/2002 09:38:13 AM, Serialize complete at 09/10/2002 09:38:13 AM Content-Type: text/plain; charset="us-ascii" *** EOOH *** To: Sangazure1@aol.com Cc: andi_s_r@yahoo.com, BERGLUL@BSCMAIL.BuffaloState.edu, Bj.Richards@btinternet.com, cjround@earthlink.net, cwoods@iastate.edu, DglsWhaley@aol.com, Divasrtrd@aol.com, dsmith@UMassD.Edu, eric@toastpoint.com, finn63@charter.net, Gamarexx@aol.com, ihodgkin@acadia.net, JBSALOMON@aol.com, LHall@tscwo.com, marion@leedscarroll.com, oakapple@cris.com, opus@mit.edu, oris@interlog.com, PHC@prodigy.net, pookahone@earthlink.net, PZavon@Rochester.RR.Com, savoyard1@yahoo.com, snappy@megalink.net, SSilvers@sskfg.com, sylvia.greinig@btconnect.com, thirdfromleft@juno.com, tomzkat@yahoo.com, Trice2@aol.com, Wendy.Falconer@ElizabethArden.com Subject: Re: Hotels at QWERTY/Conn II From: "Laurence Weissbrot" Date: Tue, 10 Sep 2002 09:34:59 -0400 X-MIMETrack: Serialize by Router on NTServer4/Delta(Release 5.0.10 |March 22, 2002) at 09/10/2002 09:38:13 AM, Serialize complete at 09/10/2002 09:38:13 AM Content-Type: text/plain; charset="us-ascii" >>Bobbie wrote: Please let me know when you'll be arriving. If enough of you come early enough on Friday night, we'd like to come over to greet you.<< I'd like to add that the Connecticut Gilbert and Sullivan Society is presenting Pirates of Penzance Friday night (and Saturday and Sunday, but you'll all be busy) about an hour up the road in Middletown, CT. I'm playing the Sergeant of Police, and if anyone wants to start the weekend early, I'd love to see you. It will help ease the hurt of missing you at the QWERTY. The show is directed by Savoynetter Bob Cumming, and also features S'netters Alan Church and Steve Grover. So if you want to come REALLY early on Friday night . . . Laurie We find the wisest thing is to slap our chests and sing tarantara  1,, Summary-line: 10-Sep jim@labsoftware.com [36] #Laetitia's "lost" song X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA06132; Tue, 10 Sep 2002 10:25:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA20785 for ; Tue, 10 Sep 2002 10:24:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8AENMDU001626; Tue, 10 Sep 2002 10:23:22 -0400 (EDT) Date: Tue, 10 Sep 2002 10:23:22 -0400 (EDT) Message-Id: <200209101018.AA1308229722@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Cooper" To: Multiple recipients of list SAVOYNET Subject: Laetitia's "lost" song Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: *** EOOH *** Date: Tue, 10 Sep 2002 10:23:22 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Cooper" To: Multiple recipients of list SAVOYNET Subject: Laetitia's "lost" song Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Musical number 4 in "The Zoo" is referred to as Laetitia's lost song, I think, because originally scores had included no words for it. The words given in the G&S archive and attributed to being found by Arthur Robinson are in part: Oh! My beloved one has gone: I'm in despair. How can I live without my love To guide me through life's pathways? Where is he? Not here! However, in the copy of The Zoo that I got from Sam Silvers, there are different words typed in: They start out A woman's tender heart Belongs to nab from start; 'Twould break had she to part >From father dear in childhood's leisure. Where did these come from? (Sam suggests I ask this august assemblage) Any comments on which set is "preferable"? Jim Cooper Wilton, CT  1,, Summary-line: 10-Sep Wendy.Falconer@ElizabethA [65] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA20882; Tue, 10 Sep 2002 14:06:35 -0400 (EDT) Received: from tlr-na01.cp.u2809.unilever.com (mailout02.unilever.com [204.110.170.4]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA17257 for ; Tue, 10 Sep 2002 14:00:59 -0400 (EDT) Received: from tru-004.cp.u2809.unilever.com by tlr-na01.cp.u2809.unilever.com with ESMTP for opus@mit.edu; Tue, 10 Sep 2002 14:00:58 -0400 Received: from [155.197.198.201] by tru-004.CP.U2809.UNILEVER.COM with ESMTP; Tue, 10 Sep 2002 14:10:51 -0400 Date: Tue, 10 Sep 2002 14:00:36 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "Samuel Silvers" , "Sangazure1@aol.com" cc: "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "opus@mit.edu" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "LHall@tscwo.com" , "dsmith@UMassD.Edu" , "andi_s_r@yahoo.com" , "savoyard1@yahoo.com" , "tomzkat@yahoo.com" Message-Id: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA *** EOOH *** Date: Tue, 10 Sep 2002 14:00:36 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "Samuel Silvers" , "Sangazure1@aol.com" cc: "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "opus@mit.edu" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "LHall@tscwo.com" , "dsmith@UMassD.Edu" , "andi_s_r@yahoo.com" , "savoyard1@yahoo.com" , "tomzkat@yahoo.com" Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA I would be happy to either head into NYC or meet up in Norwalk etc. (am a Stamford, CT resident). I would really enjoy getting re-acquainted with those I met in Orlando etc. Wendy -----Original Message----- From: Samuel Silvers [SMTP:SSilvers@sskfg.com] Sent: Tuesday, September 10, 2002 9:51 AM To: Sangazure1@aol.com Cc: ihodgkin@acadia.net; DglsWhaley@aol.com; Divasrtrd@aol.com; Gamarexx@aol.com; JBSALOMON@aol.com; Trice2@aol.com; BERGLUL@BSCMAIL.BuffaloState.edu; sylvia.greinig@btconnect.com; Bj.Richards@btinternet.com; finn63@charter.net; oakapple@cris.com; cjround@earthlink.net; pookahone@earthlink.net; Wendy.Falconer@ElizabethArden.com; cwoods@iastate.edu; oris@interlog.com; thirdfromleft@juno.com; marion@leedscarroll.com; snappy@megalink.net; opus@mit.edu; PHC@prodigy.net; PZavon@rochester.rr.com; eric@toastpoint.com; LHall@tscwo.com; dsmith@UMassD.Edu; andi_s_r@yahoo.com; savoyard1@yahoo.com; tomzkat@yahoo.com Subject: Friday night before QWERTY/Conn II On Friday night, will the arriving Brits, etc. want to do something in New York City before heading out to Connecticut? It seems a shame to just sit in a hotel room near the Merritt Parkway when we can all see a Broadway show or go to, say, Caroline's comedy club, and have dinner in NY? Sam  1,, Summary-line: 10-Sep LHall@tscwo.com [60] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA26056; Tue, 10 Sep 2002 15:46:17 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA04474 for ; Tue, 10 Sep 2002 15:41:02 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Tue, 10 Sep 2002 15:41:01 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16BA929F5@MAILMAN> From: Leta Hall To: "'Wendy Falconer'" , Samuel Silvers , "Sangazure1@aol.com" Cc: ihodgkin@acadia.net, "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@MIT.EDU, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, Leta Hall , dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com Subject: RE: Friday night before QWERTY/Conn II Date: Tue, 10 Sep 2002 15:40:59 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain *** EOOH *** From: Leta Hall To: "'Wendy Falconer'" , Samuel Silvers , "Sangazure1@aol.com" Cc: ihodgkin@acadia.net, "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@MIT.EDU, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, Leta Hall , dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com Subject: RE: Friday night before QWERTY/Conn II Date: Tue, 10 Sep 2002 15:40:59 -0400 Content-Type: text/plain My friend Linda Nadeau is playing Ruth in Laurie's "Pirates." I hate to think what would happen if I skipped that, so Les and I will be seeing "Pirates" on Friday night. We'll probably stay with Linda on Friday ~ forcing her look at every single picture we took in France ~ and then shift to the hotel on Saturday. I'm so looking forward to seeing everyone!! Leta -----Original Message----- From: Wendy Falconer [mailto:Wendy.Falconer@ElizabethArden.com] Sent: Tuesday, September 10, 2002 2:01 PM To: Samuel Silvers; Sangazure1@aol.com Subject: RE: Friday night before QWERTY/Conn II I would be happy to either head into NYC or meet up in Norwalk etc. (am a Stamford, CT resident). I would really enjoy getting re-acquainted with those I met in Orlando etc. Wendy -----Original Message----- From: Samuel Silvers [SMTP:SSilvers@sskfg.com] Sent: Tuesday, September 10, 2002 9:51 AM Subject: Friday night before QWERTY/Conn II On Friday night, will the arriving Brits, etc. want to do something in New York City before heading out to Connecticut? It seems a shame to just sit in a hotel room near the Merritt Parkway when we can all see a Broadway show or go to, say, Caroline's comedy club, and have dinner in NY? Sam  1,, Summary-line: 10-Sep deebee@CONNEXUS.NET.AU [164] #Overwhelmed! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA24872; Tue, 10 Sep 2002 21:37:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA15771 for ; Tue, 10 Sep 2002 21:36:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8B1ZsDU021081; Tue, 10 Sep 2002 21:35:54 -0400 (EDT) Date: Tue, 10 Sep 2002 21:35:54 -0400 (EDT) Message-Id: <3D7F8690.170F4A09@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@CONNEXUS.NET.AU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@CONNEXUS.NET.AU To: Multiple recipients of list SAVOYNET Subject: Overwhelmed! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) *** EOOH *** Date: Tue, 10 Sep 2002 21:35:54 -0400 (EDT) Reply-To: deebee@CONNEXUS.NET.AU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@CONNEXUS.NET.AU To: Multiple recipients of list SAVOYNET Subject: Overwhelmed! Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Oh dear, I didn't mean to start this furore. There have been over 20 posts, private and public, asking me to continue my meanderings on Buxton. It would be churlish to ignore them and refuse. I am overwhelmed, touched and somewhat humbled that so many people would bother to respond and send me so many positive and supportive messages. Thank you all. As requested I will contine the Airy Persiflage series and in the course of it, make comments about productions and other Buxton happenings. Some will be in praise, others will be more critical. No offence is intended or implied but I invite any SavoyNetters who think they will be upset to use the delete button! So lets begin with Monday of week 2. Several of the mornings were given over to showing videos of past Buxton performances which I wasn't interested in. To that date I had not had any spare time so I used the mornings to shop, post home some books and programmes, feed the ducks in the Pavilion Gardens (a must for me) and do various chores and find the internet cafe to catch up on emails. On Monday afternoon Alastair Donkin played truant from his festival production to give an "audience". He is a good talker and also sang several of the patter songs for us. He also discussed his directorial philosophy, saying that while there are many ways to do the operas, he has made a decision to keep his productions in the Traditional mould. Alastair (or is it Alistair?, just being careful!) seemed very aware that what he said might be recoreded by us "That'll be on Savoynet tonight" he said several times. Following this I was sitting in the Pavilion restaurant having dinner when KAL walked up and said "I've brought someone to say hello", I didn't need to look. Philip Potter had arrived and would be giving a talk the next afternoon. He is part of what were my golden days of the D'Oyly Carte and it was lovely to see him again and have a chat. St Mary's production of Yeomen has been much discussed. I had only seen this school once before, when they did Iolanthe and had been impressed with some of it but left very uneasy about the production. So I went with some trepidation. It was a brillian production. As David Duffey said, it was a production which was designed for the young cast. It could not have been done by adults and succeeded, but I see this as being very clever. Surely a director should temper a production to the ability and peculiar talents of the cast? Set during WW2, with some small adjustments to dialogue, Gilbert's play worked well. The costumes seemed accurate (not so easy) and the characters well chosen. The boy who did Jack Point was amazing. He entered dressed as Bud Flanigan (for those youngsters or foreigners who may not know, Flannigan was a member of The Crazy Gang, a zany bunch of comedians who I can just remember but also had been a popular singer and funnyman in WW2). When he performed A Private Buffoon he brought elements of other comedians into each verse. I have forgotten most but there was Ken Dodd, Benny Hill and others who he would not have remembered, so must have watched lots of old videos to get the look and business right. The entire performance was so good that I forgave them the slowness of it musically. There was no overture and the performance ran 2 hours 20 minutes. The orchestra must also be commended for holding down the volume to allow the young voices to be heard. It is a tribute to all concerned to be able to mount such a production. I spent some years as a secondary school drama teacher (for my sins) and did school productions, so I know what resources must go into them I am told that St Mary's is not in an affluent area so the theatre-going would probably not be part of their culture. It is excellent that these young people should have this experience. Dexpite the misgivings of others, I do believe that what they did was faithful to Gilbert and Sullivan. I didn't go to the club after the show so had an early night (well before midnight is early for me!) Tuesday was a beautiful day and while I was communing with the ducks, Philip Potter walked over to see what I was doing! His session was part talk and part song. even though he had said that he had hung up his tonsils a year or two back. It was interesting that he chose as his first song Love Feeds on Many Kinds of Food, I know as he has never performed in Sorcerer, which wasn't in the DC repertoire in his time. He sang very delicately and lightly at the top of his voice (I am sure there is a technical term for this that I don't know). It was lovely to listen to and I couldn't help contrasting it with Rich Miller's robust version in our show a few days earlier. Two very different and both very enjoyable performances. That evening Nene brought us Pirates of Penzance. This group has won the Best Production award at the Festival and I was led to believe that they would give us a good performance. What went wrong I don't know, but it was not anywhere near what I would call good. There were some enjoyable individuals, especially the Pirate King and Samuel. The poor tenor did not look as if he wanted to be on stage. He only approximated the notes and spent the entire time looking at his boots. Samuel would have done the role much better as Frederic and I felt sorry for them for finding themselves at the Festival in such an unprepared state. The follwoing morning a Big Sing of Ruddigore was planned for the Gardens' bandstand. These are fun, open air occasions,which allow the general public to have a free look at what is going on at the Festival and perhaps encourage them to book for a show. The trouble is that not a lot of planning goes into them. In the club on Tuesday night, Ian Smith was appealing for several voice ranges to fill up the cast. He also had no pianist. He made several appeals and just as I was leaving I spotted someone who could help him. Shortly before leaving Australia I had a phone call from the mother of one of the young members of our G&S Society, saying her daughter had phoned from England to say she had been accepted into the professional company at Buxton (Kate has been in Engand just over a year and trying to break into the profession) and that she had asked that I be told. Mother was delighted when I said that I was going to be there too. I was looking forward to seeing Kate but the pro-co were in Eastbourne when the Festival began and I was so busy concentrating on Sorcerer rehearsals, that on arriving at the opera house one night, I was surprised to see someone running toward me, arms waving! Anyway, as I was leaving that night, I spotted Kate with some of the others from the company having a drink and asked if she knew Ian was looking for a Rose Maybud (the role she had played in my production 2 years ago) She hadn't but there was an Iolanthe rehearsal in the morning. One of her companions pointed out that it was only a call for the company to sing with the orchestra so (not being able to resist puting my oar in) I asked Ian if he was still looking for a soprano. He was. I told him Kate could sing Rose but had a rehearsal. He said that if she would do the role in the morning her engagement for the following year was assured. He called Andrew Nicklin over (Andrew was directing Iolanthe as well as the Trent Opera Pinafore the following night) and not only persuaded him to release Kate from her rehearsal but to give up his own time to be accompanist. Now that's powers of persuasion for you. After all this build up, I have to say the singout was somewhat marred by a not very good sound system but nevertheless was attended by a large crowd who seemed to enjoy it. Featured were Savoynetters Peter Crighton, Peter and Margaret Featherstone. In the afternoon Stephen Turnbull gave his annual Sullivan Society lecture, which is not always timed to allow Savoynetters to attend. I was delighted to be able to get to this one. Stephen's knowledge is excellent and he always puts over his talks with wit. He was assisted by SavoyNetters Sylvia Greinig and Leon Berger and concentrated on the last 10 years of Sullivan's life. The Sullivan Society goodies were on sale afterwards and I added to my stocks. Most people know their recordings which are well worth having (one is on my CD player as I type) but the booklets they put out are always informative and interesting. I also renewed my membership for 2 years - so that I don't have to worry about international financial transactions until, hopefully, my next trip to Buxton. The evening performance was advertised as HMS Pinafore and Trial by Jury by Trent Opera and Bluecoats. It turned out that Trial was incorporated into Pinafore as a shipboard entertainment at the start of act 2 and "bluecoats" was not another group but a suggestion that the ship's crew were performing. I admire Andrew Nicklin greatly, He has directed some truly excellent productions - Utopia and Iolanthe are two which spring to mind. When I have been less enthused by his work, I always at least admire the risks he is prepared to take. However the more risks the greater the chance of falling short of success and in this case I was disappointed with Pinafore. He had set it on an aircraft carrier - not a pretty sort of ship. The set had a large open deck with a fairly ugly superstructure at the back. He had not managed to obtain modern sailor's uniforms so most of the crew were in white short-sleeved shirts and white shorts (anyone for tennis?). The ship was supposedly anchored off some carribean island and Buttercup was a local dusky maiden with accent to match. In the opening scene the sailors were served a meal by Dick Deadeye, the cook or mess steward. He was played with a Scots accent and looked neither 3 cornered or triangular - in fact without any deformity at all and lines were omitted to accomodate this change of characteristics. There were many moments to admire in the production but overall it did not work for me and there were too many times when the concept fell apart. For example Sir Joseph arrived as a sort of Colonial Governor and there was a party in Act 2 in his honour. It it not likely that Sir Joseph would therefore have taken the role of the Judge. Ralph was also seated among the nobs on the other side of the stage from Josephine and the two exchanged waves and sweet nothings from afar. But why would a lowly sailor be with the officers and guests? Seving the grog maybe, but being served, surely not. Following the Trial a very drunk Captain, sat by the Grand Piano on stage and crooned Fair Moon. Many people did not like this, but I did, then the opera progressed more or less normally. There were some fine performances, Sir Joseph, the Captain and of course our own Nick Sales among them. Just before the performance began, Ian Smith said that there was someone who was looking for me. Gillian Humphreys had arrived for her talk the next day. I had asked Ian when she was coming and he told her I was asking after her. We were friends into the early 1970s and had lost touch. She was amazed to see me there and we had a good time catching up in the club afterwards and I looked forward to her session on Thursday - for which you will have to wait until my next posting. Diana Burleigh  1,, Summary-line: 10-Sep PSternenberg@aol.com [206] #My version of Laetitia's lost song (long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA13920; Tue, 10 Sep 2002 23:15:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA15540 for ; Tue, 10 Sep 2002 23:14:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8B3EADU026781; Tue, 10 Sep 2002 23:14:10 -0400 (EDT) Date: Tue, 10 Sep 2002 23:14:10 -0400 (EDT) Message-Id: <10d.17e0848d.2ab00d4c@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: My version of Laetitia's lost song (long) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Tue, 10 Sep 2002 23:14:10 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: My version of Laetitia's lost song (long) Content-Type: text/plain; charset="US-ASCII" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum THE ZOO, a one-act "musical folly" without dialogue composed by Arthur Sullivan with a libretto by B. C. Stephenson (writing as "Bolton Rowe"), contains an oddity: a fully orchestrated song for Laetitia, the soprano lead, for which no lyrics survive. A contemporary review of the first performance implies that the song was included, but it was never published in a libretto. Sullivan's manuscript includes the orchestration and the vocal line, but without any lyrics underneath the latter. Laetitia's song is designated "No. 4," to be sung before she is otherwise first heard ("Where is he?"). It was first published in the 1975 Cramer score, which includes a piano reduction of the accompaniment and a wordless vocal line. Probably most producers of THE ZOO ignore this song, as did the D'Oyly Carte recording, but others supply lyrics from various sources, very often themselves. R. Clyde mostly reprinted the Cramer score in 1991 but included anonymous lyrics for Laetitia (indicating only that they were not by Stephenson and required special permission for performance) to a slightly revised melody. In my opinion these lyrics leave something to be desired, and they were definitely not the first ones ever attempted. In 1997 a request appeared on SavoyNet, the G&S Internet discussion forum, to gather different attempts to re-create the lyrics of Laetitia's song. I posted my own version of the lyrics along with the thought process behind them. The latter relates to the difficulties of fitting words to an existing tune and the way I found to get around them, and with only a few updates it is reproduced in the following paragraphs. Although I've since seen and heard several other sets of lyrics for Laetitia (none by Stephenson, of course), I wrote mine before being exposed to any of them. That's all the better; I wouldn't have wanted any undue influence. First of all, I wrote my lyrics to fit the melody in the Cramer score, which was current at the time (1981). The later Clyde score has a revised melody into which my lyrics don't fit, but much of my work would need to be so totally rethought to go with the Clyde version that I prefer to leave well enough alone. My objective was to write lyrics that not only fit the character and the situation, but could conceivably have been written BEFORE the music was composed. I wanted something that looked Gilbertian in libretto form (yes, I know THE ZOO was by Stephenson, not Gilbert, but why not emulate the better author?) and with which Sullivan might do more than just write one note per syllable. I tried to find a logical metrical pattern in a melody that didn't readily suggest one. I took into account places where Sullivan might have repeated lyrics (e. g., the 2nd ending, which I totally ignored in working out the meter) and one place where he simply might have thrown in an "Ah!" on his own. This was the result for each verse, with a letter at the end of each line to indicate the rhyme scheme: duh-DUM-duh-DUM-duh-DUM (A) duh-DUM-duh-DUM-duh-DUM (A) duh-DUM-duh-DUM-duh-DUM (A) duh-DUM-duh-DUM-duh-DUM-duh-DUM-duh (B) DUM-duh-DUM-duh-duh-DUM (C) DUM-duh-DUM-duh-DUM (C) duh-DUM-duh-DUM-duh-DUM-duh-DUM-duh (B) duh-DUM-duh-DUM-duh-DUM (D) duh-DUM-duh-DUM-duh-DUM (D) I'd have preferred something iambic and a little more regular for Lines 5 and 6, but I couldn't work that out. I resigned myself to realizing that Gilbert was occasionally irregular (insert laxative joke), and I let it pass (insert second laxative joke). At this point I knew which syllables would wind up being repeated, but for now that was immaterial. Two things pleased me in particular: 1) I knew that the first melodic line would actually end on the second syllable of the second lyric line, but that was fine with me. In fact, it would allow the melody to be independent of the rhyme scheme at that point, a strategy Sullivan often used. 2) The two B lines are very different rhythmically, but I was able to find identical scansion for them. Next came writing real lyrics, which I began by working out a concept. Since Laetitia had already been cast, our Directors at the Ridgewood (NJ) Gilbert & Sullivan Opera Company asked me to ask her what vowel would be most comfortable for her when singing the high Bb in the 2nd ending. She said it was "ah" (gee, what a surprise). I remembered Laetitia's repeated singing of "Father" in No. 12 and decided "Father" should be the word to make that Bb an "ah." From there I decided on making her song reflect the irony of the conflict of love for father with love for suitor, and you'll soon see the results. The next step was to write the lyrics WHILE TRYING TO FORGET THE MELODY COMPLETELY. Admittedly I couldn't make the melody go entirely away, but I concentrated as much as possible on simply trying to fill in the above pattern. Once I had everything filled in, I then plugged it all into the melody. It was mostly satisfactory, but I then changed a word here and another word there to make it all sound better. Considering that G&S lyrics have often changed from original libretto form to final form, I don't feel I was cheating here. Anyhow, for what it's worth, here's the final product: Verse 1: A woman's tender heart Belongs to man from start; 'Twould break had she to part From father dear in childhood's leisure. And, so rightly, I know, Love will surely grow. Then young man shares heart's priceless treasure. Young man and father must Compete for heart, I trust. Verse 2: A woman's heart has room For father and for groom. But father might assume Her heart belongs to husband only, And, so wrongly, I dread, Leave her love for dead. Now heart and father both are lonely. 'Twixt heart and father dear, She can't please both, I fear. This is the pure libretto form (schmaltz acknowledged and intentional) as Sullivan would theoretically have first seen it. To fit this into the melody, I did the following: 1) Added "Ah!" before the penultimate line of each verse, where it corresponded to a Bb dotted half note. 2) Repeated the last two words of each verse. 3) Added "She can't please both, heart and father dear!" to the end of Verse 2 (to account for the 2nd ending). >From here on you're welcome to your own opinions, and I can't give a much better reason why I wrote what I did than you might guess if you were analyzing my work as you would a long-dead lyricist's. My greatest satisfaction in the content of the lyrics comes from the Gilbertian (I feel) self-contradictory nature of the two verses, as with "Is life a boon?" The last words I wrote were either "And, so rightly" or "And, so wrongly" (I don't remember which); compared to each other, they make the contradiction that much more pointed. One step remained to complete the simulation of a song whose lyrics were written before its music. Florrie Marks, our concertmaster at the time, orchestrated the entire score of THE ZOO based on the vocal score and D'Oyly Carte recording, trying (and succeeding) to get as close as possible to Sullivan. For this number alone she had nothing more than the vocal line and piano accompaniment to guide her, so her orchestration was original beyond that. She asked that I finish the lyrics before she even started on this number, and I obliged. Conversely, this meant I rightly didn't have the mood of the orchestration to affect my contribution, and I didn't even hear the piano accompaniment beforehand (nor am I sufficiently trained to get much out of studying the accompaniment in print). So the lyrics couldn't have been influenced by more than the vocal line (to the degree already described) and the rest of THE ZOO. My version of Laetitia's song has been used in every Ridgewood production of THE ZOO: 1981, 1988, and 2001. The last of these marked their first use with Sullivan's orchestrations, only recently available for purchase. Ironically, Carol Ciancia, the Laetitia who first sang my lyrics and helped inspire them with her wish for an "ah" (see above), played Eliza 20 years later. Peter O'Malley, her husband, was our 1981 Thomas and played the role again in 2001. In fact, it was only about two weeks before their marriage that I sent the lyrics to Carol, telling her that I'd understand if she didn't make learning them her top priority. (She did learn them, though, and sang them perfectly when the time came. The marriage has worked out even better.) Fortuitously, I posted most of the above to SavoyNet at the very time a New York City consortium was putting THE ZOO together for a July 1997 performance at the International G&S Festival in Philadelphia. One of the producers wanted to include Laetitia's song, and when he saw my lyrics, he thought they were superior to the ones he already had. Not only was I happy to offer their use, but I was asked to join the chorus. Naturally, I accepted. Thanks largely to SavoyNet, my lyrics also made their way to productions at the Massachusetts Institute of Technology (who had rejected my college application, so now we're even) and by Ardensingers in Delaware. Anyone who wishes to use my lyrics in performance is welcome to do so free of charge. I ask only that I somehow be notified of its use (see below for e-mail address) and acknowledged as the author, preferably through a program credit. If possible, I'd also want to discuss matters before the actual performance to make sure that words and notes are properly aligned. I'll mail a copy of the music, with the lyrics inserted properly, on request. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 11-Sep Wendy.Falconer@ElizabethA [91] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA28992; Wed, 11 Sep 2002 10:00:00 -0400 (EDT) Received: from tlr-na01.cp.u2809.unilever.com (mailout02.unilever.com [204.110.170.4]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA21774 for ; Wed, 11 Sep 2002 09:59:16 -0400 (EDT) Received: from tru-004.cp.u2809.unilever.com by tlr-na01.cp.u2809.unilever.com with ESMTP for opus@mit.edu; Wed, 11 Sep 2002 09:57:59 -0400 Received: from [155.197.198.201] by tru-004.CP.U2809.UNILEVER.COM with ESMTP; Wed, 11 Sep 2002 10:07:49 -0400 Date: Wed, 11 Sep 2002 09:57:36 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "Leta Hall" , "Samuel Silvers" , "Sangazure1@aol.com" cc: "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "opus@mit.edu" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "dsmith@UMassD.Edu" , "andi_s_r@yahoo.com" , "savoyard1@yahoo.com" , "tomzkat@yahoo.com" Message-Id: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA *** EOOH *** Date: Wed, 11 Sep 2002 09:57:36 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "Leta Hall" , "Samuel Silvers" , "Sangazure1@aol.com" cc: "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "opus@mit.edu" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "dsmith@UMassD.Edu" , "andi_s_r@yahoo.com" , "savoyard1@yahoo.com" , "tomzkat@yahoo.com" Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA I'd love to see Pirates. -----Original Message----- From: Leta Hall [SMTP:LHall@tscwo.com] Sent: Tuesday, September 10, 2002 3:41 PM To: 'Wendy Falconer'; Samuel Silvers; Sangazure1@aol.com Cc: ihodgkin@acadia.net; DglsWhaley@aol.com; Divasrtrd@aol.com; Gamarexx@aol.com; JBSALOMON@aol.com; Trice2@aol.com; BERGLUL@BSCMAIL.BuffaloState.edu; sylvia.greinig@btconnect.com; Bj.Richards@btinternet.com; finn63@charter.net; oakapple@cris.com; cjround@earthlink.net; pookahone@earthlink.net; cwoods@iastate.edu; oris@interlog.com; thirdfromleft@juno.com; marion@leedscarroll.com; snappy@megalink.net; opus@mit.edu; PHC@prodigy.net; PZavon@rochester.rr.com; eric@toastpoint.com; Leta Hall; dsmith@UMassD.Edu; andi_s_r@yahoo.com; savoyard1@yahoo.com; tomzkat@yahoo.com Subject: RE: Friday night before QWERTY/Conn II My friend Linda Nadeau is playing Ruth in Laurie's "Pirates." I hate to think what would happen if I skipped that, so Les and I will be seeing "Pirates" on Friday night. We'll probably stay with Linda on Friday ~ forcing her look at every single picture we took in France ~ and then shift to the hotel on Saturday. I'm so looking forward to seeing everyone!! Leta -----Original Message----- From: Wendy Falconer [mailto:Wendy.Falconer@ElizabethArden.com] Sent: Tuesday, September 10, 2002 2:01 PM To: Samuel Silvers; Sangazure1@aol.com Subject: RE: Friday night before QWERTY/Conn II I would be happy to either head into NYC or meet up in Norwalk etc. (am a Stamford, CT resident). I would really enjoy getting re-acquainted with those I met in Orlando etc. Wendy -----Original Message----- From: Samuel Silvers [SMTP:SSilvers@sskfg.com] Sent: Tuesday, September 10, 2002 9:51 AM Subject: Friday night before QWERTY/Conn II On Friday night, will the arriving Brits, etc. want to do something in New York City before heading out to Connecticut? It seems a shame to just sit in a hotel room near the Merritt Parkway when we can all see a Broadway show or go to, say, Caroline's comedy club, and have dinner in NY? Sam  1, answered,, Summary-line: 11-Sep LHall@tscwo.com [50] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA24111; Wed, 11 Sep 2002 10:33:42 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA07350 for ; Wed, 11 Sep 2002 10:32:59 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Wed, 11 Sep 2002 10:32:59 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16BA92A00@MAILMAN> From: Leta Hall To: "'Wendy Falconer'" , Leta Hall , Samuel Silvers , Sangazure1@aol.com Cc: ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@mit.edu, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, "'Les Elkins'" Subject: RE: Friday night before QWERTY/Conn II Date: Wed, 11 Sep 2002 10:32:58 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain *** EOOH *** From: Leta Hall To: "'Wendy Falconer'" , Leta Hall , Samuel Silvers , Sangazure1@aol.com Cc: ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@mit.edu, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, "'Les Elkins'" Subject: RE: Friday night before QWERTY/Conn II Date: Wed, 11 Sep 2002 10:32:58 -0400 Content-Type: text/plain I'd be happy to make a group reservation. Just let me know if you want to go. -----Original Message----- From: Wendy Falconer [mailto:Wendy.Falconer@ElizabethArden.com] Sent: Wednesday, September 11, 2002 9:58 AM To: Leta Hall; Samuel Silvers; Sangazure1@aol.com Subject: RE: Friday night before QWERTY/Conn II I'd love to see Pirates. -----Original Message----- From: Leta Hall [SMTP:LHall@tscwo.com] Sent: Tuesday, September 10, 2002 3:41 PM To: 'Wendy Falconer'; Samuel Silvers; Sangazure1@aol.com Subject: RE: Friday night before QWERTY/Conn II My friend Linda Nadeau is playing Ruth in Laurie's "Pirates." I hate to think what would happen if I skipped that, so Les and I will be seeing "Pirates" on Friday night. We'll probably stay with Linda on Friday ~ forcing her look at every single picture we took in France ~ and then shift to the hotel on Saturday. I'm so looking forward to seeing everyone!! Leta  1,, Summary-line: 12-Sep Sangazure1@aol.com [23] #Re: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA24614; Thu, 12 Sep 2002 21:06:07 -0400 (EDT) From: Received: from imo-r06.mx.aol.com (imo-r06.mx.aol.com [152.163.225.102]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA08719 for ; Thu, 12 Sep 2002 21:01:36 -0400 (EDT) Received: from Sangazure1@aol.com by imo-r06.mx.aol.com (mail_out_v34.10.) id 6.66.27036919 (16484) for ; Thu, 12 Sep 2002 21:01:31 -0400 (EDT) Message-ID: <66.27036919.2ab292ea@aol.com> Date: Thu, 12 Sep 2002 21:01:30 EDT Subject: Re: Friday night before QWERTY/Conn II To: opus@MIT.EDU MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Thu, 12 Sep 2002 21:01:30 EDT Subject: Re: Friday night before QWERTY/Conn II To: opus@MIT.EDU Content-Type: text/plain; charset="US-ASCII" In a message dated 9/12/02 6:30:45 PM Eastern Daylight Time, opus@MIT.EDU writes: << Ruth and I are interested in stopping in Middletown for Pirates on Friday. When is the performance, and where exactly is Middletown (we'll be coming from Massachusetts)? >> Middletown is off Route 91 -- take Route 66 to Route 9 South. I have the phone number somewhere and they can give you more specific directions. We've been there several times and they have great performances. If you can get on Mapquest, ask for Middletown HS. Otherwise, I'll send it to you later. The performance we're talking about is Friday night, November 8 at 8 pm. Bobbie  1,, Summary-line: 12-Sep Sangazure1@aol.com [48] #Re: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA27555; Thu, 12 Sep 2002 21:13:11 -0400 (EDT) From: Received: from imo-d05.mx.aol.com (imo-d05.mx.aol.com [205.188.157.37]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA11508 for ; Thu, 12 Sep 2002 21:12:29 -0400 (EDT) Received: from Sangazure1@aol.com by imo-d05.mx.aol.com (mail_out_v34.10.) id 6.12d.173751c2 (16484); Thu, 12 Sep 2002 21:12:14 -0400 (EDT) Message-ID: <12d.173751c2.2ab2956e@aol.com> Date: Thu, 12 Sep 2002 21:12:14 EDT Subject: Re: Friday night before QWERTY/Conn II To: opus@mit.edu, LHall@tscwo.com, lweissbrot@nedelta.com CC: Wendy.Falconer@ElizabethArden.com, SSilvers@sskfg.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, lese@capaccess.org MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Thu, 12 Sep 2002 21:12:14 EDT Subject: Re: Friday night before QWERTY/Conn II To: opus@mit.edu, LHall@tscwo.com, lweissbrot@nedelta.com CC: Wendy.Falconer@ElizabethArden.com, SSilvers@sskfg.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, lese@capaccess.org Content-Type: text/plain; charset="US-ASCII" In a message dated 9/12/02 6:30:45 PM Eastern Daylight Time, opus@MIT.EDU writes: << Ruth and I are interested in stopping in Middletown for Pirates on Friday. When is the performance, and where exactly is Middletown (we'll be coming from Massachusetts)? >> Paul and I will be attending the Friday night performance of "Pirates" in Middletown. It will give us a chance to see Laurie Weisbrot and Linda Nadeau who will not be able to join us at QWERTY/Conn. Since Sam has so generously offered to take care of the NYC contingent, we can go to "Pirates" with a clear conscience. Thank you, Sam. In case you're afraid of OD-ing, we will not be doing "Pirates" at QWERTY/Conn. I would also like to add that we've been to CG&SS productions for the last five or six years and have found them to be first rate in talent and staging. We know of a nice, informal and moderately-priced restaurant right in the center of Middletown. I'll give you the name and directions later on. Leta has offered to take care of reservations. I have directions somewhere and as soon as I can find them, I'll post them. Middletown is about one hour and fifteen minutes from the hotels in Norwalk. Bobbie  1,, Summary-line: 12-Sep LHall@tscwo.com [81] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA04118; Thu, 12 Sep 2002 21:30:12 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA27667 for ; Thu, 12 Sep 2002 21:29:29 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Thu, 12 Sep 2002 21:29:28 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16BA92A44@MAILMAN> From: Leta Hall To: "'Sangazure1@aol.com '" , "'opus@MIT.EDU '" , Leta Hall , "'lweissbrot@nedelta.com '" Cc: "'Wendy.Falconer@ElizabethArden.com '" , "'SSilvers@sskfg.com '" , "'ihodgkin@acadia.net '" , "'DglsWhaley@aol.com '" , "'Divasrtrd@aol.com '" , "'Gamarexx@aol.com '" , "'JBSALOMON@aol.com '" , "'Trice2@aol.com '" , "'BERGLUL@BSCMAIL.BuffaloState.edu '" , "'sylvia.greinig@btconnect.com '" , "'Bj.Richards@btinternet.com '" , "'finn63@charter.net '" , "'oakapple@cris.com '" , "'cjround@earthlink.net '" , "'pookahone@earthlink.net '" , "'cwoods@iastate.edu '" , "'oris@interlog.com '" , "'thirdfromleft@juno.com '" , "'marion@leedscarroll.com '" , "'snappy@megalink.net '" , "'PHC@prodigy.net '" , "'PZavon@rochester.rr.com '" , "'eric@toastpoint.com '" , "'dsmith@UMassD.Edu '" , "'andi_s_r@yahoo.com '" , "'savoyard1@yahoo.com '" , "'tomzkat@yahoo.com '" , "'lese@capaccess.org '" Subject: RE: Friday night before QWERTY/Conn II Date: Thu, 12 Sep 2002 21:29:19 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" *** EOOH *** From: Leta Hall To: "'Sangazure1@aol.com '" , "'opus@MIT.EDU '" , Leta Hall , "'lweissbrot@nedelta.com '" Cc: "'Wendy.Falconer@ElizabethArden.com '" , "'SSilvers@sskfg.com '" , "'ihodgkin@acadia.net '" , "'DglsWhaley@aol.com '" , "'Divasrtrd@aol.com '" , "'Gamarexx@aol.com '" , "'JBSALOMON@aol.com '" , "'Trice2@aol.com '" , "'BERGLUL@BSCMAIL.BuffaloState.edu '" , "'sylvia.greinig@btconnect.com '" , "'Bj.Richards@btinternet.com '" , "'finn63@charter.net '" , "'oakapple@cris.com '" , "'cjround@earthlink.net '" , "'pookahone@earthlink.net '" , "'cwoods@iastate.edu '" , "'oris@interlog.com '" , "'thirdfromleft@juno.com '" , "'marion@leedscarroll.com '" , "'snappy@megalink.net '" , "'PHC@prodigy.net '" , "'PZavon@rochester.rr.com '" , "'eric@toastpoint.com '" , "'dsmith@UMassD.Edu '" , "'andi_s_r@yahoo.com '" , "'savoyard1@yahoo.com '" , "'tomzkat@yahoo.com '" , "'lese@capaccess.org '" Subject: RE: Friday night before QWERTY/Conn II Date: Thu, 12 Sep 2002 21:29:19 -0400 Content-Type: text/plain; charset="iso-8859-1" Linda got me the contact info and I'll probably make the reservation next Friday afternoon. I don't know yet about group discounts, but will pass on that info as I get it. And I'm definitely interested in dinner. But then, I usually am. Leta -----Original Message----- From: Sangazure1@aol.com Sent: 9/12/02 9:12 PM Subject: Re: Friday night before QWERTY/Conn II In a message dated 9/12/02 6:30:45 PM Eastern Daylight Time, opus@MIT.EDU writes: We know of a nice, informal and moderately-priced restaurant right in the center of Middletown. I'll give you the name and directions later on. Leta has offered to take care of reservations. I have directions somewhere and as soon as I can find them, I'll post them. Bobbie  1,, Summary-line: 13-Sep Wendy.Falconer@ElizabethA [102] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA22545; Fri, 13 Sep 2002 11:13:12 -0400 (EDT) Received: from tlr-na01.cp.u2809.unilever.com (mailout02.unilever.com [204.110.170.4]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA11341 for ; Fri, 13 Sep 2002 11:12:30 -0400 (EDT) Received: from tru-004.cp.u2809.unilever.com by tlr-na01.cp.u2809.unilever.com with ESMTP for opus@mit.edu; Fri, 13 Sep 2002 11:12:29 -0400 Received: from [155.197.198.201] by tru-004.CP.U2809.UNILEVER.COM with ESMTP; Fri, 13 Sep 2002 11:22:19 -0400 Date: Fri, 13 Sep 2002 11:12:04 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "David C. Jedlinsky" cc: "LHall@tscwo.com" , "SSilvers@sskfg.com" , "Sangazure1@aol.com" , "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "dsmith@umassd.edu" , "andi_s_r@YAHOO.COM" , "savoyard1@YAHOO.COM" , "tomzkat@YAHOO.COM" , "lese@capaccess.org" Message-Id: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA *** EOOH *** Date: Fri, 13 Sep 2002 11:12:04 -0400 (Eastern Daylight Time) From: "Wendy Falconer" Subject: RE: Friday night before QWERTY/Conn II To: "David C. Jedlinsky" cc: "LHall@tscwo.com" , "SSilvers@sskfg.com" , "Sangazure1@aol.com" , "ihodgkin@acadia.net" , "DglsWhaley@aol.com" , "Divasrtrd@aol.com" , "Gamarexx@aol.com" , "JBSALOMON@aol.com" , "Trice2@aol.com" , "BERGLUL@BSCMAIL.BuffaloState.edu" , "sylvia.greinig@btconnect.com" , "Bj.Richards@btinternet.com" , "finn63@charter.net" , "oakapple@cris.com" , "cjround@earthlink.net" , "pookahone@earthlink.net" , "cwoods@iastate.edu" , "oris@interlog.com" , "thirdfromleft@juno.com" , "marion@leedscarroll.com" , "snappy@megalink.net" , "PHC@prodigy.net" , "PZavon@rochester.rr.com" , "eric@toastpoint.com" , "dsmith@umassd.edu" , "andi_s_r@YAHOO.COM" , "savoyard1@YAHOO.COM" , "tomzkat@YAHOO.COM" , "lese@capaccess.org" Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Language: en-USA I would really like to see "Pirates" and dinner before is even better. Wendy -----Original Message----- From: David C. Jedlinsky [SMTP:opus@mit.edu] Sent: Thursday, September 12, 2002 6:25 PM Cc: LHall@tscwo.com; Wendy.Falconer@ElizabethArden.com; SSilvers@sskfg.com; Sangazure1@aol.com; ihodgkin@acadia.net; DglsWhaley@aol.com; Divasrtrd@aol.com; Gamarexx@aol.com; JBSALOMON@aol.com; Trice2@aol.com; BERGLUL@BSCMAIL.BuffaloState.edu; sylvia.greinig@btconnect.com; Bj.Richards@btinternet.com; finn63@charter.net; oakapple@cris.com; cjround@earthlink.net; pookahone@earthlink.net; cwoods@iastate.edu; oris@interlog.com; thirdfromleft@juno.com; marion@leedscarroll.com; snappy@megalink.net; PHC@prodigy.net; PZavon@rochester.rr.com; eric@toastpoint.com; dsmith@umassd.edu; andi_s_r@YAHOO.COM; savoyard1@YAHOO.COM; tomzkat@YAHOO.COM; lese@capaccess.org Subject: Re: Friday night before QWERTY/Conn II Ruth and I are interested in stopping in Middletown for Pirates on Friday. When is the performance, and where exactly is Middletown (we'll be coming from Massachusetts)? Leta, what's the deadline for your group reservation offer? -Dave >From: Leta Hall >Date: Wed, 11 Sep 2002 10:32:58 -0400 > >I'd be happy to make a group reservation. Just let me know if you want to >go. > >-----Original Message----- >From: Wendy Falconer [mailto:Wendy.Falconer@ElizabethArden.com] >Sent: Wednesday, September 11, 2002 9:58 AM >To: Leta Hall; Samuel Silvers; Sangazure1@aol.com > >Subject: RE: Friday night before QWERTY/Conn II > >I'd love to see Pirates. > >-----Original Message----- >From: Leta Hall [SMTP:LHall@tscwo.com] >Sent: Tuesday, September 10, 2002 3:41 PM >To: 'Wendy Falconer'; Samuel Silvers; Sangazure1@aol.com > >Subject: RE: Friday night before QWERTY/Conn II > >My friend Linda Nadeau is playing Ruth in Laurie's "Pirates." I hate to >think what would happen if I skipped that, so Les and I will be seeing >"Pirates" on Friday night. We'll probably stay with Linda on Friday ~ >forcing her look at every single picture we took in France ~ and then shift >to the hotel on Saturday. > >I'm so looking forward to seeing everyone!! > >Leta > >  1, answered,, Summary-line: 13-Sep LHall@tscwo.com [33] #RE: Friday night before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA01719; Fri, 13 Sep 2002 11:24:19 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA17857 for ; Fri, 13 Sep 2002 11:23:37 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Fri, 13 Sep 2002 11:23:36 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16BA92A4F@MAILMAN> From: Leta Hall To: "'Wendy Falconer'" , "David C. Jedlinsky" Cc: SSilvers@sskfg.com, Sangazure1@aol.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@umassd.edu, "andi_s_r@YAHOO.COM" , "savoyard1@YAHOO.COM" , "tomzkat@YAHOO.COM" , lese@capaccess.org Subject: RE: Friday night before QWERTY/Conn II Date: Fri, 13 Sep 2002 11:23:29 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain *** EOOH *** From: Leta Hall To: "'Wendy Falconer'" , "David C. Jedlinsky" Cc: SSilvers@sskfg.com, Sangazure1@aol.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, oakapple@cris.com, cjround@earthlink.net, pookahone@earthlink.net, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, PHC@prodigy.net, PZavon@rochester.rr.com, eric@toastpoint.com, dsmith@umassd.edu, "andi_s_r@YAHOO.COM" , "savoyard1@YAHOO.COM" , "tomzkat@YAHOO.COM" , lese@capaccess.org Subject: RE: Friday night before QWERTY/Conn II Date: Fri, 13 Sep 2002 11:23:29 -0400 Content-Type: text/plain I found out from Linda that tickets are $18 at the door, $15 in advance, $10 for children, and no group discounts. Their budget took a huge hit when arts money was trashed by the September 11th fallout, so if we like the show, perhaps we can pony up a few extra bucks at intermission as a donation from Savoynet. (Just a thought.) I've been keeping track of those who wish to go and can send a check (to insure the advance rate) next Friday. Feel free to repay me in advance (Leta Hall, 2517-A McVeary Court, Layhill, MD 20906) or I'll collect at the door. Leta  1,, Summary-line: 13-Sep pdp@globalnet.co.uk [40] #Re: Gondoliers and prompt books X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA19522; Fri, 13 Sep 2002 14:27:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA19264 for ; Fri, 13 Sep 2002 14:26:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8DIQHDU004297; Fri, 13 Sep 2002 14:26:17 -0400 (EDT) Date: Fri, 13 Sep 2002 14:26:17 -0400 (EDT) Message-Id: <3.0.6.32.20020913190224.00e1ceb0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers and prompt books Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Fri, 13 Sep 2002 14:26:17 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers and prompt books Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: At 12:57 13/09/02 +0000, Richard Duployen wrote: >> >They are published by Chappell's (facsimiles from what period?) > Please explain that comment. Do you mean that the handwritten inserted pages are reproduced by Chappell's or just that the interleaved with blank pages are still sold by Chappell's. If the former is what you meant, then I did not know that. Do you how much they charge for them and who owns the copyright? The libretto is out of copyright as such but the handwritten prompts will still be someones copyright as they have been transcribed individually and much of them will still be within the 50/70 years. If they are still available even as handwritten facsimiles then that answers several of the enquirers. My copies were used in the days of Robert Gibson as producer or whatever he was officially called, 1955 or thereabouts. None of the copies I have seen or handled carry an issue date, but the handwritting does change over the years. I have also seen different versions of some of them but all ex DOC in origin. For instance in The Mikado's song the N line is ruled out and the new words inserted in ink and on the interleaving page but in a different hand to the rest of the book. My Mikado is in a different hand to Gondoliers. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 13-Sep Sangazure1@aol.com [47] #QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA25241; Fri, 13 Sep 2002 21:13:41 -0400 (EDT) From: Received: from imo-d04.mx.aol.com (imo-d04.mx.aol.com [205.188.157.36]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA14160 for ; Fri, 13 Sep 2002 21:12:58 -0400 (EDT) Received: from Sangazure1@aol.com by imo-d04.mx.aol.com (mail_out_v34.10.) id e.15d.1412b1c1 (4560); Fri, 13 Sep 2002 21:12:33 -0400 (EDT) Message-ID: <15d.1412b1c1.2ab3e701@aol.com> Date: Fri, 13 Sep 2002 21:12:33 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Fri, 13 Sep 2002 21:12:33 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org Content-Type: text/plain; charset="US-ASCII" I have received your requests and will do my best to see that you're all happy with the assigned parts. This will probably take a week, and I'm going to send out another general call to SavoyNet first. The operas we're doing are: Mikado, Grand Duke, Sorcerer, Patience, Ruddigore, Princess Ida, Iolanthe and Pinafore. If you haven't sent me your favored parts, please do so ASAP. Rationale: only two people seemed interested in The Zoo, so we're scuttling it. I thought that we might be a little bored with Sorcerer, so hadn't originally planned on including it. To my surprise, a great number of people requested it. Therefore, it was not a difficult decision on my part to include it. However, it has already been cast. The other operas were chosen based on greatest number of requests. Friday night -- several of us will be attending the Connecticut Gilbert & Sullivan Society production of "Pirates" in Middletown, Connecticut. If you can join us, please do. Leta Hall <> is ordering tickets. We'll meet for dinner beforehand. For those of you who prefer to remain in NYC on Friday night, Sam Silvers <> is organizing a get-together. Other possibilties include the Blue Hill Troupe production of "The Most Happy Fella." You can get information about this from Carol Davis at: <> More later -- Bobbie  1,, Summary-line: 14-Sep Sangazure1@aol.com [44] #QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA05952; Sat, 14 Sep 2002 14:08:43 -0400 (EDT) From: Received: from imo-d09.mx.aol.com (imo-d09.mx.aol.com [205.188.157.41]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA08290 for ; Sat, 14 Sep 2002 14:04:13 -0400 (EDT) Received: from Sangazure1@aol.com by imo-d09.mx.aol.com (mail_out_v34.10.) id e.5b.2df733c0 (25508); Sat, 14 Sep 2002 14:01:48 -0400 (EDT) Message-ID: <5b.2df733c0.2ab4d38c@aol.com> Date: Sat, 14 Sep 2002 14:01:48 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Sat, 14 Sep 2002 14:01:48 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org Content-Type: text/plain; charset="US-ASCII" Hi -- If any of you need scores for "Grand Duke," you can get them from the Seattle G&S Society which performed it in 1999. They include the dialogue, which is not in the Chappell score. They are printed to order and cost $20 plus postage. If anyone is interested, contact Terisa at manager@pattersong.org. Also, we will be singing "Happy are We" with "Sorcerer." You can find it on the Internet. The music is at http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.pdf and the MIDI is at http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.mid More later -- Bobbie  1,, Summary-line: 15-Sep singndance@boo.net [29] #another G&S Sing-Out coming to the Washington, DC, area X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA02421; Sun, 15 Sep 2002 16:39:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28706 for ; Sun, 15 Sep 2002 16:39:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8FKcSDU012299; Sun, 15 Sep 2002 16:38:29 -0400 (EDT) Date: Sun, 15 Sep 2002 16:38:28 -0400 (EDT) Message-Id: <006901c25cf5$c6d6bd20$503a21a2@jlkcd01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@boo.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: another G&S Sing-Out coming to the Washington, DC, area MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sun, 15 Sep 2002 16:38:28 -0400 (EDT) Reply-To: singndance@boo.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: another G&S Sing-Out coming to the Washington, DC, area Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Mark your calendars now - The Victorian Lyric Opera Company (VLOC), which performs in Rockville, Maryland, a suburb north of Washington, DC, will be presenting the 3rd Great Gilbert & Sullivan Sing-Out September 5-7, 2003. For those of you who haven't experienced the prior events - VLOC will be spending the weekend singing all the music of all 13 shows. We're wimping out a little this time - no marathon. We're planning 3 shows Friday night, 7 on Saturday and 3 more on Sunday. This will allow more time for meals and breaks, not to mention that the organizers claim to have gotten too old to be able to survive a 22-hour day of singing. More details will be forthcoming shortly. Maureen Roult "Inclined to dance and sing"  1,, Summary-line: 16-Sep andi_s_r@yahoo.com [49] #QWERTConnII, accompanists X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA10603; Mon, 16 Sep 2002 11:04:05 -0400 (EDT) Received: from web10805.mail.yahoo.com (web10805.mail.yahoo.com [216.136.130.247]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id LAA22653 for ; Mon, 16 Sep 2002 11:03:22 -0400 (EDT) Message-ID: <20020916150321.8192.qmail@web10805.mail.yahoo.com> Received: from [66.88.88.162] by web10805.mail.yahoo.com via HTTP; Mon, 16 Sep 2002 08:03:21 PDT Date: Mon, 16 Sep 2002 08:03:21 -0700 (PDT) From: Andi Subject: QWERTConnII, accompanists To: oakapple@cris.com, SSilvers@sskfg.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Nonoiy@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, cjround@earthlink.net, pookahone@earthlink.net, Wendy.Falconer@ElizabethArden.com, notabenemusic@email.com, npetrikov@hotmail.com, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@mit.edu, lweissbrot@nedelta.com, PHC@prodigy.net, PZavon@Rochester.RR.Com, eric@toastpoint.com, LHall@tscwo.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, dunham16_99@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, Sangazure1@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Mon, 16 Sep 2002 08:03:21 -0700 (PDT) From: Andi Subject: QWERTConnII, accompanists To: oakapple@cris.com, SSilvers@sskfg.com, ihodgkin@acadia.net, DglsWhaley@aol.com, Divasrtrd@aol.com, Gamarexx@aol.com, JBSALOMON@aol.com, Nonoiy@aol.com, Trice2@aol.com, BERGLUL@BSCMAIL.BuffaloState.edu, sylvia.greinig@btconnect.com, Bj.Richards@btinternet.com, finn63@charter.net, cjround@earthlink.net, pookahone@earthlink.net, Wendy.Falconer@ElizabethArden.com, notabenemusic@email.com, npetrikov@hotmail.com, cwoods@iastate.edu, oris@interlog.com, thirdfromleft@juno.com, marion@leedscarroll.com, snappy@megalink.net, opus@mit.edu, lweissbrot@nedelta.com, PHC@prodigy.net, PZavon@Rochester.RR.Com, eric@toastpoint.com, LHall@tscwo.com, dsmith@UMassD.Edu, andi_s_r@yahoo.com, dunham16_99@yahoo.com, savoyard1@yahoo.com, tomzkat@yahoo.com, Sangazure1@aol.com Content-Type: text/plain; charset=us-ascii In case anyone is interested, Larry Byler and I are currently slated to split the piano accompaniment for QCII. Here's the breakdown as to who's playing what. These are in the order in which they will be performed (note that Larry and I are cleverly alternating....) The Mikado: LB The Grand Duke: ASR The Sorcerer: LB Ruddigore: ASR Patience: LB Princess Ida: ASR Iolanthe: LB HMS Pinafore: ASR I won't be joining either set of revelers on the Friday night (I have a previous engagement) but look forward to seeing you all on the Saturday morning. Best, Andi ===== Andi Stryker-Rodda New York City/New Jersey  1, answered,, Summary-line: 17-Sep Sangazure1@aol.com [57] #QWERTY/Conn X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA20364; Wed, 18 Sep 2002 08:32:17 -0400 (EDT) From: Received: from imo-r02.mx.aol.com (imo-r02.mx.aol.com [152.163.225.98]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA28318 for ; Tue, 17 Sep 2002 22:05:07 -0400 (EDT) Received: from Sangazure1@aol.com by imo-r02.mx.aol.com (mail_out_v34.10.) id e.80.21abdec0 (4206); Tue, 17 Sep 2002 22:03:35 -0400 (EDT) Message-ID: <80.21abdec0.2ab938f7@aol.com> Date: Tue, 17 Sep 2002 22:03:35 EDT Subject: QWERTY/Conn To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@CHARTER.NET, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Tue, 17 Sep 2002 22:03:35 EDT Subject: QWERTY/Conn To: PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@CHARTER.NET, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com Content-Type: text/plain; charset="US-ASCII" As of today, the following people are planning to attend -- England: Sylvia Greinig Wales: Bob and Jackie Richards Canada: Ori Siegel Maine: Irv Hodgkin, Lee Patterson, Ginger and John Cunningham New Hampshire: Ruth and David Jedlinski Massachusetts: Mary Finn, Don Smith, Marion Leeds Carroll, Ruth and Shel Hochman Connecticut: Bobbie Herman, Paul Cohen, Wendy Falconer, Jim Cooper, Tom Zimmerman, Ted Rice (Sunday only), Arden Anderson-Broecking New York: Marc Shepherd, Sam Silvers, Marc Lewis, Carol Davis, Carole Round, Jack Salomon, Peter Zavon, Vikki Willoughby, Lisa Berglund, Paul Berglund New Jersey: Andi Stryker-Rodda Maryland: Leta Hall, Les Elkins Florida: Robin and Larry Garvin Ohio: Doug Whaley California: Ann and Larry Byler Four countries and ten states. I am working on assigning the roles you requested. We've been blessed with an abundance of patter baritones and a dearth of sopranos and tenors, but I'll do my best to please you all. Bobbie  1,, Summary-line: 20-Sep ellenmgregg@attbi.com [94] #Patience Costumes X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA20586; Fri, 20 Sep 2002 19:55:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA11667 for ; Fri, 20 Sep 2002 19:54:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g8KNsaDU018600; Fri, 20 Sep 2002 19:54:36 -0400 (EDT) Date: Fri, 20 Sep 2002 19:54:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: ellenmgregg@attbi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ellen M. Gregg" To: Multiple recipients of list SAVOYNET Subject: Patience Costumes MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_005C_01C260DE.2847DE40" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Fri, 20 Sep 2002 19:54:36 -0400 (EDT) Reply-To: ellenmgregg@attbi.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ellen M. Gregg" To: Multiple recipients of list SAVOYNET Subject: Patience Costumes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This is a multi-part message in MIME format. ------=_NextPart_000_005C_01C260DE.2847DE40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Perhaps this may seem a little simplistic, or perhaps too much money and work . . . but why not hire a great seamstress, purchase a costume pattern and fabric from your local fabric/craft store, and "Go to!"? If you live within range of southeastern NH, I may be able to help you . . . I sew!!! I've made costumes for: Phyllis Iolanthe Lord Chancellor Celia Katisha Yum-Yum Jack Point Elsie Maynard Robin Oakapple and assorted sisters, cousins, aunts, gondoliers, contadine, bridesmaids . . the list goes on - and that's only for G & S . . . my repertoire extends to other major musical productions. Surely you must have someone in your vicinity who knows how to measure, cut, and use a sewing machine???? Best of luck! - Ellen M. Gregg "A toast to that invincible bunch: The dinosaur surviving the crunch! Let's hear it for the ladies who lunch!" 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Jedlinsky" Subject: Re: Sullivan Festival in Cirencester References: <3D8EF2C5.7050909@cris.com> <200209231444.KAA16361@multics.mit.edu> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 23 Sep 2002 18:31:42 -0400 From: Marc Shepherd X-Accept-Language: en-us, en To: "David C. Jedlinsky" Subject: Re: Sullivan Festival in Cirencester Dear David, Thanks for your message. I don't know their time frame, but in any case having a prospective production might accelerate it! You can e-mail Selwyn at . Regards, Marc -- Marc Shepherd New York, NY  1,, Summary-line: 24-Sep Sangazure1@aol.com [31] #QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA23385; Tue, 24 Sep 2002 10:01:41 -0400 (EDT) From: Received: from imo-r10.mx.aol.com (imo-r10.mx.aol.com [152.163.225.106]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA18976 for ; Tue, 24 Sep 2002 09:56:09 -0400 (EDT) Received: from Sangazure1@aol.com by imo-r10.mx.aol.com (mail_out_v34.11.) id e.ad.23f12284 (24895); Tue, 24 Sep 2002 09:55:37 -0400 (EDT) Message-ID: Date: Tue, 24 Sep 2002 09:55:36 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Tue, 24 Sep 2002 09:55:36 EDT Subject: QWERTY/Conn II To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com Hi Everyone -- Doug Whaley has offered to record the shows and make them available on either cassette or CD. I think it would give us all the opportunity to be immortalized :-). However, if anyone has any objections, please let me know. Remember, it's all in fun -- we're not expected to put on a professional show. As soon as I hear from a few more people, I'll post the complete cast lists. Bobbie  1,, Summary-line: 25-Sep LHall@tscwo.com [43] #Pirates before QWERTY/Conn II X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA19798; Wed, 25 Sep 2002 15:17:16 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA29410 for ; Wed, 25 Sep 2002 15:15:01 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Wed, 25 Sep 2002 15:14:59 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16BA92B47@MAILMAN> From: Leta Hall To: "'Sangazure1@aol.com'" , PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, Leta Hall , BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@MIT.EDU, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net, PZavon@Rochester.RR.Com, snappy@megalink.net, Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, lese@capaccess.org Subject: Pirates before QWERTY/Conn II Date: Wed, 25 Sep 2002 15:14:58 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain *** EOOH *** From: Leta Hall To: "'Sangazure1@aol.com'" , PHC@prodigy.net, andi_s_r@yahoo.com, thirdfromleft@juno.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, lweissbrot@nedelta.com, Leta Hall , BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, oris@interlog.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@MIT.EDU, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net, PZavon@Rochester.RR.Com, snappy@megalink.net, Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, lese@capaccess.org Subject: Pirates before QWERTY/Conn II Date: Wed, 25 Sep 2002 15:14:58 -0400 I'll be mailing off the check tomorrow for tickets to see the Connecticut G&S Society "Pirates." Just to make sure that I'm getting the right number (15), these are the people who wrote to me that they'd like to attend: Paul Cohen Les Elkins Wendy Falconer Leta Hall Bobbie Herman Irv Hodgkin Irv's Guest #1 Irv's Guest #2 David Jedlinsky Ruth Jedlinsky Alice Hochman Sheldon Hochman Lee Patterson Don Smith Peter Zavon If you're not on this list and want to be, just drop me a note ASAP. Leta  1,, Summary-line: 25-Sep Sangazure1@aol.com [124] #QWERTY/Conn II -- Saturday X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA15686; Wed, 25 Sep 2002 18:42:40 -0400 (EDT) From: Received: from imo-m04.mx.aol.com (imo-m04.mx.aol.com [64.12.136.7]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA22162 for ; Wed, 25 Sep 2002 18:41:58 -0400 (EDT) Received: from Sangazure1@aol.com by imo-m04.mx.aol.com (mail_out_v34.10.) id e.b0.2d687e88 (3699); Wed, 25 Sep 2002 18:41:02 -0400 (EDT) Message-ID: Date: Wed, 25 Sep 2002 18:41:01 EDT Subject: QWERTY/Conn II -- Saturday To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Wed, 25 Sep 2002 18:41:01 EDT Subject: QWERTY/Conn II -- Saturday To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com Following is the list of parts I have assigned for Saturday. In order not to clog up anyone's computer, Sunday's roles will be in a following message. Please don't shoot the Hostess -- she's trying the best she can. I have spent several days trying to sort out the wishes of forty people, many of whom wanted the same roles. I had six Katishas, eight Deadeyes, five Aracs and six Pooh-Bahs. I tried to balance the roles so everyone had at least two -- one big and one little. In a couple of cases, it came down to a coin toss. If any of you feel like trading roles, by all means go ahead. But please let me know, as Paul is making up a program, and we'd like to be as accurate as possible. Although I sincerely hope NOT, if anyone can't make it, please let me know as soon as possible, so we can reassign your part. Also -- I hope you will keep this a friendly, informal get together. Learn your parts (we will be using our scores), but please don't feel you have to put on a professional calibre performance. I say that knowing the quality of my own voice! Looking forward to seeing you all on November 9. Directions and further details will follow closer to the date. Bobbie THE MIKADO The Mikado of Japan -- Leonard Pinsker Nanki-Poo -- Lee Patterson Ko-Ko -- Marc Shepherd Pooh-Bah -- Ori Siegel Pish-Tush -- Shel Hochman Go-To -- Shel Hochman Yum-Yum -- Marion Leeds Carroll Pitti-Sing -- Wendy Falconer Peep-Bo -- Carol Davis Katisha -- Sylvia Greinig Accompanist -- Larry Byler THE GRAND DUKE Rudolph -- Larry Garvin Ernest Dummkopf -- David Jedlinsky Ludwig -- Bob Richards Dr.Tannhauser -- Doug Whaley The Prince of Monte Carlo -- Tom Zimmerman Ben Hashbaz -- Phil Sternenberg Herald -- Marc Lewis The Princess of Monte Carlo -- Lisa Berglund The Baroness Von Krakenfeldt -- Bobbie Herman Julia Jellico -- Jackie Richards Lisa -- Mary Finn Olga -- Carol Davis Gretchen -- ? Bertha -- ? Elsa -- ? Accompanist -- Andi Stryker-Rodda SORCERER Sir Marmaduke Pointdextre -- Irv Hodgkin Dr. Daly -- Marc Shepherd John Wellington Wells -- Bob Richards Lady Sangazure -- Vikki Willoughby Aline -- Mary Finn Constance -- Jackie Richards Mrs. Partlet -- Bobbie Herman Notary -- Paul Cohen Hercules -- Don Smith Sprites of Earth and Air: Ann Byler Lisa Berglund Carol Davis Sylvia Greinig Sam Silvers Alexis -- Lee Patterson Accompanist -- Larry Byler RUDDIGORE Sir Ruthven Murgatroyd -- Sam Silvers Richard Dauntless -- David Jedlinsky Sir Despard Murgatroyd -- Tom Zimmerman Old Adam Goodheart -- John Cunningham Rose Maybud -- Vikki Willoughby Mad Margaret -- Leta Hall Dame Hannah -- Carole Round Zorah -- Wendy Falconer Sir Roderic Murgatroyd -- Eric Peterson Accompanist -- Andi Stryker-Rodda  1,, Summary-line: 25-Sep Sangazure1@aol.com [85] #QWERTY/Conn II -- Sunday X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA23101; Wed, 25 Sep 2002 18:44:36 -0400 (EDT) From: Received: from imo-m05.mx.aol.com (imo-m05.mx.aol.com [64.12.136.8]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA22824 for ; Wed, 25 Sep 2002 18:43:54 -0400 (EDT) Received: from Sangazure1@aol.com by imo-m05.mx.aol.com (mail_out_v34.10.) id e.139.14dded80 (3699); Wed, 25 Sep 2002 18:42:59 -0400 (EDT) Message-ID: <139.14dded80.2ac395f3@aol.com> Date: Wed, 25 Sep 2002 18:42:59 EDT Subject: QWERTY/Conn II -- Sunday To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Wed, 25 Sep 2002 18:42:59 EDT Subject: QWERTY/Conn II -- Sunday To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com Here is Sunday's schedule -- PATIENCE Colonel Calverley -- Doug Whaley Major Murgatroyd -- Marc Lewis Lieut. The Duke of Dunstable -- Lee Patterson Reginald Bunthorne -- Marc Shepherd Archibald Grosvenor -- Sam Silvers The Lady Angela -- Sylvia Greinig The Lady Saphir -- Carole Davis The Lady Ella -- Jackie Richards The Lady Jane -- Arden Anderson-Broeking Patience -- Marion Leeds Carroll Solicitor -- Don Smith Accompanist -- Larry Byler PRINCESS IDA King Hildebrand -- Ori Siegel Hilarion -- David Jedlinsky Cyril --Jim Cooper Florian -- Eric Peterson King Gama -- Shel Hochman Arac -- Jack Salomon Guron --Marc Lewis Scynthius -- John Cunningham Princess Ida -- Jackie Richards Lady Blanche -- Ginger Cunningham Lady Psyche -- Vikki Willoughby Melissa -- Lisa Berglund Sacharissa -- Carol Davis Accompanist -- Andi Stryker-Rodda IOLANTHE The Lord Chancellor -- Larry Garvin Lord Mountararat -- Les Elkins Lord Tolloller -- Jim Cooper Private Willis -- Irv Hodgkin Strephon -- Paul Berglund Queen of the Fairies -- Carole Round Iolanthe -- Lisa Berglund Celia -- Leta Hall Leila -- Carol Davis Phyllis -- Marion Leeds Carroll Accompanist -- Larry Byler H.M.S. PINAFORE The Rt. Hon. Sir Joseph Porter, K.C.B. -- Phil Sternenberg Captain Corcoran -- Bob Richards Ralph Rackstraw -- Lee Patterson Dick Deadeye -- Ori Siegel Bill Bobstay (Boatswain's Mate) -- Marc Lewis Bob Becket (Carpenter's Mate) -- Ted Rice Josephine -- Jackie Richards Hebe -- Wendy Falconer Mrs. Cripps (Little Buttercup) -- Sylvia Greinig Accompanist -- Andi Stryker-Rodda  1,, Summary-line: 26-Sep jim@labsoftware.com [47] #A more readable Sorcerer score X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA21340; Thu, 26 Sep 2002 23:16:50 -0400 (EDT) Received: from mail4.atl.registeredsite.com (mail4.atl.registeredsite.com [64.224.219.78]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA29287 for ; Thu, 26 Sep 2002 23:16:07 -0400 (EDT) Received: from mail.labsoftware.com (mail.labsoftware.com [64.224.177.61]) by mail4.atl.registeredsite.com (8.12.2/8.12.5) with ESMTP id g8R3Fxsq011655; Thu, 26 Sep 2002 23:15:59 -0400 Received: from cv88945-a.labsoftware.com [64.224.177.61] by mail.labsoftware.com with ESMTP (SMTPD32-6.06) id AD1C71360070; Thu, 26 Sep 2002 23:14:36 -0400 Message-Id: <5.1.0.14.2.20020926225733.024236a0@mail.labsoftware.com> X-Sender: jim@mail.labsoftware.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Thu, 26 Sep 2002 23:03:43 -0400 To: Sangazure1@aol.com, PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com From: James W Cooper Subject: A more readable Sorcerer score In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: jim@mail.labsoftware.com Date: Thu, 26 Sep 2002 23:03:43 -0400 To: Sangazure1@aol.com, PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com From: James W Cooper Subject: A more readable Sorcerer score In-Reply-To: >Many of you know that I have been working on a more readable piano-vocal >score of The Sorcerer. A couple of people have offered to read it meticulously, but I would welcome comments for corrections and improvements from any of you. The score has measure numbers in every piece, includes the rehearsal letters from the orchestra parts and includes rehearsal "numbers" that correspond to the page numbers in the Kalmus score. The score is completed and is and always will be free for anyone's use, and I anticipate updating it regularly as people propose corrections or other improvements. You can down load the PDF files from http://trouperslightopera.org/Troupers/Scores/Sorcerer/sorcerer.htm The dialog pages are also provided as Word files which interleave between the music pages. Please give me your feedback at any time. I hope to have a few copies at QwertyConn-II and it will have been through one other sing-in by that time. Jim Cooper  1,, Summary-line: 1-Oct mail@lsimons.plus.com [124] #Re: Greek remarks X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA28218; Tue, 1 Oct 2002 16:08:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA08050 for ; Tue, 1 Oct 2002 16:07:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g91K32sN000257; Tue, 1 Oct 2002 16:03:02 -0400 (EDT) Date: Tue, 1 Oct 2002 16:03:02 -0400 (EDT) Message-Id: <001301c26982$bcc6b800$aefb403e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Greek remarks MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4807.1700 *** EOOH *** Date: Tue, 1 Oct 2002 16:03:02 -0400 (EDT) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Greek remarks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum "Tim Bartlett" wrote > The point is that a middle class Victorian audience would have been brought > up on Latin and Greek..... I'm not so sure that Latin and Greek would have been compulsory subjects in a Victorian Grammar School. In chapter nine of Dodgson's "Alice's Adventures in Wonder-Land" (1862), the Gryphon says he studied Laughing and Grief with the "Classical master", but the Mock Turtle only took the "regular course", which included Reeling and Writhing, and the different branches of Arithmetic (Ambition, Distraction, Uglification and Derision), and then Mystery (ancient AND modern!) and Seaography, and Drawling, Stretching, and Fainting in Coils. This suggests that Latin and Greek might well not have been part of the standard curriculum, but were merely available as extras. Tim has also written: > You can see an example of the teaching methods if you watch the Monty > Python's Life of Brian -- It's set in Palestine in about 30AD, and includes > a scene in which in which a member of the Palestinian Liberan Front (or the > People's Front for the Liberation of Palestine, or some such) is caught > writing "Romans Go Home" on a wall. The Roman soldier who catches him > corrects his grammar, and then forces him to write out the corrected version > a thousand times. It was Brian himself who wrote the said graffito on the palace wall. The scene in question (scene 6) is so funny that I thought I would reproduce it here in its entirety: ====================================================== [Night. Brian approaches the palace wall, and starts painting something on it. He does not, however, see a group of Roman soldiers approaching him from behind, led by a Centurian who reads what he has written.....] CENTURIAN: What's this then? Romanes eunt domus... "People called Romanes they go the house"? BRIAN: It, it says "Romans go home". CENTURIAN: No it doesn't. What's Latin for "Roman"? Come on... BRIAN: Aaah... CENTURIAN: Come on! BRIAN: Ah... Romanus? CENTURIAN: Goes like? BRIAN: Annus? CENTURIAN: Vocative plural of "annus" is? BRIAN: Anni? CENTURIAN: Romani. [Crosses out the "es" and writes in "i".] Eunt? What is eunt? BRIAN: Go. CENTURIAN: Conjugate the verb "to go". BRIAN: Uh. Ire... uh... eo, is, it, imus, itis, eunt. CENTURIAN: So eunt is? BRIAN: Ah... uh, third person plural of present indicative. They go. CENTURIAN: But Romans go home is an order, so you must use the...? [Lifts Brian by the sideburns.] BRIAN: The imperative. CENTURIAN: Which is? BRIAN: Umm. Oh, oh, um... -e, -e. CENTURIAN: How many Romans? BRIAN: Ah. Plural, plural... -ite, -ite. CENTURIAN: -ite. [He again corrects the writing on the wall.] Domus? Nominative? "Go home"... this is motion towards, isn't it, boy? BRIAN: Dative, sir. [Centurian draws his sword, and holds it to Brian's throat.] BRIAN: Ahh. No, not dative, not the dative, sir. Oh, ah. Uh. The accusative -- accusative. Ah, Domum, sir. Ab domum. Ah. Oooh. Ah. CENTURIAN: Except that 'domus' takes the...? BRIAN: The locative, sir. CENTURIAN: Which is? BRIAN: Domum. Aaah. Ah. [Corrects the writing again] CENTURIAN: Domum... um... Understand? BRIAN: Yes, sir. CENTURIAN: Now write it out a hundred times. BRIAN: Yes, sir. Thank you, sir. Hail Caeser, sir. CENTURIAN: Hail Caeser. And if it's not done by sunrise, I'll cut your balls off. BRIAN: Ooh, thank you, sir. Thank you, sir. Hail Caeser and everything, sir. Oh. Mmm. [Centurian walks off, leaving two sentrys behind to guard him.] .... [Later. Dawn. Brian has written the slogan all over the front of the palace.] BRIAN: Finished! [Sentries pick up their shields and spears. One of them points his spear threateningly at Brian.] FIRST SENTRY: Right. Now don't do it again! [Senties walk off. Brian admires his handywork. Unfortunately, another group of guards come along, and realise what he has written. Brian runs. They give chase, careless of the citizens] BYSTANDER: Hey! Bloody Romans! <> ====================================================== Larry London, UK  1,, Summary-line: 6-Oct oakapple@cris.com [148] #Dover PINAFORE Review X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA20132; Sun, 6 Oct 2002 14:28:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA13985 for ; Sun, 6 Oct 2002 14:27:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g96IQosN027191; Sun, 6 Oct 2002 14:26:50 -0400 (EDT) Date: Sun, 6 Oct 2002 14:26:50 -0400 (EDT) Message-Id: <3DA07E51.2020603@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Dover PINAFORE Review MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 6 Oct 2002 14:26:50 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Dover PINAFORE Review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum H.M.S. PINAFORE in Full Score New Edition by Carl Simpson and Ephraim Hammett Jones Dover Publications Inc., 2002 248 pages. H.M.S. PINAFORE Vocal Score New Edition by Carl Simpson and Ephraim Hammett Jones Dover Publications Inc., 2002 212 pages. This pair of volumes came out a couple of months ago, but I've just now gotten around to writing up my review. This is the third G&S edition by Messrs. Simpson and Jones, published by Dover. Like MIKADO and PIRATES, it offers a full score, vocal score, and rental band parts that are in mutual agreement and attractively typeset to modern standards. They are also very compellingly priced: the PINAFORE full score is $13.97 at Amazon, the vocal score $10.36. (Amazon sells the Schirmer PINAFORE vocal score at $16.95. The only other available full score, a reasonably accurate, but ugly handwritten affair from Kalmus, retails at jwpepper.com for $100. The big argument I have with some of my colleagues is: Are the Dover scores anything more than just attractive typography at bargain basement prices? I answer in the negative. These scores are better researched and annotated than any other G&S editions that are not scholarly/critical. Such editions exist today for only three G&S operas: TRIAL (Broude), RUDDIGORE (Oxford) and GONDOLIERS (Eulenberg). Only for one of these, Oxford's RUDDIGORE, are compatible full score, vocal score, and band parts now available. Dover, then, has offered us something for the "big three" operas that is available nowhere else, and for this they deserve due credit. I am not aware that Simpson and Jones have any more G&S editions in the offing, but we should all be very happy for the three they've given us. The usual Dover typographical hallmarks are present in this new score. Vocal parts that earlier scores cram onto too-few staves are expanded, with each solo part on its own staff. Each chorus part also get its own staff, aside from a few places where men and women are in simple harmonies. All repeats are fully written out. There are measure numbers at the head of every system. Both full score and vocal score include the dialogue, in a large and easily readable font. My only typographical complaint is one I've made before: the editors beam eighth and sixteenth notes in vocal parts, which I feel makes them harder to read. The editors have not been known to take criticism graciously. When one ventured even the slightest criticism of their work, they would either deny its validity, or respond with the excuse, "Ours is not a critical edition." This latter comment is of course true, but it does not exempt them from being taken to task for their mistakes. It is only fair that, if they are going to take credit for the *benefits* of their approach (attractive editions available today at low prices), they also accept the its drawbacks. The Dover editions have gotten better over time, and PINAFORE is the best to date. In MIKADO, their first effort, the discussion of sources and editorial method occupied them for just two large-print paragraphs. For PINAFORE, it is now up to a full page in small print. For MIKADO, the earliest Chappell vocal score consulted was a 1911 reprint; for PINAFORE, they have consulted all of the relevant editions from 1878 to beyond the creators' deaths. Their expalanation of the sources' relationships - not one of the editors' strengths in the past - seems entirely accurate. One unfortunate error is that they credit the overture to Sullivan himself: it is well known that Alfred Cellier wrote it. I've repeatedly criticized the editors for setting their previous scores for B-flat clarinets exclusively. While they have never admitted that this was a mistake, they must finally be convinced, because for PINAFORE they have now introduced A clarinets "in those sections which lie below the range of the Bb instruments or where the fingerings on the Bb instruments would prove to be cumbersome." But given that they've now acknowledged that competent clarinettists will have both instruments, why didn't they just employ them where Sullivan did, instead of resorting to such a cocky explanation? PINAFORE had a complicated textual history, and there are alternative versions for several of the numbers. These are footnoted and explained in the main text. The deleted recitative ("Here, take her sir") is offered, as is the dialogue version of the passage. Both the original and Sargent "fanfare" endings of the Act II finale are offered. Smaller variants are shown in cue-size notes, as in past Dover editions. As usual, the edition footnotes major variants among the sources. And as usual, there are variants that appear to meet their (unstated) criteria for footnoting, but that they seem to have missed. Again, I already know the excuse ("Ours is not a critical edition"), but once one decides to footnote, it's fair to expect that the approach - whatever it is - will be followed through. In my brief traversal through the full score, I found two serious mistakes. In "I am the Captain of the Pinafore," the editors attempt to give the traditional rendering of "Well, hardly ever!" But what they give is not recognizable. It's in cue-size notes, to be sure, but wrong nevertheless. The mistake is repeated in the Act II finale. In first part of the "This very night" section of the Act I finale (before the chorus joins in), the line "At half-past ten" is assigned jointly to Hebe and the Bos'n, and "Can part them then" to Buttercup and the Bos'n. All vocal scores I've consulted assign these lines to Bos'n only. The editors may have lost their place, for after the chorus join in these lines *are* doubled. The editors, as in past editions, tend to focus on the notes more than the words. There are no footnotes in the dialogue, for instance, and yet there are differences in the dialogue from one edition to the next. In a couple of places, I think they've made the wrong choices in the lyrics. After Hebe sings "No more have his sisters, nor his cousins, nor his aunts," Dover follows editions that have the chorus singing "No more have his sisters, AND his cousins, AND his aunts." I think it's fairly obvious that the chorus should use "nor," like Hebe. In the Act II finale, the Dover edition has: "For his is an Englishman! AND he himself has said it...." The "And" is a "For" in most sources, and that's what I would have printed. The Dover vocal score introduces a No. 18a just before "Hold! Pretty daughter of mine...." Every vocal score I consulted simply has No. 18 continuing at this point. Dover's break-down may well agree with the autograph (I haven't checked), but it could cause confusion in groups where not all the cast use the same score. I studied the new Dover vocal score less closely. It has the same introduction, the same text, and most of the same footnotes as the full score. As in the previous Dover editions, the piano accompaniment has been revised to more closely agree with the orchestration. With a few caveats - and what edition doesn't have them? - the new Dover PINAFORE can be heartily recommended, at least until something better comes along. -- Marc Shepherd New York, NY  1,, Summary-line: 19-Oct jonmon@MIT.EDU [75] #OT: JonMon is starting an IT consultancy (& needs contractors) X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA12082; Sat, 19 Oct 2002 15:39:44 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA00177; Sat, 19 Oct 2002 15:39:40 -0400 (EDT) Received: from bombur.mit.edu (h00045ae3f856.ne.client2.attbi.com [65.96.237.65]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id PAA28473; Sat, 19 Oct 2002 15:39:40 -0400 (EDT) Message-Id: <5.1.0.14.1.20021019151339.0270c6c0@hesiod> X-Sender: jonmon@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Sat, 19 Oct 2002 15:39:38 -0400 To: doom@mit.edu From: Jon Monsarrat Subject: OT: JonMon is starting an IT consultancy (& needs contractors) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: jonmon@hesiod (Unverified) Date: Sat, 19 Oct 2002 15:39:38 -0400 To: doom@mit.edu From: Jon Monsarrat Subject: OT: JonMon is starting an IT consultancy (& needs contractors) Hi! This is Jon Monsarrat, MIT alumnus, SIPB, APO, Guild, LSC, etc., and I'm writing off-topic to announce that I'm starting an IT consultancy! We'll be circling the wagons to fend off the economy, and we need some extra wagons -- people to sign up to get contract work. I'm already an entrepreneur. I have an EECS degree & MBA from MIT, and was the founder & former CEO of Turbine Entertainment Software. If you've ever heard of Asheron's Call, we made that game. I've had other executive roles in marketing, business development, & strategy. My co-founder and partner is Eric deRiel, also the founder & former CEO of a company -- his own IT consulting firm in the 90's, Ixion Consulting. Eric is a Brown University alumnus. We are both world-class software/IT guys who have come across hard times. Now we are fighting back! The new company is called Rainmakers Consulting. We will specialize in the Massachusetts area only, and do: software, IT, QA, tech writing, and business consulting. I already have an active business consulting practice. See my personal website at http://www.monsarrat.com/Business/. (Rainmakers isn't up yet, but we just grabbed rainmakers-consulting.com.) Here's how it would work if you are interested: 1. You can do this in just 5 minutes. Send your resume to deriel@alumni.brown.edu, and tell Eric: a) Your availability for contract work b) The skills of yours that we can really boast about to clients c) What hourly rate you're willing to work for. Think down economy, please. We won't be competing (yet!) with the big consultancies. 2. It's optional (we know you're busy) but if you want to take a little extra time, let's do a phone or in-person interview. That will put you a little foremost in our minds as we pitch clients. 3. Eric and I are going to hit the streets and drum up business. I have an extensive list of about 2500 Boston-area companies for my own personal business consulting, and we'll shortly have a list in IT consulting. 4. When we get a client, we'll call up everyone whose resume matches up and ask if they're really available and interested. Anybody we didn't interview we should probably meet at this point! 5. Working for a client with us gives you the following benefits: a) Getting paid is good. Yum. b) The recession has left lots of people with unsightly holes in their resumes. This is a chance to keep yours current. c) A possibility to leap into a full-time job if our client hires you. d) A successful project means repeat contracts from Rainmakers. e) A chance to poke the down economy in the eye and shout hardy har har! (This one's my favorite.) 6. If you want to help us drum up business, too, great, let's talk about that. We give finder's fees for referrals, or if you're in touch with the consulting world maybe you could join our team. Or perhaps you've already got your own consultancy going but could use an umbrella organization to give you some more clout, or to co-pitch with you. Have any questions? The best way to reach us is email. I handle the business questions (jonmon@alum.mit.edu), and Eric handles the technical questions (deriel@alumni.brown.edu). Or call us: my cell is 617-803-5815. Eric's is 617-501-3126. We are cool guys and you will enjoy working with us. Give us a shot! And please forward this email to anyone you'd recommend to us. -Jon  1, forwarded,, Summary-line: 21-Oct cjsmith@MIT.EDU [18] #Query X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA01644; Mon, 21 Oct 2002 14:54:39 -0400 (EDT) Received: from merle.it.northwestern.edu (merle.it.northwestern.edu [129.105.16.57]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA09844; Mon, 21 Oct 2002 14:54:35 -0400 (EDT) Received: (from mailnull@localhost) by merle.it.northwestern.edu (8.8.7/8.8.7) id NAA28057; Mon, 21 Oct 2002 13:54:32 -0500 (CDT) Received: from mit.edu (yoderg3.cmb.northwestern.edu [165.124.242.110]) by merle.acns.nwu.edu via smap (V2.0) id xma026930; Mon, 21 Oct 02 13:53:58 -0500 Message-ID: <3DB44D44.6070104@mit.edu> Date: Mon, 21 Oct 2002 13:53:56 -0500 From: Carolyn Smith Reply-To: cjsmith@MIT.EDU User-Agent: Mozilla/5.0 (Macintosh; U; PPC Mac OS X; en-US; rv:1.0.0) Gecko/20020529 X-Accept-Language: en-us, en MIME-Version: 1.0 To: gsp-ec@mit.edu, goodmanj@mit.edu, opus@mit.edu Subject: Query Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Mon, 21 Oct 2002 13:53:56 -0500 From: Carolyn Smith Reply-To: cjsmith@MIT.EDU X-Accept-Language: en-us, en To: gsp-ec@mit.edu, goodmanj@mit.edu, opus@mit.edu Subject: Query Hi there. It recently occured to me that I have a zillion MITG&SP shows on videotape, and no VCR, and that VCR technology is become rapidly obsolete. I was wondering if MITG&SP would consider having old shows converted to DVD. I would certainly be interested in getting all the old shows on DVD rather than video, and I cant afford to ask opus to do it just for me, but I imagine there might be other oldies who would be interested in it, and it would probably be a better way for you guys to archive them anyway. More durable etc... --cyn  1,, Summary-line: 23-Oct finn63@charter.net [52] #SORCERER meets DROOD X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA10790; Wed, 23 Oct 2002 11:45:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA20052 for ; Wed, 23 Oct 2002 11:44:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g9NFhOsN020064; Wed, 23 Oct 2002 11:43:24 -0400 (EDT) Date: Wed, 23 Oct 2002 11:43:24 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mary Finn" To: Multiple recipients of list SAVOYNET Subject: SORCERER meets DROOD MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002d01c27a99$d48276a0$1ed4403e@harthacnut> X-Mailer: CommuniGate Pro Web Mailer v.3.5.9b *** EOOH *** Date: Wed, 23 Oct 2002 11:43:24 -0400 (EDT) Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mary Finn" To: Multiple recipients of list SAVOYNET Subject: SORCERER meets DROOD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002d01c27a99$d48276a0$1ed4403e@harthacnut> > PROPOSED ADDITIONAL TEXT, TO MODERNISE PLAY > > WELLS (continuing) ... you will find electronic devices >next to your seats. > Press the green button if you wish for Alexis to die. >If you want me to die > *gulp* press the red button. Alas, it's been done (albeit not electronically) -- last year, by the Sudbury Savoyards in Massachusetts. Fortunately, they told their members beforehand what was being planned, so I knew enough not to audition. I think this approach is indicative of a lazy director. It is the director's job to come up with a vision of the show (Alexis as naive nincompoop, Alexis as arrogant idiot, Wells as evil manipulator, the evils of the Victorian class system, what have you) and to work with their actors to present that vision to the audience. The audience gets to like or dislike that vision, they get to interpret that vision in their own individual ways, but it's not *their* job to decide what that vision is. It's the director's job. And, of course, it's not what Gilbert wrote. Perhaps I should say that a director's job is to come up with a vision of the show that is grounded in the text. (If you want an example of how to do that, I refer you to Diana Burleigh.) P.S. -- To be fair, I understand that Sudbury's production was very well received by their audiences, even though *they* were not warned about the trick ending. I can't verify this through personal observation, however. I did not attend. Mary Finn Massachusetts, USA Teems with quiet fun.  1, forwarded,, Summary-line: 23-Oct to: vanessan@MIT.EDU [125] #Re: Dance Troupe Videos X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA12094; Wed, 23 Oct 2002 20:35:34 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA01288; Wed, 23 Oct 2002 20:35:34 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id UAA09338; Wed, 23 Oct 2002 20:35:33 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id UAA19074; Wed, 23 Oct 2002 20:35:33 -0400 (EDT) Date: Wed, 23 Oct 2002 20:35:33 -0400 (EDT) Message-Id: <200210240035.UAA19074@multics.mit.edu> From: "David C. Jedlinsky" To: vanessan@MIT.EDU In-reply-to: <5.0.2.1.2.20021011023628.00b4e8c0@hesiod> (message from vanessa nadal on Fri, 11 Oct 2002 02:41:06 -0400) Subject: Re: Dance Troupe Videos References: <5.0.2.1.2.20021005214949.00b3f9a8@hesiod> <5.0.2.1.2.20021005214949.00b3f9a8@hesiod> <5.0.2.1.2.20021011023628.00b4e8c0@hesiod> *** EOOH *** Date: Wed, 23 Oct 2002 20:35:33 -0400 (EDT) From: "David C. Jedlinsky" To: vanessan@MIT.EDU In-reply-to: <5.0.2.1.2.20021011023628.00b4e8c0@hesiod> (message from vanessa nadal on Fri, 11 Oct 2002 02:41:06 -0400) Subject: Re: Dance Troupe Videos Hi Vanessa. We are available the weekend of the 22nd, but we are also taping the G&S show during that same time period. Do you have two concerts scheduled for the 23rd? Would it work for us to just tape those concerts, or do you need us on both the 22nd and 23rd? We record the music and audience at the same time as the video, so synchronization isn't a problem. It usually takes a little over a month to edit the tapes and make all the copies. This means that we probably won't be able to have them ready in time for Christmas. DVDs are an interesting issue. If the total concert length is less than about an hour and a half, we can put both the "superwide" and the "edited" versions of the concert on one DVD, and you can watch either version, or switch between them (using the multi-angle feature). However, if the concert is too long, it won't fit, and we'll have to make separate DVDs. Our pricing scheme is twofold; we charge a flat rate for the taping, and then add in a per-tape (or per-DVD) charge to arrive at a total price. For each concert which is "superwide" only (one camera which does not move for the entire dance), the flat rate is $132.00. For each concert which is "edited" (three cameras, and you get a superwide as well as an edited version), the flat rate is $380.00. Each VHS tape copy is an additional $6.00 on top of that. Adding in DVDs will add an authoring charge of $25.00 per type of recording, regardless of whether we can fit one angle or two on a disc. Each DVD copy is an additional $10.00 on top, regardless of how many angles are on it. We don't normally print labels for the videos or the DVDs, but that could be done for an additional $1.00 per video. The DVD discs themselves would not have a label, because we've found that the label causes the disc to spin erratically, and sometimes won't play. We will need to have any artwork you'd like to use on the videos, preferably in electronic form, but a poster is fine, too. Also, we'll need a copy of the program so we can put the credits on the video. -Dave >Date: Fri, 11 Oct 2002 02:41:06 -0400 >From: vanessa nadal > >Hello Dave, > >The days of the performance are the 22 and 23rd of November. We will most >likely be doing three shows and yes we are interested in a dispersion of >tapings similar to what you described. The last few concerts we have had >the performance taped and then the music dubbed on later, however many of >our members have expressed dislike of this technique because the music is >often a little bit off, and I'm sure you understand that in a dance, even >half a second off is a big deal. > >I would like to know if you would be able to do the things I described >above, along with price estimates, availability, how far in advance you >need to know the exact times of the performances, how quickly the videos >can be ready to distribute among the members, etc. I think there would be >a large interest in DVDs so if you could include the parameters of the >above questions with and without DVDs, I would appreciate it. Please let >me know if you are still interested, and feel free to voice any questions >or concerns. My contact information is: > >email: vanessan@mit.edu >cell: 617 308 7388 > >Thank you, > >Vanessa Nadal > > >At 07:50 PM 10/9/2002 -0400, you wrote: > >>Hi Vanessa. >> >>In the past, we've been asked to record two performances, and make >>three different types of tapes. For each performance, we'd make a >>"superwide" tape, which basically is a camera set on a tripod wide >>enough to see the entire stage all the time; I understand this is >>preferred by the choreographers who want to critique the dance. In >>addition, we would also make an "edited" tape of the second >>performance, which would consist of a wide shot of all dancers >>currently on stage, intercut with closeups of soloists. Does this >>sound like what is desired this time, or would you like something >>different? >> >>Our price depends on how many performances we tape, and how many >>different types of tapes we make. In addition, we have started >>offering DVDs in addition to video tapes. >> >>Can you let me know the exact dates and times of your performances? >> >>Thanks. >> >>-Dave >> >> >> >Date: Sat, 05 Oct 2002 21:57:59 -0400 >> >From: vanessa nadal >> > >> >Hello Mr. Jedlinsky, >> > >> >I am the new historian for MIT's Dance Troupe and thus am in charge of >> >getting our concert videotaped. The concert is the weekend before >> >Thanksgiving this year. I was given your name as a former video-taper of >> >Dance Troupe Preformances and am wondering if you would be up for it >> >again. Could you please let me know if you would be available, and what >> >the price range would be? >> > >> >Thank you, >> > >> >Vanessa Nadal. >> >vanessan@mit.edu >> > >> > > >  1,, Summary-line: 23-Oct Earthflash@webtv.net [68] #Hurry Up Mode X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA14223; Wed, 23 Oct 2002 20:36:35 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA11689 for ; Wed, 23 Oct 2002 20:35:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g9O0SHsN020392; Wed, 23 Oct 2002 20:28:17 -0400 (EDT) Date: Wed, 23 Oct 2002 20:28:17 -0400 (EDT) Message-Id: <8118-3DB73B31-725@storefull-2137.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Hurry Up Mode Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Arthur Robinson 's message of Wed, 23 Oct *** EOOH *** Date: Wed, 23 Oct 2002 20:28:17 -0400 (EDT) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Hurry Up Mode Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Arthur Robinson 's message of Wed, 23 Oct Gordon wrote... ***The purpose of TeeVee-Land's "hurry up" mode is merely to fit in advertisements.*** This is long, OT, and IMHO a completely *fascinating* story! (-8 I'm a VHS taping fanatic. Decades ago, a half hour show was about 27 minutes + commercials. Every year the show time has been reduced. Now it's often 22 minutes to the half hour. I find this sickening. I taped a lot of STAR TREK episodes from TV reruns but (I'm guestimating the numbers here) I remembered the shows were originally 50 minutes long and now I was only getting 45 minutes on my tapes when I cut out the commercials. I longed to find out what little segments they were cutting out (for this and other shows) so they could fit in more commercials. A few years ago, they put STAR TREK out on video - boasting that it was "the original length of 50 minutes." I bought a few of my favorite episodes and watched them with excitement, waiting to see what parts were edited out. I knew the episodes I had taped well but could not find one new segment. Yet they were still 5 minutes longer than the TV rerun broadcasts! I've got two VCR's so I decided to play a TV episode with its store-bought episode at the same time. I flipped back and forth waiting to see what was different. Nothing was different. I *did* notice that I couldn't keep the two in sync, though. The TV version kept running ahead of the store-bought version. Ah ha! It hit me - the TV people were speeding up the episodes just slightly so they could fit in more commercials! What's even worse (if that's possible) the video distributors were boasting "original length" to make people think they were getting something extra. I have never met anyone that was aware of this but me. In this savvy group I'm sure others are aware - but I'm betting most are not. So that's my little discovery. I also discovered something about THE DAY THE EARTH STOOD STILL that only I know - but I've OT'd too much already! John S Long Island, New york, U.S.A. http://community-2.webtv.net/Earthflash/SavoynetLinks/  1,, Summary-line: 24-Oct rls@dimins.com [91] #Re: [Sangazure1@aol.com: QWERTY/Conn II -- Lunch] X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA13199; Thu, 24 Oct 2002 11:32:28 -0400 (EDT) Received: from dimins.com (host154.209-113-215.oem.net [209.113.215.154] (may be forged)) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA27476 for ; Thu, 24 Oct 2002 11:32:27 -0400 (EDT) Received: (from mail@localhost) by dimins.com (8.11.6/8.7.1) id g9OFWdN23096 for ; Thu, 24 Oct 2002 11:32:39 -0400 Received: from gandalf.dimins.com(204.215.187.24) by dimins.com via smap (V2.0) id xma023092; Thu, 24 Oct 02 11:32:33 -0400 Date: Thu, 24 Oct 2002 11:32:20 -0400 Subject: Re: [Sangazure1@aol.com: QWERTY/Conn II -- Lunch] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v546) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200210241458.KAA29960@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.546) *** EOOH *** Date: Thu, 24 Oct 2002 11:32:20 -0400 Subject: Re: [Sangazure1@aol.com: QWERTY/Conn II -- Lunch] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200210241458.KAA29960@multics.mit.edu> plain tuna w/mayo mixed into it, on bread (no lettuce, tomato, or anything else) is what I'd like. 2 of those would be enough for lunch for me. If it's a problem, I can bring my own supplies if she can give me some mayo. Pizza's fine. We should fend for ourselves for breakfast since there's no protein mentioned. Ruth On Thursday, October 24, 2002, at 10:58 AM, David C. Jedlinsky wrote: > ------- Start of forwarded message ------- > From: > Date: Wed, 23 Oct 2002 21:45:57 EDT > Subject: QWERTY/Conn II -- Lunch > To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, > cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, > LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, > oakapple@cris.com, > SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, > opus@mit.edu, > Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, > ihodgkin@acadia.net, eric@toastpoint.com, > marion@leedscarroll.com, > DglsWhaley@aol.com, sylvia.greinig@btconnect.com, > pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, > snappy@megalink.net (Virginia & John Cunningham), > Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, > finn63@charter.net, Bj.Richards@btinternet.com, > ehaslun@yahoo.com, > annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, > va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, > hightideprod@acadia.net (Lee Patterson c/o Nick), > PSternenberg@aol.com > > During one of our breaks, we will partake of lunch. In the absence of > Rollicking Buns, Tarts and Strawberry Jam, I offer the following > selections: > > Saturday -- your choice of "Giant Overstuffed Party Heroes" > > The Michaelangelo -- Pepperoni, Salami, Ham, Capiccola, Proscuitini, > Mortadella, Provolone, Peppers, Tomato and Italian Dressing. (My mouth > is > watering!) > > The Aristocrat -- Pastrami, Corned Beef, Roast Beef, Turkey, Swiss and > Muenster Cheeses, Lettuce, Tomato, Pickle Chips, Thousand Island > Dressing. > > Please let me know which you prefer, so I can order a sufficient > amount. > > If any of you are Vegetarians or would prefer something prosaic such > as Tuna > Fish, please let me know that also. I will order individual > sandwiches, > unless there are ten or more requests. > > Sunday -- Pizza -- we can order them that day and decide then. > > We will have a copious supply of beer and soft drinks as well as > coffee and > tea. > > Contributions of snacks and brownies will be gratefully accepted. > > Also -- please join us for breakfast on Sunday -- juice, bagels, > muffins, > coffee and tea. > > T-Shirts -- due to a definite lack of interest, we will not be having > T-Shirts. > > Bobbie > ------- End of forwarded message ------- > > Ruth Jedlinsky (cell 617-803-4192) (short email to cell phone - rls-phone@ipnh.com)  1,, Summary-line: 24-Oct rwatson1@becon.org [46] #Re: The PINAFORE hornpipe X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA19666; Thu, 24 Oct 2002 21:58:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA24236 for ; Thu, 24 Oct 2002 21:58:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id g9P1wOsN012055; Thu, 24 Oct 2002 21:58:24 -0400 (EDT) Date: Thu, 24 Oct 2002 21:58:24 -0400 (EDT) Message-Id: <001001c27bc7$54465900$1f2623cf@scaphio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: The PINAFORE hornpipe MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 *** EOOH *** Date: Thu, 24 Oct 2002 21:58:24 -0400 (EDT) Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: The PINAFORE hornpipe X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >>.....A hornpipe is a dance >not an instrument, ....>> It is both. The hornpipe, or piobcorn, or pibgorn, or various spellings, was played in Wales, north of England, Scotland, by shepherds, but was known on the continent as well. It was either a single or double pipe using a single beating reed like a bagpipe drone reed, and had a section of cowhorn at the bell end, although the main tube was wooden. By the fifteenth century, the word hornpipe began to refer to a dance. The dance tunes originally were in 3/2 or 3/4 time. (See Handel's hornpipes, such as in the Water Music, for late examples). But by the nineteeth century the dance tunes became foursquare melodies in 2/4 or 4/4. In the 20th century, hornpipes for dances by Scottish Highland and Irish dancers remained in 2/4 time, but the predominance of triplet rhythms nowadays makes a modern hornpipe tune nearly indistiguishable from a jig! (Which, we all know, is in compound time.) >...and Andrew, if you think the notes >of Queens Navee and Customary Attitude are exactly the >same, you'd best have another look at a score as they >couldn't be more different!!...>>> It depends *which* customary attitude you are looking at. Bars 19 and 20 of A British Tar are in fact identical, though a semitone higher, to bars 27 and 28 (and all such bars), of When I was a Lad. Bars 27 and 28 of A British Tar are merely similar. They could be much different. -Rob Ontario, Canada Am I alone, And unobserved? I am! _______________________________________ Robert C L Watson rwatson1@becon.org  1,, Summary-line: 25-Oct Sangazure1@aol.com [86] #Fwd: Pirates X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA08695; Fri, 25 Oct 2002 23:01:52 -0400 (EDT) From: Received: from imo-m10.mx.aol.com (imo-m10.mx.aol.com [64.12.136.165]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA00989 for ; Fri, 25 Oct 2002 23:01:51 -0400 (EDT) Received: from Sangazure1@aol.com by imo-m10.mx.aol.com (mail_out_v34.13.) id e.1a7.ae87854 (4312); Fri, 25 Oct 2002 23:01:28 -0400 (EDT) Message-ID: <1a7.ae87854.2aeb5f88@aol.com> Date: Fri, 25 Oct 2002 23:01:28 EDT Subject: Fwd: Pirates To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_1a7.ae87854.2aeb5f88_boundary" X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Fri, 25 Oct 2002 23:01:28 EDT Subject: Fwd: Pirates To: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com --part1_1a7.ae87854.2aeb5f88_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi, Everyone -- I don't have a list of those going to the CG&SS "Pirates" on Friday night, so I'm sending this to everyone attending QC2. I received this message from someone on the CG&SS Board, so I'm passing it along. I will make dinner reservations at the Cornerstones for 5:30, which should give us enough time to leave by 7:15. Seats are not reserved, and the theater is about 15 minutes from the restaurant. For those of you taking Route 91 from the North (Boston, Hartford, etc.) there's an exit leading to Route 9. Take that south into Middletown and go west on Route 66. The restaurant is about one-half mile later in the center of town. (This replaces earlier directions I sent telling you to take Route 66 east off Route 91). Bobbie << Hi Bobbie - I have been thinking about your dinner time/Pirates agenda and so worried that you all would not be able to make the show on time! Tickets are really going for the opening night and I am afraid the parking will be horrific. The only thing I would advise is that you leave the restaurant NO LATER than 7:15 so MAYBE you would be able to get some decent seats. . >> --part1_1a7.ae87854.2aeb5f88_boundary Content-Type: message/rfc822 Content-Disposition: inline Return-Path: Received: from rly-xg01.mx.aol.com (rly-xg01.mail.aol.com [172.20.115.198]) by air-xg01.mail.aol.com (v89.10) with ESMTP id MAILINXG11-1025171105; Fri, 25 Oct 2002 17:11:05 -0400 Received: from web80105.mail.yahoo.com (web80105.mail.yahoo.com [66.163.169.78]) by rly-xg01.mx.aol.com (v89.10) with ESMTP id MAILRELAYINXG16-1025171205; Fri, 25 Oct 2002 17:12:05 2000 Message-ID: <20021025211216.96339.qmail@web80105.mail.yahoo.com> Received: from [64.252.215.11] by web80105.mail.yahoo.com via HTTP; Fri, 25 Oct 2002 14:12:16 PDT Date: Fri, 25 Oct 2002 14:12:16 -0700 (PDT) From: Annlee Sortland Subject: Pirates To: Sangazure1@aol.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1988188191-1035580336=:96240" X-Mailer: Unknown (No Version) --0-1988188191-1035580336=:96240 Content-Type: text/plain; charset=us-ascii Hi Bobbie - I have been thinking about your dinner time/Pirates agenda and so worried that you all would not be able to make the show on time! Tickets are really going for the opening night and I am afraid the parking will be horrific. The only thing I would advise is that you leave the restaurant NO LATER than 7:15 so MAYBE you would be able to get some decent seats. . Annie --0-1988188191-1035580336=:96240 Content-Type: text/html; charset=us-ascii

Hi Bobbie - I have been thinking about your dinner time/Pirates agenda and so worried that you all would not be able to make the show on time!  Tickets are really going for the opening night and I am afraid the parking will be horrific.  The only thing I would advise is that you leave the restaurant NO LATER than 7:15 so MAYBE you would be able to get some decent seats. .

Annie

--0-1988188191-1035580336=:96240-- --part1_1a7.ae87854.2aeb5f88_boundary--  1,, Summary-line: 26-Oct finn63@charter.net [35] #QWERTY/CONN Eve Plans X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id IAA18173; Sat, 26 Oct 2002 08:57:59 -0400 (EDT) Received: from dc-mx11.cluster1.charter.net (dc-mx11.cluster1.charter.net [209.225.8.21]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id IAA18302 for ; Sat, 26 Oct 2002 08:57:59 -0400 (EDT) Received: from [66.189.68.178] (HELO charter.net) by dc-mx11.cluster1.charter.net (CommuniGate Pro SMTP 3.5.9) with ESMTP id 14950918; Sat, 26 Oct 2002 08:57:58 -0400 Message-ID: <3DBA9127.5000708@charter.net> Date: Sat, 26 Oct 2002 08:57:11 -0400 From: Mary Finn User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:0.9.4.1) Gecko/20020314 Netscape6/6.2.2 X-Accept-Language: en-us MIME-Version: 1.0 To: Sangazure1@aol.com CC: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, Marc Lewis , PZavon@Rochester.RR.Com, Virginia & John Cunningham , Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, Lee Patterson c/o Nick , PSternenberg@aol.com Subject: QWERTY/CONN Eve Plans References: <1a7.ae87854.2aeb5f88@aol.com> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Sat, 26 Oct 2002 08:57:11 -0400 From: Mary Finn X-Accept-Language: en-us To: Sangazure1@aol.com CC: PHC@prodigy.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@mit.edu, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, Marc Lewis , PZavon@Rochester.RR.Com, Virginia & John Cunningham , Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, Lee Patterson c/o Nick , PSternenberg@aol.com Subject: QWERTY/CONN Eve Plans Just wondering -- is there anyone (else) A) Not joining Sam et.al. in NewYork for dinner, B) Not joining Bobbie et.al. for dinner and PIRATES, and C) Arriving at the Marriott on Friday? Marion Leeds Carroll and I fit that description. We will probably get to the Marriott some time in the ball park of 6:30 PM, and we will be hungry. If anyone wants to meet for dinner and/or drinks and conversation, it can happen. Cheers! -- Mary Finn  1, answered,, Summary-line: 29-Oct nbozard@MIT.EDU [11] #Recording Pirates X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA20677; Tue, 29 Oct 2002 16:56:38 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA04829 for ; Tue, 29 Oct 2002 16:56:38 -0500 (EST) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id QAA17138 for ; Tue, 29 Oct 2002 16:56:20 -0500 (EST) Received: from localhost (nbozard@localhost) by mormal.mit.edu (8.9.3) with ESMTP id QAA08290; Tue, 29 Oct 2002 16:56:20 -0500 Date: Tue, 29 Oct 2002 16:56:20 -0500 (EST) From: Nick Bozard To: Subject: Recording Pirates Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Tue, 29 Oct 2002 16:56:20 -0500 (EST) From: Nick Bozard To: Subject: Recording Pirates Can you give me some idea when you'd want/need to do set up and recording for the show? Nick  1,, Summary-line: 29-Oct carsten@prospeed.net [19] #Netscape X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA13930; Tue, 29 Oct 2002 21:01:08 -0500 (EST) Received: from localhost.prospeed.net ([63.84.180.20]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA26968 for ; Tue, 29 Oct 2002 21:01:08 -0500 (EST) Received: from prospeed.net ([12.170.49.105]) by localhost.prospeed.net (8.11.6/8.9.3) with ESMTP id g9U20vQ24600 for ; Tue, 29 Oct 2002 21:00:57 -0500 Date: Tue, 29 Oct 2002 21:00:48 -0500 Mime-Version: 1.0 (Apple Message framework v546) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Netscape From: Carsten Turner To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <68EA9B74-EBAB-11D6-BAFC-000393A98104@prospeed.net> X-Mailer: Apple Mail (2.546) *** EOOH *** Date: Tue, 29 Oct 2002 21:00:48 -0500 Subject: Netscape From: Carsten Turner To: David Jedlinsky Hey there... My browser windows in Netscape are 'collapsed,' but it's unlike anything I've ever seen in my life. They present themselves as a line, 1 pixel wide by perhaps 10 or 15 tall. That's it, nothing more. I can't find anything that opens them, but interestingly, if I go to the 'go to URL' menu item and type in the name of a site that I know has pop-under ads, I get a fully functional browser window from that ad. I'm not looking to be 'saved by advertising,' though. Has this happened to you or Ruth, and how did you resolve it? I visited Netscape's site and there's nothing in the help section. Thanks, -=>Carsten:-)  1, filed,, Summary-line: 30-Oct Sangazure1@aol.com [103] #QWERTY/Conn II -- Directions X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA23058; Wed, 30 Oct 2002 21:41:30 -0500 (EST) From: Received: from imo-d03.mx.aol.com (imo-d03.mx.aol.com [205.188.157.35]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA17095 for ; Wed, 30 Oct 2002 21:36:32 -0500 (EST) Received: from Sangazure1@aol.com by imo-d03.mx.aol.com (mail_out_v34.13.) id j.e5.202a6908 (4206); Wed, 30 Oct 2002 21:36:02 -0500 (EST) Message-ID: Date: Wed, 30 Oct 2002 21:36:02 EST Subject: QWERTY/Conn II -- Directions To: paulhc@sbcglobal.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@MIT.EDU, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** From: Date: Wed, 30 Oct 2002 21:36:02 EST Subject: QWERTY/Conn II -- Directions To: paulhc@sbcglobal.net, andi_s_r@yahoo.com, Thirdfromleft@aol.com, cjround@earthlink.net, cwoods@iastate.edu, dsmith@UMassD.Edu, LHall@tscwo.com, BERGLUL@BSCMAIL.BuffaloState.edu, oakapple@cris.com, SSilvers@sskfg.com, Trice2@aol.com, tomzkat@yahoo.com, opus@MIT.EDU, Gamarexx@aol.com, JBSALOMON@aol.com, savoyard1@yahoo.com, ihodgkin@acadia.net, eric@toastpoint.com, marion@leedscarroll.com, DglsWhaley@aol.com, sylvia.greinig@btconnect.com, pookahone@earthlink.net (Marc Lewis), PZavon@Rochester.RR.Com, snappy@megalink.net (Virginia & John Cunningham), Wendy.Falconer@ElizabethArden.com, Divasrtrd@aol.com, finn63@charter.net, Bj.Richards@btinternet.com, ehaslun@yahoo.com, annlarry@pacbell.net, Sangazure1@aol.com, lese@capaccess.org, va3ori@rac.ca, jim@labsoftware.com, lpinsker@erols.com, hightideprod@acadia.net (Lee Patterson c/o Nick), PSternenberg@aol.com Directions to Bobbie Herman and Paul Cohen's house: 761 Merwins Lane,=20 Fairfield. 203-255-1577. If you are staying at the Marriott Courtyard or Hilton Hotel on Main Avenue=20 in Norwalk, you will be just north of Exit 40 of the Merritt Parkway which i= s=20 Route 15. Take the Parkway North towards New Haven. If you are coming from one of the New York airports follow the signs to the=20 Whitestone Bridge. Then get on the Hutchinson River Parkway (north) which=20 becomes the Merritt Parkway as it crosses into Connecticut. MERRITT PARKWAY (Route 15) Exit 42 (Westport-Weston) If coming from Greenwich, Stamford and points west, turn left at end of ramp If coming from Fairfield, Bridgeport and points east, turn right at end of=20 ramp. Go straight on Weston Road -- do not turn onto Route 136. Go to end of road (about =BD mile) -- turn left on Cross Highway. Take Cross Highway for 2.2 miles. (Cross Highway merges with Sturges Highwa= y=20 for about 100 feet. Bear left at the merger.) Go under Merritt overpass an= d=20 bear right on Cross Highway. Continue on Cross Highway to Merwins Lane -- turn right. We are at the corner of Jennie Lane, about one mile further. It's a white=20 Ranch house with the driveway and mailbox on Jennie. CONNECTICUT TURNPIKE (I-95) A. If coming from Greenwich, Stamford and points west, take Exit 18, and tur= n=20 left at end of ramp. Go north on the Sherwood Island Connector to end of road (Route 1, Post=20 Road). Turn right. Make a left at the next traffic light (Cedar Road -- the Cedar Brook Cafe is= =20 on the corner). Continue to the end of Cedar Road and make a right onto Lon= g=20 Lots Road. Go for about 1 =BD miles to Sturges Highway and turn left. Continue on Sturges Highway for about 1 =BD miles. Go under Merritt overpas= s. =20 Turn immediately right onto Cross Highway. Continue on Cross Highway to=20 Merwins Lane (about one mile) -- turn right. We are at the corner of Jennie Lane, about one half mile further. It's a=20 white Ranch house with the driveway and mailbox on Jennie. Park anywhere on= =20 either side of the street. B. If coming from Fairfield, Bridgeport and points east, take Exit 19. Go=20 west on the Post Road (Route 1) to Hulls Highway (Vincent's Decorators on=20 corner), and turn right. Go north on Hulls Highway to end, and turn left onto Hulls Farm Road. Go=20 about =BD mile to Sturges Highway and turn right.=20 Continue on Sturges Highway for about 1 =BD miles. Go under Merritt overpas= s.=20 Turn immediately right onto Cross Highway. Continue on Cross Highway to=20 Merwins Lane (about one mile) -- turn right. We are at the corner of Jennie Lane, about one half mile further. It's a=20 white Ranch house with the driveway and mailbox on Jennie. Park anywhere on= =20 either side of the street.on either side of the road.  1,, Summary-line: 31-Oct mtg-announce@MIT.EDU [97] #MTG Conducting Interviews for STAR WARS: MUSICAL EDITION X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA27019; Thu, 31 Oct 2002 11:56:43 -0500 (EST) Received: from gator.darkhorse.com (mail.darkhorse.com [209.95.33.140]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA29348; Thu, 31 Oct 2002 11:31:22 -0500 (EST) Received: from [199.245.32.11] (account ) by gator.darkhorse.com (CommuniGate Pro WebUser 3.5.9) with HTTP id 8546874; Thu, 31 Oct 2002 08:31:21 -0800 From: mtg-announce@MIT.EDU Subject: MTG Conducting Interviews for STAR WARS: MUSICAL EDITION To: mtg-announce@mit.edu X-Mailer: CommuniGate Pro Web Mailer v.3.5.9 Date: Thu, 31 Oct 2002 08:31:21 -0800 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit *** EOOH *** From: mtg-announce@MIT.EDU Subject: MTG Conducting Interviews for STAR WARS: MUSICAL EDITION To: mtg-announce@mit.edu Date: Thu, 31 Oct 2002 08:31:21 -0800 *************************************************************************** MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG *************************************************************************** The MIT Musical Theatre Guild is now seeking prod staff for its IAP 2003 World Premiere Production of: STAR WARS: MUSICAL EDITION Original lyrics written and script adapted by Rogue Shindler and Jeff Suess Music Arranged by Stephen Peters Based on the film "Star Wars: A New Hope" by George Lucas Interviews are being conducted for the following positions: * PRODUCER * DIRECTOR * MUSICAL DIRECTOR * STAGE MANAGER * CHOREOGRAPHER Interest in interviewing for these positions must be expressed to by Friday, November 8th. SHOW DATES: January 31, February 1-2, & 6-8, 2003 SYNOPSIS: Imagine the first chapter of the Star Wars saga told as a musical satire. Co-written by a member of MTG, the show combines original lyrics set to the tune of broadway favorites to tell the tale of Luke Skywalker's first steps "into a larger world." Crooning smugglers, tapdancing stormtroopers, and Jedi ballads, Musical Edition brings new comedic value and fun to Star Wars as only a musical can! Come join us in putting on a world premiere! *************************************************************************** To schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: Interviews for production staff positions are open to everyone, including those not affiliated with MIT. The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." *************************************************************************** bcc'd to ,  1,, Summary-line: 31-Oct farmer_giles@tiscali.co.u [60] #Fixing Structural Problems in Utopia X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA25489; Thu, 31 Oct 2002 23:14:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA03342 for ; Thu, 31 Oct 2002 23:13:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gA14CksN020735; Thu, 31 Oct 2002 23:12:46 -0500 (EST) Date: Thu, 31 Oct 2002 23:12:46 -0500 (EST) Message-Id: <002801c2815c$2f557820$3b8e403e@harthacnut> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Fixing Structural Problems in Utopia MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2014.211 *** EOOH *** Date: Thu, 31 Oct 2002 23:12:46 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Fixing Structural Problems in Utopia X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Insomniac night.... I've been looking at the discussions on Utopia, and I think I understand the problem with the love stories - They only really seem to come out of nowhere because the Princess Zara/FitzBattleaxe plot ends too early on in the second act. If this could be fixed, I think the structural problems would nearly disappear. Allow me to quote from the discussion files, Paul McShane, section 2.3: The first printing of Utopia's libretto, about 3 months before opening night, survives in the British Library - as you would imagine, it was cut, added to and amended several times before the first performance. In this first layout, the Scaphio/Phantis/Zara love interest was, as Arthur says, COMPLETELY RESOLVED! - Immediately after the 'capital plot' trio, Scaphio and Phantis remain on stage to receive Fitzbattleaxe's half-yearly report on his guardianship of Zara. In a quartet, Fitzbattleaxe reveals that, although Zara is very warm-hearted, she is very high-spirited '..the crockery flies at your ears and your eyes..' and jealous '..she'll use her stiletto if no prussic acid's convenient!' At this, the Wise Men decide '..she's a little too much for a councillor wise. For we are not as young as we used to be..' and are content to leave her with Fitzbattleaxe. Sullivan wasn't happy with this scene at all, and with the partners bending over backwards to accommodate each other's wishes, the dialogue, quartet and solo were all dropped. It really would have tied up the main love interest nicely, be we'll never know if it would have worked, because Sullivan did not set the music.' So, we could either get someone to go to the British Library, get the first printing of the libretto, and use the dialogue, either doing Thespis-style song-searches to set the song, or just converting the song to witty dialogue, and thereby fix the worst structural problem in a very gratifying way. Alternatively, some of the Fitzbattleaxe business in Act I could be moved to the start oif act II, then A tenor all singers above to Words of Love too loudly spoken could be moved to after Then I may sing and play. Not as satisfactory in my eyes. If the love interests are then played up at the ending - when Scaphio demands the Flowers of progress leave, The three princesses and their lovers look terrified, I think it should work... maybe. Or I might just be an interfering person who knows nothing. I hope not. By the way - It's fun to play spot the reference in Utopia. Here's one I noticed today: That's precisely it. I--I am waiting until a punishment is discovered that will exactly meet the enormity of the case. I am in constant communication with the Mikado of Japan, who is a leading authority on such points; and, moreover, I have the ground plans and sectional elevations of several capital punishments in my desk at this moment. Oh, Lady Sophy, as you are powerful, be merciful!  1,, Summary-line: 5-Nov to: drewbob@attbi.com [38] #Re: Hello! and inquiry X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA27858; Tue, 5 Nov 2002 19:53:33 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA28957; Tue, 5 Nov 2002 19:49:35 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03581; Tue, 5 Nov 2002 19:46:30 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id TAA06632; Tue, 5 Nov 2002 19:46:30 -0500 (EST) Date: Tue, 5 Nov 2002 19:46:30 -0500 (EST) Message-Id: <200211060046.TAA06632@multics.mit.edu> From: "David C. Jedlinsky" To: drewbob@attbi.com In-reply-to: (message from Andrew Sweet on Sun, 27 Oct 2002 18:19:55 +0000) Subject: Re: Hello! and inquiry References: *** EOOH *** Date: Tue, 5 Nov 2002 19:46:30 -0500 (EST) From: "David C. Jedlinsky" To: drewbob@attbi.com In-reply-to: (message from Andrew Sweet on Sun, 27 Oct 2002 18:19:55 +0000) Subject: Re: Hello! and inquiry Hey Drew! Sorry you missed me; I was in Florida for the past week or so. I'm working on the Duke videos, and hope to have them in the next few weeks. We've been experimenting with silly little things like DVDs, and may actually be able to cram a three hour show onto a single disk. Are you going to Gencomm? The videos ought to be ready by then at the latest. -Dave >Date: Sun, 27 Oct 2002 18:19:55 +0000 >From: Andrew Sweet > >Hello there Dave! Been a while. I hope all is well. I am >currently hobbled by a rather painful knee injury but will be >back to normal in a few weeks' time; other than that, things are >fine on this end. > >Not to prod, but I was wondering if you possibly have some >inkling of an idea of when the Grand Duke video might become >ready? > >Thanks much, and all the best! > >- drew >  1,, Summary-line: 5-Nov to: nbozard@mit.edu [30] #Re: Recording Pirates X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA01857; Tue, 5 Nov 2002 19:54:36 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA27279; Tue, 5 Nov 2002 19:54:35 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03675; Tue, 5 Nov 2002 19:51:03 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id TAA06688; Tue, 5 Nov 2002 19:51:02 -0500 (EST) Date: Tue, 5 Nov 2002 19:51:02 -0500 (EST) Message-Id: <200211060051.TAA06688@multics.mit.edu> From: "David C. Jedlinsky" To: nbozard@mit.edu In-reply-to: (message from Nick Bozard on Tue, 29 Oct 2002 16:56:20 -0500 (EST)) Subject: Re: Recording Pirates References: *** EOOH *** Date: Tue, 5 Nov 2002 19:51:02 -0500 (EST) From: "David C. Jedlinsky" To: nbozard@mit.edu In-reply-to: (message from Nick Bozard on Tue, 29 Oct 2002 16:56:20 -0500 (EST)) Subject: Re: Recording Pirates Hi Nick. We'll probably come to either final dress (Wednesday?), or the Thursday performance to take notes, and decide whether one or two cameras will be required. As usual, we'll need the scaffolding to be available, unless the set design is weird. We are taping the Dance Troupe show on Saturday night, so we plan to record Pirates on Friday, with the Saturday or Sunday matinee as a backup. -Dave >Date: Tue, 29 Oct 2002 16:56:20 -0500 (EST) >From: Nick Bozard > >Can you give me some idea when you'd want/need to do set up and recording >for the show? > >Nick >  1,, Summary-line: 5-Nov nbozard@MIT.EDU [14] #Re: Recording Pirates X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA07633; Tue, 5 Nov 2002 19:59:35 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA27375 for ; Tue, 5 Nov 2002 19:59:35 -0500 (EST) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03792 for ; Tue, 5 Nov 2002 19:57:33 -0500 (EST) Received: (from nbozard@localhost) by mormal.mit.edu (8.9.3) id TAA19831; Tue, 5 Nov 2002 19:57:33 -0500 Message-Id: <200211060057.TAA19831@mormal.mit.edu> To: "David C. Jedlinsky" Subject: Re: Recording Pirates In-Reply-To: Your message of "Tue, 05 Nov 2002 19:51:02 EST." <200211060051.TAA06688@multics.mit.edu> Date: Tue, 05 Nov 2002 19:57:32 -0500 From: Nick Bozard *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Recording Pirates In-Reply-To: Your message of "Tue, 05 Nov 2002 19:51:02 EST." <200211060051.TAA06688@multics.mit.edu> Date: Tue, 05 Nov 2002 19:57:32 -0500 From: Nick Bozard Okey-doke, sounds good. The final dress is in fact that Wednesday, and you're more than welcome to come to that. I'll let you know if it looks like they're going to be doing something weird that evening instead. Nick  1,, Summary-line: 7-Nov goodmanj@uchicago.edu [59] #got a job X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA18376; Thu, 7 Nov 2002 16:26:29 -0500 (EST) Received: from midway.uchicago.edu (midway.uchicago.edu [128.135.12.12]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA04897; Thu, 7 Nov 2002 16:26:27 -0500 (EST) Received: from uchicago.edu (moominpappa.uchicago.edu [128.135.28.16]) by midway.uchicago.edu (8.12.5/8.12.5) with ESMTP id gA7LQKm4001279; Thu, 7 Nov 2002 15:26:20 -0600 (CST) Message-ID: <3DCADAE9.4000804@uchicago.edu> Date: Thu, 07 Nov 2002 15:28:09 -0600 From: Jason C Goodman User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:0.9.9) Gecko/20020312 X-Accept-Language: en-us, en MIME-Version: 1.0 To: hovenweep@littejo.earlham.edu, Avon Russell , Denis Moskowitz , marymary@suberic.net, Jennie Hango , freaks@suberic.net, Reebee Kavich , tahnan@mit.edu, dinner@mit.edu, Teresa Hernandez , David Forero , Lisa Gay , srsantel , adam green kalafarski Subject: got a job Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Thu, 07 Nov 2002 15:28:09 -0600 From: Jason C Goodman X-Accept-Language: en-us, en To: hovenweep@littejo.earlham.edu, Avon Russell , Denis Moskowitz , marymary@suberic.net, Jennie Hango , freaks@suberic.net, Reebee Kavich , tahnan@mit.edu, dinner@mit.edu, Teresa Hernandez , David Forero , Lisa Gay , srsantel , adam green kalafarski Subject: got a job Hi, all! I have been offered an assistant scientist position in the Department of Physical Oceanography at the Woods Hole Institute of Oceanography. This offer is "subject to administrative approval". The approval is almost, but not quite, a formality. I may not get the final word for a month or two. This is a tenure-track job at a rank equivalent to an assistant professor, but without mandatory teaching duties. WHOI is a private research institute: scientists are expected to bring in research grants to support themselves and their work, though WHOI offers "bridge support" to cover gaps in grant funding. Some graduate teaching opportunities are available through WHOI's Joint Program in Oceanography with MIT, but this is mostly a research position. WHOI's physical oceanography dep't is looking to branch out into more general studies of Earth's climate, and sees me as a good way to do that. I'm attracted to this job because of the large numbers of brilliant people at WHOI, the possibility of collaborating with people at MIT, Harvard and other nearby institutions (Hi, Geoff), and the chance to move back to Boston where Carolyn and I have so many friends. Basically, I'd be a fool to turn down this offer. So, this is a warning to y'all in Boston that you may be seeing more of my ugly face soon, and a warning to those in Chicago that you won't have me to kick around much longer. I can't say for sure when we'll be moving back to the Boston area: the latest date would be the end of April, when our lease expires here. Carolyn will probably be working and doing music in Boston: we will try to live roughly halfway between Woods Hole and Boston. Locals: do you have any suggestions/advice on towns and real estate in that area? Basically, we're looking for towns near Route 3 or 495, on the Middleborough or Plymouth commuter rail line. Kingston, Middleborough, Bridgewater, etc. I realized yesterday that I have managed to become what I always wanted to be when I grew up. What do I do now?!? Jason  1,, Summary-line: 8-Nov Butagirl@aol.com [93] #Windows XP X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22692; Fri, 8 Nov 2002 16:26:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA12180 for ; Fri, 8 Nov 2002 16:26:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gA8LPPsN018596; Fri, 8 Nov 2002 16:25:25 -0500 (EST) Date: Fri, 8 Nov 2002 16:25:25 -0500 (EST) Message-Id: <28.2f70f443.2afd8569@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Windows XP MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 *** EOOH *** Date: Fri, 8 Nov 2002 16:25:25 -0500 (EST) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Windows XP X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Dear all, I recently decided to make the move to Windows XP from 98, so bought the upgrade and took it home, but didn't have the chance to install it. A few days later I received the following letter from Microsoft, which I thought may be of interest to others who may be considering upgrading... WINDOWS XP SAVOY Edition Dear Consumers: It has come to our attention that several copies of the WINDOWS XP/SAVOY EDITION may have accidentally been shipped outside of the Inner Brotherhood. If you have received one of these, you may need some help understanding the commands. The Savoy edition may be recognized by the unique opening screen. It reads: "LATTICED CASEMENT XP," with a background picture of Tremorden Castle. When you start the program, instead of the usual "harpy, stringy" music, you hear "Hail the Bridegroom, Hail the Bride" from Ruddigore. It is also shipped with a Buxton screen saver. Please also note: Recycle Bin is labeled, "Ought to be discarded" My Computer is called, "Yes mine! And mine! And mine! And mine!" Network Community is called, "Yours, my dear, or mine" The Inbox is referred to as "Palace Peeper" Deleted Items are referred to as "But that's all gone, fisht!" Dial up Networking is called "SavoyNet" Control Panel is known as the "Mikado" "Performing an illegal operation" is known as "contradiction contradicted" and will cause the system to crash. Hard Drive is referred to as "The main on which to draw" Instead of an error message an "Oh horror!" pops up. Windows Explorer is known as "Little List" CHANGES IN TERMINOLOGY IN THE SAVOY EDITION: OK.................. 'Tis done! Cancel.............. And thank goodness they're both of them over Reset............... Farewell, my own Yes................. Rapture! No.................. Agony, Rage, Despair Find................ Search throughout the panorama Browse.............. Turn oh turn in this direction Back................ Back, vermin back! Help................ Messmates ahoy! Stop................ Hold, monsters! Start............... And so, if you please, we'll proceed Settings............ Princess Ida's Rules Copy................ Double rations Delete.............. Go ribald get ye hence Also note that any voice recognition software, e.g., "Take down our sentence as we speak it XP", run on the SAVOY EDITION platform will change all letter "R"s to "W"s if set to "Duke" mode. Some programs and other accessories that are exclusive to LATTICED CASEMENT XP: Most Valuable Letter........................A word processing program Set that down, Master Wilfred ..............Printer Here we are in arithmetic...................Calculator Alone and yet alive.........................Solitaire Substantial Damages.........................Scans disk for errors Fold Your Flapping Wings ...................File compression software We regret any inconvenience it may have caused if you received a copy of the SAVOY EDITION. You may return it to Microsoft for a replacement version. ADDENDUM - STOP PRESS!! Some versions of SAVOY EDITION have been found to contain the "Happy Despatch" virus. This virus will cause the system to hang. The remedy for this is to run the file SUBSTITUTE.EXE, available to download from our website. Sharon Brindle "Though I am butagirl@aol.com"  1,, Summary-line: 10-Nov marchanc@juno.com [28] #Star Wars on IMAX X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA03115; Sun, 10 Nov 2002 15:46:00 -0500 (EST) Received: from webmail3.wlv.untd.com (outbound-8.wlv.untd.com [64.136.8.100]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with SMTP id PAA24184 for ; Sun, 10 Nov 2002 15:45:59 -0500 (EST) Received: from cookie.juno.com by cookie.juno.com for <"X60rG+vJE2RvE1m9oJxqqeJC9z0AIAe68dZxkK/5soQaEiWX7rifvg=="> Received: (from marchanc@juno.com) by webmail3.wlv.untd.com (jqueuemail) id HHAH9BQY; Sun, 10 Nov 2002 12:45:18 PST X-Original-From: "Christopher Marchant" Date: Sun, 10 Nov 2002 20:44:43 GMT To: marchanc@go.com Subject: Star Wars on IMAX X-Mailer: Juno Webmail Version 1.0 From: Christopher Marchant Message-Id: <20021110.124518.6141.412228@webmail3.wlv.untd.com> *** EOOH *** X-Original-From: "Christopher Marchant" Date: Sun, 10 Nov 2002 20:44:43 GMT To: marchanc@go.com Subject: Star Wars on IMAX From: Christopher Marchant So, I don't know if you saw the ads for Star Wars Episode II in IMAX, but I decided to go as part of a large group last night. I hadn't seen any other previously 35mm films in IMAX (Fantasia 2000, Apollo 13, Lion King, etc) but I thought this would be worth a try. Anyway, the sound was great, and the picture was HUGE (and in focus; the pixels were not obvious, which was good). The picture was almost too big and distracting, however. It's amusing to see who has pierced ears and facial scars that make-up can't cover, but it really didn't add to the movie. The worst parts were that the film was in pan and scan (IMAX is about 1.4 x 1) and had 20+ minutes cut out. Granted, there was only 1 scene that I really missed (and one other person I was with was glad to notice one scene he hated was gone). Still, it would have been better to see the whole film. Anyway, I don't know if you wanted a film review, but it is fun to know people who understand film aspect ratios and such. I hope all is well in New England. The weather has stabilized in Houston a bit, so hopefully no flooding. (I am in an area that doesn't flood much anyway, which is good). Well, talk to you later. -----Chris ________________________________________________________________ Sign Up for Juno Platinum Internet Access Today Only $9.95 per month! Visit www.juno.com  1,, Summary-line: 11-Nov andi_s_r@yahoo.com [119] #Jolly Jolly Jinks - QWERTYConnII X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA04819; Mon, 11 Nov 2002 18:05:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA21987 for ; Mon, 11 Nov 2002 18:05:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gABN5UsN026028; Mon, 11 Nov 2002 18:05:30 -0500 (EST) Date: Mon, 11 Nov 2002 18:05:30 -0500 (EST) Message-Id: <20021111225223.88185.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Jolly Jolly Jinks - QWERTYConnII MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 11 Nov 2002 18:05:30 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Jolly Jolly Jinks - QWERTYConnII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Since no one else has yet posted more than a couple of brief comments, here are a few more remarks about the lovely weekend, which I hope are calculated to provoke more remarks from others.... First, the area of Connecticut in which Bobbie and Paul live is very scenic. Although only an hour from Manhattan, the flavor is unmistakeably New England; once away from the major highways it's all two-lane country roads, 18th/19th Century stone fences, lots of gray and white clapboard homes (authentic and recent imitation) nestled discreetly on former farmland and in light woods. The autumn foliage was still spectacular, just a bit past its peak. The setting itself made a nice escape! Bobbie's and Paul's home is a large, airy, and very gracious single-story house that had ample room for us (plus a lovely display of "blue and white" in the dining room). The hotels selected for us, about a 10-15 minute (scenic) drive away, were all reasonably priced and extremely nice. Bobbie is a meticulous planner; everything throughout the weekend flowed so smoothly and easily that, highest praise I can give a hostess, no one was focused on the amount of work that had gone into it! Over the two days, we tackled 8 of the operas: Mikado, Grand Duke, Sorcerer, and Ruddigore on Saturday; Patience, Ida, Iolanthe, and Pinafore on Sunday. It was a breeze for me, because Larry Byler and Ann Byler were here from California, and Larry and I alternated in playing the scores, which meant that each of us played only two a day with a good break between them, plus the opportunity to just sing along with the ones we weren't playing. (It was also great fun for me to meet Larry--the first of the subset of S'net pianists I've had a chance to meet.) We made one another slightly nervous at first, but quickly realized that we were likely to scramble exactly the same spots, and pretty much relaxed! It would go on much too long to give a thorough review of everything, so I'm just going to pick a few of my favorite things and hope others either have posted or will post some of theirs: The Lord High Substitute award goes to Jack Salomon, who stepped in to sing Sir Joseph in the absence of Phil Sternenberg. It was an excellent rendition, made particularly noteworthy by the fact that Jack alleges that his last role was in 7th grade--as Buttercup! I'd award the "Popular Favorite" to Bob Richards' Bunthorne, delivered with much wit and good humor, Bob's personal twinkle, and a generous helping of Welsh ham. The Parody Prize goes to Doug Whaley of Columbus, OH, who, in addition to kindly recording the proceedings for posterity--or at least for the egomaniacal--gave us an energetic Colonel Calverley with a new "receipt" that he was immediately badgered to post to S'net for the delectation and amusement of all and sundry. I hope that he will do so when he gets home! The Most Creative Improvisation award goes to whoever it was who thought to accessorize "This helmet, I suppose" with a breastplate cut from a pizza box and brassets cut from styrofoam coffee cups! Some particularly exquisite soprano work from Jackie Richards and from Marion Leeds Carroll of NEGASS. There were several friends who are not [yet?] S'netters in our midst, including a young mezzo, Wendy Falconer, who had also gone to Orlando. Wendy is making the transition from playing oboe in the pit to doing G&S on stage--and is still in the process of discovering the Canon works. It's great fun to have a fresh perspective like that in the midst of those who can recite most of the Canon from memory! (She fell in love with Ida this weekend.) We were blessed with a richness in the alto department this time: Sylvia Greining was here from Across the Pond, New York contributed Carole Round, and there was a non-S'net visitor from Maine, Ginger Cunningham (whose Lady Jane was a match for Bob's Bunthorne!). We also had a trio of conductors: Larry Garvin, Ori Siegel, and Eric Peterson, all of whom were also singing roles. Not at the same time as they were conducting, except in Larry's case--he both conducted The Grand Duke and sang the title role, donning and removing a tricorn hat in case there should be any doubt as to his function of the momen I love these get-togethers. SavoyNetters may go for the undotted i's of a posted statement like a flock of ravens after the homonymous oculars, but get us together with a piano and a stack of scores, and one could not wish for more warmly supportive and enthusiastic comrades. As much as I love working in the businesslike environment of NYGASP, with professional performers and tightly efficient rehearsal schedules, it's great to be able to just kick back and have fun with people who've gathered for the sheer enjoyment of the material and of one another's company. It was a great weekend all 'round. Many thanks to Bobbie and Paul for doing such a great job with it, and it was just a delight to see so many S'netters from so many places! ===== Andi Stryker-Rodda New York City/New Jersey  1,, Summary-line: 11-Nov DglsWhaley@aol.com [194] #New "Colonel's Song" Lyrics - QWERTYConnII X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA21206; Mon, 11 Nov 2002 20:08:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA02162 for ; Mon, 11 Nov 2002 20:08:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAC180sN002399; Mon, 11 Nov 2002 20:08:00 -0500 (EST) Date: Mon, 11 Nov 2002 20:08:00 -0500 (EST) Message-Id: <148.24eee63.2b01adcf@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DglsWhaley@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DglsWhaley@aol.com To: Multiple recipients of list SAVOYNET Subject: New "Colonel's Song" Lyrics - QWERTYConnII MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_148.24eee63.2b01adcf_boundary" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 8.0 for Windows US sub 180 *** EOOH *** Date: Mon, 11 Nov 2002 20:08:00 -0500 (EST) Reply-To: DglsWhaley@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: DglsWhaley@aol.com To: Multiple recipients of list SAVOYNET Subject: New "Colonel's Song" Lyrics - QWERTYConnII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum --part1_148.24eee63.2b01adcf_boundary Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en In a message dated 11/11/2002 6:05:23 PM Eastern Standard Time,=20 andi_s_r@yahoo.com writes: > The Parody Prize goes to Doug Whaley of Columbus, OH, who, in > addition to kindly recording the proceedings for posterity--or > at least for the egomaniacal--gave us an energetic Colonel > Calverley with a new "receipt" that he was immediately badgered > to post to S'net for the delectation and amusement of all and > sundry. I hope that he will do so when he gets home! >=20 >=20 > =3D=3D=3D=3D=3D > Andi Stryker-Rodda > New York City/New Jersey >=20 Well, shucks. Here it is: COLONEL=20 If you want a receipt for that popular mystery,=20 Known to the world as a Heavy Dragoon,=20 DRAGOONS [saluting] Yes, yes, yes, yes, yes, yes, yes!=20 COLONEL Take all the remarkable people in history,=20 Rattle them off to a popular tune.=20 DRAGOONS Yes, yes, yes, yes, yes, yes, yes!=20 COLONEL=20 The pluck of Lord Nelson on board of the Victory--=20 Genius of Bismarck devising a plan--=20 The humour of Fielding (which sounds contradictory)--=20 The Mikado's humanity, famed in Japan-- The science of Hawking, who knows all the universe-- Wit of Dave Barry, the strength of King Kong-- Ali's fancy footwork, although he writes puny verse, Style of Sinatra when crooning a song-- The gall of the Clintons, divested of quackery=E2=80=93=20 Narrative powers of Dickens and Thackeray--=20 Tiger Wood's golf score, Luck of George W.-- Donald Trump's vision, if that doesn't trouble you-- Yoda and Tennyson -- Daniel Defoe--=20 Mister Micawber and Madame Tussaud!=20 Ah!=20 DRAGOONS Yes, yes, yes, yes, yes, yes, yes!=20 ALL: Take of these elements all that is fusible Melt them all down in a pipkin or crucible--=20 Set them to simmer, and take off the scum, And a Heavy Dragoon Is the residuum! COLONEL=20 If you want a receipt for this soldier-like paragon,=20 Get at the wealth of the Czar (if you can)--=20 The family pride of a Spaniard from Aragon--=20 Force of Mephisto pronouncing a ban--=20 The pathos of Butterfly, singing her threnody-- Tom Cruise, who is widely described as a stud-- The reverence given to all those named Kennedy-- Bugs Bunny's attitude, dealing with Fudd-- The genius strategic of Caesar or Hannibal--=20 Sondheim, who lyrics are wordy but scanable-- Flavor of Hamlet -- Speilberg, a touch of him--=20 Little of Reagan (but not very much of him)--=20 One of the Beatles, I cannot say who=E2=80=93 The genius of Gilbert and Sullivan too! =20 Ah!=20 DRAGOONS Yes, yes, yes, yes, yes, yes, yes!=20 ALL: Take of these elements all that is fusible Melt them all down in a pipkin or crucible--=20 Set them to simmer, and take off the scum, And a Heavy Dragoon Is the residuum! ---------------------- If anyone ever uses this version, it would please me immensely to know that. Doug --part1_148.24eee63.2b01adcf_boundary Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en In a message dated 11/11/2002 6:05:23 PM Eastern Stand= ard Time, andi_s_r@yahoo.com writes:

The Parody Prize goes to Doug W= haley of Columbus, OH, who, in
addition to kindly recording the proceedings for posterity--or
at least for the egomaniacal--gave us an energetic Colonel
Calverley with a new "receipt" that he was immediately badgered
to post to S'net for the delectation and amusement of all and
sundry.  I hope that he will do so when he gets home!


=3D=3D=3D=3D=3D
Andi Stryker-Rodda
New York City/New Jersey


Well, shucks.  Here it is:

COLONEL
If you want a receipt for that popular mystery,
Known to the world as a Heavy Dragoon,
DRAGOONS [saluting] Yes, yes, yes, yes, yes, yes, yes!
COLONEL
Take all the remarkable people in history,
Rattle them off to a popular tune.
DRAGOONS Yes, yes, yes, yes, yes, yes, yes!
COLONEL
The pluck of Lord Nelson on board of the Victory--
Genius of Bismarck devising a plan--
The humour of Fielding (which sounds contradictory)--
The Mikado's humanity, famed in Japan--
The science of Hawking, who knows all the universe--
Wit of Dave Barry, the strength of King Kong--
Ali's fancy footwork, although he writes puny verse,
Style of Sinatra when crooning a song--
The gall of the Clintons, divested of quackery=E2=80=93
Narrative powers of Dickens and Thackeray--
Tiger Wood's golf score, Luck of George W.--
Donald Trump's vision, if that doesn't trouble you--
Yoda and Tennyson -- Daniel Defoe--
Mister Micawber and Madame Tussaud!
Ah!
DRAGOONS Yes, yes, yes, yes, yes, yes, yes!
ALL:
Take of these elements all that is fusible
Melt them all down in a pipkin or crucible--
Set them to simmer, and take off the scum,
And a Heavy Dragoon Is the residuum!








COLONEL
If you want a receipt for this soldier-like paragon,
Get at the wealth of the Czar (if you can)--
The family pride of a Spaniard from Aragon--
Force of Mephisto pronouncing a ban--
The pathos of Butterfly, singing her threnody--
Tom Cruise, who is widely described as a stud--
The reverence given to all those named Kennedy--
Bugs Bunny's attitude, dealing with Fudd--
The genius strategic of Caesar or Hannibal--
Sondheim, who lyrics are wordy but scanable--
Flavor of Hamlet -- Speilberg, a touch of him--
Little of Reagan (but not very much of him)--
One of the Beatles, I cannot say who=E2=80=93
The genius of Gilbert and Sullivan too!
Ah!
DRAGOONS Yes, yes, yes, yes, yes, yes, yes!
ALL:
Take of these elements all that is fusible
Melt them all down in a pipkin or crucible--
Set them to simmer, and take off the scum,
And a Heavy Dragoon Is the residuum!
----------------------
If anyone ever uses this version, it would please me immensely to know that.=

Doug

 --part1_148.24eee63.2b01adcf_boundary--  1,, Summary-line: 11-Nov foley@MIT.EDU [142] #How do we keep it from walking? X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA17132; Mon, 11 Nov 2002 20:38:54 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA27851 for ; Mon, 11 Nov 2002 20:38:46 -0500 (EST) Received: from hodge-podge.mit.edu (HODGE-PODGE.MIT.EDU [18.187.1.128]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id UAA03615 for ; Mon, 11 Nov 2002 20:38:45 -0500 (EST) Received: (from foley@localhost) by hodge-podge.mit.edu (8.9.3) id UAA29113; Mon, 11 Nov 2002 20:38:45 -0500 (EST) Message-Id: <200211120138.UAA29113@hodge-podge.mit.edu> To: sipb-minutes@MIT.EDU Subject: How do we keep it from walking? Date: Mon, 11 Nov 2002 20:38:45 -0500 From: Joe Foley *** EOOH *** To: sipb-minutes@MIT.EDU Subject: How do we keep it from walking? Date: Mon, 11 Nov 2002 20:38:45 -0500 From: Joe Foley Minutes of the SIPB Meeting of 11/11/2002 The meeting was called to order at 7:30 by tibbetts. In attendance were Voting members: foley golem jenselby jtu Associate members: marc tibbetts eichin tytso rjbarbal jhawk aatharuv Non-voting members: Prospectives: kareid kchen harrisct the_geek | fiend glasser jtbraun Guests: "the_geek's mom" prev_31k Treasurer's Report: '() Chairman's Report: '() Office Report: tibbetts: Standing order on CDRs? aartharuv: Standing order of $100/year. hartmans: Does that include DVD's? (no) [aartharuv allocation: $100 for CDRs] jtu: Get more staplers, the non-giant kind. jhawk: We got lots in the monolith. tibbetts: When they suck, replace them. hartmans: Common sense says, get rid of the ones that don't work jhawk: Motion get a new stylus for table -- 80 bucks marc: is there any way to make sure it doesn't walk tibbetts: I think it got lost jhawk: I think it got thrown out hartmans: how much usage before the stylus got lost? jhawk: not much, but we haven't had it that long, couple weeks <5-1-6 Passes> [the_geek allocation: $300 for new version of VMware] glasser: I was talking to ingolia about setting up SIPB DNS and mail forwarding. hartmans: You should do secondary MX because it's trivial. Office Cleaning Report: '() MIT Computing Report: '() Computer Services: marc: What's with steve-dallas new drive? tibbetts: 2.2 kernel doesn't see it. And sees only 1 gig of ram. I don't want to debug it on this kernal, might as well do it on the 2.4 kernel. tibbetts: If anyone wants to help me debug kernal things, talk to me as I've not done anything since a week last friday. SIPB Backup Report: '() Publications Report: ;() Orientation Report: '() IAP Report: tytso: closer CokeComm Report: '() Other: kchen: SIPB tech column meet after meeting hartmans: Move to call that the look at kevin report jhawk: historical reasons say frizbee Other Other: jhawk: UPS sucks when they don't deliver your packages because they think MIT is closed the_geek: My mom is here, wave at her. foley: The weather was beautiful hartmans: It's too warm foley: Fuck you marc: It's too wet foley: Fuck you too. prev_31k: This has been the best meeting I've ever been at. The meeting was adjourned at 7:50. Minutae eaten and regurgitated by foley. Your Mom.  1,, Summary-line: 12-Nov PZavon@Rochester.RR.Com [67] #Photography, Warren Colson, and the Boston University Savoyards web site X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA17560; Tue, 12 Nov 2002 23:36:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA24961 for ; Tue, 12 Nov 2002 23:36:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAD4ZTsN022522; Tue, 12 Nov 2002 23:35:30 -0500 (EST) Date: Tue, 12 Nov 2002 23:35:29 -0500 (EST) Message-Id: <009901c28acb$5fbc8620$feb24342@ZavonVaio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Photography, Warren Colson, and the Boston University Savoyards web site MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 *** EOOH *** Date: Tue, 12 Nov 2002 23:35:29 -0500 (EST) Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Photography, Warren Colson, and the Boston University Savoyards web site X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Boston University Savoyards is the only G&S performing group I've heard of that has not mounted a production in 25 years, yet holds successful reunions. (The most recent was last May.) One outgrowth of this activity has been the development of a web site on which are posted a good many photographs of productions from 1967 (a mod Patience) through 1976. Most of these photos were taken by the late Warren Colson, a G&S enthusiast in the Boston area who went to most G&S productions from the early 1970's (at least) until the about mid 1980's - and took photos . Those of you who were in Boston area productions then may have seen his work and may even have copies of some. The BU Savoyards web site, at http://www.savoyard.net/, currently has more than 400 photos on-line, the vast majority of them Warren Colson's work. Some were scanned from old and sometimes faded prints, but most were scanned directly from slides that retain their colors very well. Use the link above and scroll down to the image of G&S at the computer (most any Savoynetter will recognize that drawing) and click on it to get to the main directory. For each production, look along the top for the link to photographs of that production. Bob Canterbury, who is not a Savoynetter, is the webmaster, and would be quite interested if you have other photos of BU productions or back stage activity that you are willing to share. I have a few photos of Martyn Greene, from the reception when he donated his papers to the 20th Century Archives at BU. I hope Bob will find a place to post them eventually. In the mean time those available now include Richard Taubner as Sir Joseph in a 1967 production of Pinafore, Connie Miller Clinton as Tessa in a 1969 Gondoliers, the late Jeffrey Wayne Davies as Fritz in the Grande Duchesse de Gerolstein, and others you may remember if you spent time at G&S performances in the Boston area then. Savoynet mostly-lurker Jeffrey Weisenfreund is in several excellent shots, as is former Savoynetter (or current lurker?) Alan Abrams. There is even a couple of shots of me in chorus roles (a half-length portrait, for example, in a 1971 Ruddigore). Many of these shots are of greatest interest to the performers and their friends, of course, but some are just great images. There are some fine character portraits, others are just great scenes. All were shot on 35 mm slide film (rather slow film by comparison with that available today) in available light. Warren did his own developing and pushed the film to achieve a faster result. Although it's not on the web site, I have a list of scenes and performers names for many of the photos, should someone be intensely interested. In any case, I wanted to let you all know there are some possibly interesting photos there and invite you to come see. And, of course, if you are a member of this group who has managed so far to avoid our efforts to contact you, perhaps this will encourage you to contact us. Peter Zavon Penfield, NY 14526 PZavon@Rochester.RR.Com  1,, Summary-line: 15-Nov andi_s_r@yahoo.com [68] #NYGASP: Recording session went well! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA10763; Fri, 15 Nov 2002 17:34:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA10397 for ; Fri, 15 Nov 2002 17:34:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAFMY6sN017378; Fri, 15 Nov 2002 17:34:06 -0500 (EST) Date: Fri, 15 Nov 2002 17:34:06 -0500 (EST) Message-Id: <20021115221638.20606.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: NYGASP: Recording session went well! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Fri, 15 Nov 2002 17:34:06 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: NYGASP: Recording session went well! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Yesterday (Thursday 14 Nov) was the recording session for NYGASP's first CD. It was done in the Recital Hall at SUNY/Purchase, under the supervision of John Ostendorf, who has done some of the Ohio Light recordings, with helpful kibitzer notes from Marni Nixon (and two from me). The Recital Hall is a smallish hall of amphitheatre style, in the sense that the performing area is at ground level and the audience seats are on rising levels. For our purposes, the orchestra was on the performing area, the singers in the first couple of rows of the audience seating, with the soloists in front. I spotted 4 microphones, 2 on the orchestra and another 2 for the singers; there may have been additional ones, but those were the ones that were visible. Working with Union orchestra musicians (our regular orchestra) and AFTRA-contract singers (our regular singers, a number of whom had to join AFTRA because they were doing this recording), we were bound by all sorts of rules that made things a little cumbersome, including 20 minutes of break in each hour of working time. However, it turned out to be a really great day for all concerned. We routinely did two full "takes" of each number and then a third that could be either whole or partial, depending on what John felt he needed to put together the best possible final version (ah, the advantages of digital "slice and dice" editing, as one of the performers called it). One could not possibly have asked for a more supportive producer than John; warm, encouraging, witty, and very knowledgeable about the material, he was lavish with praise and tactful with suggestions for improvement, and made the process that could have been nerve-wracking as pleasant as I think it could be. I was sitting in the control room, so I heard the sound that was actually being recorded. While any human endeavour will have its variabilities, overall I am very pleased by what I was hearing, and, jaded though my ears may be (no, not with green earrings...), I'm genuinely excited about some of the "takes". There was some real *music* happening, and the essence of Al Bergeret's approach to the material that defines the NYGASP style was really coming through, along with the calibre of some of our best principals. By the time John gets through tweaking the rough takes to create the final version, I'm genuinely hopeful that we'll have something very special to offer! We are *hoping* to be able to have it available before Christmas, but it's too soon to tell if we'll make that goal. The price will be USD 15. I will post full details of what and who are on it and how to obtain it as soon as the finished CDs are available. Fascinating experience.... ===== Andi Stryker-Rodda New York City/New Jersey  1,, Summary-line: 18-Nov pdp@globalnet.co.uk [44] #Re: G & S Master Collection X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA22143; Mon, 18 Nov 2002 14:06:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22090 for ; Mon, 18 Nov 2002 14:06:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAIJ5bsN006096; Mon, 18 Nov 2002 14:05:38 -0500 (EST) Date: Mon, 18 Nov 2002 14:05:38 -0500 (EST) Message-Id: <3.0.6.32.20021118184812.00f8ae90@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G & S Master Collection Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3DD90A29.1397862B@alumni.princeton.edu> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Mon, 18 Nov 2002 14:05:38 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: G & S Master Collection X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3DD90A29.1397862B@alumni.princeton.edu> Dear Jeff, At 10:44 18/11/02 -0500, you wrote: >I have the Laser Disk Yeoman, and it is pretty complete. There are a few >cuts, but fairly minor ones if memory serves me right. I just can't >abide Joel Gray as Jack Point... If your laser disc includes; Is Life a boon: Rapture Rapture: Free from his fetters grim: then it is certainly more complete that the VHS tzpes offered for sale in USA or UK. These items were recorded and in the BBC original broadcasts. I have rather poor VHS copies to prove it. In Ruddigore I shipped d'ye see is missing but it was in the BBC original version and also is very odd in that Dauntless is seen as giving a lecture, complete with ''blackboard'' (except that is wasn't Black) to the Bridesmaids. Now if these new DVD versions were to have included these missing bits I would be a purchaser. One assumes that to make the DVDs they would have wanted to go back to as near the originals in quality as possible and that because of the medium they would not be time constrained. Tney were time constrained on the VHS versions. If any SavoyNetter buys them can they please confirm the completeness or otherwise. I am told that the rather poor quality VHS tapes of the G & S For All series are being re-made but I have not seen any announcement from Halifax about it. Perhaps when and if we ever get a newsletter it will make some mention. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 20-Nov danielle.pray@century21.c [105] #Welcome to my HomeLog X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA11722; Wed, 20 Nov 2002 20:40:24 -0500 (EST) From: Received: from eneighborhoods.com ([198.64.136.196]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA07093 for ; Wed, 20 Nov 2002 20:36:26 -0500 (EST) Received: from mail pickup service by eneighborhoods.com with Microsoft SMTPSVC; Wed, 20 Nov 2002 20:32:42 -0500 To: Subject: Welcome to my HomeLog Date: Wed, 20 Nov 2002 20:32:41 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_013C_01C290D3.F9835C30" X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 Message-ID: X-OriginalArrivalTime: 21 Nov 2002 01:32:42.0046 (UTC) FILETIME=[E2785DE0:01C290FD] *** EOOH *** From: To: Subject: Welcome to my HomeLog Date: Wed, 20 Nov 2002 20:32:41 -0500 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 X-OriginalArrivalTime: 21 Nov 2002 01:32:42.0046 (UTC) FILETIME=[E2785DE0:01C290FD] This is a multi-part message in MIME format. ------=_NextPart_000_013C_01C290D3.F9835C30 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =09 =09 Hello, opus@mit.edu! I have added you to the guest list on my HomeLog website, DaniellePray.Homelog.com. =20 There are many benefits that you will receive, including a bi-monthly HomeLog newsletter that features a Home Sale Alert for your neighborhood. Check out my website anytime to find out all kinds of neighborhood information, including: * How much are homes selling for in my neighborhood? =20 * What=92s the neighborhood demographic profile? (For example, Age, Income, Housing=20 Type, School, Crime, and Climate info) * How do I match-up to any other neighborhood in the U.S.? =20 All of this and more when you drop by my HomeLog website, DaniellePray.Homelog.com. =20 I=92m confident you=92ll find it a valuable resource. Sincerely, Danielle Pray Century 21 Garner Properties P.S. If you know others who should be added to my circle of friends, feel free to tell them to visit DaniellePray.Homelog.com and register so they can enjoy the same HomeLog benefits that you do! ------=_NextPart_000_013C_01C290D3.F9835C30 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Welcome to Homelog = Newsletter
 

Hello, = opus@mit.edu!

I have added you = to the guest list on my HomeLog website, DaniellePray.Homelog.com.

There are many benefits that you = will receive, including a bi-monthly HomeLog newsletter that features a = Home Sale Alert for your neighborhood.

Check out my website anytime to find out all kinds of = neighborhood information, including:

 

=B7  How = much are homes selling for in my neighborhood?

=B7  What=92s the neighborhood demographic profile? (For = example, Age, Income, Housing
    Type, School, = Crime, and Climate info)

=B7  How = do I match-up to any other neighborhood in the = U.S.?

All of this and more when = you drop by my HomeLog website, DaniellePray.Homelog.com.

I=92m confident you=92ll find it a = valuable resource.

Sincerely,

Danielle = Pray
Century 21 Garner Properties

P.S.

If you know = others who should be added to my circle of friends, feel free to tell = them to visit DaniellePray.Homelog.com = and register so they can enjoy the same HomeLog benefits that you = do!

------=_NextPart_000_013C_01C290D3.F9835C30--  1,, Summary-line: 21-Nov cjedlinsky@sembler.com [17] #Re: Thanksgiving Innuendo alert X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA13113; Thu, 21 Nov 2002 17:28:39 -0500 (EST) Received: from mail.sembler.com (mail.sembler.com [65.199.208.132]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA26036 for ; Thu, 21 Nov 2002 17:28:39 -0500 (EST) Received: from SEMBLER_DOM-MTA by mail.sembler.com with Novell_GroupWise; Thu, 21 Nov 2002 17:32:06 -0500 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Thu, 21 Nov 2002 17:31:40 -0500 From: "Cindy Jedlinsky" To: Subject: Re: Thanksgiving Innuendo alert Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline *** EOOH *** Date: Thu, 21 Nov 2002 17:31:40 -0500 From: "Cindy Jedlinsky" To: Subject: Re: Thanksgiving Innuendo alert Content-Disposition: inline nope- Carnival. It was great- I think Dad had a good time but he's not big on telling me if he is or isn't. I'll email you the dotphoto invitation when I pick up my pictures. >>> "David C. Jedlinsky" 11/21/02 05:04PM >>> We're going to the Pray's house; so is Dad, supposedly. How was the cruise? You weren't on the Amsterdam, were you? -Dave  1,, Summary-line: 22-Nov robertray@labyrinth.net.a [39] #Re: Yolanta (now DVD of Yeomen) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA23960; Fri, 22 Nov 2002 23:33:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA26867 for ; Fri, 22 Nov 2002 23:33:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAN4XLsN007860; Fri, 22 Nov 2002 23:33:21 -0500 (EST) Date: Fri, 22 Nov 2002 23:33:21 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: Re: Yolanta (now DVD of Yeomen) Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001701c2922c$ee002b40$83389e0a@PattersonE6.us.dbisna.com> *** EOOH *** Date: Fri, 22 Nov 2002 23:33:21 -0500 (EST) Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: Re: Yolanta (now DVD of Yeomen) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001701c2922c$ee002b40$83389e0a@PattersonE6.us.dbisna.com> On 23/11/02 1:08 AM, "Ed Patterson" wrote: > http://www.houseofopera.com > > a wonderful site for those who (like me) have already purchased every > available opera video commercially and want to fill in the collection. > So, I checked it out. Thanks Ed! It has the 1978 (actually 1975) BBC Yeoman on DVD with Valeria Masterson, Derek Hammond Stroud, Elizabeth Bainbridge etc. It lists it as a fair copy. It's obviously just a transfer on to DVD from a VHS tape - but this is still great news for me! I saw this in 1978 when I lived in NY and my memories of it that is quite wonderful. Reset it Charles II reign, with its elaborate lace collars, - just great. Naturally I ordered it, along with a Pinafore I've not heard of - not listed on Marc's site - from San Francisco in 1982 with Vlahos, Ziaja (good Anglo-Saxon names). What word on this? It also lists that the DVD's are DVD-R and not DVD+R. So anyone contemplating buying either a DVD player or DVD recorder I would recommend you go for the DVD-R format. Seems to be coming quite universal. Not much DVD+R around at all. Robert Ray -- "The Knowe" Sassafras, Victoria Australia  1,, Summary-line: 24-Nov sangazure@sbcglobal.net [58] #Change of Address X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA28956; Sun, 24 Nov 2002 01:14:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA13945 for ; Sun, 24 Nov 2002 01:14:00 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAO6DpsN006324; Sun, 24 Nov 2002 01:13:51 -0500 (EST) Date: Sun, 24 Nov 2002 01:13:51 -0500 (EST) Message-Id: <000c01c2937f$c559edd0$f3affea9@LadySangazure> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sangazure@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "sangazure" To: Multiple recipients of list SAVOYNET Subject: Change of Address MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0009_01C29355.D9843A60" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 *** EOOH *** Date: Sun, 24 Nov 2002 01:13:51 -0500 (EST) Reply-To: sangazure@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "sangazure" To: Multiple recipients of list SAVOYNET Subject: Change of Address X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C29355.D9843A60 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi -- If anyone is interested, I have moved to a different ISP. My new address is: sangazure@sbcglobal.net Bobbie Herman (who hopes you are not receiving this in Rich Text or HTML) ------=_NextPart_000_0009_01C29355.D9843A60 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi --
 
If anyone is interested, I have moved = to a=20 different ISP.
 
My new address is:
 
sangazure@sbcglobal.net
 
Bobbie Herman (who hopes you are not = receiving this=20 in Rich Text or HTML)
------=_NextPart_000_0009_01C29355.D9843A60--  1,, Summary-line: 25-Nov oakapple@cris.com [172] #Review: Gilbert and Sullivan: A Dual Biography X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA20259; Mon, 25 Nov 2002 21:00:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA27258 for ; Mon, 25 Nov 2002 21:00:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAQ20CsN010566; Mon, 25 Nov 2002 21:00:12 -0500 (EST) Date: Mon, 25 Nov 2002 21:00:12 -0500 (EST) Message-Id: <3DE2D33D.1060801@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Gilbert and Sullivan: A Dual Biography MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 25 Nov 2002 21:00:12 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: Gilbert and Sullivan: A Dual Biography X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Gilbert and Sullivan: A Dual Biography By Michael Ainger Oxford University Press, 2002 xxiv + 504 pages My collection of G&S books sits about eight feet away from where I'm now typing: seven shelves, almost floor-to-ceiling. There are very few books on those shelves that I feel have truly set the standard for G&S scholarship: Allen, Baily, Benford, Jacobs, Stedman, Rollins & Witts. To these must now be added another. "Gilbert and Sullivan: A Dual Biography" is a landmark in the field: simply the best thing of its kind, and a remarkable achievement that we may not live to see bettered. If you read no other book on G&S, you must read Ainger. The dustjacket describes it as "the first joint biography of Gilbert and Sullivan based on original research in over half a century," a claim that is fully justified. Its honored predecessor was Leslie Baily's "The Gilbert and Sullivan Book" (1952; revised 1956, 1966). Baily had, at the time, unprecedented access to original sources, but he was more a storyteller than a scholar. Some of his account crosses the boundary from fact to fiction, and he is never clear about his sources. Beyond Baily's intrinsic limitations, the landscape has changed since 1952. The D'Oyly Carte papers, donated to the Theatre Museum after Bridget D'Oyly Carte's death, weren't available to Baily. (It is not clear how much of the Gilbert or Sullivan papers he saw, but he clearly had access to a good deal of them.) Ainger, unlike Baily, has scrupulously documented everything he did. There are nearly 1,500 footnotes to his thirty-six chapters, plus a prologue and an epilogue. He appears to have covered thoroughly the three major archives (Morgan Library, British Museum, Theatre Museum), Sullivan's diaries, contemporary periodicals, and reminiscences of Gilbert & Sullivan's contemporaries. Ainger was apparently determined to find out everything for himself: he relies only occasionally on secondary sources. At 504 pages, Anger's book is a tad longer than the Jacobs bio of Sullivan, and 130 pages longer than Stedman's bio of Gilbert. Yet, despite having to cover both men, there is no sign of the relentless compression that some reviewers found in Stedman. One quickly discerns why: W. S. Gilbert's birth is reported on page 1 of Stedman's bio, but not till page 16 of Ainger's. Until then, Ainger takes us on a leisurely tour of the family backgrounds from which these geniuses sprang: first the Gilberts, beginning with Schwenck's great-grandfather (he a grocer); and then the Sullivans, beginning with Arthur's grandfather (he a soldier in the army who eventually deserted). Not content to report the accepted wisdom about Sullivan's grandfather's heroic army career, Ainger researched the Public Records Office to get the real story. This same patient attention to detail informs every chapter. To be sure, there is less that is truly new that Ainger can tell us about the years of the partnership itself, but almost every chapter has a surprise or two. For instance, did you know that PATIENCE was originally intended to open in America, as PIRATES had done? A memo amongst the D'Oyly Carte papers shows that Carte had an agreement with one Henry E. Abbey of Booth's Theatre, in New York, for a new Gilbert and Sullivan opera to open on 29th November 1880. (The papers don't show why this scheme fell through, but we know it took a while longer for PATIENCE finally to be ready.) There's a handful of manuscript Gilbert lyrics in the D'Oyly Carte papers, and some of them are quoted here for the first time. For instance, the chorus before Ko-Ko's entrance in THE MIKADO was originally to have gone like this: No one who in time gone by Ruled the roost in Titipu Ever was, in public eye, Insignificant as you. You were placed on civic throne For a reason of our own Though you rule in Titipu You are but a parvenu! (See Ainger, p. 240, for the rest.) How about this chilling letter from Helen Carte to her solicitor, entertaining the idea of cheating *both* Gilbert & Sullivan in an attempt to defeat Gilbert's Carpet Quarrel lawsuit: Would it stand therefore entirely on the question of whether the [accounts] should be finally made up on the whole run? If so might we not be upset on this as, Mr. Carte having the right to run the piece indefinitely he might find it answer his purpose to run it on losing business (failing getting a suitable tenant) and just make the rent received cover HIS loss while Gilbert & Sullivan might be compelled to share the loss whether they liked or not--having no power to stop the run? I don't want to go in & be beaten--and I don't quite understand what arguments we shall lean on. While most of the letters exchanged during the Carpet Quarrel have been well rehearsed elsewhere, Ainger lays the groundwork for it by showing that, even as early as PIRATES, Gilbert had very little use for Carte. Much more interesting is Ainger's coverage of the later, mini-quarrels, such as that with Sullivan over their financial arrangements for UTOPIA, and several with Helen Carte over the casting of the 1900s revivals. Another treasure from the D'Oyly Carte papers comes in this 1898 letter from Sullivan to Helen: I have been staggered by receiving two accounts which for the moment I am unable to pay. A short time ago I was to the good, & in the last few days the slump has been so rapid and unexpected, that I am much to the bad. Can you (I know you WILL if you can) lend me money (£1700) for three weeks?...If you can't do all, perhaps you can manage a thousand of it, & I will do the rest.... The insult is, as you understand, a cash transaction, as Pooh Bah would say, payable in three weeks--may be less. Apparently Helen did not accommodate him, as Sullivan's next letter reveals: "...after all it is only a question of a miserable thousand pounds," he writes. The exchange admirably bookends another incident much earlier in his career, when he asked a friend to loan him a much smaller sum, and was likewise refused. Late in life, Gilbert started keeping a diary in fractured French, and many of Ainger's quotes from it are hilarious. For instance, after Gilbert starts having trouble with one of his cars (Ainger manages to keep track of them all), he writes: "Le car ne va pas trop bien puisque le 'clutch slips.'" Gilbert kept track of how often he went swimming; from his diaries, Ainger informs us that he had already been in the pond twenty-three times in 1911, including twice on 28th May, before that fateful day on the 29th that was to be his last. It is a minor detail, but one that tells us that Gilbert had every reason to consider himself a secure swimmer. There are many other incidents related in the book that that have not been reported before, but I must stop here. Surely you have the idea by now. The book presents its three main subjects (for it is as much about D'Oyly Carte as it is about G & S) fairly, and without rose-colored glasses, but also without any axe to grind. Most of the time Ainger reports just the facts, though the occasional commentary creeps in. For instance, noting Sullivan's infidelity to Fanny Ronalds, he suggests that Rachel Scott Russell would probably have been, in the end, very unhappy as Mrs. Sullivan. Ainger's research is, as far as I can tell, practically free of error. I found a handful of tiny mistakes that are so insignificant as to not be worth reporting. Even a book as detailed as this must leave some things out, and at times it's frustrating to see a letter or diary entry represented by just a phrase in quotation marks - and the rest paraphrased - when one knows there's much more. Still, at over 500 pages one hardly has any right to complain. Those who've read my reviews in the past know that I am not an easy man to please. Michael Ainger has done it. By all means read "Gilbert and Sullivan: A Dual Biography." You'll be glad you did. -- Marc Shepherd New York, NY  1,, Summary-line: 26-Nov blkdrgn@MIT.EDU [11] #Pirates Artwork X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA29888; Tue, 26 Nov 2002 21:48:29 -0500 (EST) Received: from acsn05.bu.edu (acsn05.bu.edu [128.197.159.65]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA24944; Tue, 26 Nov 2002 21:48:28 -0500 (EST) Received: from [155.41.190.95] ([18.74.7.89]) by acsn05.bu.edu ((8.9.3.buoit.v1.1.RewriteVBS.ACS)/BU_Server-1.3) with ESMTP id VAA130422; Tue, 26 Nov 2002 21:47:08 -0500 Mime-Version: 1.0 X-Sender: blkdrgn@po11.mit.edu Message-Id: Date: Tue, 26 Nov 2002 21:47:04 -0500 To: rls@mit.edu, opus@mit.edu From: Paiyarut Jean Kanjanavaikoon Subject: Pirates Artwork Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: blkdrgn@po11.mit.edu Date: Tue, 26 Nov 2002 21:47:04 -0500 To: rls@mit.edu, opus@mit.edu From: Paiyarut Jean Kanjanavaikoon Subject: Pirates Artwork Hey guys, here you go... http://web.mit.edu/blkdrgn/www/downloads/piratesposter.psd ---Jean  1,, Summary-line: 27-Nov warlord@MIT.EDU [80] #Re: PSA: WoSaT on DVD, Jittlov-sanctioned X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA20726; Wed, 27 Nov 2002 20:09:05 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA16992; Wed, 27 Nov 2002 20:09:01 -0500 (EST) Received: from kikki.mit.edu (KIKKI.MIT.EDU [18.18.1.142]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id UAA16077; Wed, 27 Nov 2002 20:04:20 -0500 (EST) Received: (from warlord@localhost) by kikki.mit.edu (8.9.3) id UAA04703; Wed, 27 Nov 2002 20:04:20 -0500 (EST) To: Eric Mumpower Cc: sipb-soc@mit.edu Subject: Re: PSA: WoSaT on DVD, Jittlov-sanctioned References: <200211271635.LAA07405@denmark-vesey.mit.edu> From: Derek Atkins Date: 27 Nov 2002 20:04:20 -0500 In-Reply-To: <200211271635.LAA07405@denmark-vesey.mit.edu> Message-ID: Lines: 73 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: Eric Mumpower Cc: sipb-soc@mit.edu Subject: Re: PSA: WoSaT on DVD, Jittlov-sanctioned From: Derek Atkins Date: 27 Nov 2002 20:04:20 -0500 In-Reply-To: <200211271635.LAA07405@denmark-vesey.mit.edu> I'm going to run a SIPB order for this. If you are interested please contact me by 12/6 to let me know how many you want. Unfortunately you probably will NOT get your order by X-mas from me, but I can deliver the shipment in January. -derek Eric Mumpower writes: > Some of you have already seen this, as you're on Suspects. > > But I know that many of you who might care _aren't_, so: > > From: Claudia Mastroianni > Subject: Jittlov/WoSaT [Boston particulars] > Date: Wed, 27 Nov 2002 10:23:55 -0500 (EST) > > There is a Jittlov-sanctioned distribution of Wizard of Speed and > Time DVD-Rs being organized in alt.fan.mike-jittlov. Contact > wosatdvd@clockwerkz.net for details or contact me if you're > around Boston and want to join in a group order to save on shipping. > > My deadline is December 1. The US deadline for your own order > is 12/15 in the USA, 12/10 elsewhere, as the goal is to mail the > batch to arrive before Xmas. > > These are no better quality than whatever source (laserdisc, I expect) > is used for them, but yay track divisions and something hardier than my > VHS tape. There may or may not be another run after this one. There > may or may not be a later Vol. 2 including Jittlov shorts. The previous > run was in wizard-green boxes, but they're in short supply (darned > X-Box) and we missed out: the rest will be in black. The media within > will be identical. > > The discs are region 0 NTSC DVD-Rs recorded at 1x--they will play in > almost all players made in the last couple years, but if you're outside > NTSC-land make sure your player can convert from NTSC (I believe all > PAL DVD players have this capability, but I've not looked into it much). > If your player won't play DVD-Rs at all, you're out of luck. If the > media brand doesn't work in your player or the data is faulty, the guy > running this will work with you to get you a disc you can use. > > The price is materials/shipping/labor, but it's a labor of love, not > really for profit. Payment by PayPal is preferred. > Shipping-included price is > 1 Copy ----- $15.00 > 2 Copies --- 28.00 > 3 copies --- 40.00 > 4 copies --- 52.00 > 5 copies --- 63.00 > > and then $11 each after 5 > > Again, contact wosatdvd@clockwerkz.net to place your own order > or reply to me (not to the list) to go in on a Boston-area order. > It's up to you to get the discs from me at my home / work / via > elboid express. > > Let me know if you want a copy of his mail to me with the full details; > he asked that it not be reposted publicly. > > Claudia > > > ---------- > -- Derek Atkins, SB '93 MIT EE, SM '95 MIT Media Laboratory Member, MIT Student Information Processing Board (SIPB) URL: http://web.mit.edu/warlord/ PP-ASEL-IA N1NWH warlord@MIT.EDU PGP key available  1,, Summary-line: 27-Nov lonwall@corvairundergroun [50] #Opera From Operetta X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA08451; Wed, 27 Nov 2002 21:05:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA01301 for ; Wed, 27 Nov 2002 21:05:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gAS25QsN006144; Wed, 27 Nov 2002 21:05:26 -0500 (EST) Date: Wed, 27 Nov 2002 21:05:26 -0500 (EST) Message-Id: <3DE5753F.30103@corvairunderground.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lonwall@corvairunderground.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: corvairs To: Multiple recipients of list SAVOYNET Subject: Opera From Operetta MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 27 Nov 2002 21:05:26 -0500 (EST) Reply-To: lonwall@corvairunderground.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: corvairs To: Multiple recipients of list SAVOYNET Subject: Opera From Operetta X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I use these simple tests - 1) Opera - In the end "The Fat Lady sings" Operetta - The Fat Lady sings in the Act II opening, perhaps, but never solo at the end. Note also that, in operetta the Fat Lady is very fat and never wears horns - not even in Thespis. 2) Opera - The lead Tenor is a hearthrob (or ghoulishly made up to look like one) Operetta - The lead Tenor is either a villain or a twit - such as Nanki-Poo or Alexis, respectively. 3) Operetta - You thoroughly enjoy the music. Opera - You are bored to suicide (We'll make allowances for Verdi, Suppe and Rossini) 4) Operetta - The actors have the good sense to stop singing and speak a line now and then. Opera - The actors sing constantly, especially between solos with flittering notes that wobble all over the scale and possess neither tune nor interest. (Sullivan made an earnest stab at it in Ivanhoe, but he couldn't help himself and wrote Ho Jolly Jenkins) 5) Opera - The demented clown laughs and cries then goes berserk. Operetta - Jack Point may cry but at least he falls insensible and spares us from other misery. And that's at the end of the operetta. (Sayyyy....now that I come to think of it, is Pagliachi -spelling - a rip off of Yeoman? Talk amongst yourselves...) 6) Opera - The French are not an object of derision. Operetta - The froggies answer with a shout. (Except when they dance "in the Parisian kind" La la, la la, la la la la la la) 7) Operetta is a wonderful experience full of happiness and moments to remember. Opera - is a pestilential nuisance with a short sharp shock. There are one or two other interesting points, but I hope this helps. Thank you all.......very much. Lon Wall (The Great Quack) (Also waiting for the Seattle Sorcerer and Trial to come out on video)  1,, Summary-line: 28-Nov ajcrowth@globalnet.co.uk [53] #Re: Missing spouses.--late contribution X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA21983; Thu, 28 Nov 2002 09:42:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA12450 for ; Thu, 28 Nov 2002 09:42:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gASEfqsN011321; Thu, 28 Nov 2002 09:41:52 -0500 (EST) Date: Thu, 28 Nov 2002 09:41:52 -0500 (EST) Message-Id: <01c296e8$a999c040$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Missing spouses.--late contribution MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 *** EOOH *** Date: Thu, 28 Nov 2002 09:41:52 -0500 (EST) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: Missing spouses.--late contribution X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Someone--I can't remember who--suggested I might have something to say on the subject of why Gilbertwrote so little about married couples. Well, I can never resist an appeal. The reasons seem to me obvious. There's a drama ready-made in people wanting to get married. Young love; frustration; desire; parental opposition; all that. But once they're married, what can happen? Well, they can squabble comically, as in "The Gondoliers"--but that's not a plot, that's just an incident. One of them could fall in love with someone not his/her spouse---but shh! the Lord Chamberlain's listening! You can't do that. Gilbert complained in "A Hornpipe in Fetters" (1879) that an English dramatist wasn't allowed to tackle the same range of material allowed to French dramatists, and that includes marital infidelity. In an interview with William Archer (early 1900s--from memory) he admits that marriage is really the start, not the end, of the story, but on the stage it is traditionally the ending, and he's happy with that. Gilbert's "The Realm of Joy" (1874)--adapted from a French farce--treads close to the edge in terms of marital fidelity, as it includes two married couples, the husband in each case clandestinely having a theatre assignation with the wife of the other. But a certain amount of latitude was allowed for translations from the French. His late play "The Fortune-Hunter" (1897) is about post-marital problems. I don't think he would have felt able to write such a piece twenty years earlier. Pity it's such a bad play..... The fact is that for the bulk of Gilbert's career you could effectively only portray married couples on stage if they were happy in their marriage. This is not helpful to drama. A good dramatist doesn't create useless characters: everything has to have a part in the whole. I'm told that an early draft of "Tom Cobb" (1875) included a wife for Colonel O'Fipp; but she quickly disappeared, because there was no point in her staying. Oh, I think I remember what I was being appealed to about now: someone asked whether Gilbert ever had affairs. Well, I don't know for sure, but I doubt it. Flirtations, certainly; but I would need proof of some kind before I hazarded a guess about anything more. We can say anything in the absence of evidence--good heavens, he could have taught a moose to play croquet, for all we know--but I prefer to have good reasons for making these statements. - Andrew.  1,, Summary-line: 29-Nov Keith.Swinford@SAINT-GOBA [30] #RE: audience reaction X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA21930; Fri, 29 Nov 2002 09:16:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA29406 for ; Fri, 29 Nov 2002 09:16:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gATEGHsN019083; Fri, 29 Nov 2002 09:16:17 -0500 (EST) Date: Fri, 29 Nov 2002 09:16:17 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Keith.Swinford@SAINT-GOBAIN.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Keith.Swinford@SAINT-GOBAIN.COM To: Multiple recipients of list SAVOYNET Subject: RE: audience reaction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) *** EOOH *** Date: Fri, 29 Nov 2002 09:16:17 -0500 (EST) Reply-To: Keith.Swinford@SAINT-GOBAIN.COM Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Keith.Swinford@SAINT-GOBAIN.COM To: Multiple recipients of list SAVOYNET Subject: RE: audience reaction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The audience reaction is paramount, but to the amateur company, the local newspaper's reaction can, easily, make or break a show. Herewith, one or two, rather telling, excerpts, gleaned from our very own local crits, regarding amateur theatre in Gloucestershire. (Credits withheld to protect the innocent!) "A recommendation to buy a ticket, should be unnecessary" "Definitely in a class of it's own" "For the price of the ticket - good value entertainment" "I found the harmonic interest, quite revealing" "I very much enjoyed the scenery" "It could, so easily, have been average" "Nothing is better than a good night out, and this show was just that" "The costumes, only slightly, upstaged the chorus" "The original concept added much to the performance" "What could have been a long performance was improved by the cuts" Regards, Keith "Ham it up for all your worth"  1,, Summary-line: 29-Nov lizandgareth@zoom.co.uk [26] #Iolanthe sung in Australian X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA29144; Fri, 29 Nov 2002 15:51:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA19381 for ; Fri, 29 Nov 2002 15:51:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gATKousN023272; Fri, 29 Nov 2002 15:50:57 -0500 (EST) Date: Fri, 29 Nov 2002 15:50:56 -0500 (EST) Message-Id: <001801c297e7$7421b1c0$45e486d4@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: Iolanthe sung in Australian MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 *** EOOH *** Date: Fri, 29 Nov 2002 15:50:56 -0500 (EST) Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: Iolanthe sung in Australian X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I was shown a programme of Australian Opera's run of Iolanthe last night. On the title page was the line *sung in English*. The people I was with suggested, that because it was a opera company presenting this, they would have a policy of stating the language regardless of the production being staged. In the risk of sounding anti-Oz, which I'm not, I can't believe that an English comic opera would require any form of language statement in an English-speaking country, even if the Company does have such a policy. Surely they would include that line only if the opera's original language was anything but English. If I was anti-Oz, I could say that the statement was justified and that there would be supertitles in Australian. Diana, help me out here. Gareth Jacobs - in Musselburgh, Scotland  1,, Summary-line: 29-Nov IrisR1@aol.com [16] #Re: audience reaction X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA02013; Fri, 29 Nov 2002 17:30:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA06788 for ; Fri, 29 Nov 2002 17:30:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gATMUlsN025109; Fri, 29 Nov 2002 17:30:47 -0500 (EST) Date: Fri, 29 Nov 2002 17:30:47 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: IrisR1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: IrisR1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: audience reaction MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 3.0 16-bit for Windows sub 86 *** EOOH *** Date: Fri, 29 Nov 2002 17:30:47 -0500 (EST) Reply-To: IrisR1@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: IrisR1@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: audience reaction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The late Roderick Cook gave me one: "Dear boy! You should have been in the audience!" Best, Larry Raiken  1, answered,, Summary-line: 30-Nov nbozard@MIT.EDU [36] #Duke Videos -- Read Me! X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA22820; Sat, 30 Nov 2002 20:15:28 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA17242 for ; Sat, 30 Nov 2002 20:15:21 -0500 (EST) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id UAA26927 for ; Sat, 30 Nov 2002 20:15:21 -0500 (EST) Received: (from nbozard@localhost) by mormal.mit.edu (8.9.3) id UAA23160; Sat, 30 Nov 2002 20:15:21 -0500 Date: Sat, 30 Nov 2002 20:15:21 -0500 Message-Id: <200212010115.UAA23160@mormal.mit.edu> From: Nicholas L Bozard To: grand-duke@MIT.EDU Subject: Duke Videos -- Read Me! *** EOOH *** Date: Sat, 30 Nov 2002 20:15:21 -0500 From: Nicholas L Bozard To: grand-duke@MIT.EDU Subject: Duke Videos -- Read Me! If you pre-ordered or have recently decided you want a video of The Grand Duke, read this and respond! ----------------------- Videos of The Grand Duke are finally available! (Well, as soon as a few details are sorted out. But yes, the master of the video is complete, and it's only a matter of making the copies). I know a number of you pre-ordered videos, but Ruth and Opus now have the capability to make DVDs as well. Note that the physical DVD won't necessarily be professionally labeled with a nice printed sticker like the videos usually are. DVDs will cost a couple of dollars more than VHS tapes. For the ExecComm to finish placing the order for videos and DVDs, we neerd to know if you: 1. Ordered a video and now want a DVD 2. Ordered a video and still want it in VHS form 2. Did not order a video and now want either VHS or DVD (specify which) 3. Ordered a video and no longer want one Please respond to me (nbozard@mit.edu) by Friday, December 6. Details of the video party will be forthcoming once the order has been settled. Nick Bozard MITG&SP President  1,, Summary-line: 1-Dec d-duffey@argonet.co.uk [64] #The Victorians: a mini review X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id EAA04391; Sun, 1 Dec 2002 04:41:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id EAA27159 for ; Sun, 1 Dec 2002 04:41:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB19f6sN013253; Sun, 1 Dec 2002 04:41:06 -0500 (EST) Date: Sun, 1 Dec 2002 04:41:06 -0500 (EST) Message-Id: <003d01c2991c$a5b12820$e81abc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: The Victorians: a mini review MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 *** EOOH *** Date: Sun, 1 Dec 2002 04:41:06 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: The Victorians: a mini review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum "It is difficult for me to conceive of any more agreeable way of life than that of the Victorian country parson" So A N Wilson begins the chapter which follows his analysis of the Savoy Operas as a product of and a reflection on the age in which they were written. A N Wilson "The Victorians" ISBN 0 09 179421 8 (Random House 2002), 723 pages including notes, bibliography and index is written in narrative form inasmuch as people life linear lives. It is people about whom Wilson writes, but in doing so encapsulates not only many of the great events of the Victorian age, but what it was like to live then, and, perhaps most tellingly, how we might have thought if we had lived then. Of course I await delivery of the dual biography with baited breath, but I would guess that my reading of it will be enriched by my having read Wilson. No other book I have read on the age has allowed me to put on Victorian spectacles, thus changing my view of those times and enriching my understanding of what was written then. An example: "Returning to the nineteenth century in a time-machine, the twenty-first-century traveller would notice immediately dozens of differences between our world and theirs: the smells of horse-dung and straw in the streets, and, even in the grander houses, the sweaty smell of the servants who had no baths ... ; the darkness at night without electricity; the gas-flares against sooty skies; the fatty food ... the beautifully made hats, worn by all social classes, and the properly tailored cloths, even on window-cleaners or factory-hands; the continued acceptance of social hierarchy and ... the underlying deference; the racial coherence - Dante Gabriel Rossetti, we recall, found the sight of a slave boy in London exotic - no one in today's London would find anything odd about seeing a little black boy in the street; the superiority of the postal service - four or five swift deliveries per day - and the splendour - red coats and gold or blue piping - of the postman's uniform; the excellence of the rail services; the truly terrifying inadequacy of dentistry and medicine - and with these, the toothache, the halitosis; the general acceptance of infant mortality, the familiarity of children's coffins being trundled in glass-sided hearses down cobbled streets; the poverty of those children who survived, the ragamuffins who swept crossings and still, in spite of Lord Shaftsbury's reforms, continued to work, and run about at large in the alarming, overcrowded cities - all these things and more would assail the eye, heart and nostril and make us know that the Victorian world was utterly different from our own. But the greatest, and the most extraordinary difference is the difference between women, then and now. In fact Wilson is excellent about women then, and perhaps forces the view that, for all the Princess Ida jibbing, Gilbert women were extraordinary, far more feisty and independent than the usual Victorian maid, wife and widow. David The Wash England "I'm a miserable old man"  1,, Summary-line: 1-Dec awrobins@yahoo.com [73] #Gilbert's Original Plays X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA16048; Sun, 1 Dec 2002 13:07:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA01729 for ; Sun, 1 Dec 2002 13:07:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB1I73sN016944; Sun, 1 Dec 2002 13:07:03 -0500 (EST) Date: Sun, 1 Dec 2002 13:07:03 -0500 (EST) Message-Id: <20021201180042.95831.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's Original Plays MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Sun, 1 Dec 2002 13:07:03 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's Original Plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In case any Savoynetters are looking for the 4-volume set of Gilbert's Original Plays published by Chatto & Windus, an inexpensive set ($25 plus shipping) has just shown up on Advanced Book Exchange--though whether it's still available I don't know. Also, they apparently only accept checks (as opposed to cheques)and money orders. Anyway, I'll paste in the listing: GILBERT, W. S. Original Plays, Vols. 1-4. London: Chatto and Windus 1919; 1922Hardcover 16mos, blue cloth stamped in gold. First (1919), Second (1919), Third (1922), and Fourth (1922) Series. Binding of second volume differs from others in spine design and also has a small snag in binding at lower spine, not affecting any text. Withal, a very good, sturdy set of these little volumes, without dust jackets. Bookseller Inventory #12477 Price: US$ 25.00 (Convert Currency) Bookseller: Dewydell Books And Prints, 43 Westmoreland Drive, , Rochester,, NY, U.S.A., 14620-4527 Terms of Sale: All items are subject to prior sale and are returnable for any reason within two weeks of receipt. Payment is by check or money order. Credit card sales not available at this time. NY residents add 7% sales tax or give tax number. Shipping in U.S. is by USPS media mail (book rate). Postage & handling $4.00 for 1st book, $2.00 each additional book. Unusually heavy items negotiated. Add $2.00 per item for priority mail. Inquire for foreign rates or other carriers. Phone or email to hold. Andrew Crowther's Babliophile describes these books as "the indispensable backbone to the avid Gilbertian's collection," and I agree. (I got my set about 15 years ago, which is why I'm not jumping at these.) If you're interested, go to http://www.abebooks.com and search for Author: Gilbert, Title: Original Plays (or the like). Or you can e-mail the dealer at dewydell@frontiernet.net. May the person with the fastest modem win. Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 3-Dec carsten@prospeed.net [10] #Mail server X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA07820; Tue, 3 Dec 2002 06:49:48 -0500 (EST) Received: from localhost.prospeed.net (smtp.prospeed.net [63.84.180.20]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA28387 for ; Tue, 3 Dec 2002 06:49:47 -0500 (EST) Received: from prospeed.net ([12.170.49.105]) by localhost.prospeed.net (8.11.6/8.9.3) with ESMTP id gB3BnWb30669 for ; Tue, 3 Dec 2002 06:49:32 -0500 Date: Tue, 3 Dec 2002 06:49:10 -0500 Mime-Version: 1.0 (Apple Message framework v548) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Mail server From: Carsten Turner To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <3C5FF83D-06B5-11D7-976A-000393A98104@prospeed.net> X-Mailer: Apple Mail (2.548) *** EOOH *** Date: Tue, 3 Dec 2002 06:49:10 -0500 Subject: Mail server From: Carsten Turner To: David Jedlinsky I just remembered, about that 333Mhz iMac- I have a copy of Linux for that machine also. If this helps with the security aspect, let me know. Thanks, -=>Carsten:-)  1,, Summary-line: 3-Dec awrobins@yahoo.com [139] #Re: WSG Original Plays X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA16043; Tue, 3 Dec 2002 10:51:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA28368 for ; Tue, 3 Dec 2002 10:47:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB3Fl6sN013801; Tue, 3 Dec 2002 10:47:06 -0500 (EST) Date: Tue, 3 Dec 2002 10:47:06 -0500 (EST) Message-Id: <20021203153332.71307.qmail@web10808.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: WSG Original Plays MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3DEC3ECD.000001.26229@guysmiley.blarg.net> *** EOOH *** Date: Tue, 3 Dec 2002 10:47:06 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: WSG Original Plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3DEC3ECD.000001.26229@guysmiley.blarg.net> --- jana_ch wrote: > Can someone clarify this for me so I can write down: > "Gilbert's Original > Plays; look for such-and-so or so-and-such on > abebooks." I’m posting this publicly in case others are interested in getting this set (and anyone interested in Gilbert should have it. It took me over 10 years to find all four volumes; the Internet makes it a lot easier now). Chatto & Windus issued Gilbert’s ORIGINAL PLAYS in 4 volumes, which were “reprinted several times into the 1930’s,” according to Andrew Crowther’s Babliophile page at: http://www.users.globalnet.co.uk/~ajcrowth/babworks.htm These four volumes are listed on the title pages (and I believe the spine) as “First Series,” “Second Series,” “Third Series,” and “Fourth Series.” The Fourth Series is the hardest to find. The best way to find copies of this set is to go to http://www.abebooks.com or http://www.bookfinder.com (which includes ABE) and type in: Author: Gilbert Title: Original Plays and read the descriptions to determine whether it’s the complete set (4 volumes) or not. The cheapest complete set appears to be for $46.71 from Ripping Yarns (UK), but I just skimmed the list. The first three volumes appear to be available separately quite cheap, but the cheapest copy of volume 4 is $20. It’s probably cheapest (as well as easiest) to buy the complete set if possible, since shipping costs from the UK (if you’re on this side of the pond) are so expensive. (One dealer claims to be selling “the complete 3 volume set as issued.” Caveat emptor!) Some descriptions in ABE indicate the volume (or series) number, others don’t but give a list of the plays in the volume. I’m pasting below a list of the plays contained in each volume. A complete 4-volume set showed up on ABE for $25 the other day (from a US dealer, which is unusual), but it’s gone now. (“Too late, too late!”) Good luck, Arthur List of plays in the 4 volumes (with dates of first performances) I. ORIGINAL PLAYS (original series, 1876) 1870 The Princess 1870 The Palace of Truth 1871 Pygmalion and Galatea 1872 The Wicked World 1874 Charity 1875 Trial by Jury (opened March 25, 1875) (When this was reprinted later as the First Series, Gilbert added IOLANTHE [1882].) II. ORIGINAL PLAYS, Second Series (1881) 1874 Sweethearts (November 7, 1874) 1875 Tom Cobb (April 24, 1875) 1875 Broken Hearts (December 9, 1875) 1876 Dan’l Druce, Blacksmith 1876 Engaged 1877 The Sorcerer 1878 H.M.S. Pinafore 1879 Gretchen 1880 The Pirates of Penzance III. ORIGINAL PLAYS, Third Series (1895) 1881 Patience 1881 Foggerty’s Fairy 1884 Princess Ida 1884 Comedy and Tragedy 1885 The Mikado 1887 Ruddigore 1888 The Yeomen of the Guard 1889 The Gondoliers 1891 Rosencrantz and Guildenstern (published in 1884 but not performed until 1891) 1892 The Mountebanks 1893 Utopia Limited IV. ORIGINAL PLAYS, Fourth Series (1911) 1870 The Gentleman in Black 1871 Randall’s Thumb 1871 Creatures of Impulse 1871 Thespis 1888 Brantinghame Hall 1892 Haste to the Wedding 1894 His Excellency 1896 The Grand Duke 1897 The Fortune-Hunter 1904 The Fairy’s Dilemma 1909 Fallen Fairies 1911 The Hooligan 1911 Trying a Dramatist NOTE: THE HOOLIGAN and TRYING A DRAMATIST were apparently not in the original edition of ORIGINAL PLAYS Fourth series. ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1, answered,, Summary-line: 3-Dec CaptBike@sheldonbrown.com [38] #Re: Grand Duke photos X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA16260; Tue, 3 Dec 2002 16:29:05 -0500 (EST) Received: from sheldon2.tempdomainname.com (sheldon2.tempdomainname.com [198.65.246.124]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA29074 for ; Tue, 3 Dec 2002 16:29:04 -0500 (EST) Received: from [10.0.1.27] (h002078c5ecb1.ne.client2.attbi.com [24.60.163.60]) by sheldon2.tempdomainname.com (8.11.6) id gB3LT2R90078; Tue, 3 Dec 2002 14:29:02 -0700 (MST) Mime-Version: 1.0 X-Sender: sheldonb@198.65.246.124 Message-Id: In-Reply-To: <200212032027.PAA23582@multics.mit.edu> References: <200212032027.PAA23582@multics.mit.edu> Date: Tue, 3 Dec 2002 16:28:29 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@198.65.246.124 In-Reply-To: <200212032027.PAA23582@multics.mit.edu> Date: Tue, 3 Dec 2002 16:28:29 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos At 3:27 PM -0500 12/3/02, David C. Jedlinsky wrote: >Hi Sheldon. > >As you're probably aware, I'm making DVDs of Grand Duke. I was >wondering if you (or Harriet, since she actually took them) would >grant me permission to use a few of the photos for the cover art? The >stills I've got from the video are not quite to the level of quality >for printed matter. > >If this is ok, please also let me know how you'd like the credit to >read. > >Thanks. > >-Dave Sure, that's fine. Credit Harriet Fell '65. If you've got room you could list her URL harrietfell.com Let me know if you need a higher rez version. All the best, Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 3-Dec oakapple@cris.com [48] #Re: WSG Original Plays X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA20704; Tue, 3 Dec 2002 19:01:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA23506 for ; Tue, 3 Dec 2002 18:58:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB3Nw6sN016768; Tue, 3 Dec 2002 18:58:06 -0500 (EST) Date: Tue, 3 Dec 2002 18:58:06 -0500 (EST) Message-Id: <3DED4289.3020408@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: WSG Original Plays MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 3 Dec 2002 18:58:06 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: WSG Original Plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Just to add to the bibliographical history of ORIGINAL PLAYS.... As Arthur noted, ORIGINAL PLAYS was published in four volumes, called "series." Obviously, the First Series acquired that designation only when a Second Series existed to join it. The First Series was the only one that had a second typesetting. A true first edition of the "First Series" (which was then titled simply "Original Plays by W. S. Gilbert") is rare. In 1881, it was re-set at the same time the Second Series was issued. From then on, all versions have been just re-prints. Earlier issues, however, are more valuable. According to my notes, IOLANTHE was not added to the First Series until 1905. Also, the Fourth Series originally included TRYING A DRAMATIST and THE HOOLIGAN; then it was re-issued without these plays, and later they were re-instated. Arthur is correct that the Fourth Series is hardest to find. I acquired all four as a set, but my copy of the 4th lacked the two plays mentioned above. I had to look for a few years before finding another copy of the volume that had them. Arthur observed: > (One dealer claims to be selling “the > complete 3 volume set as issued.” Caveat emptor!) Well, this is not strictly wrong. Each time a new volume came out, the previous ones were re-issued, and it was possible to buy them as a set. If you're getting 3 volumes that were issued together before the 4th existed, then the dealer's descripition is valid. If you're getting 3 volumes, from which the fourth is missing, then it is not. -- Marc Shepherd New York, NY  1, answered,, Summary-line: 3-Dec CaptBike@sheldonbrown.com [67] #Re: Grand Duke photos X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA21620; Tue, 3 Dec 2002 19:02:55 -0500 (EST) Received: from sheldon2.tempdomainname.com (sheldon2.tempdomainname.com [198.65.246.124]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA07464 for ; Tue, 3 Dec 2002 19:02:54 -0500 (EST) Received: from [10.0.1.27] (h002078c5ecb1.ne.client2.attbi.com [24.60.163.60]) by sheldon2.tempdomainname.com (8.11.6) id gB402rI11693; Tue, 3 Dec 2002 17:02:54 -0700 (MST) Mime-Version: 1.0 X-Sender: sheldonb@198.65.246.124 Message-Id: In-Reply-To: <200212032329.SAA27365@multics.mit.edu> References: <200212032027.PAA23582@multics.mit.edu> <200212032329.SAA27365@multics.mit.edu> Date: Tue, 3 Dec 2002 18:59:26 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@198.65.246.124 In-Reply-To: <200212032329.SAA27365@multics.mit.edu> Date: Tue, 3 Dec 2002 18:59:26 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos At 6:29 PM -0500 12/3/02, David C. Jedlinsky wrote: >Thanks! And no problem on the credit; we've got the whole cover! :-) > >Higher resolution is always good when it comes to printing. What's >the best way to get them? Should I buy a CD-ROM? > >-Dave If you want. Or I could swap you a CD-ROM for a DVD. If you just need a few, let me know which images and I'll email 'em to you. All the best, Sheldon > > >>Date: Tue, 3 Dec 2002 16:28:29 -0500 >>From: Sheldon Brown >> >>At 3:27 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>Hi Sheldon. >>> >>>As you're probably aware, I'm making DVDs of Grand Duke. I was >>>wondering if you (or Harriet, since she actually took them) would >>>grant me permission to use a few of the photos for the cover art? The >>>stills I've got from the video are not quite to the level of quality >>>for printed matter. >>> >>>If this is ok, please also let me know how you'd like the credit to >>>read. >>> >>>Thanks. >>> >>>-Dave >> >>Sure, that's fine. Credit Harriet Fell '65. If you've got room you >>could list her URL harrietfell.com >> >>Let me know if you need a higher rez version. >> >>All the best, >> >>Sheldon >> Harris Cyclery, West Newton, Massachusetts >> Phone 617-244-9772 FAX 617-244-1041 >> http://harriscyclery.com >> Hard-to-find parts shipped Worldwide >> http://captainbike.com >> Useful articles about bicycles and cycling >> http://sheldonbrown.com Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 3-Dec sctang@MIT.EDU [168] #The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS X-Coding-System: iso-latin-1-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA14405; Tue, 3 Dec 2002 22:45:39 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA07569; Tue, 3 Dec 2002 22:45:13 -0500 (EST) Received: from sonya-jd27fkurm.mit.edu (SUNNYBUNNY.MIT.EDU [18.245.3.19]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id WAA13555; Tue, 3 Dec 2002 22:45:12 -0500 (EST) Message-Id: <5.0.2.1.1.20021203223107.01c712f0@po12.mit.edu> X-Sender: sctang@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Tue, 03 Dec 2002 22:45:10 -0500 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS for "Sweeney Todd In Concert" Cc: grand-duke@mit.edu, pinafore@mit.edu, trial-full@mit.edu, mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mtg-members@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu, dancetroupe@mit.edu, rkb@mit.edu, midnight-players@mit.edu, gsp@mit.edu, ds_announce@mit.edu, blactg@mit.edu, choral@mit.edu, muses@mit.edu, techiya@mit.edu, gsp-cast-int@mit.edu, sorcerer@mit.edu, zoo@mit.edu, concert-choir@mit.edu Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_1597867==_.ALT" *** EOOH *** X-Sender: sctang@po12.mit.edu (Unverified) Date: Tue, 03 Dec 2002 22:45:10 -0500 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Proudly Announce AUDITIONS for "Sweeney Todd In Concert" Cc: grand-duke@mit.edu, pinafore@mit.edu, trial-full@mit.edu, mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, mtg-members@mit.edu, mitcp@mit.edu, theater@mit.edu, music@mit.edu, dancetroupe@mit.edu, rkb@mit.edu, midnight-players@mit.edu, gsp@mit.edu, ds_announce@mit.edu, blactg@mit.edu, choral@mit.edu, muses@mit.edu, techiya@mit.edu, gsp-cast-int@mit.edu, sorcerer@mit.edu, zoo@mit.edu, concert-choir@mit.edu --=====================_1597867==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed ATTEND THE TALE OF SWEENEY TODD.... \ )_________ _________( / > | )_____________________________________( | < /___| THE MIT | | PLAYERS |___\ \_________| G I L B E R T & S U L L I V A N |_________/ \_____________________________________/ proudly announce AUDITIONS for the IAP 2003 Production of "SWEENEY TODD IN CONCERT" Producer: Kristin R. Brodie '03 Vocal Director: Jen Hazel Dates and Locations of Auditions: Monday, December 9th 2002: 7-10 pm W20-407 in the Student Center at MIT (84 Mass. Ave.) Tuesday, December 10th 2002: 7-10 pm W20-407 in the Student Center at MIT Please bring two copies of sheet music of a prepared song in English. Don't have a song? Sing "Happy Birthday" or "Twinkle, Twinkle Little Star" Director will provide a scene to be acted at the auditions Sing Through: Saturday, December 14th, 2-5 pm Performance Dates: Friday, January 17th 2003 @ 8 pm Saturday, January 18th 2003 @ 8 pm 3rd show: TBA All shows are in KRESGE MAIN of MIT Plot Summary: Sweeney Todd , a chilling, suspenseful, heart-pounding masterpiece of murderous barber-ism and culinary crime tells the infamous tale of the unjustly exiled barber who returns to 19th century London seeking revenge against the lecherous judge who framed him and ravaged his young wife. His thirst for blood soon expands to include his unfortunate customers, and the resourceful proprietress of the pie shop downstairs soon has the people of London lining up in droves with her mysterious new meat pie recipe! Sophisticated, macabre, visceral and uncompromising, "Sweeney Todd" nevertheless has a great sense of fun, mixing intense drama with howlingly funny moments of dark humor: audiences find themselves laughing hysterically one moment and gasping in surprise the next. (Please note: this is not a full production with sets and staging. It is a concert with minimal staging and props with focus on singing) For more information about auditions, please email sweeney-concert@mit.edu or call (617)253-0190 or visit web.mit.edu/gsp/www --=====================_1597867==_.ALT Content-Type: text/html; charset="us-ascii" ATTEND THE TALE OF SWEENEY TODD....

\   )_________                                              _________( /
>   | )_____________________________________(       |  <
/___| THE MIT |                                      | PLAYERS |___\
 \_________| G I L B E R T & S U L L I V A N |_________/
         \_____________________________________/

                              proudly announce

                        AUDITIONS

                for the IAP 2003 Production of


     "SWEENEY TODD IN CONCERT"
                Producer: Kristin R. Brodie '03
                Vocal Director: Jen Hazel

Dates and Locations of Auditions:
Monday, December 9th 2002: 7-10 pm W20-407 in the Student Center at MIT (84 Mass. Ave.)
Tuesday, December 10th 2002: 7-10 pm W20-407 in the Student Center at MIT

Please bring two copies of sheet music of a prepared song in English.
Don't have a song? Sing "Happy Birthday" or "Twinkle, Twinkle Little Star"

Director will provide a scene to be acted at the auditions

Sing Through: Saturday, December 14th, 2-5 pm

Performance Dates:
Friday, January 17th 2003 @ 8 pm
Saturday, January 18th 2003 @ 8 pm
3rd show: TBA

All shows are in KRESGE MAIN of MIT

Plot Summary:
Sweeney Todd , a chilling, suspenseful, heart-pounding masterpiece of murderous barber-ism and culinary crime tells the infamous tale of the unjustly exiled barber who returns to 19th century London seeking revenge against the lecherous judge who framed him and ravaged his young wife. His thirst for blood soon expands to include his unfortunate customers, and the resourceful proprietress of the pie shop downstairs soon has the people of London lining up in droves with her mysterious new meat pie recipe!

Sophisticated, macabre, visceral and uncompromising, “Sweeney Todd” nevertheless has a great sense of fun, mixing intense drama with howlingly funny moments of dark humor: audiences find themselves laughing hysterically one moment and gasping in surprise the next.

(Please note: this is not a full production with sets and staging.  It is a concert with minimal staging and props with focus on singing)

For more information about auditions, please email sweeney-concert@mit.edu
or call (617)253-0190 or visit web.mit.edu/gsp/www





--=====================_1597867==_.ALT--  1,, Summary-line: 4-Dec oakapple@cris.com [38] #Plots for Future Comic Operas: Justice Dissents in Verse X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA09222; Wed, 4 Dec 2002 07:28:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA15917 for ; Wed, 4 Dec 2002 07:28:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB4CRvsN027267; Wed, 4 Dec 2002 07:27:57 -0500 (EST) Date: Wed, 4 Dec 2002 07:27:57 -0500 (EST) Message-Id: <3DEDF075.4030403@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Plots for Future Comic Operas: Justice Dissents in Verse MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 4 Dec 2002 07:27:57 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Plots for Future Comic Operas: Justice Dissents in Verse X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In a case the Pennsylvania Supreme Court decided last week, Justice J. Michael Eakin dissented in comic verse. You'll find the opinion here: http://www.aopc.org/OpPosting/Supreme/out/J-135-2002do2.pdf One quickly concludes that Justice Eakin shouldn't quit his day job and become a full-time poet, but the brief 28-line opinion is well worth a read. The case concerns a prenuptial agreement, which stated that in the event of divorce the wife would keep, among other things, her engagement ring, which the husband assured her was a diamond. After the divorce, she learned that it was in fact cubic zirconium. She sued to have the prenuptial agreement voided. By a 4-3 vote, the court ruled that the husband's misrepresentation of the ring's value was not sufficient justification to throw out the entire agreement. The wife should have ascertained for herself what the ring was worth, before signing the agreement. The versified dissent drew fire from two of Justice Eakin's colleagues, who fretted that it undermines the court's credibility when one of its members rules in verse. I wonder why they think that? -- Marc Shepherd New York, NY  1,, Summary-line: 4-Dec doxite@worldnet.att.net [44] #Re: Plots for Future Comic Operas: Justice Dissents in Verse X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA29583; Wed, 4 Dec 2002 09:30:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA25573 for ; Wed, 4 Dec 2002 09:30:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB4EUIsN016203; Wed, 4 Dec 2002 09:30:18 -0500 (EST) Date: Wed, 4 Dec 2002 09:30:18 -0500 (EST) Message-Id: <006a01c29b9f$2b3f76c0$2848590c@D1D86H11> Errors-To: savoynet-owner@bridgewater.edu Reply-To: doxite@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Christopher Papa" To: Multiple recipients of list SAVOYNET Subject: Re: Plots for Future Comic Operas: Justice Dissents in Verse MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 *** EOOH *** Date: Wed, 4 Dec 2002 09:30:18 -0500 (EST) Reply-To: doxite@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Christopher Papa" To: Multiple recipients of list SAVOYNET Subject: Re: Plots for Future Comic Operas: Justice Dissents in Verse X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I'm glad I never chose the legal profession for a life. Cursed from birth with a compulsion to rhyme, I found myself doing it in medical school, where students' chart notes are frequently ignored by the attending physicians. When I thought I had something important to impart, I'd put the information in rhyme. I soon found that my mentors were eagerly reading my offerings and smiling when they discussed the input over morning rounds. It didn't hurt my professional advancement, since I graduated at the top of my class. Later, it helped me survive the arduous hours of my internship and residency training. One fond memory was the entry I made while on emergency room duty. After being awake for more hours than I could imagine, I had finally tried to catch a nap at 3:30 AM, when I was waken by a giggling nurse who said; "You won't believe what just came in for you!". It turned out to be an 80 year old lady , who was in much distress because she had lost her enema tip up her rectum. It wasn't that it hurt, as much as she really wanted it retrieved. After I tenderly delivered her cherished item, and at 4:00 AM, pretty punchy from lack of sleep, I detailed the chief complaint, findings and procedure in rhyme. It was posted by the nurses on the E.R. board for a week, and I was happy that a lawyer hadn't seen it, although it really only told the pertinent facts. Later in my career, when I was Director of Clinical Research for the Johnson & Johnson Dermatological Division, when I needed to catch the attention of the top executives, I would do my memos in rhyme. This resulted in getting myself invited to the big-wig celebrations, like promotions and retirements, expected to help "roast' the individual in humorous rhyme. This was done with the connivance of a talented cartoonist, who was a lab tecnician, which greatly enhanced the presentations. It was enormous fun while it lasted. Now that I've retired, I have Partners-In-Rhyme with which to indulge myself. Chris Papa For daily word definitions with limericks http://home.att.net/~doxite/partnersinrhyme/  1,, Summary-line: 4-Dec ornstn@rogers.com [86] #I'm back, with a shameless plug - UL in Toronto! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA12854; Wed, 4 Dec 2002 09:57:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA11635 for ; Wed, 4 Dec 2002 09:55:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB4Et9sN020893; Wed, 4 Dec 2002 09:55:09 -0500 (EST) Date: Wed, 4 Dec 2002 09:55:09 -0500 (EST) Message-Id: <5.1.0.14.2.20021204091653.00a54470@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: I'm back, with a shameless plug - UL in Toronto! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 *** EOOH *** Date: Wed, 4 Dec 2002 09:55:09 -0500 (EST) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: I'm back, with a shameless plug - UL in Toronto! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hello, folks - I'm now back in "active service" on the list after a G&S-free month attending a conference and travelling in Chile. I hope you won't mind if I start off with a plug. Tickets are now on sale for St. Anne's Music and Drama Society's January production of Utopia Limited in Toronto. I hope that some of you (and of course, all of you in the area!) will plan to come. St. Anne's (I think I can safely say) the premier G&S performing group in the Toronto area, and this is the first time they have done Utopia - quite a statement considering that this is their fortieth year. Any of you who were at the Toronto singout will remember their superb Grand Duke, and Utopia features many of the same performers (plus the fact that King Paramount will be played by the Same Gentleman Who Performed the Role at the Singout, Whom Modesty Prevents Me From Naming but who is greatly looking forward to trying the role out on stage) - including Corinne Lynch whose Julia was one of the hits of the singout, and Laura Schatz (also our stage director), who gave us a superb Princess Ida. Ori Siegel will conduct. Of course anyone planning to see Utopia would like to know how much of it they are getting. The answer is, quite a bit. The only numbers to be cut in their entirity will be "Let all your doubts take wing", "Subjected to your heavenly gaze" and "If you think that when banded in unity"; we are also taking the "traditional" cuts in "A king of autocratic power" and "Ah, gallant soldier brave and true". We have made a number of internal cuts in the dialogue (mostly words and phrases rather than whole speeches), to reduce its wordiness and to restore something of the "snap" of the earlier operas. I hope we will see some of you there - and meanwhile, my best wishes to the Ridgeview Utopians, and I wish I could be there! Cast and ticket information: Princess Zara - Corinne Lynch Princess Nekaya - Yvonne Schut Princess Kalyba - Jennifer Friesen Garde The Lady Sophy - Muriel Ali (matinees), Laura Schatz (evenings) Melene - Cassandra Bell Phylla - Karen Dunk Green Salata - Tricia Haldane King Paramount - Ronald Orenstein Scaphio - Timothy Wright Phantis - Marc Potvin Tarara - Glenn Mosher Calynx - Fred Silk Sir Bailey Barre - Roy Schatz Mr. Blushington - Ian McAndrew Captain Sir Edward Corcoran - Bob Mason Lord Dramaleigh - Allan Cobham Captain Fitzbattleaxe - Jason Hales Mr. Goldbury - Bernard Lynch Tickets on sale now. Good seats available for all performances (but matinees are going fast. To order tickets call (416) 922-4415 Visa accepted Fri, Jan 24, 2003 8:00 pm A Sat, Jan 25, 2003 2:00 pm & 8:00 pm B Sun, Jan 26, 2003 2:00 pm B Thurs, Jan 30, 2003 8:00 pm A Fri, Jan 31, 2003 8:00 pm B Sat, Feb 1, 2003 2:00 pm & 8:00 pm B A- First night special, All Tickets $14.00 B- Adults $17.00 Seniors/Students $14.00 Group rates available for all performances. See also http://www.stannes.on.ca/MusicDrama.html -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1,, Summary-line: 5-Dec cjsmith@MIT.EDU [48] #[Fwd: Trilobite cookies] X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA18408; Thu, 5 Dec 2002 10:05:55 -0500 (EST) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA27547 for ; Thu, 5 Dec 2002 10:04:55 -0500 (EST) Received: from 24-148-72-1.na.21stcentury.net ([24.148.72.1] helo=mit.edu) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #4) id 18JxYd-0003MM-00 for dinner@mit.edu; Thu, 05 Dec 2002 10:04:55 -0500 Message-ID: <3DEF6B15.6050300@mit.edu> Date: Thu, 05 Dec 2002 09:04:53 -0600 From: Carolyn Smith User-Agent: Mozilla/5.0 (Macintosh; U; PPC Mac OS X; en-US; rv:1.0rc3) Gecko/20020523 X-Accept-Language: en-us, en MIME-Version: 1.0 To: dinner Subject: [Fwd: Trilobite cookies] Content-Type: multipart/mixed; boundary="------------000403070704020400010609" *** EOOH *** Date: Thu, 05 Dec 2002 09:04:53 -0600 From: Carolyn Smith X-Accept-Language: en-us, en To: dinner Subject: [Fwd: Trilobite cookies] This is a multi-part message in MIME format. --------------000403070704020400010609 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Jason found these...for all you fossil fans... --cyn --------------000403070704020400010609 Content-Type: message/rfc822; name="Trilobite cookies" Content-Transfer-Encoding: 7bit Content-Disposition: inline; filename="Trilobite cookies" Return-Path: Received: from pacific-carrier-annex.mit.edu by po14.mit.edu (8.9.2/4.7) id RAA01439; Wed, 4 Dec 2002 17:44:02 -0500 (EST) Received: from midway.uchicago.edu (midway.uchicago.edu [128.135.12.12]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA19258 for ; Wed, 4 Dec 2002 17:44:01 -0500 (EST) Received: from uchicago.edu (moominpappa.uchicago.edu [128.135.28.16]) by midway.uchicago.edu (8.12.5/8.12.5) with ESMTP id gB4Mi05C027536 for ; Wed, 4 Dec 2002 16:44:00 -0600 (CST) Message-ID: <3DEE8798.9000004@uchicago.edu> Date: Wed, 04 Dec 2002 16:54:16 -0600 From: Jason C Goodman User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:0.9.9) Gecko/20020312 X-Accept-Language: en-us, en MIME-Version: 1.0 To: Carolyn Smith Subject: Trilobite cookies Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit I have to make some of these and bring 'em to work. http://www.georgehart.com/trilobites/trilobite.html --------------000403070704020400010609--  1, answered,, Summary-line: 5-Dec portnoy@portnoy.org [22] #Re: Star Wars X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA25967; Thu, 5 Dec 2002 16:39:12 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA28297 for ; Thu, 5 Dec 2002 16:39:11 -0500 (EST) Received: by circe.portnoy.org (Postfix, from userid 6762) id 858238BE; Thu, 5 Dec 2002 16:39:11 -0500 (EST) To: "David C. Jedlinsky" Subject: Re: Star Wars References: <200212052132.QAA15645@multics.mit.edu> From: Stephen Peters Date: 05 Dec 2002 16:39:11 -0500 In-Reply-To: <200212052132.QAA15645@multics.mit.edu> Message-ID: Lines: 16 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Star Wars From: Stephen Peters Date: 05 Dec 2002 16:39:11 -0500 In-Reply-To: <200212052132.QAA15645@multics.mit.edu> "David C. Jedlinsky" writes: > Can I get a copy of the script before this weekend? I could use a > little light reading on my cross-country flight. > > Call my cell phone at 617-803-4191 if this is possible. I can give you an old copy as a PDF, but there've been enough changes over the past months that it's pretty out of date. Rogue should be finishing up the latest draft tomorrow sometime -- when are you leaving? -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1, answered,, Summary-line: 5-Dec bjaspan@MIT.EDU [39] #Re: Domain registration X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA14076; Thu, 5 Dec 2002 21:08:01 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA13983 for ; Thu, 5 Dec 2002 21:08:01 -0500 (EST) Received: from brick.mit.edu (pool-141-154-161-7.wma.east.verizon.net [141.154.161.7]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id VAA08069 for ; Thu, 5 Dec 2002 21:08:00 -0500 (EST) Message-Id: <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 Date: Thu, 05 Dec 2002 21:07:37 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212060039.TAA18620@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** Date: Thu, 05 Dec 2002 21:07:37 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212060039.TAA18620@multics.mit.edu> Dave, Sure, I could do that. I only recently did my first transfer/registration for someone other than myself, but it went fine. :-) (I became an OpenSRS reseller for my own use, not really as a business.) My prices are (swiped from xela): Years Price 1 $ 20 2 $ 33 3 $ 46 4 $ 58 5 $ 70 6 $ 83 7 $ 96 8 $ 109 9 $ 122 Let me know what you want to do. Barry At 07:39 PM 12/5/2002 -0500, you wrote: >I've heard you do domain registration. Would you be interesting in >handling ipnh.com? If so, how much would it cost? VeriSign is >bugging me to renew. :-) > >-Dave  1,, Summary-line: 6-Dec to: CaptBike@sheldonbrown [72] #Re: Grand Duke photos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA24362; Fri, 6 Dec 2002 00:50:13 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA02796; Fri, 6 Dec 2002 00:50:13 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id AAA14889; Fri, 6 Dec 2002 00:50:12 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id AAA25047; Fri, 6 Dec 2002 00:50:12 -0500 (EST) Date: Fri, 6 Dec 2002 00:50:12 -0500 (EST) Message-Id: <200212060550.AAA25047@multics.mit.edu> From: "David C. Jedlinsky" To: CaptBike@sheldonbrown.com In-reply-to: (message from Sheldon Brown on Tue, 3 Dec 2002 18:59:26 -0500) Subject: Re: Grand Duke photos References: <200212032027.PAA23582@multics.mit.edu> <200212032329.SAA27365@multics.mit.edu> *** EOOH *** Date: Fri, 6 Dec 2002 00:50:12 -0500 (EST) From: "David C. Jedlinsky" To: CaptBike@sheldonbrown.com In-reply-to: (message from Sheldon Brown on Tue, 3 Dec 2002 18:59:26 -0500) Subject: Re: Grand Duke photos Hi Sheldon. I don't know if it's too late, but could you get me a CD by Friday night? Ruth will be in Boston running a couple of other errands around 7ish. If that doesn't work, could you email six images (maybe as six different emails)? I'm looking for numbers 52, 59, 69, 110, 158 and 159. If you email them, please send them to "rls@dimins.com". We're leaving early Saturday morning for California, and would like to bring the images to work on the design during the trip. If you can get the CD to us, I'll have to buy it from you; the DVDs are sold by MIT G&SP, not me, so they're not mine to trade. -Dave >Date: Tue, 3 Dec 2002 18:59:26 -0500 >From: Sheldon Brown > >At 6:29 PM -0500 12/3/02, David C. Jedlinsky wrote: >>Thanks! And no problem on the credit; we've got the whole cover! :-) >> >>Higher resolution is always good when it comes to printing. What's >>the best way to get them? Should I buy a CD-ROM? >> >>-Dave > >If you want. Or I could swap you a CD-ROM for a DVD. > >If you just need a few, let me know which images and I'll email 'em to you. > >All the best, > >Sheldon > >> >> >>>Date: Tue, 3 Dec 2002 16:28:29 -0500 >>>From: Sheldon Brown >>> >>>At 3:27 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>>Hi Sheldon. >>>> >>>>As you're probably aware, I'm making DVDs of Grand Duke. I was >>>>wondering if you (or Harriet, since she actually took them) would >>>>grant me permission to use a few of the photos for the cover art? The >>>>stills I've got from the video are not quite to the level of quality >>>>for printed matter. >>>> >>>>If this is ok, please also let me know how you'd like the credit to >>>>read. >>>> >>>>Thanks. >>>> >>>>-Dave >>> >>>Sure, that's fine. Credit Harriet Fell '65. If you've got room you >>>could list her URL harrietfell.com >>> >>>Let me know if you need a higher rez version. >>> >>>All the best, >>> >>>Sheldon  1,, Summary-line: 6-Dec CaptBike@sheldonbrown.com [92] #Re: Grand Duke photos X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA28901; Fri, 6 Dec 2002 10:51:56 -0500 (EST) Received: from sheldon2.tempdomainname.com (sheldon2.tempdomainname.com [198.65.246.124]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA16061 for ; Fri, 6 Dec 2002 10:47:53 -0500 (EST) Received: from [10.0.1.27] (h002078c5ecb1.ne.client2.attbi.com [24.60.163.60]) by sheldon2.tempdomainname.com (8.11.6) id gB6FlqL49841; Fri, 6 Dec 2002 08:47:52 -0700 (MST) Mime-Version: 1.0 X-Sender: sheldonb@198.65.246.124 Message-Id: In-Reply-To: <200212060550.AAA25047@multics.mit.edu> References: <200212032027.PAA23582@multics.mit.edu> <200212032329.SAA27365@multics.mit.edu> <200212060550.AAA25047@multics.mit.edu> Date: Fri, 6 Dec 2002 10:47:15 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@198.65.246.124 In-Reply-To: <200212060550.AAA25047@multics.mit.edu> Date: Fri, 6 Dec 2002 10:47:15 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos At 12:50 AM -0500 12/6/02, David C. Jedlinsky wrote: >Hi Sheldon. > >I don't know if it's too late, but could you get me a CD by Friday >night? No can do, I don't have time to burn it. > Ruth will be in Boston running a couple of other errands >around 7ish. If that doesn't work, could you email six images (maybe >as six different emails)? I'm looking for numbers 52, 59, 69, 110, >158 and 159. If you email them, please send them to "rls@dimins.com". >We're leaving early Saturday morning for California, and would like to >bring the images to work on the design during the trip. I don't see the high rez versions on my hard disk, I'll have to poke around to find the CD I've got 'em backed up on. Won't get a chance 'til this evening. All the best, Sheldon >If you can get the CD to us, I'll have to buy it from you; the DVDs >are sold by MIT G&SP, not me, so they're not mine to trade. > >-Dave > > >>Date: Tue, 3 Dec 2002 18:59:26 -0500 >>From: Sheldon Brown >> >>At 6:29 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>Thanks! And no problem on the credit; we've got the whole cover! :-) >>> >>>Higher resolution is always good when it comes to printing. What's >>>the best way to get them? Should I buy a CD-ROM? >>> >>>-Dave >> >>If you want. Or I could swap you a CD-ROM for a DVD. >> >>If you just need a few, let me know which images and I'll email 'em to you. >> >>All the best, >> >>Sheldon >> >>> >>> >>>>Date: Tue, 3 Dec 2002 16:28:29 -0500 >>>>From: Sheldon Brown >>>> >>>>At 3:27 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>>>Hi Sheldon. >>>>> >>>>>As you're probably aware, I'm making DVDs of Grand Duke. I was >>>>>wondering if you (or Harriet, since she actually took them) would >>>>>grant me permission to use a few of the photos for the cover art? The >>>>>stills I've got from the video are not quite to the level of quality >>>>>for printed matter. >>>>> >>>>>If this is ok, please also let me know how you'd like the credit to >>>>>read. >>>>> >>>>>Thanks. >>>>> >>>>>-Dave >>>> >>>>Sure, that's fine. Credit Harriet Fell '65. If you've got room you >>>>could list her URL harrietfell.com >>>> >>>>Let me know if you need a higher rez version. >>>> >>>>All the best, >>>> >>>>Sheldon Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1, answered,, Summary-line: 6-Dec bjaspan@MIT.EDU [66] #Re: Domain registration X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA23711; Fri, 6 Dec 2002 21:12:30 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA05908 for ; Fri, 6 Dec 2002 21:12:30 -0500 (EST) Received: from brick.mit.edu (pool-141-154-161-7.wma.east.verizon.net [141.154.161.7]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id VAA22757 for ; Fri, 6 Dec 2002 21:12:30 -0500 (EST) Message-Id: <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 Date: Fri, 06 Dec 2002 21:12:01 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212070058.TAA16959@multics.mit.edu> References: <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** Date: Fri, 06 Dec 2002 21:12:01 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212070058.TAA16959@multics.mit.edu> I can initiate the transfer any time. You'll get email from VeriSign asking for confirmation. It all takes about a 7-10 business days. Note that I provide ZERO SERVICE. I won't necessarily even remind you when it is going to expire. You'll be able to maintain your own domain record via OpenSRS; have you done that before? It's pretty straightforward. Now I'm just waiting for your ACK or NAK. Barry At 07:58 PM 12/6/2002 -0500, you wrote: >Sounds good. What do we need to do to make the change? I'd like to >do it for five years. > >-Dave > > > >Date: Thu, 05 Dec 2002 21:07:37 -0500 > >From: Barry Jaspan > > > >Dave, > > > >Sure, I could do that. I only recently did my first transfer/registration > >for someone other than myself, but it went fine. :-) (I became an OpenSRS > >reseller for my own use, not really as a business.) > > > >My prices are (swiped from xela): > > > >Years Price > >1 $ 20 > >2 $ 33 > >3 $ 46 > >4 $ 58 > >5 $ 70 > >6 $ 83 > >7 $ 96 > >8 $ 109 > >9 $ 122 > > > >Let me know what you want to do. > > > >Barry > > > > > >At 07:39 PM 12/5/2002 -0500, you wrote: > > > > > >>I've heard you do domain registration. Would you be interesting in > >>handling ipnh.com? If so, how much would it cost? VeriSign is > >>bugging me to renew. :-) > >> > >>-Dave > >  1,, Summary-line: 6-Dec to: bjaspan@MIT.EDU [28] #Re: Domain registration X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA05459; Fri, 6 Dec 2002 21:57:19 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA13852; Fri, 6 Dec 2002 21:57:18 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id VAA29288; Fri, 6 Dec 2002 21:57:18 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id VAA17959; Fri, 6 Dec 2002 21:57:18 -0500 (EST) Date: Fri, 6 Dec 2002 21:57:18 -0500 (EST) Message-Id: <200212070257.VAA17959@multics.mit.edu> From: "David C. Jedlinsky" To: bjaspan@MIT.EDU In-reply-to: <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> (message from Barry Jaspan on Fri, 06 Dec 2002 21:12:01 -0500) Subject: Re: Domain registration References: <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> *** EOOH *** Date: Fri, 6 Dec 2002 21:57:18 -0500 (EST) From: "David C. Jedlinsky" To: bjaspan@MIT.EDU In-reply-to: <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> (message from Barry Jaspan on Fri, 06 Dec 2002 21:12:01 -0500) Subject: Re: Domain registration >I can initiate the transfer any time. You'll get email from VeriSign >asking for confirmation. It all takes about a 7-10 business days. Okay. >Note that I provide ZERO SERVICE. I won't necessarily even remind you when >it is going to expire. You'll be able to maintain your own domain record >via OpenSRS; have you done that before? It's pretty straightforward. I'd better put a reminder in Quicken, then. Not that I've ever received service from VeriSign apart from a bill... :-) Got a URL? I'm sure I can figure it out. >Now I'm just waiting for your ACK or NAK. I'm actually heading to LaLa land for a short trip. I'll get back to you on Wednesday. I want to try looking at OpenSRS first. -Dave  1,, Summary-line: 7-Dec chris@sounds-on-cd.co.uk [71] #RE: Help with an unusual G&S recording/broadcast X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA21174; Sat, 7 Dec 2002 06:16:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA18779 for ; Sat, 7 Dec 2002 06:16:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB7BGEsN024759; Sat, 7 Dec 2002 06:16:15 -0500 (EST) Date: Sat, 7 Dec 2002 06:16:14 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Help with an unusual G&S recording/broadcast MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <4.1.20021205205054.00b04640@mail.musicalsolutions.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) *** EOOH *** Date: Sat, 7 Dec 2002 06:16:14 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Help with an unusual G&S recording/broadcast X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <4.1.20021205205054.00b04640@mail.musicalsolutions.com> Thanks to lots of people who have replied privately about this. I'm still none the wiser about who is actually on this recording, other than establishing that Sanford was the conductor, but I think the clues point to the singers not being of any major historical G&S interest. Also it has been suggested that Sanford died in 1945 which obviously means that the record can't be any later than this. I'm quite surprised by this because I hadn't realised that microgroove discs and vinyl were in use as early as this, although my knowledge is with commercial discs and not radio transcription discs. I was specifically pointed to disc 68 at http://www.worldofgramophones.com/radioarchives.html which is a similar record but it is not the same (this is 835 mine is 826), and further looking brought forth two more (discs 83 and 121 on the list - 830 and 850 in this series) so we now know that at least four such records were made. This site gives the track details of the other three and for those interested, the tracks on my 826 are A. When I go out of door B. I hear the soft note C. Bell Trio D. I am the monarch of the sea E. The merry maiden and the tar F. From every kind of man G. I am the very pattern H. So please you, sir I. O joy, o rapture unforeseen I'm now wondering if this series of discs (and there could be more than these four) might possibly be the source for some of the unidentified recordings I included on "Stateside Savoyards". I didn't scrutinise the list fully (I found the G&S discs by using the "Find" facility) but I did spot that one of the records on the list included Sullivan's "Orpheus with his lute" sung by the Buccaneers Octet (!) Dan wrote > According to information in the G&S Archive, Harold > Sanford was conductor of the first TV operetta > broadcast in the U.S., when a one-hour version of THE > PIRATES OF PENZANCE This was in 1939 and there were similar broadcasts of Pinafore and Cox (info from Marc's discography). What is particularly interesting about the Pirates broadcast is that a specialist site recently included this broadcast on a list of future video releases. I can't remember what the site was now but I mentioned this on Savoynet at the time and I think it was suggested that this listing was probably just the dealer being optimistic that such a thing could be issued should it turn up and that this was very unlikely. Regards Chris Chris Webster SOUNDS ON CD http://www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Croydon, UK.  1,, Summary-line: 7-Dec jhead@MIT.EDU [24] #Sunday's Read through of STAR WARS: Musical Edition X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA16398; Sat, 7 Dec 2002 19:15:27 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA00155 for ; Sat, 7 Dec 2002 19:15:25 -0500 (EST) Received: from hand.mit.edu (HAND.MIT.EDU [18.228.0.106]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id TAA29320 for ; Sat, 7 Dec 2002 19:15:24 -0500 (EST) Message-Id: <5.1.0.14.2.20021207190233.01f72118@hesiod> X-Sender: jhead@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Sat, 07 Dec 2002 19:12:54 -0500 To: star-wars@mit.edu From: John Head Subject: Sunday's Read through of STAR WARS: Musical Edition Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: jhead@hesiod (Unverified) Date: Sat, 07 Dec 2002 19:12:54 -0500 To: star-wars@mit.edu From: John Head Subject: Sunday's Read through of STAR WARS: Musical Edition Hello and Welcome all to Star Wars. Tomorrow, Sunday 12/8 is the first read-through of the script. We will be meeting in Sala De La Puerto Rico at 7pm. This read-through is for all members of the production. Cast members and designers are required to be there, all other members are welcomed and encouraged. If you are a cast member and are unable to make the read-through please send the Stage Manager, David Glasser, glasser@mit.edu, a email with the reason you won't be able to attend. If you are a Designer and are unable to make the read-through you need to email me with your reason. Also, for all cast members. Please bring a listing of any of your conflicts. David will be most unhappy if you do not give him any of your conflict tomorrow. If you have any questions feel free to contact me, and again welcome aboard everyone. John Head Producer - Star Wars: Musical Edition  1, forwarded,, Summary-line: 7-Dec CaptBike@sheldonbrown.com [90] #Re: Grand Duke photos X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA18558; Sun, 8 Dec 2002 11:51:33 -0500 (EST) Received: from sheldon2.tempdomainname.com (sheldon2.tempdomainname.com [198.65.246.124]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA29206 for ; Sun, 8 Dec 2002 11:51:33 -0500 (EST) Received: from [10.0.1.31] (h002078c5ecb1.ne.client2.attbi.com [24.60.163.60]) by sheldon2.tempdomainname.com (8.11.6) id gB8GpWi01336; Sun, 8 Dec 2002 09:51:32 -0700 (MST) Mime-Version: 1.0 X-Sender: sheldonb@198.65.246.124 Message-Id: In-Reply-To: <200212060550.AAA25047@multics.mit.edu> References: <200212032027.PAA23582@multics.mit.edu> <200212032329.SAA27365@multics.mit.edu> <200212060550.AAA25047@multics.mit.edu> Date: Sat, 7 Dec 2002 23:36:09 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos Content-Type: text/plain; charset="us-ascii" ; format="flowed" *** EOOH *** X-Sender: sheldonb@198.65.246.124 In-Reply-To: <200212060550.AAA25047@multics.mit.edu> Date: Sat, 7 Dec 2002 23:36:09 -0500 To: "David C. Jedlinsky" From: Sheldon Brown Subject: Re: Grand Duke photos Sorry, Opus, I haven't been able to locate the CD with the high-res versions of the Grand Duke photos. All the best, Sheldon At 12:50 AM -0500 12/6/02, David C. Jedlinsky wrote: >Hi Sheldon. > >I don't know if it's too late, but could you get me a CD by Friday >night? Ruth will be in Boston running a couple of other errands >around 7ish. If that doesn't work, could you email six images (maybe >as six different emails)? I'm looking for numbers 52, 59, 69, 110, >158 and 159. If you email them, please send them to "rls@dimins.com". >We're leaving early Saturday morning for California, and would like to >bring the images to work on the design during the trip. > >If you can get the CD to us, I'll have to buy it from you; the DVDs >are sold by MIT G&SP, not me, so they're not mine to trade. > >-Dave > > >>Date: Tue, 3 Dec 2002 18:59:26 -0500 >>From: Sheldon Brown >> >>At 6:29 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>Thanks! And no problem on the credit; we've got the whole cover! :-) >>> >>>Higher resolution is always good when it comes to printing. What's >>>the best way to get them? Should I buy a CD-ROM? >>> >>>-Dave >> >>If you want. Or I could swap you a CD-ROM for a DVD. >> >>If you just need a few, let me know which images and I'll email 'em to you. >> >>All the best, >> >>Sheldon >> >>> >>> >>>>Date: Tue, 3 Dec 2002 16:28:29 -0500 >>>>From: Sheldon Brown >>>> >>>>At 3:27 PM -0500 12/3/02, David C. Jedlinsky wrote: >>>>>Hi Sheldon. >>>>> >>>>>As you're probably aware, I'm making DVDs of Grand Duke. I was >>>>>wondering if you (or Harriet, since she actually took them) would >>>>>grant me permission to use a few of the photos for the cover art? The >>>>>stills I've got from the video are not quite to the level of quality >>>>>for printed matter. >>>>> >>>>>If this is ok, please also let me know how you'd like the credit to >>>>>read. >>>>> >>>>>Thanks. >>>>> >>>>>-Dave >>>> >>>>Sure, that's fine. Credit Harriet Fell '65. If you've got room you >>>>could list her URL harrietfell.com >>>> >>>>Let me know if you need a higher rez version. >>>> >>>>All the best, >>>> >>>>Sheldon -- Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 9-Dec dankravetz@yahoo.com [79] #Nude calendar--all kidding aside X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id AAA21103; Mon, 9 Dec 2002 00:13:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA10512 for ; Mon, 9 Dec 2002 00:13:23 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB95CbsN003992; Mon, 9 Dec 2002 00:12:38 -0500 (EST) Date: Mon, 9 Dec 2002 00:12:37 -0500 (EST) Message-Id: <20021209050244.7634.qmail@web12701.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Nude calendar--all kidding aside MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Mon, 9 Dec 2002 00:12:37 -0500 (EST) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Nude calendar--all kidding aside X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum We can joke about it, but the nude charity calendar fad seems to be a genuine money-maker for the causes that choose to raise funds in this manner. Well, G&S groups all over the world are interested in raising funds--suppose someone, somewhere were to produce a nude G&S calendar that could be made available to all G&S groups to sell locally. All that is needed are a photographer, models to appear in the photographs, and a director to "stage" the photos. The models need not be from G&S groups--they don't have to know the first thing about G&S as long as they are willing to take off their clothes and take direction. If they don't donate their services for the cause, they wouldn't have to be paid very much if they're the sort of people who pose for art classes at colleges, community centers and the like. This isn't a job for high-priced magazine or Victoria's Secret models--it calls for people who look like the sort who perform in G&S companies, whether they actually do so or not. They could be someones's friend, neighbor, relative or business associate, with no singing or acting ability required. Each calendar page would be a photographic tableau of recognizable characters posed in a basically "traditional" scene from a G&S opera. How to make G&S characters "recognizable" in a nude calendar? Think of how many G&S characters you could recognize just from hairstyle, headgear, facial hair (or lack thereof), props, accessories and footwear, without needing the rest of the costume. Add basic scenery from a G&S performing group, and there you have your tableau. Consider a Houses of Parliament set with sentry box, with a Fairy Queen (recognizable by her tiara, wings, scepter and ballet slippers) admiring a Private Willis (recognizable by helmet, mustache, musket and boots). It's just the way a G&S company would have its performers pose for publicity photos, only you don't necessarily need genuine performers to pose, and the torsos are bare. There are many possibilities--three little maids dancing around Pooh-Bah with Japanese wigs, makeup, fans and sandals and nothing else. Standard nude charity calendars show people sitting around at tea or working in the kitchen or garden, but we have more interesting scenes available, courtesy of W. S. Gilbert. It's not at all difficult to produce a photograph that says "PINAFORE" "YEOMEN" or "GONDOLIERS" at first glance, with a second glance to notice that the characters are there but the costumes are not. That's the basic idea, possibly conceived while I was conducting UTOPIA LTD. in Ridgewood NJ this weekend, in a production that involves just a bit more exposed flesh than is the norm for our company (It can be seen next Sunday at 2:00 at the Loew's Jersey in Jersey City). So who out there would like to suggest some additional scenes for the calendar? Dan Kravetz Music Director Ridgewood Gilbert & Sullivan Opera Company __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 9-Dec bjaspan@MIT.EDU [22] #Re: Domain registration X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA29695; Mon, 9 Dec 2002 14:30:47 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA24526 for ; Mon, 9 Dec 2002 14:30:47 -0500 (EST) Received: from brick.mit.edu (pool-141-154-165-113.wma.east.verizon.net [141.154.165.113]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id OAA10955 for ; Mon, 9 Dec 2002 14:30:47 -0500 (EST) Message-Id: <5.2.0.9.0.20021209142812.02e2e1b8@po12.mit.edu> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 Date: Mon, 09 Dec 2002 14:29:47 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212070257.VAA17959@multics.mit.edu> References: <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> <5.2.0.9.0.20021205210554.016dc1f8@po12.mit.edu> <5.2.0.9.0.20021206210508.02ce5ff0@po12.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** Date: Mon, 09 Dec 2002 14:29:47 -0500 To: "David C. Jedlinsky" From: Barry Jaspan Subject: Re: Domain registration In-Reply-To: <200212070257.VAA17959@multics.mit.edu> Dave, >Got a URL? I'm sure I can figure it out. No, I don't. I'm not really running this is a business, just for myself and as a favor to friends. >I want to try looking at OpenSRS first. Okay. Bottom line is that you have to pass a functional test and prepay $250 or $500 (depending on which test you take) to get started. The $250/$500 remains yours, on your account at OpenSRS, to be used to registrations. Barry  1,, Summary-line: 9-Dec singndance@boo.net [20] #Sing-Out dates updated X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA24268; Mon, 9 Dec 2002 18:43:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA13671 for ; Mon, 9 Dec 2002 18:43:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gB9NhBsN014017; Mon, 9 Dec 2002 18:43:11 -0500 (EST) Date: Mon, 9 Dec 2002 18:43:11 -0500 (EST) Message-Id: <002501c29fdc$b7934a20$ab3b21a2@jlkcd01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: singndance@boo.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Sing-Out dates updated MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Mon, 9 Dec 2002 18:43:11 -0500 (EST) Reply-To: singndance@boo.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Maureen Roult" To: Multiple recipients of list SAVOYNET Subject: Sing-Out dates updated X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I just learned that the Victorian Lyric Opera Company's 3rd Gilbert & Sullivan weekend will be held in Rockville, Maryland, a suburb NW of Washington, DC, August 29-31, 2003. (For the Americans, that's Labor Day weekend.) These dates are a week earlier than originally scheduled. The company hopes to have Sing-Out info added to the website (vloc.org) soon. Maureen Roult singndance@boo.net roultm@netscape.net  1,, Summary-line: 9-Dec glasser@MIT.EDU [31] #Star Wars Scripts X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA20457; Mon, 9 Dec 2002 18:51:34 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA17574; Mon, 9 Dec 2002 18:51:34 -0500 (EST) Received: from quickstation-3.mit.edu (QUICKSTATION-3.MIT.EDU [18.187.1.192]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA04018; Mon, 9 Dec 2002 18:51:33 -0500 (EST) Received: (from glasser@localhost) by quickstation-3.mit.edu (8.9.3) id SAA05429; Mon, 9 Dec 2002 18:51:33 -0500 Message-Id: <200212092351.SAA05429@quickstation-3.mit.edu> To: opus@MIT.EDU, warrend@dimins.com, pdelcast@MIT.EDU, marissaj@MIT.EDU, ezak@MIT.EDU, swerdna@MIT.EDU, zebediah@MIT.EDU Subject: Star Wars Scripts From: David Glasser Reply-To: David Glasser Date: Mon, 09 Dec 2002 18:51:33 -0500 Sender: glasser@MIT.EDU *** EOOH *** To: opus@MIT.EDU, warrend@dimins.com, pdelcast@MIT.EDU, marissaj@MIT.EDU, ezak@MIT.EDU, swerdna@MIT.EDU, zebediah@MIT.EDU Subject: Star Wars Scripts From: David Glasser Reply-To: David Glasser Date: Mon, 09 Dec 2002 18:51:33 -0500 Sender: glasser@MIT.EDU I'm sorry you all couldn't make it to the readthrough last night -- it was great! In the future, I'll make sure to give much more notice about times you are called, and not assume that anyone checks email on nights and weekends. Rogue gave us all the latest version ("v3.0") of the script last night. I have a copy for each of you; please email me back telling me the easiest way to get it to each of you. (Bill and Jesse, I'll leave yours at EC desk.) Also, please don't forget to send any conflicts you know about to me and Rogue (sirrogue@roguemail.net). Just to give you a head's up -- there's a tentative showing of Star Wars on campus this Wednesday night. While it's not required (although everyone should probably watch it at least once before January), it should be fun. --dave -- David Glasser glasser@mit.edu | me@davidglasser.net  1,, Summary-line: 10-Dec 74020.2366@compuserve.com [30] #housewarming party December 29 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA28882; Tue, 10 Dec 2002 20:57:25 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA20170; Tue, 10 Dec 2002 20:52:43 -0500 (EST) Received: from siaag2aa.compuserve.com (siaag2aa.compuserve.com [149.174.40.131]) by zurich.ai.mit.edu (8.12.3/8.12.3/Debian -4) with ESMTP id gBB1qI3p005804 for ; Tue, 10 Dec 2002 20:52:18 -0500 Received: (from mailgate@localhost) by siaag2aa.compuserve.com (8.9.3/8.9.3/SUN-1.18) id UAA11876 for lsc-alums@zurich.ai.mit.edu; Tue, 10 Dec 2002 20:52:12 -0500 (EST) Date: Tue, 10 Dec 2002 20:52:04 -0500 From: "James F. Butler" <74020.2366@compuserve.com> Subject: housewarming party December 29 Sender: "James F. Butler" <74020.2366@compuserve.com> To: LSC Alumni Mailing List Message-ID: <200212102052_MC3-1-1F25-C36@compuserve.com> MIME-Version: 1.0 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=ISO-8859-1 Content-Disposition: inline X-Spam-Status: No, hits=1.0 required=5.0 tests=FROM_ENDS_IN_NUMS version=2.20 X-Spam-Level: * *** EOOH *** Date: Tue, 10 Dec 2002 20:52:04 -0500 From: "James F. Butler" <74020.2366@compuserve.com> Subject: housewarming party December 29 Sender: "James F. Butler" <74020.2366@compuserve.com> To: LSC Alumni Mailing List Content-Disposition: inline X-Spam-Status: No, hits=1.0 required=5.0 tests=FROM_ENDS_IN_NUMS version=2.20 X-Spam-Level: * Dear LSC alums, = My wife Kayoko and I just moved into a larger apartment. Our new place i= s = about a 10 minute walk from the Harvard Square subway station. We are = having a small housewarming party on Sunday December 29 (2 p.m. until abo= ut = 5 p.m.) to celebrate. If you are planning to be in the Boston area then,= = we would be happy if you dropped in. Light snacks will be served. Please RSVP if you are planning to attend. I will send you directions. - Jim Butler 617-576-3512 jimbutler@alum.mit.edu=  1,, Summary-line: 11-Dec short@bose.com [14] #new years day brunch X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id HAA12875; Wed, 11 Dec 2002 07:56:41 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA02656; Wed, 11 Dec 2002 07:56:41 -0500 (EST) Received: from mtvwca1-smrly1.gtei.net (mtvwca1-smrly1.gtei.net [128.11.176.196]) by zurich.ai.mit.edu (8.12.3/8.12.3/Debian -4) with ESMTP id gBBCtw3p018815 for ; Wed, 11 Dec 2002 07:55:58 -0500 Received: from trend.bose.com (chameleon.bose.com [4.19.252.131]) by mtvwca1-smrly1.gtei.net (Postfix) with SMTP id 2664813ABD for ; Wed, 11 Dec 2002 12:55:57 +0000 (GMT) Received: from lokaleika (lokaleika.bose.com [139.68.140.180]) by gibson.bose.com (8.12.4/8.12.4) with SMTP id gBBCtt3J024752 for ; Wed, 11 Dec 2002 07:55:56 -0500 (EST) Message-Id: <3.0.6.32.20021211075555.02c56308@mmail> X-Sender: short@mmail X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) Date: Wed, 11 Dec 2002 07:55:55 -0500 To: lsc-alums@zurich.ai.mit.edu From: "William R. Short" Subject: new years day brunch Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Spam-Status: No, hits=0.0 required=5.0 tests= version=2.20 *** EOOH *** X-Sender: short@mmail Date: Wed, 11 Dec 2002 07:55:55 -0500 To: lsc-alums@zurich.ai.mit.edu From: "William R. Short" Subject: new years day brunch X-Spam-Status: No, hits=0.0 required=5.0 tests= version=2.20 Sharon and I have been chatting about brunch, and it sounds like dim sum in Lexington is the plan, time to be determined. If you're interested, please let me or Sharon (or both) know so reservations can be made. Thanks. Bill  1,, Summary-line: 11-Dec rls@dimins.com [36] #Re: [jhead@MIT.EDU: Star Wars: Non-Musical Edition] X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA01427; Wed, 11 Dec 2002 10:33:02 -0500 (EST) Received: from dimins.com (host154.209-113-215.oem.net [209.113.215.154] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA09685 for ; Wed, 11 Dec 2002 10:33:02 -0500 (EST) Received: (from mail@localhost) by dimins.com (8.11.6/8.7.1) id gBBFURb28707 for ; Wed, 11 Dec 2002 10:30:27 -0500 Received: from gandalf.dimins.com(204.215.187.24) by dimins.com via smap (V2.0) id xma028702; Wed, 11 Dec 02 10:30:21 -0500 Date: Wed, 11 Dec 2002 10:32:56 -0500 Subject: Re: [jhead@MIT.EDU: Star Wars: Non-Musical Edition] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v548) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200212111527.KAA16782@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.548) *** EOOH *** Date: Wed, 11 Dec 2002 10:32:56 -0500 Subject: Re: [jhead@MIT.EDU: Star Wars: Non-Musical Edition] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200212111527.KAA16782@multics.mit.edu> Don't you have an audition tape you need to get ready? And a DVD and VHS tape of Duke to watch? Ruth On Wednesday, December 11, 2002, at 10:27 AM, David C. Jedlinsky wrote: > > Wanna go, or just watch it at home sometime before January? > > -Dave > > > ------- Start of forwarded message ------- > Date: Tue, 10 Dec 2002 13:16:44 -0500 (EST) > From: John C Head > To: > Subject: Star Wars: Non-Musical Edition > > > As a prelude to our own production, we will be showing Star Wars: > A New Hope this Wednesday at 7pm in 4-370. Anyone and everyone is > invited > to come and enjoy. This is a great way to relax after the last day of > classes and let some steam off. I hope to see all you there tommorrow. > > John > ------- End of forwarded message ------- >  1, forwarded,, Summary-line: 11-Dec f.greinig@btopenworld.com [30] #G&S Sighting X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA05066; Wed, 11 Dec 2002 19:38:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA28243 for ; Wed, 11 Dec 2002 19:38:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBC0cHsN026462; Wed, 11 Dec 2002 19:38:17 -0500 (EST) Date: Wed, 11 Dec 2002 19:38:17 -0500 (EST) Message-Id: <000001c2a173$08edac20$38d67ad5@new> Errors-To: savoynet-owner@bridgewater.edu Reply-To: f.greinig@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fleur Greinig" To: Multiple recipients of list SAVOYNET Subject: G&S Sighting MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20021211174822.80608.qmail@web10801.mail.yahoo.com> X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2911.0) *** EOOH *** Date: Wed, 11 Dec 2002 19:38:17 -0500 (EST) Reply-To: f.greinig@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Fleur Greinig" To: Multiple recipients of list SAVOYNET Subject: G&S Sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20021211174822.80608.qmail@web10801.mail.yahoo.com> Whilst falling asleep in one of my lectures, I was woken by the word G&S. My lecturer (who shall remain nameless) was trying to make a point by use of G&S. He was talking about our exam in January and how we had to "focus" on the key issue which i guess is to pass the exam! He said not to let our minds wander - he called it compartmentalising, then referred it to as the "Basingstoke" effect. Cue - a lot of puzzled students (minus 1 - yes one!)He proceeded to explain the Basingstoke story at length, telling it as a story. This was obviously a technique used by him to keep the students attention - one mention of "opera" would have lost them completely ;) . I now have disturbing mental images of an entire room of students muttering "Basingstoke" during their exam, the adjudicator will think they've gone mad! Best Wishes, Fleur "Life's a pudding full of plums"  1,, Summary-line: 12-Dec vanessan@MIT.EDU [53] #Re: Dance Troupe Videos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA19654; Thu, 12 Dec 2002 11:22:05 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA11904 for ; Thu, 12 Dec 2002 11:22:05 -0500 (EST) Received: from Vanushka.mit.edu (NESSI.MIT.EDU [18.247.3.83]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id LAA12316 for ; Thu, 12 Dec 2002 11:22:04 -0500 (EST) Message-Id: <5.0.2.1.2.20021212111909.00b37d90@hesiod> X-Sender: vanessan@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 12 Dec 2002 11:19:34 -0500 To: "David C. Jedlinsky" From: vanessa nadal Subject: Re: Dance Troupe Videos In-Reply-To: <200212120729.CAA06906@multics.mit.edu> References: <5.0.2.1.2.20021207205223.00b3e078@hesiod> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed *** EOOH *** X-Sender: vanessan@hesiod (Unverified) Date: Thu, 12 Dec 2002 11:19:34 -0500 To: "David C. Jedlinsky" From: vanessa nadal Subject: Re: Dance Troupe Videos In-Reply-To: <200212120729.CAA06906@multics.mit.edu> Woops. Here you go: 617 308 7388 Vanessa At 02:29 AM 12/12/2002 -0500, you wrote: >Hi Vanessa. > >I won't know for sure until I've actually made the DVDs, but it looks >very likely that both will fit on a single disk. You can send me the >breakdown of orders anytime; I can always make more later if more are >desired. > >I am working on all the videos I have to do as quickly as possible; >everyone is understandably anxious to get their copies. The Dance >Troupe ones should be ready no later than the start of next term, in >February. I'll let you know if I can have them for you sooner. > >-Dave > > > >Date: Sat, 07 Dec 2002 20:58:21 -0500 > >From: vanessa nadal > > > >Hello, > > > >In reference to the Dance Troupe videos, I currently have a complete list > >of orders. If possible, could you let me know before the holidays whether > >or not you are able to fit both edited and unedited on one DVD? Also, when > >do you need the break down of the orders? > > > >This may be presumptuous of me, but is there any way to speed up the > >process? I know you said you have a lot of customers around this time > >however the members of Dance Troupe are extremely anxious to get their > >copies. > > > >Sincerely, > > > >Vanessa. > > > >  1,, Summary-line: 14-Dec dapsrp@fuse.net [17] #Web sites X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA18840; Sat, 14 Dec 2002 16:31:37 -0500 (EST) From: Received: from smtp02.fuse.net (mx4.fuse.net [216.68.1.133]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA06230 for ; Sat, 14 Dec 2002 16:31:37 -0500 (EST) Received: from smtp.fuse.net ([216.68.1.172]) by smtp02.fuse.net (InterMail vM.5.01.05.12 201-253-122-126-112-20020820) with SMTP id <20021214213136.FIKO25477.smtp02.fuse.net@smtp.fuse.net> for ; Sat, 14 Dec 2002 16:31:36 -0500 X-Originating-IP: [216.68.41.91] To: opus@mit.edu Subject: Web sites Date: Sat, 14 Dec 2002 16:31:36 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Message-Id: <20021214213136.FIKO25477.smtp02.fuse.net@smtp.fuse.net> *** EOOH *** From: X-Originating-IP: [216.68.41.91] To: opus@mit.edu Subject: Web sites Date: Sat, 14 Dec 2002 16:31:36 -0500 I'm late in getting this to you but wanted to send along a couple web sites of homes for sale by owner. These are the main ones that I look at - there are a few more that are more localized and I'm trying to find them for NH. fsbo.com forsalebyowner.com owners.com salebyowner.com Also, we wanted to send something to your dad for Christmas and knew that he was heading to LA. Do you know what dates he plans on going, or when he is coming back. It'll be something perishable and we'd like to plan it to arrive when he gets back. S & D  1,, Summary-line: 14-Dec jim@labsoftware.com [44] #A more readable score for Sorcerer X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA15949; Sat, 14 Dec 2002 21:54:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA27203 for ; Sat, 14 Dec 2002 21:54:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBF2sBsN024295; Sat, 14 Dec 2002 21:54:11 -0500 (EST) Date: Sat, 14 Dec 2002 21:54:11 -0500 (EST) Message-Id: <5.2.0.9.2.20021214213446.00ad2360@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: A more readable score for Sorcerer Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 *** EOOH *** Date: Sat, 14 Dec 2002 21:54:11 -0500 (EST) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: A more readable score for Sorcerer X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: >As some of you know, I have been working on a more readable piano-vocal >score for Sorcerer. I started it when I had to learn Alexis for the Orlando Qwerty, and after typing in and printing out the Alexis songs, I decided to do the whole thing. Of course, it took a lot longer than I expected, but I completed it this fall and have had several very capable people begin to make suggestions for improvements. My view is that this is an incremental process, like software development, and that over time the score will get better and better. I expect more reports from readers will help the score get even better. Currently, it is a complete piano-vocal score with dialog, and with most of the horrendous errors in the Kalmus score corrected. It includes measure numbers, orchestra rehearsal letters, and rehearsal numbers in boxes that correspond to the Kalmus page numbers. You will find PDFs of the entire score and of the individual numbers at http://trouperslightopera.org/Troupers/Scores/Sorcerer/sorcerer.htm You can print out each act as a single PDF, or you can print out the individual numbers and the intervening dialog. Thus, it is quite easy to make your own chorus score, or one for any lead. At the moment, it has gone through 2 sing-ins, including Qwerty-Conn II, and I have applied all the corrections we've found. PLease feel free to download and print your own complete score and give me all your suggestions for improvements. Jim Cooper  1,, Summary-line: 17-Dec mail@lsimons.plus.com [23] #"Sorcerer" vocal score X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA20390; Tue, 17 Dec 2002 09:10:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA25410 for ; Tue, 17 Dec 2002 09:09:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBHE97sN013689; Tue, 17 Dec 2002 09:09:07 -0500 (EST) Date: Tue, 17 Dec 2002 09:09:07 -0500 (EST) Message-Id: <000d01c2a5d2$ea713c80$d8962e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" vocal score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 *** EOOH *** Date: Tue, 17 Dec 2002 09:09:07 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" vocal score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have started work on a new engraving of the piano-vocal score of "The Sorcerer" and the Overture is now available for viewing, downloading and printing at http://www.threelittlemaids.worldonline.co.uk/sorcerer_overture.pdf Not being a pianist myself, I should welcome comments on the readability of the Overture and how easy or difficult it is to play from. Larry London, UK "I also retail Sheet Music at a very low figure"  1, answered,, Summary-line: 17-Dec portnoy@portnoy.org [22] #Re: Vocal Score, v1.0 X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA24033; Tue, 17 Dec 2002 18:47:02 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA04900 for ; Tue, 17 Dec 2002 18:47:02 -0500 (EST) Received: from lorelei (lorelei.portnoy.org [192.168.1.7]) by circe.portnoy.org (Postfix) with ESMTP id 76D3566A for ; Tue, 17 Dec 2002 18:47:01 -0500 (EST) Received: from portnoy by lorelei with local (Exim 3.36 #1 (Debian)) id 18ORQT-00072Q-00 for ; Tue, 17 Dec 2002 18:47:01 -0500 To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 References: <200212172244.RAA14238@multics.mit.edu> <200212172344.SAA15892@multics.mit.edu> From: Stephen Peters Date: 17 Dec 2002 18:46:59 -0500 In-Reply-To: <200212172344.SAA15892@multics.mit.edu> Message-ID: Lines: 15 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Sender: Stephen Peters *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 From: Stephen Peters Date: 17 Dec 2002 18:46:59 -0500 In-Reply-To: <200212172344.SAA15892@multics.mit.edu> Sender: Stephen Peters "David C. Jedlinsky" writes: > True. I thought you were doing the score in Finale, and MIDI would > almost be a "save as" operation, with MP3 being more difficult. > Either works for me. I am, but Finale doesn't have really easy ways to do batch conversions, so the annoying bit is finding the time to do all the MIDI outputs for all the songs. Once I've done that, creating the MP3s is a piece of cake (because there I can use Linux. :-) -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1, answered,, Summary-line: 17-Dec portnoy@portnoy.org [25] #Re: Vocal Score, v1.0 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA09457; Tue, 17 Dec 2002 21:51:26 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA20808 for ; Tue, 17 Dec 2002 21:51:26 -0500 (EST) Received: from lorelei (lorelei.portnoy.org [192.168.1.7]) by circe.portnoy.org (Postfix) with ESMTP id C6AEE66A for ; Tue, 17 Dec 2002 21:51:25 -0500 (EST) Received: from portnoy by lorelei with local (Exim 3.36 #1 (Debian)) id 18OUIv-00075v-00 for ; Tue, 17 Dec 2002 21:51:25 -0500 To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 References: <200212172244.RAA14238@multics.mit.edu> <200212172344.SAA15892@multics.mit.edu> <200212180010.TAA16211@multics.mit.edu> From: Stephen Peters Date: 17 Dec 2002 21:51:24 -0500 In-Reply-To: <200212180010.TAA16211@multics.mit.edu> Message-ID: Lines: 18 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Sender: Stephen Peters *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 From: Stephen Peters Date: 17 Dec 2002 21:51:24 -0500 In-Reply-To: <200212180010.TAA16211@multics.mit.edu> Sender: Stephen Peters "David C. Jedlinsky" writes: > Actually, I just looked at the coda website. They have a free basic > program (NotePad), which should allow me to open the .MUS files. Got > those handy for download? The latest version is always at http://www.portnoy.org/MTG/starwars/Music/Act%20I and http://www.portnoy.org/MTG/starwars/Music/Act%20II You might find it easier to wait for me to put a copy in your inbox or create PDFs, but those are useful for when you just want to get a song to hear how it sounds. -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1,, Summary-line: 18-Dec jtidwell@animato.arlingto [15] #Vampire population dynamics X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA17003; Wed, 18 Dec 2002 13:09:47 -0500 (EST) Received: from animato.animato.arlington.ma.us (animato.ne.client2.attbi.com [66.30.194.97]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA29498 for ; Wed, 18 Dec 2002 13:09:46 -0500 (EST) Received: from localhost (jtidwell@localhost) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id gBII9jo07142; Wed, 18 Dec 2002 13:09:45 -0500 Date: Wed, 18 Dec 2002 13:09:45 -0500 (EST) From: Jenifer Tidwell To: dinner@mit.edu cc: michael@ties.net Subject: Vampire population dynamics Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII *** EOOH *** Date: Wed, 18 Dec 2002 13:09:45 -0500 (EST) From: Jenifer Tidwell To: dinner@mit.edu cc: michael@ties.net Subject: Vampire population dynamics I forget if I first heard about this at work or from one of you folks, but here it is, for you Buffy fans and math geeks: http://www.stanford.edu/~bthomas/vamp/vampecology.htm Note that the whole thing was done on MATLAB. I'm so proud! :-) - Jenifer  1,, Summary-line: 18-Dec hxd9@yahoo.com [61] #MTG announces Round One Interviews for CHICAGO X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id PAA11330; Wed, 18 Dec 2002 15:45:56 -0500 (EST) Received: from web21010.mail.yahoo.com (web21010.mail.yahoo.com [216.136.227.64]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id PAA07235 for ; Wed, 18 Dec 2002 15:45:53 -0500 (EST) Message-ID: <20021218204553.16141.qmail@web21010.mail.yahoo.com> Received: from [209.48.172.23] by web21010.mail.yahoo.com via HTTP; Wed, 18 Dec 2002 12:45:53 PST Date: Wed, 18 Dec 2002 12:45:53 -0800 (PST) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces Round One Interviews for CHICAGO To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** Date: Wed, 18 Dec 2002 12:45:53 -0800 (PST) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces Round One Interviews for CHICAGO To: mtg-announce@mit.edu ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild is now seeking prod staff for its Spring 2003 production of: CHICAGO Interviews are being conducted for the following positions: PRODUCER DIRECTOR MUSIC DIRECTOR TECHNICAL DIRECTOR Candidates for producer should reply by Dec 31, 2002. Candidates for directorial positions should reply by Jan 5, 2003 SHOW DATES: April 25-27, May 1-3, 2003 ******************************************************************** To schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: Interviews for production staff positions are open to everyone, including those not affiliated with MIT. The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." ****************************************************************** bcc'd to mtg-members@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons-public@mit.edu __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 18-Dec portnoy@portnoy.org [34] #Re: Vocal Score, v1.0 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id UAA09916; Wed, 18 Dec 2002 20:07:55 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA24530 for ; Wed, 18 Dec 2002 20:07:55 -0500 (EST) Received: by circe.portnoy.org (Postfix, from userid 6762) id A15555EC; Wed, 18 Dec 2002 20:07:54 -0500 (EST) To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 References: <200212172244.RAA14238@multics.mit.edu> <200212172344.SAA15892@multics.mit.edu> <200212180010.TAA16211@multics.mit.edu> <200212182313.SAA07640@multics.mit.edu> From: Stephen Peters Date: 18 Dec 2002 20:07:54 -0500 In-Reply-To: <200212182313.SAA07640@multics.mit.edu> Message-ID: Lines: 28 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii *** EOOH *** To: "David C. Jedlinsky" Subject: Re: Vocal Score, v1.0 From: Stephen Peters Date: 18 Dec 2002 20:07:54 -0500 In-Reply-To: <200212182313.SAA07640@multics.mit.edu> "David C. Jedlinsky" writes: > Yes, they're very useful until I get the vocal score. Thanks! Now I > won't be so bored on the flight to and from Louisiana. BTW, I've put a copy of the Vocal Score in your SIPB mailbox. Also, there's a test PDF of the score under http://www.portnoy.org/MTG/starwars/Music/PDFs, but I still need to do work on it to make it as neat and clean as the Vocal Score is right now. > You've done an amazing amount of work here. I know; I feel exhausted just thinking about it. :-) > Nit-Picker's Question: In #11 (My Only Hope), does Ben sing the "My > only hope/ Perhaps I will not be the last/ I sense his power > grow"... lines alone, or with Luke? The music I downloaded implies > it's both. Thanks; it should be just Ben. I'll double check it, or change the notation of that staff name so it's not misleading. -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1,, Summary-line: 19-Dec cjedlinsky@sembler.com [19] #Tomorrow is my last day at Sembler X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id QAA22107; Thu, 19 Dec 2002 16:44:36 -0500 (EST) Received: from mail.sembler.com (mail.sembler.com [65.199.208.132]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA19629 for ; Thu, 19 Dec 2002 16:44:36 -0500 (EST) Received: from SEMBLER_DOM-MTA by mail.sembler.com with Novell_GroupWise; Thu, 19 Dec 2002 16:47:58 -0500 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Thu, 19 Dec 2002 16:47:50 -0500 From: "Cindy Jedlinsky" To: "Cindy Jedlinsky" Subject: Tomorrow is my last day at Sembler Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline *** EOOH *** Date: Thu, 19 Dec 2002 16:47:50 -0500 From: "Cindy Jedlinsky" To: "Cindy Jedlinsky" Subject: Tomorrow is my last day at Sembler Content-Disposition: inline Hi Guys- Some of you are aware that I have given notice to Sembler. Tomorrow is my last day here and I'm taking a week off to spend Christmas with my family in New Orleans. I start with Advantis Real Estate on the 30th and will email you at that time with my new info. I do have email at cjedlinsky@yahoo.com if you're itching to send me something via email in the interim. My cell phone number is no longer active (effective now- yeah!!- no more after hours calls) so call me at home 770.804.1825 if you need me. Hope all is well for all of you and I wish you a very Happy Holiday season. Cindy  1,, Summary-line: 20-Dec tyler@hains.net [18] #Merry Christmas! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA23458; Fri, 20 Dec 2002 14:43:33 -0500 (EST) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA15925 for ; Fri, 20 Dec 2002 14:43:32 -0500 (EST) Received: from 209-122-252-156.c3-0.upd-ubr4.trpr-upd.pa.cable.rcn.com ([209.122.252.156] helo=hains.net) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #4) id 18PT3U-0003p5-00; Fri, 20 Dec 2002 14:43:32 -0500 Message-ID: <3E03728C.60806@hains.net> Date: Fri, 20 Dec 2002 14:42:04 -0500 From: Tyler Hains User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:1.0.1) Gecko/20020823 Netscape/7.0 X-Accept-Language: en-us, ja MIME-Version: 1.0 To: Ruth Jedlinsky , opus@mit.edu Subject: Merry Christmas! Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit *** EOOH *** Date: Fri, 20 Dec 2002 14:42:04 -0500 From: Tyler Hains X-Accept-Language: en-us, ja To: Ruth Jedlinsky , opus@mit.edu Subject: Merry Christmas! Dave & Ruth, Merry Christmas! We hope you are having a great holiday season. We have put up a "Christmas Card" on our Web site: http://www.hains.net/christmas/ Tyler & Rebecca  1,, Summary-line: 22-Dec mail@lsimons.plus.com [25] #Re: "Sorcerer" vocal score X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA24529; Sun, 22 Dec 2002 09:32:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA02442 for ; Sun, 22 Dec 2002 09:32:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBMEW9sN014636; Sun, 22 Dec 2002 09:32:09 -0500 (EST) Date: Sun, 22 Dec 2002 09:32:09 -0500 (EST) Message-Id: <00a301c2a9c5$8f64e200$3fa52e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: "Sorcerer" vocal score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 *** EOOH *** Date: Sun, 22 Dec 2002 09:32:09 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: "Sorcerer" vocal score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My work on the "Sorcerer" vocal score is proceeding at good speed: the Mrs Partlet/Constance recitative (No. 2) and Constance's aria "When he is here" (No. 2a) have now been added. The files can be seen, printed and downloaded at http://www.threelittlemaids.worldonline.co.uk/sorcerer/. I have had very little feedback since the initial responses after I posted the overture: has anyone looked at these scores? Larry London, UK "I also retail Sheet Music at a very low figure"  1,, Summary-line: 23-Dec MusikDrama@aol.com [114] #Nude calendar: final (?) tally X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id GAA02595; Mon, 23 Dec 2002 06:51:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id GAA11114 for ; Mon, 23 Dec 2002 06:51:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBNBpIsN020868; Mon, 23 Dec 2002 06:51:18 -0500 (EST) Date: Mon, 23 Dec 2002 06:51:18 -0500 (EST) Message-Id: <147.5e3049e.2b38508a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Nude calendar: final (?) tally MIME-Version: 1.0 Content-Type: text/plain; charset="UTF-8" Content-Language: en Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 *** EOOH *** Date: Mon, 23 Dec 2002 06:51:18 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Nude calendar: final (?) tally Content-Language: en X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Herewith the collected wisdom of Savoynet on the subject of titles for a Savoynet nude calendar. Actually, with 77 entries, we already have more than enough material for 6 calendars! The titles are presented in alphabetical order by first word. They are culled from 45 posts on this subject (what does that say about Savoynetters in general?), all of which I saved (what does that say about me in particular?). Authors are not credited, I'm afraid. Apologies if I've missed anyone's suggestion. I tried to be as thorough as possible. A notable omission which I hasten to add to the list: "Rollicking Buns!" Here they are, in all their dubious glory: A fairy member - how delightful! All frills and furbelow An English girl of eleven stone two, in nothing at all but her dancing shoe! And are you going a ticket for to buy? Most certainly I am; why shouldn't I? And as for our posterity - we don't care what they think As free as a mountain bird Be firm, be firm, my pecker. Briefs upon the shelf Bumpers -- Aye, Ever So Many! Come, bite me bust! Dames Improvident Down to the Waistcoat Free-nippled maids from school are we Gaily stripping Good Nudes! Great Nudes! Here's a Howd'yedo! HMS No Pinafore I Saw A Tart I'll stick sunflowers in my hair I'll take off anything else in reason! It is hard, is it not my dear Let the merry (sex) cymbals sound Little will be left ON me Love is a plastic thong My stubborn willy's bent Night has spread her legs once more Nudes Good or Ill, it is for you to say! O penis his dungeon door Oh is there not one maiden breast Oh, Sgt. Meryll, is it you??? Opera Buffa Penile Servitude Perhaps you suppose this throng Can't keep it up all day long… Petty Distinctions Phyllis (revealing herself): Ah! Pirate of Men's Pants P'raps if you undress the lady Most politely, most politely Pretty Lips A-Pouting Privates of men's pants Red and Rosal Savoyards all the Pink Savoyards in the Pink So very incompletely dressed Something like the Altogether Soon as we may, off and away Sovereigns all the Pink Stand Up for Dick Stouter than I used to be Stoutness in moderation Stripping Hither... Take a pair of Sparkling Thighs Teasing Tom was a very bad boy The Full Monthly The Full Mountebanks The Gods Grown Old The Lass that Loved a Sailor The Merryman and his Maid The Perverts of Penzance The Ripening Peach The Savoyeur The Slave of Duty The Town of Titipu Tit willow Wanton Roses We figure in lively paint We ought to bless her brothers' swords and piously ejaculate We're rigged out in magnificent array (Our own clothes are much gloomier) What Never? No, Never. What, /never/? Well... hardly ever! When I First Took This Uniform Off... When the balls whistle free When the foeman bares his steel When you walk down Piccadily with a poppy or a willy in your medieval hand! Which half? Whom thou has chained Yes, yes yes, so off that _______ goes You hold yourself like this Lasciviously compiled by Steve Lichtenstein "Climb the hardy little lasses" (Oh right -- that makes 78 entries!)  1,, Summary-line: 23-Dec dapsrp@fuse.net [377] #Merry Christrmas X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA13463; Mon, 23 Dec 2002 19:20:42 -0500 (EST) From: Received: from picturecd4.kodak.com (picturecd4.kodak.com [192.232.121.231]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA05812 for ; Mon, 23 Dec 2002 19:20:42 -0500 (EST) Received: (from root@localhost) by picturecd4.kodak.com (8.11.6/8.11.6) id gBO0Ohc28003; Mon, 23 Dec 2002 19:24:43 -0500 (EST) Received: from picturecd.kodak.com (as1-216-68-15-34.fuse.net [216.68.15.34]) by picturecd4.kodak.com (8.11.6/8.11.6) with SMTP id gBO0OEk27933; Mon, 23 Dec 2002 19:24:14 -0500 (EST) Message-Id: <200212240024.gBO0OEk27933@picturecd4.kodak.com> To: owlfar@aol.com, mcp036@aol.com, opus@mit.edu, edbyrne@worldnet.att.net, fliboy6097@aol.com, pmpaquette@aol.com, rlpbpp@cs.com, paq358@aol.com Subject: Merry Christrmas Date: 23 Dec 2002 19:21:15 Eastern Standard Time MIME-Version: 1.0 Content-Type: multipart/mixed; boundary=1_boundary *** EOOH *** From: To: owlfar@aol.com, mcp036@aol.com, opus@mit.edu, edbyrne@worldnet.att.net, fliboy6097@aol.com, pmpaquette@aol.com, rlpbpp@cs.com, paq358@aol.com Subject: Merry Christrmas Date: 23 Dec 2002 19:21:15 Eastern Standard Time If you are able to read this message then you need to use a MIME Enabled application to decode the attachments included in this message --1_boundary MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: Quoted-Printable Content-length: 40 Merry Christmas to all.=0D From Emilie----------------------------------------------------------------= ----------- Eastman Kodak Share Moments. Share Life. 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From: Received: from picturecd2.kodak.com (picturecd2.kodak.com [192.232.121.246]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA01605 for ; Mon, 23 Dec 2002 19:26:08 -0500 (EST) Received: (from root@localhost) by picturecd2.kodak.com (8.11.6/8.11.6) id gBO0Lxt26100; Mon, 23 Dec 2002 19:21:59 -0500 (EST) Received: from picturecd.kodak.com (as1-216-68-15-34.fuse.net [216.68.15.34]) by picturecd2.kodak.com (8.11.6/8.11.6) with SMTP id gBO0LTl26009; Mon, 23 Dec 2002 19:21:30 -0500 (EST) Message-Id: <200212240021.gBO0LTl26009@picturecd2.kodak.com> To: paq358@aol.com, pmpaquette@aol.com, rlpbpp@cs.com, fliboy6097@aol.com, edbyrne@worldnet.att.net, opus@mit.edu, mcp036@aol.com, owlfar@aol.com Date: 23 Dec 2002 19:23:01 Eastern Standard Time MIME-Version: 1.0 Content-Type: multipart/mixed; boundary=1_boundary Subject: =?ISO-8859-1?B?UGljdHVyZXMgZm9yIHlvdQ==?= *** EOOH *** From: To: paq358@aol.com, pmpaquette@aol.com, rlpbpp@cs.com, fliboy6097@aol.com, edbyrne@worldnet.att.net, opus@mit.edu, mcp036@aol.com, owlfar@aol.com Date: 23 Dec 2002 19:23:01 Eastern Standard Time Subject: =?ISO-8859-1?B?UGljdHVyZXMgZm9yIHlvdQ==?= If you are able to read this message then you need to use a MIME Enabled application to decode the attachments included in this message --1_boundary MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: Quoted-Printable Content-length: 0 --------------------------------------------------------------------------- Eastman Kodak Share Moments. Share Life. Introducing the new Kodak EasyShare software.=20=20 Get your free copy today: http://www.kodak.com/go/EasySharerd --1_boundary MIME-Version: 1.0 Content-Type: image/jpeg; name="ek_1_2.jpg"; type=Unknown Content-Transfer-Encoding: BASE64 Content-length: 26440 /9j/4AAQSkZJRgABAQAAAQABAAD/4RxfRXhpZgAASUkqAAgAAAAMAA4BAgABAAAAAAAAAA8BAgAW AAAAngAAABABAgAmAAAAtAAAABIBAwABAAAAAQAAABoBBQABAAAA2gAAABsBBQABAAAA4gAAACgB AwABAAAAAgAAADEBAgABAAAAAAAAADIBAgAUAAAA6gAAABMCAwABAAAAAQAAAJiCAgABAAAAAAAA AGmHBAABAAAA/gAAAHwEAABFQVNUTUFOIEtPREFLIENPTVBBTlkAS09EQUsgRUFTWVNIQVJFIERY MzcwMCBEaWdpdGFsIENhbWVyYQAAAAAwAAAAAQAAADAAAAABMjAwMjoxMjoyMyAxOToyMjo1NQAb AJqCBQABAAAASAIAAJ2CBQABAAAAUAIAACKIAwABAAAAAgAAACeIAwABAAAAjAAAAACQBwAEAAAA MDIwMAOQAgAUAAAAWAIAAASQAgAUAAAAbAIAAAGRBwAEAAAAAQIDAAKRBQABAAAAgAIAAAGSCgAB AAAAiAIAAAKSBQABAAAAkAIAAASSCgABAAAAmAIAAAWSBQABAAAAoAIAAAeSAwABAAAAAgAAAAiS AwABAAAAAAAAAAmSAwABAAAAAQAAAHySBwDMAQAAqAIAAIaSBwABAAAAAAAAAACgBwAEAAAAMDEw 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(was: I'm so excited!) X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA06264; Thu, 26 Dec 2002 11:28:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA24002 for ; Thu, 26 Dec 2002 11:28:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBQGSTsN001255; Thu, 26 Dec 2002 11:28:29 -0500 (EST) Date: Thu, 26 Dec 2002 11:28:29 -0500 (EST) Message-Id: <000901c2acf8$f66869a0$7d84fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: We're so United! (was: I'm so excited!) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Thu, 26 Dec 2002 11:28:29 -0500 (EST) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: We're so United! (was: I'm so excited!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Andi wrote: > Cute reversal. However, the subject would be very short-lived > in this forum: permit me, I can explain in two words: No > Divorces > > (There is not one example of a divorced couple in G&S--no, no, > not one; divorce was socially unacceptable.) "Are you married?" "Well - er - not exactly." "Ah, a happy bachelor?" "Well, no, not precisely." "Oh! A widower?" "No, not absolutely." "You'll excuse me, sir, but at present I don't see how you can help being one of the three!" [BOX blushes, shuffles, turns away in horrible confusion. COX, shocked realisation dawning, turns to the door and yells:] "BOUNCER! I refuse to stay here another minute - this is not a respectable lodging house!" Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 27-Dec tjcw@erols.com [70] #Re: Good Queen Anne X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA14210; Fri, 27 Dec 2002 10:38:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA26430 for ; Fri, 27 Dec 2002 10:38:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBRFc6sN007802; Fri, 27 Dec 2002 10:38:06 -0500 (EST) Date: Fri, 27 Dec 2002 10:38:06 -0500 (EST) Message-Id: <3E0C7062.5E17@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tjcw@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "THOMAS J.C. WALSH" To: Multiple recipients of list SAVOYNET Subject: Re: Good Queen Anne MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 3.0 (Win95; I) *** EOOH *** Date: Fri, 27 Dec 2002 10:38:06 -0500 (EST) Reply-To: tjcw@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "THOMAS J.C. WALSH" To: Multiple recipients of list SAVOYNET Subject: Re: Good Queen Anne X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Thu, 26 Dec 2002 Ronald Orenstein wrote: "Here's a historical question: I have always assumed that the 'reign of good Queen Anne' referred to the Queen Anne who ruled from 1702 to 1714. However, this seems out of sorts with the medievalism popular with the aesthetics (but then so does the reference to the Empress Josephine, presumably Napoleon's wife). "However, there was another ['Good] Queen Anne[,'] Anne of Bohemia, who was the first wife of Richard II ****** So which one is Bunthorne referring to? I assume he does not mean Anne Boleyn!" TO WHICH THIS REPLY: My vote is for the 18th Century Queen Anne. "I think -- I say, I *think* --" that Gilbert considered "the reign of good Queen Anne" (1702-1714) *not* to have been "Culture's palmiest day." He makes two jokes about it: [1] He has COL Calverley sing of the "Wit of Macaulay, who wrote of Queen Anne--" Well, Macaulay's famous History ends in April, 1700 (because of Macaulay's death), so Macaulay never got to write of Brandy Nan's reign; apparently, no great loss in Gilbert's view! (Cf., Introduction to PATIENCE in Gilbert and Sullivan Archive: "Another example [of Gilbert's 'love of a joke'] is to be found in the Colonel's song... in which Gilbert mentions the 'wit of Macaulay, who wrote of Queen Anne.' Macaulay... is commonly reputed to have undertaken his 'History' in order to write of this, his favourite, period; but he never reached it.") [2] He has Bunthorne ironically characterize "the reign of good Queen Anne" as "Culture's palmiest day." An example of the high culture of the period was the very popular opera, *Hydaspes,* described by Elizabeth Burton in her THE PAGEANT OF STUART ENGLAND (Scribner's, 1962): "... What really seems to have impressed the audience more than Nicolini's voice was his fight with the lion. There had been many an inferior lion in the opera, but by 1710 the perfect lion -- in the person of a country gentleman who did it for fun -- was found. He... gave the naked and singing hero a real fight. What could be more in keeping with the Englishness of the English than singing combined with lion or man baiting?..." And isn't "singing combined with ... man baiting" what G&S is all about?! Tom Walsh tjcw@erols.com WOODBRIDGE, VA USA ----------------------------------------------- Don't be frightened -- it's only LIGHT opera! -----------------------------------------------  1,, Summary-line: 27-Dec mweems@erols.com [32] #Weems' NYE plans X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA00656; Fri, 27 Dec 2002 22:37:27 -0500 (EST) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id WAA27157; Fri, 27 Dec 2002 22:37:27 -0500 (EST) Received: from smtp03.mrf.mail.rcn.net (smtp03.mrf.mail.rcn.net [207.172.4.62]) by zurich.ai.mit.edu (8.12.3/8.12.3/Debian -4) with ESMTP id gBS3aeOC007956 for ; Fri, 27 Dec 2002 22:36:40 -0500 Received: from 208-58-216-213.s213.tnt1.annp.md.dialup.rcn.com ([208.58.216.213] helo=GORDON.erols.com) by smtp03.mrf.mail.rcn.net with esmtp (Exim 3.35 #4) id 18S7m5-00010r-00 for lsc-alums@martigny.ai.mit.edu; Fri, 27 Dec 2002 22:36:34 -0500 Message-Id: <5.1.0.14.0.20021227200401.01bfda40@pop.erols.com> X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Fri, 27 Dec 2002 22:37:44 -0500 To: lsc-alums@zurich.ai.mit.edu From: Ken and Molly Weems Subject: Weems' NYE plans Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Status: No, hits=2.0 required=5.0 tests=RCVD_IN_OSIRUSOFT_COM version=2.20 X-Spam-Level: ** *** EOOH *** X-Sender: mweems@pop.erols.com Date: Fri, 27 Dec 2002 22:37:44 -0500 To: lsc-alums@zurich.ai.mit.edu From: Ken and Molly Weems Subject: Weems' NYE plans X-Spam-Status: No, hits=2.0 required=5.0 tests=RCVD_IN_OSIRUSOFT_COM version=2.20 X-Spam-Level: ** Sorry about the deafening silence from Maryland concerning our NYE plans. Things have been a little hectic. We're planning to drive to Boston tomorrow (the 28th), arriving at dinnertime. Our hotel is the Doubletree Suites in Waltham, which is also where the Strongs are staying. We'll be in the greater Beantown area on Sunday (at Jim's), Monday (at Rocky's), Tuesday (in Newton), and Wednesday morning. In between parties, we might see some kid-oriented sights like the Aquarium, Children's Museum, and Public Garden ("Make Way for Ducklings" is a fave). Tentative departure is the 1st after whatever community celebration we thrash ourselves into (dim sum in Boston's Chinatown is the last thing I heard?). Contact info: Phone number at the Waltham Doubletree: 781-890-6767 Our cell phone: 410-353-4895 Ken's email (maybe accessible, maybe not): kenneth.m.weems@saic.com SYS! -- Ken and Molly Weems (KMW and MHC) with Hannah (Sep-5-96) and Prescott (Mar-11-99)  1, answered,, Summary-line: 28-Dec kimmerie@attbi.com [71] #SW:ME X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA00534; Sat, 28 Dec 2002 10:33:26 -0500 (EST) Received: from sccrmhc03.attbi.com (sccrmhc03.attbi.com [204.127.202.63]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA26858 for ; Sat, 28 Dec 2002 10:33:25 -0500 (EST) Received: from Kimmerie (h00045afd1c4c.ne.client2.attbi.com[24.147.64.149]) by sccrmhc03.attbi.com (sccrmhc03) with SMTP id <2002122815324200300lq99oe>; Sat, 28 Dec 2002 15:33:06 +0000 Message-ID: <03d101c2ae86$736d7880$6401a8c0@Kimmerie> From: "Kimmerie H.O. Jones" To: Subject: SW:ME Date: Sat, 28 Dec 2002 10:32:25 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_03CE_01C2AE5C.699F7F80" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 *** EOOH *** From: "Kimmerie H.O. Jones" To: Subject: SW:ME Date: Sat, 28 Dec 2002 10:32:25 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 This is a multi-part message in MIME format. ------=_NextPart_000_03CE_01C2AE5C.699F7F80 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hey babe! How are you? I haven't seen you in ages! I bet you can guess why I'm writing - since I haven't seen you in = forever, I don't know what you look like these days. Do you still have = the stylish perfect Obi-Wan beard, and all I need to do is arrange for = it to be white, or do I need to buy a beard for you? I will see you at rehearsal soon, but I wanted to drop you a note so I = can plan.. ciao, Kimmerie ------=_NextPart_000_03CE_01C2AE5C.699F7F80 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hey babe!
 
How are you?  I haven't seen you = in=20 ages!
 
I bet you can guess why I'm writing - = since I=20 haven't seen you in forever, I don't know what you look like these = days. =20 Do you still have the stylish perfect Obi-Wan beard, and all I need to = do is=20 arrange for it to be white, or do I need to buy a beard for = you?
 
I will see you at rehearsal soon, but I = wanted to=20 drop you a note so I can plan..
 
ciao,
 
Kimmerie
 
------=_NextPart_000_03CE_01C2AE5C.699F7F80--  1, answered,, Summary-line: 29-Dec kimmerie@attbi.com [31] #Re: SW:ME X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA06149; Sun, 29 Dec 2002 13:33:29 -0500 (EST) Received: from rwcrmhc51.attbi.com (rwcrmhc51.attbi.com [204.127.198.38]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA13006 for ; Sun, 29 Dec 2002 13:33:28 -0500 (EST) Received: from Kimmerie (h00045afd1c4c.ne.client2.attbi.com[24.147.64.149]) by rwcrmhc51.attbi.com (rwcrmhc51) with SMTP id <20021229183328051009qmr7e>; Sun, 29 Dec 2002 18:33:28 +0000 Message-ID: <002301c2af68$ce6acac0$6401a8c0@Kimmerie> From: "Kimmerie H.O. Jones" To: "David C. Jedlinsky" References: <03d101c2ae86$736d7880$6401a8c0@Kimmerie> <200212291725.MAA20572@multics.mit.edu> Subject: Re: SW:ME Date: Sun, 29 Dec 2002 13:33:38 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 *** EOOH *** From: "Kimmerie H.O. Jones" To: "David C. Jedlinsky" Subject: Re: SW:ME Date: Sun, 29 Dec 2002 13:33:38 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 trimming is great; I'm glad to have someone who is so amenable! :) (not that I expected any less of you, but boy the stories I could tell...) sadly, as you have discovered there are far more products to cover grey than to induce it! really, to turn your hair grey/white permanently we're talking about bleaching. if you're interested in pursuing that, I'd be happy to look into it for you; alternatively, you and I can experiment with some of my trade secrets for stage greying at some upcoming rehearsal. looking forward to seeing you!! (and I think you're going to be *great* in this part :) ) > As for going gray, that's been bugging me for a while. I'd much > prefer a permanent (or semi-permanent) gray haircoloring, but for some > reason, that's not a popular color at Wal-Mart. I really despise the > temporary spray or powder usually used, and don't mind being gray for > a month or so. Know of any reverse Grecian formulae?  1,, Summary-line: 29-Dec carsten@netway.com [126] #Biodiesel X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id XAA08867; Sun, 29 Dec 2002 23:17:02 -0500 (EST) Received: from localhost.prospeed.net (smtp.prospeed.net [63.84.180.20]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id XAA22301 for ; Sun, 29 Dec 2002 23:17:02 -0500 (EST) Received: from netway.com ([12.170.49.105]) by localhost.prospeed.net (8.11.6/8.9.3) with ESMTP id gBU4GTO12313 for ; Sun, 29 Dec 2002 23:16:30 -0500 Date: Sun, 29 Dec 2002 23:16:24 -0500 Mime-Version: 1.0 (Apple Message framework v551) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Biodiesel From: Carsten Turner To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <75ADE974-1BAD-11D7-BF3E-000393A98104@netway.com> X-Mailer: Apple Mail (2.551) *** EOOH *** Date: Sun, 29 Dec 2002 23:16:24 -0500 Subject: Biodiesel From: Carsten Turner To: David Jedlinsky Thought you'd be interested in seeing this... From boston.com -=>Carsten:-) Interest in biodiesel grows despite costs By Karen Gaudette, Associated Press, 12/29/2002 14:31 UKIAH, Calif. (AP) Surrounded by a pack of tail-wagging dogs, Dave Hawley stuck his bearded face up to the exhaust pipe of his delivery truck, closed his eyes and inhaled. Hawley is indeed hooked on biodiesel, a pollution-reducing fuel gleaned from restaurant grease or the oil of crops like soybeans. Biodiesel is the fastest-growing alternative fuel in the country, according to the National Biodiesel Board, which touts its ability to extend engine life, improve fuel economy, cut down on air pollution and reduce reliance on foreign oil. It has been in use in Europe for some 15 years. But biodiesel is more expensive than traditional diesel at least 30 percent more at one point last summer. To lower costs, lawmakers have proposed tax incentives for using biodiesel, but Congress adjourned for the session without acting on the bills. ''If it were the same price, I think we would see use expand dramatically,'' said Jenna Higgins, spokeswoman for the biodiesel board, a trade group affiliated with the U.S. Department of Agriculture. Biodiesel releases less carbon monoxide and fewer hydrocarbons and particles than petroleum-based diesel, according to the Environmental Protection Agency. It works with most diesel engines. Hawley's so hooked on it, he's even sipped the amber-colored liquid to demonstrate its low toxicity to the 100-plus customers of his Yokayo Biofuels company in Ukiah, a rural community 120 miles north of San Francisco. Customers include local farmers, California wineries and a fleet of coffee delivery trucks. ''It really just gives people a way not to live with hypocrisy,'' Hawley said outside the garage where he and business partner, Kumar Plocher, experiment with batches of lye, wood or grain alcohol and various vegetable oils. Biodiesel is produced by blending lye, methanol or ethanol and oil, then letting it settle. Glycerin, a soap ingredient, separates from biodiesel in large vats. Plocher and Hawley may even add essential oils so tailpipes will spew the scent of lavender, rosemary or sage. Yokayo distributes 13,000 gallons of biodiesel a month enough to rank as one of the country's largest independent distributors in this small but growing industry, which now has annual sales of about $25 million, according to the National Biodiesel Board. Tim Piper, director of vineyard operations for Fetzer Vineyards, one of California's 10 largest wineries, has powered tractors and other farm equipment with biodiesel for the past year to help reduce the winery's environmental impact. ''They're running great, absolutely no difference,'' Piper said. Except for the price. In its most common form, biodiesel is sold in a mixture of 80 percent petroleum-based diesel and 20 percent biodiesel. Due to growing demand and relatively few suppliers, a gallon of the 80/20 blend cost $1.79 on the West Coast in July, compared with $1.38 for a gallon of petrodiesel, according to the U.S. Department of Energy. Pure biodiesel costs even more. But many conservationists say they don't mind paying more for cleaner fuel, and federal pollution regulations are also providing an incentive for managers of fleets. The U.S. Postal Service, for instance, has used biodiesel at several locations, including San Francisco, Miami and New York. Higgins said biodiesel has grown quickly in usage because it generally works with any diesel engines made after 1992. She said older engines need only slight modifications many have parts made with natural rubber, which could adversely interact with biodiesel. Other fuel alternatives, like natural gas and propane, need special equipment or more extensive modifications. Though biodiesel, like one form of traditional diesel, has a tendency to coagulate at colder temperatures, producers and distributors can add anti-jell substances to prevent that. Diesel's roots are organic. Rudolph Diesel, the German engineer whose engine concept published in 1893 eventually bore his name, fueled his prototype with peanut oil. But such oils lost sway when petroleum-based fuel became cheaper and more plentiful. Biodiesel producers are hoping for an organic comeback. U.S. production of biodiesel is expected to grow to more than 20 million gallons this year and as much as 40 million gallons in 2003, according to the National Biodiesel Board. Soybean oil accounted for 90 percent of the material used to produce biodiesel in 2001. Hawley and Plocher say they're already turning a modest profit and plan to open biodiesel filling stations in Ukiah and Santa Rosa in the next few months, complete with a convenience store stocked with organic products. The two also hope to persuade other biodiesel peddlers to open in other parts of California to encourage more use. ''The beauty of biodiesel, in my opinion, is it comes from plants,'' Plocher said. ''It's part of an active cycle.'' Associated Press Writer Colleen Valles contributed to this report. On the Net: http://www.biodiesel.org http://www.ybiofuels.org  1,, Summary-line: 30-Dec tjcw@erols.com [57] #Gilbertian Groaners X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id JAA24689; Mon, 30 Dec 2002 09:15:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA18266 for ; Mon, 30 Dec 2002 09:15:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBUEEssN005286; Mon, 30 Dec 2002 09:14:54 -0500 (EST) Date: Mon, 30 Dec 2002 09:14:54 -0500 (EST) Message-Id: <3E105295.3B8@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tjcw@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "THOMAS J.C. WALSH" To: Multiple recipients of list SAVOYNET Subject: Gilbertian Groaners MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 3.0 (Win95; I) *** EOOH *** Date: Mon, 30 Dec 2002 09:14:54 -0500 (EST) Reply-To: tjcw@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "THOMAS J.C. WALSH" To: Multiple recipients of list SAVOYNET Subject: Gilbertian Groaners X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I can immediately recall only four examples of Gilbert's punning (which I've confirmed from the libretti, *italics mine*): ---------- [1] Alexis. They have invented a *philtre,* which... I intend to distribute... through the village, and within twelve hours of my doing so there will not be an adult in the place who will not have learnt the secret of pure and lasting happiness.... Aline. Well, dear, of course a *filter* is a very useful thing in a house; but still I don't quite see that it is the sort of thing that places its possessor on the very pinnacle of earthly joy. ---------- ---------- [2] Ralph. I love -- and love, *alas,* above my station! Buttercup. ... He loves -- and loves *a lass* above his station! ---------- ---------- [3] Ralph. True, I lack *birth* -- Boatswain. You've a *berth* on board this very ship. ---------- ---------- [4] MG Stanley. .... As I understand you, you are merely repeating the word *"orphan"* to show that you understand me. Pirate King. I didn't repeat the word *often.* ---------- Groan, groan, groan, and groan! ANY OTHER EXAMPLES OF GILBERTIAN GROANERS? Tom Walsh tjcw@erols.com WOODBRIDGE, VA USA ----------------------------------------------- Don't be frightened -- it's only LIGHT opera! -----------------------------------------------  1,, Summary-line: 30-Dec jsmd@worldnet.att.net [34] #A review of G&S in 2002 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id KAA22436; Mon, 30 Dec 2002 10:55:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA13889 for ; Mon, 30 Dec 2002 10:52:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBUFq1sN005788; Mon, 30 Dec 2002 10:52:01 -0500 (EST) Date: Mon, 30 Dec 2002 10:52:01 -0500 (EST) Message-Id: <3E106792.3AA790D5@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: A review of G&S in 2002 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.75 [en] (Win95; U) *** EOOH *** Date: Mon, 30 Dec 2002 10:52:01 -0500 (EST) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: A review of G&S in 2002 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum It is that time again. The year may have started a bit slow in G&S-land, but it sure finished well. This old pair has continued to be very well represented in the 21st century. As for a number of years, again a large number of CD's were issued. The Sullivan Society issued "Chamber & Instrumental Music of Sullivan". It wont make the top ten disks, but it contributes to filling out all of Sullivan's work on CD, and it is good! Similarly "A Soprano Sings Sullivan" is a live recording of seldom heard songs. The Band of the Irish Guards CD may be the sleeper of the year. An excellent new military band CD of Sullivan's music titled "The Lost Chord." And if someone has yet to purchase the complete Glyndebourne series, they are now available in a boxed set at an almost reasonable price. And of course Chris Webster continued his magic of issuing unavailable recordings sounding as if they were just recorded. This year included the Martyn Green Patience and Iolanthe, plus Peter Pratt's Princess Ida, Sorcerer, Mikado, and Pirates. These last two, the first stereo recordings by DOC. Plus Chris released a full set of G&S For All CDs. And they are all fantastic. While no new movies appeared, the old ones, both the Brent Walker series and the Buxton videos, are now available in the latest digital format, DVD. It was a great year end for books. "Gilbert and Sullivan: A Dual Biography" by Michael Ainger has been declared the best G&S biography book ever. Based on new research, not copying from previous works, it is said to be a successor to Bailey. And Thomas Round published his autobiography, "A wand'ring minstrel, I," to instant acclaim. Earlier, Ephraim Jones and Carl Simpson published through Dover their third G&S work, a full score, vocal score, and orchestra parts for Pinafore. Each one gets better and we can only hope if Dover stops here, that the team will find another publisher. Oxford also published the original version of Ruddigore full score. Savoynet's Paul Howarth completed 15 volumes of The Songs of Arthur Sullivan, basically reprinting unavailable sheet music of Sullivan's many songs. Buxton and the Gilbert & Sullivan International Festival continued, the ninth year, only this year with a kick off at Eastbourne. The Savoynet production of The Sorcerer won high acclaim, as well as two awards - Ian Henderson won best male voice and Angela Lowe best character actress. Next year it will be Utopia for Savoynet, which has already elicited wide support. A number of QWERTY's and Sing-outs were held at a variety of venues, and everyone attending enjoyed the camaraderie and great fun. Nick Sales turned professional with roles with Carl Rosa. The incredible G&S Archives changed webmasters and never lost a beat. Marc Shepherd retired from updating the incredible discography, but still made a few more changes. Then Andrew Crowther created a web site for the Gilbert Society, see http://www.users.globalnet.co.uk/~ajcrowth/wsgsoc.htm. And Savoynet surpassed 5000 cumulative digests! Saving the best (IMHO) for last, the team of Selwyn Tillett and Roderic Spencer announced a new hypothesis for the whereabouts of the Thespis music. As many suspected, it was right under our noses all along, at least some of it - in Pirates of Penzance. Although it was announced in 2002, the full details will be published in 2003. And we all lost a dear friend in the passing of Stan German. So thank you to everyone who contributed to Savoynet, to Marc for keeping us moving, to the Sullivan Society for supporting more Sullivan material (for 25 years), and to everyone who participated in the G&S World, if only by playing a CD! Have a happy and prosperous G&S year in 03. -- Stan DeOrsey jsmd@att.net  1,, Summary-line: 30-Dec j.d.mcclure@virgin.net [57] #Re: Gilbertian Groaners X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id LAA03632; Mon, 30 Dec 2002 11:44:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id LAA00840 for ; Mon, 30 Dec 2002 11:44:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBUGhNsN006644; Mon, 30 Dec 2002 11:43:23 -0500 (EST) Date: Mon, 30 Dec 2002 11:43:23 -0500 (EST) Message-Id: <000f01c2b020$2f8b5e20$a984fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbertian Groaners MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Mon, 30 Dec 2002 11:43:23 -0500 (EST) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbertian Groaners X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Right - I hadn't planned to go Savoynetting at this hour of the day, but I had to switch on my e-mail for another reason, Tom's message with its intriguing subject line was waiting and I couldn't resist, so here are the first ones that come into my head without even searching. Trial-la-law (one of my favourites because it's just so outlandish), "Oh hollow, hollow, hollow!" - "Is it a hunting song?" (Good enough as a pun, but not as effective as it might be because the first use of the word is brought in out of noplace at all. (If it had come in AFTER Bunthorne's speech about "the bitter-hearted one, who finds all else hollow..." the point would have been clearer - but then Patience wouldn't have misunderstood.)) Reduced with rouge, lip-salve, and pearly grey To "make up" for lost time as best she may. (Excellent!) "Do you ever yearn?" - "I earn my living." (If you remember that it's a dairymaid speaking, and know that to YIRN or YEARN milk is to make it curdle by warming it with rennet (the first step in cheese-making), this is transformed from one of Gilbert's worst puns to one of his top-liners.) The "his sting - his tongue" and the "'Are men' stuck in her throat" ones in IDA - too atrocious for words! "A cardiac affection?" "Yes, a pack-of-cardiac affection". (Brilliant, but it doesn't need the exchange to underline or elucidate it: once would have been enough.) In the period Socratic every dining-room was Attic, Which suggests an architecture of a topsy-turvy kind. (Very clever, but perhaps slightly too recondite for some.) I said I wouldn't search, so I'll wait and see what other Netters produce. But from the first two contributions, it definitely seems that statistically the puns are mostly concentrated in the EARLY libretti - IDA for obvious reasons NOT being an exception, and containing the earliest and worst! - until some very good ones make an unexpected comeback at the very end. We've discussed puns in general before, but have we ever looked at how they vary in (a) frequency and (b) quality at different stages of Gilbert's career? I await the unfankling of this thread with interest! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 30-Dec scottlfarrell@yahoo.com [40] #Re: Gilbertian Groaners X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA24478; Mon, 30 Dec 2002 12:09:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA13790 for ; Mon, 30 Dec 2002 12:09:51 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id gBUH9esN007049; Mon, 30 Dec 2002 12:09:40 -0500 (EST) Date: Mon, 30 Dec 2002 12:09:40 -0500 (EST) Message-Id: <20021230164804.86986.qmail@web40909.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Gilbertian Groaners MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E105295.3B8@erols.com> *** EOOH *** Date: Mon, 30 Dec 2002 12:09:40 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Gilbertian Groaners X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E105295.3B8@erols.com> --- "THOMAS J.C. WALSH" wrote: > ANY OTHER EXAMPLES OF GILBERTIAN GROANERS? This one always got me a few groans. Sillimon: Bless their little hearts, I can refuse them nothing. As the Olympian stage manager, I ought to be strict with them and make them do their duty, but I can't. Bless their hearts, when I see the pretty little *craft* come *sailing* up to me with a wheedling smile on their pretty little *figure-heads*, I can't turn my back on 'em. I'm all *bow*, though I'm sure I try to be *stern*. ===== Scott Farrell "always craving for some unreasonable indulgence" -- HIS EXCELLENCY scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 1-Jan oakapple@cris.com [90] #Re: First Night G&S X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA20019; Wed, 1 Jan 2003 19:49:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA26512 for ; Wed, 1 Jan 2003 19:49:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h020n0sN027777; Wed, 1 Jan 2003 19:49:00 -0500 (EST) Date: Wed, 1 Jan 2003 19:49:00 -0500 (EST) Message-Id: <3E138A18.8090609@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: First Night G&S MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Wed, 1 Jan 2003 19:49:00 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: First Night G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I've had several replies to my query (several of them private). To summarize the situation: There were two states of THE FIRST NIGHT GILBERT & SULLIVAN published in 1958. These were published by the Limited Editions Club and the Heritage Press. Both states came in a faux-gold slipcase that contained the book itself and a box of programme facsimiles. David Stone tells me that the LEC edition has the following features that the Heritage Press edition doesn't: (1) Larger format, special paper (8-1/2x12") (2) Half bound in red velvet (3) PIRATES New York souvenir programme more closely approximates silk The text itself is the same in either printing. The LEC printing is considerably rarer than the Heritage press version. (I have two copies of the latter, but have not seen the former, although there are several Savoynetters who have it.) The Heritage Club published a monthly newsletter to its members called "Sandglass," and the issue of this newsletter describing the F N G&S is included with one of my copies. Here's a brief quote from it: [After describing the careers of G&S....] There has been a purpose behind our brief summaries of the careers of Gilbert and Sullivan, and we suspect that that purpose will not have escaped the vigilant reader. The surmise is quite correct: The Heritage Club now offers, to a packed house, THE FIRST- NIGHT GILBERT AND SULLIVAN--nothing less than a complete assemblage, for the first time between one pair of covers, of the librettos of the operettas as they were originally presented. We regard this work as a major achievement in the nearly quarter-century history of this organization. But let us not blow our own horn to blatantly. We prefer, rather, to blow every available bassoon, oboe, piccolo, tuba--the whole woodwind and brass sections, in fact--on behalf of Reginald Allen, but for whom, to put it bluntly, there would have been no book. It goes on to talk about the book in considerable detail (including its binding, typesetting, etc.) It concludes: If we have ever shipped our members a richer, gayer production than this, we just can't remember what it might have been. The "Centennial Edition," published in 1975 does not include the box of programme facsimiles, and the binding is plainer. Rafe MacPhail observed, "R.A. made quite a few revisions for the Centennial Edition, but they've been done so skillfully that you can't tell. Careful re-wording, etc., has led to same page breaks, etc., as I recall." Substantially, however, it is the same text as in 1958. It's looking like there were at least two printings of the Centennial Edition, because Rafe says that on his copy the first three lines on the copyright page are: Copyright (c) 1958 [space] Original edition published in the United States by The Limited Editions Club and The Heritage Club But everyone else has reported the three lines as: Original edition published in the United States by The Limited Editions Club and the Heritage Club Copyright (c) 1958 No one else (so far) has reported having a copy in which these lines were "censored," as on my copy. There must have been some issue with rights or credits with either the Heritage Club or the Limited Editions Club. -- Marc Shepherd New York, NY  1,, Summary-line: 2-Jan mzsylver@MIT.EDU [18] #Alls Well Pic X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA26902; Thu, 2 Jan 2003 18:29:52 -0500 (EST) From: Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA16465; Thu, 2 Jan 2003 18:29:48 -0500 (EST) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id SAA01617; Thu, 2 Jan 2003 18:29:47 -0500 (EST) Received: from d99.as8.nwbl0.wi.voyager.net ( [d99.as8.nwbl0.wi.voyager.net]) as user mzsylver@MIT.EDU by webmail.mit.edu with HTTPS; Thu, 2 Jan 2003 18:29:47 -0500 Message-ID: <1041550187.3e14cb6bb622c@webmail.mit.edu> Date: Thu, 2 Jan 2003 18:29:47 -0500 To: mitcp@mit.edu Cc: alls-cast@mit.edu, alls-crew@mit.edu Subject: Alls Well Pic MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 169.207.132.99 X-Originating-Host: d99.as8.nwbl0.wi.voyager.net X-MIT-WebMail-User-Browser: Mozilla/4.5 [en]C-gatewaynet (Win98; I) *** EOOH *** From: Date: Thu, 2 Jan 2003 18:29:47 -0500 To: mitcp@mit.edu Cc: alls-cast@mit.edu, alls-crew@mit.edu Subject: Alls Well Pic X-Originating-IP: 169.207.132.99 X-Originating-Host: d99.as8.nwbl0.wi.voyager.net X-MIT-WebMail-User-Browser: Mozilla/4.5 [en]C-gatewaynet (Win98; I) i finally finished putting the linkz from the thumbnailz to the GIGANTIC picturez. i still need to edit the cast party stuff. enjoy! =) http://www.prizmal.com/play/allswell/allswell.html see you all after january! -rydia- chaos chick  1,, Summary-line: 3-Jan pdp@globalnet.co.uk [69] #Re: D'Oyly Carte music--was Topsy-Turvy (and a couple of X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA06182; Fri, 3 Jan 2003 18:15:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA28831 for ; Fri, 3 Jan 2003 18:15:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h03NFDsN020200; Fri, 3 Jan 2003 18:15:13 -0500 (EST) Date: Fri, 3 Jan 2003 18:15:13 -0500 (EST) Message-Id: <3.0.6.32.20030103230439.010174e0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte music--was Topsy-Turvy (and a couple of P.S.s). Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030103185927.14475.qmail@web10801.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) *** EOOH *** Date: Fri, 3 Jan 2003 18:15:13 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte music--was Topsy-Turvy (and a couple of P.S.s). X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030103185927.14475.qmail@web10801.mail.yahoo.com> At 14:09 03/01/03 -0500, you wrote: > >> P.S.3: I note that Ainger introduces D'Oyly Carte as >> a "musician". I knew, >> of course, that he was musical and had composed some >> pieces, but I'm >> surrprised to learn that his first reputation was as >> a musician. As a >> matter of curiosity, has anybody looked for >> contemporary comments or >> crticisms of his musical productions; and do any of >> them survive? Yes, or at least they did. When in 1996, John Cannon and I gave our illustrated talk about Richard D'Oyly Carte at Buxton we needed evidence of the musical works he had written. We visited the then new archive room at the newly refubished Savoy Theatre after the fire, where with the aid of Kevin Chapple we found a libretto of Dr Ambrosias--His Secret and several songs. Some of these were photographed and John Cannon played two of them in our talk. We did not find the music for Dr Ambrosias or Marie or Happy Hampstead but we did find a wad of manuscript music for a full orchestra with several pages missing including the cover page. We therefore do not know what it was. It was most certainly not Thespis, to scotch any ideas about that. We believed it to be a flute concerto. You must remember Richard D'Oyly Carte's connection with flute making and his father's business. I think I remember the words ''flute concerto'' being written on the score in Bridget's hand. Many of the songs we found published as sheet music were not published by Rudall Carte & Co but by Chappell or Metzler. There must have been a dozen or more we found. I never understood why, having his own publishing house, he chose to have some of them published by others. Many of the songs were dedicated to artists of the day. When recently, the Savoy Theatre was sold along with the Savoy Hotel I do not know what happened to these archives. There were a number of interesting architects drawings of the theatre, construction drawings etc. Kevin was no longer there and any subsequent enquiries I made drew a blank. There was a great deal of stuff to be sorted and catalogued but whether any of it still exists I know not. Some of it may now be with the D'Oyly Carte Opera Co archives as the archive room was given over to other uses. (Sir Hugh Wontner no doubt turning in his grave, as the provision of this facility was his idea). Much of the material I think was the personal property of Bridget D'Oyly Carte but she had been dead for some years by then and it had not gone to the Theatre Museum. We most certainly did not search the entire archive, so do not know what else may have been there. The songs John Cannon played were called The Maiden's Watch and Twilight. We also found a song titled Pourquoi. No doubt he will still have copies of that music. Neither of us could sing so John played a transposed version for piano solo. One must also remember that Carte used a nom-de-plume as was common in those days, for some of his writings. Lynne was one such. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 5-Jan portnoy@portnoy.org [18] #Vocal Score PDF X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id WAA17558; Sun, 5 Jan 2003 22:29:16 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id WAA22526 for ; Sun, 5 Jan 2003 22:29:08 -0500 (EST) Received: from lorelei (lorelei.portnoy.org [192.168.1.7]) by circe.portnoy.org (Postfix) with ESMTP id 9D9F0C06B for ; Sun, 5 Jan 2003 22:29:07 -0500 (EST) Received: from portnoy by lorelei with local (Exim 3.36 #1 (Debian)) id 18VNwo-0004uW-00 for ; Sun, 05 Jan 2003 22:29:06 -0500 To: sw-cast Subject: Vocal Score PDF From: Stephen Peters Date: 05 Jan 2003 22:29:06 -0500 Message-ID: Lines: 12 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Sender: Stephen Peters *** EOOH *** To: sw-cast Subject: Vocal Score PDF From: Stephen Peters Date: 05 Jan 2003 22:29:06 -0500 Sender: Stephen Peters Cast members -- if you want to download and print the latest copy of the vocal score (or just print the bits you care about), it's available at http://www.portnoy.org/MTG/starwars/ (click on the "Vocal Score (Jan 3rd)" link). -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1,, Summary-line: 7-Jan oakapple@cris.com [35] #Paul McShane X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA26585; Tue, 7 Jan 2003 19:49:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA27945 for ; Tue, 7 Jan 2003 19:49:23 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h080mjsN007168; Tue, 7 Jan 2003 19:48:45 -0500 (EST) Date: Tue, 7 Jan 2003 19:48:45 -0500 (EST) Message-Id: <3E1B7371.5050607@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Paul McShane MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum *** EOOH *** Date: Tue, 7 Jan 2003 19:48:45 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Paul McShane X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I have learned this evening that Savoynetter Paul McShane passed away yesterday. This is the message I received from his son, which I am sure he would want me to pass along: > It is my unfortunate duty to inform you of Dad's passing > yesterday. He defied the odds and lasted longer than most > expected. He also was grateful for his three and a half weeks at > home before his return to the hospice last Friday. It was during > this period that he was again free to enjoy conversing with you > all via the net. I was always dragged along to productions or > subjected to Dad's singing from time to time but it was one of his > great passions which, I know, he wholeheartedly shared with you > all. Dad is survived by Mum (Adrienne) and my sister Kirrily. > > Yours sincerely, > > Nick Mc Shane -- Marc Shepherd New York, NY  1,, Summary-line: 8-Jan d-duffey@argonet.co.uk [52] #Re: Paul McShane X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id TAA09506; Wed, 8 Jan 2003 19:00:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA06283 for ; Wed, 8 Jan 2003 19:00:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h08NxbsN004441; Wed, 8 Jan 2003 18:59:37 -0500 (EST) Date: Wed, 8 Jan 2003 18:59:37 -0500 (EST) Message-Id: <000b01c2b76e$c1e103b0$8918bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Paul McShane MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 *** EOOH *** Date: Wed, 8 Jan 2003 18:59:37 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Paul McShane X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum I first met Paul at Michael's museum in Tring, having corresponded with him privately for some time. I tried, quite unsuccessfully, to point out to him the inadequacies of Australian cricket as compared to the English. He remained unconvinced; but I hope he was conscious at the last of the results in the latest Ashes series, as he would have gained much pleasure, and enjoyed chiding me about them. When Paul next came to the UK he stayed with us for a week or so, before going on to Buxton. My abiding memories are of the trouble he had with the local ATM machines, which refused to recognise his PIN and swallowed all his cards, one by one, to increasingly colourful language. Then, on a long car trip back from the Cotswolds whence we had repaired for a rehearsal of Bruce and Helga's Buxton concert/lecture, how he baffled Butagirl and me by asking - in broad Strine - how many times bills were mentioned in Gondoliers. Sharon and I struggled with this mystery for the length of the M6 and finally gave up. Paul said "Well, there's 'the bills set ringing'." This was the year of the SavoyNet Ruddigore, and Paul shared Colditz with us, earning several days in the cooler for daring to ask Mrs Thing if he could telephone Australia. Other than with Mrs Thing, Paul was a very popular SavoyNetter at Buxton that year, always in the thick of things, always cheerful and always friendly and optimistic. He gave me the germ of the idea which became the "dropped handkerchief" business, and can be seen on the video as the first Buck or Blade to enter (actually some several seconds before he should have) and then very stylishly leading the men downstage. After long years as an ex-patriot Australian, Paul enjoyed a fruitful retirement and was, from what I knew of him, a contented man. One can only wish that he had been able to enjoy more of it. Jill and I will miss him. David Paul was an enthusiastic poster to SavoyNet, and was particularly influential in the "Opera of the Week", actually convincing me of the value of the exercise, which I had initially been against. He conducted a number of surveys, and enjoyed the manipulation of statistics. He was enthusiast too for wine, particularly the Australian vintages. He gave Jill and me several bottles (how he must have clinked going through customs), then took the trouble to e-mail us when he considered each bottle would be at its best.  1,, Summary-line: 11-Jan leon.berger@virgin.net [53] #Hardcore Mikado X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA13890; Sat, 11 Jan 2003 12:38:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA18054 for ; Sat, 11 Jan 2003 12:38:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0BHc3sN014817; Sat, 11 Jan 2003 12:38:03 -0500 (EST) Date: Sat, 11 Jan 2003 12:38:03 -0500 (EST) Message-Id: <001101c2b994$88357ba0$59070150@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Hardcore Mikado MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 *** EOOH *** Date: Sat, 11 Jan 2003 12:38:03 -0500 (EST) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Hardcore Mikado X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Ha! I thought this subject heading would grab your attention! Due to an anomaly in the British law, Adult Shops in certain parts of London's West End will only be licensed if the majority of the floorspace is given over to other , non-sexual, goods. So porno shops often have large areas full of remaindered warehouse stock they've purchased as job-lots to comply with the regulations. Consequently they are a haven for bargain hunters looking for obscure material. Browsing innocuously in one last month (honest, guv) I came across a VHS of Michael Winner's THE COOL MIKADO for only £3. This film is almost universally deplored - see the reviews on the Discography site : http://www.cris.com/~oakapple/gasdisc/mikcool.htm But for me it's in the 'so bad its good' category and I watched it with renewed delight. It's full of British comedians of mediocre talent, but who were well-loved in the '60s - and with Frankie Howerd in the lead it's as camp as Christmas. Seated one day in the library (how easy it is to be distracted from one's legitimate researches) my eye caught an article in the Evening Standard 20 July 1962 - a piece of publicity in the London Diary column to puff the film: "We are sending G&S right up" said young director Michael Winner happily, "We've got the Tit Willow Twist, The Three Little Girls from School Cha-cha and the Here's a How Do You Do Slope. We've also got some good bedroom scenes". Well, after that I went right back to the film to watch the 'good bedroom scenes' - and I couldn't find any. I'm going to take it right back to the sex shop to complain ..... Leon Kentish Town, London ________________________________________________________ Disc home pages: COX & BOX/ A SOCIETY CLOWN (Grossmith): www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk New Website: www.donaldswann.co.uk  1,, Summary-line: 12-Jan jana_ch@blarg.net [316] #The Mikado Strikes Back (Long) X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA29255; Sun, 12 Jan 2003 01:40:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA21575 for ; Sun, 12 Jan 2003 01:40:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0C6eqsN028144; Sun, 12 Jan 2003 01:40:52 -0500 (EST) Date: Sun, 12 Jan 2003 01:40:52 -0500 (EST) Message-Id: <3E2108A4.000001.15550@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: The Mikado Strikes Back (Long) MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 *** EOOH *** Date: Sun, 12 Jan 2003 01:40:52 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: The Mikado Strikes Back (Long) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Here is one of my G&S take-offs, a version of the second STAR WARS movie, "The Empire Strikes Back." This is just a series of songs and a few bits of dialogue. I never developed it into a complete play. I'm posting this before "The Star Wars of Penzance" because it's shorter, and there are no illustrations to arrange for. I hope you all enjoy it. I am looking forward to comments, public or private. Though I don't expect to do more with this piece, I am open to constructive criticism (or constructive praise) with a view toward improving my versifying. Thanks, one and all, for your attention. Jana =========================== The Mikado Strikes Back (incomplete) by Jana Hollingsworth =========================== SONG -- BOBA FETT (bounty hunter) and CHORUS As someday it may happen that a victim must be found, I've got a little list--I've got a little list-- Of fandom's prime offenders who might well be underground, And who never would be missed--who never would be missed! There's the pestilential nuisances collecting autographs Who think to *buy* the author's book would be the worst of gaffes-- All those who know their trivia and floor you with it flat-- All editors of fanzines (who could disagree with that?)-- And blabbermouths who give away THE EMPIRE's final twist-- They'd none of 'em be missed--They'd none of 'em be missed! Chorus: He's got 'em on the list-- he's got 'em on the list-- And they'll none of 'em be missed-- they'll none of 'em be missed! There's the filk-song serenader who is always out of key, And the gay anachronist-- I've got him on the list! And the twelve-year-old with spectacles who wins at D & D-- She never would be missed-- she never would be missed! Then the fan who speaks of "sci-fi" in enthusiastic tone, Extravagantly praising every planet but his own; And the Trekkie from the provinces who all fankind offends By claiming Mister Spock is where the genre starts and ends; And that singular anomaly, the UFOlogist-- I don't think he'd be missed-- I'm sure he'd not be missed! Chorus: He's got him on the list-- he's got him on the list-- And I don't think he'll be missed-- I'm sure he'll not be missed! Then the fan who likes GALACTICA, in earnest, not in jest, Is one enthusiast who must be on the list! The fannish financiers who don't *buy* comics, they *invest*-- They'd none of 'em be missed-- They'd none of 'em be missed! And those self-promoting authors of a science fiction kind, Such as-- What d'ye call him-- Thing'em bob, and likewise-- Nevermind! And 'St-'st-'st, and What's her name, and also-- You-know-who-- The task of filling up the blanks I'd rather leave to you. But it really doesn't matter whom you put upon the list. For they'd none of 'em be missed-- They'd none of 'em be missed! Chorus: You may put 'em on the list-- You may put 'em on the list- And they'll none of 'em be missed-- they'll none of 'em be missed! --- NOTES [All editors of fanzines] Fanzine = fan magazine, created and published by fans [There's the filk-song serenader] Filk song = an existing song given new lyrics (like this one). Derived from "folk song." Filking = writing filk songs [the gay anachronist] A member of the Society of Creative Anachronism. And gay means "happy." [wins at D & D] Dungeons and Dragons [the fan who speaks of "sci-fi"] Real fans never say "sci-fi." One says "science fiction" or "sf." [the Trekkie from the provinces] Similarly, Star Trek fans hate "Trekkie;" the proper term is "Trekker." [the fan who likes GALACTICA] BATTLESTAR GALACTICA, a second-rate (but not third-rate) science fiction TV show =========================== LANDO: Now, is everybody thoroughly confused as to what's going on? (The entire chorus nods.) Then this should be an opportune moment for me to explain the plot, which is simplicity itself, and my own role therein, which is not quite so simple. SONG-- LANDO CALRISSIAN and CHORUS One day Darth Vader called on me And kindly asked my help, for he Resolved to try A plan whereby He'd capture Luke, and neatly. So he decreed in words concise (He offered it as mere advice): Han Solo must be put on ice. He always asks so sweetly. And I expect you'll all agree That he was right to so decree. And I am right, And you are right, And all is right as right can be! Chorus: And you are right, And we are right, And all is right as right can be! This stern decree, you'll understand, Caused great dismay to Solo and To all his friends; Lord Vader's ends Were thus to be effected. Luke bought it like a ton of bricks For, though residing in the sticks, He knew his friends were in a fix. He naturally objected. And you'll allow, as I expect, That he was right to so object. And I am right, And you are right, And everything is quite correct! Chorus: And you are right, And we are right, And everything is quite correct! Now, Leia surely knows the game; I ought to have, instead of blame, Her sympathy, For she's like me: A working politician. I dealt with Darth, but I'm no heel; She'll know exactly how I feel, For she has Luke with which to deal-- Her very own magician So I am right to justify My actions, or at least to try. Yes, I am right, And you are right, And all is right-- too-looral-lie! Chorus: And you are right, And we are right, and all is right-- too-looral-lie! =========================== Duet -- LEIA and HAN LEIA: Last movie I was brave and strong, But now I only tag along. No longer active and free-lance, I live a harlequin romance. But love, of course, must have its way, So pardon me, So pardon me, And do not, for my coy display, Be hard on me, Be hard on me, If I'm inclined toward cliche, Tra la la Han: Last movie I was cute and fun, But now my macho's overdone. Somehow these changes come about, And I've become a sexist lout. That love must always have its way Is hard on me, Is hard on me. For my obnoxiousness I'll pay, So pardon me, So pardon me, If I'm inclined toward cliche. Tra la la --- NOTE: I didn't like Han Solo. I wanted Luke to get the girl. So what if they turned out to be twins? If it's good enough for Richard Wagner... On the other hand, there's the following bit of dialogue: =========================== HAN: That's pretty good singing, kid. Didn't you used to be with the Tatooine Opera Company? LUKE: Yes, I may be only a wandering minstrel now, but I was once one of their big stars. HAN: Listen, I've heard the Tatooine Opera Company, and it's not something I'd put on my resume. Of course, I never could stand Wagner. LUKE: Oh, but it's given me great connections. The old comic baritone from the Company has arranged for me to go to the Juilliard School for Jedi Knights to learn to become a great tenor. In fact, I'm leaving right away. Only my agent, R2-D2, is coming with me. HAN: Leaving, eh? Well, take care of yourself, kid. LUKE: Yeah. You too. (Han and Luke look at each other silently for a moment.) HAN: Oh, what the hell. (He grabs Luke and kisses him firmly on the lips.) LUKE: Wow. Princess Leia, eat your heart out! (He meanders off stage.) --- NOTE [I never could stand Wagner.] This was before I'd ever seen Wagner on stage, and I wasn't much of a fan. =========================== YODA: Look at him-- very tender, very yearning, very precious! LUKE: Hey, can we get on with this? I haven't got forever, you know. YODA: I cannot teach him. The boy has no patience. And that's always been my favorite opera. LUKE: I'll learn Patience. I'll learn the whole blamed repertoire. But right now, in case you haven't noticed, we're smack in the middle of another opera entirely. YODA: Listen, kid, when you're a Jedi Master you can quote any opera you like. SONG -- YODA If you're anxious for to shine in the cinematic line as a man of culture rare, You must get up all the germs of the transcendental terms and plant them everywhere. You must lie upon the daisies and discourse in novel phrases of your complicated state of mind, The meaning doesn't matter if it's only idle chatter of a transcendental kind. And everyone will say As you walk your mystic way, "If this young man expresses himself in terms too deep for me, Why, what a very singularly deep young man this deep young man must be." Take a healthy swig of Crowley (watch it doesn't make you owly), and a tiny touch of Freud, Then you structure it on Dante-- no mythologist could want a neater plan than he employed. At one fact you'll be delighted: Homer isn't copyrighted, so just borrow all he sung. Soon this mythologic hype'll yield a plotline archetypal which is old, and very Jung, And everyone will say As you walk your mythic way, "If this young man plays an archetypal role which is too profound for me, Why, what a very universal kind of youth this kind of youth must be." Then a sentimental passion of a telepathic fashion must excite your psychic brain; If you lose your lovely lady to a friend whose honor's shady you have no cause to complain. Though in every way you're betters that obnoxious lout will get her while you waste your time with me; As a lover you're a zero, so you'll be a virgin hero-- that's distinguished company. And everyone will say As you walk your psychic way, "If he's content with a telepathic love which would certainly not suit me, Why, what a most particularly pure young man this pure young man must be! --- NOTES: Regarding the first verse-- Principal Rule of Filking: never try to improve on Mr. Gilbert. Actual dialogue from the movie went: YODA: I cannot teach him. The boy has no patience. OBI-WAN: He'll learn Patience. [Take a healthy swig of Crowley] Aleister Crowley, ceremonial magician [ so you'll be a virgin hero-- that's distinguished company.] I was thinking of Joan of Arc. I once wrote a bit of fan-fiction in which the Rebels, after they defeated the Evil Empire, burned Luke Skywalker at the stake. "Star Wars" was much more fun if you wrote your own stories.] --- Darth Vader was going to be Katisha-- a most unattractive old thing with a caricature of a face, not to mention a passion for a flight of thunderbolts. I meant to finish the piece with the first act finale of The Mikado; Vader not would appear on stage until then. Somewhere I have lyrics I wrote for when he asks Luke to join him, written to fit "The hour of gladness." I meant that part to be done seriously. But I never finished the play, and it's out of date now.  1,, Summary-line: 13-Jan keithw@MIT.EDU [32] #Would like to purchase HDTV reception equipment X-Coding-System: undecided-unix Return-Path: Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.9.2/4.7) id SAA21516; Mon, 13 Jan 2003 18:03:56 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA02786; Mon, 13 Jan 2003 18:03:54 -0500 (EST) Received: from zygorthian-space-raiders.mit.edu (ZYGORTHIAN-SPACE-RAIDERS.MIT.EDU [18.187.1.80]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id SAA21374; Mon, 13 Jan 2003 18:03:54 -0500 (EST) Received: (from keithw@localhost) by zygorthian-space-raiders.mit.edu (8.9.3) id SAA02463; Mon, 13 Jan 2003 18:03:54 -0500 Message-Id: <200301132303.SAA02463@zygorthian-space-raiders.mit.edu> To: sipb-office@MIT.EDU cc: keithw@MIT.EDU Subject: Would like to purchase HDTV reception equipment Date: Mon, 13 Jan 2003 18:03:54 -0500 From: Keith Winstein *** EOOH *** To: sipb-office@MIT.EDU cc: keithw@MIT.EDU Subject: Would like to purchase HDTV reception equipment Date: Mon, 13 Jan 2003 18:03:54 -0500 From: Keith Winstein I'd like to propose the purchase, at some upcoming meeting, of an 8VSB demodulator (http://www.rldrake.com/digital/td8vsb.html) and DVB/SPI interface card (http://www.dektec.com/dta-122.htm). The demodulator is about $400 and the interface card is $1,100 (and has a GPL driver for Linux). The effect of these purchases would be that we would be able to get the raw (post-error-correction) MPEG transport stream from American ATSC HDTV broadcasts (digital television), which is currently available from most stations in the Boston area. As far as I know, we would be the first people to get HDTV working under Linux. The necessary work to make it actually useful is just to parse out the MPEG transport stream and display the MPEG video (and play the Dolby AC3 audio), all public standards, most of which are already implemented in free software. This purchase is also attractive now because it may soon be difficult to purchase equipment to let one get the raw bitstream out of HDTV under Linux. If we get this equipment, I will work on making it useful under Linux (and, of course, invite anybody else who wants to work on it too). I'd like to hear the board's feelings on the matter. -Keith  1,, Summary-line: 14-Jan jcrandall@alum.mit.edu [88] #Fwd: [mikadostaff] LOTR + G&S = dorkiness to the extreme! X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA13757; Tue, 14 Jan 2003 13:43:38 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA04782; Tue, 14 Jan 2003 13:40:46 -0500 (EST) Received: from alum.mit.edu (h0020af58dc4d.ne.client2.attbi.com [24.147.136.58]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id NAA27543; Tue, 14 Jan 2003 13:40:45 -0500 (EST) Date: Tue, 14 Jan 2003 13:43:48 -0500 Subject: Fwd: [mikadostaff] LOTR + G&S = dorkiness to the extreme! Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v551) Cc: Joshua Randall To: gsp@mit.edu From: Joshua Randall Content-Transfer-Encoding: 7bit Message-Id: <1E75A63C-27F0-11D7-BDC5-0003939F95C2@alum.mit.edu> X-Mailer: Apple Mail (2.551) *** EOOH *** Date: Tue, 14 Jan 2003 13:43:48 -0500 Subject: Fwd: [mikadostaff] LOTR + G&S = dorkiness to the extreme! Cc: Joshua Randall To: gsp@mit.edu From: Joshua Randall Thought some of you might enjoy this as well. Written by the cast of our performance of The Mikado at Harvard last month. josh. Begin forwarded message: > From: Phyllis Gay Maloney > Date: Tue Jan 14, 2003 10:09:21 US/Eastern > To: mikadostaff@theatre.harvard.edu > Subject: [mikadostaff] LOTR + G&S = dorkiness to the extreme! > > Hello, staff! > > In its unending efforts to be cute, the cast has forwarded the > following > lyrics to me, set to the tune of "Gentlemen of Japan." Be forewarned, > they are rather nerdy! So why am I laughing so hard? > > :) phyllis > > The Lord of the Rings > or The Land of Middle-earth > by W.S. Gilbert and Arthur Sullivan > > SCENE. -- Front yard of Bag End in Hobbiton, the Shire. Various hobbits > discovered standing and sitting in various attitudes suggested by > Rankin-Bass films and trippy illustrations from the 1970s. > > CHORUS OF HOBBITS. > > If you want to know who we are, > We are gentlemen of the Shire; > In many an inn and bar, > By many an alehouse fire, > We dine on six meals a day; > Our attitude's bright and gay; > But we don't mean it that way, oh! > If you think we are cutesy-poo, > Like an Ewok or Jar-Jar Binks, > You don't know what we do: > When we don't smokes, we drinks! > Our dwelling is Hobbiton; > We only stand three foot one; > We use evil rings for fun, oh, oh! > We use evil rings for fun! > If you want to know who we are, > We are gentlemen of the Shire; > In inn and bar, by alehouse fire; > In many, many, many, many, many, many, many, many a bar, oh, oh, oh, > oh! > In inn and bar, by alehouse fire! > > Enter Gandalf in great excitement. He carries a pack of fireworks on > his > back and a staff in his hand. > > RECIT. -- GANDALF > > Gentlemen, I pray you tell me > Where a gentle hobbit dwelleth, named Frodo, > The ward of Bilbo? > In pity speak, oh speak, I pray you! > > TED SANDYMAN. Why, who are you who ask this question? > GANDALF. Come gather round me, and I'll tell you! > > SONG and CHORUS -- GANDALF. > > A wand'ring wizard I, > A thing of spells and magic, > Of stories dark and tragic, > Of counsel I'll prophesy... > > > > > ------------- > To unsubscribe from this list, visit > http://theatre.harvard.edu/cgi/maillist.cgi  1,, Summary-line: 14-Jan mail@lsimons.plus.com [24] #"Sorcerer" Vocal Score X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id RAA16967; Tue, 14 Jan 2003 17:48:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA22955 for ; Tue, 14 Jan 2003 17:44:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0EMiQsN009526; Tue, 14 Jan 2003 17:44:26 -0500 (EST) Date: Tue, 14 Jan 2003 17:44:26 -0500 (EST) Message-Id: <000701c2bc1b$ed8a5500$169b2e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" Vocal Score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 *** EOOH *** Date: Tue, 14 Jan 2003 17:44:26 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" Vocal Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum My work on the "Sorcerer" vocal score is proceeding apace, and the Overture and first ten numbers of Act I (including all intervening dialogue) are now available at http://www.threelittlemaids.worldonline.co.uk/sorcerer/ The musical numbers are in Acrobat "pdf" format and can be downloaded either individually or as one continuous file for viewing or printing. Comments would be appreciated! Larry London, UK  1, forwarded,, Summary-line: 15-Jan Nonoiy@aol.com [92] #Re: Dismal Copyright News.. X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id MAA28449; Wed, 15 Jan 2003 12:49:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA20993 for ; Wed, 15 Jan 2003 12:48:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0FHmRsN002205; Wed, 15 Jan 2003 12:48:27 -0500 (EST) Date: Wed, 15 Jan 2003 12:48:27 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dismal Copyright News.. MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 *** EOOH *** Date: Wed, 15 Jan 2003 12:48:27 -0500 (EST) Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dismal Copyright News.. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum >From AOL News: WASHINGTON (Jan. 15) - The Supreme Court on Wednesday upheld lengthier copyrights protecting the profits of songs, books and cartoon characters - a huge victory for Disney and other companies. The 7-2 ruling, while not unexpected, was a blow to Internet publishers and others who wanted to make old books available online and use the likenesses of a Mickey Mouse cartoon and other old creations without paying high royalties. Hundreds of thousands of books, movies and songs were close to being released into the public domain when Congress extended the copyright by 20 years in 1998. Justices said the copyright extension, named for the late Rep. Sonny Bono, R-Calif., was neither unconstitutional overreaching by Congress, nor a violation of constitutional free-speech rights. The Constitution ''gives Congress wide leeway to prescribe 'limited times' for copyright protection and allows Congress to secure the same level and duration of protection for all copyright holders, present and future,'' Justice Ruth Bader Ginsburg said from the bench. A contrary ruling would have cost entertainment giants like The Walt Disney Co. and AOL Time Warner Inc. hundreds of millions of dollars. AOL Time Warner had said that would threaten copyrights for such movies as ''Casablanca,'' ''The Wizard of Oz'' and ''Gone With the Wind.'' Also at risk of expiration was protection for the version of Mickey Mouse portrayed in Disney's earliest films, such as 1928's ''Steamboat Willie.'' The ruling will affect movie studios and heirs of authors and composers. It will also affect small music publishers, orchestras and church choirs that must pay royalties to perform some pieces. The Bush administration defended the extension, telling the court that while justices may personally disagree with the latest extension, Congress had the authority to pass it. Congress passed the copyright law after heavy lobbying from companies with lucrative copyrights. The Constitution allows Congress to give authors and inventors the exclusive right to their works for a ''limited'' time, and during oral arguments in the case in October some justices seemed to question whether the extension fit that requirements. The majority in Wednesday's ruling, however, ultimately found that Congress was within its rights. ''We find that the (extension) is a rational enactment; we are not at liberty to second-guess congressional determinations and policy judgments of this order, however debatable or arguably unwise they may be,'' the court said. Congress has repeatedly lengthened the terms of copyrights over the years. Copyrights lasted only 14 years in 1790. With the challenged 1998 extension, the period is now 70 years after the death of the creator. Works owned by corporations are now protected for 95 years. Eric Eldred challenged the copyright extension, which he said unfairly limits what he can make available on a public web library he runs. The extension ''protects authors' original expression from unrestricted exploitation,'' Ginsburg wrote in rejecting Eldred's free-speech claims. ''Protection of that order does not raise the free speech concerns present when government compels or burdens the communication of particular facts or ideas.'' Justices John Paul Stevens and Stephen Breyer disagreed with their colleagues. Stevens wrote that the court was ''failing to protect the public interest in free access to the products of inventive and artistic genius.'' The case is Eldred v. Ashcroft, 01-618. AP-NY-01-15-03 1102EST Copyright 2003 The Associated Press. The information contained in the AP news report may not be published, broadcast, rewritten or otherwise distributed without the prior written authority of The Associated Press. All active hyperlinks have been inserted by AOL.  1,, Summary-line: 15-Jan knscott@juno.com [106] #Re: (Possibly) Dismal (and Definitely EXTREMELY Confusing) Copyright News X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id VAA16513; Wed, 15 Jan 2003 21:11:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA17921 for ; Wed, 15 Jan 2003 21:06:23 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0G25qsN008393; Wed, 15 Jan 2003 21:05:52 -0500 (EST) Date: Wed, 15 Jan 2003 21:05:52 -0500 (EST) Message-Id: <20030115.171327.-184059.0.knscott@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: (Possibly) Dismal (and Definitely EXTREMELY Confusing) Copyright News MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.11 *** EOOH *** Date: Wed, 15 Jan 2003 21:05:52 -0500 (EST) Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: (Possibly) Dismal (and Definitely EXTREMELY Confusing) Copyright News X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum On Wed, 15 Jan 2003 at 17:48:04 -0500 (EST) Samuel Silvers wrote: > As usual, Mitch [Gillett] has hit it on the head. US Copyright was > extended to 95 years after the death of the author by the Bono Act, Not exactly. The Bono Act basically added 20 years to each of the confusing array of terms defined by the Copyright Act of 1976. One of the purposes of the 1976 Act was to begin to take the US down a road of gradual of gradual conversion from a system based on a term of years (actually two consecutive terms with optional renewal available for a limited period at the halfway point, unless the copyright owner forgot or neglected to renew) measured from the date of initial publication with copyright notice, to a system conforming to the UK copyrights lasting for the life of the author (or last surviving co-author) plus a term of years. It was the GRADUAL conversion compromises worked out by the legislature in drafting the 1976 Act that produced the above-mentioned confusing array of terms. A major purpose of the Bono Act was to take us further along that same road, by again gradually conforming US copyright law to changes in UK copyright law resulting from the economic agreements entered into by the proposed member nations of the forming European Union. One of these agreements was that copyright terms of all member nations would be adjusted to conform to those of the member nation having the longest terms. Germany had the longest term (life of author plus 70 years), so the UK law had been changed to conform to that by adding 20 years to its former term of life plus fifty years, which is why it was decided that the simplest(???) way of conforming US law to the UK/EU standard was to just add twenty years to each of the terms defined in the 1976 Act, including the terms for works created before the effective date of the 1976, but not published until after that effective date (1/1/1978). (Following this so far?) While extending the 1976 Act terms by 20 years does in some cases mean that US copyright on an individual work will survive past its copyright in other countries, in many other cases just the opposite is true (and I could probably give an example if only this headache would go away). The reminder of this posting, below my signature block, is derived from a chart prepared by another hand (that of Laura "Lolly" Gasaway, director of the Kathrine R. Everett Law Library and professor of law at the University of North Carolina, who graciously allowed me to post a copy of her chart on my performance copyright Website -- URL in my signature block below), and I think it makes things as clear as they probably can be made. Kevin Scott author of "Who owns the rights? Copyright, the law and licensing the show", published in the Summer 1999 issue (Volume 10, Number 4) of the Educational Theatre Association quarterly Teaching Theatre, and available on line at http://www.angelfire.com/or/Copyright4Producers/ ============== The following are the terms accorded to various classes of works by the the cumulative effects on US copyright law of the Copyright Acts of 1909 and 1976, the Berne Convention Implementation Act of 1988, and the Sonny Bono Copyright Term Extension Act of 1998. DATE OF WORK/WORK PROTECTED FROM/TO CURRENT EXTENT OF TERM Created 1-1-78 or after/When work is fixed in tangible medium of expression/Life of author plus seventy years (term of joint works is measured by life of the longest-lived author) (or if work of corporate authorship, the shorter of ninety-five years from publication, or 120 years from creation -- works for hire, anonymous and pseudonymous works also have this term. 17 U.S.C. § 302(c)) Published before 1923/In public domain/None Published from 1923 - 63/When published with notice(*)/Twenty-eight years, plus could be renewed for forty-seven years, now extended by twenty years for a total renewal of sixty-seven years. If not so renewed, now in public domain (*)(Under the 1909 Act, works published without notice went into the public domain upon publication. Works published without notice between 1-1-78 and 3-1-89, effective date of the Berne Convention Implementation Act, retained copyright only if, e.g., registration was made within five years. 17 U.S.C. § 405.) Published from 1964 -77/When published with notice/Twenty-eight years for first term; now automatic extension of sixty-seven years for second term Created before 1-1-78 but not published/1-1-78, the effective date of the 1976 Act which eliminated common law copyright/Life of author plus seventy years, or 12-31-2002, whichever is greater Created before 1-1-78 but published between then and 12-31-2002/1-1-78, the effective date of the 1976 Act which eliminated common law copyright/Life of author plus seventy years, or 12-31-2047, whichever is greater ________________________________________________________________ Sign Up for Juno Platinum Internet Access Today Only $9.95 per month! Visit www.juno.com  1,, Summary-line: 16-Jan YesTisMabel@aol.com [39] #write right? X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id BAA27552; Thu, 16 Jan 2003 01:36:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA08561 for ; Thu, 16 Jan 2003 01:36:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0G6ZbsN013394; Thu, 16 Jan 2003 01:35:37 -0500 (EST) Date: Thu, 16 Jan 2003 01:35:37 -0500 (EST) Message-Id: <14e.1a497cf2.2b57aa51@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: write right? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 *** EOOH *** Date: Thu, 16 Jan 2003 01:35:37 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: write right? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Hi everybody! It's 64 degrees fahrenheit here....how are you all? ;-) <<<<<<<<<<< Bill Wright said: > Be glad too. The Bono Act lengthed the copywrites to seventy-five years > after the death of the creator. And Derrick responded: A boy to his teacher did say, "Please sir, Wright's written 'write' the wrong way." The teacher replied, As the error he spied, "Right, Wright: write 'write' right, right away." CopyRIGHT - playWRIGHT - reWRITE! Derrick McClure. (Yearly will I do this rite.)>>>>>>>> Derrick, that was great! But shouldn't the last line be: "Right, Wright: write 'RIGHT' right, right away", since he misspelled 'copyright'? Elise Curran YesTisMabel@aol.com "He has done his duty. I will do mine. Go ye and do yours. RIGHT-OH!"  1,, Summary-line: 18-Jan jana_ch@blarg.net [197] #Star Wars of Penzance Part 1 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA18283; Sat, 18 Jan 2003 13:34:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA05658 for ; Sat, 18 Jan 2003 13:34:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0IIXfsN012545; Sat, 18 Jan 2003 13:33:41 -0500 (EST) Date: Sat, 18 Jan 2003 13:33:41 -0500 (EST) Message-Id: <3E299B58.000001.17126@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 1 MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 *** EOOH *** Date: Sat, 18 Jan 2003 13:33:41 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Star Wars of Penzance, A Space Operetta by Jana Hollingsworth 1977-78 Part 1 (Scene: on board the Death Star, Samuel and a chorus of Stormtroopers are celebrating the completion of the space station.) OPENING CHORUS Zap, oh zap the rebel planet; Zing, oh zing the asteroid; Into dust we'll turn its granite Should a world make us annoyed. Samuel: For today our great space station, All prepared for games and fun, Justifies our proud elation And its budget over-run. All: Though its cost ran over budget Several billion, we don't grudge it. Zap, oh zap the rebel planet, etc. (Enter Vader.) Vader: Yes, Governor, you certainly have reason to celebrate. Not only is your delightful Death Star at last fully operational (with the possible exception of the xerox machine in my office), but I have succeeded in capturing the beautiful Princess Mabel, leader of the Rebellion, Samuel: I would also point out that you have succeeded in allowing the Princess's droids to escape with vital information. But what complaint do you have about your xerox machine? Vader: The recent battle depleted my personal guard, so I ran off some new Stormtroopers this morning. Instead of the usual white, they came out harvest gold. Samuel: You should be honored rather than angry. Do you know what a color xerox machine costs? Vader: I prefer a standard model. Samuel: As you wish. Ah, here is your captive. (Enter Mabel, escorted by two Stormtroopers in gold armor.) Mabel: Well, Vader, you've just spent the past few hours enjoying the technological equivalent of sticking bamboo shoots under my fingernails, breaking me on the rack, and delicately dipping me into boiling oil (or was it melted lead?), and you've done it in such a scientifically sophisticated fashion that you haven't even mussed my hair or stained my gown. What next? Vader: I thought I might try eradicating a few planets, for the sheer entertainment value of it. Mabel: You fiend! How can you be so evil? Vader: I've worked hard at it. It's my chosen profession, and at last it's paying off. SONG--PIRATE VADER Oh, better far to live and die Under the brave black flag I fly Than suffer under a hero's name While lusting after a villain's fame. Though heroes all are good and true, We villains all are well-to-do, And I am that character now so rare-- The blackguard who's wicked beyond compare. For I am a Lord of Sith! All: You are! Hurrah for the Lord of Sith! Vader: And it ith, it ith a thing not to mith To be a Lord of Sith, All: It ith! Hurrah for the Lord of Sith! Vader: Just check the posters and T-shirt racks, See games and puzzles that tower in stacks, Investigate each toy and doll, You'll find my visage adorns them all, But many a good guy in hat of white, Who fights for justice and truth and right, Will perish in obscuritee While royalties accrue to me. For I am a Lord of Sith! All: He ith!! Hurrah for the Lord of Sith! Vader: And it ith, it ith a thing not to mith To be a Lord of Sith, All: It ith! Hurrah for the Lord of Sith! (All exit. Scene changes to Tatooine, Enter chorus of Jawas.) Jawas: Climbing over rocky desert, Where the rock-ses our toe-*ses* hurt, Please remember that we are the Jawas. Please remember we're the Jawas. Same thing that our ma and pa was. No. Sandpeople we are not. No, we are not. They have faces just like quiches; We're a kind of Munchkin species. We're a kind a kind of Munchkin species. Garbage men who dress like friars, Or like Salt Lake City choirs; See this trophy we have got: (Enter 3PO, accompanied by R2-D2.) 3PO: I'm a prize that's worth acquiring, Stealing, borrowing, or hiring. Alien or humanoid, Won't you buy a top-notch droid? Jawas: Alien or humanoid Won't you buy a top-notch droid? 3PO: There's tradition in my wiring Long as you could be desiring: Vast improvement I've enjoyed Since by Capek first employed. Jawas: Vast improvement he's enjoyed Since by Capek first employed. 3PO: Once I played a robot miss In Fritz Lang's "Metropolis." But I wish I could erase All my work on "Lost in Space." Still, with reverence I obey All three laws of Doctor A. Where would science fiction be Stripped of all its robotry? Jawas: Where would science fiction be Stripped of all its robotry? Here's a prize that's worth acquiring, etc. end part 1 ============== NOTES ============== [All: Though its cost ran over budget Several billion, we don't grudge it.] --In 1977, several billion dollars seemed an extravagently huge sum, worthy of science fiction. [Vast improvement I've enjoyed Since by Capek first employed.] --Czech writer Karl Chapek coined the word robot in his play R.U.R. in 1921. [Once I played a robot miss In Fritz Lang's "Metropolis."] --"Metropolis" is a classic science fiction silent film. [But I wish I could erase All my work on "Lost in Space."] --If you're an American baby boomer you'll remember the TV show "Lost in Space" and its comic robot. If you don't remember, be grateful. [Still, with reverence I obey All three laws of Doctor A.] --Isaac Asimov created the Three Laws of Robotics for his positronic robot series. They are: (1) A robot must never harm a human being, or by inaction allow a human being to be harmed. (2) A robot must obey all orders given by a human being as long as it does not conflict with the First Law. (3) A robot must protect its own existance as long as it does not conflict with the First and Scecond Laws.]  1,, Summary-line: 18-Jan jana_ch@blarg.net [169] #Star Wars of Penzance Part 2 X-Coding-System: iso-latin-1-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA18443; Sat, 18 Jan 2003 13:34:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA29748 for ; Sat, 18 Jan 2003 13:34:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0IIYKsN012713; Sat, 18 Jan 2003 13:34:20 -0500 (EST) Date: Sat, 18 Jan 2003 13:34:20 -0500 (EST) Message-Id: <3E299BA8.000001.17389@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 2 MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 *** EOOH *** Date: Sat, 18 Jan 2003 13:34:20 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 2 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Star Wars of Penzance, A Space Operetta by Jana Hollingsworth 1977-78 Part 2 (Enter Fred Skywalker.) Fred: You have a pretty good mezzo-soprano, for a droid. I'll take you. 3PO: But what about my counterpart, R2-D2? Fred: With his voice? Forget it! We might as well let our librettist sing. 3PO: But sir, I need him! His memory banks contain all my sheet music, He also tunes pianos, and acts as a metronome, (Demonstrates metronome in R2's head.) Fred: I don't know. Aunt Ruth was very specific. If we can got a good mezzo-soprano, a coloratura soprano, and a comic baritone, we'll have the best opera company on Tatooine. 3PO: Also the only opera company on Tatooine. Fred: I hardly think that was a tactful remark. Wait til Aunt Ruth gets hold of you. If you think having a stage mother is bad, try having a stage aunt. (R2-D2 lets out a round of beeps.) 3PO: Wait, sir! R2 says he knows where to find your soprano and baritone. Fred: How does he know something like that? 3PO: He's also my agent. (R2 beeps some more.) He says old Obi-wan Stanley, who lives out by the Dune Sea, sings the fastest patter song in the quadrant. Fred: What about the soprano? 3PO: He says he'll play her demo *after* you buy him. Fred: He's an agent, all right, Okay, I'll take you both, and we'll go audition Obi-wan. But this soprano of yours had better be good. If I can make the Tatooine Opera Company a going concern, Aunt Ruth will let me out of my contract and I can got off this rock. SONG--FRED SKYWALKER Does no one have a deed to do, A real one, not phantasmagoric, A villain vile, or maybe two, Requiring bravery sophomoric? This world perhaps possesses charms For those who wouldn't wear galoshes, But I'd give all its sandy farms For just one chance at buckling swashes. Jawas: But no one has a deed-to do, A real one, not phantasmagoric, A villain vile, or maybe two, Requiring bravery sophomoric. Fred: Not one? Jawas: No, no-- not one! Fred: Not one? Jawas: No, no-- not... (R2-D2 suddenly produces a hologram of the Princess Mabel.) Mabel: Yes, one! Jawas: Tis Mabel! Mabel: Yes, tis Mabel! RECITATIVE--PRINCESS MABEL Though I am but a hologram, A sham, If you will hear my tale of woe You'll know That any idiot can be, for me, A hero, 'cause I'm in a jam. Jawas: The question is, would she address This plea so vocal, Were she not in a hopeless mess, To such a yokel? Mabel: A jam! I'm in a jam! SONG--PRINCESS MABEL Poor wandering druid! Though you're but comic relief, You play a part Dear to my heart. Poor wandering droid! Poor wandering druid! Follow my scheme with elan. To this princess In dire distress Bring any poor hero you can! Bring my own leading man. Bring any good guy you can! Jawas: Bring her own leading man. Grab any good guy you can! Bring my own leading man. Bring any good guy you can! etc. (Mabel disappears and the Jawas exit. Obi-wan enters. He comes up behind Fred and startles him.) Fred: Obi-wan! We were just going to go look for you. But what good will it do to audition you if I can't get the Princess Mabel, too? Obi-wan: Ah, but I know where to find the Princess. Fred: You do!? Obi-wan: Yes, she’s being held captive by the evil Pirate Vader aboard his Death Star space station. Will you come with me to rescue her? Fred: I wouldn't stay behind for all the Coke in China! But how do we get off this wretched planet? Obi-wan: Fortunately, I know of just the space pilot for us. Here she is now. (Enter Aunt Ruth.) Fred: Aunt Ruth! How did you get to be a space pilot? Ruth: The exigencies of the plot required it: every Gilbert and Sullivan opera has to have an unattractive middle-aged contralto. Chewbacca is too handsome, and Han Solo sings bass, so that leaves me. Now got into my spaceship, and we'll be at the Death Star before Obi-wan can sing half a patter song. end part 2 ============== NOTES ============== [Fred: I wouldn't stay behind for all the Coke in China!] --In 1977 Coca-Cola had just established itself in the recently "opened" People's Republic of China. I was never happy with this bit of dialogue. [You shall once more be incarcerate, All your hopes for freedom desolate,] --I searched and searched for a rhyme for "incarcified," but couldn't find one.  1,, Summary-line: 18-Jan jana_ch@blarg.net [215] #Star Wars of Penzance Part 3 X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA18642; Sat, 18 Jan 2003 13:35:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA05984 for ; Sat, 18 Jan 2003 13:35:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0IIZ2sN012881; Sat, 18 Jan 2003 13:35:02 -0500 (EST) Date: Sat, 18 Jan 2003 13:35:02 -0500 (EST) Message-Id: <3E299BEB.000001.17507@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 3 MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 *** EOOH *** Date: Sat, 18 Jan 2003 13:35:02 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 3 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Star Wars of Penzance, A Space Operetta by Jana Hollingsworth 1977-78 Part 3 (They all exit. Scene changes to the Death Star. Enter stealthily, in a row, Fred, Mabel, 3PO, and Ruth.) RECITATIVE-- FRED SKYWALKER Come, the rescue's nearly finished. Vader's chances are diminished If we get away. Searching for us are Stormtroopers, Armed with electronic snoopers. Ladies, do not stray! (Fred exits. Women linger.) Women: Yes, the rescue's nearly finished. Vader's chances are diminished If we get away. Searching for us are Stormtroopers, Armed with electronic snoopers: No. we will not stray! (Enter six Stormtroopers behind the women. They grab them.) Women: Too late! Troopers: Ha! Ha! Women: Too late! Troopers: Ha! Ha! Ha! ha! ha! ha! Ha! ha! ha! ha! ENSEMBLE Troopers: You have missed your opportunity Of escaping with impunity, So return to the security Of your cell for all futurity. You shall once more be incarcerate, All your hopes for freedom desolate, And within that penal cavity You will experience our depravity. Women: We have missed our opportunity Of escaping with impunity; We'll return to the security Of our cell for all futurity, We shall once more be incarcerate, All our hopes for freedom desolate, And within that penal cavity We will experience their depravity. (Enter Samuel.) RECITATIVE-- PRINCESS MABEL Hold, monsters! Though for liberation we have tried And failed, this setback we perceive as slight. For bear in mind that we've the Force upon our side, And we're protected by a Jedi Knight. Samuel: This news, my dears, won't put us to the flight. I don't believe he is a Jedi Knight. Women: Yes, yes, he is in fact a Jedi Knight! (Enter Obi-wan, followed by Fred.) Obi-wan: Yes, yes, I am in fact a Jedi Knight! Samuel: For he is a Jedi Knight! All: He is! Hurrah for the Jedi Knight! Obi-wan: And it is, it is a bit of all right To be a Jedi Knight! All: It is! Hurrah for the Jedi Knight! SONG--OBI-WAN STANLEY I am the last example of a sage and antique Jedi Knight. I've information esoteric, strange, arcane, and quite all right. I know the Lords of Barsoom, yes, and all the damsels in distress >From Jane to Dejah Thoris, each one in her most distressing mess. I am very well acquainted too with matters Ellisonian-- It's good there's just one Harlan, so don't try to sneak a phoney in-- I know Andre Norton's gender, at least when her pants, she has 'em off. (Has 'em off, has 'em off-- You all know what I’m going to rhyme with has 'em off) And in my sleep I quote whole books from Heinlein and from Asimov. All: And in his sleep he quotes whole books from Heinlein and from Asimov. I'm up-to-date on Moorcock, near as well as mortal man can be, And can chant the incarnation-list of Elric of Melnibone. In short, in matters esoteric, strange, arcane, and quite all right, I am the last example of a sage and antique Jedi Knight. All: In short, in matters esoteric, strange arcane, and quite all right, He is the last example of a sage and antique Jedi Knight. I know our mythic history, J.R.R's and Evangeline's; I understand "2001" right down to all the final scenes; I can trace across two worlds the roots of Leonard Nimoy's pedigree; "Space: 1999", you will be glad to hear, I never see. I understand LeGuin, which goes to show I'm intellectual, And can prove in Freudian terms that Conan's really homosexual. I've not quite finished "Dune" --even for me some books are just too long, And I whistle my own theme but never sing a "Close Encounters" song. All: He whistles his own theme but never sings a "Close Encounters" song. I can work out the relationship of Elvish script to cuneiform, And tell you every detail of Kit Canterbury's uniform. In short, in matters esoteric, strange, arcane, and quite all right, I am the last example of a sage and antique Jedi Knight. All: In short, in matters esoteric, strange arcane and quite all right, He is the last example of a sage and antique Jedi Knight. (Enter Vader, with his light sabre activated.) Vader: You may be knowledgeable, Obi-wan, but you were never much good in an actual fight. (Obi-wan activates his light sabre. He and Vader duel. The Stormtroopers leave the women to help Vader. The women try to escape off stage, but Fred hesitates. Vader is getting the best of Obi-wan.) Obi-wan: Wait! Have mercy! Have you ever known what it is to be an orphan? Vader: I may be evil, but even *I* wouldn't perpetrate that routine on an audience. (He runs Obi-wan through with his sabre. Obi-wan's death-throes should be absurdly over-done.) Fred: Obi-wan! No! (He tries to rush back. Ruth restrains him.) Ruth: Let's go, kid. Don't intrude on the old man's big death scene. (The women and Fred exit.) Samuel: You're letting them get away? Vader: Don't worry, I'll catch up with them in time for the finale. ============== NOTES ============== [I know the Lords of Barsoom, yes, and all the damsels in distress >From Jane to Dejah Thoris, each one in her most distressing mess.] --The reference is to Edgar Rice Burroughs: Jane, wife of Tarzan and Dejah Thoris, wife of John Carter of Mars-- a planet also known as Barsoom [I am very well acquainted too with matters Ellisonian-- It's good there's just one Harlan, so don't try to sneak a phoney in--] I know Andre Norton's gender, at least when her pants, she has 'em off. (Has 'em off, has 'em off-- You all know what I’m going to rhyme with has 'em off) And in my sleep I quote whole books from Heinlein and from Asimov.] --Four science fiction writers: Harlan Ellison, Andre Norton, Robert Heinlein, and Isaac Asimov. [I'm up-to-date on Moorcock, near as well as mortal man can be, And can chant the incarnation-list of Elric of Melnibone.] --Michael Moorcock is more of a fantasy writer than science fiction. All his heroes are incarnations of one another; Elric of Melnibone is probably the best known. [I know our mythic history, J.R.R's and Evangeline's;] J.R.R.Tolkien you all know. Evangeline Walton wrote fantasy novels based on Welsh mythology; I liked them a l0t. [I understand "2001" right down to all the final scenes;] --The final scenes of the movie "2001: A Space Odyssey" are, to me, incomprehensible. The book makes a lot more sense. [I can trace across two worlds the roots of Leonard Nimoy's pedigree; "Space: 1999", you will be glad to hear, I never see.] --I trust I don't have to explain Leonard Nimoy, aka Mr. Spock. "Space: 1999" was a science fiction TV show that was possibly worse than "Lost in Space." [I understand LeGuin, which goes to show I'm intellectual, And can prove in Freudian terms that Conan's really homosexual. I've not quite finished "Dune" --even for me some books are just too long,] --Ursula LeGuin, Robert E. Howard's ultra-macho Conan the Barbarian, and Frank Herbert's enormous "Dune" series. [And I whistle my own theme but never sing a "Close Encounters" song.] --In "Close Encounters of the Third Kind," which competed with the first "Star Wars" movie, the alien ship had a five-note signature tune that was used endlessly. [I can work out the relationship of Elvish script to cuneiform, And tell you every detail of Kit Canterbury's uniform.] --Kit Canterbury was founder and guiding spirit of Puget Sound Star Trekkers, a group that was active all over Western Washington in the 70s.  1,, Summary-line: 18-Jan jana_ch@blarg.net [250] #Star Wars of Penzance Part 4 X-Coding-System: iso-latin-1-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id NAA19721; Sat, 18 Jan 2003 13:38:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA06732 for ; Sat, 18 Jan 2003 13:38:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0IIbFsN013137; Sat, 18 Jan 2003 13:37:15 -0500 (EST) Date: Sat, 18 Jan 2003 13:37:15 -0500 (EST) Message-Id: <3E299C71.000001.18058@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 4 MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 *** EOOH *** Date: Sat, 18 Jan 2003 13:37:15 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Star Wars of Penzance Part 4 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum The Star Wars of Penzance, A Space Operetta by Jana Hollingsworth 1977-78 Part 4 (Vader and Samuel exit in the opposite direction from the others. The Stormtroopers follow, dragging Obi-wan. Scene changes to the fourth moon of Yavin. Bigges enters, with a chorus of X-Wing Pilots, and Mabel.) Mabel: Gentlemen, the Death Star is approaching our base and will be here to eradicate us at any moment, Led by my heroic Fred Skywalker, one of you pilots will do the glorious deed of wiping that over-grown Skylab from the face of the universe. (Exit Mabel.) Bigges: Yes, and I have a sneaking suspicion I know who is going to do the glorious deed and who's going to get wiped. SONG-- SERGEANT BIGGES Bigges: When the hero puts the kibosh on the villain-- X-Wings: On the villain, Bigges: You will find that many others try the same-- X-Wings: Try the same, Bigges: But although our hearts are staunch as they are willin'-- X-Wings: They are willin', Bigges: You must search the credits close to find our name-- X-Wings: Find our name. Bigges: Our feelings we with difficulty smother-- X-Wings: 'culty smother, Bigges: For being vaporized is hardly fun-- X-Wings: Hardly fun. Bigges: Ah, take one consideration with another-- X-Wings: With another, Bigges: A bit player's lot is not a happy one. All: Being left with just a death-scene isn't fun-- Isn't fun. A bit player's lot is not a happy one-- Happy one. CHORUS OF TIE FIGHTER PILOTS (off stage) A rollicking band of pilots, we, Who, zooming through space so fancy-free, Will zap any X-Wing that we see With lasers bright and flashing. Bigges: Look out! The TIEs appear to guard their station. What made us pick this for our avocation? CHORUS OF TIE FIGHTERS (nearer) We fly along as a goodly clip, And when we hear our computers blip, Identifying a rebel ship, We'll give it such a thrashing! X-Wings: Identifying a TIEs: Rebel ship, Identifying a X-Wings: Rebel ship, Both: Identifying a rebel ship We’ll/They'll give it such a thrashing. Bigges: They come in force, with deadly arms. The prospect isn’t one that charms. CHORUS-- TIE FIGHTER PILOTS With ships so new And lasers up-to-date, You'll find it's to The past that we relate. Though our ray guns Would make Buck Rogers green We’re really sons Of nineteen-seventeen. X-Wings: Kazoom, kazam! TIEs: With barrel-roll and loop-the-loop, Upon our enemies we swoop. Dogfights in outer space: They would throw a scare on Snoopy and the Baron. History we re-trace, Each of us a Fokker ace. X-Wings: Kazoom, kazam! (Enter Fred.) Fred: Hush, hush, not a word! I feel a presence now: Old Obi-wan returns-- don't ask me how. TIEs: What's this? Old Obi-wan returns? X-Wings: What's this? Old Obi-wan returns? (Enter Obi-wan.) Obi-wan: Yes, yes, old Obi-wan returns! SOLO-- OBI-WAN STANLEY Though zapped into oblivion By Vader's deadly blade, Observe that I am living on-- A most substantial shade. This climax grand I could not miss, Though I confess I'm "late." It's only via osmosis That I'll participate. Pilots: He will participate--hoo-ha! Obi-wan: So, I am here-- Please have no fear, My young and foolish friend, For with the Force I'll guide your course Into a happy end. BALLAD-- OBI-WAN STANLEY Skill and wit and lots of practice Will not win the day; Just the opposite, in fact is Now the only way. Pilots: Only way. Obi-wan: Feel the vibes and trust your feelings, Put your brain on low. Heroism’s easy dealings, Going with the flow. Pilots: If you put your brain on low You'll be going with the flow. Silly boy, with vibes to guide you; Intellectuals deride you. Here's an addle-pated kid, Taking orders from his id. (At Obi-wan's urging, Fred switches off his targeting computers Enter Mabel, 3PO, and Ruth.) Women: Now what is this and what is that and why in Fred's computer off? His heroism none can doubts but at this move we freely scoff. Does he suppose that he can win without its cybernetic aid? The Force is very well and good, but we confess we're much afraid. What strange compulsion made our Freddy switch his own computer off? At his intelligence and wit we feel we're very right to scoff. (Enter Vader.) Vader: Once I am through, these rebels will be dead! Women: It's Vader-- it's Vader! Watch it, Fred! Pilots: Yes, it is Vader: watch it, Fred! Obi-wan: (to Fred) Now's your chance to be a hero! Don't blow it now, you nerd, you zero! Mabel: Freddy, save us! Fred: Beautiful Mabel, I'm only a farmboy; I am not able. Pilots: We knew from the start that he was not able. Vader: Oh. rebel fool, Forget your vain resistance. You've lost your cool, And also your existence. This is the end Of your grand revolution. Your hopes suspend Of happy resolution. Mabel: Fred has bombed out-- for him I guess that's par. Women: Oh, darn it! Mabel: Does nobody remain, our foes to bar? Women: Oh, darn it! X-Wings: We’re heroes too-- at least we think we are. Women: Oh, rapture! X-Wings: Now in our opportunity to star! Women: Oh, rapture!! (The X-Wing Pilots attack; Vader and the TIE Fighters shoot them down.) Pilots: The bad guys win-- it seems a sin-- But that in the way life goes, For likelihood abhors the good, As every criminal knows. Bigges: But realism, an you surely know, Is banned most strictly from this sort of show. Vader: You can't deny we beat you fair and square. Bigges: But you forget the color hat you wear: The villains lose (they always lose)-- this cliche we must bear. Vader: We lose? X-Wings: You lose-- You have to lose; this cliche we must bear. Vader: Your pleas have touched our actor's souls, Because, with all our faults, we know our roles. X-Wings: It's true, with all their faults, they know their roles. All: Yes, yes, with all their faults they know their roles. Obi-wan: We've won the day-- it was a piece of cake. Ruth: One moment! There's a sequel here at stake! Without our villains we would feel a lack; We will need them when The Empire Strikes Back. Women: We’ll all cash in when The Empire Strikes Back. Obi-wan: Well, Vader, it appears that you're in luck Because, with all our greed, we want to make a buck. RECITATIVE-OBI-WAN STANLEY We’ll see you soon, Vader; if you are wise, You'll make investments just as I advise. Forget Standard Oil and Boeing and Xerox, And put your money in Twentieth Century Fox. FINALE We've struck it rich, And if you count merchandizing, There is much more Profit in store. We've struck it rich! We've struck it rich, Thereby beginning the mode: Every new flick Is science fic, But we're the mother lode. End ============== NOTES ============== [...wiping that over-grown Skylab from the face of the universe.] --The Skylab space station was in the process of breaking up and falling to Earth, and was thus in the news.  1,, Summary-line: 18-Jan MusikDrama@aol.com [56] #Utopia MIDI-fied: Music To Drive You Buggy X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA29896; Sat, 18 Jan 2003 14:27:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA12369 for ; Sat, 18 Jan 2003 14:27:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0IJQlsN013682; Sat, 18 Jan 2003 14:26:47 -0500 (EST) Date: Sat, 18 Jan 2003 14:26:47 -0500 (EST) Message-Id: <12e.209f9ef8.2b5b009e@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Utopia MIDI-fied: Music To Drive You Buggy MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 *** EOOH *** Date: Sat, 18 Jan 2003 14:26:47 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Utopia MIDI-fied: Music To Drive You Buggy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum About a month ago, someone chose "With Fury Deep I Burn" from Utopia Ltd. as his or her "worst song of the canon." While I'd agree that it's neither G's nor S's very best and brightest, I think it's an effective enough little number -- particularly when augmented with a little apiarian assistance from Rimsky-Korsakoff. Anyone desiring footnotes on that rather curious comment is invited to listen to a rather hummable MIDI arrangement (of my own humble creation) of the song in question. Listeners are warned that I have significantly adulterated Sullivan's music through the insinuation of certain thematic motifs from Nicolai Rimsky-Korsakoff's opera "The Tale of Tsar Saltan" -- without, I should add, obtaining the permission of either of these gentlemen in advance. Into the mixture I've also added certain pianistic effects cribbed from an arrangement by Sergei Rachmaninoff (featured in the movie "Shine"). The musical residuum is available for your inspection at the following website, kindly and expertly created for me by our own witty webmeister John "Earthflash" Spartan: http://www.geocities.com/gallactaprimamegamagnabus/GAS/midi1.html I created the piano arrangement heard on this MIDI in April 1999, when I was accompanying piano rehearsals for the Lamplighters' production of Utopia. The inspiration for my revisions came from the frenetic quality of Sullivan's own accompaniment for the number, a restless and relentless melodic figure which suggests the seething resentment of Scaphio and Phantis, and which I magnified into... well, you can hear it in the MIDI. Unfortunately the only time I got to play it was at one rehearsal (not a dress rehearsal -- actually there were no dress rehearsals, as it was only semi-staged, with no costumes other than Hawaiian T-shirts) when I slipped it in, hoping that someone would think it was at least mildly amusing. Unfortunately my interpolations were apparently too subtle, for no-one (not even the conductor) seemed to notice anything unusual. So at least it didn't disrupt the rehearsal! I've kept it modestly under wraps ever since -- hoping eventually to perform it somewhere (with a few accomplices), perhaps at a post-performance Cabaret at Buxton. But as it's unlikely that I'll be getting there in the foreseeable future, and as really the only other possible audience for such a thing is Savoynet, I offer it to you for your collective consideration. It's just a little thing of my own. I have now published it. Cheers, Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 18-Jan portnoy@portnoy.org [58] #SW:ME -- Get With The Program! X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.9.2/4.7) id OAA28310; Sat, 18 Jan 2003 14:49:31 -0500 (EST) Received: from rogue.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA22940 for ; Sat, 18 Jan 2003 14:49:22 -0500 (EST) Received: from portnoy by rogue.portnoy.org with local (Exim 3.36 #1 (Debian)) id 18Zyy2-00050T-00 for ; Sat, 18 Jan 2003 14:49:22 -0500 To: star-wars@mit.edu Subject: SW:ME -- Get With The Program! From: Stephen Peters Date: 18 Jan 2003 14:49:22 -0500 Message-ID: Lines: 52 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Sender: Stephen Peters *** EOOH *** To: star-wars@mit.edu Subject: SW:ME -- Get With The Program! From: Stephen Peters Date: 18 Jan 2003 14:49:22 -0500 Sender: Stephen Peters Well, it's that time again. We're putting on a show, and as such should probably give the audience something to read during intermission. Or at least something to doodle on. So, we should make a program. In order to do this, I need a little bit from everybody. This includes: * Your name. The website [1] has everyone that I know is working on the show. If I've mispelled your name, or you want it to appear differently in the program, you should tell me soon. [1] http://www.mit.edu/~mtg/ProdStaff.html * Bios! We like everyone to contribute a short (a few sentences) blurb about themselves. Most people go for clever and entertaining, but if you wish to detail the fourteen shows that you were an usher for, hey, who are we to judge? Past programs have featured Elvish runes, limericks, source code excerpts, and the occasional cryptogram. Some past programs can be found on the web at [2]. [2] http://www.portnoy.org/MTG/OldPrograms/ * Crew Listings. Hey, designers and directors! Since I don't show up at all the costume builds, makeup rituals, light discussions, and set shop extravaganzas, I have no idea whether there's some young fellow or fella who desperately needs to be credited. You should let me know. Don't wait until the last minute -- you might forget to send me that info as you get busy. * Acknowledgements. People help us with stuff from the bottom of their hearts. We should make a list of these people. Maybe some nice folks at Arisia? Some obsessed costumer who's donating an entire set of insignia for a Grand Moff? Is Cinnabon donating two large rolls for us to use on Princess Leia's head? Let me know. * All the other stuff. I need cover artwork from our illustrious pub designer; some director's notes from that handsome Rogue; maybe some ad copy from our industrious publicity manager. Someone who knows G&S should get me copy for our ad swap. If we're going to be putting in a note about selling off stormtrooper armor, I should be told what that note should say. Send it all in! Oh, yes. The deadline. I need to get all this stuff by Friday, so I can start putting it all together into something coherent. I'll send out another reminder later, but really, who wants to wait until the last minute? Thanks in advance! -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1,, Summary-line: 19-Jan Earthflash@webtv.net [41] #I need a PAL X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h0JIsYRR001705; Sun, 19 Jan 2003 13:54:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA11108 for ; Sun, 19 Jan 2003 13:54:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0JIsFsN002399; Sun, 19 Jan 2003 13:54:15 -0500 (EST) Date: Sun, 19 Jan 2003 13:54:15 -0500 (EST) Message-Id: <20788-3E2AF052-4509@storefull-2136.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: I need a PAL Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Sun, 19 Jan 2003 13:54:15 -0500 (EST) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: I need a PAL Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've been waiting years for certain videos to come out in NTSC format but as time goes by I find more an more PAL videos on eBay that I would like to have. So I figured it's time to break down and get a PAL VCR. So far, I've bought the John Reed PINAFORE and the Jill Pert MIKADO in PAL format. Someday I hope to actually *play* them. (I got the PINAFORE at a buy-it-now price of $24 I think. The seller probably could have gotten a lot more without buy-it-now.) I've seen stores that sell two cassette VCR's that transfer PAL to NTSC for about $800 but I don't see any reason to buy the whole contraption. I've already got three VCR's. I just need an American VCR that plays PAL. I've seen them on eBay for about $100 but they always have something scary about them. (There's one on eBay this week that "doesn't work." Needless to say, it has no bids.) Do any Americans out there own one and know where I can purchase one? Thanks, John S Long Island, New york, U.S.A. http://community-2.webtv.net/Earthflash/SavoynetLinks/  1,, Summary-line: 21-Jan mlpeters@sdg.com [552] #Comps, house seats, group rates, and other reservations-type things X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0LFY4RW023721; Tue, 21 Jan 2003 10:34:07 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0LFY0M5023633 for ; Tue, 21 Jan 2003 10:34:00 -0500 (EST) Received: from cable-car.sdg.com ([209.0.77.40]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11261 for ; Tue, 21 Jan 2003 10:33:49 -0500 (EST) From: mlpeters@sdg.com Received: from maple.sdg.com ([192.168.102.31]) by cable-car.sdg.com (Lotus Domino Release 5.0.9a) with ESMTP id 2003012107334530:12520 ; Tue, 21 Jan 2003 07:33:45 -0800 Subject: Comps, house seats, group rates, and other reservations-type things To: star-wars@MIT.EDU X-Mailer: Lotus Notes Release 5.0.9a January 7, 2002 Message-ID: Date: Tue, 21 Jan 2003 10:33:43 -0500 MIME-Version: 1.0 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/21/2003 10:33:45 AM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/21/2003 07:33:46 AM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/21/2003 07:33:50 AM Content-type: multipart/mixed; Boundary="0__=0ABBE626DFC089C78f9e8a93df938690918c0ABBE626DFC089C7" Content-Disposition: inline X-Spam-Flag: NO X-Spam-Score: 2.7, Required 7.5 X-Spam-Level: ** (2.7) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** From: mlpeters@sdg.com Subject: Comps, house seats, group rates, and other reservations-type things To: star-wars@MIT.EDU Date: Tue, 21 Jan 2003 10:33:43 -0500 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/21/2003 10:33:45 AM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/21/2003 07:33:46 AM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/21/2003 07:33:50 AM Content-Disposition: inline X-Spam-Flag: NO X-Spam-Score: 2.7, Required 7.5 X-Spam-Level: ** (2.7) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0__=0ABBE626DFC089C78f9e8a93df938690918c0ABBE626DFC089C7 Content-type: text/plain; charset=us-ascii A few thoughts and requests from your friendly neighborhood reservations and box office manager: Comps: To book your comps, please use the web form. In the "Special Requests" section, please let me know that they are comps, and for whom. You don't need to reserve the comps under your name, but I do need to know whose they are. Please recall that you only can book comps for matinees and Thursday. (Comp policy attached below) Also, if you have a group of people coming of whom 2 will be comped, please book the full group together and let me know in the "Special Requests" section who gets the free seats. That way they can sit together. House Seats: If you are only reserving house seats for one or two performances, please use the web form. In the "Special Requests" section, please let me know that these are house seats, and please book under your name. If you would like to reserve house seats for several or all performances, I won't make you fill out 8 forms. Please send me an email (mtg-tickets@mit.edu) letting me know which nights you will need a seat. Please do not try to book comps or house seats from the box office the night of the performance. I reserve the right to turn you down if there is a long line. Also, keep in mind that for reserved-out performances I will release seats in the house row to paying customers. If you don't get them reserved in advance, you could find yourself standing in the back. Group Rates: We are offering a $1 discount for groups of 10 or more. If you have a group of friends from your dorm/frat/lab/job/etc that you can talk into attending all at the same performance, that would be great. I would appreciate it if you could reserve a block of seats for your group, and then have your friends ask for the "ZBT tickets" or the "3rd East tickets" at the box. This way I can keep you all together, and I'll know to give them the discount. If for whatever reason that isn't possible, then I have two requests: 1) let me know that you have a group coming, the name, and the approximate # of people; 2) make sure your group members put "with the xxx group" in the "Special Requests" section of their reservation form. That way I can keep you together (hopefully). Please do not ask us to shuffle tickets at the box to find room for just one more person, or to move some people next to your group -- if we have a line, I will have to refuse. Finally, a note about timing. The box office will open one hour prior to each performance. It probably won't be very busy for a while, so if you need anything that's a good time to find me. For reserved out performances (of which I hope we have many), we will release reservations at 7:50pm SHARP. We have to do this to get everyone in the theatre in time. If you have friends coming to the show, you might ask them to make sure to arrive no later than 7:45 or so. If you have questions, comments, requests, etc. please email me either at mtg-tickets@mit.edu, or direct at mlbt@alum.mit.edu. Thanks! 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//////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////// ////////AQD+/wMKAAD/////BgkCAAAAAADAAAAAAAAARhgAAABNaWNyb3NvZnQgV29yZCBEb2N1 bWVudAAKAAAATVNXb3JkRG9jABAAAABXb3JkLkRvY3VtZW50LjgA9DmycQAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAA= --0__=0ABBE626DFC089C78f9e8a93df938690918c0ABBE626DFC089C7--  1, forwarded,, Summary-line: 22-Jan dennisj@ct.charter.com [17] #new email address X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h0MK6enb013978; Wed, 22 Jan 2003 15:06:42 -0500 (EST) Received: from Server-0-4.wg-itv.ct.charter.com (tics1.ct.chartercom.com [24.151.8.172] (may be forged)) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA18339 for ; Wed, 22 Jan 2003 15:03:03 -0500 (EST) From: dennisj@ct.charter.com Received: from Server-0-2.wg-itv.ct.charter.com (Server-0-2.wg-itv.ct.charter.com [172.31.0.2]) by Server-0-4.wg-itv.ct.charter.com (Postfix) with ESMTP id 1BB643269A; Wed, 22 Jan 2003 15:03:03 -0500 (EST) Received: by Server-0-2.wg-itv.ct.charter.com (Postfix, from userid 65534) id 7B00632623; Wed, 22 Jan 2003 15:03:02 -0500 (EST) Subject: new email address To: "Fred Alkire" , "Jan & Fred Alkire" , "Marcia Ciaramaglia" , "Cheryl Fuller" , "Jackie Hursky" , "David Jedlinsky" Reply-To: dennisj@ct.charter.com Organization: WorldGate Communications Message-Id: <20030122200302.7B00632623@Server-0-2.wg-itv.ct.charter.com> Date: Wed, 22 Jan 2003 15:03:02 -0500 (EST) X-Spam-Flag: NO X-Spam-Score: 3.2, Required 7.5 X-Spam-Level: *** (3.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** From: dennisj@ct.charter.com Subject: new email address To: "Fred Alkire" , "Jan & Fred Alkire" , "Marcia Ciaramaglia" , "Cheryl Fuller" , "Jackie Hursky" , "David Jedlinsky" Reply-To: dennisj@ct.charter.com Organization: WorldGate Communications Date: Wed, 22 Jan 2003 15:03:02 -0500 (EST) X-Spam-Flag: NO X-Spam-Score: 3.2, Required 7.5 X-Spam-Level: *** (3.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am now at: dennisj@ct.charter.com  1, answered,, Summary-line: 22-Jan nbozard@MIT.EDU [31] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h0MM25nb018338; Wed, 22 Jan 2003 17:02:05 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id QAA21373 for ; Wed, 22 Jan 2003 16:59:32 -0500 (EST) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA25283 for ; Wed, 22 Jan 2003 16:54:41 -0500 (EST) Received: from localhost (nbozard@localhost) by mormal.mit.edu (8.9.3) with ESMTP id QAA16695; Wed, 22 Jan 2003 16:54:41 -0500 Date: Wed, 22 Jan 2003 16:54:41 -0500 (EST) From: Nick Bozard To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200301202031.PAA29876@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Flag: NO X-Spam-Score: -2.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Wed, 22 Jan 2003 16:54:41 -0500 (EST) From: Nick Bozard To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200301202031.PAA29876@multics.mit.edu> X-Spam-Flag: NO X-Spam-Score: -2.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) VHS: 21 DVD: 24 There are couple of people on the old reservation I still need to confirm no longer want videos, but the above numbers are a fine starting point. Nick On Mon, 20 Jan 2003, David C. Jedlinsky wrote: > > Hi Nick. > > Do you have a revised count of DVDs and VHS tapes for Grand Duke? > > Thanks. > > -Dave >  1, forwarded,, Summary-line: 23-Jan mlpeters@sdg.com [20] #Phoenix article X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0NE9tng028815; Thu, 23 Jan 2003 09:09:57 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0NE9sYK028801 for ; Thu, 23 Jan 2003 09:09:54 -0500 (EST) Received: from cable-car.sdg.com ([209.0.77.40]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA08835 for ; Thu, 23 Jan 2003 09:09:47 -0500 (EST) From: mlpeters@sdg.com Received: from maple.sdg.com ([192.168.102.31]) by cable-car.sdg.com (Lotus Domino Release 5.0.9a) with ESMTP id 2003012306094668:42264 ; Thu, 23 Jan 2003 06:09:46 -0800 Subject: Phoenix article To: star-wars@MIT.EDU X-Mailer: Lotus Notes Release 5.0.9a January 7, 2002 Message-ID: Date: Thu, 23 Jan 2003 09:09:44 -0500 MIME-Version: 1.0 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/23/2003 09:09:46 AM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/23/2003 06:09:46 AM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/23/2003 06:09:48 AM, Serialize complete at 01/23/2003 06:09:48 AM Content-type: text/plain; charset=us-ascii X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** From: mlpeters@sdg.com Subject: Phoenix article To: star-wars@MIT.EDU Date: Thu, 23 Jan 2003 09:09:44 -0500 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/23/2003 09:09:46 AM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/23/2003 06:09:46 AM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/23/2003 06:09:48 AM, Serialize complete at 01/23/2003 06:09:48 AM X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) http://www.bostonphoenix.com/boston/events/state/documents/02666920.asp  1,, Summary-line: 23-Jan Butagirl@aol.com [72] #Little List X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h0NK5nnb018870; Thu, 23 Jan 2003 15:05:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id PAA29408 for ; Thu, 23 Jan 2003 15:05:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0NK5JYt015979; Thu, 23 Jan 2003 15:05:19 -0500 (EST) Date: Thu, 23 Jan 2003 15:05:19 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Little List MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Flag: NO X-Spam-Score: 1.4, Required 7.5 X-Spam-Level: * (1.4) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Thu, 23 Jan 2003 15:05:19 -0500 (EST) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Little List X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.4, Required 7.5 X-Spam-Level: * (1.4) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wrote a new version of the Little List song for our production of Mikado in a couple of weeks. It turns out than very little of it is going to be used, so I thought I might as well share it with you. Many of the references are "particularly English", but I'm sure there are a few that will be familiar to those in other locations. If anyone wants any particular references explained, then I'd be glad to do so. Sharon Brindle "Though I am butagirl@aol.com" As someday it may happen that a victim must be found, I've got a little list - I've got a little list! Of society offenders who might well be underground, And who never would be missed - who never would be missed! There's the politician's wife who buys up flats with shady men, The Scandinavian weathergirl who had a fling with Sven, The butler charged with pilfering who thought himself a rock, The doggy-loving royal who was called up to the dock, And got away with nothing but a slap upon the wrist! I'm sure she'll not be missed - She'll surely not be missed! CHORUS. He's got 'em on the list--he's got 'em on the list; And they'll none of 'em be missed--they'll none of 'em be missed. There's the tea-boy at the theatre who was treated like a king, The jailbird novelist - I've got him on the list! The talent shows for people who can barely even sing, The Popstars finalist - I've got her on the list! There's the Bargain-Hunting auctioneer who bellows "Cheap as Chips!", All girls who take their buttock-fat and pump it in their lips, The superpower who bombs the folk he happens not to like - (We'd call upon the Fire Brigade, but they've all gone on strike) And the saboteur of catwalk shows - the PETA activist! She never will desist, so I've put her on the list! CHORUS. He's got her on the list--he's got her on the list; And I don't think she'll be missed--I'm sure she'll not be missed! Mancunians who pick a fight and get one in the teeth, The popstar pugilist - I've got him on the list! Those girls who wear externally what should be underneath, The exhibitionist - I've got her on the list! There's the teenage girl soprano who throws tantrums like a brat, Obese kids bringing lawsuits 'cause MacDonalds made them fat, And what-d'ye-call-him, what's-his-name, and Dubya - you know who - The task of filling up the blanks I'd rather leave to you, But it really doesn't matter whom you put upon the list, For they'd none of 'em be missed - they'd none of 'em be missed! CHORUS. You may put 'em on the list--you may put 'em on the list; And they'll none of 'em be missed--they'll none of 'em be missed!  1,, Summary-line: 24-Jan dcltdw@MIT.EDU [31] #got jobs? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0OHeeni002849; Fri, 24 Jan 2003 12:40:57 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0OHeZjf002012 for ; Fri, 24 Jan 2003 12:40:35 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id MAA26474 for ; Fri, 24 Jan 2003 12:40:34 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id MAA13898 for ; Fri, 24 Jan 2003 12:40:33 -0500 (EST) Received: (from dcltdw@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id MAA21673; Fri, 24 Jan 2003 12:40:33 -0500 (EST) Message-Id: <200301241740.MAA21673@scrubbing-bubbles.mit.edu> To: dinner@MIT.EDU Subject: got jobs? Date: Fri, 24 Jan 2003 12:40:33 -0500 From: David C Leung X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** To: dinner@MIT.EDU Subject: got jobs? Date: Fri, 24 Jan 2003 12:40:33 -0500 From: David C Leung X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Now that it isn't the depths of Nov and Dec when most companies go into hibernation, I figure I'll ping around here. I'm still unemployed (since October, yay), and my main problem right now is that it seems that everyone I know is also unemployed -- hence networking has come to a complete and utter halt. So if you have leads for me, please let me know. Not quite at the "will work for food" stage, but well, money = carrots, and Iris and Emil go through a lot. :) My resume is at http://www.mit.edu/~dcltdw/resume.html if you're curious. I'm basically an application developer with a preference for perl (java, C, C++ are OK) on unix (because Windows gives me high blood pressure). Have car, yes on commutes, no on relocates. No on commuting to Honolulu, though. Although it -is- tempting. ;) thanks in advance, dave Being unemployed is great -- for about 3 weeks. :)  1,, Summary-line: 24-Jan robertray@labyrinth.net.a [57] #DOC Mikado on DVD X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h0OLIZnb018938; Fri, 24 Jan 2003 16:18:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA27750 for ; Fri, 24 Jan 2003 16:18:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0OLHhYt021937; Fri, 24 Jan 2003 16:17:43 -0500 (EST) Date: Fri, 24 Jan 2003 16:17:43 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: DOC Mikado on DVD Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Fri, 24 Jan 2003 16:17:43 -0500 (EST) Reply-To: robertray@labyrinth.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Robert Ray To: Multiple recipients of list SAVOYNET Subject: DOC Mikado on DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I don't think it's been mentioned on this forum but the 1966 DOC Mikado has just been issued on DVD in Region 2 (UK). It arrived yesterday here in Melbourne from Amazon.co.uk. I have to say it is a disappointing transfer. It looks like a straight copy from a VHS tape - but probably isn't. There seems to have been no attempt to restore the master, and the whole thing looks quite deteriorated, and full of artefacts. The ABC have recently issued the Australian Ballet film of Don Quixote from the 1970's and they detail a lot of restoration which had to be done. Apparently, it was saved in the nick of time, just like the masters of "My Fair Lady". That hasn't happened here. It is comforting that as it is now on DVD some sort of permanence (100 years they say) has been assured. However, if this vital part of the DOC history is not restored and better preserved then we shall all be the sorrier. The box contains no information as to the aspect ratio or to the sound. It appears to be about 1.77:1 but is not enhanced for 16:9 widescreen TV's. The sound, although coming from 2 channels sounds mono to me. That's all the down sides. The up sides is that it is good to see it again in widescreen without the clipping required for 4:3 transfers. One gets the whole picture. It's faults as a record of the DOC have been well documented, however I feel it stands head and shoulders above the competition on DVD: The 1939 film, the Australian Opera and the Stratford (gasp) versions. It is a dream cast in many respects: Adams, Masterson, Potter, Reed, Sanford and the delectable Peggy Ann Jones - who could wish for more? Thomas Lawler, Christene Palmer and Pauline Wales are also terrific. The main fault is in the direction and concept. It is neither fish nor foul. It is neither live performance (like the AO or Canadian ones) or re-thought for film (like the 1939). It would have been better had the performers been allowed to do exactly what they did on stage, and with a live audience. There are some phoney contrivances (like Pooh Bah talking to Pish Tush) just for the camera. However, dear John appears to be the least constrained by the medium. His performance is a comic delight. Worth supporting and worth getting, despite the negatives. PS A note: We in Australia are very fortunate in that all our newer TV's play both NTSC and PAL medium as a matter of course, as does all our VCR's and DVD players. The region issue in DVD is easily overcome, and besides many DVD players play all regions even though they say they don't. --  1,, Summary-line: 26-Jan bj.richards@btinternet.co [40] #Re: Riverboats X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h0QBwbnb021090; Sun, 26 Jan 2003 06:58:37 -0500 (EST) Received: from rhenium.btinternet.com (rhenium.btinternet.com [194.73.73.93]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA24698 for ; Sun, 26 Jan 2003 06:58:37 -0500 (EST) Received: from host213-1-99-208.in-addr.btopenworld.com ([213.1.99.208] helo=HP763ADV) by rhenium.btinternet.com with smtp (Exim 3.22 #16) id 18clQp-0001P5-00 for opus@MIT.EDU; Sun, 26 Jan 2003 11:58:35 +0000 Message-ID: <000401c2c532$4018f7d0$d06301d5@HP763ADV> From: "Bob & Jackie" To: "David C. Jedlinsky" References: <200301241537.KAA03341@multics.mit.edu> Subject: Re: Riverboats Date: Sun, 26 Jan 2003 11:57:57 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** From: "Bob & Jackie" To: "David C. Jedlinsky" Subject: Re: Riverboats Date: Sun, 26 Jan 2003 11:57:57 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > Hi Bob. > > I thought you might be interested in this article. Very much so - the trips look great & I've requested a brochure from them. I fear that trips to the States this year will be put on hold, we managed to overindulge ourselves last year and we need to replenish our coffers - not that we begrudge a penny, they were wonderful trips. We're planning a trip at the end of May however. We're travelling to Ely which is near Cambridge for the Sullivan Society weekend (17/18May) and as Ely is near Stanstead Airport which has airlines that run very cheap flights to Europe we intend to spend a few days in Venice(or Rome or Stockholm) midweek before making it back to CONCEQWERT II in Gedney. Ely, Stanstead & Gedney are all in the same area so the task should be easy. We'll then behave ourselves learning Utopia before our trip to Buxton which this year will be for 2 weeks, we'll stay on for the rest of the week following the SavoyNet show. Hope that you and Ruth are both well and had a good Christmas break - all my family, Polly, Tam & Tilly, Tam's brother Mark, and an extra bonus, a very happy & relaxed Hannah, spent a few days with us - great fun. XXXXX Bob & Jackie  1,, Summary-line: 27-Jan glasser@MIT.EDU [20] #my cell number X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0R58onc004251; Mon, 27 Jan 2003 00:08:50 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0R58nFe004226 for ; Mon, 27 Jan 2003 00:08:49 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA27394 for ; Mon, 27 Jan 2003 00:08:43 -0500 (EST) Received: from happiness-hotel.mit.edu (HAPPINESS-HOTEL.MIT.EDU [18.214.0.52]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id AAA08789 for ; Mon, 27 Jan 2003 00:08:43 -0500 (EST) Received: (from glasser@localhost) by happiness-hotel.mit.edu (8.9.3) id AAA08200; Mon, 27 Jan 2003 00:08:42 -0500 Message-Id: <200301270508.AAA08200@happiness-hotel.mit.edu> To: sw-cast@MIT.EDU Subject: my cell number From: David Glasser Reply-To: David Glasser Date: Mon, 27 Jan 2003 00:08:42 -0500 Sender: glasser@MIT.EDU X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** To: sw-cast@MIT.EDU Subject: my cell number From: David Glasser Reply-To: David Glasser Date: Mon, 27 Jan 2003 00:08:42 -0500 Sender: glasser@MIT.EDU X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In case you need to reach me at any time this week, my cell number is 610-283-1196. (The full contact list for the show is at http://web.mit.edu/jhead/www/starwars/.) --dave -- David Glasser glasser@mit.edu | me@davidglasser.net  1, answered,, Summary-line: 27-Jan xiphmont@xiph.org [24] #Sing-through tracks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0RMGwnc003237; Mon, 27 Jan 2003 17:16:59 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0RMGuZ7003193 for ; Mon, 27 Jan 2003 17:16:56 -0500 (EST) Received: from lips.xiph.org (h004005a8a3c2.ne.client2.attbi.com [24.61.15.239]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA02220; Mon, 27 Jan 2003 17:16:44 -0500 (EST) Received: by lips.xiph.org (Postfix, from userid 1000) id 4BBF4DC0BB; Mon, 27 Jan 2003 17:16:35 -0500 (EST) Date: Mon, 27 Jan 2003 17:16:35 -0500 To: star-wars@MIT.EDU, sw-prod@MIT.EDU Subject: Sing-through tracks Message-ID: <20030127221635.GC1742@lips.xiph.org> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline User-Agent: Mutt/1.4i From: xiphmont@xiph.org (Monty) X-Spam-Flag: NO X-Spam-Score: -0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Mon, 27 Jan 2003 17:16:35 -0500 To: star-wars@MIT.EDU, sw-prod@MIT.EDU Subject: Sing-through tracks Content-Disposition: inline From: xiphmont@xiph.org (Monty) X-Spam-Flag: NO X-Spam-Score: -0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Postprod from last night's sing-through is done. I'm bringing CDs for Steve and uploading 64kbps-ish Oggs for folks to download and listen to. As a note, the recordings from this show are not for worldwide consumption. We're not sure what the exact legal status of the recordings are (it's OK to have them within the group), so this is at the moment strictly for cast and crew consumption. Consider it feedback from the first practice run. Or something. Files are at: http://www.xiph.org/82767362920/ The upload is still in progress, it should be done within the hour. Monty  1, answered, forwarded,, Summary-line: 28-Jan savoyard1@yahoo.com [41] #This is our joy-day unalloyed! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h0T44jnL023691; Tue, 28 Jan 2003 23:04:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA29951 for ; Tue, 28 Jan 2003 23:04:42 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0T44AYt016209; Tue, 28 Jan 2003 23:04:10 -0500 (EST) Date: Tue, 28 Jan 2003 23:04:10 -0500 (EST) Message-Id: <20030129035305.80840.qmail@web13403.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: This is our joy-day unalloyed! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.9, Required 7.5 X-Spam-Level: * (1.9) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Tue, 28 Jan 2003 23:04:10 -0500 (EST) Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: This is our joy-day unalloyed! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.9, Required 7.5 X-Spam-Level: * (1.9) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Robin and I take great pleasure in announcing the birth of Hannah Miriam Garvin at 4:05 A.M. today. 6 lbs., 11 oz., 19 inches. We're well-nigh mad with joy! Now off to bed -- mother and daughter are doing very nicely indeed, but father is a wreck. Yours in haste (or before he falls asleep at the keyboard), Larry P.S. Hannah Miriam narrowly beat out Iolanthe Patience and Salata Melene. I assume the tyke's favorite show will be Ruddigore, though her first will, of course, be Utopia -- and if you want to meet her, might I suggest a visit to Buxton, ideally as part of the SavoyNet chorus? ===== Larry Garvin Tallahassee, FL "Whether you're an honest man or whether you're a thief Depends on whose solicitor has given me my brief!" -- W.S. Gilbert, Utopia, Ltd. __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 29-Jan mlpeters@sdg.com [23] #Cambridge Chronicle article X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h0TNECDE006684; Wed, 29 Jan 2003 18:14:13 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h0TNECVc006682 for ; Wed, 29 Jan 2003 18:14:12 -0500 (EST) Received: from cable-car.sdg.com ([209.0.77.40]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id SAA29767 for ; Wed, 29 Jan 2003 18:14:02 -0500 (EST) From: mlpeters@sdg.com Received: from maple.sdg.com ([192.168.102.31]) by cable-car.sdg.com (Lotus Domino Release 5.0.9a) with ESMTP id 2003012915140097:46992 ; Wed, 29 Jan 2003 15:14:00 -0800 Subject: Cambridge Chronicle article To: star-wars@MIT.EDU X-Mailer: Lotus Notes Release 5.0.9a January 7, 2002 Message-ID: Date: Wed, 29 Jan 2003 18:10:56 -0500 MIME-Version: 1.0 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/29/2003 06:14:00 PM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/29/2003 03:14:01 PM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/29/2003 03:14:03 PM, Serialize complete at 01/29/2003 03:14:03 PM Content-type: text/plain; charset=us-ascii X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** From: mlpeters@sdg.com Subject: Cambridge Chronicle article To: star-wars@MIT.EDU Date: Wed, 29 Jan 2003 18:10:56 -0500 X-MIMETrack: Serialize by Router on maple/boston/sdg(Release 5.0.10 |March 22, 2002) at 01/29/2003 06:14:00 PM, Itemize by SMTP Server on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/29/2003 03:14:01 PM, Serialize by Router on Hub02/menlo/sdg(Release 5.0.9a |January 7, 2002) at 01/29/2003 03:14:03 PM, Serialize complete at 01/29/2003 03:14:03 PM X-Spam-Flag: NO X-Spam-Score: 2.1, Required 7.5 X-Spam-Level: ** (2.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) http://www.townonline.com/arts_lifestyle/arts_lifestyle/art_feaastarmusicaljwasdoc01292003.htm Mary Linton Peters SDG mlpeters@sdg.com  1,, Summary-line: 30-Jan SSilvers@sskfny.com [32] #Re: The 3rd Great G&S Sing-Out coming in August! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h0UF78DD024197; Thu, 30 Jan 2003 10:07:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA29528 for ; Thu, 30 Jan 2003 10:05:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0UF51Yt001932; Thu, 30 Jan 2003 10:05:01 -0500 (EST) Date: Thu, 30 Jan 2003 10:05:01 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: The 3rd Great G&S Sing-Out coming in August! Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Flag: NO X-Spam-Score: -0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Thu, 30 Jan 2003 10:05:01 -0500 (EST) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Re: The 3rd Great G&S Sing-Out coming in August! Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: -0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>> "Maureen Roult" wrote: ..VLOC will be presenting its 3rd Great G&S Sing-Out the weekend of Friday, August 29th, thru Sunday, August 31st, also at the Fitzgerald Theater. There's more information at http://vloc.org/G-SSingOut.html. I looked at the website, and it has a registration form. You can already request specific roles. Maureen continued: For those who may be attending from out of town, bear in mind that this is a holiday weekend (Labor Day is that Monday), so you may want to book your accommodations sooner rather than later. I hope the organizers will contact some conveniently located hotels so that we can all stay near each other.... Sam Silvers  1, answered,, Summary-line: 31-Jan oldadam@ntlworld.com [62] #"An island fair, that lies in a Southern Sea" - 2 X-Coding-System: undecided-unix Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h0V7XuDB010376; Fri, 31 Jan 2003 02:33:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id CAA26280 for ; Fri, 31 Jan 2003 02:33:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h0V7XkYt000376; Fri, 31 Jan 2003 02:33:46 -0500 (EST) Date: Fri, 31 Jan 2003 02:33:46 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: oldadam@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stephen F. Hill" To: Multiple recipients of list SAVOYNET Subject: "An island fair, that lies in a Southern Sea" - 2 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: -1.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Fri, 31 Jan 2003 02:33:46 -0500 (EST) Reply-To: oldadam@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Stephen F. Hill" To: Multiple recipients of list SAVOYNET Subject: "An island fair, that lies in a Southern Sea" - 2 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: -1.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, I'm not long returned from Expedition cruising in Antarctica, the realisation of a long held dream. A few days into the voyage, I came up on deck proudly wearing my S'net "Bringing Gilbert and Sullivan Into the 21st Century" sweatshirt. A fellow passenger spied it and sang out "My Gallant Crew, Good Morning!" across the observation deck. Well, what does one do on hearing those words but to reply promptly "Sir, Good Morning!" and so we went on to sing the Captain's song from "Pinafore" whilst in the vicinity of Deception Island at latitude 63 degrees South. We went on to duet "We sail the ocean blue" for good measure, so that GnS was well and truly aired in the Southern Sea! My new Savoyard friend had not encountered SavoyNet before, but had taken many lead roles in Savoy Operas performed by his local group - the Unitarian Drama of Rochester, New York. There were some thoughts of singing some more Sullivan from the furthest-south reached on our journey (Detaille Island, south of the Antarctic Circle at 66.6 degrees south), but the beauty and splendour of the area dispelled it from our minds. I'm not sure that we can claim the furthest-south singing of GnS, with at least one Scientific Research base having a resident choir [the US "Scott McMurdo" base] it is feasible that something from one of our heroes may have been sung on the ice in the past. I am, however, going to lay tentative claim to the record for singing Gilbert at the furthest North _and_ South! Three years ago, on another expedition cruise, I sang the detective's song "When Information I Receive" from "A Sensation Novel" [the Gilbert & Nash arrangement :-) ] whilst sailing into Isfjord in Central Spitsbergen at 78 degrees North. This _may_ have had something to do with an impending production of the show at Buxton ....... Anyway, back to catching-up [and will shortly be dealing with additions to the Buxton99 list for the forthcoming S'Net Utopia Limited} Stephen PS In view of my experiences with singing Pinafore from the South, I was originally contemplating introducing this as my interests in the Polar Regions being my "Customary Latitudes"....... :-; -- ------------------------------------------------------------------------- Stephen F. Hill G6FPX oldadam@ntlworld.com Runcorn, Cheshire, UK "Ever ready for a knock-down blow": W.S. Gilbert -------------------------------------------------------------------------  1,, Summary-line: 3-Feb claire.little@iod.com [36] #Tower Records Closure Shock ! X-Coding-System: undecided-unix Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h13EJHDB011292; Mon, 3 Feb 2003 09:19:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA22782 for ; Mon, 3 Feb 2003 09:19:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h13EInYt003115; Mon, 3 Feb 2003 09:18:49 -0500 (EST) Date: Mon, 3 Feb 2003 09:18:49 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Claire Little To: Multiple recipients of list SAVOYNET Subject: Tower Records Closure Shock ! MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Flag: NO X-Spam-Score: 0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** Date: Mon, 3 Feb 2003 09:18:49 -0500 (EST) Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Claire Little To: Multiple recipients of list SAVOYNET Subject: Tower Records Closure Shock ! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This lunchtime I was in the classical dept of Tower Records' flagship store on Piccadilly Circus and picked up a leaflet which stated that the store is 'scheduled to cease trading in the near future' (no date given). Supermarket price wars and massive rent increases are cited among the reasons for the closure, and patrons are reminded that they have stores in Dublin, and throughout the world. The lease is being assigned to Virgin Retail, who, from my experience, consider a couple of shelves to be a well-stocked classical department ! Getting on-topic - the site of the Tower Records store, no 1 Piccadilly Circus, was for many years the home of Swan and Edgar, and also, in the 4 years I 've been visiting the store regularly, the classical department has been a good friend to our heroes. They've always had a good selection of CD's - DOC, Sergent and others, and for much of that time, have had the CDs all grouped together on a special display stand which was facing the door of the department. Claire Little, London, UK ************************* Are you getting eNews? Visit www.iod.com/signup and sign up for news and special offers by email..  1, answered,, Summary-line: 4-Feb to: vanessan@mit.edu, eas [121] #Re: Dance Troupe Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Feb 2003 17:05:17 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h14M5HcW023019; Tue, 4 Feb 2003 17:05:17 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA25424; Tue, 4 Feb 2003 17:00:23 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id QAA13327; Tue, 4 Feb 2003 16:55:27 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id QAA28206; Tue, 4 Feb 2003 16:55:27 -0500 (EST) Date: Tue, 4 Feb 2003 16:55:27 -0500 (EST) Message-Id: <200302042155.QAA28206@multics.mit.edu> From: "David C. Jedlinsky" To: vanessan@mit.edu, easmith@mit.edu In-reply-to: <5.0.2.1.2.20030123235859.00b468d0@hesiod> (message from vanessa nadal on Fri, 24 Jan 2003 00:17:09 -0500) Subject: Re: Dance Troupe Videos References: <5.0.2.1.2.20021207205223.00b3e078@hesiod> <5.0.2.1.2.20030123235859.00b468d0@hesiod> X-Spam-Flag: NO X-Spam-Score: -4.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Feb 2003 16:55:27 -0500 (EST) From: "David C. Jedlinsky" To: vanessan@mit.edu, easmith@mit.edu In-reply-to: <5.0.2.1.2.20030123235859.00b468d0@hesiod> (message from vanessa nadal on Fri, 24 Jan 2003 00:17:09 -0500) Subject: Re: Dance Troupe Videos X-Spam-Flag: NO X-Spam-Score: -4.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Vanessa. Sorry I've taken so long to get back to you. I've had a little bit of trouble getting the DVDs to work with both versions of the show. At long last, it works the way it should, and it will all fit on one DVD. So, I think this means you want 9 Edited VHS tapes, 8 Wide VHS tapes, and 48 DVDs, right? It takes a little while to duplicate that many DVDs since they go one at a time, but most (if not all) should be ready by Friday. I'll send you email Friday morning to make arrangements for delivery. Here's the cost breakdown: Setup/strike equipment: $ 25.00 Taping, three cameras: $130.00 Digital Video tapes: $220.00 Editing: $100.00 DVD Authoring: $ 25.00 ------- Subtotal $500.00 20% Educational discount -$100.00 ------- 17 VHS copies @ $6.00 $102.00 48 DVD copies @ $10.00 $480.00 ------- Total $982.00 Please have the check made out to "IPNH", thanks. -Dave >Date: Fri, 24 Jan 2003 00:17:09 -0500 >From: vanessa nadal > >Hi David, > >Hope you had a nice holiday season. > >I am writing to check up on the status of Dance Troupe's videos. Below I >have included the breakdown: > >VHS Ed: 9 >VHS Uned*: 9 >Total: 18 VHS, $108 > >DVD Ed: 37 >DVD Uned: 11 >Total: 48 DVD, $480 > >Total Orders: 66, $588 > >*For the videos, if both versions fit on the DVD, please make the Unedited >VHS count one less. > >We would like to be able to give out the videos and DVDs at our first >meeting, which will be February 7th. Since you said they should be ready >by the beginning of the semester, I hope this won't be a problem. Please >let me know what your schedule looks like as soon as possible. > >Additionally, could you please send me a breakdown of the exact costs >owed? I would appreciate if you could CC that information to our treasurer >as well: easmith@mit.edu. > >Thank you, > >Vanessa. > >At 02:29 AM 12/12/2002 -0500, you wrote: > >>Hi Vanessa. >> >>I won't know for sure until I've actually made the DVDs, but it looks >>very likely that both will fit on a single disk. You can send me the >>breakdown of orders anytime; I can always make more later if more are >>desired. >> >>I am working on all the videos I have to do as quickly as possible; >>everyone is understandably anxious to get their copies. The Dance >>Troupe ones should be ready no later than the start of next term, in >>February. I'll let you know if I can have them for you sooner. >> >>-Dave >> >> >> >Date: Sat, 07 Dec 2002 20:58:21 -0500 >> >From: vanessa nadal >> > >> >Hello, >> > >> >In reference to the Dance Troupe videos, I currently have a complete list >> >of orders. If possible, could you let me know before the holidays whether >> >or not you are able to fit both edited and unedited on one DVD? Also, when >> >do you need the break down of the orders? >> > >> >This may be presumptuous of me, but is there any way to speed up the >> >process? I know you said you have a lot of customers around this time >> >however the members of Dance Troupe are extremely anxious to get their >> >copies. >> > >> >Sincerely, >> > >> >Vanessa. >> > >> > > >  1,, Summary-line: 4-Feb mail@lsimons.plus.com [26] #"Sorcerer" vocal score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Feb 2003 20:48:34 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h151mXcW007855; Tue, 4 Feb 2003 20:48:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA04437 for ; Tue, 4 Feb 2003 20:48:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h151mBYt019923; Tue, 4 Feb 2003 20:48:11 -0500 (EST) Date: Tue, 4 Feb 2003 20:48:11 -0500 (EST) Message-Id: <006701c2ccb7$60a80220$ed9b2e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" vocal score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Feb 2003 20:48:11 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: "Sorcerer" vocal score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've finally (or Finale :o)) found the time to complete Act One of my "Sorcerer" vocal score project, which can be downloaded in PDF format from http://www.threelittlemaids.worldonline.co.uk/sorcerer Larry London, UK  1,, Summary-line: 4-Feb darkltr@ix.netcom.com [75] #Re: Lightsaber help X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Feb 2003 21:34:17 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h152YGcW000704; Tue, 4 Feb 2003 21:34:16 -0500 (EST) Received: from smtp10.atl.mindspring.net (smtp10.atl.mindspring.net [207.69.200.246]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA28966 for ; Tue, 4 Feb 2003 21:34:16 -0500 (EST) Received: from user-2ive2bk.dialup.mindspring.com ([165.247.9.116] helo=ix.netcom.com) by smtp10.atl.mindspring.net with esmtp (Exim 3.33 #1) id 18gFO9-0003X1-00 for opus@MIT.EDU; Tue, 04 Feb 2003 21:34:14 -0500 Message-ID: <3E40781C.95BAC571@ix.netcom.com> Date: Tue, 04 Feb 2003 21:34:04 -0500 From: Garrett K McCarthy X-Mailer: Mozilla 4.79 [en] (Windows NT 5.0; U) X-Accept-Language: en MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Lightsaber help References: <200301292106.QAA11772@multics.mit.edu> <3E385536.F128B752@ix.netcom.com> <200302031812.NAA29174@multics.mit.edu> <3E3F26FA.658B4E51@ix.netcom.com> <200302042202.RAA28424@multics.mit.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Spam-Flag: NO X-Spam-Score: -1.6, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 04 Feb 2003 21:34:04 -0500 From: Garrett K McCarthy X-Accept-Language: en To: "David C. Jedlinsky" Subject: Re: Lightsaber help X-Spam-Flag: NO X-Spam-Score: -1.6, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As far as I know the more wire you have on the driver the dimmer it will get. You'll need to upgrade to a larger driver to get brighter glow. Garrett "David C. Jedlinsky" wrote: > Yeah, the saber worked well enough. I couldn't get them to change the > lights, so I had to live with it. The sound effects helped cover the > light issue. Next time, I'm ordering 12' of glowire, and > spiral-wrapping it, though. That ought to be bright enough. I wonder > if there's a length limit of glowire for the driver? > > -Dave > > >Date: Mon, 03 Feb 2003 21:35:38 -0500 > >From: Garrett K McCarthy > > > >Sorry to hear you didn't get the sabre blade the way you wanted. You'll always > >have trouble with competing light sources. Maybe try back lighting it or > >something. Anything else I can do for you? > > > >Garrett > > > >"David C. Jedlinsky" wrote: > > > >> Hi Garrett. > >> > >> Time constraints prevented me from getting to Manchester for some > >> acrylic tubing. I ended up wrapping the glowire in a double-helix > >> around an acrylic venetian-blind rod, and placing the assembly inside > >> a polycarbonate tube meant to protect fluorescent lights. It works > >> well and is durable for combat, though the light output is not as high > >> as I'd like, given that we're on a stage with bright lights. > >> > >> -Dave > >> > >> >Date: Wed, 29 Jan 2003 17:27:02 -0500 > >> >From: Garrett K McCarthy > >> > > >> >Hey Dave good to here from you. I got mine from a plastic supply place > >> >in Manchester NH. Your best bet is to check your local yellow pages for > >> >plastic suppliers and ask if they carry clear acrylic tubes. Polycarb. is > >> >much more expensive. Good luck. Let me know if you need anything else. > >> > > >> >Garrett > >> > > >> >"David C. Jedlinsky" wrote: > >> > > >> >> Hi. > >> >> > >> >> This is David Jedlinsky; we spoke for a bit about the construction of > >> >> your lightsaber during the masquerade at Arisia. > >> >> > >> >> I've obtained some glowire and a driver, but for some reason am having > >> >> a lot of difficulty finding a clear tube to put it in. Where did you > >> >> get yours, and is it acrylic, polycarbonate, or something else? > >> >> > >> >> Thanks for your help. > >> >> > >> >> -Dave > >> > > >  1,, Summary-line: 5-Feb jcb@MIT.EDU [38] #Re: prospective project: resurrect manuscript X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Feb 2003 01:02:23 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h1562NcX010996; Wed, 5 Feb 2003 01:02:23 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h1562Nwp010993 for ; Wed, 5 Feb 2003 01:02:23 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id BAA15019; Wed, 5 Feb 2003 01:02:10 -0500 (EST) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id BAA28900; Wed, 5 Feb 2003 01:02:10 -0500 (EST) Received: (from jcb@localhost) by no-knife.mit.edu (8.9.3) id BAA15848; Wed, 5 Feb 2003 01:02:09 -0500 (EST) Date: Wed, 5 Feb 2003 01:02:09 -0500 (EST) Message-Id: <200302050602.BAA15848@no-knife.mit.edu> To: cfox@MIT.EDU CC: sipb-office@MIT.EDU In-reply-to: <200302050543.AAA14458@myxomycete.mit.edu> (message from Camilla R Fox on Wed, 05 Feb 2003 00:43:19 -0500) Subject: Re: prospective project: resurrect manuscript From: Jeff Bigler X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Zippy: NOW do I get to blow out the CANDLES?? References: <200302050543.AAA14458@myxomycete.mit.edu> X-Spam-Flag: NO X-Spam-Score: -4.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Feb 2003 01:02:09 -0500 (EST) To: cfox@MIT.EDU CC: sipb-office@MIT.EDU In-reply-to: <200302050543.AAA14458@myxomycete.mit.edu> (message from Camilla R Fox on Wed, 05 Feb 2003 00:43:19 -0500) Subject: Re: prospective project: resurrect manuscript From: Jeff Bigler X-Zippy: NOW do I get to blow out the CANDLES?? X-Spam-Flag: NO X-Spam-Score: -4.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Date: Wed, 05 Feb 2003 00:43:19 -0500 > From: Camilla R Fox > > This came up on class help, this evening; I'm tossing it out as an idea, > for someone who feels motivated. > > Apparently the program manuscript was useful to a number of people; > from it's man page, here's what it does: > > The manuscript program is designed for composers and stu- > dents of music who want to be able to produce their own > staff paper instead of having to use commercial paper. Its > advantages are convenience, versatility, and flexibility. Actually, staff paper is quite easy to generate in PostScript. I've done this at ~jcb/postscript/staffpaper.ps It's well-enough commented that even somebody who doesn't know PostScript should be able to change the size of the staves, the margins, how many staves are grouped together, and the paper size. Feel free to snarf a copy and put it somewhere useful. Jeff  1,, Summary-line: 5-Feb portnoy@portnoy.org [29] #ESB:ME Script X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Feb 2003 13:20:19 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from po9.mit.edu by po9.mit.edu (8.12.4/4.7) id h15IKI1l011172; Wed, 5 Feb 2003 13:20:18 -0500 (EST) Received: (from mdefang@localhost) by po9.mit.edu (8.12.4/8.12.4/Submit) id h15IKHaO011143 for ; Wed, 5 Feb 2003 13:20:17 -0500 (EST) Received: from circe.portnoy.org (h00608c34f14d.ne.client2.attbi.com [24.61.28.64]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA03558 for ; Wed, 5 Feb 2003 13:15:00 -0500 (EST) Received: by circe.portnoy.org (Postfix, from userid 6762) id 8B938C06B; Wed, 5 Feb 2003 13:14:59 -0500 (EST) To: star-wars Subject: ESB:ME Script From: Stephen Peters Date: 05 Feb 2003 13:14:59 -0500 Message-ID: Lines: 19 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Flag: NO X-Spam-Score: -1.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: star-wars Subject: ESB:ME Script From: Stephen Peters Date: 05 Feb 2003 13:14:59 -0500 X-Spam-Flag: NO X-Spam-Score: -1.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So, Rogue sent me the script outline for Act V, since people were asking for it. I've posted it online in case people want to peruse how the songs go. So, here it is. More Imperial Conference-like bits, the return of the Oompa-Loompa song, a few more Music of the Knight bits, some Miss Saigon, and a very frightening introduction of Yoda, "Master of the Force". And, because Rogue hates me, the end is effectively "One Day More", with bits by Gilbert & Sullivan and Meredith Willson as counterpoint. Bad Rogue! Bad! Bad! http://www.portnoy.org/MTG/starwars/ActV.html -- Stephen L. Peters portnoy@portnoy.org GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 9268 5BB6 4BBE "Poodle: The other white meat." -- Sherman, Sherman's Lagoon  1,, Summary-line: 5-Feb oakapple@cris.com [266] #Review: OUP RUDDIGORE X-Coding-System: raw-text-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Feb 2003 20:00:31 -0500 X-Sieve: CMU Sieve 2.2 Return-Path: Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1610U1k019788; Wed, 5 Feb 2003 20:00:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id UAA14046 for ; Wed, 5 Feb 2003 20:00:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h16108Yt015642; Wed, 5 Feb 2003 20:00:08 -0500 (EST) Date: Wed, 5 Feb 2003 20:00:08 -0500 (EST) Message-Id: <3E41AE6C.4040007@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: OUP RUDDIGORE MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Feb 2003 20:00:08 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Review: OUP RUDDIGORE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ruddigore (full score) Edited by David Russell Hulme Foreword by Sir Charles Mackerras London: Oxford University Press, 2000 xlviii + 299 pages Ruddigore (vocal score) Edited by David Russell Hulme London: Oxford University Press, 2000 iv + 171 pages The Oxford University Press edition of Ruddigore is already over two years old, and I've been meaning to write a proper review of it for quite a while. I suppose at this late date it comes under the head of "old news," but I thought I'd put in my oar anyway. The OUP RUDDIGORE, edited by David Russell Hulme, is a scholarly edition, resembling in its approach the Broude Brothers TRIAL and R. Clyde COX AND BOX more closely than it does the Dover PINAFORE, PIRATES, or MIKADO. Like all of these editions, band parts and a companion vocal score are available. (Like Dover, OUP offers its band parts for rental only; Broude, by comparison, offers its band parts for sale only.) When I purchased them in 2000, the full score cost £95.00, and the vocal score £10.95. Those who have grown accustomed to Dover's cheap full scores may bristle at OUP's price, but it is far less than Broude, and comparable to full scores from just about anyone but Dover. For your money, you're getting a lot more. The price of the vocal score is competitive with those from other publishers. OUP does not include any critical commentary or footnotes in its vocal score. My review is chiefly of the full score, though the discussion of textual decisions by the editor of course applies to both volumes. RUDDIGORE, as most readers here probably know, is usually heard today in a heavily edited version that the D'Oyly Carte musical staff prepared when the opera was first revived in the 1920s. The OUP edition reverts back to the opera as Gilbert and Sullivan wrote it. There has been some debate here in the past over whether the scholarly editions actually make enough practical difference to justify their cost, but even casual fans are likely to notice the difference in a production of RUDDIGORE prepared from the OUP score. (Because of the significant differences between OUP and other sources, there will be problems if the cast/orchestra within the same production mix and match OUP materials with parts/scores from other sources, such as Kalmus, Chappell, Schirmer, or the D'Oyly Carte rental library. I'm not saying it can't be done, but the MD will be signing up for extra work.) As with the other new scores that have appeared in recent years, the OUP RUDDIGORE is attractively typeset, in modern notation. Unlike Dover, OUP leaves transposing instruments in their original keys. Like Dover, OUP prints vocal parts with beams, whereas Broude and R. Clyde have retained Sullivan's practice of leaving them unbeamed except for melismatic passages. One nice feature of the Dover editions is that they contain almost no repeats: multi-verse passages are nearly always written out, without using ||: :|| notation. OUP's RUDDIGORE uses repeats liberally, even for movements like Act I, No. 14 (“You understand? I think I do”) that are very confusing to the performer. The introductory material consists of: Preface (7 pgs); Sources (6 pgs); Editorial Method (5 pgs); Critical Commentary (22 pgs). There is less detail here than either R. Clyde or Broude gave us for their operas, but still enough to allow us to understand the sources Hulme relied on, how he interpreted them, and the variants among the sources. Ruddigore also has an enormous amount of material deleted during rehearsals, or within a week or two after the first night. There are, in all, six musical appendices: 1. The two-verse version of "I once was as meek" (Act II, No. 1) 2. The two-verse version of "In bygone days" (Act II, No. 3) 3. The March of the Ancestors (50 bars deleted from Act II, No. 4) 4. "By the curse upon our race" (another 21 bars deleted from Act II, No. 4) 5. "For thirty-five years I've been sober and wary" (the original Act II, No. 7) 6. The original conclusion to the Act II finale (a simpler version of "Prompted by a keen desire" followed by "For happy the lily") Unfortunately OUP hampered the performer by positioning the deleted passages in appendices, instead of presenting them as alternatives within the main text. In a production that restored all of the deleted sections, a pianist or conductor would need to jump between the front and back of the book eleven times. It is also quite unhelpful that, while the page number of each appendix is footnoted within the main text, the appendices do not state the page number of the corresponding passage they pertain to. Perhaps Hulme missed the irony when he wrote, in the preface, that the appendix material is "conveniently positioned in the orchestral parts to facilitate inclusion," the implication being that conductors, pianists and vocalists wouldn't also have benefited from the same convenience. Also unhelpfully, the measure numbers in each appendix restart at 1. This means that if a production is restoring the full ghost scene, bars 1–21 appear three times in Act II, No. 4. This would surely be confusing in rehearsal. The convention I've seen in other publications is to number alternative passages with decimal points; thus, the bars in Appendix 3 would be numbered 39.1 to 39.50, since there are 50 bars in the appendix, and it is positioned at bar 39 of the main movement. (In Hulme's and OUP's partial defense, it's only in Act II, No. 4 that the relegation of deleted passages to appendices presents a serious problem. The first two appendices are just repeats of material that is in the main text, and the fifth appendix presents the original movement in its entirety, including the recitative. And it is hard to imagine anyone wanting to restore the discarded Act II finale. Most of the problems could have been ameliorated by writing out the entire Act II, No. 4, in the Appendix, instead of just the deleted passages.) In the preface and commentary, I wished for the extended discussion of the work's genesis, performance, and critical reception that is found in the editions of Broude and R. Clyde. However, Hulme certainly has given us what he must, which is a thorough explanation of the text's history, the sources consulted, and the editorial method. His magisterial explication of the relationships between Sullivan's autograph, the vocal scores, libretti, and prompt books sets the standard by which all G&S editions should be measured. There some errors in the descriptions of sources. The title of Chatto and Windus' ORIGINAL PLAYS is given as COLLECTED PLAYS. The title of the G. Bell & Sons IOLANTHE AND OTHER OPERAS (which contained RUDDIGORE with Russell Flint illustrations) is given as COMIC OPERAS. Neither book ever appeared under the titles given by OUP. Hulme has also missed an important state of the Chappell libretto; he notes no re-issue by Chappell between 1887 and 1921, but a libretto in my collection which clearly pre-dates 1911 has several textual variants that Hulme missed. For instance, in the settled 1887 libretto (Lib3 in Hulme's parlance), Robin says to Richard, "It is such deeds as you have just described that cause our flag to be loved and dreaded throughout the civilized world." In the revised libretto that Hulme overlooked, Robin's observation is simplified to, "It is such deeds as yours...." (In a private e-mail, Hulme quite rightly observed, that as no such change was made in the prompt books, he probably would have elected to retain the Lib3 reading, even if he had been aware of a later libretto in Gilbert's lifetime that altered it. He conceded, however, that the later reading merited a note in the commentary.) The OUP edition does not note the American edition of the libretto that, with Gilbert's agreement, altered "Basingstoke"/"Birmingham" to "Buffalo"/"Baltimore". Hulme's RUDDIGORE is the first scholarly edition to recognize the import of the original prompt books. W. S. Gilbert directed all of his own plays, and adjustments to the text that he authorized during rehearsals were an integral part of the creative process. Because the printed libretti were edited rather carelessly, we're left with the prompt books as the best indication of his final intentions. The prompt books are particularly important for an opera like RUDDIGORE that D'Oyly Carte essentially gave up on until long after the author's death. The reliance on prompt books yields some unfamiliar readings. In Dame Hannah's Legend, Sir Rupert Murgatroyd "cruelly" (not "ruthlessly") employed in persecuting witches. Later in the same number, the torture grim "seized on each palsied limb," rather than "withered limb." In Rose's dialogue with Richard, after he points out his "narvousness," Rose exclaims "Poor fellow!" before consulting her etiquette book. In Act II, we're accustomed to hearing Robin say, "For a week I have fulfilled my accursed doom! I have duly committed a crime a-day! Not a great crime, I trust, but still, in the eyes of one as strictly regulated as I used to be, a crime." OUP comports with the prompt books, and has Robin ending the speech with, more simply: "Not a great crime, I trust, but still a crime." When Robin explains to Sir Roderic that he has disinherited his unborn son, Sir Roderic usually replies, "I see." In OUP, he says, "I see what you mean." After Sir Roderic orders the agonies to commence, Robin adds, "Don't tire yourself!" After the agonies have ceased, Robin adds, "Whew! Oh, dear!" These are just a few examples of textual changes imported from prompt books. Readers who take the trouble to read the commentary will also find many passages deleted during rehearsals, not all of which are noted in Bradley. For instance, when Robin tells Old Adam that his ancestors are "just gone," the dialogue originally would have continued: ROB. Gideon you have sworn to follow me? ADAM. To the grave, alas! ROB. Exactly. They say that the sort of crime I've committed won't do. I must do something desperate at once, or perish in horrible agonies. There's not a moment to spare if we are not both to die. ADAM. When I said 'the grave' it was a figure of speech--it meant 'a long way,' 'ever so far'--'a devil of a distance', and so forth. ROB. A contemptible evasion quite unworthy of you. [Then, "Go—go to yonder village," etc.] As I have noted, for Gilbert the roles of author and director were merged. At times, this dual role can create ambiguity whether a prompt book annotation is a permanent change to the text of the work, or a staging decision for-the-nonce. For instance, in Act II, the printed libretto assigned various lines to "1st Ghost," "2nd Ghost," and so forth. In the prompt book, the stage manager indicated speaking assignments by writing actors' names next to each line. The question the editor must ask is, "Was Gilbert assigning those lines to specific ghostly characters, or was he simply choosing the most suitable actor at the moment?" My own view is that the use of actors' names suggests that these were decisions of the director, rather than the author (notwithstanding that they were the same person). I therefore would have left the captions as printed in the libretto. Hulme takes the opposite view, and by cross-referencing the actors' names to the first-night program, allots each line to a named Murgatroyd. (I suppose it is not a coincidence that Sir Rupert is the only chorus ghost who speaks twice; both the first and last of the speeches are assigned to him.) The handling of stage directions presents another knotty problem. Hulme relies on the settled state of the libretto that was offered for sale during the original production. But RUDDIGORE's early libretti, like those of the other Savoy Operas, lacked several entrances and exits that were clearly required by the context, as well as having specificity in directions ("left," "right") that were later suppressed. Stage directions in subsequent printings filled in the gaps, and were also more general ("Exit Richard," rather than "Exit Richard, R."). It's not clear how closely Gilbert supervised later printings of his libretti, but such a comprehensive program of modifying the stage directions, undertaken across the entire canon as the libretti were re-issued, is unlikely to have taken place without the author's approval. I would therefore have respected Gilbert's wishes, and printed the later versions of the stage directions. For instance, later states of the libretto have Robin and Adam exiting before "From the briny sea," and re-entering after the hornpipe. Hulme follows the early libretti, which have no exit for Robin or Adam, and afterwards, "Exeunt Chorus, as Robin comes forward." Thus, there is no exit at all for Adam, and Robin is left onstage for about 10 minutes with nothing to do. (Compounding Hulme's error, the commentary neglects to mention the later version's existence.) Having now nit-picked, I must stress that Hulme and OUP have executed their core task admirably. Aside from a handful of minor typos, I found virtually no outright mistakes. Ruddigore, perhaps more than any G&S opera, needed a new edition that presents what the authors wrote, rather than the Geoffrey Toye/Harry Norris view of what they supposedly should have written. The OUP edition will serve the opera well for generations to come. Hulme's editing is an object lesson in scholarship from which all can learn. -- Marc Shepherd New York, NY  1,, Summary-line: 6-Feb Earthflash@webtv.net [160] #The Greek Slave -or- The Pirates of Parallax X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Feb 2003 21:45:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h172jMYu001828; Thu, 6 Feb 2003 21:45:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id VAA14864 for ; Thu, 6 Feb 2003 21:45:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h172iqYt012263; Thu, 6 Feb 2003 21:44:53 -0500 (EST) Date: Thu, 6 Feb 2003 21:44:52 -0500 (EST) Message-Id: <14842-3E43194D-2919@storefull-2135.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: The Greek Slave -or- The Pirates of Parallax Content-Disposition: Inline Content-Type: Text/Plain; Charset=ISO-8859-1 MIME-Version: 1.0 (WebTV) Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Michael Walters 's message of Thu, 6 Feb 2003 X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Feb 2003 21:44:52 -0500 (EST) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: The Greek Slave -or- The Pirates of Parallax Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Michael Walters 's message of Thu, 6 Feb 2003 X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mike wrote... ***"Greek Slave"?? That was never a Savoy opera.*** Au contraire, my friend, "The Greek Slave" was a late lost opera by G&S and I saw it by the DOC, myself. (Yes, I had a tape recorder on my lap.) I know it was a late opera because Gilbert mentioned Einstein in it. It was a *very* late opera. It was about the life of Aristarchus and another blatant jab at the Aristocracy. You see, in this spoof, all of Aristarcus' ideas actually come from his slave, Parallax. Some of the cast... King Gelon......................Darrell Fancourt Aristarcus...........................Martyn Green Aristarca, his daughter......Muriel Harding Pox, the dung cart boy....Leonard Osborn Parallax, the slave................Radley Flynn Lustamagna, the Priestess....Ella Halman Deus ex Machina..............Richard Walker Time: 200 BC Place: Samos, Greece As far as I can tell, Gilbert was fed up with hearing that his ending "Deus ex Machinas" were growing stale so he snapped his fingers in the faces of his critics by writing a libretto in which the Deus ex Machina, himself, would actually be a central character from the start. To make a long story short. the Greeks were at each other's throats over the design of the universe and Earth's place in it. Deus, at the end, stepped forth with the usual topsy-turvy solution. This twist was completely lost on everyone who wasn't an astrophysicist. Unfortunately, as everyone knows, astrophysicists don't like G&S. They only listen to Philip Glass. I'll type out the Deus ex Machina's Deus ex Machina that sealed the opera's fate... Deus: Four billion years ago The Earth was young and forming. As none of you could know It burned with global warming. Greeks: I feel confusion swarming. It suffered global warming? How could the Earth be forming Four billion years ago? Deus: You Greeks, when centuries past, Decreed this charming idyll: "The universe is vast And Earth is in the middle." Greeks: But that's not just an idyll! The Earth *is* in the middle. So drop this faddle-fiddle, "Four billion years ago." Deus: Copernicus will bar This theory and confound it. He'll say the sun's a star And Earth rotates around it. Greeks: How dare this man confound it? We'll take him head and pound it! No planet went around it, Four billion years ago! Deus: This theory's proven true In time, by Galileo. The church will share his view, Though hist'ry will not say so. Greeks: It's proved by Galileo? Oh, in Excelsis Deo! Why didn't Zeus just say so, Four billion years ago? Deus: When Einstein's turn is served With space and time, he'll fiddle. He'll prove that space is curved And Earth's back in the middle. Chorus: On time and space, we piddle. The Earth's back in the middle? The Cosmos was a riddle Four billion years ago! Deus: So, science takes both sides, Supporter and dissenter, Your point of view decides If Earth is in the Center! Greeks Each student and each mentor, Each layman and inventor, Can choose, himself, the center Four Billion years ago! --- Before the song was over, most of the audience was at the box office demanding their money back. And buying aspirin for intense head-aches. John S P.S. All in fun. P.P.S. Hey, it's the best I could do. You try rhyming astrophysics! (-8 Long Island, New york, U.S.A. http://community-2.webtv.net/Earthflash/SavoynetLinks/  1,, Summary-line: 7-Feb chris@sounds-on-cd.co.uk [98] #66 Mikado on DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Feb 2003 06:52:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h17Bqw3e012331; Fri, 7 Feb 2003 06:52:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id GAA03208 for ; Fri, 7 Feb 2003 06:52:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h17BqgYt017369; Fri, 7 Feb 2003 06:52:42 -0500 (EST) Date: Fri, 7 Feb 2003 06:52:42 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: 66 Mikado on DVD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Feb 2003 06:52:42 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: 66 Mikado on DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Further to Robert Ray's earlier comments about this release, here are some very quick notes from me about the DVD of the 66 DC Mikado film which arrived here this morning. The pitch IS the same as the video - ie. a semi-tone sharp. Unless I'm missing something this implies that it is taken from video and not direct from film however the picture is much clearer than the video, though the colours are far less vibrant. I did like the vibrancy of the video, but at times this seemed rather overblown as though it was only like this because the colour had been turned up for the video transfer. The DVD may well present the film in it's natural colour, but by comparison it seems bleached out. Unless I've got the setting wrong on my TV, I'd have to contradict Robert and say that there doesn't appear to be any more picture on the DVD than on the video, ie the side bits which are usually chopped off when widescreen is converted to TV size aren't reinstated. In fact a quick still on the same moment of both revealed that it is the DVD that is showing less picture. (I did a pause on Pitti-Sing in "Sit with downcast eye" and a piece of the set can be seen to the left on the video that is almost completely chopped off the DVD) The sound is a bit of a problem to analyse because my two early video copies both have the soundtrack on the linear mono track and so there is an amount of hiss, but even so the sound is very open and bright. However, although the DVD appears to do away with the hiss caused by the low quality of the linear track (which suggests that it's taken from a film print and not video unless later issues had the mono sound on the hi-fi tracks or some digital overprocessing has been carried out) it is dull and muffled suggesting that the correction to the hiss problem has been to turn the treble down, or dare I say that the DVD "does seem to take the 'top' off it, you know", and unfortunately it also has an amount of hum present which I cannot detect on the video. This could be because the linear track's hiss masks it but I don't think so. I don't mean this in any vain way, but the difference between the two soundtracks really is a great as the difference between a SOCD transfer of a 1950 Martyn Green recording and the SOCD transfer. The various clicks that were present in the soundtrack of the video still seem to be present on the DVD as do the little blips on the screen, though I haven't made a close study of whether these correspond exactly between the two versions. Curiously an instrumental part of the film (either the overture or the playout (which I think was just pinched from the overture anyway) is used over the DVDs menu board and this does not appear to be dulled down, but it does reveal some problems with distortion. Now interestingly, my first copy of this film suffered from distortion to the soundtrack which for many years I thought was just how the soundtrack was, but my second copy (which I think is actually an earlier print) doesn't, Hmm ... More, perhaps, when I've had a better chance to study it, but my first thoughts are that the presentation of the DVD (especially the biogs) has been done with a certain amount of loving care, suggesting that some assistance has been given from someone in the know. The DVD comes across to me from the presentation as though this isn't so much "The Mikado film that happens to have been made by the DCOC" but that it is "THE DCOC's film of The Mikado and we're proud of the fact". To be honest, although the DVD has more clarity and is less overblown in colour, when you compare the state of the two soundtracks I think I'd rather watch the video. However, for a few moments I did a neat trick and played both together watching the DVD picture to the video soundtrack and I was a lot, lot happier, but they do drift apart and need a quick pause adjustment to bring them back together. Although this suggests that they are not quite playing at the same speed, it is not a sufficient difference to make them sound as though there is a pitch difference. I must admit that I'd like to refer some of these points to BHE to find out just what was done in the transfer stages.. Regards Chris Chris Webster SOUNDS ON CD Croydon, UK. Customer Comments (Please DO check these out) - http://www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm Catalogue - http://www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm  1,, Summary-line: 7-Feb chris@sounds-on-cd.co.uk [40] #Correction and more RE: 66 Mikado on DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Feb 2003 07:42:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h17Cgg3e008233; Fri, 7 Feb 2003 07:42:42 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id HAA01986 for ; Fri, 7 Feb 2003 07:42:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h17CgQYt017910; Fri, 7 Feb 2003 07:42:26 -0500 (EST) Date: Fri, 7 Feb 2003 07:42:26 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Correction and more RE: 66 Mikado on DVD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Flag: NO X-Spam-Score: -0.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Feb 2003 07:42:26 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Correction and more RE: 66 Mikado on DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Flag: NO X-Spam-Score: -0.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wrote - > I don't mean this in any vain way, but the difference between the two > soundtracks really is a great as the difference between a SOCD > transfer of a 1950 Martyn Green recording and the SOCD transfer. This should read - "is as great as the difference between a SOCD transfer of a 1950 Martyn Green recording and the Pearl transfer." Further to what I previously wrote, I did a pause on the end credits as the chorus names appear. There is no doubt that the DVD is much clearer, but the picture on the left of the DVD starts virtually on the lettering whereas the video has more of the background border at the side before the lettering starts, so the DVD does show less picture than the video. Playing around near the end of the film caused me to also notice that the DVD print has lots of annoying blotches which are NOT evident on the video. A very noticeable green circle also appears in the top right corner of the DVD for a few seconds during the credits. This is not on the video. The DVD also omits the red "Warner" boards which are included on the video. Regards Chris  1,, Summary-line: 8-Feb dankravetz@yahoo.com [31] #Russian sighting! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 08 Feb 2003 02:26:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h187Q03e017570; Sat, 8 Feb 2003 02:26:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA12576 for ; Sat, 8 Feb 2003 02:25:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h187PiYt017102; Sat, 8 Feb 2003 02:25:44 -0500 (EST) Date: Sat, 8 Feb 2003 02:25:44 -0500 (EST) Message-Id: <20030208071244.48165.qmail@web12707.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Russian sighting! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.9, Required 7.5 X-Spam-Level: * (1.9) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 8 Feb 2003 02:25:44 -0500 (EST) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Russian sighting! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.9, Required 7.5 X-Spam-Level: * (1.9) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For reasons too complicated to explain, I found myself on a Russian web site with a number of photos, including one that would seem to be a scene from some production of THE PIRATES OF PENZANCE. I can't read the Russian text, but anyone who can should click on the following link and see what this is all about: http://www.maximum.perm.ru/new/newsimg/piraty.jpg Dan Kravetz Gilbert & Sullivan Society of New York __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com  1,, Summary-line: 9-Feb sir-despard@ruddigore.fre [110] #Re: This Parrot is Deceased! (Monty Python) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 09 Feb 2003 19:44:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1A0il3e005891; Sun, 9 Feb 2003 19:44:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA11184 for ; Sun, 9 Feb 2003 19:44:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1A0hFYt028031; Sun, 9 Feb 2003 19:43:16 -0500 (EST) Date: Sun, 9 Feb 2003 19:43:15 -0500 (EST) Message-Id: <000901c2d09c$72281420$7ed9883e@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: This Parrot is Deceased! (Monty Python) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-Spam-Flag: NO X-Spam-Score: 1.1, Required 7.5 X-Spam-Level: * (1.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 9 Feb 2003 19:43:15 -0500 (EST) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Re: This Parrot is Deceased! (Monty Python) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.1, Required 7.5 X-Spam-Level: * (1.1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) KING: When I came to your pet boutique Not half of one short hour ago, This pile of feathers, claws and beak You sold me, as you know; I quizzed you as to why no sound It makes, nor at its bird seed pecks; When I got home I duly found That this 'ere parrot's ex. SHOPKEEPER: This parrot's ex? KING: This parrot's ex, It's most assiduously ex! As sure as I'm a pirate rex, I know that this 'ere parrot's ex! BOTH: A parrot ex, a parrot ex, A most ingenuous parrot ex! Boo hoo! Boo hoo! Boo hoo! Boo hoo! A parrot ex! SHOPKEEPER: To rash conclusions, jump not to, Did e'er you see such plumage fine? This bird is a Norwegian Blue And for the fjords doth pine; Before you called, he squawked and screamed At pitch so high it broke my specs, Until at length, he felt so creamed, He swooned and hit the decks! KING: This parrot's ex! SHOPKEEPER: Dear Pirate Rex, It's far from being, as you say, ex! KING: Now listen, mush, in this you vex, I know that this 'ere parrot's ex! BOTH: A parrot ex, a parrot ex, A most ingenuous parrot ex! Boo hoo! Boo hoo! Boo hoo! Boo hoo! A parrot ex! KING: It held its perch, you scurvy cur, For reason sole: you'd nailed it there! SHOPKEEPER: I had to do that, noble sir, Or, VOOM! No parrot fair! KING: This bird would not go VOOM, I vow, If it met bird of female sex; And thou shalt meet thy Maker now For crime of parrot ex! SHOPKEEPER (aside): I've soil'd me kecks! (Aloud) I'd saves me necks, How 'bout a new pet in part-ex? KING: What have you got? SHOPKEEPER: Slug, brown, dark specks; KING: Does it talk? SHOPKEEPER: Yes! KING: Behold my cheques! BOTH A parrot ex, a parrot ex, Who needs this sorry parrot ex! This mollusc fine I shall/thou shalt make mine/thine, I/Thou Pirate Rex! Ha ha ha ha ha ha ha ha, No need for parrot ex! Ha ha ha ha ha ha ha ha, Farewell, adieu to parrot ex! Mike Nash "I'm only so-so"  1,, Summary-line: 10-Feb DailyFreePress@collegepub [38] #Lloyd-Webber + Wookies = Star Wars: Musical Edition X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 Feb 2003 14:24:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1AJNc3i001168; Mon, 10 Feb 2003 14:24:01 -0500 (EST) Received: from mail3.egrad.com (adsl-141-154-210-66.ba-dsg.net [141.154.210.66]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id OAA29833 for ; Mon, 10 Feb 2003 14:20:19 -0500 (EST) From: TheDailyFreePress@collegepublisher.com Message-Id: <200302101920.OAA29833@fort-point-station.mit.edu> Received: (qmail 31651 invoked from network); 10 Feb 2003 19:58:14 -0000 Received: from unknown (HELO mail3.egrad.com) (140.239.228.101) by 0 with SMTP; 10 Feb 2003 19:58:14 -0000 Date: Mon, 10 Feb 2003 14:20:02 -0400 To: Subject: Lloyd-Webber + Wookies = Star Wars: Musical Edition X-Mailer: Internet Professional v1.11 MIME-Version: 1.0 Content-Type: text/plain X-Spam-Flag: NO X-Spam-Score: 2.2, Required 7.5 X-Spam-Level: ** (2.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: TheDailyFreePress@collegepublisher.com Date: Mon, 10 Feb 2003 14:20:02 -0400 To: Subject: Lloyd-Webber + Wookies = Star Wars: Musical Edition X-Spam-Flag: NO X-Spam-Score: 2.2, Required 7.5 X-Spam-Level: ** (2.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Lloyd-Webber + Wookies = Star Wars: Musical Edition By: Dan Atkinson 02/06/03 -------------------------- Geeks come in all flavors. There’s the obvious computer geeks, math geeks and sword and sorcery geeks. But any culture or cultural phenomenon large enough to allow degrees of appreciation has its overzealous types—hence sports statistic geeks, Shakespeare geeks, musical geeks and Star Wars geeks. Those last two might not seem extremely compatible, but the Massachusetts Institute of Technology’s Musical Theatre Guild begs to differ. Their production of “Star Wars: Musical Edition” combines Lloyd-Webber and Wookiees well enough to amuse most people, but the show’s true audience is geeks. The brainchild of Rogue Shindler and Jeff Suess, “SW:ME” is basically the same story as “Star Wars: A New Hope” with parodies of Broadway and Disney songs to move the action along. The original score by John Williams also appears, but clearly plays second fiddle to the well-crafted satires. The other significant difference between the film and the play is the special effects. The production opening night was obviously limited not only by constraints of the medium, but a less than hefty budget. However, the costumes were well crafted, and the staging was innovative and appropriately complex, utilizing revolving backdrops and a partial model of the Millennium Falcon. The show starts with a medley involving the whole company, but quickly moves into more familiar areas. Droids C3PO and R2-D2 (the former played well by Eleanor Pritchard, the latter played convincingly by a toteable robot toy) escape to Tatooine, but not before singing “Two Little Droids in Deep.” They befriend Luke Skywalker (Todd Radford, who had Luke’s whininess down cold), who expresses his discontent with his home planet in “Tatooine,” a hilarious parody of West Side Story’s “America.” The crew seeks out Obi-Wan Kenobi in order to give him a message from Princess Leia (Amy Schonsheck). Kenobi (David Jedlinsky, who gives the role both humor and gravity) identifies himself with a great takeoff of “I, Don Quixote” from Man of La Mancha and offers to train Luke in the ways of the Jedi—otherwise known as the “Music of the Knight.” While the songs themselves are amusing, the production’s greatest problem presents itself immediately—almost none of the players can sing convincingly. Jedlinsky is the highlight, and Schonsheck and Pritchard perform well enough. However, Radford is often flat, and Rob Speer, playing Darth Vader, has the unenviable job of singing behind an often unmicrophoned mask. Even when he’s audible, his voice sounds less James Earl Jones and more Kermit the Frog. The play also falters with its overly self-referential humor. C3PO wondering why Tatooine looks so familiar was a sly poke that had us geeks chuckling. However, the more obvious jabs, such as Han Solo (an appropriately cocky Jamez Kirtley) musing aloud about hiding from Stormtroopers in those “human-sized smuggling compartments I just installed yesterday” are too over the top. Chewbacca (Derek Herrera) also vacillates from amusing to annoying—how many times can a Wookiee flip Stormtroopers the bird? Overall, though, the humor and drama of Star Wars is brought out effectively in the play. A small ode to TK421, the only named Stormtrooper, lampoons the movie wittily but affectionately. More surprising is the opening song of Act II, “Don’t Cry For Me, Princess Leia,” sung by Leia and the ghosts of her recently destroyed home planet. Not only is the tune well-performed, but it also moves far beyond the movie’s depiction of anguish and loss and provides a different view of Leia. “Star Wars: Musical Edition” is less a Rocky Horror Picture Show campfest and more a labor of love. The show may not be for everyone, but should appeal to anyone who has ever wondered how the Rebels would sound singing tunes from Aladdin, or wanted to see a Stormtrooper kickline. You know, the geeks. MIT Musical Theatre Guild presents "Star Wars: Musical Edition" at the Sala de Puerto Rico on the second floor of the MIT Student Center through Feb. 8. Curtain is at 8p.m. Thursday through Saturday and at 2p.m. on Sunday. For tickets contact (617) 253-6294. -------------------------- Story Source: The Daily Free Press  1,, Summary-line: 12-Feb farmer_giles@tiscali.co.u [80] #Fw: Have Patience (was Re: Trial - updating ) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 12 Feb 2003 03:33:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1C8XV3e019094; Wed, 12 Feb 2003 03:33:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id DAA06980 for ; Wed, 12 Feb 2003 03:28:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1C8S5Yt005616; Wed, 12 Feb 2003 03:28:05 -0500 (EST) Date: Wed, 12 Feb 2003 03:28:05 -0500 (EST) Message-Id: <005f01c2d270$4e555320$c0ab403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Fw: Have Patience (was Re: Trial - updating ) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 12 Feb 2003 03:28:05 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Fw: Have Patience (was Re: Trial - updating ) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.9, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I do agree it is a bit hard n Sir Real to insist Gilbert add something thta the Lord Chamberlin would never, ever allow. But it would make an interesting variation to Patience, based on historical facts. (I can't believe I've done this) DUKE [R.] I have a great gift to bestow. Approach, such of you as are truly lovely. [All the MAIDENS come forward, bashfully, including JANE and PATIENCE.] In personal appearance you have all that is necessary to make a woman happy. In common fairness, I think I ought to choose the only person among us who has the misfortune to be distinctly plain. [Girls retire disappointed.] Bunthorne! JANE [leaving BUNTHORNE's arms] Duke? [BUNTHORNE and DUKE embrace. JANE is utterly disgusted.] JANE. Crushed again! No. 20. After much debate internal (Finale of Act II) Ensemble DUKE [R.C.] After much debate internal, I on Bunthorne must decide, Saphir now may take the Col'nel, Angie be the Major's bride! [SAPHIR pairs off with COLONEL, R., ANGELA with MAJOR, L.C., JANE with SOLICITOR, L.] BUNTHORNE [C.] In that case unprecedented, Single I must live and die-- I shall have to be contented With a most attractive guy! SAPHIR, ELLA, ANGELA, DUKE, BUNTHORNE and COLONEL He will have to be contented With a most attractive guy! ALL In that case unprecedented, Single he/I must live and die-- He will/I shall have to be contented With a most attractive guy! Greatly pleased with one another, To get married we/they decide. Each of us/them will wed the other, And the Duke be Bunthorne's Bride! Dance End of Opera -Adam Cuerden "That's the way with mean and thankless naturs. Do 'em an injustice and they're never satisfied till they've retaliated!" > -Tom Cobb, W.S. Gilbert >  1,, Summary-line: 12-Feb chris@sounds-on-cd.co.uk [64] #RE: Mountebanks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 12 Feb 2003 05:57:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1CAvL3e005498; Wed, 12 Feb 2003 05:57:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA00930 for ; Wed, 12 Feb 2003 05:57:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1CAuvYt006503; Wed, 12 Feb 2003 05:56:57 -0500 (EST) Date: Wed, 12 Feb 2003 05:56:57 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Mountebanks MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E499F7E.3060704@cris.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Flag: NO X-Spam-Score: 0, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 12 Feb 2003 05:56:57 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Mountebanks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E499F7E.3060704@cris.com> X-Spam-Flag: NO X-Spam-Score: 0, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Marc has given Adam some excellent explanations to many of his points, but there is just one point that I'd comment on further from a different angle .. > > 2. I fail to see why a rather dodgy recording that I can make, probably > > fifth or sixth hand for all I know, is supposed to compare with > > a remastered recording.... The point is not how it compares but the fact that it would compete. Even if your version is terrible the chances are that there would still be some people who would be happy to have this rather than buy a remastered version. Let's take the acoustic Princess Ida as an example. It's a gem of a recording and Jim and I have both issued this in a transfer that has delighted most people who own it; in fact one person (and this is someone who knows what he is talking about) has even commented that he thinks its the best transfer he's ever heard from acoustic 78s. It has extra clarity to the orchestra who at times could barely be heard on the 78s other than a rum-ti-tum underscoring of the vocalists, and it reveals the voices in far greater detail showing nuances and expression that could hardly be gleaned from the discs, but there are still people who won't buy the CD because they either have the 78s or an old LP reissue which has a transfer that is a world away from the quality of the CD or even because they have a poor quality cassette made from the filtered 78s which makes the recording even less clear than the 78s were. I know you followed your original message up with an 'I'll make sure everyone who buys my copy also buys the official version' but that's easier said than done, especially when you don't know what price an official issue might be offered at, and in fact there may have been people who wanted your version because it's a bargain and who wouldn't otherwise buy it. I'd bet that if I issued an official set tomorrow at $40 to cover royalties, licensing fees, etc. (ie money that will go to the rightful owners of, and investors in, the original recording) not everyone on your list would buy it. Regards Chris Chris Webster SOUNDS ON CD Croydon, UK. Customer Comments (Please DO check these out) - http://www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm Catalogue - http://www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm  1,, Summary-line: 12-Feb rmacphai@bridgewater.edu [75] #LEXICON INVENTORY CLEARANCE OFFER (fwd) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 12 Feb 2003 10:36:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1CFae3e029996; Wed, 12 Feb 2003 10:36:40 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id KAA11152 for ; Wed, 12 Feb 2003 10:36:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1CFaEYt012627; Wed, 12 Feb 2003 10:36:14 -0500 (EST) Date: Wed, 12 Feb 2003 10:36:14 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: LEXICON INVENTORY CLEARANCE OFFER (fwd) MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.2, Required 7.5 X-Spam-Level: * (1.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 12 Feb 2003 10:36:14 -0500 (EST) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: LEXICON INVENTORY CLEARANCE OFFER (fwd) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1.2, Required 7.5 X-Spam-Level: * (1.2) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Barbara Malone of Queensbury Press asked me to forward this message. See below, please. Rafe -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---------- Forwarded message ---------- Date: Wed, 12 Feb 2003 08:36:51 -0600 From: Barbara Steager Malone To: "Ralph MacPhail, Jr." Subject: LEXICON INVENTORY CLEARANCE OFFER From: Harry Benford and The Queensbury Press To: All You Admirable G&S Societies, In honor of Valentine's Day, we hope to make you a sweetheart deal you cannot afford to refuse. Inventory costs for the third edition of Harry Benford's classic work, The Gilbert & Sullivan Lexicon, are rising. In recent years, many of you have taken advantage of our bulk pricing discounts to raise funds by selling this hardbound, delightfully-illustrated reference book. Now we want to give you an even greater incentive based on trust. For a limited time only here is our offer: 1) We will ship you one or more cartons of Lexicons on consignment with free shipping and handling to a U.S. address. (International friends, please email us for terms). 2) When you sell them, you send us a check for $12.00 per book or $168 per carton. Keep in mind that the imprinted list price for the Lexicon is $25.95! We encourage you to make hay while the sun shines! Stock up now for your upcoming activities. There are no up-front costs! Our offer is good only until we empty that warehouse, so "such an opportunity may not occur again!" Here are some data for your use: each carton holds 14 books, weighs 26 pounds, and measures 11 x 15 x 8 inches. We want to save storage costs and pass the savings on to you. All we need is your name, the name of your organization, and the shipping address. We look forward to hearing from you! Send your orders or questions to: LexSpecialOffer@queensburypress.com or call toll-free in the U.S. at 1-866-538-8754 Barbara Malone Editor & Publisher, The Queensbury Press Houston, TX USA  1,, Summary-line: 13-Feb to: nbozard@mit.edu [20] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Feb 2003 14:45:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1DJjAfr028951; Thu, 13 Feb 2003 14:45:10 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA25105; Thu, 13 Feb 2003 14:15:51 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id OAA23434; Thu, 13 Feb 2003 14:15:50 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id OAA02705; Thu, 13 Feb 2003 14:15:50 -0500 (EST) Date: Thu, 13 Feb 2003 14:15:50 -0500 (EST) Message-Id: <200302131915.OAA02705@multics.mit.edu> From: "David C. Jedlinsky" To: nbozard@mit.edu In-reply-to: (message from Nick Bozard on Wed, 22 Jan 2003 16:54:41 -0500 (EST)) Subject: Re: Duke Videos References: X-Spam-Flag: NO X-Spam-Score: 0.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Feb 2003 14:15:50 -0500 (EST) From: "David C. Jedlinsky" To: nbozard@mit.edu In-reply-to: (message from Nick Bozard on Wed, 22 Jan 2003 16:54:41 -0500 (EST)) Subject: Re: Duke Videos X-Spam-Flag: NO X-Spam-Score: 0.3, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Nick. I've got the 24 DVDs ready. I'm not sure if there's confusion on my part about the number of VHS tapes, though. Did you want 21 more, or 12 on top of the 9 you already have? I can bring everything down on Saturday or Monday; which works for you? -Dave  1, answered,, Summary-line: 13-Feb nbozard@MIT.EDU [32] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Feb 2003 19:56:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1E0uT6c003119; Thu, 13 Feb 2003 19:56:34 -0500 (EST) Received: from dominia.org (DOMINIA.MIT.EDU [18.208.0.43]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA08094 for ; Thu, 13 Feb 2003 19:51:44 -0500 (EST) Received: from localhost (nbozard@localhost) by dominia.org (8.11.6/8.11.6) with ESMTP id h1E0pij14637 for ; Thu, 13 Feb 2003 19:51:44 -0500 X-Authentication-Warning: dominia.org: nbozard owned process doing -bs Date: Thu, 13 Feb 2003 19:51:44 -0500 (EST) From: Nick Bozard X-Sender: To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200302131915.OAA02705@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Flag: NO X-Spam-Score: -0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: dominia.org: nbozard owned process doing -bs Date: Thu, 13 Feb 2003 19:51:44 -0500 (EST) From: Nick Bozard X-Sender: To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200302131915.OAA02705@multics.mit.edu> X-Spam-Flag: NO X-Spam-Score: -0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I suspect Monday would be better. When? Alternatively, we're trying to schedule the video party for some Saturday evening still TBD, and you could bring them then if you were interested in attending. Nick On Thu, 13 Feb 2003, David C. Jedlinsky wrote: > > Hi Nick. > > I've got the 24 DVDs ready. I'm not sure if there's confusion on my > part about the number of VHS tapes, though. Did you want 21 more, or > 12 on top of the 9 you already have? I can bring everything down on > Saturday or Monday; which works for you? > > -Dave >  1,, Summary-line: 14-Feb jana_ch@blarg.net [52] #Re: Mountebanks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Feb 2003 17:00:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1ELvdrX016823; Fri, 14 Feb 2003 17:00:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA05635 for ; Fri, 14 Feb 2003 16:56:07 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1ELtdYt005844; Fri, 14 Feb 2003 16:55:39 -0500 (EST) Date: Fri, 14 Feb 2003 16:55:39 -0500 (EST) Message-Id: <3E4D63CD.000001.27339@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Mountebanks MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 X-Spam-Flag: NO X-Spam-Score: -0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Feb 2003 16:55:39 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: Mountebanks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: -0.8, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Adam Cuerden" wrote: > I dunno. It IS Gilbert's most creative plot... I would say it's full of creative devices, not a creative plot. The conceptual problem with the Lozenge Plot (generically) is that, at the end, everything goes back to the situation at the beginning. To have a story, something has to change, otherwise it's just an incident. The Lozenge Plot takes us back to square one. In Mountebanks, however, there *is* a change: Everyone Has Learned a Lesson. This works for most of the characters. The problem for me is the Teresa-Alfredo-Ultrice triangle. Sending a love triangle back to its beginning is not a solution. Gilbert deals with this by breaking his own logic and having Teresa remain in love with Alfredo after the spell is broken. This can probably be played as if she actually did love him at the start but wouldn't admit it to herself. I, however, do not see this in the script. That still leaves Ultrice, who turns out to be a good character in the end, alone, unloved, and humiliated. As with the Sorceror (another Lozenge Plot), this punishes a person who does not deserve it. All this does not make the play a failure, of course. It's full of funny and creative incidents. I just want to point out what I see as the central problem of the Lozenge Plot, and how this is only partially solved in the Mountebanks. When I saw the Peccadillo Players do it, they had Ultrice join the Mountebanks Gang, leaving behind the village where she was so unhappy. For the finale she came on stage carrying a Very Large Snake. It was not altogether Gilbertian, but for me, it worked. Although, as you know, I have special sympathy for the "third wheels" in love triangles. Others might not care for it. Jana Hollingsworth Seattle Saith Floss Forbes: "If you don't know the tune, sing tenor."  1,, Summary-line: 14-Feb farmer_giles@tiscali.co.u [101] #Re: Mountebanks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Feb 2003 17:49:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1EMnQ5u003111; Fri, 14 Feb 2003 17:49:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA25888 for ; Fri, 14 Feb 2003 17:47:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1EMklYt006995; Fri, 14 Feb 2003 17:46:47 -0500 (EST) Date: Fri, 14 Feb 2003 17:46:47 -0500 (EST) Message-Id: <00f001c2d479$5dd72f70$8ddd403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Mountebanks MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Feb 2003 17:46:47 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Mountebanks X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I think Teresa loves Alfredo, but it's shown in subtle ways - for instance, you wouldn't know af "Ha ha ha ha! - I'm only joking" which is followed by a swell of music which is pure longing and regret. It's very effective. As for Ultrice, yes, she has acted badly, but she redeems herself. I'd like to match her with Pietro, but that would need extra scenes. Now then, I should point out that my response to some things is to rewrite them. For instance, if I were directing, I would seriously consider rewriting the dire lyrics in the last half of the second verse of I'd be a young girl if I could. Therefore, after the last high jerry ho, I'd be inclined to consider a short scene in mime, in which Ultrice and Pietro move from Pietro's great anger at Ultrice's act, to discovering they had both had a similar fate - Perhaps Pietro could reveal the keys he stole from BArtolo and Nita? But I suspect there's no way to make it work very well... which leads me to the second idea: THE MOUNTEBANKS, Act III: How will our heroes cope when the Duke and the Duchess actually arrive? Starring... Elvino, as the terrified innkeeper Minestra and Risotto, as the couple who thrives on arguement. And they'd better, after Alfredo's treatment of her as an Old woman. Arrostino, who thinks he can ransom the duke and duchess. His plans start to go awry though Pietro and Ultrice - who have twin sad ballads whilst watching the two happy couples, until they suddenly turn...a nd see each other.... then get into a blazing row. But it works out all right in the end. Yes... Mountebanks Act III. Now we just have to write it. -Adam Cuerden "That's the way with mean and thankless naturs. Do 'em an injustice and they're never satisfied till they've retaliated!" -Tom Cobb, W.S. Gilbert ----- Original Message ----- From: "jana_ch" To: ; "Multiple recipients of list SAVOYNET" Sent: Friday, February 14, 2003 9:46 PM Subject: Re: Mountebanks > "Adam Cuerden" wrote: > > > I dunno. It IS Gilbert's most creative plot... > > I would say it's full of creative devices, not a creative plot. > > The conceptual problem with the Lozenge Plot (generically) is that, at > the end, everything goes back to the situation at the beginning. To have > a story, something has to change, otherwise it's just an incident. The > Lozenge Plot takes us back to square one. > > In Mountebanks, however, there *is* a change: Everyone Has Learned a > Lesson. This works for most of the characters. The problem for me is the > Teresa-Alfredo-Ultrice triangle. Sending a love triangle back to its > beginning is not a solution. Gilbert deals with this by breaking his own > logic and having Teresa remain in love with Alfredo after the spell is > broken. This can probably be played as if she actually did love him at > the start but wouldn't admit it to herself. I, however, do not see this > in the script. That still leaves Ultrice, who turns out to be a good > character in the end, alone, unloved, and humiliated. As with the > Sorceror (another Lozenge Plot), this punishes a person who does not > deserve it. > > All this does not make the play a failure, of course. It's full of funny > and creative incidents. I just want to point out what I see a s the > central problem of the Lozenge Plot, and how this is only partially > solved in the Mountebanks. > > When I saw the Peccadillo Players do it, they had Ultrice join the > Mountebanks Gang, leaving behind the village where she was so unhappy. > For the finale she came on stage carrying a Very Large Snake. It was not > altogether Gilbertian, but for me, it worked. Although, as you know, I > have special sympathy for the "third wheels" in love triangles. Others > might not care for it. > > Jana Hollingsworth > Seattle > Saith Floss Forbes: "If you don't know the tune, sing tenor." >  1,, Summary-line: 14-Feb nice.guy@prodigy.net [53] #Orchestrations for UMGASS GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Feb 2003 20:08:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1F1805Z021746; Fri, 14 Feb 2003 20:08:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA05078 for ; Fri, 14 Feb 2003 20:04:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1F14MYt011259; Fri, 14 Feb 2003 20:04:22 -0500 (EST) Date: Fri, 14 Feb 2003 20:04:22 -0500 (EST) Message-Id: <02c501c2d48d$156f7b20$a38bf5d1@rlg.org> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nice.guy@prodigy.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "nice.guy" To: Multiple recipients of list SAVOYNET Subject: Orchestrations for UMGASS GRAND DUKE MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Feb 2003 20:04:22 -0500 (EST) Reply-To: nice.guy@prodigy.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "nice.guy" To: Multiple recipients of list SAVOYNET Subject: Orchestrations for UMGASS GRAND DUKE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I read the digest of Savoynet, so pardon me if Mitch Gillett or Jim Drew answered this Friday before I did. Unlike Pooh-Bah, as Mitch indicates, I WAS there at the UMGASS GRAND DUKE. I was in the chorus, and played one of the Duke's Chamberlains and Ben Hashbaz, but didn't really know anything about the orchestrations. However, I dredged up the program and in the list of musical numbers, there is an indication that the Roulette song ("Take my advice - when deep in debt") was orchestrated by Charles Walker and that "Come bumpers!", "Hurrah! Now away to the wedding we go" and "Well, you're a pretty kind of fellow" were orchestrated by music director Eric Stern. As for the music omitted in performances which were included when we did our studio recording, the only one not listed in the program is the Julia/Ernest duet, "How would I play this part?". I know we omitted some bits and pieces of the first act finale in performance and I don't recall if we learned any of those just for the recording, which still has a few bits left out. I suspect Jim Drew would know that better than I. Ed Glazier nice.guy@prodigy.net UMGASS 1971-80, Stanford Savoyards, 1981-... >I don't have the 1973 program in front of me (and Jim Drew would be better equipt to answer..) but I >seem to recall that the Orchestra parts were acquired through the Windsor (ont, Canada) light opera >member John Watson. I believe they were the standard Chappell parts, which I recall, don't have >"Bumpers",Roulette, or"You're a pretty kind of fellow". These were the cuts Gilbert make after >opening night, and are reflected in the parts available at the time. Those 3 songs were >orchestrated buy Eric Stern and someone else, I believe. That is how the recording was made >more or less complete. I will try to add corrections when I get home, or Jim or Ed Glazier can add to >it since they were there!.  1,, Summary-line: 15-Feb mstorie@nwlink.com [64] #Re: The Grand Duke (Perhaps ANSWERING Ian's question) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Feb 2003 01:29:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1F6Tv6g025643; Sat, 15 Feb 2003 01:29:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id BAA26074 for ; Sat, 15 Feb 2003 01:29:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1F6TOYt014276; Sat, 15 Feb 2003 01:29:24 -0500 (EST) Date: Sat, 15 Feb 2003 01:29:24 -0500 (EST) Message-Id: <3E4C4432.8D6D73A8@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke (Perhaps ANSWERING Ian's question) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Feb 2003 01:29:24 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: The Grand Duke (Perhaps ANSWERING Ian's question) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 1, Required 7.5 X-Spam-Level: * (1) X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In 1998, The Seattle Gilbert & Sullivan Society embarked on a major project to produce The Grand Duke. At the time, the D'Oyly Carte was in considerable disarray and could not even provide the band parts they had in the hire library. Through a ton of effort and the gracious assistance of musical scholars in both the United States and England, we were able to obtain essentially, 100 year old copies of the band parts for the entire opera. As has been mentioned, three songs were missing, The "roulette song," "Come bumpers, aye ever so many," and "Well, you're a pretty kind of fellow." These numbers were obtained from Sullivan's Autograph score owned by Mr. Wolfeson that is available for perusal at the Pierpont Morgan Library. Our former Music Director, Alan Lund, transcribed the orchestra parts note by note into "Finale." This has been called a new orchestration, but it is really a new "engraving" of the original. There was no "orchestrating" done. During the process, Alan and his team found a considerable number of errors in the original band part copies. Some of these errors can be heard on the D'Oyly Carte recording. These were corrected, as well as many discrepancies between the band parts and the Chappell vocal score. The entire show was "proofed" using MIDI and then played extensively by our orchestra. The show ran for 12 performances in Seattle in 1999 and then was taken to Buxton for the Festival. Since then, 8 or 10 other organizations, both amateur and professional, have purchased these band parts and all seem satisfied. The entire orchestration (including the extra instruments and missing songs) is presently available for purchase from Seattle, including a relatively new full conductor's score. In addition, we offer a fine CD version (3 disks) of the live performance in Seattle, with full dialogue and all songs. (Some of the elements of the second and third verses of two of the longer songs were combined, particularly where the lyrics seemed obscure. We also compressed the action into one day and played the show more as a 1930s musical. This is not reflected in the score however.) We also have a pretty interesting video of the performance in Seattle showing one way to approach the show. For more information contact me or The Seattle Gilbert & Sullivan Society at www.pattersong.org Mike Storie  1,, Summary-line: 15-Feb ian.bond@btinternet.com [47] #Re: Orchestrations for UMGASS GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Feb 2003 14:02:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1FJ2Zud016740; Sat, 15 Feb 2003 14:02:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id NAA22937 for ; Sat, 15 Feb 2003 13:58:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1FIvcYt024468; Sat, 15 Feb 2003 13:57:38 -0500 (EST) Date: Sat, 15 Feb 2003 13:57:38 -0500 (EST) Message-Id: <000f01c2d522$1023c820$982e8751@Study1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Feb 2003 13:57:38 -0500 (EST) Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.2, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mike Storie wrote:- > Ed Glazier clarified the orchestrations used for the UMGASS recording of > "The "Grand Duke." Since that time, UMGASS has purchased the Seattle > version. > This is very interesting and in a private reply Mike has enlightened me on the sources used by Seattle to create the band parts. What saddens me is that, taking into account the sources used, and the fact that in several places the vocal score supplied by Seattle indicates optional cuts (e.g. the second verse of the Rudolph/Baroness duet Act One No 10), the band parts are actually incomplete, the orchestrations for bars 9-12 vsp 57 are not included making a two verse rendition of the number impossible unless someone orchestrates the necessary bars. Likewise the melodrame music under Ludwig's dialogue (vsp 146) which is presented complete on the UMGASS recording, is incomplete in the Seattle band parts. Inconsistent with this is the fact that "At the outset" which Seattle suggest may be cut down to two verses, is presented in such a way in the band parts that the full three verse version can be performed if desired. I am sure that no one including myself, would wish to detract from the great service that Seattle have done with regard to creating a useable set of band parts for GD, I just wish that they had transcribed every note that was available to them so that individual companies could make the choice as to what they include or omit. As they stand, these band parts are a great asset to me in persuading companies in my part of the world to perform the opera, but I do have to ask a musical director to orchestrate missing passages if I want to perform the work in as complete a version as possible. Ian (Somerset UK)  1,, Summary-line: 15-Feb mstorie@nwlink.com [55] #Re: Orchestrations for UMGASS GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Feb 2003 14:53:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1FJqdUn018349; Sat, 15 Feb 2003 14:53:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id OAA02474 for ; Sat, 15 Feb 2003 14:48:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1FJlsYt025142; Sat, 15 Feb 2003 14:47:54 -0500 (EST) Date: Sat, 15 Feb 2003 14:47:54 -0500 (EST) Message-Id: <3E4CFF31.F171D2C0@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Flag: NO X-Spam-Score: -0.1, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Feb 2003 14:47:54 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: -0.1, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ian, Thanks for your input. I had not heard of those particular shortcomings. I'll pass your comments on to Alan Lund. Maybe he can fix things. Mike Storie Ian Bond wrote: > > Mike Storie wrote:- > > > Ed Glazier clarified the orchestrations used for the UMGASS recording of > > "The "Grand Duke." Since that time, UMGASS has purchased the Seattle > > version. > > > This is very interesting and in a private reply Mike has enlightened me on > the sources used by Seattle to create the band parts. What saddens me is > that, taking into account the sources used, and the fact that in several > places the vocal score supplied by Seattle indicates optional cuts (e.g. the > second verse of the Rudolph/Baroness duet Act One No 10), the band parts are > actually incomplete, the orchestrations for bars 9-12 vsp 57 are not > included making a two verse rendition of the number impossible unless > someone orchestrates the necessary bars. Likewise the melodrame music under > Ludwig's dialogue (vsp 146) which is presented complete on the UMGASS > recording, is incomplete in the Seattle band parts. Inconsistent with this > is the fact that "At the outset" which Seattle suggest may be cut down to > two verses, is presented in such a way in the band parts that the full three > verse version can be performed if desired. > > I am sure that no one including myself, would wish to detract from the great > service that Seattle have done with regard to creating a useable set of band > parts for GD, I just wish that they had transcribed every note that was > available to them so that individual companies could make the choice as to > what they include or omit. As they stand, these band parts are a great > asset to me in persuading companies in my part of the world to perform the > opera, but I do have to ask a musical director to orchestrate missing > passages if I want to perform the work in as complete a version as possible. > > Ian > (Somerset UK)  1,, Summary-line: 16-Feb lizandgareth@zoom.co.uk [42] #Roberta Morrell's Workshops/Masterclasses X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 16 Feb 2003 11:34:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1GGY6aY011338; Sun, 16 Feb 2003 11:34:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA25470 for ; Sun, 16 Feb 2003 11:34:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1GGXwYt009141; Sun, 16 Feb 2003 11:33:58 -0500 (EST) Date: Sun, 16 Feb 2003 11:33:58 -0500 (EST) Message-Id: <001001c2d5d7$5ed816a0$c4ce28c3@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: Roberta Morrell's Workshops/Masterclasses MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2314.1300 X-Spam-Flag: NO X-Spam-Score: 0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 16 Feb 2003 11:33:58 -0500 (EST) Reply-To: lizandgareth@zoom.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Gareth Jacobs" To: Multiple recipients of list SAVOYNET Subject: Roberta Morrell's Workshops/Masterclasses X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Flag: NO X-Spam-Score: 0.5, Required 7.5 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > In a message dated 11/02/03 20:53:41 GMT Standard Time, lpinsker@erols.com > writes: >> Those of you who are in charge of >> a G&S group really ought to consider contacting her to have her come and >> work with your people. It'll be worth it. > > I can recommend Roberta to others. She has been twice to my own Society and > members learnt a great deal. Go for her, she's worth the money! > > Philip Walsh > Lancashire England Please excuse this late response to Philip's posting, but I have just spoken to Roberta and she would be happy to hear from any group, on either side of the Atlantic, that might like to consider her masterclasses and/or workshops. Individuals, or choruses can be equally accommodated. For more information, she can be reached directly at rob@rederring.freeserve.co.uk . I know that as a personal friend I might be considered biased, but Liz and I have been on the receiving end of several of Roberta's classes, and they have certainly made a significant difference to the way we have approached our productions. Gareth Jacobs - in Musselburgh, Scotland  1,, Summary-line: 16-Feb to: nbozard@MIT.EDU [20] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 16 Feb 2003 18:30:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1GNUbb0026356; Sun, 16 Feb 2003 18:30:37 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA05949; Sun, 16 Feb 2003 18:30:36 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id SAA11267; Sun, 16 Feb 2003 18:30:36 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA08512; Sun, 16 Feb 2003 18:30:35 -0500 (EST) Date: Sun, 16 Feb 2003 18:30:35 -0500 (EST) Message-Id: <200302162330.SAA08512@multics.mit.edu> From: "David C. Jedlinsky" To: nbozard@MIT.EDU In-reply-to: (message from Nick Bozard on Thu, 13 Feb 2003 19:51:44 -0500 (EST)) Subject: Re: Duke Videos References: X-Spam-Flag: NO X-Spam-Score: 0.3 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 16 Feb 2003 18:30:35 -0500 (EST) From: "David C. Jedlinsky" To: nbozard@MIT.EDU In-reply-to: (message from Nick Bozard on Thu, 13 Feb 2003 19:51:44 -0500 (EST)) Subject: Re: Duke Videos X-Spam-Flag: NO X-Spam-Score: 0.3 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So, should I plan to meet someone around 5:15 Monday, or wait until a video party? Incidentally, the additional cost for the 24 DVDs and 12 VHS comes to $380.80. That, along with the original amount, should allow the EC to figure an appropriate price for the DVDs. -Dave  1,, Summary-line: 17-Feb nbozard@MIT.EDU [40] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 17 Feb 2003 17:41:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1HMf5Ph014137; Mon, 17 Feb 2003 17:41:10 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA22034 for ; Mon, 17 Feb 2003 17:32:05 -0500 (EST) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) by manawatu-mail-centre.mit.edu (8.9.2/8.9.2) with ESMTP id RAA00128 for ; Mon, 17 Feb 2003 17:32:04 -0500 (EST) Received: from localhost (nbozard@localhost) by mormal.mit.edu (8.9.3) with ESMTP id RAA25328; Mon, 17 Feb 2003 17:32:04 -0500 Date: Mon, 17 Feb 2003 17:32:04 -0500 (EST) From: Nick Bozard To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200302162330.SAA08512@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Flag: NO X-Spam-Score: -2.2 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 17 Feb 2003 17:32:04 -0500 (EST) From: Nick Bozard To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200302162330.SAA08512@multics.mit.edu> X-Spam-Flag: NO X-Spam-Score: -2.2 X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry, I've been having computer issues and have therefore been out of email contact much of this weekend. I hope you didn't trek out here, especially in this weather, but if you did, calling me at 617-734-9211 will get me to campus to deal, assuming the snow doesn't thwart me. I believe much of the rest of the EC is unfortunately out of town. (Fingering and calling Sonya Tang or Laurel Bobrow might work). Stopping by around rehersal time any day would be fine with advance warning. Video party would be fine too (Sat PM, date preference?) Whatever works best for you we can work around. Again, my apolgies for not getting back to you sooner. Nick On Sun, 16 Feb 2003, David C. Jedlinsky wrote: > > So, should I plan to meet someone around 5:15 Monday, or wait until a > video party? > > Incidentally, the additional cost for the 24 DVDs and 12 VHS comes to > $380.80. That, along with the original amount, should allow the EC to > figure an appropriate price for the DVDs. > > -Dave >  1,, Summary-line: 18-Feb d-duffey@argonet.co.uk [56] #Rehearsal files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 Feb 2003 05:07:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1IA7Wgs026666; Tue, 18 Feb 2003 05:07:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id FAA04984 for ; Tue, 18 Feb 2003 05:07:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1IA75Yt018237; Tue, 18 Feb 2003 05:07:05 -0500 (EST) Date: Tue, 18 Feb 2003 05:07:05 -0500 (EST) Message-Id: <000701c2d735$50786060$c11abc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Rehearsal files MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 Feb 2003 05:07:05 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Rehearsal files X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Anyone who has performed in a SavoyNet production at Buxton will be aware of the - I use the term without exaggeration - genius of David Cookson. As a repetiteur with the old DOC, his knowledge of the G&S canon is of course immense; he has also a particular talent for drawing the best out of any performer, regardless of their skill level, making them think, and achieving improvement. Although one would never discern the fact from his demeanour, this frequently demands the patience of a saint. (David would not pretend to be a saint, thank goodness, what a boring set of people they must be.) This patience is amply displayed by his production of a full set - all 13 possible operas - of MIDI rehearsal files. For each character and each chorus voice part there are three sets of files, the piano part with the notes of the part, the piano part alone, and the piano part with all voices except the one named. For "note bashing" these are invaluable, with the last being particularly useful for practice. Production of the whole set has been a Herculean labour, representing some 1500 hours of work. However well we think we know the parts, no matter how many times we have hailed poetry or brayed trumpets, little errors creep in and these files will be as useful to hoary veterans as to bright-eyed debutants. They make learning so much easier. In my view they are invaluable Visit www.Musicalsolutions.com or drop David a line at david@musicalsolutions.com David has no notion that I am thus puffing his goods, which can be downloaded as self-extracting zip files, and I do declare an interest in that he is a very dear friend. In the further interest of fairness I must air a major criticism, which is that with the files on my computer, I am too frequently tempted into playing them when I should be working. Please don't tell my clients. David The Wash England "And I am right"  1,, Summary-line: 19-Feb sscw@MIT.EDU [36] #Star Wars Reimbursements X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Feb 2003 13:54:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1JIslNi002163; Wed, 19 Feb 2003 13:54:47 -0500 (EST) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id NAA01758; Wed, 19 Feb 2003 13:52:17 -0500 (EST) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id NAA07652; Wed, 19 Feb 2003 13:52:17 -0500 (EST) From: sscw@MIT.EDU Received: from w20-575-83.mit.edu ( [w20-575-83.mit.edu]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Wed, 19 Feb 2003 13:52:16 -0500 Message-ID: <1045680736.3e53d26100f2d@webmail.mit.edu> Date: Wed, 19 Feb 2003 13:52:17 -0500 To: sw-prod@mit.edu, sw-cast@mit.edu Subject: Star Wars Reimbursements MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.187.0.104 X-Originating-Host: w20-575-83.mit.edu X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; SunOS 5.8 sun4u) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Wed, 19 Feb 2003 13:52:17 -0500 To: sw-prod@mit.edu, sw-cast@mit.edu Subject: Star Wars Reimbursements X-Originating-IP: 18.187.0.104 X-Originating-Host: w20-575-83.mit.edu X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; SunOS 5.8 sun4u) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all, I finished photocopying the upteen million receipts from Star Wars strike over the weekend, with the intention of getting them in as soon as possible this week...unfortunately with the holiday and the snow day, that meant today. Therefore, reimbursements should become available starting tomorrow evening (hopefully that will be true even given the sheer number of vouchers we've turned in). If not, they will definitely be up Friday, barring extreme incompetence on the part of SAFO. (Note that publicity receipts, which go through Finboard, may take a little longer.) Retrieve your reimbursements from the Treasurer's board in the office. If you have trouble getting to campus, let me know and I can mail you yours. I apologize for the delay; I like to have turnaround within a week at the most, but the combination of hundreds of receipts and the beginning of classes made it not happen. In the future I will try to be more prompt. Your friendly local treasurer, Stephanie P.S. If you haven't gotten receipts in, do so stat! 30 days after the show closes is the deadline for reimbursements. Thanks!  1,, Summary-line: 19-Feb warlord@MIT.EDU [22] #DVD player suggestions? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Feb 2003 20:15:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1K1FBEQ013657; Wed, 19 Feb 2003 20:15:11 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id UAA18719 for ; Wed, 19 Feb 2003 20:15:11 -0500 (EST) Received: from kikki.mit.edu (KIKKI.MIT.EDU [18.18.1.142]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id UAA06699 for ; Wed, 19 Feb 2003 20:15:11 -0500 (EST) Received: (from warlord@localhost) by kikki.mit.edu (8.9.3) id UAA22144; Wed, 19 Feb 2003 20:15:10 -0500 (EST) To: opus@MIT.EDU Subject: DVD player suggestions? From: Derek Atkins Date: 19 Feb 2003 20:15:10 -0500 Message-ID: Lines: 13 User-Agent: Gnus/5.0808 (Gnus v5.8.8) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@MIT.EDU Subject: DVD player suggestions? From: Derek Atkins Date: 19 Feb 2003 20:15:10 -0500 X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm looking for a DVD player. In particular I'm looking for a multi-region player, but one of good quality that provides the future extensibility for, say, a better TV or digital audio, etc. Do you have any suggestions? Thanks, -derek -- Derek Atkins, SB '93 MIT EE, SM '95 MIT Media Laboratory Member, MIT Student Information Processing Board (SIPB) URL: http://web.mit.edu/warlord/ PP-ASEL-IA N1NWH warlord@MIT.EDU PGP key available  1,, Summary-line: 20-Feb jlourenco1@attbi.com [43] #My portfolio... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Feb 2003 14:38:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1KJcCcb003754; Thu, 20 Feb 2003 14:38:14 -0500 (EST) Received: from sccrmhc03.attbi.com (sccrmhc03.attbi.com [204.127.202.63]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA11380 for ; Thu, 20 Feb 2003 14:36:37 -0500 (EST) Received: from lourenco2 (h00045a41c682.ne.client2.attbi.com[24.61.13.63]) by sccrmhc03.attbi.com (sccrmhc03) with SMTP id <2003022019363600300j3gide>; Thu, 20 Feb 2003 19:36:36 +0000 From: "Joe & Jenna Lourenco" To: "Peter Sofronas" , "Scott Gagnon" , "Sarah Consentino" , "Maureen O'Neil" , "Louise Cash" , "Lexie & Wayne Shaw" , "Joanna Bair" , "Hilde Heremans" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Brenna Pomeroy" , "Alice & Tim O'Rourke" , , , , , , Subject: My portfolio... Date: Thu, 20 Feb 2003 14:36:26 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Joe & Jenna Lourenco" To: "Peter Sofronas" , "Scott Gagnon" , "Sarah Consentino" , "Maureen O'Neil" , "Louise Cash" , "Lexie & Wayne Shaw" , "Joanna Bair" , "Hilde Heremans" , "Dawn Mikulastik" , "Dave Jedlinsky" , "Brenna Pomeroy" , "Alice & Tim O'Rourke" , , , , , , Subject: My portfolio... Date: Thu, 20 Feb 2003 14:36:26 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everyone, Just a quick update...I've applied to the MFA program in Costume Design at BU (and Temple maybe) and had to update my portfolio for them to review. I also wanted to share with all of you the portfolio...only the most recent shows I designed for are pictured, but everyone from SoM at ECTG will want to see the newer version I just did. Here's the URL: http://home.attbi.com/~jlourenco1/ Please feel free to share any feedback you might have about the sight or the costumes. Next show: The Skin of our Teeth by Thornton Wilder at ENC in Quincy. Hope everyone is well and happy... Jenna  1,, Summary-line: 20-Feb sscw@MIT.EDU [38] #checks! come and get 'em! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Feb 2003 17:24:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1KMO7Wn007184; Thu, 20 Feb 2003 17:24:18 -0500 (EST) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA19760; Thu, 20 Feb 2003 17:21:40 -0500 (EST) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id RAA19157; Thu, 20 Feb 2003 17:21:40 -0500 (EST) From: sscw@MIT.EDU Received: from w20-575-32.mit.edu ( [w20-575-32.mit.edu]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Thu, 20 Feb 2003 17:21:40 -0500 Message-ID: <1045779700.3e5554f4092ef@webmail.mit.edu> Date: Thu, 20 Feb 2003 17:21:40 -0500 To: sw-prod@mit.edu, sw-cast@mit.edu Subject: checks! come and get 'em! MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.187.0.51 X-Originating-Host: w20-575-32.mit.edu X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; Linux 2.4.18-18.7.x i686) X-Spam-Score: 1.4 X-Spam-Level: * (1.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Thu, 20 Feb 2003 17:21:40 -0500 To: sw-prod@mit.edu, sw-cast@mit.edu Subject: checks! come and get 'em! X-Originating-IP: 18.187.0.51 X-Originating-Host: w20-575-32.mit.edu X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; Linux 2.4.18-18.7.x i686) X-Spam-Score: 1.4 X-Spam-Level: * (1.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Reimbursement checks are tacked to the treasurer's board in the MTG office. They are ordered alphabetically by last name for your convenience. SAFO had problems with the following people's receipts: Steph, John van der Meer, and Opus. However, unless you get an e-mail from me, things have been straightened out and your reimbursements should be forthcoming within the next few days. Again, I apologize for the delay. If there are any problems--the amount's not what it should be, etc.--feel free to contact me with questions/comments/vituperative e-mails about me taking a week to get the receipts in. Your friendly local treasurer, Stephanie P.S. Those of you who still need to get receipts in to me: 1. Fill out an expense voucher. They're in a folder under the treasurer's board in the office. 2. Tack your voucher and receipts to the producer's board in the back of the office behind the cabinets for John Head to sign. 3. Do this within the next 20 days. Thanks!  1,, Summary-line: 24-Feb sscw@MIT.EDU [25] #checks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 Feb 2003 09:09:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1OE9B0H014743; Mon, 24 Feb 2003 09:09:11 -0500 (EST) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA23188 for ; Mon, 24 Feb 2003 09:09:11 -0500 (EST) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id JAA08650; Mon, 24 Feb 2003 09:09:11 -0500 (EST) From: sscw@MIT.EDU Received: from 18.238.7.139 ( [18.238.7.139]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Mon, 24 Feb 2003 09:09:10 -0500 Message-ID: <1046095750.3e5a2786c5dd0@webmail.mit.edu> Date: Mon, 24 Feb 2003 09:09:10 -0500 To: "David C. Jedlinsky" Subject: checks References: <200302102205.RAA02787@multics.mit.edu> In-Reply-To: <200302102205.RAA02787@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.238.7.139 X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Mon, 24 Feb 2003 09:09:10 -0500 To: "David C. Jedlinsky" Subject: checks In-Reply-To: <200302102205.RAA02787@multics.mit.edu> X-Originating-IP: 18.238.7.139 X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Opus, The problem that SAFO had with your checks is that the receipts attached were not the originals. I think I have them persuaded to reimburse you this time, because I swore in blood on a stack of bibles that I'd know if you tried to put in twice for the same reimbursement. Anyway, in the future it would be a lot easier if you attached the originals, but if you have a reason for not doing so, let me know and I'll be willing to fight with SAFO in the future on this (though it might mean that there's a delay in all of your checks). Thanks, Stephanie that friendly treasurer person.  1,, Summary-line: 25-Feb f.greinig@btopenworld.com [60] #RE: Deaf Audiences X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Feb 2003 19:09:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1Q097cv001914; Tue, 25 Feb 2003 19:09:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03296 for ; Tue, 25 Feb 2003 19:09:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1Q057Yt018839; Tue, 25 Feb 2003 19:05:07 -0500 (EST) Date: Tue, 25 Feb 2003 19:05:07 -0500 (EST) Message-Id: <000001c2dd28$1d29bc60$d08d8351@new> Errors-To: savoynet-owner@bridgewater.edu Reply-To: f.greinig@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Fleur Greinig" To: Multiple recipients of list SAVOYNET Subject: RE: Deaf Audiences MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004401c2dd1c$4a40aad0$a4cd403e@Adam> X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Feb 2003 19:05:07 -0500 (EST) Reply-To: f.greinig@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Fleur Greinig" To: Multiple recipients of list SAVOYNET Subject: RE: Deaf Audiences X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004401c2dd1c$4a40aad0$a4cd403e@Adam> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Firstly thanks to all the people who have offered suggestion as to what could be translated effectively into sign language. Theatre shows with signing are becoming more common place. Where i live, on average there are around three shows a quarter being signed. Some are plays, some are musicals. A more common thing with musicals is to subtitle it like foreign operas. In UK this is known as Stagetext. It's new but it is impressing deaf audiences everywhere. I even know of some hearing people who try to sit where the device is so that they can read along to. It's like having a big sing a long - just without the signing bit. Music, however is incredibly important to deaf people. The majority of deaf people can hear some sort of sound and can hear drums, bass, violins even all depending on the range of their hearing. There have been experiments with turning the sound into flashing lights. I've not seen this done but i think it would be a bit confusing and somewhat alarming. What they can't hear is the actual lyrics which is where signing becomes useful. Shows like Mikado, Pinafore and Pirates are incredibly popular. I have a deaf friend who saw Mikado without signing or subtitles and he was able to follow the plot more or less. However signing songs is not easy. Sign Language is basic and sometimes does not allow the complexity of english to translate across. My favourite example of this is green fingers - a word in which we use to describe a keen gardner. Sign that to a deaf person who has little or no english and they think you are insulting them! :) To keep this on topic would be - the words "tit willow" - that takes some explaining. It took me about 20 minutes of writing, fingerspelling and signing to get it across! I had another idea yesterday, about the concept of performing an entire G&S opera in sign language without the words. Okay, i know some purists may be against this but it would be a challenging and fascinating thing to do. Well the idea was a bit of a distraction for me against a dissertation but there you go. Best Wishes Fleur  1,, Summary-line: 25-Feb Earthflash@webtv.net [69] #Re: Deaf Audiences X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Feb 2003 20:02:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h1Q120Bu005981; Tue, 25 Feb 2003 20:02:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id TAA18806 for ; Tue, 25 Feb 2003 19:58:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1Q0wLYt021881; Tue, 25 Feb 2003 19:58:21 -0500 (EST) Date: Tue, 25 Feb 2003 19:58:21 -0500 (EST) Message-Id: <27761-3E5C0F6C-5420@storefull-2134.public.lawson.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Deaf Audiences Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit MIME-Version: 1.0 (WebTV) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "Jim Griffin" 's message of Tue, 25 Feb 2003 16:53:59 -0500 (EST) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Feb 2003 19:58:21 -0500 (EST) Reply-To: Earthflash@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Earthflash@webtv.net (John Spartan) To: Multiple recipients of list SAVOYNET Subject: Re: Deaf Audiences Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: "Jim Griffin" 's message of Tue, 25 Feb 2003 16:53:59 -0500 (EST) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As Jim, I was waiting to hear other comments before I posted. I used to work with deaf people and know sign language but I don't know too much about its connection to music. (This was years ago. I worked for a large corporation and there were quite a few deaf people there. One woman, Janine, came to work in our office and was put on our coffee break schedule. It was a baptism by fire! None of us had any knowledge of sign language or any idea of what deaf etiquette entailed. Conversation mostly consisted of "What...? What...? What...?" For the first few breaks, we all came back with head-aches. After that, we had disciplined ourselves to slow down our speech just enough for lip reading to be done. Our jaws hurt. We started picking up sign language and our hands hurt. We were using muscles we had never used before. Yet we were having the best time ever as we learned a new way to communicate and about the deaf culture. There were plenty of laughs. I don't think I ever laughed so much. For instance, it's hard to remember a person is deaf. I don't know how many times I went up to Janine and started whispering something in her ear. She'd turn to me and say as best she could, "I'm DEAF, stupid!" Many times, I'd be signing to Janine and not know a word. I'd stop and speak aloud to her "How do you sign apple-sauce?" She's grab my hands and twist them in the right direction. Then I'd go on signing. Too funny! I have many stories but I have mega-digressed.) As Fleur wrote, many deaf people are only mostly deaf and can hear the music slightly. Completely deaf people can still feel the bass line physically. When they dance, they feel it through the floor and stay in time. I can't imagine how a patter-song could be translated. Could a person sign that fast? Many of Gilbert's songs would be hard to do, given all the big words and Latin. Unusual words often need to be spelled out. A slow song like "Poor Wand'ring One" strikes me as good, played with a heavy bass line so everyone can feel it. Oo! Oo! Why not do all of THESPIS? That's one opera they could enjoy without feeling they're missing anything! John S P.S. I'm such a poor typist I had written "dead people" a few times. Ha! Long Island, New york, U.S.A. http://community-2.webtv.net/Earthflash/SavoynetLinks/  1,, Summary-line: 25-Feb mstorie@nwlink.com [43] #Re: Deaf Audiences X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu ([unix socket]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Feb 2003 21:17:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1Q2HP1d017187; Tue, 25 Feb 2003 21:17:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id VAA21347 for ; Tue, 25 Feb 2003 21:17:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h1Q2GkYt025881; Tue, 25 Feb 2003 21:16:46 -0500 (EST) Date: Tue, 25 Feb 2003 21:16:46 -0500 (EST) Message-Id: <3E5C1E5F.C3E54609@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Deaf Audiences MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Feb 2003 21:16:46 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Deaf Audiences X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Our Production Manager (Emeritus), Marianne Gutteridge taught deaf students for many years. She would regularly buy a block of seats to our shows and sit in front of the students facing backwards and sign the songs and the dialogue to them. After seeing several shows in this manner, the students asked her if they could put on their own musical! She was startled but wrote and produced several, based on G&S songs. They called themselves "The Talking Hands Players," and it was great fun for all. When Marianne, and Gordon her husband, retired we threw a gala with several songs developed for them. A highlight was a young woman who performed the "nightmare" song as a duet with Dave Ross, our regular patter man. He sang at his regular speed and she "signed" the words. They treated it as a sort of "dueling banjos" number, complete with warmups (she did finger excersises). When they reached "and thank goodness they're both of them over," they both collapsed. I have a video of it and it's delightful. I've shown it to people who can sign and they claim she does a very good job of keeping up but did take some shortcuts. She rehearsed it a number of times and it was a bit strange to watch because she sat in a corner with the score and made not a sound as her fingers flew. We still have some flats and equipment at our rehearsal facility with "Talking Hands Players" stenciled on them. Mike Storie Seattle Gilbert & Sullivan Society  1,, Summary-line: 26-Feb marissaj@MIT.EDU [19] #mildly amusing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Feb 2003 23:11:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1R4Beqi001489; Wed, 26 Feb 2003 23:11:40 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id XAA07089 for ; Wed, 26 Feb 2003 23:10:00 -0500 (EST) Received: from renee.mit.edu (RENEE.MIT.EDU [18.240.2.85]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id XAA27253 for ; Wed, 26 Feb 2003 23:05:42 -0500 (EST) Message-Id: <5.0.2.1.2.20030226230105.00a2eec0@hesiod> X-Sender: marissaj@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Wed, 26 Feb 2003 23:06:56 -0500 To: star-wars@MIT.EDU From: Marissa Jacovich Subject: mildly amusing Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: marissaj@hesiod (Unverified) Date: Wed, 26 Feb 2003 23:06:56 -0500 To: star-wars@MIT.EDU From: Marissa Jacovich Subject: mildly amusing X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was bored. I was procrastinating. I was sleep deprived. I was inspired. The result: http://web.mit.edu/marissaj/www/hack_files/hack.html I'm sure I am only the eleven gazillionth person to attempt this, but oh well. Smile. - Marissa  1, answered,, Summary-line: 28-Feb pocky@MIT.EDU [58] #Re: Microphones X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Feb 2003 17:26:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h1SMQVRe010143; Fri, 28 Feb 2003 17:26:31 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA16627; Fri, 28 Feb 2003 17:26:28 -0500 (EST) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) by melbourne-city-street.mit.edu (8.9.2/8.9.2) with ESMTP id RAA06702; Fri, 28 Feb 2003 17:26:27 -0500 (EST) Received: (from pocky@localhost) by contents-vnder-pressvre.mit.edu (8.9.3) id RAA06614; Fri, 28 Feb 2003 17:26:27 -0500 (EST) Date: Fri, 28 Feb 2003 17:26:27 -0500 (EST) From: Daniel P Kamalic To: Tyler Hains cc: opus Subject: Re: Microphones In-Reply-To: <3E5FCAE9.6070206@hains.net> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Feb 2003 17:26:27 -0500 (EST) From: Daniel P Kamalic To: Tyler Hains cc: opus Subject: Re: Microphones In-Reply-To: <3E5FCAE9.6070206@hains.net> X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I think you should get Audio Technica ATR-25, which is the one I used to record our Candide. It's a mid-side capsule cardioid stereo microphone, which comes with a mic stand holder and a video camera mount but it can be hand-held as well. You can buy it from this web site for $35.95 : http://www.audio-direct.com/cgi-bin/pgen_asp/pagegen.asp?itemnum=ATR-25 And from this site for $31.18 : http://www.123av.com/DetailPage.asp?ProductID=ATR-25 Its official webpage is here: http://www.audiotechnica.com/guide/line/atr/ATR25.html I think that's a wonderful Christmas present, by the way. :) -- Daniel P. Kamalic Phone: (617) 358-3311 Systems Analyst Administrator Fax: (646) 390-4146 Department of Biomedical Engineering Email: kamalic@bu.edu Boston University Web: http://bme.bu.edu On Fri, 28 Feb 2003, Tyler Hains wrote: > Hi guys, > > For Christmas, I got Rebecca a minidisc recorder. However, it did not > come with a microphone, and since I don't know much about microphones, I > thought I would ask your advice before going out to buy one. I would > like to get something for ~$30. What are my best options for that price > range? We would probably want something fairly flexible, as we have > plans to use the recorder for interviews and sing-out type things at > least, and I'm sure other uses will pop up. Please let me know what you > think. > > Thanks, > Tyler > >  1,, Summary-line: 1-Mar mail@lsimons.plus.com [66] #Re: Pirates and Leap day X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 01 Mar 2003 15:02:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h21K228T011832; Sat, 1 Mar 2003 15:02:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id OAA29172 for ; Sat, 1 Mar 2003 14:57:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h21JvNYt010457; Sat, 1 Mar 2003 14:57:23 -0500 (EST) Date: Sat, 1 Mar 2003 14:57:23 -0500 (EST) Message-Id: <011301c2e029$298a36c0$36982e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Pirates and Leap day MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 1 Mar 2003 14:57:23 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Pirates and Leap day X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "John Spartan" wrote > To be entirely (and unnecessary) accurate... > > There are 365 1/4 days in a year. > > This already strikes me as odd, being such a neat fraction. All solar > events are accidental so wouldn't it be more likely that an Earth year > would be something more like 365.2546789 days? It's actually 365.2422 days (i.e. about 365 days 5 hours 48¾ minutes). The Gregorian calendar has 97 leap years in every 400 years, so the average length of a calendar year overall is 365.2425 days (or 365 days 5 hours 49 minutes 12 seconds). This is 26 seconds longer than the true length of a solar year, but this is not really a problem because it will take 3,333 years for the error to accumulate even to one day! It's a vast improvement on the Julian calendar, whose average length was 11¼ minutes too long, an error that accumulates to a whole day in only 128 years! > The perfect day for calendar purposes would have been (rounded off) 24 > hours and 1 minute. If we could just slow down the Earth! Well bless you, it all depends. There are many different kinds of "day", depending on how you measure it. If you pick your favourite star and note the exact time when it passes directly above a given point on the horizon one night, and then do the same the next day, you will find that only about 23 hours and 56 minutes will have elapsed between the two sightings. This is the *true* rotation period of the Earth, and is called a "sidereal" day. So why is there a popular impression to the effect that a day is really 24 hours long? Well, put simply, it's because we use the Sun as the reference object instead of a star, and the Sun is a heck of a lot closer... AND we are moving around it in an almost circular orbit. In the time the Earth takes to make a complete revolution about its own axis, it has moved a little less than one degree along that orbit (because it takes 365¼ days to move through the whole 360 degrees, i.e. all the way round). So, if you started timing when the Sun was due south (say) yesterday, one true rotation (23 days 56 minutes) later (today) the Sun will not quite have reached due south yet, because WE have moved a little round our orbit. The Earth has to turn through approximately one degree more for the Sun to return to due south, and as the Earth turns at the rate of roughly 15 degrees per hour, it will take another 4 minutes to do this. Thus, a "solar day" is about 4 minutes longer than a sidereal day (or, conversely, a sidereal day is about 4 minutes shorter than a solar day). In astronomy, NOTHING is simple!!! Larry London, UK  1,, Summary-line: 3-Mar lpinsker@erols.com [46] #Sighting among the teddy bears X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 03 Mar 2003 16:31:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h23LVpqG017738; Mon, 3 Mar 2003 16:31:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id QAA11204 for ; Mon, 3 Mar 2003 16:20:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.5/8.12.5) with SMTP id h23LKVYt011338; Mon, 3 Mar 2003 16:20:31 -0500 (EST) Date: Mon, 3 Mar 2003 16:20:31 -0500 (EST) Message-Id: <3E63C4A3.1E8A5A7B@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Sighting among the teddy bears MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 3 Mar 2003 16:20:31 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Sighting among the teddy bears X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The science fiction writers Poul Anderson and Gordon Dickson collaborated on several stories concerning a species called the Hokas. Resembling living teddy bears, these creatures were fascinated by Earth's past and would, at the drop of a hat or less, begin playing out stories from different eras...without regard to whether they were fact or fiction. Moreover, they didn't care about potential inconsistencies: it was always full speed ahead with them. So, what has this to do with G&S? In one of the collections of Hoka stories, entitled "Hoka! Hoka! Hoka!", we see the following: Describing an agent of the Interstellar Bureau of Investigation, the authors say "He was the very model of a modern major operative." A fleet, supposedly British, which is readying to sail against a supposed Napoleon Bonaparte, contains the ships INTOLERABLE, INCORRIGIBLE...and PINAFORE. A group of Hokas believe they are in the French Foreign Legion, and the only recurring human character (the ambassador from the Interbeing League; I imagine it's something like STAR TREK's Federation) is drafted into it. When he meets his fellow Legionnaires, one introduces himself by singing: "My name is John Wellington Wells/I'm a dealer in magic and spells..." Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 11-Mar mstorie@nwlink.com [111] #Re: Orchestrations for UMGASS GRAND DUKE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 11 Mar 2003 00:23:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2B5Npj2027500; Tue, 11 Mar 2003 00:23:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA01798 for ; Tue, 11 Mar 2003 00:23:51 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2B5NFLk006162; Tue, 11 Mar 2003 00:23:15 -0500 (EST) Date: Tue, 11 Mar 2003 00:23:15 -0500 (EST) Message-Id: <3E6D7A46.D08CEF7@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 11 Mar 2003 00:23:15 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Orchestrations for UMGASS GRAND DUKE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) About a month ago, Ian Bond posted some comments on shortcoming in the Seattle "Grand Duke" band parts. After returning to Seattle and having time to look at the parts, Seattle Music Director (Emeritus) Alan Lund has the following comments. Ian had written: This is very interesting and in a private reply Mike has enlightened me on the sources used by Seattle to create the band parts. What saddens me is that, taking into account the sources used, and the fact that in several places the vocal score supplied by Seattle indicates optional cuts (e.g. the second verse of the Rudolph/Baroness duet Act One No 10), the band parts are actually incomplete, the orchestrations for bars 9-12 vsp 57 are not included making a two verse rendition of the number impossible unless someone orchestrates the necessary bars. Likewise the melodrame music under Ludwig's dialogue (vsp 146) which is presented complete on the UMGASS recording, is incomplete in the Seattle band parts. Inconsistent with this is the fact that "At the outset" which Seattle suggest may be cut down to two verses, is presented in such a way in the band parts that the full three verse version can be performed if desired. I am sure that no one including myself, would wish to detract from the great service that Seattle have done with regard to creating a useable set of band parts for GD, I just wish that they had transcribed every note that was available to them so that individual companies could make the choice as to what they include or omit. As they stand, these band parts are a great asset to me in persuading companies in my part of the world to perform the opera, but I do have to ask a musical director to orchestrate missing passages if I want to perform the work in as complete a version as possible. Ian (Somerset UK) Alan Lund responds: He (Ian) is absolutely right about the missing measures. The reason we did that is because they were NOT on the D'Oyly Carte recording, and that is what we used as our pattern for creating the orchestration. The original band parts did have these measures included, but were cut on the recording. (There are also missing measures in the Act One Finale but these were never in the original orchestration.) There are a few inconsistencies between the piano/vocal and the orchestration. All the inconsistencies are referred to in the list of notes in the front of the piano/vocal score. So... what to do? The missing measures should probably be inserted into the band parts so performers can have the option. All the missing measures are for strings only, so it is not a terribly huge project to write out the notes. It does create a few headaches, however: * The band parts will have to be re-done, and new edited pages offered to any purchaser who thinks he needs the missing bars. * The conductor's score will have to be edited as well, which messes up the page numbering system. We will have to use a, b, after page numbers rather than re-numbering the entire score. Then the new pages will have to be offered to any purchaser who wants them. * The piano-vocal will have to have the missing bars inserted in #24 and masters re-done. Then the new pages will have to be offered to any purchaser who wants them. Do you know anyone that wants to do this? Seriously, we will do it, only because we should not (and cannot) leave it undone. What we are wondering is, first, if Ian Bond has an upcoming production of Grand Duke where he needs the edited pages, and second, when you have a moment, think through how to get the edited pages to the people who need them. Can this be done by a Savoynet post? Or should we just wait until someone cries "HELP!"? We can mail edited pages but won't replace whole books. If Ian Bond does not have a pending production, we will just fit it into our schedule as best we can. Bottom line, we can fix all of Ian's worries and make his life easier! We will never achieve the status of "critical edition", however. Will this monkey never go away? Alan & Ellen Lund Speaking as a producer (He who writes checks) I suggest that Ian's comments ant Alan's response be included as notes with the band parts. It sounds like a case of diminishing returns to spend much more time on re-doing the orchestrations. Presently, we're off on another orchestration project to be announced soon. In the meantime I just finished three weekends (100 performers) of auditions for "The Gondoliers" and need to make some phone calls. Mike Storie Producer Seattle G&S Society  1,, Summary-line: 11-Mar rdi00@uso.keele.ac.uk [32] #Buxton Opera House centenary Appeal X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 11 Mar 2003 09:42:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2BEgYFd017462; Tue, 11 Mar 2003 09:42:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id JAA24347 for ; Tue, 11 Mar 2003 09:38:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2BEc7Lk022673; Tue, 11 Mar 2003 09:38:07 -0500 (EST) Date: Tue, 11 Mar 2003 09:38:07 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rdi00@uso.keele.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "C.M. Wain" To: Multiple recipients of list SAVOYNET Subject: Buxton Opera House centenary Appeal MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: ELM [version 2.5 PL3] X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 11 Mar 2003 09:38:07 -0500 (EST) Reply-To: rdi00@uso.keele.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "C.M. Wain" To: Multiple recipients of list SAVOYNET Subject: Buxton Opera House centenary Appeal X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) All savoynetters who have been to the Buxton festival, particularly those who have performed on stage, will know that the Opera House is both a very beautiful theatre and a very old-fashioned one. Following the refurbishment that was done recently on the auditorium etc (at a cost of 2m pds), they are now trying to raise money to improve and update the equipment behind the scenes - eg a modern orchestra pit lift, a powered system to change the scenery instead of the man-hauled hemp rope system, a permanently dry orchestra pit and understage storage area, a new lighting console, and new air-conditioning and heating in the auditorium (only the duct work could be afforded 2 years ago, not the actual machinery). If anyone would like to support this very worthwhile cause, the Opera House would love to hear from you. The website is www.buxton-opera.co.uk, or email admin@buxtonopera.co.uk. Chris (not connected with the appeal except as a contributor)  1,, Summary-line: 11-Mar hxd9@yahoo.com [54] #MTG seeking a PRODUCER for INTO THE WOODS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 11 Mar 2003 17:26:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2BMPxq5024823; Tue, 11 Mar 2003 17:25:59 -0500 (EST) Received: from web21007.mail.yahoo.com (web21007.mail.yahoo.com [216.136.227.61]) by fort-point-station.mit.edu (8.9.2/8.9.2) with SMTP id RAA10630 for ; Tue, 11 Mar 2003 17:25:41 -0500 (EST) Message-ID: <20030311222541.43963.qmail@web21007.mail.yahoo.com> Received: from [209.48.172.23] by web21007.mail.yahoo.com via HTTP; Tue, 11 Mar 2003 14:25:41 PST Date: Tue, 11 Mar 2003 14:25:41 -0800 (PST) From: MTG Reply-To: mtg-announce@MIT.EDU Subject: MTG seeking a PRODUCER for INTO THE WOODS To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 11 Mar 2003 14:25:41 -0800 (PST) From: MTG Reply-To: mtg-announce@MIT.EDU Subject: MTG seeking a PRODUCER for INTO THE WOODS To: mtg-announce@mit.edu X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild is now seeking a PRODUCER for its summer 2003 production of: INTO THE WOODS SHOW DATES: August 29-31, September 4-6, and 11-13 INTO THE WOODS blends five of Grimms' famous fairy tales with an original story of a childless Baker and his Wife, who attempt to reverse a curse on their family in order to have a child. The show features the stories of "Cinderella," "Rapunzel," "Little Red Rising Hood" and "Jack the Giant Killer" as it explores what happens after the "happily ever after." ******************************************************************** To schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: Interviews for production staff positions are open to everyone, including those not affiliated with MIT. The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." ****************************************************************** bcc'd to mtg-members@mit.edu __________________________________________________ Do you Yahoo!? Yahoo! Web Hosting - establish your business online http://webhosting.yahoo.com  1,, Summary-line: 11-Mar SSilvers@sskfny.com [29] #Midis for Utopia X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 11 Mar 2003 17:49:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2BMnFVA025698; Tue, 11 Mar 2003 17:49:19 -0500 (EST) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id RAA09711 for ; Tue, 11 Mar 2003 17:44:55 -0500 (EST) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.8/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h2BMijFs026653; Tue, 11 Mar 2003 22:44:45 GMT Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id WAA07180 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 11 Mar 2003 22:42:28 GMT Received: by mserv1.dl.ac.uk id WAA07159 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 11 Mar 2003 22:42:21 GMT Received: from mserv7.dl.ac.uk (+IkDzmVLi9OhgG8f+zxYolf86zJE6y6T@mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id WAA07152 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from SSilvers@sskfny.com); Tue, 11 Mar 2003 22:42:16 GMT X-DL-MFrom: X-DL-Connect: <[208.195.240.132]> Received: from mail.sskfny.com ([208.195.240.132]) by mserv7.dl.ac.uk (8.12.8/8.12.8/[ref postmaster@dl.ac.uk]) with SMTP id h2BMekvD014157 for ; Tue, 11 Mar 2003 22:40:47 GMT Received: from SSDOM-Message_Server by mail.sskfny.com with Novell_GroupWise; Tue, 11 Mar 2003 17:37:22 -0500 Message-Id: X-Mailer: Novell GroupWise 5.5.5 Date: Tue, 11 Mar 2003 17:37:16 -0500 From: "Samuel Silvers" To: , , Subject: Midis for Utopia Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id h2BMekvD014157 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: <[208.195.240.132]> Date: Tue, 11 Mar 2003 17:37:16 -0500 From: "Samuel Silvers" To: , , Subject: Midis for Utopia Content-Disposition: inline X-MIME-Autoconverted: from quoted-printable to 8bit by mserv7.dl.ac.uk id h2BMekvD014157 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Clifton Coles wrote: Savoynetters: if you're working on midi files of any G&S or G&S-related or -era works, please let us all know -- or just let me know if there are privacy issues. >>> Dear all: David Cookson, our beloved accompanist and stage manager can be contacted at david@musicalsolutions.com . He will e-mail midi files for Utopia to anyone in the show. These midi files are of extremely high quality, and David sells them commercially to everyone but ourselves, so he cannot post them to the Archive. He is already giving away the considerable sweat of his talented brow for free to Savoynet show participants. They are the poor devil's living, you know! By the way, for questions of procedure concerning the show, one should use the b99 list, not SavoyNet. Thank you! (Offers you a cracker; screams) Sam "the public exploder" Silvers  1,, Summary-line: 12-Mar to: nbozard@mit.edu [28] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 12 Mar 2003 02:03:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2C73a1V023557; Wed, 12 Mar 2003 02:03:36 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id CAA02181; Wed, 12 Mar 2003 02:01:25 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h2C70f0x009769; Wed, 12 Mar 2003 02:00:41 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id CAA08588; Wed, 12 Mar 2003 02:00:41 -0500 (EST) Date: Wed, 12 Mar 2003 02:00:41 -0500 (EST) Message-Id: <200303120700.CAA08588@multics.mit.edu> From: "David C. Jedlinsky" To: nbozard@mit.edu Subject: Re: Duke Videos X-Spam-Score: -2.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 12 Mar 2003 02:00:41 -0500 (EST) From: "David C. Jedlinsky" To: nbozard@mit.edu Subject: Re: Duke Videos X-Spam-Score: -2.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Nick. Any word on when you'd like to hold the Duke video party? I've got some bad news regarding the Pinafore video. It appears we had an equipment malfunction when we recorded the show, and one of the master tapes is not useable. What we *do* have is the proper soundtrack, and the secondary (alternate) video shots. This means that most of the show is watchable (more than 90%), but there are times that the person singing/speaking is not on camera. Since there's no conceivable way to fix this, I will make up to 45 VHS copies (the original count) of what we do have for free. Please let me know how many you'd like. I apologize for the failure. -Dave  1,, Summary-line: 12-Mar sir-despard@ruddigore.fre [95] #Systranned G&S III X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 12 Mar 2003 19:05:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2D04b7C005199; Wed, 12 Mar 2003 19:05:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA03416 for ; Wed, 12 Mar 2003 19:04:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2D03hLk005835; Wed, 12 Mar 2003 19:03:43 -0500 (EST) Date: Wed, 12 Mar 2003 19:03:43 -0500 (EST) Message-Id: <000901c2e8f1$7760f340$179f87d9@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Systranned G&S III MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 12 Mar 2003 19:03:43 -0500 (EST) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mike Nash" To: Multiple recipients of list SAVOYNET Subject: Systranned G&S III X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've paid another visit to the Systran automatic language translation web site, feeding in a G&S lyric, translating it into various languages and then back into English. Since last year they've expanded the scope of languages the web site offers, so it's no longer just Western European languages. English: You're a regular wreck with a crick in your neck, And no wonder you snore for your head's on the floor, And you've needles and pins from your soles to your shins, And your flesh is a-creep, for your left leg's asleep, And you've cramp in your toes, and a fly on your nose, And some fluff in your lung and a feverish tongue, And a thirst that's intense, and a general sense That you haven't been sleeping in clover; But the darkness has passed, and it's daylight at last, And the night has been long, ditto, ditto, my song, And thank goodness they're both of them over! Dutch: You are a regular wreck with crick in your neck, and no wonder you snore for your head on the floor, and have you needles and pin of your soles to your shins, and your flesh is a-kruipen, for your linker in sleep leg, and have you klem in your toes, and a fly on your nose, and what pluis in your lung and feverish tongue, and a thirst which an intense, and general meaning that you have not slept in clover; But darkness has proceeded, and it is daglicht eventual, and the night is long, idem, idem, my song, are and goodness thanked they both concerning its! Japanese: Because whether _ ? systematic ruin and the crick your neck, and wonderful your snore of your head floor, and the ?, from the needle and the pin to your sole your shins, and your meat ? creeping, for the sake of your left foot sleeping, and the holding spasm your toe, and it grows and your nose, and the cotton wool your lung and is enthusiastic tongue, and the ? sleeping clover which is not the holding, the thirst ? strongly, and general feeling; But it crosses the darkness, it is the sunlight lastly, the night is long, in the same way and in the same way, my song, those appreciate in both merit! Korean: In the warm air current under this schedule of you inside crick your neck and the wondering your nose Golh it falls in the hazard your head, and from your Iss needle and the pin your gear five lu, and your flesh crawls in your sole of a foot, inside hazard your left leg falling sleep Iss and your Iss cramp in your toe and flight range your nose and some f lu inside the ff you phyey and under fretfulness the tongue and thirst under, and general feeling intension inside this person who is not your Iss the clover; The darkness passes but, finally one storehouse and night route and criminal record together, criminal record together, my song, this both sides end I of them thank a virtue! Chinese: You are the rule wreck with a pain convulsion in yours neck, and your no wonder snort for yours head on floor, and you have the needle and the brooch walk from yours shoe sole to you, and your flesh and blood is wriggles, rests for yours left leg, and you have the cramp in yours toe, with a flight in yours nose, with some downs in yours lung and a frantic tongue, with is intense ??, and generally felt you have not slept in the clover; But dark passed, and it is the daytime final, and the night is long, similarly, similarly, my song, with thank their their two conclusions goodness! Russian: You budete regularly by wreck with the tension of muscles in your neck, and by any interest, is which you you khrapeyete for your head on it fell, and you imeyete needle and pintles from your soles to your shins, and your flesh wakes -.POLZUccEST6H, for your left foot of that fallen asleep, and you imeyete it rooted out in your fingers of leg, and fly on your nose, and a certain fluff in your legke and feverish language, and thirst which was intensive, and generally a feeling that you did not sleep in clover; But by the darkness it passed, and wakes daylight on the latter, and nocha of dlinnya, ditto, ditto, my song, and is thanked goodness, which they they will be both of them over! Mike Nash "A twisted monster, all awry"  1,, Summary-line: 13-Mar jlourenco1@attbi.com [43] #Change of e-mail address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Mar 2003 09:11:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2DEBgfd019274; Thu, 13 Mar 2003 09:11:42 -0500 (EST) Received: from sccrmhc01.attbi.com (sccrmhc01.attbi.com [204.127.202.61]) by fort-point-station.mit.edu (8.9.2/8.9.2) with ESMTP id JAA13762 for ; Thu, 13 Mar 2003 09:11:42 -0500 (EST) Received: from lourenco2 (h00045a41c682.ne.client2.attbi.com[24.61.13.63]) by sccrmhc01.attbi.com (sccrmhc01) with SMTP id <2003031314114100100bv5kie>; Thu, 13 Mar 2003 14:11:42 +0000 From: "Joe & Jenna Lourenco" To: "Sherry Fornwalt" , "Rebecca Hains" , "Alice & Tim O'Rourke" , "Brenna Pomeroy" , "Dave Jedlinsky" , "Dawn Mikulastik" , "Eunice Ferreira" , "Hilde Heremans" , "Jacques & Nat Lambert" , "Janice Dallas" , "Joanna Bair" , "Lexie & Wayne Shaw" , "Louise Cash" , "Maureen O'Neil" , "Peter Sofronas" , "Sarah Consentino" Subject: Change of e-mail address Date: Thu, 13 Mar 2003 09:11:07 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Joe & Jenna Lourenco" To: "Sherry Fornwalt" , "Rebecca Hains" , "Alice & Tim O'Rourke" , "Brenna Pomeroy" , "Dave Jedlinsky" , "Dawn Mikulastik" , "Eunice Ferreira" , "Hilde Heremans" , "Jacques & Nat Lambert" , "Janice Dallas" , "Joanna Bair" , "Lexie & Wayne Shaw" , "Louise Cash" , "Maureen O'Neil" , "Peter Sofronas" , "Sarah Consentino" Subject: Change of e-mail address Date: Thu, 13 Mar 2003 09:11:07 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everyone, This is just an announcement that our e-mail provider is changing to Comcast. I feel like I send one of these out way too often with all the mergers lately, but hopefully there won't be anymore changes in the near future. This will mean that our e-mail address is now jlourenco1@comcast.com. If this e-mail isn't already from that address, the change will probably occur before the end of the week. Thanks, Jenna, Joe & Connor Lourenco  1,, Summary-line: 14-Mar nbozard@MIT.EDU [47] #Re: Duke Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Mar 2003 11:55:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2EGtqWJ015019; Fri, 14 Mar 2003 11:55:52 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id LAA09589 for ; Fri, 14 Mar 2003 11:55:52 -0500 (EST) Received: from mit.edu (M12-182-11.MIT.EDU [18.19.0.42]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h2EGtp0x018099 for ; Fri, 14 Mar 2003 11:55:51 -0500 (EST) Message-ID: <3E720997.5080801@mit.edu> Date: Fri, 14 Mar 2003 11:55:51 -0500 From: Nick Bozard User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.2.1) Gecko/20030108 X-Accept-Language: en-us, en MIME-Version: 1.0 To: "David C. Jedlinsky" Subject: Re: Duke Videos References: <200303120700.CAA08588@multics.mit.edu> In-Reply-To: <200303120700.CAA08588@multics.mit.edu> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Mar 2003 11:55:51 -0500 From: Nick Bozard X-Accept-Language: en-us, en To: "David C. Jedlinsky" Subject: Re: Duke Videos In-Reply-To: <200303120700.CAA08588@multics.mit.edu> X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It looks like it won't be happening until sometime after Utopia. I want to think we were aiming for a Saturday afternoon, but I don't recall off the top of my head. Speaking of Utopia, has Catherine contacted you about videotaping it? (Then would be an excellent time to bring the Duke videos as well). That's unfortunate about the Pinafore video. Ah well, these things happen. I'll get back to you on what we'd like. Thanks. Nick David C. Jedlinsky wrote: > Hi Nick. > > Any word on when you'd like to hold the Duke video party? > > I've got some bad news regarding the Pinafore video. It appears we > had an equipment malfunction when we recorded the show, and one of the > master tapes is not useable. What we *do* have is the proper > soundtrack, and the secondary (alternate) video shots. This means > that most of the show is watchable (more than 90%), but there are > times that the person singing/speaking is not on camera. > > Since there's no conceivable way to fix this, I will make up to 45 VHS > copies (the original count) of what we do have for free. Please let > me know how many you'd like. > > I apologize for the failure. > > -Dave  1,, Summary-line: 17-Mar zacheiss@MIT.EDU [95] #Kerberos v4 Interrealm disabled from Athena KDCs: potentially affects AFS and Zephyr use X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 17 Mar 2003 00:32:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2H5WCwt000779; Mon, 17 Mar 2003 00:32:12 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id AAA07935; Mon, 17 Mar 2003 00:32:10 -0500 (EST) Received: from riff-raff.mit.edu (RIFF-RAFF.MIT.EDU [18.101.1.38]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h2H5WA0x019074; Mon, 17 Mar 2003 00:32:10 -0500 (EST) Received: (from zacheiss@localhost) by riff-raff.mit.edu (8.9.3) id AAA32614; Mon, 17 Mar 2003 00:32:10 -0500 Message-Id: <200303170532.AAA32614@riff-raff.mit.edu> To: ops@MIT.EDU, release-team@MIT.EDU X-Bcc-To: athena-outage@mit.edu Reply-To: release-team@MIT.EDU Subject: Kerberos v4 Interrealm disabled from Athena KDCs: potentially affects AFS and Zephyr use Date: Mon, 17 Mar 2003 00:32:10 -0500 From: Garry Zacheiss X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: ops@MIT.EDU, release-team@MIT.EDU X-Bcc-To: athena-outage@mit.edu Reply-To: release-team@MIT.EDU Subject: Kerberos v4 Interrealm disabled from Athena KDCs: potentially affects AFS and Zephyr use Date: Mon, 17 Mar 2003 00:32:10 -0500 From: Garry Zacheiss X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Earlier today, vulnerabilities in the Kerberos v4 protocol were made public. These vulnerabilities specifically affect support for interrealm authentication in Kerberos v4; please see: http://lists.netsys.com/pipermail/full-disclosure/2003-March/004525.html for detailed information regarding the vulnerabilities. As a result of this disclosure, Kerberos v4 interrealm support has been disabled on the ATHENA.MIT.EDU KDCs. This change will not affect Athena users authenticating to Athena services. This change may affect AFS and Zephyr use in some cases, and those cases are detailed below. 1.) Use of interrealm Zephyr. Users who authenticate directly to the MIT zephyr servers using a non-ATHENA.MIT.EDU Kerberos principal; for example, by kinit'ing as a non-ATHENA.MIT.EDU principal on an Athena workstation or a non-Athena workstation whose zhm is pointed at the MIT zephyr servers will not be able to get subscriptions, instead receiving an error of the form: zwgc: Kerberos principal unknown while setting location zwgc: Kerberos principal unknown while loading subscription files Users at sites who participate in MIT zephyr via server-to-server interrealm (several CMU.EDU realms, etc.) will experience some slightly confusing behavior. When the zephyr servers for the remote realm have their authentication expire sometime early Monday morning, these users will no longer be able to get subscriptions at MIT, although they will still be able to send unauthentically. MIT users will be likewise affected when attempting to send or receive zephyrs from remote realms that have disabled Kerberos v4 interrealm. There is no workaround available in either case. 2.) Authentication to MIT AFS cells from a non-ATHENA.MIT.EDU Kerberos principal. Effectively immediately, users who do this will need to use a Kerberos v5 based aklog. On Athena 9.1 workstations, /bin/athena/aklog is still krb4 based, and will not work for this purpose. A Kerberos v5 based aklog will be incorporated in the Athena 9.2 release this summer, and is available on current Athena machines as "aklog5" in the sipb locker. Because we do not believe there is a large number of users doing this, we do not currently anticipate incorporating a v5 based aklog into Athena 9.1. However, if you feel we've underestimated demand for this service, please feel free to send mail to release-team@mit.edu. Users authenticating to MIT AFS cells from non-ATHENA.MIT.EDU Kerberos principals should contact their local system administrators to request that aklog be upgraded to one that is v5 based, such as the Heimdal "afslog" or Ken Hornstein's aklog from the afs-krb5 migration kit; note that this aklog is packaged for Redhat Linux as part of the openafs.org openafs-krb5 RPM, and is available on Debian Linux as well. 3.) Authentication to foreign AFS cells from Athena workstations using an ATHENA.MIT.EDU principal. This should only become an issue as other realms disable their interrealm Kerberos v4 support. Users encountering this issue will see an error message of the form: aklog: Couldn't get foo.edu AFS tickets: Principal unknown (kerberos) when issuing the command "aklog foo.edu" on an Athena workstation. Users encountering this issue should try using the "aklog5" command in the sipb locker. This will only work if the remote site has updated both their krb524d and their AFS installation to fairly recent versions (MIT krb5 1.2.6 or later, OpenAFS 1.2.8 or later). These users should be referred to the administrators of the remote site for further assistance. I hope this information is helpful; please let us know by sending mail to release-team@mit.edu if you have any questions. Feel free to forward this to anyone who didn't originally receive it and would find it useful. Garry  1,, Summary-line: 18-Mar jana_ch@blarg.net [49] #Re: When I first put this uniform on - query X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 Mar 2003 15:20:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2IKK0Ki026530; Tue, 18 Mar 2003 15:20:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id PAA01026 for ; Tue, 18 Mar 2003 15:19:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2IKJQLk018989; Tue, 18 Mar 2003 15:19:29 -0500 (EST) Date: Tue, 18 Mar 2003 15:19:26 -0500 (EST) Message-Id: <3E777C2B.000001.10547@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: When I first put this uniform on - query MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.1.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 Mar 2003 15:19:26 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: Re: When I first put this uniform on - query X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) =?iso-8859-1?q?George=20Low?= wrote: > Not at all; it rhymes with "few" in the first line. > On the contrary, the fact that the chorus of the > second verse doesn't rhyme ("few" ... "that") worries > me far more. It says a great deal for Sullivan's creative use of rhythm that I, who am picky about such things, never noticed the lack of rhyme before. And when the properly rhymed version was first posted, I not only failed to identify at first the word that rhymed with "too," I also thought to myself, "But that doesn't scan! How does the extra syllable fit in?" I had to banish Sullivan's rhythm forcibly from my mind and chant the verse like a nursery rhyme: By a SIMple coINcedence FEW Could EVer have COUNTEDed uPON, The SAME thing ocCURRED to me, TOO, When I FIRST put this UNiform ON. There was Gilbert's scansion and rhyme, as precise and flawless as ever. The genius of our two heroes never ceases to amaze me. Think of all the dull pop songs one hears in which the composer makes no attempt to go beyond the basic verse-structure of the lyric. Maybe that's the difference between a real composer and a singer who writes his own songs. Jana C. Hollingsworth Seattle Saith Floss Forbes: "If you don't know the tune, sing tenor." P.S. It should be obvious, but just in case it isn't: I do NOT intend to imply that the only good composers in the world are those who do not perform their own songs. Please give me credit for possessing a soupcon of logic, and I will do the same for you. ;>)  1,, Summary-line: 19-Mar gcmcelroy@ameritech.net [134] #Re: Sullivan edits Gilbert X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Mar 2003 00:50:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2J5oHob021095; Wed, 19 Mar 2003 00:50:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.9.2/8.9.2) with ESMTP id AAA05684 for ; Wed, 19 Mar 2003 00:47:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2J5ktLk021610; Wed, 19 Mar 2003 00:46:55 -0500 (EST) Date: Wed, 19 Mar 2003 00:46:55 -0500 (EST) Message-Id: <000701c2edda$6b4f2e80$040f3941@default> Errors-To: savoynet-owner@bridgewater.edu Reply-To: gcmcelroy@ameritech.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "George C. McElroy" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan edits Gilbert MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Mar 2003 00:46:55 -0500 (EST) Reply-To: gcmcelroy@ameritech.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "George C. McElroy" To: Multiple recipients of list SAVOYNET Subject: Re: Sullivan edits Gilbert X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have to tell you that Jane Stedman died, March 6, from complications following a big circulatory operation in January. She bequeathed her Gilbert material to the Harvard Theatre Collection, because Ric Wilson, formerly curator of the Pierrepont Morgan Library's extensive G&S collection, is now curator at Harvard. If anyone wishes to make a contribution in her name it should go to Ric at the Harvard collection. There will be a memorial service April 5 in the U of Chicago's bond chapel, 20:00 to noon. I apologize for using this device to get on the net, but I've tried 3 times, and each time it bounced, for whatever reasons. George McElroy George McElroy 1411 E. 54th Pl. Chicago, IL 60615-5404 773-288-4918 ----- Original Message ----- From: "Andrew Crowther" To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, March 18, 2003 4:02 PM Subject: Sullivan edits Gilbert > Adam Cuerden: > > >Arac's song "With it's right or wrong ha ha > >We have no concern > > > >(Which I think is usually sung "That is not our concern"?) > > > Umm... Is it? The recordings I have use "We have no concern", and I don't > see how "That is not our concern" could work--it shreds the grammar and adds > a syllable that can't be easily dealt with. > > But Adam's general point is well taken. There are times when Sullivan seems > to have quietly adjusted Gilbert's words and... did Gilbert not notice? Did > he agree to let the rhyme go hang for the sake of Sullivan's music? > > The missing words in the chorus of "When I first put this uniform on" are a > good example. Or take "In a contemplative fashion": > > TESSA: If she married Messer Marco > You're a spinster, that is plain-- > GIANETTA: No matter, no matter, > If I can get at her > I doubt if her mother would know her again! > > This is how the words are quoted in my old Macmillan edition of the > libretti--but Sullivan set Tessa's lines without "that is plain"--making the > line much sharper, but also destroying Gilbert's rhyme. > > Or in the Act 1 Finale to "Utopia, Limited", we have a brief Quartet "Ye > pilgrims from a mighty State", which is eight lines long in the standard > libretto, but which as Sullivan set it is only six lines long, with the > final two being quietly mislaid--ruining the form of the verse, leaving one > line without a rhyme, and changing the meaning of the words: > > Ye pilgrims from a mighty State, > Oh, teach us how to legislate-- > Your lightest word will carry weight > In our attentive ears. > Oh, teach the natives of this land > (Who are not quick to understand) > [How to work off their social and > Political arrears!] > > The words in square brackets are the "missing" lines. Please remember that > I'm not suggesting these lines are particularly brilliant: I'm only pointing > out that Sullivan cut them, thus making the verse less regular, and that > Gilbert doesn't seem to have objected. > > Adam continued: > >What happened in cases like this? Reworking by Sullivan? Gilbert didn't > >check his librettos? > > Both, I think. Gilbert must have noticed most of these changes in rehearsal, > and approved them. I can't imagine a writer not noticing a change like this > in something he had just written. But if we accept the idea that he approved > of changes which made his verses less orderly, less regular--then a picture > of Gilbert emerges as being rather less "precious" about what he had written > than we usually assume. > > One other thing. This is just a theory, but.... We know how Gilbert worked > in the period up to opening night, and just beyond in the cases where > post-prouction cuts were thought necessary. Gilbert would thrash out a plot, > discuss it with Sullivan in a long "powwow", write lyrics and dialogue, > block out the action on his miniature stage, conduct rehearsals, trim and > refine and adjust in collaboration with Sullivan. > > *But*.... What happened *after* the script had been finalised, when the > production was up and running? The "approved version" is presumably recorded > in the prompt books. But did Gilbert sit down and prepare a final version > for publication? Obviously not. The texts as published in "Original > Plays"--which he proofread--are full of mistakes, early versions, unset > lines, etc. It seems obvious to me that Gilbert simply lost interest in a > piece once it was safely on the stage. We know a depressed sense of creative > emptiness would overcome him after opening night. He simply wasn't > interested in the non-creative, book-keeping task of seeing a final > "authorised" version through the press. It would be the next project, the > challenge of new stories to tell and new jokes to crack, that excited him. > > Or so it seems to me. > > - Andrew.  1,, Summary-line: 19-Mar ajcrowth@globalnet.co.uk [53] #Jane Stedman X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Mar 2003 03:20:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2J8KVkm005877; Wed, 19 Mar 2003 03:20:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h2J8KUPF005239 for ; Wed, 19 Mar 2003 03:20:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2J8KELk023957; Wed, 19 Mar 2003 03:20:14 -0500 (EST) Date: Wed, 19 Mar 2003 03:20:14 -0500 (EST) Message-Id: <01c2edec$aba9ec60$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Jane Stedman MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Mar 2003 03:20:14 -0500 (EST) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Jane Stedman X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) George McElroy, husband of Jane Stedman, wrote: >I have to tell you that Jane Stedman died, March 6, from complications >following a big circulatory operation in January. > She bequeathed her Gilbert material to the Harvard Theatre Collection, >because Ric Wilson, formerly curator of the Pierrepont Morgan Library's >extensive G&S collection, is now curator at Harvard. If anyone >wishes to make a contribution in her name it should go to Ric at the >Harvard collection. There will be a memorial service April 5 in the U of >Chicago's bond chapel, 20:00 to noon. I'm reposting this whole message to make sure it doesn't get overlooked under its previous subject heading. Professor Jane Stedman was, of course, the greatest living authority on Gilbert. Her edition of the German Reed libretti, "Gilbert Before Sullivan" (1967) and her biography "W.S. Gilbert: A Classic Victorian and his Theatre" (1996) will stand as her great achievements in the field. When she started writing about Gilbert in the academic journals in the 1950s and 1960s, she was, if not the only writer on Gilbert, at least the only one who really knew what she was talking about. "Gilbert Before Sullivan" is a superb book--the best reply to anyone who says Gilbert didn't write anything good outside his work with Sullivan. Jane's Introduction is superb. This book is one of the main reasons why I became hooked on Gilbert in the first place. More have joined the field since then, but her 1996 biography showed that she was still far ahead of everyone else even thirty years on. When Benny Green blithely declared on BBC Radio that the biography contained nothing new, he was (to put it kindly) displaying extraordinary chutzpah. The book was a revelation for anyone who has a real interest in the subject. I've already offered my condolences to George, but I wanted to say a few words about her in tribute. I have to go to work in 3 minutes, but this will have to do for now. - Andrew.  1,, Summary-line: 19-Mar setiweb@ssl.berkeley.edu [131] #SETI@home news bulletin X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Mar 2003 15:05:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2JK5hQV013157; Wed, 19 Mar 2003 15:05:43 -0500 (EST) Received: from koloth.ssl.berkeley.edu (koloth.ssl.berkeley.edu [128.32.18.153]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h2JK1j8A010316 for ; Wed, 19 Mar 2003 15:01:46 -0500 (EST) Received: (from setiweb@localhost) by koloth.ssl.berkeley.edu (8.9.3/8.9.3) id MAA29212 for opus@mit.edu; Wed, 19 Mar 2003 12:01:43 -0800 (PST) Date: Wed, 19 Mar 2003 12:01:43 -0800 (PST) From: SETI Web Message-Id: <200303192001.MAA29212@koloth.ssl.berkeley.edu> Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Mar 2003 12:01:43 -0800 (PST) From: SETI Web Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear opus: This is an exciting time for SETI@home. On March 18-20 2003 we travel to the Arecibo radio telescope to re-observe the most promising "candidates" produced by our search so far. There is a chance that these new observations will yield the first real evidence of extraterrestrial life. Thanks for being part of this history-making effort! According to our records, you have processed 4752 work units, the most recent on December 10, 2000. Your contribution of computer time to SETI@home is greatly appreciated. If you have taken a break from SETI@home, now is a great time to start up again; you can download the latest software at http://setiathome.berkeley.edu/download.html Support SETI@home - Join The Planetary Society ---------------------------------------------- Without the unwavering support of The Planetary Society, we would not be embarking on this round of re-observations. We strongly urge all SETI@home users to join The Planetary Society and help keep our project alive. If you join now, you'll receive a free poster titled "Is Anybody Out There?" featuring an evocative image of the millions of stars near the center of our galaxy. Go to: http://planetary.org/html/member/SETIoffer.html The Planetary Society supports several different searches for extraterrestrial intelligence, as well as extra-solar planet research and many other worthwhile projects. For a look at the full range of their activities, visit http://planetary.org Thanks also to our other major sponsors: the University of California, Sun Microsystems, Network Appliance, Fujifilm Computer Products, and Quantum; and to individuals around the world who have generously donated to SETI@home: see http://setiathome.berkeley.edu/donor.html Scientific News --------------- With the help of participants like you, SETI@home has analyzed about 10,000 hours of data from the Arecibo radio observatory, producing a database of several billion events (spikes, Gaussians, pulses, and triplets). From this database, we have extracted the "candidates" that, in our judgement, have the greatest likelihood of coming from an extraterrestrial synthetic source. The factors in this evaluation include: - Signal power - Goodness of fit - Detection several different times - Proximity to a nearby star, especially one similar to our Sun. Our next step is to re-observe the top candidates by pointing a radio telescope at that location in the sky and checking for a similar signal. We applied for telescope time at Arecibo and were granted 24 hours, in three 8-hour chunks on March 18-20, 2003. If everything goes well, this will be enough time to re-observe about 150 candidates. The re-observations will be done using the main receiver at Arecibo, which has a smaller beam and greater sensitivity than the antenna we normally use. We'll record the re-observations on magnetic tape, both in our usual format of 2 bits per sample, and in a higher-resolution format with 8 bits per sample. Then we'll analyze the recorded data in three ways: - We'll do a fast analysis using computers at Arecibo; this will guide us in choosing candidates on which to spend more time. - We'll analyze the 2-bit data using the current SETI@home client; this will take place during the week or two after the Arecibo visit. - We'll analyze the 8-bit data using a new client program based on BOINC (see below), yielding better sensitivity. This will take place a month or two after the Arecibo visit. More information on the re-observation project is here: http://planetary.org/stellarcountdown/ Project News ------------ The re-observation is just one of the things keeping us busy. We have built a new data recorder capable of handling the 13-channel multibeam receiver at Parkes in Australia. This will produce data for our new "Southern SETI@home" project, which we hope to start later this year if we can raise the necessary funds. In addition, we are preparing a new distributed computing project, Astropulse, that will analyze our current SETI@home data, looking for evidence of evaporating black holes, fast pulsars, and new types of ET signals. See http://www.planetary.org/astropulses.html Our upcoming distributed computing projects will use the Berkeley Open Infrastructure for Network Computing (BOINC), which we are developing with support from the National Science Foundation. See http://boinc.berkeley.edu. BOINC will also be used by science research projects in other areas, such as molecular biology and climate prediction. BOINC lets you choose how much computer time to devote to each project. The transition from SETI@home to BOINC will be gradual. We'll continue to record new data at Arecibo even while BOINC ramps up; for now you can help us most by continuing to run SETI@home. Whether or not the re-observations find an ET signal, SETI@home has been a tremendous success and a lot of fun. We are very grateful for the participation and enthusiasm of our users all over the world, and we look forward to continuing working together to investigate the mysteries of the universe. Dr. David P. Anderson Project Director, SETI@home http://setiathome.berkeley.edu ---------------------------------------------------- If you wish to remove your name from the SETI@home email list, please go to the URL: http://setiathome.berkeley.edu/cgi-bin/cgi?cmd=unsub&a=922237&b=2928739  1,, Summary-line: 23-Mar tiuzzol@MIT.EDU [26] #Change of address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 Mar 2003 17:41:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2NMfLOc015603; Sun, 23 Mar 2003 17:41:22 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.9.2/8.9.2) with ESMTP id RAA29256 for ; Sun, 23 Mar 2003 17:40:50 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h2NMeo0x026607 for ; Sun, 23 Mar 2003 17:40:50 -0500 (EST) Received: (from tiuzzol@localhost) by scrubbing-bubbles.mit.edu (8.9.3) id RAA13548; Sun, 23 Mar 2003 17:40:50 -0500 (EST) Date: Sun, 23 Mar 2003 17:40:50 -0500 (EST) From: Terri Matsakis To: Subject: Change of address Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 23 Mar 2003 17:40:50 -0500 (EST) From: Terri Matsakis To: Subject: Change of address X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For those who might know Nick or I, we've changed apartments. We're now at Nick and Terri Matsakis 19 Knapp St. Somerville, MA 02143 with new phone number (617) 776-5053 Seeya! Terri (Iuzzolino) Matsakis  1, answered,, Summary-line: 23-Mar havasi@MIT.EDU [26] #Recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 Mar 2003 18:22:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2NNMIOa024657; Sun, 23 Mar 2003 18:22:18 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id SAA09548 for ; Sun, 23 Mar 2003 18:22:18 -0500 (EST) Received: from cathedral-seven.mit.edu (CATHEDRAL-SEVEN.MIT.EDU [18.7.16.65]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h2NNMH10028659 for ; Sun, 23 Mar 2003 18:22:17 -0500 (EST) Date: Sun, 23 Mar 2003 18:22:17 -0500 (EST) From: Catherine Havasi To: Subject: Recording Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 23 Mar 2003 18:22:17 -0500 (EST) From: Catherine Havasi To: Subject: Recording X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello! We were wondering if you guys wanted to record Utopia? Show dates are Friday and Saturday 4-5 at 8pm, April 6th, 2pm, April 10-12 8pm, Sunday 6 at 13 pm. We do have an understudy on Saturday April 12. I believe Nick may have talked to you about this earlier... Thanks! - Catherine --------------------------------------------------------------------------- Catherine Havasi MIT 2003, Random Hall 344 "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. -- Lewis Carroll  1,, Summary-line: 24-Mar rlcarr@MIT.EDU [22] #It's a girl! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 Mar 2003 19:40:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2P0eRhY019811; Mon, 24 Mar 2003 19:40:27 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA10394; Mon, 24 Mar 2003 19:36:55 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h2P0atV3007638; Mon, 24 Mar 2003 19:36:55 -0500 (EST) Received: (from rlcarr@localhost) by multics.mit.edu (8.9.3) id TAA05395; Mon, 24 Mar 2003 19:36:55 -0500 (EST) Date: Mon, 24 Mar 2003 19:36:55 -0500 (EST) Message-Id: <200303250036.TAA05395@multics.mit.edu> From: "Richard L. Carreiro" To: dinner@MIT.EDU cc: jtk@kolvir.arlington.ma.us, susang@kolvir.arlington.ma.us Subject: It's a girl! X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 24 Mar 2003 19:36:55 -0500 (EST) From: "Richard L. Carreiro" To: dinner@MIT.EDU cc: jtk@kolvir.arlington.ma.us, susang@kolvir.arlington.ma.us Subject: It's a girl! X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) John called me this evening and asked me to spread the word... Cheryl Suzanne came into the world at 2:18pm today. She is 9lb 9oz and 21" long. Everyone is doing fine (though tired :). Mom and baby will probably be in the hospital for a couple of days before heading home. == Rich  1,, Summary-line: 25-Mar chris@sounds-on-cd.co.uk [51] #Region coding of 66 DC Mikado DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Mar 2003 07:32:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2PCWTNT015838; Tue, 25 Mar 2003 07:32:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2PCWTDG010995 for ; Tue, 25 Mar 2003 07:32:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2PCWDLk026292; Tue, 25 Mar 2003 07:32:14 -0500 (EST) Date: Tue, 25 Mar 2003 07:32:14 -0500 (EST) Message-Id: <00a001c2f2c9$8390ac00$fa1a353e@Formby> Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Region coding of 66 DC Mikado DVD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Mar 2003 07:32:14 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Region coding of 66 DC Mikado DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I don't want to be responsible if I'm misunderstanding the situation here, but if I'm right then what I'm about to tell you may be helpful for a lot of US netters to know. Hopefully somebody may be able to assess the situation and confirm things. I recently got a laptop with a DVD drive and once it has played a certain type of region encoded disc so many times it sets itself permanently to that region. As my main DVD player is multi-regional my DVD collection contains a mixture of different region discs, but the US discs are the ones I play more often and the laptop has now set itself to the US setting and the 66 Mikado DVD is one of the discs that DOES still play. Unless I'm missing some technical point it would seem that this DVD should be fine for average US systems whereas I think the previous indication was that it was UK Region 2 only. If anyone wants to check the technical stuff further it might help you to know that my laptop is the UK edition of the Compaq Presario 2100 (which appears to be different from the US edition judging by the specs I've read on US sites), the drive is a Toshiba DVD-ROM SD-R2312 and the DVD software I'm using is Windows Media Player all of which runs on Windows XP. The DVD edition of the film that I'm talking about is the one on the BHE label which has recently been commented on here on Savoynet. I got my copy from www.splashdvd.com at a cheaper price than Amazon UK and post-free though they may only offer this deal for UK customers. Incidentally, does anyone know if there is a code-breaker thingy that will allow my laptop to be multi-region again. It obviously will play all regions if the code is reset. Regards Chris Croydon, UK  1,, Summary-line: 27-Mar to: havasi@MIT.EDU [44] #Re: Recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 27 Mar 2003 19:36:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2S0aosP029598; Thu, 27 Mar 2003 19:36:50 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.9.2/8.9.2) with ESMTP id TAA09893; Thu, 27 Mar 2003 19:36:48 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h2S0amV3006808; Thu, 27 Mar 2003 19:36:48 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id TAA10919; Thu, 27 Mar 2003 19:36:48 -0500 (EST) Date: Thu, 27 Mar 2003 19:36:48 -0500 (EST) Message-Id: <200303280036.TAA10919@multics.mit.edu> From: "David C. Jedlinsky" To: havasi@MIT.EDU In-reply-to: (message from Catherine Havasi on Sun, 23 Mar 2003 18:22:17 -0500 (EST)) Subject: Re: Recording References: X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 27 Mar 2003 19:36:48 -0500 (EST) From: "David C. Jedlinsky" To: havasi@MIT.EDU In-reply-to: (message from Catherine Havasi on Sun, 23 Mar 2003 18:22:17 -0500 (EST)) Subject: Re: Recording X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Catherine. Yes, we can tape Utopia. Given the understudy on the 12th, would it be better to tape on Saturday the 5th or Friday the 11th? If we tape on the 11th, you run the risk of getting the understudy performance if something screws up... -Dave >Date: Sun, 23 Mar 2003 18:22:17 -0500 (EST) >From: Catherine Havasi > >Hello! > >We were wondering if you guys wanted to record Utopia? Show dates are >Friday and Saturday 4-5 at 8pm, April 6th, 2pm, April 10-12 8pm, Sunday 6 >at 13 pm. We do have an understudy on Saturday April 12. > >I believe Nick may have talked to you about this earlier... > >Thanks! >- Catherine > >--------------------------------------------------------------------------- >Catherine Havasi MIT 2003, Random Hall 344 >"Would you tell me, please, which way I ought to go from here?" >"That depends a good deal on where you want to get to," said the Cat. > -- Lewis Carroll >  1,, Summary-line: 28-Mar mail@lsimons.plus.com [38] #Re: The "out-take" numbers: Archive? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 04:50:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2S9owsQ009436; Fri, 28 Mar 2003 04:50:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2S9ov3i007897 for ; Fri, 28 Mar 2003 04:50:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2S9oiLk001754; Fri, 28 Mar 2003 04:50:44 -0500 (EST) Date: Fri, 28 Mar 2003 04:50:44 -0500 (EST) Message-Id: <002201c2f50d$af9ee000$d3b82e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: The "out-take" numbers: Archive? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 04:50:44 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: The "out-take" numbers: Archive? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Andi" wrote > Before posting my frantic plea for "A Laughing Boy", naturally I > searched the G&S Archive. MIDI, lyrics--but no piano-vocal > version. More generally, since the original Cramer and Chappell editions of all the operas are long out of copyright, there is no reason why ALL the complete vocal scores should not be in the Archive, and every reason why they should. What does everything think about this? To start the ball rolling, I have the Chappell "Trial" VS scanned and formatted as PDF files... the 300dpi version weighs in at almost 60 megabytes, which is obviously much too large to be posted in the Archive (I'd be happy to suppy a copy on disc to anyone who wants it, for a small sum to cover costs), but the 72dpi version, which is suitable for viewing on screen (and is *just about* usable if printed), is only about 5.5 megabytes, if whoever is now running the Archive would care to contact me privately. Larry London, UK  1,, Summary-line: 28-Mar oakapple@cris.com [38] #Re: The "out-take" numbers: Archive? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 07:47:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2SClWsQ004941; Fri, 28 Mar 2003 07:47:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2SCjhgb000135 for ; Fri, 28 Mar 2003 07:45:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2SCjSLk003862; Fri, 28 Mar 2003 07:45:28 -0500 (EST) Date: Fri, 28 Mar 2003 07:45:28 -0500 (EST) Message-Id: <3E843E59.7050709@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The "out-take" numbers: Archive? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 07:45:28 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: The "out-take" numbers: Archive? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) New curators were selected for the Archive a while back. I am not sure why there haven't been more updates (although I believe there have been some changes in the background that aren't necessarily visible from the home page). As a sometime editor of a large website myself, I know that these enterprises feed on their own success: the more you add, the more you receive, and maintaining it can get to be a full-time job. If Boise State has the space, it certainly can't do any *harm* to post scans of the G&S vocal scores, although, as Larry noted, a 72 dpi scan is only "just about" usable. So I wouldn't assume that these versions of the scores will get an awful lot of practical use. Also, these old editions tend to have a lot of errors and are rather typographically primitive. On the other hand, posting the "out-take" numbers and other material not easily found elsehwere in high-quality scans would be a real service. -- Marc Shepherd New York, NY  1,, Summary-line: 28-Mar mgillett@umich.edu [38] #Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 10:46:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2SFkasQ015045; Fri, 28 Mar 2003 10:46:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h2SFie2w001582 for ; Fri, 28 Mar 2003 10:44:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2SFiHLk011729; Fri, 28 Mar 2003 10:44:18 -0500 (EST) Date: Fri, 28 Mar 2003 10:44:17 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Scores on Cd (was Re: The "out-take" numbers: Archive?) MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002201c2f50d$af9ee000$d3b82e50@oemcomputer> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 10:44:17 -0500 (EST) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002201c2f50d$af9ee000$d3b82e50@oemcomputer> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, this brings us back to our discussion of almost 3 years ago (Which the talented Mr. Lockwood took the lead) of scanning public domain G&S scores and/or SWOG/GWOS at printable resolution, compiling them on a CD set and offering them to the membership. It required a team of people willing to scan, setting up standards, and someone/somewhere to bulk burn and package. The idea that you could get the full G&S cannon on a (double?) CD package, to be able to print them out, and with public domain info that would allow you to have Kinko's print and bind them for your chorus and principals, all for a price of, say, $15? It would be a way to offer the original version of Sorcerer, Cox & Box, Ruddygore, etc., for early american and english scores. Scanning would be the easy part, collating in the dialogue (since we're all [in the US] use to the Schirmer scores) might be the time consuming part, among other things. Now, since many of the older scores may not jive with newer orchestra parts, it does make the project a little less attractive, and the dover vocal scores a litte more! ;-) Just a little reminder of Savoynet history. Mitch Gillett Ann Arbor, Mi  1,, Summary-line: 28-Mar andi_s_r@yahoo.com [47] #Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 12:01:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2SH1dsQ015787; Fri, 28 Mar 2003 12:01:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2SH1cPv010701 for ; Fri, 28 Mar 2003 12:01:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2SH1ILk029579; Fri, 28 Mar 2003 12:01:18 -0500 (EST) Date: Fri, 28 Mar 2003 12:01:18 -0500 (EST) Message-Id: <20030328164144.16281.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 12:01:18 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Offline sets of CDs, etc., might or might not be a valuable project--but I feel quite strongly that the online Archive should be developed to live up to its full potential as "the" source of G&S materials. I consult the Archive set of libretti frequently to check quotations and for other purposes. I would *love* to see a (crisp, clear) set of PVs of The Canon Works in the Archive for purposes like: 1) printing out just the numbers I need for a program 2) auditionees wanting to sing a G&S piece 3) people called back for a specific role who don't want to purchase a PV unless they're cast and haven't got time to go to a library 4)anybody who wants to study the music for any reason! etc... It's actually been a burr under my blanket for several years that the Archive has such a great collection of peripheral and esoteric materials and a total dearth of the Sullivan music for The Canon. At the moment, I'd just be grateful if somebody would get the commonly requested out-takes posted there (Flapping Wings and Laughing Boy are the two most common), but I really, really, really hope that The Canon PV music will appear there in the near future.... ===== Andi Stryker-Rodda New York City/New Jersey  1,, Summary-line: 28-Mar mail@lsimons.plus.com [42] #Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 12:28:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2SHSvsQ029729; Fri, 28 Mar 2003 12:28:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h2SHSu2w006557 for ; Fri, 28 Mar 2003 12:28:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2SHSeLk003634; Fri, 28 Mar 2003 12:28:40 -0500 (EST) Date: Fri, 28 Mar 2003 12:28:40 -0500 (EST) Message-Id: <000e01c2f54f$30752400$90b72e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 12:28:40 -0500 (EST) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Andi" wrote > ...I feel quite strongly that the online Archive > should be developed to live up to its full potential as "the" > source of G&S materials..... > I would *love* to see a (crisp, clear) set of PVs of The Canon > Works in the Archive..... > At the moment, I'd just be grateful if somebody would get the > commonly requested out-takes posted there (Flapping Wings and > Laughing Boy are the two most common), but I really, really, > really hope that The Canon PV music will appear there in the > near future.... Thanks for the support, Andi. Until the Archive is brought up to scratch in this respect, the Chappell "Trial" VS and my own engravings of "Flapping Wings" and "Laughing Boy" can be downloaded from the following URLs: http://www.threelittlemaids.worldonline.co.uk/tbj-vs-chappell.pdf (5.55Mb) http://www.threelittlemaids.worldonline.co.uk/flappingwings.pdf (117kb) http://www.threelittlemaids.worldonline.co.uk/laughingboy.pdf (112kb) Larry London, UK  1,, Summary-line: 28-Mar jim@labsoftware.com [17] #common out takes posted X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 13:00:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h2SI0XsQ006121; Fri, 28 Mar 2003 13:00:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h2SHtb2w014385 for ; Fri, 28 Mar 2003 12:55:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2SHtMLk006774; Fri, 28 Mar 2003 12:55:22 -0500 (EST) Date: Fri, 28 Mar 2003 12:55:22 -0500 (EST) Message-Id: <200303281244.AA239534270@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Cooper" To: Multiple recipients of list SAVOYNET Subject: common out takes posted Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 12:55:22 -0500 (EST) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Cooper" To: Multiple recipients of list SAVOYNET Subject: common out takes posted X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If someone would be so good as to scan, fax or mail me these two common outtakes, FYFW and Laughing Boy, i would be happy to key them into my score making program and provide a high quality PDF ( and incidently a midi). While I could import the currently available midis, I have no way of checking the accuracy of that import without such copies. I will give my fax number to anyone who requests it, or they can send me a scan in any image format or mail it to me: 48 Old Driftway, Wilton, CT 06897, USA  1,, Summary-line: 28-Mar das@math.duke.edu [199] #Durham Savoyards' Mikado videotape (long, but better whole than in X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Mar 2003 23:36:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2T4aEsQ019339; Fri, 28 Mar 2003 23:36:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2T4VGqt014320 for ; Fri, 28 Mar 2003 23:31:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2T4UwLk013803; Fri, 28 Mar 2003 23:30:58 -0500 (EST) Date: Fri, 28 Mar 2003 23:30:58 -0500 (EST) Message-Id: <3E851D31.2010406@math.duke.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: das@math.duke.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David A. Smith" To: Multiple recipients of list SAVOYNET Subject: Durham Savoyards' Mikado videotape (long, but better whole than in parts) MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Mar 2003 23:30:58 -0500 (EST) Reply-To: das@math.duke.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David A. Smith" To: Multiple recipients of list SAVOYNET Subject: Durham Savoyards' Mikado videotape (long, but better whole than in parts) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) To those possibly interested in acquiring a video of the Durham Savoyards Ltd.’s recent production of the Mikado: I will tell you first how to get one, in case you’ve already decided and don’t want to be bothered with the rest of this. Second, I will state a few facts (and maybe some opinions) about the production – possibly repeating in part some earlier postings. Third, I will give a brutally frank assessment of the video itself – from the point of view of one who could not bear to be without it (because it’s the only way I get any sense of the visual aspects of the show in which I performed as a Gentleman of Japan). 1. To order the Mikado video (outside of the general vicinity of Durham NC), send a check for US$25 ($20 for the video, $5 for shipping/handling) and your mail address to The Durham Savoyards, Ltd. 5116 Taproot Lane Durham, NC 27705 Allow 1-3 weeks for delivery in the US. For addresses outside the US, please communicate by e-mail with Randy Lambe to ask about shipping costs and procedures. (I don’t need to be in this loop, but Randy is not on Savoynet.) To see pictures of the show, visit http://www.durhamsavoyards.org/ . To see listings of our videos and audios from past shows, go to http://www.durhamsavoyards.org/shows.html and click on Buy a Tape/CD. (Hint: Recordings from past shows are a lot cheaper – and I suppose this one will be too if you can wait a year.) 2. Our production in brief: The setting is a 21st century American art museum with an exhibit of Japanese art being shown privately to wealthy patrons. The curtain rises after the first page of the overture (as in vocal score) with the theme “The sun whose rays”. Some museum visitors (chorus) are present, and others stroll on/off during the remainder of the overture. In this first segment, the visitors pause twice for a “dream sequence” dance as if imagining what it might be like to be Japanese. As the overture progresses, the modern characters who will later play the principal roles appear at various times and interact in various ways: three musicians (Nanki Poo, Pooh Bah, Pish Tush) who got lost on their way to the orchestra pit, three young women (museum patrons, later maids) who engage in mutual flirtation and dancing with the musicians, the museum director (Katisha), her flunky (Mikado), and the security guard (Ko Ko). Kat tries to break up the dancing and restore calm, enlisting the aid of her (ineffectual) employees in the process – but she also displays a definite interest in the (second) trombonist. At the end of the overture, the separation between viewers and exhibit is inadvertently “broken”, and it suddenly occurs to all on stage to “put on a play” about “Japan”. What follows is an uncut and almost unedited version of the play we all know and love. However, none of the characters has been completely defined yet – they acquire their names and characteristics as the early scenes unfold, in part imposed on them by others. One part of the characterization was apparently missed by many in the audience, at least by those who didn’t already know the story, and even some who did. The elapsed time between the overture and the Mikado’s appearance is just too great to link up that character with the director’s flunky (who is actually on stage as part of the chorus throughout Act I). When he does appear, the Mikado literally steps out of an exhibit (a la Ruddigore), one that has been prominently displayed from the opening curtain. But his costume and new makeup obscure the fact that this is the same person who was following the director and taking orders during the overture. There is, of course, also a significant delay before Katisha appears, but that connection is signaled clearly to the audience, as I will explain below. A side detail that is relevant to the video: 10 members of our chorus were dressed as Queen Vickie and her entourage and occupied the Shakespeare boxes on either side of the stage – in appearance, a 19th century audience viewing 21st century players (although the view from those boxes is pretty poor). The Royal Chorus is shown on the video singing God Save the Queen before the overture (one of our traditions) and again during curtain call. 3. Facts about the video (as understood by a person who knows very little about the technical details of videography): Taping was done on the first two nights of performance. Most of the tape is from the second night, but there are cuts in/out from the first show – only in Act II, I think – they’re obvious when they happen but not distracting. The audio is very good – a direct feed from the stage mikes, I’m told. The perspective is from a single camera at the edge of the first balcony, with zooms (some good, some annoying). The camera is digital – which generally produces very sharp images (exceptions to be noted), and which enabled us to have finished, edited tapes ready before the strike party a week later. But a digital camera does not react well to sudden changes in light levels or to big differences in simultaneous light levels – as e.g. when there is a special on a principal, but the rest of the stage is not supposed to be dark. Thus, there are a number of places where parts of the stage appear much darker than the audience saw them (or so I’m told). Moreover, digital doesn’t work well with red, and our set, costumes, and lighting had a lot of red. The visual effect is one of color “bleeding” across obvious boundaries, and also of other colors in the mix tending to be suppressed (again, so I’m told). The bleeding effect is a minor annoyance, but it’s there all the same. Opinions about the video (this is the brutally frank part): We have had the same videographer for the past several years (that much is fact), husband of a member of the Royal Chorus (another fact), and there have been frequent struggles between him and the board members (I’m told) to get him to keep his hands off the camera (my interpretation) and let viewers experience the show more or less as the audience does. They can focus, but they can’t zoom. It’s a natural instinct for a videographer to zoom in “where the action is”. When there is really only one focus of attention (e.g., a brightly lit soloist on an otherwise dim stage), that makes some sense. But our directors (Randolph Umberger for many years prior to this one, and Derrick Ivey starting this year) have worked very hard to paint beautiful pictures with sets, costumes, lighting, and people – and those pictures are destroyed when the camera zooms in. I’ll give a couple of examples below, but there are many others on the tape. Board members tell me that they think they are 90% of the way to getting the videographer to do what they want. That’s probably a good way to look at it – 90% of the time (more or less), the video shows what you want to see. The other 10% drives me right up the wall – not because I’m a chorus member who sometimes gets cut out – that doesn’t matter if the picture is right – but because there are critical places where the video viewer can’t see what the audience saw. Example 1. When NP is explaining to YY that he’s no musician, small groups of chorus, plus the museum director, have slipped onto stage to overhear and keep track of how the plot is developing. Everyone zips out on NP’s line “But we are quite alone.” On the video, as I recall, you might see one such group upstage, but the focus is fairly tight on NP and YY. More important, as NP is explaining about Katisha, the museum director is well-lit on a ramp above and behind the couple, and she very visibly gets the idea that she could play that role – she has already demonstrated in the overture that she has the hots for NP and is annoyed that he prefers YY. But this is not visible in the video, so the point about how the director becomes Kat is missed. Example 2. At the end of YY’s second act aria (sun, moon, etc.), our director has created an absolutely stunning moon-and-stars effect. The women’s chorus starts the act carrying “bamboo” poles as dance props, and they create sun’s rays, etc. around YY. In the second verse, the poles are pointed out toward the audience in a “random” pattern, and it becomes clear that there are lights in the ends of the poles. YY is twirling a Japanese parasol during this verse, and at the end of the verse, she brings the parasol directly in front of her while simultaneously her spotlight focuses on the parasol and the rest of the stage lights go down. The sudden appearance of dark sky, round white moon, and scattered stars – only for a brief moment – draws oohs and ahs from the audience. And what’s on the video? You see this beginning to form, but our beloved videographer, bless him, zooms in as the lights are coming down – on the parasol! With all the clarity of digital video, you see very clearly a rather uninteresting parasol – not the moon, and certainly not the stars. A caveat: I’m writing this some 250 miles from my score and the video – an evening activity during a business trip to Washington DC. Thus, I can’t check any of the details right now. And I was too busy at home this week to draft this message. Summary: This show is excellently cast – even our local very critical critic had nothing bad to say about principals or chorus. To judge from audience reactions, it was highly entertaining, both for those who knew Mikado and those who didn’t. The museum concept sort of worked, but not perfectly – it was fun, nevertheless. The set and costumes were wonderful. And most of this is captured on the tape, in spite of the flaws noted above. Is it worth $20 + S/H? As I said, I’m biased about that – I *must* have the tape and must watch it several times. Indeed, we make the tape primarily for the cast, not as a commercial venture. So, it’s worth it if you’re curious – and you can think of it as a small token of support for a struggling community theater group (with aspirations to professional production standards) that has been performing G&S for 40 years – and intends to do so for at least 40 more. David -- ---------------------- David A. Smith Editor, The Journal of Online Mathematics and its Applications e-mail: das@math.duke.edu Personal site: http://www.math.duke.edu/~das JOMA site: http://www.joma.org/ Voice: 919-489-5515, Fax: 919-660-2821 Mail: 1408 Shepherd St., Durham NC 27707  1,, Summary-line: 29-Mar rebecca@hains.net [40] #RE: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Mar 2003 08:36:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2TDaNsQ003174; Sat, 29 Mar 2003 08:36:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2TDaMPC007838 for ; Sat, 29 Mar 2003 08:36:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.8/8.12.8) with SMTP id h2TDaFLk020092; Sat, 29 Mar 2003 08:36:15 -0500 (EST) Date: Sat, 29 Mar 2003 08:36:15 -0500 (EST) Message-Id: <002201c2f5f5$0e4327f0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: Scores on Cd (was Re: The "out-take" numbers: Archive?) MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.3416 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Mar 2003 08:36:15 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: Scores on Cd (was Re: The "out-take" numbers: Archive?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I googled it: http://www.people.fas.harvard.edu/~fwwilson/sullivan-edition/ -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Larry Simons Sent: Saturday, March 29, 2003 4:27 AM To: Multiple recipients of list SAVOYNET Subject: Re: Scores on Cd (was Re: The "out-take" numbers: Archive?) "Carl Simpson" wrote > Mr. Fredric Woodbridge Wilson has a website "The Arthur Sullivan > Facsimile Edition" where he has made some PDF files available of a few > Sullivan choral works, with plans to include the entire output > eventually..... Could we have the URL of this site, please? Larry London, UK  1,, Summary-line: 30-Mar Raywalker@macunlimited.ne [66] #Scores on CD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Mar 2003 11:09:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h2UG9CfD003620; Sun, 30 Mar 2003 11:09:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h2UG9Be9025929 for ; Sun, 30 Mar 2003 11:09:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h2UG8tv9010314; Sun, 30 Mar 2003 11:08:55 -0500 (EST) Date: Sun, 30 Mar 2003 11:08:55 -0500 (EST) Message-Id: <3E8570D1.6C52DA78@macunlimited.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Scores on CD MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Mar 2003 11:08:55 -0500 (EST) Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Scores on CD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Well, this brings us back to our discussion of almost 3 years ago (which > the talented Mr. Lockwood took the lead) of scanning public domain G&S > scores and/or SWOG/GWOS at printable resolution, compiling them on a CD > set and offering them to the membership. It required a team of people > willing to scan, setting up standards, and someone/somewhere to bulk burn > and package. Picking up this point, there should be no problem in providing the lost music electronically and as many Savoynet members know I have been providing printed facsimile scores of lost Sullivan/Grossmith works like Contrabandista/Foresters/Kenilworth/Cox & Box/Window/Cups&Saucers, Castle Bang, Carrotina for five years. They would be relatively easy to convert to pdf and put on a CD for print out if there is a reasonable demand. But believe me the labour involved in cleaning up/formating raw scanned files is considerable and it is for that reason that I have only tackled works of less than 90 pages! There is another point. The scores I take for facsimile reproduction are out of print and their publishers have been approached to check that they do not have plans for reprinting. This is only fair to them. If we are talking about vocal scores from early editions, this might upstage those publishers who have invested considerably in providing us with new versions and reduce their future sales. Also a printed page of a 250 page score is much cheaper when conventionally printed than when computer laser printed. In 2000 I was involved with Cramer who decided to print a new edition of Light of the World to coincide with the Sullivan centenary and the rare Liverpool cathedral performance. They had understood that the choir might number 600 when in fact one of 300 materialized. Despite the excellent value for money price of 12GBP and interest by members of the SASS members, their sales to date cannot have made their venture particularly worthwhile. This summer Cramer are to release a new edition of 'The Sorcerer' in which I am also involved. This edition will carry an appendix that includes the lost ending to Act I and opening to Act II. My search for Lady Sangazure's lost ballad No7A which Cramer don't have in their Metzler archive was made in vain. (This ballad may later become the basis of an article I'm considering for the G&S News.) Likewise with the OUP's Ruddigore' and Broude's Trial/Pinafore new editions also ought to be treated with respect. Copyright of these early scores is of course lapsed, but are we being fair to those willing to research and republish professionally? Compiling a series of lost songs, remember 'Sing with Sullivan' (Cramer) in the 1970s, is a possibility. But there are G&S musical numbers like 'The Duke's Song' (Patience) and 'Reflect my Child' (Pinafore) that are still in copyright. Raymond Walker  1,, Summary-line: 31-Mar rebecca@hains.net [105] #Re: OOTW: Iolanthe X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 31 Mar 2003 21:06:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3126nfD013655; Mon, 31 Mar 2003 21:06:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3126m08017581 for ; Mon, 31 Mar 2003 21:06:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3126Xv9028416; Mon, 31 Mar 2003 21:06:33 -0500 (EST) Date: Mon, 31 Mar 2003 21:06:33 -0500 (EST) Message-Id: <015301c2f7ef$5c2d9210$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Iolanthe MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.3416 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 31 Mar 2003 21:06:33 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Iolanthe X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hoorah! I love OOTW discussions. I see I rejoined the list at just the right time! Bill asked: >> Is it possible to play the role of Phyllis without making her come across as the town slut? << I would argue that Phyllis is not the town slut. She is simply playing out her role in the same way that Rose Maybud does. Consider the general structure: 1. Both Rose and Phyllis have decided to marry. 2. Both of their plans fall through when they discover something shocking about their fiancés. 3. Both are a) heartbroken and b) single-minded about getting married, and so the next logical step seems to them to be to marry the next man who comes along. Neither particularly cares who that would be, so long as he is available. The point of difference, of course, is that for Rose, Richard is "the only one who's left," whereas for Phyllis, there is a whole House of Peers interested in her! As there is no significant difference between them, she leaves it to them to decide which will marry her. Considering that her fate would otherwise be decided by the Lord Chancellor, there does seem to be a certain logic to this approach. Furthermore, Gilbert's characters *do* tend to seek marriage as a goal in the most inappropriate places, don't they? (I'm thinking Pirates here.) >> ... How does the Queen of the Fairies stack up against Gilbert's other middle aged women? ... " Ahhh. I'm glad you asked. I think that comparing the Fairy Queen with other middle-aged women is not as useful as comparing her with Princess Ida. Consider: Ida and the Fairy Queen are both powerful women, leaders of their own women's-only collectives. Each one leads her respective group in attempting to defy a powerful group of men (an army and a group of peers, respectively). However, the Fairy Queen actually does a better job at it -- she and her fairies wreak havoc in the house of peers and change it to suit their purposes. Of course, both Ida and the fairies are then presented with simple arguments as to what they've done wrong, and answer in the exact same terms: "I never thought of that!" (Ida) versus "I never thought of that!" (Leila, who we could argue is perhaps the Fairy Queen's representative in this scene). And thus, in a topsy-turvy way, movements involving women's power are shown to have involved very little careful thought indeed. Lastly, as fairies "never grow old," I don't know whether we can really say that the Queen herself *is* a middle-aged woman! After all, she's immortal, so what is in the "middle" of immortality? As such, I personally would love to see the Fairy Queen played by a young, slender, but exceptionally tall young lady with a strong, powerful voice. Lastly, >>Does Iolanthe have anything to do with the plot? ...<< Why yes, of course! If it weren't for her marrying a mortal and having a son, there never would have been a Strephon for Phyllis to meet and fall in love with. If there were never a Strephon for Phyllis to meet and fall in love with, she most certainly would have married the Lord Chancellor. But due to Iolanthe's intervention, Strephon and Phyllis get to be together in the end. More than that, she ends up being a role model of sorts (though the FQ would say she's a bad role model!) for all the other fairies, who follow in her footsteps and marry peers! Iolanthe is thus the root cause of the exchange of the "house of peers for house of peri." Hence, IMO, the title "Iolanthe, or, the Peer and the Peri." Any differing perspectives on all this? Rebecca, who now expects to have songs from Io stuck in her head all evening! --------------------------------------------------- Rebecca Consentino Hains rebecca@hains.net Doctoral student, Mass Media & Communication program 2020 N. 13th Street + Temple University + Philadelphia 19122 http://astro.temple.edu/~hains http://www.hains.net/theater  1,, Summary-line: 31-Mar dsjacobson@hotmail.com [90] #OOTW Iolanthe: fairy names X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 31 Mar 2003 21:12:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h312CdfD015962; Mon, 31 Mar 2003 21:12:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3128708017898 for ; Mon, 31 Mar 2003 21:08:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3127lv9028649; Mon, 31 Mar 2003 21:07:47 -0500 (EST) Date: Mon, 31 Mar 2003 21:07:47 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dsjacobson@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Deborah Jacobson" To: Multiple recipients of list SAVOYNET Subject: OOTW Iolanthe: fairy names Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 31 Mar 2003 21:07:47 -0500 (EST) Reply-To: dsjacobson@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Deborah Jacobson" To: Multiple recipients of list SAVOYNET Subject: OOTW Iolanthe: fairy names X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This discussion couldn't be more timely, since rehearsals for VLOC's _Iolanthe_ start tomorrow! And as I have been cast as Leila, there is one question that is rather weighing on my mind: exactly how is her name supposed to be pronounced??! There seem to be three options, based on the spelling: 1. LEE-la ("And you shall creep under my LEE...") 2. LIE-la ("You must LIE upon the daisies...") 3. LAY-la ("We LAY and sobbed upon the rocks...") All informal polling I have done so far suggests that #1 is the preferred pronunciation. The general reason that people have given for liking this way is that it means that all three minor fairies have the same primary vowel sound in their names: CEE-lia, LEE-la, FLEE-ta. This seems at least moderately plausible, but is far from totally convincing. I have to admit, though, that I am biased; I prefer #2 (LIE-la). Of course, I don't really know how much of that is due to the fact that I once knew a girl named Leila who pronounced it that way. :) The research that I've done into the name itself seems to bear me out, however: it's an Arabic name, meaning "night," (see below for a small discussion on fairy name meanings) which I have seen transliterated as both "Leila" and "Laila." I don't actually know whether the Arabic word is pronounced like #2 or #3, though; anyone out there have the answer? (All I know is the Hebrew, Lilah, which is definitely the LIE-la pronunciation.) And, of course, as much as I can research the name itself, there is nothing that I can find to suggest that Gilbert would necessarily have used the Arabic pronunciation. And, of course, the actual question here is how *Gilbert* pronounced it. (Gilbert's use of the name "Lila"-- along with "Fleta," actually-- in Fallen Fairies might be a clue, but still not really a definitive one. Though it does support my preference, since that spelling is almost invariably pronounced LIE-la, I believe.) So, does anyone have an answer, or another well-reasoned (or heck, even non-well-reasoned-yet-hopefully-interesting) opinion? I do have to admit it doesn't matter to the production at all, since as Leta Hall pointed out (hi Leta) the three fairies never actually get named aloud in the show, so I'm spending an awful lot of time and effort on an extremely trivial issue. But hey, if I weren't inclined to do that I probably wouldn't be on Savoynet in the first place... ;) --And here is the promised small discussion on fairy name meanings. Most are straightforward; "Leila" means "night," "Fleta" means "swift," "Iolanthe" means "violet" (as in the flower). That last does raise possibilities for individualizing the women's chorus by making some of them specific flower fairies. Celia's name, however, is where I go off into non-well-reasoned-yet-hopefully-interesting territory. The official meaning that I've found is "blind," where the etymology is from Cecilia, which is the female version of Cecil, which comes from the Latin "caecum," meaning "blind." However, I find myself wondering if a case could be made to interpret it not as a short version of "Cecilia" coming from "caecum" but rather as just plain "Celia" which would then come from "caelum," meaning "sky." Which means our two fairies would be Sky and Night. Kind of nice (and with Fleta as a puckish young sprite for contrast). But based on nothing other than pure conjecture, of course. :) Okay, this e-mail got a lot longer than I expected it to be, so I had better end it here. All feedback welcome, personal or to the list. Thanks! -Deborah Jacobson Arlington, VA dsjacobson@hotmail.com ----------------------- Come to VLOC's Third Gilbert & Sullivan Sing-Out! http://www.vloc.org/G-SSingOut.html _________________________________________________________________ Tired of spam? Get advanced junk mail protection with MSN 8. http://join.msn.com/?page=features/junkmail  1,, Summary-line: 1-Apr annlarry@pacbell.net [111] #Re: Durham Savoyards' Mikado videotape X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 01 Apr 2003 00:10:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h315AVfD025153; Tue, 1 Apr 2003 00:10:31 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h315ARxP007430 for ; Tue, 1 Apr 2003 00:10:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h315A2v9008663; Tue, 1 Apr 2003 00:10:02 -0500 (EST) Date: Tue, 1 Apr 2003 00:10:02 -0500 (EST) Message-Id: <5.0.2.1.2.20030331191426.01c754d0@postoffice.pacbell.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Re: Durham Savoyards' Mikado videotape Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E851D31.2010406@math.duke.edu> X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 1 Apr 2003 00:10:02 -0500 (EST) Reply-To: annlarry@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry and Ann Byler To: Multiple recipients of list SAVOYNET Subject: Re: Durham Savoyards' Mikado videotape X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E851D31.2010406@math.duke.edu> X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Video is decidedly OT for this list. But since David Smith took it upon himself to devote a large part of his message to the video of Durham Savoyards' _Mikado_, as a practicing amateur videographer (six companies) I feel I must respond. Those of you not interested in such things may allow your attention to wander. At 11:30 PM 3/28/03 -0500, David A. Smith wrote: >3. Facts about the video (as understood by a person who knows very little >about the technical details of videography): [...] >The camera is digital... But a digital camera does not react well to >sudden changes in light levels or to big differences in simultaneous light >levels [...] >Moreover, digital doesn’t work well with red, and our set, costumes, and >lighting had a lot of red. The visual effect is one of color “bleeding” >across obvious boundaries, and also of other colors in the mix tending to >be suppressed (again, so I’m told). The above two shortcomings have nothing to do with digital recording and everything to do with single CCD pickups. You'll find the same problem with 8mm and standard VHS (analog) cameras. On the other hand, you won't find them with professional TV cameras -- because they have more expensive and detailed components in their optical-to-electronic conversion path. >Opinions about the video (this is the brutally frank part): We have had >the same videographer for the past several years (that much is fact), >husband of a member of the Royal Chorus (another fact), and there have >been frequent struggles between him and the board members (I’m told) to >get him to keep his hands off the camera (my interpretation) and let >viewers experience the show more or less as the audience does. They can >focus, but they can’t zoom. > >It’s a natural instinct for a videographer to zoom in “where the action >is”. When there is really only one focus of attention (e.g., a brightly >lit soloist on an otherwise dim stage), that makes some sense. But our >directors (Randolph Umberger for many years prior to this one, and Derrick >Ivey starting this year) have worked very hard to paint beautiful pictures >with sets, costumes, lighting, and people ­ and those pictures are >destroyed when the camera zooms in. Everyone is entitled to an opinion. I happen to think that David is right, but for the wrong reasons. Video is not the same as attending a live performance. If you want those beautiful pictures, buy a ticket and go. Otherwise, be satisfied with the limitations of video. I challenge anyone to faithfully reproduce the stage experience on video, even with 10 cameras and weeks of post-production. Examine any live recording (the Kleiber _Fledermaus_ or the NYC Opera _Merry Widow_ for example). Great recordings that belong in everyone's collection. But not a patch on the real thing. David thinks that zooms are a problem. I disagree. If you didn't zoom, you'd have to shoot the entire width of the stage, and everyone and everything on it is reduced to dots. I've done it as a favor to directors who want to see how all the ensemble elements come together. A great study tool, but nothing I'd ever want to watch for enjoyment. Zooms are but one of many tools in the videographer's box. The trick is in knowing how (and when) to use each one. If David's board doesn't like their videographer, get another one. But don't blame the tools for any shortcomings of the mechanic. I should say at this point that I carefully study each show I do to determine how to best capture the essence of it. I try to make sure that the whole set is displayed at some point, that every member of the cast is shown (and recognizable) at some point, that each costume is given its due, etc. Lighting is the one element I cannot faithfully capture, because I cannot afford the required professional gear. And I listen to suggestions from anyone about what I might be missing and what might be good to include. But at showtime, *I am the sole judge of what I include and what I do not*. And I am prepared to be judged by that. Any board member (director, you name it) who tried to coerce me into doing it his way (or their way) would be invited to find themselves a new boy. The six companies for which I work (for 19, 16, 15, 10, 3, and 2 years) seem to like what I do. They keep asking me back, and I routinely turn down requests from other companies. I tell them, and everyone who asks, that I will keep doing this as long as they want me to and as long as it's fun. When either one of those disappears, so will I. If you've stayed with me this long, thanks. In any case, we now return you to your regularly scheduled discussion of things G&S. -Larry Byler- ..never been to Durham, not sure I want to... annlarry@pacbell.net Sunnyvale, California USA  1,, Summary-line: 1-Apr lirpa@ipnh.mv.com [90] #Lost scene from Yeomen X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 01 Apr 2003 12:07:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h31H6pfV028842; Tue, 1 Apr 2003 12:07:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h31H2E94029577 for ; Tue, 1 Apr 2003 12:02:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h31H1mv9008249; Tue, 1 Apr 2003 12:01:48 -0500 (EST) Date: Tue, 1 Apr 2003 12:01:48 -0500 (EST) Message-Id: <200304011624.LAA05247@ipnh.mv.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lirpa@ipnh.mv.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Lirpa Sloof To: Multiple recipients of list SAVOYNET Subject: Lost scene from Yeomen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 1 Apr 2003 12:01:48 -0500 (EST) Reply-To: lirpa@ipnh.mv.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Lirpa Sloof To: Multiple recipients of list SAVOYNET Subject: Lost scene from Yeomen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have recently uncovered a scene which appears to have come from Yeomen of the Guard. It has always been curious to me that both Kate and Leonard have such small roles; this scene seems to clarify that they had a larger involvement originally. Perhaps Gilbert decided to cut it because there were too many romantic couplings in the show, and it would have taken away from the serious nature of the opera. In addition, it shows that even more Thespis material was re-used than previously thought. Too bad the music for this scene remains undiscovered. As far as I can figure, it is supposed to be inserted right after "Strange Adventure". -Lirpa Sloof [Scene.-- Grassy Knoll outside the Tower] [Leonard sits, counting money] [Enter KATE Kate: Leonard! Leonard: Kate! What brings thee here? I would have come for thee later. Kate: Oh, Leonard, I fear your plot has been discover'd, for my aunt read my tablets. I had to seek thee out, for thy sister does not trust me. Leonard: Aye, 'tis true. But seeing as thou art here, I would fain woo thee properly. Kate: Art thou mad? My aunt will have thy head! Leonard: Nay, she shall ne'er know. No. 16a. Here far away from all the world (DUET) Leonard, Kate Leonard: Here far away from all the world, Dissension and derision, With Nature's wonders all unfurled To our delighted vision, With no one here (At least in sight) To interfere With our delight, And two fond lovers sever, Oh do not free, Thine hand from mine, I swear to thee My love is ever thine For ever and for ever. Kate: Near Tower Green the air is keen, And most exhilarating, And we say things we do not mean In moments less elating. So please to wait For thoughts that creep, En tete-a-tete, Far from the keep, Oh do not feign to court her With those that you May entertain, Returning to The sober plain Of yonder Tower mortar. [Exeunt KATE and LEONARD.  1,, Summary-line: 3-Apr oakapple@cris.com [34] #Bab Ballads Republished X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 03 Apr 2003 21:16:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h342G2fD013788; Thu, 3 Apr 2003 21:16:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h342G1Ja012489 for ; Thu, 3 Apr 2003 21:16:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h342Fav9009775; Thu, 3 Apr 2003 21:15:36 -0500 (EST) Date: Thu, 3 Apr 2003 21:15:36 -0500 (EST) Message-Id: <3E8CE7A2.8040201@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Bab Ballads Republished MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 3 Apr 2003 21:15:36 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Bab Ballads Republished X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Harvard University Press has just republished James Ellis's edition of The Bab Ballads (first pub. 1970; reprinted 1980). Aside from being the only edition of the Babs now in print, it is an indispensable reference even if you have another edition already. Ellis includes every poem that can reasonably be called a 'Bab Ballad,' including a number of them that Gilbert omitted from the collections published in his lifetime. There are notes on each poem at the back of the book, including explanations of obscure terms and variant readings. There is also an excellent 28-page introduction. You can order it directly from Harvard University Press, at . The price is $17.95 or £11.95. -- Marc Shepherd New York, NY  1,, Summary-line: 4-Apr pdp@globalnet.co.uk [38] #Re: Bab Ballads Republished X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 04 Apr 2003 06:48:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h34BmCfD009444; Fri, 4 Apr 2003 06:48:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h34BkR45007923 for ; Fri, 4 Apr 2003 06:46:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h34BkDv9019125; Fri, 4 Apr 2003 06:46:13 -0500 (EST) Date: Fri, 4 Apr 2003 06:46:13 -0500 (EST) Message-Id: <3.0.6.32.20030404123830.01634100@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Bab Ballads Republished Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E8CE7A2.8040201@cris.com> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 4 Apr 2003 06:46:13 -0500 (EST) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: Bab Ballads Republished X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3E8CE7A2.8040201@cris.com> X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 21:14 03/04/03 -0500, Marc wrote: >Harvard University Press has just republished James Ellis's edition of >The Bab Ballads (first pub. 1970; reprinted 1980). Aside from being the >only edition of the Babs now in print, it is an indispensable reference >even if you have another edition already. >You can order it directly from Harvard University Press, at >. The price is $17.95 or £11.95. For those interested I have this morning spoken with John Wiley Ltd who are listed on the Harvard web pages as the UK suppliers of this book and placed an order with them. There seemed no point in paying shipping charges from USA. Wiley confirm they are handling this book and the price of £11.95 in UK, however they also said that it would be expected to be about a month from now before it becomes available here. They are willing to take orders against a credit card. The UK phone number for Wiley is 01243 779777 Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 4-Apr cmj@halhk.freeserve.co.uk [28] #Lyrics in MIDI files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 04 Apr 2003 07:37:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h34CbJfD003188; Fri, 4 Apr 2003 07:37:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h34CbGX7015048 for ; Fri, 4 Apr 2003 07:37:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h34Camv9020049; Fri, 4 Apr 2003 07:36:48 -0500 (EST) Date: Fri, 4 Apr 2003 07:36:48 -0500 (EST) Message-Id: <000701c2faa5$26b2e000$6f7d86d9@freeserve.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cmj@halhk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Colin Johnson" To: Multiple recipients of list SAVOYNET Subject: Lyrics in MIDI files MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 4 Apr 2003 07:36:48 -0500 (EST) Reply-To: cmj@halhk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Colin Johnson" To: Multiple recipients of list SAVOYNET Subject: Lyrics in MIDI files X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear friends, The "Noteworthy Composer" software, which several of us enthusiastic "sequencers" use, has recently been upgraded and now includes lyrics within the corresponding MIDI files, but although the lyrics remain invisible to most listeners, this enhancement adds a substantial space overhead, over 20% on average being taken up with lyrics. This in no way affects the widely used "vanBasco soft Karaoke" system where the lyrics are placed in an additional dedicated track called "Words." In order to converse space on my website I propose to remove the invisible lyrics from the plain MIDI files, leaving them available only through the Karaoke versions. My question is: would such a move seriously affect other people who maybe have different software which can makes effective use of the lyrics contained within the MIDI file? Sincere good wishes to all, Colin Johnson Lympne, UK www.geocities.com/halhkmusic  1,, Summary-line: 5-Apr ori.siegel@sympatico.ca [22] #change of address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 05 Apr 2003 14:30:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h35JUXfD007455; Sat, 5 Apr 2003 14:30:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h35JUWIa007126 for ; Sat, 5 Apr 2003 14:30:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h35JUI7b029106; Sat, 5 Apr 2003 14:30:18 -0500 (EST) Date: Sat, 5 Apr 2003 14:30:18 -0500 (EST) Message-Id: <005601c2fba6$2b4302b0$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: change of address MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 5 Apr 2003 14:30:18 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: change of address X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just a note to say my e-mail address has changed to ori.siegel@sympatico.ca effective immediately. In the event you've got me in your address book, the old interlog is account is soon to disappear! cheers, Ori Toronto  1,, Summary-line: 6-Apr mail@lsimons.plus.com [36] #Re: Gilbert's Limerick X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 06 Apr 2003 14:48:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h36ImmfD020028; Sun, 6 Apr 2003 14:48:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h36ImkXw021308 for ; Sun, 6 Apr 2003 14:48:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h36ImX7b018668; Sun, 6 Apr 2003 14:48:34 -0400 (EDT) Date: Sun, 6 Apr 2003 14:48:33 -0400 (EDT) Message-Id: <000d01c2fc6a$ee36d8e0$a6a42e50@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's Limerick MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 6 Apr 2003 14:48:33 -0400 (EDT) Reply-To: mail@lsimons.plus.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Larry Simons" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert's Limerick X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "L. Haile" wrote > I'm looking for a limerick of Gilbert's, one with non-rhyming lines and > a last line that goes something like "and I always try to fit as many words > etc I'm not sure if this is the one you mean, and I certainly wasn't aware it was by Gilbert, but here goes: There was an old man from Japan, Whose poetry never did [ossia: no-one could] scan; When told this was so, He replied, "Yes, I know, But I always try to get as many words into the last line as ever I possibly can!" Larry London, UK  1,, Summary-line: 8-Apr simon@derbygsc.com [54] #Help! - Derby G&S Co. (Shamelessly Plugging Away) X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Apr 2003 04:33:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h388XtfD019490; Tue, 8 Apr 2003 04:33:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h388XsO6015466 for ; Tue, 8 Apr 2003 04:33:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h388XN7b012634; Tue, 8 Apr 2003 04:33:23 -0400 (EDT) Date: Tue, 8 Apr 2003 04:33:23 -0400 (EDT) Message-Id: <000001c2fda7$0a6bd500$18070150@asus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@derbygsc.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Simon Hardy" To: Multiple recipients of list SAVOYNET Subject: Help! - Derby G&S Co. (Shamelessly Plugging Away) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 8 Apr 2003 04:33:23 -0400 (EDT) Reply-To: simon@derbygsc.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Simon Hardy" To: Multiple recipients of list SAVOYNET Subject: Help! - Derby G&S Co. (Shamelessly Plugging Away) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear friends, Due to what can only be called a 'financial crisis' at The Derby Playhouse the home of Derby G&S Co. for the past 22 years - the management of the theatre has moved all non-professional productions to summertime slots. I don't need to tell you folks the financial implications of summertime audience figures. Therefore I implore you to try to make the journey to Derby and help us to get 'bums on seats' for our forthcoming production of 'Ruddigore'. We don't know for sure if we will have a theatre to perform in next year so the committee has decided to show the theatre's management what Derby G&S is capable of and Andrew Nicklin's innovative new production of 'Ruddigore' is set to be an explosive event. An extraordinary set design will compliment this production and the award winning cast and chorus. Don't miss the chance to see the production ahead of it's Festival appearance. Don't forget that companies do not benefit financially from Festival ticket sales but they do from their home production! 'Ruddigore' will take place at the Derby Playhouse (www.derbyplayhouse.co.uk) on Wednesday 16th - Friday 18th of July at 7.30pm. In order to help fund this production we have also decided to perform a superb concert on Saturday 19th July at 7.30pm also at the Playhouse. 'Screen Themes and Musical Dreams' will be an event not to be missed. Tickets are £13 for 'Ruddigore' (Cons. £10 Wed Only) and £14 for the concert on Saturday night. Why not visit our web site at www.derbygsc.com and don't forget to join our newsletter 'The BlueLeader' whilst there. I hope to see you either in Derby, Buxton or on the website! Kindest regards Simon  1,, Summary-line: 8-Apr res04nht@gte.net [68] #Re: I thought it would come sooner or later... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Apr 2003 09:33:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h38DXufD017067; Tue, 8 Apr 2003 09:33:56 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h38DXtww001228 for ; Tue, 8 Apr 2003 09:33:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h38DXU7b029206; Tue, 8 Apr 2003 09:33:30 -0400 (EDT) Date: Tue, 8 Apr 2003 09:33:30 -0400 (EDT) Message-Id: <3E92CE8C.3080009@gte.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: res04nht@gte.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Patrick Gaik To: Multiple recipients of list SAVOYNET Subject: Re: I thought it would come sooner or later... MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 8 Apr 2003 09:33:30 -0400 (EDT) Reply-To: res04nht@gte.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Patrick Gaik To: Multiple recipients of list SAVOYNET Subject: Re: I thought it would come sooner or later... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Michael Nash wrote: >But in "The Mikado", the wrong people win. My sympathies are not with >Nanki-Poo and Yum-Yum, they're with Ko-Ko and (up to a point) with Katisha. >They're the victims: Ko-Ko because he's mild and easily manipulated, Katisha >because her looks don't conform to society's view of "beautiful". It *could* >have happened that they win at the end, if Katisha had been more of a >genuine character - that Ko-Ko realised, with joy, that here was the >genuinely beautiful person and so he proposed marriage not simply to avoid >being executed but because he really wanted to. > That's exactly what I want to work for a bit in my production of Mikado this year! I want there to me some small things that show that Ko-Ko is at least a little sympathetic...without giving up the comedy of his reactions to Katisha...they can be more "fear of the unknown" (with a twinge of fascination) than the outright disgust usually portrayed. I'm hoping the traditionalist director will go for this idea. I think I've mentioned a few things on here before, but I'd be happy for suggestions for this learned company. I think Ko-Ko needs to see Katisha at the end of Act I - otherwise, the only time he sees her is in the "Criminal cried..." scene - I know this is musical theatre (broad sense of the term, don't jump on me for not saying "opera"), but it seems so perfunctory that he should see her only once. I'd like to have Ko-Ko come back and witness part of the Act I Finale....a "he walks in to tell them he's changed his mind, and finds that all hell has broken loose" kind of thing. He can have a big reaction to Katisha at that point... I'd also like to have Ko-Ko witness part of "Alone and yet alive..." and to play a little sympathy for her. And I'd really like to find a way to play the scene before Tit-willow with a mixture of desperation (he needs to get out of this situation!) and actual attraction (there is quite a lot of classic comedy to be mined out of the poor "schmoe in love with a buxom virago" type set up). And somewhere in the finale, I want to see that fabled elbow and rally go ga-ga. I think I've seen this in one of the many video presentations I've seen - but can't remember where - it may actually be in that generally despised version by Essgee. Pat -- o o o o "To know you're there, we're deeply glad, `//'//'//'//' deeply grateful, and deeply PLAID." /\ /\ /\ /\ - Forever Plaid http://www.patgaik.com  1,, Summary-line: 8-Apr dstone4@cox.net [45] #The Era CD ROM Project (Status) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Apr 2003 11:47:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h38FlEfD012232; Tue, 8 Apr 2003 11:47:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h38Fi3xH022714 for ; Tue, 8 Apr 2003 11:44:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h38FhX7b023647; Tue, 8 Apr 2003 11:43:33 -0400 (EDT) Date: Tue, 8 Apr 2003 11:43:33 -0400 (EDT) Message-Id: <001d01c2fde4$1d19dc00$6401a8c0@nv.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: The Era CD ROM Project (Status) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 8 Apr 2003 11:43:33 -0400 (EDT) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: The Era CD ROM Project (Status) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) About 20 months ago I advance ordered the first set of 20 CDs of The Era (for 1890-99). As I hadn't heard a release date, I followed up recently and received the following response: Dear David: Many thanks for your message. To answer your question, the response to the Era project has been sufficiently encouraging to make it very likely indeed that it will go ahead as planned. However, there are not yet enough advance orders in to enable us to set a release date. (130 will ensure both the release date of the 1890s set and the long-term future of the project. The number received to date is just over 80.) We are doing all we can to speed matters, and I am confident that you will find the end product to have been well worth the wait. Your support of this uniquely valuable project is greatly appreciated. I will be in touch as soon as we have some positive news. With all good wishes, Barrie Francis The Era is a unique and detailed record of theatrical history in Victorian Great Britain, and very few libraries have copies. Only the British Museum, as I understand it, have a microfilm run, but CD ROM offers huge advantages to researchers. Surely there must be 130 serious researchers, libraries, and other institutions world-wide that benefit from a subscription. For further details on this project see: http://www.the-era.fsnet.co.uk/ David Stone  1,, Summary-line: 8-Apr sctang@MIT.EDU [98] #The MIT Gilbert & Sullivan Players Present UTOPIA X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 08 Apr 2003 23:45:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h393jsfD020491; Tue, 8 Apr 2003 23:45:54 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h393j58D007836; Tue, 8 Apr 2003 23:45:05 -0400 (EDT) Received: from sonya-jd27fkurm.mit.edu (SUNNYBUNNY.MIT.EDU [18.245.3.19]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h393j5U9008250; Tue, 8 Apr 2003 23:45:05 -0400 (EDT) Message-Id: <5.0.2.1.1.20030408233016.0224dd18@po12.mit.edu> X-Sender: sctang@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Tue, 08 Apr 2003 23:45:07 -0400 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Present UTOPIA Cc: mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, theater@mit.edu, music@mit.edu, mitcp@mit.edu, general@baker.mit.edu, next@mit.edu Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_49791516==_.ALT" X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sctang@po12.mit.edu (Unverified) Date: Tue, 08 Apr 2003 23:45:07 -0400 To: savoyards@mit.edu From: Sonya Tang Subject: The MIT Gilbert & Sullivan Players Present UTOPIA Cc: mtg@mit.edu, dramashop@mit.edu, ensemble@mit.edu, theater@mit.edu, music@mit.edu, mitcp@mit.edu, general@baker.mit.edu, next@mit.edu X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_49791516==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed ****** THE MIT GILBERT & SULLIVAN PLAYERS ******* are proud to present UTOPIA, LIMITED **"It was a solid two hours of the best musicia theater I've seen at MIT so far" "This show deserves to be sold out"--The Tech, April 8th Producer: Catherine Havasi '03 Stage Director: Evan Xenakis Music Director: David Larrick Friday and Saturday, April 4-5: 8pm Sunday, April 6: 2pm Thursday through Saturday, April 10-12: 8 pm Sunday, April 13: 2 pm All Shows are in La Sala de Puerto Rico (2nd floor of the MIT Student Center: 84 Massachusetts Avenue) MIT Students ($6) MIT Community, Seniors, Other Students (with ID), Children ($8) General Public ($10) Prefrosh: ($3/ Free with paying person) $1 discount for groups of 10 or more For more information, please visit web.mit.edu/gsp/www or call (617)253-0190 or email savoyards-request@mit.edu --=====================_49791516==_.ALT Content-Type: text/html; charset="us-ascii" ****** THE MIT GILBERT & SULLIVAN PLAYERS *******

                            are proud to present

          UTOPIA, LIMITED

**"It was a solid two hours of the best musicia theater I've seen at MIT so far" "This show deserves to be sold out"--The Tech, April 8th

Producer: Catherine Havasi '03
Stage Director: Evan Xenakis
Music Director: David Larrick

Friday and Saturday, April 4-5: 8pm
Sunday, April 6: 2pm
Thursday through Saturday, April 10-12: 8 pm
Sunday, April 13: 2 pm

All Shows are in La Sala de Puerto Rico (2nd floor of the MIT Student Center: 84 Massachusetts Avenue)

MIT Students ($6)
MIT Community, Seniors, Other Students (with ID), Children ($8)
General Public ($10)
Prefrosh: ($3/ Free with paying person)

$1 discount for groups of 10 or more

For more information, please visit web.mit.edu/gsp/www or call (617)253-0190
or email savoyards-request@mit.edu




--=====================_49791516==_.ALT--  1,, Summary-line: 9-Apr dlui@MIT.EDU [50] #Two-for-One Admission Tommorrow Night! SHE LOVES ME! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Apr 2003 00:53:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h394rdfD004550; Wed, 9 Apr 2003 00:53:39 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h394q0kc003250; Wed, 9 Apr 2003 00:52:00 -0400 (EDT) Received: from dlui (h00045ad5910c.ne.client2.attbi.com [66.30.29.81]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with SMTP id h394pxU9017542; Wed, 9 Apr 2003 00:51:59 -0400 (EDT) Message-Id: <2.2.32.20030409045211.00f0932c@po11.mit.edu> X-Sender: dlui@po11.mit.edu X-Mailer: Windows Eudora Pro Version 2.2 (32) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Wed, 09 Apr 2003 00:52:11 -0400 To: theater@mit.edu From: dramashop Subject: Two-for-One Admission Tommorrow Night! SHE LOVES ME! X-Spam-Score: -0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: dlui@po11.mit.edu Date: Wed, 09 Apr 2003 00:52:11 -0400 To: theater@mit.edu From: dramashop Subject: Two-for-One Admission Tommorrow Night! SHE LOVES ME! X-Spam-Score: -0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dramashop presents ********************* SHE LOVES ME! A Musical! Lyrics by Sheldon Harnick, Book by Joe Masteroff, and Music by Jerry Bock Stage Direction by Michael Ouellette and Music Direction by Martin Marks *********************** Opening This Week! Thurs-Sat, April 10-12 & Wed-Fri, April 16-18 8pm, Kresge Little Theater, MIT $8 General/$6 Students and 2-for-1 Opening Night! ($4 each) *********************** Starring: Camilo Aladro - Pete Chambers - James Dai - Katie Davidson - John Hume - Dan Katz - Miranda Knutson - Debora Lui - Caitlin Marlow - Helen McCreery - Ruben Rodrigues - Liz Smith - Rydia Vielehr Synposis: Georg and Amalia are two feuding clerks in a European perfume shop during the1930's who have each fallen in love with their anonymous romantic pen pals, not knowing their respective correspondents are each other! Funny, intelligent, honest and sentimental, She Loves Me is a warm romantic comedy with an endearing innocence and a touch of old world elegance and nostalgia, yet as universal and relevant as ever in this age of Internet romances. She Loves Me is considered by musical theatre aficionados to be the most charming musical ever written. ********************** For Information or Tickets: ds_officers@mit.edu shelovesme.mit.edu Tickets will be sold in Lobby 10 from 10-5pm M-F this week and next.  1,, Summary-line: 10-Apr deebee@CONNEXUS.NET.AU [27] #Will this affect us? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Apr 2003 22:04:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3B24gfD004232; Thu, 10 Apr 2003 22:04:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3B24c3q003279 for ; Thu, 10 Apr 2003 22:04:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3B2497b012593; Thu, 10 Apr 2003 22:04:09 -0400 (EDT) Date: Thu, 10 Apr 2003 22:04:09 -0400 (EDT) Message-Id: <3E961B2D.9010106@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@CONNEXUS.NET.AU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Will this affect us? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 10 Apr 2003 22:04:09 -0400 (EDT) Reply-To: deebee@CONNEXUS.NET.AU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Will this affect us? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have heard an insiders rumour that Intel is negotiating to buy Warner/Chappel's music publishing business and will then control 70% of the published music business. As Chappel are the publishers of most G&S and other works of its era, will this be important to people like us? There is also talk that Rupert Murdoch wants to take over Time Warner, which sounds like an enormous monopoly to me. Diana Burleigh  1, answered,, Summary-line: 13-Apr sscw@MIT.EDU [28] #Video of Clue X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 13 Apr 2003 14:16:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3DIG9fD012051; Sun, 13 Apr 2003 14:16:09 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3DIG8fS012959; Sun, 13 Apr 2003 14:16:08 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id OAA26361; Sun, 13 Apr 2003 14:16:07 -0400 (EDT) From: sscw@MIT.EDU Received: from eastcampus-nine-thirty-eight.mit.edu ( [eastcampus-nine-thirty-eight.mit.edu]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Sun, 13 Apr 2003 14:16:07 -0400 Message-ID: <1050257767.3e99a967c4b60@webmail.mit.edu> Date: Sun, 13 Apr 2003 14:16:07 -0400 To: "David C. Jedlinsky" Cc: clueful@mit.edu Subject: Video of Clue References: <200302102205.RAA02787@multics.mit.edu> In-Reply-To: <200302102205.RAA02787@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.238.6.171 X-Originating-Host: eastcampus-nine-thirty-eight.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Sun, 13 Apr 2003 14:16:07 -0400 To: "David C. Jedlinsky" Cc: clueful@mit.edu Subject: Video of Clue In-Reply-To: <200302102205.RAA02787@multics.mit.edu> X-Originating-IP: 18.238.6.171 X-Originating-Host: eastcampus-nine-thirty-eight.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Opus, How are you? As you probably know, I'm co-producing Clue with Heather, and we were wondering about getting one of the performances videotaped. Can you and Ruth do it? I was thinking the second weekend (May 1-3) might be the best time, but if the first weekend's more convenient for you, that's fine, too. Let us know how we should go about arranging this. :-) Thanks, Stephanie  1,, Summary-line: 13-Apr SSilvers@sskfny.com [28] #Soloists vs. Chorus (was Homogenous...) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 13 Apr 2003 23:22:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3E3MVfD017986; Sun, 13 Apr 2003 23:22:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3E3MVgl023595 for ; Sun, 13 Apr 2003 23:22:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3E3MC7b019109; Sun, 13 Apr 2003 23:22:12 -0400 (EDT) Date: Sun, 13 Apr 2003 23:22:12 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Soloists vs. Chorus (was Homogenous...) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 13 Apr 2003 23:22:12 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Soloists vs. Chorus (was Homogenous...) Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>> Marc Shepherd wrote: .. The chorus is important--there'd be no show without it. But being a principal is, at least some times (and I think much of the time) more difficult. A chorister can admit that and still have plenty of fun. I have performed in many productions as a chorister--upwards of 25. I also have played solo roles large and small in perhaps 15 productions. Last year, I performed in the chorus of SavoyNet's Sorcerer, and a few years ago I performed the Judge in Trial and Robin in Ruddigore with SavoyNet. I can confirm that playing a soloist is incomparably more nervewracking than playing chorus. I attribute this mostly to the fact that you might look out at the audience with a suddenly blank expression and realize that you no longer have any idea what your dialogue or lyrics are. Also, in the chorus you can completely lose your voice, and no one would know other than your fellow cast members. If a soloist gets a cold or has vocal strain, he or she feels terribly inadequate and also feels that he or she is letting the whole production down. Also, there is considerably more time required to prepare a solo role (the larger the role, the more prep time, of course) and considerably! more pressure on a soloist during rehearsal as well as performance. There are extra rehearsals for soloists, and a soloist is more likely to spend time and money on coaches, voice teachers, and other preparation devices. To prepare for Robin Oakapple, I watched the Brent-Walker video about 10 times, saw my music coach weekly for months, read through Robin's dialogue at least twice every weekend for six months and ran up quite a phone bill calling David Duffy. To prepare for the role of Old Adam, and to assist me, Irv drove down to NY just to rehearse with me for a weekend. During rehearsals in Buxton, I spent most of my spare time running through scenes with Adam, Hannah, Roderic, Richard and Rose outside the Trinity Church, and repeating my dialogue to myself. On the other hand, to prepare for chorus in sorcerer, I memorized my music and lyrics, showed up in Buxton and did as I was told during rehearsal, and for the rest of the time, I just had fun! So, why do I keep auditioning for principal roles? Is it the hoped-for applause, the potential great reviews to put in my scrapbook, the gratifying look of bilious, jaundiced jealousy in the eyes of the other patter-baritones? No! It's ! just that I'm a ham. Sam Silvers  1,, Summary-line: 15-Apr yourmom@rice.edu [23] #Providence, RI X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 15 Apr 2003 15:40:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3FJeAfD011320; Tue, 15 Apr 2003 15:40:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3FJe93o017304 for ; Tue, 15 Apr 2003 15:40:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3FJdP7b022877; Tue, 15 Apr 2003 15:39:25 -0400 (EDT) Date: Tue, 15 Apr 2003 15:39:25 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "yourmom@rice.edu" To: Multiple recipients of list SAVOYNET Subject: Providence, RI MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 15 Apr 2003 15:39:25 -0400 (EDT) Reply-To: yourmom@rice.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "yourmom@rice.edu" To: Multiple recipients of list SAVOYNET Subject: Providence, RI X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Today I sent in my decision to attend graduate school at Brown University in Providence, RI. I will study philosophy there. I look forward to meeting any Savoynet people in the area next fall. Any suggestions for good performing groups? Jonathan Ichikawa Rice University '03 Houston, TX, until August  1, forwarded,, Summary-line: 17-Apr mjkelleher@stny.rr.com [23] #FW: The Elements X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Apr 2003 11:41:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3HFfsfD006983; Thu, 17 Apr 2003 11:41:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3HFfr4V014020 for ; Thu, 17 Apr 2003 11:41:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3HFfL7b022649; Thu, 17 Apr 2003 11:41:21 -0400 (EDT) Date: Thu, 17 Apr 2003 11:41:21 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mjkelleher@stny.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mary Jo Kelleher To: Multiple recipients of list SAVOYNET Subject: FW: The Elements Mime-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Virtual Access by Atlantic Coast PLC, http://www.atlantic-coast.com/va X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Apr 2003 11:41:21 -0400 (EDT) Reply-To: mjkelleher@stny.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mary Jo Kelleher To: Multiple recipients of list SAVOYNET Subject: FW: The Elements X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >From another group - > In honor of Tom Lehrer's 75th birthday, a very clever someone has animated > his song "The Elements". > > http://www.privatehand.com/flashanimation/elements.html  1,, Summary-line: 21-Apr david@musicalsolutions.co [49] #SavoyNet Utopia MIDi files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Apr 2003 15:55:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3LJtVfD003379; Mon, 21 Apr 2003 15:55:32 -0400 (EDT) Received: from mail5.atl.registeredsite.com (mail5.atl.registeredsite.com [64.224.219.79]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3LJtUNC006447 for ; Mon, 21 Apr 2003 15:55:30 -0400 (EDT) Received: from ipsmin0170atl2.interland.net (mail.vocabula.com [64.225.251.10] (may be forged)) by mail5.atl.registeredsite.com (8.12.8/8.12.6) with ESMTP id h3LItapZ014467; Mon, 21 Apr 2003 14:55:36 -0400 Received: from david [64.225.251.10] by ipsmin0170atl2.interland.net (SMTPD32-6.06) id AC796494013A; Mon, 21 Apr 2003 15:54:33 -0400 Message-Id: <4.1.20030421195654.00986100@mail.musicalsolutions.com> X-Sender: david$musicalsolutions.com@mail.musicalsolutions.com X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 Date: Mon, 21 Apr 2003 20:48:17 +0100 To: william@revels4341.fslife.co.uk, Sandra.Vamplew@btinternet.com, SSilvers@sskfny.com, ornstn@rogers.com, Philomel@aol.com, opus@MIT.EDU, rjm@mormc.com, mysticmez@yahoo.co.uk, tony.lowe@belgacom.net, kimmo@math.kth.se, Karen@kloxley.freeserve.co.uk, eric@toastpoint.com, duncan.hamilton@hfcbank.co.uk, Bj.Richards@btinternet.com, Butagirl@aol.com, i_p_henderson@hotmail.com, Kelsey@ruddigore.myweb.nl, cjround@earthlink.net From: David Cookson Subject: SavoyNet Utopia MIDi files Cc: savoyard1@yahoo.com Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: david$musicalsolutions.com@mail.musicalsolutions.com Date: Mon, 21 Apr 2003 20:48:17 +0100 To: william@revels4341.fslife.co.uk, Sandra.Vamplew@btinternet.com, SSilvers@sskfny.com, ornstn@rogers.com, Philomel@aol.com, opus@MIT.EDU, rjm@mormc.com, mysticmez@yahoo.co.uk, tony.lowe@belgacom.net, kimmo@math.kth.se, Karen@kloxley.freeserve.co.uk, eric@toastpoint.com, duncan.hamilton@hfcbank.co.uk, Bj.Richards@btinternet.com, Butagirl@aol.com, i_p_henderson@hotmail.com, Kelsey@ruddigore.myweb.nl, cjround@earthlink.net From: David Cookson Subject: SavoyNet Utopia MIDi files Cc: savoyard1@yahoo.com X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all Larry has let me have the tempi which will pertain in Buxton, and I've transferred them to the MIDI files. There's still a question relating to Act 2 No 19, so King Paramount, Scaphio and Phantis (sorry, Ian, Ron, and Eric) - please wait awhile for your files. Carole Round is included in this e-mail - she very graciously transferred my "first take" to floppy disk for Rich Miller, and I'm hoping she'll do the same for this "last take". In the next few minutes, Sam, William, Kelsey, and Sharon can each expect to receive an e-mail, containing an attachment in your chosen format ( .exe, .zip, or .sit ) which contains the MIDI files with the "Buxton tempi". In general, these are a bit faster than the files I originally sent you - the musical notes are the same, just the tempi are different. Please practise with these new files. For you others, please let me know if you'd like the MIDI files - they really are quite useful, you know ! Ian, Ron, and Eric - I'll send you your sets of files as soon as I have them. TFC and I are Lake-District-bound tomorrow, and I'll not be able to reply to any e-mails before Friday at the earliest. Hey-ho, and a big shout for Buxton 2003 ! All the best David  1,, Summary-line: 22-Apr actorsingers@earthlink.ne [79] #Actorsingers' Brigadoon Coming Soon - Order Tickets Now! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 22 Apr 2003 21:48:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3N1mifD016158; Tue, 22 Apr 2003 21:48:44 -0400 (EDT) Received: from harrier.mail.pas.earthlink.net (harrier.mail.pas.earthlink.net [207.217.120.12]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3N1miFW005178 for ; Tue, 22 Apr 2003 21:48:44 -0400 (EDT) Received: from dialup-65.58.218.177.dial1.manchester1.level3.net ([65.58.218.177] helo=computer.earthlink.net) by harrier.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1989LO-0000BP-00; Tue, 22 Apr 2003 18:46:42 -0700 Message-Id: <5.2.0.9.2.20030422214441.00b5c220@mail.earthlink.net> X-Sender: actorsingers@mail.earthlink.net X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 Date: Tue, 22 Apr 2003 21:45:33 -0400 To: actorsingers@actorsingers.org From: Actorsingers Information Subject: Actorsingers' Brigadoon Coming Soon - Order Tickets Now! Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_30506185==.ALT" X-Spam-Score: 4.9 X-Spam-Level: **** (4.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: actorsingers@mail.earthlink.net Date: Tue, 22 Apr 2003 21:45:33 -0400 To: actorsingers@actorsingers.org From: Actorsingers Information Subject: Actorsingers' Brigadoon Coming Soon - Order Tickets Now! X-Spam-Score: 4.9 X-Spam-Level: **** (4.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_30506185==.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Instructions for being removed from this email list are at the end of this message Actorsingers present Lerner & Loewe's BRIGADOON Friday May 2nd and Saturday May 3rd at 8 PM Sunday May 4th matinee 2 PM Keefe Auditorium corner of Elm and Lake Streets, Nashua, NH For tickets call 603.595.4692 or 603.880.3163 If you want to know more about Actorsingers production of Brigadoon http://www.actorsingers.org/s2003a.htm If you want to know more about the Actorsingers check out the main site http://www.actorsingers.org If you do not wish to receive these notices of Actorsinger special events, meetings, auditions for adult shows or Actorsinger and Junior Actorsinger productions please do the following. Click here mailto:remove@actorsingers.org When your email program statrts ADD the word REMOVE to the subject line and click SEND. We will promptly remove your name from our list and add your name to our Do Not Send list. Please note that if this message was forwarded to you, you need to contact the individual who sent it to you. This list is NEVER exchanged, traded or sold. --=====================_30506185==.ALT Content-Type: text/html; charset="us-ascii" Instructions for being removed from this email list are at the end of this message
Actorsingers
 present
Lerner & Loewe's
BRIGADOON
Friday May 2nd and Saturday May 3rd at 8 PM
Sunday May 4th matinee 2 PM
Keefe Auditorium corner of Elm and Lake Streets, Nashua, NH
For tickets call 603.595.4692 or 603.880.3163


If you want to know more about Actorsingers production of Brigadoon http://www.actorsingers.org/s2003a.htm
If you want to know more about the Actorsingers check out the main site http://www.actorsingers.org

If you do not wish to receive these notices of Actorsinger special events, meetings, auditions for adult shows or Actorsinger and Junior Actorsinger productions please do the following.
Click here mailto:remove@actorsingers.org When your email program statrts ADD the word REMOVE to the subject line and click SEND. We will promptly remove your name from our list and add your name to our Do Not Send list. Please note that if this message was forwarded to you, you need to contact the individual who sent it to you. This list is NEVER exchanged, traded or sold.
--=====================_30506185==.ALT--  1, answered,, Summary-line: 23-Apr sscw@MIT.EDU [79] #Re: Video of Clue X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 23 Apr 2003 09:03:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3ND3AfD014703; Wed, 23 Apr 2003 09:03:10 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3ND3AXT019698 for ; Wed, 23 Apr 2003 09:03:10 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id JAA09971; Wed, 23 Apr 2003 09:03:10 -0400 (EDT) From: sscw@MIT.EDU Received: from eastcampus-nine-thirty-eight.mit.edu ( [eastcampus-nine-thirty-eight.mit.edu]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Wed, 23 Apr 2003 09:03:10 -0400 Message-ID: <1051102990.3ea68f0e4c8b9@webmail.mit.edu> Date: Wed, 23 Apr 2003 09:03:10 -0400 To: "David C. Jedlinsky" Subject: Re: Video of Clue References: <200302102205.RAA02787@multics.mit.edu> <1050257767.3e99a967c4b60@webmail.mit.edu> <200304220601.CAA29571@multics.mit.edu> In-Reply-To: <200304220601.CAA29571@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.238.6.171 X-Originating-Host: eastcampus-nine-thirty-eight.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Wed, 23 Apr 2003 09:03:10 -0400 To: "David C. Jedlinsky" Subject: Re: Video of Clue In-Reply-To: <200304220601.CAA29571@multics.mit.edu> X-Originating-IP: 18.238.6.171 X-Originating-Host: eastcampus-nine-thirty-eight.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0) X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Opus, Sounds great. We'll have the tickets for you. Just fyi, a note from Alex-- "Opus's set up specifically relies on floor mics a lot. The funny shaped pit fill and the rampant sitting on the edge of the stage, jumping off it, etc will make the usual floor mic placement impossible. He should be alerted of this ahead of time." I'm completely clueless about video recording, but if you need to know more about this issue, you can contact Alex (our TD) at aff@mit.edu, or the entire dir staff at clue-dir@mit.edu. Thanks again! ~Stephanie Co-Producer Quoting "David C. Jedlinsky" : > > Hi Stephanie. > > We're planning on coming to opening night (this Friday) to take notes, > and decide how many cameras will be needed. Ruth is going to be out > of town the second weekend, so if more than one camera is necessary, > we'll have to tape the second performance (this Saturday). Otherwise, > I'll come alone next weekend. > > Can you have two tickets reserved for us at the box office this > Friday? > > Thanks. > > -Dave > > > >From: sscw@MIT.EDU > >Date: Sun, 13 Apr 2003 14:16:07 -0400 > > > >Hi Opus, > > > >How are you? > > > >As you probably know, I'm co-producing Clue with Heather, and we were > wondering > >about getting one of the performances videotaped. Can you and Ruth do it? > I > >was thinking the second weekend (May 1-3) might be the best time, but if the > > >first weekend's more convenient for you, that's fine, too. Let us know how > we > >should go about arranging this. :-) > > > >Thanks, > >Stephanie >  1,, Summary-line: 28-Apr Geoff.Allan@uk.thalesgrou [65] #RE: Rhymes. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 28 Apr 2003 07:07:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3SB6wfD013154; Mon, 28 Apr 2003 07:06:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3SB6vGq004314 for ; Mon, 28 Apr 2003 07:06:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3SB6a7b017845; Mon, 28 Apr 2003 07:06:36 -0400 (EDT) Date: Mon, 28 Apr 2003 07:06:36 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Geoff.Allan@uk.thalesgroup.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Allan, Geoff" To: Multiple recipients of list SAVOYNET Subject: RE: Rhymes. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 28 Apr 2003 07:06:36 -0400 (EDT) Reply-To: Geoff.Allan@uk.thalesgroup.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Allan, Geoff" To: Multiple recipients of list SAVOYNET Subject: RE: Rhymes. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This one .. found on G&S archive in the comparitive libretto and in Bradley. I set it to a parody of the Brindisi from La Traviata. Links available to Noteworthy Composer File from www.milborneportopera.co.uk Cheers Geoff Allan MD Milborne Port Opera, Somerset, UK "Comrades, let us join in plighting These, our honorary members May the fire of friendship's lighting Never sink to dust and embers. Oh remember Major General And remember wards in chancery you are welcome nine or ten or all To our Pirate Caravanserai! For we all are orphan boys!" -----Original Message----- From: MusikDrama@aol.com [mailto:MusikDrama@aol.com] Sent: 27 April 2003 16:40 To: savoynet@bridgewater.edu Subject: Re: Rhymes. In a message dated 4/24/03 11:59:34 PM, cbailward@bigfoot.com writes: >Later on our MD has reintroduced the Brindisi that was >cut after Paignton and the PK at least rhymes the two Pardon my ignorance, but which Brindis-ee (or Brindis-aye) would that bee (or bye)? The only one I can think of in PP is "Pour oh pour" Steve Lichtenstein "Climb the hardy little lasses" Thales Defence (Wells) DISCLAIMER: The information in this message is confidential and may be legally privileged. It is intended solely for the addressee. Access to this message by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, or distribution of the message, or any action or omission taken by you in reliance on it, is prohibited and may be unlawful. Please immediately contact the sender if you have received this message in error. Thank you.  1,, Summary-line: 29-Apr jana_ch@blarg.net [45] #OOTW Iolanthe as Science Fiction X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Apr 2003 02:20:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3T6KBfD011297; Tue, 29 Apr 2003 02:20:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3T6KAgF022342 for ; Tue, 29 Apr 2003 02:20:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3T6Jh7b011351; Tue, 29 Apr 2003 02:19:43 -0400 (EDT) Date: Tue, 29 Apr 2003 02:19:43 -0400 (EDT) Message-Id: <3EAE1891.000001.13801@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW Iolanthe as Science Fiction MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.2.4 X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Apr 2003 02:19:43 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW Iolanthe as Science Fiction X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) One of the reasons Iolanthe is my favorite G&S opera is that I consider it to be one of the most logically consistent works in the canon— consistent in the way a science fiction story is consistent. One accepts, for the sake of the story, the existence of alien beings with a certain set of characteristics, and everything works out fairly logically from that premise. There are a few bits that wouldn’t pass muster in a science fiction story, mainly the silliness about Strephon’s two halves, but essentially we have a story about human contact with beings from another world— Fairyland. It has occurred to me that Gilbert’s fairies have a number of similarities with the Vulcans of STAR TREK. Both are far more intelligent than humans, as well as being much longer-lived. They are capable of suppressing their emotions, although in circumstances of extreme sexual stress this breaks down. They have a mysterious ability to influence the minds of others. They can interbreed with humans, although anyone who is unfortunate enough to be half-and-half has nothing but trouble. Then there are the ears. Gilbert of course never describes his fairies as pointy-eared, but it is a common feature of fairies in book illustrations (to the extent that the movies give pointy ears to Tolkien’s elves and hobbits, though there’s no mention of ears in the entire trilogy). I don't think I would really want to see Iolanthe and her sisters done up in Vulcan make-up (for one thing it would be a huge amount of trouble), but I kind of like the thought. Has anyone ever seen a science fiction Iolanthe? Jana C. Hollingsworth Seattle Saith Floss Forbes: “If you don’t know the tune, sing tenor.”  1,, Summary-line: 29-Apr hxd9@yahoo.com [84] #MTG seeking production staff for INTO THE WOODS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Apr 2003 09:29:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3TDTkfD001374; Tue, 29 Apr 2003 09:29:46 -0400 (EDT) Received: from web21005.mail.yahoo.com (web21005.mail.yahoo.com [216.136.227.59]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h3TDTT1v006135 for ; Tue, 29 Apr 2003 09:29:30 -0400 (EDT) Message-ID: <20030429132928.55068.qmail@web21005.mail.yahoo.com> Received: from [209.48.172.23] by web21005.mail.yahoo.com via HTTP; Tue, 29 Apr 2003 06:29:28 PDT Date: Tue, 29 Apr 2003 06:29:28 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG seeking production staff for INTO THE WOODS To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 29 Apr 2003 06:29:28 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG seeking production staff for INTO THE WOODS To: mtg-announce@mit.edu X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild is now seeking production staff for its summer 2003 production of: INTO THE WOODS Music and lyrics by Stephen Sondheim Book by James Lapine Interviews are being conducted for the following positions: MUSIC DIRECTOR TECHNICAL DIRECTOR CHOREOGRAPHER STAGE MANAGER SET DESIGNER MASTER CARPENETER LIGHTING DESIGNER MASTER ELECTRICIAN PUBLICITY DESIGNER PUBLICITY MANAGER COSTUME DESIGNER SOUND DESIGNER PROPERTIES MANAGER BOX OFFICE MANAGER HOUSE MANAGER SHOW DATES: August 29-31, September 4-6, 11-13 INTO THE WOODS blends four of Grimms' famous fairy tales with an original story of a childless Baker and his Wife, who attempt to reverse a curse on their family in order to have a child. The show features the stories of "Cinderella," "Rapunzel," "Little Red Rising Hood" and "Jack the Giant Killer" as it explores what happens after the "happily ever after." ******************************************************************** To schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: Interviews for production staff positions are open to everyone, including those not affiliated with MIT. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. ****************************************************************** bcc'd to mtg-members@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons-public@mit.edu __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 30-Apr farmer_giles@tiscali.co.u [63] #Ootw- The Fairy Plays X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 30 Apr 2003 12:58:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h3UGwZfJ004258; Wed, 30 Apr 2003 12:58:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h3UGr37T000718 for ; Wed, 30 Apr 2003 12:53:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h3UGqI7b009236; Wed, 30 Apr 2003 12:52:19 -0400 (EDT) Date: Wed, 30 Apr 2003 12:52:18 -0400 (EDT) Message-Id: <006301c30f38$70401920$69e1403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Ootw- The Fairy Plays MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 30 Apr 2003 12:52:18 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Ootw- The Fairy Plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Right! I've finalised my rearrangements, and this month is, as Bill stated, Creatures of Impulse, Foggerty's Fairy, and, yes, Palace of Truth. Next month will be Wicked World, its musical version: Fallen Fairies, and its burlesque: Happy Land, with The Fairy's dillema (if we can get it) and EMERALD ISLE. Advance Purchase warning: The Music to Creatures of Impulse is lost, and I know of no recording of Fallen Fairies. HOWEVER, Emerald Isle is available, and may be purchased reasonably cheaply from Chris Webster. I trust he will give us the details of how to order. Creatures of Impulse: ( http://diamond.boisestate.edu/gas/other_gilbert/html/creatures_of_impulse.html ) This play would work much better on stage than on page, I'm sure. It has a lot of physical comedy. Basically, Creatures of Impulse is yet another variation on the lozenge plot, in this case, brought about by a fairy annoyed at being turned out of the inn. It has the strength of a very funny ending (or, at least, my stage-sense tells me it would be funny on stage.) but the weakness of not enough happening - besides the character swap-over, no subplots exist. There are several examples of quite amusing dialogue, however, and, admittedly, it is extremely short. However, I can't imagine it being performed except in connection to plays where the chorus costumes are shared - it requires a fully costumed chorus who only actually appear in two songs. (with, I suppose, a potential but unlikely repeat of a line or two in Boomblehardt's first song in addition, but possibly as few as one, if the last song is done by the principals only, which is possible.) Foggerty's Fairy ( http://diamond.boisestate.edu/gas/other_gilbert/html/foggerty_home.html ) Now, here we have something completely different - one of Gilbert's wittiest plays. It asks that age old question - what if I hadn't.... and answers it with large amounts of wit, superb character development, and hilarious scenes - I highly recommend it =) Palace of Truth: ( http://diamond.boisestate.edu/gas/other_gilbert/palace_of_truth_libretto.html ) Palace of Truth is among my favourite GWOS'es. At its core, it's yet another lozenge plot, but it's so superbly done so as to make something beautiful, funny, romantic, intriguing, and deep, with strong, consistant characterisation. The idea of having people say exactly the truth in the tones and with the actions of what they would say if they were able is, as an actor, one of the most intriguing of concepts, and I would give my eye teeth to perform in a masterpiece like this. Read and savour the goodness!  1,, Summary-line: 30-Apr cupid@MIT.EDU [24] #DATE GRAB - 5/17 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 30 Apr 2003 13:16:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3UHGZfD015994; Wed, 30 Apr 2003 13:16:35 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h3UHGQpM017473; Wed, 30 Apr 2003 13:16:27 -0400 (EDT) Received: from magic-pi-ball.mit.edu (MAGIC-PI-BALL.MIT.EDU [18.7.16.80]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h3UHGQFJ004177; Wed, 30 Apr 2003 13:16:26 -0400 (EDT) Received: (from cupid@localhost) by magic-pi-ball.mit.edu (8.9.3p2) id NAA20727; Wed, 30 Apr 2003 13:16:26 -0400 (EDT) Date: Wed, 30 Apr 2003 13:16:26 -0400 (EDT) Message-Id: <200304301716.NAA20727@magic-pi-ball.mit.edu> From: Randi M Kestin To: dinner@MIT.EDU cc: dmk34@columbia.edu, dkestins@yahoo.com, lkestin@optonline.net, rkestin@firstfi.com.sao, arakaki@med-xtal.bu.edu, carsten@netway.com, jzissu0@hotmail.com Subject: DATE GRAB - 5/17 X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 30 Apr 2003 13:16:26 -0400 (EDT) From: Randi M Kestin To: dinner@MIT.EDU cc: dmk34@columbia.edu, dkestins@yahoo.com, lkestin@optonline.net, rkestin@firstfi.com.sao, arakaki@med-xtal.bu.edu, carsten@netway.com, jzissu0@hotmail.com Subject: DATE GRAB - 5/17 X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Howdy folks! We're grabbing the date while the getting is good! Randi and Ezra's long-awaited house-warming party will happen at Saturday May 17th. Afternoon-evening. More details to come. Note: Family members - no pressure here but we thought you guys would like to know and have the option. If you're interested and/or think you can come let us know. Randi and Ezra  1,, Summary-line: 30-Apr sctang@MIT.EDU [121] #Grand Duke Video Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 30 Apr 2003 13:25:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h3UHPAfN021921; Wed, 30 Apr 2003 13:25:46 -0400 (EDT) Received: from lax1evtmx3.citysearch.com (lax1evtmx3.citysearch.com [209.104.61.12]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h3UHFVNd018948 for ; Wed, 30 Apr 2003 13:15:32 -0400 (EDT) Message-Id: <200304301715.h3UHFVNd018948@fort-point-station.mit.edu> Received: (qmail 27721 invoked from network); 30 Apr 2003 16:27:39 -0000 Received: from lax1evtwww3.prod.tmcs (HELO lax1evtmx2.evite.com) (192.168.61.103) by 0 with SMTP; 30 Apr 2003 16:27:39 -0000 X-Sender: sctang@mit.edu Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="OTTKMG" Date: Wed, 30 Apr 2003 17:11:46 -0700 To: opus@mit.edu From: "MIT Gilbert & Sullivan Players" Subject: Grand Duke Video Party X-Spam-Score: -6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sctang@mit.edu Date: Wed, 30 Apr 2003 17:11:46 -0700 To: opus@mit.edu From: "MIT Gilbert & Sullivan Players" Subject: Grand Duke Video Party X-Spam-Score: -6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --OTTKMG Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit MIT Gilbert & Sullivan Players has invited you to "Grand Duke Video Party". Click below to visit Evite for more information about the event and also to RSVP. http://www.evite.com/pages/invite/viewInvite.jsp?inviteId=BEWHKKDMJBHQVDPSWJXF **If you are having trouble viewing the above web address, copy & paste the entire URL into the address bar of your browser. This invitation was sent to you by MIT Gilbert & Sullivan Players using Evite. To remove yourself from this guest list please click on the link above. This Evite Invite is covered by Evite's privacy policy*. To view this privacy policy, click here: http://www.evite.com/privacy ********************************* ********************************* HAVING TROUBLE? Perhaps your email program doesn't recognize the Web address as an active link. To view your invitation, copy the entire URL and paste it into your browser. Visit this url for further assistance: http://www.evite.com/html/tour/csform.html. * Updated 11/22/02. --OTTKMG Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit
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--OTTKMG--  1, answered,, Summary-line: 1-May sctang@MIT.EDU [43] #Video Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 01 May 2003 18:34:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h41MY6fD017222; Thu, 1 May 2003 18:34:06 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h41MXtxq000282 for ; Thu, 1 May 2003 18:33:55 -0400 (EDT) Received: from sonya-jd27fkurm.mit.edu (SUNNYBUNNY.MIT.EDU [18.245.3.19]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h41MXsU9028184 for ; Thu, 1 May 2003 18:33:54 -0400 (EDT) Message-Id: <5.0.2.1.1.20030501182738.01634150@po12.mit.edu> X-Sender: sctang@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 01 May 2003 18:33:54 -0400 To: grand-duke@mit.edu From: Sonya Tang Subject: Video Party Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sctang@po12.mit.edu (Unverified) Date: Thu, 01 May 2003 18:33:54 -0400 To: grand-duke@mit.edu From: Sonya Tang Subject: Video Party X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Members involved with Grand Duke, I'd like to apologize to those who did not like the idea of inviting you to the video party through vite. I'd like to explain my decision. The date which we chose to have the video party had no available rooms on MIT campus that had AV equipment. Therefore, we decided to use a lounge in a grad dorm. Unfortunately, in order for you all to enter a grad dorm, I must submit a guest list to the desk worker. Instead of sending a basic email out to announce the party and receive 78 emails, it was easier for the EC to use evite. You may ask why we did not choose another date. Since the semester is ending soon and many of the EC members are preparing for exams and projects, we chose the weekend that was most convenient for us. Please take two minutes to respond to the Evite invitation. If you did not receive the invitation or could not read it, here is the important information: The party is on May 10th at 2 pm in the Edgerton Large Lounge. Edgerton is a graduate student dorm at 143 Albany Street. Directions: From the student center, take a left on Mass. Ave, towards Harvard. Walk about two blocks and take a left at the first street after the train tracks (albany street). Walk a block and a half and Edgerton is on the right, immediately after the parking lot. If you'd like to bring food or drinks, that would be nice. Please RSVP by email if you do not want to use evite.  1,, Summary-line: 2-May goodmanj@uchicago.edu [65] #Arrived X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 May 2003 15:11:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h42JBhfD019101; Fri, 2 May 2003 15:11:43 -0400 (EDT) Received: from midway.uchicago.edu (midway.uchicago.edu [128.135.12.12]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h42JBOdB001860; Fri, 2 May 2003 15:11:24 -0400 (EDT) Received: from uchicago.edu (luthien.whoi.edu [128.128.31.75]) by midway.uchicago.edu (8.12.9/8.12.8) with ESMTP id h42JAuXL022384; Fri, 2 May 2003 14:10:56 -0500 (CDT) Date: Fri, 2 May 2003 15:10:31 -0400 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Arrived From: Jason Goodman To: Lance Nathan , freaks@suberic.net, Avon Russell , jandr@skyron.cfa.harvard.edu (John Reebee), Geoffrey Collins , Beth Collins , dinner@mit.edu, marymary@suberic.net, Hovenweep , Jeff Goodman , User9357@aol.com, treble@hawaiian.net, Sandra Goodman , rtp1@uchicago.edu Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.552) X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 May 2003 15:10:31 -0400 Subject: Arrived From: Jason Goodman To: Lance Nathan , freaks@suberic.net, Avon Russell , jandr@skyron.cfa.harvard.edu (John Reebee), Geoffrey Collins , Beth Collins , dinner@mit.edu, marymary@suberic.net, Hovenweep , Jeff Goodman , User9357@aol.com, treble@hawaiian.net, Sandra Goodman , rtp1@uchicago.edu X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Over the past two days, Carolyn and I drove from Chicago to our new home in Middleboro, Massachusetts. It was a 1000-mile drive -- I haven't done a road trip that long before, but it was fun. (For the humans, at least; the cats hated it.) My main conclusion from the trip: New York is much prettier than Indiana. We stayed overnight outside of Buffalo, near Niagara Falls. We took a quick side trip to the falls before leaving the area early yesterday morning. It was pouring rain, with thunder and lightning when we arrived -- there wasn't much difference between the falls and the air around us. Since we were running late, were soaking wet by the time we reached the overlook, and standing on a precipice in the middle of a lightning storm, we made probably the world's shortest visit to Niagara Falls ever. On the other hand, we had the falls all to ourselves. Despite the weather, I did get one wonderfully misty picture of the falls before my camera stopped working -- either from rain or low batteries, I'm not sure which (no permanent damage). See http://suberic.net/~goodmanj/niagara_sm.jpg for a small image, or http://suberic.net/~goodmanj/random_pics/niagara.jpg for a larger one. We arrived at our new apartment yesterday evening. The cats have become much better at moving apartments: Vibrato is walking around like she owns the place; Tremolo is a little dubious, but isn't spending all day hiding under the radiator. The new apartment is smaller than our old one, but arguably better-designed; we're thinking about how to use the space before the movers arrive next week. Those of you who come to our housewarming this weekend are welcome to offer feng-shui counseling. Today is my first day working at the Woods Hole Oceanographic Institute. I did the usual HR paperwork, found my office, got my laptop on the net, had lunch with people, etc. I know most of the scientists here from my time as a grad student, so I don't have as many names to learn as in previous jobs. On the other hand, I'm meeting many of the admin/secretarial staff, who actually run the place, for the first time. I have several proposal deadlines in the next couple of weeks, so I need to hit the ground running. They tell me my new office was formerly occupied by Bob Ballard, the guy who discovered the Titanic, but the only relic I found in the office was an old Ethernet cable. (Which came in handy, I assure you.) Carolyn has a job interview at Mass General Hospital today -- hopefully it went well. And that's all the news that's fit to type. Hope to hear from you or see you soon! Jason  1,, Summary-line: 2-May phylismyown@hotmail.com [120] #Tyson Compares Wagner to G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 02 May 2003 17:41:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h42LdMfv025316; Fri, 2 May 2003 17:41:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h42LcYTG002520 for ; Fri, 2 May 2003 17:38:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h42Lc87b023188; Fri, 2 May 2003 17:38:08 -0400 (EDT) Date: Fri, 2 May 2003 17:38:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Tyson Compares Wagner to G&S Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 2 May 2003 17:38:08 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Tyson Compares Wagner to G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There was general interest in my comparisons between Wagner and Gilbert and Sullivan... but actually it was all a lie to make it sound like I wrote a letter that would have been a real loss when it didn't send correctly. But since some of you really want to hear what similarities The Ring Cycle has to certain Gilbert and Sullivan plays, I'll give a sample of what I can whip up off the top of my head... Frika and her similarities to Frederic, the slave of Duty: Frika is the consort of Wotan, king of the Gods. In the Ring Cycle it is her sad duty to put up with her reckless husband. Frederic is the young man accidentally apprenticed to the Pirate King at a young age, and he must put up with his master's evil prirate schemes. In "Rheingold", Frika races upon the scene after finding out that her husband has givin her sister to the giants in payment for them building Valhalla. Knowing that the payment would be great, but (argueably) not knowing the price would be her sister, she is enraged and forces her husband to come up with a new payment. Isn't it true that Ruth's betrayal of Frederic is very similar? In "Pirates" Frederic stumbles upon a bevy of beautiful maidens and finds that his nanny lied to him, claiming that she was indeed "well" looking. Knowing that she's a fine woman, but (argueably) not as fine as the bevy of beautiful maidens, he demands she leave him forever. Both Frika and Frederic must struggle to overcome this betrayal without letting it affect the outcome of what happens next, in the case of Frika, finding new payment, and in the case of Frederic, finding new beauty. You may also be interested to hear that Frika and Frederic show a more striking similarity. Frika, as goddess of marriage, finds out that not only have Wotan's human twins been going at it like bunnies, but also that one of them is already married to Hunding! It is then Frika's duty to punish those wiley insestuous children, and face the wrath of her husband. Frederic faces a similar problem when he realizes that he was actually born on leap year, and technically is still a member of the pirate band! It is his duty to stay a pirate and face the wrath of his beloved Mabel. Yes, I realize that neither Frika, nor Frederic, actually fear their respective loves, but that's just another similarity between the two! You'll notice that Frika's estranged relationship with Wotan is the same relationship Frederic has with The Pirate King. Neither Frika nor Frederic really enjoy their time with their master, but their duty holds them tight. Luckily, Loge manages to figure out a way to destroy the gods, much like Ruth manages to fix all the Pirate-Peers with the maidens thus saving everyone from disaster. Since Loge sets up the downfall of the gods, Frika doesn't have to put up with Wotan for much longer and since Ruth sets up the marriage of the pirates, Frederic doesn't have to put up with the King much longer! The sad part is, Frika has to die in the process, and Frederic has to live for a great deal many years at the age of four. Both terrible fates. So, in conclusion not only are Frika and Frederic both betrayed by people they should be able to trust and forced into situations where their duty is more important than their happiness, but they also share an unhappy fate. For an immortal Goddess, death is a cruel end, and for a teenage Frederic, the idea of never legally becoming a man is a fate worse than death. Yes, truly the lives of Frika and Frederic are tragic and depressing, let us take this moment to thank God for blessing us in ways that he never blessed them. Tyson Vick "In 1940 I of age shall be, I'll then return and claim you-- I declare it!" phylismyown@hotmail.com >From: "Chris Webster" >Reply-To: chris@sounds-on-cd.co.uk >To: Multiple recipients of list SAVOYNET >Subject: Re: Opera Singers Doing G&S >Date: Fri, 2 May 2003 05:02:49 -0400 (EDT) > > > > Do other netters have any thoughts of which opera singers they would >like >to > > hear singing specific G&S arias? > >I would like to hear Hans Hotter singing "Poor Wandering One". I would >also >like to hear Beverley Sills sing "Poor Wandering One". I think Hotter >would >win hands down. > >More seriously, I would love Joan Sutherland to have recorded all of the >G&S >soprano arias. It may of course have been necessary to include a libretto >with the album so we can tell just what she is singing about, but what does >Gilbert matter if full justice can be done to Sullivan (very much ducking >for cover) > >Although I really would love to hear the great Dame in the arias I'm not so >sure that I'd want to extend the album to include duets. She would of >course have to be partnered by Maestro Pavarotti, and I'm not quite sure >that I'd be too keen to hear them singing "The battle's roar is over" and >such like at each other. It might just be a very unsubtle album. > >Regards >Chris. >"It was mere politeness to comparative strangers" > _________________________________________________________________ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail  1,, Summary-line: 3-May pnbarton@talk21.com [44] #Re: Rose of Persia video (was a sort of sighting) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 May 2003 06:51:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h43ApXfJ028257; Sat, 3 May 2003 06:51:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h43AoFdW023060 for ; Sat, 3 May 2003 06:50:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h43Anr7b000644; Sat, 3 May 2003 06:49:53 -0400 (EDT) Date: Sat, 3 May 2003 06:49:53 -0400 (EDT) Message-Id: <007301c31160$60a0f640$011578d5@PhilipBarton> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pnbarton@talk21.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Philip Barton" To: Multiple recipients of list SAVOYNET Subject: Re: Rose of Persia video (was a sort of sighting) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 May 2003 06:49:53 -0400 (EDT) Reply-To: pnbarton@talk21.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Philip Barton" To: Multiple recipients of list SAVOYNET Subject: Re: Rose of Persia video (was a sort of sighting) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thank you Ron for providing the correct web site details. THE ROSE OF PERSIA video is listed in the latest MUSICAL COLLECTIBLES catalogue which I received in the mail this week. The price of the video is GBP 17.50 and the DVD is GBP 22.50. PAL and NTSC formats are available. I understand that members of the International G&S Association receive a discount of 10% until 30 June. Until the video is listed on the web site, I suggest that you contact janet@gs-festival.co.uk for further details. Philip Barton The Savoy Singers, Camberley The video (also available as a DVD) to which Duncan refers is now being distributed by Musical Collectibles in Halifax. All international formats are available and on-line credit card payments accepted. It is, however, not listed on their web site (which should read www.gs-festival.co.uk.) Do they actually have it yet? I would be most interested in a DVD in NTSC format!  1,, Summary-line: 3-May farmer_giles@tiscali.co.u [33] #Re: Re:OOTW Creatures of Impulse. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 03 May 2003 20:57:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h440uvfD019485; Sat, 3 May 2003 20:56:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h440uuS7019063 for ; Sat, 3 May 2003 20:56:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h440uZ7b023268; Sat, 3 May 2003 20:56:35 -0400 (EDT) Date: Sat, 3 May 2003 20:56:35 -0400 (EDT) Message-Id: <00ca01c311d8$493e3e90$95ac403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Re:OOTW Creatures of Impulse. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 3 May 2003 20:56:35 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Re:OOTW Creatures of Impulse. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Not to mention that Palace of Truth is the most mentioned GWOS on these boards as far as I can tell. Palace of Truth moments are mentioned everywhere - come and see the originals! -Adam Cuerden Gelanor: When Zoram said he considered you asystematic liar, mean, poor, base, selfish, and sordid, cruel, tyrannical, 'twas what he thoght - not what he would have said! Chrysal: I see - if that was only what he thought, it makes a difference. > Point is, there is a lot in the output of each which has a bearing on the > joint operas and it IS just great fun getting to know (and know about) the > works which are now obscure. There are gems to be re-discovered.......... > > Bill > >  1,, Summary-line: 5-May havasi@MIT.EDU [46] #MIT Theater Arts presents "Songs for a New World" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 May 2003 01:14:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h455EvfD003932; Mon, 5 May 2003 01:14:57 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h455EsPl016333; Mon, 5 May 2003 01:14:54 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h455ErU9010753; Mon, 5 May 2003 01:14:53 -0400 (EDT) Date: Mon, 5 May 2003 01:14:53 -0400 (EDT) From: Catherine Havasi To: Catherine A Havasi Subject: MIT Theater Arts presents "Songs for a New World" Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 01:14:53 -0400 (EDT) From: Catherine Havasi To: Catherine A Havasi Subject: MIT Theater Arts presents "Songs for a New World" X-Spam-Score: -2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Come see my show! It's free... and it's really good. MIT Theater Arts is proud to present a workshop production of SONGS FOR A NEW WORLD Catherine Havasi '03, Stage Director Aaron Dinkin, Vocal Director Jimmy Jia G, Orchestra Director May 9 & 10 @ 8pm May 11 @ 2pm in Killian Hall *****Admission is FREE***** For more information, please e-mail songs-contact@mit.edu. DETAILS With a small, passionate cast and a driving, exquisitely crafted score, SFaNW is about one moment---or rather, isolated moments in the lives of many characters---in a variety of time periods. The author says of his work, "it's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back." DIRECTIONS Killian Hall is located in the building indicated in red on the following webpage: http://whereis.mit.edu/bin/map?locate=killian_hall.  1,, Summary-line: 5-May deebee@connexus.net.au [119] #OOTW - Fairy plays X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 May 2003 02:08:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4568HfD009207; Mon, 5 May 2003 02:08:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4568Dgh008436 for ; Mon, 5 May 2003 02:08:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4567o7b018640; Mon, 5 May 2003 02:07:50 -0400 (EDT) Date: Mon, 5 May 2003 02:07:50 -0400 (EDT) Message-Id: <3EB5FCB5.9020707@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: OOTW - Fairy plays MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 02:07:50 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: OOTW - Fairy plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is the first time we have discussed works from different parts of Gilbert's career. The Palace of Truth premiered at the Haymarket on 19th November 1970. Creatures of Impulse (listed by Allardyce Nichol as a drama!) opened at the Haymarket Theatre on 15th April 1871. Foggery's Fairy at the Criterion on 15th December 1881. The Haymarket was managed by J B Buckstone from 1853 until 1878 and of whom, in an unattributed quote, Messrs Mander and Mitcheson say "His control of the theatre was in every way creditable. He surrounded himself with a body of actors some of whom were famous while none were undistinguished. Of his stage productions, amounting to between one and two hundred, scarcly one was a failure, while many were an unusual success". The relationship between Buckstone and Gilbert was a long-term one, he wrote no less than 6 works which were premiered at the Haymarket, the first in 1867, at the outset of WSG's career as a playwright. The first 2 plays were written before the Sullivan works when Gilbert was still a jobbing playwright and he is on record as saying he needed to have 3 plays a year produced to keep up his income. The other plays of 1870 were The Princess (later of course to be adapted to the libretto of Princess Ida) and The Gentleman in Black and Our Island Home - so he exceeded his quota of 3. 1871 was even more prolific: Randall's Thumb; A Sensation Novel; Creatures of Impulse; Great Expectations; On Guard; On Guard; Pygmalion and Galetea and of course Thespis - the first Sullivan colaboration. Creatures of Impulse was produced at the Royal Court in Sloane Square (which for non-British readers is not in the West End, where most popular theatres are situated.) Marie Litton was the manager and during her tenure she produced 5 of WSG's plays. I haven't done any research on this but it occurs to me that the suggestion that Gilbert was difficult to work with is given the lie by the fact that he had extended business relationships with several Theatre Managers, as above, Buckstone and Litton and with the German Reeds and perhaps others (there are several other works which premiere at specific theatres - one day I'll check if these had continuing managements). There is a difference between these and the partnership with D'Oyly Carte in that in the former cases the managers simply put on his plays and he was part of the Savoy Management. But it does show that he could sustain business relationships without quarrel. After the golden vein of Savoy Operas began to be mined, Gilbert had no need to continue to turn out plays so the numbers of them lessen considerably. Foggery's Fairy came out between Patience and Iolanthe. Of course there were many revivals of these and other WSG plays through his life. The Theatre, a monthly magazine, often refers to productions in London and in the provinces as well as many amateur performances. There is no doubt he was a popular Victorian playwright along with Boucicault, Pinero and some others who survive mainly as names in books of theatre history. Pinero is sometimes revived - but very rarely and I have only ever seen one by Bouccault despite the fact that he wrote in excess of 70; even Burnand (probably only remembered for Cox and Box) had an output of more than 100 produced plays. The point I am making is that despite there having been many Victorian playwrights very few are still in repertoires today. The only Gilbert play which has seen the boards in mainstream theatre is Engaged - done in the mid-1970s by the National Theatre and more recently by an outer-London company. Apart from Shaw and Wilde and possibly Barrie, I can't think of another writer of the period who is still produced. Does this mean that all of the others were worthless in the long-term or have they unjustly fallen from favour? Two of the plays under discussion are based on earlier short stories. Creatures of Impulse appeared in Tinsley's Magazine in April 1871 - the same month that it was dramatised at the Royal Court, which suggests that Gilbert thought of it in both medium from the start. Though see below. Foggerty's Fairy was published in Temple Bar magazine in March 1881. In 1890 Routledge & Sons published Foggerty's Fairy and Other Tales by W S Gilbert. In a foreword WSG says that FF "is the groundwork of a play of that name which was produced 6 years since at the Criterion Theatre." He also names The Elixir of Love as the basis of The Sorcerer and Creatures of Impulse; The Wicked World and Comedy and Tragedy as being earlier forms of plays adding that "none of these tales, except Comedy and Tragedy. were written with a view to subsequent dramatisation" - so the idea came very swiftly in the case of Creatures of Impulse. It is worth noting that once again WSG's memory was faulty in saying that FF first produced 6 years earlier - as we have seen the time lapse was 9 years. It is also worth pointing out that Peter Haining says in the introduction to The Lost Stories of W S Gilbert that FF was "performed in its adapted form at the Savoy in December 1881". Was this in addition to the Criterion production or is Mr Haining incorrect? As a preparation for this discussion I have started reading the story version of FF which has the same premise as the play but (on the first few pages) has a different plot. I'll report further when I have read it. Diana Burleigh  1,, Summary-line: 5-May rwatson1@becon.org [38] #Re: A Brave Song From Our Parts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 May 2003 09:01:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h45D12fD007407; Mon, 5 May 2003 09:01:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h45D0tdC001893 for ; Mon, 5 May 2003 09:00:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h45D0K7b017530; Mon, 5 May 2003 09:00:20 -0400 (EDT) Date: Mon, 5 May 2003 09:00:20 -0400 (EDT) Message-Id: <003c01c31303$9e259a80$792623cf@scaphio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: A Brave Song From Our Parts MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3110.1 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 09:00:20 -0400 (EDT) Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: A Brave Song From Our Parts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) HeartFoam@aol.com >At the Light Opera of Manhattan, we used the following tune ........ >It's in 6/8 time and begins on the 6th beat. The numbers refer to degrees of >the scale: >5 111 222 345 2- 5 111 (pause) 111 (pause) dialogue Martyn Green wrote, in his Treasury, (I started this post just before Peter Meason suggested looking to Green's book), 'Sullivan must have written the tune for this unfinished couplet. If he didn't, then this is the second number Gilbert composed, because there is a tune and "it runs somewhat thus:" ' And there follows basically the same thing as Anne posted, in the key of E flat, but in 3/4 time, but the eleventh note is the 3rd degree of the scale rather than the 2nd. Maybe Green's version has a misprint, since the LOOM version is more sensible musically. -Rob Ontario, Canada  1, filed, forwarded,, Summary-line: 5-May sir-despard@ruddigore.fre [289] #Review of Hogwarts Academy (HAGSS) "Iolanthe" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 05 May 2003 15:34:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h45JYifD015903; Mon, 5 May 2003 15:34:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h45JYe67002140 for ; Mon, 5 May 2003 15:34:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h45JY37b004241; Mon, 5 May 2003 15:34:03 -0400 (EDT) Date: Mon, 5 May 2003 15:34:03 -0400 (EDT) Message-Id: <000f01c3133c$5116cc80$430887d9@toshnb> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Review of Hogwarts Academy (HAGSS) "Iolanthe" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6700 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 15:34:03 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Review of Hogwarts Academy (HAGSS) "Iolanthe" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was thrilled to bits to receive tickets (thanks to Jim Drew) to the Hogwarts Academy Gilbert & Sullivan Society (HAGSS) production of "Iolanthe", but I had a nice dilemma: it was the same night as Woodhouses AOS's production of the same opera, in which I was playing the Lord Chancellor. I wrote to Professor McGonagall by return owl, explaining my predicament; the next day she wrote back, assuring me that it wouldn't be a problem - I could come to Hogwarts, enjoy the show, and be back in time to go on stage at Woodhouses. All I had to do was wait in the Woodhouses dressing room on the evening of the performance and my transport would be provided. How would it be possible, I asked myself, given that it would take nearly three hours to get to London, and quite a few more for the Hogwarts Express to travel from Kings Cross (Platform Nine-and-three-quarters) to the school? I was still worrying about this when I was interrupted by a voice behind me: "Mr. Nash!" I turned and found I was looking at myself. I was too astonished to say anything. The other me smiled, said "It's going to be a great show," and handed me a teddy bear, dressed as the Lord Chancellor. Before my brain could even form the question "What on Earth is going on?" the room began to spin and I was rushing through space very, very fast. The next thing I knew I was standing in a row of seats, looking down at an open-air performing space on the grass outside Hogwarts Castle, in front of the lake. I stood there for a few seconds, taking in the scene and trying to get my breath back. Then an angry, upper-class voice behind me hissed, "Sit down, you stupid Muggle!" I hurriedly sat, turned and saw a stern, middle-aged wizard with long fair hair. I mumbled an apology. The lady next to him (his wife, I assumed) said, loud enough for me to hear: "I don't know why they allow Muggles to see these performances, Lucius." The wizard, in the same tone of voice, replied, "I agree, my dear. Muggles, Mudbloods - they'll allow any sort into Hogwarts these days. I bet this fellow's never travelled by Portkey before, or even knows what one is." I was pretty angry, as you might expect, but I was determined that this couple would not spoil my evening. Besides, what can you do when your adversary could turn you into a guinea pig before you could turn round? I turned to the couple sitting to my right. They appeared to be Muggles. I introduced myself, and they told me that their daughter was playing Phyllis. The boy on my left, holding a 35mm camera, overheard and said excitedly, "My brother's in it too! He carries the Lord Chancellor's cloak!" I'm used to pre-performance announcements which say "No flash photography or video or audio recording is permitted" and "All mobile phones must be switched off or set to silent". Tonight the announcement went, "Please would no-one use their wands during the performance, and the uttering of curses is strictly forbidden as this distracts the performers. Thank you." The crowd broke into applause as Professor Dumbledore, the musical director, took the conductor's podium. Silence fell. Anticipation rose. The "Iolanthe" overture is my favourite overture of the canon, and I wondered how Professor Dumbledore's magical orchestra of unusual instruments, without human players, would cope. It did not disappoint. From the opening bars I was transported to Fairyland. A faultless rendition, full of sensitivity; a delight from start to finish. If this was a taste of what was to come, it would be a superb evening. The chorus of fairies flew on, on their broomsticks which had been decorated with little golden flowers. The choreography was performed in mid-air. Celia (Parvati Patil) and Leila (Lavender Brown) sang clearly and pleasantly but a little hesitantly, apparently with nerves. On the final sigh at the end of the song they alighted and dropped to the ground. The dialogue went briskly, Fleta (Cho Chang) getting most of the laughs. Professor McGonagall as the Queen of the Fairies made an unexpected entrance, transforming from a cat which had been on stage from the beginning. She played the part as, I suppose, what she is: a firm but kind schoolmistress. I warmed to her personality. She sang with resonance and without apparent effort. Iolanthe (Ginny Weasley) appeared from the lake. I wondered how she had managed to hold her breath under water for so long, as there had certainly been no-one going into the lake since the start of the performance. The boy next to me seemed to read my mind and whispered, "She's used Gillyweed!" I looked carefully and just caught a glimpse of what looked like gills on the side of her neck before they disappeared. Her costume was wet through and covered in slime. "Poor girl," I thought. "They don't expect her to do half of Act One in that state, do they?" She sang her opening bars with a touch of nerves. As the chorus sang "Pardoned!", the Fairy Queen waved her wand and Iolanthe's wet robes were transformed into an elegant blue gown, free from slime and perfectly dry, as was Iolanthe herself. She broke into a wonderful smile and from then on there was no holding her. She really was the life and soul of Fairyland. As Strephon entered the fairies in the chorus and the Queen made themselves invisible, their faces becoming visible to sing "Yes, he's to be married today!" and then vanishing again. Strephon was played by Ron Weasley with confidence and strength, and a pleasing baritone voice. Naturally, as Ron and Ginny are brother and sister it was believable that the characters were related, and that Strephon looked a little older than his mother. He delivered his dialogue with a good sense of comedy, injecting just enough passion into his poetically emotional speeches without going over the top. I was irritated that a group of pupils sitting in front of me (I guessed they were Slytherins by their scarves) proceeded to giggle at all the references to Strephon being half a fairy. Wizards and witches they might be, but I couldn't stop myself from hissing "Shh!" I suppose that young witches and wizards can be just as silly and immature as any other children. Hermione Granger as Phyllis lit up the stage from her first entrance. She sang well and moved gracefully. The dialogue that followed, which can fall dreadfully flat, bubbled along, and the duet "None Shall Part Us" was sung with tender feeling - there was a real chemistry between the two. The entrance of the peers was just a little pork pie, but I liked it. There was a small hut near the lake, like an outside toilet, clearly only big enough to hold one person at a time. The door opened and all the peers proceeded out of the hut, in single file. There was a good range of ages and heights among the gentlemen's chorus, from small first years to tall seventh years, and a few masters. The smallest peer of all was also the oldest - Professor Flitwick. They paraded around the grass, singing strongly. Then the Lord Chancellor (Harry Potter) made his entrance from the hut. I was afraid there would be a dreadfully pork pie sound effect of a toilet flushing but thankfully there wasn't. Potter was magnificent, commanding the stage and giving us a Lord Chancellor who wasn't the feeble old fossil you sometimes see in the role but a true authority figure, brimming with self-confidence (when extolling his virtues as the embodiment of the law) and self-doubt (when contemplating his position with respect to his wards). His diction was impeccable. Colin Creevey as his train-bearer mimicked his every move throughout his opening song in a way that was very amusing. However, Potter's stage presence was such that he didn't let Creevey upstage him. The boy next to me went wild with excitement. "There's my brother! There he is!" and proceeded to take photo after photo. "Turn off the flash," I whispered to him. He did so and carried on taking pictures. Lord Tolloller (Draco Malfoy) entered and delivered his first line in a lazy, aristocratic drawl. The couple behind me, who had been so rude to me earlier, applauded. His parents? Having been told that Malfoy had been disappointing in roles in previous years, I was pleasantly surprised. Perhaps Tolloller was more suited to his personality; at any rate, he seemed quite at home as the condescending young earl. He sang "Blue Blood" with a clear tenor voice as if he really meant it (although I must admit, I felt his singing was a touch harsh - a mellower tone would have been easier on the ear). Mountararat was Professor Snape, and a more cynical Mountararat I've never seen. When singing Phyllis' praises, he looked about as enthusiastic as a turkey the week before Christmas. In a way, it was funny, but it was also distracting. He sang acceptably enough and harmonised well with Malfoy, but I would have liked to have seen a few smiles at appropriate moments. There was an unusual bit of business in "When I Went To The Bar": another Harry Potter entered, dressed identically to the first, and the song was performed as a duet between the two Lord Chancellors, one (centre stage) singing the beginning of each line and the other (next to Strephon at the side) putting in "Said I to myself, said I" every time. On the last chord of the song, one of the Chancellors waved his arm and the other vanished. A nice touch. The Act One Finale was performed with a lot of energy. Tolloller and Mountararat in particular seemed to enjoy bullying Strephon - "But as he's not his mother, it appears" was sung with a fair amount of venom. The Fairy Queen and her band entered on their broomsticks once again. As Celia sang "Our wrath, when gentlemen offend us, is tremendous", poor Professor Flitwick was levitated fifteen feet up in the air. Then, an especially spectacular effect. As she began her spoken recitative ("Every bill and every measure"), the Fairy Queen pointed her wand at the sky, light flew from it and a picture formed in the sky, depicting each scene she was describing in succession. As she exclaimed, "Shall be attainable by competitive examination!" the picture exploded into a shower of light, raining down on the peers. The fairies flew off on their broomsticks at the end of the Finale, the peers shaking their fists at them. After a welcome drink of Butterbeer and a chocolate frog (I'd bought two, but one of them hopped away), I settled down to watch Act Two. Very often, when watching amateur productions of "Iolanthe", I try to spot which of the peers in Act One is going to switch to playing Private Willis in Act Two, but there was no chance of that this time: the sentry was none other than Rubeus Hagrid, the school's gamekeeper and Care of Magical Creatures Master. You couldn't imagine a more impressive guardsman, but then Hagrid is eight feet tall, after all. He sang with total aplomb and got a good many laughs for his solo, deservedly so. However I was a little distracted by his bearskin: was it my imagination, or was it moving? And was that just a trick of the light, or did I catch a glimpse of an eye in the middle of it? Hagrid and Professor McGonagall made the most of their scene together, leading up to "Oh Foolish Fay". Hagrid got a laugh from just about every line he uttered, and the Hogwarts pupils in particular enjoyed hearing Professor McGonagall say, "Here is a man whose physical attributes are simply god-like!" The Fairy Queen's solo was delivered with much emotion and received an enthusiastic response. An extra surprise: Professor Snape sang the "De Belville" song, to what the programme described as "the original music". How they managed to find it was not revealed. Professor Snape sang it well, but I can see why it was cut. I would have recorded it, but electronic devices don't work in the strong magical field present in the school grounds. In the "George / Thomas" scene, Snape's lugubrious, cynical demeanour, which had been somewhat irritating in Act One, proved just right, and tempered Tolloller's bullish manner perfectly. The line "We were boys together... at least, I was" from Malfoy generated much laughter. Towards the end of the scene the pair drew their wands and began a magical duel, which Snape was clearly going to win from the start had Phyllis not interrupted them. How two British peers had managed to learn magic wasn't explained. I suppose one could be a peer *and* a wizard, or they may have picked up some tricks (sorry) from the fairies... The quartet was nicely sung, with a strong low E flat from Hagrid, who then dropped a full octave to the E flat over four leger lines below the bass stave. The note was so powerful that the ground shook and Tolloller and Mountararat lost their balance. Probably unintentional, but funny. What can I say about the Nightmare Song, apart from a string of superlatives? Potter, dressed in nightgown and nightcap, sang with the clarity of an adult professional singer. The narrative of the dream was played out in another sequence of pictures in the sky, which were very funny. The eleven-year-old attorney from Devon in the pictures turned out to be none other than my neighbour, the boy with the camera whose brother was playing the Chancellor's attendant. He didn't appear to know it would be him, and he almost fell off his seat with excitement. Potter received a long ovation for this number. Tolloller and Mountararat entered at the end of the song, as expected. Mountararat's line "I am much distressed to see your lordship in this condition" sounded like he meant the exact opposite. He and Tolloller appeared to be trying to inflict something unpleasant on the Lord Chancellor throughout the dialogue and the trio, but Potter was too quick, and dodged every assault. "If We're Weak Enough To Tarry" zipped along, well sung and well danced. Ginny Weasley came into her own in the scene that followed. I was choking back tears during "He Loves", as were the couple on my right. Even the silly Slytherin children in front of me stopped fidgeting. When the moment in which the Lord Chancellor recognises Iolanthe arrived, Time seemed to stop dead. Potter and Ginny were totally believable - they *were* the Lord Chancellor and Iolanthe and this *was* happening, right now. The fairies were invisible as they sang "Willahalah, willaloo"; the sound appeared to come from all around us. There was a look of genuine terror on the Lord Chancellor's and Iolanthe's faces as the Fairy Queen raised her wand to deliver the fatal blow, and a look of heart-torn pain on the face of the Queen herself. "Hold!" - and instantly the fairies and peers appeared, arm in arm. Mountararat, as lugubrious as ever, got a huge laugh for his line "It's our fault - they couldn't help themselves." Once again, Professor McGonagall and Hagrid played their dialogue for as much comedy as they could. "Then away we go to Fairyland!" and all the cast flew into the sky, in a formation which wouldn't have looked out of place in a Red Arrows air display, Harry Potter at the fore. A brief aerial ballet, then on the final chord everyone in the cast raised their wands, pointed them in the air and the sky became a blaze of glittering lights. Potter received the biggest cheer of the evening, although every cast member was warmly acknowledged. However I raised a special cheer for Ginny Weasley, who I felt made one understand why Iolanthe is the title character. Soon afterwards Hermione Granger joined her parents, accompanied by Harry Potter and Professor McGonagall; Colin Creevey tailed close behind. Professor McGonagall introduced me to them. I must admit, I was a bit tongue-tied, but I managed to congratulate them. Professor McGonagall told them, "Mr. Nash here is also playing the Lord Chancellor." "Really? When?" asked Harry. "About three hours ago," replied Professor McGonagall. I panicked at this point, but she smiled and said, "We'll get you there on time, Mr. Nash, don't worry." She then took out what looked like an egg-timer on a chain around her neck, looped the chain around my neck also and turned the timer over three times. There was a sensation like the world was being sucked away. Suddenly we were in her office inside the castle. "It's now 7.15. Give this to yourself when you get back." She opened a drawer in her desk. Inside was a teddy bear, dressed as the Lord Chancellor. She motioned for me to pick it up. I was pretty confused, but I did so. Instantly there was the sense of rushing through space once again, and then I was back in Woodhouses' dressing room, looking at my own back. I didn't appear to have noticed me arriving. "Mr. Nash!" I said to get my attention. The other me turned and stared at me dumbly. "It's going to be a great show," I said, and handed the teddy bear to my other self, who then vanished. It *had* been a great show, I thought to myself. But now it's my turn. I got changed into my costume and waited for the overture to start. Mike Nash "A twisted monster, all awry"  1,, Summary-line: 5-May ajcrowth@globalnet.co.uk [35] #Re: The Zoo X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 08:14:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46CE9fJ011401; Tue, 6 May 2003 08:14:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h45MhaBd014317 for ; Mon, 5 May 2003 18:43:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h45Mh97b000121; Mon, 5 May 2003 18:43:09 -0400 (EDT) Date: Mon, 5 May 2003 18:43:09 -0400 (EDT) Message-Id: <01c31355$39054360$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: The Zoo MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 18:43:09 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: Re: The Zoo X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Stephen Turnbull: >I'm no expert on copyright, but my belief is that the copyright clock started >ticking when The Zoo was performed. > >The Zoo is *not* in copyright. This logic doesn't apply to Gilbert's works; those which were published after his death remained in copyright till a further 70 years had elapsed (mutter, mutter). For this reason his 1867 farce "Allow me to Explain", which has never been published, is still techinically in copyright. I have been assured that the "performance=publication" argument is not legally accurate. Question: is this mad state of things particular to Gilbert, or is it a general situation which applies also to Sullivan? - Andrew.  1,, Summary-line: 6-May farmer_giles@tiscali.co.u [29] #When Jealous Torments X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 09:04:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46D4YfD025267; Tue, 6 May 2003 09:04:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h46CuKtm004275 for ; Tue, 6 May 2003 08:56:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46Ctx7b014915; Tue, 6 May 2003 08:55:59 -0400 (EDT) Date: Tue, 6 May 2003 08:55:59 -0400 (EDT) Message-Id: <00ec01c313ce$4ec91ea0$c7ef403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: When Jealous Torments MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 08:55:59 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: When Jealous Torments X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I mean no offense to whoever sequenced the one on the site, but Johnathan's version is by FAR superior - the one there sounds very muddy and 90% of the notes seem to be missing. (either that or it's just taken at ridiculous slowness, but that seems unlikely given that to get down to that speed from Johnathan's two-minute version, you'd need a 10-minute midi... We have a superb, well sequenced, accurate and 100% playable version from Johnathan. I vote we use it. -Adam Cuerden Gelanor: When Zoram said he considered you asystematic liar, mean, poor, base, selfish, and sordid, cruel, tyrannical, 'twas what he thoght - not what he would have said! Chrysal: I see - if that was only what he thought, it makes a difference.  1, forwarded,, Summary-line: 5-May YesTisMabel@aol.com [33] #Singout at Sea 2003 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 10:12:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46EBxfP027260; Tue, 6 May 2003 10:12:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h45HEpL5005444 for ; Mon, 5 May 2003 13:14:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h45HEH7b002416; Mon, 5 May 2003 13:14:17 -0400 (EDT) Date: Mon, 5 May 2003 13:14:17 -0400 (EDT) Message-Id: <17e.1a3fbce8.2be7ed84@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Singout at Sea 2003 MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 13:14:17 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Singout at Sea 2003 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, all! I have been asked by the Orlando Gilbert And Sullivan Players and the Orlando Opera Company to solicit your interest in their Singout at Sea, which is to be held on December 11, 2003. It's a 3-day cruise to the Bahamas, and would involve 7 shows-- the nautically-based ones, and some others, namely: Pinafore, Pirates, Gondoliers, Ruddigore, Utopia, Patience, and Yeomen. The webpage is Sing Out at Sea or http://content.onlineagency.com/c/8/8451/1126325_8451.htm What I really need to know is if you think this kind of thing is feasible. I am the Savoynet advisor to their planning committee, and it's my job to find out the extent of Savoynet participation. Any and all comments are welcome. Elise Curran Orlando YesTisMabel@aol.com  1,, Summary-line: 6-May jik@kamens.brookline.ma.u [47] #jik's new (work) contact information X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 12:07:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46G7AfD006027; Tue, 6 May 2003 12:07:10 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (jik.kamens.brookline.ma.us [66.92.77.120]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46Fp6bV018190; Tue, 6 May 2003 11:51:06 -0400 (EDT) Received: from jik.kamens.brookline.ma.us (localhost.localdomain [127.0.0.1]) by jik.kamens.brookline.ma.us (8.12.9/8.12.9) with ESMTP id h46FnOoT007031 for ; Tue, 6 May 2003 11:49:24 -0400 Received: (from mail@localhost) by jik.kamens.brookline.ma.us (8.12.9/8.12.9/Submit) id h46FnOcC007029 for baby-announcements-real; Tue, 6 May 2003 11:49:24 -0400 X-Authentication-Warning: jik.kamens.brookline.ma.us: mail set sender to owner-baby-announcements using -f To: Various people Received: from jik.kamens.brookline.ma.us (localhost.localdomain [127.0.0.1]) by jik.kamens.brookline.ma.us (8.12.9/8.12.9) with ESMTP id h46FjRoT006808; Tue, 6 May 2003 11:45:27 -0400 Received: (from jik@localhost) by jik.kamens.brookline.ma.us (8.12.9/8.12.9/Submit) id h46FjMVA006804; Tue, 6 May 2003 11:45:22 -0400 Date: Tue, 6 May 2003 11:45:22 -0400 From: Jonathan Kamens Message-Id: <200305061545.h46FjMVA006804@jik.kamens.brookline.ma.us> Subject: jik's new (work) contact information X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: jik.kamens.brookline.ma.us: mail set sender to owner-baby-announcements using -f To: Various people Date: Tue, 6 May 2003 11:45:22 -0400 From: Jonathan Kamens Subject: jik's new (work) contact information X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Greetings, As of May 1, I am working for BrassRing () as the manager of their Software Configuration Management group. My new work contact information is as follows: Jonathan Kamens Software Development Manager BrassRing, Inc. 170 High Street Waltham, MA 02453-5914 E-mail jik@brassring.com Phone: 781-736-1109 Toll-free: 888-265-6969 ext. 1109 Fax: 781-893-2433 For those who are curious about what I will be doing at BrassRing.... Over the next several months, management of the SCM group will be transitioning to me from the previous manager of the group, who will be moving back into R&D, which he left about a year and a half ago to drive SCM. I will have one to two people working for me. Those of you who know something about what I've done in the past will probably find it interesting to hear that BrassRing is entirely a Windows shop. For the curious among you who have lived in Massachusetts for a while.... 170 High Street is the old Mass Hardware building, which was taken over by ToySmart when Mass Hardware closed in 1998 (which was a bummer, because it was a great hardware store) and then taken over by BrassRing when ToySmart tanked. Keep in touch, jik  1,, Summary-line: 6-May andi_s_r@yahoo.com [76] #Plug & add'l info: NYGASP "Pinafore" May 8-11, NYC X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 12:58:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46Gw8fD015274; Tue, 6 May 2003 12:58:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46GthbV015187 for ; Tue, 6 May 2003 12:55:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46Gp67b010766; Tue, 6 May 2003 12:51:06 -0400 (EDT) Date: Tue, 6 May 2003 12:51:06 -0400 (EDT) Message-Id: <20030506163113.28534.qmail@web10807.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Plug & add'l info: NYGASP "Pinafore" May 8-11, NYC MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 12:51:06 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Plug & add'l info: NYGASP "Pinafore" May 8-11, NYC X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) NYGASP will present HMS Pinafore for 5 performances only this coming weekend, as follows: WHERE: Symphony Space, Broadway at 95th St, NYC WHEN: Thurs May 8, Fri May 9, Sat May 10 at 8:00 p.m. Matinees Sat May 10 and Sun May 11 at 3:00 p.m. INFO: NYGASP website, http://www.nygasp.org SUPPLEMENTAL PROGRAMS: Thurs May 8, "Savoy Dialogue", 6:30 p.m., for ticket-holders attending the 8:00 performance. Discussion with Albert Bergeret and selected cast members. Geared for grown-ups rather than kids. [Phew--got around "adult audience" quicksand....] Sat May 10, "Family Overture", 1:45 p.m., for ticket-holders attending the 3:00 matinee. An introduction to Pinafore, intended primarily to assist younger audience members to understand the show. This will be presented by long-time Company baritone Keith Jurosko (one of the two Captains) and myself, and will include a few musical examples. SCHOOL MATINEES: "Wine Spectator" Magazine has again generously sponsored 4 special morning performances for groups of NYC schoolchildren. We are always thrilled when this sponsorship is available, as for many of these children, this is the first exposure to live theatre and/or to G&S. Artistic Director Albert Bergeret gives a brief up-front introduction, and it's always gratifying to see [and hear!!] the kids' spontaneous reactions to the show--yes, even the so-called "inner city" kids really get into it. CAST: Sir Joseph Porter, KCB: Stephen Quint Captain Corcoran: Keith Jurosko and Richard Holmes Ralph Rackstraw: Michael Scott Harris Bos'n: Ross Crutchlow [a wonderful new addition to our roster] Dick Deadeye: Louis Dall'Ava Carpenter: William Whitefield Midshipmite: Jeremy Senie [following a NYGASP tradition of having one of the "Company children" in the show. Jeremy is the son of Board member Steve Senie, and has appeared in other productions after impressing the audition committee with a fully prepared audition. City Center attendees will remember him as the irate gondolier "stiffed" by the impecunious Plaza-Toro family.] Josephine: Kimilee Bryant and Dominique McCormick Cousin Hebe: Victoria Devany Buttercup: Melissa Parks and Angela Smith Please don't ask me who's on when [or on first--bah DUMbump] of the double-cast people; I don't have that schedule. Call or email the NYGASP office. ===== Andi Stryker-Rodda New York City/New Jersey  1,, Summary-line: 6-May rmacphai@bridgewater.edu [77] #Re: OOTW: Creatures of Impulse. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 13:06:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46H58fT022260; Tue, 6 May 2003 13:06:14 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46GsUbV014835 for ; Tue, 6 May 2003 12:54:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46GnF7b009758; Tue, 6 May 2003 12:49:15 -0400 (EDT) Date: Tue, 6 May 2003 12:49:15 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Creatures of Impulse. MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.1.32.20030506115316.01545390@mailserver.nhm.ac.uk> X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 12:49:15 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Creatures of Impulse. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.1.32.20030506115316.01545390@mailserver.nhm.ac.uk> X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I saw the production of _Creatures of Impulse_ Michael saw. Over thirty years ago I saw another production of _Creatures of Impulse_ by a community theatre in Virginia. After some investigating, I found out about this: _W. S. Gilbert's Creatures of Impulse: A Musical_. Fantasy in Two Acts for Mixed Voices. Music by Donald K. Phelps. Adaptation and Additional Lyrics by Edward Stasheff. Vocal Score. Cincinnati, Ohio: The Willis Music Company, 1941. About 35 years ago Willis still had the v.s. in print--and a separate publication for the director. I'll leave it to someone else to look for a Willis Music Co. website and report. Edward Stasheff, incidentally, was at one time a long-standing faculty advisor to The University of Michigan G&S Society. Rafe On Tue, 6 May 2003, Michael Walters wrote: > At 16:20 03/05/03 -0400, J. Derrick McClure wrote: > >Just a few random thoughts on this one (is it the first time it has EVER > >been discussed on the Savoynet?) > >This would have to be played like a puppet show: fast, upbeat, and with > >absolutely no attempt at subtlety. > > Am I the only Netter who has seen this play performed? I saw it a number of > years ago, by a group in north London whose name I have now forgotten(near > Highbury & Islington station). My recollection was that it was interesting > to see it, but that it didn't really work as a stage play, partly because > the old lady's actions seemed so motiveless. I works a lot better in the > short story version. > > > ------------------------------------------------------------------------- > Michael P. Walters, > Emeritus Fellow, > Bird Group, The Natural History Museum, > at Walter Rothschild Zoological Museum, > Tring, Herts., HP23 6AP, UK > Tel: 0207-942-6161 > Fax: 0207-942-6150 > email: mpw@nhm.ac.uk > I'm very easy to please as long as I get my own way. > > > > -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1,, Summary-line: 6-May awrobins@yahoo.com [78] #Re: OOTW: Creatures of Impulse. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 13:24:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46HN5fN007453; Tue, 6 May 2003 13:24:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46HKRbV026575 for ; Tue, 6 May 2003 13:20:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46HJh7b018572; Tue, 6 May 2003 13:19:44 -0400 (EDT) Date: Tue, 6 May 2003 13:19:43 -0400 (EDT) Message-Id: <20030506170215.72318.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Creatures of Impulse. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 13:19:43 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: Creatures of Impulse. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- "Ralph MacPhail, Jr." wrote: > _W. S. Gilbert's Creatures of Impulse: A Musical_. > Fantasy in Two Acts > for Mixed Voices. Music by Donald K. Phelps. > Adaptation and Additional > Lyrics by Edward Stasheff. Vocal Score. > Cincinnati, Ohio: The Willis > Music Company, 1941. I just checked the WorldCat database and found this score listed as being in five US libraries: Morris County Library (New Jersey) New York Public Library Miami University (Ohio) Eastern Illinois University University of Northern Colorado The time of performance is given as 1 hour and 30 minutes, suggesting the adapter expanded it considerably. I can't imagine this working except as a fast-paced short piece, but then I've never seen it. I mentioned this long ago on Savoynet, but CREATURES OF IMPULSE was apparently also done in the 1930's as a WPA-funded marionetts show. Here's the information from WorldCat: Title: Creatures of impulse [one-act play] for marionettes] Author(s): Gilbert, W. S. Corp Author(s): Federal Theatre Project (U.S.) Publication: New York, National Service Bureau, Year: 1938 Description: 3 p. ., 15 numb. . 29 cm. Language: English Series: National Service Bureau publication; number 65-S, August, 1938; Note(s): At head of title: National Service Bureau, Federal Theatre Project, Works Progress Administration./ Mimeographed. The only library listed as having this is Brown University (Rhode Island). Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1, answered,, Summary-line: 6-May sctang@MIT.EDU [36] #Re: RSVP for Video Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 14:39:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46IcHfP011563; Tue, 6 May 2003 14:39:00 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46Ia7bV027920 for ; Tue, 6 May 2003 14:36:07 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id OAA14141; Tue, 6 May 2003 14:36:07 -0400 (EDT) From: sctang@MIT.EDU Received: from sci-30.mit.edu ( [sci-30.mit.edu]) as user sctang@MIT.EDU by webmail.mit.edu with HTTPS; Tue, 6 May 2003 14:36:07 -0400 Message-ID: <1052246167.3eb800971005a@webmail.mit.edu> Date: Tue, 6 May 2003 14:36:07 -0400 To: "David C. Jedlinsky" Subject: Re: RSVP for Video Party References: <5.0.2.1.1.20030506094301.0161edd0@po12.mit.edu> <200305061544.LAA18609@multics.mit.edu> In-Reply-To: <200305061544.LAA18609@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.51.2.138 X-Originating-Host: sci-30.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1) X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sctang@MIT.EDU Date: Tue, 6 May 2003 14:36:07 -0400 To: "David C. Jedlinsky" Subject: Re: RSVP for Video Party In-Reply-To: <200305061544.LAA18609@multics.mit.edu> X-Originating-IP: 18.51.2.138 X-Originating-Host: sci-30.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1) X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I was planning on showing the DVD as long as the DVD player works in the room. Which would you prefer? ~Sonya Quoting "David C. Jedlinsky" : > > Hi Sonya. > > Are you going to be showing the DVD? Nick had mentioned that the VHS > might be shown instead. > > -Dave > >  1,, Summary-line: 6-May to: sctang@MIT.EDU [30] #Pinafore videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 15:10:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46J9tfD017992; Tue, 6 May 2003 15:09:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h46J9t3n014449; Tue, 6 May 2003 15:09:55 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h46J9sU8021751; Tue, 6 May 2003 15:09:54 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA22463; Tue, 6 May 2003 15:09:54 -0400 (EDT) Date: Tue, 6 May 2003 15:09:54 -0400 (EDT) Message-Id: <200305061909.PAA22463@multics.mit.edu> From: "David C. Jedlinsky" To: sctang@MIT.EDU Subject: Pinafore videos X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 15:09:54 -0400 (EDT) From: "David C. Jedlinsky" To: sctang@MIT.EDU Subject: Pinafore videos X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sonya, By the way, I suspect you've inherited Nick's job with videos, too. If so, let me know what you want done with the Pinafore videos. Last time he and I talked, I was going to give him a single copy for the video party, but since I'm giving the group 45 copies for free (you *do* know about the master tape failure, right?), I could just bring them with me on Saturday. On another front, Gondoliers will be done real soon, but I don't have a count of how many to make. Since Nick said at Gencomm that he was holding off asking for numbers until the videos were closer to being completed, it looks like now is a good time to get those numbers. I can do VHS and/or DVD, so give people the option. Thanks! -Dave  1,, Summary-line: 6-May jpks61@ntlworld.com [29] #Ten Pound Notes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 15:42:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46JfvfF017382; Tue, 6 May 2003 15:42:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46JYQbV021562 for ; Tue, 6 May 2003 15:34:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46JXd7b023033; Tue, 6 May 2003 15:33:39 -0400 (EDT) Date: Tue, 6 May 2003 15:33:39 -0400 (EDT) Message-Id: <021e01c31403$39d19600$dae9ff3e@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jpks61@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jonathan Smith" To: Multiple recipients of list SAVOYNET Subject: Ten Pound Notes MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 15:33:39 -0400 (EDT) Reply-To: jpks61@ntlworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jonathan Smith" To: Multiple recipients of list SAVOYNET Subject: Ten Pound Notes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Bank of England have announced that they will be withdrawing the ten pound notes with Charles Dickens on the reverse over the coming months and that they will cease to be legal tender after 31 July 2003. After this time they will only be exchangeable in banks. The reason for posting this is that regular visitors to Buxton may keep sterling from one year to the next and might otherwise be surprised to have the old notes rejected. Regards, Jonathan Smith Leicester, UK.  1,, Summary-line: 5-May david@musicalsolutions.co [35] #Re: A Brave Song From Our Parts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 15:54:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46JsAfF015986; Tue, 6 May 2003 15:54:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h45IGJER015572 for ; Mon, 5 May 2003 14:16:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h45IFK7b021855; Mon, 5 May 2003 14:15:21 -0400 (EDT) Date: Mon, 5 May 2003 14:15:20 -0400 (EDT) Message-Id: <4.1.20030505183917.00960c80@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: A Brave Song From Our Parts Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <162.1fd4b74b.2be7ad7b@aol.com> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 May 2003 14:15:20 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: A Brave Song From Our Parts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <162.1fd4b74b.2be7ad7b@aol.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 13:27 05/05/03 , HeartFoam@aol.com wrote: >At the Light Opera of Manhattan, we used the following tune (origin unknown). >It's in 6/8 time and begins on the 6th beat. The numbers refer to degrees of >the scale: >5 111 222 345 2- 5 111 (pause) 111 (pause) dialogue This is the tune the DCOC used, certainly in the mid-70's - more or less. As I remember it, it was "335" rather than "345" in the middle, but my memory may be playing me tricks there. Just for clarity, the two 5-1 leaps were up a perfect 4th, rather than down a perfect 5th. There's a fortune awaiting the person who invents a system of indicating melodies in a common-or-garden e-mail. All the best David Cookson  1,, Summary-line: 6-May farmer_giles@tiscali.co.u [192] #OOTW - Palace of Truth X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 16:26:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46KQbfD011359; Tue, 6 May 2003 16:26:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46CTADF025744 for ; Tue, 6 May 2003 08:29:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46CSb7b009546; Tue, 6 May 2003 08:28:37 -0400 (EDT) Date: Tue, 6 May 2003 08:28:37 -0400 (EDT) Message-Id: <00c801c313cc$46ca6030$c7ef403e@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: OOTW - Palace of Truth MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 08:28:37 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: OOTW - Palace of Truth X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have to admit that this is one of my favourite Gilbertian plays. Besides that delightful bit in the second act where you say your thoughts in the tones of what you'd actually say if you weren't being deceitful, this play has good, strong characters, extremely good quality blank verse (some parts reach true beauty, like Zeolite's confession of love, or that beautifully atmospheric bit where Mirza states her fear of too much truth (where's she's searching for her diary) Please do not read on until you've read Palace of Truth in full. þ þ þ þ þ þ þ þ þ Zeo. My love, is Philamir unhappy? Phil. Yes. I have heard people talking of our troth, And prophesying that it will soon cease. Zeo. Indeed! They think you do not love me, then? Phil. They doubt not that--they doubt your love for me. Some say it sleeps; some say that it is dead; Some that it never lived. Oh, Zeolide, If love for Philamir is yet unborn, Why bring it now to light! Where will you find A fitter nursery for love than this? If that love lives, but sleeps, why, wake it now And let it revel in these golden groves. If it is dead, why, here's a paradise That well might summon it to second life! Zeo. It sleeps not, Philamir, nor is it dead; It lives and cannot die. Phil. But people say That love should advertise itself in words More fervid than the weary formula, "I love you, Philamir." You love your friends. Why, Zeolide, I think I've heard you say You love your horse! Zeo. Unjust! You ask me, then, To limit my illimitable love, And circle, with a boundary of words, A wealth of love that knows no bounds at all! There is a love that words may typify-- A mere material love--that one may weigh As jewellers weigh gold. Such love is worth The gold one pays for it--it's worth no more. Why, Philamir, I might as well attempt To set a price upon the universe-- Or measure space--or time eternity, As tell my love in words! That has to rank among the most beautiful things Guilbert has ever written. Or take this delightful comedy moment: Phan. (aside). The Queen is jealous. Where's my talisman? (Finds it.) All right--it's well I have it with me now. (Aloud.) Interrogate me. Conscious innocence Has little fear of palaces of Truth! Altem. You have been walking in the shrubbery; What were you doing there? Phan. (with great show of love for Altemire). Why, making love To Mirza. I invariably do Whenever I've a chance; but all in vain. She's a good woman, and despises me. (To Mirza.) Haven't I offered love to you? Mirza. You have. Phan. And you despise me, don't you? Mirza. Heartily. Phan. (to Altemire). I told you so, and she endorses it-- Believe me, I am bound to speak the truth! Altem. (bitterly). I do believe you. Phan. (taking her by the hand). Thank you, Altemire. Altem. Stand off, don't touch me, horrible old man! You tell me you've made love to Mirza? Phan. (astonished). No! Did I say that? Altem. Most unmistakably. Phan. Oh, come, I say! Zor. You did indeed, my lord! Phan. I said that I made love to Mirza? Chrys. Yes, Those were the very words! And Phanor is caught by his belief that he is protected. And of course, Philamir and Zeolide's ending scene is wonderfully romantic - this is truly a string of pearls to rival even Princess Ida's act II! -Adam Cuerden Gelanor: When Zoram said he considered you asystematic liar, mean, poor, base, selfish, and sordid, cruel, tyrannical, 'twas what he thoght - not what he would have said! Chrysal: I see - if that was only what he thought, it makes a difference.  1,, Summary-line: 6-May j.d.mcclure@virgin.net [40] #Re: Martyr of Antioch X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 16:32:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h46KWYfD015947; Tue, 6 May 2003 16:32:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h46KWXbV015677 for ; Tue, 6 May 2003 16:32:33 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46KVl7b007131; Tue, 6 May 2003 16:31:47 -0400 (EDT) Date: Tue, 6 May 2003 16:31:47 -0400 (EDT) Message-Id: <00ec01c3140b$a2e02460$9784fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Martyr of Antioch MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 16:31:47 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Martyr of Antioch X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Nine Sisters are the Muses, daughters of Mnemosyne, the goddess of memory, and each the patron goddess of one of the arts. They are: Calliope - epic poetry (see THESPIS!) Clio - history Euterpe - lyric poetry Melpomene - tragedy Terpsichore - dancing (see HX!) Erato - love poetry Polyhymnia - sacred music Urania - astronomy Thalia - comedy. The "holy spring" is the Pierian spring on Mount Olympus - hence Milton's: "Begin then, Sisters of the sacred well That from beneath the seat of Jove doth spring." But the "Lord of the holy spring" in the MA line is Apollo, who was the god of music and poetry as well as of the sun. Derrick McClure. (If you listen, den you'll be taught, So here's yo' lesson for today.) j.d.mcclure@virgin.net  1,, Summary-line: 6-May awrobins@yahoo.com [55] #Nine Weird Sisters (was Martyr of Antioch) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 16:33:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46KXSfD016653; Tue, 6 May 2003 16:33:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h46KXJor021630 for ; Tue, 6 May 2003 16:33:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h46KWZ7b007403; Tue, 6 May 2003 16:32:35 -0400 (EDT) Date: Tue, 6 May 2003 16:32:35 -0400 (EDT) Message-Id: <20030506202245.99635.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Nine Weird Sisters (was Martyr of Antioch) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001201c313fa$c5b2ffa0$0900000a@oemcomputer> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 6 May 2003 16:32:35 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Nine Weird Sisters (was Martyr of Antioch) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001201c313fa$c5b2ffa0$0900000a@oemcomputer> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I don't have the text, but my guess is that these are the nine Muses, and the spring would be Pieria. Who's the Lord--Apollo? Can someone who has the text confirm this? Their names are Calliope (mentioned in Thespis), Terpsichore (mentioned in Gilbert's HIS EXCELLENCY, rhyming with "trickery" and "hickory"), Clio, Euterpe, Erato, Melpomene, Thalia, Polyhymnia, and Urania. I think "nine sisters" could either be capitalized or not, but it's probably not necessary. Other opinions? Arthur Robinson "Nine little naked Sisters we, Clio, Euterpe, Calliope, Melpomene, Terpsichore-- Nine little Sisters we!" --- Paul Howarth wrote: > The lines: > "Lord of the holy spring > Where the Nine sisters sing...." > occur during the long opening section. > > Can anyone tell me who the Nine sisters were/are, ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 6-May sctang@MIT.EDU [68] #Re: RSVP for Video Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 06 May 2003 17:23:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h46LNJfD012547; Tue, 6 May 2003 17:23:19 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h46LNIor011788 for ; Tue, 6 May 2003 17:23:18 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id RAA17748; Tue, 6 May 2003 17:23:18 -0400 (EDT) From: sctang@MIT.EDU Received: from m4-167-5.mit.edu ( [m4-167-5.mit.edu]) as user sctang@MIT.EDU by webmail.mit.edu with HTTPS; Tue, 6 May 2003 17:23:18 -0400 Message-ID: <1052256198.3eb827c649602@webmail.mit.edu> Date: Tue, 6 May 2003 17:23:18 -0400 To: "David C. Jedlinsky" Subject: Re: RSVP for Video Party References: <5.0.2.1.1.20030506094301.0161edd0@po12.mit.edu> <200305061544.LAA18609@multics.mit.edu> <1052246167.3eb800971005a@webmail.mit.edu> <200305061855.OAA22277@multics.mit.edu> In-Reply-To: <200305061855.OAA22277@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.53.0.89 X-Originating-Host: m4-167-5.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; SunOS 5.8 sun4u) X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sctang@MIT.EDU Date: Tue, 6 May 2003 17:23:18 -0400 To: "David C. Jedlinsky" Subject: Re: RSVP for Video Party In-Reply-To: <200305061855.OAA22277@multics.mit.edu> X-Originating-IP: 18.53.0.89 X-Originating-Host: m4-167-5.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.78 [en] (X11; U; SunOS 5.8 sun4u) X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I'll ask Caitlin tonight to check if the DVD player is functioning properly. I did hear about the Pinafore videos. If you'd like to bring down the Pinafore videos on Saturday, which would save you one trip, I'm all for it. I'll talk to the EC tonight about setting up another video party. Is there any date/time you would prefer? I'll also send out a Gondoliers email for video orders. ~Sonya Quoting "David C. Jedlinsky" : > > I'd prefer the DVD. > > If there's a problem with the DVD player, I can bring one. Just let > me know before I leave NH. :-) > > -Dave > > > >From: sctang@MIT.EDU > >Date: Tue, 6 May 2003 14:36:07 -0400 > > > >Hi Dave, > > > >I was planning on showing the DVD as long as the DVD player works in the > room. > >Which would you prefer? > > > >~Sonya > > > >Quoting "David C. Jedlinsky" : > > > >> > >> Hi Sonya. > >> > >> Are you going to be showing the DVD? Nick had mentioned that the VHS > >> might be shown instead. > >> > >> -Dave > >> > >> > > > > > > >  1,, Summary-line: 7-May erique@nyc.rr.com [31] #Hogwarts Reviews X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 May 2003 07:17:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h47BHdfD000298; Wed, 7 May 2003 07:17:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h47BHdbV019470 for ; Wed, 7 May 2003 07:17:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h47BHM7b029125; Wed, 7 May 2003 07:17:22 -0400 (EDT) Date: Wed, 7 May 2003 07:17:22 -0400 (EDT) Message-Id: <3EB8E907.50800@nyc.rr.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: erique@nyc.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Eric Peterson To: Multiple recipients of list SAVOYNET Subject: Hogwarts Reviews MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 May 2003 07:17:22 -0400 (EDT) Reply-To: erique@nyc.rr.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Eric Peterson To: Multiple recipients of list SAVOYNET Subject: Hogwarts Reviews X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, all - Due to popular demand, I thought I'd put all the Hogwarts reviews up on the web so everyone could get at them. As an added bonus, I added Sharon Brindle's hilarious Yeomen parody, too. They're at: http://www.toastpoint.com/rapture/hagss.html Jim, Mike and Sharon - if you do NOT want your work shared on the web, please let me know. Enjoy! - Eric  1,, Summary-line: 7-May welkin@MIT.EDU [26] #Show Selection Round II X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 May 2003 17:11:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h47L8ogL010446; Wed, 7 May 2003 17:11:33 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h47L7Cor007406 for ; Wed, 7 May 2003 17:07:12 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id RAA25936; Wed, 7 May 2003 17:07:12 -0400 (EDT) From: welkin@MIT.EDU Received: from humpback.whoi.edu ( [humpback.whoi.edu]) as user welkin@MIT.EDU by webmail.mit.edu with HTTPS; Wed, 7 May 2003 17:07:11 -0400 Message-ID: <1052341631.3eb9757fd422c@webmail.mit.edu> Date: Wed, 7 May 2003 17:07:11 -0400 To: mtg-members@mit.edu Subject: Show Selection Round II MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 128.128.109.173 X-Originating-Host: humpback.whoi.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 5.0; Windows NT; DigExt) X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: welkin@MIT.EDU Date: Wed, 7 May 2003 17:07:11 -0400 To: mtg-members@mit.edu Subject: Show Selection Round II X-Originating-IP: 128.128.109.173 X-Originating-Host: humpback.whoi.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.0 (compatible; MSIE 5.0; Windows NT; DigExt) X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all, Round II This Sunday, 5/11 11 am--Clew Post-mortem 12 pm--Show Section following show selection, general meeting and elections See you all there!!! Welkin  1,, Summary-line: 7-May jhawk@MIT.EDU [39] #Digital camera arrives... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 May 2003 17:32:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h47LWpfD025308; Wed, 7 May 2003 17:32:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h47LWiuC029182 for ; Wed, 7 May 2003 17:32:44 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h47LWhU8005216 for ; Wed, 7 May 2003 17:32:43 -0400 (EDT) Received: (from jhawk@localhost) by multics.mit.edu (8.9.3) id RAA14813; Wed, 7 May 2003 17:32:43 -0400 (EDT) Date: Wed, 7 May 2003 17:32:43 -0400 (EDT) Message-Id: <200305072132.RAA14813@multics.mit.edu> To: sipb-staff@MIT.EDU Subject: Digital camera arrives... From: John Hawkinson X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 May 2003 17:32:43 -0400 (EDT) To: sipb-staff@MIT.EDU Subject: Digital camera arrives... From: John Hawkinson X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) [ I didn't send this to sipb-office because of foolish concerns about pricey portable electronics walking away. Others who feel differently should feel free to overrule me... ] ...Canon PowerShot A60. It's now sitting in the front portion of the key drawer, along with it's AC adapter, and USB cable, and instruction manual. We don't have a case for it...there was some bubble wrap in the original box, but it didn't seem necessary to keep it in that. I guess if it gets beat up we can bubble-wrap it and/or buy a soft case. I wrote SIPB in sharpie on it, and also put on a label. If we're feeling enthused (probably not) we could get SIPB/w20-557/x3-7788 engraved on it. It seems straightforward enough to use, and the manual is a convenient carryable size otherwise. Plugging the USB cable into the Mac brings up iPhoto, which seems to DTRT. From past experience, plugging the flashcard into deathtongue's flashcard reader should just work, also. Note that it runs on 4 AAs (alkaline), so extended use should probably involve the AC adapter, especially sucking data off of the camera. The original packaging and extra stuff (err, two CDs of software and a camera-to-RCA-A/V-cable) are in the camera's box in the left monolith (top shelf). The analog camera has been relocated from the front of the key drawer to the back. --jhawk  1,, Summary-line: 7-May ajcrowth@globalnet.co.uk [123] #OOTW Creatures of Impulse X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 May 2003 18:31:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h47MVSfD017959; Wed, 7 May 2003 18:31:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h47MVRor003777 for ; Wed, 7 May 2003 18:31:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h47MRR7b016162; Wed, 7 May 2003 18:27:28 -0400 (EDT) Date: Wed, 7 May 2003 18:27:27 -0400 (EDT) Message-Id: <01c314e4$b050f320$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: OOTW Creatures of Impulse MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 May 2003 18:27:27 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: OOTW Creatures of Impulse X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, what's a fellow to do? Two of the three Gilbert pieces in the schedule for this month have enough in them to sustain discussion for a month each. It's a daunting prospect to find intelligent things to say about them on cue. So maybe the best thing is to leave them to one side for the moment and turn to the other one, the light piece of frippery that is "Creatures of Impulse". (Pause.) Okay, I've just re-read it, having not looked at it for probably a couple of years or more. It's quite cleverly written, except for the ending, which is a complete anti-climax. It takes a series of stock comic characters--the flirtatious soldier, the miser, the doltish farmer, the shy village coquette--and sets them against each other in quick, witty dialogue. The jokes are rather old, I suppose, but it's all done with great verve. The first half of the play shows them interacting with each other--the shy coquette blushing at the flirty sergeant and arguing with the doltish farmer, etc. Because there is very little in the way of plot happening at the same time, Gilbert can relax and let his characters speak for themselves. Then we have the Strange Old Lady (a fairy?)--who has been living in the local inn for nothing for the past six months, and whom the landlady wants to kick out. The characters try to persuade her in turn, and she puts each under a spell to repeat an action or speech completely opposed to their stock character--the miser to give people guineas, the shy coquette to offer kisses to everyone, the sergeant to keep ducking nervously, the farmer to pick fights with everyone. As someone (Adam?) said before, this rises to a very funny climax of confusion.... But then we have a complete let-down, when the wily Old Woman suddenly caves in and releases the spells for no better reason than that "altogether you're too much for me". Unusually for Gilbert, this is a pure comedy, with no meaning or moral behind it. Do the Old Woman's spells reveal the characters' true nature, like the notorious Lozenge, or the potion in "The Mountebanks", or the Palace of Truth? Not really. The miser gives everyone his gold, but he hates it to the depth of his being. The Sergeant is rather like the age-old Braggart Soldier of Plautus and after, but are we supposed to believe he is "really" a coward? I don't think so, but I'm not sure.. The farmer is a self-confessed coward, so his squaring up to everyone really is a reversal of his true nature. And the shy coquette? Hmm... it does seem possible that she really does want to go round kissing everyone; she certainly struggles against an impulse to make rather cheeky remarks even before the spell kicks in. If we really do have to look at Gilbert's works as belonging to well defined groups (it seems we do), I wouldn't call it a Palace of Truth plot, for the reasons given above. The spell doesn't reveal the characters essential natures. I wouldn't call it a lozenge plot either... but that's only because if I had my way I would ban the phrase "lozenge plot" from Gilbert studies altogether! It's more confusing than revealing. No, "Creatures of Impulse" is simply an exercise in that other Gilbert staple, Topseyturveydom. It's reversal for the sake of reversal. As in the Gilbert play "Topseyturveydom", the results go in all directions indiscriminately, and have no single "moral". The braggart soldier may be a coward, but the coward farmer isn't really brave. The shy girl may really be a coquette, but the miser isn't really a spendthrift. The point is simply to reverse people's normal behaviour, to get a laugh. And it works; but there's no "meaning" beyond that. "Creatures of Impulse" comes from the year 1871, very early in Gilbert's career. He was still trying to understand his creative strengths. He was experimenting. The reversal motif in "Creatures of Impulse" does seem to be connected to "The Palace of Truth" (1870)--but if so, it is simply a less successful variation. In "Palace of Truth", we get the same systematic inversion, but it all goes to demonstrate the same thesis about human nature: that the social mask is always the opposite of the underlying truth, and that in the end this is a good thing. The concept of Topseyturveydom, reversal for the sake of it, is a nonsense concept. The fun simply comes from seeing the world turned upside down. There is no consistent satire behind it. And that is what we see in "Creatures of Impulse". Gilbert experimented with the idea in a few of his early pieces, but gradually phased it out as he found ways of making it "meaningful", more controlled, more satirical. A couple of other things I want to mention. I have in my files a photocopy of an article from--I believe--the Gilbert and Sullivan Journal in the 1980s (1970s?). This is disgraceful, but I simply don't have a reference as to where the article comes from. It's called simply "Creatures of Impulse" and it's by Victor Golding. In it, he reveals that the Lord Chamberlain's manuscript copy of the play includes three lyrics not included in the Original Plays version, plus two extra verses to choruses which *are* in the published edition. He quotes them all. They're not lost masterpieces of the lyrical art, but they're decent enough. There's a song for the miser and for the sergeant, plus an ensemble for the characters when they plot about how they will get rid of the Old Woman. Does anyone have a proper bibliographical reference for this article? I believe it's referred to in Phil Dillard's G&S Bibliography. One final thing. Alberto Randegger, who wrote the music for the piece, was a well respected musician of the era. There are more references to him in Arthur Jacobs's biog of Sullivan than in Stedman's Gilbert! He was a real Italian (despite the suspect-sounding "Alberto", he wasn't an Englishman trying to sound foreign). In his diary, Sullivan refers to discussions with fellow-musicians including Randegger; a Randegger song was performed in one of Sullivan's Philharmonic concerts. When Sullivan got worked up at the appointment of the foreigner Hans Richter to conduct the Birmingham Festival instead of a native son, he wrote in a letter: "not a thought of envy or regret should I have felt if Cowen, Stanford, Barnby or Randegger (who is one of us, to all practical purposes) had been selected." (p194) And that's all I have to say.... - Andrew.  1,, Summary-line: 7-May oakapple@cris.com [28] #Life Imitates G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 May 2003 21:09:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4818cfN000368; Wed, 7 May 2003 21:09:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4816fbV017652 for ; Wed, 7 May 2003 21:06:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h481697b026723; Wed, 7 May 2003 21:06:10 -0400 (EDT) Date: Wed, 7 May 2003 21:06:09 -0400 (EDT) Message-Id: <3EB9A856.80805@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Life Imitates G&S MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 7 May 2003 21:06:09 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Life Imitates G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Reuters has a story that a 31-year-old man in Johannesburg, S.A., committed suicide by cutting his own head off. He went calmly over to the band saw in the meat department at a Shoprite supermarket and did the deed. However, he only succeeded in cutting it half off before he collapsed dead. I am not making this up. -- Marc Shepherd New York, NY  1, forwarded,, Summary-line: 8-May bj.richards@btinternet.co [140] #Fw: "Valleywood" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 May 2003 05:11:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h489BJfD021907; Thu, 8 May 2003 05:11:19 -0400 (EDT) Received: from tungsten.btinternet.com (tungsten.btinternet.com [194.73.73.81]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h489BI44009337 for ; Thu, 8 May 2003 05:11:18 -0400 (EDT) Received: from dial81-131-126-146.in-addr.btopenworld.com ([81.131.126.146] helo=HP763ADV) by tungsten.btinternet.com with smtp (Exim 3.22 #23) id 19DhQP-0001qj-00; Thu, 08 May 2003 10:10:49 +0100 Message-ID: <003701c31541$b7740f40$38667ad5@HP763ADV> From: "Bob & Jackie" To: "David Cookson" Cc: "William McCracken" , "Virginia & John Cunningham" , , "Tam Lynass" , "snappy" , "sangazure" , "Samuel Silvers" , "Samuel Silvers" , "Samuel Silvers" , "Round, Carole J" , "Rob & Helene" , "Philip Barton \(home\)" , "Peter Crichton" , "Peter Crichton" , "Paul Cohen" , , "Nick" , "Mike Nash" , "Michael Nash" , "John Luce" , "Hannah Richards" , "Hannah Richards" , "Gordon Pascoe" , "gareth.caryl" , "David Fitzpatrick" , "David Duffey" , "David C. Jedlinsky" , , "Carole Round" , "Carol Davis" , "C. Wain" , , "Bronwen Evans" , "Andrew Jones" , "Alan Hughes" , "Adrian Bridgman" , Subject: Fw: "Valleywood" Date: Thu, 8 May 2003 10:10:12 +0100 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0034_01C3154A.0317A3F0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 3 X-Spam-Level: *** (3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob & Jackie" To: "David Cookson" Cc: "William McCracken" , "Virginia & John Cunningham" , , "Tam Lynass" , "snappy" , "sangazure" , "Samuel Silvers" , "Samuel Silvers" , "Samuel Silvers" , "Round, Carole J" , "Rob & Helene" , "Philip Barton \(home\)" , "Peter Crichton" , "Peter Crichton" , "Paul Cohen" , , "Nick" , "Mike Nash" , "Michael Nash" , "John Luce" , "Hannah Richards" , "Hannah Richards" , "Gordon Pascoe" , "gareth.caryl" , "David Fitzpatrick" , "David Duffey" , "David C. Jedlinsky" , , "Carole Round" , "Carol Davis" , "C. Wain" , , "Bronwen Evans" , "Andrew Jones" , "Alan Hughes" , "Adrian Bridgman" , Subject: Fw: "Valleywood" Date: Thu, 8 May 2003 10:10:12 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 3 X-Spam-Level: *** (3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0034_01C3154A.0317A3F0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable MessageEnjoy, look you Bob In light of the fact that Catherine Zeta-Jones-Douglas has truly become = part of Hollywood, the Welsh film industry has decided to step up = production. They plan to remake many well known films but with a Welsh = flavour to them. The following are some planned for release next year.... * 9 1/2 Leeks * Trefforest Gump * Cwmando * The Lost Boyos * An American in Powys * Huw Dares Gwyneth * Dai Hard * The Wizard of Oswestry * Cool Hand Look-you * Sheepless in Seattle * The Eagle has Llandudno * The Magnificent Severn * Haverfordwest Was Won * Austin Powys * The Magic Rhonddabout And finally... * The Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch That = Time Forgot ------=_NextPart_000_0034_01C3154A.0317A3F0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
Enjoy, look you
Bob


In light of the fact that Catherine Zeta-Jones-Douglas has truly=20 become part of Hollywood, the Welsh = film industry=20 has decided to step up production. They plan to = remake many=20 well known films but with a Welsh flavour to them.

The following=20 are some planned for release next year....

* 9 1/2 Leeks
* = Trefforest=20 Gump
* Cwmando
* The Lost Boyos
* An American in Powys
* Huw = Dares=20 Gwyneth
* Dai Hard
* The Wizard of Oswestry
* Cool Hand = Look-you
*=20 Sheepless in Seattle
* The Eagle has Llandudno
* The Magnificent=20 Severn
* Haverfordwest Was Won
* Austin Powys
* The Magic=20 Rhonddabout

And finally...

* The=20 Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch That Time Forgot



 ------=_NextPart_000_0034_01C3154A.0317A3F0--  1,, Summary-line: 8-May david@musicalsolutions.co [55] #Re: What's this? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 May 2003 17:02:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h48L2ifD004270; Thu, 8 May 2003 17:02:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h48L2hE9018023 for ; Thu, 8 May 2003 17:02:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h48L2H7b028449; Thu, 8 May 2003 17:02:17 -0400 (EDT) Date: Thu, 8 May 2003 17:02:17 -0400 (EDT) Message-Id: <4.1.20030508211321.0091fde0@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: What's this? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00df01c31595$30746270$4deb403e@Adam> X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 8 May 2003 17:02:17 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: What's this? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <00df01c31595$30746270$4deb403e@Adam> X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 20:19 08/05/03 , Adam Cuerden wrote: >http://diamond.boisestate.edu/gas/ruddigore/web_opera/rudd25.mid >I don't think I've ever heard that before. As Dave Jedlinsky says, it's the music for the "Melodrame" - Act 2 No 9 in the Chappell VS (mine's falling to bits) - the bit where Robin and Hannah fight. You've not heard it before if either (a) you've never seen "Ruddigore", or (b) the productions you've seen have cut it. >By the way, do you know that >there's a complete set of midis languishing unlinked there, including >Henceforth all the Crimes? Many of the MIDI files *are* unlinked, but HATC ain't one of them. I've just done a quick look down the list in the "Index", which can be reached from the URL http://diamond.boisestate.edu/gas/ruddigore/web_opera/ and there seem to be some files which don't have a link from the Ruddigore MIDI page, which is http://diamond.boisestate.edu/gas/ruddigore/html/ruddigore_midi.html HATC, however, *does* have a link from there. Maybe the "missing links" on the R'gore MIDI page are something the webmasters can fix ? A question remains - why (in researching my answer to Adam, listening to quite a few MIDI files in the Ruddigore bit of the Archive) have I just heard so many wrong notes ? Not "disputed" notes, or notes that are longer or shorter than I would have liked them - not faster or slower tempi than I would have liked - but just plain old wrong notes. Grumble ... grumble ... All the best David Cookson  1,, Summary-line: 9-May uployenrichard@hotmail.co [32] #Re: What's this? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 May 2003 07:34:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h49BYnfD024938; Fri, 9 May 2003 07:34:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h49BYl7H010326 for ; Fri, 9 May 2003 07:34:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h49BYH7b004586; Fri, 9 May 2003 07:34:17 -0400 (EDT) Date: Fri, 9 May 2003 07:34:17 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: What's this? Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 May 2003 07:34:17 -0400 (EDT) Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: What's this? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > Though the tempo in the MIDI file is, shall we say, a bit snappy for a > > melodrama. Do you mean melodrama as in "Ruddigore", Pirate King etc., or Melodrame : music under spoken dialogue? Best wishes, Richard, Oxford, "My heart say" _________________________________________________________________ Stay in touch with absent friends - get MSN Messenger http://www.msn.co.uk/messenger  1,, Summary-line: 9-May rebecca@hains.net [25] #RE: The Zoo and copyright X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 May 2003 10:11:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h49EBEfH008623; Fri, 9 May 2003 10:11:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h49E6d7H022558 for ; Fri, 9 May 2003 10:06:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h49E687b028636; Fri, 9 May 2003 10:06:08 -0400 (EDT) Date: Fri, 9 May 2003 10:06:08 -0400 (EDT) Message-Id: <001701c31631$98d5c1a0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: The Zoo and copyright MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 May 2003 10:06:08 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: The Zoo and copyright X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) .. And if anyone would care to hear Mr. Sternenberg's lyrics sung in performance (by Ana Albir, in a production I directed at MIT), you may visit the following link: http://www.hains.net/theater/recordings.html#zoo Rebecca Hains Philadelphia, PA  1,, Summary-line: 9-May rebecca@hains.net [44] #RE: The Zoo and copyright X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 May 2003 12:44:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h49GgEfb024768; Fri, 9 May 2003 12:44:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h49FNKZD006138 for ; Fri, 9 May 2003 11:23:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h49FMv7b012457; Fri, 9 May 2003 11:22:57 -0400 (EDT) Date: Fri, 9 May 2003 11:22:57 -0400 (EDT) Message-Id: <004501c3163c$b1e8f8f0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: The Zoo and copyright MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 May 2003 11:22:57 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Rebecca Consentino Hains To: Multiple recipients of list SAVOYNET Subject: RE: The Zoo and copyright X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As I understand it, the 100 year rule is a standard part of U.S. copyright law. A table on http://www.photocourse.com/11/11-0x.htm explains it pretty clearly -- I'll excerpt part of it here: "Works Originally Created On or After January 1, 1978: "Automatically protected from the moment of its creation for a term enduring for the author's life, plus an additional 50 years after the author's death. For works made for hire, and for anonymous and pseudonymous works (unless the author's identity is revealed in Copyright Office records), the duration of copyright will be 75 years from publication or 100 years from creation, WHICHEVER IS SHORTER [my emphasis]. "Works Originally Created Before January 1, 1978, But Not Published or Registered by That Date: "The duration of copyright in these works will generally be computed in the same way as for works created on or after January 1, 1978 [...]" More information on copyright is available at the following URLS: http://www.copyright.gov/ http://www.pdinfo.com/faq.htm http://www.copyright.com/ Rebecca Hains Philadelphia, PA  1,, Summary-line: 9-May csimpson@empowering.com [32] #Re: The Zoo and copyright X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 May 2003 12:48:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h49Gm3fH018454; Fri, 9 May 2003 12:48:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h49GdjZE016769 for ; Fri, 9 May 2003 12:39:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h49Gd97b024137; Fri, 9 May 2003 12:39:09 -0400 (EDT) Date: Fri, 9 May 2003 12:39:09 -0400 (EDT) Message-Id: <3EBBD85D.E3099C94@empowering.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: csimpson@empowering.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carl Simpson To: Multiple recipients of list SAVOYNET Subject: Re: The Zoo and copyright MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77 (Macintosh; U; PPC) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 May 2003 12:39:09 -0400 (EDT) Reply-To: csimpson@empowering.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carl Simpson To: Multiple recipients of list SAVOYNET Subject: Re: The Zoo and copyright X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Actually the 100-year rule that Rebecca Hains mentioned in her post has now been extended to 120 years due the the Sonny Bono Act. On January 1 of this year, another important provision of the copyright law came into effect: All unpublished works of authors who died before Jan. 1, 1933 entered the public domain. In the case of unpublished works of anonymous or corporate authorship, those created before Jan. 1, 1883 entered the public domain. Thus, even if a manuscript score for the long-lost "Thespis" score surfaces, it will be public domain. Another factor has to do with the definition of "publication." The majority of court decisions have ruled that once any version of a work is published, the whole work is considered to have been published. So, if "The Zoo" was issued in vocal score only back in Sullivan's lifetime, the full score would not be entitled to any protection per se, but only in a new edition. -- Carl Simpson Serenissima Music, Inc.  1,, Summary-line: 9-May mkenig@yahoo.com [43] #re: For 35 years (Midi bit rot) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 09 May 2003 15:42:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h49JgXfD010922; Fri, 9 May 2003 15:42:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h49JbXDE010456 for ; Fri, 9 May 2003 15:37:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h49Jb37b012829; Fri, 9 May 2003 15:37:03 -0400 (EDT) Date: Fri, 9 May 2003 15:37:03 -0400 (EDT) Message-Id: <20030509192936.12357.qmail@web10505.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: re: For 35 years (Midi bit rot) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 9 May 2003 15:37:03 -0400 (EDT) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: re: For 35 years (Midi bit rot) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So, okay, okay, I get it. Something has happened to make perfectly listenable Midi files I donated like 8 years ago to render them unlistenable. Either bit-rot has set in or General Midi assignments have changed since I did these (back When Midi Was New and I was a novice at it). Heck, General Midi probably didn't exist when these files were new. (Believe it or not, these files pre-date *even* the internet! Gasp!). I've not touched them in a decade, I'm on to other things (plug: Edwardian Musicals Web Operas) I'm not even sure I have the original source files or program (or whether it would even run). I applaud *anybody* touching them up and/or replacing them with more modern, listenable versions!! Knock yourself out and tell The Curators that I wholeheartedly endorse any replacements and won't be offended at all. Marc Kenig "hey, look, the notes are still right!" Mtn. View, CA __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 10-May fiat600_84720@yahoo.com [70] #A voice from the far past X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 May 2003 15:41:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4AJfBfD012188; Sat, 10 May 2003 15:41:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4AJbVgM003278 for ; Sat, 10 May 2003 15:37:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4AJax7b010848; Sat, 10 May 2003 15:36:59 -0400 (EDT) Date: Sat, 10 May 2003 15:36:59 -0400 (EDT) Message-Id: <20030510192631.29484.qmail@web40103.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: fiat600_84720@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Philip Dillard To: Multiple recipients of list SAVOYNET Subject: A voice from the far past MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.8 X-Spam-Level: ** (2.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 May 2003 15:36:59 -0400 (EDT) Reply-To: fiat600_84720@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Philip Dillard To: Multiple recipients of list SAVOYNET Subject: A voice from the far past X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.8 X-Spam-Level: ** (2.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Probably not many will recall, but I was a subscriber to this delightful Savoynet in the early days many, many years ago. I wish to say "hi" to Marc, Ralph, and the many others who provided such enjoyment and information back in those days. Ah, the good memories come flooding back... Today I was cleaning out some shelves and came across three G&S books which, if this is not inappropriate, I wish to offer for sale. If policy prohibits (I can't remember that far back), please advise. My pleasure would be for these books to go to Savoynet G&S "nuts" rather than to a thrift shop. The books: The Light Operas of W. S. Gilbert, Cameo Classics, Grosset & Dunlap, 1932, 232 p. Librettos to H.M.S. Pinafore; Pirates of Penzance; The Mikado. Also includes The Bab Ballads. With Gilbert's own illustrations. Spine is faded, pages are browning a little. $3.00 plus $2.00 s&h Media Mail (U.S. only) The Gilbert & Sullivan Book. Leslie Baily. Cassell & Company Ltd., 2nd ed., 1952, 443 p. Spine faded, spots on cover, book plate on flyleaf. Binding tight and pages clean. $5.00 plus $3.00 s&h Media Mail(U.S. only) A Treasury of Gilbert & Sullivan. The Words and Music of One Hundred and Two Songs from Eleven Operettas. Edited by Deems Taylor. Simon & Schuster, 1941, 405 p. Spine and cover faded, binding tight and pages clean. $5.00 plus $3.00 s&h Media Mail (U.S. only). I hope I have not committed a "no-no" by listing books for sale on Savoynet. If I have, I will plead a "senior moment" (unfortunately, my senior moments last from 7:00 a.m. to 10:00 p.m. any more). If anyone is interested in these books, please contact me at Fiat60_84720@yahoo.com. Again, my best regards and fond memories to those long-time members of Savoynet. Ah, how good it was... Phil Dillard __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 10-May aperry@netcomuk.co.uk [71] #Names, Names, Names X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 May 2003 16:03:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4AK3GfD022617; Sat, 10 May 2003 16:03:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4AK3FbH023406 for ; Sat, 10 May 2003 16:03:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4AK2q7b012151; Sat, 10 May 2003 16:02:52 -0400 (EDT) Date: Sat, 10 May 2003 16:02:52 -0400 (EDT) Message-Id: <3EBD5660.7390@netcomuk.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ian Hollamby To: Multiple recipients of list SAVOYNET Subject: Names, Names, Names MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 3.0C-NC320UK (Win95; I) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 10 May 2003 16:02:52 -0400 (EDT) Reply-To: aperry@netcomuk.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ian Hollamby To: Multiple recipients of list SAVOYNET Subject: Names, Names, Names X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Greetings! As threatened, I'm back!! Salutations to those who know me AND to those who don't (The latter are far more favoured than the former!) I have looked the Grim Reaper in the face, turned him round, and kicked his arse! Therefore, unfortunately for you - I'm still here. Having been in hospital for months, I have only just finished wading through a vast wodge (sic) of past posts and would like to comment as follows, despite the fact that some topics may be a little out of date. Please feel free to criticise me as and how you will! Politics - Am I right in believing that there was a suggestion of a breakaway Savoynet? - Ridiculous Off-Topicality - Yes. From my perusal of past posts this does seem to be more prevalent than I recall. Good on Marc for stamping down on it. Character types - This seemed to me to be mostly about ethnicity. Oh dear! My view is that I do not care one jot about your colour/size/religion etc. - Are you a decent human being? What is the relevance to your ability to perform G & S? (Although I have to admit that I have long wanted to cast a black actor as Dick Deadeye - the dialogue he is given would really kick the bigots in the teeth!!) Enough of self-indulgent ranting. I now (eventually) arrive at the relevance of my posting's subject line. I have always been interested in Gilbert's naming of his characters. Some have forenames and no surname; some a surname but no forename; some suffer under an alias; some are known only by a title and some indeed are mis-titled! I wonder then if anyone would be interested in suggesting names (the wittier the better) for those characters foresaken by Gilbert? Only those characters given a name in the DRAMATIS PERSONAE or in the libretto should be considered (e.g. "Usher" and "Notary" may be ignored unless you have something spectacularly clever to offer!) Let's start with "Trial" Edwin who?? Angelina who?? The next few works will have few examples, but by the time we get to "Pirates" thinks should get interesting, and by "Utopia" - full steam ahead! I hope that fellow Savoynetters find this an interesting challenge. At least it is resolutely on-topic and will make my life less boring as I recover from major surgery! Toujour l'amour!! Ian  1,, Summary-line: 10-May marion@leedscarroll.com [40] #Re: Message from Bruce Miller X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 10 May 2003 23:09:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4B39PfD026222; Sat, 10 May 2003 23:09:25 -0400 (EDT) Received: from rwcrmhc52.attbi.com (rwcrmhc52.attbi.com [216.148.227.88]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4B39KoR001563 for ; Sat, 10 May 2003 23:09:25 -0400 (EDT) Received: from belcanto (h002078c528a7.ne.client2.attbi.com[66.31.126.44]) by attbi.com (rwcrmhc52) with SMTP id <2003051103092005200a6knae>; Sun, 11 May 2003 03:09:20 +0000 Message-Id: <4.2.2.20030510230709.02a26758@pop3.norton.antivirus> X-Sender: xleedscarroll-marion/pop.leedscarroll.com@pop3.norton.antivirus X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.2 Date: Sat, 10 May 2003 23:09:18 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Message from Bruce Miller In-Reply-To: <200305082227.SAA09496@multics.mit.edu> References: <4.2.2.20030508174800.02932d50@pop3.norton.antivirus> <4.2.2.20030508174800.02932d50@pop3.norton.antivirus> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion/pop.leedscarroll.com@pop3.norton.antivirus Date: Sat, 10 May 2003 23:09:18 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Message from Bruce Miller In-Reply-To: <200305082227.SAA09496@multics.mit.edu> X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks, Dave! - Bruce replied to my message, and was quite cordial... And yes, Erin is tied up in the current show, ao this may not be the moment to start sknig the Alls Well cast for orders... *I* want one! - Marion At 06:27 PM 5/8/2003 -0400, you wrote: >Hi Marion. > >Bruce is currently in England, and he may not have had access to your >email address. He and I were communicating about other things, and he >mentioned the Pinafore stuff as an aside. > >On another front, I haven't heard from Erin Cozens about how many >video copies to make of "All's Well"; do you know if she's busy with >the current show? > >Thanks. > >-Dave ========================= Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com  1,, Summary-line: 11-May awrobins@yahoo.com [167] #OOTW - Fairy Plays X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 May 2003 13:45:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4BHjnfD003361; Sun, 11 May 2003 13:45:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4BHjl13006128 for ; Sun, 11 May 2003 13:45:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4BHjJ7b001171; Sun, 11 May 2003 13:45:19 -0400 (EDT) Date: Sun, 11 May 2003 13:45:19 -0400 (EDT) Message-Id: <20030511174304.11226.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: OOTW - Fairy Plays MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01c314e4$b050f320$0100007f@localhost> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 11 May 2003 13:45:19 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: OOTW - Fairy Plays X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01c314e4$b050f320$0100007f@localhost> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You knew I was going to put my oar in sooner or later. (1) Creatures of Impulse I don't have much to add to what Andrew and others say, just a few comments. (a) Andrew is right; Golding's article on "Creatures of Impulse" is listed in Philip Dillard's bibliography (How Quaint the ways of Paradox), and it was in the Gilbert and Sullivan Journal (vol. 10, Spring 1973, pp. 9-10). (b) No, to confirm what Andrew suspects, the Sergeant isn't really a coward. Martha says he's "the bravest soldier in His Majesty's service," and the Old Lady confirms it: SERG. But I’m not afraid of anyone! Don’t! OLD LADY. No, you’re the bravest man in the army! The Sergeant might lie about this, but not the Old Lady. (c) I just skimmed the Samuel French edition of Creatures of Impulse, and as far as I can tell, it has the same text as the one in Original Plays (none of Golding's "lost lyrics"). 2. The Palace of Truth This was one of the first GWOS's I read (in Plays and Poems), and I found it hilarious, especially the way characters would insult each other while speaking most politely. A few years ago, when I heard about the new Jim Carrey movie "Liar Liar" in which he plays a lawyer who for one day is forced by magic to tell the truth (a horrible fate considering his profession), my first thought was, "Palace of Truth." I'm sure the screenwriters didn't know the play--Gilbert himself indicated the idea had been used before, and only his treatment of it was original--but when I later saw part of the movie on TV, I was again reminded of Gilbert's play. The lawyer is smarmy and tries to flatter people to get ahead, but instead insults them by speaking the truth; though, unlike the characters in Gilbert’s play, he realizes as soon as he speaks what he has said. One interesting thing (to me) about the play: Queen Altemire appears to be one of Gilbert’s “older women”-—there are jokes about her age and weight—-but she is sympathetically drawn, and is the only completely sincere character. 3. Foggerty's Fairy This is one of my favorites of Gilbert's plays. I've always been a sucker for time travel, alternate realities etc., but as a child I always thought these were done too solemnly (e.g., the TV series TIME TUNNEL) and wished someone would do a story of this sort humorously. I was delighted to find (when I got to college, where they had the four volumes of Gilbert's ORIGINAL PLAYS) that Gilbert had done so, about a century since. I highly recommend Andrew's piece on this play at: http://diamond.boisestate.edu/gas/other_gilbert/html/failure.html I had not known until I read this that Gilbert started this play in 1879, though it wasn't produced until December 1881. Incidentally, there is a reference in the play to the year 1879. Someone else, as I recall, has commented that Gilbert later reused two jokes for Jack Point in YEOMEN (“"Except it's mutton--and then what's under-done can't be helped" and "Kissing her under my very nose--" "Not under your very nose--under her very nose") and an entire scene in THE MIKADO, beginning with: JENNY. Wouldn't you rather retire, Mr. Walkinshaw? It must pain you to see us like this. WALKINSHAW. No--I must learn to bear it. Go on; but do it by degrees. Put your arm around her waist, Foggerty. There-- let me get used to that first. [Writhes in anguish.] ... Foggerty, oblige me by allowing Miss Talbot to rest her head on your shoulder. FOGGERTY. Do you mean it? [She does so.] WALKINSHAW. Oh, it is hard to bear!--it is hard to bear! [Writhing.] Now kiss her. [FOGGERTY does so.] Oh!!! [Writhing.] I noticed in the play several lines and situations Gilbert used later (as well as a few that were reminiscent of lines he's already used, such as "I can never never be more to you than a friend" and "There’s the remains of a fine woman about you," plus the scene where Foggerty tries to get Malvina to reduce the amount for which she's going to sue him for breach of promise by claiming he would have been a terrible husband). A few examples: "Come to the altar—-come to joy!" "Eighteen times my coward victim--that is to say, my betrothed--has quailed and fled!" "In my anxiety to appear equal to the intellectual pressure of the conversation..." The scene with the Mad Doctors anticipates “Like a ghost his vigil keeping” in Yeomen: DR. DOBB. If we find it necessary, as no doubt we shall, to give this unfortunate gentleman into your charge, you will humour him in everything. DR. LOBB. Dr. Dobb means you will contradict him in nothing. DR. DOBB. In nothing whatever. DR. LOBB. In other words, in nothing at all. BLOGG. All right, guv'nor. DR. DOBB. Now, mind you keep your eye upon him. DR. LOBB. In other words, don't let him get out of your sight. DR. DOBB. Whatever he says, accept his delusion. DR. LOBB. My friend means, humour his hallucinations. DR. DOBB. Agree to his statements at once, however absurd they may seem. DR. LOBB. In other words, accept his theories, however ridiculous they may appear. I think this worked much better as a lyric. I have some other comments to make about Foggerty's Fairy, but behold, I have said enough (for today). Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 11-May SANGAZ@aol.com [54] #Chance to hear rare Sullivan piece X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 May 2003 14:40:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4BIe8fD001384; Sun, 11 May 2003 14:40:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4BIe7hI000584 for ; Sun, 11 May 2003 14:40:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4BIdg7b003886; Sun, 11 May 2003 14:39:42 -0400 (EDT) Date: Sun, 11 May 2003 14:39:42 -0400 (EDT) Message-Id: <1f0.8aaa0b6.2befef84@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Chance to hear rare Sullivan piece MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 11 May 2003 14:39:42 -0400 (EDT) Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Chance to hear rare Sullivan piece X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was asked to make the following public on SavoyNet. It was recently circulated in the Spring Edition of The Gilbert & Sullivan News. Details of booking arrangements are at the end of the piece. General enquiries about the event should also be addressed to the organiser, Peter Mountsteven. Non-members are welcome to attend but tickets must be bought/organised in advance. Angie Arnell ............................................................................. ........................................... The Gilbert & Sullivan Society present the London premiere performance of Sir Arthur Sullivan's String Quartet In D minor on Saturday 24th May at the Regent Hall, 272, oxford Street, London at 2.15. The String Quartet, recently discovered by the composer and musician, David Cox amongst a variety of second-hand music in an Oxford bookshop has been published following editing of the parts by Dr. David Russell Hulme. The Quartet was dedicated by Sullivan to the Misses Rosamund and Clara Barnett when studying as the first holder of the Medelssohn Scholarship at the Leipzig Conservatoire from September 1858. We are pleased that the Maggini String Quartet: Laurence Jackson, David Angel, Martin Outram and Michal Kaznowski - renowned for championing British chamber compositions, have agreed to give the first London performance of the Quartet for members of both the G & S and the Sir Arthur Sullivan Society. The programme will also include the Romance in G minor, written in 1859 and dedicated to Sullivan's Mother and first published in 1964 by Chappell and two of Felix Mendelssohn's most popular Quartets: Opus 44/1 in D and Opus 44/2 in E minor. These quartets were composed just prior to the famous Violin Concerto recently performed by Jennifer Pike, Young Musician of the Year 2002. We are inviting corporate sponsorship of the items to be performed and tickets will be available at £12 each (£10 concessions) from Peter Mountsteven, 44, Fennells, Harlow, Essex. CM19 4RL Direct line: 01279 302665  1,, Summary-line: 11-May rpennicard@clara.co.uk [47] #Sorcerer Citing: "The Portable Door" by Tom Holt X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 May 2003 17:41:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4BLfUfD020202; Sun, 11 May 2003 17:41:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4BLfToN024891 for ; Sun, 11 May 2003 17:41:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4BLf67b014097; Sun, 11 May 2003 17:41:06 -0400 (EDT) Date: Sun, 11 May 2003 17:41:06 -0400 (EDT) Message-Id: <01C3180B.EDC01040.rpennicard@clara.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rpennicard@clara.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Richard Pennicard To: Multiple recipients of list SAVOYNET Subject: Sorcerer Citing: "The Portable Door" by Tom Holt MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Internet E-mail/MAPI - 8.0.0.4211 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 11 May 2003 17:41:06 -0400 (EDT) Reply-To: rpennicard@clara.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Richard Pennicard To: Multiple recipients of list SAVOYNET Subject: Sorcerer Citing: "The Portable Door" by Tom Holt X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I came across this book about a month ago and promised to post a review when I'd read. This isn't exactly a review, but let it pass. "The Portable Door" is a fantasy novel set in present day England. Fantasy often starts with the question "what if?". In this case the question is "What if J W Wells and Co (or at least, following the incident in Ploverleigh) the Co was still around and flourishing?" The result is a very funny book. It should be enjoyable to those who (like Paul, the book's central character) have never come across THE SORCERER, but those who have get an extra frisson from knowing (so they think) what's going on and gloating at Paul, who quite clearly doesn't. Savoynetter would also enjoy the G&S reference throughout the book; hard core Savoynetters would also spot the PALACE OF TRUTH reference. MY particular favourite scene is where Paul and Sophie, his assistant are cataloguing the company's strongroom, finding objects that are fantastic, mythical, or just very improbable - for example an auto graph copy of Schubert's 8th symphony with Das Ende written clearly on the last page, not to mention a collection of love letters signed by Margaret Roberts. However I would welcome a hint as to the mystical significance of a dumpy heavy statuette of a bird covered in dull black paint. All in a all a book that I can recommend unreservedly to Savoynetters. Regards, Richard Pennicard (Idiotically sane with lucid intervals of lunacy) Chelmsford, Essex, UK rpennicard@clara.co.uk  1, forwarded,, Summary-line: 11-May welkin@MIT.EDU [26] #Show Selection Round II X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 May 2003 19:34:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4BNYpfD022283; Sun, 11 May 2003 19:34:51 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4BNYjxf015625 for ; Sun, 11 May 2003 19:34:45 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h4BNYjU8017539 for ; Sun, 11 May 2003 19:34:45 -0400 (EDT) Received: (from welkin@localhost) by department-of-alchemy.mit.edu (8.9.3p2) id TAA12136; Sun, 11 May 2003 19:34:45 -0400 (EDT) Message-Id: <200305112334.TAA12136@department-of-alchemy.mit.edu> To: mtg-members@MIT.EDU Subject: Show Selection Round II Date: Sun, 11 May 2003 19:34:45 -0400 From: Welkin H Pope X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: mtg-members@MIT.EDU Subject: Show Selection Round II Date: Sun, 11 May 2003 19:34:45 -0400 From: Welkin H Pope X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) And the winners are: Fall: West Side Story Backup: Sweet Charity IAP: BatBoy Backup: Parade Thank you everyone who came! The presentations were fabulous! Presenters: If you haven't already done so, make sure to get your scripts/scores back so they can be sent back to the companies ASAP. I'll let Todd or Dan send out the Election/General Meeting results. -Welkin  1,, Summary-line: 11-May thedan@MIT.EDU [122] #MTG General Body Meeting Minutes 5/11/03 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 May 2003 22:45:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4C2jtfD028822; Sun, 11 May 2003 22:45:55 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4C2jh6h027275 for ; Sun, 11 May 2003 22:45:43 -0400 (EDT) Received: from thedancomp.mit.edu (BIG-IMPORTANT-NOTHING.MIT.EDU [18.244.1.119]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h4C2jgU9014019 for ; Sun, 11 May 2003 22:45:42 -0400 (EDT) Message-Id: <5.1.0.14.1.20030511213750.05b47780@hesiod> X-Sender: thedan@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Sun, 11 May 2003 22:46:16 -0400 To: mtg-members@mit.edu From: The Dan Katz Subject: MTG General Body Meeting Minutes 5/11/03 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: thedan@hesiod (Unverified) Date: Sun, 11 May 2003 22:46:16 -0400 To: mtg-members@mit.edu From: The Dan Katz Subject: MTG General Body Meeting Minutes 5/11/03 X-Spam-Score: -3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) MIT Musical Theater Guild Spring 2003 General Body Meeting Sunday 5/11/03 * Called to order by Todd at 12:00(ish) * Quorum is called * Show selection ensues * Welkin has already reported the results * Rogue proposes a proposal! * To attempt to produce Star Wars in Big Kresge, Summer 2006 * This would be the full trilogy, cut to 3 hours * We would try to get four weeks' reservations in the space * Performance dates might have to change * Initial reaction: lots of thumbs up * Concern: Are we forcing our decision on future generations? * All current undergrads will have been here at least four years * Concern: Are we willing to give up Little Kresge? * Jax counterproposes a counterproposal! [dramatic chord] * The Museum of Science may be interested in doing the show * In their space to accompany a Star Wars exhibit in Summer 2005 * Not as large as Big Kresge, less lighting capabilities * More wing space, proscenium, probable financial support * We might do it in conjunction with the museum or just use their space * Jax could get more info within a week * Tanis suggests the possibility of punting the fall show for this * Steph doesn't want it to become the museum's show and not the Guild's show * Jax says their initial interest was just our bringing SW:ME to them * Dan wants to make sure if we make Big Kresge reservations we don't flake * Rogue assures us a lack of flakage * Dan is also way against punting the fall show * It's a very important show for recruitment * And depriving future members of a fall show without their approval is sketchy * Bonk worries that it might be hard to get our spaces back if we give them up for a year * Todd thinks getting Big Kresge might involve giving up a lot of our space for that year * Caitlin wants to know how we got Big Kresge BackInTheDay(TM) * Jamez thinks we need more information on what we can actually get before we do this * Rogue proposes to modify his proposal! * We will vote to do the show in Kresge if we can get the space w/o giving too much away * Sue asks about doing Empire as an extended run in our usual space * The problem is that there's no room in the schedule for an extended run there * Rogue says Empire wouldn't be finished before 2005 * The Trilogy might be done by 2005, but 2006 is more realistic * The reason to do the whole Trilogy is the sections reference each other a lot * We could do them in repertory? * Hahahaha. No. * Kresge isn't a great techical space... but neither is Sala * ML says there's no wing space, but you can put stuff at the back and not light it * Set pieces that are modular are also helpful * They have a much better sound system than they used to * Dan and Jax wonder in a weird mirror sort of way: * Who will determine whether the amount of space we're giving up is acceptable? * It can be determined at a board meeting announced to the membership * Tech show Jedi committee council coalition would be formed * Dan makes a stupid comment * He retracts it before it does any damage * Todd moves to close discussion and vote * Vote results: 22 for, 0 against, 3 abstentions * Proposition passes * Rogue asks for anybody with reservation experience/permissions to help him out * Suggested: Our spot on the CAC Advisory Board should become an appointed position * Managing Board Elections! * PRESIDENT * Nominees: Todd Radford, Jenn Braun * Winner: TIE * Winner of second vote: Todd * TREASURER * Nominees: Steph Cavagnaro-Wong * Winner: Steph * SECRETARY * Nominees: Alex French, Jenn Braun, Heather Brundage, Welkin Pope * Winner: Welkin * PUBLICITY DIRECTOR * Nominees: Heather Dunn, Pete Chambers * Winner: Heather D * MEMBERS AT LARGE * Nominees: Heather Brundage, Alex French, Jenn Braun, Pete Chambers, Tanis O' Connor, Kyriakos Zavoleas * Winners: Heather B, Jenn, Pete * That was all remarkably painless for an MTG election * Contact the board if you are interested in an appointed position * More info about those positions should be sent out soon * Meeting was closed... I dunno... some time around 17:00 * You want precision, go bug your new secretary ;) * Minutes submitted to the membership at 22:43, 5/11/03 Dan Katz Outgoing MTG Secretary This has been the Pancho Vargas show.  1,, Summary-line: 12-May epeisach@MIT.EDU [39] #Housewarming party/dinner X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 May 2003 00:13:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4C4DtfD021358; Mon, 12 May 2003 00:13:56 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4C4DoiK002633; Mon, 12 May 2003 00:13:50 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h4C4DnFJ006869; Mon, 12 May 2003 00:13:49 -0400 (EDT) Received: (from epeisach@localhost) by scrubbing-bubbles.mit.edu (8.9.3p2) id AAA22287; Mon, 12 May 2003 00:13:49 -0400 (EDT) Date: Mon, 12 May 2003 00:13:49 -0400 (EDT) Message-Id: <200305120413.AAA22287@scrubbing-bubbles.mit.edu> From: Ezra Peisach To: dinner@MIT.EDU, sao@MIT.EDU, lcs@MIT.EDU, arakaki@med-xtal.bu.edu, jleah@bronze.lcs.MIT.EDU, jsizzu0@hotmail.com, Kharasrota_Grenier@brown.edu, carsten@prospeed.net, carsten@netway.com Subject: Housewarming party/dinner X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 May 2003 00:13:49 -0400 (EDT) From: Ezra Peisach To: dinner@MIT.EDU, sao@MIT.EDU, lcs@MIT.EDU, arakaki@med-xtal.bu.edu, jleah@bronze.lcs.MIT.EDU, jsizzu0@hotmail.com, Kharasrota_Grenier@brown.edu, carsten@prospeed.net, carsten@netway.com Subject: Housewarming party/dinner X-Spam-Score: -1.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes - we have finally gotten our acts together and are having a housewarming party/dinner this comming Saturday, May 17. Time: 4pm til whenever Dinner circa 6pm (currently planning a dairy dinner) Location: 1 Cliff St. Apt 3 (third floor - no elevator). Attleboro, MA 02703 Phone #: 508-226-7760 Parking: On Second street or Jefferson We are also accessible by commuter rail (a ten minute walk from the house). Directions on line at http://www.mit.edu/~epeisach/Directions.htm Please let us know of any dietary restrictions/requests. We will do our best to accomodate. Please RSVP (to myself or cupid@mit.edu) so we know how much food to prepare. SO's welcome, but just RSVP. Ezra and Randi  1,, Summary-line: 13-May mail@timandlucy.co.uk [60] #FW: gilbert papers X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 May 2003 17:44:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4DLiSfF003785; Tue, 13 May 2003 17:44:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4DHDVxB008373 for ; Tue, 13 May 2003 13:13:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4DHD67b026753; Tue, 13 May 2003 13:13:06 -0400 (EDT) Date: Tue, 13 May 2003 13:13:06 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mail@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Cooke" To: Multiple recipients of list SAVOYNET Subject: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 May 2003 13:13:06 -0400 (EDT) Reply-To: mail@timandlucy.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tim Cooke" To: Multiple recipients of list SAVOYNET Subject: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Technically I suppose this counts as advertising, but it may be of interest to those who havn't been received this (unsolicited) email. Tim Cooke (busy revising...) tim@timandlucy.co.uk Northumberland, UK -----Original Message----- From: Bill Pidduck [mailto:bill@ampltd.co.uk] Sent: 13 May 2003 17:00 To: secretary@stagass.org.uk Subject: gilbert papers I thought that you might be interested to know that we have just published the papers of W S Gilbert from the British Library in a facsimile microfilm edition. This makes 19 reels (covering over 22,000 pages of material) and includes 29 volumes of manuscript plays and libretti, 1 volume of music, 3 volumes of sketchbooks and drawings, 8 volumes of diaries, 6 volumes of correspondence and 8 volumes of miscellanea and photographs. Our edition is aimed at university and public libraries and so is priced at £1620/$2470. We do sell individual reels though (for £85/$130 per reel) and the complete annotated prompt books of Gilbert for Trial by Jury, The Sorcerer, HMS Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, The Mikado, Ruddigore, The Yeoman of the Guard and The Gondoliers all appear on Reel 6. For further details, please look at our website at: http://www.ampltd.co.uk/collect/p603.htm I hope that this material is of interest to you. I can offer a 10% discount on any orders placed before 30 September 2003. All best wishes William Pidduck Publisher Adam Matthew Publications www.ampltd.co.uk Tel: +44 1672 511921 Fax: +44 1672 511663  1,, Summary-line: 13-May leon.berger@virgin.net [60] #Re: 'Song to Sing, Oh' X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 May 2003 19:39:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4DNdBfD011206; Tue, 13 May 2003 19:39:11 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4DNdAcc004054 for ; Tue, 13 May 2003 19:39:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4DNcl7b004859; Tue, 13 May 2003 19:38:47 -0400 (EDT) Date: Tue, 13 May 2003 19:38:47 -0400 (EDT) Message-Id: <011d01c319a6$e16a2000$0d180150@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: 'Song to Sing, Oh' MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 May 2003 19:38:47 -0400 (EDT) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: 'Song to Sing, Oh' X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You'll find quite a bit about it on the Buxton 2003 website. It's a fictional interview with Grossmith purportedly on his last night at the Savoy, looking back on his career. It consists of all the G&S patter songs and 2 or 3 of GG's own songs. I received the script about 8 years ago, when researching GG for the recordings I was then making, with a view to performing it. It's a good evening's entertainment, but not at all accurate and goes no deeper than recycling Leslie Bailey and Hesketh Pearson stories. However it's well put together and is a splendid introduction to G&S. For a complete programme of GG's music come to the Paxton on 14th August at 2.30! Leon ________________________________________________________ Disc home pages: COX & BOX/ A SOCIETY CLOWN (Grossmith): www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/ ----- Original Message ----- From: To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, May 13, 2003 10:01 PM Subject: 'Song to Sing, Oh' > I posted this once before but got no response, so i'm posting it again sorry. > > Simon Butteriss is presenting this one-man show at Buxton this July but i don't really no quite what to expect. I hear that it has many of the patter songs but how does the show pan out, the plot ? e.t.c > > I hear John Reed first did this show at the Savoy, so if anyone has seen that, then please could you just give me a tiny bit of what to expect. > > Private Replies please, > > Mike >  1,, Summary-line: 13-May jim@labsoftware.com [38] #Orchestra parts for Away Remorse available for download X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 May 2003 21:46:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4E1kWfD001217; Tue, 13 May 2003 21:46:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4E1kVpw029426 for ; Tue, 13 May 2003 21:46:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4E1k27b007070; Tue, 13 May 2003 21:46:02 -0400 (EDT) Date: Tue, 13 May 2003 21:46:02 -0400 (EDT) Message-Id: <5.2.0.9.2.20030513211648.03681fe8@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: Orchestra parts for Away Remorse available for download Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <54.1112e1bb.2bf0b1da@aol.com> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 May 2003 21:46:02 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: Orchestra parts for Away Remorse available for download X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <54.1112e1bb.2bf0b1da@aol.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Troupers Light Opera performed the seldom heard (and for good reason) >"Away Remorse / Henceforth All the Crimes" last month as part of their >smashing production of Ruddigore. (well, we got smashed when it was over, >anyway) and I constructed readable orchestra parts from some scribbles from several sources. However, these ARE Sullivan's orchestrations, not rewrites. You can download the conductor's score and the parts from the following site: http://trouperslightopera.org/Troupers/Scores/scores_from_troupers_light_opera.htm These are the parts we performed from and the MD and musicians did not find any errors. (Incidentally, the Trombone is tacet.) This same site also gives you access to the complete Sorcerer vocal score I have prepared and the complete but still-being-proofread vocal score for "The Zoo." Jim Cooper Wilton, CT who when he is tired of beef, determines to tackle the mutton.  1,, Summary-line: 14-May awrobins@yahoo.com [72] #Re: FW: gilbert papers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 May 2003 18:52:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4EMqKfD014143; Wed, 14 May 2003 18:52:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4EMo69N023288 for ; Wed, 14 May 2003 18:50:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4EMnf7b008515; Wed, 14 May 2003 18:49:41 -0400 (EDT) Date: Wed, 14 May 2003 18:49:41 -0400 (EDT) Message-Id: <20030514222749.63171.qmail@web10807.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3EC192E4.9050009@connexus.net.au> X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 14 May 2003 18:49:41 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3EC192E4.9050009@connexus.net.au> X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Diana Burleigh wrote: > This is an amazing resource. It is indeed. I've only had time to look at little bits of the Gilbert papers in the British Museum (I've gone there for other research), and I've wished I had time to go through everything they had. When I retire I shall have to live near a library that has these microfilms. (Or maybe I'll get lucky and some US library will get them that loans microfilm on interlibrary loan without charge. But I doubt it. Let's see, if I save $10 a month, in 20 years I'll have almost enough to buy the microfilm for myself.) > Does anyone know what exactly is needed for reading > microfilm and if it is > generally available and affordable by individuals? A microfilm machine is needed (unless you're Clark Kent), and I suspect they're expensive--I don't know how expensive, but at the library where I work we had to pay $800 just to REPAIR a machine. But most libraries should have one (we have two at my small library), so if you buy the microfilm you needn't buy a machine--just read it at the library. (But better take the receipt, since librarians may get suspicious if you start to walk out with microfilm. reels.) Microfilm is apparently expensive to make. Our library had to stop getting the New York Times on microfilm (we have it from 1851-2000) because it costs something like $3700 to buy microfilm for one year of the NYT. (Luckily we have full text in a database.) (Off-topic anecdote: when I was in library school, someone asked one of our professors if he thought books would become obsolete because of computers. He told us that back in the 1930's or thereabouts, people were predicting that by the year 2000 libraries would no longer have books, because everything would be on microfilm.) Arthur (who somehow can't imagine lying on the beach reading a reel of microfilm) ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1, answered,, Summary-line: 15-May drewbob@attbi.com [15] #Grand Duke 2-dvd set X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 May 2003 19:32:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4ENWZfD001541; Wed, 14 May 2003 19:32:35 -0400 (EDT) Received: from rwcrmhc53.attbi.com (rwcrmhc53.attbi.com [204.127.198.39]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4ENWY9N003153 for ; Wed, 14 May 2003 19:32:35 -0400 (EDT) Received: from attbi.com (h0030653af282.ne.client2.attbi.com[66.31.42.169]) by attbi.com (rwcrmhc53) with SMTP id <2003051423323305300qj8dqe>; Wed, 14 May 2003 23:32:34 +0000 Date: Thu, 15 May 2003 00:32:33 +0100 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Grand Duke 2-dvd set From: Andrew Sweet To: opus@mit.edu Content-Transfer-Encoding: 7bit Message-Id: <562118E4-8664-11D7-AA38-000A957C8BF8@attbi.com> X-Mailer: Apple Mail (2.552) X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 May 2003 00:32:33 +0100 Subject: Grand Duke 2-dvd set From: Andrew Sweet To: opus@mit.edu X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Howdy there. I paid Sonya $27 for the Grand Duke 2-DVD version. I don't mind meeting Ruth at Mary's on a Monday to get it if that's easier/quicker, or you can mail it to me at 49 Locke Street #1, Cambridge, MA 02140-1222. (I have a receipt from Sonya.) Thanks very much! - drew  1,, Summary-line: 15-May deebee@connexus.net.au [27] #Re: FW: gilbert papers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 00:01:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4G3x4fR002195; Fri, 16 May 2003 00:01:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4G3qGUA020456 for ; Thu, 15 May 2003 23:52:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4G3pf7b003111; Thu, 15 May 2003 23:51:41 -0400 (EDT) Date: Thu, 15 May 2003 23:51:41 -0400 (EDT) Message-Id: <3EC45C4E.2090804@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 May 2003 23:51:41 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Many thanks to the people who have replied publicly and privately to my query about the microfilm machines. As one pointed out this is an outdated format and it would have been so much easier if they had used DVD or CD rom. Perhaps they can be persuaded to do so - why don't we all email them to say we'd be likey to buy if they processed them in this format. I am tempted to buy the microfilm as the papers seem to be so worthwhile for any one who loves learning more about Gilbert and the way he worked. Diana Burleigh  1,, Summary-line: 16-May d-duffey@argonet.co.uk [34] #to the scene of our former triumphs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 02:51:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4G6kYJK025140; Fri, 16 May 2003 02:51:03 -0400 (EDT) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4G6djRG028734 for ; Fri, 16 May 2003 02:39:46 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h4G6dULC007265; Fri, 16 May 2003 07:39:30 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id HAA24461 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Fri, 16 May 2003 07:37:02 +0100 (BST) Received: by mserv1.dl.ac.uk id HAA24442 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Fri, 16 May 2003 07:36:56 +0100 (BST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id HAA24435 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Fri, 16 May 2003 07:36:53 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from smtp.argonet.co.uk (centipede.freedom2.net [213.161.67.201]) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h4G6ZfLC007193 for ; Fri, 16 May 2003 07:35:41 +0100 Received: from [62.188.26.17] (helo=Computer) by smtp.argonet.co.uk with smtp (Exim 4.20) id 19GYod-0001zP-PF for buxton99@dl.ac.uk; Fri, 16 May 2003 07:35:40 +0100 Message-ID: <005101c31b75$5d7fb540$111abc3e@Computer> From: "David Duffey" To: "B99" Subject: to the scene of our former triumphs Date: Fri, 16 May 2003 07:35:36 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: to the scene of our former triumphs Date: Fri, 16 May 2003 07:35:36 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The SavoyNet Chorus of Dragoons has been asked to take part in the opening night of the 10th Festival. We would perform "Soldiers of our Queen", then back a D'Oyly Carte principal (possibly Mike Raynor) in "If you want a receipt". This has been requested as part of the "Together Again" opening concert in BOH on the first Saturday because of the impression this scene made on the audience - one of the highlights of ten years of the Festival. We won't have costumes, the arrangements are too complex, but will have swords. How many can make it? We would need to meet up for an hour or so on Saturday before the rehearsal in BOH. David  1, answered,, Summary-line: 16-May LHall@tscwo.com [33] #Some info on musical history X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 11:58:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4GFLcLO022237; Fri, 16 May 2003 11:58:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4GF1txL001508 for ; Fri, 16 May 2003 11:01:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4GF1W7b008760; Fri, 16 May 2003 11:01:32 -0400 (EDT) Date: Fri, 16 May 2003 11:01:32 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B01380879@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Some info on musical history MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 May 2003 11:01:32 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Some info on musical history X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You can always tell when I've caught up on my digests - I post stuff I find interesting. I subscribe to the Straight Dope newsletter and in this week's mailing is a short history of music notation. Consider what Steve Lichtenstein could have found for clarification if Sullivan had been composing in the 14th century.... :-) http://www.straightdope.com/mailbag/mmusicnotes.html And, by the way, if you are planning to attend VLOC's 2003 Sing-Out and haven't registered yet, please drop me a note (off list) and let me know to expect your form. We look forward to seeing *lots* of you there. Leta Aspen Hill, Maryland "How many of us would be willing to settle when we're young for what we eventually get? All those plans we make ... what happens to them? It's only a handful of the lucky ones that can look back and say that they came even close." Grandpa Vanderhof 'You Can't Take it With You'  1,, Summary-line: 16-May LHall@tscwo.com [25] #RE: Some info on musical history X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 20:52:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4H0qJJG012173; Fri, 16 May 2003 20:52:29 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4GKc5fs025196 for ; Fri, 16 May 2003 16:38:06 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Fri, 16 May 2003 16:38:02 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16B0138088C@MAILMAN> From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Some info on musical history Date: Fri, 16 May 2003 16:38:02 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Some info on musical history Date: Fri, 16 May 2003 16:38:02 -0400 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'll look forward to it - should be fun! -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, May 16, 2003 4:34 PM To: LHall@tscwo.com Subject: Re: Some info on musical history Hi Leta! I'm planning on sending in my registration, but I've been busy, as usual. Feel free to kick me. -Dave  1,, Summary-line: 16-May PZavon@Rochester.RR.Com [63] #Re: FW: gilbert papers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 22:03:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4H23pJ4028317; Fri, 16 May 2003 22:03:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4H23nRK025109 for ; Fri, 16 May 2003 22:03:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4H23L7b024639; Fri, 16 May 2003 22:03:21 -0400 (EDT) Date: Fri, 16 May 2003 22:03:21 -0400 (EDT) Message-Id: <009601c31c18$26d3bf70$feb24342@ZavonVaio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 May 2003 22:03:21 -0400 (EDT) Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Fri, 16 May 2003 Diana Burleigh aid to Savoynet, in part: >As one pointed out this is an outdated format and it would have been so much >easier if they had used DVD or CD rom. Those who make this claim are seriously missing the big picture. Microfilm is NOT an outdated format. It remains a very useful format for archival purposes. It permits copying, distribution, even a form of publication, without impacting the original; it stores reasonably well; and its contents are likely to be readily accessible decades in the future, and possibly a couple of centuries or so. Even making a device from scratch to access the information in completely accessible form is a relatively simple (although not necessarily easy) process. That cannot be said of a CD, where you first have to read the bits, and then figure out how they are coded. How many of you realistically expect to be able to read the information on your CD or DVD 30 years from now without having to find all sorts of, by then, obsolete and specialized hardware and software? And will that software even run on a computer of 30 years in the future? I can't run some early windows software on my current machine. The 1960 US Federal Census data tapes have not been accessible to anyone for 20 years or so because there is no tape reader available. Those who stored information for future reference on 8 inch floppies have either converted everything to another format long since, or they are out of luck. All it takes is development of further data compression technology permitting equivalent data to fit on a 2 inch CD, and in a decade or so, almost no one will have a CD reader capable of accepting, let alone reading, one of our current standard sized CDs. >Perhaps they can be persuaded to do so - >why don't we all email them to say we'd be likey to buy if they processed them >in this format. The price may not be significantly different, however. CD is a very nice adjunct for ready distribution of information, but don't count on it for long term storage unless you can also devote the resources for periodic conversion of both data format and storage media format at least every 10 years. That's a lot of resources. Peter Zavon Penfield, NY 14526 PZavon@Rochester.RR.Com  1,, Summary-line: 16-May jim@labsoftware.com [28] #New downloadable vocal score for "The Zoo" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 May 2003 23:18:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4H3IlJ4016420; Fri, 16 May 2003 23:18:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4H3Ii00024317 for ; Fri, 16 May 2003 23:18:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4H3IK7b026634; Fri, 16 May 2003 23:18:20 -0400 (EDT) Date: Fri, 16 May 2003 23:18:20 -0400 (EDT) Message-Id: <5.2.0.9.2.20030516225846.035c2278@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: New downloadable vocal score for "The Zoo" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.1.32.20030514132948.00ce3acc@mailserver.nhm.ac.uk> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 May 2003 23:18:20 -0400 (EDT) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James W Cooper To: Multiple recipients of list SAVOYNET Subject: New downloadable vocal score for "The Zoo" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.1.32.20030514132948.00ce3acc@mailserver.nhm.ac.uk> X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I have completed and proofread a complete piano-vocal score for "The Zoo" It is a set of 13 pdfs, plus the cover page that you can download at no charge from http://trouperslightopera.org/Troupers/Scores/TheZoo/zoo.htm Please tell me of any errors or corrections you'd recommend. Jim Cooper Wilton, CT who when he is tired of beef, determines to tackle the mutton.  1,, Summary-line: 17-May oakapple@cris.com [43] #Re: FW: gilbert papers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 17 May 2003 11:22:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4HFMnJ4011881; Sat, 17 May 2003 11:22:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4HFI1Th006493 for ; Sat, 17 May 2003 11:18:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4HFHa7b011563; Sat, 17 May 2003 11:17:36 -0400 (EDT) Date: Sat, 17 May 2003 11:17:36 -0400 (EDT) Message-Id: <3EC650BA.30208@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 17 May 2003 11:17:36 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) P.D.Parker wrote: >> I think there would be a great difference in the production costs > (upwards) of DVD or CD ROM compared to microfilm. Surely to microfilm one > only has to take photographs of documents. The W. S. Gilbert Papers were photographed once--decades ago. Any microfilm you obtain now is a second-generation copy. The documents don't get re-photographed each time. Once the microfilm is converted to PDF, the marginal cost of the CD transfer is negligible compared to the cost of microfilm duplication. > There is no need to decipher or > handle text or the content as such. A data CD would have to be created by > processing the text and although there are programmes for doing that, the > original text has to be in a computer readable format. PDF format--which all modern computers can read--can handle images of documents. The only difference between that and microfilm, is that you see the images on your computer screen, instead of having to use a specialized piece of equipment that's found only in libraries and research institutions. -- Marc Shepherd New York, NY  1,, Summary-line: 17-May oakapple@cris.com [46] #Re: New downloadable vocal score for "The Zoo" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 17 May 2003 13:22:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4HHMfJA007685; Sat, 17 May 2003 13:22:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4HHLTTh026137 for ; Sat, 17 May 2003 13:21:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4HHL07b014450; Sat, 17 May 2003 13:21:00 -0400 (EDT) Date: Sat, 17 May 2003 13:21:00 -0400 (EDT) Message-Id: <3EC66F11.2020006@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: New downloadable vocal score for "The Zoo" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 17 May 2003 13:21:00 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: New downloadable vocal score for "The Zoo" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) James W Cooper wrote: >> I have completed and proofread a complete piano-vocal score for "The Zoo" > It is a set of 13 pdfs, plus the cover page that you can download at no > charge from > http://trouperslightopera.org/Troupers/Scores/TheZoo/zoo.htm I have mixed feelings about this announcement. I am all in favor of Sullivan's music being more widely available, but there is already an excellent modern edition of THE ZOO in print, of which this is essentially a knock-off. Just 10 minutes of proofreading found two cases of missing notes in the piano accompaniment on the first 4 pages (bars 11 and 89). The score is 96 pages long, so at this rate there are probably at least 46 more such errors. And this is to say nothing of the engraving errors, such as stems pointing the wrong way, accidentals that "crash" into the preceding measure, mis-beamed eighth notes, slurs that are misplaced or misshapen, dynamics that don't quite line up with the notes they are intended to modify, and so forth. With sufficient proofreading these errors could all be fixed, but why? I admire the industry that led to this score being produced, but perhaps it would have been better spent on a Sullivan work that doesn't already have a high-quality edition in print. -- Marc Shepherd New York, NY  1,, Summary-line: 17-May scottlfarrell@yahoo.com [109] #Newcastle G&S FALLEN FAIRIES X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 17 May 2003 17:28:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4HLSiJ4001405; Sat, 17 May 2003 17:28:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4HLShZ1015151 for ; Sat, 17 May 2003 17:28:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4HLSA7b023578; Sat, 17 May 2003 17:28:10 -0400 (EDT) Date: Sat, 17 May 2003 17:28:10 -0400 (EDT) Message-Id: <20030517210653.60647.qmail@web40911.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Newcastle G&S FALLEN FAIRIES MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 17 May 2003 17:28:10 -0400 (EDT) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Newcastle G&S FALLEN FAIRIES X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hallo. It's over a year later that I finally get to see this wonderful production on video from Tim Cooke (thanks Tim!). I want to make a few comments about the video and leave it at that. First let me say that pianist Ray Scott does an EXCELLENT job with this difficult score. I could barely keep the songs up to a suitable tempo myself, but the MD's conducting and tempi are phenomenal. Way to go! Most of the singing was quite good. I'm guessing that a good number of these performers are amateurs, but they are _very_ competent amateurs (assuming my guess is correct). On the whole, the chorus was a bit awkward at first with no male voices to balance the women. I knew this beforehand but the first time one hears it, it's very strange, right? When the ear finally adjusts, the singing is quite enjoyable. I want to single out a few players for individual praise, so here we go. Sarah Fairfay as Selene (I never knew how to pronounce Selene till now): Very pretty in appearance and character. Her voice is quite charming and I loved her inflections of Selene in "Poor wayward youths". Chris Montford as Lutin: Looking every bit the part, his acting was right on and had more voice than one would assume for this role. His slightly Cockney accent added a piquant flavour to the role. David Hamilton as Phyllon: I'm not sure if I like this part, considering how Gilbert ditched him in the 2nd act. Also, the repeated crossed arms came across as annoyed or insecurity. Nonetheless, this could very well be what Phyllon should be. Mr Hamilton possesses a fine bass and delivered his dialogue just as I imagined. He did not play it badly; I just don't 100% 'get' the interpretation Ruchika Batra as Zayda: Very much like other Jessie Bond roles. I especially liked her vitality in her Act 2 aria "I never profess". The getup she wore in the 2nd act seemed every bit appropriate to the character, who's something of a tramp in the 2nd act. Also possesses a pretty soprano voice. Now for some not-so-positive things. This opera really needs some cutting in the dialogue, which is often too wordy and relatively flat. However, this group has proved that the opera CAN be staged and very effectively at that. I was disappointed to find that 2 of my favourite songs were not included. "Oh love that rulest" is a great song (which my company recorded in 2001) but according to the program, it could not be included for various reasons. Pity. Good song. The other was Lutin's pattersong "When husband supposes" (which I recorded as well). Also pity. With some additional dialogue in the 2nd act, I understand that, with some rearranging, some others have to be sacrificed. Cutting Lutin's first aria "Suppose you take" was nothing but beneficial. I hate that song and I never missed it. I enjoyed this video very much and I'm sure I'll watch it again. With a video of a never-before revived opera, only one German opera remains unavailable to the public in audio/visual media. Of course I speak of PRINCESS OF KENSINGTON. Someone PLEASE jump on the ball for this one and get it out there!! (I'll beg if I have to) :) My congrats to the cast and production team of Newcastle's FALLEN FAIRIES. I thoroughly enjoyed it and they should be commended for bringing an ignored opera back to the stage. ===== Scott Farrell "Nothing is more vulgar than enthusiasm" -- W.S. Gilbert, PRINCESS TOTO. scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 17-May farmer_giles@tiscali.co.u [32] #Utopia and Midis. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 17 May 2003 18:44:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4HMilJ8009062; Sat, 17 May 2003 18:44:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4HMhjZ1023980 for ; Sat, 17 May 2003 18:43:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4HMhK7b025288; Sat, 17 May 2003 18:43:20 -0400 (EDT) Date: Sat, 17 May 2003 18:43:20 -0400 (EDT) Message-Id: <00d401c31cc5$f37e46a0$09962e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Utopia and Midis. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 17 May 2003 18:43:20 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Utopia and Midis. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As you know, the time of Utopia, both Buxton version and OOTW approaches, though it is yet some time off (2 months (OOTW) / 3 months (Buxton) hence, less a week or two). Hence why I mention this now: As far as I'm aware, no Midis exist on the site as of yet, though we do have a score. I think it would be nice - though I cannot say I have the ability - if we had the midis available as a lasting testament to the OOTW... has anyone done this already, or is intending to? Likewise, next month is Emerald Isle, another show without any Midis. Is anyone working on this? -Adam Cuerden Gelanor: When Zoram said he considered you a systematic liar, mean, poor, base, selfish, and sordid, cruel, tyrannical, 'twas what he thoght - not what he would have said! Chrysal: I see - if that was only what he thought, it makes a difference.  1,, Summary-line: 18-May farmer_giles@tiscali.co.u [23] #Re: New downloadable vocal score for "The Zoo" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 May 2003 10:59:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4IExrJ4011014; Sun, 18 May 2003 10:59:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4IEsxZ1002482 for ; Sun, 18 May 2003 10:54:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4IEsj7b016698; Sun, 18 May 2003 10:54:45 -0400 (EDT) Date: Sun, 18 May 2003 10:54:45 -0400 (EDT) Message-Id: <00e201c31d4b$dd5b3280$46ac2e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: New downloadable vocal score for "The Zoo" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 May 2003 10:54:45 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: New downloadable vocal score for "The Zoo" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Found the date of the Cramer score: 1975. Out of Copyright =) -Adam Cuerden Gelanor: When Zoram said he considered you a systematic liar, mean, poor, base, selfish, and sordid, cruel, tyrannical, 'twas what he thoght - not what he would have said! Chrysal: I see - if that was only what he thought, it makes a difference.  1,, Summary-line: 18-May rebecca@hains.net [42] #Fwd: Rockville Singout - Hotels X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 May 2003 11:47:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4IFlXJ4017077; Sun, 18 May 2003 11:47:34 -0400 (EDT) Received: from website12.com ([203.194.209.81]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h4IFjvTh026617 for ; Sun, 18 May 2003 11:45:58 -0400 (EDT) Received: (qmail 10823 invoked by uid 501); 18 May 2003 15:46:17 -0000 Message-ID: <20030518154617.1684.qmail@website12.com> Date: Sun, 18 May 2003 15:46:17 +0000 Reply-To: "=?iso-8859-1?B?cmViZWNjYQ==?=" From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: opus@mit.edu;, rls@dimins.com Subject: Fwd: Rockville Singout - Hotels Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 5.2 X-Spam-Level: ***** (5.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 May 2003 15:46:17 +0000 Reply-To: "=?iso-8859-1?B?cmViZWNjYQ==?=" From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: opus@mit.edu;, rls@dimins.com Subject: Fwd: Rockville Singout - Hotels X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 5.2 X-Spam-Level: ***** (5.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave & Ruth -- Are you attending the Singout? If so, are you interested in sharing a hotel room to save money? We are po\' folks. :-) Becca & Tyler -------Original Message------- > From: Samuel Silvers > Subject: Rockville Singout - Hotels > Sent: 15 May 2003 22:01:20 > > > Who is going to the Rockville Singout? [I am] > > Let\'s all stay at the same hotel on the nights of Aug. 29 and 30! The website says: The hotels nearest > to the Civic Center are the Ramada Inn Rockville (1775 Rockville Pike, Rockville Maryland 800-255-1775) > and Doubletree (1770 Rockville Pike, Rockville, MD 301-468-1100). > > Ramada says that for a group of 25 people (I just picked that number out of a hat), we can get a rate of $79 per room per night (the rate is the same regardless of whether there are one or two people in the room). Includes complimentary parking. All rooms have fridge/coffeemaker/iron/hairdryer. Renovated last year. Fitness center, cybernet cafe, no pool. We need to have final commitments by around Aug. 1. We need to sign up with the Ramada sales office by June 15, and they will give us a contract for this rate for us (Tammy Bowser at 800-255-1775, ext.117 -- She knows our group\'s name is SavoyNet). > > Doubletree said that for 25 rooms, $99 per room per night. Includes, coffeemaker/iron/internet access in each room. Fitness center and Pool open from 6 am to 10 pm. Whirlpool and sauna. Concierge/transportation desk. Website: www.doubletreerockville.com. We need final commitments by around Aug. 1. We would need to contact sales: Joe Ralston at 301-230-6722 to set up the room block by June 15. Joe claims that the rooms are larger and nicer than Ramada. It seems to me the biggest difference is the pool. Joe said that we might be able to move him off the $99, but not much. Who knows, maybe we can talk Tammy down a few dollars too. > > If you e-mail me privately, I will keep a list of who is interested and post some preliminary results. > > Sam Silvers (Ahhhhhhh! Thank you.) > > -------Original Message-------  1,, Summary-line: 18-May pdp@globalnet.co.uk [45] #Rose of Persia and Engaged Vocal scores X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 May 2003 18:35:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4IMZ4J6011789; Sun, 18 May 2003 18:35:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4IMWUZ1002282 for ; Sun, 18 May 2003 18:32:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4IMW47b000416; Sun, 18 May 2003 18:32:05 -0400 (EDT) Date: Sun, 18 May 2003 18:32:04 -0400 (EDT) Message-Id: <3.0.6.32.20030518230502.017f7e50@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Rose of Persia and Engaged Vocal scores Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 May 2003 18:32:04 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Rose of Persia and Engaged Vocal scores X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There has been mention today of Rose of Persia vocal score and its unavailability (Ian Bond), by coincidence I have today aquired a ROP vocal score published by Chappell and Ascherberg, Hopwood & Crew. I have to admit not knowing this last name at all but I am not in general a collector of vocal scores. It bears a copyright date MDCCCC by Chappell & Co with a note that performing rights belong to Miss Bridget D'Oyly Carte. Its not that old Also today there has been mention of Engaged. (Ronald I Orenstein) With the above vocal score I also obtained a VS and libretto of Engaged. This is also published by Chappell & Co and is the Rowell/Mobbs version. The copyright date is MCMLXIII and performing rights are given as Chappell & Co. With this, hidden away inside ia a typewitten sheet listing the sources for the musical numbers and a word processed printout page from Chappell & Co giving the story, the principal characters and the principal musical numbers.The libretto is unusual (at least to me) in that it contains a printed and bound in photograph of the opening scene, a wardrobe plot, a property plot, a lighting plan and a lighting plot and ground plans of the sets. More like a DOC prompt book of old. The lib is clearly intended to be used with the vocal score and bears the same date and copyright notice. As to added songs etc I notice on a quick glance that act three has Little Maid of Arcadee with the original words as used in Thespis. There appear to be quite a few such songs added in but in some cases the words are not those normally associated with the music taken fron the non popular operas of G & S. These have come to me from a house clearance exercise. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 18-May deebee@connexus.net.au [55] #Re: FW: gilbert papers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 18 May 2003 22:49:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4J2nJJ4029823; Sun, 18 May 2003 22:49:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4J2nITh023153 for ; Sun, 18 May 2003 22:49:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4J2n27b008122; Sun, 18 May 2003 22:49:02 -0400 (EDT) Date: Sun, 18 May 2003 22:49:02 -0400 (EDT) Message-Id: <3EC83F2F.5070700@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 18 May 2003 22:49:02 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Peter Zavon wrote > On Fri, 16 May 2003 Diana Burleigh aid to Savoynet, > in part: > > >>As one pointed out this is an outdated format and it would have been so > > much > >>easier if they had used DVD or CD rom. > > > Those who make this claim are seriously missing the big picture. Microfilm > is NOT an outdated format. It remains a very useful format for archival > purposes. I have had several similar messages and thank those who took the trouble to write to me. However the thought that this was outdated was posted to me by a librarian, even thought I accepted her word. Nevertheless, it is very unlikely that I would ever own a microfilm reader and the major disadvantage of having to go to the library to read it would mean that I would only do so if there were something I needed to research whereas at home I could browse at leisure. > How many of you realistically expect to be able to read the information on > your CD or DVD 30 years from now without having to find all sorts of, by > then, obsolete and specialized hardware and software? Frankly I doubt if I will be alive in 30 years (though many of you will be) however I am sure I would have quite a few years of CD/DVD use. I also assume that there will be some way of transfering data - as there is from floppies to DVD. In all, I still think it would be easier for a lot of us if this material were available on formats we can use at home. Of course I would love it in hard copty format but 20 thousand pages would occupy one hell of a lot of shelf space! Maybe I can hope that the Melbourne library (as opposed to my local branch) will buy the microfilm. I can always ask! Diana Burleigh  1,, Summary-line: 19-May jana_ch@blarg.net [62] #OOTW -- Fogs Fairy on Stage X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 May 2003 03:26:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4J7QfJ4019218; Mon, 19 May 2003 03:26:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4J7QeZ1009951 for ; Mon, 19 May 2003 03:26:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4J7QK7b014834; Mon, 19 May 2003 03:26:21 -0400 (EDT) Date: Mon, 19 May 2003 03:26:20 -0400 (EDT) Message-Id: <3EC8824C.000001.07191@guysmiley.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW -- Fogs Fairy on Stage MIME-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's WebMail v3.2.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 19 May 2003 03:26:20 -0400 (EDT) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: jana_ch To: Multiple recipients of list SAVOYNET Subject: OOTW -- Fogs Fairy on Stage X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I remember someone on Savoynet claiming that Gilbert's plays "perform" better than they "read" —-to a greater degree than the average play, that is. If so, “Foggert's Fairy” must be dynamite on stage. When I first read it some weeks ago, it had me laughing out loud. I called up my mother long-distance to read sections to her over the phone. (I picked two scenes which another S'netter has already mentioned as especially good. Great minds…) For some months I've thought I should suggest one or two of Gilbert's non-musical plays to a local theatrical company to which I am a regular supporter. "Foggerty's Fairy" is one I've decided to push for Theatre Schmeatre's "Classics in the Park" series. "Foggerty" has its difficulties, of course. One of them is the size of the cast: eighteen characters is high, unless you're in an amateur company and want to fit in as many club members as possible. With doubling and consolidating of parts I've managed to bring it down to nine actors, which is still a bit much, but workable. The bigger problem, as had been pointed out already, is the ending. With a really good Foggerty one might be able to pull off the final scene in which Foggerty races around hysterically pairing everyone up. This, I think, should be played as a parody of the standard comic-opera finale in which all the principals and chorus pair up according to tessitura and get married. But having the Fairy Rebecca simply correct things, after so much emphasis has been placed on the irrevocability of the spell's consequences, doesn't seem entirely satisfying. A similar transformation under threat occurs in "Patience," and it works. Bunthorne's threat to Grosvenor is so absurd that it brings out the nonsensical nature of the whole situation; we don't *care* that it's not logical. Also, Grosvenor makes it clear that—however nonsensical the logic—he actually changes because he want to. Here's a thought: Rebecca *wants* to get Foggerty out of this new fix; after all, she originally became Foggerty’s Fairy because she empathized with his plight. Perhaps she could empathize with his new plight and re-appoint herself his guardian. With a phony ID card for Foggerty and a little creative bookkeeping, the FDIC (Fairy Dependents Identification Committee) need never know that Rebecca is bending the rules. I'm just batting around notions in the middle of the night. Would some of you with actual theatrical experience (I have none) care to comment on how you would go about staging "Foggerty's Fairy" to overcome any weaknesses?? Jana C. Hollingsworth Seattle Saith Floss Forbes: "If you don't know the tune, sing tenor."  1,, Summary-line: 19-May farmer_giles@tiscali.co.u [163] #Re: Henceforth/For 35 years. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 19 May 2003 18:40:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4JMMwKA001836; Mon, 19 May 2003 18:39:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4JMENTh020632 for ; Mon, 19 May 2003 18:14:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4JME07b005971; Mon, 19 May 2003 18:14:00 -0400 (EDT) Date: Mon, 19 May 2003 18:14:00 -0400 (EDT) Message-Id: <005801c31e54$63f40b10$33ae2e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Henceforth/For 35 years. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 19 May 2003 18:14:00 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Henceforth/For 35 years. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) By no means, my dear! By no means! All we are trying to do is readd cut material, whilst working around the reasons why it got cut. For 35 years is a superb song, musically, anyway, but, when Sullivan set it, it no longer fit its original place and had to be cut. What we have here is an experiment to see if its strengths are sufficient to make it work elsewhere. As for Henceforth all the crimes, as far as I can gather it is currently planned for reinstatement into its original place. It is a very good song. None can deny that. (oops, sorry. Forgot. Savoynet.) Few can deny that. But it will require an actor who is aware of its weakness in that place, and can, through his singing, counteract those weaknesses. However, at other points in the play, the positional weaknesses introduced during Sullivan's setting disappear completely, and the song would be fully capable of standing on its own two feet. To sum up: 1. For 35 years with its pleasing, relaxing melody, is entirely incapable of showing the actor's anger and despair. But the pleasing, relaxing melody can be just as pleasing and relaxing in Act I, which is all that the dramatic situation requires of it there. And Old Adam's speech is the logical point to readd it, as it probably wouldn't fit anywhere else with those lyrics and that tune 2. Henceforth all the crimes, being a catchier, livelier tune, and having a far better lyric, is probably capable of fulfilling the dramatic requirements placed on it at that point IF the actor and director keep aware of the dramatic requirements. However, it does require a bit of fighting against the music, which is why it was probably cut. However, at other points in the show, these dramatic requirements do not exist, and the song would be perfectly suitable. Here are the possibilities: A. Immediately after "when I'm a bad bart I will tell taradiddles" DISADVANTAGES: Involves rewriting of Act I finale. Three verses, if used in whole, without chorus. Comes immediately after another patter song which may be too similar to it in theme and tune. ADVANTAGES: It'd fit, as far as I can judge, quite well musically. B. Instead of Robin falling senseless at the end of Act I, have him re-enter in a costume similar to Despard's, with the whip. (I have seen this done very successfully.) After everyone flees, launch immediately into Henceforth all of the crimes. DISADVANTAGES: You'll probably be battling the applause for the end of the act, for people who "know" that it is the end of the act, but can't figure out why Robin's in the middle of the stage alone, yet nonetheless clap anyway. Also, it makes the Act I finale even longer, and it's already pretty long. ADVANTAGES: It gives the audience the interal to mull over the "new" song. It gives a nice leadin when Act II starts. C: Do it instead of I once was as meek as a newborn lamb DISADVANTAGES: You lose I once was as meek as a newborn lamb, and all that great musical picture-painting. Cuts out Adam's only major song. ADVANTAGES: Ties in nicely to the following dialogue. Allows for an innovative new interpretation of act II up to the point of the pictures coming down. One that is less spooky up to that point. Due to the less meldramatic tune, allows actor to show that Ruthven is still very much like Robin from the start. However, this action will definately make your show a non-traditional interpretation. D: Do it immediately after I once was as meek as a newborn lamb.(requires the recitative) DISADVANTAGES: Might require a little rejiggling, but works surprisingly well. ADVANTAGES: Ties in nicely to following dialogue, and helps smooth the transition from Robin to Ruthven. I think this may be the best place E: Somewhere around the dialogue: ADAM (guiltily). Master--the deed is done! ROB. What deed? ADAM. She is here--alone, unprotected-- ROB. Who? ADAM. The maiden. I've carried her off--I had a hard task, for she fought like a tiger-cat! ROB. Great heaven, I had forgotten her! I had hoped to have died unspotted by crime, but I am foiled again--and by a tiger-cat! Produce her--and leave us! DISADVANTAGES: It does slow down the action a bit. ADVANTAGES: Robin has just realised he has started to commit all of the crimes that he read in the times, so it kind of works And of course F: Where it originally was ADVANTAGES: Where Gilbert intended it DISADVANTAGES: The ones that caused it to be cut in the first place Personally, having considered every option now, I now think D, immediately after I once was as meek as a newborn lamb is the best place for it. And it with I once was as meek as a newborn lamb makes a superb opening to the act =) -Adam Cuerden "No single word is ever heard when singers sing in chorus" - Grand Duke (D'Oyly Carte recording) ----- Original Message ----- From: "Sylvan Kesilman" To: "Multiple recipients of list SAVOYNET" Sent: Monday, May 19, 2003 9:53 PM Subject: Henceforth/For 35 years. > Re: Changes in Ruddigore. > -- > Why must anyone tamper with it at all? Why not leave it as Gilbert > structured it? Didn't he know best? Is Ruddigore that weak that > people think they must second-guess the author? (I don't think so.) > Where will it stop if every director sees it his or her duty to > analyze and rearrange the operas to find what seems a better way to > sequence the numbers? I once witnessed a sad Iolanthe in which > lyrics were changed and songs and scenes resequenced at a director's > notion. Will someone next decide to put "Titwillow" in Act One, or > "Here's a first-rate opportunity" in Act Two of their respective > operas? Or maybe it would fit to sing "The World is but a broken toy" > in Act Three of Princess Ida after the fight scene. Etc., etc. > > One possible weakness in Ruddigore is that the second act seems > relatively short, with less numbers or substance than other operas' > second acts, and it ends somewhat abruptly. So why take anything away > from that act and add to the first which, as other posts have noted, > is lengthy. An offsetting strength of the second act is in the high > quality of some of the substance that it has, most notably the ghost > scene, "I once was a very abandoned person," and "My eyes are fully > open." In other words, the weakness is so strong. > > The only change that I think is imperative to make (if this can be > called a change at all) is to include the full finale ("When a man > has been a wicked baronet"), which is in the published score but was > deleted from the D'Oyly Carte recordings and some performances. This > is for full continuity and not making the ending seem as abrupt. >  1,, Summary-line: 20-May pwithey@blueyonder.co.uk [65] #Re: D'Oyly Carte RIP X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 May 2003 08:25:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4KCPK35006112; Tue, 20 May 2003 08:25:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4KCPE2M024210 for ; Tue, 20 May 2003 08:25:14 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4KCOw7b026121; Tue, 20 May 2003 08:24:58 -0400 (EDT) Date: Tue, 20 May 2003 08:24:58 -0400 (EDT) Message-Id: <5.2.0.9.0.20030520130211.01934260@pop3.blueyonder.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pwithey@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Peter Withey To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte RIP Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 20 May 2003 08:24:58 -0400 (EDT) Reply-To: pwithey@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Peter Withey To: Multiple recipients of list SAVOYNET Subject: Re: D'Oyly Carte RIP X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 12:09 18/05/2003 -0400, you wrote: >Yes, I'm afraid it's true. D'Oyly Carte is selling up. Sets, costumes, >etc. It's a very sad day and it makes me angry to think that such a >British institution is being allowed to close. I do have various inside >information on why Gubbay pulled out his financial backing, but it >wouldn't be right to say. Does anyone else think it would be sacrilege to >put Carl Rosa on at the Savoy? Without Richard D'Oyly Carte, there would >be no Savoy! > >Marcy Griffiths >UK I emailed the Friend's of D'Oyly Carte administrator about the above and received the following in reply: ------ Dear Mr. Withey, I'm sorry to confirm that it is true. A letter is to be sent to the Friends this week and I have been given notice to leave by the middle of June. Unless there's a miracle and somebody comes to our financial rescue, the office will close at the end of the summer. The music hire/merchandise and the archive may continue, but that is still uncertain. We are all very sad here. ------ Sadly it is true. regards, Peter. J >__________________________________________________________________________ >Join Freeserve http://www.freeserve.com/time/ > >Winner of the 2003 Internet Service Providers' Association awards for Best >Unmetered ISP and Best Consumer Application. ----- Peter Withey pwithey@blueyonder.co.uk Morden, Surrey SM4 6JW  1,, Summary-line: 20-May dstone4@cox.net [29] #Future of D'Oyly Carte and D'OC Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 May 2003 09:17:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4KDHO35026874; Tue, 20 May 2003 09:17:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4KDHN2M008990 for ; Tue, 20 May 2003 09:17:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4KDGf7b008603; Tue, 20 May 2003 09:16:41 -0400 (EDT) Date: Tue, 20 May 2003 09:16:41 -0400 (EDT) Message-Id: <006301c31ecf$3912c1e0$6401a8c0@nv.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Future of D'Oyly Carte and D'OC Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 20 May 2003 09:16:41 -0400 (EDT) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Future of D'Oyly Carte and D'OC Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I recently e-mailed the D'Oyly Carte Archivist on the matter. She replied that: >...The D'Oyly Carte Opera Company have decided to postpone > planned productions for the foreseeable future due to the current economic > climate. Only the non G & S material is being sold. The current plan is that > the company will relocate to smaller premises which will house the Music > Library, Archive and Costume Department. David Stone  1,, Summary-line: 20-May uployenrichard@hotmail.co [46] #Re: Future of D'Oyly Carte and D'OC Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 May 2003 10:37:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4KEar3Z009979; Tue, 20 May 2003 10:37:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4KEXRxk001485 for ; Tue, 20 May 2003 10:33:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4KEX87b027566; Tue, 20 May 2003 10:33:08 -0400 (EDT) Date: Tue, 20 May 2003 10:33:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: Future of D'Oyly Carte and D'OC Archive Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 20 May 2003 10:33:08 -0400 (EDT) Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Re: Future of D'Oyly Carte and D'OC Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > climate. Only the non G & S material is being sold. The current plan is >that > > the company will relocate to smaller premises which will house the Music > > Library, Archive and Costume Department. The Stage comes out on a Thursday and the advertisement is one of six at the bottom of one page (current edition) : " D'Oyly Carte Opera Company SALE OF COSTUMES Gilbert and Sullivan production costumes Tuesday 27th May - Friday 30th May Non Gilbert and Sullivan/Light Opera costumes Monday 9th June - Friday 13th June Sales by appointment only. Please phone 020 7793 7100 for viewing appointment and details." Best wishes, Richard, Oxford "My heart say" _________________________________________________________________ Find a cheaper internet access deal - choose one to suit you. http://www.msn.co.uk/internetaccess  1,, Summary-line: 22-May j.d.mcclure@virgin.net [32] #Re: Would Gilbert Change his lines? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 May 2003 16:26:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4MKQS35014333; Thu, 22 May 2003 16:26:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4MKQQ1M003018 for ; Thu, 22 May 2003 16:26:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4MKPu7b000095; Thu, 22 May 2003 16:25:56 -0400 (EDT) Date: Thu, 22 May 2003 16:25:56 -0400 (EDT) Message-Id: <00f001c3209f$9dbb69e0$2584fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Would Gilbert Change his lines? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 22 May 2003 16:25:56 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Would Gilbert Change his lines? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sam wrote: >And stumps you with enquiries of geography and dates * ... >And consider pocket money isn't given to be spent, * ... >*Even Gilbert wasn't always perfect at making these lines scan, was he? Sorry to be fussy, Sam, but what's wrong with the scansion of those lines? "And STUMPS you with en-QUI-ries of ge-O-graphy and DATES" To our HE-ro's fluent ME-ter very EA-sily re-LATES; "And con-SI-der pocket MO-ney isn't GI-ven to be SPENT " Shows the E-legant te-TRA-meter that GIL-bert clearly MEANT. >From a FA-mous Savoy-NET-ter and a CLAY-more wielding SCOT, Thought by FOOLS to have a SCREW loose but con-TEN-ted with his LOT. j.d.mcclure@virgin.net  1,, Summary-line: 24-May phylismyown@hotmail.com [121] #Utopia, Ltd. compared to Utopia - Long X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 24 May 2003 02:29:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4O6TM35003001; Sat, 24 May 2003 02:29:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4O6TLG1026329 for ; Sat, 24 May 2003 02:29:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4O6T17b001240; Sat, 24 May 2003 02:29:01 -0400 (EDT) Date: Sat, 24 May 2003 02:29:01 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Utopia, Ltd. compared to Utopia - Long Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 24 May 2003 02:29:01 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Utopia, Ltd. compared to Utopia - Long X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I know that Utopia, Ltd. is not the opera of the week, but I have just finished reading Sir Thomas More's "Utopia" and I want to share my thoughts before they merrily trip out of my mind. It is my pleasure to research anything on which Gilbert and Sullivan based their plays. I find it helps to understand not only the plays, but also the men themselves. I reccomend that everyone do their best to study the various areas of history that influence these plays. By no means is it necessary to enjoy the play, but it does make the enjoyment just a little better. I found upon researching "Patience" that Pre-Raphelite Waterhouse is my favorite artist, and the study of Japan has led me to many new and intersting things. So I decided to read "Utopia" and compare it to "Utopia, Ltd." First off, the thing that struck me as funniest was that the greek root to the word "Utopia" means "Nothing", thus W.S. Gilbert has taken "Nothing" and made it into a company limited. What a funny guy. For those of you who don't know, More's "Utopia" recounts the tales of the wise man Raphael's trip to the perfect, though strangely communistic, society of Utopia. He describes its people, government and customs in great detail. W.S. Gilbert takes this society and bases his entire story within it (with a good deal of accuracy I might add) and plays out the "truths" of Utopia to the very end. In "Utopia", More states that "They knew little concerning us before our arrval among them... and such was their ingenuity that from this single opportunity they drew the advantage of learning from those unlooked-for guests, and acquired all the useful arts... blah blah blah". This is what Gilbert plays with the most. Utopians have a keen desire to learn from everyone that they meet. Such is the case with the British. The way More writes, it sounds like Utopians adopt any mannerisms and customs that come their way, and so Gilbert uses this as a comic device to make Utopians long to be Anglicized no matter what the cost. After reading about how quickly they adopted Christianity, it actually comes as no surprise that they'd instate the British Parlimentary system at the drop of a hat! There is a section that describes the magistrates. These wise men who advise the King are called Syphogrants and Philarchs, which seems to me to be the derrivative of Scaphio and Phantis's names. The system that Gilbert sets up is almost exactly what More describes, except Gilbert adds the corruptable nature of humans, which is strangely missing in More's "Utopia". Scaphio and Phantis are obviously after power, which in More's Utopia would probably have happened if he would have taken logic into consideration. One big difference between the two governments is the rotation of magistrates. In Gilbert's "Utopia, Ltd." there are only two magistrates who watch over the king. In More's "Utopia" it's the same, but the magistrates rotate daily so that none can gain that influence over the King like Scaphio and Phantis do. A major difference between the world that More sets up and the world with which Gilbert's characters interact is in the costuming. More claims that Utopians have little care for fabric of color or fine weaving, but obviously that would have made for boring costuming. I'm glad Gilbert over-looked this aspect of Utopian society and costumed the country magnificently. One of the things that shows Gilbert using his knowledge of something to make us laugh is in the Scaphio and Phantis dance numbers. "When e'er I chance to baffle you... etc." In one section of "Utopia", More describes how music is one of the greatest achievements of the Utopians, and is always played at dinner as well as many other occasions. Gilbert, in stroke of genius, also has Utopians express complex emotions in song and dance. I find this very funny. Another aspect of Utopian society that Gilbert adheres to, is the meetings in the Marketplace. Lady Sophie announces that in ten minute space, her lecture shall be repeated in the Marketplace. The Marketplace is the general gathering area for all of Utopia, and it is indeed very likely that if a prudish paragon showed up giving lessons on British Properness that these lessons would occur in the marketplace. Then, once again showing the Utopians desire to learn, Gilbert mentions how the crowd takes notes in their "Pocket memorandum books". Also very likely and very funny. Lastly, I wish to comment on the amusing uprising in "Utopia, Ltd.". The Wise-men claim that doctors and lawyers starve and that prisions are rented as model logings, not to mention all neighboring countries have disarmed. Upon hearing this all of the people revolt. This is very funny because it follows the "Utopia" that More sets up perfectly. More states, "( Materialist people) are from that happiness that is enjoyed among the Utopians; for the use as well as the desire of money being extinguished, much anxiety and great occasions of mischief is cut off with it." Can't you just see Gilbert's mind carefully thinking up a way to make Utopia discontent? Since they don't know greed or envy, they have little occassion to uprise over anything, but when the British bring them law and censorship, etc., the people come to believe that if these institutions are not put to good use, it's a reason to uprise. Gilbert not only fashions a funny and scathing satire on Great Britain, but also manages to make fun of another great philosophical and satirical book at the same time. Then Sullivan set it to music. No wonder Shaw loved it so much. I think Gilbert did very well with "Utopia, Ltd." (though many will disagree) in taking a passive and unrealistic society where nothing ever happens, then completely disrupting it. And though there isn't much plot to the story, he certainly does a very good job in taking this "Nothing" and making it into a company limited. It really is surprising... Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com _________________________________________________________________ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus  1,, Summary-line: 24-May setiweb@ssl.berkeley.edu [132] #SETI@home news bulletin X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 24 May 2003 18:36:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4OMac35029892; Sat, 24 May 2003 18:36:38 -0400 (EDT) Received: from kryten.ssl.berkeley.edu (kryten.ssl.berkeley.edu [128.32.18.154]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4OMabxq028256 for ; Sat, 24 May 2003 18:36:37 -0400 (EDT) Received: (from setiweb@localhost) by ssl.berkeley.edu (8.9.3/8.9.3) id PAA26616 for opus@mit.edu; Sat, 24 May 2003 15:36:33 -0700 (PDT) Date: Sat, 24 May 2003 15:36:33 -0700 (PDT) From: SETI Web Message-Id: <200305242236.PAA26616@ssl.berkeley.edu> Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 24 May 2003 15:36:33 -0700 (PDT) From: SETI Web Subject: SETI@home news bulletin Apparently-To: X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear opus: Armed with the results of 1.4 million years of computer time, SETI@home scientists recently traveled to the Arecibo radio observatory in Puerto Rico for a closer listen to our 155 top "candidates". Thanks for participating in this history-making effort. According to our records, you have processed 4752 work units, the most recent on December 10, 2000. Your contribution of computer time to SETI@home is greatly appreciated. If you have taken a break from SETI@home, now is a great time to start up again; you can download the latest software at http://setiathome.berkeley.edu/download.html Support SETI@home - Join Audible.com ------------------------------------ Our newest sponsor is Audible.com, the Web's leading provider of digital audiobooks, audio newspapers and magazines, public radio programs and more. Audible's digital format lets you download your purchases and listen anywhere using your AudibleReady® MP3 player, Pocket PC, Apple iPod, Palm Tungsten T, directly on your computer or on CDs that you burn yourself. Join Audible today (for as little as $14.95 per month) and SETI@home will receive a donation of 40% of the subscription fee from your first four months as a member of the AudibleListener(tm) program. To support SETI@home via Audible, please visit: http://www.audible.com/seti_email/ Thanks also to our founding sponsor, The Planetary Society. Check out their Cosmos 1 project, the first solar sail: http://planetary.org/html/member/cosmos1offer.html Thanks also to our other major supporters: the University of California, Sun Microsystems, Network Appliance, Fujifilm Computer Products, and Quantum; and to individuals around the world who have generously donated to SETI@home: see http://setiathome.berkeley.edu/donor.html SETI@home 3.08 released ----------------------- A new version of the SETI@home client, 3.08, was released on April 4. It includes important security enhancements. We recommend that all SETI@home users download the new version. Go to http://setiathome.berkeley.edu/download.html Scientific News --------------- On March 18, three SETI@home scientists (Paul Demorest, Eric Korpela, and Dan Werthimer) traveled to the Arecibo observatory in Puerto Rico, carrying a list of 300 "candidates" - points in the sky where interesting signals were detected by SETI@home not just once but several times over 4 years of observation. We had been granted 24 hours of telescope time, in three 8-hour periods on consecutive days. An unexpected storm of solar flares cancelled our 2nd and 3rd observing periods. Fortunately, the observatory staff was able to shuffle the schedule and we eventually observed for the full 24 hours. In the end, we were able to re-observe 155 SETI@home candidates. We also observed some other interesting places in the sky: 5 extrasolar planetary systems, 35 nearby Sun-like stars, 15 galaxies, and 6 targets from our companion project, SERENDIP. These observations are of higher quality than usual, because 1) we used Arecibo's main antenna, the "Gregorian dome", which has a narrower beam and greater sensitivity than the receiver we normally use; and 2) we recorded in 8 bit per sample resolution in addition to the usual 2 bit format. We did a quick "on the fly" analysis of the data; this didn't reveal any synthetic extraterrestrial signals. The analysis of the 2-bit data will begin shortly, using the regular SETI@home screensaver; we're ironing out some problems with the pointing data. The analysis of the 8-bit data will be done using a new version of SETI@home which is under development, and will be released later this summer. The Planetary Society web site has an excellent summary of the reobservations: http://planetary.org/stellarcountdown/index.html Our web site lists the reobservation targets and the 7,000 users whose computations directly contributed to finding them: http://setiathome.berkeley.edu/candidates.html A photo album from the trip is here: http://setiathome.berkeley.edu/arecibo_2003/ Project News ------------ The reobservation project is a milestone for SETI@home but it is not an stopping point. In fact, the recent candidate list reflects only about half the data we've analyzed so far, and we hope to have another reobservation session next year. Our current top priority is shifting SETI@home to use BOINC (Berkeley Open Infrastructure for Network Computing). BOINC will allow us to start analyzing the 8-bit data, and we'll use it for 2-bit data as well. This new version of SETI@home is still under development, but a preview of its screensaver graphics is here: http://boinc.berkeley.edu/setiathome.jpg We hope you're as excited as we are about our search for life outside Earth. Thanks for your continued participation and support. Dr. David P. Anderson Project Director, SETI@home http://setiathome.berkeley.edu ---------------------------------------------------- If you wish to remove your name from the SETI@home email list, please go to the URL: http://setiathome.berkeley.edu/cgi-bin/cgi?cmd=unsub&a=922237&b=2928739  1, answered,, Summary-line: 25-May jgoodman@whoi.edu [109] #Call of Cthulhu role-playing game X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 25 May 2003 12:05:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4PG5Y35006381; Sun, 25 May 2003 12:05:34 -0400 (EDT) Received: from out001.verizon.net (out001pub.verizon.net [206.46.170.140]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4PG5TI8007955; Sun, 25 May 2003 12:05:29 -0400 (EDT) Received: from whoi.edu ([141.154.242.222]) by out001.verizon.net (InterMail vM.5.01.05.33 201-253-122-126-133-20030313) with ESMTP id <20030525160528.CGZ12592.out001.verizon.net@whoi.edu>; Sun, 25 May 2003 11:05:28 -0500 Date: Sun, 25 May 2003 12:05:10 -0400 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; delsp=yes; charset=US-ASCII; format=flowed Subject: Call of Cthulhu role-playing game From: Jason Goodman To: Ken Raeburn , Mark Eichin , jtidwell@animato.arlington.ma.us, Richard Carreiro , Ruth Jedlinsky , "Theodore Ts'o" , David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.552) X-Authentication-Info: Submitted using SMTP AUTH at out001.verizon.net from [141.154.242.222] at Sun, 25 May 2003 11:05:27 -0500 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 25 May 2003 12:05:10 -0400 Subject: Call of Cthulhu role-playing game From: Jason Goodman To: Ken Raeburn , Mark Eichin , jtidwell@animato.arlington.ma.us, Richard Carreiro , Ruth Jedlinsky , "Theodore Ts'o" , David Jedlinsky X-Authentication-Info: Submitted using SMTP AUTH at out001.verizon.net from [141.154.242.222] at Sun, 25 May 2003 11:05:27 -0500 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While the subject of role-playing games hasn't come up much in Dinner Crowd conversations, it's possible you might be interested in a role-playing campaign which I'm going to run this summer. Genre is horror/adventure; time commitment is a weekend afternoon or weekday evening once per week. More details below. ------------------------------ "Antarctica or Bust!" Renowned Adventurers Set Their Sights on the Bottom of the World May 26, 1933 New York (AP) -- World famous explorer James Starkweather announced today that he would lead a party of scientists and explorers into uncharted parts of the Antarctic continent this fall. Starkweather, accompanied by geologist William Moore of the Miskatonic University in Arkham, Massachusetts, intends to continue along the trail first blazed by the ill-fated Miskatonic University Expedition of 1930-31. The Starkweather-Moore Expedition will set sail in September from New York City. Like their predecessors, they intend to use long-range aircraft to explore further into the South Polar wilderness than has ever been done before. One goal of the expedition is to find the campsite and last resting place of the twelve men, led by Professor Charles Lake, who first discovered the Miskatonic mountain range, and who were killed there by an unexpected storm. The mapping and climbing of the mountains in that range and an aerial survey of the lands on the far side are important goals. "We have the finest equipment money can buy," Starkweather said. "We cannot help but succeed." Starkweather, 43, is a veteran of the Great War. He has led expeditions into the wilderness on four continents, and was present on the trans-polar flight of the airship Italia, whose crash near the end of its voyage on the North Polar ice cap received worldwide attention. Moore, 39, a full Professor of Geology, is also the holder of the Smythe Chair of Paleontology at Miskatonic University. He has extensive field experience in harsh climates and has taken part in expeditions to both the Arctic and the Himalayan Plateau. "We're going back," Starkweather said. "The job's not done. We're going back, and we're going to finish what was started and bring the whole lot out to the world. It will be a grand adventure and a glorious page in scientific history!" ------------------------------------------------------------------------ -------- What: This summer, I will be running a Call of Cthulhu roleplaying campaign, using the sourcebook "Beyond the Mountains of Madness", by Charles and Janyce Engan. This campaign is a sequel to the classic novella "At the Mountains of Madness", by H. P. Lovecraft. However, you should *not* read Lovecraft's story before playing. If you've already read it, that's okay, so long as you can pretend you haven't. I have run this campaign once before, at the University of Chicago. It was lots of fun; my only disappointment was that just one character was killed in the course of the campaign. When: To be decided. I would like to start gaming soon--preferably within a month. I would like to schedule a full weekend afternoon or weekday evening for this. If we meet roughly once a week, the campaign should take about 4 months. If you'd like to play, e-mail me the times you're available. Where: Also to be decided. I live in Middleboro, which is a long way for most folks to travel. If you are willing to host the sessions somewhere nearer the Hub, please let me know. One prospective player has volunteered her house in Arlington. Who: I'm looking for five to seven people to join the campaign. All gaming styles are welcome, but be aware that I'm using a sourcebook, and am not experienced enough to abandon it completely. Thus, the campaign cannot be totally "character driven". Characters who attempt to divert the expedition to the Sahara will not be rewarded for their efforts. How: Instead of the Call of Cthulhu rulebook, I will use the Fudge roleplaying system. Rules (well, guidelines) for Fudge can be found at http://www.fudgerpg.com/fudge/. But don't worry about that: the point of Fudge is to keep the rules out of the roleplaying. Call of Cthulhu is all about atmosphere and mood, not hit points and armor classes. Why: Because you haven't been getting your recommended daily allowance of tentacles lately. E-mail me if you're interested in playing, if you need more info (like "What's a Cthulhu?"), or have suggestions (like "So-and-so might like to play"). Jason  1,, Summary-line: 26-May oakapple@cris.com [79] #Re: Directing and rewriting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 May 2003 11:50:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4QFoV35028457; Mon, 26 May 2003 11:50:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4QFoUND024722 for ; Mon, 26 May 2003 11:50:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4QFo67b024665; Mon, 26 May 2003 11:50:07 -0400 (EDT) Date: Mon, 26 May 2003 11:50:06 -0400 (EDT) Message-Id: <3ED232DE.9040109@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Directing and rewriting MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 May 2003 11:50:06 -0400 (EDT) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Directing and rewriting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Concerning Gilbert as director, Richard Duployen wrote: > Why not give Gilbert a chance with productions from the prompt-books? > I don't see why this should be restricting, because there are so > many gaps where no directions are given. Filling in the "gaps" is a big part of the director's craft. So is the rehearsal process. To say that you're putting on the show as Gilbert would have done, when you don't have him there to actually turn the "book" into a show, is practically a contradiction in terms. I've no objection to consulting the prompt books to learn what was done historically. This is a legitimate approach to researching a piece (though some argue with great passion that a study of past productions shouldn't be part of the director's preparation). But even if you end up following the prompt books in large part, you'd be kidding yourself--and the audience--to call it "Gilbert's production." Patrick Galik wrote: > I know this has been discussed before, but can someone clarify if the > prompt books are still available, either new or used? Also, have > these been type-set, or are they copies of the scripts with > Gilberts's scribblings in them? There are three kinds of prompt books. In historical order, they are: 1) When Dame Bridget D'Oyly Carte died, she bequeathed the D'Oyly Carte archives to the Theatre Museum, including many of the original prompt books. If you're interested in the early productions, these are the books to look at. Unfortunately, there are some curious gaps--no books for PINAFORE, IOLANTHE, or GRAND DUKE, for instance. For most of the other operas there are multiple books available, representing original productions, revivals, and tours. They generally were prepared by stage managers or assistant directors, but if Gilbert directed the production to which a book corresponds, it can be assumed that the book reflects his wishes. These prompt books are usually rather detailed, and if you read them carefully you may feel that you can "hear" and "see" what the productions were like. 2) After the Carpet Quarrel, Gilbert had a set of copies made for himself, and these copies reside in the British Library with the rest of the Gilbert papers. Because these are copies, it can be assumed that there is some loss of detail, and perhaps errors as well. However, it is a uniform set of prompt books from TRIAL through GONDOLIERS that was prepared on Gilbert's orders, and so there is some historical significance to them. As a more practical matter, these books are available on microfilm (the Theatre Museum's books are not), and it's easier to get into the British Museum than the Theatre Museum. 3) During the 20th century, the D'Oyly Carte Opera Company used to make prompt books available to amateur companies. These were written out longhand, usually by former company members. They reflected D'Oyly Carte performance practice of the time, not necessarily what Gilbert had done. Before the expiration of the copyrights, amateur companies were required to follow the DC prompt books fairly closely. After 1961 no one was required to do this, but many still did. The practice is no longer so common, and these books are no longer offered for sale, except second-hand. -- Marc Shepherd New York, NY  1,, Summary-line: 26-May to: savoynet@bridgewater. [48] #Re: Worst review ever X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 May 2003 14:49:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4QIn035004507; Mon, 26 May 2003 14:49:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4QImx4u024557 for ; Mon, 26 May 2003 14:49:00 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4QIme7b028345; Mon, 26 May 2003 14:48:40 -0400 (EDT) Date: Mon, 26 May 2003 14:48:40 -0400 (EDT) Message-Id: <200305261827.OAA20454@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Worst review ever X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 May 2003 14:48:40 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: Worst review ever X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My very first G&S lead role was Ko-Ko. Imagine the blow to the ego when every character and actor was mentioned by name except one. The closest I got to a mention was this sentence: "The citizens of the Town of Titipu rebel against this decree by bestowing the rank of "Lord High Executioner" upon the town flirt." Oh yes, I did get my picture at the head of the review, but with no mention of my name, or even my character's name in the caption. And the rest, as they say, is history. -Dave >Date: Sun, 25 May 2003 20:25:11 -0400 (EDT) >From: Patrick Gaik > >Leonard Pinsker wrote: > >>So a review came out, which read in part: >> "Ray Engler as Malvolio, Olivia's steward victimized by the pranks >>of comic characters played by Diana Goldstein (Maria), David Ben Leavitt >>(Sir Toby), Mark Raymond (Sir Andrew), and Joseph Kriegel (Feste) is >>likewise clear and engaging." >> >>No mention of me whatsoever. >> > >I've been very fortunate in getting good reviews throughout my amateur >and now professional career. But one of the amateur shows I did still >haunts me. I played Juan Peron in EVITA and wasn't ever mentioned once >in the review! I was assured by everyone that I was doing a good job >and it must be a fluke. I had gotten an excellent notice earlier that >year for Jud in OKLAHOMA! with the same company.  1,, Summary-line: 26-May SANGAZ@aol.com [51] #Conceqwert II highlights X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 May 2003 15:15:18 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4QJFH35012746; Mon, 26 May 2003 15:15:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4QJFG3A002236 for ; Mon, 26 May 2003 15:15:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4QJEw7b028990; Mon, 26 May 2003 15:14:58 -0400 (EDT) Date: Mon, 26 May 2003 15:14:58 -0400 (EDT) Message-Id: <182.1b89c5e6.2c03bff0@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Conceqwert II highlights MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 May 2003 15:14:58 -0400 (EDT) Reply-To: SANGAZ@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SANGAZ@aol.com To: Multiple recipients of list SAVOYNET Subject: Conceqwert II highlights X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Conceqwert II proved to be just as enjoyable (possibly even more so) than Conceqwert 1 and an all-round success IMHO. This was going to be a private thank you email to David and Jill but it seems to have grown into a general post! The concert was really good fun and it was great to sing with other G & S enthusiasts and raise some money for 2 good causes (the Church funds and SavoyNet's Utopia at Buxton). The first 1/3rd involved a number of individual and group pieces from Gondoliers, Mikado, Patience, and Iolanthe including my favourite Act 1 finale (Iolanthe). The second 1/3rd was a production (with costumes, set and props) of Cox & Box starring the terrific trio David Craig (Cox), Nick Sales (Box) and David Duffey (Bouncer). I never get tired of watching this little gem and the production (put together mostly if not entirely, on Saturday before the concert) was excellent entertainment value. Then the last 1/3rd had pieces from Yeomen, Ruddigore, Pinafore, Trial and Pirates and the very real privilege and absolute beauty of hearing Nick's rendition of 'Orpheus and his lute' . The qwert proper on Sunday was brilliant fun with the squashed up hoards of SavoyNetters in the Duffey's piano room and various members of the group entertaining us in their inimitable style. One of the highpoints was definitely Karen Ann Loxley's Phoebe 'Were I thy bride' with Adam ('I'd like to volunteer to sing every part in every opera') Cuerden's Wilfred. You needed to be there to truly appreciative this! Lots of SavoyNetters who don't generally sing principal roles had the opportunity to try out the part/s they wanted to or to sing something they wouldn't normally be picked for. I think we managed to sing our way through Trial, Yeomen, Mikado, Patience, Pirates along with most of the chorus material from Utopia and highlights from lots of others. The Jill Duffey catering co. as usual made sure we were constantly well fed and watered. Other highlights included seeing SavoyNetters from abroad including Carole Round (New York), Denise Wicken (Belgium) and Gordon Pascoe, who I hadn't seen since SavoyNet's Ruddigore (Canada). We were extremely lucky to have 3 excellent pianists in David Cookson, Rachel Keegan and Clive Woods for both the concert and the Qwert proper. Thank you so much, David and Jill for organising such a wonderful weekend. Can't wait for the next one! Angie Arnell  1,, Summary-line: 26-May hxd9@yahoo.com [93] #MTG announces AUDITIONS and INTERVIEWS for INTO THE WOODS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 May 2003 17:00:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4QL0n35003677; Mon, 26 May 2003 17:00:49 -0400 (EDT) Received: from web21007.mail.yahoo.com (web21007.mail.yahoo.com [216.136.227.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h4QKxaOd019501 for ; Mon, 26 May 2003 16:59:37 -0400 (EDT) Message-ID: <20030526205936.39528.qmail@web21007.mail.yahoo.com> Received: from [165.121.128.140] by web21007.mail.yahoo.com via HTTP; Mon, 26 May 2003 13:59:36 PDT Date: Mon, 26 May 2003 13:59:36 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces AUDITIONS and INTERVIEWS for INTO THE WOODS To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 May 2003 13:59:36 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces AUDITIONS and INTERVIEWS for INTO THE WOODS To: mtg-announce@mit.edu X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild will be holding auditions for its summer 2003 production of: INTO THE WOODS Music and lyrics by Stephen Sondheim Book by James Lapine Directed by Edmvnd Golaksi Vocal directed by David Berger MTG will be holding >>>>>> AUDITIONS <<<<<< Monday, June 9, 7-10 pm in room 407 in the MIT Student Center Tuesday, June 10, 7-10 pm in the Mezzanine Lounge in the MIT Student Center For auditions, please bring two copies of sheet music for one prepared song, in English, and be prepared to do cold readings. In addition, interviews are being conducted for the following positions: ORCHESTRA DIRECTOR CHOREOGRAPHER STAGE MANAGER PUBLICITY DESIGNER SET DESIGNER MASTER CARPENTER SOUND DESIGNER MASTER ELECTRICIAN COSTUME DESIGNER MASTER SEAMSTRESS BOX OFFICE MANAGER HOUSE MANAGER SHOW DATES: August 29-31, September 4-6, 11-13 INTO THE WOODS blends five of Grimms' famous fairy tales with an original story of a childless Baker and his Wife, who attempt to reverse a curse on their family in order to have a child. The show features the stories of "Cinderella," "Rapunzel," "Little Red Rising Hood" and "Jack the Giant Killer" as it explores what happens after the "happily ever after." ******************************************************************** For questions or to schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: All positions in the production, both cast and staff, are open to anyone, per the MTG Constitution. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. ****************************************************************** bcc'd to mtg-members@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons-public@mit.edu __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com  1,, Summary-line: 26-May farmer_giles@tiscali.co.u [32] #OOTW PALACE OF TRUTH. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 May 2003 19:28:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4QNSp35002789; Mon, 26 May 2003 19:28:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4QNSoCt010772 for ; Mon, 26 May 2003 19:28:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4QNSg7b001728; Mon, 26 May 2003 19:28:42 -0400 (EDT) Date: Mon, 26 May 2003 19:28:42 -0400 (EDT) Message-Id: <02fe01c323df$fc21ab50$08bf2e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: OOTW PALACE OF TRUTH. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 May 2003 19:28:42 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: OOTW PALACE OF TRUTH. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I must agree - everything in Palace of Truth is flawless, save, perhaps, the ending which comes rather too late (after evverything's reolved, the last 10 lines impart moral lessons jumping between the character) By the way, whilst searching for the names on Google, I found someone musicalised it: http://www.webrarian.co.uk/tangledweb/index.html http://www.webrarian.co.uk/tangledweb/actone/index.html The recordings are very bad, though the singing and music, what yuou can actually hear of it, sounds pretty good. No idea why they felt the need to rename half the characters, though.... By the way.... Gelanor: From Greek History: http://homepage.mac.com/cparada/GML/Argos.html  1,, Summary-line: 27-May CaptBike@sheldonbrown.com [45] #Re: Worst review ever X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 May 2003 00:29:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4R4Tp35001540; Tue, 27 May 2003 00:29:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4R4Totp021603 for ; Tue, 27 May 2003 00:29:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4R4TV7b003808; Tue, 27 May 2003 00:29:32 -0400 (EDT) Date: Tue, 27 May 2003 00:29:31 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: CaptBike@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: Worst review ever Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 May 2003 00:29:31 -0400 (EDT) Reply-To: CaptBike@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: Worst review ever X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David C. Jedlinsky wrote: >My very first G&S lead role was Ko-Ko. Imagine the blow to the ego >when every character and actor was mentioned by name except one. The >closest I got to a mention was this sentence: "The citizens of the >Town of Titipu rebel against this decree by bestowing the rank of >"Lord High Executioner" upon the town flirt." Oh yes, I did get my >picture at the head of the review, but with no mention of my name, or >even my character's name in the caption. > >And the rest, as they say, is history. Wasn't that the same review that described The Mikado as "A subtle critique of Japanese society?" That production was my G & S debut, in the role of second Japanese gentleman from the left, and Dave was a FABULOUS Ko-Ko! Sheldon Brown Newtonville, Massachusetts +-------------------------------------------------------------+ | Give a man a fire, and he will stay warm for a day. | | Set a man on fire, he stays warm for the rest of his life. | +-------------------------------------------------------------+ -- Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 27-May rebecca@hains.net [63] #Fwd: Re: Re: Worst review ever X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 May 2003 18:57:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4RMv537015494; Tue, 27 May 2003 18:57:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4RMtOKj020505 for ; Tue, 27 May 2003 18:55:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4RMss7b009399; Tue, 27 May 2003 18:54:54 -0400 (EDT) Date: Tue, 27 May 2003 18:54:54 -0400 (EDT) Message-Id: <20030527225002.26534.qmail@website12.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: Multiple recipients of list SAVOYNET Subject: Fwd: Re: Re: Worst review ever MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_bb99d832fa7b5cd1ec86edfc7150db88f" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: WebMail 2.2 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 May 2003 18:54:54 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: Multiple recipients of list SAVOYNET Subject: Fwd: Re: Re: Worst review ever X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. --_bb99d832fa7b5cd1ec86edfc7150db88f Content-Type: multipart/alternative; boundary="_b4a7135ee898f68b45aae5a44e2aed99a" --_b4a7135ee898f68b45aae5a44e2aed99a Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi everyone, Apologies for my previous message, which I've been told was in gibberish. I'm on vacation and therefore on an unfamiliar computer. Let's try this again! Rebecca -------Original Message------- > From: rebecca <rebecca@hains.net> > Subject: Re: Re: Worst review ever > Sent: 27 May 2003 16:34:34 > > > Ah, Dave was indeed a wonderful Koko! I didn't know him yet, but I was in the audience and he was my *favorite*. > > But I thought for sure that David and Sheldon would post about the review of Utopia, Ltd., printed a year later by the same newspaper. (In this production, Sheldon was King Paramount, David was Goldbury, I was Phylla.) > > For this review, the editors forgot to replace their "dummy" (place-holding) headline with the real one. The review was not particularly favorable, and as such, the headline they meant to print was nothing great -- "Gilbert and Sullivan Players' Utopia is decent overall" -- but what they PRINTED was "As truth would have it, there can be no Utopia." > > See the erratum at http://www-tech.mit.edu/V116/N20/erratum.20o.html and the review with the corrected headline at http://www-tech.mit.edu/V116/N19/utopia.19a.html . > > Rebecca -------Original Message------- --_b4a7135ee898f68b45aae5a44e2aed99a Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =0A=0A=0A=0A=0AHi everyone,=0D
=0A=0D
=0AApologies for my previous message, which I've been told was in gibberish. I'm on vacation and therefore on an unfamiliar computer. Let's try this again!=0D
=0A=0D
=0ARebecca=0D
=0A=0D
=0A -------Original Message-------=0D
=0A > From: rebecca <rebecca@hains.net>=0D
=0A > Subject: Re: Re: Worst review ever=0D
=0A > Sent: 27 May 2003 16:34:34=0D
=0A >=0D
=0A >=0D
=0A > Ah, Dave was indeed a wonderful Koko! I didn't know him yet, but I was in the audience and he was my *favorite*.=0D
=0A >=0D
=0A > But I thought for sure that David and Sheldon would post about the review of Utopia, Ltd., printed a year later by the same newspaper. (In this production, Sheldon was King Paramount, David was Goldbury, I was Phylla.)=0D
=0A >=0D
=0A >! For this review, the editors forgot to replace their "dummy" (place-holding) headline with the real one. The review was not particularly favorable, and as such, the headline they meant to print was nothing great -- "Gilbert and Sullivan Players' Utopia is decent overall" -- but what they PRINTED was "As truth would have it, there can be no Utopia."=0D
=0A >=0D
=0A > See the erratum at http://www-tech.mit.edu/V116/N20/erratum.20o.html and the review with the corrected headline at http://www-tech.mit.edu/V116/N19/utopia.19a.html .=0D
=0A >=0D
=0A > Rebecca=0D
=0A -------Original Message-------=0D
=0A=0D
=0A
=0A=0A --_b4a7135ee898f68b45aae5a44e2aed99a-- --_bb99d832fa7b5cd1ec86edfc7150db88f--  1,, Summary-line: 27-May david@musicalsolutions.co [112] #ConceQwert II X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 May 2003 20:09:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4S09u35005546; Tue, 27 May 2003 20:09:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4S09qYq005901 for ; Tue, 27 May 2003 20:09:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4S09Q7b009688; Tue, 27 May 2003 20:09:26 -0400 (EDT) Date: Tue, 27 May 2003 20:09:26 -0400 (EDT) Message-Id: <4.1.20030527231809.009649b0@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: ConceQwert II Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Pro Version 4.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 May 2003 20:09:26 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: ConceQwert II X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Another message which started out as a private message of thanks to the Duffeys for their excellent hospitality, and which has finished up as a personal account of the ConceQwert II The Fair Collette and I had an interesting journey to Gedney - passing through the village of Clowne, a source of much innocent merriment for us. We saw the sign for Clowne College - presumably where they teach custard-pie-throwing - and a sign to the "Clowne Industrial Estate", which must be where they make red noses. Friday night was spent renewing old friendships and making new ones. Clive and I acquainted Rachel with the custom of changing key in the middle of songs, and the three of us made many happy detours during the Finale Act I of Princess Ida (played "à six" - about two octaves each, with me on the bottom, Clive in the middle, and Rachel on top). I also recall playing for "In vain to us you plead" from memory, whilst our esteemed host tried to find the score - David found the right page in time for the last two bars. Actually, this implies that the score couldn't be found - it was more like David taking pity on my memory, and rooting it (the score) out. Saturday was great fun too, though in serious vein (if you see what I mean). The concert was fast looming (or even looming fast) - we had a run through all the chorus material in the morning, when I think we broke all speed records for some of the numbers. I tried to make it "exhilarating", and the chorus and soloists came with me. I like my G&S at a lick. I spent the afternoon in rehearsal with Nick, David D and David Cr., for "Cox and Box". We had a lot of laughs - I'm even more confused now than I ever was about who is the hatter, and who is the printer. Pace all the rest, but the high point of the concert itself was (for me) Nick singing "Orpheus with his lute", accompanied by Clive. The whole song was sublime, but I have to say that when he sang "In sweet music is such art: Killing care and grief of heart fall asleep, or, hearing, die", I realised the true meaning of those words. That was the penultimate number - the Finale being "When the foeman bares his steel". John Penn was to sing the Sergeant's part, and (having been transported by Nick), I felt some dismay at seeing no John Penn, but a grinning Bob Richards and Stuart Box, waiting to start. Did two tenors make a bass-baritone ? No, they were doing the recit., as we'd planned, but which I'd forgotten. The church was cold during the evening - I wasn't, but then, I was waving my arms about periodically - so well done to a certain tenor (who shall remain nameless) for providing much-needed heat (via copious blushing) by coming in with the ladies during the "All Hail" bits in "Trial". At the meal afterwards, we drank to absent friends (all of you, and a few others besides), we sang "Strange Adventure" at ramming speed, and "Hail Poetry" at something less than ramming speed. On Sunday quite a few of us went to Morning Service at the church - a couple of Sullivan hymn-tunes, me dobbing a note on the organ during the sermon (sorry, Vicar), and a voluntary (given entirely voluntarily) with some G&S tunes in it. I also managed to sneak "A Nightingale Sang in Berkeley Square" in. In the afternoon, TFC and I took a trip to Ely to look at the cathedral, and there was one G&S sighting, together with a quite bizarre occurrence (QBO). The QBO was as follows : the ceiling of the nave is a huge Victorian painting, starting at one end with the creation, and migrating (via the prophets) to the Nativity at the other end. There are all sorts of scenes, with Biblical quotes written as zig-zags - five or six letters at a time, then a 90-degree turn, then another 5 or 6 letters, and so on. My eye gravitated towards the word "CONCE". I immediately thought "Good Heavens, they even had ConceQwerts in those days", but the full quote was ""Behold, a virgin shall conceive, and bear a son". Bishop Robert Butts was Bishop of Ely sometime in the dim-and-distant, and his short biography (on a modern plaque) described him a someone who "did nothing in particular, and did it very well". The words were enclosed in inverted commas, but there was no attribution. Back to SchloßBass at about 5 o'clock, in time to witness the Duffey piano making its own attempts to emulate the key-changing which Clive, Rachel, and I had modelled on Friday evening. Curiously, each time the chorus sang an unaccompanied section, the piano went anything up to a quarter-tone sharp. Well done, that piano !! We bowed out at about 10 o'clock, just in time to miss "Pirates". Monday saw us arrive about 11.15 for tea/coffee, and some *excellent* Greek confections - thanks to whoever provided them - honey-soaked pastry is marvellous, but wreaks havoc with a beard and moustache. We left at about noon, and made home by about 4.30 pm. Many, many thanks to the Duffey family for giving us the run of their home during the ConceQwert, and for providing *excellent* provender. Thanks to Clive and Rachel for making it possible for me to laze about. And thanks to you all, for making ConceQwert II such a memorable weekend. All the best David Cookson  1,, Summary-line: 28-May mkenig@yahoo.com [96] #Re: G&S Player Piano Rolls - Midi X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 May 2003 19:02:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4SN2l35028919; Wed, 28 May 2003 19:02:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4SN2kjp018470 for ; Wed, 28 May 2003 19:02:47 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4SN2S7b029314; Wed, 28 May 2003 19:02:28 -0400 (EDT) Date: Wed, 28 May 2003 19:02:28 -0400 (EDT) Message-Id: <20030528225743.25715.qmail@web10504.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: G&S Player Piano Rolls - Midi MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c3256a$e3910900$0900000a@oemcomputer> X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 May 2003 19:02:28 -0400 (EDT) Reply-To: mkenig@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Kenig To: Multiple recipients of list SAVOYNET Subject: Re: G&S Player Piano Rolls - Midi X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000d01c3256a$e3910900$0900000a@oemcomputer> X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry, the URLs have blanks in the name. Sorry about that. Better starting URL is: http://members.shaw.ca/smythe/library.htm Marc --- Paul Howarth wrote: > Following all three links gave the same result: Page Not Found. > > Paul Howarth > > York > > http://www.arthursullivan.net > > Prodigal Son Score Download > > Http://arthursullivan.virtualave.net > ----- Original Message ----- > From: "Marc Kenig" > To: "Multiple recipients of list SAVOYNET" > Sent: Wednesday, May 28, 2003 10:22 PM > Subject: G&S Player Piano Rolls - Midi > > > > I don't recall this topic ever on Savoynet... Recently a mailing > list > > for Disklavier had a pointer to Midi files converted from piano > rolls. > > Apparently, there's a very worthwhile preservation effort underway > > among player piano enthusiasts involving custom-built computer > > scanners.... > > > > There are currently three scans of G&S player piano music rolls on > this > > fellow Terry Smythe's web site: > > > > Ampico 20835 Pinafore Selections > > http://members.shaw.ca/smythe/20835s Pinafore.mid > > > > QRS Autograph Roll # 90101, Favorite Strains from the Mikado, c/b > > Sullivan, p/b Gilbert Marshall > > http://members.shaw.ca/el.smythe/90101s The Mikado.mid > > > > Aeolian (UK) Roll # 89462S, Pirates of Penzance, c/b Sullivan > > http://members.shaw.ca/el.smythe/89462s Pirates of Penzance > > Potpourri.mid > > > > There must have been some sort of D'OC licensing agreement or > > something, especially for the UK Aeolian roll. Does anybody have > any > > knowlege? ("This roll perforated under the direct supervision of > > Richard D'Oyly Carte"???). > > > > I'd suggest that the rolls constitute G&S "recordings" (hi, Marc > > Shepherd) certainly as derived works. > > > > We may now debate what constitutes "derived" and what constitutes > > "recorded", but Player rolls *were* a major mass media format > providing > > listening pleasure for 30+ years. It's no suprise that G&S works > were > > produced, of course, but there is scant mention of them or details > > surrounding them. > > > > Marc Kenig > > Mtn. View, CA > > (I've seen references to G&S music on period music boxes, too). > > > > __________________________________ > > Do you Yahoo!? > > Yahoo! Calendar - Free online calendar with sync to Outlook(TM). > > http://calendar.yahoo.com > > > > > __________________________________ Do you Yahoo!? Yahoo! Calendar - Free online calendar with sync to Outlook(TM). http://calendar.yahoo.com  1,, Summary-line: 29-May pdp@globalnet.co.uk [72] #Re:G&S Piano Rolls - Midi X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 May 2003 10:31:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4TESV4L005894; Thu, 29 May 2003 10:31:07 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4TESHjc023912 for ; Thu, 29 May 2003 10:28:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4TEMc7b015954; Thu, 29 May 2003 10:22:38 -0400 (EDT) Date: Thu, 29 May 2003 10:22:38 -0400 (EDT) Message-Id: <3.0.6.32.20030529150716.00a9b390@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re:G&S Piano Rolls - Midi Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 May 2003 10:22:38 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re:G&S Piano Rolls - Midi X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 05:46 29/05/03 -0400, Tony Watts wrote: >I seem to remember from years ago at Decca, that piano rolls are a copyright >nightmare. If I recall correctly copyright issues exist in the particular >system that the rolls were recorded on(such as 'Ampico') and that had to be >taken into consideration, as well as the rights in the performances >themselves. I am afraid that I cannot remember answers to important >questions such as the length of copyright term. Three or four years ago I >was working on a major George Gershwin project for Warner-Chappell music >publishers and the subject of piano rolls came up. It was dropped again >fairly quickly owing to the perceived complications of copyright and >ownership. > As many Savoynetters may not know the detail and regard all piano rolls as just a mechanical device, may I point out some of the differences. In 1966 the record company Argo issued three LPs DA41, DA42,& DA43. entitled The Golden Age of Piano Virtuosi. With these records was a leaflet explaining the differences between what had become known as a pianola roll and the Duo-Art systems of which there were several, the best arugably being the American Piano Company's Ampico. This leaflet notes that famous pianists of the day regarded the Ampico as making a true recording of their performance. The inventor of the Ampico system was Charles Stoddart and the recordings were done on a specially constructed piano. There is a great deal of technical data in the leaflet which would take too much space here to reproduce and in any case is not specific to G & S. Apparently concerts were given in which the pianist would play and the Ampico took over and no one could tell the difference. The Argo recordings were made for the BBC sound archives on a Grotrian-Steinweg 6ft grand piano. The reults have to be heard to appreciate the artistry of such as Lhevinne, Rosenthal, Rachmaninov himself and many others. Any 78s we have of that period, 1920s are poor by comparison, after all you heard the playback on a real piano. The notes also confirm that human intervention of a pianist was not required for an ordinary piano roll but every Ampico roll was a recording of an actual performance. Elsewhere I have some notes about the secrecy surrounding these systems and that no one except the engineers making the recording was allowed anywhere near the room in which the actual recording was being made. The recording room and the playing studio housing the piano were separate.This was bound up with the guarding jealously of rights in the system. So there would be the copyright (possibly) on the music played, a copyright on the artist's performance and a copyright on the method of recording and reproduction. No different really to gramophone records in principle. The recording process used a spark-chronograph and the finesse included recording the hammer movement during the last eighth of an inch of travel before striking the string, from which the force exterted could be found. The amount of work involved makes the mind boggle as the record shows that the Blue Danube had 7915 notes and they were subjected to 13 operations, the completed roll being the result of over 100,000 separately performed actions taking five weeks to complete. I would guess far too expensive today, even with computers!!! Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 29-May rebecca@hains.net [42] #Re: Re: this weekend X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 May 2003 12:57:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4TGvk35018204; Thu, 29 May 2003 12:57:47 -0400 (EDT) Received: from website12.com ([203.194.209.81]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h4TGvimY029019 for ; Thu, 29 May 2003 12:57:45 -0400 (EDT) Received: (qmail 19556 invoked by uid 501); 29 May 2003 16:58:05 -0000 Message-ID: <20030529165805.1724.qmail@website12.com> Reply-To: "=?iso-8859-1?B?cmViZWNjYQ==?=" From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: "David C. Jedlinsky" , "" , "" Subject: Re: Re: this weekend Date: Thu, 29 May 2003 16:58:05 +0000 MIME-Version: 1.0 X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: WebMail 2.2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Spam-Score: 7.1 X-Spam-Level: ******* (7.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "=?iso-8859-1?B?cmViZWNjYQ==?=" From: "=?iso-8859-1?B?cmViZWNjYQ==?=" To: "David C. Jedlinsky" , "" , "" Subject: Re: Re: this weekend Date: Thu, 29 May 2003 16:58:05 +0000 X-Priority: 3 X-MSMail-Priority: Normal X-Spam-Score: 7.1 X-Spam-Level: ******* (7.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave! We're in Methuen now. I think my mom wanted to do something with us tonight. What about tomorrow? Sarah called this morning and asked if we wanted to go out for dinner tomorrow night. We plan to meet at her apartment at 6 p.m., have dinner, and then go over to Emmanuel for alumni events that evening (around 8 or 9 pm). Also, I think I'm going to register for the G&S singout. You interested in saving money by sharing a hotel room??? Becca -------Original Message------- > From: David C. Jedlinsky <opus@MIT.EDU> > Subject: Re: this weekend > Sent: 28 May 2003 16:31:04 > > > > Hi Becca. > > Your mail was screwed up again, so I had to have Ruth translate for > me. Better make sure to send to her, too, so I can see what you say! > > When are you coming to Boston? Do you have any free time between now > and Saturday? We could come down Thursday, if that works. > > -Dave -------Original Message-------  1,, Summary-line: 29-May TheGondoliers@aol.com [20] #Re: Gilbert and Sullivan not from any of the operas? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 May 2003 15:52:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4TJmv4D016985; Thu, 29 May 2003 15:52:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4TJmY4V012883 for ; Thu, 29 May 2003 15:48:35 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4TJmB7b008274; Thu, 29 May 2003 15:48:11 -0400 (EDT) Date: Thu, 29 May 2003 15:48:11 -0400 (EDT) Message-Id: <5BA16FF5.27F6333B.3B4FB77B@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: TheGondoliers@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: TheGondoliers@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert and Sullivan not from any of the operas? MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 29 May 2003 15:48:11 -0400 (EDT) Reply-To: TheGondoliers@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: TheGondoliers@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert and Sullivan not from any of the operas? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) http://diamond.boisestate.edu/gas/other_sullivan/lovesmenot.mid Another Gilbert and Sullivan Song that doesn't appear in the operas. Mike  1,, Summary-line: 29-May sctang@MIT.EDU [39] #Thespis and Gondolier Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 29 May 2003 17:14:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4TLDY3D000759; Thu, 29 May 2003 17:14:49 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4TL92Zs009040; Thu, 29 May 2003 17:09:29 -0400 (EDT) Received: from sonya-jd27fkurm.mit.edu (BAKER-THREE-O-SIX.MIT.EDU [18.245.6.51]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h4TL8KU9028036; Thu, 29 May 2003 17:08:20 -0400 (EDT) Message-Id: <5.0.2.1.1.20030529170016.01ef00a8@po12.mit.edu> X-Sender: sctang@po12.mit.edu (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Thu, 29 May 2003 17:08:30 -0400 To: opus@mit.edu, rls@dimins.com From: Sonya Tang Subject: Thespis and Gondolier Videos Cc: gsp-ec@mit.edu Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sctang@po12.mit.edu (Unverified) Date: Thu, 29 May 2003 17:08:30 -0400 To: opus@mit.edu, rls@dimins.com From: Sonya Tang Subject: Thespis and Gondolier Videos Cc: gsp-ec@mit.edu X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave and Ruth, I talked to the EC about having Thespis interviews in August. However, many of them believe that having the interviews that early may not be a good idea. They believe that since the pre-production period for Ruddigore will be getting underway in August, the EC will be quite busy. Also, people who are involved with Ruddigore who also want to help with Thespis might not want to "think" about Thespis at that time, since they'll want to get Ruddigore onto its feet. In addition, any students who may be interested in interviewing may not be around in August if they are away for the summer. The EC suggested that we wait until late September, after the Ruddigore show has been cast. If you believe that potential directors might not have the time to learn the music in such a short period of time, they suggested that you make the music available earlier for anyone who's interested in taking a look at the music. I have collected the Gondoliers' orders and these are the final numbers: 18 DVD's and 3 VHS. I suggest adding 3 or 4 extra copies for each. Thanks, Sonya  1,, Summary-line: 30-May MusikDrama@aol.com [52] #Re: Gilbert and Sullivan not from any of the operas? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 May 2003 02:13:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h4U6DV35017583; Fri, 30 May 2003 02:13:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h4U6DUAe008269 for ; Fri, 30 May 2003 02:13:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4U6Cv7b017622; Fri, 30 May 2003 02:12:57 -0400 (EDT) Date: Fri, 30 May 2003 02:12:57 -0400 (EDT) Message-Id: <103.2f28c4e2.2c084c1a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert and Sullivan not from any of the operas? MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 May 2003 02:12:57 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert and Sullivan not from any of the operas? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 5/29/03 9:58:17 PM, qcochise@yahoo.com writes: >Although we cannot know how much music Sullivan >produced in working on the aborted two-act opera, it >seems conceivable that some of it may have been >repurposed for other, earlier projects than THE ZOO. >It seems possible, for instance, that some of the >three songs with Gilbert from this period may have >been Sullivan's attempt with his new collaborator to >salvage some of the unused melodies from the aborted >work. I don't know about the aborted work, of course, but I've always been intrigued by the melodic and harmonic similarity between the refrain of "Sweethearts" and the chorus of Bridesmaids in "Trial By Jury," both composed in 1875, and both in the key of Bb major (at least in the duet recording with Sylvan and Ommerle from which I made my first acquaintance with the song, though admittedly I've more often seen it published in Ab). The similarity I've noted would not perhaps be striking to the casual listener, but it is definitely there if you know what to listen for. The resemblance occurs in the phrases "Oh love for a year, a week, a day/But alas for the love that loves alway" in Sweethearts, and "Wear the flowers till they fade/Happy, happy be thy life, oh maid" in TBJ. The point of greatest similarity between those phrases occurs at "happy be thy life, oh maid" and "-las for the love that (loves al-) way." The syllables I've parenthesized in the latter represent an extra measure that doesn't exist in the TBJ phrase, a harmonic extension prior to the resolution to the dominant chord. But apart from that one measure, the two phrases are remarkably similar, in the accompaniment of the first measure ("happy be thy"/"-las for the") the melody of the second measure ("life, oh"/"love that") and the final resolution ("maid"/"-way"). I don't know which one Sullivan wrote first, but he undoubtedly had it in his head (either consciously or unconsciously) while writing the second. Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 30-May georgejlow@yahoo.co.uk [33] #RE: Worst ever reviews X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 May 2003 08:30:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4UCUT39001463; Fri, 30 May 2003 08:30:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4UCPwK3027018 for ; Fri, 30 May 2003 08:25:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4UCPO7b020704; Fri, 30 May 2003 08:25:24 -0400 (EDT) Date: Fri, 30 May 2003 08:25:24 -0400 (EDT) Message-Id: <20030530120836.65570.qmail@web14914.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: georgejlow@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: =?iso-8859-1?q?George=20Low?= To: Multiple recipients of list SAVOYNET Subject: RE: Worst ever reviews MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000001c32682$e407b460$85f687d9@VAIO> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 May 2003 08:25:24 -0400 (EDT) Reply-To: georgejlow@yahoo.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: =?iso-8859-1?q?George=20Low?= To: Multiple recipients of list SAVOYNET Subject: RE: Worst ever reviews X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000001c32682$e407b460$85f687d9@VAIO> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I appeared in nine productions while at university and only ONE performance was ever deemed worthy of a review. I was playing the grandfather in a German language production of Brecht's "The Good Person of Sezuan" (or however it's spelt in English). In one scene I was on stage but without anything to do for some time and the director saw fit to send me off the stage and on a tour round the auditorium. The reviewer commented: "George Low's sally out into the auditorium was irrelevant and embarrassing." Not bad for the only review in three years of student theatre! George J. Low Munich and London __________________________________________________ Yahoo! Plus - For a better Internet experience http://uk.promotions.yahoo.com/yplus/yoffer.html  1,, Summary-line: 30-May awrobins@yahoo.com [108] #Re: FW: gilbert papers X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 30 May 2003 13:48:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4UHmW35023700; Fri, 30 May 2003 13:48:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4UHmV71019230 for ; Fri, 30 May 2003 13:48:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4UHm17b014687; Fri, 30 May 2003 13:48:01 -0400 (EDT) Date: Fri, 30 May 2003 13:48:01 -0400 (EDT) Message-Id: <20030530174148.21937.qmail@web10805.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 30 May 2003 13:48:01 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: FW: gilbert papers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Allow me, as a librarian, to put my oar in (somewhat belatedly and anecdotally) on the microfilm issue. As a Savoynophile, I too wish that the Gilbert papers would become available in a format that would allow me to browse them at home on my computer (that is, when I buy a less primitive computer; my computer at home can do nothing but WordPerfect 5.1). I’d be delighted if a multi-millionaire would digitize the Gilbert papers and put them on the Web. (Yes, I know there are also copyright issues.) But as a librarian (and I suspect, given the price, that the publishers of the microfilm are expecting most orders to come from libraries), I can understand why they’re being issued on microfilm rather than CD-ROM. Electronic formats are changing fast. I cannot open the files I word-processed five years ago in library school because I typed them in WordPerfect 6.1. When I got my current job I found the campus computers only had Microsoft Word, and nobody could figuree out how to covert my WordPerfect 6.1 files so I could read them. (Ironically, I can open up my WordPerfect 5.1 documents from home on it.) Already CD-ROMs seem to be considered obsolete and outdated in Libraryland. (Unplanned obsolescence is not a new phenomenon. Nearly 20 years ago, when I taught Latin, a student insisted he couldn’t learn Latin unless he listened to it on tape. Our library had Latin recordings but only on reel-to-reel tape, and they didn’t have anything to play the tape on. My current library has a nice collection of LPs but nothing to play THEM on.) Microfilm is not the most user-friendly format. (I have to drag students kicking and screaming to the microfilm machine; we have the New York Times on microfilm back to 1851, but they think that everything is on the Web--and that everything on the Web is accurate. Indeed, I once had a student convinced that every book ever published, in print or not, is on the Web, just a click away. But tush! I am digressing.) But microfilm is good for storing a lot of information in a small place. Also, there’s enough already on microfilm that isn’t likely to be digitized that I suspect that 50 years from now, when only the elderly will know what a videocassette is, even small academic libraries will have machines that will read microfilm. (After drafting the above, I looked at some of the previous posts and see that Peter Zavon has already made some of these points. Oh well. Very glad to hear my opinion backed, etc.) In any case, rereading the description of the papers at http://www.ampltd.co.uk/collect/p603.htm, I am salivating. (Better to do so on my keyboard than on the originals in the British Library.) I hope, though, that the guide that comes with the Gilbert papers is not by the person who writes on the web page that Trial by Jury is Gilbert’s “first collaboration with Sullivan” and refers to that ever-popular opera, the YeoMAN of the Guard. If no library nearby gets this, I might at least buy certain reels. I may not be able to afford them all, but I need the reels that deal with the essential works, such as The Grand Duke. (I see that the 19 reels are £85/$130 each, but the complete set is £1620/$2470—-it’s cheaper to buy them individually if you pay in pounds. Or is the extra £5 for the guide?) One thing that concerns me is how legible the handwritten (as opposed to printed) materials will be in the microfilm reproduction—-especially Gilbert’s diaries, which as I recall are in French. Maybe the first Savoynetter to see the microfilm can report on this? I see there’s a 10% discount until 30 September 2003. Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? Yahoo! Calendar - Free online calendar with sync to Outlook(TM). http://calendar.yahoo.com  1,, Summary-line: 31-May ajcrowth@globalnet.co.uk [73] #OOTW Palace of Truth: Gilbert's moment of truth? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 31 May 2003 06:39:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h4VAcu37024186; Sat, 31 May 2003 06:39:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h4VAaI0s001628 for ; Sat, 31 May 2003 06:36:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h4VAZj7b000800; Sat, 31 May 2003 06:35:45 -0400 (EDT) Date: Sat, 31 May 2003 06:35:45 -0400 (EDT) Message-Id: <01c3275c$82d3d0e0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: OOTW Palace of Truth: Gilbert's moment of truth? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 31 May 2003 06:35:45 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: OOTW Palace of Truth: Gilbert's moment of truth? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Apologies for this very late entry in the OOTW.... I simply have not had time to write properly about the three (yes, count 'em, *three*) Gilbert plays scheduled for the month. This will not be a critique of the play. I haven't had time to reread it and react to it, which is the only way to do tese things, I think. But instead I want to say a couple of things about "Palace of Truth" as a concept. It's become an accepted shorthand for a fundamental part of Gilbert's world view. Diana Burleigh has told us that during the rehearsals for the Buxton Savoynet "Sorcerer" she baffled many by referring to something as a "Palace of Truth" moment. What did she mean? Let's go back in time, back to the year 1882. In that year the well respected theatre critic William Archer published a book called "English Dramatists of To-Day". In his chapter on Gilbert he wrote: "In this play [*The Palace of Truth*], the keynote of Mr. Gilbert's peculiar talent is struck, his style of satire is epitomized. His most successful works have all for their scene an imiaginary Palace of Truth, where people naively reveal their inmost thoughts, unconscious of their egotism, vanity, baseness, or cruelty.... since he discovered 'The Palace of Truth,' he has hardly ever succeeded in freeing himself from its enchantment. He conceives the whole world as subject to the spell.... It was the magic of ... 'The Palace of Truth,' for instance, that spoiled the semblance of nature in 'Charity,' and contributed largely to its failure." [pp164-165] As to that last point, I feel I want to put it in exam question form and add the word "Discuss." But William Archer did single out a very useful idea here, which has been vital in Gilbert studies ever since. If only he had realised that the "enchantment" of the Palace of Truth is not just a fantasy notion, but is a genuine way of seeing the world. In the Palace of Truth, masks slip and the reality underneath shows through. this is based on the assumption that everyone wears a mask which is the opposite of what is underneath. So all you have to do is invert the apparent reality of things, the "semblance of nature" that Archer talks about, and the deeper reality emerges. Not as simple as that, of course. It isn't a mechanical process. It's more a matter of *testing* the truth of things. Look at the way things seem to be, and look at them upside-down, and ask yourself if that is the more fundamentally "true" way of seeing. For instance, I keep thinking of Gilbert's Topseyturveydom, as explored in the play of the same name and in "My Dream". In T'dom, good is bad and bad is good, vice is virtue, virtue vice, nice is nasty, nasty nice, and everyone tries to make him/herself look as ugly as possible. And I look around me and I get the vertiginous feeling that I'm living in Topseyturveydom. That's a Palace of Truth moment; the masks slip and you see what's really there. It isn't a systematic, mechanical technique that Gilbert is using. He was an artist, committed to telling the truth of things as he saw them. The Palace of Truth was simply a useful tool towards that. I don't even know if he recognised that he was using "Palace of Truth" as a tool in this sense or if it was more instinctive. - Andrew.  1,, Summary-line: 31-May farmer_giles@tiscali.co.u [70] #Nick Sales' CD X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 31 May 2003 20:52:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h510qI35010651; Sat, 31 May 2003 20:52:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h510qH4o025415 for ; Sat, 31 May 2003 20:52:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h510pm7b006905; Sat, 31 May 2003 20:51:48 -0400 (EDT) Date: Sat, 31 May 2003 20:51:48 -0400 (EDT) Message-Id: <011d01c327d8$9f5c6e80$8bb92e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Nick Sales' CD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 31 May 2003 20:51:48 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Nick Sales' CD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Awaking from slumber today I felt an irresistable urge to put on Nick Sales' rendition of Is life a boon. An hour or two later, I finally had to turn it off, because it was ruining my concentration for studying. That song is so perfectly clear, and the contrast between the acceptance of the first verse and the resolution of the second moves me deep in me emotions.... Other wonderful surprises of this CD: 1. I actually like "Would you know the kind of maid!" 2. Orpheus and his lute - pure pastoral beauty.... 3. Though men of rank may useless seem: A very fun song that sweeps and swoops among themes and commentaries, sung by Nick in a delightfully naïve, optimistic manner =) 4. A tenor all singers above - Nick perfectly controls his spiralling out of contol, to superb effect =) Indeed, the only real criticisms I could offer have nothing at all to do wth Nick: 1. In a wandering minstral I, nautical section, the middle chorus rejoinder: "Yo ho, heave ho, hurrah for the homeward bound" is taken by he piano, and, quite frankly, a piano just isn't capable of the energy needed by it. It might have been better had Nick taken it, or a trumpet, or a small chorus. 2. Were I a king in very truth: the lack of the choral section makes the structure of the verse seem a bit off. (In all other sections, the lack of the chorus didn't bother me. (well, except maybe the line "I know the value of a kindly chorus" is slightly odd without the chorus, but there's not anything you can do musically about that!)) (Admittedly, I was a bit surprised not to enjoy the Lost Chord (which I have never heard before) as much as I expected to, but then, it's a very different type of music than that I'm used to, and seeing that it took me several listenings to decide that I loved and adored Princess Ida (which was again musically quite different to what I was used to), I suspect that I may need to train my ear to appreciate it.) Though there are one or two songs I could wish was on this album. Chief among them being Teresa, little word so glibly spoken. (Mountebanks) I can oonly imagine what emperyan heights Nick could take this to. Ah, weel! Just a matter of badgering Nick incessantly! -Adam Cuerden "No single word is ever heard when singers sing in chorus" - Mountebanks, but demonstrated in several other Gilbert recordings.  1,, Summary-line: 1-Jun cwoods@engr.iastate.edu [117] #Revising Ruddy(i)gore X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 01 Jun 2003 07:14:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h51BEX35019852; Sun, 1 Jun 2003 07:14:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h51BEWFv028044 for ; Sun, 1 Jun 2003 07:14:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h51BE17b009439; Sun, 1 Jun 2003 07:14:01 -0400 (EDT) Date: Sun, 1 Jun 2003 07:14:01 -0400 (EDT) Message-Id: <9AA2BADA0BC9284386635EE25EF41FF838547E@cp.ee.iastate.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cwoods@engr.iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Revising Ruddy(i)gore content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 1 Jun 2003 07:14:01 -0400 (EDT) Reply-To: cwoods@engr.iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Revising Ruddy(i)gore content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Clive Woods asks, "Why should we present the piece in a state other than how its authors left it finally?" He is asking about RUDDY(I)GORE, but the question could be asked about any work that exists in more than one version. Actually it was _prompted_ by Ruddy(i)gore, and I asked it as a general question. >Adherents to #1 will encounter several problems. All of the Savoy Operas have textual cruxes. There is no single text that everyone agrees Gilbert & Sullivan finally intended. This is true. But it doesn't alter the principle that the authors might wish that revivals use whatever we believe is their last effort, and certainly avoid using that which we definitely know _not_ to be their last effort. The debate becomes one of deciding precisely what was their last effort, rather than why should we present the original version. >1a) A work should be performed only in a state that the authors might finally have intended. Textual cruxes must of course be resolved one way or the other, but the director should not restore material the authors are known definitely to have rejected. I think that is precisely what many performers actually do in practice. >Purist adherents to original intent will resolve textual cruxes based purely on the evidence. Others may say that, where the evidence admits of more than one reading, the director may choose a text on purely aesthetic grounds. Which of these is done will usually depend upon the time and resources available. I suspect that many non-performers who are aware of these problems will imagine that performers spend uncounted hours poring over dusty manuscripts in obscure libraries to find the correct texts. I won't deny that this sometimes happens, but more often than not an arbitrary decision is made on the spur of the moment, since the recording or the production must proceed without timewasting. >When we come to material the authors are known definitely to have cut, other problems arise. In THE GRAND DUKE, Gilbert made several cuts without Sullivan's agreement So, therefore, this wasn't a G&S show, more like a G&S&GWOS! In other words, one could make out a legitimate case for ignoring those particular cuts. >Even straight-laced directors--and this includes the old D'Oyly Carte itself--agree that surplus material may be cut, even if it means contravening the authors' final intentions. The old DOC existed in a rather different artistic environment, where it was acceptable to tinker with authors' intentions. For example, recall that, at around the same time, Beecham was making recordings of things like "Messiah" with a cast of thousands (well, hundreds, anyway) - totally unthinkable now. This was a throwback to the old Victorian "invincible Britain" attitude, parodied in "Utopia" of course, where anything Britain did was, by definition, better than any other country could manage. I think things have moved on since then. >So at this point we have directors resolving textual cruxes, mediating where the authors themselves never agreed, and (if only occasionally)... So far, so good >...cutting material the authors had retained. It is, from there, not that great a leap to restore material the authors had cut. And it is here that I question whether we should draw a line. >if a director restores the 1877 version of THE SORCERER (a decision I don't necessarily endorse), you're talking about a state that Gilbert & Sullivan considered fit for public consumption, and that enjoyed a very respectable run of 175 performances. But the whole point is that presumably they thought their revision improved it - otherwise they wouldn't have revised it. >Unlike the 1877 SORCERER, the text of the first-night RUDDYGORE clearly did not enjoy a long run, but it isn't a "rough and ready" draft either. Well, depends how you define "rough and ready" I suppose, but lavishing lots of time getting the details of a show right first time is not something of which you can generally accuse G&S. And maybe here also is the crux of the problem. >Gilbert & Sullivan thought it was ready to be offered to the public. And, of course, they were proved wrong, and so they had a go at improving it. >In PINAFORE, Gilbert seems to have cut the Hebe dialogue because the performer for whom it was written, Mrs. Howard Paul, was replaced at a late stage of rehearsals by another performer, Jessie Bond, for whom it was no longer appropriate. Admittedly it's speculation that Gilbert wouldn't eventually have deleted Hebe's dialogue anyway, But all work has to fit basic criteria that are outside the control of the creators. Length, for example, is almost always fixed within certain limits. Without specifying length, we get long rambling shapeless pieces. If we follow the argument that we should ignore the particular limitations that led to a particular work, then we end up reinstating just about everything that was originally written down. But controlling the length makes authors consciously decide what is their best work, and to cut the rest that doesn't hit the mark. >All of the examples discussed so far concern material that Gilbert & Sullivan either authorized for performance, or at least *might* have authorized but for extrinsic factors. That leaves us with perhaps the most tenuous cases--those where the material was never performed, and there's no good reason to think it ever would have been. The original question was "Why perform original versions", so by definition stuff that was never performed doesn't enter a discussion of that question. >This isn't quite true. There is a "realization" of Beethoven's sketches for the 10th symphony, and this has been published on CD. Similar examples would include Deryck Cooke's realization of Mahler's 10th Neither of which are, of course, published as "by Beethoven" or "by Mahler", but are published as reconstructions. Actually I wonder what Beethoven would think about his unrevised sketches reaching CD status - I like to think he wouldn't approve, since surely we would agree that only Beethoven had the mastery to compose like Beethoven. >In conclusion, I don't think the choice of a performance text is straightforward, although there are many directors and actors who just accept whatever text is handed to them without a lot of investigation. I suspect that this actually happens rather a lot, particularly when time is short (usually the case), though certainly in classical piano circles there is a definite expectation that performers should work from reliable Urtext editions (preferably several if there is a choice) rather than the old-style heavily edited versions that are still, regrettably, widely available. As far as G&S is concerned, there aren't any Urtext editions (widely) available of course (with one or two possible exceptions) which makes it harder. >Those who *do* investigate fine that "final intentions" are difficult to determine. But, by itself, this is not a reason to perform an original unrevised version. Clive Woods (On location in Sri Lanka)  1,, Summary-line: 1-Jun sir-despard@ruddigore.fre [31] #Sensation Novel music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 01 Jun 2003 08:33:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h51CWV3X008708; Sun, 1 Jun 2003 08:33:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h51CTJjt011201 for ; Sun, 1 Jun 2003 08:29:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h51CSr7b009716; Sun, 1 Jun 2003 08:28:53 -0400 (EDT) Date: Sun, 1 Jun 2003 08:28:53 -0400 (EDT) Message-Id: <000701c32836$3b4a0e80$7381193e@toshnb> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Sensation Novel music MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6700 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 1 Jun 2003 08:28:53 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: Sensation Novel music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Peter, The link for the Noteworthy files for "Sensation Novel" is: http://diamond.boisestate.edu/gas/other_gilbert/sensation/sensation_home.htm l and click on the link "Mike Nash's Noteworthy files for 'Sensation Novel' (49K zip file)". I've had problems downloading it but that may be due to the firewall on my PC. All the best, Mike.  1,, Summary-line: 2-Jun sscw@MIT.EDU [25] #checks X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Jun 2003 16:40:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h52KeT35012326; Mon, 2 Jun 2003 16:40:30 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h52KePjM014259; Mon, 2 Jun 2003 16:40:26 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id QAA25107; Mon, 2 Jun 2003 16:40:25 -0400 (EDT) From: sscw@MIT.EDU Received: from myfairlady.mit.edu ( [myfairlady.mit.edu]) as user sscw@MIT.EDU by webmail.mit.edu with HTTPS; Mon, 2 Jun 2003 16:40:25 -0400 Message-ID: <1054586425.3edbb6394a0da@webmail.mit.edu> Date: Mon, 2 Jun 2003 16:40:25 -0400 To: opus@mit.edu, siers@mit.edu Subject: checks MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.187.2.36 X-Originating-Host: myfairlady.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.74 [en] (X11; U; Linux 2.0.36 i686) X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sscw@MIT.EDU Date: Mon, 2 Jun 2003 16:40:25 -0400 To: opus@mit.edu, siers@mit.edu Subject: checks X-Originating-IP: 18.187.2.36 X-Originating-Host: myfairlady.mit.edu X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/4.74 [en] (X11; U; Linux 2.0.36 i686) X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, I just wanted to let you guys know: you both have checks from Star Wars that have been on my board since about February...I just wanted to make sure you knew that they're there. If you have trouble getting to the MTG office to pick them up, I can certainly mail them to you; just let me know where. :-) Your friendly local treasurer, Stephanie  1,, Summary-line: 2-Jun harry_hayfield@beeb.net [36] #Gilbert and Sullivan Themed Videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Jun 2003 16:59:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h52KxS35026740; Mon, 2 Jun 2003 16:59:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h52KxRYK010302 for ; Mon, 2 Jun 2003 16:59:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h52Kx17b001601; Mon, 2 Jun 2003 16:59:01 -0400 (EDT) Date: Mon, 2 Jun 2003 16:59:01 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: harry_hayfield@beeb.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Harry Hayfield" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Themed Videos MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 2 Jun 2003 16:59:01 -0400 (EDT) Reply-To: harry_hayfield@beeb.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Harry Hayfield" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Themed Videos X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Since October 2002, I have been subscribing to my local digital satellite provider and been introduced to the world of music video television. Now, I don't know if it's me becoming more and more Savoyard (as I prepare for our next production in March 2004), but I am beginning to note Gilbert and Sullivan themes emerging in modern day pop videos. The ones I have seen already are: Mis-Teeq : Can't Get it Back (Gilbert and Sullivan Theme : Trial by Jury) Mis-Teeq (a three piece girl group) are the plaintiffs taking a "player" to court and demanding that their wedding be cancelled. At the end of the video, the judge reveals a pair of Union Jack shorts The Avalanches : Frontier Psychiatrists (Gilbert and Sullivan Theme : Ruddigore) The line "She went white as a sheet" is sung by a ghostly chorus --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.484 / Virus Database: 282 - Release Date: 27 May 2003  1,, Summary-line: 2-Jun sommerfeld@orchard.arling [22] #Re: colo network info X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Jun 2003 17:28:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h52LSU35012608; Mon, 2 Jun 2003 17:28:31 -0400 (EDT) Received: from portal.hamachi.org (portal.hamachi.org [140.239.227.17]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h52LSSa3028722; Mon, 2 Jun 2003 17:28:28 -0400 (EDT) Received: from syn.hamachi.org (localhost [127.0.0.1]) by portal.hamachi.org (Postfix) with ESMTP id EC97517939; Mon, 2 Jun 2003 17:28:27 -0400 (EDT) Received: from syn (sommerfeld@localhost) by syn.hamachi.org (8.12.7+Sun/8.8.8) with ESMTP id h52LSZdQ001140; Mon, 2 Jun 2003 17:28:35 -0400 (EDT) Message-Id: <200306022128.h52LSZdQ001140@syn.hamachi.org> From: Bill Sommerfeld To: raeburn@MIT.EDU, colo@ipnh.com, chardin@naming-schemes.org, Ruth Jedlinsky , "David C. Jedlinsky" Cc: Marc Horowitz Subject: Re: colo network info In-Reply-To: Your message of "Wed, 28 May 2003 00:57:36 EDT." Reply-To: sommerfeld@orchard.arlington.ma.us Date: Mon, 02 Jun 2003 17:28:35 -0400 Xender: sommerfeld@syn X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Bill Sommerfeld To: raeburn@MIT.EDU, colo@ipnh.com, chardin@naming-schemes.org, Ruth Jedlinsky , "David C. Jedlinsky" Cc: Marc Horowitz Subject: Re: colo network info In-Reply-To: Your message of "Wed, 28 May 2003 00:57:36 EDT." Reply-To: sommerfeld@orchard.arlington.ma.us Date: Mon, 02 Jun 2003 17:28:35 -0400 Xender: sommerfeld@syn X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Okay, I haven't heard back from the three of you about install dates/times. My schedule over the next couple months will be "interesting". please let me know ASAP about when your hardware is likely to be available. - Bill  1,, Summary-line: 2-Jun Butagirl@aol.com [34] #Another Puzzle! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 02 Jun 2003 18:02:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h52M2L35022284; Mon, 2 Jun 2003 18:02:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h52LvQa3006802 for ; Mon, 2 Jun 2003 17:57:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h52Luw7b003365; Mon, 2 Jun 2003 17:56:58 -0400 (EDT) Date: Mon, 2 Jun 2003 17:56:58 -0400 (EDT) Message-Id: <174.1bc6b46f.2c0d1e07@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Another Puzzle! MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 107 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 2 Jun 2003 17:56:58 -0400 (EDT) Reply-To: Butagirl@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Butagirl@aol.com To: Multiple recipients of list SAVOYNET Subject: Another Puzzle! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) These puzzles are great! Here's mine - I'll be most impressed if anyone gets it. What common fact links the following characters: Gama Guron Scynthius Arac Ralph Inez Iolanthe Ko-Ko Elsie Fairfax Wilfred probably Dame Carruthers and Meryll and possibly Counsel and Edwin Sharon Brindle "Though I am butagirl@aol.com"  1,, Summary-line: 4-Jun c@pobox.co.uk [50] #Re: GWOS radio downloads X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 04 Jun 2003 10:03:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h54E3a37016055; Wed, 4 Jun 2003 10:03:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h54E0sE1013518 for ; Wed, 4 Jun 2003 10:00:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h54E0S7b000469; Wed, 4 Jun 2003 10:00:28 -0400 (EDT) Date: Wed, 4 Jun 2003 10:00:28 -0400 (EDT) Message-Id: <20030604134024.GB31517@pseudofoo.demon.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: c@pobox.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Christopher Hall To: Multiple recipients of list SAVOYNET Subject: Re: GWOS radio downloads Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030522160621.GE12068@pseudofoo.demon.co.uk> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 4 Jun 2003 10:00:28 -0400 (EDT) Reply-To: c@pobox.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Christopher Hall To: Multiple recipients of list SAVOYNET Subject: Re: GWOS radio downloads Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030522160621.GE12068@pseudofoo.demon.co.uk> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wrote: >I'll add the remaining two programmes when they're available. All 5 of these radio programmes are now available for download at http://pseudofoo.demon.co.uk/gwos.html (in both realaudio and mp3 format): 1: The Finger of Fate. Foggerty is a confirmed bachelor in search of peace and quiet. Fate, however, has other plans for him. 2: An Elixir of Love. When the Reverend Stanley Gay uses a secret potion to impose his strong views of marriage on his flock, the results are unexpected. 3: The Burglar's Story. Theodore's parents, petty crooks, are willing to make any sacrifice for his education. But his chosen career is curtailed. 4: Wide Awake. Harold Symperson boasts of his fortune until he falls victim to his relatives' cunning plot. 5: Mr Foster's Good Fairy. Confectioner Cyril Foster finds himself haunted by his past, until escape is offered. -- Chris Hall  1,, Summary-line: 4-Jun savoyard1@yahoo.com [54] #SavoyNet UTOPIA -- Supplemental chorus call X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 04 Jun 2003 11:26:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h54FQ737002762; Wed, 4 Jun 2003 11:26:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h54FKve1029646 for ; Wed, 4 Jun 2003 11:20:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h54FKQ7b008961; Wed, 4 Jun 2003 11:20:27 -0400 (EDT) Date: Wed, 4 Jun 2003 11:20:26 -0400 (EDT) Message-Id: <20030604151442.76028.qmail@web13405.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: SavoyNet UTOPIA -- Supplemental chorus call MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 4 Jun 2003 11:20:26 -0400 (EDT) Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: SavoyNet UTOPIA -- Supplemental chorus call X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David D., David C., Simon, Ori and I are delighted with the cast for UTOPIA. We think this is SavoyNet's strongest cast yet, and plans proceed apace to make this an enjoyable and rewarding production. Regrettably, a few chorus members have had to withdraw for personal reasons. This leaves the chorus somewhat unbalanced (vocally -- as far as I know, they're all sane, which puts them well ahead of the MD). In particular, we need a couple of top sopranos and tenors (preferably firsts, but not necessarily), and perhaps a baritone. The chorus will be fine if we add no one, but I would like this chorus to better the high standard set by its predecessors, so we're looking for a few more Utopians. Any SavoyNetters who might be interested in joining should send me an e-mail as soon as practicable. Under the circumstances, of course, no audition tape will be needed. Just let me know your vocal type and stage and singing experience. We'll get back with you quickly. FYI, the show begins rehearsal on Sunday 27 July and the performance is on Tuesday 5 August. Don't hesitate to e-mail if you have any questions. Ulahlica! Larry ===== Larry Garvin Tallahassee, FL "Whether you're an honest man or whether you're a thief Depends on whose solicitor has given me my brief!" -- W.S. Gilbert, Utopia, Ltd. __________________________________ Do you Yahoo!? Yahoo! Calendar - Free online calendar with sync to Outlook(TM). http://calendar.yahoo.com  1,, Summary-line: 4-Jun ajcrowth@globalnet.co.uk [38] #The uniform of an English gentleman X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 04 Jun 2003 16:24:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h54KNp39021453; Wed, 4 Jun 2003 16:24:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h54KKBmU015164 for ; Wed, 4 Jun 2003 16:20:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h54KJY7b011777; Wed, 4 Jun 2003 16:19:34 -0400 (EDT) Date: Wed, 4 Jun 2003 16:19:34 -0400 (EDT) Message-Id: <01c32acf$15bcd6c0$0100007f@localhost> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: The uniform of an English gentleman MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.71.1712.3 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 4 Jun 2003 16:19:34 -0400 (EDT) Reply-To: ajcrowth@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Andrew Crowther" To: Multiple recipients of list SAVOYNET Subject: The uniform of an English gentleman X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Last night, I was happened to take down from its shelf the SOCD remastering of the 1953 "Sorcerer". I looked at the very stylish, very '50s, cover art, which shows a cartoon of Wells in top hat, frock coat with button-hole, wing collar, black tie, waistcoat with chain, check trousers, and gloves. He also holds a teapot which is bursting flames, but that's incidental to the point I'm trying to make. The point? The cover art is startling, arresting, picturesque. But what does it show? A very Victorian gentleman dressed in the ordinary costume of an ordinary Victorian gentleman. I might add that, allowing for cartoon stylisation, the cover art comes pretty close to Gilbert's own original costume design for Wells. In other operas Gilbert exploited the "picturesque" possibilities of soldiers, sailors, fairies, peers, the Japanese, and so on. But here, in "The Sorcerer", he actually gave a veneer of romance to the most ordinary costume of his own time. That seems to me a very remarkable achievement. Discuss..... - Andrew.  1,, Summary-line: 4-Jun nlgilman@MIT.EDU [21] #dinner starting 6pm this Saturday June 7th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 04 Jun 2003 23:45:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h553jj35004492; Wed, 4 Jun 2003 23:45:45 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h553jc7w026448 for ; Wed, 4 Jun 2003 23:45:38 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h553jcU8022897 for ; Wed, 4 Jun 2003 23:45:38 -0400 (EDT) Received: (from nlgilman@localhost) by scrubbing-bubbles.mit.edu (8.9.3p2) id XAA06869; Wed, 4 Jun 2003 23:45:38 -0400 (EDT) Date: Wed, 4 Jun 2003 23:45:38 -0400 (EDT) Message-Id: <200306050345.XAA06869@scrubbing-bubbles.mit.edu> From: Nancy Louise Bigler Gilman To: dinner@MIT.EDU Subject: dinner starting 6pm this Saturday June 7th X-Spam-Score: -2.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 4 Jun 2003 23:45:38 -0400 (EDT) From: Nancy Louise Bigler Gilman To: dinner@MIT.EDU Subject: dinner starting 6pm this Saturday June 7th X-Spam-Score: -2.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK folks... Arrive at our place any time after 6pm this Saturday. Dinner will be served around 7ish. If the weather is favorable, bring kites. If you need any more details let me know. See you Saturday! Nancy  1,, Summary-line: 5-Jun DglsWhaley@aol.com [92] #GILBERT AND SULLIVAN TRIVIA QUIZ NUMBER THREE X-Coding-System: raw-text-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Jun 2003 11:13:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h55FCC3p029479; Thu, 5 Jun 2003 11:13:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h55FAZqM020268 for ; Thu, 5 Jun 2003 11:10:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h55FAN7b014861; Thu, 5 Jun 2003 11:10:23 -0400 (EDT) Date: Thu, 5 Jun 2003 11:10:23 -0400 (EDT) Message-Id: <2A71758D.13AF24F3.0AF206A8@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DglsWhaley@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DglsWhaley@aol.com To: Multiple recipients of list SAVOYNET Subject: GILBERT AND SULLIVAN TRIVIA QUIZ NUMBER THREE MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Jun 2003 11:10:23 -0400 (EDT) Reply-To: DglsWhaley@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: DglsWhaley@aol.com To: Multiple recipients of list SAVOYNET Subject: GILBERT AND SULLIVAN TRIVIA QUIZ NUMBER THREE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I used to post a great deal to Savoynet in the early days, but rarely do so now. Years ago I created a couple of super trivia quizzes for the faithful to puzzle over. As odd thoughts have struck me in the intervening years, I have added them to the third of these, see below. Now that a quiz mania has overtaken the recent Savoynet posts, I decided it was time to send it out to you all. Give it a try. Douglas Whaley Columbus, Ohio USA --------------------------------------------------------------- GILBERT AND SULLIVAN TRIVIA QUIZ NUMBER THREE Rules: a. Unless otherwise stated, you may consult whatever sources you like to answer the questions, but using a search engine of a computer or a concordance to look up the answers would be cheating. b. The references (unless otherwise specified) are to the usual canon: the fourteen operas of G&S that we all know and love. c. Unless otherwise stated each part of each question earns five points. d. Answers should be submitted to me privately (NOT TO SAVOYNET). At the end of the month I will post the answers (and then let the arguments begin as to their correctness—I have been through this before). 1. Some people who never appear on stage are nonetheless described in the operas. Give the name of the character on stage who tells us about the following individuals: a. Someone who liked to drown other people. b. Someone who thought it appropriate at Christmas to give another a shovel as a gift. c. Someone who cut the tail off a living animal. d. Someone who can’t spell well enough to do his/her job properly (there are two of these---five points each). 2. Victorians were models of propriety and the Savoy Operas uphold a high standard of good taste. The references to the seamier side of life are rare and usually couched in euphemisms. Identify the following: a. A reference to serial fornication. b. A group of people who brag about their drug habit. c. A reference to possible bastardy. d A polite way of explaining that someone is using the toilet. e. A homophobic comment. f. A verse about laxatives. 3. What numbers does the roulette wheel hit during the three verses of the Roulette Song in The Grand Duke? [You must answer this one from memory—you are NOT allowed to look it up.] 4. There are no medical doctors in the canon, but one character does takes another’s pulse. Identify this incident. 5. While there are many suspects, what character in the canon is known to dye his/her hair? 6. In the musical plays that Sullivan wrote with collaborators other than Gilbert, name the only such show that begins and ends with the same melody. 7. Questions involving marriage: a. Gilbert was known, of course, to recycle material. In two of the operas women refuse to marry the men who have proposed to them because the best they could ever hope to be is their widows. Name the two women. b. Name the women in the operas who marry men who are supposedly dead at the time of the ceremony. c. Lots of brides are tearful at their weddings, but name the one who cried all the way through the ceremony. d. Some of the proposed or actual marriages in G&S are forbidden by law. For three points each, name them. 8. Questions about Sullivan having muscial fun: a. What musical joke is Sullivan making the first time Colonel Fairfax sings the word “Phoebe?†in the Act One Finale of Yeomen? b. In what chorus in the Canon does Sullivan begin with the chords that render the first four notes of “God Save the Queenâ€? c. In one of his classical works, Sullivan quotes “He Is an Englishman†in full. Name it. 9. Merrily rings the luncheon bell, and Pooh-Bah tells the Mikado that he doesn’t want any luncheon. But what is the only reference to “lunch†(as opposed to “luncheonâ€) in the canon? 10. Gilbert almost never makes any references to God in the canon. Instead his characters appeal to “Mercy†(Elsie praying in the Act One finale to Yeomen) or “Eros†(Angela, instructing Patience). But there are some religious references in these works. a. Name the character who compares herself to a nun. b. Which character utters the supplication “Lord, defend us!â€? c. In the entire canon, only one character actually does intone a prayer addressed to “God†(hint: it is a request having to do with the character’s death). d. How do we know that the Utopians are Christians? 11. What is Sullivan’s (but not Gilbert’s) connection to the following historical incidents? a. When Wellington thrashed Bonaparte (as every child can tell), the latter was exiled to St. Helena in the middle of the Atlantic Ocean, where he stayed until he died. b. In the spring of 1878, two German warships, the König Wilhelm and the Grosser Kurfüst collided off the English coast, resulting the lost of over two hundred lives. c. The Titanic went to the bottom of the ocean on April 15, 1912. 12. Three people die on stage. For five points each, name them. Two people come to life on stage; for five points each name them. 13. For five points each, name the overtures that begin with drums only. [You must answer this one from memory—you are not allowed to look it up.] 14. Name the operas in the canon for which Gilbert created no illustrations when they were printed. [You must answer this one from memory—you are not allowed to look it up.] 15. [Ten points] True or false: both Gilbert and Sullivan were fluent in French. 16. Gilbert was attracted to very young women—his wife Kitty was only 19 when he married her (and he was thirty). Of the other women having major roles in the canon (those who would be thought of as the stars of the piece), and for three points each, name the ones who are 18 and younger. For ten points, name the woman having a major role who is the oldest.  1,, Summary-line: 5-Jun dstone4@cox.net [71] #Re: Hall of Fame X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Jun 2003 11:13:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h55FDh35000438; Thu, 5 Jun 2003 11:13:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h55FAbqM020290 for ; Thu, 5 Jun 2003 11:10:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h55F9j7b014543; Thu, 5 Jun 2003 11:09:45 -0400 (EDT) Date: Thu, 5 Jun 2003 11:09:45 -0400 (EDT) Message-Id: <003e01c32b71$617a2700$6401a8c0@nv.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Re: Hall of Fame MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Jun 2003 11:09:45 -0400 (EDT) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Re: Hall of Fame X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Marc Shepherd's analysis is right on--if we're really going to have an actual G&S Hall of Fame, and not just a SavoyNet "hot stove league*." There probably needs to be a large but qualified (i.e. knowledgable) selection committee of people willing to do the research. And we should give people beyond SavoyNet (Ric Wilson, Hal Kanthor, Peter Joslin, Terence Rees, Selwyn Tillett come immediately to mind) the opportunity to serve. To follow-through on Marc's baseball HOF example, it's instructive to note that baseball started slowly. There were only five inductees in 1936, three in 1937. The total is now 254 or thereabouts. The voting is done by sportwriters from across the country who have covered the game for years. There's also a veterans committee that considers overlooked individuals from previous generations--including the old "Negro League." A few thoughts on some of Marc's ideas: > A) There is an annual vote, and a candidate must be named on at least > 75% of the ballots to be elected. We could lower the percentage, but I > think it should be a "super-majority"--at least 2/3rds. Being in the > Hall of Fame should be a special accomplishment. At least for the first year or so, at least 75% should be required. > B) Candidates receiving a significant percentage, but less than that > required for election, are retained on next year's ballot. After a > decade of non-selection, they're dropped from the ballot. Agreed. > C) No one is eligible until 5 years after retirement. I would replace > "retirement" with "death" in our situation. A baseball player who has > been retired for five years is highly likely to stay retired, but a G&S > figure's contributions do not have that limitation. I definitely think > that people who are active, or whose contributions are very recent, > should be ineligible. I would be a little less rigid. How about age 70 *or* five year after death, at least once the founding fathers are enshrined? I don't see why an 87-year old John Reed shouldn't be honored during his lifetime. > D) There is no fixed limit to the number of people who may be elected. > The 75% threshhold works, all by itself, to limit membership to those > who are truly deserving. I'd have a cap for the first five or ten years, if only so we're not honoring 30-40 people at once. David Stone Fairfax, Virginia *Apologies to SavoyNetters beyond North America for what must be an obscure baseball reference. Hardcore baseball fans could stay close to their passion during the off-season by "sitting around the hot stove" in general stores and barber shops, exchanging bits of baseball legend, lore, and their own opinions.  1,, Summary-line: 5-Jun rian.d.sweeney@verizon.ne [80] #Roulette Song X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Jun 2003 12:02:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h55G2F35025640; Thu, 5 Jun 2003 12:02:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h55G2EqM012939 for ; Thu, 5 Jun 2003 12:02:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h55G0C7b019861; Thu, 5 Jun 2003 12:00:12 -0400 (EDT) Date: Thu, 5 Jun 2003 12:00:12 -0400 (EDT) Message-Id: <005d01c32b7a$d8f44f00$04e5988d@computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: brian.d.sweeney@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Roulette Song MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_005A_01C32B59.4FF44C80" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Jun 2003 12:00:12 -0400 (EDT) Reply-To: brian.d.sweeney@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Roulette Song X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_005A_01C32B59.4FF44C80 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Hello everybody, I have searched the G&S archives in vain for the lyrics to the Roulette = song from Grand Duke. And it is absent from my copy of the Complete = Plays. Any tips? For your advice, I will be...ahem...in your debt. Thanks, Brian Brian D. Sweeney Graduate Student, Brown University Literatures and Cultures in English http://www.megaone.com/lsenglish/ "Every author ought to write every book as if he were going to be beheaded the day he finished it." -- F. Scott Fitzgerald -- ------=_NextPart_000_005A_01C32B59.4FF44C80 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Hello everybody,
 
I have searched the G&S archives in vain for the = lyrics to=20 the Roulette song from Grand Duke.  And it is absent from = my copy=20 of the Complete Plays.  Any tips?
 
For your advice, I will be...ahem...in your = debt.
 
Thanks,
Brian
 
Brian D. Sweeney
Graduate Student, Brown=20 University
Literatures and Cultures in English
http://www.megaone.com/lsengli= sh/
"Every=20 author ought to write every book as if he were
going to be beheaded = the day=20 he finished it."
  -- F. Scott Fitzgerald=20 --
------=_NextPart_000_005A_01C32B59.4FF44C80--  1,, Summary-line: 5-Jun JCJohnson@salud.unm.edu [96] #International Gilbert and Sullivan Meetup Day-Wednesday, June X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Jun 2003 12:31:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h55GVB37013082; Thu, 5 Jun 2003 12:31:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h55GQ2Ac026385 for ; Thu, 5 Jun 2003 12:26:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h55GPh7b020404; Thu, 5 Jun 2003 12:25:43 -0400 (EDT) Date: Thu, 5 Jun 2003 12:25:43 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: JCJohnson@salud.unm.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jan Christine Johnson" To: Multiple recipients of list SAVOYNET Subject: International Gilbert and Sullivan Meetup Day-Wednesday, June 25-7:00 PM Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise Internet Agent 6.5.0 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Jun 2003 12:25:43 -0400 (EDT) Reply-To: JCJohnson@salud.unm.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jan Christine Johnson" To: Multiple recipients of list SAVOYNET Subject: International Gilbert and Sullivan Meetup Day-Wednesday, June 25-7:00 PM Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Gilbert and Sullivan Friends: The International Gilbert and Sullivan Meetup Day is Wednesday, June 25 at 7:00 PM in a country or city near you. Please note that there is a computer field that you can change to your country and city. The Meetup is an excellent way to share our Gilbert and Sullivan enthusiasm with others. Thank you all. Jan-Christine Johnson Albuquerque, New Mexico, USA jcjohnson@salud.unm.edu Your Response Requested ================================================================ It's time to Vote for a Venue for your Gilbert & Sullivan Meetup. http://gands.meetup.com/ (You may need to cut & paste this address into your browser.) ================================================================= What: International Gilbert & Sullivan Meetup Day When: Wednesday, Jun 25 @ 7PM (Vote for a venue NOW.) Where: In up to 561 towns (anywhere that at least 5 people sign up) In Albuquerque, NM, the exact venue is up for a vote: http://gands.meetup.com/ Who: Gilbert & Sullivan Enthusiasts and friends See who's signed up at http://gands.meetup.com/members/ Special Note ================================================================ There are less than the five Gilbert & Sullivan Enthusiasts required for a Meetup to happen in Albuquerque, NM. Please help more Gilbert & Sullivan Enthusiasts discover International Gilbert & Sullivan Meetup Day: 1. Tell friends about http://gands.meetup.com/ 2. Post flyers around town: http://gands.meetup.com/flyer/ 3. Tell good websites about http://gands.meetup.com/share/ If your Meetup does not happen this month, please be patient and keep trying to spread the word! ================================================================ Agenda: See http://gands.meetup.com/agenda/ FYI: * Get extra features: http://gands.meetup.com/plus/ * Bring friends to your Meetup * Post photos of Meeutps at http://gands.meetup.com/photos/ * Edit your Meetup profile at http://gands.meetup.com/profile/ * There are Meetup Days everywhere on 1000+ topics -- Tell others! DON'T FORGET ================================================================ It's time to Vote for a Venue for your Gilbert & Sullivan Meetup http://gands.meetup.com/ ================================================================ We hope that you, your friends, your family, and your neighbors have good Meetups. Need help? Visit http://gands.meetup.com/help/ (This is an auto-generated email, please do NOT reply to this message.) Your Meetup account settings are at http://my.meetup.com/  1,, Summary-line: 5-Jun farmer_giles@tiscali.co.u [74] #Re: Hall of Fame X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Jun 2003 15:40:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h55JX15T019692; Thu, 5 Jun 2003 15:40:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h55JSQKB029139 for ; Thu, 5 Jun 2003 15:28:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h55JRq7b005327; Thu, 5 Jun 2003 15:27:52 -0400 (EDT) Date: Thu, 5 Jun 2003 15:27:52 -0400 (EDT) Message-Id: <00a501c32b97$2a3c3230$61af2e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Hall of Fame MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Jun 2003 15:27:52 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Re: Hall of Fame X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum Um, I'd like to add the category of "Exceptional influence through GWOS and SWOG" (Er, well, we need a better name, really) because there are a few of those that were very important but who at the moment are ignored completely. For instance, F.C. Burnand got Sullivan interested in operetta, and German allowed Gilbert to develop his style through the major opportunity he provided Gilbert. -Adam Cuerden "No single word is ever heard when singers sing in chorus" - Mountebanks, but demonstrated in several other Gilbert recordings. ----- Original Message ----- From: "David Craven" To: "Multiple recipients of list SAVOYNET" Sent: Thursday, June 05, 2003 6:41 PM Subject: Re: Hall of Fame > PLEASE FORGIVE IF THIS IS GOOFY - I've had the Flu and my head is still > quite unclear... > > Respectfully, if you are going to model a Hall of Fame on an existing Hall > of Fame, the baseball Hall of Fame is a very very very bad idea. It leaves > out some players that were truly great (Ron Santo, who at the time he > retired was one of the top three to ever play the game) and includes lots > of players whose only distinction is that they were on the New York Giants > (and thus played with the members of the Veteran's Committee...) > > Further, the Hall of Fame is also a bit complicated in that it > doesn't really recognize the pioneers and the like, and those few that are > recognized are not given the same status. > > I would suggest the following: > > 1. Create a number of Categories and from each Category add no more than > THREE people the first Year in each category and no more than TWO people > per category in future years. I would suggest that the categories be: > > 1. Performers > 2. Technical - Artistic - People like Hawes Craven the stage designer. > 3. Production - People Like Jos. Papp and that D'Oyly Carte Fellow > 4. Pioneers - People that Explored New Ways to bring G&S to the Masses - > William Veneman, Rafe McPhail and the Smiths > 5. Scholars - Andrew Crowther, Dianne Bell, Dianna Burleigh etc. > 6. Other - People who made substantial contributions in other ways - For > example restoring old disks and making them available to the masses. > > I would also suggest that nominations for each group should be > made by a small group of willing (and qualified) individuals in that > area. And that voting be made available both on Savoynet as well as by > mail to anyone who so desires (with the understanding of a single ballot > per person with each person getting three votes in each category). > > As for a minimum vote, I would suggest that it be 70%, unless no one is > selected, in which case the top five candidates would be placed in a runoff > with each voter given two votes and the top candidate is automatically > selected as well as the second place candidate if the second place > candidate draws 65% of the vote. > >  1,, Summary-line: 9-Jun jtu@MIT.EDU [27] #Fulton's Folly X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Jun 2003 00:20:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h594Kk35011507; Mon, 9 Jun 2003 00:20:46 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h594K31v019113; Mon, 9 Jun 2003 00:20:03 -0400 (EDT) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h594K3FJ005530; Mon, 9 Jun 2003 00:20:03 -0400 (EDT) Received: from localhost (jtu@localhost) by mormal.mit.edu (8.9.3p2) with ESMTP id AAA18704; Mon, 9 Jun 2003 00:20:02 -0400 Date: Mon, 9 Jun 2003 00:20:02 -0400 (EDT) From: Jennifer Tu To: Subject: Fulton's Folly Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -1.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Jun 2003 00:20:02 -0400 (EDT) From: Jennifer Tu To: Subject: Fulton's Folly X-Spam-Score: -1.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just to put this on everybody's radar... come watch the fireworks on the Esplanade with APO! APO people, friends, friends of friends... come join us on the fourth to watch colorful explosions in the sky you can only wish to reproduce in the neighborhood sandbox. We'll start staking out with blankets and banner at 6am or whenever they let us in, and cycle people in and out during the day. Let me know if you'd like to be one of the brave and early. Wakeup calls will be provided for the dawn crowd. We'll provide blankets to sit on, drinks to buy, games, a bit of shade, and neat people to wait for the show with. You should bring blankets, snacks to share, and friends to come take up our space. See you there! --Jennifer [This email was bcc'd to an ET, Random, and SIPB list.]  1,, Summary-line: 10-Jun c@pobox.co.uk [33] #NoteWorthy files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 10 Jun 2003 05:55:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5A9tP35012748; Tue, 10 Jun 2003 05:55:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5A9tOcp007447 for ; Tue, 10 Jun 2003 05:55:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h5A9su7b003830; Tue, 10 Jun 2003 05:54:56 -0400 (EDT) Date: Tue, 10 Jun 2003 05:54:56 -0400 (EDT) Message-Id: <20030610094350.GA27908@pseudofoo.demon.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: c@pobox.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Christopher Hall To: Multiple recipients of list SAVOYNET Subject: NoteWorthy files Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 10 Jun 2003 05:54:56 -0400 (EDT) Reply-To: c@pobox.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Christopher Hall To: Multiple recipients of list SAVOYNET Subject: NoteWorthy files Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've just put a whole load of NoteWorthy Composer files (everything I've written that's sufficiently complete to be useful) at http://pseudofoo.demon.co.uk/nwc/ for download. (Yes, this does include plenty of G&S, so this post is on-topic.) Feel free to copy them, or use them in whatever way you see fit. But please note that I consider them a work-in-progress. While I've tried to be as accurate as possible, I don't doubt that there are still errors left. Please do let me know of any that you find, so that I can correct them. I'll probably be adding files, and correcting the existing ones, from time to time; I'll try to remember to update the main page with a list of what's changed whenever that happens. -- Chris Hall "I do not pretend to be very prophetic"  1,, Summary-line: 12-Jun rwt@frodsham.demon.co.uk [22] #Internet Parody Sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Jun 2003 16:17:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h5CKHj35016568; Thu, 12 Jun 2003 16:17:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h5CKHi3f029723 for ; Thu, 12 Jun 2003 16:17:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h5CKH97b005810; Thu, 12 Jun 2003 16:17:09 -0400 (EDT) Date: Thu, 12 Jun 2003 16:17:09 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rwt@frodsham.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Roger W Turner To: Multiple recipients of list SAVOYNET Subject: Internet Parody Sighting MIME-Version: 1.0 Content-Type: text/plain;charset=us-ascii;format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Jun 2003 16:17:09 -0400 (EDT) Reply-To: rwt@frodsham.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Roger W Turner To: Multiple recipients of list SAVOYNET Subject: Internet Parody Sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) http://twiki.iwethey.org/twiki/bin/view/Main/PiratesOfPenguinance (Thanks to http://TheRegister.co.uk for noticing this) -- Roger W Turner +44 77 7052 3109 mobile/voicemail +44 77 1265 2811 fax; rwt@frodsham.demon.co.uk  1,, Summary-line: 15-Jun to: wes@alum.MIT.EDU [50] #Re: DVD's! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Jun 2003 07:29:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5FBTJ35002704; Sun, 15 Jun 2003 07:29:19 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5FBTItJ003723; Sun, 15 Jun 2003 07:29:19 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h5FBTIU8025575; Sun, 15 Jun 2003 07:29:18 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id HAA08428; Sun, 15 Jun 2003 07:29:18 -0400 (EDT) Date: Sun, 15 Jun 2003 07:29:18 -0400 (EDT) Message-Id: <200306151129.HAA08428@multics.mit.edu> From: "David C. Jedlinsky" To: wes@alum.MIT.EDU In-reply-to: <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> (message from Wes Carroll on Sat, 14 Jun 2003 11:02:40 -0700) Subject: Re: DVD's! References: <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Jun 2003 07:29:18 -0400 (EDT) From: "David C. Jedlinsky" To: wes@alum.MIT.EDU In-reply-to: <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> (message from Wes Carroll on Sat, 14 Jun 2003 11:02:40 -0700) Subject: Re: DVD's! X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Wes. Yes, we can do that. I need the master in DV or DVcam, however, so you'll need to find it in that format (conversion is pretty expensive). Will you be wanting menus and that sort of stuff, or just autoplay like a video tape? We charge $25/hour for editing, artwork and menus, and $12.50 for the DVD with printed label and case. If you want a printed box label ("Amaray case"), we can do that, too, but it's best if you provide the artwork in finished form to save money. -Dave >Date: Sat, 14 Jun 2003 11:02:40 -0700 >From: Wes Carroll > >Dave, > >I hear that you might be able to turn a video tape into a DVD for me. I >have a DigiBeta master, and probably can lay hands on one other digital >format the material is in -- I forget the name of the other format, though. > >Anyhow, let me know -- I'd love to know what you can do! > >Thanks! >Wes > >Wes Carroll, man of a thousand projects >wes@alum.mit.edu > >see also http://www.mouthdrumming.com, http://www.housejacks.com, >http://www.ninedayfall.com, http://www.allaboutbuford.com, etc. > >  1, answered,, Summary-line: 15-Jun wes@alum.mit.edu [71] #Re: DVD's! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Jun 2003 08:02:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5FC2735011287; Sun, 15 Jun 2003 08:02:07 -0400 (EDT) Received: from h008.c021.snv.cp.net (h008.c021.snv.cp.net [209.228.35.178]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5FC277H025048 for ; Sun, 15 Jun 2003 08:02:07 -0400 (EDT) Received: from boxy.alum.mit.edu (67.112.26.251) by h008.c021.snv.cp.net (5.6.0.25) (authenticated as wes@ihtfp.net) id 3E1FDA24005BA22A for opus@MIT.EDU; Sun, 15 Jun 2003 05:02:06 -0700 Message-Id: <5.2.0.9.0.20030615045717.05e0ab00@mail.ihtfp.net> X-Sender: wes@mail.ihtfp.net X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 Date: Sun, 15 Jun 2003 05:01:21 -0700 To: "David C. Jedlinsky" From: Wes Carroll Subject: Re: DVD's! In-Reply-To: <200306151129.HAA08428@multics.mit.edu> References: <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: wes@mail.ihtfp.net Date: Sun, 15 Jun 2003 05:01:21 -0700 To: "David C. Jedlinsky" From: Wes Carroll Subject: Re: DVD's! In-Reply-To: <200306151129.HAA08428@multics.mit.edu> X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Centuries ago, Nostradamus predicted that on 6/15/03 04:29 AM Sunday, David C. Jedlinsky would say: >Hi Wes. > >Yes, we can do that. I need the master in DV or DVcam, however, so >you'll need to find it in that format (conversion is pretty >expensive). DVcam! Yes, I have the master in that format -- somewhere. Okay, great! >Will you be wanting menus and that sort of stuff, or just autoplay >like a video tape? The tape is divided into chapters, maybe 10 or 12 of them. I'd want a menu that allows the user to get to each. >We charge $25/hour for editing, artwork and menus, and $12.50 for the >DVD with printed label and case. If you want a printed box label >("Amaray case"), we can do that, too, but it's best if you provide the >artwork in finished form to save money. I think -- *think* -- I can farm out the duplication, and possibly even the artwork. The initial hurdle I am eager to overcome, though, is just getting the damned thing onto a DVD, in however rough a form it need be. How many hours would it take to turn a 65-minute, 12-chapter tape into a DVD, assuming I provided all art? And can you send me links to art samples you've done in the past? Fantastic, Dave; thanks!! Wes >-Dave > > > >Date: Sat, 14 Jun 2003 11:02:40 -0700 > >From: Wes Carroll > > > >Dave, > > > >I hear that you might be able to turn a video tape into a DVD for me. I > >have a DigiBeta master, and probably can lay hands on one other digital > >format the material is in -- I forget the name of the other format, though. > > > >Anyhow, let me know -- I'd love to know what you can do! > > > >Thanks! > >Wes > > > >Wes Carroll, man of a thousand projects > >wes@alum.mit.edu > > > >see also http://www.mouthdrumming.com, http://www.housejacks.com, > >http://www.ninedayfall.com, http://www.allaboutbuford.com, etc. > > > >  1,, Summary-line: 15-Jun to: wes@alum.MIT.EDU [55] #Re: DVD's! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Jun 2003 23:57:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5G3vl35004309; Sun, 15 Jun 2003 23:57:47 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5G3vkmD025435; Sun, 15 Jun 2003 23:57:46 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h5G3vkFJ001488; Sun, 15 Jun 2003 23:57:46 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id XAA20602; Sun, 15 Jun 2003 23:57:46 -0400 (EDT) Date: Sun, 15 Jun 2003 23:57:46 -0400 (EDT) Message-Id: <200306160357.XAA20602@multics.mit.edu> From: "David C. Jedlinsky" To: wes@alum.MIT.EDU In-reply-to: <5.2.0.9.0.20030615045717.05e0ab00@mail.ihtfp.net> (message from Wes Carroll on Sun, 15 Jun 2003 05:01:21 -0700) Subject: Re: DVD's! References: <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> <5.2.0.9.0.20030614110114.05128860@mail.ihtfp.net> <5.2.0.9.0.20030615045717.05e0ab00@mail.ihtfp.net> X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Jun 2003 23:57:46 -0400 (EDT) From: "David C. Jedlinsky" To: wes@alum.MIT.EDU In-reply-to: <5.2.0.9.0.20030615045717.05e0ab00@mail.ihtfp.net> (message from Wes Carroll on Sun, 15 Jun 2003 05:01:21 -0700) Subject: Re: DVD's! X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >DVcam! Yes, I have the master in that format -- somewhere. Okay, great! That's good. >>Will you be wanting menus and that sort of stuff, or just autoplay >>like a video tape? > >The tape is divided into chapters, maybe 10 or 12 of them. I'd want a menu >that allows the user to get to each. Divided how? Do you have timecodes for each section, or do I have to scan the tape looking for a particular graphic or something? >>We charge $25/hour for editing, artwork and menus, and $12.50 for the >>DVD with printed label and case. If you want a printed box label >>("Amaray case"), we can do that, too, but it's best if you provide the >>artwork in finished form to save money. > >I think -- *think* -- I can farm out the duplication, and possibly even the >artwork. The initial hurdle I am eager to overcome, though, is just >getting the damned thing onto a DVD, in however rough a form it need be. If you farm out the duplication, then the DVD would become the master, and shouldn't be considered "rough". Are you planning a low-volume run (< 100), or a professional replication? Low volume is DVD-R, replication is "real" DVD. We can do low-volume, including printing directly on the disk. Replication requires a clean-room. >How many hours would it take to turn a 65-minute, 12-chapter tape into a >DVD, assuming I provided all art? All art in the proper format (menus need to be Photoshop with specific layers, for example), and chapters specified by timecode would probably run about an hour for everything from capturing, converting to MPEG, authoring, burning, printing and packaging. Additional copies have no labor charge, just the duplication ($12.50/disk). >And can you send me links to art samples you've done in the past? I'll have to load something up to my website. Correction: I'll have to make a website, and then load something up. :-) -Dave  1,, Summary-line: 16-Jun to: drewbob@attbi.com [21] #Re: Grand Duke 2-dvd set X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 16 Jun 2003 00:00:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5G40J35004963; Mon, 16 Jun 2003 00:00:19 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5G40JT8015349; Mon, 16 Jun 2003 00:00:19 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h5G40IU8008982; Mon, 16 Jun 2003 00:00:18 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id AAA20671; Mon, 16 Jun 2003 00:00:18 -0400 (EDT) Date: Mon, 16 Jun 2003 00:00:18 -0400 (EDT) Message-Id: <200306160400.AAA20671@multics.mit.edu> From: "David C. Jedlinsky" To: drewbob@attbi.com In-reply-to: <562118E4-8664-11D7-AA38-000A957C8BF8@attbi.com> (message from Andrew Sweet on Thu, 15 May 2003 00:32:33 +0100) Subject: Re: Grand Duke 2-dvd set References: <562118E4-8664-11D7-AA38-000A957C8BF8@attbi.com> X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 16 Jun 2003 00:00:18 -0400 (EDT) From: "David C. Jedlinsky" To: drewbob@attbi.com In-reply-to: <562118E4-8664-11D7-AA38-000A957C8BF8@attbi.com> (message from Andrew Sweet on Thu, 15 May 2003 00:32:33 +0100) Subject: Re: Grand Duke 2-dvd set X-Spam-Score: -2.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey Drew. Sorry it took so long; I had to find a supplier of dual-DVD cases. The DVD is ready; can you meet Ruth on Monday night at Mary's to pick it up, or would you like us to mail it? Ruth's email is rls@dimins.com, if you want to arrange a pickup. -Dave  1, answered,, Summary-line: 17-Jun drewbob@attbi.com [29] #Re: Grand Duke 2-dvd set X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Jun 2003 07:26:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h5HBQd35010236; Tue, 17 Jun 2003 07:26:39 -0400 (EDT) Received: from rwcrmhc13.attbi.com (rwcrmhc53.comcast.net [204.127.198.39] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h5HBQcCL025017 for ; Tue, 17 Jun 2003 07:26:39 -0400 (EDT) Received: from attbi.com (h0030653af282.ne.client2.attbi.com[66.31.42.169](misconfigured sender)) by attbi.com (rwcrmhc13) with SMTP id <2003061711263401500stao7e>; Tue, 17 Jun 2003 11:26:36 +0000 Date: Tue, 17 Jun 2003 12:26:31 +0100 Subject: Re: Grand Duke 2-dvd set Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) From: Andrew Sweet To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200306160400.AAA20671@multics.mit.edu> Message-Id: <8B88526A-A0B6-11D7-B5E0-000A9570C8E0@attbi.com> X-Mailer: Apple Mail (2.552) X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Jun 2003 12:26:31 +0100 Subject: Re: Grand Duke 2-dvd set From: Andrew Sweet To: "David C. Jedlinsky" In-Reply-To: <200306160400.AAA20671@multics.mit.edu> X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi! You wrote: > > Hey Drew. > > Sorry it took so long; I had to find a supplier of dual-DVD cases. > > The DVD is ready; can you meet Ruth on Monday night at Mary's to pick > it up, or would you like us to mail it? I think mail will do fine and probably be less effort overall; I can reimburse you for postage if you'd like via mail or next time we meet. Andrew Sweet 49 Locke Street #1 Cambridge, MA 02140-1222 Thanks very much!  1,, Summary-line: 21-Jun stuart.box@burningsuit.co [49] #RE: Haka et al X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Jun 2003 13:34:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5LHYd35014943; Sat, 21 Jun 2003 13:34:39 -0400 (EDT) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5LHYc54014165 for ; Sat, 21 Jun 2003 13:34:39 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h5LHYQJO018237; Sat, 21 Jun 2003 18:34:26 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id SAA25272 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sat, 21 Jun 2003 18:32:51 +0100 (BST) Received: by mserv1.dl.ac.uk id SAA25253 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sat, 21 Jun 2003 18:32:43 +0100 (BST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id SAA25243 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from stuart.box@burningsuit.co.uk); Sat, 21 Jun 2003 18:32:38 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from anchor-post-30.mail.demon.net (anchor-post-30.mail.demon.net [194.217.242.88]) by mserv6.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h5LHVdXg030177 for ; Sat, 21 Jun 2003 18:31:39 +0100 Received: from todhurst.demon.co.uk ([193.237.104.64] helo=gama.burningsuit.local) by anchor-post-30.mail.demon.net with esmtp (Exim 3.35 #1) id 19TmDC-000Fur-0U for buxton99@dl.ac.uk; Sat, 21 Jun 2003 18:31:39 +0100 Subject: RE: Haka et al Date: Sat, 21 Jun 2003 18:21:27 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Message-ID: content-class: urn:content-classes:message Thread-Topic: Haka et al X-MimeOLE: Produced By Microsoft Exchange V6.0.5762.3 Thread-Index: AcM3ZUqcusKMgiqSRxean+I2SlKXDwAtCqtg From: "Stuart Box" To: "B99" Content-Transfer-Encoding: 8bit X-MIME-Autoconverted: from quoted-printable to 8bit by mserv6.dl.ac.uk id h5LHVdXg030177 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Subject: RE: Haka et al Date: Sat, 21 Jun 2003 18:21:27 +0100 content-class: urn:content-classes:message Thread-Topic: Haka et al X-MimeOLE: Produced By Microsoft Exchange V6.0.5762.3 Thread-Index: AcM3ZUqcusKMgiqSRxean+I2SlKXDwAtCqtg From: "Stuart Box" To: "B99" X-MIME-Autoconverted: from quoted-printable to 8bit by mserv6.dl.ac.uk id h5LHVdXg030177 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For those who want to see and hear a Haka, as performed by the New Zealand Rugby Team, you can go to http://www.nzallblacks.net/downloads.asp To see video's of the team performing Haka's before televised games. Stuart Box Knightsbridge Nursemaid -----Original Message----- From: David Duffey [mailto:d-duffey@argonet.co.uk] Sent: 20 June 2003 20:41 To: B99 Subject: Haka et al Jackie (thanks Jackie) has up-dated the website, which now contains details of the Haka and plans of the set as well as cast details and a link to the lib. The url is: http://www.btinternet.com/~king.gama/utopia2003/index.htm While the haka is explained, what it mentions but doe snot (sorry about that, my typing is not good) convey is the raw energy required to make the effect effective. Forget about Pinafore "Aye Aye"s and Patience "We do"s, our Haka must fill the whole theatre with raw testosterone. David Herr Direktor  1, answered,, Summary-line: 24-Jun ahumez@TheWorld.com [34] #video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Jun 2003 12:54:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5OGqx3f017068; Tue, 24 Jun 2003 12:54:35 -0400 (EDT) Received: from TheWorld.com (pcls3.std.com [199.172.62.105]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5OGpBAm026456; Tue, 24 Jun 2003 12:51:11 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h5OKpA5P025722; Tue, 24 Jun 2003 16:51:10 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id MAA4932404; Tue, 24 Jun 2003 12:51:10 -0400 (EDT) Message-Id: <200306241651.MAA4932404@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu, rls@mit.edu Subject: video editing Date: Tue, 24 Jun 2003 12:51:10 -0400 From: Andrea L Humez X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu, rls@mit.edu Subject: video editing Date: Tue, 24 Jun 2003 12:51:10 -0400 From: Andrea L Humez X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi guys, Any chance you'd be willing to take on a video editing project? I still have these Hapgood tapes, and the person who's theoretically turning them into a finished video doesn't seem to actually be doing the project... I'm not sure exactly how it compares to what you usually do for a show you've taped; there are tapes from the same night but 2 different cameras, one of which is mostly good but has some places where actors wander off camera etc, and the other of which is the long-shot backup and apparently has sound issues. What I want to do is patch up the places where the good tape is really irritatingly not good, and also tighten up scene changes or something to get rid of the 5 minutes that would let it fit on a single VHS tape. We've got the money for your usual taping fee (if it's still $100 plus cost for copies), though as I say, I don't know how this compares to your usual. I'm sure you're up to your ears in projects, as usual, but figured I'd ask. :) Thanks Andrea  1, answered,, Summary-line: 26-Jun ori.siegel@sympatico.ca [66] #Toronto Son of Singout 2004 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Jun 2003 17:35:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5QLZ635007805; Thu, 26 Jun 2003 17:35:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5QLZ4Hw029377 for ; Thu, 26 Jun 2003 17:35:05 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h5QLYU7b014531; Thu, 26 Jun 2003 17:34:30 -0400 (EDT) Date: Thu, 26 Jun 2003 17:34:30 -0400 (EDT) Message-Id: <052801c33c29$53a67750$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Son of Singout 2004 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Jun 2003 17:34:30 -0400 (EDT) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Son of Singout 2004 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Toronto G&S Singout Committee is proud to announce Son of Singout which will be held August 20-22, 2004 in Toronto, Ontario. Following the huge success of the T2K Singout, Eh? held in August 2000, we were encouraged by many to stage a "return engagement" of what has become a great way for G&S fans to meet and share their love of these great operas. Though there are many details yet to be decided, we can tell you now that Son of Singout will be even better than the first, with some surprises in store! Details will be released in due course. To confirm that we have your current e-mail address, or to be added to our e-mail distribution list, please send a message to: torontosingout2004@sympatico.ca and you will receive future updates. Please include your name and postal address, so we can mail the printed brochure and registration form. A phone number would also be appreciated. Plan now for an exciting weekend of Gilbert & Sullivan in Toronto! PLEASE NOTE: Concern about the SARS virus has put an unfortunate spotlight on Toronto in recent months. We take this concern very seriously and are prepared to answer any questions regarding the perceived dangers and risks of exposure. It is very important to us that all potential attendees are properly informed about the facts and myths of this disease. Please address queries to: ori.siegel@sympatico.ca We look forward to greeting you in Toronto in August 2004. ***Please pass this announcement along to the editors of G&S newsletters for publication.*** cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004  1,, Summary-line: 27-Jun ahumez@theWorld.com [68] #Scones on the Range X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 27 Jun 2003 09:13:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h5RDD235010400; Fri, 27 Jun 2003 09:13:02 -0400 (EDT) Received: from TheWorld.com (pcls1.std.com [199.172.62.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h5RDCDvP010920; Fri, 27 Jun 2003 09:12:13 -0400 (EDT) Received: from shell.TheWorld.com (shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h5RD9dtD030264; Fri, 27 Jun 2003 09:09:39 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id JAA5506398; Fri, 27 Jun 2003 09:09:26 -0400 (EDT) Date: Fri, 27 Jun 2003 09:09:26 -0400 (EDT) Message-Id: <200306271309.JAA5506398@shell.TheWorld.com> From: Andrea L Humez To: et-actives@mit.edu, dinner@mit.edu To: abbe@genscan.com, aborowko@edc.org, adina@panix.com To: alex_aminoff@alum.mit.edu, bbermack@mit.edu, bert@alum.mit.edu To: boojum@mit.edu, brilit@alum.mit.edu, cat@mit.edu, ccrazy@theWorld.com To: chope@mit.edu, crikkett@stanfordalumni.org, darksmurf@mit.edu To: dcovin@mindspring.com, doriahughes@attbi.com, endeavor@mit.edu To: eon@twinknj.net, fearless@mit.edu, ghudson@mit.edu To: greylady@alum.mit.edu, hadyn@werdna.com, hlb@alum.mit.edu To: jenise@jenise.org, jbenson@edc.org, jemorris@mit.edu, jhbrown@mit.edu To: jhsung@yahoo.com, jlgalley@pobox.com, jnikula@edc.org, jpwang@mit.edu To: justom@mit.edu, kholodenko@pobox.com, kreddish@edc.org To: kreilley@edc.org, kwinkler@edc.org, marleigh@mit.edu To: lisagay@alum.uchicago.edu, lgoldsmith@edc.org, mccall@ai.mit.edu To: mikka@mit.edu, mjperson@mit.edu, molly@intrepidheroines.com To: muffin@mit.edu, rbhorn@mindspring.com, rcaillef@mit.edu To: ringrose@ascent.com, philip@mit.edu, sbenson@edc.org, schopra@edc.org To: scremer@edc.org, starflt@mit.edu, sverrilli@irrationalgames.com To: talkivin@mit.edu, dcltdw@mit.edu, bow@mit.edu To: the-domain@mit.edu Subject: Scones on the Range X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 27 Jun 2003 09:09:26 -0400 (EDT) From: Andrea L Humez To: et-actives@mit.edu, dinner@mit.edu To: abbe@genscan.com, aborowko@edc.org, adina@panix.com To: alex_aminoff@alum.mit.edu, bbermack@mit.edu, bert@alum.mit.edu To: boojum@mit.edu, brilit@alum.mit.edu, cat@mit.edu, ccrazy@theWorld.com To: chope@mit.edu, crikkett@stanfordalumni.org, darksmurf@mit.edu To: dcovin@mindspring.com, doriahughes@attbi.com, endeavor@mit.edu To: eon@twinknj.net, fearless@mit.edu, ghudson@mit.edu To: greylady@alum.mit.edu, hadyn@werdna.com, hlb@alum.mit.edu To: jenise@jenise.org, jbenson@edc.org, jemorris@mit.edu, jhbrown@mit.edu To: jhsung@yahoo.com, jlgalley@pobox.com, jnikula@edc.org, jpwang@mit.edu To: justom@mit.edu, kholodenko@pobox.com, kreddish@edc.org To: kreilley@edc.org, kwinkler@edc.org, marleigh@mit.edu To: lisagay@alum.uchicago.edu, lgoldsmith@edc.org, mccall@ai.mit.edu To: mikka@mit.edu, mjperson@mit.edu, molly@intrepidheroines.com To: muffin@mit.edu, rbhorn@mindspring.com, rcaillef@mit.edu To: ringrose@ascent.com, philip@mit.edu, sbenson@edc.org, schopra@edc.org To: scremer@edc.org, starflt@mit.edu, sverrilli@irrationalgames.com To: talkivin@mit.edu, dcltdw@mit.edu, bow@mit.edu To: the-domain@mit.edu Subject: Scones on the Range X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It's summer! It's also the last summer of the Domain (for those who haven't heard, we're moving on to various new living situations in August). Some of us have birthdays 'round about now as well. Which is more than enough reason for a last installment of our traditional Scones on the Range party. So.... You're Invited! What: Scones on the Range. Lots of baked goods and other brunch-like food. (If you'd like to bring something to eat, that's cool, but not required. beverages are especially handy.) Hanging out, playing silly games, whatever people feel like doing. When: Sunday, July 13. 1 pm - early evening. Where: The Domain. 37 Burnham st, Somerville, MA. Near Davis square and the Powderhouse rotary. 617-666-5743. Call or drop a line if you need actual directions. Who: You, and your SO. Kids are welcome too, but our house isn't childproof and there are likely to be a lot of people in a finite amount of space. Why is it called Scones on the Range anyway?: Well, we named the apartment the Domain for no particularly good reason, so that makes our backyard the Range. "Scones, scones on the Range..." :) Hope to see you there! Andrea, Eric, Jan, Jay, and Robert  1,, Summary-line: 30-Jun MusikDrama@aol.com [63] #Re: Grand Duke VS Question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 30 Jun 2003 02:09:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h5U69L35027540; Mon, 30 Jun 2003 02:09:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h5U69K0M024270 for ; Mon, 30 Jun 2003 02:09:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h5U68v7b002762; Mon, 30 Jun 2003 02:08:57 -0400 (EDT) Date: Mon, 30 Jun 2003 02:08:57 -0400 (EDT) Message-Id: <16b.20cf3cd0.2c312b61@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke VS Question MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 30 Jun 2003 02:08:57 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke VS Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 6/29/03 11:31:54 AM, oakapple@cris.com writes: >On page 80 of the Chappell score, 2nd system, 3rd bar, the right hand >has a chord of B, E-sharp, F-sharp, with a D-natural in the left hand. > >The same harmony is repeated two bars later. In the E major harmonic >context, how do you parse this chord? The F-sharp is what make the chord complex. It runs through the entire two-bar phrase, appearing in all three chords as a sort of pedal tone, connecting them melodically (in Ludwig's part) and creating a delightful harmonic tension in the chord you're asking about. As for what to call the chord, opinions may vary (or perhaps there's one definitive answer, but I'm not entirely sure what it is). Looking askance at the F# for the nonce, I would call it (apart from a darned interesting chord) a diminished vii (in the third inversion) of V in the key of B major (not E major; at this point in the song Sullivan has effected a temporary modulation to B, and any harmonic analysis of the piece should take that into account). Analyzing it in E would make it sound more complicated than it is. In that case you would have to call it a third-inversion diminished vii (or "diminished vii 4/2," as we say in the business) of V *of I,* since B Major is the dominant (V) of E major. But it's unnecessary to include all those generations of tonal relationships. The chord relates directly to the dominant of B, and has no bearing at all on E major. Taking the extra F# into account, however, I would perhaps fine-tone my description thus: In the key of B major, it's a diminished vii 4/2 of V over a dominant pedal (even though the F# "pedal" actually appears over the chord in the notation). The notes of the diminished vii chord, bottom to top, would be E#/G#/B/D. The third of the chord (G#) is omitted, but that doesn't negate the analysis; in a chord of this complexity it's perfectly possible to omit one of the elements of the chord and still retain the chord's functionality. The chord emerges from the first inversion of the I chord in B major, acting as an intermediary chord which resolves to F#7 (the dominant seventh of B major). All of this happens against the running F# note which binds the entire phrase together. I'm sure a more expert musicologist could give you a more concise name for the chord (perhaps in fact it's the long-sought-after "tetrachord of Mercury," AKA the "Lost Chord"), but I believe my analysis covers the basic functionality of the chord with perfect correctness. Steve Lichtenstein "Climb the hardy little lasses"  1, answered,, Summary-line: 1-Jul kimmerie@comcast.net [77] #my new email address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 01 Jul 2003 11:30:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h61FUC35012821; Tue, 1 Jul 2003 11:30:12 -0400 (EDT) Received: from rwcrmhc12.comcast.net (rwcrmhc12.comcast.net [216.148.227.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h61FU0Jt011959; Tue, 1 Jul 2003 11:30:01 -0400 (EDT) Received: from Kimmerie (h00a0c9c3f2d7.ne.client2.attbi.com[24.128.43.187](untrusted sender)) by comcast.net (rwcrmhc12) with SMTP id <2003070115294501400m8mh4e>; Tue, 1 Jul 2003 15:29:56 +0000 Message-ID: <00ac01c33fe5$a0b2d100$bb2b8018@Kimmerie> From: "Kimmerie H.O. Jones" To: "Kimmerie@att" , Subject: my new email address Date: Tue, 1 Jul 2003 11:29:45 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00A8_01C33FC4.12671030" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Kimmerie H.O. Jones" To: "Kimmerie@att" , Subject: my new email address Date: Tue, 1 Jul 2003 11:29:45 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_00A8_01C33FC4.12671030 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi all! Comcast has taken over AT&T again, so my new email address is: kimmerie@comcast.net kimmerie@attbi.com will forward until December, but it's probably a good = idea to update your address book now :) my apologies to any of you who receive this more than once - I am = discovering that my address book is in a shocking state of disrepair, = and felt it better to be safe. thanks! Kimmerie ------=_NextPart_000_00A8_01C33FC4.12671030 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi all!
 
Comcast has taken over = AT&T=20 again, so my new email address is:
kimmerie@comcast.net
 
kimmerie@attbi.com will forward = until=20 December, but it's probably a good idea to update your address book now=20 :)
 
my apologies to any of = you who=20 receive this more than once - I am discovering that my address book is = in a=20 shocking state of disrepair, and felt it better to be safe.
 
thanks!
Kimmerie
 
------=_NextPart_000_00A8_01C33FC4.12671030--  1,, Summary-line: 1-Jul d-duffey@argonet.co.uk [49] #Re: Mr. Blushington's alter ego X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 01 Jul 2003 12:07:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h61G7L35004744; Tue, 1 Jul 2003 12:07:21 -0400 (EDT) Received: from smtp.argonet.co.uk (centipede.freedom2.net [213.161.67.201]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h61G2CJt025648 for ; Tue, 1 Jul 2003 12:02:12 -0400 (EDT) Received: from [62.188.17.35] (helo=Computer) by smtp.argonet.co.uk with smtp (Exim 4.20) id 19XNa2-0007aM-5S for opus@MIT.EDU; Tue, 01 Jul 2003 17:02:06 +0100 Message-ID: <005101c33fea$1d3f4a10$4464bc3e@Computer> From: "David Duffey" To: "David C. Jedlinsky" References: <200307011510.LAA08095@multics.mit.edu> Subject: Re: Mr. Blushington's alter ego Date: Tue, 1 Jul 2003 17:02:01 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "David Duffey" To: "David C. Jedlinsky" Subject: Re: Mr. Blushington's alter ego Date: Tue, 1 Jul 2003 17:02:01 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi David I'm glad we don't have to fight the whisker battle! I'm sure that you could sing from the wings if Larry deems the vocal support necessary, but you would need to check with him. Regards David ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Tuesday, July 01, 2003 4:10 PM Subject: Mr. Blushington's alter ego > > Hello, Herr Direktor. > > Larry Garvin asked if I would consider singing tenor in the chorus for > the first act before Mr. Blushington makes his appearance. I have no > objection from a musical point of view, but I think you might be > opposed to my appearance; I'm not clean-shaven, and have a serious > marital objection to becoming so. Is there any way a hirsute tenor > could lend his voice without disturbing the peace, or will I have to > respectfully decline? > > Thanks. > > -Dave Jedlinsky > opus@mit.edu > > >  1,, Summary-line: 2-Jul ulahlica@yahoo.com [50] #Re: UTOPIAN FLAGS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 02 Jul 2003 19:43:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h62Nh835028544; Wed, 2 Jul 2003 19:43:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h62Nh7QU014164 for ; Wed, 2 Jul 2003 19:43:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h62Ngj7b004023; Wed, 2 Jul 2003 19:42:45 -0400 (EDT) Date: Wed, 2 Jul 2003 19:42:45 -0400 (EDT) Message-Id: <20030702233859.62901.qmail@web20707.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: UTOPIAN FLAGS MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01c340b7$e0865a40$0100007f@localhost> X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 2 Jul 2003 19:42:45 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: UTOPIAN FLAGS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <01c340b7$e0865a40$0100007f@localhost> X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's my last flag. It uses David C's eagle idea and tries to keep the simplicity Peter Z called for while still using everyone's ideas... I think. Never-the-less, I do not expect this flag to be used anywhere - I just wanted to practice my photoshop skills. It's a new toy for me. I also threw in a Utopian Coin. Can you spot the "@" ? http://www.geocities.com/ulahlica/Utopia.html Here's an article about the coin I "borrowed." I'm not attempting to poke fun at the English - anyone can slip up in a drawing - I just find it interesting. http://www.lhup.edu/~dsimanek/whoops.htm ***Tarara Boom, D.A.*** Ho ho! I was actually tempted to put Mike N's face in the middle of the coin but you never know how people will react to those sort of things. (-8 John Spartan Long Island, New York, U.S.A. __________________________________ Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! http://sbc.yahoo.com  1,, Summary-line: 3-Jul bj.richards@btinternet.co [36] #Re: UTOPIAN FLAGS and T SHIRTS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 03 Jul 2003 03:15:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h637FJ35020162; Thu, 3 Jul 2003 03:15:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h637FILB004336 for ; Thu, 3 Jul 2003 03:15:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h637Es7b006917; Thu, 3 Jul 2003 03:14:54 -0400 (EDT) Date: Thu, 3 Jul 2003 03:14:54 -0400 (EDT) Message-Id: <000001c34130$5dfb6ce0$6c788751@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: UTOPIAN FLAGS and T SHIRTS MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 3 Jul 2003 03:14:54 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: UTOPIAN FLAGS and T SHIRTS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > Speaking of T-shirts, as Bob and Jackie have announced they are ready > to order them, I suppose a design has been produced? We have, and have put out requests for orders which are rapidly filling our inbox even as I type (remember to order more than one if you are able, it'll cut down on washing over the extra long rehearsal period). The design might well be adapted for a Utopian flag (of whatever point in history) but we really don't want to get involved in producing them - organising & bringing the T shirts is enough. However if anyone is willing to download the design & produce the flags themselves and bring them to Buxton . . . Personally we like the idea of the flags of many nations - it does show how far afield we all come to put on the show. Uhlahlicah Bob & Jackie  1,, Summary-line: 3-Jul Rogue.Shindler@genzyme.co [57] #Buffy the Vampire Slayer in Concert NEXT WEEKEND X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 03 Jul 2003 14:37:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h63IbK35017723; Thu, 3 Jul 2003 14:37:20 -0400 (EDT) Received: from genzyme.com (kmbh3.genzyme.com [199.245.32.166]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h63IX0IG019448; Thu, 3 Jul 2003 14:33:00 -0400 (EDT) Received: from ([199.245.32.164]) by ironmail1.genzyme.com with ESMTP ; Thu, 03 Jul 2003 14:31:54 -0400 (EDT) Received: by KMAILBH3 with Internet Mail Service (5.5.2656.59) id ; Thu, 3 Jul 2003 14:35:55 -0400 Message-ID: <3ADFDCDBBB0ED5118818000629A859180988905B@KMAIL4> From: "Shindler, Rogue" To: "'mtg-members@mit.edu'" , "'savoyards@mit.edu'" , "'midnight-players@mit.edu'" , "'chorus@mit.edu'" , "'ensemble@mit.edu'" , "'mitcp@mit.edu'" , "'dancetroupe@mit.edu'" , "'gsp@mit.edu'" , "'chamber@mit.edu'" , "'ds_announce@mit.edu'" , "'bdclub@mit.edu'" , "'muses@mit.edu'" , "'crossproducts@mit.edu'" , "'logarhythms@mit.edu'" , "'blacktg@mit.edu'" , "'choral@mit.edu'" , "'toons-public@mit.edu'" Subject: Buffy the Vampire Slayer in Concert NEXT WEEKEND Date: Thu, 3 Jul 2003 14:32:59 -0400 X-Mailer: Internet Mail Service (5.5.2656.59) X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Shindler, Rogue" To: "'mtg-members@mit.edu'" , "'savoyards@mit.edu'" , "'midnight-players@mit.edu'" , "'chorus@mit.edu'" , "'ensemble@mit.edu'" , "'mitcp@mit.edu'" , "'dancetroupe@mit.edu'" , "'gsp@mit.edu'" , "'chamber@mit.edu'" , "'ds_announce@mit.edu'" , "'bdclub@mit.edu'" , "'muses@mit.edu'" , "'crossproducts@mit.edu'" , "'logarhythms@mit.edu'" , "'blacktg@mit.edu'" , "'choral@mit.edu'" , "'toons-public@mit.edu'" Subject: Buffy the Vampire Slayer in Concert NEXT WEEKEND Date: Thu, 3 Jul 2003 14:32:59 -0400 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Caritas Players, a division of Fly-by-Knight Productions, presents BUFFY THE VAMPIRE SLAYER: ONCE MORE WITH FEELING in Conert Directed by Derek Herrera Music Directed by Steve Peters Produced by Rogue Shindler July 11 & 12 at 8pm in Kresge Rehearsal Room A Admission: FREE! Come sit back, relax, and enjoy a free performance as the Caritas Players serenade you with a lightly staged concert of songs from the musical episode of Buffy the Vampire Slayer. Space is limited, so come early! Set near the beginning of Buffy's sixth season, the "Scooby Gang" is plagued by a demon that harnesses strong emotions in people and causes them to burst forth from individuals in the form of song and dance, divulsing their most personal inner secrets.  1,, Summary-line: 4-Jul ornstn@rogers.com [32] #From the Smiths X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 04 Jul 2003 11:29:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h64FTs35016029; Fri, 4 Jul 2003 11:29:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h64FTrIi016505 for ; Fri, 4 Jul 2003 11:29:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h64FTi7b000106; Fri, 4 Jul 2003 11:29:44 -0400 (EDT) Date: Fri, 4 Jul 2003 11:29:44 -0400 (EDT) Message-Id: <5.2.0.9.2.20030704102351.027a6e00@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: From the Smiths Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 4 Jul 2003 11:29:44 -0400 (EDT) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: From the Smiths X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Several people on the list have mentioned having difficulties reaching the Smiths. I just got off the phone to Neil Smith, who told me that they had been burgled three weeks ago, with the loss of a fair bit of computer equipment. That may explain the lack of communication! Neil asked me to tell Savoynetters that if anyone wants to reach him the best way is by his personal email at neil@i3world.org. PS: I gather sales of tickets are going better than at this time last year, but tickets are still available for all performances. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1, forwarded,, Summary-line: 4-Jul dennisj@ct.charter.com [21] #So long, good bye, auf weiderzein, adieu X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 04 Jul 2003 16:04:11 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h64K4935012817; Fri, 4 Jul 2003 16:04:10 -0400 (EDT) Received: from Server-0-4.wg-itv.ct.charter.com (tics1.ct.charter.com [24.151.8.172]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h64K49gD026950 for ; Fri, 4 Jul 2003 16:04:09 -0400 (EDT) Received: from Server-0-2.wg-itv.ct.charter.com (Server-0-2.wg-itv.ct.charter.com [172.31.0.2]) by Server-0-4.wg-itv.ct.charter.com (Postfix) with ESMTP id 99F8132643; Fri, 4 Jul 2003 16:04:09 -0400 (EDT) Received: by Server-0-2.wg-itv.ct.charter.com (Postfix, from userid 65534) id 1A54532624; Fri, 4 Jul 2003 16:04:06 -0400 (EDT) Subject: So long, good bye, auf weiderzein, adieu To: "Fred Alkire" , "Marcia Ciaramaglia" , "Cheryl Fuller" , "Jackie Hursky" , "Cindy Jedlinsky" , "David Jedlinsky" , "Linda Speck" From: dennisj@ct.charter.com Reply-To: dennisj@ct.charter.com Cc: Organization: WorldGate Communications Message-Id: <20030704200406.1A54532624@Server-0-2.wg-itv.ct.charter.com> Date: Fri, 4 Jul 2003 16:04:06 -0400 (EDT) X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Subject: So long, good bye, auf weiderzein, adieu To: "Fred Alkire" , "Marcia Ciaramaglia" , "Cheryl Fuller" , "Jackie Hursky" , "Cindy Jedlinsky" , "David Jedlinsky" , "Linda Speck" From: dennisj@ct.charter.com Reply-To: dennisj@ct.charter.com Cc: Organization: WorldGate Communications Date: Fri, 4 Jul 2003 16:04:06 -0400 (EDT) X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Appaently the ISP that handles my e-mail service is in the last stages of filing for bankruptcy. So, here is a heads up if you send me a note & it comes back as undeliverable. I'll be in touch in the future when & if I decide to hook up dsl or cable to the computer, but for now its the phone or snail mail. Ta ta for now. Dennis  1,, Summary-line: 6-Jul Raywalker@macunlimited.ne [36] #OOTW-Utopia- short X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 06 Jul 2003 06:31:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h66AVM35015888; Sun, 6 Jul 2003 06:31:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h66AVMw7017801 for ; Sun, 6 Jul 2003 06:31:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h66AV97b017635; Sun, 6 Jul 2003 06:31:09 -0400 (EDT) Date: Sun, 6 Jul 2003 06:31:09 -0400 (EDT) Message-Id: <3F07F77C.7B75DB9A@macunlimited.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: OOTW-Utopia- short MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 6 Jul 2003 06:31:09 -0400 (EDT) Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: OOTW-Utopia- short X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Adam wrote: ***Oriental Platform of the Tivoli Gardens*** >& John wrote: >Does this mean anything to the English? I wouldn't >laugh at this point because it means nothing to me. >Perhaps the old "boot and replace" is needed here. In fact the Tivoli Gardens was an amusement park (with ballroom) in Copenhagen, opened in 1843 and famous for its dancing. The composer Lumbye conducted the orchestra here and rose to fame mimicking the Strauss family style with waltzes and polkas which he turned out like hot cakes! To read more about them and see a pic. of the gardens turn up the review on the Musicweb.uk site– http://www.musicweb.uk.net/classrev/2001/Aug01/Lumbye.htm Since Lumbye became popular in the 1850s and heard of over here in the 1860-70s (he was still writing in 1871), he would have been known of to London theatre goers in the 1890s. Maybe there was an oriental style of decoration in the ballroom. It is highly likely. Ray Walker  1, answered,, Summary-line: 7-Jul sirrogue@roguemail.net [97] #Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 07 Jul 2003 15:35:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h67JYJ39016171; Mon, 7 Jul 2003 15:35:02 -0400 (EDT) Received: from gator.darkhorse.com ([209.95.33.140]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h67JWo4c015469 for ; Mon, 7 Jul 2003 15:32:50 -0400 (EDT) Received: from [199.245.32.11] (account ) by gator.darkhorse.com (CommuniGate Pro WebUser 4.0.6) with HTTP id 13653401 for ; Mon, 07 Jul 2003 12:32:49 -0700 From: Rogue Shindler Subject: Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first annual cabaret night To: "David C. Jedlinsky" X-Mailer: CommuniGate Pro Web Mailer v.4.0.6 Date: Mon, 07 Jul 2003 12:32:49 -0700 Message-ID: In-Reply-To: <200307071911.PAA22576@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Rogue Shindler Subject: Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first annual cabaret night To: "David C. Jedlinsky" Date: Mon, 07 Jul 2003 12:32:49 -0700 In-Reply-To: <200307071911.PAA22576@multics.mit.edu> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I was just wondering if you received my inquiry about the SW video. If you didn't, it was in reference to our conversation in February about getting a watchable copy of the Musical in time for my even this month. I'm gathering with a large group of friends who were very supportive during the creative process of SWME but weren't able to make it out to see, so I'd like to show it to them when we are all together. It doesn't need to be the finished MTG version of the video, as long as it contains the whole show, and is on a commonly watchable format (VHS or DVD). I'm leaving on July 15 travelling, but we aren't scheduled to gather for a viewing until July 26th. If you could get me a copy before I leave next Tuesday night or even send be a copy to me at the Indianapolis Hyatt by 7/26, I would greatly appreciate it. Thanks! ~Rogue On Mon, 7 Jul 2003 15:11:48 -0400 (EDT) "David C. Jedlinsky" wrote: > >I would really like to be a part of this, but >unfortunately, I shall >be preparing to perform in England on August 2nd. > >-Dave > > >>From: Stephen Peters >>Date: 07 Jul 2003 14:45:33 -0400 >> >>Monty writes: >>> > We need people to organize, and people to follow like >>>sheep. Oh >>> > yeah, and people to sing and play music. >>> >>> W00t. Two words: "Empire". >> >>You know, it's interesting that Monty should bring that >>up. As it >>turns out, I *have* written out the rousing finale of >>`Empire Strikes >>Back: Musical Edition' ("One Play More"; a fascinating >>conglomeration >>of Les Mis, Guys and Dolls, and The Mikado), and I was >>thinking of >>trying to put it together for this cabaret night. >> >>Of course, the question is whether I can get the people >>for it. So, >>if you're interested in doing another Star Wars thing on >>the night of >>August 2nd, let me know. This is especially true for our >>Ben, Leia, >>Luke, Vader, and C-3PO, all of whom have solo lines in >>that number, >>and whom I'd love to have come back and reprise their >>role. I'd also >>need at least four Rebels and a Lando. >> >>I can get music to anyone interested immediately, >>although due to a >>research trip I may not be able to start rehearsing in >>depth until >>July 31st. >> >>-- >>Stephen L. Peters >> portnoy@portnoy.org >> GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 >>9268 5BB6 4BBE >>"[Freedom is] a blast of cool wind that burns your face >>to wake you up." >> "Literally?" "Yes." -- Urinetown: The Musical _____________________________ For the best comics, toys, movies, and more, please visit  1,, Summary-line: 7-Jul sirrogue@roguemail.net [131] #Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 07 Jul 2003 16:25:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h67KP139016051; Mon, 7 Jul 2003 16:25:16 -0400 (EDT) Received: from gator.darkhorse.com ([209.95.33.140]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h67KKB4c004893 for ; Mon, 7 Jul 2003 16:20:12 -0400 (EDT) Received: from [199.245.32.11] (account ) by gator.darkhorse.com (CommuniGate Pro WebUser 4.0.6) with HTTP id 13654425 for ; Mon, 07 Jul 2003 13:20:11 -0700 From: Rogue Shindler Subject: Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first annual cabaret night To: "David C. Jedlinsky" X-Mailer: CommuniGate Pro Web Mailer v.4.0.6 Date: Mon, 07 Jul 2003 13:20:11 -0700 Message-ID: In-Reply-To: <200307071953.PAA23049@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Rogue Shindler Subject: Re: [xiphmont@xiph.org (Monty)] Re: Announcing MTG's first annual cabaret night To: "David C. Jedlinsky" Date: Mon, 07 Jul 2003 13:20:11 -0700 In-Reply-To: <200307071953.PAA23049@multics.mit.edu> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) No problem. I completely understand if it's not the final product; I just want to have something for my friends to be able to view the show. :) Thanks a bunch! Let me know when/where I can meet you to pick that up. Cheers, ~Rogue On Mon, 7 Jul 2003 15:53:45 -0400 (EDT) "David C. Jedlinsky" wrote: > >Hi Rogue. > >I don't think I saw your earlier message, sorry. I'll >see about >getting a preliminary video ready for you this week, but >I won't be >able to give you a polished product. Will it be ok if >there are no >titles, etc.? > >-Dave > > >>From: Rogue Shindler >>Date: Mon, 07 Jul 2003 12:32:49 -0700 >> >> >>Hi Dave, >> >>I was just wondering if you received my inquiry about the >>SW video. >> >>If you didn't, it was in reference to our conversation in >>February about getting a watchable copy of the Musical in >>time for my even this month. I'm gathering with a large >>group of friends who were very supportive during the >>creative process of SWME but weren't able to make it out >>to see, so I'd like to show it to them when we are all >>together. It doesn't need to be the finished MTG version >>of the video, as long as it contains the whole show, and >>is on a commonly watchable format (VHS or DVD). I'm >>leaving on July 15 travelling, but we aren't scheduled to >>gather for a viewing until July 26th. If you could get me >>a copy before I leave next Tuesday night or even send be >>a >>copy to me at the Indianapolis Hyatt by 7/26, I would >>greatly appreciate it. >> >>Thanks! >>~Rogue >> >> >>On Mon, 7 Jul 2003 15:11:48 -0400 (EDT) >> "David C. Jedlinsky" wrote: >>> >>>I would really like to be a part of this, but >>>unfortunately, I shall >>>be preparing to perform in England on August 2nd. >>> >>>-Dave >>> >>> >>>>From: Stephen Peters >>>>Date: 07 Jul 2003 14:45:33 -0400 >>>> >>>>Monty writes: >>>>> > We need people to organize, and people to follow like >>>>>sheep. Oh >>>>> > yeah, and people to sing and play music. >>>>> >>>>> W00t. Two words: "Empire". >>>> >>>>You know, it's interesting that Monty should bring that >>>>up. As it >>>>turns out, I *have* written out the rousing finale of >>>>`Empire Strikes >>>>Back: Musical Edition' ("One Play More"; a fascinating >>>>conglomeration >>>>of Les Mis, Guys and Dolls, and The Mikado), and I was >>>>thinking of >>>>trying to put it together for this cabaret night. >>>> >>>>Of course, the question is whether I can get the people >>>>for it. So, >>>>if you're interested in doing another Star Wars thing on >>>>the night of >>>>August 2nd, let me know. This is especially true for our >>>>Ben, Leia, >>>>Luke, Vader, and C-3PO, all of whom have solo lines in >>>>that number, >>>>and whom I'd love to have come back and reprise their >>>>role. I'd also >>>>need at least four Rebels and a Lando. >>>> >>>>I can get music to anyone interested immediately, >>>>although due to a >>>>research trip I may not be able to start rehearsing in >>>>depth until >>>>July 31st. >>>> >>>>-- >>>>Stephen L. Peters >>>> portnoy@portnoy.org >>>> GPG fingerprint: A1BF 5A81 03E7 47CE 71E0 3BD4 8DA6 >>>>9268 5BB6 4BBE >>>>"[Freedom is] a blast of cool wind that burns your face >>>>to wake you up." >>>> "Literally?" "Yes." -- Urinetown: The Musical >> >>_____________________________ >>For the best comics, toys, movies, and more, >>please visit >> _____________________________ For the best comics, toys, movies, and more, please visit  1,, Summary-line: 9-Jul claire.little@iod.com [34] #Buxton Attenders List X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jul 2003 05:48:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h699mp35025630; Wed, 9 Jul 2003 05:48:51 -0400 (EDT) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h699mnYe018538 for ; Wed, 9 Jul 2003 05:48:50 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h699mX3m025070; Wed, 9 Jul 2003 10:48:33 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id KAA20796 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Wed, 9 Jul 2003 10:49:35 +0100 (BST) Received: by mserv1.dl.ac.uk id KAA20777 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Wed, 9 Jul 2003 10:49:30 +0100 (BST) Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id KAA20770 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from claire.little@iod.com); Wed, 9 Jul 2003 10:49:28 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from mail2.iod.co.uk (firewall-user@[213.52.139.178]) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h699la3m025021 for ; Wed, 9 Jul 2003 10:47:36 +0100 Received: by mail2.iod.co.uk; id KAA25813; Wed, 9 Jul 2003 10:47:31 +0100 (BST) Received: from lonmime02.iod.co.uk(10.10.1.35) by mail2.iod.co.uk via csmap (V1.5) id srcAAAgfkYO_; Wed, 9 Jul 03 10:47:31 +0100 Received: from iodwww1.iod.co.uk (unverified) by lonmime02.iod.co.uk (Content Technologies SMTPRS 4.2.5) with ESMTP id ; Wed, 9 Jul 2003 10:48:09 +0100 Received: by lonmail01.iod.co.uk with Internet Mail Service (5.5.2653.19) id <3GARNMQH>; Wed, 9 Jul 2003 10:48:15 +0100 Message-ID: From: Claire Little To: "'savoynet@bridgewater.edu'" , "'buxton99@dl.ac.uk'" Subject: Buxton Attenders List Date: Wed, 9 Jul 2003 10:48:15 +0100 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: Claire Little To: "'savoynet@bridgewater.edu'" , "'buxton99@dl.ac.uk'" Subject: Buxton Attenders List Date: Wed, 9 Jul 2003 10:48:15 +0100 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In previous years, someone from SavoyNet has compiled a list of those of us who are attending the festival, when we will be there, where we will be staying etc. (I compiled the list last year, Sharon Brindle (Butagirl) did it before that.) Having canvassed opinion on the b99 list, there seems to be sufficient interest (and no opposition !), so I will be compiling the list again this year. If you would like to be included, please send me any or all of - when you will be arriving in Buxton; when you will be leaving; where you will be staying. Thanks to those from b99 who have already sent me their details. I will post a preliminary list during the week beginning 21st July, and all details for inclusion must reach me by 9am UK time on Friday 25th July. I will put the full list up on the noticeboard at Trinity when we are there. I stress, inclusion on the list is entirely voluntary ! Claire Little ************************* Are you getting eNews? Visit www.iod.com/signup and sign up for news and special offers by email..  1,, Summary-line: 9-Jul bj.richards@btinternet.co [60] #Re: OOTW - Utopia - short X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jul 2003 14:48:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h69Imi35006311; Wed, 9 Jul 2003 14:48:46 -0400 (EDT) Received: from protactinium.btinternet.com (protactinium.btinternet.com [194.73.73.176]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h69ImDBl001192 for ; Wed, 9 Jul 2003 14:48:13 -0400 (EDT) Received: from dial81-131-165-124.in-addr.btopenworld.com ([81.131.165.124] helo=HP763ADV) by protactinium.btinternet.com with smtp (Exim 3.22 #23) id 19aJz9-0002LM-00 for opus@MIT.EDU; Wed, 09 Jul 2003 19:48:11 +0100 Message-ID: <00c601c3464a$a169b710$7ca58351@HP763ADV> From: "Bob & Jackie" To: References: <200307071839.OAA22165@multics.mit.edu> Subject: Re: OOTW - Utopia - short Date: Wed, 9 Jul 2003 19:47:14 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob & Jackie" To: Subject: Re: OOTW - Utopia - short Date: Wed, 9 Jul 2003 19:47:14 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sad to say, we haven't managed to find a useable shot of you to put on the Website & you're the only FoP without a mugshot, so if you can persuade Ruth to take a photo of your goodself we'd be grateful Uhlahlica! Bob possibly the 9th best Bass Baritone in the company ----- Original Message ----- From: "David C. Jedlinsky" To: "Multiple recipients of list SAVOYNET" Sent: Monday, July 07, 2003 7:47 PM Subject: Re: OOTW - Utopia - long > > >Date: Mon, 7 Jul 2003 13:01:36 -0400 (EDT) > >From: jana_ch > > > >> Marc wrote (in part): > >> > By the time you get around to > >> > casting Mr. > >> > Blushington, you're down to the 8th-best > >> > bass/baritone in the company, > >> which might be one reason why at the Savoy and on tour > >> Mr Blushington was regularly played by a tenor! > > > >Or a reason for transforming him into Mrs. Blushington. > > > >Jana > > Okay, that's the last straw! > > I can take being called the 8th-best baritone, and have been known to > dabble in tenor roles to the amusement of many, but I certainly hope > Herr Direktor does not expect a transgendered performance... > > ;-) > > -Dave Jedlinsky > MISTER Blushington > Savoynet Utopia >  1,, Summary-line: 9-Jul to: opus@MIT.EDU [55] #Re: video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jul 2003 18:26:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h69MQH35000813; Wed, 9 Jul 2003 18:26:17 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h69MQGUm004438 for ; Wed, 9 Jul 2003 18:26:17 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h69MQGFJ029544 for ; Wed, 9 Jul 2003 18:26:16 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA04608; Wed, 9 Jul 2003 18:26:16 -0400 (EDT) Date: Wed, 9 Jul 2003 18:26:16 -0400 (EDT) Message-Id: <200307092226.SAA04608@multics.mit.edu> From: "David C. Jedlinsky" To: opus@MIT.EDU In-reply-to: <200306241651.MAA4932404@shell.TheWorld.com> (message from Andrea L Humez on Tue, 24 Jun 2003 12:51:10 -0400) Subject: Re: video editing References: <200306241651.MAA4932404@shell.TheWorld.com> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 9 Jul 2003 18:26:16 -0400 (EDT) From: "David C. Jedlinsky" To: opus@MIT.EDU In-reply-to: <200306241651.MAA4932404@shell.TheWorld.com> (message from Andrea L Humez on Tue, 24 Jun 2003 12:51:10 -0400) Subject: Re: video editing X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Andrea. As you guessed, I'm pretty busy this summer (three week vacation coming up, plus other videos to edit). I can certainly take on the Hapgood tapes for you, but I won't be able to get to them until at least September. If you haven't made any progress on your primary editor by then, I think I'll be able to help you out. Since I didn't do the taping, there is no taping fee. :-) However, I do charge $25/hour for editing, plus a per-copy cost, which varies with the length of the tape. If you've got any artwork which can be used for titles, that would be good. -Dave >Date: Tue, 24 Jun 2003 12:51:10 -0400 >From: Andrea L Humez > >Hi guys, > >Any chance you'd be willing to take on a video editing project? >I still have these Hapgood tapes, and the person who's theoretically >turning them into a finished video doesn't seem to actually be doing >the project... I'm not sure exactly how it compares to what you >usually do for a show you've taped; there are tapes from the same >night but 2 different cameras, one of which is mostly good but has >some places where actors wander off camera etc, and the other of which >is the long-shot backup and apparently has sound issues. What I want >to do is patch up the places where the good tape is really irritatingly >not good, and also tighten up scene changes or something to get rid >of the 5 minutes that would let it fit on a single VHS tape. > >We've got the money for your usual taping fee (if it's still $100 >plus cost for copies), though as I say, I don't know how this >compares to your usual. > >I'm sure you're up to your ears in projects, as usual, but figured >I'd ask. :) > >Thanks > >Andrea  1,, Summary-line: 9-Jul karenwakefield@lineone.ne [56] #Gentleman in Black - a quiz X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 09 Jul 2003 18:41:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h69MZk4T004327; Wed, 9 Jul 2003 18:41:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h69MSCVQ021066 for ; Wed, 9 Jul 2003 18:28:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h69MRl7b012293; Wed, 9 Jul 2003 18:27:47 -0400 (EDT) Date: Wed, 9 Jul 2003 18:27:47 -0400 (EDT) Message-Id: <00b801c34668$48a323a0$9a954c51@tinypc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: karenwakefield@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Karen Wakefield" To: Multiple recipients of list SAVOYNET Subject: Gentleman in Black - a quiz MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 9 Jul 2003 18:27:47 -0400 (EDT) Reply-To: karenwakefield@lineone.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Karen Wakefield" To: Multiple recipients of list SAVOYNET Subject: Gentleman in Black - a quiz X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As I mentioned in an earlier post, OOPS Productions performance of "Gentleman in Black" will feature Gilbert's original lyrics set to existing Sullivan music to replace the lost music by Frederic Clay. Here's a challenge for hearty Savoynetters! >From the operettas listed below who can guess which Sullivan music has been used for the "G in B" songs? Some operettas have been used more than once. The"Gentleman in Black" libretto is available on the G & S Archive website. Songs used are from (in no particular order): The Grand Duke Princess Ida The Sorcerer Yeoman of the Guard The Gondoliers HMS Pinafore The Pirates of Penzance Patience Iolanthe Ruddigore Have fun!! If your suggestions are better than ours we may even make some amendments! Karen OOPS Productions Notts  1, answered,, Summary-line: 10-Jul ahumez@TheWorld.com [28] #Re: video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Jul 2003 09:14:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6ADEp35001470; Thu, 10 Jul 2003 09:14:51 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [199.172.62.104]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6ADAgVH007952; Thu, 10 Jul 2003 09:10:42 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h6ADAaxu004142; Thu, 10 Jul 2003 09:10:37 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id JAA7233325; Thu, 10 Jul 2003 09:10:36 -0400 (EDT) Message-Id: <200307101310.JAA7233325@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, rls@MIT.EDU, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Wed, 09 Jul 2003 18:25:59 EDT." <200307092225.SAA04604@multics.mit.edu> Date: Thu, 10 Jul 2003 09:10:36 -0400 From: Andrea L Humez X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, rls@MIT.EDU, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Wed, 09 Jul 2003 18:25:59 EDT." <200307092225.SAA04604@multics.mit.edu> Date: Thu, 10 Jul 2003 09:10:36 -0400 From: Andrea L Humez X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks; I'll see what happens this summer and get back in touch if we don't make any progress... I have no idea how long the editing is likely to take, which would be good to know if cost is hourly. It sounds like it involves syncing up sound from one tape to the other and thus more fiddling around than for a standard edit. On the other hand, I'm really not looking for High Art at this point, I just want to fix the totally sucky bits and fit it all onto one tape. Can you give me any sort of rule-of-thumb for guessing how much time might be involved? Thank you! Andrea  1, answered,, Summary-line: 10-Jul ahumez@TheWorld.com [24] #Re: video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 10 Jul 2003 13:03:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6AH2l37013140; Thu, 10 Jul 2003 13:02:59 -0400 (EDT) Received: from TheWorld.com (pcls1.std.com [199.172.62.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6AGtU0m019965; Thu, 10 Jul 2003 12:55:31 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h6AGtSDP011501; Thu, 10 Jul 2003 12:55:29 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id MAA3032242; Thu, 10 Jul 2003 12:55:28 -0400 (EDT) Message-Id: <200307101655.MAA3032242@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, rls@mit.edu, ahumez@shell.TheWorld.com, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Thu, 10 Jul 2003 12:00:55 EDT." <200307101600.MAA18637@multics.mit.edu> Date: Thu, 10 Jul 2003 12:55:28 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, rls@mit.edu, ahumez@shell.TheWorld.com, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Thu, 10 Jul 2003 12:00:55 EDT." <200307101600.MAA18637@multics.mit.edu> Date: Thu, 10 Jul 2003 12:55:28 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It's about a 2-hour show, in 2 acts (I don't remember offhand what the time split between the two acts is; they're probably reasonably similar in length). The other thing which may or may not be an issue is that the two tapes were shot with different kinds of cameras (one vhs, the other dv-cam). I got the impression this didn't matter once one was editing digitally, but I don't actually know how it works. :) Andrea  1,, Summary-line: 11-Jul sir-despard@ruddigore.fre [51] #The Choir Autotuner (half on topic) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 11 Jul 2003 18:20:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6BMKm35024457; Fri, 11 Jul 2003 18:20:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6BMKmmp016614 for ; Fri, 11 Jul 2003 18:20:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6BMKO7b016402; Fri, 11 Jul 2003 18:20:24 -0400 (EDT) Date: Fri, 11 Jul 2003 18:20:24 -0400 (EDT) Message-Id: <001901c347fa$f6773730$6d90193e@toshnb> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: The Choir Autotuner (half on topic) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2919.6700 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 11 Jul 2003 18:20:24 -0400 (EDT) Reply-To: sir-despard@ruddigore.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Michael Nash" To: Multiple recipients of list SAVOYNET Subject: The Choir Autotuner (half on topic) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I didn't write this - this comes from a website called The Half Bakery (www.halfbakery.com) where half-baked ideas are posted and commented upon. Mike Nash "A twisted monster, all awry" ---------------------------------------------------------------------------- ---- Choir autotuner Device to keep a choir in tune Many amateur choirs have difficulty keeping their tuning when singing unaccompanied. I propose to solve this with the following setup: Each choir member stands on a separate hydraulic pedestal, capable of raising or lowering the singer. Each pedestal has a microphone connected to a DSP [digital signal processor] that determines if the singer is in tune or not. If the singer is flat, the pedestal raises the singer; if sharp, it lowers the singer. Here's the clever bit: the device also pumps helium and xenon into the room, and uses fans to maintain a gradient of xenon/air/helium with altitude. Then, as a singer is raised or lowered, the helium or xenon mix changes the pitch of their voice. Of course, the disadvantage of the system is that long-term mistuning results in death through asphyxiation: unnatural selection, if you like. Also, the audience might find the sight of 100 singers all moving up and down individually, and some collapsing from brain anoxia a little offputting. In my experience, most choirs wouldn't need much xenon...  1,, Summary-line: 11-Jul mstorie@nwlink.com [195] #G&S Company Management (Long and Rambling) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 11 Jul 2003 18:53:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6BMr33H002778; Fri, 11 Jul 2003 18:53:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6BMk4mp021885 for ; Fri, 11 Jul 2003 18:46:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6BMjg7b016583; Fri, 11 Jul 2003 18:45:43 -0400 (EDT) Date: Fri, 11 Jul 2003 18:45:42 -0400 (EDT) Message-Id: <3F0F38F8.D2F5AAF@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: G&S Company Management (Long and Rambling) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 11 Jul 2003 18:45:42 -0400 (EDT) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: G&S Company Management (Long and Rambling) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have finally been able to catch up on several weeks of Savoynet digests. We opened last night with THE GONDOLIERS and it went so smoothly that many of us got nervous, expecting some catastrophe toward the end of the second act. Now if we can keep the energy up... Picking up on a couple of threads I noticed that there was considerable discussion of management protocols, titles and proper chains of command. I have some fairly ingrained thoughts on the subject. Obviously, how you manage any given organization depends on circumstances, history, goals, and the individuals involved. Something that sometimes gets lost is the concept that in an amateur society, "we are all in this for fun!" While the following model does not always work perfectly, it has served us well for some time. If you care to read no farther, the main message is: NO MATTER HOW YOU ORGANIZE YOUR PRODUCTION, THE MANAGEMENT AND CHAIN OF COMMAND MUST BE SET MONTHS BEFORE A CASTING CALL AND EVERYONE MUST FOLLOW IT AS CLOSELY AS POSSIBLE. THE TITLES OF THE STAFF DON'T REALLY MATTER A LOT AS LONG AS EVERYONE UNDERSTAND WHAT EVERYONE'S FUNCTION IS. The Seattle Gilbert & Sullivan Society is a non-profit corporation in the State of Washington. The rules vary from state to state (and obviously would be different in other countries) but here it requires that you have a board of at least 8 Trustees (we have 16) and in the articles of incorporation and bylaws you must state the mission of the organization and the method of selecting the Trustees. The bylaws can be amended by appropriate action of the Board. The function of our Board (among other things) is: 1. Planning (Setting goals and objectives to carry out the Mission Statement.) 2. Selecting the annual show (ideally, 3 shows in advance to allow planning) 3. Selecting a Producer who reflects the goals set by the board for the production. (i.e. Traditional, Concept, Nude, etc.) 4. Approving the budget for the production (presented by the Producer) and for all other activities. (I mentioned history of the organization above. For nearly 40 years Gordon Gutteridge was the "Artistic Director" of the organizaion, in charge of all aspects of all productions. For the last 35 years of that tenure, Alan Lund was the Music Director. During that time all staff reported to the Artistic Director. When Gordon retired in 1996, I wanted to keep continuity as well as elevate the importance of the music. Alan has also since retired but the organization with the two directors being co-equals remains. I sort of modeled the system on the respective roles of Gilbert, Sullivan and D'Oyly Carte. As Gilbert put it "Master and Master.") The Producer, in turn, is responsible for: 1. The general look and feel of the show and show-related items (publicity, posters, video, recording, etc.) 2. Setting the budget 3. Setting the Schedule 4. Running the production business (i.e. theater negotiations, honoraria, etc.) 5. Preparing audition notices (we send out about 250 of them) 6. Selecting the Artistic Staff (including the Stage Director and the Music Director, and the design staff including the scenic designer, lighting, costumes, sound, etc., as well as the Stage Manager) 7. Acting as a sounding board and tie breaker in case of disagreement during auditions or other discussions. 8. Gives acting, music and technical notes but ONLY to the Directors or Designers. Never to performers. The Music Director: 1. Researches and selects the scores and orchestrations to be used. 3. Selects audition numbers 4. Has an equal vote in casting with the Stage Director 5. Runs all music preparation and orchestra rehearsals 6. Selects an Orchestra Manager who recruits the orchestra 7. Selects pianists 8. Attends blocking rehearsals 9. Reviews the sound design and mix in the theater 10. Conducts performances 11. Give music notes to orchestra and performers The Stage Director: 1. Is in charge of what is seen and heard from the stage. 2. Researches the libretto and score and blocks the show 3. Runs the acting portion of auditions 4. Has an equal vote in casting with the Music Director 5. Attends music rehearsals 6. Selects a choreographer 7. Runs all blocking and stage business rehearsals 8. Gives acting notes to performers during final rehearsals What do these people NOT do? The Board: Once the Board has selected the Producer, he is in charge for the season. Often Board members are also performers or orchestra musicians. The Producer must set up a firewall between the Board and the production. In other words, a performing Board member can make a suggestion to the Producer, but it carries no more weight than that from any other cast member. This often requires a "little speech" to the Board regarding their role outside the boardroom. If nothing else they must remember that "they" are management. If they get into a gossip session with other cast members, they must remember their greater responsibility to the chain of command. Generals can joke with Privates, but they can't joke about the Sergeant. We have had cases where this was violated. One Board member who was in the orchestra started telling people what to do based on her status as a Trustee. She is now finishing her last term as a Trustee, but is no longer selected as part of the orchestra. The Producer: The Producer MUST NOT Direct. I like to think that we have a very collaborative operation. Many of the ideas come from cast and staff members. If the producer has a suggestion, it is made privately to either the Music or Stage Director. It is very important to let the Directors direct. While the Producer nominally has veto power, it must be excercised very carefully and in moderation. If you have the wrong director, you must make a change for the next production. The Producer can take notes but they must ONLY be given to the approptiate Director to pass on as they see fit. The Music Director does not give acting notes except with consent of the Stage Director and vice versa. Artistic staff meetings are held monthly. Seperate meetings are held for the various designers (i.e. coordinating set, costume and lighting colors.) The time table for all this is: Select Producer, Music Director and Stage Director (September) Select the rest of the staff (November) Early planning meetings (December) Free wheeling period for design concepts (December-January) Set schedule for season Auditions (late February) Finalize budget (February) Sketches of set(s) February Cast selected (mid March) Set construction starts (mid March) Music rehearsals start (late March) Set basics ready for first blocking rhearsal (mid May) Orchestra Rehearsals (late June) Move in to theater (early July) Heck Week (cross between Hell week and Tech week) early July Run show (last three weekends in July) Decompress (August) Review the efforts of the Staff (September) Executive staff (President, VP, Treas, Secretary) Review the Producer In reality, we are all friends (except for a period during Heck Week) and there is a lot of give and take. This organization is appropriate for a company of our size and our environment, and, of course may not be appropriate in other circumstances. One of the goals of our company is to produce G&S to the highest artistic standards we can attain, and I'm confident that our performers have a great deal of fun doing so. But there is no commitment to allowing any given performer to decide how to perform their role, other than to make a suggestion. If they make a performance suggestion to me I say thank you, have you spoken to the director? To paraphrase Pvt. Willis, they do just what the directors tell 'em to or they are gone. I love prima donna sopranos. They're so easy to replace. (Did I say that?) Also I'm not claiming that all of the above works perfectly or that personalities, egos, etc. are not at work. But it certainly helps everyone if they know exactly who can tell who to "tuck in their tuppeny." Mike Storie Producer The Seattle Gilbert & Sullivan Society  1,, Summary-line: 12-Jul lpinsker@erols.com [35] #Not a sighting as such, but still of interest X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 12 Jul 2003 07:39:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6CBdr35025893; Sat, 12 Jul 2003 07:39:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6CBdqoV003239 for ; Sat, 12 Jul 2003 07:39:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6CBdO7b021429; Sat, 12 Jul 2003 07:39:24 -0400 (EDT) Date: Sat, 12 Jul 2003 07:39:24 -0400 (EDT) Message-Id: <3F0FEE1C.157B456B@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Not a sighting as such, but still of interest MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 12 Jul 2003 07:39:24 -0400 (EDT) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: Not a sighting as such, but still of interest X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There's a story in today's NY TIMES about a judge who, owing to a question he asked a librarian almost 40 years ago, has produced what is believed to be *the* comprehensive genealogy of the Greek gods and other mythical figures. Earlier sources are mentioned, and no, Lempriere isn't one of them. But don't you think Thespis (the character, not the opera) could really have used this? The story is on the NY TIMES web site; you have to register as a user but it doesn't cost anything. The story is headlined "Here's Uncle Zeus, Aunt Hera, the Twins..." and it can be directly accessed from the nytimes.com home page (or by going to "New York Region"). And I must admit that when I was reading this, Bruce Montgomery's setting of "You're Diana, I'm Apollo" was running through my mind. Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1, answered,, Summary-line: 14-Jul LHall@tscwo.com [18] #Sing-Out Casting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 14 Jul 2003 15:54:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6EJsN35026523; Mon, 14 Jul 2003 15:54:23 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6EJsN04018983 for ; Mon, 14 Jul 2003 15:54:23 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Mon, 14 Jul 2003 15:54:22 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16B01380ADA@MAILMAN> From: Leta Hall To: opus@mit.edu Subject: Sing-Out Casting Date: Mon, 14 Jul 2003 15:54:17 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Leta Hall To: opus@mit.edu Subject: Sing-Out Casting Date: Mon, 14 Jul 2003 15:54:17 -0400 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear David ~ The Sing-Out Committee is happy to offer you the role of Ernest in Grand Duke, Dick Dauntless in Ruddigore, and Mr. Goldbury in Utopia. Please let me know if you accept it. We're looking forward to seeing you in August. Leta  1,, Summary-line: 14-Jul SSilvers@sskfny.com [33] #Rockville Singout Hotel/Transporation Info X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 14 Jul 2003 20:01:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6F01C35000566; Mon, 14 Jul 2003 20:01:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6F01BYX017074 for ; Mon, 14 Jul 2003 20:01:11 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6F00s7b001188; Mon, 14 Jul 2003 20:00:54 -0400 (EDT) Date: Mon, 14 Jul 2003 20:00:54 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Rockville Singout Hotel/Transporation Info Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 14 Jul 2003 20:00:54 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Rockville Singout Hotel/Transporation Info Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If you are coming to the 3rd Great G&S Singout marathon weekend in Rockville Maryland, we have arranged for a block of rooms to be available so that we can all stay at the closest hotel to the singout. The Ramada Inn Rockville (1775 Rockville Pike, Rockville Maryland 800-255-1775) is holding 25 rooms for us for Friday Aug. 29 and Sat. Aug 30. The rate is $79 per room per night, single or double occupancy (1 or 2 people). $10 extra for third person. Includes complimentary parking. All rooms have fridge, coffeemaker, iron, hairdryer. Renovated last year. Also includes: Fitness center, cybernet cafe, FREE SHUTTLE to all points within 5 miles. Free USA Today newspaper. Cable TV with free HBO. You must make your own reservation by Aug. 1 by calling the Ramada at 800-255-1775 between 8:00 am and 3:00 pm Eastern US time. You must mention our CODE: 5249 (Event name: Rockville Singout) so that they know you are part of our group and entitled to the rate. Transporation Info: National Airport => Ramada: I haven't actually been up Rockville Pike to scope out the Ramada's exact location, but you can go to http://www.stationmasters.com/System_Map/TWINBROK/twinbrok.html for a neighborhood map of the Twinbrook station. Since the Ramada website promises a shuttle from the Twinbrook Metro, I'd say take the Metro! It'll be MUCH cheaper than a taxi ($3.60 at rush hour, $2.20 off peak) and as fast or faster (Metro's site claims 47 mins. from National to Twinbrook). Ramada => theater: (There's a map at http://www.ci.rockville.md.us/images/civicentmap.GIF which may be helpful.) From the Ramada, you need to cross Rockville Pike and turn left to head north. Turn right onto Wootton Pkwy, which becomes 1st Street, then Norbeck Rd/Rte 28. (You may see signs mentioning any or all of these.) You'll go over some RR tracks, then cross Veirs Mill Rd. At the next light, turn right onto Baltimore Ave. Turn left at the 4-way stop onto Edmonston Rd, then immediately turn right onto the grounds of the Rockville Civic Center. The F. Scott Fitzgerald Theater is the first building on the right. Have the cabbie make that first right, which will bring you to the circle drive in front of the theater. These directions *should* work in reverse to get you back to the Ramada. Theater => Metro: From the theater, turn left out of the Civic Center driveway onto Edmonston, then right at the 4-way stop onto Baltimore Ave. Turn left at the light onto 28/Norbeck/(whatever they call it at that point). *This is where it changes.* Turn right at the next light onto Veirs Mill Rd., then over the RR bridge and right again onto Rockville Pike/MD 355. The Rockville Metro station will be on the right shortly thereafter (within the next mile). See you in Rockville (if not sooner!) Sam Silvers  1, answered,, Summary-line: 15-Jul hains@temple.edu [126] #roles X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 15 Jul 2003 13:14:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6FHDA3j027054; Tue, 15 Jul 2003 13:14:49 -0400 (EDT) Received: from sccrmhc11.comcast.net (sccrmhc11.comcast.net [204.127.202.55]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6FHBse2021859 for ; Tue, 15 Jul 2003 13:11:54 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc11) with SMTP id <2003071517115301100imvgke>; Tue, 15 Jul 2003 17:11:53 +0000 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: roles Date: Tue, 15 Jul 2003 13:11:33 -0400 Message-ID: <002a01c34af4$247292f0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002B_01C34AD2.9D60F2F0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: 3.9 X-Spam-Level: *** (3.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: roles Date: Tue, 15 Jul 2003 13:11:33 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: 3.9 X-Spam-Level: *** (3.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_002B_01C34AD2.9D60F2F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hey Dave! I've been offered Zara and Aline, and Tyler has been offered Pirate King and Dr. Daly. :-) Marisa's been offered Peep Bo. What about you??? :-) Becca ------=_NextPart_000_002B_01C34AD2.9D60F2F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Hey Dave!

 

I’ve been offered Zara and Aline, and Tyler has been = offered Pirate King and Dr. Daly. J Marisa’s been = offered Peep Bo. What about you???

 

:-)  Becca

 

------=_NextPart_000_002B_01C34AD2.9D60F2F0--  1, answered,, Summary-line: 15-Jul LHall@tscwo.com [42] #RE: Sing-Out Casting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 15 Jul 2003 14:33:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6FIWx39017663; Tue, 15 Jul 2003 14:33:05 -0400 (EDT) Received: from mailman.tscwo.com (209-8-85-66.sdsl.cais.net [209.8.85.66]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6FISpWv021614 for ; Tue, 15 Jul 2003 14:28:51 -0400 (EDT) Received: by MAILMAN with Internet Mail Service (5.5.2653.19) id ; Tue, 15 Jul 2003 14:28:50 -0400 Message-ID: <0BD1315E19DCD4118D7E00104BD0F16B01380AFC@MAILMAN> From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Sing-Out Casting Date: Tue, 15 Jul 2003 14:28:48 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Leta Hall To: "'David C. Jedlinsky'" Subject: RE: Sing-Out Casting Date: Tue, 15 Jul 2003 14:28:48 -0400 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Don't worry, be happy. The on-book/off-book policy is the same for any Sing-Out, Sing-In, QWERT -- be as on-book as you want. Cool. Glad to have you on board. I'll be singing Hannah, so we can hang out. -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Tuesday, July 15, 2003 2:27 PM To: LHall@tscwo.com Subject: Re: Sing-Out Casting Hi Leta. I'm happy to accept those three roles. What is the on-book/off-book policy (i.e. what's my panic level after returning from Buxton)? -Dave >From: Leta Hall >Date: Mon, 14 Jul 2003 15:54:17 -0400 > >Dear David ~ The Sing-Out Committee is happy to offer you the role of >Ernest in Grand Duke, Dick Dauntless in Ruddigore, and Mr. Goldbury in Utopia. > >Please let me know if you accept it. We're looking forward to seeing >you in August. > >Leta  1, answered,, Summary-line: 16-Jul CJ@sftlaw.com [57] #Re: Labor Day weekend X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 16 Jul 2003 15:29:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6GJRV3H021822; Wed, 16 Jul 2003 15:29:06 -0400 (EDT) Received: from mail.sftlaw.com ([168.103.79.81]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6GJPDgB003609 for ; Wed, 16 Jul 2003 15:25:27 -0400 (EDT) Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Wed, 16 Jul 2003 15:25:02 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Wed, 16 Jul 2003 15:24:56 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day weekend Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_7A245D9E.66076AA7" X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 16 Jul 2003 15:24:56 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Labor Day weekend X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_7A245D9E.66076AA7 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Eh, we go to NH on occasion. My dad's pretty much year round up there now that he's gotten in with the Nature Conservancy (he's the 'rogue' board member), so we'll see this infamous castle once it's built... Disney = our 5th anniversary. And actually - we fly in Sunday before Labor day and sleep, go Labor day for the fireworks, and then spend a week in mostly empty parks amusing the cast members. The week right after Labor Day is the dead zone. Keep us posted on Ruth; we'll see ya'll again some day, if not then (so there!)... CJ --=_7A245D9E.66076AA7 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Eh, we go to NH on occasion. My dad's pretty much year round up there now that he's gotten in with the Nature Conservancy (he's the 'rogue' board member), so we'll see this infamous castle once it's built...
 
Disney = our 5th anniversary.  And actually - we fly in Sunday before Labor day and sleep, go Labor day for the fireworks, and then spend a week in mostly empty parks amusing the cast members.  The week right after Labor Day is the dead zone.
 
Keep us posted on Ruth; we'll see ya'll again some day, if not then (so there!)...
 
CJ
--=_7A245D9E.66076AA7--  1,, Summary-line: 17-Jul SHTURNBULL@aol.com [22] #Re: Buxton: Paxton events - 7 August: Details and book launches X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jul 2003 14:51:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6HIpmYG013535; Thu, 17 Jul 2003 14:51:48 -0400 (EDT) Received: from imo-m06.mx.aol.com (imo-m06.mx.aol.com [64.12.136.161]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6HIplkt027788 for ; Thu, 17 Jul 2003 14:51:47 -0400 (EDT) Received: from SHTURNBULL@aol.com by imo-m06.mx.aol.com (mail_out_v36_r1.1.) id 6.14.159dff7f (25305) for ; Thu, 17 Jul 2003 14:51:30 -0400 (EDT) From: SHTURNBULL@aol.com Message-ID: <14.159dff7f.2c484a31@aol.com> Date: Thu, 17 Jul 2003 14:51:29 EDT Subject: Re: Buxton: Paxton events - 7 August: Details and book launches To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Mac sub 143 X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: SHTURNBULL@aol.com Date: Thu, 17 Jul 2003 14:51:29 EDT Subject: Re: Buxton: Paxton events - 7 August: Details and book launches To: opus@mit.edu X-Spam-Score: -0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 17/7/03 4:53:25 am, opus@MIT.EDU writes: << Will it be possible to purchase the book in advance of the launch? >> No, but it will be possible to buy it by mail order after the launch: there will be an advert in the Buxton brochure giving details. Best wishes, Stephen Turnbull  1,, Summary-line: 17-Jul y@MIT.EDU [26] #Milo backup tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jul 2003 15:42:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6HJgGYH000566; Thu, 17 Jul 2003 15:42:16 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6HJg9xw015148; Thu, 17 Jul 2003 15:42:09 -0400 (EDT) Received: from sleek.jenwa.org (h002078cfb834.ne.client2.attbi.com [65.96.170.254]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h6HJg8U8027623; Thu, 17 Jul 2003 15:42:08 -0400 (EDT) Date: Thu, 17 Jul 2003 15:42:10 -0400 Subject: Milo backup tape Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v482) Cc: opus@mit.edu, erikkay@mit.edu To: sipb-office@mit.edu, sipb-next@mit.edu From: chad Content-Transfer-Encoding: 7bit Message-Id: X-Mailer: Apple Mail (2.482) X-Spam-Score: -6.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jul 2003 15:42:10 -0400 Subject: Milo backup tape Cc: opus@mit.edu, erikkay@mit.edu To: sipb-office@mit.edu, sipb-next@mit.edu From: chad X-Spam-Score: -6.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Cleaning out some old stuff, I found my old exabyte backup tapes from the early nineties. I also found an old Milo backup tape dated 6/23/92, which was probably a very late milo backup (perhaps the last such?). I have only sentimental attachment to the Milo tape, and I suspect that sipb is a better home for it, but I don't wish to randomly clutter the office (even with something as small as an exabyte tape). If the office still has a means of reading this tape, that might be fun. Alternately, it might be boring. I dunno. If I don't hear a consensus otherwise, I'll drop it off in the sipb office early next month (I'm out of town the last weekend of this month). Cruftily, chad  1,, Summary-line: 17-Jul y@MIT.EDU [14] #Re: Milo backup tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 17 Jul 2003 16:18:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6HKIZYH005523; Thu, 17 Jul 2003 16:18:35 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6HKITxw019870; Thu, 17 Jul 2003 16:18:29 -0400 (EDT) Received: from sleek.jenwa.org (h002078cfb834.ne.client2.attbi.com [65.96.170.254]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h6HKISU8008217; Thu, 17 Jul 2003 16:18:29 -0400 (EDT) Date: Thu, 17 Jul 2003 16:18:30 -0400 Subject: Re: Milo backup tape Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v482) Cc: sipb-office@mit.edu, opus@mit.edu To: chad From: chad In-Reply-To: Message-Id: Content-Transfer-Encoding: 7bit X-Mailer: Apple Mail (2.482) X-Spam-Score: -6.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 17 Jul 2003 16:18:30 -0400 Subject: Re: Milo backup tape Cc: sipb-office@mit.edu, opus@mit.edu To: chad From: chad In-Reply-To: X-Spam-Score: -6.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Following up to myself on a procedural matter, neither sipb-next@mit.edu nor erikkay@mit.edu currently work...  1,, Summary-line: 18-Jul deebee@connexus.net.au [126] #OOTW -Utopia X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jul 2003 01:46:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6I5kTYG023370; Fri, 18 Jul 2003 01:46:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6I5k0Wx021361 for ; Fri, 18 Jul 2003 01:46:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6I5ji7b023659; Fri, 18 Jul 2003 01:45:44 -0400 (EDT) Date: Fri, 18 Jul 2003 01:45:44 -0400 (EDT) Message-Id: <3F178474.4040807@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: OOTW -Utopia MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jul 2003 01:45:44 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: OOTW -Utopia X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) There have been a number of posts on Utopia that I have simply been too busy to respond to (my frustration level at wanting to reply has been growing) so now I'll try to cover some of them briefly. I agree with whoever said it's a pity we are discussing this just before the SavoyNet production. However I hope we will have a lot of reports of the production and how it is done and that David will join in afterwards and give us some of the ideas that underpinned his concept. To begin, I am not a great lover of Utopia (especially in comparison with Grand Duke) but think the work has a lot of merit when a blow torch is applied to some of the excretions. As a stage work it doesn't play itself and like Sorcerer needs a lively production to polish it for an audience. AND lots of cuts, there are scads of dialogue which is redundant. One of the problems seems to me that the words, music and setting do not capture any particular culture or time. Pinafore absolutely rollocks of the sea, Yeomen of the medieval atmostphere of the Tower and even Venice is acurately portrayed in the music and setting of Gondoliers. Even though The Mikado has an authontic look of Japan (to the Western eye) it is so definately about 29th C Britain that this is recognisable. So IMHO it is necessary to find and define a culture. Most of the productions I had seen (the DC revival of 1975 excepted) had a few palm trees and grass skirts to suggest a South Sea location but this never really jelled with me. I had always thought of Utopia as a satire on British colonialism until I came to direct it. Reading through the libretto while trying to believe I knew nothing of the opera, I began to realise that what was happening on stage was very close to the then current political situation in the State of Victoria (emphaise Victoria, not the whole of Oz) with a government which was happily selling off infrastructure for billions while closing schools and hospitals and cutting welfare payments. Big business was being allowed free rein at the expense of the taxpaying public. Is this not what Goldbury's plan will ultimately unlease on Utopia, I asked myself. So I decided this was the satire my production would emphasise (though with some subtlety as I can't impose my politics on the company I was directing for). I have a very early copy of the libretto which differs substantially from Bradley, Allen and Wolfson and studied each carefully and then shaped my libretto from these, so there was a coherence to the text which is somehow missing from Gilbert. Most men hate wearing lap laps or showing too much leg and the wet white make up is an awful nuisance for both men and women, so we used costumes designed on the Balinese which cover up pretty well and are attractive. The set was based on pictures of a Balinese Temple. We created customs and traditions for them so that the audience could believe in the place and people. Of course I did not let the satire overbalance the opera (though I was pleased when a group of elderly ladies said to me at the matinee "It's SO political!") and worked hard on the comedy and action, with the help of an excellent choreographer. Are Scaphio and Phantis peas in a pod? Not necessarily. I was lucky enough to be able to cast a tall elegant Scaphio who was uneasy at being teamed with a short and very rotund Phantis who had worked his way up from the Utopian lower classes to a position of power. They hated each other but were forced to be polite while they were working together. Calynx is unrewarding, having a long awkward speech at opening. In our Utopia the local newspapers as well as Palace Peepers were printed on large round fans. The "Good news, great news" was read straight from the fan as a news item. Tarara's love of explosions was more than just letting off crackers, he was obsessed and at regular intervals would rush on with another attempt at a bomb or explosive device. I think the First Life Guards are extremely important and in the same traditon as the entry of the Peers, the Dragoons or the Bucks and Blades. The scene is magnificent and a highlight of act 1. The Guards can be used again and again - in the act 1 finale and most importantly in the drawing room scene. Gilbert has noted a lot of officials (in expensive outfits) to see the debutantes on and off stage. The dragoons are a perfect substitute. I had them place a flagpole and cannon on stage in act 1 and of course they ran up the union flag. In act 2 they marched on lowered the flag and shot off the cannon (in Hong Kong the British would sound the noonday gun - as Noel Coward noticed). Tarara was fascinated and later attempted to use the canon to blow up the King. Goldbuty's song (in fact all of the 1st act finale) is so good I can't understand how anyone would cut it. In my production Goldbury brought on his propectuses for Utopia and distributed it during the song to con the populace into accepting his scheme. He quickly realises that Scphio and Phantis are the powers to be impressed and works to gain their acquiesence. At the end of the opera when Zara introduces government by party, the Utopian quickly form themselves into factions and one is led by the King and the other by Goldbury with Scaphio and Phantis. As they are preparing for the election Tarara comes on with a ballot box and it turns out to be a bomb in disguise which goes off (his first successful explosion) and the show ended with a spectacular fire work which consumed all of the Utopians! This is merely one way of solving the problems of Utopia production which would not work at all times and in all places but I found it greatly enjoyable to work on and it made sense for me of a work which is too unfocussed. How have other people tackled the show? Diana Burleigh Melbourne.  1,, Summary-line: 18-Jul Gamarexx@aol.com [64] #Re: Reviews and Bernard Shaw-- Addendum X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 18 Jul 2003 13:00:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6IH0KYI020257; Fri, 18 Jul 2003 13:00:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6IH0IUQ026521 for ; Fri, 18 Jul 2003 13:00:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6IH017b015940; Fri, 18 Jul 2003 13:00:01 -0400 (EDT) Date: Fri, 18 Jul 2003 13:00:01 -0400 (EDT) Message-Id: <14f.218d45b3.2c497f3b@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Gamarexx@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Gamarexx@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Reviews and Bernard Shaw-- Addendum MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 18 Jul 2003 13:00:01 -0400 (EDT) Reply-To: Gamarexx@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Gamarexx@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Reviews and Bernard Shaw-- Addendum X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) An addendum to my post about Shaw's "machine-made" remark re GONDOLIERS, concerning which Mike Storie asked, was it in context? It was certainly in the context of Shaw's general hostility toward both Gilbert and Sullivan, if we may judge from Shaw's piece in LONDON MUSIC IN 1888-89, dated 13 December 1889, six days after GONDOLIERS opened December 7. The Seattle reviewer Mike Storie quoted attributed the "machine-made" epithet to a Shaw review of the premiere, but that appears to be in error. Herewith are excerpts from Shaw's six-days-later piece: "The past week has, I believe, been a busy one for the musical critics. It has certainly been a busy one for me, but not musically: I have not even been to the Savoy Opera. The first night I have to spare, I shall----but stop! I have not seen The Dead Heart yet, nor La Tosca, nor A Man's Shadow. So let us fix the fourth night I have to spare, for The Gondoliers. It will probably come about Easter, or if not then towards the end of August "Do not be disappointed in this, eager reader. A new Savoy opera is an event of no greater artistic significance than--- to take the most flattering comparison--- a new oratorio by Gounod. We know the exact limits of Mr. Gilbert's and Sir Arthur Sullivan's talents by this time, as well as we know the width of the Thames at Waterloo Bridge. . . . I am already as absolutely certain of what The Gondoliers is as I shall be when I have witnessed the performance" Shaw goes on to suggest he may never "fulfil my promise" see it, and to boast that he has never seen SORCERER, IOLANTHE, PRINCESS IDA and RUDDIGORE, "nor even PATIENCE, except from behind the scenes at an amateur performance" He is briefly disparaging about having seen TRIAL, PIRATES AND MIKADO. Of Gilbert he says,"Mr. Gilbert's paradoxical wit, astonishing to the ordinary Englishman, is nothing to me. Nature has cursed me with a facility for the same trick; and I could paradox Mr. Gilbert's head off were I not convinced that such trifling is morally unjustified." Of Sullivan he continues: "As to Sir Arthur's scores, they form an easy introduction to dramatic music and picturesque or topical orchestration for perfect novices; but as I had learned it all from Meyerbeer. . . .and was pretty well tired of Offenbach before Trial by Jury was born, there was no musical novelty in the affair for me. Besides, Sir Arthur's school is an exploded one. Neatly and cleverly as he exploits it, he cannot get a progression or melody out of it that is not the worse for wear. . . ." From "London Music in 1888-89, As Heard By Corno di Bassetto (Later Known As Bernard Shaw) With Some Further Autobiographical Particulars" Vienna House, 1973. BTW, I recall from somewhere a brief reference to Shaw's having called UTOPIA Gilbert and Sullivan's best work, which would be understandable. Charles Hayter offers some discussion of Shaw's attitude toward and debt to Gilbert. Is there any indication that Gilbert ever responded in kind to Shaw's darts? Gamarexx, aka Gamarex, aka Shel Hochman  1,, Summary-line: 20-Jul oakapple2@yahoo.com [51] #Re: Grand Duke score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jul 2003 09:21:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6KDLJYG000359; Sun, 20 Jul 2003 09:21:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6KDLIgt021811 for ; Sun, 20 Jul 2003 09:21:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6KDL97b014921; Sun, 20 Jul 2003 09:21:09 -0400 (EDT) Date: Sun, 20 Jul 2003 09:21:09 -0400 (EDT) Message-Id: <20030720130101.1817.qmail@web41211.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6d.15a7bad6.2c4adb36@aol.com> X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 20 Jul 2003 09:21:09 -0400 (EDT) Reply-To: oakapple2@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6d.15a7bad6.2c4adb36@aol.com> X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- YesTisMabel@aol.com wrote: > I was wondering what the standard version of the GD vocal score > is. I have the Chappell 1896 version, and I have discovered some > different notes for Julia in her "how would I play this part" > from the D'Oyly Carte recording with Julia Goss singing the role. > What's up with that? As far as I know, the vocal score of THE GRAND DUKE had only one substantive version. All others are just reprints. First printings of G&S vocal scores were often error-prone. Chappell's goal was to get them done FAST, not to get them done RIGHT, and Sullivan wasn't the most meticulous of proofreaders. As GRAND DUKE never went through a revision cycle, the flawed first state turned out to be the final state. As for what Julia Goss did on the recording, there are any number of possible explanations: she could have been correcting what she considered to be a mistake, she could have been exercising what she considered to be acceptable interpretive license, or she could have just gotten it wrong. I believe the GD recording was thrown together rather quickly. Even in recordings of operas the D'OC knew well, one sometimes finds mistakes. ===== Marc Shepherd New York, New York oakapple@cris.com __________________________________ Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! http://sbc.yahoo.com  1,, Summary-line: 20-Jul dbj@MIT.EDU [22] #Re: Milo backup tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jul 2003 12:05:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6KG5MYG024989; Sun, 20 Jul 2003 12:05:22 -0400 (EDT) Received: from marcela.zlz.net ([140.239.227.18]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6KG4Ir8029689; Sun, 20 Jul 2003 12:04:18 -0400 (EDT) Received: (from dbj@localhost) by marcela.zlz.net (8.11.6+Sun/8.11.6) id h6KG2FI27477; Sun, 20 Jul 2003 12:02:15 -0400 (EDT) Sender: dbj@marcela.zlz.net To: chad Cc: sipb-office@mit.edu, milo-lovers@mit.edu Subject: Re: Milo backup tape References: From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" Date: 20 Jul 2003 12:02:14 -0400 In-Reply-To: Message-ID: Lines: 9 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.1 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -2.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: dbj@marcela.zlz.net To: chad Cc: sipb-office@mit.edu, milo-lovers@mit.edu Subject: Re: Milo backup tape From: "Darrin B. Jewell" Cc: "Darrin B. Jewell" Date: 20 Jul 2003 12:02:14 -0400 In-Reply-To: X-Spam-Score: -2.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) FYI milo-lovers@mit.edu should work. Darrin chad writes: > Following up to myself on a procedural matter, neither > sipb-next@mit.edu nor erikkay@mit.edu currently work...  1,, Summary-line: 20-Jul david@musicalsolutions.co [68] #Re: Grand Duke score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jul 2003 16:00:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6KK0dYG007733; Sun, 20 Jul 2003 16:00:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6KK0b7P008513 for ; Sun, 20 Jul 2003 16:00:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6KK0U7b018339; Sun, 20 Jul 2003 16:00:30 -0400 (EDT) Date: Sun, 20 Jul 2003 16:00:30 -0400 (EDT) Message-Id: <5.2.1.1.2.20030720195449.00a59bf0@mail.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 20 Jul 2003 16:00:30 -0400 (EDT) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Cookson To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 15:10 20/07/03, Clifton Coles wrote: <> This line (and the following line - "Dith-ry-am-bic" in the vocal score) are, quite simply, examples of how much the DCOC were anxious, in 1975, to put on a Grand Duke which corresponded *exactly* to the available sources - or, more accurately, source. The *only* source we had then was the Chappell VS. I spent a lot of time - and I mean *a lot* - with Ken Sandford, going over and over this song. He was determined to be off-book for the concert version at the Savoy, and we went over and over that particular song, time and again. It just never occurred to us, or to anyone else connected with the Utopia and Grand Duke at the time, that the vocal scores might be anything other than correct. As a further example, I'll cite a line of Scaphio's in Utopia. Page 53, second system, second bar. We took the notes as gospel, and made the assumption that the words were printed wrongly. [This particular error has been corrected in Larry Byler's VS, thankfully]. It's easy to say now that such errors should have been weeded out, but, believe me, the vocal scores (I repeat, our only source) were regarded as sacrosanct. Indeed, it could be said that one of our aims in 1975 was to provide a product which was so accurate (per the vocal scores) that criticism from the magnifying-glass brigade would be non-existent. Again, I spent a *huge* amount of time with John Reed and John Ayldon working on p.53 of the VS. Our own magnifying glasses were far too close to the page, as has been proved with the passage of time. It just never occurred to anyone to think about the correct pronunciation of "Corybantian", or the correct word "Dithyrambic" - it's misprinted as "Dithryambic" and "Dithryamb" in the VS, though not in the libretto. Yet another example occurs in Utopia - the pronunciation of "Fildes" in "Society has quite forsaken". I now know that the correct pronunciation rhymes with "wilds", and the 12 syllables "Fildes and Viscount Millais when they come we'll welcome" correspond exactly to the notes on page 102 of the VS. However, Ken Sandford sang "Fill-days" - because it corresponded most closely to what was written in the VS. I suppose you had to be there. In 1975, comparatively few people were familiar with Utopia, and even fewer with Grand Duke. I think I'm right in saying that one of the company's main musical priorities was to make sure that what was sung corresponded as closely as possible to the VS - we knew (or thought we knew) that we would be judged by that. We've all passed a lot of water since then. All the best David Cookson  1,, Summary-line: 20-Jul YesTisMabel@aol.com [36] #Re: Grand Duke score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 20 Jul 2003 23:57:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6L3vOYG017352; Sun, 20 Jul 2003 23:57:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6L3vNDB028709 for ; Sun, 20 Jul 2003 23:57:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6L3v87b022813; Sun, 20 Jul 2003 23:57:08 -0400 (EDT) Date: Sun, 20 Jul 2003 23:57:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 20 Jul 2003 23:57:08 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Grand Duke score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 7/20/03 9:11:10 AM EST, cliftoncoles@hotmail.com writes: << What parts of Goss' performance do not tally with the vocal score? She skipped the spoken line "I have a rival, frenzy-thrilled / I find you both together" -- but her music seems the same as printed, including the cuts in "Ah, pity me, my comrades true".>> The downbeat of measure 19 in "How would I play this part" is supposed to be a Bb--she sings a G. In measures 46-47, on the word 'agitated', she sings different pitches from what is printed, with the exception of the last syllable....she goes up higher than the written F at the top of the staff, and sings a different arpeggio going down until she gets to the last note, which is where she sings the written note. Also, measures 97-98, where she sings "delicate touches", she goes down to the Eb sooner than is written...this just may be a matter of not quite getting a tricky counterpoint part. This song is the only one I've checked, so far. btw, I've been singing the "Now Julia, come" duet/scena for several years, and I always add the missing line you mentioned above. Elise Curran Orlando  1, edited, answered,, Summary-line: 21-Jul CJ@sftlaw.com [27] #Re: Girl Genius X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Jul 2003 09:40:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6LDedYG000096; Mon, 21 Jul 2003 09:40:39 -0400 (EDT) Received: from mail.sftlaw.com ([168.103.79.81]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6LDecY8024511 for ; Mon, 21 Jul 2003 09:40:39 -0400 (EDT) Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Mon, 21 Jul 2003 09:40:34 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Mon, 21 Jul 2003 09:40:24 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_E3BDCA42.A2C3AE7E" X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 21 Jul 2003 09:40:24 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I think there was some allusion to why London was underwater in the Secret Blueprints (issue 0)... but very much a throwaway line. The map was lots of fun - did you notice the gigantic crater where Oslo used to be? At least issue #10 is ready to go to the printers, so we should have it by early Fall - less of a wait this time! There are some bets as to whether Gil and Agatha are sibs or half-sibs - we know that Bill Heterodyne and Lucrezia Mungfish (I'm probably butchering the spelling there) are Agatha's parents (Phil has admitted this), but we also are pretty certain Klaus was in love with her... aww, who knows. Hopefully we'll find out SOMETHING dramatic in issue #10!! CJ, who is kinda happy that the genetically alterered squirrel-people seem to be pretty good fighters  1, answered,, Summary-line: 21-Jul CJ@sftlaw.com [49] #Re: Girl Genius X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 21 Jul 2003 11:27:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6LFRrYG001437; Mon, 21 Jul 2003 11:27:53 -0400 (EDT) Received: from mail.sftlaw.com ([168.103.79.81]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6LFQhGj019135 for ; Mon, 21 Jul 2003 11:26:54 -0400 (EDT) Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Mon, 21 Jul 2003 11:26:40 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Mon, 21 Jul 2003 11:26:14 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_6D334320.0B6A07D7" X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 21 Jul 2003 11:26:14 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_6D334320.0B6A07D7 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Nope - no clue to Gil's mom - or, quite frankly, if he even has one (the he's-a-Klaus-clone and Klaus-is-a-construct theories abound. Although in that last shot before Adam lays him flat, Gil looks EXACTLY like Klaus - which he doesn't all the time, so maybe just when his spark is about to kick in? What sort of theories do y'all have? CJ (cheerfully willing to talk about Ms. Hetrodyne & Co. for hours) --=_6D334320.0B6A07D7 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Nope - no clue to Gil's mom - or, quite frankly, if he even has one (the he's-a-Klaus-clone and Klaus-is-a-construct theories abound.  Although in that last shot before Adam lays him flat, Gil looks EXACTLY like Klaus - which he doesn't all the time, so maybe just when his spark is about to kick in?
 
What sort of theories do y'all have?
 
CJ (cheerfully willing to talk about Ms. Hetrodyne & Co. for hours)
--=_6D334320.0B6A07D7--  1,, Summary-line: 22-Jul CJ@sftlaw.com [40] #Re: Girl Genius X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 22 Jul 2003 08:42:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6MCgwYG006853; Tue, 22 Jul 2003 08:42:58 -0400 (EDT) Received: from mail.sftlaw.com ([168.103.79.81]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6MCgwBm000726 for ; Tue, 22 Jul 2003 08:42:58 -0400 (EDT) Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Tue, 22 Jul 2003 08:42:55 -0400 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Tue, 22 Jul 2003 08:42:52 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_247A0B5F.2C4D20FD" X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 22 Jul 2003 08:42:52 -0400 From: "Cynthia J. Bagaria" To: Subject: Re: Girl Genius X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_247A0B5F.2C4D20FD Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit You can sign up for an internet news-release sort of thing through www.studiofoglio.com , but we get most of the scut through groups.yahoo.com/girlgenius... CJ --=_247A0B5F.2C4D20FD Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
You can sign up for an internet news-release sort of thing through www.studiofoglio.com , but we get most of the scut through groups.yahoo.com/girlgenius...
 
CJ
--=_247A0B5F.2C4D20FD--  1,, Summary-line: 23-Jul raeburn@MIT.EDU [24] #DNS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 23 Jul 2003 17:38:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h6NLcPYH025632; Wed, 23 Jul 2003 17:38:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h6NLcP7a003169; Wed, 23 Jul 2003 17:38:25 -0400 (EDT) Received: from all-in-one.mit.edu (ALL-IN-ONE.MIT.EDU [18.18.1.71]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h6NLcOFJ001001; Wed, 23 Jul 2003 17:38:24 -0400 (EDT) Received: (from raeburn@localhost) by all-in-one.mit.edu (8.12.9) id h6NLcOuD029543; Wed, 23 Jul 2003 17:38:24 -0400 To: opus@mit.edu Subject: DNS From: Ken Raeburn Date: Wed, 23 Jul 2003 17:38:24 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: DNS From: Ken Raeburn Date: Wed, 23 Jul 2003 17:38:24 -0400 X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I forgot to send you email, but I've set up ns1.raeburn.org (my home machine) as a secondary for ipnh.com. You can add NS records in your zone referring to it any time you like. Do you want me to set up my machine at the colo as a secondary as well? You should be able to add ns1.raeburn.org to the list Network Solutions distributes, too, I think. I certainly shouldn't be able to; that would permit easy hijacking of some of a domain's connections. It ought to accept ns1.raeburn.org by name, it ought not to need an address. If it does (maybe they insist on having all the data to generate glue records?), we'll have to see what can be worked out. You could just create an A record for ns3.ipnh.com with my machine's address. Ken  1,, Summary-line: 23-Jul rpennicard@clara.co.uk [58] #RE: Jonathan's IOLANTHE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 23 Jul 2003 18:32:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6NMWqYG001303; Wed, 23 Jul 2003 18:32:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6NMWHKN011063 for ; Wed, 23 Jul 2003 18:32:30 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6NMW17b026635; Wed, 23 Jul 2003 18:32:01 -0400 (EDT) Date: Wed, 23 Jul 2003 18:32:01 -0400 (EDT) Message-Id: <01C3516E.6EF66600.rpennicard@clara.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rpennicard@clara.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Richard Pennicard To: Multiple recipients of list SAVOYNET Subject: RE: Jonathan's IOLANTHE MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Internet E-mail/MAPI - 8.0.0.4211 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 23 Jul 2003 18:32:01 -0400 (EDT) Reply-To: rpennicard@clara.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Richard Pennicard To: Multiple recipients of list SAVOYNET Subject: RE: Jonathan's IOLANTHE X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I beg to differ from Diana on this. A pocket borough, as I recall, was one that had a significant number of voters, but with a large proportion of them dependent on the goodwill of one man, usually a local landowner. Think Duke of Devonshire and Buxton. As there wasn't a secret ballot at that time, the landowner could punish anyone who voted for the wrong peson, either by economic sanctions - "don't buy from his shop or else" - or even by having him evicted. Under these circumstances, someone who was not favoured by the landowner (or who hadn't offered him a high enough bribe) would often not find it worth his while standing so many elections in pocket boroughs were in fact uncontested. In addition, candidates have to be nominated by (I think) twelve local voters who again would have to think hard before offending the landowner. I'm sure the Fairy Queen with all her powers could influence local voters not to nominate anyone else. However, I don't think there is a problem, even if Strephon did have to fight an election. It would only take a month to fight and win a by-election campaign. I don't remember anyone saying how much time elapses between acts so Strephon would have enough time. Regards, Richard Pennicard (Idiotically sane with lucid intervals of lunacy) Chelmsford, Essex, UK rpennicard@clara.co.uk On 23 July 2003 03:43, Diana Burleigh [SMTP:deebee@connexus.net.au] wrote: > Mike Nash wrote > > > A pocket borough was just that. One held for the disposal at will (as opposed > if I remember correctly) to a rotten borough where there were a few voters. Old > Sarum - an ancient site in Wiltshire, the pre-coursor of Salisbury - had no > residents but returnned an MP. > > Diana Burleigh > >  1,, Summary-line: 24-Jul samclapp@bellsouth.net [25] #I'm sure I'm not the first to have thought of this... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 24 Jul 2003 16:03:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6OK3tYG022886; Thu, 24 Jul 2003 16:03:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6OJwvxU009463 for ; Thu, 24 Jul 2003 15:59:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6OJwZ7b025482; Thu, 24 Jul 2003 15:58:35 -0400 (EDT) Date: Thu, 24 Jul 2003 15:58:35 -0400 (EDT) Message-Id: <20030724194738.FUFH21117.imf17aec.bellsouth.net@mail.bellsouth.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: I'm sure I'm not the first to have thought of this... MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Openwave WebEngine, version 2.8.11 (webedge20-101-194-20030622) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 24 Jul 2003 15:58:35 -0400 (EDT) Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: I'm sure I'm not the first to have thought of this... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, all-- I realize that attempts at doing the festival in the US were not entirely (or possibly at all) successful in 96 and 97, but I have long thought that this is largely a product of venue. Buxton is a small town. Philadelphia and Berkeley, well, aren't. So, again, I'm sure I'm not the first to have thought of this, but why couldn't the Smiths (or their franchisee in the US) give it a go in Central City, Colorado, 45 minutes from Denver, the town that figures as a favorite among all the D'Oyly Carters who ever participated in the residency there? I am sure that someone will have a definitive answer, and I'm eager to find out what it might be. The Central City Opera House is (apparently) a lovely 550 seat jewel, and they host an opera festival during the summer that appears to be over by August 10... maybe that's when a potential G&S thing could start...Of course, it's quite possible that the resident company has a total lock down on the house itself; that sort of thing often happens with resident companies. It sure seems like a viable plan to me, though! After all this time, isn't it time to give it another shot? Sam Clapp Atlanta, GA  1, forwarded,, Summary-line: 25-Jul mitalum@sword.com [99] #Party/Cookout Aug 16 2003 3PM to 10PMish X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 25 Jul 2003 14:33:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6PITBYU023952; Fri, 25 Jul 2003 14:33:54 -0400 (EDT) Received: from sword.com (PITTS.MIT.EDU [18.98.2.189]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6PHwPsI026809; Fri, 25 Jul 2003 13:58:25 -0400 (EDT) Received: from sword.com (mitalum@localhost) by sword.com (8.11.6/8.11.6) with ESMTP id h6PHwA415740; Fri, 25 Jul 2003 13:58:10 -0400 Message-Id: <200307251758.h6PHwA415740@sword.com> Date: Fri, 25 Jul 2003 13:58:08 -0400 From: MIT Alum David Smith Subject: Party/Cookout Aug 16 2003 3PM to 10PMish BCC: X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 25 Jul 2003 13:58:08 -0400 From: MIT Alum David Smith Subject: Party/Cookout Aug 16 2003 3PM to 10PMish BCC: X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------- Blind-Carbon-Copy From: David Smith To: drsmith@alum.mit.edu, rmtietge@alum.mit.edu Subject: Party/Cookout Aug 16 2003 3PM to 10PMish Date: Fri, 25 Jul 2003 13:58:08 -0400 Sender: mitalum@sword.com Who: Pick one: a. You b. Lots of other cool people c. As many friends as we can cram into the condo d. Whomever I forgot to invite e. All of the above <<<<-------- HINT HINT HINT HINT What: Pick one: a. A party b. A barbecue c. A cookout d. An open house e. All of the above <<<<-------- HINT HINT HINT HINT Where: 24 Faneuil Rd., Waltham When: Aug 16th 2003. 3PM until 10PMish. Feel free to drop by anytime . If it is around dinner time the grill will be going. If not, there will be other munchies and stuff around. Why: 10. Rosemary needs an excuse to order tons of bratwurst and cheddar cheese from Wisconsin. 9. Woo Hoo. Rosemary and I have those $90K pieces of paper. 9a. We now have a wall to hang those $90K pieces of paper on. (*) 8. The last party we hosted was over 1000 days ago. 7. We have a porch that can hold a grill. 6. Woo Hoo. 10 years and 2 days of wedded bliss. 5. We have a basement that can hold all of Rosemary's yarn and fluff which will keep David from tripping over it in the living room. 5a. We have a basement that can hold all of David's flying and computer stuff which will keep Rosemary from tripping over it in the living room. 5b. Rosemary is thrilled that the basement is in Waltham rather than Alexandria VA, Blacksburg VA, or Atlanta GA, all of which were distinct possibilities a few months ago. 4. Bliss? 3. We have a grill! Actually we don't have a grill, but that small problem will be rectified before it becomes a big problem. 2. No more stinking student housing! 2a. We have a dining room that can hold more than the 2 people that can fit into our current apartment. 2b. Along with the dining room, there is a living room that can hold the TV (see the "bought a bigger TV party" invite of 09/03/1998) Sorry Dave/Amanda... 1. We have yet another kitchen to remodel and need lots of input from people. Can you believe the sink for the kitchen is in the pantry? OK So that really isn't a top 10 list, but it has been 3 years since my last attempt at a funny party invitation. Hopefully that will change in the future now that we will be out of student housing. David and Rosemary (*) Caveats 1. We don't actually own the wall to hang the diplomas on, as we do not own the condo yet. That is expected to change on 2003/08/06. If the procurement of the wall fails we will reprise our 09/09/2000 "we are no longer homeowners" party with a "we didn't succeed in becoming homeowners" party with details to follow. In other words, if the closing on the 6th falls through for some reason we will let you know. 2. We haven't driven to the condo much, so we don't really have any directions better than what www.mapquest.com will give you. Also we don't have the new phone number yet. 3. The condo is not child proofed. Not a problem for us, but may be for you. 4. We haven't met the owner of the upstairs unit, but the condo docs seem to indicate we have to kick you all out by ~10PM. Also, I think we are limited to on street parking, because we have to keep the other owners access to the driveway clear. ------- End of Blind-Carbon-Copy  1,, Summary-line: 25-Jul andi_s_r@yahoo.com [54] #Re: English Accent in G&S? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 25 Jul 2003 19:35:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6PNZoYG012919; Fri, 25 Jul 2003 19:35:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6PNZmuH020882 for ; Fri, 25 Jul 2003 19:35:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h6PNZZ7b025538; Fri, 25 Jul 2003 19:35:35 -0400 (EDT) Date: Fri, 25 Jul 2003 19:35:35 -0400 (EDT) Message-Id: <20030725231107.39713.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: English Accent in G&S? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008e01c352e9$821556c0$8904fd3e@5zsv40j> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 25 Jul 2003 19:35:35 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: English Accent in G&S? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008e01c352e9$821556c0$8904fd3e@5zsv40j> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) IMO, the best choice for most Americans is Standard American Stage (or Broadcast) English. There are some few who are blessed with an ear good enough to replicate other accents convincingly, but the odds of assembling an entire cast of principals with that ability aren't good, and let's be honest enough to admit that a lot of the attempts at "English accents" are really appalling, frequently inconsistent and affected-sounding. For me, an equal or greater problem is that many performers and directors are inattentive to or ignorant of 19th Century etiquette, carriage, demeanor, etc., and except for audio recordings, these things are very important to creating the appropriate ambiance. The most impeccable "English" accent will not make convincingly Gilbertian a girl who slumps, sits with her knees apart or crosses her legs at the knee, walks with a broad stride, and stands only a foot away from the person with whom she's speaking. If the performers and director don't understand that Josephine is startled and appalled when Ralph addresses her by her first name--and why--that production is in trouble. Ditto if Maj.-Gen. Stanley's wards/daughters don't understand the illicit thrill of wading ("paddling") *barefoot*. (The bathing costumes of the day included stockings and bathing shoes. And A Lady *never* displayed her ankles.) I frequently wince at the amount of "touchy-feely" contact that directors permit; our century permits a great deal more in the way of physical liberties than did the 19th. While people are fond of finding the "eternal verities" about human nature in G&S, the fact is that they are shaped and influenced as much by the mores and milieu of the 19th Century as they are by their "Englishness", and ignoring those general "Victorian" aspects in mounting the works will harm them as much as, if not more than, poor choices of accent. ===== Andi Stryker-Rodda New York City/New Jersey USA  1, answered,, Summary-line: 27-Jul marchanc@juno.com [30] #going to FL? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 27 Jul 2003 00:32:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6R4WBYH022465; Sun, 27 Jul 2003 00:32:11 -0400 (EDT) Received: from webmail02.lax.untd.com (outbound29-sr.lax.untd.com [64.136.29.170]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h6R4W6CJ001590 for ; Sun, 27 Jul 2003 00:32:06 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqRYErLxASHFYrcJNVHD3t1IFHX8STKB+XA==">; Sat, 26 Jul 2003 21:31:20 PDT Received: (from marchanc@juno.com) by webmail02.lax.untd.com (jqueuemail) id H53PF4G8; Sat, 26 Jul 2003 21:31:20 PDT Received: from [172.151.70.20] by webmail02.lax.untd.com with HTTP: Sun, 27 Jul 2003 04:30:28 GMT X-Originating-IP: [172.151.70.20] Mime-Version: 1.0 X-Original-From: "Christopher Marchant" Date: Sun, 27 Jul 2003 04:30:28 GMT To: asarahm@mit.edu, warlord@mit.edu, aurora@mit.edu, rls@mit.edu, opus@mit.edu Subject: going to FL? X-Mailer: WebMail Version 2.0 Content-Type: text/plain From: Christopher Marchant Message-Id: <20030726.213120.16315.964221@webmail02.lax.untd.com> X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [172.151.70.20] X-Original-From: "Christopher Marchant" Date: Sun, 27 Jul 2003 04:30:28 GMT To: asarahm@mit.edu, warlord@mit.edu, aurora@mit.edu, rls@mit.edu, opus@mit.edu Subject: going to FL? From: Christopher Marchant X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all, I just thought I would let you know that I am planning on being in central Florida Nov. 3-10, just in case you have similar plans. If so, maybe we could meet up. Otherwise, I don't have any plans to travel north at the moment. It has been very busy at work (60+ hour weeks) for a month+, so I don't have much spare time to plan. I hope all is well with you up in New England. Take care, Chris ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1, answered,, Summary-line: 28-Jul annlarry@pacbell.net [41] #Re: Byler Edition X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 29 Jul 2003 02:28:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h6T6SFYH028097; Tue, 29 Jul 2003 02:28:15 -0400 (EDT) Received: from mta7.pltn13.pbi.net (mta7.pltn13.pbi.net [64.164.98.8]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h6T6SECW005573 for ; Tue, 29 Jul 2003 02:28:14 -0400 (EDT) Received: from larry.pacbell.net (adsl-67-122-119-159.dsl.sntc01.pacbell.net [67.122.119.159]) by mta7.pltn13.pbi.net (8.12.9/8.12.3) with ESMTP id h6T6Rt96027310 for ; Mon, 28 Jul 2003 23:28:13 -0700 (PDT) Message-Id: <5.0.2.1.2.20030728231610.02553140@postoffice.pacbell.net> X-Sender: annlarry@postoffice.pacbell.net X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Mon, 28 Jul 2003 23:23:54 -0700 To: "David C. Jedlinsky" (by way of Larry Byler ) From: Larry and Ann Byler Subject: Re: Byler Edition In-Reply-To: <5.2.1.1.0.20030728141018.014bf408@mammoth.cup.hp.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: annlarry@postoffice.pacbell.net Date: Mon, 28 Jul 2003 23:23:54 -0700 To: "David C. Jedlinsky" (by way of Larry Byler ) From: Larry and Ann Byler Subject: Re: Byler Edition In-Reply-To: <5.2.1.1.0.20030728141018.014bf408@mammoth.cup.hp.com> X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 02:10 PM 7/28/03 -0700, David Jedlinsky wrote: >Last October, you mentioned you might get around to making a single >PDF file of your Utopia score with dialog. Did you ever end up doing >that? No, I've been too heavily involved with video work. >If not, I've just done myself (I have a duplex printer, and I'm lazy >about things that I know a computer can do better, like collating >pages). If you'd like it, I can give it to you, or I can try to >submit it to the archive. It's 3.6 Mbytes. I appreciate the effort, but Larry Garvin and Rachel Keegan have found problems with two of the musical numbers. I was able to fix those instantly, but you now have obsolete versions of those. Larry has indicated that there are some other things he'll want to discuss after the Savoynet production. Perhaps you could suggest to me the method you used. Then once I've integrated all the comments/corrections it might be straightforward to produce such a file myself. I have the full Acrobat suite (not just the reader), but I'm virtually clueless about how to use it. Thanks, and have a great show. I wish we could be there. -Larry- annlarry@pacbell.net  1,, Summary-line: 31-Jul mlcar@MIT.EDU [71] #Re: How are you?/AWTEW Videotapes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 31 Jul 2003 22:49:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h712nIYH022242; Thu, 31 Jul 2003 22:49:19 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h712nD9I020690; Thu, 31 Jul 2003 22:49:14 -0400 (EDT) Received: from [192.168.1.4] (h002078c528a7.ne.client2.attbi.com [66.30.207.66]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h712nCU9021325; Thu, 31 Jul 2003 22:49:13 -0400 (EDT) Mime-Version: 1.0 X-Sender: mlcar@po10.mit.edu Message-Id: In-Reply-To: <19456F01.44FE9357.00002B09@cs.com> References: <19456F01.44FE9357.00002B09@cs.com> Date: Thu, 31 Jul 2003 22:49:10 -0400 To: J91a@cs.com From: Marion Leeds Carroll Subject: Re: How are you?/AWTEW Videotapes Cc: opus@mit.edu, mrbreton@hotmail.com Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -4.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mlcar@po10.mit.edu In-Reply-To: <19456F01.44FE9357.00002B09@cs.com> Date: Thu, 31 Jul 2003 22:49:10 -0400 To: J91a@cs.com From: Marion Leeds Carroll Subject: Re: How are you?/AWTEW Videotapes Cc: opus@mit.edu, mrbreton@hotmail.com X-Spam-Score: -4.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Janine - I'm leaving the rest of your fine, meaty message for a later reply, and skipping right to my main worry: Would you *really* be willing to try to reach the All's Well cast & crew about the videotapes? That would be such a load off my mind! If most folks are willing to come to Arlington (it is after all T and car accessable), I can ask the videographer (Dave Jedlinsky, opus@mit.edu) to bring them all here - and maybe people can ferry a few to the MIT campus for people who don't want to travel out here. I gather from Dave that the price depends on how many people want the tapes, so we need a number before we have an exact price. But although that new med (it's actually called Neurontin) has been helping my arms, and the chiropractor is loosening me up a bit, I really do'nt have enough left over from my job and my other projects to hunt down the AWTEW gang at this point. Or maybe Matt Breton (mrbreton@hotmail.com) would be willing to help out... if he is not like Erin, so overwhelmed with a current project that he cant give it any time... Hi, Matt! - do you remember All's Well? Do you want a videotape? Would you be willing to travel to Arlington to get it, since I'm working from home most of the time these days, and we don't seem to have anyone based on campus at MIT who's willing to hold them, or even to send out messages coordinating who wants how many...? Help! - Marion >Hi Marion, > > >As for the videos. I wouldn't have any trouble travelling out to >Arlington to get them. And maybe I could take over the project of >emailing out to find out at least, who wants one and how much they >would cost to mail, taking mailing materials into account, etc. > >Take care, > >Janine > -- -Marion ____________________________ Marion Leeds Carroll MIT Libraries Web Assistant mlcar@mit.edu 10-500 781.646.9115  1,, Summary-line: 3-Aug jcb@alum.mit.edu [29] #using cubic attoparsecs in recipes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 03 Aug 2003 21:17:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h741HkYH015369; Sun, 3 Aug 2003 21:17:46 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h741Hd8E002035 for ; Sun, 3 Aug 2003 21:17:39 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h741HcU8014786 for ; Sun, 3 Aug 2003 21:17:38 -0400 (EDT) Received: (from jcb@localhost) by no-knife.mit.edu (8.9.3p2) id VAA24529; Sun, 3 Aug 2003 21:17:38 -0400 (EDT) Date: Sun, 3 Aug 2003 21:17:38 -0400 (EDT) Message-Id: <200308040117.VAA24529@no-knife.mit.edu> To: dinner@MIT.EDU Subject: using cubic attoparsecs in recipes From: Jeff Bigler X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i X-Zippy: Life is a POPULARITY CONTEST! I'm REFRESHINGLY CANDID!! X-NSA-Fodder: Capricorn bootleg JPL bomb PGP UOP DES AK-47 Noriega Uzi X-Spam-Score: -5.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 3 Aug 2003 21:17:38 -0400 (EDT) To: dinner@MIT.EDU Subject: using cubic attoparsecs in recipes From: Jeff Bigler X-Zippy: Life is a POPULARITY CONTEST! I'm REFRESHINGLY CANDID!! X-NSA-Fodder: Capricorn bootleg JPL bomb PGP UOP DES AK-47 Noriega Uzi X-Spam-Score: -5.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is from an email list I'm on. To save you the trouble of looking it up, a parsec is about 3.2616 light years, or 3.0857 x 10^16 meters. :) > Bernard Hill writes: > > One of my favorite "weird unit" stories was from an American > astronomer who also liked to cook. He said that he liked to write out > recipes using the cubic attoparsec as a unit of volume. It turns out > that 1 aPc^3 is about 0.998 fluid ounce, close enough that in a recipe > it makes no difference. It takes no longer to write than "fl. oz.". > And nobody outside the US has any idea what a fluid ounce is, while > parsec is a standard unit that you'll find in any physical reference > book. So this makes his recipes usable by anyone, not just Americans. Jeff  1,, Summary-line: 3-Aug J91a@cs.com [32] #Re: How are you?/AWTEW Videotapes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 03 Aug 2003 21:40:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h741egYH004467; Sun, 3 Aug 2003 21:40:42 -0400 (EDT) Received: from imo-m07.mx.aol.com (imo-m07.mx.aol.com [64.12.136.162]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h741efn1004419; Sun, 3 Aug 2003 21:40:41 -0400 (EDT) Received: from J91a@cs.com by imo-m07.mx.aol.com (mail_out_v36_r1.1.) id 6.12e.2f2c031c (14374); Sun, 3 Aug 2003 21:40:32 -0400 (EDT) From: J91a@cs.com Message-ID: <12e.2f2c031c.2c5f138f@cs.com> Date: Sun, 3 Aug 2003 21:40:31 EDT Subject: Re: How are you?/AWTEW Videotapes To: mlcar@mit.edu CC: opus@mit.edu, mrbreton@hotmail.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Sun, 3 Aug 2003 21:40:31 EDT Subject: Re: How are you?/AWTEW Videotapes To: mlcar@mit.edu CC: opus@mit.edu, mrbreton@hotmail.com X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Marion, I don't think it would be all that time consuming to write an announcement and keep a file of replies. How long do you think I should give them to respond before placing an order? I still have the All's Well cast and crew grouplists. If the grouplists have been deactivated, I also possess the cast sheet, by which I could write my own list and send out to people. I'm not sure I have your house address anymore, but know how to direct people to your house by T. Having the videos delivered to you makes the most sense because you are easier to get to. My destination requires the 88 bus, plus you are probably home more than I am. Once the videos are delivered, I could make an announcement and refer people to you to arrange times (would phone be easier on your hands?) to come pick them up. Let me know what you think. I could also use a response timeframe, your street address, and your phone number. All best wishes, Janine  1,, Summary-line: 5-Aug jtidwell@animato.arlingto [33] #Cookout, Aug. 16th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 05 Aug 2003 17:43:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h75LhIYH014433; Tue, 5 Aug 2003 17:43:18 -0400 (EDT) Received: from animato.animato.arlington.ma.us (animato.ne.client2.attbi.com [24.128.219.89]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h75Lh68L021904; Tue, 5 Aug 2003 17:43:06 -0400 (EDT) Received: from localhost (jtidwell@localhost) by animato.animato.arlington.ma.us (8.11.6/8.11.6) with ESMTP id h75Lh0H16695; Tue, 5 Aug 2003 17:43:00 -0400 Date: Tue, 5 Aug 2003 17:43:00 -0400 (EDT) From: Jenifer Tidwell To: Many of our friends Subject: Cookout, Aug. 16th Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 5 Aug 2003 17:43:00 -0400 (EDT) From: Jenifer Tidwell To: Many of our friends Subject: Cookout, Aug. 16th X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, everyone! We found a date when at least some of you are free: Saturday, August 16th. So we'll have a dinner party; if the weather cooperates, it'll be a cookout, otherwise we'll try to fit everyone indoors... 4:00 PM until whenever 211 Forest Street (need directions? let me know) 781-646-8500 I think we know most of everyone's dietary requirements, and we'll try to offer plenty of options (wheat-free, vegetarian, low-carb, not-green, baby-safe). Extra food is always welcomed, but not necessary at all! We'll supply a lawn, a bocce set, and our harder-than- it-looks "climbing wall" (bring shoes!). Children are welcome, though we don't have many toys. Please RSVP at some point, so we know how much food to buy. See you there! - Jenifer and Rich  1,, Summary-line: 6-Aug felixhouse@earthlink.net [53] #RE: New Year's Eve? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Aug 2003 12:12:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h76GCKYH019973; Wed, 6 Aug 2003 12:12:20 -0400 (EDT) Received: from zurich.ai.mit.edu (zurich.ai.mit.edu [18.43.0.244]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h76GCIFV000210; Wed, 6 Aug 2003 12:12:18 -0400 (EDT) Received: from pintail.mail.pas.earthlink.net (pintail.mail.pas.earthlink.net [207.217.120.122]) by zurich.ai.mit.edu (8.12.3/8.12.3/Debian-6.4) with ESMTP id h76GAe1O025367 for ; Wed, 6 Aug 2003 12:10:40 -0400 Received: from user-1121dcb.dsl.mindspring.com ([66.32.181.139] helo=brick) by pintail.mail.pas.earthlink.net with smtp (Exim 3.33 #1) id 19kQs2-0004WN-00 for lsc-alums@zurich.ai.mit.edu; Wed, 06 Aug 2003 09:10:38 -0700 From: "Felix House" To: Subject: RE: New Year's Eve? Date: Wed, 6 Aug 2003 09:10:38 -0700 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.6604 (9.0.2911.0) X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 In-Reply-To: <3F305B33.D5A0C285@comcast.net> Importance: Normal X-Spam-Status: No, hits=-1.9 required=5.0 tests=BAYES_30,IN_REP_TO,MSGID_GOOD_EXCHANGE,ORIGINAL_MESSAGE version=2.54 X-Spam-Checker-Version: SpamAssassin 2.54 (1.174.2.17-2003-05-11-exp) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Felix House" To: Subject: RE: New Year's Eve? Date: Wed, 6 Aug 2003 09:10:38 -0700 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 In-Reply-To: <3F305B33.D5A0C285@comcast.net> Importance: Normal X-Spam-Status: No, hits=-1.9 required=5.0 tests=BAYES_30,IN_REP_TO,MSGID_GOOD_EXCHANGE,ORIGINAL_MESSAGE version=2.54 X-Spam-Checker-Version: SpamAssassin 2.54 (1.174.2.17-2003-05-11-exp) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A few of us looked into Scottish castles and found that the prices were likely to be too high for everyone. I'm actually going to England in September and would be happy to do some on-the-ground research if you think we can wait that long. I personally would love the Scottish castle new year's.....however, as a third alternate to the still-good-idea of a personal host, Yosemite is very pretty and the Awahnee Lodge is famous for its gorgeousness as well. I can look into prices and availability if anyone shows interest. Rim and I would be willing to host. We're planning on doing some actual Fred remodeling in the spring and the final result (no guarantees as to date) should be more amenable to general comfort and fun in the "after" phase rather than the "before." Daphne -----Original Message----- From: Sharon Chang [mailto:sechang@comcast.net] Sent: Tuesday, August 05, 2003 6:35 PM To: lsc-alums@zurich.ai.mit.edu Subject: New Year's Eve? Hi All, At some point in July, someone asked us where the annual New Year's Eve gala would be this year... I don't remember deciding. I'm guessing we're too late to reserve a Scottish castle. Has anyone volunteered to host? Hope all is well, Sharon and Jamey  1,, Summary-line: 6-Aug thallata@MIT.EDU [60] #MITG&SP announces Production Staff Openings for Ruddigore X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 06 Aug 2003 20:57:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h770vMYH003213; Wed, 6 Aug 2003 20:57:22 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h770uefG012131; Wed, 6 Aug 2003 20:56:40 -0400 (EDT) Received: from mormal.mit.edu (MORMAL.MIT.EDU [18.208.0.65]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h770ucU8018502; Wed, 6 Aug 2003 20:56:38 -0400 (EDT) Received: (from thallata@localhost) by mormal.mit.edu (8.9.3p2) id UAA15375; Wed, 6 Aug 2003 20:56:37 -0400 Message-Id: <200308070056.UAA15375@mormal.mit.edu> X-Mailer: exmh version 2.1.1 10/15/1999 To: savoyards@MIT.EDU Reply-to: savoyards-request@MIT.EDU cc: mtg@MIT.EDU, dramashop@MIT.EDU, ensemble@MIT.EDU, mitcp@MIT.EDU, theater@MIT.EDU Subject: MITG&SP announces Production Staff Openings for Ruddigore Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Date: Wed, 06 Aug 2003 20:56:37 -0400 From: Erin R Tyndall X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: savoyards@MIT.EDU Reply-to: savoyards-request@MIT.EDU cc: mtg@MIT.EDU, dramashop@MIT.EDU, ensemble@MIT.EDU, mitcp@MIT.EDU, theater@MIT.EDU Subject: MITG&SP announces Production Staff Openings for Ruddigore Date: Wed, 06 Aug 2003 20:56:37 -0400 From: Erin R Tyndall X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ____ ____ \ )_________ _________( / > | )_____________________________________( | < /___| THE MIT | | PLAYERS |___\ \_________| G I L B E R T & S U L L I V A N |_________/ \_____________________________________/ Announce Production Staff Openings for RUDDIGORE or The Witch's Curse The show will take place November 7-9 and 13-15 in La Sala de Puerto Rico. Producer: Erin Tyndall '04 Stage Director: Andrew Sweet Vocal Director: Katherine Bryant We are currently seeking people to fill the following Production Staff positions: Orchestra Director Stage Manager Set Designer Master Carpenter Master Painter/Scenic Artist Lighting Designer Master Electrician Costume Designer Makeup Artist Props Manager Publicity Director Graphic Designer Orchestra Manager House Manager Ticket Manager Choreographer who can teach a hornpipe Set Crew Paint Crew Publicity Crew Costume Crew If interested please contact savoyards-request@mit.edu  1, answered,, Summary-line: 10-Aug J91a@cs.com [32] #MITCP All's Well Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 10 Aug 2003 14:05:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7AI5DYH021057; Sun, 10 Aug 2003 14:05:13 -0400 (EDT) Received: from imo-r06.mx.aol.com (imo-r06.mx.aol.com [152.163.225.102]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7AI4aJu016230; Sun, 10 Aug 2003 14:04:36 -0400 (EDT) Received: from J91a@cs.com by imo-r06.mx.aol.com (mail_out_v36_r1.1.) id 6.bb.34671cac (14374); Sun, 10 Aug 2003 14:04:32 -0400 (EDT) From: J91a@cs.com Message-ID: Date: Sun, 10 Aug 2003 14:04:31 EDT Subject: MITCP All's Well Video To: alls-cast@mit.edu, alls-crew@mit.edu CC: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Sun, 10 Aug 2003 14:04:31 EDT Subject: MITCP All's Well Video To: alls-cast@mit.edu, alls-crew@mit.edu CC: opus@mit.edu X-Spam-Score: 2.4 X-Spam-Level: ** (2.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) To the MITCP Alls Well That Ends Well cast and crew, Greetings, folks, from what feels like a century ago-- Countess speaking... GREAT NEWS! The Alls Well That Ends Well video is ready for distribution, has been ready= ,=20 apparently, for some time, but was in need of a distributor. I have agreed=20 to collect inquiries and will direct people where to pick up copies. We won= t=20 know the cost per video until we have a count of how many people want one. So email, if you're interested in receiving a copy, to J91a@cs.com no later=20 than August 25th and I will be in touch with folks who are interested. All best, and hope you're all having a fantastic summer! Janine Wan=E9e  1, answered,, Summary-line: 11-Aug rebecca@hains.net [63] #RE: The famous Utopia DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 11 Aug 2003 22:38:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7C2cnYH003051; Mon, 11 Aug 2003 22:38:49 -0400 (EDT) Received: from sccrmhc11.comcast.net (sccrmhc11.comcast.net [204.127.202.55]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7C2cmEI000377 for ; Mon, 11 Aug 2003 22:38:48 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc11) with SMTP id <2003081202384701100cdndue>; Tue, 12 Aug 2003 02:38:48 +0000 From: "Rebecca Consentino Hains" To: Subject: RE: The famous Utopia DVD Date: Mon, 11 Aug 2003 22:38:47 -0400 Message-ID: <000b01c3607a$db34c0d0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <200308120215.WAA27428@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: Subject: RE: The famous Utopia DVD Date: Mon, 11 Aug 2003 22:38:47 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <200308120215.WAA27428@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey, you crashing at our place on Sunday after the sing-out? If so, I might like to watch it then! :-D Assuming I'm not sick of G&S by that time, of course.... BTW, any chance that you can get a video of THE ZOO from MITG&SP to bring to me that weekend? I still want a copy, but because all my past requests have gone unanswered, I'm too discouraged to request one directly. :-P becca -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of David C. Jedlinsky Sent: Monday, August 11, 2003 10:31 PM To: Multiple recipients of list SAVOYNET Subject: Re: The famous Utopia DVD Assuming I've got my copy in time for the Singout, I'll have it with me, along with my laptop to view it. Though exactly *when* we'll have time to view it during the weekend remains to be seen. -Dave Jedlinsky opus@mit.edu Milford, New Hampshire >Date: Mon, 11 Aug 2003 13:44:44 -0400 (EDT) >From: YesTisMabel@aol.com > >In a message dated 8/11/03 12:19:34 PM EST, jim@labsoftware.com writes: > ><< Are DVDs of this triumphant Utopia available to those of us who couldn't >attend? >> > > >What I want to know is, are those of you who are attending the Rockville >Singout bringing your videos/dvds to show those of us who weren't in >Buxton...please? > >Elise Curran >Orlando  1, answered,, Summary-line: 12-Aug andi_s_r@yahoo.com [99] #Utopia for Rockville: Accompanist's note X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 12 Aug 2003 23:48:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7D3mAYH014537; Tue, 12 Aug 2003 23:48:10 -0400 (EDT) Received: from web10806.mail.yahoo.com (web10806.mail.yahoo.com [216.136.130.248]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h7D3m8p0010959 for ; Tue, 12 Aug 2003 23:48:09 -0400 (EDT) Message-ID: <20030813034808.56933.qmail@web10806.mail.yahoo.com> Received: from [66.88.88.162] by web10806.mail.yahoo.com via HTTP; Tue, 12 Aug 2003 20:48:08 PDT Date: Tue, 12 Aug 2003 20:48:08 -0700 (PDT) From: Andi Subject: Utopia for Rockville: Accompanist's note To: vickigau@mac.com, tempsavoy@tradelaw.com, savoyard1@yahoo.com, psternenberg@aol.com, ssilvers@sskfny.com, wamplers@juno.com, philzo@mac.com, Peter.zavon@usa.xerox.com, jfsorge@att.net, rebecca@hains.net, dsjacobson@hotmail.com, ktmezzo@aol.com, mwilliams@pbr.com, opus@mit.edu, shawn.t.perry@verizon.net MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 12 Aug 2003 20:48:08 -0700 (PDT) From: Andi Subject: Utopia for Rockville: Accompanist's note To: vickigau@mac.com, tempsavoy@tradelaw.com, savoyard1@yahoo.com, psternenberg@aol.com, ssilvers@sskfny.com, wamplers@juno.com, philzo@mac.com, Peter.zavon@usa.xerox.com, jfsorge@att.net, rebecca@hains.net, dsjacobson@hotmail.com, ktmezzo@aol.com, mwilliams@pbr.com, opus@mit.edu, shawn.t.perry@verizon.net X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, gang. Having received the Rockville packet with cast emails today, I'm addressing this to the whole Utopia cast. I'm your pianist du jour, and looking forward to meeting those of you I don't already know, and seeing those I do again. Down to business, which is score differences. In general, for the pleasant legibility, I am presently working from the Larry Byler version of Utopia Ltd. downloadable from the G&S Archive. As those of you who are familiar with the "standard" version as well as the Byler version are aware, Larry did quite a bit of rearranging of the piano accompaniment, with the intention of conforming it more closely to the orchestral score, primarily for the sake of those who will make the transition from piano rehearsals to orchestral performances. In a lot of places I like these changes. In some I don't, especially when the performance is to be with piano rather than with orchestra. I have restored the "standard" accompaniment in several places. Here's the list of my restorations, with my reasons. Byler page 24: all measures of 8th-note triplets: restored to 16th-note arpeggios. Quite honestly, it would take more time than I've got available to get the Byler pattern clean at tempo. The old 16th-note arpeggios fall much more easily under the hands and shouldn't confuse anybody. The following is the most debatable: Byler page 35 and 36, "Although of Native Maids the Cream" Instead of the 16th-note patterns I would prefer to use the original version, which has a much simpler 8th-note pattern following the melody in most places. While the 16ths are undeniably a nice addition, the patterns are not easy to execute. If Mme. Conductrix or The Twins feel strongly about the Byler accompaniment, I will try to spend the extra time necessary to get this clean, but my own opinion is that it's more trouble than it's worth for this occasion, and that it will be easier for the girls to follow the original accompaniment. Byler page 99: Instrumental interlude after "protect your own", end of first staff and all of second: Restoring to voicing in original. Melody and number of beats are the same; it's simply a different arrangement of the chords underneath, easier to play and more dramatic on the piano. Doesn't affect any singers. Byler page 101-104: Playing from Kalmus. The only difference is in the left hand of the accompaniment. Simpler and stronger than Byler version. Shouldn't impact singers in any way except to make the downbeat easier to hear. Byler page 197: Finale, 2nd ending. I may or may not play the 4 measures of rapid 16ths as shown. The original ending is much simpler, with chords duplicating the vocal parts. By the time you get there with the whole chorus going, I doubt seriously that anybody is going to either hear what I'm playing or care if they do, but in the interests of "full disclosure" I thought I should mention it. QUESTION: Byler page 192, first two measures of intro to "Upon our sea-girt land". Byler notates this as octave 8ths played together. In the original, the right-hand eights are "offset" by a 16th rest at the beginning of the measures, and a compensating shortening of the final 8th in each measure. In other words, the right-hand notes fall between the left-hand notes, creating a pattern that sounds like 16ths. Anybody have an opinion about which they prefer? I lean slightly toward the original, which sounds more "angry" and dramatic, but I can go either way with this one. Otherwise I'm playing "straight Byler". Y'all can reach me at this email address if you have any questions or comments. Best to all, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 13-Aug ulahlica@yahoo.com [78] #RE: Our New Site X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 11:35:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7DFXlYl020075; Wed, 13 Aug 2003 11:35:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7DFU4IP027470 for ; Wed, 13 Aug 2003 11:30:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7DFTg7b024201; Wed, 13 Aug 2003 11:29:42 -0400 (EDT) Date: Wed, 13 Aug 2003 11:29:42 -0400 (EDT) Message-Id: <20030813151545.89103.qmail@web20714.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: Our New Site MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002301c361a5$2b5c8e50$6400a8c0@DIMENSION> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Aug 2003 11:29:42 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: RE: Our New Site X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <002301c361a5$2b5c8e50$6400a8c0@DIMENSION> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andi and Rebecca have made so many false accusations against me, I won't bore the group with rebuttals. Andi is only interested in what keeps her in control and I don't know where Rebbecca is coming from. This was an idea that I suggested over a year ago, and it seems Antony also suggested it. Since it was my idea, I don't think I have to check with every member of this group to see if it's OK with them if I set up a free website with my own resources where everyone can upload pictures and midis. This idea has been hanging around for a long time and everyone has had enough time to put something together if they wanted to. When I recently felt it wouldn't be a group project due to lack of interest, I put together the ULAHLICA site so we could share pictures and midis. This had nothing to do with my own ego. I enjoy the people in the group very much and wanted to pay tribute to them. As soon as my website became "popular," people starting zooming in with their "I have and idea" posts. If you have an idea, just do it. If you're looking to produce "good art" instead of "group popularity" you don't need to wait for everyone's support. The private discussions stopped making sense. There was much contradiction in what was desired. No one was remembering what was posted before it. It became clear to me that what a few people really wanted was "any group not moderated by John Spartan." The new group is well and active. We have 30 members and Bobby has just told us about her role in PIPPIN. The automatic poll shows that Iolanthe is presently the most popular G&S opera by a wide margin. http://groups.yahoo.com/group/Savoynet/ As I said, join or don't join. What we're doing doesn't interfere with anything in this group so if someone doesn't like what we've done, it's just plain none of their business. Is someone comes up with a better idea and the group wants to move to the new site, that's fine with me too. I'm looking to do what's best for the whole group and to see that everyone has good time. Sincerely, John __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1, answered,, Summary-line: 13-Aug tempsavoy@tradelaw.com [65] #Re: Goldbury.. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 13:31:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7DHVdYH002790; Wed, 13 Aug 2003 13:31:40 -0400 (EDT) Received: from taurus.lunarpages.com (taurus.lunarpages.com [64.235.234.121]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7DHVda2007675 for ; Wed, 13 Aug 2003 13:31:39 -0400 (EDT) Received: from adsl-68-72-121-163.dsl.chcgil.ameritech.net ([68.72.121.163] helo=UNICIEF.tradelaw.com) by taurus.lunarpages.com with esmtp (Exim 4.20) id 19mzTJ-0007zv-O8 for opus@MIT.EDU; Wed, 13 Aug 2003 10:31:41 -0700 Message-Id: <5.2.1.1.0.20030813122413.00b533e8@taurus.lunarpages.com> X-Sender: tempsavoy@tradelaw.com@taurus.lunarpages.com (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 Date: Wed, 13 Aug 2003 12:31:20 -0500 To: "David C. Jedlinsky" From: David Craven Subject: Re: Goldbury.. In-Reply-To: <200308131715.NAA26661@multics.mit.edu> References: <5.2.1.1.0.20030813115831.01db16a8@taurus.lunarpages.com> <5.2.1.1.0.20030813115831.01db16a8@taurus.lunarpages.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - taurus.lunarpages.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - tradelaw.com X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: tempsavoy@tradelaw.com@taurus.lunarpages.com (Unverified) Date: Wed, 13 Aug 2003 12:31:20 -0500 To: "David C. Jedlinsky" From: David Craven Subject: Re: Goldbury.. In-Reply-To: <200308131715.NAA26661@multics.mit.edu> X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - taurus.lunarpages.com X-AntiAbuse: Original Domain - mit.edu X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - tradelaw.com X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 01:15 PM 8/13/2003 -0400, David C. Jedlinsky wrote: >Ernest & Dauntless. How about you? Paramount, Roderic and Marmaduke. I get to show I am a bass. I am glad to see that you got several interesting roles this year... but isn't Dauntless a little high? Mind you, I am sure that you can pull it off. (And I can't comment on Dumpkoff's range, I just don't know the show that well.) I'm a little apprehensive about Utopia. I was so very upset when I didn't get the role at Buxton. And now I get to sing it soon after Buxton with one of the people involved in the casting also in the cast. I think that they made a mistake, particularly in light of the fact that the original Paramount had to drop out, and am concerned the subconsciously I will end up over singing it to try to "prove" to Larry that he made a mistake. And that would not be a good thing. (And I suspect that the "problem" that I had with Buxton casting has nothing to do with Larry G...) But I didn't ask for Paramount, and I didn't give myself the role and thus I am more than willing to sing it. >I wonder why a full cast list hasn't been posted. I understand that it has been sent out. I just haven't gotten it yet. Here''s the Utopia list. Conductor: Vicki Gau King Paramount: Yourself Scaphio: Larry Garvin Phantis: Phil Sternenberg Tarara: Sam Silvers Dramaleigh: Fred Wampler (L) Fitzbattleaxe: Phil Bender (L) Capt. Corcoran: Peter Zavon Blushington: Joseph Sorge (L) Zara: Rebecca Consentino Hains Nekaya: Deborah Jacobson (L) Kalyba: Mandy Jacobson (same address as Deborah--real sisters?) Lady Sophy: Kate Huntress-Reeve Phylla: Meghan Williams (L) Goldbury: David Jedlinsky Bailey-Barre: Shawn Perry  1,, Summary-line: 12-Aug rebecca@hains.net [50] #RE: Leonora Braham X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 16:46:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7DKgAYK003798; Wed, 13 Aug 2003 16:46:08 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7CKNrQJ016668 for ; Tue, 12 Aug 2003 16:23:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7CKNY7b012250; Tue, 12 Aug 2003 16:23:34 -0400 (EDT) Date: Tue, 12 Aug 2003 16:23:34 -0400 (EDT) Message-Id: <003101c3610d$7636ae30$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Leonora Braham MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007401c3610a$8dd639a0$e285fc3e@5zsv40j> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 12 Aug 2003 16:23:34 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Leonora Braham X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007401c3610a$8dd639a0$e285fc3e@5zsv40j> X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Derrick McClure wrote: >> I believe it is, though others (Michael?) will be able to give much more information than I could. But it's also true that she wasn't "MS." Braham, since that utterly glaikit abbreviation-of-nothing-under-the-sun wasn't in use in the 1880s. << A-*hem*... While it is true that Leonora Braham would not have been referred to as "Ms.," I think your characterization of the title is rather unfair. I do not wish to fully debate its merits with you here, as this is not an appropriate forum. However, please note that Mrs. was originally an abbreviation for "Mistress," which is no longer used to address married ladies in most of the English speaking world; indeed, it now has terrible connotations. Furthermore, many people are unaware of this etymology, and they mistakenly surmise that Mrs. is the possessive form of Mr. As I am neither a mistress nor a possession, in formal situations I prefer to be addressed as Ms. Hains. (In my classroom, of course, Professor Hains works rather well.) Ms. Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains  1,, Summary-line: 13-Aug sharkli@zwallet.com [35] #Re: changing the subject X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 18:09:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7DM8RYV006621; Wed, 13 Aug 2003 18:09:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7DM6hf3009325 for ; Wed, 13 Aug 2003 18:06:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7DM6N7b026549; Wed, 13 Aug 2003 18:06:23 -0400 (EDT) Date: Wed, 13 Aug 2003 18:06:23 -0400 (EDT) Message-Id: <1060812116.456611.59409.zmail@web1.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: changing the subject X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Aug 2003 18:06:23 -0400 (EDT) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: changing the subject X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Date: Wed, 13 Aug 2003 17:13:21 -0400 (EDT) >From: Zedmeister66@aol.com >I've spent a lot of time examining striking similarities that may or may not have been created consciously by Sullivan from one song to another. I'm sure they were conscious. Another obvious one within PIRATES is the thematic connection between "Oh dry the glistening tear" in Act II and the Orphan Boy in Act I - the former being part of a scene where Maj. Gen. Stanley is full of remorse for having lied about the latter. At the moment, I'm looking in detail at thematic construction in IOLANTHE. Two more obvious ones: "Good morrow good mother (lover)" and "For riches and rank" "Oh foolish fay" and "If you go in" ciao Helga Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1,, Summary-line: 13-Aug tere@MIT.EDU [34] #tere's new address X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 20:04:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E04TYH014446; Wed, 13 Aug 2003 20:04:29 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7E04KBK003486; Wed, 13 Aug 2003 20:04:27 -0400 (EDT) Received: from cathedral-seven.mit.edu (CATHEDRAL-SEVEN.MIT.EDU [18.7.16.65]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h7E01xGv029596; Wed, 13 Aug 2003 20:02:02 -0400 (EDT) Received: (from tere@localhost) by cathedral-seven.mit.edu (8.9.3p2) id UAA15262; Wed, 13 Aug 2003 20:01:59 -0400 (EDT) Message-Id: <200308140001.UAA15262@cathedral-seven.mit.edu> To: tere@mit.edu Subject: tere's new address Date: Wed, 13 Aug 2003 20:01:59 -0400 From: Teresa Hernandez X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: tere@mit.edu Subject: tere's new address Date: Wed, 13 Aug 2003 20:01:59 -0400 From: Teresa Hernandez X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all! I just wanted to drop you a quick note to let you know that I finally made it out here to Berkeley after a very round about moving process. I'll be attending grad school here for many moons to come, so if you want to find me, here is the place. Below is my new contact info. I don't want to clog everyone's e-mail with a long letter, so I shall just say GREETINGS FROM THE WEST COAST! Please pass on this information to anyone who would care to know it. Take care everyone! Have a great fall! Tere Teresa Hernandez 2333 College Ave. #201D Berkeley, CA 94720 home: 510-664-3698 cell: 510-684-8431 tere@uclink.berkeley.edu or tere@mit.edu (which still works, and I check it regularly) or tdh@alum.mit.edu  1,, Summary-line: 13-Aug cliftoncoles@hotmail.com [86] #Re: Other operas X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 20:21:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E0JhYQ019188; Wed, 13 Aug 2003 20:21:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7DNuFBn025789 for ; Wed, 13 Aug 2003 19:56:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7DNu27b029287; Wed, 13 Aug 2003 19:56:02 -0400 (EDT) Date: Wed, 13 Aug 2003 19:56:02 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Other operas Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Aug 2003 19:56:02 -0400 (EDT) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Re: Other operas X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >From: Rutland Barrington >I find rather sad that the non-SWOGs and GWOSs Savoy >operas are never given performance, because, although >they are not all up to the standards, some are quite >good? >Does anyone else have feelings about this? Well, of course! Anyone who has been paying attention on this listserv (I know you're new) for the past two years knows this is area of interest and expertise. As one explores the Savoy operas of the 1890s, one becomes (okay, I became) aware of the astonishing variety of these works. If I were asked to rate them, I would say (leaving the Sullivan operas out of the reckoning) that The Nautch Girl is the best of them -- the most like G&S in both words and music. It seems to me it is extremely playable. It is more stereotypically Indian than The Mikado is stereotypically Japanese -- the Indian milieu is more thoroughly permeating. And though it has the same lightness of touch as The Mikado (there are lots of laughs about death and torture), I am less able to detect that "Englishman-in-disguise" feel that people use to excuse The Mikado from racism. Don't get me wrong -- there are lots of jokes at the expense of Hinduism -- come on, an idol comes to life onstage. The biggest surprises of the Savoy 1890s are Jane Annie and the second version of Mirette. The most disappointing is The Lucky Star -- its music is too oom-pah, oom-pah in its accompaniment for too many numbers, and they all seem okay at exactly the same tempo. The Lucky Star also requires great rapport between the actors playing King Ouf and Sirocco. They spend a lot of time onstage together, and their timing must be *perfect* in order for the piece to work. The least successful, in words and music, is His Majesty. So: looking for alternatives to your annual comic opera frolics, I would try (in this order): The Nautch Girl, The Vicar of Bray, Jane Annie, Mirette II, The Lucky Star, and finally His Majesty. I would do The Grand Duchess before His Majesty. I would also do the first version of Mirette before His Majesty and before The Grand Duchess. As for the Edward German operas: my personal favorite is the insanity of A Princess of Kensington. For those disappointed with the incessant 6/8 of Merrie England, Kensington has more to offer. There is a gypsy dance in act two that is exhilirating! I beg all of you to be open-minded when approaching these works. They run the gamut in their genus of theatre. In many cases, the only thing they have in common is the Savoy and the sobriquet "comic opera." Remember earlier in the week when I scolded you all for dismissing a work almost exclusively on its performance in its original run based solely on number of times the curtain went up? You will need the same open mind when examining the 1890s Savoys. It is easy to reject Jane Annie because it lasted 50 performances. But if you do not hold it up to Gilbertian standards, recognize it as a farce, and read it several times to uncover its multiple attributes (and have some notion of history), then the work will begin to blossom. These are unbounded fields of speculation upon which I can discourse for hours. Most of you will be bored (you've already rejected these operas as "unworthy") and I WILL begin to show off -- it's inevitable. I have complete midis available for The Nautch Girl, both versions of Mirette, and Jane Annie. Write if you are interested. I am working on The Lucky Star and will soon turn my attention to The Vicar of Bray (and, if the gods are good, Billee Taylor, which doesn't fall under this topic). Cliff . . . . _________________________________________________________________ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail  1,, Summary-line: 13-Aug to: YesTisMabel@aol.com [88] #Re: The famous Utopia DVD/Julia's accent X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 20:23:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E0N6YH020318; Wed, 13 Aug 2003 20:23:06 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7E0N5t3007265; Wed, 13 Aug 2003 20:23:05 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h7E0N5aq027684; Wed, 13 Aug 2003 20:23:05 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id UAA03796; Wed, 13 Aug 2003 20:23:05 -0400 (EDT) Date: Wed, 13 Aug 2003 20:23:05 -0400 (EDT) Message-Id: <200308140023.UAA03796@multics.mit.edu> From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <7a.45cdb14d.2c6c1cba@aol.com> (YesTisMabel@aol.com) Subject: Re: The famous Utopia DVD/Julia's accent References: <7a.45cdb14d.2c6c1cba@aol.com> X-Spam-Score: -5.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Aug 2003 20:23:05 -0400 (EDT) From: "David C. Jedlinsky" To: YesTisMabel@aol.com In-reply-to: <7a.45cdb14d.2c6c1cba@aol.com> (YesTisMabel@aol.com) Subject: Re: The famous Utopia DVD/Julia's accent X-Spam-Score: -5.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hmm, where to start on describing Utopia? I'm sure to make a mess of it. David Duffey wanted all the Utopians to have an American accent, to differentiate themselves from the English Flowers of Progress. Sam decided that his own accent wasn't unique enough, and went for an over-the-top Southernesque. Most of the Brits independently went for Southern as well, as they found it the easiest way to sound "American". This left Ron Orenstein and Eric Peterson as the only "normal" sounding Americans (which is even more amusing when you realize that Ron's Canadian). The dialog was trimmed extensively, and David put most of it into a "newsletter" which was handed out to the patrons as they entered the theatre. That allowed the show to be much shorter (to fit with the constraints of a union orchestra), and prevented it from dragging. Some songs were tightened by trimming verses, but not much. And Larry's tempi were brisk, making lots of songs seem fresh. The Utopians wore dark (but not negroid) body makeup. They looked like they all had healthy tans. There were lots of arms and legs exposed, which made for a *lot* of makeup. There was a running gag involving Sam (Tarara) constantly exploding things (often offstage), followed by a loud scream of his, and a delayed "Thaynk yew" (southern accent). The explosions were quite startlingly loud, and well-placed to fit in the dialog, making certain lines funnier than they were, perhaps, originally intended. Each time Sam appeared onstage after an explosion, he was much worse for wear, with arms in slings and crutches. The show ended with Sam running out in front of the curtain with a plunger detonator, and a huge explosion & thaynk yew. Neil Smith then came out in tatters to give the post-show speech. You've heard about the Christy Minstrel number. It involved the Flowers sitting in a row, impassively, doing a fairly complicated unison tamborine routine. Being a Flower myself, I cannot judge how it turned out. But I hear it was well received. After "Upon our Sea-Girt Land", all the men broke into a furious Haka (Maori war dance). This is familiar to any British football fan, as the New Zealand team is apparently known for performing it before each game. That's where the blue tongues and warpaint came in. Other than that, you really should watch the video to get the full effect of the performance. Having said that, I hope it lives up to the description! -Dave >From: YesTisMabel@aol.com >Date: Wed, 13 Aug 2003 18:59:06 EDT > >In a message dated 8/13/03 11:33:12 AM EST, opus@MIT.EDU writes: > ><< By the way, do you have the missing first two lines of Julia's mad > scene? They go: > > I have a rival! > Frenzy-thrill'd, I find you both together! > > (My heart stands still, > with horror chill'd...) > > It adds just enough to the scene to completely change it. > >> > > >Yes, I always perform it that way. And my accent also wanders all over. I'm >really trying for Vivien Leigh, but I end up with Alfalfa and Buckwheat >sometimes! I did not know that Sam did an accent. Really, no one has posted to us >about what you all actually DID....we just know that everyone loved it. We >know something about haka, and blue tongues, and body paint for everyone, but >that's all we know. Care to enlighten us? > >Elise  1,, Summary-line: 13-Aug cjround@earthlink.net [67] #Re: Buxton arrival X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 20:52:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E0qIYJ028300; Wed, 13 Aug 2003 20:52:19 -0400 (EDT) Received: from goose.mail.pas.earthlink.net (pop13.sprintmail.com [207.217.120.145]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7E0lRtC023764 for ; Wed, 13 Aug 2003 20:47:27 -0400 (EDT) Received: from nycmny1-ar1-4-33-081-147.nycmny1.elnk.dsl.genuity.net ([4.33.81.147] helo=earthlink.net) by goose.mail.pas.earthlink.net with smtp (Exim 3.33 #1) id 19n6H0-0005e0-00 for opus@MIT.EDU; Wed, 13 Aug 2003 17:47:26 -0700 Message-ID: <412003841404730590@earthlink.net> X-EM-Version: 5, 0, 0, 0 X-EM-Registration: #3003520714B31D032830 X-Priority: Reply-To: cjround@earthlink.net X-Mailer: EarthLink MailBox 5.03.40 (Windows) From: "Carole Round" To: "David C. Jedlinsky" Subject: Re: Buxton arrival Date: Wed, 13 Aug 2003 20:47:30 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_84815C5ABAF209EF376268C8" X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-EM-Version: 5, 0, 0, 0 X-EM-Registration: #3003520714B31D032830 X-Priority: Reply-To: cjround@earthlink.net From: "Carole Round" To: "David C. Jedlinsky" Subject: Re: Buxton arrival Date: Wed, 13 Aug 2003 20:47:30 -0400 X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------=_NextPart_84815C5ABAF209EF376268C8 Content-type: text/plain; charset=US-ASCII Hi Dave, Thanks for your kind note. All this success makes me even more regretful that I didn't get there - BUT, I'm now trying to buy a house in upstate NY that I would have missed out on had I not been here. ( may still not get, but that's another much longer story - I will be in Rockville if we're really bored I can tell it there - or maybe will have missed out.) But, I am looking forward to Rockville. I'm also planning to buy several Festival videos. Have you heard anything of the Derby Ruddigore (this past Monday night). I'd post my query but am still afflicted with rich text - elsewise I'd probably joined Spartan's melee. I really don't care about it, but love a good knock-down brawl! Stay cool - see you in a few weeks. I'm always happy when Buxton is such a happy experience for folks - this year seemed like a no-lose one. Carole ------=_NextPart_84815C5ABAF209EF376268C8 Content-Type: text/html; charset=US-ASCII
Hi Dave,
 
Thanks for your kind note.  All this success makes me even more regretful that I didn't get there - BUT, I'm now trying to buy a house in upstate NY that I would have missed out on had I not been here.  (& may still not get, but that's another much longer story - I will be in Rockville & if we're really bored I can tell it there - or maybe will have missed out.)  But, I am looking forward to Rockville.
 
I'm also planning to buy several Festival videos.  Have you heard anything of the Derby Ruddigore (this past Monday night).  I'd post my query but am still afflicted with rich text - elsewise I'd probably joined Spartan's melee.  I really don't care about it, but love a good knock-down brawl! 
 
Stay cool - see you in a few weeks.  I'm always happy when Buxton is such a happy experience for folks - & this year seemed like a no-lose one.
 
Carole
 
------=_NextPart_84815C5ABAF209EF376268C8--  1,, Summary-line: 13-Aug edwpat@worldnet.att.net [38] #The Nautch Girl X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 13 Aug 2003 22:03:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E23cYG018454; Wed, 13 Aug 2003 22:03:38 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7E22cBn017035 for ; Wed, 13 Aug 2003 22:02:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7E22N7b001430; Wed, 13 Aug 2003 22:02:23 -0400 (EDT) Date: Wed, 13 Aug 2003 22:02:23 -0400 (EDT) Message-Id: <001d01c36207$60b6ed40$70c7590c@us.dbisna.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: The Nautch Girl MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 13 Aug 2003 22:02:23 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: The Nautch Girl X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Rutland Barrington wrote: "I am aware that we were not talking about this, but has anyone ever scene a production of The Nautch Girl?" I don't believe there has been one for some time; however, I have a rare incomplete tape (almost inaudible, but there none the less) of a full performance by the Gosforth I got from a kind soul on Savoynet. I also created midi files which can be found on the Archives. Chris Coles completed this job, and I know he has (as I do) the very good work in midi file format. I also have (a CD (from Tape) of a piano performance of the Vicar of Bray (Gosforth as well). This I got from the late Jim Drew, who, as many of you know had an extensive collection of works on tape, video and CD. Such mentors in our hobby will be missed. I am saddened and miss Jim and his love of the genre. I am fortunate to have known him and to have his voice preserved in UMGASS Id and The Gondoliers PLUS his production of the Grand Duke, which I have said (at great risk of offending the marvellous efforts of the Seattle G&S) is and probably will be the definitive Grand Duke on recordings. Ed Patterson, MA http://www.dancaster.com Sayreville NJ - Allentown PA  1,, Summary-line: 13-Aug jichikawa@jonesmcclure.co [62] #RE: Jim Drew X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 03:01:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E71gYL011105; Thu, 14 Aug 2003 03:01:47 -0400 (EDT) Received: from mtaw4.prodigy.net (mtaw4.prodigy.net [64.164.98.52]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7DGxXTY003190 for ; Wed, 13 Aug 2003 12:59:34 -0400 (EDT) Received: from gateway.jonesmcclure.com (adsl-216-61-157-193.dsl.hstntx.swbell.net [216.61.157.193]) by mtaw4.prodigy.net (8.12.9/8.12.3) with SMTP id h7DGxVOq005534 for ; Wed, 13 Aug 2003 09:59:32 -0700 (PDT) Reply-To: From: "Jonathan Ichikawa" To: Subject: RE: Jim Drew Date: Wed, 13 Aug 2003 11:57:15 -0500 Message-ID: <000701c361bb$f303d880$1b00a8c0@jonesmcclure.com> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) In-Reply-To: <200308131506.LAA24658@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 Importance: Normal X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: From: "Jonathan Ichikawa" To: Subject: RE: Jim Drew Date: Wed, 13 Aug 2003 11:57:15 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal In-Reply-To: <200308131506.LAA24658@multics.mit.edu> X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 Importance: Normal X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey Dave, The only young people I remember in Orlando (other than me, who did not tape the show), were Alvin Entin's kids... I spent the show sitting with his college-age daughter, who also did not tape the show. Alvin also had twin boys. I don't remember if they were at the show or taping it, but I'd check with him... Good luck. Jonathan > -----Original Message----- > From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu]On > Behalf Of David C. Jedlinsky > Sent: Wednesday, August 13, 2003 11:49 AM > To: Multiple recipients of list SAVOYNET > Subject: Re: Jim Drew > > > > >Date: Tue, 12 Aug 2003 02:41:43 -0400 (EDT) > >From: YesTisMabel@aol.com > > > >I so regret not having recorded Jim's one-man Gilbert show, > with Andi at the > >piano... > > Here is a scavenger hunt for all who attended the Orlando G&Sing, and > saw Jim's show. > > There were several teenagers present, who had a blank video tape, but > no camcorder. Ruth and I, on the other hand, had a camcorder with no > tape. The two were joined, and Ruth recorded at least some of Jim's > show (she can't remember how much). The tape was returned to the > teens at the end of the evening. > > Can anyone identify those young persons, with the hopes of finding > that tape? > > Thanks. > > -Dave Jedlinsky > opus@mit.edu > Milford, New Hampshire >  1,, Summary-line: 14-Aug dontull@pacbell.net [65] #Re: SWOGs and GWOS-upcoming performances-resending in plain text X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 06:01:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7E9lHYp003356; Thu, 14 Aug 2003 06:01:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7E9Z5oK015325 for ; Thu, 14 Aug 2003 05:35:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7E9Ws7b005548; Thu, 14 Aug 2003 05:32:54 -0400 (EDT) Date: Thu, 14 Aug 2003 05:32:54 -0400 (EDT) Message-Id: <20030814092007.81324.qmail@web80403.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: SWOGs and GWOS-upcoming performances-resending in plain text MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 05:32:54 -0400 (EDT) Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: SWOGs and GWOS-upcoming performances-resending in plain text X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My apologies for sending out my last post without changing over to plain text. My ISP forced a switchover to Yahoo and, contrary to my old service, requires a manual choice for plain text as opposed to an automatic one or sending both. I will learn. Former message: Some of you may recall that Lyric Theatre of San Jose in California has started a new theatre series called the Discovery Series or "Lost Operettas ... Found!" Last spring our debut production was German's Merrie England. This November we will be presenting a semi-staged, concert dress performance of Sullivan's Rose of Persia. Lyric does these productions with piano and some use of scores. We have a stellar cast, but do bear in mind that these are not full stage productions. At this point we feel that this is the best way to introduce these works to our audience. Hopefully as our friends see more and more of these (we are aiming to do two per year in addition to our three mainstage shows), we will be able to move some of these worthy pieces to the mainstage. Other planned productions (not all Savoy operas) are: July 2004 - De Koven's Robin Hood November 2004 - Dorothy July 2005 - Jerome Kern's Leave It To Jane Our aim is to present a rather broad spectrum over the years, not just Savoy related works. If you would be interested in more details, please check Lyric's website www.lyrictheatre.org or contact me by email. Yes, there are those of us who are trying to bring these long neglected pieces to life, but there are so many of them and we can only do two or so a year. Cheers, ===== Don Tull Music Director Stage Director Operetta Translator dontull@pacbell.net San Francisco, CA  1,, Summary-line: 14-Aug Mapman923@aol.com [33] #THE ELEMENTS X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 10:58:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EEwcYL016939; Thu, 14 Aug 2003 10:58:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7EEu8Z7000562 for ; Thu, 14 Aug 2003 10:56:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7EEtj7b023909; Thu, 14 Aug 2003 10:55:45 -0400 (EDT) Date: Thu, 14 Aug 2003 10:55:45 -0400 (EDT) Message-Id: <051DEC6E.46CE5BF7.025FA680@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Mapman923@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mapman923@aol.com To: Multiple recipients of list SAVOYNET Subject: THE ELEMENTS MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 10:55:45 -0400 (EDT) Reply-To: Mapman923@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mapman923@aol.com To: Multiple recipients of list SAVOYNET Subject: THE ELEMENTS X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry if this has been posted before, but it's new to me. My boss just sent it to me this morning (he's played Sir Joseph Porter, Capt. Corcoran, Duke of P-T, King Paramount, etc. and music directed IOLANTHE -- it's nice to work someplace where you can quote G&S and not be looked at as if you've lost your mind!) <> Bill Snyder Binghamton, NY  1,, Summary-line: 14-Aug vloc.singout@att.net [17] # X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 11:42:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EFg7YH028561; Thu, 14 Aug 2003 11:42:07 -0400 (EDT) Received: from mtiwmhc11.worldnet.att.net (mtiwmhc11.worldnet.att.net [204.127.131.115]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7EFd8jA008667 for ; Thu, 14 Aug 2003 11:39:08 -0400 (EDT) Message-Id: <200308141539.h7EFd8jA008667@pacific-carrier-annex.mit.edu> Received: from mtiwebc08 (mtiwebc08.worldnet.att.net[204.127.135.29]) by mtiwmhc11.worldnet.att.net (mtiwmhc11) with SMTP id <2003081415390611100dbeoae>; Thu, 14 Aug 2003 15:39:06 +0000 Received: from [66.174.3.204] by mtiwebc08; Thu, 14 Aug 2003 15:39:04 +0000 From: vloc.singout@att.net To: d.j.young@att.net Date: Thu, 14 Aug 2003 15:39:04 +0000 X-Mailer: AT&T Message Center Version 1 (Jul 29 2003) X-Authenticated-Sender: dmxvYy5zaW5nb3V0QGF0dC5uZXQ= X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: vloc.singout@att.net To: d.j.young@att.net Date: Thu, 14 Aug 2003 15:39:04 +0000 X-Authenticated-Sender: dmxvYy5zaW5nb3V0QGF0dC5uZXQ= X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Please let me know if you'd like a t-shirt. Number and size is all that's needed, so we can make sure we have enough Thanks! Denise Young Sing-Out Coordinator  1,, Summary-line: 14-Aug kimmerie@comcast.net [90] #Re: Buffy pics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 11:45:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EFjmYH017965; Thu, 14 Aug 2003 11:45:49 -0400 (EDT) Received: from rwcrmhc13.comcast.net (rwcrmhc13.comcast.net [204.127.198.39]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7EFjjjA011025 for ; Thu, 14 Aug 2003 11:45:45 -0400 (EDT) Received: from Kimmerie (h00045afd1c4c.ne.client2.attbi.com[24.218.38.236](untrusted sender)) by comcast.net (rwcrmhc13) with SMTP id <2003081415454301500o5jd0e>; Thu, 14 Aug 2003 15:45:43 +0000 Message-ID: <00b801c3627b$1e50b110$6501a8c0@Kimmerie> From: "Kimmerie H.O .Jones" To: "David C. Jedlinsky" References: <200308132339.TAA03088@multics.mit.edu> Subject: Re: Buffy pics Date: Thu, 14 Aug 2003 11:45:41 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00B5_01C36259.96E1FCF0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Kimmerie H.O .Jones" To: "David C. Jedlinsky" Subject: Re: Buffy pics Date: Thu, 14 Aug 2003 11:45:41 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_00B5_01C36259.96E1FCF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable great!! have done :) thanks! ----- Original Message -----=20 From: David C. Jedlinsky=20 To: kimmerie@comcast.net=20 Sent: Wednesday, August 13, 2003 7:39 PM Subject: Buffy pics Hi Kimmerie! Ruth stuck a bunch of Buffy photos on her web site, if you're interested. Could you pass it on to anyone else who might want to see them? http://www.mit.edu/~rls/Buffy -Dave ------=_NextPart_000_00B5_01C36259.96E1FCF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
great!!
 
have done :)
 
thanks!
 
----- Original Message -----
From:=20 David C. = Jedlinsky
Sent: Wednesday, August 13, = 2003 7:39=20 PM
Subject: Buffy pics


Hi Kimmerie!

Ruth stuck a bunch of Buffy = photos on=20 her web site, if you're
interested.  Could you pass it on to = anyone=20 else who might want to see
them?

http://www.mit.edu/~rls/Buffy<= BR>
-Dave ------=_NextPart_000_00B5_01C36259.96E1FCF0--  1,, Summary-line: 14-Aug jichikawa@jonesmcclure.co [23] #Change of email: Jonathan Ichikawa X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 11:48:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EFmFYH019380; Thu, 14 Aug 2003 11:48:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7EFmEZ7023992 for ; Thu, 14 Aug 2003 11:48:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7EFlX7b029334; Thu, 14 Aug 2003 11:47:33 -0400 (EDT) Date: Thu, 14 Aug 2003 11:47:33 -0400 (EDT) Message-Id: <002401c3627a$23303580$1b00a8c0@jonesmcclure.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jichikawa@jonesmcclure.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: Change of email: Jonathan Ichikawa MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 11:47:33 -0400 (EDT) Reply-To: jichikawa@jonesmcclure.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: Change of email: Jonathan Ichikawa X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, After tomorrow, I will not receive email at this address. To contact me, please email ichikawa@alumni.rice.edu. Thanks, Jonathan Ichikawa  1,, Summary-line: 14-Aug bj.richards@btinternet.co [36] #Re: SWOGs and GWOSs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 13:14:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EHE3YJ014803; Thu, 14 Aug 2003 13:14:06 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7EH6qjA007508 for ; Thu, 14 Aug 2003 13:06:52 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7EH6X7b004033; Thu, 14 Aug 2003 13:06:33 -0400 (EDT) Date: Thu, 14 Aug 2003 13:06:33 -0400 (EDT) Message-Id: <002301c36283$9acfe6e0$63ec7ad5@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: SWOGs and GWOSs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 13:06:33 -0400 (EDT) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: SWOGs and GWOSs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Can anybody beat Sam's enviable record of participating in G&S, SWOG & GWOS? Bob & Jackie > I too performed in several of these, including The Rose of Persia and The Chieftain (twice each). I must be forgetting one? Of course, we have also done The Zoo in concert at the Society. I also did the more recent concert of His Excellency with Marc Shepherd organizing and conducting, and sang in the chorus of The Prodigal Son. I may be participating in the October 15th meeting this year where the Society will be doing The Martyr of Antioch in concert. > > As I noted before, I have peformed in two full productions and lots of concerts of The Zoo and in concerts of Cox & Box. I have seen the concerts that Andi mentioned, plus a concert of Eyes and No Eyes (?), also a full production of Princess Toto by the Blue Hill Troupe, Gilbert's The Princess (the Philadelpha child-abuse production). I am sure I'm leaving something out. > > Sam  1,, Summary-line: 14-Aug ornstn@rogers.com [57] #Alert re Festival DVDs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 14:02:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EI2rYH017435; Thu, 14 Aug 2003 14:02:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7EI2qir026239 for ; Thu, 14 Aug 2003 14:02:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7EI2V7b009560; Thu, 14 Aug 2003 14:02:32 -0400 (EDT) Date: Thu, 14 Aug 2003 14:02:31 -0400 (EDT) Message-Id: <5.2.0.9.2.20030814172643.027eb0e0@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Alert re Festival DVDs Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 14:02:31 -0400 (EDT) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Alert re Festival DVDs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Chris Faulkner has asked me to pass on the following note: Festival DVDs recorded after 2 August (PAL format only - NTSC format disks should be OK) may have been recorded on a faulty machine. Faulty disks will be missing one of the stereo audio tracks (that is, sound will come in on one channel only. If anyone has ended up with one of these disks, please return it to Chris for replacement. Chris has asked that the returns be sent to him personally, not to the Festival office (of course anyone still in Buxton could just hop down to his trailer behind the portakabin). His address is: Chris Faulkner All Media Works 35 Athelstan Road Harold Wood Romford Essex RM3 0QD ph 01708 34527 fax 01708 707296 mobile 07768 194607 email chris@allmediaworks.co.uk Again - this alert is for PAL (European format) DVDs only - NTSC DVDs and all videotapes should be OK. If there are any problems or further questions please write to Chris directly - I will be leaving Buxton on Sunday so I may not be able to pass questions on to him. And I can't finish this without saying what a debt we owe to Chris for his superb work so far - and for those who asked, yes, he is doing a six-camera shoot. Amazing.... PS - our Utopia is still the best-selling video at the portakabin! -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1, answered,, Summary-line: 14-Aug radford@MIT.EDU [38] #Re: videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 14:53:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7EIrcYH020343; Thu, 14 Aug 2003 14:53:38 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7EIrcJN011132 for ; Thu, 14 Aug 2003 14:53:38 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h7EIrbGr022167 for ; Thu, 14 Aug 2003 14:53:37 -0400 (EDT) Received: (from radford@localhost) by biohazard-cafe.mit.edu (8.9.3p2) id OAA28892; Thu, 14 Aug 2003 14:53:37 -0400 (EDT) Date: Thu, 14 Aug 2003 14:53:37 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: videos In-Reply-To: <200308140323.XAA05903@multics.mit.edu> Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -7.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 14:53:37 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: videos In-Reply-To: <200308140323.XAA05903@multics.mit.edu> X-Spam-Score: -7.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Saturday works great if you can bring them to the setshop between 1-5pm. I will cut the check and make sure it is there if I happen to not be. Also, have you had a chance to come up with an estimated cost for a Star Wars DVD? I still haven't polled for numbers, but will do so as soon as I can at least give an educated guess of the cost. Thanks -Todd On Wed, 13 Aug 2003, David C. Jedlinsky wrote: > > Hi Todd. > > Sorry to be so late on the response; I've been travelling for much of > the summer. High Society is finished, and I can bring the 21 copies > down on Saturday, if that's convenient. The total cost is $309.20, > payable to "IPNH" as usual. > > If Saturday won't work, perhaps Ruth can bring them on Monday? > > -Dave >  1,, Summary-line: 14-Aug MusikDrama@aol.com [41] #Re: Dover "Pirates" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 14 Aug 2003 23:35:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7F3ZDYH019002; Thu, 14 Aug 2003 23:35:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7F3ZC6V023736 for ; Thu, 14 Aug 2003 23:35:12 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7F3Xd7b000703; Thu, 14 Aug 2003 23:33:39 -0400 (EDT) Date: Thu, 14 Aug 2003 23:33:39 -0400 (EDT) Message-Id: <1c5.d278ae3.2c6da802@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dover "Pirates" MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 14 Aug 2003 23:33:39 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dover "Pirates" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 8/14/03 11:54:01 AM, mail@lsimons.plus.com writes: >Does there exist such a thing as an errata list for the Dover Edition >"Pirates" score? Perhaps it's just me, but there certainly seem to be >some problems with the opening bars of the ballad "Sighing Softly" at >the beginning of the Act II finale. Alas, the task of making Schirmer errata lists has taken up all my time hitherto (and I'm a long way from finishing the canon). If I now have to start doing the same for Dover (never mind Chappell), well d***e, it's too bad! Actually I do have an errata list for the Dover Mikado, having assisted Mssrs. Jones and Simpson with the preparation of the piano reduction. I was told quite some time ago that the contents of my current short errata list (which is substantially shorter than it was prior to the score's initial publication) would be incorporated into a second release at some point, but I've heard nothing further about that. And as I wasn't involved in the Pirates in any way, and have never even seen it, I can't help at all with the present request, I fear. But I do have an errata/variant list for Schirmer vs. Stoddard (substantially the same as Chappell, I believe), if you (or anyone else) is (are) interested. Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 15-Aug hartley@emc.com [64] #RE: MITCP All's Well Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Aug 2003 15:14:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7FJEJYH022042; Fri, 15 Aug 2003 15:14:19 -0400 (EDT) Received: from srexchimc2.eng.emc.com (srexchimc2.lss.emc.com [168.159.100.11]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7FJEIN5028411 for ; Fri, 15 Aug 2003 15:14:18 -0400 (EDT) Received: by srexchimc2.lss.emc.com with Internet Mail Service (5.5.2653.19) id ; Fri, 15 Aug 2003 15:14:18 -0400 Message-ID: From: "hartley, douglas" To: "'David C. Jedlinsky'" , J91a@cs.com Subject: RE: MITCP All's Well Video Date: Fri, 15 Aug 2003 15:14:18 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "hartley, douglas" To: "'David C. Jedlinsky'" , J91a@cs.com Subject: RE: MITCP All's Well Video Date: Fri, 15 Aug 2003 15:14:18 -0400 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) DVD, indeed! Thank you, Doug -----Original Message----- From: David C. Jedlinsky [mailto:opus@MIT.EDU] Sent: Friday, August 15, 2003 3:09 PM To: J91a@cs.com Cc: alls-cast@MIT.EDU; alls-crew@MIT.EDU Subject: Re: MITCP All's Well Video Hi. Dave, the videographer, here. I'd like to point out that you can choose to either have your video on VHS tape or DVD. DVDs will cost slightly more than the VHS, about $3. Please specify which type you would like when replying to Janine. Thanks. -Dave >From: J91a@cs.com >Date: Sun, 10 Aug 2003 14:04:31 EDT > >To the MITCP Alls Well That Ends Well cast and crew, > >Greetings, folks, from what feels like a century ago-- > >Countess speaking... > >GREAT NEWS! > >The Alls Well That Ends Well video is ready for distribution, has been ready= >,=20 >apparently, for some time, but was in need of a distributor. I have agreed=20 >to collect inquiries and will direct people where to pick up copies. We won= >t=20 >know the cost per video until we have a count of how many people want one. > >So email, if you're interested in receiving a copy, to J91a@cs.com no later=20 >than August 25th and I will be in touch with folks who are interested. > >All best, and hope you're all having a fantastic summer! > >Janine Wan=E9e  1,, Summary-line: 15-Aug to: radford@MIT.EDU [59] #Re: videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Aug 2003 15:25:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7FJPiYH028678; Fri, 15 Aug 2003 15:25:44 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7FJPh0B010177; Fri, 15 Aug 2003 15:25:43 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h7FJPhaq021994; Fri, 15 Aug 2003 15:25:43 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA06107; Fri, 15 Aug 2003 15:25:43 -0400 (EDT) Date: Fri, 15 Aug 2003 15:25:43 -0400 (EDT) Message-Id: <200308151925.PAA06107@multics.mit.edu> From: "David C. Jedlinsky" To: radford@MIT.EDU In-reply-to: (message from Todd Radford on Thu, 14 Aug 2003 14:53:37 -0400 (EDT)) Subject: Re: videos References: X-Spam-Score: -5.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 15 Aug 2003 15:25:43 -0400 (EDT) From: "David C. Jedlinsky" To: radford@MIT.EDU In-reply-to: (message from Todd Radford on Thu, 14 Aug 2003 14:53:37 -0400 (EDT)) Subject: Re: videos X-Spam-Score: -5.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Todd. I'll show up sometime before 3pm on Saturday. As you've seen from the mail to the All's Well cast, the price depends on how many copies are requested. Does MTG pass on the whole cost of the video, or do they subsidize in any way? The DVDs will probably end up being about $3 or so more expensive than the VHS tapes, but I'm not sure how much the tapes will be. The base price, before adding any copies, is about $325 (two cameras, instead of one). If MTG passes that base cost onto the people buying the copies, divide it by the number of orders, and add $7.20 for VHS or $10 for DVD. -Dave >Date: Thu, 14 Aug 2003 14:53:37 -0400 (EDT) >From: Todd Radford > >David > >Saturday works great if you can bring them to the setshop between 1-5pm. >I will cut the check and make sure it is there if I happen to not be. > >Also, have you had a chance to come up with an estimated cost for a Star >Wars DVD? I still haven't polled for numbers, but will do so as soon as I >can at least give an educated guess of the cost. > >Thanks >-Todd > >On Wed, 13 Aug 2003, David C. Jedlinsky wrote: > >> >> Hi Todd. >> >> Sorry to be so late on the response; I've been travelling for much of >> the summer. High Society is finished, and I can bring the 21 copies >> down on Saturday, if that's convenient. The total cost is $309.20, >> payable to "IPNH" as usual. >> >> If Saturday won't work, perhaps Ruth can bring them on Monday? >> >> -Dave >> >  1,, Summary-line: 15-Aug mlcar@MIT.EDU [65] #Re: MITCP All's Well Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Aug 2003 15:27:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7FJR7YH029342; Fri, 15 Aug 2003 15:27:07 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7FJR6Xc010674; Fri, 15 Aug 2003 15:27:07 -0400 (EDT) Received: from [192.168.1.4] (h002078c528a7.ne.client2.attbi.com [66.30.207.66]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h7FJR5Gs008195; Fri, 15 Aug 2003 15:27:06 -0400 (EDT) Mime-Version: 1.0 X-Sender: mlcar@po10.mit.edu Message-Id: In-Reply-To: <200308151909.PAA05867@multics.mit.edu> References: <200308151909.PAA05867@multics.mit.edu> Date: Fri, 15 Aug 2003 15:27:03 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: MITCP All's Well Video Cc: J91a@cs.com Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mlcar@po10.mit.edu In-Reply-To: <200308151909.PAA05867@multics.mit.edu> Date: Fri, 15 Aug 2003 15:27:03 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: MITCP All's Well Video Cc: J91a@cs.com X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thank you both so much! I want mine on VHS - and I'd better get two! - Marion >Hi. > >Dave, the videographer, here. I'd like to point out that you can >choose to either have your video on VHS tape or DVD. DVDs will cost >slightly more than the VHS, about $3. Please specify which type you >would like when replying to Janine. > >Thanks. > >-Dave > > >>From: J91a@cs.com >>Date: Sun, 10 Aug 2003 14:04:31 EDT >> >>To the MITCP Alls Well That Ends Well cast and crew, >> >>Greetings, folks, from what feels like a century ago-- >> >>Countess speaking... >> >>GREAT NEWS! >> >>The Alls Well That Ends Well video is ready for distribution, has been ready= >>,=20 >>apparently, for some time, but was in need of a distributor. I >>have agreed=20 >>to collect inquiries and will direct people where to pick up copies. We won= >>t=20 >>know the cost per video until we have a count of how many people want one. >> >>So email, if you're interested in receiving a copy, to J91a@cs.com >>no later=20 >>than August 25th and I will be in touch with folks who are interested. >> >>All best, and hope you're all having a fantastic summer! >> >>Janine Wan=E9e -- -Marion ____________________________ Marion Leeds Carroll MIT Libraries Web Assistant mlcar@mit.edu 10-500 781.646.9115  1,, Summary-line: 15-Aug J91a@cs.com [60] #Re: MITCP All's Well Video X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Aug 2003 15:34:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7FJYsYH003718; Fri, 15 Aug 2003 15:34:54 -0400 (EDT) Received: from imo-m03.mx.aol.com (imo-m03.mx.aol.com [64.12.136.6]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7FJYfN5006088; Fri, 15 Aug 2003 15:34:41 -0400 (EDT) Received: from J91a@cs.com by imo-m03.mx.aol.com (mail_out_v36_r1.1.) id 6.55.45f9f9e1 (15699); Fri, 15 Aug 2003 15:34:35 -0400 (EDT) Received: from cs.com (mow-d17.webmail.aol.com [205.188.139.133]) by air-id05.mx.aol.com (v95.12) with ESMTP id MAILINID51-3d533f3d35ca18d; Fri, 15 Aug 2003 15:34:35 -0400 Date: Fri, 15 Aug 2003 15:34:34 -0400 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Cc: alls-cast@mit.edu, alls-crew@mit.edu Subject: Re: MITCP All's Well Video MIME-Version: 1.0 Message-ID: <6CAB62EF.23F743AD.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 128.103.214.183 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 15 Aug 2003 15:34:34 -0400 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Cc: alls-cast@mit.edu, alls-crew@mit.edu Subject: Re: MITCP All's Well Video X-AOL-IP: 128.103.214.183 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, So far I have a count of 11 people who want one (one DVD response already). Perhaps it would make things easier if folks just responded again if they specifically want DVD. Everybody who hasn't gotten back to me but is thinking about getting a copy can specify one way or the other. Thanks, Janine "David C. Jedlinsky" wrote: > >Hi. > >Dave, the videographer, here.  I'd like to point out that you can >choose to either have your video on VHS tape or DVD.  DVDs will cost >slightly more than the VHS, about $3.  Please specify which type you >would like when replying to Janine. > >Thanks. > >-Dave > > >>From: J91a@cs.com >>Date: Sun, 10 Aug 2003 14:04:31 EDT >> >>To the MITCP Alls Well That Ends Well cast and crew, >> >>Greetings, folks, from what feels like a century ago-- >> >>Countess speaking... >> >>GREAT NEWS! >> >>The Alls Well That Ends Well video is ready for distribution, has been ready= >>,=20 >>apparently, for some time, but was in need of a distributor.  I have agreed=20 >>to collect inquiries and will direct people where to pick up copies.  We won= >>t=20 >>know the cost per video until we have a count of how many people want one. >> >>So email, if you're interested in receiving a copy, to J91a@cs.com no later=20 >>than August 25th and I will be in touch with folks who are interested. >> >>All best, and hope you're all having a fantastic summer! >> >>Janine Wan=E9e >  1,, Summary-line: 15-Aug radford@MIT.EDU [22] #videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 15 Aug 2003 16:11:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7FKBLYH022735; Fri, 15 Aug 2003 16:11:22 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7FKBGXc015104 for ; Fri, 15 Aug 2003 16:11:16 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h7FKBFaq023521 for ; Fri, 15 Aug 2003 16:11:15 -0400 (EDT) Received: (from radford@localhost) by biohazard-cafe.mit.edu (8.9.3p2) id QAA28193; Fri, 15 Aug 2003 16:11:15 -0400 (EDT) Date: Fri, 15 Aug 2003 16:11:15 -0400 (EDT) From: Todd Radford To: Subject: videos Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -5.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 15 Aug 2003 16:11:15 -0400 (EDT) From: Todd Radford To: Subject: videos X-Spam-Score: -5.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey folks Star Wars videos are next in line for production, and I'm polling for numbers at this point. There is the option of VHS or DVD, with VHS running around $17 and DVD around $20. Please send me an email letting me know if you would like a video and which format. There is also the possibility of mailing if you will be out of state when they are finished. -Todd  1,, Summary-line: 16-Aug rian.d.sweeney@verizon.ne [43] #Re: St. James's Hall X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 09:02:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GD28YH024296; Sat, 16 Aug 2003 09:02:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7GD287g016310 for ; Sat, 16 Aug 2003 09:02:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GD0J7b007052; Sat, 16 Aug 2003 09:00:19 -0400 (EDT) Date: Sat, 16 Aug 2003 09:00:19 -0400 (EDT) Message-Id: <004401c363f2$d7eee920$2114df40@computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: brian.d.sweeney@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 09:00:19 -0400 (EDT) Reply-To: brian.d.sweeney@verizon.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Brian Sweeney" To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > >Strikes me that the Minstrel show is merely gratuitous, as if G > >and/or S wanted a Minstrel song no matter what. > > I think that is precisely the case. Anything wrong with that? Sometimes I > think we here seek too much logical consistency in a piece that was intended > to be simple entertainment. I suppose the gratuitous nature of the number is not really the problem. Had Paramount and the Flos of Pro simply erupted into song in Minstrel Style, I would have been delighted by the topsy-turvydom of it all. I'm really objecting to Gilbert's flimsy way of justifying the parody, which is worse than no explanation at all. (It's as if somebody came running on stage to order Arac to sing a parody of Handel, and then he sings "This Helmet.") Here's the thing: I just don't understand why the Flos of Pro are trying to humiliate Paramount to begin with...that's not part of their scheme, unless I'm missing something. It troubles me that Gilbert didn't bother to connect this practical joke to the Rest Of The Show...for example, by making it part of a series of humiliations by the Flos of Pro of King Paramount (a la Griffenfeld in His Excellency). See what I mean? Brian  1,, Summary-line: 16-Aug qcochise@yahoo.com [51] #Re: St. James's Hall X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 09:32:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GDWNYH001097; Sat, 16 Aug 2003 09:32:23 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7GDWM7g020497 for ; Sat, 16 Aug 2003 09:32:22 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GDUh7b007636; Sat, 16 Aug 2003 09:30:44 -0400 (EDT) Date: Sat, 16 Aug 2003 09:30:43 -0400 (EDT) Message-Id: <20030816132532.36595.qmail@web13707.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1061038525.293954.74258.zmail@web1.zwallet.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 09:30:43 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <1061038525.293954.74258.zmail@web1.zwallet.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Helga Perry wrote: > The key is ST JAMES. I think that I see Brian Sweeney's point: in the way that the dialog is written, it isn't the author's joke to us but instead is Dramaleigh's joke to the other Flowers of Progess, who must know the difference between the Court of St James and St James Hall. What I like about the extended Minstrel Scene (also in Wolfson's FINAL CURTAIN for those of us who don't have the one-volume Bradley), although I can see why it was cut, is that the King maintains his polite and civilized demeanor while Dramaleigh, the Lord Chamberlain (sort of a minister of decorum for those unfamiliar with the post), takes the low comedy dialect role. In the context of the larger racial inpersonation of the opera, this bit of topsy-turveydom strikes me as a sly joke. Although I don't think that Gilbert meant it this way, Brian's point suggests that the Flowers of Progress are slowly beginning to take the Wise Men's place in humiliating the king, substituting a minstrel show at court for comic opera at the theater. Kevin Wachs ===== __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 16-Aug buttercup16@juno.com [130] #Re: Rena - comments X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 13:17:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GHHdYH021719; Sat, 16 Aug 2003 13:17:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7GHHcx8023883 for ; Sat, 16 Aug 2003 13:17:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GHHM7b012850; Sat, 16 Aug 2003 13:17:22 -0400 (EDT) Date: Sat, 16 Aug 2003 13:17:22 -0400 (EDT) Message-Id: <20030816.125105.-315821.1.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Rena - comments MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.9 X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 13:17:22 -0400 (EDT) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Rena - comments X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, Peter, I guess we'll have to agree to disagree. As I said earlier (but which you left out of part of the message I sent) "I believe the manners of posters are fodder for some discussion when they involve ad hominum attacks on other members. I think it is perfectly proper for such miscreants to be jumped on forcefully and energetically." I would add that when someone is attacked as gratuitously as Rena was it is abslutely incumbent on everybody else to leap to her defense --you can be calm in the face of evident pain to another memer of this group. I cannot. On Sat, 16 Aug 2003 10:09:54 -0400 "Peter Zavon" writes: > The problem is that with a troll, the heated messages that were > flying > around are precisely what the troller was after. In other words, > after a > couple of calm messages noting that the thing is a troll and to be > ignored, > repeated peer pressure messages explaining or arguing with the > statements of > the troll, etc., are of no additional value in maintaining a civil > atmosphere and give satisfaction to the offender. That's why we > should > "cool it" and ignore. > > PZavon@Rochester.RR.Com > > ----- Original Message ----- > From: > To: > Sent: Saturday, August 16, 2003 7:35 AM > Subject: Re: Rena - comments > > > > > > > > Hi Peter --thanks for the definition of "troll"...I guess I live a > sheltered life. > > > > I think you contradict yourself a bit --I was the one that said > these > people should be thoroughly trounced --I do agree with the concept > of peer > pressure. I do think that the ones who jump in to tell everybody > to cool > it are performing no useful function. > > > > > --- "Peter Zavon" wrote: > > > > Sandy, I am having some difficulty teasing your comments out from > quotes > of > > the message you are responding to, so please for give me if I > mistake a > > quote for something you said. On Fri, 15 Aug 2003 > buttercup16@juno.com > said > > to Savoynet: > > > > >Well that's the first thing. I have never heard the word "troll" > used > > >in connection with the internet" > > > > The term "troll" is long established in the culture of internet > discussion > > forums. It describes a message that is intentionally outrageous > and > > insulting, posted for the purpose of eliciting outraged reaction > and > > creating flames and flame wars. The juvenile personalities that > enjoy > > "trolling" are roughly equivalent to those who like to kick over > ants' > nests > > to watch the ants scurry around. > > > > Trolls are likely to be posted in such a way as to disguise the > identity > of > > the perpetrator, and even to suggest that some OTHER participant > was the > > source. > > > > Not at all. Peer pressure is time-honored and very effective in > both > > teaching and maintaining Netiquette. If people don't speak up, > rationally, > > calmly, politely, then newer members of a given forum will > conclude that > > such inappropriate behavior is the norm, and acceptable, in that > particular > > forum - and it will become the norm by default. > > > > Peter Zavon > > Penfield, NY 14526 > > > > PZavon@Rochester.RR.Com > > > > > > Peter Zavon > > Penfield, NY 14526 > > > > PZavon@Rochester.RR.Com > > > > > > Sandy Rovner Silver Spring, Md "...neither rich nor clever..." 301-438-0644; 240-401-0590  1,, Summary-line: 16-Aug paulhc@sbcglobal.net [40] #HAKA sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 13:27:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GHQvYP023937; Sat, 16 Aug 2003 13:27:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7GHKjx8024303 for ; Sat, 16 Aug 2003 13:20:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GHKS7b013458; Sat, 16 Aug 2003 13:20:28 -0400 (EDT) Date: Sat, 16 Aug 2003 13:20:28 -0400 (EDT) Message-Id: <11C4AE78-D00E-11D7-9FFF-0003936B0BBE@sbcglobal.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: HAKA sighting Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Apple Mail (2.552) X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 13:20:28 -0400 (EDT) Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: HAKA sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just barely recovered from the awesome experience of SavoyNet Utopia's HAKA, I was totally unprepared for the real thing in the New Zealand film Whale Rider. For those who haven't yet seen it, the story concerns a Maori community whose proud traditions and ancestral memory are slipping away. A search for a culture hero in its male youth proves fruitless. But we learn that ancestral gods are gender-blind; when chosen, even a slight adolescent girl can communicate with whales and restore dignity to her people. At one point the men of the village show their contempt and anger at their mythic enemies in a fierce display of HAKA, costumed, faces painted, neatly choreographed, climaxed by a tasteless (sic) show of tongues. Wow! A couple of observations: * Savoynetters' version may have the edge in scariness -- their tongues were tattooed blue. * Contrary to what we heard during rehearsal, the Maori women DID join with the men in the HAKA. Paul C.  1,, Summary-line: 16-Aug CaptBike@sheldonbrown.com [56] #Re: St. James's Hall X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 13:52:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GHpwYL000092; Sat, 16 Aug 2003 13:51:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7GHlOGX028097 for ; Sat, 16 Aug 2003 13:47:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GHl17b014124; Sat, 16 Aug 2003 13:47:01 -0400 (EDT) Date: Sat, 16 Aug 2003 13:47:01 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: CaptBike@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004401c363f2$d7eee920$2114df40@computer> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 13:47:01 -0400 (EDT) Reply-To: CaptBike@sheldonbrown.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sheldon Brown To: Multiple recipients of list SAVOYNET Subject: Re: St. James's Hall X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <004401c363f2$d7eee920$2114df40@computer> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Quoth Brian Sweeney: > >Here's the thing: I just don't understand why the Flos of Pro are trying to >humiliate Paramount to begin with...that's not part of their scheme, unless >I'm missing something. It troubles me that Gilbert didn't bother to connect >this practical joke to the Rest Of The Show...for example, by making it part >of a series of humiliations by the Flos of Pro of King Paramount (a la >Griffenfeld in His Excellency). In the production I was in, I was standing in front of the row of Flowers, and couldn't see their hi-jinks. Every time I'd turn around to look at them they would have just made it back to their chairs, and I'd have no clue that they had been running around in circles beating thei tambourines... I think the concept was that the Flowers were getting their kicks by making fun of the naive Hawaiian wog, in a way that he would go completely over his head, so he wouldn't have any idea that he was being made fun of... Sheldon Brown Newtonville Massachusetts +-----------------------------------------------------------------+ | When anyone asks me how I can best describe my experience | | in nearly 40 years at sea, I merely say, "uneventful." | | Of course, there have been many gales and storms and fog | | and the like. But in all my experience, I have never been | | in any accident of any sort worth speaking about. I have | | never seen but one vessel in distress in all my years at sea. | | I never saw a wreck and never have been wrecked, nor was I | | ever in any predicament that threatened to end in disaster | | of any sort. --E. J. Smith, Captain, RMS Titanic | +-----------------------------------------------------------------+ -- Harris Cyclery, West Newton, Massachusetts Phone 617-244-9772 FAX 617-244-1041 http://harriscyclery.com Hard-to-find parts shipped Worldwide http://captainbike.com Useful articles about bicycles and cycling http://sheldonbrown.com  1,, Summary-line: 16-Aug farmer_giles@tiscali.co.u [63] #American Utopia X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 16 Aug 2003 15:32:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7GJWsYH024773; Sat, 16 Aug 2003 15:32:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7GJWrdA021391 for ; Sat, 16 Aug 2003 15:32:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7GJWb7b015667; Sat, 16 Aug 2003 15:32:37 -0400 (EDT) Date: Sat, 16 Aug 2003 15:32:37 -0400 (EDT) Message-Id: <007c01c3642b$ca8570e0$33982e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: American Utopia MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 16 Aug 2003 15:32:37 -0400 (EDT) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: American Utopia X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) You know, I have this idea stuck in my mind - but I'm afraid some of it is a bit savage Nekala and Kalyba enter as 1950's American Girls Fitzbattleaxe is a modern American soldier, with almost no actual intellegence. The other flowers of progress include: A Fundamentalist Christian of the most prejudiced and extreme sort, a Hollywood movie producer (he takes Lord Dramaleigh's verse in the Act I finale, with the music following it being filled with special effects and explosions.) , Goldbury (more or less as written), Bailey Barre (mostly as written), and a McDonald's proprietor. Goldbury and the Movie producer help Nekala and Kalyba cut loose and become modern American girls. They change clothes before the Tarantella Lady Sophy could become a Puerto Rican Nanny. Scaphio's speech now talks about things like "Thanks to the work of [Hollywood Movie Producer], no films save those that pander to the lowest common denomitor may be made - as in America!, but all films which do not expressly contain a Christian message are protested vigourously by [Fundamentalist Christian] - As in America! Noone is able to get in to any of the films anymore, for whatever [Movie Producer] produces, [Fundamentalist Christian] protests!" and "Our Utopian Military has been remade on so irresistable of a ground that all nearby countries who do not immediately join forces with us are promptly carpet bombed out of existance - as in America!" Commentary on drug laws (if In Lazy Langour isn't rewritten) might also be appropriate At the conclusion, the Fundamentalist Christian Finds out about all the couplings in the Royal family, and cries out "Miscegnation!" She is taken away to be exploded, possibly Bailey Barre as well. Scaphio becomes the Republican candidate for president, Phantis the Democratic, and Zara comments about how "Whilst Republican candidates and Democratic candidates are indistinguishable, no new party shall ever be allowed to exist, for it is in everyone's interest to contribute to both. End song. "Society has now returned to all her wicked courses" -Adam Cuerden "Some people are so terribly partic-tic-tic-tic-ticular."  1,, Summary-line: 17-Aug j.d.mcclure@virgin.net [60] #Re: Haddon vs. Yeomen X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 17 Aug 2003 15:49:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7HJn4YH012894; Sun, 17 Aug 2003 15:49:05 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7HJn4Rh010853 for ; Sun, 17 Aug 2003 15:49:04 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7HJmf7b028590; Sun, 17 Aug 2003 15:48:41 -0400 (EDT) Date: Sun, 17 Aug 2003 15:48:41 -0400 (EDT) Message-Id: <000d01c364f7$a0b7b6c0$d484fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Haddon vs. Yeomen MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 17 Aug 2003 15:48:41 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: Haddon vs. Yeomen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, I think HH has a splendid score - not better than YEOMEN, and not (as John Woolfson says) the best of all the SWOGs (that's BS without a doubt), but fully as good as the lesser SWIGs and incontrovertibly better than the least (UL). But turning from the score to the libretto, a question I'd like to get your thoughts on is - is Grundy really so bad? Now that we've got a superb recording of the opera which it's possible to listen to without bracing yourself, I'm sure some of us have been playing it quite a lot and having our impressions of the words as well as the music transformed - or at least altered slightly. Grundy has no idea of dramatic construction and his humour is pretty naive; nobody could possibly deny that; but the soppy sentimentality of "Mother, dearest mother" and the like is certainly no worse than you'd expect of a Victorian writer, and some of the lyrics are really pretty good. "The sun's in the sky and the grass on the ground" is not exactly an inspired line, but after that the words of the song are undeniably clever with their triple rhymes. The "Rice or rue" number and "Hoity-toity, what's a kiss?" are perfectly clear dramatic dialogues in verse; "In days of old" and "Swift though the lightning flash" are bold, clear, straightforward expressions of a mood in competent rhyme and rhythm. He can also handle patter verses without stumbling and without distorting the English language, as is shown in "Come simples and gentles" and "In frill and feather."And it's clear from the score that the lyrics, most of them anyway, inspired Sullivan to excellent responses - though as the same can often be said of Burnand's that's not a very strong argument in their favour. I think that if we try hard not to think of Gilbert when listening to Grundy, he emerges as a perfectly competent lyricist. The trouble is that anybody who wrote for Sullivan is AUTOMATICALLY compared in our minds to Gilbert; and in the case of the other two main ones, Burnand and Hood, the comparison is perfectly appropriate because they're both writing in broadly the same style (and Hood, of course, was deliberately aiming for a quasi-Gilbertian quality). But Grundy was deliberately aiming NOT to be like Gilbert. If we do him the justice of looking at his lyrics in themselves, do we not find that there's a lot of good in him after all? (I may say I was quite surprised to notice that myself!) Derrick McClure. (A most contented man, though foolish persons think me mad.) P.S. I wouldn't like Adam to think that nobody had noticed his post arguing that BROKEN HEARTS is not really so bad. Now that I've recovered from the shock of that suggestion, I mean to go and re-read it. I'll be back on this one.) j.d.mcclure@virgin.net  1, answered,, Summary-line: 18-Aug andi_s_r@yahoo.com [59] #Re: Utopia for Rockville: Score download X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 18 Aug 2003 22:35:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7J2ZqYJ020769; Mon, 18 Aug 2003 22:35:53 -0400 (EDT) Received: from web10804.mail.yahoo.com (web10804.mail.yahoo.com [216.136.130.246]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h7J2TSCW014626 for ; Mon, 18 Aug 2003 22:29:29 -0400 (EDT) Message-ID: <20030819022928.66457.qmail@web10804.mail.yahoo.com> Received: from [66.88.88.162] by web10804.mail.yahoo.com via HTTP; Mon, 18 Aug 2003 19:29:28 PDT Date: Mon, 18 Aug 2003 19:29:28 -0700 (PDT) From: Andi Subject: Re: Utopia for Rockville: Score download To: "David C. Jedlinsky" In-Reply-To: <200308190108.VAA19170@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 18 Aug 2003 19:29:28 -0700 (PDT) From: Andi Subject: Re: Utopia for Rockville: Score download To: "David C. Jedlinsky" In-Reply-To: <200308190108.VAA19170@multics.mit.edu> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David, I realized after I'd already sent my message that I should have thanked you for ASSEMBLING this file. You're right about the hassle of the score on the Archive. I have no problem downloading the musical material itself, but I can't download the dialog except in the plain text version--the WordPerfect version turns to gibberish because I have only Microsoft Word. The way I'd dealt with it was to ignore the dialog entirely and just put together a VS with the pages in the right places--but it is absolute HEAVEN to have the dialog in there, too!! Meanwhile, for heaven's sake, don't even think about my patches--I simply made some photocopies, cut them up, and taped them into the relevant places. It's fine for me, and as I mentioned, my reversions aren't in places that are going to confuse any of the singers. (I do wish Larry had come up with a s-l-i-ght-ly easier version of "Native Maids." The first page is fine, but the second page, with the leaping left hand and the busy patterns in the right, is NOT FUN.) Now, if he or someone else would just tackle The Grand Duke.... Meanwhile, I haven't checked out Jim Cooper's Sorcerer since QWERTYConn II. Did you and Marc and others proceed with a thorough proofing, and did Jim enter the corrections? At this point my eyes and hands (and the eye-hand coordination!) are thoroughly familiar with the "old" version, so I'll be using that in Rockville, but I wondered if it was worth pointing the Sorcerer cast to the downloadable version of Jim's.... I don't have Finale, either, but one of these years I want to get it. I've thought for a long time that it might be useful for many amateur singers who are not good pianists if there were a version of the most common VSs with SIGNIFICANTLY simplified piano accompaniment so that more people would be able to play it. Forget "reduction of orchestral score" and write an easy accompaniment, with melody in places where it's logical--sort of like the easy versions of Broadway show songs. What do you think? A useful idea or a waste of time, now that MIDI files are available? I'd be interested in your thoughts.... ===== Andi Stryker-Rodda New York City/New Jersey USA  1, answered,, Summary-line: 19-Aug andi_s_r@yahoo.com [39] #Help me construct a G&S medley for Jim D's memorial. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 19 Aug 2003 22:00:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7K1xvOS026002; Tue, 19 Aug 2003 21:59:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7JKrGn2027215 for ; Tue, 19 Aug 2003 16:53:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7JKqw7b015957; Tue, 19 Aug 2003 16:52:59 -0400 (EDT) Date: Tue, 19 Aug 2003 16:52:58 -0400 (EDT) Message-Id: <20030819203723.21370.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Help me construct a G&S medley for Jim D's memorial. MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 19 Aug 2003 16:52:58 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Help me construct a G&S medley for Jim D's memorial. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As of today, I have not yet heard of or from anyone who plans to be available to sing any G&S at Jim Drew's memorial on Sunday. I've told the family that in default of anyone's coming forward, I will construct a brief piano medley to perform myself, so that Jim's beloved G&S, and his G&S friends, will not go unrepresented. (No one in his/her right mind would want to hear me attempt to sing a solo. Choruses in public, yes; choruses of one, never--and I do not mean 'hardly ever'.) I'm adept enough at arranging to be able to cobble things together and make the result sound decent on the piano. The question is, what to select and include? I'm asking for suggestions, especially from those of you who knew Jim's taste. Bearing in mind that only the melodies will be heard, not the words, and that the final medley should be kept to a reasonably short length, what would you like to have included? ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 19-Aug rebecca@hains.net [56] #"ABP" lists X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 19 Aug 2003 23:01:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7K31lOW017274; Tue, 19 Aug 2003 23:01:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7JHJO9Q010233 for ; Tue, 19 Aug 2003 13:19:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7JHJB7b025674; Tue, 19 Aug 2003 13:19:11 -0400 (EDT) Date: Tue, 19 Aug 2003 13:19:11 -0400 (EDT) Message-Id: <006601c36674$5d8591a0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: "ABP" lists MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001c01c3666f$6976c420$9384fc3e@5zsv40j> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 19 Aug 2003 13:19:11 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: "ABP" lists X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001c01c3666f$6976c420$9384fc3e@5zsv40j> X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Derrick McClure wrote: >> Is it, and can it be, that some of us have become reticent about saying things that we or others have said before?  The Savoynet has been running for a long time now, and probably most G'n'S related topics have been discussed at one point or another.  Certainly I catch myself thinking "I shouldn't answer this, 'cause I remember writing about it in '97 or thereabouts."  If so, can we emancipate ourselves from it?  If old hands have made valuable points long ago, newcomers haven't necessarily heard them - and they and others may even have had some further thoughts since the last time the topic came up.  Damme, we're HERE to discuss G'n'S, are we not? <<     I say, Hear, hear! And I have an Idea. A challenge unique to listservs, as opposed to web-based bulletin boards and forums, is that we cannot easily direct people to things that have "Already Been Posted" -- available on many sites as ABP lists. Personally, I find that the listserv archives are difficult to search, so when I recall relevant points that were discussed back in, say, '97, I have little motivation to look them up. So I wonder: Is there anyone who a) has a long enough memory and b) is familiar enough with the listserv archives to come up with a list of particularly useful or recurring topics that have already been discussed, and the listserv command required to directly retrieve each topic? If someone were, I could to post the list to a web site for easy access. And once it's started, it should be easy enough to keep it updated. Any thoughts? Rebecca Hains Philadelphia, PA  1,, Summary-line: 20-Aug sandham@tiscali.co.uk [31] #Re: Utopia DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Aug 2003 18:43:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7KMhROS012518; Wed, 20 Aug 2003 18:43:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7KJGwE3023590 for ; Wed, 20 Aug 2003 15:16:58 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7KIZw7b009171; Wed, 20 Aug 2003 14:35:58 -0400 (EDT) Date: Wed, 20 Aug 2003 14:35:58 -0400 (EDT) Message-Id: <3F43BD7A.00000E.66159@athlon> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Re: Utopia DVD MIME-Version: 1.0 Content-Type: Text/Plain Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: IncrediMail 2001 (1850934) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Aug 2003 14:35:58 -0400 (EDT) Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Re: Utopia DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) All the DVDs recorded from either the 2nd or 3rd of August until towards the end of the festival had faulty sound tracks - these DVDs were replaced by Chris, who created them, almost as soon as we took our faulty ones in. However, if you did not change them at the festival then you will have to send them back. However, knowing the speed at which the "Smiths" deal with problems I went direct to Chris, at chris@allmediaworks.co.uk, last year when I had a problem and he solved it straight away. Cheers David www.savoyopera.co.uk  1,, Summary-line: 20-Aug peter@omnibus.freeserve.c [36] #FW: More Buxton Pictures X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Aug 2003 20:26:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7L0M7P4023630; Wed, 20 Aug 2003 20:26:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7KNTbmM016044 for ; Wed, 20 Aug 2003 19:29:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7KNRg7b027150; Wed, 20 Aug 2003 19:27:42 -0400 (EDT) Date: Wed, 20 Aug 2003 19:27:42 -0400 (EDT) Message-Id: <000401c36770$be6cdf30$0a01a8c0@VAIO> Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter@omnibus.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: FW: More Buxton Pictures MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Aug 2003 19:27:42 -0400 (EDT) Reply-To: peter@omnibus.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: FW: More Buxton Pictures X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have just started creating a web page for my local socities but I have included a section for the various SavoyNet photos I have taken over the last couple of years, I have currently included a few samples on the following pages, more will follow including this years Dinner pictures and some from Sorcerer last year. http://www.savoyard.co.uk/SavoyNet/utopia2003.htm http://www.savoyard.co.uk/SavoyNet/Awards2003.htm Regards, Peter Crichton Saddleworth, England www.savoyard.co.uk  1,, Summary-line: 20-Aug andi_s_r@yahoo.com [43] #Good news: Singers found for Jim D. memorial! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Aug 2003 20:44:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7L0geP4025352; Wed, 20 Aug 2003 20:44:52 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7KLGYmM008054 for ; Wed, 20 Aug 2003 17:16:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7KLGD7b024236; Wed, 20 Aug 2003 17:16:13 -0400 (EDT) Date: Wed, 20 Aug 2003 17:16:13 -0400 (EDT) Message-Id: <20030820210349.3765.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Good news: Singers found for Jim D. memorial! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Aug 2003 17:16:13 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Good news: Singers found for Jim D. memorial! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Much thanks to Elise Curran, who did the "networking" here. She put me in touch with Barbara Norris, who participated in the Orlando SingOut; Barbara and her husband were friends of Jim's. Barbara *does* want to sing at the memorial, and it is possible that Janet Rabe-Meyer will also participate (an excellent mezzo who also participated in the Orlando SingOut). So it looks as though I'm off the hook. I would have done the piano medley if it were going to be the only live representation of G&S, but I would much, much rather accompany singers; that's the way the music is "supposed" to be. I feel a great sense of relief. And gratitude again to Elise for brokering this. Thanks to all who made suggestions about what to include in a piano medley. I'm going to go ahead and create one, using some of the suggestions, as it might be of interest as a prelude or "meditation"; if not now, to keep on file. Thanks to all, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 20-Aug phylismyown@hotmail.com [181] #A Mikado Discussion- Fairly Long and Insightful X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 20 Aug 2003 20:44:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7L0geP6025352; Wed, 20 Aug 2003 20:44:53 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7KMAGmM017244 for ; Wed, 20 Aug 2003 18:10:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7KM9t7b025773; Wed, 20 Aug 2003 18:09:55 -0400 (EDT) Date: Wed, 20 Aug 2003 18:09:55 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: A Mikado Discussion- Fairly Long and Insightful Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 20 Aug 2003 18:09:55 -0400 (EDT) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: A Mikado Discussion- Fairly Long and Insightful X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.3 X-Spam-Level: ** (2.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have something to discuss. A few members have recently claimed that SavoyNet is running out of topics. Well, since I'm a new SavoyNetter I'm going to bring up an old topic. I don't know if it's every been discussed before, but it should have been... after all, It's "The Mikado". I would have liked to wait for the Opera of the Week discussion, but the recent posts have inspired me to post it now. The Mikado is first an foremost my favorite piece of art in the world. After watching a High School production of "The Pirates of Penzance" at the age of 13, I went on the internet and found The Gilbert and Sullivan Archive's Web Opera. There, I found the link to the "Mikado". It claimed to be "Argueably the most popular opera ever written", which looking back, might be true with how many productions of it are mounted, but it really is open to debate. Anyway, I went in, and read it, and listened to the music. It inspired me more than anything I'd ever experienced. I laughed, I cried, it touched me. Okay, I didn't really cry. That would happen years and years later. My first recording, you'll be surprised to hear, came nearly a decade later. Last year in point of fact. I had never heard "Comes a Train of Little Ladies". That MIDI file on the Web Opera is impossible to figure out how to sing along to. I'd never heard "I Am So Proud" sung by real voices. Having already memorized all the words and tunes, hearing the music done by singers for the first time was truly amazing. (The Mackerras Recording, if you're wondering) One day in New York I was walking down the street and there was an advertisment for the Mikado as performed by the college. I noted when it was playing, and then went searching for the theatre. No doubt I would come back to watch it on the weekend. My first Mikado, don't you know? Well, I spent so much time looking that when I finally found the theatre, the matinee was just starting, so I went on in. And then I watched the Mikado. It was pretty bad. "Pork Pie" is what you call it here on SavoyNet. They cut my favorites, "So Please You Sir" and "See How the Fates". Which I thought was more of a blessing... considering they probably couldn't handle them. And the final scene with Katisha and Ko-Ko was awful. She was singing "Hearts do Not Break" and he was trying to trick her into killing herself by hanging up a noose and pushing poison closer to her. The "Ah Shrink Not From Me" was pretty funny, though. He ran away from her while saying that. It still didn't sit right. Then I started researching other productions. I looked at production photos, read reviews, and I found one common truth. Not one production featured the heart and soul in the Mikado that first got me to fall in love with it. This brings me to the comparison between Katisha and Ko-Ko, and the reason I love the Mikado. Katisha and Ko-Ko are generally played very specifically due to tradition... Therefore due to tradition, the characters driving forces and motivations are lost. Ko-Ko and Katisha are direct parallels of each other. In ACT 1 during Ko-Ko's intro the chorus sings "Bow Down, Bow Down to the Lord High Executioner". In ACT 2 during Katisha's entrance with the Mikado, the chorus sings "Bow, Bow, to his Daughter in Law Elect". The two characters thrive on the respect of others, but neither of them actually has it. The others are merely afraid of their position, and bow on account. There are other parallels. Ko-Ko is forcing his ward Yum-Yum to marry him, and he seemingly ignores how much she hates him. He wants her to love him, so he's trying to believe she does. It's the same with Katisha, who tries to force Nanki-Poo to love her. She says so in both dialouge and "Oh Fool That Flee-est" Similarly, neither of their "loves" loves them. You'll find other occasions where what they say to each other, and what others say about them are too similar to be anything but parallels. The two are meant for each other. The striking similarity between The Figaro plays must also be brought up. Say Nanki-Poo is Almaviva, Yum-Yum Rosina, Ko-Ko is Bartolo and Katisha is Marcellina. The tenor steals the soprano who is the ward of the Bass in "The Barber of Seville" This also happens in the Mikado. (Pooh-Bah and Basilio similar? You Decide) In "The Marriage of Figaro" Bartolo tries to get revenge much like Ko-Ko trying to rid himself of Nanki-Poo and regain Yum-YUm. In the end, though, Bartolo realizes his true love has always been with him, and it is Marcellina, and he also finds out Figar is their son. Ah, but when we watch The Mikado the realization doesn't seem as touching... when I read it, though, let me assure you, It is. "May Not a Cheated Maiden Die?" These words affected me very greatly when I first read the Mikado. I always suspected that Ko-Ko walked in, just in time to hear them... and then the dialogue contined with him half torn between lying and telling the truth, because he felt so bad for her... and he felt so close to her. This is how the Mikado should be performed... with a heart and a soul... not just for laughs. When he says how he's loved her with a passion for many years, he knows he's lying and it nearly makes him break-down... but she's not falling for it. The coward is completely afraid of anything that has to do with death, as the whole opera prior supports, and he doesn't want her to commit suicide... So he reveals how he's felt the same way as she has for years, in a song... But just so she doesn't think him weak (Which he's afraid of, consider his big right arm and snickersnee) he disguises the characters as birds. Pretend Ko-Ko is the Dicky bird. He used to sit and sing all day Oh Willow, Tit Willow. Tit Willow is the substitute name for Yum-Yum. Then as Ko-Ko relates the story, he gets valuable insight to his own character. "And I said to him, 'Dicky Bird, why do you sit? Is it weakness of intelect or [indigestion]" And as Ko-Ko contemplates why he loves a woman who doesn't love him back, Katisha begins to listen. Ko-Ko explains how he, the Dicky Bird, threw his life away into the billowy wave, all for a fickle girl... and the echo arose, etc. Finally he address Katisha directly, revealing his true self. "twas blighted affection that made him exclaim..." And lastly he says to her, if he can't learn to love her, and she can't learn to love him, when they are so similar... he shall die. "If you remain callous and obdurate I/ Shall perish as he did, and you will know why" But he certainly won't go out longing for Yum-Yum. "But I certainly shall not exclaim as I die, Oh Willow, Tit Willow..." The only thing that gives him away is his line "It was an affecting tale. And quite true... I knew the bird intimately". Which to the audience sounds funny wether said as a joke, or with deeper meaning. The moments that follow have a similar effect on me to those in Figaro's "Riconsci In Quest'amplesso." The music is hilarious, the scene is funny but you just can't escape how important this moment is to all the characters involved. And where Gilbert seems to feature Ko-Ko's second thoughts "Are you old enough to marry" which Bartolo never goes through in the Figaro opera, he does do something fairly similar in the actual play by Beaumarchais. The heart and soul of the Mikado is right there in that last scene where Ko-Ko truly does fall in love with Katisha, and she him... It's not just a plot to save his life, which is why he says "You've a very good bargain in me." If he wasn't willing to really love her, he would have said something different... like "Well, it looks like you're now stuck with me." This opera means a great deal to me, and am ashamed that so many treat it through and through as a common comedy. Comedy, like horror, is only truly effective when you have an emotional investment in the characters. I wish that people would take more time with the characters when putting on a production. A random bogey jumping out and making you start may be scary on one level, much like a person falling over is funny on one level. Sure, one scares and one amuses, but when we're invested in the characters, ala Silence of the Lambs, it's a great deal scarier. When we care for the characters, ala Figaro, it's so much funnier. When performing these plays we often forget or ignore why we truly love them... their heart, their truths, and the joy they make us feel. Do you really only like "Iolanthe" because it has good jokes and happy music... or are you, like me, more invested in Iolanthe's struggle with her son and husband? Let's take out the conflict all together and leave behind only jokes and music? I assure you, the opera would not have lasted a day in our memories. I stress that whenever you put on a play, any play, especially a Gilbert and Sullivan play, which are slowly disappearing into history, remember why you love them so much, and make sure to put your love into the play. Instead of basing the play's popularity off of how many laughs you get, or off of tradition, try to make the opera so that it recieves a never-ending standing ovation. Why go for a flash in the pan, when you could take the pan home with a big old cake in it, and a train of party-goers following? We like Leslie Nielson and Rob Schneider... but the comics who give us more than just laughs, like Robin Williams, Bill Cosby and Margaret Cho are infinately more amusing, and are remembered for much longer. Give the audience heart... give them soul... give them believable characters, and I assure you, Gilbert and Sullivan will be back in the public's conscience in a flash. That's all. Hope this starts some sort of discussion. Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com _________________________________________________________________ Get MSN 8 and enjoy automatic e-mail virus protection. http://join.msn.com/?page=features/virus  1,, Summary-line: 21-Aug Riverbend6@aol.com [29] #Re: MITCP All's Well Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Aug 2003 09:41:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7LDfAOU025109; Thu, 21 Aug 2003 09:41:13 -0400 (EDT) Received: from imo-r04.mx.aol.com (imo-r04.mx.aol.com [152.163.225.100]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7LDXkoS002442 for ; Thu, 21 Aug 2003 09:33:46 -0400 (EDT) Received: from Riverbend6@aol.com by imo-r04.mx.aol.com (mail_out_v36_r1.1.) id 6.10e.25216203 (3988) for ; Thu, 21 Aug 2003 09:33:43 -0400 (EDT) From: Riverbend6@aol.com Message-ID: <10e.25216203.2c762436@aol.com> Date: Thu, 21 Aug 2003 09:33:42 EDT Subject: Re: MITCP All's Well Video To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_10e.25216203.2c762436_boundary" X-Mailer: 6.0 sub 353 X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Riverbend6@aol.com Date: Thu, 21 Aug 2003 09:33:42 EDT Subject: Re: MITCP All's Well Video To: opus@mit.edu X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --part1_10e.25216203.2c762436_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I'd like to have the VHS if possible. How much will that be? Just let me know and I can mail you a check or something. Thanks! -Dana --part1_10e.25216203.2c762436_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable I'd like to have the VHS=20= if possible.  How much will that be?  Just let me know and I can m= ail you a check or something.  Thanks!
-Dana --part1_10e.25216203.2c762436_boundary--  1,, Summary-line: 21-Aug jmdesq@aug.com [236] #I would like to express my eternal gratitude X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Aug 2003 10:31:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7LEVaOU020801; Thu, 21 Aug 2003 10:31:44 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7LENwoS005380 for ; Thu, 21 Aug 2003 10:23:59 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7LENh7b001152; Thu, 21 Aug 2003 10:23:43 -0400 (EDT) Date: Thu, 21 Aug 2003 10:23:43 -0400 (EDT) Message-Id: <3F44D09B.00000C.30605@b7d4a7> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim" To: Multiple recipients of list SAVOYNET Subject: I would like to express my eternal gratitude MIME-Version: 1.0 Content-Type: Multipart/related; type="multipart/alternative"; boundary="------------Boundary-00=_NX2Z7TH0000000000000" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: IncrediMail 2001 (1850934) X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 21 Aug 2003 10:23:43 -0400 (EDT) Reply-To: jmdesq@aug.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim" To: Multiple recipients of list SAVOYNET Subject: I would like to express my eternal gratitude X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --------------Boundary-00=_NX2Z7TH0000000000000 Content-Type: Multipart/Alternative; boundary="------------Boundary-00=_NX2Z24L0000000000000" --------------Boundary-00=_NX2Z24L0000000000000 Content-Type: Text/Plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is Judy, Jim Drew's sister, speaking.=0D =0D First of all, I want to thank each and every one of you who has proffered kind words and condolences.=0D Your most thoughtful tribute of gathering around the globe at the time of his Memorial Service to dedicate a moment in time to something he loved s= o dearly is an amazingly comforting gesture.=0D It is as if you wrap him and us, his family , in that great blanket tribu= te.=0D I shall personally never forget that.=0D You Savoynetters were his connection with Culture in a world becoming les= s dedicated to such pursuits (Oh I hope I am wrong here.)=0D =0D If someone would like to have a Memorial Book mailed to you, please conta= ct me at:=0D =0D Judy Michaels=0D 4475 State Rd 206 West=0D Elkton, FL 32033=0D =0D I will be closing his subscription to SavoyNet after the end of the month= =2E=0D I will also close his Internet connection.=0D However, from time to time, you may wish to contact me regarding somethin= g=0D and may even have a desire to own something of his massive Library and Musical Collections.=0D =0D I would also love to hear words and thoughts of your experiences followin= g the Sunday, Augst 24th Services. Jim has made his presence known vividly= =2E. several times..and you may have something to share.=0D For instance, we were having a problem locating a vocalist.=0D Yesterday, a slip of paper was on Jim's keyboard with Barbara's name and phone number...and it has not been there before. (I am the only one at t= his keyboard). =0D Just after that, I saw that Andi had solved the problem, by connecting wi= th Barbara.=0D I do not believe Jim has gone quietly in to that good night.=0D =0D Bless you all and many happy and constructive adventures in your world wh= ich Jim loved.=0D =0D Pleaase email me...any time.=0D =0D All my best,=0D =0D Judy=0D =0D judy@aug.com --------------Boundary-00=_NX2Z24L0000000000000 Content-Type: Text/HTML; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is Judy, Jim Drew's sister, speaking.
 
First of all, I want to thank each and every one of you who has prof= fered kind words and condolences.
Your most thoughtful tribute of gathering around the globe at the ti= me of his Memorial Service to dedicate a moment in time to something he l= oved so dearly is an amazingly comforting gesture.
It is as if you wrap him and us, his family , in that great blanket = tribute.
I shall personally never forget that.
You Savoynetters were his connection with Culture in a world becomin= g less dedicated to such pursuits (Oh I hope I am wrong here.)
 
If someone would like to have a Memorial Book mailed to you, please = contact me at:
 
Judy Michaels
4475 State Rd 206 West
Elkton, FL 32033
 
I will be closing his subscription to SavoyNet after the end of the = month.
I will also close his Internet connection.
However, from time to time, you may wish to contact me regarding som= ething
and may even have a desire to own something of his massive Library a= nd Musical  Collections.
 
I would also love to hear words and thoughts of your experience= s following the Sunday, Augst 24th Services.  Jim has made his prese= nce known vividly...several times..and you may have something to share.
For instance, we were having a problem locating a vocalist.
Yesterday, a slip of paper was on  Jim's keyboard with Barbara'= s name and phone number...and it has not been there before.  (I am t= he only one at this keyboard). 
Just after that, I saw that Andi had solved the problem, by connecti= ng with Barbara.
I do not believe Jim has gone quietly in to that good night.
 
Bless you all and many happy and constructive adventures in you= r world which Jim loved.
 
Pleaase email me...any time.
 
All my best,
 
Judy
 
 
--------------Boundary-00=_NX2Z24L0000000000000-- --------------Boundary-00=_NX2Z7TH0000000000000 Content-Type: Image/jpeg; name="BackGrnd.jpg" Content-ID: Content-Transfer-Encoding: base64 /9j/4AAQSkZJRgABAgAAZABkAAD/7AARRHVja3kAAQAEAAAAHgAA/+4AIUFkb2JlAGTAAAAAAQMA EAMCAwYAAAHbAAAC1gAABZX/2wCEABALCwsMCxAMDBAXDw0PFxsUEBAUGx8XFxcXFx8eFxoaGhoX Hh4jJSclIx4vLzMzLy9AQEBAQEBAQEBAQEBAQEABEQ8PERMRFRISFRQRFBEUGhQWFhQaJhoaHBoa JjAjHh4eHiMwKy4nJycuKzU1MDA1NUBAP0BAQEBAQEBAQEBAQP/CABEIAGUAcwMBIgACEQEDEQH/ xACAAAEBAQEAAAAAAAAAAAAAAAAAAQIGAQEBAAAAAAAAAAAAAAAAAAAAARABAAICAwEAAgMAAAAA AAAAAQARIQIxQRIiQDIQMFARAAICAgIBBAIDAQEAAAAAAAERACExQVFhcYGRobECEsHhMtHxEgEA AAAAAAAAAAAAAAAAAABQ/9oADAMBAAIRAxEAAADtRZYE1ASghQFgUZoCkKSwLmhcllAEqkSkqFAl hUomoAS3IoJqFlDNpFEAQFE1AIVYAWIVKAJRNZpYCwVmmshKACA0CBAUCBYGwf/aAAgBAgABBQD8 B/yP/9oACAEDAAEFAPz6/or8H//aAAgBAQABBQC2+ZeHjbD+saX6hwXeDW1Rg4xLLTa+m7ZiIEsI 1MTiHP1dYpvFADiFM1/X6nq9byuwdPPz5oFofWlEMQ9ULKrWq2ppG9Y2J6INQma9lVTRdlUKgHzX XSEECw1SYu5WsGoJPkisZYpx31GvXZQ/JM3VwShzVTsp1EZbBI8LcaUSih86+s2Zl4Wp6+lAZnVs Dkjdku5m+lJTdXDG2SHM9M2wKX1YxsaZTTwmoVrYnqsMrM652yjs01K0mtbGAz6Y5dpfqNz06qpq 5QNjiIjiZtbhtceNuf0jyeqGgu6rXMvI4omPWbPMYzEfMI+axHnFvOP4/9oACAECAgY/AGP/2gAI AQMCBj8AY//aAAgBAQEGPwB72Yucb1BfIhFEaeZ+xRXFQELN+HEUQdjU0Xn4g9gRCQcpw1yajGYs P/kFvUzvjUBWrIMFHI2OJQNEAjiEEFdTmfG/MTHq5RFOnpTV3kzCBx7x4YOD1AV5uYJvnqMA0hep jfwpYCwC4Bx3q55zeZRBCw9TkoIuHw78RdczSNH2mgqcLpRC+RASAkA3B13mcYd5mR84c/yOx4lW tRAZ6mGDhiP9WgXVyhWA+xDgMOWGMsTg/wBTz8SjjXrP8hHIlX1MZ6mDzgc/cIV/iyN1GBR0MQMK jnEzvvMz8mUkErKlfqU63iV+IKNH7mNZBLFQEpEDeDOV32IVn8WR4caoywqI2p695mbZzNUQIcKf k0bo+0NpCqn7CiQiNGXkdQen1DpjGeZ7WNw3pK+I93maCPc16+Zkf6XxMCsFwAkaiIB57vc/IAhZ /HqZBBbB0ZokAEOGxsYqBgPp8agQBu4VSMJdqx6SwDsGBrTmAR93uZGX6KePowEADAIjoX8gw459 CICaW/MLGvodQfkDW71zBxRHtB3j3jC4PMIYoAgKNfPMCQNN7jCzvlzXPopzhQvNZY3CRya9ZrEF fRE0iCB5mscZuVYfKmAi94uE3Q8qfytQ7xD0svmFcmaxNPI8iMjh3pmF2HbzqeUi+YkiD/MrOl5L mbwPuWVfmXpv3hDH8qAjPpiZHXkRnSd6ZhB53mejzKV6US0K9TCCLyCeIhtETX5MsHBGJkD/ANiF kMCE2qGoCdZ8Q8AMGpYFqEhdhRIYH3CF3d1M/Mexma+4CwdQ2Ddcx0exAlmj04QUQd8QWLB/iB5G xmEg5TENVZqPYzFV8eHAy9T/AEc8a4n3Ov6g/VwvE6lpQ4VNysXzhS8esOO8w/rlF/rypjV3B5H1 Knr8T//Z --------------Boundary-00=_NX2Z7TH0000000000000--  1,, Summary-line: 21-Aug to: J91a@cs.com [36] #[Riverbend6@aol.com: Re: MITCP All's Well Video] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Aug 2003 11:51:31 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7LFpPOS014613; Thu, 21 Aug 2003 11:51:25 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7LFpO4U026602; Thu, 21 Aug 2003 11:51:24 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h7LFpNaq019792; Thu, 21 Aug 2003 11:51:23 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id LAA27712; Thu, 21 Aug 2003 11:51:23 -0400 (EDT) Date: Thu, 21 Aug 2003 11:51:23 -0400 (EDT) Message-Id: <200308211551.LAA27712@multics.mit.edu> From: "David C. Jedlinsky" To: J91a@cs.com Subject: [Riverbend6@aol.com: Re: MITCP All's Well Video] X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 21 Aug 2003 11:51:23 -0400 (EDT) From: "David C. Jedlinsky" To: J91a@cs.com Subject: [Riverbend6@aol.com: Re: MITCP All's Well Video] X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Janine. I don't know if Dana's already on your list; this message was sent to me directly. Once I get the final count of VHS and DVD from you, I'll let you know immediately how much the prices work out to. What are the plans for handling distribution? Normally, I make a bulk delivery to someone who is best suited to handing out the copies, and pick up a single check for the bulk order. I'm not sure what arrangements you might have made with Marion or Erin. Thanks. -Dave ------- Start of forwarded message ------- From: Riverbend6@aol.com Date: Thu, 21 Aug 2003 09:33:42 EDT Subject: Re: MITCP All's Well Video To: opus@mit.edu I'd like to have the VHS if possible. How much will that be? Just let me know and I can mail you a check or something. Thanks! -Dana  1,, Summary-line: 21-Aug J91a@cs.com [25] #Re: [Riverbend6@aol.com: Re: MITCP All's Well Video] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 21 Aug 2003 16:43:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7LKh1OS012385; Thu, 21 Aug 2003 16:43:02 -0400 (EDT) Received: from imo-r02.mx.aol.com (imo-r02.mx.aol.com [152.163.225.98]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7LKh0Qb014854 for ; Thu, 21 Aug 2003 16:43:01 -0400 (EDT) Received: from J91a@cs.com by imo-r02.mx.aol.com (mail_out_v36_r1.1.) id 6.193.1eaebdab (3699) for ; Thu, 21 Aug 2003 16:42:59 -0400 (EDT) From: J91a@cs.com Message-ID: <193.1eaebdab.2c7688d2@cs.com> Date: Thu, 21 Aug 2003 16:42:58 EDT Subject: Re: [Riverbend6@aol.com: Re: MITCP All's Well Video] To: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Thu, 21 Aug 2003 16:42:58 EDT Subject: Re: [Riverbend6@aol.com: Re: MITCP All's Well Video] To: opus@mit.edu X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, Got a message from Dana. No problem. I am defaulting everyone who does not respond specifically to VHS, but understand what it's like to live in the dark ages and to feel concern that if you end up with the latest technology, you'll never get to see it. Marion is handling the delivery, but in terms of who will be handling the bulk check, I'm really not certain. I know I'm strapped and so is Marion. So one thing at a time. I will give you a count by this Tuesday. Thanks, Janine  1,, Summary-line: 20-Aug Peter.Zavon@usa.xerox.com [52] #RE: Utopia for Rockville: Score download X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Aug 2003 02:39:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7M6ctOa010271; Fri, 22 Aug 2003 02:39:03 -0400 (EDT) Received: from ariel.useastgw.xerox.com (ariel.xerox.com [13.13.138.17]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7K7j8SG002324 for ; Wed, 20 Aug 2003 03:45:08 -0400 (EDT) Received: from mswitch3.cinops.xerox.com (mswitch3.cinops.xerox.com [13.250.20.173]) by ariel.useastgw.xerox.com (8.12.9/8.12.9) with ESMTP id h7K5ag5L028091 for ; Wed, 20 Aug 2003 01:36:42 -0400 (EDT) Received: from CONVERSION-DAEMON.mgate.usa.xerox.com by mgate.usa.xerox.com (PMDF V6.1 #30512) id <0HJW00F01L0I31@mgate.usa.xerox.com> for opus@MIT.EDU; Wed, 20 Aug 2003 01:38:42 -0400 (EDT) Received: from usaxeroxbh1.USA.XEROX.COM (usaxeroxbh1.usa.xerox.com [13.250.20.25]) by mgate.usa.xerox.com (PMDF V6.1 #30512) with ESMTP id <0HJW00EDFL0IJW@mgate.usa.xerox.com> for opus@MIT.EDU; Wed, 20 Aug 2003 01:38:42 -0400 (EDT) Received: by usaxeroxbh1.usa.xerox.com with Internet Mail Service (5.5.2656.59) id ; Wed, 20 Aug 2003 01:36:41 -0400 Content-return: allowed Date: Wed, 20 Aug 2003 01:36:41 -0400 From: "Zavon, Peter L" Subject: RE: Utopia for Rockville: Score download To: "'David C. Jedlinsky '" Message-id: <65F5679A5C590C48956686CE37C716FC05287B20@usamcms2.mc.usa.xerox.com> MIME-version: 1.0 X-Mailer: Internet Mail Service (5.5.2656.59) Content-type: text/plain X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Content-return: allowed Date: Wed, 20 Aug 2003 01:36:41 -0400 From: "Zavon, Peter L" Subject: RE: Utopia for Rockville: Score download To: "'David C. Jedlinsky '" X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks. I would have done the same but found myself traveling for a substantial period before Rockville and thus unable to access the needed scanners and such. I'll try to down load it next Tuesday, the only full day I have in the office for the remainder of the month. --- PLZ -----Original Message----- From: David C. Jedlinsky To: andi_s_r@yahoo.com Cc: vickigau@mac.com; tempsavoy@tradelaw.com; savoyard1@yahoo.com; psternenberg@aol.com; ssilvers@sskfny.com; wamplers@juno.com; philzo@mac.com; Peter.zavon@usa.xerox.com; jfsorge@att.net; rebecca@hains.net; dsjacobson@hotmail.com; ktmezzo@aol.com; mwilliams@pbr.com; shawn.t.perry@verizon.net; annlarry@pacbell.net Sent: 8/17/03 3:48 PM Subject: Utopia for Rockville: Score download I have, with Larry Byler's blessing, created a single large PDF file of all the disparate pieces of the Utopia score on the G&S archive. In addition, there have been some corrections made from just prior to the Buxton Utopia, which are also in this version, but not yet available elsewhere. If you want to save yourself a lot of time doing manual collating and cutting-and-pasting, download this big 3.8Mb file, and send it to a duplex (double-sided) printer. It will print just fine on a regular printer, too, but it obviously won't be double-sided. :-) http://www.mit.edu/~opus/UtopiaScore.pdf Larry is planning some more corrections based on feedback from Buxton, but he will not have time to incorporate them before Rockville. So, enjoy this latest version, but be aware that a newer one will be coming at a later date. -Dave Jedlinsky opus@mit.edu Milford, New Hampshire  1,, Summary-line: 22-Aug andi_s_r@yahoo.com [34] #RE: simplified piano parts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Aug 2003 17:26:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7MLQPOU023547; Fri, 22 Aug 2003 17:26:32 -0400 (EDT) Received: from web10807.mail.yahoo.com (web10807.mail.yahoo.com [216.136.130.249]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h7MLPc2a013759 for ; Fri, 22 Aug 2003 17:25:38 -0400 (EDT) Message-ID: <20030822212537.86900.qmail@web10807.mail.yahoo.com> Received: from [66.88.88.162] by web10807.mail.yahoo.com via HTTP; Fri, 22 Aug 2003 14:25:37 PDT Date: Fri, 22 Aug 2003 14:25:37 -0700 (PDT) From: Andi Subject: RE: simplified piano parts To: "David C. Jedlinsky" In-Reply-To: <200308191643.MAA27751@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 22 Aug 2003 14:25:37 -0700 (PDT) From: Andi Subject: RE: simplified piano parts To: "David C. Jedlinsky" In-Reply-To: <200308191643.MAA27751@multics.mit.edu> X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear David, Somehow I lost track of your reply in the incoming emails of the past couple of days. Sorry! To answer your question, if I *did* do simplified piano arrangements, the destination I'd have in mind would be the G&S Archive, where anyone who wanted them could access them. I was enquiring what you thought not in terms of $$ marketability, but whether they would be useful and likely to be used. In this day and age of Karaoke G&S and MIDI files and such, I just wasn't sure whether it would be worthwhile to put the time into developing something new of this nature on paper. I may have a go at something....I'll let you know if I do! Thanks for the input; appreciate it. See you in Rockville... Cheers, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 22-Aug SSilvers@sskfny.com [27] #David Sandham's Buxton site X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Aug 2003 18:05:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7MM5vOS011223; Fri, 22 Aug 2003 18:05:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7MM5tiD024084 for ; Fri, 22 Aug 2003 18:05:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7MM5V7b014879; Fri, 22 Aug 2003 18:05:31 -0400 (EDT) Date: Fri, 22 Aug 2003 18:05:31 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: David Sandham's Buxton site Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 22 Aug 2003 18:05:31 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: David Sandham's Buxton site Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David has been working hard and put up the first three days of his reviews and pictures at: http://www.savoyopera.co.uk/ To see pictures of the Ruddigore pot luck, click on "Buxton 2003" at the top. Then click on July 27 at the top. Then click on the little word "Mikado" at the top. THEN click on the little word "cabaret 27" at the top. Best regards! Sam  1,, Summary-line: 22-Aug pdp@globalnet.co.uk [71] #Re: the video of SavoyNet's UTOPIA X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Aug 2003 18:06:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7MM6gOS011610; Fri, 22 Aug 2003 18:06:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7MM6eiD024428 for ; Fri, 22 Aug 2003 18:06:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7MM657b014990; Fri, 22 Aug 2003 18:06:05 -0400 (EDT) Date: Fri, 22 Aug 2003 18:06:05 -0400 (EDT) Message-Id: <3.0.6.32.20030822224925.00b07390@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: the video of SavoyNet's UTOPIA Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3F466AFF.3050100@charter.net> X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 22 Aug 2003 18:06:05 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: Re: the video of SavoyNet's UTOPIA X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3F466AFF.3050100@charter.net> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 15:29 22/08/03 -0400, Mary Finn wrote: > blame the placement of the microphones. (Was the sound recorded from >the mics on the cameras, or was it done serarately?) And perhaps, as >someone very intelligently noticed, the physical arrangement of the >orchestra? There were points in the video when all I could hear was brass. > >So I hope, I trust, that in real life the sound was more balanced, and >stronger. And I beg those of you who will only experience SavoyNet's >UTOPIA through a video or DVD to be generous in your evaluation of the >singing, and keep in mind the limitations of technology. The sound was not taken from camera mounted mics. The cameras used by Chris Fauilkner in the theatre do not have mics attached to them. However, although I do not have a VHS of our Utopia, but a DVD instead I am led to believe that the copies of the VHS tape will be in mono but some may have Hi-Fi sound tracks on the tape as well as a mono edge track. Thus the sound quality on VHS will not be as good as the true stereo DVD. Unfortunately the early supplied DVDs have a fault that only a left hand sound track is present. Anyone with such an item needs to get it swapped for a new one. The cabaret was only recorded in mono anyway and that applies to the DVD as well as the VHS tapes. The theatre sound has always been taken separately using mics placed nearer the stage, and on the stage. Lack of rehearsal time inhibits setting up for the best sound for each show. I think if any of you have both DVD and VHS you will find a big difference in the audio between the two media, the DVD being much the better. I make these statements in defence of Chris who is not on SavoyNet as far as I know but having discussed these matters with him on previous occasions. One thing that was very noticeable, sitting in the dress circle for all the shows, was the extreme variability of the volume and balance of the orchestral sound for different shows. For some shows, the ones conducted by Fraser Goulding, the orchestra was very quiet and subdued, at no time drowing out the singers. For other shows, such as Nicklin's the orchestra was always far too loud and did drown out some of the singers, the brass in particular. It is a pity the more rehearsal time cannot be arranged so that the condutors could enter the auditorium and hear for themselves what the orchestral balance sounds like. Each show only gets a maximum of three hours with the orchestra before performance and that rehearsal has to suffice often as dress, technical and lighting all in one go. I understand the same limitations apply to the professional performances as well. However those shows get repeat performances and do get noticably better each time. EG the performance of Ida was much better by the Saturday night than it was on the Friday, in my view. Another limitation which must be understood is the requirement to have videos and DVDs available quickly. Editing and camera changes has to be done on line live. There is simply no time to record each camera and mic separately and then do a post recording edit mix. Not only would that take days per show, it would require a large staff to carry it out and additonal equipment. This year Chris used at least six cameras in the theatre. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 22-Aug ulahlica@yahoo.com [93] #Friday Night at the Operetta X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 22 Aug 2003 18:34:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7MMYTOS022024; Fri, 22 Aug 2003 18:34:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7MMYS2a014765 for ; Fri, 22 Aug 2003 18:34:28 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7MMY67b015692; Fri, 22 Aug 2003 18:34:06 -0400 (EDT) Date: Fri, 22 Aug 2003 18:34:06 -0400 (EDT) Message-Id: <20030822221734.8424.qmail@web20711.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Friday Night at the Operetta MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 22 Aug 2003 18:34:06 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Friday Night at the Operetta X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This has been a big month for posting midi operas to the group. I really enjoyed them. I'd like to jump in too. Here's Scott Farrell's latest opera to my libretto, a full length G&S-like opera called "The Indian Princess." It's abridged. The site has each midi on a separate page so you can read the plot and the lyrics while the music plays - if you are so inclined to do so in the first place. How does a person market something like this? I don't expect to be rich and famous but I'd like to have it recorded. Unfortunately, I cannot even find a group I can *pay* to do this for me and Scott. Everyone says "we don't do that" without even hearing the piece. Oh, well. I can't afford it while in school, anyway. As I posted a year ago (which is what prompted Scott to ask to set it), I wrote it when I was in college - before Scott was even born! After getting a grand education from this group, I had to touch it up a bit in places. There are still one or two imperfect rhymes in there that I'm used to hearing. My grammar is shaky and I'm still unsure how many syllables are in "hour" or "every." (If "every" is two syllables, as the dictionary says, why do we write "ev'ry?") I'm uncertain about my "thee's" and "thou's." "Indian" is always sung as two syllables. I think Gilbert would have written "Injun" but I'm not willing to go that far. The story is not offensive but it *is* non-pc, just like G&S. This was unintentional at the time. In the dialogue (not included) everyone is depicted as intelligent but it describes Native American life as well as the MIKADO describes Japanese life. It has the essential ingredients for a G&S opera (not to imply I think this *is* one but it was my plan to make it as close as possible). It has the two distinct non-wallflower choruses, a conniving patterman, the most disreputable tenor ever, an over-bearing contralto, two interrupted wedding ceremonies, and three mild deuseses ex machina - the last of which takes place as the final curtain comes down. I also rhymed "life" with "strife" because, in my teenage mind, that rhyme was not stale yet in Gilbert's time. Oh - I couldn't be happier with Scott's music. The midi overture is completely orchestrated. NOTEPAD FINALE has some short-comings, though. The triangle and cymbals make an electronic noise. When the overture starts to sound like Wendy Carlos, it's not intentional. It also doesn't handle counter-point very well and plays the double chorus sluggishly. After the overture, the rest is the voice score with piano. Only a few songs are hard to follow. Good luck when you hit the first Act Finale Fugue. OK - those are my disclaimers. http://www.geocities.com/ulahlica/IP/IndianPrincess.html John S LI NY __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 24-Aug peter.crichton@savoyard.c [27] #SavoyNet Dinner Photo Now Available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 24 Aug 2003 15:59:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7OJx3OS018761; Sun, 24 Aug 2003 15:59:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7OJx2sk013702 for ; Sun, 24 Aug 2003 15:59:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7OJwk7b015248; Sun, 24 Aug 2003 15:58:46 -0400 (EDT) Date: Sun, 24 Aug 2003 15:58:46 -0400 (EDT) Message-Id: <000001c36a79$b83edb20$0a01a8c0@VAIO> Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Dinner Photo Now Available MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 24 Aug 2003 15:58:46 -0400 (EDT) Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: SavoyNet Dinner Photo Now Available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The SavoyNet Dinner Photo is now available to download at http://www.savoyard.co.uk/SavoyNet/SavoyNet_Dinner2003.htm Regards, Peter Crichton Saddleworth, England www.savoyard.co.uk  1,, Summary-line: 24-Aug asr12@ureach.com [23] #New email address for me (temporary) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 24 Aug 2003 21:05:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7P14xOS024788; Sun, 24 Aug 2003 21:04:59 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7P11rB6023849 for ; Sun, 24 Aug 2003 21:01:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7P11N7b018075; Sun, 24 Aug 2003 21:01:23 -0400 (EDT) Date: Sun, 24 Aug 2003 21:01:23 -0400 (EDT) Message-Id: <200308250057.UAA13507@www20.ureach.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: asr12@ureach.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: New email address for me (temporary) Mime-Version: 1.0 Content-Type: Text/Plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.4 X-Spam-Level: * (1.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 24 Aug 2003 21:01:23 -0400 (EDT) Reply-To: asr12@ureach.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andrea Stryker-Rodda To: Multiple recipients of list SAVOYNET Subject: New email address for me (temporary) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.4 X-Spam-Level: * (1.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For some reason I haven't yet ascertained, Yahoo! is laboring under the impression that the account I've been using (andi_s_r@yahoo.com) doesn't exist. Until it gets straightened out, I've subscribed under this one. Best regards, Andi  1,, Summary-line: 25-Aug nathan_Ichikawa@brown.edu [40] #Relatively Settled in Providence X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Aug 2003 11:18:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7PFIGOS014869; Mon, 25 Aug 2003 11:18:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7PFIFYq013271 for ; Mon, 25 Aug 2003 11:18:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7PFHu7b008796; Mon, 25 Aug 2003 11:17:56 -0400 (EDT) Date: Mon, 25 Aug 2003 11:17:56 -0400 (EDT) Message-Id: <91C1AD5E37A96E42B8A200E334370A9C04E118@MAIL2.AD.Brown.Edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: Relatively Settled in Providence content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Aug 2003 11:17:56 -0400 (EDT) Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: Relatively Settled in Providence content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I drove last week from Texas to Rhode Island, and have now found a place to live and moved in. This is my new email address: jonathan_ichikawa@brown.edu. I don't have an internet connection at home yet, but I have relatively frequent access on campus. I'm reading new Savoynet emails, but I have a big pile of unread stuff from the last 10 days -- I don't know if I'll get to it or not. If any of you were waiting for my input on a post, it's probably best to email me about it privately. It was a pleasure to meet several Savoynetters along the way, and a great way to break up the 30-hour drive. I met Sam, Eric, Vicki, and Carol Davis in New York, and Bobbie and Paul at their home in Connecticut. Thanks to all of you for making time to meet me, and to Carol for organizing the whole thing. Thanks also to those of you who gave me advice for the drive. Now that I'm in the Northeast, I hope to be able to attend many more fun G&S events. Unfortunately, I have Brown orientation the weekend of Rockville, but I hope to see/meet many of you at other events in the near future. So far, I haven't found any performing groups within striking distance for me as a performer... anyone know any? Take care, Jonathan Ichikawa Graduate Student, Philosophy Department Brown University, Providence, RI  1,, Summary-line: 25-Aug rebecca@hains.net [81] #Announcing http://www.Savoynet.org/forums! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Aug 2003 12:45:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7PGjCOS012868; Mon, 25 Aug 2003 12:45:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7PGdVtP008270 for ; Mon, 25 Aug 2003 12:39:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7PGdA7b016391; Mon, 25 Aug 2003 12:39:11 -0400 (EDT) Date: Mon, 25 Aug 2003 12:39:10 -0400 (EDT) Message-Id: <001101c36b25$9e73b150$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Announcing http://www.Savoynet.org/forums! MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Aug 2003 12:39:10 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Announcing http://www.Savoynet.org/forums! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Savoynetters, A few weeks ago, a small group of us began an off-list discussion. We shared a common goal: Because we are not supposed to post attachments to the listserv, we wanted to create a site that could serve as a "central location" for the posting of photos and other attachments. After considering numerous options with the group, my husband Tyler and I set up a bulletin board that suits our needs at http://www.savoynet.org/forums . We customized it to permit users to upload attachments. The off-list group beta-tested this web site, and everyone agrees that it is our best choice. Our benefactor Anthony Vickery has generously paid for the site to be hosted on a private server under the savoynet.org domain name. I am the administrator and Jonathan Ichikawa is a moderator, which simply means that we are there to keep things organized and answer questions as best we can. The departments on the site are as follows: -Photos -Buxton -Sing-outs -QWERTS -Full productions -Piano/vocal and audio files [A separate forum exists for each of the operas, plus GWOS and SWOG.] -"In Memoriam" section -Bruce Miller -Jim Drew -Forum Business -Announcements -Technical questions -Problems -Suggestions If you would like to post attachments to the site, you will need to click on the "Log In" link at the top of the page, and register. Registration will allow also you to select a username, private message others who use the site, receive email updates when threads are interested in have been updated, upload an avatar (image that will display under your name), track the posts you have made, and more. Please note that registration is *not* necessary to post messages to the site or view it. So, you need only register if you are interested in the benefits detailed in the previous paragraph. The host for this site is private; while there is a (modest) annual cost for use of the server, the advantage of the private hosting is that it is truly private--there is no advertising, and there is no possibility of personal data being collected by a company like Yahoo or AOL. Further suggestions or comments about this site will be welcomed. As noted above, there are forums called "Technical Questions," "Problems," and "Suggestions"; please feel free to post to them! Once again, the URL for the new website is http://www.savoynet.org/forums . We hope you will find it a pleasant and useful "Appendix" to SavoyNet. Sincerely, Rebecca Hains Philadelphia, PA  1,, Summary-line: 25-Aug MusikDrama@aol.com [30] #Re: Alleged Grand Duke Reviews X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Aug 2003 19:22:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7PNMAOU018471; Mon, 25 Aug 2003 19:22:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7PNFhrX015237 for ; Mon, 25 Aug 2003 19:15:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7PNFC7b025884; Mon, 25 Aug 2003 19:15:12 -0400 (EDT) Date: Mon, 25 Aug 2003 19:15:12 -0400 (EDT) Message-Id: <6E79F77D.08C28B5A.0C584AEE@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Alleged Grand Duke Reviews MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Aug 2003 19:15:12 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Alleged Grand Duke Reviews X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Referring to "Happy Are We In Our Loving Frivolity," John Spartan wrote: > The music is at > http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.pdf > and the MIDI is at > http://www.cris.com/~oakapple/gsweb/sorcerer/sor215old.mid Thanks John, for providing these sites for those of us unfamiliar with this jolly (though dispensible) tune from The Sorcerer! I am actually not among those of us who are unfamiliar with it, having been kindly faxed a copy by Phil Sternenberg some years ago. I don't have my copy with me at the moment, but I'm quite sure there's an error in this otherwise admirable and readable .pdf file: in bar 15, the sharp in front of the left-hand E is incorrect. It should be a natural sign. The same error is perpetuated (or perpetrated) in the MIDI file, which is obviously based on this copy of the score. I haven't troubled to proof-read more carefully than that, but that error leaped out at me as being particularly obvious. Also, on my computer at least, the final chord is missing from the MIDI. It may simply be a computer problem, of course. Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 25-Aug buttercup16@juno.com [96] #Re: Rockville Singout: Ramada Inn / Transp. info X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 25 Aug 2003 20:35:40 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7Q0ZdOS016758; Mon, 25 Aug 2003 20:35:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7Q0ZcIf018480 for ; Mon, 25 Aug 2003 20:35:38 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7Q0Yt7b027521; Mon, 25 Aug 2003 20:34:55 -0400 (EDT) Date: Mon, 25 Aug 2003 20:34:55 -0400 (EDT) Message-Id: <20030825.201225.-353339.0.buttercup16@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Rockville Singout: Ramada Inn / Transp. info MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 4.0.9 X-Spam-Score: 3 X-Spam-Level: *** (3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 25 Aug 2003 20:34:55 -0400 (EDT) Reply-To: buttercup16@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sandy Rovner To: Multiple recipients of list SAVOYNET Subject: Re: Rockville Singout: Ramada Inn / Transp. info X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3 X-Spam-Level: *** (3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) All Savvynetters (including the native population) and various others attending the Rockville singout are invited to my house for the second quadrenniel (?) savoynet brunch attendant upon a singout. I live in a gated community called Leisure World which is a semi-retirement community of 7,500 people over age 50, not all of whom are semi (like me) or even all retired. Just no kids and no schools. I live at 3005 South Leisure World Blvd, apt 121. It is a semi-high rise (8 stories). About 10 minutes or so past the theatre on Route 28. Follow Sam's directions to the theatre but keep going on Route 28 instead of turning off at Baltimore. One of the three entrances to Leisure World is off of Route 28 which, at some point, is called Norbeck Road. It is the first stoplight after you pass Georgia Avenue. Time whenever you get up--10-10.30 on to whenever it's time to go. I suggest you park on Leisure World Blvd itself because the visitors part of the building is on the norhh side of the building and my condo is on the far southern end of the building. Two ways to get in: I have a back door opening on the golf course which I will leave open (ie, unlocked) in the morning and if you park on the southern end of the building, you can pretty easily walk around. Otherwise you can go into the front of the building, find my number (109) on the directory and dial me on the house phone so I can buzz you in. 109 is NOT my apartment number. That is 121. Take elevator to 1 (you'll be on L floor) and turn left (souh) to the very end. (that's my exercise to get my mail every day. feels like about half a mile). both ways work. cheers. Oh yes, one more thing --I'll need to have names of those coming so I can tell security. They'll know I'll be expecting company so you can mumble anything. Keep both my numbers handy: 301-438-0644 or cell: 240-401-0590. On Mon, 25 Aug 2003 16:58:15 -0400 (EDT) "Samuel Silvers" writes: > Staying at Ramada: > David and Gwyn and Dorothy Craven > Elise Curran > Wendy F (Falconer?) > Ori Siegel > Carol David > Carole Round > Vikki Willoughby > David and Dorothy Smith > Sam Silvers > Larry Garvin > > Ramada Inn Rockville, 1775 Rockville Pike, Rockville Md. 800-255-1775 > > Transportation Info: > National Airport => Ramada: Go to > http://www.stationmasters.com/System_Map/TWINBROK/twinbrok.html for > a neighborhood map of the Twinbrook station. The Ramada website > promises a shuttle from the Twinbrook Metro. Metro's site claims 47 > mins. from National to Twinbrook. From the airport, take the > yellow line (or blue line, but yellow is faster) to the red line. > Take the red line towards Shady Grove. Twinbrook is two stops > before Shady Grove. > > Ramada => theater: (There's a map at > http://www.ci.rockville.md.us/images/civicentmap.GIF which may be > helpful.) From the Ramada, cross Rockville Pike and turn left to > head north. Turn right onto Wootton Pkwy, which becomes 1st Street, > then Norbeck Rd/Rte 28. (You may see signs mentioning any or all of > these.) You'll go over some RR tracks, then cross Veirs Mill Rd. > At the next light, turn right onto Baltimore Ave. Turn left at the > 4-way stop onto Edmonston Rd., then immediately turn right onto the > grounds of the Rockville Civic Center. The F. Scott Fitzgerald > Theater is the first building on the right. Have the cabbie make > that first right, which will bring you to the circle drive in front > of the theater. > > > > > > > Sandy Rovner Silver Spring, Md "...neither rich nor clever..." 301-438-0644; 240-401-0590  1,, Summary-line: 26-Aug barrie@billinge.org.uk [64] #RE: SavoyNet Dinner Photo Now Available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 26 Aug 2003 19:34:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7QNXsOS009872; Tue, 26 Aug 2003 19:33:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7QNXr2I012646 for ; Tue, 26 Aug 2003 19:33:53 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h7QNXN7b016836; Tue, 26 Aug 2003 19:33:23 -0400 (EDT) Date: Tue, 26 Aug 2003 19:33:23 -0400 (EDT) Message-Id: <5.1.0.14.0.20030826220341.0262d998@mail.u-net.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: barrie@billinge.org.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: barrie@billinge.org.uk To: Multiple recipients of list SAVOYNET Subject: RE: SavoyNet Dinner Photo Now Available Mime-Version: 1.0 Content-Type: multipart/mixed; x-avg-checked=avg-ok-73412E0; boundary="=======22CB1962=======" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 26 Aug 2003 19:33:23 -0400 (EDT) Reply-To: barrie@billinge.org.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: barrie@billinge.org.uk To: Multiple recipients of list SAVOYNET Subject: RE: SavoyNet Dinner Photo Now Available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=======22CB1962======= Content-Type: text/plain; x-avg-checked=avg-ok-73412E0; charset=us-ascii; format=flowed Content-Transfer-Encoding: 8bit I never thought that I should achieve even a modest level of fame by being "unknown." Yes, 'tis I, Barrie Billinge, who art the Fellow between Robin and Larry Garvin. I've been (mainly lurking) on Savoynet since June 2002. We've been coming to the Festival for three years. My wife Karen and I were at the 2002 Buxton Savoynet dinner, on the same table as the Miller family, who made us most welcome. On the evening in question I had arrived to tender our apologies. Because Karen had been unwell all day we would not be attending the dinner. As I was about to leave, the company began to assemble for the photograph, and Stephen Hill insisted that I joined the assembled throng of fellow Savoynetters. Notwithstanding my natural modesty and shyness I forced myself to the forefront of the aforementioned throng, perhaps dreaming that next year's Savoynet production team might say; " Hey! remember that strikingly handsome guy on the front row of last year's Savoynet photo? --- we MUST have him in this year's show......." ( if you'll believe that....... ) This year is the first time that I've been able to spend more than a few long-weekends at Buxton. Three weeks of G&S was a wonderful treat. Completely unexpectedly, I joined the chorus for the Lamplighters' "Iolanthe" and then joined the Festival production of "Patience." It was a privilege and a delight to be a part of each of them. Perhaps next year I will be able to take part in the Savoynet production, whence I shall no doubt become known to many more of you. And now I shall quietly return to the obscurity from whence I came. Barrie Billinge. --=======22CB1962======= Content-Type: text/plain; charset=us-ascii; x-avg=cert; x-avg-checked=avg-ok-73412E0 Content-Disposition: inline --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.510 / Virus Database: 307 - Release Date: 14/08/2003 --=======22CB1962=======--  1,, Summary-line: 28-Aug to: chris@allmediaworks.c [21] #Missing soundtrack on PAL DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 10:50:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SEoJOS012615; Thu, 28 Aug 2003 10:50:20 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7SEoBVd028621; Thu, 28 Aug 2003 10:50:12 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h7SEoBGr010393; Thu, 28 Aug 2003 10:50:11 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id KAA18404; Thu, 28 Aug 2003 10:50:10 -0400 (EDT) Date: Thu, 28 Aug 2003 10:50:10 -0400 (EDT) Message-Id: <200308281450.KAA18404@multics.mit.edu> From: "David C. Jedlinsky" To: chris@allmediaworks.co.uk Subject: Missing soundtrack on PAL DVD X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Aug 2003 10:50:10 -0400 (EDT) From: "David C. Jedlinsky" To: chris@allmediaworks.co.uk Subject: Missing soundtrack on PAL DVD X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Chris. I have just received a PAL DVD of the Savoynet "Utopia, Ltd.", which appears to be one of the ones with a missing sound channel. How are you handling exchanges? I'm located in the US. Thanks. -Dave Jedlinsky opus@mit.edu Milford, New Hampshire, USA  1,, Summary-line: 28-Aug dsmith@umassd.edu [37] #Re: Utopia videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 12:55:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SGtWOS015911; Thu, 28 Aug 2003 12:55:33 -0400 (EDT) Received: from rwcrmhc11.comcast.net (rwcrmhc11.comcast.net [204.127.198.35]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7SGsNQ0002389 for ; Thu, 28 Aug 2003 12:55:32 -0400 (EDT) Received: from [24.131.168.26] (h000393b0a552.ne.client2.attbi.com[24.131.168.26](untrusted sender)) by comcast.net (rwcrmhc11) with ESMTP id <20030828165458013009a831e>; Thu, 28 Aug 2003 16:54:58 +0000 Mime-Version: 1.0 X-Sender: dsmith@mail.umassd.edu Message-Id: In-Reply-To: <200308281445.KAA18306@multics.mit.edu> References: <200308191528.LAA27100@multics.mit.edu> <200308221537.LAA14088@multics.mit.edu> <200308281445.KAA18306@multics.mit.edu> Date: Thu, 28 Aug 2003 12:54:56 -0400 To: "David C. Jedlinsky" From: "J. Donald Smith" Subject: Re: Utopia videos Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: dsmith@mail.umassd.edu In-Reply-To: <200308281445.KAA18306@multics.mit.edu> Date: Thu, 28 Aug 2003 12:54:56 -0400 To: "David C. Jedlinsky" From: "J. Donald Smith" Subject: Re: Utopia videos X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I received the DVD. Thank you so much for taking the trouble to pick >it up, and then mail it! No problem. > >It does look like it's one of the ones that fell victim to the missing >soundtrack, but it works well enough to take it to Rockville first >before figuring out how to get Chris to exchange it. I suppose I should have thought of it while still in Buxton, but I wasn't getting most of the messages about the defect. If there are any UK people in Rockville, perhaps they could handle the exchange for you. Have fun at the Sing-Out. Regards, Don -- J. Donald Smith 96 Old Colony Ave., #320 East Taunton, MA 02718 USA dsmith@umassd.edu 508-823-5110  1, forwarded,, Summary-line: 28-Aug rebecca@hains.net [215] #FW: Directions to 2064-B South John Russell Circle, Elkins Park, PA 19027 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 13:22:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SHIkOe003907; Thu, 28 Aug 2003 13:22:49 -0400 (EDT) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7SHI3Dn029244 for ; Thu, 28 Aug 2003 13:18:04 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc13) with SMTP id <2003082817180201600s64bbe>; Thu, 28 Aug 2003 17:18:02 +0000 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: FW: Directions to 2064-B South John Russell Circle, Elkins Park, PA 19027 Date: Thu, 28 Aug 2003 13:17:56 -0400 Message-ID: <005301c36d88$532158a0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0054_01C36D66.CC0FB8A0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-MS-TNEF-Correlator: 000000003AD242CEE5F04E45996FB334BD469A4AC4162F00 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: FW: Directions to 2064-B South John Russell Circle, Elkins Park, PA 19027 Date: Thu, 28 Aug 2003 13:17:56 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-MS-TNEF-Correlator: 000000003AD242CEE5F04E45996FB334BD469A4AC4162F00 X-Spam-Score: 5.4 X-Spam-Level: ***** (5.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C36D66.CC0FB8A0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Here are the directions! 1. Take I-90 to I-84 to I-91 South. 2. On I-91, take Exit 17 in Connecticut to ROUTE 15 SOUTH - West Cross Parkway. 3. From RT 15, take Exit 26 West to ROUTE 287 for the TAPANZEE BRIDGE. 4. After crossing the bridge, follow the signs to the GARDEN STATE PARKWAY, towards New Jersey. 5. Take I-80 South (towards the G.W. Bridge, but w/o getting on it) to I-95 SOUTH (New Jersey Turnpike). 6. From I-95, take Exit 6 to ROUTE 276 WEST (toll) 7. Go straight after the toll to the PA TURNPIKE (still 276) 8. From the PA Tpke, take Exit 27 - ROUTE 611 - Jenkintown & Doylestown. Go South, towards Willow Grove. End game: You're going to stay on 611 (aka York Road) for a while. Here = are some landmarks and the last few turns. a. You will cross RR tracks, and then you'll notice the street becomes Old York Road in Abington. b. You'll pass a Boston Market on your right, a mall with a Target and TJ Maxx on your left.. c. Then you'll pass a small semetary on your left, a Raymour and Flanagan on your left, and IHOP on your right... d. A little ways later, turn RIGHT on WASHINGTON LANE.=20 i. Washington Lane is at a kind of odd angle, but it's just after a gas station. If you pass the ACME supermarket on the left, you missed the = turn. e. On Washington Lane, there's mostly homes. Some landmarks you'll pass include the Wyncote House and then the Hopkins Center, both on your = right. f. You're going to start approaching a busier area. Watch on your left for Lynnewood Gardens, our apartment complex. You'll turn LEFT into it = on LUCRETIA MOTT WAY. g. Follow Lucretia and then turn RIGHT on MAHER WAY h. Follow Maher Way and turn RIGHT onto JOHN RUSSELL CIRCLE. i. You'll be turning right onto N. John Russell, but moments after you turn, it becomes S. John Russell. i. Cross Williams Way and you'll be very close to our apartment: We are 2064-B SOUTH JOHN RUSSELL CIRCLE.=20 i. You can park in front. Our apartment has it's own entrance, as you'll see - it's straight back but directly facing the street. Our = door is the third one from the left, and we have an upstairs apartment. ii. If you cross Massey Way, you've gone too far. Note that our road, John Russell Circle, is one gigantic circle in the center of the apartment complex, with numerous roads that meet it, kind = of like spokes in a wheel (these roads include Maher Way, Williams Way, and Massey Way). One half of the circle is South John Russell; the other = half is North John Russell.=20 We sometimes get people at our door looking for the people in 2064-B = North John Russell. Just be aware of that, and keep an eye on the signs to = make sure that after you turn right onto North John Russell, you note where = it turns into South John Russell. 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28 Aug 2003 14:17:17 -0400 (EDT) Message-Id: <200308281817.OAA21391@multics.mit.edu> To: jtk@kolvir.arlington.ma.us cc: dinner@mit.edu Subject: Re: [Fwd: tivo networking & disk capacity] In-Reply-To: Your message of "Thu, 28 Aug 2003 14:05:32 EDT." <42660.130.213.87.149.1062093932.squirrel@kolvir.arlington.ma.us> Date: Thu, 28 Aug 2003 14:17:16 -0400 From: Rich Carreiro X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: jtk@kolvir.arlington.ma.us cc: dinner@mit.edu Subject: Re: [Fwd: tivo networking & disk capacity] In-Reply-To: Your message of "Thu, 28 Aug 2003 14:05:32 EDT." <42660.130.213.87.149.1062093932.squirrel@kolvir.arlington.ma.us> Date: Thu, 28 Aug 2003 14:17:16 -0400 From: Rich Carreiro X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >TiVO novice questions: > >If I want to buy a TiVO, and hook it up to home networking instead of a >phone line, what do I need to get? Depends. If you get a used Series 1, you'll need to get a 3rd-party networking card. (9thtee.com, weaknees.com) If you get a Series 2 (new or used), you'll need either a USB ethernet dongle or a USB 802.11b dongle (Series 2 machines have USB ports). >If I want to add an extra disk drive (IDE, I presume), what do I need to >do? Read this: http://www.newreleasesvideo.com/hinsdale-how-to/index9.html And yes, it's just an IDE drive. Get a quiet one, though! >Good places to get TiVO? mail order? local store? cable company? You can get Series 2 machines direct from Tivo (for zero shipping, I believe). I think Best Buy and other places have them as well. See Tivo's website. Series 2 boxes, having a more powerful CPU and more RAM, have a quicker-reacting UI (especially when you fiddle with season passes and conflicts need to be recomputed). There are 3rd-party products to put more RAM in a Series 1. Series 2 boxes can only be used with the Tivo service. Without the service, you won't even be able to do manual recording (and yes, if you google around enough you'll find ways to get aroud this). Series 1 boxes that originally shipped with v1.3 of the software (regardless of what they're on now) can be used manually without the service. Series 1 boxes are more easily hackable with respect to running ftp, telnet, webserver, etc. without having to resort to trickery. Series 2 is much more locked down. There are ways to beat the system (involving screwing with the ROM, or playing a 3-card-monte where you boot with an old kernel (to avoid the signature checks on startup scripts and the like) and then chain into the current kernel. == Rich  1,, Summary-line: 28-Aug marc@MIT.EDU [39] #Re: tivo networking & disk capacity X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 14:56:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SIuHOS015285; Thu, 28 Aug 2003 14:56:17 -0400 (EDT) Received: from pulse-plasma-gun.nerd-militia.org (pulse-plasma-gun.nerd-militia.org [140.239.227.4]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7SItBWj026785 for ; Thu, 28 Aug 2003 14:55:11 -0400 (EDT) Received: from horowitz-m1.mit.edu (unknown [172.16.0.1]) by pulse-plasma-gun.nerd-militia.org (Postfix) with ESMTP id 071FC260F6; Thu, 28 Aug 2003 14:54:39 -0400 (EDT) Received: by horowitz-m1.mit.edu (Postfix, from userid 8888) id B47DC3F12; Thu, 28 Aug 2003 14:55:09 -0400 (EDT) Sender: marc@MIT.EDU From: Marc Horowitz To: jtk@kolvir.arlington.ma.us Cc: Subject: Re: tivo networking & disk capacity References: <42653.130.213.87.149.1062092970.squirrel@kolvir.arlington.ma.us> Date: 28 Aug 2003 14:55:09 -0400 In-Reply-To: "John Kohl"'s message of "Thu, 28 Aug 2003 13:49:30 -0400 (EDT)" Message-ID: Lines: 27 User-Agent: Gnus/5.0807 (Gnus v5.8.7) Emacs/20.7 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: marc@MIT.EDU From: Marc Horowitz To: jtk@kolvir.arlington.ma.us Cc: Subject: Re: tivo networking & disk capacity Date: 28 Aug 2003 14:55:09 -0400 In-Reply-To: "John Kohl"'s message of "Thu, 28 Aug 2003 13:49:30 -0400 (EDT)" X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "John Kohl" writes: >> If I want to buy a TiVO, and hook it up to home networking instead of >> a phone line, what do I need to get? You need a Series2 (you can't get a Series 1 any more, so this isn't a big deal), and a USB ethernet adapter. I understand that nearly any adapter will work. >> If I want to add an extra disk drive (IDE, I presume), what do I >> need to do? You'll need to pull the disk out of the tivo, connect it to a PC with along with a second drive, and run some magic software. www.tivocommunity.com in the tivo underground will have pointers to the latest bits and documentation. You can probably also get a better answer to your first question there. >> Good places to get TiVO? mail order? local store? cable company? >> (ATTBB used to sell them, does comcast still do that)? As far as I know, nobody really discounts tivos, so I'd get it via mail order directly from them. However, there are some interesting new boxes with tivo "embedded" into them coming out by the end of the year, so it might be worth waiting. Marc  1, answered,, Summary-line: 28-Aug hris.faulkner1@virgin.net [37] #Re: Missing soundtrack on PAL DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 18:02:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SM2KOS020807; Thu, 28 Aug 2003 18:02:20 -0400 (EDT) Received: from mta1-svc.business.ntl.com (mta1-svc.business.ntl.com [62.253.164.41]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7SM2JWF026805 for ; Thu, 28 Aug 2003 18:02:20 -0400 (EDT) Received: from old ([80.1.153.4]) by mta1-svc.business.ntl.com (InterMail vM.4.01.03.37 201-229-121-137-20020806) with SMTP id <20030828220114.RKBK26404.mta1-svc.business.ntl.com@old> for ; Thu, 28 Aug 2003 23:01:14 +0100 Message-ID: <001501c36db0$70a8fae0$0100a8c0@mshome.net> From: "Chris Faulkner" To: "David C. Jedlinsky" References: <200308281450.KAA18404@multics.mit.edu> Subject: Re: Missing soundtrack on PAL DVD Date: Thu, 28 Aug 2003 23:05:06 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Chris Faulkner" To: "David C. Jedlinsky" Subject: Re: Missing soundtrack on PAL DVD Date: Thu, 28 Aug 2003 23:05:06 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I had hoped that since NTSC copies are OK this would not arise but if you have a disk with only right hand sound let me know and an address to send you a new one. Would you still require PAL or NTSC? Chris ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Thursday, August 28, 2003 3:50 PM Subject: Missing soundtrack on PAL DVD > > Hi Chris. > > I have just received a PAL DVD of the Savoynet "Utopia, Ltd.", which > appears to be one of the ones with a missing sound channel. How are > you handling exchanges? I'm located in the US. > > Thanks. > > -Dave Jedlinsky > opus@mit.edu > Milford, New Hampshire, USA  1,, Summary-line: 28-Aug tytso@MIT.EDU [43] #Re: tivo networking & disk capacity X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 18:44:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7SMhsOS011403; Thu, 28 Aug 2003 18:43:54 -0400 (EDT) Received: from thunker.thunk.org (thunk.org [140.239.227.29]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7SMhHj6029263; Thu, 28 Aug 2003 18:43:17 -0400 (EDT) Received: from [66.92.109.27] (helo=think.thunk.org) authenticated as tytso by thunker.thunk.org with asmtp (tls_cipher TLSv1:DES-CBC3-SHA:168) (Exim 3.35 #1 (Debian)) id 19sVU4-00066E-00; Thu, 28 Aug 2003 18:43:16 -0400 Received: from tytso authenticated as tytso by think.thunk.org with local (Exim 3.35 #1 (Debian)) id 19sVT5-0002ef-00; Thu, 28 Aug 2003 18:42:15 -0400 Date: Thu, 28 Aug 2003 18:42:15 -0400 From: "Theodore Ts'o" To: Marc Horowitz Cc: jtk@kolvir.arlington.ma.us, tech-toys@mit.edu Subject: Re: tivo networking & disk capacity Message-ID: <20030828224215.GK4795@think> References: <42653.130.213.87.149.1062092970.squirrel@kolvir.arlington.ma.us> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Disposition: inline In-Reply-To: User-Agent: Mutt/1.5.4i X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Aug 2003 18:42:15 -0400 From: "Theodore Ts'o" To: Marc Horowitz Cc: jtk@kolvir.arlington.ma.us, tech-toys@mit.edu Subject: Re: tivo networking & disk capacity Content-Disposition: inline In-Reply-To: X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thu, Aug 28, 2003 at 02:55:09PM -0400, Marc Horowitz wrote: > "John Kohl" writes: > > >> If I want to buy a TiVO, and hook it up to home networking instead of > >> a phone line, what do I need to get? > > You need a Series2 (you can't get a Series 1 any more, so this isn't a > big deal), and a USB ethernet adapter. I understand that nearly any > adapter will work. You can sometimes get a Series 1 on Ebay, if you really want to do a lot of hacking on the Tivo. On the other hand, the newer Tivo's have additional functionality, some of which replaces the need to hack the Tivo (i.e., you can go to their web page and program the Tivo remotely, as opposed to hacking the Tivo 1 to run a web server and using the tcl scripts to control the Tivo). However, it will cost you additional $99 one-time fee for the "Home Media Option". (I seem to recall it used to be an additional monthly fee, but now it looks like they changed it to be a one-time $99 --- and for a limited time they'll give you a $40 rebate if you buy before 9/15.) The real question is whether you think it's worth your time to hack the Tivo. If you just want an appliance, and not want to spend any time hacking it, get a Tivo 2. If you do want to spend time getting inside its guts and playing, you should seriously think about getting a Tivo Series 1 from Ebay. (And if you get one with a lifetime service purchased, the lifetime service follows the unit, so that can make some units on Ebay a good deal.) - Ted  1,, Summary-line: 28-Aug hris.faulkner1@virgin.net [55] #Re: Missing soundtrack on PAL DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 28 Aug 2003 23:22:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h7T3MbOS002209; Thu, 28 Aug 2003 23:22:37 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h7T3MaLR027693; Thu, 28 Aug 2003 23:22:36 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h7T3MZaq027611; Thu, 28 Aug 2003 23:22:35 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id XAA29438; Thu, 28 Aug 2003 23:22:35 -0400 (EDT) Date: Thu, 28 Aug 2003 23:22:35 -0400 (EDT) Message-Id: <200308290322.XAA29438@multics.mit.edu> From: "David C. Jedlinsky" To: chris.faulkner1@virgin.net In-reply-to: <001501c36db0$70a8fae0$0100a8c0@mshome.net> (chris.faulkner1@virgin.net) Subject: Re: Missing soundtrack on PAL DVD References: <200308281450.KAA18404@multics.mit.edu> <001501c36db0$70a8fae0$0100a8c0@mshome.net> X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 28 Aug 2003 23:22:35 -0400 (EDT) From: "David C. Jedlinsky" To: chris.faulkner1@virgin.net In-reply-to: <001501c36db0$70a8fae0$0100a8c0@mshome.net> (chris.faulkner1@virgin.net) Subject: Re: Missing soundtrack on PAL DVD X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry about that. I've got multi-region, multi-standard equipment, and thought the PAL copy would be of a slightly higher quality, as there would be no format conversion. Ah, well, the best laid plans... If you've got working PAL copies, I'd like to get one of those, thanks. Incidentally, the cabaret disk also suffers from the same problem, but I assume it's a mono recording, so nothing is lost. Dave Jedlinsky 4 Foster Road Milford, NH 03055-3604 USA >From: "Chris Faulkner" >Date: Thu, 28 Aug 2003 23:05:06 +0100 > >I had hoped that since NTSC copies are OK this would not arise but if you >have a disk with only right hand sound let me know and an address to send >you a new one. Would you still require PAL or NTSC? >Chris >----- Original Message ----- >From: "David C. Jedlinsky" >To: >Sent: Thursday, August 28, 2003 3:50 PM >Subject: Missing soundtrack on PAL DVD > > >> >> Hi Chris. >> >> I have just received a PAL DVD of the Savoynet "Utopia, Ltd.", which >> appears to be one of the ones with a missing sound channel. How are >> you handling exchanges? I'm located in the US. >> >> Thanks. >> >> -Dave Jedlinsky >> opus@mit.edu >> Milford, New Hampshire, USA >  1,, Summary-line: 29-Aug J91a@cs.com [44] #MITCP All's Well Video Count X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 29 Aug 2003 20:00:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h7U00LOS026093; Fri, 29 Aug 2003 20:00:21 -0400 (EDT) Received: from imo-m06.mx.aol.com (imo-m06.mx.aol.com [64.12.136.161]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h7TNxUh9002175; Fri, 29 Aug 2003 19:59:31 -0400 (EDT) Received: from J91a@cs.com by imo-m06.mx.aol.com (mail_out_v36_r1.1.) id 6.b9.35a8a36f (4196); Fri, 29 Aug 2003 19:59:21 -0400 (EDT) From: J91a@cs.com Message-ID: Date: Fri, 29 Aug 2003 19:59:20 EDT Subject: MITCP All's Well Video Count To: opus@mit.edu CC: alls-cast@mit.edu, alls-crew@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Fri, 29 Aug 2003 19:59:20 EDT Subject: MITCP All's Well Video Count To: opus@mit.edu CC: alls-cast@mit.edu, alls-crew@mit.edu X-Spam-Score: 4 X-Spam-Level: **** (4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, Here is a final headcount of those who want videos of the show. Anyone=20 interested in signing on should reply to you, or you can "reply all" with pr= ices. Thanks, Janine **** Matthew Breton VHS 1 Whichever is cheapest James Carroll DVD 1 =20 Marion Leeds Carroll VHS 2 =20 Dimie (Page) DVD 1 Changed from VHS Peter Floyd DVD 1 =20 Dana Franz VHS 1 =20 Douglas Hartley DVD 1 =20 Eric Lindblad DVD 1 =20 Geoffrey PingRee DVD 1 =20 Todd Radford DVD 1 =20 Richard Reifsnyder DVD 1 =20 Susan Ruff VHS (1) Only if the cost is no more than $5=20 otherwise, count her out. Mal Rhett DVD/VHS 1 Either DVD or VHS, but do not put him down=20 for more than one. Give him=20 whichever one has an economic effect on=20= bulk count. Elizabeth Stone VHS 1 Whichever is cheapest Rydia Vielehr DVD 1 Changed from VHS Janine Wan=E9e VHS 1 Whichever is cheapest =20  1,, Summary-line: 1-Sep conductor@rg-p.fslife.co. [101] #Re: Review: MARMION + IMPERIAL MARCH in Full Score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Sep 2003 17:54:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h81LsLOS007498; Mon, 1 Sep 2003 17:54:21 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h81LsJmG023980 for ; Mon, 1 Sep 2003 17:54:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h81Lrg7b028499; Mon, 1 Sep 2003 17:53:42 -0400 (EDT) Date: Mon, 1 Sep 2003 17:53:42 -0400 (EDT) Message-Id: <012801c370d0$78e52ee0$142186d9@pbncomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Review: MARMION + IMPERIAL MARCH in Full Score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Sep 2003 17:53:42 -0400 (EDT) Reply-To: conductor@rg-p.fslife.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robin Gordon-Powell" To: Multiple recipients of list SAVOYNET Subject: Re: Review: MARMION + IMPERIAL MARCH in Full Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In his wonderful review of my full scores of MARMION and IMPERIAL MARCH, Marc mentioned one or two points that I feel may benefit from clarification... >The source for the IMPERIAL MARCH is stated as "an early (copyist's) score and >parts," but Gordon-Powell omits to tell us where he found them. ...... By particular request of the owner... the parts are, in fact, an engraved set originally published by Chappell & Co....... > He mentions, for instance, that the MARMION parts "contain surprisingly few >performance markings, bowing instructions, etc." But such markings are rather >abundant in the present edition, so we are left to infer that Gordon-Powell has >supplemented the source material with quite a bit of editorial improvement. Or, has >he? We can't really be sure. ..... By 'performance markings' I understand and refer to bowings, and any dynamics, accents, breathing spaces, etc that a performer would be likely to mark on their own part - and of these there are almost none. (I found this interesting, since the parts were used, and they are not always perfectly legible, and quite often with wrong notes that have not been corrected!) Almost all of the 'rather abundant' accents, dynamics and markings like 'cresc. molto' or 'con fuoco' etc are taken from the parts, where they appear in the copyist's hand (as opposed to players) and the only time that I have added ***anything*** has been to standardise in obvious situations, and where a marking has clearly been inadvertently omitted by the copyist on a particular part. Nothing else! The whole point of what I am doing is to present - in as seamless a manner as it is possible to be - Sullivan's own intentions, and although I might add all manner of extras to the score of a work that I am conducting, I would never presume to do so in a score that I am publishing! In such a case the composer must be allowed every last word, and it is up to future conductors to load their scores / performances with their own impedimenta.......... >Gordon-Powell is extremely loose about signalling triplets (....) Where there are many >bars in a row that follow a predictable pattern, one often finds triplets notated >explicitly only at the beginning (...) This works fine in MARMION, but has unhappy >consequences in the IMPERIAL MARCH, in which the rhythmic pattern is highly >irregular. Top-notch players would figure it out easily enough, but an amateur >orchestra hiring Gordon-Powell's parts would probably trip up on measures with odd >rhythmic patterns adding up to 5 quarter notes in 2/2 time, with no indication where >the triplet lies, especially as these patterns appear only intermittently in the piece. .......In the majority of instances, the full orchestra (or most of the orchestra) are playing the triplet figures simultaneously, and to indicate, for each instrument and on each stave, each triplet each time it appears, would make a page (already crowded with more than twenty staves, stratospheric leger lines and long ties / phrase marks) simply ludicrous to try and decipher. Since it is not an otherwise complicated score, and it is not difficult for any even reasonably competent conductor to read the rhythm in the context of the full score, I decided to indicate triplets when they begin, and leave the rest of the score more legible. However, all triplets are rigorously and clearly marked throughout all of the orchestral parts, so players who might otherwise be confused by five beats to the bar will not get lost! >This reservation aside, the new edition is gorgeously presented, in modern and >easy-to-read notation. Gordon-Powell's scholarship has done a great service to >these two unheralded Sullivan works. Let us hope that they can now become better >known. ...... Thanks, Marc......Okay, so who is going to be the first to rehabilitae MARMION?? All the best ROBIN ######################################################## Robin Gordon-Powell Conductor & Music Publisher THE AMBER RING 9 Killieser Avenue, London, SW2 4NU, UK Mobile: +44 (0) 7881 934 165 Email: conductor@amber-ring.co.uk www.amber-ring.co.uk  1,, Summary-line: 1-Sep andi_s_r@yahoo.com [88] #More thoughts on the Rockville Singout X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Sep 2003 18:20:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h81MKPOS018373; Mon, 1 Sep 2003 18:20:25 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h81MKNuk007192 for ; Mon, 1 Sep 2003 18:20:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h81MJc7b029196; Mon, 1 Sep 2003 18:19:38 -0400 (EDT) Date: Mon, 1 Sep 2003 18:19:38 -0400 (EDT) Message-Id: <20030901220955.47280.qmail@web10802.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: More thoughts on the Rockville Singout MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Sep 2003 18:19:38 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: More thoughts on the Rockville Singout X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'll "me too" the thanks to our hosts for a great location and a job well done. Now I'll make you stay-at-home types drool a little....A few of the things that made the weekend superspecial for me included: BIG CHORUSES. Ahhhhh....yummmm....Whether you're up there in the middle of it or sitting this one out and listening from the house (I did both), there is just nothing like a really big chorus, which most of us manage to hear only at a SingOut. And the particular combination of sound produced was very much to my personal taste. A good anchoring of full trained voices for richness, and a lot of good choristers for texture and blend. The men sounded strong and vital, the women's chorus had enough of the lighter voices for that freshness that seems so right for "Gilbert's girls." AGE SPECTRUM. From rug-rats to seniors. I've heard frequent moans about the 'greying' of G&S, but Rockville was a healthy repudiation of that. Lots and lots of 20s and 30s, knowledgeable and enthusiastic, to go with us greyer types. Yes!! FRIENDS. (Of course!) "Old" and new. You can't hug an email. It's always great to see friends and to meet new people, whether attaching a face to an email name or meeting someone entirely new. VARIETY OF STYLES. Multiple conductors, multiple accompanists, principals from all over the place. A great thing about a gathering like this is that it's like a good buffet--lots of variety. Like your G&S very brisk? Or more sedate? Recits free or precisely counted? How much flex in a ballad? Full voices, light voices? Many different stylistic approaches, a great opportunity not just to see and hear what other people are doing, but to be in the middle of it, "hands on". That's different from just watching another company's show--you see and hear a whole passle of different things when you're interactively *doing* the material. Keeps your wits sharp, makes you rethink your "usual". Maybe you'll go back to your dfault preference, but if so, you'll do it because you've thought about some alternatives. And maybe you'll get a new insight that will change something. My "little grey cells" are tingly with things to think about! MAGIC MOMENTS. We all have our favorite things; as an accompanist, mine are the quieter solos and duets, that wonderful eternal challenge of seeing if I can get that perfect lock with the singer(s) (and the conductor, if s/he is participating at that point), that makes the paper-rustlers sit pin-drop still. It's one thing to get that when you've been rehearsing together for X weeks, but when you can get it going in cold without any rehearsal at all, and when those involved haven't even met beyond a pre-performance handshade, WOW, that's music-making in its purest form, and it's a thrill and a half. As much as I love the stage-vibrating exhuberance of a full chorus belting our a familiar favorite like "Foeman", for sheer magic I'll take those pin-drop moments...and there were several of them. It was a great weekend all around. Much scenery was chewed in good fun (Elise Curran is particularly worthy of notice in this category, having done Julia in Grand Duke as a Suthun [U.S.] belle replete with accent and interpolated cadenza featuring the theme from Gone With the Wind--over the top, and very funny), much music was made, and there were many, many great chats and conversations around the edges. Good fellowship was had by all. Now, for heaven's sake, if you didn't get to this one, sign up for Toronto 2004!!! ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 1-Sep ruff@MIT.EDU [73] #Fwd: MITCP All's Well Video Count X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Sep 2003 20:01:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8201bOS026886; Mon, 1 Sep 2003 20:01:37 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8201KOC009710; Mon, 1 Sep 2003 20:01:20 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id UAA02536; Mon, 1 Sep 2003 20:01:20 -0400 (EDT) From: ruff@MIT.EDU Received: from 18.54.0.42 ( [18.54.0.42]) as user ruff@MIT.EDU by webmail.mit.edu with HTTPS; Mon, 1 Sep 2003 20:01:20 -0400 Message-ID: <1062460880.3f53ddd039cb9@webmail.mit.edu> Date: Mon, 1 Sep 2003 20:01:20 -0400 To: opus@mit.edu Subject: Fwd: MITCP All's Well Video Count MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.54.0.42 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (X11; U; Linux i686; en-US; rv X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: ruff@MIT.EDU Date: Mon, 1 Sep 2003 20:01:20 -0400 To: opus@mit.edu Subject: Fwd: MITCP All's Well Video Count X-Originating-IP: 18.54.0.42 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (X11; U; Linux i686; en-US; rv X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, Sorry, but Janine didn't get my order quite right. I don't want a VHS tape under any conditions, and I only want a DVD if it's less than $5 (which I really doubt will be the case). So, basically, feel free to just ignore the confusion and remove me from the list. (I don't have a way to play either a VHS or DVD, so either way it will just be a paper weight, which is why I'm only interested if it's really inexpensive. A VHS paperweight would take up too much room in my already cluttered apartment, but I could slip a DVD in somewhere...) Sorry for the confusion. Susan ----- Forwarded message from J91a@cs.com ----- Date: Fri, 29 Aug 2003 19:59:20 EDT From: J91a@cs.com Reply-To: J91a@cs.com Subject: MITCP All's Well Video Count To: opus@mit.edu Hi Dave, Here is a final headcount of those who want videos of the show. Anyone interested in signing on should reply to you, or you can "reply all" with prices. Thanks, Janine **** Matthew Breton VHS 1 Whichever is cheapest James Carroll DVD 1 Marion Leeds Carroll VHS 2 Dimie (Page) DVD 1 Changed from VHS Peter Floyd DVD 1 Dana Franz VHS 1 Douglas Hartley DVD 1 Eric Lindblad DVD 1 Geoffrey PingRee DVD 1 Todd Radford DVD 1 Richard Reifsnyder DVD 1 Susan Ruff VHS (1) Only if the cost is no more than $5 otherwise, count her out. Mal Rhett DVD/VHS 1 Either DVD or VHS, but do not put him down for more than one. Give him whichever one has an economic effect on bulk count. Elizabeth Stone VHS 1 Whichever is cheapest Rydia Vielehr DVD 1 Changed from VHS Janine Wanée VHS 1 Whichever is cheapest ----- End forwarded message -----  1,, Summary-line: 2-Sep jsmd@worldnet.att.net [25] #Carl Rosa Opera in US X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Sep 2003 10:14:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h82EEjpA016359; Tue, 2 Sep 2003 10:14:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h82EEhL0015896 for ; Tue, 2 Sep 2003 10:14:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h82EEN7b020345; Tue, 2 Sep 2003 10:14:23 -0400 (EDT) Date: Tue, 2 Sep 2003 10:14:23 -0400 (EDT) Message-Id: <3F54A1D8.50201@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: Carl Rosa Opera in US MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Sep 2003 10:14:23 -0400 (EDT) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: Carl Rosa Opera in US X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have not been paying attention to Carl Rosa, but they have announced the Mikado on Thursday, March 4, 2004, 7:30 PM only, in Portland, Maine. It is called "a lavish recreation ... with costumes and sets from Topsy-Turvy." At 50 USD a pop it seems a bit expensive for Maine! Interestingly the flyer quotes a Belfast newspaper -- Belfast, Maine is a good size town, well known in the state, but the newspaper quoted is apparently Belfast, Northern Ireland, certainly not Maine! -- Stan DeOrsey jsmd@att.net  1, answered,, Summary-line: 2-Sep marion@leedscarroll.com [66] #MITCP All's Well Video Count X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Sep 2003 21:18:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h831IppA010305; Tue, 2 Sep 2003 21:18:51 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h831EhhD023905 for ; Tue, 2 Sep 2003 21:14:44 -0400 (EDT) Received: (qmail 18408 invoked from network); 3 Sep 2003 01:14:43 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 03 Sep 2003 01:14:43 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 03 Sep 2003 01:14:43 -0000 Message-Id: <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 02 Sep 2003 21:14:40 -0400 To: opus@mit.edu From: Marion Leeds Carroll Subject: MITCP All's Well Video Count Cc: J91a@cs.com Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Tue, 02 Sep 2003 21:14:40 -0400 To: opus@mit.edu From: Marion Leeds Carroll Subject: MITCP All's Well Video Count Cc: J91a@cs.com X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, Ope - can we do it? I guess people will come to pick them up at my house, unless a better idea= =20 comes along... Thanks again for the ride - what a great weekend! - Marion Hi Dave, Here is a final headcount of those who want videos of the show. Anyone interested in signing on should reply to you, or you can "reply all" with=20 prices. Thanks, Janine **** Matthew Breton VHS 1 Whichever is cheapest James Carroll DVD 1 Marion Leeds Carroll VHS 2 Dimie (Page) DVD 1 Changed from VHS Peter Floyd DVD 1 Dana Franz VHS 1 Douglas Hartley DVD 1 Eric Lindblad DVD 1 Geoffrey PingRee DVD 1 Todd Radford DVD 1 Richard Reifsnyder DVD 1 Susan Ruff VHS (1) Only if the cost is no more than $5 otherwise, count her out. Mal Rhett DVD/VHS 1 Either DVD or VHS, but do not put him down for more than one. Give him whichever one has an economic effect on= =20 bulk count. Elizabeth Stone VHS 1 Whichever is cheapest Rydia Vielehr DVD 1 Changed from VHS Janine Wan=E9e VHS 1 Whichever is cheapest Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php= =20 to learn about the October benefit concert for the Boston Cure Project for= =20 Multiple Sclerosis.  1,, Summary-line: 3-Sep to: marion@leedscarroll.c [22] #Re: MITCP All's Well Video Count X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 02:00:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8360hpA017185; Wed, 3 Sep 2003 02:00:43 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h835um8I011292; Wed, 3 Sep 2003 01:56:48 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h835umaq006781; Wed, 3 Sep 2003 01:56:48 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id BAA04360; Wed, 3 Sep 2003 01:56:48 -0400 (EDT) Date: Wed, 3 Sep 2003 01:56:48 -0400 (EDT) Message-Id: <200309030556.BAA04360@multics.mit.edu> From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com In-reply-to: <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> (message from Marion Leeds Carroll on Tue, 02 Sep 2003 21:14:40 -0400) Subject: Re: MITCP All's Well Video Count References: <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Sep 2003 01:56:48 -0400 (EDT) From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com In-reply-to: <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> (message from Marion Leeds Carroll on Tue, 02 Sep 2003 21:14:40 -0400) Subject: Re: MITCP All's Well Video Count X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) With the numbers Janine sent, the prices are $16 for VHS and $18 for DVD. I can certainly deliver them to Marion's house if it's decided to do the distribution that way. The only question is how to arrange payment? Can we work out the logistics before sending mail to the cast? -Dave  1, answered,, Summary-line: 3-Sep radford@MIT.EDU [63] #last call for videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 14:48:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h83IlMpI006036; Wed, 3 Sep 2003 14:48:12 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h83Iio2P016550 for ; Wed, 3 Sep 2003 14:44:50 -0400 (EDT) Received: from biohazard-cafe.mit.edu (BIOHAZARD-CAFE.MIT.EDU [18.7.16.75]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h83Iinaq001340 for ; Wed, 3 Sep 2003 14:44:49 -0400 (EDT) Received: (from radford@localhost) by biohazard-cafe.mit.edu (8.12.9) id h83Iiowk027373; Wed, 3 Sep 2003 14:44:50 -0400 (EDT) Date: Wed, 3 Sep 2003 14:44:50 -0400 (EDT) From: Todd Radford To: star-wars@MIT.EDU Subject: last call for videos Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Sep 2003 14:44:50 -0400 (EDT) From: Todd Radford To: star-wars@MIT.EDU Subject: last call for videos X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all I'm about to send in numbers for videos. This is your last call to place an order. Listed below are all people I have orders from. If you needed to get back to me with a final number, you're *ed. If your name isn't on the list, then either you didn't send me an email, or I misplaced it. Either way, tell me now. -Todd Kat Allen Bill Andrews Dave Berger Jen Berk Jenn Braun Heather Brundage Phillip Burrowes Steph Chiesi Brittany Coulbert Alan deLespinasse Carl Dohrman Heather Dunn Alex Freedom! Dave Glasser Edmvnd Golaski Andrew Greenhut Colleen Harty Catherine Havasi Derek Herrera Marissa Jacovich Kimmerie Jones Jamez Kirtley LN Lurie John Marlow Alan Meisler Robert Morrison Eric Mumpower Tanis O'Connor Steve Peters Welkin Pope Nori Pritchard Chris Provenzano Todd Radford Amy Schonsheck Rogue Shindler* Beth Siers Alice Tsay Yelena Tsitkin Marissa Vogt Jonathen Watterson Jon Wetzel Liz Zakszewski Kyriakos Zavoleas  1,, Summary-line: 3-Sep tempsavoy@tradelaw.com [30] #Obs-qwerty in Chicago? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 15:35:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h83JURq4006639; Wed, 3 Sep 2003 15:35:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h83JTgGK007104 for ; Wed, 3 Sep 2003 15:29:43 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h83JPR7b010608; Wed, 3 Sep 2003 15:25:27 -0400 (EDT) Date: Wed, 3 Sep 2003 15:25:27 -0400 (EDT) Message-Id: <5.2.1.1.0.20030903140542.0227e008@pop.rcn.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Obs-qwerty in Chicago? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Sep 2003 15:25:27 -0400 (EDT) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Obs-qwerty in Chicago? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is NOT an announcement of a QWERTY in Chicago, simply an initial survey of interest. After the success at Rockville, a number of us were discussing other "interesting" ideas for a gathering. One such idea is an "Obs-qwerty" in which obscure works are performed... no not Utopia, Grand Duck, Sorcerer and Pinafore... truly "unusual" works... I was thinking of a QWERTY with Zoo, Montebanks, Rose of Persia and one or two other items. One of the "hooks" is that we would make available, essentially for the cost of copying and postage, Piano Vocal Score bound copies of these works (okay... not Zoo... its not out of copyright....). Maybe this would totally crash and burn.. And of course, this isn't going to happen unless I get an expression of help/interest from a few folk in Chicagoland....  1, forwarded,, Summary-line: 3-Sep marion@leedscarroll.com [63] #Fwd: The Poetry of GWB X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 20:19:16 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h840JFpA003844; Wed, 3 Sep 2003 20:19:15 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h840JExO005744 for ; Wed, 3 Sep 2003 20:19:14 -0400 (EDT) Received: (qmail 17728 invoked from network); 4 Sep 2003 00:19:13 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 04 Sep 2003 00:19:13 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 04 Sep 2003 00:19:13 -0000 Message-Id: <5.1.0.14.2.20030903201544.020b1ec0@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Wed, 03 Sep 2003 20:19:09 -0400 To: LindaMNadeau@hotmail.com, LHall@tscwo.com, opus@mit.edu, SSilvers@shackandsiegel.com From: Marion Leeds Carroll Subject: Fwd: The Poetry of GWB Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Wed, 03 Sep 2003 20:19:09 -0400 To: LindaMNadeau@hotmail.com, LHall@tscwo.com, opus@mit.edu, SSilvers@shackandsiegel.com From: Marion Leeds Carroll Subject: Fwd: The Poetry of GWB X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi! - whatever your politics, I think you'll find this very touching... btw, my brother checked this out on the Urban Legends site, and found that the quotes are actually all valid! - Marion >Sender: The Underground Libraries List >From: Christie Moore >Subject: The Poetry of GWB >To: UNDERLIB@MITVMA.MIT.EDU > >In case you hadn't all see this yet: > >"Make The Pie Higher" by George W. Bush > >This is a poem made up entirely of actual quotes from George W. Bush. The >quotes have been arranged only for aesthetic purposes, by Washington Post >writer Richard Thompson. > >MAKE THE PIE HIGHER >by George W. Bush > >I think we all agree, the past is over. >This is still a dangerous world. >It's a world of madmen and uncertainty >and potential mental losses. > >Rarely is the question asked >Is our children learning? >Will the highways of the internet become more few? > >How many hands have I shaked? >They misunderestimate me. >I am a pitbull on the pantleg of opportunity. > >I know that the human being and the fish can coexist. >Families is where our nation finds hope, where >our wings take dream. > >Put food on your family! >Knock down the tollbooth! >Vulcanize Society! >Make the pie higher! Make the pie higher! Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1,, Summary-line: 3-Sep nathan_Ichikawa@Brown.edu [102] #Re: MITG&SP Auditions Tonight and Thursday X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 21:45:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h841ixpA005183; Wed, 3 Sep 2003 21:44:59 -0400 (EDT) Received: from rly-ip03.mx.aol.com (rly-ip03.mx.aol.com [64.12.138.7]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h841iwxO008929 for ; Wed, 3 Sep 2003 21:44:58 -0400 (EDT) Received: from logs-wj.proxy.aol.com (logs-wj.proxy.aol.com [205.188.198.5]) by rly-ip03.mx.aol.com (v95.1) with ESMTP id RELAYIN5-63f5698fb286; Wed, 03 Sep 2003 21:44:27 -0400 Received: from Jonathan (AC8D2787.ipt.aol.com [172.141.39.135]) by logs-wj.proxy.aol.com (8.12.9/8.12.9) with SMTP id h841fXtI079950 for ; Thu, 4 Sep 2003 01:41:33 GMT Message-ID: <017001c37285$abb81290$7ac687ac@Jonathan> From: "Jonathan Ichikawa" To: "David C. Jedlinsky" References: <200309031943.PAA15073@multics.mit.edu> Subject: Re: MITG&SP Auditions Tonight and Thursday Date: Wed, 3 Sep 2003 21:41:32 -0400 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Apparently-From: SavoyMaster@aol.com X-AOL-IP: 205.188.198.5 X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Jonathan Ichikawa" To: "David C. Jedlinsky" Subject: Re: MITG&SP Auditions Tonight and Thursday Date: Wed, 3 Sep 2003 21:41:32 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Apparently-From: SavoyMaster@aol.com X-AOL-IP: 205.188.198.5 X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks very much, Dave... I actually just got back. As a non-MIT person who won't make the commute for a chorus role, I figure it's a long shot, but hey, at least it was a fun audition. Take care, Jonathan ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: Wednesday, September 03, 2003 3:43 PM Subject: MITG&SP Auditions Tonight and Thursday > > If you've decided to audition, break a leg! > > -Dave > > > ------- Start of forwarded message ------- > Date: Wed, 3 Sep 2003 13:40:14 -0400 (EDT) > From: Jennie Hango > To: savoyards@MIT.EDU > Cc: mtg@MIT.EDU, dramashop@MIT.EDU, ensemble@MIT.EDU, mitcp@MIT.EDU, > theater@MIT.EDU, chorus@MIT.EDU, dancetroupe@MIT.EDU, rkb@MIT.EDU, > midnight-players@MIT.EDU, gsp@MIT.EDU, ds_announce@MIT.EDU, blacktg@MIT.EDU, > choral@MIT.EDU, muses@MIT.EDU, techiya@MIT.EDU > Subject: MITG&SP Auditions Tonight and Thursday > > ____ ____ > \ )_________ _________( / > > | )_____________________________________( | < > /___| THE MIT | | PLAYERS |___\ > \_________| G I L B E R T & S U L L I V A N |_________/ > \_____________________________________/ > > Proudly Announce > > AUDITIONS > > for > > RUDDIGORE > or The Witch's Curse > > Producer: Erin Tyndall '04 > Stage Director: Andrew Sweet > Vocal Director: Katherine Bryant > > DATES AND TIMES OF AUDITIONS: > Wednesday, September 3rd, 2003, 7-10 pm: W20-491 (84 Masschusetts Avenue, > Student Center) > Thursday, September 4th. 2003, 7-10 pm: W20-491 (84 Massachusetts Avenue) > > If callbacks are held, they will take place on Saturday, September 6th, 2003, > 2-5 pm: W20-407. > > Please prepare one song in English and bring two copies for the provided > accompanist. Don't have a song? Sing "Happy Birthday" or "Twinkle, Twinkle > Little Star." > > Directors will provide a scene to be acted. > > Note: If interested in the parts of Robin, Despard or Mad Margaret, > directors may ask you to demonstrate patter skills. > > The show will take place November 7-9 and 13-15 in La Sala de Puerto Rico. > > Plot synopsis at: > http://diamond.boisestate.edu/gas/ruddigore/html/plot_sum.html > > Auditions are opened to all those interested. Please note the Student > Casting Policy: > When casting for a production, MIT students shall be given preference > over all other candidates for a given role, if said student is capable of > filling such a role. > > For more information, please visit web.mit.edu/gsp/www or email > savoyards-request.com > ------- End of forwarded message -------  1,, Summary-line: 3-Sep nathan_Ichikawa@Brown.edu [40] #editing digital music files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 22:13:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h842DfpA017992; Wed, 3 Sep 2003 22:13:41 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h842DcNW004238 for ; Wed, 3 Sep 2003 22:13:40 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h842Cv7b006962; Wed, 3 Sep 2003 22:12:57 -0400 (EDT) Date: Wed, 3 Sep 2003 22:12:57 -0400 (EDT) Message-Id: <019101c37287$7d81dd00$7ac687ac@Jonathan> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jonathan_Ichikawa@Brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: editing digital music files MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Sep 2003 22:12:57 -0400 (EDT) Reply-To: Jonathan_Ichikawa@Brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: editing digital music files X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, My computer has become my primary music-listening-to-device, and I've found it convenient to rip my G&S CDs to MP3 format. This has a variety of useful and non-useful advantages, like the ability to change operas without moving CDs, or to prepare an all-Donald Adams playlist, or a playlist in a random order that includes all five of my Pirates recordings, so I can practice recognizing each one. =P I would like to know if anyone is aware of free software that would let me make very simple, "brute" changes to these files? For example, I'd very much like to be able to cut out the dialogue from my recordings that have dialogue. Or, it'd be cool if I could break some of the Act I finales into smaller files, so I don't have to search through 20 minutes to find "the lady of my love has caught me talking to another", etc. Any advice? (I'm 99% sure this is all legal, since I own the CDs and am doing this just for myself... please correct me if I'm you know I'm wrong.) Jonathan Ichikawa Brown University Providence, RI  1,, Summary-line: 3-Sep res04nht@gte.net [58] #Re: editing digital music files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 03 Sep 2003 23:31:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h843VvpA018985; Wed, 3 Sep 2003 23:31:57 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h843VtCS020071 for ; Wed, 3 Sep 2003 23:31:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h843VK7b009151; Wed, 3 Sep 2003 23:31:20 -0400 (EDT) Date: Wed, 3 Sep 2003 23:31:20 -0400 (EDT) Message-Id: <3F555DBE.7040504@gte.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: res04nht@gte.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Patrick Gaik To: Multiple recipients of list SAVOYNET Subject: Re: editing digital music files MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <019101c37287$7d81dd00$7ac687ac@Jonathan> X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 3 Sep 2003 23:31:20 -0400 (EDT) Reply-To: res04nht@gte.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Patrick Gaik To: Multiple recipients of list SAVOYNET Subject: Re: editing digital music files X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <019101c37287$7d81dd00$7ac687ac@Jonathan> X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jonathan Ichikawa wrote: > Hi, > > My computer has become my primary music-listening-to-device, and I've found > it convenient to rip my G&S CDs to MP3 format. This has a variety of useful > and non-useful advantages, like the ability to change operas without moving > CDs, or to prepare an all-Donald Adams playlist, or a playlist in a random > order that includes all five of my Pirates recordings, so I can practice > recognizing each one. =P > > I would like to know if anyone is aware of free software that would let me > make very simple, "brute" changes to these files? For example, I'd very > much like to be able to cut out the dialogue from my recordings that have > dialogue. Or, it'd be cool if I could break some of the Act I finales into > smaller files, so I don't have to search through 20 minutes to find "the > lady of my love has caught me talking to another", etc. Jonathan: I too have my entire G&S collection backed up to MP3 files - it's wonderful. When I hook up my new computer with 120 GB hard drive, I'll have them back on the computer. I use a cheap software packaged called Total Recorder to edit .wav files , and it will also edit in MP3 format. I find it particularly helpful for isolating a short segment and saving it to a different file - comes in very handy for make sound cues for shows. In fact, I'm trying to find themes in the Pinapple Poll suite to use them for incidental music for our production of Harvey, which opens with an offstage soloist singing "Buttercup" (that will be me, btw). You can find the package at http://www.highcriteria.com/ Pat -- o o o o "To know you're there, we're deeply glad, `//'//'//'//' deeply grateful, and deeply PLAID." /\ /\ /\ /\ - Forever Plaid http://www.patgaik.com  1,, Summary-line: 4-Sep PZavon@Rochester.RR.Com [50] #Re: Rockville Singout - photos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Sep 2003 22:47:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h852lhpA021992; Thu, 4 Sep 2003 22:47:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h852lfwS018404 for ; Thu, 4 Sep 2003 22:47:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h852lB7b024738; Thu, 4 Sep 2003 22:47:11 -0400 (EDT) Date: Thu, 4 Sep 2003 22:47:11 -0400 (EDT) Message-Id: <025701c37354$cbde5aa0$a5b64342@ZavonVaio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: Rockville Singout - photos MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 4 Sep 2003 22:47:11 -0400 (EDT) Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: Rockville Singout - photos X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am still nibbling at my Savoynet Digest backlog. 13 to go at this writing but another 1 or 2 will probably show up when next I upload and down load email. On Mon, 1 Sep 2003 "Rebecca Consentino Hains" said to Savoynet, in part: >Upon arriving home, I went to http://www.savoynet.org/forums and >uploaded some photographs that my husband and I took this weekend. I >also uploaded a 30-second movie file from Utopia, Ltd. I hope to upload >another one tomorrow. I had a new 5 megapixel digital camera with me for the Singout and took the opportunity to learn some of its idiosyncrasies by using it extensively. (I was one of those two annoying people taking flash photos throughout the event.) For those who were there, the computer slide show running in the lobby from Saturday morning was showing the images I was collecting. During each meal and sleep break, I added more images to the slide show. I have 23 Quick Time video clips running from about 30 seconds to nearly 3 minutes, with low quality sound. I also have nearly 400 JPG images, each about 1 meg in size. (I've not checked to be certain, but I suspect these are nearly uncompressed JPG files. Several of those were poorly exposed and need to be salvaged through manipulations such as increasing contrast, etc. I'll probably not load them to the Savoynet.org site. They represent around one gigabyte of files. But I will make them available on CD to VLOC for use on their web site as they choose. I'll also find some way of letting the rest of you get some sort of access. There are LOTS of close ups of Savoynetters who may not be known on sight to some of you. Peter Zavon Penfield, NY 14526 PZavon@Rochester.RR.Com  1,, Summary-line: 5-Sep mpw@nhm.ac.uk [101] #Bruce Miller & Jim Drew X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Sep 2003 08:29:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h85CTnpA004649; Fri, 5 Sep 2003 08:29:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h85CTmDK013897 for ; Fri, 5 Sep 2003 08:29:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h85CTK7b006900; Fri, 5 Sep 2003 08:29:20 -0400 (EDT) Date: Fri, 5 Sep 2003 08:29:20 -0400 (EDT) Message-Id: <3.0.1.32.20030905133709.0076c324@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Bruce Miller & Jim Drew Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Sep 2003 08:29:20 -0400 (EDT) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Bruce Miller & Jim Drew X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am very sorry indeed that I was unable to comment on these sad events but, as you will realise, I was in Ireland and not reachable by email, when it all happened. Actually, I did know, as I received a phone call not long before I was due to return, but the full shock didn't really sink in till I got back and read all the emails. I came back to 2900 messages, so it took a little while to get myself sorted out. However, I printed all the Bruch & Jim messages and took them home to read on the train. BRUCE MILLER I was very fond of Bruce, in spite of everything. In one sense I was lucky. He and I got our crime over, first thing in the morning, and then for the rest of the day ... Almost immediately I joined the Net I had my skirmish with Bruce. He complained that something I'd said was rude. I sent him a private message and apologised if I'd been impolite, but I said I didn't he'd been very polite either. He responed immediately and after that we got on well, though I was a bit upset when I saw the unpleasantness he inflicted on others. I recall one occasion whgen somebody publicly called him an idiot. I replied to defend him, pointing out that whatever he may or not have been, he was certainly not an idiot. Chris has intimated that Bruce may have been an unhappy person. I think his problem was that for all his erudition, he may have been insecure in himself. His great problem seems to have been that he could never take criticism, or admit any possibility that he might be wrong. I met Bruce once, when he and Helga were delivering their paper on Reflect my child, to a conference at (I think) Royal Holloway College, Egham [is that right Helga?] and they came over to Richmond (that's Richmond, Surry, England) and I spent a few hours showing them round the town and the historic sights, including the remains of the old Palace, that dates back to King Henry the Seventh. We agreed that it would make a lovely venue for a production of Yeomen. Not long before I left for Ireland, I wrote to Bruce, remarking that we hadn't heard from him for a while on the net, and received this reply: Hi Michael, Yes, I have left SavoyNet but, as you can see, am still on the Net privately. Good to hear from you! Watch for the new Broude Pinafore crticial edition full score and libretto that's coming out very soon. On deep background for the time being — we'll be Beta-testingtesting the vocal score and band parts at Holy Cross in February. All best, Bruce. I didn't get time to answer before I went away, intending to pick up the threads when I got back. But its too late now. JIM DREW I don't think anyone had any bad word to say about Jim, charming in every way. Sadly, we never met, but he was kindness itself in digging out copies of performances of rarely performed operas from his extensive library. There was one he wanted from me, but I could never find it. I still don't know for sure if its still there, I have thousands of tapes that have got completely muddled, and many hundreds that I sent over to Ireland, and never yet got round to unpacking or sorting. Sorry, Jim, I'd like to have found it for you. I finished reading all the emails in the train this morning, and by the time I got to the office my eyes were very, very damp. ... "Lo, some we loved, the loveliest and the best, Which from his rolling vintage, Time hath pressed. Have drunk their cup a round or two before, And one by one, crept silently to rest" (Edward Fitzgerald) ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Tel: 0207-942-6161 Fax: 0207-942-6150 email: mpw@nhm.ac.uk I'm very easy to please as long as I get my own way.  1,, Summary-line: 5-Sep to: carolyn@steele.mgh.ha [45] #Re: King Richard's Faire X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Sep 2003 15:45:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h85JjUpA020644; Fri, 5 Sep 2003 15:45:30 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h85JjHHf019961; Fri, 5 Sep 2003 15:45:17 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h85JjGaq008535; Fri, 5 Sep 2003 15:45:17 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA27996; Fri, 5 Sep 2003 15:45:16 -0400 (EDT) Date: Fri, 5 Sep 2003 15:45:16 -0400 (EDT) Message-Id: <200309051945.PAA27996@multics.mit.edu> From: "David C. Jedlinsky" To: carolyn@steele.mgh.harvard.edu CC: dinner@MIT.EDU In-reply-to: (message from Carolyn Smith on Fri, 5 Sep 2003 12:52:52 -0400) Subject: Re: King Richard's Faire References: X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Sep 2003 15:45:16 -0400 (EDT) From: "David C. Jedlinsky" To: carolyn@steele.mgh.harvard.edu CC: dinner@MIT.EDU In-reply-to: (message from Carolyn Smith on Fri, 5 Sep 2003 12:52:52 -0400) Subject: Re: King Richard's Faire X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I can get a (relatively) unlimited number of discounted tix at $18 each. So, the pro-rate shouldn't be too bad if we have more than six people going. Yes, you should choose a date. :-) -Dave >Date: Fri, 5 Sep 2003 12:52:52 -0400 >From: Carolyn Smith > >So I can get discounted tix for KRF. We should choose a date, I can >get a max of 6 tix (we can pro-rate the discount if there are more >than 6 of us going).... > >--cyn > >>MGH/PHS employees may purchase Adult tickets for $16.00 each >>(regularly priced at $22) and Children's tickets (age 5-12) for >>$11.00 each (no discount). Children under age five years of age are >>FREE. Parking is free. Tickets can be purchased through the PERKS at >>during regular Perks hours. Once you purchase a King Richard Fair >>ticket they are onlyvalid for the following days - September 6th, >>7th, 13th, 14th, 20th, 21st, 27th, and October 4th, 11th, 13th, 18th >>and 19th. Visit the faire website >>at:http://www.kingrichardsfaire.net Please purchase tickets >>MGH Perks ticket sale locations (Warren Library or CNY 149-Cashier's >>Office) during regular ticket selling times. There is a limit 6 >>tickets with your hospital ID badge. > >  1,, Summary-line: 5-Sep rebecca@hains.net [64] #updates to Savoynet.org/forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 05 Sep 2003 16:54:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h85KrOpI009732; Fri, 5 Sep 2003 16:54:13 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h85KlWgk001636 for ; Fri, 5 Sep 2003 16:47:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h85KlA7b001583; Fri, 5 Sep 2003 16:47:10 -0400 (EDT) Date: Fri, 5 Sep 2003 16:47:10 -0400 (EDT) Message-Id: <005e01c373ed$a71fac20$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: updates to Savoynet.org/forums MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008e01c373e3$f4245ca0$3485fc3e@5zsv40j> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 5 Sep 2003 16:47:10 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: updates to Savoynet.org/forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <008e01c373e3$f4245ca0$3485fc3e@5zsv40j> X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'd like to take a moment to announce some updates to the Savoynet Forums, available at http://www.savoynet.org/forums . Under "Piano/vocal and audio files": Larry Simons has uploaded several items in PDF file format: - The Chappell edition of the _Trial By Jury_ score - His new engraving of _The Sorcerer_ (Act I only) - Scan of Leo Feist of New York's 1917 publication of "Hail! Hail! the Gang's All Here" (under OTHER) Jonathan Ichikawa has uploaded PDF and MIDI files of "When Jealous Torments" (under YEOMEN). I have uploaded information Phil Sternenberg once provided to me for my theater web site about his lyrics for Laetitia's Lost Song (THE ZOO) as well as an MP3 of the song in performance at MIT. At Nick's suggestion, I created an entirely new subgroup of forums, called "Collector's Corner." There, I have posted scans of the first few pages of THE PINAFORE PICTURE BOOK (1908). I hope others will post scans of collector's items that they have, to facilitate discussions of said items here on Savoynet! To view any Savoynet.org attachments, you'll need to either register for the site and log in with your own username and password, or log in as "guest" with password "guest." (I will eventually have the site set up so that all files can be viewed even without logging in, but I have not yet figured out the best way to do so.) If you have any questions, just let me know. And if you have anything to contribute to the site -- files you'd like to share with the rest of Savoynet -- please do so. That's what it's there for! :-) With best wishes, Rebecca Hains Philadelphia, PA  1,, Summary-line: 6-Sep to: marion@leedscarroll.c [60] #Re: MITCP All's Well Video Count X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 01:38:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h865cjpA001395; Sat, 6 Sep 2003 01:38:45 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h865ci3O023497; Sat, 6 Sep 2003 01:38:44 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h865ciGr020438; Sat, 6 Sep 2003 01:38:44 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id BAA04331; Sat, 6 Sep 2003 01:38:43 -0400 (EDT) Date: Sat, 6 Sep 2003 01:38:43 -0400 (EDT) Message-Id: <200309060538.BAA04331@multics.mit.edu> From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com In-reply-to: <5.1.0.14.2.20030905213538.020673e0@pop.leedscarroll.com> (message from Marion Leeds Carroll on Fri, 05 Sep 2003 21:38:11 -0400) Subject: Re: MITCP All's Well Video Count References: <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> <5.1.0.14.2.20030902211305.01f8fe48@pop.leedscarroll.com> <5.1.0.14.2.20030905213538.020673e0@pop.leedscarroll.com> X-Spam-Score: -4.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 01:38:43 -0400 (EDT) From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com In-reply-to: <5.1.0.14.2.20030905213538.020673e0@pop.leedscarroll.com> (message from Marion Leeds Carroll on Fri, 05 Sep 2003 21:38:11 -0400) Subject: Re: MITCP All's Well Video Count X-Spam-Score: -4.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Marion. It's ok to mail me checks afterward; it's not a matter of trust that people won't pay for goods received. My only concern is for people who might, for one reason or another, fail to pick up an item ordered. Will you or Janine be able to track such a hypothetical person down? Perhaps you could tell people the prices, and that their name on the list is a firm commitment to purchase. Maybe give them a few days to back out before I make the copies, since I can't undo them once they're made. -Dave >Date: Fri, 05 Sep 2003 21:38:11 -0400 >From: Marion Leeds Carroll > >Dave - would you rather receive checks before delivering the goods to >me? Or will you trust folks to show up at my door check in hand, in which >case I will mail the checks to you...? Or do you not trust US mail, in >which case I guess I coudl Fedex them or something... > >- Marion > >At 01:56 AM 9/3/2003 -0400, David C. Jedlinsky wrote: > >>With the numbers Janine sent, the prices are $16 for VHS and $18 for >>DVD. >> >>I can certainly deliver them to Marion's house if it's decided to do >>the distribution that way. The only question is how to arrange >>payment? Can we work out the logistics before sending mail to the >>cast? >> >>-Dave > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. > >  1,, Summary-line: 6-Sep ulahlica@yahoo.com [120] #Re: About this Savoynet side forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 10:14:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h86EEmpC006168; Sat, 6 Sep 2003 10:14:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h86EECru018560 for ; Sat, 6 Sep 2003 10:14:13 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86EA67b015279; Sat, 6 Sep 2003 10:10:06 -0400 (EDT) Date: Sat, 6 Sep 2003 10:10:06 -0400 (EDT) Message-Id: <20030906135932.68116.qmail@web60208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 10:10:06 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) And now the real answer... Chris Webster, the hot-potato man, asked... ***Why do we have two of these side forums?*** First, neither are side forums. Even if they were, I don't see why that would concern anyone. Believe it not, peoples, there are already quite a few other G&S groups on the Net. To ask why there are two forums could be tantamount to asking why more than one person in this group owns a G&S parody site. What-ever the answer is, it applies to both. Actually, the *real* story of why we have two sites is half unknown, half long and boring, and half calculated to start an argument. So, I'm going to make something up instead. My site is the quick and easy one. It uses yahoo's already established format. It's free but the ads are annoying. I can tune them out easily now but it took practice. Rebecca's site is the amazing one. Rebecca and her husband designed it and it's the best work of its kind I've seen on the Net. It's privately funded so it has no ads. Both sites were created because of the repeated needs expressed on SavoyNet (by the people who are not website savvy) to have a way to post pictures and midis. People had occasionally written to me, asking if I'd upload something to my site so they could show it to the group. The need was there and a few of us, for purely altruistic reasons, went through a LOT of trouble to think about, promote, and put together something everyone could use. Personally speaking, for all the crap I've had to eat for this, I'd just as soon delete my group. (This has nothing to do with you, Chris) But that would just be me flying off the handle again. There are plenty of people in both groups who joined and liked the idea. Neither group is being used much, though, so we're hardly a a threat to each other or SavoyNet. Both groups also offer a place to continue off-Topic conversations that are halted here. People that have opposed the idea of these groups come off as selfish and controlling to me. They are saying, "Do NOT talk about these subjects here. Do NOT talk about them anywhere else. Do NOT post pictures here. Do NOT post them anywhere else." I just don't get it. All this has been already discussed here ad nauseum. Maybe I'll just make this whole post my tag line. (HA!) I would think my group, since it is free and (for all we know) could be deleted by yahoo at any time, would best be used for less serious material such as... 1 - Here's a picture of my cat 2 - Who likes Offenbach? 3 - Here's a really stupid poll I thought of since I'm anonymous but don't realize people will recognize my writing style ..all of which have already been done. Rebecca's site should be used for the more noteworthy material, things that deserve to be preserved. But that just MO. John S P.S. I don't know about the rest of the world but in America "Hot Potato" means "controversial subject." In no way was I implying one way or the other in my opening that Chris Webster is "hot" or "potato-like." The ladies can judge for themselves in the latest picture I've added to the gallery on my ULAHLICA site. http://www.geocities.com/ulahlica/GAL/galin.html __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 6-Sep rebecca@hains.net [113] #RE: About this Savoynet side forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 10:38:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h86EcjpA004571; Sat, 6 Sep 2003 10:38:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h86EbQhB013721 for ; Sat, 6 Sep 2003 10:37:26 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86Eb27b016084; Sat, 6 Sep 2003 10:37:02 -0400 (EDT) Date: Sat, 6 Sep 2003 10:37:02 -0400 (EDT) Message-Id: <000101c37481$0f38a6c0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: About this Savoynet side forums MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030906130059.36269.qmail@web60205.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 10:37:02 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030906130059.36269.qmail@web60205.mail.yahoo.com> X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Chris Webster wrote: >> Why do we have two of these side forums? John Spartan had already set this sort of thing up hadn't he, so why start another? Or do they do different things? << They do indeed! :-) John Spartan's group seems to be primarily about off-topic discussions, games, and polls. (John, please correct me if I have unintentionally mischaracterized your group.) On the other hand, the Savoynet Forums are a place for Savoynetters to post attachments that they are unable to post to the list. Not everyone has a web site to which they can upload the files they would like to share, so the forums make posting attachments an "equal opportunity" affair. >>>I hope this isn't a case of a rivalry that could split Savoynet into two camps. If I thought that was the case then I'd rather have neither and let us carry on as we have been since day one.<<< No, indeed! It is most definitely not a case of rivalry. In fact, on August 15, while we were beta-testing the new forums, John Spartan posted the following: "This site is the most impressive I've ever seen. Big congratulations to Rebecca and her husband!" So, there are not two camps, and you need not worry about that. :-) >>>Perhaps Savoynetters themselves should be given the choice of what we want/need and how it is to be achieved, and it could be looked after through the official ranks as Savoynet is, rather than have individuals spring such things on us.<<< Actually, they *were* given a choice! Allow me to explain: On August 11, Anthony Vickery made a post to this very listserv, titled "Savoynet web site, gallery, blog?" This post contained an open invitation for ANY interested parties to join in an off-list discussion. Describing the type of site he was envisioning, he wrote: "Interested parties would send obituaries, photographs, music clips, etc. to the webmaster, whose job it would be to add them to the web site. At the very least, the site could be a place for people to post their pesky attachments." As a result of Anthony's post, an off-list "committee" was formed. This group comprised of myself, John, Anthony Vickery, Jonathan Ichikawa, Andi, Jana, and Elise. (Am I missing anyone?) We really had many serious discussions about what we felt would best serve S'net as a whole. My contribution to the discussion was an offer to customize some standard phpBB (bulletin board) software so that people can upload attachments *themselves*, taking that burden off of a hypothetical webmaster by giving individual users the power to post anything they like. All parties agreed that they'd like to see such a site, so my husband and I put it together, and the committee really, really liked it! Therefore, given this background, you can see that the forums were really not "sprung" upon Savoynet by "individuals." Everyone on S'net was invited to join the off-list discussion, anyone could suggest what they wanted/needed. I think it came together remarkably well, and I give credit to all the serious discussions we had about what we felt the site should be. >>> Apologies if I'm barking up the wrong tree with my doubts, but whether rightly or wrongly I don't feel comfortable with the present situation. If someone can tell me that I'm wrong to have such doubts (publicly please, so we all know what's happening) then I'd feel a lot better. <<< Oh, it's perfectly alright! I know that every person does not read every post made to Savoynet, myself included, so it is quite easy to miss out on explanations of things like this. I completely understand and hope this message sets the record straight. I will conclude this message with an excerpt of my original announcement about the Savoynet.org forums (which was also, BTW, created by committee!): >>>A few weeks ago, a small group of us began an off-list discussion. We shared a common goal: Because we are not supposed to post attachments to the listserv, we wanted to create a site that could serve as a "central location" for the posting of photos and other attachments. After considering numerous options with the group, my husband Tyler and I set up a bulletin board that suits our needs at http://www.savoynet.org/forums . We customized it to permit users to upload attachments. The off-list group beta-tested this web site, and everyone agrees that it is our best choice.<<< With best regards, Rebecca Hains Philadelphia, PA  1,, Summary-line: 6-Sep PZavon@Rochester.RR.Com [43] #Re: About this Savoynet side forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 11:06:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h86F6opA018728; Sat, 6 Sep 2003 11:06:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h86F6ohB023813 for ; Sat, 6 Sep 2003 11:06:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86F2k7b016762; Sat, 6 Sep 2003 11:02:46 -0400 (EDT) Date: Sat, 6 Sep 2003 11:02:46 -0400 (EDT) Message-Id: <007001c37487$5d039a30$a5b64342@ZavonVaio> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 11:02:46 -0400 (EDT) Reply-To: PZavon@Rochester.RR.Com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Zavon" To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Sat, 6 Sep 2003 John Spartan said to Savoynet, in part: >...site should be used for the more noteworthy >material, things that deserve to be preserved I would remind everyone that the G&S Archive exists precisely for those things that "deserve to be preserved." Of course, there are going to be non-G&S items that some will think fall into that category and those will not be appropriate for the G&S Archive. But I suggest that G&S related items "worthy" of long term preservation should be offered to the Archive at the least in addition to any other web location. My recollection is that it was established after Savoynet was, and for the very purpose of making available those items that could not readily be posted to Savoynet and/or "deserved to be preserved." I agree with John that there are many other G&S web sites and even a few other G&S discussion areas, all completely legitimate. Savoynet is, as best I can tell, the largest by far in terms of subscribers and probably the oldest as well. Let's remember that the number of active participants is only a small fraction of the number who derive enjoyment from this forum. Participants are far outnumbered by lurkers (an honorable but descriptive term - let's not rehash that issue just now). Peter Zavon Penfield, NY 14526 PZavon@Rochester.RR.Com  1,, Summary-line: 6-Sep SSilvers@sskfny.com [31] #Savoynet side forums and the G&S Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 13:08:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h86H8npA024062; Sat, 6 Sep 2003 13:08:50 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h86H8nQK022935 for ; Sat, 6 Sep 2003 13:08:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86H8S7b017883; Sat, 6 Sep 2003 13:08:28 -0400 (EDT) Date: Sat, 6 Sep 2003 13:08:28 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Savoynet side forums and the G&S Archive Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 13:08:28 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Savoynet side forums and the G&S Archive Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>> John Spartan wrote: Both sites were created because of the repeated needs expressed on SavoyNet (by the people who are not website savvy) to have a way to post pictures and midis. ..Both groups also offer a place to continue off-Topic conversations that are halted here. ..Rebecca's site should be used for the more noteworthy material, things that deserve to be preserved. >>> I think that part of the reason why people became interested in these sites is because the G&S Archive was not posting new material. Now that Jim is back at work on the Archive, I would hope that people post the most important items of interest to G&S fans on the G&S Archive. That should be the central site where the most important or "noteworthy" info on G&S is available, or at least linked. Best regards, Sam  1,, Summary-line: 6-Sep andi_s_r@yahoo.com [49] #Re: About this Savoynet side forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 16:28:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h86KSLpA021877; Sat, 6 Sep 2003 16:28:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h86KSL3u029323 for ; Sat, 6 Sep 2003 16:28:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86KS07b021301; Sat, 6 Sep 2003 16:28:00 -0400 (EDT) Date: Sat, 6 Sep 2003 16:28:00 -0400 (EDT) Message-Id: <20030906202031.74580.qmail@web10805.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007001c37487$5d039a30$a5b64342@ZavonVaio> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 16:28:00 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <007001c37487$5d039a30$a5b64342@ZavonVaio> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While we may end up with some crossover or duplication between the G&S Archive and the savoynet.org "forums" website, to me there are very clear uses for the new website that do *not* seem to be as appropriate for the Archive. One of these is what's appearing right now--photos and film clips from the Rockville SingOut. The G&S Archive is the major research tool for serious study of G&S--maybe it will be decided that one or two of those film clips of a performed number is worthy of inclusion in the Archive, but should the Archive really be cluttered up with dozens of pictures of SavoyNetters at QWERTs and SingOuts and the like? Is that sort of thing of scholarly interest to anybody but us? I'd say not, but wow, when you get home from an event like Buxton or a Singout, it is really great to be able to see a slew of pictures uploaded within a few hours! Another aspect I find handy is links to members' websites and some of the stuff they have there. Some of that may be of "Archival" interest, but again, some of it is purely in-crowd stuff. There are a lot of legitimate uses for this new website that fall right in that gaping crack between what belongs on SavoyNet and what belongs in the Archive. If there's some slop-over at the edges, well, things can be transferred as appropriate. It's becoming a pleasant habit for me to take a peek every day to see what else might have shown up on the new site...I encourage everybody to have a look, using the "guest" user name and "guest" password. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 6-Sep rebecca@hains.net [54] #A modest proposal re: G&S Archive & overlap with Side Forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 18:33:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h86MXhpA026700; Sat, 6 Sep 2003 18:33:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h86MXfKG024238 for ; Sat, 6 Sep 2003 18:33:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h86MX57b023089; Sat, 6 Sep 2003 18:33:05 -0400 (EDT) Date: Sat, 6 Sep 2003 18:33:05 -0400 (EDT) Message-Id: <000001c374c4$f0253c50$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A modest proposal re: G&S Archive & overlap with Side Forums MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030906202031.74580.qmail@web10805.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Sep 2003 18:33:05 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A modest proposal re: G&S Archive & overlap with Side Forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030906202031.74580.qmail@web10805.mail.yahoo.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've been reading with much interest the posts on whether or not the Savoynet.org Forums' content should overlap with the Archives. These are excellent concerns, and I'm glad they've been raised. After some consideration, I've come up with a simple solution to this dilemma that might be satisfactory to all parties involved. ***What if I were to add to the site a statement that materials uploaded to the Forums may at some point be added to the G&S Archive, with (of course) appropriate credit to the original poster?*** In such a case, the Forums would serve not just as a place for us to post attachments, but also as a "halfway" point for items of interest to both Savoynet and the Archives. The advantages of such an arrangement: Some of the files being added to the Forums are much too large to be emailed. People who would want to send them to Jim for the Archive would probably have to snail-mail them to him on a CD or other disc. Therefore, posting such materials to the Forums would permit Jim to access them more quickly and easily, at the click of a button. He could download them to his own computer and then upload them to the Archives in just a few moments. I do *not* want to clutter Savoynet with discussion of such administrative matters. Therefore, if anyone has a strong opinion either way regarding my proposal (to offer freely to the Archives any material posted to the Forums), would you kindly email me off list, at rebecca@hains.net? I will tally the responses I receive and post them in aggregate to the list in a few days, minimizing the traffic and bandwidth used in this conversation. (Alternatively, if you prefer, you may share your opinion by logging into the Forums and then answering a poll I've set up in the following thread location: http://www.savoynet.org/forums/viewtopic.php?p=68#68 ) With best wishes, Rebecca Hains Philadelphia, PA  1,, Summary-line: 6-Sep rebecca@hains.net [126] #RE: A modest proposal re: G&S Archive & overlap with Side Forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Sep 2003 23:48:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h873mqpA008577; Sat, 6 Sep 2003 23:48:52 -0400 (EDT) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h873mpkr001232 for ; Sat, 6 Sep 2003 23:48:51 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc12) with SMTP id <20030907034851012009ectke>; Sun, 7 Sep 2003 03:48:51 +0000 From: "Rebecca Consentino Hains" To: "'Jonathan Ichikawa'" Cc: "'David C. Jedlinsky'" Subject: RE: A modest proposal re: G&S Archive & overlap with Side Forums Date: Sat, 6 Sep 2003 23:48:50 -0400 Message-ID: <000901c374f2$f2f29e40$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal In-Reply-To: <087d01c374df$ecac7500$7ac687ac@Jonathan> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'Jonathan Ichikawa'" Cc: "'David C. Jedlinsky'" Subject: RE: A modest proposal re: G&S Archive & overlap with Side Forums Date: Sat, 6 Sep 2003 23:48:50 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <087d01c374df$ecac7500$7ac687ac@Jonathan> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yeah -- call Andrew "Drewbob" when you first meet him. See if he notices! I'd love to share, but Dave is MUCH better at telling our hijinky-stories than I am. I wouldn't know where to begin, really, and I have a poor memory for details. So I'm cc'ing him in case *he'd* like to share. :-) BTW, once you get to know people there, I may ask you to pester them about my ZOO videotape for me. I co-directed it, It took them a while to get the videos in, and then I moved to Philly. Been emailing the board about getting a copy, and no one ever replies. Boo to them! And hey -- when you get a cast list, I'd love to hear who the rest of the cast is. :-) Have fun! -----Original Message----- From: Jonathan Ichikawa [mailto:Jonathan_Ichikawa@Brown.edu] Sent: Saturday, September 06, 2003 9:33 PM To: Rebecca Consentino Hains Subject: Re: A modest proposal re: G&S Archive & overlap with Side Forums Hey, The director's name is Andrew Sweet. I will ask around about you. Hijinks, eh? Care to share? Jonathan ----- Original Message ----- From: "Rebecca Consentino Hains" To: "'Jonathan Ichikawa'" Sent: Saturday, September 06, 2003 9:27 PM Subject: RE: A modest proposal re: G&S Archive & overlap with Side Forums > Ooh! I'm so glad they cast you. :-) You will enjoy working with them > very much! Is Drewbob directing?? > > My last show performing with MITG&S was their last Ruddigore, in Fall > '97. I was Rose. Dave Jedlinsky was Despard. Hijinks ensued! ;-) > > Ask around -- I'm sure there are still people there who remember me (as > Becca Consentino, most likely). If so, do say hello to them for me. > > And thanks about the Forums! > > becca > > > Rebecca C. Hains > Temple University > Philadelphia, PA > http://astro.temple.edu/~hains > > > -----Original Message----- > From: Jonathan Ichikawa [mailto:Jonathan_Ichikawa@Brown.edu] > Sent: Saturday, September 06, 2003 9:06 PM > To: Rebecca Consentino Hains > Subject: Re: A modest proposal re: G&S Archive & overlap with Side > Forums > > Hey, Rebecca. > > > Jim Farron is wondering if someone could let him know whenever new > > valuable attachments have been posted (see message below). > > > > Is this something that you, as a moderator, would have the time or > > interest to do? It would just be a matter of dropping him an email > with > > a direct URL. > > No problem. > > > I hope you're settling in nicely at your new school. > > Thanks... I'm finally starting to get settled. By the way, it's best to > use > this email address for me now: jonathan_ichikawa@brown.edu. Sorry to > keep > switiching! This one should last for a long time. > > > Any luck getting in touch with MITG&S? > > Yes... actually, I've just heard that I was cast as Sir Despard in their > fall production. I'm very excited. I've been waiting to see a public > announcement of the cast before I brag to the list about it, but I'm > looking > forward very much to starting rehearsals next week (the hour-drive > notwithstanding). > > Take care, > > Jonathan > > >  1,, Summary-line: 7-Sep hains@temple.edu [171] #pins X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 00:09:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h87495pA016195; Sun, 7 Sep 2003 00:09:05 -0400 (EDT) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h87494tO018829 for ; Sun, 7 Sep 2003 00:09:05 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc12) with SMTP id <20030907040904012009dsgbe>; Sun, 7 Sep 2003 04:09:04 +0000 From: "Rebecca C. Hains" To: "'Lucie LeBlanc Consentino'" Cc: "'David C. Jedlinsky'" Subject: pins Date: Sun, 7 Sep 2003 00:09:03 -0400 Message-ID: <001a01c374f5$c5f8eae0$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_001B_01C374D4.3EE74AE0" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 4.2 X-Spam-Level: **** (4.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'Lucie LeBlanc Consentino'" Cc: "'David C. Jedlinsky'" Subject: pins Date: Sun, 7 Sep 2003 00:09:03 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 4.2 X-Spam-Level: **** (4.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C374D4.3EE74AE0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hey mom, Could you send Dave the contact information for the company that did those nice pins for ACGS? He's looking for a company to place an order with. I cc'd him on this message for your convenience. :-) becca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains ------=_NextPart_000_001B_01C374D4.3EE74AE0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hey mom,

 

Could you send Dave the contact information for the = company that did those nice pins for ACGS? He’s looking for a company to = place an order with. I cc’d him on this message for your = convenience.

 

:-)

becca

 

Rebecca C. Hains

Temple University

Philadelphia, PA

http://astro.temple.edu/~hains

 

------=_NextPart_000_001B_01C374D4.3EE74AE0--  1,, Summary-line: 7-Sep LucieMC@comcast.net [445] #RE: company for the ACGS pins X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 06:24:22 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h87AOLpA012819; Sun, 7 Sep 2003 06:24:21 -0400 (EDT) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h87AOKgq015500 for ; Sun, 7 Sep 2003 06:24:20 -0400 (EDT) Received: from dimension (h000625dc4e20.ne.client2.attbi.com[24.34.118.66](untrusted sender)) by comcast.net (sccrmhc12) with SMTP id <20030907102419012005sm2ke>; Sun, 7 Sep 2003 10:24:19 +0000 From: "Lucie LeBlanc Consentino" To: "'Rebecca C. Hains'" Cc: "'David C. Jedlinsky'" , "Marcel Jussaume" Subject: RE: company for the ACGS pins Date: Sun, 7 Sep 2003 06:24:20 -0400 Message-ID: <001b01c3752a$3666aa40$6401a8c0@Dimension> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_001C_01C37508.AF550A40" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.2627 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 In-Reply-To: <001a01c374f5$c5f8eae0$6400a8c0@DIMENSION> X-Spam-Score: 4.5 X-Spam-Level: **** (4.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Lucie LeBlanc Consentino" To: "'Rebecca C. Hains'" Cc: "'David C. Jedlinsky'" , "Marcel Jussaume" Subject: RE: company for the ACGS pins Date: Sun, 7 Sep 2003 06:24:20 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 In-Reply-To: <001a01c374f5$c5f8eae0$6400a8c0@DIMENSION> X-Spam-Score: 4.5 X-Spam-Level: **** (4.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_001C_01C37508.AF550A40 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hi Rebecca and Dave, I cc'g this message to Marcel [Dave he is the president of the genealogical society I belong to as well as a friend]. Marcel contacted that company through the company he works for. From what I understand, it is one of the companies they use when they want to have items made for marketing purposes. I am cc'g this message to Marcel and he can answer all of us. ;o) Hi Marcel - can you help Dave out with this? Thanks! Lucie -----Original Message----- From: Rebecca C. Hains [mailto:hains@temple.edu] Sent: Sunday, September 07, 2003 12:09 AM To: 'Lucie LeBlanc Consentino' Cc: 'David C. Jedlinsky' Subject: pins Hey mom, Could you send Dave the contact information for the company that did those nice pins for ACGS? He's looking for a company to place an order with. I cc'd him on this message for your convenience. :-) becca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains ------=_NextPart_000_001C_01C37508.AF550A40 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hi Rebecca and Dave,

 

I cc’g this message to Marcel = [Dave he is the president of the genealogical society I belong to as well as a = friend].  Marcel contacted that company = through the company he works for.  From = what I understand, it is one of the companies they use when they want to have = items made for marketing purposes.

 

I am cc’g this message to = Marcel and he can answer all of us. ;o)

 

=

 

Hi Marcel – can you help Dave out with = this?

 

Thanks!

 

Lucie

 

 

-----Original = Message-----
From: Rebecca C. Hains [mailto:hains@temple.edu]
Sent: Sunday, September 07, 2003 = 12:09 AM
To: 'Lucie LeBlanc = Consentino'
Cc: 'David C. = Jedlinsky'
Subject: = pins

 

Hey = mom,

 

Could you send Dave the = contact information for the company that did those nice pins for ACGS? = He’s looking for a company to place an order with. I cc’d him on this = message for your convenience.

 

:-)=

becca

 

 

------=_NextPart_000_001C_01C37508.AF550A40--  1,, Summary-line: 7-Sep jbender@bigpond.net.au [99] #GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 06:38:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h87AcnpA007750; Sun, 7 Sep 2003 06:38:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h87AcnHp027636 for ; Sun, 7 Sep 2003 06:38:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h87AcK7b000798; Sun, 7 Sep 2003 06:38:20 -0400 (EDT) Date: Sun, 7 Sep 2003 06:38:20 -0400 (EDT) Message-Id: <000f01c37529$b4ba4100$54ec2dcb@justin> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jbender@bigpond.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Justin Bender To: Multiple recipients of list SAVOYNET Subject: GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this Savoynet side forums MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Sep 2003 06:38:20 -0400 (EDT) Reply-To: jbender@bigpond.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Justin Bender To: Multiple recipients of list SAVOYNET Subject: GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On the subject of John & Rebecca's apparent disparate attitudes as to how we SavoyNetters should share information by the World Wide Web:- Whatever competitive motives existed in the fruition period have sunk with minimum gurgling. Give both of them a break. The effluxion of time will adjudicate. My bet is that, with our support, they will both contribute for many years to our usage of WWW's electronic exchange of info. Rebecca's site is user friendly even for the novice and one does not have to join a list. The maintenance of this site requires an annual fee (at present carried by a benefactor). The information accumulated on it will disappear if the sponsor does an ad hoc withdrawal of support. John's site is graphically superior. However as John has pointed out that his excellent site's continuing presence depends on the whim of Yahoo. Our SavoyNet relies on the good graces of Bridgewater. That of the G&S Archives depends on the continuing gratis support of 'The Boise State University Department of Mathematics' The info page with the commands to access the SavoyNet's commands are on Marc's own website. Most of us are dependant on the good will and commitment of less than five people. Down here we call this **** bludging**** Perhaps we pseudo tell-it-alls should put our controls on MUTE. Perhaps further discussion would best be centred around a Business Plan for our future? How do we fund our treasure? Marc, John and Rebecca - what are the costs involved? For the last 10 years SavoyNet has proved to be the most excellent site for making contacts within the genre and exchanging opinions with those contacts. It maintains that stature on the grace & favour of a dedicated few. Because of the manner in which this site was originally funded, contributors have been kept aware of the absolute necessity to limit Band Width (= size of posting), of the sensible edict against attachments and of the need to limit posts to Plain Text Format. The List Owner has had the onerous task of dispensing procrustean udgements on the actions of highly individual and opinionated posters. SavoyNet has worked and continues to stumble within the above parameters. An ever improving addition to the appreciation of G&S is the archives, again unfunded and dependant on the presence of an excellent and devoted honorary archivist. Welcome back Jim. In the last ten years, the WWW has experienced an ongoing arithmetical progression of its capability. The SavoyNet of today varies little from that of 1993. It still has a relatively small number of its 600+ (?) membership using the majority of the Bandwidth. Given the uneducated opposition to the facility of the new web sites, the computer awareness of our members seems to have bogged down in the mid-nineties. Enter John and Rebecca. Two computer literate people who have offered two versions of the road to capitalising on the WWW improvements and therefore opening another doorway to information transfer amongst G&S devotees. Each operates from a different perspective - one is a sometime performer, always G&S aficionado with a deep knowledge of the computer environment and the other a performer (great video Rebecca) with Tyler in support. At this stage, they complement rather than compete. The self styled 'Inner Brotherhood' seems to be performer orientated at the moment. It is not commercially viable to perform your best in an empty theatre! To you blokes I say, choto moto kudasai. Momentarily forsake the strutting of your stuff and learn the new skills required to take advantage of this education of the willing as a springboard to G&S flourishing in 2010. Say to yourself: - Do I want to strut my stuff or am I interested in disseminating an interest in G&S . Justin Bender Queensland PS:- Mayhap there was a lesson to be learnt that was ignored by the elders of DCOC in 1982  1,, Summary-line: 7-Sep rebecca@hains.net [50] #RE: GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this Savoynet side forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 09:58:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h87DwGpA008332; Sun, 7 Sep 2003 09:58:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h87DwFN4022523 for ; Sun, 7 Sep 2003 09:58:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h87Dvj7b001823; Sun, 7 Sep 2003 09:57:45 -0400 (EDT) Date: Sun, 7 Sep 2003 09:57:45 -0400 (EDT) Message-Id: <003b01c37544$97a84880$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this Savoynet side forums MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000f01c37529$b4ba4100$54ec2dcb@justin> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Sep 2003 09:57:45 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: GREAT IMPROVEMENTS IN TRANSFER OF GEMS OF G&S - was - About this Savoynet side forums X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000f01c37529$b4ba4100$54ec2dcb@justin> X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Justin Bender asked: >>> Perhaps further discussion would best be centred around a Business Plan for our future? How do we fund our treasure? Marc, John and Rebecca - what are the costs involved? <<< It's not that expensive -- at least, not yet. For $60/year, the site is hosted on ICDSoft's server. Anthony Vickery has paid that fee for us all. For that price, we get 333 MB of web space. I should note, however, that as the types of files we have been posting are rather large, we will eventually need more space. David Jedlinsky has offered the free use of space on his own server for the overflow, and I intend to take him up on that offer at some point in the future. BTW, numerous other individuals -- including Elise Curran, Andi Stryker-Rodda, Jonathan Ichikawa, and myself -- had offered to "pitch in" to cover the cost of hosting the Forums on ICDSoft, but Anthony graciously picked up the entire tab. So in terms of funding, it does seem that as things change, there will always (I hope!) be individuals willing to help cover our costs. (I should also note that the Savoynet.org was registered some time ago by Anthony. I am not sure what it costs him, but if he ever wants to transfer it to ICDSoft, it will cost only $5/year.) I imagine it would be quite expensive to host the G&S Archive elsewhere if Boise's Department of Mathematics stopped hosting it for whatever reason. I wonder how large the site is at present? Last but not least -- many thanks to Justin for the message of support! :-) Rebecca  1,, Summary-line: 7-Sep rebecca@hains.net [53] #OOTW: Sorcerer - dealing with class distinctions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 12:57:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h87GvfpA025163; Sun, 7 Sep 2003 12:57:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h87GvdO0013104 for ; Sun, 7 Sep 2003 12:57:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h87Gv57b004611; Sun, 7 Sep 2003 12:57:05 -0400 (EDT) Date: Sun, 7 Sep 2003 12:57:05 -0400 (EDT) Message-Id: <005201c3755e$59143ce0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: OOTW: Sorcerer - dealing with class distinctions MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030907155929.55048.qmail@web10807.mail.yahoo.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Sep 2003 12:57:05 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: OOTW: Sorcerer - dealing with class distinctions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20030907155929.55048.qmail@web10807.mail.yahoo.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) How have various companies dealt with the love philter being administered to people of varying classes? Are the guests at Sir Marmaduke's banquet really comprised of the entire town? I wonder if the best way for this to be dealt with would be for Sir Marmaduke to have many servants about -- maids, butlers, and groundskeepers -- to whom Alexis and Aline offer tea. Otherwise, I don't understand how or why the lower and upper classes would be mingling at the mansion. Also, how have companies dealt with the "Why, where be oi" bit? I always found it odd that the stage directions indicate Act II opens on the "peasantry" of the village, asleep by moonlight, speaking in lower-class dialect, when the dialogue that follows indicates that people have paired off in "ill-advised" matches: ALEXIS. But we are wiser--far wiser--than the world. Observe the good that will become of these ill-assorted unions. The miserly wife will check the reckless expenditure of her too frivolous consort, the wealthy husband will shower innumerable bonnets on his penniless bride, and the young and lively spouse will cheer the declining days of her aged partner with comic songs unceasing! When we did the show at MIT in '95, and I was in the chorus, it did always trouble me that despite my fancy, upper-class dress, I was singing in dialect during the opening of Act II. I wonder if it would be better for *some* lines to be not sung in dialect, so that the chorus was actually split into four sections: Upper class women, lower class women, upper class men, and lower class men, with each section singing certain lines in unison, but appropriately so (either with or without accents). This would not be in the spirit of the song as it's written, but it WOULD better demonstrate what Alexis talks about in the dialogue that follows... Rebecca Hains Philadelphia, PA  1,, Summary-line: 7-Sep rwt@frodsham.demon.co.uk [79] #Re: The complete works of Gilbert & Sullivan (pruned) X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 16:01:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h87K1npA014289; Sun, 7 Sep 2003 16:01:49 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h87K1lX6019081 for ; Sun, 7 Sep 2003 16:01:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h87K1H7b015125; Sun, 7 Sep 2003 16:01:17 -0400 (EDT) Date: Sun, 7 Sep 2003 16:01:17 -0400 (EDT) Message-Id: <0C6CwKK0m4W$Ewz0@frodsham.demon.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rwt@frodsham.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Roger W Turner To: Multiple recipients of list SAVOYNET Subject: Re: The complete works of Gilbert & Sullivan (pruned) MIME-Version: 1.0 Content-Type: text/plain;charset=utf-8 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3c.3444dd2b.2c82e268@aol.com> X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Sep 2003 16:01:17 -0400 (EDT) Reply-To: rwt@frodsham.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Roger W Turner To: Multiple recipients of list SAVOYNET Subject: Re: The complete works of Gilbert & Sullivan (pruned) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3c.3444dd2b.2c82e268@aol.com> X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Google now throws up a little more detail than before. It appears to have started in Romsey ~2 Sept and is at Buxton 10 Sept, Gainsborough 13 Sept, Boston 20 Sept, Bury 1 Oct, Bradford 2 Oct, Hartlepool 3 Oct, Basingstoke 9 Oct, Corby 17 Oct, Grantham 23 Oct, Epsom 8 Nov. There's blurb: " When Lord Whittle accepts the challenge to present the entire Gilbert and Sullivan repertoire condensed into a single evening of entertainment, he seems doomed to failure. That is until his Butler agrees to save him… A cast of two intrepid actors take on a great British tradition with great pluck, in a show for all the family. Meet some new and some familiar characters as we experience the delightful melodies and witty lyrics of a beloved partnership, and possibly raise an eyebrow at the hilarious and affectionate liberties taken due to the constraints of time. // All 14 comic operas in 90 minutes! " And there's a review from Romsey: " Review: Double-hander is triumphant / by Jan Foster // RAODS' Plaza opened its doors to The Lantern Theatre Company for this premiere performance. // Directed by Anthony Peters, Laurence Aldridge (Lord Whittle) and Mark Ponsford (Prune, his valet) were the cast of this double-hander. // Set in Compton Winslade Memorial Hall, Whittle and Prune are attempting to perform the complete works, in cabaret style, in one evening. They are responding to a challenge from one of Whittle's friends. Prune's knowledge is invaluable in accomplishing the challenge successfully. // Crystal clear enunciation of both the spoken and sung word were only lost when drowned by audience laughter. // Brilliant characterisations added to familiar melodies, lyrics and scripts, plus some poetic licence put Whittle and Prune somewhere between Flanders and Swan and Hinge and Bracket. // What a double act Ponsford and Aldridge make. They exude such enthusiasm. Most of the Gilbert and Sullivan aficionados in the auditorium appeared to enjoy the audience participation. This was a good night out. A triumph! " On Sun, 31 Aug 2003 at 01:49:44 Gamarexx@aol.com wrote: >In a message dated 8/30/03 5:44:18 AM Eastern Daylight Time, >stuart.box@burningsuit.co.uk writes: > ><< "The complete works of Gilbert & > Sullivan (Pruned)" in which "A cast of two intrepid actors take on a > great British tradition with great British Pluck..." and provide "The > entire Gilbert and Sullivan canon condensed into a single evening's > entertainment". > > This sounds like it could be wonderful (or not, it's a tall order), does > anyone know anything about it, or the Lantern Theatre company. >> > >It's obviously modeled on "The Complete Works of William Shakespeare >(Abridged)." If it's as inspired as its progenitor it will be >hilarious (unless >you're allergic to slapstick). -- Roger W Turner +44 77 7052 3109 mobile/voicemail +44 77 1265 2811 fax rwt@frodsham.demon.co.uk  1,, Summary-line: 7-Sep eric@toastpoint.com [35] #Hogwarts G&S, and Modified Rapture! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Sep 2003 19:37:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h87NbMpA029347; Sun, 7 Sep 2003 19:37:22 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h87NbLj6000919 for ; Sun, 7 Sep 2003 19:37:21 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h87Naq7b025001; Sun, 7 Sep 2003 19:36:53 -0400 (EDT) Date: Sun, 7 Sep 2003 19:36:52 -0400 (EDT) Message-Id: <20030907193003.748745635.eric@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: eric@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Hogwarts G&S, and Modified Rapture! Mime-Version: 1.0 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba 1.0 PR5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Sep 2003 19:36:52 -0400 (EDT) Reply-To: eric@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Hogwarts G&S, and Modified Rapture! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For Maureen and anyone else: The Hogwarts G&S reviews are currently on this page: http://www.toastpoint.com/rapture/hagss.html I hope to make this fancier at some date. --- This is as good a time as any to solicit updates for the Modified Rapture! page. http://www.toastpoint.com/rapture/rapture.html Modified Rapture is a collection of parodies of lyrics and dialogue that have been created on the spot during G&S rehearsals, on the order of "Away, away, dill-flavored one!". The first time I collected these was quite a few years ago, so if anyone has any new ones, please e-mail them to me. Innocent or off-color, all are welcome! - Eric P.S. The "send them to me" link on the webpage is obsolete - please use this address instead.  1,, Summary-line: 8-Sep to: J91a@cs.com [43] #Re: MITCP All's Well Video Count X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Sep 2003 10:49:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h88EncpA019913; Mon, 8 Sep 2003 10:49:38 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h88EnMpl009329; Mon, 8 Sep 2003 10:49:23 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h88EnMaq018896; Mon, 8 Sep 2003 10:49:22 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id KAA07426; Mon, 8 Sep 2003 10:49:22 -0400 (EDT) Date: Mon, 8 Sep 2003 10:49:22 -0400 (EDT) Message-Id: <200309081449.KAA07426@multics.mit.edu> From: "David C. Jedlinsky" To: J91a@cs.com CC: marion@leedscarroll.com In-reply-to: <103.3590f11b.2c8de0fb@cs.com> (J91a@cs.com) Subject: Re: MITCP All's Well Video Count References: <103.3590f11b.2c8de0fb@cs.com> X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Sep 2003 10:49:22 -0400 (EDT) From: "David C. Jedlinsky" To: J91a@cs.com CC: marion@leedscarroll.com In-reply-to: <103.3590f11b.2c8de0fb@cs.com> (J91a@cs.com) Subject: Re: MITCP All's Well Video Count X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Janine. That's perfectly understandable, and would make me happier not to have to worry about being stuck with unclaimed copies. I'd rather a person backs out now than simply decide not to take what they'd ordered. Could you put a deadline to confirm/decline on your mail to the cast? I'm sure everyone involved would like to get the videos without further delay. Thanks. -Dave >From: J91a@cs.com >Date: Mon, 8 Sep 2003 09:41:15 EDT > >Hi all, > >I think giving them an opportunity to back out is only fair, since we >couldn't give them a price beforehand. I have paid as much as twenty dollars for a >video of rather poor quality in the past, but the one-acts over the summer >video was as low as ten dollars. People might not know what they're getting into. > >I'm back from San Diego and can email just the people on the list with >prices. Let me know if there are any problems you might have with that plan. > >Thanks, > >Janine  1, forwarded,, Summary-line: 8-Sep J91a@cs.com [52] #MITCP AWTEW Video Price X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Sep 2003 17:50:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h88Lo8pA025761; Mon, 8 Sep 2003 17:50:08 -0400 (EDT) Received: from imo-r01.mx.aol.com (imo-r01.mx.aol.com [152.163.225.97]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h88LiV4g015348; Mon, 8 Sep 2003 17:44:32 -0400 (EDT) Received: from J91a@cs.com by imo-r01.mx.aol.com (mail_out_v36_r1.1.) id m.1e4.f8183d0 (16484); Mon, 8 Sep 2003 17:44:16 -0400 (EDT) From: J91a@cs.com Message-ID: <1e4.f8183d0.2c8e5230@cs.com> Date: Mon, 8 Sep 2003 17:44:16 EDT Subject: MITCP AWTEW Video Price To: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, radford@mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, J91a@cs.com, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net CC: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 4.8 X-Spam-Level: **** (4.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Mon, 8 Sep 2003 17:44:16 EDT Subject: MITCP AWTEW Video Price To: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, radford@mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, J91a@cs.com, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net CC: opus@mit.edu X-Spam-Score: 4.8 X-Spam-Level: **** (4.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all, According to the headcount I sent to Dave, the price of the VHS will be $16=20 and DVD will cost $18. The list below implies a firm financial commitment. Because we were unable=20 to give you a price beforehand, this is your opportunity to reconsider. Ple= ase=20 respond no later than Wednesday, September 10th if you decide you are no=20 longer interested. This may change the cost for everyone else. If we do no= t hear=20 from you by September 10th, it will be assumed that you are still committed. FYI, Dave will be footing the initial bill for the videos and would=20 appreciate not being left with any uncollected orders. There will be anothe= r email=20 sent out directing people where to pick them up. Hope this is satisfactory=20= to=20 everyone and thanks very much for your prompt response. Janine **** Matthew Breton, VHS, 1 James Carroll, DVD, 1 =20 Marion Leeds Carroll, VHS, 2 =20 Dimie (Page), DVD, 1 =20 Peter Floyd, DVD, 1=20 Dana Franz, VHS, 1 =20 Douglas Hartley, DVD, 1=20 Eric Lindblad, DVD, 1 =20 Geoffrey PingRee, DVD, 1 =20 Todd Radford, DVD, 1 =20 Richard Reifsnyder, DVD, 1 =20 Mal Rhett, DVD/VHS, 1 =20 Elizabeth Stone, VHS, 1=20 Rydia Vielehr, DVD, 1 =20 Janine Wan=E9e, VHS, 1 =20  1,, Summary-line: 8-Sep to: marchanc@juno.com [19] #Re: going to FL? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Sep 2003 21:10:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8919tpA025029; Mon, 8 Sep 2003 21:09:55 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8919sHH001804; Mon, 8 Sep 2003 21:09:54 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h8919saq018306; Mon, 8 Sep 2003 21:09:54 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id VAA20547; Mon, 8 Sep 2003 21:09:53 -0400 (EDT) Date: Mon, 8 Sep 2003 21:09:53 -0400 (EDT) Message-Id: <200309090109.VAA20547@multics.mit.edu> From: "David C. Jedlinsky" To: marchanc@juno.com In-reply-to: <20030726.213120.16315.964221@webmail02.lax.untd.com> (message from Christopher Marchant on Sun, 27 Jul 2003 04:30:28 GMT) Subject: Re: going to FL? References: <20030726.213120.16315.964221@webmail02.lax.untd.com> X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 8 Sep 2003 21:09:53 -0400 (EDT) From: "David C. Jedlinsky" To: marchanc@juno.com In-reply-to: <20030726.213120.16315.964221@webmail02.lax.untd.com> (message from Christopher Marchant on Sun, 27 Jul 2003 04:30:28 GMT) Subject: Re: going to FL? X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Chris. Ruth and I could potentially take a trip down to Orlando from 11/6-11/9. What's your itinerary like, and would you want to do anything while we were there? -Dave  1, answered,, Summary-line: 9-Sep marchanc@juno.com [26] #Re: going to FL? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Sep 2003 21:47:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h891kppC010083; Mon, 8 Sep 2003 21:47:00 -0400 (EDT) Received: from webmail13.lax.untd.com (outbound29-sr.lax.untd.com [64.136.29.170]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h891jSn3012354 for ; Mon, 8 Sep 2003 21:45:28 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqT6boembq6x/ZssBRgjRxH8InxTzLeUcRA==">; Mon, 08 Sep 2003 18:44:34 PDT Received: (from marchanc@juno.com) by webmail13.lax.untd.com (jqueuemail) id H9LPECU7; Mon, 08 Sep 2003 18:44:34 PDT Received: from [172.168.124.93] by webmail13.lax.untd.com with HTTP: Tue, 9 Sep 2003 01:43:49 GMT X-Originating-IP: [172.168.124.93] Mime-Version: 1.0 X-Original-From: "Christopher Marchant" Date: Tue, 9 Sep 2003 01:43:49 GMT To: opus@mit.edu Subject: Re: going to FL? X-Mailer: WebMail Version 2.0 Content-Type: text/plain From: Christopher Marchant Message-Id: <20030908.184434.20003.140173@webmail13.lax.untd.com> X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [172.168.124.93] X-Original-From: "Christopher Marchant" Date: Tue, 9 Sep 2003 01:43:49 GMT To: opus@mit.edu Subject: Re: going to FL? From: Christopher Marchant X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Opus, Good to hear from you. 11/6-7 I am expecting to be in the WDW area. 11/7-10 I will be in Daytona Beach (for an Embry Riddle alumni weekend and airshow). If you and Ruth are going to be in the area, it would be fun to get together. I didn't have anything in particular in mind. Any ideas? Anyway, I hope all is well with you both. ---Chris ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 8-Sep rebecca@hains.net [681] #FW: company for the ACGS pins X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Sep 2003 23:14:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h893EUpA017767; Mon, 8 Sep 2003 23:14:31 -0400 (EDT) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h893A2wh020653 for ; Mon, 8 Sep 2003 23:10:03 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc12) with SMTP id <2003090903100001200qa2e8e>; Tue, 9 Sep 2003 03:10:00 +0000 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: FW: company for the ACGS pins Date: Mon, 8 Sep 2003 23:10:00 -0400 Message-ID: <002401c3767f$dbae8e40$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_000_0025_01C3765E.549CEE40" X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 4.4 X-Spam-Level: **** (4.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'David C. Jedlinsky'" Subject: FW: company for the ACGS pins Date: Mon, 8 Sep 2003 23:10:00 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 4.4 X-Spam-Level: **** (4.4) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0025_01C3765E.549CEE40 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0026_01C3765E.549CEE40" ------=_NextPart_001_0026_01C3765E.549CEE40 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit -----Original Message----- From: Lucie LeBlanc Consentino [mailto:LucieMC@comcast.net] Sent: Monday, September 08, 2003 11:00 PM To: RCH Subject: FW: company for the ACGS pins Please forward to Dave.. Mom xoxooxox -----Original Message----- From: Marcel Jussaume [mailto:marcelj@comcast.net] Sent: Monday, September 08, 2003 10:03 PM To: Lucie LeBlanc Consentino Subject: Re: company for the ACGS pins Hello Lucie, I work with a person by the name of David Missle. Marcel http://www.salisburysales.com/index_1.htm 861 Edgell Road, Framingham, MA 01701 Phone:800-676-4339 Fax:508-626-1699 Email:salsales@salisburysales.com Lucie LeBlanc Consentino wrote: Hi Rebecca and Dave, I cc'g this message to Marcel [Dave he is the president of the genealogical society I belong to as well as a friend]. Marcel contacted that company through the company he works for. From what I understand, it is one of the companies they use when they want to have items made for marketing purposes. I am cc'g this message to Marcel and he can answer all of us. ;o) Hi Marcel - can you help Dave out with this? Thanks! Lucie -----Original Message----- From: Rebecca C. Hains [mailto:hains@temple.edu] Sent: Sunday, September 07, 2003 12:09 AM To: 'Lucie LeBlanc Consentino' Cc: 'David C. Jedlinsky' Subject: pins Hey mom, Could you send Dave the contact information for the company that did those nice pins for ACGS? He's looking for a company to place an order with. I cc'd him on this message for your convenience. :-) becca Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains ------=_NextPart_001_0026_01C3765E.549CEE40 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

-----Original = Message-----
From: Lucie LeBlanc = Consentino [mailto:LucieMC@comcast.net]
Sent: Monday, September 08, 2003 11:00 = PM
To: RCH
Subject: FW: company for = the ACGS pins

 

 

 

-----Original = Message-----
From: Marcel Jussaume [mailto:marcelj@comcast.net]
Sent: Monday, September 08, 2003 10:03 = PM
To: Lucie LeBlanc = Consentino
Subject: Re: company for = the ACGS pins

 

Hello Lucie,

I work with a person by the name of David Missle.

Marcel


http://www.salisburysa= les.com/index_1.htm

861 Edgell = Road, Framingham, MA 01701
Phone:800-676-4339 Fax:508-626-1699
Email:salsales@salisburysales.com








Lucie LeBlanc Consentino wrote:

Hi Rebecca and = Dave,

 

I cc’g = this message to Marcel [Dave he is the president of the genealogical society I belong = to as well as a friend].  Marcel contacted that company through the = company he works for.  From what I understand, it is one of the companies they = use when they want to have items made for marketing = purposes.

 

I am = cc’g this message to Marcel and he can answer all of us. = ;o)

 

 

Hi Marcel = – can you help Dave out with this?

 

Thanks! =

 

Lucie

 

 

-----Original Message-----
From: Rebecca C. Hains = [mailto:hains@temple.edu]
Sent: Sunday, September 07, 2003 12:09 = AM
To: 'Lucie LeBlanc = Consentino'
Cc: 'David C. = Jedlinsky'
Subject: = pins

 

Hey = mom,

 

Could = you send Dave the contact information for the company that did those nice pins for = ACGS? He’s looking for a company to place an order with. I cc’d him on this = message for your convenience.

 

:-)

becca

 

Rebecca = C. Hains

Temple University

Philadelphia, PA

http://astro.temple.edu/~hains<= /a>

 

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h89DPlpA024353; Tue, 9 Sep 2003 09:25:47 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [199.172.62.104]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h89DPiwm017465 for ; Tue, 9 Sep 2003 09:25:45 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h89DPft5005228; Tue, 9 Sep 2003 09:25:42 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id JAA15921434; Tue, 9 Sep 2003 09:25:41 -0400 (EDT) Message-Id: <200309091325.JAA15921434@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu cc: ahumez@shell.TheWorld.com Subject: video editing Date: Tue, 09 Sep 2003 09:25:41 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu cc: ahumez@shell.TheWorld.com Subject: video editing Date: Tue, 09 Sep 2003 09:25:41 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello again, Nothing seems to have happened with my video editing project since last we talked, so I thought I'd see if you might actually have the time to take it on. Thanks! Andrea  1,, Summary-line: 9-Sep radford@MIT.EDU [29] #Star Wars videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Sep 2003 14:29:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h89ITkpA012970; Tue, 9 Sep 2003 14:29:46 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h89IPdI8023169; Tue, 9 Sep 2003 14:25:40 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h89IPdaq018488; Tue, 9 Sep 2003 14:25:39 -0400 (EDT) Received: (from radford@localhost) by department-of-alchemy.mit.edu (8.12.9) id h89IPdvV004778; Tue, 9 Sep 2003 14:25:39 -0400 (EDT) Date: Tue, 9 Sep 2003 14:25:39 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" cc: jax@mit.edu Subject: Star Wars videos In-Reply-To: <200309032107.RAA16482@multics.mit.edu> Message-ID: References: <200309031942.PAA15006@multics.mit.edu> <200309032107.RAA16482@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Sep 2003 14:25:39 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" cc: jax@mit.edu Subject: Star Wars videos In-Reply-To: <200309032107.RAA16482@multics.mit.edu> X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey David The final numbers for Star Wars are: 103 DVD 8 VHS With that sort of response we may have to consider doing only DVD for future shows. Any guess as to when videos might be ready? Having already polled for numbers, people are starting to ask me when they should be expecting them... Thanks -Todd  1,, Summary-line: 9-Sep LHall@tscwo.com [33] #Sing-Out CDs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Sep 2003 16:35:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h89KYepG006356; Tue, 9 Sep 2003 16:35:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h89KTnCH012338 for ; Tue, 9 Sep 2003 16:29:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h89KT67b027881; Tue, 9 Sep 2003 16:29:06 -0400 (EDT) Date: Tue, 9 Sep 2003 16:29:06 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B01380E0B@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Sing-Out CDs MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Sep 2003 16:29:06 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Sing-Out CDs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, the Sing-Out is over, the Committee has lost something of the dazed look they had by the end of the event, and some of you have asked about CDs. We recorded each show individually onto CD, so you can have your very own copy of Jim Ferst's evil Old Adam laugh, Denise Young's and John Barclay-Burns's lovely, touching "I have a song to sing-o," Christine Osborn's fun take on Ruth, Andi's near psychic bond with singers and conductors, and proof that Larry Garvin can bring in "The Grand Duke" in just 45 minutes (okay, even he can't but that's not the point). And, of course, all the jokes and silliness to remind you why Singing-Out is such fun. To order a CD, mail a check for $10 per show to VLOC, PO Box 10391, Rockville, MD 20849-0391. Or order all 13 for $100 even. And, as a personal PS, my knee is doing *much* better, so I'm moving with only a slight "hitch in my git-along." Limping Leta Aspen Hill, Maryland  1,, Summary-line: 9-Sep hains@temple.edu [166] #FW: [MMC] FW: A washingtonpost.com article from: amendels@temple.edu X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Sep 2003 17:36:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h89LXXq0011579; Tue, 9 Sep 2003 17:35:59 -0400 (EDT) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h89LVm20025223 for ; Tue, 9 Sep 2003 17:31:48 -0400 (EDT) Received: from dimension (pcp01344549pcs.wilog501.pa.comcast.net[68.80.235.2](untrusted sender)) by comcast.net (sccrmhc12) with SMTP id <2003090921314801200qc3pbe>; Tue, 9 Sep 2003 21:31:48 +0000 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: FW: [MMC] FW: A washingtonpost.com article from: amendels@temple.edu Date: Tue, 9 Sep 2003 17:31:49 -0400 Message-ID: <001201c37719$c71a8e80$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca C. Hains" To: "'David C. Jedlinsky'" Subject: FW: [MMC] FW: A washingtonpost.com article from: amendels@temple.edu Date: Tue, 9 Sep 2003 17:31:49 -0400 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just for you...! ------ Forwarded Message washingtonpost.com Opus the Penguin Back In the Funny Business By Reilly Capps After eight years away from newspapers, Pulitzer Prize-winning cartoonist Berkeley Breathed is creating a new comic strip called "Opus," starring his beloved penguin of the same name. The Washington Post Writers Group, which will syndicate the strip, is expected to officially announce Breathed's return this Sunday. The reclusive Breathed, who rarely gives interviews, could not be reached yesterday for comment. The new strip will appear on Sundays in The Washington Post starting Nov. 23. Breathed drew the wildly popular "Bloom County" and "Outland" comic strips, which introduced the world to the naive Opus and his hairball-spitting sidekick, Bill the Cat. "Opus" will run on Sundays only and will fill half a page in the comics section. "Bloom County" began in 1980, and Breathed won the Pulitzer Prize for editorial cartooning in 1987. He quit drawing "Bloom County" in 1989, when the comic was running in nearly 1,300 newspapers, according to Editor & Publisher magazine. Shortly after that, he began drawing "Outland," a Sunday-only strip featuring many of the same characters, but retired that strip in 1995. Since leaving the world of newspaper comics, Breathed has written children's books, including "Goodnight Opus" and the upcoming "Flawed Dogs." He sold the rights to a movie about Opus to Dimension Films. The movie will be written and directed by Breathed, and could start filming before the end of the year. Breathed has lamented the state of modern newspaper cartooning, which has had to deal with papers fitting more and more comics into a smaller and smaller space. "Pity the poor modern comic page," Breathed said in a 2001 interview with the humor newspaper the Onion. "Frames the size of thumbnails. . . . It's just a page of inky blur that only a 10-year-old's eyes could focus upon." At the National Cartoonists Society meeting this May, he seemed itching to return to his old broadsheet format. "I can't say it wouldn't be appealing to bring back Opus to the Sunday pages," Breathed told those gathered, according to Editor & Publisher. "It was painful to sit through the war without a public voice." After that, rumors began circulating on the Web of his imminent return, and the prospect of a once-a-week dose of Opus has been welcomed by his fans. "It's one of those strips that, when it left the comic pages, the comic pages were quite a bit lesser for its absence," says Harry Knowles, editor in chief of the Web's Ain't It Cool News and an avid fan of newspaper comics. "I think there's been three great strips that have gone away over the last five, 10 years that I really miss: 'Bloom County,' 'Calvin and Hobbes' and 'The Far Side.' Those are the three strips that never should have ceased." Would you like to send this article to a friend? 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For more about the MM&C program visit us on the web at .  1, forwarded,, Summary-line: 9-Sep j.d.mcclure@virgin.net [43] #Re: hebetude X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Sep 2003 18:12:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h89MCApA001269; Tue, 9 Sep 2003 18:12:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h89MC720016656 for ; Tue, 9 Sep 2003 18:12:08 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h89MBG7b006462; Tue, 9 Sep 2003 18:11:16 -0400 (EDT) Date: Tue, 9 Sep 2003 18:11:16 -0400 (EDT) Message-Id: <006701c37711$97a79ec0$3c85fc3e@5zsv40j> Errors-To: savoynet-owner@bridgewater.edu Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: hebetude MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4133.2400 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Sep 2003 18:11:16 -0400 (EDT) Reply-To: j.d.mcclure@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Derrick McClure" To: Multiple recipients of list SAVOYNET Subject: Re: hebetude X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Micki wrote: >And by the way, shouldn't it be "dove" rather than dived? On this side of the pond, that "dove" is regarded as one of the funniest manglings of the English language that even Norteamericanos think they can get off with. But actually, it's a very interesting linguistic development. In Anglo-Saxon, there were lots of verbs (called "strong verbs" - all right, a lot of you knew that) which formed the past tense and past participle by changing the vowel instead of by a -D ending. Most of these have disappeared from modern English, either by vanishing entirely or being assimilated to the more common pattern; but a few very common ones still remain - sing-sang-sung, fly-flew-flown, etc. The commonest pattern is that found in drive-drove-driven, write-wrote-written, ride-rode-ridden, etc. Now, it has very often happened in the history of English that a former "strong" verb has become "weak": e.g. "thrive" and "glide" formerly belonged to this class, but most people say "thrived" instead of the more correct "throve" and "thriven"; and absolutely NOBODY says "glode" or "glidden". But "dive" is the ONLY instance of a WEAK verb becoming STRONG: it did NOT belong to this class in Old English; but among some Norteamericanos at least, it has adopted a "strong" past form - "dove" instead of "dived". But does anybody say "I've never DIVVEN off the top board"??? Back on topic next post! Derrick McClure. (A most contented man, though foolish persons think me mad.) j.d.mcclure@virgin.net  1,, Summary-line: 9-Sep hxd9@yahoo.com [75] #MTG announces AUDITIONS for WEST SIDE STORY X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Sep 2003 22:44:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8A2i4pA022696; Tue, 9 Sep 2003 22:44:04 -0400 (EDT) Received: from web21009.mail.yahoo.com (web21009.mail.yahoo.com [216.136.227.63]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8A2gw6g011674 for ; Tue, 9 Sep 2003 22:42:58 -0400 (EDT) Message-ID: <20030910024257.22706.qmail@web21009.mail.yahoo.com> Received: from [165.121.138.89] by web21009.mail.yahoo.com via HTTP; Tue, 09 Sep 2003 19:42:57 PDT Date: Tue, 9 Sep 2003 19:42:57 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces AUDITIONS for WEST SIDE STORY To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Sep 2003 19:42:57 -0700 (PDT) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces AUDITIONS for WEST SIDE STORY To: mtg-announce@mit.edu X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild will be holding auditions for its fall 2003 production of: WEST SIDE STORY Music by Leonard Bernstein Lyrics by Stephen Sondheim Book by Arthur Laurents Directed by Adora Asala Vocal directed by Brian Wong MTG will be holding >>>>>> AUDITIONS <<<<<< September 15th and 16th, 7-9 pm In the Mezzanine Lounge in the MIT Student Center For auditions, please bring a prepared song, in English, and sheet music for the accompanist. Be prepared to do cold readings, and wear clothes suitable for movement. SHOW DATES: November 20-23, 2003 WEST SIDE STORY sets Shakespeare's Romeo and Juliet in 1950s New York. In this timeless story, young lovers Maria and Tony are forced to fight for their love in the midst of a war between their two rival gangs, the Jets and the Sharks. Featuring an electrifying musical score with the songs and lyrics of Leonard Bernstein and Stephen Sondheim including Tonight, Maria, I Feel Pretty and Somewhere, WEST SIDE STORY is a breathtaking musical for all ages. ******************************************************************** Contact us at mtg-board@mit.edu or 617-253-6294 with questions. Note: All positions in the production, both cast and staff, are open to anyone, per the MTG Constitution. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. ****************************************************************** bcc'd to mtg-members@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons-public@mit.edu __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 10-Sep marchanc@juno.com [53] #Re: going to FL? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Sep 2003 01:27:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8A5R5pA002937; Wed, 10 Sep 2003 01:27:05 -0400 (EDT) Received: from webmail13.lax.untd.com (outbound29-sr.lax.untd.com [64.136.29.170]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8A5R4ND005814 for ; Wed, 10 Sep 2003 01:27:04 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqcpiWSFqiEKDMV+51U3ru71EtSxgWy56tA==">; Tue, 09 Sep 2003 22:26:54 PDT Received: (from marchanc@juno.com) by webmail13.lax.untd.com (jqueuemail) id H9PNH6PV; Tue, 09 Sep 2003 22:26:54 PDT Received: from [172.134.64.231] by webmail13.lax.untd.com with HTTP: Wed, 10 Sep 2003 05:26:27 GMT X-Originating-IP: [172.134.64.231] Mime-Version: 1.0 X-Original-From: "Christopher Marchant" Date: Wed, 10 Sep 2003 05:26:27 GMT To: opus@MIT.EDU Cc: rls@dimins.com Subject: Re: going to FL? X-Mailer: WebMail Version 2.0 Content-Type: text/plain From: Christopher Marchant Message-Id: <20030909.222654.20003.149042@webmail13.lax.untd.com> X-Spam-Score: 3.3 X-Spam-Level: *** (3.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [172.134.64.231] X-Original-From: "Christopher Marchant" Date: Wed, 10 Sep 2003 05:26:27 GMT To: opus@MIT.EDU Cc: rls@dimins.com Subject: Re: going to FL? From: Christopher Marchant X-Spam-Score: 3.3 X-Spam-Level: *** (3.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave and Ruth, Sorry to take so long. Webmail servers are blocked at work and I don't like sending/receiving personal mail from my work account. On the 6th, I would be alone and could be monopolized. On the 7th, I should be free in the morning and possibly the early afternoon. By evening I will likely be expected to join up with people in Daytona. Epcot would be a good idea; yes it did catch my attention. (Both Mission: Space and the Food and Wine Festival should be up and running then.) If just your evening is free, there is always the Adventurer's Club or something like that. I did move about a year ago and switched cell phone companies. I guess I didn't do a good enough job spreading my info. I am still in the Houston area, however. home: (281) 532-0509 cell: (713) 256-4868 Let me know what you decide! ----Chris ************************************************************** Southwest just hit us with a sale fare, which will probably go away in a few minutes... Are you going to be alone during the 6th & 7th, or do you have a full itinerary with other people? In other words, should we plan to monopolize your time? There's the new Mission:Space at Epcot we want to check out, and thought you might be interested. I think the wine festival is also going on at that time, but I'd have to check on that. Let us know, and we'll see if the sale fare is still available. :-) -Dave ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 10-Sep radford@MIT.EDU [41] #Re: Star Wars videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Sep 2003 14:46:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8AIkgpA007419; Wed, 10 Sep 2003 14:46:42 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8AIfr6Q025473; Wed, 10 Sep 2003 14:41:53 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8AIfqGr019367; Wed, 10 Sep 2003 14:41:52 -0400 (EDT) Received: (from radford@localhost) by department-of-alchemy.mit.edu (8.12.9) id h8AIfqwp009302; Wed, 10 Sep 2003 14:41:52 -0400 (EDT) Date: Wed, 10 Sep 2003 14:41:52 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" cc: jax@mit.edu Subject: Re: Star Wars videos In-Reply-To: Message-ID: References: <200309031942.PAA15006@multics.mit.edu> <200309032107.RAA16482@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -7.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Sep 2003 14:41:52 -0400 (EDT) From: Todd Radford To: "David C. Jedlinsky" cc: jax@mit.edu Subject: Re: Star Wars videos In-Reply-To: X-Spam-Score: -7.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey David A last minute request from our set designer has upped the total to 104 DVD's. Let me know if this is a problem. Thanks -Todd On Tue, 9 Sep 2003, Todd Radford wrote: > > Hey David > > The final numbers for Star Wars are: > > 103 DVD > 8 VHS > > With that sort of response we may have to consider doing only DVD for > future shows. > > Any guess as to when videos might be ready? Having already polled for > numbers, people are starting to ask me when they should be expecting > them... > > Thanks > -Todd > >  1, answered,, Summary-line: 10-Sep rebecca@hains.net [62] #Wikipedia: a project X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 10 Sep 2003 15:29:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8AJTIpA007084; Wed, 10 Sep 2003 15:29:18 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8AJTGrF010940 for ; Wed, 10 Sep 2003 15:29:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8AJSN7b010361; Wed, 10 Sep 2003 15:28:23 -0400 (EDT) Date: Wed, 10 Sep 2003 15:28:23 -0400 (EDT) Message-Id: <000001c377d0$85729dd0$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Wikipedia: a project MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 10 Sep 2003 15:28:23 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: Wikipedia: a project X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's a fun project for any interested parties. Wikipedia is a free online encyclopedia to which anyone can contribute. As stated on Wikipedia.org's main page: "Wikipedia is a multilingual project to create a complete and accurate free content encyclopedia. We started in January 2001 and are currently working on 155494 articles in the English version. Visit the help page and experiment in the sandbox to learn how you can edit any article right now." Because anyone can edit any article, add entries, etc, the Wikipedia is in a constant state of flux. It's quite interesting, and I enjoy browsing the site from time to time. Today, I decided to see what they have on Gilbert & Sullivan. A quick search led me to this page: http://www.wikipedia.org/wiki/Gilbert_and_Sullivan I discovered that there is plenty of room for additional work on this page. For one thing, there are not as of yet any pages for Trial By Jury, The Sorcerer, Princess Ida, The Gondoliers, Utopia, or Duke. (Scroll down the page I linked to above, and you'll see the "links" to each of these pages is Red -- meaning that there is not yet a page for any of them. If you click on the link, you'll be brought to a form where you can create content for that page.) For another, there are some comments that could stand to be edited to focus on facts, rather than opinions -- such as, "Their greatest work was The Mikado (1885)..." :-) Finally, it seems to me that lots more external links could be added at the bottom of the page -- such as one to Savoynet's home page, the G&S Discography, and also to that flash cartoon someone once posted here of "The Elements." So... check it out, and have fun spreading the Gospel of G&S! :-) Rebecca C. Hains Temple University Philadelphia, PA http://astro.temple.edu/~hains  1,, Summary-line: 13-Sep jcb@alum.mit.edu, nlgilma [107] #Apple Cider Party Invitation (Saturday 10/18/2003) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 13 Sep 2003 07:36:26 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8DBaPpA017023; Sat, 13 Sep 2003 07:36:25 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8DBYFaO022864; Sat, 13 Sep 2003 07:34:15 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8DBY9Gr012194; Sat, 13 Sep 2003 07:34:09 -0400 (EDT) Received: (from jcb@localhost) by no-knife.mit.edu (8.12.9) id h8DBY8ht014841; Sat, 13 Sep 2003 07:34:08 -0400 (EDT) Date: Sat, 13 Sep 2003 07:34:08 -0400 (EDT) Message-Id: <200309131134.h8DBY8ht014841@no-knife.mit.edu> To: (Friends and Relatives of Jeff Bigler and Nancy Gilman) From: "Jeff Bigler" , "Nancy Gilman" Sender: jcb@MIT.EDU Subject: Apple Cider Party Invitation (Saturday 10/18/2003) Reply-To: jcb@MIT.EDU, nlgilman@MIT.EDU Errors-To: jcb@MIT.EDU X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i X-Zippy: I guess it was all a DREAM.. or an episode of HAWAII FIVE-O... X-NSA-Fodder: ASPIC emc industrial intelligence Firewalls 64 Vauxhall Cross X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 13 Sep 2003 07:34:08 -0400 (EDT) To: (Friends and Relatives of Jeff Bigler and Nancy Gilman) From: "Jeff Bigler" , "Nancy Gilman" Sender: jcb@MIT.EDU Subject: Apple Cider Party Invitation (Saturday 10/18/2003) Reply-To: jcb@MIT.EDU, nlgilman@MIT.EDU X-Zippy: I guess it was all a DREAM.. or an episode of HAWAII FIVE-O... X-NSA-Fodder: ASPIC emc industrial intelligence Firewalls 64 Vauxhall Cross X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Nancy Gilman, Jeff Bigler, Margaret Bigler, and the yet-to-be-born ".002" invite you to our twelfth annual apple cider party. Important info: Date: Saturday, October 18, 2003. Time: noon-midnight; pressing starts at 1:00pm sharp! Location: 8 Little Nahant Rd., Nahant, Mass. Bring: Food for potluck lunch or dinner. (Lunch items are particularly appreciated if you'll be arriving before 3pm.) Also, feel free to bring guests and/or forward this invitation to people who know us and who might be interested. (If we've left anyone out it was accidental.) However please check with us before forwarding the invitation to a mailing list. Allergies: We have two indoor cats. We always have the house thoroughly cleaned before the party, but bring medication if you're allergic. We don't allow smoking anywhere indoors, including the porch and garage. More Information about the party: There is a FAQ at This page has a lot of useful information, so please look at it if you're thinking of coming. Directions: This page is linked from the FAQ. Carpooling: We'll coordinate carpools from the Boston area via the cider party web page. Please let us know if you need a ride, or if you can provide one. RSVP: Always appreciated, especially if it contains news of how you're doing and what's new in your life. However, if you don't get around to sending one, don't let that stop you from coming. We'll send out a reminder about a week before the party. Our News: Jeff has started his new career as a school teacher, teaching chemistry at Marblehead High School. Nancy is in her second year on the Nahant School Committee. Margaret has started attending pre-school, at the Stoneridge Montessori School in Beverly. October seems to be the month for significant events in our family--past Octobers have seen us get engaged, get married and move into our house. This year's milestone will be the birth of our second daughter, who, assuming all goes well (knock on wood), will be about three weeks old at this year's party. You might be thinking, "How can anyone who will have a three- week-old baby host a party with more than a hundred guests?" The answer is because the cider party pretty much runs itself. Once we've got the house and the cider press set up, our "cider party veterans"--the people who have been coming every year--know what to do and help make it happen. So don't hesitate to come, particularly if you're one of the "regulars"! Jeff, Nancy, Margaret and ".002" -- 8 Little Nahant Rd. phone: +1 (781) 592-5802 Nahant, MA 01908-1120 USA http://www.mit.edu/~jcb/directions/ GPS: 70deg 56min 9.34sec West, 42deg 26min 5.21sec North Jeff: jcb@alum.mit.edu N1VSK Nancy: nlgilman@mit.edu N1VFQ --------------------------- Note: We sent blind carbon copies of this message to all of our friends for whom we have current email addresses, plus several email lists that contain a significant number of our friends. * If you got multiple copies, that means we're on some of the same email lists. Consider yourself multiply invited. * If you live outside the Boston area, we assume you're not coming (unless we hear otherwise), but we want you to know that you're still invited. In lieu of an RSVP, feel free to drop us a line and let us know how you're doing. * If you don't know us, or don't know why you got this invitation, it was probably BCC'ed to a mailing list that you're on. You're still invited, and there will most likely be people you know there.  1,, Summary-line: 13-Sep SSilvers@sskfny.com [23] #@ buttons X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 13 Sep 2003 12:53:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8DGr1pC025657; Sat, 13 Sep 2003 12:53:02 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8DGqkUg015247 for ; Sat, 13 Sep 2003 12:52:46 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8DGqX7b024225; Sat, 13 Sep 2003 12:52:33 -0400 (EDT) Date: Sat, 13 Sep 2003 12:52:33 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: @ buttons Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 13 Sep 2003 12:52:33 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: @ buttons Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>> "Arthur Kincaid" wrote: Some of us have never had the opportunity to acquire a @ button. Perhaps someone could produce a supply to sell to the British contingent at Buxton next year? Obviously some of the people who were members pre-RUDDIGORE managed to get them somehow, but the four years we've been in S'net shows none have been available.  1,, Summary-line: 14-Sep to: marion@leedscarroll.c [22] #Re: MITCP Video Good to Go X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Sep 2003 18:07:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8EM7ZpA012008; Sun, 14 Sep 2003 18:07:35 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8EM7Vpw018360; Sun, 14 Sep 2003 18:07:31 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8EM7UGr017089; Sun, 14 Sep 2003 18:07:30 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id SAA23237; Sun, 14 Sep 2003 18:07:30 -0400 (EDT) Date: Sun, 14 Sep 2003 18:07:30 -0400 (EDT) Message-Id: <200309142207.SAA23237@multics.mit.edu> From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com, rls@dimins.com In-reply-to: <0040F702.593461C4.00002B09@cs.com> (J91a@cs.com) Subject: Re: MITCP Video Good to Go References: <0040F702.593461C4.00002B09@cs.com> X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 14 Sep 2003 18:07:30 -0400 (EDT) From: "David C. Jedlinsky" To: marion@leedscarroll.com CC: J91a@cs.com, rls@dimins.com In-reply-to: <0040F702.593461C4.00002B09@cs.com> (J91a@cs.com) Subject: Re: MITCP Video Good to Go X-Spam-Score: -5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've got everything ready (5 VHS tapes, 11 DVDs), and Ruth can deliver them to Marion on Monday night between 7:00 and 7:30 pm, if that works for Marion. If not, let's arrange another time to make delivery. Marion, can you remind me of the turns needed to get from Lake Street to your house? Thanks. -Dave  1, answered,, Summary-line: 14-Sep marion@leedscarroll.com [58] #Re: MITCP Video Good to Go X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Sep 2003 22:07:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8F27YpA005118; Sun, 14 Sep 2003 22:07:35 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8F27YX4015102 for ; Sun, 14 Sep 2003 22:07:34 -0400 (EDT) Received: (qmail 12938 invoked from network); 15 Sep 2003 02:07:33 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 15 Sep 2003 02:07:33 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 15 Sep 2003 02:07:33 -0000 Message-Id: <5.1.0.14.2.20030914215737.01fdab08@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Sun, 14 Sep 2003 22:07:29 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: MITCP Video Good to Go Cc: J91a@cs.com, rls@dimins.com In-Reply-To: <200309142207.SAA23237@multics.mit.edu> References: <0040F702.593461C4.00002B09@cs.com> <0040F702.593461C4.00002B09@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Sun, 14 Sep 2003 22:07:29 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: MITCP Video Good to Go Cc: J91a@cs.com, rls@dimins.com In-Reply-To: <200309142207.SAA23237@multics.mit.edu> X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) That is great, Dave! Aee you tomorrow nigth, Ruth! Take Rt 2 to the Lake Street exit - oh; you knew that. Turn R at the first light, make a L at the next corner, and a R at the next, which is Herbert. (The reason you're doing this is that Herbert is one way that last block out to Lake Street, so you're doing what you need to do to get onto the part of Herbert that's 2-way.) Then just stay on Herbert 2 blocks past the playground, and turn R on Fairmont - my house is the last on the R. If you can't deal with all that, just take Lake all the way to Mass Ave, turn R on Mass Ave, take that one block past the next traffic light (at Thorndyke) to Fairmont, turn R onto Fairmont, and you'll find me at the dead end - very last (little grey) house on the Right. There's a map & more directions at http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml Janine was asking today about checks, and who they should be made out to - and I told her, to Dave - so I think that's all set, no? - Marion At 06:07 PM 9/14/2003 -0400, David C. Jedlinsky wrote: >I've got everything ready (5 VHS tapes, 11 DVDs), and Ruth can deliver >them to Marion on Monday night between 7:00 and 7:30 pm, if that works >for Marion. If not, let's arrange another time to make delivery. > >Marion, can you remind me of the turns needed to get from Lake Street >to your house? > >Thanks. > >-Dave Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1,, Summary-line: 14-Sep J91a@cs.com [64] #MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Sep 2003 23:19:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8F3JjpA001867; Sun, 14 Sep 2003 23:19:46 -0400 (EDT) Received: from imo-r04.mx.aol.com (imo-r04.mx.aol.com [152.163.225.100]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8F3JdIr013507; Sun, 14 Sep 2003 23:19:39 -0400 (EDT) Received: from J91a@cs.com by imo-r04.mx.aol.com (mail_out_v36_r1.1.) id m.7c.3ceea89f (4446); Sun, 14 Sep 2003 23:19:30 -0400 (EDT) From: J91a@cs.com Message-ID: <7c.3ceea89f.2c9689c1@cs.com> Date: Sun, 14 Sep 2003 23:19:29 EDT Subject: MITCP AWTEW Videos Ready! To: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, radford@mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, J91a@cs.com, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net CC: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Sun, 14 Sep 2003 23:19:29 EDT Subject: MITCP AWTEW Videos Ready! To: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, radford@mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, J91a@cs.com, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net CC: opus@mit.edu X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Videos are ready! Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the videographer. He should be delivering copies to Marion at 111 Fairmont Street in Arlington tomorrow night, Monday, September 15th between 7:30pm and 9:30pm, but you should arrange a time with Marion sometime this week to pick them up. Contact Marion via email at marion@leedscarroll.com to come pick one up and leave a check with her for Dave, or Marion may prefer to set up a time when most of you can come by, given that she is currently overcommitted as usual. Here are instructions regarding how to get to her house. ***** Driving and T Directions: Address is 111 Fairmont Street, Arlington, MA DRIVING: Take Rt 2 to the Lake Street exit. Turn R at the first light, make a L at the next corner, and a R at the next, which is Herbert (Herbert is one way that last block out to Lake Street. This is necessary to get onto the part of Herbert that's 2-way). Stay on Herbert 2 blocks past the playground, and turn R on Fairmont. Marion's house is the last on the R. OR Take Lake all the way to Mass Ave, turn R on Mass Ave, and take that one block past the next traffic light (at Thorndyke) to Fairmont. Turn R onto Fairmont, and you'll find her house at the dead end - very last (little grey) house on the Right. T: Take the RED LINE to ALEWIFE. Head North in the direction of Arlington, following the bike path. You will cross a small street, turn left, and then follow the edge of a swamp on your right around a corner, over a footbridge, under an underpass along the bikepath, and then onto a dirt road. Remember to always be skirting the swamp clockwise. Follow the dirt trails around the swamp until you come to Fairmont Street on your left. Marion's house is visible from the dirt path, and is the house at the end of the street. There's a map & more directions at http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml ENJOY! Janine  1,, Summary-line: 15-Sep dpo@MIT.EDU [102] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 13:53:13 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FHrCpA009891; Mon, 15 Sep 2003 13:53:12 -0400 (EDT) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.21.99]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8FHqsRo007650; Mon, 15 Sep 2003 13:52:54 -0400 (EDT) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id NAA19071; Mon, 15 Sep 2003 13:52:54 -0400 (EDT) From: dpo@MIT.EDU Received: from 18.24.4.36 ( [18.24.4.36]) as user dpo@MIT.EDU by webmail.mit.edu with HTTPS; Mon, 15 Sep 2003 13:52:52 -0400 Message-ID: <1063648372.3f65fc75013a3@webmail.mit.edu> Date: Mon, 15 Sep 2003 13:52:53 -0400 To: Todd Radford Cc: J91a@cs.com, j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@mit.edu Subject: Re: MITCP AWTEW Videos Ready! References: <7c.3ceea89f.2c9689c1@cs.com> In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.24.4.36 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: dpo@MIT.EDU Date: Mon, 15 Sep 2003 13:52:53 -0400 To: Todd Radford Cc: J91a@cs.com, j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@mit.edu Subject: Re: MITCP AWTEW Videos Ready! In-Reply-To: X-Originating-IP: 18.24.4.36 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes, tonight would be handy, although I can't stay for the read through. Auditions are actually on the 29th, that would be handy as well. Dimie Quoting Todd Radford : > > Any chance videos can make it to the read-through tonight or auditions > next week? It might make the lives of the people who live on or near > campus a little easier... > > -Todd > > On Sun, 14 Sep 2003 J91a@cs.com wrote: > > > The Videos are ready! > > > > Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the > > videographer. He should be delivering copies to Marion at 111 Fairmont > Street in > > Arlington tomorrow night, Monday, September 15th between 7:30pm and 9:30pm, > but you > > should arrange a time with Marion sometime this week to pick them up. > > > > Contact Marion via email at marion@leedscarroll.com to come pick one up > and > > leave a check with her for Dave, or Marion may prefer to set up a time > when > > most of you can come by, given that she is currently overcommitted as > usual. > > > > Here are instructions regarding how to get to her house. > > > > ***** > > Driving and T Directions: > > > > Address is 111 Fairmont Street, Arlington, MA > > > > DRIVING: Take Rt 2 to the Lake Street exit. Turn R at the first > > light, make a L at the next corner, and a R at the next, which is > > Herbert (Herbert is one way that last block out to Lake Street. This is > > necessary to get onto the part of Herbert that's 2-way). Stay on Herbert > 2 > > blocks > > past the playground, and turn R on Fairmont. Marion's house is the last > on > > the R. > > > > OR > > > > Take Lake all the way to Mass Ave, turn R on Mass Ave, and take that one > > block past the next traffic light (at Thorndyke) to Fairmont. Turn R onto > > Fairmont, and you'll find her house at the dead end - very last (little > grey) house > > on the Right. > > > > T: Take the RED LINE to ALEWIFE. Head North in the direction of > Arlington, > > following the bike path. You will cross a small street, turn left, and > then > > follow the edge of a swamp on your right around a corner, over a > footbridge, > > under an underpass along the bikepath, and then onto a dirt road. Remember > to > > always be skirting the swamp clockwise. Follow the dirt trails around the > swamp > > until you come to Fairmont Street on your left. Marion's house is visible > > from the dirt path, and is the house at the end of the street. > > > > There's a map & more directions at > > > > http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml > > > > ENJOY! > > > > Janine > > > > >  1,, Summary-line: 15-Sep J91a@cs.com [80] #Re: MITCP AWTEW Videos Ready! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:01:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FI1opA016157; Mon, 15 Sep 2003 14:01:50 -0400 (EDT) Received: from imo-r05.mx.aol.com (imo-r05.mx.aol.com [152.163.225.101]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8FHxsYK019897; Mon, 15 Sep 2003 13:59:54 -0400 (EDT) Received: from J91a@cs.com by imo-r05.mx.aol.com (mail_out_v36_r1.1.) id 6.15d.248db117 (16086); Mon, 15 Sep 2003 13:59:17 -0400 (EDT) Received: from cs.com (mow-m18.webmail.aol.com [64.12.180.134]) by air-id10.mx.aol.com (v95.13) with ESMTP id MAILINID103-3ed63f65fdf4224; Mon, 15 Sep 2003 13:59:17 -0400 Date: Mon, 15 Sep 2003 13:59:16 -0400 From: J91a@cs.com To: radford@MIT.EDU (Todd Radford) Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@MIT.EDU Subject: Re: MITCP AWTEW Videos Ready! MIME-Version: 1.0 Message-ID: <40A0DDE0.441D224A.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Sep 2003 13:59:16 -0400 From: J91a@cs.com To: radford@MIT.EDU (Todd Radford) Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@MIT.EDU Subject: Re: MITCP AWTEW Videos Ready! X-AOL-IP: 130.64.29.226 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This sounds like a good idea, but since I have no car, and I am committed tonight, it's really up to Dave and Marion as to how they want to do that. Those who are not participating in the auditions might want the option of pickup elsewhere, and videos that didn't get picked up would need to be kept or brought somewhere else. Janine Todd Radford wrote: > >Any chance videos can make it to the read-through tonight or auditions >next week?  It might make the lives of the people who live on or near >campus a little easier... > >-Todd > >On Sun, 14 Sep 2003 J91a@cs.com wrote: > >> The Videos are ready! >> >> Make checks out to David Jedlinsky ($16 VHS, $18 DVD).  He is the >> videographer.  He should be delivering copies to Marion at 111 Fairmont Street in >> Arlington tomorrow night, Monday, September 15th between 7:30pm and 9:30pm, but you >> should arrange a time with Marion sometime this week to pick them up. >> >> Contact Marion via email at marion@leedscarroll.com to come pick one up and >> leave a check with her for Dave, or Marion may prefer to set up a time when >> most of you can come by, given that she is currently overcommitted as usual. >> >> Here are instructions regarding how to get to her house. >> >> ***** >> Driving and T Directions: >> >> Address is 111 Fairmont Street, Arlington, MA >> >> DRIVING: Take Rt 2 to the Lake Street exit.  Turn R at the first >> light, make a L at the next corner, and a R at the next, which is >> Herbert (Herbert is one way that last block out to Lake Street.  This is >> necessary to  get onto the part of Herbert that's 2-way).  Stay on Herbert 2 >> blocks >> past the playground, and turn R on Fairmont.  Marion's house is the last on >> the R. >> >> OR >> >> Take Lake all the way to Mass Ave, turn R on Mass Ave, and take that one >> block past the next traffic light (at Thorndyke) to Fairmont.  Turn R onto >> Fairmont, and you'll find her house at the dead end - very last (little grey) house >> on the Right. >> >> T: Take the RED LINE to ALEWIFE.  Head North in the direction of Arlington, >> following the bike path.  You will cross a small street, turn left, and then >> follow the edge of a swamp on your right around a corner, over a footbridge, >> under an underpass along the bikepath, and then onto a dirt road.  Remember to >> always be skirting the swamp clockwise.  Follow the dirt trails around the swamp >> until you come to Fairmont Street on your left.  Marion's house is visible >> from the dirt path, and is the house at the end of the street. >> >> There's a map & more directions at >> >> http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml >> >> ENJOY! >> >> Janine >> >> >  1, forwarded,, Summary-line: 15-Sep to: radford@mit.edu [42] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:06:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FI6jpA020140; Mon, 15 Sep 2003 14:06:46 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8FI6bNa026585; Mon, 15 Sep 2003 14:06:43 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h8FI3haq007600; Mon, 15 Sep 2003 14:03:43 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id OAA05332; Mon, 15 Sep 2003 14:03:43 -0400 (EDT) Date: Mon, 15 Sep 2003 14:03:43 -0400 (EDT) Message-Id: <200309151803.OAA05332@multics.mit.edu> From: "David C. Jedlinsky" To: radford@mit.edu CC: J91a@cs.com, j.carroll@computer.org, marion@leedscarroll.com.Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net In-reply-to: (message from Todd Radford on Mon, 15 Sep 2003 13:40:39 -0400 (EDT)) Subject: Re: MITCP AWTEW Videos Ready! References: <7c.3ceea89f.2c9689c1@cs.com> X-Spam-Score: -5.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Sep 2003 14:03:43 -0400 (EDT) From: "David C. Jedlinsky" To: radford@mit.edu CC: J91a@cs.com, j.carroll@computer.org, marion@leedscarroll.com.Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net In-reply-to: (message from Todd Radford on Mon, 15 Sep 2003 13:40:39 -0400 (EDT)) Subject: Re: MITCP AWTEW Videos Ready! X-Spam-Score: -5.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ruth could come by the read-through tonight at 7:00, and hand out copies to anyone who had cash or a check with them. The remaining copies would then be brought to Marion's house. Marion, this means Ruth will be a bit later to your place with the remainder. Will that be a problem? -Dave >Date: Mon, 15 Sep 2003 13:40:39 -0400 (EDT) >From: Todd Radford > >Any chance videos can make it to the read-through tonight or auditions >next week? It might make the lives of the people who live on or near >campus a little easier... > >-Todd > >On Sun, 14 Sep 2003 J91a@cs.com wrote: > >> The Videos are ready! >> >> Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the >> videographer.  1,, Summary-line: 15-Sep marion@leedscarroll.com [109] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:14:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FIEVpA026017; Mon, 15 Sep 2003 14:14:31 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8FIA3YK025838 for ; Mon, 15 Sep 2003 14:10:03 -0400 (EDT) Received: (qmail 15467 invoked from network); 15 Sep 2003 18:10:02 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 15 Sep 2003 18:10:02 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 15 Sep 2003 18:10:02 -0000 Message-Id: <5.1.0.14.2.20030915140233.01ff8e28@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 15 Sep 2003 14:09:56 -0400 To: Todd Radford , J91a@cs.com From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@mit.edu In-Reply-To: References: <7c.3ceea89f.2c9689c1@cs.com> <7c.3ceea89f.2c9689c1@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 15 Sep 2003 14:09:56 -0400 To: Todd Radford , J91a@cs.com From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.mit.edu, rcreif@mit.edu, ers66@juno.com, MzSylver@mit.edu, dpo@mit.edu, mlcar@mit.edu, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@mit.edu In-Reply-To: X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Nice idea! - but they will be appearing at my house between 7-7:30 tonight, and I have a prior committment that will keep me in Arlington tonight, so I can't come to the readthrough myself... but I'll be here if anyone wants to pick up a few to bring in... ...and given the state of my health and my other projects (visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to read about that!), I won't be at auditions either - but again, if anyone wants to pick up copies from here and bring them to the readthru or the auditions - let me know! (Let's not get into a random few brought in, though - let me know who specifically will be at MIT to get them from whoever is taking them in.) - Marion At 01:40 PM 9/15/2003 -0400, Todd Radford wrote: >Any chance videos can make it to the read-through tonight or auditions >next week? It might make the lives of the people who live on or near >campus a little easier... > >-Todd > >On Sun, 14 Sep 2003 J91a@cs.com wrote: > > > The Videos are ready! > > > > Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the > > videographer. He should be delivering copies to Marion at 111 Fairmont > Street in > > Arlington tomorrow night, Monday, September 15th between 7:30pm and > 9:30pm, but you > > should arrange a time with Marion sometime this week to pick them up. > > > > Contact Marion via email at marion@leedscarroll.com to come pick one up and > > leave a check with her for Dave, or Marion may prefer to set up a time when > > most of you can come by, given that she is currently overcommitted as > usual. > > > > Here are instructions regarding how to get to her house. > > > > ***** > > Driving and T Directions: > > > > Address is 111 Fairmont Street, Arlington, MA > > > > DRIVING: Take Rt 2 to the Lake Street exit. Turn R at the first > > light, make a L at the next corner, and a R at the next, which is > > Herbert (Herbert is one way that last block out to Lake Street. This is > > necessary to get onto the part of Herbert that's 2-way). Stay on > Herbert 2 > > blocks > > past the playground, and turn R on Fairmont. Marion's house is the last on > > the R. > > > > OR > > > > Take Lake all the way to Mass Ave, turn R on Mass Ave, and take that one > > block past the next traffic light (at Thorndyke) to Fairmont. Turn R onto > > Fairmont, and you'll find her house at the dead end - very last (little > grey) house > > on the Right. > > > > T: Take the RED LINE to ALEWIFE. Head North in the direction of Arlington, > > following the bike path. You will cross a small street, turn left, and > then > > follow the edge of a swamp on your right around a corner, over a > footbridge, > > under an underpass along the bikepath, and then onto a dirt > road. Remember to > > always be skirting the swamp clockwise. Follow the dirt trails around > the swamp > > until you come to Fairmont Street on your left. Marion's house is visible > > from the dirt path, and is the house at the end of the street. > > > > There's a map & more directions at > > > > http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml > > > > ENJOY! > > > > Janine > > > > Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1,, Summary-line: 15-Sep J91a@cs.com [116] #Re: MITCP AWTEW Videos Ready! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:17:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FIH2pA027977; Mon, 15 Sep 2003 14:17:02 -0400 (EDT) Received: from imo-m07.mx.aol.com (imo-m07.mx.aol.com [64.12.136.162]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8FIGsRo021042; Mon, 15 Sep 2003 14:16:54 -0400 (EDT) Received: from J91a@cs.com by imo-m07.mx.aol.com (mail_out_v36_r1.1.) id g.1ab.1a111056 (15888); Mon, 15 Sep 2003 14:16:08 -0400 (EDT) Received: from cs.com (mow-m17.webmail.aol.com [64.12.180.133]) by air-id08.mx.aol.com (v95.13) with ESMTP id MAILINID83-3e103f6601e71fb; Mon, 15 Sep 2003 14:16:08 -0400 Date: Mon, 15 Sep 2003 14:16:07 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), radford@MIT.EDU (Todd Radford) Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@MIT.EDU Subject: Re: MITCP AWTEW Videos Ready! MIME-Version: 1.0 Message-ID: <7169DE1B.6FC1B0A0.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Sep 2003 14:16:07 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), radford@MIT.EDU (Todd Radford) Cc: j.carroll@computer.org, Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net, opus@MIT.EDU Subject: Re: MITCP AWTEW Videos Ready! X-AOL-IP: 130.64.29.226 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dimie has already made a request that tonight, or better, the September 29th auditions would be a convenient way to pick up a copy. Anyone who would prefer to pick up a copy tonight at MIT can email me, or reply all, and let us know and I'll give a count to Ruth via Marion? Janine Marion Leeds Carroll wrote: >Nice idea! - but they will be appearing at my house between 7-7:30 tonight, >and I have a prior committment that will keep me in Arlington tonight, so I >can't come to the readthrough myself... but I'll be here if anyone wants to >pick up a few to bring in... > >...and given the state of my health and my other projects (visit >http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to >read about that!), I won't be at auditions either - but again, if anyone >wants to pick up copies from here and bring them to the readthru or the >auditions - let me know! (Let's not get into a random few brought in, >though - let me know who specifically will be at MIT to get them from >whoever is taking them in.) >- Marion > >At 01:40 PM 9/15/2003 -0400, Todd Radford wrote: > >>Any chance videos can make it to the read-through tonight or auditions >>next week?  It might make the lives of the people who live on or near >>campus a little easier... >> >>-Todd >> >>On Sun, 14 Sep 2003 J91a@cs.com wrote: >> >> > The Videos are ready! >> > >> > Make checks out to David Jedlinsky ($16 VHS, $18 DVD).  He is the >> > videographer.  He should be delivering copies to Marion at 111 Fairmont >> Street in >> > Arlington tomorrow night, Monday, September 15th between 7:30pm and >> 9:30pm, but you >> > should arrange a time with Marion sometime this week to pick them up. >> > >> > Contact Marion via email at marion@leedscarroll.com to come pick one up and >> > leave a check with her for Dave, or Marion may prefer to set up a time when >> > most of you can come by, given that she is currently overcommitted as >> usual. >> > >> > Here are instructions regarding how to get to her house. >> > >> > ***** >> > Driving and T Directions: >> > >> > Address is 111 Fairmont Street, Arlington, MA >> > >> > DRIVING: Take Rt 2 to the Lake Street exit.  Turn R at the first >> > light, make a L at the next corner, and a R at the next, which is >> > Herbert (Herbert is one way that last block out to Lake Street.  This is >> > necessary to  get onto the part of Herbert that's 2-way).  Stay on >> Herbert 2 >> > blocks >> > past the playground, and turn R on Fairmont.  Marion's house is the last on >> > the R. >> > >> > OR >> > >> > Take Lake all the way to Mass Ave, turn R on Mass Ave, and take that one >> > block past the next traffic light (at Thorndyke) to Fairmont.  Turn R onto >> > Fairmont, and you'll find her house at the dead end - very last (little >> grey) house >> > on the Right. >> > >> > T: Take the RED LINE to ALEWIFE.  Head North in the direction of Arlington, >> > following the bike path.  You will cross a small street, turn left, and >> then >> > follow the edge of a swamp on your right around a corner, over a >> footbridge, >> > under an underpass along the bikepath, and then onto a dirt >> road.  Remember to >> > always be skirting the swamp clockwise.  Follow the dirt trails around >> the swamp >> > until you come to Fairmont Street on your left.  Marion's house is visible >> > from the dirt path, and is the house at the end of the street. >> > >> > There's a map & more directions at >> > >> > http://www.leedscarroll.com/Graphics/Scrapbook/directions.shtml >> > >> > ENJOY! >> > >> > Janine >> > >> > > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. > > >  1,, Summary-line: 15-Sep marion@leedscarroll.com [56] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:53:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FIrTpA024660; Mon, 15 Sep 2003 14:53:29 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8FIrSRo013384 for ; Mon, 15 Sep 2003 14:53:28 -0400 (EDT) Received: (qmail 9865 invoked from network); 15 Sep 2003 18:53:27 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 15 Sep 2003 18:53:27 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 15 Sep 2003 18:53:27 -0000 Message-Id: <5.1.0.14.2.20030915145248.02061e20@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 15 Sep 2003 14:53:21 -0400 To: "David C. Jedlinsky" , radford@MIT.EDU From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: J91a@cs.com, j.carroll@computer.org, marion@leedscarroll.com.Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net In-Reply-To: <200309151803.OAA05332@multics.mit.edu> References: <7c.3ceea89f.2c9689c1@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 15 Sep 2003 14:53:21 -0400 To: "David C. Jedlinsky" , radford@MIT.EDU From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: J91a@cs.com, j.carroll@computer.org, marion@leedscarroll.com.Peter.Floyd@pioneerinvest.com, Riverbend6@aol.com, hartley@emc.com, eric.lindblad@verizon.net, ggping@alum.MIT.EDU, rcreif@MIT.EDU, ers66@juno.com, MzSylver@MIT.EDU, dpo@MIT.EDU, mlcar@MIT.EDU, mrbreton@hotmail.com, mjrhett@earthlink.net In-Reply-To: <200309151803.OAA05332@multics.mit.edu> X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) No problem at all! Good solution! - Marion At 02:03 PM 9/15/2003 -0400, David C. Jedlinsky wrote: >Ruth could come by the read-through tonight at 7:00, and hand out >copies to anyone who had cash or a check with them. The remaining >copies would then be brought to Marion's house. > >Marion, this means Ruth will be a bit later to your place with the >remainder. Will that be a problem? > >-Dave > > > >Date: Mon, 15 Sep 2003 13:40:39 -0400 (EDT) > >From: Todd Radford > > > >Any chance videos can make it to the read-through tonight or auditions > >next week? It might make the lives of the people who live on or near > >campus a little easier... > > > >-Todd > > > >On Sun, 14 Sep 2003 J91a@cs.com wrote: > > > >> The Videos are ready! > >> > >> Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the > >> videographer. Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1,, Summary-line: 15-Sep j.carroll@computer.org [32] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 14:55:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FItBpA026001; Mon, 15 Sep 2003 14:55:13 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8FItARo014341 for ; Mon, 15 Sep 2003 14:55:10 -0400 (EDT) Received: from 207-172-79-160.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com ([207.172.79.160] helo=servidor) by smtp01.mrf.mail.rcn.net with smtp (Exim 3.35 #4) id 19yyVC-0006nG-00; Mon, 15 Sep 2003 14:55:10 -0400 Date: Mon, 15 Sep 2003 14:54:45 -0400 From: Jim Carroll To: Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: MITCP AWTEW Videos Ready! Message-Id: <20030915145445.6626a413.j.carroll@computer.org> In-Reply-To: <7169DE1B.6FC1B0A0.00002B09@cs.com> References: <7169DE1B.6FC1B0A0.00002B09@cs.com> Reply-To: j.carroll@computer.org X-Mailer: Sylpheed version 0.7.4 (GTK+ 1.2.10; i386-debian-linux-gnu) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 15 Sep 2003 14:54:45 -0400 From: Jim Carroll To: Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: MITCP AWTEW Videos Ready! In-Reply-To: <7169DE1B.6FC1B0A0.00002B09@cs.com> Reply-To: j.carroll@computer.org X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Mon, 15 Sep 2003 14:16:07 -0400 wrote: > Dimie has already made a request that tonight, or better, the > September 29th auditions would be a convenient way to pick up a copy. > Anyone who would prefer to pick up a copy tonight at MIT can email me, > or reply all, and let us know and I'll give a count to Ruth via > Marion? > > Janine Janine, I expect to be at the reading tonight, so not only could I pay Dave/Ruth for my DVD, but I could also bring Marion the tapes and DVDs that aren't being picked up tonight. Marion, Dave, does that sound OK to you? --Jim  1,, Summary-line: 15-Sep marion@leedscarroll.com [36] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 15:05:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8FJ55pA003448; Mon, 15 Sep 2003 15:05:05 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8FJ54YK029326 for ; Mon, 15 Sep 2003 15:05:04 -0400 (EDT) Received: (qmail 8878 invoked from network); 15 Sep 2003 19:05:03 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 15 Sep 2003 19:05:03 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 15 Sep 2003 19:05:03 -0000 Message-Id: <5.1.0.14.2.20030915150353.020f4068@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 15 Sep 2003 15:04:59 -0400 To: j.carroll@computer.org, From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: opus@mit.edu In-Reply-To: <20030915145445.6626a413.j.carroll@computer.org> References: <7169DE1B.6FC1B0A0.00002B09@cs.com> <7169DE1B.6FC1B0A0.00002B09@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 15 Sep 2003 15:04:59 -0400 To: j.carroll@computer.org, From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: opus@mit.edu In-Reply-To: <20030915145445.6626a413.j.carroll@computer.org> X-Spam-Score: -1.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sounds fine to me! - and I'll mail Dave my check - Marion At 02:54 PM 9/15/2003 -0400, Jim Carroll wrote: >Janine, > >I expect to be at the reading tonight, so not only could I pay Dave/Ruth >for my DVD, but I could also bring Marion the tapes and DVDs that aren't >being picked up tonight. > >Marion, Dave, does that sound OK to you? > >--Jim Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1,, Summary-line: 15-Sep marion@leedscarroll.com [60] #Re: Video Logistics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 15 Sep 2003 23:20:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8G3KYpA026113; Mon, 15 Sep 2003 23:20:34 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8G3KYOG011404 for ; Mon, 15 Sep 2003 23:20:34 -0400 (EDT) Received: (qmail 21046 invoked from network); 16 Sep 2003 03:20:33 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 16 Sep 2003 03:20:33 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 16 Sep 2003 03:20:33 -0000 Message-Id: <5.1.0.14.2.20030915231415.01fe6b98@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 15 Sep 2003 23:20:29 -0400 To: Richard C Reifsnyder From: Marion Leeds Carroll Subject: Re: Video Logistics Cc: opus@mit.edu, J91a@cs.com In-Reply-To: <200309151857.h8FIvoo2003433@scrubbing-bubbles.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 15 Sep 2003 23:20:29 -0400 To: Richard C Reifsnyder From: Marion Leeds Carroll Subject: Re: Video Logistics Cc: opus@mit.edu, J91a@cs.com In-Reply-To: <200309151857.h8FIvoo2003433@scrubbing-bubbles.mit.edu> X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Gee, I'm glad I looked again at this email, and noted to whom it was sent! - which was, only to me - Janine, David - can you give Rich the correct answer? - although I suspect the answer is that, since the DVDs have left Dave's hands by now, and are on the way to me, I will have to mail Rich the DVD, so he'll have to reimburse me for the mailing and Dave for the DVD itself. Where are you these days, Rich? - Marion At 02:57 PM 9/15/2003 -0400, you wrote: >Is it convenient for David to ship my DVD through the mail? Since I'm >not in the Boston area, I can mail you/him a check for the cost of the >DVD plus shipping and handling. > >Rich > >------- Forwarded Message > >The Videos are ready! > >Make checks out to David Jedlinsky ($16 VHS, $18 DVD). He is the >videographer. He should be delivering copies to Marion at 111 Fairmont >Street in >Arlington tomorrow night, Monday, September 15th between 7:30pm and >9:30pm, but you >should arrange a time with Marion sometime this week to pick them up. > >Contact Marion via email at marion@leedscarroll.com to come pick one up and >leave a check with her for Dave, or Marion may prefer to set up a time when >most of you can come by, given that she is currently overcommitted as usual. > >------- End of Forwarded Message Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis.  1, answered,, Summary-line: 16-Sep marchanc@juno.com [43] #Fw: Re: Which "Finding Nemo" character would you be? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 00:15:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8G4FZpA020014; Tue, 16 Sep 2003 00:15:35 -0400 (EDT) Received: from webmail01.lax.untd.com (outbound29-sr.lax.untd.com [64.136.29.170]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8G4FYHs016882 for ; Tue, 16 Sep 2003 00:15:34 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqVxgZw3htqDkszU+EAXBua3Y/illTTs7VQ==">; Mon, 15 Sep 2003 21:14:50 PDT Received: (from marchanc@juno.com) by webmail01.lax.untd.com (jqueuemail) id H96YSJM3; Mon, 15 Sep 2003 21:14:50 PDT Received: from [172.131.157.157] by webmail01.lax.untd.com with HTTP: Tue, 16 Sep 2003 04:14:25 GMT X-Originating-IP: [172.131.157.157] Mime-Version: 1.0 X-Original-From: "Christopher Marchant" Date: Tue, 16 Sep 2003 04:14:25 GMT To: rls@mit.edu, opus@mit.edu Subject: Fw: Re: Which "Finding Nemo" character would you be? X-Mailer: WebMail Version 2.0 Content-Type: text/plain From: Christopher Marchant Message-Id: <20030915.211450.4590.364890@webmail01.lax.untd.com> X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [172.131.157.157] X-Original-From: "Christopher Marchant" Date: Tue, 16 Sep 2003 04:14:25 GMT To: rls@mit.edu, opus@mit.edu Subject: Fw: Re: Which "Finding Nemo" character would you be? From: Christopher Marchant X-Spam-Score: 3.5 X-Spam-Level: *** (3.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hmmmm, You both ended up with the same answer. Very funny, I must say. I didn't picture you both as Dorey, but it seems you are well matched. Good luck finding another sale on Southwest. It would be good to see you. Take care, Chris ---------- Forwarded Message ---------- Apparently, I'm Dory. If I remember correctly, that is. =-) Ruth **************************************************** And from Opus: ---------- Forwarded Message ---------- Apparently, I'm Dory. Explains a lot. ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 16-Sep J91a@cs.com [71] #Re: Video Logistics X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 09:34:46 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8GDYfpA018786; Tue, 16 Sep 2003 09:34:41 -0400 (EDT) Received: from imo-r03.mx.aol.com (imo-r03.mx.aol.com [152.163.225.99]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8GDYb8w014439; Tue, 16 Sep 2003 09:34:37 -0400 (EDT) Received: from J91a@cs.com by imo-r03.mx.aol.com (mail_out_v36_r1.1.) id g.186.1f2db19a (15699); Tue, 16 Sep 2003 09:34:28 -0400 (EDT) Received: from cs.com (mow-m21.webmail.aol.com [64.12.180.137]) by air-id05.mx.aol.com (v95.13) with ESMTP id MAILINID51-3d533f671163e6; Tue, 16 Sep 2003 09:34:28 -0400 Date: Tue, 16 Sep 2003 09:34:27 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), rcreif@MIT.EDU (Richard C Reifsnyder) Cc: opus@MIT.EDU Subject: Re: Video Logistics MIME-Version: 1.0 Message-ID: <52C05E01.7486C98E.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 16 Sep 2003 09:34:27 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), rcreif@MIT.EDU (Richard C Reifsnyder) Cc: opus@MIT.EDU Subject: Re: Video Logistics X-AOL-IP: 130.64.29.226 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, What is the update on the logistics last night? I finally got offline and rushed around, putting together something else. Rydia dropped me a line to let me know that she would like to be able to pick up hers on campus next week. Anybody taken care of we can cross off the list? Janine Marion Leeds Carroll wrote: >Gee, I'm glad I looked again at this email, and noted to whom it was sent! >- which was, only to me - > >Janine, David - can you give Rich the correct answer? - although I suspect >the answer is that, since the DVDs have left Dave's hands by now, and are >on the way to me, I will have to mail Rich the DVD, so he'll have to >reimburse me for the mailing and Dave for the DVD itself. > >Where are you these days, Rich? > >- Marion > > >At 02:57 PM 9/15/2003 -0400, you wrote: > >>Is it convenient for David to ship my DVD through the mail?  Since I'm >>not in the Boston area, I can mail you/him a check for the cost of the >>DVD plus shipping and handling. >> >>Rich >> >>------- Forwarded Message >> >>The Videos are ready! >> >>Make checks out to David Jedlinsky ($16 VHS, $18 DVD).  He is the >>videographer.  He should be delivering copies to Marion at 111 Fairmont >>Street in >>Arlington tomorrow night, Monday, September 15th between 7:30pm and >>9:30pm, but you >>should arrange a time with Marion sometime this week to pick them up. >> >>Contact Marion via email at marion@leedscarroll.com to come pick one up and >>leave a check with her for Dave, or Marion may prefer to set up a time when >>most of you can come by, given that she is currently overcommitted as usual. >> >>------- End of Forwarded Message > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. > > >  1,, Summary-line: 16-Sep marion@leedscarroll.com [70] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 10:26:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8GEQKpA020852; Tue, 16 Sep 2003 10:26:20 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8GEQBGE005878 for ; Tue, 16 Sep 2003 10:26:11 -0400 (EDT) Received: (qmail 32077 invoked from network); 16 Sep 2003 14:26:10 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 16 Sep 2003 14:26:10 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 16 Sep 2003 14:26:10 -0000 Message-Id: <5.1.0.14.2.20030916100817.01fdd700@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 16 Sep 2003 10:26:06 -0400 To: j.carroll@computer.org, J91a@cs.com, opus@mit.edu From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: MzSylver@mit.edu In-Reply-To: <20030916095700.236a0de9.j.carroll@computer.org> References: <5.1.0.14.2.20030915231005.01fe7b50@pop.leedscarroll.com> <7169DE1B.6FC1B0A0.00002B09@cs.com> <7169DE1B.6FC1B0A0.00002B09@cs.com> <5.1.0.14.2.20030915231005.01fe7b50@pop.leedscarroll.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Tue, 16 Sep 2003 10:26:06 -0400 To: j.carroll@computer.org, J91a@cs.com, opus@mit.edu From: Marion Leeds Carroll Subject: Re: MITCP AWTEW Videos Ready! Cc: MzSylver@mit.edu In-Reply-To: <20030916095700.236a0de9.j.carroll@computer.org> X-Spam-Score: -1.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, Eric, Janine, Jim and Dave - oh, and Rydia... here's the latest update: Eric is the only one who said he was going to come here to pick up the videos. He can come again next week; he has a student he's tutoring in Arlington. So no rush getting the videos to me, I guess Janine says: >Rydia dropped me a line to let me know that she would like to be able to >pick up hers on campus next week. Jim has the videos right now - he is going to bring them to me Wed evening, when he's in the neighborhood. (Thanks, Jim! - don't try to sqeeze in an extra visit!) I will have to be on campus for a meeting next Wednesday, so if Rydia wants to get in touch with me at mlcar@mit.edu, my always-accessible address, maybe we can discuss a time for her to meet me in Barker Library, on the 4th floor, some time Wed afternoon? (Or did she mean she wants to pick them up at the audition?) I'm sorry; I'm not very mobile these days; I usually work from home, and when I'm on campus I try to go to one place and stay there. I don't know the answer to Janine's question of who can be crossed off the list - Jim? Who was there, who picked up their videos yesterday? Please keep Janine and Dave updated! thanks! - Marion At 09:57 AM 9/16/2003 -0400, Jim wrote: >I'm sorry--I had no idea there were people expecting to come by the >house last night to pick up videos. There was an initial tech meeting >following the reading (I'm doing audio/music again) and by the time that >and post-meeting conversations were done, it was well past ten. > >Is anyone expected to come by today or tonight? I've got meetings and a >long day in the office today, so it would be easier for me to drop off >the videos when I go for my physical therapy session tomorrow. In fact, >since I expect to swing by the farmer's market in Davis Square again, I >could bring over both the videos and whatever fresh produce you'd like >me to pick up for you. > >Would that be OK for you, or should I somehow try to squeeze in a visit >to the house on the way into work? > >--J Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 16-Sep j.carroll@computer.org [31] #Re: MITCP AWTEW Videos Ready! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 10:38:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8GEcEpA006547; Tue, 16 Sep 2003 10:38:15 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8GEc3Zc020037; Tue, 16 Sep 2003 10:38:03 -0400 (EDT) Received: from 207-172-79-160.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com ([207.172.79.160] helo=servidor) by smtp01.mrf.mail.rcn.net with smtp (Exim 3.35 #4) id 19zGxv-0002IK-00; Tue, 16 Sep 2003 10:38:03 -0400 Date: Tue, 16 Sep 2003 10:37:33 -0400 From: Jim Carroll To: Marion Leeds Carroll Cc: J91a@cs.com, opus@mit.edu, MzSylver@mit.edu Subject: Re: MITCP AWTEW Videos Ready! Message-Id: <20030916103733.5f4e908f.j.carroll@computer.org> In-Reply-To: <5.1.0.14.2.20030916100817.01fdd700@pop.leedscarroll.com> References: <5.1.0.14.2.20030915231005.01fe7b50@pop.leedscarroll.com> <7169DE1B.6FC1B0A0.00002B09@cs.com> <7169DE1B.6FC1B0A0.00002B09@cs.com> <5.1.0.14.2.20030915231005.01fe7b50@pop.leedscarroll.com> <5.1.0.14.2.20030916100817.01fdd700@pop.leedscarroll.com> Reply-To: j.carroll@computer.org X-Mailer: Sylpheed version 0.7.4 (GTK+ 1.2.10; i386-debian-linux-gnu) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 16 Sep 2003 10:37:33 -0400 From: Jim Carroll To: Marion Leeds Carroll Cc: J91a@cs.com, opus@mit.edu, MzSylver@mit.edu Subject: Re: MITCP AWTEW Videos Ready! In-Reply-To: <5.1.0.14.2.20030916100817.01fdd700@pop.leedscarroll.com> Reply-To: j.carroll@computer.org X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Tue, 16 Sep 2003 10:26:06 -0400 Marion Leeds Carroll wrote: > Jim has the videos right now - he is going to bring them to me Wed > evening, when he's in the neighborhood. (Thanks, Jim! - don't try to > sqeeze in an extra visit!) I'll drop them off tomorrow afternoon after my physical therapy session. > I don't know the answer to Janine's question of who can be crossed off > the list - Jim? Who was there, who picked up their videos yesterday? > Please keep Janine and Dave updated! Ruth gave me the list--with names crossed off of those who had paid for and picked up their videos--along with the remaining videos. Geoff Pingree and Peter Floyd arrived late, so they paid me for their DVDs and I'll write Dave (a.k.a. IPNH) a check for $36. --Jim  1,, Summary-line: 16-Sep rcreif@MIT.EDU [15] #P.S. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 16:44:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8GKi3pA022354; Tue, 16 Sep 2003 16:44:03 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8GKi2oJ006374; Tue, 16 Sep 2003 16:44:02 -0400 (EDT) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h8GKi2aq026434; Tue, 16 Sep 2003 16:44:02 -0400 (EDT) Received: (from rcreif@localhost) by department-of-alchemy.mit.edu (8.12.9) id h8GKi1Gg010056; Tue, 16 Sep 2003 16:44:01 -0400 (EDT) Message-Id: <200309162044.h8GKi1Gg010056@department-of-alchemy.mit.edu> To: marion@leedscarroll.com, opus@MIT.EDU, J91a@cs.com Subject: P.S. Date: Tue, 16 Sep 2003 16:44:01 -0400 From: Richard C Reifsnyder X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: marion@leedscarroll.com, opus@MIT.EDU, J91a@cs.com Subject: P.S. Date: Tue, 16 Sep 2003 16:44:01 -0400 From: Richard C Reifsnyder X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The 3-day one-pound rate I was referring to in my last E-mail is for "Media Mail", which consist of papers, tapes, CD-ROMs, etc., which are more compact for their weight than parcels, and therefore less expensive. Rich  1,, Summary-line: 16-Sep marion@leedscarroll.com [33] #Re: P.S. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Sep 2003 20:44:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8H0iKpA002682; Tue, 16 Sep 2003 20:44:20 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8H0gVRC005483 for ; Tue, 16 Sep 2003 20:42:31 -0400 (EDT) Received: (qmail 27335 invoked from network); 17 Sep 2003 00:42:30 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 17 Sep 2003 00:42:30 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 17 Sep 2003 00:42:30 -0000 Message-Id: <5.1.0.14.2.20030916204128.01fdea90@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 16 Sep 2003 20:42:26 -0400 To: Richard C Reifsnyder , opus@mit.edu, J91a@cs.com From: Marion Leeds Carroll Subject: Re: P.S. In-Reply-To: <200309162044.h8GKi1Gg010056@department-of-alchemy.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Tue, 16 Sep 2003 20:42:26 -0400 To: Richard C Reifsnyder , opus@mit.edu, J91a@cs.com From: Marion Leeds Carroll Subject: Re: P.S. In-Reply-To: <200309162044.h8GKi1Gg010056@department-of-alchemy.mit.edu> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm sorry, Rich - you did not send the previous message to me, so I don't know what 3-day one-pound rate you'e referring to... Marion At 04:44 PM 9/16/2003 -0400, Richard C Reifsnyder wrote: >The 3-day one-pound rate I was referring to in my last E-mail is for >"Media Mail", which consist of papers, tapes, CD-ROMs, etc., which are >more compact for their weight than parcels, and therefore less >expensive. > >Rich Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 17-Sep d-duffey@argonet.co.uk [42] #re: What choruses to sing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 02:21:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8H6LApA016996; Wed, 17 Sep 2003 02:21:10 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8H6L9tF002665 for ; Wed, 17 Sep 2003 02:21:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8H6Kd7b026347; Wed, 17 Sep 2003 02:20:39 -0400 (EDT) Date: Wed, 17 Sep 2003 02:20:39 -0400 (EDT) Message-Id: <003701c37ce0$7a9ec590$e011bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: re: What choruses to sing MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Sep 2003 02:20:39 -0400 (EDT) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: re: What choruses to sing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For some unaccountable reason, all the e-mails I sent on the morning of 14 September failed to arrive. One of them was my rather bad-tempered response to the above subject line: Quote> , I drop to tenor and > will sing almost any of the men's chorus numbers.*** > that I sing > all the female chorus numbers. Yes. This is common in G&S gets together, and even worse, in some rehearsals. I hate it. Not only does it irritate me to death, but I consider it impolite to those who should be singing and the resulting sound is appalling. David The Wash England "And I am right"  1,, Summary-line: 17-Sep mpw@nhm.ac.uk [41] #Re: round or 'round or around X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 05:21:07 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8H9L3pA007046; Wed, 17 Sep 2003 05:21:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8H9Gpeb017968 for ; Wed, 17 Sep 2003 05:16:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8H9GV7b027618; Wed, 17 Sep 2003 05:16:31 -0400 (EDT) Date: Wed, 17 Sep 2003 05:16:31 -0400 (EDT) Message-Id: <3.0.1.32.20030917100405.0077d5f0@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Re: round or 'round or around Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3F6767E7.000001.12056@guysmiley.blarg.net> X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Sep 2003 05:16:31 -0400 (EDT) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET Subject: Re: round or 'round or around X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3F6767E7.000001.12056@guysmiley.blarg.net> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 16:09 16/09/03 -0400, jana_ch wrote: >In the U.S. we expect the apostrophe. Weird things can happen when it is >omitted. I once read a newspaper column which began: "Gather round >children..." >I know American kids are getting fatter, but "round children?" >Yes, a comma would have fixed it, but there was no comma. This reminds me ofd an old joke (its completely off-topic, but I can't resist it). Advertisement in newspaper: BULLDOG for sale. Good watchdog. Will eat anything. Fond of children. ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Fax: 0207-942-6150 email: mpw@nhm.ac.uk  1,, Summary-line: 17-Sep LHall@tscwo.com [41] #Talk Like a Pirate Day X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 11:49:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8HFkGpm020037; Wed, 17 Sep 2003 11:49:24 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8HFctfY025408 for ; Wed, 17 Sep 2003 11:38:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8HFZf7b006825; Wed, 17 Sep 2003 11:35:41 -0400 (EDT) Date: Wed, 17 Sep 2003 11:35:41 -0400 (EDT) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B01380E56@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Talk Like a Pirate Day MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Sep 2003 11:35:41 -0400 (EDT) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Talk Like a Pirate Day X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Avast!! This Friday, September 19th, is (and I'm not making this up) Talk Like a Pirate Day. Sure, some smart-ass guys made this up because they thought it would be fun, but now they have a website and have been interviewed on National Public Radio, so the holiday must be legit. And besides, we, the Inner Brotherhood, have a sacred responsibility - may I even invoke the D word - a *duty* to promote things piratical. The website has helpful instructions on how to get into the spirit of the day. And it's fun. So I suggest that we sip some sherry and talk like Pirates of Penzance on the 19th. Aaarrr! www.talklikeapirate.com Pirate Leta Aspen Hill, Maryland "Carelessness, stupidity, haste, and ignorance are quite as powerfully destructive forces as homicidal intent." Professor Vorthys, 'Komarr' Lois McMaster Bujold  1,, Summary-line: 17-Sep to: ahumez@TheWorld.com [24] #Re: video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 15:59:19 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8HJxDi5017153; Wed, 17 Sep 2003 15:59:13 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8HJtYOM020325; Wed, 17 Sep 2003 15:55:37 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h8HJreMJ007218; Wed, 17 Sep 2003 15:53:40 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3) id PAA04604; Wed, 17 Sep 2003 15:53:40 -0400 (EDT) Date: Wed, 17 Sep 2003 15:53:40 -0400 (EDT) Message-Id: <200309171953.PAA04604@multics.mit.edu> From: "David C. Jedlinsky" To: ahumez@TheWorld.com In-reply-to: <200309091325.JAA15921434@shell.TheWorld.com> (message from Andrea L Humez on Tue, 09 Sep 2003 09:25:41 -0400) Subject: Re: video editing References: <200309091325.JAA15921434@shell.TheWorld.com> X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Sep 2003 15:53:40 -0400 (EDT) From: "David C. Jedlinsky" To: ahumez@TheWorld.com In-reply-to: <200309091325.JAA15921434@shell.TheWorld.com> (message from Andrea L Humez on Tue, 09 Sep 2003 09:25:41 -0400) Subject: Re: video editing X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Andrea. I can do the Hapgood video in October, if that's ok. Do you have any artwork, etc., which can be used for titles/credits? Or do you just want a rough-cut edit? If you give me something electronic, at 960x720 resolution ideally (though as low as 640x480 will work, and just be a little more grainy), I can just stick them on the start of the tape at no charge. -Dave  1,, Summary-line: 17-Sep rcreif@MIT.EDU [25] #Silly me X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 16:28:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8HKS8i5004165; Wed, 17 Sep 2003 16:28:08 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8HKPnOC024923; Wed, 17 Sep 2003 16:25:49 -0400 (EDT) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8HKPmBY005903; Wed, 17 Sep 2003 16:25:48 -0400 (EDT) Received: (from rcreif@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id h8HKPn1d027360; Wed, 17 Sep 2003 16:25:49 -0400 (EDT) Message-Id: <200309172025.h8HKPn1d027360@scrubbing-bubbles.mit.edu> To: marion@leedscarroll.com, opus@MIT.EDU, J91a@cs.com Subject: Silly me Date: Wed, 17 Sep 2003 16:25:49 -0400 From: Richard C Reifsnyder X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: marion@leedscarroll.com, opus@MIT.EDU, J91a@cs.com Subject: Silly me Date: Wed, 17 Sep 2003 16:25:49 -0400 From: Richard C Reifsnyder X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Marion, Janine, and David: I figured out why no one got my "last E-mail". I saved it in order to check something in my inbox, and then never actually sent it! My apologies. Here's the complete information: I'll be in the Washington D.C. area until the 28th, at the following address: 13506 Copper Ridge Drive, Herndon, VA 20171. I'm writing separate checks for the $18 DVD to David and the $3.00 shipping to whoever has the DVD right now. $3.00 should cover a one-pound package for three-day delivery at the "Media Mail" rate (cheaper than regular parcel post) in addition to insurance for the cost of the DVD. Marion, if you have the DVD, I'll send the checks to you; I just need your zip code. Rich  1,, Summary-line: 17-Sep sharkli@zwallet.com [34] #Bruce Memorial Concert news X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 17:58:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8HLwGi5023486; Wed, 17 Sep 2003 17:58:17 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8HLw9Y7029458 for ; Wed, 17 Sep 2003 17:58:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8HLvQ7b000681; Wed, 17 Sep 2003 17:57:26 -0400 (EDT) Date: Wed, 17 Sep 2003 17:57:26 -0400 (EDT) Message-Id: <1063835499.776365.68149.zmail@web1.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Bruce Memorial Concert news X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Sep 2003 17:57:26 -0400 (EDT) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Bruce Memorial Concert news X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A memorial concert for Bruce Miller will take place at College of the Holy Cross on Saturday October 25th. It will include music by Mozart, Vaughan Williams, Sullivan. See http://bruceimiller.com/fall.html for the latest information. I've received a number of very nice e-mails from people unable to attend but wanting to make a contribution in some way. I hope they'll forgive me for replying on the list. Contact Professor Braden Mechley bmechley@holycross.edu to offer financial support, either by US$ check - see his messages on the above-mentioned web page - or if you're outside the USA you could make a PayPal donation to bimtribute@supaworld.com (that's an address I've set up specifically for this purpose) and I'll make sure it gets to the right people at Holy Cross. If you have any pictures and/or reminiscences you'd like to have added to bruceimiller.com please send them to bmechley@holycross.edu ciao Helga Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1,, Summary-line: 18-Sep marchanc@juno.com [31] #Re: D'Isny X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Sep 2003 22:58:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8I2wMi5013244; Wed, 17 Sep 2003 22:58:22 -0400 (EDT) Received: from webmail05.lax.untd.com (outbound29-sr.lax.untd.com [64.136.29.170]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8I2wLkT024358 for ; Wed, 17 Sep 2003 22:58:21 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqQqzjZmzDlX472JFCXb3NPxbuHMy/OOD/g==">; Wed, 17 Sep 2003 19:58:03 PDT Received: (from marchanc@juno.com) by webmail05.lax.untd.com (jqueuemail) id JABY7DSR; Wed, 17 Sep 2003 19:58:03 PDT Received: from [172.170.94.30] by webmail05.lax.untd.com with HTTP: Thu, 18 Sep 2003 02:57:16 GMT X-Originating-IP: [172.170.94.30] Mime-Version: 1.0 X-Original-From: "Christopher Marchant" Date: Thu, 18 Sep 2003 02:57:16 GMT To: opus@MIT.EDU Cc: rls@MIT.EDU Subject: Re: D'Isny X-Mailer: WebMail Version 2.0 Content-Type: text/plain From: Christopher Marchant Message-Id: <20030917.195803.14426.384550@webmail05.lax.untd.com> X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [172.170.94.30] X-Original-From: "Christopher Marchant" Date: Thu, 18 Sep 2003 02:57:16 GMT To: opus@MIT.EDU Cc: rls@MIT.EDU Subject: Re: D'Isny From: Christopher Marchant X-Spam-Score: 3.6 X-Spam-Level: *** (3.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sounds good! The 5th and 6th, I am staying at Disney's Port Orleans Riverside. I got a sale rate of about $85/night. :) The 7th and 8th my plans are to be at the Best Western Mayan Inn, Daytona Beach. Did you have anything in mind? Also, if you are still interested in going to EPCOT on The 6th, I have a friend in Florida that might want to join us just for the day (if you wouldn't mind). I didn't make any promises. -----Chris ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1, answered,, Summary-line: 18-Sep ahumez@TheWorld.com [23] #Re: video editing X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 09:31:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IDUSiJ003930; Thu, 18 Sep 2003 09:31:08 -0400 (EDT) Received: from TheWorld.com (pcls1.std.com [199.172.62.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8IDTqO8007713 for ; Thu, 18 Sep 2003 09:29:52 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.TheWorld.com [199.172.62.241]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h8IDTmHv003666; Thu, 18 Sep 2003 09:29:48 -0400 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id JAA14373628; Thu, 18 Sep 2003 09:29:48 -0400 (EDT) Message-Id: <200309181329.JAA14373628@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Wed, 17 Sep 2003 15:53:40 EDT." <200309171953.PAA04604@multics.mit.edu> Date: Thu, 18 Sep 2003 09:29:47 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: "David C. Jedlinsky" cc: ahumez@TheWorld.com, ahumez@shell.TheWorld.com Subject: Re: video editing In-reply-to: Your message of "Wed, 17 Sep 2003 15:53:40 EDT." <200309171953.PAA04604@multics.mit.edu> Date: Thu, 18 Sep 2003 09:29:47 -0400 From: Andrea L Humez X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) That would be great. How/when should I get the stuff (including the drive we borrowed from you folks) to you? As far as titles/credits go, they'd be nice, but since part of the editing issue is the uncut version is about 5 minutes longer than a standard tape, it may turn out to be easier to omit them. Thanks Andrea  1,, Summary-line: 18-Sep SSilvers@sskfny.com [22] #G&S Archive question; MIDIs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 10:46:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IEi1ij008521; Thu, 18 Sep 2003 10:46:15 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8IEfH9r013823 for ; Thu, 18 Sep 2003 10:41:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8IEeZTJ000479; Thu, 18 Sep 2003 10:40:35 -0400 (EDT) Date: Thu, 18 Sep 2003 10:40:35 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: G&S Archive question; MIDIs Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Sep 2003 10:40:35 -0400 (EDT) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: G&S Archive question; MIDIs Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I noticed that the Arthur Sullivan Archive has some resources that SavoyNet lacks. Could Jim possibly add links to the materials there? For instance, there are complete midi files for The Martyr of Antioch, which we do not have in the G&S Archive. See http://www.arthursullivan.net/index.html Also, I have long been disappointed by some of the MIDI files on the G&S archive that have errors like missing intros, playouts, missing measures between verses, even wrong notes, wrong rhythms (dotted or otherwise), missing harmony lines and so forth. Isn't there some way that we can have some of our musical experts each review the MIDI files for one or two operas on the G&S archive and suggest to Jim which ones have such serious errors? I know that last time I made this suggestion, some sensitive and defensive people objected that I was criticizing their babies. But wrong is wrong, and any of you who contribute accurate midis to the Archive should want the ones with errors removed, or at the very least, identified, so that accurate ones can be sought to replace them. Sam (donning flameproof suit and ducking for cover)  1,, Summary-line: 18-Sep to: savoynet@bridgewater. [66] #Re: G&S hurricanes... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 12:26:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IGQ3i5006763; Thu, 18 Sep 2003 12:26:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8IGQ0kN015777 for ; Thu, 18 Sep 2003 12:26:02 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8IGPUTJ015065; Thu, 18 Sep 2003 12:25:30 -0400 (EDT) Date: Thu, 18 Sep 2003 12:25:30 -0400 (EDT) Message-Id: <200309181611.MAA22670@multics.mit.edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: G&S hurricanes... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Sep 2003 12:25:30 -0400 (EDT) Reply-To: opus@MIT.EDU Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David C. Jedlinsky" To: Multiple recipients of list SAVOYNET Subject: Re: G&S hurricanes... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If you discount the spelling, there was a Hurricane Frederic/Fredrick in 1979 that hit Florida. Also, Hurricane Josephine keeps coming up, but so far hasn't hit land (though Tropical Storm Josephine did so in 1996). Don't forget Hurricane Gilbert that hit Cozumel in 1988. Granted, that's not a character, but it's probably just as relevant. Since hurricanes are given a first name, I doubt we'll ever see a Hurricane Sullivan, though there have been four Tropical Storm Arthurs (1984, 1990, 1996 and 2002). 1990 was a memorable year for G&S-related names, with TS Arthur and Marco, and Hurricanes Isidore and Josephine. A similar repeat occurred in 1996, as most names are on a six-year cycle, unless they are retired. And to complete the trivia, here are all the other past named storms (tropical or hurricane) with some sort of tie to our "friends": Arthur, Blanche, Caroline, Celia, Chloe (okay, that's a stretch), Diana, Edith, Ella, Frederic, George, Gilbert, Hannah, Inez, Isabel, Isidore, Jenny (a real stretch), Josephine, Kate, King, Lisa, Luis, and Marco. Potential future names include Richard, Rose and Wilfred. -Dave "Let's talk about the weather" Jedlinsky opus@mit.edu Milford, New Hampshire, USA >Date: Thu, 18 Sep 2003 11:06:52 -0400 (EDT) >From: Andi > >--- Leonard Pinsker wrote: >, PA USA >> standing by on hurricane warning...Isabel, how's that for >> weird...? >> Don't recall another hurricane having the same name as a G&S >> character... >> > >Just in this year's list, we have not only Isabel but Kate and >Rose. And the list for 2004 will include Lisa and Richard. > >They're there, Leonard; we just haven't been hit by one of our >"friends" before! > > >===== >Andi Stryker-Rodda >New York City/New Jersey USA  1, answered,, Summary-line: 18-Sep ikkiwilloughby@hotmail.co [93] #Re: G&S hurricanes... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 15:04:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IJ1vib000245; Thu, 18 Sep 2003 15:04:09 -0400 (EDT) Received: from hotmail.com (law11-f20.law11.hotmail.com [64.4.17.20]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8IJ1TMT012003 for ; Thu, 18 Sep 2003 15:01:29 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Thu, 18 Sep 2003 12:01:28 -0700 Received: from 209.87.90.97 by lw11fd.law11.hotmail.msn.com with HTTP; Thu, 18 Sep 2003 19:01:28 GMT X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@MIT.EDU Subject: Re: G&S hurricanes... Date: Thu, 18 Sep 2003 15:01:28 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 18 Sep 2003 19:01:28.0820 (UTC) FILETIME=[4416D340:01C37E17] X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@MIT.EDU Subject: Re: G&S hurricanes... Date: Thu, 18 Sep 2003 15:01:28 -0400 X-OriginalArrivalTime: 18 Sep 2003 19:01:28.0820 (UTC) FILETIME=[4416D340:01C37E17] X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey David: Good Lord, where did you GET all this information? You are a walking hurricane source you are. Hope all is well up north. I work in Darien, CT and I think it will miss us, but they are sending people home early in NY, especially those that live in New Jersey.... Have a nice rest of the day and thanks for all this bountiful information. I did not know any of it. Do you teach at MIT, do you know Rebecca (I think she's from Cambridge)? See ya soon, Vikki Willoughby ('dainty and tasty Lisa at Rockville') >From: "David C. Jedlinsky" >Reply-To: opus@MIT.EDU >To: Multiple recipients of list SAVOYNET >Subject: Re: G&S hurricanes... >Date: Thu, 18 Sep 2003 12:25:01 -0400 (EDT) > >If you discount the spelling, there was a Hurricane Frederic/Fredrick >in 1979 that hit Florida. Also, Hurricane Josephine keeps coming up, >but so far hasn't hit land (though Tropical Storm Josephine did so in >1996). > >Don't forget Hurricane Gilbert that hit Cozumel in 1988. Granted, >that's not a character, but it's probably just as relevant. Since >hurricanes are given a first name, I doubt we'll ever see a Hurricane >Sullivan, though there have been four Tropical Storm Arthurs (1984, >1990, 1996 and 2002). 1990 was a memorable year for G&S-related >names, with TS Arthur and Marco, and Hurricanes Isidore and Josephine. >A similar repeat occurred in 1996, as most names are on a six-year >cycle, unless they are retired. > >And to complete the trivia, here are all the other past named storms >(tropical or hurricane) with some sort of tie to our "friends": > >Arthur, Blanche, Caroline, Celia, Chloe (okay, that's a stretch), >Diana, Edith, Ella, Frederic, George, Gilbert, Hannah, Inez, Isabel, >Isidore, Jenny (a real stretch), Josephine, Kate, King, Lisa, Luis, >and Marco. > >Potential future names include Richard, Rose and Wilfred. > >-Dave "Let's talk about the weather" Jedlinsky >opus@mit.edu >Milford, New Hampshire, USA > > > >Date: Thu, 18 Sep 2003 11:06:52 -0400 (EDT) > >From: Andi > > > >--- Leonard Pinsker wrote: > >, PA USA > >> standing by on hurricane warning...Isabel, how's that for > >> weird...? > >> Don't recall another hurricane having the same name as a G&S > >> character... > >> > > > >Just in this year's list, we have not only Isabel but Kate and > >Rose. And the list for 2004 will include Lisa and Richard. > > > >They're there, Leonard; we just haven't been hit by one of our > >"friends" before! > > > > > >===== > >Andi Stryker-Rodda > >New York City/New Jersey USA > _________________________________________________________________ Fast, faster, fastest: Upgrade to Cable or DSL today! https://broadband.msn.com  1,, Summary-line: 18-Sep carolyn@steele.mgh.harvar [17] #new cell phone numbers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 17:08:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IL8Ci5005085; Thu, 18 Sep 2003 17:08:12 -0400 (EDT) Received: from steele.mgh.harvard.edu (steele.mgh.harvard.edu [132.183.110.30]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8IL7OTA020066 for ; Thu, 18 Sep 2003 17:07:24 -0400 (EDT) Received: from pcp108785pcs.mgh.harvard.edu [132.183.110.229] by steele.mgh.harvard.edu (AppleMailServer 10.2.3.0) id 221425 via TCP with SMTP; Thu, 18 Sep 2003 17:07:24 -0400 Mime-Version: 1.0 Message-Id: Date: Thu, 18 Sep 2003 17:07:19 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: new cell phone numbers Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Sep 2003 17:07:19 -0400 To: dinner@mit.edu From: Carolyn Smith Subject: new cell phone numbers X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jason and I have finally gotten our acts together and now have local cell phones. It only took us 4 months! 774-766-2539 (cyn) 774-766-2391 (jason) --cyn  1,, Summary-line: 18-Sep paul@pnhmrk.freeserve.co. [81] #Re: G&S Archive updates; MIDIs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 17:42:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8ILgei5008550; Thu, 18 Sep 2003 17:42:40 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8ILgc2Z002215 for ; Thu, 18 Sep 2003 17:42:39 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8ILgHTJ013578; Thu, 18 Sep 2003 17:42:17 -0400 (EDT) Date: Thu, 18 Sep 2003 17:42:17 -0400 (EDT) Message-Id: <000b01c37e2b$59e9e4a0$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: G&S Archive updates; MIDIs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Sep 2003 17:42:17 -0400 (EDT) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: G&S Archive updates; MIDIs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In response to some of the recent postings regarding the quality of midi files on the Gilbert and Sullivan Archive, I offer the following observations: 1. Some of the midi files were created a considerable time ago (in computer years) and this could be the reason why they now seem inadequate. 2. Many do have errors in them - my own are not free from errors - but that seems to me to be in the nature of things. There are many published scores which people pay good money for which contain errors. I am sure many performers make mistakes in performance. One of the advantages of material being made available on the Internet is that errors can be corrected relatively easily. Philip Sternenberg pointed out to me the other day that I had inadvertently inserted page 81 into my Martyr of Antioch score twice and omitted page 82. I was pleased he did so, and the matter was put right within hours. 3. People must not take offence if someone else points out that one of their files contains an error. I fear I have offended one Savoynetter when I queried some of the notes in one of his midi files. I tried to do so tactfully. I have not heard from the Savoynetter since, so perhaps I was not as tactful as I thought I was. If so, I apologise. 4. Stan Silvers made the point that some of the files have missing introductions, missing parts or wrong notes. It would be helpful if people would point out these deficiencies when they come across them - and even better if they were willing and able to help put matters right. 5. I take Robert Steinberg's point that creating a midi file takes a long time to do well. (I would be the last person to suggest that any files I have sequenced come near to the quality of his midi orchestrations.) But sometimes a less than perfect file is better than no file at all. I would compare the midi files on the Archive with, say, a record company's catalogue. Some of their releases might be excellent whilst others barely acceptable. 5. I have stated several times in this forum that the materials on my little "Arthur Sullivan Archive" would be made available to the Gilbert and Sullivan Archive should the curator wish it. With Jim's permission, I am undertaking the task of going through the files relating to Sullivan's non-Gilbert works and gradually my files will be added to those already in the G&S Archive. 6. Jim performs a Herculean task as curator of the G&S Archive, and all who love Gilbert and Sullivan, not just the subscribers to Savoynet, owe him an enormous debt of gratitude. We all saw how the Archive stagnated last year. The task of updating and overhauling the Gilbert and Sullivan Archive is enormous. I'm sure Jim would welcome offers of help. Paul Howarth York Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 18-Sep marion@leedscarroll.com [50] #Re: Silly me X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 18:09:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8IM9Oi5006490; Thu, 18 Sep 2003 18:09:24 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8IM9N2Z015446 for ; Thu, 18 Sep 2003 18:09:24 -0400 (EDT) Received: (qmail 27530 invoked from network); 18 Sep 2003 22:09:23 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 18 Sep 2003 22:09:23 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 18 Sep 2003 22:09:23 -0000 Message-Id: <5.1.0.14.2.20030918180435.020a6e10@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Thu, 18 Sep 2003 18:09:18 -0400 To: Richard C Reifsnyder , opus@MIT.EDU, J91a@cs.com From: Marion Leeds Carroll Subject: Re: Silly me In-Reply-To: <200309172025.h8HKPn1d027360@scrubbing-bubbles.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Thu, 18 Sep 2003 18:09:18 -0400 To: Richard C Reifsnyder , opus@MIT.EDU, J91a@cs.com From: Marion Leeds Carroll Subject: Re: Silly me In-Reply-To: <200309172025.h8HKPn1d027360@scrubbing-bubbles.mit.edu> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, Rich - sorry for the delayed reply; life is frantic. I mailed the DVD this afternoon, with insurance, for $2.72, plus the price of a padded envelope: 1.29. My zip code is 02474. Why DC? - Marion At 04:25 PM 9/17/2003 -0400, Richard C Reifsnyder wrote: >Marion, Janine, and David: > >I figured out why no one got my "last E-mail". I saved it in order to >check something in my inbox, and then never actually sent it! My >apologies. Here's the complete information: > >I'll be in the Washington D.C. area until the 28th, at the following >address: 13506 Copper Ridge Drive, Herndon, VA 20171. I'm writing >separate checks for the $18 DVD to David and the $3.00 shipping to >whoever has the DVD right now. $3.00 should cover a one-pound package >for three-day delivery at the "Media Mail" rate (cheaper than regular >parcel post) in addition to insurance for the cost of the DVD. >Marion, if you have the DVD, I'll send the checks to you; I just need >your zip code. > >Rich Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 18-Sep MusikDrama@aol.com [44] #Orchestral parts needed for original Ruddigore overture X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Sep 2003 21:02:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8J12ji5011055; Thu, 18 Sep 2003 21:02:45 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8J12imm021565 for ; Thu, 18 Sep 2003 21:02:44 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8J12STJ015475; Thu, 18 Sep 2003 21:02:28 -0400 (EDT) Date: Thu, 18 Sep 2003 21:02:28 -0400 (EDT) Message-Id: <7e.3e4a0e6c.2c9baeeb@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Orchestral parts needed for original Ruddigore overture MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Sep 2003 21:02:28 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Orchestral parts needed for original Ruddigore overture X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am forwarding the following request for assistance from Tom Dawkins, a former Savoynetter currently who is currently signed off. If anyone can help him, please respond privately to the address given below. Steve Lichtenstein * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Forwarded message: Collected Wisdom, I am currently the orchestral conductor for the MIT Gilbert & Sullivan Players production of Ruddigore. I would like to use the original overture, rather than the Toye overture from the revival. I have not been able to find orchestral parts for it other than the Oxford hire parts, which we cannot afford. I know that the company did the original overture at some point in the not-too-distant past, so the parts must exist somewhere, or else the last conductor copied them out or distributed full scores. If anyone knows where they can be had, or even has a set themselves that could be copied, please let me know. Private replies to ThomasBDawkins@aol.com Thomas Dawkins Orchestral Director MITG&SP ThomasBDawkins@aol.com  1,, Summary-line: 19-Sep das@math.duke.edu [51] #Re: G&S hurricanes... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Sep 2003 13:44:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8JHiVi5021087; Fri, 19 Sep 2003 13:44:31 -0400 (EDT) Received: from math.duke.edu (augustus.math.duke.edu [152.3.25.8]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8JHiUuJ029323 for ; Fri, 19 Sep 2003 13:44:30 -0400 (EDT) Received: from polya.wireless.duke.edu (cauchy [152.3.25.151]) by math.duke.edu (8.11.6/8.11.6) with SMTP id h8JHiTA14262; Fri, 19 Sep 2003 13:44:29 -0400 From: "David A. Smith" Reply-To: das@math.duke.edu To: opus@MIT.EDU Cc: Multiple recipients of list SAVOYNET Subject: Re: G&S hurricanes... In-Reply-To: <200309181946.PAA25523@multics.mit.edu> Message-ID: Date: Fri, 19 Sep 2003 13:44:29 -0400 (Eastern Daylight Time) Priority: NORMAL X-Mailer: Simeon for Win32 Version 4.1.5 Build (43) X-Authentication: none MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "David A. Smith" Reply-To: das@math.duke.edu To: opus@MIT.EDU Cc: Multiple recipients of list SAVOYNET Subject: Re: G&S hurricanes... In-Reply-To: <200309181946.PAA25523@multics.mit.edu> Date: Fri, 19 Sep 2003 13:44:29 -0400 (Eastern Daylight Time) Priority: NORMAL X-Authentication: none X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thu, 18 Sep 2003 15:58:25 -0400 (EDT) "David C. Jedlinsky" wrote: > I hope David Smith will let us know how he's doing. Durham's not on > the coast, but the storm is affecting people pretty far inland. Thanks for asking -- I couldn't respond (or read) yesterday, and we still have no power at our house, but today I could get to the Duke campus where I can get online. (Duke has emergency generators and never loses power.) Our area had what seemed like only modest winds (gusts to perhaps 40 MPH) and not even as much rain as we expected -- but we have a lot of trees, many weakened by last winter's ice storms, so there are widespread power outages. The repair crews couldn't go out while the storm was in progress, so they are just now sizing up the situation and deciding where to start. We're more concerned about our children and their families -- two of which are east of us -- all without power and some without water. We can reach them by phone, they're not trapped by fallen trees or flood waters, and they're resourceful, so we're not overly concerned. I know many s'netters north of us were in a more direct path of Isabel. Hope everyone is OK. David ---------------------- David A. Smith Editor, Journal of Online Mathematics and its Applications e-mail: das@math.duke.edu Personal site: http://www.math.duke.edu/~das JOMA site: http://www.joma.org/ Voice: 919-489-5515 Fax: 919-660-2821 Snail mail: 1408 Shepherd St., Durham, NC 27707 Box 90320, Durham NC 27708-0320  1,, Summary-line: 19-Sep rls@dimins.com [32] #Re: Car stuff X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Sep 2003 14:00:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8JI03i5010690; Fri, 19 Sep 2003 14:00:03 -0400 (EDT) Received: from dimins.com (wks66.micrologic.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8JI02uJ007865 for ; Fri, 19 Sep 2003 14:00:02 -0400 (EDT) Received: from dimins.com ([::ffff:204.215.187.44]) by dimins.com with esmtp; Fri, 19 Sep 2003 13:56:45 -0400 Date: Fri, 19 Sep 2003 13:59:31 -0400 Subject: Re: Car stuff Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200309190234.WAA01114@multics.mit.edu> Message-Id: <04DE20EC-EACB-11D7-A73F-003065AFF06A@dimins.com> X-Mailer: Apple Mail (2.552) X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Sep 2003 13:59:31 -0400 Subject: Re: Car stuff From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200309190234.WAA01114@multics.mit.edu> X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) by the way, I called Hertz. $152 with all taxes. We'll keep the Alamo res. unless you have a problem with it. I sent all res. info to you and to me so it's all in one place. Ruth On Thursday, September 18, 2003, at 10:34 PM, David C. Jedlinsky wrote: > > Southwest flight 950 arrives MCO 11:40PM 11/5. > Drop off 5:30PM 11/8. > > Alamo: > Quicksilver ID: FB2BEMV7D > 3 days @ 27.71/day = $105.48 w/taxes > Disney Rate Code "BY", Promo ID: 299044 > 2nd driver included > > Hertz: > 3 days = $106.67, but unknown if taxes or not. > AAA code 036  1,, Summary-line: 19-Sep nbozard@MIT.EDU [28] #MITG&SP seeks set crew! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Sep 2003 14:00:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8JI0ci5011062; Fri, 19 Sep 2003 14:00:38 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8JHxedX020814; Fri, 19 Sep 2003 14:00:33 -0400 (EDT) Received: from [18.85.22.201] (dhcp-admin-201.media.mit.edu [18.85.22.201]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8JHvrBZ028253; Fri, 19 Sep 2003 13:57:53 -0400 (EDT) Mime-Version: 1.0 Message-Id: Date: Fri, 19 Sep 2003 13:57:52 -0400 To: gsp-sets@mit.edu, gsp-tech@mit.edu From: Nick Bozard Subject: MITG&SP seeks set crew! Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Sep 2003 13:57:52 -0400 To: gsp-sets@mit.edu, gsp-tech@mit.edu From: Nick Bozard Subject: MITG&SP seeks set crew! X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) MITG&SP is currently seeking set crew for Ruddigore! Beginning this weekend, set builds will typically be on Sundays from noon until we stop (probably 6pm or so), and one variable weeknight during the week. Rather than continuously advertising builds on these lists, I'm creating a separate set build announcement list for this show. Let me know if you want to be on it, or just show up when you have time. There's quite a lot of stuff to do, and the help is always appreciated! I hope you'll be joining us! Nick Bozard Master Carpenter  1,, Summary-line: 21-Sep andi_s_r@yahoo.com [87] #Toronto 2004: Copy of Ori's original post X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 21 Sep 2003 10:03:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8LE3hi5000620; Sun, 21 Sep 2003 10:03:43 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8LE3gZF007617 for ; Sun, 21 Sep 2003 10:03:42 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8LE3JTJ009418; Sun, 21 Sep 2003 10:03:19 -0400 (EDT) Date: Sun, 21 Sep 2003 10:03:19 -0400 (EDT) Message-Id: <20030921140005.71434.qmail@web10808.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Toronto 2004: Copy of Ori's original post MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 21 Sep 2003 10:03:19 -0400 (EDT) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Toronto 2004: Copy of Ori's original post X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Toronto G&S Singout Committee is proud to announce Son of Singout which will be held August 20-22, 2004 in Toronto, Ontario. Following the huge success of the T2K Singout, Eh? held in August 2000, we were encouraged by many to stage a "return engagement" of what has become a great way for G&S fans to meet and share their love of these great operas. Though there are many details yet to be decided, we can tell you now that Son of Singout will be even better than the first, with some surprises in store! Details will be released in due course. To confirm that we have your current e-mail address, or to be added to our e-mail distribution list, please send a message to: torontosingout2004@sympatico.ca and you will receive future updates. Please include your name and postal address, so we can mail the printed brochure and registration form. A phone number would also be appreciated. Plan now for an exciting weekend of Gilbert & Sullivan in Toronto! PLEASE NOTE: Concern about the SARS virus has put an unfortunate spotlight on Toronto in recent months. We take this concern very seriously and are prepared to answer any questions regarding the perceived dangers and risks of exposure. It is very important to us that all potential attendees are properly informed about the facts and myths of this disease. Please address queries to: ori.siegel@sympatico.ca We look forward to greeting you in Toronto in August 2004. ***Please pass this announcement along to the editors of G&S newsletters for publication.*** cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 21-Sep ulahlica@yahoo.com [44] #Bab Ballad Chess X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 21 Sep 2003 20:06:39 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8M063iB015189; Sun, 21 Sep 2003 20:06:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8M03JCJ029656 for ; Sun, 21 Sep 2003 20:03:20 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8M02gTJ003977; Sun, 21 Sep 2003 20:02:43 -0400 (EDT) Date: Sun, 21 Sep 2003 20:02:43 -0400 (EDT) Message-Id: <20030921235744.31609.qmail@web60203.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Bab Ballad Chess MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 21 Sep 2003 20:02:43 -0400 (EDT) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Bab Ballad Chess X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I took one more stab at the G&S Chess Board. I thought a set would look cute based on the Bab Ballad Drawings. I had to cheat a little though. I couldn't find all the characters I wanted and it was already taking a year and a day just to throw together a prototype. I doubled up the King's and Queen's figures and used Josephine for Queen Casilda. (That's King Paramount next to her - I didn't redraw any of the foggy characters.) I got the Fairy Queen off her knees. For those of you who know the Bab Drawings well, maybe you can spot the one item I added to one of the characters. This was just a warm-up though. I've always wanted to invent my own chess game with its own "moves." I think the G&S characters will work for this. If I get this going and put it on-line, maybe someone here will *p*l*a*y* with me. http://www.geocities.com/ulahlica/CHESS/board.html John S __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 23-Sep dankravetz@yahoo.com [48] #Talk Like A Pirate Day X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Sep 2003 00:58:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8N4wIJl003460; Tue, 23 Sep 2003 00:58:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8N4tG4e007935 for ; Tue, 23 Sep 2003 00:55:16 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8N4svTJ005281; Tue, 23 Sep 2003 00:54:58 -0400 (EDT) Date: Tue, 23 Sep 2003 00:54:57 -0400 (EDT) Message-Id: <20030923044752.9917.qmail@web12708.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Talk Like A Pirate Day MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 23 Sep 2003 00:54:57 -0400 (EDT) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Talk Like A Pirate Day X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.5 X-Spam-Level: ** (2.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We recently discussed the above observance, but I don't recall anyone pointing out that Gilbert had his Penzance pirates speak and sing quite differently from the type of expression celebrated on the day in question (what do you expect from guys who drink sherry out of glasses?). There is an illustration of the difference in a novelty song recorded about 10 to 15 years ago by country-music artist Ray Stevens, who specializes in comic tunes accompanied by absurd dialogue, making three-to-five-minute mini-musical comedies for the record- and video-buying public. It is called "The Pirate Song" and the full text can be found at: http://www.raystevens.com/SongLyrics/PirateSongLyrics.html It is copyrighted material, but available for free reading at the above address. The piece is a dialogue between a rough-sounding pirate captain and one of his band, identified as "Twit" (both played by Stevens). All the lines are spoken, except for the refrain "I want to sing and dance...," which is sung by Twit in an effete voice to a tune reminiscent of "The Hokey Pokey." Dan Kravetz Gilbert & Sullivan Society of New York __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com  1,, Summary-line: 23-Sep marion@leedscarroll.com [64] #Re: Silly me X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Sep 2003 08:39:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8NCcnJp015341; Tue, 23 Sep 2003 08:39:29 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8NCc5la001878 for ; Tue, 23 Sep 2003 08:38:06 -0400 (EDT) Received: (qmail 12476 invoked from network); 23 Sep 2003 12:38:05 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 23 Sep 2003 12:38:05 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 23 Sep 2003 12:38:05 -0000 Message-Id: <5.1.0.14.2.20030923083444.020c2400@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 23 Sep 2003 08:38:00 -0400 To: Richard C Reifsnyder From: Marion Leeds Carroll Subject: Re: Silly me Cc: opus@MIT.EDU, J91a@cs.com In-Reply-To: <200309200204.h8K24G73003027@mass-toolpike.mit.edu> References: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Tue, 23 Sep 2003 08:38:00 -0400 To: Richard C Reifsnyder From: Marion Leeds Carroll Subject: Re: Silly me Cc: opus@MIT.EDU, J91a@cs.com In-Reply-To: <200309200204.h8K24G73003027@mass-toolpike.mit.edu> X-Spam-Score: -1.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, Rich - thanks, I got the checks, (Dave, I'll send yours on as soon as I have a moment to breathe!) and I assume you got the DVD! I hope you do more MITCP stuff when you return to NE, but who knows who will be directing/performing next year? - it's been a pretty transient company lately... - Marion At 10:04 PM 9/19/2003 -0400, you wrote: > > Hi, Rich - sorry for the delayed reply; life is frantic. > > > > I mailed the DVD this afternoon, with insurance, for $2.72, plus the price > > of a padded envelope: 1.29. > > > > My zip code is 02474. > > > > Why DC? > >Darn it! Forgot the price of the padded envelope. > >I have a problem with oversleeping until the mail carrier has left, so >I'll send the check out tomorrow and it should get to you by Monday or >Tuesday. > >I was in the D.C. area for a summer internship at Orbital Sciences >Corporation. I'm still in the D.C. area because I've graduated and my >Master's degree application is for the spring (I missed the deadline >for the fall), and I was waiting to see whether I'd been accepted for >temporary employment at Orbital for the next four months. Which >reminds me: you should cash the check fairly soon after you get it, >because I may be leaving on the 27th and will probably close my >D.C. account soon afterwards. > >If I'm back in the spring, I'd love to get involved with the Community >Players again. To the extent that it doesn't conflict with my >scheduled involvement with the Shakespeare Ensemble, at least. > >Rich Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 23-Sep info@evite.com [123] #Kimmerie Jones has sent you an Evite X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Sep 2003 13:40:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8NHZeK9018256; Tue, 23 Sep 2003 13:39:56 -0400 (EDT) Received: from lax1evtmx5.citysearch.com (lax1evtwww20.citysearch.com [209.104.61.31]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8NHVxLU020460 for ; Tue, 23 Sep 2003 13:31:59 -0400 (EDT) Message-Id: <200309231731.h8NHVxLU020460@pacific-carrier-annex.mit.edu> Received: (qmail 13521 invoked from network); 23 Sep 2003 17:31:59 -0000 Received: from lax1evtwww2.prod.tmcs (HELO lax1evtmx5.citysearch.com) (192.168.61.102) by 0 with SMTP; 23 Sep 2003 17:31:59 -0000 X-Sender: kimmerie@attbi.com Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="OFTFWV" Date: Tue, 23 Sep 2003 17:31:53 -0700 To: opus@mit.edu From: "Kimmerie Jones" Reply-To: "Kimmerie Jones" Subject: Kimmerie Jones has sent you an Evite X-Spam-Score: -6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: kimmerie@attbi.com Date: Tue, 23 Sep 2003 17:31:53 -0700 To: opus@mit.edu From: "Kimmerie Jones" Reply-To: "Kimmerie Jones" Subject: Kimmerie Jones has sent you an Evite X-Spam-Score: -6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --OFTFWV Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Kimmerie Jones has invited you to "The Business of Fire". 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--OFTFWV--  1,, Summary-line: 23-Sep ikkiwilloughby@hotmail.co [158] #Re: G&S hurricanes... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Sep 2003 16:35:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8NKYWJn019376; Tue, 23 Sep 2003 16:35:19 -0400 (EDT) Received: from hotmail.com (law11-f87.law11.hotmail.com [64.4.17.87]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8NKO6RL000882 for ; Tue, 23 Sep 2003 16:24:06 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Tue, 23 Sep 2003 13:24:05 -0700 Received: from 209.87.90.97 by lw11fd.law11.hotmail.msn.com with HTTP; Tue, 23 Sep 2003 20:24:03 GMT X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: G&S hurricanes... Date: Tue, 23 Sep 2003 16:24:03 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 23 Sep 2003 20:24:05.0853 (UTC) FILETIME=[A2C6C8D0:01C38210] X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: G&S hurricanes... Date: Tue, 23 Sep 2003 16:24:03 -0400 X-OriginalArrivalTime: 23 Sep 2003 20:24:05.0853 (UTC) FILETIME=[A2C6C8D0:01C38210] X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Howdy: I actually drafted a reply and then could not FIND it. Then it was too old to send. Sometimes I don't know what is wrong with me. Well, we were missed by Isabel and it's a darn good thing. You were correct, it skirted toward the West heading for (of all places) Buffalo. Then onto Canada where all weather must die. We have had more rain in this neck of the woods over 2002/03 than I care to recount. Every weekend just about this summer. Bummer. I am truly sorry your name will never again grace a hurricane. It would have been extra fun for you to trace on google and the news, the never ending CNN. Have a nice, calm day. See at the next QWERT (and I hope someone hosts one before Toronto. I might even spring for airfare to travel across the pond for a QWERT, I think I am ready.) Take care, Vikki (no one ever spells it that way) >From: "David C. Jedlinsky" >To: vikkiwilloughby@hotmail.com >Subject: Re: G&S hurricanes... >Date: Thu, 18 Sep 2003 15:59:20 -0400 (EDT) > >Hey, if I revealed my sources, I'd lose the mystique. :-) > >Anyway, there's not much that's hidden from Google these days. Just >takes a little legwork, and an intimate knowledge of every character's >name from all the G&S operas. That, and a morbid fascination with >hurricanes, starting with Hurricane David, which caused significant >damage all the way from the Caribbean to New England in 1979. Alas, >the name will never again be used, due to the amount of damage it did. >I've been through a few, and was actually disappointed that I was in >Switzerland when Hurricane Bob hit my house (in MA, not Switzerland!). > >Keep an eye out in 2008; if it's an especially active season, we may >get Hurricane Vicky (yes, I know the spelling's not right)! > >I don't think there's much for us (you, me and the NY group of >savoyards) to worry about from Isabel. Famous last words, but fairly >safe to say; it keeps heading further west everytime they update the >track. We'll get wind and rain, but not more than a typical >nor'easter. > >I don't teach; I'm an MIT alum who never left. Rebecca is currently >in Philadelphia, though she's from the MA area, and plans to come back >when she gets her PhD. > >-Dave > > > >From: "Victoria Willoughby" > >Date: Thu, 18 Sep 2003 15:01:28 -0400 > > > >Hey David: > > > > Good Lord, where did you GET all this information? You are a walking > >hurricane source you are. > > > > Hope all is well up north. I work in Darien, CT and I think it will > >miss us, but they are sending people home early in NY, especially those >that > >live in New Jersey.... > > > >Have a nice rest of the day and thanks for all this bountiful >information. > >I did not know any of it. > > > >Do you teach at MIT, do you know Rebecca (I think she's from Cambridge)? > > > >See ya soon, > >Vikki Willoughby ('dainty and tasty Lisa at Rockville') > > > > > >>From: "David C. Jedlinsky" > >>Reply-To: opus@MIT.EDU > >>To: Multiple recipients of list SAVOYNET > >>Subject: Re: G&S hurricanes... > >>Date: Thu, 18 Sep 2003 12:25:01 -0400 (EDT) > >> > >>If you discount the spelling, there was a Hurricane Frederic/Fredrick > >>in 1979 that hit Florida. Also, Hurricane Josephine keeps coming up, > >>but so far hasn't hit land (though Tropical Storm Josephine did so in > >>1996). > >> > >>Don't forget Hurricane Gilbert that hit Cozumel in 1988. Granted, > >>that's not a character, but it's probably just as relevant. Since > >>hurricanes are given a first name, I doubt we'll ever see a Hurricane > >>Sullivan, though there have been four Tropical Storm Arthurs (1984, > >>1990, 1996 and 2002). 1990 was a memorable year for G&S-related > >>names, with TS Arthur and Marco, and Hurricanes Isidore and Josephine. > >>A similar repeat occurred in 1996, as most names are on a six-year > >>cycle, unless they are retired. > >> > >>And to complete the trivia, here are all the other past named storms > >>(tropical or hurricane) with some sort of tie to our "friends": > >> > >>Arthur, Blanche, Caroline, Celia, Chloe (okay, that's a stretch), > >>Diana, Edith, Ella, Frederic, George, Gilbert, Hannah, Inez, Isabel, > >>Isidore, Jenny (a real stretch), Josephine, Kate, King, Lisa, Luis, > >>and Marco. > >> > >>Potential future names include Richard, Rose and Wilfred. > >> > >>-Dave "Let's talk about the weather" Jedlinsky > >>opus@mit.edu > >>Milford, New Hampshire, USA > >> > >> > >> >Date: Thu, 18 Sep 2003 11:06:52 -0400 (EDT) > >> >From: Andi > >> > > >> >--- Leonard Pinsker wrote: > >> >, PA USA > >> >> standing by on hurricane warning...Isabel, how's that for > >> >> weird...? > >> >> Don't recall another hurricane having the same name as a G&S > >> >> character... > >> >> > >> > > >> >Just in this year's list, we have not only Isabel but Kate and > >> >Rose. And the list for 2004 will include Lisa and Richard. > >> > > >> >They're there, Leonard; we just haven't been hit by one of our > >> >"friends" before! > >> > > >> > > >> >===== > >> >Andi Stryker-Rodda > >> >New York City/New Jersey USA > >> > > > >_________________________________________________________________ > >Fast, faster, fastest: Upgrade to Cable or DSL today! > >https://broadband.msn.com > > _________________________________________________________________ High-speed Internet access as low as $29.95/month (depending on the local service providers in your area). Click here. https://broadband.msn.com  1,, Summary-line: 24-Sep peter.crichton@savoyard.c [66] #News from G&S HQ Halifax X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Sep 2003 18:51:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8OMp7Jl016779; Wed, 24 Sep 2003 18:51:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8OMe6AT000146 for ; Wed, 24 Sep 2003 18:40:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8OMauTJ024334; Wed, 24 Sep 2003 18:37:01 -0400 (EDT) Date: Wed, 24 Sep 2003 18:36:56 -0400 (EDT) Message-Id: <000401c382e5$67a034a0$5a61fea9@VAIO> Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: News from G&S HQ Halifax MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 24 Sep 2003 18:36:56 -0400 (EDT) Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: News from G&S HQ Halifax X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been asked by Ian if I would post the following on SavoyNet for him Regards, Peter Crichton Saddleworth, England "The lights were shining late into the night in Halifax yesterday as we began to shape plans for the 11th International Gilbert and Sullivan Festival. Congratulations to Savoynetters on your success this year, and we look forward to seeing many more in the years to come. I think I can say with a certain degree of confidence, that 2004 has the makings of a really outstanding festival. We will be issuing an outline programme in our first newsletter which will be published in mid-October. >From our discussions yesterday, we unanimously agreed that a key "to do" was to establish a database of every single Gilbert and Sullivan Society that we could find, anywhere in the world. We would like your help. Does your local school perform G & S? Is there a society or societies nearby? Could you let us have contact details (preferably e-mail addresses) - and please - the more the merrier. We are delighted Houston G & S have already confirmed their participation next year. We are looking forward to finalising the Savoynet show in the next three or four weeks. And I think that all of you will agree that the Internationalism of Buxton is one of the main "plus" factors. Perhaps we have not been as efficient with our overseas databases as we should have been in the past. That has now changed. We need your responses to:- janet@gs-festival.co.uk Watch out for the next newsletter. We think we will have two or three novel announcements of things that could be happening between now and Buxton next year. If you would like to go onto our e-mail database yourself, please send us your address. Thank you in anticipation of your help. Ian G Smith Festival Director"  1, answered,, Summary-line: 24-Sep marion@leedscarroll.com [60] #Re: Video Logistics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Sep 2003 20:50:52 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8P0olJh006825; Wed, 24 Sep 2003 20:50:47 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8P0okAT024750 for ; Wed, 24 Sep 2003 20:50:46 -0400 (EDT) Received: (qmail 4057 invoked from network); 25 Sep 2003 00:50:45 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 25 Sep 2003 00:50:45 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 25 Sep 2003 00:50:45 -0000 Message-Id: <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Wed, 24 Sep 2003 20:50:40 -0400 To: J91a@cs.com, opus@mit.edu From: Marion Leeds Carroll Subject: Re: Video Logistics Cc: j.carroll@computer.org In-Reply-To: <52C05E01.7486C98E.00002B09@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Wed, 24 Sep 2003 20:50:40 -0400 To: J91a@cs.com, opus@mit.edu From: Marion Leeds Carroll Subject: Re: Video Logistics Cc: j.carroll@computer.org In-Reply-To: <52C05E01.7486C98E.00002B09@cs.com> X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 09:34 AM 9/16/2003 -0400, J91a@cs.com wrote: >Hello, > >What is the update on the logistics last night? I finally got offline and >rushed around, putting together something else. Rydia dropped me a line >to let me know that she would like to be able to pick up hers on campus >next week. > >Anybody taken care of we can cross off the list? > >Janine Hi - I'm far too busy with too many lives... I have checks to send Dave: $18 from Rich Reifsnyder (DVD) $32 from me (2 videos) $36 (Jim to cover cash from Peter & Geoff's DVDs) And I have Jim's list, with Jim, Dimie, Peter, Geoff and Todd crossed off - but I don't have checks for Dimie, Jim or Todd - Jim, are those payments taken care of? I have 3 videos (I assume they are Matt's, Dana's, & Eliz Stone's - Janine, do you have yours?) - and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why do I have 5 if there are only 4 DVDs left on the list?! - Jim, did you take yours?) Dave - I want to mail you these checks, but I don't remember your snail-mail address! Janine - what shall we do about all these videos & DVDs siting in my kitchen? -- Marion, digging out from under... Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 24-Sep j.carroll@computer.org [39] #Re: Video Logistics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Sep 2003 22:14:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8P2DwJh009207; Wed, 24 Sep 2003 22:13:58 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8P2DvSL009122 for ; Wed, 24 Sep 2003 22:13:57 -0400 (EDT) Received: from 207-172-79-160.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com ([207.172.79.160] helo=servidor) by smtp01.mrf.mail.rcn.net with smtp (Exim 3.35 #4) id 1A2Ldk-0006PY-00; Wed, 24 Sep 2003 22:13:56 -0400 Date: Wed, 24 Sep 2003 22:11:54 -0400 From: Jim Carroll To: Marion Leeds Carroll Cc: J91a@cs.com, opus@mit.edu Subject: Re: Video Logistics Message-Id: <20030924221154.7719fc62.j.carroll@computer.org> In-Reply-To: <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> References: <52C05E01.7486C98E.00002B09@cs.com> <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> Reply-To: j.carroll@computer.org X-Mailer: Sylpheed version 0.7.4 (GTK+ 1.2.10; i386-debian-linux-gnu) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 24 Sep 2003 22:11:54 -0400 From: Jim Carroll To: Marion Leeds Carroll Cc: J91a@cs.com, opus@mit.edu Subject: Re: Video Logistics In-Reply-To: <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> Reply-To: j.carroll@computer.org X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, 24 Sep 2003 20:50:40 -0400 Marion Leeds Carroll wrote: > I have checks to send Dave: > > $18 from Rich Reifsnyder (DVD) > $32 from me (2 videos) > $36 (Jim to cover cash from Peter & Geoff's DVDs) > > And I have Jim's list, with Jim, Dimie, Peter, Geoff and Todd crossed > off - but I don't have checks for Dimie, Jim or Todd - Jim, are those > payments taken care of? I paid Ruth for mine, and I have to assume that Dimie and Todd also paid her, since those names were already crossed off when she handed off the videos to me. > I have 3 videos (I assume they are Matt's, Dana's, & Eliz Stone's - > Janine, do you have yours?) > > - and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why > do I have 5 if there are only 4 DVDs left on the list?! - Jim, did you > take yours?) Yes, I did. --Jim  1,, Summary-line: 25-Sep J91a@cs.com [45] #Re: Video Logistics X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Sep 2003 09:15:28 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8PDFNJh029673; Thu, 25 Sep 2003 09:15:23 -0400 (EDT) Received: from imo-r08.mx.aol.com (imo-r08.mx.aol.com [152.163.225.104]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8PDCV40029401 for ; Thu, 25 Sep 2003 09:12:31 -0400 (EDT) Received: from J91a@cs.com by imo-r08.mx.aol.com (mail_out_v36_r1.1.) id m.1f0.104fd2f3 (15887); Thu, 25 Sep 2003 09:12:23 -0400 (EDT) Received: from cs.com (mow-d19.webmail.aol.com [205.188.139.135]) by air-id08.mx.aol.com (v96.6) with ESMTP id MAILINID82-3e0f3f72e9b6e2; Thu, 25 Sep 2003 09:12:23 -0400 Date: Thu, 25 Sep 2003 09:12:22 -0400 From: J91a@cs.com To: j.carroll@computer.org, marion@leedscarroll.com (Marion Leeds Carroll) Cc: opus@mit.edu Subject: Re: Video Logistics MIME-Version: 1.0 Message-ID: <5AB534AD.6FBE4593.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 25 Sep 2003 09:12:22 -0400 From: J91a@cs.com To: j.carroll@computer.org, marion@leedscarroll.com (Marion Leeds Carroll) Cc: opus@mit.edu Subject: Re: Video Logistics X-AOL-IP: 130.64.29.226 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Don't have mine yet. I was planning to pick mine up at the Alcestes auditions, or make arrangements to bike over to Marion's house. Janine Jim Carroll wrote: >On Wed, 24 Sep 2003 20:50:40 -0400 >Marion Leeds Carroll wrote: > >> I have checks to send Dave: >> >> $18 from Rich Reifsnyder (DVD) >> $32 from me (2 videos) >> $36 (Jim to cover cash from Peter & Geoff's DVDs) >> >> And I have Jim's list, with Jim, Dimie, Peter, Geoff and Todd crossed >> off - but I don't have checks for Dimie, Jim or Todd - Jim, are those >> payments taken care of? > >I paid Ruth for mine, and I have to assume that Dimie and Todd also paid >her, since those names were already crossed off when she handed off the >videos to me. > >> I have 3 videos (I assume they are Matt's, Dana's, &  Eliz Stone's - >> Janine, do you have yours?) >> >> - and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why >> do I have 5 if there are only 4 DVDs left on the list?! - Jim, did you >> take yours?) > >Yes, I did. > >--Jim >  1,, Summary-line: 25-Sep J91a@cs.com [66] #Re: Video Logistics X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Sep 2003 09:17:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8PDGrJj000700; Thu, 25 Sep 2003 09:17:05 -0400 (EDT) Received: from imo-d05.mx.aol.com (imo-d05.mx.aol.com [205.188.157.37]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8PDEYKd010759 for ; Thu, 25 Sep 2003 09:14:34 -0400 (EDT) Received: from J91a@cs.com by imo-d05.mx.aol.com (mail_out_v36_r1.1.) id g.1d2.117c9388 (16087); Thu, 25 Sep 2003 09:14:26 -0400 (EDT) Received: from cs.com (mow-d14.webmail.aol.com [205.188.139.130]) by air-id10.mx.aol.com (v96.6) with ESMTP id MAILINID104-3ed73f72ea3261; Thu, 25 Sep 2003 09:14:26 -0400 Date: Thu, 25 Sep 2003 09:14:26 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), opus@mit.edu Cc: j.carroll@computer.org Subject: Re: Video Logistics MIME-Version: 1.0 Message-ID: <58150313.1F00CB01.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 25 Sep 2003 09:14:26 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), opus@mit.edu Cc: j.carroll@computer.org Subject: Re: Video Logistics X-AOL-IP: 130.64.29.226 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The three videos are mine, Dana's and Elizabeth's. The extra DVD is Matt's. Janine Marion Leeds Carroll wrote: >At 09:34 AM 9/16/2003 -0400, J91a@cs.com wrote: >>Hello, >> >>What is the update on the logistics last night?  I finally got offline and >>rushed around, putting together something else.  Rydia dropped me a line >>to let me know that she would like to be able to pick up hers on campus >>next week. >> >>Anybody taken care of we can cross off the list? >> >>Janine > >Hi - I'm far too busy with too many lives... > >I have checks to send Dave: > >$18 from Rich Reifsnyder (DVD) >$32 from me (2 videos) >$36 (Jim to cover cash from Peter & Geoff's DVDs) > >And I have Jim's list, with Jim, Dimie, Peter, Geoff and Todd crossed off - >but I don't have checks for Dimie, Jim or Todd - Jim, are those payments >taken care of? > >I have 3 videos (I assume they are Matt's, Dana's, &  Eliz Stone's - >Janine, do you have yours?) > >- and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why do I >have 5 if there are only 4 DVDs left on the list?! - Jim, did you take yours?) > >Dave - I want to mail you these checks, but I don't remember your >snail-mail address! > >Janine - what shall we do about all these videos & DVDs siting in my kitchen? > >--  Marion, digging out from under... > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis.  To buy tickets in advance: contact Randi Kestin at >508/226-7760 or cupid@mit.edu > > >  1,, Summary-line: 25-Sep marion@leedscarroll.com [90] #Re: Video Logistics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 25 Sep 2003 12:01:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8PFxKK9010602; Thu, 25 Sep 2003 12:01:27 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8PFuxqF005034 for ; Thu, 25 Sep 2003 11:57:00 -0400 (EDT) Received: (qmail 15603 invoked from network); 25 Sep 2003 15:56:59 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 25 Sep 2003 15:56:59 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 25 Sep 2003 15:56:59 -0000 Message-Id: <5.1.0.14.2.20030925115556.02131ec8@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Thu, 25 Sep 2003 11:56:53 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Video Logistics In-Reply-To: <200309251522.LAA12578@multics.mit.edu> References: <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> <5.1.0.14.2.20030924203654.0200bba8@pop.leedscarroll.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Thu, 25 Sep 2003 11:56:53 -0400 To: "David C. Jedlinsky" From: Marion Leeds Carroll Subject: Re: Video Logistics In-Reply-To: <200309251522.LAA12578@multics.mit.edu> X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks, Dave - the checks are (about to go) in the mail - Marion At 11:22 AM 9/25/2003 -0400, you wrote: >Ruth gave me cash from Jim, and two checks for DVDs (I'll have to look >at home for whose names were on the checks, but you can probably >assume they were Dimie and Todd). > >My snail-mail address is 4 Foster Rd., Milford, NH 03055 > >-Dave > > > >Date: Wed, 24 Sep 2003 20:50:40 -0400 > >From: Marion Leeds Carroll > > > >At 09:34 AM 9/16/2003 -0400, J91a@cs.com wrote: > >>Hello, > >> > >>What is the update on the logistics last night? I finally got offline and > >>rushed around, putting together something else. Rydia dropped me a line > >>to let me know that she would like to be able to pick up hers on campus > >>next week. > >> > >>Anybody taken care of we can cross off the list? > >> > >>Janine > > > >Hi - I'm far too busy with too many lives... > > > >I have checks to send Dave: > > > >$18 from Rich Reifsnyder (DVD) > >$32 from me (2 videos) > >$36 (Jim to cover cash from Peter & Geoff's DVDs) > > > >And I have Jim's list, with Jim, Dimie, Peter, Geoff and Todd crossed off - > >but I don't have checks for Dimie, Jim or Todd - Jim, are those payments > >taken care of? > > > >I have 3 videos (I assume they are Matt's, Dana's, & Eliz Stone's - > >Janine, do you have yours?) > > > >- and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why do I > >have 5 if there are only 4 DVDs left on the list?! - Jim, did you take > yours?) > > > >Dave - I want to mail you these checks, but I don't remember your > >snail-mail address! > > > >Janine - what shall we do about all these videos & DVDs siting in my > kitchen? > > > >-- Marion, digging out from under... > > > >Marion Leeds Carroll > >marion@leedscarroll.com > >(781) 646-9115 > >http://www.leedscarroll.com > > > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php > >to learn about the October benefit concert for the Boston Cure Project for > >Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at > >508/226-7760 or cupid@mit.edu > > > > Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu  1,, Summary-line: 26-Sep peter@omnibus.freeserve.c [31] #=?us-ascii?Q?ADJUDICATOR'S_REPORTS?= X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Sep 2003 08:28:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8QCRYJt007609; Fri, 26 Sep 2003 08:28:18 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8QCNkkE002850 for ; Fri, 26 Sep 2003 08:23:46 -0400 (EDT) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h8QCNfoP004831; Fri, 26 Sep 2003 13:23:41 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id NAA01334 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Fri, 26 Sep 2003 13:21:56 +0100 (BST) Received: by mserv1.dl.ac.uk id NAA01315 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Fri, 26 Sep 2003 13:21:51 +0100 (BST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id NAA01308 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from peter@omnibus.freeserve.co.uk); Fri, 26 Sep 2003 13:21:48 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from heisenberg.zen.co.uk (heisenberg.zen.co.uk [212.23.8.70]) by mserv6.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h8QCLPoP004714 for ; Fri, 26 Sep 2003 13:21:25 +0100 Received: from 82-69-10-36.dsl.in-addr.zen.co.uk ([82.69.10.36] helo=VAIO) by heisenberg.zen.co.uk with esmtp (Exim 4.22) id 1A2rbB-0001pL-BZ for buxton99@dl.ac.uk; Fri, 26 Sep 2003 12:21:25 +0000 From: "Peter Crichton" To: Subject: =?us-ascii?Q?ADJUDICATOR'S_REPORTS?= Date: Fri, 26 Sep 2003 13:21:14 +0100 Message-ID: <000001c38428$b093cb60$5a61fea9@VAIO> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.2627 Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Originating-Heisenberg-IP: [82.69.10.36] Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "Peter Crichton" To: Subject: =?us-ascii?Q?ADJUDICATOR'S_REPORTS?= Date: Fri, 26 Sep 2003 13:21:14 +0100 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Originating-Heisenberg-IP: [82.69.10.36] Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 1.3 X-Spam-Level: * (1.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Utopia Aujudication is now posted at the following address:- http://www.savoyard.co.uk/Utopia_Report.htm Regards, Peter Crichton Saddleworth, England  1,, Summary-line: 26-Sep J91a@cs.com [23] #All those videos! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Sep 2003 10:15:12 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8QEF8Jh017171; Fri, 26 Sep 2003 10:15:08 -0400 (EDT) Received: from imo-r07.mx.aol.com (imo-r07.mx.aol.com [152.163.225.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8QEF7K1001293 for ; Fri, 26 Sep 2003 10:15:07 -0400 (EDT) Received: from J91a@cs.com by imo-r07.mx.aol.com (mail_out_v36_r1.1.) id g.50.228ddfe2 (15875); Fri, 26 Sep 2003 10:14:56 -0400 (EDT) Received: from cs.com (mow-d18.webmail.aol.com [205.188.139.134]) by air-id07.mx.aol.com (v96.6) with ESMTP id MAILINID72-3e033f7449e01f4; Fri, 26 Sep 2003 10:14:56 -0400 Date: Fri, 26 Sep 2003 10:14:56 -0400 From: J91a@cs.com To: marion@leedscarroll.com Cc: opus@mit.edu, j.carroll@computer.org Subject: All those videos! MIME-Version: 1.0 Message-ID: <028F0B9E.42C75030.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Sep 2003 10:14:56 -0400 From: J91a@cs.com To: marion@leedscarroll.com Cc: opus@mit.edu, j.carroll@computer.org Subject: All those videos! X-AOL-IP: 130.64.29.226 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi folks, Marion, I saw something briefly whiz by me in a forwarded or copied reply regarding checks and videos and whatnot, asking me what I should do with "all those videos" in your house. Great question! Here's what I suggest. Given that my life for the last three days has been a cyclone of non-stop details, I will be away on choir retreat this weekend and don't know if I'll be able to gather all the emails necessary to make an announcement in time, but supposing one of my old, sent messages is still in the cue, will someone be able to transport videos from Marion's house to the auditions this Monday and Tuesday? If so, let me know by this afternoon who would be able to pick them up, when, and give me a list of people who are crossed off (cause I've lost track), and I will send something out to the remaining folks letting them know what's going on. Thanks, Janine  1,, Summary-line: 28-Sep marchanc@juno.com [171] #WDW info X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 28 Sep 2003 16:13:04 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8SKCxJh021391; Sun, 28 Sep 2003 16:12:59 -0400 (EDT) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8SKCwHQ026495 for ; Sun, 28 Sep 2003 16:12:58 -0400 (EDT) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqbDYEfBy6mEj1eFatUxwh8SJFNHI401wkA==">; Sun, 28 Sep 2003 13:12:16 PDT Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JA7LB9XY; Sun, 28 Sep 2003 13:12:16 PDT To: rls@mit.edu, opus@mit.edu Date: Sun, 28 Sep 2003 15:11:20 -0500 Subject: WDW info Message-ID: <20030928.151121.2824.2.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: multipart/related; boundary=--__JNP_000_2d2a.15b6.3efd; type="multipart/alternative" From: Christopher C Marchant X-Spam-Score: 6.7 X-Spam-Level: ****** (6.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: rls@mit.edu, opus@mit.edu Date: Sun, 28 Sep 2003 15:11:20 -0500 Subject: WDW info From: Christopher C Marchant X-Spam-Score: 6.7 X-Spam-Level: ****** (6.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ----__JNP_000_2d2a.15b6.3efd Content-Type: multipart/alternative; boundary=--__JNP_000_34f4.30a8.20e4 This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ----__JNP_000_34f4.30a8.20e4 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Here is some info: Character meals: (1900 Park Fare breakfast might be good???) http://wdwig.com/cb.htm Restaurant menus: http://wdwig.com/menu/menus.htm Looks like the Friday 11/7 might be a safe day for the parks (from wdwig.com; I can't find anything on the official WDW web site): Favorite soap stars from the four ABC daytime dramas will meet their fans and participate in special activities during the eighth annual ABC Super Soap Weekend Nov. 8-9 at Disney-MGM Studios. More than 30 actors are expected from the casts of "All My Children," "General Hospital," "One Life to Live" and "Port Charles." There will be autograph sessions, special motorcades and live music. The fun is included with regular Disney-MGM Studios admission. From Disneyworld.com: Food & Wine Marketplaces Take your taste buds on a world tour at more than 25 international marketplaces. From Scandinavian sensations to Australian delights, tempt yourself at each marketplace with appetizer-sized portions from $1-$4.50. This year's marketplaces include: Australia Canada Champagne & Sparkling Wine China Cognac, Port & Brandy Colorful Eating (New) France Fresh from Florida Great Beers of the World (New) Greece Ireland Italy Japan Mexico Morocco & Mediterranean New Zealand Oktoberfest (New) Poland Russia & Eastern Europe Scandinavia South America (New) South Africa Southeast Asia Spain Specialty Beer Garden United States ---I can't remember what else I was supposed to look for??? -----Chris ----__JNP_000_34f4.30a8.20e4 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: quoted-printable
Here is some info:
 
 
Character meals:
(1900 Park Fare breakfast might be good???)
 
 
Restaurant menus:
http://wdwig.com/menu/menus.htm
 
 
Looks like the Friday 11/7 might be a safe day for the parks (= from=20 wdwig.com; I can't find anything on the official WDW web site):

Favorite=20 soap stars from the four ABC daytime dramas will meet their fans and = participate=20 in special activities during the eighth annual ABC Super Soap Weekend Nov. = 8-9=20 at Disney-MGM Studios. More than 30 actors are expected from the casts of "= All=20 My Children," "General Hospital," "One Life to Live" and "Port Charles." = There=20 will be autograph sessions, special motorcades and live music. The fun is=20 included with regular Disney-MGM Studios admission.

From Disneyworld.com:
Food &= amp; Wine=20 Marketplaces
Take your taste buds on a world tour at= more=20 than 25 international marketplaces. From Scandinavian sensations to=20 Australian delights, tempt yourself at each marketplace with=20 appetizer-sized portions from $1-$4.50. This year's marketplaces = include:=20

Australia
Canada
Champagne & Sparkling=20 Wine
China
Cognac, Port & Brandy
Colorful Eating=20 (New)
France
Fresh from Florida
Great Beers of the World=20 (New)
Greece
Ireland
Italy
Japan
Mexico
Morocco &= amp;=20 Mediterranean
New Zealand
Oktoberfest (New)
Poland
Russia= =20 & Eastern Europe
Scandinavia
South America (New)
South=20 Africa
Southeast Asia
Spain
Specialty Beer Garden
United= =20 States
 
 
---I can't remember what else I was supposed to look for???
 
-----Chris
----__JNP_000_34f4.30a8.20e4-- ----__JNP_000_2d2a.15b6.3efd Content-Type: image/gif; name="S.gif" Content-Transfer-Encoding: base64 Content-Location: http://adisneyworld.disney.go.com/media/wdw/images/S.gif R0lGODlhAQABAIAAAP///wAAACH5BAEUAAAALAAAAAABAAEAAAICRAEAOw== ----__JNP_000_2d2a.15b6.3efd--  1,, Summary-line: 28-Sep cjsmith@MIT.EDU [25] #King Richard's Faire X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 28 Sep 2003 20:04:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8T03tJh016199; Sun, 28 Sep 2003 20:03:56 -0400 (EDT) Received: from out003.verizon.net (out003pub.verizon.net [206.46.170.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8T03Jow011174 for ; Sun, 28 Sep 2003 20:03:19 -0400 (EDT) Received: from mit.edu ([141.154.58.128]) by out003.verizon.net (InterMail vM.5.01.05.33 201-253-122-126-133-20030313) with ESMTP id <20030929000318.KROQ29617.out003.verizon.net@mit.edu> for ; Sun, 28 Sep 2003 19:03:18 -0500 Date: Sun, 28 Sep 2003 20:03:18 -0400 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: King Richard's Faire From: Carolyn Smith To: dinner@mit.edu Content-Transfer-Encoding: 7bit Message-Id: <54773268-F210-11D7-9CBE-00039386D324@mit.edu> X-Mailer: Apple Mail (2.552) X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [141.154.58.128] at Sun, 28 Sep 2003 19:03:18 -0500 X-Spam-Score: -0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 28 Sep 2003 20:03:18 -0400 Subject: King Richard's Faire From: Carolyn Smith To: dinner@mit.edu X-Authentication-Info: Submitted using SMTP AUTH at out003.verizon.net from [141.154.58.128] at Sun, 28 Sep 2003 19:03:18 -0500 X-Spam-Score: -0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK, due to conflicts, the KRF trip is now October 11. The only people I know for sure are going are Dave and Ruth, with a maybe from Darlene. Please email me with definites by Thursdy so that I can buy tickets (I should actually check how far in advance I need to get them at MGH!). The Faire opens at 10:30. I was thinking we could meet at my place around 9:30 and use it as a staging area for changing (for those who want to go in garb, but dont want to drive all the way from Boston in garb). I think the gates close at 6:00PM, my apartment is again available for changing out of garb, and we could even do dinner here, though it would have to be simple (like ordering a pizza or cooking pasta). --cyn  1,, Summary-line: 29-Sep actorsingers@earthlink.ne [689] #Actorsingers Hold Boomers Information Night and Open Auditions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Sep 2003 16:39:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8TKdGJh024032; Mon, 29 Sep 2003 16:39:16 -0400 (EDT) Received: from flamingo.mail.pas.earthlink.net (flamingo.mail.pas.earthlink.net [207.217.120.232]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8TKWrUj016278 for ; Mon, 29 Sep 2003 16:32:53 -0400 (EDT) Received: from dialup-67.74.195.41.dial1.manchester1.level3.net ([67.74.195.41] helo=Computer.earthlink.net) by flamingo.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1A44ed-00076M-00; Mon, 29 Sep 2003 13:29:59 -0700 Message-Id: <6.0.0.22.2.20030929162730.01b6ad70@mail.earthlink.net> X-Sender: Actorsingers@mail.earthlink.net X-Mailer: QUALCOMM Windows Eudora Version 6.0.0.22 Date: Mon, 29 Sep 2003 16:28:31 -0400 To: actorsingers@actorsingers.org From: Actorsinger Information Subject: Actorsingers Hold Boomers Information Night and Open Auditions Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_4250906==.ALT" X-Spam-Score: 5.7 X-Spam-Level: ***** (5.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: Actorsingers@mail.earthlink.net Date: Mon, 29 Sep 2003 16:28:31 -0400 To: actorsingers@actorsingers.org From: Actorsinger Information Subject: Actorsingers Hold Boomers Information Night and Open Auditions X-Spam-Score: 5.7 X-Spam-Level: ***** (5.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_4250906==.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable The Actorsingers -- "Best Performing Arts Group" 2003 Telegraph Readers' Choice Awards Instructions for being removed from this email list are at the end of this= =20 message The Actorsingers are proud to announce an Information Night and OPEN AUDITIONS for the first-ever full staging of BOOMERS (Promises Made Not Kept) The new musical by Peter Baron To be directed and choreographed by Tony Salamone, music director Julia Oliver-Babb Information Night Friday, Oct 10 =96 7:30 PM AUDITIONS Friday, Oct 17 =96 7:00 PM Saturday, Oct 18 =96 1:00 PM CALLBACKS Sunday, Oct 19 =96 10:00 AM Location: Actorsingers' Hall, 219 Lake Street, Nashua, NH "Boomer's" will be staged February 27-29, 2004 at the Keefe Auditorium Note: Most of the following information was provided by "Boomer's" director= =20 Tony Salamone Actorsingers is a non-profit amateur community theatre group. Actorsinger=20 information nights and auditions are open to the public. You do not have to= =20 be an Actorsinger to audition for, or be cast in "Boomer's." If cast in=20 "Boomer's" you must become a dues paying member of the Actorsingers.=20 "Boomer's" is an adult Actorsingers production, unless a role requires a=20 child, the minimum age is 16. The tentative rehearsal schedule for "Boomer's" will start with a read=20 through on October 26 and continue on Sunday, Mondays and Thursdays through= =20 "Boomer's" production week, February 22 through 29 except for a Holiday=20 break between December 19 and January 3, 2004. Please be prepared to=20 indicate any potential schedule conflicts when you audition. Conflicts will= =20 not necessarily prevent you from being cast, but knowing about them will=20 prevent unpleasant surprises! The auditions, which will be conducted before an auditioning board without= =20 an audience, will consist of the standard 3 segments: singing, acting, and= =20 dancing. Although I need dancers in the show and some of the leads need to= =20 dance, dancing is the least important of the 3 segments. So please do not=20 spend half of your time and energy on learning the dance combination.=20 (PLEASE NOTE - You may never hear me say that again. Tony) CHORUS In addition to the principal characters listed, I would like a chorus of=20 about 30 =96 40 from various age groups. A number of scenes include the high= =20 school class of 1968, there is a scene at Woodstock for all you hippie=20 freaks and a wonderful scene in Kent State during the 1970 Kent State=20 Massacre. The chorus can span several age generations so all ages are=20 welcome and encouraged to audition. The chorus will be in the following=20 numbers and also sing backup for a few other numbers from offstage: Mud=20 Heroes=20 Football Players Celebrate Our=20 Generation Full Cast Da Nang, Da=20 Nang=20 Soldiers (this could include girls) Shoot =93em=20 UP=20 Full Cast Oh=20 Bakersville=20 Graduates Celebrate Our=20 Graduation Graduates Louder Than the=20 Guns=20 Groupies President=92s Plea/College=20 Chaos Full Cast Wedding =96 Disco=20 Suck=20 Full Cast Will=92s Stock Market=20 Dream Full Cast I am looking for very creative performers that know how to create=20 characters of their own rather than mimic an existing performance.=20 Therefore, I want to see unique performances in the auditions. Singing Prepare a song of your choice that you make =91your own=92 =96 since this= show is=20 new and has never been mounted as a full scale production, I am looking for= =20 performers that are creative and can work and enhance a song. I do not want= =20 cast recording performances, I want you to make it fresh and new! When=20 choosing your song it is important to pick a show that showcases your=20 voice, not just a song that you like! You will make the accompanist very=20 happy if you bring a copy of the music with you. Acting I understand that no one has read the script; it=92s new so I don=92t expect= =20 anyone to read it and actually prefer that you do not read the script. I=20 specifically picked the scenes as each one provides enough information for= =20 an actor to capture the true essence of the character even in the brief=20 segment of dialogue. A great deal of the character=92s personality is=20 portrayed on reaction rather than dialogue. Dancing There will be a short combination taught at the beginning of the audition.= =20 You do not need to wear dance attire just wear something comfortable that=20 you can move in. PLEASE NOTE: Peter Baron , "Boomer's" author, will be at Information Night= =20 and will play through the songs that I have selected for callbacks. You may= =20 want to bring a tape recorder to record the music. The music and readings for CALLBACKS, Sunday, Oct 19 =96 10:00 AM, will be: MUSIC Will Brilliant=20 Smile Louder than the Guns Aura Brilliant=20 Smile Candlelight Dinner Joey Shoot=92 em Up Jay Sean You Pulled All My= Dream Greg I Have Something= =20 to Tell You Leif My House, My= Rules Beth Beth=92s Aria READINGS Joey &=20 Will pp 27 =96= 28 * Will &=20 Aura pp 13 =96= 15** Will, Aura, Lance &=20 Beth pp 30 =96 35 Will, Aura, Jay=20 Sean pp 83 =96 85** Leif &=20 Leslie pp 16 =96= 17 Greg &=20 Marcus pp 22 - 23 * Joey is the comic character of the show and I envision him as a=20 type of =93Rich Little=94 impressionist. I see him continually changing=20 characters throughout the show and sometime within a scene. Therefore, I=20 would like to see this audition section done in a multitude of characters.= =20 Anyone interested in Joey will read this scene a few times and I envision=20 that the =93characters=94 will change each time. ** Will and Aura go through major changes throughout the show.= =20 In the beginning they are graduating from the class of 1968 with hopes and= =20 dreams of changing the world. The first reading should reflect that. As=20 life goes on and decisions and compromises have been made these characters= =20 change drastically. There should be a very obvious difference in the way=20 the two scenes are played. As you can see from the write up I am giving you a great deal of=20 information. I don't pull any punches and don't expect anyone to read my=20 mind. My goal in auditions is to find the cast that can ultimately give me= =20 what I want. I do not expect polished performances at an audition but I=20 would like to know that you put some effort into this audition and you =93ge= t=20 it=94. If you have any questions at all =96 please email me, Tony Salamone, at=20 boomersNH@aol.com and I will be happy to explain= =20 or elaborate in any way that I can. I also encourage you to attend=20 Information night since the team will be there and you can ask any=20 questions that you want there as well. To view the "Boomer's" page on the Actorsingers web site go=20 to: http://www.actorsingers.org/s2004a.htm This page may have updated information about "Boomer's" and it has links to= =20 several documents about the "Boomer's" production, including a tentative=20 schedule. To learn more about "Boomer's," the show, go to:=20 http://www.boomersthemusical.com/ This site has information about=20 "Boomer's" production history and its author, Peter Baron. If you want to know more about the Actorsingers check out the main site=20 http://www.actorsingers.org Among other information this site includes driving directions to=20 Actorsingers' Hall. If you do not wish to receive these notices of Actorsinger special events,= =20 meetings, auditions for adult shows or Actorsinger and Junior Actorsinger=20 productions please do the following. Click here mailto:remove@actorsingers.org When your email program starts=20 ADD the word REMOVE to the subject line and click SEND. We will promptly=20 remove your name from our list and add your name to our Do Not Send list.=20 Please note that if this message was forwarded to you, you need to contact= =20 the individual who sent it to you. This list is NEVER exchanged, traded or= =20 sold. --=====================_4250906==.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
The Actorsingers -- "Best Performing Arts Group"
2003 Telegraph Readers' Choice Awards

Instructions for being removed from this email list are at the end of this message

The=20 Actorsingers
are proud to announce
an
Information Night
and
OPEN AUDITIONS
for the first-ever full staging of

BOOMERS
(Promises Made Not Kept)=20
 The new musical by Peter Baron
To be directed and choreographed by Tony Salamone,
music director Julia Oliver-Babb

Information Night
Friday, Oct 10 =96 7:30 PM
AUDITIONS
Friday, Oct 17 =96 7:00 PM     Saturday, Oct 18 =96 1:00 PM
CALLBACKS
Sunday, Oct 19 =96 10:00 AM

Location: Actorsingers' Hall, 219 Lake Street, Nashua, NH

"Boomer's" will be staged February 27-29, 2004 at the Keefe Auditorium

Note: Most of the following information was provided by "Boomer's" director Tony Salamone

Actorsingers is a non-profit amateur community theatre group. Actorsinger information nights and auditions are open to the public. You do not have to be an Actorsinger to audition for, or be cast in "Boomer's."  If cast in "Boomer's" you must become a dues paying member of the Actorsingers. "Boomer's" is an adult Actorsingers production, unless a role requires a child, the minimum age is 16.

The tent= ative rehearsal schedule for "Boomer's" will start with a read through on October 26 and continue on Sunday, Mondays and Thursdays through "Boomer's" production week, February 22 through 29 except for a Holiday break between December 19 and January 3, 2004.  Please be prepared to indicate any potential schedule conflicts when you audition. Conflicts will not necessarily prevent you from being cast, but knowing about them will prevent unpleasant surprises!


The auditions, which will be conducted before an auditioning board without an audience, will consist of the standard 3 segments: singing, acting, and dancing. Although I need dancers in the show and some of the leads need to dance, dancing is the least important of the 3 segments. So please do not spend half of your time and energy on learning the dance combination. (PLEASE NOTE - You may never hear me say that again. Tony)




CHORUS

In addition to the principal characters listed, I would like a chorus of about 30 =96 40 from various age groups. A number of scenes include the high school class of 1968, there is a scene at Woodstock for all you hippie freaks and a wonderful scene in Kent State during the 1970 Kent State Massacre. The chorus can span several age generations so all ages are welcome and encouraged to audition. The chorus will be in the following numbers and also sing backup for a few other numbers from offstage:
 
            &nbs= p;           Mud Heroes           &nbs= p;            &n= bsp;            =             &nbs= p;            &n= bsp;            =    Football Players
         =        Celebrate Our Generation           =             &nbs= p;            &n= bsp;            =        Full Cast
            &nbs= p;           Da Nang, Da Nang            =             &nbs= p;            &n= bsp;            =             &nbs= p;         Soldiers (this could include girls)
            &nbs= p;   Shoot =93em UP            &n= bsp;            =             &nbs= p;            &n= bsp;            =              Full Cast
            &nbs= p;   Oh Bakersville           = ;            &nb= sp;            &= nbsp;            = ;            &nb= sp;            Graduates
            &nbs= p;   Celebrate Our Graduation           =             &nbs= p;            &n= bsp;            =        Graduates
            &nbs= p;           Louder Than the Guns            =             &nbs= p;            &n= bsp;            =                   Groupies
            &nbs= p;           President=92s Plea/College Chaos            = ;            &nb= sp;            &= nbsp;            Full Cast
            &nbs= p;           Wedding =96 Disco Suck            =             &nbs= p;            &n= bsp;            =                   Full Cast
            &nbs= p;           Will=92s Stock Market Dream            = ;            &nb= sp;            &= nbsp;            = ;     Full Cast
            &nbs= p;            &n= bsp;    
 I am looking for very creative performers that know how to create characters of their own rather than mimic an existing performance. Therefore, I want to see unique performances in the auditions.
 



Singing

Prepare a song of your choice that you make =91your own=92 =96 since this show is ne= w and has never been mounted as a full scale production, I am looking for performers that are creative and can work and enhance a song. I do not want cast recording performances, I want you to make it fresh and new! When choosing your song it is important to pick a show that showcases your voice, not just a song that you like! You will make the accompanist very happy if you bring a copy of the music with you.




Acting

I understand that no one has read the script; it=92s new so I don=92t expect anyone to read it and actually prefer that you do not read the script. I specifically picked the scenes as each one provides enough information for an actor to capture the true essence of the character even in the brief segment of dialogue. A great deal of the character=92s personality is portrayed on reaction rather than dialogue.
 



Dancing

 
There will be a short combination taught at the beginning of the audition. You do not need to wear dance attire just wear something comfortable that you can move in.
 
PLEASE NOTE: Peter Baron , "Boomer's" author, will be at Information Night and will play through the songs that I have selected for callbacks. You may want to bring a tape recorder to record the music.
The music and readings for CALLBACKS, Sunday, Oct 19 =96 10:00 AM, will be:

MUSIC
            Will            =             &nbs= p;            &n= bsp;     Brilliant Smile            = ;               =    Louder than the Guns
 
            Aura            =             &nbs= p;            &n= bsp;    Brilliant Smile            = ;              =      Candlelight Dinner
 
            Joey            =             &nbs= p;            &n= bsp;    Shoot=92 em Up
 
            Jay Sean            =             &nbs= p;         You Pulled All My Dream
 
            Greg            =             &nbs= p;            &n= bsp;    I Have Something to Tell You
 
            Leif            =             &nbs= p;            &n= bsp;     My House, My Rules
 
            Beth            =             &nbs= p;            &n= bsp;    Beth=92s Aria
 
 READINGS
        &n= bsp;       Joey & Will            =             &nbs= p;            &n= bsp;            =            pp 27 =96 28 *
           
                Will & Aura            =             &nbs= p;            &n= bsp;            =            pp 13 =96 15**
           
                Will, Aura, Lance & Beth            =             &nbs= p;               pp 30 =96 35
 
                Will, Aura, Jay Sean            =             &nbs= p;            &n= bsp;      pp 83 =96 85**
 
                Leif & Leslie           &nbs= p;            &n= bsp;            =             &nbs= p;         pp 16 =96 17
 
                Greg & Marcus           &nbs= p;            &n= bsp;            =             &nbs= p;         pp 22 - 23
 
 
*       Joey is the comic character of the show and I envision him as a type of =93Rich Little=94 impressionist. I see him continually changing characters throughout the show and sometime within a scene. Therefore, I would like to see this audition section done in a multitude of characters. Anyone interested in Joey will read this scene a few times and I envision that the =93characters=94 will change each time.
 
**           &= nbsp; Will and Aura go through major changes throughout the show. In the beginning they are graduating from the class of 1968 with hopes and dreams of changing the world. The first reading should reflect that. As life goes on and decisions and compromises have been made these characters change drastically. There should be a very obvious difference in the way the two scenes are played.
 
As you can see from the write up  I am giving  you a great deal of information. I don't pull any punches and don't expect anyone to read my mind. My goal in auditions is to find the cast that can ultimately give me what I want. I do not expect polished performances at an audition but I would like to know that you put some effort into this audition and you =93get it=94.
 
If you have any questions at all =96 please email me, Tony Salamone, at boomersNH@aol.com and I will be happy to explain or elaborate in any way that I can. I also encourage you to attend Information night since the team will be there and you can ask any questions that you want there as well.
 
To view the "Boomer's" page on the Actorsingers web site go to:  http:/= /www.actorsingers.org/s2004a.htm
This page may have updated information about "Boomer's" and it has= links to several documents about the "Boomer's" production,= including a tentative schedule.

To learn more about "Boomer's," the show, go to: http://www.boomersthemusical.com/ This site has= information about "Boomer's" production history and its author,= Peter Baron.

If you want to know more about the Actorsingers check out the main site http://www.actorsingers.org
Among other information this site includes driving directions to= Actorsingers' Hall.

If you do not wish to receive these notices of Actorsinger special events,= meetings, auditions for adult shows or Actorsinger and Junior Actorsinger= productions please do the following.
Click here mailto:remove@actorsingers.org When your email= program starts ADD the word REMOVE to the subject line and= click SEND. We will promptly remove your name from our list and add= your name to our Do Not Send list. Please note that if this message was= forwarded to you, you need to contact the individual who sent it to you.= This list is NEVER exchanged, traded or sold.
--=====================_4250906==.ALT--  1,, Summary-line: 29-Sep j.carroll@rcn.com [58] #Re: All those videos! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Sep 2003 19:57:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8TNv2Jh022978; Mon, 29 Sep 2003 19:57:02 -0400 (EDT) Received: from smtp02.mrf.mail.rcn.net (smtp02.mrf.mail.rcn.net [207.172.4.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8TNuxUt025895 for ; Mon, 29 Sep 2003 19:56:59 -0400 (EDT) Received: from ms07.mrf.mail.rcn.net ([207.172.4.13]) by smtp02.mrf.mail.rcn.net with esmtp (Exim 3.35 #4) id 1A47sw-000550-00; Mon, 29 Sep 2003 19:56:58 -0400 Received: from 130.105.1.102 by ms07.mrf.mail.rcn.net (Mirapoint Messaging Server MOS 3.2.2-GA) with HTTP/1.1; Mon, 29 Sep 2003 19:56:58 -0400 Date: Mon, 29 Sep 2003 19:56:58 -0400 From: Jim Carroll Subject: Re: All those videos! To: J91a@cs.com Cc: marion@leedscarroll.com, opus@mit.edu Reply-To: j.carroll@computer.org X-Mailer: Webmail Mirapoint Direct 3.2.2-GA MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Message-Id: X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 29 Sep 2003 19:56:58 -0400 From: Jim Carroll Subject: Re: All those videos! To: J91a@cs.com Cc: marion@leedscarroll.com, opus@mit.edu Reply-To: j.carroll@computer.org X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Janine, I picked up the undistributed videos from Marion the other day and had intended to bring them to auditions tonight. Unfortunately, I've had to work late tonight and won't be bringing them by. I can still try to bring them to auditions tomorrow night (_if_ I don't get stuck working late again), but if someone has a better idea about how to get the remaining videos to the people who ordered them, I'm all for it. (Is there someone who's on campus every day who might be able to handle this?) Sorry for the hiccup in the distribution, but that's my life these days. --Jim ---- Original message ---- >Date: Fri, 26 Sep 2003 10:14:56 -0400 >From: >Subject: All those videos! >To: marion@leedscarroll.com >Cc: opus@mit.edu, j.carroll@computer.org > >Hi folks, > >Marion, I saw something briefly whiz by me in a forwarded or copied reply regarding checks and videos and whatnot, asking me what I should do with "all those videos" in your house. Great question! Here's what I suggest. > >Given that my life for the last three days has been a cyclone of non-stop details, I will be away on choir retreat this weekend and don't know if I'll be able to gather all the emails necessary to make an announcement in time, but supposing one of my old, sent messages is still in the cue, will someone be able to transport videos from Marion's house to the auditions this Monday and Tuesday? > >If so, let me know by this afternoon who would be able to pick them up, when, and give me a list of people who are crossed off (cause I've lost track), and I will send something out to the remaining folks letting them know what's going on. > >Thanks, > >Janine  1,, Summary-line: 29-Sep marion@leedscarroll.com [79] #Re: All those videos! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Sep 2003 20:33:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8U0XPJj008457; Mon, 29 Sep 2003 20:33:37 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h8U0VOUt010386 for ; Mon, 29 Sep 2003 20:31:24 -0400 (EDT) Received: (qmail 9193 invoked from network); 30 Sep 2003 00:31:23 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 30 Sep 2003 00:31:23 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 30 Sep 2003 00:31:23 -0000 Message-Id: <5.1.0.14.2.20030929203013.02199550@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 29 Sep 2003 20:31:15 -0400 To: j.carroll@computer.org, J91a@cs.com From: Marion Leeds Carroll Subject: Re: All those videos! Cc: opus@mit.edu In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 29 Sep 2003 20:31:15 -0400 To: j.carroll@computer.org, J91a@cs.com From: Marion Leeds Carroll Subject: Re: All those videos! Cc: opus@mit.edu In-Reply-To: X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) on the subject - today I received in the mail a stamped padded envelope from Doug, who wants me to mail him his video... - Marion At 07:56 PM 9/29/2003 -0400, Jim Carroll wrote: >Janine, I picked up the undistributed videos from Marion the >other day and had intended to bring them to auditions tonight. > Unfortunately, I've had to work late tonight and won't be >bringing them by. > >I can still try to bring them to auditions tomorrow night >(_if_ I don't get stuck working late again), but if someone >has a better idea about how to get the remaining videos to the >people who ordered them, I'm all for it. (Is there someone >who's on campus every day who might be able to handle this?) > >Sorry for the hiccup in the distribution, but that's my life >these days. > >--Jim > > >---- Original message ---- > >Date: Fri, 26 Sep 2003 10:14:56 -0400 > >From: > >Subject: All those videos! > >To: marion@leedscarroll.com > >Cc: opus@mit.edu, j.carroll@computer.org > > > >Hi folks, > > > >Marion, I saw something briefly whiz by me in a forwarded or >copied reply regarding checks and videos and whatnot, asking >me what I should do with "all those videos" in your house. >Great question! Here's what I suggest. > > > >Given that my life for the last three days has been a cyclone >of non-stop details, I will be away on choir retreat this >weekend and don't know if I'll be able to gather all the >emails necessary to make an announcement in time, but >supposing one of my old, sent messages is still in the cue, >will someone be able to transport videos from Marion's house >to the auditions this Monday and Tuesday? > > > >If so, let me know by this afternoon who would be able to >pick them up, when, and give me a list of people who are >crossed off (cause I've lost track), and I will send something >out to the remaining folks letting them know what's going on. > > > >Thanks, > > > >Janine Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 29-Sep raeburn@MIT.EDU [14] #tivo & dvd X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Sep 2003 23:09:20 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8U39FJh014948; Mon, 29 Sep 2003 23:09:15 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8U38xSw004696; Mon, 29 Sep 2003 23:09:15 -0400 (EDT) Received: from all-in-one.mit.edu (ALL-IN-ONE.MIT.EDU [18.18.1.71]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8U37Vpk028049; Mon, 29 Sep 2003 23:07:31 -0400 (EDT) Received: (from raeburn@localhost) by all-in-one.mit.edu (8.12.9) id h8U37UGP027681; Mon, 29 Sep 2003 23:07:30 -0400 To: opus@mit.edu Subject: tivo & dvd From: Ken Raeburn Date: Mon, 29 Sep 2003 23:07:30 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: tivo & dvd From: Ken Raeburn Date: Mon, 29 Sep 2003 23:07:30 -0400 X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Have you got any ideas how to get the tivo-generated mpegs into a form that'd be useful on DVD and/or SVCD? I think I told you iDVD seems unable to deal with them... Ken  1,, Summary-line: 30-Sep Ian.perry@ping.be [80] #Something for the Buxton99 list to think about. X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 03:48:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8U7mnJh013810; Tue, 30 Sep 2003 03:48:49 -0400 (EDT) Received: from mserv6.dl.ac.uk (mserv6.dl.ac.uk [148.79.80.137]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8U7jFYS019407 for ; Tue, 30 Sep 2003 03:45:16 -0400 (EDT) Received: from mserv1.dl.ac.uk (mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h8U7hS4f000976; Tue, 30 Sep 2003 08:45:10 +0100 Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id IAA02935 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Tue, 30 Sep 2003 08:42:57 +0100 (BST) Received: by mserv1.dl.ac.uk id IAA02185 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Tue, 30 Sep 2003 08:37:53 +0100 (BST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id IAA00973 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from Ian.perry@ping.be); Tue, 30 Sep 2003 08:29:04 +0100 (BST) X-DL-MFrom: X-DL-Connect: Received: from cablenet.tvcablenet.be (www.tvcablenet.be [212.88.224.155] (may be forged)) by mserv7.dl.ac.uk (8.12.9/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id h8U6wiQC013762; Tue, 30 Sep 2003 07:58:44 +0100 Received: from perry (user-212-88-245-226.tvcablenet.be [212.88.245.226]) by cablenet.tvcablenet.be (Postfix) with SMTP id 006FF5E041; Tue, 30 Sep 2003 08:26:29 +0100 (WEST) Reply-To: From: "Ian Perry" To: "Hill, SF (Stephen)" , Subject: Something for the Buxton99 list to think about. Date: Tue, 30 Sep 2003 08:20:54 +0200 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal In-Reply-To: <81AA39EACEE8D511BB77000347C135DD12554F@exchange08.dl.ac.uk> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: Reply-To: From: "Ian Perry" To: "Hill, SF (Stephen)" , Subject: Something for the Buxton99 list to think about. Date: Tue, 30 Sep 2003 08:20:54 +0200 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal In-Reply-To: <81AA39EACEE8D511BB77000347C135DD12554F@exchange08.dl.ac.uk> X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear Everyone, I have just received this from John Dick ( tenor, Derby and general all-round helpful at the festival). I can't imagine that we'd be able to do Waterford as well as Buxton but failing Buxton, it would be an interesting possibility. I think it qualifies under Stephen's definition as although not Buxton it is 'in relation to'. I keep failing to get back on Savoynet hope so rely on Denise to transmit important bits. Neither of us can manage to get E-mails to David Cookson privately. E-mail for John:jadix@tiscali.co.uk Celia Five foot ten in her dancing shoes. Hello folks, I have just been to Waterford Festival of Light Opera,and made contact wih some of the heirarchy of Waterford. They are VERY interested in getting Brussels Light Opera to take part! I told them that you were doing Gondoliers which has not been performed there for some time. They DO PAY YOU something from the Box office, I cant say but reckon that it must be £1000. I also mentioned that Savoynet came second to Derby G&S this year,and would be very good from an INTERNATIONAL point of view to perform at Waterford. Who would be the best contact? Do you have a contact for Amsterdam G&S, or any other European group? I did see some people being shown around the theatre, and was told that they had come from Austria to consider the possibilty of doing a Strauss operetta, in German ,next year. -----Original Message----- From: owner-buxton99@dl.ac.uk [mailto:owner-buxton99@dl.ac.uk]On Behalf Of Hill, SF (Stephen) Sent: 05 September 2003 14:13 To: 'buxton99@dl.ac.uk' Subject: B99 Listowner: Polite "Reminder" Just to remind everyone on buxton99 that the remit of the list is discussion of the G&S Festival in Buxton, specifically in relation to the mounting of shows at that festival by the performers within SavoyNet (ie a SavoyNet "Performing Group"). As such, discussions of anything directly related to the SavoyNet production can be considered "on topic". This was the agreed terms I struck with the mail administrator at my site when I proposed the list formation back in November 1999. A review of list usage on site took place a few months ago & we passed with flying colours - I would not like the mail admin's view on the matter changed! Stephen Hill Listowner buxton99 list. PS If you are unsure as to whether your proposed post qualifies as "on topic" please don't hesitate to email me privately about it first! -- -------------------------------------------- Stephen F. Hill Email: s.f.hill@dl.ac.uk SRS Operations Team Leader Synchrotron Radiation Department CLRC Daresbury Laboratory --------------------------------------------  1,, Summary-line: 30-Sep jagower@btconnect.com [76] #Re: About SOCDs G&S Recordings X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 04:52:42 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8U8qbJh008928; Tue, 30 Sep 2003 04:52:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8U8qZk9010914 for ; Tue, 30 Sep 2003 04:52:36 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8U8qCTJ007101; Tue, 30 Sep 2003 04:52:13 -0400 (EDT) Date: Tue, 30 Sep 2003 04:52:12 -0400 (EDT) Message-Id: <00db01c38730$080dadc0$0300000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jagower@btconnect.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J A Gower" To: Multiple recipients of list SAVOYNET Subject: Re: About SOCDs G&S Recordings MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 04:52:12 -0400 (EDT) Reply-To: jagower@btconnect.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J A Gower" To: Multiple recipients of list SAVOYNET Subject: Re: About SOCDs G&S Recordings X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Following recent postings about the SOCD transfers of historic G&S recordings, I fell completely for Chris Webster's work right from his first releases some years ago. The amazing quality of the sound he achieved from these old and worn 78 rpm Shellac recordings was a real eye-opener. I would not have believed it was possible to restore this material to such an extent, and especially the 1926-36 recordings which I am sure, with modern equipment, now sound infinitely better than they did when they were first released. In their beautifully restored condition they can hold their own alongside recordings from a much later era. Despite the fact that I already had various transfers of these same recordings from Pearl (who apparently did not even lightly filter them!), Naxos and other record companies, as each new release from SOCD became available, I snapped it up avidly. In every case the SOCD version is vastly superior to any other - brighter, cleaner and altogether a pleasure to listen to. Despite the magic of some of these historic performances, I really cannot bear the sound of hissing, crackling, distortion and other faults. As a result, my copies of all these old recordings were for years relegated to my archives and rarely, if ever, played. This applied as much to the non-SOCD transfers as well as the original 78s. Happily Chris has changed all this and these works now form part of my regular listening. Over the past couple of years I have kept in close touch with Chris and was privileged to be asked by him to offer some critical assessment of the latest batch prior to release. This I was of course pleased to do, not least of all because it gave me the opportunity to "audition" these discs before they were generally available! There are of course other people in the same position and I think it says a lot for Chris' dedication that he is prepared to make preliminary copies available to a trusted circle of critical listeners, and to make changes based on their comments before releasing the discs for sale. For anyone thinking of buying any of the CD transfers of these old recordings, I would advise them to go for the SOCD version every time. I cannot claim to have heard all of the other transfers, but I have heard most of them and in every case the SOCD version is infinitely better, and one has the added advantage that the cover notes are accurate and informative! I should like to say in conclusion that I have absolutely no commercial/financial interest in Chris' business and I buy my CDs from him like anyone else. The only reason for this posting is that I sincerely believe that the very best G&S transfers are the SOCD ones. I would not entertain any others now that Chris has almost the complete set in his catalogue. Apart from the eagerly awaited HMV 1926 Mikado, of the major G&S recordings only some of the later Decca LP recordings remain to be issued. I know these are in the pipeline. Tony Gower Isle of Wight, UK  1,, Summary-line: 30-Sep chris@sounds-on-cd.co.uk [56] #Savoyards on record (was Hear Voice of Puccini) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 04:53:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8U8rKJh009091; Tue, 30 Sep 2003 04:53:20 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8U8pbk9010455 for ; Tue, 30 Sep 2003 04:51:37 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8U8p8TJ006905; Tue, 30 Sep 2003 04:51:08 -0400 (EDT) Date: Tue, 30 Sep 2003 04:51:08 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Savoyards on record (was Hear Voice of Puccini) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 04:51:08 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Savoyards on record (was Hear Voice of Puccini) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jan-Christine Johnson enquired > If there are recordings of the 19th Century Gilbert and Sullivan > performers, I would appreciate knowing the source. If it is Leonora > Braham in the 1920s that is a.o.k. Just would like to hear their > voices. Well, not Leonora, but there were two volumes of LP sets issued by Pearl called "The Art of the Savoyard" which presented recordings of singers who worked with G and/or S. As often as possible these would be in G&S recordings, but if a voice was only preserved in non-G&S pieces then one of these would be used instead (eg Barrington's voice is currently only known to survive in "The Moody Marriner" so this is included) The original LPs are now hard to find (especially volume two) but a CD has been issued of the more important and/or better items from the two sets, including a recording of Sullivan's voice which may particularly interest J-CJ. Full details of what was included on the LPs and what has made it to the CD may be found at - http://www.cris.com/~oakapple/gasdisc/miscvint-aots.htm I believe the CD is still available and should be easy enough to get hold of via the internet (Amazon, etc) or from Pearl/Pavilion Records themselves. In addition, a friend of mine has privately issued a very nice CD called "The Savoy Connection" which includes further recordings of original Savoyards, mainly in original cast recordings from non-G&S shows that these performers went on to appear in, and concentrating on records that have mainly not appeared elsewhere, so that we get Workman's entire Chocolate Soldier output, etc. Details of this CD may be found at - http://www.cris.com/~oakapple/gasdisc/miscvint-savconn.htm It is a quite charming CD of music that I would otherwise probably not have listened to, but am glad that I did, and the transfers are extremely good. It is still available direct from Jim Craig who may be contacted at jimcraig@freeuk.com Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 30-Sep mark@concertart.com [84] #Seattle Amateurs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 07:52:53 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UBqmJh017820; Tue, 30 Sep 2003 07:52:48 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8UBlJxp009417 for ; Tue, 30 Sep 2003 07:47:19 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h8UBkjTJ009187; Tue, 30 Sep 2003 07:46:45 -0400 (EDT) Date: Tue, 30 Sep 2003 07:46:45 -0400 (EDT) Message-Id: <046901c38747$fa31a090$0100a8c0@TL01> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mark@concertart.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mark Beckwith" To: Multiple recipients of list SAVOYNET Subject: Seattle Amateurs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 07:46:45 -0400 (EDT) Reply-To: mark@concertart.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mark Beckwith" To: Multiple recipients of list SAVOYNET Subject: Seattle Amateurs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mike Storie wrote: >She was told that they only perform when invited (and paid) by an out of >town group. She then inquired about the feasibility of a performance in >Seattle. The reply was that they try not to perform in cities with >large established G&S societies because of the envy of the amateurs. Mike, this is incorrect and demonstrates why "He said that she said..." is sometimes a bad idea. Since I was the person she spoke to, allow me to repeat what I told her directly. She was told the cost. Most people, when they learn what it costs to tour a professional company, are surprised by how much it is. They get silent and you have to ask them "are you still there?" They usually have no idea and are stunned. She was told that the company has attempted to come to Seattle, because the company tours to the Northwest with regularity. On the call in question, we would have loved to come to Seattle, since we had dates in Bellingham, Tacoma and Longview. Seattle would have been perfect and could have lowered the cost for EVERYbody. She was told the reasons the Seattle presenters give for NOT wanting to bring in the company: "We have a thriving society that puts on their own performances." "We would not want to upset them by bringing in another company." "They pretty much do all the Gilbert & Sullivan we need in Seattle." So despite what this woman told Mike, what she was actually told was "we'd love to come except nobody will bring us in to Seattle." It had nothing do to with "the envy of the amateurs" and everything to do with antagonism on the part of the amateurs perceived by the presenter. I encouraged the society to make their desires known to the Seattle presenters, but there was little more I could do. I assure you if she'd said "send a contract" we'd have done a performance in Seattle. Contrary to what we'd all like to think, professional G&S is a hard sell. Non-presenters have no idea what is involved ($) and presenters, when given the choice of bringing in touring broadway with headliners, flashy productions, STOMP, World Music (all the rage), or "HMS Pinafore," will only choose the G&S when all the others have said "sorry, we don't have an open date" or "we can't route it." And just TRY selling "The Gondoliers" or "Iolanthe." :) So I assure you nobody who ever called Opera A La Carte was told what Mike relates above. We all want to work for a living, and making a good impression on people is very important to us. We have little control over how people react when presented with basic facts. It is a shame this person chose to read the situation the way she did. I've said enough. It's too bad Seattle won't have us. Neither will Houston, Tulsa, Shreveport, Minneapolis, or pretty much anywhere where there's a local company that does G&S, with the notable exception of New York, Madison, and New England (the presenters in New England understand their market for G&S better than anywhere else). The Madison society called us a few years ago to see about bringing us up and when I told them we appeared in Madison regularly, they had no idea. This confirms the "best kept secret" suspicion I expressed earlier. We don't do the publicity. The presenters do their own. Mark Beckwith P.S. For the record, I know my writing reads like I still work for Opera A La Carte. I ended my relationship with Opera A La Carte on July 1 after 25 years "to pursue other interests", but I didn't want Mike's post to go unanswered.  1,, Summary-line: 30-Sep J91a@cs.com [69] #Re: All those videos! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 09:41:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UDegJn025421; Tue, 30 Sep 2003 09:41:12 -0400 (EDT) Received: from imo-d03.mx.aol.com (imo-d03.mx.aol.com [205.188.157.35]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8UDc0xp026445 for ; Tue, 30 Sep 2003 09:38:00 -0400 (EDT) Received: from J91a@cs.com by imo-d03.mx.aol.com (mail_out_v36_r1.1.) id m.4b.345ca33e (16109); Tue, 30 Sep 2003 09:37:42 -0400 (EDT) Received: from cs.com (mow-m22.webmail.aol.com [64.12.180.138]) by air-id12.mx.aol.com (v96.6) with ESMTP id MAILINID121-3eed3f7987267; Tue, 30 Sep 2003 09:37:42 -0400 Date: Tue, 30 Sep 2003 09:37:42 -0400 From: J91a@cs.com To: j.carroll@computer.org Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: All those videos! MIME-Version: 1.0 Message-ID: <76770905.772CBF0B.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 09:37:42 -0400 From: J91a@cs.com To: j.carroll@computer.org Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: All those videos! X-AOL-IP: 130.64.29.226 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Jim, I suppose I could have done it, but alas, didn't get this email until this morning. There were a couple of Alls Wellers there at the auditions last night, namely Rydia and Peter. Tonight may be my only night off this week and I'm feeling rather covetous of it, especially since I don't know that anyone will be there tonight. But if someone gives me a list of folks crossed off, I can make another announcement, having noted that Doug has taken action to receive his by mail. Rydia also intends to call you, Marion. All best wishes, Janine Jim Carroll wrote: >Janine, I picked up the undistributed videos from Marion the >other day and had intended to bring them to auditions tonight. > Unfortunately, I've had to work late tonight and won't be >bringing them by. > >I can still try to bring them to auditions tomorrow night >(_if_ I don't get stuck working late again), but if someone >has a better idea about how to get the remaining videos to the >people who ordered them, I'm all for it.  (Is there someone >who's on campus every day who might be able to handle this?) > >Sorry for the hiccup in the distribution, but that's my life >these days. > >--Jim > > >---- Original message ---- >>Date: Fri, 26 Sep 2003 10:14:56 -0400 >>From:   >>Subject: All those videos!   >>To: marion@leedscarroll.com >>Cc: opus@mit.edu, j.carroll@computer.org >> >>Hi folks, >> >>Marion, I saw something briefly whiz by me in a forwarded or >copied reply regarding checks and videos and whatnot, asking >me what I should do with "all those videos" in your house. >Great question! Here's what I suggest. >> >>Given that my life for the last three days has been a cyclone >of non-stop details, I will be away on choir retreat this >weekend and don't know if I'll be able to gather all the >emails necessary to make an announcement in time, but >supposing one of my old, sent messages is still in the cue, >will someone be able to transport videos from Marion's house >to the auditions this Monday and Tuesday? >> >>If so, let me know by this afternoon who would be able to >pick them up, when, and give me a list of people who are >crossed off (cause I've lost track), and I will send something >out to the remaining folks letting them know what's going on. >> >>Thanks, >> >>Janine >  1,, Summary-line: 30-Sep siers@MIT.EDU [50] #Fwd: FW: Star Search In Boston X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 10:21:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UELGJj004464; Tue, 30 Sep 2003 10:21:36 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h8UEInPW013360 for ; Tue, 30 Sep 2003 10:18:49 -0400 (EDT) Received: from cat-38.mit.edu (CAT-38.MIT.EDU [18.51.1.121]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h8UEImpl020388 for ; Tue, 30 Sep 2003 10:18:48 -0400 (EDT) Message-Id: <5.1.0.14.2.20030930101338.02aa4c20@hesiod> X-Sender: siers@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 30 Sep 2003 10:18:03 -0400 To: mtg-members@mit.edu From: Beth Siers Subject: Fwd: FW: Star Search In Boston Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: siers@hesiod (Unverified) Date: Tue, 30 Sep 2003 10:18:03 -0400 To: mtg-members@mit.edu From: Beth Siers Subject: Fwd: FW: Star Search In Boston X-Spam-Score: -4.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I got this through my a cappella group, but thought it might be interesting to other theatre types, too. :) Beth >-----Original Message----- >From: Liz Traylor [mailto:ltraylor@starsearchoncbs.com] >Sent: Monday, September 29, 2003 7:52 PM >Subject: Star Search In Boston > >My name is Liz Traylor, and I am a casting associate for the CBS show Star >Search. I am on the lookout for great adult singers, and acappella groups >are just the place to find them. > >We are going to be holding auditions for the show on October 7th in Boston >at the following address: > >Fairmont Copley Plaza Hotel >138 St James Avenue >Boston, MA > > >The adult singer category is for ages 15 and up, and all singers need to >come prepared with two COVER songs (one up-beat and one slower song). These >will need to be sung to track (tape or CD) --not acappella ironically--or >with self accompaniment on the guitar. Songs will be followed by a brief >interview. > >If you have any names to submit to us please call or email me so I can put >interested parties on our audition list. > > >Thank you for your time. > >Sincerely, > >Liz Traylor >Star Search Casting >(323) 860-3904  1,, Summary-line: 30-Sep marion@leedscarroll.com [104] #Re: All those videos! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 10:30:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UEUJJh009720; Tue, 30 Sep 2003 10:30:20 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h8UEUIB4018792 for ; Tue, 30 Sep 2003 10:30:18 -0400 (EDT) Received: (qmail 18248 invoked from network); 30 Sep 2003 14:30:17 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 30 Sep 2003 14:30:17 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 30 Sep 2003 14:30:17 -0000 Message-Id: <5.1.0.14.2.20030930102356.020458d8@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Tue, 30 Sep 2003 10:30:10 -0400 To: J91a@cs.com, j.carroll@computer.org From: Marion Leeds Carroll Subject: Re: All those videos! Cc: opus@mit.edu In-Reply-To: <76770905.772CBF0B.00002B09@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Tue, 30 Sep 2003 10:30:10 -0400 To: J91a@cs.com, j.carroll@computer.org From: Marion Leeds Carroll Subject: Re: All those videos! Cc: opus@mit.edu In-Reply-To: <76770905.772CBF0B.00002B09@cs.com> X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) About Doug and Rydia - and anyone else who may contact me - note that *I* don't have the videos at the moment! - Jim has everything except for a DVD he left me so that Eric can drop by some time & pick it up. I guess... since I purchased 2 videos for myself - I could mail Doug one of *mine*, and give Rydia the other (I told her I'd be at MIT tomorrow)... except that my back, which went out this weekend, is still dicey and I'm not eager to go out to the PO today - and we'll see if I'm okay for a trip to MIT tomorrow... oh well; there's no big hurry, I suppose, after all these months... - Marion At 09:37 AM 9/30/2003 -0400, J91a@cs.com wrote: >Hi Jim, > >I suppose I could have done it, but alas, didn't get this email until this >morning. There were a couple of Alls Wellers there at the auditions last >night, namely Rydia and Peter. Tonight may be my only night off this week >and I'm feeling rather covetous of it, especially since I don't know that >anyone will be there tonight. But if someone gives me a list of folks >crossed off, I can make another announcement, having noted that Doug has >taken action to receive his by mail. Rydia also intends to call you, Marion. > >All best wishes, > >Janine > >Jim Carroll wrote: > > >Janine, I picked up the undistributed videos from Marion the > >other day and had intended to bring them to auditions tonight. > > Unfortunately, I've had to work late tonight and won't be > >bringing them by. > > > >I can still try to bring them to auditions tomorrow night > >(_if_ I don't get stuck working late again), but if someone > >has a better idea about how to get the remaining videos to the > >people who ordered them, I'm all for it. (Is there someone > >who's on campus every day who might be able to handle this?) > > > >Sorry for the hiccup in the distribution, but that's my life > >these days. > > > >--Jim > > > > > >---- Original message ---- > >>Date: Fri, 26 Sep 2003 10:14:56 -0400 > >>From: > >>Subject: All those videos! > >>To: marion@leedscarroll.com > >>Cc: opus@mit.edu, j.carroll@computer.org > >> > >>Hi folks, > >> > >>Marion, I saw something briefly whiz by me in a forwarded or > >copied reply regarding checks and videos and whatnot, asking > >me what I should do with "all those videos" in your house. > >Great question! Here's what I suggest. > >> > >>Given that my life for the last three days has been a cyclone > >of non-stop details, I will be away on choir retreat this > >weekend and don't know if I'll be able to gather all the > >emails necessary to make an announcement in time, but > >supposing one of my old, sent messages is still in the cue, > >will someone be able to transport videos from Marion's house > >to the auditions this Monday and Tuesday? > >> > >>If so, let me know by this afternoon who would be able to > >pick them up, when, and give me a list of people who are > >crossed off (cause I've lost track), and I will send something > >out to the remaining folks letting them know what's going on. > >> > >>Thanks, > >> > >>Janine > > Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 30-Sep ahumez@theWorld.com [56] #Jan and Andrea's Housewarming Party October 19 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 10:37:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UEboJh021028; Tue, 30 Sep 2003 10:37:50 -0400 (EDT) Received: from TheWorld.com (pcls1.std.com [192.74.137.141]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8UEUbB4019053; Tue, 30 Sep 2003 10:30:38 -0400 (EDT) Received: from shell.TheWorld.com (root@shell01.theworld.com [192.74.137.71]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h8UETRi4031332; Tue, 30 Sep 2003 10:29:28 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id KAA388830; Tue, 30 Sep 2003 10:28:57 -0400 (EDT) Date: Tue, 30 Sep 2003 10:28:57 -0400 (EDT) Message-Id: <200309301428.KAA388830@shell.TheWorld.com> From: Andrea L Humez To: abbe@mit.edu, adina@panix.com, aleung@bbn.com, alex_aminoff@alum.mit.edu To: allison@alum.mit.edu, anneefa@mit.edu, andrew@werdna.com To: ashultz@mit.edu, bbermack@mit.edu, bert@mit.edu, boojum@mit.edu To: brilit@alum.mit.edu, cat@mit.edu, ccrazy@theWorld.com To: chope@mit.edu, crikkett@stanfordalumni.org, cputnam@autodesk.com To: darksmurf@alum.mit.edu, dcltdw@mit.edu, dcovin@mindspring.com To: dinner@mit.edu, dmaze@mit.edu, dmsheril@alum.mit.edu To: doriahughes@attbi.com, emarcus@mit.edu, eon@twinknj.net To: erichalvorsonmd@hotmail.com, et-boston@mit.edu, ekrem@alum.mit.edu To: eowyn@mit.edu, fearless@mit.edu, ghudson@mit.edu, greylady@alum.mit.edu To: ggould@alum.mit.edu, hannah@alum.mit.edu, hlb@alum.mit.edu To: jemorris@mit.edu, jenise@jenise.net, jenwahsung@yahoo.com To: jlgalley@pobox.com, jgratt@alum.mit.edu, jhbrown@ai.mit.edu To: johanna@mit.edu, jpwang@mit.edu, jma@mit.edu To: judithyu@alum.wellesley.edu, justom@mit.edu, Kate_Mahoney@alum.mit.edu To: kholodenko@pobox.com, leanne@alum.mit.edu, leefearnside@yahoo.com To: lisagay@alum.uchicago.edu, mccall@ai.mit.edu, mcondell@bbn.com To: mikka@mit.edu, mjalvara@mit.edu, mjperson@mit.edu To: molly@intrepidheroines.net, msarofim@mit.edu, munch@mit.edu To: nbozard@mit.edu, nocturne@mit.edu, petegast@yahoo.com To: philip@mit.edu, proven@proven.org, ringrose@ascent.com To: rosalind@post.harvard.edu, satan@mit.edu, sproing@mit.edu To: starflt@mit.edu, sverrilli@irrationalgames.com, taralee@mit.edu To: thallata@mit.edu, urbatsch@post.harvard.edu To: alex_humez@crd.lotus.com, jean.humez@umb.edu cc: ahumez@shell.TheWorld.com, ahumez@edc.org, jmaessen@alum.mit.edu Subject: Jan and Andrea's Housewarming Party October 19 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 10:28:57 -0400 (EDT) From: Andrea L Humez To: abbe@mit.edu, adina@panix.com, aleung@bbn.com, alex_aminoff@alum.mit.edu To: allison@alum.mit.edu, anneefa@mit.edu, andrew@werdna.com To: ashultz@mit.edu, bbermack@mit.edu, bert@mit.edu, boojum@mit.edu To: brilit@alum.mit.edu, cat@mit.edu, ccrazy@theWorld.com To: chope@mit.edu, crikkett@stanfordalumni.org, cputnam@autodesk.com To: darksmurf@alum.mit.edu, dcltdw@mit.edu, dcovin@mindspring.com To: dinner@mit.edu, dmaze@mit.edu, dmsheril@alum.mit.edu To: doriahughes@attbi.com, emarcus@mit.edu, eon@twinknj.net To: erichalvorsonmd@hotmail.com, et-boston@mit.edu, ekrem@alum.mit.edu To: eowyn@mit.edu, fearless@mit.edu, ghudson@mit.edu, greylady@alum.mit.edu To: ggould@alum.mit.edu, hannah@alum.mit.edu, hlb@alum.mit.edu To: jemorris@mit.edu, jenise@jenise.net, jenwahsung@yahoo.com To: jlgalley@pobox.com, jgratt@alum.mit.edu, jhbrown@ai.mit.edu To: johanna@mit.edu, jpwang@mit.edu, jma@mit.edu To: judithyu@alum.wellesley.edu, justom@mit.edu, Kate_Mahoney@alum.mit.edu To: kholodenko@pobox.com, leanne@alum.mit.edu, leefearnside@yahoo.com To: lisagay@alum.uchicago.edu, mccall@ai.mit.edu, mcondell@bbn.com To: mikka@mit.edu, mjalvara@mit.edu, mjperson@mit.edu To: molly@intrepidheroines.net, msarofim@mit.edu, munch@mit.edu To: nbozard@mit.edu, nocturne@mit.edu, petegast@yahoo.com To: philip@mit.edu, proven@proven.org, ringrose@ascent.com To: rosalind@post.harvard.edu, satan@mit.edu, sproing@mit.edu To: starflt@mit.edu, sverrilli@irrationalgames.com, taralee@mit.edu To: thallata@mit.edu, urbatsch@post.harvard.edu To: alex_humez@crd.lotus.com, jean.humez@umb.edu cc: ahumez@shell.TheWorld.com, ahumez@edc.org, jmaessen@alum.mit.edu Subject: Jan and Andrea's Housewarming Party October 19 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We have a new home! Well, we've had it for a little while now, but we're mostly unpacked and furniture-enabled, so it's finally time for a housewarming party. Come see our new digs! When: Sunday, October 19. 1:00 pm - evening (we don't plan to go ridiculously late, as we have to get up in the morning, but there will be a Pot Of Something Dinner-ish) Where: 32 Burnham st, Somerville, near Davis square. (For those of you who have been to our old place, this is the house across the street. If you need directions, drop us a line.) Who: You. Please bring SOs and housemates; if we haven't invited them, it's because we can't find their email addresses. :) Children are welcome, but the house is not childproof and will probably be a lot of strange adults around and not very many other kids. By the way, our new phone number is: 617-623-9798. Hope to see you there. Andrea & Jan  1,, Summary-line: 30-Sep J91a@cs.com [114] #Re: All those videos! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Sep 2003 14:21:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h8UIKNJr015454; Tue, 30 Sep 2003 14:21:01 -0400 (EDT) Received: from imo-r07.mx.aol.com (imo-r07.mx.aol.com [152.163.225.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h8UIIL4j000062 for ; Tue, 30 Sep 2003 14:18:21 -0400 (EDT) Received: from J91a@cs.com by imo-r07.mx.aol.com (mail_out_v36_r1.1.) id g.a5.3fe05126 (16035); Tue, 30 Sep 2003 14:17:42 -0400 (EDT) Received: from cs.com (mow-m23.webmail.aol.com [64.12.180.139]) by air-id10.mx.aol.com (v96.6) with ESMTP id MAILINID102-3ea33f79c8c6e9; Tue, 30 Sep 2003 14:17:42 -0400 Date: Tue, 30 Sep 2003 14:17:42 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), j.carroll@computer.org Cc: opus@MIT.EDU Subject: Re: All those videos! MIME-Version: 1.0 Message-ID: <33BFE195.0682545B.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Sep 2003 14:17:42 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), j.carroll@computer.org Cc: opus@MIT.EDU Subject: Re: All those videos! X-AOL-IP: 130.64.29.226 X-Spam-Score: -0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Marion, Sounds fine. So sorry to hear your back is out. As for anything that anyone intends to do, no one with an outstanding video or DVD is contacting ME anymore. Rydia just mentioned that she planned to call you, and at that moment, I had no idea items were in transit. Things are pretty much out of my hands at this point unless someone wishes to establish a new point of pickup and provide me with information I can distribute to folks as to where to go. If necessary, the videos can be dropped off at my place, along with a list of people who got there's. Hope you feel better, Janine Marion Leeds Carroll wrote: >About Doug and Rydia - and anyone else who may contact me - note that *I* >don't have the videos at the moment! - Jim has everything except for a DVD >he left me so that Eric can drop by some time & pick it up. > >I guess... since I purchased 2 videos for myself - I could mail Doug one of >*mine*, and give Rydia the other (I told her I'd be at MIT tomorrow)... >except that my back, which went out this weekend, is still dicey and I'm >not eager to go out to the PO today - and we'll see if I'm okay for a trip >to MIT tomorrow... oh well; there's no big hurry, I suppose, after all >these months... > >- Marion > >At 09:37 AM 9/30/2003 -0400, J91a@cs.com wrote: >>Hi Jim, >> >>I suppose I could have done it, but alas, didn't get this email until this >>morning.  There were a couple of Alls Wellers there at the auditions last >>night, namely Rydia and Peter.  Tonight may be my only night off this week >>and I'm feeling rather covetous of it, especially since I don't know that >>anyone will be there tonight.  But if someone gives me a list of folks >>crossed off, I can make another announcement, having noted that Doug has >>taken action to receive his by mail.  Rydia also intends to call you, Marion. >> >>All best wishes, >> >>Janine >> >>Jim Carroll wrote: >> >> >Janine, I picked up the undistributed videos from Marion the >> >other day and had intended to bring them to auditions tonight. >> > Unfortunately, I've had to work late tonight and won't be >> >bringing them by. >> > >> >I can still try to bring them to auditions tomorrow night >> >(_if_ I don't get stuck working late again), but if someone >> >has a better idea about how to get the remaining videos to the >> >people who ordered them, I'm all for it.  (Is there someone >> >who's on campus every day who might be able to handle this?) >> > >> >Sorry for the hiccup in the distribution, but that's my life >> >these days. >> > >> >--Jim >> > >> > >> >---- Original message ---- >> >>Date: Fri, 26 Sep 2003 10:14:56 -0400 >> >>From: >> >>Subject: All those videos! >> >>To: marion@leedscarroll.com >> >>Cc: opus@mit.edu, j.carroll@computer.org >> >> >> >>Hi folks, >> >> >> >>Marion, I saw something briefly whiz by me in a forwarded or >> >copied reply regarding checks and videos and whatnot, asking >> >me what I should do with "all those videos" in your house. >> >Great question! Here's what I suggest. >> >> >> >>Given that my life for the last three days has been a cyclone >> >of non-stop details, I will be away on choir retreat this >> >weekend and don't know if I'll be able to gather all the >> >emails necessary to make an announcement in time, but >> >supposing one of my old, sent messages is still in the cue, >> >will someone be able to transport videos from Marion's house >> >to the auditions this Monday and Tuesday? >> >> >> >>If so, let me know by this afternoon who would be able to >> >pick them up, when, and give me a list of people who are >> >crossed off (cause I've lost track), and I will send something >> >out to the remaining folks letting them know what's going on. >> >> >> >>Thanks, >> >> >> >>Janine >> > > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or >cupid@mit.edu >- To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html > > >  1,, Summary-line: 1-Oct ian.bond@btinternet.com [34] #Re: Full score for "Cox and Box" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 03:04:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9174bJh013697; Wed, 1 Oct 2003 03:04:37 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9170A15012637 for ; Wed, 1 Oct 2003 03:00:10 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h916xfTJ006354; Wed, 1 Oct 2003 02:59:41 -0400 (EDT) Date: Wed, 1 Oct 2003 02:59:41 -0400 (EDT) Message-Id: <002f01c387e9$5c162230$684b7ad5@Study1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 02:59:41 -0400 (EDT) Reply-To: ian.bond@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Bond" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Robert Binder wrote:- > Has the full score for "Cox and Box" been published, and if so, where can I > obtain a copy? My e-mail to Ray Walker cannot be delivered for some reason. The full score is published by R Clyde of Chorleywood, UK. Full score is GBP 59.95 hard back and GBP 39.95 soft back. http://www.r.clyde.dial.pipex.com/ Clyde also holds THE ZOO. Ian Somerset UK  1,, Summary-line: 1-Oct ahumez@TheWorld.com [51] #Hapgood video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 13:08:57 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h91H86Jt002856; Wed, 1 Oct 2003 13:08:52 -0400 (EDT) Received: from TheWorld.com (pcls2.std.com [192.74.137.142]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h91H5Wnd007520 for ; Wed, 1 Oct 2003 13:05:32 -0400 (EDT) Received: from shell.TheWorld.com (pip1-5.std.com [192.74.137.185]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h91H5SCu023095 for ; Wed, 1 Oct 2003 13:05:29 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id NAA734349; Wed, 1 Oct 2003 13:05:23 -0400 (EDT) Date: Wed, 1 Oct 2003 13:05:23 -0400 (EDT) Message-Id: <200310011705.NAA734349@shell.TheWorld.com> From: Andrea L Humez To: opus@MIT.EDU Subject: Hapgood video X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 13:05:23 -0400 (EDT) From: Andrea L Humez To: opus@MIT.EDU Subject: Hapgood video X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hopefully I got all the right bits to you... :) It turns out everyone is happy with the idea of DVD, so probably just easiest to use that format and not have to worry about cutting out the spare 5 minutes. :) Should be getting hold of art for under the credits soon. Here's info for credits: The Occasional Players Present Hapgood by Tom Stoppard August 2001 Directed by Andrea Humez Cast: Hapgood Marleigh Norton Blair Grant Gould Kerner Tom Giordano Ridley Nick Bozard Wates Matt Alvarado Maggs David Maze Merryweather Tommy Rhyne Joe David Maze Russian Jan-Willem Maessen Radio Voices Tom Giordano Charles Hope Tommy Rhyne Mark Van Dyke Production Staff: Technical Director Michelle Goldberg Sound $ Pieces of Paper Laura Baldwin Tech Crew Laura Baldwin Jerry Marty  1,, Summary-line: 1-Oct ikkiwilloughby@hotmail.co [123] #Re: New Production Team X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 15:05:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h91J4kJl023488; Wed, 1 Oct 2003 15:05:04 -0400 (EDT) Received: from hotmail.com (law11-f63.law11.hotmail.com [64.4.17.63]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h91Iq0NE023491 for ; Wed, 1 Oct 2003 14:52:00 -0400 (EDT) Received: from mail pickup service by hotmail.com with Microsoft SMTPSVC; Wed, 1 Oct 2003 11:51:59 -0700 Received: from 209.87.90.97 by lw11fd.law11.hotmail.msn.com with HTTP; Wed, 01 Oct 2003 18:51:59 GMT X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: New Production Team Date: Wed, 01 Oct 2003 14:51:59 -0400 Mime-Version: 1.0 Content-Type: text/plain; format=flowed Message-ID: X-OriginalArrivalTime: 01 Oct 2003 18:51:59.0337 (UTC) FILETIME=[18055D90:01C3884D] X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Originating-IP: [209.87.90.97] X-Originating-Email: [vikkiwilloughby@hotmail.com] From: "Victoria Willoughby" To: opus@mit.edu Subject: Re: New Production Team Date: Wed, 01 Oct 2003 14:51:59 -0400 X-OriginalArrivalTime: 01 Oct 2003 18:51:59.0337 (UTC) FILETIME=[18055D90:01C3884D] X-Spam-Score: 2 X-Spam-Level: ** (2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear David: Thank you for helping me out here. I did go to Buxton for Sorcerer and worked with Diana Burleigh and David was 'around' but not very active. I know that he's a really nice guy and knew that he had directed quite a bit. But I was curious about his demeanor from an 'insiders point of view.' I did not realize he was so firm in his characterizations but that is actually a very good thing. We don't usually have as much time to rehearse as Utopia (I think Yeomen had 3 days!) so it's good to know how the director is under pressure. And Grand Duke and Utopia are by far the most difficult to stage (even with the added days your cast had). Ori must be thrilled about this news. From what you say, Ori sounds very good. Not all musical directors are skilled with respect to vocal production, sounds like he is. And I am happy to hear that David is responsive to email suggestions of characterization. Not that I am hopeful about a part, seems there is a wonderful group of principals already to chose from. Some of the voices in your cast were just amazing!! Anyway, thank you very much for cluing me in about the production team. You know everyone alot better than I do and I would like to do the show (whatever it is) this summer! Take care Vikki >From: "David C. Jedlinsky" >To: vikkiwilloughby@hotmail.com >Subject: Re: New Production Team >Date: Wed, 1 Oct 2003 12:47:55 -0400 (EDT) > >Hey Vikki. > >Naturally, I've only worked with David once, at Buxton. Remember that >Buxton is an extremely intensive rehearsal period, which puts a lot of >stress on everyone involved. You need to prepare for the environment >much more than you might in a "normal" rehearsal period. Because >there is so little time involved, David runs his show with almost >military principles. There is very little "give and take", where >actors get to experiment with different characterizations to see which >ones will gel with the others. Instead, David sets down the law at >the beginning, and expects each person to stick pretty much to the >character he's outlined. > >If you've got a nice lead part, the give and take can happen over >email before the rehearsal starts, especially if you have a strong >idea for how your character should be played. David will listen and >discuss any idea you'd like. But once you get to Buxton, you are >expected to stick with his final plan. > >As for how he comes across in person, he's very soft spoken, but >direct. I haven't seen him angry. All the same, he will let you know >in no uncertain terms if he's less than pleased with something. He >usually reserves negative criticism to a private meeting, though in >some cases it does spill into public if he feels that the private >conversations were not getting through. > >Certain people in the cast chafed when he asked them to do things they >felt were wrong (in my opinion, the cast member was wrong, not >David). When things became public, David was always the quieter side >of the argument, though you definitely got the feeling that his >decision was final. > >If you are in the chorus, I suspect you won't have too much direct >interaction with him on a one-to-one basis. His chorus in Utopia was >homogeneous, but I don't know if that's a usual characteristic of his >shows, or just for Utopia. Mary Finn might have a good insight to >what it was like to work with him as a chorus member. > >You should definitely go to Buxton at least once, just to experience >non-stop, intense G&S for a few weeks. Being in a David Duffey show >will most likely enhance that experience. > >As a final note, you'll probably spend a lot more time with Ori than >David. I haven't worked with Ori except as a conductor in singouts, >and as assistant-MD in Buxton. I would guess that working with him >would be fun, but difficult work. I get the impression that each day >with him will provide another new insight to techniques that will >improve vocal ability. > >-Dave > > > >From: "Victoria Willoughby" > >Date: Wed, 01 Oct 2003 11:02:57 -0400 > > > >Dear David: > > > > Just got the news of the new production team. What did you think of > >David's direction? By that I mean, what was he like to work with? I >would > >like to participate this summer if money allows but have never worked >with > >David. > > > > Please note, your comments will go no further. Period. But it's >hard > >to get vacation time and I really would like to know what I am getting >into > >(I will probably do chorus). > > > >Thank you for whatever help you can give me.. > > > >Vikki Willoughby _________________________________________________________________ Help protect your PC. Get a FREE computer virus scan online from McAfee. http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963  1,, Summary-line: 1-Oct Raywalker@macunlimited.ne [30] #Cox & Box X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 15:23:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h91JNaJh006972; Wed, 1 Oct 2003 15:23:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h91JFuSs025029 for ; Wed, 1 Oct 2003 15:15:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h91JFDTJ025851; Wed, 1 Oct 2003 15:15:14 -0400 (EDT) Date: Wed, 1 Oct 2003 15:15:13 -0400 (EDT) Message-Id: <3F7B21D0.FE7945AF@macunlimited.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Cox & Box MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 15:15:13 -0400 (EDT) Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Cox & Box X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Has the full score for "Cox and Box" been published, and if so, where can > I obtain a copy? My e-mail to Ray Walker cannot be delivered for some >> reason. > Robert Binder There is a full score of Cox & Box published by R. Clyde, 6 Whitelands Ave., Chorleywood, Rickmansworth WD3 5RD, UK. email: r.clyde@dial.pipex.com Meanwhile, I continue to publish the complete Cox & Box vocal score with original Lullaby + Sixes duet + Original finale and dialogue. Both the full score and vocal score usefully complements the excellent Divine CD with Leon Berger, Ian Kennedy, Donald Franke. Sorry that Robert was unable to contact me, my email address was changed a year ago. Ray Walker  1,, Summary-line: 1-Oct ori.siegel@sympatico.ca [35] #Buxton and Toronto X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 20:30:09 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h920U4Jh012719; Wed, 1 Oct 2003 20:30:04 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h920U1C0021486 for ; Wed, 1 Oct 2003 20:30:03 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h920PhTJ019710; Wed, 1 Oct 2003 20:25:44 -0400 (EDT) Date: Wed, 1 Oct 2003 20:25:44 -0400 (EDT) Message-Id: <007501c38878$88100470$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Buxton and Toronto MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 20:25:44 -0400 (EDT) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Buxton and Toronto X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Many, many thanks to everyone who has sent kind words about the newly appointed production team. I am thrilled, to say the least and am looking forward to working with David on whichever show we get. There have been many comments about where my selection as MD affects the Son of Singout next August. It doesn't affect it at all! Please remember that I am but one of a group who are putting this together and my temporary absence just before the Singout is not seen as a problem. Although we don't have a performance date at Buxton yet, I'm pretty sure I'll be back in Toronto around 10 days before the singout so I plan on being an active participant in both! cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 1-Oct Peepbo3@thebutlers.us [40] #Re: Full score for "Cox and Box" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 23:21:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h923LRJh027368; Wed, 1 Oct 2003 23:21:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h923LO1O014839 for ; Wed, 1 Oct 2003 23:21:25 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h923KMTJ026849; Wed, 1 Oct 2003 23:20:22 -0400 (EDT) Date: Wed, 1 Oct 2003 23:20:22 -0400 (EDT) Message-Id: <021a01c38893$4e0a6520$6701a8c0@Study> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Peepbo3@thebutlers.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peepbo3" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 23:20:22 -0400 (EDT) Reply-To: Peepbo3@thebutlers.us Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peepbo3" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I recently ordered one here in the US from www.tismusic.com I believe the cost was around $20 - $25. Pamela Butler ----- Original Message ----- From: "Binder" To: "Multiple recipients of list SAVOYNET" Sent: Wednesday, October 01, 2003 1:43 AM Subject: Full score for "Cox and Box" > Has the full score for "Cox and Box" been published, and if so, where can I > obtain a copy? My e-mail to Ray Walker cannot be delivered for some reason. > > "What's that to you, sir?" > > Robert Binder > Jerusalem > > >  1,, Summary-line: 1-Oct rebecca@hains.net [47] #A sighting on "Angel" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 01 Oct 2003 23:51:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h923pkJh008947; Wed, 1 Oct 2003 23:51:47 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h923ko1O023478 for ; Wed, 1 Oct 2003 23:46:50 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h923kATJ027490; Wed, 1 Oct 2003 23:46:10 -0400 (EDT) Date: Wed, 1 Oct 2003 23:46:10 -0400 (EDT) Message-Id: <005601c38894$e3a87030$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A sighting on "Angel" MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20031001213303.019df8c0@taurus.lunarpages.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 1 Oct 2003 23:46:10 -0400 (EDT) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: A sighting on "Angel" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.1.1.6.0.20031001213303.019df8c0@taurus.lunarpages.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The season premier of the WB station's series "Angel" was on television tonight. I walked into the room just in time to hear one character, a lawyer, explain how he had recently and magically acquired a complete understanding of the law. And then, as an afterthought, he added something like, "And of Gilbert and Sullivan." I wasn't watching the show, and I've never seen an episode of it -- all I know is that it's a spin-off of "Buffy the Vampire Slayer" and that it's populated with vampires and other demons. So, you'll have to forgive my unfamiliarity with the plot line and character names. But anyway, moments later, another character said something to which this lawyer replied, "or the Pirates of Penzance. Actually, all of the Pirates of Penzance." Harumph... I'd like to think that if in the course of acquiring legal knowledge he also learned the entire G&S canon, he'd make reference to a law-heavy show, such as Trial or Io. I mean, sure, mentioning "Pirates of Penzance" will increase the odds of the show's audience figuring out who Gilbert and Sullivan are; but if you're going to make a reference that will be lost on the majority of your audience, by golly, do it right! I suppose it's pointless to wonder whether the complete score to Thespis also magically popped into this character's head. But if you really want, we could have a discussion over whether, when a person magically learns the entire cannon of G&S, his learning would be limited to the works whose scores have survived. Any takers? What would J.W. Wells have to say on the matter? Rebecca Hains Philadelphia, PA  1,, Summary-line: 2-Oct raeburn@MIT.EDU [16] #recheck scheduled recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Oct 2003 04:42:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h928g1Jh026900; Thu, 2 Oct 2003 04:42:01 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h928fvBH003027; Thu, 2 Oct 2003 04:41:57 -0400 (EDT) Received: from all-in-one.mit.edu (ALL-IN-ONE.MIT.EDU [18.18.1.71]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h928fvjW013402; Thu, 2 Oct 2003 04:41:57 -0400 (EDT) Received: (from raeburn@localhost) by all-in-one.mit.edu (8.12.9) id h928ft9m021091; Thu, 2 Oct 2003 04:41:55 -0400 To: opus@mit.edu, rls@mit.edu Subject: recheck scheduled recording From: Ken Raeburn Date: Thu, 02 Oct 2003 04:41:51 -0400 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu, rls@mit.edu Subject: recheck scheduled recording From: Ken Raeburn Date: Thu, 02 Oct 2003 04:41:51 -0400 X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In the listings my TiVo gets, "Enterprise" has been renamed to "Star Trek: Enterprise", and it's got a new series id number so my existing season pass doesn't match the new listings. You should recheck whether your Replay programming will pick up the new episodes. It may have started with tonight's episode, I'm not sure. (I'm recording it to VCR, not on TiVo.)  1,, Summary-line: 2-Oct paul@pnhmrk.freeserve.co. [54] #Re: Full score for "Cox and Box" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Oct 2003 05:11:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h929BTJh013400; Thu, 2 Oct 2003 05:11:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h92986qp029004 for ; Thu, 2 Oct 2003 05:08:06 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9297TTJ000634; Thu, 2 Oct 2003 05:07:29 -0400 (EDT) Date: Thu, 2 Oct 2003 05:07:29 -0400 (EDT) Message-Id: <000e01c388c3$9b95ec80$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Oct 2003 05:07:29 -0400 (EDT) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Robert Binder asked if a full score of Cox and Box had been published. Cox and Box ran for about an hour when first produced. The midi files on the Gilbert and Sullivan Archive have been recently updated to reflect the original version and a facsimile of an early edition of the Vocal Score (that is, a score with all the voice parts and a piano accompaniment) produced by Ray Walker whose e-mail address, unfortunately, missed being updated on the appropriate page of the Archive. His correct e-mail address is Raywalker@macunlimited.net A full score (that is, a score with all voice parts and all orchestral instrumental parts) has been produced in a modern edition by Roger Harris, published by Robert Clyde. The Website with details of this edition is: http://www.r.clyde.dial.pipex.com/ Cox and box was truncated for use as a curtain raiser in 1894 and again in 1921 to produce the version used by the old D'Oyly Carte. The score which is currently published by Boosey - and which, I suspect, Pamela Butler purchased - is based on the 1921 abbreviation of the piece. Paul Howarth York Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 2-Oct rls@dimins.com [25] #Re: recheck scheduled recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Oct 2003 14:02:29 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h92I2OJh022936; Thu, 2 Oct 2003 14:02:24 -0400 (EDT) Received: from dimins.com (wks66.micrologic.com [140.239.85.66] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h92I2Epg018438; Thu, 2 Oct 2003 14:02:14 -0400 (EDT) Received: from dimins.com ([::ffff:204.215.187.44]) by dimins.com with esmtp; Thu, 02 Oct 2003 13:58:38 -0400 Date: Thu, 2 Oct 2003 14:01:42 -0400 Subject: Re: recheck scheduled recording Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) Cc: opus@MIT.EDU, rls@MIT.EDU To: Ken Raeburn From: Ruth Jedlinsky In-Reply-To: Message-Id: <7AADD21B-F502-11D7-990E-003065AFF06A@dimins.com> Content-Transfer-Encoding: 7bit X-Mailer: Apple Mail (2.552) X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Oct 2003 14:01:42 -0400 Subject: Re: recheck scheduled recording Cc: opus@MIT.EDU, rls@MIT.EDU To: Ken Raeburn From: Ruth Jedlinsky In-Reply-To: X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave will check tonight so please don't record over it yet! Angel too. Ruth On Thursday, October 2, 2003, at 04:41 AM, Ken Raeburn wrote: > In the listings my TiVo gets, "Enterprise" has been renamed to "Star > Trek: Enterprise", and it's got a new series id number so my existing > season pass doesn't match the new listings. You should recheck > whether your Replay programming will pick up the new episodes. > > It may have started with tonight's episode, I'm not sure. (I'm > recording it to VCR, not on TiVo.)  1,, Summary-line: 2-Oct marion@leedscarroll.com [79] #All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Oct 2003 18:07:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h92M72Jn028867; Thu, 2 Oct 2003 18:07:19 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h92M5HEF022221 for ; Thu, 2 Oct 2003 18:05:17 -0400 (EDT) Received: (qmail 9897 invoked from network); 2 Oct 2003 22:05:16 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 02 Oct 2003 22:05:16 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 02 Oct 2003 22:05:16 -0000 Message-Id: <5.1.0.14.2.20031002175614.021886e8@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Thu, 02 Oct 2003 18:04:44 -0400 To: "hartley, douglas" From: Marion Leeds Carroll Subject: All's Well tape Cc: J91a@cs.com, j.carroll@computer.org, opus@mit.edu In-Reply-To: Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_1406081==_.ALT" X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Thu, 02 Oct 2003 18:04:44 -0400 To: "hartley, douglas" From: Marion Leeds Carroll Subject: All's Well tape Cc: J91a@cs.com, j.carroll@computer.org, opus@mit.edu In-Reply-To: X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_1406081==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Hi, Doug! Great hearing from you - hope you're well! It's been an even hairier week than usual - but I finally made it out to the PO today to send you - well - *my* tape, because Jim took the others to bring to the auditions... Anyway, you were pretty close in your guess of the postage price, and overly generous in the amount of cash you included to pay for the tape -- it's only $16 for the tape, but you sent me a $20. So I will send Dave a check for $16, and you - $4, when I get it together - if I'd been less dense I would have put $4 in the envelope with the tape... now I don't have your snail-mail address any more, so please remind me! - Marion the chaotic Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html --=====================_1406081==_.ALT Content-Type: text/html; charset="us-ascii" Hi, Doug! Great hearing from you - hope you're well!

It's been an even hairier week than usual - but I finally made it out to the PO today to send you - well - *my* tape, because Jim took the others to bring to the auditions...

Anyway, you were pretty close in your guess of the postage price, and overly generous in the amount of cash you included to pay for the tape -- it's only $16 for the tape, but you sent me a $20. 

So I will send Dave a check for $16, and you - $4, when I get it together - if I'd been less dense I would have put $4 in the envelope with the tape... now I don't have your snail-mail address any more, so please remind me!

- Marion the chaotic

Marion Leeds Carroll
marion@leedscarroll.com
(781) 646-9115
http://www.leedscarroll.com

Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php  to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. 
- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu 
- To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html --=====================_1406081==_.ALT--  1,, Summary-line: 2-Oct PSternenberg@aol.com [45] #Re: A sighting on "Angel" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 02 Oct 2003 18:10:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h92M3aLD026747; Thu, 2 Oct 2003 18:10:01 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h92M1sHO006545 for ; Thu, 2 Oct 2003 18:01:55 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h92M18TJ005407; Thu, 2 Oct 2003 18:01:08 -0400 (EDT) Date: Thu, 2 Oct 2003 18:01:08 -0400 (EDT) Message-Id: <147.1a186acc.2cadf9cc@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A sighting on "Angel" MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 2 Oct 2003 18:01:08 -0400 (EDT) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A sighting on "Angel" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > If, like me, you missed ANGEL last night, or if you're interested in seeing > the sighting, I understand that it will be aired on UPN at 10:00 tonight, at > least in some areas in the U.S. I wrote to Jonathan privately about this, greatly doubting that a new WB episode would be seen soon afterwards on a rival network. He gave me enough info for me to research this sufficiently to elaborate. Jonathan is presently writing from Providence, Rhode Island, a city with few enough TV stations that one of them, Channel 28, is an affiliate of both UPN and WB. It calls itself "UPN 28," but it presents selected WB series outside of the 8-10 PM prime time window during which it airs UPN programming. So Jonathan is right about where to see this particular episode in Providence, but in probably any other city it would be pointless to check out UPN tonight. It's likely he got word of last night's airing from people who saw it on Boston's WB affiliate (Channel 56), which probably can be seen in Providence. Note: If your UPN affiliate does carry ANGEL, it's probably the syndicated rerun version. That's the case for Channel 9 in New Jersey (seen by people in NYC who might still think the FCC has assigned Channel 9 there). I checked the Providence listings, though, and the new episode is the one being shown tonight. BTW, this episode is listed as Part 1 of 2. So the G&S references might still be made next week. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 3-Oct YesTisMabel@aol.com [27] #Mikado released on DVD this week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 03:36:17 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h937ZpJp024063; Fri, 3 Oct 2003 03:36:12 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h937YOTN029925 for ; Fri, 3 Oct 2003 03:34:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h937XSTJ022866; Fri, 3 Oct 2003 03:33:28 -0400 (EDT) Date: Fri, 3 Oct 2003 03:33:28 -0400 (EDT) Message-Id: <67.19b601b4.2cae7ceb@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Mikado released on DVD this week MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 03:33:28 -0400 (EDT) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Mikado released on DVD this week X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, guys! Saw this item on an Operalist press release of new DVDs yesterday and thought I would pass it on. << * THE MIKADO: Donald Adams, Phillip Potter, John Reed, Valerie Masterson, Kenneth Sandford, Thomas Lawlor, Peggy Ann Jones, Pauline Wales, Christene Palmer; Isidore Godfrey, D'Oyly Carte Opera Company, City of Birmingham Symphony Orchestra, 1966 Film. Newly remastered. (VAI)>> Elise Curran Orlando  1,, Summary-line: 3-Oct chris@sounds-on-cd.co.uk [64] #RE: Mikado released on DVD this week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 05:13:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h939CwJh025985; Fri, 3 Oct 2003 05:12:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h939Cvj4007207 for ; Fri, 3 Oct 2003 05:12:57 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h939CRTJ023360; Fri, 3 Oct 2003 05:12:27 -0400 (EDT) Date: Fri, 3 Oct 2003 05:12:27 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <67.19b601b4.2cae7ceb@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 05:12:27 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <67.19b601b4.2cae7ceb@aol.com> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Elise wrote > Saw this item on an Operalist press release of new DVDs yesterday and thought > I would pass it on. > > << * THE MIKADO: Donald Adams, Phillip Potter, John Reed, Valerie > Masterson, Kenneth Sandford, Thomas Lawlor, Peggy Ann Jones, Pauline > Wales, Christene Palmer; Isidore Godfrey, D'Oyly Carte Opera Company, City > of Birmingham Symphony Orchestra, 1966 Film. Newly remastered. (VAI)>> "Ah, here it is at last. I thought it would come sooner or later..." Before this film was finally released on DVD by BHE last December (which came as quite a surprise), it seemed the only chance of a DVD issue would be from VAI who had issued it on video, and I must have written to them in six monthly intervals about four times to find out if they had got any closer to an issue. It's possible that my informing them in January that they needn't bother any more because the 'mother' company had just issued it on DVD might have prompted them to finally get their fingers out to acquire the US DVD rights. But, on acquiring the BHE DVD many of us considered this a missed opportunity because it was taken from a video print and not a film print which meant that like the commercial video issue it was out of pitch (it needs to be direct from the film print for the pitch to be correct) and the picture was not as sharp as one expects with DVD, and in an effort to reduce the hiss of the soundtrack it seems they just dulled the top down which has left the soundtrack slightly muffled. The VAI issue could now be a surprise second chance to get it right, although my fears are that they won't because, good as VAI is at reissuing some marvellous old material, the quality of their issues is not always good. For example, there are two labels currently issuing an early 70s film of Lucia, VAI and another, and VAI's is taken from a 16mm print (or maybe even an 8mm print) and is in considerably lower quality than the other which appears to be from a 35mm print. This VAI copy of The Mikado may well be 'newly remastered' as advertised, but just the very process of the film being transferred to a digital medium could be covered by this phrase, and it may not mean that any restoration has taken place. I shall certainly be greeting this issue with much optimism, this film deserves (and OUGHT) to be restored to the very best quality, but I have all my digits crossed in the hope that I am not going to be disappointed. Other people may well receive their copy before me (I'm away for a long weekend in Cardiff and so won't be ordering it until sometime next week) and I'd be very pleased if those 'in the know' about such things who might also purchase this second edition (Robert? Clive? Peter? etc.) would post a technical review. Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 3-Oct oldadam@ntlworld.com [41] #Re: Looking for a couple of ex-B99'ers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 11:44:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h93FisJh004910; Fri, 3 Oct 2003 11:44:54 -0400 (EDT) Received: from mta05-svc.ntlworld.com (mta05-svc.ntlworld.com [62.253.162.45]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h93Fimnq005541 for ; Fri, 3 Oct 2003 11:44:49 -0400 (EDT) Received: from [213.106.206.39] by mta05-svc.ntlworld.com (InterMail vM.4.01.03.37 201-229-121-137-20020806) with ESMTP id <20031003154447.FQZO2197.mta05-svc.ntlworld.com@[213.106.206.39]> for ; Fri, 3 Oct 2003 16:44:47 +0100 Mime-Version: 1.0 X-Sender: oldadam@pop.ntlworld.com Message-Id: In-Reply-To: <200309301801.OAA23201@multics.mit.edu> References: <200309301801.OAA23201@multics.mit.edu> Date: Fri, 3 Oct 2003 16:40:56 +0100 To: "David C. Jedlinsky" From: "Stephen F. Hill" Subject: Re: Looking for a couple of ex-B99'ers Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -1.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: oldadam@pop.ntlworld.com In-Reply-To: <200309301801.OAA23201@multics.mit.edu> Date: Fri, 3 Oct 2003 16:40:56 +0100 To: "David C. Jedlinsky" From: "Stephen F. Hill" Subject: Re: Looking for a couple of ex-B99'ers X-Spam-Score: -1.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Hi Stephen. > >The last known address I have for Cara Arellano is >"joey_dog@pacbell.net". But that's probably the same one you have, >and that means I've lost track of her, too. > >Oh well. She and I manage to get in touch about once a decade, so I >can give you her updated address around 2011. :-) > >Searching on google, I find an address of "joeybiscuit@yahoo.com", but >I'm not sure if it's more recent than the other one, or if it's even >the same Cara (though I have reason to believe it is). > Hi Dave, Thanks for your note. Cara has got in touch with me - you were right with the "yahoo" address. Larry Byler had also emailed me about her - I think he may have been able to pass my message on. Cheers for now Stephen -- ---------------------------------------------------------------------- Stephen F. Hill G6FPX oldadam@ntlworld.com Runcorn, Cheshire, UK "A Sturdy Fellow, After All!" : W.S. Gilbert ----------------------------------------------------------------------  1,, Summary-line: 3-Oct pdp@globalnet.co.uk [45] #RE: Mikado released on DVD this week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 11:59:38 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h93FxXJh023987; Fri, 3 Oct 2003 11:59:33 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h93FxW2P021115 for ; Fri, 3 Oct 2003 11:59:32 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h93FwsTJ007322; Fri, 3 Oct 2003 11:58:54 -0400 (EDT) Date: Fri, 3 Oct 2003 11:58:54 -0400 (EDT) Message-Id: <3.0.6.32.20031003163452.0132e600@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 11:58:54 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 08:58 03/10/03 -0400, you wrote: > >> Any chance of an NTSC version? > >I think the VAI version will be NTSC. This is the American issue. One assumes that the release announced will be in NTSC, but that is an assumption only. I have looked carefully at the box and actual disc of my copy which only credits BHE. There is no mention as to whether the disc is PAL or NTSC but playing it seems to indicate PAL. Most UK DVD players will play either type of disc but the TV has to respond to a change of signal. That always causes a flash or two as the signal changes from one system to the other, and the picture alters its size slightly. No such change occurs on playing the disc so I assume it is in PAL. Just like the record industry the lack of information on labels is appalling. There is no number for the disc, no address of the copyright holder, not even an address for BHE other that a web reference. I found that did not work when I tried it some while ago. One also assumes this disc is region 0 but I have no way of reading that data and there is nothing on the disc or the box. Its all very un-satisfactory. The DVD (in UK) suffers from the same defects as the original film in colour constancy. It was made ''on the cheap'' but is the only record we have of that cast and for that reason alone is worth buying IMHO. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 3-Oct J91a@cs.com [52] #RE: All's Well tape X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 13:28:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h93HQKK9019539; Fri, 3 Oct 2003 13:28:22 -0400 (EDT) Received: from imo-d03.mx.aol.com (imo-d03.mx.aol.com [205.188.157.35]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h93HJwnq029022 for ; Fri, 3 Oct 2003 13:19:58 -0400 (EDT) Received: from J91a@cs.com by imo-d03.mx.aol.com (mail_out_v36_r1.1.) id g.13.22e0ae57 (15886); Fri, 3 Oct 2003 13:19:50 -0400 (EDT) Received: from cs.com (mow-m31.webmail.aol.com [64.12.137.8]) by air-id08.mx.aol.com (v96.8) with ESMTP id MAILINID81-3e0e3f7dafb6170; Fri, 03 Oct 2003 13:19:50 -0400 Date: Fri, 03 Oct 2003 13:19:50 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), hartley@emc.com ("hartley, douglas") Cc: j.carroll@computer.org, opus@mit.edu Subject: RE: All's Well tape MIME-Version: 1.0 Message-ID: <77F25BAD.47D1E093.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 03 Oct 2003 13:19:50 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), hartley@emc.com ("hartley, douglas") Cc: j.carroll@computer.org, opus@mit.edu Subject: RE: All's Well tape X-AOL-IP: 130.64.29.226 X-Spam-Score: 0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Um, Marion? Doug ordered a DVD? 18? Is there still a list lying around? Sorry, Janine Marion Leeds Carroll wrote: >Hi, Doug! Great hearing from you - hope you're well! > >It's been an even hairier week than usual - but I finally made it out to >the PO today to send you - well - *my* tape, because Jim took the others to >bring to the auditions... > >Anyway, you were pretty close in your guess of the postage price, and >overly generous in the amount of cash you included to pay for the tape -- >it's only $16 for the tape, but you sent me a $20. > >So I will send Dave a check for $16, and you - $4, when I get it together - >if I'd been less dense I would have put $4 in the envelope with the tape... >now I don't have your snail-mail address any more, so please remind me! > >- Marion the chaotic > > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit >http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php  to >learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or >cupid@mit.edu >- To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 3-Oct marion@leedscarroll.com [77] #RE: All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 14:26:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h93IQSJh027308; Fri, 3 Oct 2003 14:26:28 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h93IHVR5005817 for ; Fri, 3 Oct 2003 14:17:32 -0400 (EDT) Received: (qmail 16959 invoked from network); 3 Oct 2003 18:17:31 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 03 Oct 2003 18:17:31 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 03 Oct 2003 18:17:31 -0000 Message-Id: <5.1.0.14.2.20031003141458.02180da0@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Fri, 03 Oct 2003 14:17:23 -0400 To: J91a@cs.com, hartley@emc.com ("hartley, douglas") From: Marion Leeds Carroll Subject: RE: All's Well tape Cc: j.carroll@computer.org, opus@mit.edu, hartley@emc.com ("hartley, douglas") In-Reply-To: <77F25BAD.47D1E093.00002B09@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Fri, 03 Oct 2003 14:17:23 -0400 To: J91a@cs.com, hartley@emc.com ("hartley, douglas") From: Marion Leeds Carroll Subject: RE: All's Well tape Cc: j.carroll@computer.org, opus@mit.edu, hartley@emc.com ("hartley, douglas") In-Reply-To: <77F25BAD.47D1E093.00002B09@cs.com> X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Oh, well - the note he sent said Tape, I am pretty sure - so I sent him my tape. I do not have the list - Jim has it, along with all the extra tapes & DVDs. This is why I did *not* want to do the organizing for this thing - I am not mobile enough to get the right things to the right people! -- Marion At 01:19 PM 10/3/2003 -0400, J91a@cs.com wrote: >Um, Marion? > >Doug ordered a DVD? 18? Is there still a list lying around? > >Sorry, > >Janine > >Marion Leeds Carroll wrote: > > >Hi, Doug! Great hearing from you - hope you're well! > > > >It's been an even hairier week than usual - but I finally made it out to > >the PO today to send you - well - *my* tape, because Jim took the others to > >bring to the auditions... > > > >Anyway, you were pretty close in your guess of the postage price, and > >overly generous in the amount of cash you included to pay for the tape -- > >it's only $16 for the tape, but you sent me a $20. > > > >So I will send Dave a check for $16, and you - $4, when I get it together - > >if I'd been less dense I would have put $4 in the envelope with the tape... > >now I don't have your snail-mail address any more, so please remind me! > > > >- Marion the chaotic > > > > > >Marion Leeds Carroll > >marion@leedscarroll.com > >(781) 646-9115 > >http://www.leedscarroll.com > > > >Visit > >http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to > >learn about the October benefit concert for the Boston Cure Project for > >Multiple Sclerosis. > >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or > >cupid@mit.edu > >- To download a flyer, visit > http://leedscarroll.com/boston-cure/poster.html Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 3-Oct marion@leedscarroll.com [62] #Re: Rehearsal space X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 14:39:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h93IYaKx002359; Fri, 3 Oct 2003 14:39:46 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h93IR5Uj003900 for ; Fri, 3 Oct 2003 14:27:05 -0400 (EDT) Received: (qmail 12385 invoked from network); 3 Oct 2003 18:27:04 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 03 Oct 2003 18:27:04 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 03 Oct 2003 18:27:04 -0000 Message-Id: <5.1.0.14.2.20031003142121.02178a18@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Fri, 03 Oct 2003 14:26:56 -0400 To: Graham Wright From: Marion Leeds Carroll Subject: Re: Rehearsal space Cc: j.carroll@computer.org, J91a@cs.com, opus@mit.edu In-Reply-To: <4.1.20031003140759.009fd1f0@140.239.39.194> References: <5.1.0.14.2.20031003131424.0215c8d8@pop.leedscarroll.com> <4.1.20031003092245.00a12530@140.239.39.194> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Fri, 03 Oct 2003 14:26:56 -0400 To: Graham Wright From: Marion Leeds Carroll Subject: Re: Rehearsal space Cc: j.carroll@computer.org, J91a@cs.com, opus@mit.edu In-Reply-To: <4.1.20031003140759.009fd1f0@140.239.39.194> X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jim, et al - see below re All's Well videos- At 02:14 PM 10/3/2003 -0400, Graham wrote: >Thank you for letting us use your place for rehearsal -- we'll be long gone >by 4, I'm sure. This piece shouldn't take much time. No problem - just let me know when you'll be showing up! >Hmmm...so now that the program editor has changed. Does that mean I should >re-send my translation, just to be sure? Is Randi the one taking over now? Elizabeth forwarded the translations to Randi - all right so far! >By the way, I think you might have copies of the MITCP All's Well that Ends >Well video. If you still have Dana Frantz's copy, then I could pick it up >for her when I drop by your place on Sun. Jim has the tapes - I'm CCing him. Jim - you have both the tapes and the list - it's a tape for Dana, not a DVD, right? Will you be able to bring one here? Actually... I never got to meet with Rydia this week, so I still have the one I was going to give her - so that's okay. But if anyone hears from Rydia, we need to get her a tape! - Marion the multi-tasking >Bon courage! > merci buckets! - I need it! (as the painters continue their scraping & pounding) Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 3-Oct J91a@cs.com [90] #RE: All's Well tape X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 14:49:49 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h93IniJh012107; Fri, 3 Oct 2003 14:49:44 -0400 (EDT) Received: from imo-r06.mx.aol.com (imo-r06.mx.aol.com [152.163.225.102]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h93Ik4Uj014763 for ; Fri, 3 Oct 2003 14:46:04 -0400 (EDT) Received: from J91a@cs.com by imo-r06.mx.aol.com (mail_out_v36_r1.1.) id g.6d.1a213be7 (16035); Fri, 3 Oct 2003 14:45:59 -0400 (EDT) Received: from cs.com (mow-d16.webmail.aol.com [205.188.139.132]) by air-id10.mx.aol.com (v96.8) with ESMTP id MAILINID102-3ea33f7dc3e7350; Fri, 03 Oct 2003 14:45:59 -0400 Date: Fri, 03 Oct 2003 14:45:59 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), hartley@emc.com ("hartley, douglas") Cc: j.carroll@computer.org, opus@mit.edu, hartley@emc.com ("hartley, douglas") Subject: RE: All's Well tape MIME-Version: 1.0 Message-ID: <0E9EAB1B.4B6AF9A0.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 130.64.29.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 03 Oct 2003 14:45:59 -0400 From: J91a@cs.com To: marion@leedscarroll.com (Marion Leeds Carroll), hartley@emc.com ("hartley, douglas") Cc: j.carroll@computer.org, opus@mit.edu, hartley@emc.com ("hartley, douglas") Subject: RE: All's Well tape X-AOL-IP: 130.64.29.226 X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, I'm offering again to take the whole thing over if it is too much. But I don't have a car and I need to either meet someone somewhere with the goods, or have them delivered...WITH the list -- very important! As for Doug, no big deal. I haven't collected my VHS yet, and if necessary, we can meet and switch. So let me know what's easiest. Best, Janine Marion Leeds Carroll wrote: >Oh, well - the note he sent said Tape, I am pretty sure - so I sent him my >tape. > >I do not have the list - Jim has it, along with all the extra tapes & DVDs. > >This is why I did *not* want to do the organizing for this thing - I am not >mobile enough to get the right things to the right people! > >-- Marion > >At 01:19 PM 10/3/2003 -0400, J91a@cs.com wrote: >>Um, Marion? >> >>Doug ordered a DVD? 18? Is there still a list lying around? >> >>Sorry, >> >>Janine >> >>Marion Leeds Carroll wrote: >> >> >Hi, Doug! Great hearing from you - hope you're well! >> > >> >It's been an even hairier week than usual - but I finally made it out to >> >the PO today to send you - well - *my* tape, because Jim took the others to >> >bring to the auditions... >> > >> >Anyway, you were pretty close in your guess of the postage price, and >> >overly generous in the amount of cash you included to pay for the tape -- >> >it's only $16 for the tape, but you sent me a $20. >> > >> >So I will send Dave a check for $16, and you - $4, when I get it together - >> >if I'd been less dense I would have put $4 in the envelope with the tape... >> >now I don't have your snail-mail address any more, so please remind me! >> > >> >- Marion the chaotic >> > >> > >> >Marion Leeds Carroll >> >marion@leedscarroll.com >> >(781) 646-9115 >> >http://www.leedscarroll.com >> > >> >Visit >> >http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php  to >> >learn about the October benefit concert for the Boston Cure Project for >> >Multiple Sclerosis. >> >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or >> >cupid@mit.edu >> >- To download a flyer, visit >> http://leedscarroll.com/boston-cure/poster.html > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project for >Multiple Sclerosis. >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or >cupid@mit.edu >- To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html > >  1,, Summary-line: 3-Oct scottlfarrell@yahoo.com [95] #AGES AGO! and PRINCESS TOTO vocal scores now available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 21:12:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h941CUJh012311; Fri, 3 Oct 2003 21:12:30 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h941CT0b010260 for ; Fri, 3 Oct 2003 21:12:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h941BkTJ011619; Fri, 3 Oct 2003 21:11:46 -0400 (EDT) Date: Fri, 3 Oct 2003 21:11:46 -0400 (EDT) Message-Id: <20031004004653.94459.qmail@web40902.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: AGES AGO! and PRINCESS TOTO vocal scores now available MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 21:11:46 -0400 (EDT) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: AGES AGO! and PRINCESS TOTO vocal scores now available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hallo. After several months, I have finished my reprinting of the vocal score for Gilbert and Clay's AGES AGO!. I received a photocopy of the score from a very generous Snetter, who said that it's so full of errors that it needs reprinting. I prepared a corrected score, intended for the purpose of performance this summer, but it never happened, so the pages sat on my desk untouched since May until a few days ago. I have corrected a number of anomolies in the score, including missing notes, wrong rythyms, dropped sharps and flats and wrong voice allocations. I have also made some of the piano accompaniment easier to read and perform by removing unnecessary doublings in harmony (usually the minor 7th of a chord pattern). This does not comprimise the music, but makes much easier fingering on the keyboard and keeps the intended sound. One of the biggest changes I made was to the last verse of Lady Maud's opening aria "Moments so fleeting". I was made aware of a 3rd verse that did not appear in the score, beginning "What songs of glory/Might poets steal?". I have included the text in the song, which makes for more interesting listening and some nice colouring for the music. Dialogue, which has not been "corrected", is included with each score. Cost for US customers is $15 (S&H included) and for UK customers 9.2 lbs (sorry, I don't have that symbol). 132 pp. Also available is the piano-vocal score for Gilbert and Clay's PRINCESS TOTO, which also corrects a number of errors and some judicious pruning. This score was also prepared for a performance that never happened. Some additional lyrics were restored to the score, most notably Jacquier's 2nd act aria and the following choral responses. This edition places Toto's "The Pig with the Roman Nose" in its proper place in the 3rd act and chooses the 2nd version of the duet "My own, own love", as well as a more proper Finale for the 3rd act, which follows as it appears in the Lord Chamberlain's copy. It includes a reprise of "Pig with the Roman Nose" and "At last, I shall marry my own". Also included with the music is a cleaner and proper Overture, constructed from the Introductions to the 1st and 2nd acts. Dialogue is not included. This score is available for $23 US (14 lbs for UK). 251 pp. MIDI files for both of the operas appear on the Archive; a Web opera for AA! and some for PT, a number of which I donated. Please contact me privately if I missed covering any questions you may have. I accept Paypal at this address; if you don't have Paypal, please let me know and we'll make arrangements. Both of these scores have long been out of print and, I suspect, long out of repertoire. I think it's time that one or both of these operas get a full and proper revival. BTW, I've heard rumours about band parts for both operas but no one has yet provided a source or names to me for their whereabouts. I've also heard of a renegade recording of AA! on LP (maybe RRE?) but that's also lead to nowhere. If anyone can clarify these, please contact me privately. __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 3-Oct j.carroll@computer.org [46] #Re: All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 21:38:58 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h941cpJh015542; Fri, 3 Oct 2003 21:38:51 -0400 (EDT) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h941ZS0b016999 for ; Fri, 3 Oct 2003 21:35:28 -0400 (EDT) Received: from 207-172-79-160.c3-0.smr-ubr1.sbo-smr.ma.cable.rcn.com ([207.172.79.160] helo=servidor) by smtp01.mrf.mail.rcn.net with smtp (Exim 3.35 #4) id 1A5bKS-0002tc-00; Fri, 03 Oct 2003 21:35:28 -0400 Date: Fri, 3 Oct 2003 21:33:19 -0400 From: Jim Carroll To: Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: All's Well tape Message-Id: <20031003213319.7f3e4574.j.carroll@computer.org> In-Reply-To: <0E9EAB1B.4B6AF9A0.00002B09@cs.com> References: <0E9EAB1B.4B6AF9A0.00002B09@cs.com> Reply-To: j.carroll@computer.org X-Mailer: Sylpheed version 0.7.4 (GTK+ 1.2.10; i386-debian-linux-gnu) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 21:33:19 -0400 From: Jim Carroll To: Cc: marion@leedscarroll.com, opus@mit.edu Subject: Re: All's Well tape In-Reply-To: <0E9EAB1B.4B6AF9A0.00002B09@cs.com> Reply-To: j.carroll@computer.org X-Spam-Score: -2.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Fri, 03 Oct 2003 14:45:59 -0400 wrote: > Well, I'm offering again to take the whole thing over if it is too > much. But I don't have a car and I need to either meet someone > somewhere with the goods, or have them delivered...WITH the list -- > very important! > > As for Doug, no big deal. I haven't collected my VHS yet, and if > necessary, we can meet and switch. > > So let me know what's easiest. > > Best, > > Janine > > Marion Leeds Carroll wrote: > > >Oh, well - the note he sent said Tape, I am pretty sure - so I sent > >him my tape. > > > >I do not have the list - Jim has it, along with all the extra tapes & > >DVDs. Here's what I have: 4 DVDs (for Doug Hartley, Eric Lindblad, Mal Rhett and Rydia Vielehr) 3 VHSs (for Dana Franz, Elizabeth Stone and Janine) I've been swamped with work this week, but I'll try to figure out something tomorrow. --Jim  1,, Summary-line: 3-Oct cupid@MIT.EDU [65] #[Donnarslr@rcn.com: Re: [Savoyards] Patience Recordings] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 03 Oct 2003 23:34:48 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h943YhJh020438; Fri, 3 Oct 2003 23:34:44 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h943Yh4u013554 for ; Fri, 3 Oct 2003 23:34:43 -0400 (EDT) Received: from contents-vnder-pressvre.mit.edu (CONTENTS-VNDER-PRESSVRE.MIT.EDU [18.7.16.67]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h943YhjW014564 for ; Fri, 3 Oct 2003 23:34:43 -0400 (EDT) Received: (from cupid@localhost) by contents-vnder-pressvre.mit.edu (8.12.9) id h943YgYl021478; Fri, 3 Oct 2003 23:34:42 -0400 (EDT) Date: Fri, 3 Oct 2003 23:34:42 -0400 (EDT) Message-Id: <200310040334.h943YgYl021478@contents-vnder-pressvre.mit.edu> From: Randi M Kestin To: opus@MIT.EDU Subject: [Donnarslr@rcn.com: Re: [Savoyards] Patience Recordings] X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 3 Oct 2003 23:34:42 -0400 (EDT) From: Randi M Kestin To: opus@MIT.EDU Subject: [Donnarslr@rcn.com: Re: [Savoyards] Patience Recordings] X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey Dave, I thought you'd be amused with this situation. :) Randi ------- Start of forwarded message ------- X-Sieve: CMU Sieve 2.2 From: "Donna Roessler" To: "Randi M Kestin" Subject: Re: [Savoyards] Patience Recordings Date: Fri, 3 Oct 2003 17:20:53 -0400 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'll let you know. We will definitely be ordering replacements, but I may just have him mail them out directly since this is his fault. I'll keep you posted. Donna - ----- Original Message ----- From: "Randi M Kestin" To: Sent: Thursday, October 02, 2003 10:51 PM Subject: Re: [Savoyards] Patience Recordings > > >I realize that many people never watch their videos - and I am one of = > >them! So, if you've just put your video in a drawer as a keepsake, = > >please check it. It would be a shame if you went to show it down the = > >road and there was a problem and we couldn't do anything about it = > >anymore. > > Guilty as charged. > > >Hi everyone! It has come to my attention that there may be a problem = > >with some of the Patience recordings. Some people have found that their = > >DVD discs don't work. They show on the screen as being a dirty disc. = > >There may also be an issue with the VHS recording. > > Yah so we rushed to check out Patience DVD and got the dirty disk error. :( > > Thanks for the heads up Donna! > > What do we do next? > > Randi ------- End of forwarded message -------  1,, Summary-line: 4-Oct pdp@globalnet.co.uk [35] #RE: Mikado released on DVD this week X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Oct 2003 05:50:47 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h949ogJh023145; Sat, 4 Oct 2003 05:50:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h949ofnE020224 for ; Sat, 4 Oct 2003 05:50:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h949oDTJ013276; Sat, 4 Oct 2003 05:50:13 -0400 (EDT) Date: Sat, 4 Oct 2003 05:50:13 -0400 (EDT) Message-Id: <3.0.6.32.20031004103642.0132d1c0@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Oct 2003 05:50:13 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: RE: Mikado released on DVD this week X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My attention having been drawn to this DVD this week, I dug it out to play. I find that the sound is in mono only and sounds like it has been dubbed from an optical film soundtrack with all the background fizz. I might not have noticed this before but today was looking at the quality of the recording rather than the actual performance. I then dug out the original VHS tape dating from the days when it was distributed by Rank. Neither the box nor the VHS cassette bears any date. The sound on that is also in mono on an edge track and it does not even have any Hi-Fi tracks. Whether it has stereo linear tracks is something I am unable nowadays to tell. Nothing marked as usual on the box or VHS cassette. If anyone buys it in USA please report if it is in NTSC, and with stereo sound. The original film did have stereo sound as I recall, because I complained about hum on one channel in the places it was shown. Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 4-Oct awrobins@yahoo.com [64] #Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Oct 2003 12:08:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h94G8ZJj011447; Sat, 4 Oct 2003 12:08:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h94G3jfF010052 for ; Sat, 4 Oct 2003 12:03:45 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h94G1uTJ020888; Sat, 4 Oct 2003 12:01:57 -0400 (EDT) Date: Sat, 4 Oct 2003 12:01:56 -0400 (EDT) Message-Id: <20031004153825.73354.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004004653.94459.qmail@web40902.mail.yahoo.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Oct 2003 12:01:56 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004004653.94459.qmail@web40902.mail.yahoo.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Scott Farrell wrote: > I've also heard of a > renegade recording of AA! on LP (maybe RRE?) but > that's also led to nowhere. If anyone can clarify > these, please contact me privately. I'm replying publicly, because I'm curious for more details than I have. There was indeed an LP of Ages Ago; I don't own it myself, but one of my sisters does, so I've heard it. I don't think RRE put it out; it seems to be American. I remember Lady Maud was played by an actress named Jo Anne Brieff with what we all considered a painful Amurrican accent (though in 1972 I saw her play Julia Jellicoe with a German accent in NYC--with the Blue Hill Troupe, I think--and thought she was very good). I don't remember the label, but there was a clipping from the New York Times about the recording, which I've been meaning to look up. I've got the citation from the NYT Index: it's April 25, 1971, Section II page 23. I shouldn't think there'd be a Times review of it if it was a bootleg recording, but of course I know nothing about these things. I'd be interested to hear more about this recording from someone who does (Rafe?). I also have somewhere a cassette tape of Ages Ago that I bought in the 1980's, I believe from UMGASS or the Comic Opera Guild (or are those the same thing?). I don't know whether this is still available--does anyone else know? Enquiring minds want to know. Arthur ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 4-Oct ornstn@rogers.com [37] #Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Oct 2003 12:32:55 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h94GWoJh019480; Sat, 4 Oct 2003 12:32:51 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h94GSuih008100 for ; Sat, 4 Oct 2003 12:28:56 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h94GSOTJ025500; Sat, 4 Oct 2003 12:28:24 -0400 (EDT) Date: Sat, 4 Oct 2003 12:28:24 -0400 (EDT) Message-Id: <5.2.0.9.2.20031004121940.027ef200@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004153825.73354.qmail@web10803.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Oct 2003 12:28:24 -0400 (EDT) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004153825.73354.qmail@web10803.mail.yahoo.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 12:01 PM 04/10/03 -0400, Arthur Robinson wrote: >I also have somewhere a cassette tape of Ages Ago that >I bought in the 1980's, I believe from UMGASS or the >Comic Opera Guild (or are those the same thing?). I >don't know whether this is still available--does >anyone else know? This was from the inaugural production of the Comic Opera Guild (which is not UMGASS but grew out of a small touring offshoot of UMGASS, the UMGASS Small Company. founded by Tom Petiet. The Small Company produced Trial, Thespis and The Zoo between 1970 and 1972. UMGASS "became" COG in about 1973 (I was in Australia at the time), debuting (I think in early 1974) with a double bill of Ages Ago and Mozart's Bastien und Bastienne. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1,, Summary-line: 4-Oct mgillett@umich.edu [34] #Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Oct 2003 16:14:36 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h94KEQJj001675; Sat, 4 Oct 2003 16:14:31 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h94KCjWa013488 for ; Sat, 4 Oct 2003 16:12:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h94KBrTJ007149; Sat, 4 Oct 2003 16:11:53 -0400 (EDT) Date: Sat, 4 Oct 2003 16:11:53 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004153825.73354.qmail@web10803.mail.yahoo.com> X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Oct 2003 16:11:53 -0400 (EDT) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! and PRINCESS TOTO vocal scores now available X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031004153825.73354.qmail@web10803.mail.yahoo.com> X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Please bear in mind that Ages Ago did not have an orchestra, rather since it was produced at the Reed's Gallery, it had piano, harmonium, and a brief appearance by the harp. There are also several states of the dialogue. The Comic Opera Guild version is still available, and while not perfect, captures the charm of the piece. Gersh Morningstar, who was the Grand Duke on Umgass's 1973 Grand Duke, plays Sir Ebenezer with great relish and some dry wit. To re-iterat Ron in a slightly different way, COG evolved out of a friendly splintering of Umgass 31 years ago. There is much crossover of personel, but they do G&S and we do everything else (operetta, vaudeville, opera comique {Carmen with dialogue}, pre-1940s american shows...). Those interested can Contact Tom Petiet at constu@comcast.net to find out if he has Ages Ago on cassette or if it's been transfered over to cd. Have a good Saturday. Mitchell Gillett Ann Arbor, Mi  1,, Summary-line: 4-Oct lauriebrot@cox.net [33] #Re: Professional? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 04 Oct 2003 23:15:37 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h953FWJh007394; Sat, 4 Oct 2003 23:15:32 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h953FTul018467 for ; Sat, 4 Oct 2003 23:15:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h953EbTJ025623; Sat, 4 Oct 2003 23:14:37 -0400 (EDT) Date: Sat, 4 Oct 2003 23:14:37 -0400 (EDT) Message-Id: <005601c38aec$b49cdd80$975c0944@ri.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lauriebrot@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "laurie weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Professional? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 4 Oct 2003 23:14:37 -0400 (EDT) Reply-To: lauriebrot@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "laurie weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Professional? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am a board member with Opera New Hampshire. We just changed our name from The Opera League of New Hampshire to try to modernize a bit. We bring in three shows each year from NYC to Manchester New Hampshire (USA). These shows run about $24,000 per. DiCapo Opera in New York has been the performing company for the past few years. Just finding a touring company is a problem. The other problem is raising enough money to continue. Selling tickets covers less than half the total cost. Grants, dontations and program ads make up the balance. To bring this OT (although it does fit with the recent postings by Mike, Mark and Andi) our middle opera this year will be Pirates of Penzance, produced by the management of the theater in which we present. They will cast the show in NYC and bring all north. Being an impressario is tough work! Laurie I estole the preence  1,, Summary-line: 5-Oct rmacphai@bridgewater.edu [41] #Re: AGES AGO! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 05 Oct 2003 13:41:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h95HesJr006036; Sun, 5 Oct 2003 13:41:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h95HcsOn021722 for ; Sun, 5 Oct 2003 13:38:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h95HcKTJ013457; Sun, 5 Oct 2003 13:38:22 -0400 (EDT) Date: Sun, 5 Oct 2003 13:38:20 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.6.32.20031004222559.0132e240@pop3.norton.antivirus> X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 5 Oct 2003 13:38:20 -0400 (EDT) Reply-To: rmacphai@bridgewater.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ralph MacPhail, Jr." To: Multiple recipients of list SAVOYNET Subject: Re: AGES AGO! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3.0.6.32.20031004222559.0132e240@pop3.norton.antivirus> X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The _Ages Ago_ recording was done by the late Frederick Roffman, with a New York Cast. It was a "studio recording." I seem to recall that the accompaniment was piano and early-synthesizer "harmonium." It was issed in two discs, in a double sleeve, with art and text printed on orange paper glued to the sleeve; notes by Mr. Roffman. The dialogue is difficult to listen to, it's so stilted. A better recording of _Ages Ago_ circulated on reel-to-reel tape in the '70s, well acted and sung, and I think that the part of Sir Ebeneezer Tare was played by Richard Sheldon of Opera a la Carte. R.S. was, of course, the subject of recent discussion on SavoyNet. Best regards, Rafe -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Ralph MacPhail, Jr. 540/828-5342 RMacPhai@Bridgewater.edu Box 114 Bridgewater College FAX: 540/828-6656 402 East College Street Bridgewater VA 22812-1599 USA HOME: 540/828-6656 -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --  1, answered,, Summary-line: 5-Oct J91a@cs.com [23] #Re: All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 05 Oct 2003 19:45:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h95Nj1Jh006968; Sun, 5 Oct 2003 19:45:01 -0400 (EDT) Received: from imo-m04.mx.aol.com (imo-m04.mx.aol.com [64.12.136.7]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h95Nj0Co010045 for ; Sun, 5 Oct 2003 19:45:00 -0400 (EDT) Received: from J91a@cs.com by imo-m04.mx.aol.com (mail_out_v36_r1.1.) id m.3e.35cb69d6 (17079); Sun, 5 Oct 2003 19:44:45 -0400 (EDT) From: J91a@cs.com Message-ID: <3e.35cb69d6.2cb206ed@cs.com> Date: Sun, 5 Oct 2003 19:44:45 EDT Subject: Re: All's Well tape To: j.carroll@computer.org CC: marion@leedscarroll.com, opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Sun, 5 Oct 2003 19:44:45 EDT Subject: Re: All's Well tape To: j.carroll@computer.org CC: marion@leedscarroll.com, opus@mit.edu X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thanks Jim, I haven't been able to get to my email yet this weekend. Let's work out somewhere we can meet this week one of these evenings. What I plan to do is call people individually and work out places where we can meet and exchange goods. When I have everything, I'll mail the checks to Dave. And Dave, I need the Acronym you want the checks mailed out to again please. I think that email is probably long-gone by now. Thanks and all best wishes, Janine  1,, Summary-line: 6-Oct jcb@alum.MIT.EDU, nlgilma [21] #welcome to the world Laura Catherine X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 06 Oct 2003 01:08:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9657hJj018156; Mon, 6 Oct 2003 01:07:57 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9653HFC002532; Mon, 6 Oct 2003 01:03:17 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h9652U0S011210; Mon, 6 Oct 2003 01:03:15 -0400 (EDT) Received: (from jcb@localhost) by no-knife.mit.edu (8.12.9) id h9652TTD004672; Mon, 6 Oct 2003 01:02:29 -0400 (EDT) Date: Mon, 6 Oct 2003 01:02:29 -0400 (EDT) Message-Id: <200310060502.h9652TTD004672@no-knife.mit.edu> To: (friends and relatives of Nancy Gilman and Jeff Bigler) Subject: welcome to the world Laura Catherine From: Jeff Bigler , Nancy Gilman X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 6 Oct 2003 01:02:29 -0400 (EDT) To: (friends and relatives of Nancy Gilman and Jeff Bigler) Subject: welcome to the world Laura Catherine From: Jeff Bigler , Nancy Gilman X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Please join us in welcoming Laura Catherine Gilman Bigler to the world. Laura was born in a water birth at her home in Nahant on Sunday afternoon October 5, 2003 at 5:08pm, weighing 8 pounds, 13 ounces, and measuring 22 inches. Laura and her entire family are doing well. You can see the first pictures of Laura (as well as a whole bunch of pictures of the rest of her family) at and . Jeff & Nancy  1,, Summary-line: 6-Oct hartley@emc.com [133] #RE: All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 06 Oct 2003 09:33:03 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h96DWwJh029176; Mon, 6 Oct 2003 09:32:58 -0400 (EDT) Received: from srexchimc2.eng.emc.com (srexchimc2.lss.emc.com [168.159.100.11]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h96DSZrU026401 for ; Mon, 6 Oct 2003 09:28:35 -0400 (EDT) Received: by srexchimc2.lss.emc.com with Internet Mail Service (5.5.2653.19) id <4MAW2JHZ>; Mon, 6 Oct 2003 09:28:35 -0400 Message-ID: From: "hartley, douglas" To: "'J91a@cs.com'" , marion@leedscarroll.com, "hartley, douglas" Cc: j.carroll@computer.org, opus@mit.edu, "hartley, douglas" Subject: RE: All's Well tape Date: Mon, 6 Oct 2003 09:28:35 -0400 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2653.19) Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "hartley, douglas" To: "'J91a@cs.com'" , marion@leedscarroll.com, "hartley, douglas" Cc: j.carroll@computer.org, opus@mit.edu, "hartley, douglas" Subject: RE: All's Well tape Date: Mon, 6 Oct 2003 09:28:35 -0400 X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Janine, We'll do Tealuxe or something and swap away. Does someone need my VHS copy toute suite? Thx, dHP -----Original Message----- From: J91a@cs.com [mailto:J91a@cs.com]=20 Sent: Friday, October 03, 2003 2:46 PM To: marion@leedscarroll.com; hartley@emc.com Cc: j.carroll@computer.org; opus@mit.edu; hartley@emc.com Subject: RE: All's Well tape Well, I'm offering again to take the whole thing over if it is too = much. But I don't have a car and I need to either meet someone somewhere with = the goods, or have them delivered...WITH the list -- very important! As for Doug, no big deal. I haven't collected my VHS yet, and if = necessary, we can meet and switch. So let me know what's easiest. Best, Janine Marion Leeds Carroll wrote: >Oh, well - the note he sent said Tape, I am pretty sure - so I sent = him my=20 >tape. > >I do not have the list - Jim has it, along with all the extra tapes & = DVDs. > >This is why I did *not* want to do the organizing for this thing - I = am not >mobile enough to get the right things to the right people! > >-- Marion > >At 01:19 PM 10/3/2003 -0400, J91a@cs.com wrote: >>Um, Marion? >> >>Doug ordered a DVD? 18? Is there still a list lying around? >> >>Sorry, >> >>Janine >> >>Marion Leeds Carroll wrote: >> >> >Hi, Doug! Great hearing from you - hope you're well! >> > >> >It's been an even hairier week than usual - but I finally made it = out to >> >the PO today to send you - well - *my* tape, because Jim took the = others to >> >bring to the auditions... >> > >> >Anyway, you were pretty close in your guess of the postage price, = and >> >overly generous in the amount of cash you included to pay for the = tape -- >> >it's only $16 for the tape, but you sent me a $20. >> > >> >So I will send Dave a check for $16, and you - $4, when I get it together - >> >if I'd been less dense I would have put $4 in the envelope with the tape... >> >now I don't have your snail-mail address any more, so please remind = me! >> > >> >- Marion the chaotic >> > >> > >> >Marion Leeds Carroll >> >marion@leedscarroll.com >> >(781) 646-9115 >> >http://www.leedscarroll.com >> > >> >Visit >> = >http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php =A0to >> >learn about the October benefit concert for the Boston Cure Project = for >> >Multiple Sclerosis. >> >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 = or >> >cupid@mit.edu >> >- To download a flyer, visit=20 >> http://leedscarroll.com/boston-cure/poster.html > >Marion Leeds Carroll >marion@leedscarroll.com >(781) 646-9115 >http://www.leedscarroll.com > >Visit = http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php >to learn about the October benefit concert for the Boston Cure Project = for=20 >Multiple Sclerosis. >- To buy tickets in advance: contact Randi Kestin at 508/226-7760 or=20 >cupid@mit.edu >- To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html > >  1,, Summary-line: 6-Oct marion@leedscarroll.com [71] #Re: All's Well tape X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 06 Oct 2003 21:40:01 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h971duJh015657; Mon, 6 Oct 2003 21:39:56 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id h971dtk1000880 for ; Mon, 6 Oct 2003 21:39:55 -0400 (EDT) Received: (qmail 21232 invoked from network); 7 Oct 2003 01:39:54 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 07 Oct 2003 01:39:54 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 07 Oct 2003 01:39:54 -0000 Message-Id: <5.1.0.14.2.20031006213349.0216fb70@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Mon, 06 Oct 2003 21:39:53 -0400 To: "David C. Jedlinsky" , J91a@cs.com From: Marion Leeds Carroll Subject: Re: All's Well tape Cc: j.carroll@computer.org In-Reply-To: <200310061929.PAA27948@multics.mit.edu> References: <3e.35cb69d6.2cb206ed@cs.com> <3e.35cb69d6.2cb206ed@cs.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -2.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Mon, 06 Oct 2003 21:39:53 -0400 To: "David C. Jedlinsky" , J91a@cs.com From: Marion Leeds Carroll Subject: Re: All's Well tape Cc: j.carroll@computer.org In-Reply-To: <200310061929.PAA27948@multics.mit.edu> X-Spam-Score: -2.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, and L'Shana Tovah to all who care about such things... I've got two checks, made out to IPNH, one from Eric Lindbald and one nominally from me, but actually covering Doug's payment, each for $18, which will go out to David tomorrow. I also have all the DVDs and tapes left, which Jim brought me Sunday befoe I shut off my computer for the holiday (the closest thing to fasting I do) So, after grabbing a replacement tape for myuself, I will sit here watching the painters do their thing to the outside of my house, and will leave the rest of this project to Janine - thanks! -- Marion At 03:29 PM 10/6/2003 -0400, David C. Jedlinsky wrote: >Janine, > >Please have checks made out to "IPNH". If this is a problem for any >reason, I can also handle checks made out to "David Jedlinsky", though >IPNH is less to write. :-) > >-Dave > > > >From: J91a@cs.com > >Date: Sun, 5 Oct 2003 19:44:45 EDT > > > >Thanks Jim, > > > >I haven't been able to get to my email yet this weekend. Let's work out > >somewhere we can meet this week one of these evenings. What I plan to > do is call > >people individually and work out places where we can meet and exchange > goods. > >When I have everything, I'll mail the checks to Dave. And Dave, I need the > >Acronym you want the checks mailed out to again please. I think that > email is > >probably long-gone by now. > > > >Thanks and all best wishes, > > > >Janine Marion Leeds Carroll marion@leedscarroll.com (781) 646-9115 http://www.leedscarroll.com Visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php to learn about the October benefit concert for the Boston Cure Project for Multiple Sclerosis. - To buy tickets in advance: contact Randi Kestin at 508/226-7760 or cupid@mit.edu - To download a flyer, visit http://leedscarroll.com/boston-cure/poster.html  1,, Summary-line: 7-Oct jtidwell@animato.arlingto [26] #Re: food question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 07 Oct 2003 09:53:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h97DrdJh027591; Tue, 7 Oct 2003 09:53:39 -0400 (EDT) Received: from animato.home.lan (animato.ne.client2.attbi.com [24.128.219.89]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h97DqnJl009002 for ; Tue, 7 Oct 2003 09:52:51 -0400 (EDT) Received: from animato.arlington.ma.us (terpsichore.home.lan [192.168.1.103]) by animato.home.lan (Postfix) with ESMTP id BF1FCAB58F; Tue, 7 Oct 2003 09:52:48 -0400 (EDT) Date: Tue, 7 Oct 2003 09:52:50 -0400 Subject: Re: food question Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) Cc: "Darlene J. Ford" , dinner@mit.edu To: eichin@thok.org From: Jenifer Tidwell In-Reply-To: Message-Id: <8A623146-F8CD-11D7-A27B-003065F9E04A@animato.arlington.ma.us> Content-Transfer-Encoding: 7bit X-Mailer: Apple Mail (2.552) X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 7 Oct 2003 09:52:50 -0400 Subject: Re: food question Cc: "Darlene J. Ford" , dinner@mit.edu To: eichin@thok.org From: Jenifer Tidwell In-Reply-To: X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sounds like Green & Black's "Maya Gold" chocolate -- a dark chocolate with orange, cinnamon, nutmeg, and vanilla. I can't speak to its authenticity, but it's darned good chocolate... Hey, anyone up for a chocolate tasting party? Like a wine tasting, but with, say, four or five 70%-dark varieties of chocolate? (Or more.) - Jenifer On Tuesday, October 7, 2003, at 12:49 AM, eichin@thok.org wrote: > My recollection is cinnamon; some webwork suggests that in addition to > cinnamon, sometimes vanilla, other spices, and even egg(?) but > cinnamon is the common element.  1,, Summary-line: 7-Oct dcl@ties.org [36] #Re: Full score for "Cox and Box" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 07 Oct 2003 19:09:02 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h97N8wJh007805; Tue, 7 Oct 2003 19:08:58 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h97N4mhs029779 for ; Tue, 7 Oct 2003 19:04:49 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h97MviTJ015678; Tue, 7 Oct 2003 18:57:44 -0400 (EDT) Date: Tue, 7 Oct 2003 18:57:44 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009f01c388ae$cb8b58e0$8cbdfea9@222> X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 7 Oct 2003 18:57:44 -0400 (EDT) Reply-To: dcl@ties.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Larrick To: Multiple recipients of list SAVOYNET Subject: Re: Full score for "Cox and Box" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <009f01c388ae$cb8b58e0$8cbdfea9@222> X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As someone already pointed out, "full score" usually refers to a conductor's score. I publish one, compiled from the orchestra parts available in the U.S. from Kalmus. It includes an additional (first) verse to No. 2 (Bouncer's song), an additional (second) verse to No. 4 (Box's lullaby), and an additional (second) verse to No. 7 ("The Buttercup"). For more information, see my website, http://note8.com/ >Has the full score for "Cox and Box" been published, and if so, where can I >obtain a copy? My e-mail to Ray Walker cannot be delivered for some reason. > >"What's that to you, sir?" > >Robert Binder >Jerusalem -- David Larrick, dcl@ties.org, http://note8.com/  1,, Summary-line: 8-Oct nathan_Ichikawa@brown.edu [25] #Tiny little Ruddigore question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Oct 2003 00:46:59 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h984ksJh010960; Wed, 8 Oct 2003 00:46:54 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h984knTP021037 for ; Wed, 8 Oct 2003 00:46:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h984k1TJ001150; Wed, 8 Oct 2003 00:46:01 -0400 (EDT) Date: Wed, 8 Oct 2003 00:46:01 -0400 (EDT) Message-Id: <0acf01c38d54$69469af0$7afcd53f@Jonathan> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: Tiny little Ruddigore question MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Oct 2003 00:46:01 -0400 (EDT) Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jonathan Ichikawa" To: Multiple recipients of list SAVOYNET Subject: Tiny little Ruddigore question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While rehearsing Despard for the MIT production (details: http://web.mit.edu/gsp/www/index.html), I discovered that although I'm used to hearing "It's a penalty none can avoid", my vocal score says "It's a penalty FEW can avoid." I'm almost sure that every recording I've heard says "none", as does the version of the libretto on the archive. Is there any reason for "few" other than a simple mistake? Jonathan Ichikawa Providence, RI  1, stored,, Summary-line: 8-Oct pdp@globalnet.co.uk [30] #The Mikado DVD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Oct 2003 03:22:05 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h987M0Jh016054; Wed, 8 Oct 2003 03:22:00 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h987Hk6A009770 for ; Wed, 8 Oct 2003 03:17:48 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h987GtTJ002918; Wed, 8 Oct 2003 03:16:55 -0400 (EDT) Date: Wed, 8 Oct 2003 03:16:55 -0400 (EDT) Message-Id: <3.0.6.32.20031008080305.01357d80@pop3.norton.antivirus> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: The Mikado DVD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Oct 2003 03:16:55 -0400 (EDT) Reply-To: pdp@globalnet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "P.D.Parker" To: Multiple recipients of list SAVOYNET Subject: The Mikado DVD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I asked a question about the soundtrack for this DVD on 4th Oct. I also made an enquiry of BHE the original distributors of the film and have their reply. They confirm that the original film was produced only in mono but that two soundtracks would have been part of the system. Tbey also confirm that Video Artists International will be the distributors for USA under licence and that the DVD released in USA will be in NTSC. Regards Peter. >From pdp@globalnet.co.uk  1,, Summary-line: 8-Oct MusikDrama@aol.com [74] #Re: Dan Kravetz's Little List X-Coding-System: raw-text-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 08 Oct 2003 22:44:32 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h992i0Jj022909; Wed, 8 Oct 2003 22:44:27 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h992bIKZ023192 for ; Wed, 8 Oct 2003 22:37:18 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h992a3TJ002660; Wed, 8 Oct 2003 22:36:03 -0400 (EDT) Date: Wed, 8 Oct 2003 22:36:03 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dan Kravetz's Little List MIME-Version: 1.0 Content-Type: text/plain; charset="UTF-8" Content-Language: en Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 8 Oct 2003 22:36:03 -0400 (EDT) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Dan Kravetz's Little List Content-Language: en X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here are a few more of Sullivan's musical similarities that I've dug up from an old Word file of mine. I've probably mentioned them all at various times on Savoynet. Some are undoubtedly less significant than others, but all are interesting (to those interested in such things). SORCERER: The final "Bless our Aline" from the chorus of bridesmaids in Act 1 sounds very like "Sweet Adeline"! SORCERER and PIRATES: A passage from the fourth movement of Mozart's EINE KLEINE NACHTMUSIK shows up in one number from each show: "You very very plain old man, I love, I love you madly," and "In short, in matters vegetable, animal and mineral." SORCERER: The two-bar orchestral introduction to the Act 2 Finale is identical to Chopin’s "Funeral March." Also, JWW's subsequent line "Be happy all, leave me to my despair" is reminiscent of Liszt's famous "Liebestraum" (though with less obvious reason). PINAFORE: Three-bar orchestral introduction subtly similar to Mendelssohn’s Wedding March (reference to last line of dialogue: "Three happy couples on the same day united," as in Midsummer Night’s Dream with Hermia/Lysander, Helena/Demetrius and Hippolyta/Theseus). PIRATES: Mabel’s cadenza in Poor Wandering One closely resembles that of Violetta in "Sempre libera" (Act 1 of Verdi's LA TRAVIATA). PRINCESS IDA: The "basso ostinato" from Ernesto Lecuona’s familiar piano classic "Malagueña" shows a family relationship to two bass lines in Carmen (Entr’acte preceding Act 4 and "J'irai danser la Seguedille, et boire du Manzanilla." from Act 1), and can be heard verbatim in "I am a maiden cold and stately" (starting from the word "maiden"). MIKADO: The ascending phrase on "With joyous shout and ringing cheer," culminating on the soprano high Bb, is highly reminiscent of the ascending phrase on "Gloria" in the Triumphal Chorus from Aïda (just before the King’s line "Salvator della patria, io ti saluto!"). YEOMEN: "Bound to an unknown bride, for good and ill" (and the following phrase) follows the harmonic shape of Despina’s line "Abbandonar i miseri saria per voi vergogna" (and its following phrase) from Così Fan Tutte, Finale of Act 1. GONDOLIERS: "When a merry maiden marries" -- J.L. Molloy's "Just a song at twilight" Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 9-Oct chris@sounds-on-cd.co.uk [96] #Bruce on Iolanthe and Wagner etc. (was DK's Little List) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Oct 2003 09:01:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h99D1GJh001224; Thu, 9 Oct 2003 09:01:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h99D1FuP015395 for ; Thu, 9 Oct 2003 09:01:15 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h99CwwTJ021766; Thu, 9 Oct 2003 08:58:58 -0400 (EDT) Date: Thu, 9 Oct 2003 08:58:58 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Bruce on Iolanthe and Wagner etc. (was DK's Little List) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031009042046.64790.qmail@web12703.mail.yahoo.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 9 Oct 2003 08:58:58 -0400 (EDT) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Bruce on Iolanthe and Wagner etc. (was DK's Little List) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031009042046.64790.qmail@web12703.mail.yahoo.com> X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > > Also lots of Wagner in Iolanthe, which someone else > > can probably state more coherently than I can at the > > moment. > > Well, for one thing, the opening passage of the > IOLANTHE overture features woodwind chords reminiscent > of the prelude to TRISTAN. A short while ago I discussed some Iolanthe points with Bruce, which covered an interesting observation of Bruce's about the overture. I was listening to a lot of Wagner at the time and had noticed that an Iolanthe passage was very similar to the Sword motif. This has been mentioned on Savoynet since, but I'd never heard it mentioned before, and judging from his reply neither had Bruce. But the point is that Bruce revealed some fascinating stuff in the correspondences that were sparked off from this. I had written- >the invocation covers a G, the C above it, and the C below it, which is similar to the first three notes of the Sword motif in the Ring.> And Bruce replied - "An excellent observation. I don't think it is a coincidence, because Sullivan would have known about that proiminent motiv in the Ring. Although not specifically Wagneresque, have you noticed Sullivan's use of the Phrygian mode in the opening notes of the overture (the scale with the flatted second), and how Sullivan turns this upside down at key moments, such as in the Barcarolle "Of all the young ladies I know" and in the final confrontation between Iolanthe and the Lord Chancellor (the violin entry in the recitative)? He really was pulling out all the compositional stops in a way he had not done before in his light operas." I had not heard of the "Phrygian mode" so Bruce explained further - "I think I can explain this rather quickly. If you have a piano, or someone who can show you at a piano, the modes are a simple concept. The way Western music developed, by the time of J. S. Bach we were only using two of the seven modal scales: major (Ionian) and minor (Aeolian). Prior to that having settled in, we were using a variety of scales, called "Church Modes." You can play these completely on white notes at the piano. They all involve a different set of whole steps and half steps between each note. The modes are, in order, listed with each white-note scale: Ionian C to C Dorian D to D Phrygian E to E Lydian F to F Mixolydian G to G Aeolian A to A If you play the first five notes of the Phrygian scale in the correct rhythm, you have the opening to the Iolanthe Overture. The only difference is that Sullivan starts it on D rather than E, and thus has to use an E-flat (on the piano, a "black note")." Here's some more of Bruce on Wagner in Iolanthe - "The plaintive, mournful "Willa-loos" from the Fairies toward the close of Act 2 are also highly suggestive of Wagner (listen to the Rhine Maidens in Gotterdammerung). All of this goes along quite neatly with Gilbert's Brunnhilde-like conception of the Fairy Queen's costume." "In the Invocation, the chromatic music sung by the Fairy Queen, with the orchestral accompaniment and the responses of the Fairies, followed by the solo oboe with the wind accompaniment during Iolanthe's ascent from the stream, all strongly suggest Wagner. One of the contemporary critics even identified the specific Wagner passage he thought Sullivan was parodying with the oboe solo (I don't recall the specific reference but could look it up)." The next day Bruce thought he was able to identify the source of the parody - "If my memory serves me correctly, the oboe passage was identified as a parody of "Die alte Weise" (Wiese? my German isn't that wonderful). This may be a complete error on my part, but it sticks in my mind." Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 9-Oct Phipps@ectel.com [49] #RE: Bruce on Iolanthe and Wagner etc. (was DK's Little List) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Oct 2003 11:44:21 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h99Fh9Jx002084; Thu, 9 Oct 2003 11:44:16 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h99Fe7i5017016 for ; Thu, 9 Oct 2003 11:40:07 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h99FdGTJ025369; Thu, 9 Oct 2003 11:39:16 -0400 (EDT) Date: Thu, 9 Oct 2003 11:39:16 -0400 (EDT) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: Phipps@ectel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Phipps To: Multiple recipients of list SAVOYNET Subject: RE: Bruce on Iolanthe and Wagner etc. (was DK's Little List) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 9 Oct 2003 11:39:16 -0400 (EDT) Reply-To: Phipps@ectel.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Phipps To: Multiple recipients of list SAVOYNET Subject: RE: Bruce on Iolanthe and Wagner etc. (was DK's Little List) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ionian Dorian Phrygian Lydian Mixolydian Aeolian Or more specificaly Gregorian chant where they refer to these modes instead of the key. I remember old Prof. Maurier telling us he could tell when someone was chanting to music transposed to modern notation. > Rhine Maidens in Gotterdammerung). All of this goes along quite neatly with Gilbert's Brunnhilde-like conception of the Fairy Queen's costume." I thought I read somewhere in the Savoynet archive that Sullivan had been to the Bayreuth festival and this was his inspiration for the FQ. The fairy lamentation sounds to me to be more like the alliterative syllables of the Rhinemaidens in the opening of Das Rhinegold. They were chosen for aural effect rather than linguistic sense, 'Weia! Waga!'. And as Anna Russell points out, the Opera opens IN the Rhine. Echoing Iolanthe emerging from a pool of water. She had renounced love and went into exile. The power of the gold could only be wielded by someone who had renounced love. Iolanthe offers herself as a sacrifice in the end for love. For Strephon and Phyliss. Herself and the Lord C. More of a stretch, foolish Rhinemaidens blabbing about the gold starts the Ring into it's 17+ hour motion/Foolish Fays. In the Ring, EVERBODY dies. In Iolanthe, everybody flies. Back to lurking... tchuss I also seem to hear echos of primitive Baptist hymn structures in the finale to Act I of Iolanthe (Into Parliament He Must Go) as found in The Sacred Harp and Southern Harmony in the US.  1,, Summary-line: 9-Oct sharkli@zwallet.com [30] #Rollins and Witts for sale X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 09 Oct 2003 20:34:56 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9A0YGK9006724; Thu, 9 Oct 2003 20:34:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9A0TOE9014737 for ; Thu, 9 Oct 2003 20:29:24 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9A0SsTJ002901; Thu, 9 Oct 2003 20:28:54 -0400 (EDT) Date: Thu, 9 Oct 2003 20:28:54 -0400 (EDT) Message-Id: <1065728963.510191.54937.zmail@web2.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Rollins and Witts for sale X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 9 Oct 2003 20:28:54 -0400 (EDT) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Rollins and Witts for sale X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a blatant advert for an item that's not all that easy to find these days: If anyone wants a nice copy of Rollins and Witts, I'm flogging mine on eBay because I need the money more than I need the book. http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3558119852 ciao Helga Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com Bruce I. Miller Tribute Weekend, College of the Holy Cross, Worcester MA USA October 24/25/26 ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1,, Summary-line: 13-Oct ahumez@theWorld.com [54] #Reminder: Jan & Andrea's Housewarming party Sunday (Oct 19) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 13 Oct 2003 12:53:27 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9DGrQJh014849; Mon, 13 Oct 2003 12:53:26 -0400 (EDT) Received: from TheWorld.com (pcls1.std.com [192.74.137.141]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9DGrJ7R007221; Mon, 13 Oct 2003 12:53:19 -0400 (EDT) Received: from shell.TheWorld.com (pip1-5.std.com [192.74.137.185]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id h9DGqgMh017322; Mon, 13 Oct 2003 12:52:42 -0400 Received: (from ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) id MAA2316710; Mon, 13 Oct 2003 12:52:21 -0400 (EDT) Date: Mon, 13 Oct 2003 12:52:21 -0400 (EDT) Message-Id: <200310131652.MAA2316710@shell.TheWorld.com> From: Andrea L Humez To: abbe@mit.edu, adina@panix.com, aleung@bbn.com, alex_aminoff@alum.mit.edu To: allison@alum.mit.edu, anneefa@mit.edu, andrew@werdna.com, ashultz@mit.edu To: bbermack@mit.edu, bert@mit.edu, boojum@mit.edu, brilit@alum.mit.edu To: cat@mit.edu, ccrazy@theWorld.com, chope@mit.edu To: crikkett@stanfordalumni.org, darksmurf@alum.mit.edu, dcltdw@mit.edu To: dcovin@mindspring.com, dinner@mit.edu, dmaze@mit.edu To: dmsheril@alum.mit.edu, doriahughes@attbi.com, dscott@alum.mit.edu To: emarcus@mit.edu, eon@twinknj.net, eowyn@mit.edu To: et-boston@mit.edu, ekrem@alum.mit.edu, fearless@mit.edu, ghudson@mit.edu To: greylady@alum.mit.edu, ggould@alum.mit.edu, hannah@alum.mit.edu To: hlb@alum.mit.edu, ilai@mit.edu, jclay@mit.edu, jemorris@mit.edu To: jenise@jenise.net, jenwahsung@yahoo.com, jlgalley@pobox.com To: jgratt@alum.mit.edu, jhbrown@ai.mit.edu, johanna@mit.edu To: jpwang@mit.edu, jma@mit.edu, judithyu@alum.wellesley.edu To: justom@mit.edu, Kate_Mahoney@alum.mit.edu, kholodenko@pobox.com To: leanne@alum.mit.edu, leefearnside@yahoo.com, lgdean@mit.edu To: lisagay@alumni.uchicago.edu, lokie@mit.edu, mccall@ai.mit.edu To: mcondell@bbn.com, mikka@mit.edu, mjalvara@mit.edu, mjperson@mit.edu To: molly@intrepidheroines.net, msarofim@mit.edu, munch@mit.edu To: nbozard@mit.edu, nocturne@mit.edu, petegast@yahoo.com, philip@mit.edu To: proven@proven.org, ringrose@ascent.com, rosalind@post.harvard.edu To: satan@mit.edu, rcaileff@mit.edu, sproing@mit.edu, starflt@mit.edu To: sverrilli@irrationalgames.com, thallata@mit.edu, tomatoe@nycap.rr.com To: urbatsch@post.harvard.edu Subject: Reminder: Jan & Andrea's Housewarming party Sunday (Oct 19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 13 Oct 2003 12:52:21 -0400 (EDT) From: Andrea L Humez To: abbe@mit.edu, adina@panix.com, aleung@bbn.com, alex_aminoff@alum.mit.edu To: allison@alum.mit.edu, anneefa@mit.edu, andrew@werdna.com, ashultz@mit.edu To: bbermack@mit.edu, bert@mit.edu, boojum@mit.edu, brilit@alum.mit.edu To: cat@mit.edu, ccrazy@theWorld.com, chope@mit.edu To: crikkett@stanfordalumni.org, darksmurf@alum.mit.edu, dcltdw@mit.edu To: dcovin@mindspring.com, dinner@mit.edu, dmaze@mit.edu To: dmsheril@alum.mit.edu, doriahughes@attbi.com, dscott@alum.mit.edu To: emarcus@mit.edu, eon@twinknj.net, eowyn@mit.edu To: et-boston@mit.edu, ekrem@alum.mit.edu, fearless@mit.edu, ghudson@mit.edu To: greylady@alum.mit.edu, ggould@alum.mit.edu, hannah@alum.mit.edu To: hlb@alum.mit.edu, ilai@mit.edu, jclay@mit.edu, jemorris@mit.edu To: jenise@jenise.net, jenwahsung@yahoo.com, jlgalley@pobox.com To: jgratt@alum.mit.edu, jhbrown@ai.mit.edu, johanna@mit.edu To: jpwang@mit.edu, jma@mit.edu, judithyu@alum.wellesley.edu To: justom@mit.edu, Kate_Mahoney@alum.mit.edu, kholodenko@pobox.com To: leanne@alum.mit.edu, leefearnside@yahoo.com, lgdean@mit.edu To: lisagay@alumni.uchicago.edu, lokie@mit.edu, mccall@ai.mit.edu To: mcondell@bbn.com, mikka@mit.edu, mjalvara@mit.edu, mjperson@mit.edu To: molly@intrepidheroines.net, msarofim@mit.edu, munch@mit.edu To: nbozard@mit.edu, nocturne@mit.edu, petegast@yahoo.com, philip@mit.edu To: proven@proven.org, ringrose@ascent.com, rosalind@post.harvard.edu To: satan@mit.edu, rcaileff@mit.edu, sproing@mit.edu, starflt@mit.edu To: sverrilli@irrationalgames.com, thallata@mit.edu, tomatoe@nycap.rr.com To: urbatsch@post.harvard.edu Subject: Reminder: Jan & Andrea's Housewarming party Sunday (Oct 19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We have a new home! Well, we've had it for a little while now, but we're mostly unpacked and furniture-enabled, so it's finally time for a housewarming party. Come see our new digs! When: Sunday, October 19. 1:00 pm - evening (we don't plan to go ridiculously late, as we have to get up in the morning, but there will be a Pot Of Something Dinner-ish) Where: 32 Burnham st, Somerville, near Davis square. (For those of you who have been to our old place, this is the house across the street. If you need directions, drop us a line.) Who: You. Please bring SOs and housemates; if we haven't invited them, it's because we can't find their email addresses. :) Children are welcome, but the house is not childproof and will probably be a lot of strange adults around and not very many other kids. By the way, our new phone number is: 617-623-9798. Hope to see you there. Andrea & Jan  1,, Summary-line: 14-Oct awrobins@yahoo.com [36] #Re: Parlour song alternatives (was: another question) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 14 Oct 2003 16:30:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9EKUSJh019881; Tue, 14 Oct 2003 16:30:28 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9EKUQsI023018 for ; Tue, 14 Oct 2003 16:30:27 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9EKThTJ015981; Tue, 14 Oct 2003 16:29:43 -0400 (EDT) Date: Tue, 14 Oct 2003 16:29:43 -0400 (EDT) Message-Id: <20031014200736.91654.qmail@web10801.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Parlour song alternatives (was: another question) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031014025652.3331.qmail@web10807.mail.yahoo.com> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 14 Oct 2003 16:29:43 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Parlour song alternatives (was: another question) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031014025652.3331.qmail@web10807.mail.yahoo.com> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Andi wrote: > Are there others that had "official" published > alternative > lyrics? "Little Maid of Aracdee" was changed a bit for publication, presumably to try to change it from a humorous to a more sentimental song (or am I wrong? It's been years since I heard the revised version), but that was just a matter of changing a few words--not rewriting the lyrics entirely. Arthur Robinson __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 15-Oct sharkli@zwallet.com [53] #Bruce Miller Memorial Concert, 25 October 2003 X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Oct 2003 10:23:35 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9FENYJh028632; Wed, 15 Oct 2003 10:23:34 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9FENUni011167 for ; Wed, 15 Oct 2003 10:23:31 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9FEMxTJ001620; Wed, 15 Oct 2003 10:22:59 -0400 (EDT) Date: Wed, 15 Oct 2003 10:22:59 -0400 (EDT) Message-Id: <1066228983.559234.50901.zmail@web3.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Bruce Miller Memorial Concert, 25 October 2003 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Oct 2003 10:22:59 -0400 (EDT) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Bruce Miller Memorial Concert, 25 October 2003 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A Memorial Concert to celebrate the musical life of Bruce I. Miller will be held in the Ballroom, Hogan Campus Center, College of the Holy Cross, Worcester, Massachusetts, USA on Saturday 25th October at 8 pm. All are invited to attend. I know that some members of NEGASS will be participating. For travel directions to Holy Cross see http://www.holycross.edu/about/directions.htm PROGRAMME: The current College Choir + alumni, conducted by John Delorey, will begin with three items: Mozart: "Lacrimosa" from the Requiem Thomson: The Morning Star Praetorius: Lo, How a Rose E'er Blooming Brahms: "Zum Schluss" from Neue Liebeslieder-Walzer (Chamber Singers; conductor John Delorey) Fauré: Cantique de Jean Racine (Chamber Singers + alumni; conductor John Delorey) Sullivan: The Long Day Closes (Chamber Singers + alumni; conductor Bob Ouellette '90) Vaughan Williams: Serenade to Music (16 alumni; conductor Tony Ashur '82) Gilbert & Sullivan: "Reflect my child," from H.M.S. Pinafore (two alumni; conductor Helga Perry) The Songs of Holy Cross (All & sundry; conductor George Ashur '79) There will, of course, be a full orchestra. There will also be three speakers and a video presentation. If anyone would like to order CDs or videos (NTSC) of the concert, please contact Braden Mechley at College of the Holy Cross (bmechley@holycross.edu) for details. Many thanks to those of you who have sent PayPal donations to bimtribute@supalife.com If anyone has any thoughts, anecdotes, reminiscences or photos they'd like to contribute to http://bruceimiller.com please send them either to me or to Braden Mechley. ciao Helga Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com Bruce I. Miller Tribute Weekend, College of the Holy Cross, Worcester MA USA October 24/25/26 ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1,, Summary-line: 15-Oct welkin@MIT.EDU [47] #Recent Virus Spam X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Oct 2003 11:46:25 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9FFjUJn016688; Wed, 15 Oct 2003 11:46:19 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9FFeRNd029661; Wed, 15 Oct 2003 11:40:27 -0400 (EDT) Received: from KESTRYTH.mit.edu (BIOLOGY-SIXTY-FIVE.MIT.EDU [18.79.5.65]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h9FFeQjX028544; Wed, 15 Oct 2003 11:40:27 -0400 (EDT) Message-Id: <5.0.2.1.2.20031015112654.02177300@hesiod> X-Sender: welkin@hesiod (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.0.2 Date: Wed, 15 Oct 2003 11:37:30 -0400 To: mtg-members@mit.edu, mtg-board@mit.edu From: Welkin Pope Subject: Recent Virus Spam Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: welkin@hesiod (Unverified) Date: Wed, 15 Oct 2003 11:37:30 -0400 To: mtg-members@mit.edu, mtg-board@mit.edu From: Welkin Pope Subject: Recent Virus Spam X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello All, I just wanted to let you all know that the recent Microsoft virus spam to the mtg lists has not gone unnoticed by the board. We are currently exploring several options for dealing with it. As the virus spam seems to only come from one infected machine, we are hoping that this is an isolated incident and that the names of our mailing lists are not going to be targeted for future spam by others. Therefore, we are currently adopting a wait-and-see policy. However, if the spam to these lists increase, we will change the names, and inform you. For those of you with athena accounts, it is actually possible to reject all email from a particular sender and many of us have done so with the Microsoft virus email. See the website below: https://nic.mit.edu/cgi-bin/spamscreen For those off campus, you may have a similar spam control offered. I hope this helps for now, and my apologies to those of you it doesn't help. Welkin, Guild Secretary Welkin H. Pope MIT/WHOI Joint Program in Biological Oceanography 68-340D 77 Massachusetts Ave Cambridge MA 02139 office: 617-253-3545 fax: 617-252-1843 home: 617-576-2728  1,, Summary-line: 15-Oct awrobins@yahoo.com [105] #Re: Parlour song alternatives (was: another question) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Oct 2003 14:40:23 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9FIeJJh016323; Wed, 15 Oct 2003 14:40:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9FIbo7M025451 for ; Wed, 15 Oct 2003 14:37:51 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9FIagTJ010346; Wed, 15 Oct 2003 14:36:42 -0400 (EDT) Date: Wed, 15 Oct 2003 14:36:42 -0400 (EDT) Message-Id: <20031015182945.60029.qmail@web10802.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Parlour song alternatives (was: another question) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Oct 2003 14:36:42 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Parlour song alternatives (was: another question) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I just checked the sheet music of this song, which can be viewed at http://levysheetmusic.mse.jhu.edu/ There are even fewer changes than I remembered. Here they are, in capital letters: Little maid of Arcadee Sat on Cousin Robin's knee, Thought in FACE AND FORM and limb, Nobody could EQUAL him. He was RICH and she was fair, Truth they made a pretty paid. Happy little maiden she-- Happy maid of Arcadee. Moments SPED as moments will Happily enough, until After, say, a month or two, Robin did as Robins do. FICKLE AS THE MONTH OF MAY, Jilted her and RAN away, Wretched little maiden, she-- DOLEFUL maid of Arcadee. To her little home she crept, There she sat her down and wept, Maiden wept as maidens will-- Grew so thin and pale AND ILL 'TILL ANOTHER came to woo. Then again the roses grew. Happy little maiden she-- Happy maid of Arcadee. Gilbert's version (pasted from http://diamond.boisestate.edu/gas/html/libretti.txt): Little maid of Arcadee Sat on Cousin Robin's knee, Thought in form and face and limb, Nobody could rival him. He was brave and she was fair, Truth they made a pretty paid. Happy little maiden she-- Happy maid of Arcadee. Moments fled as moments will Happily enough, until After, say, a month or two, Robin did as Robins do. Weary of his lover's play, Jilted her and went away, Wretched little maiden, she-- Wretched maid of Arcadee. To her little home she crept, There she sat her down and wept, Maiden wept as maidens will-- Grew so thin and pale--until Cousin Richard came to woo. Then again the roses grew. Happy little maiden she-- Happy maid of Arcadee. The obscene references to "knee" and "limb" remain... Arthur Robinson --- Richard Duployen wrote: > Does Rees comment on this? I'm surprised some > Victorian didn't want to > censor such lines as "sat on Cousin Robin's knee" > "and form and limb", etc.! ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 15-Oct deebee@connexus.net.au [58] #Re: Borrowing and duets X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Oct 2003 20:36:43 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9G0agJh021562; Wed, 15 Oct 2003 20:36:42 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9G0ae7T000539 for ; Wed, 15 Oct 2003 20:36:41 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9G0ZaTJ015626; Wed, 15 Oct 2003 20:35:36 -0400 (EDT) Date: Wed, 15 Oct 2003 20:35:36 -0400 (EDT) Message-Id: <3F8DE1ED.1000606@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: Borrowing and duets MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Oct 2003 20:35:36 -0400 (EDT) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Diana Burleigh To: Multiple recipients of list SAVOYNET Subject: Re: Borrowing and duets X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Olivia, welcome to Savoynet > Now, the main point of this is to ask your views on borrowing music. I've > seen Pirates (The Essgee version) done with Duty Duty, from Ruddigore You can't equate the transporting of a number from one show to another with the choice of G&S to re-use Thespis. For a start, Thespis was even in 1879 all but forgotten and the insetion of Climbing Over Rocky Mountain was done in the writing period and therefore fits. You may be aware that the reason given for this in several books (and indeed the excuse made by Gilbert when someone asked about it years later) was that Sullivan had left his sketches for Act 2 in England and they then decided to re-use the Thespis number. This is not true (and I won't take up space to go into the whole story here). There is a much more recent theory that most of Act 1 of Pirates consists of music from Thespis re-used deliberately with (excepting only the rocky mountain number) new words. We are awaiting more information from the 2 people whose researches have brought this to light. In the meanwhile, it is very dangerous to tranplant songs from one show to another. The situation has to fit, the characters must be the sort who use the language and sentiments of the orignal. It rarely works. EssGee have no concern for the integrity of the orignal works. They disreguard the music and words and interpolate lots of irrelevant and quite stupid material and business. I wouldn't use them as any kind of good example. There was a production of Pinafore starring Paul Eddington some years ago which used 2 interpolated numbers. I was then working in the media and invited to a photo call where we were all given programmes. I pointed out to the publicist that in the music listing Buttercup sang I can't think why "adapted from The Sorcerer" and With Heart and with Voice" sung by Hebe and chorus "adapted from Princess Ida." The publicist tried to explain these were from other operas and couldn't believe me when I said "yes, but someone whas transposed which operas they were from! Diana Burleigh  1,, Summary-line: 15-Oct jcb@alum.mit.edu, nlgilma [20] #extra cider party request X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 15 Oct 2003 22:39:10 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9G2d9Jh002391; Wed, 15 Oct 2003 22:39:09 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9G2coqb010159 for ; Wed, 15 Oct 2003 22:38:50 -0400 (EDT) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h9G2co0I029019 for ; Wed, 15 Oct 2003 22:38:50 -0400 (EDT) Received: (from jcb@localhost) by no-knife.mit.edu (8.12.9) id h9G2coXj001132; Wed, 15 Oct 2003 22:38:50 -0400 (EDT) Date: Wed, 15 Oct 2003 22:38:50 -0400 (EDT) Message-Id: <200310160238.h9G2coXj001132@no-knife.mit.edu> To: dinner@MIT.EDU Subject: extra cider party request From: Jeff Bigler , Nancy Gilman X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i X-Zippy: Ask me the DIFFERENCE between PHIL SILVERS and ALEXANDER HAIG!! X-NSA-Fodder: Montenegro CIDA supercomputer Adriatic Chobetsu EuroFed X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 15 Oct 2003 22:38:50 -0400 (EDT) To: dinner@MIT.EDU Subject: extra cider party request From: Jeff Bigler , Nancy Gilman X-Zippy: Ask me the DIFFERENCE between PHIL SILVERS and ALEXANDER HAIG!! X-NSA-Fodder: Montenegro CIDA supercomputer Adriatic Chobetsu EuroFed X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) With Laura in the picture, we're a little concerned about having enough potluck food at this year's party. (We probably won't be able to provide a main dish ourselves, which we usually do.) It would be great if those of you who are coming could make an extra effort to bring stuff for the potluck this year. Thanks in advance! Jeff & Nancy  1,, Summary-line: 16-Oct sao@MIT.EDU [33] #Time to work on the set! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 16 Oct 2003 15:00:06 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9GJ04Jh009208; Thu, 16 Oct 2003 15:00:04 -0400 (EDT) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9GIxsQm026712; Thu, 16 Oct 2003 14:59:54 -0400 (EDT) Received: from mit.edu (pool-68-163-225-244.bos.east.verizon.net [68.163.225.244]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h9GIxrjW010471; Thu, 16 Oct 2003 14:59:53 -0400 (EDT) Message-ID: <3F8EEB92.6000905@mit.edu> Date: Thu, 16 Oct 2003 15:03:46 -0400 From: Andy Oakland User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.4) Gecko/20030624 X-Accept-Language: en-us, en MIME-Version: 1.0 To: gsp-sets@mit.edu, gsp-tech@mit.edu CC: Andy Oakland , Nick Bozard Subject: Time to work on the set! Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 16 Oct 2003 15:03:46 -0400 From: Andy Oakland X-Accept-Language: en-us, en To: gsp-sets@mit.edu, gsp-tech@mit.edu CC: Andy Oakland , Nick Bozard Subject: Time to work on the set! X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, folks! The Ruddigore set exists. In a minimalist way. Essentially everything been constructed and painted primer white. Now it's time to make it look like something! Sunday, Oct 19, starting at 12:00 noon Get a base coat of stone stipple on EVERY SINGLE FLAT for Act II! Ten-foot-tall paint-by-numbers for Act I. Wednesday, Oct 22, starting at 7:00 PM Swat on texture (literally!) for all the Act II flats. Further detail on Act I flats. There will be additional work the following Sunday and Wednesday, with details depending on our status after the next two build sessions. Please show up at whatever set construction sessions you can. I know that rehearsals can make it hard, but help is appreciated! :Andy  1, forwarded,, Summary-line: 17-Oct bj.richards@btinternet.co [40] #New Arrival X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 17 Oct 2003 11:58:54 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9HFwmJh005260; Fri, 17 Oct 2003 11:58:48 -0400 (EDT) Received: from carbon.btinternet.com (carbon.btinternet.com [194.73.73.92]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9HFuDhS021851 for ; Fri, 17 Oct 2003 11:56:14 -0400 (EDT) Received: from dial81-131-99-195.in-addr.btopenworld.com ([81.131.99.195] helo=HP763ADV) by carbon.btinternet.com with smtp (Exim 3.22 #23) id 1AAWxP-0007Ed-00; Fri, 17 Oct 2003 16:56:03 +0100 Message-ID: <001101c394c7$2abfc700$ebfa7ad5@HP763ADV> From: "Bob & Jackie" To: "Samuel Silvers" , "Alan Hughes" , "Collette" , "David C. Jedlinsky" , "David Cookson" , "David Duffey" , "gareth.caryl" , "Janet Palmer" , "John Richardson" , "Mike and Maggie Dimond" , , "Patricia Reynolds" , , , "Robin Wildstein" , "snappy" , , , "Round, Carole J" Subject: New Arrival Date: Fri, 17 Oct 2003 16:55:27 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob & Jackie" To: "Samuel Silvers" , "Alan Hughes" , "Collette" , "David C. Jedlinsky" , "David Cookson" , "David Duffey" , "gareth.caryl" , "Janet Palmer" , "John Richardson" , "Mike and Maggie Dimond" , , "Patricia Reynolds" , , , "Robin Wildstein" , "snappy" , , , "Round, Carole J" Subject: New Arrival Date: Fri, 17 Oct 2003 16:55:27 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We are proud to announce the arrive of our grandson Oliver Timothy Lynass, born on 16/10/2003 weighing in at a healthy 7lb 15oz. He has a mass of black hair and we think that he looks like his dad, Tam. Polly had a home delivery and everything went well, when his big sister Tilly saw him in the cradle she was thrilled and gave him lots of hugs and kisses. Pictures can be seen at http://www.btinternet.com/~king.gama/oliver/oliver.htm Bob & Jackie  1,, Summary-line: 18-Oct SKesilm@aol.com [36] #G&S quotes for all occasions X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Oct 2003 03:30:24 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9I7UJJh015220; Sat, 18 Oct 2003 03:30:19 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9I7UHHn006899 for ; Sat, 18 Oct 2003 03:30:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9I7TsTJ016224; Sat, 18 Oct 2003 03:29:54 -0400 (EDT) Date: Sat, 18 Oct 2003 03:29:54 -0400 (EDT) Message-Id: <164.2709c9f8.2cc23fde@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S quotes for all occasions MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 46 X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 18 Oct 2003 03:29:54 -0400 (EDT) Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: G&S quotes for all occasions X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.6 X-Spam-Level: * (1.6) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I think we all know that it is often possible to use a Gilbert quote on occasions that come up in daily life. It might be amusing for netters to share occasions when they were able to do so in interesting ways, especially to the confusion of lay persons. Here's one of mine, and I hope I can tell it meaningfully. Recently, at work, we were scheduled to have a staff meeting, but the leader who usually conducts it was absent, and word had wafted about that someone else, a very playful, informal type person, was to conduct it instead. Another worker, an African-American woman (merely corroborative detail), asked if it was true that that person would be conducting the meeting. I replied, "Such at least is the tale that is blown on the gale." She said "Huh?" I repeated the line. She said "I'm afraid you'll have to translate, I don't get it." So I explained the meaning, without bothering to cite the source, even though I thought the quote adequately conveyed the meaning. I then decided to share the story here, for whatever it may be worth. Sylvan Kesilman (Bought a button at the Rockville singout that says "It's true I have a G&S quote for every occasion.")  1,, Summary-line: 18-Oct marion@leedscarroll.com [91] #Virtual poster: Benefit concert information X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Oct 2003 07:32:45 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9IBWeJh013145; Sat, 18 Oct 2003 07:32:40 -0400 (EDT) Received: from seven.futurequest.net (seven.futurequest.net [63.151.147.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h9IBWVQe028085 for ; Sat, 18 Oct 2003 07:32:32 -0400 (EDT) Received: (qmail 16641 invoked from network); 18 Oct 2003 11:32:31 -0000 Received: from x52.futurequest.net (63.151.147.52) by seven.futurequest.net (63.151.147.103); 18 Oct 2003 11:32:31 -0000 Received: from unknown (66.30.207.66) by x52.futurequest.net (63.151.147.52) with ESMTP; 18 Oct 2003 11:32:31 -0000 Message-Id: <5.1.0.14.2.20031018072232.02129f90@pop.leedscarroll.com> X-Sender: xleedscarroll-marion@pop.leedscarroll.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Sat, 18 Oct 2003 07:32:28 -0400 To: mitcp@mit.edu From: Marion Leeds Carroll Subject: Virtual poster: Benefit concert information Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: xleedscarroll-marion@pop.leedscarroll.com Date: Sat, 18 Oct 2003 07:32:28 -0400 To: mitcp@mit.edu From: Marion Leeds Carroll Subject: Virtual poster: Benefit concert information X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello to my friends at MITCP! Since walking around putting up posters is hard for me these days... (...those of you who took part in the production of All's Well I directed for MITCP last fall saw me during the days when I first began to use a cane full-time...) ...I'd like to send you this Virtual Poster for a benefit concert I'm organizing and singing in, and also a link to a real poster you can print out and put up if you'd like: =============================================== Sing to Cure MS: The Boston Cure Project Halloween Concert Sunday, October 26, 3-5 PM Pleasant Street Congregational Church 75 Pleasant Street, Arlington, MA (easily accessible via car or T - see http://www.pleasantstreetchurch.org/ for directions) Tickets: - At the door: $25 for adults / $10 for students - Pre-sales (before 5pm on October 24): $20 for adults/$8 for children under 12. For advance tickets contact Randi Kestin at 508/226-7760 or cupid@mit.edu *** Come enjoy your favorite classical Halloween-theme music and support a worthy cause.*** Our singers include Longwood Opera favorites; Gilbert and Sullivan specialists; independent artists; and students and recent graduates of NEC and other local conservatories. (and me, of course...) Our repertoire includes: Scenes from - The Magic Flute, Mozart (prince attacked by magic snake!) - Hansel and Gretel, Humperdinck (witch likes to eat children!) - The Medium, Menotti (were there really ghosts at that seance?!) And songs, including - Der Erlkonig, Schubert (elf snatches child!) - Die Lorelei, Schumann (danger! fatal temptress!) ...and many more, including two Gilbert and Sullivan sing-alongs Raffle! - Win tickets to Longwood Opera's The Tales of Hoffman, available at the door. Both adults and children mature enough to sit through a concert are invited to attend in costume. All proceeds go to support The Boston Cure Project, a non-profit organization seeking a cure for Multiple Sclerosis. ========================================= For more information about The Boston Cure Project for Multiple Sclerosis, a research org. founded by MIT graduate Art Mellor, visit http://www.bostoncure.org For the official info on the concert, visit http://www.bostoncure.org/events/eventpages/20031026_sing_to_cure.php For the back-stage dirt (including a list of artists and repertoire), visit http://leedscarroll.com/Misc/bostoncure-concert.html For a poster you can print out, visit http://leedscarroll.com/boston-cure/poster.html I hope to see you there! -Marion Marion Leeds Carroll | MIT Libraries Web Assistant MIT Rm 10-500 | mlcar@mit.edu | 781.646.9115  1,, Summary-line: 18-Oct qcochise@yahoo.com [37] #Lal Bihari's joke (OT) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 18 Oct 2003 20:32:08 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9J0W3Jh001719; Sat, 18 Oct 2003 20:32:03 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9J0RGTk019310 for ; Sat, 18 Oct 2003 20:27:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9J0QjTJ000292; Sat, 18 Oct 2003 20:26:45 -0400 (EDT) Date: Sat, 18 Oct 2003 20:26:45 -0400 (EDT) Message-Id: <20031019000513.11708.qmail@web13707.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Lal Bihari's joke (OT) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 18 Oct 2003 20:26:45 -0400 (EDT) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: Lal Bihari's joke (OT) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Fans of "Tom Poulton's Joke," TOM COBB; OR, FORTUNE'S TOY, and THE GRAND DUKE might find the linked article,, mildly interesting. Sorry for the off-topic post. Kevin Wachs PS: I stumbled upon the article while perusing the 2003 IG NOBEL awards, . The award for Medicine makes one wonder if Gilbert's many rows with cabmen were just for the intellectual challange. ===== __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 19-Oct TheGondoliers@aol.com [26] #Midi Files X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Oct 2003 12:31:00 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9JGUtJh022825; Sun, 19 Oct 2003 12:30:55 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9JGUsVd024280 for ; Sun, 19 Oct 2003 12:30:54 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9JGUUTJ006674; Sun, 19 Oct 2003 12:30:30 -0400 (EDT) Date: Sun, 19 Oct 2003 12:30:30 -0400 (EDT) Message-Id: <08DE83CA.389B7623.3B4FB77B@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: TheGondoliers@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: TheGondoliers@aol.com To: Multiple recipients of list SAVOYNET Subject: Midi Files MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Oct 2003 12:30:30 -0400 (EDT) Reply-To: TheGondoliers@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: TheGondoliers@aol.com To: Multiple recipients of list SAVOYNET Subject: Midi Files X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, A few months ago, I wrote a request for Gilbert and Sullivan midi files of Utopia and The Grand Duke. I had many replys and i am very grateful to those people. However, last week my computer decided to give up and i lost everything i had, including the midi files. I would be very grateful if those people could send me there Utopia and Grand Duke midi files again. Sorry to have to send this out publicly, but i lost my address book as well. Thanks in advance, Mike P.S) If anyone has a set of Gondoliers midi files they could send, I would appreciate it. :-)  1,, Summary-line: 19-Oct awrobins@yahoo.com [40] #Gilbert's ORIGINAL PLAYS, Fourth Series, for sale X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 19 Oct 2003 22:27:41 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9K2RaJh007811; Sun, 19 Oct 2003 22:27:36 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9K2RW9v015314 for ; Sun, 19 Oct 2003 22:27:34 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9K2QuTJ003461; Sun, 19 Oct 2003 22:26:56 -0400 (EDT) Date: Sun, 19 Oct 2003 22:26:56 -0400 (EDT) Message-Id: <20031020022150.74529.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's ORIGINAL PLAYS, Fourth Series, for sale MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 19 Oct 2003 22:26:56 -0400 (EDT) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Gilbert's ORIGINAL PLAYS, Fourth Series, for sale X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A copy of volume 4 of Gilbert's ORIGINAL PLAYS--the volume that's hardest to find--has just turned up on the Advanced Book Exchange. I'll paste in the description: Gilbert, W S Original Plays Fourth Series Chatto and Windus 1924. VG++ ex-library copy. Very minor edgewear to top and bottom of spine. A nice, tight copy. 12mo blue cloth. 499 pp. Bookseller Inventory #10231 Price: US$ 12.00 (Convert Currency) Bookseller: High Barn Books, Lancaster, LAN, United Kingdom If anyone is interested, go to http://www.abebooks.com (or you can try e-mailing the sellers directly at High.Barn@btinternet.com). Arthur Robinson __________________________________ Do you Yahoo!? The New Yahoo! Shopping - with improved product search http://shopping.yahoo.com  1,, Summary-line: 20-Oct claire.little@iod.com [39] #RE: Pirates and Grims Dyke X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 20 Oct 2003 10:32:51 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9KEW5Jr020533; Mon, 20 Oct 2003 10:32:46 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9KERDBt027746 for ; Mon, 20 Oct 2003 10:27:17 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9KEQUTJ013407; Mon, 20 Oct 2003 10:26:30 -0400 (EDT) Date: Mon, 20 Oct 2003 10:26:30 -0400 (EDT) Message-Id: <812087739FC9D711BC2D0002554C4BD80E207B@lonmail01.iod.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Claire Little To: Multiple recipients of list SAVOYNET Subject: RE: Pirates and Grims Dyke MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 20 Oct 2003 10:26:30 -0400 (EDT) Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Claire Little To: Multiple recipients of list SAVOYNET Subject: RE: Pirates and Grims Dyke X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The full text of the article is at http://www.timesonline.co.uk/article/0,,71-857489,00.html The reviewer is clearly delighted with her weekend at Grim's Dyke (hurrah!), but there's one thing she says about the circumstances of WSG's death that I hadn't heard before - that he went swimming the lake au naturel. Is this a vile slander on our hero, or have my delicate and refined sensibilities simply filtered out such a scandalous thought ? Claire Little London, UK From: Michael Walters [mailto:mpw@nhm.ac.uk] Subject: Pirates and Grims Dyke Have a look at Saturday's TIMES Travel supplement, in which Mary Gold describes a performance of Pirates at Grims Dyke, starting off thus: ******************** Join Lord Browne of BP, the Royal Philharmonic Concert Orchestra and up to 1000 members at the Royal Albert Hall this Autumn for the IoD Centenary Dinner. For details visit www.iod.com/centenarydinner. For general email updates from the IoD go to www.iod.com/signup.  1,, Summary-line: 21-Oct to: thallata@MIT.EDU [29] #Video status X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Oct 2003 18:15:15 -0400 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9LMFAJh024036; Tue, 21 Oct 2003 18:15:10 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9LMEx6W028732; Tue, 21 Oct 2003 18:15:00 -0400 (EDT) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h9LMEx0I024494; Tue, 21 Oct 2003 18:14:59 -0400 (EDT) Received: (from opus@localhost) by multics.mit.edu (8.9.3p2) id SAA01143; Tue, 21 Oct 2003 18:14:59 -0400 (EDT) Date: Tue, 21 Oct 2003 18:14:59 -0400 (EDT) Message-Id: <200310212214.SAA01143@multics.mit.edu> From: "David C. Jedlinsky" To: thallata@MIT.EDU Cc: gsp-ec@MIT.EDU Subject: Video status X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Oct 2003 18:14:59 -0400 (EDT) From: "David C. Jedlinsky" To: thallata@MIT.EDU Cc: gsp-ec@MIT.EDU Subject: Video status X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Erin. This is a followup to our conversation from about a month ago. Have you located the invoices I re-mailed for Grand Duke DVDs? I can send them to you again if they have vanished, along with the invoice for Gondoliers. Please let me know the best address to use so they'll be delivered in a timely fashion. Once you let me know that MIT has given you checks for the overdue invoices as well as the Gondoliers invoice, I will deliver the Gondoliers tapes and DVDs. In order to duplicate the videos for Pirates and Utopia, I need a count of how many tapes and DVDs are wanted for each show. Can someone on the EC find that number, and let me know? Thanks. If there's any information you need from me to convince MIT to give you the checks, just ask. -Dave  1,, Summary-line: 21-Oct ornstn@rogers.com [54] #Re: Double Choruses X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Oct 2003 18:19:14 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9LMJ9Jh026201; Tue, 21 Oct 2003 18:19:09 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9LMIxFK006776 for ; Tue, 21 Oct 2003 18:19:01 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9LMIJTJ027163; Tue, 21 Oct 2003 18:18:19 -0400 (EDT) Date: Tue, 21 Oct 2003 18:18:19 -0400 (EDT) Message-Id: <5.2.0.9.2.20031021172048.031fae10@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Double Choruses Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031021184155.32519.qmail@web60209.mail.yahoo.com> X-Mailer: QUALCOMM Windows Eudora Version 5.2.0.9 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Oct 2003 18:18:19 -0400 (EDT) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Double Choruses X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031021184155.32519.qmail@web60209.mail.yahoo.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 02:50 PM 21/10/03 -0400, John Spartan wrote: >First, did Gilbert write these as double choruses or >did Sullivan decide for himself where they would >appear? I can't imagine Gilbert, after hearing the >"Gaily Tripping" double chorus (who knows if there was >one in Thespis), not wanting more and writing to >accomodate. "Gaily Tripping" is not the first G&S double chorus; that would be the combination of the mens' and womens' versions of "With heart and with voice" in Sorcerer. Also, a very similar idea can be head in the trio "Who'd to be robber chief aspire" in Contrabandista; in fact, we used this at St Pat's Players for a double chorus in Thespis. Anyway, by the time Pinafore came along Sullivan's penchant for such things was known to Gilbert. >Second, did any other composers write double choruses? >I've got hundreds and hundreds of operas but can't >think of another place where this was done. >Counter-point, sure. But no bona-fide double choruses There is a very nice one by Cellier in Mountebanks (and as I've been off-list for a few days I don't know if Adam has brought this up already!), in "An hour, 'twill rapidly pass"; quite worthy of The Master. And though it isn't really a double chorus but an ensemble of principals, there is the wonderful ensemble "Quel otre, quel tino" near the end of Act I, Scene II of Verdi's Falstaff, which combines two quite different men's and women's tunes, in different meters, each heard independently earlier in the scene (very much in Sullivan's manner), and even adds a third line for tenor solo on top of the lot. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1,, Summary-line: 21-Oct edwpat@worldnet.att.net [30] #Double Chorus X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Oct 2003 19:18:44 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9LNHfJv023163; Tue, 21 Oct 2003 19:18:39 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9LNE8uc026973 for ; Tue, 21 Oct 2003 19:14:09 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9LNDDTJ029726; Tue, 21 Oct 2003 19:13:13 -0400 (EDT) Date: Tue, 21 Oct 2003 19:13:13 -0400 (EDT) Message-Id: <001601c39825$75857bc0$6f389e0a@PattersonE6.us.dbisna.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Double Chorus MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 4.72.3612.1700 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 21 Oct 2003 19:13:13 -0400 (EDT) Reply-To: edwpat@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ed Patterson" To: Multiple recipients of list SAVOYNET Subject: Double Chorus X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) John Spartan writes: "I can't imagine Gilbert, after hearing the "Gaily Tripping" double chorus (who knows if there was one in Thespis), not wanting more and writing to accommodate." Climbing over Rocky Mountain with Men and women voices is a double chorus. As for Double Choruses in other operas, I thought I heard such Chorus' in the works of Lortzing and also Flotow?? Ed Patterson http://www.dancaster.com  1,, Summary-line: 21-Oct thallata@MIT.EDU [17] #Re: Video status X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 21 Oct 2003 20:09:30 -0400 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9M09PJh014687; Tue, 21 Oct 2003 20:09:26 -0400 (EDT) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9M066vh020200 for ; Tue, 21 Oct 2003 20:06:06 -0400 (EDT) Received: from w20-575-12.mit.edu (W20-575-12.MIT.EDU [18.187.0.31]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id h9M0660I027395 for ; Tue, 21 Oct 2003 20:06:06 -0400 (EDT) Received: (from thallata@localhost) by w20-575-12.mit.edu (8.12.9) id h9M066vB012177; Tue, 21 Oct 2003 20:06:06 -0400 Message-Id: <200310220006.h9M066vB012177@w20-575-12.mit.edu> To: "David C. Jedlinsky" Subject: Re: Video status In-Reply-To: Your message of "Tue, 21 Oct 2003 18:14:59 EDT." <200310212214.SAA01143@multics.mit.edu> Date: Tue, 21 Oct 2003 20:06:06 -0400 From: Erin R Tyndall X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" Subject: Re: Video status In-Reply-To: Your message of "Tue, 21 Oct 2003 18:14:59 EDT." <200310212214.SAA01143@multics.mit.edu> Date: Tue, 21 Oct 2003 20:06:06 -0400 From: Erin R Tyndall X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Though I have checked the mail, I haven't seen the invoice. I will find the Utopia and Pirates numbers for you. I will look around for the invoice. If you send it to me at Senior House 462D 70 Amherst Street Cambridge Mass 02142 Erin  1,, Summary-line: 22-Oct paulensell@blueyonder.co. [39] #Re: Double Chorus X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 22 Oct 2003 02:43:34 -0400 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9M6hTJh027973; Wed, 22 Oct 2003 02:43:29 -0400 (EDT) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9M6hSNq025784 for ; Wed, 22 Oct 2003 02:43:29 -0400 (EDT) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9M6geTJ018183; Wed, 22 Oct 2003 02:42:40 -0400 (EDT) Date: Wed, 22 Oct 2003 02:42:40 -0400 (EDT) Message-Id: <002901c39865$6098a080$0b062752@DKZYR0J> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: Re: Double Chorus MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 22 Oct 2003 02:42:40 -0400 (EDT) Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: Re: Double Chorus X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ----- Original Message ----- From: "Ed Patterson" > > Climbing over Rocky Mountain with Men and women voices is a double chorus. Is it? At least one of the reconstructions contains a double chorus here. I thought Sullivan's manuscript from Thespis stopped somewhere around the first solo, and everything after that was Pirates. We don't know (may never know) how the Thespis version continued! Paul Ensell Newcastle-upon-Tyne, England "A catastrophe curve is what opera runs along. Opera happens because a large number ofthings amazingly fail to go wrong." Terry Pratchett - Maskerade  1,, Summary-line: 22-Oct cjsmith@MIT.EDU [22] #Annual Halloween Party X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 22 Oct 2003 21:14:50 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9N1EjJh004413; Wed, 22 Oct 2003 21:14:45 -0400 (EDT) Received: from out011.verizon.net (out011pub.verizon.net [206.46.170.135]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9N1E0hw017171 for ; Wed, 22 Oct 2003 21:14:00 -0400 (EDT) Received: from mit.edu ([151.203.224.140]) by out011.verizon.net (InterMail vM.5.01.05.33 201-253-122-126-133-20030313) with ESMTP id <20031023011359.EHOM5896.out011.verizon.net@mit.edu>; Wed, 22 Oct 2003 20:13:59 -0500 Date: Wed, 22 Oct 2003 21:13:56 -0400 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Annual Halloween Party From: Carolyn Smith To: dinner@mit.edu, Mary Agner Content-Transfer-Encoding: 7bit Message-Id: <2C79720B-04F6-11D8-9B4C-00039386D324@mit.edu> X-Mailer: Apple Mail (2.552) X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.224.140] at Wed, 22 Oct 2003 20:13:59 -0500 X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 22 Oct 2003 21:13:56 -0400 Subject: Annual Halloween Party From: Carolyn Smith To: dinner@mit.edu, Mary Agner X-Authentication-Info: Submitted using SMTP AUTH at out011.verizon.net from [151.203.224.140] at Wed, 22 Oct 2003 20:13:59 -0500 X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Announcing the Annual Halloween Party at Jenifer and Rich's place. Date: Halloween! Friday, October 31, 2003 Time: 7:00PM til whenever Place: 211 Forest St, Arlington MA 02474 Costumes welcomed but not required. Hope to see everyone there!!!! --cyn  1, answered,, Summary-line: 23-Oct mike@mendyke.com [29] #Trip/Dinner/etc X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 23 Oct 2003 19:53:33 -0400 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9NNrSJh024170; Thu, 23 Oct 2003 19:53:28 -0400 (EDT) Received: from pimout3-ext.prodigy.net (pimout3-ext.prodigy.net [207.115.63.102]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9NNrSEq023561 for ; Thu, 23 Oct 2003 19:53:28 -0400 (EDT) Received: from emachine (adsl-66-124-198-233.dsl.lsan03.pacbell.net [66.124.198.233]) by pimout3-ext.prodigy.net (8.12.9/8.12.3) with ESMTP id h9NNrRpM199772 for ; Thu, 23 Oct 2003 19:53:27 -0400 Message-ID: <2e1301c399c0$4109aeb0$6401a8c0@emachine> From: "Mike Mendyke" To: "David C. Jedlinsky" References: <200304091726.NAA14727@multics.mit.edu> <004701c2fec4$5e398bf0$6401a8c0@emachine> <200304092100.RAA18788@multics.mit.edu> <001601c2fede$a3c1b110$6401a8c0@emachine> <200304092140.RAA19560@multics.mit.edu> Subject: Trip/Dinner/etc Date: Thu, 23 Oct 2003 16:49:09 -0700 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Mike Mendyke" To: "David C. Jedlinsky" Subject: Trip/Dinner/etc Date: Thu, 23 Oct 2003 16:49:09 -0700 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, So the plan is to get together for dinner at Vinnie Testa's in Lexington, starting at 7:00 pm. I don't have any idea who might be coming, or when they'll show up, but I know I'll be there, enjoying their bread with garlic and olive oil appetisers. I have lost track of basically everybody, so if you could please help me out and pass the word out to our mutual friends that I'll be there, I would really appreciate it. I know I'll see a lot of people on Friday night anyway, so I'm not too worried, but it would still be fun to have a lot of people. Anyway, I look forward to seeing you soon! Mike  1,, Summary-line: 25-Oct marchanc@juno.com [39] #I find this scary X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 26 Oct 2003 14:10:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9QJ9oJj014496; Sun, 26 Oct 2003 14:09:56 -0500 (EST) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id h9QJ6Yvc020142 for ; Sun, 26 Oct 2003 14:06:34 -0500 (EST) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqchC3NE+IMRmxvYkjEYp3F2rJaMNRUiLlw==">; Sun, 26 Oct 2003 11:05:38 PST Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JDFKNDDJ; Sun, 26 Oct 2003 11:05:38 PST To: asarahm@MIT.EDU, jstrautman@uhs-hints.com, aurora@MIT.EDU, warlord@MIT.EDU, rls@MIT.EDU, opus@MIT.EDU Date: Sat, 25 Oct 2003 17:58:41 -0500 Subject: I find this scary Message-ID: <20031026.130442.2788.1.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 4-7,9-25 From: Christopher C Marchant X-Spam-Score: 5.2 X-Spam-Level: ***** (5.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: asarahm@MIT.EDU, jstrautman@uhs-hints.com, aurora@MIT.EDU, warlord@MIT.EDU, rls@MIT.EDU, opus@MIT.EDU Date: Sat, 25 Oct 2003 17:58:41 -0500 Subject: I find this scary X-Juno-Line-Breaks: 4-7,9-25 From: Christopher C Marchant X-Spam-Score: 5.2 X-Spam-Level: ***** (5.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So, I find it scary that MIT has a 22 year old Course 6 professor. Yes, he has a doctorate. I bet his classes are either completely annoying, or he is really fun to have (sort of ESGish, where younger teachers can be more interesting). Still, maybe he isn't even required to teach, and just does research... I wonder if he has any UROPs? Are they younger or older than him? So, no real social commentary here, just the fact that I found this out of the ordinary. I hope all is well with you. -----Chris *********************************************************************** 1. MIT PROFESSOR WINS "GENIUS GRANT" WORTH $500,000 MacArthur Fellowship winners were recently announced and among the recipients was MIT's own EECS Professor Erik Demaine, 22, who received the award for his research in the geometry of folding and bending, which has applications in fields as diverse as sheet metal fabrication and protein folding. Read the entire story at: http://web.mit.edu/newsoffice/nr/2003/macarthur.html  1,, Summary-line: 27-Oct s0346916@sms.ed.ac.uk [84] #Excellent new article on Gilbert and Sullivan in an unexpected source. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 27 Oct 2003 10:00:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9RExVJl027923; Mon, 27 Oct 2003 10:00:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9REqT3L015549 for ; Mon, 27 Oct 2003 09:52:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id h9REpTTJ010153; Mon, 27 Oct 2003 09:51:29 -0500 (EST) Date: Mon, 27 Oct 2003 09:51:29 -0500 (EST) Message-Id: <1067265283.3f9d2d03cfbfe@sms.ed.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: s0346916@sms.ed.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: A Cuerden To: Multiple recipients of list SAVOYNET Subject: Excellent new article on Gilbert and Sullivan in an unexpected source. MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-15 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 27 Oct 2003 09:51:29 -0500 (EST) Reply-To: s0346916@sms.ed.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: A Cuerden To: Multiple recipients of list SAVOYNET Subject: Excellent new article on Gilbert and Sullivan in an unexpected source. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As a long-time fan of the popular science author Stephen Jay Gould, I was surprised and delighted to discover he devoted a chapter on Gilbert and Sullivan in his last book, I Have Landed. And even better, it's one of the best short analyses I've ever read on their works. I cannot here copy the full chapter, but let's look at a few samples: ..I continue to believe that the comic operas of Gilbert and Sullivan prevailed over a vast graveyard of contemporary (and later) works including the efforts of such truly talented composers as Victor Herbert and Sigmund Romberg - because they embody the elusive quality of absolute excellence, the goal of all our creative work, and the hardest of human attributes to nurture, or even to define. The madrigal (so identified) from the Mikado ("Brightly dawns our wedding day") exploits a similar device. Yum-Yum prepares for her wedding with Nanki- poo, but under the slight "drawback" that her husband must be beheaded in one month. The four singers, including the bride and bridegroom, try to cheer themselves up through two verses of perfect madrigal, or four part song in alternating homophonic and polyphonic sections. The start optimistically ("joyous hour we give thee greeting") but cannot sustain the mood ("all must sip the cup of sorrow"), despite the words that close both verses ("sing a merry madrigal, fal-la"). To "get" the full joke, one must recognise the rigidly formal and unvarying texture of the musical part - thus setting a contrast with the singers' progressive decline into textual gloom and actual tears. Gilbert made his quartet stand rigidly still throughout the piece, as if declaiming their ancient madrigal in a formal concert hall - thus emphasizing the almost antic contrast of constant and stylish form with growing despair of feeling. In this case [as opposed to the glee from H.M.S. Pinafore he described previously], I do sense that most modern directors grasp the intended point, but suspect that so few listeners now know the musical language and definition of a madrigal that the contrast between form and feeling must be reinforced by some other device. I do not object to such modernisation, which clearly respects authorial intent, but I feel that directors have acquitted their proper intuition with highly varying degrees of success. My vote for last place goes to Johnathan Miller's otherwise wonderful resetting at an English seaside resort. (As Gilbert's central joke, after all, the Mikado's Japanese setting is sham, for each character plays an English stock figure thinly disguised in oriental garb - the ineffably polite upper- class Mikado, who boils his victims in oil but invites them to tea before their execution; his wastrel son; the phony noble pretender who will do any job for a price, and who gave his name, Pooh-Bah, to men of such multiple emplopyments and salaries.) Miller's quartet sings the madrigasl stock-still, in true Gilbertian fashion, while workmen ply their tools and move their ladders about the set to emphasize the key contrast. A decent concept, perhaps, but Sullivan never wrote a more beautiful song, and you can't hear a note amid the distractions and actual clatter of the workmen's movements. Pure kudos, on the other end, to Canada's Stratford Company. They recognised that most of the audience would not draw, from the song itself, the ssential contrast between structured form and dissolving emotion - so they set the singers in the midst of a formal Japanese tea ceremony to transfer the musical point to visual imagery that no one could miss, and without disrupting the music either visually or aurally. I have thus grown to appriciate Sullivan more and more over the years, but I still lean to the view, probably held by the majority of Savoyards, that Gilbert's text must be counted as more essential to their joint survival. (Gilbert might have found another collaborator of passable talent, though none could match Sullivan, but Sir Arthur would surely have gone the way of Victor Herbert, despite his maximal musical quality, without Gilbert's texts.)... -The True Embodiment of Everything That's Excellent, Chapter 4 of I have Landed, Stephen Jay Gould .. And that, I fancy, is about as much as I can reasonably quote of it. However, it's an article I'd recommend everyone go out and read, and a good 19 pages long. Highly recommended. (The rest of the book is good too, but quite off topic for this list.)  1, answered, forwarded,, Summary-line: 27-Oct thallata@MIT.EDU [17] #Recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 27 Oct 2003 15:16:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9RKGqJh013931; Mon, 27 Oct 2003 15:16:52 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9RKEP7M010364 for ; Mon, 27 Oct 2003 15:14:25 -0500 (EST) Received: from m66-080-12.mit.edu (M66-080-12.MIT.EDU [18.63.1.12]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h9RKEOEi003473 for ; Mon, 27 Oct 2003 15:14:25 -0500 (EST) Received: (from thallata@localhost) by m66-080-12.mit.edu (8.12.9) id h9RKEOT8024669; Mon, 27 Oct 2003 15:14:24 -0500 Message-Id: <200310272014.h9RKEOT8024669@m66-080-12.mit.edu> To: opus@mit.edu Subject: Recording Date: Mon, 27 Oct 2003 15:14:24 -0500 From: Erin R Tyndall X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: Recording Date: Mon, 27 Oct 2003 15:14:24 -0500 From: Erin R Tyndall X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry I didn't ask you earlier, but i wanted to make sure i could at least start your paperwork for the last video before you started on a new one. I got your letter and am planing on submitting it tomorrow. If y'all would still be willing in come and record the second weekend, that would really rock Thanks, Erin  1,, Summary-line: 27-Oct rls@dimins.com [38] #Re: [thallata@MIT.EDU: Recording] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 27 Oct 2003 16:53:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9RLrlJh024799; Mon, 27 Oct 2003 16:53:48 -0500 (EST) Received: from dimins.com (wks66.micrologic.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9RLrl2Y028298 for ; Mon, 27 Oct 2003 16:53:47 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Mon, 27 Oct 2003 16:49:35 -0500 Date: Mon, 27 Oct 2003 16:53:15 -0500 Subject: Re: [thallata@MIT.EDU: Recording] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200310272143.QAA00255@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.552) X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 27 Oct 2003 16:53:15 -0500 Subject: Re: [thallata@MIT.EDU: Recording] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200310272143.QAA00255@multics.mit.edu> X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hopefully you'll send her a response quickly, or already have. Ruth On Monday, October 27, 2003, at 04:43 PM, David C. Jedlinsky wrote: > > Thanks for talking to Nick. It seems to have worked. > > -Dave > > > ------- Start of forwarded message ------- > To: opus@mit.edu > Subject: Recording > Date: Mon, 27 Oct 2003 15:14:24 -0500 > From: Erin R Tyndall > > Sorry I didn't ask you earlier, but i wanted to make sure i could at > least start your paperwork for the last video before you started on a > new one. I got your letter and am planing on submitting it > tomorrow. If y'all would still be willing in come and record the > second weekend, that would really rock > > Thanks, > Erin > ------- End of forwarded message -------  1,, Summary-line: 27-Oct to: thallata@MIT.EDU [33] #Re: Recording X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 27 Oct 2003 20:21:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9S1KVJl013599; Mon, 27 Oct 2003 20:21:01 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9S1Ikve011884; Mon, 27 Oct 2003 20:18:46 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h9S1IkEi020931; Mon, 27 Oct 2003 20:18:46 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3p2) id UAA04297; Mon, 27 Oct 2003 20:18:46 -0500 (EST) Date: Mon, 27 Oct 2003 20:18:46 -0500 (EST) Message-Id: <200310280118.UAA04297@multics.mit.edu> From: "David C. Jedlinsky" To: thallata@MIT.EDU In-reply-to: <200310272014.h9RKEOT8024669@m66-080-12.mit.edu> (message from Erin R Tyndall on Mon, 27 Oct 2003 15:14:24 -0500) Subject: Re: Recording References: <200310272014.h9RKEOT8024669@m66-080-12.mit.edu> X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 27 Oct 2003 20:18:46 -0500 (EST) From: "David C. Jedlinsky" To: thallata@MIT.EDU In-reply-to: <200310272014.h9RKEOT8024669@m66-080-12.mit.edu> (message from Erin R Tyndall on Mon, 27 Oct 2003 15:14:24 -0500) Subject: Re: Recording X-Spam-Score: -4.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Erin. Thanks for letting me know. Yes, we can record the second weekend of Ruddigore. We'll plan on taking notes on Thursday the 13th, and recording Friday the 14th. -Dave >Date: Mon, 27 Oct 2003 15:14:24 -0500 >From: Erin R Tyndall > >Sorry I didn't ask you earlier, but i wanted to make sure i could at >least start your paperwork for the last video before you started on a >new one. I got your letter and am planing on submitting it >tomorrow. If y'all would still be willing in come and record the >second weekend, that would really rock > >Thanks, >Erin  1,, Summary-line: 27-Oct pgc@MIT.EDU [62] #Selectionful Show Selection Round I X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 27 Oct 2003 21:58:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id h9S2w0Jh028232; Mon, 27 Oct 2003 21:58:00 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id h9S2vgve018117 for ; Mon, 27 Oct 2003 21:57:42 -0500 (EST) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id h9S2vfEi005863 for ; Mon, 27 Oct 2003 21:57:41 -0500 (EST) Received: from localhost (pgc@localhost) by department-of-alchemy.mit.edu (8.12.9) with ESMTP id h9S2vfTV010923; Mon, 27 Oct 2003 21:57:41 -0500 (EST) Date: Mon, 27 Oct 2003 21:57:41 -0500 (EST) From: Peter G Chambers To: Subject: Selectionful Show Selection Round I Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -3.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 27 Oct 2003 21:57:41 -0500 (EST) From: Peter G Chambers To: Subject: Selectionful Show Selection Round I X-Spam-Score: -3.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So it's that time of year again, time to get all your friends together for a few o'douls and go through the wacky spontaneous fun of selectionful show selection. that's right all the action of selectionless show selection, but without the beer. and with a whole bunch of tedious rules to follow, yeah!! seriously, though it is time for round I of show selection. it will take place this sunday afternoon at 1pm in the mtg office. we'll be starting the process of selecting which shows we will do for the spring and summer. Remember the best way to get mtg to do a show you want to do is to put it up for show selection. showing up to show selection is also the best way to weed out the shows you DON'T want to do. Tired of Sondheim? want to see Jamez in drag? put up the show that'll make it happen. starting tuesday afternoon, there will be a list on the door of the mtg office for your suggestions for Round I. put your name, the show, and -- this is important -- the term for which you wish the show to happen. Or you can just show up on sunday. From this list and the others9000000000000000000000":>? 000000000000000000000000000000000000000000000000000000000000000934dcevgb everyone, meet siris, our new puppy. that's his way of saying hello: walking on the keyboard. anyway, from this list and suggestions on sunday, we will select the shows to be presented9i (siris again) to the entire guild later next month. so to sum up: Show0000000yu7tgholg Selection Round I Sunday, Nov 2. 1pm mtg-office be there or don't complain when i push through le cage aux folies for spring because we have 2 complete sets of scripts in the office. love and puppies pete _______________________________________________ Pete Chambers Magnetic Materials and Devices Group Department of Materials Science and Engineering Massachusetts Institute of Technology 13-4017 pgc@mit.edu (617) 253-6898 (617) 576-2728  1,, Summary-line: 30-Oct J91a@cs.com [33] #I'm Waiting....got videos! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 30 Oct 2003 19:38:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id h9V0cmJh013826; Thu, 30 Oct 2003 19:38:49 -0500 (EST) Received: from imo-m03.mx.aol.com (imo-m03.mx.aol.com [64.12.136.6]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id h9V0cWDn002101; Thu, 30 Oct 2003 19:38:32 -0500 (EST) Received: from J91a@cs.com by imo-m03.mx.aol.com (mail_out_v36_r1.1.) id f.108.27d8f5de (18251); Thu, 30 Oct 2003 19:37:13 -0500 (EST) From: J91a@cs.com Message-ID: <108.27d8f5de.2cd308b9@cs.com> Date: Thu, 30 Oct 2003 19:37:13 EST Subject: I'm Waiting....got videos! To: Riverbend6@aol.com, mjrhett@earthlink.net, ers66@juno.com, MzSylver@mit.edu CC: opus@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Thu, 30 Oct 2003 19:37:13 EST Subject: I'm Waiting....got videos! To: Riverbend6@aol.com, mjrhett@earthlink.net, ers66@juno.com, MzSylver@mit.edu CC: opus@mit.edu X-Spam-Score: 3.7 X-Spam-Level: *** (3.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi folks, Some of you I've talked to recently, others I've called. Yet others I haven't contacted or heard from in a while. Marion was too overcommitted to deal with the All's Well Videos, but I have them...in a bag...staring at me...making whiny noises in my room, in the dark, saying...TAKE ME TO MY OWNER!!! I WANT TO BE FREE, TO BE WATCHED! TO BE ACKNOWLEDGED!!! With popcorn and coca cola, if necessary! I need times when I can meet people and trade goods...Dave needs CHECKS!!! SOON! Unfortunately, weekends, anytime except Sunday morning, are usually best. Please get back to me ASAP. I can also be reached by phone at 617 629-2137. I live at 11 Madison Street in Somerville, near the cross streets of School Street and Highland Avenue. It is accessible by T via the 88 bus at either the Holland Street side of Davis, or Lechmere Station. Hope I hear from y'all soon! Thanks, Janine  1,, Summary-line: 3-Nov oakapple@cris.com [100] #Broude Brothers PINAFORE Published X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 03 Nov 2003 21:30:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA42UMJl021524; Mon, 3 Nov 2003 21:30:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA42RIA0008147 for ; Mon, 3 Nov 2003 21:27:20 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA42QUTJ014143; Mon, 3 Nov 2003 21:26:31 -0500 (EST) Date: Mon, 3 Nov 2003 21:26:30 -0500 (EST) Message-Id: <3FA70925.7090704@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Broude Brothers PINAFORE Published MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 3 Nov 2003 21:26:30 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Broude Brothers PINAFORE Published X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Broude Brothers edition of H.M.S. PINAFORE, edited by Percy M. Young, was at long last published last month. At an introductory price of $250.00 (it will be $300.00 after the new year), it's the G&S fan's ideal stocking stuffer. To order, call Broude directly at 1-800-525-8559. All kidding aside, the Broude PINAFORE is a landmark in G&S score publishing. The edition is in two volumes: 321 pages (music) and 201 pages (commentary). Broude does not offer an option to purchase one without the other. I am a member of the publisher's editorial board, and so I cannot comment on the edition dispassionately. I will, however, give a brief overview. The Broude PINAFORE is a scholarly edition, the second from this publisher, and the fourth G&S work overall to be so treated. (Broude's TRIAL, Oxford's RUDDIGORE, and Eulenberg's GONDOLIERS were the other three.) The G&S scores historically haven't received much serious scholarship, which perhaps explains why such editions aren't yet available for the other nine extant operas. Indeed, as recently as thirty years ago you would have had trouble finding G&S full scores of any kind at all. That has all changed, and there's now at least one option available for every opera. For a more popular work like PINAFORE, today's buyer has several full scores to choose from. The Broude PINAFORE, with its $250 price tag, won't be for everyone, but you get what you pay for. When I refer to a scholarly edition, I do not mean that the reader must himself be a scholar to appreciate it. I only mean that the edition is the work of specialists in this field, who spent many years trying to get it right, and who took the time to document exactly how they reached their conclusions. This does not mean that the conclusions are necessarily correct -- scholars love to argue, after all. As the publisher himself puts it: the edition seeks to make users aware of editorial processes and to provide them with the data necessary to trace the history of each work, to follow the editors' reasoning--and, perhaps, to engage in second guessing. With a commentary volume nearly two-thirds as long as the work itself, you could think of the Broude PINAFORE as a portable research library. Within its pages, you'll find nearly anything you'd want to know about the genesis and history of the text and its variants. (I was going to try to work in "What, all? ... Nearly all!" But let that pass.) The contents of the commentary volume are as follows: Introduction (30 pgs) Libretto with variants and commentary (34 pages) Critial apparatus and description of sources (96 pages) Appendices: Bab Ballads pre-figuring PINAFORE (10 pages) Suppressed passages for Cousin Hebe (3 pages) Discography of early recordings (10 pages) Discussion of nautical terms (4 pages) Bibliography (5 pages) If I were to be allowed one complaint, I'd say the ordering of the canceled passages is a nuisance. The suppressed recitative ("Here, take her sir...") is included as an appendix to the music volume, so conductors who choose to include it need to jump around. I prefer to place alternative passages in the body of the main text, as it's then a fairly simple matter for conductors NOT using them to just paper-clip the omitted pages. The edition is not quite consistent in this regard, as no fewer than three endings to Act II are offered: Sullivan's original, the "Rule Britannia" finale introduced for the 1887 revival, and the abbreviated "Sargent ending" heard in most performances since the 1920s. All three endings are presented as alternatives in the main text itself. I would argue that the suppressed recitative should have been treated similarly. The surviving band parts to "Reflect, my child" are also offered as an appendix, but without the Miller/Perry conjectural reconstruction of the missing second violin and vocal parts---you need to order that separately. This too is a solution that I doubt will please very many readers. For most of the 125 years since PINAFORE first appeared, if you wanted a full score you were out of luck. The situation has changed considerably in the last three decades: there's now a veritable fleet of editions to choose from. The Dover edition, at about $20, will always be a compelling option for the price conscious, and I've no serious disagreement with that. But the Broude edition occupies a higher plane, and those who can afford it will find the investment amply rewarded. No doubt its achievement will be regarded as a standard for many years to come. -- Marc Shepherd New York, NY  1,, Summary-line: 4-Nov MusikDrama@aol.com [68] #Accompanists (was Re: theatre annoyances) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 04:07:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA497XJh022834; Tue, 4 Nov 2003 04:07:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA497Veg004396 for ; Tue, 4 Nov 2003 04:07:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA497BTJ022799; Tue, 4 Nov 2003 04:07:11 -0500 (EST) Date: Tue, 4 Nov 2003 04:07:11 -0500 (EST) Message-Id: <1e0.12a2bc8f.2cd8c5b8@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Accompanists (was Re: theatre annoyances) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 04:07:11 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Accompanists (was Re: theatre annoyances) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 11/3/03 11:28:08 PM, d-duffey@argonet.co.uk writes: >As one who has, in Clive's case, probably been such an sinner, I can only >say that there is the absolute certainly that he can play at sight whatever >one puts in front of him. >On the other hand I have come across Clive practicing assiduously pieces >he knows in advance he has to play, even though I have heard him play those >same pieces perfectly on numerous previous occasions. Exactly -- *PREVIOUS* occasions! It probably takes a pianist to appreciate just how quickly a piece you've learned can, so to speak, slip through your fingers. As Paderewski once said, "If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it." As a former professional accompanist (I do so little of it these days that I really can't claim that status any longer), I can confirm that it's even harder for an accompanist to hang on to his or her repertoire than it is for a soloist, who has perhaps two or three recitals that they perform regularly and get a chance to hone to perfection over time. An accompanist might work with a cellist one day, a clarinetist the next, lead a choir rehearsal or play in a pit orchestra the next -- the job is never done! And in any spare time you may have, you're practicing like crazy to be ready for the next rehearsal. It takes an incredible amount of concentration and a highly-developed short-term memory to keep all those notes in your head and fingers for the duration of the time you need it, and there's no way you can hold onto it all afterwards with all the new information coming in all the time. That's probably why my long-term memory is so miserable -- I spent so much of my career learning things quickly and forgetting them quickly, that to this day I can barely remember anything I did last week! Sorry for the unprovoked rant, but accompanists do need to be heard occasionally (by which I here mean their point of view)! With a really first-class ac companist such as Clive (from all I've heard about him on Savoynet), it's easy to attribute a Grosvenor-like infallibility to all he does, and to take it as a given that no assignment is ever beyond his powers, however short the notice may be. I have no doubt that David's praise is well-meant -- and well-deserved -- but what the layman (if I may so describe the very large class of non-accompanists) must understand is that said impression (and it *IS* only an impression, however expert the accompanist may be) is only achieved through years of dedicated study and the most meticulous and detail-oriented practice. And when the practicing stops, the work stops. It's not something you can just do because you've spent years training for it. That's just the groundwork; you have to keep at it every day to keep the mechanism functioning, just like Mr. Paderewski. Whoever said "don't sweat the details" was definitely not an accompanist! Rant over. Steve Lichtenstein "Climb the hardy little lasses"  1,, Summary-line: 4-Nov bj.richards@btinternet.co [32] #A Bit of the Bijou X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 10:13:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA4F5BLf003337; Tue, 4 Nov 2003 10:13:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA4F4Vwa015676 for ; Tue, 4 Nov 2003 10:04:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA4F0PTJ014493; Tue, 4 Nov 2003 10:00:25 -0500 (EST) Date: Tue, 4 Nov 2003 10:00:25 -0500 (EST) Message-Id: <000e01c3a2e1$82265f40$01ea7ad5@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: A Bit of the Bijou MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 10:00:25 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: A Bit of the Bijou X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Talking with some friends of SavoyNet lurker Trish Reynolds about G&S in the pub after rehearsals about a year or so ago they told me that they were the last licencees of the Gerston Hotel, the public house that was built on the site of the Bijou Theatre in Paignton. When the pub was being demolished, Mr Rivers, the licensee, noticed that some of the ceiling frieze of the old Bijou Theatre had been revealed and he rescued a small portion before it was all carted away. He had it mounted - it's about 12 by 6 inches - and now knowing of our interest in G&S gave it to Trish to pass on to us. So we're the proud owners of a small bit a plaster that was there on that historic afternoon on New Year's Eve 1879 when the touring cast of HMS Pinafore manfully struggled to give the very first performance of The Pirates of Penzance. Now, where to put it - well, the task should be easy . . . Bob & Jackie  1,, Summary-line: 4-Nov rebecca@hains.net [50] #RE: Public v. Private Collections (was "Flaming Away....") X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 12:59:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA4HwtJj012034; Tue, 4 Nov 2003 12:59:01 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA4HhxhB000195 for ; Tue, 4 Nov 2003 12:44:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA4HhQTJ017159; Tue, 4 Nov 2003 12:43:26 -0500 (EST) Date: Tue, 4 Nov 2003 12:43:26 -0500 (EST) Message-Id: <000601c3a2fa$64f30e00$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Public v. Private Collections (was "Flaming Away....") MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031104102523.04892e20@taurus.lunarpages.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 12:43:26 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: Public v. Private Collections (was "Flaming Away....") X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031104102523.04892e20@taurus.lunarpages.com> X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 11:12 AM 11/4/2003 -0500, David Stone wrote: >His comment is naive at best. Gilbert & Sullivan material in institutions >will only go on display if the institution has a curator willing to mount a >G&S exhibition. David Craven wrote: >> On display is not the same thing as "access". Its sad that there are not displays of such items, but most "public" collections have specific rules which permit access to the materials, and access is not subject to the whim and caprice of a particular private collector.<< This is an important point. Boston University's Mugar Memorial Library has a Department of Special Collections, and that department has possession of the Martyn Green collection. A brief digression: When I was a graduate student at B.U., I entered my G&S book collection into their Blackmon Book Collecting Contest (and won the award for best essay). At my interview, they brought out a delightful pile of things from their Martyn Green collection to show me, including the folly stick he used when he played Jack Point. Never mind that they told me it was from Iolanthe... the point is, I could have returned and accessed those materials any time I liked, even though they were not on public display. And so can you. To learn how to gain access to any of Boston University's special collections, including Martyn Green's, see http://www.bu.edu/speccol/index.html. Rebecca Hains Philadelphia, PA  1,, Summary-line: 4-Nov YesTisMabel@aol.com [58] #Re: Flaming Away..../personality test X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 12:59:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA4HwtJl012034; Tue, 4 Nov 2003 12:59:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA4Hh8hB029719 for ; Tue, 4 Nov 2003 12:43:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA4HgLTJ016754; Tue, 4 Nov 2003 12:42:21 -0500 (EST) Date: Tue, 4 Nov 2003 12:42:21 -0500 (EST) Message-Id: <1cc.1397d5a4.2cd93c8c@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Flaming Away..../personality test MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 12:42:21 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Flaming Away..../personality test X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 11/4/03 10:26:24 AM EST, SSilvers@sskfny.com writes: << Indeed, I find your message in response to his much more disturbing, and I don't have any idea (or can't remember) who you are. And why would you publicly ask information about David Craven's shopping preferences? Surely a private e-mail is the place to explore that. What do people think about this? Sam >> I am always surprised when people take great offense at emails that seem pretty innocuous. But I think this must be the result of some previous history. I seem to remember about a year ago someone, and it might have been Simon, was being told not to post business stuff here by Marc, and it got pretty heated. If it was Simon, and he kind-of EXPECTS to be flamed or rebuffed or just generally not loved, he will read that into any emails. I can understand that, although it's not how I react. To be fair, Craven's emails are sometimes hard to 'read', if you know what I mean. In the few cases when I've felt discussions have gotten nickpicky or maybe personal, I've always taken them off-list....I don't want to read that stuff, so I'm sure others don't either, and won't subject them to it. Actually, maybe it's time for our Myers-Briggs survey! On one of my other mailing lists, Klarinetlist, I did a survey to see what personality type came up as the most common amongst clarinetists. I was pretty sure there were lots of ISTJs in there, and so I provided the website addresses for where you could go take the test, and then read your profile. You guys wanna do this? My prediction is that the "Gilbert-word people" will be T types genereally, the "Sullivan-music people" will be P &/or F types, and those of us who think G&S are equal will be a good balanced mix, like my own ENTJ! :-) A site to take the test for free is: IPIP NEO-PI, Introductory Information or http://cac.psu.edu/~j5j/test/ipipneo1.htm and the site to read your profile is: The Personality Page or http://www.personalitypage.com/ If you do the test, please report on your type, and I'll keep a running tally. Elise Curran ENTJ (extroverted intuitive thinking judger) Orlando  1,, Summary-line: 4-Nov pgc@MIT.EDU [62] #show selection X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 13:54:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA4Iq9Jp020387; Tue, 4 Nov 2003 13:54:08 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA4ImlWc024087 for ; Tue, 4 Nov 2003 13:48:47 -0500 (EST) Received: from department-of-alchemy.mit.edu (DEPARTMENT-OF-ALCHEMY.MIT.EDU [18.7.16.69]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hA4Imkfn005994 for ; Tue, 4 Nov 2003 13:48:46 -0500 (EST) Received: from localhost (pgc@localhost) by department-of-alchemy.mit.edu (8.12.9) with ESMTP id hA4ImkZ1014203; Tue, 4 Nov 2003 13:48:46 -0500 (EST) Date: Tue, 4 Nov 2003 13:48:46 -0500 (EST) From: Peter G Chambers To: Subject: show selection Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 13:48:46 -0500 (EST) From: Peter G Chambers To: Subject: show selection X-Spam-Score: -4.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) all hail the glorious show selection process, through which we maintain our rights and liberties as mtg members (go vote). so these shows have made it through to the second round, to be held on sunday december 7th at 1 pm For Spring 2004 Blood Brothers A Funny Thing Happened on the Way to the Forum Godspell A New Brain Secret Garden and La Cage aux Follies (or whatever the french is the only important french word is surrender) For Summer 2004 Crazy for You Fame! Grease!! Jesus Christ Superstar!!! todders likes "!" the names and email addresses of all the sponsers of these shows will follow (as soon as i put them together, get off myt back) so you can contact those people in charge of those show with which you'd like to help. thank you to all the wonderful people who came and for their great ideas and enthusiam lovies pete _______________________________________________ Pete Chambers Magnetic Materials and Devices Group Department of Materials Science and Engineering Massachusetts Institute of Technology 13-4017 pgc@mit.edu (617) 253-6898 (617) 576-2728  1,, Summary-line: 4-Nov mstorie@nwlink.com [41] #Re: New Seattle "Gondoliers" Video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 20:15:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA51FFJh022753; Tue, 4 Nov 2003 20:15:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA51A460003428 for ; Tue, 4 Nov 2003 20:10:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA519dTJ003249; Tue, 4 Nov 2003 20:09:40 -0500 (EST) Date: Tue, 4 Nov 2003 20:09:39 -0500 (EST) Message-Id: <3FA83A8E.28EC4002@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: New Seattle "Gondoliers" Video MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 20:09:39 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: New Seattle "Gondoliers" Video X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jeff DeMarco wrote: Mike - is there any plan to release these on DVD? We have our deepest thinkers (both here and abroad!) working on this problem even as we speak. We do hope to eventually have all thirteen G&S operas available on DVD. The problems we are wrestling with include: How to cost effectively make high-quality DVDs in quantities of a couple of hundred. How to index the DVD for individual songs and dialogue sections. What sort of compression will allow us to get each show on a single disk without compromising the high density digital recordings we have. Most of the services who claim thay can do that (for $1.98 per disk) degrade the picture so that it is not as good as VHS. Or they require six discs for "The Grand Duke." How to solve the Region and format problems. I'm open to any suggestion. But we have been working at it for quite a while. Regards, Mike Storie  1,, Summary-line: 4-Nov scottlfarrell@yahoo.com [205] #OOTW: Sapphire Necklace (long) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 04 Nov 2003 22:19:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA53I0KD018204; Tue, 4 Nov 2003 22:19:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA53HQts002025 for ; Tue, 4 Nov 2003 22:17:26 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA53HBTJ008923; Tue, 4 Nov 2003 22:17:11 -0500 (EST) Date: Tue, 4 Nov 2003 22:17:11 -0500 (EST) Message-Id: <20031105031210.77581.qmail@web40902.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: OOTW: Sapphire Necklace (long) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 4 Nov 2003 22:17:11 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: OOTW: Sapphire Necklace (long) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK, you all knew this was coming from me. Here we go! Don't give me that look; how often do I get a "moment" around here? :) --- In 1863, Sullivan had returned from study in Leipzig to London. He was almost immediately given a libretto by Henry Fothergill Chorley, the music critic of the Times. Chorley was one of Sullivan's early admirers, and it seems to me that Chorley wanted to "cash in" on Sullivan's musical gifts. The opera, titled THE SAPPHIRE NECKLACE, is assumed to have been completed or nearly completed but we know that it was never published or performed. Apparently, no theatre would put it on. That's not to say that it was a bad opera; it may have been a very good grand opera, but the timing was wrong. We'll probably never know which. Instead of performing SN, Sir Michael Costa (music director of Covenant Garden and conductor of the Birmingham Festival) commissioned the duo to write a cantata for the festival. The result was KENILWORTH: A MASQUE OF THE DAYS OF QUEEN ELIZABETH. The masque is based on a scene from Walter Scott's novel by the same name. KENILWORTH had an indeterminable number of performances and then disappeared. The press was not particularly friendly, though they praised Sullivan's setting for the "Merchant of Venice" scene. Chorley and Sullivan wrote a few parlour songs in the following years, the most famous being "The Long Day Closes" but never again collaborated for the stage. In 1999, I got the idea to revive the lost opera. I set to work creating a new libretto and new music, in the Sullivan style. One Savoynetter (I forget who) suggested that I just write my own opera and insert Sullivan music wherever I like. I tried to remain faithful to the style but I really jumped the shark and got caught in the "Savoy trap". It was performed on July 29, 2000 to an audience of about 48. David Craven and I performed together in the piece, with a variety of available "talent" and the audience enjoyed it. I issued cassette copies of the performance, but they were not very well accepted (understandably so). Someday I'll talk John S. into rewriting the libretto. Just for this month, if anyone would like a FREE copy of the libretto in Word Processor form, let me know and I will send it to you. Now that the plug part is over, let's get down to the real version of the opera. I'll start with the famous aria "Over the roof" (which I've recorded twice, BTW). What the devil is this song about??? Pasting in the text here: Over the roof and over the wall, Grow, grow, the jessamine grow. For ever and ever more white and tall (No matter the dwelling be high or low!) For yet palace be lofty and moat be wide And mailed the bridge and lordly the towers, There is love can prevail over pomp and pride Like the cherished beauty of those sweet flowers! Love, love, love! Love will not alter under the sun While the woods grow and the waters run! [ed. I changed this last line to "while the gardens grow and the rivers run", which I think scans much better and paints a cleaner picture.] Down by the meadow, down to the sea (Flow, flow, the river will flow) The turf may be green, or wither'd the tree (But the heat is the same on the cobble below.) For whatever the season around that deep stream, Be it snow-white winter or summer hot, There is love, tho' a wand'rer as some might dream Who passes and passes, yet changes not. Ah! Love, love, love. Love will be master under the sun While the wood grows and the waters run! That's a pretty heavy text. The song is quite stirring and dramatic. The only thing I get out of the lyrics is that love will prevail over all, no matter the why or wherefore. It reads better as poetry rather than lyrics, which was Chorley's forte. I don't think the public could stand to listen to this archaic prose for a full opera. Could that be the reason it wasn't staged? IVANHOE has poetry but more like dialogue lyrics than this wordy prose. Moving on, what is the general opinion of the Overture? We know that it was a popular Sullivan piece, arranged for military band by Charles Godfrey. To me, it sounds like a proper overture, like the YEOMEN overture. It's not really a medley or potpourri overture like the other Savoy overtures; it may not even bear much resemblance to the opera. Here's something else. We know that there was a recitative and prayer "Then come not yet". My suggestion is that this song still exists, but only in the overture. Listen to that melody at the very beginning. It sounds almost pastoral, and its ending is a minor iv - I chord, the plagal cadence, which most church music ends in. Not convinced? Try this. Find those last five notes of that section (in the major key) and sing "Then (that's the pickup note) cu-hum not (trip-uh-let) yet! (long note)" Would anyone be willing to write their own words for this song, based on that contention? For my production, I wrote words to that entire melody, rreturning to the minor key for the ending. The text is a bit too loose and syllables are dragged over several notes to make it fit, which it doesn't. (For those who get the free copy, this is Perola's solo!) It doesn't quite work in my version. On to "When Love and Beauty". This is a wonderful madrigal, but I have yet to hear it performed well. (I'm sure there's a good recording of it somewhere and I just don't have it.) This song was later transplated to the musical version of "Engaged!" and I never understood its placement or reason for placement in that show. I think the second verse, beginning "It is not wealth and state", is unnecessary. Not only do the words not fit the melody there, but it's more archaic crap from Chorley that makes you say "Huh?". I can't find enough to say about this song, so to pad it, I'll talk about my version again. (He's off on his hobby!) In my version, I put this song at the front of the opera, with the chorus singing it behind the curtain (or scenes) as a sort of backdrop to the opera, to help set the scene. I got the idea from a Savoynetter who told us of a company that used "Strange Adventure" in front of their YEOMEN in place of the overture, which was just as effective. I heard from one member of this group that the opera was based on Mary, Queen of Scots. How do you know this? Where is this written? One final thought on the opera. When I was preparing a new version, I purchased the KENILWORTH score from Ray Walker. With it, he sent some notes on THESPIS and SN. Rather, it was an article he wrote. On the third page, he writes "We know that when in Monte Carlo (1897) writing VICTORIA & MERRIE ENGLAND he reused L'ILE ENCHANTEE as he had done previously. He even wrote to...Wilfred Bendall, asking him not to send out the bit from THE SAPPHIRE NECKLACE, as he had 'a page or two' which would show him the scoring. (!!) >From this, we can safely conclude that parts of SN appear in V&ME, probably the sedate opening scene, 'Ancient Britain', which has a ring of grand opera about it and the storm since one also appeared in SN." [ed. -- abbreviations are my own] How does Ray know about this storm scene?? I really should have paid attention to this part when I was rewriting. I'd say it's a bit of a stretch to say that those items really did appear in SN, but it's certainly not impossible. I think that about covers it. If anyone would like to discuss my libretto with me (public or private), please don't hesitate to do so. I have some information about the opera on my company's website (with photos!), which can found by clicking on the link below. ===== Scott Farrell "Nothing is more vulgar than enthusiasm" -- W.S. Gilbert, PRINCESS TOTO. scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________ Do you Yahoo!? Protect your identity with Yahoo! Mail AddressGuard http://antispam.yahoo.com/whatsnewfree  1,, Summary-line: 5-Nov YesTisMabel@aol.com [27] #personality test revision X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 02:30:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA57UDJh021707; Wed, 5 Nov 2003 02:30:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA57UBao018138 for ; Wed, 5 Nov 2003 02:30:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA57U4TJ015405; Wed, 5 Nov 2003 02:30:04 -0500 (EST) Date: Wed, 5 Nov 2003 02:30:04 -0500 (EST) Message-Id: <25.4053478f.2cd9ff93@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: personality test revision MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 02:30:04 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: personality test revision X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi guys! I sent you the wrong url for the Myers-Briggs test! Here's the real one Myers-Briggs Type Indicator or http://www.unc.edu/~crutledg/mbti.html The other site, for reading your profile, is still www.personalitypage.com I've got 9 responses so far..... Elise 'ENTJ' Curran Orlando  1,, Summary-line: 5-Nov drew@ROYALMASONIC.HERTS.S [41] #RE: Sighting (Probably old) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 05:23:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5ANiJh001736; Wed, 5 Nov 2003 05:23:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA5ANhUK029141 for ; Wed, 5 Nov 2003 05:23:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5ANdTJ016463; Wed, 5 Nov 2003 05:23:39 -0500 (EST) Date: Wed, 5 Nov 2003 05:23:39 -0500 (EST) Message-Id: <000001c3a384$96262a40$4d00a8c0@r26s25> Errors-To: savoynet-owner@bridgewater.edu Reply-To: drew@ROYALMASONIC.HERTS.SCH.UK Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "drew" To: Multiple recipients of list SAVOYNET Subject: RE: Sighting (Probably old) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031105095432.9AB4AAC18@sitemail.everyone.net> X-Mailer: Microsoft Outlook CWS, Build 9.0.2416 (9.0.2910.0) X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 05:23:39 -0500 (EST) Reply-To: drew@ROYALMASONIC.HERTS.SCH.UK Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "drew" To: Multiple recipients of list SAVOYNET Subject: RE: Sighting (Probably old) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031105095432.9AB4AAC18@sitemail.everyone.net> X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Minor claim to fame: My classroom is the one that Indiana Jones lectures from! The film was made at Leavesden Studios in Watford, and my school in Rickmansworth was used for the first and third films: www.royalmasonic.herts.sch.uk Drew Buddie ********************************************************************** The views expressed in this message are personal and not necessarily those of The Royal Masonic School for Girls. Please be aware that emails sent to or received from the school may be intercepted and read by the school. Complaints about this message should be addressed to abuse@royalmasonic.herts.sch.uk **********************************************************************  1, answered,, Summary-line: 5-Nov bj.richards@btinternet.co [50] #Update from Penarth X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 05:32:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5AW1Jh004285; Wed, 5 Nov 2003 05:32:02 -0500 (EST) Received: from gadolinium.btinternet.com (gadolinium.btinternet.com [194.73.73.111]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA5AQlBu020532 for ; Wed, 5 Nov 2003 05:26:48 -0500 (EST) Received: from dial81-131-131-97.in-addr.btopenworld.com ([81.131.131.97] helo=HP763ADV) by gadolinium.btinternet.com with smtp (Exim 3.22 #23) id 1AHKsA-0000VE-00 for opus@MIT.EDU; Wed, 05 Nov 2003 10:26:47 +0000 Message-ID: <004a01c3a387$4f1ed900$d8ff7ad5@HP763ADV> From: "Bob & Jackie" To: "David C. Jedlinsky" Subject: Update from Penarth Date: Wed, 5 Nov 2003 10:26:11 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob & Jackie" To: "David C. Jedlinsky" Subject: Update from Penarth Date: Wed, 5 Nov 2003 10:26:11 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave & Ruth Just to keep you abreast with our life changing plans. We're definitely moving from Penarth, but it won't be to France but to the south coast of England (where the natives are marginally less scary). After a great deal of research we decided that the bureaucracy, taxes & inheritance laws in France would mean it would always be a big struggle to make a living so we decided against Nous Voison Francais. Instead we're been looking at Guest Houses in the Torquay/Paignton area and we think we have found the right place. It's in probably the best location in Torquay - on the only road out of the town and cars have to dog-leg to avoid driving into its car park - the location is so good the current owners make an impressive living without advertising and offering, in our minds, an inferior service. We're now endeavouring to negotiate the difficult route of leaving our jobs, selling 2 houses, and getting architect's plans and the surveyors ok as well as the little matter of finance. We're very confident and very excited about it and would like to be in around Easter time - ideally launching the change of ownership with a QWERTYQUAY! - how are your airmiles looking!. The downside is that we'll probably not decide to come over for the Sing Out - or make Buxton (other than a flying visit with the T-shirts). If we are in situ by the start of the summer we'll be knee deep in cooking breakfasts, changing beds & cleaning showers to take time off at what will be the height of the season for us and although Polly & Tam will be running it as well we don't think that we could leave them at such a time (& with 2 little ones). We also won't know what our financial state will be as we'll be sinking all we have into the project. So sadly we'll have to take a rain check on the trip to Toronto with you both and hope that it doesn't make a complete mess of your plans. When we're more experienced & wealthier we will make sure that we make it to stay with you in New Hampshire (especially now the State has a Gay Bishop, who's certainly caused problems for the Welsh ArchBish of Canterbury). Love Bob & Jackie  1,, Summary-line: 5-Nov deebee@connexus.net.au [39] #Re: Gilbert v. Sullivan X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 08:23:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5DNMJh002502; Wed, 5 Nov 2003 08:23:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA5DHtcP024845 for ; Wed, 5 Nov 2003 08:17:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5DHnTJ022375; Wed, 5 Nov 2003 08:17:50 -0500 (EST) Date: Wed, 5 Nov 2003 08:17:49 -0500 (EST) Message-Id: <3FA8F2EC.8040206@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 08:17:49 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am finding this thread interesting as it does show a lot about us - the posters on Savoynet. We have a common interest but vastly differing ways of following it. I would have to put myself in the Gilbert first group. I saw my first G&S performances when I was at school, initially performed by older students and then one or two local amateur productions. While I liked the music it was the word settings that really attracted me. I used to go about intoning "Go away MADAM", I should say MADAM etc and then later "Barring tautology, indemonology" etc. My family are totally uninterested in the arts and I had little exposure to theatre or music - though I can't remember a time when I wasn't interested in nd had a great love of theatre. Music was not something I had any knowledge of and at first I loved the very obviously melodic of Sullivan's tunes as well as all the patter numbers. Then gradually show stoppers like Poor Wandering One began to sound marvellous and this flowed on to the other more serious bits of the operas and in turn led me to other music, especially opera. So while I rever Gilbert (as I do Shakespeare) for his facility with the English language, I also give great thanks to Sullivan (and Mozart) for leading me into the wide world of music. Diana Burleigh  1,, Summary-line: 5-Nov ulahlica@yahoo.com [52] #Blind Sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 12:31:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5HUAJt022867; Wed, 5 Nov 2003 12:31:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA5HJja9000019 for ; Wed, 5 Nov 2003 12:19:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5HIqTJ001114; Wed, 5 Nov 2003 12:18:52 -0500 (EST) Date: Wed, 5 Nov 2003 12:18:52 -0500 (EST) Message-Id: <20031105170819.90498.qmail@web60208.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Blind Sighting MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 12:18:52 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Blind Sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm quite frustrated. I was just watching the local news. I left the room to get some coffee. I suddenly heard opera singing coming from my living room. I thought, "I don't remember putting on a CD." Soon I can hear it's "I am the very model of..." I run back into the living room but it's too late. It's over. My CD player is off but the TV is on. Commercials are running. WHAT was it? I must know. You have to understand, American TV *never* plays G&S. At least not here in New York. Was it a new commercial that's out or was it a quick ad for a local performance of PIRATES. Not knowing whether it was part of the news or part of a commercial leaves me with a serious handicap for my investigative work. I guess I'll leave the VCR running on that channel all day. Do any New Yorkers have a clue? Don't let the fact that I've given you absolutely nothing to work with stop you. *SIGH* John S __________________________________ Do you Yahoo!? Protect your identity with Yahoo! Mail AddressGuard http://antispam.yahoo.com/whatsnewfree  1,, Summary-line: 5-Nov claire.little@iod.com [49] #RE: Pantomime - now rather OT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 12:52:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5HpiJt007747; Wed, 5 Nov 2003 12:52:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA5HjUa9017676 for ; Wed, 5 Nov 2003 12:45:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5HifTJ003733; Wed, 5 Nov 2003 12:44:41 -0500 (EST) Date: Wed, 5 Nov 2003 12:44:41 -0500 (EST) Message-Id: <812087739FC9D711BC2D0002554C4BD80E20DB@lonmail01.iod.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Claire Little To: Multiple recipients of list SAVOYNET Subject: RE: Pantomime - now rather OT MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 12:44:41 -0500 (EST) Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Claire Little To: Multiple recipients of list SAVOYNET Subject: RE: Pantomime - now rather OT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) To which we reply "It's Behind You !", and direct all befuddled SavoyNetters who haven't heard traditional panto business (trad D'Oyly Carte business pales into insignificance) to websites such as www.its-behind-you.com and www.davekorman.pwp.blueyonder.co.uk/panthis.htm and www.users.globalnet.co.uk/~derek01 which give an idea of the very eccentric nature of the modern pantomime. Claire Little London, UK Trying to get this remotely on-topic, the panto I was in last Christmas used the music of 'Pray Observe the Magnanimity' for a chase scene. -----Original Message----- From: David Craven [mailto:tempsavoy@tradelaw.com] At 11:25 AM 11/5/2003 -0500, Woods, Clive wrote: > > > > Oh no it isn't! > >Oh yes it is!!! > Sometimes it is yes, sometimes it is no, sometimes it is yes and no. It all depends how you define the words "words", "yes" and "no" ******************** Join Lord Browne of BP, the Royal Philharmonic Concert Orchestra and up to 1000 members at the Royal Albert Hall this Autumn for the IoD Centenary Dinner. For details visit www.iod.com/centenarydinner. For general email updates from the IoD go to www.iod.com/signup.  1,, Summary-line: 5-Nov andi_s_r@yahoo.com [130] #Re: Accompanists (and our shortcuts) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 15:38:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5Kb2Jr010433; Wed, 5 Nov 2003 15:37:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA5KTw5o020423 for ; Wed, 5 Nov 2003 15:30:00 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5KTeTJ001402; Wed, 5 Nov 2003 15:29:40 -0500 (EST) Date: Wed, 5 Nov 2003 15:29:40 -0500 (EST) Message-Id: <20031105202347.71100.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Accompanists (and our shortcuts) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 15:29:40 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Accompanists (and our shortcuts) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Although the majority of my work is rehearsal accompaniment for companies and groups that will ultimately perform with orchestra, I've actually played the entire Canon in public performance situations (including the surviving Sullivan Little Maid of Arcadee from Thespis), some of them many times. I use Clive's method, i.e., requesting a page turner, whenever possible. I've said this before but I'll say it again, Savoynetter Dan Kravetz is world-class in this respect, and despite the fact he holds prestigious positions such as President of the G&S Society of NY and Musical Director of Ridgewood G&S, Dan is kind enough to volunteer to turn for me on virtually any occasion when he is not conducting or performing (as Rockville attendees may have noted). He is totally *calm*, sits very still so as not to be in the least distracting, never gets in the way of my seeing any portion of the music, and has a truly remarkable record of a minimum number of mis-turns. Another Savoynetter who is also good at page turning is Sam Silvers. This is an arcane art unappreciated by anyone but a fellow pianist, but take my word for it, it *is* an art, and a good page turner is an inestimable asset. When without a turner, I used to use a lot of the same avoidance-of-awkward-page-turns techniques that Steve mention, but I found over time that in many cases awkward page turns can be avoided by memorizing a few measures, enabling page turns to occur sooner or later than usual. In the Bell Trio, I have the whole "Ring the merry bells on board ship" page memorized, so that I can turn back to the first page just before I start the "tick tock" intro to that. In repetitive multiverse songs, I don't bother turning through all the verses. For example, in "When I was a lad", I stay on the first 2 pages of the number (Schirmer VS), having memorized the portion of the verse that goes over onto the next page, and then turn to the last page when Sir Joe is doing his "Stick close to your desks" business in the 6th verse. A paper clip holding the page edges together simplifies that single turn. With awkward turns-back of several pages, e.g., the Modern Major-General in the Schirmer score, I use a tab applied to the edge of a page that will enable me to get to the right place in a single motion. In material that has only a few measures per page in the VS because of the vocal stack-up, I do the same thing Steve mentioned, make photocopies of the relevant pages, cut and paste just the piano part onto another sheet, and recopy. I make these the same size as the pages of my Schirmer comb-bound scores and paper-clip them in place, clipping the unused VS pages together at the same time. The two nuisancy sections of the Pirates Act I finale ("he's telling a terrible story" and "oh, happy day, oh joyous glee") can neatly be reduced to 2 pages each. In a few instances, just changing which page (left or right) a number begins on will iron out the page-turn nuisance. The Judge's song in TBJ is a classic example of this--every single one of the pesky page turns disappears! I had a photocopy laid out this way bound into my VS when I had it comb bound. I'll sometimes also copy just a "third page", e.g., for "There grew a little flower" in Ruddigore. I tape this to the outer edge of the 2nd page, folded into the book until I'm ready to start the number. I use "removable" tape for this, using these pages for performances only; in rehearsal it doesn't matter. I normally do NOT photocopy the entire VS; regular copy paper doesn't stand up to the kind of hard use I give a VS, and if I'm going to pay for a ream of high-quality 24-lb. paper to make a better copy, the price isn't much different from that of a new VS, so I just replace my VSs periodically. That also gets rid of the clutter of notes about choreography and makes me re-examine my fingerings and other notes! Ah, yes, outdoor performances...that's a topic by itself. Such a lovely-sounding idea--and such an unpleasant nuisance for the performers most of the time, particularly for accompanists! The human organism is truly comfortable in a temperature range of only about 10 degrees Fahrenheit, and outdoor programs rarely fall within that comfort zone. Too hot, too cold. Then we have wind. The slightest breeze is a plaguey nuisance when playing from printed music. At one point when I was doing a lot of outdoor performing, I actually built myself a foldable "wind screen". And the danger of rain and electrical storms (thunder storms) when using electrical power for microphones, speakers, amplifiers, and keyboards. And the swarms of assorted insects attracted by the lights, from gnats that do their best to impersonate additional notes on the page to mosquitoes one can't swat while playing, to audience-distracting moths. Not to mention that the "backstage" amenities are minimal to nonexistent in most cases....And in seaside communities, such as many on Long Island, one may get clammy, sticky fog coming in at dusk, which can saturate paper sufficiently to make the pages too limp to turn readily and get into the felts of an acoustic piano with dire results. I would rather play a program indoors on a piano with missing ivories, sticking notes, and a malfunctioning pedal than play an outdoor program--since starting this sort of thing in 1968, and numbering outdoor performances in the multiple dozens by now, I have played exactly ONE outdoor program for which the situation was thoroughly pleasant and comfortable (one for Ridgewood G&S in a park in NJ about 2 years ago). There's a lot more that goes on in our little corner than most of you are aware of.... Best, Andi ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 5-Nov oakapple@cris.com [34] #Re: Broude Brothers PINAFORE -- Question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 18:57:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA5NvDJh019908; Wed, 5 Nov 2003 18:57:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA5NvB7K001093 for ; Wed, 5 Nov 2003 18:57:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA5NurTJ020040; Wed, 5 Nov 2003 18:56:54 -0500 (EST) Date: Wed, 5 Nov 2003 18:56:53 -0500 (EST) Message-Id: <3FA988E2.5010504@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Broude Brothers PINAFORE -- Question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 18:56:53 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: Broude Brothers PINAFORE -- Question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Samuel Silvers wrote: > Is it only the full score that is published? Is there a P/V score? What > is/will be the price? Sam A Broude piano/vocal score for PINAFORE is in preparation. It hasn't been priced yet, but the Broude TRIAL vocal score is competitively priced, and I imagine that this precedent will be maintained. The Broude PINAFORE is certainly not the only full score available. There are at least three others that I know of: Dover, Kalmus, and WVD Press. (I am not counting reduced arrangements, such as those of James Newby---else, it would be a longer list.) -- Marc Shepherd New York, NY  1,, Summary-line: 5-Nov SKesilm@aol.com [32] #Re: Gilbert v. Sullivan X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 22:03:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA6339Jh016004; Wed, 5 Nov 2003 22:03:09 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA62vKa3029758 for ; Wed, 5 Nov 2003 21:57:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA62umTJ028732; Wed, 5 Nov 2003 21:56:49 -0500 (EST) Date: Wed, 5 Nov 2003 21:56:48 -0500 (EST) Message-Id: <13.2469ea5e.2cdb0e48@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 46 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 21:56:48 -0500 (EST) Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I wonder if we really should even be talking about this when we know that neither G nor S would have risen to the heights they did without the other, despite anyone's personal preference for one or the other. I myself have never really been moved by either GWOS or SWOG in any way as by the combined product. I think it is best summed up by what Gilbert himself wrote to Sullivan during one of their disputes over the plot of their next opera: "You are adept in your profession as I am adept in mine. If we are to meet it must be as master and master, not as master and servant." After that, Gilbert came up with the idea for The Gondoliers, which Sullivan loved, and following its success complimented him for his contribution, saying it gave them "the chance of shining on through the twentieth century with a reflected light." That's what they did, and we should leave it like that as they shine on through the twenty-first. Sylvan Kesilman Replying we sing, as one individual -----------------  1,, Summary-line: 5-Nov mweems@erols.com [75] #Re: new year's X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 22:07:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA636xJh017753; Wed, 5 Nov 2003 22:06:59 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA636aUq000512; Wed, 5 Nov 2003 22:06:36 -0500 (EST) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-6.6) with ESMTP id hA635gIE028571 for ; Wed, 5 Nov 2003 22:05:48 -0500 Received: from 208-58-217-26.s280.tnt1.annp.md.dialup.rcn.com ([208.58.217.26] helo=GORDON.erols.com) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #3) id 1AHaSr-0001cl-00 for lsc-alums@zurich.csail.mit.edu; Wed, 05 Nov 2003 22:05:42 -0500 Message-Id: <5.1.0.14.0.20031105215828.00b0cfb8@pop.erols.com> X-Sender: mweems@pop.erols.com X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Wed, 05 Nov 2003 22:06:15 -0500 To: LSC Alums From: Ken and Molly Weems Subject: Re: new year's In-Reply-To: Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_48612190==_.ALT" X-Spam-Status: No, hits=-4.6 required=5.0 tests=BAYES_00,HTML_MESSAGE, RCVD_IN_NJABL,RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mweems@pop.erols.com Date: Wed, 05 Nov 2003 22:06:15 -0500 To: LSC Alums From: Ken and Molly Weems Subject: Re: new year's In-Reply-To: X-Spam-Status: No, hits=-4.6 required=5.0 tests=BAYES_00,HTML_MESSAGE, RCVD_IN_NJABL,RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=====================_48612190==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed >It seems that we had better start looking into flights and stuff like >that. Has anyone officially been pushed into hosting new year's this year? Yes, I believe that we are, with supporting roles from Finns and Bezansons. More details later, but the broad story is come into BWI, IAD, or DCA. Lots of beds in the area, whether you want to crash with friends or at a hotel. >I'm still holding out hope that we can do a Scottish castle sometime! Sounds great... but I think all the parents will vote for "after the kids are old enough to be on their own so we don't have to drag the little beggars around to spoil our fun." :-) AFA Disney World, our vote says ixnay on atthay. I can't imagine doing WDW with a large group! Trying to coordinate with only *two* people under 5 feet tall sounds hard enough to make my hair stand on end. We'll probably take the kids there in a year or two, though. -- Molly --=====================_48612190==_.ALT Content-Type: text/html; charset="us-ascii"

It seems that we had better start looking into flights and stuff like that.  Has anyone officially been pushed into hosting new year's this year?

Yes, I believe that we are, with supporting roles from Finns and Bezansons.
More details later, but the broad story is come into BWI, IAD, or DCA.
Lots of beds in the area, whether you want to crash with friends or
at a hotel.

I'm still holding out hope that we can do a Scottish castle sometime!

Sounds great... but I think all the parents will vote for "after the kids
are old enough to be on their own so we don't have to drag the little
beggars around to spoil our fun." :-)

AFA Disney World, our vote says ixnay on atthay. I can't imagine doing
WDW with a large group! Trying to coordinate with only *two* people
under 5 feet tall sounds hard enough to make my hair stand on end. We'll
probably take the kids there in a year or two, though.

-- Molly

--=====================_48612190==_.ALT--  1,, Summary-line: 5-Nov jgriffin@bmts.com [43] #Re: A Bit of the Bijou X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 22:30:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA63UaJj027500; Wed, 5 Nov 2003 22:30:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA63RkUq009943 for ; Wed, 5 Nov 2003 22:27:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA63NSTJ000936; Wed, 5 Nov 2003 22:23:28 -0500 (EST) Date: Wed, 5 Nov 2003 22:23:28 -0500 (EST) Message-Id: <03da01c3a4dd$9de27ea0$e08fb7d8@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jgriffin@bmts.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Griffin" To: Multiple recipients of list SAVOYNET Subject: Re: A Bit of the Bijou MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 22:23:28 -0500 (EST) Reply-To: jgriffin@bmts.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Griffin" To: Multiple recipients of list SAVOYNET Subject: Re: A Bit of the Bijou X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ----- Original Message ----- From: "Bob & Jackie" To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, November 04, 2003 10:00 AM Subject: A Bit of the Bijou Bob & Jackie wrote:- So we're > the proud owners of a small bit a plaster that was there on that historic > afternoon on New Year's Eve 1879 when the touring cast of HMS Pinafore > manfully struggled to give the very first performance of The Pirates of > Penzance. I think that this must be the most esoteric bit of G&S out of all the collectibles available. But I am sure that the majority of us on Savoynet are extremely jealous and would love to have such an item to display! Bravo! Jim Griffin jgriffin@bmts.com  1,, Summary-line: 5-Nov jgriffin@bmts.com [45] #Re: Gilbert v. Sullivan X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 22:35:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA63TrK9027167; Wed, 5 Nov 2003 22:35:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA63P3Uq009041 for ; Wed, 5 Nov 2003 22:25:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA63O1TJ001037; Wed, 5 Nov 2003 22:24:02 -0500 (EST) Date: Wed, 5 Nov 2003 22:24:01 -0500 (EST) Message-Id: <03dc01c3a4dd$9f1fe0a0$e08fb7d8@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jgriffin@bmts.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Jim Griffin" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 5 Nov 2003 22:24:01 -0500 (EST) Reply-To: jgriffin@bmts.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Jim Griffin" To: Multiple recipients of list SAVOYNET Subject: Re: Gilbert v. Sullivan X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ----- Original Message ----- From: To: "Multiple recipients of list SAVOYNET" Sent: Tuesday, November 04, 2003 4:58 AM Subject: Gilbert v. Sullivan Many thanks to Sylvan who wrote:- > I wonder if we really even should be talking about this when we know that > neither of them would have risen to the heights they did without the other, ----- Then Gilbert came up with the idea for > The Gondoliers, which Sullivan loved, and after its success Gilbert > complimented him for his contribution, saying it gave them "the chance of shining on > through the twentieth century with a reflected light." That's what they did, and > we should leave it like that as they shine on through the twenty-first. > Amen! Jim Griffin (who was preparing a comment - but Sylvan said it best!)  1,, Summary-line: 5-Nov raeburn@MIT.EDU [19] #Arisia X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 05 Nov 2003 22:40:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA63epJh008279; Wed, 5 Nov 2003 22:40:52 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA63eoGG001608; Wed, 5 Nov 2003 22:40:50 -0500 (EST) Received: from all-in-one.mit.edu (ALL-IN-ONE.MIT.EDU [18.18.1.71]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hA63eofn003352; Wed, 5 Nov 2003 22:40:50 -0500 (EST) Received: (from raeburn@localhost) by all-in-one.mit.edu (8.12.9) id hA63enJK018544; Wed, 5 Nov 2003 22:40:49 -0500 To: rls@mit.edu, opus@mit.edu Subject: Arisia From: Ken Raeburn Date: Wed, 05 Nov 2003 22:40:49 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: rls@mit.edu, opus@mit.edu Subject: Arisia From: Ken Raeburn Date: Wed, 05 Nov 2003 22:40:49 -0500 X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I dropped my registration in the mail today, and faxed in a reservation request for a "main double" ($119) or "family double" ($139, second choice) room for us, with a cot requested in case we can't get a room with two beds. (I would've sent it online last night, but they had only insecure form submission set up.) Want to go to Blue Man Group after? MITAC has $6 off tickets for that Sunday night at 6. Ken  1,, Summary-line: 6-Nov jcb@alum.mit.edu [47] #Re: Measure The Speed of Light With Chocolate and A Microwave X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Nov 2003 01:05:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA665RJh012574; Thu, 6 Nov 2003 01:05:27 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA6640Dp008220; Thu, 6 Nov 2003 01:04:00 -0500 (EST) Received: from no-knife.mit.edu (NO-KNIFE.MIT.EDU [18.7.16.64]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hA663xfn006489; Thu, 6 Nov 2003 01:04:00 -0500 (EST) Received: (from jcb@localhost) by no-knife.mit.edu (8.12.9) id hA663xxr026223; Thu, 6 Nov 2003 01:03:59 -0500 (EST) Date: Thu, 6 Nov 2003 01:03:59 -0500 (EST) Message-Id: <200311060603.hA663xxr026223@no-knife.mit.edu> To: epeisach@MIT.EDU CC: dinner@MIT.EDU In-reply-to: (message from Ezra Peisach on Wed, 5 Nov 2003 14:00:19 -0500 (EST)) Subject: Re: Measure The Speed of Light With Chocolate and A Microwave From: Jeff Bigler X-Mailer: GNU Emacs 21.1.1 with etach version 1.1.6 X-Face: ,PTVu++!dxg1djSaB*7^PAhfML:UZ_b?|jDFm`]1zZ&kn@v1z|w:4u}$?rR3Ow76mu[E&n UcWTL2"6wIACU"I6Od%j9HF@./HyybKq|*#wx}c)D{.NJe8FPT;gps-L{zNx@C]*A7n{:2)uRQ)AD4 +i)8`mX1>Aa4WNiZiEz!i X-Zippy: Are you still SEXUALLY ACTIVE? Did you BRING th' REINFORCEMENTS? X-NSA-Fodder: Etacs corporate security MD4 ANZUS Ceridian quiche interception References: X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 01:03:59 -0500 (EST) To: epeisach@MIT.EDU CC: dinner@MIT.EDU In-reply-to: (message from Ezra Peisach on Wed, 5 Nov 2003 14:00:19 -0500 (EST)) Subject: Re: Measure The Speed of Light With Chocolate and A Microwave From: Jeff Bigler X-Zippy: Are you still SEXUALLY ACTIVE? Did you BRING th' REINFORCEMENTS? X-NSA-Fodder: Etacs corporate security MD4 ANZUS Ceridian quiche interception X-Spam-Score: -5.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Date: Wed, 5 Nov 2003 14:00:19 -0500 (EST) > From: Ezra Peisach > > Okay.... fun with chocolate.... > > > http://physics.about.com/cs/opticsexperiments/a/290903_p.htm > > Ezra I tried the thermal fax paper taped to wet cardboard version. It gave me some nice dark spots that I could then measure. The most common distance between hot spots was multiples of about 2.1 inches = 5.3 cm for a half-wavelength, or 10.6 cm for the full wavelength. My microwave oven claims to produce microwaves of wavelength 2450 MHz, which would make the correct wavelength 12 cm. Using my measured value for a half wave: c = (freq) x (wavelength) = (2.45 GHz) * (10.6 cm) = (2.45 x 10^9 Hz) * (0.106 m) = 2.6 x 10^8 m/s My chemistry classes are covering this stiff right now, so the timing is perfect for me to use this as a demo. Jeff  1,, Summary-line: 6-Nov goodmanj@MIT.EDU [61] #Re: Measure The Speed of Light With Chocolate and A Microwave X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Nov 2003 02:24:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA67OrJh016561; Thu, 6 Nov 2003 02:24:53 -0500 (EST) Received: from out012.verizon.net (out012pub.verizon.net [206.46.170.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA67ObML002018 for ; Thu, 6 Nov 2003 02:24:37 -0500 (EST) Received: from mit.edu ([151.203.216.241]) by out012.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20031106072437.BXBL910.out012.verizon.net@mit.edu> for ; Thu, 6 Nov 2003 01:24:37 -0600 Date: Thu, 6 Nov 2003 02:24:35 -0500 Subject: Re: Measure The Speed of Light With Chocolate and A Microwave Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) From: Jason Goodman To: dinner@mit.edu Content-Transfer-Encoding: 7bit In-Reply-To: <200311060603.hA663xxr026223@no-knife.mit.edu> Message-Id: <45D43EBE-102A-11D8-A6FB-00039386D324@mit.edu> X-Mailer: Apple Mail (2.552) X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [151.203.216.241] at Thu, 6 Nov 2003 01:24:37 -0600 X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 02:24:35 -0500 Subject: Re: Measure The Speed of Light With Chocolate and A Microwave From: Jason Goodman To: dinner@mit.edu In-Reply-To: <200311060603.hA663xxr026223@no-knife.mit.edu> X-Authentication-Info: Submitted using SMTP AUTH at out012.verizon.net from [151.203.216.241] at Thu, 6 Nov 2003 01:24:37 -0600 X-Spam-Score: -3.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Keep in mind that the frequency reported by the microwave's manufacturers is not measured directly: I believe it's found by computing the resonant frequency of the klystron which produces the microwaves. This computation requires the speed of light to be known. Thus, I think the demo assumes what it sets out to prove; you couldn't find the speed of light from first principles this way. Of course, many other demos are circular in this way; it doesn't make them less cool. Keep in mind also that if the paper is not exactly perpendicular to the wavefronts, the spot width may not be the same as the wavelength. My back-of-envelope sketch suggests the speed of light computed using this demo should be considered an upper bound ... which doesn't agree with Jeff's experiment, which underestimates the speed of light. On Thursday, November 6, 2003, at 01:03 AM, Jeff Bigler wrote: >> Date: Wed, 5 Nov 2003 14:00:19 -0500 (EST) >> From: Ezra Peisach >> >> Okay.... fun with chocolate.... >> >> >> http://physics.about.com/cs/opticsexperiments/a/290903_p.htm > > I tried the thermal fax paper taped to wet cardboard version. It gave > me some nice dark spots that I could then measure. > > The most common distance between hot spots was multiples of about > 2.1 inches = 5.3 cm for a half-wavelength, or 10.6 cm for the full > wavelength. My microwave oven claims to produce microwaves of > wavelength 2450 MHz, which would make the correct wavelength 12 cm. > > Using my measured value for a half wave: > > c = (freq) x (wavelength) > > = (2.45 GHz) * (10.6 cm) > > = (2.45 x 10^9 Hz) * (0.106 m) > > = 2.6 x 10^8 m/s > > My chemistry classes are covering this stiff right now, so the timing > is > perfect for me to use this as a demo. > > Jeff  1,, Summary-line: 6-Nov d-duffey@argonet.co.uk [41] #SavoyNet at Buxton 2004 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Nov 2003 02:33:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA67XOJh019863; Thu, 6 Nov 2003 02:33:24 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA67XNML005525 for ; Thu, 6 Nov 2003 02:33:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA67X5TJ005509; Thu, 6 Nov 2003 02:33:05 -0500 (EST) Date: Thu, 6 Nov 2003 02:33:05 -0500 (EST) Message-Id: <001701c3a436$e1ca32e0$046ebc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet at Buxton 2004 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 02:33:05 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: SavoyNet at Buxton 2004 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The news about the SavoyNet production at Buxton is that there is to be one - that has never been in doubt. The programme, however, has not yet been settled and the decision as to which opera we have been allocated is not expected until at least the end of next week. As soon as the news is received and free from embargo, it will be posted. The reason for having to wait is that more companies than there is room for apply to perform at Buxton, and some of them offer the same opera. Scheduling is a delicate and difficult task for Ian and Neil. Again, on occasions I have known what opera we are to perform but have had to await clearance before announcing it, as it would create a diplomatic difficulty if SavoyNet were to publish that it was presenting an opera which another company had had turned down, before that company had been properly informed. In this year's instance the steering group knows which of two operas we are likely to be given (and they are the operas of the group's choice), but which of the two it is not quite clear; and it would, for the reasons given above, be improper to say which two, as there are other companies also in the market for those shows. David The Wash England "And I am right"  1,, Summary-line: 6-Nov YesTisMabel@aol.com [29] #even better online personality test X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Nov 2003 02:58:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA67wgJh001596; Thu, 6 Nov 2003 02:58:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA67wce6009430 for ; Thu, 6 Nov 2003 02:58:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA67wMTJ005682; Thu, 6 Nov 2003 02:58:22 -0500 (EST) Date: Thu, 6 Nov 2003 02:58:22 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: even better online personality test MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 02:58:22 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: even better online personality test X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, again, guys.... I just found an excellent site for the Myers Briggs personality test, since the last link I gave you is out of date....I really need to update these links more often.... Here it is: Personality test based on Jung - Myers-Briggs... or http://www.humanmetrics.com/cgi-win/JungType.htm And read the best info on your 4-letter profile at www.personalitypage.com Elise Curran Orlando  1,, Summary-line: 6-Nov keeganr@btinternet.com [64] #Accompanists (and their shortcuts) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 06 Nov 2003 16:14:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA6LBlJv026348; Thu, 6 Nov 2003 16:14:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA6L9a0u015682 for ; Thu, 6 Nov 2003 16:09:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA6L9CTJ003667; Thu, 6 Nov 2003 16:09:12 -0500 (EST) Date: Thu, 6 Nov 2003 16:09:12 -0500 (EST) Message-Id: <000f01c3a4a8$9ef98700$f7977ad5@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Accompanists (and their shortcuts) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 16:09:12 -0500 (EST) Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Accompanists (and their shortcuts) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm just catching up on my emails and have enjoyed reading the postings from the other Savoynet accompanists. Most pianists who work regularly with amateur groups which perform G&S will be asked to accompany concert pertformances of the operas from time to time. In my own case, I have accompanied public performances of all except Thespis, Utopia and GD (several times for the more popular operas). Also a few operettas (Merry Widow, Die Fledermaus) and several concert performances of Edward German's 'Merrie England' (which I think works particularly well in the concert format). Although it was not a public performance, I accompanied Trial plus six full length operas in the space of two days at the SCQWERT (South Coast QWERT) last year. I've also played orchestral piano or keyboard parts in countless musicals - I enjoy the shows (such as Kiss Me, Kate) which have a proper orchestral piano part but am rather less keen on just filling in for missing instruments. Unlike some of the other Savoynet accompanists, I usually prefer to do my own page turning. There's only one person I trust to do it the way I like, and he's usually conducting the concerts that I accompany. I only ask for a page turner if I think I am going to have a problem with keeping the score open (G&S is usually OK because I use my own copies which open flat after many years of use, but hired vocal scores of musicals can sometimes be a problem). Incidentally, I find page turning for someone else much more stressful than playing (particularly when the person I'm turning for is the esteemed Clive Woods!) I don't turn back in repeats such as 'Nice Dilemma' and songs with several verses (e.g. the Judge's Song and When I Was A Lad) and rely on my memory a lot. If I think that my memory might let me down, I sometimes write a few bars at the top of the next page. For example, in Pinafore Act 1 finale, I turn during the unaccompanied "None can part them then" which comes a few bars before the end of the page of the Cramer edition and have written the first two bars of the following rather tricky little passage at the top of the next page. Similarly, I have written the bar of triplets before Captain Corcoran's "Hold - Pretty Daughter of Mine..." at the top of the page so that I can turn during the unaccompanied "They will softly steal away" near the end of the previous page. We accompanists all do our best to keep going, no matter what may be happening around us. Rachel Keegan Middlesex, UK  1,, Summary-line: 6-Nov mstorie@nwlink.com [58] #Supersonic Sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Nov 2003 00:04:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA754KJj029034; Fri, 7 Nov 2003 00:04:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA74nSWu008514 for ; Thu, 6 Nov 2003 23:49:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA74maTJ002218; Thu, 6 Nov 2003 23:48:36 -0500 (EST) Date: Thu, 6 Nov 2003 23:48:36 -0500 (EST) Message-Id: <3FAB0435.84A8649E@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Supersonic Sighting MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 6 Nov 2003 23:48:36 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Supersonic Sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The Museum of Flight in Seattle scored one of the recently retired British Air Concorde Supersonic Transports as a permanent display at the museum. Even better, it was the plane that made the last commercial flight between the US and UK. It flew into Seattle yesterday with a nostalgic passenger list of British Air flight crews and other dignitaries after setting the record for flight time between New York and Seattle. They did that by detouring north through the Yukon Territories of Canada (with permission) and going Supersonic. (Seldom done over land.) There was a crowd of about 1,000 invited guests and dignitaries (Governor, museum patrons, etc.) on hand and the museum wanted some "British" color as a treat for the crowd and to greet the plane. So who you gonna call? The museum called the British-American Chamber of Commerce and they replied that one of their members was The Seattle Gilbert & Sullivan Society. So we supplied four of our finest (Wes Aman, Bruce Pritchard, Dan randles and Nathan Rodda) all dressed up in their bright red Yeomen of the Guard regalia. Costume Archivist Barbara Welch fitted their uniforms a couple of days before. We decided that they would not carry halberds for the occasion since the function is at an airport and we don't know if the TSA (security) agents have been trained in the proper techniques for halberd screening. By all indications it was a great hit, and in the words of one of one British guest, we were a "sterling success!" The way people wanted to have their pictures taken with them, you'd have thought they came with the plane! There were some great photo ops with the Concorde Captain and with the local celebs. Many of the guests were already friends of the Society and I'm sure we made some new ones. No one seemed to notice, nor ask, why the "Beefeater" uniforms had "HR" on the front instead of "E II R." Oh well, publicity wherever we can find it. We'll get some of the photos on our web page as soon as we can. Mike Storie  1,, Summary-line: 7-Nov d-duffey@argonet.co.uk [49] #Re: Toast the Queen X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Nov 2003 03:34:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA78XvJr027031; Fri, 7 Nov 2003 03:34:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA78WJwY027684 for ; Fri, 7 Nov 2003 03:32:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA78VXTJ006141; Fri, 7 Nov 2003 03:31:33 -0500 (EST) Date: Fri, 7 Nov 2003 03:31:33 -0500 (EST) Message-Id: <000b01c3a506$63820cc0$e30dbc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Toast the Queen MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Nov 2003 03:31:33 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Toast the Queen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Laurie Best for the Gondoliers. Formally, in UK, all that would be said is "Ladies and Gentleman, (pause) The Queen." All would stand, say, "The Queen" and drink the toast. Some might add (but others would not) , "God bless her". and resume their seats. Etiquette would demand that it is the first toast, and not be combined with any other toast, i.e., it is a 'stand alone' toast. Toasts in the wardrooms of HM ships are drunk sitting down - for the formerly practical reason that headroom was limited in days past. I believe one or two army regiments also have this tradition. Otherwise care should be taken that when conveying the drink to the lips, the glass does not cross any vessel containing water, as on occasions when there were exiled claimants to the throne, people who sympathised with the exile might allow their glass to pass 'over the water', implying that they wear toasting the monarch who was 'over the water' (i.e. the exile) - Britain, being an island, any exile was ipso facto, 'over the water'. Again, in the armed services, the host senior officer (a guest could be of higher rank, but would not presume) of the mess would signal to the most junior host officer, who would be the one to propose the toast. Otherwise in civil life a master of ceremonies, or a toastmaster, would signal to the host, who would propose the toast. I don't suppose this helps for a moment - you Colonials will doubtless do it any which way you like, and that's fine, as it's the sentiment rather than the form which is important. Best regards David  1,, Summary-line: 7-Nov paul@pnhmrk.freeserve.co. [66] #The Chieftain Vocal Score On Line X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Nov 2003 04:24:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hA79OGJh021015; Fri, 7 Nov 2003 04:24:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hA79M8wY020938 for ; Fri, 7 Nov 2003 04:22:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA79LeTJ006607; Fri, 7 Nov 2003 04:21:40 -0500 (EST) Date: Fri, 7 Nov 2003 04:21:40 -0500 (EST) Message-Id: <003101c3a50e$f665d5a0$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: The Chieftain Vocal Score On Line MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Nov 2003 04:21:40 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: The Chieftain Vocal Score On Line X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jim Farron has now posted my Vocal Score of Sullivan and Burnand's 1894 opera "The Chieftain" on the Archive. In creating this score, I have taken account of the two versions of the Vocal Score which were published during the initial run, interleaving the two versions. I have also attempted a reconstruction of the "lost" song for Rita which was intended at one stage to replace her Act 1 solo, but which never made it into the Vocal Score and was probably never sung at the Savoy either. It is not in the autograph score. All that remains of this song is a set of words and some music in a fantasia for piano which must, presumably, be the setting. In producing my reconstruction I have used part of the music linking the verses to provide an introduction, separated the melody from the accompaniment in much of the music, repeated the first half of the music to accommodate the second verse and shortened the ending since I felt there was an excess of dominant arpeggios in the fantasia version. This song is placed in the Appendix. I should like to express my thanks to Cliff Coles for his help in providing copies of the altered pages. As usual, I am very happy to make corrections should anyone notice errors. There is also a "Web Opera" of the score. The homepage for the files on the Archive is: http://diamond.boisestate.edu/gas/other_sullivan/html/chieftain_home.html And the page where the score can be downloaded in pdf format is: http://diamond.boisestate.edu/gas/other_sullivan/html/chieftain_score.html Paul Howarth York Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 7-Nov sharkli@zwallet.com [40] #Re: Broude Brothers PINAFORE Published X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Nov 2003 08:32:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA7DVuJr028960; Fri, 7 Nov 2003 08:32:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA7DTooQ017537 for ; Fri, 7 Nov 2003 08:29:51 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA7DTJTJ015890; Fri, 7 Nov 2003 08:29:19 -0500 (EST) Date: Fri, 7 Nov 2003 08:29:19 -0500 (EST) Message-Id: <1068210626.377916.85421.zmail@web1.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: Broude Brothers PINAFORE Published X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.7 X-Spam-Level: ** (2.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Nov 2003 08:29:19 -0500 (EST) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Re: Broude Brothers PINAFORE Published X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.7 X-Spam-Level: ** (2.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >From: Marc Shepherd > >The surviving band parts to "Reflect, my child" are also offered as an appendix, >but without the Miller/Perry conjectural reconstruction of the missing second >violin and vocal parts---you need to order that separately. This too is a >solution that I doubt will please very many readers. There's a good reason for this decision. A conjectural reconstruction such as Bruce's and mine does not belong in a critical edition. What *does* belong in a critical edition is what is called the "diplomatic facsimile" of the extant source material, i.e. a warts-and-all transcription complete with all wrong notes, mis-spellings, typos, copyist's errors etc. and blank measures where there isn't anything available to put in them. This is what Broude has provided, so now all you budding reconstructors can see what we started with and have a go for yourselves! It's like doing a jigsaw puzzle when you don't have all the pieces and there's no picture on the lid of the box to tell you what it should look like. I shall look forward to see what anyone else comes up with. Incidentally, Broude is already aware of a few typos that crept in. I don't have my copy in front of me, but I do recall that on one page Gilbert's middle name got mis-spelled Schwenk, and elsewhere Centenary has acquired an extra n. Price in UK Pounds until Christmas is 200 pounds, including FedEx shipping. Contact broude@sover.net for more info. For those unable to use the Broude toll-free phone number, try +1 413 458 8131 ciao Helga Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com Bruce I. Miller Tribute Weekend, College of the Holy Cross, Worcester MA USA October 24/25/26 ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1,, Summary-line: 7-Nov ori.siegel@sympatico.ca [55] #Re: Accompanists (and their shortcuts) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 07 Nov 2003 11:35:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hA7GUoLH023486; Fri, 7 Nov 2003 11:35:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hA7GSiBV029518 for ; Fri, 7 Nov 2003 11:28:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hA7GS8TJ008240; Fri, 7 Nov 2003 11:28:08 -0500 (EST) Date: Fri, 7 Nov 2003 11:28:08 -0500 (EST) Message-Id: <003201c3a549$6d664380$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Accompanists (and their shortcuts) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 7 Nov 2003 11:28:08 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Accompanists (and their shortcuts) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -----David Duffey wrote: > If pianists want turners, please at least brief them... Good idea, but not always effective. I assisted a young pianist once who cheerily told me that she would give me a clear head nod when she wanted the page turned. That would have been just fine except that she had this peculiar head-bobbing technique of playing that meant her head was ALWAYS nodding. It took very close attention to the score to deduce where exactly she wanted the turn! Nightmare for me but she was happy. Someone else remarked that orchestral parts are much better prepared for page turning. Don't you for a split second believe that! Copyists have created vicious page turns - I believe deliberately(!) - without a single regard for the player. The initials "VS" (volta subito) appear far more often than most orchestral musicians would like. Bad page turns are particularly troublesome for players who double (various clarinets, flute/piccolo, etc.) because there seems to be, more often than not, an instrument change at the same time as the page turn! String parts pose another challenge because it is assumed by the copyist that these parts are used by pairs of players. If that's the case, then half the players are playing whilst the other half are turning. Makes for interesting dynamics. But what do you suppose happens when there is only ONE player on the book? I have but one 'cellist at St. Anne's (one violist and bassist, too) but the 'cello books typically have nasty, mid-phrase page turns. Last year in UTOPIA, we discovered a page turn in the middle of the 'cello pizzicato line which is the transition between the King and Lady Sophy's Act II duet and their dance (just before the tarantella). This pizz is vital and soli (only the 'cellos play there) and it can be a disaster if not done properly. Solution? The violist had to leave her seat and turn the page then get back pronto to start playing herself. And who says the orchestra never has fun! cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 10-Nov cjsmith@MIT.EDU [39] #bad news X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 10 Nov 2003 20:12:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAB1CeJh008270; Mon, 10 Nov 2003 20:12:40 -0500 (EST) Received: from out008.verizon.net (out008pub.verizon.net [206.46.170.108]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAB1C7Rr022334 for ; Mon, 10 Nov 2003 20:12:07 -0500 (EST) Received: from mit.edu ([151.203.227.30]) by out008.verizon.net (InterMail vM.5.01.05.33 201-253-122-126-133-20030313) with ESMTP id <20031111011207.GLMH3808.out008.verizon.net@mit.edu>; Mon, 10 Nov 2003 19:12:07 -0600 Date: Mon, 10 Nov 2003 20:12:05 -0500 Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: bad news From: Carolyn Smith To: dinner@mit.edu, Valerie Mates , preconc Content-Transfer-Encoding: 7bit Message-Id: <1029E514-13E4-11D8-9755-00039386D324@mit.edu> X-Mailer: Apple Mail (2.552) X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [151.203.227.30] at Mon, 10 Nov 2003 19:12:06 -0600 X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 10 Nov 2003 20:12:05 -0500 Subject: bad news From: Carolyn Smith To: dinner@mit.edu, Valerie Mates , preconc X-Authentication-Info: Submitted using SMTP AUTH at out008.verizon.net from [151.203.227.30] at Mon, 10 Nov 2003 19:12:06 -0600 X-Spam-Score: -1.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The short form: I'm no longer pregnant. :-( They're calling it a "chemical pregnancy" which just means it ended so early that the only way to know I was pregnant at all is the blood tests--it's too small to see on ultrasound. For those who are interested in details: I've had three blood tests. The first two were last Tues and Thurs, the numbers (of hCG, or human chorionic gonadatropin, aka "the pregnancy hormone") were 290 and 420. The level is supposed to double every 2-3 days, and those results were kinda low, so we decided to do a third test this morning (at which point a good number would have been about 1600). It was 490. Because of this, I get to have yet another blood test on Wednesday, to make sure the numbers are coming down correctly, if they dont that would indicate an ectopic pregnancy, which would be dangerous to me. The most likely outcome is that the numbers will just come down, and my body will miscarry, and it really shouldnt be any different that just getting a late period. We're both handling this pretty well, overall. I've watched enough friends and family go through this sort of thing, and later go on to have healthy children, that I understand how common it is, and I dont view it as the end of the world. Luckily for me, I work at MGH so dropping in at my doctor's office for these blood draws is easy. --Carolyn  1,, Summary-line: 13-Nov ori.siegel@sympatico.ca [30] #Festival club cabaret at Buxton '04 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Nov 2003 04:50:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAD9oTJh029596; Thu, 13 Nov 2003 04:50:29 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAD9oSb5017663 for ; Thu, 13 Nov 2003 04:50:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAD9oPTJ017679; Thu, 13 Nov 2003 04:50:25 -0500 (EST) Date: Thu, 13 Nov 2003 04:50:25 -0500 (EST) Message-Id: <20031113093814.SHTQ29372.tomts31-srv.bellnexxia.net@[209.226.175.18]> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: To: Multiple recipients of list SAVOYNET Subject: Festival club cabaret at Buxton '04 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Nov 2003 04:50:25 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: To: Multiple recipients of list SAVOYNET Subject: Festival club cabaret at Buxton '04 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just a proposal: Would anyone be interested in doing a cabaret turn at the upcoming G&S Festival performing catches? Catches are 17th and 18th Century rounds that were often quite ribald, to say the least. They are fun to sing and are very funny although not all of them HAVE to be dirty! There is some P.D.Q. Bach that could also be performed. It requires four men (sorry, ladies) to form a "Gentlemen's Club" or "Catch Club" and the music is not difficult to learn. If you might be interested, please reply privately. cheers, Ori SON OF SINGOUT August 20-22, 2004 Toronto, Ontario Only in Canada, eh?  1, forwarded,, Summary-line: 13-Nov bj.richards@btinternet.co [38] #A bone, a bone X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Nov 2003 05:18:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hADAIJJh007969; Thu, 13 Nov 2003 05:18:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hADAFUb5004999 for ; Thu, 13 Nov 2003 05:15:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hADAFQTJ017845; Thu, 13 Nov 2003 05:15:26 -0500 (EST) Date: Thu, 13 Nov 2003 05:15:26 -0500 (EST) Message-Id: <000b01c3a9cc$f89ee010$bb728351@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: A bone, a bone MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Nov 2003 05:15:26 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: A bone, a bone X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) David Duffey wrote > Although Bob and I have corresponded and spoken since Buxton, I haven't seen > him, so don't know whether that disastrous nose-bone transplant has been > properly rectified. It was and very successfully rectified too, I wish I could say that the 2 procedures that I've been party to this autumn at Wales's wonderful teaching hospital at The Heath in Cardiff had been as painless and simple. However the results have been just as satisfactory and Jackie and I are ready to tackle the next chapter in our life which is to buy and run a Guest House with my daughter Polly and her family. The location is still embargoed in case of hitches but it'll be on the English Riviera - the Torquay area in Devon to SavoyNetters not used to UK holidayspeak . To bring this posting back on topic, as soon as we are able we will be hosting a QUAYQWERT which will be unique in that we should be able to accommodate everyone on our premises. We are also intending to change the name of the establishment, so any suggestions, particularly G&S related, will be gratefully recieved Bob Richards surprised at choosing to move to England  1,, Summary-line: 13-Nov Nonoiy@aol.com [25] #Re: A bone, a bone X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Nov 2003 07:20:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hADCKoJh026890; Thu, 13 Nov 2003 07:20:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hADCKoLc018270 for ; Thu, 13 Nov 2003 07:20:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hADCKkTJ018872; Thu, 13 Nov 2003 07:20:46 -0500 (EST) Date: Thu, 13 Nov 2003 07:20:46 -0500 (EST) Message-Id: <161.280c6b15.2ce4ce35@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A bone, a bone MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 42 X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Nov 2003 07:20:46 -0500 (EST) Reply-To: Nonoiy@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Nonoiy@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: A bone, a bone X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 11/13/03 5:14:27 AM Eastern Standard Time, bj.richards@btinternet.com writes: << We are also intending to change the name of the establishment, so any suggestions, particularly G&S related, will be gratefully recieved >> My personal favorite is Basingstoke. Micki Adams Back to Lurking  1,, Summary-line: 13-Nov paulhc@sbcglobal.net [28] #Re: A bone, a bone X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Nov 2003 14:38:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hADJc4Jh017466; Thu, 13 Nov 2003 14:38:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hADJc0rd002768 for ; Thu, 13 Nov 2003 14:38:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hADJbKTJ008976; Thu, 13 Nov 2003 14:37:20 -0500 (EST) Date: Thu, 13 Nov 2003 14:37:20 -0500 (EST) Message-Id: <20031113191538.49064.qmail@web80213.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Re: A bone, a bone MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000b01c3a9cc$f89ee010$bb728351@HP763ADV> X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Nov 2003 14:37:20 -0500 (EST) Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: Re: A bone, a bone X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000b01c3a9cc$f89ee010$bb728351@HP763ADV> X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Bob Richards wrote: "We are also intending to change the name of the establishment, so any suggestions, particularly G&S related, will be gratefully recieved." Well, I don't see why the establishment's name should necessarily be related to G&S, particulary since the neighborhood is notorious for certain (in)famous Inn keepers. My preference is: Salty Towers. Paul C.  1,, Summary-line: 13-Nov rls@dimins.com [70] #Re: [bj.richards@btinternet.com: A bone, a bone] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 13 Nov 2003 14:46:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hADJkqJh024434; Thu, 13 Nov 2003 14:46:53 -0500 (EST) Received: from dimins.com (wks66.micrologic.com [140.239.85.66] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hADJio6p022340 for ; Thu, 13 Nov 2003 14:44:51 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Thu, 13 Nov 2003 14:40:15 -0500 Date: Thu, 13 Nov 2003 14:44:19 -0500 Subject: Re: [bj.richards@btinternet.com: A bone, a bone] Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v552) From: Ruth Jedlinsky To: "David C. Jedlinsky" Content-Transfer-Encoding: 7bit In-Reply-To: <200311131939.OAA20588@multics.mit.edu> Message-Id: X-Mailer: Apple Mail (2.552) X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 13 Nov 2003 14:44:19 -0500 Subject: Re: [bj.richards@btinternet.com: A bone, a bone] From: Ruth Jedlinsky To: "David C. Jedlinsky" In-Reply-To: <200311131939.OAA20588@multics.mit.edu> X-Spam-Score: -1.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Do they know that's what we're planning to call our house? and wouldn't that be confusing in England? Ruth On Thursday, November 13, 2003, at 02:39 PM, David C. Jedlinsky wrote: > > Bob & Jackie announced to savoynet that they're moving, and that they > will want everyone to stay with them. > > Also, they want suggestions of what to call the place, especially if > it's G&S related. Guess what the first suggestion was (and not by > me)... > > -Dave > > > ------- Start of forwarded message ------- > Date: Thu, 13 Nov 2003 05:15:26 -0500 (EST) > From: "Bob & Jackie" > To: Multiple recipients of list SAVOYNET > Subject: A bone, a bone > > David Duffey wrote >> Although Bob and I have corresponded and spoken since Buxton, I >> haven't > seen >> him, so don't know whether that disastrous nose-bone transplant has >> been >> properly rectified. > > It was and very successfully rectified too, I wish I could say that > the 2 > procedures that I've been party to this autumn at Wales's wonderful > teaching > hospital at The Heath in Cardiff had been as painless and simple. > However > the results have been just as satisfactory and Jackie and I are ready > to > tackle the next chapter in our life which is to buy and run a Guest > House > with my daughter Polly and her family. The location is still embargoed > in > case of hitches but it'll be on the English Riviera - the Torquay area > in > Devon to SavoyNetters not used to UK holidayspeak . > > To bring this posting back on topic, as soon as we are able we will be > hosting a QUAYQWERT which will be unique in that we should be able to > accommodate everyone on our premises. We are also intending to change > the > name of the establishment, so any suggestions, particularly G&S > related, > will be gratefully recieved > > Bob Richards > surprised at choosing to move to England > ------- End of forwarded message -------  1,, Summary-line: 14-Nov jhango@alumni.hmc.edu [28] #Ruddigore shirts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Nov 2003 00:58:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAE5w8Jh002742; Fri, 14 Nov 2003 00:58:08 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAE5vlib011787; Fri, 14 Nov 2003 00:57:47 -0500 (EST) Received: from scrubbing-bubbles.mit.edu (SCRUBBING-BUBBLES.MIT.EDU [18.7.16.68]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hAE5vlfn005061; Fri, 14 Nov 2003 00:57:47 -0500 (EST) Received: (from jhango@localhost) by scrubbing-bubbles.mit.edu (8.12.9) id hAE5vkld001372; Fri, 14 Nov 2003 00:57:46 -0500 (EST) Date: Fri, 14 Nov 2003 00:57:46 -0500 (EST) Message-Id: <200311140557.hAE5vkld001372@scrubbing-bubbles.mit.edu> From: Jennie Hango To: Jennie Hango Cc: gsp-lights@MIT.EDU, gsp-prod@MIT.EDU, gsp-sets@MIT.EDU, gsp-tech@MIT.EDU, gsp-cast@MIT.EDU, ruddigore-set-crew@MIT.EDU, gsp-orch@MIT.EDU, gsp-pianists@MIT.EDU, cheesy@sackheads.org Subject: Ruddigore shirts In-Reply-To: <200311011639.hA1Gdkxg029208@magic-pi-ball.mit.edu> References: <200311011639.hA1Gdkxg029208@magic-pi-ball.mit.edu> Reply-To: Jennie Hango X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Nov 2003 00:57:46 -0500 (EST) From: Jennie Hango To: Jennie Hango Cc: gsp-lights@MIT.EDU, gsp-prod@MIT.EDU, gsp-sets@MIT.EDU, gsp-tech@MIT.EDU, gsp-cast@MIT.EDU, ruddigore-set-crew@MIT.EDU, gsp-orch@MIT.EDU, gsp-pianists@MIT.EDU, cheesy@sackheads.org Subject: Ruddigore shirts In-Reply-To: <200311011639.hA1Gdkxg029208@magic-pi-ball.mit.edu> Reply-To: Jennie Hango X-Spam-Score: -2.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Good morning everyone, With any luck I will be picking up the t-shirts Friday afternoon, and I will have them for you to pick up around 6:30 in Sala. The prices are $8.00 for a shortsleeve shirt and $10 for a longsleeve shirt. You can pay with cash or a check made out to MITG&SP. I won't be able to do IOUs, so you won't be able to get your shirt until you pay for it. I'll have the shirts at Saturday's performance and strike and at GenComm next week as well. I ordered a few extra shortsleeve maroon shirts; if you missed the original order or would like an additional shirt, please e-mail me to inquire about the extras. Jennie  1,, Summary-line: 14-Nov LWeissbrot@nedelta.com [27] #Re: Suspected SPAM: A bone, a bone X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Nov 2003 12:14:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAEHEdJh006899; Fri, 14 Nov 2003 12:14:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAEHEYLL025826 for ; Fri, 14 Nov 2003 12:14:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAEHDkTJ004678; Fri, 14 Nov 2003 12:13:46 -0500 (EST) Date: Fri, 14 Nov 2003 12:13:46 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Suspected SPAM: A bone, a bone MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Lotus Notes Release 5.0.10 March 22, 2002 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Nov 2003 12:13:46 -0500 (EST) Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Suspected SPAM: A bone, a bone X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Basingstoke! (or is that too obvious?) Laurie > . . We are also intending to change the name of the establishment, so any suggestions, particularly G&S related, will be gratefully received Bob Richards surprised at choosing to move to England<  1,, Summary-line: 14-Nov jtidwell@animato.arlingto [31] #Re: Matrix Revolutions on Thursday night? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 14 Nov 2003 14:42:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAEJgTJh018701; Fri, 14 Nov 2003 14:42:29 -0500 (EST) Received: from animato.home.lan (animato.ne.client2.attbi.com [24.128.219.89]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAEJgJcY000082 for ; Fri, 14 Nov 2003 14:42:19 -0500 (EST) Received: by animato.home.lan (Postfix, from userid 501) id 2FE01AB606; Fri, 14 Nov 2003 14:42:19 -0500 (EST) Received: from localhost (localhost [127.0.0.1]) by animato.home.lan (Postfix) with ESMTP id 25B8BC16F for ; Fri, 14 Nov 2003 14:42:19 -0500 (EST) Date: Fri, 14 Nov 2003 14:42:19 -0500 (EST) From: Jenifer Tidwell X-X-Sender: jtidwell@animato.home.lan To: dinner@mit.edu Subject: Re: Matrix Revolutions on Thursday night? In-Reply-To: <200311131929.OAA20433@multics.mit.edu> Message-ID: References: <200311131444.hADEiIL5015373@mass-toolpike.mit.edu> <200311131903.hADJ3OOh021116@mass-toolpike.mit.edu> <200311131929.OAA20433@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 14 Nov 2003 14:42:19 -0500 (EST) From: Jenifer Tidwell X-X-Sender: jtidwell@animato.home.lan To: dinner@mit.edu Subject: Re: Matrix Revolutions on Thursday night? In-Reply-To: <200311131929.OAA20433@multics.mit.edu> X-Spam-Score: -1.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Having heard no objections, let's go to this Wednesday show. You should buy your tickets individually -- call the Jordan's, I have no idea how this is done -- and we can meet somewhere. Ultimately we should meet at the theater, top of the escalators, at 7:30. (Unless someone has a better idea!) Is anyone interested in dinner beforehand? There's a steak house near there; I think it's an Outback. And a good Thai place a couple of miles away, near the MathWorks building, and a Vinny Testa's... heck, name any chain restaurant, and there's probably an instance of it somewhere on Rt 9. :-) - Jenifer On Thu, 13 Nov 2003, David C. Jedlinsky wrote: > How does the Wednesday, 11/19 show at 8:05pm sound? > > -Dave >  1,, Summary-line: 15-Nov tempsavoy@tradelaw.com [54] #First G&S... report on subject 1 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Nov 2003 10:27:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAFFR2Jh000432; Sat, 15 Nov 2003 10:27:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAFFR1as011636 for ; Sat, 15 Nov 2003 10:27:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAFFQwTJ016284; Sat, 15 Nov 2003 10:26:58 -0500 (EST) Date: Sat, 15 Nov 2003 10:26:58 -0500 (EST) Message-Id: <5.1.1.6.0.20031115091714.027224b8@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: First G&S... report on subject 1 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.1.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Nov 2003 10:26:58 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: First G&S... report on subject 1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A first G&S report... Dorrie, my nearly two year old daughter, is now singing her first G&S.. and I am to blame. She has a wonderful alphabet book illustrated by the Metropolitan Museum of Art (New York's take on the Tate Gallery or the Louvre for those of you who do not know what the Metropolitan Museum of Art is...) The letter M says that M is for Monster.... uh.... yup... I made the mistake of singing Monster, Monster, Dread our Fury, there's the Judge and we're the jury, come substantial damages, substantial damages.... And she found this unbelievably funny... particularly the word "damages".... And now she grabs the book, opens to the letter M, hands it to me and starts to sing Monster, Monster.... and she makes me sing it with her... and she now knows most of the words.. As for the other part of the experiment, we have still kept her away from anything that has to do with Pinafore. When she is 16 we will play Pinafore for her the first time both with and without "This Song creeps on for Hours...." and see whether or not it should be left in. We have not yet exposed her to Gondoliers either and are contemplating a "Take a Pair of Sparking Eyes" experiment, but the data may have been destroyed by Nick Sales' magnificent CD, which while it is not as popular as Burl Ives singing Ghost Riders in the Sky, is high on her list. (The Burl Ives piece is her absolute favorite and she must listen to it while in the car.... last week we had an hour long car ride and we must have listened to the piece 20 times... it could be worse... it could be Pirates of Penzance, the Montebanks or Barney)  1,, Summary-line: 15-Nov marchanc@juno.com [19] #Greece X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Nov 2003 12:10:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAFHAuJh003702; Sat, 15 Nov 2003 12:10:56 -0500 (EST) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id hAFH9o4S012174 for ; Sat, 15 Nov 2003 12:09:50 -0500 (EST) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqR8fUM4KXT4Sd3k+gq9MTXMhW7E9uT5zOw==">; Sat, 15 Nov 2003 09:09:25 PST Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JE2UXXX6; Sat, 15 Nov 2003 09:09:25 PST To: opus@mit.edu Date: Sat, 15 Nov 2003 11:07:08 -0600 Subject: Greece Message-ID: <20031115.110914.980.2.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 1-6 From: Christopher C Marchant X-Spam-Score: 4.5 X-Spam-Level: **** (4.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Date: Sat, 15 Nov 2003 11:07:08 -0600 Subject: Greece X-Juno-Line-Breaks: 1-6 From: Christopher C Marchant X-Spam-Score: 4.5 X-Spam-Level: **** (4.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here is the web site of my friends that recently visited Greece. Maybe you will find some useful photos. ----Chris http://home.austin.rr.com/svnp/samos.htm  1,, Summary-line: 15-Nov ori.siegel@sympatico.ca [27] #Completely OT request for information X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Nov 2003 17:03:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAFM3cJh015501; Sat, 15 Nov 2003 17:03:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAFM3bsE026499 for ; Sat, 15 Nov 2003 17:03:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAFM3YTJ026898; Sat, 15 Nov 2003 17:03:34 -0500 (EST) Date: Sat, 15 Nov 2003 17:03:34 -0500 (EST) Message-Id: <007401c3abc1$0a41ad20$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Completely OT request for information MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Nov 2003 17:03:34 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Completely OT request for information X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Would any 'Netters, particularly those in the UK, who might know or have access to the VHF/UHF frequencies used by British railways please contact me off list? Much obliged! cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 15-Nov farmer_giles@tiscali.co.u [49] #-y and ee. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Nov 2003 17:29:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAFMTFJh024382; Sat, 15 Nov 2003 17:29:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAFMTESr011148 for ; Sat, 15 Nov 2003 17:29:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAFMTATJ027286; Sat, 15 Nov 2003 17:29:10 -0500 (EST) Date: Sat, 15 Nov 2003 17:29:10 -0500 (EST) Message-Id: <013701c3abc8$e17165e0$cfa72e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: -y and ee. MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Nov 2003 17:29:10 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: -y and ee. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I think that my theory that words ending in -y are always pronounced with a long-i sound (heartfelt sympath-y, etc) unless specifically spelt out -ee (burglaree) has just found new evidence as to how far Gilbert would take it This is how Gilbert writes out the end of verse one of It's my opinion (The Mountebanks) When charms enthral There's some excuse For measures strong And after all I'm but a goose, And may be wrong The short lines and ABC-ABC make this song have a bit of a tongue twister at this point, though not an insurmountable one. But look how he lays out verse 2: All said and done It's little I Against a throng I'm only one And possibly I may be wrong. Obviously "I" and "possibly" are meant to rhyme. Not that I can imagine any singer actually daring to sing it that way - it's one of the most extreme examples of how the Victorians pronounciation differs from modern. Even still, wherever possible, I think that all words ending in "y" are generally intended to rhyme with "I" in Gilbert's usage, and this is further proof. -Adam Cuerden "Some people are so terribly partic-tic-tic-tic-ticular."  1,, Summary-line: 15-Nov mstorie@nwlink.com [21] #Supersonic Yeomen X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 15 Nov 2003 23:41:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAG4f5Jj023199; Sat, 15 Nov 2003 23:41:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAG4f3VQ017925 for ; Sat, 15 Nov 2003 23:41:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAG4f0TJ000826; Sat, 15 Nov 2003 23:41:00 -0500 (EST) Date: Sat, 15 Nov 2003 23:41:00 -0500 (EST) Message-Id: <3FB6E328.DAE78A2D@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Supersonic Yeomen MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 15 Nov 2003 23:41:00 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Supersonic Yeomen X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For those who asked about a photo of our intrepid "Yeomen of the Guard" greeting the British Air "Concorde" as it arrived at the Seattle Museum of Flight a week ago, it has been posted in living color, along with the story, on our web page at www.pattersong.org Mike Storie Seattle G&S Society  1,, Summary-line: 18-Nov mgillett@umich.edu [81] #Re: Savoynet - Wouldn't it be wonderful if ... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 18 Nov 2003 11:24:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAIGNwYY002133; Tue, 18 Nov 2003 11:23:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAIGJKPZ001614 for ; Tue, 18 Nov 2003 11:19:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAIGIgTJ027781; Tue, 18 Nov 2003 11:18:42 -0500 (EST) Date: Tue, 18 Nov 2003 11:18:42 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: Savoynet - Wouldn't it be wonderful if ... MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 18 Nov 2003 11:18:42 -0500 (EST) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: Savoynet - Wouldn't it be wonderful if ... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If I may put my 2 cents in.... I Joined Savoynet with in the year of its inception, and, save for a 4 month break, have maintained my connection which is more of a lurker now days. This is not out of a sense of boredom, or lack of opinions, but rather that both it and I are in what might be called a "middle age transition". Unlike some, I don't believe every topic has been talked to death, and we are now relegated to the SWOGs and GWOSs, or that we can't start other topics while an OOTM is on (which we can, really!), or that Savoynet is faltering because of other members discussion sites. I really think we have just sort of grown up after 10 (or is it 9?) years and have changed populations, attitudes, and sense of proportions. When we first began, it was made up of mostly G&S perfomers and society members, most of whom had maybe read one book on G&S, and that one might have been the Caryl Brahms or companion book to the Brent Walker videos! We exchanged information, what things meant, reccomended books, and with the addition of experts (Larry Garvin, Bruce Miller, Marc Sheperd, Michael Walters,etc) the general knowledge expanded and we all grew together. Nowdays I would say the general savoynet member is better informed about G, S, DC, the victorian period, because we have a wider availiblity of videos, CDs, and tapes of peformances today and so we feel we pretty much *Have* seen it all, and from all around the world! Also, we have tended to mellow in our middle years. Gone are the days of "Nanki-poo is the villian of Mikado", "Sir Joseph and Bunthorne are gay (Gilbert was intentional)", "how much change makes it someone else's show" "because people's attention span is shorter, we have to edit the shows to keep them vital", "Utopia is really about Hawaii", The UMGASS Pinafore, The ESSnGee Pirates, Mikado, Pinafore. And various members who made interesting discussion have left, matured, passed away, or have gone into Lurk mode (pace myself). While we do miss (in an odd way) the Craven/Miller flame wars, Mike Nash heavy metal approach ;-), Fraser/Chris flame war, Rica Mendez takes on all contenders (and survives the "three princesses project), these were not the whole of our interactions. But! Folks, we have a turn over in membership, and there are still hundreds of topics with at least dozens of new or interesting view points, and some of the discussions on the SWOG/GWOS topics has piqued some interest. While they may not be to every taste, they are not the sole sanctioned topics! Your a long time member? Start a more G&S show centered topic. A Lurker? Get out there and ask a question! There are no stupid questions, and we don't bite (I think...). In the end (and I know that this sound stupid, simplistic, and "Pollyanna-ish"), Savoynet is what WE make it, good, bad, or indifferent, and while we can sit around and try to committee and consensus it to death, it will grow or shift to what ever it will naturally be, based on the membership. If everyone were an academic with research as their goal, this could be a fine, dry, literary round table, but we have a member from every stripe of life, Doctors and Lawers, singers and software engineers, mothers and sons. We are the best cross section of the G&S community of the world, and we do have at least some responsability to but in a word every once in a while. So if you haven't posted in a few months, a year, or 2, respond so that the more vocal members have an idea that you're still here, and are interested (or not) in the present and future topics. I will get off my soapbox, and appologize if I am too maudlin, but you guys were there for me through some very trying times, and I look at many of you in the way of an extended family. Mitch Gillett Ann Arbor, Mi.  1,, Summary-line: 19-Nov chris@sounds-on-cd.co.uk [44] #Pronounciation of fairies names X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 10:00:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJEw57Y020194; Wed, 19 Nov 2003 10:00:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJEvfq2000406 for ; Wed, 19 Nov 2003 09:57:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJEv0TJ002322; Wed, 19 Nov 2003 09:57:00 -0500 (EST) Date: Wed, 19 Nov 2003 09:57:00 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Pronounciation of fairies names MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 09:57:00 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: Pronounciation of fairies names X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In the past we have had discussions about how the names Leila and Fleta are pronounced, as these fairies are not referred to by name in the lib and so there would appear not to be any line of pronounciation that has passed down. Amongst the suggestions had been L-AY-la, L-Y-la (to rhyme with 'bye') and Fl-AY-ta. Well, I've just heard an old broadcast recording of John Reed introducing excerpts from the operas and he very clearly pronounces those vowels with an 'EE' sound, Leela and Fleeta, which goes well with the regular pronounciation of the third fairy Celia (I don't think this was ever in question) and this is quite good enough to settle the matter for me. Remember that Dear John's introduction to G&S goes back over half a century to 1951 and he would have known Maud Evans who was with the Company in WSGs times and passed much of his knowledge on. As Cynthia Morey, who also joined in 1951, has said, "I'm only once removed from WSG himself". I dare say that someone will come along (probably from the other side of the Pond where such things don't seem to matter) and say "I don't give a hoot how WSG might have wanted them pronouncing. I want to pronounce them MY way." but that's quite another matter !! (;-)) (Ducking for cover) Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1, forwarded,, Summary-line: 19-Nov rsf@sprucehill.com [22] #Estimating the Airspeed Velocity of an Unladen Swallow X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 11:42:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJGgX6I002991; Wed, 19 Nov 2003 11:42:33 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJGgJ4U002252; Wed, 19 Nov 2003 11:42:20 -0500 (EST) Received: from mailserver1.opnet.com (mailserver1.opnet.com [12.145.55.23]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-6.6) with ESMTP id hAJGdsg3018459 for ; Wed, 19 Nov 2003 11:39:58 -0500 Received: from [172.16.15.6] (dhcp15006.opnet.com [172.16.15.6]) by mailserver1.opnet.com (8.12.10/8.12.8) with ESMTP id hAJGdatd006243 for ; Wed, 19 Nov 2003 11:39:36 -0500 (EST) Mime-Version: 1.0 (Apple Message framework v606) Content-Transfer-Encoding: 7bit Message-Id: Content-Type: text/plain; charset=US-ASCII; format=flowed To: lsc-alums@zurich.csail.mit.edu From: Russell Finn Subject: Estimating the Airspeed Velocity of an Unladen Swallow Date: Wed, 19 Nov 2003 11:39:36 -0500 X-Mailer: Apple Mail (2.606) X-MailScanner-SpamCheck: X-Spam-Status: No, hits=-4.9 required=5.0 tests=BAYES_00 autolearn=ham version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: lsc-alums@zurich.csail.mit.edu From: Russell Finn Subject: Estimating the Airspeed Velocity of an Unladen Swallow Date: Wed, 19 Nov 2003 11:39:36 -0500 X-MailScanner-SpamCheck: X-Spam-Status: No, hits=-4.9 required=5.0 tests=BAYES_00 autolearn=ham version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At last, the question has been answered... -- Russell "What do you mean, an African or European Swallow?"  1,, Summary-line: 19-Nov stuart.box@burningsuit.co [68] #RE: Thank you Chris (now the origin of QWERT) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 11:49:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJGnE6I007664; Wed, 19 Nov 2003 11:49:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJGjr4U005361 for ; Wed, 19 Nov 2003 11:45:55 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJGifTJ026286; Wed, 19 Nov 2003 11:44:41 -0500 (EST) Date: Wed, 19 Nov 2003 11:44:41 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: RE: Thank you Chris (now the origin of QWERT) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" content-class: urn:content-classes:message Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 11:44:41 -0500 (EST) Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: RE: Thank you Chris (now the origin of QWERT) content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mickey York wrote.. >While I'm at it, dare I ask what QWERTY means, other than the obvious keyboard reference? Of course you can! I'll attempt an answer as it was probably my post that brought it up. A QWERT, or QWERTY, or QWERTYUIOP is Savoynet slang for a gathering of Savoynetters to sing G&S. Its origins go back to an early Savoynet production of "Cox and Box" at Buxton. The production team kept in touch by e-mail and started to refer to it as "C&B". It wasn't long before they were talking about a "C&BMU" (A Cox and Box Meet Up), which over time escalated to a "C&BMUSTAB" (Cox and Box Meet Up Sing Through And Beer). It was during one of these e-mail conversations that one of the participants, (history is unclear who, it may have been Clive Woods, Kelsey Thornton, Mike Nash or Nick Sales) gave up typing out "C&BMUSTAB" and just typed "QWERTYUIOP", which I have heard best described as a "Glissando down the keyboard". The name stuck, and often became shortened to QWERTY or QWERT (pronounced "Kwert" or "Kwertie"). QWERT's are very popular, largely due to the hospitality of several Savoynetters who have thrown their homes open to other 'Netters to come along and pursue their second most favourite activity (Singing G&S, their first being, obviously, discoursing politely about G&S over e-mail) There have been QWERTYs in the UK, and the USA, games are often played with the titles, there have been two ConceQWERTS (a QWERT with a public Concert given by Savoynetters) and a SCQWERT (A South Coast QWERT "squirt"). There is however no formal definition of a QWERT, they may be formal or informal, organised or otherwise (and the one run by me was very "otherwise"). Most QWERTS have a picture of Phillip Potter gracing the piano whilst they are in progress (but not all do), some QWERTS have collections of stuffed toys as well as Phillip on top of the Piano. Some QWERTS may not even be called QWERTS at all. But _all_ QWERTS are fun, an opportunity to meet people who may only be known before as an e-mail address, but share a common love of our heroes. They are also a chance for all ages, types and abilities of singers to sing G&S with a supportive encouraging group. Having typed this peon of praise to the QWERT can I remind you of my intention to hold a QWERT down here in Billingshurst, Sussex UK over the weekend of 28th/29th February 2004 if enough people are interested. Response so far has been encouraging, but (and I mean this most politely) most responses have come from the usual suspects, seasoned QWERT'ers who know what its is. I would be delighted to hear from anyone contemplating their first QWERT, I can assure you you'd be welcomed and have a great time. Stuart Box "I sometimes dabble in a serenade"  1,, Summary-line: 19-Nov tempsavoy@tradelaw.com [61] #Re: Enlist Gillett!! (Was Re: Draft Gillett!! (was: RE: X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 12:47:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJHkd6Q018750; Wed, 19 Nov 2003 12:47:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAJHffMG012065 for ; Wed, 19 Nov 2003 12:41:42 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJHe3TJ004625; Wed, 19 Nov 2003 12:40:04 -0500 (EST) Date: Wed, 19 Nov 2003 12:40:04 -0500 (EST) Message-Id: <5.2.1.1.0.20031119111336.02770280@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Enlist Gillett!! (Was Re: Draft Gillett!! (was: RE: Mitch Gillett a Liar!) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <0BD1315E19DCD4118D7E00104BD0F16B024E0820@MAILMAN> X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 12:40:04 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Enlist Gillett!! (Was Re: Draft Gillett!! (was: RE: Mitch Gillett a Liar!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <0BD1315E19DCD4118D7E00104BD0F16B024E0820@MAILMAN> X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 12:10 PM 11/19/2003 -0500, Leta Hall wrote: >Obviously, we on Savoynet must draft Young Mitch to go to Toronto and sing >there. I think an internet campaign is only the first step. Yes. And as a second step, we can use those blackmail photographs which were undoubtedly taken at some cast parties after UMGASS productions. They are a pretty wild lot, even if they constantly choke in football and are going to lose THE game this weekend... >We shall threaten, inspire, and cajole. Come to Toronto or I will enter your singing contest again next year.... or Come to Toronto or I will come out of retirement, bring a production of Ivanhoe to Ann Arbor, hire a really bad tenor to sing the role of Ivanhoe, and make sure you know about the production. > If that doesn't work well, With >many a winsome smile we'll witch and woo; With gay and girlish guile we'll >frenzy too--. I'm sure his wife will understand. Uh... I know I can't supply girlish guile, and I kind of think that not only can I not supply gay guile, but that it would not work in any event. Can I suggest open bribery? If Mitch and Stephanie come to Toronto I will let them play with Dorothy... or if they would prefer NOT play with Dorothy... >Gillett for Toronto in 2004! Plus he is going to have to make up for the fact that some of us may have trouble getting to Toronto this year. US Rent-a-Car companies are changing their requirements and do not allow their cars to go to Canada... and I am not sure that my car wants to make the long trek... (That and I am not sure I can put up with Ghost Riders in the Sky for 8 hours...)  1,, Summary-line: 19-Nov PSternenberg@aol.com [27] #SIMPSONS sighting (somewhat) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 14:06:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJJ626a016577; Wed, 19 Nov 2003 14:06:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJJ3aps002638 for ; Wed, 19 Nov 2003 14:03:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJJ2cTJ016812; Wed, 19 Nov 2003 14:02:38 -0500 (EST) Date: Wed, 19 Nov 2003 14:02:38 -0500 (EST) Message-Id: <1c9.120029fc.2ced15d9@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: SIMPSONS sighting (somewhat) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 14:02:38 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: SIMPSONS sighting (somewhat) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Since the pronunciation of one particular word has often been questioned here -- MARGE: Bart, run like the wind! (rhymed with "kind") LISA: Mom, it's "wind." (rhymed with "sinned") MARGE: Well, I've only read it in books. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 19-Nov wendy@mail.labsoftware.co [40] # X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 16:01:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJL156I014235; Wed, 19 Nov 2003 16:01:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJL11ps013806 for ; Wed, 19 Nov 2003 16:01:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJKu3TJ004746; Wed, 19 Nov 2003 15:56:03 -0500 (EST) Date: Wed, 19 Nov 2003 15:56:03 -0500 (EST) Message-Id: <200311191548.AA1945698590@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 15:56:03 -0500 (EST) Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I often feel wet behind the ears with regard to many Savoynet topics, esp. the more cerebral OOTWs, so I rarely contribute, but, today, with pleasure I will list my top 13. I will leave out Thespis as I have not read the libretto. 1. H.M.S. Pinafore 2. Ruddigore 3. Pirates 4. Trial 5. Yeomen 6. The Gondoliers 7. Princess Ida 8. The Mikado 9. The Sorcerer 10. Utopia Ltd. 11. Iolanthe 12. The Grand Duke Number one - I fell in love with Pinafore in the summer of '97 when playing bassoon in a local production. Since then I have performed two other times as an alto in chorus and as Cousin Hebe. It drew me to read Jane Austen's Persuasion, and to read The Patrick O'Brian Aubrey-Maturin Novels (I am seeing Master & Commander for the 2nd time this weekend). I adore seafaring tales during the great Age of Nelson and all of Sullivan's music in the score is very appealing to me. Number thirteen - The Grand Duke has a lot of good moments musically and some of the story line is amusing, but even after singing through it at two sing-outs and reading a detailed plot summary, I still get rather lost and confused. I will add that I am not an Iolanthe fan. Perhaps if I were male, I would enjoy it more - I do like much of the Peer's music far more than that of the fairies. There are several songs in the score that do not appeal to me. Unless I earn the Fairy Queen (is within my voice range), I do not ever plan to perform in any production of it. -- Wendy Falconer Stamford, CT --  1,, Summary-line: 19-Nov tempsavoy@tradelaw.com [82] #Re: Bringing G&S to the 21st Century (formerly The Chorus in X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 16:01:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJL1c6I014615; Wed, 19 Nov 2003 16:01:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJKuFps009685 for ; Wed, 19 Nov 2003 15:56:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJKtSTJ004642; Wed, 19 Nov 2003 15:55:28 -0500 (EST) Date: Wed, 19 Nov 2003 15:55:28 -0500 (EST) Message-Id: <5.2.1.1.0.20031119140114.03958d98@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Bringing G&S to the 21st Century (formerly The Chorus in G&S) Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: To: Multiple recipients of list SAVOYNET Subject: Re: Bringing G&S to the 21st Century (formerly The Chorus in G&S) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: I was just in a local production of the musical "How to Succeed in >Business Without Really Trying". The musical was originally produced in >the early '60s and was a huge hit - winning every award imaginable, >including a Pulitzer prize. It was "revived" in 1995 with the play >updated for a new audience -- bits re-thought, the music re-arranged and >many of the numbers completely redone. Again, it was a huge hit, and >again it won every award imaginable. How does this relate to us? Well, >the producers of the local production tried every way they could to get >the revival version of the play but it was simply unavailable. it seems, >so the story goes, that Frank Loesser (the composer) hated the revival's >music arrangements so much that he somehow convinced the company >managing the rights to the musical from making the new material >available -- ever. Actually it was his widow. Who apparently attended all of the rehearsals and was pretty nasty about "any" changes to what she viewed as a masterpiece. I would guess that she took the money, but is now insisting that it go back to the "original" out of date version. Many of the "disputes" had to do with attempts to make changes to the show to get rid of some of the most out of date parts... and that she vetoed many of these changes. > Our version was well-received both critically and at >the box office, but we spent hours upon hours updating the material, >re-arranging the music and deleting or adapting outdated references -- >most of what the revival had already accomplished. How were you able to do this? My understanding is that when you acquire the rights for a Broadway show such as this one, you are under an absolute obligation to present the work without alteration. Isn't that usually a condition of the rights contract? I thought some shows even demanded that you follow blocking prompt books. It is this "inability" to make changes (coupled with the Rights Fees) that make Broadway shows far less appealing to your normal average theater company. The director doesn't need to think, he merely needs to read the script. >So, G&S experts & enthusiasts, perhaps you should be the ones stepping >out of your Victorian gowns and ruffled shirts and velvet suits and help >these wonderful works find a way to relate to a 21st century audience >that, for the most part, doesn't even know they exist! That's one of the (many) reasons that G&S HAS continued onward. The works were not in Copyright in the United States and were readily available to many companies without the straight-jackets imposed by licensing. They continue to be so available, now not only in the US, but also in the rest of the world. Its why we have many G&S societies and virtually no Rogers and Hammerstein Societies. Its why so many of us get so exercised over the continual abusive changes in the copyright laws and the almost "permanent" periods of copyright now being granted to many works. >OK, OK -- I expect my screen to be burned to a crisp ... :-) If you were one of the members of Congress who was in the pocket of the MPAA (who is, by the way, about to hire a Congressman at 1.5 million a year to talk over for Valentti) and the record companies, and were responsible for that horrific piece of creativity stifling trash called the Bono Act, more than your screen would have been burned to a crisp by my e-mail. It would have positively seared the keyboard.  1,, Summary-line: 19-Nov tempsavoy@tradelaw.com [70] #Re: SavoyNet's top 10 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 16:24:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJLO86I002464; Wed, 19 Nov 2003 16:24:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJLO5ps002485 for ; Wed, 19 Nov 2003 16:24:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJLN2TJ008139; Wed, 19 Nov 2003 16:23:02 -0500 (EST) Date: Wed, 19 Nov 2003 16:23:02 -0500 (EST) Message-Id: <5.2.1.1.0.20031119145946.02748c20@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet's top 10 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <023301c3aed6$96054cf0$644a4ed5@essir6syoggngz> X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 16:23:02 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet's top 10 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <023301c3aed6$96054cf0$644a4ed5@essir6syoggngz> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) From Worst to First.. (and leaving out Thespis because it did not survive the test of time... although if ranked, it would probably be 14 since the "best" music from Thespis went into number 13 13 Pirates of Penzance.. Poorly constructed without any sympathetic characters. No sense of drama and the "plot twist" was not nearly as well done or as clever as in other works... 12. Iolanthe... this is probably the most "realistic" of the Canon, properly reflecting the overall ability (or lack there of) of the House of Lords (Hey... I can say that WE won the War of American Freedom...) as well as the fact that many other eccentricities in the UK are best explained as the work of ill natured fairies.. but I find that spreading the good baritone numbers over two singers just doesn't work. 11. Mikado... this is, no doubt, based on the numerous screwy interpretations in which Nanki-Poo is heroic and Katisha is played with little or no sympathy. A good production might well raise it a bit on my scale. 10. Ruddigore.. My family had a curse on it as well... and thus put this one down to petty jealousness. 9. Grand Duke. It has to go somewhere. It certainly isn't the best, and it isn't really the worst either. But mostly if I put it higher my daughter might end up hearing it, and I would have to hear it played over and over and over again as she rides in the car... (mind you, its better than her current choice.. Ghost Riders in the Sky.... but I think too many repetitions of "such a pretty wedding" would make me batty... that and a good recording.... say the one from the festival three years ago... isn't readily available. 8. Trial by Jury. I enjoy jokes about lawyers as much as anyone... but lets not make a habit of it. 7. Princess Ida. I rate this higher than most because of the accurate portrayal of the Hungarian Knights during the battles with the Czars over portions of what became Russia.. 6. Yeomen of the Guard. Since it provides a good excuse for drinking gin, its up there on the list. 4 (tie) Pinafore and Gondoliers. These shows are both good, but have the same flaw. They each have an unnecessary song which must be cut. In Gondoliers it is that show stopping (in a bad way) act killing take a pair of Sparkling Eyes. The better the song is sung, the worse the act ends up. And a cut song produces the best act. In Pinafore it is "this song creeps on apace" (or something like that) which, even in the hands of the very best Soprano, sends much of the audience into a blissful slumber. 3 Sorcerer. It has the best Baritone role in the Canon... Dr. Daly... a role that I would have been willing, prior to retirement, to strike a faustian bargain to play. But the devil never showed up at my door. 2. Utopia. When well done, it is a very good show. It has another role that I would have been willing, prior to retirement, to strike a Faustian Bargain to play. As the best production of this show that will ever occur in my lifetime has now happened, and due to a series of factors beyond my control (i.e. work and dental surgery) kept me out of it, I took the clear message from the powers that be and retired. 1. Patience. A beautiful and lovely show. And for me, it also represented the pinnacle of my G&S career. It has to be number one.  1,, Summary-line: 19-Nov PeteEmery@aol.com [22] #Nanki-poo - a statement X-Coding-System: raw-text-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 17:18:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJMIj6I012452; Wed, 19 Nov 2003 17:18:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJMIfXe018044 for ; Wed, 19 Nov 2003 17:18:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJMHtTJ017206; Wed, 19 Nov 2003 17:17:55 -0500 (EST) Date: Wed, 19 Nov 2003 17:17:55 -0500 (EST) Message-Id: <6D5CABA7.50688A05.0276A04C@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PeteEmery@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PeteEmery@aol.com To: Multiple recipients of list SAVOYNET Subject: Nanki-poo - a statement MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 17:17:55 -0500 (EST) Reply-To: PeteEmery@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: PeteEmery@aol.com To: Multiple recipients of list SAVOYNET Subject: Nanki-poo - a statement X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "How can Nanki-Poo be seen as a villain?" On those occasions that I have taken on the harrowingly brutal and Herculean task of Nanki-poo, I have always thought it the very essence of artistic and intellectual honesty that I approach the character for what he is - - a vicious thug. Yes, I hear you remonstrating pitiably on his seeming innocence and bonhomie. It, like the pretensions of his creators to simple “muscial theatreâ€, is a wretched, hollow, Bunthornesque dissemblance. It is clear that after he loved and left Katisha (this was too hot to put into the libretto, it had to placed prior to the given narrative), and failed in his attempts to assemble a coup against his father; gambolling in the hinterlands as a second trombone was one of the few safe alternatives for escape. There he could take the ignorant and gullible into his depraved fantasizing. His plans to serially murder the entire town, which cleverly begins with his own staged suicide, progress through the deliberate placement of Yum-Yum into ! a position of subjection to capital punishment. He then proceeds to visit this status upon Ko-Ko, Pooh-bah, and Pitti-Sing. His plans are momentarily – and to him, frustratingly - sidetracked by Katisha; who appears in the attempt to be a saving angel to his psychotically deranged state. The false good cheer of the supposed reconciliation with his father at the end is overwhelmingly pathetic. Anyone familiar with the “reconciliations†of Joseph Stalin, whose mentality in governing Nanki-poo will come to most resemble, will recognize the cold comfort here. To portray Nanki-poo is an emotionally shattering experience. The depths of unaccountable evil place him in a category with Iago; his delusions and barely suppressed urges are reminiscent of Wozzeck. Like Nero ultimately beating Poppea to death on a staircase, the “romance†(if such a description can be perversely invoked) with Yum-Yum is headed to no good end. The darker truths of W.S. Gilbert cannot b! e avoided, and are amply on display here; human life is all waste, mal igancy, and corruption. Pete EmeryBrooklyn, New York USAGilbert & Sullivan Society of New YorkRidgewood Gilbert & Sullivan Opera Company  1,, Summary-line: 19-Nov finn63@charter.net [56] #top 13 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 17:21:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJMK76c013242; Wed, 19 Nov 2003 17:21:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJMICXe017722 for ; Wed, 19 Nov 2003 17:18:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJMHJTJ017089; Wed, 19 Nov 2003 17:17:19 -0500 (EST) Date: Wed, 19 Nov 2003 17:17:19 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Mary Finn" To: Multiple recipients of list SAVOYNET Subject: top 13 MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: CommuniGate Pro Web Mailer v.4.0.6 X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 17:17:19 -0500 (EST) Reply-To: finn63@charter.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Mary Finn" To: Multiple recipients of list SAVOYNET Subject: top 13 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.7 X-Spam-Level: * (1.7) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I rarely make ranked lists, but I'm in work-avoidance mode right now. My favorite to least 1) Iolanthe -- for the music, for the George/Thomas scene, because it has several roles I want to play. 2) Yeomen -- for Phoebe, a role I *must* play someday. 3) Sorcerer 4) Patience 5) Ida 6) Ruddigore 7) Pinafore 8) Gondoliers 9) Utopia 10) Grand Duke 11) Trial By Jury 12) Mikado -- because it usually bores me to tears. 13) Pirates -- because I dislike the characters. Truth to tell, my first 6 favorites are so close as to be interchangeable. This is merely today's ranking. Ditto the next 5. But Mikado and Pirates will probably always live at the bottom of my list -- unless someone casts me as Katisha. ************************** Mary Finn Massachusetts, USA Teems with quiet fun.  1,, Summary-line: 19-Nov nyccarol03@yahoo.com [67] #Top 10, er, 13 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 17:24:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJMOp6I016621; Wed, 19 Nov 2003 17:24:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAJMOld0014039 for ; Wed, 19 Nov 2003 17:24:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJMKJTJ017612; Wed, 19 Nov 2003 17:20:19 -0500 (EST) Date: Wed, 19 Nov 2003 17:20:19 -0500 (EST) Message-Id: <20031119220154.36619.qmail@web14708.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Top 10, er, 13 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 17:20:19 -0500 (EST) Reply-To: nyccarol03@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Carol Davis To: Multiple recipients of list SAVOYNET Subject: Top 10, er, 13 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is more like it! Thanks, Bill. Here are mine, as of November 19, 4:50pm EST: 1 Iolanthe 2 Pirates 3 Yeomen 4 Sorcerer 5 Gondoliers 6 Ida 7 Ruddigore 8 Pinafore 9 Utopia 10 Trial 11 Patience 12 Mikado 13 Grand Duke Iolanthe has always been my favorite: Gilbert & Sullivan contribute equally, roles & chorus parts are pretty equal for men and women, it's funny and lovely all at once. The only number I dislike is "When I went to the bar." (Odd I should dislike THAT, as I do it so often.) I'm sorry to put Grand Duke last, but as much as there is to admire in it (Julia in particular), the incessant patter drives me nuts. I'm also sorry to put Pirates second (it seems so shallow of me), but to me it just goes from high to high. I'm NOT sorry to put Mikado so low (where IS Mike Nash when you need him?). I've never liked it -- the characters are all so self-centered and mean. They're all villains. I time-stamped my list, as it is subject to immediate and radical change (except for #1). Indeed I'd better send this right now, before I reconsider. Cheers, Carol D __________________________________ Do you Yahoo!? Protect your identity with Yahoo! Mail AddressGuard http://antispam.yahoo.com/whatsnewfree  1,, Summary-line: 19-Nov dunham16_99@yahoo.com [86] #PIRATES characters - unsympathetic? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 18:36:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAJNaV6I003985; Wed, 19 Nov 2003 18:36:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAJNFRXe006185 for ; Wed, 19 Nov 2003 18:15:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAJNEUTJ020650; Wed, 19 Nov 2003 18:14:30 -0500 (EST) Date: Wed, 19 Nov 2003 18:14:30 -0500 (EST) Message-Id: <20031119225321.86774.qmail@web40710.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dunham16_99@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Louis Wernick To: Multiple recipients of list SAVOYNET Subject: PIRATES characters - unsympathetic? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 18:14:30 -0500 (EST) Reply-To: dunham16_99@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Louis Wernick To: Multiple recipients of list SAVOYNET Subject: PIRATES characters - unsympathetic? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Of course, especially here in the US, not everyone seeing (or performing in) PIRATES is aware of the mores and folkways of Victorian England which are satirized here. A "modern concept" which American audiences use is to compare the characters with our own perceptions of class distinctions and propriety as they were laid down (even if largely ignored) in previous generations. MG, and his group of wards in chancery all about the same age, break just about every rule of proper behavior that one could imagine (even if this behavior might NOT be the Victorian behavior which Gilbert intended to satirize). We meet the girls unchaperoned and with no one to attend them. No servants or employees of the entire Stanley family seem to be mentioned in the libretto or appear in traditional productions. The libretto suggests (at least to Americans in 2003)the lifting of their skirts and petticoats to remove their shoes and stockings in full view of any passersby, not something that well-brought-up young ladies are generally encouraged to do. Then, all except Mabel (who has not yet appeared)are far below any standards of graciousness expected toward Frederick from the "daughters" of an "officer". Then, of course, Mabel does not wait for Frederick to get so much as a by-your-leave from the MG to declare attachment to Frederick in portamento triplets which in no way represent formal manners. MG, of course enters boasting in his patter song,which some people have always felt gives the impression that his military experience is a total zero). Then, in Act II, he informs Frederick that occupying Tremordan Castle (is he renting it or stowing away in it?) gives him the right to declare the people in its tombs to be his ancestors, and chooses the military strategy of a ballad in A/B form when under attack. Conversely, many Americans notice that Frederick and PK, long before they are assuemd to be Peers, behave as if they had a privileged upbringing. Ruth, of course, could be a satire of a paid servant to Frederick. The whole concept of the Pirate ship and the Pirate Cove in the Cornish "resort town" of Penzance which is certainly not known for piracy, could be the equivalent of the sort of "frat house" or other expensively accoutered off-campus digs which young men of this class often use on their days off. After all, the police (and even the Sargent) look the other way at most of what they do, and indeed, really fail to give them any summonses or tickets for their outlandish behavior, much as happens with children of important families in towns with fancy boarding schools. Indeed, the only apprehension which either Frederick or PK get in any traditional libretto is that they must yield in Queen Victoria's name, not typical police action in Victorian times. Of course, NONE of this fantasy might at all represent the way in which Gilbert drew these unusual characters, but it might be a way to think of why PIRATES characters behave the way they do. Arrow exclusive schools. Ruth could be like __________________________________ Do you Yahoo!? Protect your identity with Yahoo! Mail AddressGuard http://antispam.yahoo.com/whatsnewfree  1,, Summary-line: 19-Nov uployenrichard@hotmail.co [64] #Fwd: Martyn Green X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 19:42:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAK0gY6I006467; Wed, 19 Nov 2003 19:42:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAK0gUIT007113 for ; Wed, 19 Nov 2003 19:42:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAK0d6TJ025082; Wed, 19 Nov 2003 19:39:06 -0500 (EST) Date: Wed, 19 Nov 2003 19:39:06 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Fwd: Martyn Green Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 19 Nov 2003 19:39:06 -0500 (EST) Reply-To: duployenrichard@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Richard Duployen" To: Multiple recipients of list SAVOYNET Subject: Fwd: Martyn Green X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >From: "J.C. Johnson" >To: duployenrichard@hotmail.com >Subject: Martyn Green >Date: Tue, 18 Nov 2003 11:01:27 -0500 > >Dear Mr. Duployen, > >I am responding to your request for a catalogue of the Green >collection. Unfortunately, the Gotlieb Center does not reproduce >finding aids. However, I can provide you with a brief outline of the >collection. > >The Martyn Green collection consists of 38 boxes of material. In >contains a number of manuscripts including: TO BEGIN WITH, MG's >unfinished autobiography, GILBERT AND SULLIVAN, another unfinished MG >work, short non-fiction works by MG including poems and several other >works and speeches. Also, we have much material on A TREASURY OF >GILBERT AND SULLIVAN, scripts for Gilbert and Sullivan plays in which MG >appeared, other stage productions and movies scripts including A LOVELY >WAY TO DIE, CARRICKNABAUNA, CANDIDE, THE ICEMAN COMETH, CANTERBURY >TALES, PETER PAN, THE SEA, SAVAGES, MAGIC FLUTE and others. > >Correspondence includes roughly 800 letters sent to MG, dating from >1915-1975. This includes professional, personal, and fan mail. > >The collection also contains a large amount of personal material >including information on MG's family, birth certificates for MG and >other family members, various membership and identification cards, >financial records, calendars, address books, souvenirs, photographs and >home movies, scrapbooks of newspaper articles and photos, and drawings, >theater props, military memorabilia. > >I hope that this brief summary is of some help. If you have further >questions or if you would like to schedule a research visit to our >archives please feel free to contact me by email or by calling >617-353-3696. I look forward to hearing from you. > >Sincerely yours, > >JC Johnson >Senior Archival Assistant > _________________________________________________________________ Hotmail messages direct to your mobile phone http://www.msn.co.uk/msnmobile  1,, Summary-line: 19-Nov sctang@MIT.EDU [26] #pirate video orders X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 19 Nov 2003 20:37:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAK1ba6I001384; Wed, 19 Nov 2003 20:37:36 -0500 (EST) Received: from websnail.mit.edu (WEBSNAIL.MIT.EDU [18.7.22.71]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAK1bOIT011692 for ; Wed, 19 Nov 2003 20:37:24 -0500 (EST) Received: (from www@localhost) by websnail.mit.edu (8.9.3) id UAA08044; Wed, 19 Nov 2003 20:37:24 -0500 (EST) From: sctang@MIT.EDU Received: from 18.187.0.65 ( [18.187.0.65]) as user sctang@MIT.EDU by webmail.mit.edu with HTTPS; Wed, 19 Nov 2003 20:37:24 -0500 Message-ID: <1069292244.3fbc1ad434d0f@webmail.mit.edu> Date: Wed, 19 Nov 2003 20:37:24 -0500 To: opus@mit.edu Subject: pirate video orders MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit User-Agent: Internet Messaging Program (IMP) 3.1-cvs X-Originating-IP: 18.187.0.65 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (X11; U; SunOS sun4u; en-US; rv X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: sctang@MIT.EDU Date: Wed, 19 Nov 2003 20:37:24 -0500 To: opus@mit.edu Subject: pirate video orders X-Originating-IP: 18.187.0.65 X-Originating-Host: X-MIT-WebMail-Sender: X-MIT-WebMail-User-Browser: Mozilla/5.0 (X11; U; SunOS sun4u; en-US; rv X-Spam-Score: 0.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave- I know that you are still awaiting your reimbursement from the SLP for the Grand Duke and Gondoliers videos but I wanted to send you the Pirate orders before I forget. Only 10 DVD's and 4 VHS's were requested. In case people decide to buy one later on and since we like to keep a few copies for ourselves, I think 15 DVD's and 7 VHS's seem like a reasonable count for Pirate orders. Thanks, Sonya  1, forwarded,, Summary-line: 20-Nov billmccann@onetel.net.uk [83] #Re: News Alert X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 02:00:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAK70K6I024679; Thu, 20 Nov 2003 02:00:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAK6xTSH004601 for ; Thu, 20 Nov 2003 01:59:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAK6wkTJ010985; Thu, 20 Nov 2003 01:58:46 -0500 (EST) Date: Thu, 20 Nov 2003 01:58:46 -0500 (EST) Message-Id: <002801c3af32$12c7b790$c9494ed5@essir6syoggngz> Errors-To: savoynet-owner@bridgewater.edu Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re: News Alert MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4927.1200 X-Spam-Score: -0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 01:58:46 -0500 (EST) Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re: News Alert X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.4 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sandy Rovner wrote: > > I couldn't get to it either Paul, but I'm sure it had to do with the tabloid reporter who posed as a footman in the palace just to show that he could easily savage their security... > It isn't about that and it isn't particularly funny but here it is in its entirety. Bill Pomp from the pages of Gilbert and Sullivan By Alan Hamilton Official welcome THE formal arrival of President Bush at Buckingham Palace yesterday seemed at times to be the first performance of a newly discovered Gilbert and Sullivan opera. First, there was the set, a pavilion looking like the bastard child of a medieval jousting pavilion and a fast-food outlet, tricked out in presidential seals, a royal coat of arms, a stars and stripes pattern, and topped with two red flags. Then there was the cast, a colourfully costumed chorus of generals and admirals, lord-lieutenants and a brace of lord mayors, variously robed, uniformed and chained, and with two plumed hats in the line-up. You could easily spot Tony Blair, Jack Straw and David Blunkett as the three stooges in the plain dark suits. And there was an excellent musical joke. A protester in the exceedingly thin audience - despite it being a free performance - raised his loudhailer and, to the tune of She'll Be Coming Round The Mountain, began to sing: "If you think that Blair's a poodle, shout woof-woof." If there was audience participation it was immediately drowned out by the overwhelming might of the Band of the Grenadier Guards striking up The Star-Spangled Banner with weapons of mass euphony. The singer was spoken to by police, probably about being off-key. A hush descended as curtain-up approached. Two hovering police helicopters withdrew, the Mall was temporarily closed to traffic, and the band played a suitably English piece of Elgar. At 9.55 the Queen and the Duke of Edinburgh, who had driven all of 50 yards, emerged in their Golden Jubilee Bentley through a gateway from the gardens. The Queen, dressed in lilac coat and elaborate matching hat, waited on the red carpet while the Duke shook hands enthusiastically with the costumed chorus. At one minute to ten, the King's Troop, Royal Horse Artillery, fired the first shot of a 41-gun salute from Green Park, a signal that Mr and Mrs Bush had stepped out of the Palace back door near their guest quarters. Out of the wings, halfway through its 100-yard journey, the Cadillac DeVille, an armoured galleon with a flag on each wing, made its stately entrance. Mr and Mrs Bush emerged simultaneously, he in dark suit and she in a kingfisher blue two-piece. She took his arm and they walked up the five steps to the Queen and Duke. The Queen looked nervous, the Duke quite at ease. The Bushes shook hands briefly with them but there was not the ghost of a bow or curtsy; Americans don't do that sort of thing, and the Queen is nowadays very relaxed over whether people do it or not. Mr Bush and the Queen exchanged a few words; the Duke engaged Mrs Bush in conversation with more animation. As the American national anthem was played, the Bushes stood with hands on hearts, the Duke stood to attention, and the Queen just stood. The Bushes then met the chorus. It was a line of polite handshakes but Mr Blair offered a particularly warm one to the President, and kissed Mrs Bush on both cheeks. When Mr Bush was invited to inspect the guard of honour with the Duke he was accompanied by a man described as his aide-de-camp, but in fact an armed secret serviceman. President and Duke returned to their womenfolk on the dais to watch a march-past. It was a spectacle of some pomp but Mr Bush tended to stare straight ahead, as though somewhat bemused by this display of Old World flummery.  1,, Summary-line: 20-Nov jbender@bigpond.net.au [116] #Re: News Alert X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 02:24:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAK7Oc6I001907; Thu, 20 Nov 2003 02:24:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAK7OaSH017115 for ; Thu, 20 Nov 2003 02:24:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAK7O4TJ011157; Thu, 20 Nov 2003 02:24:04 -0500 (EST) Date: Thu, 20 Nov 2003 02:24:04 -0500 (EST) Message-Id: <019601c3af35$b0acd4b0$73f62dcb@home> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jbender@bigpond.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Justin Bender" To: Multiple recipients of list SAVOYNET Subject: Re: News Alert MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 02:24:04 -0500 (EST) Reply-To: jbender@bigpond.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Justin Bender" To: Multiple recipients of list SAVOYNET Subject: Re: News Alert X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ----- Original Message ----- From: "Paul Cohen" SNIP> > I wasn't able to access The Times website to follow up on this curious > story -- can someone get hold of the rest of it? SNIP< Paul This excerpt from theBBC News may be of the same event Justin Bender Queensland Home Secretary David Blunkett has announced a review of Buckingham Palace security following a lapse ahead of President Bush's visit. An undercover reporter worked for two months as a footman at the Palace after applying using a false reference. Mr Blunkett told the House of Commons that the Security Commission would conduct a thorough review. He said employment checks on the man were "insufficient" but appropriate criminal checks were carried out. Meanwhile Mr Bush carried on with his engagements, making a keynote speech at Banqueting House in London. In it, he defended the war on Iraq and he vowed to defeat terrorism. One of the strengths of our democracy is that such breaches are open to scrutiny, that we can learn quickly from them and that nothing is swept under the carpet David Blunkett Home secretary He said the US and UK sought "the advance of freedom and the peace that freedom brings". The Daily Mirror said its reporter Ryan Parry managed to get a job despite unprecedented security arrangements throughout London in the run-up to the presidential visit. Buckingham Palace said on Wednesday that it would not rule out taking legal action against the newspaper. Mr Blunkett said that while the day-to-day police protection of the Royal Family was crucial, checks on other people who work closely alongside the royals were also "key". He said there was a comprehensive system of security and criminal checks as well as normal employment checks - "in these circumstances even more vital". Security and criminal checks on Mr Parry were carried out "robustly and correctly," Mr Blunkett said. "But the employment checks proved insufficient." Buckingham Palace was reviewing its vetting procedure, but Mr Blunkett felt the "system as a whole" needed urgent review. Report The terms of reference and timetable for the review by the Security Commission, an independent body responsible for overseeing breaches of security, have yet to be decided, but Mr Blunkett said he hoped to have an interim report by the end of the year. He expected the review to cover "all aspects of the process of checking those who form part of the Royal Household". "One of the strengths of our democracy is that such breaches are open to scrutiny, that we can learn quickly from them and that nothing is swept under the carpet." In August, Mr Parry responded to a job advertisement on a recruitment page of the Buckingham Palace official website. On his CV, he left out any mention of his journalistic career and included one fake reference and a real one, the newspaper claimed. Scotland Yard has put in place a £5m operation which will see more than 5,000 police on the capital's streets for the state visit, while hundreds of armed US security staff will also guard the president. "All the agencies involved are vigorously looking at the issues," Scotland Yard deputy assistant commissioner Andy Trotter said. "It's quite clear that the man is not a terrorist and he's not a criminal. But it's most unfortunate that the Palace has employed a journalist and I'm sure that those who have that responsibility will want to look carefully at their processes and procedures." A White House spokesman told the BBC that despite the security breach at the palace, "the White House still has confidence in British security". The alleged security flaw will compound the embarrassment caused by comedian Aaron Barschak, who gatecrashed Windsor Castle during William's 21st birthday party in June. Shadow home secretary David Davis pressed Mr Blunkett on who would accept responsibility, particularly after his personal pledge on royal security following the Windsor Castle breach. "The seriousness of this security lapse cannot be overestimated," he said. "Given this undertaking that you gave to this House, do you accept personal responsibility for the events of the past few days, and will you act, and act soon, to bring to an end this catalogue of incompetence?" he asked. 'Incredible access' Mirror editor Piers Morgan said the paper used "very basic subterfuge and got incredible access". "To our surprise and then mounting horror we discovered that our man with no training, no experience at all, no real vetting was in very close proximity to the most important people in our country," Mr Morgan told BBC Radio 4's Today programme. He described the reference checking as "scandalous" and "shoddy". Mr Morgan alleged that someone from the palace rang Mr Parry's local pub where he had given a name as a character reference. "That person had left and they shouted down the bar: 'Does anyone know Ryan Parry?' To which some man in the corner drinking, said: 'Oh, I know him, he's a good guy'." Story from BBC NEWS: http://news.bbc.co.uk/go/pr/fr/-/2/hi/uk_news/3283647.stm Published: 2003/11/19 14:48:16 GMT © BBC MMIII  1,, Summary-line: 20-Nov deebee@connexus.net.au [38] #Re: News Alert - OT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 04:07:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAK9786I026677; Thu, 20 Nov 2003 04:07:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAK977SH007154 for ; Thu, 20 Nov 2003 04:07:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAK96GTJ013208; Thu, 20 Nov 2003 04:06:16 -0500 (EST) Date: Thu, 20 Nov 2003 04:06:16 -0500 (EST) Message-Id: <3FBC7E74.8000301@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: News Alert - OT MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 04:06:16 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: News Alert - OT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.5 X-Spam-Level: * (1.5) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I couldn't get to it either Paul, but I'm sure it had to do with the tabloid > reporter who posed as a footman in the palace just to show that he could > easily savage their security... > > Oh go to the source - it's a good read. www.mirror.co.uk Despite the possible disasterous consequences, I am rather glad this journalist put one over. When Bush was in Australia recently his goons took over security at parliament house, keeping out Aussie journalists and letting US ones in. Even more off -topic, our vertically challenged PM used to be known as Little Johnny but this has been changed to Bonzai - meaning little Bush! ;>) Diana  1,, Summary-line: 20-Nov ahumez@TheWorld.com [20] #hapgood videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 09:35:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAKEZm6I005039; Thu, 20 Nov 2003 09:35:48 -0500 (EST) Received: from TheWorld.com (pcls4-e.std.com [192.74.137.144]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAKEZbRa006669 for ; Thu, 20 Nov 2003 09:35:37 -0500 (EST) Received: from shell.TheWorld.com (pip1-5.std.com [192.74.137.185]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id hAKEZaI3026449 for ; Thu, 20 Nov 2003 09:35:36 -0500 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id JAA7956374 for ; Thu, 20 Nov 2003 09:35:31 -0500 (EST) Message-Id: <200311201435.JAA7956374@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: hapgood videos Date: Thu, 20 Nov 2003 09:35:31 -0500 From: Andrea L Humez X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: hapgood videos Date: Thu, 20 Nov 2003 09:35:31 -0500 From: Andrea L Humez X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) graphics are in /mit/ahumez/Hapgood (sorry I dropped the ball there). I think front/back/inside are usable (the posters all have text, so they probably aren't), but I can't open them to check from this computer... (let me know if you need something other than .psd files) any guess on ETA? Thanks! Andrea  1,, Summary-line: 20-Nov ulahlica@yahoo.com [91] #Re: Bringing G&S to the 21st Century X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 13:12:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAKICh6I006377; Thu, 20 Nov 2003 13:12:43 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAKI9XsF029195 for ; Thu, 20 Nov 2003 13:09:36 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAKI89TJ014865; Thu, 20 Nov 2003 13:08:09 -0500 (EST) Date: Thu, 20 Nov 2003 13:08:09 -0500 (EST) Message-Id: <20031120174157.34750.qmail@web60202.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Bringing G&S to the 21st Century MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031120101201.00b361d0@taurus.lunarpages.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 13:08:09 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: Bringing G&S to the 21st Century X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031120101201.00b361d0@taurus.lunarpages.com> X-Spam-Score: 1.9 X-Spam-Level: * (1.9) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Let's not bring G&S to the 21st century. Let's bring the 21st century to G&S. (Sorry for the so-so bon mot but I'm being serious.) I realize everyone is looking for something different in entertainment but, as a teenager, part of my fascination for G&S was the obscure references. (A bathing machine? What could that be? Sat on a buffer?) That's part of my fascination with England (and hopefully the same idea works in reverse... CHRIS (08 ). When I visited England, everyone was basically using the same words but so many of them had different meanings. I remember having slight difficulty buying a ticket for the underground because, although I understood all the words correctly, I didn't know WHAT I was being asked. I remember a vendor yelling at me, "Go buy some socks!" I remember a tour guide saying "What do you mean WATCH YOUR HEAD? How can I watch my head? You MIND your head!" (Do the English realize part of your charm for many of us is your unbridled disgust for our usage of English? Ha!) The total fascination of interacting with a culture I did not understand was the same thrill I got when I knew PATIENCE was satirizing something but I wasn't sure what. Pooh-Bah held ranks that, at the time, I could not guess the function. And that was great because I knew the words actually did have meaning and the joke was still clear. Most audiences are not like me/us, though. I'll never forget my roommate's disturbing words when we were talking about movies long ago. He said, with no shame... "I don't like to think." Ouch! I'm also unsure as to what would constitute an entirely "traditional" performance - as most. I *do* think the idea of presenting the works with Victorian lightening and costumes, although a good point, is debatable. To reproduce the original experience, wouldn't we need to show the audience what they were accustomed to seeing? (Get me?) It's like I always have said when promoting opera in English, when the Italians go to see "The Barber of Seville," they don't hear it in Italian. They hear it in English. (Get me?) John S LI NY __________________________________ Do you Yahoo!? Free Pop-Up Blocker - Get it now http://companion.yahoo.com/  1,, Summary-line: 20-Nov knscott@juno.com [61] #Subject: Bringing G&S to the 21st Century (formerly The Chorus in G&S) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 13:13:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAKICh6O006377; Thu, 20 Nov 2003 13:12:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAKIAAsF029693 for ; Thu, 20 Nov 2003 13:10:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAKI9YTJ015771; Thu, 20 Nov 2003 13:09:34 -0500 (EST) Date: Thu, 20 Nov 2003 13:09:34 -0500 (EST) Message-Id: <20031120.094156.-975165.0.knscott@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Subject: Bringing G&S to the 21st Century (formerly The Chorus in G&S) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 5.0.33 X-Spam-Score: 3.8 X-Spam-Level: *** (3.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 13:09:34 -0500 (EST) Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Subject: Bringing G&S to the 21st Century (formerly The Chorus in G&S) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 3.8 X-Spam-Level: *** (3.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Wed, 19 Nov 2003 11:16:15 -0800 "Ken Cusson" posted to SAVOYNET: > it seems, so the story goes, that [Jo Sullivan Loesser, widow of] > Frank Loesser (the composer[/lyricist of "How to Succeed in > Business Without Really Trying"]) hated the revival's music > arrangements so much that [s]he somehow convinced the company > managing the rights to the musical from making the new material > available -- ever. Music Theatre International, the licensing agency for H2$, was co-founded by Frank Loesser. To the best of my knowledge, his widow not only has the final word about the management of his literary estate, but is also his successor as a principal in the company. Even if she weren't a principal in the company, since the company's role is to act as agent for their shows' creators (or their heirs) the company could not allow anything that she would not allow. Ken Cusson continued: > we spent hours upon hours updating the material, re-arranging > the music and deleting or adapting outdated references -- and on Wed, 19 Nov 2003 14:47:34 -0600 David Craven responded: > How were you able to do this? My understanding is that when you > acquire the rights for a Broadway show such as this one, you are > under an absolute obligation to present the work without alteration > Isn't that usually a condition of the rights contract? Again to the best of my knowledge, that is ALWAYS a condition of the rights contract for any play or musical play available through a licensing agency. Even the common practice of deleting or altering "offensive" or "suggestive" passages, to bring a work into compliance with community standards, is a violation of the contract, unless the producer has first obtained specific permission for the changes. Willful violation of the contract creates a potential joint and several liability shared among all participants in the production. For this reason , a public forum like SavoyNet is probably not the best place to openly discuss recent participation in a production for which the contract was violated. Kevin Scott http://www.angelfire.com/or/Copyright4Producers ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 20-Nov d-duffey@argonet.co.uk [39] #Old DOV (was Savoynet at the moment) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 13:41:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAKIci7i025514; Thu, 20 Nov 2003 13:41:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAKIcbK6022039 for ; Thu, 20 Nov 2003 13:38:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAKIbnTJ021218; Thu, 20 Nov 2003 13:37:49 -0500 (EST) Date: Thu, 20 Nov 2003 13:37:49 -0500 (EST) Message-Id: <002a01c3af95$235189c0$3e11bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Old DOV (was Savoynet at the moment) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 13:37:49 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Old DOV (was Savoynet at the moment) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I only wish I could come up with some stories about the old DC Of course I have recounted this tale before, but in 1959, after Peter Pratt had announced his departure but before JR had quite taken over, I was in the Hippodrome, Bristol, watching HMS Pinafore, Act II when: Enter SIR JOSEPH SIR JOSEPH: Captain Corcoran, it seems that festivities in connection with my approaching marriage must last a week, I should like to do it handsomely, and I want to consult you as to the amount I ought to spend upon them. CAPT (Jeffery Stitch): She won't do (shouted) SIR JOSEPH!! SIR J (With a puzzled look as to why the audience was in hysterics) I'm afraid not! David The Wash England "And I am right"  1,, Summary-line: 20-Nov tempsavoy@tradelaw.com [69] #Re: SavoyNet's top 10 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 14:38:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAKJbh6W010516; Thu, 20 Nov 2003 14:38:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAKJXvK6006314 for ; Thu, 20 Nov 2003 14:33:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAKJX8TJ008416; Thu, 20 Nov 2003 14:33:08 -0500 (EST) Date: Thu, 20 Nov 2003 14:33:08 -0500 (EST) Message-Id: <5.2.1.1.0.20031120131057.0291a220@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet's top 10 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 14:33:08 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: SavoyNet's top 10 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 01:11 PM 11/20/2003 -0500, Richard Duployen wrote: However, the straight reprise of the jig used to work with Adam serving the sherry to everybody, worked well. Incidentally, for those who discount the traditional, the Robin seemed to be doing the boy voice on "Yes,uncle", and they did the double the speed encore for the Patter Trio", without knowing the tradition! They're too young, but people have good theatrical instincts! That has nothing to do with "tradition". It is a case where the "traditional business" happens to be a good choice and the choice was made by instinct. The real problem is, and continues to be, those directors that select business not because they have a rational reason why the business is done, but rather select it merely because it is always done that way. For example, anyone who has read my posts for years will remember my theory that the reason that "traditional" blocking for solos are generally set down and center is because of the nature of lighting in Victorian and Edwardian era theater. That's where they could bring the most light and have the most "control" over the look. With the change in lighting systems, this is no longer a requirement. And yet, lots of directors still tend to block this way. One of the best illustrations of "silly traditions" can be found in the First World War. In Flanders the British Army deployed a number of Artillery Units. In each unit, a number of Soldiers would be deployed 25 to 50 yards behind the battery where they would stand stock still with their right arm extended at a 90 degree angle from their body. And they would stand there for the entire battle. Why were they there? Well prior to the introduction of trucks, guns and caissons were towed by horses or mules. And these Soldiers historically held the reins of the now non-existent horses. A silly tradition that was maintained by what was perhaps the best, soldier for soldier, Army in the World until someone finally asked the question "why". And suddenly a "normal" practice looked just plain silly. And that's why I always ask "Why" when someone tells me that this or that move is required by tradition. (Unless of course, prior to retirement, I was in a show, in which case my only question for the director is whether the palm of the extended right arm should be facing up or facing down.... although, strangely enough, a number of people have gotten copies of my Savoynet postings and did not seem to understand the difference between David the performer and David the Savoynet ranting nut...) And if she cannot give another "reasonable" reason, then she is engaged in lazy directing. (And a reasonable reason could be something as slight as... down center, even under current lighting, brings the greatest focus and this one number (or the part of this one number) is the key to the show and needs that extra focus or my singer has real trouble with his or her eyes and this has a complicated entrance. Down Center the singer can better see the conductor when she gives her downbeat. (Note for those who care, I am trying to more evenly use the words he and she because I have been (properly) reprimanded by several people for always using "he" when referring to those in authority. And these people are right, so I am working on making this change.)  1,, Summary-line: 20-Nov billmccann@onetel.net.uk [104] #Re:US productions, was The Chorus in G & S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 20 Nov 2003 19:59:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAL0xC6K026080; Thu, 20 Nov 2003 19:59:53 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAL0vGEs004386 for ; Thu, 20 Nov 2003 19:57:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAL0ucTJ015770; Thu, 20 Nov 2003 19:56:38 -0500 (EST) Date: Thu, 20 Nov 2003 19:56:38 -0500 (EST) Message-Id: <033901c3afc8$d1809210$c9494ed5@essir6syoggngz> Errors-To: savoynet-owner@bridgewater.edu Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re:US productions, was The Chorus in G & S MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4927.1200 X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 20 Nov 2003 19:56:38 -0500 (EST) Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re:US productions, was The Chorus in G & S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Andi wrote: > There was never a licensing arrangement in the USA for G&S; > productions in this country have never been subject to licensing > approval based on conformity with a set of standards. If you > like, we have a "tradition" of our own as old as the first > performances of G&S in the USA, which began with Pinafore, I > believe. Indeed yes, and to quote Sullivan, "Of course Gilbert and myself had been kept informed of the unique business which 'Pinafore' was doing in america, and our visit was prompted by the notion that, as the authors of the piece, we ought to profit by it. Meanwhile, we did not trust to the 'Pinafore' opera to do us amy material monetary good in America; we determoined to produce our next opera in the States first and in Great Britain afterwards." It is no secret that the first "British" production of Pirates at the Fifth Avenue Theatre "was a revelation to the theatrical world in America." (Sullivan again.) So, the concept of copyright, now such a contentious issue an heavily promoted by US based recording and publishing companies, was non-existent in the US of 1878/79 and this allowed all manner of plagirisms even then and denied G & S of what we would now consider their rights. The licencing system of the Lord Chancellor's offiice ( for it was he, since Elizabeth's time) might strike one as being unduly beaurocratic but it had the virtue of trying to protect the rights of the artist long before the recording studios began to make big money. And Andi also wrote > It has nothing to do with reinterpreting somebody else's > "culture" any way we please--all we have been talking about is > treating a script and score the same way we treat any other > script and score, with the physical stuff left to the directors > and performers of each production, But do you see, the dichotomy? All scripts and scores are reduced to a common denominator, no matter what their origin. G & S, for example, will be treated in exactly the same way as the formulaic, politically correct playscript of an 18 year old high school graduate. This is the point at which the Europeans, with their centuries of cultural development and history, begin to lose patience with our American cousins. It just seems so unreal, managed and artificial. On this side of the pond we have traditionally allowed theatre to speak for itself and allowed the playwright and/or composer to give us rheir representation of the world as they saw/see it. The creeping ,conspiratorial, advance of television from the US studios has destroyed much of that, it seems. Of course the licencing system was stultifying but it did not kill off G & S in Britain and its happy despatch has not had a deleterious efect on the popularity of the genre. Mikado will still put bums (bottoms) on all of the seats in a local amateur theatre (as will Pinafore, Gondoliers and Iolanthe.) From personal experience I know that G & S are (and were before the fall of communism) huge favourites in Romania. The DOC recordings were/are extremely popular and some of my (not so young and ex communist friends) delighted in demonstrating their prowess. They loved and enjoyed every bar of the music and every nuance of the book (even more so when the obscure bits were explained). Somehow, that approach seems different to me. I don't know. My mother is a Kentuckian, so I am in no way Anti-American. It just seems that vocal Americans are always, everywhre, proclaiming that they invented the world when all that the rest of us can see, and smell, is Mcdonalds and KFC. Perplexing, really Bill, in the most benign state of blissful argumentation. > whereas in England > productions of G&S have had the unusual (to us) additional > stipulation that the physical aspects were also dictated and > licensed. > > > > ===== > Andi Stryker-Rodda > New York City/New Jersey USA  1,, Summary-line: 21-Nov claire.little@iod.com [55] #Qwert Newbies (was the origin of QWERT) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 Nov 2003 03:34:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAL8Yk6I015359; Fri, 21 Nov 2003 03:34:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAL8Y3ft016665 for ; Fri, 21 Nov 2003 03:34:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAL8XYTJ000810; Fri, 21 Nov 2003 03:33:34 -0500 (EST) Date: Fri, 21 Nov 2003 03:33:34 -0500 (EST) Message-Id: <812087739FC9D711BC2D0002554C4BD80E2120@lonmail01.iod.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Claire Little To: Multiple recipients of list SAVOYNET Subject: Qwert Newbies (was the origin of QWERT) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 21 Nov 2003 03:33:34 -0500 (EST) Reply-To: claire.little@iod.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Claire Little To: Multiple recipients of list SAVOYNET Subject: Qwert Newbies (was the origin of QWERT) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.6 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'd like to associate myself with Stuart's message encouraging first-time Qwerters. I've been to three Qwerts now, and am certainly planning to be at next February's. The first I went to was David Duffey's first ConceQwert in May 2001, and as I had only met a few SavoyNetters, at G&S Society meetings in London, and also the Sullivan Memorial concert at the Royal Albert Hall in November 2000, I really didn't know what to expect. I was made to feel very welcome by everyone there, and enjoyed the weekend from start to finish, notwithstanding the 'interesting' B&B that Clive Woods, Karen Ann Loxley and I stayed at. UK Qwerts tend to be on the informal side, and that is what I enjoy most about them - the chance to sing roles never otherwise attempted; to appeal to the pianist to 'please play the recit'; to use whatever comes to hand as props; to enjoy the company of friends and all in the knowledge that everyone there is at least halfway as barmy as I am :-) Claire Little London, UK From: Stuart Box [mailto:stuart.box@burningsuit.co.uk] Having typed this peon of praise to the QWERT can I remind you of my intention to hold a QWERT down here in Billingshurst, Sussex UK over the weekend of 28th/29th February 2004 if enough people are interested. Response so far has been encouraging, but (and I mean this most politely) most responses have come from the usual suspects, seasoned QWERT'ers who know what its is. I would be delighted to hear from anyone contemplating their first QWERT, I can assure you you'd be welcomed and have a great time. ************************* Are you getting eNews? Visit www.iod.com/signup and sign up for news and special offers by email..  1,, Summary-line: 21-Nov farmer_giles@tiscali.co.u [101] #Licencing X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 Nov 2003 14:24:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hALJOG6I021949; Fri, 21 Nov 2003 14:24:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hALJOCH4005057 for ; Fri, 21 Nov 2003 14:24:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hALJNqTJ008422; Fri, 21 Nov 2003 14:23:52 -0500 (EST) Date: Fri, 21 Nov 2003 14:23:52 -0500 (EST) Message-Id: <039301c3b064$daf39300$4c912e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Licencing MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 21 Nov 2003 14:23:52 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Licencing X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.2 X-Spam-Level: * (1.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here's that application form I found in H.M.S. Pinafore Samuel French Ltd Established 1830 Publishers of Plays Agents for the collection of Royalties 26 Southampton Street Strand, London, W.C.2 Telephone: TEMple Bar 7513 Cables: Dramalogue, London Telegrams: Dramalogue, Rand, London London Hollywood Sydney Toronto New York Licences for the Performance of Plays Protectionagainst unlawful performances of plays is afforded to dramatic authors by means of copyright. Under the Copyright Law, no public performance of a protected play may be given, either in its entirety or in the form of excerpts, without the consent of the owner of the copyright. The majority of plays appearing in our list are opywright, and as agents for the copyright owners we issue licences for amateur performances on payment of the fee It is very necessary that the consent of the copyright owner should be obtained before the performance of a play is given. Willingness to pay the fee and obtain the licence after the event would not render those organising and taking part in the play any less liable for an infringement of the copyright. A licence is issued subject to the understanding that all advertising matter shall be printed in a manner to make it clear that the audience will witness a performance by a company of amateurs; and that the names of the authors of plays shall be included in all announcements and on all programmes. SAMUEL FRENCH LIMITED Please complete and return with remittance prior to performance (In large oval) APPLICATION FORPERMISSION TO PERFORM A PLAY BY A COMPANY OF AMATEURS Name of Society........................ Place of Performance _ Theatre or Hall. (Where performances are to be given in different places, a separate form must be used for each place) ....................... ....................... Town ........................ County........................ Date(s) of Performance(s)........................ Title(s) of Plays | Author | No of Performance| Fee for each Performance| £ | s.| d. | ----------------|---------|--------------------|---------------------------| ---|--|---| ----------------|---------|--------------------|---------------------------| ---|--|---| ----------------|---------|--------------------|---------------------------| ---|--|---| ----------------|---------|--------------------|---------------------------| ---|--|---| Amount remitted £|__|__|__| Signature of applicant................................. Name and address to which Licence is to be sent (please use BLOCK LETTERS) ................................. ................................ ................................ ................................ Obviously, not the most enlightening application, but presumably (as it was in H.M.S. Pinafore) the only one. -Adam Cuerden "Some people are so terribly partic-tic-tic-tic-ticular."  1,, Summary-line: 21-Nov tony@a-b-u.demon.co.uk [69] #Re: JR with BL (was Savoynet at the moment) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 Nov 2003 16:11:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hALLBI6I009234; Fri, 21 Nov 2003 16:11:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hALLBF99018267 for ; Fri, 21 Nov 2003 16:11:16 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hALLAaTJ020216; Fri, 21 Nov 2003 16:10:36 -0500 (EST) Date: Fri, 21 Nov 2003 16:10:36 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Re: JR with BL (was Savoynet at the moment) Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express for Macintosh - 4.01 (295) X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 21 Nov 2003 16:10:36 -0500 (EST) Reply-To: tony@a-b-u.demon.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tony Watts" To: Multiple recipients of list SAVOYNET Subject: Re: JR with BL (was Savoynet at the moment) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.1 X-Spam-Level: * (1.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I don't think I'm breaking too much of a confidence when I mention that one >of my recent private acquisitions is a live audio >recording of Pirates from the 1980 London Season with the regular cast for >that period (Ayldon, Leonard, Reid, Donkin, etc) and >although it's true that it is a little undisciplined I have to say that it >is one of the best live G&S performances that I have EVER >heard. And indeed I have discussed it privately with several Savoynetters >who it turns out were present that evening and they have >agreed that it was one of the best nights they ever spent at a DC show. I think I may well have attended the very performance Chris is writing about at Sadler's Wells Theatre on a very hot summer's evening in 1980. It was just one of those nights when any incidental defects in the performance were over-ridden totally by the reactions of just about the most receptive audience it has ever been my pleasure to be a member of. A large contingent of American visitors seemed to be particularly enjoying themselves, laughing like drains at all the old familiar routines (especially the Policemen), even applauding the scenery and anyone who remembers the old D'Oyly Carte 'Pirates' staging will know how incredible that was. As the evening went on audience and performers alike were swept along on the most extraordinary tidal wave of enthusiasm and enjoyment. The pleasurable aspects of the evening plainly pervaded the stage as surely as the they did the audience. It was a marvellous, invigorating experience and one which remains fresh in my mind more than twenty-three years later. It showed not only how well the old piece still worked its magic, but also demonstrated how well an entirely 'traditional' staging worked and just how adept the principal members of the company such as John Ayldon (a wonderfully dotty Pirate King) and Pat Leonard were in playing their roles. They certainly knew all there was to know about communicating with an audience. There was magic in the air of Islington on that far-off July night. It was one of those once in a lifetime performances and so different from the last performances of 'Pirates' by the 'New' D'Oyly Carte at the Savoy a couple of years ago as to make one wonder if the same opera was being performed. > >I have quite a number of these such recordings but I would also single out >a private recording of a January 1982 Ruddigore (they >closed weeks later) which is one of the best performances I've ever heard >of that particular opera, and, no doubt owing to the less >bumptiousness of Ruddigore, there is far less a problem about indiscipline. The revival of 'Ruddigore' in Wilfred Judd's 'refreshed' version of the old traditional staging was IMHO one of the great glories of the old DOC's last couple of seasons. The parodies of old Victorian melodrama had never been more vivid in my experience and the great Ken Sandford as Sir Despard was inspired (no other word will do) to give what I think were the greatest performances of a G&S role in my experience. BTW OOTW is pronounced B-O-R-E by this Savoynetter. Sorry Bill. Tony Watts Tony Watts  1,, Summary-line: 21-Nov drsmith@alum.mit.edu [90] #Turkey Day Open House 12PM to 8PMish X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 21 Nov 2003 17:54:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hALMs76I016980; Fri, 21 Nov 2003 17:54:07 -0500 (EST) Received: from sword.com (www4.hup.harvard.edu [128.103.251.18]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hALMrtBA022006; Fri, 21 Nov 2003 17:53:56 -0500 (EST) Received: from sword.com (localhost.localdomain [127.0.0.1]) by sword.com (8.12.8/8.12.8) with ESMTP id hALMpCaV008883; Fri, 21 Nov 2003 17:51:12 -0500 Received: from sword.com (mitalum@localhost) by sword.com (8.12.8/8.12.8/Submit) with ESMTP id hALMp6Ln008879; Fri, 21 Nov 2003 17:51:06 -0500 Message-Id: <200311212251.hALMp6Ln008879@sword.com> From: David Smith To: drsmith@alum.mit.edu, rmtietge@alum.mit.edu cc: abbe@mit.edu, adina@panix.com, iggy@mit.edu, amanda_h_vantreese@fleet.com, bjaspan@mit.edu, benh@phial.com, boojum@mit.edu, tivol@mit.edu, brilit@alum.mit.edu, cal.thomas@intel.com, cana@mit.edu, case@alum.mit.edu, cschuma@us.ibm.com, chope@cybercom.net, cynara@mit.edu, davepick@alum.mit.edu, dcctdw@mit.edu, deborah@suberic.net, warlord@mit.edu, elle@executiveflyers.com, elsatsao@alum.mit.edu, eon@twinknj.net, egibber@alum.mit.edu, emd@chu-ring.com, giovanna@alum.mit.edu, ghudson@mit.edu, aurora@mit.edu, ivanie@alum.mit.edu, jforman@akornn.com, james-mathiesen@pobox.com, jhaggard@world.std.com, jleah@bronze.lcs.mit.edu, jhbrown@ai.mit.edu, fearless@mit.edu, jmarder@fsck.com, jmike@alum.mit.edu, jpollock@wesleyan.edu, kate_mahoney@alum.mit.edu, kate_brick@harvard.edu, lca@charter.net, frodo@mit.edu, lon.e.sunshine@lmco.com, marc@mit.edu, m_edeburn@alum.mit.edu, max@egenera.com, mczody@alum.mit.edu, calliope15@earthlink.net, mgoulian@executiveflyers.com, mlbt@alum.mit.edu, mlearl@attbi.com, opus@mit.edu, pesmith@rcn.com, prmark@bellatlantic.net, talkivin@mit.edu, portnoy@ai.mit.edu, rebecca_glynn@putnam.com, res@qoxp.net, rmottley@mit.edu, rls@mit.edu, sas@mbbp.com, sarath@alum.mit.edu, scd@alum.mit.edu, setill@earthlink.net, shaunaroberts@yahoo.com, tbunns@alum.mit.edu, jim@sokoloff.com, cbackman@mindspring.com, sueo@alum.mit.edu, tytso@mit.edu, twright@ziplink.net, warrend@dimins.com, bns@sword.com cc: diedrich@mit.edu, drcraig@alum.mit.edu, will_fournier@alum.mit.edu, kjonker@alum.mit.edu, farmey@alum.mit.edu, howiek@alum.mit.edu, vmarquez@alum.mit.edu, kfid@alum.mit.edu, cmtwomey@alum.mit.edu cc: leila.amineddoleh.1@bc.edu, teresa.anderson.1@bc.edu, abigal.baird.1@bc.edu, james.bitanga.1@bc.edu, abby.boxer.1@bc.edu, catherine.davis.2@bc.edu, justin.dibiasio.1@bc.edu, clara.auchincloss.1@bc.edu, laura.dietrich.1@bc.edu, ellis.v.disch.1@bc.edu, jared.fertman.1@bc.edu, julia.fisher.1@bc.edu, sharon.gnessin.1@bc.edu, jodi.hanover.1@bc.edu, charles.katzleavy.1@bc.edu, jonathan.lauer.1@bc.edu, eric.lockwood.1@bc.edu, yu.lu.1@bc.edu, keturah.martin.1@bc.edu, nicole.mondschein.1@bc.edu, christopher.morgan.1@bc.edu, april.otterberg.1@bc.edu, melania.page.1@bc.edu, jeffrey.perlman.1@bc.edu, eric.prichard.1@bc.edu, dana.roper.1@bc.edu, christine.santariga.1@bc.edu, maura.sarasin.1@bc.edu, william.saxe.1@bc.edu, heather.sobel.1@bc.edu, benjamin.spiess.1@bc.edu, jessica.stokes.1@bc.edu, kristie.tappan.1@bc.edu, scott.tenley.1@bc.edu, sarah.wellings.1@bc.edu, jared.wood.1@bc.edu Subject: Turkey Day Open House 12PM to 8PMish Date: Fri, 21 Nov 2003 17:51:06 -0500 Sender: mitalum@sword.com X-Spam-Score: 4.3 X-Spam-Level: **** (4.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: David Smith To: drsmith@alum.mit.edu, rmtietge@alum.mit.edu cc: abbe@mit.edu, adina@panix.com, iggy@mit.edu, amanda_h_vantreese@fleet.com, bjaspan@mit.edu, benh@phial.com, boojum@mit.edu, tivol@mit.edu, brilit@alum.mit.edu, cal.thomas@intel.com, cana@mit.edu, case@alum.mit.edu, cschuma@us.ibm.com, chope@cybercom.net, cynara@mit.edu, davepick@alum.mit.edu, dcctdw@mit.edu, deborah@suberic.net, warlord@mit.edu, elle@executiveflyers.com, elsatsao@alum.mit.edu, eon@twinknj.net, egibber@alum.mit.edu, emd@chu-ring.com, giovanna@alum.mit.edu, ghudson@mit.edu, aurora@mit.edu, ivanie@alum.mit.edu, jforman@akornn.com, james-mathiesen@pobox.com, jhaggard@world.std.com, jleah@bronze.lcs.mit.edu, jhbrown@ai.mit.edu, fearless@mit.edu, jmarder@fsck.com, jmike@alum.mit.edu, jpollock@wesleyan.edu, kate_mahoney@alum.mit.edu, kate_brick@harvard.edu, lca@charter.net, frodo@mit.edu, lon.e.sunshine@lmco.com, marc@mit.edu, m_edeburn@alum.mit.edu, max@egenera.com, mczody@alum.mit.edu, calliope15@earthlink.net, mgoulian@executiveflyers.com, mlbt@alum.mit.edu, mlearl@attbi.com, opus@mit.edu, pesmith@rcn.com, prmark@bellatlantic.net, talkivin@mit.edu, portnoy@ai.mit.edu, rebecca_glynn@putnam.com, res@qoxp.net, rmottley@mit.edu, rls@mit.edu, sas@mbbp.com, sarath@alum.mit.edu, scd@alum.mit.edu, setill@earthlink.net, shaunaroberts@yahoo.com, tbunns@alum.mit.edu, jim@sokoloff.com, cbackman@mindspring.com, sueo@alum.mit.edu, tytso@mit.edu, twright@ziplink.net, warrend@dimins.com, bns@sword.com cc: diedrich@mit.edu, drcraig@alum.mit.edu, will_fournier@alum.mit.edu, kjonker@alum.mit.edu, farmey@alum.mit.edu, howiek@alum.mit.edu, vmarquez@alum.mit.edu, kfid@alum.mit.edu, cmtwomey@alum.mit.edu cc: leila.amineddoleh.1@bc.edu, teresa.anderson.1@bc.edu, abigal.baird.1@bc.edu, james.bitanga.1@bc.edu, abby.boxer.1@bc.edu, catherine.davis.2@bc.edu, justin.dibiasio.1@bc.edu, clara.auchincloss.1@bc.edu, laura.dietrich.1@bc.edu, ellis.v.disch.1@bc.edu, jared.fertman.1@bc.edu, julia.fisher.1@bc.edu, sharon.gnessin.1@bc.edu, jodi.hanover.1@bc.edu, charles.katzleavy.1@bc.edu, jonathan.lauer.1@bc.edu, eric.lockwood.1@bc.edu, yu.lu.1@bc.edu, keturah.martin.1@bc.edu, nicole.mondschein.1@bc.edu, christopher.morgan.1@bc.edu, april.otterberg.1@bc.edu, melania.page.1@bc.edu, jeffrey.perlman.1@bc.edu, eric.prichard.1@bc.edu, dana.roper.1@bc.edu, christine.santariga.1@bc.edu, maura.sarasin.1@bc.edu, william.saxe.1@bc.edu, heather.sobel.1@bc.edu, benjamin.spiess.1@bc.edu, jessica.stokes.1@bc.edu, kristie.tappan.1@bc.edu, scott.tenley.1@bc.edu, sarah.wellings.1@bc.edu, jared.wood.1@bc.edu Subject: Turkey Day Open House 12PM to 8PMish Date: Fri, 21 Nov 2003 17:51:06 -0500 Sender: mitalum@sword.com X-Spam-Score: 4.3 X-Spam-Level: **** (4.3) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Who: You, significant others, children (ideally yours not random kids you found on the street). What: An open house / buffet. Where: 24 Faneuil Rd., Waltham. 781-373-2038 When: Thanksgiving 12PM to 8PMish Why: For those folks that don't have family in the area and also for those folks that just feel the need to escape their family in the area. Notes: Rosemary: I didn't get the MTG/Harvard/knit folks, forward as you see fit. Unified: I think I got all the folks still in MA, if not please forward. BC: I don't really know everyone in the section, but if you want to bring someone not on the list just let me know. Feel free to drop by anytime. We are doing a buffet thing for the food as we don't have space to sit everyone at a table. I think Rosemary is planning on generating the turkey around 3PM, but the leftovers will be out all day until it runs out. RSVP before noon Tuesday for planning purposes if you think you will desire food when you show up. If you don't RSVP, feel free to just show up and run the risk that the food will be gone. If you have specific food requests, email Rosemary, as I plan to be parked in front of the Packer game. :) David and Rosemary Caveats: 1. People are all over the place, so we don't really have any directions better than what www.mapquest.com will give you. If you want, email Rosmeary or I with where you are comming from and we could generate some for you. 2. The condo is not child proofed. Not a problem for us yet, but may be for you. 3. Allergy alert, we may be babysitting a cat for a few days.  1,, Summary-line: 22-Nov deebee@connexus.net.au [90] #Colin Prestige X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 22 Nov 2003 23:02:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAN42m6I007200; Sat, 22 Nov 2003 23:02:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAN42ls9025941 for ; Sat, 22 Nov 2003 23:02:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAN42JTJ023952; Sat, 22 Nov 2003 23:02:19 -0500 (EST) Date: Sat, 22 Nov 2003 23:02:19 -0500 (EST) Message-Id: <3FC02CE2.4050007@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Colin Prestige MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 22 Nov 2003 23:02:19 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Colin Prestige X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'd like to thank Tony for his post on Colin. Although I knew Colin quite well I did not have the intimate knowledge that Tony does. Colin was Chairman of the G&S Society when I joined and remained so until he was appointed a Trustee of the DC, when he evidently felt there might be a conflict of interest. I was always amazed by his breadth of knowledge of the operas and their performances. When one reads the earlier Journals they are quite fun but perhaps a bit parochial, Colin made them much more scholarly publications (even if some of the fun was lost). He was a ruthless editor, as I know having had the blue pencil applied to more than one of my contributions. Colin was always a pleasant companion and I was the recipient of his generosity on a number of occasions. This was perhaps more so after I moved to Australia . We corresponded irregularly but when I visited England he would often invite me to have dinner with him and then go on to a DC performance. This sometimes included having drinks in the Manager's office at interval. During the magnificent Centenary Season at the Savoy in 1975, the Queen was due to attend a performance of The Gondoliers and Colin invited me to accompany him. I have mentioned something of this before but as he was always reticent about such matters I never explained how I came to be sitting directly behind the royal party (the Queen was taken sick and didn't come but the Duke and a young Prince Andrew were there) and very self consciously joining the VIP group during interval where we were served with champagne and canapés. The company was brought through to be presented and Lyndsie Holland spotted me and mouthed "What the heck are you doing here?" To be honest I wasn't sure. An American voice asked if I knew who the young boy was and while I explained he was the Queen's son, Colin stepped in and introduced me to Reginald Allen. I still feel very privileged to have been there as Colin's guest. We lost touch for a time but when I visited London in the early 90s Colin took me to dinner at Simpson's in the Strand and a couple of years later I reciprocated by taking him to dine at the Savoy. This was the last time I saw him but he was as full of information as ever and asked for a copy of an article I had written on the D'Oyly Carte dynasty and a copy of the programme for Grand Duke which I had directed in Melbourne. Our exchange of correspondence over these was the last contact. Much as I liked Colin, he was set in his ways and when he disapproved he was scathing. He also was responsible, in his position with the Royal General Theatrical Fund (the inheritors of much of Gilbert's remaining estate after Nancy Mackintosh's death) for controlling Gilbert's copyright and I know of at least one occasion on which he refused to allow a company to include "When Jealous Torments" in a production of Yeomen on the grounds that he did not think it should be performed. As this song was never published until relatively recently it is technically still in copyright and I am glad that there has not been any restriction enforced in the last few years. Colin had a large knowledge of and acquaintance with all the key figures in G&S in the last 50 years of the 20th century. A repository of all this is lost with him. However we have his legacy in the editions of the G&S Journal for which we can be grateful. By some co-incidence on the day CP's death notice appeared in The Times, I was attending the funeral of another Colin who was also a great lover of the Operas. Colin Polites was President of the G&S Society of Victoria. He was also a senior judicial figure in Australia and the church was filled to over-flowing with friends from his work and other interests. The G&S Society was pleased to sing a Sullivan hymn during the service. The Archdeacon who delivered the address noted Colin's love of G&S and said that his last illness occurred while he was on holiday in England and meant he missed by a few days attending the great festival of G&S which brought all the best performances from round England together. He was of course talking about the Buxton Festival which Colin and his wife were booked in to attend. It was a bad week for Colins but perhaps they are now singing duets in a better place. God rest them both. Diana Burleigh  1,, Summary-line: 23-Nov deebee@connexus.net.au [75] #the value of a kindly chorus X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 Nov 2003 00:41:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAN5fn6I028363; Sun, 23 Nov 2003 00:41:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAN5fmE7027470 for ; Sun, 23 Nov 2003 00:41:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAN5fJTJ025118; Sun, 23 Nov 2003 00:41:19 -0500 (EST) Date: Sun, 23 Nov 2003 00:41:19 -0500 (EST) Message-Id: <3FC0425D.3090306@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: the value of a kindly chorus MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 23 Nov 2003 00:41:19 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: the value of a kindly chorus X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I should confess I have never been in a chorus. I would like to at least once but no respectable MD would dream of allowing me near any of his/her singers! The chorus is one of the most important and essential elements in the G&S operas. A good chorus can make the show and a bad one will wreck it. The D'Oyly Carte chorus were usually exempliary. Their sheer professionalism gave superb support to the principals and many had wonderful personalities. As David Duffey said there were some who particularly stood out, without attracting the wrong kind of attention (like him I also noted Jennifer Marks - but possibly for different reasons). One of the important points is that there are different requirements for the chorus in each of the operas. Again as someone pointed out (David Craven?) the dragoon guards are a unified group and when well-drilled become a single character. I saw one company which had such an undisciplined group of dragoons that it spoilt the show but one of the society in question told me I couldn't expect better. Sorry - if they had been called up all would have been drilled to perfection and a rehearsal with an experienced drill sargeant should have been organised. I have seen many excellent choruses in non-professional theatre but I have also seen ones made up of the sort of people who think that once they have learned the words and music and know where to stand they have completed their task. They seen to think that they are not noticed as individuals and therefore it is not important for them to attend all rehearsals or even be accurate with their movements. This is a pity as it always stands out a mile. There was a small flame war a few years ago about how a chorus person should prepare the role. One side (mainly the Americans) said that it was necessary to develop individual characters and most created back stories. The other side (mainly the British) argued that this intensive individual work would be distracting. As such an approach is a process, it doesn't matter how people prepare, it is how they carry the preparation into performance that is important and the director should be keeping an eye out to meld all the performances to an appropriate degree. Personally I find as a director it is more fun to work with those choruses which can be individuals (the best example is Sorcerer where the differences have to be very obvious) but it is also a good challenge to work with the chorus of Peers or the sailors of HMS Pinafore. Diana Burleigh Melbourne  1,, Summary-line: 23-Nov d-duffey@argonet.co.uk [78] #Re: JR with BL (was Savoynet at the moment) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 23 Nov 2003 12:37:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hANHbZ6I016069; Sun, 23 Nov 2003 12:37:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hANHbYJ4014994 for ; Sun, 23 Nov 2003 12:37:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hANHb4TJ029129; Sun, 23 Nov 2003 12:37:05 -0500 (EST) Date: Sun, 23 Nov 2003 12:37:04 -0500 (EST) Message-Id: <006f01c3b1e7$652ebf30$f00dbc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: JR with BL (was Savoynet at the moment) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 23 Nov 2003 12:37:04 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: JR with BL (was Savoynet at the moment) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > That's a very interesting message from David about the various stages of Dear John's career, but it would be greatly aided if David > could provide us with some detail on how he feels John's performances changed over the years. Over to you, David? Sorry to have been so long about it, I was away, and had arranged to start a session at Birmingham University at 10.50 am, thus to give time to watch the rugby. Judge then of my delight when I had to leave and start lecturing in the knowledge that extra time was being played! I missed the last 15 minutes! When JR assumed the roles in 1959, and for a couple of years thereafter, he played them more or less as they had previously be played by PP, and he seemed uncomfortable in them. This I think made many at the time (and I was one of them) regret PP's departure. He then seemed to allow his own interpretations and his personality shine through. Throughout the years the characters became less differentiated and all having much more of a JR signature. I think this especially true of Ko-Ko, who became more impish and mischievous and more conspiratorial with the audience, but certainly not the pantomime dame of James Conroy-Ward; of the Lord Chancellor who became a sprightly and raffish old man and of Jack Point, who was almost a Geordie working man. When I said early, middle and late period I was thinking of the first two or three years, say up to 1962 or so, from then to about 1972 or 3, when he was in his prime and he had discernable different characters which were all imbued with his own particular charm, and from about 1975-6 to the end, when I think he was becoming somewhat self-indulgent and increasingly using the roles as a vehicle for himself. Unfortunately I think this was also a failing, towards the end, of John Alydon and Pat Leonard and the combination of these strong personalities performing thus, had a deleterious effect of the rest of the cast and on its performing standards. Strong management should have rectified this. Conroy-Ward, seemingly insecure and increasingly failing to go on, meant that Alistair Donkin was covering more and more, and his obvious confidence and clear popularity made C-W all the more nervous. The lack of clear management - possibly in not giving AD the roles permanently - again fuelled the problems. Had Drummie survived, I think it likely that JR's characterisations would have had to react to hers in a way which may possibly have made them develop differently. The very young and very new Gillian Knight could not be expected to have influenced JR as much. Similarly Donald Adams' leaving allowed JR's characterisations to alter more. Ken Sandford was a more introspective actor, and did not have the powerful personality of Drummond-Grant or Adams. Alan Styler - of whom I was a great admirer - tended to do his own thing and I don't see him as greatly influencing the performances of other actors. Of course all interpretations must change over time, and there are few if any other actors whom one has watched in the same roles over a quarter of a century, but the above is the best I can do at the moment David The Wash England "And I am right"  1,, Summary-line: 24-Nov d-duffey@argonet.co.uk [41] #Re: The great YEOMEN controversy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 Nov 2003 02:36:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAO7Zu6I004179; Mon, 24 Nov 2003 02:35:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAO7ZpkB003983 for ; Mon, 24 Nov 2003 02:35:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAO7YnTJ017810; Mon, 24 Nov 2003 02:34:49 -0500 (EST) Date: Mon, 24 Nov 2003 02:34:49 -0500 (EST) Message-Id: <005701c3b259$cb6ede20$e069bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: The great YEOMEN controversy MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 24 Nov 2003 02:34:49 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: The great YEOMEN controversy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) YEOMEN. Wonder what controversies > > will ensue because of *that*... Time for me to trot out the 'Yeomen is but The Mikado in another guise' theory - I don't think I've mentioned it for a couple of years, and if Nanki Poo as a villain can come up again, why shouldn't I? It runs something like this: Comic baritone loves and 'has an understanding' with soprano, who does not reciprocate. Comic baritone agrees to marriage of soprano to tenor until the death of tenor. Comic baritone later bribes heavy baritone to bear false witness to death of tenor. And there you have it, Mikado/Yeomen basically the same plot. And, although in the Mikado case this did not occur until after the opening, the musical/dramatic construction is so flawed that an entirely superfluous character has to be invented for a quartet early in Act II. David The Wash England "And I am right"  1,, Summary-line: 24-Nov chris@sounds-on-cd.co.uk [47] #RE: Rafe in London X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 Nov 2003 07:46:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAOCjq6K007047; Mon, 24 Nov 2003 07:45:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAOCeSQU018780 for ; Mon, 24 Nov 2003 07:40:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAOCdkTJ023947; Mon, 24 Nov 2003 07:39:46 -0500 (EST) Date: Mon, 24 Nov 2003 07:39:46 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Rafe in London MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <33.412259d3.2cf282a2@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 24 Nov 2003 07:39:46 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Rafe in London X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <33.412259d3.2cf282a2@aol.com> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Angie wrote- > I would like to say a very public thank you to Ralph MacPhail Jr. for coming > to London to take our meeting yesterday afternoon on The Mikado: Red, Hot and > Swing. It was a great afternoon, very well attended (despite the rain and > being on a late Saturday PM slot) and everyone I spoke to afterwards or during > the interval seemed to be enjoying it very much. > > Rafe is a real treasure and has an amazing archive of slides and audio > material! Indeed, yes. Ralph is a great speaker and his illustrated lecture on the various productions of The Mikado was fascinating and extremely enjoyable. Thanks Ralph for presenting us so entertainingly with what must be a lifetime's research, and thanks also to the G&SS for booking this presentation. I'll bet that Ralph is a great favourite with his students at Bridgwater. It goes without saying that it was also nice to meet and chat with Ralph once again. Nice also to see Andrew Crowther who made a rare appearance to assist Ralph with the slides. Regards Chris Chris Webster SOUNDS ON CD Croydon, UK G&S Recordings Catalogue www.cris.com/~oakapple/gasdisc/sounds-on-cd.htm Customer Comments www.cris.com/~oakapple/gasdisc/sounds-on-cdcc.htm  1,, Summary-line: 24-Nov wendy@mail.labsoftware.co [73] #Re: Top 13 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 24 Nov 2003 10:24:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAOFLk7K010282; Mon, 24 Nov 2003 10:24:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAOFL8KL011422 for ; Mon, 24 Nov 2003 10:21:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAOFJnTJ029134; Mon, 24 Nov 2003 10:19:49 -0500 (EST) Date: Mon, 24 Nov 2003 10:19:49 -0500 (EST) Message-Id: <200311241012.AA2593325198@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: Re: Top 13 Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 24 Nov 2003 10:19:49 -0500 (EST) Reply-To: wendy@mail.labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Wendy Falconer" To: Multiple recipients of list SAVOYNET Subject: Re: Top 13 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I might add a fourth category for those of us instumentalists who have performed the operettas in the pit. I would have listed Yeomen and Patience near the top regarding orchestration. Yeomen has TWO great bassoon parts, and in Patience & The Mikado, the nearly all of the bassoon's range is utilized and rarely tacet. Conversely, as much as I love Ruddigore, "Welcome Gentry" and "Cheerily Carols the Lark" were a bear to play, and we had some (seemingly) strange pauses and entrances in some of Rose's music. ---------- Original Message ---------------------------------- From: Savoyard1@aol.com Reply-To: Savoyard1@aol.com Date: Sun, 23 Nov 2003 14:44:49 -0500 (EST) >I like David Duffey's style in which he has presented his Top 13. So I have >decided to present mine in the same way. If it is performing, this may very >well depend on your last show, how much you got out of rehearsals and whether >you enjoyed show week. If it is directing, it could very well depend on your >team, your cast and how well (or not) it was received by your audience. My list >"To perform" is as a principal and not chorus which may be very different, but >we will leave that for now. I have directed 10 of the operas.The ones that I >haven't, I will therefore have to put in the bottom 3 of the list. > > To watch To perform To direct >1. Yeomen Ruddigore Yeomen >2. Iolanthe Pirates Pirates >3. Pirates Mikado Sorcerer >4. Mikado Iolanthe Iolanthe >5. Ruddigore Yeomen Ruddigore >6. Sorcerer Sorcerer Pinafore >7. Pinafore Pinafore Ida >8. Patience Trial Utopia >9. Trial Patience Mikado >10. Ida Grand Duke Trial >11. Utopia Utopia Patience >12. Grand Duke Ida Gondoliers >13. Gondoliers Gondoliers Grand Duke > >Pity that Gondoliers is at the bottom, but thats the way it goes. > >It would be interesting to compare Performing Principals lists with others. >Mine are based on the Bass, Bass Baritone roles. Perhaps when this is all over, >we could do this. > > >Best Wishes >Philip Walsh >(Sgt Meryll, Marton Operatic Society, Lowther Pavilion, Lytham, Dec 2 to 6) >Full details soon. > > > > > -- Wendy Falconer Stamford, CT --  1, answered,, Summary-line: 25-Nov J91a@cs.com [22] #Video Delivery in Progress X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Nov 2003 14:13:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAPJDC6Q008446; Tue, 25 Nov 2003 14:13:34 -0500 (EST) Received: from imo-r04.mx.aol.com (imo-r04.mx.aol.com [152.163.225.100]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAPJBG2j028705 for ; Tue, 25 Nov 2003 14:11:16 -0500 (EST) Received: from J91a@cs.com by imo-r04.mx.aol.com (mail_out_v36_r1.1.) id 6.8f.354f4f0b (16086) for ; Tue, 25 Nov 2003 14:11:04 -0500 (EST) Received: from cs.com (mow-d15.webmail.aol.com [205.188.139.131]) by air-id10.mx.aol.com (v97.8) with ESMTP id MAILINID103-3ed63fc3a947267; Tue, 25 Nov 2003 14:11:04 -0500 Date: Tue, 25 Nov 2003 14:11:03 -0500 From: J91a@cs.com To: opus@mit.edu Subject: Video Delivery in Progress MIME-Version: 1.0 Message-ID: <5DCA200B.793B63D0.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 155.33.197.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Nov 2003 14:11:03 -0500 From: J91a@cs.com To: opus@mit.edu Subject: Video Delivery in Progress X-AOL-IP: 155.33.197.226 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I have one check from Dana Franz, and I understand from Elizabeth that she paid you directly, so I'll be delivering hers shortly via one common acquaintance or another, if not one on one. I am going to be working down the list. Doug and I will switch over coffee or something. I'll send my check along with Dana's, and Rydia is next on my list of people to bug, along with Mal Rhet. If you could let me know if there are any others who have paid you in advance, that would be hepful. Thanks for your patience. : ) All best wishes, Janin  1, answered,, Summary-line: 25-Nov J91a@cs.com [45] #Address? X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Nov 2003 16:38:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAPLbv6O023202; Tue, 25 Nov 2003 16:38:11 -0500 (EST) Received: from imo-r02.mx.aol.com (imo-r02.mx.aol.com [152.163.225.98]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAPLYWCg018389 for ; Tue, 25 Nov 2003 16:34:32 -0500 (EST) Received: from J91a@cs.com by imo-r02.mx.aol.com (mail_out_v36_r1.1.) id 6.f.1d287263 (15876) for ; Tue, 25 Nov 2003 16:34:29 -0500 (EST) Received: from cs.com (mow-d23.webmail.aol.com [205.188.139.164]) by air-id07.mx.aol.com (v97.8) with ESMTP id MAILINID73-3e043fc3cae5e2; Tue, 25 Nov 2003 16:34:29 -0500 Date: Tue, 25 Nov 2003 16:34:29 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Address? MIME-Version: 1.0 Message-ID: <6DBF422E.538A5EB7.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 155.33.197.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Nov 2003 16:34:29 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Address? X-AOL-IP: 155.33.197.226 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, Just realized. Do I have your mailing address. It would be easiest if I could mail the checks. thanks, Janine "David C. Jedlinsky" wrote: > >Hi Janine. > >I was handed a check from Elizabeth for a VHS tape, and Rydia sent me >a check the other day for a DVD.  So, I guess you can deliver both of >those, and that appears to leave Mal Rhet unaccounted for. > >-Dave > > >>Date: Tue, 25 Nov 2003 14:11:03 -0500 >>From: J91a@cs.com >> >>Hi Dave, >> >>I have one check from Dana Franz, and I understand from Elizabeth that she paid you directly, so I'll be delivering hers shortly via one common acquaintance or another, if not one on one. >> >>I am going to be working down the list.  Doug and I will switch over coffee or something.  I'll send my check along with Dana's, and Rydia is next on my list of people to bug, along with Mal Rhet.  If you could let me know if there are any others who have paid you in advance, that would be hepful. >> >>Thanks for your patience. : ) >> >>All best wishes, >> >>Janin  1, answered,, Summary-line: 25-Nov J91a@cs.com [45] #One other question X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Nov 2003 16:45:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAPLj76I028474; Tue, 25 Nov 2003 16:45:07 -0500 (EST) Received: from imo-d03.mx.aol.com (imo-d03.mx.aol.com [205.188.157.35]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAPLj6G8027331 for ; Tue, 25 Nov 2003 16:45:06 -0500 (EST) Received: from J91a@cs.com by imo-d03.mx.aol.com (mail_out_v36_r1.1.) id 6.be.33690 (16111) for ; Tue, 25 Nov 2003 16:45:05 -0500 (EST) Received: from cs.com (mow-d20.webmail.aol.com [205.188.139.161]) by air-id12.mx.aol.com (v97.8) with ESMTP id MAILINID123-3eef3fc3cd602ba; Tue, 25 Nov 2003 16:45:04 -0500 Date: Tue, 25 Nov 2003 16:45:04 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: One other question MIME-Version: 1.0 Message-ID: <688F0A5E.08A747F0.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 155.33.197.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Nov 2003 16:45:04 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: One other question X-AOL-IP: 155.33.197.226 X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, One other question. When I was told over email who picked up a DVD, Matt Breton was not on the list. When I picked up the bag, he was on the list, and his DVD is still here. Do you have recorded somewhere whether he wrote you a check or not? Early on? If he did, I'll drop one off at Alcestis for him. If not, I'll have to chase him down too. Thanks, Janine "David C. Jedlinsky" wrote: > >Hi Janine. > >I was handed a check from Elizabeth for a VHS tape, and Rydia sent me >a check the other day for a DVD.  So, I guess you can deliver both of >those, and that appears to leave Mal Rhet unaccounted for. > >-Dave > > >>Date: Tue, 25 Nov 2003 14:11:03 -0500 >>From: J91a@cs.com >> >>Hi Dave, >> >>I have one check from Dana Franz, and I understand from Elizabeth that she paid you directly, so I'll be delivering hers shortly via one common acquaintance or another, if not one on one. >> >>I am going to be working down the list.  Doug and I will switch over coffee or something.  I'll send my check along with Dana's, and Rydia is next on my list of people to bug, along with Mal Rhet.  If you could let me know if there are any others who have paid you in advance, that would be hepful. >> >>Thanks for your patience. : ) >> >>All best wishes, >> >>Janin  1,, Summary-line: 25-Nov J91a@cs.com [47] #Re: One other question X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 25 Nov 2003 17:28:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAPMRr6M028122; Tue, 25 Nov 2003 17:28:14 -0500 (EST) Received: from imo-m02.mx.aol.com (imo-m02.mx.aol.com [64.12.136.5]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAPMPad3018908 for ; Tue, 25 Nov 2003 17:25:36 -0500 (EST) Received: from J91a@cs.com by imo-m02.mx.aol.com (mail_out_v36_r1.1.) id 6.1ec.142a408a (15865) for ; Tue, 25 Nov 2003 17:25:30 -0500 (EST) Received: from cs.com (mow-d20.webmail.aol.com [205.188.139.161]) by air-id06.mx.aol.com (v97.8) with ESMTP id MAILINID64-3df93fc3d6d95e; Tue, 25 Nov 2003 17:25:29 -0500 Date: Tue, 25 Nov 2003 17:25:29 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Re: One other question MIME-Version: 1.0 Message-ID: <419869A0.59889641.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 155.33.197.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 25 Nov 2003 17:25:29 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Re: One other question X-AOL-IP: 155.33.197.226 X-Spam-Score: -0.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) OK, that answers my question. I originally put him down for a VHS, but he corrected me. It was supposed to be a DVD, and the count I have includes a DVD for Matt. But somehow, along the way, it also got assumed that he purchased his when, it seems to me, that he didn't. So Matt gets a DVD, and I will have to chase him down. Thanks, Janine "David C. Jedlinsky" wrote: > >I'm not sure what the deal is with Matt's video.  I'm not even sure if >it's DVD or VHS.  I don't recall a check from him, but I could have >forgotton.  There are two emails from a ways back that have >conflicting information. > >First is from Marion: > >> >I have 3 videos (I assume they are Matt's, Dana's, &  Eliz Stone's - >> >Janine, do you have yours?) >> > >> >- and 5 DVDs (would they belong to Doug, Eric, Mal, and Rydia? -- why do I >> >have 5 if there are only 4 DVDs left on the list?! - Jim, did you take >> yours?) > >Second is from Jim: > >Here's what I have: > >    4 DVDs (for Doug Hartley, Eric Lindblad, Mal Rhett and Rydia Vielehr) >    3 VHSs (for Dana Franz, Elizabeth Stone and Janine) > >So, if the extra DVD was Matt's, why is it missing from Jim's list? >And why did Marion think Matt had a VHS?  I think you may want to >contact Matt and ask him whether he paid. > >-Dave >  1,, Summary-line: 26-Nov james@tappin.me.uk [29] #Long-lived companies X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 08:20:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQDK96I013008; Wed, 26 Nov 2003 08:20:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAQDI1M2001628 for ; Wed, 26 Nov 2003 08:18:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQDHVTJ017370; Wed, 26 Nov 2003 08:17:31 -0500 (EST) Date: Wed, 26 Nov 2003 08:17:31 -0500 (EST) Message-Id: <20031125175643.3a5d7f46.james@tappin.me.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Long-lived companies Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Sylpheed version 0.8.9 (GTK+ 1.2.10; i386-debian-linux-gnu) X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 08:17:31 -0500 (EST) Reply-To: james@tappin.me.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: James Tappin To: Multiple recipients of list SAVOYNET Subject: Long-lived companies X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just a silly game, let's try to collect up companies mentioned in the Operas (or in the Bab Ballads?) which still exist. The obvious ones to start with: Pickfords, [Iolanthe] Coutts Bank [Gondoliers] Barings [Iolanthe] (I think they survived the Leeson affair in some form). Rothschilds [Iolanthe, Utopia] James -- James Tappin, O__ "I forget the punishment for using james@tappin.me.uk -- \/` Microsoft --- Something lingering http://www.tappin.me.uk/ with data loss in it I fancy"  1,, Summary-line: 26-Nov PSternenberg@aol.com [33] #Directors' notes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 10:02:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQF2d6I004234; Wed, 26 Nov 2003 10:02:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAQF0YM2013512 for ; Wed, 26 Nov 2003 10:00:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQExgTJ024648; Wed, 26 Nov 2003 09:59:42 -0500 (EST) Date: Wed, 26 Nov 2003 09:59:42 -0500 (EST) Message-Id: <4E6A3F51.5209989E.29A7E90B@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Directors' notes MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 09:59:42 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Directors' notes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > And this brings up one of my pet peeves -- > directors who continue to > give notes after a show goes up. > I mean specific notes, not just a > general admonition to "project" or > "remember to wait for laughs". IMHO, > on opening night, directors should turn > to their casts and say "It's yours now." I'm sorry, but if I understand this correctly, I can't agree with it. In Ridgewood we frequently get notes after performances are under way, usually in the brushup rehearsals. They make complete sense, because (a) mistakes, minor deviations, or general points of sloppiness might have crept in (or never disappeared), and they should be corrected, and/or (b) something that made directorial sense during rehearsals might not have worked as well as expected, or someone saw a way to make something already good even better. I'm talking both stage and music for all of this. The point is that performances, like rehearsals, can be a learning process. Now, if Mary objects to being given notes two minutes after the curtain falls on an otherwise enjoyable experience, then I see her point. Let the cast enjoy themselves and talk to them after a respectable period has elapsed. I could also see a problem with directors who suggest changes becuase they can't seem to make up their mind. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 26-Nov cwoods@iastate.edu [31] #Long-lived companies X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 10:04:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQF4G6K005105; Wed, 26 Nov 2003 10:04:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAQF0igB023777 for ; Wed, 26 Nov 2003 10:00:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQF0BTJ024752; Wed, 26 Nov 2003 10:00:11 -0500 (EST) Date: Wed, 26 Nov 2003 10:00:11 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Long-lived companies content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 10:00:11 -0500 (EST) Reply-To: cwoods@iastate.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Woods, Clive" To: Multiple recipients of list SAVOYNET Subject: Long-lived companies content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Gurney's Bank [TbJ] (still in Norwich I believe, though now bought by one of the biggies) Sally Lunn's [Sorc] (still in Bath) Clive Woods > Just a silly game, let's try to collect up companies > mentioned in the Operas (or in the Bab Ballads?) which still exist. > > The obvious ones to start with: > Pickfords, [Iolanthe] > Coutts Bank [Gondoliers] > Barings [Iolanthe] (I think they survived the Leeson affair > in some form). Rothschilds [Iolanthe, Utopia]  1,, Summary-line: 26-Nov mstorie@nwlink.com [70] #Re: Pet peeve - question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 12:59:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQHxo6I027948; Wed, 26 Nov 2003 12:59:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAQHvJsD005182 for ; Wed, 26 Nov 2003 12:57:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQHu2TJ008093; Wed, 26 Nov 2003 12:56:02 -0500 (EST) Date: Wed, 26 Nov 2003 12:56:02 -0500 (EST) Message-Id: <3FC4BA89.E8DF211@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 12:56:02 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mary Finn wrote: And this brings up one of my pet peeves -- directors who continue to give notes after a show goes up. I mean specific notes, not just a general admonition to "project" or "remember to wait for laughs". IMHO, on opening night, directors should turn to their casts and say "It's yours now." But of course, said cast should be professional enough in their approach not to consider that as license to suddenly start doing things differently. Absolutely not! On opening night, the Director does "officially" turn the show over to the Stage Manager and says "It's your show now." The stage manager is fully authorized to give notes and call pick up rehearsals (for either ensembles or the entire cast) at any time during the 12 show run. If there is fight choreography there is always a rehearsal before each show and also if the dance choreography is at all complicated. Similarly the orchestra gets notes and a warm-up practice of any problem areas before each show. Our former Artistic Director (35 years on the job) attended every performance and then either he or the Production Manager gave notes before the vocal warm-up at each performance. More recently the Stage Directors have attended only a few performances unless called in by the Stage Manager for some specific problem. Now the Producer attends every performance, sitting in different sections (balcony, front row, far corners, etc.) to check sound balance, sight lines, theater temperature, and any other potential problems. He gives notes to the Stage Manager as well as to the stage crew (the curtain is taking too long to drop after the SMs queue, or the Xebeque is coming in too far, etc.) and to the sound designer who also attends each performance since the sound tends to change depending on the size of the audience. Also effects such as smoke and mist (CO-2) will vary depending on temperature and humidity. Of course, my hidden agenda in attending all of the rehearsals and all of the shows is that we have an excellent performing company and standing where you can hear the four part harmony live provides a real G&S fix. It gives one the advantage of being able to single out a given performer and watch that person through the whole show. It is very instructive. It also points out "upstaging" tendencies. I jokingly refer to the run of the show as "Auditions for next year, Phase I." Typically, there is a short review with the theater crew of each performance after the theater is empty (about 11:30PM) to go over anything that didn't work or anything that needs fixing technically (Adjust the shock absorbers on the gondola before tomorrow's matinee). Then we close down the front house, lock the dressing room doors and join the rest of the cast at the pub to hoist a few, with the satisfying feeling that our duty has been done. Mike Storie  1,, Summary-line: 26-Nov mgillett@umich.edu [47] #Shameless plug: Ruddigore in Ann Arbor (UMGASS) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 14:22:09 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQJM46I016573; Wed, 26 Nov 2003 14:22:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAQJFEK0019283 for ; Wed, 26 Nov 2003 14:15:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQJBnTJ012160; Wed, 26 Nov 2003 14:11:49 -0500 (EST) Date: Wed, 26 Nov 2003 14:11:49 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Shameless plug: Ruddigore in Ann Arbor (UMGASS) MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031126101651.04a3a138@taurus.lunarpages.com> X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 14:11:49 -0500 (EST) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Shameless plug: Ruddigore in Ann Arbor (UMGASS) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.0.20031126101651.04a3a138@taurus.lunarpages.com> X-Spam-Score: -0.1 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Im not in it, but my brother-in-Law is directing (and his wife choreographing). They're using the Oxford press vocal scores, so there will be some suprises for some audience members (By the Curse upon our race, for one!). It is a bit of a concept production as Jason (director) is a graduate of the film program, and felt the show had a great deal in common with the great Universal horror films of the 30's (James Whale's sly humor in Frankenstein and Bride of, The Old Dark House, etc) and so is presenting it in hommage, as it were (no, no Karloff, Lugosi, or Lorre imitations, just the mise en scene, in my bad french). Don't let this scare you away, as it is otherwise a traditional affair, no porkpie, and characters well thought out. He was a G&S chorus memeber for 10 years, so he some respect for the genre. Me thinks I protest too much.... ;-) Check out the Poster at www.umich.edu/~mgillett/ruddigore.jpg It goes up Dec 4 - 7, with 2:00 matinees on Dec 6&7. Tickets range from $14 to $20 for more info you can go to www.umgass.org Hey, I have to push it, he was my assistant director when I directed PATIENCE, and in a moment of creative loss on my part devised one of the better bits of blocking and dance in the show. :-) Now my sister-in-law won't beat me up..... Mitch Gillett Ann Arbor, Mi  1,, Summary-line: 26-Nov andi_s_r@yahoo.com [55] #Re: Pet peeve - question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 14:40:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQJeD6I027300; Wed, 26 Nov 2003 14:40:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAQJbukD026322 for ; Wed, 26 Nov 2003 14:37:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAQJb6TJ014699; Wed, 26 Nov 2003 14:37:06 -0500 (EST) Date: Wed, 26 Nov 2003 14:37:06 -0500 (EST) Message-Id: <20031126191753.47890.qmail@web10805.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3FC4BA89.E8DF211@nwlink.com> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 14:37:06 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <3FC4BA89.E8DF211@nwlink.com> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A big "us, too" to Mike Storie's post. A show is *never* turned over to a cast. The production staff, however that may be constituted, is responsible for it all the way to the final curtain (well, actually, until the last performer is out of the building and the stage is bare). Specific procedures may vary from company to company, but the giving of notes during the relatively short runs of a G&S show is certainly standard practise at the professional level, whether delivered verbally and individually (as is usually done with principals) or posted on the same board as the sign-in sheet (common for chorus or whole-company notes). NYGASP does several of the other things Mike mentioned as s.o.p., too--fight sequences and any business that involves throwing something are rehearsed before every performance, dance routines may be called for review and detail cleanup, etc. And yes, we give notes right down to the beginning of the final performance. The audience that attends the final performance is paying the same amount of money as the audience that attends any other performance, and they are entitled to a show that is as clean and polished as we can make it. Leaving a show to the performers, without continued supervision from eyes "out front" that see the whole picture, is like doing a show with an orchestra and stage performers without a conductor. If they all know the material they'd get through it pretty well, but there would be a quantity of details that weren't really sharp and coordinated. Not to mention the insidious tendency of performers to evolve "improvements" that aren't, and which need to be excised with a firm hand! ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 26-Nov ricamb@earthlink.net [20] #It's official! We're moving! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 18:53:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAQNrG6I026439; Wed, 26 Nov 2003 18:53:16 -0500 (EST) Received: from albatross.mail.pas.earthlink.net (albatross.mail.pas.earthlink.net [207.217.120.120]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAQNrGi1024505 for ; Wed, 26 Nov 2003 18:53:16 -0500 (EST) Received: from dialup-67.31.29.64.dial1.newyork1.level3.net ([67.31.29.64]) by albatross.mail.pas.earthlink.net with esmtp (Exim 3.33 #1) id 1AP9Sa-0007nZ-00; Wed, 26 Nov 2003 15:52:41 -0800 User-Agent: Microsoft-Entourage/9.0.2509 Date: Wed, 26 Nov 2003 18:52:50 -0500 Subject: It's official! We're moving! From: Rica Mendes-Barry To: Rica Mendes Barry Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 18:52:50 -0500 Subject: It's official! We're moving! From: Rica Mendes-Barry To: Rica Mendes Barry X-Spam-Score: 1.8 X-Spam-Level: * (1.8) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ok, folks... On Friday, December 5th, the kids and I are moving to a new place! Please note the new address: 6 Brookside Trail South Salem, NY 10590 New phone number to follow... --------- Rica Mendes-Barry ricamb@earthlink.net  1,, Summary-line: 26-Nov deebee@connexus.net.au [76] #Re: Pet peeve - question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 20:55:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAR1tK6I004850; Wed, 26 Nov 2003 20:55:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAR1t9R2017383 for ; Wed, 26 Nov 2003 20:55:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAR1sSTJ026687; Wed, 26 Nov 2003 20:54:28 -0500 (EST) Date: Wed, 26 Nov 2003 20:54:28 -0500 (EST) Message-Id: <3FC554B6.2000605@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 26 Nov 2003 20:54:28 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.1 X-Spam-Level: ** (2.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I confess I am amazed that people do not expect notes between performances or think the director's job is at an end on first night. Even in pro theatre, where the director is not usually in attendance during the run of performances, there is always a resident director or SM entrusted to watch the standard of performance and keep it up to scratch. When I direct I always say, as we get to the first rehearsal in the theatre, that at this point the running of the show is now in the hands of the SM, whose word is law. But that I never hand over artistic control and will be giving notes as needed. Of course the MD is also entitled to give notes when he (I haven't yet worked with a female MD) wants. Given the best will in the world, what has been planned doesn't always work with an audience and adjustments are sometimes necessary after the first night. In addition some people react to audiences by enlarging their performances and thus putting carefully worked out action out of balance. Sometimes a bright idea for improvement will strike me and I'll ask a performer how s/he feels about introducing a bit of business. These are not the norm, usually it is just a matter of keeping up the morale and making sure the "second night syndrome" doesn't kick in and of course saying "well done" for the performance which has concluded. The timing of notes is important. Anything but positive ones are not best given after the curtain has come down - people need a time to enjoy what they have just done and given too close to curtain up time doesn't give people time to assimilate them. Apart from the MD and SM, I do not encourage anyone else to give notes whether it is during rehearsals or after the run has commenced. For one thing, the cast have to build up their confidence and too early notes can inhibit this. A director should know when to give directions to the cast, other people may not. I have asked that people not comment on the rehearsals but it is impossible to stop completely. OTOH pianist (when the MD has not been at a rehearsal) have said "they are singing the wrong notes" and I am always grateful. Production ceases while the cast gather round the piano to get the music right, then they can concentrate on the movements. There have been times when I have bitten my tongue at what seems to me absurd direction and gone through agonies of not saying anything. It is hard when you see friends moving towards what looks like a disaster but it is still not my place to interfere. Diana Burleigh  1,, Summary-line: 26-Nov kimmerie@comcast.net [206] #Fw: this is wonderful & funny! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 26 Nov 2003 21:27:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAR2RY6I014117; Wed, 26 Nov 2003 21:27:34 -0500 (EST) Received: from sccrmhc12.comcast.net (sccrmhc12.comcast.net [204.127.202.56]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAR2RTR2004207; Wed, 26 Nov 2003 21:27:29 -0500 (EST) Received: from sccrmhc12.comcast.net (localhost[127.0.0.1]) by comcast.net (sccrmhc12) with ESMTP id <200311270227290120043926e>; Thu, 27 Nov 2003 02:27:29 +0000 X-Comment: AT&T Maillennium special handling code - c Received: from Kimmerie (h00045afd1c4c.ne.client2.attbi.com[24.218.38.236]) by comcast.net (sccrmhc12) with SMTP id <2003112702214101200r86ote>; Thu, 27 Nov 2003 02:21:42 +0000 X-Comment: AT&T Maillennium special handling code - c Message-ID: <045101c3b48d$3081d7b0$6501a8c0@Kimmerie> From: "Kimmerie H.O .Jones" To: Subject: Fw: this is wonderful & funny! Date: Wed, 26 Nov 2003 21:21:28 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_044E_01C3B463.4169A370" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Comment: AT&T Maillennium special handling code - c X-Comment: AT&T Maillennium special handling code - c From: "Kimmerie H.O .Jones" To: Subject: Fw: this is wonderful & funny! Date: Wed, 26 Nov 2003 21:21:28 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_044E_01C3B463.4169A370 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable You Better Watch Out November 26, 2003 By HARVEY FIERSTEIN According to legend, New York lore and two major Hollywood flicks, Macy's Santa is the real deal. And tomorrow, to the delight of millions of little children (not to mention the Massachusetts Supreme Judicial Court), the Santa in New York's great parade will be half of a same-sex couple. And guess who the other half will be? Me! Harvey Fierstein, nice Jewish boy from Bensonhurst, dressed in holiday finery portraying the one and only Mrs. Claus. Won't America get a kick out of that? But what if Santa really was gay? Could there be a another Mr. Claus? Would those grinches who, as we speak, are fashioning legislation to deny marriage to gay and lesbian Americans make an exception for the jolly old soul? What has Santa ever done except bring joy and gifts to all? Just the sight of his face is enough to bring a smile to the Scroogiest of politicians. Would his gifts of love and goodwill be answered with exclusion and derision? The answer, history tells us, is "of course." Consider the Americans who have rained nothing but glory on our nation. Think about the magnificent works of Walt Whitman, James Baldwin and Hart Crane. They're just a handful of writers who shaped the American vision and yet could not achieve full citizenship because they were homosexual. How many wedding parties have walked down the aisle to the music of Virgil Thompson, Stephen Sondheim, Jerry Herman or Aaron Copland? Yes, we get to provide the music, but we are not allowed to get married ourselves. The next time you stand, hand on your heart, and sing "America the Beautiful," remind yourself that we owe those towering words to Katharine Lee Bates, a lesbian. Remind yourself, too, of the Rev. Mychal F. Judge, the fire department chaplain who was killed on September 11. There was hardly a religious leader in our city who did not glorify his name and hold him up as someone to emulate. But remind them that he was a proud and openly gay man and those same moralists will turn their backs in denial. The unhappy tradition continues today. The Bush administration spends billions spreading freedom abroad while at home it devises legislation to deny equal rights to gays and lesbians. What is it with you people, anyway? Are you so insecure about the way you handle marriage that you're scared gay folk will show you up? Trust me, we will make as much of a mess out of matrimony as you do. Just give us a chance. In the end all I can say is this: If I really was Santa's life partner, you can believe that he would ask and I would tell about who has been naughty or nice on this issue. Still, as we approach the holiday season I'd like to imagine that fear and bigotry will not prevail in this land. Maybe this holiday season we can toss out some of the intolerance that nests in our hearts and make room for more love and acceptance. Of course, there will be those who say, Santa Claus lives near Canada and isn't even an American. To them I reply, neither is anyone who would deny a person full citizenship because of whom he or she loves. Besides, we've been looking at a time share on the Cape. Happy holiday and remember to wave to me on my float. I'll be the man in the big red dress. Harvey Fierstein won the 2003 Tony Award for his performance in "Hairspray." ------=_NextPart_000_044E_01C3B463.4169A370 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 


You Better Watch Out

November 26, = 2003
  By=20 HARVEY FIERSTEIN

According to legend, New York lore and two major = Hollywood
flicks, Macy's Santa is the real deal. And tomorrow, to=20 the
delight of millions of little children (not to mention=20 the
Massachusetts Supreme Judicial Court), the Santa in New
York's = great=20 parade will be half of a same-sex couple.

And guess who the other = half=20 will be? Me! Harvey Fierstein,
nice Jewish boy from Bensonhurst, = dressed in=20 holiday finery
portraying the one and only Mrs. Claus.

Won't = America=20 get a kick out of that? But what if Santa
really was gay? Could there = be a=20 another Mr. Claus? Would
those grinches who, as we speak, are = fashioning=20 legislation
to deny marriage to gay and lesbian Americans make=20 an
exception for the jolly old soul? What has Santa ever = done
except bring=20 joy and gifts to all? Just the sight of his
face is enough to bring a = smile=20 to the Scroogiest of
politicians. Would his gifts of love and = goodwill=20 be
answered with exclusion and derision?

The answer, history = tells us,=20 is "of course." Consider the
Americans who have rained nothing but = glory on=20 our nation.
Think about the magnificent works of Walt Whitman,=20 James
Baldwin and Hart Crane. They're just a handful of = writers
who shaped=20 the American vision and yet could not achieve
full citizenship = because they=20 were homosexual. How many
wedding parties have walked down the aisle = to the=20 music of
Virgil Thompson, Stephen Sondheim, Jerry Herman or = Aaron
Copland?=20 Yes, we get to provide the music, but we are not
allowed to get = married=20 ourselves. The next time you stand,
hand on your heart, and sing = "America the=20 Beautiful,"
remind yourself that we owe those towering words = to
Katharine=20 Lee Bates, a lesbian.

Remind yourself, too, of the Rev. Mychal F. = Judge,=20 the fire
department chaplain who was killed on September 11. = There
was=20 hardly a religious leader in our city who did not
glorify his name = and hold=20 him up as someone to emulate. But
remind them that he was a proud and = openly=20 gay man and
those same moralists will turn their backs in = denial.

The=20 unhappy tradition continues today. The Bush
administration spends = billions=20 spreading freedom abroad
while at home it devises legislation to deny = equal=20 rights
to gays and lesbians. What is it with you people, = anyway?
Are you=20 so insecure about the way you handle marriage that
you're scared gay = folk=20 will show you up? Trust me, we will
make as much of a mess out of = matrimony=20 as you do. Just
give us a chance.

In the end all I can say is = this: If=20 I really was Santa's
life partner, you can believe that he would ask = and I=20 would
tell about who has been naughty or nice on this = issue.
Still, as we=20 approach the holiday season I'd like to
imagine that fear and bigotry = will=20 not prevail in this
land. Maybe this holiday season we can toss out = some of=20 the
intolerance that nests in our hearts and make room for = more
love and=20 acceptance.

Of course, there will be those who say, Santa Claus=20 lives
near Canada and isn't even an American. To them I = reply,
neither is=20 anyone who would deny a person full citizenship
because of whom he or = she=20 loves. Besides, we've been
looking at a time share on the Cape. Happy = holiday=20 and
remember to wave to me on my float. I'll be the man in the
big = red=20 dress.

Harvey Fierstein won the 2003 Tony Award for = his
performance in=20 "Hairspray." ------=_NextPart_000_044E_01C3B463.4169A370--  1,, Summary-line: 27-Nov chris@sounds-on-cd.co.uk [23] #RE: Alfred Drake's TV Yeomen (on DVD?) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 27 Nov 2003 06:53:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hARBrt6I013720; Thu, 27 Nov 2003 06:53:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hARBrsgv003585 for ; Thu, 27 Nov 2003 06:53:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hARBrQTJ029846; Thu, 27 Nov 2003 06:53:26 -0500 (EST) Date: Thu, 27 Nov 2003 06:53:26 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Alfred Drake's TV Yeomen (on DVD?) MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11c.28adb112.2cf65ae5@aol.com> X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 27 Nov 2003 06:53:26 -0500 (EST) Reply-To: chris@sounds-on-cd.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Chris Webster" To: Multiple recipients of list SAVOYNET Subject: RE: Alfred Drake's TV Yeomen (on DVD?) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11c.28adb112.2cf65ae5@aol.com> X-Spam-Score: 0.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've just had a reply from John Kroner who helped us with the Yeomen videos. Unfortunately he hasn't got the equipment yet to make DVD copies, and he's extremely busy with other things at the moment anyway, but he'll let me know if the situation changes. Regards Chris.  1,, Summary-line: 27-Nov sandham@tiscali.co.uk [46] #Sad News from St.Mary's X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 27 Nov 2003 08:57:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hARDvN6I003173; Thu, 27 Nov 2003 08:57:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hARDvLEc012345 for ; Thu, 27 Nov 2003 08:57:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hARDurTJ001100; Thu, 27 Nov 2003 08:56:53 -0500 (EST) Date: Thu, 27 Nov 2003 08:56:53 -0500 (EST) Message-Id: <3FC6001D.000003.40391@athlon> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Sad News from St.Mary's MIME-Version: 1.0 Content-Type: Text/Plain Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: IncrediMail (2001184) X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 27 Nov 2003 08:56:53 -0500 (EST) Reply-To: sandham@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Sandham" To: Multiple recipients of list SAVOYNET Subject: Sad News from St.Mary's X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been asked to pass on the following message from Andrea Atherton - the producer of the wonderful productions from St. Mary's School which were such an integral part of the Buxton Festivals:- "We have suffered a devastating loss with the death of Steven Blears, our Jack Point" in Yeomen. Steven lost his brave two year battle with Leukaemia on Tuesday the 11th November. We celebrated Steven's life through our production of West Side Story the following week, with Steven's brother, Barry, taking one of the main roles. The whole experience showed what a very close and caring community our school production team is as students and staff past and present joined together to sing at Steven's funeral. I would like to thank those people who have supported us through the years and hope that they remember Steven and his performance in Buxton. It was one of our happiest times and we are grateful that Steven had the opportunity to share his talents with a wider audience. There are members of SavoyNet who have been in contact with us, but as I have changed my e-mail address and cannot subscribe to SavoyNet I have been unable to share our sad news with them. The Smith family have given many people opportunities that they would otherwise not have had and we have been fortunate to be part of something which has had some very special moments for us. We particularly remember the intelligence and integrity of David Turner who always recognised how special our students were, and who gave Steven his special award." Andrea's e-mail is ama100@lycos.co.uk David There are details of the Buxton productions by St. Mary's on my website (12th August 2002, 19th August 2000) www.savoyopera.co.uk  1,, Summary-line: 27-Nov jweiss@MIT.EDU [116] #Theresa M Regan: Spam Screening @ MIT: SpamAssassin's software version schedule for upgrade X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 27 Nov 2003 18:59:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hARNxq6I022775; Thu, 27 Nov 2003 18:59:52 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id hARNxgAp012805 for ; Thu, 27 Nov 2003 18:59:42 -0500 (EST) Received: from distraction.mit.edu (pcp05307496pcs.wanarb01.mi.comcast.net [68.42.71.156]) (authenticated bits=56) (User authenticated as jweiss@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hARNxfGT012439 for ; Thu, 27 Nov 2003 18:59:42 -0500 (EST) Received: (from jweiss@localhost) by distraction.mit.edu (8.12.9) id hARNxfgV012988; Thu, 27 Nov 2003 18:59:41 -0500 Message-Id: <200311272359.hARNxfgV012988@distraction.mit.edu> From: Jonathon Weiss To: sipb-office@MIT.EDU Subject: Theresa M Regan: Spam Screening @ MIT: SpamAssassin's software version schedule for upgrade Date: Thu, 27 Nov 2003 18:59:41 -0500 Sender: jweiss@MIT.EDU X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Jonathon Weiss To: sipb-office@MIT.EDU Subject: Theresa M Regan: Spam Screening @ MIT: SpamAssassin's software version schedule for upgrade Date: Thu, 27 Nov 2003 18:59:41 -0500 Sender: jweiss@MIT.EDU X-Spam-Score: -3.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It was pointed out to me that sipb SIPB folks never saw this announcement. Jonathon ------- Forwarded Message Mime-Version: 1.0 (Apple Message framework v606) Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Message-Id: <789C7BA8-1AFA-11D8-8B8E-000A95788FA2@mit.edu> Content-Transfer-Encoding: 7bit Cc: Financial Services , Theresa M Regan , Information Systems From: Theresa M Regan Subject: Spam Screening @ MIT: SpamAssassin's software version schedule for upgrade Date: Wed, 19 Nov 2003 20:40:07 -0500 To: IT-Partners X-Mailer: Apple Mail (2.606) Date: November 19th, 2003 To: IT-Partners From: Information Systems Subject: Spam Screening @ MIT: SpamAssassin's software version schedule for upgrade - --------------- Information Systems reminds the Community that MIT Spam Screening is a service readily available to all colleagues who receive their e-mail via the MIT Mail System. All e-mail received by the post office servers (po9, po10, po11, po12, po14) is scored for the "likelihood" of unwanted junk mail, often referenced as spam mail. The handling of e-mail scored as "spam" varies depending upon one's e-mail client and tailored configuration. The upcoming software upgrades are focused on the post office servers with no direct impact on desktop spam filter settings or servers setting. MIT colleagues who receive their e-mail via the MIT Mail System will benefit immediately. Now, may be an opportune time to remind your Departments and staff about MIT's Spam Screening service. Further information is available at: Information Systems will stage the upcoming upgrade to our Spam Screening implementation. MIT's Spam Screening package, SpamAssassin, performs a series of tests on incoming e-mail message, scores it according to a set of criteria indicating the probability an e-mail message may be spam. The upgrade will include: * Upgrade to SpamAssassin version 2.60 * Addition of a learning Bayesian filter based on the algorithms described at and * Ability for IMAP users to train the Bayesian filter to correctly identify messages it misidentifies Training the Bayesian filter with mail you received which was not identified as Spam simply requires you to move the message to your Spamscreen folder. Each night the post office will learn from the messages you place there, and it will help correctly identify these messages in the future. * Addition of a variety of new internet blacklists for checking e-mail relays used in sending messages * Various bug fixes and enhancements to keep up with the adaptations of spammers Internal testing of this Spam Screening implementation shows an increase in correctly identifying of unwanted e-mail by 20%. Each Post Office server will be upgraded at 1am on the following schedule: po12.mit.edu on Tuesday, November 25th po14.mit.edu on Friday, November 28th po9.mit.edu on Sunday, November 30th po10.mit.edu on Tuesday, December 2nd po11.mit.edu on Thursday, December 4th MIT Services Status website, 3DOWN, , will be updated during these software upgrades. In closing, our thanks to everyone who has assisted with introducing MIT Spam Screening to their Departments and colleagues. As we continue to hear of the large volume of spam e-mail, daily and estimate that 25% of the e-mail received at MIT is spam, please assist us by ensuring that all colleagues are aware and participating in this service. More complete information about MIT Spam Screening is available at: ------- End of Forwarded Message  1,, Summary-line: 28-Nov lauriebrot@cox.net [32] #Re: Pet peeve - question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Nov 2003 00:36:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAS5ai6I018931; Fri, 28 Nov 2003 00:36:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAS5ahSt026945 for ; Fri, 28 Nov 2003 00:36:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAS5ZoTJ007749; Fri, 28 Nov 2003 00:35:50 -0500 (EST) Date: Fri, 28 Nov 2003 00:35:50 -0500 (EST) Message-Id: <012801c3b56e$67a80340$c55c0944@ri.cox.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lauriebrot@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "laurie weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 28 Nov 2003 00:35:50 -0500 (EST) Reply-To: lauriebrot@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "laurie weissbrot" To: Multiple recipients of list SAVOYNET Subject: Re: Pet peeve - question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ought I to tell him/her? The principal? (who may take >offense) the director? (who may not welcome this interference in his >domain). Advice please! Bless you, it all depends! Mostly on the person making the error, but also on the stage in rehearsal. During the early stages of rehearsal, I'll mention it to the performer. During tech week, I'll mention it ONLY if the performer is one who is not likely to get rattled. In our recent Gondoliers, during tech week I mentioned to the Duke ( a member of this list) that he was singing "BUT at 21 she's excelled by none," which changes the meaning subtly. He never missed it again after that. Laurie  1,, Summary-line: 28-Nov mab@mabfan.com [31] #Worldcon and Star Wars X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 28 Nov 2003 08:34:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hASDY46I006541; Fri, 28 Nov 2003 08:34:04 -0500 (EST) Received: from TheWorld.com (pcls1.std.com [192.74.137.141]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hASDY3Xi022429 for ; Fri, 28 Nov 2003 08:34:03 -0500 (EST) Received: from [69.38.146.29] (pip1-5.std.com [192.74.137.185]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id hASDXwSd008396 for ; Fri, 28 Nov 2003 08:33:59 -0500 Mime-Version: 1.0 X-Sender: mab@pop.theworld.com Message-Id: Date: Fri, 28 Nov 2003 08:32:17 -0500 To: opus@mit.edu From: "Michael A. Burstein" Subject: Worldcon and Star Wars Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mab@pop.theworld.com Date: Fri, 28 Nov 2003 08:32:17 -0500 To: opus@mit.edu From: "Michael A. Burstein" Subject: Worldcon and Star Wars X-Spam-Score: 0.5 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave, I don't know if you're aware of this yet, but the 2004 World Science Fiction Convention is going to be in Boston. Programming is interested in knowing if it might be possible to bring some of Star Wars: Musical Edition to the convention, and they asked me to get in touch with you since you're the only one I know involved. Who should I contact? On a personal note, I've heard rumors that a libretto or CD might be released soon. Any idea if this is true? Best, Michael -- Michael A. Burstein mab@mabfan.com (preferred) mab@theworld.com (alternate) mab@sff.net (if others bounce) http://www.mabfan.com  1,, Summary-line: 29-Nov paul@pnhmrk.freeserve.co. [70] #Updates to G&S Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Nov 2003 02:30:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAT7U66I007818; Sat, 29 Nov 2003 02:30:06 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAT7U5QV015566 for ; Sat, 29 Nov 2003 02:30:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAT7TiTJ022055; Sat, 29 Nov 2003 02:29:44 -0500 (EST) Date: Sat, 29 Nov 2003 02:29:44 -0500 (EST) Message-Id: <001101c3b648$d1689b20$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Updates to G&S Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Nov 2003 02:29:44 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Updates to G&S Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jim Farron has been very busy this month updating the Gilbert and Sullivan Archive. Recent additions are: Haddon Hall Web Opera - We are now adding our 20th Web Opera, this one created by Paul Howarth. Haddon Hall was written by Sydney Grundy with music by Sir Arthur Sullivan. It opened at the Savoy Theatre on September 24, 1892. With both MIDI and MIDI Karaoke files, this Web Opera is an excellent way to become acquainted with this seldom performed opera. For people interested in performing songs from this opera, there is also a set of Noteworthy files which can be printed off as a score. Updated November 28, 2003 Expanded Biography of Frank Desprez - We have posted a much more complete biography of Frank Desprez. Mr. Desprez was a good friend of Richard D'Oyly Carte and wrote several one act pieces for the Savoy as well as the two-act opera The Nautch Girl. Added November 24, 2003 Extensively Revamped The Foresters Web Opera - We now have a revised Web Opera, complete vocal score, and MIDI Karaoke files of Alfred Tennyson's verse play The Foresters, subtitled Robin Hood and Maid Marian. Tennyson wrote this play at the request of the America theatre manager Augustin Daly in 1892, when he was 82 years old. Daly, who had met Sullivan in California, asked him to write the music and Sullivan duly composed the nine short numbers which comprise the score. Paul Howarth provided the MIDI files and vocal score, and the redecorated pages, and Colin Johnson provided the MIDI Karaoke files. Added November 14, 2003 List of Professional Opera Companies that Perform G&S - We have added a list of professional opera companies worldwide that perform Gilbert and Sullivan operas on a more or less regular basis. This list was prepared by Samuel Silvers. Added November 13, 2003 Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 29-Nov awrobins@yahoo.com [35] #Re: Updates to G&S Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Nov 2003 11:07:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hATG7A6I002827; Sat, 29 Nov 2003 11:07:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hATG7ABG013000 for ; Sat, 29 Nov 2003 11:07:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hATG6iTJ024064; Sat, 29 Nov 2003 11:06:44 -0500 (EST) Date: Sat, 29 Nov 2003 11:06:44 -0500 (EST) Message-Id: <20031129160425.4173.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Updates to G&S Archive MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3b648$d1689b20$0900000a@oemcomputer> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Nov 2003 11:06:44 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Re: Updates to G&S Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3b648$d1689b20$0900000a@oemcomputer> X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Many thanks to Jim for all his work, and to Paul Howarth, Colin Johnson, and all the other contributors. I have just been enjoying the Haddon Hall MIDI files. I was especially pleased to be able to hear the music for His Excellency at http://www.halhkmusic.com/excellency.html thanks to Colin; I have always liked the libretto (it's too long and not much happens in Act II, but it's funny and well written), and I was glad finally to hear Osmond Carr's music. It may not be in Sullivan's league, but I like a lot of it very much, and hope someday His Excellency will be staged with the original music. Arthur Robinson __________________________________ Do you Yahoo!? Free Pop-Up Blocker - Get it now http://companion.yahoo.com/  1,, Summary-line: 29-Nov il011f4251@blueyonder.co. [65] #Re: Haddon Hall and augurs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Nov 2003 13:10:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hATIAX6I007751; Sat, 29 Nov 2003 13:10:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hATIAWCt006665 for ; Sat, 29 Nov 2003 13:10:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hATIABTJ024762; Sat, 29 Nov 2003 13:10:11 -0500 (EST) Date: Sat, 29 Nov 2003 13:10:11 -0500 (EST) Message-Id: <000c01c3b6a0$e69a4b80$bf4c2952@idealpc> Errors-To: savoynet-owner@bridgewater.edu Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Haddon Hall and augurs MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Nov 2003 13:10:11 -0500 (EST) Reply-To: il011f4251@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ian Lawson" To: Multiple recipients of list SAVOYNET Subject: Re: Haddon Hall and augurs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 2.2 X-Spam-Level: ** (2.2) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I sang Rupert on the CD produced a couple of years ago by Prince Consort and regret I could never discover what this bit of the song was about!! Nice to know there may have been some meaning in it. ----- Original Message ----- From: "Arthur Robinson" To: "Multiple recipients of list SAVOYNET" Sent: Friday, November 21, 2003 7:48 PM Subject: Haddon Hall and augurs > > --- Adam Cuerden wrote: > > > Haddon Hall: A wonderful, wonderful opera, but > > there's just a bit of a lack > > of something in the lyrics. Take: > > > > I've heard it said > > > > The example comes out of > > nowhere, and has very little relationship to the > > rest of the song except > > that it involves augurs. (what's the point of all > > the description of how > > they greeted each other?) > > I could have answered this a few years ago. I was > reading something in Latin (I think by Cicero, quoting > Cato) and thought "Ah, THAT'S what that song in Haddon > Hall meant!" I don't remember where I found this > (Cicero's De divinatione, maybe? - Maybe another > Savoynetter knows?), but as I recall Cato said he was > surprised two augurs could meet without breaking out > laughing. The point (I think) is that the augurs were > hypocrites or at least humbugs, and so are the > Puritans Rupert is addressing. > > Arthur Robinson > > > > __________________________________ > Do you Yahoo!? > Free Pop-Up Blocker - Get it now > http://companion.yahoo.com/ >  1,, Summary-line: 29-Nov scottlfarrell@yahoo.com [53] #Re: Updates to G&S Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Nov 2003 13:35:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hATIZZ6I015547; Sat, 29 Nov 2003 13:35:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hATIZYt2016463 for ; Sat, 29 Nov 2003 13:35:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hATIZETJ025040; Sat, 29 Nov 2003 13:35:14 -0500 (EST) Date: Sat, 29 Nov 2003 13:35:14 -0500 (EST) Message-Id: <20031129181509.14884.qmail@web40910.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Updates to G&S Archive MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3b648$d1689b20$0900000a@oemcomputer> X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Nov 2003 13:35:14 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Updates to G&S Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3b648$d1689b20$0900000a@oemcomputer> X-Spam-Score: 3.1 X-Spam-Level: *** (3.1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --- Paul wrote: For people > interested in performing songs from this opera, > there is also a set of > Noteworthy files which can be printed off as a > score. Paul, I'm glad you brought that up because it has reminded me of a comment I had about this score but I never said anything about it. This version that's available for printing is trash. Noteworthy has left all the empty staves (mostly soloists) all over the pages and they do not delete when they are blank, making the opening number over 100 pages, when it should be closer to 30. It's quite wasteful for paper and makes it hard to read and follow with the music. I don't remember who posted it (hence the reason for using the Listserv for this), but this really should have been corrected before it was put on the Archive. ===== Scott Farrell "Nothing is more vulgar than enthusiasm" -- W.S. Gilbert, PRINCESS TOTO. scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________ Do you Yahoo!? Free Pop-Up Blocker - Get it now http://companion.yahoo.com/  1,, Summary-line: 29-Nov paul@pnhmrk.freeserve.co. [46] #Haddon Hall Score on the Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 29 Nov 2003 14:25:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hATJPa6I000789; Sat, 29 Nov 2003 14:25:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hATJPZ9L029004 for ; Sat, 29 Nov 2003 14:25:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hATJP0TJ025428; Sat, 29 Nov 2003 14:25:00 -0500 (EST) Date: Sat, 29 Nov 2003 14:25:00 -0500 (EST) Message-Id: <002301c3b6ac$12198b80$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Haddon Hall Score on the Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 29 Nov 2003 14:25:00 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Haddon Hall Score on the Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 1 X-Spam-Level: * (1) X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I take great exception to this score being described as "trash". The Noteworthy Score was produced by Colin Johnson, whose work is always of the highest standard, totally accurate - and neatly laid out. There is a problem with Noteworthy in that it does not allow for the removal of staves within the system which are not in use on that page. However, Haddon Hall scores are fairly difficult to come by, and the score as presented on the archive would - with a little work by the user - be quite sufficient for a satisfactory performance. Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 30-Nov wicken@animail.net [45] #Wardrobe policy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 05:16:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAUAGWK7018448; Sun, 30 Nov 2003 05:16:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAUAGW5t013102 for ; Sun, 30 Nov 2003 05:16:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAUAGCTJ000266; Sun, 30 Nov 2003 05:16:12 -0500 (EST) Date: Sun, 30 Nov 2003 05:16:12 -0500 (EST) Message-Id: <64D88022539AA754BAB0F7E8172874A7@wicken.animail.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wicken@animail.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Denise Wicken" To: Multiple recipients of list SAVOYNET Subject: Wardrobe policy Content-Type: text/plain; charset=iso-8859-1 Mime-Version: 1.0 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Web Based Pronto X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 05:16:12 -0500 (EST) Reply-To: wicken@animail.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Denise Wicken" To: Multiple recipients of list SAVOYNET Subject: Wardrobe policy X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I am curious to know how other amateur societies around the world deal with the question of costumes for a show (not just G & S, but in general). When I joined the Brussels Light Opera Company, which was then still the Brussels Gilbert & Sullivan Society, there was a Wardrobe Mistress who kept our stock of costumes (quite a few of them bought at the D'Oyly Carte's closing-down auction) in her house and looked after them properly, measured each cast member once a cast was chosen and then brought possible costumes to rehearsals to be tried on and, with the help of one or two volunteers, made any necessary alterations and was present at each show to make running repairs. Unfortunately, when she left no-one could be found to take on this job. So now the costumes are split up between two or three places and no-one seems to be quite sure what is where, plus, as far as this lowly chorus member can see, there is no cohesive policy on costuming at all and we are actually using the costumes we already own less and less. For the last show costumes were made and bought from scratch (or borrowed from other societies) for the entire chorus, and a few of the principals' costumes were hired. So before I respond to the call to tell those in charge what went wrong with the last show I thought I would find out how these things are dealt with by other societies. Private and public replies both welcome. Denise Wicken, Brussels "Poor child. She wanders." Help the planet each day! It's free and easy: http://www.Care2.com/dailyaction/  1,, Summary-line: 30-Nov cmj@halhk.freeserve.co.uk [26] #Trash on the Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 08:36:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAUDahK7021471; Sun, 30 Nov 2003 08:36:44 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAUDahEt011376 for ; Sun, 30 Nov 2003 08:36:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAUDaNTJ001192; Sun, 30 Nov 2003 08:36:23 -0500 (EST) Date: Sun, 30 Nov 2003 08:36:23 -0500 (EST) Message-Id: <000901c3b745$e0d3a8e0$895486d9@freeserve.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: cmj@halhk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Colin Johnson" To: Multiple recipients of list SAVOYNET Subject: Trash on the Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 08:36:23 -0500 (EST) Reply-To: cmj@halhk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Colin Johnson" To: Multiple recipients of list SAVOYNET Subject: Trash on the Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It naturally distresses me that anyone should describe the well-intended efforts of others as trash, but despite my many years in the computing industry, I can find no way of advancing the characteristics of Noteworthy Composer software beyond the level currently offered in their latest release. As a tool for generating MIDI files, Noteworthy certainly is one of the best available, and this is the only purpose for which I use it. Because it still has certain shortcomings, I deliberately withhold from my own website all Noteworthy files, because I know that there will always be people who criticise a product if it fails to fulfil an altogether different function. No doubt one can use Noteworthy software to reproduce printable scores, but I am not attempting to do this. My sole aim is to create audible MIDI files that can give a reasonable airing to forgotten music that would otherwise never be heard, good light music from a century ago that doesn't deserve total obscurity. And in this venture I shall continue to create what some folk are perfectly free to dismiss as trash. Colin Johnson Lympne, UK www.halhkmusic.com  1,, Summary-line: 30-Nov oakapple@cris.com [42] #New from R Clyde X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 09:01:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAUE1qK7025801; Sun, 30 Nov 2003 09:01:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAUE1qEG020931 for ; Sun, 30 Nov 2003 09:01:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAUE1UTJ001391; Sun, 30 Nov 2003 09:01:30 -0500 (EST) Date: Sun, 30 Nov 2003 09:01:30 -0500 (EST) Message-Id: <3FC9F5CE.7060204@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: New from R Clyde MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 09:01:30 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: New from R Clyde X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) R. Clyde has announced three new Sullivan publications, edited by Roger Harris: -- COX & BOX vocal score -- THE PRODIGAL SON vocal score -- HENRY VIII vocal score The C&B VS is the most important of the three, as it is a scholarly edition, and the companion to the same publisher's full score, previously issued. It includes some sixty pages of appendices, with alternative versions (e.g., transpositions, songs published separately with different words, and so forth). A special treat is Sullivan's solo piano arrangement of Box's lullaby. I don't yet have my copy, so this description is from the publisher's brochure. However, based on Harris's past work they'll be well worth having. For a listing of these and other Sullivan publications from R. Clyde, and for information about how to order, visit their website at http://www.r.clyde.dial.pipex.com/ All are available in either cloth or paper bindings, and the latter are very reasonably priced. For instance, the C&B VS -- the most expensive item of the three -- is £10.50 or $20.00, not including postage. -- Marc Shepherd New York, NY  1,, Summary-line: 30-Nov scottlfarrell@yahoo.com [58] #Re: Concerning Trash! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 16:09:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hAUL9NK7000760; Sun, 30 Nov 2003 16:09:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hAUL9MhO021178 for ; Sun, 30 Nov 2003 16:09:22 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAUL91TJ009273; Sun, 30 Nov 2003 16:09:01 -0500 (EST) Date: Sun, 30 Nov 2003 16:09:01 -0500 (EST) Message-Id: <20031130204727.144.qmail@web40911.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Concerning Trash! MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000e01c3b776$5dd88240$f9df4b0c@us.dbisna.com> X-Spam-Score: 0.477 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 16:09:01 -0500 (EST) Reply-To: scottlfarrell@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Scott Farrell To: Multiple recipients of list SAVOYNET Subject: Re: Concerning Trash! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000e01c3b776$5dd88240$f9df4b0c@us.dbisna.com> X-Spam-Score: 0.477 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Colin Johnson wrote: "It naturally distresses me > that anyone should describe > the well-intended efforts of others as trash, but > despite my many years in > the computing industry, I can find no way of > advancing the characteristics > of Noteworthy Composer software beyond the level > currently offered in their latest release." Let me correct myself on this point. I read Ed's message about this before I got to Colin's, so I don't know the full extent of the response. After seeing this, I realize I was wrong in describing Colin's hard work on HADDON HALL as trash. I have found Noteworthy to be rather sloppy and if Colin has not yet found a way around its problem, then it is not his fault. My apologies to Colin. However, if Noteworthy is the cause of my displeasure with the score, then why use it? I've used Finale for years (I guess it's a matter of preference and taste) and always found it to be user-friendly. I suppose I really had no room to talk about producing trash; I put out some myself. Consider the SAPPHIRE NECKLACE tapes as a good example. But that's a separate story. ===== Scott Farrell "Nothing is more vulgar than enthusiasm" -- W.S. Gilbert, PRINCESS TOTO. scottlfarrell@yahoo.com Royal English Opera Co website http://hometown.aol.com/royalenglishopra/index.html ---- __________________________________ Do you Yahoo!? Free Pop-Up Blocker - Get it now http://companion.yahoo.com/  1,, Summary-line: 30-Nov ornstn@rogers.com [43] #Re: Trash on the Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 18:39:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hAUNdYK7023969; Sun, 30 Nov 2003 18:39:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hAUNdTsk014263 for ; Sun, 30 Nov 2003 18:39:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hAUNcuTJ016244; Sun, 30 Nov 2003 18:38:56 -0500 (EST) Date: Sun, 30 Nov 2003 18:38:56 -0500 (EST) Message-Id: <6.0.1.1.2.20031130161158.0483e0d0@pop.wlfdle.phub.net.cable.rogers.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Trash on the Archive Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000901c3b745$e0d3a8e0$895486d9@freeserve.co.uk> X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 18:38:56 -0500 (EST) Reply-To: ornstn@rogers.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Ronald Orenstein To: Multiple recipients of list SAVOYNET Subject: Re: Trash on the Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000901c3b745$e0d3a8e0$895486d9@freeserve.co.uk> X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 08:36 AM 30/11/03, Colin Johnson wrote: >As a tool for generating MIDI files, Noteworthy certainly is one of the >best available, and this is the only purpose for which I use it. Because >it still has certain shortcomings, I deliberately withhold from my own >website all Noteworthy files, because I know that there will always be >people who criticise a product if it fails to fulfil an altogether >different function. I think it is also worth pointing out that the programs that really do a good job at producing printable scores (eg Sibelius) are very expensive - far more costly than NoteWorthy Composer. It is a bit much to ask people who are, after all, doing this without pay and on their own time, to shell out hundreds of dollars in order to increase the quality of the files on the archive. However, it might be worth asking if anyone on the list actually has one of these programs - perhaps, if the aim is to produce usable scores, those of us who want them might be able to help (financially?) someone who has and uses Sibelius (or whatever), and is willing to take the time, to turn them out. -- Ronald I. Orenstein Phone: (905) 820-7886 International Wildlife Coalition Fax/Modem: (905) 569-0116 1825 Shady Creek Court Mississauga, Ontario, Canada L5L 3W2 mailto:ornstn@rogers.com  1,, Summary-line: 30-Nov rwatson1@becon.org [30] #Re: Trash on the Archive X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 19:06:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB106AK7003441; Sun, 30 Nov 2003 19:06:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB1067sk023858 for ; Sun, 30 Nov 2003 19:06:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB105JTJ017197; Sun, 30 Nov 2003 19:05:19 -0500 (EST) Date: Sun, 30 Nov 2003 19:05:19 -0500 (EST) Message-Id: <001201c3b79b$bec19f40$3c2623cf@Robbie> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: Trash on the Archive MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 19:05:19 -0500 (EST) Reply-To: rwatson1@becon.org Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Robert C L Watson" To: Multiple recipients of list SAVOYNET Subject: Re: Trash on the Archive X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ronald Orenstein wrote: >... However, it might be worth asking if anyone on the list actually has one of > these programs -...< I am one of those who have Finale, and I wouldn't mind tackling such a project. -Rob _____________________________________ Robert C L Watson rwatson1@becon.org Ontario, Canada In the dusk, with a light behind me. ________________________________  1,, Summary-line: 30-Nov paul@pnhmrk.freeserve.co. [48] #Engraving Scores (was Trash on the Archive) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 30 Nov 2003 19:08:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB108HK7004134; Sun, 30 Nov 2003 19:08:17 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB108Dsk024550 for ; Sun, 30 Nov 2003 19:08:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB105qTJ017291; Sun, 30 Nov 2003 19:05:52 -0500 (EST) Date: Sun, 30 Nov 2003 19:05:52 -0500 (EST) Message-Id: <000b01c3b79e$1f647960$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Engraving Scores (was Trash on the Archive) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 30 Nov 2003 19:05:52 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Engraving Scores (was Trash on the Archive) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: 0 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ron Orenstein wrote: > I think it is also worth pointing out that the programs that really do a > good job at producing printable scores (e.g. Sibelius) are very expensive Might I recommend Music Publisher as a suitable, less expensive, substitute? It's the program I've used - to reasonable efficacy according to Marc Shepherd, Andrea Stryker-Rodda and others. Details can be found at http://www.braeburn.co.uk/ Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1,, Summary-line: 1-Dec sharkli@zwallet.com [31] #Finale (was Re: Concerning Trash!) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Dec 2003 06:30:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB1BU4K7006999; Mon, 1 Dec 2003 06:30:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB1BU3KE004588 for ; Mon, 1 Dec 2003 06:30:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB1BKnTJ014893; Mon, 1 Dec 2003 06:20:49 -0500 (EST) Date: Mon, 1 Dec 2003 06:20:49 -0500 (EST) Message-Id: <1070277143.038176.45547.zmail@web1.zwallet.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Finale (was Re: Concerning Trash!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.722 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Dec 2003 06:20:49 -0500 (EST) Reply-To: sharkli@zwallet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Helga Perry To: Multiple recipients of list SAVOYNET Subject: Finale (was Re: Concerning Trash!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.722 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Date: Sun, 30 Nov 2003 16:07:31 -0500 (EST) >From: Scott Farrell > >However, if Noteworthy is the cause of my displeasure >with the score, then why use it? I've used Finale for >years (I guess it's a matter of preference and taste) >and always found it to be user-friendly. > A free version of Finale and the Finale viewer are available from www.finalemusic.com Helga Perry sharkli@zwallet.com Visit the Bruce I. Miller Tribute Site: http://bruceimiller.com Bruce I. Miller Tribute Weekend, College of the Holy Cross, Worcester MA USA October 24/25/26 ______________________________________________________ Get Paid... With Your Free Email at http://www.zwallet.com/index.html?user=sharkli  1, answered,, Summary-line: 1-Dec radford@MIT.EDU [28] #Re: star wars videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Dec 2003 11:27:54 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB1GRrK7027084; Mon, 1 Dec 2003 11:27:53 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB1GRr2k019326 for ; Mon, 1 Dec 2003 11:27:53 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.7.16.70]) (authenticated bits=56) (User authenticated as radford@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hB1GRqkK028973 for ; Mon, 1 Dec 2003 11:27:53 -0500 (EST) Received: (from radford@localhost) by all-night-tool.mit.edu (8.12.9) id hB1GRqtv003699; Mon, 1 Dec 2003 11:27:52 -0500 (EST) Date: Mon, 1 Dec 2003 11:27:52 -0500 (EST) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: star wars videos In-Reply-To: <200312011625.LAA27184@multics.mit.edu> Message-ID: References: <200312011625.LAA27184@multics.mit.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Dec 2003 11:27:52 -0500 (EST) From: Todd Radford To: "David C. Jedlinsky" Subject: Re: star wars videos In-Reply-To: <200312011625.LAA27184@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thas coo'. Any guess on a time frame, or is it completely dependent on how long it takes to solve the problem? -Todd On Mon, 1 Dec 2003, David C. Jedlinsky wrote: > > Hi Todd. > > Sorry for the delay in finishing the videos. I've been having some > trouble getting the director's commentary integrated. I'll let you > know when I've gotten past that, and have an actual master disc to be > duplicated. > > -Dave >  1,, Summary-line: 1-Dec to: radford@MIT.EDU [43] #Re: star wars videos X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Dec 2003 12:55:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB1HtdK7004485; Mon, 1 Dec 2003 12:55:39 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB1Htds4010545; Mon, 1 Dec 2003 12:55:39 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hB1HtcnK003919; Mon, 1 Dec 2003 12:55:38 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.9.3p2) id MAA00265; Mon, 1 Dec 2003 12:55:38 -0500 (EST) Date: Mon, 1 Dec 2003 12:55:38 -0500 (EST) Message-Id: <200312011755.MAA00265@multics.mit.edu> From: "David C. Jedlinsky" To: radford@MIT.EDU In-reply-to: (message from Todd Radford on Mon, 1 Dec 2003 11:27:52 -0500 (EST)) Subject: Re: star wars videos References: <200312011625.LAA27184@multics.mit.edu> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Dec 2003 12:55:38 -0500 (EST) From: "David C. Jedlinsky" To: radford@MIT.EDU In-reply-to: (message from Todd Radford on Mon, 1 Dec 2003 11:27:52 -0500 (EST)) Subject: Re: star wars videos X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, it is dependent on the time it takes to solve, since Rogue and Steve would be annoyed with the effort we took to get the commentary, only to drop it later. If it doesn't look good by the end of the month, I'll seriously consider cutting my losses, though, and put together everything else without the commentary. -Dave >Date: Mon, 1 Dec 2003 11:27:52 -0500 (EST) >From: Todd Radford > >Thas coo'. Any guess on a time frame, or is it completely dependent on >how long it takes to solve the problem? > >-Todd > >On Mon, 1 Dec 2003, David C. Jedlinsky wrote: > >> >> Hi Todd. >> >> Sorry for the delay in finishing the videos. I've been having some >> trouble getting the director's commentary integrated. I'll let you >> know when I've gotten past that, and have an actual master disc to be >> duplicated. >> >> -Dave >>  1,, Summary-line: 1-Dec savoyard1@yahoo.com [52] #G&S mnemonics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Dec 2003 14:37:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB1JbIK7021883; Mon, 1 Dec 2003 14:37:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB1JY2l9004603 for ; Mon, 1 Dec 2003 14:34:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB1JXOTJ015077; Mon, 1 Dec 2003 14:33:24 -0500 (EST) Date: Mon, 1 Dec 2003 14:33:24 -0500 (EST) Message-Id: <20031201191747.72919.qmail@web13404.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: G&S mnemonics MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Dec 2003 14:33:24 -0500 (EST) Reply-To: savoyard1@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry Garvin To: Multiple recipients of list SAVOYNET Subject: G&S mnemonics X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Recently a mnemonic device for the taxonomic classifications -- kingdom, phylum, class, order, family, genus, species -- darted into my mind. The one I learned in junior high school was the rather dopey "King Philip's crown's ordered from Green Stamps" -- dopey partly because of the awkward double contraction, and partly because Green Stamps were pretty well dead even then. It has occurred to me that every field has its mnemonic devices, and that we, as G&S buffs, could devise G&S-based phrases to cement our understanding and frustrate those not of the Inner Brotherhood. To illustrate -- the taxonomic categories above could be managed by "King Paramount -- Character, Operetta, from Gilbert & Sullivan." (O.K., I cheated with the ampersand.) Or the staves in treble clef -- E, G, B, D, F -- instead of "Every good boy does fine" or "Every good boy deserves favo[u]r," could be "Earls grabbed by dainty fairies." So, how about it? Do you have any mnemonics that could profitably be cast in Savoyard terms? Let's have 'em! ===== Larry Garvin Worthington, OH "Whether you're an honest man or whether you're a thief Depends on whose solicitor has given me my brief!" -- W.S. Gilbert, Utopia, Ltd. __________________________________ Do you Yahoo!? Free Pop-Up Blocker - Get it now http://companion.yahoo.com/  1,, Summary-line: 1-Dec david@musicalsolutions.co [41] #Re: G&S mnemonics X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 01 Dec 2003 17:13:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB1MDIK7020487; Mon, 1 Dec 2003 17:13:18 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB1MDB0I022674 for ; Mon, 1 Dec 2003 17:13:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB1MCkTJ012912; Mon, 1 Dec 2003 17:12:46 -0500 (EST) Date: Mon, 1 Dec 2003 17:12:46 -0500 (EST) Message-Id: <1073.212.211.104.6.1070315145.squirrel@www.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: To: Multiple recipients of list SAVOYNET Subject: Re: G&S mnemonics MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: SquirrelMail (version 1.2.11) In-Reply-To: <20031201191747.72919.qmail@web13404.mail.yahoo.com> X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 1 Dec 2003 17:12:46 -0500 (EST) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: To: Multiple recipients of list SAVOYNET Subject: Re: G&S mnemonics X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031201191747.72919.qmail@web13404.mail.yahoo.com> X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Larry wrote > So, how about it? Do you have any mnemonics that > could profitably be cast in Savoyard terms? Let's > have 'em! Call me sad, but when I was doing German A-Level (a-many-years-ago), I had to remember the prepositions which govern the accusative (bis, durch, für, gegen, ohne, um, entlang, & wider). To help me remember these, I used "Brother Despard found gallery overwhelming - used excellent wheeze" (wheeze=trick). For the prepositions which govern the dative (aus, außer, bei, entgegen, gegenüber, mit, nach, seit, von, & zu) I used "An altogether beastly entertainment - gosh - many name Sullivan's version - Zoo". Yep - definitely sad. All the best David  1,, Summary-line: 2-Dec billmccann@onetel.net.uk [39] #Re: Sweethearts - Libretto on the Archive - update X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 03:14:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB28EGK7014511; Tue, 2 Dec 2003 03:14:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB28ED4I014074 for ; Tue, 2 Dec 2003 03:14:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB28DZTJ018016; Tue, 2 Dec 2003 03:13:35 -0500 (EST) Date: Tue, 2 Dec 2003 03:13:35 -0500 (EST) Message-Id: <003601c3b8a8$81cb80c0$754d4ed5@essir6syoggngz> Errors-To: savoynet-owner@bridgewater.edu Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re: Sweethearts - Libretto on the Archive - update MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4927.1200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 03:13:35 -0500 (EST) Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Re: Sweethearts - Libretto on the Archive - update X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Diana wrote: > The error's existence is a lot longer than the weekend. As I will be directing > the show I tried to access it a couple of months ago but failed and then asked > Robert Ray to try and he failed. We have resorted to an enlarged photocopy of > the script in the Original Plays series. Yes, this is correct. Jim Farron discovered last evening that the original internal link was faulty. He has now reparied that and the Libretto is finally available as a downloadable MS Word file at http://diamond.boisestate.edu/gas/other_gilbert/sweethearts/sweethearts_home html. (Those of you with the Windows OS may find it easier to right click on the Lbretto link and download it to your preferred folder - it took me 5 seconds to do it right now. I am not certain how MAC works - double click to bring up the menu I think.) Bill  1,, Summary-line: 2-Dec DvdFid@aol.com [31] #OOTW: Sweethearts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 08:36:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2DZxK7015042; Tue, 2 Dec 2003 08:35:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB2DZq4I028439 for ; Tue, 2 Dec 2003 08:35:52 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2DZETJ025285; Tue, 2 Dec 2003 08:35:15 -0500 (EST) Date: Tue, 2 Dec 2003 08:35:14 -0500 (EST) Message-Id: <564C6652.3FD4A6D4.00049845@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: OOTW: Sweethearts MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 08:35:14 -0500 (EST) Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: OOTW: Sweethearts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I like the way that WSG uses the beginning of each Act to emphasise the fact that we do not learn from the past and that today's youth makes the same mistakes as yesterday's - and that will never change. In act 1 Wilcox, the gardner, is the sage who gives out pearls of wisdom coming out of experience. Jenny is the young girl who, in today's parlance, "will not be told". Act 2 takes place 30 years later. Now Jenny talks from experience and her maid, Ruth, is the one who "will not listen". Jenny's speeches at the beginning of act 2 are a clever paraphrase of everything that Wilcox said to her at the beginning of act 1. Ruth's reaction to Tom (her young man) enlisting in the army is the same as that of Jenny learning that Henry is going to India. I would say that Ruth's 14 lines encompass all of what Jenny said and did in the first act. (This is why I found act 2 translates so well into a one act play.) The characters of Jenny and Spreadbrow are very clearly drawn by WSG. Even their appearances can be visualised from the text. Personally I found this play a joy to read. Even though at first reading it may appear to be wordy play, and one that may be slow on stage without careful directing, it comes to life immediately the actors set foot on stage. The play flows so easily from beginning to end. But what is the end? WSG leaves us in doubt. It is clear that Spreadbrow would like to marry Jenny, and intends to try and persuade her. I am not so sure about Jenny. She has given us the insight into her past to let us know that she loved him very deeply - and still does. But is she prepared to accept him, having learned about his past dalliances? Is she prepared to forgive the fact that he was so vehement in his declarations of love and yet so fickle about its practicalities? How much does (should) she blame herself for Henry's subsequent actions? This is Gilbert at his most romantic. I put it in the same category as "Only a dancing girl" where G is also being sympathetic to the woman's character. I cannot read this play without having a lump in my throat at the end. Others have said the same. It can be difficult to persuade listeners that this is G of G&S or the Bab Ballads. It is certainly not the cruel man that Quiller-Couch identified. David, Orkney  1,, Summary-line: 2-Dec DvdFid@aol.com [19] #OOTW: Sweethearts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 09:01:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2E1QK7004951; Tue, 2 Dec 2003 09:01:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB2E1O4I011913 for ; Tue, 2 Dec 2003 09:01:25 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2E10TJ029279; Tue, 2 Dec 2003 09:01:00 -0500 (EST) Date: Tue, 2 Dec 2003 09:01:00 -0500 (EST) Message-Id: <565C91B5.166C8532.00049845@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: OOTW: Sweethearts MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 09:01:00 -0500 (EST) Reply-To: DvdFid@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: DvdFid@aol.com To: Multiple recipients of list SAVOYNET Subject: OOTW: Sweethearts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I should, perhaps, have added that the lady who played Jenny decided that she would mave married Spreadbrow. And then she went on to spoil it by adding that in those days marriage to as shallow a man as Spreadbrow - SIR Henry Spreadbrow, no less - was better than no marriage at all! David, Orkney  1,, Summary-line: 2-Dec billmccann@onetel.net.uk [44] #Fw: Topsy-Turvey Edwin X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 09:26:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2EQdK7028024; Tue, 2 Dec 2003 09:26:39 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB2EQc4I025266 for ; Tue, 2 Dec 2003 09:26:38 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2EQETJ003575; Tue, 2 Dec 2003 09:26:14 -0500 (EST) Date: Tue, 2 Dec 2003 09:26:14 -0500 (EST) Message-Id: <00cf01c3b8df$054128c0$754d4ed5@essir6syoggngz> Errors-To: savoynet-owner@bridgewater.edu Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Fw: Topsy-Turvey Edwin MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4927.1200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 09:26:14 -0500 (EST) Reply-To: billmccann@onetel.net.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bill McCann" To: Multiple recipients of list SAVOYNET Subject: Fw: Topsy-Turvey Edwin X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jonathan is having problems with his mail system at the moment and has asked me to forward this to the list for him. Bill ----- Original Message ----- From: "Jonathan Ichikawa" To: Sent: Tuesday, December 02, 2003 1:04 PM Subject: OOTW: Topsy-Turvey Edwin > Gilbert was a master at designing half-plausible situations that > motivated characters to act in ways opposite to what we'd normally > expect from them. This is a kind of Topsy-Turvy character twist: Ko-Ko > woos a woman he reviles, Grosvenor abhors his beauty, Mountararat and > Tolloller politely defer the honor of dying at the hand of the other (a > double-twist). > > Edwin's profession that he'd really be a lousy husband -- and that he > therefore shouldn't have to compensate as large a loss -- is the > earliest G&S example of this Gilbertian twist. It's also one of the > best: we see the cocky young man take the stand and proceed to brag > about how awful a husband he'd be. I can't help but think that if > Gilbert wrote TRIAL today, he'd have Edwin sing about how unsatisfactory > he'd be in bed. > > Jonathan Ichikawa > >  1,, Summary-line: 2-Dec SSilvers@sskfny.com [24] #Amplification -- Body Mics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 10:48:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2FmRK7026316; Tue, 2 Dec 2003 10:48:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB2FjlZE021606 for ; Tue, 2 Dec 2003 10:45:49 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2FjKTJ027916; Tue, 2 Dec 2003 10:45:20 -0500 (EST) Date: Tue, 2 Dec 2003 10:45:20 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Amplification -- Body Mics Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 10:45:20 -0500 (EST) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: Amplification -- Body Mics Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been in shows with body mics. The sound engineer is able to adjust the volume level for EACH person wearing a mic and can change the volume levels continuously. But it is not easy to do well and, like lighting, works better if the engineer is very familiar with the production and has a very detailed cue chart. For instance: when two miked people are facing each other singing, they are singing into each other's microphones, as well as into their own, and the sound is very loud. Then they turn away from each other and the sound is much quiter. If the sound engineer knows the blocking and can anticipate this, he or she can adjust the volume level appropriately. If he or she does not know the blocking, it is nearly impossible to make the fast changes to accommodate the blocking. Also, when characters enter and leave the stage, the sound engineer must be very alert to turn on the mics of the people onstage and turn off the mics of the people leaving the stage, so the audience does not get the added value of hearing their conversations backstage! Unless you have a very professional sound crew that is intimately familiar with the blocking, microphones are dangerous and, IMHO, not generally a good idea. I have rarely found them to enhance my theatrical experience, except in a high-quality professional show in a theatre with a very good sound system. Better, IMHO, to cast singers who can project adequately without a mic. Sam  1,, Summary-line: 2-Dec LWeissbrot@nedelta.com [68] #Amplification -- Body Mics X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 12:03:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2H3KK7022140; Tue, 2 Dec 2003 12:03:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB2H1tZE018340 for ; Tue, 2 Dec 2003 12:01:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2H0rTJ015133; Tue, 2 Dec 2003 12:00:53 -0500 (EST) Date: Tue, 2 Dec 2003 12:00:53 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Amplification -- Body Mics MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Lotus Notes Release 5.0.10 March 22, 2002 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 12:00:53 -0500 (EST) Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Amplification -- Body Mics X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a battle I have waged unsuccessfully with my group (The Connecticut Gilbert and Sullivan Society) for years. Until about ten years ago, we never used mikes. Then, as some of the favorite principals lost their ability to be heard over the orchestra, we began to mike major principals. The sound engineer is generally excellent (more on this later), and we have been expanding the use of radio body mikes to more and more of the people on stage. My personal preference remains to cast only singers who can project adequately without a mike, but until I'm ready to start my own production company, that just ain't gonna happen. For this year's videotape, the videographer tapped into the soundboard for his feed. The result is astounding. Performers you could never hear over the orchestra come through loud and clear. And, the sound engineer was very careful about balance, bringing up the correct line in ensemble work and keeping Casilda and Luis balanced whether or not Casilda's face was right in Luiz' chest (microphone). BUT . . . Caught on the videotape, during the Duke of Plaza-Toro's interchange with the two kings, the sound man mistakenly brought up my (Don Alhambra's) microphone. I was getting a drink of water and gargling with it! It took only a moment for him to identify the source of the unusual sound and make the adjustment, but it points out the downside of amplifying the production. Finally (this is getting long), The Ducal Party and the Don did a scene at a church fund-raiser two weeks after the show -- the entire scene from entrance (From the Sunny Spanish Shore) to quintet and exit (Try we Lifelong), with dialogue. The audience was very receptive to all of it, and responded differently from the audience at the show. Was it the more intimate atmosphere? The fact that, as non-G&S buffs, they were hearing some of the jokes for the first time? Or could it have been the improved acoustic experience of hearing the dialogue and songs coming directly from the mouths of the performers, not filtered through an amplification system? In my not-unbiased opinion, I choose the last. Laurie . . Also, when characters enter and leave the stage, the sound engineer must be very alert to turn on the mics of the people onstage and turn off the mics of the people leaving the stage, so the audience does not get the added value of hearing their conversations backstage! Unless you have a very professional sound crew that is intimately familiar with the blocking, microphones are dangerous and, IMHO, not generally a good idea. I have rarely found them to enhance my theatrical experience, except in a high-quality professional show in a theatre with a very good sound system. Better, IMHO, to cast singers who can project adequately without a mic. Sam  1,, Summary-line: 2-Dec LHall@tscwo.com [33] #Sad News X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 02 Dec 2003 17:34:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB2MY5K7005630; Tue, 2 Dec 2003 17:34:05 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB2MTI4I028522 for ; Tue, 2 Dec 2003 17:29:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB2MOGTJ019853; Tue, 2 Dec 2003 17:24:16 -0500 (EST) Date: Tue, 2 Dec 2003 17:24:16 -0500 (EST) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B024E0892@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Sad News MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 2 Dec 2003 17:24:16 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: Sad News X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We all know that the subject line "Sad News" means that the G&S community has lost another member. I am genuinely sorry to report that Gordon Brigham of the Victorian Lyric Opera Company and the Washington Savoyards passed away unexpectedly on Thanksgiving Day (Thursday, November 27 here in the States). Gordon was a larger-than-life baritone who could turn the most passing remark into a laugh line, who loved his family, G&S, cheese, poking gentle fun at his friends, and quite a few other things. He was also perhaps the best Kolenkov (You Can't Take It With You) it has ever been my pleasure to see. Savoynetters who attended the Rockville Sing-Out this past August would remember that Gordon sang Pooh-Bah and Despard. He will be missed by all who knew him. Leta Hall Aspen Hill, Maryland  1,, Summary-line: 4-Dec d-duffey@argonet.co.uk [44] #SavoyNet at Buxton 2004 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 04 Dec 2003 10:18:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB4FI2KP025766; Thu, 4 Dec 2003 10:18:12 -0500 (EST) Received: from mserv7.dl.ac.uk (mail.dl.ac.uk [148.79.80.138]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB4FHExt016035 for ; Thu, 4 Dec 2003 10:17:14 -0500 (EST) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id hB4FHB86002551; Thu, 4 Dec 2003 15:17:11 GMT Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id PAA02119 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Thu, 4 Dec 2003 15:16:01 GMT Received: by mserv1.dl.ac.uk id PAA02098 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Thu, 4 Dec 2003 15:15:56 GMT Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by mserv1.dl.ac.uk with ESMTP id PAA02090 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Thu, 4 Dec 2003 15:15:54 GMT X-DL-MFrom: X-DL-Connect: Received: from smtp.argonet.co.uk (centipede.freedom2.net [213.161.67.201]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id hB4FFjPP005923 for ; Thu, 4 Dec 2003 15:15:45 GMT Received: from [62.188.26.176] (helo=Computer) by smtp.argonet.co.uk with smtp (Exim 4.20) id 1ARvCZ-0001rz-QE for buxton99@dl.ac.uk; Thu, 04 Dec 2003 15:15:36 +0000 Message-ID: <001f01c3ba79$7871d100$b01abc3e@Computer> From: "David Duffey" To: "B99" References: Subject: SavoyNet at Buxton 2004 Date: Thu, 4 Dec 2003 15:15:09 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "B99" Subject: SavoyNet at Buxton 2004 Date: Thu, 4 Dec 2003 15:15:09 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO To the B99 list. Tuesday 10 August 2004: Pirates of Penzance. However, we have been asked not to publish this generally on SavoyNet as there may still have to be some modification of the programme, which has not yet been completely finalised. On another matter: it appears that some emails I have sent or been sent in the last week have not arrived. If you have been expecting email from me, e.g. have sent one to which I have not replied, please will you try again. Also I have sent some which I would have expected a reply to. This appears to be a problem with my isp. The audition calls will go out when the embargo on general publication is lifted. Pirates will be our greatest challenge yet. We did superbly well with Sorcerer and Utopia, so expectations will be high, making it imperative we are excellent on the much more "mainstream" Pirates. David  1,, Summary-line: 6-Dec YesTisMabel@aol.com [42] #no more Gondoliers for me/production values X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 06 Dec 2003 00:25:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB65OxK7027872; Sat, 6 Dec 2003 00:24:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB65OuAE017093 for ; Sat, 6 Dec 2003 00:24:58 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB65OLTJ018953; Sat, 6 Dec 2003 00:24:21 -0500 (EST) Date: Sat, 6 Dec 2003 00:24:21 -0500 (EST) Message-Id: <11d.28f1d615.2d02bc7a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: no more Gondoliers for me/production values MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 4.0 for Windows sub 114 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 6 Dec 2003 00:24:21 -0500 (EST) Reply-To: YesTisMabel@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: YesTisMabel@aol.com To: Multiple recipients of list SAVOYNET Subject: no more Gondoliers for me/production values X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello, all! I just had to quit the production of The Gondoliers I was in that opens January 16. I protested against the costumes, which the costume 'designer' was reusing from a Knights of Colombus Columbus Day parade float!!! Consequently, they were about 300 years too early for the period of the show, and they also made me and the Duchess look like Mack trucks with 2 1/2 foot high hats attached. The gondoliers and contadine looked delightful, btw...they were in the usual attire. I volunteered to borrow proper period costumes for free from my opera company, but the director wouldn't even look at them. I should mention that I was already feeling self-conscious about playing a 21-yr-old Casilda (when I'm 43) opposite a Gianetta that's 17, and a Tessa that's about 19, and the costumes just compounded the problem. Anyway, I told the director that I felt I could not be believable playing a love scene is such a get-up (maybe I can get a picture to show you all), and he suggested that I need not be on the stage....wow! So I quit. Do you think this is taking principle too far? The production has actually been very bad from the beginning, in so many ways, but I was really hoping that things would work out, as this group wants to do G&S every year. But if they are going to disrespect the material.... Anyone ever quit a show over production values? Elise Curran Orlando  1,, Summary-line: 7-Dec SKesilm@aol.com [60] #Tradition vs. Innovation in Various Forms of Music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 02:25:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB77PtK7015714; Sun, 7 Dec 2003 02:25:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB77PpXE021374 for ; Sun, 7 Dec 2003 02:25:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB77PBTJ017258; Sun, 7 Dec 2003 02:25:11 -0500 (EST) Date: Sun, 7 Dec 2003 02:25:11 -0500 (EST) Message-Id: <6f.3f664a1f.2d042b8a@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Tradition vs. Innovation in Various Forms of Music MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 46 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 02:25:11 -0500 (EST) Reply-To: SKesilm@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: SKesilm@aol.com To: Multiple recipients of list SAVOYNET Subject: Tradition vs. Innovation in Various Forms of Music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This appeared in a recent posting: <> In addition to my indulgence in G&S, I am involved in barbershop singing. It's note- worthy (no pun intended) that at the same time I found the above in my mailbox, there was a similar discussion in the barbershop forum, about adapting the original barbershop style to changing times in an effort to attract younger participants. The "traditionalists" are called KIBBEES, for "Keep it Barbershop." (Any KIGS out there?) Because of its analogy to the G&S debate here, I think it's relevant and informative to submit a sampling of it, from three different individuals' postings: (1) >We are no longer a simple society with few external activities grabbing for our leisure time. As for the younger gen, there are even more things they have competing for their time and money, and how these are spent.< (2) >The public perception of four guys singing as representative of a Barbershop Quartet should be considered an honor, but even the general unwashed and uneducated public will be able to recognize a difference when they SING in the Barbershop style vs any other style. There IS a truly unique sound, whether it is in the fully, partially or even "like" [regulated] Contest music . Not even they, however, would consider some of the current groups of four singers doing hip hop as "Barbershop."< (3) >The intent [of a past conference on the subject] was to identify the most important aspects we needed to preserve the uniqueness of our style and to keep it in our own backyard, so to speak. And to keep different kinds of musical styles from diluting the cherished barbershop roots of the past.< So my point is just to let you see how the same debate is going on now in the realms of various forms of time-honored music. (Anyone care to rhyme "calcified" with "conjugally matrimonified"?) Sylvan Kesilman KIBBEE & KIGS  1,, Summary-line: 7-Dec Raywalker@macunlimited.ne [28] #Ages Ago, orchestrated? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 13:32:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB7IWTK7026651; Sun, 7 Dec 2003 13:32:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB7IWTrs004624 for ; Sun, 7 Dec 2003 13:32:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB7IVwTJ025260; Sun, 7 Dec 2003 13:31:58 -0500 (EST) Date: Sun, 7 Dec 2003 13:31:58 -0500 (EST) Message-Id: <3FD36B2F.DB64B1C0@macunlimited.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Ages Ago, orchestrated? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.77C-CCK-MCD {C-UDP; EBM-APPLE} (Macintosh; U; PPC) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 13:31:58 -0500 (EST) Reply-To: Raywalker@macunlimited.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Raymond Walker To: Multiple recipients of list SAVOYNET Subject: Ages Ago, orchestrated? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In some recent research I consulted a musician who has a rare Joseph Williams manuscript of the Ages Ago v.s. It is bound as if for hire and is neatly copied. The content is identical with the score found in Stedman's book 'Gilbert before Sullivan'. However, some notes such as 'tacet' are penciled in. Interestingly, 'segue orch' also appears, which suggests that there was an orchestral set in existence. We know that the Gallery of Illustration for which the piece was written generally used piano and harmonium (and in this case harp). So where were the orchestral parts used and when, one wonders. Ray Walker Manchester G&S Society, UK  1,, Summary-line: 7-Dec dstone4@cox.net [45] #Re: Ages Ago, orchestrated? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 15:13:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB7KDQK7010051; Sun, 7 Dec 2003 15:13:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB7KDOXE008794 for ; Sun, 7 Dec 2003 15:13:25 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB7KCvTJ029385; Sun, 7 Dec 2003 15:12:57 -0500 (EST) Date: Sun, 7 Dec 2003 15:12:57 -0500 (EST) Message-Id: <001b01c3bcfb$8ca71840$640a0a0a@davidnv57r8707> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Re: Ages Ago, orchestrated? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 15:12:57 -0500 (EST) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Re: Ages Ago, orchestrated? X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) When Ages Ago played at New York's Bijou Opera House, between 31 March and 22 May 1880, it was performed with orchestra, conducted by Frederic Clay. Perhaps the 1874 production at London's St George's Hall was with orchestra too. David Stone Fairfax, Virginia ----- Original Message ----- From: "Raymond Walker" To: "Multiple recipients of list SAVOYNET" Sent: Sunday, December 07, 2003 1:31 PM Subject: Ages Ago, orchestrated? > In some recent research I consulted a musician who has a rare Joseph > Williams manuscript of the Ages Ago v.s. It is bound as if for hire and > is neatly copied. The content is identical with the score found in > Stedman's book 'Gilbert before Sullivan'. > However, some notes such as 'tacet' are penciled in. Interestingly, > 'segue orch' also appears, which suggests that there was an orchestral > set in existence. We know that the Gallery of Illustration for which the > piece was written generally used piano and harmonium (and in this case > harp). So where were the orchestral parts used and when, one wonders. > > Ray Walker > Manchester G&S Society, UK > >  1,, Summary-line: 7-Dec mgillett@umich.edu [76] #Re: No more Gondoliers X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 16:54:52 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB7LspK7024836; Sun, 7 Dec 2003 16:54:51 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB7LsmXE021385 for ; Sun, 7 Dec 2003 16:54:50 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB7Ls9TJ005719; Sun, 7 Dec 2003 16:54:09 -0500 (EST) Date: Sun, 7 Dec 2003 16:54:09 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: No more Gondoliers MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.2.20031207194759.021ab740@mail.musicalsolutions.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 16:54:09 -0500 (EST) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: Re: No more Gondoliers X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <5.2.1.1.2.20031207194759.021ab740@mail.musicalsolutions.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ok, We have heard several sides of this, so as both a performer and director, I will put in my oar. While it is not the directors place to try and please everyone in his cast, when someone who put in as much work as Elise, and who is a professional, makes a suggestion and provides a source, it makes sense to listen and at least take a look at the alternative. Particularly if one is doing the show 'sans" concept, a change to better FREE costumes will produce a better response from the people who wear them. While we can all count on a person's talent to carry the day, an actor isn't compleat with out the costume and make up. Sh*tty or inadaquate coustumes simply add one more hurdle for a persons perfomance to rise above. And as a costume designer for 4 shows, I know how important it is to do research, have meetings with the stage director, and make allowances for what the actor is comfortable with or not. In Utopia, many men in our production were not comfortable at first with bare chests and rather large colorful diapers[loincloths] (particularly some of the older men), but I added color matching large cloth collars which helped cover part of the chest and everyone and the director were happy. This is called cooperation. I have only twice come near to quiting a show. A My Fair Lady that was headed for disaster, and a production of Iolanthe I was brought in on where the music director beat the time on a metal music stand all through rehearsals, telling me that recitive had to be in stirct temp, or else the orchestra couldn't follow it, and the director had no idea what to do since the show committee over-rode the majority of her blocking and block most of the chorus numbers the way they wanted. I had brought in two other principals and we were pretty much left to our own devices. While everyone may want to be stoic and "tough" it out, we just can't expect that. Every case is different. If Elise quit because she wasn't going to get a solo spotlight, or total solo bow at curtain, I could think that it was a little petty. She had put alot of work into that show, and Im sure thought long an hard about her taking this step, and didn't take it's results lightly. Get and train a new Casilda in a month? Shoot, I stepped into Luiz 2.5 weeks before a production with a Casilda who was a student of Shirly Verret's. Since they had not had a Luiz or Duke (found a week and a half before I joined) she had been called to 3 2 hour rehearsals and sat and did nothing since the director decided that she couldn't block the scenes or rehearse the ensembles till they had the full ducal party. She worked with the chorus. She considerd dropping, regardless that she got paid $50 a perfomance or not, and was very glad to see me. Look, we have a built in reaction the "this is very selfish of them", when most times there are very good reasons and we shouldn't sit in judgment on someone who decided something on principle, and resonable priciples too. Ya know, Im 41, and I have written off doing Ralph, Frederic, Hilarion, Luiz, Alexis, and maybe Cyril, with UMGASS because contrary to other savoynet members, I feel that even though I may be a good actor, I can't pass for 21 (physically or otherwise) on a stage populated with 17-23 year olds. Maybe in Grand opera you can believe Butterfly is in her teens, put it just doesn't work in a small house and a busy choreographer. So there it is, longwinded, but my 2 cents worth. I leave tomorrow for DisneyWorld, so I won't be able to get back to this till it all blows over. So, Im heading off to Postpone mode. Have a good Week! Mitch Gillett Ann Arbor, Mi  1,, Summary-line: 7-Dec farmer_giles@tiscali.co.u [70] #Foresters Web Opera - a problem.... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 21:51:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hB82p4K7001632; Sun, 7 Dec 2003 21:51:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hB82p3rs008908 for ; Sun, 7 Dec 2003 21:51:04 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB82oTTJ001150; Sun, 7 Dec 2003 21:50:29 -0500 (EST) Date: Sun, 7 Dec 2003 21:50:29 -0500 (EST) Message-Id: <000701c3bd35$481de160$1caf2e50@Adam> Errors-To: savoynet-owner@bridgewater.edu Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Foresters Web Opera - a problem.... MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -2.845 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 21:50:29 -0500 (EST) Reply-To: farmer_giles@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Adam Cuerden" To: Multiple recipients of list SAVOYNET Subject: Foresters Web Opera - a problem.... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.845 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I was awakened by my computer making noises (I forgot to turn it off) and decided to listen to Foresters. I enjoyed it, with a few reservations, perhaps, but there is one rather major problem with it - http://diamond.boisestate.edu/gas/foresters/for_8.html links to the wrong song - which was rather unnerving at first. Well, whilst I'm talking about it, might as well review it. The music is beautiful. The dialogue is a bit rough, but mostly good (Though it did feel odd, if not unpleasant, that for much of the opera it felt as if Little John and Kate were the leads. However, there are major faults. The fairy scene, as good as it is, has no right to be in this opera. It bears no relation to the rest of the plot, and adds an entire chorus of women who only appear, as far as I can tell from the midis, in a single scene. (There is little opportunity to include women in a play consisting of Robin Hood and his Merry MEN - I intend to print out the music tomorrow, so more at that time, but there's very few opportunities to use them); worse yet, the transition into evil fairy is extremely clunky, and the transition out rather strange as well. Characterisation is weak, with characters tending to be ruled by a single motivation: Scarlett has a bad wife - and mentions this at EVERY OPPORTUNITY. Sir Richard wants to keep the land AND TALKS OF NOTHING ELSE! The major characters (Robin, Marian, Little John, Kate) fare somewhat better, though they need good actors to finish rounding them out. The lyrics are a bit repetative, but have a nice folk-song feel to them that suits the material, so let that pass. But then there's the villians. The Sheriff of Nottingham is very nearly a sympathetic character (at least, on the page he is), making his punishment at the end seem unduly harsh. Prince John is made out to be the worse lecher that ever lived, a foul king, a hideous King... I kept thinking "Does Tennyson realise that after Richard dies John became King in truth?" I, for one, want to see a Robin Hood plot that carries on a bit further to the Magna Carta. - but, in any case, the scene where John plans to rape Maid Marian before turning her over to the Sheriff (who, as I mentioned, is a pretty nice fellow in this interpretation) is in VERY bad taste. Marian. Beggars, you are sturdy rogues that should be set to work. You are those that tramp the country, filch the linen from the hawthorn, poison the house-dog, and scare lonely maidens at the farmstead. Search them, Little John. Marian has been posessed by Margaret Thatcher! Save her, someone! It's so very... mediocre. Music is quite good, for the most part, but this is hardly one of Tennyson's best works - indeed, I'd place it in his bottom tier. Sullivan does his best with unpromising material, and some songs shine. . -Adam Cuerden "Some people are so terribly partic-tic-tic-tic-ticular."  1,, Summary-line: 7-Dec rebecca@hains.net [42] #RE: no more Gondoliers for me/production values X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 07 Dec 2003 22:18:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB83IMK7013391; Sun, 7 Dec 2003 22:18:22 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB83HOXE011006 for ; Sun, 7 Dec 2003 22:17:25 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hB83GhTJ003252; Sun, 7 Dec 2003 22:16:43 -0500 (EST) Date: Sun, 7 Dec 2003 22:16:43 -0500 (EST) Message-Id: <00de01c3bd39$08d10f10$6400a8c0@DIMENSION> Errors-To: savoynet-owner@bridgewater.edu Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: no more Gondoliers for me/production values MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11d.28f1d615.2d02bc7a@aol.com> X-Mailer: Microsoft Outlook, Build 10.0.4024 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 7 Dec 2003 22:16:43 -0500 (EST) Reply-To: rebecca@hains.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rebecca Consentino Hains" To: Multiple recipients of list SAVOYNET Subject: RE: no more Gondoliers for me/production values X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <11d.28f1d615.2d02bc7a@aol.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The discussion regarding Elise's decision seems to have overlooked an important point (to me, anyway). After everything that Elise did for the performing group in question, and after raising her concerns about the costumes she was to wear, what was the director's response???? He "suggested that [she] need not be on the stage." Ouch. He may have been speaking out of frustration, but still, that was a pretty harsh comment. They be fightin' words, and had I been in her shoes, I'd have taken that as an *invitation* to quit. Consider: If a director could not address my concerns in a professional way (which doesn't mean agreeing to my suggestions -- just giving them fair consideration, etc.), then I would not feel like working with him anymore. Then, if that director implied that *he* didn't want to work with *me* anymore either, well.... odds are that I'd act on my feelings of displeasure. Sounds to me like Elise's decision was appropriate. And if the show suffers for it, perhaps the director will think twice before suggesting that a soprano is not needed on his stage! Rebecca Hains Philadelphia, PA  1, answered, forwarded,, Summary-line: 8-Dec mike@mendyke.com [39] #Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 08 Dec 2003 15:03:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB8K35CB018644; Mon, 8 Dec 2003 15:03:05 -0500 (EST) Received: from pimout1-ext.prodigy.net (pimout1-ext.prodigy.net [207.115.63.77]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB8K34XE001009 for ; Mon, 8 Dec 2003 15:03:04 -0500 (EST) Received: from emachine (adsl-64-164-171-233.dsl.lsan03.pacbell.net [64.164.171.233]) by pimout1-ext.prodigy.net (8.12.10/8.12.10) with ESMTP id hB8K33aY094762 for ; Mon, 8 Dec 2003 15:03:03 -0500 Message-ID: <017501c3bdc6$3242f8d0$6601a8c0@emachine> From: "Mike Mendyke" To: "David C. Jedlinsky" References: <200304091726.NAA14727@multics.mit.edu> <004701c2fec4$5e398bf0$6401a8c0@emachine> <200304092100.RAA18788@multics.mit.edu> <001601c2fede$a3c1b110$6401a8c0@emachine> <200304092140.RAA19560@multics.mit.edu> <2e1301c399c0$4109aeb0$6401a8c0@emachine> <200310240023.UAA09003@multics.mit.edu> Subject: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Mon, 8 Dec 2003 12:02:23 -0800 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Mike Mendyke" To: "David C. Jedlinsky" Subject: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Mon, 8 Dec 2003 12:02:23 -0800 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, So it looks like Wes Carroll and I are going to be participating in the final, final concert of Five O'Clock Shadow on Dec 20th. We've got at least eight of the former members converging on Boston from around the country, and we'll be assembling in various "incarnations" of the group from its thirteen year history to sing old songs. I think it will be a lot of fun. If you could spread the word amongst our mutual friends, I'd greatly appreciate it. The hall holds about 500 people, and I'm hoping to have as many "old school" fans attend as can make it. You can tell anyone to email me with questions, comments, or smart remarks. :-) Here is the information from the focs web site: http://www.focs.com/gigs/031220.html Hope your Holiday planning is going well. Take care, Mike Mendyke mike@mendyke.com  1,, Summary-line: 9-Dec pgc@MIT.EDU [38] #show selecetion results X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 09 Dec 2003 08:39:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hB9Ddhqf004000; Tue, 9 Dec 2003 08:39:43 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id hB9Dcucm012218 for ; Tue, 9 Dec 2003 08:38:56 -0500 (EST) Received: from mass-toolpike.mit.edu (MASS-TOOLPIKE.MIT.EDU [18.7.16.71]) (authenticated bits=56) (User authenticated as pgc@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id hB9DctRw001587 for ; Tue, 9 Dec 2003 08:38:55 -0500 (EST) Received: from localhost (pgc@localhost) by mass-toolpike.mit.edu (8.12.9) with ESMTP id hB9DctVV025335; Tue, 9 Dec 2003 08:38:55 -0500 (EST) Date: Tue, 9 Dec 2003 08:38:55 -0500 (EST) From: Peter G Chambers To: Subject: show selecetion results Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 9 Dec 2003 08:38:55 -0500 (EST) From: Peter G Chambers To: Subject: show selecetion results X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) so.... spring A New Brain backup Godspell summer JCS backup Crazy for You thanks angain to all who came,, esp. presenters and piano players. you guys rock _______________________________________________ Pete Chambers Magnetic Materials and Devices Group Department of Materials Science and Engineering Massachusetts Institute of Technology 13-4017 pgc@mit.edu (617) 253-6898 (617) 576-2728  1,, Summary-line: 11-Dec ori.siegel@sympatico.ca [33] #Re: musical jokes X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Dec 2003 20:45:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBC1jFXo003455; Thu, 11 Dec 2003 20:45:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBC1jBYP008021 for ; Thu, 11 Dec 2003 20:45:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBC1iNTJ001146; Thu, 11 Dec 2003 20:44:23 -0500 (EST) Date: Thu, 11 Dec 2003 20:44:23 -0500 (EST) Message-Id: <004101c3c04f$b18504e0$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: musical jokes MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 11 Dec 2003 20:44:23 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: musical jokes X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -----Andi wrote: > A close second is the use of the first phrase of "God Save the > Queen" under the recit before "Eagle High" in Utopia. I disagree that this is a joke. I think that there is a difference between a joke such as your first example (an excellent example, too!) and a paraphrase used to support the dramatic context of the lyrics, such as that found in the Eagle High recit. Puccini used the same device in Madame Butterfly when he quoted The Star Spangled Banner as a musical confirmation that Pinkerton was indeed the father of her child. cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 11-Dec rocky@rcracer.mv.com [32] #Christmas Party 12/13/03 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 11 Dec 2003 20:46:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBC1kiXo004069; Thu, 11 Dec 2003 20:46:45 -0500 (EST) Received: from mercury.mv.net (mercury.mv.net [199.125.85.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id hBC1kbKb023261 for ; Thu, 11 Dec 2003 20:46:37 -0500 (EST) Received: (qmail 496 invoked from network); 11 Dec 2003 20:46:36 -0500 Received: from rcracer.mv.com (HELO rcracer) (207.22.4.90) by mercury.mv.net with SMTP; 11 Dec 2003 20:46:36 -0500 X-Peer-Info: remote-ip 207.22.4.90 local-ip 199.125.85.40 local-name mercury.mv.net Message-Id: <4.2.0.58.20031211203826.00ac4498@pop.mv.net> X-Sender: rcracer-ro@pop.mv.net X-Mailer: QUALCOMM Windows Eudora Pro Version 4.2.0.58 Date: Thu, 11 Dec 2003 20:42:52 -0800 To: dinner@mit.edu From: Rocky Cardalisco Subject: Christmas Party 12/13/03 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Peer-Info: remote-ip 207.22.4.90 local-ip 199.125.85.40 local-name mercury.mv.net X-Sender: rcracer-ro@pop.mv.net Date: Thu, 11 Dec 2003 20:42:52 -0800 To: dinner@mit.edu From: Rocky Cardalisco Subject: Christmas Party 12/13/03 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ho Ho Ho Just a reminder that the Christmas Party is this weekend Saturday 13-Dec-03 starting at 4:00. Dinner will be served at 5:30 so some early for appetizers and cheer. For people who want to bring things: Please bring the beverage of your choice (I won't have time to do any beverage shopping). If you are planning on arriving early: an appetizer or munchie is welcome If you are planning to arrive during dinner a desert or after dinner munchie The main courses are all set Merry Christmas Rocky  1,, Summary-line: 12-Dec deebee@connexus.net.au [97] #OOTW: Trial By Jury - X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 12 Dec 2003 04:11:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBC9BbRC010318; Fri, 12 Dec 2003 04:11:37 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBC9BbYP012258 for ; Fri, 12 Dec 2003 04:11:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBC9BATJ016546; Fri, 12 Dec 2003 04:11:10 -0500 (EST) Date: Fri, 12 Dec 2003 04:11:10 -0500 (EST) Message-Id: <3FD98275.4080006@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: OOTW: Trial By Jury - MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 12 Dec 2003 04:11:10 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: OOTW: Trial By Jury - X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) By some irony I begin my contribution to the OOTW of Trial by Jury after returning home from the County Court, where I was summonsed for Jury duty! But it is too close to Christmans (and the immediately following Summer holidays) for any new trials to begin so after a couple of hours we were discharged. Rather than go home immediately I popped into one of the courts to watch a trial in progress. I know being an unpleasant person is no proof of guilt but I would love to have been on a jury that nailed this defendant - he appeared to be accused of harming a small child and was being cross examined about whether he was a violent man. He dropped the f word 3 times and referred to the arresting officer as That Clown. I know this is OT but it does seem to me interesting as an actor/director in that if seen on stage the audience would not believe that anyone would behave like that in the witness box. The Judge told him 4 times to stop arguing and simply answer the questions. Anyway to the operatic trial by jury! A couple of years ago I came across an article in The Savoyard that I had no recollection of having written and I am not sure what research I had done or where I got the information from! I think I wrote it in 1975, the centenary year of Trial, about the same time I wrote a short play about how the dramatic cantata came to be. The play has never been performed! Anyway, the point of my article was to query the traditional story the composition. Leslie Baily's research was for the purpose of a dramatised radio series and he took a lot of dramatic licence. He describes Carte sitting in the Royalty Theatre studying the box office receipts for La Pericole, worrying about how small they were growing. Gilbert makes a chance visit and is asked if he has anything that could be added to the programme. Gilbert pulls Trial out of his pocket and 3 weeks later it opens. Hesketh Pearson OTOH has a street meeting between Carte and Gilbert as the two struggle through a heavy snow storm. Despite the fact that Gilbert had a heavy cold they stopped to have a discussion about Carte needing another piece for the Royalty. Another suggestion comes from Percy M. Young who says that WSG and Carte met at a performance of Girofle Girofla and it was there that Carte asked WSG for a short piece and WSG suggested a piece about a breach of promise. This apparently comes from an interview Carte gave in 1890 in The Umpire (anyone ever seen this? Is there a copy accessable anywhere?). All the above senarios suggest that the idea for Trial came during the run of Pericole and reflected the lack of success of the Offenbach. However the opening night programme for Pericole had a notice saying "In preparation a New Comic Opera composed expressly for this theatre by Mr Arthur Sullivan in which Madame Dolaro and Miss Nellie Bromley will appear Was this Trial by Jury? Obviously there are not parts for both Selina Dolaro and Nellie Bromley. Could it be that there was an agreement in principal with ASS that he would do something but no libretto had been settled on? But then why Nellie Bromley? She was not already a member of the company as the programme for the opening night of Trial says that it was "her first appearance this season". It was some weeks later that posters appeared for a work by Sullivan and W.C. Gilbert (I wonder how he responded to that!) Baily and Pearson seem to suggest that the lib of Trial had just been returned by Carl Rosa and so was at hand when Carte needed something. However, if it was written for Madame Rosa (a childhood friend of WSG) she had died in January 1874 - more than 14 months before Trial premiered at the Royalty. And who was going to write the music. Most books suggest that it would have been Rosa but he was not a composer. It is more likely that he would have commissioned someone else. We all know that Trial was an immediate success but did it save the day at the Royalty? It was originally performed as an afterpiece not a curtain raiser. Would people really sit through 2 previous shows just to see it? Finally let's get back to that story about the snow storm in which WSG and Carte met and the supposed fact that it was only some 3 weeks later that Trial opened. This would make that meeting at least at the end of February. It is not impossible that there was a cold snap at the time but it is unusual. Is there any website where records of weather are held? Could we find out if there was a snow storm in Feb of 1875? Diana Burleigh  1,, Summary-line: 14-Dec jim@labsoftware.com [22] #Take my Advice X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 14 Dec 2003 15:02:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBEK2XuZ004920; Sun, 14 Dec 2003 15:02:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBEK2Wra005653 for ; Sun, 14 Dec 2003 15:02:32 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBEK1gTJ027156; Sun, 14 Dec 2003 15:01:43 -0500 (EST) Date: Sun, 14 Dec 2003 15:01:42 -0500 (EST) Message-Id: <6.0.0.22.2.20031214145240.04ebf150@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Take my Advice Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.0.22 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 14 Dec 2003 15:01:42 -0500 (EST) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Take my Advice X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I recently needed to sing Take My Advice at a sing-in and wanted a more readable score to sign from, so I typed one up using my music software. I have just posted it at http://trouperslightopera.org/Troupers/Scores/scores_from_troupers_light_opera.htm Jim Cooper Troupers vice-president  1, answered,, Summary-line: 16-Dec mike@mendyke.com [51] #Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Dec 2003 13:50:24 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBGIoHRT004444; Tue, 16 Dec 2003 13:50:21 -0500 (EST) Received: from pimout4-ext.prodigy.net (pimout4-ext.prodigy.net [207.115.63.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBGImnG6015410 for ; Tue, 16 Dec 2003 13:48:49 -0500 (EST) Received: from emachine (adsl-64-164-171-233.dsl.lsan03.pacbell.net [64.164.171.233]) by pimout4-ext.prodigy.net (8.12.10/8.12.10) with ESMTP id hBGImmL8183150 for ; Tue, 16 Dec 2003 13:48:49 -0500 Message-ID: <025b01c3c405$11ecd480$6401a8c0@emachine> From: "Mike Mendyke" To: "David C. Jedlinsky" References: <200304091726.NAA14727@multics.mit.edu> <004701c2fec4$5e398bf0$6401a8c0@emachine> <200304092100.RAA18788@multics.mit.edu> <001601c2fede$a3c1b110$6401a8c0@emachine> <200304092140.RAA19560@multics.mit.edu> <2e1301c399c0$4109aeb0$6401a8c0@emachine> <200310240023.UAA09003@multics.mit.edu> <017501c3bdc6$3242f8d0$6601a8c0@emachine> <200312161812.NAA13873@multics.mit.edu> Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Tue, 16 Dec 2003 10:47:34 -0800 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Mike Mendyke" To: "David C. Jedlinsky" Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Tue, 16 Dec 2003 10:47:34 -0800 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, Check the focs web site for info regarding the pre-show and "good" tix. Unfortunately, I've got nothing to do with most of the logistics for the show. As much as I'm psyched to see you and Ruth, I'm not sure it's worth you spending so much extra money just so we can be in the same room for an hour before the concert. There will be a post-show private afterglow at a nearby restaurant, and I can bring you and Ruth in as guests. Please don't spread this word around; I'm not sure how many people I can add to the master list, (again not my plan, I'm mostly a guest for this event as well). Please confirm and I'll put you two down. Can't wait... :-) Mike ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: 16 December, 2003 10:12 AM Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th > > Hi Mike. > > Regarding tickets for the gig, the wesite for the theatre only has the > regular admission, not the "Premiere Seating" tickets with the > pre-concert reception. How do we get the good tix? > > Is there going to be a post-concert reception, too, or should we plan > on coming to the pre-concert one? We want to see lots of the old > timers, as well as you! :-) > > -Dave  1,, Summary-line: 16-Dec to: party@marco.ipnh.com [25] #New Year's at our place X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Dec 2003 17:18:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBGMI3RR008686; Tue, 16 Dec 2003 17:18:03 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBGMHoQr014945 for ; Tue, 16 Dec 2003 17:17:50 -0500 (EST) Received: from marco.ipnh.com (opus@localhost.ipnh.com [IPv6:::1]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id hBGM0co6029764 for ; Tue, 16 Dec 2003 17:00:38 -0500 (EST) From: opus@ipnh.com Received: (from opus@localhost) by marco.ipnh.com (8.12.9/8.12.9/Submit) id hBGM0c7O031340; Tue, 16 Dec 2003 17:00:38 -0500 (EST) Date: Tue, 16 Dec 2003 17:00:38 -0500 (EST) Message-Id: <200312162200.hBGM0c7O031340@marco.ipnh.com> To: party@marco.ipnh.com Subject: New Year's at our place X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: opus@ipnh.com Date: Tue, 16 Dec 2003 17:00:38 -0500 (EST) To: party@marco.ipnh.com Subject: New Year's at our place X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We're going to hold a relatively small, informal gathering at our place for New Year's, for anyone who wants to shy away from the loud, raucous, alcohol-laden bashes elsewhere. We might have alcohol for anyone so inclined, but it's not a feature of the evening. We're just as likely to celebrate the turning of the year with sparkling cider. Please let us know if you're planning on coming, so we can get enough munchies. Come anytime after 8:00 PM. Maybe we'll play board games if that's what people want. Maybe a movie. We'll turn on the TV in any case just to watch the ball drop. Whatever.  1, answered,, Summary-line: 16-Dec thallata@MIT.EDU [18] #Sorry for the delay X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 16 Dec 2003 17:26:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBGMQZRR016003; Tue, 16 Dec 2003 17:26:36 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBGMM7RZ015880; Tue, 16 Dec 2003 17:22:08 -0500 (EST) Received: from buglounge3.mit.edu (BUGLOUNGE3.MIT.EDU [18.79.1.176]) (authenticated bits=56) (User authenticated as thallata@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hBGMIb7x015703; Tue, 16 Dec 2003 17:18:37 -0500 (EST) Received: (from thallata@localhost) by buglounge3.mit.edu (8.12.9) id hBGMIa1m012770; Tue, 16 Dec 2003 17:18:36 -0500 Message-Id: <200312162218.hBGMIa1m012770@buglounge3.mit.edu> To: opus@MIT.EDU cc: tneal@partners.org, zacheiss@MIT.EDU, rls@dimins.com Subject: Sorry for the delay Date: Tue, 16 Dec 2003 17:18:36 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@MIT.EDU cc: tneal@partners.org, zacheiss@MIT.EDU, rls@dimins.com Subject: Sorry for the delay Date: Tue, 16 Dec 2003 17:18:36 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I apologize for the delay in notification, but several things have come up. People who wanted to interview were unable to be scheduled to do so until this week. Several members of the EC have come down with various illnesses, and it is a bad time of term. We will inform you of our decision by Friday. Sorry for the wait, Erin Tyndall  1,, Summary-line: 17-Dec jtidwell@animato.arlingto [33] #Dessert party, January 30th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Dec 2003 14:00:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBHJ0Mkl026718; Wed, 17 Dec 2003 14:00:22 -0500 (EST) Received: from animato.home.lan (animato.ne.client2.attbi.com [24.128.233.171]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBHJ05xY017229 for ; Wed, 17 Dec 2003 14:00:05 -0500 (EST) Received: by animato.home.lan (Postfix, from userid 501) id 061A9AB6C4; Wed, 17 Dec 2003 14:00:04 -0500 (EST) Received: from localhost (localhost [127.0.0.1]) by animato.home.lan (Postfix) with ESMTP id F1769C344; Wed, 17 Dec 2003 14:00:04 -0500 (EST) Date: Wed, 17 Dec 2003 14:00:04 -0500 (EST) From: Jenifer Tidwell X-X-Sender: jtidwell@animato.home.lan To: dinner@mit.edu, kcritz@mathworks.com, gkushmer@mathworks.com Subject: Dessert party, January 30th Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Dec 2003 14:00:04 -0500 (EST) From: Jenifer Tidwell X-X-Sender: jtidwell@animato.home.lan To: dinner@mit.edu, kcritz@mathworks.com, gkushmer@mathworks.com Subject: Dessert party, January 30th X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Please join Rich and me for a dessert party on Friday evening, January 30th. We will indulge our collective chocolate obsession with a tasting of several different chocolates, each 70% cocoa, in a blind taste test. What's better -- Lindt or Valrhona? Is Trader Joe's dark chocolate really rebadged Callebaut? Find out... If you want to bring some unusual or hard-to-find variety, especially those good European chocolates that some of you bring back from overseas, please do! To go with it, we'll also have a port tasting. Same rules apply. I can supply one or two; a couple of you were thinking of bringing some. That would be great. We'll also have some fruit, nuts, and maybe an angel food cake. As always, bring what you'd like. (Carolyn? Truffle torte?) If we have enough milk chocolates, we could do a tasting of those too... People can start showing up at 7:30. Tastings start at 8. Please RSVP when you can -- thanks! - Jenifer  1,, Summary-line: 17-Dec rebecca@hains.net [49] #FW: SavoyNet at Buxton 2003 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Dec 2003 14:35:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBHJZGkl023247; Wed, 17 Dec 2003 14:35:16 -0500 (EST) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBHJZFxY011614 for ; Wed, 17 Dec 2003 14:35:15 -0500 (EST) Received: from dimension (pcp04663219pcs.wilog501.pa.comcast.net[68.81.20.89]) by comcast.net (sccrmhc13) with SMTP id <2003121719351501600rnt9ve>; Wed, 17 Dec 2003 19:35:15 +0000 From: "Rebecca Consentino Hains" To: "'Samuel Silvers'" , "'David C. Jedlinsky'" Subject: FW: SavoyNet at Buxton 2003 Date: Wed, 17 Dec 2003 14:34:49 -0500 Message-ID: <007601c3c4d4$d6242630$6400a8c0@DIMENSION> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook, Build 10.0.4024 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rebecca Consentino Hains" To: "'Samuel Silvers'" , "'David C. Jedlinsky'" Subject: FW: SavoyNet at Buxton 2003 Date: Wed, 17 Dec 2003 14:34:49 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 Importance: Normal X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Oh dear! If we do Pirates, I shall be *very* tempted to audition, even though I've no idea about my odds of being cast. What was the schedule like this year? That is, over how many days did you rehearse prior to the performance? Rebecca -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of David Duffey Sent: Wednesday, December 17, 2003 2:28 PM To: Multiple recipients of list SAVOYNET Subject: SavoyNet at Buxton 2003 Subject to final confirmation, as the programme for Buxton 2004 has not been published and may still be subject to revision, SavoyNet will be performing Pirates of Penzance on Tuesday 10 August. It represents the greatest challenge SavoyNet as a performing group has yet faced. We did well with Patience, Sorcerer and Utopia, therefore expectations will be high, but producing an excellent "top three" show will be extremely demanding. Audition details will be posted in the near future. David Rude Warrior  1,, Summary-line: 17-Dec paulensell@blueyonder.co. [32] #Re: Looting Tremoardan Castle during MG's Ballad in "PIRATES" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Dec 2003 16:39:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBHLdEkl029054; Wed, 17 Dec 2003 16:39:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBHLd9TB010458 for ; Wed, 17 Dec 2003 16:39:13 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBHLclTJ019171; Wed, 17 Dec 2003 16:38:47 -0500 (EST) Date: Wed, 17 Dec 2003 16:38:47 -0500 (EST) Message-Id: <004c01c3c4e4$047db280$55002752@DKZYR0J> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: Re: Looting Tremoardan Castle during MG's Ballad in "PIRATES" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Dec 2003 16:38:47 -0500 (EST) Reply-To: paulensell@blueyonder.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul Ensell" To: Multiple recipients of list SAVOYNET Subject: Re: Looting Tremoardan Castle during MG's Ballad in "PIRATES" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In the "New" D'Oyly Carte production of about 1990, the Pirates looted the MG's home during "With Cat Like Tread" the spoils were passed down a line of pirates, the last of whom passed them on to the next man without looking, this was actually a policeman, who then passed the stolen goods on through a line of police back into the house. A very funny section of business which worked very well. Paul Ensell Newcastle-upon-Tyne, England "A catastrophe curve is what opera runs along. Opera happens because a large number ofthings amazingly fail to go wrong." Terry Pratchett - Maskerade p.s. Somebody from the other side of the pond used the word "burglarize" in a post on this topic, English has the very useful word "BURGLE" please use it, it's been around for years, and is feeling a bit left out!  1, forwarded, answered,, Summary-line: 17-Dec mike@mendyke.com [44] #Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Dec 2003 17:00:18 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBHM0Fkl015532; Wed, 17 Dec 2003 17:00:18 -0500 (EST) Received: from pimout4-ext.prodigy.net (pimout4-ext.prodigy.net [207.115.63.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBHM0DTB027833 for ; Wed, 17 Dec 2003 17:00:15 -0500 (EST) Received: from emachine (adsl-64-164-171-233.dsl.lsan03.pacbell.net [64.164.171.233]) by pimout4-ext.prodigy.net (8.12.10/8.12.10) with ESMTP id hBHM0CL8038140 for ; Wed, 17 Dec 2003 17:00:12 -0500 Message-ID: <064801c3c4e8$f230d850$6401a8c0@emachine> From: "Mike Mendyke" To: "David C. Jedlinsky" References: <200304091726.NAA14727@multics.mit.edu> <004701c2fec4$5e398bf0$6401a8c0@emachine> <200304092100.RAA18788@multics.mit.edu> <001601c2fede$a3c1b110$6401a8c0@emachine> <200304092140.RAA19560@multics.mit.edu> <2e1301c399c0$4109aeb0$6401a8c0@emachine> <200310240023.UAA09003@multics.mit.edu> <017501c3bdc6$3242f8d0$6601a8c0@emachine> <200312161812.NAA13873@multics.mit.edu> Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Wed, 17 Dec 2003 13:58:46 -0800 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Mike Mendyke" To: "David C. Jedlinsky" Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th Date: Wed, 17 Dec 2003 13:58:46 -0800 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, It turns out there is a pre-show dinner for the group and invited guests at around 4:30 at a Tai restaurant called...lemme see...Sweet Chili (or Sweet Chilis, not sure which). All I know is that it's "local" to the theatre. If I can track down more information, I'll let you know, but the short summary is: I've put down you and Ruth as my guests for this early dinner, if you're able to come. Mike ----- Original Message ----- From: "David C. Jedlinsky" To: Sent: 16 December, 2003 10:12 AM Subject: Re: Mike Mendyke and Wes Carroll in Boston for FOCS' Final Concert Dec 20th > > Hi Mike. > > Regarding tickets for the gig, the wesite for the theatre only has the > regular admission, not the "Premiere Seating" tickets with the > pre-concert reception. How do we get the good tix? > > Is there going to be a post-concert reception, too, or should we plan > on coming to the pre-concert one? We want to see lots of the old > timers, as well as you! :-) > > -Dave  1,, Summary-line: 17-Dec rlcarr@MIT.EDU [197] #MA looking to go OSS? Lobbyists gearing up to fight? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 17 Dec 2003 17:47:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from central-city-carrier-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBHMlfkl015188; Wed, 17 Dec 2003 17:47:41 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by central-city-carrier-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBHMlT9c024157 for ; Wed, 17 Dec 2003 17:47:30 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id hBHMlTRj027701 for ; Wed, 17 Dec 2003 17:47:29 -0500 (EST) Received: (from rlcarr@localhost) by multics.mit.edu (8.9.3p2) id RAA07821; Wed, 17 Dec 2003 17:47:29 -0500 (EST) Date: Wed, 17 Dec 2003 17:47:29 -0500 (EST) Message-Id: <200312172247.RAA07821@multics.mit.edu> From: Rich Carreiro To: dinner@MIT.EDU Subject: MA looking to go OSS? Lobbyists gearing up to fight? X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 17 Dec 2003 17:47:29 -0500 (EST) From: Rich Carreiro To: dinner@MIT.EDU Subject: MA looking to go OSS? Lobbyists gearing up to fight? X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) While not food-related, this may be of interest to a bunch of you. I was sent this by my state rep, who also said to feel free to forward it around to people I think might have something to contribute to a discussion. I know a bunch of you would, and I'm sure he'd love to hear your thoughts even if you aren't in his district (or even in MA). You can reach him at: James.Marzilli@state.ma.us From: State House News Service [mailto:news@statehousenews.com] Sent: Wednesday, December 17, 2003 4:59 PM To: SHNS3 Subject: KRISS MEMO ON I.T. AGENDA STIRS QUESTIONS ABOUT COMPETITION, AUTHORITY KRISS MEMO ON I.T. AGENDA STIRS QUESTIONS ABOUT COMPETITION, AUTHORITY By Michael P. Norton STATE HOUSE NEWS SERVICE STATE HOUSE, BOSTON, DEC. 17, 2003......Democratic state senators accused the Romney administration of rushing, without clear legal authority, to adopt a broad information technology system for state government that excludes providers of proprietary technology solutions. At a Senate Post Audit and Oversight Committee hearing, senators said they understand the operational and savings promise of a state government information technology system featuring computers that can communicate with one another and share information. But committee members are worried and skeptical about what they perceive as the administration's preference for so-called open standard and open source solutions, as well as projections that the change will rip hundreds of jobs out of the state's economic base. Chairman Marc Pacheco (D-Taunton), diving into a committee investigation of the issue, said the administration is forging ahead with an open standards and open source information technology system based solely on a September 2003 internal memo from Administration and Finance Secretary Eric Kriss. While there are many different forms, Microsoft is a good example of proprietary software, while Linux represents the open source approach. In the memo, Kriss said the new "open" policy will be adopted "effective immediately" because the state can't afford a "disjointed and proprietary" approach that "locks in legacy systems, generates excessive use of outside consultants, and creates long, often misguided project plans." Kriss' memo continues to say that new IT applications "must" follow open standards and open source standards, which allow data to be shared through widely available protocols and without license fees or use restrictions. He used plug-in electricity as a layman's example of an open standard. Kriss defined open source as software that can be redistributed free, without use restrictions, including all source code. Pacheco called the open source approach "innovative and exciting" but said it is "relatively untested." If adopted, he said, Massachusetts would be the first state to adopt such "radical new policies and technology." Pacheco said the changes are due to take effect in January, and lawmakers feel "frozen out." And in addition to concerns that an open source state system would depress jobs in the state's software industry, Pacheco believes the Kriss directive might cause the state to run afoul of its public bidding laws. "We want to make sure we have an open competitive process," said Pacheco. During testimony before the committee, Peter Quinn, chief information officer for the Commonwealth, said owners of proprietary systems are not excluded from an open source system as long as their products meet the state's definition of "best value." "It doesn't exclude anybody," said Quinn. - KRISS MEMO ON I.T. AGENDA STIRS QUESTIONS ABOUT COMPETITION, AUTHORITY Quinn said the governor's top fiscal aide, who declined an invitation to testify at the hearing, is "well read" on information technology issues and the Kriss memo's directive is consistent with months of talks within the government. Quinn took issue with the repeated assertion that the administration is limiting the potential pool of bidders, emphasizing instead the importance of improving an obsolete IT system. "This is broadening the landscape, rather than narrowing it," said Quinn. "The open source community is worldwide." Quinn said proprietary systems come with licensing costs, are not open for inspection, and are not easily duplicated. He added that owners of such systems are by no means excluded from bidding for state contracts. "The whole goal here is to bring some sanity to the process," he said. State government's IT system, despite years of investments and planning for improvements, "negates any semblance of best practice," Quinn said. It is expensive to maintain, he said, and dependent on aging operators who understand its nuances. Because of this, Quinn said, young tech professionals often have no interest in working for the state. While administration officials and Democratic senators appear to agree on the need for improvement, senators insist the administration's policy does not give proprietary solution providers a fair shot at bidding to be part of the state's extensive information technology landscape. "You're basically saying if you're not open source, you don't meet the technical standards," said committee member Sen. Steven Panagiotakos (D-Lowell). "That jumps out at you right away. If you're not excluding, you're giving preference to non-proprietary." According to Pacheco, an open source and open standards system was given a "low feasibility" label and put on planning status by a bipartisan 25-member Information Technology Commission of public and private sector experts created in 2002. The commission made its recommendations in February 2003. Committee members said Kriss' directive appears inconsistent with the commission's recommendations. "It seems to me that he's ignoring the work of that commission," said Sen. Richard Moore (D-Uxbridge). "He's substituting his own judgment." Pacheco said the commission recommended a less aggressive strategy than Kriss is pursuing. "It seems to me the direction here is coming a lot more from that memo" than the commission, said Pacheco. "It doesn't look too good." Pacheco said it appears the administration needs to take steps, through its procurement documents, to recognize the legitimacy of proprietary system owners. But even with such changes, Pacheco suggested the administration lacks the legal authority to change the emphasis of its information technology procurement system based on commission recommendations not yet acted upon by the Legislature. - more - KRISS MEMO ON I.T. AGENDA STIRS QUESTIONS ABOUT COMPETITION, AUTHORITY Some state commissions are empowered to implement changes but the IT commission was not, Pacheco said. "There was no regulatory or policymaking authority granted, except for the ability to come back with recommendations," he said. Two tech trade groups opposed the open source approach during testimony delivered on Tuesday. CompTIA, with more than 16,000 members in 80 countries and 210 member companies in Massachusetts, said government procurement policies that express preferences "could incalculably harm Massachusetts' economy, public administration, its citizens, and its information technology industry by severely restricting software choice" in Massachusetts. The group says no new rules are needed - just the ability of the state to get the best value in each instance. CompTIA claims a preference policy for open source and standards companies will only serve to "prime the pump" for that industry, which is already flourishing. According to CompTIA, revenues from open source and standard products like Linux grew more than 2,000 percent between 2001 and 2002 and growth in the market "is not expected to abate any time soon." In the first year of the policy change, Massachusetts could lose 600 private sector jobs, while adding 150 government jobs, according to CompTIA, which projects a net 20-year job loss of 1,100 attributable to the policy change. "Why A&F is rushing to implement this new policy by Jan. 1, 2004 is inexplicable," the group wrote in its testimony. "The government is a sturdy ship that takes wide turns, not a speedboat that turns on a dime." Jonathan Zuck, president of the Association for Competitive Technology, or ACT, said the first draft of the policy was made available two weeks ago, with final comments due by this Friday. "This policy has been created with virtually no input or oversight from the Legislature and insufficient input from the industry it will affect," Zuck said in his prepared testimony, adding that the change could prevent two thirds of Bay State software developers from doing business with the state.  1,, Summary-line: 18-Dec jclockwood@78s2cd.com [27] #Frank Behrens on Abridged Gilbert and Sullivan X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Dec 2003 15:40:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBIKeL47012506; Thu, 18 Dec 2003 15:40:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBIKeJl7029523 for ; Thu, 18 Dec 2003 15:40:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBIKdwTJ008991; Thu, 18 Dec 2003 15:39:58 -0500 (EST) Date: Thu, 18 Dec 2003 15:39:58 -0500 (EST) Message-Id: <001b01c3c5a2$aefd5e40$912a3180@GUAPA> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: Frank Behrens on Abridged Gilbert and Sullivan MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.4510 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Dec 2003 15:39:58 -0500 (EST) Reply-To: jclockwood@78s2cd.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "James Lockwood" To: Multiple recipients of list SAVOYNET Subject: Frank Behrens on Abridged Gilbert and Sullivan X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I'm happy to be able to post the following link to another fine review by our friend Frank Behrens, this time writing in the Brattleboro Reformer about our CD reissue of the four HMV abridged G&S recordings: http://www.reformer.com/Stories/0,1413,102~8885~1838768,00.html The Brattleboro Reformer is a regional newspaper in Vermont, one of several periodicals for which Frank serves as music critic. Best regards, Jim Lockwood (soon to be ex-civil-servant! :-) ) Yuma, Arizona  1,, Summary-line: 18-Dec dsmith@umassd.edu [34] #G&S sighting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 18 Dec 2003 22:22:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJ3MJ47005380; Thu, 18 Dec 2003 22:22:19 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBJ3MIMc019401 for ; Thu, 18 Dec 2003 22:22:18 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBJ3MATJ019181; Thu, 18 Dec 2003 22:22:12 -0500 (EST) Date: Thu, 18 Dec 2003 22:22:10 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: G&S sighting Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 18 Dec 2003 22:22:10 -0500 (EST) Reply-To: dsmith@umassd.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "J. Donald Smith" To: Multiple recipients of list SAVOYNET Subject: G&S sighting X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The latest issue of Opera News (January 2004), the magazine of the Metropolitan Opera in New York City has an article "What are You Laughing at? Some notes on comedy in opera" by playwright Jonathan Tolins contains a reference to the Pirates of Penzance and "Modern Major General." While that is all the G&S, it is a very insightful discussion of the difference between verbal humor (and the problems of conveying it whilst singing) and physical humor, which may or may not get the laughs desired. Best line: dialogue between Alfred Lunt and Lynn Fontanne: LUNT: "Lynn, I used to get a laugh on that line when I ask for a cup of tea and now I don't. Do you know why?" FONTANNE: "Yes, Alfred. You used to ask for a cup of tea. Now you ask for the laugh." -- J. Donald Smith East Taunton, MA 02718 USA dsmith@umassd.edu  1,, Summary-line: 19-Dec tempsavoy@tradelaw.com [55] #FF 8 - My Favorite CD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Dec 2003 15:06:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJK6RfZ012232; Fri, 19 Dec 2003 15:06:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBJK6QWB001332 for ; Fri, 19 Dec 2003 15:06:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBJK5uTJ028359; Fri, 19 Dec 2003 15:05:56 -0500 (EST) Date: Fri, 19 Dec 2003 15:05:56 -0500 (EST) Message-Id: <5.2.1.1.0.20031219132101.00b2fdb8@pop.rcn.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: FF 8 - My Favorite CD Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Dec 2003 15:05:56 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: FF 8 - My Favorite CD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) My favorite CD has relatively little to do with G&S. It is the Florence Foster Jenkins Concert CD (Florence Foster Jenkins, The Glory of the Human Voice). It offers a great deal to recommend itself. I first heard this as a record when I was a student at Oxbridge. I was in the Gilbert and Sullivan Performing Society (Oxbridge Worldclass Light Entertainment Society (OWLES) at the time. We had just put on a double bill production of Trial by Jury and Sorcerer. While I am a brilliant patter comedian and actor, I was playing the role of the Plaintiff's Counsel and the Notary. The production was attended by Martyn Reed, the reigning patter comedian with the premier light opera company in England. After the performance he came back stage and commented how wonderful the production was. In particular he praised the patter comedians in the production, saying that either of them would be a worthy successor to him. As Wells was not played by a patter comedian, but rather a traditional baritone, Marty Reed was clearly signally me out for my well earned and well deserved praise. At the cast party after the show I heard the Florence Foster Jenkins recording. Her singing was wonderful, and she produced a sound that I am proud to stay I still produce every time I am on stage. But this was not my only exposure to this album. A few years later I was called in as a last minute substitute for the Christmas Pantomime at my Son's School. The work had been written by a very talented fourth grader who had modeled his singing and his music on Foster Jenkins. He had the very album that I find to be my favorite. I was the star of the show. I had the loudest and the strongest voice. I was able to read my lines without significant hesitation. I managed to walk across the stage several times before tripping. In sum, I was brilliant. Finally, this past year I have finally realized my wildest dreams. I have recorded an Album called "David Craven, the Glory of the Human Voice". I am absolutely brilliant on "poor wandering one", my "Take a Pair of Sparkling Eyes" is the first time, I can confidently say, that the song is sung well enough to be kept in Gondoliers, and my rendition of the "Come Mighty Must" brings tears even to my eyes. As, at present, my recording is only available on 8 track, it is not yet my favorite CD. But who knows what next year will bring. I understand that the Opera House in Buxton is available for rental and I am seriously thinking of renting it the day before the start of the festival to present my own concert of song... after all if lesser talents like John Reed, Nick Sales, and Philip Potter can put on concerts.....  1,, Summary-line: 19-Dec cupid@MIT.EDU [20] #Chanukah party - new date X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Dec 2003 15:12:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJKC3fZ016017; Fri, 19 Dec 2003 15:12:03 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBJKBucU027072 for ; Fri, 19 Dec 2003 15:11:56 -0500 (EST) Received: from mass-toolpike.mit.edu (MASS-TOOLPIKE.MIT.EDU [18.7.16.71]) (authenticated bits=56) (User authenticated as cupid@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id hBJKBt8e018721 for ; Fri, 19 Dec 2003 15:11:56 -0500 (EST) Received: (from cupid@localhost) by mass-toolpike.mit.edu (8.12.9) id hBJKBtpF002367; Fri, 19 Dec 2003 15:11:55 -0500 (EST) Date: Fri, 19 Dec 2003 15:11:55 -0500 (EST) Message-Id: <200312192011.hBJKBtpF002367@mass-toolpike.mit.edu> From: Randi M Kestin To: dinner@MIT.EDU Subject: Chanukah party - new date X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Dec 2003 15:11:55 -0500 (EST) From: Randi M Kestin To: dinner@MIT.EDU Subject: Chanukah party - new date X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ok, so based on a consensus vote at Rocky's Xmas party we decided to move our Chanukah party date to January 3. Technically Chanukah is over by then but it won't be too far past the end date and this way people can actually come and eat potato latkes - and we can sport all the cool Chanukah dishes we got as presents this year. :) Please let us know if you can come. We'll send out another reminder when it gets closer. Randi  1,, Summary-line: 19-Dec tempsavoy@tradelaw.com [81] #FF - 10; The Bad Boys... X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Dec 2003 15:33:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJKXZfb000634; Fri, 19 Dec 2003 15:33:36 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBJKWrWB018061 for ; Fri, 19 Dec 2003 15:32:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBJKVpTJ001147; Fri, 19 Dec 2003 15:31:51 -0500 (EST) Date: Fri, 19 Dec 2003 15:31:51 -0500 (EST) Message-Id: <5.2.1.1.0.20031219134601.02f57648@pop.rcn.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: FF - 10; The Bad Boys... Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Dec 2003 15:31:51 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: FF - 10; The Bad Boys... X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Setting A Small Chinese Restaurant part way up a hill in a small and dark market town in Devonshire on an early August Evening... When the curtain opens, a rather handsome, very well dressed young man in a Military Uniform is setting at a table. The rest of the tables are empty. The Door Opens and a Young Man dressed in a very fancy Uniform walks in.... It is Col. Fairfax. He is accompanied by a young man in a faux Venetian Gondolier Costume Col Fairfax: It is I, Col Fairfax. I have with me Royalty - Signor Marco Palmieri, the true and rightful heir to the throne of Barataria. We demand a table for this evening. Proprietory: I am sorry but all of these tables are set aside for a Mr. Duffey and his cast. They are presenting a show about Pirates this year, and in the "verismo" style that is being used, all of the men have been directed to be lawless brigands for the entire week. If I do not give them their tables, they will slaughter everyone who is not an Orphan. Col Fairfax. What does that matter to me. I am an Orphan, and became one on my 21st Birthday when I denounced my family to some Calvinist Presbyterians and they were slaughtered on the spot. Marco. I have a taste for drink combined with gout. Can I have a beer while we wait? Col. Fairfax. Be quiet (to Marco). Therefore you must give us a table or I might just run across the street to that gathering group of Calvinists. Prop. Would you consider sitting with that quiet young man at that table. Col Fairfax. I guess so. Fairfax and Marco walk over to the table. Prop. Excuse me sir, may these gentlemen join you. Alexis. Certainly... my name is Alexis Pointdexter and I would be pleased if you would sit with me. (Fairfax and Marco sit down). Alexis. I want to talk with you about the plight of the working man and the true nature of love. Bus Boy. Excuse me, I need to fill your water glasses. Fairfax. You seem to be a bright young fellow and you seem a bit too old to be a bus boy. Waiter. Oh no, I am actually too young under the labor laws of this grand and glorious country called Great Britain (to which others add Ireland). I am only 12. I was born on February 29, 1956. By the way my name is Frederic, by my friends call me Ric. Marco. I see that makes sense. At this point the whole Restaurant disappears in a cloud of smoke and dust and we see on the side of the stage a gentleman dressed in the costume of a Utopian Exploder (looking strangely like Sam S.) shaking hands with a young gentleman dressed in a Victorian imagined Japanese attire. The Young Gentleman turns to the audience and says: Any more discussions over who is the true villain?  1,, Summary-line: 19-Dec lpinsker@erols.com [92] #FF03-6 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Dec 2003 16:23:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJLNqfZ002208; Fri, 19 Dec 2003 16:23:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBJLNpWB021473 for ; Fri, 19 Dec 2003 16:23:51 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBJLMUTJ006206; Fri, 19 Dec 2003 16:22:31 -0500 (EST) Date: Fri, 19 Dec 2003 16:22:30 -0500 (EST) Message-Id: <3FE36A1F.30653B1@erols.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: FF03-6 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.7 [en]C-CCK-MCD {RCN} (Win95; I) X-Spam-Score: -3.547 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 19 Dec 2003 16:22:30 -0500 (EST) Reply-To: lpinsker@erols.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leonard Pinsker To: Multiple recipients of list SAVOYNET Subject: FF03-6 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.547 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Don't be surprised if some real critic somewhere comes up with something like this... WHAT KIND OF NAVY IS THIS? by John Dense To any who care about such things, I will freely admit that I have had no experience in this country's military. But it appears even to me that no military organization of any sort could operate in a manner such as that suggested by this "comic opera" called HMS PINAFORE. It turns out that the title of this piece is also the name of the ship on which all the action takes place. All well and good, but what kind of name for a warship is "Pinafore"? I do understand that occasionally, writers of musical pieces must invent words or stretch the pronunciation of same in order to acheive rhymes, or a particular rhythmic scheme. While that may explain the bizarre name of the ship, it may be suspending disbelief *too* far. After a rousing overture--I will say this about the opera, it has cracking good music--we see the crew of this ship doing their daily chores while singing. This is not beyond belief: sailors have been known to sing while they work. However, they do have a tendency to break into song at the slightest provocation; this too may be owing to the conventions of opera. But this is not the major problem with the story, annoying though this is. First off, what kind of warship travels around with the captain's daughter on board? This may be explained away by the fact that, at the time when the action takes place, the ship is in port. Even so, most men wouldn't want their daughters in that sort of environment. Next, it appears as though the only person who speaks the truth is the most hated person on board the ship. Most of the rest of the crew--even the ranking officer below the captain, who is a boatswain--seem to have some sort of idealized vision of how the Royal Navy should work, about which more shortly. At one point, this character says "I'm ugly, and they all hate me for it--for you all hate me, don't you?" Admittedly, he isn't very attractive, but the rest of the crew doesn't seem to realize: the problem is that Dick Deadeye is telling them what they don't want to hear--but it *is* the truth. We now move to the character of Sir Joseph Porter, the self-proclaimed "Ruler of the Queen's Navy". This man wouldn't know which end of a boat was which without a map. He's never been a sailor himself. And he's running the entire show? It is sincerely to be hoped that Great Britain didn't run into a wartime situation while this idiot was in charge! If that were to happen, and the commander of a ship asked for orders, what would this guy say? "Dance a hornpipe"? Apparently he thinks that's all sailors do! Not to mention further, he believes that all orders should be followed by the phrase "if you please". Courtesy is all well and good, but it has its place...and this isn't it! And while we're on the subject of Sir Joseph, what kind of man feels compelled to accompany himself with all the female members of his family? Especially when he's on an official inspection...or angling for a chance to bed--er, sorry, *wed*--the captain's daughter. In the end, he's stuck with one of the cousins, and a rather bossy one at that. But all of this pales before the denoument of this farce. We are asked to believe that the captain, and a sailor called Ralph Rackstraw (inexplicably, the first name is pronounced "rafe"; I think this is to get a rhyme to work), had been switched at birth--when they obviously aren't the same age. Moreover, at the end, one's in the brig, one's in his cabin...and they somehow know to change uniforms (not to mention, they're *able to do it*). I'm sorry. This one just had me lost completely. But as I said before, it does have some catchy music. This Sullivan guy apparently knows his stuff. Gilbert, on the other hand... Leonard Pinsker lpinsker@erols.com West Chester, PA USA "They say that on SavoyNet, the conversation of the very meanest is a coruscation of impromptu epigram!"  1,, Summary-line: 19-Dec jered@convivian.com [160] #Jered and Brian's Move (12/22) and Open House (12/24) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 19 Dec 2003 18:28:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBJNSAfZ003085; Fri, 19 Dec 2003 18:28:10 -0500 (EST) Received: from noisybox.convivian.com (noisybox.convivian.com [64.95.77.250]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBJNRtN5021647; Fri, 19 Dec 2003 18:27:55 -0500 (EST) Received: from questionably-configured.permabit.com.convivian.com (gw.permabit.com [67.107.99.99]) by noisybox.convivian.com (Postfix) with ESMTP id 1AE19684011; Fri, 19 Dec 2003 18:27:39 -0500 (EST) To: party@convivian.com Reply-To: party@convivian.com Subject: Jered and Brian's Move (12/22) and Open House (12/24) Cc: Tommy Madden , Sean Huck , Stuart Wamsley , Henry Ryan , Liza Gallagher , Bubsy , Kurt Kitzmann , Nancy Hammerle , Dora Hammerle , "Rick Awe" , "Chris Coveney" , "John O'Sullivan" , "Frank P. Damiano" , Amatul Hannan , Ilona , Julian Wellesley , Mark Rosenstein , Jay Laird , Jody Renouf , "Sam Sherry" , sarah brown , "Todd Schernig" , Noel Hidalgo , "Tarah Farman" , Matthew Belmonte , Chris Avrich , Rickland Powell , Lane Bourn and Stuart Wells , "Travis J.I.Corcoran" , Peter Radcliffe , Adam Woodworth , Will Turano , Stever Robbins , "Michael Albano" , Greg Colling , Donald Donald , George Madrid , Molly Frey , Rich and Kirt , Joe Foley , Steve Wadlow , Jesse Vincent , Jeremy Brown , Johanna Bobrow , Ofer Inbar , Alexis Presti , Amy , Catherine Werner (E-mail) , , Chris Brooks , , , , , , , Gene , Gene Enriquez , Gentoo-Wally , Hart@convivian.com, Nardia , , Jason Springer , Jennifer Bruhn , Jennifer Bryan (E-mail) , Jeremy , John Cummings , John Pap , Jordan , J-R Lopes , , Keith , Ken Brown , , Liam Carroll , , , Peaslee@convivian.com, Sarah , , Raie , , Rasp@convivian.com, Jamie , RJ , RJ Migliachio , SPICA@convivian.com, 3ENGR03 <3engr03.spica@mscafloat.msc.navy.mil>, , Hotass People , SIPB , Florey , TEP , EIT , Grey , Work From: Jered Floyd Date: 19 Dec 2003 18:27:37 -0500 Message-ID: <87ad5oe6c6.fsf@questionably-configured.permabit.com> Lines: 96 User-Agent: Gnus/5.0808 (Gnus v5.8.8) XEmacs/21.4 (Common Lisp) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: party@convivian.com Reply-To: party@convivian.com Subject: Jered and Brian's Move (12/22) and Open House (12/24) Cc: Tommy Madden , Sean Huck , Stuart Wamsley , Henry Ryan , Liza Gallagher , Bubsy , Kurt Kitzmann , Nancy Hammerle , Dora Hammerle , "Rick Awe" , "Chris Coveney" , "John O'Sullivan" , "Frank P. Damiano" , Amatul Hannan , Ilona , Julian Wellesley , Mark Rosenstein , Jay Laird , Jody Renouf , "Sam Sherry" , sarah brown , "Todd Schernig" , Noel Hidalgo , "Tarah Farman" , Matthew Belmonte , Chris Avrich , Rickland Powell , Lane Bourn and Stuart Wells , "Travis J.I.Corcoran" , Peter Radcliffe , Adam Woodworth , Will Turano , Stever Robbins , "Michael Albano" , Greg Colling , Donald Donald , George Madrid , Molly Frey , Rich and Kirt , Joe Foley , Steve Wadlow , Jesse Vincent , Jeremy Brown , Johanna Bobrow , Ofer Inbar , Alexis Presti , Amy , Catherine Werner (E-mail) , , Chris Brooks , , , , , , , Gene , Gene Enriquez , Gentoo-Wally , Hart@convivian.com, Nardia , , Jason Springer , Jennifer Bruhn , Jennifer Bryan (E-mail) , Jeremy , John Cummings , John Pap , Jordan , J-R Lopes , , Keith , Ken Brown , , Liam Carroll , , , Peaslee@convivian.com, Sarah , , Raie , , Rasp@convivian.com, Jamie , RJ , RJ Migliachio , SPICA@convivian.com, 3ENGR03 <3engr03.spica@mscafloat.msc.navy.mil>, , Hotass People , SIPB , Florey , TEP , EIT , Grey , Work From: Jered Floyd Date: 19 Dec 2003 18:27:37 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes, it's true, we're moving! After 5 years at Grey 17 for Jered, it's finally time to leave. And so, this mail serves a double purpose. 1) We will be having a Christmas Eve/6th Night of Chanukah Open House on Wednesday, December 24th. Come and visit us at our new home! Stop by anytime after 8pm for friends, drinks, and snacks. And unlike the last party, we now have a freezer. Actually, a whole kitchen. Two, even! Directions below. 2) We could use a few more hands moving. We'd like to get the rest of the apartment over to the house this Sunday, December 22. If you're available in the afternoon and/or have a large vehicle, let us know. (Special added guilt points if either of us have helped you move in the past. :-) We hope to see you Wednesday! (And perhaps Sunday as well.) -- Jered Floyd and Brian Gibbons Directions to 36 Cherry St, Somerville -------------------------------------- If you get lost, call either: Jered: 617 230 8100 Brian: 978 828 6525 Cherry Street runs between Highland Avenue and Elm Street, however it is one-way from Summer to Elm. If you know the Porter Square area, we are on the block between Summer Street and Elm Street, 4th house on the right after you pass Summer. 36 Cherry Street is approximately 10 houses up, on your left. It has dark brown shingles with a large fieldstone front porch and exclamation point bushes. BY T: Take the red line to Porter Square. Take the right-hand exit from the T station and cross the street to White Street (between the Porter Square Galleria and CVS). Walk up White Street, beside the Porter Square Shopping Center parking lot, to Elm Street. Turn right onto Elm and then take the first left onto Cherry Street (next to the school parking lot). BY CAR: We have parking for at least 6 or 7 cars, please feel free to use it. (Thanks to Chip Olson for the directions!) From the west: Take Rte 2 to Alewife. Turn left onto Rte. 16, and turn right at the next light onto Massachusetts Avenue. Take Mass Ave about 1 mile towards Porter Square. Just before Porter Square, turn left onto Beech Street (just after a large stone church on the left). Beech Street ends at Elm Street. Get in the right lane as if to turn right onto Elm, but instead go more or less straight onto Willow Avenue. Turn right at the first light onto Summer St, and then take the fourth right onto Cherry Street. #36 is on the right; the driveway is after the house. From the north: Take I-93 to Exit 31, "Rte 16 East Revere". Get over to the far right lane and turn right onto what becomes Harvard Street. Continue straight through four lights. The last light is Boston Avenue, just after a railroad bridge. After Boston Avenue, turn left onto Bristol Avenue, and follow it to the end. Go more or less straight at the light onto Willow Avenue. Follow Willow several blocks until it becomes one way coming the other way, and turn left onto Highland Avenue. Take the second right onto Cherry Street. #36 is on the second block, on the right. The driveway is after the house. From the south: Take I-93 through (well, under) Boston, and get off at Exit 29, "Rt 28 to Rt 38 Somerville/Everett". Stay left on the ramp, go straight through the light (the only option), and turn right onto Mystic Avenue. Follow Mystic Avenue about a mile through three or four lights. You will pass a Staples and Pizza Hut on the right. Take a left at the next light onto Harvard Street. Continue straight through three lights. The last light is Boston Avenue, just after a railroad bridge. After Boston Avenue, turn left onto Bristol Avenue, and follow it to the end. Go more or less straight at the light onto Willow Avenue. Follow Willow several blocks until it becomes one way coming the other way, and turn left onto Highland Avenue. Take the second right onto Cherry Street. #36 is on the second block, on the right. The driveway is after the house.  1,, Summary-line: 20-Dec butter.cup@tiscali.co.uk [47] #FF03 7 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Dec 2003 14:43:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBKJhssW025450; Sat, 20 Dec 2003 14:43:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBKJhYXS020000 for ; Sat, 20 Dec 2003 14:43:34 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBKJh2TJ017681; Sat, 20 Dec 2003 14:43:02 -0500 (EST) Date: Sat, 20 Dec 2003 14:43:02 -0500 (EST) Message-Id: <3FBCFDAB00074103@mk-cpfrontend-3.mail.uk.tiscali.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: butter.cup@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: butter.cup@tiscali.co.uk To: Multiple recipients of list SAVOYNET Subject: FF03 7 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 20 Dec 2003 14:43:02 -0500 (EST) Reply-To: butter.cup@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: butter.cup@tiscali.co.uk To: Multiple recipients of list SAVOYNET Subject: FF03 7 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here are two attempts at an acrostic poem. The first is my own and the second is one that my mum wrote after reading through mine and hearing that I really wanted to write one about Buttercup but couldn't. Even though she is not a savoynetter I thought I would share it with you as I think it is pretty good. My attempt........ (Katisha) Kindness she has little And beauty she has naught To marry Nanki-poo Is all her heart desires. She has a change of plan Hearing Nanki-poo is dead And marries Ko-Ko. Mum's attempt.......... (Buttercup) British through and through Ultimatly reveals her error The Captain should be Ralph Then Ralph will be the captain. Exceptional revolation Rivalled by no other Convenient little plot. Ultimate G&S Performed by enthusiasts. Sarah-Jane Read  1,, Summary-line: 20-Dec ulahlica@yahoo.com [320] #FF03-01 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Dec 2003 15:59:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBKKxBsa016254; Sat, 20 Dec 2003 15:59:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBKKwNXS014657 for ; Sat, 20 Dec 2003 15:58:23 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBKKvmTJ018188; Sat, 20 Dec 2003 15:57:48 -0500 (EST) Date: Sat, 20 Dec 2003 15:57:48 -0500 (EST) Message-Id: <20031220203553.91924.qmail@web60202.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: FF03-01 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c3c4c9$a8276310$f470bc3e@Computer> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 20 Dec 2003 15:57:48 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: FF03-01 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c3c4c9$a8276310$f470bc3e@Computer> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Forget about "Thespis" everyone because I recently bought an old trunk off of eBay that contained not one but TWO long lost Gilbert and Sullivan operas. The first was "The Barber of Basingstoke" and the second, "Santa and His Merry Elves." This being December and all, I'd like to start with "Santa." Included in the trunk was this first-night program: * * * Chris Cringle, Santa Claus ............... Mr. Temple Merlin ................................ Mr. Grossmith Gusto, the Snow King ................. Mr. Barrington Prince Augustus, the Snow King's son ... Mr. Sullivan Captain Benjamin Corkscrew ............... Mr. Oliver Private Tennenbaum ............. Mr. Wyatt Private Baritonia ......... Mr. Billington Private Squeakinspeak ........... Mr. Cook Clara Cringle, Santa's daughter ............ Miss May Princess Madeline ...................... Miss Warwick Lala, an Elf .......... Miss Everard Fala, an Elf ........ Miss Roosevelt Trala, an Elf ........... Miss Ulmar Volumnia Cringle, Santa's wife ............. Mrs. Paul * * * The following disheartening review was found in the trunk along with a glued together score that was marked "Bury with Thespis." The newspaper clipping reads: * * * * * Last night, I suffered a new Christmas piece by Gilbert and Sullivan, the same team that brought us "Thespis" a few years ago. The opera is entitled "Santa and his Merry Elves" or "The Christmas that was Almost Forestalled." It is yet another "somebody saves Christmas" plot that is all the rage these days. I hope never to see another one of these again. This time, Gilbert has aspired to produce a spicier libretto than "Thespis" but, in this writer's opinion, the libretto's spice is more successful in stinging the cultured palette than invigorating it. The focal point of the story is that Santa is operating a workshop at the North Pole on land belonging to the selfish and uncooperative Snow King. The only thing that has halted an all-out war between them is Santa's terrible lie. (This is a Christmas piece, Mr Gilbert?) Santa has told the Snow King that his toy factory is really a profitable money-making operation called "Arctic Novelties Ltd." Santa has also promised his beautiful daughter's hand, Clara Cringle, to the Snow King's son, Augustus, with a large dowry if he allows the Toy Shop to continue making toys. This ruse has worked for 20 years but Clara's 21st birthday falls on that very Christmas day and she will then be expected to marry Augustus. As you may have guessed, the romantic interest is not between Clara and Augustus but between Clara and Captain Benjamin Corkscrew of the Toy Soldiers. They are very much in love, as are Prince Augustus and the Snow King's saucy ward, Madeline. The opera begins with Santa's Elves (the female chorus) working enthusiastically on Christmas Eve. Santa also employs the help of Merlin. He lives at the North Pole and, of his placement in the Santa legend, I had not previously been aware. For this opera's purposes, though, Merlin supplies all the magic necessary for Santa to perform his yearly journeys around the world. Sad to say, the opening chorus is immediately troubling. The Elves repeatedly sing erroneous statements about Christmas such as: "Presents cause the voicing of rejoicing" and "Choc'late is the reason for the season." Mr. Gilbert, my good man, chocolate is NOT the reason for the season. How dare you, sir? Chocolate is the reason for *Easter!* Kindly keep your holidays properly categorized. Next, Santa has a questionable song where he feigns being humbled by his extravagant reputation. Santa: Though, I put the "Chris" in Christmas, Like the mellows, marsh, in Swiss Miss, I feel a bit unnerved. Like my belly, oh, so full of beer, How my reputation grows each year! And it's really not deserved. Elves: Oh, yes it is! Santa: Oh, no it isn't! Elves: Oh, yes it is! Santa: Oh, no it isn't! Elves: Oh, yes it iiiiiis! Santa: Well, I guess it *is* deserved! In have three complaints about this song. Firstly, Gilbert's stating that Santa's belly comes from drinking too much beer, just to make a rhyme, is a bit irresponsible. Secondly, I am not as impressed with that little "no it isn't/yes it is" exchange as my fellow critics seem to be. It's not that clever. Never-the-less, the entire Victorian press seems to have latched on to that silly couplet, quoting it again and again in all the columns. Thirdly, after undergoing this opera, I am quite frankly eager to take the Chris OUT of Christmas, thank you. But I digress. Soon, Santa confesses to Merlin that he lied to the Snow King. Merlin suggests, as a start, that the Elves make enough toys so Santa has enough to give away on Christmas *and* later sell on the open market. Then Clara will at least have her dowry. Merlin prepares a little spell to make the Elves work faster. Thus, the fun begins... allegedly. He casts his spell as the first act finale begins and the big ensemble number turns into what might be called a twenty minute "nightmare patter bolero." The first five minutes of "Oh, faster faster faster! Let's deliver for our master!" was entertaining but both audience and chorus alike showed signs of wear by the end of the act. The Toy Soldiers, who also accidentally fell under Merlin's spell, marched furiously in circles as they sang, "Against the Snow King's evil forces We ride imaginary horses!" Before the much appreciated curtain, many of the soldiers began slipping and falling from sheer exhaustion. There were also many *clunks* heard from the work tables. The Elves eventually lost their coordination and, instead of hammering toys in time to the music, accidentally hit the table, their chairs, and sometimes each other. Several members of the audience left the theatre with their hands over their ears. To my horror, a small child fell unconscious, unable to process so many notes at such a volume in so small an amount of time. He laid twitching in the aisle for almost a minute before his parents noticed he had succumbed to the music. Bravo, Mr. Gilbert. Bravissimo, Mr Sullivan. At the end of the opera, Merlin provides the solution to everyone's romantic dilemmas. He waves his arms and there is an explosion of smoke. He tells everyone he has just gone back in time and switched Clara and Madeline at birth. Benjamin can now marry Clara, Augustus can marry Madeline, and the entire chorus of Elves can marry the entire chorus of Toy Soldiers. Happy ending? Yes. But one question, if you please... WHERE is the Lord Chancellor? This ending offends me in more ways than I can count on two hands and a foot. Let's momentarily forget that Augustus is now marrying his own sister. Let's forget the the chorus of Elves, although played by women, are actually *men* in this story. (Perhaps the Toy Soldiers were all really *women* played by men but the concept of women in the military is not fathomable by any sane man.) Let's also forget that the Toy Soldiers are really figures of wood and, outside of that unfortunate pun, not equipt to form an unholy union with the flesh and blood chorus of Elves (Elves who, in all likelihood, built these "romance mannequins" themselves). All this I can forgive (because I'm hoping the Lord Chancellor will not) but I cannot over-look the frightfully bizarre breech of logic in Gilbert's twisted head-ache inducing deus ex machina, a machina that defies close examination. If Clara and Madeline were switched at birth, how could they be in love with two men they had never met? Why did they have the same names? Would not Captain Benjamin now be in love with the woman Santa raised as his daughter? Would not Santa, Volumnia, and the Snow King have no idea what Merlin was talking about, or worse, want their own children back? I can't really say. I have to lay down with a sick head-ache the moment I try to examine this disturbing anomaly. The curtain comes down with a chorus in praise of the real hero of the opera: "At Heaven's Gate, he'd put the pearl in There'd be no Christmas without Merlin!" Merry Christmas, Gilbert. Merry Christmas, Sullivan. Merry Christmas, you godless theatre people. Mr Gilbert, I have learned you are employing magic and religion once again in your upcoming opera "The Sorcerer." I can only pray that you create a more respectful balance between the two in this new endeavor. Yours in Faith, Lewis Carroll * * * * * SavoyNet might be interested to learn that in an off-list discussion this week, the following cast was chosen for a 2CD set (with dialogue) to be released in the upcoming months: Chris Cringle, Santa Claus ............ David Duffey Merlin ............................... Chris Webster Gusto, the Snow King ................... Jim Griffin Prince Augustus, the Snow King's son .... Tyson Vick Captain Benjamin Corkscrew ............ Patrick Gaik Private Tennenbaum ............ Adam Cuerden Private Baritonia............. Scott Farrell Private Squeakinspeak ........ Justin Bender Clara Cringle, Santa's daughter ....... Elise Curran Princess Madeline ................. Rebecca C. Hains Lala, an Elf ............ Bobbie Herman Fala, an Elf .............. Carol Davis Trala, an Elf ...... Andi Stryker Rodda Volumnia Cringle, Santa's wife ............ Leta Hall Also, here is the beginning of Santa's song. It is the only page so far that has been successfully separated from the glued score: http://www.geocities.com/ulahlica/FF/Santa.html John Spartan LI NY __________________________________ Do you Yahoo!? New Yahoo! Photos - easier uploading and sharing. http://photos.yahoo.com/  1,, Summary-line: 20-Dec marchanc@juno.com [40] #Hopefully not another virus X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Dec 2003 22:51:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBL3pisU000143; Sat, 20 Dec 2003 22:51:44 -0500 (EST) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id hBL3pgaW002772 for ; Sat, 20 Dec 2003 22:51:43 -0500 (EST) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqZieariEshhvh7XCI2biM6sjCm6XbJmzDQ==">; Sat, 20 Dec 2003 19:50:41 PST Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JHV5KBED; Sat, 20 Dec 2003 19:50:41 PST To: opus@mit.edu, rls@mit.edu Date: Sat, 20 Dec 2003 21:48:31 -0600 Subject: Hopefully not another virus Message-ID: <20031220.215031.2196.1.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Juno-Line-Breaks: 0-1,3-4,7-8,12-13,15-16,19-20,22-23,25-28 From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu, rls@mit.edu Date: Sat, 20 Dec 2003 21:48:31 -0600 Subject: Hopefully not another virus X-Juno-Line-Breaks: 0-1,3-4,7-8,12-13,15-16,19-20,22-23,25-28 From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave and Ruth, Thanks for the phone call. I too am confused about how that virus got sent to you. How long ago does it look like I sent that e-mail? I don't have any e-mail saved on my computer from the time that Carolyn and Jason got married. (That was a few years ago, right?) What e-mail address was it? If it was the marchanc@go.com address, that has been overrun by so much SPAM that I stopped using it. Unfortunately, there is no obvious way for me to close that account (but I will look again). I did send you both a Yahoo.com greeting today. Hopefully that is not it. I installed a new version of Norton Anti-Virus a couple months ago. My virus definition file is about 2 weeks old, however, so I will get the newest one. Hope the virus did not cause any problems, and thanks for letting me know. Happy holidays and have fun in New Orleans. I leave for south Florida tomorrow (Sunday, 12/21). Take care, Chris  1, forwarded,, Summary-line: 20-Dec thallata@MIT.EDU [16] #Re: Interviews X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 20 Dec 2003 22:58:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBL3wssU001693; Sat, 20 Dec 2003 22:58:54 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBL3wspf023565 for ; Sat, 20 Dec 2003 22:58:54 -0500 (EST) Received: from all-night-tool.mit.edu (ALL-NIGHT-TOOL.MIT.EDU [18.7.16.70]) (authenticated bits=56) (User authenticated as thallata@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id hBL3wrRw002861 for ; Sat, 20 Dec 2003 22:58:54 -0500 (EST) Received: (from thallata@localhost) by all-night-tool.mit.edu (8.12.9) id hBL3wrfJ016304; Sat, 20 Dec 2003 22:58:53 -0500 (EST) Message-Id: <200312210358.hBL3wrfJ016304@all-night-tool.mit.edu> To: "David C. Jedlinsky" Subject: Re: Interviews In-Reply-To: Your message of "Fri, 19 Dec 2003 23:02:30 EST." <200312200402.XAA17921@multics.mit.edu> Date: Sat, 20 Dec 2003 22:58:53 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: "David C. Jedlinsky" Subject: Re: Interviews In-Reply-To: Your message of "Fri, 19 Dec 2003 23:02:30 EST." <200312200402.XAA17921@multics.mit.edu> Date: Sat, 20 Dec 2003 22:58:53 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We haven't offered anything to stage managers, but jess has volunteered to assit. as for vocal, we have offered the position to tom dawkins, who is dithering. erin  1,, Summary-line: 21-Dec eichin@thok.org [25] #Re: photo recovery X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 21 Dec 2003 01:12:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBL6CPsU026138; Sun, 21 Dec 2003 01:12:25 -0500 (EST) Received: from swat.thok.org (swat.thok.org [4.36.43.84]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id hBL6CEdd007434 for ; Sun, 21 Dec 2003 01:12:14 -0500 (EST) Received: (qmail 23106 invoked by uid 3382); 21 Dec 2003 06:12:13 -0000 Sender: eichin@swat.thok.org To: Nancy Louise Bigler Gilman Cc: dinner@MIT.EDU Subject: Re: photo recovery References: <200312210356.hBL3ulom023291@magic-pi-ball.mit.edu> From: eichin@thok.org Date: 21 Dec 2003 01:12:13 -0500 In-Reply-To: <200312210356.hBL3ulom023291@magic-pi-ball.mit.edu> Message-ID: Lines: 13 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.2 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: eichin@swat.thok.org To: Nancy Louise Bigler Gilman Cc: dinner@MIT.EDU Subject: Re: photo recovery From: eichin@thok.org Date: 21 Dec 2003 01:12:13 -0500 In-Reply-To: <200312210356.hBL3ulom023291@magic-pi-ball.mit.edu> X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) A trick I've used on CF cards is: if you can get a computer to recognize the card at all, copy the image from the raw device (dd if=/dev/whatever of=savefile, possibly adding conv=noerror if you find you need to skip over "bad blocks") and then you can scan through it for the jpeg signature. Most cameras put enough tags in the exif data that you can extract a filename and the timestamps without needing the filesystem for that. (The same technique works for getting pictures out of powerpoint presentations *shudder*) I don't seem to have the script handy, it was a perl one-liner or so; JFIF is one of the strings to look for, and be careful that this may get the embedded thumbnail image too (it might have been enough to look for "JFIF at a certain offset from a mod-1024 boundary.)  1,, Summary-line: 22-Dec qcochise@yahoo.com [183] #FF03-01 X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Dec 2003 12:15:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBMHFYTn025315; Mon, 22 Dec 2003 12:15:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBMHFXvP012535 for ; Mon, 22 Dec 2003 12:15:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBMHAgTJ028045; Mon, 22 Dec 2003 12:10:42 -0500 (EST) Date: Mon, 22 Dec 2003 12:10:42 -0500 (EST) Message-Id: <20031222165655.36646.qmail@web13702.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: FF03-01 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031220203553.91924.qmail@web60202.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Dec 2003 12:10:42 -0500 (EST) Reply-To: qcochise@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: kevin wachs To: Multiple recipients of list SAVOYNET Subject: FF03-01 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20031220203553.91924.qmail@web60202.mail.yahoo.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Review by H. F. FROST MUSIC. GLOBE THEATRE – “TO THE WEDDING WE PRESSS.” The Academy : a weekly review of literature science and art, 1876 July 4 THE importance of literary merit and dramatic consistency in an opera libretto, though by no means so fully recognised as it should be, is not so completely ignored at the present time as it was a generation since. The puerilities of the post Bunn furnish food for sarcasm at the hands of modern critics, some of whom are not ashamed even to denounce the absurdity of introducing drawing-room ballads into a dramatic piece. It was, therefore, with something like complacency that the more intellectual portion of the public received the announcement that Mr. W. S. Gilbert, one of the most poetical of English playwrights, and Mr. Arthur Sullivan, the most popular of English composers, were engaged together upon an opera. The result of their combined labours is now before the world in the shape of “To the Wedding We Press, a modern Comic Opera, in Two Acts.” As there is no particular connexion between the words and the music of this production, it may be as well to consider each separately. The plot of To the Wedding We Press, which will be familiar to all who attended the same author’s The Wedding March less than three years ago at the Royal Court Theatre, runs as follows, the action being laid in London, and the time that of the present day. Woodpecker Tapping (Mr. Frederic Sullivan) is about to be wed to Anna Maria (Miss Clara Vesey), daughter of Poppytop (Mr. John Wainwright), a market gardener from a small village in Wales. To celebrate this event the rustic Welsh relations, including a deaf old uncle, Bopaddy (Mr. Harry Cox), and an amorous cousin, Foodle (Mr. W.S. Penley), have assembled in eight cabs, which they leave at inconvenient times in order to enter the scene and sing the praises of the wedding feast. Leonora Bunthunder (Miss Selina Dolaro), wife of the jealous General Bunthunder (Mr. B.R. Pepper), and her lover Captain Bapp (Mr. E. Loredan) refuse to leave the Tapping residence until Woodpecker replaces Leonora’s Italian straw hat that Tapping’s horse has devoured. His efforts in chasing down the article throughout London lead him first to a milliner’s shop run by a woman to whom he was once betrothed, Sophy Crackthorpe (Miss Alice Hamilton). The shop is taken for the Registrar’s office by the wedding party, and Miss Crackthorpe’s clerk, Cripps (Mr. E. Connell), is taken for that functionary. From there the chase for the article of Italian straw leads to the home of a Marchioness (Mrs. Howard Paul), where Tapping encounters a Duke (Mr. W.H. Seymour), and a peeress (Miss Cross), and then to the home of General Bunthunder, revealing the fact that the hat that Tapping has pursued all along was none other than the very hat his horse had destroyed. Further complications involve a policeman, Wilkinson (Mr. Denny). Eventually another hat of the same description appears through a fortunate coincidence and all ends happily. If the reader has had patience to follow these remarks thus far, he will probably be disposed to ask whether it be meet that the English opera of the future should be founded upon such a farrago of nonsense as this. Burlesque and opera are not synonymous terms, and if it be conceded that the former has a legitimate place in art, it should not come before us sailing under false colours. The truth would seem to be that the authors of To the Wedding We Press have been misled by the unanimous verdict of approval that greeted their former efforts in The Bold Burglars. A new vein was struck in that inimitable production, but it is one which cannot be worked very far, to judge from the present sample. The placement of familiar things in the midst of the most incongruous surroundings was highly diverting at the outset, but the expansion of the idea is inducive to weariness and disgust. There are some points in the literary portion of To the Wedding We Press quite worthy of Mr. Gilbert’s genius. The best of his muse has ever been to lash with unsparing severity the ordinary weaknesses and imperfections of poor human nature, and this characteristic is still prominent, though less offensively so than in some of his pieces. But Mr. Gilbert is nothing if not a cynic, and when he lays aside the scourge he is dull. Hence in certain scenes in the new “opera” we seem to be assisting at a children’s pantomime rather than at an entertainment intended for those of riper years. With regard to the music, it must be understood that the few observations which it is necessary to make are the result of but one hearing of the work, the score being at present inaccessible for reference. Mr. Sullivan has not thought it necessary to write an overture, the introduction which stands in place thereof being, although pretty enough, totally devoid of the form generally accepted among musicians. In the first act the earliest number which claims attention is the duet between the deaf old man and his nephew to be, in which Mr. Cox appears to be oblivious to the words and music sung by Mr. F. Sullivan until the two independent tunes are blended in counterpoint. Also noteworthy is the duet between the Duke and the Marchioness in which the set phrases uttered by the dignified pair – interspersed as these are by sudden outbreaks of unrestrained feeling – are in Mr. Sullivan’s best vein. Late in the second act occurs a quintett for the principal voices partly unaccompanied, containing some smooth and facile part-writing. The second finale is of much less importance than the first, and the work, musically speaking, seems to arrive at a premature conclusion. The orchestration is almost invariably effective, and in many places suggestive of quaint humour. The contrast to the noise and vulgarity of the opéra-bouffe school is as marked as it is welcome. In short, although there are many weak numbers in To the Wedding We Press, enough of merit remains to cause regret that so much talent should have been expended in a worthless cause. With regard to the performance it is impossible to speak otherwise than in terms of praise. There is no star of the first magnitude among the principals, but each artist seems singularly well suited to the part assigned to him or her. Miss Selina Dolaro, Mr. Wainwright, Mr. Cox and Mr. F. Sullivan may be singled out as being slightly the best where all are good. Great pains have evidently been taken to secure an efficient orchestra and chorus, and the result in both cases is excellent. To the Wedding We Press may suit the popular palate, and thus prove of benefit to its authors; but as a step towards the dawn of a brighter era for English opera it is worse than valueless. Fortunately the evening concluded with that masterpiece in one act by the same authors, The Bold Burglars, in which Mr. F. Sullivan reprised the role that he created some months ago at the Royalty. It would be impossible to imagine anything more whimsically absurd than Mr. Sullivan in nightshirt and cap dancing and singing his ballad to the rippling breeze, accompanied by the concealed robbers and policemen, all unaware of the presence of the others. Also worthy of note was the Police Sergeant as played by Mr. Cox, the Chief of the Robbers as played by Mr. Wainwright, his Lieutenant, Mr. Penley, and his apprentice, Mr. Loredan. H. F. FROST Transcribed by Kevin Wachs ===== __________________________________ Do you Yahoo!? New Yahoo! Photos - easier uploading and sharing. http://photos.yahoo.com/  1,, Summary-line: 22-Dec david@musicalsolutions.co [60] #FF033 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Dec 2003 14:15:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBMJFoTn004778; Mon, 22 Dec 2003 14:15:50 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBMJFmOZ005850 for ; Mon, 22 Dec 2003 14:15:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBMJFETJ006019; Mon, 22 Dec 2003 14:15:14 -0500 (EST) Date: Mon, 22 Dec 2003 14:15:14 -0500 (EST) Message-Id: <1143.195.232.30.1.1072119134.squirrel@www.musicalsolutions.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: To: Multiple recipients of list SAVOYNET Subject: FF033 MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: SquirrelMail (version 1.2.11) X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Dec 2003 14:15:14 -0500 (EST) Reply-To: david@musicalsolutions.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: To: Multiple recipients of list SAVOYNET Subject: FF033 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Perfect Happiness" - Dr Marco Frankenstein's Earlier Monster Ingredients 2 eyes 2 lips 1 figure 1 hand 4 small fingers 1 thumb (optional) 1 trellised vine, for garnish Take the two eyes. Test the sinews surrounding the eyes, for they must be strong enough to enable the eyes to blink from time to time. Place the eyes into a press, about 2.5 to 3 inches apart. A wine-press will suffice if no other press is available. Take the two lips. They should be as red as possible. Place them into the press, one above the other, about 3 inches below the eyes. Trim the fat from the figure, and place it also into the press, some distance below the eyes and lips. Take the hand - use a tenderiser liberally, as necessary - and lay the "fingerettes" across the top of it. Set the thumb (if you're using one) at about 45 degrees from one of the outer fingerettes. Lay the whole into the press. (The press should now be set in operation) Your "Perfect Happiness" should now come to life. Be very careful that it does not escape at this point. Take your "Perfect Happiness" (if you can) to a small hovel. Use the trellised vine as garnish. Place the "Perfect Happiness" in the sunniest place available, and trust to luck that it will ripen. So there you have it - a body with 2 eyes, 2 lips, and a hand with fingers. If you don't like the result, you're a dainty man to please. Watch this space ! All the best David Cookson  1,, Summary-line: 22-Dec cliftoncoles@hotmail.com [212] #FF03-1 X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 22 Dec 2003 16:01:33 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBML1WTn008955; Mon, 22 Dec 2003 16:01:32 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBML1V9U002887 for ; Mon, 22 Dec 2003 16:01:31 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBMKsNTJ015802; Mon, 22 Dec 2003 15:54:23 -0500 (EST) Date: Mon, 22 Dec 2003 15:54:23 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: FF03-1 Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 22 Dec 2003 15:54:23 -0500 (EST) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: FF03-1 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Produced at the Savoy Theatre, London, under the management of Mr. D’oyly Carte, on Saturday, 8 September, 1900, a New and Original Comic Opera in Two Acts, entitled P O P O C A T E P E T L; or, Don’t Drink the Water written by music by W.S. Gilbert Arthur Sullivan Dramatis Personae Captain Phil McGroyne, a Mariner, commanding the Tiger Shark . . . Mr. Henry A. Lytton Sir Cuthbert Arbogast, World Traveller and Collector of Curiosities and Antiquities . . . Mr. Walter Passmore Hippolyte Strathmore, his Secretary . . . Mr. Robert Evett Mason, in charge of Sir Cuthbert's Household . . . Mr. Jones Hewson First Sailor . . . Mr. Charles Childerstone Eustacia Arbogast, Sir Cuthbert's Daughter . . . Miss Ruth Vincent Lady Marguerite, her Aunt . . . Miss Rosina Brandram Villahermosa, Queen of the Toltecs . . . Miss Isabel Jay Sonora . . . } Miss Emmie Owen Zapata . . . } (Toltec Maidens) Miss Jessie Rose Tamandua . . . } Miss Louie Pounds Maisie, Eustacia’s Maid . . . Miss Blanche Gaston-Murray Chorus of Retainers, Sailors, Toltecs, and Cannibals Act I. Garden of Sir Cuthbert’s mansion Act II. The foot of Mount Popocatepetl, in Mexico [The Times, London, 9 September 1900] SAVOY THEATRE The wit and wisdom of Mssrs. Gilbert and Sullivan have not diminished during their four years' absence from the stage in joint tether. Indeed, Mr. W.S. Gilbert's considerable faculty for pointed amusement and verse that is both absurdly whimsical and decidedly--one might almost say preternaturally--accomplished and Sir Arthur Sullivan's remarkable talent for delightful melodies and brilliant orchestration in which to enfold them has grown decidedly more ingenious, resourceful, and inventive in the intervening duration. The stage writers and music makers of today would do well to attend the new opera at the Savoy and take lengthy and detailed note of the business of making music drama that is intelligent, supremely well-crafted, and head and shoulders above the current assemblage of entertainment that passes for theatre in London. Observing perhaps that so many authors have turned to the East for inspiration, Mr. Gilbert perversely has looked westward, choosing the lost civilizations of the Americas as the source and setting for his new work, to which he has attached the somewhat inappropriate and utterly amusing name of Popocatepetl, which reminds us of Titipu of old. That Mr. Gilbert has the audacity to find the most ingenious of rhymes to pair with his absurd title adds to the amusement of the evening; we forbear to reveal the words that he chooses to couple with it, so as not to spoil a great joke--needless to say, when they occur, the house roared itself nearly hoarse for so long a period that the next few lines of song were lost under the laughter and the whole threatened to halt the evening's proceedings altogether. However, the composer acknowledged the audience's merriment by consenting to repeat the mirthful passage, and Mr. Passmore embellished the point with characteristic assurance and spontaneous "business" absent from the first iteration, such that the ensuing hilarity required a third performance. A fourth was demanded, but the composer steadfastly refused to yield and the evening went forward; for those audience members remaining unsatisfied, however, a reprise in the first act finale went a long way toward slaking their desire, and Mr. Passmore's ingenious repeat of his part in the proceedings contributed immeasurably to an exceptionally successful conclusion to the act. Many are the delights that spring from Mr. Gilbert's pen long before the curtain falls at the first act's end. The men of the household staff attending to the home and grounds of Sir Cuthbert Arbogast's estate constitute the opera's first chorus; the first solo by Mr. Jones Hewson as the "major domo" of the household establishes festive mood and humorous narrative in equal measure. Sir Cuthbert, it seems, is a world traveller and collector, and the staff is waiting for him to rise on the afternoon of his return from a long journey so as to regale them with tales of his latest adventures. This happens in due course, when Mr. Passmore enters dressed in his nightshirt and hessian boots, rattling off the aforementioned lines which so amused the house. The romance of the piece is embodied in Sir Cuthbert's daughter Eustacia as impersonated by Miss Ruth Vincent and his secretary Hippolyte Strathmore, undertaken by Mr. Evett. Their star-crossed love is so thwarted that the unfortunate Strathmore undertakes to accompany his employer on a journey to the fabled American land of the title, despite his confessed weakness as a sea traveller. His inability to refrain from becoming ill by any means of transport provides some humour, and is the idea upon which Mr. Gilbert pins a song; the doubtful taste of this aspect of the plot, though bordering on the offensive, so greatly amused Saturday night's audience that we refrain from passing judgement and allow the verdict of success to lie with future spectators. Further amusement is provided by Miss Rosina Brandram as Sir Cuthbert's sister, a widow of middle years; Mr. Gilbert varies his usual procedure by having this venerable lady the object of the serious matrimonial intentions of Captain Phil McGroyne, the not so trustworthy mariner who is to sail Sir Cuthbert's yacht to Mexico. Mr. Lytton impersonates the good captain in appropriately loquacious style, complete with broad gestures and enormous voice "fit best for a sailing vessel in a high sea than for an English drawing room." Mr. Lytton's introductory song, accompanied by the full chorus, was one of the delights of the evening, and it was duly encored, as was Miss Brandram's ballad detailing the escapades of her multiple marriages, each of which ends for better or for worse in a funeral. The first act ends with all the characters in various states of conundrum as Sir Cuthbert prepares to sail across the Atlantic, accompanied by his seasick secretary, and unknown to him, the vivacious Eustacia and her stalwart aunt. The musical highlight of the evening comes in the form of an entr'acte, and consists of a nautical ballad rendered by the bass vocals of Mr. Childerstone, and the gentlemen of the chorus, unseen, narrating the story of the ship’s passage, or, more precisely, a general ocean voyage. Mr. Gilbert stops the drama to allow his musical companion to stretch his talents, and Sir Arthur Sullivan grasps the opportunity with all the skill at his command. The orchestration, suggestive of a rolling sea and life-threatening storms, could hardly be bettered; in style and execution, it reminds us in a general way of the "It is the sea" section of his Golden Legend, coupled with the barcarolle measures that conclude the first act of The Gondoliers, with a bit of gay sea shanty thrown in for good measure and to provide contrast. Mr. Gilbert applies his most descriptive lyrics to this passage; dramatically, the scene is, of course, weak, but any criticism on that score is allayed by the superb skills of the composer and the execution by Mr. Childerstone and the Savoy orchestra and chorus. Skeptics may question the place of such a descriptive and lyrical piece at the centre of a professedly comic opera; the applause was only slightly less deafening than that for the patter numbers of the first act, however, and we hardly think the section would be sacrificed purely for dramatic reasons. We further hold the music of this scene up as an example to modern musicians of the effects music can produce outside of simply accompanying a topical song, as seems to be the case at so many theatres other than the Savoy. The musical felicities do not end there, and, in fact, the second act is musically superior to the first. As the scene switches to a Mexican jungle, the music takes on a character that is less restrained and altogether exotic. Some may argue that the music here is more redolent of the music hall than necessary, but the effect is limited to a few measures here and there and is never wholly intrusive; furthermore, the artists execute the material with such seriousness of purpose and intelligence that any thought of lesser entertainments are swiftly allayed. The second act introduces us to the Mexican queen Villahermosa and her chief maidens, impersonated by Miss Jay, Miss Louie Pounds, Miss Emmie Owen, and Miss Jessie Rose. Their plea to be "mercilessly colonized" met with such a roar of laughter that again the piece seemed in danger of coming to a swift halt, but the artists pressed on doggedly. The composer has arranged this introductory number, accompanied by the ladies of the chorus, with a rare sensuality that reminds us of the opening chorus of his Rose of Persia, coupled with the tripping vivacity of the Three Little Maids of years ago. This was not the end of this ingenious scene, for a ballet performed by the Savoy ladies, led by Miss Owen, follows; it is a full quarter of an hour before the characters of the first act intrude upon the scene and the story recommences. Needless to say, all is cleared up by the fall of the final curtain, though Mr. Gilbert steadfastly refuses to explain how a young woman and her middle-aged aunt are able to stow aboard a yacht undetected and perform as members of the crew without the slightest curl on their heads being out of place. The yacht's sailors make up the men’s chorus of the second act, who, like their Pitcairn Island brethren, elect to stay in Mexico with the enticing natives at the close of the piece. A characteristic legal quibble rectifies all dilemmas, and the act ends with a reprise of Mr. Lytton's entrance song and the second act chorus in which the native girls welcomed the sailors. Miss Brandram enjoyed her second encore of the evening with a pathetic ballad late in the act; after which Mr. Lytton joined her in a comic duet that was also heartily repeated. Taken altogether, the ladies come out better than the gentlemen, who, with the exception of Mr. Childerstone and Mr. Jones Hewson, showed distinct signs of weariness and, in more than one place, forgetfulness. Mr. Passmore was the greatest offender, but as his part is the largest, he has the most opportunities for making errors. As he settles in for what we are sure will be a long run, he will undoubtedly improve. Mr. Evett was plainly nervous; after disporting himself so well in The Lucky Star and The Rose of Persia last year, we were disappointed to see him so strained. It all told on his voice, and his first-act travelling song was nearly lost, and Miss Vincent supported him ably in their ensuing duet. He seemed to warm up for the second act, however. The laurels for the evening go unreservedly to Miss Vincent, who reminded us of the old Savoy days of Miss Jessie Bond; Miss Vincent's voice has greater range and elasticity, but she rivals her venerable predecessor in piquant expression and vivaciousness. She delivered Mr. Gilbert's dialogue and Sir Arthur Sullivan's music incomparably. If second place must be given, it unreservedly goes to Miss Brandram, who recreates the latest in her series of elderly widowed ladies. It is a personation of which we never tire and which she executes to perfection; her surprise and indignation at being assailed by that worthy mariner Captain McGroyne could not be bettered. The Mexican ladies disport themselves delightfully, with Miss Owen distinguishing herself with her light-footed gyrations. The piece is, of course, mounted with all possible elaboration; the beautiful scenery of Mr. Ryan, and the dresses, designed by Mr. Percy Anderson, with much taste and due consideration in general as well as detailed effect, will contribute not a little to the success which may be confidently predicted. The author, the composer, Mr. D’oyly Carte, and all the principal singers were called before the curtain at the end. [piece closed Saturday, 15 September, 1900. -- ed.] _________________________________________________________________ Grab our best dial-up Internet access offer: 6 months @$9.95/month. http://join.msn.com/?page=dept/dialup  1,, Summary-line: 23-Dec LWeissbrot@nedelta.com [23] #Reduced Score for Pirates X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Dec 2003 13:01:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBNI17t0028449; Tue, 23 Dec 2003 13:01:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBNI168e027423 for ; Tue, 23 Dec 2003 13:01:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBNI0cTJ024372; Tue, 23 Dec 2003 13:00:38 -0500 (EST) Date: Tue, 23 Dec 2003 13:00:38 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Reduced Score for Pirates MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Lotus Notes Release 5.0.10 March 22, 2002 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 23 Dec 2003 13:00:38 -0500 (EST) Reply-To: LWeissbrot@nedelta.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Laurence Weissbrot" To: Multiple recipients of list SAVOYNET Subject: Reduced Score for Pirates X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Can someone please contact me for the source for a reduced (15 - piece orchestra) score for Pirates? (Is 15 pieces reduced?) Private replies welcome. This is for a professional production in Manchester, New Hampshire, USA centered around April 2, 2004, with local touring dates as can be arranged. Laurie  1,, Summary-line: 23-Dec awrobins@yahoo.com [120] #GWOS's in anthologies X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 23 Dec 2003 14:18:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBNJIRt0008317; Tue, 23 Dec 2003 14:18:27 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBNJH9Al001249 for ; Tue, 23 Dec 2003 14:17:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBNJGHTJ000394; Tue, 23 Dec 2003 14:16:17 -0500 (EST) Date: Tue, 23 Dec 2003 14:16:17 -0500 (EST) Message-Id: <20031223185313.72848.qmail@web10803.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: GWOS's in anthologies MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 23 Dec 2003 14:16:17 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: GWOS's in anthologies X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've compiled a list of Gilbert's non-Sullivan plays that have been reprinted in play anthologies, compiled by checking the WorldCat database at my library. If anyone has any additions, please let me know. Most of these are in Philip Dillard's bibliography ("How Quaint the Ways of Paradox"), though four of them aren't (but two of them were published since the bibliography appeared, and the other two are in the same series, so he really only missed one). Comedy and Tragedy Littlewood, S.R., ed. Short Modern Plays: Second Series. London: Macmillan, 1939. (pp. 81-102) Creatures of Impulse (1) Shay, Frank, ed. Plays for Strolling Mummers. New York: Appleton, 1926. (pp. 149-174) (2) Six Modern One-Act Plays. London: University of London Press, 1950. Dan'l Druce The Golden Age of Melodrama: Twelve 19th Century Melodramas, abridged and introduced by Michael Kilgarriff. London: Woolfe, 1974. (pp. 395-430) Engaged (1) Bailey, J.O., ed. British Plays of the Nineteenth Century: An Anthology to Illustrate the Evolution of the Drama. New York: Odyssey Press, 1966. 430) (pp. 405-430) (2) *Booth, Michael R., ed. English Plays of the Nineteenth Century, Vol. III: Comedies. Oxford: Oxford University Press, 1973. (pp. 325-384, followed by "Criticism of Engaged") (3) Booth, Micheal R., ed. The Magistrate and Other Nineteenth-century Plays. Oxford, 1974. (pp. 241-296) (4) *Stierstorfer, Klaus, ed. London Assurance and Other Victorian Comedies. Oxford: Oxford University Press, 2001. (pp. 145-194) Haste to the Wedding Kaye, Marvin, ed. Frantic Comedy: 8 Plays of Knockabout Fun. Garden City, NY: Fireside Theatre, 1993. (pp. 127-168) A Medical Man Drawing-Room Plays and Parlour Pantomimes. Collected by Clement Scott. London: Stanley Rivers and Co., 1870. (pp. 15-36) Pygmalion and Galatea (1) Matthews, Brander, and Paul R. Lieder, eds. The Chief British Dramatists Excluding Shakespeare... Boston: Houghton Mifflin, 1924. (pp. 919-942) (2) *Great Modern British Plays. Selected by J.W. Marriott. London: Harrap, 1929. (pp. 267-308) Rosencrantz and Guildenstern (1) Boas, Guy, ed. Short Modern Plays: First Series. London: Macmillan, 1935. (pp. 67-84) (2) *Nineteenth-Century Shakespeare Burlesques. Selected by Stanley Wells. London: Diploma Press, 1977. (volume IV, pp. 243-262) (3) Salomon, Jacob B., ed. Nineteenth-Century Dramatic Burlesques of Shakespeare: a Selection of British Parodies. Norwood, PA: Norwood Editions, 1980. Sweethearts (1) Bates, Alfred. The Drama: Its History, Literature, and Influence on Civilization... London: Athenian Society, 1903-04. [Sweethearts in vol. 16] (2) *Cordell, Richard A., ed. Representative Modern Plays British and American from Robertson to O'Neill. New York: Nelson, 1929. (pp. 53-67) (3) Webber, James, and Hanson Webster, eds. Typical Plays for Secondary Schools... Boston: Houghton Mifflin, 1929. (pp. 120-145) Tom Cobb *Booth, Michael R., ed. English Plays of the Nineteenth Century, Vol. IV: Farces. Oxford: Oxford University Press, 1973. (pp. 255-298) ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? New Yahoo! Photos - easier uploading and sharing. http://photos.yahoo.com/  1,, Summary-line: 24-Dec bj.richards@btinternet.co [36] #Re: Sighting --tv X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Dec 2003 05:14:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBOAESOt018816; Wed, 24 Dec 2003 05:14:28 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBOAEQH1002950 for ; Wed, 24 Dec 2003 05:14:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBOAE0TJ021306; Wed, 24 Dec 2003 05:14:00 -0500 (EST) Date: Wed, 24 Dec 2003 05:14:00 -0500 (EST) Message-Id: <000c01c3ca04$277ed7d0$ce5f8751@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Sighting --tv MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 24 Dec 2003 05:14:00 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Sighting --tv X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On the subject of the many talents of the MG, in one of my many capacities at the BBC I've been supplying some of the graphics for a series of programmes to be broadcast sometime in 2004 on BBC2 called Painting Flowers. In the episode featuring paintings with roses there is a painting called The Roses of Heliogabulus by Sir Larwrence Alma-Tadema, apparently one of Heliogabalus's crimes was to kill ladies by smothering them in roses. Best wishes for the festive season Bob & Jackie ----- Original Message ----- From: > well this is a sort of sighting on jeopardy tonight: I've forgotten the > category but the "answer" was the field that's divided into differential > and interal parts. (and the ONLY reason I knew the answer was because > the MG was very good at both parts.).. >  1, answered,, Summary-line: 24-Dec J91a@cs.com [38] #Update X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 24 Dec 2003 15:49:19 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBOKnIOt003826; Wed, 24 Dec 2003 15:49:18 -0500 (EST) Received: from imo-d04.mx.aol.com (imo-d04.mx.aol.com [205.188.157.36]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBOKnHOX007278 for ; Wed, 24 Dec 2003 15:49:17 -0500 (EST) Received: from J91a@cs.com by imo-d04.mx.aol.com (mail_out_v36_r4.8.) id 6.131.284955b7 (4552); Wed, 24 Dec 2003 15:49:11 -0500 (EST) From: J91a@cs.com Message-ID: <131.284955b7.2d1b55c7@cs.com> Date: Wed, 24 Dec 2003 15:49:11 EST Subject: Update To: opus@mit.edu CC: Riverbend6@aol.com MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: CompuServe 2000 32-bit sub 107 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: J91a@cs.com Date: Wed, 24 Dec 2003 15:49:11 EST Subject: Update To: opus@mit.edu CC: Riverbend6@aol.com X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, This is an update on the video situation. Sorry for the delay. I'm doing this on top of two jobs and Trinity Choir Christmas Service schedule. The news is I got a tape to Matt, and he gave me 20 dollars cash. I also got Dana taken care of. She gave me a check...some time ago. I hope it can still be deposited. It's not a lot of money so I don't see why not. I'm cc-ing her this email to give her a heads up that it should be going through shortly. Matt gave me twenty dollars cash and I gave him two dollars change. So I'm mailing you my check plus a second check representing his payment. I still have Mal and Rydia to take care of. Rydia never returned my phone message, or email. I'll try calling her again, and again if necessary. Mal just plain has a case of Techy Overcommitedness, but has been very good about getting back to me, and then disappearing again, so I'll go to her. Things always take more effort and organizational follow through than one expects. NOTE: PLEASE email me your address again. I didn't write it down and it's long gone from the compuserve mail server. I will pick up the address off my Dad's computer from San Diego. I fly out there tomorrow morning and send everything I have out. Thanks and Happy Holidays, Janine  1,, Summary-line: 26-Dec dontull@pacbell.net [80] #Re: Dover Mikado and Kalmus parts X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 26 Dec 2003 14:46:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBQJkC9g006915; Fri, 26 Dec 2003 14:46:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBQJk92n000255 for ; Fri, 26 Dec 2003 14:46:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBQJjCTJ016520; Fri, 26 Dec 2003 14:45:12 -0500 (EST) Date: Fri, 26 Dec 2003 14:45:12 -0500 (EST) Message-Id: <20031226192841.98212.qmail@web80604.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado and Kalmus parts MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-887857174-1072466921=:96495" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.0.0.22.2.20031226125133.05280bd8@mail.labsoftware.com> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 26 Dec 2003 14:45:12 -0500 (EST) Reply-To: dontull@pacbell.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Don Tull To: Multiple recipients of list SAVOYNET Subject: Re: Dover Mikado and Kalmus parts X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <6.0.0.22.2.20031226125133.05280bd8@mail.labsoftware.com> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --0-887857174-1072466921=:96495 Content-Type: text/plain; charset=us-ascii While others may disagree, as one who has been through the process, the issues are minor depending partly on how well the built-in mistakes in the Kalmus parts have been corrected. Even if the parts have been "corrected" by previous conductors or the players themselves, it would be wise for the current conductor to go through each part in detail and bring the parts into agreement. A couple of general observations are in order: 1) There are discrepancies in the numbering of the pieces. Not a major problem, but best to be cleared up before rehearsals start. 2) The clarinets and cornets are all transposed to B-flat in Dover. They are in B-flat and A in the parts. 3) The Dover score tends to write out verses rather than use repeats. This is much easier for the conductor generally as the page is less cluttered, but the conductor needs to mark in his score where the orchestra's verses begin and end for the sake of efficiency in rehearsal. There are also the much discussed changes from the current editions in No. 8 and 9. Number eight has been provided as a quintet, adding Pish-Tush as a fifth voice. When this part was originally removed, I do not know, but it does not appear in the "First-Nighter" edition. However, that said, the extra voice adds a more complete harmonic structure to the second refrain. When I used this score in March of 2000, we did the quintet version and musically is is more satisfying, in my very humble opinion. Number 9 - the duet between YY & NP - has the original two verse version. We did this also as we had two good singers and musically the piece seems to balance better for the singers in the longer version. It is obviously longer, but I was not aware of any audience complaints due to the added length. It does require some part rewriting in the parts to get from one verse to the other. My notes also indicate that I had to do some minor rewriting in the parts for Numbers 7, 9 and 10, plus the fanfare as mentioned. As to the fanfare, we did the one in the Kalmus parts. There are also a number of other minor differences between the parts too numerous to mention here. Again I would suggest that the conductor go over each part in detail, comparing the two scores. It is a bit tedious, but it is the responsibility of any competent conductor in any of the G&S shows, considering the number of anomalies that have have crept into the scores over the years. If your conductor would like more details, I would be glad to discuss them with him/her privately. In summary, yes there are differences - some of them significant, but from my point of view, having been through the process with the Dover score, the ease of reading the Dover score in rehearsals and performance is worth the extra trouble. Of course, if you can afford the Dover parts, that would be easier. Cheers, Jim Cooper wrote: We have recently obtained the Dover conductor's score for The Mikado but have old Kalmus parts. Are we in for any surprises? Our MD did notice that the fanfare before #24 in the two differs. Jim Cooper Troupers vice-president Don Tull Music Director Stage Director Operetta Translator dontull@pacbell.net San Francisco, CA --0-887857174-1072466921=:96495 Content-Type: text/html; charset=us-ascii
While others may disagree, as one who has been through the process, the issues are minor depending partly on how well the built-in mistakes in the Kalmus parts have been corrected. Even if the parts have been "corrected" by previous conductors or the players themselves, it would be wise for the current conductor to go through each part in detail and bring the parts into agreement.
 
A couple of general observations are in order:
1) There are discrepancies in the numbering of the pieces. Not a major problem, but best to be cleared up before rehearsals start.
2) The clarinets and cornets are all transposed to B-flat in Dover. They are in B-flat and A in the parts.
3) The Dover score tends to write out verses rather than use repeats. This is much easier for the conductor generally as the page is less cluttered, but the conductor needs to mark in his score where the orchestra's verses  begin and end for the sake of efficiency in rehearsal.
 
There are also the much discussed changes from the current editions in No. 8 and 9. Number eight has been provided as a quintet, adding Pish-Tush as a fifth voice. When this part was originally removed, I do not know, but it does not appear in the "First-Nighter" edition. However, that said, the extra voice adds a more complete harmonic structure to the second refrain. When I used this score in March of 2000, we did the quintet version and musically is is more satisfying, in my very humble opinion.
 
Number 9 - the duet between YY & NP -  has the original two verse version. We did this also as we had two good singers and musically the piece seems to balance better for the singers in the longer version. It is obviously longer, but I was not aware of any audience complaints due to the added length. It does require some part rewriting in the parts to get from one verse to the other.
 
My notes also indicate that I had to do some minor rewriting in the parts for Numbers 7, 9 and 10, plus the fanfare as mentioned. As to the fanfare, we did the one in the Kalmus parts.
 
There are also a number of other minor differences between the parts too numerous to mention here. Again I would suggest that the conductor go over each part in detail, comparing the two scores. It is a bit tedious, but it is the responsibility of any competent conductor in any of the G&S shows, considering the number of anomalies that have have crept into the scores over the years.
 
If your conductor would like more details, I would be glad to discuss them with him/her privately.
 
In summary, yes there are differences - some of them significant, but from my point of view, having been through the process with the Dover score, the ease of reading the Dover score in rehearsals and performance is worth the extra trouble. Of course, if you can afford the Dover parts, that would be easier.
 
Cheers,

Jim Cooper <jim@labsoftware.com> wrote:
We have recently obtained the Dover conductor's score for The Mikado but
have old Kalmus parts.
Are we in for any surprises?
Our MD did notice that the fanfare before #24 in the two differs.

Jim Cooper
Troupers vice-president


Don Tull
Music Director
Stage Director
Operetta Translator
dontull@pacbell.net
San Francisco, CA --0-887857174-1072466921=:96495--  1,, Summary-line: 28-Dec tsbezanson@cox.net [62] #Sad News X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 28 Dec 2003 15:24:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBSKOUxN011319; Sun, 28 Dec 2003 15:24:30 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [18.43.0.244]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBSKOB8e027253; Sun, 28 Dec 2003 15:24:11 -0500 (EST) Received: from lakemtao01.cox.net (lakemtao01.cox.net [68.1.17.244]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-6.6) with ESMTP id hBSKN1BH008813 for ; Sun, 28 Dec 2003 15:23:06 -0500 Received: from tim ([68.100.235.215]) by lakemtao01.cox.net (InterMail vM.5.01.06.05 201-253-122-130-105-20030824) with SMTP id <20031228202256.UDDB23168.lakemtao01.cox.net@tim>; Sun, 28 Dec 2003 15:22:56 -0500 From: "Tim Bezanson" To: , , , "Greg Velott" , , "Connie Bezanson" , , , , , , , "Ed Wall" , , , , , "David Arthur" , "James Boyd" , "Clint Christianson" , , , "A. Harrison" , , "Susan Jones" , =?Windows-1252?Q?Charles=A0=A0AR_Loving?= , "Denis MacDougall" , , , , , , "Susan Rogers" , , , , , , "Dick Ziegler" Subject: Sad News Date: Sun, 28 Dec 2003 15:24:57 -0500 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2919.6600 X-Spam-Status: No, hits=0.1 required=5.0 tests=RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Tim Bezanson" To: , , , "Greg Velott" , , "Connie Bezanson" , , , , , , , "Ed Wall" , , , , , "David Arthur" , "James Boyd" , "Clint Christianson" , , , "A. Harrison" , , "Susan Jones" , =?Windows-1252?Q?Charles=A0=A0AR_Loving?= , "Denis MacDougall" , , , , , , "Susan Rogers" , , , , , , "Dick Ziegler" Subject: Sad News Date: Sun, 28 Dec 2003 15:24:57 -0500 X-Priority: 3 (Normal) X-MSMail-Priority: Normal Importance: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2919.6600 X-Spam-Status: No, hits=0.1 required=5.0 tests=RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Friends, It is with heavy heart I must tell you that James "Jay" Scott Bezanson passed away just 19 hours into his short life. Despite excellent initial apgar scores (8/9) he succumbed to a pulmonary hemorrhage at 1:25 Sunday afternoon December 21st. We held a prayer service for him on Friday December 26 at Saints Ann's and buried him at Columbia Gardens in Arlington, VA. I am sorry that I did not get to tell each of you directly. I am sorry for this less personal message. Each retelling is a reliving and Connie and I just got too exhausted to continue. I know some of you care for Connie & me deeply. I cannot claim that the order of notification past Mom & Dad made any sense. I hope that I can make it up to you over the next several weeks as the immediacy fades somewhat. For those who feel the need to do something, in lieu of more flowers (all that we have received are beautiful), please make a donation to your favorite children's charity. Connie & I will be making a memorial donation to Saint Ann's Catholic Church for their work with mothers who lack the means to provide for their kids. We would be glad to forward any gifts to them if any felt similarly inclined. Please forward this to anyone I may have missed. Thanks. Tim & Connie Bezanson 3039 Federal Hill Dr Falls Church, VA 22044 703-538-5832  1,, Summary-line: 29-Dec ahumez@TheWorld.com [19] #Hapgood video X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Dec 2003 11:42:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBTGgcTQ003813; Mon, 29 Dec 2003 11:42:39 -0500 (EST) Received: from TheWorld.com (pcls3.std.com [192.74.137.143]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id hBTGgcMJ020852 for ; Mon, 29 Dec 2003 11:42:38 -0500 (EST) Received: from shell.TheWorld.com (pip1-5.std.com [192.74.137.185]) by TheWorld.com (8.12.8p1/8.12.8) with ESMTP id hBTGgGoo013483 for ; Mon, 29 Dec 2003 11:42:16 -0500 Received: from localhost (ahumez@localhost) by shell.TheWorld.com (8.9.3/8.9.3) with SMTP id LAA13500461 for ; Mon, 29 Dec 2003 11:42:10 -0500 (EST) Message-Id: <200312291642.LAA13500461@shell.TheWorld.com> X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: Hapgood video Date: Mon, 29 Dec 2003 11:42:10 -0500 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Authentication-Warning: shell01.TheWorld.com: ahumez@localhost didn't use HELO protocol To: opus@mit.edu Subject: Hapgood video Date: Mon, 29 Dec 2003 11:42:10 -0500 From: Andrea L Humez X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Were you able to access the images OK? Is there an ETA on when the videos will be done? (Not that I'm in a particular rush, just so I know the answer if people come asking me. :) ) Thanks Andrea  1,, Summary-line: 29-Dec sarah@sarahconsentino.com [46] #=?iso-8859-1?Q?Sarah in Evita?= X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 29 Dec 2003 13:31:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id hBTIV5TQ013690; Mon, 29 Dec 2003 13:31:06 -0500 (EST) Received: from machine36.com (machine36.com [203.194.209.83]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id hBTIS3MJ008088 for ; Mon, 29 Dec 2003 13:28:04 -0500 (EST) Received: (qmail 4573 invoked by uid 501); 29 Dec 2003 18:29:42 -0000 Message-ID: <20031229182942.2706.qmail@machine36.com> Reply-To: "=?iso-8859-1?Q?sarah?=" From: "=?iso-8859-1?Q?sarah?=" To: sarah@sarahconsentino.com Subject: =?iso-8859-1?Q?Sarah in Evita?= Date: Mon, 29 Dec 2003 18:29:42 +0000 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_b3dfcbc349e3853a489099e3bf0e7bbcd" X-Mailer: WebMail 2.3 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "=?iso-8859-1?Q?sarah?=" From: "=?iso-8859-1?Q?sarah?=" To: sarah@sarahconsentino.com Subject: =?iso-8859-1?Q?Sarah in Evita?= Date: Mon, 29 Dec 2003 18:29:42 +0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --_b3dfcbc349e3853a489099e3bf0e7bbcd Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Hi Everyone, I hope you'll mark your calendars and come see me as Evita, by far the largest role I've ever played! Please visit http://www.sarahconsentino.com/current for show dates and theatre information. (Yep, Madonna starred in the movie version and Patti Lupone created the role on Broadway.) Happy New Year! Sarah --_b3dfcbc349e3853a489099e3bf0e7bbcd Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Hi Everyone,

I hope you'll mark your calendars and come see me as Evita, by far the largest role I've ever played!

Please visit http://www.sarahconsentino.com/current for show dates and theatre information.

(Yep, Madonna starred in the movie version and Patti Lupone created the role on Broadway.)

Happy New Year!

Sarah
--_b3dfcbc349e3853a489099e3bf0e7bbcd--  1,, Summary-line: 30-Dec jsmd@worldnet.att.net [85] #G&S 2003 review X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 30 Dec 2003 20:37:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id hBV1bUMg006978; Tue, 30 Dec 2003 20:37:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id hBV1bTTW022487 for ; Tue, 30 Dec 2003 20:37:30 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id hBV1aBTJ013892; Tue, 30 Dec 2003 20:36:11 -0500 (EST) Date: Tue, 30 Dec 2003 20:36:11 -0500 (EST) Message-Id: <3FF226B0.7060104@worldnet.att.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: G&S 2003 review MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 30 Dec 2003 20:36:11 -0500 (EST) Reply-To: jsmd@worldnet.att.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Stan DeOrsey To: Multiple recipients of list SAVOYNET Subject: G&S 2003 review X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Here is my yearly summary of various happenings related to G&S during the past year. Clearly much is left out, but there is certainly enough to give one the strong impression that the legacy of Gilbert and Sullivan is alive and prospering. As has been usual, more books and booklets were published. The Sullivan Society published "Uncle Arthur, the California Connection" by Scott Hayes, republished "Thespis, a G&S Enigma" by Terence Rees, and published the Boer War Te Deum score. James Ellis' complete Bab Ballads was also republished. David Eden issued "WS Gilbert, Appearance and Reality." And even Mikado Paper Dolls by Dover showing authentic 1880s costumes is available! The Broude Brothers issued the long awaited critical edition score of HMS Pinafore. Robin Gorden-Powel published the full Marmion Overture plus Imperial March score, a first publishing for both. Then R. Clyde published vocal scores for Cox and Box (a scholarly edition), The Prodigal Son, and Henry VIII. Perhaps the most impressive publication was the Gilbert papers from the British Museum. They are available on 19 reels of microfilm. Has anyone looked at these, what libraries have them? And there continue to be CDs issued. I well remember when only the eleven main operas were available, nothing more. Hyperion issued the complete Prodigal Son. Leon Berger through Divine Art appears on a second George Grossmith collection CD titled The Grossmith Legacy. Jean Hindmarsh and David Steadman made a CD titled I still have a song to sing O! Chris Webster and Jim Lockwood completed issuing the electric set from the late 1920s to 1930s, including the HMV abridged sets. As a result Chris now has available the entire D'Oyly Carte recordings from the 1917 Mikado through the 1957 Pirates, not only an impressive run but most sound as if they were just recorded on modern equipment, yet capture Lytton, Fancourt, and Lewis among many others. Pearl reissued the Sullivan w/o Gilbert operas on CD and a number of low priced labels issued additional Martyn Green monophonic CDs from the late 40s early 50s -- Chris Webster has these at a higher price but far better sound quality. The BBC broadcast five short stories by Gilbert in dramatized versions. Well done too. Buxton held forth with the G&S Festival, the tenth, for two full weeks. Savoynet again held center stage with a very successful and acclaimed (and award winning) Utopia. But productions were given the world over including a few of Gilbert sans Sullivan, plus Sullivan's non-opera works. And day long (weekend long) sing throughs (or singouts) were held at various venues, all with great fun. We are all richer for the work of people we lost in 2003: Jane Steadman in March, Bruce Miller in July, and Jim Drew in August. Savoynet distributed over 700 digests, averaging approximately 20 or more posts per digest. That is nearly 40 posts per day, some of which were informative, all were entertaining one way or another. Kevin Wachs wins the award for the most researched and scholarly postings, often related to Pirates and Thespis. Diana Burleigh closely follows with her postings from Oz. The G&S on-line Archives was rejuvenated with a new look and much additional material on top of an existing treasure trove. With many midi files to listen to. Undoubtedly something special was left out, but no matter how you slice it, G&S continue to prosper, at least amongst our growing circle. -- Stan DeOrsey jsmd@att.net  1,, Summary-line: 4-Jan marchanc@juno.com [288] #Did you read "Fox Trot" on Saturday? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 04 Jan 2004 15:18:37 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i04KIYVT024236; Sun, 4 Jan 2004 15:18:35 -0500 (EST) Received: from m22.lax.untd.com (m22.lax.untd.com [64.136.30.85]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i04KIFld002235 for ; Sun, 4 Jan 2004 15:18:15 -0500 (EST) Received: from cookie.untd.com by cookie.untd.com for <"X60rG+vJE2RvE1m9oJxqqcBo+LgsB8zWmwaGk4IWp0DORcgdhDa0eQ==">; Sun, 04 Jan 2004 12:17:59 PST Received: (from marchanc@juno.com) by m22.lax.untd.com (jqueuemail) id JJ3XL62R; Sun, 04 Jan 2004 12:17:59 PST To: marchanc@juno.com Date: Sun, 4 Jan 2004 14:16:52 -0600 Subject: Did you read "Fox Trot" on Saturday? Message-ID: <20040104.141653.1000.0.marchanc@juno.com> X-Mailer: Juno 5.0.33 MIME-Version: 1.0 Content-Type: multipart/mixed; boundary=--__JNP_000_4c29.2f66.7621 From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: marchanc@juno.com Date: Sun, 4 Jan 2004 14:16:52 -0600 Subject: Did you read "Fox Trot" on Saturday? From: Christopher C Marchant X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This message is in MIME format. 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fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i05Cw76G028952; Mon, 5 Jan 2004 07:58:08 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i05Cv8tR018394 for ; Mon, 5 Jan 2004 07:57:08 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i05CuCTJ015931; Mon, 5 Jan 2004 07:56:12 -0500 (EST) Date: Mon, 5 Jan 2004 07:56:12 -0500 (EST) Message-Id: <3.0.1.32.20040105123832.0120c1e0@mailserver.nhm.ac.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Michael Walters To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Windows Eudora Light Version 3.0.1 (32) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 5 Jan 2004 07:56:12 -0500 (EST) Reply-To: mpw@nhm.ac.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Michael Walters To: Multiple recipients of list SAVOYNET X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) During last summer I was reading the stage director Basil Dean's autobiographies and several points came up which I thought might be of interest to Netters. Some years back, Marc Shepherd and I discussed on the Net the question of the letter written to Gilbert by Percy Strzelecki regarding the use of "Climbing over rocky mountain" in Pirates, as having being transferred from Thespis. In his letter, published by Townley Searle, Gilberg makes reference to a letter which Strzelecki had published in "The Clarion". I found the issue of "The Clarion" in which this had been published and commented on it at some length, commenting that "The Clarion" seemed to be a newspaper of somewhat linmited circulation, the readers of which regarded themselves as a rathert exclusive club, and that the editor referred to his readers as "Clarionettes". Confirmation of this came from Dean's autobiography "Seven Ages" (1970): "Lewis Casson, older than most of the company, 13 years in my case, set us all a good example with a sense of mission that extended beyond the theatre to the world in general. He kept aloof at first, but after a month or so I found that he, too, read the "Clarion" newspaper, and supported its editor's vigorous campaign on behalf of the underprivileged. The paper represented that side of the early Socialist movement that was inspired by William Morris, … and others, the side that admired H.G. Wells - his writings were popular science fiction of our day - and held Bernard Shaw in awe. Yet it was failing to carry the trade unions with it. Its youthful supporters were called Clarionettes … Each year a cycling "meet" was held over the Easter holidays in some pleasant locality, when troops of young men and women bicycled in from all parts of the country to greet Clarionettes from other towns, to enjoy music, sing uplifting songs and to listen to speeches from [their] leaders. Fraternity was the password; Norfolk jackets and red ties for the boys, tweed skirts, white blouses and more red ties for the girls, were signs of recognition." [Dean has been seeking subscriptions to help open a repertory theatre in Manchester]: "I still have the encouraging letter which W.S. Gilbert wrote me. It must have been of the last from his pen, for two days leter he died in his own lake at Grim's Dyke swimming to the aid of Winifred Emery's niece". [Dean's Liverpool company, based at the Star Theatre, Williamson Square, opened on 11 November 1911. The play was "The Admirable Crichton" It was was preceeded by the national Anthem, then]: p.87 "Our patriotic duty done, the red and gold tableau curtains parted to disclose Aida Jenoure, a senior member of the new company, attired as "The Tragic Muse, after Joshua Reynolds" but looking more like a nineteenth century Britannia slightly gone at the knees, to recite verses especially written for the occasion by John Masefield." [Aida Jenoure was a member of the D'Oyly Carte from 1885-1888] p.141. Dean indicates that Hesketh Pearson appeared in his (Dean's) production of The Blue Lagoon (c. 1919). The implication was that Pearson was an indifferent actor. In his second autobiography, "Mind's Eye (1973), Dean recounts a matinee that took place on Tuesday 29 December 1932 at His Majesty's Theatre before King George V and Queen Mary: The programme was: The marriage of Figaro, overture - Conducted by Sir Thomas Beecham Sketch: Gerald du Maurier in "The Bachelor Party" "I can't think why" from Princess Ida. Sung by Henry Lytton. Monsewer Eddie Gray (? In a monologue) Nervo and Knox (who they? Doing what? Anton Dolin and Alice Nikitina in a ballet excerpt Leslie Henson and Sydney Howard in a musical comedy item, called "It's a boy" [Queen Mary disapproved of this] Finale: The Chauve Souris company. In Dodie Smith's "Autumn Crocus" (1931) Frederic Ranalow played a German tourist. "a complete justification of his claim, if he ever needed to make it, to be as good an actor as he was a singer. His rendering of Schumann's 'In Wunderschoenen Monat Mai' during the evening sing-song in the gasthaus never failed to hold the audience in thrall" ------------------------------------------------------------------------- Michael P. Walters, Emeritus Fellow, Bird Group, The Natural History Museum, at Walter Rothschild Zoological Museum, Tring, Herts., HP23 6AP, UK Fax: 0207-942-6150 Tel: 0207-942-7717 email: mpw@nhm.ac.uk  1,, Summary-line: 7-Jan thallata@MIT.EDU [22] #Re: Can we schedule a meeting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 07 Jan 2004 13:44:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i07IiLbI014865; Wed, 7 Jan 2004 13:44:22 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i07IiGSG026729; Wed, 7 Jan 2004 13:44:18 -0500 (EST) Received: from m66-080-12.mit.edu (M66-080-12.MIT.EDU [18.63.1.12]) (authenticated bits=56) (User authenticated as thallata@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i07IiERw010346; Wed, 7 Jan 2004 13:44:15 -0500 (EST) Received: (from thallata@localhost) by m66-080-12.mit.edu (8.12.9) id i07IiE0T020532; Wed, 7 Jan 2004 13:44:14 -0500 Message-Id: <200401071844.i07IiE0T020532@m66-080-12.mit.edu> To: Ruth Lynn Jedlinsky cc: zacheiss@MIT.EDU, opus@MIT.EDU, nealtodd@comcast.net Subject: Re: Can we schedule a meeting In-Reply-To: Your message of "Fri, 02 Jan 2004 23:10:32 EST." Date: Wed, 07 Jan 2004 13:44:14 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: Ruth Lynn Jedlinsky cc: zacheiss@MIT.EDU, opus@MIT.EDU, nealtodd@comcast.net Subject: Re: Can we schedule a meeting In-Reply-To: Your message of "Fri, 02 Jan 2004 23:10:32 EST." Date: Wed, 07 Jan 2004 13:44:14 -0500 From: Erin R Tyndall X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) So, Thursday is not the best day to have this meeting for a couple of reasons. The first of which is that I have a conflict as does Jennie, and Esther has one for part of the meeting. One member is still not back, and I would like to wait until everyone is here. Also, due to interviews, there was no time to actually transition the EC. So I would like to transition the EC, come up with a number for your budget, and then have this meeting. I think that would make next Thursday a good time to meet. Sorry for the delay in response. Erin  1,, Summary-line: 8-Jan steve@rapaport.com [29] #Worth checking out X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Jan 2004 10:15:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i08FEvb2020108; Thu, 8 Jan 2004 10:14:59 -0500 (EST) Received: from mail02.linkedin.com (mail02.linkedin.com [66.151.153.221]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i08FEClr013342 for ; Thu, 8 Jan 2004 10:14:12 -0500 (EST) Received: from app03.prod.linkedin.com (app03.prod.linkedin.com [172.16.34.34]) by mail02.linkedin.com (Postfix) with ESMTP id 8A51674E for ; Thu, 8 Jan 2004 07:14:11 -0800 (PST) Received: from app03 (localhost [127.0.0.1]) by app03.prod.linkedin.com (8.12.9+Sun/8.12.9) with ESMTP id i08FEBmD015116 for ; Thu, 8 Jan 2004 07:14:11 -0800 (PST) Message-Id: <200401081514.i08FEBmD015116@app03.prod.linkedin.com> From: "Steve Rapaport" To: "David Jedlinsky" Subject: Worth checking out Date: Thu, 8 Jan 2004 07:14:11 -0800 (PST) X-Spam-Score: -9.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Steve Rapaport" To: "David Jedlinsky" Subject: Worth checking out Date: Thu, 8 Jan 2004 07:14:11 -0800 (PST) X-Spam-Score: -9.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Aaron Ardiri recently invited me to join LinkedIn, and I've found it to be a useful online business tool. LinkedIn lets you reach recommended employees, hiring managers and business partners through referrals from people you already know and trust. You won't receive spam or unwanted requests since people can only reach you if I decide to forward a message to you because it looks like a good opportunity. It would be great to have you in my professional network on LinkedIn. It's free to join through the link below. - Steve ------------------------------------------ Steve invites you to join their invitation-only professional network on LinkedIn and offers to facilitate introductions to its over 8100+ members for you. It is free to join and takes less than 60 seconds to sign up via the link below: https://www.linkedin.com/r/408597/BLKfSbMn Read what The Wall Street Journal, the BBC and others have to say about LinkedIn: http://www.linkedin.com/static?key=press_info This is an exclusive invitation from Steve Rapaport to David Jedlinsky.  1,, Summary-line: 8-Jan hxd9@yahoo.com [71] #MTG announces production staff INTERVIEWS for A NEW BRAIN X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 08 Jan 2004 14:37:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i08Jb9aw021746; Thu, 8 Jan 2004 14:37:09 -0500 (EST) Received: from web21007.mail.yahoo.com (web21007.mail.yahoo.com [216.136.227.61]) by fort-point-station.mit.edu (8.12.4/8.9.2) with SMTP id i08Javqp022384 for ; Thu, 8 Jan 2004 14:36:58 -0500 (EST) Message-ID: <20040108193657.87610.qmail@web21007.mail.yahoo.com> Received: from [65.209.22.130] by web21007.mail.yahoo.com via HTTP; Thu, 08 Jan 2004 11:36:57 PST Date: Thu, 8 Jan 2004 11:36:57 -0800 (PST) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces production staff INTERVIEWS for A NEW BRAIN To: mtg-announce@mit.edu MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 8 Jan 2004 11:36:57 -0800 (PST) From: MTG Publicity Reply-To: mtg-announce@MIT.EDU Subject: MTG announces production staff INTERVIEWS for A NEW BRAIN To: mtg-announce@mit.edu X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ******************************************************************* MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG*MTG ******************************************************************* The MIT Musical Theatre Guild is now seeking production staff for its spring 2004 production of A NEW BRAIN Music and lyrics by William Finn Book by James Lapine Interviews are being conducted for the following positions: PRODUCER DIRECTOR MUSIC DIRECTOR TECHNICAL DIRECTOR CHOREOGRAPHER STAGE MANAGER SHOW DATES: April 9-11, 15-17, 2004 What do you get when you cross a nasty frog, brain surgery, and a dancing Jewish mother? Answer: A musical odyssey towards a second chance at life. Inspired by composer-lyricist William Finn's experiences when wrongly diagnosed with brain cancer, A NEW BRAIN is a hypnotic musical guaranteed to stick to your cerebral cortex. ******************************************************************** To schedule an interview, contact us at mtg-board@mit.edu or 617-253-6294. Note: Interviews for production staff positions are open to everyone, including those not affiliated with MIT. Constitution of the MIT Musical Theatre Guild, Section 2.1: "A full awareness of the Musical Theatre Guild's affiliation with MIT will be maintained. In filling cast and production positions, priority will be given to members of the MIT community, and in particular to MIT students." The MIT community includes all MIT students, alumni, faculty, staff, their immediate families, and Wellesley students. The membership of the Musical Theatre Guild consists of anyone who has worked on an MTG show within the past year, regardless of MIT affiliation. ****************************************************************** bcc'd to mtg-members@mit.edu, savoyards@mit.edu, midnight-players@mit.edu, chorus@mit.edu, ensemble@mit.edu, mitcp@mit.edu, dancetroupe@mit.edu, gsp@mit.edu, chamber@mit.edu, ds_announce@mit.edu, bdclub@mit.edu, muses@mit.edu, crossproducts@mit.edu, logarhythms@mit.edu, blacktg@mit.edu, choral@mit.edu, toons-public@mit.edu __________________________________ Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes http://hotjobs.sweepstakes.yahoo.com/signingbonus  1,, Summary-line: 11-Jan cjsmith@MIT.EDU [49] #two events in one X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 11 Jan 2004 13:04:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0BI4CWc005872; Sun, 11 Jan 2004 13:04:12 -0500 (EST) Received: from out009.verizon.net (out009pub.verizon.net [206.46.170.131]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0BI47ed010314 for ; Sun, 11 Jan 2004 13:04:07 -0500 (EST) Received: from [192.168.1.101] ([151.203.195.136]) by out009.verizon.net (InterMail vM.5.01.06.06 201-253-122-130-106-20030910) with ESMTP id <20040111180407.MLBC29632.out009.verizon.net@[192.168.1.101]>; Sun, 11 Jan 2004 12:04:07 -0600 Mime-Version: 1.0 (Apple Message framework v606) Content-Transfer-Encoding: 7bit Message-Id: <8A5C4047-4460-11D8-AA2B-00039386D324@mit.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed To: dinner@mit.edu, Beth Ashman-Collins , Geoffrey Collins , rachelle@steele.mgh.harvard.edu From: Carolyn Smith Subject: two events in one Date: Sun, 11 Jan 2004 13:04:03 -0500 X-Mailer: Apple Mail (2.606) X-Authentication-Info: Submitted using SMTP AUTH at out009.verizon.net from [151.203.195.136] at Sun, 11 Jan 2004 12:04:06 -0600 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: dinner@mit.edu, Beth Ashman-Collins , Geoffrey Collins , rachelle@steele.mgh.harvard.edu From: Carolyn Smith Subject: two events in one Date: Sun, 11 Jan 2004 13:04:03 -0500 X-Authentication-Info: Submitted using SMTP AUTH at out009.verizon.net from [151.203.195.136] at Sun, 11 Jan 2004 12:04:06 -0600 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi everyone! This is slightly complicated, but it makes sense, really! I'd like to host two events on Sunday, February 22. (because I'll need Saturday to prepare!!!) 1. A sewing/origami afternoon. From noon-ish to 4-ish (flexibly). Come hang out and embroider, sew, quilt, cross-stitch, whatever! If you dont sew, come make origami. I have some origami supplies and I'll try to stock up on more. I'll also try to stock supplies for making Temari balls, but I cant promise that. I dont have the table space for laying out and cutting big clothing patterns, and the floors are carpeted, but other than that I've got just about everything needed for most sewing projects. I have one electric sewing machine, and if you really want to play with the treadle machine you're welcome to do that (and the feet are really cool--they look like medieval torture devices!). Depending on how much sewing is being done, a second electric machine might be helpful. I also have several specialty fabrics that I'm trying to decide what to do with, and I'm searching for advice.... 2. A dinner gathering. From 4-ish to whenever. I'll probably quit sewing around 4 (tho everyone else can keep going) and start with dinner stuff, probably pasta and sauce since I wont have huge amounts of prep time. I'll aim for serving dinner around 6. If I'm *really* organized, I'll make ziti on Saturday and it'll be easy! I'll try to have something Atkins friendly as well, and there will definitely be something vegetarian. Please do RSVP....also letting me know which to expect you for....If you forget to RSVP, come anyway.... Directions to our house are at www.mit.edu/~goodmanj/directions.html. If you are taking the train, let us know ahead of time which one, we can pick you up at the station, and drop you off afterwards... --Carolyn  1, answered,, Summary-line: 12-Jan bj.richards@btinternet.co [39] #Re: Pirates at the Savoy - but OT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jan 2004 10:26:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0CFQHPo020808; Mon, 12 Jan 2004 10:26:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0CFOQWu006119 for ; Mon, 12 Jan 2004 10:24:27 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0CFNSTJ002945; Mon, 12 Jan 2004 10:23:28 -0500 (EST) Date: Mon, 12 Jan 2004 10:23:28 -0500 (EST) Message-Id: <001401c3d91f$b993a360$b1608751@HP763ADV> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Pirates at the Savoy - but OT MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jan 2004 10:23:28 -0500 (EST) Reply-To: bj.richards@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bob & Jackie" To: Multiple recipients of list SAVOYNET Subject: Re: Pirates at the Savoy - but OT X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just a week ago, Jackie & myself and my daughter Polly and her family spent a lovely sunny Tuesday afternoon at Paignton Pier where we spent a small fortune in pennies on the many slot machines but sadly missed any attraction that could have been remotely interpreted as a randy fantasy. We were all down at Paignton to inspect a 20 bed hotel with a view to buying it as a family business, the hotel was perfect and just opposite the pier but sadly the next day the owner changed his mind about selling and took it off the market much to our great disappointment. However Paignton and the Torbay area are still favourites for our venture and we'll hope we'll have more luck with our next viewing. Bob Richards From: "Robin Gordon-Powell" > The following review by Tim Ashley is taken from THE GUARDIAN, Saturday > January 10 2004: > Amateur dramatics, meanwhile, are synonymous with "end-of-the-pier" shows, > and Dexter accordingly relocates Pirates to the end of Paignton Peir, where > Hadley Fraser's randy Frederic fantasises about the various attractions on > offer.  1,, Summary-line: 12-Jan J91a@cs.com [70] #Re: Update X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jan 2004 15:48:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0CKmQPU008372; Mon, 12 Jan 2004 15:48:27 -0500 (EST) Received: from imo-r02.mx.aol.com (imo-r02.mx.aol.com [152.163.225.98]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0CKmQLF015224 for ; Mon, 12 Jan 2004 15:48:26 -0500 (EST) Received: from J91a@cs.com by imo-r02.mx.aol.com (mail_out_v36_r4.8.) id 6.36.4f1e1300 (15864) for ; Mon, 12 Jan 2004 15:48:15 -0500 (EST) Received: from cs.com (mow-m07.webmail.aol.com [64.12.184.135]) by air-id06.mx.aol.com (v97.18) with ESMTP id MAILINID63-3df84003080e87; Mon, 12 Jan 2004 15:48:14 -0500 Date: Mon, 12 Jan 2004 15:48:15 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Re: Update MIME-Version: 1.0 Message-ID: <4B0BA59F.58943BD4.00002B09@cs.com> X-Mailer: Atlas Mailer 2.0 X-AOL-IP: 155.33.197.226 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Spam-Score: -3.24 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 12 Jan 2004 15:48:15 -0500 From: J91a@cs.com To: opus@mit.edu ("David C. Jedlinsky") Subject: Re: Update X-AOL-IP: 155.33.197.226 X-Spam-Score: -3.24 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Dave, I'm going to send you all the checks, but mail you Rydia's DVD, because I've left too many messages and I'm starting to feel like a collection agency. There may be some reason why she doesn't want to deal with me. So when I mail you the DVD, I'll send her an email with your address. If she wants the video, she can mail you a check for 18.00 plus 3 dollars postage and you can mail it out to her. If you never hear from her again, you may just want to write it off as a loss on you 2003 schedule A (or C...I've forgotten). So thanks and I'll try to mail the checks out tonight. The DVD may have to wait until this weekend. Best, Janine "David C. Jedlinsky" wrote: > >Hi Janine. > >Sorry for the delay in replying; your message got buried in my holiday >email deluge, since I had the gall to not read email for two weeks >while visiting family. :-) > >My address is: > >       David Jedlinsky >       4 Foster Rd. >       Milford, NH 03055 > >Thanks for following up on all the videos. > >-Dave > > >>From: J91a@cs.com >>Date: Wed, 24 Dec 2003 15:49:11 EST >> >>Hi Dave, >> >>This is an update on the video situation.  Sorry for the delay.  I'm doing >>this on top of two jobs and Trinity Choir Christmas Service schedule.  The news >>is I got a tape to Matt, and he gave me 20 dollars cash.  I also got Dana >>taken care of.  She gave me a check...some time ago.  I hope it can still be >>deposited.  It's not a lot of money so I don't see why not.  I'm cc-ing her this >>email to give her a heads up that it should be going through shortly. >> >>Matt gave me twenty dollars cash and I gave him two dollars change.  So I'm >>mailing you my check plus a second check representing his payment. >> >>I still have Mal and Rydia to take care of.  Rydia never returned my phone >>message, or email.  I'll try calling her again, and again if necessary.  Mal >>just plain has a case of Techy Overcommitedness, but has been very good about >>getting back to me, and then disappearing again, so I'll go to her. >> >>Things always take more effort and organizational follow through than one >>expects. >> >>NOTE: PLEASE email me your address again.  I didn't write it down and it's >>long gone from the compuserve mail server.  I will pick up the address off my >>Dad's computer from San Diego.  I fly out there tomorrow morning and send >>everything I have out. >> >>Thanks and Happy Holidays, >> >>Janine  1,, Summary-line: 12-Jan bj.richards@btinternet.co [57] #Re: Pirates at the Savoy - but OT X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 12 Jan 2004 18:52:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0CNqVPU000595; Mon, 12 Jan 2004 18:52:31 -0500 (EST) Received: from gadolinium.btinternet.com (gadolinium.btinternet.com [194.73.73.111]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0CNqUOk007394 for ; Mon, 12 Jan 2004 18:52:30 -0500 (EST) Received: from [213.122.222.45] (helo=HP763ADV) by gadolinium.btinternet.com with smtp (Exim 3.22 #25) id 1AgBrA-0005q3-00 for opus@MIT.EDU; Mon, 12 Jan 2004 23:52:29 +0000 Message-ID: <002d01c3d967$230784a0$75ce8351@HP763ADV> From: "Bob & Jackie" To: "David C. Jedlinsky" References: <001401c3d91f$b993a360$b1608751@HP763ADV> <200401121859.i0CIxTn3017944@multics.mit.edu> Subject: Re: Pirates at the Savoy - but OT Date: Mon, 12 Jan 2004 23:51:55 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Bob & Jackie" To: "David C. Jedlinsky" Subject: Re: Pirates at the Savoy - but OT Date: Mon, 12 Jan 2004 23:51:55 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) No and yes. We decided against the first one as however much we spent on it the rooms still wouldn't have been up to a standard we would have been happy with. We decided to go for the Paignton hotel as it was much bigger - 20 en suite rooms - it was in great condition and in a very good location right opposite the beach (and pier) at Paignton and a snip at just under a half a million pounds. We had meetings with a financial advisor and an accountant who were confident that they could arrange the extra finance we needed (needless to say we don't have the whole half a million!) as the hotel should easilly gross £200K per year. After agreeing to the asking price the owner then took it off the market for family reasons, we were gutted as it was about as perfect a place as we could wish for - somehow people telling us it's all for the best doen't really help. However, we're trying not to be too discouraged. We were also going to find a name that begun with a B - the hotel is called the Britney Hotel (the owners are fans) and the back of the dining room chairs are decorated with a gold embroidered BH. The logical name for a hotel in Paignton of course would be the Bijou Hotel, but sadly that's irrelevant now - sob. We're both well although my eye surgery for glaucoma is having to be tweaked yet again (another procedure looms tomorrow) which is now becoming boring. Jackie's father passed away just before Christmas which with her mother passing away earlier this year was a double blow but she's coping in her usual strong sensible way. My ex-wife spent the holidays in hospital as she fell and broke her leg and as my daughters felt sorry for him we had the bizzare situation of entertaining her husband (and the cause of our divorce) for the Christmas period - Jackie was excellent about it and had her reward as he waxed lyrical to Leg-in-Plaster about what a wonderful cook Jackie was and how he felt very much at home! More news as it happens, love you you both and Blwyddyn Newydd Dda Bob & Jackie > > That is really a shame about the hotel! Was it the same one you had > been considering last year? > > P.S. Does this put the "Name the Hotel" contest on hold? :-) > >  1,, Summary-line: 13-Jan randybowser@webtv.net [118] #re: Synthesized accompaniment for The Mikado X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 13 Jan 2004 20:23:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0E1NcxM026167; Tue, 13 Jan 2004 20:23:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0E1NbhH000733 for ; Tue, 13 Jan 2004 20:23:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0E1MXTJ026277; Tue, 13 Jan 2004 20:22:33 -0500 (EST) Date: Tue, 13 Jan 2004 20:22:33 -0500 (EST) Message-Id: <3425-4004985E-6310@storefull-3137.bay.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: randybowser@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: randybowser@webtv.net (R Bow) To: Multiple recipients of list SAVOYNET Subject: re: Synthesized accompaniment for The Mikado Content-Disposition: Inline Content-Type: Text/Plain; Charset=ISO-8859-1 MIME-Version: 1.0 (WebTV) Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 13 Jan 2004 20:22:33 -0500 (EST) Reply-To: randybowser@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: randybowser@webtv.net (R Bow) To: Multiple recipients of list SAVOYNET Subject: re: Synthesized accompaniment for The Mikado Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello all---Earlier today I communicated with Samuel Silvers. Then I mistakenly tried to send a message to all of you before I had subscribed to Savoynet. Here are cut and pastes, including the message I tried to send all of you earlier: -------------------- Dear Mr. Silvers and Savoynet Thank you very much, Mr. S, for your very speedy reply, and for the invitation to explain to the Savoynet about my Mikado adaptation. Working with several versions of the opera's score, and also using 4 different recorded versions of the music as reference, I performed the music on my large bank of synthesizers/keyboards, adapting the score to this mode without changing melody lines or the basic orchestration. In performance, a sound operator who had transferred my Mikado CD to computer files, easily became the "conductor," flawlessly providing the cast a reliable "orchestra." I should add that I divided the recording up into sections which allow for all cadenzas to be freely dictated by the singers, the sound operator pushing the "play" button just as a conductor drops his baton to commence with the accompaniment at the end of these freely sung sections. Mr. S is correct that I am now offering my instrumental CDs of the show to other theatres who otherwise have difficulty assembling orchestras. For a few hundred dollars, theatres may rent the CDs, be provided with a thoroughly annotated copy of the score, and I would be available for unrestricted email conferencing re: technical issues that may arise during rehearsals. I am also providing the option for songs to be changed to different tempi or even different keys (--horrors!--) if directors desire. Information can be found on this particular page of my website: http://rbowser.tripod.com/mikado/ Wav files of music samples from my work are available at the site, as a way of demonstrating the quality of the CDs. My hope is that this information could be included on the apropos G&S pages which all of you have so wonderfully provided us G&S fans world-wide. >From the front page of my multiple theatre related sites, info about me can be found. http://rbowser.tripod.com/ I'll mention here that I have directed highly successful sold-out productions at Pentacle Theatre in Salem, OR for 10 years now, and have provided MIDI orchestras for a number of musicals. The theatre was recently given the Governor's Award for outstanding achievement in the arts. And you're right, Mr. S--it's about time I subscribed to the Savoynet mailings! (and so I now have) Thank you all for your time. I welcome any and all email correspondence on the above subject. Yours, Randy Bowser ----------------------- (Mr. Silver's earlier letter to the list) Dear SavoyNet: I received this from randybowser@webtv.net.   I do not know this person. I assume that he means that his "Mikado adaptation" is available for license, but I'm not sure. [Mr. Bowser, feel free to subscribe to SavoyNet, a discussion group of 600 G&S fans. See www.cris.com/~oakapple/savoynet/] -------------------- (part of my original letter from today, to Mr. Silvers) ..Just last month, there was a highly successful production of the opera at Pentacle Theatre in Salem, Oregon. I produced the "virtual orchestra" for that production with my bank of synthesizers. Gratefully, the musical performance was praised for its twinkling naturalness. The cast was grateful to have a nice big sound to sing to, with the absolute consistency only possible with a recorded sound track. I want to invite you to see information I have online about my Mikado adaptation which I'm now making available to other theatres which, like Pentacle, may not otherwise be able to provide professional accompaniment for their casts. http://rbowser.tripod.com/mikado/ ************************  1, answered,, Summary-line: 14-Jan CJ@sftlaw.com [71] #Re: *NO* Superbowl Party this year X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 Jan 2004 09:09:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0EE9mur002994; Wed, 14 Jan 2004 09:09:48 -0500 (EST) Received: from fiserv2.sftlaw.com (207-152-162-41.mcsp.net [207.152.162.41] (may be forged)) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0EE9kHu023792 for ; Wed, 14 Jan 2004 09:09:47 -0500 (EST) Received: from mail.sftlaw.com ([192.168.1.2]) by fiserv2.sftlaw.com with Microsoft SMTPSVC(5.0.2195.6713); Wed, 14 Jan 2004 09:10:41 -0500 Received: from SFT_PO-MTA by mail.sftlaw.com with Novell_GroupWise; Wed, 14 Jan 2004 09:10:40 -0500 Message-Id: X-Mailer: Novell GroupWise Internet Agent 6.0.2 Date: Wed, 14 Jan 2004 09:10:19 -0500 From: "Cynthia J. Bagaria" To: Subject: Re: *NO* Superbowl Party this year Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=_90B1D8F0.0E6F002B" X-OriginalArrivalTime: 14 Jan 2004 14:10:41.0696 (UTC) FILETIME=[31897A00:01C3DAA8] X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 14 Jan 2004 09:10:19 -0500 From: "Cynthia J. Bagaria" To: Subject: Re: *NO* Superbowl Party this year X-OriginalArrivalTime: 14 Jan 2004 14:10:41.0696 (UTC) FILETIME=[31897A00:01C3DAA8] X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=_90B1D8F0.0E6F002B Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Nah, we tricked someone else into hosting by sounding truly pathetic - we'll come visit, though, sometime when it *isn't* the coldest February in 100 years... Just good ol' Pentagon industrial tile - it's a concrete slab that we're covering, and it's both the cheapest *and* the most durable... guess most folks don't like their family rooms to feel of "Pentagon" but, being the Army brat, it feels like home. We did a three-color thing and put a chessboard in the center of the room, though, just to make it feel more like home. Yep, did hear from Mike - his Growfs weren't original, he'd traced them out himself. Hit the family website and saw pics of his daughter and the niece & nephew - cute kids all. So far, it's looking like you're *still* the only person from MIT I know that's actually working in the field you got your degree in anymore...! Happy New Year! CJ --=_90B1D8F0.0E6F002B Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML
Nah, we tricked someone else into hosting by sounding truly pathetic - we'll come visit, though, sometime when it *isn't* the coldest February in 100 years...
 
Just good ol' Pentagon industrial tile - it's a concrete slab that we're covering, and it's both the cheapest *and* the most durable... guess most folks don't like their family rooms to feel of "Pentagon" but, being the Army brat, it feels like home.  We did a three-color thing and put a chessboard in the center of the room, though, just to make it feel more like home.
 
Yep, did hear from Mike - his Growfs weren't original, he'd traced them out himself.  Hit the family website and saw pics of his daughter and the niece & nephew - cute kids all.  So far, it's looking like you're *still* the only person from MIT I know that's actually working in the field you got your degree in anymore...!
 
Happy New Year!
 
CJ
--=_90B1D8F0.0E6F002B--  1,, Summary-line: 14-Jan thespian121@yahoo.com [57] #Seeking a choral score . . . (sorry for the OT) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 Jan 2004 11:00:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0EG0Kur010862; Wed, 14 Jan 2004 11:00:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0EG0JQ4000682 for ; Wed, 14 Jan 2004 11:00:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0EFxJTJ007925; Wed, 14 Jan 2004 10:59:19 -0500 (EST) Date: Wed, 14 Jan 2004 10:59:19 -0500 (EST) Message-Id: <20040114153306.5838.qmail@web40514.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Seeking a choral score . . . (sorry for the OT) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 14 Jan 2004 10:59:19 -0500 (EST) Reply-To: thespian121@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marisa Green To: Multiple recipients of list SAVOYNET Subject: Seeking a choral score . . . (sorry for the OT) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.005 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi all, I hate to interrupt, but am in a bit of a pinch and was hoping that some of you choral-types might be able to help me out . . . Tomorrow I'm going to my first grad school audition (Indiana University) and one of the pieces I'm supposed to be conducting is the Josquin "Ave Maria, virgo serena." The prescribed edition is Associated, ed. Greenberg, from the "Two Marian Motets", distributed by Hal Leonard. Anyway, I ordered this a while back (I have sung the piece often, but never from that edition) and am now a little apprehensive because, as of this morning, it hasn't come in the mail. SO, what I was wondering was if any one of you out there happens to own this edition, and wouldn't mind sending me a copy (either by fax or scan/PDF) sometime in the next 23 hours or so. (I THINK - MISIT - that this should be OK under the relevant copyright laws, since I have bought and paid for the music already, and I'll destroy this once the real one comes, etc., etc. Kosher?) So sorry for the last minute notice, but the wonderful collective body of SavoyNet has come through so many times before . . . Thanks!!! Marisa Green (in feels-like-negative 18*F Cambridge, MA) P.S. To any faculty/alums/friends of Rice, Yale, Northwestern, Carnegie Mellon, Michigan, and BU, cross your fingers for me (as I haven't heard back from them yet about interviews!) :) __________________________________ Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes http://hotjobs.sweepstakes.yahoo.com/signingbonus  1,, Summary-line: 14-Jan rebecca@savoynet.org [26] #Welcome to Savoynet Forums Forums X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 Jan 2004 15:45:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0EKjfur009683; Wed, 14 Jan 2004 15:45:42 -0500 (EST) Received: from server263.com (ns1.server263.com [64.14.68.19]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i0EKjFa3012555 for ; Wed, 14 Jan 2004 15:45:15 -0500 (EST) Received: (qmail 27475 invoked by uid 501); 14 Jan 2004 20:46:12 -0000 Message-ID: <20040114204612.3984.qmail@server263.com> To: opus@mit.edu Subject: Welcome to Savoynet Forums Forums MIME-Version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 8bit Date: Wed, 14 Jan 2004 20:46:12 UT X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: PHP From: rebecca@savoynet.org X-Spam-Score: -3.052 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: opus@mit.edu Subject: Welcome to Savoynet Forums Forums Date: Wed, 14 Jan 2004 20:46:12 UT X-Priority: 3 X-MSMail-Priority: Normal From: rebecca@savoynet.org X-Spam-Score: -3.052 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Welcome to Savoynet Forums Forums Please keep this email for your records. Your account information is as follows: ---------------------------- Username: opus Password: opus1607 ---------------------------- Please do not forget your password as it has been encrypted in our database and we cannot retrieve it for you. However, should you forget your password you can request a new one which will be activated in the same way as this account. Thank you for registering. -- Savoynet.org  1,, Summary-line: 14-Jan midiopera@bellsouth.net [45] #Re: Bowser's Opus: another take, and I think a long one X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 14 Jan 2004 22:01:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0F310ur022722; Wed, 14 Jan 2004 22:01:00 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0F30xrm004404 for ; Wed, 14 Jan 2004 22:00:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0F2xfTJ005975; Wed, 14 Jan 2004 21:59:41 -0500 (EST) Date: Wed, 14 Jan 2004 21:59:41 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: Bowser's Opus: another take, and I think a long one Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <12358-4005CD28-618@storefull-3131.bay.webtv.net> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 14 Jan 2004 21:59:41 -0500 (EST) Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: Bowser's Opus: another take, and I think a long one X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <12358-4005CD28-618@storefull-3131.bay.webtv.net> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) on 1/14/04 6:37 PM, R Bow at randybowser@webtv.net wrote: > Question for Mr. Steinberg---how have you managed to do MIDIs of > Broadway musicals like "The King and I"--? I have dealt with many > publishing offices in New York, and nearly had a production shut down > when I attempted to MIDIfy a Broadway show---it's strictly against their > contracts---. Funny you should ask - Rodgers and Hammerstein Library threatened to close down that show if I didn't sign a contract giving them the full extent of my work, destroying all copies I had and guaranteeing no key changes or omissions in the work or the production. I was hired by the theatrical company to get the job done - and in a hurry, I might add. They were already in rehearsal singing along with Yul Brynner. I only had a contract with this company, they dealt with R&H but failed to inform of the midi recording, someone called NY and turned them in. I had no agreement with R&H and wasn't interested in giving my work away to R&H or being put in any contractual agreement which created a liability for me if their terms were not met. I said - sorry. The vice-president of the theater company dealt with R&H and the show went on. I really don't know about the revised agreement. R&H would not respond to my communications after the close of the show. My tentative relationship with theater company did not improve as a result. ~~ Robert Steinberg MidiOpera Co. http://bellsouthpwp.net/m/i/midiopra/  1,, Summary-line: 15-Jan awrobins@yahoo.com [140] #Bibliography of Jane Stedman X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jan 2004 09:09:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0FE9sV0017272; Thu, 15 Jan 2004 09:09:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0FE9q3T001052 for ; Thu, 15 Jan 2004 09:09:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0FE8iTJ024898; Thu, 15 Jan 2004 09:08:44 -0500 (EST) Date: Thu, 15 Jan 2004 09:08:44 -0500 (EST) Message-Id: <20040115134609.67112.qmail@web10806.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Bibliography of Jane Stedman MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jan 2004 09:08:44 -0500 (EST) Reply-To: awrobins@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Arthur Robinson To: Multiple recipients of list SAVOYNET Subject: Bibliography of Jane Stedman X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I've been asked to put together a bibliography of the late Jane Stedman's writings relevant to Gilbert and Sullivan. I've checked Philip Dillard's How Quaint the Ways of Paradox and some databases (WorldCat, MLA Bibliography, ArticleFirst, JSTOR), and have pasted my draft below. If anyone knows of any omissions (or errors), please let me know. I looked in Geoffrey Dixon's "The Gilbert & Sullivan Journal 56-Year Index," but since I don't have the G&S Journals themselves, at least two of my citations (the ones not in Dillard) are incomplete. If anyone can complete them, or knows if Dr. Stedman published any articles in The Savoyard, please contact me. Also, I’m guessing that the following article in a book is relevant from the title, but I haven’t seen the book, so maybe Stedman simply used the quotation as a title. Has anyone out there read this article? Here’s the citation: "Come, Substantial Damages"! In Victorian Scandals: Representations of Gender and Class. Ed. Kristine Ottesen Garrigan. Athens: Ohio University Press, 1992. Thank you! Arthur Robinson Bibliography of Jane W. Stedman (DRAFT) I. Books Gilbert Before Sullivan: Six Comic Plays by W.S. Gilbert. Edited and with an introduction by Jane W. Stedman. Chicago: University of Chicago Press, 1967; London: Routledge & K. Paul, 1969. W.S. Gilbert: A Classic Victorian and His Theatre. Oxford and New York: Oxford University Press, 1996. W.S. Gilbert's Theatrical Criticism. London: Society for Theatre Research, 2000. II. Articles on Gilbert and Sullivan "Boz and Bab." Dickensian 58 (1962) 171-178. "A Dose from Dulcamara." Opera News 25 (Dec. 24, 1960) 17-19. "From Dame to Woman: W.S. Gilbert and Theatrical Transvestism." Victorian Studies 14 (Sept. 1970) 27-46. Reprinted in Suffer and Be Still: Women in the Victorian Age. Ed. Martha Vicinus. Bloomington: Indiana University Press, 1972, 20-37. "General Utility: Victorian Actor-Authors from Knowles to Pinero." Educational Theatre Journal 24 (Oct. 1972) 289-301. "The Genesis of Patience." Modern Philology 66.1 (Aug. 1968) 48-58. Reprinted in W.S. Gilbert: A Century of Scholarship and Commentary. Ed. John Bush Jones. New York: New York University Press, 1970. "Gilbert, Sir W(illiam) S(chwenck)." Great Writers of the English Language: Dramatists. Ed. James Vinson. London: Macmillan, 1979. 245-250. "Gilbert's Stagecraft: Little Blocks of Wood." Gilbert and Sullivan: Papers Presented at the International Conference Held at the University of Kansas in May 1970. Ed. James Helyar. Lawrence: University of Kansas Libraries, 1971. 195-211. "A New Absurdity from Tomline: W.S. Gilbert's "Dramatic Sell."" Nineteenth Century Theatre Research 3.1 (Spring 1975) 1-21. ""A Peculiar Sharp Flavour": The Contributions of Dr. William Gilbert." Victorian Periodicals Review 19.2 (Summer 1986) 43-50. "Some Unpublished Letters of Matthew Arnold to Richard D'Oyly Carte." The Arnoldian: A Review of Mid-Victorian Culture 13.2 (Summer 1986) 1-9. "Three New Gilbert Lyrics." Bulletin of the New York Public Library 74 (Nov. 1970) 629-633. "The Verdict Was Rapture." D'Oyly Carte Centenary 1875-1975: 100 Years of D'Oyly Carte and Gilbert and Sullivan. London, 1975. "The Victorian After-Image of Samuel Johnson." Nineteenth Century Theatre Research 11 (Summer 1983) 13-27. Articles in The Gilbert and Sullivan Journal (listed chronologically): (with Mildred Howson Hartley) "The First Josephine." The Gilbert and Sullivan Journal 9 (May 1970) 290-291. "Kitty's Cookery Book: or, The Gilberts at Table." The Gilbert and Sullivan Journal 10 (Spring 1973) 5-6. "Trial by Jury on Trial." The Gilbert and Sullivan Journal 10 ... 84-? [citation incomplete] "The Sorcery of a Century." The Gilbert and Sullivan Journal 10 (Autumn 1977) 268-271. "Cousin Hebe: Who Was She?" The Gilbert and Sullivan Journal 10 (Spring 1978) 295-296. Geoffrey Dixon's "The Gilbert & Sullivan Journal 56-year Index" also lists a letter by Stedman in vol. 9, p. 342. III. Theses (unpublished) W.S. Gilbert's Relationship to Shakespeare: An Essay. (M.A. thesis, Wayne State University, 1943) William S. Gilbert: His Comic Techniques and Their Development. (Ph.D. dissertation, University of Chicago, 1955) ===== Arthur Robinson, Reference Librarian Banks Library, LaGrange College LaGrange, Georgia 30240 USA __________________________________ Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes http://hotjobs.sweepstakes.yahoo.com/signingbonus  1,, Summary-line: 15-Jan stuart.box@burningsuit.co [60] #Southern (uk) Frederick birthday QWERTY X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jan 2004 12:42:10 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0FHg3V0007132; Thu, 15 Jan 2004 12:42:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0FHg1Y8005816 for ; Thu, 15 Jan 2004 12:42:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0FHauTJ021244; Thu, 15 Jan 2004 12:36:56 -0500 (EST) Date: Thu, 15 Jan 2004 12:36:56 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: Southern (uk) Frederick birthday QWERTY Content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jan 2004 12:36:56 -0500 (EST) Reply-To: stuart.box@burningsuit.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Stuart Box" To: Multiple recipients of list SAVOYNET Subject: Southern (uk) Frederick birthday QWERTY Content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes dear readers, this is going to happen. If you've been to a QWERTY before, you'll need no second bidding, if not then this could be the chance for you to meet other Savoynetters, enjoy a good sing and fun. On the week-end of Saturday 28th and Sunday 29th February, (Frederick's 37th Birthday) you are all cordially invited to a QWERTY (sing-out, sing-in) at my house "Madame Tussauds" in Billingshurst, West Sussex, UK. Rachel Keegan has kindly offered to accompany, and I'm getting the Piano tuned. We will start on the Saturday about 10:00am, if anyone would like to sing particular operas or roles then let me know and I'll see what we can do. I'm in the process of arranging a simple Pub dinner for us in a local hostelry on the Saturday night, subject to numbers interested. Sunday 29th will see the main event at 10:00, with a sing of "Pirates" including Dialogue. I'm looking to have this pre-cast, so please let me know if you want to bid for a role. This to be accompanied by appropriate beverages (Pirate Sherry anyone?) and Birthday Cake. After Pirates we may sing another (if there are enough voices left), but we should finish by the middle of Sunday afternoon. For those who might want accommodation there is a Travellodge quite near, see http://www.travelodge.co.uk/travelodge/location.php?hotel_id=13 I will help find alternatives if required. Please email to let me know if you are interested in coming, if you want to come to the meal on Saturday night, and if you want help with accommodation. If anyone is coming from a great distance (Overseas, Scotland or Newcastle?) I may also be able to help with transport from Gatwick (about 30 min's away by car). So put the 28/29th in your diaries, and e-mail me! Once I've got numbers etc. I'll post more details and directions to "Madame Tussauds" here in Billingshurst. Best regards all. Stuart Box "The amateur Tenor whose vocal villainies all desire to shirk" Billingshurst, West Sussex UK.  1,, Summary-line: 15-Jan randybowser@webtv.net [155] #Recordings and Copyright issues X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jan 2004 17:18:59 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0FMIoV8027734; Thu, 15 Jan 2004 17:18:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0FMIVcW020233 for ; Thu, 15 Jan 2004 17:18:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0FMG3TJ019290; Thu, 15 Jan 2004 17:16:03 -0500 (EST) Date: Thu, 15 Jan 2004 17:16:03 -0500 (EST) Message-Id: <16871-40070C64-3686@storefull-3137.bay.webtv.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: randybowser@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: randybowser@webtv.net (R Bow) To: Multiple recipients of list SAVOYNET Subject: Recordings and Copyright issues Content-Disposition: Inline Content-Type: Text/Plain; Charset=ISO-8859-1 MIME-Version: 1.0 (WebTV) Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Robert Steinberg 's message of Wed, X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jan 2004 17:16:03 -0500 (EST) Reply-To: randybowser@webtv.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: randybowser@webtv.net (R Bow) To: Multiple recipients of list SAVOYNET Subject: Recordings and Copyright issues Content-Disposition: Inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: Robert Steinberg 's message of Wed, X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I want to thank Mr. Steinberg again---this time for the frank story he passed on about doing a MIDI version of "The King and I" and how the R&H Library now has him in their sites. Earlier today, a Savoynet member sent me a direct email asking for advice regarding doing MIDI or any form of recorded versions of copyrighted musicals. This correspondent's theatre group is in dire need of alternatives to an orchestra, since their venue was recently reconfigured and there's literally no room for musicians. I'm passing on a cut and paste of my detailed response to him---the information could very well be helpful to others in the Savoynet membership. ------------------- "Tales From The Trenches---Publishers, MIDI, and Me" Hello M____Thanks for your email. I'm sorry to hear about your difficulties---It's unfortunate such situations are becoming so common with theatre groups. You are correct, that one can face some terrible wrath and dire consequences from publishers over the synthesized orchestra issue. A local High School was fined several thousand dollars and forbidden to use a publisher's catalogue for 5 years, because the school had introduced unauthorized changes in a show's script. I have directed and/or provided keyboard "virtual orchestras" for six musicals   Let me outline my experience in each case, because each was unique. You will see, as with all things, the issues aren't black and white, but that there is a gray area to feel out every time this situation comes up. "The Mystery of Edwin Drood"---We were ready to open the show, and my MIDI sound track was being employed. Someone alerted the publisher (Tams Witmark) in New York, and that publisher swiftly contacted us, forbidding us to open the show with the synthesized recording. We had just over a week before we were to open. Nightmare time. Pianists were auditioned, in hopes one could replace my recording. I couldn't let that happen---the show was falling apart. With the aid of people clever with the internet, we got in contact directly with the show's composer, Rupert Holmes. Mr. Holmes and I had a wonderful telephone chat, and the upshot was that he, as creator and copyright owner of the show, much preferred the idea of my keyboards being used, because as a keyboardist himself, he knew the sound would be closer to what he wrote than what a solo piano could provide. He told me that 95% of the productions of "Drood" that he's seen had employed synthesizers either in conjunction with a band, or exclusively. He was shocked that someone in my part of the country (Oregon) would have gotten us in trouble--but admitted that now the publisher had been alerted, some action had to be taken. Mr. Holmes proceeded to fax us a contract giving us permission to go against the contract we had with his publisher, and to use my synthesizer tracks. The publisher's hands were tied. As you can see--that was a very scary experience which could have ended in disaster. It was only through almost outrageous effort and resolve that we managed to have everything work out happily. "Pirates of Penzance" and "The Mikado"---both those works are in the Public Domain, so there was no issue about using my recorded synthesizers instead of live musicians. "HAiR"---I directed, and provided the keyboard portions of the score on a CD, and a rock band played live with that. In this case, I had been in contact with the show's surviving writer, Jim Rado, and he was allowing me to do many things which were against the letter of our Tams Witmark contract. Again, it was a matter of having special permission from the author. "Metropolis"---as with "Drood" and "HAiR"---I hunted for and found the show's composer, Joe Brooks, and then worked with him for a year on a new version of his show. He also expressly preferred me to use synthesizers, since he had suffered through too many productions of his show with orchestras that couldn't handle the music. "A Funny Thing Happened On The Way To The Forum"---Knowing from experience that the publisher would have problems with my plan to again use recorded keyboards, I got in contact with Stephen Sondheim's office. Only after a lengthy discussion with his personal manager did I get special permission to do this show my way. He was very kind, but stressed that we were still breaking the copyright law--but as the office representing Mr. Sondheim, they were waiving their legal rights in this case. So---this may be found encouraging to you, but clearly, tenacity and effort are required. I recommend that you do what I have done, and be prepared to deal directly with composers or their representatives and beg for special consideration. >From the many conversations I've now had with publishers and writers, here is their essential message: --They are aware that small theatre groups are breaking copyright law on a regular basis, by replacing orchestras with recordings and synthesizers. But, publishers are in the business of collecting royalties, and so they don't want to have to shut down shows, and don't on a regular basis actively hunt down theatres who are doing un-authorized things. --However, if they are alerted about a theatre breaking the contract, they Must follow through with threats and fines--because they are there to protect the legal rights of their clients, the writers. --Because of these two points above, their consistent advice is to Not let them know. If they DO know, because of a whistle blower, then the only recourse a hapless theatre company has is to beg for an exception to be made---and as I've said, in my experience, that is possible, but not guaranteed. At this point, I would Never do a MIDI version of what I know is a work still protected by copyright law---not without fool-proof assurance that it is going to be allowed, either by the publisher or the creator. I hope this long-winded reply is of help. I wish you the best! Yours, Randy Bowser  1,, Summary-line: 15-Jan d-duffey@argonet.co.uk [57] #Re: Nick Sales reviewed on OperaList X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 15 Jan 2004 18:15:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0FNFCV0029855; Thu, 15 Jan 2004 18:15:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0FNF8cW021924 for ; Thu, 15 Jan 2004 18:15:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0FN9UTJ022560; Thu, 15 Jan 2004 18:09:30 -0500 (EST) Date: Thu, 15 Jan 2004 18:09:30 -0500 (EST) Message-Id: <002601c3dbbc$0fe81b30$ab11bc3e@Computer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Nick Sales reviewed on OperaList MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 15 Jan 2004 18:09:30 -0500 (EST) Reply-To: d-duffey@argonet.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Duffey" To: Multiple recipients of list SAVOYNET Subject: Re: Nick Sales reviewed on OperaList X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > I saw the following on OperaList, Interesting to compare the amateur OperaList reviewer with the following from national newspapers: TIMES (January 13th 2004): "..Nicholas Sales's smooth, agile, very English Almaviva..." INDEPENDENT (January 14th 2004): "....two performances have star quality....for once the tenor role is not the weak link in the cast. As Almaviva, Nicholas Sales...soon caught the spirit of the enterprise and sang and acted splendidly. Here is a high tenor with enough body and power to tackle at least some of the Italian roles. If Opera North are contemplating a revival of The Elixir of Love or even Rigoletto, they need look no further afield than South Yorkshire." (review by Anthony Arblaster) >From THE STAGE, 15th January 2004 "Nicholas Sales' Almaviva is a triumph. Not for an age has a British tenor combined such tonal sweetness and heft. He cleanly executes unaspirated runs, phrases with expressivity and can refine down the voice to a captivating pianissimo..." (Review by David Blewitt) As others have said, a star is born. Some of us - those who were at the conception - feel very proud. Hurrah for Nick David  1,, Summary-line: 16-Jan tempsavoy@tradelaw.com [30] #Savoynet Items. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 19:04:15 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H04EC1021953; Fri, 16 Jan 2004 19:04:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0H04DNu027173 for ; Fri, 16 Jan 2004 19:04:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H037TJ008142; Fri, 16 Jan 2004 19:03:07 -0500 (EST) Date: Fri, 16 Jan 2004 19:03:07 -0500 (EST) Message-Id: <5.2.1.1.0.20040116173421.00b72400@pop.rcn.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Savoynet Items. Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 19:03:07 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Savoynet Items. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Since I have not heard much on my recent proposal for a new T-Shirt, I am going to offer/suggest a couple of other new Savoynet items which could be made available. Please write me privately if you are interested in one or more of these items. If I get enough interest, I will go ahead and put out an announcement of availablility. Right now the ideas include Savoynet Umbrella (three sizes - Only one to be produced Small would be about 12, Standard about 15 and large (golf) about 20 Savoynet Travel Tumbler about $5 Savoynet Water Bottle about 3.50 Savoynet Ceramic Mug about 4.00 Savoynet Cloth Tote Bag about 4.50 Just a few ideas.  1,, Summary-line: 16-Jan orapture@toastpoint.com [30] #Canned Orchestra, and a Gondoliers vocal score question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 19:04:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H04nC1022175; Fri, 16 Jan 2004 19:04:49 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0H04lIB013695 for ; Fri, 16 Jan 2004 19:04:48 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H03cTJ008287; Fri, 16 Jan 2004 19:03:38 -0500 (EST) Date: Fri, 16 Jan 2004 19:03:38 -0500 (EST) Message-Id: <20040116184315.1757477236.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Canned Orchestra, and a Gondoliers vocal score question Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba 1.0.3 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 19:03:38 -0500 (EST) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Canned Orchestra, and a Gondoliers vocal score question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, all - I've been staying out of the canned orchestra thread, mostly, but I did want to share this - I worked with a theater group in the late 80s that used a taped orchestra. They did it in what I thought was the best way possible, though - every tape track was just cue-to-cue, so singers could take fermatas and cadenzas as appropriate. You still couldn't control the tempo, of course, but you could control pickups into new phrases. My first show with them was EVITA, and I had the small role of Eva's brother, who sings "She really brightened up your out of town engagement." In rehearsal, I kept waiting to hear the 'orchestra' come in, and the music director, who was running the tape, kept waiting for me... he finally mock-strangled me and said "just come in - trust me, I'll catch you." And I did and he did and it all worked. We recorded our own orchestra, so for those shows, I had the unusual experience of singing to my own horn-playing accompaniment (and cringing every single night to certain missed notes that had made the final tape). I am not recommending that anyone use a taped orchestra, but if that's what you have, this is possibly the best way to do it. Certainly Evita and Follies would not have had the sweep they needed without the full orchestra. --- and the Gondoliers question - is there a wrong note in the piano intro of the Schirmer score for "In a contemplative fashion" - an F instead of G resolving to the Eb? I thought it was wrong during rehearsals for the concert I just did, but did not want to put in my oar. - Eric Peterson frigid New York City now at "orapture@toastpoint.com"  1,, Summary-line: 16-Jan bernard.kwiram@comcast.ne [69] #RE: Canned Orchestra, and a Gondoliers vocal score question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 20:45:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H1jFC1028516; Fri, 16 Jan 2004 20:45:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0H1jEVn021566 for ; Fri, 16 Jan 2004 20:45:14 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H1iCTJ012767; Fri, 16 Jan 2004 20:44:12 -0500 (EST) Date: Fri, 16 Jan 2004 20:44:12 -0500 (EST) Message-Id: <001301c3dc99$dce52e60$6500a8c0@Guntram> Errors-To: savoynet-owner@bridgewater.edu Reply-To: bernard.kwiram@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Bernard.Kwiram" To: Multiple recipients of list SAVOYNET Subject: RE: Canned Orchestra, and a Gondoliers vocal score question MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040116184315.1757477236.orapture@toastpoint.com> X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 20:44:12 -0500 (EST) Reply-To: bernard.kwiram@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Bernard.Kwiram" To: Multiple recipients of list SAVOYNET Subject: RE: Canned Orchestra, and a Gondoliers vocal score question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040116184315.1757477236.orapture@toastpoint.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Yes, there is a wrong note in the piano intro to "In a Contemplative Fashion" in the Schirmer P/V score. The 1st violins and 1st clarinet play the first phrase as Eb, F, G, G, Bb, G, Eb and then the singers in unison repeat it. The Schirmer score has a number of mistakes. Bernard Kwiram Seattle, WA -----Original Message----- From: savoynet@bridgewater.edu [mailto:savoynet@bridgewater.edu] On Behalf Of Eric Peterson Sent: Friday, January 16, 2004 4:04 PM To: Multiple recipients of list SAVOYNET Subject: Canned Orchestra, and a Gondoliers vocal score question Hi, all - I've been staying out of the canned orchestra thread, mostly, but I did want to share this - I worked with a theater group in the late 80s that used a taped orchestra. They did it in what I thought was the best way possible, though - every tape track was just cue-to-cue, so singers could take fermatas and cadenzas as appropriate. You still couldn't control the tempo, of course, but you could control pickups into new phrases. My first show with them was EVITA, and I had the small role of Eva's brother, who sings "She really brightened up your out of town engagement." In rehearsal, I kept waiting to hear the 'orchestra' come in, and the music director, who was running the tape, kept waiting for me... he finally mock-strangled me and said "just come in - trust me, I'll catch you." And I did and he did and it all worked. We recorded our own orchestra, so for those shows, I had the unusual experience of singing to my own horn-playing accompaniment (and cringing every single night to certain missed notes that had made the final tape). I am not recommending that anyone use a taped orchestra, but if that's what you have, this is possibly the best way to do it. Certainly Evita and Follies would not have had the sweep they needed without the full orchestra. --- and the Gondoliers question - is there a wrong note in the piano intro of the Schirmer score for "In a contemplative fashion" - an F instead of G resolving to the Eb? I thought it was wrong during rehearsals for the concert I just did, but did not want to put in my oar. - Eric Peterson frigid New York City now at "orapture@toastpoint.com"  1,, Summary-line: 16-Jan lbyler@cup.hp.com [42] #Re: Gondoliers vocal score question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 20:45:22 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H1jLC1028555; Fri, 16 Jan 2004 20:45:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0H1ikZB007174 for ; Fri, 16 Jan 2004 20:44:46 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H1hfTJ012673; Fri, 16 Jan 2004 20:43:41 -0500 (EST) Date: Fri, 16 Jan 2004 20:43:41 -0500 (EST) Message-Id: <5.2.1.1.0.20040116171859.01529a98@127.0.0.1> Errors-To: savoynet-owner@bridgewater.edu Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Larry Byler To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers vocal score question Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040116184315.1757477236.orapture@toastpoint.com> X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 20:43:41 -0500 (EST) Reply-To: lbyler@cup.hp.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Larry Byler To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers vocal score question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040116184315.1757477236.orapture@toastpoint.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) At 07:03 PM 1/16/2004 -0500, Eric Peterson wrote: >--- and the Gondoliers question - is there a wrong note in the piano intro of the Schirmer score for "In a contemplative fashion" - an F instead of G resolving to the Eb? I thought it was wrong during rehearsals for the concert I just did, but did not want to put in my oar. Yes, that note is wrong. It's one of three "hoo-boy" errors that come immediately to mind. It should be a G. The other two are: The chord in the piano following "Come let's away!..." toward the end of the Act 1 finale. It should be an A-flat chord, 1st inversion. I forget exactly what *is* there. I only know that the pianist for the children's production of _Gondoliers_ at Buxton in 2002 used that book -- because s/he played the wrong chord. :-( The return to "With ducal pomp and ducal stride" -- the left hand somehow has an octave G instead of the desired B-flat. I'm sure there are lots more, but I'm still at work and don't have the book. Steve Lichtenstein has compiled errata for several Schirmer scores; if he has one for Gondoliers, perhaps he can send it your way. HTH. -Larry Byler- annlarry@pacbell.net  1,, Summary-line: 16-Jan jana_ch@blarg.net [41] #Re: The honor of playing second fiddle X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 21:11:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H2B2C1007477; Fri, 16 Jan 2004 21:11:02 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0H2B1Vn000425 for ; Fri, 16 Jan 2004 21:11:01 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H2A3TJ013198; Fri, 16 Jan 2004 21:10:03 -0500 (EST) Date: Fri, 16 Jan 2004 21:10:03 -0500 (EST) Message-Id: <20040117015239.B269E37EA0@mail.blarg.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "jana_ch" To: Multiple recipients of list SAVOYNET Subject: Re: The honor of playing second fiddle MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="=_8878a27482a20c37c48b95ff92e67d70" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Blarg's Communications Control Center v4.0.5 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 21:10:03 -0500 (EST) Reply-To: jana_ch@blarg.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "jana_ch" To: Multiple recipients of list SAVOYNET Subject: Re: The honor of playing second fiddle X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --=_8878a27482a20c37c48b95ff92e67d70 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit On Fri, Jan 16, 2004 at 5:33am Ronald Orenstein wrote: > I would be proud to play "second fiddle" to Shakespeare, Mozart, > Beethoven et al. I have already sent Mark a private apology. I was writing under the influence of two sleepless nights and a rear-end full of migraine medication, so I missed the irony altogether. It's embarrassing! My HumorScope must have been badly out of focus that night. Jana Seattle --=_8878a27482a20c37c48b95ff92e67d70 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable On Fri, Jan 16, 2004 at 5:33am Ronald Orenstein wrote:<= br>> I would be proud to play "second fiddle" to Shakespeare, Mozart,
>= Beethoven et al.

I have already sent Mark a private apology. I was= writing under the influence of two sleepless nights and a rear-end full of= migraine medication, so I missed the irony altogether.

It's embarra= ssing! My HumorScope must have been badly out of focus that night.

J= ana
Seattle --=_8878a27482a20c37c48b95ff92e67d70--  1,, Summary-line: 16-Jan knscott@juno.com [72] #Re: [Mitchell Scott Gillett's] Manifesto (taking off from Mr. Bowser's Opus) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 22:50:38 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H3obC1007622; Fri, 16 Jan 2004 22:50:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0H3obsh024095 for ; Fri, 16 Jan 2004 22:50:37 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H3nVTJ014256; Fri, 16 Jan 2004 22:49:31 -0500 (EST) Date: Fri, 16 Jan 2004 22:49:31 -0500 (EST) Message-Id: <20040116.194156.-961297.0.knscott@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: [Mitchell Scott Gillett's] Manifesto (taking off from Mr. Bowser's Opus) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 5.0.33 X-Spam-Score: -2.682 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 22:49:31 -0500 (EST) Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: [Mitchell Scott Gillett's] Manifesto (taking off from Mr. Bowser's Opus) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.682 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thu, 15 Jan 2004 10:08:09 -0500 (EST) Mr. Gillett wrote: > Anyway, it's the difference between buying a > complete copy of Gulliver's Travels or one that is abridged. You can have > what the author intended, or what a later editor thinks is important or > the "juciest" bits of the novel. Unfortunatly, many people don't realize > they buy abriged editions, and so it come as intentional "dumbing down" of > the audience because editors don't think the reader is smart enought to > appreciate the original. They then come to believe that that is what the > original is! That is one of my fears for the Stratford and EssnGee > videos, that our children will come to believe that these shallow, silly, > anything for a laugh productions are the actual show, and make it even > harder to present a real production. If our children don't get the idea on their own, their teachers will instill it in them -- I found today, on a message board for high school drama teachers, the following post: "I am the musical theater director at _____ High School. .... I will be directing "The Pirates of Penzance" at _____ in the spring and am discovering that there are several versions of the play out there. I want to do the classic G. Schirmer version which is close to the original NOT the Joseph Papp pop version held by MTI. Does anyone know of a source of the orchestrations (conductor's score and individual instrumental parts) which is VERY close to the Schirmer version? If you have this orchestration and would like to sell it, I would be interested, or, if you know where they could be found, I would be in your debt. [Here it comes:] That would mean that it is also very close to the video produced by The Stratford festival of Canada. I have an email into the Stratford festival, but they have not returned it as of yet. I have contacted Pete and Bonnie Dorwart about their orchestrations. They claim to be compatible with the Schirmer version, but I am a little concerned because they admit that certain sections of the music from the Stratford video do not exist in their orchestrations. Any suggestions would be greatly appreciated. I will also be looking for English police costumes. Anyone having a garage sale? Tarantara, Tarantara!" Kevin Scott (who actually attended the Pentacle production of The Mikado -- it was what a friend and former resident of Ann Arbor wanted for her birthday--, and will respond to private queries as time allows) PS> To other points of the Manifesto, I am also the father of a high school actress who has been cast as the Priestess who explains to the seeming suicide's sibling why no more obsequies are permitted for the love-mad and now dead Ophelio (and no, that is NOT a typo), in a production inspired by the director's having seen, in a dream, the poster: "Hamlet, as you've never seen her before!" ________________________________________________________________ The best thing to hit the internet in years - Juno SpeedBand! Surf the web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 16-Jan MusikDrama@aol.com [47] #Re: Gondoliers vocal score question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 16 Jan 2004 23:15:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0H4FtC1014863; Fri, 16 Jan 2004 23:15:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0H4FqFJ012431 for ; Fri, 16 Jan 2004 23:15:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0H4EiTJ014523; Fri, 16 Jan 2004 23:14:44 -0500 (EST) Date: Fri, 16 Jan 2004 23:14:44 -0500 (EST) Message-Id: <7d.44e5b1f7.2d3a0f0b@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers vocal score question MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Mac sub 39 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 16 Jan 2004 23:14:44 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Gondoliers vocal score question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 1/16/04 5:43:33 PM, lbyler@cup.hp.com writes: >I'm sure there are lots more, but I'm still at work and don't have the >book. >Steve Lichtenstein has compiled errata for several Schirmer scores; if >he >has one for Gondoliers, perhaps he can send it your way. Afraid not. Gondoliers is one of the two G&S scores I don't even have in my personal library, the other being Patience. Well, I don't have Utopia Ltd either, in book form, but I do have Larry's excellent edition in the guise of two big pdf files. And I don't have Thespis either, alas. It's been awhile since I've done any errata -- sorry, variant lists (pace Bruce!), and I have no immediate plans to do any more. One of these years, maybe. The ones I've done are: Trial By Jury (Schirmer) Sorcerer (Cramer) Pinafore (Schirmer) Pirates (Schirmer/Stoddart) Mikado (Schirmer/Dover) Ruddigore (Schirmer/Oxford) Yeomen (Schirmer) Grand Duke (Chappell) I claim no comprehensiveness or ultimate scholarly authority on any of them, but I'm glad to share my findings with anyone interested. Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 20-Jan dflorip@yahoo.com [86] #Orchestras In General (Was: Live/canned music: A POLL!) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 20 Jan 2004 19:48:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0L0mu8W029803; Tue, 20 Jan 2004 19:48:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0L0mqRB011428 for ; Tue, 20 Jan 2004 19:48:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0L0lSTJ008737; Tue, 20 Jan 2004 19:47:28 -0500 (EST) Date: Tue, 20 Jan 2004 19:47:28 -0500 (EST) Message-Id: <20040121002950.52222.qmail@web41609.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Orchestras In General (Was: Live/canned music: A POLL!) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 20 Jan 2004 19:47:28 -0500 (EST) Reply-To: dflorip@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Florip To: Multiple recipients of list SAVOYNET Subject: Orchestras In General (Was: Live/canned music: A POLL!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > How many have used: > > Sullivan's original orchestration.... At UMGASS we are particularly blessed with having one of the top schools of music in our back yard. This, added to the fact that we pay rather handsomely (the orchestra amounts to around $12,000 of our per-show budget of around $32,000), lets us use a full and very competent orchestra for each show, and we always use Sullivan's original orchestrations (or, at least, what are accepted as the original orchestrations!). Generally, we fill our pit with... 4 Violin I 3 Violin II 3 Viola 3 Cello 1 Bass 2 Clarinet 1 Flute/Piccolo 1 Oboe 1 Bassoon 2 Horn 3 Cornet 2 Trombone 1 Bass Trombone 1 Percussion Interestingly enough, when we performed PIRATES last spring, we had a difficult time having orchestra rehearsals the weekend before our performances, as NYGASP was in town giving the same show in concert, and had contracted several of our winds players! Our music directors constantly campaign for higher orchestra salaries, so I'm interested in what similar groups pay their pit musicians on a per-service basis. UMGASS pays $40 per service over 10 services (two orchestra rehearsals, a sitzprobe, two dress rehearsals, and five performances). We think we pay pretty well for our area. We also give the orchestra members a detailed contract (which came about mainly because other campus groups kept welching on payment and made the music students paranoid), listing fines for lateness, appropriate activities while in the pit, dress, and so on. Of course we often have problems with imbellishments, etc. In fact, we have a trombonist on our "blacklist" because he often took it upon himself to play the first violin parts! Any interesting orchestra stories out there? Regards, Dan Daniel Florip Ave Maria School of Law Ann Arbor, Michigan Makeup Designer, UMGASS IDA 2004 dflorip@yahoo.com __________________________________ Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes http://hotjobs.sweepstakes.yahoo.com/signingbonus  1,, Summary-line: 21-Jan deebee@connexus.net.au [24] #Re: Orchestras In General (Was: Live/canned music: A POLL!) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 21 Jan 2004 06:28:57 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0LBSZrj026500; Wed, 21 Jan 2004 06:28:56 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0LBS2RB006387 for ; Wed, 21 Jan 2004 06:28:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0LBQrTJ022359; Wed, 21 Jan 2004 06:26:54 -0500 (EST) Date: Wed, 21 Jan 2004 06:26:54 -0500 (EST) Message-Id: <400E5B9C.7080603@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Orchestras In General (Was: Live/canned music: A POLL!) Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="Listproc-outter-5950" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.902 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 21 Jan 2004 06:26:54 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Re: Orchestras In General (Was: Live/canned music: A POLL!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.902 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Just curious. Would it be possible to take a recording of, say, Godfrey conducting an opera and digitally remove the vocals, leaving an orchestral accompaniment to sing to? I am not advocating this by any means, just wondering if it would be possible Diana Burleigh --Listproc-outter-5950--  1,, Summary-line: 21-Jan ori.siegel@sympatico.ca [49] #Re: Orchestras In General (A POLL!) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 21 Jan 2004 10:17:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0LFHsrd004497; Wed, 21 Jan 2004 10:17:54 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0LFHrlT010555 for ; Wed, 21 Jan 2004 10:17:54 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0LFGNTJ021101; Wed, 21 Jan 2004 10:16:23 -0500 (EST) Date: Wed, 21 Jan 2004 10:16:23 -0500 (EST) Message-Id: <004801c3e030$14f18350$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Orchestras In General (A POLL!) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 21 Jan 2004 10:16:23 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Re: Orchestras In General (A POLL!) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The standard St. Anne's orchestra is: 2-1-2-1-1-1-1-perc-2-2-1-1-1 Which translates as: 2 flutes (doubles piccolo) 1 oboe 2 clarinets 1 bassoon 1 horn 1 trumpet/cornet 1 trombone 1 percussion (timps, cymbals, bells, etc.) 2 violin I 2 violin II 1 viola 1 'cello 1 bass Aside from the budgetary aspect of it all, there really isn't room for much else. As it is, the orchestra is placed in front of the stage (there is no pit) and if the person in the front row, centre aisle seat leans too far forward, he or she risks getting a mouth full of the concertmaster's bowing hand! The conductor's seat is aligned with the first row of the audience which makes it very, well, intimate, especially when it comes to applying the evil eye to persons with noisy bags of noisy candy, lunch, loudly chomped chewing gum, cell phones, etc. Yours truly has a reputation for being ruthless with transgressors in the audience! SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 21-Jan LHall@tscwo.com [41] #I am the Captain of the "Pinafore"! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 21 Jan 2004 17:18:36 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0LMIZrd022486; Wed, 21 Jan 2004 17:18:35 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0LMIYRL024232 for ; Wed, 21 Jan 2004 17:18:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0LMHSTJ004622; Wed, 21 Jan 2004 17:17:28 -0500 (EST) Date: Wed, 21 Jan 2004 17:17:28 -0500 (EST) Message-Id: <0BD1315E19DCD4118D7E00104BD0F16B024E0B0A@MAILMAN> Errors-To: savoynet-owner@bridgewater.edu Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: I am the Captain of the "Pinafore"! MIME-Version: 1.0 Content-Type: text/plain X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Internet Mail Service (5.5.2653.19) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 21 Jan 2004 17:17:28 -0500 (EST) Reply-To: LHall@tscwo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Leta Hall To: Multiple recipients of list SAVOYNET Subject: I am the Captain of the "Pinafore"! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been hired - officially - by the Victorian Lyric Opera Company to direct their June production of "Pinafore." So I am honored, pleased, and quite nervous. And I just couldn't wait to tell 700 of my friends the news! In my interview with the director search committee I failed to mention my interest in doing the dialogue in Klingon, so I guess that won't be happening. We'll have a traditional-but-lively "Pinafore" that I hope audience and cast will both enjoy. Leta Hall Aspen Hill, Maryland PS - As a member of the play reading committee at Silver Spring Stage, I have read *lots* of plays (over 40) in the past 4 months and I noticed how little or how much in the way of stage directions were included. Neil Simon gives almost none and that includes very little description of characters. Noel Coward gives quite a lot. "Relative Values" - at least the edition the director submitted for us to read - has lots and lots of pointless directions and they frequently occur in the middle of a spoken sentence, ex. "So how do you ---" (pours a cup of tea and adds two lumps of sugar) "feel this morning?" Very jarring. I just call them "stage suggestions" and use them when they work and ignore them when they don't.  1,, Summary-line: 22-Jan sarah@sarahconsentino.com [52] #Cheap tickets to Evita! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 22 Jan 2004 11:02:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0MG1wuW007787; Thu, 22 Jan 2004 11:01:58 -0500 (EST) Received: from machine36.com ([203.194.209.83]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i0MG1jAC019992 for ; Thu, 22 Jan 2004 11:01:51 -0500 (EST) Received: (qmail 12030 invoked by uid 501); 22 Jan 2004 16:03:37 -0000 Message-ID: <20040122160337.2286.qmail@machine36.com> Reply-To: "sarah" From: "sarah" To: sarah@sarahconsentino.com Subject: Cheap tickets to Evita! Date: Thu, 22 Jan 2004 16:03:37 +0000 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_b052fe5ea520f20f1e85135a3bc7ddd64" X-Mailer: WebMail 2.3 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Reply-To: "sarah" From: "sarah" To: sarah@sarahconsentino.com Subject: Cheap tickets to Evita! Date: Thu, 22 Jan 2004 16:03:37 +0000 X-Originating-IP: 170.223.6.103 X-Originating-Email: sarah@sarahconsentino.com X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --_b052fe5ea520f20f1e85135a3bc7ddd64 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit There's a discount program, Artsmail, that provides tickets to Evita for $14.75 on certain nights ONLY. Here are the nights I'm performing that they offer it: February 6,8,14,15,19,20,29 You can order online at https://www.artsboston.org/artsmail_order_tickets.cfm The event is Evita, and the event code is EV158. For all of my show dates, and for theatre info, please visit www.sarahconsentino.com/current.html The regular ticket price at Turtle Lane Playhouse in Newton is $22 for adults. ($15 for seniors on Thursdays only and for students on Fridays only) --_b052fe5ea520f20f1e85135a3bc7ddd64 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: 8bit There's a discount program, Artsmail, that provides tickets to Evita for $14.75 on certain nights ONLY. Here are the nights I'm performing that they offer it:

February 6,8,14,15,19,20,29

You can order online at
https://www.artsboston.org/artsmail_order_tickets.cfm

The event is Evita, and the event code is EV158.

For all of my show dates, and for theatre info, please visit www.sarahconsentino.com/current.html

The regular ticket price at Turtle Lane Playhouse in Newton is $22 for adults. ($15 for seniors on Thursdays only and for students on Fridays only)

--_b052fe5ea520f20f1e85135a3bc7ddd64--  1,, Summary-line: 23-Jan deebee@connexus.net.au [57] #5 amazing things about G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Jan 2004 03:05:34 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0N85XuW026258; Fri, 23 Jan 2004 03:05:33 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0N856D2017871 for ; Fri, 23 Jan 2004 03:05:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0N843TJ007017; Fri, 23 Jan 2004 03:04:03 -0500 (EST) Date: Fri, 23 Jan 2004 03:04:03 -0500 (EST) Message-Id: <4010D286.9010208@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: 5 amazing things about G&S MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Jan 2004 03:04:03 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: 5 amazing things about G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been asked to provide a list of 5 amazing things that most people do not know about G&S for a website here in Australia. There is a little more to it than that and I will explain in due course. In the meanwhile, what would all of you think were amazing facts - the topic is the lives and works of Gilbert and Sullivan. I have only just heard about this, so off the top of my head (and without checking out the facts) here are some possiblilities: Both Gilbert and Sullivan were eminent, G as a playwright S as a composer, before they colaborated and continued to work separately all the years they were partners. In addition to the 13 Savoy Operas, the works they wrote for Richard D'Oyly Carte, they colaborated on an oratorio, a Christmas extravaganza and 2 drawing room ballads. At the age of (?56) Sullivan proposed to a 16(?) year old girl Violet (surname). She refused him. Gilbert died of a heart attack when attempting to rescue (name) from a swimming pond in his garden. She went on to become a well-known artist. The only time Australia is mentioned in the G&S works is the early extravaganza, Thespis or the God's Grown Old when the god, Jupiter, complains that the faithful offer him preserved Australian beef. As I typed the above a couple of other things popped into mind. Surely there can't be any other composer who has had 2 theatres built expressly for his works? Wagner had Bayreuth but Sullivan the Savoy and The Royal English Opera House. Didn't someone (Fancourt?) perform the role of the Mikado more than 10 thousand times? I'd be grateful for the any suggestions - unusual facts that will interest people and that will show of our heroes and their work in a good light. This is the sort of challenge that most Savoynetter should enjoy. Diana Burleigh  1,, Summary-line: 23-Jan paul@pnhmrk.freeserve.co. [121] #Re: 5 amazing things about G&S X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Jan 2004 09:24:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0NEOcDm007009; Fri, 23 Jan 2004 09:24:38 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0NEOXjN002138 for ; Fri, 23 Jan 2004 09:24:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0NENJTJ008825; Fri, 23 Jan 2004 09:23:19 -0500 (EST) Date: Fri, 23 Jan 2004 09:23:19 -0500 (EST) Message-Id: <000701c3e1bb$87760ae0$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: 5 amazing things about G&S MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Jan 2004 09:23:19 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Re: 5 amazing things about G&S X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Diana Burleigh wrote: " In addition to the 13 Savoy Operas, the works they wrote for Richard D'Oyly Carte, they collaborated on an oratorio, a Christmas extravaganza and 2 drawing room ballads." "The Martyr of Antioch" is described as "A Sacred Musical Drama". It could be described as a cantata, but, because the words are not drawn from scripture, it is not technically an oratorio. Derrick McClure's comments on Gilbert's contribution to the libretto are now available - along with lots of other previously difficult to get hold of material - on the Gilbert and Sullivan Archive. Specifically, the link for Gilbert's contribution is: http://diamond.boisestate.edu/gas/other_sullivan/martyr/gilbert.html Gilbert's words and Sullivan's music are united in three (not two) ballads: "Sweethearts" (which appeared both as a solo and as a duet), "The Distant Shore" and "The Love that Loves Me Not." MIDI versions of all these - as well as the other songs for solo voice and piano which Sullivan composed can still be found on the Sullivan Archive. On another topic completely, someone some time ago, asked about the harmonium part for "The Lost Chord" which I, too, have been searching for for some time. I have now found it! Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/ ----- Original Message ----- From: To: "Multiple recipients of list SAVOYNET" Sent: Friday, January 23, 2004 8:03 AM Subject: 5 amazing things about G&S > I have been asked to provide a list of 5 amazing things that most people do not > know about G&S for a website here in Australia. There is a little more to it > than that and I will explain in due course. > > In the meanwhile, what would all of you think were amazing facts - the topic is > the lives and works of Gilbert and Sullivan. > > I have only just heard about this, so off the top of my head (and without > checking out the facts) here are some possiblilities: > > Both Gilbert and Sullivan were eminent, G as a playwright S as a composer, > before they colaborated and continued to work separately all the years they were > partners. > > > At the age of (?56) Sullivan proposed to a 16(?) year old girl Violet (surname). > She refused him. > > Gilbert died of a heart attack when attempting to rescue (name) from a swimming > pond in his garden. She went on to become a well-known artist. > > The only time Australia is mentioned in the G&S works is the early extravaganza, > Thespis or the God's Grown Old when the god, Jupiter, complains that the > faithful offer him preserved Australian beef. > > As I typed the above a couple of other things popped into mind. Surely there > can't be any other composer who has had 2 theatres built expressly for his > works? Wagner had Bayreuth but Sullivan the Savoy and The Royal English Opera > House. > > Didn't someone (Fancourt?) perform the role of the Mikado more than 10 thousand > times? > > I'd be grateful for the any suggestions - unusual facts that will interest > people and that will show of our heroes and their work in a good light. > > This is the sort of challenge that most Savoynetter should enjoy. > > Diana Burleigh > > >  1,, Summary-line: 23-Jan dorwart@bellatlantic.net [99] #WVD Press X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 23 Jan 2004 13:19:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0NIJiDo011309; Fri, 23 Jan 2004 13:19:47 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0NHWexX011154 for ; Fri, 23 Jan 2004 12:32:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0NHVfTJ013442; Fri, 23 Jan 2004 12:31:41 -0500 (EST) Date: Fri, 23 Jan 2004 12:31:41 -0500 (EST) Message-Id: <401003CD.7968AF91@bellatlantic.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Pete and Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: WVD Press MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------C837C291DB56AEB41D02B0F3" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.79 [en]C-CCK-MCD BA45DSL (Win95; U) X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 23 Jan 2004 12:31:41 -0500 (EST) Reply-To: dorwart@bellatlantic.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Pete and Bonnie Dorwart To: Multiple recipients of list SAVOYNET Subject: WVD Press X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) --------------C837C291DB56AEB41D02B0F3 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit There have been two recent posts to Savoynet inquiring about WVD Press. WVD are my initials. Ten years ago when I retired from a professional life in medical chemistry I began doing new editions of G&S shows as a result of having spent many years as a pit cellist for these shows and being frustrated by the Kalmus parts from which I had to play. It was my intention to do all 13 operettas. I have completed all but Grand Duke and Utopia and will not do those, as others have recently redone them (I presume competently, although I have not seen them). I have also produced a new Merry Widow, which has now gone to major opera companies around the world, including the Metropolitan Opera in New York, which has done 26 performance over three seasons with my MW. The nationwide USA radiocast this past Saturday was done with my score. I am now working on new Aida materials for the Met and the Chicago Lyric Opera and am nearing completion of a new edition of Johann Strauss Jr.'s Gypsy Baron (I am looking for a beta tester for the latter.). For more information see my website at http://members.bellatlantic.net/~dorwart/ It has been my endeavor to make my instrumental parts as player-friendly as possible. The noteheads are slightly larger than the industry standard, a feature that is appreciated by codgers like me whose eyesight isn't what it once was. There are almost no inconvenient page turns. I include abundant cues, both to help players who lose count during long stretches of tacet measures and to facilitate covering for missing solo instruments, it being my experience that G&S orchestras are sometimes incomplete. I recall a discussion on Savoynet some time back about G&S being performed by high school groups and what shows were most suitable for such groups. I have made dozens of sales of Mikado and Pirates to high schools and one each of Pinafore, Trial by Jury, and The Zoo. It would seem to me that Pinafore, being shorter and technically simpler, would be more suitable for high schools, but the demand is for Pirates and Mikado. William V. Dorwart, Jr.,WVD Press --------------C837C291DB56AEB41D02B0F3 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit There have been two recent posts to Savoynet inquiring about WVD Press. WVD are my initials. Ten years ago when I retired from a professional life in medical chemistry I began doing new editions of G&S shows as a result of having spent many years as a pit cellist for these shows and being frustrated by the Kalmus parts from which I had to play. It was my intention to do all 13 operettas. I have completed all but Grand Duke and Utopia and will not do those, as others have recently redone them (I presume competently, although I have not seen them).

I have also produced a new Merry Widow, which has now gone to major opera companies around the world, including the Metropolitan Opera in New York, which has done 26 performance over three seasons with my MW. The nationwide USA radiocast this past Saturday was done with my score. I am now working on new Aida materials for the Met and the Chicago Lyric Opera and am nearing completion of a new edition of Johann Strauss Jr.'s Gypsy Baron (I am looking for a beta tester for the latter.). For more information see my website at

http://members.bellatlantic.net/~dorwart/

It has been my endeavor to make my instrumental parts as player-friendly as possible. The noteheads are slightly larger than the industry standard, a feature that is appreciated by codgers like me whose eyesight isn't what it once was. There are almost no inconvenient page turns. I include abundant cues, both to help players who lose count during long stretches of tacet measures and to facilitate covering for missing solo instruments, it being my experience that G&S orchestras are sometimes incomplete.

I recall a discussion on Savoynet some time back about G&S being performed by high school groups and what shows were most suitable for such groups. I have made dozens of sales of Mikado and Pirates to high schools and one each of Pinafore, Trial by Jury, and The Zoo. It would seem to me that Pinafore, being shorter and technically simpler, would be more suitable for high schools, but the demand is for Pirates and Mikado.

William V. Dorwart, Jr.,WVD Press --------------C837C291DB56AEB41D02B0F3--  1,, Summary-line: 25-Jan keeganr@btinternet.com [47] #Re: Training the Gilbert and Sullivan Chorus X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 25 Jan 2004 12:50:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0PHoCcx023862; Sun, 25 Jan 2004 12:50:12 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0PHoAUF017505 for ; Sun, 25 Jan 2004 12:50:11 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0PHncTJ016461; Sun, 25 Jan 2004 12:49:38 -0500 (EST) Date: Sun, 25 Jan 2004 12:49:38 -0500 (EST) Message-Id: <001e01c3e36a$ad9ad5b0$40298751@RACHEL> Errors-To: savoynet-owner@bridgewater.edu Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Re: Training the Gilbert and Sullivan Chorus MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 25 Jan 2004 12:49:38 -0500 (EST) Reply-To: keeganr@btinternet.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Rachel Keegan" To: Multiple recipients of list SAVOYNET Subject: Re: Training the Gilbert and Sullivan Chorus X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) UK Savoynetters/eBayers might like to note that the seller of this highly desirable item unfortunately does not ship outside the USA. Rachel Keegan Middlesex, UK ----- Original Message ----- From: "John Spartan" To: "Multiple recipients of list SAVOYNET" Sent: Saturday, January 24, 2004 9:52 PM Subject: Training the Gilbert and Sullivan Chorus > I found this book on eBay. I'm curious but not ten > dollars worth. I'm aware the G&S chorus is different > but how can you fill an entire book with this subject? > Has anyone read it? > > (Or written it, for that matter.) > > http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3581000443&category=23923 > > John S > LI NY > > __________________________________ > Do you Yahoo!? > Yahoo! SiteBuilder - Free web site building tool. Try it! > http://webhosting.yahoo.com/ps/sb/ >  1,, Summary-line: 26-Jan mstorie@nwlink.com [144] #Good News! Great News! X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 26 Jan 2004 00:44:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i0Q5hxcx020750; Mon, 26 Jan 2004 00:43:59 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i0Q5hwkw017472 for ; Mon, 26 Jan 2004 00:43:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0Q5geTJ027662; Mon, 26 Jan 2004 00:42:40 -0500 (EST) Date: Mon, 26 Jan 2004 00:42:40 -0500 (EST) Message-Id: <401460F1.F47524F2@nwlink.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Good News! Great News! MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Mozilla 4.06 [en]C-gatewaynet (Win98; I) X-Spam-Score: -4.068 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 26 Jan 2004 00:42:40 -0500 (EST) Reply-To: mstorie@nwlink.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mike Storie To: Multiple recipients of list SAVOYNET Subject: Good News! Great News! X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.068 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thank you, Calynx. It is my great pleasure to announce that The Seattle Gilbert & Sullivan Society will celebrate its 50th Anniversary of continuous production this year. In addition to a number of scheduled events, galas and reunions for our membership and alums, in July we will produce 15 performances of a double bill of PINEAPPLE POLL and HMS PINAFORE. HMS PINAFORE As of this season, HMS PINAFORE has been afloat for 125 years! We intend to spruce up the old man-o-war and bring to our audiences the energetic and well-sung and acted production that they have come to expect. Christine Goff (Director of our recent TRIAL BY JURY and THE GONDOLIERS) will do the directorial honors and Bernard Kwiram our Music Director (TRIAL BY JURY, THE SORCERER and THE GONDOLIERS) will conduct. We have obtained the new Critical Edition Conductor's Score of PINAFORE from Broude Brothers and we will be using the new Dover Piano/Vocal scores. Among other options Bernie and Christine are considering are re-introducing some of the dialogue for Cousin Hebe and incorporating the "Rule Britannia" finale. We shall continue our recent tradition where Nathan Rodda will do the scenic design, Ron Erickson will design the costumes, and Roberta Russell will design the lighting. The complete audition package, including music for the required audition numbers, and the preliminary season schedule is available on our web page at www.pattersong.org. PINEAPPLE POLL For anyone still unfamiliar with PINEAPPLE POLL, it is essentially a short ballet based on a "Bab Ballad" by Gilbert and on music by Sullivan. Sir Charles Mackerras wrote a delightful pastich consisting of the music from most of the Gilbert & Sullivan operas (plus Cox & Box and Overture Di Ballo). The music is eminently "danceable" and not only are his segues seamless (the music from the various operas are all mixed together), but the music (and even many of the original lyrics) exactly fit the plot of the ballet. Just listening to the music of PINEAPPLE POLL is like a trivia quiz for G&S fans. (More information on PINEAPPLE POLL is also available on our web page. Since this ballet has some of the same plot elements, sets, costumes and even characters as HMS PINAFORE, and is about the right length, we feel that it would make an exciting and complete evening of entertainment as a "prequel" to PINAFORE. Producing PINEAPPLE POLL As a few of you may know, I have been working on this project for the better part of ten years. I have been fascinated by the recent spate of postings on Savoynet regarding the rights to the work. (In fact the recent subject: "Live/canned music: A POLL!" almost sounded like a straight man's introduction. YES, our music will certainly be LIVE and YES it will cetainly involve a POLL!) Part of the music problem is that Mackerras' original arrangements require a very large orchestra, with doubling of the wind instruments, and the addition of harp, English horns, etc. Far too big (and expensive) for a G&S pit orchestra. After several years of frustrating correpsondence with ENO, Chappells, DOC, the Buxton Music Director, etc., I finally contacted Sir Charles Mackerras directly (with many thanks to Stephen Turnbull for putting us in touch). Sir Charles has been very cordial and I am very greatful for his kind permission and encouragement to produce "a reduced orchestration suitable for a G&S-sized orchestra" (his words). Further to this, we have reached an agreement with Warner-Chappell to produce the reduction and computer printed engraving for them. We have had experience at this sort of music project having produced a new engraving of the Conductors Score and all the orchestra parts for THE GRAND DUKE in 1999. Warner-Chappell will have rights to make the new arrangement available to other production companies. Bernard Kwiram, our Music Director has already begun work on the project. We will expand the Seattle Gilbert & Sullivan Society Orchestra to 30 musicians for the performances in Seattle. Dance has always been an integral part of our productions. We have used a number of professional choreographers over the years and the style has ranged from classical ballet (i.e. in IOLANTHE - 1997), to 1930 jazz style (THE GRAND DUKE - 1999), to a Spanish Cachucha (THE GONDOLIERS - 2003). Many of our regular cast members are well trained in a variety of dance styles. I decided some time ago that the best way to produce POLL was to develop new choreography. Not only was the original not available, the videos I have seen of it seemed a bit dated. In addition I decided that dancers in a ballet version of G&S must be VERY good or else they will look very bad on stage. Therefore, I am also very pleased to announce that we have entered into a collaboration with a professional dance company, Spectrum Dance Theater of Seattle, and their Artistic Director, Donald Byrd. Both of our companies seem to have a great affinity for the music and the story and we are looking forward to a very exciting partnership. We will use 5 principal dancers plus a corps of 10 men and women. They will portray all the stock G&S character types featuring Lt. Belaye, Blanche (his fiancé), Mrs. Dimple (Blanche's Aunt and busybody chaperone), Jasper Cripps (the pub owner), and of course, Polly Pineapple. The men of the chorus are all sailors and the women are their sweethearts. This will be a world premiere of the new and original choreography of Mr. Byrd. (More information on Spectrum Dance Theater and Donald Byrd is also available on our web site.) I can't recall the last time an Amateur Gilbert & Sullivan Society produced a professional ballet. The show(s) will open on Friday, July 9th and run weekends (After the opening weekend, on Thursday, Friday, a matinee on Saturday, and Saturday evening.) through July 31st. If you have any questions or may be interested in attending, please let me know (I'm sure I can arrange ticket discounts for Savoynetters or assist with other accommodations). There are, by the way, daily over-the-pole flights from Seattle to London on British Air (currently leaving at 6 PM and arriving at noon the next day), if anyone should feel the need to travel from Seattle in the general direction of Buxton in a hurry toward the end of July. Mike Storie Producer  1,, Summary-line: 27-Jan samclapp@bellsouth.net [31] #Orchestal Parts prices X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 27 Jan 2004 10:19:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0RFJAmV026163; Tue, 27 Jan 2004 10:19:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0RFJ76X027135 for ; Tue, 27 Jan 2004 10:19:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i0RFHmTJ007458; Tue, 27 Jan 2004 10:17:48 -0500 (EST) Date: Tue, 27 Jan 2004 10:17:48 -0500 (EST) Message-Id: <20040127151321.DCDX1948.imf21aec.mail.bellsouth.net@mail.bellsouth.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: Orchestal Parts prices MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Openwave WebEngine, version 2.8.12 (webedge20-101-197-20030912) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 27 Jan 2004 10:17:48 -0500 (EST) Reply-To: samclapp@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Sam Clapp To: Multiple recipients of list SAVOYNET Subject: Orchestal Parts prices X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Why do the prices among Kalmus scores for G&S vary so greatly? Is there any reason behind it? I searched on the Kalmus website for Sullivan, composer, and began examining prices for complete operas. Here's what I came up with (apologies for using US currency for those who don't; perhaps others can do similar research and come up with different answers?) Gondoliers, $825.00 HMS Pinafore, 225.00 (I thought originally that it might have something to do with supply/demand, that more popular operas were cheaper--not so, read on...) Iolanthe $500.00 Mikado $775.00 (see what I mean?) Patience $340.00 (and again?) Pirates $700.00 (OK, so maybe more popular means more expensive) Princess Ida $625.00 (or not!) Ruddigore $575.00 Sorcerer $675.00 Utopia $1300.00 Yeomen $725.00 Can anyone explain this anomaly? I don't think it's about amount of music in a piece...or is it?  1,, Summary-line: 28-Jan hhwang@temple.edu [32] #Regarding IM X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 28 Jan 2004 13:27:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i0SIRR7i006944; Wed, 28 Jan 2004 13:27:27 -0500 (EST) Received: from po-smtp2.temple.edu (po-smtp2.temple.edu [155.247.166.196]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i0SIRQW8005835 for ; Wed, 28 Jan 2004 13:27:26 -0500 (EST) Received: from po-a.temple.edu (po-a.temple.edu [155.247.166.191]) by po-smtp2.temple.edu (MOS 3.4.3-CR) with ESMTP id AUK71044; Wed, 28 Jan 2004 13:26:02 -0500 (EST) Received: from 64.157.181.120 by po-a.temple.edu (MOS 3.4.3-CR) with HTTPS/1.1; Wed, 28 Jan 2004 13:26:00 -0500 Date: Wed, 28 Jan 2004 13:26:00 -0500 From: Ha Sung Hwang Subject: Regarding IM To: opus@mit.edu X-Mailer: Webmail Mirapoint Direct 3.4.3-CR MIME-Version: 1.0 Message-Id: <2271c93f.95f7fd7.8742000@po-a.temple.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Junkmail-Status: score=0/50, host=po-smtp2.temple.edu X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 28 Jan 2004 13:26:00 -0500 From: Ha Sung Hwang Subject: Regarding IM To: opus@mit.edu X-Junkmail-Status: score=0/50, host=po-smtp2.temple.edu X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hello David Jedlinsky: This is Ha Sung, a ph.D student at Temple university. I am woring on my dissertation research about Instant Messaging. Especially, I focus on motivarions, gratifications obtained, and perception of "sense of being with others" during IM use. Rebecca Hains, my classmate told me that you have a lot of backgronds on IM research. While researching this topic, I am able to learn that there is not much studies on IM. Therefore, I am coming to you to ask if I can get some help from you. If you have done any research about IM or useful resources for it, can I share with you? Historical backgrounds about IM technology, characteristics of IM users...any kind research is fine for me. I am looking forward to hear from you. Thank you very much. Ha Sung.  1,, Summary-line: 3-Feb knscott@juno.com [67] #Re: Copyright issues (was Recordings and . . .) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Feb 2004 11:36:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i13GaPrw002045; Tue, 3 Feb 2004 11:36:26 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i13GaKej021229 for ; Tue, 3 Feb 2004 11:36:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i13GZ4TJ001038; Tue, 3 Feb 2004 11:35:04 -0500 (EST) Date: Tue, 3 Feb 2004 11:35:04 -0500 (EST) Message-Id: <20040203.081911.-1103425.0.knscott@juno.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: Copyright issues (was Recordings and . . .) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Juno 5.0.33 X-Spam-Score: -2.682 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Feb 2004 11:35:04 -0500 (EST) Reply-To: knscott@juno.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: knscott@juno.com To: Multiple recipients of list SAVOYNET Subject: Re: Copyright issues (was Recordings and . . .) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.682 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) On Thursday, 15 Jan at 2004 13:55:48 -0800 (PST), Randy Bowser posted a redacted version of his detailed offline response to a Savoynet member who had privately requested advice regarding doing MIDI or any form of recorded versions of accompaniment for copyright-protected musicals: Mr. Bowser stated that "the information could very well be helpful to others in the Savoynet membership." Included in the "information" were these statements: > From the many conversations I've now had with publishers and > writers, here is their essential message: > --They are aware that small theatre groups are breaking copyright > law on a regular basis, by replacing orchestras with recordings > and synthesizers. But, publishers are in the business of collecting > royalties, and so they don't want to have to shut down shows, > and don't on a regular basis actively hunt down theatres who > are doing un-authorized things. > --However, if they are alerted about a theatre breaking the > contract, they Must follow through with threats and fines-- > because they are there to protect the legal rights of their > clients, the writers. > --Because of these two points above, their consistent advice > is to Not let them know. If they DO know, because of a whistle > blower, then the only recourse a hapless theatre company has > is to beg for an exception to be made---and as I've said, > in my experience, that is possible, but not guaranteed. I have also corresponded with many representatives of licensing agencies, and Mr. Bowser's post sent me back to some of them with requests for comments on his statements. A reply I received yesterday sums up the consensus of opinion, which is that licensing agencies "do *not* subscribe to a 'don't ask, don't tell' policy when it comes to copyright infringement" and that they "*do* regularly hunt down theater groups who are engaging in copyright infringement, and . . . take the necessary actions to protect the rights of [their] associated authors." For theatre companies at any level to act as if anything else were the truth is dangerous, and to advise others to follow such a dangerous course is highly irresponsible. Mr. Bowser's own practice of seeking permission directly from the creators of the works he has directed has been successful so far, and it is so much safer than willfully breaching a contract and living in fear of the possible penalties of being found out. Kevin Scott author, "Who owns the rights? Copyright, the law and licensing the show," originally published in the Summer 1999 issue of the Educational Theatre Association quarterly Teaching Theatre, (Volume 10, Number 4), and available online at http://www.angelfire.com/or/Copyright4Producers/ ________________________________________________________________ The best thing to hit the Internet in years - Juno SpeedBand! Surf the Web up to FIVE TIMES FASTER! Only $14.95/ month - visit www.juno.com to sign up today!  1,, Summary-line: 3-Feb jim@labsoftware.com [44] #Music notation software X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Feb 2004 12:03:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i13H3mrw024339; Tue, 3 Feb 2004 12:03:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i13H3lO8029251 for ; Tue, 3 Feb 2004 12:03:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i13H2VTJ002598; Tue, 3 Feb 2004 12:02:31 -0500 (EST) Date: Tue, 3 Feb 2004 12:02:31 -0500 (EST) Message-Id: <6.0.2.0.2.20040203115903.04b203c8@mail.labsoftware.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Music notation software Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040203.081911.-1103425.0.knscott@juno.com> X-Mailer: QUALCOMM Windows Eudora Version 6.0.2.0 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Feb 2004 12:02:31 -0500 (EST) Reply-To: jim@labsoftware.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Jim Cooper To: Multiple recipients of list SAVOYNET Subject: Music notation software X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040203.081911.-1103425.0.knscott@juno.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) From time to time people mention the use of various music notation software programs. After fooling around with various inexpensive programs, I ended up moving up to Overture III from Geniesoft.com. It costs around $300 now, but since I moved up from their entry level program (Score writer) I did a little better than that. For me, it most significant features are 1. You can hide the staves in which no one is currently singing on any given page, automatically or manually. 2. You enter all the lyrics in a text field box and it automatically aligns them with the score. This is really useful when several lines sing the same or almost the same words, as cut and past is quite simple. 3. It imports and exports midi files quite accurately, and you can play the score at any point. 4. It interfaces to any midi keyboard. I have a cheap $100 Yamaha keyboard that works fine. I don't get any cut out of this, but I really like the program. The complete Sorcerer PV score I made last year was done with this package and it may have been one of the larger projects this system had been used for, and they were very helpful in resolving small annoyances. Jim Cooper Troupers vice-president  1,, Summary-line: 3-Feb dankravetz@yahoo.com [52] #Re: Copyright issues (was Recordings and . . .) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Feb 2004 14:12:31 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i13JCUrw006169; Tue, 3 Feb 2004 14:12:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i13JCSVj008604 for ; Tue, 3 Feb 2004 14:12:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i13JAxTJ015342; Tue, 3 Feb 2004 14:10:59 -0500 (EST) Date: Tue, 3 Feb 2004 14:10:59 -0500 (EST) Message-Id: <20040203190953.49609.qmail@web12708.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Re: Copyright issues (was Recordings and . . .) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040203.081911.-1103425.0.knscott@juno.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 3 Feb 2004 14:10:59 -0500 (EST) Reply-To: dankravetz@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Daniel Kravetz To: Multiple recipients of list SAVOYNET Subject: Re: Copyright issues (was Recordings and . . .) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040203.081911.-1103425.0.knscott@juno.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Mr. Bowser stated > that "the information > could very well be helpful to others in the Savoynet > membership." > Included in the "information" were these statements: > > > --They are aware that small theatre groups are > breaking copyright > > law on a regular basis, by replacing orchestras > with recordings > > and synthesizers. Replacing orchestras with recordings and synthesizers does not violate copyright if one has secured permission to perform the copyrighted material and agreed to pay royalties. It may violate labor contracts between producers and musicians, or, in the absence of a contract, be harmful to the well-being of working people who would otherwise be gainfully employed in providing musical accompaniment. It is the unauthorized use of copyrighted material, no matter how the accompaniment is derived, that constitutes a copyright violation. However, if one uses a recording of a musical work to provide an accompaniment to a theatrical production (whether or not the theatrical work is under copyright), there is a danger of violating the copyright on the recording and violating the rights of the musicians who played on the recording to be compensated. Dan Kravetz Gilbert & Sullivan Society of New York __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free web site building tool. Try it! http://webhosting.yahoo.com/ps/sb/  1,, Summary-line: 3-Feb steve@rapaport.com [29] #Worth checking out X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 03 Feb 2004 19:30:44 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i140Ugrw012424; Tue, 3 Feb 2004 19:30:42 -0500 (EST) Received: from mail02.linkedin.com (mail02.linkedin.com [66.151.153.221]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i140UfMP026030 for ; Tue, 3 Feb 2004 19:30:41 -0500 (EST) Received: from app02.prod.linkedin.com (app02.prod.linkedin.com [172.16.34.29]) by mail02.linkedin.com (Postfix) with ESMTP id B51E5C04 for ; Tue, 3 Feb 2004 16:30:36 -0800 (PST) Received: from app02 (localhost [127.0.0.1]) by app02.prod.linkedin.com (8.12.9+Sun/8.12.9) with ESMTP id i140Ucc8008737 for ; Tue, 3 Feb 2004 16:30:38 -0800 (PST) Message-Id: <200402040030.i140Ucc8008737@app02.prod.linkedin.com> From: "Steve Rapaport" To: "David David Jedlinsky" Subject: Worth checking out Date: Tue, 3 Feb 2004 16:30:38 -0800 (PST) X-Spam-Score: -7.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Steve Rapaport" To: "David David Jedlinsky" Subject: Worth checking out Date: Tue, 3 Feb 2004 16:30:38 -0800 (PST) X-Spam-Score: -7.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Aaron Ardiri recently invited me to join LinkedIn, and I've found it to be a useful online business tool. LinkedIn lets you reach recommended employees, hiring managers and business partners through referrals from people you already know and trust. You won't receive spam or unwanted requests since people can only reach you if I decide to forward a message to you because it looks like a good opportunity. It would be great to have you in my professional network on LinkedIn. It's free to join through the link below. - Steve ------------------------------------------ Steve invites you to join their invitation-only professional network on LinkedIn and offers to facilitate introductions to its over 13,800+ users for you. It is free to join and takes less than 60 seconds to sign up via the link below: https://www.linkedin.com/e/isd/408597/BLKfSbMn/ Read what The Wall Street Journal, the BBC and others have to say about LinkedIn: http://www.linkedin.com/static?key=press_info This is an exclusive invitation from Steve Rapaport to David David Jedlinsky.  1,, Summary-line: 5-Feb orapture@toastpoint.com [25] #Anagrams X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 07:23:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i15CNAdC029823; Thu, 5 Feb 2004 07:23:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i15CN8oQ006086 for ; Thu, 5 Feb 2004 07:23:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i15CM3TJ029718; Thu, 5 Feb 2004 07:22:03 -0500 (EST) Date: Thu, 5 Feb 2004 07:22:03 -0500 (EST) Message-Id: <20040205071903.1380282494.orapture@toastpoint.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Anagrams Content-Type: text/plain Mime-Version: 1.0 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Bloomba 1.0.3 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 07:22:03 -0500 (EST) Reply-To: orapture@toastpoint.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Eric Peterson" To: Multiple recipients of list SAVOYNET Subject: Anagrams X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) The lovely and talented Rebecca (Consentino) Hains writes: "Of course, last time I challenged someone to do something clever with my name, David Jedlinsky hit upon a surprisingly good anagram for my first and maiden name: "Obscene in a concert." That's much better than mine, but my name anagrams to "tenor recipes". It also anagrams to something far more amusing, but not for the delicate of sensibilities. - Eric Peterson  1,, Summary-line: 5-Feb achel.Hutchins@univ-nancy[1245] #Gilbert and Sullivan survey X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 09:48:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i15Elwo3009036; Thu, 5 Feb 2004 09:47:58 -0500 (EST) Received: from isis.univ-nancy2.fr (isis.univ-nancy2.fr [194.214.218.110]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i15EluSL000713 for ; Thu, 5 Feb 2004 09:47:56 -0500 (EST) Received: from localhost (localhost.localdomain [127.0.0.1]) by isis.univ-nancy2.fr (Postfix) with ESMTP id 8158B32F38 for ; Thu, 5 Feb 2004 15:47:53 +0100 (CET) Received: from isis.univ-nancy2.fr ([127.0.0.1]) by localhost (isis.univ-nancy2.fr [127.0.0.1]) (amavisd-new) with ESMTP id 23407-07 for ; Thu, 5 Feb 2004 15:47:45 -0000 (CET) Received: from rle204 (pcf110.clsh.univ-nancy2.fr [193.49.142.211]) by isis.univ-nancy2.fr (Postfix) with SMTP id AAB0832F21 for ; Thu, 5 Feb 2004 15:47:20 +0100 (CET) Message-ID: <012301c3ebf6$f62d6c40$d38e31c1@clsh.univnancy2.fr> From: "Rachel HUTCHINS" To: Subject: Gilbert and Sullivan survey Date: Thu, 5 Feb 2004 15:47:22 +0100 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0120_01C3EBFF.57ECF240" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Virus-Scanned: by amavisd-new amavisd-new-20020630 X-Razor-id: 5432b93de5e8dafbdd1094830ca2cdc16abf04d2 X-Spam-Score: -4.433 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Rachel HUTCHINS" To: Subject: Gilbert and Sullivan survey Date: Thu, 5 Feb 2004 15:47:22 +0100 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Virus-Scanned: by amavisd-new amavisd-new-20020630 X-Razor-id: 5432b93de5e8dafbdd1094830ca2cdc16abf04d2 X-Spam-Score: -4.433 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0120_01C3EBFF.57ECF240 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello, please forgive the unsolicited email, but you may be interested! = I got your email address from the Gilbert & Sullivan Archive's web page. = I am a researcher in American studies at the University of Nancy in = France. I am currently writing a paper about Gilbert and Sullivan's = popularity in the USA, and would like to be able to better understand = the role of American Gilbert and Sullivan societies. The survey below = should take just 5 to 10 minutes to fill out. I would greatly appreciate = any information you wish to give me. I would be happy to share my = findings with you if you are interested once the paper is published. =20 If you do not belong to a G&S society but are still a fan or work with a = production company (amateur or professional), please skip to part two. = If you do not live in the U.S.A., please excuse the bother! =20 Sincerest Thanks, Rachel Hutchins =20 Part 1: Your Gilbert & Sullivan Society =20 1) How does one become a member of your society? (Please put a Y = next to all that apply.) =20 Pay membership dues Give email and/or mailing address to receive information Other: ________________________________________ =20 =20 2) How would you describe the activities and goals of your Gilbert = and Sullivan society? (Please put a Y next to all that apply.) =20 To perform Gilbert & Sullivan (and similar works) To discuss Gilbert & Sullivan's works (either online or in person) To keep informed of professional performances and/or to organize group = trips to attend them To raise community awareness and appreciation of Gilbert & Sullivan To promote and protect the Gilbert and Sullivan tradition Other _____________________________________________________ =20 =20 3) Does your society distribute a newsletter? (Either by "snail = mail" or electronically?) (please answer Y or N) ____ =20 3b) If YES, how many times per year? _____ =20 =20 Part 2: Your Gilbert & Sullivan Activities=20 =20 4) How would you describe your active involvement in your Gilbert & = Sullivan society? =20 Very Active (Organize or participate in 3 or more activities per year) Active (Organize or participate in 1 or 2 activities per year) Occasionally active (May or may not participate in a given year) Only read newsletter or online postings, etc. Inactive =20 5) Do you personally perform in Gilbert & Sullivan works or work on = their production? Put a Y next to the most accurate response. =20 Never Less than once a year Once a year Twice a year Three or more times a year =20 =20 6) If you answered YES to the previous question, what role(s) do you = generally play in these productions? Please put a Y next to all that = apply. =20 Singer/actor Play in the orchestra Technical work (including sets, costumes.) Publicity Direction (musical or stage, including stage managers) Fundraising Other ___________________________________ =20 =20 7) If you perform in the productions or direct them, what is your level = of performance/training? Please put a Y next to the most accurate = response. =20 Professional performer Professionally trained amateur (i.e., studied music in university or = conservatory or for 10 or more years privately) Amateur training with private lessons=20 Amateur training with group lessons (e.g., choir or orchestra in high = school or university) Amateur with no training, or self-taught Other _________________________________ =20 8) How many people, would you say, attend these performances annually? = ____________ =20 9) How much are tickets sold for? _____________ =20 10) How often do you attend (without participating in) amateur or = semi-professional performances of Gilbert & Sullivan works? Please put a = Y next to the most accurate response. =20 Never (What! Never?) Less than once a year (Hardly ever.) Once a year Twice a year Three or more times a year =20 11) How often do you attend (without participating in) professional = performances of Gilbert & Sullivan works? Please put a Y next to the = most accurate response. =20 Never =20 Less than once a year Once a year Twice a year Three or more times a year =20 12) How many recordings of Gilbert & Sullivan works do you own? (If you = have a box set, count the number of complete or nearly complete stage = works.) =20 None One or two Three or four Five or more =20 13) How often do you listen to Gilbert & Sullivan's works? =20 2 or fewer times per year Between 3 and 6 times per year Between 6 and 12 times per year More than 12 times per year =20 14) How would you classify Gilbert and Sullivan's works? Please put Y = next to the most accurate response. =20 Operas Operettas Musical theater Other ______________________=20 =20 15) What is it that you like best about Gilbert & Sullivan? Please rank = from 1 (favourite element) to 4 (least important for you). If two or = more are equal, then give them the same number. =20 The stories The librettos (i.e., text itself - use of language, etc.) The music The humor =20 PART 3: About You =20 16) Put a Y next to the last type of diploma you obtained or are = currently working towards. =20 Secondary school=20 Bachelor's Degree Master's Degree Doctorate Post-doctorate Study =20 17) What type of work do you do? (e.g., teacher in higher education, = homemaker, lawyer, secretary, etc.) If you are currently between jobs, = please refer to your last job. _____________________________ =20 18) Put a Y next to the source which best describes where you became a = Gilbert & Sullivan fan (if you check more than one answer, please rank = them in order of importance, where 1 is the most important). =20 Parents' home Friends prior to university study At university By performing their works (either in high school or = university) By attending an amateur performance=20 By attending a professional performance Other ___________________________________________________ =20 =20 19) Where do you currently live (i.e., state)? _______________________ =20 20) Please put a Y next to your current age group (optional). =20 Under 18 18-24 25-34 35-44 45-54 55-64 65+=20 =20 =20 21) Please put a Y next to your current sex group (optional). M F =20 =20 Additional Comments (please feel free to mention here anything you would = like to add to your responses above or that you would like me to know = about the topics covered here). =20 =20 Thank you very much for taking the time to assist me with this survey. =20 ------=_NextPart_000_0120_01C3EBFF.57ECF240 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

------=_NextPart_000_0120_01C3EBFF.57ECF240--  1,, Summary-line: 5-Feb dcj@okidok.zk3.dec.com [234] #[rls@dimins.com: Fwd: Rhymes] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 11:29:01 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i15GT0o3025606; Thu, 5 Feb 2004 11:29:01 -0500 (EST) Received: from ztxmail05.ztx.compaq.com (ztxmail05.ztx.compaq.com [161.114.1.209]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i15GT0eY007982 for ; Thu, 5 Feb 2004 11:29:00 -0500 (EST) Received: from taynzmail03.nz-tay.cpqcorp.net (taynzmail03.nz-tay.cpqcorp.net [16.47.4.103]) by ztxmail05.ztx.compaq.com (Postfix) with ESMTP id 709C8EE7F for ; Thu, 5 Feb 2004 10:28:59 -0600 (CST) Received: from yquarry.zk3.dec.com (brrquarry.zk3.dec.com [16.141.56.3]) by taynzmail03.nz-tay.cpqcorp.net (Postfix) with ESMTP id 0B5C910F2 for ; Thu, 5 Feb 2004 11:28:59 -0500 (EST) Received: from oflume.zk3.dec.com by yquarry.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id LAA17316; Thu, 5 Feb 2004 11:28:58 -0500 (EST) Received: from okidok.zk3.dec.com by oflume.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id LAA28335; Thu, 5 Feb 2004 11:28:58 -0500 (EST) Received: by okidok.zk3.dec.com (8.11.1/1.1.29.3/14Jul03-0327PM) id i15GSv20000407681; Thu, 5 Feb 2004 11:28:57 -0500 (EST) Date: Thu, 5 Feb 2004 11:28:57 -0500 (EST) Message-Id: <200402051628.i15GSv20000407681@okidok.zk3.dec.com> From: David Jedlinsky USG To: opus@mit.edu Subject: [rls@dimins.com: Fwd: Rhymes] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 11:28:57 -0500 (EST) From: David Jedlinsky USG To: opus@mit.edu Subject: [rls@dimins.com: Fwd: Rhymes] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------- Start of forwarded message ------- Date: Thu, 5 Feb 2004 11:23:05 -0500 Subject: Fwd: Rhymes From: Ruth Jedlinsky To: Opus X-PMX-Version: 4.1.1.86173 - --Apple-Mail-2-1054221814 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed Begin forwarded message: > From: jay > Date: Thu Feb 5, 2004 11:15:13 AM US/Eastern > To: rls@dimins.com, cmelia@dimins.com > Subject: Fwd: Rhymes > Reply-To: jay@dimins.com > > > > THESE ARE ENTRIES TO A WASHINGTON POST COMPETITION ASKING FOR A > RHYME WITH THE MOST ROMANTIC FIRST LINE BUT ... > THE LEAST ROMANTIC SECOND LINE: > > Love may be beautiful, love may be bliss > but I only slept with you, because I was pissed. > > ************************* > > I thought that I could love no other > Until, that is, I met your brother. > > ************************** > > Roses are red, violets are blue, sugar is sweet, and so are you. > But the roses are wilting, the violets are dead, the sugar bowl's > empty and so is your head. > > ************************** > > Of loving beauty you float with grace > If only you could hide your face. > > **************************** > > Kind, intelligent, loving and hot > This describes everything you are not. > > ****************************** > > I want to feel your sweet embrace > But don't take that paper bag off of your face. > > ******************************* > > I love your smile, your face, and your eyes > Damn, I'm good at telling lies! > > ************************************ > > My darling, my lover, my beautiful wife: > Marrying you screwed up my life. > > ************************************ > > I see your face when I am dreaming. > That's why I always wake up screaming. > > *************************************** > > My love, you take my breath away. > What have you stepped in to smell this way? > > **************************************** > > My feelings for you no words can tell > Except for maybe "Go To Hell". > > ***************************************** > > What inspired this amorous rube? > Two parts scotch, one part ice cube > > > - --Apple-Mail-2-1054221814 Content-Transfer-Encoding: 7bit Content-Type: text/enriched; charset=US-ASCII Begin forwarded message: From: jay < Date: Thu Feb 5, 2004 11:15:13 AM US/Eastern To: rls@dimins.com, cmelia@dimins.com Subject: Fwd: Rhymes Reply-To: jay@dimins.com THESE ARE ENTRIES TO A WASHINGTON POST COMPETITION ASKING FOR A RHYME WITH THE MOST ROMANTIC FIRST LINE BUT ... THE LEAST ROMANTIC SECOND LINE: Love may be beautiful, love may be bliss but I only slept with you, because I was pissed. ************************* I thought that I could love no other Until, that is, I met your brother. ************************** Roses are red, violets are blue, sugar is sweet, and so are you. But the roses are wilting, the violets are dead, the sugar bowl's empty and so is your head. ************************** Of loving beauty you float with grace If only you could hide your face. **************************** Kind, intelligent, loving and hot This describes everything you are not. ****************************** I want to feel your sweet embrace But don't take that paper bag off of your face. ******************************* I love your smile, your face, and your eyes Damn, I'm good at telling lies! ************************************ My darling, my lover, my beautiful wife: Marrying you screwed up my life. ************************************ I see your face when I am dreaming. That's why I always wake up screaming. *************************************** My love, you take my breath away. What have you stepped in to smell this way? **************************************** My feelings for you no words can tell Except for maybe "Go To Hell". ***************************************** What inspired this amorous rube? Two parts scotch, one part ice cube - --Apple-Mail-2-1054221814-- ------- End of forwarded message -------  1,, Summary-line: 5-Feb PSternenberg@aol.com [79] #Rhyme time X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 11:32:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i15GWso5028753; Thu, 5 Feb 2004 11:32:55 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i15GV0eY010164 for ; Thu, 5 Feb 2004 11:31:00 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i15GTdTJ014332; Thu, 5 Feb 2004 11:29:39 -0500 (EST) Date: Thu, 5 Feb 2004 11:29:39 -0500 (EST) Message-Id: <181.263e84ad.2d53c5d8@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Rhyme time MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: AOL 5.0 for Windows sub 138 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 11:29:39 -0500 (EST) Reply-To: PSternenberg@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: PSternenberg@aol.com To: Multiple recipients of list SAVOYNET Subject: Rhyme time X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >> But can anyone find a rhyme for ... for my full name, >> Theodore James Albert Zoldan II? > > Theodore/He-a-bore. Clive gave the perfect definition of rhyme to show that this doesn't work, whereas "We adore Theodore" does. It has to be identical from the last STRESSED vowel onward. It is failure to observe this rule that makes so many Major-General parodies painful to me. As for the "Zoldan" part, though, we don't even have to imagine. Just change the spelling slightly, and it already appears in THE BEAUTY STONE: I would see a maid who dwells in Zolden -- Her eyes are soft as moonlight on the mere; The spring hath fled, the ripened year turns golden -- Shall I win her ere the waning of the year? > "Poor Mitchell Gillett: > Those mean Pirates' parrots stole all his millet!" Isn't Mitch's surname pronounced with the accent on the final syllable? If so, this doesn't work at all. > My name is John Spartan, you see > I correct grammar down to a T > Without a spellchecker, > and with a firm 'pecker' > Bab ballets compose expertly! Good, except that Gilbert would have written "expertlee" to emphasize the altered accent. >> Anyone clever enough to find a rhyme for "Sternenberg"...? > > Pray don't. Not wanting to rain on anyone's parade, and not picking > on Rebecca in particular (her posting was handiest), but this sort > of thing is marginally on topic at best, and gets forced and old > really quickly. I have caused more than my share of dissension in my lifetime, but this is the first time I recall that the mere use of my surname has done so. I am truly flattered! Fortunately, Larry and I are friends, so I'm not offended. In fact, I see his point, and I also had to settle down from the hysterical laughter this inflicted on me before I responded. Nevertheless, as long as I've unwittingly been dragged into this, I HAVE tried rhyming my surname to no complete satisfaction. It was frustrating during those days when I worked my friends' names into party songs with some rather clever (though I say it who shouldn't) rhymes. The best I could ever do (and this never progressed beyond my private thoughts) was a US Civil War reference: "Atlanta was a burnin' burg." > Otherwise, let's just define that "Sternenberg" > (to choose an example at random) makes a > "generalised rhyme" with "pineapple" (for example) > and then we can make up all sorts of new rhymes 8-)>. Ah, you're on to my plans. To escape a family curse, I'm going to change my identity to a handsome (I should be so lucky) young (ditto) farmer named Robin Steinapple. Philip Sternenberg psternenberg@aol.com Bergenfield, NJ USA  1,, Summary-line: 5-Feb ori.siegel@sympatico.ca [49] #Toronto Singout Conductors X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 14:09:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i15J93o3028661; Thu, 5 Feb 2004 14:09:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i15J90UG001951 for ; Thu, 5 Feb 2004 14:09:02 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i15J7ITJ007215; Thu, 5 Feb 2004 14:07:18 -0500 (EST) Date: Thu, 5 Feb 2004 14:07:18 -0500 (EST) Message-Id: <001101c3ec19$25070360$9a04fea9@home6ar5cbrdm9> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Singout Conductors MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 14:07:18 -0500 (EST) Reply-To: ori.siegel@sympatico.ca Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ori Siegel" To: Multiple recipients of list SAVOYNET Subject: Toronto Singout Conductors X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Thought I'd get the ball rolling here and put out a call to all those who would like to conduct at the upcoming singout. We've actually made a deadline of April 1 for conductors and May 1 for roles. For now, let me hear from the conductors ONLY and another call will be made subsequently for cast. Please list a first, second and third choice. No selections will be made until April, but at least you have some time to think it over! Just one caveat: NOTHING will be confirmed until we have your paid registration in hand!! All requests for conducting and casting should be sent to me at: ori.siegel@sympatico.ca and please write: "Singout Conductor" in the subject header. The brochure, duly late, will be out by the first of March though hope springs eternal that we'll have it a bit sooner. That's Herschel's department. The brochure will be e-mailed to everyone on his distribution list (he's got around 150 names so far) and will also be available on-line. Hard copies will be available for distribution on request so stay tuned for more information. If you have not yet put your name on the distribution list, please send your name and address to: torontosingout2004@sympatico.ca and Herschel will take care of the rest. cheers, Ori SON OF SINGOUT Toronto, Ontario August 20-22, 2004 Only in Canada, eh?  1,, Summary-line: 5-Feb mgillett@umich.edu [34] #New GASBAG editorship X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 16:41:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i15Lfko3007003; Thu, 5 Feb 2004 16:41:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i15LfcUG000373 for ; Thu, 5 Feb 2004 16:41:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i15Le0TJ028754; Thu, 5 Feb 2004 16:40:00 -0500 (EST) Date: Thu, 5 Feb 2004 16:40:00 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: New GASBAG editorship MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3ec19$25070360$9a04fea9@home6ar5cbrdm9> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 16:40:00 -0500 (EST) Reply-To: mgillett@umich.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Mitchell Scott Gillett To: Multiple recipients of list SAVOYNET Subject: New GASBAG editorship X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <001101c3ec19$25070360$9a04fea9@home6ar5cbrdm9> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I thought I would let you know that I have been approached to be editor of that esteemed journal of Gilbert & Sullivan; GASBAG. Whether my acceptance has been accepted, I've yet to hear. It is my hope to entice back several of the fine writers who contributed articles in the 70's,80's, and early 90's. I grew up with Ron Orenstein, Michael Walters, Jane Stedman, Phillis Karr, Ralph McPhail (Please forgive me folks, Im spelling without a net.....), and later, reviews by the likes of Marc Sheperd and Larry Garvin! So, I will happily take submissions, or reprints of earlier articles, just as soon as I know the formats and my limits. ;-) Oh, and when I wasn't in the middle of a cold, I auditioned for a concert version of Candide, with Frederica Von Stade as the Old Woman (Im in the ensemble) and for Die Fledermaus (I went for Blind, and was offered Eisenstien!). Sure, I'll have time to put together a magazine..... Mitch Gillett Ann Arbor, Mi  1,, Summary-line: 5-Feb phylismyown@hotmail.com [64] #Gilbert and Sullivan Note Card Collection X-Coding-System: emacs-mule-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 17:29:13 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i15MT2oB011803; Thu, 5 Feb 2004 17:29:13 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i15MRZjP001807 for ; Thu, 5 Feb 2004 17:27:40 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i15MQ9TJ005670; Thu, 5 Feb 2004 17:26:09 -0500 (EST) Date: Thu, 5 Feb 2004 17:26:09 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Note Card Collection Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 17:26:09 -0500 (EST) Reply-To: phylismyown@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tyson Vick" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Note Card Collection X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, I'm going to stir it and strump it and blow my own trumpet for a moment... I have illustrated all of the Gilbert and Sullivan plays that allow for more than one illustration, and 49-north Productions has released them as note cards that you can write in and send to your sister, or cousin or aunt. Whomever you choose. These cards are great to sell at your G&S productions, or just to send around to your friends. They can be purchased on the internet at http://www.49-north.com Contact them for any in-depth information. I can tell you now that it was quite a feat to complete all these illustrations, and I hope somebody likes them. They're done with colored pencil and pen, and I've used old production photos, new production photos, old illustrations and my own imagination to compose the images and costumes and such. I should also like to take this moment to thank Bobbie Hermann who unwittingly inspired one of the Sorcerer cards. You'll have no troubles identifying which. It was one of my last illustrations, and I just couldn't think of what to do, and then came to savoynet, and was inspired. If anyone wants to take a guess at which actors and productions inspired certain illustrations, please feel free. I know that the savoynetters will certainly recognize the "Patience" title card and Hebe's dress. The site is a secure site, so you shouldn't be afraid of buying from them over the internet... and I do believe customers have been very happy with the product. Lastly, I can't sell you these cards personally, you actually have to order them off of the website... the strange thing is, I think 49-north Productions pretends to be me when writing replys and such. The truth of the matter, though, is that I only get to read and respond to the letters that ask specifically for me. The address again: http://www.49-north.com I think you will enjoy them, so please buy as many as you want. Tyson Vick "A Particularly Haughty and Exclusive Person" phylismyown@hotmail.com _________________________________________________________________ Check out the new MSN 9 Dial-up — fast & reliable Internet access with prime features! http://join.msn.com/?pgmarket=en-us&page=dialup/home&ST=1  1, answered,, Summary-line: 5-Feb thespian121@yahoo.com [69] #Re: Thespis at MIT needs people X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 05 Feb 2004 20:17:56 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i161Hto3013131; Thu, 5 Feb 2004 20:17:55 -0500 (EST) Received: from web40505.mail.yahoo.com (web40505.mail.yahoo.com [66.218.78.122]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i161HemH003235 for ; Thu, 5 Feb 2004 20:17:40 -0500 (EST) Message-ID: <20040206011740.80768.qmail@web40505.mail.yahoo.com> Received: from [140.247.159.21] by web40505.mail.yahoo.com via HTTP; Thu, 05 Feb 2004 17:17:40 PST Date: Thu, 5 Feb 2004 17:17:40 -0800 (PST) From: Marisa Green Reply-To: thespian121@yahoo.com Subject: Re: Thespis at MIT needs people To: opus@MIT.EDU In-Reply-To: <200402042202.i14M2bVC025756@multics.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 5 Feb 2004 17:17:40 -0800 (PST) From: Marisa Green Reply-To: thespian121@yahoo.com Subject: Re: Thespis at MIT needs people To: opus@MIT.EDU In-Reply-To: <200402042202.i14M2bVC025756@multics.mit.edu> X-Spam-Score: -3.906 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Oh man - and I SPECIFICALLY had no shows this semester. Of course, that's because I have to write a thesis. Oops. :( I'd like to come see it, though!! Hope you're well. :) Marisa (quite definitely in the Cambridge, MA area) --- "David C. Jedlinsky" wrote: > > This is for anyone in the Cambridge, Massachusetts > area. Others may > allow their attention to wander. > > The MIT G&S Players are preparing a new version of > Thespis with music > written by Savoynetter Colin Johnson. Auditions are > tonight and > tomorrow night, but we could really use a vocal > director. If you're > interested, please contact me. > > Auditions are from 6:30 - 9:30 in the Mezzanine > Lounge of the MIT > Student Center (3rd Floor, 84 Massachusetts Avenue, > Cambridge, MA) on > Wednesday and Thursday, February 4 and 5, 2004. > > Performance dates are April 9-11 and 15-18 in La > Sala de Puerto Rico, > 2nd Floor, MIT Student Center. > > Auditions are open to everyone, but there is a > Student Casting Policy: > When casting for a production, MIT students shall > be given preference > over all other candidates for a given role, if > said student is capable of > filling such a role. > > For more information, please visit > http://web.mit.edu/gsp/www or email > savoyards-request@mit.edu. > > That's it. People better now. > > -Dave Jedlinsky (not Leonard Pinsk-y) > Stage Director, MIT G&S Players' Thespis > opus@mit.edu __________________________________ Do you Yahoo!? Yahoo! Finance: Get your refund fast by filing online. http://taxes.yahoo.com/filing.html  1,, Summary-line: 6-Feb simon@c20th.com [42] #Sullivan-signed proof score discovered X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 06 Feb 2004 10:21:49 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i16FLWaD028854; Fri, 6 Feb 2004 10:21:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i16FKTDZ020380 for ; Fri, 6 Feb 2004 10:20:35 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i16FJATJ000762; Fri, 6 Feb 2004 10:19:10 -0500 (EST) Date: Fri, 6 Feb 2004 10:19:10 -0500 (EST) Message-Id: <000501c3ecc2$322c9920$0390b050@clayburn1951> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Sullivan-signed proof score discovered MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 6 Feb 2004 10:19:10 -0500 (EST) Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Sullivan-signed proof score discovered X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) It is with great excitement that I announce the sale, through my website, of a recent attic discovery: The proof copy of the vocal score for "The Golden Legend", 1886, signed and dedicated by Sir Arthur Sullivan, and containing important amendments in his own hand. With the help of a number of experts, I have spent the past few weeks researching the full history of the item and the following pages contain much which may be of interest, even to those not wishing to own the score: http://www.c20th.com/GSgoldenlegend.htm Both the vendor and myself feel it is of the utmost importance that the contents of this important item be available to future researchers, though we do not wish to discourage private collectors from bidding on the score. We will therefore lodge a Xerox copy with public libraries in the UK and USA. The details will also be visible on my website for the foreseeable future. Simon Moss London simon@c20th.com www.c20th.com --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.577 / Virus Database: 366 - Release Date: 2/3/04  1,, Summary-line: 6-Feb tempsavoy@tradelaw.com [79] #Re: Ivanhoe score for sale X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 06 Feb 2004 12:18:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i16HHva7003086; Fri, 6 Feb 2004 12:18:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i16HGvDY015687 for ; Fri, 6 Feb 2004 12:16:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i16HFXTJ019623; Fri, 6 Feb 2004 12:15:33 -0500 (EST) Date: Fri, 6 Feb 2004 12:15:33 -0500 (EST) Message-Id: <5.2.1.1.0.20040206105248.04478da8@taurus.lunarpages.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Ivanhoe score for sale Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c3ecc5$b24fea00$0900000a@oemcomputer> X-Mailer: QUALCOMM Windows Eudora Version 5.2.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 6 Feb 2004 12:15:33 -0500 (EST) Reply-To: tempsavoy@tradelaw.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: David Craven To: Multiple recipients of list SAVOYNET Subject: Re: Ivanhoe score for sale X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <000501c3ecc5$b24fea00$0900000a@oemcomputer> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ouch. I got one at the G&S Festival in Buxton for a great deal less. If you just want a "copy" of the score let me know. It is out of copyright and I have a "set" from which I can make a photocopy. At 10:42 AM 2/6/2004 -0500, Paul wrote: >Anyone who is very, very, very anxious to get their hands on a Vocal Score >of "Ivanhoe" might like to know that one has just appeared on Abebooks - a >snip at a mere $275 (£150): > >Ivanhoe >1891. SULLIVAN, Arthur 1842-1900. Ivanhoe A Romantic Opera Adapted from Sir >Walter Scott's Novel Words by Julian Sturgis. Arranged for the Pianoforte by >Ernest Ford. [Piano-vocal score]. London: Chappell & Co. [PN 19,001] [1891]. >Quarto. Full decorative red cloth gilt (slightly worn, rubbed, bumped and >stained). 2ff., 261, [iii] (publisher's advertisements) pp. (some foxing, >including to title). With composer's facsimile autograph signature to title. >First Edition. Sullivan and Flower p. 280. WorldCat OCLC 4794897. Sullivan's >only serious opera, first performed by the Royal English Opera, Cambridge >Circus, on January 31st, 1891. Bookseller Inventory #14963 > Price: US$ 275.00 (Convert Currency) > Bookseller: J & J Lubrano, Music Antiquarians, Lloyd Harbor, NY, U.S.A. > > > >There is also a Vocal Score of "On Shore and Sea" at the slightly more >reasonable price of £26: > >On Shore and Sea - A Dramatic Cantata >London:Boosey & Co., 1871 first edition of the vocal score, no fornt >wrapper, otherwise very good condition, words by Tom Taylor, composed for >the London International Exhibition of 1871. >Bookseller Inventory #2318 > > >Price: US$ 49.09 (Convert Currency) >Shipping: Rates & Speed > >Bookseller: Theatreshire Books, Dacre Hall, Dacre,, North Yorkshire, NYK, >United Kingdom, HG3 4ET > >Paul Howarth > >York > >Victorian Parlour Songs > >http://www.pnhowarth.org/songs > >Gilbert and Sullivan Archive > >http://diamond.boisestate.edu/gas/ > >Arthur Sullivan Archive > >http://www.arthursullivan.net > >John Sedding, Victorian Architect > >http://www.pnhowarth.org/  1,, Summary-line: 6-Feb paulhc@sbcglobal.net [29] # X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 06 Feb 2004 18:18:14 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i16NIDa1003090; Fri, 6 Feb 2004 18:18:14 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i16NICKg018175 for ; Fri, 6 Feb 2004 18:18:12 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i16NH7TJ002800; Fri, 6 Feb 2004 18:17:07 -0500 (EST) Date: Fri, 6 Feb 2004 18:17:07 -0500 (EST) Message-Id: <1C65C546-58F8-11D8-83D3-0003936B0BBE@sbcglobal.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Mime-Version: 1.0 (Apple Message framework v606) Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Apple Mail (2.606) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 6 Feb 2004 18:17:07 -0500 (EST) Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Paul Cohen To: Multiple recipients of list SAVOYNET X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) "Keith Pottage, who has directed a number of productions in Wakefield, is the director of QWERTY: The Musical, which will be launched at Featherstone Community Theatre in July. Mr Pottage said: "We need 10 men and two women. The people we want will be both actors and singers. "If they have experience of performing in musical theatre with local groups, that's great. But the main aspects are talent and commitment." Keith, a freelance writer, has directed productions for the Wakefield Gilbert & Sullivan Society, The Gondoliers in 2001 and Ruddigore in 2002. He has also directed non-musical plays for Wakefield Little Theatre, including Hindle Wakes and Wait Until Dark." Can anyone familiar with "Qwerty: The Musical" tell us something about it?  1,, Summary-line: 7-Feb ulahlica@yahoo.com [102] #GASBAGS LTD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 07 Feb 2004 15:39:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i17KdABc026060; Sat, 7 Feb 2004 15:39:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i17Kd99R005939 for ; Sat, 7 Feb 2004 15:39:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i17KbrTJ018225; Sat, 7 Feb 2004 15:37:53 -0500 (EST) Date: Sat, 7 Feb 2004 15:37:53 -0500 (EST) Message-Id: <20040207203416.70779.qmail@web60210.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: GASBAGS LTD MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 7 Feb 2004 15:37:53 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: GASBAGS LTD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) As you know, we've had plenty of snow here in New York and last week I spent a few days snowed in. So I had a lot of time to experiment. A while ago, someone mentioned that someone else had provided the UTOPIA first act finale with new lyrics -to make a new short opera. Someone else suggested it should be tried again with IOLANTHE. This idea intrigued me but it quickly became apparent that the UTOPIA finale was most easily workable for this. It's probably because, as had been said, it has little plot and lot of introductions. So I went with UTOPIA again. My scenario is that the twelve members of GASBAGS (The Gilbert and Sullivan, Boxing and Glassblowing Society) are having their first meeting. (Yes, I know there's already a "GASBAG" but this is "GASBAGS!" It's too perfect to pass by.) They are a newly formed G&S group and must decide what opera will mark their debut. The repetitions of "Yes! Yes! Yes! Ulahlica!" are turned into "No! No! No! Another one!" as suggestions are made. (Handling the PINAFORE music will be easy but I'm curious how the inventor of this idea handled that part of the music.) The characters will be named Elise, Rebecca, Andi, Jana, Bobbie, Helga, Jonathan, Justin, Scott, Chris, Steve, and Adam. (Any similarities to names in this group are purely coincidental.) The strange part is that this is *really* hard to do. I'm very curious how well this was done before and wonder if the libretto is available. I've played around with translating operas of foreign languages before and it was challenging but this is next to impossible. It's not just Gilbert's complicated rhyme schemes that make it hard but also trying to write a different plot for what the music already depicts. On top of that, Gilbert's meter goes off quite a few times. (I.E. after the chorus sings "Although your royal summons to appear" they end with a much shorter "What would your majesty?" Where did all the extra beats go?) I'm going to have to upgrade my FINALE+. I can't believe it won't let me change a time signature within a score. What's the big deal? (I'm speaking as a programmer) I think FINALE made that restriction deliberately to force a user to buy a more expensive version. As far as I can see, an upgrade would cost me hundreds. But the *real* reason I'm posting is this. I'm calling the opera "GASBAGS LTD - a dream opera" because the characters are so terribly confused. This was not my original intention but it will make my lyric writing a LOT easier since there are so many musical mood swings to fill. And it's just for fun anyway. I wanted to assign a different instrument to each character but I can only work with eight staves. Since it's a dream, I was wondering if I should make the accompaniment a harp instead of piano. I just LUV the harp. Tell me, would it wear on a person's nerves after a while? I can't change it once I start. Here's a twenty-two second sample. It's so beautiful. http://www.geocities.com/ulahlica/GL/harp.html John __________________________________ Do you Yahoo!? Yahoo! Finance: Get your refund fast by filing online. http://taxes.yahoo.com/filing.html  1,, Summary-line: 7-Feb midiopera@bellsouth.net [46] #Re: GASBAGS LTD X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 07 Feb 2004 16:46:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i17LkcBi024120; Sat, 7 Feb 2004 16:46:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i17LjQw2005644 for ; Sat, 7 Feb 2004 16:45:28 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i17Li4TJ019758; Sat, 7 Feb 2004 16:44:04 -0500 (EST) Date: Sat, 7 Feb 2004 16:44:04 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040207203416.70779.qmail@web60210.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 7 Feb 2004 16:44:04 -0500 (EST) Reply-To: midiopera@bellsouth.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Robert Steinberg To: Multiple recipients of list SAVOYNET Subject: Re: GASBAGS LTD X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040207203416.70779.qmail@web60210.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) on 2/7/04 3:37 PM, John Spartan at ulahlica@yahoo.com wrote: > I think FINALE made that restriction > deliberately to force a user to buy a more expensive > version. There's a point at which a software company must stop providing features that fall into professional use in their low cost or free software. So, yes they do want you to upgrade. There are other alternatives in notation software that are not as expensive as the pro level FINALE. My question to you, John, is do you need pro level notation or are you trying to record midi accompaniment along with some or even reasonably sophisticated notation. > As far as I can see, an upgrade would cost me > hundreds. Are you sure that Coda doesn't have an upgrade path that you can live with?? Isn't there a middle ground like Finale Allegro any longer?? Next time there a snow day check out sequencers that have notation like Emagic Logic [Micro Logic is under 100 bucks and records 8 tracks of audio as well as score printing]. Cubasis and Cakewalk are others. RS ~~ Robert Steinberg MidiOpera Co. http://bellsouthpwp.net/m/i/midiopra/  1,, Summary-line: 8-Feb simon@c20th.com [36] #Golden Legend score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 08 Feb 2004 13:25:47 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i18IPjQq015539; Sun, 8 Feb 2004 13:25:45 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i18IPiGX002662 for ; Sun, 8 Feb 2004 13:25:44 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i18IOSTJ028794; Sun, 8 Feb 2004 13:24:28 -0500 (EST) Date: Sun, 8 Feb 2004 13:24:28 -0500 (EST) Message-Id: <001901c3ee6f$f3657900$0390b050@clayburn1951> Errors-To: savoynet-owner@bridgewater.edu Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Golden Legend score MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 8 Feb 2004 13:24:28 -0500 (EST) Reply-To: simon@c20th.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "simon moss" To: Multiple recipients of list SAVOYNET Subject: Golden Legend score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Anyone interested in this important discovery, which I mentioned in a previous posting, should look again at the webpage giving full details. Whilst there is no doubt that the signature and dedication are Sullivan's, it appears that the amendments are in a different hand, most likely Joseph Bennett's. More information here: http://www.c20th.com/GSgoldenlegend.htm Thanks, Simon Moss London simon@c20th.com www.c20th.com --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.577 / Virus Database: 366 - Release Date: 2/3/04  1,, Summary-line: 8-Feb rls@ipnh.com [29] #Eugene Minor X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 08 Feb 2004 21:34:32 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i192YTQq012193; Sun, 8 Feb 2004 21:34:32 -0500 (EST) Received: from adelie.local (69-163-39-137.lndnnh.adelphia.net [69.163.39.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i192YS0V015291 for ; Sun, 8 Feb 2004 21:34:28 -0500 (EST) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id i192YSjO000550 for ; Sun, 8 Feb 2004 21:34:28 -0500 (EST) Date: Sun, 8 Feb 2004 21:34:27 -0500 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: Eugene Minor From: Ruth Jedlinsky To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <7B76DF20-5AA8-11D8-840C-00039399130C@ipnh.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 8 Feb 2004 21:34:27 -0500 Subject: Eugene Minor From: Ruth Jedlinsky To: David Jedlinsky X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Begin forwarded message: > From: "Norman Dunfee" > Date: Mon Apr 7, 2003 11:29:06 AM US/Eastern > To: > > I have spoken with Eugene Minor about your request, and he has agreed > that I > send you his telephone number: > 201 930-4909. > > Norman Dunfee, D.M.A. > Executive Director > MidAmerica Productions > 212 239-0205, ext. 208 > >  1,, Summary-line: 9-Feb cliftoncoles@hotmail.com [99] #Making libretti X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Feb 2004 10:34:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i19FYUsC022197; Mon, 9 Feb 2004 10:34:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i19FP5mw018684 for ; Mon, 9 Feb 2004 10:25:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i19FMqTJ013405; Mon, 9 Feb 2004 10:22:52 -0500 (EST) Date: Mon, 9 Feb 2004 10:22:52 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Making libretti Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Mon, 9 Feb 2004 10:22:52 -0500 (EST) Reply-To: cliftoncoles@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Clifton Coles" To: Multiple recipients of list SAVOYNET Subject: Making libretti X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Libretto-making --or "libretto-editing" -- is a tricky process. Does one stay faithful to the librettist's intentions, or does one recognize that it IS an opera, and acknowledge the composer's contirbution? User friendliness -- avoiding wordiness and enhancing comprehension -- should be the primary concern in libretto-editing, IMO. Because a libretto is a word-text, I think one should begin with the libretto as published by the author as a base text. Repetitions added by the composer should be eschewed in the interest of legibility. There is no advantage to laying out a lyric as below: All is darksome, all is dreary Broken every promise plighted Sad and sorry, weak and weary Every new-born hope is blighted Death the friend or death the foe Shall I call upon thee? No! I shall go on living, living though Sad and sorry, weak and weary. Death the friend or death the foe Shall I call upon thee? No! I shall go on living, living Sad and sorry, weary and weak Sad and sorry, weak and weary Sad and sorry, weak and weary I shall go on living Sad and sorry Sad and sorry Sad and sorry, weak and weary. Funnily enough, Bradley, in the seventh line above, repeats the word "living." It is a curious choice, as it is purely a musical decision to repeat the word and the repetition completely ruins scansion, while adding nothing to the meaning of the line; in fact, it confuses the meaning of the line by drawing attention to itself. At the same time, the composer's contribution cannot be ignored. In the verse above, I think it is highly appropriate to arrange the first four lines as they appear in the vocal score (as Bradley does) and not as they appear in the libretto. A reader gets the best possible idea of how the aria is performed and no meaning is lost or obscured, nor is any rhyme or meaning destroyed. When preparing a libretto (say, for the archive), I try to do so with a vocal score handy. My source libretto for Haddon Hall contains an extra verse for "In days of old / When men were bold" -- do I include that as part of the libretto text? Well, on the archive, I note that the verse appears in printed libretti but not the vocal score. Today, I think I would include the verse as an appendix and move the reader along in the libretto as closely resembling what is heard or performed as possible. I made a decision to include Dorothy's recit and song, Manners's song, and his ensuing duet with Dorothy on the grounds that on at least one occasion, all this material was sung, Manners's absence from act one is a dramatic mistake, and including all the material doesn't hinder comprehension -- in fact, it greatly enhances it. But such editorial decisions demand explanation, and must be acknowledged somewhere, in a note somewhere. On the other hand, my printed libretto of The Nautch Girl does not include a verse for Punka "Alas a day / My broad domain" as part of the ensemble concluding the first act. The vocal score includes this material. Do I include it? I do, because a reader or listener is bound to hear this material (okay, maybe not, as part of a complicated ensemble) and should be able to ascertain what is being sung. Sometimes a librettist doesn't note choral (or other) repeats. I would and do (unless totally unnecessary), with the ubiquitous "etc. or "&c" to keep the wordiness to a minimum. Sometimes Gilbert uses the designation "SOLO" -- as in "In sailing o'er life's ocean wide" -- for each participant in an ensemble. If I were making a libretto for Ruddigore, I would simply designate when Robin, Richard, and Rose sing without the words "SOLO -- ROBIN" centered on a separate line. It takes up unnecessary space, and is inconsistent with the libretto as a whole (the Patter Trio, for example, does not do this). And, of course, there are other decisions that must be made on a case-by-case basis. What do you do when a section is completly altered from version to version, or when the vocal score totally disagrees with the libretto? Cliff . . . . _________________________________________________________________ Choose now from 4 levels of MSN Hotmail Extra Storage - no more account overload! http://click.atdmt.com/AVE/go/onm00200362ave/direct/01/  1,, Summary-line: 9-Feb steve@rapaport.com [72] #RE: My Invitation X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Feb 2004 17:32:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i19MWRrk005540; Mon, 9 Feb 2004 17:32:27 -0500 (EST) Received: from mail02.linkedin.com (mail02.linkedin.com [66.151.153.221]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i19MWQUr014629 for ; Mon, 9 Feb 2004 17:32:26 -0500 (EST) Received: from app02.prod.linkedin.com (app02.prod.linkedin.com [172.16.34.29]) by mail02.linkedin.com (Postfix) with ESMTP id BEBD6B8F for ; Mon, 9 Feb 2004 14:32:01 -0800 (PST) Received: from app02 (localhost [127.0.0.1]) by app02.prod.linkedin.com (8.12.9+Sun/8.12.9) with ESMTP id i19MW7c8015764 for ; Mon, 9 Feb 2004 14:32:07 -0800 (PST) Message-Id: <200402092232.i19MW7c8015764@app02.prod.linkedin.com> From: "Steve Rapaport" To: "David David Jedlinsky" Subject: RE: My Invitation Date: Mon, 9 Feb 2004 14:32:07 -0800 (PST) Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_0_8112281.1052757660691" X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Steve Rapaport" To: "David David Jedlinsky" Subject: RE: My Invitation Date: Mon, 9 Feb 2004 14:32:07 -0800 (PST) X-Spam-Score: -3.3 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------=_Part_0_8112281.1052757660691 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Not sure if this is your real mail address any more. Anyway, say hi if it is. Steve. -------------- If you are not currently a LinkedIn user, you can still start your own network by following this link: https://www.linkedin.com/e/reg/ Join today -- your network is bigger than you think! -The LinkedIn Team https://www.linkedin.com ------=_Part_0_8112281.1052757660691 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit

Not sure if this is your real mail address any more. Anyway, say hi if it is.

Steve.

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Hello, please forgive the unsolicited email, = but you may=20 be interested! I got your email address from the Gilbert & Sullivan=20 Archive=92s web page. I am a researcher in American studies at the = University of=20 Nancy in France. I am currently writing a paper about Gilbert and = Sullivan=92s=20 popularity in the USA, and would like to be able to better understand = the role=20 of American Gilbert and Sullivan societies. The survey below should take = just 5=20 to 10 minutes to fill out. I would greatly appreciate any information = you wish=20 to give me. I would be happy to share my findings with you if you are = interested=20 once the paper is published.

 

If=20 you do not belong to a G&S society but are still a fan or work with = a=20 production company (amateur or professional), please skip to part two. = If you do=20 not live in the U.S.A., please excuse the=20 bother!

 

Sincerest = Thanks,

Rachel = Hutchins

 

Part 1: Your Gilbert & Sullivan Society

 

1)     =20 How=20 does one become a member of your society? (Please put a Y next to all = that=20 apply.)

 

Pay membership = dues

           =20 Give email and/or mailing address to receive=20 information

           =20 Other:=20 ________________________________________<= /P>

 

 

2)     =20 How=20 would you describe the activities and goals of your Gilbert and Sullivan = society? (Please put a Y next to all that=20 apply.)

 

To=20 perform Gilbert & Sullivan (and similar=20 works)

To discuss Gilbert & Sullivan=92s works = (either online=20 or in person)

To keep informed of = professional=20 performances and/or to organize group trips to attend = them

To raise community awareness and appreciation = of Gilbert=20 & Sullivan

To promote and protect the Gilbert and Sullivan = tradition

Other=20 _____________________________________________________

 

 

3)     =20 Does your society distribute a newsletter? (Either by =93snail = mail=94 or=20 electronically?) (please answer Y or N) = ____

 

3b)=20 If YES, how many times per year? = _____

 

 

Part 2: Your Gilbert & Sullivan Activities=20

 

4)     =20 How=20 would you describe your active involvement in your Gilbert & = Sullivan=20 society?

 

Very=20 Active (Organize or participate in 3 or more activities per=20 year)

Active (Organize or participate in 1 or 2 = activities per=20 year)

Occasionally active (May or may not participate = in a=20 given year)

Only read newsletter or online postings,=20 etc.

Inactive

 

5)     =20 Do=20 you personally perform in Gilbert & Sullivan works or work on their=20 production? Put a Y next to the most accurate=20 response.

 

Never

Less than once a = year

Once=20 a year

Twice=20 a year

Three=20 or more times a year

 

 

6) If=20 you answered YES to the previous question, what role(s) do you generally = play in=20 these productions? Please put a Y next to all that=20 apply.

 

Singer/actor

Play=20 in the orchestra

Technical work (including sets,=20 costumes=85)

Publicity

Direction (musical or stage, including stage=20 managers)

Fundraising

Other=20 ___________________________________

 

 

7) If=20 you perform in the productions or direct them, what is your level of=20 performance/training? Please put a Y next to the most accurate=20 response.

 

Professional=20 performer

Professionally = trained amateur=20 (i.e., studied music in university or conservatory or for 10 or more = years=20 privately)

Amateur training with private lessons=20

Amateur training = with group=20 lessons (e.g., choir or orchestra in high school or=20 university)

Amateur with no training, or=20 self-taught

Other _________________________________

 

8)=20 How many people, would you say, attend these performances annually?=20 ____________

 

9)=20 How much are tickets sold for? = _____________

 

10)=20 How often do you attend (without participating in) amateur or = semi-professional=20 performances of Gilbert & Sullivan works? Please put a Y next to the = most=20 accurate response.

 

Never=20 (What! Never?)

Less=20 than once a year (Hardly ever.)

Once=20 a year

Twice=20 a year

Three=20 or more times a year

 

11)=20 How often do you attend (without participating in) professional = performances of=20 Gilbert & Sullivan works? Please put a Y next to the most accurate=20 response.

 

Never       =20

Less=20 than once a year

Once=20 a year

Twice=20 a year

Three=20 or more times a year

 

12)=20 How many recordings of Gilbert & Sullivan works do you own? (If you = have a=20 box set, count the number of complete or nearly complete stage=20 works.)

 

None

One=20 or two

Three=20 or four

Five=20 or more

 

13)=20 How often do you listen to Gilbert & Sullivan=92s=20 works?

 

2 or=20 fewer times per year

Between 3 and 6 times per=20 year

Between 6 and 12 times per=20 year

More=20 than 12 times per year

 

14)=20 How would you classify Gilbert and Sullivan=92s works? Please put Y next = to the=20 most accurate response.

 

Operas

Operettas

Musical = theater

Other ______________________

 

15)=20 What is it that you like best about Gilbert & Sullivan? Please rank = from 1=20 (favourite element) to 4 (least important for you). If two or more are = equal,=20 then give them the same number.

 

The=20 stories

The=20 librettos (i.e., text itself =96 use of language,=20 etc.)

The=20 music

The=20 humor

 

PART 3: About You

 

16)=20 Put a Y next to the last type of diploma you obtained or are currently = working=20 towards.

 

           =20 Secondary school

           =20 Bachelor=92s Degree

           =20 Master=92s Degree

           =20 Doctorate

           =20 Post-doctorate Study

 

17)=20 What type of work do you do? (e.g., teacher in higher education, = homemaker,=20 lawyer, secretary, etc.) If you are currently between jobs, please refer = to your=20 last job. _____________________________

 

18)=20 Put a Y next to the source which best describes where you became a = Gilbert &=20 Sullivan fan (if you check more than one answer, please rank them in = order of=20 importance, where 1 is the most = important).

 

           =20 Parents=92 home

           =20 Friends prior to university = study

           =20 At university

           =20 By performing their works (either in high school or=20 university)

           =20 By attending an amateur performance =

           =20 By attending a professional=20 performance

           =20 Other=20 ___________________________________________________

 

 

19)=20 Where do you currently live (i.e., state)?=20 _______________________

 

20)=20 Please put a Y next to your current age group=20 (optional).

 

           =20 Under 18

           =20 18-24

           =20 25-34

           =20 35-44

           =20 45-54

           =20 55-64

           =20 65+

 

 

21)=20 Please put a Y next to your current sex group=20 (optional).

           =20 M

           =20 F

           =20

 

Additional Comments (please feel free to = mention here=20 anything you would like to add to your responses above or that you would = like me=20 to know about the topics covered here).

 

 

Thank=20 you very much for taking the time to assist me with this=20 survey.

 

------=_Part_0_8112281.1052757660691--  1,, Summary-line: 9-Feb sirrogue@roguemail.net [64] #SW Musical Edition DVD URGENT X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 09 Feb 2004 20:50:28 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1A1oRrk022261; Mon, 9 Feb 2004 20:50:27 -0500 (EST) Received: from gator.darkhorse.com ([209.95.33.140]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1A1oDJC022315 for ; Mon, 9 Feb 2004 20:50:14 -0500 (EST) Received: from [68.121.199.226] (account sirrogue@roguemail.net) by gator.darkhorse.com (CommuniGate Pro WebUser 4.1.8) with HTTP id 27432925; Mon, 09 Feb 2004 17:50:13 -0800 From: Rogue Shindler Subject: SW Musical Edition DVD URGENT To: opus@mit.edu Cc: portnoy@portnoy.org X-Mailer: CommuniGate Pro WebUser Interface v.4.1.8 Date: Mon, 09 Feb 2004 17:50:13 -0800 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1"; format="flowed" Content-Transfer-Encoding: 8bit X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: Rogue Shindler Subject: SW Musical Edition DVD URGENT To: opus@mit.edu Cc: portnoy@portnoy.org Date: Mon, 09 Feb 2004 17:50:13 -0800 X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Opus, I hope all's been going well for you. I've been bantering back and forth with Todd and the MTG board about whether or not the DVDs were close to being released. Last I heard, end of January was just changed to end of February. All rumors aside, I need a realistic e.t.a. straight from the horse's mouth. The reason being that Powers That Be at Lucasfilm are interested in seeing it, and soon. It has not been expressed outright, but implied to me in a few ways that there may be interest in doing some or all of the show at the upcoming Star Wars Celebration III in 2005. But I need to get them a dvd NOW to keep their interest up. I really want to tell them something is on the way before the end of this week. Ideally, we'd want them to see the final product, but you know better than me how realistic the concept is, if at all. Next best thing would be if you could just burn whatever you've got right now and send it on its way. That's fine, if necessary; they don't care too much about current video quality as they do getting an idea of the content of the show and how it plays on stage. I know you're busy, and it sounds like you've been harped on alot on this subject, but as you can see, this is a grand opportunity and an urgent situation. Any help you can lend would be GREATLY appreciated! Also thanks for the wonderful news about the Hugo. I don't know how else to react to that, other than, like Steve, to laugh and be flattered. :-D Incidentally, the whole business with LFL is not concrete right now, and I'd rather not spread it around until there is something solid to announce, so if you could keep it to yourself, I'd appreciate that, too. :) Thanks for everything!!! ~Rogue -- Visit Things From Another World for the best comics, movies, toys, collectibles and more. http://www.tfaw.com/?qt=wmf  1,, Summary-line: 10-Feb peter.crichton@savoyard.c [36] #G&S Tramcar Destination X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 10 Feb 2004 10:47:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1AFl3Sd007745; Tue, 10 Feb 2004 10:47:03 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1AFj9rk013139 for ; Tue, 10 Feb 2004 10:45:15 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1AFhlTJ025558; Tue, 10 Feb 2004 10:43:47 -0500 (EST) Date: Tue, 10 Feb 2004 10:43:47 -0500 (EST) Message-Id: <20040210151846.03F5C15404E@colonsay.abel.net.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: G&S Tramcar Destination MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Office Outlook, Build 11.0.5510 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 10 Feb 2004 10:43:47 -0500 (EST) Reply-To: peter.crichton@savoyard.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Peter Crichton" To: Multiple recipients of list SAVOYNET Subject: G&S Tramcar Destination X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I have been thinking of appropriate G&S Destinations for use on the front of the Trams on the G&S Day in June, I have come up with the following examples. Titipu, Marine Parade Ploverleigh, Marmaduke Mansion Rederring via Ruddigore Castle Utopia, Girton College (not strictly accurate but we will let that pass!) Penzance, Tremorden Castle I have posted a sample of how they may look on a tram at http://www.savoyard.co.uk/TramDestinations.jpg Any other ideas will be gratefully received. Thanks, Peter Crichton  1,, Summary-line: 10-Feb dstone4@cox.net [45] #Stange Adventure (by a Virginia voter, 10 Feb 2004) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 10 Feb 2004 16:53:07 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1ALr7Sd009158; Tue, 10 Feb 2004 16:53:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1ALr3NF020524 for ; Tue, 10 Feb 2004 16:53:05 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1ALpfTJ001287; Tue, 10 Feb 2004 16:51:41 -0500 (EST) Date: Tue, 10 Feb 2004 16:51:41 -0500 (EST) Message-Id: <007901c3f01d$cf3942a0$640a0a0a@davidnv57r8707> Errors-To: savoynet-owner@bridgewater.edu Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Stange Adventure (by a Virginia voter, 10 Feb 2004) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 10 Feb 2004 16:51:41 -0500 (EST) Reply-To: dstone4@cox.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "David Stone" To: Multiple recipients of list SAVOYNET Subject: Stange Adventure (by a Virginia voter, 10 Feb 2004) X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Strange Adventure Strange adventure! Voters get to choose a man they've never seen- Never, never, never seen! Jumping on the Internet to back the feisty Howard Dean! Howard, Howard, Howard Dean! First his numbers spiral madly, Gore climbs on and then does Bradley, But in I'wa things go badly, Voters question what they've seen! Question, question what they've seen! Strange adventure-we're recanting! Wheels fall off the Dean express! Dean ex-, Dean ex-, Dean express! While the Governor is ranting, Voters now must reassess. Reass-, reass-, reassess! Must pick someone who can win it; "Beating Dubya's why we're in it." Turn to Kerry in a minute. Sorry, Howard, you may guess, We do this with some distress. Some dis-, some dis-, some distress. David Stone Fairfax, Virginia (with profound apologies to W. S. Gilbert)  1,, Summary-line: 11-Feb tim@timbartlett.eclipse.c [50] #RE: Yeomen question X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Feb 2004 09:22:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1BEMke7002994; Wed, 11 Feb 2004 09:22:52 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1BEMNSk027720 for ; Wed, 11 Feb 2004 09:22:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1BEKqTJ005885; Wed, 11 Feb 2004 09:20:52 -0500 (EST) Date: Wed, 11 Feb 2004 09:20:52 -0500 (EST) Message-Id: <001f01c3f0a7$e2fb71c0$7678a851@mrm9ak1ip2vx7y> Errors-To: savoynet-owner@bridgewater.edu Reply-To: tim@timbartlett.eclipse.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: RE: Yeomen question MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Mailer: Microsoft Outlook, Build 10.0.2627 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 11 Feb 2004 09:20:52 -0500 (EST) Reply-To: tim@timbartlett.eclipse.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Tim Bartlett" To: Multiple recipients of list SAVOYNET Subject: RE: Yeomen question X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Last year, I shaved my beard off for Savoynet's Utopia. It was the first time anyone (myself included) had seen my upper lip for a quarter of a century. Without it, I'm pretty certain that I wasn't immediately recognizable at a distance of more than about ten yards or so, by anyone was not expecting to see me clean shaven. Even at close range, my youngest daughter didn't appear to recognise me at first, but my middle and eldest daughters and my partner had no problems at all (though none of them liked it) So I don't see a problem in the townspeople not recognizing Fairfax - or, for that matter, in Elsie taking a few moments to do so. Bear in mind that despite her professions of love, she hasn't seen *Leonard* or Fairfax for very long, and that she is *expecting* to see Fairfax, not *Leonard*. It's also, I think, quite feasible that Fairfax doesn't realise how completely the change of beard and clothes has changed him, so his "All thoughts of Leonard Merryl cast aside" recit is intended to be light hearted -- remember that the guy has just been reprieved of a death sentence, so he's probably on a bit of a "high", and that what he's really saying is "Whoopee, now I don't have to pretend to be Leonard any more, and I can be myself, look, isn't this great, we're already married." At first he thinks she's playing along with it with the "Suppliant at your feet I fall" , then he realises that he has really frightened her, so he picks her up and gives her a hug. What could possibly be more natural? All the best Tim Bartlett ================================ "The prospect of a lot of dull MPs in close proximity, all thinking for themselves is what no man can face with equanimity" (W S Gilbert, 1882)  1,, Summary-line: 11-Feb ulahlica@yahoo.com [78] #Gilbert and Sullivan Day X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Feb 2004 16:59:23 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1BLxMdt006324; Wed, 11 Feb 2004 16:59:23 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1BLtvFg020877 for ; Wed, 11 Feb 2004 16:55:59 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1BLsaTJ014118; Wed, 11 Feb 2004 16:54:36 -0500 (EST) Date: Wed, 11 Feb 2004 16:54:36 -0500 (EST) Message-Id: <20040211214750.39703.qmail@web60201.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Day MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 11 Feb 2004 16:54:36 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Day X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Philip suggests... ***Why not 25th March, the first night of Trial.*** Sounds good to me. Andi wrote... ***March 25th is the beginning of the New Year in Shire-reckoning.*** Well, that makes it even better. Paul wrote... ***March 25th was New Years Day in England until 1740... this meant that people following the old calender, and celebrating New Year on what they thought was March 24th the next year, were celebrating on April 1st of the new calender, and were called April Fools!*** Fascinating! And even more encouraging. Peter wrote... ***Among the happenings on March 25th is the fact that Bridget D'Oyly Carte was born on that day. (Not 1875 I hasten to add.)*** Oh, this is too good! Jeff wrote... ***As luck would have it, it is also my wedding anniversary! Also not 1875...*** Well, that clinches it. March 25th will hereby be Gilbert and Sullivan Day, a day of great rejoicing, the day when John Wellington Wells pops out of Hell to grant wishes to anyone who has a gift certificate. I've written a little song for the occasion - a song where both the lyrics and the music were snapped off - and you can tell. But I'll work on it and this is the last you'll hear of it until the big day. Follow the link to a touching song that tenderly depicts how important Gilbert and Sullivan is to all of us... Pardon this tear. http://www.geocities.com/ulahlica/DAY/GASday.html John S LI NY __________________________________ Do you Yahoo!? Yahoo! Finance: Get your refund fast by filing online. http://taxes.yahoo.com/filing.html  1,, Summary-line: 11-Feb mweems@erols.com [21] #Which trilogy is best? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 11 Feb 2004 21:40:05 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1C2e5dr007414; Wed, 11 Feb 2004 21:40:05 -0500 (EST) Received: from zurich.csail.mit.edu (zurich.csail.mit.edu [18.43.0.244]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1C2e0X0004927; Wed, 11 Feb 2004 21:40:00 -0500 (EST) Received: from smtp01.mrf.mail.rcn.net (smtp01.mrf.mail.rcn.net [207.172.4.60]) by zurich.csail.mit.edu (8.12.3/8.12.3/Debian-6.6) with ESMTP id i1C2bttX004444 for ; Wed, 11 Feb 2004 21:38:09 -0500 Received: from 208-58-216-190.s190.tnt1.annp.md.dialup.rcn.com ([208.58.216.190] helo=GORDON.erols.com) by smtp01.mrf.mail.rcn.net with esmtp (Exim 3.35 #4) id 1Ar6ji-0002PB-00 for lsc-alums@martigny.ai.mit.edu; Wed, 11 Feb 2004 21:37:54 -0500 Message-Id: <5.1.0.14.0.20040211213320.00add700@pop.erols.com> X-Sender: mweems@pop.erols.com (Unverified) X-Mailer: QUALCOMM Windows Eudora Version 5.1 Date: Wed, 11 Feb 2004 21:34:32 -0500 To: lsc-alums@zurich.csail.mit.edu From: Ken and Molly Weems Subject: Which trilogy is best? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Status: No, hits=-1.3 required=5.0 tests=BAYES_01,RCVD_IN_NJABL, RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: mweems@pop.erols.com (Unverified) Date: Wed, 11 Feb 2004 21:34:32 -0500 To: lsc-alums@zurich.csail.mit.edu From: Ken and Molly Weems Subject: Which trilogy is best? X-Spam-Status: No, hits=-1.3 required=5.0 tests=BAYES_01,RCVD_IN_NJABL, RCVD_IN_SORBS autolearn=no version=2.60 X-Spam-Checker-Version: SpamAssassin 2.60 (1.212-2003-09-23-exp) on zurich.csail.mit.edu X-Spam-Score: -4.7 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Star Wars vs. Lord of the Rings vs. The Matrix: http://www.pointlesswasteoftime.com/film/trilogy.html Prepare to be amused. -- Molly Weems (formerly MHC)  1,, Summary-line: 12-Feb williamjparry@hotmail.com [56] #ABE Books, Beauty Stone, etc. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 12 Feb 2004 04:46:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1C9k9dv024385; Thu, 12 Feb 2004 04:46:10 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1C9jrSs005526 for ; Thu, 12 Feb 2004 04:45:53 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1C9iqTJ001595; Thu, 12 Feb 2004 04:44:52 -0500 (EST) Date: Thu, 12 Feb 2004 04:44:52 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: williamjparry@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "William Parry" To: Multiple recipients of list SAVOYNET Subject: ABE Books, Beauty Stone, etc. Mime-Version: 1.0 Content-Type: text/plain; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 12 Feb 2004 04:44:52 -0500 (EST) Reply-To: williamjparry@hotmail.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "William Parry" To: Multiple recipients of list SAVOYNET Subject: ABE Books, Beauty Stone, etc. X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.401 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dear all, There has been a lot of traffic recently about unusual items 'spotted' on ABE (and potentially other bookdealer websites). As a very amateur collector myself, albeit one who does a good deal of searching for items in every way, I have to admit to becoming increasingly irritated by the frequent posting of "I have just seen a full score of Ivanhoe on the net for 25p" type postings. I suppose that I don't so much have a problem if items have long since been sold. It's more that I feel that part of the glory and equality of something like ABE is that the rewards are there for the frequent and assiduous searcher. What slightly galls me is someone finding something, advertising it to Savoynet, so that someone else can step in and make the purchase. I suppose questions of fairness don't really come into it: but you might understand my feelings. It's great fun searching. Am I the only person WISHING TO GOODNESS that I might have the illusion that I'm the only one! I'm also slightly concerned at the 'crowing' over recent purchases of rare items for a song. We've all done it; I'm just not sure that it's terribly edifying to boast about it. Unless, of course, the purchase is incredibly rare and raises some issue of interest. Finally, I agree - dealers are also collectors and also enthusiasts. There is, in the end, something for all of us out there. I just hope that others agree with me that giving other people advance warning is not fair on those of us who search dealers lists FOR OURSELVES. So could we please have a moratorium on such messages? By all means share this news with your friends - not perhaps the whole of Savoynet. For those of you who DO have a problem with dealers, I can assure you that they're likely to be fastest on the button. William Parry "Without the least formality" _________________________________________________________________ Express yourself with cool emoticons - download MSN Messenger today! http://www.msn.co.uk/messenger  1,, Summary-line: 13-Feb bmwong@MIT.EDU [57] #Re: Selectionless Show Selection 2004 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Feb 2004 15:53:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1DKrGVK007388; Fri, 13 Feb 2004 15:53:16 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1DKqqkR024404; Fri, 13 Feb 2004 15:52:52 -0500 (EST) Received: from home-on-the-dome.mit.edu (HOME-ON-THE-DOME.MIT.EDU [18.7.16.76]) (authenticated bits=56) (User authenticated as bmwong@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i1DKqpTC005954; Fri, 13 Feb 2004 15:52:51 -0500 (EST) Received: (from bmwong@localhost) by home-on-the-dome.mit.edu (8.12.9) id i1DKqpr6010367; Fri, 13 Feb 2004 15:52:51 -0500 (EST) Message-Id: <200402132052.i1DKqpr6010367@home-on-the-dome.mit.edu> To: mtg-members@MIT.EDU cc: bb-cast@MIT.EDU, bb-prod@MIT.EDU, bb-orch@MIT.EDU, bb-ninja@MIT.EDU Subject: Re: Selectionless Show Selection 2004 Date: Fri, 13 Feb 2004 15:52:51 -0500 From: Brian M Wong X-Spam-Score: -7.601 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 To: mtg-members@MIT.EDU cc: bb-cast@MIT.EDU, bb-prod@MIT.EDU, bb-orch@MIT.EDU, bb-ninja@MIT.EDU Subject: Re: Selectionless Show Selection 2004 Date: Fri, 13 Feb 2004 15:52:51 -0500 From: Brian M Wong X-Spam-Score: -7.601 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hey, hey, The guy who brought you "El Tango de Roxanne" (with help from various others) at the last selectionless show selection is looking to put together another bigger production number for the upcoming one, and I (yeah, I was referring to me) want you to be a part of it. This will involve no set (maybe a Pippin box) and minimal instrumentation (i.e. just a keyboard/synth), but with as much of props, costumes and what choreography/staging will fit, (add lights if someone else other than me wants to do it...you know, it'd be cool if someone did lights for all the numbers...hint, hint). The exact number hasn't been decided yet (this is where you come in), but it will be from the Simpsons. It will either be from an episode that was a musical (e.g. EABF20 The President Wore Pearls aka the Evita Parody), or a musical performed by the characters (e.g. the medly from "O! Streetcar" from 8F18 A Streetcar Named Marge), or one of those random musical numbers (e.g. "We Put the Spring in Springfield" from 4F06 Bart After Dark). I'm personally leaning to one of the three above that are big showstopping numbers involving a lot of people, but other choices include selections from 3G03 Simpsoncalifragilisticexpiala(Annoyed Grunt)cious, "See My Vest", "The Monorail Song", "Garbageman", etc....hmm, those last two are good candidates. (No country songs, Christmas parodies or anything from the boyband episode.) I did also think of South Park, but I'll leave that to someone else to put together since I sang a selection from it at the last selectionless show selection (yeah, remember "Up There" with the 9th jump and 3 1/2-octave range). However, if we get done with this one and feel like putting on the Blame Canada medley from the movie... Your involvement could include any of the following: learning the song off of a recording (vocal or instrumental parts...no published material available), original choreography or copying it from the Simpsons, help with costumes and props (i.e. digging through stuff in the MTG Office), writing additional harmony parts, booking rehearsal space, just singing and dancing. (Yeah, a lot of what you'd do for a real show, but scaled down by a lot. Always wanted to do a particular prod staff position, but wasn't sure you could take on a whole show? Well, now's your chance to try it out.) So if you're interested, e-mail me back, and I'll set up a time for everyone intersted to meet and watch some clips and figure out what we want to do (in about two weeks or so). "El Tango de Roxanne" required a sing-through rehearsal, and another quick rehearsal the afternoon before selectionless show selection and a bunch of e-mail coordination; I anticipate this requiring one planning/brainstorming session, and one or two quick runs plus e-mail coordination. ...you know you want to be a part of this... ;-) Brian Wong Freelance Orchestrator, Arranger and Three-and-a-half-time Vocal Director bmwong@mit.edu P.S. If you have no idea what I am talking about when I say "Selectionless Show Selection", it's 'cause you're not on mtg-members@mit.edu....see Jax's e-mail below. ------- Forwarded Message From: To: Subject: Selectionless Show Selection 2004 Date: Thu, 12 Feb 2004 19:06:15 -0200 You have all heard about it... You have all thought about what you could perform at it... You have all asked that we do it again... Now you need to write it on your calendars: MTG's next Selectionless Show Selection will be in the evening on Saturday March 13th Mark your calendars now and start thinking! - -Jax Kirtley Archivist, MIT Musical Theatre Guild ps If you have been living under a rock (or in a theater) and you don't know what Selectionless is -- ask a fellow MTGer or wait for more information to come after casting for A New Brain. ------- End of Forwarded Message  1,, Summary-line: 13-Feb nathan_Ichikawa@brown.edu [41] #OOTW: Anti-Consequentialist Patience X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Feb 2004 17:38:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1DMc7VK019360; Fri, 13 Feb 2004 17:38:07 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1DMc6Es015388 for ; Fri, 13 Feb 2004 17:38:06 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1DMamTJ014970; Fri, 13 Feb 2004 17:36:48 -0500 (EST) Date: Fri, 13 Feb 2004 17:36:48 -0500 (EST) Message-Id: <91C1AD5E37A96E42B8A200E334370A9C04E249@MAIL2.AD.Brown.Edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: OOTW: Anti-Consequentialist Patience content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 13 Feb 2004 17:36:48 -0500 (EST) Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: OOTW: Anti-Consequentialist Patience content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Patience is clearly motivated by a desire to be virtuous. Like Frederic, she is concerned with doing the right thing, but has some trouble identifying the moral action. One of the fundamental disagreements in normative ethics is whether consequentialism -- the idea that we should always try to choose actions that will have the best consequences -- is true. Anti-consequentialists reject this claim, in favor of *agent-centered considerations*. To take an extreme example, Kant famously thought that it was morally wrong to tell a lie, even if lying is the only way you can prevent your kids from being murdered (or, for that matter, to prevent your kids from telling lies). A consequentialist, of course, would weigh the negative effect of a lie against the negative effect of murder, and conclude that in such a case we morally ought to lie. It's quite literally a case of "the lesser of two evils." Both Frederic and Patience endorse agent-centered considerations. Frederic believes (1) that he is morally required to always fulfill HIS duty ("at any price...", including the horrible deeds which Pirates perform), and (2) that his duty is determined entirely by his technical contractual requirements. The second belief is the problematic one. Frederic's mistake isn't his belief that duty is important -- he was merely incorrect about what his moral duties really were. Patience's mistake, I think, is the greater error. Frederic's anti-consequentialism is based on a mistaken belief about what constitutes duty. Patience fixates on a somewhat reasonable criterion of virtue -- selflessness -- and then grossly misapplies it: It follows, then, a maiden who Devotes herself to loving you Is prompted by no selfish view. This, of course, is simply false. Just because loving Bunthorne wouldn't be pleasant for Patience, it doesn't follow that to do so would be *selfless*. (Even if I *hate* torturing people, it wouldn't be selfless of me to torture you!) In point of fact, Patience is fully aware that every maiden in the village is in love with Bunthorne, and that by marrying him, she'd be disappointing everyone else. In that sense, it is the most selfish action she could possibly have chosen. She is placing her own (perceived) virtue above the consideration of those around her. Ironically, her perceived virtue is identified as selflessness. (It is as if she said, "I will be selfless, even though that will make everyone around me miserable.") There are two ways that we can interpret this. One is as a mere conceptual confusion. This is entirely valid and reasonable -- As a rule, Gilbert & Sullivan sopranos are rarely confused of being particularly intelligent. But I think there are textual clues that cast Patience is a morally worse light. Consider the line in which she determines that love is a duty: "It's perfectly dreadful to think of the appalling state I must be in! I had no idea that love was a duty. No wonder they all look so unhappy! Upon my word, I hardly like to associate with myself." The emphasis is on her new negative feelings about herself. This suggests to me that her new-found "virtue" is a kind of perverted self-punishment, designed merely to ease her conscience. Under this interpretation, Patience isn't *trying* to be selfless at all -- she's trying to martyr herself in order to make herself feel better. (Under her view, self-punishment, mislabeled as "selflessness", is only a means to this end.) This bears on another controversial point in Kantian ethics -- the idea that good will is the only relevant consideration in the evaluation of moral action. This does seem to generate counterintuitive consequences in cases like Patience's, in which she is in one sense acting out of duty, but in another, out of selfish motivation. I won't pursue that further here, although I certainly will in my philosophy work. Jonathan Ichikawa Brown University ichikawa.blogspot.com  1,, Summary-line: 13-Feb eichin-ek-chuah@thok.org [27] #St. Ek-Chuah Day Chocolate Party: delayed to 2004-02-29 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 13 Feb 2004 23:47:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1E4lbVQ014473; Fri, 13 Feb 2004 23:47:39 -0500 (EST) Received: from thok.org (i-meant-that.thok.org [4.36.43.72]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with SMTP id i1E4koc2004306 for ; Fri, 13 Feb 2004 23:46:50 -0500 (EST) Received: (qmail 19690 invoked by uid 3382); 14 Feb 2004 04:46:42 -0000 Delivered-To: eichin-ek-chuah-recipients@thok.org Received: (qmail 19680 invoked from network); 14 Feb 2004 04:46:42 -0000 Received: from unknown (HELO swat.thok.org) (4.36.43.84) by i-meant-that.thok.org with SMTP; 14 Feb 2004 04:46:42 -0000 Received: (qmail 32031 invoked by uid 3382); 14 Feb 2004 04:46:42 -0000 Sender: eichin@swat.thok.org From: eichin-ek-chuah@thok.org To: "I Luvvvvvvvv Chocolate" Subject: St. Ek-Chuah Day Chocolate Party: delayed to 2004-02-29 Date: 13 Feb 2004 23:46:42 -0500 Message-ID: Lines: 17 User-Agent: Gnus/5.09 (Gnus v5.9.0) Emacs/21.2 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Sender: eichin@swat.thok.org From: eichin-ek-chuah@thok.org To: "I Luvvvvvvvv Chocolate" Subject: St. Ek-Chuah Day Chocolate Party: delayed to 2004-02-29 Date: 13 Feb 2004 23:46:42 -0500 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Sorry for the short notice, lots of people have been asking but my current overemployment has kept me distracted - the annual celebration will *not* be *this* weekend, but will fall[1] on Leap Day[2] instead. Real invitations will follow... Where: My house in Concord... Why: in celebration of Chocolate, Snow, and more Chocolate. When: Sunday, 29 February 2004, 4pm. Who: This invitation went to my Party Guest List. RSVP: *later* after I send out the real invite. Consider this a date grab and notice that it *isn't* happening on the usual date. _Mark_ The Herd Of Kittens [1] Ok, it was pushed. [2] Also known as Sadie Hawkins day?  1,, Summary-line: 14-Feb nathan_Ichikawa@brown.edu [62] #OOTW: Admirable characters in PATIENCE X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 14 Feb 2004 12:32:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1EHW3bR027977; Sat, 14 Feb 2004 12:32:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1EHW26D002191 for ; Sat, 14 Feb 2004 12:32:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1EHUpTJ027147; Sat, 14 Feb 2004 12:30:51 -0500 (EST) Date: Sat, 14 Feb 2004 12:30:51 -0500 (EST) Message-Id: <91C1AD5E37A96E42B8A200E334370A9C04E24D@MAIL2.AD.Brown.Edu> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: OOTW: Admirable characters in PATIENCE content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 14 Feb 2004 12:30:51 -0500 (EST) Reply-To: Jonathan_Ichikawa@brown.edu Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Ichikawa, Jonathan" To: Multiple recipients of list SAVOYNET Subject: OOTW: Admirable characters in PATIENCE content-class: urn:content-classes:message X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Have I mentioned that I *love* PATIENCE? In the previous OOTW incarnation (http://diamond.boisestate.edu/gas/patience/discussion/discuss_home.html), Marc Shepherd had this to say about PATIENCE: > I've said on the net before that Patience is my least favorite G&S > opera. One reason for this is entirely selfish the virtual > disappearance of the male chorus in Act II. I also find not a single > admirable character in the entire piece, except for Patience herself, > who spends more than half the opera in misery. (I don't know whether Marc still holds these opinions, so when I speak of myself as disagreeing with Marc, I take myself to mean that I disagree with what he said several years ago.) I suggested in a long post yesterday why I don't think that Patience is particularly admirable. But I'm not signing on to Marc's "no admirable characters" theory. Following is a brief discussion of each of the characters Marc condemned. BUNTHORNE: Bunthorne is obviously a selfish and dishonest person, and there are many moral grounds on which to condemn him. So I certainly won't dispute Marc's suggestion that he's not an *admirable* character. But there is something lovable about him -- his antics are somewhat endearing, at least to me. (He reminds me a little of "bumbling villain" Spike in Season 4 of BUFFY. Evil, but we love him.) GROSVENOR: Marc said: > Grosvenor is the Savoy canon's greatest egotist; I can scarcely > imagine a more boring social companion. I'm not sure if this is fair or not. It depends partially on how we define "egotism". If it's merely a high opinion of one's self, then Marc's probably right -- no one thinks better of himself than Grosvenor (Maybe Yum-Yum). But if we add the negative normative element that "egotism" usually carries and define it as an exaggerated OVER-opinion of one's self, then (at least on a standard interpretation of the role) Grosvenor comes out not egotistical at all -- unlike Robin, he DESERVES his self-opinion. If Grosvenor truly is the model of perfection that he seems to be, then his "egotism" is merely accurate self-opinion. There's nothing unadmirable about that. There is another meaning of "egotism" -- an egotist is a person who is *motivated* purely out of self-interest. Grosvenor is clearly not an egotist in this sense. Consider his agreement with Patience, who recognizes that it would be selfish of her to marry him. To maximize his own happiness, he would have wanted Patience, the woman he loves. DRAGOONS Marc said: > The soldiers are at least normal people, but frankly, if I > were them, I'd go girl hunting elsewhere before adopting aesthetic > garb. Well, so would I, but I'm not in love with the weird ladies. At any rate, I don't see how this makes them the dragoons less admirable. They do show considerable devotion and loyalty, going to great lengths to win their loves back. They seem like fine fellows to me. LADIES Marc: > As for the ladies, except for Patience herself, they seem > utterly devoid of romantic principle, so willing are they to transfer > their affections en masse. I fully agree about most of the chorus -- but not all! Jane is still loyal to Bunthorne! We couldn't hope to find a more devoted individual... at least until the end of the opera. Maybe her eventual abandonment of Bunthorne is evidence that her love is less than genuine (I think I've read a theory on Savoynet at some point about her just being smarter than the other ladies, going for the "sure thing"). To be honest, I'm always a little upset at that ending -- I wish Jane and Buthorne stayed together. I think that there is something to love in nearly everyone in the show. Contrast this with, say, THE MIKADO, which I think is a much better candidate for a show with no admirable characters. Jonathan Ichikawa  1,, Summary-line: 15-Feb oakapple@cris.com [92] #Re: OOTW: HIS EXCELLENCY -- the music X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Feb 2004 12:38:35 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1FHcYto012060; Sun, 15 Feb 2004 12:38:34 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1FHcW09015731 for ; Sun, 15 Feb 2004 12:38:33 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1FHbTTJ014153; Sun, 15 Feb 2004 12:37:29 -0500 (EST) Date: Sun, 15 Feb 2004 12:37:29 -0500 (EST) Message-Id: <402FA9E3.4070205@cris.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: HIS EXCELLENCY -- the music MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040215025545.27927.qmail@web40905.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Feb 2004 12:37:29 -0500 (EST) Reply-To: oakapple@cris.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Shepherd To: Multiple recipients of list SAVOYNET Subject: Re: OOTW: HIS EXCELLENCY -- the music X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <20040215025545.27927.qmail@web40905.mail.yahoo.com> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Scott Farrell's thoughtful post contains many points with which I agree. Osmond Carr does indeed lack variety in his choices of keys and rhythms. HE has 20 numbered movements, but as many of these are in multiple sections, it is useful to speak of compositional units, of which I count 41 in the opera. By my reckoning, 10 of the 41 compositional units are in F Major, 8 are in C Major. Another unit begins in C minor, but drifts into C and F Major later on. You could say that nearly half of the opera is in just two keys--C and F Major. Carr's use of triple meters is likewise monotonous. By my reckoning, 24 of the 41 compositional units, or well over half the opera, are in 3/4, 6/8, 9/8, or 12/8--all time signatures with an underlying triple meter pulse. In Act I alone, six units are in 6/8 and F Major, including at one point three songs in a row. Carr uses minor keys more than Sullivan does, and at times he does so to good effect. The opening movement ends with a solo for Christina in A minor, in which she sings of her love for the statue of the Regent. Her last sung note is an E, symbolic of her unresolved (and unresolvable) attachment to the inanimate statue. It is left to the accompaniment to resolve to the tonic. This may be Carr's most clever piece of writing in the whole opera. In the Act I finale, the first twenty-six pages of score are all in minor keys (A minor, D minor, and E minor), which is in keeping with the somber mood of the situation. I don't recall that Sullivan ever wrote so long a passage for Gilbert without returning to the major. Then comes a comic trio for Griffenfeld and his daughters, and only then does Carr give us a major key, which hits like a breath of fresh air. The choice of keys and the dramatic situation match each other perfectly. And when the moment of comic relief is over, Carr takes us right back into the minor. Scott cites Christina's buzzing bee song as a personal favourite, as well he should. The melody is extremely catchy, with the chorus and the accompaniment portraying the buzzing bees. It is also one of Gilbert's best lyrics, and Carr responded in kind. It's a setting Sullivan would have been proud to write, and I must say there aren't many of those in this score. Mats Munck gets some of the best numbers. Scott praises the Act II quartet ("One day, the Syndic of this town"), but his Act I duet with Dame Cortlandt ("Now all that we've agreed upon") is also one of the great comic gems of the score. So too is an Act I trio for Griffenfeld and his daughters about the fun of practical joking, "Oh what a fund of joy jocund lies hid in harmless hoaxes." Here again, it seems that the best of Gilbert brings out the best of Carr. Unlike Scott, I am quite fond of the Quartet No. 4, "If all is as you say." Scott finds it repetitive and overwritten, but when we performed excerpts from HE at the G&S Society of NY three years ago, this jaunty tune was one of our favourites. A number that may seem to drag in the privacy of one's home takes on a different feel when you put it on stage. I am not particularly fond of Griffenfeld's Act II patter song, "Quixotic is his enterprise." Scott feels that Hawes did better, but frankly I felt that this 2nd-drawer lyric defeated *both* composers. Whoever prepared the piano reduction was either a very good pianist or a terrible one, as some of the numbers are practically unplayable. This difficulty could have coloured Scott's impression of the opening chorus, which I find bursting with energy appropriate for a bustling civic occasion. Carr generally writes well for the chorus, but the material is rather complex. When we performed excerpts at the G&S Society, we omitted virtually all of the choruses--not because they were unworthy, but because I feared we would be unable to work them up to the required standard. Scott finds the ballet music "a miserable flop," but first-night reviewers praised the hussars' dances. The "joke" (if you find it funny) is that the hussars are supposed to be terrible at ballet. Carr's setting may not be particularly memorable, but he captured the essence of what Gilbert had in mind. While I may disagree with Scott about particular numbers, I agree that the score lacks sufficient inspiration to sustain a full-length opera. However, in the right setting (e.g., the Buxton fringe) I think audiences would be very pleasantly surprised, as we found them to be at the G&S Society three years ago. -- Marc Shepherd New York, NY  1,, Summary-line: 15-Feb paulhc@sbcglobal.net [28] #G&S in a nutshell X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Feb 2004 12:39:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1FHd4to012244; Sun, 15 Feb 2004 12:39:04 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1FHd27B012485 for ; Sun, 15 Feb 2004 12:39:03 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1FHc0TJ014259; Sun, 15 Feb 2004 12:38:00 -0500 (EST) Date: Sun, 15 Feb 2004 12:38:00 -0500 (EST) Message-Id: <58B5E3EA-5FDC-11D8-B229-0003936B0BBE@sbcglobal.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: G&S in a nutshell Mime-Version: 1.0 (Apple Message framework v606) Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Apple Mail (2.606) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Feb 2004 12:38:00 -0500 (EST) Reply-To: paulhc@sbcglobal.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Paul Cohen To: Multiple recipients of list SAVOYNET Subject: G&S in a nutshell X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) For those who can't get enough G&S and suffer from limited attention span, the following format should be of great interest: "The (In)Compleat Works of Gilbert and Sullivan," directed by Peter A. Carey, will be performed by New England Light Opera, featuring baritone Richard Conrad and a cast of nearly 20 New England singer/actors. It will take place Friday, Feb. 20, 8 p.m., and Saturday, Feb. 21, 2 and 8 p.m., at Boston University Tsai Center, 685 Commonwealth Ave. Run time is approximately 2 1/2 hours, with intermission. (!) Paul C.  1,, Summary-line: 15-Feb ulahlica@yahoo.com [36] #Re: HIS EXCELLENCY X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Feb 2004 14:12:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1FJCLto014349; Sun, 15 Feb 2004 14:12:21 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1FJCI7c024352 for ; Sun, 15 Feb 2004 14:12:19 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1FJAvTJ017660; Sun, 15 Feb 2004 14:10:57 -0500 (EST) Date: Sun, 15 Feb 2004 14:10:57 -0500 (EST) Message-Id: <20040215190015.5033.qmail@web60205.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: HIS EXCELLENCY MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <402FB788.8020106@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 15 Feb 2004 14:10:57 -0500 (EST) Reply-To: ulahlica@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: John Spartan To: Multiple recipients of list SAVOYNET Subject: Re: HIS EXCELLENCY X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: <402FB788.8020106@cris.com> X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Marc wrote... ***[The Bee song] *also* bears considerable thematic resemblance to "A magnet hung in a hardware shop."*** Which song is that please? http://www.halhkmusic.com/excellency.html John S P.S. I suddenly remember the anecdote someone told last year about not being about access any "His Excellency" sites at work because the word "SEX" was in the title. Ha! __________________________________ Do you Yahoo!? Yahoo! Finance: Get your refund fast by filing online. http://taxes.yahoo.com/filing.html  1,, Summary-line: 15-Feb nealtodd@comcast.net [459] #Updated #12 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Feb 2004 15:39:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1FKdPto018019; Sun, 15 Feb 2004 15:39:25 -0500 (EST) Received: from sccrmhc13.comcast.net (sccrmhc13.comcast.net [204.127.202.64]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1FKdP7c005843 for ; Sun, 15 Feb 2004 15:39:25 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.60.17.196]) by comcast.net (sccrmhc13) with SMTP id <20040215203923016004hhppe>; Sun, 15 Feb 2004 20:39:23 +0000 Message-ID: <000b01c3f404$0df4cf20$c4113c18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" References: <200402151856.i1FIuf1p021057@multics.mit.edu> Subject: Updated #12 Date: Sun, 15 Feb 2004 15:41:14 -0500 MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="----=_NextPart_000_0008_01C3F3DA.24C339A0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Subject: Updated #12 Date: Sun, 15 Feb 2004 15:41:14 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0008_01C3F3DA.24C339A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Changes made: Clarinet II, measure 23-24 Cl I and II, measure 61 Vl I , vla, upper ww measure 123 ------=_NextPart_000_0008_01C3F3DA.24C339A0 Content-Type: application/octet-stream; name="TSP12.nwc" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="TSP12.nwc" W05XWl0AeNrtvU2MJMmVJmZm7hbpEUVjZ1WxgQEHGEZWTYO7ra5uzgALQZwRUMUuznZzOGSTzR5i OTNiZ1dGdyU7K7MmM6uLPdBy5iJIgKCDLnsU5iRAOuwedJbAiwBBB0mQLjroqttCwC6aVZnx4y7/ tffM/Jm7eUTkb3nOsNrcw8zc/n++9733/upHB8eTnx8cHj/+cvzg8Pjn24eTv2GM/RV6/e7Bk6cH 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WmwUZYFjL1Fm7lFmfuYtKnHpJFm6E5zvFPI9aW/RuL1FUZR5rUW1CG8Di/A2sNs4D7MBlrDIyafp Inp100Y6kJk45sVw4MVwmzrjU+ZWZhrHjKOaUSWkI72hHI2tOhhqaKsbuZ8ycj+toiBDiDo4dys/ J7LfJvttsj9lvWpiwnWMw1d0WPeF8eIrU4Y7lqAkt+zqmU2213CU1yBKhM0Y/sX7D98fb+/86tnR MXtvd2dnsl8yfvQfZentH3ijpTfCbFn/3D/XLaJct4oZ2uevei/Tikf9XLiAXqho/H3jXIPOrHF/ +1bqn/vn/vkMn5GN6tPs4lLqFqQXAv5acbHNTAW9pv5/pPvBGQ== ------=_NextPart_000_0008_01C3F3DA.24C339A0--  1, answered,, Summary-line: 15-Feb lauriebrot@cox.net [30] #Cast inquiry X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 15 Feb 2004 21:00:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1G20tto019009; Sun, 15 Feb 2004 21:00:55 -0500 (EST) Received: from lakemtao02.cox.net (lakemtao02.cox.net [68.1.17.243]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1G20sa0021378 for ; Sun, 15 Feb 2004 21:00:54 -0500 (EST) Received: from cx449685a ([68.9.92.197]) by lakemtao02.cox.net (InterMail vM.5.01.06.05 201-253-122-130-105-20030824) with SMTP id <20040216020054.WNGN19763.lakemtao02.cox.net@cx449685a> for ; Sun, 15 Feb 2004 21:00:54 -0500 Message-ID: <004f01c3f430$c68ddfa0$c55c0944@ri.cox.net> From: "laurie weissbrot" To: References: <200303101744.MAA04103@multics.mit.edu> Subject: Cast inquiry Date: Sun, 15 Feb 2004 21:01:21 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.50.4807.1700 X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "laurie weissbrot" To: Subject: Cast inquiry Date: Sun, 15 Feb 2004 21:01:21 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4807.1700 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Dave - First. good luck with Thespis. I was in the Jonathan Strong version, and it was a lot of fun. Now a question. I'm on the Board of Opera New Hampshire, and we're engaging the Palace Theatre to stage a new production of Pirates. I was down in NYC today with the director casting it. We had a resume and demo CD from a young man who has sung with the MIT G&S group. Do you know Daniel Kamalic? How old is he (picture makes him look about 18) Could he handle the Major General? We don't want someone who looks like a kid. Any advice appreciated. Thanks, Laurie Weissbrot  1,, Summary-line: 17-Feb jweiss@MIT.EDU [71] #sipb machine updates and parts contract additions/removals X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Feb 2004 07:43:40 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1HChdls000901; Tue, 17 Feb 2004 07:43:39 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1HChX0g020354; Tue, 17 Feb 2004 07:43:33 -0500 (EST) Received: from bearing-an-hourglass.mit.edu (BEARING-AN-HOURGLASS.MIT.EDU [18.101.0.115]) (authenticated bits=56) (User authenticated as jweiss@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i1HChWTC018630; Tue, 17 Feb 2004 07:43:32 -0500 (EST) Received: (from jweiss@localhost) by bearing-an-hourglass.mit.edu (8.12.9) id i1HChW4I005421; Tue, 17 Feb 2004 07:43:32 -0500 (EST) Date: Tue, 17 Feb 2004 07:43:32 -0500 (EST) Message-Id: <200402171243.i1HChW4I005421@bearing-an-hourglass.mit.edu> To: athena-inventory@MIT.EDU cc: sipb-machine-room@MIT.EDU Subject: sipb machine updates and parts contract additions/removals From: Jonathon Weiss X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Feb 2004 07:43:32 -0500 (EST) To: athena-inventory@MIT.EDU cc: sipb-machine-room@MIT.EDU Subject: sipb machine updates and parts contract additions/removals From: Jonathon Weiss X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi, There are some changes/corrections to SIPB machines in the athena database that I need made. serial_# where ip_address hostname type --------------------------------------------------------------------------- c115202475 w20-575a ??? ___ sun ultrasparc netra -x1 is now named 'charon' using the ip address 18.181.0.36. serial_# where ip_address hostname type --------------------------------------------------------------------------- 830f3206 w20-575a 18.181.0.26 bloom-beacon sun ultra60 300mhz is now named 'sipb-server-2' using the ip-address 18.181.0.28 serial_# where ip_address hostname type -------------------------------------------------------------------------- bqv1301 w20-575a 18.187.1.250 pickled-herring dell gx110 is actually in w20-557. serial_# where ip_address hostname type -------------------------------------------------------------------------- 424f1555 w20-575a 18.181.0.52 sipb-tester-1 sun-sparc20 is now named 'sipb-server-4' using ip address 18.181.0.44 serial_# where ip_address hostname type -------------------------------------------------------------------------- 717f066a w20-575a 18.181.0.28 sipb-server-2 sun-sparc20 please remove this sparc20 from service and from the inventory database. Please add the following to the database, and put them on the usual parts contract with akibia: serial_# where MITtag ip_address hostname type -------------------------------------------------------------------------- 234c80a8 w20-575a 377020 18.181.0.19 reynelda sun 280R (900MHz CPU, 2x36G disk 1G RAM) 211c05e8 w20-575a 374431 18.181.0.26 bloom-beacon sun 280R 235h2185 w20-575a 377021 attached to reynelda sun Storedge-A1000-436 210H2C18 w20-575a 374432 attached to sipb-server-2 sun Storedge-A1000-436 210h279a w20-575a 374433 attached to bloom-beacon sun D1000-436 (note d1000 not A1000) -- Jonathon  1,, Summary-line: 17-Feb info@savoyardlightopera.o [51] #FWD: HELP needed for Sudbury Savoyards "Pirates of Penzance" X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Feb 2004 09:27:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1HERo1u004350; Tue, 17 Feb 2004 09:27:50 -0500 (EST) Received: from fincorp.com (67-69-51-66.reonbroadband.com [66.51.69.67]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1HERl6n021855; Tue, 17 Feb 2004 09:27:47 -0500 (EST) Received: from fincorpnts1 Brian@fincorp.com [66.51.69.66] by fincorp.com with Novell NIMS $Revision: 2.88.1.1 $ on Novell NetWare; Tue, 17 Feb 2004 09:09:47 -0500 Message-ID: <014d01c3f560$3dd942e0$6e0f230a@fincorp.net> From: "Savoyard Light Opera Company" To: Subject: FWD: HELP needed for Sudbury Savoyards "Pirates of Penzance" Date: Tue, 17 Feb 2004 09:13:28 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Savoyard Light Opera Company" To: Subject: FWD: HELP needed for Sudbury Savoyards "Pirates of Penzance" Date: Tue, 17 Feb 2004 09:13:28 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) (PLEASE announce this to other friends, chorus members, casts, etc. Contact info@sudburysavoyards if you want more specifics about what's expected before "signing up" Consider bringing along your friends or family...especially fun for ushers--you could work as a team)! Beginners are always welcome.) HELP needed for Sudbury Savoyards "Pirates of Penzance"! 1. SET CREW & Make Up/Hair Crew are needed backstage: Contact the Tech Director Mariah C. Howland 508-733-0740 - Cell or carbrey@yahoo.com Some of the stage crew stuff is really easy...and beginners are welcome. Discuss the details with Mariah The days that we need crew are: February 15 - 18, 20, 21, 22, 26 - 28. 2. USHERS for performances: CONTACT our House Manager: Nathan Dohm nathan@dohm.org 508-653-2370 Ushers show up about 1 hour before showtime (set up snacks concession, sell tickets, hand out programs, etc & then remain afterwards to do a little pick-up as needed). You get to see the show for free since most of the usher duties are when the show isn't running. Performances: Fri, Feb 20 at 8pm Sat, Feb 21 at 8pm Sun, Feb 22 at 2pm Thu, Feb 26 at 8pm Fri, Feb 27 at 8pm Sat, Feb 28 at 2pm Sat, Feb 28 at 8pm Cheers! Paula Moravek, Assistant Producer info@sudburysavoyards.org  1,, Summary-line: 17-Feb epish_shepherd@tiscali.co [68] #Tempest Vocal Score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 17 Feb 2004 18:26:11 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1HNQB1u028821; Tue, 17 Feb 2004 18:26:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1HNQ32h028644 for ; Tue, 17 Feb 2004 18:26:09 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1HNO1TJ001401; Tue, 17 Feb 2004 18:24:01 -0500 (EST) Date: Tue, 17 Feb 2004 18:24:01 -0500 (EST) Message-Id: <6.0.1.1.0.20040217225701.01c49718@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Tempest Vocal Score Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 17 Feb 2004 18:24:01 -0500 (EST) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Tempest Vocal Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) How rare is the Tempest Vocal Score? I found a copy in my University library, for two pianos but don't really feel like offering copies only to discover the admirable Paul Howarth has made up pdfs of it all, or similar. Just to be clear, minec ontains: An overture background music for Prospero calling Ariel, and two bits of enterance and exit music for her. SONG: "Come unto these yellow sands" Act II Scene I incedental music , and a SONG for Ariel "While you here do snoring lie" (2 pianos) Prelude for Act III ActIII Scene II: Various tiny bits until Prospero summons the strange sprites, which instigates rather more music. THE BANQUET DANCE A lot more background music for Ariel making the food disappear and Ariel's speech "You are three men of sin, whom destiny..." And a dance for mopping sprites. Act IV overture. Music for the Masque in Act IV scene I, and, after a pause for Iris' speech, music for Ceres' speech SONG: Honour, Riches, Marriage blessing Various bits and pieces after the song. DANCE OF NYMPHS AND REAPERS Prelude to Act V Big bit of incedental music SONG: Where the bee sucks Music for the Epilogue. 105 pages, divided among two pianos. Most of the instruments are clearly marked. Is this rare and worth scannng and distributing widely?  1,, Summary-line: 17-Feb duffy@alum.mit.edu [22] #LinkedIn invite from Duffy X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Feb 2004 00:08:03 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1I583La000345; Wed, 18 Feb 2004 00:08:03 -0500 (EST) Received: from mail02.linkedin.com (mail02.linkedin.com [66.151.153.221]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1I582de013172 for ; Wed, 18 Feb 2004 00:08:02 -0500 (EST) Received: from app02.prod.linkedin.com (app02.prod.linkedin.com [172.16.34.29]) by mail02.linkedin.com (Postfix) with ESMTP id 5D0DF668 for ; Tue, 17 Feb 2004 21:07:24 -0800 (PST) Received: from app02 (localhost [127.0.0.1]) by app02.prod.linkedin.com (8.12.9+Sun/8.12.9) with ESMTP id i1I57Yis021758 for ; Tue, 17 Feb 2004 21:07:34 -0800 (PST) Message-Id: <200402180507.i1I57Yis021758@app02.prod.linkedin.com> From: "Duffy O'Craven" To: "Dave Jedlinsky" Subject: LinkedIn invite from Duffy Date: Tue, 17 Feb 2004 21:07:34 -0800 (PST) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Duffy O'Craven" To: "Dave Jedlinsky" Subject: LinkedIn invite from Duffy Date: Tue, 17 Feb 2004 21:07:34 -0800 (PST) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Another ex-MIT friend of mine (Bernie Gunther, Random Hall Course 15, Class of '85) recently told me about LinkedIn. People can only reach you if a mutual friend decides to forward a message to you because it looks like a good opportunity. I'm starting to build my network, trying for something as cross-connecting as possible, and it would be great to be in the network with you. Join through the link shown and choose Accept. - Duffy ------------------------------------------ Duffy invites you to join their professional network on LinkedIn and offers to facilitate introductions to hiring managers, business partners and recommended service providers for you. It is free to join and takes less than 60 seconds to sign up via the link below: https://www.linkedin.com/e/isd/1050684/xGiK6I7g/ This is an exclusive invitation from Duffy O'Craven to Dave Jedlinsky. For security reasons, please remove your personal invitation link if you forward the invitation.  1,, Summary-line: 18-Feb MusikDrama@aol.com [34] #Re: Tempest Vocal Score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 18 Feb 2004 17:32:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1IMWv6S021043; Wed, 18 Feb 2004 17:32:58 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1IMWtjA017220 for ; Wed, 18 Feb 2004 17:32:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1IMVITJ028385; Wed, 18 Feb 2004 17:31:18 -0500 (EST) Date: Wed, 18 Feb 2004 17:31:18 -0500 (EST) Message-Id: <17CC2EA4.284510F5.0C584AEE@aol.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Tempest Vocal Score MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Atlas Mailer 2.0 X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 18 Feb 2004 17:31:18 -0500 (EST) Reply-To: MusikDrama@aol.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: MusikDrama@aol.com To: Multiple recipients of list SAVOYNET Subject: Re: Tempest Vocal Score X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In a message dated 2/17/2004 6:23:41 PM Eastern Standard Time, sheepish_shepherd@tiscali.co.uk writes: > How rare is the Tempest Vocal Score? I found a copy in my University > library, for two pianos but don't really feel like offering copies only to > discover the admirable Paul Howarth has made up pdfs of it all, or similar... > 105 pages, divided among two pianos. Most of the instruments are clearly > marked. Is this rare and worth scannng and distributing > widely? I can't speak for Paul Howarth or anyone else, but my jowls are slavering at the description. If pdf files were made available, I for one would not disdain them (to put it extremely mildly)! Steve Lichtenstein "A Jew, but poor!"  1,, Summary-line: 19-Feb rls@ipnh.com [13] #constellation web site X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Feb 2004 00:14:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1J5Es6S001720; Thu, 19 Feb 2004 00:14:54 -0500 (EST) Received: from adelie.local (69-163-39-137.lndnnh.adelphia.net [69.163.39.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1J5Eqm1022126 for ; Thu, 19 Feb 2004 00:14:53 -0500 (EST) Received: from ipnh.com (localhost [127.0.0.1]) by adelie.local (8.12.9/8.12.6) with ESMTP id i1J5Etjm001536 for ; Thu, 19 Feb 2004 00:14:55 -0500 (EST) Date: Thu, 19 Feb 2004 00:14:54 -0500 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; charset=US-ASCII; format=flowed Subject: constellation web site From: Ruth Jedlinsky To: David Jedlinsky Content-Transfer-Encoding: 7bit Message-Id: <8D715EE1-629A-11D8-941D-00039399130C@ipnh.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Feb 2004 00:14:54 -0500 Subject: constellation web site From: Ruth Jedlinsky To: David Jedlinsky X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) http://www.corvus.com/con-page/con-88.htm Ruth  1,, Summary-line: 19-Feb paul@pnhmrk.freeserve.co. [69] #Gilbert and Sullivan Archive Update X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 19 Feb 2004 03:05:20 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1J85J6U018979; Thu, 19 Feb 2004 03:05:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1J84dfI003346 for ; Thu, 19 Feb 2004 03:04:39 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1J83cTJ016219; Thu, 19 Feb 2004 03:03:38 -0500 (EST) Date: Thu, 19 Feb 2004 03:03:38 -0500 (EST) Message-Id: <000501c3f6be$b33dd960$0900000a@oemcomputer> Errors-To: savoynet-owner@bridgewater.edu Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Archive Update MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 19 Feb 2004 03:03:38 -0500 (EST) Reply-To: paul@pnhmrk.freeserve.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Paul" To: Multiple recipients of list SAVOYNET Subject: Gilbert and Sullivan Archive Update X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Over the last month, quite a lot of new material has been added to the Gilbert and Sullivan Archive: 1. Information about Sullivan's Incidental Music to "The Merchant of Venice " (1871) including a MIDI file and vocal score of the "Venetian Serenade." 2. "On Shore and Sea" (1871)including MIDI files and a printable facsimile of the Boosey edition of the Vocal Score. 3. Collecting Early American Librettos - We have added a comprehensive paper by Dr. Hal Kanthor on the collection of early American individually published G&S Librettos. 4. Information about Sullivan's incidental music to Shakespeare's "The Merry Wives of Windsor" (1874) 5. "The Lost Chord Postcards" - a series of colour postcards illustrating Sullivan's song. 6. Absent Minded Beggar Recitation - by Harry Spencer on a 1900 cylinder recording. 7. The MIDI files for "The Zoo" have been revised. 8. The material concerning Sullivan's Incidental Music to Shakespeare's "Henry VIII" has been revised. 9. Ib and Little Christina - performed at the Savoy in 1901 with libretto by Basil Hood and music by Franco Leoni!!! The libretto and the Hans Christian Andersen story of the same name on which is was based are now on the archive. 10. Sullivan's Chamber and Instrumental Music: MIDI files of much of this aspect of Sullivan's output, and scores of some of his solo piano works. Paul Howarth York Victorian Parlour Songs http://www.pnhowarth.org/songs Gilbert and Sullivan Archive http://diamond.boisestate.edu/gas/ Arthur Sullivan Archive http://www.arthursullivan.net John Sedding, Victorian Architect http://www.pnhowarth.org/  1, answered,, Summary-line: 20-Feb cmj@halhk.freeserve.co.uk [41] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 12:17:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1KHHf5s011465; Fri, 20 Feb 2004 12:17:41 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1KHHfEb007607 for ; Fri, 20 Feb 2004 12:17:41 -0500 (EST) Received: from cmailg5.svr.pol.co.uk (cmailg5.svr.pol.co.uk [195.92.195.175]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1KHMSo6015416 for ; Fri, 20 Feb 2004 12:22:28 -0500 (EST) Received: from modem-3091.karuhiruhi.dialup.pol.co.uk ([81.78.140.19] helo=halhk) by cmailg5.svr.pol.co.uk with smtp (Exim 4.14) id 1AuEHN-0005pn-BZ for thespis@ipnh.com; Fri, 20 Feb 2004 17:17:33 +0000 Message-ID: <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> From: "Colin Johnson" To: "Thespis" References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> Subject: Re: Updated songs Date: Fri, 20 Feb 2004 17:19:15 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Colin Johnson" To: "Thespis" Subject: Re: Updated songs Date: Fri, 20 Feb 2004 17:19:15 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Hi Todd, I am very impressed, in fact quite exhilarated by your latest = orchestrations. Just a few comments.... No. 6 - In measures 20, 60, 100 etc., there is a high D on the flute = which rather clashes with the singer's line. How about rising to G = instead? =20 No. 11 - If a male singer is to play Mercury, as indicated, then we = need to reassess the part-writing in measures 72-78 which now sound = bottom-heavy with an uncomfortable inversion of the chords. The simple = solution here is to take him up an octave in these few measures. But is = this a wider problem that may need reassessment elsewhere? No. 12 - I love the florid embellishments you've given to the 1st = violins beginning in measure 36. But there was an earlier faux pas = that we corrected in No. 6 and which we need also to fix here, namely = the E that should be changed to a D on the second beat of measures 159, = 174 and 178. Lastly, in measure 47, the double bass plays an E flat = which sounds odd in the MIDI, although I can't see anything wrong with = it, apart from it being fortissimo. Well done! You're beginning to realise my fondest dreams. Best wishes and thanks, Colin  1,, Summary-line: 20-Feb cmj@halhk.freeserve.co.uk [19] #Whoops P.S. X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 12:27:42 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1KHRf5s018970; Fri, 20 Feb 2004 12:27:41 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1KHReEb014230 for ; Fri, 20 Feb 2004 12:27:40 -0500 (EST) Received: from cmailg4.svr.pol.co.uk (cmailg4.svr.pol.co.uk [195.92.195.174]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1KHWIo6023199 for ; Fri, 20 Feb 2004 12:32:18 -0500 (EST) Received: from modem-3747.putangitangi.dialup.pol.co.uk ([81.78.206.163] helo=halhk) by cmailg4.svr.pol.co.uk with smtp (Exim 4.14) id 1AuEQu-0000Ox-JH for thespis@ipnh.com; Fri, 20 Feb 2004 17:27:24 +0000 Message-ID: <001201c3f7d7$1eebb920$a3ce4e51@freeserve.co.uk> From: "Colin Johnson" To: "Thespis" Subject: Whoops P.S. Date: Fri, 20 Feb 2004 17:29:03 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -1.424 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Colin Johnson" To: "Thespis" Subject: Whoops P.S. Date: Fri, 20 Feb 2004 17:29:03 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -1.424 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) I forgot to mention that measure 70 of No. 12 would be better (IMHO) = with the Viola's A sharpened - my error I guess since the sharp is = needed also in the piano part. Cheers, Colin  1,, Summary-line: 20-Feb Doreenh@btopenworld.com [26] #SWOG X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 13:24:17 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1KINs6E002293; Fri, 20 Feb 2004 13:24:16 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1KIMKEb028363 for ; Fri, 20 Feb 2004 13:22:21 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1KIL6TJ008551; Fri, 20 Feb 2004 13:21:06 -0500 (EST) Date: Fri, 20 Feb 2004 13:21:06 -0500 (EST) Message-Id: <002e01c3f7d8$fa9b8a80$4d357ad5@intech> Errors-To: savoynet-owner@bridgewater.edu Reply-To: Doreenh@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Doreen Harris" To: Multiple recipients of list SAVOYNET Subject: SWOG MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 5.50.4522.1200 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 20 Feb 2004 13:21:06 -0500 (EST) Reply-To: Doreenh@btopenworld.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Doreen Harris" To: Multiple recipients of list SAVOYNET Subject: SWOG X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Jennifer Cole's recent message commenting favourably on the CD Sullivan and Co: The Operas that Got Away prompts me to let you all know that as part of a rationalisation of stock The Sullivan Society is currently offering this excellent introduction to the SWOGs at a reduced price of £5 sterling post included in UK and £6 post included overseas. Contact Elaine Richardson our sales officer whose details appear on our website. Doreen Harris Membership Secretary SASS Beckenham UK  1,, Summary-line: 20-Feb to: thespis@ipnh.com [43] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 20:15:39 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1L1Fc5s002114; Fri, 20 Feb 2004 20:15:38 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1L1FbfR020145 for ; Fri, 20 Feb 2004 20:15:38 -0500 (EST) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1L1KNo6022416 for ; Fri, 20 Feb 2004 20:20:24 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1L1FVR9015894 for ; Fri, 20 Feb 2004 20:15:33 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i1L1FUTC027179 for ; Fri, 20 Feb 2004 20:15:30 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i1L1FTZ1004199; Fri, 20 Feb 2004 20:15:29 -0500 (EST) Date: Fri, 20 Feb 2004 20:15:29 -0500 (EST) Message-Id: <200402210115.i1L1FTZ1004199@multics.mit.edu> From: "David C. Jedlinsky" To: thespis@ipnh.com In-reply-to: <200402202221.i1KMLdeN029054@multics.mit.edu> (opus@MIT.EDU) Subject: Re: Updated songs References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> <200402202221.i1KMLdeN029054@multics.mit.edu> X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 20 Feb 2004 20:15:29 -0500 (EST) From: "David C. Jedlinsky" To: thespis@ipnh.com In-reply-to: <200402202221.i1KMLdeN029054@multics.mit.edu> (opus@MIT.EDU) Subject: Re: Updated songs X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Some comments on #12: >there was an earlier faux pas that we corrected in No. 6 and which we >need also to fix here, namely the E that should be changed to a D on >the second beat of measures 159, 174 and 178. Colin, do you want the E in the first statement of that motif, i.e. in measure 155? If so, wouldn't it stay an E in measure 174 as well? If it's always supposed to be a D, then No. 6 also needs to be updated. The inverted C major chord is also in the piano part of No. 12, and will have to be updated there as well. Since we've already printed Piano-vocal scores, we'll have to have the pianist copies pencil in the changes. Measures 81, 121, 161 and 206 in No. 6 also have the incorrect chord in the piano part. The orchestration is correct, as far as I can tell. Measure 41 in the piano part matches the orchestration (G major). >in measure 47, the double bass plays an E flat which sounds odd in >the MIDI, although I can't see anything wrong with it, apart from it >being fortissimo. Perhaps mezze-forte might be better? Todd, I've put a cosmetically-modified version of No. 12 back onto the website, so please re-download it before making any of the changes we're discussing here. Or, if you'd rather, call me and we'll discuss the changes and I can make them directly. -Dave  1, answered,, Summary-line: 21-Feb epish_shepherd@tiscali.co [55] #Re: Beauty Stone Vocal Score - Finished! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 20:38:06 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1L1c65s009844; Fri, 20 Feb 2004 20:38:06 -0500 (EST) Received: from mk-smarthost-2.mail.uk.tiscali.com (mk-smarthost-2.mail.uk.tiscali.com [212.74.114.38]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1L1c5fR001768 for ; Fri, 20 Feb 2004 20:38:05 -0500 (EST) Received: from dsl-80-46-168-109.access.uk.tiscali.com ([80.46.168.109]:3149 helo=Adam.tiscali.co.uk) by mk-smarthost-2.mail.uk.tiscali.com with esmtp (Exim 4.24) id 1AuM5k-000Ecz-00 for opus@MIT.EDU; Sat, 21 Feb 2004 01:38:04 +0000 Message-Id: <6.0.1.1.0.20040221013927.01c5bb68@pop3.tiscali.co.uk> X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 Date: Sat, 21 Feb 2004 01:46:33 +0000 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Beauty Stone Vocal Score - Finished! In-Reply-To: <200402210128.i1L1SP92004457@multics.mit.edu> References: <6.0.1.1.0.20040220235729.01c4ce80@pop3.tiscali.co.uk> <200402210128.i1L1SP92004457@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk Date: Sat, 21 Feb 2004 01:46:33 +0000 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Beauty Stone Vocal Score - Finished! In-Reply-To: <200402210128.i1L1SP92004457@multics.mit.edu> X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I'm sorry I missed the original thread on savoynet; how does the >version you have differ from the Web Opera currently on the Archive? It's more-or-less the same, except this is a Vocal score, not a collection of midis. (Noteworthy isn't actually a very good music composing programme, and requires significant work to get something useful out of, even with Cliff's work, so I don't think that counts as a VS.) There's absolutely no rush. I'd just like to see a new score made up. But do keep me posted about the Thespis rehearsals - I'm interested to see if it comes off rather better on stage than page. >If it's sufficiently different, I'd be interested in augmenting what's >already out there, but I'm up to my ears in Thespis rehearsals, and >can't do anything before May. > >-Dave Jedlinsky >opus@mit.edu > > > >Date: Fri, 20 Feb 2004 19:16:41 -0500 (EST) > >From: Adam Cuerden > > > >I have finished scanning every page of Beauty Stone and making Word > >Documents out of it (and printed it off and had it bound - Combining > >selfishness (I want a copy) with altruism (and others do too) is fun!) So, > >then! A few things: > > > >1. Does anyone else want a copy, or, having already asked, hasn't received > >all of it yet? > > > >2. Can I donate a copy to the archive? I forget who's maintaining it at the > >moment.... > > > >3. Anyone want to use my scans to do a proper, new edition? > > > >4. Anyone have Barbe and Isabeau's verses to the Competitors' song? Would > >be nice to have them, even if they stall the plot. > > > >Right then! > >  1,, Summary-line: 20-Feb deebee@connexus.net.au [113] #Cataloging - long X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Fri, 20 Feb 2004 21:30:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1L2UK5s028159; Fri, 20 Feb 2004 21:30:20 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1L2TjfR027264 for ; Fri, 20 Feb 2004 21:29:45 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1L2SOTJ007663; Fri, 20 Feb 2004 21:28:24 -0500 (EST) Date: Fri, 20 Feb 2004 21:28:24 -0500 (EST) Message-Id: <4036BFDB.7020509@connexus.net.au> Errors-To: savoynet-owner@bridgewater.edu Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Cataloging - long MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Fri, 20 Feb 2004 21:28:24 -0500 (EST) Reply-To: deebee@connexus.net.au Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: deebee@connexus.net.au To: Multiple recipients of list SAVOYNET Subject: Cataloging - long X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.74 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Several people responded privately and publicly to my question on cataloguing the G&S collections. My apologies for not replying before, I have been rather occupied with a production of Sweethearts and a quiz show and then catching up on essentials! However FWIW I began the task of getting my G&S collection recorded some time ago. I am not good with computer programmes so I used the old fashioned card index as a start. Most of my books now have their own card (there are a few more to do) and I will then put them on a computerised list. Then of course I have to have a go at recordings/videos and the art works and various ephemera. The system I have come up with so far is as follows: 1 Music 1.1 Vocal scores of the operas 1.2 Compilations of G&S 1.3 SWOGS & GWOS 1.4 Sheet music 1.5 Oratorios, cantatas etc 1.6 related (this includes things like Maritana, The Savoyards and Merrie England) 2 Libretti etc 2.1 G&S individual 2.2 Libretti collected 2.3 SWOG & GWOS 2.4 WSG plays, individual and collected 2.5 WSG prose and Babs 2.6 story adaptations 3 Biography 3.1 WSG 3.2 ASS 3.4 Savoyards etc (inc anyone who has ever sung G&S, + John Hollinshead, Weedon Grossmith etc) 4 Reference etc 4.1 Reference (includes Benford and other lexicons) 4.2 Historical and criticism 4.3 Picture Histories 5 Period reference these are books which give background to the time G&S were writing or to the specific time and place of the operas eg a book on the Tower of London 6. Production Hints 7 Journals etc 7.1 G&S Journals 7.2 Savoyards 7.3 The Theatre 7.4 Other bound copies of journals etc 7.5 individual articles from journals etc 7 Fiction this includes novels/stories based on G&S incidents or with G&S background I am sure any librarians still reading are tearing their hair out at this completely unscientific listing but it works for me (I think!). Once I have got it on computer I can carry it about and stop buying things I already have! If anyone has any ideas on the divisions of artworks, programmes, posters and lots of miscellaneous stuff I would be interested to have it. Diana Burleigh  1,, Summary-line: 21-Feb epish_shepherd@tiscali.co [51] #Re: Beauty Stone Vocal Score - Finished! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 00:42:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1L5gg5s028098; Sat, 21 Feb 2004 00:42:42 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1L5gU5M017956; Sat, 21 Feb 2004 00:42:30 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i1L5gT8e028260; Sat, 21 Feb 2004 00:42:29 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i1L5gTbZ010027; Sat, 21 Feb 2004 00:42:29 -0500 (EST) Date: Sat, 21 Feb 2004 00:42:29 -0500 (EST) Message-Id: <200402210542.i1L5gTbZ010027@multics.mit.edu> From: "David C. Jedlinsky" To: sheepish_shepherd@tiscali.co.uk In-reply-to: <6.0.1.1.0.20040221013927.01c5bb68@pop3.tiscali.co.uk> (message from Adam Cuerden on Sat, 21 Feb 2004 01:46:33 +0000) Subject: Re: Beauty Stone Vocal Score - Finished! References: <6.0.1.1.0.20040220235729.01c4ce80@pop3.tiscali.co.uk> <200402210128.i1L1SP92004457@multics.mit.edu> <6.0.1.1.0.20040221013927.01c5bb68@pop3.tiscali.co.uk> X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 00:42:29 -0500 (EST) From: "David C. Jedlinsky" To: sheepish_shepherd@tiscali.co.uk In-reply-to: <6.0.1.1.0.20040221013927.01c5bb68@pop3.tiscali.co.uk> (message from Adam Cuerden on Sat, 21 Feb 2004 01:46:33 +0000) Subject: Re: Beauty Stone Vocal Score - Finished! X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >>I'm sorry I missed the original thread on savoynet; how does the >>version you have differ from the Web Opera currently on the Archive? > >It's more-or-less the same, except this is a Vocal score, not a collection >of midis. (Noteworthy isn't actually a very good music composing programme, >and requires significant work to get something useful out of, even with >Cliff's work, so I don't think that counts as a VS.) I don't want to be too much of a tease, but I'm about 80% finished with a Noteworthy to Lilypond converter program. Lilypond (http://www.lilypond.org) is probably the best music typesetter available today, but it's a nightmare to actually create the input files. So, I use Noteworthy to get the notes in the computer, and to play back the MIDI to make sure it sounds ok. Then I convert it to Lilypond for printing. I think the combination will create a fine vocal score. We're testing the system for Thespis, since the music we're using was composed using Noteworthy. The VS looks pretty good, IMHO, and shows none of its ancestry. What I'd probably plan to do is take the Noteworthy files and the libretto off the web site, and re-create the vocal score using your scans as the model. That would save the most amount of time, and still yield something sufficiently different to be worth the effort. Out of curiosity, would you want a vocal score that is as close to the original as possible (19th Century typesetting conventions), or using modern notation? >There's absolutely no rush. I'd just like to see a new score made up. But >do keep me posted about the Thespis rehearsals - I'm interested to see if >it comes off rather better on stage than page. So am I. Since I'm the stage director, I suppose a lot of that success hinges on how well I can coax the material to life. Though, if you ever happen to see a video of our production, please don't laugh too hard at the accents. We *are* on the wrong side of the pond, remember. -Dave Jedlinsky opus@mit.edu  1,, Summary-line: 21-Feb epish_shepherd@tiscali.co [42] #Re: Beauty Stone Vocal Score - Finished! X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 06:01:00 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LB0w5u018621; Sat, 21 Feb 2004 06:00:59 -0500 (EST) Received: from mk-smarthost-8.mail.uk.tiscali.com (mk-smarthost-8.mail.uk.tiscali.com [212.74.114.47]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1LB0AHh001528 for ; Sat, 21 Feb 2004 06:00:10 -0500 (EST) Received: from dsl-80-46-168-109.access.uk.tiscali.com ([80.46.168.109]:3413 helo=Adam.tiscali.co.uk) by mk-smarthost-8.mail.uk.tiscali.com with esmtp (Exim 4.24) id 1AuUpt-0002GY-EL for opus@MIT.EDU; Sat, 21 Feb 2004 10:58:17 +0000 Message-Id: <6.0.1.1.0.20040221110229.01c68558@pop3.tiscali.co.uk> X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 Date: Sat, 21 Feb 2004 11:08:38 +0000 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Beauty Stone Vocal Score - Finished! In-Reply-To: <200402210542.i1L5gTbZ010027@multics.mit.edu> References: <6.0.1.1.0.20040220235729.01c4ce80@pop3.tiscali.co.uk> <200402210128.i1L1SP92004457@multics.mit.edu> <6.0.1.1.0.20040221013927.01c5bb68@pop3.tiscali.co.uk> <200402210542.i1L5gTbZ010027@multics.mit.edu> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: sheepish_shepherd@tiscali.co.uk@pop3.tiscali.co.uk Date: Sat, 21 Feb 2004 11:08:38 +0000 To: "David C. Jedlinsky" From: Adam Cuerden Subject: Re: Beauty Stone Vocal Score - Finished! In-Reply-To: <200402210542.i1L5gTbZ010027@multics.mit.edu> X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >What I'd probably plan to do is take the Noteworthy files and the >libretto off the web site, and re-create the vocal score using your >scans as the model. That would save the most amount of time, and >still yield something sufficiently different to be worth the effort. >Out of curiosity, would you want a vocal score that is as close to the >original as possible (19th Century typesetting conventions), or using >modern notation? Well, seeing that the VS, published in 1898, looks pretty modern already (it uses the modern quarter-rest, not the mirror-image of the eighth rest, for instance) I'd say it really doesn't matter (matter matter matter matter). But I would like to see a little research go in to add, as an appendicx, the two curt songs for Barbe and Isabeau. I can't believe Sullivan would set a verse about shepherds the same that he set the St. Denis verse. Of course, they slow the plot, and would have to go in an appendix. >So am I. Since I'm the stage director, I suppose a lot of that >success hinges on how well I can coax the material to life. Though, >if you ever happen to see a video of our production, please don't >laugh too hard at the accents. We *are* on the wrong side of the >pond, remember. I shall certainly take that into consideration Don't worry - I was born over there, so I get to laugh at Scotsmen and Englishmen and Welshmen trying to do American accents (they come out a bit Texan)  1,, Summary-line: 21-Feb epish_shepherd@tiscali.co [41] #Beauty Stone - Downloads X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 07:43:48 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LChm5s028619; Sat, 21 Feb 2004 07:43:48 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LChlA7015716 for ; Sat, 21 Feb 2004 07:43:47 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1LCgkTJ011723; Sat, 21 Feb 2004 07:42:46 -0500 (EST) Date: Sat, 21 Feb 2004 07:42:46 -0500 (EST) Message-Id: <6.0.1.1.0.20040221115525.01c85450@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Beauty Stone - Downloads Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 07:42:46 -0500 (EST) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Beauty Stone - Downloads X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Right, I have a bandwidth cap, so I'm not sure how well this'll work, and if you're able to receive them by e-mail, please do. However, I put all the Beauty Stone files on my website. Here's the list: Title page, List of Characters, List of Songs, and Overture: http://myweb.tiscali.co.uk/farmer_giles/bs/bs0.doc Songs 1-2 http://myweb.tiscali.co.uk/farmer_giles/bs/bs1-2.doc Songs 3-7 http://myweb.tiscali.co.uk/farmer_giles/bs/bs3-7.doc Song 8: http://myweb.tiscali.co.uk/farmer_giles/bs/bs8.doc Songs 9-10 http://myweb.tiscali.co.uk/farmer_giles/bs/bs9-10.doc Songs 11-14 http://myweb.tiscali.co.uk/farmer_giles/bs/bs11-14.doc Songs 15-22 (last song) http://myweb.tiscali.co.uk/farmer_giles/bs/bs15-22.doc Right! Hope that'll do!  1,, Summary-line: 21-Feb wcvenman@comcast.net [56] #The Rose of Persia X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 09:11:26 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LEBPN5027320; Sat, 21 Feb 2004 09:11:25 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1LEBOd0026593 for ; Sat, 21 Feb 2004 09:11:24 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1LEAKTJ012472; Sat, 21 Feb 2004 09:10:20 -0500 (EST) Date: Sat, 21 Feb 2004 09:10:20 -0500 (EST) Message-Id: <40376541.9030706@comcast.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: wcvenman@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Bill Venman To: Multiple recipients of list SAVOYNET Subject: The Rose of Persia MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------010500040305060201050805" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.681 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 09:10:20 -0500 (EST) Reply-To: wcvenman@comcast.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Bill Venman To: Multiple recipients of list SAVOYNET Subject: The Rose of Persia X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.681 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. --------------010500040305060201050805 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit For those in the vicinity of Amherst, Massachusetts -- the Valley Light Opera will be performing a concert version of The Rose of Persia next Saturday evening at the Amherst Regional Middle School at 8 p.m. We will not be doing the dialog, but using a narration created by Jonathan Strong and edited by Jim Ellis (who, as Grand Vizier, will be the narrator). Details are on the VLO web site, www.vlo.org. Bill Venman Valley Light Opera Amherst, Massachusetts --------------010500040305060201050805 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit For those in the vicinity of Amherst, Massachusetts -- the Valley Light Opera will be performing a concert version of The Rose of Persia next Saturday evening at the Amherst Regional Middle School at 8 p.m.  We will not be doing the dialog, but using a narration created by Jonathan Strong and edited by Jim Ellis (who, as Grand Vizier, will be the narrator).  Details are on the VLO web site, www.vlo.org.

Bill Venman
Valley Light Opera
Amherst, Massachusetts
--------------010500040305060201050805--  1, answered,, Summary-line: 21-Feb nealtodd@comcast.net [74] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 11:56:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LGu7N5021888; Sat, 21 Feb 2004 11:56:07 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1LGu7V8008135 for ; Sat, 21 Feb 2004 11:56:07 -0500 (EST) Received: from rwcrmhc12.comcast.net (rwcrmhc12.comcast.net [216.148.227.85]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1LH0ko6023893 for ; Sat, 21 Feb 2004 12:00:46 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.61.136.85]) by comcast.net (rwcrmhc12) with SMTP id <2004022116555601400157ume>; Sat, 21 Feb 2004 16:55:57 +0000 Message-ID: <001801c3f89a$369fcc00$55883d18@comcast.net> From: "Todd Neal" To: "Thespis" References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> Subject: Re: Updated songs Date: Sat, 21 Feb 2004 11:46:11 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "Thespis" Subject: Re: Updated songs Date: Sat, 21 Feb 2004 11:46:11 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >I am very impressed, in fact quite exhilarated by your latest orchestrations. :) Thank you for the compliment! I'm not sure how many people will appreciate my contributions to the show (it's just picking instruments at random, right?), but for the composer to be impressed -- that's praise enough. Thanks! >No. 6 - In measures 20, 60, 100 etc., there is a high D on the flute which rather clashes with the singer's line. How about rising to G instead? Yeah, that works. >No. 11 - If a male singer is to play Mercury, As Dave mentioned, the male singer is Sparkeion. We had a similar problem in #12, but fortunately we have a tenor that can sing in either range. We've already rehearsed these bits, and it's sounding quite nice. And I dare say that the singers have a blast with #11, and have made mention of how nice the music is. (The 3 gods enjoy it immensely, even though it's a challenge to their ranges. But they can handle it.) >No. 12 - I love the florid embellishments you've given to the 1st violins beginning in measure 36. But there was an earlier faux pas that we corrected in No. 6 and which we need also to fix here, namely the E that should be changed to a D on the second beat of measures 159, 174 and 178. Agreed. I also need to check the overture to make sure that complies as well. >Lastly, in measure 47, the double bass plays an E flat which sounds odd in the MIDI, although I can't see anything wrong with it, apart from it being fortissimo. Dave, can we leave the note but change the dynamic to pp? It will sound fine like that. >I forgot to mention that measure 70 of No. 12 would be better (IMHO) with the Viola's A sharpened - my error I guess since the sharp is needed also in the piano part. I was wondering about that! In fact, I thought I asked about that, or maybe I just just figured that that's the way you wanted it. It sounded a bit too modern for the style, but I kind of liked it anyway. At any rate, It's too late to change it in the piano, but we can just tell rehearsal pianists to change it on the fly. The distributed MIDI files, however, should not contain this typo. One more mistake I caught -- in measure 46, the 2nd note of the timpani is an E natural. This should be E flat. Dave -- do you want to take care of all of these? This will leave me to put the finishing touches on the overture. >Well done! You're beginning to realise my fondest dreams. It's been my pleasure. I've learned a great deal over the past 10 months. (Compare the fairly amateurish orchestration of #2 to that of #1a -- there is evidence of a major learning curve.) -Todd  1, answered,, Summary-line: 21-Feb cmj@halhk.freeserve.co.uk [32] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 12:17:27 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LHHQN5000669; Sat, 21 Feb 2004 12:17:27 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LHHQna025011 for ; Sat, 21 Feb 2004 12:17:26 -0500 (EST) Received: from cmailm5.svr.pol.co.uk (cmailm5.svr.pol.co.uk [195.92.193.21]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1LHM3o6005845 for ; Sat, 21 Feb 2004 12:22:03 -0500 (EST) Received: from modem-1151.chameleon.dialup.pol.co.uk ([217.134.84.127] helo=halhk) by cmailm5.svr.pol.co.uk with smtp (Exim 4.14) id 1Auajo-0007sv-Pw for thespis@ipnh.com; Sat, 21 Feb 2004 17:16:25 +0000 Message-ID: <007a01c3f89e$dfced060$7f5486d9@freeserve.co.uk> From: "Colin Johnson" To: "Thespis" References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> <200402202221.i1KMLdeN029054@multics.mit.edu> <200402210115.i1L1FTZ1004199@multics.mit.edu> Subject: Re: Updated songs Date: Sat, 21 Feb 2004 17:08:49 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2615.200 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Colin Johnson" To: "Thespis" Subject: Re: Updated songs Date: Sat, 21 Feb 2004 17:08:49 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >=20 > Colin, do you want the E in the first statement of that motif, i.e. in > measure 155? If so, wouldn't it stay an E in measure 174 as well? If > it's always supposed to be a D, then No. 6 also needs to be updated. >=20 I guess to be consistent we should indeed alter the E to D in measure = 155, although it is much quieter and was therefore less noticeable to my = discerning ear. All that really matters is that it should sound = reasonably satisfactory in a live performance. =20 At least we stand a good chance of eliminating most of these little = flaws, unlike the score of "See-See" which I'm currently working on and = which is riddled with errors. Even some of the Chappell's G & S scores = need pencilled alterations.=20 Cheers, Colin=20 =20  1,, Summary-line: 21-Feb to: nealtodd@comcast.net [24] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 12:20:45 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LHKjN5001981; Sat, 21 Feb 2004 12:20:45 -0500 (EST) Received: from marco.ipnh.com (marco.ipnh.com [140.239.227.40]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LHKina026583 for ; Sat, 21 Feb 2004 12:20:44 -0500 (EST) Received: from biscayne-one-station.mit.edu (BISCAYNE-ONE-STATION.MIT.EDU [18.7.7.80]) by marco.ipnh.com (8.12.9/8.12.9) with ESMTP id i1LHPRo6022169 for ; Sat, 21 Feb 2004 12:25:27 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LHKeiS007998; Sat, 21 Feb 2004 12:20:40 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i1LHKcTC014102; Sat, 21 Feb 2004 12:20:39 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i1LHKaSN021488; Sat, 21 Feb 2004 12:20:36 -0500 (EST) Date: Sat, 21 Feb 2004 12:20:36 -0500 (EST) Message-Id: <200402211720.i1LHKaSN021488@multics.mit.edu> From: "David C. Jedlinsky" To: nealtodd@comcast.net CC: thespis@ipnh.com In-reply-to: <001801c3f89a$369fcc00$55883d18@comcast.net> (nealtodd@comcast.net) Subject: Re: Updated songs References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> <001801c3f89a$369fcc00$55883d18@comcast.net> X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 12:20:36 -0500 (EST) From: "David C. Jedlinsky" To: nealtodd@comcast.net CC: thespis@ipnh.com In-reply-to: <001801c3f89a$369fcc00$55883d18@comcast.net> (nealtodd@comcast.net) Subject: Re: Updated songs X-Spam-Score: -10.099 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Dave -- do you want to take care of all of these? This will leave me to put >the finishing touches on the overture. I will take care of all of these, but I'm off for rehearsal now, so it won't be until tonight. Can you take a look at my earlier comments in the meantime, and let me know if the Fol-diddle-lol music goes C Major - G Major, or if it's always G Major in the chord in question (E vs. D). Todd, you also mentioned that the horns in that section might also need to be changed. Let me know. -Dave  1,, Summary-line: 21-Feb nealtodd@comcast.net [20] #Re: Updated songs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 12:27:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LHRqN5005184; Sat, 21 Feb 2004 12:27:52 -0500 (EST) Received: from rwcrmhc13.comcast.net (rwcrmhc13.comcast.net [204.127.198.39]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1LHRpV8022258 for ; Sat, 21 Feb 2004 12:27:51 -0500 (EST) Received: from h4s0q4 (h00080eec58c5.ne.client2.attbi.com[24.61.136.85]) by comcast.net (rwcrmhc13) with SMTP id <2004022117275001500i25uge>; Sat, 21 Feb 2004 17:27:50 +0000 Message-ID: <003b01c3f89e$932061c0$55883d18@comcast.net> From: "Todd Neal" To: "David C. Jedlinsky" Cc: References: <200402182112.i1ILCQHH028115@multics.mit.edu> <000b01c3f768$29e2e160$55883d18@comcast.net> <001f01c3f7d5$be8fdda0$138c4e51@freeserve.co.uk> <001801c3f89a$369fcc00$55883d18@comcast.net> <200402211720.i1LHKaSN021488@multics.mit.edu> Subject: Re: Updated songs Date: Sat, 21 Feb 2004 12:17:24 -0500 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Todd Neal" To: "David C. Jedlinsky" Cc: Subject: Re: Updated songs Date: Sat, 21 Feb 2004 12:17:24 -0500 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-Spam-Score: -4.8 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) > Todd, you also mentioned that the horns in that section might > also need to be changed. Let me know. Actually, the brass in those sections match the voices perfectly, so if the woodwinds are consonant with the voices (which is what we're striving for), then we're golden.  1,, Summary-line: 21-Feb epish_shepherd@tiscali.co [17] #Beauty stone PDFs X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 13:36:43 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LIafN5003575; Sat, 21 Feb 2004 13:36:41 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LIae0O004864 for ; Sat, 21 Feb 2004 13:36:41 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1LIZZTJ019188; Sat, 21 Feb 2004 13:35:35 -0500 (EST) Date: Sat, 21 Feb 2004 13:35:35 -0500 (EST) Message-Id: <6.0.1.1.0.20040221182550.01ca9930@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Beauty stone PDFs Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 13:35:35 -0500 (EST) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Beauty stone PDFs X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) If you prefer your Beauty stone in PDF format, you can get it on Rebecca's admirable site: http://www.savoynet.org/forums/viewtopic.php?p=116#116  1, forwarded,, Summary-line: 21-Feb jtu@MIT.EDU [25] #SIPB 35th Reunion! (Sunday, June 13, 2004) X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sat, 21 Feb 2004 17:52:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1LMqtN5023596; Sat, 21 Feb 2004 17:52:55 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1LMqcOa026742 for ; Sat, 21 Feb 2004 17:52:38 -0500 (EST) Received: from cloud-of-doom.mit.edu (CLOUD-OF-DOOM.MIT.EDU [18.208.0.117]) (authenticated bits=56) (User authenticated as jtu@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i1LMqc8e009669 for ; Sat, 21 Feb 2004 17:52:38 -0500 (EST) Received: (from jtu@localhost) by cloud-of-doom.mit.edu (8.12.9) id i1LMqbFO032559; Sat, 21 Feb 2004 17:52:37 -0500 Date: Sat, 21 Feb 2004 17:52:37 -0500 (EST) From: Jennifer Tu To: sipb-office@MIT.EDU Subject: SIPB 35th Reunion! (Sunday, June 13, 2004) Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sat, 21 Feb 2004 17:52:37 -0500 (EST) From: Jennifer Tu To: sipb-office@MIT.EDU Subject: SIPB 35th Reunion! (Sunday, June 13, 2004) X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) We'll be holding SIPB's 35th Reunion on Sunday, June 13. Note that this is the weekend after Alumnni Weekend, which is the weekend after graduation. -------------------------------- SIPB's 35th Reunion Sunday, June 13, 2004 Kresge BBQ pits / Student Center Time TBD RSVP to sipb-reunion@mit.edu -------------------------------- There will be food and people. You should come. RSVP to sipb-reunion@mit.edu. More details as we get closer to the event... --Jennifer  1,, Summary-line: 22-Feb d-duffey@argonet.co.uk [50] #SavoyNet production principal casting X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 22 Feb 2004 13:29:55 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1MITsP1005225; Sun, 22 Feb 2004 13:29:54 -0500 (EST) Received: from mserv6.dl.ac.uk (mail.dl.ac.uk [148.79.80.137]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1MITrO0006103 for ; Sun, 22 Feb 2004 13:29:53 -0500 (EST) Received: from mserv1.dl.ac.uk (root@mserv1.dl.ac.uk [148.79.160.65]) by mserv6.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i1MITn5h023716; Sun, 22 Feb 2004 18:29:49 GMT Received: from localhost (lpddist@localhost) by mserv1.dl.ac.uk with SMTP id SAA24207 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from buxton99-owner@dl.ac.uk); Sun, 22 Feb 2004 18:26:36 GMT Received: by mserv1.dl.ac.uk id SAA24188 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from owner-buxton99@mserv1.dl.ac.uk); Sun, 22 Feb 2004 18:26:32 GMT Received: from mserv7.dl.ac.uk (mserv7.dl.ac.uk [148.79.80.138]) by mserv1.dl.ac.uk with ESMTP id SAA24181 (8.8.8/5.4[ref postmaster@dl.ac.uk] for dl.ac.uk from d-duffey@argonet.co.uk); Sun, 22 Feb 2004 18:26:29 GMT X-DL-MFrom: X-DL-Connect: Received: from smtp.argonet.co.uk (centipede.freedom2.net [213.161.67.201]) by mserv7.dl.ac.uk (8.12.10/8.12.8/[ref postmaster@dl.ac.uk]) with ESMTP id i1MIPmDs017711 for ; Sun, 22 Feb 2004 18:25:48 GMT Received: from [62.188.108.224] (helo=Computer) by smtp.argonet.co.uk with smtp (Exim 4.20) id 1AuyIS-0001ku-Vy; Sun, 22 Feb 2004 18:25:45 +0000 Message-ID: <002101c3f971$4a18b620$0100a8c0@Computer> From: "David Duffey" To: "SavoyNet" , "B99" Subject: SavoyNet production principal casting Date: Sun, 22 Feb 2004 18:25:41 -0000 MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2720.3000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk Precedence: list X-Spam-Score: -4.8 X-Spam-Flag: NO *** EOOH *** X-Sieve: CMU Sieve 2.2 X-DL-MFrom: X-DL-Connect: From: "David Duffey" To: "SavoyNet" , "B99" Subject: SavoyNet production principal casting Date: Sun, 22 Feb 2004 18:25:41 -0000 X-Priority: 3 X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2727.1300 X-CCLRC-SPAM-report: -4.8 : BAYES_00,RCVD_IN_SORBS X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) X-Scanned-By: MIMEDefang 2.37 Sender: owner-buxton99@dl.ac.uk X-Spam-Score: -4.8 X-Spam-Flag: NO The audition panel is pleased to announce the following cast-list for the SavoyNet production of Pirates of Penzance at the Buxton Opera House on Tuesday evening, 10 August 2004 as part of the XI th International Gilbert and Sullivan Festival Major-General Stanley - Samuel Silvers (US) The Pirate King - Ian Henderson (UK) Samuel (his Lieutenant) - William Revels (UK) Frederic (the Pirate Apprentice) - Mitchell Gillett (US) Sergeant of Police - Philip Walsh (UK) General Stanley's Daughters: Mabel - Rebecca Consentino Hains (US) Edith - Jo Dunbar (UK) Kate - Vikki Willoughby (US) Isobel - Meriel Bartlett (UK) Ruth (a Pirate Maid of all Work) - Angela Lowe (Belgium) The competition for parts was exceptionally strong, in consequence this is a fine cast, by happenstance split 50-50 between United Kingdom and overseas performers and containing a genuine Cornish daughter. Chorus numbers will be settled within the next week, so if you have not already applied, but would like be considered, please get in touch at once. David Herr Direktor, for audition panel  1,, Summary-line: 22-Feb SSilvers@sskfny.com [48] #New Date: G&S singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Sun, 22 Feb 2004 14:27:58 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1MJRvP1000464; Sun, 22 Feb 2004 14:27:57 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1MJRuEO001987 for ; Sun, 22 Feb 2004 14:27:56 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1MJQuTJ007517; Sun, 22 Feb 2004 14:26:56 -0500 (EST) Date: Sun, 22 Feb 2004 14:26:56 -0500 (EST) Message-Id: Errors-To: savoynet-owner@bridgewater.edu Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: New Date: G&S singalong in NYC: April 24 Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Disposition: inline Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Novell GroupWise 5.5.5 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Sun, 22 Feb 2004 14:26:56 -0500 (EST) Reply-To: SSilvers@sskfny.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Samuel Silvers" To: Multiple recipients of list SAVOYNET Subject: New Date: G&S singalong in NYC: April 24 Content-Disposition: inline X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Note Revised Date: I am planning to host another G&S singalong on Saturday, April 24, 2004. HOLD THE DATE!! As usual, we will begin at noon and finish around 7 pm with a lunch (pizza) break around 1pm. We will sing through all the music of 4 G&S full length shows plus either Trial or possibly a sing-thru of The Chieftan. If anyone wishes to participate in a sing-thru of The Chieftan, let me know. I need a PRODUCER for the Chieftan who will organize the rehearsal with Andi and make sure the cast is prepared to sing this at the sing-along. I would be happy to sing but not produce. If you will be travelling more than 200 miles to attend the singalong, you should e-mail me to let me know that you will be attending. I will be hosting Marion Leeds Carroll. Are there any NY-ers who can take a visitor overnight? Jonathan I. needs a host, among other people. If anyone is interested in doing some NYC sightseeing on Sunday April 11, let me know. Best regards, Sam Silvers Andi wrote: If anyone wants to tackle a "special project" for Sam's Singalong, I'd be available/interested in playing for it. I'd have some time to get together to rehearse. One possibility that comes to mind is The Chieftain, as Paul Howarth has recently contributed his new setting of this to the Archive (and I've already printed it out for copying)....  1,, Summary-line: 23-Feb raeburn@raeburn.org [33] #orkut - Invitation to join from Ken Raeburn X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Mon, 23 Feb 2004 14:12:08 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1NJC71g024142; Mon, 23 Feb 2004 14:12:08 -0500 (EST) Received: from outbound.orkut.com (outbound.orkut.com [66.28.250.19]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1NJC6ie020812 for ; Mon, 23 Feb 2004 14:12:06 -0500 (EST) Received: from eda4 by outbound.orkut.com for ; Mon, 23 Feb 2004 11:12:09 -0800 From: "Ken Raeburn" To: "David Jedlinsky" Reply-To: "Ken Raeburn" Date: Mon, 23 Feb 2004 11:12:09 -0800 Subject: orkut - Invitation to join from Ken Raeburn Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit X-Mailer: aspNetEmail ver 2.5.0.0 X-RCPT-TO: Message-ID: X-Spam-Score: -4.716 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Ken Raeburn" To: "David Jedlinsky" Reply-To: "Ken Raeburn" Date: Mon, 23 Feb 2004 11:12:09 -0800 Subject: orkut - Invitation to join from Ken Raeburn X-RCPT-TO: X-Spam-Score: -4.716 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Ken Raeburn invites you to join his network of personal friends at orkut.com. orkut is a community of friends and trusted acquaintances that connects individuals through a social network that grows person by person. With orkut, you can catch up with old friends, make new acquaintances through people you trust, and maybe even find that certain someone you've been looking for everywhere. orkut helps you organize and attend events, join communities that share your interests, and find partners to participate in the activities you most enjoy. To find out why Ken Raeburn thought you'd enjoy orkut and to discover who else you know is already a member, click on the link below: http://www.orkut.com/Join.aspx?id=R4334BCN5D * * * If you're already an orkut member, make sure that the email address at which you received this note is entered into your orkut profile. That way, you'll automatically be connected to all of your friends. This invitation was sent to David on behalf of Ken Raeburn . If you do not wish to receive invitations from orkut, click on the link below: http://www.orkut.com/Unsubscribe.aspx?id=R4334BCN5D  1,, Summary-line: 24-Feb kytsing@MIT.EDU [23] #Re: Your copy of the Thespis score X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Feb 2004 14:34:53 -0500 X-Sieve: CMU Sieve 2.2 Received: from grand-central-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1OJYq1n024659; Tue, 24 Feb 2004 14:34:52 -0500 (EST) Received: from melbourne-city-street.mit.edu (MELBOURNE-CITY-STREET.MIT.EDU [18.7.21.86]) by grand-central-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1OJYU3N006870 for ; Tue, 24 Feb 2004 14:34:30 -0500 (EST) Received: from [18.79.0.179] (JOHANNA.MIT.EDU [18.79.0.179]) ) by melbourne-city-street.mit.edu (8.12.4/8.12.4) with ESMTP id i1OJYT8I010718 for ; Tue, 24 Feb 2004 14:34:29 -0500 (EST) Mime-Version: 1.0 X-Sender: kytsing@hesiod Message-Id: In-Reply-To: <200402240642.i1O6g8k5006955@multics.mit.edu> References: <200402172053.i1HKrRkL008265@multics.mit.edu> <200402240642.i1O6g8k5006955@multics.mit.edu> Date: Tue, 24 Feb 2004 14:34:28 -0500 To: "David C. Jedlinsky" From: Ky Lowenhaupt Subject: Re: Your copy of the Thespis score Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 X-Sender: kytsing@hesiod In-Reply-To: <200402240642.i1O6g8k5006955@multics.mit.edu> Date: Tue, 24 Feb 2004 14:34:28 -0500 To: "David C. Jedlinsky" From: Ky Lowenhaupt Subject: Re: Your copy of the Thespis score X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Hi Ky. > >We can make you a single-sided score, spiral bound. It will probably >be ready by the end of the week. > >-Dave > thanks. ky  1,, Summary-line: 24-Feb rls@dimins.com [17] #Chocolate X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Feb 2004 14:46:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1OJke1n005205; Tue, 24 Feb 2004 14:46:40 -0500 (EST) Received: from dimins.com (140-239-85-66.rev.hosting.com [140.239.85.66] (may be forged)) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1OJkWcq013538 for ; Tue, 24 Feb 2004 14:46:32 -0500 (EST) Received: from dimins.com (riogrande1.dimins.com [::ffff:204.215.187.44]) by dimins.com with esmtp; Tue, 24 Feb 2004 14:39:31 -0500 Date: Tue, 24 Feb 2004 14:46:01 -0500 Mime-Version: 1.0 (Apple Message framework v553) Content-Type: text/plain; delsp=yes; charset=US-ASCII; format=flowed Subject: Chocolate From: Ruth Jedlinsky To: dinner@mit.edu Content-Transfer-Encoding: 7bit Message-Id: <13122CB0-6702-11D8-92E8-003065AFF06A@dimins.com> X-Mailer: Apple Mail (2.553) X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Feb 2004 14:46:01 -0500 Subject: Chocolate From: Ruth Jedlinsky To: dinner@mit.edu X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) In case any missed it, this was an entertaining article in the Globe about immersing yourself in chocolate (almost literally, but not quite) http://www.boston.com/travel/articles/2004/02/18/ pa_spa_experience_is_sealed_with_a_kiss/ Ruth  1,, Summary-line: 24-Feb epish_shepherd@tiscali.co [34] #Tempest in a Teapot X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Feb 2004 16:30:16 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1OLUF1n003979; Tue, 24 Feb 2004 16:30:15 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1OLTicU018448 for ; Tue, 24 Feb 2004 16:29:57 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1OLRaTJ003794; Tue, 24 Feb 2004 16:27:36 -0500 (EST) Date: Tue, 24 Feb 2004 16:27:36 -0500 (EST) Message-Id: <6.0.1.1.0.20040224210926.01c864c0@pop3.tiscali.co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Tempest in a Teapot Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: QUALCOMM Windows Eudora Version 6.0.1.1 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Feb 2004 16:27:36 -0500 (EST) Reply-To: sheepish_shepherd@tiscali.co.uk Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Adam Cuerden To: Multiple recipients of list SAVOYNET Subject: Tempest in a Teapot X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, I did two hour's work on the Tempest today, and got 12 pages for my trouble. the score is riddled with pencillings, occasional red wax pencil, and, just o be perverse, when notes are moved from one of the two pianos to the other, they're written in pen (yes, moving the first two notes of No 2. from the Secondo to the Primo piano makes some sense, but none of the other scribblings do, and it took ages to correct it. It's not helped by the original print not being especially good, and I'm not really completely happy with what I ended up with even now - I'll have to do significant amounts of extra work still, but, given that this is one of probably only a few dozen left in existence, I want to make it available. Still, much as it goes against my nature to do so, I'm going to need to ask for help on cleaning it up, or voluntary donations (but don't get ridiculous). It's very stressful indeed, although, admittedly, the main expenses related to it are the rather high University printing fees (3p a page???) and canteen coffee and such. So don't go overboard.  1, answered,, Summary-line: 24-Feb dcj@okidok.zk3.dec.com [56] #[sommerfeld@alum.mit.edu: Re: Ruth sez to send this here] X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Tue, 24 Feb 2004 17:36:41 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1OMae1n025145; Tue, 24 Feb 2004 17:36:41 -0500 (EST) Received: from zcamail03.zca.compaq.com (zcamail03.zca.compaq.com [161.114.32.103]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1OMadsH005362 for ; Tue, 24 Feb 2004 17:36:40 -0500 (EST) Received: from taynzmail03.nz-tay.cpqcorp.net (taynzmail03.nz-tay.cpqcorp.net [16.47.4.103]) by zcamail03.zca.compaq.com (Postfix) with ESMTP id DE128A563 for ; Tue, 24 Feb 2004 14:36:35 -0800 (PST) Received: from yquarry.zk3.dec.com (brrquarry.zk3.dec.com [16.141.56.3]) by taynzmail03.nz-tay.cpqcorp.net (Postfix) with ESMTP id 54E702ECB for ; Tue, 24 Feb 2004 17:36:35 -0500 (EST) Received: from okidok.zk3.dec.com by yquarry.zk3.dec.com (8.8.8/1.1.22.3/03Mar00-0551AM) id RAA31347; Tue, 24 Feb 2004 17:36:34 -0500 (EST) Received: by okidok.zk3.dec.com (8.11.1/1.1.29.3/14Jul03-0327PM) id i1OMaXV0000427756; Tue, 24 Feb 2004 17:36:33 -0500 (EST) Date: Tue, 24 Feb 2004 17:36:33 -0500 (EST) Message-Id: <200402242236.i1OMaXV0000427756@okidok.zk3.dec.com> From: David Jedlinsky USG To: opus@mit.edu Subject: [sommerfeld@alum.mit.edu: Re: Ruth sez to send this here] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Tue, 24 Feb 2004 17:36:33 -0500 (EST) From: David Jedlinsky USG To: opus@mit.edu Subject: [sommerfeld@alum.mit.edu: Re: Ruth sez to send this here] X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) ------- Start of forwarded message ------- From: Bill Sommerfeld To: David Jedlinsky USG Cc: Todd Neal , rls@mit.edu Subject: Re: Ruth sez to send this here In-Reply-To: Your message of "Tue, 24 Feb 2004 16:48:29 EST." <200402242148.i1OLmTP0000425414@okidok.zk3.dec.com> Reply-To: sommerfeld@alum.mit.edu Date: Tue, 24 Feb 2004 14:22:53 -0800 Sender: sommerfeld@orchard.arlington.ma.us got it. would be useful to see the corresponding section of the score to see how it fits (there's not much if any cues in there..) immediate commentary: - Wow. Shortest "G&S" act I finale I've ever seen.. - the unbroken 42-bar rest on the first line with no cues is annoying; likewise for the 21-bar rest before 211. - in general, measure numbers on double-bars, and at the start and end of every long rest would help those of us who have trouble doing arithmetic while counting and following the conductor. (the annoying case is when you have |---- N ---| a few notes |---- N ----| a few notes |---- N ---| but it looks like you're setting things sufficiently large that this isn't happening. - the page break is at a reasonable place, but presuming the same page parity, if there's a 102-bar rest coming up after a page turn, split the rest around the page turn with maybe 4-8 bars beforehand and the rest on the next page so it's clear there's no need for a high speed page turn. - the railroad tracks in bar 67 are conventionally placed *between* notes/rests. - phrasing marks in 69-72, 181-184 and 211-214 would be helpful to understand how the line's shaped (i'm presuming we're supporting a refrain from the chorus or some such at those points and would want to match vocal phrasing..) - Bill ------- End of forwarded message -------  1, answered,, Summary-line: 25-Feb TNEAL@PARTNERS.ORG [14] #RE: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 09:15:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PEFnLI005163; Wed, 25 Feb 2004 09:15:49 -0500 (EST) Received: from PHSEXCHICO.MGH.HARVARD.EDU (phsexchico.mgh.harvard.edu [132.183.126.50]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1PEFmNY022416 for ; Wed, 25 Feb 2004 09:15:48 -0500 (EST) Received: by phsexchico.mgh.harvard.edu with Internet Mail Service (5.5.2657.72) id ; Wed, 25 Feb 2004 09:15:48 -0500 Message-ID: From: "Neal, Todd" To: "'David C. Jedlinsky'" , sommerfeld@alum.MIT.EDU Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 09:15:38 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2657.72) Content-Type: text/plain; charset="iso-8859-1" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Neal, Todd" To: "'David C. Jedlinsky'" , sommerfeld@alum.MIT.EDU Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 09:15:38 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Todd will have to comment on whether the slurs I put on mm69-72, 181-184 and 211-214 are correct, or if I should just leave them alone (unslurred).< Unslurred, please. The part is supposed to be very very staccato.  1,, Summary-line: 25-Feb andi_s_r@yahoo.com [33] #Re: Casting call: G&S/SavoyNet singalong in NYC: April 24 X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 11:25:46 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PGPkLI018795; Wed, 25 Feb 2004 11:25:46 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1PGPdf3018531 for ; Wed, 25 Feb 2004 11:25:43 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1PGOKTJ023550; Wed, 25 Feb 2004 11:24:20 -0500 (EST) Date: Wed, 25 Feb 2004 11:24:20 -0500 (EST) Message-Id: <20040225162257.94232.qmail@web14522.mail.yahoo.com> Errors-To: savoynet-owner@bridgewater.edu Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Casting call: G&S/SavoyNet singalong in NYC: April 24 MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Feb 2004 11:24:20 -0500 (EST) Reply-To: andi_s_r@yahoo.com Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Andi To: Multiple recipients of list SAVOYNET Subject: Re: Casting call: G&S/SavoyNet singalong in NYC: April 24 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum In-Reply-To: X-Spam-Score: -3.999 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) To further entice people to tackle The Chieftain at Sam's Singalong, I will offer nicely printed-out double-sided copies of Paul's setting of the score free of charge to anyone willing to tackle it for Sam's event, and will absorb the cost of sending it by mail or UPS to your address. Please, someone volunteer to organize this...the material is worth doing, it's a lovely change from The Usual, and now that Paul has made the material available in such beautifully legible form, it seems criminal not to take advantage of the opportunity. ===== Andi Stryker-Rodda New York City/New Jersey USA  1,, Summary-line: 25-Feb to: TNEAL@PARTNERS.ORG [42] #Re: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 13:11:50 -0500 X-Sieve: CMU Sieve 2.2 Received: from biscayne-one-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PIBnLI020816; Wed, 25 Feb 2004 13:11:49 -0500 (EST) Received: from manawatu-mail-centre.mit.edu (MANAWATU-MAIL-CENTRE.MIT.EDU [18.7.7.71]) by biscayne-one-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1PIBm7j026365; Wed, 25 Feb 2004 13:11:48 -0500 (EST) Received: from multics.mit.edu (MULTICS.MIT.EDU [18.187.1.73]) (authenticated bits=56) (User authenticated as opus@ATHENA.MIT.EDU) by manawatu-mail-centre.mit.edu (8.12.4/8.12.4) with ESMTP id i1PIBk8e006732; Wed, 25 Feb 2004 13:11:47 -0500 (EST) Received: (from opus@localhost) by multics.mit.edu (8.12.9) id i1PIBkh7023993; Wed, 25 Feb 2004 13:11:46 -0500 (EST) Date: Wed, 25 Feb 2004 13:11:46 -0500 (EST) Message-Id: <200402251811.i1PIBkh7023993@multics.mit.edu> From: "David C. Jedlinsky" To: TNEAL@PARTNERS.ORG CC: sommerfeld@alum.MIT.EDU In-reply-to: (TNEAL@PARTNERS.ORG) Subject: Re: Ruth sez to send this here References: X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Wed, 25 Feb 2004 13:11:46 -0500 (EST) From: "David C. Jedlinsky" To: TNEAL@PARTNERS.ORG CC: sommerfeld@alum.MIT.EDU In-reply-to: (TNEAL@PARTNERS.ORG) Subject: Re: Ruth sez to send this here X-Spam-Score: -10.2 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Okay. Todd, is there any phrasing that needs to be done there to emphasize the vocal lines? That was Bill's original question, and my lame attempt to meet the request. Any other comments on the formatting as it stands? I can turn on and off measure numbers following whatever rule is agreed upon. In particular, is mm5-44 ok? How about 78-177; would it be better in this case to not show 128 & 145? I may or may not be able to turn off 178 & 179; we'll see. I can also put measure numbers on the double bars, though it's a different issue and only slightly tricky. Is the Flute cue in 209-210 ok, or do you want something changed? The words "Flute" and "Trombone" will have to switch to italics, though, for arcane reasons. -Dave >From: "Neal, Todd" >Date: Wed, 25 Feb 2004 09:15:38 -0500 > >>Todd will have to comment on whether the slurs I put on mm69-72, >181-184 and 211-214 are correct, or if I should just leave them alone >(unslurred).< > >Unslurred, please. The part is supposed to be very very staccato.  1, answered,, Summary-line: 25-Feb TNEAL@PARTNERS.ORG [36] #RE: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 13:25:04 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PIP3LI002628; Wed, 25 Feb 2004 13:25:03 -0500 (EST) Received: from PHSXCHICI4.partners.org (phsxchici4.mgh.harvard.edu [132.183.118.57]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1PIP1f3011050 for ; Wed, 25 Feb 2004 13:25:01 -0500 (EST) Received: by phsxchici4.mgh.harvard.edu with Internet Mail Service (5.5.2657.72) id ; Wed, 25 Feb 2004 13:25:20 -0500 Message-ID: From: "Neal, Todd" To: "'David C. Jedlinsky'" Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 13:24:59 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2657.72) Content-Type: text/plain; charset="ISO-8859-1" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Neal, Todd" To: "'David C. Jedlinsky'" Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 13:24:59 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Okay. Todd, is there any phrasing that needs to be done there to emphasize the vocal lines? That was Bill's original question, and my lame attempt to meet the request.< The phrasing should be just how I originally marked it. >Any other comments on the formatting as it stands? I can turn on and off measure numbers following whatever rule is agreed upon. In particular, is mm5-44 ok? How about 78-177; would it be better in this case to not show 128 & 145? I may or may not be able to turn off 178 & 179; we'll see.< As I said before, it would be nice to break those rests up into 8-14 bar phrases. However, I'd rather see bad scores than no scores. Maybe it's best to go with what we have, and any complaints from the orchestra can be fixed in a version 1.1 sometime after the first rehearsal. >I can also put measure numbers on the double bars, though it's a different issue and only slightly tricky.< If it won't jeopardize Sunday's deadline, then go for it. >Is the Flute cue in 209-210 ok, or do you want something changed? The words "Flute" and "Trombone" will have to switch to italics, though, for arcane reasons.< It will have to be OK. There's really nothing else there to hang a cue on.  1, answered,, Summary-line: 25-Feb TNEAL@PARTNERS.ORG [31] #RE: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 14:05:51 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PJ5oLI007938; Wed, 25 Feb 2004 14:05:50 -0500 (EST) Received: from PHSXCHICI4.partners.org (phsxchici4.mgh.harvard.edu [132.183.118.57]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1PJ5nnc014276 for ; Wed, 25 Feb 2004 14:05:49 -0500 (EST) Received: by phsxchici4.mgh.harvard.edu with Internet Mail Service (5.5.2657.72) id ; Wed, 25 Feb 2004 14:06:09 -0500 Message-ID: From: "Neal, Todd" To: "'David C. Jedlinsky'" Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 14:05:40 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2657.72) Content-Type: text/plain; charset="ISO-8859-1" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Neal, Todd" To: "'David C. Jedlinsky'" Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 14:05:40 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >My only problem with breaking up the larger sections is musical, not technical: where do you want it broken, and what should be shown at the break? < See that's the problem. It needs to be broken up at logical spaces. I suppose I could go through and mark where they all should be, but not for a couple of days. This would probably kill our deadline. Some of them might be obvious -- the 39 measure rest in #7, for instance, can be broken up into 8 bar sections, following the change of voices -- but some won't be as obvious. >I agree about the choice of flute being the only really good option at that point. My question was more a formatting one: is it ok that it says "Flute" and "Trombone", or do we need to say "Cue: Flute" or anything like that?< I honestly don't know. It should probably say "Cue...", but this might be a better question for Bill. At any rate, the way you have it is perfectly clear to understand. >I've made a few more changes, so reload the pdf file to see them: It just keeps getting better and better.  1,, Summary-line: 25-Feb TNEAL@PARTNERS.ORG [32] #RE: Ruth sez to send this here X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Wed, 25 Feb 2004 15:19:21 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1PKJKLI011786; Wed, 25 Feb 2004 15:19:20 -0500 (EST) Received: from PHSEXCHICO2.Partners.org (phsexchico2.partners.org [170.223.254.20]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1PKIY1G025220 for ; Wed, 25 Feb 2004 15:18:34 -0500 (EST) Received: by phsexchico2.partners.org with Internet Mail Service (5.5.2657.72) id ; Wed, 25 Feb 2004 15:18:34 -0500 Message-ID: From: "Neal, Todd" To: "'David C. Jedlinsky'" , sommerfeld@alum.MIT.EDU Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 15:18:28 -0500 MIME-Version: 1.0 X-Mailer: Internet Mail Service (5.5.2657.72) Content-Type: text/plain; charset="iso-8859-1" X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: "Neal, Todd" To: "'David C. Jedlinsky'" , sommerfeld@alum.MIT.EDU Subject: RE: Ruth sez to send this here Date: Wed, 25 Feb 2004 15:18:28 -0500 X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) >Okay, how about I leave them as huge chunks, and if we can get to it within the deadline, fine. Otherwise, they'll have to count and recognize the time sig/key sig changes.< Sounds good. >1) Do you expect to see them cross the top staff line like that? I've got at least one published example that shows them that way. 2) Are they the right size, or do you want them bigger or smaller?< http://www.dolmetsch.com/musictheory5.htm#fermata >3) Are they in the right place for that section of music? If you look at the full score, they appear on different beats, depending on which staff you're looking at. Do we need to break up the rests even more, so that it goes:< The reason that happened is because of an artifact of Noteworthy. When the entire bar is a whole rest, one can only place text in certain places. By the way, for such a Roman show, shouldn't we be using the term Caesura? Except in #6?  1,, Summary-line: 26-Feb pookahone@earthlink.net [119] #Special Casting Call for "The Chieftain" at Sam Silver's on April X-Coding-System: iso-latin-1-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 00:04:30 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1Q54ULI003762; Thu, 26 Feb 2004 00:04:30 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1Q54Sqi021544 for ; Thu, 26 Feb 2004 00:04:29 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1Q530TJ010827; Thu, 26 Feb 2004 00:03:00 -0500 (EST) Date: Thu, 26 Feb 2004 00:03:00 -0500 (EST) Message-Id: <403D7A1C.7010308@earthlink.net> Errors-To: savoynet-owner@bridgewater.edu Reply-To: pookahone@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: Marc Lewis To: Multiple recipients of list SAVOYNET Subject: Special Casting Call for "The Chieftain" at Sam Silver's on April 24 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 00:03:00 -0500 (EST) Reply-To: pookahone@earthlink.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: Marc Lewis To: Multiple recipients of list SAVOYNET Subject: Special Casting Call for "The Chieftain" at Sam Silver's on April 24 X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -4.9 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) Well, things move fast here on Savoynet. It looks like we're really going to try and do "The Chieftain" at Sam's. If you're not coming to NY for Sam's Sing-Out then, by all means, skip this post, but do note my praise of the G & S archive in the next couple of paragraphs. I've agreed to "produce" the piece. Andi Stryker-Rodda has agreed to play as well as rehearse it. She's also made the more than kind offer of providing and sending hard copies of Paul Howarth's excellent new edition. One can also download the score in .pdf files (read with the free Acrobat Reader available to both PC and Mac Users) from the Archive at the following link: http://diamond.boisestate.edu/gas/other_sullivan/html/chieftain_score.html The Archive continues to wonder with its amazing plethora of resources. Thank you personally to all who work on and contribute to it. The Archive also contains a "Web Opera" version of "The Chieftain" containing the libretto and 2 sets of midi files, one by Paul Howarth and one by Clifton Coles. These may also be downloaded and used to help learn the music. NOW WHAT WE NEED IS A CAST. I understand that Andi has already received some interest, but have not been able to contact her yet. We need to cast this ASAP since this will determine the casting of the other pieces being performed that day. Qualifications for Requesting a Role in "THE CHIEFTAIN": 1) You must plan to be present at Sam Silver's on April 24th. (We have decided NOT to have performances by phone although this would be very authentic. G & S did it.) 2) You must promise that, if you request and are given a role, you WILL LEARN IT. It's just not fair to others if you don't since they will be making the effort and this really is an ensemble piece. I have to admit that this is probably the Sullivan theatre score with which I am least familiar. I will be doing my homework (already started) but as I see it now there are basically 10 principal parts. Here is a quick breakdown. --------------------------------------------------------------------------- VASQUEZ-real tenor part (1S,5E,2F) GRIGG-comic or patter baritone (1S,5E,2F) PEDRO GOMEZ-second tenor or, perhaps, high baritone like Dr. Tannhauser in Grand Duke (1S,2E,2F) FERDINAND-the 2nd Act Bass like Prince of Monte Carlo, but with more to do (2S,2E,1F) SANCHO + JOSé-2 basses or baritones, lots of ensemble, Sancho was created by Richard Temple (7E,2F) RITA-leading soprano (2S,4E,2F) INEZ-the Brandram contralto part (1S+1,5E,2F) DOLLY, Griggs Wife-1st Soubrette (1S,2E,1F) JUANITA-2nd Soubrette (3E) --------------------------------------------------------------------------- My code after the character represents the quantity of numbers in which they appear, S=Solo, E=Ensemble (Trio, Quintet, Sestet, etc.), F=Finale The Chorus has two substantial numbers plus the two Finales and also appears in at least 4 of the other numbers. SO, IF YOU'RE PLANNING TO ATTEND, please take a look at this at your earliest convenience, as inconvenient as that may be, and let us know. And, if you're coming but not requesting a role in "The Chieftain," please take a look at the chorus parts. Andi is willing to rehearse and we will set up NY rehearsal(s) in advance for those close enough to the city to attend. With this in mind, we will probably cast, at least, Sancho and José from that close enough pool, but...Right Now, it's enthusiasm and commitment for which we're looking. And there can't be many more eligible for commitment than members of Savoynet. I am departing the city tomorrow to work in California for a week. In my absence, Douglas Whaley (email address: DglsWhaley@aol.com) will accept and collate any and all "Chieftain" requests or questions. As soon as I return and with the hope that enthusiasm is high, we will cast the show and either Sam or I will email all potential attendees. SO LET'S DO IT! I'm rather excited about it; I hope you are too. But, once again, I must reiterate that once you've said "Yes," you've committed yourself to being prepared to give this score a hearing on April 24. More later, but now off to the not quite aptly named "City of the Angels," MARC LEWIS email address: pookahone@earthlink.net NYC  1, forwarded,, Summary-line: 26-Feb MABromberg@aol.com [88] #Re: Blacklights? X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 00:21:02 -0500 X-Sieve: CMU Sieve 2.2 Received: from fort-point-station.mit.edu by po9.mit.edu (8.12.4/4.7) id i1Q5L1LI014799; Thu, 26 Feb 2004 00:21:01 -0500 (EST) Received: from imo-r07.mx.aol.com (imo-r07.mx.aol.com [152.163.225.103]) by fort-point-station.mit.edu (8.12.4/8.9.2) with ESMTP id i1Q5L0qi029194 for ; Thu, 26 Feb 2004 00:21:00 -0500 (EST) Received: from MABromberg@aol.com by imo-r07.mx.aol.com (mail_out_v36_r4.14.) id 6.11b.2e8a4ea6 (4184) for ; Thu, 26 Feb 2004 00:20:57 -0500 (EST) From: MABromberg@aol.com Message-ID: <11b.2e8a4ea6.2d6edc38@aol.com> Date: Thu, 26 Feb 2004 00:20:56 EST Subject: Re: Blacklights? To: opus@mit.edu MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1077772856" X-Mailer: 9.0 for Windows sub 5002 X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 From: MABromberg@aol.com Date: Thu, 26 Feb 2004 00:20:56 EST Subject: Re: Blacklights? To: opus@mit.edu X-Spam-Score: -4.64 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) -------------------------------1077772856 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 2/25/2004 10:54:08 PM Eastern Standard Time, opus@MIT.EDU writes: Hi Mike. I'd like to create an effect, where the real Gods transfer their "powers" to a symbol of their office, which then gets handed off to the Thespians. We'd need about 15 of these symbols. Ruth suggested perhaps painting the props in a paint which fluoresces under black light. How practical/visible is this under normal stage lights (it would happen during the act 1 finale, and I don't have a blackout planned)? If it's impractical, do you have any other (cheap) suggestion for how I might achieve such an effect? Thanks. -Dave This effect can work under normal stage light. There are two kinds of fluorescent paint, "invisible blue" and all the others. Only the "invisible blue" attempts to be invisible under normal light, and glows blue under UV; the glow effect is not terribly strong under both kinds of light. The others appear a color (say, orange) under normal light and fluorescent orange under UV, and the difference is noticeable under both (i.e., the stage lights are on and we add the UV). I think the second effect is the one you want. I have some orange and purple Wildfire UV paint of the second kind, enough to paint some hand props (if it's still usable), and we can try the effect under blacklights. If you want other colors, you'll have to buy more paint. Mike Mike -------------------------------1077772856 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 2/25/2004 10:54:08 PM Eastern Standard Time, opus@MI= T.EDU writes:
Hi Mike.

I'd like to create an effect,=20= where the real Gods transfer their
"powers" to a symbol of their office,=20= which then gets handed off to
the Thespians.  We'd need about 15 of=20= these symbols.

Ruth suggested perhaps painting the props in a paint w= hich fluoresces
under black light.  How practical/visible is this un= der normal stage
lights (it would happen during the act 1 finale, and I d= on't have a
blackout planned)?

If it's impractical, do you have an= y other (cheap) suggestion for how
I might achieve such an effect?
Thanks.

-Dave
This effect can work under normal stage=20= light. There are two kinds of fluorescent paint, "invisible blue" and all th= e others. Only the "invisible blue" attempts to be invisible under normal li= ght, and glows blue under UV; the glow effect is not terribly strong under b= oth kinds of light. The others appear a color (say, orange) under normal lig= ht and fluorescent orange under UV, and the difference is noticeable under b= oth (i.e., the stage lights are on and we add the UV). I think the second ef= fect is the one you want. I have some orange and purple Wildfire UV paint of= the second kind, enough to paint some hand props (if it's still usable), an= d we can try the effect under blacklights. If you want other colors, you'll=20= have to buy more paint.
 
Mike
 
Mike
-------------------------------1077772856--  1,, Summary-line: 26-Feb leon.berger@virgin.net [141] #Re: Residue of the Estates of Schwenk, Arthur and Richard X-Coding-System: undecided-unix Return-Path: Received: from po9.mit.edu (po9.mit.edu [18.7.21.65]) by po9.mit.edu (Cyrus v2.1.5) with LMTP; Thu, 26 Feb 2004 05:15:12 -0500 X-Sieve: CMU Sieve 2.2 Received: from pacific-carrier-annex.mit.edu by po9.mit.edu (8.12.4/4.7) id i1QAFBLI014473; Thu, 26 Feb 2004 05:15:11 -0500 (EST) Received: from Luna.bridgewater.edu (Luna.bridgewater.edu [147.138.10.60]) by pacific-carrier-annex.mit.edu (8.12.4/8.9.2) with ESMTP id i1QAF9TX013206 for ; Thu, 26 Feb 2004 05:15:10 -0500 (EST) Received: from Luna (localhost [127.0.0.1]) by Luna.bridgewater.edu (8.12.9/8.12.9) with SMTP id i1QAEFTJ013669; Thu, 26 Feb 2004 05:14:15 -0500 (EST) Date: Thu, 26 Feb 2004 05:14:15 -0500 (EST) Message-Id: <000b01c3fc4e$25077440$4f526251@co.uk> Errors-To: savoynet-owner@bridgewater.edu Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu Precedence: bulk From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Residue of the Estates of Schwenk, Arthur and Richard MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0006_01C3FC4E.2119E660" X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Mailer: Microsoft Outlook Express 6.00.2800.1158 X-Spam-Score: -2.912 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) *** EOOH *** X-Sieve: CMU Sieve 2.2 Date: Thu, 26 Feb 2004 05:14:15 -0500 (EST) Reply-To: leon.berger@virgin.net Originator: savoynet@bridgewater.edu Sender: savoynet@bridgewater.edu From: "Leon Berger" To: Multiple recipients of list SAVOYNET Subject: Re: Residue of the Estates of Schwenk, Arthur and Richard X-Listprocessor-Version: 6.0d -- ListProcessor by Anastasios Kotsikonas X-Comment: Gilbert and Sullivan Forum X-Spam-Score: -2.912 X-Spam-Flag: NO X-Scanned-By: MIMEDefang 2.28 (www . roaringpenguin . com / mimedefang) This is a multi-part message in MIME format. ------=_NextPart_000_0006_01C3FC4E.2119E660 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Try the following site (recommended to me by Savoynetter Claire Little a = couple of years ago). http://www.eh.net/ehresources/howmuch/poundq.php Leon ________________________________________________________ Disc home pages: COX & BOX/ A SOCIETY CLOWN (Grossmith): www.divine-art.com HIS EXCELLENCY: www.hisexcellency.co.uk Websites: DONALD SWANN: www.donaldswann.co.uk FLANDERS & SWANN ONLINE: http://timothyplatypus.tripod.com/FaS/ ----- Original Message -----=20 From: Turvyseeker1@aol.com=20 To: Multiple recipients of list SAVOYNET=20 Sent: Thursday, February 26, 2004 3:11 AM Subject: RE: Residue of the Estates of Schwenk, Arthur and Richard Dear Friends, This matter has been the plague of my existence for 6 months: i.e. = attempting to figure out value of money in Late Victorian age in terms = of our current dollar today. Most biographies of G&S speak disparagingly of Sullivan's paltry = estate having amounted to a meagre 55,000 pounds or so. Well, that is = very likely equivalent to several millions of dollars today, but the = exact equation is not that easily acquired by hook or by crook.. Are there any banking geniuses among our Savoynetters who can = enlighten me on this matter. Thank you so very kindly, Regards, Donald ps: Hint=3Done of the major stumbling blocks that I have found is = that the working class wages were almost vanishingly small when compared = with the upper classes who luxuriated in extravagant wealth sans taxes = as we know them. ------=_NextPart_000_0006_01C3FC4E.2119E660 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Try the following site (recommended to = me by=20 Savoynetter Claire Little a couple of years ago).
 
 
http://www.eh.n= et/ehresources/howmuch/poundq.php
Leon
________________________________________________________
Disc = home=20 pages:
COX & BOX/ A SOCIETY CLOWN (Grossmith):  www.divine-art.com
HIS = EXCELLENCY: www.hisexcellency.co.uk
=
 
Websites:
DONALD SWANN:  www.donaldswann.co.uk
FLANDE= RS &=20 SWANN ONLINE: http://timothyplatypus.tr= ipod.com/FaS/
----- Original Message -----
From:=20 Turvyseeker1@aol.com